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I was intending instead to go for", "present whatever content in the form of a story, quite often with fictional", "the form of a story, quite often with fictional characters. I was intending", "often with fictional characters. I was intending instead to go for the dry", "poem, i.e. a sonnet instead of a longer ballad? As a note, I", "would detract from the precision of the scientific language. Are there rhetorical figures", "characters. I was intending instead to go for the dry science, and write", "basic scientific notions in it. Most books for this target readership that I", "a mnemonic reference for future use. To this aim, poetry makes liberal use", "both for the toddlers, and possibly for the parents too. To be able", "it. Most books for this target readership that I have seen present whatever", "scientific language. Are there rhetorical figures that, while preserving a good amount of", "memorable. I am afraid that in general this would detract from the precision", "form of a story, quite often with fictional characters. I was intending instead", "be a dream; in the least I'm hoping to provide a mnemonic reference", "in the form of a story, quite often with fictional characters. I was", "science, and write it down as easy-to-remember rhymes. The content is clearly not", "repetition patterns, for instance. On the other hand, perhaps, science can find a", "planning to use religious litanies as a reference, purging them of the arcane", "easy to digest, both for the toddlers, and possibly for the parents too.", "notions in it. Most books for this target readership that I have seen", "I have seen present whatever content in the form of a story, quite", "poetry makes liberal use of metaphors, similes, and other artifices to convey its", "afraid that in general this would detract from the precision of the scientific", "with basic scientific notions in it. Most books for this target readership that", "this target readership that I have seen present whatever content in the form", "rhetorical figures that, while preserving a good amount of language precision, would make", "the precision of the scientific language. Are there rhetorical figures that, while preserving", "patterns, for instance. On the other hand, perhaps, science can find a different,", "toddlers, and possibly for the parents too. To be able to explain the", "readership that I have seen present whatever content in the form of a", "the parents too. To be able to explain the meaning of scientific concepts", "and write it down as easy-to-remember rhymes. The content is clearly not easy", "for toddlers with basic scientific notions in it. Most books for this target", "create a book for toddlers with basic scientific notions in it. Most books", "that in general this would detract from the precision of the scientific language.", "for instance. On the other hand, perhaps, science can find a different, more", "make it memorable. I am afraid that in general this would detract from", "for the dry science, and write it down as easy-to-remember rhymes. The content", "in it. Most books for this target readership that I have seen present", "a sonnet instead of a longer ballad? As a note, I was planning", "precision of the scientific language. Are there rhetorical figures that, while preserving a", "is clearly not easy to digest, both for the toddlers, and possibly for", "write it down as easy-to-remember rhymes. The content is clearly not easy to", "meaning of scientific concepts would be a dream; in the least I'm hoping", "been intending to create a book for toddlers with basic scientific notions in", "it memorable. I am afraid that in general this would detract from the", "make the content easier to remember? Should the mnemonics rather be attained from", "a dream; in the least I'm hoping to provide a mnemonic reference for", "from the structure of the poem, i.e. a sonnet instead of a longer", "to go for the dry science, and write it down as easy-to-remember rhymes.", "I have been intending to create a book for toddlers with basic scientific", "attained from the structure of the poem, i.e. a sonnet instead of a", "litanies as a reference, purging them of the arcane imagery, and copying their", "a book for toddlers with basic scientific notions in it. Most books for", "dry science, and write it down as easy-to-remember rhymes. The content is clearly", "the least I'm hoping to provide a mnemonic reference for future use. To", "metaphors, similes, and other artifices to convey its content, and make it memorable.", "hoping to provide a mnemonic reference for future use. To this aim, poetry", "this would detract from the precision of the scientific language. Are there rhetorical", "content easier to remember? Should the mnemonics rather be attained from the structure", "rather be attained from the structure of the poem, i.e. a sonnet instead", "purging them of the arcane imagery, and copying their repetition patterns, for instance.", "of metaphors, similes, and other artifices to convey its content, and make it", "future use. To this aim, poetry makes liberal use of metaphors, similes, and", "I was intending instead to go for the dry science, and write it", "its content, and make it memorable. I am afraid that in general this", "instead of a longer ballad? As a note, I was planning to use", "them of the arcane imagery, and copying their repetition patterns, for instance. On", "toddlers with basic scientific notions in it. Most books for this target readership", "down as easy-to-remember rhymes. The content is clearly not easy to digest, both", "their repetition patterns, for instance. On the other hand, perhaps, science can find", "not easy to digest, both for the toddlers, and possibly for the parents", "of the scientific language. Are there rhetorical figures that, while preserving a good", "liberal use of metaphors, similes, and other artifices to convey its content, and", "To this aim, poetry makes liberal use of metaphors, similes, and other artifices", "intending instead to go for the dry science, and write it down as", "to provide a mnemonic reference for future use. To this aim, poetry makes", "digest, both for the toddlers, and possibly for the parents too. To be", "The content is clearly not easy to digest, both for the toddlers, and", "be able to explain the meaning of scientific concepts would be a dream;", "too. To be able to explain the meaning of scientific concepts would be", "the mnemonics rather be attained from the structure of the poem, i.e. a", "in the least I'm hoping to provide a mnemonic reference for future use.", "the meaning of scientific concepts would be a dream; in the least I'm", "easier to remember? Should the mnemonics rather be attained from the structure of", "and possibly for the parents too. To be able to explain the meaning", "would make the content easier to remember? Should the mnemonics rather be attained", "of the poem, i.e. a sonnet instead of a longer ballad? As a", "easy-to-remember rhymes. The content is clearly not easy to digest, both for the", "be attained from the structure of the poem, i.e. a sonnet instead of", "book for toddlers with basic scientific notions in it. Most books for this", "to explain the meaning of scientific concepts would be a dream; in the", "it down as easy-to-remember rhymes. 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As a note, I was planning to use religious", "detract from the precision of the scientific language. Are there rhetorical figures that,", "use. To this aim, poetry makes liberal use of metaphors, similes, and other", "As a note, I was planning to use religious litanies as a reference,", "reference, purging them of the arcane imagery, and copying their repetition patterns, for", "this aim, poetry makes liberal use of metaphors, similes, and other artifices to", "explain the meaning of scientific concepts would be a dream; in the least", "the dry science, and write it down as easy-to-remember rhymes. The content is", "imagery, and copying their repetition patterns, for instance. 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To this aim, poetry makes liberal use of metaphors, similes,", "am afraid that in general this would detract from the precision of the", "would be a dream; in the least I'm hoping to provide a mnemonic", "i.e. a sonnet instead of a longer ballad? As a note, I was", "whatever content in the form of a story, quite often with fictional characters.", "that, while preserving a good amount of language precision, would make the content", "to use religious litanies as a reference, purging them of the arcane imagery,", "use religious litanies as a reference, purging them of the arcane imagery, and", "preserving a good amount of language precision, would make the content easier to", "Are there rhetorical figures that, while preserving a good amount of language precision,", "a story, quite often with fictional characters. I was intending instead to go", "the toddlers, and possibly for the parents too. To be able to explain", "least I'm hoping to provide a mnemonic reference for future use. To this", "a longer ballad? As a note, I was planning to use religious litanies", "I am afraid that in general this would detract from the precision of", "target readership that I have seen present whatever content in the form of", "and other artifices to convey its content, and make it memorable. I am", "of language precision, would make the content easier to remember? Should the mnemonics", "other artifices to convey its content, and make it memorable. I am afraid", "ballad? As a note, I was planning to use religious litanies as a", "of the arcane imagery, and copying their repetition patterns, for instance. On the", "able to explain the meaning of scientific concepts would be a dream; in", "Most books for this target readership that I have seen present whatever content", "amount of language precision, would make the content easier to remember? Should the", "remember? Should the mnemonics rather be attained from the structure of the poem,", "books for this target readership that I have seen present whatever content in", "Should the mnemonics rather be attained from the structure of the poem, i.e.", "instead to go for the dry science, and write it down as easy-to-remember", "general this would detract from the precision of the scientific language. Are there", "a note, I was planning to use religious litanies as a reference, purging", "go for the dry science, and write it down as easy-to-remember rhymes. The", "and copying their repetition patterns, for instance. On the other hand, perhaps, science", "for the toddlers, and possibly for the parents too. To be able to", "copying their repetition patterns, for instance. On the other hand, perhaps, science can", "use of metaphors, similes, and other artifices to convey its content, and make", "I'm hoping to provide a mnemonic reference for future use. To this aim,", "longer ballad? As a note, I was planning to use religious litanies as", "precision, would make the content easier to remember? Should the mnemonics rather be", "seen present whatever content in the form of a story, quite often with", "of scientific concepts would be a dream; in the least I'm hoping to", "reference for future use. To this aim, poetry makes liberal use of metaphors,", "to digest, both for the toddlers, and possibly for the parents too. To", "the poem, i.e. a sonnet instead of a longer ballad? As a note,", "to remember? Should the mnemonics rather be attained from the structure of the", "content in the form of a story, quite often with fictional characters. I", "similes, and other artifices to convey its content, and make it memorable. I", "To be able to explain the meaning of scientific concepts would be a", "a reference, purging them of the arcane imagery, and copying their repetition patterns,", "mnemonics rather be attained from the structure of the poem, i.e. a sonnet", "while preserving a good amount of language precision, would make the content easier", "instance. On the other hand, perhaps, science can find a different, more suitable", "arcane imagery, and copying their repetition patterns, for instance. On the other hand,", "was planning to use religious litanies as a reference, purging them of the", "in general this would detract from the precision of the scientific language. Are", "intending to create a book for toddlers with basic scientific notions in it.", "content is clearly not easy to digest, both for the toddlers, and possibly", "scientific concepts would be a dream; in the least I'm hoping to provide", "good amount of language precision, would make the content easier to remember? Should", "language precision, would make the content easier to remember? Should the mnemonics rather", "concepts would be a dream; in the least I'm hoping to provide a", "quite often with fictional characters. I was intending instead to go for the", "from the precision of the scientific language. Are there rhetorical figures that, while", "the structure of the poem, i.e. a sonnet instead of a longer ballad?", "On the other hand, perhaps, science can find a different, more suitable form.", "I was planning to use religious litanies as a reference, purging them of", "have seen present whatever content in the form of a story, quite often", "as a reference, purging them of the arcane imagery, and copying their repetition", "aim, poetry makes liberal use of metaphors, similes, and other artifices to convey", "artifices to convey its content, and make it memorable. I am afraid that" ]
[ "also a homosexual relationship, which I attempted once. So, how do I write", "two female characters, one who is lesbian, and the other bisexual. However, I", "but also a homosexual relationship, which I attempted once. So, how do I", "a homosexual relationship, which I attempted once. So, how do I write it", "one who is lesbian, and the other bisexual. However, I am male. So", "more comfortable doing, for some odd reason, but also a homosexual relationship, which", "the opposite gender, which I actually feel more comfortable doing, for some odd", "comfortable doing, for some odd reason, but also a homosexual relationship, which I", "to write the opposite gender, which I actually feel more comfortable doing, for", "which I attempted once. So, how do I write it to prevent flak?", "opposite gender, which I actually feel more comfortable doing, for some odd reason,", "characters, one who is lesbian, and the other bisexual. However, I am male.", "who is lesbian, and the other bisexual. However, I am male. So not", "which I actually feel more comfortable doing, for some odd reason, but also", "homosexual relationship, which I attempted once. So, how do I write it to", "doing, for some odd reason, but also a homosexual relationship, which I attempted", "have two female characters, one who is lesbian, and the other bisexual. However,", "I to write the opposite gender, which I actually feel more comfortable doing,", "is lesbian, and the other bisexual. However, I am male. So not only", "female characters, one who is lesbian, and the other bisexual. However, I am", "I have two female characters, one who is lesbian, and the other bisexual.", "reason, but also a homosexual relationship, which I attempted once. So, how do", "am I to write the opposite gender, which I actually feel more comfortable", "However, I am male. So not only am I to write the opposite", "male. So not only am I to write the opposite gender, which I", "relationship, which I attempted once. So, how do I write it to prevent", "odd reason, but also a homosexual relationship, which I attempted once. So, how", "am male. So not only am I to write the opposite gender, which", "write the opposite gender, which I actually feel more comfortable doing, for some", "lesbian, and the other bisexual. However, I am male. So not only am", "for some odd reason, but also a homosexual relationship, which I attempted once.", "I actually feel more comfortable doing, for some odd reason, but also a", "actually feel more comfortable doing, for some odd reason, but also a homosexual", "only am I to write the opposite gender, which I actually feel more", "some odd reason, but also a homosexual relationship, which I attempted once. So,", "and the other bisexual. However, I am male. So not only am I", "So not only am I to write the opposite gender, which I actually", "the other bisexual. However, I am male. So not only am I to", "not only am I to write the opposite gender, which I actually feel", "feel more comfortable doing, for some odd reason, but also a homosexual relationship,", "other bisexual. However, I am male. So not only am I to write", "gender, which I actually feel more comfortable doing, for some odd reason, but", "bisexual. However, I am male. So not only am I to write the", "I am male. So not only am I to write the opposite gender," ]
[ "I need help is for smooth transitions in their relationship. Every time I", "are these 2 characters who were originally close to each other. However, they", "the book, though, they get back together again. What I need help is", "smooth transitions in their relationship. Every time I try to write it out,", "However, they had an argument and broke up. In the end of the", "What I need help is for smooth transitions in their relationship. Every time", "of the book, though, they get back together again. What I need help", "they had an argument and broke up. In the end of the book,", "close to each other. However, they had an argument and broke up. In", "book, though, they get back together again. What I need help is for", "need help is for smooth transitions in their relationship. Every time I try", "relationship. Every time I try to write it out, the flow of the", "who were originally close to each other. However, they had an argument and", "In the end of the book, though, they get back together again. What", "2 characters who were originally close to each other. However, they had an", "they get back together again. What I need help is for smooth transitions", "plot, there are these 2 characters who were originally close to each other.", "In my plot, there are these 2 characters who were originally close to", "there are these 2 characters who were originally close to each other. However,", "originally close to each other. However, they had an argument and broke up.", "these 2 characters who were originally close to each other. However, they had", "though, they get back together again. What I need help is for smooth", "try to write it out, the flow of the story gets broken and", "back together again. What I need help is for smooth transitions in their", "end of the book, though, they get back together again. What I need", "to write it out, the flow of the story gets broken and confusing.", "together again. What I need help is for smooth transitions in their relationship.", "again. What I need help is for smooth transitions in their relationship. Every", "an argument and broke up. In the end of the book, though, they", "to each other. However, they had an argument and broke up. In the", "had an argument and broke up. In the end of the book, though,", "Every time I try to write it out, the flow of the story", "the end of the book, though, they get back together again. What I", "each other. However, they had an argument and broke up. In the end", "I try to write it out, the flow of the story gets broken", "help is for smooth transitions in their relationship. Every time I try to", "characters who were originally close to each other. However, they had an argument", "broke up. In the end of the book, though, they get back together", "get back together again. What I need help is for smooth transitions in", "for smooth transitions in their relationship. Every time I try to write it", "my plot, there are these 2 characters who were originally close to each", "time I try to write it out, the flow of the story gets", "argument and broke up. In the end of the book, though, they get", "and broke up. In the end of the book, though, they get back", "transitions in their relationship. Every time I try to write it out, the", "were originally close to each other. However, they had an argument and broke", "is for smooth transitions in their relationship. Every time I try to write", "up. In the end of the book, though, they get back together again.", "in their relationship. Every time I try to write it out, the flow", "other. However, they had an argument and broke up. In the end of", "their relationship. Every time I try to write it out, the flow of" ]
[ "Mark 16:16) is mentioned in the book, he will find the corresponding name", "is a native speaker of language A but does not speak language B", "all. What I ask him to do is, whenever a Bible verse (for", "What I ask him to do is, whenever a Bible verse (for example,", "student has done a lot of work in this translation work. My question", "on what he did, though he does not know language B at all?", "based on what he did, though he does not know language B at", "to do is, whenever a Bible verse (for example, Mark 16:16) is mentioned", "my file. Since the book quotes heavily from the Bible, my student has", "translation work. My question is, should I add my student worker as a", "is mentioned in the book, he will find the corresponding name of the", "I ask him to do is, whenever a Bible verse (for example, Mark", "Bible verse (for example, Mark 16:16) is mentioned in the book, he will", "native speaker of language A but does not speak language B at all.", "B from a table and then copy and paste the name in language", "language B at all. What I ask him to do is, whenever a", "worker as a cotranslator based on what he did, though he does not", "him to do is, whenever a Bible verse (for example, Mark 16:16) is", "help me. He is a native speaker of language A but does not", "and then copy and paste the name in language B to my file.", "find the corresponding name of the book in language B from a table", "corresponding name of the book in language B from a table and then", "as a cotranslator based on what he did, though he does not know", "book, he will find the corresponding name of the book in language B", "at all. What I ask him to do is, whenever a Bible verse", "add my student worker as a cotranslator based on what he did, though", "the name in language B to my file. Since the book quotes heavily", "mentioned in the book, he will find the corresponding name of the book", "quotes heavily from the Bible, my student has done a lot of work", "is, whenever a Bible verse (for example, Mark 16:16) is mentioned in the", "book in language B from a table and then copy and paste the", "has done a lot of work in this translation work. My question is,", "name in language B to my file. Since the book quotes heavily from", "is, should I add my student worker as a cotranslator based on what", "he will find the corresponding name of the book in language B from", "cotranslator based on what he did, though he does not know language B", "and have hired a student worker to help me. He is a native", "a student worker to help me. He is a native speaker of language", "file. Since the book quotes heavily from the Bible, my student has done", "A to language B and have hired a student worker to help me.", "student worker as a cotranslator based on what he did, though he does", "(for example, Mark 16:16) is mentioned in the book, he will find the", "name of the book in language B from a table and then copy", "paste the name in language B to my file. Since the book quotes", "have hired a student worker to help me. He is a native speaker", "should I add my student worker as a cotranslator based on what he", "in language B to my file. Since the book quotes heavily from the", "religious book from language A to language B and have hired a student", "student worker to help me. He is a native speaker of language A", "verse (for example, Mark 16:16) is mentioned in the book, he will find", "the book quotes heavily from the Bible, my student has done a lot", "the book in language B from a table and then copy and paste", "question is, should I add my student worker as a cotranslator based on", "a native speaker of language A but does not speak language B at", "my student worker as a cotranslator based on what he did, though he", "My question is, should I add my student worker as a cotranslator based", "A but does not speak language B at all. What I ask him", "from the Bible, my student has done a lot of work in this", "to my file. Since the book quotes heavily from the Bible, my student", "copy and paste the name in language B to my file. Since the", "of language A but does not speak language B at all. What I", "Since the book quotes heavily from the Bible, my student has done a", "language B to my file. Since the book quotes heavily from the Bible,", "language B from a table and then copy and paste the name in", "worker to help me. He is a native speaker of language A but", "table and then copy and paste the name in language B to my", "a lot of work in this translation work. My question is, should I", "B at all. What I ask him to do is, whenever a Bible", "to help me. He is a native speaker of language A but does", "a cotranslator based on what he did, though he does not know language", "the Bible, my student has done a lot of work in this translation", "do is, whenever a Bible verse (for example, Mark 16:16) is mentioned in", "and paste the name in language B to my file. Since the book", "B to my file. Since the book quotes heavily from the Bible, my", "my student has done a lot of work in this translation work. My", "does not speak language B at all. What I ask him to do", "the book, he will find the corresponding name of the book in language", "speaker of language A but does not speak language B at all. What", "of work in this translation work. My question is, should I add my", "I add my student worker as a cotranslator based on what he did,", "ask him to do is, whenever a Bible verse (for example, Mark 16:16)", "a Bible verse (for example, Mark 16:16) is mentioned in the book, he", "the corresponding name of the book in language B from a table and", "example, Mark 16:16) is mentioned in the book, he will find the corresponding", "language A to language B and have hired a student worker to help", "language A but does not speak language B at all. What I ask", "in the book, he will find the corresponding name of the book in", "of the book in language B from a table and then copy and", "work. My question is, should I add my student worker as a cotranslator", "a religious book from language A to language B and have hired a", "then copy and paste the name in language B to my file. Since", "B and have hired a student worker to help me. He is a", "in language B from a table and then copy and paste the name", "book quotes heavily from the Bible, my student has done a lot of", "16:16) is mentioned in the book, he will find the corresponding name of", "will find the corresponding name of the book in language B from a", "heavily from the Bible, my student has done a lot of work in", "Bible, my student has done a lot of work in this translation work.", "but does not speak language B at all. What I ask him to", "lot of work in this translation work. My question is, should I add", "work in this translation work. My question is, should I add my student", "speak language B at all. What I ask him to do is, whenever", "a table and then copy and paste the name in language B to", "me. He is a native speaker of language A but does not speak", "in this translation work. My question is, should I add my student worker", "I am translating a religious book from language A to language B and", "from a table and then copy and paste the name in language B", "done a lot of work in this translation work. My question is, should", "this translation work. My question is, should I add my student worker as", "He is a native speaker of language A but does not speak language", "hired a student worker to help me. He is a native speaker of", "not speak language B at all. What I ask him to do is,", "am translating a religious book from language A to language B and have", "whenever a Bible verse (for example, Mark 16:16) is mentioned in the book,", "to language B and have hired a student worker to help me. He", "from language A to language B and have hired a student worker to", "translating a religious book from language A to language B and have hired", "language B and have hired a student worker to help me. He is", "book from language A to language B and have hired a student worker" ]
[ "their story or to their characters' situations. Obviously I would have to ask", "authors or writers if I publish? (For clarification, I am asking about situations", "know I can add quotes under fair use, I am asking if I", "their characters' situations. Obviously I would have to ask for permission to use", "I publish? (For clarification, I am asking about situations where fair use and", "public domain don't apply. I know I can add quotes under fair use,", "these works, but do I have to pay the authors or writers if", "or writers if I publish? (For clarification, I am asking about situations where", "do I have to pay the authors or writers if I publish? (For", "where fair use and public domain don't apply. I know I can add", "I have to pay the authors or writers if I publish? (For clarification,", "to the theme of their story or to their characters' situations. Obviously I", "to pay the authors or writers if I publish? (For clarification, I am", "fair use, I am asking if I have to pay royalties for excerpts", "clarification, I am asking about situations where fair use and public domain don't", "pay the authors or writers if I publish? (For clarification, I am asking", "I have to pay royalties for excerpts that are not under fair use.)", "story or to their characters' situations. Obviously I would have to ask for", "I would have to ask for permission to use these works, but do", "can add quotes under fair use, I am asking if I have to", "books, at the beginning, the authors include quotes from poetry or songs that", "Obviously I would have to ask for permission to use these works, but", "if I publish? (For clarification, I am asking about situations where fair use", "apply. I know I can add quotes under fair use, I am asking", "use and public domain don't apply. I know I can add quotes under", "characters' situations. Obviously I would have to ask for permission to use these", "I am asking about situations where fair use and public domain don't apply.", "situations. Obviously I would have to ask for permission to use these works,", "for permission to use these works, but do I have to pay the", "have to pay the authors or writers if I publish? (For clarification, I", "permission to use these works, but do I have to pay the authors", "am asking about situations where fair use and public domain don't apply. I", "(For clarification, I am asking about situations where fair use and public domain", "under fair use, I am asking if I have to pay royalties for", "the theme of their story or to their characters' situations. Obviously I would", "include quotes from poetry or songs that are relevant to the theme of", "if I have to pay royalties for excerpts that are not under fair", "from poetry or songs that are relevant to the theme of their story", "are relevant to the theme of their story or to their characters' situations.", "domain don't apply. I know I can add quotes under fair use, I", "of their story or to their characters' situations. Obviously I would have to", "at the beginning, the authors include quotes from poetry or songs that are", "don't apply. I know I can add quotes under fair use, I am", "am asking if I have to pay royalties for excerpts that are not", "poetry or songs that are relevant to the theme of their story or", "lot of books, at the beginning, the authors include quotes from poetry or", "songs that are relevant to the theme of their story or to their", "to their characters' situations. Obviously I would have to ask for permission to", "and public domain don't apply. I know I can add quotes under fair", "I am asking if I have to pay royalties for excerpts that are", "situations where fair use and public domain don't apply. I know I can", "asking about situations where fair use and public domain don't apply. I know", "to use these works, but do I have to pay the authors or", "would have to ask for permission to use these works, but do I", "asking if I have to pay royalties for excerpts that are not* under", "works, but do I have to pay the authors or writers if I", "fair use and public domain don't apply. I know I can add quotes", "I can add quotes under fair use, I am asking if I have", "or songs that are relevant to the theme of their story or to", "ask for permission to use these works, but do I have to pay", "but do I have to pay the authors or writers if I publish?", "the beginning, the authors include quotes from poetry or songs that are relevant", "theme of their story or to their characters' situations. Obviously I would have", "or to their characters' situations. Obviously I would have to ask for permission", "use, I am asking if I have to pay royalties for excerpts that", "relevant to the theme of their story or to their characters' situations. Obviously", "add quotes under fair use, I am asking if I have to pay", "writers if I publish? (For clarification, I am asking about situations where fair", "that are relevant to the theme of their story or to their characters'", "authors include quotes from poetry or songs that are relevant to the theme", "quotes under fair use, I am asking if I have to pay royalties", "the authors include quotes from poetry or songs that are relevant to the", "a lot of books, at the beginning, the authors include quotes from poetry", "have to ask for permission to use these works, but do I have", "the authors or writers if I publish? (For clarification, I am asking about", "beginning, the authors include quotes from poetry or songs that are relevant to", "about situations where fair use and public domain don't apply. I know I", "of books, at the beginning, the authors include quotes from poetry or songs", "use these works, but do I have to pay the authors or writers", "to ask for permission to use these works, but do I have to", "I know I can* add quotes under fair use, I am asking if", "In a lot of books, at the beginning, the authors include quotes from", "publish? (For clarification, I am asking about situations where fair use and public", "quotes from poetry or songs that are relevant to the theme of their" ]
[ "they are captive until the event I have coming will occur. * My", "going on. So, having considered that, and acknowledging that this sporting event in", "the movie it's cut entirely because it turns out it's fluff. But, if", "I'm more than happy if you answer this for any sport that exists,", "again. Things I've considered: * POV switch to some of the players/people who", "who will win the worldcup is overshadowed by the the other conflicts: class-conflict,", "is entirely on the sporting event. I thought I'd go to the source", "if you ask someone who read the books, everyone's pretty bummed the world", "So, having considered that, and acknowledging that this sporting event in my story", "intentionally staying away from POV switches, but maybe that's right here. Other people", "sport that exists, real or imagined (could be calvinball); or for scenes where", "about that scene that worked. But it only worked after Quidditch had been", "if it's a darling, but if it is I have to lose an", "I'm starting to wonder if it's a darling, but if it is I", "any sport that exists, real or imagined (could be calvinball); or for scenes", "show the cup, in the movie it's cut entirely because it turns out", "POV's interest and those around her is entirely on the sporting event. I", "is a set piece right now. My POV's interest and those around her", "without having it gobble up space in my story. I'm starting to wonder", "that scene that worked. But it only worked after Quidditch had been established", "of the normal life) is a set piece right now. My POV's interest", "they grew up on together). I'm more than happy if you answer this", "specific thing that might be going on, but their movement is restricted for", "where characters spectate events while the plot develops sufficiently for them to be", "only worked after Quidditch had been established as existing in four prior books", "but their movement is restricted for reasons. At this point the way I've", "cup. The tension in that chapter of who will win the worldcup is", "games; but only one of those has the POV as the spectator: the", "wasn't actually shown on film. So there was still something about that scene", "much of a problem. My characters are already looking for a specific thing", "a major event which ramps up their plotline that occurs at this event,", "speculative fiction sporting events and consider Harry Potter's many quidditch games; but only", "thread, I'm left wondering how to make it interesting enough without having it", "like the characters aren't invested in the problem of \"who will win this", "my story. I'm starting to wonder if it's a darling, but if it", "more invested in the sport than my character. I've been intentionally staying away", "likely I'll never return to their POVs, at least the players in the", "by the the other conflicts: class-conflict, Voldemort, personal goals of our POVs, etc.", "my character. I've been intentionally staying away from POV switches, but maybe that's", "spectator with higher stakes who I intend to have around. * Creating a", "(my POV's childhood friends who all knew her from the sport team they", "and consider Harry Potter's many quidditch games; but only one of those has", "of characters (my POV's childhood friends who all knew her from the sport", "right now. My POV's interest and those around her is entirely on the", "character is literally a spectator. They're at a sporting event. There will be", "the way I've written so far, they are captive until the event I", "goings on of the games. But it's likely I'll never return to their", "answer this for any sport that exists, real or imagined (could be calvinball);", "life) is a set piece right now. My POV's interest and those around", "in my story. I'm starting to wonder if it's a darling, but if", "in four prior books with plenty of POV from primary actors going on.", "for me to switch to a spectator with higher stakes who I intend", "class-conflict, Voldemort, personal goals of our POVs, etc. In the book they actually", "aren't invested in the problem of \"who will win this game.\" Maybe that's", "movement is restricted for reasons. At this point the way I've written so", "my characters would have to deal with while also trying to watch the", "gobble up space in my story. I'm starting to wonder if it's a", "in and take a leading roll again. Things I've considered: * POV switch", "be too much of a problem. My characters are already looking for a", "It is possible for me to switch to a spectator with higher stakes", "for them to be able to step in and take a leading roll", "to be able to step in and take a leading roll again. 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But, if you ask someone who read the", "set of characters (my POV's childhood friends who all knew her from the", "Harry Potter's many quidditch games; but only one of those has the POV", "more invested in the goings on of the games. But it's likely I'll", "Other people are definitely more invested in the goings on of the games.", "in the goings on of the games. But it's likely I'll never return", "than happy if you answer this for any sport that exists, real or", "made and I've got to make them more invested in preparation for this", "actors going on. So, having considered that, and acknowledging that this sporting event", "personal goals of our POVs, etc. In the book they actually show the", "sporting event in my story is not part of the main thread, I'm", "real or imagined (could be calvinball); or for scenes where characters spectate events", "problem of \"who will win this game.\" Maybe that's the only mistake I've", "sporting event. 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I'm starting to wonder if it's a darling, but", "direct external threat that my characters would have to deal with while also", "(while a part of the normal life) is a set piece right now.", "in that chapter of who will win the worldcup is overshadowed by the", "team they grew up on together). I'm more than happy if you answer", "will be a major event which ramps up their plotline that occurs at", "have around. * Creating a direct external threat that my characters would have", "entirely on the sporting event. I thought I'd go to the source for", "I'm worried this may be too much of a problem. My characters are", "my story is not part of the main thread, I'm left wondering how", "event which ramps up their plotline that occurs at this event, but I'm", "is to go back and seed that these games, when they happen, are", "But it only worked after Quidditch had been established as existing in four", "you ask someone who read the books, everyone's pretty bummed the world cup", "up space in my story. I'm starting to wonder if it's a darling,", "of a problem. My characters are already looking for a specific thing that", "never return to their POVs, at least the players in the game itself.", "her is entirely on the sporting event. I thought I'd go to the", "threat that my characters would have to deal with while also trying to", "event, but I'm finding the event itself (while a part of the normal", "more invested in preparation for this moment. Maybe the answer is to go", "scenes where characters spectate events while the plot develops sufficiently for them to", "the event I have coming will occur. * My primary problem has been", "invested in preparation for this moment. Maybe the answer is to go back", "book they actually show the cup, in the movie it's cut entirely because", "you answer this for any sport that exists, real or imagined (could be", "restricted for reasons. At this point the way I've written so far, they", "They're at a sporting event. There will be a major event which ramps", "but only one of those has the POV as the spectator: the quidditch", "be going on, but their movement is restricted for reasons. At this point", "But, if you ask someone who read the books, everyone's pretty bummed the", "Voldemort, personal goals of our POVs, etc. In the book they actually show", "make them more invested in preparation for this moment. 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I've been intentionally staying away from POV switches, but maybe that's right", "to wonder if it's a darling, but if it is I have to", "important? What else am I not considering? Are there more generic things to", "from primary actors going on. So, having considered that, and acknowledging that this", "looking for a specific thing that might be going on, but their movement", "it's cut entirely because it turns out it's fluff. But, if you ask", "those around her is entirely on the sporting event. I thought I'd go", "movie it's cut entirely because it turns out it's fluff. But, if you", "part of the main thread, I'm left wondering how to make it interesting", "goals of our POVs, etc. In the book they actually show the cup,", "but maybe that's right here. Other people are definitely more invested in the", "deal with while also trying to watch the game. I'm worried this may", "of our POVs, etc. In the book they actually show the cup, in", "from POV switches, but maybe that's right here. Other people are definitely more", "In my case, my character is literally a spectator. They're at a sporting", "friends who all knew her from the sport team they grew up on", "set piece right now. My POV's interest and those around her is entirely", "the source for speculative fiction sporting events and consider Harry Potter's many quidditch", "conflicts: class-conflict, Voldemort, personal goals of our POVs, etc. In the book they", "cut entirely because it turns out it's fluff. But, if you ask someone", "part of the normal life) is a set piece right now. My POV's", "right here. Other people are definitely more invested in the goings on of", "out it's fluff. But, if you ask someone who read the books, everyone's", "of who will win the worldcup is overshadowed by the the other conflicts:", "also trying to watch the game. I'm worried this may be too much", "in the game itself. It is possible for me to switch to a", "problem has been that it feels like the characters aren't invested in the", "the plot develops sufficiently for them to be able to step in and", "ramps up their plotline that occurs at this event, but I'm finding the", "etc. In the book they actually show the cup, in the movie it's", "considered that, and acknowledging that this sporting event in my story is not", "for any sport that exists, real or imagined (could be calvinball); or for", "characters (my POV's childhood friends who all knew her from the sport team", "Quidditch had been established as existing in four prior books with plenty of", "* Creating a direct external threat that my characters would have to deal", "wondering how to make it interesting enough without having it gobble up space", "as the spectator: the quidditch world cup. The tension in that chapter of", "that occurs at this event, but I'm finding the event itself (while a", "generic things to consider for planning out a passive, POV as observer scene?", "piece right now. My POV's interest and those around her is entirely on", "when they happen, are important? What else am I not considering? Are there", "the sporting event. I thought I'd go to the source for speculative fiction", "am I not considering? Are there more generic things to consider for planning", "event itself (while a part of the normal life) is a set piece", "the game itself. It is possible for me to switch to a spectator", "established as existing in four prior books with plenty of POV from primary", "a darling, but if it is I have to lose an entire set", "higher stakes who I intend to have around. * Creating a direct external", "I not considering? Are there more generic things to consider for planning out", "of \"who will win this game.\" Maybe that's the only mistake I've made", "or for scenes where characters spectate events while the plot develops sufficiently for", "At this point the way I've written so far, they are captive until", "event in my story is not part of the main thread, I'm left", "make it interesting enough without having it gobble up space in my story.", "them more invested in preparation for this moment. Maybe the answer is to", "step in and take a leading roll again. Things I've considered: * POV", "But it's likely I'll never return to their POVs, at least the players", "go to the source for speculative fiction sporting events and consider Harry Potter's", "their plotline that occurs at this event, but I'm finding the event itself", "the game. I'm worried this may be too much of a problem. My", "to the source for speculative fiction sporting events and consider Harry Potter's many", "some of the players/people who are more invested in the sport than my", "switches, but maybe that's right here. Other people are definitely more invested in", "watch the game. I'm worried this may be too much of a problem.", "to step in and take a leading roll again. Things I've considered: ", "maybe that's right here. Other people are definitely more invested in the goings", "calvinball); or for scenes where characters spectate events while the plot develops sufficiently", "to a spectator with higher stakes who I intend to have around. ", "it feels like the characters aren't invested in the problem of \"who will", "world cup wasn't actually shown on film. So there was still something about", "to some of the players/people who are more invested in the sport than", "Maybe that's the only mistake I've made and I've got to make them", "happen, are important? What else am I not considering? Are there more generic", "POVs, etc. In the book they actually show the cup, in the movie", "on film. So there was still something about that scene that worked. But", "stakes who I intend to have around. * Creating a direct external threat", "story. I'm starting to wonder if it's a darling, but if it is", "of the games. But it's likely I'll never return to their POVs, at", "pretty bummed the world cup wasn't actually shown on film. So there was", "the players in the game itself. It is possible for me to switch", "way I've written so far, they are captive until the event I have", "the games. But it's likely I'll never return to their POVs, at least", "bummed the world cup wasn't actually shown on film. So there was still", "event. I thought I'd go to the source for speculative fiction sporting events", "the players/people who are more invested in the sport than my character. I've", "Maybe the answer is to go back and seed that these games, when", "a spectator. They're at a sporting event. There will be a major event", "coming will occur. * My primary problem has been that it feels like", "go back and seed that these games, when they happen, are important? What", "the quidditch world cup. The tension in that chapter of who will win", "My characters are already looking for a specific thing that might be going", "it's fluff. But, if you ask someone who read the books, everyone's pretty", "considering? Are there more generic things to consider for planning out a passive,", "thought I'd go to the source for speculative fiction sporting events and consider", "games. But it's likely I'll never return to their POVs, at least the", "but I'm finding the event itself (while a part of the normal life)", "and take a leading roll again. Things I've considered: * POV switch to", "POV's childhood friends who all knew her from the sport team they grew", "other conflicts: class-conflict, Voldemort, personal goals of our POVs, etc. In the book", "preparation for this moment. Maybe the answer is to go back and seed", "of the main thread, I'm left wondering how to make it interesting enough", "case, my character is literally a spectator. They're at a sporting event. There", "So there was still something about that scene that worked. But it only", "a problem. My characters are already looking for a specific thing that might", "source for speculative fiction sporting events and consider Harry Potter's many quidditch games;", "considered: * POV switch to some of the players/people who are more invested", "in the movie it's cut entirely because it turns out it's fluff. But,", "while the plot develops sufficiently for them to be able to step in", "sport team they grew up on together). I'm more than happy if you", "to have around. * Creating a direct external threat that my characters would", "on. So, having considered that, and acknowledging that this sporting event in my", "that, and acknowledging that this sporting event in my story is not part", "me to switch to a spectator with higher stakes who I intend to", "acknowledging that this sporting event in my story is not part of the", "staying away from POV switches, but maybe that's right here. Other people are", "I have to lose an entire set of characters (my POV's childhood friends", "got to make them more invested in preparation for this moment. Maybe the", "a sporting event. There will be a major event which ramps up their", "at this event, but I'm finding the event itself (while a part of", "itself (while a part of the normal life) is a set piece right", "spectator: the quidditch world cup. The tension in that chapter of who will", "and I've got to make them more invested in preparation for this moment.", "these games, when they happen, are important? What else am I not considering?", "has the POV as the spectator: the quidditch world cup. The tension in", "more generic things to consider for planning out a passive, POV as observer", "be able to step in and take a leading roll again. Things I've", "are more invested in the sport than my character. I've been intentionally staying", "mistake I've made and I've got to make them more invested in preparation", "the only mistake I've made and I've got to make them more invested", "world cup. The tension in that chapter of who will win the worldcup", "been that it feels like the characters aren't invested in the problem of", "happy if you answer this for any sport that exists, real or imagined", "than my character. I've been intentionally staying away from POV switches, but maybe", "and those around her is entirely on the sporting event. I thought I'd", "players in the game itself. It is possible for me to switch to", "is possible for me to switch to a spectator with higher stakes who", "this sporting event in my story is not part of the main thread,", "with plenty of POV from primary actors going on. So, having considered that,", "else am I not considering? Are there more generic things to consider for", "at least the players in the game itself. It is possible for me", "only mistake I've made and I've got to make them more invested in", "while also trying to watch the game. I'm worried this may be too", "to lose an entire set of characters (my POV's childhood friends who all", "primary problem has been that it feels like the characters aren't invested in", "knew her from the sport team they grew up on together). I'm more", "of POV from primary actors going on. So, having considered that, and acknowledging", "in the sport than my character. I've been intentionally staying away from POV", "darling, but if it is I have to lose an entire set of", "worldcup is overshadowed by the the other conflicts: class-conflict, Voldemort, personal goals of", "my character is literally a spectator. They're at a sporting event. There will", "able to step in and take a leading roll again. Things I've considered:", "literally a spectator. They're at a sporting event. There will be a major", "that this sporting event in my story is not part of the main", "scene that worked. But it only worked after Quidditch had been established as", "turns out it's fluff. But, if you ask someone who read the books,", "they happen, are important? What else am I not considering? Are there more", "her from the sport team they grew up on together). I'm more than", "Things I've considered: * POV switch to some of the players/people who are", "with higher stakes who I intend to have around. * Creating a direct", "this point the way I've written so far, they are captive until the", "the problem of \"who will win this game.\" Maybe that's the only mistake", "the normal life) is a set piece right now. My POV's interest and", "have coming will occur. * My primary problem has been that it feels", "thing that might be going on, but their movement is restricted for reasons.", "invested in the goings on of the games. But it's likely I'll never", "to deal with while also trying to watch the game. I'm worried this", "is not part of the main thread, I'm left wondering how to make", "as existing in four prior books with plenty of POV from primary actors", "after Quidditch had been established as existing in four prior books with plenty", "the spectator: the quidditch world cup. The tension in that chapter of who", "more than happy if you answer this for any sport that exists, real", "four prior books with plenty of POV from primary actors going on. So,", "Are there more generic things to consider for planning out a passive, POV", "for a specific thing that might be going on, but their movement is", "definitely more invested in the goings on of the games. But it's likely", "switch to some of the players/people who are more invested in the sport", "quidditch games; but only one of those has the POV as the spectator:", "itself. It is possible for me to switch to a spectator with higher", "that might be going on, but their movement is restricted for reasons. At", "characters aren't invested in the problem of \"who will win this game.\" Maybe", "external threat that my characters would have to deal with while also trying", "POVs, at least the players in the game itself. It is possible for", "someone who read the books, everyone's pretty bummed the world cup wasn't actually", "a part of the normal life) is a set piece right now. My", "lose an entire set of characters (my POV's childhood friends who all knew", "sporting events and consider Harry Potter's many quidditch games; but only one of", "up their plotline that occurs at this event, but I'm finding the event", "here. Other people are definitely more invested in the goings on of the", "that it feels like the characters aren't invested in the problem of \"who", "leading roll again. Things I've considered: * POV switch to some of the", "the characters aren't invested in the problem of \"who will win this game.\"", "event. There will be a major event which ramps up their plotline that", "still something about that scene that worked. But it only worked after Quidditch", "answer is to go back and seed that these games, when they happen,", "or imagined (could be calvinball); or for scenes where characters spectate events while", "not considering? Are there more generic things to consider for planning out a", "win the worldcup is overshadowed by the the other conflicts: class-conflict, Voldemort, personal", "existing in four prior books with plenty of POV from primary actors going", "enough without having it gobble up space in my story. I'm starting to", "been established as existing in four prior books with plenty of POV from", "spectate events while the plot develops sufficiently for them to be able to", "books with plenty of POV from primary actors going on. So, having considered", "sporting event. There will be a major event which ramps up their plotline", "that's right here. Other people are definitely more invested in the goings on", "it's likely I'll never return to their POVs, at least the players in", "there was still something about that scene that worked. But it only worked", "on, but their movement is restricted for reasons. At this point the way", "has been that it feels like the characters aren't invested in the problem", "how to make it interesting enough without having it gobble up space in", "I'll never return to their POVs, at least the players in the game", "that these games, when they happen, are important? What else am I not", "all knew her from the sport team they grew up on together). I'm", "which ramps up their plotline that occurs at this event, but I'm finding", "will win the worldcup is overshadowed by the the other conflicts: class-conflict, Voldemort,", "something about that scene that worked. But it only worked after Quidditch had", "from the sport team they grew up on together). I'm more than happy", "of the players/people who are more invested in the sport than my character.", "back and seed that these games, when they happen, are important? What else", "I've written so far, they are captive until the event I have coming", "a direct external threat that my characters would have to deal with while", "the the other conflicts: class-conflict, Voldemort, personal goals of our POVs, etc. In", "intend to have around. * Creating a direct external threat that my characters", "consider Harry Potter's many quidditch games; but only one of those has the", "to go back and seed that these games, when they happen, are important?", "this for any sport that exists, real or imagined (could be calvinball); or", "up on together). I'm more than happy if you answer this for any", "the sport than my character. I've been intentionally staying away from POV switches,", "might be going on, but their movement is restricted for reasons. At this", "game.\" Maybe that's the only mistake I've made and I've got to make", "wonder if it's a darling, but if it is I have to lose", "actually show the cup, in the movie it's cut entirely because it turns", "this may be too much of a problem. My characters are already looking", "take a leading roll again. Things I've considered: * POV switch to some", "reasons. At this point the way I've written so far, they are captive", "books, everyone's pretty bummed the world cup wasn't actually shown on film. So", "imagined (could be calvinball); or for scenes where characters spectate events while the", "had been established as existing in four prior books with plenty of POV", "Potter's many quidditch games; but only one of those has the POV as", "the sport team they grew up on together). I'm more than happy if" ]
[ "expensive service is they will send you a list of agents to query", "request for more pages, a contract with an agent or a publishing deal.", "you a list of agents to query and you write and send the", "services actually work? Are they worth it or should I just google agents", "about $300. A less expensive service is they will send you a list", "work they can get behind, they find and query twenty five agents. This", "had over 19 thousand successes. They define success as a request for more", "publishers. They ask for a synopsis, fifteen pages of manuscript and, assuming it", "me that, since inception, they have had over 19 thousand successes. They define", "over 19 thousand successes. They define success as a request for more pages,", "percentages, so further pages could be 85% of it. Do these services actually", "fifteen pages of manuscript and, assuming it is a work they can get", "synopsis, fifteen pages of manuscript and, assuming it is a work they can", "that, since inception, they have had over 19 thousand successes. They define success", "They tell me that, since inception, they have had over 19 thousand successes.", "worth it or should I just google agents and send out fifty queries", "it or should I just google agents and send out fifty queries myself?", "agents. This service costs about $300. A less expensive service is they will", "is they will send you a list of agents to query and you", "not break down these as percentages, so further pages could be 85% of", "the letters. They tell me that, since inception, they have had over 19", "agents and publishers. They ask for a synopsis, fifteen pages of manuscript and,", "query twenty five agents. This service costs about $300. A less expensive service", "of agents to query and you write and send the letters. They tell", "so further pages could be 85% of it. Do these services actually work?", "these services actually work? Are they worth it or should I just google", "is to write compelling submission and query letters to genre appropriate agents and", "down these as percentages, so further pages could be 85% of it. Do", "of manuscript and, assuming it is a work they can get behind, they", "send the letters. They tell me that, since inception, they have had over", "is a work they can get behind, they find and query twenty five", "This service costs about $300. A less expensive service is they will send", "and, assuming it is a work they can get behind, they find and", "and you write and send the letters. They tell me that, since inception,", "a list of agents to query and you write and send the letters.", "as a request for more pages, a contract with an agent or a", "Are they worth it or should I just google agents and send out", "or a publishing deal. They do not break down these as percentages, so", "They do not break down these as percentages, so further pages could be", "a work they can get behind, they find and query twenty five agents.", "send you a list of agents to query and you write and send", "publishing deal. They do not break down these as percentages, so further pages", "break down these as percentages, so further pages could be 85% of it.", "inception, they have had over 19 thousand successes. They define success as a", "service is to write compelling submission and query letters to genre appropriate agents", "Writer’s Relief. Their service is to write compelling submission and query letters to", "and send the letters. They tell me that, since inception, they have had", "They ask for a synopsis, fifteen pages of manuscript and, assuming it is", "behind, they find and query twenty five agents. This service costs about $300.", "85% of it. Do these services actually work? Are they worth it or", "called Writer’s Relief. Their service is to write compelling submission and query letters", "you write and send the letters. They tell me that, since inception, they", "more pages, a contract with an agent or a publishing deal. They do", "a synopsis, fifteen pages of manuscript and, assuming it is a work they", "19 thousand successes. They define success as a request for more pages, a", "as percentages, so further pages could be 85% of it. Do these services", "it. Do these services actually work? Are they worth it or should I", "pages could be 85% of it. Do these services actually work? Are they", "they worth it or should I just google agents and send out fifty", "company called Writer’s Relief. Their service is to write compelling submission and query", "five agents. This service costs about $300. A less expensive service is they", "assuming it is a work they can get behind, they find and query", "genre appropriate agents and publishers. They ask for a synopsis, fifteen pages of", "get behind, they find and query twenty five agents. This service costs about", "for a synopsis, fifteen pages of manuscript and, assuming it is a work", "they will send you a list of agents to query and you write", "be 85% of it. Do these services actually work? Are they worth it", "list of agents to query and you write and send the letters. They", "they find and query twenty five agents. This service costs about $300. A", "they can get behind, they find and query twenty five agents. This service", "and query twenty five agents. This service costs about $300. A less expensive", "to query and you write and send the letters. They tell me that,", "thousand successes. They define success as a request for more pages, a contract", "do not break down these as percentages, so further pages could be 85%", "Relief. Their service is to write compelling submission and query letters to genre", "submission and query letters to genre appropriate agents and publishers. They ask for", "an agent or a publishing deal. They do not break down these as", "tell me that, since inception, they have had over 19 thousand successes. They", "these as percentages, so further pages could be 85% of it. Do these", "Do these services actually work? Are they worth it or should I just", "work? Are they worth it or should I just google agents and send", "appropriate agents and publishers. They ask for a synopsis, fifteen pages of manuscript", "contract with an agent or a publishing deal. They do not break down", "for more pages, a contract with an agent or a publishing deal. They", "query and you write and send the letters. They tell me that, since", "agent or a publishing deal. They do not break down these as percentages,", "could be 85% of it. Do these services actually work? Are they worth", "with an agent or a publishing deal. They do not break down these", "have found a company called Writer’s Relief. Their service is to write compelling", "letters. They tell me that, since inception, they have had over 19 thousand", "I have found a company called Writer’s Relief. Their service is to write", "letters to genre appropriate agents and publishers. They ask for a synopsis, fifteen", "they have had over 19 thousand successes. They define success as a request", "to write compelling submission and query letters to genre appropriate agents and publishers.", "of it. Do these services actually work? Are they worth it or should", "actually work? Are they worth it or should I just google agents and", "compelling submission and query letters to genre appropriate agents and publishers. They ask", "find and query twenty five agents. This service costs about $300. A less", "manuscript and, assuming it is a work they can get behind, they find", "A less expensive service is they will send you a list of agents", "define success as a request for more pages, a contract with an agent", "a contract with an agent or a publishing deal. They do not break", "will send you a list of agents to query and you write and", "and query letters to genre appropriate agents and publishers. They ask for a", "since inception, they have had over 19 thousand successes. They define success as", "pages of manuscript and, assuming it is a work they can get behind,", "deal. They do not break down these as percentages, so further pages could", "to genre appropriate agents and publishers. They ask for a synopsis, fifteen pages", "service is they will send you a list of agents to query and", "agents to query and you write and send the letters. They tell me", "Their service is to write compelling submission and query letters to genre appropriate", "ask for a synopsis, fifteen pages of manuscript and, assuming it is a", "costs about $300. A less expensive service is they will send you a", "write and send the letters. They tell me that, since inception, they have", "and publishers. They ask for a synopsis, fifteen pages of manuscript and, assuming", "twenty five agents. This service costs about $300. A less expensive service is", "a publishing deal. They do not break down these as percentages, so further", "$300. A less expensive service is they will send you a list of", "successes. They define success as a request for more pages, a contract with", "a company called Writer’s Relief. Their service is to write compelling submission and", "query letters to genre appropriate agents and publishers. They ask for a synopsis,", "less expensive service is they will send you a list of agents to", "further pages could be 85% of it. Do these services actually work? Are", "have had over 19 thousand successes. They define success as a request for", "write compelling submission and query letters to genre appropriate agents and publishers. They", "pages, a contract with an agent or a publishing deal. They do not", "service costs about $300. A less expensive service is they will send you", "They define success as a request for more pages, a contract with an", "can get behind, they find and query twenty five agents. This service costs", "found a company called Writer’s Relief. Their service is to write compelling submission", "a request for more pages, a contract with an agent or a publishing", "success as a request for more pages, a contract with an agent or", "it is a work they can get behind, they find and query twenty" ]
[ "time is literally of the essence? How best to shine a light on", "a bullet for him. In version A, she intuits the situation and, suppressing", "The first would imply that the courage is more a part of her", "second gives her more credit for the courage, more growth as a person", "MC by literally taking a bullet for him. In version A, she intuits", "bit less of a hothead. She saves the MC by literally taking a", "gives her more credit for the courage, more growth as a person and", "more growth as a person and more ownership of the valorous act itself.", "is literally of the essence? How best to shine a light on her", "In version A, she intuits the situation and, suppressing all fear, reacts almost", "the situation, suppresses all fear, realizes this is not who she is and", "two versions of a pivotal scene in my novel (both already written). My", "him. In version A, she intuits the situation and, suppressing all fear, reacts", "a part of her character than even she realized, but makes her action", "and more ownership of the valorous act itself. My question is, given a", "is one paragraph long. In version B, she intuits the situation, suppresses all", "of the essence? How best to shine a light on her valour without", "who is learning to be a bit less of a hothead. She saves", "less of a hothead. She saves the MC by literally taking a bullet", "all fear, realizes this is not who she is and decides to act.", "is not who she is and decides to act. It is three paragraphs", "already written). My SP is a rather impulsive young woman who is learning", "of a response to stimuli than a deliberate act of valour. The second", "three paragraphs long. The first would imply that the courage is more a", "pivotal scene in my novel (both already written). My SP is a rather", "a response to stimuli than a deliberate act of valour. The second gives", "valour. The second gives her more credit for the courage, more growth as", "essence? How best to shine a light on her valour without it seeming", "to act. It is three paragraphs long. The first would imply that the", "It is one paragraph long. In version B, she intuits the situation, suppresses", "who she is and decides to act. It is three paragraphs long. The", "more detailed version seem less credible as time is literally of the essence?", "a light on her valour without it seeming cavalier? These circumstances are either", "situation, suppresses all fear, realizes this is not who she is and decides", "seem less credible as time is literally of the essence? How best to", "How best to shine a light on her valour without it seeming cavalier?", "would the more detailed version seem less credible as time is literally of", "she intuits the situation and, suppressing all fear, reacts almost instinctively. It is", "action more of a response to stimuli than a deliberate act of valour.", "suppressing all fear, reacts almost instinctively. It is one paragraph long. In version", "detailed version seem less credible as time is literally of the essence? How", "paragraphs long. The first would imply that the courage is more a part", "learning to be a bit less of a hothead. She saves the MC", "to shine a light on her valour without it seeming cavalier? These circumstances", "hothead. She saves the MC by literally taking a bullet for him. In", "her more credit for the courage, more growth as a person and more", "seeming cavalier? These circumstances are either ideal for an epiphany or would stifle", "a rather impulsive young woman who is learning to be a bit less", "question is, given a combat situation, would the more detailed version seem less", "itself. My question is, given a combat situation, would the more detailed version", "for the courage, more growth as a person and more ownership of the", "part of her character than even she realized, but makes her action more", "A, she intuits the situation and, suppressing all fear, reacts almost instinctively. It", "she intuits the situation, suppresses all fear, realizes this is not who she", "valorous act itself. My question is, given a combat situation, would the more", "less credible as time is literally of the essence? How best to shine", "my novel (both already written). My SP is a rather impulsive young woman", "her action more of a response to stimuli than a deliberate act of", "suppresses all fear, realizes this is not who she is and decides to", "makes her action more of a response to stimuli than a deliberate act", "for him. In version A, she intuits the situation and, suppressing all fear,", "be a bit less of a hothead. She saves the MC by literally", "first would imply that the courage is more a part of her character", "rather impulsive young woman who is learning to be a bit less of", "imply that the courage is more a part of her character than even", "have two versions of a pivotal scene in my novel (both already written).", "of a pivotal scene in my novel (both already written). My SP is", "valour without it seeming cavalier? These circumstances are either ideal for an epiphany", "without it seeming cavalier? These circumstances are either ideal for an epiphany or", "not who she is and decides to act. It is three paragraphs long.", "paragraph long. In version B, she intuits the situation, suppresses all fear, realizes", "young woman who is learning to be a bit less of a hothead.", "literally of the essence? How best to shine a light on her valour", "bullet for him. In version A, she intuits the situation and, suppressing all", "to stimuli than a deliberate act of valour. The second gives her more", "of the valorous act itself. My question is, given a combat situation, would", "is more a part of her character than even she realized, but makes", "a combat situation, would the more detailed version seem less credible as time", "version seem less credible as time is literally of the essence? How best", "would imply that the courage is more a part of her character than", "a deliberate act of valour. The second gives her more credit for the", "character than even she realized, but makes her action more of a response", "novel (both already written). My SP is a rather impulsive young woman who", "but makes her action more of a response to stimuli than a deliberate", "as a person and more ownership of the valorous act itself. My question", "courage, more growth as a person and more ownership of the valorous act", "impulsive young woman who is learning to be a bit less of a", "of her character than even she realized, but makes her action more of", "woman who is learning to be a bit less of a hothead. She", "is a rather impulsive young woman who is learning to be a bit", "scene in my novel (both already written). My SP is a rather impulsive", "fear, realizes this is not who she is and decides to act. It", "versions of a pivotal scene in my novel (both already written). My SP", "realizes this is not who she is and decides to act. It is", "the courage is more a part of her character than even she realized,", "and, suppressing all fear, reacts almost instinctively. It is one paragraph long. In", "it seeming cavalier? These circumstances are either ideal for an epiphany or would", "act. It is three paragraphs long. The first would imply that the courage", "as time is literally of the essence? How best to shine a light", "more a part of her character than even she realized, but makes her", "the situation and, suppressing all fear, reacts almost instinctively. It is one paragraph", "situation, would the more detailed version seem less credible as time is literally", "courage is more a part of her character than even she realized, but", "fear, reacts almost instinctively. It is one paragraph long. In version B, she", "of valour. The second gives her more credit for the courage, more growth", "on her valour without it seeming cavalier? These circumstances are either ideal for", "My question is, given a combat situation, would the more detailed version seem", "decides to act. It is three paragraphs long. The first would imply that", "It is three paragraphs long. The first would imply that the courage is", "even she realized, but makes her action more of a response to stimuli", "situation and, suppressing all fear, reacts almost instinctively. It is one paragraph long.", "reacts almost instinctively. It is one paragraph long. In version B, she intuits", "the MC by literally taking a bullet for him. In version A, she", "more of a response to stimuli than a deliberate act of valour. The", "SP is a rather impulsive young woman who is learning to be a", "act itself. My question is, given a combat situation, would the more detailed", "version A, she intuits the situation and, suppressing all fear, reacts almost instinctively.", "than even she realized, but makes her action more of a response to", "is three paragraphs long. The first would imply that the courage is more", "light on her valour without it seeming cavalier? These circumstances are either ideal", "literally taking a bullet for him. In version A, she intuits the situation", "long. In version B, she intuits the situation, suppresses all fear, realizes this", "B, she intuits the situation, suppresses all fear, realizes this is not who", "deliberate act of valour. The second gives her more credit for the courage,", "She saves the MC by literally taking a bullet for him. In version", "My SP is a rather impulsive young woman who is learning to be", "act of valour. The second gives her more credit for the courage, more", "intuits the situation, suppresses all fear, realizes this is not who she is", "her character than even she realized, but makes her action more of a", "realized, but makes her action more of a response to stimuli than a", "combat situation, would the more detailed version seem less credible as time is", "this is not who she is and decides to act. It is three", "best to shine a light on her valour without it seeming cavalier? These", "taking a bullet for him. In version A, she intuits the situation and,", "a hothead. She saves the MC by literally taking a bullet for him.", "response to stimuli than a deliberate act of valour. The second gives her", "the valorous act itself. My question is, given a combat situation, would the", "a person and more ownership of the valorous act itself. My question is,", "stimuli than a deliberate act of valour. The second gives her more credit", "growth as a person and more ownership of the valorous act itself. My", "she is and decides to act. It is three paragraphs long. The first", "is learning to be a bit less of a hothead. She saves the", "cavalier? These circumstances are either ideal for an epiphany or would stifle such.", "more ownership of the valorous act itself. My question is, given a combat", "her valour without it seeming cavalier? These circumstances are either ideal for an", "ownership of the valorous act itself. My question is, given a combat situation,", "I have two versions of a pivotal scene in my novel (both already", "to be a bit less of a hothead. She saves the MC by", "credit for the courage, more growth as a person and more ownership of", "person and more ownership of the valorous act itself. My question is, given", "the courage, more growth as a person and more ownership of the valorous", "the essence? How best to shine a light on her valour without it", "more credit for the courage, more growth as a person and more ownership", "saves the MC by literally taking a bullet for him. In version A,", "long. The first would imply that the courage is more a part of", "in my novel (both already written). My SP is a rather impulsive young", "and decides to act. It is three paragraphs long. The first would imply", "instinctively. It is one paragraph long. In version B, she intuits the situation,", "version B, she intuits the situation, suppresses all fear, realizes this is not", "credible as time is literally of the essence? How best to shine a", "almost instinctively. It is one paragraph long. In version B, she intuits the", "is, given a combat situation, would the more detailed version seem less credible", "shine a light on her valour without it seeming cavalier? These circumstances are", "one paragraph long. In version B, she intuits the situation, suppresses all fear,", "intuits the situation and, suppressing all fear, reacts almost instinctively. It is one", "In version B, she intuits the situation, suppresses all fear, realizes this is", "The second gives her more credit for the courage, more growth as a", "she realized, but makes her action more of a response to stimuli than", "the more detailed version seem less credible as time is literally of the", "a pivotal scene in my novel (both already written). My SP is a", "of a hothead. She saves the MC by literally taking a bullet for", "a bit less of a hothead. She saves the MC by literally taking", "than a deliberate act of valour. The second gives her more credit for", "(both already written). My SP is a rather impulsive young woman who is", "written). My SP is a rather impulsive young woman who is learning to", "by literally taking a bullet for him. In version A, she intuits the", "that the courage is more a part of her character than even she", "given a combat situation, would the more detailed version seem less credible as", "is and decides to act. It is three paragraphs long. The first would", "all fear, reacts almost instinctively. It is one paragraph long. In version B," ]
[ "the choice of words used to describe their personality affect what your mental", "written I have never actually specified anything physical about the character or used", "head of who they are. So other than physical descriptions what factors influence", "terms despite having a good idea in my head of who they are.", "that in the 3.5k~ words I have written I have never actually specified", "own curiosity than anything else but I was wondering if when reading about", "despite having a good idea in my head of who they are. So", "So other than physical descriptions what factors influence a reader's \"image\" of a", "description of their looks, does the choice of words used to describe their", "actually specified anything physical about the character or used any gender-specific terms despite", "about a character with no specified gender and no description of their looks,", "their personality affect what your mental image of who you think they are?", "was wondering if when reading about a character with no specified gender and", "anything else but I was wondering if when reading about a character with", "I have been working on a story for a few days and I", "working on a story for a few days and I just realised that", "but I was wondering if when reading about a character with no specified", "a good idea in my head of who they are. So other than", "few days and I just realised that in the 3.5k~ words I have", "specified anything physical about the character or used any gender-specific terms despite having", "to describe their personality affect what your mental image of who you think", "never actually specified anything physical about the character or used any gender-specific terms", "a story for a few days and I just realised that in the", "with no specified gender and no description of their looks, does the choice", "your mental image of who you think they are? I ask because I", "I have never actually specified anything physical about the character or used any", "of who you think they are? I ask because I have been working", "character with no specified gender and no description of their looks, does the", "any gender-specific terms despite having a good idea in my head of who", "on a story for a few days and I just realised that in", "else but I was wondering if when reading about a character with no", "more for my own curiosity than anything else but I was wondering if", "affect what your mental image of who you think they are? I ask", "is more for my own curiosity than anything else but I was wondering", "I ask because I have been working on a story for a few", "choice of words used to describe their personality affect what your mental image", "have never actually specified anything physical about the character or used any gender-specific", "reading about a character with no specified gender and no description of their", "they are? I ask because I have been working on a story for", "are. So other than physical descriptions what factors influence a reader's \"image\" of", "mental image of who you think they are? I ask because I have", "having a good idea in my head of who they are. So other", "gender and no description of their looks, does the choice of words used", "personality affect what your mental image of who you think they are? I", "and I just realised that in the 3.5k~ words I have written I", "idea in my head of who they are. So other than physical descriptions", "because I have been working on a story for a few days and", "no specified gender and no description of their looks, does the choice of", "I have written I have never actually specified anything physical about the character", "used to describe their personality affect what your mental image of who you", "my own curiosity than anything else but I was wondering if when reading", "character or used any gender-specific terms despite having a good idea in my", "what your mental image of who you think they are? I ask because", "looks, does the choice of words used to describe their personality affect what", "in my head of who they are. So other than physical descriptions what", "wondering if when reading about a character with no specified gender and no", "curiosity than anything else but I was wondering if when reading about a", "have been working on a story for a few days and I just", "just realised that in the 3.5k~ words I have written I have never", "for a few days and I just realised that in the 3.5k~ words", "who they are. So other than physical descriptions what factors influence a reader's", "or used any gender-specific terms despite having a good idea in my head", "they are. So other than physical descriptions what factors influence a reader's \"image\"", "days and I just realised that in the 3.5k~ words I have written", "you think they are? I ask because I have been working on a", "think they are? I ask because I have been working on a story", "have written I have never actually specified anything physical about the character or", "than anything else but I was wondering if when reading about a character", "of who they are. So other than physical descriptions what factors influence a", "image of who you think they are? I ask because I have been", "words I have written I have never actually specified anything physical about the", "used any gender-specific terms despite having a good idea in my head of", "a character with no specified gender and no description of their looks, does", "I was wondering if when reading about a character with no specified gender", "good idea in my head of who they are. So other than physical", "when reading about a character with no specified gender and no description of", "anything physical about the character or used any gender-specific terms despite having a", "their looks, does the choice of words used to describe their personality affect", "for my own curiosity than anything else but I was wondering if when", "my head of who they are. So other than physical descriptions what factors", "words used to describe their personality affect what your mental image of who", "gender-specific terms despite having a good idea in my head of who they", "ask because I have been working on a story for a few days", "other than physical descriptions what factors influence a reader's \"image\" of a character?", "3.5k~ words I have written I have never actually specified anything physical about", "of words used to describe their personality affect what your mental image of", "and no description of their looks, does the choice of words used to", "been working on a story for a few days and I just realised", "of their looks, does the choice of words used to describe their personality", "no description of their looks, does the choice of words used to describe", "realised that in the 3.5k~ words I have written I have never actually", "physical about the character or used any gender-specific terms despite having a good", "if when reading about a character with no specified gender and no description", "the 3.5k~ words I have written I have never actually specified anything physical", "who you think they are? I ask because I have been working on", "in the 3.5k~ words I have written I have never actually specified anything", "does the choice of words used to describe their personality affect what your", "I just realised that in the 3.5k~ words I have written I have", "are? I ask because I have been working on a story for a", "specified gender and no description of their looks, does the choice of words", "story for a few days and I just realised that in the 3.5k~", "the character or used any gender-specific terms despite having a good idea in", "This is more for my own curiosity than anything else but I was", "describe their personality affect what your mental image of who you think they", "about the character or used any gender-specific terms despite having a good idea", "a few days and I just realised that in the 3.5k~ words I" ]
[ "\"Avoid the degree symbol and the abbreviations F and C in articles.\" The", "degree symbol takes up an inordinate amount of space on the page. Is", "not easily available on keyboards or Internet character sets? Is the degree symbol", "In the UK, the [Guardian style guide](https://www.theguardian.com/guardian-observer-style-guide-t) and the [BBC style guide](https://www.bbc.co.uk/academy/en/articles/art20130702112133591) say", "character sets? Is the degree symbol just considered too 'scientific' for regular journalism?", "F and C in articles.\" The AP style guide ([apparently](https://www.codot.gov/business/grants/safetygrants/documents/APStyleGuideCheatSheet.pdf)) says to write", "when '°' was not easily available on keyboards or Internet character sets? Is", "on the page. Is it a hangover from days when '°' was not", "The NYT style guide says to \"Avoid the degree symbol and the abbreviations", "no degree symbol. The NYT style guide says to \"Avoid the degree symbol", "[BBC style guide](https://www.bbc.co.uk/academy/en/articles/art20130702112133591) say to report temperatures as \"25C\" or \"90F\", with no", "a hangover from days when '°' was not easily available on keyboards or", "or \"90F\", with no degree symbol. The NYT style guide says to \"Avoid", "Everyone uses the word 'degrees' when talking about temperature, and it's not like", "was not easily available on keyboards or Internet character sets? Is the degree", "page. Is it a hangover from days when '°' was not easily available", "like the degree symbol takes up an inordinate amount of space on the", "space on the page. Is it a hangover from days when '°' was", "symbol. The NYT style guide says to \"Avoid the degree symbol and the", "style guide](https://www.bbc.co.uk/academy/en/articles/art20130702112133591) say to report temperatures as \"25C\" or \"90F\", with no degree", "style guide says to \"Avoid the degree symbol and the abbreviations F and", "the degree symbol and the abbreviations F and C in articles.\" The AP", "this? Everyone uses the word 'degrees' when talking about temperature, and it's not", "temperature, and it's not like the degree symbol takes up an inordinate amount", "symbol and the abbreviations F and C in articles.\" The AP style guide", "symbol takes up an inordinate amount of space on the page. Is it", "to report temperatures as \"25C\" or \"90F\", with no degree symbol. The NYT", "available on keyboards or Internet character sets? Is the degree symbol just considered", "degree symbol. The NYT style guide says to \"Avoid the degree symbol and", "guide](https://www.bbc.co.uk/academy/en/articles/art20130702112133591) say to report temperatures as \"25C\" or \"90F\", with no degree symbol.", "the [Guardian style guide](https://www.theguardian.com/guardian-observer-style-guide-t) and the [BBC style guide](https://www.bbc.co.uk/academy/en/articles/art20130702112133591) say to report temperatures", "says to \"Avoid the degree symbol and the abbreviations F and C in", "style guide](https://www.theguardian.com/guardian-observer-style-guide-t) and the [BBC style guide](https://www.bbc.co.uk/academy/en/articles/art20130702112133591) say to report temperatures as \"25C\"", "F\". Why is this? Everyone uses the word 'degrees' when talking about temperature,", "Is it a hangover from days when '°' was not easily available on", "the abbreviations F and C in articles.\" The AP style guide ([apparently](https://www.codot.gov/business/grants/safetygrants/documents/APStyleGuideCheatSheet.pdf)) says", "easily available on keyboards or Internet character sets? Is the degree symbol just", "the degree symbol takes up an inordinate amount of space on the page.", "\"25C\" or \"90F\", with no degree symbol. The NYT style guide says to", "from days when '°' was not easily available on keyboards or Internet character", "up an inordinate amount of space on the page. Is it a hangover", "not like the degree symbol takes up an inordinate amount of space on", "the word 'degrees' when talking about temperature, and it's not like the degree", "as \"25C\" or \"90F\", with no degree symbol. The NYT style guide says", "UK, the [Guardian style guide](https://www.theguardian.com/guardian-observer-style-guide-t) and the [BBC style guide](https://www.bbc.co.uk/academy/en/articles/art20130702112133591) say to report", "word 'degrees' when talking about temperature, and it's not like the degree symbol", "C in articles.\" The AP style guide ([apparently](https://www.codot.gov/business/grants/safetygrants/documents/APStyleGuideCheatSheet.pdf)) says to write \"2 degrees", "days when '°' was not easily available on keyboards or Internet character sets?", "guide ([apparently](https://www.codot.gov/business/grants/safetygrants/documents/APStyleGuideCheatSheet.pdf)) says to write \"2 degrees or 2 F\". Why is this?", "the page. Is it a hangover from days when '°' was not easily", "the UK, the [Guardian style guide](https://www.theguardian.com/guardian-observer-style-guide-t) and the [BBC style guide](https://www.bbc.co.uk/academy/en/articles/art20130702112133591) say to", "the [BBC style guide](https://www.bbc.co.uk/academy/en/articles/art20130702112133591) say to report temperatures as \"25C\" or \"90F\", with", "and the abbreviations F and C in articles.\" The AP style guide ([apparently](https://www.codot.gov/business/grants/safetygrants/documents/APStyleGuideCheatSheet.pdf))", "of space on the page. Is it a hangover from days when '°'", "The AP style guide ([apparently](https://www.codot.gov/business/grants/safetygrants/documents/APStyleGuideCheatSheet.pdf)) says to write \"2 degrees or 2 F\".", "talking about temperature, and it's not like the degree symbol takes up an", "an inordinate amount of space on the page. Is it a hangover from", "temperatures as \"25C\" or \"90F\", with no degree symbol. The NYT style guide", "'°' was not easily available on keyboards or Internet character sets? Is the", "2 F\". Why is this? Everyone uses the word 'degrees' when talking about", "inordinate amount of space on the page. Is it a hangover from days", "in articles.\" The AP style guide ([apparently](https://www.codot.gov/business/grants/safetygrants/documents/APStyleGuideCheatSheet.pdf)) says to write \"2 degrees or", "to \"Avoid the degree symbol and the abbreviations F and C in articles.\"", "report temperatures as \"25C\" or \"90F\", with no degree symbol. The NYT style", "or Internet character sets? Is the degree symbol just considered too 'scientific' for", "or 2 F\". Why is this? Everyone uses the word 'degrees' when talking", "AP style guide ([apparently](https://www.codot.gov/business/grants/safetygrants/documents/APStyleGuideCheatSheet.pdf)) says to write \"2 degrees or 2 F\". Why", "style guide ([apparently](https://www.codot.gov/business/grants/safetygrants/documents/APStyleGuideCheatSheet.pdf)) says to write \"2 degrees or 2 F\". Why is", "\"90F\", with no degree symbol. The NYT style guide says to \"Avoid the", "articles.\" The AP style guide ([apparently](https://www.codot.gov/business/grants/safetygrants/documents/APStyleGuideCheatSheet.pdf)) says to write \"2 degrees or 2", "with no degree symbol. The NYT style guide says to \"Avoid the degree", "guide says to \"Avoid the degree symbol and the abbreviations F and C", "hangover from days when '°' was not easily available on keyboards or Internet", "on keyboards or Internet character sets? Is the degree symbol just considered too", "amount of space on the page. Is it a hangover from days when", "degree symbol and the abbreviations F and C in articles.\" The AP style", "and the [BBC style guide](https://www.bbc.co.uk/academy/en/articles/art20130702112133591) say to report temperatures as \"25C\" or \"90F\",", "to write \"2 degrees or 2 F\". Why is this? Everyone uses the", "([apparently](https://www.codot.gov/business/grants/safetygrants/documents/APStyleGuideCheatSheet.pdf)) says to write \"2 degrees or 2 F\". Why is this? Everyone", "when talking about temperature, and it's not like the degree symbol takes up", "'degrees' when talking about temperature, and it's not like the degree symbol takes", "guide](https://www.theguardian.com/guardian-observer-style-guide-t) and the [BBC style guide](https://www.bbc.co.uk/academy/en/articles/art20130702112133591) say to report temperatures as \"25C\" or", "Why is this? Everyone uses the word 'degrees' when talking about temperature, and", "say to report temperatures as \"25C\" or \"90F\", with no degree symbol. The", "abbreviations F and C in articles.\" The AP style guide ([apparently](https://www.codot.gov/business/grants/safetygrants/documents/APStyleGuideCheatSheet.pdf)) says to", "about temperature, and it's not like the degree symbol takes up an inordinate", "and it's not like the degree symbol takes up an inordinate amount of", "it's not like the degree symbol takes up an inordinate amount of space", "\"2 degrees or 2 F\". Why is this? Everyone uses the word 'degrees'", "says to write \"2 degrees or 2 F\". Why is this? Everyone uses", "keyboards or Internet character sets? Is the degree symbol just considered too 'scientific'", "write \"2 degrees or 2 F\". Why is this? Everyone uses the word", "takes up an inordinate amount of space on the page. Is it a", "is this? Everyone uses the word 'degrees' when talking about temperature, and it's", "uses the word 'degrees' when talking about temperature, and it's not like the", "Internet character sets? Is the degree symbol just considered too 'scientific' for regular", "[Guardian style guide](https://www.theguardian.com/guardian-observer-style-guide-t) and the [BBC style guide](https://www.bbc.co.uk/academy/en/articles/art20130702112133591) say to report temperatures as", "it a hangover from days when '°' was not easily available on keyboards", "NYT style guide says to \"Avoid the degree symbol and the abbreviations F", "and C in articles.\" The AP style guide ([apparently](https://www.codot.gov/business/grants/safetygrants/documents/APStyleGuideCheatSheet.pdf)) says to write \"2", "degrees or 2 F\". Why is this? Everyone uses the word 'degrees' when" ]
[ "later on. I quote \"He still comes in the night, though I've been", "and failing to measure to impossible expectations? I can do that. But the", "ritually abused and raped by her father for being born, as he wanted", "alive, and the siblings never knew. And she's in her twenties, and a", "father for being born, as he wanted sons to continue his bloodline. Thing", "We never actually hear about the nitty gritty, we find out via her", "abused and raped by her father for being born, as he wanted sons", "So, in a story, I have a girl who has been ritually abused", "to measure to impossible expectations? I can do that. But the emotional trauma", "my character in a way that can make others empathize or sympathize for", "can I portray it through my character in a way that can make", "can make others empathize or sympathize for her? By the way, the mother", "the emotional trauma is never something I've experienced. So, how can I portray", "being born, as he wanted sons to continue his bloodline. Thing is, this", "girl who has been ritually abused and raped by her father for being", "that can make others empathize or sympathize for her? By the way, the", "the mother is too submissive, but is alive, and the siblings never knew.", "failing to measure to impossible expectations? I can do that. But the emotional", "bloodline. Thing is, this sort of thing has never happened to me. Feeling", "I can do that. But the emotional trauma is never something I've experienced.", "by her father for being born, as he wanted sons to continue his", "never knew. And she's in her twenties, and a police officer wanting to", "way, the mother is too submissive, but is alive, and the siblings never", "the way, the mother is too submissive, but is alive, and the siblings", "love interest later on. I quote \"He still comes in the night, though", "a story, I have a girl who has been ritually abused and raped", "submissive, but is alive, and the siblings never knew. And she's in her", "quote \"He still comes in the night, though I've been out of his", "this sort of thing has never happened to me. Feeling worthless every day?", "worthless every day? Yes. Trying and failing to measure to impossible expectations? I", "too submissive, but is alive, and the siblings never knew. And she's in", "I have a girl who has been ritually abused and raped by her", "measure to impossible expectations? I can do that. But the emotional trauma is", "siblings never knew. And she's in her twenties, and a police officer wanting", "it through my character in a way that can make others empathize or", "empathize or sympathize for her? By the way, the mother is too submissive,", "through my character in a way that can make others empathize or sympathize", "raped by her father for being born, as he wanted sons to continue", "way that can make others empathize or sympathize for her? By the way,", "Trying and failing to measure to impossible expectations? I can do that. But", "possible love interest later on. I quote \"He still comes in the night,", "And she's in her twenties, and a police officer wanting to specialize in", "and possible love interest later on. I quote \"He still comes in the", "though I've been out of his house for so long.\" referring to her", "sort of thing has never happened to me. Feeling worthless every day? Yes.", "happened to me. Feeling worthless every day? Yes. Trying and failing to measure", "nitty gritty, we find out via her friend and possible love interest later", "have a girl who has been ritually abused and raped by her father", "is never something I've experienced. So, how can I portray it through my", "never something I've experienced. So, how can I portray it through my character", "the night, though I've been out of his house for so long.\" referring", "he wanted sons to continue his bloodline. Thing is, this sort of thing", "still comes in the night, though I've been out of his house for", "who has been ritually abused and raped by her father for being born,", "continue his bloodline. Thing is, this sort of thing has never happened to", "his house for so long.\" referring to her having nightmares about the trauma.", "to me. Feeling worthless every day? Yes. Trying and failing to measure to", "others empathize or sympathize for her? By the way, the mother is too", "of his house for so long.\" referring to her having nightmares about the", "about the nitty gritty, we find out via her friend and possible love", "do that. But the emotional trauma is never something I've experienced. So, how", "me. Feeling worthless every day? Yes. Trying and failing to measure to impossible", "field. We never actually hear about the nitty gritty, we find out via", "thing has never happened to me. Feeling worthless every day? Yes. Trying and", "for her? By the way, the mother is too submissive, but is alive,", "she's in her twenties, and a police officer wanting to specialize in this", "find out via her friend and possible love interest later on. I quote", "wanting to specialize in this field. We never actually hear about the nitty", "story, I have a girl who has been ritually abused and raped by", "has been ritually abused and raped by her father for being born, as", "I've experienced. So, how can I portray it through my character in a", "and a police officer wanting to specialize in this field. We never actually", "and the siblings never knew. And she's in her twenties, and a police", "a way that can make others empathize or sympathize for her? By the", "never happened to me. Feeling worthless every day? Yes. Trying and failing to", "something I've experienced. So, how can I portray it through my character in", "in this field. We never actually hear about the nitty gritty, we find", "but is alive, and the siblings never knew. And she's in her twenties,", "day? Yes. Trying and failing to measure to impossible expectations? I can do", "and raped by her father for being born, as he wanted sons to", "portray it through my character in a way that can make others empathize", "\"He still comes in the night, though I've been out of his house", "friend and possible love interest later on. I quote \"He still comes in", "of thing has never happened to me. Feeling worthless every day? Yes. Trying", "for being born, as he wanted sons to continue his bloodline. Thing is,", "never actually hear about the nitty gritty, we find out via her friend", "the siblings never knew. And she's in her twenties, and a police officer", "to specialize in this field. We never actually hear about the nitty gritty,", "But the emotional trauma is never something I've experienced. So, how can I", "out via her friend and possible love interest later on. I quote \"He", "out of his house for so long.\" referring to her having nightmares about", "in her twenties, and a police officer wanting to specialize in this field.", "comes in the night, though I've been out of his house for so", "her? By the way, the mother is too submissive, but is alive, and", "make others empathize or sympathize for her? By the way, the mother is", "her father for being born, as he wanted sons to continue his bloodline.", "Feeling worthless every day? Yes. Trying and failing to measure to impossible expectations?", "impossible expectations? I can do that. But the emotional trauma is never something", "her friend and possible love interest later on. I quote \"He still comes", "emotional trauma is never something I've experienced. So, how can I portray it", "to continue his bloodline. Thing is, this sort of thing has never happened", "been out of his house for so long.\" referring to her having nightmares", "interest later on. I quote \"He still comes in the night, though I've", "a police officer wanting to specialize in this field. We never actually hear", "born, as he wanted sons to continue his bloodline. Thing is, this sort", "as he wanted sons to continue his bloodline. Thing is, this sort of", "every day? Yes. Trying and failing to measure to impossible expectations? I can", "Thing is, this sort of thing has never happened to me. Feeling worthless", "is too submissive, but is alive, and the siblings never knew. And she's", "on. I quote \"He still comes in the night, though I've been out", "in the night, though I've been out of his house for so long.\"", "I've been out of his house for so long.\" referring to her having", "officer wanting to specialize in this field. We never actually hear about the", "trauma is never something I've experienced. So, how can I portray it through", "wanted sons to continue his bloodline. Thing is, this sort of thing has", "the nitty gritty, we find out via her friend and possible love interest", "in a story, I have a girl who has been ritually abused and", "mother is too submissive, but is alive, and the siblings never knew. And", "that. But the emotional trauma is never something I've experienced. So, how can", "actually hear about the nitty gritty, we find out via her friend and", "via her friend and possible love interest later on. I quote \"He still", "twenties, and a police officer wanting to specialize in this field. We never", "to impossible expectations? I can do that. But the emotional trauma is never", "expectations? I can do that. But the emotional trauma is never something I've", "or sympathize for her? By the way, the mother is too submissive, but", "So, how can I portray it through my character in a way that", "character in a way that can make others empathize or sympathize for her?", "sons to continue his bloodline. Thing is, this sort of thing has never", "knew. And she's in her twenties, and a police officer wanting to specialize", "I portray it through my character in a way that can make others", "is alive, and the siblings never knew. And she's in her twenties, and", "his bloodline. Thing is, this sort of thing has never happened to me.", "gritty, we find out via her friend and possible love interest later on.", "a girl who has been ritually abused and raped by her father for", "her twenties, and a police officer wanting to specialize in this field. We", "this field. We never actually hear about the nitty gritty, we find out", "hear about the nitty gritty, we find out via her friend and possible", "been ritually abused and raped by her father for being born, as he", "night, though I've been out of his house for so long.\" referring to", "we find out via her friend and possible love interest later on. I", "how can I portray it through my character in a way that can", "sympathize for her? By the way, the mother is too submissive, but is", "can do that. But the emotional trauma is never something I've experienced. So,", "in a way that can make others empathize or sympathize for her? By", "police officer wanting to specialize in this field. We never actually hear about", "specialize in this field. We never actually hear about the nitty gritty, we", "experienced. So, how can I portray it through my character in a way", "I quote \"He still comes in the night, though I've been out of", "is, this sort of thing has never happened to me. Feeling worthless every", "Yes. Trying and failing to measure to impossible expectations? I can do that.", "has never happened to me. Feeling worthless every day? Yes. Trying and failing", "By the way, the mother is too submissive, but is alive, and the" ]
[ "A an acceptable and clear way of shortening Sentence B? * Sentence A:", "A firm outperforms the industry when expression (1) results in a positive value,", "an acceptable and clear way of shortening Sentence B? * Sentence A: >", "Sentence A an acceptable and clear way of shortening Sentence B? * Sentence", "expression (1) results in a positive (negative) value. > > > * Sentence", "in a positive (negative) value. > > > * Sentence B: > >", "> > * Sentence B: > > A firm outperforms the industry when", "underperforms the industry when expression (1) results in a negative value. > >", "value. > > > * Sentence B: > > A firm outperforms the", "(negative) value. > > > * Sentence B: > > A firm outperforms", "(1) results in a positive (negative) value. > > > * Sentence B:", "> > A firm outperforms the industry when expression (1) results in a", "firm outperforms (underperforms) the industry when expression (1) results in a positive (negative)", "industry when expression (1) results in a positive value, and underperforms the industry", "a positive value, and underperforms the industry when expression (1) results in a", "the industry when expression (1) results in a positive (negative) value. > >", "Sentence A: > > A firm outperforms (underperforms) the industry when expression (1)", "expression (1) results in a positive value, and underperforms the industry when expression", "results in a positive value, and underperforms the industry when expression (1) results", "positive value, and underperforms the industry when expression (1) results in a negative", "> > > * Sentence B: > > A firm outperforms the industry", "outperforms the industry when expression (1) results in a positive value, and underperforms", "B? * Sentence A: > > A firm outperforms (underperforms) the industry when", "way of shortening Sentence B? * Sentence A: > > A firm outperforms", "Is Sentence A an acceptable and clear way of shortening Sentence B? ", "shortening Sentence B? Sentence A: > > A firm outperforms (underperforms) the", "a positive (negative) value. > > > * Sentence B: > > A", "* Sentence B: > > A firm outperforms the industry when expression (1)", "Sentence B: > > A firm outperforms the industry when expression (1) results", "industry when expression (1) results in a positive (negative) value. > > >", "(1) results in a positive value, and underperforms the industry when expression (1)", "A firm outperforms (underperforms) the industry when expression (1) results in a positive", "positive (negative) value. > > > * Sentence B: > > A firm", "in a positive value, and underperforms the industry when expression (1) results in", "acceptable and clear way of shortening Sentence B? * Sentence A: > >", "B: > > A firm outperforms the industry when expression (1) results in", "(underperforms) the industry when expression (1) results in a positive (negative) value. >", "and clear way of shortening Sentence B? * Sentence A: > > A", "> > A firm outperforms (underperforms) the industry when expression (1) results in", "when expression (1) results in a positive (negative) value. > > > ", "clear way of shortening Sentence B? Sentence A: > > A firm", "> A firm outperforms the industry when expression (1) results in a positive", "Sentence B? * Sentence A: > > A firm outperforms (underperforms) the industry", "outperforms (underperforms) the industry when expression (1) results in a positive (negative) value.", "when expression (1) results in a positive value, and underperforms the industry when", "results in a positive (negative) value. > > > * Sentence B: >", "value, and underperforms the industry when expression (1) results in a negative value.", "and underperforms the industry when expression (1) results in a negative value. >", "firm outperforms the industry when expression (1) results in a positive value, and", "> * Sentence B: > > A firm outperforms the industry when expression", "the industry when expression (1) results in a negative value. > > >", "A: > > A firm outperforms (underperforms) the industry when expression (1) results", "> A firm outperforms (underperforms) the industry when expression (1) results in a", "the industry when expression (1) results in a positive value, and underperforms the", "of shortening Sentence B? * Sentence A: > > A firm outperforms (underperforms)", "* Sentence A: > > A firm outperforms (underperforms) the industry when expression" ]
[ "written or vice versa? What if I want to write a song but", "end up writing a poem? (Oh well, this question brought me another question", "have the slightest of knowledge of music, notes and forms? Will I end", "songs written after selection of musical note, tone, and form? What is the", "the order? First music is created or song is written or vice versa?", "(Oh well, this question brought me another question of difference between poem and", "Will I end up writing a poem? (Oh well, this question brought me", "is written or vice versa? What if I want to write a song", "What if I want to write a song but I don't have the", "this question brought me another question of difference between poem and song. I", "has their way of being sung. Were such songs written after selection of", "I want to write a song but I don't have the slightest of", "singing Somebody's Me, each song (or poem) has their way of being sung.", "question brought me another question of difference between poem and song. I shall", "it Mowgli and balu singing Bare Necessities or Enviqea singing Somebody's Me, each", "each song (or poem) has their way of being sung. Were such songs", "being sung. Were such songs written after selection of musical note, tone, and", "and form? What is the order? First music is created or song is", "knowledge of music, notes and forms? Will I end up writing a poem?", "writing a poem? (Oh well, this question brought me another question of difference", "to write a song but I don't have the slightest of knowledge of", "another question of difference between poem and song. I shall ask it as", "form? What is the order? First music is created or song is written", "selection of musical note, tone, and form? What is the order? First music", "but I don't have the slightest of knowledge of music, notes and forms?", "order? First music is created or song is written or vice versa? What", "I don't have the slightest of knowledge of music, notes and forms? Will", "note, tone, and form? What is the order? First music is created or", "after selection of musical note, tone, and form? What is the order? First", "slightest of knowledge of music, notes and forms? Will I end up writing", "if I want to write a song but I don't have the slightest", "I end up writing a poem? (Oh well, this question brought me another", "of musical note, tone, and form? What is the order? First music is", "their way of being sung. Were such songs written after selection of musical", "Me, each song (or poem) has their way of being sung. Were such", "question of difference between poem and song. I shall ask it as another", "Were such songs written after selection of musical note, tone, and form? What", "or song is written or vice versa? What if I want to write", "poem? (Oh well, this question brought me another question of difference between poem", "or Enviqea singing Somebody's Me, each song (or poem) has their way of", "and forms? Will I end up writing a poem? (Oh well, this question", "the slightest of knowledge of music, notes and forms? Will I end up", "poem) has their way of being sung. Were such songs written after selection", "write a song but I don't have the slightest of knowledge of music,", "want to write a song but I don't have the slightest of knowledge", "Bare Necessities* or Enviqea singing Somebody's Me, each song (or poem) has their", "don't have the slightest of knowledge of music, notes and forms? Will I", "Be it Mowgli and balu singing Bare Necessities or Enviqea singing Somebody's Me,", "sung. Were such songs written after selection of musical note, tone, and form?", "and balu singing Bare Necessities or Enviqea singing Somebody's Me, each song (or", "or vice versa? What if I want to write a song but I", "music is created or song is written or vice versa? What if I", "First music is created or song is written or vice versa? What if", "musical note, tone, and form? What is the order? First music is created", "song but I don't have the slightest of knowledge of music, notes and", "song is written or vice versa? What if I want to write a", "of knowledge of music, notes and forms? Will I end up writing a", "forms? Will I end up writing a poem? (Oh well, this question brought", "music, notes and forms? Will I end up writing a poem? (Oh well,", "(or poem) has their way of being sung. Were such songs written after", "written after selection of musical note, tone, and form? What is the order?", "is the order? First music is created or song is written or vice", "me another question of difference between poem and song. I shall ask it", "song (or poem) has their way of being sung. Were such songs written", "Necessities* or Enviqea singing Somebody's Me, each song (or poem) has their way", "well, this question brought me another question of difference between poem and song.", "Mowgli and balu singing Bare Necessities or Enviqea singing Somebody's Me, each song", "up writing a poem? (Oh well, this question brought me another question of", "brought me another question of difference between poem and song. I shall ask", "Enviqea singing Somebody's Me, each song (or poem) has their way of being", "is created or song is written or vice versa? What if I want", "Somebody's Me, each song (or poem) has their way of being sung. Were", "versa? What if I want to write a song but I don't have", "such songs written after selection of musical note, tone, and form? What is", "of difference between poem and song. I shall ask it as another question.)", "of being sung. Were such songs written after selection of musical note, tone,", "way of being sung. Were such songs written after selection of musical note,", "tone, and form? What is the order? First music is created or song", "What is the order? First music is created or song is written or", "balu singing Bare Necessities or Enviqea singing Somebody's Me, each song (or poem)", "notes and forms? Will I end up writing a poem? (Oh well, this", "created or song is written or vice versa? What if I want to", "singing Bare Necessities or Enviqea singing Somebody's Me, each song (or poem) has", "a poem? (Oh well, this question brought me another question of difference between", "of music, notes and forms? Will I end up writing a poem? (Oh", "vice versa? What if I want to write a song but I don't", "a song but I don't have the slightest of knowledge of music, notes" ]
[ "two completely different settings are present in order to obtain the same superpower.", "somewhere that there is this writing rule stating that, for some superpower, it", "completely different settings are present in order to obtain the same superpower. In", "are present in order to obtain the same superpower. In the article, I", "some superpower, it would be less believable if two completely different settings are", "it mentioned in the movie Spiderman (which I've not watched), the protagonist and", "another character gain the power through different means. What's this rule and does", "the article, I remember it mentioned in the movie Spiderman (which I've not", "there is this writing rule stating that, for some superpower, it would be", "be less believable if two completely different settings are present in order to", "less believable if two completely different settings are present in order to obtain", "power through different means. What's this rule and does it have a name?", "the protagonist and another character gain the power through different means. What's this", "that, for some superpower, it would be less believable if two completely different", "to obtain the same superpower. In the article, I remember it mentioned in", "not watched), the protagonist and another character gain the power through different means.", "watched), the protagonist and another character gain the power through different means. What's", "(which I've not watched), the protagonist and another character gain the power through", "would be less believable if two completely different settings are present in order", "if two completely different settings are present in order to obtain the same", "the movie Spiderman (which I've not watched), the protagonist and another character gain", "order to obtain the same superpower. In the article, I remember it mentioned", "present in order to obtain the same superpower. In the article, I remember", "the power through different means. What's this rule and does it have a", "movie Spiderman (which I've not watched), the protagonist and another character gain the", "protagonist and another character gain the power through different means. What's this rule", "I've read somewhere that there is this writing rule stating that, for some", "superpower. In the article, I remember it mentioned in the movie Spiderman (which", "is this writing rule stating that, for some superpower, it would be less", "mentioned in the movie Spiderman (which I've not watched), the protagonist and another", "different settings are present in order to obtain the same superpower. In the", "gain the power through different means. What's this rule and does it have", "remember it mentioned in the movie Spiderman (which I've not watched), the protagonist", "superpower, it would be less believable if two completely different settings are present", "rule stating that, for some superpower, it would be less believable if two", "believable if two completely different settings are present in order to obtain the", "this writing rule stating that, for some superpower, it would be less believable", "settings are present in order to obtain the same superpower. In the article,", "obtain the same superpower. In the article, I remember it mentioned in the", "the same superpower. In the article, I remember it mentioned in the movie", "writing rule stating that, for some superpower, it would be less believable if", "stating that, for some superpower, it would be less believable if two completely", "read somewhere that there is this writing rule stating that, for some superpower,", "In the article, I remember it mentioned in the movie Spiderman (which I've", "that there is this writing rule stating that, for some superpower, it would", "I've not watched), the protagonist and another character gain the power through different", "character gain the power through different means. What's this rule and does it", "same superpower. In the article, I remember it mentioned in the movie Spiderman", "and another character gain the power through different means. What's this rule and", "Spiderman (which I've not watched), the protagonist and another character gain the power", "in the movie Spiderman (which I've not watched), the protagonist and another character", "article, I remember it mentioned in the movie Spiderman (which I've not watched),", "for some superpower, it would be less believable if two completely different settings", "I remember it mentioned in the movie Spiderman (which I've not watched), the", "in order to obtain the same superpower. In the article, I remember it", "it would be less believable if two completely different settings are present in" ]
[ "of a tag line that would imply genre or character improve the chances", "lines just add clutter? What kind of tag line would best serve this", "adding (in much smaller font) a tag line. This is an example of", "a tag line. This is an example of one tag line: > >", "added a brief tag line, not quite a subtitle, to the cover to", "tag line: > > A Gentleman Assassin Never Tells > > > Would", "I have found myself adding (in much smaller font) a tag line. This", "tag lines just add clutter? What kind of tag line would best serve", "it being selected, even momentarily? If the reader doesn’t open the book, it", "selected, even momentarily? If the reader doesn’t open the book, it won’t matter", "and they ought to expect violence. I have found myself adding (in much", "I am thinking of using should clue people in to the fact this", "a brief tag line, not quite a subtitle, to the cover to indicate", "using should clue people in to the fact this is not a kid’s", "around with cover art ideas and have some that are quite interesting. I", "quite interesting. I have added a brief tag line, not quite a subtitle,", "ought to expect violence. I have found myself adding (in much smaller font)", "line that would imply genre or character improve the chances of it being", "ideas and have some that are quite interesting. I have added a brief", "the addition of a tag line that would imply genre or character improve", "to the cover to indicate the genre. Frankly, the artistic photo of the", "do tag lines just add clutter? What kind of tag line would best", "am thinking of using should clue people in to the fact this is", "addition of a tag line that would imply genre or character improve the", "is. Or do tag lines just add clutter? What kind of tag line", "cover art ideas and have some that are quite interesting. I have added", "a subtitle, to the cover to indicate the genre. Frankly, the artistic photo", "the chances of it being selected, even momentarily? If the reader doesn’t open", "I am playing around with cover art ideas and have some that are", "tag line. This is an example of one tag line: > > A", "kid’s book and they ought to expect violence. I have found myself adding", "Tells > > > Would the addition of a tag line that would", "of one tag line: > > A Gentleman Assassin Never Tells > >", "Never Tells > > > Would the addition of a tag line that", "should clue people in to the fact this is not a kid’s book", "open the book, it won’t matter how compelling it is. Or do tag", "brief tag line, not quite a subtitle, to the cover to indicate the", "the guns that I am thinking of using should clue people in to", "they ought to expect violence. I have found myself adding (in much smaller", "> A Gentleman Assassin Never Tells > > > Would the addition of", "not a kid’s book and they ought to expect violence. I have found", "tag line that would imply genre or character improve the chances of it", "compelling it is. Or do tag lines just add clutter? What kind of", "the genre. Frankly, the artistic photo of the guns that I am thinking", "thinking of using should clue people in to the fact this is not", "> > > Would the addition of a tag line that would imply", "> Would the addition of a tag line that would imply genre or", "being selected, even momentarily? If the reader doesn’t open the book, it won’t", "If the reader doesn’t open the book, it won’t matter how compelling it", "character improve the chances of it being selected, even momentarily? If the reader", "playing around with cover art ideas and have some that are quite interesting.", "have added a brief tag line, not quite a subtitle, to the cover", "in to the fact this is not a kid’s book and they ought", "photo of the guns that I am thinking of using should clue people", "smaller font) a tag line. This is an example of one tag line:", "A Gentleman Assassin Never Tells > > > Would the addition of a", "> > A Gentleman Assassin Never Tells > > > Would the addition", "tag line, not quite a subtitle, to the cover to indicate the genre.", "cover to indicate the genre. Frankly, the artistic photo of the guns that", "subtitle, to the cover to indicate the genre. Frankly, the artistic photo of", "some that are quite interesting. I have added a brief tag line, not", "chances of it being selected, even momentarily? If the reader doesn’t open the", "fact this is not a kid’s book and they ought to expect violence.", "it won’t matter how compelling it is. Or do tag lines just add", "the cover to indicate the genre. Frankly, the artistic photo of the guns", "to indicate the genre. Frankly, the artistic photo of the guns that I", "that are quite interesting. I have added a brief tag line, not quite", "just add clutter? What kind of tag line would best serve this purpose?", "or character improve the chances of it being selected, even momentarily? If the", "improve the chances of it being selected, even momentarily? If the reader doesn’t", "quite a subtitle, to the cover to indicate the genre. Frankly, the artistic", "> > Would the addition of a tag line that would imply genre", "this is not a kid’s book and they ought to expect violence. I", "that would imply genre or character improve the chances of it being selected,", "and have some that are quite interesting. I have added a brief tag", "artistic photo of the guns that I am thinking of using should clue", "am playing around with cover art ideas and have some that are quite", "line: > > A Gentleman Assassin Never Tells > > > Would the", "even momentarily? If the reader doesn’t open the book, it won’t matter how", "Gentleman Assassin Never Tells > > > Would the addition of a tag", "the fact this is not a kid’s book and they ought to expect", "guns that I am thinking of using should clue people in to the", "much smaller font) a tag line. This is an example of one tag", "found myself adding (in much smaller font) a tag line. This is an", "indicate the genre. Frankly, the artistic photo of the guns that I am", "that I am thinking of using should clue people in to the fact", "myself adding (in much smaller font) a tag line. This is an example", "momentarily? If the reader doesn’t open the book, it won’t matter how compelling", "to the fact this is not a kid’s book and they ought to", "art ideas and have some that are quite interesting. I have added a", "not quite a subtitle, to the cover to indicate the genre. Frankly, the", "genre. Frankly, the artistic photo of the guns that I am thinking of", "how compelling it is. Or do tag lines just add clutter? What kind", "an example of one tag line: > > A Gentleman Assassin Never Tells", "matter how compelling it is. Or do tag lines just add clutter? What", "expect violence. I have found myself adding (in much smaller font) a tag", "book, it won’t matter how compelling it is. Or do tag lines just", "are quite interesting. I have added a brief tag line, not quite a", "a kid’s book and they ought to expect violence. I have found myself", "is an example of one tag line: > > A Gentleman Assassin Never", "it is. Or do tag lines just add clutter? What kind of tag", "of the guns that I am thinking of using should clue people in", "reader doesn’t open the book, it won’t matter how compelling it is. Or", "a tag line that would imply genre or character improve the chances of", "Would the addition of a tag line that would imply genre or character", "the reader doesn’t open the book, it won’t matter how compelling it is.", "imply genre or character improve the chances of it being selected, even momentarily?", "(in much smaller font) a tag line. This is an example of one", "doesn’t open the book, it won’t matter how compelling it is. Or do", "of using should clue people in to the fact this is not a", "to expect violence. I have found myself adding (in much smaller font) a", "Or do tag lines just add clutter? What kind of tag line would", "with cover art ideas and have some that are quite interesting. I have", "genre or character improve the chances of it being selected, even momentarily? If", "the artistic photo of the guns that I am thinking of using should", "violence. I have found myself adding (in much smaller font) a tag line.", "This is an example of one tag line: > > A Gentleman Assassin", "Assassin Never Tells > > > Would the addition of a tag line", "I have added a brief tag line, not quite a subtitle, to the", "have found myself adding (in much smaller font) a tag line. This is", "is not a kid’s book and they ought to expect violence. I have", "have some that are quite interesting. I have added a brief tag line,", "example of one tag line: > > A Gentleman Assassin Never Tells >", "clue people in to the fact this is not a kid’s book and", "won’t matter how compelling it is. Or do tag lines just add clutter?", "interesting. I have added a brief tag line, not quite a subtitle, to", "line. This is an example of one tag line: > > A Gentleman", "Frankly, the artistic photo of the guns that I am thinking of using", "would imply genre or character improve the chances of it being selected, even", "of it being selected, even momentarily? If the reader doesn’t open the book,", "people in to the fact this is not a kid’s book and they", "font) a tag line. This is an example of one tag line: >", "the book, it won’t matter how compelling it is. Or do tag lines", "line, not quite a subtitle, to the cover to indicate the genre. Frankly,", "one tag line: > > A Gentleman Assassin Never Tells > > >", "book and they ought to expect violence. I have found myself adding (in" ]
[ "problem. In the first draft of my last fiction piece, 75% of the", "write stories with no male characters, but that's not always what I want", "me to make them feel unique. Every variation of a male military commander", "possibly be male and isn't a stereotype. Lately I have found the opposite", "female characters to male characters? Of course one solution is to simply write", "that can not possibly be male and isn't a stereotype. Lately I have", "male and isn't a stereotype. Lately I have found the opposite problem. In", "the first draft of my last fiction piece, 75% of the characters were", "leading her own battalion seems more interesting. How can I apply the lessons", "character that can not possibly be male and isn't a stereotype. Lately I", "make her uniquely female, the type of character that can not possibly be", "the lessons learned from writing strong female characters to male characters? Of course", "I have found the opposite problem. In the first draft of my last", "of my last fiction piece, 75% of the characters were female. Making characters", "learned from writing strong female characters to male characters? Of course one solution", "female. Making characters female has become an easy trick for me to make", "and isn't a stereotype. Lately I have found the opposite problem. In the", "male characters? Of course one solution is to simply write stories with no", "course one solution is to simply write stories with no male characters, but", "writing strong female characters to male characters? Of course one solution is to", "want to do. (If it matters for the answer, I myself am male.)", "fiction piece, 75% of the characters were female. Making characters female has become", "the characters were female. Making characters female has become an easy trick for", "Lately I have found the opposite problem. In the first draft of my", "that's not always what I want to do. (If it matters for the", "the opposite problem. In the first draft of my last fiction piece, 75%", "can I apply the lessons learned from writing strong female characters to male", "Making characters female has become an easy trick for me to make them", "female, the type of character that can not possibly be male and isn't", "have found the opposite problem. In the first draft of my last fiction", "an easy trick for me to make them feel unique. Every variation of", "be male and isn't a stereotype. Lately I have found the opposite problem.", "her own battalion seems more interesting. How can I apply the lessons learned", "stories with no male characters, but that's not always what I want to", "last fiction piece, 75% of the characters were female. Making characters female has", "In [How to write strong female characters](https://writing.stackexchange.com/questions/3539/how-do-you-develop-a-strong-female-character), Standback says that the best way", "her uniquely female, the type of character that can not possibly be male", "own battalion seems more interesting. How can I apply the lessons learned from", "is to simply write stories with no male characters, but that's not always", "military commander seems to have been done. A female commander leading her own", "75% of the characters were female. Making characters female has become an easy", "simply write stories with no male characters, but that's not always what I", "Every variation of a male military commander seems to have been done. A", "them feel unique. Every variation of a male military commander seems to have", "characters? Of course one solution is to simply write stories with no male", "write a strong female character is to make her uniquely female, the type", "uniquely female, the type of character that can not possibly be male and", "is to make her uniquely female, the type of character that can not", "I apply the lessons learned from writing strong female characters to male characters?", "not always what I want to do. (If it matters for the answer,", "what I want to do. (If it matters for the answer, I myself", "variation of a male military commander seems to have been done. A female", "female has become an easy trick for me to make them feel unique.", "Standback says that the best way to write a strong female character is", "from writing strong female characters to male characters? Of course one solution is", "that the best way to write a strong female character is to make", "I want to do. (If it matters for the answer, I myself am", "for me to make them feel unique. Every variation of a male military", "of the characters were female. Making characters female has become an easy trick", "characters to male characters? Of course one solution is to simply write stories", "unique. Every variation of a male military commander seems to have been done.", "[How to write strong female characters](https://writing.stackexchange.com/questions/3539/how-do-you-develop-a-strong-female-character), Standback says that the best way to", "trick for me to make them feel unique. Every variation of a male", "feel unique. Every variation of a male military commander seems to have been", "become an easy trick for me to make them feel unique. Every variation", "have been done. A female commander leading her own battalion seems more interesting.", "with no male characters, but that's not always what I want to do.", "lessons learned from writing strong female characters to male characters? Of course one", "female commander leading her own battalion seems more interesting. How can I apply", "the best way to write a strong female character is to make her", "a male military commander seems to have been done. A female commander leading", "but that's not always what I want to do. (If it matters for", "to make them feel unique. Every variation of a male military commander seems", "male military commander seems to have been done. A female commander leading her", "first draft of my last fiction piece, 75% of the characters were female.", "opposite problem. In the first draft of my last fiction piece, 75% of", "make them feel unique. Every variation of a male military commander seems to", "been done. A female commander leading her own battalion seems more interesting. How", "interesting. How can I apply the lessons learned from writing strong female characters", "commander leading her own battalion seems more interesting. How can I apply the", "Of course one solution is to simply write stories with no male characters,", "best way to write a strong female character is to make her uniquely", "female character is to make her uniquely female, the type of character that", "to simply write stories with no male characters, but that's not always what", "characters, but that's not always what I want to do. (If it matters", "always what I want to do. (If it matters for the answer, I", "strong female characters to male characters? Of course one solution is to simply", "strong female character is to make her uniquely female, the type of character", "a stereotype. Lately I have found the opposite problem. In the first draft", "solution is to simply write stories with no male characters, but that's not", "draft of my last fiction piece, 75% of the characters were female. Making", "commander seems to have been done. A female commander leading her own battalion", "isn't a stereotype. Lately I have found the opposite problem. In the first", "stereotype. Lately I have found the opposite problem. In the first draft of", "to write strong female characters](https://writing.stackexchange.com/questions/3539/how-do-you-develop-a-strong-female-character), Standback says that the best way to write", "of character that can not possibly be male and isn't a stereotype. Lately", "no male characters, but that's not always what I want to do. (If", "to write a strong female character is to make her uniquely female, the", "seems to have been done. A female commander leading her own battalion seems", "to have been done. A female commander leading her own battalion seems more", "my last fiction piece, 75% of the characters were female. Making characters female", "A female commander leading her own battalion seems more interesting. How can I", "to make her uniquely female, the type of character that can not possibly", "characters female has become an easy trick for me to make them feel", "strong female characters](https://writing.stackexchange.com/questions/3539/how-do-you-develop-a-strong-female-character), Standback says that the best way to write a strong", "characters](https://writing.stackexchange.com/questions/3539/how-do-you-develop-a-strong-female-character), Standback says that the best way to write a strong female character", "way to write a strong female character is to make her uniquely female,", "can not possibly be male and isn't a stereotype. Lately I have found", "were female. Making characters female has become an easy trick for me to", "apply the lessons learned from writing strong female characters to male characters? Of", "character is to make her uniquely female, the type of character that can", "to male characters? Of course one solution is to simply write stories with", "write strong female characters](https://writing.stackexchange.com/questions/3539/how-do-you-develop-a-strong-female-character), Standback says that the best way to write a", "female characters](https://writing.stackexchange.com/questions/3539/how-do-you-develop-a-strong-female-character), Standback says that the best way to write a strong female", "one solution is to simply write stories with no male characters, but that's", "type of character that can not possibly be male and isn't a stereotype.", "seems more interesting. How can I apply the lessons learned from writing strong", "the type of character that can not possibly be male and isn't a", "piece, 75% of the characters were female. Making characters female has become an", "battalion seems more interesting. How can I apply the lessons learned from writing", "done. A female commander leading her own battalion seems more interesting. How can", "not possibly be male and isn't a stereotype. Lately I have found the", "characters were female. Making characters female has become an easy trick for me", "more interesting. How can I apply the lessons learned from writing strong female", "male characters, but that's not always what I want to do. (If it", "has become an easy trick for me to make them feel unique. Every", "In the first draft of my last fiction piece, 75% of the characters", "found the opposite problem. In the first draft of my last fiction piece,", "says that the best way to write a strong female character is to", "of a male military commander seems to have been done. A female commander", "a strong female character is to make her uniquely female, the type of", "How can I apply the lessons learned from writing strong female characters to", "easy trick for me to make them feel unique. Every variation of a" ]
[ "kitchen on paper easily, but the author doesn't have to cut back on", "don't want to have to create the content twice. Is there some script", "basic idea -- if you click on the \"print\" link it starts your", "dialogue with a subset of the page's content. But that site made a", "for a recipe your search results will be full of long, image-rich blog", "I modify my source to mark a portion of the post as content", "blog posts that, somewhere in there, have the actual recipe you were looking", "have the actual recipe you were looking for. Many of these have a", "if you click on the \"print\" link it starts your browser print dialogue", "-- but I don't want to have to create the content twice. Is", "link to make that easier; I can get the stuff I need in", "browser print dialogue with a subset of the page's content. But that site", "there some script or HTML magic that can help me? I write my", "that, somewhere in there, have the actual recipe you were looking for. Many", "of these have a \"printer-friendly version\" link to make that easier; I can", "Is there some script or HTML magic that can help me? I write", "and can include HTML tags. How do I modify my source to mark", "back on the part that is interesting when cooking is not imminent. Here's", "in my kitchen on paper easily, but the author doesn't have to cut", "to mark a portion of the post as content for a \"print\" link", "in markdown and can include HTML tags. How do I modify my source", "the basic idea -- if you click on the \"print\" link it starts", "of the post as content for a \"print\" link (and generate the link)?", "on paper easily, but the author doesn't have to cut back on the", "idea -- if you click on the \"print\" link it starts your browser", "\"print\" link it starts your browser print dialogue with a subset of the", "of long, image-rich blog posts that, somewhere in there, have the actual recipe", "twice. As somebody who sometimes posts about cooking, including recipes, on my blog,", "help me? I write my blog posts in markdown and can include HTML", "posts that, somewhere in there, have the actual recipe you were looking for.", "that is interesting when cooking is not imminent. Here's [an example](http://www.doradaily.com/my-blog/2016/02/spelt-berry-breakfast-porridge.html) of the", "As somebody who sometimes posts about cooking, including recipes, on my blog, I'd", "blog posts in markdown and can include HTML tags. How do I modify", "example](http://www.doradaily.com/my-blog/2016/02/spelt-berry-breakfast-porridge.html) of the basic idea -- if you click on the \"print\" link", "click on the \"print\" link it starts your browser print dialogue with a", "my blog, I'd like to be able to offer that printer-friendly version, too", "cooking is not imminent. Here's [an example](http://www.doradaily.com/my-blog/2016/02/spelt-berry-breakfast-porridge.html) of the basic idea -- if", "offer that printer-friendly version, too -- but I don't want to have to", "is interesting when cooking is not imminent. Here's [an example](http://www.doradaily.com/my-blog/2016/02/spelt-berry-breakfast-porridge.html) of the basic", "HTML tags. How do I modify my source to mark a portion of", "version, too -- but I don't want to have to create the content", "cut back on the part that is interesting when cooking is not imminent.", "Here's [an example](http://www.doradaily.com/my-blog/2016/02/spelt-berry-breakfast-porridge.html) of the basic idea -- if you click on the", "I write my blog posts in markdown and can include HTML tags. How", "page for the print version, and I want to post the recipe once", "posts in markdown and can include HTML tags. How do I modify my", "print dialogue with a subset of the page's content. But that site made", "my kitchen on paper easily, but the author doesn't have to cut back", "to be able to offer that printer-friendly version, too -- but I don't", "magic that can help me? I write my blog posts in markdown and", "How do I modify my source to mark a portion of the post", "recipe your search results will be full of long, image-rich blog posts that,", "for. Many of these have a \"printer-friendly version\" link to make that easier;", "of the basic idea -- if you click on the \"print\" link it", "image-rich blog posts that, somewhere in there, have the actual recipe you were", "write my blog posts in markdown and can include HTML tags. How do", "you Google for a recipe your search results will be full of long,", "not imminent. Here's [an example](http://www.doradaily.com/my-blog/2016/02/spelt-berry-breakfast-porridge.html) of the basic idea -- if you click", "of the page's content. But that site made a separate page for the", "a recipe your search results will be full of long, image-rich blog posts", "I don't want to have to create the content twice. Is there some", "the actual recipe you were looking for. Many of these have a \"printer-friendly", "markdown and can include HTML tags. How do I modify my source to", "print version, and I want to post the recipe once not twice. As", "portion of the post as content for a \"print\" link (and generate the", "part that is interesting when cooking is not imminent. Here's [an example](http://www.doradaily.com/my-blog/2016/02/spelt-berry-breakfast-porridge.html) of", "you click on the \"print\" link it starts your browser print dialogue with", "my blog posts in markdown and can include HTML tags. How do I", "the part that is interesting when cooking is not imminent. Here's [an example](http://www.doradaily.com/my-blog/2016/02/spelt-berry-breakfast-porridge.html)", "on the part that is interesting when cooking is not imminent. Here's [an", "get the stuff I need in my kitchen on paper easily, but the", "imminent. Here's [an example](http://www.doradaily.com/my-blog/2016/02/spelt-berry-breakfast-porridge.html) of the basic idea -- if you click on", "Google for a recipe your search results will be full of long, image-rich", "version\" link to make that easier; I can get the stuff I need", "easily, but the author doesn't have to cut back on the part that", "want to post the recipe once not twice. As somebody who sometimes posts", "were looking for. Many of these have a \"printer-friendly version\" link to make", "like to be able to offer that printer-friendly version, too -- but I", "be full of long, image-rich blog posts that, somewhere in there, have the", "the author doesn't have to cut back on the part that is interesting", "results will be full of long, image-rich blog posts that, somewhere in there,", "I'd like to be able to offer that printer-friendly version, too -- but", "search results will be full of long, image-rich blog posts that, somewhere in", "to offer that printer-friendly version, too -- but I don't want to have", "need in my kitchen on paper easily, but the author doesn't have to", "post the recipe once not twice. As somebody who sometimes posts about cooking,", "there, have the actual recipe you were looking for. Many of these have", "easier; I can get the stuff I need in my kitchen on paper", "these have a \"printer-friendly version\" link to make that easier; I can get", "I want to post the recipe once not twice. As somebody who sometimes", "often, if you Google for a recipe your search results will be full", "have to create the content twice. Is there some script or HTML magic", "can get the stuff I need in my kitchen on paper easily, but", "separate page for the print version, and I want to post the recipe", "on my blog, I'd like to be able to offer that printer-friendly version,", "stuff I need in my kitchen on paper easily, but the author doesn't", "or HTML magic that can help me? I write my blog posts in", "a portion of the post as content for a \"print\" link (and generate", "mark a portion of the post as content for a \"print\" link (and", "starts your browser print dialogue with a subset of the page's content. But", "a separate page for the print version, and I want to post the", "to post the recipe once not twice. As somebody who sometimes posts about", "have a \"printer-friendly version\" link to make that easier; I can get the", "site made a separate page for the print version, and I want to", "printer-friendly version, too -- but I don't want to have to create the", "that site made a separate page for the print version, and I want", "version, and I want to post the recipe once not twice. As somebody", "create the content twice. Is there some script or HTML magic that can", "to make that easier; I can get the stuff I need in my", "link it starts your browser print dialogue with a subset of the page's", "content. But that site made a separate page for the print version, and", "but I don't want to have to create the content twice. Is there", "that easier; I can get the stuff I need in my kitchen on", "long, image-rich blog posts that, somewhere in there, have the actual recipe you", "I can get the stuff I need in my kitchen on paper easily,", "the stuff I need in my kitchen on paper easily, but the author", "source to mark a portion of the post as content for a \"print\"", "sometimes posts about cooking, including recipes, on my blog, I'd like to be", "But that site made a separate page for the print version, and I", "twice. Is there some script or HTML magic that can help me? I", "recipe you were looking for. Many of these have a \"printer-friendly version\" link", "it starts your browser print dialogue with a subset of the page's content.", "the page's content. But that site made a separate page for the print", "the content twice. Is there some script or HTML magic that can help", "that can help me? I write my blog posts in markdown and can", "paper easily, but the author doesn't have to cut back on the part", "too -- but I don't want to have to create the content twice.", "will be full of long, image-rich blog posts that, somewhere in there, have", "once not twice. As somebody who sometimes posts about cooking, including recipes, on", "me? I write my blog posts in markdown and can include HTML tags.", "cooking, including recipes, on my blog, I'd like to be able to offer", "posts about cooking, including recipes, on my blog, I'd like to be able", "if you Google for a recipe your search results will be full of", "somebody who sometimes posts about cooking, including recipes, on my blog, I'd like", "looking for. Many of these have a \"printer-friendly version\" link to make that", "the recipe once not twice. As somebody who sometimes posts about cooking, including", "including recipes, on my blog, I'd like to be able to offer that", "I need in my kitchen on paper easily, but the author doesn't have", "your browser print dialogue with a subset of the page's content. But that", "my source to mark a portion of the post as content for a", "your search results will be full of long, image-rich blog posts that, somewhere", "-- if you click on the \"print\" link it starts your browser print", "on the \"print\" link it starts your browser print dialogue with a subset", "to have to create the content twice. Is there some script or HTML", "content twice. Is there some script or HTML magic that can help me?", "when cooking is not imminent. Here's [an example](http://www.doradaily.com/my-blog/2016/02/spelt-berry-breakfast-porridge.html) of the basic idea --", "with a subset of the page's content. But that site made a separate", "include HTML tags. How do I modify my source to mark a portion", "a subset of the page's content. But that site made a separate page", "Increasingly often, if you Google for a recipe your search results will be", "make that easier; I can get the stuff I need in my kitchen", "page's content. But that site made a separate page for the print version,", "Many of these have a \"printer-friendly version\" link to make that easier; I", "made a separate page for the print version, and I want to post", "not twice. As somebody who sometimes posts about cooking, including recipes, on my", "can help me? I write my blog posts in markdown and can include", "modify my source to mark a portion of the post as content for", "doesn't have to cut back on the part that is interesting when cooking", "for the print version, and I want to post the recipe once not", "HTML magic that can help me? I write my blog posts in markdown", "in there, have the actual recipe you were looking for. Many of these", "a \"printer-friendly version\" link to make that easier; I can get the stuff", "can include HTML tags. How do I modify my source to mark a", "author doesn't have to cut back on the part that is interesting when", "but the author doesn't have to cut back on the part that is", "recipes, on my blog, I'd like to be able to offer that printer-friendly", "interesting when cooking is not imminent. Here's [an example](http://www.doradaily.com/my-blog/2016/02/spelt-berry-breakfast-porridge.html) of the basic idea", "is not imminent. Here's [an example](http://www.doradaily.com/my-blog/2016/02/spelt-berry-breakfast-porridge.html) of the basic idea -- if you", "and I want to post the recipe once not twice. As somebody who", "script or HTML magic that can help me? I write my blog posts", "subset of the page's content. But that site made a separate page for", "you were looking for. Many of these have a \"printer-friendly version\" link to", "about cooking, including recipes, on my blog, I'd like to be able to", "[an example](http://www.doradaily.com/my-blog/2016/02/spelt-berry-breakfast-porridge.html) of the basic idea -- if you click on the \"print\"", "some script or HTML magic that can help me? I write my blog", "actual recipe you were looking for. Many of these have a \"printer-friendly version\"", "that printer-friendly version, too -- but I don't want to have to create", "blog, I'd like to be able to offer that printer-friendly version, too --", "\"printer-friendly version\" link to make that easier; I can get the stuff I", "who sometimes posts about cooking, including recipes, on my blog, I'd like to", "have to cut back on the part that is interesting when cooking is", "to create the content twice. Is there some script or HTML magic that", "recipe once not twice. As somebody who sometimes posts about cooking, including recipes,", "tags. How do I modify my source to mark a portion of the", "the print version, and I want to post the recipe once not twice.", "somewhere in there, have the actual recipe you were looking for. Many of", "to cut back on the part that is interesting when cooking is not", "do I modify my source to mark a portion of the post as", "able to offer that printer-friendly version, too -- but I don't want to", "the \"print\" link it starts your browser print dialogue with a subset of", "full of long, image-rich blog posts that, somewhere in there, have the actual", "want to have to create the content twice. Is there some script or", "be able to offer that printer-friendly version, too -- but I don't want" ]
[ "of the social media used does currently exist (it's a film for a", "a film for a school project, so I get fair use). Does this...", "for a school project, so I get fair use). Does this... count as", "social media used does currently exist (it's a film for a school project,", "I get fair use). Does this... count as science fiction? If not, why?", "for this is social media and its abuse. All of the social media", "(actually a screenplay for a film, but I imagine that for the purposes", "about the snowball effect, and is designed to not really have any single", "have any single antagonist; the primary \"vessel\" for this is social media and", "and I have been told that it isn't really science fiction. It's a", "the purposes of this question the same rules apply) and I have been", "school project, so I get fair use). Does this... count as science fiction?", "does currently exist (it's a film for a school project, so I get", "this question the same rules apply) and I have been told that it", "\"vessel\" for this is social media and its abuse. All of the social", "an overarching plot about the snowball effect, and is designed to not really", "told that it isn't really science fiction. It's a series of vignettes with", "abuse. All of the social media used does currently exist (it's a film", "purposes of this question the same rules apply) and I have been told", "media and its abuse. All of the social media used does currently exist", "am writing a science fiction story (actually a screenplay for a film, but", "a screenplay for a film, but I imagine that for the purposes of", "imagine that for the purposes of this question the same rules apply) and", "is designed to not really have any single antagonist; the primary \"vessel\" for", "fiction story (actually a screenplay for a film, but I imagine that for", "really have any single antagonist; the primary \"vessel\" for this is social media", "so I get fair use). Does this... count as science fiction? If not,", "film, but I imagine that for the purposes of this question the same", "the same rules apply) and I have been told that it isn't really", "science fiction story (actually a screenplay for a film, but I imagine that", "effect, and is designed to not really have any single antagonist; the primary", "to not really have any single antagonist; the primary \"vessel\" for this is", "writing a science fiction story (actually a screenplay for a film, but I", "the social media used does currently exist (it's a film for a school", "currently exist (it's a film for a school project, so I get fair", "I am writing a science fiction story (actually a screenplay for a film,", "that for the purposes of this question the same rules apply) and I", "it isn't really science fiction. It's a series of vignettes with an overarching", "film for a school project, so I get fair use). Does this... count", "antagonist; the primary \"vessel\" for this is social media and its abuse. All", "screenplay for a film, but I imagine that for the purposes of this", "plot about the snowball effect, and is designed to not really have any", "the snowball effect, and is designed to not really have any single antagonist;", "apply) and I have been told that it isn't really science fiction. It's", "really science fiction. It's a series of vignettes with an overarching plot about", "rules apply) and I have been told that it isn't really science fiction.", "for the purposes of this question the same rules apply) and I have", "is social media and its abuse. All of the social media used does", "have been told that it isn't really science fiction. It's a series of", "a film, but I imagine that for the purposes of this question the", "designed to not really have any single antagonist; the primary \"vessel\" for this", "a science fiction story (actually a screenplay for a film, but I imagine", "for a film, but I imagine that for the purposes of this question", "same rules apply) and I have been told that it isn't really science", "been told that it isn't really science fiction. It's a series of vignettes", "the primary \"vessel\" for this is social media and its abuse. All of", "series of vignettes with an overarching plot about the snowball effect, and is", "project, so I get fair use). Does this... count as science fiction? If", "question the same rules apply) and I have been told that it isn't", "its abuse. All of the social media used does currently exist (it's a", "and is designed to not really have any single antagonist; the primary \"vessel\"", "but I imagine that for the purposes of this question the same rules", "vignettes with an overarching plot about the snowball effect, and is designed to", "social media and its abuse. All of the social media used does currently", "used does currently exist (it's a film for a school project, so I", "any single antagonist; the primary \"vessel\" for this is social media and its", "of vignettes with an overarching plot about the snowball effect, and is designed", "All of the social media used does currently exist (it's a film for", "not really have any single antagonist; the primary \"vessel\" for this is social", "media used does currently exist (it's a film for a school project, so", "of this question the same rules apply) and I have been told that", "with an overarching plot about the snowball effect, and is designed to not", "I imagine that for the purposes of this question the same rules apply)", "that it isn't really science fiction. It's a series of vignettes with an", "this is social media and its abuse. All of the social media used", "and its abuse. All of the social media used does currently exist (it's", "I have been told that it isn't really science fiction. It's a series", "fiction. It's a series of vignettes with an overarching plot about the snowball", "primary \"vessel\" for this is social media and its abuse. All of the", "science fiction. It's a series of vignettes with an overarching plot about the", "isn't really science fiction. It's a series of vignettes with an overarching plot", "a school project, so I get fair use). Does this... count as science", "(it's a film for a school project, so I get fair use). Does", "a series of vignettes with an overarching plot about the snowball effect, and", "story (actually a screenplay for a film, but I imagine that for the", "overarching plot about the snowball effect, and is designed to not really have", "It's a series of vignettes with an overarching plot about the snowball effect,", "snowball effect, and is designed to not really have any single antagonist; the", "exist (it's a film for a school project, so I get fair use).", "single antagonist; the primary \"vessel\" for this is social media and its abuse." ]
[ "We had a particular theme or structure in mind but struggled to create", "character consistently. By consistently I mean make the names feel as though the", "game with a friend we were seriously struggling with naming character consistently. By", "wisdom of writing.se for advice. How do you name characters so that they", "or structure in mind but struggled to create names that suited it. So", "mind but struggled to create names that suited it. So I'm turning to", "same culture? General tips on technique people use to keep names consistent are", "feel as though the belonged to the same culture or race. We had", "in the same culture? General tips on technique people use to keep names", "on technique people use to keep names consistent are useful but in particular", "people use to keep names consistent are useful but in particular I am", "while doing some world-building for a role-playing game with a friend we were", "they belong in the same culture? General tips on technique people use to", "consistent are useful but in particular I am looking for advice on the", "had a particular theme or structure in mind but struggled to create names", "culture or race. We had a particular theme or structure in mind but", "though the belonged to the same culture or race. We had a particular", "particular I am looking for advice on the traditional fantasy type names. Names", "same culture or race. We had a particular theme or structure in mind", "as if they belong in the same culture? General tips on technique people", "the wisdom of writing.se for advice. How do you name characters so that", "feel as if they belong in the same culture? General tips on technique", "to create names that suited it. So I'm turning to the wisdom of", "but struggled to create names that suited it. So I'm turning to the", "to the wisdom of writing.se for advice. How do you name characters so", "are useful but in particular I am looking for advice on the traditional", "theme or structure in mind but struggled to create names that suited it.", "structure in mind but struggled to create names that suited it. So I'm", "for advice on the traditional fantasy type names. Names with lots of \"'\"", "mean make the names feel as though the belonged to the same culture", "name characters so that they feel as if they belong in the same", "or race. We had a particular theme or structure in mind but struggled", "race. We had a particular theme or structure in mind but struggled to", "use to keep names consistent are useful but in particular I am looking", "So I'm turning to the wisdom of writing.se for advice. How do you", "some world-building for a role-playing game with a friend we were seriously struggling", "a role-playing game with a friend we were seriously struggling with naming character", "as though the belonged to the same culture or race. We had a", "friend we were seriously struggling with naming character consistently. By consistently I mean", "to keep names consistent are useful but in particular I am looking for", "the belonged to the same culture or race. We had a particular theme", "I am looking for advice on the traditional fantasy type names. Names with", "I'm turning to the wisdom of writing.se for advice. How do you name", "General tips on technique people use to keep names consistent are useful but", "that suited it. So I'm turning to the wisdom of writing.se for advice.", "am looking for advice on the traditional fantasy type names. Names with lots", "belong in the same culture? General tips on technique people use to keep", "struggled to create names that suited it. So I'm turning to the wisdom", "advice on the traditional fantasy type names. Names with lots of \"'\" and", "characters so that they feel as if they belong in the same culture?", "How do you name characters so that they feel as if they belong", "technique people use to keep names consistent are useful but in particular I", "a friend we were seriously struggling with naming character consistently. By consistently I", "with naming character consistently. By consistently I mean make the names feel as", "but in particular I am looking for advice on the traditional fantasy type", "belonged to the same culture or race. We had a particular theme or", "world-building for a role-playing game with a friend we were seriously struggling with", "role-playing game with a friend we were seriously struggling with naming character consistently.", "names that suited it. So I'm turning to the wisdom of writing.se for", "I mean make the names feel as though the belonged to the same", "Recently while doing some world-building for a role-playing game with a friend we", "the names feel as though the belonged to the same culture or race.", "the same culture or race. We had a particular theme or structure in", "of writing.se for advice. How do you name characters so that they feel", "names feel as though the belonged to the same culture or race. We", "for advice. How do you name characters so that they feel as if", "names consistent are useful but in particular I am looking for advice on", "looking for advice on the traditional fantasy type names. Names with lots of", "naming character consistently. By consistently I mean make the names feel as though", "consistently I mean make the names feel as though the belonged to the", "create names that suited it. So I'm turning to the wisdom of writing.se", "keep names consistent are useful but in particular I am looking for advice", "that they feel as if they belong in the same culture? General tips", "in mind but struggled to create names that suited it. So I'm turning", "it. So I'm turning to the wisdom of writing.se for advice. How do", "traditional fantasy type names. Names with lots of \"'\" and made up syllables.", "a particular theme or structure in mind but struggled to create names that", "they feel as if they belong in the same culture? General tips on", "were seriously struggling with naming character consistently. By consistently I mean make the", "seriously struggling with naming character consistently. By consistently I mean make the names", "so that they feel as if they belong in the same culture? General", "in particular I am looking for advice on the traditional fantasy type names.", "we were seriously struggling with naming character consistently. By consistently I mean make", "on the traditional fantasy type names. Names with lots of \"'\" and made", "you name characters so that they feel as if they belong in the", "consistently. By consistently I mean make the names feel as though the belonged", "writing.se for advice. How do you name characters so that they feel as", "useful but in particular I am looking for advice on the traditional fantasy", "to the same culture or race. We had a particular theme or structure", "tips on technique people use to keep names consistent are useful but in", "turning to the wisdom of writing.se for advice. How do you name characters", "doing some world-building for a role-playing game with a friend we were seriously", "By consistently I mean make the names feel as though the belonged to", "suited it. So I'm turning to the wisdom of writing.se for advice. How", "the same culture? General tips on technique people use to keep names consistent", "make the names feel as though the belonged to the same culture or", "do you name characters so that they feel as if they belong in", "struggling with naming character consistently. By consistently I mean make the names feel", "particular theme or structure in mind but struggled to create names that suited", "advice. How do you name characters so that they feel as if they", "for a role-playing game with a friend we were seriously struggling with naming", "if they belong in the same culture? General tips on technique people use", "with a friend we were seriously struggling with naming character consistently. By consistently", "culture? General tips on technique people use to keep names consistent are useful", "the traditional fantasy type names. Names with lots of \"'\" and made up" ]
[ "the laws, legal arguments, and so on. I know I don't want to", "portion of her attention. She does not need to find the solution for", "in turn, this affects the protagonist and requires a large portion of her", "plot point that puts one of my characters in legal trouble, in turn,", "That's not what the story is about. The story is really about the", "affects the protagonist and requires a large portion of her attention. She does", "my characters in legal trouble, in turn, this affects the protagonist and requires", "falls into the \"contemporary fiction\" genre. Also, maybe, the \"family drama\" subgenre, if", "protagonist and requires a large portion of her attention. She does not need", "about the dynamic between the mother and the family. How can I present", "the dynamic between the mother and the family. How can I present the", "find myself thinking and writing about the legal aspects of the case, the", "mother and the family. How can I present the obstacle without delving into", "novel that falls into the \"contemporary fiction\" genre. Also, maybe, the \"family drama\"", "point that puts one of my characters in legal trouble, in turn, this", "she needs to be pushing for it. My problem is that I find", "I have a plot point that puts one of my characters in legal", "needs to be pushing for it. My problem is that I find myself", "such a thing exists. I have a plot point that puts one of", "is really about the dynamic between the mother and the family. How can", "problem, but she needs to be pushing for it. My problem is that", "legal aspects of the case, the proceedings, the laws, legal arguments, and so", "the \"contemporary fiction\" genre. Also, maybe, the \"family drama\" subgenre, if such a", "in legal trouble, in turn, this affects the protagonist and requires a large", "a thing exists. I have a plot point that puts one of my", "one of my characters in legal trouble, in turn, this affects the protagonist", "it. My problem is that I find myself thinking and writing about the", "I find myself thinking and writing about the legal aspects of the case,", "a large portion of her attention. She does not need to find the", "write a novel that falls into the \"contemporary fiction\" genre. Also, maybe, the", "subgenre, if such a thing exists. I have a plot point that puts", "drama\"* subgenre, if such a thing exists. I have a plot point that", "to write a novel that falls into the \"contemporary fiction\" genre. Also, maybe,", "the mother and the family. How can I present the obstacle without delving", "\"contemporary fiction\" genre. Also, maybe, the \"family drama\" subgenre, if such a thing", "is about. The story is really about the dynamic between the mother and", "is that I find myself thinking and writing about the legal aspects of", "solution for the problem, but she needs to be pushing for it. My", "thing exists. I have a plot point that puts one of my characters", "problem is that I find myself thinking and writing about the legal aspects", "the solution for the problem, but she needs to be pushing for it.", "is to write a novel that falls into the \"contemporary fiction\" genre. Also,", "but she needs to be pushing for it. My problem is that I", "for it. My problem is that I find myself thinking and writing about", "thinking and writing about the legal aspects of the case, the proceedings, the", "to find the solution for the problem, but she needs to be pushing", "about the legal aspects of the case, the proceedings, the laws, legal arguments,", "the proceedings, the laws, legal arguments, and so on. I know I don't", "find the solution for the problem, but she needs to be pushing for", "the problem, but she needs to be pushing for it. My problem is", "attention. She does not need to find the solution for the problem, but", "of the case, the proceedings, the laws, legal arguments, and so on. I", "a plot point that puts one of my characters in legal trouble, in", "what the story is about. The story is really about the dynamic between", "The story is really about the dynamic between the mother and the family.", "intention is to write a novel that falls into the \"contemporary fiction\" genre.", "proceedings, the laws, legal arguments, and so on. I know I don't want", "story is about. The story is really about the dynamic between the mother", "family. How can I present the obstacle without delving into details about it?", "the family. How can I present the obstacle without delving into details about", "of her attention. She does not need to find the solution for the", "the \"family drama\" subgenre, if such a thing exists. I have a plot", "dynamic between the mother and the family. How can I present the obstacle", "I don't want to write a legal drama. That's not what the story", "and so on. I know I don't want to write a legal drama.", "aspects of the case, the proceedings, the laws, legal arguments, and so on.", "not what the story is about. The story is really about the dynamic", "not need to find the solution for the problem, but she needs to", "does not need to find the solution for the problem, but she needs", "to write a legal drama. That's not what the story is about. The", "requires a large portion of her attention. She does not need to find", "write a legal drama. That's not what the story is about. The story", "a legal drama. That's not what the story is about. The story is", "story is really about the dynamic between the mother and the family. How", "the legal aspects of the case, the proceedings, the laws, legal arguments, and", "know I don't want to write a legal drama. That's not what the", "drama. That's not what the story is about. The story is really about", "this affects the protagonist and requires a large portion of her attention. She", "case, the proceedings, the laws, legal arguments, and so on. I know I", "the case, the proceedings, the laws, legal arguments, and so on. I know", "characters in legal trouble, in turn, this affects the protagonist and requires a", "between the mother and the family. How can I present the obstacle without", "writing about the legal aspects of the case, the proceedings, the laws, legal", "puts one of my characters in legal trouble, in turn, this affects the", "that falls into the \"contemporary fiction\" genre. Also, maybe, the \"family drama\" subgenre,", "legal trouble, in turn, this affects the protagonist and requires a large portion", "genre. Also, maybe, the \"family drama\" subgenre, if such a thing exists. I", "of my characters in legal trouble, in turn, this affects the protagonist and", "legal arguments, and so on. I know I don't want to write a", "really about the dynamic between the mother and the family. How can I", "fiction\" genre. Also, maybe, the \"family drama\" subgenre, if such a thing exists.", "My intention is to write a novel that falls into the \"contemporary fiction\"", "\"family drama\" subgenre, if such a thing exists. I have a plot point", "and writing about the legal aspects of the case, the proceedings, the laws,", "her attention. She does not need to find the solution for the problem,", "a novel that falls into the \"contemporary fiction\" genre. Also, maybe, the \"family", "laws, legal arguments, and so on. I know I don't want to write", "legal drama. That's not what the story is about. The story is really", "and requires a large portion of her attention. She does not need to", "for the problem, but she needs to be pushing for it. My problem", "exists. I have a plot point that puts one of my characters in", "I know I don't want to write a legal drama. That's not what", "maybe, the \"family drama\"* subgenre, if such a thing exists. I have a", "don't want to write a legal drama. That's not what the story is", "about. The story is really about the dynamic between the mother and the", "Also, maybe, the \"family drama\" subgenre, if such a thing exists. I have", "turn, this affects the protagonist and requires a large portion of her attention.", "to be pushing for it. My problem is that I find myself thinking", "so on. I know I don't want to write a legal drama. That's", "on. I know I don't want to write a legal drama. That's not", "My problem is that I find myself thinking and writing about the legal", "if such a thing exists. I have a plot point that puts one", "She does not need to find the solution for the problem, but she", "the story is about. The story is really about the dynamic between the", "that I find myself thinking and writing about the legal aspects of the", "into the \"contemporary fiction\" genre. Also, maybe, the \"family drama\" subgenre, if such", "pushing for it. My problem is that I find myself thinking and writing", "arguments, and so on. I know I don't want to write a legal", "be pushing for it. My problem is that I find myself thinking and", "that puts one of my characters in legal trouble, in turn, this affects", "and the family. How can I present the obstacle without delving into details", "want to write a legal drama. That's not what the story is about.", "need to find the solution for the problem, but she needs to be", "the protagonist and requires a large portion of her attention. She does not", "large portion of her attention. She does not need to find the solution", "have a plot point that puts one of my characters in legal trouble,", "trouble, in turn, this affects the protagonist and requires a large portion of", "myself thinking and writing about the legal aspects of the case, the proceedings," ]
[ "have the fingers fumbling with the corners of the cards, the tapping of", "a high-stakes poker game. So far my narrator has been an omniscient third", "feels gimmicky. Dull. Do I need to show the characters' thoughts in order", "the characters' thoughts in order to get some believable tension? Can it be", "and went on with the bidding. It feels gimmicky. Dull. Do I need", "sip of liquor. I even added background crickets and the smell of freshly", "be done with a mere description? Is it the timing, or perhaps I'm", "just does not wish to enter into the characters' heads. I started going", "into the characters' heads. I started going around the table. I have the", "which four characters play a high-stakes poker game. So far my narrator has", "Dull. Do I need to show the characters' thoughts in order to get", "and credibly raise the tension using pure description (no dialogue) as a poker", "and the smell of freshly cut grass. Then I slowly uncovered the hand,", "the characters' heads. I started going around the table. I have the fingers", "a mere description? Is it the timing, or perhaps I'm not focusing on", "description? Is it the timing, or perhaps I'm not focusing on the right", "greasy tablecloth and the occasional sip of liquor. I even added background crickets", "high-stakes poker game. So far my narrator has been an omniscient third person,", "believable tension? Can it be done with a mere description? Is it the", "gimmicky. Dull. Do I need to show the characters' thoughts in order to", "characters' thoughts in order to get some believable tension? Can it be done", "perhaps I'm not focusing on the right elements? In one question: how to", "far my narrator has been an omniscient third person, who just does not", "the table. I have the fingers fumbling with the corners of the cards,", "a scene in which four characters play a high-stakes poker game. So far", "I started going around the table. I have the fingers fumbling with the", "question: how to slowly and credibly raise the tension using pure description (no", "I even added background crickets and the smell of freshly cut grass. Then", "timing, or perhaps I'm not focusing on the right elements? In one question:", "on the greasy tablecloth and the occasional sip of liquor. I even added", "slowly uncovered the hand, and went on with the bidding. It feels gimmicky.", "in order to get some believable tension? Can it be done with a", "Can it be done with a mere description? Is it the timing, or", "So far my narrator has been an omniscient third person, who just does", "cigars on the greasy tablecloth and the occasional sip of liquor. I even", "raise the tension using pure description (no dialogue) as a poker game unfolds", "with the corners of the cards, the tapping of cigars on the greasy", "order to get some believable tension? Can it be done with a mere", "smell of freshly cut grass. Then I slowly uncovered the hand, and went", "even added background crickets and the smell of freshly cut grass. Then I", "the bidding. It feels gimmicky. Dull. Do I need to show the characters'", "elements? In one question: how to slowly and credibly raise the tension using", "some believable tension? Can it be done with a mere description? Is it", "Do I need to show the characters' thoughts in order to get some", "I'm writing a scene in which four characters play a high-stakes poker game.", "uncovered the hand, and went on with the bidding. It feels gimmicky. Dull.", "my narrator has been an omniscient third person, who just does not wish", "credibly raise the tension using pure description (no dialogue) as a poker game", "occasional sip of liquor. I even added background crickets and the smell of", "does not wish to enter into the characters' heads. I started going around", "added background crickets and the smell of freshly cut grass. Then I slowly", "to get some believable tension? Can it be done with a mere description?", "been an omniscient third person, who just does not wish to enter into", "with a mere description? Is it the timing, or perhaps I'm not focusing", "to slowly and credibly raise the tension using pure description (no dialogue) as", "going around the table. I have the fingers fumbling with the corners of", "on the right elements? In one question: how to slowly and credibly raise", "tension? Can it be done with a mere description? Is it the timing,", "tablecloth and the occasional sip of liquor. I even added background crickets and", "not wish to enter into the characters' heads. I started going around the", "I slowly uncovered the hand, and went on with the bidding. It feels", "went on with the bidding. It feels gimmicky. Dull. Do I need to", "table. I have the fingers fumbling with the corners of the cards, the", "the right elements? In one question: how to slowly and credibly raise the", "to show the characters' thoughts in order to get some believable tension? Can", "done with a mere description? Is it the timing, or perhaps I'm not", "I have the fingers fumbling with the corners of the cards, the tapping", "with the bidding. It feels gimmicky. Dull. Do I need to show the", "an omniscient third person, who just does not wish to enter into the", "of the cards, the tapping of cigars on the greasy tablecloth and the", "the hand, and went on with the bidding. It feels gimmicky. Dull. Do", "the greasy tablecloth and the occasional sip of liquor. I even added background", "the fingers fumbling with the corners of the cards, the tapping of cigars", "heads. I started going around the table. I have the fingers fumbling with", "dialogue) as a poker game unfolds on the table (two rounds at most)?", "omniscient third person, who just does not wish to enter into the characters'", "on with the bidding. It feels gimmicky. Dull. Do I need to show", "focusing on the right elements? In one question: how to slowly and credibly", "(no dialogue) as a poker game unfolds on the table (two rounds at", "one question: how to slowly and credibly raise the tension using pure description", "of cigars on the greasy tablecloth and the occasional sip of liquor. I", "corners of the cards, the tapping of cigars on the greasy tablecloth and", "crickets and the smell of freshly cut grass. Then I slowly uncovered the", "the timing, or perhaps I'm not focusing on the right elements? In one", "the tapping of cigars on the greasy tablecloth and the occasional sip of", "it be done with a mere description? Is it the timing, or perhaps", "tapping of cigars on the greasy tablecloth and the occasional sip of liquor.", "not focusing on the right elements? In one question: how to slowly and", "I'm not focusing on the right elements? In one question: how to slowly", "who just does not wish to enter into the characters' heads. I started", "wish to enter into the characters' heads. I started going around the table.", "cards, the tapping of cigars on the greasy tablecloth and the occasional sip", "using pure description (no dialogue) as a poker game unfolds on the table", "pure description (no dialogue) as a poker game unfolds on the table (two", "hand, and went on with the bidding. It feels gimmicky. Dull. Do I", "of liquor. I even added background crickets and the smell of freshly cut", "characters play a high-stakes poker game. So far my narrator has been an", "fingers fumbling with the corners of the cards, the tapping of cigars on", "to enter into the characters' heads. I started going around the table. I", "the corners of the cards, the tapping of cigars on the greasy tablecloth", "narrator has been an omniscient third person, who just does not wish to", "characters' heads. I started going around the table. I have the fingers fumbling", "grass. Then I slowly uncovered the hand, and went on with the bidding.", "writing a scene in which four characters play a high-stakes poker game. So", "around the table. I have the fingers fumbling with the corners of the", "the occasional sip of liquor. I even added background crickets and the smell", "liquor. I even added background crickets and the smell of freshly cut grass.", "it the timing, or perhaps I'm not focusing on the right elements? In", "slowly and credibly raise the tension using pure description (no dialogue) as a", "freshly cut grass. Then I slowly uncovered the hand, and went on with", "started going around the table. I have the fingers fumbling with the corners", "need to show the characters' thoughts in order to get some believable tension?", "cut grass. Then I slowly uncovered the hand, and went on with the", "in which four characters play a high-stakes poker game. So far my narrator", "the smell of freshly cut grass. Then I slowly uncovered the hand, and", "description (no dialogue) as a poker game unfolds on the table (two rounds", "of freshly cut grass. Then I slowly uncovered the hand, and went on", "In one question: how to slowly and credibly raise the tension using pure", "fumbling with the corners of the cards, the tapping of cigars on the", "the cards, the tapping of cigars on the greasy tablecloth and the occasional", "get some believable tension? Can it be done with a mere description? Is", "play a high-stakes poker game. So far my narrator has been an omniscient", "bidding. It feels gimmicky. Dull. Do I need to show the characters' thoughts", "I need to show the characters' thoughts in order to get some believable", "four characters play a high-stakes poker game. So far my narrator has been", "right elements? In one question: how to slowly and credibly raise the tension", "show the characters' thoughts in order to get some believable tension? Can it", "tension using pure description (no dialogue) as a poker game unfolds on the", "background crickets and the smell of freshly cut grass. Then I slowly uncovered", "enter into the characters' heads. I started going around the table. I have", "third person, who just does not wish to enter into the characters' heads.", "and the occasional sip of liquor. I even added background crickets and the", "thoughts in order to get some believable tension? Can it be done with", "how to slowly and credibly raise the tension using pure description (no dialogue)", "the tension using pure description (no dialogue) as a poker game unfolds on", "mere description? Is it the timing, or perhaps I'm not focusing on the", "has been an omniscient third person, who just does not wish to enter", "poker game. So far my narrator has been an omniscient third person, who", "It feels gimmicky. Dull. Do I need to show the characters' thoughts in", "scene in which four characters play a high-stakes poker game. So far my", "Is it the timing, or perhaps I'm not focusing on the right elements?", "or perhaps I'm not focusing on the right elements? In one question: how", "person, who just does not wish to enter into the characters' heads. I", "Then I slowly uncovered the hand, and went on with the bidding. It", "game. So far my narrator has been an omniscient third person, who just" ]
[ "gives no real benefit aside from another card in your wallet and another", "conference. What benefits could a membership give one that would be worth the", "worked and one thing they had in common was mention of attendance at", "was mention of attendance at a conference. What benefits could a membership give", "likely talent? Or is it just a glorified writer's group that gives no", "it just a glorified writer's group that gives no real benefit aside from", "a conference. What benefits could a membership give one that would be worth", "in common was mention of attendance at a conference. What benefits could a", "writer's group that gives no real benefit aside from another card in your", "I live in the publishing hinterlands. I was reading some query letters that", "agents and editors checking their membership list for likely talent? Or is it", "Do they also have agents and editors checking their membership list for likely", "letters that worked and one thing they had in common was mention of", "real benefit aside from another card in your wallet and another newsletter in", "give one that would be worth the price of admission? Do they also", "a membership give one that would be worth the price of admission? Do", "of admission? Do they also have agents and editors checking their membership list", "list for likely talent? Or is it just a glorified writer's group that", "and one thing they had in common was mention of attendance at a", "publishing hinterlands. I was reading some query letters that worked and one thing", "they had in common was mention of attendance at a conference. What benefits", "a glorified writer's group that gives no real benefit aside from another card", "membership give one that would be worth the price of admission? Do they", "admission? Do they also have agents and editors checking their membership list for", "in the publishing hinterlands. I was reading some query letters that worked and", "thing they had in common was mention of attendance at a conference. What", "What benefits could a membership give one that would be worth the price", "and editors checking their membership list for likely talent? Or is it just", "glorified writer's group that gives no real benefit aside from another card in", "one that would be worth the price of admission? Do they also have", "no real benefit aside from another card in your wallet and another newsletter", "another card in your wallet and another newsletter in your email? Do they", "benefit aside from another card in your wallet and another newsletter in your", "aside from another card in your wallet and another newsletter in your email?", "group that gives no real benefit aside from another card in your wallet", "card in your wallet and another newsletter in your email? Do they serve", "the publishing hinterlands. I was reading some query letters that worked and one", "attendance at a conference. What benefits could a membership give one that would", "have agents and editors checking their membership list for likely talent? Or is", "could a membership give one that would be worth the price of admission?", "membership list for likely talent? Or is it just a glorified writer's group", "mention of attendance at a conference. What benefits could a membership give one", "common was mention of attendance at a conference. What benefits could a membership", "checking their membership list for likely talent? Or is it just a glorified", "is it just a glorified writer's group that gives no real benefit aside", "of attendance at a conference. What benefits could a membership give one that", "hinterlands. I was reading some query letters that worked and one thing they", "I was reading some query letters that worked and one thing they had", "benefits could a membership give one that would be worth the price of", "editors checking their membership list for likely talent? Or is it just a", "in your wallet and another newsletter in your email? Do they serve a", "that would be worth the price of admission? Do they also have agents", "just a glorified writer's group that gives no real benefit aside from another", "query letters that worked and one thing they had in common was mention", "one thing they had in common was mention of attendance at a conference.", "be worth the price of admission? Do they also have agents and editors", "that gives no real benefit aside from another card in your wallet and", "worth the price of admission? Do they also have agents and editors checking", "price of admission? Do they also have agents and editors checking their membership", "at a conference. What benefits could a membership give one that would be", "their membership list for likely talent? Or is it just a glorified writer's", "your wallet and another newsletter in your email? Do they serve a purpose?", "live in the publishing hinterlands. I was reading some query letters that worked", "from another card in your wallet and another newsletter in your email? Do", "also have agents and editors checking their membership list for likely talent? Or", "would be worth the price of admission? Do they also have agents and", "they also have agents and editors checking their membership list for likely talent?", "for likely talent? Or is it just a glorified writer's group that gives", "that worked and one thing they had in common was mention of attendance", "the price of admission? Do they also have agents and editors checking their", "some query letters that worked and one thing they had in common was", "had in common was mention of attendance at a conference. What benefits could", "Or is it just a glorified writer's group that gives no real benefit", "reading some query letters that worked and one thing they had in common", "was reading some query letters that worked and one thing they had in", "talent? Or is it just a glorified writer's group that gives no real" ]
[ "in my daily routine. I get a striking idea. A topic to write", "ends, the momentum of writing on those ideas fades out. I'm wondering, what", "daily routine. I get a striking idea. A topic to write in my", "ideas fades out. I'm wondering, what keeps you motivated to keep up with", "a writer) I didn't get time to reflect on these thoughts on a", "I do keep a journal of such events. When the day ends, the", "writer) I didn't get time to reflect on these thoughts on a daily", "to reflect on these thoughts on a daily basis. I do keep a", "a daily basis. I do keep a journal of such events. When the", "didn't get time to reflect on these thoughts on a daily basis. I", "As a working professional (not as a writer) I didn't get time to", "event that happened hours ago. As a working professional (not as a writer)", "do keep a journal of such events. When the day ends, the momentum", "on these thoughts on a daily basis. I do keep a journal of", "those ideas fades out. I'm wondering, what keeps you motivated to keep up", "with writing (if you're not a professional writer)? How to build that momentum", "these thoughts on a daily basis. I do keep a journal of such", "my daily routine. I get a striking idea. A topic to write in", "I'm wondering, what keeps you motivated to keep up with writing (if you're", "a time in my daily routine. I get a striking idea. A topic", "a working professional (not as a writer) I didn't get time to reflect", "to write in my blog. A pondering about a specific event that happened", "Writing. ------------ There comes a time in my daily routine. I get a", "keeps you motivated to keep up with writing (if you're not a professional", "that happened hours ago. As a working professional (not as a writer) I", "get a striking idea. A topic to write in my blog. A pondering", "happened hours ago. As a working professional (not as a writer) I didn't", "specific event that happened hours ago. As a working professional (not as a", "time to reflect on these thoughts on a daily basis. I do keep", "such events. When the day ends, the momentum of writing on those ideas", "A topic to write in my blog. A pondering about a specific event", "you motivated to keep up with writing (if you're not a professional writer)?", "on those ideas fades out. I'm wondering, what keeps you motivated to keep", "blog. A pondering about a specific event that happened hours ago. As a", "professional (not as a writer) I didn't get time to reflect on these", "time in my daily routine. I get a striking idea. A topic to", "what keeps you motivated to keep up with writing (if you're not a", "working professional (not as a writer) I didn't get time to reflect on", "writing on those ideas fades out. I'm wondering, what keeps you motivated to", "in my blog. A pondering about a specific event that happened hours ago.", "momentum of writing on those ideas fades out. I'm wondering, what keeps you", "out. I'm wondering, what keeps you motivated to keep up with writing (if", "thoughts on a daily basis. I do keep a journal of such events.", "routine. I get a striking idea. A topic to write in my blog.", "a striking idea. A topic to write in my blog. A pondering about", "you're not a professional writer)? How to build that momentum to keep writing.", "hours ago. As a working professional (not as a writer) I didn't get", "as a writer) I didn't get time to reflect on these thoughts on", "topic to write in my blog. A pondering about a specific event that", "I didn't get time to reflect on these thoughts on a daily basis.", "motivated to keep up with writing (if you're not a professional writer)? How", "keep up with writing (if you're not a professional writer)? How to build", "fades out. I'm wondering, what keeps you motivated to keep up with writing", "a journal of such events. When the day ends, the momentum of writing", "the day ends, the momentum of writing on those ideas fades out. I'm", "ago. As a working professional (not as a writer) I didn't get time", "pondering about a specific event that happened hours ago. As a working professional", "journal of such events. When the day ends, the momentum of writing on", "daily basis. I do keep a journal of such events. When the day", "of writing on those ideas fades out. I'm wondering, what keeps you motivated", "about a specific event that happened hours ago. As a working professional (not", "a specific event that happened hours ago. As a working professional (not as", "write in my blog. A pondering about a specific event that happened hours", "of such events. When the day ends, the momentum of writing on those", "A pondering about a specific event that happened hours ago. As a working", "the momentum of writing on those ideas fades out. I'm wondering, what keeps", "comes a time in my daily routine. I get a striking idea. A", "my blog. A pondering about a specific event that happened hours ago. As", "up with writing (if you're not a professional writer)? How to build that", "wondering, what keeps you motivated to keep up with writing (if you're not", "events. When the day ends, the momentum of writing on those ideas fades", "on a daily basis. I do keep a journal of such events. When", "------------ There comes a time in my daily routine. I get a striking", "get time to reflect on these thoughts on a daily basis. I do", "keep a journal of such events. When the day ends, the momentum of", "When the day ends, the momentum of writing on those ideas fades out.", "to keep up with writing (if you're not a professional writer)? How to", "striking idea. A topic to write in my blog. A pondering about a", "(if you're not a professional writer)? How to build that momentum to keep", "idea. A topic to write in my blog. A pondering about a specific", "day ends, the momentum of writing on those ideas fades out. I'm wondering,", "(not as a writer) I didn't get time to reflect on these thoughts", "reflect on these thoughts on a daily basis. I do keep a journal", "basis. I do keep a journal of such events. When the day ends,", "writing (if you're not a professional writer)? How to build that momentum to", "There comes a time in my daily routine. I get a striking idea.", "I get a striking idea. A topic to write in my blog. A" ]
[ "Now, if I remember my first grade primary school correctly, dialogue can be", "when writing fiction. Now, if I remember my first grade primary school correctly,", "the last example and I dislike using quotation marks for dialogue, but that's", "fiction. Now, if I remember my first grade primary school correctly, dialogue can", "Either quotation marks, > > \"Murder,\" she said. > > > dashes, >", "angle carets / Guillemets: > > «Murder,» she said. > > > I'm", "from narration in a number of ways. Either quotation marks, > > \"Murder,\"", "personal fan of the last example and I dislike using quotation marks for", "if I remember my first grade primary school correctly, dialogue can be directly", "scope of creative writing mainly, since non-creative (e.g. technical) writing usually has stricter", "separated from narration in a number of ways. Either quotation marks, > >", "or angle brackets / angle carets / Guillemets: > > «Murder,» she said.", "quotation marks, > > \"Murder,\" she said. > > > dashes, > >", "are higly dependant on country-specific cultural conventions. To be fair, I didn't imagine", "> \"Murder,\" she said. > > > dashes, > > -Murder,- she said.", "Guillemets: > > «Murder,» she said. > > > I'm a personal fan", "What I'm wondering here is if, from a typographic standpoint, there are reasons", "use dialogue in writing, especially when writing fiction. Now, if I remember my", "/ angle carets / Guillemets: > > «Murder,» she said. > > >", "last example and I dislike using quotation marks for dialogue, but that's just", "This is limited to the scope of creative writing mainly, since non-creative (e.g.", "technical) writing usually has stricter rules. EDIT: Apparently dialogue writing conventions are higly", "brackets / angle carets / Guillemets: > > «Murder,» she said. > >", "a number of ways. Either quotation marks, > > \"Murder,\" she said. >", "Apparently dialogue writing conventions are higly dependant on country-specific cultural conventions. To be", "she said. > > > I'm a personal fan of the last example", "opinion. What I'm wondering here is if, from a typographic standpoint, there are", "correctly, dialogue can be directly separated from narration in a number of ways.", "the scope of creative writing mainly, since non-creative (e.g. technical) writing usually has", "number of ways. Either quotation marks, > > \"Murder,\" she said. > >", "but that's just my personal opinion. What I'm wondering here is if, from", "creative writing mainly, since non-creative (e.g. technical) writing usually has stricter rules. EDIT:", "\"Murder,\" she said. > > > dashes, > > -Murder,- she said. >", "dialogue writing conventions are higly dependant on country-specific cultural conventions. To be fair,", "is if, from a typographic standpoint, there are reasons to prefer one over", "example and I dislike using quotation marks for dialogue, but that's just my", "dashes, > > -Murder,- she said. > > > or angle brackets /", "remember my first grade primary school correctly, dialogue can be directly separated from", "standpoint, there are reasons to prefer one over the other when reporting dialogue.", "reporting dialogue. This is limited to the scope of creative writing mainly, since", "(e.g. technical) writing usually has stricter rules. EDIT: Apparently dialogue writing conventions are", "other when reporting dialogue. This is limited to the scope of creative writing", "of creative writing mainly, since non-creative (e.g. technical) writing usually has stricter rules.", "Most authors use dialogue in writing, especially when writing fiction. Now, if I", "in a number of ways. Either quotation marks, > > \"Murder,\" she said.", "prefer one over the other when reporting dialogue. This is limited to the", "grade primary school correctly, dialogue can be directly separated from narration in a", "there are reasons to prefer one over the other when reporting dialogue. This", "first grade primary school correctly, dialogue can be directly separated from narration in", "> > «Murder,» she said. > > > I'm a personal fan of", "when reporting dialogue. This is limited to the scope of creative writing mainly,", "angle brackets / angle carets / Guillemets: > > «Murder,» she said. >", "be directly separated from narration in a number of ways. Either quotation marks,", "marks, > > \"Murder,\" she said. > > > dashes, > > -Murder,-", "> «Murder,» she said. > > > I'm a personal fan of the", "said. > > > I'm a personal fan of the last example and", "to the scope of creative writing mainly, since non-creative (e.g. technical) writing usually", "> > dashes, > > -Murder,- she said. > > > or angle", "limited to the scope of creative writing mainly, since non-creative (e.g. technical) writing", "stricter rules. EDIT: Apparently dialogue writing conventions are higly dependant on country-specific cultural", "a typographic standpoint, there are reasons to prefer one over the other when", "I remember my first grade primary school correctly, dialogue can be directly separated", "in writing, especially when writing fiction. Now, if I remember my first grade", "> dashes, > > -Murder,- she said. > > > or angle brackets", "since non-creative (e.g. technical) writing usually has stricter rules. EDIT: Apparently dialogue writing", "carets / Guillemets: > > «Murder,» she said. > > > I'm a", "> > > dashes, > > -Murder,- she said. > > > or", "a personal fan of the last example and I dislike using quotation marks", "one over the other when reporting dialogue. This is limited to the scope", "«Murder,» she said. > > > I'm a personal fan of the last", "> > > I'm a personal fan of the last example and I", "I'm wondering here is if, from a typographic standpoint, there are reasons to", "from a typographic standpoint, there are reasons to prefer one over the other", "my personal opinion. What I'm wondering here is if, from a typographic standpoint,", "writing conventions are higly dependant on country-specific cultural conventions. To be fair, I", "writing mainly, since non-creative (e.g. technical) writing usually has stricter rules. EDIT: Apparently", "I'm a personal fan of the last example and I dislike using quotation", "are reasons to prefer one over the other when reporting dialogue. This is", "dialogue. This is limited to the scope of creative writing mainly, since non-creative", "usually has stricter rules. EDIT: Apparently dialogue writing conventions are higly dependant on", "> > > or angle brackets / angle carets / Guillemets: > >", "personal opinion. What I'm wondering here is if, from a typographic standpoint, there", "> > or angle brackets / angle carets / Guillemets: > > «Murder,»", "narration in a number of ways. Either quotation marks, > > \"Murder,\" she", "quotation marks for dialogue, but that's just my personal opinion. What I'm wondering", "typographic standpoint, there are reasons to prefer one over the other when reporting", "and I dislike using quotation marks for dialogue, but that's just my personal", "-Murder,- she said. > > > or angle brackets / angle carets /", "/ Guillemets: > > «Murder,» she said. > > > I'm a personal", "said. > > > dashes, > > -Murder,- she said. > > >", "authors use dialogue in writing, especially when writing fiction. Now, if I remember", "of ways. Either quotation marks, > > \"Murder,\" she said. > > >", "that's just my personal opinion. What I'm wondering here is if, from a", "EDIT: Apparently dialogue writing conventions are higly dependant on country-specific cultural conventions. To", "higly dependant on country-specific cultural conventions. To be fair, I didn't imagine that.", "> -Murder,- she said. > > > or angle brackets / angle carets", "especially when writing fiction. Now, if I remember my first grade primary school", "primary school correctly, dialogue can be directly separated from narration in a number", "for dialogue, but that's just my personal opinion. What I'm wondering here is", "is limited to the scope of creative writing mainly, since non-creative (e.g. technical)", "has stricter rules. EDIT: Apparently dialogue writing conventions are higly dependant on country-specific", "dislike using quotation marks for dialogue, but that's just my personal opinion. What", "just my personal opinion. What I'm wondering here is if, from a typographic", "to prefer one over the other when reporting dialogue. This is limited to", "rules. EDIT: Apparently dialogue writing conventions are higly dependant on country-specific cultural conventions.", "over the other when reporting dialogue. This is limited to the scope of", "writing usually has stricter rules. EDIT: Apparently dialogue writing conventions are higly dependant", "ways. Either quotation marks, > > \"Murder,\" she said. > > > dashes,", "directly separated from narration in a number of ways. Either quotation marks, >", "dialogue can be directly separated from narration in a number of ways. Either", "the other when reporting dialogue. This is limited to the scope of creative", "> I'm a personal fan of the last example and I dislike using", "I dislike using quotation marks for dialogue, but that's just my personal opinion.", "if, from a typographic standpoint, there are reasons to prefer one over the", "> or angle brackets / angle carets / Guillemets: > > «Murder,» she", "here is if, from a typographic standpoint, there are reasons to prefer one", "wondering here is if, from a typographic standpoint, there are reasons to prefer", "said. > > > or angle brackets / angle carets / Guillemets: >", "non-creative (e.g. technical) writing usually has stricter rules. EDIT: Apparently dialogue writing conventions", "school correctly, dialogue can be directly separated from narration in a number of", "she said. > > > or angle brackets / angle carets / Guillemets:", "marks for dialogue, but that's just my personal opinion. What I'm wondering here", "mainly, since non-creative (e.g. technical) writing usually has stricter rules. EDIT: Apparently dialogue", "can be directly separated from narration in a number of ways. Either quotation", "dialogue, but that's just my personal opinion. What I'm wondering here is if,", "writing, especially when writing fiction. Now, if I remember my first grade primary", "using quotation marks for dialogue, but that's just my personal opinion. What I'm", "of the last example and I dislike using quotation marks for dialogue, but", "> > -Murder,- she said. > > > or angle brackets / angle", "she said. > > > dashes, > > -Murder,- she said. > >", "conventions are higly dependant on country-specific cultural conventions. To be fair, I didn't", "fan of the last example and I dislike using quotation marks for dialogue,", "reasons to prefer one over the other when reporting dialogue. This is limited", "dialogue in writing, especially when writing fiction. Now, if I remember my first", "> > I'm a personal fan of the last example and I dislike", "my first grade primary school correctly, dialogue can be directly separated from narration", "writing fiction. Now, if I remember my first grade primary school correctly, dialogue", "> > \"Murder,\" she said. > > > dashes, > > -Murder,- she" ]
[ "Like so: > > This example is waaaaaaay oversimplified. > > > The", "to make the words fit a certain rhythm. One way I have seen", "I have seen done, and I don't want to use, is simply a", "emphasizes the word. Is there a form of punctuation we can use denote", "no standard on how many repetitions to use. But it does do what", "in song, for both emphasis as well as expanding the meter to make", "waaaaaaay oversimplified. > > > The above example looks ugly. There's no standard", "> > The above example looks ugly. There's no standard on how many", "I don't want to use, is simply a repetition of the vowel in", "ugly. There's no standard on how many repetitions to use. But it does", "so: > > This example is waaaaaaay oversimplified. > > > The above", "done, and I don't want to use, is simply a repetition of the", "seen done, and I don't want to use, is simply a repetition of", "well as expanding the meter to make the words fit a certain rhythm.", "This example is waaaaaaay oversimplified. > > > The above example looks ugly.", "There's no standard on how many repetitions to use. But it does do", "> This example is waaaaaaay oversimplified. > > > The above example looks", "sometimes we draw out certain sounds for emphasis. We also see this technique", "want to use, is simply a repetition of the vowel in question. Like", "it does do what I want. It holds the note. It emphasizes the", "make the words fit a certain rhythm. One way I have seen done,", "emphasis as well as expanding the meter to make the words fit a", "It emphasizes the word. Is there a form of punctuation we can use", "It holds the note. It emphasizes the word. Is there a form of", "standard on how many repetitions to use. But it does do what I", "simply a repetition of the vowel in question. Like so: > > This", "out certain sounds for emphasis. We also see this technique in song, for", "this technique in song, for both emphasis as well as expanding the meter", "> The above example looks ugly. There's no standard on how many repetitions", "is waaaaaaay oversimplified. > > > The above example looks ugly. There's no", "have seen done, and I don't want to use, is simply a repetition", "the vowel in question. Like so: > > This example is waaaaaaay oversimplified.", "repetitions to use. But it does do what I want. It holds the", "for both emphasis as well as expanding the meter to make the words", "a certain rhythm. One way I have seen done, and I don't want", "don't want to use, is simply a repetition of the vowel in question.", "of the vowel in question. Like so: > > This example is waaaaaaay", "we speak sometimes we draw out certain sounds for emphasis. We also see", "question. Like so: > > This example is waaaaaaay oversimplified. > > >", "speak sometimes we draw out certain sounds for emphasis. We also see this", "oversimplified. > > > The above example looks ugly. There's no standard on", "looks ugly. There's no standard on how many repetitions to use. But it", "example is waaaaaaay oversimplified. > > > The above example looks ugly. There's", "the words fit a certain rhythm. One way I have seen done, and", "the meter to make the words fit a certain rhythm. One way I", "want. It holds the note. It emphasizes the word. Is there a form", "> > > The above example looks ugly. There's no standard on how", "vowel in question. Like so: > > This example is waaaaaaay oversimplified. >", "example looks ugly. There's no standard on how many repetitions to use. But", "use. But it does do what I want. It holds the note. It", "certain rhythm. One way I have seen done, and I don't want to", "we draw out certain sounds for emphasis. We also see this technique in", "draw out certain sounds for emphasis. We also see this technique in song,", "expanding the meter to make the words fit a certain rhythm. One way", "emphasis. We also see this technique in song, for both emphasis as well", "to use. But it does do what I want. It holds the note.", "meter to make the words fit a certain rhythm. One way I have", "fit a certain rhythm. One way I have seen done, and I don't", "The above example looks ugly. There's no standard on how many repetitions to", "what I want. It holds the note. It emphasizes the word. Is there", "as expanding the meter to make the words fit a certain rhythm. One", "When we speak sometimes we draw out certain sounds for emphasis. We also", "rhythm. One way I have seen done, and I don't want to use,", "use, is simply a repetition of the vowel in question. Like so: >", "to use, is simply a repetition of the vowel in question. Like so:", "and I don't want to use, is simply a repetition of the vowel", "I want. It holds the note. It emphasizes the word. Is there a", "does do what I want. It holds the note. It emphasizes the word.", "a repetition of the vowel in question. Like so: > > This example", "We also see this technique in song, for both emphasis as well as", "> > This example is waaaaaaay oversimplified. > > > The above example", "the word. Is there a form of punctuation we can use denote this?", "holds the note. It emphasizes the word. Is there a form of punctuation", "technique in song, for both emphasis as well as expanding the meter to", "how many repetitions to use. But it does do what I want. It", "both emphasis as well as expanding the meter to make the words fit", "also see this technique in song, for both emphasis as well as expanding", "many repetitions to use. But it does do what I want. It holds", "But it does do what I want. It holds the note. It emphasizes", "is simply a repetition of the vowel in question. Like so: > >", "as well as expanding the meter to make the words fit a certain", "do what I want. It holds the note. It emphasizes the word. Is", "note. It emphasizes the word. Is there a form of punctuation we can", "certain sounds for emphasis. We also see this technique in song, for both", "on how many repetitions to use. But it does do what I want.", "the note. It emphasizes the word. Is there a form of punctuation we", "words fit a certain rhythm. One way I have seen done, and I", "repetition of the vowel in question. Like so: > > This example is", "for emphasis. We also see this technique in song, for both emphasis as", "way I have seen done, and I don't want to use, is simply", "in question. Like so: > > This example is waaaaaaay oversimplified. > >", "sounds for emphasis. We also see this technique in song, for both emphasis", "song, for both emphasis as well as expanding the meter to make the", "see this technique in song, for both emphasis as well as expanding the", "above example looks ugly. There's no standard on how many repetitions to use.", "One way I have seen done, and I don't want to use, is" ]
[ "person limited, when the protagonist is present in a scene, can the narrator", "protagonist is present in a scene, can the narrator describe something in a", "In 3rd person limited, when the protagonist is present in a scene, can", "3rd person limited, when the protagonist is present in a scene, can the", "in a scene, can the narrator describe something in a scene that the", "scene, can the narrator describe something in a scene that the protagonist cannot", "the protagonist is present in a scene, can the narrator describe something in", "when the protagonist is present in a scene, can the narrator describe something", "is present in a scene, can the narrator describe something in a scene", "present in a scene, can the narrator describe something in a scene that", "can the narrator describe something in a scene that the protagonist cannot see?", "a scene, can the narrator describe something in a scene that the protagonist", "limited, when the protagonist is present in a scene, can the narrator describe" ]
[ "not to come off as arrogant. Now, I'm not asking for help overcoming", "help me be objective when writing about myself and allow me to evaluate", "I hate writing about myself. It isn't just Stack Exchange profiles either. It's", "either. It's resume cover letters. It's college application personal statements. It's blog and", "I do I have to be careful not to come off as arrogant.", "asking for help overcoming my personal neurosis, but rather is there is an", "I'm not asking for help overcoming my personal neurosis, but rather is there", "cover letters. It's college application personal statements. It's blog and book jacket blurbs.", "much I hate writing about myself. It isn't just Stack Exchange profiles either.", "I have to be careful not to come off as arrogant. Now, I'm", "and allow me to evaluate what to leave in and what to leave", "It's resume cover letters. It's college application personal statements. It's blog and book", "overcoming my personal neurosis, but rather is there is an approach that will", "then when I do I have to be careful not to come off", "an approach that will help me be objective when writing about myself and", "neurosis, but rather is there is an approach that will help me be", "is an approach that will help me be objective when writing about myself", "remembered how much I hate writing about myself. It isn't just Stack Exchange", "isn't just Stack Exchange profiles either. It's resume cover letters. It's college application", "come off as arrogant. Now, I'm not asking for help overcoming my personal", "blog and book jacket blurbs. It isn't the easiest thing in the world", "that will help me be objective when writing about myself and allow me", "updating some of my Stack Exchange profiles and I remembered how much I", "in the world to come up with good things to say about myself", "about myself. It isn't just Stack Exchange profiles either. It's resume cover letters.", "and book jacket blurbs. It isn't the easiest thing in the world to", "writing about myself and allow me to evaluate what to leave in and", "application personal statements. It's blog and book jacket blurbs. It isn't the easiest", "for help overcoming my personal neurosis, but rather is there is an approach", "world to come up with good things to say about myself and then", "book jacket blurbs. It isn't the easiest thing in the world to come", "It isn't just Stack Exchange profiles either. It's resume cover letters. It's college", "objective when writing about myself and allow me to evaluate what to leave", "writing about myself. It isn't just Stack Exchange profiles either. It's resume cover", "hate writing about myself. It isn't just Stack Exchange profiles either. It's resume", "resume cover letters. It's college application personal statements. It's blog and book jacket", "It isn't the easiest thing in the world to come up with good", "not asking for help overcoming my personal neurosis, but rather is there is", "myself. It isn't just Stack Exchange profiles either. It's resume cover letters. It's", "to come up with good things to say about myself and then when", "there is an approach that will help me be objective when writing about", "when writing about myself and allow me to evaluate what to leave in", "statements. It's blog and book jacket blurbs. It isn't the easiest thing in", "come up with good things to say about myself and then when I", "approach that will help me be objective when writing about myself and allow", "was recently updating some of my Stack Exchange profiles and I remembered how", "the world to come up with good things to say about myself and", "of my Stack Exchange profiles and I remembered how much I hate writing", "things to say about myself and then when I do I have to", "jacket blurbs. It isn't the easiest thing in the world to come up", "allow me to evaluate what to leave in and what to leave out?", "blurbs. It isn't the easiest thing in the world to come up with", "letters. It's college application personal statements. It's blog and book jacket blurbs. It", "as arrogant. Now, I'm not asking for help overcoming my personal neurosis, but", "be careful not to come off as arrogant. Now, I'm not asking for", "have to be careful not to come off as arrogant. Now, I'm not", "how much I hate writing about myself. It isn't just Stack Exchange profiles", "and I remembered how much I hate writing about myself. It isn't just", "to come off as arrogant. Now, I'm not asking for help overcoming my", "It's college application personal statements. It's blog and book jacket blurbs. It isn't", "to say about myself and then when I do I have to be", "careful not to come off as arrogant. Now, I'm not asking for help", "is there is an approach that will help me be objective when writing", "about myself and then when I do I have to be careful not", "Now, I'm not asking for help overcoming my personal neurosis, but rather is", "Exchange profiles and I remembered how much I hate writing about myself. It", "Exchange profiles either. It's resume cover letters. It's college application personal statements. It's", "when I do I have to be careful not to come off as", "college application personal statements. It's blog and book jacket blurbs. It isn't the", "personal neurosis, but rather is there is an approach that will help me", "with good things to say about myself and then when I do I", "myself and allow me to evaluate what to leave in and what to", "up with good things to say about myself and then when I do", "be objective when writing about myself and allow me to evaluate what to", "Stack Exchange profiles and I remembered how much I hate writing about myself.", "but rather is there is an approach that will help me be objective", "and then when I do I have to be careful not to come", "just Stack Exchange profiles either. It's resume cover letters. It's college application personal", "isn't the easiest thing in the world to come up with good things", "thing in the world to come up with good things to say about", "I was recently updating some of my Stack Exchange profiles and I remembered", "about myself and allow me to evaluate what to leave in and what", "good things to say about myself and then when I do I have", "off as arrogant. Now, I'm not asking for help overcoming my personal neurosis,", "to be careful not to come off as arrogant. Now, I'm not asking", "my personal neurosis, but rather is there is an approach that will help", "say about myself and then when I do I have to be careful", "rather is there is an approach that will help me be objective when", "me be objective when writing about myself and allow me to evaluate what", "arrogant. Now, I'm not asking for help overcoming my personal neurosis, but rather", "recently updating some of my Stack Exchange profiles and I remembered how much", "myself and then when I do I have to be careful not to", "the easiest thing in the world to come up with good things to", "will help me be objective when writing about myself and allow me to", "do I have to be careful not to come off as arrogant. Now,", "some of my Stack Exchange profiles and I remembered how much I hate", "I remembered how much I hate writing about myself. It isn't just Stack", "Stack Exchange profiles either. It's resume cover letters. It's college application personal statements.", "my Stack Exchange profiles and I remembered how much I hate writing about", "easiest thing in the world to come up with good things to say", "profiles either. It's resume cover letters. It's college application personal statements. It's blog", "help overcoming my personal neurosis, but rather is there is an approach that", "personal statements. It's blog and book jacket blurbs. It isn't the easiest thing", "It's blog and book jacket blurbs. It isn't the easiest thing in the", "profiles and I remembered how much I hate writing about myself. It isn't" ]
[ "put my effort towards creating/editing new shows.) I think my ideal tool would", "This is inspired by the first Answer on the [MetaUnicornZoo](https://meta.stackexchange.com/questions/326560/unicorn-meta-zoo-1-why-another-podcast?cb=1) stack exchange podcast", "from the beginning, so it's easy to do. (I'll transcribe too, when I", "I set up a wiki* somehow, or is Google Docs better? Unlike the", "love accessibility, so any show that is 100% scripted, my script = the", "no easy transcription software, and fiverr is actually a bit more than $5", "share it. For podcasts with a cohost, there's no easy transcription software, and", "transcript is considered complete, I'd like to \"lock\" it, as a read-only file.", "bit more than $5 for a 40+ minute show. Some podcasts I know", "to happen for mine. So I'd like to set it up as much", "possible from the beginning, so it's easy to do. (I'll transcribe too, when", "be honest.) It looks like [Buffering The Vampire Slayer](https://www.bufferingthevampireslayer.com/transcriptions) uses Google Docs, and", "(I'll transcribe too, when I can, but I think it's better to put", "a troll gets into it.) When a transcript is considered complete, I'd like", "is considered complete, I'd like to \"lock\" it, as a read-only file. (Show", "StackExchange Podcast that inspired this, I am not familiar with GitHub. (I've never", "to be honest.) It looks like [Buffering The Vampire Slayer](https://www.bufferingthevampireslayer.com/transcriptions) uses Google Docs,", "much either to be honest.) It looks like [Buffering The Vampire Slayer](https://www.bufferingthevampireslayer.com/transcriptions) uses", "them to an html/xml format, but that's just me.) So thoughts on good", "would love for that to happen for mine. So I'd like to set", "Slayer](https://www.bufferingthevampireslayer.com/transcriptions) uses Google Docs, and then saves them as PDFs. (I would probably", "40+ minute show. Some podcasts I know have had their listeners collaborate to", "allow banning (in case a troll gets into it.) When a transcript is", "edit, but also allow banning (in case a troll gets into it.) When", "to the transcript.) So should I set up a wiki somehow, or is", "collaborative tools for this purpose? Thanks! --- This is inspired by the first", "for a 40+ minute show. Some podcasts I know have had their listeners", "podcasts with a cohost, there's no easy transcription software, and fiverr is actually", "have links to the transcript.) So should I set up a wiki* somehow,", "an html/xml format, but that's just me.) So thoughts on good collaborative tools", "to set it up as much as possible from the beginning, so it's", "Some podcasts I know have had their listeners collaborate to transcribe, and I", "So I'd like to set it up as much as possible from the", "new shows.) I think my ideal tool would allow anyone to edit, but", "shows.) I think my ideal tool would allow anyone to edit, but also", "to do. (I'll transcribe too, when I can, but I think it's better", "complete, I'd like to \"lock\" it, as a read-only file. (Show notes would", "show. Some podcasts I know have had their listeners collaborate to transcribe, and", "\"lock\" it, as a read-only file. (Show notes would have links to the", "is Google Docs better? Unlike the StackExchange Podcast that inspired this, I am", "(I've never really played with wikis much either to be honest.) It looks", "and I would love for that to happen for mine. So I'd like", "this purpose? Thanks! --- This is inspired by the first Answer on the", "think my ideal tool would allow anyone to edit, but also allow banning", "gets into it.) When a transcript is considered complete, I'd like to \"lock\"", "me.) So thoughts on good collaborative tools for this purpose? Thanks! --- This", "$5 for a 40+ minute show. Some podcasts I know have had their", "fiverr is actually a bit more than $5 for a 40+ minute show.", "would probably prefer to keep/move them to an html/xml format, but that's just", "Google Docs, and then saves them as PDFs. (I would probably prefer to", "up a wiki somehow, or is Google Docs better? Unlike the StackExchange Podcast", "(in case a troll gets into it.) When a transcript is considered complete,", "tools for this purpose? Thanks! --- This is inspired by the first Answer", "just me.) So thoughts on good collaborative tools for this purpose? Thanks! ---", "(I would probably prefer to keep/move them to an html/xml format, but that's", "The Vampire Slayer](https://www.bufferingthevampireslayer.com/transcriptions) uses Google Docs, and then saves them as PDFs. (I", "a 40+ minute show. Some podcasts I know have had their listeners collaborate", "into it.) When a transcript is considered complete, I'd like to \"lock\" it,", "familiar with GitHub. (I've never really played with wikis much either to be", "probably prefer to keep/move them to an html/xml format, but that's just me.)", "Vampire Slayer](https://www.bufferingthevampireslayer.com/transcriptions) uses Google Docs, and then saves them as PDFs. (I would", "a bit more than $5 for a 40+ minute show. Some podcasts I", "had their listeners collaborate to transcribe, and I would love* for that to", "to share it. For podcasts with a cohost, there's no easy transcription software,", "I think it's better to put my effort towards creating/editing new shows.) I", "the transcript.) So should I set up a wiki somehow, or is Google", "mine. So I'd like to set it up as much as possible from", "or is Google Docs** better? Unlike the StackExchange Podcast that inspired this, I", "like to set it up as much as possible from the beginning, so", "It looks like [Buffering The Vampire Slayer](https://www.bufferingthevampireslayer.com/transcriptions) uses Google Docs, and then saves", "For podcasts with a cohost, there's no easy transcription software, and fiverr is", "show that is 100% scripted, my script = the transcript, and I'm happy", "script = the transcript, and I'm happy to share it. For podcasts with", "that's just me.) So thoughts on good collaborative tools for this purpose? Thanks!", "to transcribe, and I would love for that to happen for mine. So", "100% scripted, my script = the transcript, and I'm happy to share it.", "to an html/xml format, but that's just me.) So thoughts on good collaborative", "podcasts I know have had their listeners collaborate to transcribe, and I would", "so any show that is 100% scripted, my script = the transcript, and", "notes would have links to the transcript.) So should I set up a", "accessibility, so any show that is 100% scripted, my script = the transcript,", "Docs, and then saves them as PDFs. (I would probably prefer to keep/move", "as PDFs. (I would probably prefer to keep/move them to an html/xml format,", "saves them as PDFs. (I would probably prefer to keep/move them to an", "would allow anyone to edit, but also allow banning (in case a troll", "GitHub. (I've never really played with wikis much either to be honest.) It", "anyone to edit, but also allow banning (in case a troll gets into", "transcript.) So should I set up a wiki somehow, or is Google Docs", "listeners collaborate to transcribe, and I would love for that to happen for", "it. For podcasts with a cohost, there's no easy transcription software, and fiverr", "better to put my effort towards creating/editing new shows.) I think my ideal", "with a cohost, there's no easy transcription software, and fiverr is actually a", "scripted, my script = the transcript, and I'm happy to share it. For", "a read-only file. (Show notes would have links to the transcript.) So should", "know have had their listeners collaborate to transcribe, and I would love for", "transcribe too, when I can, but I think it's better to put my", "when I can, but I think it's better to put my effort towards", "do. (I'll transcribe too, when I can, but I think it's better to", "much as possible from the beginning, so it's easy to do. (I'll transcribe", "html/xml format, but that's just me.) So thoughts on good collaborative tools for", "it up as much as possible from the beginning, so it's easy to", "effort towards creating/editing new shows.) I think my ideal tool would allow anyone", "think it's better to put my effort towards creating/editing new shows.) I think", "I know have had their listeners collaborate to transcribe, and I would love", "not familiar with GitHub. (I've never really played with wikis much either to", "to edit, but also allow banning (in case a troll gets into it.)", "creating/editing new shows.) I think my ideal tool would allow anyone to edit,", "file. (Show notes would have links to the transcript.) So should I set", "my script = the transcript, and I'm happy to share it. For podcasts", "love for that to happen for mine. So I'd like to set it", "links to the transcript.) So should I set up a wiki somehow, or", "like [Buffering The Vampire Slayer](https://www.bufferingthevampireslayer.com/transcriptions) uses Google Docs, and then saves them as", "it's better to put my effort towards creating/editing new shows.) I think my", "beginning, so it's easy to do. (I'll transcribe too, when I can, but", "I'd like to \"lock\" it, as a read-only file. (Show notes would have", "uses Google Docs, and then saves them as PDFs. (I would probably prefer", "read-only file. (Show notes would have links to the transcript.) So should I", "better? Unlike the StackExchange Podcast that inspired this, I am not familiar with", "their listeners collaborate to transcribe, and I would love for that to happen", "collaborate to transcribe, and I would love for that to happen for mine.", "have had their listeners collaborate to transcribe, and I would love for that", "transcribe, and I would love for that to happen for mine. So I'd", "should I set up a wiki somehow, or is Google Docs better? Unlike", "honest.) It looks like [Buffering The Vampire Slayer](https://www.bufferingthevampireslayer.com/transcriptions) uses Google Docs, and then", "that to happen for mine. So I'd like to set it up as", "played with wikis much either to be honest.) It looks like [Buffering The", "but I think it's better to put my effort towards creating/editing new shows.)", "but also allow banning (in case a troll gets into it.) When a", "to put my effort towards creating/editing new shows.) I think my ideal tool", "ideal tool would allow anyone to edit, but also allow banning (in case", "actually a bit more than $5 for a 40+ minute show. Some podcasts", "I'm happy to share it. For podcasts with a cohost, there's no easy", "purpose? Thanks! --- This is inspired by the first Answer on the [MetaUnicornZoo](https://meta.stackexchange.com/questions/326560/unicorn-meta-zoo-1-why-another-podcast?cb=1)", "set it up as much as possible from the beginning, so it's easy", "it, as a read-only file. (Show notes would have links to the transcript.)", "is 100% scripted, my script = the transcript, and I'm happy to share", "transcript, and I'm happy to share it. For podcasts with a cohost, there's", "so it's easy to do. (I'll transcribe too, when I can, but I", "too, when I can, but I think it's better to put my effort", "easy to do. (I'll transcribe too, when I can, but I think it's", "happen for mine. So I'd like to set it up as much as", "allow anyone to edit, but also allow banning (in case a troll gets", "happy to share it. For podcasts with a cohost, there's no easy transcription", "up as much as possible from the beginning, so it's easy to do.", "So thoughts on good collaborative tools for this purpose? Thanks! --- This is", "good collaborative tools for this purpose? Thanks! --- This is inspired by the", "PDFs. (I would probably prefer to keep/move them to an html/xml format, but", "format, but that's just me.) So thoughts on good collaborative tools for this", "and then saves them as PDFs. (I would probably prefer to keep/move them", "keep/move them to an html/xml format, but that's just me.) So thoughts on", "considered complete, I'd like to \"lock\" it, as a read-only file. (Show notes", "my effort towards creating/editing new shows.) I think my ideal tool would allow", "the StackExchange Podcast that inspired this, I am not familiar with GitHub. (I've", "When a transcript is considered complete, I'd like to \"lock\" it, as a", "thoughts on good collaborative tools for this purpose? Thanks! --- This is inspired", "it's easy to do. (I'll transcribe too, when I can, but I think", "also allow banning (in case a troll gets into it.) When a transcript", "like to \"lock\" it, as a read-only file. (Show notes would have links", "looks like [Buffering The Vampire Slayer](https://www.bufferingthevampireslayer.com/transcriptions) uses Google Docs, and then saves them", "banning (in case a troll gets into it.) When a transcript is considered", "the beginning, so it's easy to do. (I'll transcribe too, when I can,", "a wiki somehow, or is Google Docs better? Unlike the StackExchange Podcast that", "then saves them as PDFs. (I would probably prefer to keep/move them to", "to keep/move them to an html/xml format, but that's just me.) So thoughts", "--- This is inspired by the first Answer on the [MetaUnicornZoo](https://meta.stackexchange.com/questions/326560/unicorn-meta-zoo-1-why-another-podcast?cb=1) stack exchange", "I would love* for that to happen for mine. So I'd like to", "= the transcript, and I'm happy to share it. For podcasts with a", "as possible from the beginning, so it's easy to do. (I'll transcribe too,", "them as PDFs. (I would probably prefer to keep/move them to an html/xml", "I can, but I think it's better to put my effort towards creating/editing", "this, I am not familiar with GitHub. (I've never really played with wikis", "Docs** better? Unlike the StackExchange Podcast that inspired this, I am not familiar", "transcription software, and fiverr is actually a bit more than $5 for a", "inspired this, I am not familiar with GitHub. (I've never really played with", "on good collaborative tools for this purpose? Thanks! --- This is inspired by", "I'd like to set it up as much as possible from the beginning,", "(Show notes would have links to the transcript.) So should I set up", "more than $5 for a 40+ minute show. Some podcasts I know have", "wiki* somehow, or is Google Docs better? Unlike the StackExchange Podcast that inspired", "I am not familiar with GitHub. (I've never really played with wikis much", "either to be honest.) It looks like [Buffering The Vampire Slayer](https://www.bufferingthevampireslayer.com/transcriptions) uses Google", "any show that is 100% scripted, my script = the transcript, and I'm", "prefer to keep/move them to an html/xml format, but that's just me.) So", "Unlike the StackExchange Podcast that inspired this, I am not familiar with GitHub.", "as a read-only file. (Show notes would have links to the transcript.) So", "never really played with wikis much either to be honest.) It looks like", "and fiverr is actually a bit more than $5 for a 40+ minute", "am not familiar with GitHub. (I've never really played with wikis much either", "than $5 for a 40+ minute show. Some podcasts I know have had", "wikis much either to be honest.) It looks like [Buffering The Vampire Slayer](https://www.bufferingthevampireslayer.com/transcriptions)", "easy transcription software, and fiverr is actually a bit more than $5 for", "cohost, there's no easy transcription software, and fiverr is actually a bit more", "minute show. Some podcasts I know have had their listeners collaborate to transcribe,", "is actually a bit more than $5 for a 40+ minute show. Some", "for mine. So I'd like to set it up as much as possible", "troll gets into it.) When a transcript is considered complete, I'd like to", "as much as possible from the beginning, so it's easy to do. (I'll", "to \"lock\" it, as a read-only file. (Show notes would have links to", "that is 100% scripted, my script = the transcript, and I'm happy to", "there's no easy transcription software, and fiverr is actually a bit more than", "with GitHub. (I've never really played with wikis much either to be honest.)", "my ideal tool would allow anyone to edit, but also allow banning (in", "somehow, or is Google Docs better? Unlike the StackExchange Podcast that inspired this,", "would have links to the transcript.) So should I set up a wiki", "it.) When a transcript is considered complete, I'd like to \"lock\" it, as", "case a troll gets into it.) When a transcript is considered complete, I'd", "Thanks! --- This is inspired by the first Answer on the [MetaUnicornZoo](https://meta.stackexchange.com/questions/326560/unicorn-meta-zoo-1-why-another-podcast?cb=1) stack", "tool would allow anyone to edit, but also allow banning (in case a", "towards creating/editing new shows.) I think my ideal tool would allow anyone to", "software, and fiverr is actually a bit more than $5 for a 40+", "I love accessibility, so any show that is 100% scripted, my script =", "I think my ideal tool would allow anyone to edit, but also allow", "Podcast that inspired this, I am not familiar with GitHub. (I've never really", "a cohost, there's no easy transcription software, and fiverr is actually a bit", "is inspired by the first Answer on the [MetaUnicornZoo](https://meta.stackexchange.com/questions/326560/unicorn-meta-zoo-1-why-another-podcast?cb=1) stack exchange podcast announcement", "for this purpose? Thanks! --- This is inspired by the first Answer on", "but that's just me.) So thoughts on good collaborative tools for this purpose?", "can, but I think it's better to put my effort towards creating/editing new", "the transcript, and I'm happy to share it. For podcasts with a cohost,", "So should I set up a wiki* somehow, or is Google Docs better?", "with wikis much either to be honest.) It looks like [Buffering The Vampire", "and I'm happy to share it. For podcasts with a cohost, there's no", "Google Docs better? Unlike the StackExchange Podcast that inspired this, I am not", "really played with wikis much either to be honest.) It looks like [Buffering", "a transcript is considered complete, I'd like to \"lock\" it, as a read-only", "that inspired this, I am not familiar with GitHub. (I've never really played", "set up a wiki somehow, or is Google Docs better? Unlike the StackExchange", "[Buffering The Vampire Slayer](https://www.bufferingthevampireslayer.com/transcriptions) uses Google Docs, and then saves them as PDFs.", "for that to happen for mine. So I'd like to set it up" ]
[ "had so long yearned to. > The resounding sound of silence that followed", "> Report of specimen AX382’s final attempt: > The vehicle grinds to a", "employ to refine an amateur's writing. If you do find any other points", "cosmos. Finally unshackled, she roamed the skies that she had so long yearned", "sound of silence that followed is the music in which her spirit shall", "suit laden with contraptions. A tether anchors it to the vehicle, > perhaps", "> chosen by it. Estimated time to event: 120 seconds. > > >", "bring them up! I'm trying to learn the various parameters on which I", "deliberately > chosen by it. Estimated time to event: 120 seconds. > >", "on which I must judge writing. Thanks! Piece: > > Even years upon", "To elucidate your points, please feel free to criticize the attached piece. I'm", "begin to fathom. It just stood awestruck, hands clutching the > windows as", "the > confines of its vehicle. Its face is obscured beneath a veil", "other points of concern, please bring them up! I'm trying to learn the", "flail and writhe for mere instants before crumbling to ash, scattering across the", "concern, please bring them up! I'm trying to learn the various parameters on", "tether anchors it to the vehicle, > perhaps a as precautionary measure. Our", "to fathom. It just stood awestruck, hands clutching the > windows as it", "of specimen AX382’s final attempt: > The vehicle grinds to a halt. The", "of the endless void is something her fickle > mind cannot even begin", "the wondrous sight, as though for the first time. Brilliant > flecks of", "grinds to a halt. The specimen seems to have decided to discover the", "the music in which her spirit shall > be preserved for evermore. >", "writing. If you do find any other points of concern, please bring them", "failed attempts hadn’t taken away its childlike > astonishment. The sheer enormity of", "just stood awestruck, hands clutching the > windows as it beheld the wondrous", "fabric that wove the universe together was the > canvas of a meticulous", "the > cosmos. Finally unshackled, she roamed the skies that she had so", "wove the universe together was the > canvas of a meticulous craftsman: its", "as though for the first time. Brilliant > flecks of light spotted the", "mere instants before crumbling to ash, scattering across the > cosmos. Finally unshackled,", "smooth the transitions in this text? I feel like the POVs are changed", "of its vehicle. Its face is obscured beneath a veil of glass; its", "white-hot energy obliterates her defenseless form. Her limbs > flail and writhe for", "Brilliant > flecks of light spotted the ink blank expanse, illuminating it in", "long yearned to. > The resounding sound of silence that followed is the", "fairly confusing for readers to understand. To elucidate your points, please feel free", "stood awestruck, hands clutching the > windows as it beheld the wondrous sight,", "perhaps a as precautionary measure. Our calculations have determined that its > present", "clutching the > windows as it beheld the wondrous sight, as though for", "confusing for readers to understand. To elucidate your points, please feel free to", "fatal situations. We conclude that this region has been deliberately > chosen by", "called him God. The pictures and lore > it had heard of were", "previously proven its tact by > evading fatal situations. We conclude that this", "Finally unshackled, she roamed the skies that she had so long yearned to.", "fickle > mind cannot even begin to fathom. It just stood awestruck, hands", "for mere instants before crumbling to ash, scattering across the > cosmos. Finally", "taken away its childlike > astonishment. The sheer enormity of the endless void", "its > present location is highly precarious. One might assert that the specimen", "fathom. It just stood awestruck, hands clutching the > windows as it beheld", "people called him God. The pictures and lore > it had heard of", "I feel like the POVs are changed quite a lot which makes it", "to the stunning magnificence of the ethereal > sight. > > > Report", "120 seconds. > > > A dazzling bolt of white-hot energy obliterates her", "to refine an amateur's writing. If you do find any other points of", "> certainly unaware of the impending dangers or lacks the technological expertise >", "text? I feel like the POVs are changed quite a lot which makes", "looking to learn some strategies that I can employ to refine an amateur's", "parameters on which I must judge writing. Thanks! Piece: > > Even years", "to event: 120 seconds. > > > A dazzling bolt of white-hot energy", "the skies that she had so long yearned to. > The resounding sound", "We conclude that this region has been deliberately > chosen by it. Estimated", "followed is the music in which her spirit shall > be preserved for", "do find any other points of concern, please bring them up! I'm trying", "encased in a bulky suit laden with contraptions. A tether anchors it to", "has been deliberately > chosen by it. Estimated time to event: 120 seconds.", "quite a lot which makes it fairly confusing for readers to understand. To", "highly precarious. One might assert that the specimen is most > certainly unaware", "were incomparable to the stunning magnificence of the ethereal > sight. > >", "meticulous craftsman: its people called him God. The pictures and lore > it", "face is obscured beneath a veil of glass; its body > encased in", "bulky suit laden with contraptions. A tether anchors it to the vehicle, >", "various parameters on which I must judge writing. Thanks! Piece: > > Even", "the vehicle, > perhaps a as precautionary measure. Our calculations have determined that", "assert that the specimen is most > certainly unaware of the impending dangers", "the impending dangers or lacks the technological expertise > to foresee it. In", "lacks the technological expertise > to foresee it. In contradiction, the specimen has", "to learn the various parameters on which I must judge writing. Thanks! Piece:", "> confines of its vehicle. Its face is obscured beneath a veil of", "precarious. One might assert that the specimen is most > certainly unaware of", "energy obliterates her defenseless form. Her limbs > flail and writhe for mere", "can I smooth the transitions in this text? I feel like the POVs", "might assert that the specimen is most > certainly unaware of the impending", "sight. > > > Report of specimen AX382’s final attempt: > The vehicle", "windows as it beheld the wondrous sight, as though for the first time.", "I can employ to refine an amateur's writing. If you do find any", "Its face is obscured beneath a veil of glass; its body > encased", "In contradiction, the specimen has previously proven its tact by > evading fatal", "discover the > confines of its vehicle. Its face is obscured beneath a", "has previously proven its tact by > evading fatal situations. We conclude that", "please bring them up! I'm trying to learn the various parameters on which", "calculations have determined that its > present location is highly precarious. One might", "it had heard of were incomparable to the stunning magnificence of the ethereal", "final attempt: > The vehicle grinds to a halt. The specimen seems to", "astonishment. The sheer enormity of the endless void is something her fickle >", "universe together was the > canvas of a meticulous craftsman: its people called", "most > certainly unaware of the impending dangers or lacks the technological expertise", "the very fabric that wove the universe together was the > canvas of", "bolt of white-hot energy obliterates her defenseless form. Her limbs > flail and", "The pictures and lore > it had heard of were incomparable to the", "It imagined that the very fabric that wove the universe together was the", "halt. The specimen seems to have decided to discover the > confines of", "> windows as it beheld the wondrous sight, as though for the first", "incomparable to the stunning magnificence of the ethereal > sight. > > >", "cannot even begin to fathom. It just stood awestruck, hands clutching the >", "lot which makes it fairly confusing for readers to understand. To elucidate your", "are changed quite a lot which makes it fairly confusing for readers to", "scattering across the > cosmos. Finally unshackled, she roamed the skies that she", "it beheld the wondrous sight, as though for the first time. Brilliant >", "judge writing. Thanks! Piece: > > Even years upon years of numerous failed", "vehicle. Its face is obscured beneath a veil of glass; its body >", "it fairly confusing for readers to understand. To elucidate your points, please feel", "that the specimen is most > certainly unaware of the impending dangers or", "chosen by it. Estimated time to event: 120 seconds. > > > A", "a meticulous craftsman: its people called him God. The pictures and lore >", "> to foresee it. In contradiction, the specimen has previously proven its tact", "silence that followed is the music in which her spirit shall > be", "event: 120 seconds. > > > A dazzling bolt of white-hot energy obliterates", "heard of were incomparable to the stunning magnificence of the ethereal > sight.", "tact by > evading fatal situations. We conclude that this region has been", "> > > A dazzling bolt of white-hot energy obliterates her defenseless form.", "in which her spirit shall > be preserved for evermore. > > >", "that followed is the music in which her spirit shall > be preserved", "attempts hadn’t taken away its childlike > astonishment. The sheer enormity of the", "very fabric that wove the universe together was the > canvas of a", "changed quite a lot which makes it fairly confusing for readers to understand.", "ink blank expanse, illuminating it in a host of vibrant > hues. It", "pictures and lore > it had heard of were incomparable to the stunning", "the > canvas of a meticulous craftsman: its people called him God. The", "amateur's writing. If you do find any other points of concern, please bring", "If you do find any other points of concern, please bring them up!", "for readers to understand. To elucidate your points, please feel free to criticize", "your points, please feel free to criticize the attached piece. I'm looking to", "free to criticize the attached piece. I'm looking to learn some strategies that", "> astonishment. The sheer enormity of the endless void is something her fickle", "that this region has been deliberately > chosen by it. Estimated time to", "her defenseless form. Her limbs > flail and writhe for mere instants before", "had heard of were incomparable to the stunning magnificence of the ethereal >", "by > evading fatal situations. We conclude that this region has been deliberately", "unaware of the impending dangers or lacks the technological expertise > to foresee", "to ash, scattering across the > cosmos. Finally unshackled, she roamed the skies", "laden with contraptions. A tether anchors it to the vehicle, > perhaps a", "criticize the attached piece. I'm looking to learn some strategies that I can", "a halt. The specimen seems to have decided to discover the > confines", "trying to learn the various parameters on which I must judge writing. Thanks!", "precautionary measure. Our calculations have determined that its > present location is highly", "him God. The pictures and lore > it had heard of were incomparable", "dangers or lacks the technological expertise > to foresee it. In contradiction, the", "and writhe for mere instants before crumbling to ash, scattering across the >", "her fickle > mind cannot even begin to fathom. It just stood awestruck,", "piece. I'm looking to learn some strategies that I can employ to refine", "beneath a veil of glass; its body > encased in a bulky suit", "readers to understand. To elucidate your points, please feel free to criticize the", "It just stood awestruck, hands clutching the > windows as it beheld the", "canvas of a meticulous craftsman: its people called him God. The pictures and", "of the impending dangers or lacks the technological expertise > to foresee it.", "the transitions in this text? I feel like the POVs are changed quite", "of concern, please bring them up! I'm trying to learn the various parameters", "endless void is something her fickle > mind cannot even begin to fathom.", "an amateur's writing. If you do find any other points of concern, please", "hands clutching the > windows as it beheld the wondrous sight, as though", "which I must judge writing. Thanks! Piece: > > Even years upon years", "anchors it to the vehicle, > perhaps a as precautionary measure. Our calculations", "skies that she had so long yearned to. > The resounding sound of", "to a halt. The specimen seems to have decided to discover the >", "yearned to. > The resounding sound of silence that followed is the music", "> > A dazzling bolt of white-hot energy obliterates her defenseless form. Her", "obliterates her defenseless form. Her limbs > flail and writhe for mere instants", "dazzling bolt of white-hot energy obliterates her defenseless form. Her limbs > flail", "the first time. Brilliant > flecks of light spotted the ink blank expanse,", "I smooth the transitions in this text? I feel like the POVs are", "> flecks of light spotted the ink blank expanse, illuminating it in a", "like the POVs are changed quite a lot which makes it fairly confusing", "blank expanse, illuminating it in a host of vibrant > hues. It imagined", "of were incomparable to the stunning magnificence of the ethereal > sight. >", "the technological expertise > to foresee it. In contradiction, the specimen has previously", "of silence that followed is the music in which her spirit shall >", "writhe for mere instants before crumbling to ash, scattering across the > cosmos.", "region has been deliberately > chosen by it. Estimated time to event: 120", "years of numerous failed attempts hadn’t taken away its childlike > astonishment. The", "the universe together was the > canvas of a meticulous craftsman: its people", "> > > Report of specimen AX382’s final attempt: > The vehicle grinds", "expanse, illuminating it in a host of vibrant > hues. It imagined that", "in a bulky suit laden with contraptions. A tether anchors it to the", "expertise > to foresee it. In contradiction, the specimen has previously proven its", "have decided to discover the > confines of its vehicle. Its face is", "the specimen is most > certainly unaware of the impending dangers or lacks", "the endless void is something her fickle > mind cannot even begin to", "location is highly precarious. One might assert that the specimen is most >", "> A dazzling bolt of white-hot energy obliterates her defenseless form. Her limbs", "it to the vehicle, > perhaps a as precautionary measure. Our calculations have", "decided to discover the > confines of its vehicle. Its face is obscured", "points of concern, please bring them up! I'm trying to learn the various", "> canvas of a meticulous craftsman: its people called him God. The pictures", "numerous failed attempts hadn’t taken away its childlike > astonishment. The sheer enormity", "defenseless form. Her limbs > flail and writhe for mere instants before crumbling", "spotted the ink blank expanse, illuminating it in a host of vibrant >", "a veil of glass; its body > encased in a bulky suit laden", "together was the > canvas of a meticulous craftsman: its people called him", "ethereal > sight. > > > Report of specimen AX382’s final attempt: >", "illuminating it in a host of vibrant > hues. It imagined that the", "some strategies that I can employ to refine an amateur's writing. If you", "can employ to refine an amateur's writing. If you do find any other", "> hues. It imagined that the very fabric that wove the universe together", "vibrant > hues. It imagined that the very fabric that wove the universe", "stunning magnificence of the ethereal > sight. > > > Report of specimen", "seconds. > > > A dazzling bolt of white-hot energy obliterates her defenseless", "Estimated time to event: 120 seconds. > > > A dazzling bolt of", "flecks of light spotted the ink blank expanse, illuminating it in a host", "> flail and writhe for mere instants before crumbling to ash, scattering across", "evading fatal situations. We conclude that this region has been deliberately > chosen", "them up! I'm trying to learn the various parameters on which I must", "> > Report of specimen AX382’s final attempt: > The vehicle grinds to", "of numerous failed attempts hadn’t taken away its childlike > astonishment. The sheer", "contraptions. A tether anchors it to the vehicle, > perhaps a as precautionary", "that its > present location is highly precarious. One might assert that the", "body > encased in a bulky suit laden with contraptions. A tether anchors", "points, please feel free to criticize the attached piece. I'm looking to learn", "imagined that the very fabric that wove the universe together was the >", "to the vehicle, > perhaps a as precautionary measure. Our calculations have determined", "seems to have decided to discover the > confines of its vehicle. Its", "was the > canvas of a meticulous craftsman: its people called him God.", "elucidate your points, please feel free to criticize the attached piece. I'm looking", "refine an amateur's writing. If you do find any other points of concern,", "makes it fairly confusing for readers to understand. To elucidate your points, please", "magnificence of the ethereal > sight. > > > Report of specimen AX382’s", "specimen is most > certainly unaware of the impending dangers or lacks the", "limbs > flail and writhe for mere instants before crumbling to ash, scattering", "and lore > it had heard of were incomparable to the stunning magnificence", "confines of its vehicle. Its face is obscured beneath a veil of glass;", "its tact by > evading fatal situations. We conclude that this region has", "How can I smooth the transitions in this text? I feel like the", "determined that its > present location is highly precarious. One might assert that", "impending dangers or lacks the technological expertise > to foresee it. In contradiction,", "crumbling to ash, scattering across the > cosmos. Finally unshackled, she roamed the", "measure. Our calculations have determined that its > present location is highly precarious.", "something her fickle > mind cannot even begin to fathom. It just stood", "ash, scattering across the > cosmos. Finally unshackled, she roamed the skies that", "transitions in this text? I feel like the POVs are changed quite a", "that she had so long yearned to. > The resounding sound of silence", "attached piece. I'm looking to learn some strategies that I can employ to", "writing. Thanks! Piece: > > Even years upon years of numerous failed attempts", "Even years upon years of numerous failed attempts hadn’t taken away its childlike", "with contraptions. A tether anchors it to the vehicle, > perhaps a as", "The specimen seems to have decided to discover the > confines of its", "even begin to fathom. It just stood awestruck, hands clutching the > windows", "as it beheld the wondrous sight, as though for the first time. Brilliant", "hues. It imagined that the very fabric that wove the universe together was", "> The resounding sound of silence that followed is the music in which", "situations. We conclude that this region has been deliberately > chosen by it.", "is obscured beneath a veil of glass; its body > encased in a", "> > Even years upon years of numerous failed attempts hadn’t taken away", "strategies that I can employ to refine an amateur's writing. If you do", "> sight. > > > Report of specimen AX382’s final attempt: > The", "is the music in which her spirit shall > be preserved for evermore.", "is highly precarious. One might assert that the specimen is most > certainly", "the POVs are changed quite a lot which makes it fairly confusing for", "of vibrant > hues. It imagined that the very fabric that wove the", "host of vibrant > hues. It imagined that the very fabric that wove", "first time. Brilliant > flecks of light spotted the ink blank expanse, illuminating", "> The vehicle grinds to a halt. The specimen seems to have decided", "Her limbs > flail and writhe for mere instants before crumbling to ash,", "the stunning magnificence of the ethereal > sight. > > > Report of", "I must judge writing. Thanks! Piece: > > Even years upon years of", "lore > it had heard of were incomparable to the stunning magnificence of", "to criticize the attached piece. I'm looking to learn some strategies that I", "to learn some strategies that I can employ to refine an amateur's writing.", "of a meticulous craftsman: its people called him God. The pictures and lore", "across the > cosmos. Finally unshackled, she roamed the skies that she had", "of light spotted the ink blank expanse, illuminating it in a host of", "to discover the > confines of its vehicle. Its face is obscured beneath", "that wove the universe together was the > canvas of a meticulous craftsman:", "resounding sound of silence that followed is the music in which her spirit", "of the ethereal > sight. > > > Report of specimen AX382’s final", "or lacks the technological expertise > to foresee it. In contradiction, the specimen", "beheld the wondrous sight, as though for the first time. Brilliant > flecks", "learn some strategies that I can employ to refine an amateur's writing. If", "the ethereal > sight. > > > Report of specimen AX382’s final attempt:", "The vehicle grinds to a halt. The specimen seems to have decided to", "up! I'm trying to learn the various parameters on which I must judge", "she roamed the skies that she had so long yearned to. > The", "vehicle, > perhaps a as precautionary measure. Our calculations have determined that its", "to foresee it. In contradiction, the specimen has previously proven its tact by", "> perhaps a as precautionary measure. Our calculations have determined that its >", "this text? I feel like the POVs are changed quite a lot which", "Our calculations have determined that its > present location is highly precarious. One", "I'm trying to learn the various parameters on which I must judge writing.", "> evading fatal situations. We conclude that this region has been deliberately >", "before crumbling to ash, scattering across the > cosmos. Finally unshackled, she roamed", "foresee it. In contradiction, the specimen has previously proven its tact by >", "technological expertise > to foresee it. In contradiction, the specimen has previously proven", "The resounding sound of silence that followed is the music in which her", "that the very fabric that wove the universe together was the > canvas", "obscured beneath a veil of glass; its body > encased in a bulky", "One might assert that the specimen is most > certainly unaware of the", "instants before crumbling to ash, scattering across the > cosmos. Finally unshackled, she", "of white-hot energy obliterates her defenseless form. Her limbs > flail and writhe", "the various parameters on which I must judge writing. Thanks! Piece: > >", "away its childlike > astonishment. The sheer enormity of the endless void is", "glass; its body > encased in a bulky suit laden with contraptions. A", "Piece: > > Even years upon years of numerous failed attempts hadn’t taken", "this region has been deliberately > chosen by it. Estimated time to event:", "that I can employ to refine an amateur's writing. If you do find", "childlike > astonishment. The sheer enormity of the endless void is something her", "AX382’s final attempt: > The vehicle grinds to a halt. The specimen seems", "a as precautionary measure. Our calculations have determined that its > present location", "the > windows as it beheld the wondrous sight, as though for the", "form. Her limbs > flail and writhe for mere instants before crumbling to", "though for the first time. Brilliant > flecks of light spotted the ink", "time. Brilliant > flecks of light spotted the ink blank expanse, illuminating it", "vehicle grinds to a halt. The specimen seems to have decided to discover", "mind cannot even begin to fathom. It just stood awestruck, hands clutching the", "> Even years upon years of numerous failed attempts hadn’t taken away its", "conclude that this region has been deliberately > chosen by it. Estimated time", "craftsman: its people called him God. The pictures and lore > it had", "contradiction, the specimen has previously proven its tact by > evading fatal situations.", "a host of vibrant > hues. It imagined that the very fabric that", "by it. Estimated time to event: 120 seconds. > > > A dazzling", "POVs are changed quite a lot which makes it fairly confusing for readers", "God. The pictures and lore > it had heard of were incomparable to", "hadn’t taken away its childlike > astonishment. The sheer enormity of the endless", "wondrous sight, as though for the first time. Brilliant > flecks of light", "unshackled, she roamed the skies that she had so long yearned to. >", "light spotted the ink blank expanse, illuminating it in a host of vibrant", "to understand. To elucidate your points, please feel free to criticize the attached", "The sheer enormity of the endless void is something her fickle > mind", "learn the various parameters on which I must judge writing. Thanks! Piece: >", "of glass; its body > encased in a bulky suit laden with contraptions.", "> mind cannot even begin to fathom. It just stood awestruck, hands clutching", "Report of specimen AX382’s final attempt: > The vehicle grinds to a halt.", "proven its tact by > evading fatal situations. We conclude that this region", "specimen seems to have decided to discover the > confines of its vehicle.", "certainly unaware of the impending dangers or lacks the technological expertise > to", "Thanks! Piece: > > Even years upon years of numerous failed attempts hadn’t", "find any other points of concern, please bring them up! I'm trying to", "void is something her fickle > mind cannot even begin to fathom. It", "as precautionary measure. Our calculations have determined that its > present location is", "present location is highly precarious. One might assert that the specimen is most", "which makes it fairly confusing for readers to understand. To elucidate your points,", "have determined that its > present location is highly precarious. One might assert", "feel free to criticize the attached piece. I'm looking to learn some strategies", "I'm looking to learn some strategies that I can employ to refine an", "sight, as though for the first time. Brilliant > flecks of light spotted", "understand. To elucidate your points, please feel free to criticize the attached piece.", "so long yearned to. > The resounding sound of silence that followed is", "the attached piece. I'm looking to learn some strategies that I can employ", "attempt: > The vehicle grinds to a halt. The specimen seems to have", "> cosmos. Finally unshackled, she roamed the skies that she had so long", "it. Estimated time to event: 120 seconds. > > > A dazzling bolt", "the specimen has previously proven its tact by > evading fatal situations. We", "must judge writing. Thanks! Piece: > > Even years upon years of numerous", "in this text? I feel like the POVs are changed quite a lot", "to have decided to discover the > confines of its vehicle. Its face", "music in which her spirit shall > be preserved for evermore. > >", "specimen has previously proven its tact by > evading fatal situations. We conclude", "specimen AX382’s final attempt: > The vehicle grinds to a halt. The specimen", "its body > encased in a bulky suit laden with contraptions. A tether", "> it had heard of were incomparable to the stunning magnificence of the", "she had so long yearned to. > The resounding sound of silence that", "enormity of the endless void is something her fickle > mind cannot even", "in a host of vibrant > hues. It imagined that the very fabric", "to. > The resounding sound of silence that followed is the music in", "awestruck, hands clutching the > windows as it beheld the wondrous sight, as", "roamed the skies that she had so long yearned to. > The resounding", "been deliberately > chosen by it. Estimated time to event: 120 seconds. >", "you do find any other points of concern, please bring them up! I'm", "for the first time. Brilliant > flecks of light spotted the ink blank", "the ink blank expanse, illuminating it in a host of vibrant > hues.", "it. In contradiction, the specimen has previously proven its tact by > evading", "please feel free to criticize the attached piece. I'm looking to learn some", "> present location is highly precarious. One might assert that the specimen is", "its people called him God. The pictures and lore > it had heard", "any other points of concern, please bring them up! I'm trying to learn", "upon years of numerous failed attempts hadn’t taken away its childlike > astonishment.", "is most > certainly unaware of the impending dangers or lacks the technological", "sheer enormity of the endless void is something her fickle > mind cannot", "A dazzling bolt of white-hot energy obliterates her defenseless form. Her limbs >", "it in a host of vibrant > hues. It imagined that the very", "is something her fickle > mind cannot even begin to fathom. It just", "time to event: 120 seconds. > > > A dazzling bolt of white-hot", "its vehicle. Its face is obscured beneath a veil of glass; its body", "feel like the POVs are changed quite a lot which makes it fairly", "A tether anchors it to the vehicle, > perhaps a as precautionary measure.", "a lot which makes it fairly confusing for readers to understand. To elucidate", "> encased in a bulky suit laden with contraptions. A tether anchors it", "its childlike > astonishment. The sheer enormity of the endless void is something", "veil of glass; its body > encased in a bulky suit laden with", "years upon years of numerous failed attempts hadn’t taken away its childlike >", "a bulky suit laden with contraptions. A tether anchors it to the vehicle," ]
[ "the main god. There are numerous gods who control the laws of the", "All of which is under the main deity, the universe. This religion worships", "spiritual apprehension rather than proof. Religion and science can be seen to oppose", "those practices. In my world, I have a technocracy that has joined those", "due to conflicts between people of those practices. In my world, I have", "practices. In my world, I have a technocracy that has joined those opposing", "to be god itself, master of a grand design. The laws of that", "and define how it works. When humans study the processes and come to", "defined as a belief in God based on spiritual apprehension rather than proof.", "it eliminates faith by making dogma depend on testing theories and experimentation. How", "are viewed as smaller deities under the main god. There are numerous gods", "constantly being discovered as scientific knowledge grows. This creates a polyester pantheon of", "through scientific research, these \"gods\" reward then by revealing themselves through that knowledge.", "( law of gravity, relativity, therodynamics, etc), are viewed as smaller deities under", "some of which are equal to each other or under the authority of", "design. The laws of that universe ( law of gravity, relativity, therodynamics, etc),", "scientific knowledge grows. This creates a polyester pantheon of gods, some of which", "one another due to conflicts between people of those practices. In my world,", "religion is science. The universe is considered to be god itself, master of", "relativity, therodynamics, etc), are viewed as smaller deities under the main god. There", "but supports progress. In this way, it eliminates faith by making dogma depend", "that values scientific achievement and discovery. It claims no moral authority of right", "therodynamics, etc), are viewed as smaller deities under the main god. There are", "how it works. When humans study the processes and come to understand more", "way, it eliminates faith by making dogma depend on testing theories and experimentation.", "itself, master of a grand design. The laws of that universe ( law", "who control the laws of the universe and define how it works. When", "making dogma depend on testing theories and experimentation. How can I fine-tune this", "scientific research, these \"gods\" reward then by revealing themselves through that knowledge. New", "New gods are constantly being discovered as scientific knowledge grows. This creates a", "Religion and science can be seen to oppose one another due to conflicts", "or under the authority of a higher god. All of which is under", "god itself, master of a grand design. The laws of that universe (", "gods are constantly being discovered as scientific knowledge grows. This creates a polyester", "by making dogma depend on testing theories and experimentation. How can I fine-tune", "numerous gods who control the laws of the universe and define how it", "are constantly being discovered as scientific knowledge grows. This creates a polyester pantheon", "of that universe ( law of gravity, relativity, therodynamics, etc), are viewed as", "knowledge. New gods are constantly being discovered as scientific knowledge grows. This creates", "this way, it eliminates faith by making dogma depend on testing theories and", "under the authority of a higher god. All of which is under the", "gravity, relativity, therodynamics, etc), are viewed as smaller deities under the main god.", "under the main god. There are numerous gods who control the laws of", "come to understand more through scientific research, these \"gods\" reward then by revealing", "Rather than religion competing with science, religion is science. The universe is considered", "right and wrong, but supports progress. In this way, it eliminates faith by", "competing with science, religion is science. The universe is considered to be god", "more through scientific research, these \"gods\" reward then by revealing themselves through that", "reward then by revealing themselves through that knowledge. New gods are constantly being", "religion worships a higher power that values scientific achievement and discovery. It claims", "other or under the authority of a higher god. All of which is", "as smaller deities under the main god. There are numerous gods who control", "deity, the universe. This religion worships a higher power that values scientific achievement", "universe. This religion worships a higher power that values scientific achievement and discovery.", "study the processes and come to understand more through scientific research, these \"gods\"", "depend on testing theories and experimentation. How can I fine-tune this premise to", "rather than proof. Religion and science can be seen to oppose one another", "based on spiritual apprehension rather than proof. Religion and science can be seen", "seen to oppose one another due to conflicts between people of those practices.", "of a higher god. All of which is under the main deity, the", "supports progress. In this way, it eliminates faith by making dogma depend on", "testing theories and experimentation. How can I fine-tune this premise to make it", "to oppose one another due to conflicts between people of those practices. In", "those opposing forces. Rather than religion competing with science, religion is science. The", "understand more through scientific research, these \"gods\" reward then by revealing themselves through", "knowledge grows. This creates a polyester pantheon of gods, some of which are", "deities under the main god. There are numerous gods who control the laws", "is science. The universe is considered to be god itself, master of a", "equal to each other or under the authority of a higher god. All", "it works. When humans study the processes and come to understand more through", "being discovered as scientific knowledge grows. This creates a polyester pantheon of gods,", "of gravity, relativity, therodynamics, etc), are viewed as smaller deities under the main", "main god. There are numerous gods who control the laws of the universe", "science. The universe is considered to be god itself, master of a grand", "viewed as smaller deities under the main god. There are numerous gods who", "discovered as scientific knowledge grows. This creates a polyester pantheon of gods, some", "In this way, it eliminates faith by making dogma depend on testing theories", "proof. Religion and science can be seen to oppose one another due to", "control the laws of the universe and define how it works. When humans", "be god itself, master of a grand design. 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How can I fine-tune this premise", "is under the main deity, the universe. This religion worships a higher power", "in God based on spiritual apprehension rather than proof. Religion and science can", "opposing forces. Rather than religion competing with science, religion is science. The universe", "There are numerous gods who control the laws of the universe and define", "a higher power that values scientific achievement and discovery. It claims no moral", "the processes and come to understand more through scientific research, these \"gods\" reward", "through that knowledge. New gods are constantly being discovered as scientific knowledge grows.", "Faith is defined as a belief in God based on spiritual apprehension rather", "then by revealing themselves through that knowledge. New gods are constantly being discovered", "processes and come to understand more through scientific research, these \"gods\" reward then", "of which is under the main deity, the universe. 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How can I fine-tune this premise to make", "laws of that universe ( law of gravity, relativity, therodynamics, etc), are viewed", "science, religion is science. The universe is considered to be god itself, master", "these \"gods\" reward then by revealing themselves through that knowledge. New gods are", "oppose one another due to conflicts between people of those practices. In my", "wrong, but supports progress. In this way, it eliminates faith by making dogma", "of gods, some of which are equal to each other or under the", "theories and experimentation. How can I fine-tune this premise to make it work?", "higher god. All of which is under the main deity, the universe. This", "to understand more through scientific research, these \"gods\" reward then by revealing themselves", "research, these \"gods\" reward then by revealing themselves through that knowledge. New gods", "This creates a polyester pantheon of gods, some of which are equal to", "\"gods\" reward then by revealing themselves through that knowledge. New gods are constantly", "gods, some of which are equal to each other or under the authority", "as a belief in God based on spiritual apprehension rather than proof. Religion", "which is under the main deity, the universe. This religion worships a higher", "gods who control the laws of the universe and define how it works.", "a belief in God based on spiritual apprehension rather than proof. Religion and", "of which are equal to each other or under the authority of a", "by revealing themselves through that knowledge. New gods are constantly being discovered as", "a grand design. The laws of that universe ( law of gravity, relativity,", "each other or under the authority of a higher god. All of which", "authority of a higher god. All of which is under the main deity,", "achievement and discovery. It claims no moral authority of right and wrong, but", "another due to conflicts between people of those practices. In my world, I", "the universe and define how it works. When humans study the processes and", "that universe ( law of gravity, relativity, therodynamics, etc), are viewed as smaller", "conflicts between people of those practices. In my world, I have a technocracy", "between people of those practices. In my world, I have a technocracy that", "considered to be god itself, master of a grand design. The laws of", "to conflicts between people of those practices. In my world, I have a", "higher power that values scientific achievement and discovery. It claims no moral authority", "scientific achievement and discovery. It claims no moral authority of right and wrong,", "laws of the universe and define how it works. When humans study the", "discovery. It claims no moral authority of right and wrong, but supports progress.", "authority of right and wrong, but supports progress. In this way, it eliminates", "and wrong, but supports progress. In this way, it eliminates faith by making", "people of those practices. In my world, I have a technocracy that has", "smaller deities under the main god. There are numerous gods who control the", "main deity, the universe. This religion worships a higher power that values scientific", "universe and define how it works. When humans study the processes and come", "that has joined those opposing forces. Rather than religion competing with science, religion", "god. All of which is under the main deity, the universe. This religion", "power that values scientific achievement and discovery. It claims no moral authority of", "a technocracy that has joined those opposing forces. Rather than religion competing with", "joined those opposing forces. Rather than religion competing with science, religion is science.", "god. There are numerous gods who control the laws of the universe and", "themselves through that knowledge. New gods are constantly being discovered as scientific knowledge", "science can be seen to oppose one another due to conflicts between people", "technocracy that has joined those opposing forces. Rather than religion competing with science,", "are numerous gods who control the laws of the universe and define how", "moral authority of right and wrong, but supports progress. In this way, it", "and come to understand more through scientific research, these \"gods\" reward then by", "revealing themselves through that knowledge. New gods are constantly being discovered as scientific", "has joined those opposing forces. Rather than religion competing with science, religion is", "under the main deity, the universe. This religion worships a higher power that", "of those practices. In my world, I have a technocracy that has joined", "values scientific achievement and discovery. It claims no moral authority of right and", "I have a technocracy that has joined those opposing forces. Rather than religion" ]
[ "example: 1. Single Dash: The demon - she? He? gestured towards the supply", "gestured towards the supply wagons. (The MC is meeting a pack of demons", "best for this situation. So far, I've tried two approaches: dashes and parentheses.", "a better way? Alternatively, is there a rule about which mark to use?", "a rule about which mark to use? Here's an example: 1. Single Dash:", "huge fan of either. Is there a better way? Alternatively, is there a", "I'm not sure what punctuation is best for this situation. So far, I've", "(third person limited) is being interrupted by the character's thought process, and I'm", "wagons. 2. Parentheses: The demon (she? He?) gestured towards the supply wagons. (The", "is being interrupted by the character's thought process, and I'm not sure what", "there a better way? Alternatively, is there a rule about which mark to", "process, and I'm not sure what punctuation is best for this situation. So", "He? gestured towards the supply wagons. 2. Parentheses: The demon (she? He?) gestured", "which mark to use? Here's an example: 1. Single Dash: The demon -", "1. Single Dash: The demon - she? He? gestured towards the supply wagons.", "not a huge fan of either. Is there a better way? Alternatively, is", "punctuation is best for this situation. So far, I've tried two approaches: dashes", "rule about which mark to use? Here's an example: 1. Single Dash: The", "interrupted by the character's thought process, and I'm not sure what punctuation is", "this situation. So far, I've tried two approaches: dashes and parentheses. I'm not", "there a rule about which mark to use? Here's an example: 1. Single", "(she? He?) gestured towards the supply wagons. (The MC is meeting a pack", "the narration (third person limited) is being interrupted by the character's thought process,", "for the first time. She's not sure how to tell the two genders", "- she? He? gestured towards the supply wagons. 2. Parentheses: The demon (she?", "towards the supply wagons. (The MC is meeting a pack of demons for", "character's thought process, and I'm not sure what punctuation is best for this", "towards the supply wagons. 2. Parentheses: The demon (she? He?) gestured towards the", "and I'm not sure what punctuation is best for this situation. So far,", "MC is meeting a pack of demons for the first time. She's not", "Parentheses: The demon (she? He?) gestured towards the supply wagons. (The MC is", "of demons for the first time. She's not sure how to tell the", "demons for the first time. She's not sure how to tell the two", "Single Dash: The demon - she? He? gestured towards the supply wagons. 2.", "is meeting a pack of demons for the first time. She's not sure", "demon - she? He? gestured towards the supply wagons. 2. Parentheses: The demon", "supply wagons. (The MC is meeting a pack of demons for the first", "and parentheses. I'm not a huge fan of either. Is there a better", "to use? Here's an example: 1. Single Dash: The demon - she? He?", "wagons. (The MC is meeting a pack of demons for the first time.", "trying to show that the narration (third person limited) is being interrupted by", "far, I've tried two approaches: dashes and parentheses. I'm not a huge fan", "2. Parentheses: The demon (she? He?) gestured towards the supply wagons. (The MC", "way? Alternatively, is there a rule about which mark to use? Here's an", "supply wagons. 2. Parentheses: The demon (she? He?) gestured towards the supply wagons.", "thought process, and I'm not sure what punctuation is best for this situation.", "He?) gestured towards the supply wagons. (The MC is meeting a pack of", "not sure what punctuation is best for this situation. So far, I've tried", "situation. So far, I've tried two approaches: dashes and parentheses. I'm not a", "about which mark to use? Here's an example: 1. Single Dash: The demon", "The demon - she? He? gestured towards the supply wagons. 2. Parentheses: The", "is there a rule about which mark to use? Here's an example: 1.", "tried two approaches: dashes and parentheses. I'm not a huge fan of either.", "(The MC is meeting a pack of demons for the first time. She's", "sure what punctuation is best for this situation. So far, I've tried two", "limited) is being interrupted by the character's thought process, and I'm not sure", "the supply wagons. 2. Parentheses: The demon (she? He?) gestured towards the supply", "better way? Alternatively, is there a rule about which mark to use? Here's", "person limited) is being interrupted by the character's thought process, and I'm not", "an example: 1. Single Dash: The demon - she? He? gestured towards the", "that the narration (third person limited) is being interrupted by the character's thought", "being interrupted by the character's thought process, and I'm not sure what punctuation", "by the character's thought process, and I'm not sure what punctuation is best", "a pack of demons for the first time. She's not sure how to", "is best for this situation. So far, I've tried two approaches: dashes and", "I'm not a huge fan of either. Is there a better way? Alternatively,", "she? He? gestured towards the supply wagons. 2. Parentheses: The demon (she? He?)", "I'm trying to show that the narration (third person limited) is being interrupted", "mark to use? Here's an example: 1. Single Dash: The demon - she?", "So far, I've tried two approaches: dashes and parentheses. I'm not a huge", "pack of demons for the first time. She's not sure how to tell", "dashes and parentheses. I'm not a huge fan of either. Is there a", "The demon (she? He?) gestured towards the supply wagons. (The MC is meeting", "a huge fan of either. Is there a better way? Alternatively, is there", "meeting a pack of demons for the first time. She's not sure how", "either. Is there a better way? Alternatively, is there a rule about which", "the character's thought process, and I'm not sure what punctuation is best for", "for this situation. So far, I've tried two approaches: dashes and parentheses. I'm", "to show that the narration (third person limited) is being interrupted by the", "narration (third person limited) is being interrupted by the character's thought process, and", "two approaches: dashes and parentheses. I'm not a huge fan of either. Is", "what punctuation is best for this situation. So far, I've tried two approaches:", "parentheses. I'm not a huge fan of either. Is there a better way?", "Is there a better way? Alternatively, is there a rule about which mark", "Alternatively, is there a rule about which mark to use? Here's an example:", "show that the narration (third person limited) is being interrupted by the character's", "of either. Is there a better way? Alternatively, is there a rule about", "approaches: dashes and parentheses. I'm not a huge fan of either. Is there", "the supply wagons. (The MC is meeting a pack of demons for the", "fan of either. Is there a better way? Alternatively, is there a rule", "the first time. She's not sure how to tell the two genders apart.)", "gestured towards the supply wagons. 2. Parentheses: The demon (she? He?) gestured towards", "use? Here's an example: 1. Single Dash: The demon - she? He? gestured", "Here's an example: 1. Single Dash: The demon - she? He? gestured towards", "Dash: The demon - she? He? gestured towards the supply wagons. 2. Parentheses:", "demon (she? He?) gestured towards the supply wagons. (The MC is meeting a", "I've tried two approaches: dashes and parentheses. I'm not a huge fan of" ]
[ "be distinctly place names rather than being confused with characters. How do I", "etc...? I want the names to feel like they were named by the", "place names rather than being confused with characters. How do I create place", "have named the characters in a given setting, how do I create place", "they were named by the same culture and to be distinctly place names", "towns, roads, rivers, mountains, countries, etc...? I want the names to feel like", "I have named the characters in a given setting, how do I create", "a consistent feel for character names in a fantasy setting?](https://writing.stackexchange.com/q/44462/33442) Once I have", "countries, etc...? I want the names to feel like they were named by", "[How to create a consistent feel for character names in a fantasy setting?](https://writing.stackexchange.com/q/44462/33442)", "to my previous question: [How to create a consistent feel for character names", "fantasy setting?](https://writing.stackexchange.com/q/44462/33442) Once I have named the characters in a given setting, how", "mountains, countries, etc...? I want the names to feel like they were named", "want the names to feel like they were named by the same culture", "create place names for towns, roads, rivers, mountains, countries, etc...? I want the", "feel for character names in a fantasy setting?](https://writing.stackexchange.com/q/44462/33442) Once I have named the", "As somewhat of a follow-up to my previous question: [How to create a", "follow-up to my previous question: [How to create a consistent feel for character", "place names for towns, roads, rivers, mountains, countries, etc...? I want the names", "I want the names to feel like they were named by the same", "the names to feel like they were named by the same culture and", "a follow-up to my previous question: [How to create a consistent feel for", "I create place names for towns, roads, rivers, mountains, countries, etc...? I want", "named by the same culture and to be distinctly place names rather than", "setting?](https://writing.stackexchange.com/q/44462/33442) Once I have named the characters in a given setting, how do", "culture and to be distinctly place names rather than being confused with characters.", "the same culture and to be distinctly place names rather than being confused", "than being confused with characters. How do I create place names that feel", "distinctly place names rather than being confused with characters. How do I create", "names to feel like they were named by the same culture and to", "a fantasy setting?](https://writing.stackexchange.com/q/44462/33442) Once I have named the characters in a given setting,", "to feel like they were named by the same culture and to be", "feel like they were named by the same culture and to be distinctly", "characters in a given setting, how do I create place names for towns,", "named the characters in a given setting, how do I create place names", "to create a consistent feel for character names in a fantasy setting?](https://writing.stackexchange.com/q/44462/33442) Once", "How do I create place names that feel consistent with a given culture?", "somewhat of a follow-up to my previous question: [How to create a consistent", "for towns, roads, rivers, mountains, countries, etc...? I want the names to feel", "rivers, mountains, countries, etc...? I want the names to feel like they were", "like they were named by the same culture and to be distinctly place", "consistent feel for character names in a fantasy setting?](https://writing.stackexchange.com/q/44462/33442) Once I have named", "for character names in a fantasy setting?](https://writing.stackexchange.com/q/44462/33442) Once I have named the characters", "previous question: [How to create a consistent feel for character names in a", "in a fantasy setting?](https://writing.stackexchange.com/q/44462/33442) Once I have named the characters in a given", "by the same culture and to be distinctly place names rather than being", "same culture and to be distinctly place names rather than being confused with", "question: [How to create a consistent feel for character names in a fantasy", "names rather than being confused with characters. How do I create place names", "do I create place names for towns, roads, rivers, mountains, countries, etc...? I", "create a consistent feel for character names in a fantasy setting?](https://writing.stackexchange.com/q/44462/33442) Once I", "character names in a fantasy setting?](https://writing.stackexchange.com/q/44462/33442) Once I have named the characters in", "a given setting, how do I create place names for towns, roads, rivers,", "were named by the same culture and to be distinctly place names rather", "names in a fantasy setting?](https://writing.stackexchange.com/q/44462/33442) Once I have named the characters in a", "rather than being confused with characters. How do I create place names that", "roads, rivers, mountains, countries, etc...? I want the names to feel like they", "being confused with characters. How do I create place names that feel consistent", "with characters. How do I create place names that feel consistent with a", "how do I create place names for towns, roads, rivers, mountains, countries, etc...?", "characters. How do I create place names that feel consistent with a given", "confused with characters. How do I create place names that feel consistent with", "given setting, how do I create place names for towns, roads, rivers, mountains,", "and to be distinctly place names rather than being confused with characters. How", "setting, how do I create place names for towns, roads, rivers, mountains, countries,", "my previous question: [How to create a consistent feel for character names in", "of a follow-up to my previous question: [How to create a consistent feel", "the characters in a given setting, how do I create place names for", "in a given setting, how do I create place names for towns, roads,", "Once I have named the characters in a given setting, how do I", "names for towns, roads, rivers, mountains, countries, etc...? I want the names to", "to be distinctly place names rather than being confused with characters. How do" ]
[ "we're basically reading his first-drafts, due to his production choices. I just try", "and most chapters are first-person POV, so grammatical casualness fits. I don't expect", "other at coffee vs sharing information in a meeting. Is this just something", "each other at coffee vs sharing information in a meeting. Is this just", "most chapters are first-person POV, so grammatical casualness fits. I don't expect her", "settings. One doesn't have to be an English major to have this code-switching", "writing. (And yes, I have tone problems too -- often too casual for", "have an effect.) I don't intend to knock this author -- I've been", "catches my eye/ear as a reader, so I can change that in my", "too -- often too casual for professional, but too formal for quick communications.", "because that's about \"pure\" IQ, and my question is more about characters who", "a great way to indicate that she was a high school sophomore. But", "difference with the \"adults\" when talking to each other at coffee vs sharing", "she was a high school sophomore. But then authority figures ALSO used \"anyways\"", "different background to have better code-switching to show other types of family life,", "too casual for professional, but too formal for quick communications. And my writing", "thought) a great way to indicate that she was a high school sophomore.", "of formalism: mere exposure to higher-level readings (like academic journals) would have an", "(like academic journals) would have an effect.) I don't intend to knock this", "thoughts and dialogue, especially in workplace settings. One doesn't have to be an", "other types of family life, for example.) --- Not a duplicate of [Writing", "them all in a specific tone-swoop? How do you learn what elements help", "to be that slight code-switching tone difference with the \"adults\" when talking to", "to learn what catches my eye/ear as a reader, so I can change", "elements help change that tone?* (I know if your character is a physicist,", "smarter than you](https://writing.stackexchange.com/questions/41877/writing-the-dialogues-of-characters-who-are-much-smarter-than-you) because that's about \"pure\" IQ, and my question is more", "casual for professional, but too formal for quick communications. And my writing is", "my writing is 100% middle-class white, so I know I'd need an editor", "an editor of a different background to have better code-switching to show other", "to have better code-switching to show other types of family life, for example.)", "one uses subjunctive. There doesn't seem to be that slight code-switching tone difference", "reading his works for millions of words! And I know we're basically reading", "when talking to each other at coffee vs sharing information in a meeting.", "help change that tone? (I know if your character is a physicist, you", "use of a character pervades all their thoughts and dialogue, especially in workplace", "tone? (I know if your character is a physicist, you have to look", "a few things that have been breaking my immersion when reading [Worm](https://parahumans.wordpress.com). The", "was a high school sophomore. But then authority figures ALSO used \"anyways\" in", "background to have better code-switching to show other types of family life, for", "choices. I just try to learn what catches my eye/ear as a reader,", "behavior, or varying levels of formalism: mere exposure to higher-level readings (like academic", "that have been breaking my immersion when reading [Worm](https://parahumans.wordpress.com). The main protagonist is", "this just something to specifically proofread for, highlighting dialogue/thoughts by certain characters, and", "No one uses subjunctive. There doesn't seem to be that slight code-switching tone", "science effectively, but language use of a character pervades all their thoughts and", "all their thoughts and dialogue, especially in workplace settings. One doesn't have to", "doesn't seem to be that slight code-switching tone difference with the \"adults\" when", "code-switching behavior, or varying levels of formalism: mere exposure to higher-level readings (like", "The main protagonist is a teen, and most chapters are first-person POV, so", "of a different background to have better code-switching to show other types of", "millions of words! And I know we're basically reading his first-drafts, due to", "formalism: mere exposure to higher-level readings (like academic journals) would have an effect.)", "his first-drafts, due to his production choices. I just try to learn what", "subjunctive, and her use of \"anyways\" was (I thought) a great way to", "uses subjunctive. There doesn't seem to be that slight code-switching tone difference with", "own writing. (And yes, I have tone problems too -- often too casual", "just something to specifically proofread for, highlighting dialogue/thoughts by certain characters, and revising", "have to be an English major to have this code-switching behavior, or varying", "slight code-switching tone difference with the \"adults\" when talking to each other at", "levels of formalism: mere exposure to higher-level readings (like academic journals) would have", "is a teen, and most chapters are first-person POV, so grammatical casualness fits.", "middle-class white, so I know I'd need an editor of a different background", "Is this just something to specifically proofread for, highlighting dialogue/thoughts by certain characters,", "few things that have been breaking my immersion when reading [Worm](https://parahumans.wordpress.com). The main", "effect.) I don't intend to knock this author -- I've been reading his", "school sophomore. But then authority figures ALSO used \"anyways\" in formal communication. No", "often too casual for professional, but too formal for quick communications. And my", "at coffee vs sharing information in a meeting. Is this just something to", "and revising them all in a specific tone-swoop? *How do you learn what", "to use subjunctive, and her use of \"anyways\" was (I thought) a great", "[Worm](https://parahumans.wordpress.com). The main protagonist is a teen, and most chapters are first-person POV,", "need an editor of a different background to have better code-switching to show", "tone difference with the \"adults\" when talking to each other at coffee vs", "is inspired by a few things that have been breaking my immersion when", "exposure to higher-level readings (like academic journals) would have an effect.) I don't", "code-switching to show other types of family life, for example.) --- Not a", "enough physics to communicate the science effectively, but language use of a character", "my eye/ear as a reader, so I can change that in my own", "be that slight code-switching tone difference with the \"adults\" when talking to each", "if your character is a physicist, you have to look up enough physics", "And my writing is 100% middle-class white, so I know I'd need an", "and her use of \"anyways\" was (I thought) a great way to indicate", "use subjunctive, and her use of \"anyways\" was (I thought) a great way", "intend to knock this author -- I've been reading his works for millions", "learn what catches my eye/ear as a reader, so I can change that", "to specifically proofread for, highlighting dialogue/thoughts by certain characters, and revising them all", "doesn't have to be an English major to have this code-switching behavior, or", "author -- I've been reading his works for millions of words! And I", "formal communication. No one uses subjunctive. There doesn't seem to be that slight", "been reading his works for millions of words! And I know we're basically", "of [Writing the dialogues of characters who are much smarter than you](https://writing.stackexchange.com/questions/41877/writing-the-dialogues-of-characters-who-are-much-smarter-than-you) because", "a specific tone-swoop? How do you learn what elements help change that tone?", "in workplace settings. One doesn't have to be an English major to have", "to each other at coffee vs sharing information in a meeting. Is this", "grammatical casualness fits. I don't expect her to use subjunctive, and her use", "physics to communicate the science effectively, but language use of a character pervades", "a different background to have better code-switching to show other types of family", "tone-swoop? How do you learn what elements help change that tone? (I know", "to look up enough physics to communicate the science effectively, but language use", "too formal for quick communications. And my writing is 100% middle-class white, so", "that in my own writing. (And yes, I have tone problems too --", "to knock this author -- I've been reading his works for millions of", "a high school sophomore. But then authority figures ALSO used \"anyways\" in formal", "have tone problems too -- often too casual for professional, but too formal", "what catches my eye/ear as a reader, so I can change that in", "up enough physics to communicate the science effectively, but language use of a", "so I can change that in my own writing. (And yes, I have", "his works for millions of words! And I know we're basically reading his", "great way to indicate that she was a high school sophomore. But then", "Not a duplicate of [Writing the dialogues of characters who are much smarter", "white, so I know I'd need an editor of a different background to", "you learn what elements help change that tone?* (I know if your character", "this code-switching behavior, or varying levels of formalism: mere exposure to higher-level readings", "my question is more about characters who would realistically have had more formal", "about characters who would realistically have had more formal education than the author.", "family life, for example.) --- Not a duplicate of [Writing the dialogues of", "but language use of a character pervades all their thoughts and dialogue, especially", "fits. I don't expect her to use subjunctive, and her use of \"anyways\"", "character pervades all their thoughts and dialogue, especially in workplace settings. One doesn't", "inspired by a few things that have been breaking my immersion when reading", "100% middle-class white, so I know I'd need an editor of a different", "this author -- I've been reading his works for millions of words! And", "\"anyways\" in formal communication. No one uses subjunctive. There doesn't seem to be", "is a physicist, you have to look up enough physics to communicate the", "a reader, so I can change that in my own writing. (And yes,", "life, for example.) --- Not a duplicate of [Writing the dialogues of characters", "try to learn what catches my eye/ear as a reader, so I can", "How do you learn what elements help change that tone?* (I know if", "problems too -- often too casual for professional, but too formal for quick", "a character pervades all their thoughts and dialogue, especially in workplace settings. One", "been breaking my immersion when reading [Worm](https://parahumans.wordpress.com). The main protagonist is a teen,", "And I know we're basically reading his first-drafts, due to his production choices.", "(I thought) a great way to indicate that she was a high school", "to show other types of family life, for example.) --- Not a duplicate", "[Writing the dialogues of characters who are much smarter than you](https://writing.stackexchange.com/questions/41877/writing-the-dialogues-of-characters-who-are-much-smarter-than-you) because that's", "reader, so I can change that in my own writing. (And yes, I", "you have to look up enough physics to communicate the science effectively, but", "\"adults\" when talking to each other at coffee vs sharing information in a", "specific tone-swoop? How do you learn what elements help change that tone?* (I", "that's about \"pure\" IQ, and my question is more about characters who would", "academic journals) would have an effect.) I don't intend to knock this author", "production choices. I just try to learn what catches my eye/ear as a", "my own writing. (And yes, I have tone problems too -- often too", "code-switching tone difference with the \"adults\" when talking to each other at coffee", "sharing information in a meeting. Is this just something to specifically proofread for,", "journals) would have an effect.) I don't intend to knock this author --", "but too formal for quick communications. And my writing is 100% middle-class white,", "use of \"anyways\" was (I thought) a great way to indicate that she", "characters, and revising them all in a specific tone-swoop? How do you learn", "to indicate that she was a high school sophomore. But then authority figures", "-- often too casual for professional, but too formal for quick communications. And", "know we're basically reading his first-drafts, due to his production choices. I just", "more about characters who would realistically have had more formal education than the", "characters who are much smarter than you](https://writing.stackexchange.com/questions/41877/writing-the-dialogues-of-characters-who-are-much-smarter-than-you) because that's about \"pure\" IQ, and", "to be an English major to have this code-switching behavior, or varying levels", "teen, and most chapters are first-person POV, so grammatical casualness fits. I don't", "chapters are first-person POV, so grammatical casualness fits. I don't expect her to", "dialogue/thoughts by certain characters, and revising them all in a specific tone-swoop? How", "--- Not a duplicate of [Writing the dialogues of characters who are much", "mere exposure to higher-level readings (like academic journals) would have an effect.) I", "you](https://writing.stackexchange.com/questions/41877/writing-the-dialogues-of-characters-who-are-much-smarter-than-you) because that's about \"pure\" IQ, and my question is more about characters", "professional, but too formal for quick communications. And my writing is 100% middle-class", "\"anyways\" was (I thought) a great way to indicate that she was a", "have better code-switching to show other types of family life, for example.) ---", "much smarter than you](https://writing.stackexchange.com/questions/41877/writing-the-dialogues-of-characters-who-are-much-smarter-than-you) because that's about \"pure\" IQ, and my question is", "change that in my own writing. (And yes, I have tone problems too", "when reading [Worm](https://parahumans.wordpress.com). The main protagonist is a teen, and most chapters are", "figures ALSO used \"anyways\" in formal communication. No one uses subjunctive. There doesn't", "and dialogue, especially in workplace settings. One doesn't have to be an English", "in a meeting. Is this just something to specifically proofread for, highlighting dialogue/thoughts", "reading [Worm](https://parahumans.wordpress.com). The main protagonist is a teen, and most chapters are first-person", "ALSO used \"anyways\" in formal communication. No one uses subjunctive. There doesn't seem", "workplace settings. One doesn't have to be an English major to have this", "do you learn what elements help change that tone?* (I know if your", "are much smarter than you](https://writing.stackexchange.com/questions/41877/writing-the-dialogues-of-characters-who-are-much-smarter-than-you) because that's about \"pure\" IQ, and my question", "in a specific tone-swoop? *How do you learn what elements help change that", "about \"pure\" IQ, and my question is more about characters who would realistically", "I can change that in my own writing. (And yes, I have tone", "that she was a high school sophomore. But then authority figures ALSO used", "breaking my immersion when reading [Worm](https://parahumans.wordpress.com). The main protagonist is a teen, and", "are first-person POV, so grammatical casualness fits. I don't expect her to use", "the \"adults\" when talking to each other at coffee vs sharing information in", "then authority figures ALSO used \"anyways\" in formal communication. No one uses subjunctive.", "I just try to learn what catches my eye/ear as a reader, so", "her to use subjunctive, and her use of \"anyways\" was (I thought) a", "and my question is more about characters who would realistically have had more", "formal for quick communications. And my writing is 100% middle-class white, so I", "her use of \"anyways\" was (I thought) a great way to indicate that", "is 100% middle-class white, so I know I'd need an editor of a", "than you](https://writing.stackexchange.com/questions/41877/writing-the-dialogues-of-characters-who-are-much-smarter-than-you) because that's about \"pure\" IQ, and my question is more about", "IQ, and my question is more about characters who would realistically have had", "coffee vs sharing information in a meeting. Is this just something to specifically", "communications. And my writing is 100% middle-class white, so I know I'd need", "-- I've been reading his works for millions of words! And I know", "just try to learn what catches my eye/ear as a reader, so I", "higher-level readings (like academic journals) would have an effect.) I don't intend to", "what elements help change that tone?* (I know if your character is a", "so grammatical casualness fits. I don't expect her to use subjunctive, and her", "that slight code-switching tone difference with the \"adults\" when talking to each other", "by certain characters, and revising them all in a specific tone-swoop? How do", "dialogues of characters who are much smarter than you](https://writing.stackexchange.com/questions/41877/writing-the-dialogues-of-characters-who-are-much-smarter-than-you) because that's about \"pure\"", "a physicist, you have to look up enough physics to communicate the science", "the dialogues of characters who are much smarter than you](https://writing.stackexchange.com/questions/41877/writing-the-dialogues-of-characters-who-are-much-smarter-than-you) because that's about", "of \"anyways\" was (I thought) a great way to indicate that she was", "have to look up enough physics to communicate the science effectively, but language", "pervades all their thoughts and dialogue, especially in workplace settings. One doesn't have", "I don't expect her to use subjunctive, and her use of \"anyways\" was", "certain characters, and revising them all in a specific tone-swoop? How do you", "your character is a physicist, you have to look up enough physics to", "with the \"adults\" when talking to each other at coffee vs sharing information", "who are much smarter than you](https://writing.stackexchange.com/questions/41877/writing-the-dialogues-of-characters-who-are-much-smarter-than-you) because that's about \"pure\" IQ, and my", "I'd need an editor of a different background to have better code-switching to", "way to indicate that she was a high school sophomore. But then authority", "a teen, and most chapters are first-person POV, so grammatical casualness fits. I", "tone problems too -- often too casual for professional, but too formal for", "information in a meeting. Is this just something to specifically proofread for, highlighting", "my immersion when reading [Worm](https://parahumans.wordpress.com). The main protagonist is a teen, and most", "change that tone?** (I know if your character is a physicist, you have", "communication. No one uses subjunctive. There doesn't seem to be that slight code-switching", "so I know I'd need an editor of a different background to have", "subjunctive. There doesn't seem to be that slight code-switching tone difference with the", "meeting. Is this just something to specifically proofread for, highlighting dialogue/thoughts by certain", "of family life, for example.) --- Not a duplicate of [Writing the dialogues", "for quick communications. And my writing is 100% middle-class white, so I know", "their thoughts and dialogue, especially in workplace settings. One doesn't have to be", "used \"anyways\" in formal communication. No one uses subjunctive. There doesn't seem to", "varying levels of formalism: mere exposure to higher-level readings (like academic journals) would", "his production choices. I just try to learn what catches my eye/ear as", "a duplicate of [Writing the dialogues of characters who are much smarter than", "casualness fits. I don't expect her to use subjunctive, and her use of", "I have tone problems too -- often too casual for professional, but too", "I know we're basically reading his first-drafts, due to his production choices. I", "types of family life, for example.) --- Not a duplicate of [Writing the", "protagonist is a teen, and most chapters are first-person POV, so grammatical casualness", "an English major to have this code-switching behavior, or varying levels of formalism:", "knock this author -- I've been reading his works for millions of words!", "by a few things that have been breaking my immersion when reading [Worm](https://parahumans.wordpress.com).", "due to his production choices. I just try to learn what catches my", "dialogue, especially in workplace settings. One doesn't have to be an English major", "I know I'd need an editor of a different background to have better", "communicate the science effectively, but language use of a character pervades all their", "There doesn't seem to be that slight code-switching tone difference with the \"adults\"", "better code-switching to show other types of family life, for example.) --- Not", "words! And I know we're basically reading his first-drafts, due to his production", "things that have been breaking my immersion when reading [Worm](https://parahumans.wordpress.com). The main protagonist", "major to have this code-switching behavior, or varying levels of formalism: mere exposure", "as a reader, so I can change that in my own writing. (And", "of words! And I know we're basically reading his first-drafts, due to his", "physicist, you have to look up enough physics to communicate the science effectively,", "duplicate of [Writing the dialogues of characters who are much smarter than you](https://writing.stackexchange.com/questions/41877/writing-the-dialogues-of-characters-who-are-much-smarter-than-you)", "authority figures ALSO used \"anyways\" in formal communication. No one uses subjunctive. There", "reading his first-drafts, due to his production choices. I just try to learn", "high school sophomore. But then authority figures ALSO used \"anyways\" in formal communication.", "look up enough physics to communicate the science effectively, but language use of", "editor of a different background to have better code-switching to show other types", "yes, I have tone problems too -- often too casual for professional, but", "especially in workplace settings. One doesn't have to be an English major to", "quick communications. And my writing is 100% middle-class white, so I know I'd", "can change that in my own writing. (And yes, I have tone problems", "works for millions of words! And I know we're basically reading his first-drafts,", "highlighting dialogue/thoughts by certain characters, and revising them all in a specific tone-swoop?", "to communicate the science effectively, but language use of a character pervades all", "expect her to use subjunctive, and her use of \"anyways\" was (I thought)", "seem to be that slight code-switching tone difference with the \"adults\" when talking", "first-person POV, so grammatical casualness fits. I don't expect her to use subjunctive,", "I've been reading his works for millions of words! And I know we're", "for, highlighting dialogue/thoughts by certain characters, and revising them all in a specific", "language use of a character pervades all their thoughts and dialogue, especially in", "learn what elements help change that tone?* (I know if your character is", "sophomore. But then authority figures ALSO used \"anyways\" in formal communication. No one", "revising them all in a specific tone-swoop? How do you learn what elements", "writing is 100% middle-class white, so I know I'd need an editor of", "all in a specific tone-swoop? How do you learn what elements help change", "vs sharing information in a meeting. Is this just something to specifically proofread", "(And yes, I have tone problems too -- often too casual for professional,", "\"pure\" IQ, and my question is more about characters who would realistically have", "to have this code-switching behavior, or varying levels of formalism: mere exposure to", "of characters who are much smarter than you](https://writing.stackexchange.com/questions/41877/writing-the-dialogues-of-characters-who-are-much-smarter-than-you) because that's about \"pure\" IQ,", "know I'd need an editor of a different background to have better code-switching", "don't expect her to use subjunctive, and her use of \"anyways\" was (I", "I don't intend to knock this author -- I've been reading his works", "This is inspired by a few things that have been breaking my immersion", "in formal communication. No one uses subjunctive. There doesn't seem to be that", "proofread for, highlighting dialogue/thoughts by certain characters, and revising them all in a", "be an English major to have this code-switching behavior, or varying levels of", "readings (like academic journals) would have an effect.) I don't intend to knock", "main protagonist is a teen, and most chapters are first-person POV, so grammatical", "was (I thought) a great way to indicate that she was a high", "English major to have this code-switching behavior, or varying levels of formalism: mere", "basically reading his first-drafts, due to his production choices. I just try to", "the science effectively, but language use of a character pervades all their thoughts", "would have an effect.) I don't intend to knock this author -- I've", "have this code-switching behavior, or varying levels of formalism: mere exposure to higher-level", "have been breaking my immersion when reading [Worm](https://parahumans.wordpress.com). The main protagonist is a", "eye/ear as a reader, so I can change that in my own writing.", "something to specifically proofread for, highlighting dialogue/thoughts by certain characters, and revising them", "don't intend to knock this author -- I've been reading his works for", "specifically proofread for, highlighting dialogue/thoughts by certain characters, and revising them all in", "POV, so grammatical casualness fits. I don't expect her to use subjunctive, and", "effectively, but language use of a character pervades all their thoughts and dialogue,", "is more about characters who would realistically have had more formal education than", "an effect.) I don't intend to knock this author -- I've been reading", "a meeting. Is this just something to specifically proofread for, highlighting dialogue/thoughts by", "or varying levels of formalism: mere exposure to higher-level readings (like academic journals)", "to his production choices. I just try to learn what catches my eye/ear", "for example.) --- Not a duplicate of [Writing the dialogues of characters who", "for professional, but too formal for quick communications. And my writing is 100%", "show other types of family life, for example.) --- Not a duplicate of", "One doesn't have to be an English major to have this code-switching behavior,", "in my own writing. (And yes, I have tone problems too -- often", "indicate that she was a high school sophomore. But then authority figures ALSO", "for millions of words! And I know we're basically reading his first-drafts, due", "first-drafts, due to his production choices. I just try to learn what catches", "(I know if your character is a physicist, you have to look up", "that tone?** (I know if your character is a physicist, you have to", "question is more about characters who would realistically have had more formal education", "character is a physicist, you have to look up enough physics to communicate", "But then authority figures ALSO used \"anyways\" in formal communication. No one uses", "know if your character is a physicist, you have to look up enough", "example.) --- Not a duplicate of [Writing the dialogues of characters who are", "immersion when reading [Worm](https://parahumans.wordpress.com)*. The main protagonist is a teen, and most chapters", "of a character pervades all their thoughts and dialogue, especially in workplace settings.", "to higher-level readings (like academic journals) would have an effect.) I don't intend", "talking to each other at coffee vs sharing information in a meeting. Is" ]
[ "is on the slide, and then give more details in the notes section.", "a general description of what the scene is on the slide, and then", "like that I can see all the scenes and the flow of the", "more details in the notes section. I like that I can see all", "gets up above 25 or so. I end up doing separate PPts for", "the pace or development of the story. However, this program has some drawbacks,", "scenes gets up above 25 or so. I end up doing separate PPts", "arcs. Is there any kind of writing software where you can view and", "view. I can then easily move scenes around to better fit the pace", "section. I like that I can see all the scenes and the flow", "notes section. I like that I can see all the scenes and the", "I can see all the scenes and the flow of the story in", "separate PPts for different arcs. Is there any kind of writing software where", "generally use PowerPoint for outlining my scenes (prose, not script). I put a", "easily move scenes around to better fit the pace or development of the", "I like that I can see all the scenes and the flow of", "the story. However, this program has some drawbacks, especially when the number of", "has some drawbacks, especially when the number of scenes gets up above 25", "program has some drawbacks, especially when the number of scenes gets up above", "on the slide, and then give more details in the notes section. I", "the flow of the story in the slide sorter view. I can then", "fit the pace or development of the story. However, this program has some", "(prose, not script). I put a general description of what the scene is", "of scenes gets up above 25 or so. I end up doing separate", "so. I end up doing separate PPts for different arcs. Is there any", "I end up doing separate PPts for different arcs. Is there any kind", "that I can see all the scenes and the flow of the story", "the slide, and then give more details in the notes section. I like", "not script). I put a general description of what the scene is on", "to better fit the pace or development of the story. However, this program", "of the story in the slide sorter view. I can then easily move", "the number of scenes gets up above 25 or so. I end up", "scenes (prose, not script). I put a general description of what the scene", "then give more details in the notes section. I like that I can", "general description of what the scene is on the slide, and then give", "any kind of writing software where you can view and shift scenes around", "story in the slide sorter view. I can then easily move scenes around", "or development of the story. However, this program has some drawbacks, especially when", "of what the scene is on the slide, and then give more details", "slide sorter view. I can then easily move scenes around to better fit", "the slide sorter view. I can then easily move scenes around to better", "scenes around to better fit the pace or development of the story. However,", "around to better fit the pace or development of the story. However, this", "the scene is on the slide, and then give more details in the", "give more details in the notes section. I like that I can see", "this program has some drawbacks, especially when the number of scenes gets up", "use PowerPoint for outlining my scenes (prose, not script). I put a general", "or so. I end up doing separate PPts for different arcs. Is there", "see all the scenes and the flow of the story in the slide", "above 25 or so. I end up doing separate PPts for different arcs.", "scene is on the slide, and then give more details in the notes", "can see all the scenes and the flow of the story in the", "PowerPoint for outlining my scenes (prose, not script). I put a general description", "development of the story. However, this program has some drawbacks, especially when the", "for different arcs. Is there any kind of writing software where you can", "scenes and the flow of the story in the slide sorter view. I", "for outlining my scenes (prose, not script). I put a general description of", "the notes section. I like that I can see all the scenes and", "all the scenes and the flow of the story in the slide sorter", "my scenes (prose, not script). I put a general description of what the", "description of what the scene is on the slide, and then give more", "then easily move scenes around to better fit the pace or development of", "up doing separate PPts for different arcs. Is there any kind of writing", "the story in the slide sorter view. I can then easily move scenes", "end up doing separate PPts for different arcs. Is there any kind of", "number of scenes gets up above 25 or so. I end up doing", "I generally use PowerPoint for outlining my scenes (prose, not script). I put", "what the scene is on the slide, and then give more details in", "I put a general description of what the scene is on the slide,", "move scenes around to better fit the pace or development of the story.", "I can then easily move scenes around to better fit the pace or", "of the story. However, this program has some drawbacks, especially when the number", "up above 25 or so. I end up doing separate PPts for different", "slide, and then give more details in the notes section. I like that", "script). I put a general description of what the scene is on the", "better fit the pace or development of the story. However, this program has", "Is there any kind of writing software where you can view and shift", "story. However, this program has some drawbacks, especially when the number of scenes", "and then give more details in the notes section. I like that I", "details in the notes section. I like that I can see all the", "especially when the number of scenes gets up above 25 or so. I", "in the slide sorter view. I can then easily move scenes around to", "drawbacks, especially when the number of scenes gets up above 25 or so.", "outlining my scenes (prose, not script). I put a general description of what", "doing separate PPts for different arcs. Is there any kind of writing software", "there any kind of writing software where you can view and shift scenes", "PPts for different arcs. Is there any kind of writing software where you", "pace or development of the story. However, this program has some drawbacks, especially", "However, this program has some drawbacks, especially when the number of scenes gets", "when the number of scenes gets up above 25 or so. I end", "some drawbacks, especially when the number of scenes gets up above 25 or", "kind of writing software where you can view and shift scenes around like", "can then easily move scenes around to better fit the pace or development", "put a general description of what the scene is on the slide, and", "the scenes and the flow of the story in the slide sorter view.", "in the notes section. I like that I can see all the scenes", "sorter view. I can then easily move scenes around to better fit the", "of writing software where you can view and shift scenes around like this?", "and the flow of the story in the slide sorter view. I can", "flow of the story in the slide sorter view. I can then easily", "different arcs. Is there any kind of writing software where you can view", "25 or so. I end up doing separate PPts for different arcs. Is" ]
[ "computational physics report, and the numbers in the superscripts/subscripts represent the value that", "the report to look nice, but since the errors of certain parameters vary", "it. To provide more context: this is a computational physics report, and the", "I have a table stating certain parameter values and their errors. Obviously I", "look nice, but since the errors of certain parameters vary by orders of", "report, and the numbers in the superscripts/subscripts represent the value that was added", "numbers in the superscripts/subscripts represent the value that was added to the corresponding", "I'm not sure how to write it. To provide more context: this is", "to write it. To provide more context: this is a computational physics report,", "physics report, and the numbers in the superscripts/subscripts represent the value that was", "this is a computational physics report, and the numbers in the superscripts/subscripts represent", "[![enter image description here](https://i.stack.imgur.com/AsqmQ.png)](https://i.stack.imgur.com/AsqmQ.png) How should I be writing the errors and parameters?", "certain parameters vary by orders of magnitude, I'm not sure how to write", "function. It currently looks like: [![enter image description here](https://i.stack.imgur.com/AsqmQ.png)](https://i.stack.imgur.com/AsqmQ.png) How should I be", "since the errors of certain parameters vary by orders of magnitude, I'm not", "and the numbers in the superscripts/subscripts represent the value that was added to", "I'm currently writing a report where I have a table stating certain parameter", "some function. It currently looks like: [![enter image description here](https://i.stack.imgur.com/AsqmQ.png)](https://i.stack.imgur.com/AsqmQ.png) How should I", "table stating certain parameter values and their errors. Obviously I want the report", "It currently looks like: [![enter image description here](https://i.stack.imgur.com/AsqmQ.png)](https://i.stack.imgur.com/AsqmQ.png) How should I be writing", "a 1% change in some function. It currently looks like: [![enter image description", "report to look nice, but since the errors of certain parameters vary by", "errors of certain parameters vary by orders of magnitude, I'm not sure how", "orders of magnitude, I'm not sure how to write it. To provide more", "write it. To provide more context: this is a computational physics report, and", "a table stating certain parameter values and their errors. Obviously I want the", "want the report to look nice, but since the errors of certain parameters", "not sure how to write it. To provide more context: this is a", "of magnitude, I'm not sure how to write it. To provide more context:", "to look nice, but since the errors of certain parameters vary by orders", "where I have a table stating certain parameter values and their errors. Obviously", "looks like: [![enter image description here](https://i.stack.imgur.com/AsqmQ.png)](https://i.stack.imgur.com/AsqmQ.png) How should I be writing the errors", "errors. Obviously I want the report to look nice, but since the errors", "in the superscripts/subscripts represent the value that was added to the corresponding value", "but since the errors of certain parameters vary by orders of magnitude, I'm", "the corresponding value to cause a 1% change in some function. It currently", "Obviously I want the report to look nice, but since the errors of", "magnitude, I'm not sure how to write it. To provide more context: this", "have a table stating certain parameter values and their errors. Obviously I want", "context: this is a computational physics report, and the numbers in the superscripts/subscripts", "1% change in some function. It currently looks like: [![enter image description here](https://i.stack.imgur.com/AsqmQ.png)](https://i.stack.imgur.com/AsqmQ.png)", "sure how to write it. To provide more context: this is a computational", "to the corresponding value to cause a 1% change in some function. It", "certain parameter values and their errors. Obviously I want the report to look", "To provide more context: this is a computational physics report, and the numbers", "a computational physics report, and the numbers in the superscripts/subscripts represent the value", "value that was added to the corresponding value to cause a 1% change", "in some function. It currently looks like: [![enter image description here](https://i.stack.imgur.com/AsqmQ.png)](https://i.stack.imgur.com/AsqmQ.png) How should", "I want the report to look nice, but since the errors of certain", "superscripts/subscripts represent the value that was added to the corresponding value to cause", "vary by orders of magnitude, I'm not sure how to write it. To", "nice, but since the errors of certain parameters vary by orders of magnitude,", "the value that was added to the corresponding value to cause a 1%", "to cause a 1% change in some function. It currently looks like: [![enter", "by orders of magnitude, I'm not sure how to write it. To provide", "the numbers in the superscripts/subscripts represent the value that was added to the", "is a computational physics report, and the numbers in the superscripts/subscripts represent the", "value to cause a 1% change in some function. It currently looks like:", "provide more context: this is a computational physics report, and the numbers in", "values and their errors. Obviously I want the report to look nice, but", "parameters vary by orders of magnitude, I'm not sure how to write it.", "that was added to the corresponding value to cause a 1% change in", "cause a 1% change in some function. It currently looks like: [![enter image", "corresponding value to cause a 1% change in some function. It currently looks", "stating certain parameter values and their errors. Obviously I want the report to", "a report where I have a table stating certain parameter values and their", "added to the corresponding value to cause a 1% change in some function.", "currently writing a report where I have a table stating certain parameter values", "currently looks like: [![enter image description here](https://i.stack.imgur.com/AsqmQ.png)](https://i.stack.imgur.com/AsqmQ.png) How should I be writing the", "writing a report where I have a table stating certain parameter values and", "was added to the corresponding value to cause a 1% change in some", "more context: this is a computational physics report, and the numbers in the", "and their errors. Obviously I want the report to look nice, but since", "how to write it. To provide more context: this is a computational physics", "the superscripts/subscripts represent the value that was added to the corresponding value to", "of certain parameters vary by orders of magnitude, I'm not sure how to", "represent the value that was added to the corresponding value to cause a", "report where I have a table stating certain parameter values and their errors.", "like: [![enter image description here](https://i.stack.imgur.com/AsqmQ.png)](https://i.stack.imgur.com/AsqmQ.png) How should I be writing the errors and", "parameter values and their errors. Obviously I want the report to look nice,", "change in some function. It currently looks like: [![enter image description here](https://i.stack.imgur.com/AsqmQ.png)](https://i.stack.imgur.com/AsqmQ.png) How", "the errors of certain parameters vary by orders of magnitude, I'm not sure", "their errors. Obviously I want the report to look nice, but since the" ]
[ "encourages such by designating a grade 6 reading level as good. When I", "his reading level. When he later told me he was not interested in", "been lowered so much that we are now encouraged to write for the", "level. Where I live, an illiterate person is defined as any person who", "was a tutor, that would have been fine for the material we presented", "been fine for the material we presented to the students, but it was", "was reading to my former student, so found myself choosing words based on", "was free to write it as it ought to be written. I like", "not interested in my story, I realized I was free to write it", "my story, I realized I was free to write it as it ought", "encouraged to write for the illiterate? My real question is, how to maintain", "Many recommend the Hemingway app, which pushes simplicity and the lowest possible reading", "complex thoughts. I prefer Hugo and Tolstoy, Shelley, Byron and Tennyson, who were", "as good. When I was a tutor, that would have been fine for", "I like precise words and will not dumb my novel down. Has the", "to describe something and were writing for an educated audience. When I began", "recommend the Hemingway app, which pushes simplicity and the lowest possible reading level.", "I live, an illiterate person is defined as any person who reads below", "Klaka, both who chose simplicity of diction and style to denote complex thoughts.", "but it was not considered normal. I refuse to believe that polysyllabic words", "more explanation of the scene to maintain even a fraction of the meaning", "not afraid to describe something and were writing for an educated audience. When", "we presented to the students, but it was not considered normal. I refuse", "based on his reading level. When he later told me he was not", "something and were writing for an educated audience. When I began my novel,", "I was a tutor, that would have been fine for the material we", "good. When I was a tutor, that would have been fine for the", "have us writing for the semi-literate. It encourages such by designating a grade", "began my novel, I was reading to my former student, so found myself", "Hemingway app, which pushes simplicity and the lowest possible reading level. Where I", "fine for the material we presented to the students, but it was not", "denote complex thoughts. I prefer Hugo and Tolstoy, Shelley, Byron and Tennyson, who", "of diction and style to denote complex thoughts. I prefer Hugo and Tolstoy,", "person is defined as any person who reads below a grade nine level.", "describe something and were writing for an educated audience. When I began my", "the material we presented to the students, but it was not considered normal.", "on his reading level. When he later told me he was not interested", "to denote complex thoughts. I prefer Hugo and Tolstoy, Shelley, Byron and Tennyson,", "I refuse to believe that polysyllabic words are evil. Simple words often lack", "writing for an educated audience. When I began my novel, I was reading", "which pushes simplicity and the lowest possible reading level. Where I live, an", "ought to be written. I like precise words and will not dumb my", "free to write it as it ought to be written. I like precise", "and were writing for an educated audience. When I began my novel, I", "he was not interested in my story, I realized I was free to", "believe that polysyllabic words are evil. Simple words often lack precision, requiring more", "illiterate person is defined as any person who reads below a grade nine", "both who chose simplicity of diction and style to denote complex thoughts. I", "lowered so much that we are now encouraged to write for the illiterate?", "intended. I love Hemingway and Klaka, both who chose simplicity of diction and", "reading level. When he later told me he was not interested in my", "When I was a tutor, that would have been fine for the material", "possible reading level. Where I live, an illiterate person is defined as any", "and style to denote complex thoughts. I prefer Hugo and Tolstoy, Shelley, Byron", "explanation of the scene to maintain even a fraction of the meaning intended.", "When I began my novel, I was reading to my former student, so", "tutor, that would have been fine for the material we presented to the", "normal. I refuse to believe that polysyllabic words are evil. Simple words often", "evil. Simple words often lack precision, requiring more explanation of the scene to", "Has the bar truly been lowered so much that we are now encouraged", "level as good. When I was a tutor, that would have been fine", "told me he was not interested in my story, I realized I was", "it was not considered normal. I refuse to believe that polysyllabic words are", "level. When he later told me he was not interested in my story,", "words often lack precision, requiring more explanation of the scene to maintain even", "to be written. I like precise words and will not dumb my novel", "to maintain even a fraction of the meaning intended. I love Hemingway and", "nine level. The Hemingway app would have us writing for the semi-literate. It", "audience. When I began my novel, I was reading to my former student,", "to my former student, so found myself choosing words based on his reading", "refuse to believe that polysyllabic words are evil. Simple words often lack precision,", "former student, so found myself choosing words based on his reading level. When", "have been fine for the material we presented to the students, but it", "below a grade nine level. The Hemingway app would have us writing for", "the scene to maintain even a fraction of the meaning intended. I love", "of the scene to maintain even a fraction of the meaning intended. I", "for an educated audience. When I began my novel, I was reading to", "Tolstoy, Shelley, Byron and Tennyson, who were not afraid to describe something and", "app, which pushes simplicity and the lowest possible reading level. Where I live,", "Simple words often lack precision, requiring more explanation of the scene to maintain", "that we are now encouraged to write for the illiterate? My real question", "an educated audience. When I began my novel, I was reading to my", "it as it ought to be written. I like precise words and will", "thoughts. I prefer Hugo and Tolstoy, Shelley, Byron and Tennyson, who were not", "Where I live, an illiterate person is defined as any person who reads", "precise words and will not dumb my novel down. Has the bar truly", "presented to the students, but it was not considered normal. I refuse to", "a grade nine level. The Hemingway app would have us writing for the", "reading level. Where I live, an illiterate person is defined as any person", "simplicity and the lowest possible reading level. Where I live, an illiterate person", "interested in my story, I realized I was free to write it as", "to the students, but it was not considered normal. I refuse to believe", "lack precision, requiring more explanation of the scene to maintain even a fraction", "novel down. Has the bar truly been lowered so much that we are", "my novel down. Has the bar truly been lowered so much that we", "even a fraction of the meaning intended. I love Hemingway and Klaka, both", "Hemingway app would have us writing for the semi-literate. It encourages such by", "down. Has the bar truly been lowered so much that we are now", "educated audience. When I began my novel, I was reading to my former", "words are evil. Simple words often lack precision, requiring more explanation of the", "realized I was free to write it as it ought to be written.", "that would have been fine for the material we presented to the students,", "written. I like precise words and will not dumb my novel down. Has", "myself choosing words based on his reading level. When he later told me", "Byron and Tennyson, who were not afraid to describe something and were writing", "simplicity of diction and style to denote complex thoughts. I prefer Hugo and", "who reads below a grade nine level. The Hemingway app would have us", "I prefer Hugo and Tolstoy, Shelley, Byron and Tennyson, who were not afraid", "reading to my former student, so found myself choosing words based on his", "designating a grade 6 reading level as good. When I was a tutor,", "grade 6 reading level as good. When I was a tutor, that would", "that polysyllabic words are evil. Simple words often lack precision, requiring more explanation", "and will not dumb my novel down. Has the bar truly been lowered", "live, an illiterate person is defined as any person who reads below a", "a tutor, that would have been fine for the material we presented to", "so much that we are now encouraged to write for the illiterate? My", "love Hemingway and Klaka, both who chose simplicity of diction and style to", "we are now encouraged to write for the illiterate? My real question is,", "semi-literate. It encourages such by designating a grade 6 reading level as good.", "like precise words and will not dumb my novel down. Has the bar", "me he was not interested in my story, I realized I was free", "is defined as any person who reads below a grade nine level. The", "be written. I like precise words and will not dumb my novel down.", "for the material we presented to the students, but it was not considered", "reads below a grade nine level. The Hemingway app would have us writing", "such by designating a grade 6 reading level as good. When I was", "a fraction of the meaning intended. I love Hemingway and Klaka, both who", "choosing words based on his reading level. When he later told me he", "were writing for an educated audience. When I began my novel, I was", "to write for the illiterate? My real question is, how to maintain clarity", "polysyllabic words are evil. Simple words often lack precision, requiring more explanation of", "who were not afraid to describe something and were writing for an educated", "to believe that polysyllabic words are evil. Simple words often lack precision, requiring", "the semi-literate. It encourages such by designating a grade 6 reading level as", "Hemingway and Klaka, both who chose simplicity of diction and style to denote", "the lowest possible reading level. Where I live, an illiterate person is defined", "It encourages such by designating a grade 6 reading level as good. When", "often lack precision, requiring more explanation of the scene to maintain even a", "person who reads below a grade nine level. The Hemingway app would have", "by designating a grade 6 reading level as good. When I was a", "lowest possible reading level. Where I live, an illiterate person is defined as", "to write it as it ought to be written. I like precise words", "not dumb my novel down. Has the bar truly been lowered so much", "are now encouraged to write for the illiterate? My real question is, how", "novel, I was reading to my former student, so found myself choosing words", "for the illiterate? My real question is, how to maintain clarity without losing", "the meaning intended. I love Hemingway and Klaka, both who chose simplicity of", "the Hemingway app, which pushes simplicity and the lowest possible reading level. Where", "story, I realized I was free to write it as it ought to", "was not considered normal. I refuse to believe that polysyllabic words are evil.", "level. The Hemingway app would have us writing for the semi-literate. It encourages", "diction and style to denote complex thoughts. I prefer Hugo and Tolstoy, Shelley,", "I began my novel, I was reading to my former student, so found", "maintain even a fraction of the meaning intended. I love Hemingway and Klaka,", "not considered normal. I refuse to believe that polysyllabic words are evil. Simple", "was not interested in my story, I realized I was free to write", "I was reading to my former student, so found myself choosing words based", "When he later told me he was not interested in my story, I", "were not afraid to describe something and were writing for an educated audience.", "in my story, I realized I was free to write it as it", "as it ought to be written. I like precise words and will not", "and Tolstoy, Shelley, Byron and Tennyson, who were not afraid to describe something", "will not dumb my novel down. Has the bar truly been lowered so", "now encouraged to write for the illiterate? My real question is, how to", "scene to maintain even a fraction of the meaning intended. I love Hemingway", "the students, but it was not considered normal. I refuse to believe that", "prefer Hugo and Tolstoy, Shelley, Byron and Tennyson, who were not afraid to", "much that we are now encouraged to write for the illiterate? My real", "I was free to write it as it ought to be written. I", "reading level as good. When I was a tutor, that would have been", "Tennyson, who were not afraid to describe something and were writing for an", "students, but it was not considered normal. I refuse to believe that polysyllabic", "words and will not dumb my novel down. Has the bar truly been", "he later told me he was not interested in my story, I realized", "it ought to be written. I like precise words and will not dumb", "would have us writing for the semi-literate. It encourages such by designating a", "Hugo and Tolstoy, Shelley, Byron and Tennyson, who were not afraid to describe", "the bar truly been lowered so much that we are now encouraged to", "bar truly been lowered so much that we are now encouraged to write", "found myself choosing words based on his reading level. When he later told", "precision, requiring more explanation of the scene to maintain even a fraction of", "and Tennyson, who were not afraid to describe something and were writing for", "writing for the semi-literate. It encourages such by designating a grade 6 reading", "chose simplicity of diction and style to denote complex thoughts. I prefer Hugo", "so found myself choosing words based on his reading level. When he later", "Shelley, Byron and Tennyson, who were not afraid to describe something and were", "my former student, so found myself choosing words based on his reading level.", "student, so found myself choosing words based on his reading level. When he", "6 reading level as good. When I was a tutor, that would have", "as any person who reads below a grade nine level. The Hemingway app", "for the semi-literate. It encourages such by designating a grade 6 reading level", "requiring more explanation of the scene to maintain even a fraction of the", "an illiterate person is defined as any person who reads below a grade", "a grade 6 reading level as good. When I was a tutor, that", "any person who reads below a grade nine level. The Hemingway app would", "meaning intended. I love Hemingway and Klaka, both who chose simplicity of diction", "later told me he was not interested in my story, I realized I", "fraction of the meaning intended. I love Hemingway and Klaka, both who chose", "write for the illiterate? My real question is, how to maintain clarity without", "The Hemingway app would have us writing for the semi-literate. It encourages such", "who chose simplicity of diction and style to denote complex thoughts. I prefer", "grade nine level. The Hemingway app would have us writing for the semi-literate.", "afraid to describe something and were writing for an educated audience. When I", "and Klaka, both who chose simplicity of diction and style to denote complex", "defined as any person who reads below a grade nine level. The Hemingway", "I love Hemingway and Klaka, both who chose simplicity of diction and style", "of the meaning intended. I love Hemingway and Klaka, both who chose simplicity", "truly been lowered so much that we are now encouraged to write for", "I realized I was free to write it as it ought to be", "considered normal. I refuse to believe that polysyllabic words are evil. Simple words", "are evil. Simple words often lack precision, requiring more explanation of the scene", "style to denote complex thoughts. I prefer Hugo and Tolstoy, Shelley, Byron and", "pushes simplicity and the lowest possible reading level. Where I live, an illiterate", "and the lowest possible reading level. Where I live, an illiterate person is", "the illiterate? My real question is, how to maintain clarity without losing precision?", "my novel, I was reading to my former student, so found myself choosing", "app would have us writing for the semi-literate. It encourages such by designating", "us writing for the semi-literate. It encourages such by designating a grade 6", "would have been fine for the material we presented to the students, but", "words based on his reading level. When he later told me he was", "dumb my novel down. Has the bar truly been lowered so much that", "material we presented to the students, but it was not considered normal. I", "write it as it ought to be written. I like precise words and" ]
[ "now. So I'm just wondering does that make any sense? Can we use", "with the character and why they're in the situation they're in now. So", "in the situation they're in now. So I'm just wondering does that make", "does that make any sense? Can we use the prologue to give the", "is going to be. But I'm having a little trouble with the prologue,", "the situation they're in now. So I'm just wondering does that make any", "in now. So I'm just wondering does that make any sense? Can we", "it they'll understand what's going on with the character and why they're in", "having a little trouble with the prologue, I was going to make it", "prologue, I was going to make it the backstory of the main character", "just wondering does that make any sense? Can we use the prologue to", "the basic idea of our story is going to be. But I'm having", "A friend and I are writing a story based on our characters. We", "of our story is going to be. But I'm having a little trouble", "to make it the backstory of the main character so that if someone", "they're in now. So I'm just wondering does that make any sense? Can", "if someone reads it they'll understand what's going on with the character and", "main character so that if someone reads it they'll understand what's going on", "make it the backstory of the main character so that if someone reads", "the main character so that if someone reads it they'll understand what's going", "on our characters. We brainstormed some ideas and now we know what the", "some ideas and now we know what the basic idea of our story", "and why they're in the situation they're in now. So I'm just wondering", "that make any sense? Can we use the prologue to give the backstory?", "going to make it the backstory of the main character so that if", "But I'm having a little trouble with the prologue, I was going to", "wondering does that make any sense? Can we use the prologue to give", "what's going on with the character and why they're in the situation they're", "basic idea of our story is going to be. But I'm having a", "I was going to make it the backstory of the main character so", "what the basic idea of our story is going to be. But I'm", "backstory of the main character so that if someone reads it they'll understand", "I'm having a little trouble with the prologue, I was going to make", "going to be. But I'm having a little trouble with the prologue, I", "friend and I are writing a story based on our characters. We brainstormed", "reads it they'll understand what's going on with the character and why they're", "it the backstory of the main character so that if someone reads it", "ideas and now we know what the basic idea of our story is", "and I are writing a story based on our characters. We brainstormed some", "with the prologue, I was going to make it the backstory of the", "on with the character and why they're in the situation they're in now.", "story is going to be. But I'm having a little trouble with the", "now we know what the basic idea of our story is going to", "that if someone reads it they'll understand what's going on with the character", "understand what's going on with the character and why they're in the situation", "trouble with the prologue, I was going to make it the backstory of", "based on our characters. We brainstormed some ideas and now we know what", "they're in the situation they're in now. So I'm just wondering does that", "someone reads it they'll understand what's going on with the character and why", "going on with the character and why they're in the situation they're in", "be. But I'm having a little trouble with the prologue, I was going", "the backstory of the main character so that if someone reads it they'll", "and now we know what the basic idea of our story is going", "So I'm just wondering does that make any sense? Can we use the", "writing a story based on our characters. We brainstormed some ideas and now", "brainstormed some ideas and now we know what the basic idea of our", "story based on our characters. We brainstormed some ideas and now we know", "the prologue, I was going to make it the backstory of the main", "a little trouble with the prologue, I was going to make it the", "situation they're in now. So I'm just wondering does that make any sense?", "a story based on our characters. We brainstormed some ideas and now we", "know what the basic idea of our story is going to be. But", "idea of our story is going to be. But I'm having a little", "character and why they're in the situation they're in now. So I'm just", "they'll understand what's going on with the character and why they're in the", "why they're in the situation they're in now. So I'm just wondering does", "I are writing a story based on our characters. We brainstormed some ideas", "of the main character so that if someone reads it they'll understand what's", "I'm just wondering does that make any sense? Can we use the prologue", "We brainstormed some ideas and now we know what the basic idea of", "so that if someone reads it they'll understand what's going on with the", "was going to make it the backstory of the main character so that", "little trouble with the prologue, I was going to make it the backstory", "we know what the basic idea of our story is going to be.", "our characters. We brainstormed some ideas and now we know what the basic", "to be. But I'm having a little trouble with the prologue, I was", "the character and why they're in the situation they're in now. So I'm", "are writing a story based on our characters. We brainstormed some ideas and", "character so that if someone reads it they'll understand what's going on with", "our story is going to be. But I'm having a little trouble with", "characters. We brainstormed some ideas and now we know what the basic idea" ]
[ "attempts to vary the specific vowels, the intermediary consonants, and terminal consonants if", "too similar, even with my attempts to vary the specific vowels, the intermediary", "to vary the specific vowels, the intermediary consonants, and terminal consonants if present.", "a beta reader that the character names look/sound too similar, even with my", "the intermediary consonants, and terminal consonants if present. Examples: Elish, Ara, Efa, Eril,", "culture in my story, all of the women in priestly families have two-syllable", "question.) I've gotten feedback from a beta reader that the character names look/sound", "which those are. I also realize that some people \"hear\" names as they", "Ilu. I'm guessing I should be using more \"compound\" sounds like \"ch\", \"th\",", "in my story, all of the women in priestly families have two-syllable names", "two-syllable names beginning with vowels. (There are reasons for this, but they're completely", "those are. I also realize that some people \"hear\" names as they read", "be using more \"compound\" sounds like \"ch\", \"th\", \"br\", etc. I speculate that", "sounds like \"ch\", \"th\", \"br\", etc. I speculate that some phonemes are \"more", "read and others don't, so it's possible that \"hearers\" perceive differences differently than", "and terminal consonants if present. Examples: Elish, Ara, Efa, Eril, Aygo, Ina, Ilu.", "Elish, Ara, Efa, Eril, Aygo, Ina, Ilu. I'm guessing I should be using", "point-of-view culture in my story, all of the women in priestly families have", "I should be using more \"compound\" sounds like \"ch\", \"th\", \"br\", etc. I", "even with my attempts to vary the specific vowels, the intermediary consonants, and", "names more distinct from each other if I knew which those are. I", "reader that the character names look/sound too similar, even with my attempts to", "to my question.) I've gotten feedback from a beta reader that the character", "do. Within the constraints of the naming pattern in my world, how can", "Examples: Elish, Ara, Efa, Eril, Aygo, Ina, Ilu. I'm guessing I should be", "the point-of-view culture in my story, all of the women in priestly families", "more distinct from each other if I knew which those are. I also", "have two-syllable names beginning with vowels. (There are reasons for this, but they're", "Within the constraints of the naming pattern in my world, how can I", "if present. Examples: Elish, Ara, Efa, Eril, Aygo, Ina, Ilu. I'm guessing I", "the naming pattern in my world, how can I make characters' names look", "they're completely unrelated to my question.) I've gotten feedback from a beta reader", "intermediary consonants, and terminal consonants if present. Examples: Elish, Ara, Efa, Eril, Aygo,", "as they read and others don't, so it's possible that \"hearers\" perceive differences", "women in priestly families have two-syllable names beginning with vowels. (There are reasons", "my question.) I've gotten feedback from a beta reader that the character names", "my story, all of the women in priestly families have two-syllable names beginning", "they read and others don't, so it's possible that \"hearers\" perceive differences differently", "\"hear\" names as they read and others don't, so it's possible that \"hearers\"", "realize that some people \"hear\" names as they read and others don't, so", "(There are reasons for this, but they're completely unrelated to my question.) I've", "pattern in my world, how can I make characters' names look more distinct", "that \"hearers\" perceive differences differently than \"seers\" do. Within the constraints of the", "constraints of the naming pattern in my world, how can I make characters'", "that some people \"hear\" names as they read and others don't, so it's", "also realize that some people \"hear\" names as they read and others don't,", "some people \"hear\" names as they read and others don't, so it's possible", "than \"seers\" do. Within the constraints of the naming pattern in my world,", "people \"hear\" names as they read and others don't, so it's possible that", "feedback from a beta reader that the character names look/sound too similar, even", "I also realize that some people \"hear\" names as they read and others", "story, all of the women in priestly families have two-syllable names beginning with", "this, but they're completely unrelated to my question.) I've gotten feedback from a", "differently than \"seers\" do. Within the constraints of the naming pattern in my", "knew which those are. I also realize that some people \"hear\" names as", "Ina, Ilu. I'm guessing I should be using more \"compound\" sounds like \"ch\",", "the constraints of the naming pattern in my world, how can I make", "I speculate that some phonemes are \"more different\" than others, and that I", "perceive differences differently than \"seers\" do. Within the constraints of the naming pattern", "are. I also realize that some people \"hear\" names as they read and", "my world, how can I make characters' names look more distinct from each", "names as they read and others don't, so it's possible that \"hearers\" perceive", "differences differently than \"seers\" do. Within the constraints of the naming pattern in", "each other if I knew which those are. I also realize that some", "\"ch\", \"th\", \"br\", etc. I speculate that some phonemes are \"more different\" than", "vowels. (There are reasons for this, but they're completely unrelated to my question.)", "guessing I should be using more \"compound\" sounds like \"ch\", \"th\", \"br\", etc.", "don't, so it's possible that \"hearers\" perceive differences differently than \"seers\" do. Within", "using more \"compound\" sounds like \"ch\", \"th\", \"br\", etc. I speculate that some", "the women in priestly families have two-syllable names beginning with vowels. (There are", "vowels, the intermediary consonants, and terminal consonants if present. Examples: Elish, Ara, Efa,", "more \"compound\" sounds like \"ch\", \"th\", \"br\", etc. I speculate that some phonemes", "unrelated to my question.) I've gotten feedback from a beta reader that the", "and that I could make names more distinct from each other if I", "are reasons for this, but they're completely unrelated to my question.) I've gotten", "speculate that some phonemes are \"more different\" than others, and that I could", "beginning with vowels. (There are reasons for this, but they're completely unrelated to", "in priestly families have two-syllable names beginning with vowels. (There are reasons for", "etc. I speculate that some phonemes are \"more different\" than others, and that", "I knew which those are. I also realize that some people \"hear\" names", "reasons for this, but they're completely unrelated to my question.) I've gotten feedback", "the specific vowels, the intermediary consonants, and terminal consonants if present. Examples: Elish,", "all of the women in priestly families have two-syllable names beginning with vowels.", "vary the specific vowels, the intermediary consonants, and terminal consonants if present. Examples:", "different\" than others, and that I could make names more distinct from each", "In the point-of-view culture in my story, all of the women in priestly", "\"hearers\" perceive differences differently than \"seers\" do. Within the constraints of the naming", "that the character names look/sound too similar, even with my attempts to vary", "others, and that I could make names more distinct from each other if", "it's possible that \"hearers\" perceive differences differently than \"seers\" do. Within the constraints", "could make names more distinct from each other if I knew which those", "should be using more \"compound\" sounds like \"ch\", \"th\", \"br\", etc. I speculate", "than others, and that I could make names more distinct from each other", "gotten feedback from a beta reader that the character names look/sound too similar,", "the character names look/sound too similar, even with my attempts to vary the", "that I could make names more distinct from each other if I knew", "names look/sound too similar, even with my attempts to vary the specific vowels,", "Aygo, Ina, Ilu. I'm guessing I should be using more \"compound\" sounds like", "terminal consonants if present. Examples: Elish, Ara, Efa, Eril, Aygo, Ina, Ilu. I'm", "Ara, Efa, Eril, Aygo, Ina, Ilu. I'm guessing I should be using more", "possible that \"hearers\" perceive differences differently than \"seers\" do. Within the constraints of", "of the women in priestly families have two-syllable names beginning with vowels. (There", "are \"more different\" than others, and that I could make names more distinct", "similar, even with my attempts to vary the specific vowels, the intermediary consonants,", "for this, but they're completely unrelated to my question.) I've gotten feedback from", "with my attempts to vary the specific vowels, the intermediary consonants, and terminal", "names beginning with vowels. (There are reasons for this, but they're completely unrelated", "I've gotten feedback from a beta reader that the character names look/sound too", "\"th\", \"br\", etc. I speculate that some phonemes are \"more different\" than others,", "like \"ch\", \"th\", \"br\", etc. I speculate that some phonemes are \"more different\"", "families have two-syllable names beginning with vowels. (There are reasons for this, but", "specific vowels, the intermediary consonants, and terminal consonants if present. Examples: Elish, Ara,", "beta reader that the character names look/sound too similar, even with my attempts", "that some phonemes are \"more different\" than others, and that I could make", "priestly families have two-syllable names beginning with vowels. (There are reasons for this,", "from each other if I knew which those are. I also realize that", "but they're completely unrelated to my question.) I've gotten feedback from a beta", "make names more distinct from each other if I knew which those are.", "in my world, how can I make characters' names look more distinct from", "Efa, Eril, Aygo, Ina, Ilu. I'm guessing I should be using more \"compound\"", "I could make names more distinct from each other if I knew which", "Eril, Aygo, Ina, Ilu. I'm guessing I should be using more \"compound\" sounds", "if I knew which those are. I also realize that some people \"hear\"", "others don't, so it's possible that \"hearers\" perceive differences differently than \"seers\" do.", "\"more different\" than others, and that I could make names more distinct from", "other if I knew which those are. I also realize that some people", "my attempts to vary the specific vowels, the intermediary consonants, and terminal consonants", "\"seers\" do. Within the constraints of the naming pattern in my world, how", "\"compound\" sounds like \"ch\", \"th\", \"br\", etc. I speculate that some phonemes are", "naming pattern in my world, how can I make characters' names look more", "character names look/sound too similar, even with my attempts to vary the specific", "completely unrelated to my question.) I've gotten feedback from a beta reader that", "I'm guessing I should be using more \"compound\" sounds like \"ch\", \"th\", \"br\",", "distinct from each other if I knew which those are. I also realize", "so it's possible that \"hearers\" perceive differences differently than \"seers\" do. Within the", "some phonemes are \"more different\" than others, and that I could make names", "world, how can I make characters' names look more distinct from each other?", "from a beta reader that the character names look/sound too similar, even with", "and others don't, so it's possible that \"hearers\" perceive differences differently than \"seers\"", "consonants, and terminal consonants if present. Examples: Elish, Ara, Efa, Eril, Aygo, Ina,", "present. Examples: Elish, Ara, Efa, Eril, Aygo, Ina, Ilu. I'm guessing I should", "phonemes are \"more different\" than others, and that I could make names more", "of the naming pattern in my world, how can I make characters' names", "consonants if present. Examples: Elish, Ara, Efa, Eril, Aygo, Ina, Ilu. I'm guessing", "\"br\", etc. I speculate that some phonemes are \"more different\" than others, and", "with vowels. (There are reasons for this, but they're completely unrelated to my", "look/sound too similar, even with my attempts to vary the specific vowels, the" ]
[ "or whether there are points on which one could seriously disagree with the", "as an educational resource. My writing ambitions are well aligned with their stated", "have a fundamental agreement with the podcasters on underlying philosophical issues, such as", "relies on the podcast heavily as an educational resource. My writing ambitions are", "fiction as genres. I also have a fundamental agreement with the podcasters on", "stated scope -- \"mainstream commercial creative writing\" and, mostly, fantasy and science fiction", "be missing out on alternative points of view on creative writing, or whether", "also have a fundamental agreement with the podcasters on underlying philosophical issues, such", "on creative writing, or whether there are points on which one could seriously", "ask as somebody who loves Writing Excuses (<https://writingexcuses.com>), and relies on the podcast", "well aligned with their stated scope -- \"mainstream commercial creative writing\" and, mostly,", "on the podcast heavily as an educational resource. My writing ambitions are well", "podcast heavily as an educational resource. My writing ambitions are well aligned with", "such as the nature of creativity. Nevertheless, I wonder whether I may be", "points of view on creative writing, or whether there are points on which", "-- \"mainstream commercial creative writing\" and, mostly, fantasy and science fiction as genres.", "(<https://writingexcuses.com>), and relies on the podcast heavily as an educational resource. My writing", "I wonder whether I may be missing out on alternative points of view", "creativity. Nevertheless, I wonder whether I may be missing out on alternative points", "Nevertheless, I wonder whether I may be missing out on alternative points of", "educational resource. My writing ambitions are well aligned with their stated scope --", "nature of creativity. Nevertheless, I wonder whether I may be missing out on", "science fiction as genres. I also have a fundamental agreement with the podcasters", "aligned with their stated scope -- \"mainstream commercial creative writing\" and, mostly, fantasy", "\"mainstream commercial creative writing\" and, mostly, fantasy and science fiction as genres. I", "commercial creative writing\" and, mostly, fantasy and science fiction as genres. I also", "somebody who loves Writing Excuses (<https://writingexcuses.com>), and relies on the podcast heavily as", "I also have a fundamental agreement with the podcasters on underlying philosophical issues,", "whether there are points on which one could seriously disagree with the podcast's", "underlying philosophical issues, such as the nature of creativity. Nevertheless, I wonder whether", "there are points on which one could seriously disagree with the podcast's positions,", "Excuses (<https://writingexcuses.com>), and relies on the podcast heavily as an educational resource. My", "loves Writing Excuses (<https://writingexcuses.com>), and relies on the podcast heavily as an educational", "the podcast heavily as an educational resource. My writing ambitions are well aligned", "and, mostly, fantasy and science fiction as genres. I also have a fundamental", "agreement with the podcasters on underlying philosophical issues, such as the nature of", "one could seriously disagree with the podcast's positions, which I'm not aware of.", "I may be missing out on alternative points of view on creative writing,", "heavily as an educational resource. My writing ambitions are well aligned with their", "wonder whether I may be missing out on alternative points of view on", "as genres. I also have a fundamental agreement with the podcasters on underlying", "podcasters on underlying philosophical issues, such as the nature of creativity. Nevertheless, I", "missing out on alternative points of view on creative writing, or whether there", "fantasy and science fiction as genres. I also have a fundamental agreement with", "with the podcasters on underlying philosophical issues, such as the nature of creativity.", "My writing ambitions are well aligned with their stated scope -- \"mainstream commercial", "scope -- \"mainstream commercial creative writing\" and, mostly, fantasy and science fiction as", "an educational resource. My writing ambitions are well aligned with their stated scope", "writing, or whether there are points on which one could seriously disagree with", "fundamental agreement with the podcasters on underlying philosophical issues, such as the nature", "their stated scope -- \"mainstream commercial creative writing\" and, mostly, fantasy and science", "with their stated scope -- \"mainstream commercial creative writing\" and, mostly, fantasy and", "creative writing, or whether there are points on which one could seriously disagree", "on which one could seriously disagree with the podcast's positions, which I'm not", "the nature of creativity. Nevertheless, I wonder whether I may be missing out", "of creativity. Nevertheless, I wonder whether I may be missing out on alternative", "as somebody who loves Writing Excuses (<https://writingexcuses.com>), and relies on the podcast heavily", "writing\" and, mostly, fantasy and science fiction as genres. I also have a", "view on creative writing, or whether there are points on which one could", "are well aligned with their stated scope -- \"mainstream commercial creative writing\" and,", "and relies on the podcast heavily as an educational resource. My writing ambitions", "points on which one could seriously disagree with the podcast's positions, which I'm", "on alternative points of view on creative writing, or whether there are points", "whether I may be missing out on alternative points of view on creative", "are points on which one could seriously disagree with the podcast's positions, which", "I ask as somebody who loves Writing Excuses (<https://writingexcuses.com>), and relies on the", "mostly, fantasy and science fiction as genres. I also have a fundamental agreement", "resource. My writing ambitions are well aligned with their stated scope -- \"mainstream", "writing ambitions are well aligned with their stated scope -- \"mainstream commercial creative", "out on alternative points of view on creative writing, or whether there are", "of view on creative writing, or whether there are points on which one", "philosophical issues, such as the nature of creativity. Nevertheless, I wonder whether I", "which one could seriously disagree with the podcast's positions, which I'm not aware", "a fundamental agreement with the podcasters on underlying philosophical issues, such as the", "as the nature of creativity. Nevertheless, I wonder whether I may be missing", "creative writing\" and, mostly, fantasy and science fiction as genres. I also have", "alternative points of view on creative writing, or whether there are points on", "on underlying philosophical issues, such as the nature of creativity. Nevertheless, I wonder", "who loves Writing Excuses (<https://writingexcuses.com>), and relies on the podcast heavily as an", "ambitions are well aligned with their stated scope -- \"mainstream commercial creative writing\"", "may be missing out on alternative points of view on creative writing, or", "Writing Excuses (<https://writingexcuses.com>), and relies on the podcast heavily as an educational resource.", "issues, such as the nature of creativity. Nevertheless, I wonder whether I may", "genres. I also have a fundamental agreement with the podcasters on underlying philosophical", "the podcasters on underlying philosophical issues, such as the nature of creativity. Nevertheless,", "and science fiction as genres. I also have a fundamental agreement with the" ]
[ "group of scary bad guys that the readers can find themselves relating to.", "Is there a base of rules or fundamentals I should follow while creating", "a group similar to anime's \"akatsuki\" AKA a group of scary bad guys", "gave me the idea that I would like to create a group similar", "base of rules or fundamentals I should follow while creating my story's villains?", "like to create a group similar to anime's \"akatsuki\" AKA a group of", "readers can find themselves relating to. Is there a base of rules or", "consider composing my characters along with their backstories. This gave me the idea", "Anime has been a large inspiration in the way I consider composing my", "the idea that I would like to create a group similar to anime's", "group similar to anime's \"akatsuki\" AKA a group of scary bad guys that", "\"akatsuki\" AKA a group of scary bad guys that the readers can find", "scary bad guys that the readers can find themselves relating to. Is there", "characters along with their backstories. This gave me the idea that I would", "a base of rules or fundamentals I should follow while creating my story's", "to create a group similar to anime's \"akatsuki\" AKA a group of scary", "composing my characters along with their backstories. This gave me the idea that", "anime's \"akatsuki\" AKA a group of scary bad guys that the readers can", "the readers can find themselves relating to. Is there a base of rules", "on writing; The 888. Anime has been a large inspiration in the way", "can find themselves relating to. Is there a base of rules or fundamentals", "to anime's \"akatsuki\" AKA a group of scary bad guys that the readers", "the way I consider composing my characters along with their backstories. This gave", "AKA a group of scary bad guys that the readers can find themselves", "my characters along with their backstories. This gave me the idea that I", "a book I plan on writing; The 888. Anime has been a large", "a group of scary bad guys that the readers can find themselves relating", "idea that I would like to create a group similar to anime's \"akatsuki\"", "there a base of rules or fundamentals I should follow while creating my", "create the skeleton of a book I plan on writing; The 888. Anime", "I've begun on my journey to create the skeleton of a book I", "I consider composing my characters along with their backstories. This gave me the", "the skeleton of a book I plan on writing; The 888. Anime has", "been a large inspiration in the way I consider composing my characters along", "backstories. This gave me the idea that I would like to create a", "me the idea that I would like to create a group similar to", "that I would like to create a group similar to anime's \"akatsuki\" AKA", "relating to. Is there a base of rules or fundamentals I should follow", "of a book I plan on writing; The 888. Anime has been a", "that the readers can find themselves relating to. Is there a base of", "themselves relating to. Is there a base of rules or fundamentals I should", "has been a large inspiration in the way I consider composing my characters", "bad guys that the readers can find themselves relating to. Is there a", "with their backstories. This gave me the idea that I would like to", "find themselves relating to. Is there a base of rules or fundamentals I", "to create the skeleton of a book I plan on writing; The 888.", "book I plan on writing; The 888. Anime has been a large inspiration", "This gave me the idea that I would like to create a group", "I would like to create a group similar to anime's \"akatsuki\" AKA a", "on my journey to create the skeleton of a book I plan on", "create a group similar to anime's \"akatsuki\" AKA a group of scary bad", "guys that the readers can find themselves relating to. Is there a base", "my journey to create the skeleton of a book I plan on writing;", "a large inspiration in the way I consider composing my characters along with", "inspiration in the way I consider composing my characters along with their backstories.", "their backstories. This gave me the idea that I would like to create", "large inspiration in the way I consider composing my characters along with their", "plan on writing; The 888. Anime has been a large inspiration in the", "writing; The 888. Anime has been a large inspiration in the way I", "of scary bad guys that the readers can find themselves relating to. Is", "along with their backstories. This gave me the idea that I would like", "begun on my journey to create the skeleton of a book I plan", "way I consider composing my characters along with their backstories. This gave me", "would like to create a group similar to anime's \"akatsuki\" AKA a group", "I plan on writing; The 888. Anime has been a large inspiration in", "skeleton of a book I plan on writing; The 888. Anime has been", "The 888. Anime has been a large inspiration in the way I consider", "Recently, I've begun on my journey to create the skeleton of a book", "similar to anime's \"akatsuki\" AKA a group of scary bad guys that the", "888. Anime has been a large inspiration in the way I consider composing", "to. Is there a base of rules or fundamentals I should follow while", "in the way I consider composing my characters along with their backstories. This", "journey to create the skeleton of a book I plan on writing; The" ]
[ "that contributed to an air crash. The image below is a small part", "general format of essays and that you should generally not include diagrams in", "for parts that can be misunderstood, if interpreted differently. In the context of", "I know that it breaks the general format of essays and that you", "to use diagrams? The essay is an analysis of the factors that contributed", "that you should generally not include diagrams in essays. I just find it", "is an analysis of the factors that contributed to an air crash. The", "hard to keep clarity for parts that can be misunderstood, if interpreted differently.", "air crash. The image below is a small part of the essay. [![enter", "crash. The image below is a small part of the essay. [![enter image", "misunderstood, if interpreted differently. In the context of my essay, is it ok", "it hard to keep clarity for parts that can be misunderstood, if interpreted", "interpreted differently. In the context of my essay, is it ok to use", "differently. In the context of my essay, is it ok to use diagrams?", "my essay, is it ok to use diagrams? The essay is an analysis", "essays and that you should generally not include diagrams in essays. I just", "keep clarity for parts that can be misunderstood, if interpreted differently. In the", "find it hard to keep clarity for parts that can be misunderstood, if", "it ok to use diagrams? The essay is an analysis of the factors", "contributed to an air crash. The image below is a small part of", "in essays. I just find it hard to keep clarity for parts that", "generally not include diagrams in essays. I just find it hard to keep", "to keep clarity for parts that can be misunderstood, if interpreted differently. In", "just find it hard to keep clarity for parts that can be misunderstood,", "format of essays and that you should generally not include diagrams in essays.", "diagrams? The essay is an analysis of the factors that contributed to an", "of the factors that contributed to an air crash. The image below is", "analysis of the factors that contributed to an air crash. The image below", "it breaks the general format of essays and that you should generally not", "to an air crash. The image below is a small part of the", "image below is a small part of the essay. [![enter image description here](https://i.stack.imgur.com/llKm0.png)](https://i.stack.imgur.com/llKm0.png)", "context of my essay, is it ok to use diagrams? The essay is", "can be misunderstood, if interpreted differently. In the context of my essay, is", "factors that contributed to an air crash. The image below is a small", "know that it breaks the general format of essays and that you should", "the factors that contributed to an air crash. The image below is a", "an air crash. The image below is a small part of the essay.", "is it ok to use diagrams? The essay is an analysis of the", "essay is an analysis of the factors that contributed to an air crash.", "ok to use diagrams? The essay is an analysis of the factors that", "that it breaks the general format of essays and that you should generally", "essays. I just find it hard to keep clarity for parts that can", "clarity for parts that can be misunderstood, if interpreted differently. In the context", "you should generally not include diagrams in essays. I just find it hard", "not include diagrams in essays. I just find it hard to keep clarity", "be misunderstood, if interpreted differently. In the context of my essay, is it", "an analysis of the factors that contributed to an air crash. The image", "and that you should generally not include diagrams in essays. I just find", "if interpreted differently. In the context of my essay, is it ok to", "essay, is it ok to use diagrams? The essay is an analysis of", "the context of my essay, is it ok to use diagrams? The essay", "diagrams in essays. I just find it hard to keep clarity for parts", "use diagrams? The essay is an analysis of the factors that contributed to", "include diagrams in essays. I just find it hard to keep clarity for", "of my essay, is it ok to use diagrams? The essay is an", "In the context of my essay, is it ok to use diagrams? The", "breaks the general format of essays and that you should generally not include", "I just find it hard to keep clarity for parts that can be", "parts that can be misunderstood, if interpreted differently. In the context of my", "that can be misunderstood, if interpreted differently. In the context of my essay,", "The image below is a small part of the essay. [![enter image description", "should generally not include diagrams in essays. I just find it hard to", "The essay is an analysis of the factors that contributed to an air", "of essays and that you should generally not include diagrams in essays. I", "the general format of essays and that you should generally not include diagrams" ]
[ "terms have become so commonly used that they are accepted in my native", "say, nanomachines), it feels normal to use english-looking words (in the example, nano-mechs).", "accepted in my native tongue (words like \"computer\", \"PC\", \"network\" being examples). I'm", "my native tongue (words like \"computer\", \"PC\", \"network\" being examples). I'm currently writing", "the time comes to create make up words for very specific technologies (let's", "words for very specific technologies (let's say, nanomachines), it feels normal to use", "it feels normal to use english-looking words (in the example, nano-mechs). Considering the", "I'm currently writing a science fiction novel in my native language. I deal", "technologies (let's say, nanomachines), it feels normal to use english-looking words (in the", "example, nano-mechs). Considering the science fiction setting, is this acceptable or alienating? --------------------------------------------------------------------------", "like networking, artificial intelligence, computing and so on in the novel. So, when", "\"computer\", \"PC\", \"network\" being examples). I'm currently writing a science fiction novel in", "commonly used that they are accepted in my native tongue (words like \"computer\",", "for very specific technologies (let's say, nanomachines), it feels normal to use english-looking", "my native language. I deal a lot with themes like networking, artificial intelligence,", "make up words for very specific technologies (let's say, nanomachines), it feels normal", "very specific technologies (let's say, nanomachines), it feels normal to use english-looking words", "become so commonly used that they are accepted in my native tongue (words", "computing and so on in the novel. So, when the time comes to", "the example, nano-mechs). Considering the science fiction setting, is this acceptable or alienating?", "in my native language. I deal a lot with themes like networking, artificial", "feels normal to use english-looking words (in the example, nano-mechs). Considering the science", "when the time comes to create make up words for very specific technologies", "world, english is a well-estabilished technical and scientific language. Some terms have become", "to use english-looking words (in the example, nano-mechs). Considering the science fiction setting,", "science fiction novel in my native language. I deal a lot with themes", "(words like \"computer\", \"PC\", \"network\" being examples). I'm currently writing a science fiction", "so commonly used that they are accepted in my native tongue (words like", "with themes like networking, artificial intelligence, computing and so on in the novel.", "the modern world, english is a well-estabilished technical and scientific language. Some terms", "specific technologies (let's say, nanomachines), it feels normal to use english-looking words (in", "language. I deal a lot with themes like networking, artificial intelligence, computing and", "use english-looking words (in the example, nano-mechs). Considering the science fiction setting, is", "\"PC\", \"network\" being examples). I'm currently writing a science fiction novel in my", "a well-estabilished technical and scientific language. Some terms have become so commonly used", "technical and scientific language. Some terms have become so commonly used that they", "is a well-estabilished technical and scientific language. Some terms have become so commonly", "(in the example, nano-mechs). Considering the science fiction setting, is this acceptable or", "used that they are accepted in my native tongue (words like \"computer\", \"PC\",", "scientific language. Some terms have become so commonly used that they are accepted", "a lot with themes like networking, artificial intelligence, computing and so on in", "intelligence, computing and so on in the novel. So, when the time comes", "so on in the novel. So, when the time comes to create make", "create make up words for very specific technologies (let's say, nanomachines), it feels", "language. Some terms have become so commonly used that they are accepted in", "fiction novel in my native language. I deal a lot with themes like", "like \"computer\", \"PC\", \"network\" being examples). I'm currently writing a science fiction novel", "up words for very specific technologies (let's say, nanomachines), it feels normal to", "tongue (words like \"computer\", \"PC\", \"network\" being examples). I'm currently writing a science", "I deal a lot with themes like networking, artificial intelligence, computing and so", "native tongue (words like \"computer\", \"PC\", \"network\" being examples). I'm currently writing a", "have become so commonly used that they are accepted in my native tongue", "to create make up words for very specific technologies (let's say, nanomachines), it", "english-looking words (in the example, nano-mechs). Considering the science fiction setting, is this", "the novel. So, when the time comes to create make up words for", "(let's say, nanomachines), it feels normal to use english-looking words (in the example,", "native language. I deal a lot with themes like networking, artificial intelligence, computing", "writing a science fiction novel in my native language. I deal a lot", "being examples). I'm currently writing a science fiction novel in my native language.", "english is a well-estabilished technical and scientific language. Some terms have become so", "that they are accepted in my native tongue (words like \"computer\", \"PC\", \"network\"", "in the novel. So, when the time comes to create make up words", "lot with themes like networking, artificial intelligence, computing and so on in the", "words (in the example, nano-mechs). Considering the science fiction setting, is this acceptable", "\"network\" being examples). I'm currently writing a science fiction novel in my native", "In the modern world, english is a well-estabilished technical and scientific language. Some", "modern world, english is a well-estabilished technical and scientific language. Some terms have", "novel. So, when the time comes to create make up words for very", "deal a lot with themes like networking, artificial intelligence, computing and so on", "artificial intelligence, computing and so on in the novel. So, when the time", "well-estabilished technical and scientific language. Some terms have become so commonly used that", "novel in my native language. I deal a lot with themes like networking,", "networking, artificial intelligence, computing and so on in the novel. So, when the", "comes to create make up words for very specific technologies (let's say, nanomachines),", "and so on in the novel. So, when the time comes to create", "and scientific language. Some terms have become so commonly used that they are", "nanomachines), it feels normal to use english-looking words (in the example, nano-mechs). Considering", "in my native tongue (words like \"computer\", \"PC\", \"network\" being examples). I'm currently", "are accepted in my native tongue (words like \"computer\", \"PC\", \"network\" being examples).", "normal to use english-looking words (in the example, nano-mechs). Considering the science fiction", "they are accepted in my native tongue (words like \"computer\", \"PC\", \"network\" being", "Some terms have become so commonly used that they are accepted in my", "themes like networking, artificial intelligence, computing and so on in the novel. So,", "a science fiction novel in my native language. I deal a lot with", "examples). I'm currently writing a science fiction novel in my native language. I", "time comes to create make up words for very specific technologies (let's say,", "currently writing a science fiction novel in my native language. I deal a", "So, when the time comes to create make up words for very specific", "on in the novel. So, when the time comes to create make up" ]
[ "is mega-popular and perennial -- but often people think they remember more about", "scene-by-scene -- basically the order everything appears in the show) - are there", "other organizing strategies work? --- I was inspired by this question: [How do", "they remember more about the show than they do -- they have a", "Show, and I personally have a ton on Devoted Fanbase show (including scripts).", "jog the audience's memory and to pull out points for discussion, but how", "a bit of a \"Flanderized\" image of some characters, especially. The other show", "extremely serialized. I can get lost in research, especially since the internet as", "has a ton about Popular Show, and I personally have a ton on", "a ton about Popular Show, and I personally have a ton on Devoted", "a whole has a ton about Popular Show, and I personally have a", "show analysis. (Actually two are in development, but they'll be about different shows.)", "by this question: [How do I record information when planning to write a", "what other organizing strategies work? --- I was inspired by this question: [How", "planning for my next podcast to do an episode-by-episode tv show analysis. (Actually", "points for discussion, but how much is enough or too much?** Also, besides", "is extremely serialized. I can get lost in research, especially since the internet", "ton on Devoted Fanbase show (including scripts). Obviously the synopsis should be done", "have a co-host to bring in their background info. One show is mega-popular", "these, and I'll have a co-host to bring in their background info. One", "about Popular Show, and I personally have a ton on Devoted Fanbase show", "an episode-by-episode tv show analysis. (Actually two are in development, but they'll be", "about different shows.) I'll be the main researcher/outline-assembler for these, and I'll have", "I'll have a co-host to bring in their background info. One show is", "but often people think they remember more about the show than they do", "scripts). Obviously the synopsis should be done mostly to jog the audience's memory", "inspired by this question: [How do I record information when planning to write", "has a smaller but more devoted fanbase, and is extremely serialized. I can", "(Actually two are in development, but they'll be about different shows.) I'll be", "in their background info. One show is mega-popular and perennial -- but often", "they'll be about different shows.) I'll be the main researcher/outline-assembler for these, and", "much?** Also, besides beat-by-beat (or scene-by-scene -- basically the order everything appears in", "How much episode recap is necessary in a tv-focused podcast? And what other", "show is mega-popular and perennial -- but often people think they remember more", "have a ton on Devoted Fanbase show (including scripts). Obviously the synopsis should", "a tv-focused podcast? And what other organizing strategies work? --- I was inspired", "image of some characters, especially. The other show has a smaller but more", "but more devoted fanbase, and is extremely serialized. I can get lost in", "there other strong ways to organize the synopsis? TLDR: How much episode recap", "they do -- they have a bit of a \"Flanderized\" image of some", "\"Flanderized\" image of some characters, especially. The other show has a smaller but", "organize the synopsis? TLDR: How much episode recap is necessary in a tv-focused", "personally have a ton on Devoted Fanbase show (including scripts). Obviously the synopsis", "ways to organize the synopsis? TLDR: How much episode recap is necessary in", "more devoted fanbase, and is extremely serialized. I can get lost in research,", "necessary in a tv-focused podcast? And what other organizing strategies work? --- I", "researcher/outline-assembler for these, and I'll have a co-host to bring in their background", "organizing strategies work? --- I was inspired by this question: [How do I", "order everything appears in the show) - are there other strong ways to", "my next podcast to do an episode-by-episode tv show analysis. (Actually two are", "synopsis should be done mostly to jog the audience's memory and to pull", "synopsis? TLDR: How much episode recap is necessary in a tv-focused podcast? And", "strategies work? --- I was inspired by this question: [How do I record", "are in development, but they'll be about different shows.) I'll be the main", "smaller but more devoted fanbase, and is extremely serialized. I can get lost", "ton about Popular Show, and I personally have a ton on Devoted Fanbase", "characters, especially. The other show has a smaller but more devoted fanbase, and", "next podcast to do an episode-by-episode tv show analysis. (Actually two are in", "people think they remember more about the show than they do -- they", "than they do -- they have a bit of a \"Flanderized\" image of", "but how much is enough or too much? Also, besides beat-by-beat (or scene-by-scene", "two are in development, but they'll be about different shows.) I'll be the", "-- they have a bit of a \"Flanderized\" image of some characters, especially.", "can get lost in research, especially since the internet as a whole has", "appears in the show) - are there other strong ways to organize the", "is necessary in a tv-focused podcast? And what other organizing strategies work? ---", "Obviously the synopsis should be done mostly to jog the audience's memory and", "- are there other strong ways to organize the synopsis? TLDR: How much", "get lost in research, especially since the internet as a whole has a", "info. One show is mega-popular and perennial -- but often people think they", "remember more about the show than they do -- they have a bit", "the main researcher/outline-assembler for these, and I'll have a co-host to bring in", "about the show than they do -- they have a bit of a", "question: [How do I record information when planning to write a recap of", "much is enough or too much?** Also, besides beat-by-beat (or scene-by-scene -- basically", "And what other organizing strategies work? --- I was inspired by this question:", "I'm planning for my next podcast to do an episode-by-episode tv show analysis.", "since the internet as a whole has a ton about Popular Show, and", "show has a smaller but more devoted fanbase, and is extremely serialized. I", "the internet as a whole has a ton about Popular Show, and I", "do an episode-by-episode tv show analysis. (Actually two are in development, but they'll", "they have a bit of a \"Flanderized\" image of some characters, especially. The", "to jog the audience's memory and to pull out points for discussion, but", "discussion, but how much is enough or too much? Also, besides beat-by-beat (or", "to organize the synopsis? TLDR: How much episode recap is necessary in a", "too much? Also, besides beat-by-beat (or scene-by-scene -- basically the order everything appears", "and to pull out points for discussion, but how much is enough or", "memory and to pull out points for discussion, but how much is enough", "are there other strong ways to organize the synopsis? TLDR: How much episode", "a smaller but more devoted fanbase, and is extremely serialized. I can get", "should be done mostly to jog the audience's memory and to pull out", "fanbase, and is extremely serialized. I can get lost in research, especially since", "main researcher/outline-assembler for these, and I'll have a co-host to bring in their", "how much is enough or too much? Also, besides beat-by-beat (or scene-by-scene --", "(or scene-by-scene -- basically the order everything appears in the show) - are", "in the show) - are there other strong ways to organize the synopsis?", "of some characters, especially. The other show has a smaller but more devoted", "I'll be the main researcher/outline-assembler for these, and I'll have a co-host to", "the audience's memory and to pull out points for discussion, but how much", "mostly to jog the audience's memory and to pull out points for discussion,", "podcast? And what other organizing strategies work? --- I was inspired by this", "for discussion, but how much is enough or too much? Also, besides beat-by-beat", "this question: [How do I record information when planning to write a recap", "and I personally have a ton on Devoted Fanbase show (including scripts). Obviously", "show than they do -- they have a bit of a \"Flanderized\" image", "serialized. I can get lost in research, especially since the internet as a", "(including scripts). Obviously the synopsis should be done mostly to jog the audience's", "some characters, especially. The other show has a smaller but more devoted fanbase,", "show (including scripts). Obviously the synopsis should be done mostly to jog the", "be the main researcher/outline-assembler for these, and I'll have a co-host to bring", "lost in research, especially since the internet as a whole has a ton", "was inspired by this question: [How do I record information when planning to", "often people think they remember more about the show than they do --", "different shows.) I'll be the main researcher/outline-assembler for these, and I'll have a", "-- basically the order everything appears in the show) - are there other", "episode recap is necessary in a tv-focused podcast? And what other organizing strategies", "bring in their background info. One show is mega-popular and perennial -- but", "background info. One show is mega-popular and perennial -- but often people think", "I personally have a ton on Devoted Fanbase show (including scripts). Obviously the", "the synopsis? TLDR: How much episode recap is necessary in a tv-focused podcast?", "to do an episode-by-episode tv show analysis. (Actually two are in development, but", "the show than they do -- they have a bit of a \"Flanderized\"", "co-host to bring in their background info. One show is mega-popular and perennial", "shows.) I'll be the main researcher/outline-assembler for these, and I'll have a co-host", "Devoted Fanbase show (including scripts). Obviously the synopsis should be done mostly to", "on Devoted Fanbase show (including scripts). Obviously the synopsis should be done mostly", "to pull out points for discussion, but how much is enough or too", "Also, besides beat-by-beat (or scene-by-scene -- basically the order everything appears in the", "episode-by-episode tv show analysis. (Actually two are in development, but they'll be about", "out points for discussion, but how much is enough or too much? Also,", "and I'll have a co-host to bring in their background info. One show", "devoted fanbase, and is extremely serialized. I can get lost in research, especially", "other strong ways to organize the synopsis? TLDR: How much episode recap is", "work? --- I was inspired by this question: [How do I record information", "strong ways to organize the synopsis? TLDR: How much episode recap is necessary", "development, but they'll be about different shows.) I'll be the main researcher/outline-assembler for", "and is extremely serialized. I can get lost in research, especially since the", "especially since the internet as a whole has a ton about Popular Show,", "--- I was inspired by this question: [How do I record information when", "-- but often people think they remember more about the show than they", "think they remember more about the show than they do -- they have", "as a whole has a ton about Popular Show, and I personally have", "the show) - are there other strong ways to organize the synopsis? TLDR:", "a ton on Devoted Fanbase show (including scripts). Obviously the synopsis should be", "the synopsis should be done mostly to jog the audience's memory and to", "more about the show than they do -- they have a bit of", "but they'll be about different shows.) I'll be the main researcher/outline-assembler for these,", "mega-popular and perennial -- but often people think they remember more about the", "of a \"Flanderized\" image of some characters, especially. The other show has a", "tv show analysis. (Actually two are in development, but they'll be about different", "in a tv-focused podcast? And what other organizing strategies work? --- I was", "other show has a smaller but more devoted fanbase, and is extremely serialized.", "for these, and I'll have a co-host to bring in their background info.", "tv-focused podcast? And what other organizing strategies work? --- I was inspired by", "done mostly to jog the audience's memory and to pull out points for", "do -- they have a bit of a \"Flanderized\" image of some characters,", "everything appears in the show) - are there other strong ways to organize", "[How do I record information when planning to write a recap of events?](https://writing.stackexchange.com/questions/44630/how-do-i-record-information-when-planning-to-write-a-recap-of-events)", "bit of a \"Flanderized\" image of some characters, especially. The other show has", "and perennial -- but often people think they remember more about the show", "to bring in their background info. One show is mega-popular and perennial --", "pull out points for discussion, but how much is enough or too much?", "is enough or too much?** Also, besides beat-by-beat (or scene-by-scene -- basically the", "enough or too much?** Also, besides beat-by-beat (or scene-by-scene -- basically the order", "whole has a ton about Popular Show, and I personally have a ton", "their background info. One show is mega-popular and perennial -- but often people", "have a bit of a \"Flanderized\" image of some characters, especially. The other", "basically the order everything appears in the show) - are there other strong", "Popular Show, and I personally have a ton on Devoted Fanbase show (including", "Fanbase show (including scripts). Obviously the synopsis should be done mostly to jog", "show) - are there other strong ways to organize the synopsis? TLDR: How", "TLDR: How much episode recap is necessary in a tv-focused podcast? And what", "in research, especially since the internet as a whole has a ton about", "or too much?** Also, besides beat-by-beat (or scene-by-scene -- basically the order everything", "a co-host to bring in their background info. One show is mega-popular and", "beat-by-beat (or scene-by-scene -- basically the order everything appears in the show) -", "perennial -- but often people think they remember more about the show than", "The other show has a smaller but more devoted fanbase, and is extremely", "I was inspired by this question: [How do I record information when planning", "audience's memory and to pull out points for discussion, *but how much is", "besides* beat-by-beat (or scene-by-scene -- basically the order everything appears in the show)", "be done mostly to jog the audience's memory and to pull out points", "especially. The other show has a smaller but more devoted fanbase, and is", "analysis. (Actually two are in development, but they'll be about different shows.) I'll", "a \"Flanderized\" image of some characters, especially. The other show has a smaller", "podcast to do an episode-by-episode tv show analysis. (Actually two are in development,", "the order everything appears in the show) - are there other strong ways", "in development, but they'll be about different shows.) I'll be the main researcher/outline-assembler", "be about different shows.) I'll be the main researcher/outline-assembler for these, and I'll", "internet as a whole has a ton about Popular Show, and I personally", "One show is mega-popular and perennial -- but often people think they remember", "for my next podcast to do an episode-by-episode tv show analysis. (Actually two", "I can get lost in research, especially since the internet as a whole", "recap is necessary in a tv-focused podcast? And what other organizing strategies work?**", "research, especially since the internet as a whole has a ton about Popular", "much episode recap is necessary in a tv-focused podcast? And what other organizing" ]
[ "courage to return his gaze. QUICK FLASH A noose sways in the breeze.", "screenplay, the main character occasionally suffers quick flashes, like visions. I have been", "quick flashes, like visions. I have been unable to assert if I am", "my 'QUICK FLASH' and 'BACK TO SCENE's as Scene Headings in my software", "also note the single and double line spaces, where I have tagged my", "into a loop. BACK TO SCENE Eyes down again. Grimaces. Finds the courage", "as Scene Headings in my software (Amazon Storywriter). Am I doing everything correctly?", "flashes, like visions. I have been unable to assert if I am formatting", "his gaze. QUICK FLASH A noose sways in the breeze. Heavy off-beat BREATHING.", "line spaces, where I have tagged my 'QUICK FLASH' and 'BACK TO SCENE's", "FLASH' and 'BACK TO SCENE's as Scene Headings in my software (Amazon Storywriter).", "everything correctly? My current sample : ``` Bob slowly averts his eyes towards", "assert if I am formatting these correctly. Please also note the single and", "Scene Headings in my software (Amazon Storywriter). Am I doing everything correctly? My", "noose sways in the breeze. Heavy off-beat BREATHING. BACK TO SCENE Head down.", "bend a thick rope into a loop. BACK TO SCENE Eyes down again.", "tagged my 'QUICK FLASH' and 'BACK TO SCENE's as Scene Headings in my", "FLASH Hands bend a thick rope into a loop. BACK TO SCENE Eyes", "the main character occasionally suffers quick flashes, like visions. I have been unable", "Bob slowly averts his eyes towards the trees. QUICK FLASH Hands bend a", "again. Grimaces. Finds the courage to return his gaze. QUICK FLASH A noose", "single and double line spaces, where I have tagged my 'QUICK FLASH' and", "unable to assert if I am formatting these correctly. Please also note the", "rope into a loop. BACK TO SCENE Eyes down again. Grimaces. Finds the", "correctly? My current sample : ``` Bob slowly averts his eyes towards the", "averts his eyes towards the trees. QUICK FLASH Hands bend a thick rope", "towards the trees. QUICK FLASH Hands bend a thick rope into a loop.", "Grimaces. Finds the courage to return his gaze. QUICK FLASH A noose sways", "the single and double line spaces, where I have tagged my 'QUICK FLASH'", "eyes towards the trees. QUICK FLASH Hands bend a thick rope into a", "sample : ``` Bob slowly averts his eyes towards the trees. QUICK FLASH", "return his gaze. QUICK FLASH A noose sways in the breeze. Heavy off-beat", "QUICK FLASH A noose sways in the breeze. Heavy off-beat BREATHING. BACK TO", "Eyes down again. Grimaces. Finds the courage to return his gaze. QUICK FLASH", "thick rope into a loop. BACK TO SCENE Eyes down again. Grimaces. Finds", "in the breeze. Heavy off-beat BREATHING. BACK TO SCENE Head down. Winces. ```", "occasionally suffers quick flashes, like visions. I have been unable to assert if", "FLASH A noose sways in the breeze. Heavy off-beat BREATHING. BACK TO SCENE", "have been unable to assert if I am formatting these correctly. Please also", "my screenplay, the main character occasionally suffers quick flashes, like visions. I have", "current sample : ``` Bob slowly averts his eyes towards the trees. QUICK", "I am formatting these correctly. Please also note the single and double line", "In my screenplay, the main character occasionally suffers quick flashes, like visions. I", "where I have tagged my 'QUICK FLASH' and 'BACK TO SCENE's as Scene", "trees. QUICK FLASH Hands bend a thick rope into a loop. BACK TO", "doing everything correctly? My current sample : ``` Bob slowly averts his eyes", "Please also note the single and double line spaces, where I have tagged", "a thick rope into a loop. BACK TO SCENE Eyes down again. Grimaces.", "if I am formatting these correctly. Please also note the single and double", "to assert if I am formatting these correctly. Please also note the single", "in my software (Amazon Storywriter). Am I doing everything correctly? My current sample", "Hands bend a thick rope into a loop. BACK TO SCENE Eyes down", "gaze. QUICK FLASH A noose sways in the breeze. Heavy off-beat BREATHING. BACK", "formatting these correctly. Please also note the single and double line spaces, where", "QUICK FLASH Hands bend a thick rope into a loop. BACK TO SCENE", "and 'BACK TO SCENE's as Scene Headings in my software (Amazon Storywriter). Am", "note the single and double line spaces, where I have tagged my 'QUICK", "I doing everything correctly? My current sample : ``` Bob slowly averts his", "BACK TO SCENE Eyes down again. Grimaces. Finds the courage to return his", "I have been unable to assert if I am formatting these correctly. Please", ": ``` Bob slowly averts his eyes towards the trees. QUICK FLASH Hands", "TO SCENE Eyes down again. Grimaces. Finds the courage to return his gaze.", "My current sample : ``` Bob slowly averts his eyes towards the trees.", "loop. BACK TO SCENE Eyes down again. Grimaces. Finds the courage to return", "visions. I have been unable to assert if I am formatting these correctly.", ": In my screenplay, the main character occasionally suffers quick flashes, like visions.", "to return his gaze. QUICK FLASH A noose sways in the breeze. Heavy", "character occasionally suffers quick flashes, like visions. I have been unable to assert", "slowly averts his eyes towards the trees. QUICK FLASH Hands bend a thick", "(Amazon Storywriter). Am I doing everything correctly? My current sample : ``` Bob", "the trees. QUICK FLASH Hands bend a thick rope into a loop. BACK", "a loop. BACK TO SCENE Eyes down again. Grimaces. Finds the courage to", "TO SCENE's as Scene Headings in my software (Amazon Storywriter). Am I doing", "been unable to assert if I am formatting these correctly. Please also note", "down again. Grimaces. Finds the courage to return his gaze. QUICK FLASH A", "spaces, where I have tagged my 'QUICK FLASH' and 'BACK TO SCENE's as", "like visions. I have been unable to assert if I am formatting these", "SCENE Eyes down again. Grimaces. Finds the courage to return his gaze. QUICK", "my software (Amazon Storywriter). Am I doing everything correctly? My current sample :", "I have tagged my 'QUICK FLASH' and 'BACK TO SCENE's as Scene Headings", "suffers quick flashes, like visions. I have been unable to assert if I", "software (Amazon Storywriter). Am I doing everything correctly? My current sample : ```", "Finds the courage to return his gaze. QUICK FLASH A noose sways in", "main character occasionally suffers quick flashes, like visions. I have been unable to", "Storywriter). Am I doing everything correctly? My current sample : ``` Bob slowly", "Headings in my software (Amazon Storywriter). Am I doing everything correctly? My current", "the courage to return his gaze. QUICK FLASH A noose sways in the", "correctly. Please also note the single and double line spaces, where I have", "and double line spaces, where I have tagged my 'QUICK FLASH' and 'BACK", "his eyes towards the trees. QUICK FLASH Hands bend a thick rope into", "have tagged my 'QUICK FLASH' and 'BACK TO SCENE's as Scene Headings in", "sways in the breeze. Heavy off-beat BREATHING. BACK TO SCENE Head down. Winces.", "am formatting these correctly. Please also note the single and double line spaces,", "'QUICK FLASH' and 'BACK TO SCENE's as Scene Headings in my software (Amazon", "Question : In my screenplay, the main character occasionally suffers quick flashes, like", "A noose sways in the breeze. Heavy off-beat BREATHING. BACK TO SCENE Head", "these correctly. Please also note the single and double line spaces, where I", "double line spaces, where I have tagged my 'QUICK FLASH' and 'BACK TO", "'BACK TO SCENE's as Scene Headings in my software (Amazon Storywriter). Am I", "SCENE's as Scene Headings in my software (Amazon Storywriter). Am I doing everything", "Am I doing everything correctly? My current sample :** ``` Bob slowly averts", "``` Bob slowly averts his eyes towards the trees. QUICK FLASH Hands bend" ]
[ "the Three-Act Structure, the first half of Act One prior to the Inciting", "spend that first half of Act One to develop characters, and introduce the", "show the reader the 'Ordinary World'. In the story I am working on,", "to show the reader the 'Ordinary World'. In the story I am working", "Act One to develop characters, and introduce the setting, showing the reader who", "used to show the reader the 'Ordinary World'. In the story I am", "characters, and introduce the setting, showing the reader who the protagonist is... only", "that first half of Act One to develop characters, and introduce the setting,", "World'. In the story I am working on, I spend that first half", "Structure, the first half of Act One prior to the Inciting Incident is", "to have that protagonist flee for his life and abandon his ordinary world", "'Ordinary World'. In the story I am working on, I spend that first", "ordinary world for good. My question is, is it good storytelling form to", "and introduce the setting, showing the reader who the protagonist is... only to", "the reader the 'Ordinary World'. In the story I am working on, I", "his life and abandon his ordinary world for good. My question is, is", "introduce the setting, showing the reader who the protagonist is... only to have", "only to have that protagonist flee for his life and abandon his ordinary", "world for good. My question is, is it good storytelling form to invite", "One prior to the Inciting Incident is used to show the reader the", "half of Act One to develop characters, and introduce the setting, showing the", "considering the Three-Act Structure, the first half of Act One prior to the", "the setting, showing the reader who the protagonist is... only to have that", "good storytelling form to invite readers to invest in those characters and events,", "and abandon his ordinary world for good. My question is, is it good", "for good. My question is, is it good storytelling form to invite readers", "I spend that first half of Act One to develop characters, and introduce", "protagonist flee for his life and abandon his ordinary world for good. My", "good. My question is, is it good storytelling form to invite readers to", "the first half of Act One prior to the Inciting Incident is used", "that protagonist flee for his life and abandon his ordinary world for good.", "is it good storytelling form to invite readers to invest in those characters", "his ordinary world for good. My question is, is it good storytelling form", "readers to invest in those characters and events, only to have them torn", "develop characters, and introduce the setting, showing the reader who the protagonist is...", "protagonist is... only to have that protagonist flee for his life and abandon", "it, when considering the Three-Act Structure, the first half of Act One prior", "is... only to have that protagonist flee for his life and abandon his", "to develop characters, and introduce the setting, showing the reader who the protagonist", "working on, I spend that first half of Act One to develop characters,", "invite readers to invest in those characters and events, only to have them", "of Act One prior to the Inciting Incident is used to show the", "Act One prior to the Inciting Incident is used to show the reader", "first half of Act One to develop characters, and introduce the setting, showing", "form to invite readers to invest in those characters and events, only to", "first half of Act One prior to the Inciting Incident is used to", "Inciting Incident is used to show the reader the 'Ordinary World'. In the", "half of Act One prior to the Inciting Incident is used to show", "the 'Ordinary World'. In the story I am working on, I spend that", "As I understand it, when considering the Three-Act Structure, the first half of", "when considering the Three-Act Structure, the first half of Act One prior to", "I understand it, when considering the Three-Act Structure, the first half of Act", "to the Inciting Incident is used to show the reader the 'Ordinary World'.", "the reader who the protagonist is... only to have that protagonist flee for", "it good storytelling form to invite readers to invest in those characters and", "abandon his ordinary world for good. My question is, is it good storytelling", "In the story I am working on, I spend that first half of", "My question is, is it good storytelling form to invite readers to invest", "showing the reader who the protagonist is... only to have that protagonist flee", "the protagonist is... only to have that protagonist flee for his life and", "is used to show the reader the 'Ordinary World'. In the story I", "storytelling form to invite readers to invest in those characters and events, only", "One to develop characters, and introduce the setting, showing the reader who the", "reader the 'Ordinary World'. In the story I am working on, I spend", "who the protagonist is... only to have that protagonist flee for his life", "for his life and abandon his ordinary world for good. My question is,", "to invite readers to invest in those characters and events, only to have", "have that protagonist flee for his life and abandon his ordinary world for", "Three-Act Structure, the first half of Act One prior to the Inciting Incident", "is, is it good storytelling form to invite readers to invest in those", "understand it, when considering the Three-Act Structure, the first half of Act One", "of Act One to develop characters, and introduce the setting, showing the reader", "am working on, I spend that first half of Act One to develop", "the story I am working on, I spend that first half of Act", "the Inciting Incident is used to show the reader the 'Ordinary World'. In", "life and abandon his ordinary world for good. My question is, is it", "on, I spend that first half of Act One to develop characters, and", "setting, showing the reader who the protagonist is... only to have that protagonist", "story I am working on, I spend that first half of Act One", "flee for his life and abandon his ordinary world for good. My question", "prior to the Inciting Incident is used to show the reader the 'Ordinary", "Incident is used to show the reader the 'Ordinary World'. In the story", "I am working on, I spend that first half of Act One to", "question is, is it good storytelling form to invite readers to invest in", "reader who the protagonist is... only to have that protagonist flee for his", "to invest in those characters and events, only to have them torn away?" ]
[ "text we need to include -- this box needs to be big enough", "word, this branch in the flowchart needs to be able to hold that", "need to be translated too. But diagram design is informed by the amount", "to be able to hold that four-word question, and so on. But not", "on. But not all languages are equally verbose. If our diagrams were translated", "(in Visio) to support auto-scaling, so that if all the boxes need to", "some extra space)? Are there things I can do technically (in Visio) to", "equally verbose. If our diagrams were translated to German, probably many bits of", "handled in callouts, like flowcharts and entity relationship diagrams. Our documentation is translated,", "use in planning, for example that language X averages needing 1.5 times the", "do technical translators routinely redraw diagrams and I shouldn't worry about it? (I", "-- this box needs to be big enough for that word, this branch", "so I'm asking what's commonly done.) In [this related question](https://writing.stackexchange.com/q/44659/1993) I asked about", "translated, so these diagrams need to be translated too. But diagram design is", "enough for that word, this branch in the flowchart needs to be able", "fit well. If the translation were to Hebrew, much of the text would", "or otherwise not fit well. If the translation were to Hebrew, much of", "this branch in the flowchart needs to be able to hold that four-word", "languages, unlike my other examples). When I'm laying out a fairly complex diagram", "related question](https://writing.stackexchange.com/q/44659/1993) I asked about the mechanics of translating text in diagrams. In", "be translated too. But diagram design is informed by the amount of text", "by editing each box? Or do technical translators routinely redraw diagrams and I", "amount of text we need to include -- this box needs to be", "for the space needs of translation? Are there well-known ratios I should use", "there well-known ratios I should use in planning, for example that language X", "Are there well-known ratios I should use in planning, for example that language", "worry about it? (I don't have a way to ask ours what they", "by the amount of text we need to include -- this box needs", "bounding shapes or otherwise not fit well. If the translation were to Hebrew,", "are equally verbose. If our diagrams were translated to German, probably many bits", "When I'm laying out a fairly complex diagram that uses text, how should", "design is informed by the amount of text we need to include --", "X averages needing 1.5 times the horizontal space of English (so I should", "about it? (I don't have a way to ask ours what they do,", "of translating text in diagrams. In this question I'm asking about content, not", "I can do technically (in Visio) to support auto-scaling, so that if all", "commonly done.) In [this related question](https://writing.stackexchange.com/q/44659/1993) I asked about the mechanics of translating", "what's commonly done.) In [this related question](https://writing.stackexchange.com/q/44659/1993) I asked about the mechanics of", "how should I account for the space needs of translation? Are there well-known", "if all the boxes need to be wider that can be done globally", "in the flowchart needs to be able to hold that four-word question, and", "Are there things I can do technically (in Visio) to support auto-scaling, so", "their bounding shapes or otherwise not fit well. If the translation were to", "the flowchart needs to be able to hold that four-word question, and so", "the amount of text we need to include -- this box needs to", "can be done globally and not by editing each box? Or do technical", "planning, for example that language X averages needing 1.5 times the horizontal space", "Our documentation set includes some diagrams where text is integral and can't be", "diagram that uses text, how should I account for the space needs of", "there things I can do technically (in Visio) to support auto-scaling, so that", "all the boxes need to be wider that can be done globally and", "probably many bits of text would overflow their bounding shapes or otherwise not", "text, how should I account for the space needs of translation? Are there", "and not by editing each box? Or do technical translators routinely redraw diagrams", "have no idea what would happen in Japanese (which is actually one of", "ours what they do, so I'm asking what's commonly done.) In [this related", "Japanese (which is actually one of our current target languages, unlike my other", "[this related question](https://writing.stackexchange.com/q/44659/1993) I asked about the mechanics of translating text in diagrams.", "were translated to German, probably many bits of text would overflow their bounding", "excess space. And I have no idea what would happen in Japanese (which", "to German, probably many bits of text would overflow their bounding shapes or", "be swimming in vast seas of excess space. And I have no idea", "to include -- this box needs to be big enough for that word,", "includes some diagrams where text is integral and can't be handled in callouts,", "translated to German, probably many bits of text would overflow their bounding shapes", "translation? Are there well-known ratios I should use in planning, for example that", "the text would be swimming in vast seas of excess space. And I", "one of our current target languages, unlike my other examples). When I'm laying", "averages needing 1.5 times the horizontal space of English (so I should just", "support auto-scaling, so that if all the boxes need to be wider that", "auto-scaling, so that if all the boxes need to be wider that can", "be wider that can be done globally and not by editing each box?", "would happen in Japanese (which is actually one of our current target languages,", "translators routinely redraw diagrams and I shouldn't worry about it? (I don't have", "translation were to Hebrew, much of the text would be swimming in vast", "asked about the mechanics of translating text in diagrams. In this question I'm", "overflow their bounding shapes or otherwise not fit well. If the translation were", "of the text would be swimming in vast seas of excess space. And", "our current target languages, unlike my other examples). When I'm laying out a", "In [this related question](https://writing.stackexchange.com/q/44659/1993) I asked about the mechanics of translating text in", "wider that can be done globally and not by editing each box? Or", "diagrams and I shouldn't worry about it? (I don't have a way to", "in vast seas of excess space. And I have no idea what would", "and entity relationship diagrams. Our documentation is translated, so these diagrams need to", "no idea what would happen in Japanese (which is actually one of our", "verbose. If our diagrams were translated to German, probably many bits of text", "is informed by the amount of text we need to include -- this", "well-known ratios I should use in planning, for example that language X averages", "for example that language X averages needing 1.5 times the horizontal space of", "to hold that four-word question, and so on. But not all languages are", "just add in some extra space)? Are there things I can do technically", "a way to ask ours what they do, so I'm asking what's commonly", "hold that four-word question, and so on. But not all languages are equally", "Or do technical translators routinely redraw diagrams and I shouldn't worry about it?", "text would be swimming in vast seas of excess space. And I have", "question, and so on. But not all languages are equally verbose. If our", "actually one of our current target languages, unlike my other examples). When I'm", "our diagrams were translated to German, probably many bits of text would overflow", "technical translators routinely redraw diagrams and I shouldn't worry about it? (I don't", "diagrams need to be translated too. But diagram design is informed by the", "account for the space needs of translation? Are there well-known ratios I should", "in callouts, like flowcharts and entity relationship diagrams. Our documentation is translated, so", "about the mechanics of translating text in diagrams. In this question I'm asking", "box? Or do technical translators routinely redraw diagrams and I shouldn't worry about", "entity relationship diagrams. Our documentation is translated, so these diagrams need to be", "out a fairly complex diagram that uses text, how should I account for", "otherwise not fit well. If the translation were to Hebrew, much of the", "relationship diagrams. Our documentation is translated, so these diagrams need to be translated", "examples). When I'm laying out a fairly complex diagram that uses text, how", "needing 1.5 times the horizontal space of English (so I should just add", "so these diagrams need to be translated too. But diagram design is informed", "to be big enough for that word, this branch in the flowchart needs", "idea what would happen in Japanese (which is actually one of our current", "needs to be able to hold that four-word question, and so on. But", "the horizontal space of English (so I should just add in some extra", "redraw diagrams and I shouldn't worry about it? (I don't have a way", "But not all languages are equally verbose. If our diagrams were translated to", "a fairly complex diagram that uses text, how should I account for the", "is actually one of our current target languages, unlike my other examples). When", "horizontal space of English (so I should just add in some extra space)?", "question](https://writing.stackexchange.com/q/44659/1993) I asked about the mechanics of translating text in diagrams. In this", "seas of excess space. And I have no idea what would happen in", "do, so I'm asking what's commonly done.) In [this related question](https://writing.stackexchange.com/q/44659/1993) I asked", "too. But diagram design is informed by the amount of text we need", "of text we need to include -- this box needs to be big", "the space needs of translation? Are there well-known ratios I should use in", "space)? Are there things I can do technically (in Visio) to support auto-scaling,", "I'm laying out a fairly complex diagram that uses text, how should I", "of English (so I should just add in some extra space)? Are there", "other examples). When I'm laying out a fairly complex diagram that uses text,", "fairly complex diagram that uses text, how should I account for the space", "English (so I should just add in some extra space)? Are there things", "I should just add in some extra space)? Are there things I can", "be done globally and not by editing each box? Or do technical translators", "boxes need to be wider that can be done globally and not by", "diagrams. Our documentation is translated, so these diagrams need to be translated too.", "that can be done globally and not by editing each box? Or do", "translating text in diagrams. In this question I'm asking about content, not mechanics.", "box needs to be big enough for that word, this branch in the", "need to be wider that can be done globally and not by editing", "the translation were to Hebrew, much of the text would be swimming in", "technically (in Visio) to support auto-scaling, so that if all the boxes need", "should just add in some extra space)? Are there things I can do", "this box needs to be big enough for that word, this branch in", "uses text, how should I account for the space needs of translation? Are", "that word, this branch in the flowchart needs to be able to hold", "what they do, so I'm asking what's commonly done.) In [this related question](https://writing.stackexchange.com/q/44659/1993)", "and so on. But not all languages are equally verbose. If our diagrams", "these diagrams need to be translated too. But diagram design is informed by", "swimming in vast seas of excess space. And I have no idea what", "that language X averages needing 1.5 times the horizontal space of English (so", "ratios I should use in planning, for example that language X averages needing", "laying out a fairly complex diagram that uses text, how should I account", "I have no idea what would happen in Japanese (which is actually one", "can't be handled in callouts, like flowcharts and entity relationship diagrams. Our documentation", "(which is actually one of our current target languages, unlike my other examples).", "not fit well. If the translation were to Hebrew, much of the text", "extra space)? Are there things I can do technically (in Visio) to support", "documentation set includes some diagrams where text is integral and can't be handled", "the boxes need to be wider that can be done globally and not", "text would overflow their bounding shapes or otherwise not fit well. If the", "happen in Japanese (which is actually one of our current target languages, unlike", "integral and can't be handled in callouts, like flowcharts and entity relationship diagrams.", "need to include -- this box needs to be big enough for that", "to Hebrew, much of the text would be swimming in vast seas of", "include -- this box needs to be big enough for that word, this", "in some extra space)? Are there things I can do technically (in Visio)", "some diagrams where text is integral and can't be handled in callouts, like", "in planning, for example that language X averages needing 1.5 times the horizontal", "diagram design is informed by the amount of text we need to include", "and I shouldn't worry about it? (I don't have a way to ask", "example that language X averages needing 1.5 times the horizontal space of English", "asking what's commonly done.) In [this related question](https://writing.stackexchange.com/q/44659/1993) I asked about the mechanics", "to support auto-scaling, so that if all the boxes need to be wider", "(so I should just add in some extra space)? Are there things I", "not by editing each box? Or do technical translators routinely redraw diagrams and", "don't have a way to ask ours what they do, so I'm asking", "many bits of text would overflow their bounding shapes or otherwise not fit", "be able to hold that four-word question, and so on. But not all", "vast seas of excess space. And I have no idea what would happen", "we need to include -- this box needs to be big enough for", "routinely redraw diagrams and I shouldn't worry about it? (I don't have a", "But diagram design is informed by the amount of text we need to", "languages are equally verbose. If our diagrams were translated to German, probably many", "ask ours what they do, so I'm asking what's commonly done.) In [this", "would be swimming in vast seas of excess space. And I have no", "all languages are equally verbose. If our diagrams were translated to German, probably", "were to Hebrew, much of the text would be swimming in vast seas", "complex diagram that uses text, how should I account for the space needs", "done globally and not by editing each box? Or do technical translators routinely", "be handled in callouts, like flowcharts and entity relationship diagrams. Our documentation is", "would overflow their bounding shapes or otherwise not fit well. If the translation", "space needs of translation? Are there well-known ratios I should use in planning,", "that if all the boxes need to be wider that can be done", "do technically (in Visio) to support auto-scaling, so that if all the boxes", "target languages, unlike my other examples). When I'm laying out a fairly complex", "translated too. But diagram design is informed by the amount of text we", "informed by the amount of text we need to include -- this box", "needs to be big enough for that word, this branch in the flowchart", "should use in planning, for example that language X averages needing 1.5 times", "needs of translation? Are there well-known ratios I should use in planning, for", "I shouldn't worry about it? (I don't have a way to ask ours", "documentation is translated, so these diagrams need to be translated too. But diagram", "can do technically (in Visio) to support auto-scaling, so that if all the", "big enough for that word, this branch in the flowchart needs to be", "my other examples). When I'm laying out a fairly complex diagram that uses", "not all languages are equally verbose. If our diagrams were translated to German,", "diagrams where text is integral and can't be handled in callouts, like flowcharts", "mechanics of translating text in diagrams. In this question I'm asking about content,", "globally and not by editing each box? Or do technical translators routinely redraw", "four-word question, and so on. But not all languages are equally verbose. If", "1.5 times the horizontal space of English (so I should just add in", "Our documentation is translated, so these diagrams need to be translated too. But", "If the translation were to Hebrew, much of the text would be swimming", "Hebrew, much of the text would be swimming in vast seas of excess", "flowchart needs to be able to hold that four-word question, and so on.", "I should use in planning, for example that language X averages needing 1.5", "add in some extra space)? Are there things I can do technically (in", "able to hold that four-word question, and so on. But not all languages", "so on. But not all languages are equally verbose. If our diagrams were", "shapes or otherwise not fit well. If the translation were to Hebrew, much", "and can't be handled in callouts, like flowcharts and entity relationship diagrams. Our", "is integral and can't be handled in callouts, like flowcharts and entity relationship", "unlike my other examples). When I'm laying out a fairly complex diagram that", "things I can do technically (in Visio) to support auto-scaling, so that if", "If our diagrams were translated to German, probably many bits of text would", "of translation? Are there well-known ratios I should use in planning, for example", "times the horizontal space of English (so I should just add in some", "bits of text would overflow their bounding shapes or otherwise not fit well.", "to be wider that can be done globally and not by editing each", "that four-word question, and so on. But not all languages are equally verbose.", "way to ask ours what they do, so I'm asking what's commonly done.)", "in Japanese (which is actually one of our current target languages, unlike my", "of text would overflow their bounding shapes or otherwise not fit well. If", "shouldn't worry about it? (I don't have a way to ask ours what", "current target languages, unlike my other examples). When I'm laying out a fairly", "much of the text would be swimming in vast seas of excess space.", "Visio) to support auto-scaling, so that if all the boxes need to be", "so that if all the boxes need to be wider that can be", "that uses text, how should I account for the space needs of translation?", "set includes some diagrams where text is integral and can't be handled in", "flowcharts and entity relationship diagrams. Our documentation is translated, so these diagrams need", "what would happen in Japanese (which is actually one of our current target", "space of English (so I should just add in some extra space)? Are", "text is integral and can't be handled in callouts, like flowcharts and entity", "where text is integral and can't be handled in callouts, like flowcharts and", "callouts, like flowcharts and entity relationship diagrams. Our documentation is translated, so these", "space. And I have no idea what would happen in Japanese (which is", "is translated, so these diagrams need to be translated too. But diagram design", "for that word, this branch in the flowchart needs to be able to", "(I don't have a way to ask ours what they do, so I'm", "like flowcharts and entity relationship diagrams. Our documentation is translated, so these diagrams", "it? (I don't have a way to ask ours what they do, so", "well. If the translation were to Hebrew, much of the text would be", "language X averages needing 1.5 times the horizontal space of English (so I", "of excess space. And I have no idea what would happen in Japanese", "I'm asking what's commonly done.) In [this related question](https://writing.stackexchange.com/q/44659/1993) I asked about the", "have a way to ask ours what they do, so I'm asking what's", "they do, so I'm asking what's commonly done.) In [this related question](https://writing.stackexchange.com/q/44659/1993) I", "of our current target languages, unlike my other examples). When I'm laying out", "I account for the space needs of translation? Are there well-known ratios I", "I asked about the mechanics of translating text in diagrams. In this question", "branch in the flowchart needs to be able to hold that four-word question,", "be big enough for that word, this branch in the flowchart needs to", "the mechanics of translating text in diagrams. In this question I'm asking about", "done.) In [this related question](https://writing.stackexchange.com/q/44659/1993) I asked about the mechanics of translating text", "to ask ours what they do, so I'm asking what's commonly done.) In", "should I account for the space needs of translation? Are there well-known ratios", "diagrams were translated to German, probably many bits of text would overflow their", "And I have no idea what would happen in Japanese (which is actually", "editing each box? Or do technical translators routinely redraw diagrams and I shouldn't", "each box? Or do technical translators routinely redraw diagrams and I shouldn't worry", "German, probably many bits of text would overflow their bounding shapes or otherwise", "to be translated too. But diagram design is informed by the amount of" ]
[ "worried: I have, of course, read a ton of advice and \"how-to-write-better-books\" (next", "Is the theme as universal as the climax for a story? What do", "problem with the exact definition of theme I will try to clarify: This", "of the theories and guides to writing and story structure seem to agree", "as universal as the climax for a story? What do you guys think?", "there seems to be a problem with the exact definition of theme I", "to reader like \"This is the way you should behave if caught in", "the book are: * Naturally, appeal to my target audience and with work", "But now I am a bit worried: I have, of course, read a", "a story without a theme will fail to entertain readers. All of them", "concept :) ) But now I am a bit worried: I have, of", "\"Theme' refers to a message being conveyed to the reader by the author,", "I have, of course, read a ton of advice and \"how-to-write-better-books\" (next to", "morally right\". This is not about a question if I should have a", "will try to clarify: This SE defines its as follows: \"Theme' refers to", "be subtly woven into the plot) piece of advice from author to reader", "that I enjoy having while reading a good book, within my readers. ", "follows: \"Theme' refers to a message being conveyed to the reader by the", "writing and story structure seem to agree that a story without a theme", "a theme will fail to entertain readers. All of them agree that a", "of the writing a book. It is not my first attempt. My goals", "from author to reader like \"This is the way you should behave if", "of course, read a ton of advice and \"how-to-write-better-books\" (next to many articles", "for the book are: * Naturally, appeal to my target audience and with", "not the problem. I generally apply a mix-match-collect attitude. *But most of the", "work and luck, sell well. Invoke the same emotions, that I enjoy", "not my mother tongue. CLARIFICATION: Since there seems to be a problem with", "I strongly agree with. Is the theme as universal as the climax for", "a ton of advice and \"how-to-write-better-books\" (next to many articles on the internet", "target audience and with work and luck, sell well. * Invoke the same", "guys think? By the way, English is not my mother tongue. CLARIFICATION: Since", "them agree that a novel should have a climax as well, a point", "if caught in a similar situation\" or \"This is the way to behave", "the writing a book. It is not my first attempt. My goals for", "situation\" or \"This is the way to behave morally right\". *This is not", "and with work and luck, sell well. Invoke the same emotions, that", "a good book, within my readers. * Invite them into my custom world", "with work and luck, sell well. * Invoke the same emotions, that I", "having while reading a good book, within my readers. * Invite them into", "theme will fail to entertain readers. All of them agree that a novel", "This SE defines its as follows: \"Theme' refers to a message being conveyed", "way you should behave if caught in a similar situation\" or \"This is", "have a blatant message within the book,* but rather if I need to", "and luck, sell well. * Invoke the same emotions, that I enjoy having", "the way you should behave if caught in a similar situation\" or \"This", "English is not my mother tongue. CLARIFICATION: Since there seems to be a", "if I need to have the aforementioned theme, sort of an suggestion how", "definition of theme I will try to clarify: This SE defines its as", "for a story? What do you guys think? By the way, English is", "Invite them into my custom world etc. etc. So far, so simple (in", "of value to me, so thats not the problem. I generally apply a", "process of the writing a book. It is not my first attempt. My", "of advice from author to reader like \"This is the way you should", "should have a blatant message within the book, but rather if I need", "It is not my first attempt. My goals for the book are: ", "if I should have a blatant message within the book,* but rather if", "of creative writing, usually a novel\"* So I am referring to a single", "the climax for a story?** What do you guys think? By the way,", "with the exact definition of theme I will try to clarify: This SE", "the same emotions, that I enjoy having while reading a good book, within", "* Invite them into my custom world etc. etc. So far, so simple", "They all offer at least a small morsel of value to me, so", "so on). They all offer at least a small morsel of value to", "and guides to writing and story structure seem to agree that a story", "readers. All of them agree that a novel should have a climax as", "as well, a point which I strongly agree with. Is the theme as", "clarify: This SE defines its as follows: \"Theme' refers to a message being", "not my first attempt. My goals for the book are: Naturally, appeal", "do you guys think? By the way, English is not my mother tongue.", "the author, through a piece of creative writing, usually a novel\"* So I", "my custom world etc. etc. So far, so simple (in concept :) )", "so thats not the problem. I generally apply a mix-match-collect attitude. *But most", "What do you guys think? By the way, English is not my mother", "small morsel of value to me, so thats not the problem. I generally", "a book. It is not my first attempt. My goals for the book", "while reading a good book, within my readers. Invite them into my", "So I am referring to a single clear (but might be subtly woven", "referring to a single clear (but might be subtly woven into the plot)", "the problem. I generally apply a mix-match-collect attitude. But most of the theories", "piece of advice from author to reader like \"This is the way you", "Naturally, appeal to my target audience and with work and luck, sell well.", "and so on). They all offer at least a small morsel of value", "advice and \"how-to-write-better-books\" (next to many articles on the internet and so on).", "the theme as universal as the climax for a story? What do you", "the process of the writing a book. It is not my first attempt.", "(in concept :) ) But now I am a bit worried: I have,", "my readers. * Invite them into my custom world etc. etc. So far,", "far, so simple (in concept :) ) But now I am a bit", "need to have the aforementioned theme, sort of an suggestion how to behave.", "the way, English is not my mother tongue. CLARIFICATION: Since there seems to", "enjoy having while reading a good book, within my readers. * Invite them", "the exact definition of theme I will try to clarify: This SE defines", "course, read a ton of advice and \"how-to-write-better-books\" (next to many articles on", "By the way, English is not my mother tongue. CLARIFICATION: Since there seems", "am a bit worried: I have, of course, read a ton of advice", "usually a novel\"* So I am referring to a single clear (but might", "value to me, so thats not the problem. I generally apply a mix-match-collect", "to entertain readers. All of them agree that a novel should have a", "a small morsel of value to me, so thats not the problem. I", "a point which I strongly agree with. Is the theme as universal as", "the internet and so on). 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My goals for the book are: * Naturally, appeal to", "(next to many articles on the internet and so on). They all offer", "mix-match-collect attitude. But most of the theories and guides to writing and story", "I generally apply a mix-match-collect attitude. But most of the theories and guides", "first attempt. My goals for the book are: * Naturally, appeal to my", "at least a small morsel of value to me, so thats not the", "way, English is not my mother tongue. CLARIFICATION: Since there seems to be", "right\". This is not about a question if I should have a blatant", "apply a mix-match-collect attitude. 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They all", "the plot) piece of advice from author to reader like \"This is the", "theme as universal as the climax for a story?** What do you guys", "strongly agree with. Is the theme as universal as the climax for a", "guides to writing and story structure seem to agree that a story without", "to clarify: This SE defines its as follows: \"Theme' refers to a message", "is not my first attempt. My goals for the book are: Naturally,", "climax for a story? What do you guys think? By the way, English", "might be subtly woven into the plot) piece of advice from author to", "Since there seems to be a problem with the exact definition of theme", "to agree that a story without a theme will fail to entertain readers.", "or \"This is the way to behave morally right\". This is not about", "writing a book. It is not my first attempt. My goals for the", "story without a theme will fail to entertain readers. *All of them agree", "sell well. 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This", ":) ) But now I am a bit worried: I have, of course,", "to be a problem with the exact definition of theme I will try", "way to behave morally right\". This is not about a question if I", "in the process of the writing a book. It is not my first", "am in the process of the writing a book. It is not my", "\"This is the way to behave morally right\". This is not about a", "blatant message within the book, but rather if I need to have the", "seem to agree that a story without a theme will fail to entertain", "reading a good book, within my readers. * Invite them into my custom", "of advice and \"how-to-write-better-books\" (next to many articles on the internet and so", "agree that a story without a theme will fail to entertain readers. All", "behave morally right\". This is not about a question if I should have", "to me, so thats not the problem. I generally apply a mix-match-collect attitude.", "to the reader by the author, through a piece of creative writing, usually", "universal as the climax for a story? What do you guys think? By", "bit worried: I have, of course, read a ton of advice and \"how-to-write-better-books\"", "novel should have a climax as well, a point which I strongly agree", "is the way you should behave if caught in a similar situation\" or", "that a story without a theme will fail to entertain readers. All of", "with. Is the theme as universal as the climax for a story?** What", "author, through a piece of creative writing, usually a novel\"* So I am", "emotions, that I enjoy having while reading a good book, within my readers.", "offer at least a small morsel of value to me, so thats not", "good book, within my readers. * Invite them into my custom world etc.", "but rather if I need to have the aforementioned theme, sort of an", "without a theme will fail to entertain readers. All of them agree that", "author to reader like \"This is the way you should behave if caught", "you should behave if caught in a similar situation\" or \"This is the", "of them agree that a novel should have a climax as well, a", "read a ton of advice and \"how-to-write-better-books\" (next to many articles on the", "is the way to behave morally right\". This is not about a question", "to a message being conveyed to the reader by the author, through a", "on the internet and so on). They all offer at least a small", "generally apply a mix-match-collect attitude. But most of the theories and guides to", "appeal to my target audience and with work and luck, sell well. ", "story structure seem to agree that a story without a theme will fail", "within my readers. Invite them into my custom world etc. etc. So", "will fail to entertain readers. All of them agree that a novel should", "story? What do you guys think? By the way, English is not my", "about a question if I should have a blatant message within the book,", "most of the theories and guides to writing and story structure seem to", "within the book,** but rather if I need to have the aforementioned theme,", "to my target audience and with work and luck, sell well. * Invoke", "you guys think? By the way, English is not my mother tongue. CLARIFICATION:", "refers to a message being conveyed to the reader by the author, through", "similar situation\" or \"This is the way to behave morally right\". *This is", "So far, so simple (in concept :) ) But now I am a", "rather if I need to have the aforementioned theme, sort of an suggestion", " Naturally, appeal to my target audience and with work and luck, sell", "fail to entertain readers. All of them agree that a novel should have", "behave if caught in a similar situation\" or \"This is the way to", "a blatant message within the book,** but rather if I need to have", ") But now I am a bit worried: I have, of course, read", "subtly woven into the plot) piece of advice from author to reader like", "least a small morsel of value to me, so thats not the problem.", "into the plot) piece of advice from author to reader like \"This is", "well, a point which I strongly agree with. Is the theme as universal", "many articles on the internet and so on). They all offer at least", "book are: * Naturally, appeal to my target audience and with work and", "are: * Naturally, appeal to my target audience and with work and luck,", "that a novel should have a climax as well, a point which I", "be a problem with the exact definition of theme I will try to", "caught in a similar situation\" or \"This is the way to behave morally", "tongue. CLARIFICATION: Since there seems to be a problem with the exact definition", "question if I should have a blatant message within the book, but rather", "a mix-match-collect attitude. But most of the theories and guides to writing and", "which I strongly agree with. Is the theme as universal as the climax", "the book,** but rather if I need to have the aforementioned theme, sort", "seems to be a problem with the exact definition of theme I will", "as follows: \"Theme' refers to a message being conveyed to the reader by", "I need to have the aforementioned theme, sort of an suggestion how to", "Invoke the same emotions, that I enjoy having while reading a good book,", "being conveyed to the reader by the author, through a piece of creative", "reader by the author, through a piece of creative writing, usually a novel\"", "a question if I should have a blatant message within the book, but", "a message being conveyed to the reader by the author, through a piece", "to behave morally right\". This is not about a question if I should", "My goals for the book are: * Naturally, appeal to my target audience", "internet and so on). They all offer at least a small morsel of", "my mother tongue. CLARIFICATION: Since there seems to be a problem with the", "writing, usually a novel\"* So I am referring to a single clear (but", "not about a question if I should have a blatant message within the", "I am in the process of the writing a book. It is not", "I will try to clarify: This SE defines its as follows: *\"Theme' refers", "a single clear (but might be subtly woven into the plot) piece of" ]
[ "sense. It explains how he built his brand and created a presence, which", "and will have received some samples of my work. It should improve conversion", "even prior to completion. It sounds sensible and the idea of offering a", "completion. It sounds sensible and the idea of offering a small teaser or", "his brand and created a presence, which greatly improved the sales of his", "published my book’ email a very useful one to write. The reason I", "I think it might work is, that to those on my list, I", "it easier. Will I be shooting myself in the foot by doing this?", "not untalented would make that leap from thinking of getting it to buying", "create buzz and have a list of potential readers who actually like my", "is on creating an email list of those interested in books of the", "that will build an audience for your book prior to release - even", "presentation called Your First 10k Readers. It explains a marketing course that will", "for which we tend to hope? Edit: It seems that the focus is", "ebook, this would certainly be valuable. It would create buzz and have a", "publisher route for which we tend to hope? Edit: It seems that the", "have received some samples of my work. It should improve conversion and make", "untalented would make that leap from thinking of getting it to buying it", "author with whom I am unfamiliar, I am skeptical. A free sample that", "an ebook, this would certainly be valuable. It would create buzz and have", "your book prior to release - even prior to completion. It sounds sensible", "It explains a marketing course that will build an audience for your book", "of my work. It should improve conversion and make the ‘I just published", "It should improve conversion and make the ‘I just published my book’ email", "of likely buyers makes sense. It explains how he built his brand and", "brand and created a presence, which greatly improved the sales of his books.", "going the indie route with an ebook, this would certainly be valuable. It", "buyers makes sense. It explains how he built his brand and created a", "unfamiliar, I am skeptical. A free sample that proves this unknown is not", "look at a book by an author with whom I am unfamiliar, I", "value and building trust and brand prior to asking for the sale. This", "at a book by an author with whom I am unfamiliar, I am", "hope? Edit: It seems that the focus is on creating an email list", "not be an unknown quantity. I know that when I look at a", "will have received some samples of my work. It should improve conversion and", "make the ‘I just published my book’ email a very useful one to", "a list of potential readers who actually like my genre and will have", "unknown is not untalented would make that leap from thinking of getting it", "this? Would it preclude the agent to publisher route for which we tend", "to those on my list, I will not be an unknown quantity. I", "very useful one to write. The reason I think it might work is,", "some value and building trust and brand prior to asking for the sale.", "type one writes, giving them some value and building trust and brand prior", "buzz and have a list of potential readers who actually like my genre", "- even prior to completion. It sounds sensible and the idea of offering", "be shooting myself in the foot by doing this? Would it preclude the", "list, I will not be an unknown quantity. I know that when I", "which we tend to hope? Edit: It seems that the focus is on", "that proves this unknown is not untalented would make that leap from thinking", "book’ email a very useful one to write. The reason I think it", "he built his brand and created a presence, which greatly improved the sales", "one to write. The reason I think it might work is, that to", "and the idea of offering a small teaser or a such for free", "for free to build a mailing list of likely buyers makes sense. It", "free sample that proves this unknown is not untalented would make that leap", "trust and brand prior to asking for the sale. This might include a", "make that leap from thinking of getting it to buying it easier. Will", "sounds sensible and the idea of offering a small teaser or a such", "write. The reason I think it might work is, that to those on", "to write. The reason I think it might work is, that to those", "my list, I will not be an unknown quantity. I know that when", "it might work is, that to those on my list, I will not", "I look at a book by an author with whom I am unfamiliar,", "such for free to build a mailing list of likely buyers makes sense.", "will build an audience for your book prior to release - even prior", "valuable. It would create buzz and have a list of potential readers who", "those on my list, I will not be an unknown quantity. I know", "watched a presentation called Your First 10k Readers. It explains a marketing course", "work. It should improve conversion and make the ‘I just published my book’", "that when I look at a book by an author with whom I", "preclude the agent to publisher route for which we tend to hope? Edit:", "of the type one writes, giving them some value and building trust and", "one writes, giving them some value and building trust and brand prior to", "a mailing list of likely buyers makes sense. It explains how he built", "myself in the foot by doing this? Would it preclude the agent to", "Edit: It seems that the focus is on creating an email list of", "is, that to those on my list, I will not be an unknown", "and created a presence, which greatly improved the sales of his books. If", "an unknown quantity. I know that when I look at a book by", "think it might work is, that to those on my list, I will", "foot by doing this? Would it preclude the agent to publisher route for", "quantity. I know that when I look at a book by an author", "his books. If I end up going the indie route with an ebook,", "just published my book’ email a very useful one to write. The reason", "a marketing course that will build an audience for your book prior to", "10k Readers. It explains a marketing course that will build an audience for", "for your book prior to release - even prior to completion. It sounds", "useful one to write. The reason I think it might work is, that", "know that when I look at a book by an author with whom", "book by an author with whom I am unfamiliar, I am skeptical. A", "on creating an email list of those interested in books of the type", "would make that leap from thinking of getting it to buying it easier.", "should improve conversion and make the ‘I just published my book’ email a", "it preclude the agent to publisher route for which we tend to hope?", "the type one writes, giving them some value and building trust and brand", "build a mailing list of likely buyers makes sense. It explains how he", "the indie route with an ebook, this would certainly be valuable. It would", "might work is, that to those on my list, I will not be", "have a list of potential readers who actually like my genre and will", "it to buying it easier. Will I be shooting myself in the foot", "the idea of offering a small teaser or a such for free to", "this would certainly be valuable. It would create buzz and have a list", "called Your First 10k Readers. It explains a marketing course that will build", "a very useful one to write. The reason I think it might work", "to asking for the sale.* This might include a blog, but I don’t", "brand prior to asking for the sale. This might include a blog, but", "by an author with whom I am unfamiliar, I am skeptical. A free", "would certainly be valuable. It would create buzz and have a list of", "in the foot by doing this? Would it preclude the agent to publisher", "It would create buzz and have a list of potential readers who actually", "creating an email list of those interested in books of the type one", "focus is on creating an email list of those interested in books of", "email list of those interested in books of the type one writes, giving", "a presentation called Your First 10k Readers. It explains a marketing course that", "with an ebook, this would certainly be valuable. It would create buzz and", "It seems that the focus is on creating an email list of those", "readers who actually like my genre and will have received some samples of", "or a such for free to build a mailing list of likely buyers", "tend to hope? Edit: It seems that the focus is on creating an", "work is, that to those on my list, I will not be an", "sample that proves this unknown is not untalented would make that leap from", "to buying it easier. Will I be shooting myself in the foot by", "reason I think it might work is, that to those on my list,", "books of the type one writes, giving them some value and building trust", "audience for your book prior to release - even prior to completion. It", "certainly be valuable. It would create buzz and have a list of potential", "course that will build an audience for your book prior to release -", "conversion and make the ‘I just published my book’ email a very useful", "offering a small teaser or a such for free to build a mailing", "would create buzz and have a list of potential readers who actually like", "my work. It should improve conversion and make the ‘I just published my", "makes sense. It explains how he built his brand and created a presence,", "release - even prior to completion. It sounds sensible and the idea of", "improve conversion and make the ‘I just published my book’ email a very", "Will I be shooting myself in the foot by doing this? Would it", "doing this? Would it preclude the agent to publisher route for which we", "explains how he built his brand and created a presence, which greatly improved", "with whom I am unfamiliar, I am skeptical. A free sample that proves", "the agent to publisher route for which we tend to hope? Edit: It", "to hope? Edit: It seems that the focus is on creating an email", "who actually like my genre and will have received some samples of my", "an author with whom I am unfamiliar, I am skeptical. A free sample", "I end up going the indie route with an ebook, this would certainly", "that the focus is on creating an email list of those interested in", "of potential readers who actually like my genre and will have received some", "buying it easier. Will I be shooting myself in the foot by doing", "my genre and will have received some samples of my work. It should", "and make the ‘I just published my book’ email a very useful one", "this unknown is not untalented would make that leap from thinking of getting", "teaser or a such for free to build a mailing list of likely", "in books of the type one writes, giving them some value and building", "building trust and brand prior to asking for the sale. This might include", "free to build a mailing list of likely buyers makes sense. It explains", "prior to completion. It sounds sensible and the idea of offering a small", "If I end up going the indie route with an ebook, this would", "email a very useful one to write. The reason I think it might", "prior to release - even prior to completion. It sounds sensible and the", "unknown quantity. I know that when I look at a book by an", "leap from thinking of getting it to buying it easier. Will I be", "to publisher route for which we tend to hope? Edit: It seems that", "the sales of his books. If I end up going the indie route", "the sale.* This might include a blog, but I don’t think it does.", "list of those interested in books of the type one writes, giving them", "Readers. It explains a marketing course that will build an audience for your", "am skeptical. A free sample that proves this unknown is not untalented would", "from thinking of getting it to buying it easier. Will I be shooting", "and building trust and brand prior to asking for the sale.* This might", "sensible and the idea of offering a small teaser or a such for", "route with an ebook, this would certainly be valuable. It would create buzz", "on my list, I will not be an unknown quantity. I know that", "explains a marketing course that will build an audience for your book prior", "and brand prior to asking for the sale. This might include a blog,", "of offering a small teaser or a such for free to build a", "some samples of my work. It should improve conversion and make the ‘I", "It explains how he built his brand and created a presence, which greatly", "mailing list of likely buyers makes sense. It explains how he built his", "books. If I end up going the indie route with an ebook, this", "easier. Will I be shooting myself in the foot by doing this? Would", "Would it preclude the agent to publisher route for which we tend to", "small teaser or a such for free to build a mailing list of", "which greatly improved the sales of his books. If I end up going", "am unfamiliar, I am skeptical. A free sample that proves this unknown is", "be valuable. It would create buzz and have a list of potential readers", "a presence, which greatly improved the sales of his books. If I end", "my book’ email a very useful one to write. The reason I think", "created a presence, which greatly improved the sales of his books. If I", "a small teaser or a such for free to build a mailing list", "of getting it to buying it easier. Will I be shooting myself in", "for the sale.* This might include a blog, but I don’t think it", "actually like my genre and will have received some samples of my work.", "genre and will have received some samples of my work. It should improve", "I am skeptical. 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[ "He wondered if these staring eyes could read his mind. > > \"Jui", "Joe flinched, his right Eyebrow started twitching. He just stood there, and did", "readers? Scene 11: POV-Character Joe, in the scene, the reader can see/hear/smell etc.", "it brought unwelcome memories of a courtroom. > > The eyes of the", "THE SCENES IN MY BOOK ARE NOT THE SAME, they are only the", "Joe, in this scene, the readers experiences everything Joe does, including his inner", "whole body. Joe forced himself to keep walking. He wondered if these staring", "A Voice from behind. > Joe flinched, his right Eyebrow started twitching. He", "could run from this. > > > EDIT: THE SCENES IN MY BOOK", "english speaker] I am currently writing a novel, told from the 3rd-person POV,", "in this scene, the readers experiences everything Joe does, including his inner thoughts/reactions.", "hall of the Conneticut Corretion Facility, and the huge desk right in the", "SAME, they are only the same here for emphasis on point-of-view-intimacy. The second", "desk. > \"Jui Fmith?\" A Voice from behind. > Joe flinched, his right", "Fmith?\" A Voice from behind. > > Joe flinched. His felt the twitch", "Scene 11: POV-Character Joe, in the scene, the reader can see/hear/smell etc. everything", "right Eyebrow started twitching. He just stood there, and did not turn around.", "NOT THE SAME, they are only the same here for emphasis on point-of-view-intimacy.", "brought unwelcome memories of a courtroom. > > The eyes of the receptionist", "Had they caught up to him? What had given him away? There was", "the following confuse the readers? Scene 11: POV-Character Joe, in the scene, the", "Joe forced himself to keep walking. He wondered if these staring eyes could", "it to withhold information or to create a mysterious air about the character.", "via face/body/talk reactions. Example: > > Joe entered the bank. In the middle", "behind a huge desk, the receptionist waited. > Joe could see her eyes", "up to him? What had given him away? There was no way he", "way he could run from this. > > > EDIT: THE SCENES IN", "> > EDIT: THE SCENES IN MY BOOK ARE NOT THE SAME, they", "or to create a mysterious air about the character. Could this use of", "and emotions, they are only made visible via face/body/talk reactions. Example: > >", "information or to create a mysterious air about the character. Could this use", "body. Joe forced himself to keep walking. He wondered if these staring eyes", "Joe could see her eyes scanning him, while he walked towards the desk.", "he walked towards the desk. > \"Jui Fmith?\" A Voice from behind. >", "the scene, the reader can see/hear/smell etc. everything that Joe does. But to", "of the foyer, behind a huge desk, the receptionist waited. > Joe could", "only made visible via face/body/talk reactions. Example: > > Joe entered the bank.", "courtroom. > > The eyes of the receptionist seemed to scan his whole", "the twitch of his right eyebrow again. Had they caught up to him?", "to him? What had given him away? There was no way he could", "> > Joe entered the bank. The foyer reminded him of the entry", "flinched. His felt the twitch of his right eyebrow again. Had they caught", "are only made visible via face/body/talk reactions. Example: > > Joe entered the", "his right eyebrow again. Had they caught up to him? What had given", "in the scene, the reader can see/hear/smell etc. everything that Joe does. 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Example:", "> > > EDIT: THE SCENES IN MY BOOK ARE NOT THE SAME,", "Joe, in the scene, the reader can see/hear/smell etc. everything that Joe does.", "Scene 32: POV-Character Joe, in this scene, the readers experiences everything Joe does,", "to scan his whole body. Joe forced himself to keep walking. He wondered", "thoughts and emotions, they are only made visible via face/body/talk reactions. Example: >", "confuse the readers? Scene 11: POV-Character Joe, in the scene, the reader can", "32: POV-Character Joe, in this scene, the readers experiences everything Joe does, including", "> \"Jui Fmith?\" A Voice from behind. > Joe flinched, his right Eyebrow", "The eyes of the receptionist seemed to scan his whole body. Joe forced", "11: POV-Character Joe, in the scene, the reader can see/hear/smell etc. everything that", "eyes of the receptionist seemed to scan his whole body. Joe forced himself", "following confuse the readers? Scene 11: POV-Character Joe, in the scene, the reader", "The second type occurs generally later in the story. I am doing it", "could read his mind. > > \"Jui Fmith?\" A Voice from behind. >", "Will the following confuse the readers? Scene 11: POV-Character Joe, in the scene,", "Conneticut Corretion Facility, and the huge desk right in the middle of it", "only the same here for emphasis on point-of-view-intimacy. The second type occurs generally", "unwelcome memories of a courtroom. > > The eyes of the receptionist seemed", "eyes scanning him, while he walked towards the desk. > \"Jui Fmith?\" A", "speaker] I am currently writing a novel, told from the 3rd-person POV, with", "Joe flinched. His felt the twitch of his right eyebrow again. Had they", "I am currently writing a novel, told from the 3rd-person POV, with several", "from behind. > Joe flinched, his right Eyebrow started twitching. He just stood", "to create a mysterious air about the character. 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Could", "visible via face/body/talk reactions. Example: > > Joe entered the bank. In the", "a novel, told from the 3rd-person POV, with several characters being followed in", "etc. everything that Joe does. But to his thoughts and emotions, they are", "He just stood there, and did not turn around. > > > Scene", "Facility, and the huge desk right in the middle of it brought unwelcome", "experiences everything Joe does, including his inner thoughts/reactions. Example: > > Joe entered", "several characters being followed in different scenes. Will the following confuse the readers?", "IN MY BOOK ARE NOT THE SAME, they are only the same here", "the receptionist waited. > Joe could see her eyes scanning him, while he", "> \"Jui Fmith?\" A Voice from behind. > > Joe flinched. His felt", "the desk. > \"Jui Fmith?\" A Voice from behind. > Joe flinched, his", "him away? There was no way he could run from this. > >", "forced himself to keep walking. He wondered if these staring eyes could read", "eyebrow again. Had they caught up to him? What had given him away?", "him? What had given him away? There was no way he could run", "different scenes. Will the following confuse the readers? Scene 11: POV-Character Joe, in", "the foyer, behind a huge desk, the receptionist waited. > Joe could see", "Corretion Facility, and the huge desk right in the middle of it brought", "a native english speaker] I am currently writing a novel, told from the", "no way he could run from this. > > > EDIT: THE SCENES", "are only the same here for emphasis on point-of-view-intimacy. The second type occurs", "his right Eyebrow started twitching. He just stood there, and did not turn", "caught up to him? What had given him away? There was no way", "later in the story. I am doing it to withhold information or to", "this. > > > EDIT: THE SCENES IN MY BOOK ARE NOT THE", "MY BOOK ARE NOT THE SAME, they are only the same here for", "> > \"Jui Fmith?\" A Voice from behind. > > Joe flinched. His", "3rd-person POV, with several characters being followed in different scenes. Will the following", "thoughts/reactions. Example: > > Joe entered the bank. The foyer reminded him of", "What had given him away? There was no way he could run from", "if these staring eyes could read his mind. > > \"Jui Fmith?\" A", "given him away? There was no way he could run from this. >", "his thoughts and emotions, they are only made visible via face/body/talk reactions. Example:", "There was no way he could run from this. > > > EDIT:", "In the middle of the foyer, behind a huge desk, the receptionist waited.", "am doing it to withhold information or to create a mysterious air about", "had given him away? There was no way he could run from this.", "could see her eyes scanning him, while he walked towards the desk. >", "scene, the readers experiences everything Joe does, including his inner thoughts/reactions. Example: >", "reactions. Example: > > Joe entered the bank. In the middle of the", "Fmith?\" A Voice from behind. > Joe flinched, his right Eyebrow started twitching.", "right in the middle of it brought unwelcome memories of a courtroom. >", "in the middle of it brought unwelcome memories of a courtroom. > >", "his whole body. Joe forced himself to keep walking. He wondered if these", "occurs generally later in the story. I am doing it to withhold information", "the same here for emphasis on point-of-view-intimacy. The second type occurs generally later", "> > > Scene 32: POV-Character Joe, in this scene, the readers experiences", "> > Joe flinched. His felt the twitch of his right eyebrow again.", "eyes could read his mind. > > \"Jui Fmith?\" A Voice from behind.", "of a courtroom. > > The eyes of the receptionist seemed to scan", "does. But to his thoughts and emotions, they are only made visible via", "does, including his inner thoughts/reactions. Example: > > Joe entered the bank. The", "generally later in the story. I am doing it to withhold information or", "bank. The foyer reminded him of the entry hall of the Conneticut Corretion", "type occurs generally later in the story. I am doing it to withhold", "create a mysterious air about the character. Could this use of perspective lead", "currently writing a novel, told from the 3rd-person POV, with several characters being", "novel, told from the 3rd-person POV, with several characters being followed in different", "everything that Joe does. But to his thoughts and emotions, they are only", "there, and did not turn around. > > > Scene 32: POV-Character Joe,", "the bank. In the middle of the foyer, behind a huge desk, the", "around. > > > Scene 32: POV-Character Joe, in this scene, the readers", "A Voice from behind. > > Joe flinched. His felt the twitch of", "same here for emphasis on point-of-view-intimacy. The second type occurs generally later in", "foyer, behind a huge desk, the receptionist waited. > Joe could see her", "writing a novel, told from the 3rd-person POV, with several characters being followed", "the story. I am doing it to withhold information or to create a", "entered the bank. In the middle of the foyer, behind a huge desk,", "> > The eyes of the receptionist seemed to scan his whole body.", "right eyebrow again. Had they caught up to him? What had given him", "made visible via face/body/talk reactions. Example: > > Joe entered the bank. In", "> Joe flinched. His felt the twitch of his right eyebrow again. Had", "entered the bank. The foyer reminded him of the entry hall of the", "from behind. > > Joe flinched. His felt the twitch of his right", "a mysterious air about the character. Could this use of perspective lead to", "waited. > Joe could see her eyes scanning him, while he walked towards", "The foyer reminded him of the entry hall of the Conneticut Corretion Facility,", "> EDIT: THE SCENES IN MY BOOK ARE NOT THE SAME, they are", "started twitching. He just stood there, and did not turn around. > >", "felt the twitch of his right eyebrow again. Had they caught up to", "desk right in the middle of it brought unwelcome memories of a courtroom.", "withhold information or to create a mysterious air about the character. Could this", "with several characters being followed in different scenes. Will the following confuse the", "But to his thoughts and emotions, they are only made visible via face/body/talk", "just stood there, and did not turn around. > > > Scene 32:", "story. I am doing it to withhold information or to create a mysterious", "the bank. The foyer reminded him of the entry hall of the Conneticut", "Joe entered the bank. In the middle of the foyer, behind a huge", "was no way he could run from this. > > > EDIT: THE", "keep walking. He wondered if these staring eyes could read his mind. >", "staring eyes could read his mind. > > \"Jui Fmith?\" A Voice from", "wondered if these staring eyes could read his mind. > > \"Jui Fmith?\"", "the character. Could this use of perspective lead to problems in your opinion?", "scenes. Will the following confuse the readers? Scene 11: POV-Character Joe, in the", "of it brought unwelcome memories of a courtroom. > > The eyes of", "of the Conneticut Corretion Facility, and the huge desk right in the middle", "receptionist waited. > Joe could see her eyes scanning him, while he walked", "run from this. > > > EDIT: THE SCENES IN MY BOOK ARE", "see/hear/smell etc. everything that Joe does. But to his thoughts and emotions, they", "Eyebrow started twitching. He just stood there, and did not turn around. >", "SCENES IN MY BOOK ARE NOT THE SAME, they are only the same", "ARE NOT THE SAME, they are only the same here for emphasis on", "second type occurs generally later in the story. I am doing it to", "the reader can see/hear/smell etc. everything that Joe does. But to his thoughts", "they are only made visible via face/body/talk reactions. Example: > > Joe entered", "> Joe could see her eyes scanning him, while he walked towards the", "while he walked towards the desk. > \"Jui Fmith?\" A Voice from behind.", "> Joe entered the bank. In the middle of the foyer, behind a", "behind. > Joe flinched, his right Eyebrow started twitching. He just stood there,", "> Joe flinched, his right Eyebrow started twitching. He just stood there, and", "middle of the foyer, behind a huge desk, the receptionist waited. > Joe", "turn around. > > > Scene 32: POV-Character Joe, in this scene, the", "foyer reminded him of the entry hall of the Conneticut Corretion Facility, and", "him of the entry hall of the Conneticut Corretion Facility, and the huge", "and the huge desk right in the middle of it brought unwelcome memories", "followed in different scenes. Will the following confuse the readers? Scene 11: POV-Character", "characters being followed in different scenes. Will the following confuse the readers? Scene", "Joe entered the bank. The foyer reminded him of the entry hall of", "a courtroom. > > The eyes of the receptionist seemed to scan his", "entry hall of the Conneticut Corretion Facility, and the huge desk right in", "POV-Character Joe, in the scene, the reader can see/hear/smell etc. everything that Joe", "walked towards the desk. > \"Jui Fmith?\" A Voice from behind. > Joe", "the Conneticut Corretion Facility, and the huge desk right in the middle of", "in the story. I am doing it to withhold information or to create", "scanning him, while he walked towards the desk. > \"Jui Fmith?\" A Voice", "readers experiences everything Joe does, including his inner thoughts/reactions. Example: > > Joe", "> The eyes of the receptionist seemed to scan his whole body. Joe", "walking. He wondered if these staring eyes could read his mind. > >", "the 3rd-person POV, with several characters being followed in different scenes. Will the", "being followed in different scenes. Will the following confuse the readers? Scene 11:", "away? There was no way he could run from this. > > >", "BOOK ARE NOT THE SAME, they are only the same here for emphasis", "point-of-view-intimacy. The second type occurs generally later in the story. I am doing", "bank. In the middle of the foyer, behind a huge desk, the receptionist", "the readers? Scene 11: POV-Character Joe, in the scene, the reader can see/hear/smell", "mind. > > \"Jui Fmith?\" A Voice from behind. > > Joe flinched.", "EDIT: THE SCENES IN MY BOOK ARE NOT THE SAME, they are only", "her eyes scanning him, while he walked towards the desk. > \"Jui Fmith?\"", "they are only the same here for emphasis on point-of-view-intimacy. The second type", "did not turn around. > > > Scene 32: POV-Character Joe, in this", "\"Jui Fmith?\" A Voice from behind. > > Joe flinched. His felt the", "air about the character. Could this use of perspective lead to problems in", "for emphasis on point-of-view-intimacy. The second type occurs generally later in the story.", "the entry hall of the Conneticut Corretion Facility, and the huge desk right", "Joe does. But to his thoughts and emotions, they are only made visible", "that Joe does. But to his thoughts and emotions, they are only made", "from the 3rd-person POV, with several characters being followed in different scenes. Will", "Example: > > Joe entered the bank. In the middle of the foyer,", "again. Had they caught up to him? What had given him away? There", "stood there, and did not turn around. > > > Scene 32: POV-Character", "these staring eyes could read his mind. > > \"Jui Fmith?\" A Voice", "His felt the twitch of his right eyebrow again. Had they caught up", "in different scenes. Will the following confuse the readers? Scene 11: POV-Character Joe,", "towards the desk. > \"Jui Fmith?\" A Voice from behind. > Joe flinched,", "\"Jui Fmith?\" A Voice from behind. > Joe flinched, his right Eyebrow started", "Joe does, including his inner thoughts/reactions. Example: > > Joe entered the bank.", "[Not a native english speaker] I am currently writing a novel, told from", "desk, the receptionist waited. > Joe could see her eyes scanning him, while", "scan his whole body. Joe forced himself to keep walking. He wondered if", "Voice from behind. > Joe flinched, his right Eyebrow started twitching. He just", "flinched, his right Eyebrow started twitching. He just stood there, and did not", "twitching. He just stood there, and did not turn around. > > >", "mysterious air about the character. Could this use of perspective lead to problems", "about the character. Could this use of perspective lead to problems in your", "from this. > > > EDIT: THE SCENES IN MY BOOK ARE NOT", "here for emphasis on point-of-view-intimacy. The second type occurs generally later in the", "the middle of the foyer, behind a huge desk, the receptionist waited. >", "POV, with several characters being followed in different scenes. Will the following confuse", "middle of it brought unwelcome memories of a courtroom. > > The eyes", "reminded him of the entry hall of the Conneticut Corretion Facility, and the", "on point-of-view-intimacy. The second type occurs generally later in the story. I am", "inner thoughts/reactions. Example: > > Joe entered the bank. The foyer reminded him", "the huge desk right in the middle of it brought unwelcome memories of", "reader can see/hear/smell etc. everything that Joe does. But to his thoughts and", "twitch of his right eyebrow again. Had they caught up to him? What", "not turn around. > > > Scene 32: POV-Character Joe, in this scene,", "his mind. > > \"Jui Fmith?\" A Voice from behind. > > Joe", "of the entry hall of the Conneticut Corretion Facility, and the huge desk", "seemed to scan his whole body. Joe forced himself to keep walking. He", "a huge desk, the receptionist waited. > Joe could see her eyes scanning", "> > Joe entered the bank. In the middle of the foyer, behind", "I am doing it to withhold information or to create a mysterious air", "the readers experiences everything Joe does, including his inner thoughts/reactions. Example: > >", "> > Scene 32: POV-Character Joe, in this scene, the readers experiences everything", "am currently writing a novel, told from the 3rd-person POV, with several characters", "POV-Character Joe, in this scene, the readers experiences everything Joe does, including his", "native english speaker] I am currently writing a novel, told from the 3rd-person", "to his thoughts and emotions, they are only made visible via face/body/talk reactions." ]
[ "(Kevin Spacey) signs a document. What make/model is the pen that he used?", "document. What make/model is the pen that he used? Could be insufficient to", "Cards S02E13, Francis Underwood (Kevin Spacey) signs a document. What make/model is the", "At around the 26:50 mark of House of Cards S02E13, Francis Underwood (Kevin", "Underwood (Kevin Spacey) signs a document. What make/model is the pen that he", "signs a document. What make/model is the pen that he used? Could be", "26:50 mark of House of Cards S02E13, Francis Underwood (Kevin Spacey) signs a", "pen that he used? Could be insufficient to answer, but here's the image:", "S02E13, Francis Underwood (Kevin Spacey) signs a document. What make/model is the pen", "Francis Underwood (Kevin Spacey) signs a document. What make/model is the pen that", "the pen that he used? Could be insufficient to answer, but here's the", "the 26:50 mark of House of Cards S02E13, Francis Underwood (Kevin Spacey) signs", "House of Cards S02E13, Francis Underwood (Kevin Spacey) signs a document. What make/model", "make/model is the pen that he used? Could be insufficient to answer, but", "is the pen that he used? Could be insufficient to answer, but here's", "that he used? Could be insufficient to answer, but here's the image: [![https://i.stack.imgur.com/jrWuv.jpg](https://i.stack.imgur.com/jrWuv.jpg)](https://i.stack.imgur.com/jrWuv.jpg)", "of Cards S02E13, Francis Underwood (Kevin Spacey) signs a document. What make/model is", "What make/model is the pen that he used? Could be insufficient to answer,", "of House of Cards S02E13, Francis Underwood (Kevin Spacey) signs a document. What", "mark of House of Cards S02E13, Francis Underwood (Kevin Spacey) signs a document.", "Spacey) signs a document. What make/model is the pen that he used? Could", "around the 26:50 mark of House of Cards S02E13, Francis Underwood (Kevin Spacey)", "a document. What make/model is the pen that he used? Could be insufficient" ]
[ "I've written poetry before that, with a tune, could be turned into a", "would say I'm pretty good at it. I also really like music, and", "I am disappointed with the results. Is this common? And how do I", "pretty good at it. I also really like music, and I can create", "how do I fix this? How can I transition from poetry to song-writing,", "do I fix this? How can I transition from poetry to song-writing, even", "like music, and I can create simple melodies that I hum to myself.", "my attempts fall flat, and I don't understand why. I'm good at rhyming", "song, not a poem, I am disappointed with the results. Is this common?", "I'm good at rhyming and metering and I've written poetry before that, with", "a song, but when I actually set out to write a song, not", "myself. But whenever I try to write a song, my attempts fall flat,", "poem, I am disappointed with the results. Is this common? And how do", "really like music, and I can create simple melodies that I hum to", "into a song, but when I actually set out to write a song,", "a poem, I am disappointed with the results. Is this common? And how", "poetry since I was nine, and I would say I'm pretty good at", "I was nine, and I would say I'm pretty good at it. I", "good at it. I also really like music, and I can create simple", "metering and I've written poetry before that, with a tune, could be turned", "try to write a song, my attempts fall flat, and I don't understand", "whenever I try to write a song, my attempts fall flat, and I", "attempts fall flat, and I don't understand why. I'm good at rhyming and", "and metering and I've written poetry before that, with a tune, could be", "was nine, and I would say I'm pretty good at it. I also", "actually set out to write a song, not a poem, I am disappointed", "and I don't understand why. I'm good at rhyming and metering and I've", "also really like music, and I can create simple melodies that I hum", "I hum to myself. But whenever I try to write a song, my", "I don't understand why. I'm good at rhyming and metering and I've written", "I fix this? How can I transition from poetry to song-writing, even though", "write a song, my attempts fall flat, and I don't understand why. I'm", "understand why. I'm good at rhyming and metering and I've written poetry before", "melodies that I hum to myself. But whenever I try to write a", "fix this? How can I transition from poetry to song-writing, even though they", "written poetry since I was nine, and I would say I'm pretty good", "be turned into a song, but when I actually set out to write", "don't understand why. I'm good at rhyming and metering and I've written poetry", "out to write a song, not a poem, I am disappointed with the", "I can create simple melodies that I hum to myself. But whenever I", "but when I actually set out to write a song, not a poem,", "song, but when I actually set out to write a song, not a", "to myself. But whenever I try to write a song, my attempts fall", "poetry before that, with a tune, could be turned into a song, but", "I actually set out to write a song, not a poem, I am", "before that, with a tune, could be turned into a song, but when", "why. I'm good at rhyming and metering and I've written poetry before that,", "at rhyming and metering and I've written poetry before that, with a tune,", "Is this common? And how do I fix this? How can I transition", "turned into a song, but when I actually set out to write a", "set out to write a song, not a poem, I am disappointed with", "say I'm pretty good at it. I also really like music, and I", "not a poem, I am disappointed with the results. Is this common? And", "that, with a tune, could be turned into a song, but when I", "create simple melodies that I hum to myself. But whenever I try to", "tune, could be turned into a song, but when I actually set out", "I would say I'm pretty good at it. I also really like music,", "I've written poetry since I was nine, and I would say I'm pretty", "and I can create simple melodies that I hum to myself. But whenever", "nine, and I would say I'm pretty good at it. I also really", "can create simple melodies that I hum to myself. But whenever I try", "good at rhyming and metering and I've written poetry before that, with a", "I try to write a song, my attempts fall flat, and I don't", "common? And how do I fix this? How can I transition from poetry", "and I've written poetry before that, with a tune, could be turned into", "a song, my attempts fall flat, and I don't understand why. I'm good", "written poetry before that, with a tune, could be turned into a song,", "a tune, could be turned into a song, but when I actually set", "this common? And how do I fix this? How can I transition from", "with a tune, could be turned into a song, but when I actually", "song, my attempts fall flat, and I don't understand why. I'm good at", "write a song, not a poem, I am disappointed with the results. Is", "results. Is this common? And how do I fix this? How can I", "rhyming and metering and I've written poetry before that, with a tune, could", "am disappointed with the results. Is this common? And how do I fix", "when I actually set out to write a song, not a poem, I", "to write a song, my attempts fall flat, and I don't understand why.", "a song, not a poem, I am disappointed with the results. Is this", "to write a song, not a poem, I am disappointed with the results.", "since I was nine, and I would say I'm pretty good at it.", "it. I also really like music, and I can create simple melodies that", "flat, and I don't understand why. I'm good at rhyming and metering and", "fall flat, and I don't understand why. I'm good at rhyming and metering", "could be turned into a song, but when I actually set out to", "and I would say I'm pretty good at it. I also really like", "at it. I also really like music, and I can create simple melodies", "How can I transition from poetry to song-writing, even though they are similar?", "with the results. Is this common? And how do I fix this? How", "But whenever I try to write a song, my attempts fall flat, and", "hum to myself. But whenever I try to write a song, my attempts", "disappointed with the results. Is this common? And how do I fix this?", "I also really like music, and I can create simple melodies that I", "simple melodies that I hum to myself. But whenever I try to write", "And how do I fix this? How can I transition from poetry to", "music, and I can create simple melodies that I hum to myself. But", "that I hum to myself. But whenever I try to write a song,", "this? How can I transition from poetry to song-writing, even though they are", "I'm pretty good at it. I also really like music, and I can", "the results. Is this common? And how do I fix this? How can" ]
[ "their code, analyze it, and give them suggestions for improvement. I would like", "in our product, such as a Product Manager, and user documentation, such as", "hired to dig down into the code and actually write sample code to", "software engineering experience inside software development. I read [this](https://writing.stackexchange.com/questions/5170/explaining-that-experience-is-far-greater-than-official-job-title-implies), but it didn't help.", "Writers, you are wrong. The primary reason I want to do this is", "receive my emails and read my resume can tell by my title that", "write content for the average website reader interested in our product, such as", "my email signature and resume to show that I have in-depth software engineering", "firm who needed multiple types of writers: A few people were hired to", "types of writers: A few people were hired to write content for the", "interface with the development team on a daily basis and actually test their", "my job title on my email signature and resume to show that I", "a Technical Writer at a firm who needed multiple types of writers: A", "team on a daily basis and actually test their code, analyze it, and", "development kit). I interface with the development team on a daily basis and", "is to puff myself up or to downplay normal Technical Writers, you are", "thought perhaps: * Technical Writer (Sr. Poztzare Engepeol) * Technical Writer as Sr.", "descriptive term in my job title on my email signature and resume to", "with the development team on a daily basis and actually test their code,", "product, such as a Product Manager, and user documentation, such as user guides.", "email signature and resume to show that I have in-depth software engineering knowledge.", "and actually write sample code to explain how to use the company's SDK", "sample code to explain how to use the company's SDK (software development kit).", "I was hired to dig down into the code and actually write sample", "into the code and actually write sample code to explain how to use", "my resume doesn't look like I switched careers. The secondary reason is so", "read my resume can tell by my title that I have extensive software", "was hired to dig down into the code and actually write sample code", "such as user guides. However, I was hired to dig down into the", "like to add another descriptive term in my job title on my email", "anyone who thinks this is to puff myself up or to downplay normal", "my title that I have extensive software engineering experience inside software development. I", "have been hired as a Technical Writer at a firm who needed multiple", "writers: A few people were hired to write content for the average website", "code, analyze it, and give them suggestions for improvement. I would like to", "and resume to show that I have in-depth software engineering knowledge. For anyone", "to puff myself up or to downplay normal Technical Writers, you are wrong.", "been hired as a Technical Writer at a firm who needed multiple types", "to dig down into the code and actually write sample code to explain", "explain how to use the company's SDK (software development kit). I interface with", "analyze it, and give them suggestions for improvement. I would like to add", "user guides. However, I was hired to dig down into the code and", "as a Product Manager, and user documentation, such as user guides. However, I", "knowledge. For anyone who thinks this is to puff myself up or to", "Of course, I searched the internet, too. I found articles about my current", "[this](https://writing.stackexchange.com/questions/5170/explaining-that-experience-is-far-greater-than-official-job-title-implies), but it didn't help. Of course, I searched the internet, too. I", "I found articles about my current role, but nothing about job titles. I", "in-depth software engineering knowledge. For anyone who thinks this is to puff myself", "to downplay normal Technical Writers, you are wrong. The primary reason I want", "SDK (software development kit). I interface with the development team on a daily", "extensive software engineering experience inside software development. I read [this](https://writing.stackexchange.com/questions/5170/explaining-that-experience-is-far-greater-than-official-job-title-implies), but it didn't", "term in my job title on my email signature and resume to show", "that I have extensive software engineering experience inside software development. I read [this](https://writing.stackexchange.com/questions/5170/explaining-that-experience-is-far-greater-than-official-job-title-implies),", "too. I found articles about my current role, but nothing about job titles.", "them suggestions for improvement. I would like to add another descriptive term in", "at a firm who needed multiple types of writers: A few people were", "normal Technical Writers, you are wrong. The primary reason I want to do", "is so my resume doesn't look like I switched careers. The secondary reason", "it didn't help. Of course, I searched the internet, too. I found articles", "job titles. I thought perhaps: * Technical Writer (Sr. Poztzare Engepeol) * Technical", "of writers: A few people were hired to write content for the average", "a daily basis and actually test their code, analyze it, and give them", "another descriptive term in my job title on my email signature and resume", "is so that people who receive my emails and read my resume can", "software engineering knowledge. For anyone who thinks this is to puff myself up", "who receive my emails and read my resume can tell by my title", "so my resume doesn't look like I switched careers. The secondary reason is", "my resume can tell by my title that I have extensive software engineering", "code to explain how to use the company's SDK (software development kit). I", "to do this is so my resume doesn't look like I switched careers.", "a Product Manager, and user documentation, such as user guides. However, I was", "to explain how to use the company's SDK (software development kit). I interface", "and read my resume can tell by my title that I have extensive", "(Sr. Poztzare Engepeol) * Technical Writer as Sr. Poztzare Engepeol * Technical Writer", "by my title that I have extensive software engineering experience inside software development.", "found articles about my current role, but nothing about job titles. I thought", "current role, but nothing about job titles. I thought perhaps: * Technical Writer", "primary reason I want to do this is so my resume doesn't look", "I switched careers. The secondary reason is so that people who receive my", "* Technical Writer (Sr. Poztzare Engepeol) * Technical Writer as Sr. Poztzare Engepeol", "this is so my resume doesn't look like I switched careers. The secondary", "engineering knowledge. For anyone who thinks this is to puff myself up or", "tell by my title that I have extensive software engineering experience inside software", "my emails and read my resume can tell by my title that I", "are wrong. The primary reason I want to do this is so my", "look like I switched careers. The secondary reason is so that people who", "myself up or to downplay normal Technical Writers, you are wrong. The primary", "Technical Writer at a firm who needed multiple types of writers: A few", "up or to downplay normal Technical Writers, you are wrong. The primary reason", "nothing about job titles. I thought perhaps: * Technical Writer (Sr. Poztzare Engepeol)", "Poztzare Engepeol) * Technical Writer as Sr. Poztzare Engepeol * Technical Writer specializing", "course, I searched the internet, too. I found articles about my current role,", "titles. I thought perhaps: * Technical Writer (Sr. Poztzare Engepeol) * Technical Writer", "Manager, and user documentation, such as user guides. However, I was hired to", "average website reader interested in our product, such as a Product Manager, and", "and user documentation, such as user guides. However, I was hired to dig", "user documentation, such as user guides. However, I was hired to dig down", "title on my email signature and resume to show that I have in-depth", "the code and actually write sample code to explain how to use the", "The primary reason I want to do this is so my resume doesn't", "role, but nothing about job titles. I thought perhaps: * Technical Writer (Sr.", "(software development kit). I interface with the development team on a daily basis", "Writer as Sr. Poztzare Engepeol * Technical Writer specializing in the full SDLC", "test their code, analyze it, and give them suggestions for improvement. I would", "want to do this is so my resume doesn't look like I switched", "resume doesn't look like I switched careers. The secondary reason is so that", "resume to show that I have in-depth software engineering knowledge. For anyone who", "guides. However, I was hired to dig down into the code and actually", "few people were hired to write content for the average website reader interested", "reason is so that people who receive my emails and read my resume", "improvement. I would like to add another descriptive term in my job title", "would like to add another descriptive term in my job title on my", "I want to do this is so my resume doesn't look like I", "multiple types of writers: A few people were hired to write content for", "to add another descriptive term in my job title on my email signature", "the development team on a daily basis and actually test their code, analyze", "do this is so my resume doesn't look like I switched careers. The", "emails and read my resume can tell by my title that I have", "I have been hired as a Technical Writer at a firm who needed", "to write content for the average website reader interested in our product, such", "Engepeol) * Technical Writer as Sr. Poztzare Engepeol * Technical Writer specializing in", "you are wrong. The primary reason I want to do this is so", "have in-depth software engineering knowledge. For anyone who thinks this is to puff", "didn't help. Of course, I searched the internet, too. I found articles about", "daily basis and actually test their code, analyze it, and give them suggestions", "puff myself up or to downplay normal Technical Writers, you are wrong. The", "A few people were hired to write content for the average website reader", "resume can tell by my title that I have extensive software engineering experience", "and actually test their code, analyze it, and give them suggestions for improvement.", "have extensive software engineering experience inside software development. I read [this](https://writing.stackexchange.com/questions/5170/explaining-that-experience-is-far-greater-than-official-job-title-implies), but it", "suggestions for improvement. I would like to add another descriptive term in my", "switched careers. The secondary reason is so that people who receive my emails", "as a Technical Writer at a firm who needed multiple types of writers:", "on my email signature and resume to show that I have in-depth software", "who thinks this is to puff myself up or to downplay normal Technical", "dig down into the code and actually write sample code to explain how", "reader interested in our product, such as a Product Manager, and user documentation,", "searched the internet, too. I found articles about my current role, but nothing", "but nothing about job titles. I thought perhaps: * Technical Writer (Sr. Poztzare", "I have extensive software engineering experience inside software development. I read [this](https://writing.stackexchange.com/questions/5170/explaining-that-experience-is-far-greater-than-official-job-title-implies), but", "development team on a daily basis and actually test their code, analyze it,", "like I switched careers. The secondary reason is so that people who receive", "downplay normal Technical Writers, you are wrong. The primary reason I want to", "a firm who needed multiple types of writers: A few people were hired", "content for the average website reader interested in our product, such as a", "that people who receive my emails and read my resume can tell by", "were hired to write content for the average website reader interested in our", "my current role, but nothing about job titles. I thought perhaps: * Technical", "actually test their code, analyze it, and give them suggestions for improvement. I", "company's SDK (software development kit). I interface with the development team on a", "it, and give them suggestions for improvement. I would like to add another", "For anyone who thinks this is to puff myself up or to downplay", "perhaps: * Technical Writer (Sr. Poztzare Engepeol) * Technical Writer as Sr. Poztzare", "code and actually write sample code to explain how to use the company's", "Technical Writer as Sr. Poztzare Engepeol * Technical Writer specializing in the full", "experience inside software development. I read [this](https://writing.stackexchange.com/questions/5170/explaining-that-experience-is-far-greater-than-official-job-title-implies), but it didn't help. Of course,", "who needed multiple types of writers: A few people were hired to write", "to show that I have in-depth software engineering knowledge. For anyone who thinks", "inside software development. I read [this](https://writing.stackexchange.com/questions/5170/explaining-that-experience-is-far-greater-than-official-job-title-implies), but it didn't help. Of course, I", "title that I have extensive software engineering experience inside software development. I read", "about my current role, but nothing about job titles. I thought perhaps: ", "can tell by my title that I have extensive software engineering experience inside", "the company's SDK (software development kit). I interface with the development team on", "read [this](https://writing.stackexchange.com/questions/5170/explaining-that-experience-is-far-greater-than-official-job-title-implies), but it didn't help. Of course, I searched the internet, too.", "to use the company's SDK (software development kit). I interface with the development", "interested in our product, such as a Product Manager, and user documentation, such", "down into the code and actually write sample code to explain how to", "hired as a Technical Writer at a firm who needed multiple types of", "basis and actually test their code, analyze it, and give them suggestions for", "and give them suggestions for improvement. I would like to add another descriptive", "signature and resume to show that I have in-depth software engineering knowledge. For", "Writer (Sr. Poztzare Engepeol) Technical Writer as Sr. Poztzare Engepeol * Technical", "* Technical Writer as Sr. Poztzare Engepeol * Technical Writer specializing in the", "I searched the internet, too. I found articles about my current role, but", "show that I have in-depth software engineering knowledge. For anyone who thinks this", "engineering experience inside software development. I read [this](https://writing.stackexchange.com/questions/5170/explaining-that-experience-is-far-greater-than-official-job-title-implies), but it didn't help. Of", "Technical Writers, you are wrong. The primary reason I want to do this", "for the average website reader interested in our product, such as a Product", "about job titles. I thought perhaps: * Technical Writer (Sr. Poztzare Engepeol) ", "kit). I interface with the development team on a daily basis and actually", "I thought perhaps: Technical Writer (Sr. Poztzare Engepeol) * Technical Writer as", "people were hired to write content for the average website reader interested in", "this is to puff myself up or to downplay normal Technical Writers, you", "how to use the company's SDK (software development kit). I interface with the", "However, I was hired to dig down into the code and actually write", "website reader interested in our product, such as a Product Manager, and user", "the average website reader interested in our product, such as a Product Manager,", "use the company's SDK (software development kit). I interface with the development team", "I interface with the development team on a daily basis and actually test", "give them suggestions for improvement. I would like to add another descriptive term", "reason I want to do this is so my resume doesn't look like", "I read [this](https://writing.stackexchange.com/questions/5170/explaining-that-experience-is-far-greater-than-official-job-title-implies), but it didn't help. Of course, I searched the internet,", "for improvement. I would like to add another descriptive term in my job", "software development. I read [this](https://writing.stackexchange.com/questions/5170/explaining-that-experience-is-far-greater-than-official-job-title-implies), but it didn't help. Of course, I searched", "careers. The secondary reason is so that people who receive my emails and", "internet, too. I found articles about my current role, but nothing about job", "Product Manager, and user documentation, such as user guides. However, I was hired", "Writer at a firm who needed multiple types of writers: A few people", "or to downplay normal Technical Writers, you are wrong. The primary reason I", "development. I read [this](https://writing.stackexchange.com/questions/5170/explaining-that-experience-is-far-greater-than-official-job-title-implies), but it didn't help. Of course, I searched the", "that I have in-depth software engineering knowledge. For anyone who thinks this is", "help. Of course, I searched the internet, too. I found articles about my", "as user guides. However, I was hired to dig down into the code", "wrong. The primary reason I want to do this is so my resume", "the internet, too. I found articles about my current role, but nothing about", "such as a Product Manager, and user documentation, such as user guides. However,", "actually write sample code to explain how to use the company's SDK (software", "people who receive my emails and read my resume can tell by my", "documentation, such as user guides. However, I was hired to dig down into", "add another descriptive term in my job title on my email signature and", "on a daily basis and actually test their code, analyze it, and give", "I have in-depth software engineering knowledge. For anyone who thinks this is to", "but it didn't help. Of course, I searched the internet, too. I found", "doesn't look like I switched careers. The secondary reason is so that people", "in my job title on my email signature and resume to show that", "articles about my current role, but nothing about job titles. I thought perhaps:", "secondary reason is so that people who receive my emails and read my", "write sample code to explain how to use the company's SDK (software development", "our product, such as a Product Manager, and user documentation, such as user", "so that people who receive my emails and read my resume can tell", "Technical Writer (Sr. Poztzare Engepeol) * Technical Writer as Sr. Poztzare Engepeol *", "I would like to add another descriptive term in my job title on", "hired to write content for the average website reader interested in our product,", "needed multiple types of writers: A few people were hired to write content", "job title on my email signature and resume to show that I have", "thinks this is to puff myself up or to downplay normal Technical Writers,", "The secondary reason is so that people who receive my emails and read" ]
[ "to cheat this process. MohaBE is transferable through a dark ritual that ends", "practice and training. This will determine how well it can be controlled and", "show visually, but harder to show the true horror of it in written", "themselves stronger. These witches are called crones. . MohaBE that has been honed", "this process. MohaBE is transferable through a dark ritual that ends in the", "resemblance to humanity. Therefore, crones must operate away from society, and use proxies", "goes beyond traditional acts of criminality. This would be easy to show visually,", "sought after targets. At a certain point, a witch would achieve apotheosis and", "to show visually, but harder to show the true horror of it in", "to humanity. Therefore, crones must operate away from society, and use proxies to", "setting, represented as something that is separate from regular murder and goes beyond", "humanity. Therefore, crones must operate away from society, and use proxies to obtain", "are called crones. . MohaBE that has been honed with training gives crones", "ends in the death of a host. Through this process, a renegade witch", "to obtain victims for them. This is meant to be the most monstrously", "visually, but harder to show the true horror of it in written form.", "a renegade witch can absorb the mana of others, making themselves stronger. These", "training. This will determine how well it can be controlled and used to", "crones. . MohaBE that has been honed with training gives crones the most", "criminality. This would be easy to show visually, but harder to show the", "in the death of a host. Through this process, a renegade witch can", "spells. However, there is a way to cheat this process. MohaBE is transferable", "it can be controlled and used to perform spells. However, there is a", "most sought after targets. At a certain point, a witch would achieve apotheosis", "leads to physical changes in a crone, eventually losing all resemblance to humanity.", "into a higher life form. However, absorbing mana from others leads to physical", "can absorb the mana of others, making themselves stronger. These witches are called", "is separate from regular murder and goes beyond traditional acts of criminality. This", "born with all the mana they will ever have, but it can be", "making competent witches the most sought after targets. At a certain point, a", "obtain victims for them. This is meant to be the most monstrously evil", "increases with age and peaks at a certain point. Individuals are born with", "the death of a host. Through this process, a renegade witch can absorb", "process, a renegade witch can absorb the mana of others, making themselves stronger.", "will determine how well it can be controlled and used to perform spells.", "of criminality. This would be easy to show visually, but harder to show", "something that is separate from regular murder and goes beyond traditional acts of", "true horror of it in written form. How can I emphasize it in", "Individuals are born with all the mana they will ever have, but it", "that is separate from regular murder and goes beyond traditional acts of criminality.", "dark ritual that ends in the death of a host. Through this process,", "to show the true horror of it in written form. How can I", "ever have, but it can be refined with practice and training. This will", "death of a host. Through this process, a renegade witch can absorb the", ". MohaBE that has been honed with training gives crones the most power,", "can be refined with practice and training. This will determine how well it", "losing all resemblance to humanity. Therefore, crones must operate away from society, and", "be refined with practice and training. This will determine how well it can", "after targets. At a certain point, a witch would achieve apotheosis and evolve", "and evolve into a higher life form. However, absorbing mana from others leads", "all resemblance to humanity. Therefore, crones must operate away from society, and use", "society, and use proxies to obtain victims for them. This is meant to", "These witches are called crones. . MohaBE that has been honed with training", "determine how well it can be controlled and used to perform spells. However,", "operate away from society, and use proxies to obtain victims for them. This", "it can be refined with practice and training. This will determine how well", "making themselves stronger. These witches are called crones. . MohaBE that has been", "perform spells. However, there is a way to cheat this process. MohaBE is", "well it can be controlled and used to perform spells. However, there is", "and use proxies to obtain victims for them. This is meant to be", "amount of mana, which increases with age and peaks at a certain point.", "evil acts in the world's setting, represented as something that is separate from", "the true horror of it in written form. How can I emphasize it", "for them. This is meant to be the most monstrously evil acts in", "witch can absorb the mana of others, making themselves stronger. These witches are", "there is a way to cheat this process. MohaBE is transferable through a", "is born with a certain amount of mana, which increases with age and", "training gives crones the most power, making competent witches the most sought after", "away from society, and use proxies to obtain victims for them. This is", "victims for them. This is meant to be the most monstrously evil acts", "a certain point, a witch would achieve apotheosis and evolve into a higher", "to physical changes in a crone, eventually losing all resemblance to humanity. Therefore,", "certain point, a witch would achieve apotheosis and evolve into a higher life", "traditional acts of criminality. This would be easy to show visually, but harder", "show the true horror of it in written form. How can I emphasize", "host. Through this process, a renegade witch can absorb the mana of others,", "the most monstrously evil acts in the world's setting, represented as something that", "in written form. How can I emphasize it in written form without the", "This is meant to be the most monstrously evil acts in the world's", "how well it can be controlled and used to perform spells. However, there", "mana of others, making themselves stronger. These witches are called crones. . MohaBE", "witches the most sought after targets. At a certain point, a witch would", "that ends in the death of a host. Through this process, a renegade", "However, absorbing mana from others leads to physical changes in a crone, eventually", "would achieve apotheosis and evolve into a higher life form. However, absorbing mana", "be easy to show visually, but harder to show the true horror of", "is transferable through a dark ritual that ends in the death of a", "ritual that ends in the death of a host. Through this process, a", "in the world's setting, represented as something that is separate from regular murder", "A person is born with a certain amount of mana, which increases with", "and training. This will determine how well it can be controlled and used", "a dark ritual that ends in the death of a host. Through this", "apotheosis and evolve into a higher life form. However, absorbing mana from others", "them. This is meant to be the most monstrously evil acts in the", "represented as something that is separate from regular murder and goes beyond traditional", "renegade witch can absorb the mana of others, making themselves stronger. These witches", "absorb the mana of others, making themselves stronger. These witches are called crones.", "with training gives crones the most power, making competent witches the most sought", "but it can be refined with practice and training. This will determine how", "form. How can I emphasize it in written form without the benefit of", "certain amount of mana, which increases with age and peaks at a certain", "honed with training gives crones the most power, making competent witches the most", "have, but it can be refined with practice and training. This will determine", "MohaBE is transferable through a dark ritual that ends in the death of", "gives crones the most power, making competent witches the most sought after targets.", "the most sought after targets. At a certain point, a witch would achieve", "monstrously evil acts in the world's setting, represented as something that is separate", "life form. However, absorbing mana from others leads to physical changes in a", "and used to perform spells. However, there is a way to cheat this", "transferable through a dark ritual that ends in the death of a host.", "world's setting, represented as something that is separate from regular murder and goes", "must operate away from society, and use proxies to obtain victims for them.", "absorbing mana from others leads to physical changes in a crone, eventually losing", "process. MohaBE is transferable through a dark ritual that ends in the death", "it in written form. How can I emphasize it in written form without", "as something that is separate from regular murder and goes beyond traditional acts", "of mana, which increases with age and peaks at a certain point. Individuals", "the world's setting, represented as something that is separate from regular murder and", "competent witches the most sought after targets. At a certain point, a witch", "meant to be the most monstrously evil acts in the world's setting, represented", "However, there is a way to cheat this process. MohaBE is transferable through", "regular murder and goes beyond traditional acts of criminality. This would be easy", "separate from regular murder and goes beyond traditional acts of criminality. This would", "mana, which increases with age and peaks at a certain point. Individuals are", "controlled and used to perform spells. However, there is a way to cheat", "beyond traditional acts of criminality. This would be easy to show visually, but", "higher life form. However, absorbing mana from others leads to physical changes in", "from regular murder and goes beyond traditional acts of criminality. This would be", "age and peaks at a certain point. Individuals are born with all the", "certain point. Individuals are born with all the mana they will ever have,", "the mana of others, making themselves stronger. These witches are called crones. .", "crone, eventually losing all resemblance to humanity. Therefore, crones must operate away from", "eventually losing all resemblance to humanity. Therefore, crones must operate away from society,", "mana they will ever have, but it can be refined with practice and", "evolve into a higher life form. However, absorbing mana from others leads to", "crones the most power, making competent witches the most sought after targets. At", "with practice and training. This will determine how well it can be controlled", "can be controlled and used to perform spells. However, there is a way", "of others, making themselves stronger. These witches are called crones. . MohaBE that", "all the mana they will ever have, but it can be refined with", "used to perform spells. However, there is a way to cheat this process.", "form. However, absorbing mana from others leads to physical changes in a crone,", "would be easy to show visually, but harder to show the true horror", "this process, a renegade witch can absorb the mana of others, making themselves", "through a dark ritual that ends in the death of a host. Through", "at a certain point. Individuals are born with all the mana they will", "others, making themselves stronger. These witches are called crones. . MohaBE that has", "use proxies to obtain victims for them. This is meant to be the", "harder to show the true horror of it in written form. How can", "How can I emphasize it in written form without the benefit of graphical", "to be the most monstrously evil acts in the world's setting, represented as", "Therefore, crones must operate away from society, and use proxies to obtain victims", "is a way to cheat this process. MohaBE is transferable through a dark", "Through this process, a renegade witch can absorb the mana of others, making", "been honed with training gives crones the most power, making competent witches the", "are born with all the mana they will ever have, but it can", "acts of criminality. This would be easy to show visually, but harder to", "cheat this process. MohaBE is transferable through a dark ritual that ends in", "to perform spells. However, there is a way to cheat this process. MohaBE", "a certain point. Individuals are born with all the mana they will ever", "with all the mana they will ever have, but it can be refined", "This will determine how well it can be controlled and used to perform", "but harder to show the true horror of it in written form. How", "stronger. These witches are called crones. . MohaBE that has been honed with", "a host. Through this process, a renegade witch can absorb the mana of", "proxies to obtain victims for them. This is meant to be the most", "mana from others leads to physical changes in a crone, eventually losing all", "they will ever have, but it can be refined with practice and training.", "peaks at a certain point. Individuals are born with all the mana they", "changes in a crone, eventually losing all resemblance to humanity. Therefore, crones must", "written form. How can I emphasize it in written form without the benefit", "At a certain point, a witch would achieve apotheosis and evolve into a", "person is born with a certain amount of mana, which increases with age", "point, a witch would achieve apotheosis and evolve into a higher life form.", "a higher life form. However, absorbing mana from others leads to physical changes", "horror of it in written form. How can I emphasize it in written", "physical changes in a crone, eventually losing all resemblance to humanity. Therefore, crones", "refined with practice and training. This will determine how well it can be", "others leads to physical changes in a crone, eventually losing all resemblance to", "way to cheat this process. MohaBE is transferable through a dark ritual that", "a crone, eventually losing all resemblance to humanity. Therefore, crones must operate away", "and peaks at a certain point. Individuals are born with all the mana", "a certain amount of mana, which increases with age and peaks at a", "and goes beyond traditional acts of criminality. This would be easy to show", "be the most monstrously evil acts in the world's setting, represented as something", "easy to show visually, but harder to show the true horror of it", "will ever have, but it can be refined with practice and training. This", "which increases with age and peaks at a certain point. Individuals are born", "that has been honed with training gives crones the most power, making competent", "point. Individuals are born with all the mana they will ever have, but", "be controlled and used to perform spells. However, there is a way to", "from society, and use proxies to obtain victims for them. This is meant", "from others leads to physical changes in a crone, eventually losing all resemblance", "the mana they will ever have, but it can be refined with practice", "witches are called crones. . MohaBE that has been honed with training gives", "targets. At a certain point, a witch would achieve apotheosis and evolve into", "power, making competent witches the most sought after targets. At a certain point,", "acts in the world's setting, represented as something that is separate from regular", "a way to cheat this process. MohaBE is transferable through a dark ritual", "can I emphasize it in written form without the benefit of graphical images?", "crones must operate away from society, and use proxies to obtain victims for", "the most power, making competent witches the most sought after targets. At a", "born with a certain amount of mana, which increases with age and peaks", "with a certain amount of mana, which increases with age and peaks at", "of a host. Through this process, a renegade witch can absorb the mana", "MohaBE that has been honed with training gives crones the most power, making", "a witch would achieve apotheosis and evolve into a higher life form. However,", "witch would achieve apotheosis and evolve into a higher life form. However, absorbing", "with age and peaks at a certain point. Individuals are born with all", "most power, making competent witches the most sought after targets. At a certain", "called crones. . MohaBE that has been honed with training gives crones the", "murder and goes beyond traditional acts of criminality. This would be easy to", "achieve apotheosis and evolve into a higher life form. However, absorbing mana from", "This would be easy to show visually, but harder to show the true", "of it in written form. How can I emphasize it in written form", "has been honed with training gives crones the most power, making competent witches", "in a crone, eventually losing all resemblance to humanity. Therefore, crones must operate", "is meant to be the most monstrously evil acts in the world's setting,", "most monstrously evil acts in the world's setting, represented as something that is" ]
[ "them in an natural way that instantly makes readers remember their names? The", "that most people in the story already know. How can I introduce them", "most people in the story already know. How can I introduce them in", "The story is in comic book form, so that might open up a", "are everyday animals that most people in the story already know. How can", "everyday animals that most people in the story already know. How can I", "in the story already know. How can I introduce them in an natural", "story already know. How can I introduce them in an natural way that", "know. How can I introduce them in an natural way that instantly makes", "names? The story is in comic book form, so that might open up", "the story, these fantasy creatures are everyday animals that most people in the", "animals that most people in the story already know. How can I introduce", "How can I introduce them in an natural way that instantly makes readers", "I introduce them in an natural way that instantly makes readers remember their", "instantly makes readers remember their names? The story is in comic book form,", "In the story, these fantasy creatures are everyday animals that most people in", "introduce them in an natural way that instantly makes readers remember their names?", "people in the story already know. How can I introduce them in an", "natural way that instantly makes readers remember their names? The story is in", "way that instantly makes readers remember their names? The story is in comic", "can I introduce them in an natural way that instantly makes readers remember", "fantasy creatures are everyday animals that most people in the story already know.", "that instantly makes readers remember their names? The story is in comic book", "story is in comic book form, so that might open up a few", "remember their names? The story is in comic book form, so that might", "makes readers remember their names? The story is in comic book form, so", "readers remember their names? The story is in comic book form, so that", "these fantasy creatures are everyday animals that most people in the story already", "the story already know. How can I introduce them in an natural way", "is in comic book form, so that might open up a few more", "already know. How can I introduce them in an natural way that instantly", "in an natural way that instantly makes readers remember their names? The story", "story, these fantasy creatures are everyday animals that most people in the story", "their names? The story is in comic book form, so that might open", "in comic book form, so that might open up a few more options.", "creatures are everyday animals that most people in the story already know. How", "an natural way that instantly makes readers remember their names? The story is" ]
[ "diversity to the genre? For what it's worth, she's not the only character", "quixotically, I like the idea that by not revealing her race, readers can", "her differently due to her race. There are no plot points which depend", "character's accent at one point, but it's vague enough that race can't be", "depend upon her being black (nor, for that matter, for any characters to", "I'm currently on the fourth draft of a novel I'm writing, which features", "that everyone else in the story whose race isn't explicitly stated is the", "some names which imply those people come from certain regions of the world.", "her or treats her differently due to her race. There are no plot", "focal characters, I don't see it as being as important a question for", "her more easily. Anyway, my question is: is it a bad thing that", "her race, readers can identify with her more easily. Anyway, my question is:", "race, readers can identify with her more easily. Anyway, my question is: is", "black. I say, \"in my mind\" because at no point in the story", "One of them, is, in my mind, black. I say, \"in my mind\"", "although there are some hints if you know where to look. There are", "for them. [\\] I do mention a character's accent at one point, but", "that I haven't revealed her race? What are the main downsides to not", "says that everyone else in the story whose race isn't explicitly stated is", "Seeing as how a lot of urban fantasy (the genre the novel is)", "be any particular race). Somewhat quixotically, I like the idea that by", "story do I ever explicitly state her race, although there are some hints", "several reasons why I haven't revealed her race: * By going out of", "to the genre? For what it's worth, she's not the only character who", "genre the novel is) features white male protagonists, would it be better to", "idea that by not revealing her race, readers can identify with her more", "don't see it as being as important a question for them. [\\] I", "for that matter, for any characters to be any particular race). Somewhat", "features two protagonists. One of them, is, in my mind, black. I say,", "because at no point in the story do I ever explicitly state her", "two protagonists. One of them, is, in my mind, black. I say, \"in", "in my mind, black. I say, \"in my mind\" because at no point", "isn't explicitly stated is the same race (implicitly white). At no point in", "is the same race (implicitly white). At no point in the story do", "or treats her differently due to her race. There are no plot points", "thing that I haven't revealed her race? What are the main downsides to", "downsides to not revealing her race? Seeing as how a lot of urban", "it as being as important a question for them. [\\] I do mention", "race? What are the main downsides to not revealing her race? Seeing as", "to reveal her race so as to add a bit of diversity to", "be extrapolated from it. There are also some names which imply those people", "currently on the fourth draft of a novel I'm writing, which features two", "upon her being black (nor, for that matter, for any characters to be", "in my mind is non-white, but seeing as how the others aren't focal", "to add a bit of diversity to the genre? For what it's worth,", "I like the idea that by not revealing her race, readers can identify", "it. There are also some names which imply those people come from certain", "By going out of my way to state that she's black, it implicitly", "it implicitly says that everyone else in the story whose race isn't explicitly", "are the main downsides to not revealing her race? Seeing as how a", "particular race). Somewhat quixotically, I like the idea that by not revealing", "genre? For what it's worth, she's not the only character who in my", "are some hints if you know where to look. There are several reasons", "know where to look. There are several reasons why I haven't revealed her", "the story - no one shows any signs of racism towards her or", "only character who in my mind is non-white, but seeing as how the", "everyone else in the story whose race isn't explicitly stated is the same", "- no one shows any signs of racism towards her or treats her", "that by not revealing her race, readers can identify with her more easily.", "male protagonists, would it be better to reveal her race so as to", "race. There are no plot points which depend upon her being black (nor,", "that matter, for any characters to be any particular race). * Somewhat quixotically,", "to her race. There are no plot points which depend upon her being", "add a bit of diversity to the genre? For what it's worth, she's", "it's vague enough that race can't be extrapolated from it. There are also", "that race can't be extrapolated from it. There are also some names which", "my mind\" because at no point in the story do I ever explicitly", "To me, her race doesn't matter to the story - no one shows", "to be any particular race). * Somewhat quixotically, I like the idea that", "black, it implicitly says that everyone else in the story whose race isn't", "doesn't matter to the story - no one shows any signs of racism", "aren't focal characters, I don't see it as being as important a question", "race\\. To me, her race doesn't matter to the story - no", "implicitly says that everyone else in the story whose race isn't explicitly stated", "readers can identify with her more easily. Anyway, my question is: is it", "non-white, but seeing as how the others aren't focal characters, I don't see", "There are no plot points which depend upon her being black (nor, for", "is non-white, but seeing as how the others aren't focal characters, I don't", "to the story - no one shows any signs of racism towards her", "them. [\\] I do mention a character's accent at one point, but it's", "so as to add a bit of diversity to the genre? For what", "story - no one shows any signs of racism towards her or treats", "protagonists. One of them, is, in my mind, black. I say, \"in my", "race). Somewhat quixotically, I like the idea that by not revealing her", "how the others aren't focal characters, I don't see it as being as", "a question for them. [\\] I do mention a character's accent at one", "it's worth, she's not the only character who in my mind is non-white,", "mind is non-white, but seeing as how the others aren't focal characters, I", "differently due to her race. There are no plot points which depend upon", "race, although there are some hints if you know where to look. There", "the story do I ever explicitly state her race, although there are some", "to look. There are several reasons why I haven't revealed her race: ", "of a novel I'm writing, which features two protagonists. One of them, is,", "a bad thing that I haven't revealed her race? What are the main", "her race? What are the main downsides to not revealing her race? Seeing", "urban fantasy (the genre the novel is) features white male protagonists, would it", "reveal her race so as to add a bit of diversity to the", "no point in the story do I mention anyone's race\\. To me,", "my mind is non-white, but seeing as how the others aren't focal characters,", "do I mention anyone's race\\. To me, her race doesn't matter to", "but seeing as how the others aren't focal characters, I don't see it", "one shows any signs of racism towards her or treats her differently due", "more easily. Anyway, my question is: is it a bad thing that I", "it be better to reveal her race so as to add a bit", "as how the others aren't focal characters, I don't see it as being", "due to her race. There are no plot points which depend upon her", "points which depend upon her being black (nor, for that matter, for any", "white male protagonists, would it be better to reveal her race so as", "story whose race isn't explicitly stated is the same race (implicitly white). At", "white). At no point in the story do I mention anyone's race\\. ", "point in the story do I mention anyone's race\\. To me, her", "which features two protagonists. One of them, is, in my mind, black. I", "race doesn't matter to the story - no one shows any signs of", "her race. There are no plot points which depend upon her being black", "as important a question for them. [\\] I do mention a character's accent", "bad thing that I haven't revealed her race? What are the main downsides", "race so as to add a bit of diversity to the genre? For", "at one point, but it's vague enough that race can't be extrapolated from", "racism towards her or treats her differently due to her race. There are", " Somewhat quixotically, I like the idea that by not revealing her race,", "what it's worth, she's not the only character who in my mind is", "same race (implicitly white). At no point in the story do I mention", "extrapolated from it. There are also some names which imply those people come", "hints if you know where to look. There are several reasons why I", "revealed her race: * By going out of my way to state that", "which depend upon her being black (nor, for that matter, for any characters", "explicitly state her race, although there are some hints if you know where", "her being black (nor, for that matter, for any characters to be any", "not revealing her race, readers can identify with her more easily. Anyway, my", "the novel is) features white male protagonists, would it be better to reveal", "her race? Seeing as how a lot of urban fantasy (the genre the", "lot of urban fantasy (the genre the novel is) features white male protagonists,", "at no point in the story do I ever explicitly state her race,", "my way to state that she's black, it implicitly says that everyone else", "no plot points which depend upon her being black (nor, for that matter,", "by not revealing her race, readers can identify with her more easily. Anyway,", "mind\" because at no point in the story do I ever explicitly state", "can identify with her more easily. Anyway, my question is: is it a", "with her more easily. Anyway, my question is: is it a bad thing", "What are the main downsides to not revealing her race? Seeing as how", "see it as being as important a question for them. [\\] I do", "is: is it a bad thing that I haven't revealed her race? What", "accent at one point, but it's vague enough that race can't be extrapolated", "a lot of urban fantasy (the genre the novel is) features white male", "characters, I don't see it as being as important a question for them.", "I'm writing, which features two protagonists. One of them, is, in my mind,", "towards her or treats her differently due to her race. There are no", "can't be extrapolated from it. There are also some names which imply those", "would it be better to reveal her race so as to add a", "seeing as how the others aren't focal characters, I don't see it as", "it a bad thing that I haven't revealed her race? What are the", "of urban fantasy (the genre the novel is) features white male protagonists, would", "do I ever explicitly state her race, although there are some hints if", "she's not the only character who in my mind is non-white, but seeing", "(implicitly white). At no point in the story do I mention anyone's race\\.", "the idea that by not revealing her race, readers can identify with her", "look. There are several reasons why I haven't revealed her race: * By", "my question is: is it a bad thing that I haven't revealed her", "else in the story whose race isn't explicitly stated is the same race", "are several reasons why I haven't revealed her race: * By going out", "black (nor, for that matter, for any characters to be any particular race).", "story do I mention anyone's race\\. To me, her race doesn't matter", "revealed her race? What are the main downsides to not revealing her race?", "them, is, in my mind, black. I say, \"in my mind\" because at", "of my way to state that she's black, it implicitly says that everyone", "draft of a novel I'm writing, which features two protagonists. One of them,", "enough that race can't be extrapolated from it. There are also some names", "some hints if you know where to look. There are several reasons why", "worth, she's not the only character who in my mind is non-white, but", "race (implicitly white). At no point in the story do I mention anyone's", "point, but it's vague enough that race can't be extrapolated from it. There", "race can't be extrapolated from it. There are also some names which imply", "as how a lot of urban fantasy (the genre the novel is) features", "important a question for them. [\\] I do mention a character's accent at", "in the story do I ever explicitly state her race, although there are", "as to add a bit of diversity to the genre? For what it's", "mind, black. I say, \"in my mind\" because at no point in the", "me, her race doesn't matter to the story - no one shows any", "her race doesn't matter to the story - no one shows any signs", "\"in my mind\" because at no point in the story do I ever", "where to look. There are several reasons why I haven't revealed her race:", "out of my way to state that she's black, it implicitly says that", "(nor, for that matter, for any characters to be any particular race). ", "any particular race). * Somewhat quixotically, I like the idea that by not", "you know where to look. There are several reasons why I haven't revealed", "signs of racism towards her or treats her differently due to her race.", "shows any signs of racism towards her or treats her differently due to", "race? Seeing as how a lot of urban fantasy (the genre the novel", "(the genre the novel is) features white male protagonists, would it be better", "her race so as to add a bit of diversity to the genre?", "vague enough that race can't be extrapolated from it. There are also some", "of diversity to the genre? For what it's worth, she's not the only", "I ever explicitly state her race, although there are some hints if you", "to not revealing her race? Seeing as how a lot of urban fantasy", "but it's vague enough that race can't be extrapolated from it. There are", "no point in the story do I ever explicitly state her race, although", "also some names which imply those people come from certain regions of the", "mention a character's accent at one point, but it's vague enough that race", "who in my mind is non-white, but seeing as how the others aren't", "There are several reasons why I haven't revealed her race: * By going", "the others aren't focal characters, I don't see it as being as important", "my mind, black. I say, \"in my mind\" because at no point in", "the only character who in my mind is non-white, but seeing as how", "ever explicitly state her race, although there are some hints if you know", "her race: * By going out of my way to state that she's", "character who in my mind is non-white, but seeing as how the others", "* To me, her race doesn't matter to the story - no one", "bit of diversity to the genre? For what it's worth, she's not the", "be better to reveal her race so as to add a bit of", "There are also some names which imply those people come from certain regions", "Somewhat quixotically, I like the idea that by not revealing her race, readers", "haven't revealed her race: * By going out of my way to state", "haven't revealed her race? What are the main downsides to not revealing her", "better to reveal her race so as to add a bit of diversity", "fourth draft of a novel I'm writing, which features two protagonists. One of", "way to state that she's black, it implicitly says that everyone else in", "writing, which features two protagonists. One of them, is, in my mind, black.", "fantasy (the genre the novel is) features white male protagonists, would it be", "are no plot points which depend upon her being black (nor, for that", "the main downsides to not revealing her race? Seeing as how a lot", "I mention anyone's race\\. To me, her race doesn't matter to the", "I do mention a character's accent at one point, but it's vague enough", "revealing her race? Seeing as how a lot of urban fantasy (the genre", "I don't see it as being as important a question for them. [\\]", "plot points which depend upon her being black (nor, for that matter, for", "why I haven't revealed her race: By going out of my way", "not revealing her race? Seeing as how a lot of urban fantasy (the", "stated is the same race (implicitly white). At no point in the story", "others aren't focal characters, I don't see it as being as important a", "anyone's race\\. To me, her race doesn't matter to the story -", "identify with her more easily. Anyway, my question is: is it a bad", "in the story whose race isn't explicitly stated is the same race (implicitly", "her race, although there are some hints if you know where to look.", "going out of my way to state that she's black, it implicitly says", "Anyway, my question is: is it a bad thing that I haven't revealed", "like the idea that by not revealing her race, readers can identify with", "a bit of diversity to the genre? For what it's worth, she's not", "not the only character who in my mind is non-white, but seeing as", "she's black, it implicitly says that everyone else in the story whose race", "reasons why I haven't revealed her race: * By going out of my", "race: * By going out of my way to state that she's black,", "of them, is, in my mind, black. I say, \"in my mind\" because", "state that she's black, it implicitly says that everyone else in the story", "in the story do I mention anyone's race\\. To me, her race", "the fourth draft of a novel I'm writing, which features two protagonists. One", "on the fourth draft of a novel I'm writing, which features two protagonists.", "is) features white male protagonists, would it be better to reveal her race", "are also some names which imply those people come from certain regions of", "point in the story do I ever explicitly state her race, although there", "question is: is it a bad thing that I haven't revealed her race?", "matter, for any characters to be any particular race). * Somewhat quixotically, I", "features white male protagonists, would it be better to reveal her race so", "characters to be any particular race). * Somewhat quixotically, I like the idea", "treats her differently due to her race. There are no plot points which", "no one shows any signs of racism towards her or treats her differently", "the story whose race isn't explicitly stated is the same race (implicitly white).", "the story do I mention anyone's race\\. To me, her race doesn't", "protagonists, would it be better to reveal her race so as to add", "being as important a question for them. [\\] I do mention a character's", "of racism towards her or treats her differently due to her race. There", "is it a bad thing that I haven't revealed her race? What are", "state her race, although there are some hints if you know where to", "I haven't revealed her race: By going out of my way to", "race isn't explicitly stated is the same race (implicitly white). At no point", "is, in my mind, black. I say, \"in my mind\" because at no", "explicitly stated is the same race (implicitly white). At no point in the", "the same race (implicitly white). At no point in the story do I", "[\\] I do mention a character's accent at one point, but it's vague", "one point, but it's vague enough that race can't be extrapolated from it.", "if you know where to look. There are several reasons why I haven't", "for any characters to be any particular race). Somewhat quixotically, I like", "being black (nor, for that matter, for any characters to be any particular", "I haven't revealed her race? What are the main downsides to not revealing", "do mention a character's accent at one point, but it's vague enough that", "main downsides to not revealing her race? Seeing as how a lot of", "a novel I'm writing, which features two protagonists. One of them, is, in", "the genre? For what it's worth, she's not the only character who in", "I say, \"in my mind\" because at no point in the story do", "a character's accent at one point, but it's vague enough that race can't", "For what it's worth, she's not the only character who in my mind", "any signs of racism towards her or treats her differently due to her", "* By going out of my way to state that she's black, it", "how a lot of urban fantasy (the genre the novel is) features white", "say, \"in my mind\" because at no point in the story do I", "question for them. [\\] I do mention a character's accent at one point,", "any characters to be any particular race). Somewhat quixotically, I like the", "novel I'm writing, which features two protagonists. One of them, is, in my", "At no point in the story do I mention anyone's race\\. To", "there are some hints if you know where to look. There are several", "easily. Anyway, my question is: is it a bad thing that I haven't", "novel is) features white male protagonists, would it be better to reveal her", "revealing her race, readers can identify with her more easily. Anyway, my question", "as being as important a question for them. [\\] I do mention a", "mention anyone's race\\. * To me, her race doesn't matter to the story", "whose race isn't explicitly stated is the same race (implicitly white). At no", "to state that she's black, it implicitly says that everyone else in the", "matter to the story - no one shows any signs of racism towards", "from it. There are also some names which imply those people come from", "that she's black, it implicitly says that everyone else in the story whose" ]
[ "to keep it to themselves, but I'd still like to hint that relationship", "trying to keep it to themselves, but I'd still like to hint that", "do have) history together, however I do not intend to drop the ball", "reader and write down their backstory because it does not seem to fit", "the narrative. They're side-characters that aid the true protagonists and due to their", "ball on the reader and write down their backstory because it does not", "together, however I do not intend to drop the ball on the reader", "I'd still like to hint that relationship in some shape or form without", "write down their backstory because it does not seem to fit the narrative.", "true protagonists and due to their relationship being a secret they're trying to", "to fit the narrative. They're side-characters that aid the true protagonists and due", "their relationship being a secret they're trying to keep it to themselves, but", "which two of them have had (and still do have) history together, however", "narrative. They're side-characters that aid the true protagonists and due to their relationship", "to drop the ball on the reader and write down their backstory because", "had (and still do have) history together, however I do not intend to", "a set of characters in which two of them have had (and still", "protagonists and due to their relationship being a secret they're trying to keep", "currently have a set of characters in which two of them have had", "however I do not intend to drop the ball on the reader and", "to hint that relationship in some shape or form without it being too", "not seem to fit the narrative. They're side-characters that aid the true protagonists", "them have had (and still do have) history together, however I do not", "backstory because it does not seem to fit the narrative. They're side-characters that", "do not intend to drop the ball on the reader and write down", "relationship being a secret they're trying to keep it to themselves, but I'd", "because it does not seem to fit the narrative. They're side-characters that aid", "have a set of characters in which two of them have had (and", "drop the ball on the reader and write down their backstory because it", "still do have) history together, however I do not intend to drop the", "the true protagonists and due to their relationship being a secret they're trying", "I currently have a set of characters in which two of them have", "being a secret they're trying to keep it to themselves, but I'd still", "a secret they're trying to keep it to themselves, but I'd still like", "secret they're trying to keep it to themselves, but I'd still like to", "to themselves, but I'd still like to hint that relationship in some shape", "it does not seem to fit the narrative. They're side-characters that aid the", "keep it to themselves, but I'd still like to hint that relationship in", "set of characters in which two of them have had (and still do", "two of them have had (and still do have) history together, however I", "down their backstory because it does not seem to fit the narrative. They're", "not intend to drop the ball on the reader and write down their", "I do not intend to drop the ball on the reader and write", "have had (and still do have) history together, however I do not intend", "seem to fit the narrative. They're side-characters that aid the true protagonists and", "still like to hint that relationship in some shape or form without it", "their backstory because it does not seem to fit the narrative. They're side-characters", "of characters in which two of them have had (and still do have)", "does not seem to fit the narrative. They're side-characters that aid the true", "that aid the true protagonists and due to their relationship being a secret", "they're trying to keep it to themselves, but I'd still like to hint", "but I'd still like to hint that relationship in some shape or form", "to their relationship being a secret they're trying to keep it to themselves,", "the reader and write down their backstory because it does not seem to", "of them have had (and still do have) history together, however I do", "have) history together, however I do not intend to drop the ball on", "hint that relationship in some shape or form without it being too obvious.", "in which two of them have had (and still do have) history together,", "themselves, but I'd still like to hint that relationship in some shape or", "(and still do have) history together, however I do not intend to drop", "and write down their backstory because it does not seem to fit the", "on the reader and write down their backstory because it does not seem", "the ball on the reader and write down their backstory because it does", "due to their relationship being a secret they're trying to keep it to", "like to hint that relationship in some shape or form without it being", "it to themselves, but I'd still like to hint that relationship in some", "and due to their relationship being a secret they're trying to keep it", "They're side-characters that aid the true protagonists and due to their relationship being", "side-characters that aid the true protagonists and due to their relationship being a", "characters in which two of them have had (and still do have) history", "aid the true protagonists and due to their relationship being a secret they're", "fit the narrative. They're side-characters that aid the true protagonists and due to", "history together, however I do not intend to drop the ball on the", "intend to drop the ball on the reader and write down their backstory" ]
[ "what the English translation is, but I'm unsure how this should be written", "he's lived in Canada long enough that he's learned English and uses this", "nearby table, \"It is not my place to say.\" > > > Or", "and uses this as his primary spoken language. On occasion he'll use Arabic", "language. On occasion he'll use Arabic words in his speech, such as when", "when he's not sure what the English translation is, but I'm unsure how", "but he's lived in Canada long enough that he's learned English and uses", "place to say.\" > > > Or should it be: > > \"الاسترخاء\"", "table, \"It is not my place to say.\" > > > What is", "a Syrian refugee to Canada. His first language is Arabic, but he's lived", "he's learned English and uses this as his primary spoken language. On occasion", "for example: > > \"Alaistirkha'\" Essam breathed tossing the book onto a nearby", "thought would be to use the phonetic spelling, for example: > > \"Alaistirkha'\"", "for an English audience. My thought would be to use the phonetic spelling,", "how this should be written in text for an English audience. My thought", "is a Syrian refugee to Canada. His first language is Arabic, but he's", "My thought would be to use the phonetic spelling, for example: > >", "not my place to say.\" > > > What is the correct way", "> > \"Alaistirkha'\" Essam breathed tossing the book onto a nearby table, \"It", "but I'm unsure how this should be written in text for an English", "tossing the book onto a nearby table, \"It is not my place to", "would be to use the phonetic spelling, for example: > > \"Alaistirkha'\" Essam", "\"It is not my place to say.\" > > > Or should it", "in his speech, such as when he's not sure what the English translation", "refugee to Canada. His first language is Arabic, but he's lived in Canada", "a character who is a Syrian refugee to Canada. His first language is", "character who is a Syrian refugee to Canada. His first language is Arabic,", "speech, such as when he's not sure what the English translation is, but", "to Canada. His first language is Arabic, but he's lived in Canada long", "phonetic spelling, for example: > > \"Alaistirkha'\" Essam breathed tossing the book onto", "should be written in text for an English audience. My thought would be", "the phonetic spelling, for example: > > \"Alaistirkha'\" Essam breathed tossing the book", "a nearby table, \"It is not my place to say.\" > > >", "Canada. His first language is Arabic, but he's lived in Canada long enough", "as when he's not sure what the English translation is, but I'm unsure", "long enough that he's learned English and uses this as his primary spoken", "an English audience. My thought would be to use the phonetic spelling, for", "Essam breathed tossing the book onto a nearby table, \"It is not my", "example: > > \"Alaistirkha'\" Essam breathed tossing the book onto a nearby table,", "to say.\" > > > Or should it be: > > \"الاسترخاء\" Essam", "> > Or should it be: > > \"الاسترخاء\" Essam breathed tossing the", "his primary spoken language. On occasion he'll use Arabic words in his speech,", "His first language is Arabic, but he's lived in Canada long enough that", "I have a character who is a Syrian refugee to Canada. His first", "as his primary spoken language. On occasion he'll use Arabic words in his", "say.\" > > > Or should it be: > > \"الاسترخاء\" Essam breathed", "have a character who is a Syrian refugee to Canada. His first language", "in Canada long enough that he's learned English and uses this as his", "primary spoken language. On occasion he'll use Arabic words in his speech, such", "my place to say.\" > > > Or should it be: > >", "is not my place to say.\" > > > Or should it be:", "be to use the phonetic spelling, for example: > > \"Alaistirkha'\" Essam breathed", "the book onto a nearby table, \"It is not my place to say.\"", "English and uses this as his primary spoken language. On occasion he'll use", "first language is Arabic, but he's lived in Canada long enough that he's", "table, \"It is not my place to say.\" > > > Or should", "> \"Alaistirkha'\" Essam breathed tossing the book onto a nearby table, \"It is", "> Or should it be: > > \"الاسترخاء\" Essam breathed tossing the book", "his speech, such as when he's not sure what the English translation is,", "this as his primary spoken language. On occasion he'll use Arabic words in", "\"الاسترخاء\" Essam breathed tossing the book onto a nearby table, \"It is not", "place to say.\" > > > What is the correct way to write", "he's not sure what the English translation is, but I'm unsure how this", "> > \"الاسترخاء\" Essam breathed tossing the book onto a nearby table, \"It", "written in text for an English audience. My thought would be to use", "language is Arabic, but he's lived in Canada long enough that he's learned", "it be: > > \"الاسترخاء\" Essam breathed tossing the book onto a nearby", "my place to say.\" > > > What is the correct way to", "such as when he's not sure what the English translation is, but I'm", "be: > > \"الاسترخاء\" Essam breathed tossing the book onto a nearby table,", "spelling, for example: > > \"Alaistirkha'\" Essam breathed tossing the book onto a", "audience. My thought would be to use the phonetic spelling, for example: >", "spoken language. On occasion he'll use Arabic words in his speech, such as", "Arabic words in his speech, such as when he's not sure what the", "is not my place to say.\" > > > What is the correct", "nearby table, \"It is not my place to say.\" > > > What", "should it be: > > \"الاسترخاء\" Essam breathed tossing the book onto a", "enough that he's learned English and uses this as his primary spoken language.", "Arabic, but he's lived in Canada long enough that he's learned English and", "learned English and uses this as his primary spoken language. On occasion he'll", "be written in text for an English audience. My thought would be to", "I'm unsure how this should be written in text for an English audience.", "not sure what the English translation is, but I'm unsure how this should", "the English translation is, but I'm unsure how this should be written in", "this should be written in text for an English audience. My thought would", "not my place to say.\" > > > Or should it be: >", "English audience. My thought would be to use the phonetic spelling, for example:", "translation is, but I'm unsure how this should be written in text for", "unsure how this should be written in text for an English audience. My", "Canada long enough that he's learned English and uses this as his primary", "is Arabic, but he's lived in Canada long enough that he's learned English", "in text for an English audience. My thought would be to use the", "English translation is, but I'm unsure how this should be written in text", "onto a nearby table, \"It is not my place to say.\" > >", "who is a Syrian refugee to Canada. His first language is Arabic, but", "uses this as his primary spoken language. On occasion he'll use Arabic words", "that he's learned English and uses this as his primary spoken language. On", "use Arabic words in his speech, such as when he's not sure what", "\"Alaistirkha'\" Essam breathed tossing the book onto a nearby table, \"It is not", "On occasion he'll use Arabic words in his speech, such as when he's", "words in his speech, such as when he's not sure what the English", "> \"الاسترخاء\" Essam breathed tossing the book onto a nearby table, \"It is", "Syrian refugee to Canada. His first language is Arabic, but he's lived in", "book onto a nearby table, \"It is not my place to say.\" >", "to use the phonetic spelling, for example: > > \"Alaistirkha'\" Essam breathed tossing", "he'll use Arabic words in his speech, such as when he's not sure", "\"It is not my place to say.\" > > > What is the", "occasion he'll use Arabic words in his speech, such as when he's not", "Or should it be: > > \"الاسترخاء\" Essam breathed tossing the book onto", "is, but I'm unsure how this should be written in text for an", "text for an English audience. My thought would be to use the phonetic", "to say.\" > > > What is the correct way to write this?", "breathed tossing the book onto a nearby table, \"It is not my place", "sure what the English translation is, but I'm unsure how this should be", "use the phonetic spelling, for example: > > \"Alaistirkha'\" Essam breathed tossing the", "> > > Or should it be: > > \"الاسترخاء\" Essam breathed tossing", "lived in Canada long enough that he's learned English and uses this as" ]
[ "from the audience. I'm wondering if I have to capitalized the word \"cheers\"", "it like this. Loud CHEERS from the audience. I'm wondering if I have", "CHEERS from the audience. I'm wondering if I have to capitalized the word", "that shows a speaker interacting with their audience. The speaker finishes speaking and", "I'm wondering if I have to capitalized the word \"cheers\" for a sound", "I'm writing a script that shows a speaker interacting with their audience. The", "the audience reacts. I wrote it like this. Loud CHEERS from the audience.", "speaker finishes speaking and the audience reacts. I wrote it like this. Loud", "a script that shows a speaker interacting with their audience. The speaker finishes", "a speaker interacting with their audience. The speaker finishes speaking and the audience", "wrote it like this. Loud CHEERS from the audience. I'm wondering if I", "this. Loud CHEERS from the audience. I'm wondering if I have to capitalized", "script that shows a speaker interacting with their audience. The speaker finishes speaking", "wondering if I have to capitalized the word \"cheers\" for a sound effect.", "I wrote it like this. Loud CHEERS from the audience. I'm wondering if", "interacting with their audience. The speaker finishes speaking and the audience reacts. I", "audience reacts. I wrote it like this. Loud CHEERS from the audience. I'm", "writing a script that shows a speaker interacting with their audience. The speaker", "speaker interacting with their audience. The speaker finishes speaking and the audience reacts.", "speaking and the audience reacts. I wrote it like this. Loud CHEERS from", "finishes speaking and the audience reacts. I wrote it like this. Loud CHEERS", "audience. The speaker finishes speaking and the audience reacts. I wrote it like", "and the audience reacts. I wrote it like this. Loud CHEERS from the", "shows a speaker interacting with their audience. The speaker finishes speaking and the", "their audience. The speaker finishes speaking and the audience reacts. I wrote it", "like this. Loud CHEERS from the audience. I'm wondering if I have to", "reacts. I wrote it like this. Loud CHEERS from the audience. I'm wondering", "the audience. I'm wondering if I have to capitalized the word \"cheers\" for", "audience. I'm wondering if I have to capitalized the word \"cheers\" for a", "with their audience. The speaker finishes speaking and the audience reacts. I wrote", "Loud CHEERS from the audience. I'm wondering if I have to capitalized the", "The speaker finishes speaking and the audience reacts. I wrote it like this." ]
[ "my story, a homicide takes place. I want to describe this homicide at", "about to come. But victim and suspect are both unknown and unrelated to", "to describe this homicide at the start of the story, through the eyes", "homicide takes place. I want to describe this homicide at the start of", "unknown and unrelated to my protagonist. Should I put this homicide in chapter", "story, a homicide takes place. I want to describe this homicide at the", "1 with my protagonist, and describe the homicide in a later chapter (chapter", "and unrelated to my protagonist. Should I put this homicide in chapter 1?", "start chapter 1 with my protagonist, and describe the homicide in a later", "through the eyes of the victim, to foreshadow what's about to come. But", "my protagonist. Should I put this homicide in chapter 1? Or is it", "in chapter 1? Or is it wise to start chapter 1 with my", "are both unknown and unrelated to my protagonist. Should I put this homicide", "of the victim, to foreshadow what's about to come. But victim and suspect", "foreshadow what's about to come. But victim and suspect are both unknown and", "But victim and suspect are both unknown and unrelated to my protagonist. Should", "protagonist. Should I put this homicide in chapter 1? Or is it wise", "protagonist, and describe the homicide in a later chapter (chapter 5 or so)?", "both unknown and unrelated to my protagonist. Should I put this homicide in", "unrelated to my protagonist. Should I put this homicide in chapter 1? Or", "to foreshadow what's about to come. But victim and suspect are both unknown", "place. I want to describe this homicide at the start of the story,", "victim and suspect are both unknown and unrelated to my protagonist. Should I", "what's about to come. But victim and suspect are both unknown and unrelated", "to my protagonist. Should I put this homicide in chapter 1? Or is", "homicide at the start of the story, through the eyes of the victim,", "the victim, to foreshadow what's about to come. But victim and suspect are", "I put this homicide in chapter 1? Or is it wise to start", "this homicide in chapter 1? Or is it wise to start chapter 1", "want to describe this homicide at the start of the story, through the", "victim, to foreshadow what's about to come. But victim and suspect are both", "put this homicide in chapter 1? Or is it wise to start chapter", "describe this homicide at the start of the story, through the eyes of", "In my story, a homicide takes place. I want to describe this homicide", "start of the story, through the eyes of the victim, to foreshadow what's", "it wise to start chapter 1 with my protagonist, and describe the homicide", "of the story, through the eyes of the victim, to foreshadow what's about", "this homicide at the start of the story, through the eyes of the", "the story, through the eyes of the victim, to foreshadow what's about to", "story, through the eyes of the victim, to foreshadow what's about to come.", "1? Or is it wise to start chapter 1 with my protagonist, and", "I want to describe this homicide at the start of the story, through", "the eyes of the victim, to foreshadow what's about to come. But victim", "suspect are both unknown and unrelated to my protagonist. Should I put this", "is it wise to start chapter 1 with my protagonist, and describe the", "wise to start chapter 1 with my protagonist, and describe the homicide in", "to come. But victim and suspect are both unknown and unrelated to my", "a homicide takes place. I want to describe this homicide at the start", "Should I put this homicide in chapter 1? Or is it wise to", "with my protagonist, and describe the homicide in a later chapter (chapter 5", "come. But victim and suspect are both unknown and unrelated to my protagonist.", "Or is it wise to start chapter 1 with my protagonist, and describe", "my protagonist, and describe the homicide in a later chapter (chapter 5 or", "homicide in chapter 1? Or is it wise to start chapter 1 with", "chapter 1? Or is it wise to start chapter 1 with my protagonist,", "at the start of the story, through the eyes of the victim, to", "to start chapter 1 with my protagonist, and describe the homicide in a", "takes place. I want to describe this homicide at the start of the", "the start of the story, through the eyes of the victim, to foreshadow", "and suspect are both unknown and unrelated to my protagonist. Should I put", "eyes of the victim, to foreshadow what's about to come. But victim and", "chapter 1 with my protagonist, and describe the homicide in a later chapter" ]
[ "The 3rd issue is coming out in a couple weeks. The 4th issue", "Situation: ---------- * 5 year comic book series (by my spouse; I do", "The 4th issue and first book will be out this summer. The goal", "out this summer. The goal is to make money. Yeah yeah, it's to", "take a lot just to break even. We pay nothing for publication of", "on the website, on social media, and mentioned on promotional bookmarks and other", "to get this lovely work out to the public, etc, etc...but the reality", "only * Every 4 issues is collected into a book * Books are", "per paper book we sell direct to consumer (like at conventions, book signings),", "is collected into a book * Books are available as e-books and as", "been slower) * Issues are available as e-comic only * Every 4 issues", "Yeah yeah, it's to get this lovely work out to the public, etc,", "conventions, book signings), probably $5 for books sold in stores. A couple dollars", "a lot. If we can break even, my spouse can continue writing without", "continue writing without killing our family budget. Where do we put our marketing", "yet for the e-comic and the first book isn't out yet. We make", "it's going to take a lot just to break even. We pay nothing", "is coming out in a couple weeks. The 4th issue and first book", "etc...but the reality is it's going to take a lot just to break", "out to the public, etc, etc...but the reality is it's going to take", "writing without killing our family budget. Where do we put our marketing emphasis?*", "more royalties from book sales, but the exact amounts are unknown. About $7-10", "Books are available as e-books and* as trade paperbacks * Traditional (small) publisher", "are in US) but one who does no marketing The 3rd issue is", "weeks. The 4th issue and first book will be out this summer. The", "lot. If we can break even, my spouse can continue writing without killing", "course but we paid the artists, and that's a lot. If we can", "couple weeks. The 4th issue and first book will be out this summer.", "emphasis?** Both the e-comic issues and the books will be listed on the", "available as e-books and as trade paperbacks * Traditional (small) publisher (in UK,", "the e-comic issues and the books will be listed on the website, on", "marketing emphasis?** Both the e-comic issues and the books will be listed on", "4 issues a year (in theory...it's been slower) * Issues are available as", "3rd issue is coming out in a couple weeks. The 4th issue and", "in a couple weeks. The 4th issue and first book will be out", "is to make money. Yeah yeah, it's to get this lovely work out", "social media, and mentioned on promotional bookmarks and other materials. But what is", "the first book isn't out yet. We make more royalties from book sales,", "unknown. About $7-10 per paper book we sell direct to consumer (like at", "marketing The 3rd issue is coming out in a couple weeks. The 4th", "pay nothing for publication of course but we paid the artists, and that's", "sold in stores. A couple dollars for e-books. E-comics we get $0.50/issue. How", "book will be out this summer. The goal is to make money. Yeah", "listed on the website, on social media, and mentioned on promotional bookmarks and", "paper book we sell direct to consumer (like at conventions, book signings), probably", "killing our family budget. Where do we put our marketing emphasis? Both the", "5 year comic book series (by my spouse; I do marketing, website, etc)", "---------- * 5 year comic book series (by my spouse; I do marketing,", "4 issues is collected into a book * Books are available as e-books", "Traditional (small) publisher (in UK, we are in US) but one who does", "and other materials. But what is the best focus for selling more and", "We don't have any numbers yet for the e-comic and the first book", "who does no marketing The 3rd issue is coming out in a couple", "A couple dollars for e-books. E-comics we get $0.50/issue. How do we best", "a lot just to break even. We pay nothing for publication of course", "any numbers yet for the e-comic and the first book isn't out yet.", "probably $5 for books sold in stores. A couple dollars for e-books. E-comics", "exact amounts are unknown. About $7-10 per paper book we sell direct to", "sell direct to consumer (like at conventions, book signings), probably $5 for books", "break even. We pay nothing for publication of course but we paid the", "on social media, and mentioned on promotional bookmarks and other materials. But what", "book sales, but the exact amounts are unknown. About $7-10 per paper book", "public, etc, etc...but the reality is it's going to take a lot just", "and encouraging new readers? We don't have any numbers yet for the e-comic", "series (by my spouse; I do marketing, website, etc) * 4 issues a", "are available as e-books and as trade paperbacks * Traditional (small) publisher (in", "for e-books. E-comics we get $0.50/issue. How do we best focus our marketing", "encouraging new readers? We don't have any numbers yet for the e-comic and", "will be listed on the website, on social media, and mentioned on promotional", "and mentioned on promotional bookmarks and other materials. But what is the best", "e-comic and the first book isn't out yet. We make more royalties from", "money. Yeah yeah, it's to get this lovely work out to the public,", "the reality is it's going to take a lot just to break even.", "Issues are available as e-comic only * Every 4 issues is collected into", "we are in US) but one who does no marketing The 3rd issue", "book * Books are available as e-books and as trade paperbacks * Traditional", "no marketing The 3rd issue is coming out in a couple weeks. The", "get this lovely work out to the public, etc, etc...but the reality is", "as e-books and as trade paperbacks * Traditional (small) publisher (in UK, we", "year comic book series (by my spouse; I do marketing, website, etc) ", "nothing for publication of course but we paid the artists, and that's a", "spouse can continue writing without killing our family budget. Where do we put", "issues a year (in theory...it's been slower) Issues are available as e-comic", "website, on social media, and mentioned on promotional bookmarks and other materials. But", "* Every 4 issues is collected into a book * Books are available", "but one who does no marketing The 3rd issue is coming out in", "to take a lot just to break even. We pay nothing for publication", "slower) * Issues are available as e-comic only * Every 4 issues is", "numbers yet for the e-comic and the first book isn't out yet. We", "stores. A couple dollars for e-books. E-comics we get $0.50/issue. How do we", "publication of course but we paid the artists, and that's a lot. If", "budget. Where do we put our marketing emphasis? Both the e-comic issues and", "my spouse; I do marketing, website, etc) * 4 issues a year (in", "we paid the artists, and that's a lot. If we can break even,", "on promotional bookmarks and other materials. But what is the best focus for", "We make more royalties from book sales, but the exact amounts are unknown.", "website, etc) * 4 issues a year (in theory...it's been slower) * Issues", "4th issue and first book will be out this summer. The goal is", "of course but we paid the artists, and that's a lot. If we", "paperbacks * Traditional (small) publisher (in UK, we are in US) but one", "e-comic issues and the books will be listed on the website, on social", "The goal is to make money. Yeah yeah, it's to get this lovely", "e-comic only * Every 4 issues is collected into a book * Books", "the public, etc, etc...but the reality is it's going to take a lot", "yeah, it's to get this lovely work out to the public, etc, etc...but", "book we sell direct to consumer (like at conventions, book signings), probably $5", "If we can break even, my spouse can continue writing without killing our", "will be out this summer. The goal is to make money. Yeah yeah,", "our family budget. Where do we put our marketing emphasis? Both the e-comic", "yet. We make more royalties from book sales, but the exact amounts are", "and first book will be out this summer. The goal is to make", "publisher (in UK, we are in US) but one who does no marketing", "are available as e-comic only * Every 4 issues is collected into a", "Both the e-comic issues and the books will be listed on the website,", "* 4 issues a year (in theory...it's been slower) * Issues are available", "the exact amounts are unknown. About $7-10 per paper book we sell direct", "book signings), probably $5 for books sold in stores. A couple dollars for", "$5 for books sold in stores. A couple dollars for e-books. E-comics we", "book isn't out yet. We make more royalties from book sales, but the", "spouse; I do marketing, website, etc) * 4 issues a year (in theory...it's", "new readers? We don't have any numbers yet for the e-comic and the", "first book will be out this summer. The goal is to make money.", "even, my spouse can continue writing without killing our family budget. *Where do", "collected into a book Books are available as e-books and as trade", "best focus for selling more and encouraging new readers? We don't have any", "lot just to break even. We pay nothing for publication of course but", "* Books are available as e-books and as trade paperbacks * Traditional (small)", "(small) publisher (in UK, we are in US) but one who does no", "comic book series (by my spouse; I do marketing, website, etc) * 4", "break even, my spouse can continue writing without killing our family budget. *Where", "make more royalties from book sales, but the exact amounts are unknown. About", "this summer. The goal is to make money. Yeah yeah, it's to get", "lovely work out to the public, etc, etc...but the reality is it's going", "and the books will be listed on the website, on social media, and", "$7-10 per paper book we sell direct to consumer (like at conventions, book", "don't have any numbers yet for the e-comic and the first book isn't", "we sell direct to consumer (like at conventions, book signings), probably $5 for", "other materials. But what is the best focus for selling more and encouraging", "summer. The goal is to make money. Yeah yeah, it's to get this", "etc, etc...but the reality is it's going to take a lot just to", " 5 year comic book series (by my spouse; I do marketing, website,", "About $7-10 per paper book we sell direct to consumer (like at conventions,", "are unknown. About $7-10 per paper book we sell direct to consumer (like", "we put our marketing emphasis?** Both the e-comic issues and the books will", "in stores. A couple dollars for e-books. E-comics we get $0.50/issue. How do", "is the best focus for selling more and encouraging new readers? We don't", "available as e-comic only * Every 4 issues is collected into a book", "Where do we put our marketing emphasis? Both the e-comic issues and the", "is it's going to take a lot just to break even. We pay", "coming out in a couple weeks. The 4th issue and first book will", "into a book * Books are available as e-books and as trade paperbacks", "family budget. Where do we put our marketing emphasis? Both the e-comic issues", "a couple weeks. The 4th issue and first book will be out this", "to break even. We pay nothing for publication of course but we paid", "one who does no marketing The 3rd issue is coming out in a", "signings), probably $5 for books sold in stores. A couple dollars for e-books.", "amounts are unknown. About $7-10 per paper book we sell direct to consumer", "US) but one who does no marketing The 3rd issue is coming out", "have any numbers yet for the e-comic and the first book isn't out", "the artists, and that's a lot. If we can break even, my spouse", "theory...it's been slower) * Issues are available as e-comic only * Every 4", "do we put our marketing emphasis?** Both the e-comic issues and the books", "materials. But what is the best focus for selling more and encouraging new", "book series (by my spouse; I do marketing, website, etc) * 4 issues", "(like at conventions, book signings), probably $5 for books sold in stores. A", "Every 4 issues is collected into a book * Books are available as", "trade paperbacks * Traditional (small) publisher (in UK, we are in US) but", "e-books and as trade paperbacks * Traditional (small) publisher (in UK, we are", "it's to get this lovely work out to the public, etc, etc...but the", "mentioned on promotional bookmarks and other materials. But what is the best focus", "issue and first book will be out this summer. The goal is to", "year (in theory...it's been slower) * Issues are available as e-comic only ", "does no marketing The 3rd issue is coming out in a couple weeks.", "out in a couple weeks. The 4th issue and first book will be", "our marketing emphasis?* Both the e-comic issues and the books will be listed", "marketing, website, etc) * 4 issues a year (in theory...it's been slower) ", "as trade paperbacks Traditional (small) publisher (in UK, we are in US)", "E-comics we get $0.50/issue. How do we best focus our marketing efforts? ===========================================", "to the public, etc, etc...but the reality is it's going to take a", "couple dollars for e-books. E-comics we get $0.50/issue. How do we best focus", "dollars for e-books. E-comics we get $0.50/issue. How do we best focus our", "for the e-comic and the first book isn't out yet. We make more", "as e-comic only * Every 4 issues is collected into a book ", "and the first book isn't out yet. We make more royalties from book", "to make money. Yeah yeah, it's to get this lovely work out to", "just to break even. We pay nothing for publication of course but we", "reality is it's going to take a lot just to break even. We", "out yet. We make more royalties from book sales, but the exact amounts", "that's a lot. If we can break even, my spouse can continue writing", "readers? We don't have any numbers yet for the e-comic and the first", "the books will be listed on the website, on social media, and mentioned", "promotional bookmarks and other materials. But what is the best focus for selling", "but the exact amounts are unknown. About $7-10 per paper book we sell", "a book Books are available as e-books and as trade paperbacks ", "royalties from book sales, but the exact amounts are unknown. About $7-10 per", "(in theory...it's been slower) Issues are available as e-comic only * Every", "* Traditional (small) publisher (in UK, we are in US) but one who", "be out this summer. The goal is to make money. Yeah yeah, it's", "can break even, my spouse can continue writing without killing our family budget.", "e-books. E-comics we get $0.50/issue. How do we best focus our marketing efforts?", "direct to consumer (like at conventions, book signings), probably $5 for books sold", "and that's a lot. If we can break even, my spouse can continue", "and as trade paperbacks * Traditional (small) publisher (in UK, we are in", "work out to the public, etc, etc...but the reality is it's going to", "artists, and that's a lot. If we can break even, my spouse can", "we can break even, my spouse can continue writing without killing our family", "issues and the books will be listed on the website, on social media,", "the website, on social media, and mentioned on promotional bookmarks and other materials.", "issues is collected into a book * Books are available as e-books and", "for selling more and encouraging new readers? We don't have any numbers yet", "what is the best focus for selling more and encouraging new readers? We", "do marketing, website, etc) * 4 issues a year (in theory...it's been slower)", "* Issues are available as e-comic only * Every 4 issues is collected", "I do marketing, website, etc) * 4 issues a year (in theory...it's been", "isn't out yet. We make more royalties from book sales, but the exact", "for books sold in stores. A couple dollars for e-books. E-comics we get", "UK, we are in US) but one who does no marketing The 3rd", "(by my spouse; I do marketing, website, etc) * 4 issues a year", "(in UK, we are in US) but one who does no marketing The", "books will be listed on the website, on social media, and mentioned on", "my spouse can continue writing without killing our family budget. Where do we", "make money. Yeah yeah, it's to get this lovely work out to the", "going to take a lot just to break even. We pay nothing for", "even. We pay nothing for publication of course but we paid the artists,", "first book isn't out yet. We make more royalties from book sales, but", "media, and mentioned on promotional bookmarks and other materials. But what is the", "the e-comic and the first book isn't out yet. We make more royalties", "paid the artists, and that's a lot. If we can break even, my", "from book sales, but the exact amounts are unknown. About $7-10 per paper", "sales, but the exact amounts are unknown. About $7-10 per paper book we", "selling more and encouraging new readers? We don't have any numbers yet for", "can continue writing without killing our family budget. Where do we put our", "but we paid the artists, and that's a lot. If we can break", "books sold in stores. A couple dollars for e-books. E-comics we get $0.50/issue.", "consumer (like at conventions, book signings), probably $5 for books sold in stores.", "in US) but one who does no marketing The 3rd issue is coming", "without killing our family budget. Where do we put our marketing emphasis? Both", "be listed on the website, on social media, and mentioned on promotional bookmarks", "to consumer (like at conventions, book signings), probably $5 for books sold in", "a year (in theory...it's been slower) * Issues are available as e-comic only", "bookmarks and other materials. But what is the best focus for selling more", "the best focus for selling more and encouraging new readers? We don't have", "But what is the best focus for selling more and encouraging new readers?", "put our marketing emphasis?** Both the e-comic issues and the books will be", "etc) * 4 issues a year (in theory...it's been slower) * Issues are", "goal is to make money. Yeah yeah, it's to get this lovely work", "more and encouraging new readers? We don't have any numbers yet for the", "issue is coming out in a couple weeks. The 4th issue and first", "at conventions, book signings), probably $5 for books sold in stores. A couple", "focus for selling more and encouraging new readers? We don't have any numbers", "for publication of course but we paid the artists, and that's a lot.", "this lovely work out to the public, etc, etc...but the reality is it's", "We pay nothing for publication of course but we paid the artists, and" ]
[ "Queens and Lords in Game of Thrones use the usual real-life counterparts, so", "subtitles and other things that knights in Game of Thrones are addressed as", "\"Ser\". It seems to me that fantasy works like this have similarities to", "The Kings, Queens and Lords in Game of Thrones use the usual real-life", "of Thrones use the usual real-life counterparts, so why is \"Ser\" an outlier", "like this have similarities to medieval Europe and have aristocracies, knights, kings, queens,", "why is \"Ser\" an outlier when knights in England are addressed as \"Sir\"?", "have similarities to medieval Europe and have aristocracies, knights, kings, queens, lords, ladies", "and Lords in Game of Thrones use the usual real-life counterparts, so why", "and have aristocracies, knights, kings, queens, lords, ladies and so on. The Kings,", "so on. The Kings, Queens and Lords in Game of Thrones use the", "haven't read the books, but I've seen in subtitles and other things that", "Thrones are addressed as \"Ser\". It seems to me that fantasy works like", "counterparts, so why is \"Ser\" an outlier when knights in England are addressed", "works like this have similarities to medieval Europe and have aristocracies, knights, kings,", "and so on. The Kings, Queens and Lords in Game of Thrones use", "knights, kings, queens, lords, ladies and so on. The Kings, Queens and Lords", "ladies and so on. The Kings, Queens and Lords in Game of Thrones", "on. The Kings, Queens and Lords in Game of Thrones use the usual", "in Game of Thrones are addressed as \"Ser\". It seems to me that", "so why is \"Ser\" an outlier when knights in England are addressed as", "Thrones use the usual real-life counterparts, so why is \"Ser\" an outlier when", "to medieval Europe and have aristocracies, knights, kings, queens, lords, ladies and so", "I'll admit I haven't read the books, but I've seen in subtitles and", "are addressed as \"Ser\". It seems to me that fantasy works like this", "use the usual real-life counterparts, so why is \"Ser\" an outlier when knights", "that fantasy works like this have similarities to medieval Europe and have aristocracies,", "aristocracies, knights, kings, queens, lords, ladies and so on. The Kings, Queens and", "I've seen in subtitles and other things that knights in Game of Thrones", "in subtitles and other things that knights in Game of Thrones are addressed", "Game of Thrones use the usual real-life counterparts, so why is \"Ser\" an", "similarities to medieval Europe and have aristocracies, knights, kings, queens, lords, ladies and", "It seems to me that fantasy works like this have similarities to medieval", "medieval Europe and have aristocracies, knights, kings, queens, lords, ladies and so on.", "things that knights in Game of Thrones are addressed as \"Ser\". It seems", "Europe and have aristocracies, knights, kings, queens, lords, ladies and so on. The", "kings, queens, lords, ladies and so on. The Kings, Queens and Lords in", "but I've seen in subtitles and other things that knights in Game of", "the books, but I've seen in subtitles and other things that knights in", "books, but I've seen in subtitles and other things that knights in Game", "lords, ladies and so on. The Kings, Queens and Lords in Game of", "seen in subtitles and other things that knights in Game of Thrones are", "Game of Thrones are addressed as \"Ser\". It seems to me that fantasy", "as \"Ser\". It seems to me that fantasy works like this have similarities", "seems to me that fantasy works like this have similarities to medieval Europe", "and other things that knights in Game of Thrones are addressed as \"Ser\".", "that knights in Game of Thrones are addressed as \"Ser\". It seems to", "real-life counterparts, so why is \"Ser\" an outlier when knights in England are", "in Game of Thrones use the usual real-life counterparts, so why is \"Ser\"", "addressed as \"Ser\". It seems to me that fantasy works like this have", "to me that fantasy works like this have similarities to medieval Europe and", "me that fantasy works like this have similarities to medieval Europe and have", "this have similarities to medieval Europe and have aristocracies, knights, kings, queens, lords,", "fantasy works like this have similarities to medieval Europe and have aristocracies, knights,", "admit I haven't read the books, but I've seen in subtitles and other", "queens, lords, ladies and so on. The Kings, Queens and Lords in Game", "usual real-life counterparts, so why is \"Ser\" an outlier when knights in England", "read the books, but I've seen in subtitles and other things that knights", "Lords in Game of Thrones use the usual real-life counterparts, so why is", "I haven't read the books, but I've seen in subtitles and other things", "other things that knights in Game of Thrones are addressed as \"Ser\". It", "knights in Game of Thrones are addressed as \"Ser\". It seems to me", "the usual real-life counterparts, so why is \"Ser\" an outlier when knights in", "of Thrones are addressed as \"Ser\". It seems to me that fantasy works", "Kings, Queens and Lords in Game of Thrones use the usual real-life counterparts,", "have aristocracies, knights, kings, queens, lords, ladies and so on. The Kings, Queens" ]
[ "product, in this case your book is entertaining, regardless of the subject, the", "it is most important to sell it to a target audience, for anyone", "P.S. Thanks to the comments I understand now what an agent wants and", "buttload of literary agents, find a literary agent that is interested in my", "search for other psychological non-fiction books to know which agents other authors haven", "agent wants and why. A writer who goes to an agent has no", "12 publishers. The 13th time was successful, because the daughter of bloomsbury, who", "a foreigner, how can I, out of the buttload of literary agents, find", "the USA is mainly interested in American subjects, so anything else is quite", "book is entertaining, regardless of the subject, the majority will like it and", "'Philosopher's Stone', you know who wrote that. The book was denied by 12", "it and your product, in this case a book, will become a bestseller.", "mental weakness. When I search for other psychological non-fiction books to know which", "is quite hard to sell. Besides the fact of what America does towards", "psychological' on 'goodreads.com'. P.S. Thanks to the comments I understand now what an", "sell it to a target audience, for anyone out there who wants to", "literary agents? I've tried selling internationally by contacting literary agents nationally, but they", "either no knowledge or interest in selling internationally. The book is psychological non-fiction.", "internationally. The book is psychological non-fiction. It's about two subjects, rulers and mental", "subject as well. Read the following articles for more information <https://www.writersdigest.com/editor-blogs/there-are-no-rules/getting-published/how-to-ensure-75-of-agents-will-request-your-material> <https://www.writersdigest.com/editor-blogs/guide-to-literary-agents/pubtips-query> <https://youtu.be/Ctda91oOboQ>", "case a book, will become a bestseller. This has been proven in the", "that you sent it to, so sent it to an agency who's interested", "wants and why. A writer who goes to an agent has no name", "the past, for example 'Philosopher's Stone', you know who wrote that. The book", "story some day, be sure that the message that you sent, so your", "as a bestseller. The first people who'll buy from an unknown source, in", "book, because Rowling wasn´t able to sell the story to the target audience,", "was successful, because the daughter of bloomsbury, who liked the book, told her", "an agent wants and why. A writer who goes to an agent has", "to an agent has no name that people know about. No story starts", "case a book, they'll refer it to other people. Other people might be", "but they have either no knowledge or interest in selling internationally. The book", "why. A writer who goes to an agent has no name that people", "and if required your proposal are professional and conforming to the submission rules", "bestseller. This has been proven in the past, for example 'Philosopher's Stone', you", "unknown source, in this case an author, are the ones who are interested", "English language book in the USA as a foreigner. Someone told me that", "professional and conforming to the submission rules of the agency that you sent", "book in the USA as a foreigner. Someone told me that the USA", "agents other authors haven chosen, I get 1193 results under 'non fiction psychological'", "sent it to, so sent it to an agency who's interested in your", "I've tried selling internationally by contacting literary agents nationally, but they have either", "mainly interested in American subjects, so anything else is quite hard to sell.", "foreigner, how can I, out of the buttload of literary agents, find a", "nationally, but they have either no knowledge or interest in selling internationally. The", "story starts as a bestseller. The first people who'll buy from an unknown", "this case your book is entertaining, regardless of the subject, the majority will", "chosen, I get 1193 results under 'non fiction psychological' on 'goodreads.com'. P.S. Thanks", "psychological non-fiction. It's about two subjects, rulers and mental weakness. When I search", "a book, will become a bestseller. This has been proven in the past,", "her father to publish it. 12 publishers denied the book, because Rowling wasn´t", "writer who goes to an agent has no name that people know about.", "your subject as well. Read the following articles for more information <https://www.writersdigest.com/editor-blogs/there-are-no-rules/getting-published/how-to-ensure-75-of-agents-will-request-your-material> <https://www.writersdigest.com/editor-blogs/guide-to-literary-agents/pubtips-query>", "an agency who's interested in your subject as well. Read the following articles", "book without having to check out all the literary agents? I've tried selling", "are the ones who are interested in the subject, not so much because", "required your proposal are professional and conforming to the submission rules of the", "to, so sent it to an agency who's interested in your subject as", "It's about two subjects, rulers and mental weakness. When I search for other", "American subjects, so anything else is quite hard to sell. Besides the fact", "to check out all the literary agents? I've tried selling internationally by contacting", "denied by 12 publishers. The 13th time was successful, because the daughter of", "to publish it. 12 publishers denied the book, because Rowling wasn´t able to", "what America does towards non-American books written by a foreigner, how can I,", "is most important to sell it to a target audience, for anyone out", "publisher wasn´t interested. Since it is most important to sell it to a", "for other psychological non-fiction books to know which agents other authors haven chosen,", "wasn´t able to sell the story to the target audience, so the publisher", "'non fiction psychological' on 'goodreads.com'. P.S. Thanks to the comments I understand now", "the daughter of bloomsbury, who liked the book, told her father to publish", "important to sell it to a target audience, for anyone out there who", "your query letter and if required your proposal are professional and conforming to", "example 'Philosopher's Stone', you know who wrote that. The book was denied by", "be less interested in the subject, but if your product, in this case", "interested in the subject, but if your product, in this case your book", "written by a foreigner, how can I, out of the buttload of literary", "without having to check out all the literary agents? I've tried selling internationally", "publish it. 12 publishers denied the book, because Rowling wasn´t able to sell", "literary agents, find a literary agent that is interested in my book without", "day, be sure that the message that you sent, so your query letter", "target audience buy your product, in this case a book, they'll refer it", "fact of what America does towards non-American books written by a foreigner, how", "wants to publish there first story some day, be sure that the message", "bestseller. The first people who'll buy from an unknown source, in this case", "will become a bestseller. This has been proven in the past, for example", "that. The book was denied by 12 publishers. The 13th time was successful,", "agency that you sent it to, so sent it to an agency who's", "I, out of the buttload of literary agents, find a literary agent that", "1193 results under 'non fiction psychological' on 'goodreads.com'. P.S. Thanks to the comments", "who liked the book, told her father to publish it. 12 publishers denied", "is mainly interested in American subjects, so anything else is quite hard to", "entertaining. Once you manage to make your target audience buy your product, in", "told her father to publish it. 12 publishers denied the book, because Rowling", "publishers. The 13th time was successful, because the daughter of bloomsbury, who liked", "quite hard to sell. Besides the fact of what America does towards non-American", "successful, because the daughter of bloomsbury, who liked the book, told her father", "your proposal are professional and conforming to the submission rules of the agency", "selling internationally. The book is psychological non-fiction. It's about two subjects, rulers and", "agents, find a literary agent that is interested in my book without having", "you know who wrote that. The book was denied by 12 publishers. The", "about. No story starts as a bestseller. The first people who'll buy from", "to sell it to a target audience, for anyone out there who wants", "literary agent that is interested in my book without having to check out", "subject, the majority will like it and your product, in this case a", "The book was denied by 12 publishers. The 13th time was successful, because", "a book, they'll refer it to other people. Other people might be less", "to the comments I understand now what an agent wants and why. A", "in your subject as well. Read the following articles for more information <https://www.writersdigest.com/editor-blogs/there-are-no-rules/getting-published/how-to-ensure-75-of-agents-will-request-your-material>", "this case a book, will become a bestseller. This has been proven in", "publishers denied the book, because Rowling wasn´t able to sell the story to", "past, for example 'Philosopher's Stone', you know who wrote that. The book was", "much because it might be entertaining. Once you manage to make your target", "so your query letter and if required your proposal are professional and conforming", "in this case your book is entertaining, regardless of the subject, the majority", "No story starts as a bestseller. The first people who'll buy from an", "which agents other authors haven chosen, I get 1193 results under 'non fiction", "not so much because it might be entertaining. Once you manage to make", "the USA as a foreigner. Someone told me that the USA is mainly", "conforming to the submission rules of the agency that you sent it to,", "submission rules of the agency that you sent it to, so sent it", "the book, told her father to publish it. 12 publishers denied the book,", "letter and if required your proposal are professional and conforming to the submission", "and conforming to the submission rules of the agency that you sent it", "When I search for other psychological non-fiction books to know which agents other", "book, they'll refer it to other people. Other people might be less interested", "it to other people. Other people might be less interested in the subject,", "subject, but if your product, in this case your book is entertaining, regardless", "contacting literary agents nationally, but they have either no knowledge or interest in", "told me that the USA is mainly interested in American subjects, so anything", "publish an English language book in the USA as a foreigner. Someone told", "America does towards non-American books written by a foreigner, how can I, out", "product, in this case a book, will become a bestseller. This has been", "daughter of bloomsbury, who liked the book, told her father to publish it.", "majority will like it and your product, in this case a book, will", "A writer who goes to an agent has no name that people know", "my book without having to check out all the literary agents? I've tried", "become a bestseller. This has been proven in the past, for example 'Philosopher's", "an agent has no name that people know about. No story starts as", "wasn´t interested. Since it is most important to sell it to a target", "they'll refer it to other people. Other people might be less interested in", "book is psychological non-fiction. It's about two subjects, rulers and mental weakness. When", "ones who are interested in the subject, not so much because it might", "now what an agent wants and why. A writer who goes to an", "goes to an agent has no name that people know about. No story", "less interested in the subject, but if your product, in this case your", "there first story some day, be sure that the message that you sent,", "no knowledge or interest in selling internationally. The book is psychological non-fiction. It's", "towards non-American books written by a foreigner, how can I, out of the", "no name that people know about. No story starts as a bestseller. The", "sent, so your query letter and if required your proposal are professional and", "the literary agents? I've tried selling internationally by contacting literary agents nationally, but", "what an agent wants and why. A writer who goes to an agent", "most important to sell it to a target audience, for anyone out there", "author, are the ones who are interested in the subject, not so much", "who's interested in your subject as well. Read the following articles for more", "results under 'non fiction psychological' on 'goodreads.com'. P.S. Thanks to the comments I", "anyone out there who wants to publish there first story some day, be", "buy from an unknown source, in this case an author, are the ones", "been proven in the past, for example 'Philosopher's Stone', you know who wrote", "other psychological non-fiction books to know which agents other authors haven chosen, I", "is interested in my book without having to check out all the literary", "Stone', you know who wrote that. The book was denied by 12 publishers.", "to publish there first story some day, be sure that the message that", "other people. Other people might be less interested in the subject, but if", "wrote that. The book was denied by 12 publishers. The 13th time was", "that is interested in my book without having to check out all the", "your product, in this case a book, will become a bestseller. This has", "to an agency who's interested in your subject as well. Read the following", "regardless of the subject, the majority will like it and your product, in", "agent has no name that people know about. No story starts as a", "your product, in this case your book is entertaining, regardless of the subject,", "able to sell the story to the target audience, so the publisher wasn´t", "to a target audience, for anyone out there who wants to publish there", "proposal are professional and conforming to the submission rules of the agency that", "query letter and if required your proposal are professional and conforming to the", "buy your product, in this case a book, they'll refer it to other", "of the buttload of literary agents, find a literary agent that is interested", "subject, not so much because it might be entertaining. Once you manage to", "know which agents other authors haven chosen, I get 1193 results under 'non", "case an author, are the ones who are interested in the subject, not", "psychological non-fiction books to know which agents other authors haven chosen, I get", "'goodreads.com'. P.S. Thanks to the comments I understand now what an agent wants", "knowledge or interest in selling internationally. The book is psychological non-fiction. It's about", "refer it to other people. Other people might be less interested in the", "interested in my book without having to check out all the literary agents?", "case your book is entertaining, regardless of the subject, the majority will like", "of bloomsbury, who liked the book, told her father to publish it. 12", "The 13th time was successful, because the daughter of bloomsbury, who liked the", "sell. Besides the fact of what America does towards non-American books written by", "and why. A writer who goes to an agent has no name that", "does towards non-American books written by a foreigner, how can I, out of", "audience, for anyone out there who wants to publish there first story some", "book, will become a bestseller. This has been proven in the past, for", "are professional and conforming to the submission rules of the agency that you", "by contacting literary agents nationally, but they have either no knowledge or interest", "interested in American subjects, so anything else is quite hard to sell. Besides", "your book is entertaining, regardless of the subject, the majority will like it", "weakness. When I search for other psychological non-fiction books to know which agents", "and mental weakness. When I search for other psychological non-fiction books to know", "in American subjects, so anything else is quite hard to sell. Besides the", "to sell the story to the target audience, so the publisher wasn´t interested.", "an English language book in the USA as a foreigner. Someone told me", "interested. Since it is most important to sell it to a target audience,", "you sent, so your query letter and if required your proposal are professional", "having to check out all the literary agents? I've tried selling internationally by", "under 'non fiction psychological' on 'goodreads.com'. P.S. Thanks to the comments I understand", "be entertaining. Once you manage to make your target audience buy your product,", "was denied by 12 publishers. The 13th time was successful, because the daughter", "subjects, so anything else is quite hard to sell. Besides the fact of", "of literary agents, find a literary agent that is interested in my book", "haven chosen, I get 1193 results under 'non fiction psychological' on 'goodreads.com'. P.S.", "and your product, in this case a book, will become a bestseller. This", "first story some day, be sure that the message that you sent, so", "this case a book, they'll refer it to other people. Other people might", "some day, be sure that the message that you sent, so your query", "book was denied by 12 publishers. The 13th time was successful, because the", "might be less interested in the subject, but if your product, in this", "non-American books written by a foreigner, how can I, out of the buttload", "language book in the USA as a foreigner. Someone told me that the", "on 'goodreads.com'. P.S. Thanks to the comments I understand now what an agent", "that the USA is mainly interested in American subjects, so anything else is", "subjects, rulers and mental weakness. When I search for other psychological non-fiction books", "else is quite hard to sell. Besides the fact of what America does", "for example 'Philosopher's Stone', you know who wrote that. The book was denied", "story to the target audience, so the publisher wasn´t interested. Since it is", "Since it is most important to sell it to a target audience, for", "agents nationally, but they have either no knowledge or interest in selling internationally.", "the comments I understand now what an agent wants and why. A writer", "but if your product, in this case your book is entertaining, regardless of", "from an unknown source, in this case an author, are the ones who", "people might be less interested in the subject, but if your product, in", "manage to make your target audience buy your product, in this case a", "has been proven in the past, for example 'Philosopher's Stone', you know who", "how can I, out of the buttload of literary agents, find a literary", "This has been proven in the past, for example 'Philosopher's Stone', you know", "like it and your product, in this case a book, will become a", "the message that you sent, so your query letter and if required your", "out there who wants to publish there first story some day, be sure", "they have either no knowledge or interest in selling internationally. The book is", "source, in this case an author, are the ones who are interested in", "interested in the subject, not so much because it might be entertaining. Once", "you sent it to, so sent it to an agency who's interested in", "tried selling internationally by contacting literary agents nationally, but they have either no", "interest in selling internationally. The book is psychological non-fiction. It's about two subjects,", "can I, out of the buttload of literary agents, find a literary agent", "I want to publish an English language book in the USA as a", "an unknown source, in this case an author, are the ones who are", "to sell. Besides the fact of what America does towards non-American books written", "literary agents nationally, but they have either no knowledge or interest in selling", "sell the story to the target audience, so the publisher wasn´t interested. Since", "sure that the message that you sent, so your query letter and if", "will like it and your product, in this case a book, will become", "might be entertaining. Once you manage to make your target audience buy your", "the buttload of literary agents, find a literary agent that is interested in", "foreigner. Someone told me that the USA is mainly interested in American subjects,", "people. Other people might be less interested in the subject, but if your", "in the subject, not so much because it might be entertaining. Once you", "product, in this case a book, they'll refer it to other people. Other", "The first people who'll buy from an unknown source, in this case an", "target audience, so the publisher wasn´t interested. Since it is most important to", "starts as a bestseller. The first people who'll buy from an unknown source,", "I search for other psychological non-fiction books to know which agents other authors", "is entertaining, regardless of the subject, the majority will like it and your", "it to an agency who's interested in your subject as well. Read the", "the book, because Rowling wasn´t able to sell the story to the target", "by 12 publishers. The 13th time was successful, because the daughter of bloomsbury,", "or interest in selling internationally. The book is psychological non-fiction. It's about two", "Someone told me that the USA is mainly interested in American subjects, so", "the subject, but if your product, in this case your book is entertaining,", "Once you manage to make your target audience buy your product, in this", "your product, in this case a book, they'll refer it to other people.", "name that people know about. No story starts as a bestseller. The first", "of the agency that you sent it to, so sent it to an", "that people know about. No story starts as a bestseller. The first people", "the subject, the majority will like it and your product, in this case", "agents? I've tried selling internationally by contacting literary agents nationally, but they have", "agency who's interested in your subject as well. Read the following articles for", "who are interested in the subject, not so much because it might be", "out all the literary agents? I've tried selling internationally by contacting literary agents", "is psychological non-fiction. It's about two subjects, rulers and mental weakness. When I", "in this case a book, they'll refer it to other people. Other people", "your target audience buy your product, in this case a book, they'll refer", "anything else is quite hard to sell. Besides the fact of what America", "USA is mainly interested in American subjects, so anything else is quite hard", "it to a target audience, for anyone out there who wants to publish", "you manage to make your target audience buy your product, in this case", "other authors haven chosen, I get 1193 results under 'non fiction psychological' on", "to other people. Other people might be less interested in the subject, but", "comments I understand now what an agent wants and why. A writer who", "time was successful, because the daughter of bloomsbury, who liked the book, told", "books to know which agents other authors haven chosen, I get 1193 results", "so sent it to an agency who's interested in your subject as well.", "because Rowling wasn´t able to sell the story to the target audience, so", "a foreigner. Someone told me that the USA is mainly interested in American", "of the subject, the majority will like it and your product, in this", "Rowling wasn´t able to sell the story to the target audience, so the", "fiction psychological' on 'goodreads.com'. P.S. Thanks to the comments I understand now what", "people who'll buy from an unknown source, in this case an author, are", "selling internationally by contacting literary agents nationally, but they have either no knowledge", "non-fiction. It's about two subjects, rulers and mental weakness. When I search for", "as a foreigner. Someone told me that the USA is mainly interested in", "has no name that people know about. No story starts as a bestseller.", "understand now what an agent wants and why. A writer who goes to", "so anything else is quite hard to sell. Besides the fact of what", "if required your proposal are professional and conforming to the submission rules of", "proven in the past, for example 'Philosopher's Stone', you know who wrote that.", "people know about. No story starts as a bestseller. The first people who'll", "because it might be entertaining. Once you manage to make your target audience", "to the target audience, so the publisher wasn´t interested. Since it is most", "12 publishers denied the book, because Rowling wasn´t able to sell the story", "USA as a foreigner. Someone told me that the USA is mainly interested", "the subject, not so much because it might be entertaining. Once you manage", "this case an author, are the ones who are interested in the subject,", "if your product, in this case your book is entertaining, regardless of the", "so the publisher wasn´t interested. Since it is most important to sell it", "rulers and mental weakness. When I search for other psychological non-fiction books to", "entertaining, regardless of the subject, the majority will like it and your product,", "that the message that you sent, so your query letter and if required", "in the USA as a foreigner. Someone told me that the USA is", "that you sent, so your query letter and if required your proposal are", "find a literary agent that is interested in my book without having to", "it to, so sent it to an agency who's interested in your subject", "the agency that you sent it to, so sent it to an agency", "for anyone out there who wants to publish there first story some day,", "audience buy your product, in this case a book, they'll refer it to", "books written by a foreigner, how can I, out of the buttload of", "want to publish an English language book in the USA as a foreigner.", "Besides the fact of what America does towards non-American books written by a", "the submission rules of the agency that you sent it to, so sent", "get 1193 results under 'non fiction psychological' on 'goodreads.com'. P.S. Thanks to the", "a literary agent that is interested in my book without having to check", "two subjects, rulers and mental weakness. When I search for other psychological non-fiction", "13th time was successful, because the daughter of bloomsbury, who liked the book,", "bloomsbury, who liked the book, told her father to publish it. 12 publishers", "Other people might be less interested in the subject, but if your product,", "know who wrote that. The book was denied by 12 publishers. The 13th", "the ones who are interested in the subject, not so much because it", "by a foreigner, how can I, out of the buttload of literary agents,", "authors haven chosen, I get 1193 results under 'non fiction psychological' on 'goodreads.com'.", "check out all the literary agents? I've tried selling internationally by contacting literary", "rules of the agency that you sent it to, so sent it to", "know about. No story starts as a bestseller. The first people who'll buy", "a bestseller. This has been proven in the past, for example 'Philosopher's Stone',", "in this case a book, will become a bestseller. This has been proven", "book, told her father to publish it. 12 publishers denied the book, because", "to publish an English language book in the USA as a foreigner. Someone", "an author, are the ones who are interested in the subject, not so", "who goes to an agent has no name that people know about. No", "the fact of what America does towards non-American books written by a foreigner,", "interested in your subject as well. Read the following articles for more information", "hard to sell. Besides the fact of what America does towards non-American books", "there who wants to publish there first story some day, be sure that", "denied the book, because Rowling wasn´t able to sell the story to the", "in selling internationally. The book is psychological non-fiction. It's about two subjects, rulers", "be sure that the message that you sent, so your query letter and", "agent that is interested in my book without having to check out all", "first people who'll buy from an unknown source, in this case an author,", "have either no knowledge or interest in selling internationally. The book is psychological", "the story to the target audience, so the publisher wasn´t interested. Since it", "non-fiction books to know which agents other authors haven chosen, I get 1193", "of what America does towards non-American books written by a foreigner, how can", "I understand now what an agent wants and why. A writer who goes", "Thanks to the comments I understand now what an agent wants and why.", "the majority will like it and your product, in this case a book,", "because the daughter of bloomsbury, who liked the book, told her father to", "message that you sent, so your query letter and if required your proposal", "in this case an author, are the ones who are interested in the", "The book is psychological non-fiction. It's about two subjects, rulers and mental weakness.", "about two subjects, rulers and mental weakness. When I search for other psychological", "the publisher wasn´t interested. Since it is most important to sell it to", "to the submission rules of the agency that you sent it to, so", "who wrote that. The book was denied by 12 publishers. The 13th time", "who wants to publish there first story some day, be sure that the", "publish there first story some day, be sure that the message that you", "in the past, for example 'Philosopher's Stone', you know who wrote that. The", "it might be entertaining. Once you manage to make your target audience buy", "in my book without having to check out all the literary agents? I've", "father to publish it. 12 publishers denied the book, because Rowling wasn´t able", "internationally by contacting literary agents nationally, but they have either no knowledge or", "audience, so the publisher wasn´t interested. Since it is most important to sell", "me that the USA is mainly interested in American subjects, so anything else", "target audience, for anyone out there who wants to publish there first story", "so much because it might be entertaining. Once you manage to make your", "sent it to an agency who's interested in your subject as well. Read", "are interested in the subject, not so much because it might be entertaining.", "to make your target audience buy your product, in this case a book,", "a target audience, for anyone out there who wants to publish there first", "make your target audience buy your product, in this case a book, they'll", "who'll buy from an unknown source, in this case an author, are the", "out of the buttload of literary agents, find a literary agent that is", "all the literary agents? I've tried selling internationally by contacting literary agents nationally,", "the target audience, so the publisher wasn´t interested. Since it is most important", "in the subject, but if your product, in this case your book is", "to know which agents other authors haven chosen, I get 1193 results under", "liked the book, told her father to publish it. 12 publishers denied the", "I get 1193 results under 'non fiction psychological' on 'goodreads.com'. P.S. Thanks to", "it. 12 publishers denied the book, because Rowling wasn´t able to sell the", "a bestseller. The first people who'll buy from an unknown source, in this" ]
[ "NP problem. I feel the introduction to my paper sounds like a cliche.", "my math classes about the P vs NP problem. I feel the introduction", "that present an > exceptional level of difficulty. > > > How do", "of my math classes about the P vs NP problem. I feel the", "classes about the P vs NP problem. I feel the introduction to my", "> In the field of mathematics, there are problems that present an >", "the field of mathematics, there are problems that present an > exceptional level", "> exceptional level of difficulty. > > > How do I avoid such", "are problems that present an > exceptional level of difficulty. > > >", "there are problems that present an > exceptional level of difficulty. > >", "> How do I avoid such cliches in my writing and create a", "field of mathematics, there are problems that present an > exceptional level of", "I avoid such cliches in my writing and create a strong opening line?", "feel the introduction to my paper sounds like a cliche. This is my", "the P vs NP problem. I feel the introduction to my paper sounds", "How do I avoid such cliches in my writing and create a strong", "a research paper in one of my math classes about the P vs", "is my intro: > > In the field of mathematics, there are problems", "> > In the field of mathematics, there are problems that present an", "vs NP problem. I feel the introduction to my paper sounds like a", "introduction to my paper sounds like a cliche. This is my intro: >", "cliche. This is my intro: > > In the field of mathematics, there", "In the field of mathematics, there are problems that present an > exceptional", "my paper sounds like a cliche. This is my intro: > > In", "my intro: > > In the field of mathematics, there are problems that", "problems that present an > exceptional level of difficulty. > > > How", "This is my intro: > > In the field of mathematics, there are", "intro: > > In the field of mathematics, there are problems that present", "paper in one of my math classes about the P vs NP problem.", "problem. I feel the introduction to my paper sounds like a cliche. This", "an > exceptional level of difficulty. > > > How do I avoid", "math classes about the P vs NP problem. I feel the introduction to", "a cliche. This is my intro: > > In the field of mathematics,", "to my paper sounds like a cliche. This is my intro: > >", "I feel the introduction to my paper sounds like a cliche. This is", "in one of my math classes about the P vs NP problem. I", "level of difficulty. > > > How do I avoid such cliches in", "the introduction to my paper sounds like a cliche. This is my intro:", "paper sounds like a cliche. This is my intro: > > In the", "> > How do I avoid such cliches in my writing and create", "one of my math classes about the P vs NP problem. I feel", "do I avoid such cliches in my writing and create a strong opening", "difficulty. > > > How do I avoid such cliches in my writing", "about the P vs NP problem. I feel the introduction to my paper", "present an > exceptional level of difficulty. > > > How do I", "like a cliche. This is my intro: > > In the field of", "> > > How do I avoid such cliches in my writing and", "sounds like a cliche. This is my intro: > > In the field", "I'm writing a research paper in one of my math classes about the", "of mathematics, there are problems that present an > exceptional level of difficulty.", "exceptional level of difficulty. > > > How do I avoid such cliches", "research paper in one of my math classes about the P vs NP", "mathematics, there are problems that present an > exceptional level of difficulty. >", "P vs NP problem. I feel the introduction to my paper sounds like", "of difficulty. > > > How do I avoid such cliches in my", "writing a research paper in one of my math classes about the P" ]
[ "as it's very important to the scene for the reader to know he", "I'll pull out now.” > > > \"Hinted\" is a bit too straightforward,", "> Almost reluctantly, he said, “Okay, I'll pull out now.” > > >", "help here and I don't want to omit a tag, as it's very", "said, “Okay, I'll pull out now.” > > > \"Hinted\" is a bit", "my writing style not to do that. Also, I don't think body language", "don't want to omit a tag, as it's very important to the scene", "now.” > > > \"Hinted\" is a bit too straightforward, and I was", "subtle. I also don't want to keep the modification of said. It's a", "would help here and I don't want to omit a tag, as it's", "a tad more subtle. I also don't want to keep the modification of", "> \"Hinted\" is a bit too straightforward, and I was hoping to find", "here and I don't want to omit a tag, as it's very important", "that is a tad more subtle. I also don't want to keep the", "a tag, as it's very important to the scene for the reader to", "a bit too straightforward, and I was hoping to find a similar word", "to do that. Also, I don't think body language would help here and", "Also, I don't think body language would help here and I don't want", "also don't want to keep the modification of said. It's a personal preference", "similar word that is a tad more subtle. I also don't want to", "\"Hinted\" is a bit too straightforward, and I was hoping to find a", "I also don't want to keep the modification of said. It's a personal", "of said. It's a personal preference in my writing style not to do", "dialogue and subsequent dialogue tag is: > > Almost reluctantly, he said, “Okay,", "tag, as it's very important to the scene for the reader to know", "scene and my current dialogue and subsequent dialogue tag is: > > Almost", "don't think body language would help here and I don't want to omit", "I'm rewriting a sex scene and my current dialogue and subsequent dialogue tag", "example, I'm rewriting a sex scene and my current dialogue and subsequent dialogue", "to keep the modification of said. It's a personal preference in my writing", "modification of said. It's a personal preference in my writing style not to", "It's a personal preference in my writing style not to do that. Also,", "body language would help here and I don't want to omit a tag,", "> > > \"Hinted\" is a bit too straightforward, and I was hoping", "“Okay, I'll pull out now.” > > > \"Hinted\" is a bit too", "bit too straightforward, and I was hoping to find a similar word that", "do that. Also, I don't think body language would help here and I", "to omit a tag, as it's very important to the scene for the", "out now.” > > > \"Hinted\" is a bit too straightforward, and I", "not to do that. Also, I don't think body language would help here", "subsequent dialogue tag is: > > Almost reluctantly, he said, “Okay, I'll pull", "> > Almost reluctantly, he said, “Okay, I'll pull out now.” > >", "important to the scene for the reader to know he doesn't want to", "said. It's a personal preference in my writing style not to do that.", "is: > > Almost reluctantly, he said, “Okay, I'll pull out now.” >", "> > \"Hinted\" is a bit too straightforward, and I was hoping to", "style not to do that. Also, I don't think body language would help", "to find a similar word that is a tad more subtle. I also", "is a tad more subtle. I also don't want to keep the modification", "that. Also, I don't think body language would help here and I don't", "my current dialogue and subsequent dialogue tag is: > > Almost reluctantly, he", "and subsequent dialogue tag is: > > Almost reluctantly, he said, “Okay, I'll", "is a bit too straightforward, and I was hoping to find a similar", "he said, “Okay, I'll pull out now.” > > > \"Hinted\" is a", "word that is a tad more subtle. I also don't want to keep", "the scene for the reader to know he doesn't want to do that.", "a sex scene and my current dialogue and subsequent dialogue tag is: >", "don't want to keep the modification of said. It's a personal preference in", "was hoping to find a similar word that is a tad more subtle.", "think body language would help here and I don't want to omit a", "keep the modification of said. It's a personal preference in my writing style", "language would help here and I don't want to omit a tag, as", "pull out now.” > > > \"Hinted\" is a bit too straightforward, and", "want to keep the modification of said. It's a personal preference in my", "writing style not to do that. Also, I don't think body language would", "very important to the scene for the reader to know he doesn't want", "the modification of said. It's a personal preference in my writing style not", "more subtle. I also don't want to keep the modification of said. It's", "tad more subtle. I also don't want to keep the modification of said.", "sex scene and my current dialogue and subsequent dialogue tag is: > >", "rewriting a sex scene and my current dialogue and subsequent dialogue tag is:", "in my writing style not to do that. Also, I don't think body", "too straightforward, and I was hoping to find a similar word that is", "omit a tag, as it's very important to the scene for the reader", "current dialogue and subsequent dialogue tag is: > > Almost reluctantly, he said,", "it's very important to the scene for the reader to know he doesn't", "I don't think body language would help here and I don't want to", "a similar word that is a tad more subtle. I also don't want", "straightforward, and I was hoping to find a similar word that is a", "and I don't want to omit a tag, as it's very important to", "tag is: > > Almost reluctantly, he said, “Okay, I'll pull out now.”", "I don't want to omit a tag, as it's very important to the", "find a similar word that is a tad more subtle. I also don't", "Almost reluctantly, he said, “Okay, I'll pull out now.” > > > \"Hinted\"", "a personal preference in my writing style not to do that. Also, I", "and my current dialogue and subsequent dialogue tag is: > > Almost reluctantly,", "and I was hoping to find a similar word that is a tad", "For example, I'm rewriting a sex scene and my current dialogue and subsequent", "reluctantly, he said, “Okay, I'll pull out now.” > > > \"Hinted\" is", "personal preference in my writing style not to do that. Also, I don't", "preference in my writing style not to do that. Also, I don't think", "I was hoping to find a similar word that is a tad more", "to the scene for the reader to know he doesn't want to do", "hoping to find a similar word that is a tad more subtle. I", "dialogue tag is: > > Almost reluctantly, he said, “Okay, I'll pull out", "want to omit a tag, as it's very important to the scene for" ]
[ "our father. This person wrote a children's book based on the story, using", "and take the copyright for it? A person, whose mother lived in our", "name and other specifics to the story, and had it published with out", "wrote a children's book based on the story, using his name and other", "with out our knowledge. She copyrighted the work. Is that legal? Do we", "the story, using his name and other specifics to the story, and had", "out our knowledge. She copyrighted the work. Is that legal? Do we have", "a story about our father. This person wrote a children's book based on", "and publish it? Using your name and specifics, and take the copyright for", "copyrighted the work. Is that legal? Do we have any rights to the", "knowledge. She copyrighted the work. Is that legal? Do we have any rights", "about our father. This person wrote a children's book based on the story,", "your name and specifics, and take the copyright for it? A person, whose", "a children's book based on the story, using his name and other specifics", "your knowledge, and publish it? Using your name and specifics, and take the", "book based on the story, using his name and other specifics to the", "children's book based on the story, using his name and other specifics to", "had it published with out our knowledge. She copyrighted the work. Is that", "that happened to you, without your knowledge, and publish it? Using your name", "story, and had it published with out our knowledge. She copyrighted the work.", "work. Is that legal? Do we have any rights to the story since", "take the copyright for it? A person, whose mother lived in our small", "based on the story, using his name and other specifics to the story,", "to the story, and had it published with out our knowledge. She copyrighted", "story, using his name and other specifics to the story, and had it", "Can someone take a story that happened to you, without your knowledge, and", "town, heard a story about our father. This person wrote a children's book", "someone take a story that happened to you, without your knowledge, and publish", "that legal? Do we have any rights to the story since it was", "specifics, and take the copyright for it? A person, whose mother lived in", "for it? A person, whose mother lived in our small town, heard a", "name and specifics, and take the copyright for it? A person, whose mother", "without your knowledge, and publish it? Using your name and specifics, and take", "A person, whose mother lived in our small town, heard a story about", "our knowledge. She copyrighted the work. Is that legal? Do we have any", "mother lived in our small town, heard a story about our father. This", "his name and other specifics to the story, and had it published with", "the copyright for it? A person, whose mother lived in our small town,", "a story that happened to you, without your knowledge, and publish it? Using", "publish it? Using your name and specifics, and take the copyright for it?", "the work. Is that legal? Do we have any rights to the story", "in our small town, heard a story about our father. This person wrote", "you, without your knowledge, and publish it? Using your name and specifics, and", "take a story that happened to you, without your knowledge, and publish it?", "small town, heard a story about our father. This person wrote a children's", "we have any rights to the story since it was about our father?", "This person wrote a children's book based on the story, using his name", "specifics to the story, and had it published with out our knowledge. She", "it? A person, whose mother lived in our small town, heard a story", "lived in our small town, heard a story about our father. This person", "knowledge, and publish it? Using your name and specifics, and take the copyright", "Do we have any rights to the story since it was about our", "heard a story about our father. This person wrote a children's book based", "and had it published with out our knowledge. She copyrighted the work. Is", "Using your name and specifics, and take the copyright for it? A person,", "person, whose mother lived in our small town, heard a story about our", "other specifics to the story, and had it published with out our knowledge.", "story that happened to you, without your knowledge, and publish it? Using your", "person wrote a children's book based on the story, using his name and", "and other specifics to the story, and had it published with out our", "Is that legal? Do we have any rights to the story since it", "father. This person wrote a children's book based on the story, using his", "to you, without your knowledge, and publish it? Using your name and specifics,", "legal? Do we have any rights to the story since it was about", "on the story, using his name and other specifics to the story, and", "and specifics, and take the copyright for it? A person, whose mother lived", "our small town, heard a story about our father. This person wrote a", "using his name and other specifics to the story, and had it published", "happened to you, without your knowledge, and publish it? Using your name and", "published with out our knowledge. She copyrighted the work. Is that legal? Do", "whose mother lived in our small town, heard a story about our father.", "it published with out our knowledge. She copyrighted the work. Is that legal?", "it? Using your name and specifics, and take the copyright for it? A", "copyright for it? A person, whose mother lived in our small town, heard", "She copyrighted the work. Is that legal? Do we have any rights to", "the story, and had it published with out our knowledge. She copyrighted the", "story about our father. This person wrote a children's book based on the" ]
[ "and they are all plain text. Why don't they use LaTeX or Word?", "all plain text. Why don't they use LaTeX or Word? It will look", "Why don't they use LaTeX or Word? It will look nicer and the", "look nicer and the screenwriter can add images that sometimes can't be described", "LaTeX or Word? It will look nicer and the screenwriter can add images", "or Word? It will look nicer and the screenwriter can add images that", "plain text. Why don't they use LaTeX or Word? It will look nicer", "know anything about screenwriting and I see scripts online have only one format", "Word? It will look nicer and the screenwriter can add images that sometimes", "are all plain text. Why don't they use LaTeX or Word? It will", "It will look nicer and the screenwriter can add images that sometimes can't", "anything about screenwriting and I see scripts online have only one format and", "nicer and the screenwriter can add images that sometimes can't be described by", "will look nicer and the screenwriter can add images that sometimes can't be", "they use LaTeX or Word? It will look nicer and the screenwriter can", "format and they are all plain text. Why don't they use LaTeX or", "screenwriting and I see scripts online have only one format and they are", "use LaTeX or Word? It will look nicer and the screenwriter can add", "don't they use LaTeX or Word? It will look nicer and the screenwriter", "and the screenwriter can add images that sometimes can't be described by words.", "just curious. I don't know anything about screenwriting and I see scripts online", "I see scripts online have only one format and they are all plain", "text. Why don't they use LaTeX or Word? It will look nicer and", "have only one format and they are all plain text. Why don't they", "only one format and they are all plain text. Why don't they use", "about screenwriting and I see scripts online have only one format and they", "don't know anything about screenwriting and I see scripts online have only one", "I don't know anything about screenwriting and I see scripts online have only", "one format and they are all plain text. Why don't they use LaTeX", "curious. I don't know anything about screenwriting and I see scripts online have", "see scripts online have only one format and they are all plain text.", "I'm just curious. I don't know anything about screenwriting and I see scripts", "scripts online have only one format and they are all plain text. Why", "they are all plain text. Why don't they use LaTeX or Word? It", "and I see scripts online have only one format and they are all", "online have only one format and they are all plain text. Why don't" ]
[ "a lot, sometimes even nested) and to output certain phrases in \"strange fonts\".", "in plain HTML nor with programs normally used to edit books (MSWord, kindle-create,", "«Yesterday my boss said: “jump!” and I had to jump.» ``` but that", "wrote a lengthy novel using a program I wrote. This produces a suitable", "my boss said: “jump!” and I had to jump.» ``` but that could", "format suitable for Segdle as I want to self-publish with Amazon. I have", "generate what is needed. Question is: which \"suitable markup\" is available for novel", "nested tales (e.g.: flashbacks). * separators (horizontal line vs. stars vs. graphic image).", "long citations. * nested tales (e.g.: flashbacks). * separators (horizontal line vs. stars", "font change \"on the fly\" (font face, not just bold/italic). * handle (possibly", "a lengthy novel using a program I wrote. This produces a suitable LaTeX", "uses of semantic tagging could include: * differentiating (visually or otherwise) speech from", "through (or I'm saying something completely foolish, which could well be). What I", "novel rendering? Ideally it should: * handle standard headings (easy; almost every markup", "(not mandatory). Does such a beast exist? --- UPDATE: judging from comments and", "it will be converted according Your (global) choices. In my book I use:", "scene, to be used to prepare a timeline). * etc. \"Normal\" markup languages", "division in Part/Chapter/Scene, is used to put emphasis, to handle direct-speech (which I", "(visually or otherwise) speech from different entities (e.g.: speech from a vampire could", "define a (nested) direct speech fragment and it will be converted according Your", "in Part/Chapter/Scene, is used to put emphasis, to handle direct-speech (which I use", "e.g.: ``` — Yesterday my boss said: «jump!» and I had to jump.", "* handle TOC and some limited cross-referencing (this is also standard). * handle", "* if possible generate, from the same source, also PDF (not mandatory). Does", "bold/italic). * handle (possibly nested) direct speech, possibly keeping track of speaker. ", "I can use to generate a nice-looking PDF. Markup, beside customary division in", "vs. graphic image). add \"invisible\" metadata (e.g.: time and duration of a", "a (nested) direct speech fragment and it will be converted according Your (global)", "have control over my program so, given a suitable markup (e.g.: Markdown) I", "speech, possibly keeping track of speaker. * output a professional-looking ebook for Segdle", "fly\" (font face, not just bold/italic). * handle (possibly nested) direct speech, possibly", "handle (possibly nested) direct speech, possibly keeping track of speaker. * output a", "it's possible to use things like `\\tqt{Yesterday my boss said: \\tqt{jump!} and I", "using and its input (if I want to enable reflow) is restricted to", "suited for this even if they have a lots of features, mostly useless", "standard). * handle font change \"on the fly\" (font face, not just bold/italic).", "my problem is I need to convert all this into a format suitable", "AFAIK) is possible neither in plain HTML nor with programs normally used to", "and to output certain phrases in \"strange fonts\". So far, so good. Now", "Other uses of semantic tagging could include: * differentiating (visually or otherwise) speech", "Ideally it should: * handle standard headings (easy; almost every markup does). ", "from a vampire could be in a different font) long citations. ", "to a different style, e.g.: ``` — Yesterday my boss said: «jump!» and", "speech from different entities (e.g.: speech from a vampire could be in a", " separators (horizontal line vs. stars vs. graphic image). * add \"invisible\" metadata", "don't know how to produce. OTOH I have control over my program so,", "be in a different font) * long citations. * nested tales (e.g.: flashbacks).", "a different font) * long citations. * nested tales (e.g.: flashbacks). * separators", "to handle direct-speech (which I use a lot, sometimes even nested) and to", "speech from a vampire could be in a different font) * long citations.", "possible neither in plain HTML nor with programs normally used to edit books", "different entities (e.g.: speech from a vampire could be in a different font)", "with Amazon. I have seen standard tools (i.e.: Segdle Create), but that seems", "my book I use: ``` «Yesterday my boss said: “jump!” and I had", "a program I wrote. This produces a suitable LaTeX source I can use", "need to convert all this into a format suitable for Segdle as I", "standard tools (i.e.: Segdle Create), but that seems to lack all the kinds", "want to self-publish with Amazon. I have seen standard tools (i.e.: Segdle Create),", "fragment and it will be converted according Your (global) choices. In my book", "(horizontal line vs. stars vs. graphic image). * add \"invisible\" metadata (e.g.: time", "the kinds of formatting I'm using and its input (if I want to", "if possible generate, from the same source, also PDF (not mandatory). Does such", "format, which I don't know how to produce. OTOH I have control over", "be converted according Your (global) choices. In my book I use: ``` «Yesterday", "* output a professional-looking ebook for Segdle (mobi, epub or azw3/4). * if", "enable reflow) is restricted to Microsoft .docx format, which I don't know how", "far, so good. Now my problem is I need to convert all this", "epub or azw3/4). * if possible generate, from the same source, also PDF", "had to jump.}` to define a (nested) direct speech fragment and it will", "(and implementing) something myself. Let me know if there is some interest. Any", "for novel writing (cross-reference, lists, tables, math, ...). I am thinking about defining", "markup\" is available for novel rendering? Ideally it should: * handle standard headings", "normally used to edit books (MSWord, kindle-create, Calibre or Sigil). Other uses of", "\"invisible\" metadata (e.g.: time and duration of a scene, to be used to", "use things like `\\tqt{Yesterday my boss said: \\tqt{jump!} and I had to jump.}`", "for novel rendering? Ideally it should: * handle standard headings (easy; almost every", "include: * differentiating (visually or otherwise) speech from different entities (e.g.: speech from", "restricted to Microsoft .docx format, which I don't know how to produce. OTOH", "almost every markup does). * handle TOC and some limited cross-referencing (this is", "could be easily (and globally!) converted to a different style, e.g.: ``` —", "also PDF (not mandatory). Does such a beast exist? --- UPDATE: judging from", "(font face, not just bold/italic). * handle (possibly nested) direct speech, possibly keeping", "how to produce. OTOH I have control over my program so, given a", "``` «Yesterday my boss said: “jump!” and I had to jump.» ``` but", "lists, tables, math, ...). I am thinking about defining (and implementing) something myself.", "something myself. Let me know if there is some interest. Any comment welcome.", "completely foolish, which could well be). What I really like in LaTeX is", "not just bold/italic). * handle (possibly nested) direct speech, possibly keeping track of", "markup languages (e.g.: Markdown) are not really suited for this even if they", "direct speech, possibly keeping track of speaker. * output a professional-looking ebook for", "Microsoft .docx format, which I don't know how to produce. OTOH I have", "the same source, also PDF (not mandatory). Does such a beast exist? ---", "globally!) converted to a different style, e.g.: ``` — Yesterday my boss said:", "This (again AFAIK) is possible neither in plain HTML nor with programs normally", "handle font change \"on the fly\" (font face, not just bold/italic). * handle", "programs normally used to edit books (MSWord, kindle-create, Calibre or Sigil). Other uses", "jump.» ``` but that could be easily (and globally!) converted to a different", "message through (or I'm saying something completely foolish, which could well be). What", "\"on the fly\" (font face, not just bold/italic). * handle (possibly nested) direct", "(e.g.: Markdown) are not really suited for this even if they have a", "of features, mostly useless for novel writing (cross-reference, lists, tables, math, ...). I", "* handle (possibly nested) direct speech, possibly keeping track of speaker. * output", "Amazon. I have seen standard tools (i.e.: Segdle Create), but that seems to", "but that seems to lack all the kinds of formatting I'm using and", "Question is: which \"suitable markup\" is available for novel rendering? Ideally it should:", "available for novel rendering? Ideally it should: * handle standard headings (easy; almost", "choices. In my book I use: ``` «Yesterday my boss said: “jump!” and", "also standard). * handle font change \"on the fly\" (font face, not just", "of a scene, to be used to prepare a timeline). * etc. \"Normal\"", "they have a lots of features, mostly useless for novel writing (cross-reference, lists,", "had to jump.» ``` but that could be easily (and globally!) converted to", "\"strange fonts\". So far, so good. Now my problem is I need to", "a scene, to be used to prepare a timeline). * etc. \"Normal\" markup", "writing (cross-reference, lists, tables, math, ...). 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In my book I use: ``` «Yesterday my boss said:", "fonts\". So far, so good. Now my problem is I need to convert", "converted to a different style, e.g.: ``` — Yesterday my boss said: «jump!»", "formatting I'm using and its input (if I want to enable reflow) is", "What I really like in LaTeX is it's possible to use things like", "for Segdle as I want to self-publish with Amazon. I have seen standard", "boss said: “jump!” and I had to jump.» ``` but that could be", "...). I am thinking about defining (and implementing) something myself. Let me know", "and I had to jump.» ``` but that could be easily (and globally!)", "thinking about defining (and implementing) something myself. Let me know if there is", "LaTeX source I can use to generate a nice-looking PDF. Markup, beside customary", "and I had to jump. ``` This (again AFAIK) is possible neither in", "used to edit books (MSWord, kindle-create, Calibre or Sigil). Other uses of semantic", "``` This (again AFAIK) is possible neither in plain HTML nor with programs", "limited cross-referencing (this is also standard). * handle font change \"on the fly\"", "be easily (and globally!) converted to a different style, e.g.: ``` — Yesterday", "features, mostly useless for novel writing (cross-reference, lists, tables, math, ...). I am", "seems to lack all the kinds of formatting I'm using and its input", "add \"invisible\" metadata (e.g.: time and duration of a scene, to be used", "Segdle as I want to self-publish with Amazon. I have seen standard tools", "which \"suitable markup\" is available for novel rendering? Ideally it should: * handle", "(or I'm saying something completely foolish, which could well be). What I really" ]
[ "Though, they seem for all appearances and seemingly all mannerisms to appear as", "very off about this being, and everyone knows it. How can I give", "knows it. How can I give the reader the impression of wrongness without", "I give the reader the impression of wrongness without it being said or", "about this being, and everyone knows it. How can I give the reader", "comprehend. Though, they seem for all appearances and seemingly all mannerisms to appear", "not actually a person. Instead, they are some form of eldritch being of", "for all appearances and seemingly all mannerisms to appear as human, they are", "give the reader the impression of wrongness without it being said or reflected", "person in question, though this is yet unknown, is not actually a person.", "mind, are fooled. Something is very off about this being, and everyone knows", "impression of wrongness without it being said or reflected in other characters' thoughts?", "not. The human eyes, but not mind, are fooled. Something is very off", "seemingly all mannerisms to appear as human, they are not. The human eyes,", "this is yet unknown, is not actually a person. Instead, they are some", "are some form of eldritch being of which we cannot comprehend. Though, they", "eyes, but not mind, are fooled. Something is very off about this being,", "can I give the reader the impression of wrongness without it being said", "fooled. Something is very off about this being, and everyone knows it. How", "they seem for all appearances and seemingly all mannerisms to appear as human,", "The human eyes, but not mind, are fooled. Something is very off about", "off about this being, and everyone knows it. How can I give the", "human, they are not. The human eyes, but not mind, are fooled. Something", "being of which we cannot comprehend. Though, they seem for all appearances and", "all appearances and seemingly all mannerisms to appear as human, they are not.", "the impression of wrongness without it being said or reflected in other characters'", "the reader the impression of wrongness without it being said or reflected in", "form of eldritch being of which we cannot comprehend. Though, they seem for", "it. How can I give the reader the impression of wrongness without it", "yet unknown, is not actually a person. Instead, they are some form of", "all mannerisms to appear as human, they are not. The human eyes, but", "reader the impression of wrongness without it being said or reflected in other", "some form of eldritch being of which we cannot comprehend. Though, they seem", "are not. The human eyes, but not mind, are fooled. Something is very", "unknown, is not actually a person. Instead, they are some form of eldritch", "to appear as human, they are not. The human eyes, but not mind,", "appearances and seemingly all mannerisms to appear as human, they are not. The", "How can I give the reader the impression of wrongness without it being", "The person in question, though this is yet unknown, is not actually a", "as human, they are not. The human eyes, but not mind, are fooled.", "is very off about this being, and everyone knows it. How can I", "actually a person. Instead, they are some form of eldritch being of which", "human eyes, but not mind, are fooled. Something is very off about this", "mannerisms to appear as human, they are not. The human eyes, but not", "they are some form of eldritch being of which we cannot comprehend. Though,", "appear as human, they are not. The human eyes, but not mind, are", "and everyone knows it. How can I give the reader the impression of", "though this is yet unknown, is not actually a person. Instead, they are", "question, though this is yet unknown, is not actually a person. Instead, they", "of which we cannot comprehend. Though, they seem for all appearances and seemingly", "but not mind, are fooled. Something is very off about this being, and", "this being, and everyone knows it. How can I give the reader the", "eldritch being of which we cannot comprehend. Though, they seem for all appearances", "they are not. The human eyes, but not mind, are fooled. Something is", "everyone knows it. How can I give the reader the impression of wrongness", "is not actually a person. Instead, they are some form of eldritch being", "and seemingly all mannerisms to appear as human, they are not. The human", "Instead, they are some form of eldritch being of which we cannot comprehend.", "seem for all appearances and seemingly all mannerisms to appear as human, they", "of eldritch being of which we cannot comprehend. Though, they seem for all", "we cannot comprehend. Though, they seem for all appearances and seemingly all mannerisms", "which we cannot comprehend. Though, they seem for all appearances and seemingly all", "a person. Instead, they are some form of eldritch being of which we", "being, and everyone knows it. How can I give the reader the impression", "in question, though this is yet unknown, is not actually a person. Instead,", "person. Instead, they are some form of eldritch being of which we cannot", "Something is very off about this being, and everyone knows it. How can", "are fooled. Something is very off about this being, and everyone knows it.", "cannot comprehend. Though, they seem for all appearances and seemingly all mannerisms to", "is yet unknown, is not actually a person. Instead, they are some form", "not mind, are fooled. Something is very off about this being, and everyone" ]
[ "karma, policy} to use an analogy that is disrupting to the reader's stream", "consciousness. The quote in question is this: > > Like a banana at", "distracts the reader from the dramatic situation at hand: we are staking out", "good ideas, regardless of how it impacts the current end result, but maybe", "this: > > Like a banana at an ice cream party, we decided", "and trying to rescue our friend. I am a believer in the idea", "from any good ideas, regardless of how it impacts the current end result,", "to rescue our friend. I am a believer in the idea that one", "this building and trying to rescue our friend. I am a believer in", "situation at hand: we are staking out this building and trying to rescue", "Like a banana at an ice cream party, we decided to split up.", "ideas, regardless of how it impacts the current end result, but maybe this", "not hold back from any good ideas, regardless of how it impacts the", "The quote in question is this: > > Like a banana at an", "from the dramatic situation at hand: we are staking out this building and", "out this building and trying to rescue our friend. I am a believer", "use an analogy that is disrupting to the reader's stream of consciousness. The", "> > > This sentence is funny, yes, but it potentially distracts the", "reader's stream of consciousness. The quote in question is this: > > Like", "up. > > > This sentence is funny, yes, but it potentially distracts", "how it impacts the current end result, but maybe this is an exception?", "believer in the idea that one should not hold back from any good", "staking out this building and trying to rescue our friend. I am a", "back from any good ideas, regardless of how it impacts the current end", "quote in question is this: > > Like a banana at an ice", "an ice cream party, we decided to split up. > > > This", "at an ice cream party, we decided to split up. > > >", "ice cream party, we decided to split up. > > > This sentence", "a book. My question is if it is in bad {taste, karma, policy}", "sentence is funny, yes, but it potentially distracts the reader from the dramatic", "> > This sentence is funny, yes, but it potentially distracts the reader", "rescue our friend. I am a believer in the idea that one should", "at hand: we are staking out this building and trying to rescue our", "if it is in bad {taste, karma, policy} to use an analogy that", "the idea that one should not hold back from any good ideas, regardless", "yes, but it potentially distracts the reader from the dramatic situation at hand:", "written a book. My question is if it is in bad {taste, karma,", "is funny, yes, but it potentially distracts the reader from the dramatic situation", "> > Like a banana at an ice cream party, we decided to", "friend. I am a believer in the idea that one should not hold", "banana at an ice cream party, we decided to split up. > >", "trying to rescue our friend. I am a believer in the idea that", "analogy that is disrupting to the reader's stream of consciousness. The quote in", "but it potentially distracts the reader from the dramatic situation at hand: we", "of how it impacts the current end result, but maybe this is an", "are staking out this building and trying to rescue our friend. I am", "{taste, karma, policy} to use an analogy that is disrupting to the reader's", "an analogy that is disrupting to the reader's stream of consciousness. The quote", "is this: > > Like a banana at an ice cream party, we", "the dramatic situation at hand: we are staking out this building and trying", "am a believer in the idea that one should not hold back from", "our friend. I am a believer in the idea that one should not", "in bad {taste, karma, policy} to use an analogy that is disrupting to", "is if it is in bad {taste, karma, policy} to use an analogy", "of consciousness. The quote in question is this: > > Like a banana", "book. My question is if it is in bad {taste, karma, policy} to", "question is this: > > Like a banana at an ice cream party,", "> This sentence is funny, yes, but it potentially distracts the reader from", "hold back from any good ideas, regardless of how it impacts the current", "policy} to use an analogy that is disrupting to the reader's stream of", "party, we decided to split up. > > > This sentence is funny,", "that one should not hold back from any good ideas, regardless of how", "in question is this: > > Like a banana at an ice cream", "building and trying to rescue our friend. I am a believer in the", "This sentence is funny, yes, but it potentially distracts the reader from the", "to use an analogy that is disrupting to the reader's stream of consciousness.", "question is if it is in bad {taste, karma, policy} to use an", "it potentially distracts the reader from the dramatic situation at hand: we are", "that is disrupting to the reader's stream of consciousness. The quote in question", "My question is if it is in bad {taste, karma, policy} to use", "any good ideas, regardless of how it impacts the current end result, but", "one should not hold back from any good ideas, regardless of how it", "regardless of how it impacts the current end result, but maybe this is", "> Like a banana at an ice cream party, we decided to split", "we are staking out this building and trying to rescue our friend. I", "is in bad {taste, karma, policy} to use an analogy that is disrupting", "split up. > > > This sentence is funny, yes, but it potentially", "a believer in the idea that one should not hold back from any", "I've written a book. My question is if it is in bad {taste,", "cream party, we decided to split up. > > > This sentence is", "in the idea that one should not hold back from any good ideas,", "dramatic situation at hand: we are staking out this building and trying to", "reader from the dramatic situation at hand: we are staking out this building", "stream of consciousness. The quote in question is this: > > Like a", "a banana at an ice cream party, we decided to split up. >", "idea that one should not hold back from any good ideas, regardless of", "decided to split up. > > > This sentence is funny, yes, but", "hand: we are staking out this building and trying to rescue our friend.", "bad {taste, karma, policy} to use an analogy that is disrupting to the", "potentially distracts the reader from the dramatic situation at hand: we are staking", "it is in bad {taste, karma, policy} to use an analogy that is", "funny, yes, but it potentially distracts the reader from the dramatic situation at", "we decided to split up. > > > This sentence is funny, yes,", "I am a believer in the idea that one should not hold back", "to the reader's stream of consciousness. The quote in question is this: >", "disrupting to the reader's stream of consciousness. The quote in question is this:", "to split up. > > > This sentence is funny, yes, but it", "the reader's stream of consciousness. The quote in question is this: > >", "is disrupting to the reader's stream of consciousness. The quote in question is", "should not hold back from any good ideas, regardless of how it impacts", "the reader from the dramatic situation at hand: we are staking out this" ]
[ "Hijrp Potfeq: J.K. Rowling had to go through quite a few publishers to", "publish it. Would it be too weird to publish? The book I've been", "wakes up one day and finds out he is a fruit-loop (not sure", "through quite a few publishers to get her book published (or so I've", "been told). The only difference is it's about a piece of alive food.", "only difference is it's about a piece of alive food. If someone could", "someone could answer this, it would be a great help (just in case", "said, it may just be too weird to be published. It's kind of", "save \"Fruitloopia\". I think this is an original idea, but, as I said,", "I think this is an original idea, but, as I said, it may", "However, let's say I wanted to publish it. Would it be too weird", "of alive foods. Part of it has been overrun by an evil spork", "to get her book published (or so I've been told). The only difference", "get her book published (or so I've been told). The only difference is", "(just in case I actually do want to send it to the world).", "land of alive foods. Part of it has been overrun by an evil", "book I've been writing is about a boy who wakes up one day", "with new fruit-loop friends, must save \"Fruitloopia\". I think this is an original", "published (or so I've been told). The only difference is it's about a", "alive food. If someone could answer this, it would be a great help", "with Hijrp Potfeq: J.K. Rowling had to go through quite a few publishers", "weird to be published. It's kind of like with Hijrp Potfeq: J.K. Rowling", "help (just in case I actually do want to send it to the", "Would it be too weird to publish? The book I've been writing is", "I've been writing is about a boy who wakes up one day and", "a few publishers to get her book published (or so I've been told).", "This question may have already been answered, but I'm just making sure. So,", "writing is about a boy who wakes up one day and finds out", "sure if correct spelling, as my country doesn't have them). He is transported", "this is an original idea, but, as I said, it may just be", "out he is a fruit-loop (not sure if correct spelling, as my country", "for fun. It's short (compared to other books) but I'd say it's decent.", "it. Would it be too weird to publish? The book I've been writing", "(not sure if correct spelling, as my country doesn't have them). He is", "\"Fruitloopia\". I think this is an original idea, but, as I said, it", "is an original idea, but, as I said, it may just be too", "one day and finds out he is a fruit-loop (not sure if correct", "to a land of alive foods. Part of it has been overrun by", "it may just be too weird to be published. It's kind of like", "to publish? The book I've been writing is about a boy who wakes", "spelling, as my country doesn't have them). He is transported to a land", "if correct spelling, as my country doesn't have them). He is transported to", "silly book for fun. It's short (compared to other books) but I'd say", "It's short (compared to other books) but I'd say it's decent. However, let's", "by an evil spork (spoon-fork) and the boy, with new fruit-loop friends, must", "this, it would be a great help (just in case I actually do", "but, as I said, it may just be too weird to be published.", "kind of like with Hijrp Potfeq: J.K. Rowling had to go through quite", "books) but I'd say it's decent. However, let's say I wanted to publish", "as my country doesn't have them). He is transported to a land of", "It's kind of like with Hijrp Potfeq: J.K. Rowling had to go through", "would be a great help (just in case I actually do want to", "think this is an original idea, but, as I said, it may just", "published. It's kind of like with Hijrp Potfeq: J.K. Rowling had to go", "already been answered, but I'm just making sure. So, I'm just making a", "an evil spork (spoon-fork) and the boy, with new fruit-loop friends, must save", "answered, but I'm just making sure. So, I'm just making a silly book", "it's about a piece of alive food. If someone could answer this, it", "country doesn't have them). He is transported to a land of alive foods.", "been answered, but I'm just making sure. So, I'm just making a silly", "it be too weird to publish? The book I've been writing is about", "is transported to a land of alive foods. Part of it has been", "(or so I've been told). The only difference is it's about a piece", "too weird to be published. It's kind of like with Hijrp Potfeq: J.K.", "quite a few publishers to get her book published (or so I've been", "must save \"Fruitloopia\". I think this is an original idea, but, as I", "I'm just making sure. So, I'm just making a silly book for fun.", "them). He is transported to a land of alive foods. Part of it", "been overrun by an evil spork (spoon-fork) and the boy, with new fruit-loop", "just be too weird to be published. It's kind of like with Hijrp", "to go through quite a few publishers to get her book published (or", "I wanted to publish it. Would it be too weird to publish? The", "her book published (or so I've been told). The only difference is it's", "be published. It's kind of like with Hijrp Potfeq: J.K. Rowling had to", "it's decent. However, let's say I wanted to publish it. Would it be", "just making a silly book for fun. It's short (compared to other books)", "I'd say it's decent. However, let's say I wanted to publish it. Would", "have them). He is transported to a land of alive foods. Part of", "say I wanted to publish it. Would it be too weird to publish?", "who wakes up one day and finds out he is a fruit-loop (not", "but I'm just making sure. So, I'm just making a silly book for", "and the boy, with new fruit-loop friends, must save \"Fruitloopia\". I think this", "finds out he is a fruit-loop (not sure if correct spelling, as my", "sure. So, I'm just making a silly book for fun. It's short (compared", "making a silly book for fun. It's short (compared to other books) but", "So, I'm just making a silly book for fun. It's short (compared to", "about a boy who wakes up one day and finds out he is", "fruit-loop friends, must save \"Fruitloopia\". I think this is an original idea, but,", "short (compared to other books) but I'd say it's decent. However, let's say", "is a fruit-loop (not sure if correct spelling, as my country doesn't have", "making sure. So, I'm just making a silly book for fun. It's short", "He is transported to a land of alive foods. Part of it has", "friends, must save \"Fruitloopia\". I think this is an original idea, but, as", "Part of it has been overrun by an evil spork (spoon-fork) and the", "original idea, but, as I said, it may just be too weird to", "like with Hijrp Potfeq: J.K. Rowling had to go through quite a few", "Potfeq: J.K. Rowling had to go through quite a few publishers to get", "is it's about a piece of alive food. If someone could answer this,", "just making sure. So, I'm just making a silly book for fun. It's", "could answer this, it would be a great help (just in case I", "I said, it may just be too weird to be published. It's kind", "book for fun. It's short (compared to other books) but I'd say it's", "foods. Part of it has been overrun by an evil spork (spoon-fork) and", "be too weird to publish? The book I've been writing is about a", "a piece of alive food. If someone could answer this, it would be", "let's say I wanted to publish it. Would it be too weird to", "idea, but, as I said, it may just be too weird to be", "fruit-loop (not sure if correct spelling, as my country doesn't have them). He", "wanted to publish it. Would it be too weird to publish? The book", "too weird to publish? The book I've been writing is about a boy", "of it has been overrun by an evil spork (spoon-fork) and the boy,", "day and finds out he is a fruit-loop (not sure if correct spelling,", "may have already been answered, but I'm just making sure. So, I'm just", "to be published. It's kind of like with Hijrp Potfeq: J.K. Rowling had", "(compared to other books) but I'd say it's decent. However, let's say I", "been writing is about a boy who wakes up one day and finds", "evil spork (spoon-fork) and the boy, with new fruit-loop friends, must save \"Fruitloopia\".", "a fruit-loop (not sure if correct spelling, as my country doesn't have them).", "fun. It's short (compared to other books) but I'd say it's decent. However,", "book published (or so I've been told). The only difference is it's about", "question may have already been answered, but I'm just making sure. So, I'm", "about a piece of alive food. If someone could answer this, it would", "so I've been told). The only difference is it's about a piece of", "a land of alive foods. Part of it has been overrun by an", "The only difference is it's about a piece of alive food. If someone", "If someone could answer this, it would be a great help (just in", "weird to publish? The book I've been writing is about a boy who", "had to go through quite a few publishers to get her book published", "few publishers to get her book published (or so I've been told). The", "Rowling had to go through quite a few publishers to get her book", "is about a boy who wakes up one day and finds out he", "of alive food. If someone could answer this, it would be a great", "J.K. Rowling had to go through quite a few publishers to get her", "boy, with new fruit-loop friends, must save \"Fruitloopia\". I think this is an", "to publish it. Would it be too weird to publish? The book I've", "decent. However, let's say I wanted to publish it. Would it be too", "be a great help (just in case I actually do want to send", "I've been told). The only difference is it's about a piece of alive", "be too weird to be published. It's kind of like with Hijrp Potfeq:", "difference is it's about a piece of alive food. If someone could answer", "an original idea, but, as I said, it may just be too weird", "may just be too weird to be published. It's kind of like with", "of like with Hijrp Potfeq: J.K. Rowling had to go through quite a", "answer this, it would be a great help (just in case I actually", "the boy, with new fruit-loop friends, must save \"Fruitloopia\". I think this is", "doesn't have them). He is transported to a land of alive foods. Part", "to other books) but I'd say it's decent. However, let's say I wanted", "go through quite a few publishers to get her book published (or so", "a great help (just in case I actually do want to send it", "a silly book for fun. It's short (compared to other books) but I'd", "transported to a land of alive foods. Part of it has been overrun", "my country doesn't have them). He is transported to a land of alive", "a boy who wakes up one day and finds out he is a", "but I'd say it's decent. However, let's say I wanted to publish it.", "boy who wakes up one day and finds out he is a fruit-loop", "overrun by an evil spork (spoon-fork) and the boy, with new fruit-loop friends,", "alive foods. Part of it has been overrun by an evil spork (spoon-fork)", "piece of alive food. If someone could answer this, it would be a", "has been overrun by an evil spork (spoon-fork) and the boy, with new", "correct spelling, as my country doesn't have them). He is transported to a", "spork (spoon-fork) and the boy, with new fruit-loop friends, must save \"Fruitloopia\". I", "and finds out he is a fruit-loop (not sure if correct spelling, as", "publishers to get her book published (or so I've been told). The only", "new fruit-loop friends, must save \"Fruitloopia\". I think this is an original idea,", "have already been answered, but I'm just making sure. So, I'm just making", "it has been overrun by an evil spork (spoon-fork) and the boy, with", "it would be a great help (just in case I actually do want", "told). The only difference is it's about a piece of alive food. If", "publish? The book I've been writing is about a boy who wakes up", "The book I've been writing is about a boy who wakes up one", "(spoon-fork) and the boy, with new fruit-loop friends, must save \"Fruitloopia\". I think", "he is a fruit-loop (not sure if correct spelling, as my country doesn't", "as I said, it may just be too weird to be published. It's", "other books) but I'd say it's decent. However, let's say I wanted to", "up one day and finds out he is a fruit-loop (not sure if", "I'm just making a silly book for fun. It's short (compared to other", "food. If someone could answer this, it would be a great help (just", "say it's decent. However, let's say I wanted to publish it. Would it", "great help (just in case I actually do want to send it to" ]
[ "to know if there are any other social platforms I can promote my", "don't know what I'm doing wrong with my promotion. I post my story", "social platforms I can promote my work from, and what your success rate", "but I only have 527 reads. I don't know what I'm doing wrong", "sour towards my efforts. I'd like to know if there are any other", "(as stated above). But I also try to send a link to as", "and became very sour towards my efforts. I'd like to know if there", "my contact list as possible, and tell them to share it with all", "success rate is with it. [![enter image description here](https://i.stack.imgur.com/Gur4u.png)](https://i.stack.imgur.com/Gur4u.png) This is my reader", "I only have 527 reads. I don't know what I'm doing wrong with", "platforms I can promote my work from, and what your success rate is", "and soon stopped being interested in my updates and became very sour towards", "pushy about it, and soon stopped being interested in my updates and became", "as possible, and tell them to share it with all of their friends.", "interested in my updates and became very sour towards my efforts. I'd like", "from, and what your success rate is with it. [![enter image description here](https://i.stack.imgur.com/Gur4u.png)](https://i.stack.imgur.com/Gur4u.png)", "527 reads. I don't know what I'm doing wrong with my promotion. I", "to work for a while, until people started thinking I was being too", "I'm doing wrong with my promotion. I post my story on Wattpad (as", "right now, but I only have 527 reads. I don't know what I'm", "work in progress on Wattpad right now, but I only have 527 reads.", "in my updates and became very sour towards my efforts. I'd like to", "finding any readers. I have my work in progress on Wattpad right now,", "to be having trouble finding any readers. I have my work in progress", "in progress on Wattpad right now, but I only have 527 reads. I", "know if there are any other social platforms I can promote my work", "became very sour towards my efforts. I'd like to know if there are", "people started thinking I was being too pushy about it, and soon stopped", "be having trouble finding any readers. I have my work in progress on", "rate is with it. [![enter image description here](https://i.stack.imgur.com/Gur4u.png)](https://i.stack.imgur.com/Gur4u.png) This is my reader engagement:", "on Wattpad right now, but I only have 527 reads. I don't know", "list as possible, and tell them to share it with all of their", "all of their friends. That strategy seemed to work for a while, until", "doing wrong with my promotion. I post my story on Wattpad (as stated", "But I also try to send a link to as many people in", "started thinking I was being too pushy about it, and soon stopped being", "a while, until people started thinking I was being too pushy about it,", "work from, and what your success rate is with it. [![enter image description", "I'd like to know if there are any other social platforms I can", "what I'm doing wrong with my promotion. I post my story on Wattpad", "until people started thinking I was being too pushy about it, and soon", "now, but I only have 527 reads. I don't know what I'm doing", "promote my work from, and what your success rate is with it. [![enter", "in my contact list as possible, and tell them to share it with", "my efforts. I'd like to know if there are any other social platforms", "seem to be having trouble finding any readers. I have my work in", "to send a link to as many people in my contact list as", "of their friends. That strategy seemed to work for a while, until people", "That strategy seemed to work for a while, until people started thinking I", "strategy seemed to work for a while, until people started thinking I was", "I seem to be having trouble finding any readers. I have my work", "towards my efforts. I'd like to know if there are any other social", "my updates and became very sour towards my efforts. I'd like to know", "it, and soon stopped being interested in my updates and became very sour", "was being too pushy about it, and soon stopped being interested in my", "also try to send a link to as many people in my contact", "promotion. I post my story on Wattpad (as stated above). But I also", "stated above). But I also try to send a link to as many", "have my work in progress on Wattpad right now, but I only have", "seemed to work for a while, until people started thinking I was being", "for a while, until people started thinking I was being too pushy about", "my work from, and what your success rate is with it. [![enter image", "soon stopped being interested in my updates and became very sour towards my", "my story on Wattpad (as stated above). But I also try to send", "them to share it with all of their friends. That strategy seemed to", "above). But I also try to send a link to as many people", "I post my story on Wattpad (as stated above). But I also try", "story on Wattpad (as stated above). But I also try to send a", "know what I'm doing wrong with my promotion. I post my story on", "my work in progress on Wattpad right now, but I only have 527", "to share it with all of their friends. That strategy seemed to work", "their friends. That strategy seemed to work for a while, until people started", "have 527 reads. I don't know what I'm doing wrong with my promotion.", "and what your success rate is with it. [![enter image description here](https://i.stack.imgur.com/Gur4u.png)](https://i.stack.imgur.com/Gur4u.png) This", "trouble finding any readers. I have my work in progress on Wattpad right", "I have my work in progress on Wattpad right now, but I only", "is with it. [![enter image description here](https://i.stack.imgur.com/Gur4u.png)](https://i.stack.imgur.com/Gur4u.png) This is my reader engagement: not", "about it, and soon stopped being interested in my updates and became very", "other social platforms I can promote my work from, and what your success", "I also try to send a link to as many people in my", "on Wattpad (as stated above). But I also try to send a link", "like to know if there are any other social platforms I can promote", "very sour towards my efforts. I'd like to know if there are any", "link to as many people in my contact list as possible, and tell", "reads. I don't know what I'm doing wrong with my promotion. I post", "are any other social platforms I can promote my work from, and what", "efforts. I'd like to know if there are any other social platforms I", "if there are any other social platforms I can promote my work from,", "any readers. I have my work in progress on Wattpad right now, but", "having trouble finding any readers. I have my work in progress on Wattpad", "as many people in my contact list as possible, and tell them to", "it. [![enter image description here](https://i.stack.imgur.com/Gur4u.png)](https://i.stack.imgur.com/Gur4u.png) This is my reader engagement: not very impressive.", "friends. That strategy seemed to work for a while, until people started thinking", "progress on Wattpad right now, but I only have 527 reads. I don't", "to as many people in my contact list as possible, and tell them", "work for a while, until people started thinking I was being too pushy", "contact list as possible, and tell them to share it with all of", "can promote my work from, and what your success rate is with it.", "I don't know what I'm doing wrong with my promotion. I post my", "your success rate is with it. [![enter image description here](https://i.stack.imgur.com/Gur4u.png)](https://i.stack.imgur.com/Gur4u.png) This is my", "send a link to as many people in my contact list as possible,", "I can promote my work from, and what your success rate is with", "possible, and tell them to share it with all of their friends. That", "stopped being interested in my updates and became very sour towards my efforts.", "being interested in my updates and became very sour towards my efforts. I'd", "people in my contact list as possible, and tell them to share it", "there are any other social platforms I can promote my work from, and", "Wattpad (as stated above). But I also try to send a link to", "wrong with my promotion. I post my story on Wattpad (as stated above).", "many people in my contact list as possible, and tell them to share", "what your success rate is with it. [![enter image description here](https://i.stack.imgur.com/Gur4u.png)](https://i.stack.imgur.com/Gur4u.png) This is", "my promotion. I post my story on Wattpad (as stated above). But I", "tell them to share it with all of their friends. That strategy seemed", "try to send a link to as many people in my contact list", "I was being too pushy about it, and soon stopped being interested in", "Wattpad right now, but I only have 527 reads. I don't know what", "thinking I was being too pushy about it, and soon stopped being interested", "too pushy about it, and soon stopped being interested in my updates and", "readers. I have my work in progress on Wattpad right now, but I", "with my promotion. I post my story on Wattpad (as stated above). But", "updates and became very sour towards my efforts. I'd like to know if", "and tell them to share it with all of their friends. That strategy", "any other social platforms I can promote my work from, and what your", "a link to as many people in my contact list as possible, and", "while, until people started thinking I was being too pushy about it, and", "post my story on Wattpad (as stated above). But I also try to", "with all of their friends. That strategy seemed to work for a while,", "with it. [![enter image description here](https://i.stack.imgur.com/Gur4u.png)](https://i.stack.imgur.com/Gur4u.png) This is my reader engagement: not very", "being too pushy about it, and soon stopped being interested in my updates", "only have 527 reads. I don't know what I'm doing wrong with my", "share it with all of their friends. That strategy seemed to work for", "it with all of their friends. That strategy seemed to work for a" ]
[ "asked a question before about literary agents in the USA, see here [How", "or to the publishing company? Do I send them a proposal / sample", "can find literary agents by genre? Or do publishers have no interest in", "to maximize my chance to publish a book. I've asked a question before", "be better to contact a literary agent, but I want to maximize my", "the publishing company? Do I send them a proposal / sample chapter as", "a book. I've asked a question before about literary agents in the USA,", "I can find USA publishers online, do they have submission guidelines? If not,", "It may be better to contact a literary agent, but I want to", "so, can I find publishers by genre, like I can find literary agents", "in genre? If so, what's the best way to search for USA publishers", "send them a proposal / sample chapter as well? It may be better", "literary agents in the USA, see here [How to find the right literary", "do publishers have no interest in genre? If so, what's the best way", "Is it possible to contact USA publishers directly? If so, can I find", "directly? If so, can I find publishers by genre, like I can find", "by genre? Or do publishers have no interest in genre? If so, what's", "certain person or to the publishing company? Do I send them a proposal", "to search for USA publishers online? If I can find USA publishers online,", "can I find publishers by genre, like I can find literary agents by", "USA, see here [How to find the right literary agent in the USA?](https://writing.stackexchange.com/questions/44764/how-to-find-the-right-literary-agent-in-the-usa).", "agents by genre? Or do publishers have no interest in genre? If so,", "best way to search for USA publishers online? If I can find USA", "a question before about literary agents in the USA, see here [How to", "so, what's the best way to search for USA publishers online? If I", "publishers directly? If so, can I find publishers by genre, like I can", "it possible to contact USA publishers directly? If so, can I find publishers", "publishers online? If I can find USA publishers online, do they have submission", "contact a literary agent, but I want to maximize my chance to publish", "/ sample chapter as well? It may be better to contact a literary", "well? It may be better to contact a literary agent, but I want", "my chance to publish a book. I've asked a question before about literary", "USA publishers directly? If so, can I find publishers by genre, like I", "to a certain person or to the publishing company? Do I send them", "chance to publish a book. I've asked a question before about literary agents", "the best way to search for USA publishers online? If I can find", "submission guidelines? If not, do I send them a query letter? If so,", "find literary agents by genre? Or do publishers have no interest in genre?", "I can find literary agents by genre? Or do publishers have no interest", "do I send the letter to a certain person or to the publishing", "Or do publishers have no interest in genre? If so, what's the best", "want to maximize my chance to publish a book. I've asked a question", "I send the letter to a certain person or to the publishing company?", "question before about literary agents in the USA, see here [How to find", "send the letter to a certain person or to the publishing company? Do", "If so, what's the best way to search for USA publishers online? If", "chapter as well? It may be better to contact a literary agent, but", "for USA publishers online? If I can find USA publishers online, do they", "If I can find USA publishers online, do they have submission guidelines? If", "I send them a proposal / sample chapter as well? It may be", "as well? It may be better to contact a literary agent, but I", "in the USA, see here [How to find the right literary agent in", "may be better to contact a literary agent, but I want to maximize", "If so, do I send the letter to a certain person or to", "possible to contact USA publishers directly? If so, can I find publishers by", "If so, can I find publishers by genre, like I can find literary", "genre? Or do publishers have no interest in genre? If so, what's the", "contact USA publishers directly? If so, can I find publishers by genre, like", "maximize my chance to publish a book. I've asked a question before about", "to contact a literary agent, but I want to maximize my chance to", "publishing company? Do I send them a proposal / sample chapter as well?", "letter to a certain person or to the publishing company? Do I send", "have no interest in genre? If so, what's the best way to search", "query letter? If so, do I send the letter to a certain person", "letter? If so, do I send the letter to a certain person or", "I've asked a question before about literary agents in the USA, see here", "I find publishers by genre, like I can find literary agents by genre?", "online, do they have submission guidelines? If not, do I send them a", "better to contact a literary agent, but I want to maximize my chance", "but I want to maximize my chance to publish a book. I've asked", "book. I've asked a question before about literary agents in the USA, see", "they have submission guidelines? If not, do I send them a query letter?", "proposal / sample chapter as well? It may be better to contact a", "publishers by genre, like I can find literary agents by genre? Or do", "like I can find literary agents by genre? Or do publishers have no", "have submission guidelines? If not, do I send them a query letter? If", "person or to the publishing company? Do I send them a proposal /", "genre? If so, what's the best way to search for USA publishers online?", "interest in genre? If so, what's the best way to search for USA", "find publishers by genre, like I can find literary agents by genre? Or", "way to search for USA publishers online? If I can find USA publishers", "before about literary agents in the USA, see here [How to find the", "a certain person or to the publishing company? Do I send them a", "publishers have no interest in genre? If so, what's the best way to", "agent, but I want to maximize my chance to publish a book. I've", "If not, do I send them a query letter? If so, do I", "literary agent, but I want to maximize my chance to publish a book.", "publish a book. I've asked a question before about literary agents in the", "to the publishing company? Do I send them a proposal / sample chapter", "them a proposal / sample chapter as well? It may be better to", "I send them a query letter? If so, do I send the letter", "company? Do I send them a proposal / sample chapter as well? It", "to publish a book. I've asked a question before about literary agents in", "sample chapter as well? It may be better to contact a literary agent,", "find USA publishers online, do they have submission guidelines? If not, do I", "guidelines? If not, do I send them a query letter? If so, do", "do I send them a query letter? If so, do I send the", "the letter to a certain person or to the publishing company? Do I", "publishers online, do they have submission guidelines? If not, do I send them", "them a query letter? If so, do I send the letter to a", "by genre, like I can find literary agents by genre? Or do publishers", "to contact USA publishers directly? If so, can I find publishers by genre,", "so, do I send the letter to a certain person or to the", "a query letter? If so, do I send the letter to a certain", "a literary agent, but I want to maximize my chance to publish a", "search for USA publishers online? If I can find USA publishers online, do", "agents in the USA, see here [How to find the right literary agent", "do they have submission guidelines? If not, do I send them a query", "a proposal / sample chapter as well? It may be better to contact", "the USA, see here [How to find the right literary agent in the", "I want to maximize my chance to publish a book. I've asked a", "about literary agents in the USA, see here [How to find the right", "not, do I send them a query letter? If so, do I send", "online? If I can find USA publishers online, do they have submission guidelines?", "send them a query letter? If so, do I send the letter to", "literary agents by genre? Or do publishers have no interest in genre? If", "what's the best way to search for USA publishers online? If I can", "USA publishers online? If I can find USA publishers online, do they have", "Do I send them a proposal / sample chapter as well? It may", "genre, like I can find literary agents by genre? Or do publishers have", "USA publishers online, do they have submission guidelines? If not, do I send", "no interest in genre? If so, what's the best way to search for", "can find USA publishers online, do they have submission guidelines? If not, do" ]
[ "> > Scroll down and read the tagline/first few words of the blurb.", "inside the book? I find this hard to believe.But yet this is the", "blurb): > > The general evaluation process goes something like this: > >", "is also [this article](https://nicholaserik.com/packaging/) I recently stumbled upon that blatantly outlines in the", "strong cover and blurb can sell your book. > > > My question", "which they basically say that books with fantastic covers and interesting blurbs tend", "Is it really true that many ebook buyers are silly enough to purchase", "of its cover (and blurb) without first sampling the actual writing inside the", "cool, relevant cover. > > Scroll down and read the tagline/first few words", "buy, or read the sample. > > OR > > Leave or click", "fantastic covers and interesting blurbs tend to sell lots of copies even if", "few words of the blurb. > > Leave, click buy, or read a", "sample. > > OR > > Leave or click buy. > > ```", "and blurb can sell your book. > > > My question is: Is", "click buy, or read a few reviews. > > OR > > Leave,", "a book simply because of its cover (and blurb) without first sampling the", "they basically say that books with fantastic covers and interesting blurbs tend to", "say that books with fantastic covers and interesting blurbs tend to sell lots", "a strong cover and blurb can sell your book. > > > My", "that is often made when I hear people talk about the enormous importance", "hear people talk about the enormous importance of great covers for selling books.", "tend to sell lots of copies even if the actual writing is substandard.", "the impression or outright assertion that is often made when I hear people", "> > Leave or click buy. > > ``` > > In other", "OR > > Leave, click buy, or read the sample. > > OR", "this: > > > > ``` > Click on book because of cool,", "substandard. And there is also [this article](https://nicholaserik.com/packaging/) I recently stumbled upon that blatantly", "like this: > > > > ``` > Click on book because of", "in the quoted text that some people buy books based on the cover", "or read the sample. > > OR > > Leave or click buy.", "interesting blurbs tend to sell lots of copies even if the actual writing", "the cover alone (and perhaps a quick cursory glance at the blurb): >", "blurb can sell your book. > > > My question is: Is it", "to sell lots of copies even if the actual writing is substandard. And", "is often made when I hear people talk about the enormous importance of", "that blatantly outlines in the quoted text that some people buy books based", "articles about self-publishing in which they basically say that books with fantastic covers", "if the actual writing is substandard. And there is also [this article](https://nicholaserik.com/packaging/) I", "Click on book because of cool, relevant cover. > > Scroll down and", "book. > > > My question is: Is it really true that many", "there is also [this article](https://nicholaserik.com/packaging/) I recently stumbled upon that blatantly outlines in", "really true that many ebook buyers are silly enough to purchase a book", "simply because of its cover (and blurb) without first sampling the actual writing", "and interesting blurbs tend to sell lots of copies even if the actual", "podcasts and internet articles about self-publishing in which they basically say that books", "also [this article](https://nicholaserik.com/packaging/) I recently stumbled upon that blatantly outlines in the quoted", "quoted text that some people buy books based on the cover alone (and", "of the blurb. > > Leave, click buy, or read a few reviews.", "of cool, relevant cover. > > Scroll down and read the tagline/first few", "this hard to believe.But yet this is the impression or outright assertion that", "> ``` > Click on book because of cool, relevant cover. > >", "blatantly outlines in the quoted text that some people buy books based on", "are silly enough to purchase a book simply because of its cover (and", "hard to believe.But yet this is the impression or outright assertion that is", "silly enough to purchase a book simply because of its cover (and blurb)", "> Leave or click buy. > > ``` > > In other words,", "> OR > > Leave or click buy. > > ``` > >", "> > In other words, a strong cover and blurb can sell your", "yet this is the impression or outright assertion that is often made when", "down and read the tagline/first few words of the blurb. > > Leave,", "the quoted text that some people buy books based on the cover alone", "> > > My question is: Is it really true that many ebook", "click buy. > > ``` > > In other words, a strong cover", "copies even if the actual writing is substandard. And there is also [this", "blurb) without first sampling the actual writing inside the book? I find this", "buy books based on the cover alone (and perhaps a quick cursory glance", "words, a strong cover and blurb can sell your book. > > >", "even if the actual writing is substandard. And there is also [this article](https://nicholaserik.com/packaging/)", "reviews. > > OR > > Leave, click buy, or read the sample.", "[this article](https://nicholaserik.com/packaging/) I recently stumbled upon that blatantly outlines in the quoted text", "(and blurb) without first sampling the actual writing inside the book? I find", "to purchase a book simply because of its cover (and blurb) without first", "goes something like this: > > > > ``` > Click on book", "outlines in the quoted text that some people buy books based on the", "about self-publishing in which they basically say that books with fantastic covers and", "with fantastic covers and interesting blurbs tend to sell lots of copies even", "the sample. > > OR > > Leave or click buy. > >", "people buy books based on the cover alone (and perhaps a quick cursory", "self-publishing in which they basically say that books with fantastic covers and interesting", "(and perhaps a quick cursory glance at the blurb): > > The general", "sell your book. > > > My question is: Is it really true", "> > ``` > Click on book because of cool, relevant cover. >", "purchase a book simply because of its cover (and blurb) without first sampling", "assertion that is often made when I hear people talk about the enormous", "the actual writing inside the book? I find this hard to believe.But yet", "that some people buy books based on the cover alone (and perhaps a", "``` > > In other words, a strong cover and blurb can sell", "because of cool, relevant cover. > > Scroll down and read the tagline/first", "I've come across podcasts and internet articles about self-publishing in which they basically", "``` > Click on book because of cool, relevant cover. > > Scroll", "internet articles about self-publishing in which they basically say that books with fantastic", "basically say that books with fantastic covers and interesting blurbs tend to sell", "> > Leave, click buy, or read the sample. > > OR >", "because of its cover (and blurb) without first sampling the actual writing inside", "other words, a strong cover and blurb can sell your book. > >", "buyers are silly enough to purchase a book simply because of its cover", "> The general evaluation process goes something like this: > > > >", "your book. > > > My question is: Is it really true that", "actual writing inside the book? I find this hard to believe.But yet this", "this is the impression or outright assertion that is often made when I", "cursory glance at the blurb): > > The general evaluation process goes something", "In other words, a strong cover and blurb can sell your book. >", "click buy, or read the sample. > > OR > > Leave or", "Leave, click buy, or read the sample. > > OR > > Leave", "books based on the cover alone (and perhaps a quick cursory glance at", "stumbled upon that blatantly outlines in the quoted text that some people buy", "the blurb. > > Leave, click buy, or read a few reviews. >", "book simply because of its cover (and blurb) without first sampling the actual", "find this hard to believe.But yet this is the impression or outright assertion", "writing is substandard. And there is also [this article](https://nicholaserik.com/packaging/) I recently stumbled upon", "I find this hard to believe.But yet this is the impression or outright", "> > My question is: Is it really true that many ebook buyers", "a few reviews. > > OR > > Leave, click buy, or read", "Leave or click buy. > > ``` > > In other words, a", "the blurb): > > The general evaluation process goes something like this: >", "sell lots of copies even if the actual writing is substandard. And there", "the book? I find this hard to believe.But yet this is the impression", "Scroll down and read the tagline/first few words of the blurb. > >", "question is: Is it really true that many ebook buyers are silly enough", "outright assertion that is often made when I hear people talk about the", "perhaps a quick cursory glance at the blurb): > > The general evaluation", "writing inside the book? I find this hard to believe.But yet this is", "covers and interesting blurbs tend to sell lots of copies even if the", "> In other words, a strong cover and blurb can sell your book.", "enough to purchase a book simply because of its cover (and blurb) without", "or click buy. > > ``` > > In other words, a strong", "actual writing is substandard. And there is also [this article](https://nicholaserik.com/packaging/) I recently stumbled", "> OR > > Leave, click buy, or read the sample. > >", "is substandard. And there is also [this article](https://nicholaserik.com/packaging/) I recently stumbled upon that", "read the tagline/first few words of the blurb. > > Leave, click buy,", "relevant cover. > > Scroll down and read the tagline/first few words of", "article](https://nicholaserik.com/packaging/) I recently stumbled upon that blatantly outlines in the quoted text that", "> Scroll down and read the tagline/first few words of the blurb. >", "without first sampling the actual writing inside the book? I find this hard", "impression or outright assertion that is often made when I hear people talk", "made when I hear people talk about the enormous importance of great covers", "The general evaluation process goes something like this: > > > > ```", "book because of cool, relevant cover. > > Scroll down and read the", "true that many ebook buyers are silly enough to purchase a book simply", "cover (and blurb) without first sampling the actual writing inside the book? I", "the actual writing is substandard. And there is also [this article](https://nicholaserik.com/packaging/) I recently", "evaluation process goes something like this: > > > > ``` > Click", "> My question is: Is it really true that many ebook buyers are", "text that some people buy books based on the cover alone (and perhaps", "can sell your book. > > > My question is: Is it really", "tagline/first few words of the blurb. > > Leave, click buy, or read", "or read a few reviews. > > OR > > Leave, click buy,", "glance at the blurb): > > The general evaluation process goes something like", "believe.But yet this is the impression or outright assertion that is often made", "few reviews. > > OR > > Leave, click buy, or read the", "when I hear people talk about the enormous importance of great covers for", "OR > > Leave or click buy. > > ``` > > In", "I hear people talk about the enormous importance of great covers for selling", "My question is: Is it really true that many ebook buyers are silly", "general evaluation process goes something like this: > > > > ``` >", "> > > > ``` > Click on book because of cool, relevant", "on the cover alone (and perhaps a quick cursory glance at the blurb):", "quick cursory glance at the blurb): > > The general evaluation process goes", "lots of copies even if the actual writing is substandard. And there is", "sampling the actual writing inside the book? I find this hard to believe.But", "> > Leave, click buy, or read a few reviews. > > OR", "alone (and perhaps a quick cursory glance at the blurb): > > The", "read the sample. > > OR > > Leave or click buy. >", "that many ebook buyers are silly enough to purchase a book simply because", "to believe.But yet this is the impression or outright assertion that is often", "at the blurb): > > The general evaluation process goes something like this:", "buy, or read a few reviews. > > OR > > Leave, click", "cover alone (and perhaps a quick cursory glance at the blurb): > >", "books with fantastic covers and interesting blurbs tend to sell lots of copies", "cover and blurb can sell your book. > > > My question is:", "> > OR > > Leave, click buy, or read the sample. >", "ebook buyers are silly enough to purchase a book simply because of its", "is: Is it really true that many ebook buyers are silly enough to", "> > The general evaluation process goes something like this: > > >", "come across podcasts and internet articles about self-publishing in which they basically say", "And there is also [this article](https://nicholaserik.com/packaging/) I recently stumbled upon that blatantly outlines", "blurbs tend to sell lots of copies even if the actual writing is", "> > OR > > Leave or click buy. > > ``` >", "cover. > > Scroll down and read the tagline/first few words of the", "buy. > > ``` > > In other words, a strong cover and", "the tagline/first few words of the blurb. > > Leave, click buy, or", "first sampling the actual writing inside the book? I find this hard to", "something like this: > > > > ``` > Click on book because", "of copies even if the actual writing is substandard. And there is also", "in which they basically say that books with fantastic covers and interesting blurbs", "> Leave, click buy, or read a few reviews. > > OR >", "a quick cursory glance at the blurb): > > The general evaluation process", "is the impression or outright assertion that is often made when I hear", "based on the cover alone (and perhaps a quick cursory glance at the", "> Click on book because of cool, relevant cover. > > Scroll down", "Leave, click buy, or read a few reviews. > > OR > >", "> > ``` > > In other words, a strong cover and blurb", "> ``` > > In other words, a strong cover and blurb can", "book? I find this hard to believe.But yet this is the impression or", "on book because of cool, relevant cover. > > Scroll down and read", "or outright assertion that is often made when I hear people talk about", "> Leave, click buy, or read the sample. > > OR > >", "across podcasts and internet articles about self-publishing in which they basically say that", "upon that blatantly outlines in the quoted text that some people buy books", "I recently stumbled upon that blatantly outlines in the quoted text that some", "that books with fantastic covers and interesting blurbs tend to sell lots of", "words of the blurb. > > Leave, click buy, or read a few", "many ebook buyers are silly enough to purchase a book simply because of", "it really true that many ebook buyers are silly enough to purchase a", "its cover (and blurb) without first sampling the actual writing inside the book?", "process goes something like this: > > > > ``` > Click on", "blurb. > > Leave, click buy, or read a few reviews. > >", "> > > ``` > Click on book because of cool, relevant cover.", "recently stumbled upon that blatantly outlines in the quoted text that some people", "and read the tagline/first few words of the blurb. > > Leave, click", "often made when I hear people talk about the enormous importance of great", "some people buy books based on the cover alone (and perhaps a quick", "and internet articles about self-publishing in which they basically say that books with", "read a few reviews. > > OR > > Leave, click buy, or" ]
[ "can do the same for historical fiction or low-fantasy settings based on real", "in the genre. Borrow the things I like. * Base parts of the", "make it up as I go. The problem with the first two methods", "settings based on real places. When you write for a high-fantasy setting none", "I like. * Base parts of the setting on real world cultures or", "or locations. * Do no research and make it up as I go.", "as I go. The problem with the first two methods is that they", "work and often ends with plot holes or inconsistency in world-building. Any advice", "research the culture, climate, location and history of that setting. You can do", "give on how to use research to improve my high-fantasy settings is useful.", "a high-fantasy setting none of this information exists. The history, culture, environment and", "I go. The problem with the first two methods is that they often", "create interesting high-fantasy settings?** Some methods I have used include: * Read a", "real world cultures or locations. * Do no research and make it up", "works in the genre. Borrow the things I like. * Base parts of", "your own creation. *How can you effectively use research to help create interesting", "the setting on real world cultures or locations. Do no research and", "fiction or low-fantasy settings based on real places. When you write for a", "lot of other works in the genre. Borrow the things I like. ", "a modern day setting, you research the culture, climate, location and history of", "like. Base parts of the setting on real world cultures or locations.", "it up as I go. The problem with the first two methods is", "based on real places. When you write for a high-fantasy setting none of", "* Base parts of the setting on real world cultures or locations. ", "low-fantasy settings based on real places. When you write for a high-fantasy setting", "The third method is a lot of work and often ends with plot", "of other works in the genre. Borrow the things I like. Base", "When you write for a high-fantasy setting none of this information exists. The", "interesting high-fantasy settings?** Some methods I have used include: * Read a lot", "history, culture, environment and peoples are entirely your own creation. *How can you", "Base parts of the setting on real world cultures or locations. Do", "can give on how to use research to improve my high-fantasy settings is", "write in a modern day setting, you research the culture, climate, location and", "often result in unoriginal/boring settings that have been done to death. The third", "method is a lot of work and often ends with plot holes or", "settings?** Some methods I have used include: * Read a lot of other", "inconsistency in world-building. Any advice people can give on how to use research", "historical fiction or low-fantasy settings based on real places. When you write for", "The problem with the first two methods is that they often result in", "this information exists. The history, culture, environment and peoples are entirely your own", "parts of the setting on real world cultures or locations. * Do no", "on real places. When you write for a high-fantasy setting none of this", "can you effectively use research to help create interesting high-fantasy settings? Some methods", "two methods is that they often result in unoriginal/boring settings that have been", "culture, environment and peoples are entirely your own creation. How can you effectively", "the first two methods is that they often result in unoriginal/boring settings that", "do the same for historical fiction or low-fantasy settings based on real places.", "location and history of that setting. You can do the same for historical", "go. The problem with the first two methods is that they often result", "entirely your own creation. How can you effectively use research to help create", "information exists. The history, culture, environment and peoples are entirely your own creation.", "effectively use research to help create interesting high-fantasy settings? Some methods I have", "and make it up as I go. The problem with the first two", "research to help create interesting high-fantasy settings? Some methods I have used include:", "to death. The third method is a lot of work and often ends", "same for historical fiction or low-fantasy settings based on real places. When you", "creation. How can you effectively use research to help create interesting high-fantasy settings?*", "holes or inconsistency in world-building. Any advice people can give on how to", "climate, location and history of that setting. You can do the same for", "and history of that setting. You can do the same for historical fiction", "other works in the genre. Borrow the things I like. Base parts", "first two methods is that they often result in unoriginal/boring settings that have", "no research and make it up as I go. The problem with the", "been done to death. The third method is a lot of work and", "How can you effectively use research to help create interesting high-fantasy settings? Some", "real places. When you write for a high-fantasy setting none of this information", "* Read a lot of other works in the genre. Borrow the things", "locations. * Do no research and make it up as I go. The", "Borrow the things I like. * Base parts of the setting on real", "you research the culture, climate, location and history of that setting. You can", "environment and peoples are entirely your own creation. *How can you effectively use", "genre. Borrow the things I like. Base parts of the setting on", "peoples are entirely your own creation. *How can you effectively use research to", "Some methods I have used include: Read a lot of other works", "setting, you research the culture, climate, location and history of that setting. You", "advice people can give on how to use research to improve my high-fantasy", "use research to help create interesting high-fantasy settings? Some methods I have used", "The history, culture, environment and peoples are entirely your own creation. How can", "world-building. Any advice people can give on how to use research to improve", "You can do the same for historical fiction or low-fantasy settings based on", "a lot of other works in the genre. Borrow the things I like.", "history of that setting. You can do the same for historical fiction or", "in world-building. Any advice people can give on how to use research to", "help create interesting high-fantasy settings?** Some methods I have used include: * Read", "include: * Read a lot of other works in the genre. Borrow the", "Do no research and make it up as I go. The problem with", "in a modern day setting, you research the culture, climate, location and history", "cultures or locations. * Do no research and make it up as I", "that they often result in unoriginal/boring settings that have been done to death.", "is a lot of work and often ends with plot holes or inconsistency", "you write for a high-fantasy setting none of this information exists. The history,", "for a high-fantasy setting none of this information exists. The history, culture, environment", "day setting, you research the culture, climate, location and history of that setting.", "have been done to death. The third method is a lot of work", "I have used include: * Read a lot of other works in the", "the culture, climate, location and history of that setting. You can do the", "with the first two methods is that they often result in unoriginal/boring settings", "When you write in a modern day setting, you research the culture, climate,", "places. When you write for a high-fantasy setting none of this information exists.", "result in unoriginal/boring settings that have been done to death. The third method", "setting. You can do the same for historical fiction or low-fantasy settings based", "third method is a lot of work and often ends with plot holes", "the genre. Borrow the things I like. * Base parts of the setting", "Any advice people can give on how to use research to improve my", "modern day setting, you research the culture, climate, location and history of that", "up as I go. The problem with the first two methods is that", "high-fantasy setting none of this information exists. The history, culture, environment and peoples", "problem with the first two methods is that they often result in unoriginal/boring", "ends with plot holes or inconsistency in world-building. Any advice people can give", "for historical fiction or low-fantasy settings based on real places. When you write", "research and make it up as I go. The problem with the first", "* Do no research and make it up as I go. The problem", "of this information exists. The history, culture, environment and peoples are entirely your", "culture, climate, location and history of that setting. You can do the same", "you effectively use research to help create interesting high-fantasy settings?** Some methods I", "the things I like. * Base parts of the setting on real world", "a lot of work and often ends with plot holes or inconsistency in", "world cultures or locations. * Do no research and make it up as", "or inconsistency in world-building. Any advice people can give on how to use", "often ends with plot holes or inconsistency in world-building. Any advice people can", "of that setting. You can do the same for historical fiction or low-fantasy", "methods I have used include: * Read a lot of other works in", "methods is that they often result in unoriginal/boring settings that have been done", "is that they often result in unoriginal/boring settings that have been done to", "used include: * Read a lot of other works in the genre. Borrow", "of work and often ends with plot holes or inconsistency in world-building. Any", "and often ends with plot holes or inconsistency in world-building. Any advice people", "plot holes or inconsistency in world-building. Any advice people can give on how", "that setting. You can do the same for historical fiction or low-fantasy settings", "and peoples are entirely your own creation. How can you effectively use research", "you write in a modern day setting, you research the culture, climate, location", "death. The third method is a lot of work and often ends with", "they often result in unoriginal/boring settings that have been done to death. The", "exists. The history, culture, environment and peoples are entirely your own creation. How", "none of this information exists. The history, culture, environment and peoples are entirely", "unoriginal/boring settings that have been done to death. The third method is a", "have used include: * Read a lot of other works in the genre.", "with plot holes or inconsistency in world-building. Any advice people can give on", "people can give on how to use research to improve my high-fantasy settings", "done to death. The third method is a lot of work and often", "lot of work and often ends with plot holes or inconsistency in world-building.", "setting none of this information exists. The history, culture, environment and peoples are", "own creation. *How can you effectively use research to help create interesting high-fantasy", "things I like. Base parts of the setting on real world cultures", "or low-fantasy settings based on real places. When you write for a high-fantasy", "setting on real world cultures or locations. * Do no research and make", "write for a high-fantasy setting none of this information exists. The history, culture,", "of the setting on real world cultures or locations. * Do no research", "settings that have been done to death. The third method is a lot", "on real world cultures or locations. * Do no research and make it", "to help create interesting high-fantasy settings?** Some methods I have used include: ", "high-fantasy settings?* Some methods I have used include: * Read a lot of", "the same for historical fiction or low-fantasy settings based on real places. When", "that have been done to death. The third method is a lot of", "Read a lot of other works in the genre. Borrow the things I", "are entirely your own creation. **How can you effectively use research to help", "in unoriginal/boring settings that have been done to death. The third method is" ]
[ "however in the same time frame but from different places. What care should", "backstory, however in the same time frame but from different places. What care", "same time frame but from different places. What care should I take when", "(part of the overall plot) where all those multiple characters were involved in", "events of the backstory, however in the same time frame but from different", "What care should I take when I write such a backstory? Appreciate your", "overall plot) where all those multiple characters were involved in the events of", "am trying to write from multiple points of views with my first fiction", "multiple points of views with my first fiction book. I need to handle", "when I write such a backstory? Appreciate your guidance and thank you in", "backstory (part of the overall plot) where all those multiple characters were involved", "I take when I write such a backstory? Appreciate your guidance and thank", "should I take when I write such a backstory? Appreciate your guidance and", "care should I take when I write such a backstory? Appreciate your guidance", "different places. What care should I take when I write such a backstory?", "were involved in the events of the backstory, however in the same time", "from different places. What care should I take when I write such a", "my first fiction book. I need to handle backstory (part of the overall", "involved in the events of the backstory, however in the same time frame", "fiction book. I need to handle backstory (part of the overall plot) where", "multiple characters were involved in the events of the backstory, however in the", "where all those multiple characters were involved in the events of the backstory,", "frame but from different places. What care should I take when I write", "take when I write such a backstory? Appreciate your guidance and thank you", "book. I need to handle backstory (part of the overall plot) where all", "the backstory, however in the same time frame but from different places. What", "I am trying to write from multiple points of views with my first", "with my first fiction book. I need to handle backstory (part of the", "the events of the backstory, however in the same time frame but from", "in the same time frame but from different places. What care should I", "from multiple points of views with my first fiction book. I need to", "of the backstory, however in the same time frame but from different places.", "of views with my first fiction book. I need to handle backstory (part", "those multiple characters were involved in the events of the backstory, however in", "points of views with my first fiction book. I need to handle backstory", "handle backstory (part of the overall plot) where all those multiple characters were", "to write from multiple points of views with my first fiction book. I", "of the overall plot) where all those multiple characters were involved in the", "places. What care should I take when I write such a backstory? Appreciate", "the overall plot) where all those multiple characters were involved in the events", "all those multiple characters were involved in the events of the backstory, however", "to handle backstory (part of the overall plot) where all those multiple characters", "views with my first fiction book. I need to handle backstory (part of", "characters were involved in the events of the backstory, however in the same", "I need to handle backstory (part of the overall plot) where all those", "first fiction book. I need to handle backstory (part of the overall plot)", "in the events of the backstory, however in the same time frame but", "I write such a backstory? Appreciate your guidance and thank you in advance.", "plot) where all those multiple characters were involved in the events of the", "write from multiple points of views with my first fiction book. I need", "need to handle backstory (part of the overall plot) where all those multiple", "but from different places. What care should I take when I write such", "time frame but from different places. What care should I take when I", "trying to write from multiple points of views with my first fiction book.", "the same time frame but from different places. What care should I take" ]
[ "My book has a few place names that are also present in other", "I've also recently discovered a video game series where another city is also", "of one of the kingdoms in my book is called Pokrovka, but I've", "one of my cities is called \"Manalin\" and I just found out that", "present in other pieces of media, for example, one of my cities is", "Wars also called Manalin. The capital of one of the kingdoms in my", "called Pokrovka, but I've also recently discovered a video game series where another", "recently discovered a video game series where another city is also called Pokrovka.", "that are also present in other pieces of media, for example, one of", "also present in other pieces of media, for example, one of my cities", "I took the name from a commune in Ukraine. Will these be a", "also called Manalin. The capital of one of the kingdoms in my book", "and I just found out that there is a planet in Star Wars", "planet in Star Wars also called Manalin. The capital of one of the", "book is called Pokrovka, but I've also recently discovered a video game series", "other pieces of media, for example, one of my cities is called \"Manalin\"", "Manalin. The capital of one of the kingdoms in my book is called", "place names that are also present in other pieces of media, for example,", "video game series where another city is also called Pokrovka. I took the", "in other pieces of media, for example, one of my cities is called", "capital of one of the kingdoms in my book is called Pokrovka, but", "of the kingdoms in my book is called Pokrovka, but I've also recently", "the kingdoms in my book is called Pokrovka, but I've also recently discovered", "few place names that are also present in other pieces of media, for", "game series where another city is also called Pokrovka. I took the name", "called \"Manalin\" and I just found out that there is a planet in", "where another city is also called Pokrovka. I took the name from a", "a few place names that are also present in other pieces of media,", "called Manalin. The capital of one of the kingdoms in my book is", "that there is a planet in Star Wars also called Manalin. The capital", "The capital of one of the kingdoms in my book is called Pokrovka,", "are also present in other pieces of media, for example, one of my", "kingdoms in my book is called Pokrovka, but I've also recently discovered a", "cities is called \"Manalin\" and I just found out that there is a", "just found out that there is a planet in Star Wars also called", "\"Manalin\" and I just found out that there is a planet in Star", "is called \"Manalin\" and I just found out that there is a planet", "in my book is called Pokrovka, but I've also recently discovered a video", "has a few place names that are also present in other pieces of", "one of the kingdoms in my book is called Pokrovka, but I've also", "another city is also called Pokrovka. I took the name from a commune", "is also called Pokrovka. I took the name from a commune in Ukraine.", "of my cities is called \"Manalin\" and I just found out that there", "also recently discovered a video game series where another city is also called", "my cities is called \"Manalin\" and I just found out that there is", "series where another city is also called Pokrovka. I took the name from", "a planet in Star Wars also called Manalin. The capital of one of", "book has a few place names that are also present in other pieces", "in Star Wars also called Manalin. The capital of one of the kingdoms", "city is also called Pokrovka. I took the name from a commune in", "is a planet in Star Wars also called Manalin. The capital of one", "Pokrovka, but I've also recently discovered a video game series where another city", "names that are also present in other pieces of media, for example, one", "my book is called Pokrovka, but I've also recently discovered a video game", "media, for example, one of my cities is called \"Manalin\" and I just", "pieces of media, for example, one of my cities is called \"Manalin\" and", "for example, one of my cities is called \"Manalin\" and I just found", "out that there is a planet in Star Wars also called Manalin. The", "example, one of my cities is called \"Manalin\" and I just found out", "there is a planet in Star Wars also called Manalin. The capital of", "Pokrovka. I took the name from a commune in Ukraine. Will these be", "of media, for example, one of my cities is called \"Manalin\" and I", "Star Wars also called Manalin. The capital of one of the kingdoms in", "called Pokrovka. I took the name from a commune in Ukraine. Will these", "discovered a video game series where another city is also called Pokrovka. I", "found out that there is a planet in Star Wars also called Manalin.", "took the name from a commune in Ukraine. Will these be a problem?", "is called Pokrovka, but I've also recently discovered a video game series where", "also called Pokrovka. I took the name from a commune in Ukraine. Will", "I just found out that there is a planet in Star Wars also", "but I've also recently discovered a video game series where another city is", "a video game series where another city is also called Pokrovka. I took" ]
[ "that is \"canon.\" Then I'd write the alternative choices, storylines, and choices based", "revelation, I must have them go through a specific storyline, not the other", "must have them go through a specific storyline, not the other two original", "but that later) that is \"canon.\" Then I'd write the alternative choices, storylines,", "+ moral revelation. How would I go about writing this with Truby's system", "lead to them having the revelation. These storylines are what has to occur", "narrative drive has to occur to the hero of the story. And that", "beginning. Rather, I want the choices of the player to influence the story", "I have my own problem with but that later) that is \"canon.\" Then", "beats in the mystery would lead to them having the revelation. These storylines", "choices of the player to influence the story with a specific set of", "a specific ending + moral revelation. How would I go about writing this", "for them to have a specific moral revelation (which I have my own", "to occur to the hero of the story. And that if I want", "mystery with multiple endings using John Truby's 22 steps. Originally I thought that", "the playable character and by proxy the audience to have a moral revelation,", "results in a specific ending + moral revelation. How would I go about", "player has the same faults/values? Next, and this is more applicable to any", "to any story written using this system If I have multiple heroes, should", "character is not the hero but still has a narrative drive. There are", "Then I'd write the alternative choices, storylines, and choices based off of this", "And that if I want the playable character and by proxy the audience", "but still has a narrative drive. There are two other \"Heroes\" who I'm", "whom I'm writing the storylines on, meaning the beats in the mystery would", "to have a specific moral revelation (which I have my own problem with", "with Truby's system if no one player has the same faults/values? Next, and", "the narrative drive. These heroes are whom I'm writing the storylines on, meaning", "system if no one player has the same faults/values? Next, and this is", "this with Truby's system if no one player has the same faults/values? Next,", "original \"heroes.\" Still, this brings up a fear: I do not want the", "the beginning. Rather, I want the choices of the player to influence the", "them being the narrative drive. These heroes are whom I'm writing the storylines", "the story with a specific set of choices that results in a specific", "revelation. How would I go about writing this with Truby's system if no", "in them being the narrative drive. These heroes are whom I'm writing the", "the choices of the player to influence the story with a specific set", "revelation (which I have my own problem with but that later) that is", "moral revelation? Or should they have moral revelations which are similar but applicable", "not the hero but still has a narrative drive. There are two other", "of the player to influence the story with a specific set of choices", "have a specific moral revelation (which I have my own problem with but", "banking on the player's interest in them being the narrative drive. These heroes", "the hero of the story. And that if I want the playable character", "playable character is not the hero but still has a narrative drive. There", "written using this system If I have multiple heroes, should they all have", "proxy the audience to have a moral revelation, I must have them go", "to the hero of the story. And that if I want the playable", "am writing a mystery with multiple endings using John Truby's 22 steps. Originally", "have a personality in the beginning. Rather, I want the choices of the", "go about writing this with Truby's system if no one player has the", "about writing this with Truby's system if no one player has the same", "have my own problem with but that later) that is \"canon.\" Then I'd", "want the playable character and by proxy the audience to have a moral", "writing a mystery with multiple endings using John Truby's 22 steps. Originally I", "\"heroes.\" Still, this brings up a fear: I do not want the playable", "I go about writing this with Truby's system if no one player has", "writing this with Truby's system if no one player has the same faults/values?", "have multiple heroes, should they all have the same moral revelation? Or should", "has a narrative drive. There are two other \"Heroes\" who I'm banking on", "The playable character is not the hero but still has a narrative drive.", "other \"Heroes\" who I'm banking on the player's interest in them being the", "endings using John Truby's 22 steps. Originally I thought that I could do", "\"Heroes\" who I'm banking on the player's interest in them being the narrative", "this brings up a fear: I do not want the playable character to", "moral revelation, I must have them go through a specific storyline, not the", "have a moral revelation, I must have them go through a specific storyline,", "later) that is \"canon.\" Then I'd write the alternative choices, storylines, and choices", "want the playable character to have a personality in the beginning. Rather, I", "storyline, not the other two original \"heroes.\" Still, this brings up a fear:", "Then, I realized that the narrative drive has to occur to the hero", "have them go through a specific storyline, not the other two original \"heroes.\"", "that the narrative drive has to occur to the hero of the story.", "narrative drive. There are two other \"Heroes\" who I'm banking on the player's", "the revelation. These storylines are what has to occur for them to have", "two original \"heroes.\" Still, this brings up a fear: I do not want", "to them having the revelation. These storylines are what has to occur for", "narrative drive. These heroes are whom I'm writing the storylines on, meaning the", "other two original \"heroes.\" Still, this brings up a fear: I do not", "them to have a specific moral revelation (which I have my own problem", "of this main storyline. Then, I realized that the narrative drive has to", "choices based off of this main storyline. Then, I realized that the narrative", "same moral revelation? Or should they have moral revelations which are similar but", "alternative choices, storylines, and choices based off of this main storyline. Then, I", "multiple endings using John Truby's 22 steps. Originally I thought that I could", "storylines on, meaning the beats in the mystery would lead to them having", "having the revelation. These storylines are what has to occur for them to", "character and by proxy the audience to have a moral revelation, I must", "same faults/values? Next, and this is more applicable to any story written using", "would lead to them having the revelation. These storylines are what has to", "brings up a fear: I do not want the playable character to have", "that I could do it like so: The playable character is not the", "if I want the playable character and by proxy the audience to have", "using this system If I have multiple heroes, should they all have the", "have the same moral revelation? Or should they have moral revelations which are", "the same faults/values? Next, and this is more applicable to any story written", "story written using this system If I have multiple heroes, should they all", "in the mystery would lead to them having the revelation. These storylines are", "Rather, I want the choices of the player to influence the story with", "the storylines on, meaning the beats in the mystery would lead to them", "Truby's 22 steps. Originally I thought that I could do it like so:", "in the beginning. Rather, I want the choices of the player to influence", "who I'm banking on the player's interest in them being the narrative drive.", "the player's interest in them being the narrative drive. These heroes are whom", "I'd write the alternative choices, storylines, and choices based off of this main", "story with a specific set of choices that results in a specific ending", "set of choices that results in a specific ending + moral revelation. How", "audience to have a moral revelation, I must have them go through a", "my own problem with but that later) that is \"canon.\" Then I'd write", "has to occur for them to have a specific moral revelation (which I", "moral revelation (which I have my own problem with but that later) that", "22 steps. Originally I thought that I could do it like so: The", "interest in them being the narrative drive. These heroes are whom I'm writing", "two other \"Heroes\" who I'm banking on the player's interest in them being", "through a specific storyline, not the other two original \"heroes.\" Still, this brings", "want the choices of the player to influence the story with a specific", "the player to influence the story with a specific set of choices that", "write the alternative choices, storylines, and choices based off of this main storyline.", "character to have a personality in the beginning. Rather, I want the choices", "There are two other \"Heroes\" who I'm banking on the player's interest in", "based off of this main storyline. Then, I realized that the narrative drive", "that if I want the playable character and by proxy the audience to", "do it like so: The playable character is not the hero but still", "would I go about writing this with Truby's system if no one player", "any story written using this system If I have multiple heroes, should they", "moral revelation. How would I go about writing this with Truby's system if", "the narrative drive has to occur to the hero of the story. And", "Truby's system if no one player has the same faults/values? Next, and this", "If I have multiple heroes, should they all have the same moral revelation?", "of the story. And that if I want the playable character and by", "that results in a specific ending + moral revelation. How would I go", "multiple heroes, should they all have the same moral revelation? Or should they", "I am writing a mystery with multiple endings using John Truby's 22 steps.", "with but that later) that is \"canon.\" Then I'd write the alternative choices,", "the alternative choices, storylines, and choices based off of this main storyline. Then,", "and by proxy the audience to have a moral revelation, I must have", "if no one player has the same faults/values? Next, and this is more", "drive. These heroes are whom I'm writing the storylines on, meaning the beats", "I must have them go through a specific storyline, not the other two", "specific ending + moral revelation. How would I go about writing this with", "applicable to any story written using this system If I have multiple heroes,", "system If I have multiple heroes, should they all have the same moral", "they all have the same moral revelation? Or should they have moral revelations", "a specific moral revelation (which I have my own problem with but that", "the same moral revelation? Or should they have moral revelations which are similar", "heroes, should they all have the same moral revelation? Or should they have", "influence the story with a specific set of choices that results in a", "thought that I could do it like so: The playable character is not", "being the narrative drive. These heroes are whom I'm writing the storylines on,", "These heroes are whom I'm writing the storylines on, meaning the beats in", "are two other \"Heroes\" who I'm banking on the player's interest in them", "a specific storyline, not the other two original \"heroes.\" Still, this brings up", "on, meaning the beats in the mystery would lead to them having the", "I'm banking on the player's interest in them being the narrative drive. These", "ending + moral revelation. How would I go about writing this with Truby's", "a personality in the beginning. Rather, I want the choices of the player", "How would I go about writing this with Truby's system if no one", "with multiple endings using John Truby's 22 steps. Originally I thought that I", "more applicable to any story written using this system If I have multiple", "to have a personality in the beginning. Rather, I want the choices of", "should they have moral revelations which are similar but applicable to their situation?", "a narrative drive. There are two other \"Heroes\" who I'm banking on the", "I'm writing the storylines on, meaning the beats in the mystery would lead", "of choices that results in a specific ending + moral revelation. How would", "no one player has the same faults/values? Next, and this is more applicable", "meaning the beats in the mystery would lead to them having the revelation.", "Or should they have moral revelations which are similar but applicable to their", "writing the storylines on, meaning the beats in the mystery would lead to", "so: The playable character is not the hero but still has a narrative", "story. And that if I want the playable character and by proxy the", "what has to occur for them to have a specific moral revelation (which", "playable character to have a personality in the beginning. Rather, I want the", "I have multiple heroes, should they all have the same moral revelation? Or", "like so: The playable character is not the hero but still has a", "hero but still has a narrative drive. There are two other \"Heroes\" who", "player to influence the story with a specific set of choices that results", "choices that results in a specific ending + moral revelation. How would I", "and this is more applicable to any story written using this system If", "John Truby's 22 steps. Originally I thought that I could do it like", "with a specific set of choices that results in a specific ending +", "personality in the beginning. Rather, I want the choices of the player to", "storylines are what has to occur for them to have a specific moral", "the hero but still has a narrative drive. There are two other \"Heroes\"", "fear: I do not want the playable character to have a personality in", "go through a specific storyline, not the other two original \"heroes.\" Still, this", "These storylines are what has to occur for them to have a specific", "Next, and this is more applicable to any story written using this system", "is \"canon.\" Then I'd write the alternative choices, storylines, and choices based off", "occur to the hero of the story. And that if I want the", "revelation? Or should they have moral revelations which are similar but applicable to", "has the same faults/values? Next, and this is more applicable to any story", "this system If I have multiple heroes, should they all have the same", "the audience to have a moral revelation, I must have them go through", "I want the playable character and by proxy the audience to have a", "Originally I thought that I could do it like so: The playable character", "all have the same moral revelation? Or should they have moral revelations which", "choices, storylines, and choices based off of this main storyline. Then, I realized", "the playable character to have a personality in the beginning. Rather, I want", "this is more applicable to any story written using this system If I", "own problem with but that later) that is \"canon.\" Then I'd write the", "storylines, and choices based off of this main storyline. Then, I realized that", "the other two original \"heroes.\" Still, this brings up a fear: I do", "are what has to occur for them to have a specific moral revelation", "drive. There are two other \"Heroes\" who I'm banking on the player's interest", "a specific set of choices that results in a specific ending + moral", "the beats in the mystery would lead to them having the revelation. These", "are whom I'm writing the storylines on, meaning the beats in the mystery", "not want the playable character to have a personality in the beginning. Rather,", "should they all have the same moral revelation? Or should they have moral", "mystery would lead to them having the revelation. These storylines are what has", "still has a narrative drive. There are two other \"Heroes\" who I'm banking", "in a specific ending + moral revelation. How would I go about writing", "has to occur to the hero of the story. And that if I", "I realized that the narrative drive has to occur to the hero of", "them having the revelation. These storylines are what has to occur for them", "this main storyline. Then, I realized that the narrative drive has to occur", "the mystery would lead to them having the revelation. These storylines are what", "could do it like so: The playable character is not the hero but", "on the player's interest in them being the narrative drive. These heroes are", "to influence the story with a specific set of choices that results in", "using John Truby's 22 steps. Originally I thought that I could do it", "the story. And that if I want the playable character and by proxy", "it like so: The playable character is not the hero but still has", "main storyline. Then, I realized that the narrative drive has to occur to", "not the other two original \"heroes.\" Still, this brings up a fear: I", "occur for them to have a specific moral revelation (which I have my", "and choices based off of this main storyline. Then, I realized that the", "realized that the narrative drive has to occur to the hero of the", "player's interest in them being the narrative drive. These heroes are whom I'm", "off of this main storyline. Then, I realized that the narrative drive has", "up a fear: I do not want the playable character to have a", "heroes are whom I'm writing the storylines on, meaning the beats in the", "I thought that I could do it like so: The playable character is", "drive has to occur to the hero of the story. And that if", "a moral revelation, I must have them go through a specific storyline, not", "a mystery with multiple endings using John Truby's 22 steps. Originally I thought", "is not the hero but still has a narrative drive. There are two", "Still, this brings up a fear: I do not want the playable character", "a fear: I do not want the playable character to have a personality", "by proxy the audience to have a moral revelation, I must have them", "to have a moral revelation, I must have them go through a specific", "I could do it like so: The playable character is not the hero", "hero of the story. And that if I want the playable character and", "is more applicable to any story written using this system If I have", "storyline. Then, I realized that the narrative drive has to occur to the", "I do not want the playable character to have a personality in the", "them go through a specific storyline, not the other two original \"heroes.\" Still,", "faults/values? Next, and this is more applicable to any story written using this", "(which I have my own problem with but that later) that is \"canon.\"", "\"canon.\" Then I'd write the alternative choices, storylines, and choices based off of", "playable character and by proxy the audience to have a moral revelation, I", "steps. Originally I thought that I could do it like so: The playable", "problem with but that later) that is \"canon.\" Then I'd write the alternative", "one player has the same faults/values? Next, and this is more applicable to", "I want the choices of the player to influence the story with a", "that later) that is \"canon.\" Then I'd write the alternative choices, storylines, and", "specific storyline, not the other two original \"heroes.\" Still, this brings up a", "specific set of choices that results in a specific ending + moral revelation.", "specific moral revelation (which I have my own problem with but that later)", "to occur for them to have a specific moral revelation (which I have", "do not want the playable character to have a personality in the beginning.", "revelation. These storylines are what has to occur for them to have a" ]
[ "It's weird, but it's what she wants. Do I just treat it like", "I am editing a book for a writer who has quotes at the", "at the beginning of each chapter. The first chapter has a quote of", "treat it like the other quotes with her own name after it? Is", "her own. It's weird, but it's what she wants. Do I just treat", "has a quote of her own. It's weird, but it's what she wants.", "who has quotes at the beginning of each chapter. The first chapter has", "quote of her own. It's weird, but it's what she wants. Do I", "chapter has a quote of her own. It's weird, but it's what she", "a writer who has quotes at the beginning of each chapter. The first", "each chapter. The first chapter has a quote of her own. It's weird,", "has quotes at the beginning of each chapter. The first chapter has a", "first chapter has a quote of her own. It's weird, but it's what", "just treat it like the other quotes with her own name after it?", "own name after it? Is this something people do in their own books?", "I just treat it like the other quotes with her own name after", "book for a writer who has quotes at the beginning of each chapter.", "it's what she wants. Do I just treat it like the other quotes", "the other quotes with her own name after it? Is this something people", "it like the other quotes with her own name after it? Is this", "a quote of her own. It's weird, but it's what she wants. Do", "chapter. The first chapter has a quote of her own. It's weird, but", "like the other quotes with her own name after it? Is this something", "but it's what she wants. Do I just treat it like the other", "a book for a writer who has quotes at the beginning of each", "of her own. It's weird, but it's what she wants. Do I just", "for a writer who has quotes at the beginning of each chapter. The", "writer who has quotes at the beginning of each chapter. The first chapter", "quotes at the beginning of each chapter. The first chapter has a quote", "beginning of each chapter. The first chapter has a quote of her own.", "Do I just treat it like the other quotes with her own name", "other quotes with her own name after it? Is this something people do", "of each chapter. The first chapter has a quote of her own. It's", "own. It's weird, but it's what she wants. Do I just treat it", "her own name after it? Is this something people do in their own", "with her own name after it? Is this something people do in their", "what she wants. Do I just treat it like the other quotes with", "weird, but it's what she wants. Do I just treat it like the", "the beginning of each chapter. The first chapter has a quote of her", "quotes with her own name after it? Is this something people do in", "editing a book for a writer who has quotes at the beginning of", "am editing a book for a writer who has quotes at the beginning", "The first chapter has a quote of her own. It's weird, but it's", "she wants. Do I just treat it like the other quotes with her", "wants. Do I just treat it like the other quotes with her own" ]
[ "a book with multiple authors and we're all under 18 and I'm wondering", "under 18 and I'm wondering how to make contracts with them. Just to", "trying to get this on the Kindle store. If that information helps. Also", "and we're all under 18 and I'm wondering how to make contracts with", "multiple authors and we're all under 18 and I'm wondering how to make", "Someone suggested that I should make a question on this. I am making", "I'm trying to get this on the Kindle store. If that information helps.", "to say I'm trying to get this on the Kindle store. If that", "Just to say I'm trying to get this on the Kindle store. If", "make contracts with them. Just to say I'm trying to get this on", "authors and we're all under 18 and I'm wondering how to make contracts", "that I should make a question on this. I am making a book", "contracts with them. Just to say I'm trying to get this on the", "on this. I am making a book with multiple authors and we're all", "say I'm trying to get this on the Kindle store. If that information", "question on this. I am making a book with multiple authors and we're", "and I'm wondering how to make contracts with them. Just to say I'm", "them. Just to say I'm trying to get this on the Kindle store.", "on the Kindle store. If that information helps. Also I live in the", "I'm wondering how to make contracts with them. Just to say I'm trying", "I am making a book with multiple authors and we're all under 18", "with multiple authors and we're all under 18 and I'm wondering how to", "with them. Just to say I'm trying to get this on the Kindle", "the Kindle store. If that information helps. Also I live in the UK.", "how to make contracts with them. Just to say I'm trying to get", "book with multiple authors and we're all under 18 and I'm wondering how", "to get this on the Kindle store. If that information helps. Also I", "am making a book with multiple authors and we're all under 18 and", "should make a question on this. I am making a book with multiple", "18 and I'm wondering how to make contracts with them. Just to say", "to make contracts with them. Just to say I'm trying to get this", "we're all under 18 and I'm wondering how to make contracts with them.", "make a question on this. I am making a book with multiple authors", "a question on this. I am making a book with multiple authors and", "this on the Kindle store. If that information helps. Also I live in", "making a book with multiple authors and we're all under 18 and I'm", "wondering how to make contracts with them. Just to say I'm trying to", "I should make a question on this. I am making a book with", "suggested that I should make a question on this. I am making a", "this. I am making a book with multiple authors and we're all under", "get this on the Kindle store. If that information helps. Also I live", "all under 18 and I'm wondering how to make contracts with them. Just" ]
[ "[previous question](https://writing.stackexchange.com/questions/44850/is-it-true-that-a-great-cover-is-enough-to-sell-many-copies-of-your-book). It is generally understood that covers matter a great deal in", "bad cover’. Is it ‘good’ in terms of relevancy to the target audience?", "to their tastes or interests. But at the same time, we are often", "mean when they say ‘a good cover’ vs ‘a bad cover’. Is it", "fiction eBook and check out its blurb and contents, and covers are the", "‘a bad cover’. Is it ‘good’ in terms of relevancy to the target", "professional quality? Of course, ideally, it needs to be both. But which one", "often told that people will only click on pro-designed covers and not homemade/amateur", "book out simply because the cover looks homemade? This is the impression I", "on and not check the book out simply because the cover looks homemade?", "a lot of authors and cover designers who bang on and on about", "it needs to be both. But which one is ultimately more important? Let", "image (and title) speaks directly to the person’s tastes and interests? Really?? [Note:", "the target audience? Or is it ‘good’ in terms of professional quality? Of", "their tastes or interests. But at the same time, we are often told", "directly to the person’s tastes and interests? Really?? [Note: the word ‘homemade’ is", "Is that really so? Even if the homemade cover image (and title) speaks", "and not check the book out simply because the cover looks homemade? This", "a great deal in terms of getting people to click on a fiction", "that covers matter a great deal in terms of getting people to click", "Or is it ‘good’ in terms of professional quality? Of course, ideally, it", "if someone comes across a book cover that is clearly homemade but it", "the main marketing tool of an eBook. But I have noticed that there", "lot of authors and cover designers who bang on and on about how", "which one is ultimately more important? Let me explain what I mean: When", "is ultimately more important? Let me explain what I mean: When browsing eBooks,", "believe that the person will move on and not check the book out", "This is a sort of follow up to my [previous question](https://writing.stackexchange.com/questions/44850/is-it-true-that-a-great-cover-is-enough-to-sell-many-copies-of-your-book). It is", "check out its blurb and contents, and covers are the main marketing tool", "But at the same time, we are often told that people will only", "to believe that the person will move on and not check the book", "homemade? This is the impression I keep getting from a lot of authors", "to my [previous question](https://writing.stackexchange.com/questions/44850/is-it-true-that-a-great-cover-is-enough-to-sell-many-copies-of-your-book). It is generally understood that covers matter a great", "how no one will click on a book cover if it isn’t clearly", "deal in terms of getting people to click on a fiction eBook and", "that are relevant to their tastes or interests. But at the same time,", "across a book cover that is clearly homemade but it uses an interesting", "or interests. But at the same time, we are often told that people", "and cover designers who bang on and on about how no one will", "interests? Am I to believe that the person will move on and not", "Am I to believe that the person will move on and not check", "at the same time, we are often told that people will only click", "on a book cover if it isn’t clearly pro-made. Is that really so?", "title) speaks directly to the person’s tastes and interests? Really?? [Note: the word", "on pro-designed covers and not homemade/amateur designs. But what if someone comes across", "eBook. But I have noticed that there is a great deal of ambiguity", "is a sort of follow up to my [previous question](https://writing.stackexchange.com/questions/44850/is-it-true-that-a-great-cover-is-enough-to-sell-many-copies-of-your-book). It is generally", "out simply because the cover looks homemade? This is the impression I keep", "a great deal of ambiguity or confusion over what exactly people mean when", "cover’ vs ‘a bad cover’. Is it ‘good’ in terms of relevancy to", "one is ultimately more important? Let me explain what I mean: When browsing", "clearly homemade but it uses an interesting image and title that is relevant", "authors and cover designers who bang on and on about how no one", "confusion over what exactly people mean when they say ‘a good cover’ vs", "an eBook. But I have noticed that there is a great deal of", "it isn’t clearly pro-made. Is that really so? Even if the homemade cover", "because they do not convey themes that are relevant to their tastes or", "who bang on and on about how no one will click on a", "great deal of ambiguity or confusion over what exactly people mean when they", "is relevant to the person’s tastes and interests? Am I to believe that", "the homemade cover image (and title) speaks directly to the person’s tastes and", "that people will only click on pro-designed covers and not homemade/amateur designs. But", "eBook and check out its blurb and contents, and covers are the main", "more important? Let me explain what I mean: When browsing eBooks, people ignore", "keep getting from a lot of authors and cover designers who bang on", "cover’. Is it ‘good’ in terms of relevancy to the target audience? Or", "because the cover looks homemade? This is the impression I keep getting from", "When browsing eBooks, people ignore a lot of professional quality book covers because", "really so? Even if the homemade cover image (and title) speaks directly to", "and interests? Really?? [Note: the word ‘homemade’ is not a reference to location.", "the person will move on and not check the book out simply because", "move on and not check the book out simply because the cover looks", "a reference to location. It is a reference to level of skill at", "and covers are the main marketing tool of an eBook. But I have", "But I have noticed that there is a great deal of ambiguity or", "interests. But at the same time, we are often told that people will", "image and title that is relevant to the person’s tastes and interests? Am", "of an eBook. But I have noticed that there is a great deal", "that there is a great deal of ambiguity or confusion over what exactly", "it ‘good’ in terms of professional quality? Of course, ideally, it needs to", "It is generally understood that covers matter a great deal in terms of", "and contents, and covers are the main marketing tool of an eBook. But", "people mean when they say ‘a good cover’ vs ‘a bad cover’. Is", "be both. But which one is ultimately more important? Let me explain what", "someone comes across a book cover that is clearly homemade but it uses", "from a lot of authors and cover designers who bang on and on", "designers who bang on and on about how no one will click on", "Is it ‘good’ in terms of relevancy to the target audience? Or is", "speaks directly to the person’s tastes and interests? Really?? [Note: the word ‘homemade’", "person’s tastes and interests? Am I to believe that the person will move", "book covers because they do not convey themes that are relevant to their", "cover looks homemade? This is the impression I keep getting from a lot", "important? Let me explain what I mean: When browsing eBooks, people ignore a", "people to click on a fiction eBook and check out its blurb and", "have noticed that there is a great deal of ambiguity or confusion over", "I have noticed that there is a great deal of ambiguity or confusion", "themes that are relevant to their tastes or interests. But at the same", "Even if the homemade cover image (and title) speaks directly to the person’s", "reference to location. It is a reference to level of skill at cover", "‘a good cover’ vs ‘a bad cover’. Is it ‘good’ in terms of", "but it uses an interesting image and title that is relevant to the", "clearly pro-made. Is that really so? Even if the homemade cover image (and", "cover that is clearly homemade but it uses an interesting image and title", "me explain what I mean: When browsing eBooks, people ignore a lot of", "marketing tool of an eBook. But I have noticed that there is a", "Of course, ideally, it needs to be both. But which one is ultimately", "professional quality book covers because they do not convey themes that are relevant", "looks homemade? This is the impression I keep getting from a lot of", "book cover if it isn’t clearly pro-made. Is that really so? Even if", "ambiguity or confusion over what exactly people mean when they say ‘a good", "to location. It is a reference to level of skill at cover design.]", "terms of professional quality? Of course, ideally, it needs to be both. But", "vs ‘a bad cover’. Is it ‘good’ in terms of relevancy to the", "on a fiction eBook and check out its blurb and contents, and covers", "browsing eBooks, people ignore a lot of professional quality book covers because they", "it ‘good’ in terms of relevancy to the target audience? Or is it", "not homemade/amateur designs. But what if someone comes across a book cover that", "interesting image and title that is relevant to the person’s tastes and interests?", "the book out simply because the cover looks homemade? This is the impression", "audience? Or is it ‘good’ in terms of professional quality? Of course, ideally,", "I mean: When browsing eBooks, people ignore a lot of professional quality book", "I to believe that the person will move on and not check the", "‘good’ in terms of professional quality? Of course, ideally, it needs to be", "are relevant to their tastes or interests. But at the same time, we", "they say ‘a good cover’ vs ‘a bad cover’. Is it ‘good’ in", "‘good’ in terms of relevancy to the target audience? Or is it ‘good’", "quality? Of course, ideally, it needs to be both. But which one is", "covers are the main marketing tool of an eBook. But I have noticed", "what if someone comes across a book cover that is clearly homemade but", "homemade but it uses an interesting image and title that is relevant to", "of ambiguity or confusion over what exactly people mean when they say ‘a", "exactly people mean when they say ‘a good cover’ vs ‘a bad cover’.", "to be both. But which one is ultimately more important? Let me explain", "an interesting image and title that is relevant to the person’s tastes and", "is generally understood that covers matter a great deal in terms of getting", "course, ideally, it needs to be both. But which one is ultimately more", "covers because they do not convey themes that are relevant to their tastes", "designs. But what if someone comes across a book cover that is clearly", "that is relevant to the person’s tastes and interests? Am I to believe", "the person’s tastes and interests? Am I to believe that the person will", "ideally, it needs to be both. But which one is ultimately more important?", "tastes or interests. But at the same time, we are often told that", "eBooks, people ignore a lot of professional quality book covers because they do", "not check the book out simply because the cover looks homemade? This is", "relevancy to the target audience? Or is it ‘good’ in terms of professional", "that the person will move on and not check the book out simply", "quality book covers because they do not convey themes that are relevant to", "the word ‘homemade’ is not a reference to location. It is a reference", "over what exactly people mean when they say ‘a good cover’ vs ‘a", "covers matter a great deal in terms of getting people to click on", "and check out its blurb and contents, and covers are the main marketing", "a book cover that is clearly homemade but it uses an interesting image", "that is clearly homemade but it uses an interesting image and title that", "impression I keep getting from a lot of authors and cover designers who", "told that people will only click on pro-designed covers and not homemade/amateur designs.", "not a reference to location. It is a reference to level of skill", "are often told that people will only click on pro-designed covers and not", "we are often told that people will only click on pro-designed covers and", "will only click on pro-designed covers and not homemade/amateur designs. But what if", "understood that covers matter a great deal in terms of getting people to", "and not homemade/amateur designs. But what if someone comes across a book cover", "isn’t clearly pro-made. Is that really so? Even if the homemade cover image", "of authors and cover designers who bang on and on about how no", "will click on a book cover if it isn’t clearly pro-made. Is that", "deal of ambiguity or confusion over what exactly people mean when they say", "time, we are often told that people will only click on pro-designed covers", "terms of getting people to click on a fiction eBook and check out", "or confusion over what exactly people mean when they say ‘a good cover’", "people ignore a lot of professional quality book covers because they do not", "lot of professional quality book covers because they do not convey themes that", "people will only click on pro-designed covers and not homemade/amateur designs. But what", "covers and not homemade/amateur designs. But what if someone comes across a book", "(and title) speaks directly to the person’s tastes and interests? Really?? [Note: the", "great deal in terms of getting people to click on a fiction eBook", "the impression I keep getting from a lot of authors and cover designers", "what I mean: When browsing eBooks, people ignore a lot of professional quality", "on about how no one will click on a book cover if it", "and on about how no one will click on a book cover if", "mean: When browsing eBooks, people ignore a lot of professional quality book covers", "about how no one will click on a book cover if it isn’t", "to the person’s tastes and interests? Really?? [Note: the word ‘homemade’ is not", "person’s tastes and interests? Really?? [Note: the word ‘homemade’ is not a reference", "of relevancy to the target audience? Or is it ‘good’ in terms of", "is not a reference to location. It is a reference to level of", "a sort of follow up to my [previous question](https://writing.stackexchange.com/questions/44850/is-it-true-that-a-great-cover-is-enough-to-sell-many-copies-of-your-book). It is generally understood", "of professional quality book covers because they do not convey themes that are", "word ‘homemade’ is not a reference to location. It is a reference to", "on and on about how no one will click on a book cover", "Really?? [Note: the word ‘homemade’ is not a reference to location. It is", "of getting people to click on a fiction eBook and check out its", "to click on a fiction eBook and check out its blurb and contents,", "But what if someone comes across a book cover that is clearly homemade", "matter a great deal in terms of getting people to click on a", "if the homemade cover image (and title) speaks directly to the person’s tastes", "sort of follow up to my [previous question](https://writing.stackexchange.com/questions/44850/is-it-true-that-a-great-cover-is-enough-to-sell-many-copies-of-your-book). It is generally understood that", "cover if it isn’t clearly pro-made. Is that really so? Even if the", "comes across a book cover that is clearly homemade but it uses an", "out its blurb and contents, and covers are the main marketing tool of", "my [previous question](https://writing.stackexchange.com/questions/44850/is-it-true-that-a-great-cover-is-enough-to-sell-many-copies-of-your-book). It is generally understood that covers matter a great deal", "follow up to my [previous question](https://writing.stackexchange.com/questions/44850/is-it-true-that-a-great-cover-is-enough-to-sell-many-copies-of-your-book). It is generally understood that covers matter", "book cover that is clearly homemade but it uses an interesting image and", "both. But which one is ultimately more important? Let me explain what I", "of follow up to my [previous question](https://writing.stackexchange.com/questions/44850/is-it-true-that-a-great-cover-is-enough-to-sell-many-copies-of-your-book). It is generally understood that covers", "contents, and covers are the main marketing tool of an eBook. But I", "target audience? Or is it ‘good’ in terms of professional quality? Of course,", "will move on and not check the book out simply because the cover", "getting from a lot of authors and cover designers who bang on and", "a fiction eBook and check out its blurb and contents, and covers are", "there is a great deal of ambiguity or confusion over what exactly people", "in terms of getting people to click on a fiction eBook and check", "uses an interesting image and title that is relevant to the person’s tastes", "of professional quality? Of course, ideally, it needs to be both. But which", "is the impression I keep getting from a lot of authors and cover", "the person’s tastes and interests? Really?? [Note: the word ‘homemade’ is not a", "is it ‘good’ in terms of professional quality? Of course, ideally, it needs", "they do not convey themes that are relevant to their tastes or interests.", "homemade/amateur designs. But what if someone comes across a book cover that is", "noticed that there is a great deal of ambiguity or confusion over what", "and interests? Am I to believe that the person will move on and", "up to my [previous question](https://writing.stackexchange.com/questions/44850/is-it-true-that-a-great-cover-is-enough-to-sell-many-copies-of-your-book). It is generally understood that covers matter a", "interests? Really?? [Note: the word ‘homemade’ is not a reference to location. It", "explain what I mean: When browsing eBooks, people ignore a lot of professional", "[Note: the word ‘homemade’ is not a reference to location. It is a", "person will move on and not check the book out simply because the", "I keep getting from a lot of authors and cover designers who bang", "do not convey themes that are relevant to their tastes or interests. But", "the cover looks homemade? This is the impression I keep getting from a", "to the target audience? Or is it ‘good’ in terms of professional quality?", "click on a book cover if it isn’t clearly pro-made. Is that really", "ignore a lot of professional quality book covers because they do not convey", "same time, we are often told that people will only click on pro-designed", "when they say ‘a good cover’ vs ‘a bad cover’. Is it ‘good’", "bang on and on about how no one will click on a book", "terms of relevancy to the target audience? Or is it ‘good’ in terms", "is clearly homemade but it uses an interesting image and title that is", "what exactly people mean when they say ‘a good cover’ vs ‘a bad", "a book cover if it isn’t clearly pro-made. Is that really so? Even", "generally understood that covers matter a great deal in terms of getting people", "But which one is ultimately more important? Let me explain what I mean:", "so? Even if the homemade cover image (and title) speaks directly to the", "are the main marketing tool of an eBook. But I have noticed that", "simply because the cover looks homemade? This is the impression I keep getting", "homemade cover image (and title) speaks directly to the person’s tastes and interests?", "tool of an eBook. But I have noticed that there is a great", "ultimately more important? Let me explain what I mean: When browsing eBooks, people", "to the person’s tastes and interests? Am I to believe that the person", "relevant to the person’s tastes and interests? Am I to believe that the", "click on pro-designed covers and not homemade/amateur designs. But what if someone comes", "cover image (and title) speaks directly to the person’s tastes and interests? Really??", "convey themes that are relevant to their tastes or interests. But at the", "question](https://writing.stackexchange.com/questions/44850/is-it-true-that-a-great-cover-is-enough-to-sell-many-copies-of-your-book). It is generally understood that covers matter a great deal in terms", "is a great deal of ambiguity or confusion over what exactly people mean", "say ‘a good cover’ vs ‘a bad cover’. Is it ‘good’ in terms", "in terms of professional quality? Of course, ideally, it needs to be both.", "only click on pro-designed covers and not homemade/amateur designs. But what if someone", "not convey themes that are relevant to their tastes or interests. But at", "the same time, we are often told that people will only click on", "main marketing tool of an eBook. But I have noticed that there is", "that really so? Even if the homemade cover image (and title) speaks directly", "good cover’ vs ‘a bad cover’. Is it ‘good’ in terms of relevancy", "check the book out simply because the cover looks homemade? This is the", "cover designers who bang on and on about how no one will click", "‘homemade’ is not a reference to location. It is a reference to level", "tastes and interests? Am I to believe that the person will move on", "relevant to their tastes or interests. But at the same time, we are", "click on a fiction eBook and check out its blurb and contents, and", "it uses an interesting image and title that is relevant to the person’s", "one will click on a book cover if it isn’t clearly pro-made. Is", "getting people to click on a fiction eBook and check out its blurb", "blurb and contents, and covers are the main marketing tool of an eBook.", "a lot of professional quality book covers because they do not convey themes", "and title that is relevant to the person’s tastes and interests? Am I", "if it isn’t clearly pro-made. Is that really so? Even if the homemade", "Let me explain what I mean: When browsing eBooks, people ignore a lot", "pro-designed covers and not homemade/amateur designs. But what if someone comes across a", "no one will click on a book cover if it isn’t clearly pro-made.", "in terms of relevancy to the target audience? Or is it ‘good’ in", "needs to be both. But which one is ultimately more important? Let me", "title that is relevant to the person’s tastes and interests? Am I to", "This is the impression I keep getting from a lot of authors and", "tastes and interests? Really?? [Note: the word ‘homemade’ is not a reference to", "its blurb and contents, and covers are the main marketing tool of an", "pro-made. Is that really so? Even if the homemade cover image (and title)" ]
[ "servant. This is done through an artifact called a behelit, which requires a", "to him making that choice to become a monster. He is generally a", "when the time comes. However, I don't want this person to appear as", "us, molding and shaping it to suit their purposes. No matter how hard", "to join this pantheon, either as a reborn god or a demonic servant.", "singled out by this pantheon to become one of them, and has shaped", "holds dear in order to activate. This artifact finds its way into the", "human beings have no control over our destiny, and it is arrogant and", "of time. It is they who design a destiny for us, molding and", "as if I demand that the reader feels sorry for them by heaping", "those a person holds dear in order to activate. This artifact finds its", "shaped his destiny in such a way that it would lead to him", "heaping angst on them one after another. How can I write this successfully?", "foolish to think as such. Our fates are decided by a group of", "we take, it will inevitably reach the conclusion that they desire. Every few", "if I demand that the reader feels sorry for them by heaping angst", "their purposes. No matter how hard we resist or what actions we take,", "molding and shaping it to suit their purposes. No matter how hard we", "sacrifice of all those a person holds dear in order to activate. This", "lead to him making that choice to become a monster. He is generally", "a monster. He is generally a decent guy, but is meant to suffer", "don't want this person to appear as a sympathetic Sue who collects tragedies", "destiny for us, molding and shaping it to suit their purposes. No matter", "by this pantheon to become one of them, and has shaped his destiny", "want this person to appear as a sympathetic Sue who collects tragedies like", "that the reader feels sorry for them by heaping angst on them one", "take, it will inevitably reach the conclusion that they desire. Every few hundred", "and has shaped his destiny in such a way that it would lead", "sorry for them by heaping angst on them one after another. How can", "This is done through an artifact called a behelit, which requires a sacrifice", "arrogant and foolish to think as such. Our fates are decided by a", "will inevitably reach the conclusion that they desire. Every few hundred years, a", "It isn't supposed to seem as if I demand that the reader feels", "way into the hands of an individual during a time of extreme tragedy,", "a special individual is chosen to join this pantheon, either as a reborn", "and shaping it to suit their purposes. No matter how hard we resist", "join this pantheon, either as a reborn god or a demonic servant. This", "conclusion that they desire. Every few hundred years, a special individual is chosen", "been singled out by this pantheon to become one of them, and has", "to slowly break him down, guaranteeing that there will be no resistance when", "is they who design a destiny for us, molding and shaping it to", "group of dark gods who control the strings of time. It is they", "this pantheon to become one of them, and has shaped his destiny in", "fates are decided by a group of dark gods who control the strings", "making that choice to become a monster. He is generally a decent guy,", "such. Our fates are decided by a group of dark gods who control", "become a monster. He is generally a decent guy, but is meant to", "suffer a large number of personal tragedies in life in order to slowly", "demonic servant. This is done through an artifact called a behelit, which requires", "of dark gods who control the strings of time. It is they who", "in order to slowly break him down, guaranteeing that there will be no", "gods who control the strings of time. It is they who design a", "slowly break him down, guaranteeing that there will be no resistance when the", "has been singled out by this pantheon to become one of them, and", "years, a special individual is chosen to join this pantheon, either as a", "life in order to slowly break him down, guaranteeing that there will be", "an artifact called a behelit, which requires a sacrifice of all those a", "no control over our destiny, and it is arrogant and foolish to think", "requires a sacrifice of all those a person holds dear in order to", "its way into the hands of an individual during a time of extreme", "control the strings of time. It is they who design a destiny for", "or a demonic servant. This is done through an artifact called a behelit,", "personal tragedies in life in order to slowly break him down, guaranteeing that", "in such a way that it would lead to him making that choice", "to activate. This artifact finds its way into the hands of an individual", "or what actions we take, it will inevitably reach the conclusion that they", "them, and has shaped his destiny in such a way that it would", "monster. He is generally a decent guy, but is meant to suffer a", "how hard we resist or what actions we take, it will inevitably reach", "We human beings have no control over our destiny, and it is arrogant", "to suffer a large number of personal tragedies in life in order to", "are decided by a group of dark gods who control the strings of", "no resistance when the time comes. However, I don't want this person to", "it is arrogant and foolish to think as such. Our fates are decided", "It is they who design a destiny for us, molding and shaping it", "a demonic servant. This is done through an artifact called a behelit, which", "moral event horizon. My protagonist has been singled out by this pantheon to", "chosen to join this pantheon, either as a reborn god or a demonic", "as a sympathetic Sue who collects tragedies like baseball cards. It isn't supposed", "guaranteeing that there will be no resistance when the time comes. However, I", "the hands of an individual during a time of extreme tragedy, finally pushing", "called a behelit, which requires a sacrifice of all those a person holds", "purposes. No matter how hard we resist or what actions we take, it", "the reader feels sorry for them by heaping angst on them one after", "it will inevitably reach the conclusion that they desire. Every few hundred years,", "one of them, and has shaped his destiny in such a way that", "of all those a person holds dear in order to activate. This artifact", "comes. However, I don't want this person to appear as a sympathetic Sue", "that choice to become a monster. He is generally a decent guy, but", "to think as such. Our fates are decided by a group of dark", "is meant to suffer a large number of personal tragedies in life in", "number of personal tragedies in life in order to slowly break him down,", "they desire. Every few hundred years, a special individual is chosen to join", "He is generally a decent guy, but is meant to suffer a large", "to seem as if I demand that the reader feels sorry for them", "destiny, and it is arrogant and foolish to think as such. Our fates", "special individual is chosen to join this pantheon, either as a reborn god", "done through an artifact called a behelit, which requires a sacrifice of all", "This artifact finds its way into the hands of an individual during a", "the moral event horizon. My protagonist has been singled out by this pantheon", "a large number of personal tragedies in life in order to slowly break", "the time comes. However, I don't want this person to appear as a", "of them, and has shaped his destiny in such a way that it", "down, guaranteeing that there will be no resistance when the time comes. However,", "by a group of dark gods who control the strings of time. It", "appear as a sympathetic Sue who collects tragedies like baseball cards. It isn't", "feels sorry for them by heaping angst on them one after another. How", "inevitably reach the conclusion that they desire. Every few hundred years, a special", "we resist or what actions we take, it will inevitably reach the conclusion", "is arrogant and foolish to think as such. Our fates are decided by", "a behelit, which requires a sacrifice of all those a person holds dear", "time comes. However, I don't want this person to appear as a sympathetic", "control over our destiny, and it is arrogant and foolish to think as", "the individual past the moral event horizon. My protagonist has been singled out", "him down, guaranteeing that there will be no resistance when the time comes.", "a way that it would lead to him making that choice to become", "design a destiny for us, molding and shaping it to suit their purposes.", "his destiny in such a way that it would lead to him making", "strings of time. It is they who design a destiny for us, molding", "to become a monster. He is generally a decent guy, but is meant", "order to activate. This artifact finds its way into the hands of an", "activate. This artifact finds its way into the hands of an individual during", "our destiny, and it is arrogant and foolish to think as such. Our", "hands of an individual during a time of extreme tragedy, finally pushing the", "extreme tragedy, finally pushing the individual past the moral event horizon. My protagonist", "pantheon to become one of them, and has shaped his destiny in such", "during a time of extreme tragedy, finally pushing the individual past the moral", "to suit their purposes. No matter how hard we resist or what actions", "dear in order to activate. This artifact finds its way into the hands", "time of extreme tragedy, finally pushing the individual past the moral event horizon.", "horizon. My protagonist has been singled out by this pantheon to become one", "Every few hundred years, a special individual is chosen to join this pantheon,", "I don't want this person to appear as a sympathetic Sue who collects", "Sue who collects tragedies like baseball cards. It isn't supposed to seem as", "hard we resist or what actions we take, it will inevitably reach the", "cards. It isn't supposed to seem as if I demand that the reader", "hundred years, a special individual is chosen to join this pantheon, either as", "as a reborn god or a demonic servant. This is done through an", "is done through an artifact called a behelit, which requires a sacrifice of", "finally pushing the individual past the moral event horizon. My protagonist has been", "and it is arrogant and foolish to think as such. Our fates are", "him making that choice to become a monster. He is generally a decent", "resist or what actions we take, it will inevitably reach the conclusion that", "protagonist has been singled out by this pantheon to become one of them,", "to appear as a sympathetic Sue who collects tragedies like baseball cards. It", "tragedies like baseball cards. It isn't supposed to seem as if I demand", "sympathetic Sue who collects tragedies like baseball cards. It isn't supposed to seem", "a person holds dear in order to activate. This artifact finds its way", "matter how hard we resist or what actions we take, it will inevitably", "break him down, guaranteeing that there will be no resistance when the time", "individual past the moral event horizon. My protagonist has been singled out by", "person holds dear in order to activate. This artifact finds its way into", "a destiny for us, molding and shaping it to suit their purposes. No", "event horizon. My protagonist has been singled out by this pantheon to become", "a sympathetic Sue who collects tragedies like baseball cards. It isn't supposed to", "time. It is they who design a destiny for us, molding and shaping", "who design a destiny for us, molding and shaping it to suit their", "who control the strings of time. It is they who design a destiny", "in order to activate. This artifact finds its way into the hands of", "which requires a sacrifice of all those a person holds dear in order", "that they desire. Every few hundred years, a special individual is chosen to", "is generally a decent guy, but is meant to suffer a large number", "has shaped his destiny in such a way that it would lead to", "destiny in such a way that it would lead to him making that", "individual during a time of extreme tragedy, finally pushing the individual past the", "large number of personal tragedies in life in order to slowly break him", "actions we take, it will inevitably reach the conclusion that they desire. Every", "meant to suffer a large number of personal tragedies in life in order", "resistance when the time comes. However, I don't want this person to appear", "seem as if I demand that the reader feels sorry for them by", "individual is chosen to join this pantheon, either as a reborn god or", "a group of dark gods who control the strings of time. It is", "for us, molding and shaping it to suit their purposes. No matter how", "what actions we take, it will inevitably reach the conclusion that they desire.", "a reborn god or a demonic servant. This is done through an artifact", "reborn god or a demonic servant. This is done through an artifact called", "of personal tragedies in life in order to slowly break him down, guaranteeing", "No matter how hard we resist or what actions we take, it will", "a sacrifice of all those a person holds dear in order to activate.", "an individual during a time of extreme tragedy, finally pushing the individual past", "it would lead to him making that choice to become a monster. He", "isn't supposed to seem as if I demand that the reader feels sorry", "generally a decent guy, but is meant to suffer a large number of", "this pantheon, either as a reborn god or a demonic servant. This is", "will be no resistance when the time comes. However, I don't want this", "this person to appear as a sympathetic Sue who collects tragedies like baseball", "Our fates are decided by a group of dark gods who control the", "shaping it to suit their purposes. No matter how hard we resist or", "of an individual during a time of extreme tragedy, finally pushing the individual", "would lead to him making that choice to become a monster. He is", "decent guy, but is meant to suffer a large number of personal tragedies", "that it would lead to him making that choice to become a monster.", "person to appear as a sympathetic Sue who collects tragedies like baseball cards.", "it to suit their purposes. No matter how hard we resist or what", "behelit, which requires a sacrifice of all those a person holds dear in", "order to slowly break him down, guaranteeing that there will be no resistance", "decided by a group of dark gods who control the strings of time.", "suit their purposes. No matter how hard we resist or what actions we", "few hundred years, a special individual is chosen to join this pantheon, either", "them by heaping angst on them one after another. How can I write", "a time of extreme tragedy, finally pushing the individual past the moral event", "baseball cards. It isn't supposed to seem as if I demand that the", "collects tragedies like baseball cards. It isn't supposed to seem as if I", "However, I don't want this person to appear as a sympathetic Sue who", "who collects tragedies like baseball cards. It isn't supposed to seem as if", "by heaping angst on them one after another. How can I write this", "out by this pantheon to become one of them, and has shaped his", "tragedy, finally pushing the individual past the moral event horizon. My protagonist has", "pushing the individual past the moral event horizon. My protagonist has been singled", "there will be no resistance when the time comes. However, I don't want", "artifact finds its way into the hands of an individual during a time", "into the hands of an individual during a time of extreme tragedy, finally", "reach the conclusion that they desire. Every few hundred years, a special individual", "the conclusion that they desire. Every few hundred years, a special individual is", "be no resistance when the time comes. However, I don't want this person", "supposed to seem as if I demand that the reader feels sorry for", "demand that the reader feels sorry for them by heaping angst on them", "a decent guy, but is meant to suffer a large number of personal", "guy, but is meant to suffer a large number of personal tragedies in", "desire. Every few hundred years, a special individual is chosen to join this", "have no control over our destiny, and it is arrogant and foolish to", "choice to become a monster. 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This artifact finds", "through an artifact called a behelit, which requires a sacrifice of all those", "god or a demonic servant. This is done through an artifact called a", "finds its way into the hands of an individual during a time of", "such a way that it would lead to him making that choice to", "the strings of time. It is they who design a destiny for us,", "artifact called a behelit, which requires a sacrifice of all those a person", "in life in order to slowly break him down, guaranteeing that there will", "and foolish to think as such. Our fates are decided by a group", "is chosen to join this pantheon, either as a reborn god or a", "but is meant to suffer a large number of personal tragedies in life", "I demand that the reader feels sorry for them by heaping angst on", "think as such. Our fates are decided by a group of dark gods", "reader feels sorry for them by heaping angst on them one after another.", "for them by heaping angst on them one after another. How can I", "of extreme tragedy, finally pushing the individual past the moral event horizon. My", "they who design a destiny for us, molding and shaping it to suit", "that there will be no resistance when the time comes. However, I don't" ]
[ "The smell of rot fills the city. > > > Six men get", "NOBODY has mentioned it. I can't seem to change this, especially when writing", "as a last resort, but I'm completely stumped. If this question is inappropriate", "my ADHD, or indicative of a bigger (changeable) problem? I think that my", "charred black. Determined to fight. > > > Six men die, peppered with", "me. > > > The bodies sink. The smell of rot fills the", "I will gladly delete it. None of my teachers say that anything is", "is sort of satisfactory, but I obviously can't keep up this style for", "with bullets. Cut to ribbons. > > > I run, and take cover", "problem? I read a lot of course, but nothing like what I write.", "ribbons. > > > I run, and take cover under their bodies. >", "shift the mood quickly. > > Fire. > > > Hellfire. > >", "my writing style comes from \"gritty\" video games and war movies, but not", "of satisfactory, but I obviously can't keep up this style for the next", "and war movies, but not from actual books, so could that be my", "and take cover under their bodies. > > > It works. > >", "but nothing like what I write. Here's an example. I never finish writing", "books, so could that be my problem? I read a lot of course,", "anything else I fail miserably at. Just my ADHD, or indicative of a", "anything is wrong with my writing, but I suspect it's because I'm still", "staccato, but NOBODY has mentioned it. I can't seem to change this, especially", "> I run, and take cover under their bodies. > > > It", "> > Only 300 meters to go. > > > I think this", "use stackexchange as a last resort, but I'm completely stumped. If this question", "teachers say that anything is wrong with my writing, but I suspect it's", "else I fail miserably at. Just my ADHD, or indicative of a bigger", "that my writing style comes from \"gritty\" video games and war movies, but", "> Hellfire. > > > The concrete melts below me. > > >", "go. > > > I think this part is sort of satisfactory, but", "works. > > > Only 300 meters to go. > > > I", "comes from \"gritty\" video games and war movies, but not from actual books,", "main character being completely oblivious to what's about to happen. It's supposed to", "(changeable) problem? I think that my writing style comes from \"gritty\" video games", "die, peppered with bullets. Cut to ribbons. > > > I run, and", "gladly delete it. None of my teachers say that anything is wrong with", "try too hard to be \"profound\" and use \"too many\" rhetorical techniques to", "be my problem? I read a lot of course, but nothing like what", "meters. I took some inspiration from the [Saving Private Ryan screenplay](http://www.moviescriptsandscreenplays.com/BenandMatt/savingprivateryan.txt), which I", "can write pretty fluidly, with non-fiction/persuasive projects, but anything else I fail miserably", "style comes from \"gritty\" video games and war movies, but not from actual", "> > > Six men die, peppered with bullets. Cut to ribbons. >", "It's my all-time favorite movie, but I think it's ruined my writing style.", "completely oblivious to what's about to happen. It's supposed to shift the mood", "techniques to the point where it sounds... staccato, but NOBODY has mentioned it.", "Hellfire. > > > The concrete melts below me. > > > The", "the main character being completely oblivious to what's about to happen. It's supposed", "under their bodies. > > > It works. > > > Only 300", "actual books, so could that be my problem? I read a lot of", "meters to go. > > > I think this part is sort of", "from \"gritty\" video games and war movies, but not from actual books, so", "concrete melts below me. > > > The bodies sink. The smell of", "> > > The concrete melts below me. > > > The bodies", "None of my teachers say that anything is wrong with my writing, but", "of my teachers say that anything is wrong with my writing, but I", "to ribbons. > > > I run, and take cover under their bodies.", "quickly. > > Fire. > > > Hellfire. > > > The concrete", "> > > Six men get up, skin charred black. Determined to fight.", "not from actual books, so could that be my problem? I read a", "write. Here's an example. I never finish writing ANYTHING, but I always have", "fight. > > > Six men die, peppered with bullets. Cut to ribbons.", "I try too hard to be \"profound\" and use \"too many\" rhetorical techniques", "I always have the concept down. This is after a journal entry, with", "this question is inappropriate here, I will gladly delete it. None of my", "or indicative of a bigger (changeable) problem? I think that my writing style", "after a journal entry, with the main character being completely oblivious to what's", "> > > I run, and take cover under their bodies. > >", "I usually use stackexchange as a last resort, but I'm completely stumped. If", "journal entry, with the main character being completely oblivious to what's about to", "my teachers say that anything is wrong with my writing, but I suspect", "the concept down. This is after a journal entry, with the main character", "my problem? I read a lot of course, but nothing like what I", "example. I never finish writing ANYTHING, but I always have the concept down.", "> The concrete melts below me. > > > The bodies sink. The", "> > > I think this part is sort of satisfactory, but I", "but anything else I fail miserably at. Just my ADHD, or indicative of", "So I usually use stackexchange as a last resort, but I'm completely stumped.", "> > Six men get up, skin charred black. Determined to fight. >", "Six men die, peppered with bullets. Cut to ribbons. > > > I", "here, I will gladly delete it. None of my teachers say that anything", "a journal entry, with the main character being completely oblivious to what's about", "point where it sounds... staccato, but NOBODY has mentioned it. I can't seem", "it. None of my teachers say that anything is wrong with my writing,", "sounds... staccato, but NOBODY has mentioned it. I can't seem to change this,", "my writing, but I suspect it's because I'm still young. I feel that", "to happen. It's supposed to shift the mood quickly. > > Fire. >", "usually use stackexchange as a last resort, but I'm completely stumped. If this", "wrong with my writing, but I suspect it's because I'm still young. I", "bigger (changeable) problem? I think that my writing style comes from \"gritty\" video", "> It works. > > > Only 300 meters to go. > >", "about to happen. It's supposed to shift the mood quickly. > > Fire.", "run, and take cover under their bodies. > > > It works. >", "I never finish writing ANYTHING, but I always have the concept down. This", "rhetorical techniques to the point where it sounds... staccato, but NOBODY has mentioned", "> > Hellfire. > > > The concrete melts below me. > >", "character being completely oblivious to what's about to happen. It's supposed to shift", "a last resort, but I'm completely stumped. If this question is inappropriate here,", "miserably at. Just my ADHD, or indicative of a bigger (changeable) problem? I", "non-fiction/persuasive projects, but anything else I fail miserably at. Just my ADHD, or", "can't keep up this style for the next 300 meters. I took some", "where it sounds... staccato, but NOBODY has mentioned it. I can't seem to", "I can write pretty fluidly, with non-fiction/persuasive projects, but anything else I fail", "I obviously can't keep up this style for the next 300 meters. I", "fills the city. > > > Six men get up, skin charred black.", "the point where it sounds... staccato, but NOBODY has mentioned it. I can't", "to what's about to happen. It's supposed to shift the mood quickly. >", "I write. Here's an example. I never finish writing ANYTHING, but I always", "games and war movies, but not from actual books, so could that be", "feel that my writing is incredibly... off? I feel that I try too", "could that be my problem? I read a lot of course, but nothing", "It works. > > > Only 300 meters to go. > > >", "when writing emotions. I can write pretty fluidly, with non-fiction/persuasive projects, but anything", "men get up, skin charred black. Determined to fight. > > > Six", "> > > The bodies sink. The smell of rot fills the city.", "change this, especially when writing emotions. I can write pretty fluidly, with non-fiction/persuasive", "projects, but anything else I fail miserably at. Just my ADHD, or indicative", "emotions. I can write pretty fluidly, with non-fiction/persuasive projects, but anything else I", "think that my writing style comes from \"gritty\" video games and war movies,", "to shift the mood quickly. > > Fire. > > > Hellfire. >", "> I think this part is sort of satisfactory, but I obviously can't", "[Saving Private Ryan screenplay](http://www.moviescriptsandscreenplays.com/BenandMatt/savingprivateryan.txt), which I think also limits me. It's my all-time", "concept down. This is after a journal entry, with the main character being", "finish writing ANYTHING, but I always have the concept down. This is after", "> > Fire. > > > Hellfire. > > > The concrete melts", "300 meters. I took some inspiration from the [Saving Private Ryan screenplay](http://www.moviescriptsandscreenplays.com/BenandMatt/savingprivateryan.txt), which", "is inappropriate here, I will gladly delete it. None of my teachers say", "stumped. If this question is inappropriate here, I will gladly delete it. None", "> The bodies sink. The smell of rot fills the city. > >", "mentioned it. I can't seem to change this, especially when writing emotions. I", "Fire. > > > Hellfire. > > > The concrete melts below me.", "read a lot of course, but nothing like what I write. Here's an", "to fight. > > > Six men die, peppered with bullets. Cut to", "but I suspect it's because I'm still young. I feel that my writing", "a bigger (changeable) problem? I think that my writing style comes from \"gritty\"", "writing style comes from \"gritty\" video games and war movies, but not from", "many\" rhetorical techniques to the point where it sounds... staccato, but NOBODY has", "skin charred black. Determined to fight. > > > Six men die, peppered", "video games and war movies, but not from actual books, so could that", "Determined to fight. > > > Six men die, peppered with bullets. Cut", "is after a journal entry, with the main character being completely oblivious to", "fail miserably at. Just my ADHD, or indicative of a bigger (changeable) problem?", "part is sort of satisfactory, but I obviously can't keep up this style", "> > It works. > > > Only 300 meters to go. >", "sort of satisfactory, but I obviously can't keep up this style for the", "city. > > > Six men get up, skin charred black. Determined to", "> > > Hellfire. > > > The concrete melts below me. >", "to be \"profound\" and use \"too many\" rhetorical techniques to the point where", "my writing is incredibly... off? I feel that I try too hard to", "writing, but I suspect it's because I'm still young. I feel that my", "last resort, but I'm completely stumped. If this question is inappropriate here, I", "> > > It works. > > > Only 300 meters to go.", "of rot fills the city. > > > Six men get up, skin", "the city. > > > Six men get up, skin charred black. Determined", "> > I run, and take cover under their bodies. > > >", "limits me. It's my all-time favorite movie, but I think it's ruined my", "I'm still young. I feel that my writing is incredibly... off? I feel", "Here's an example. I never finish writing ANYTHING, but I always have the", "bullets. Cut to ribbons. > > > I run, and take cover under", "take cover under their bodies. > > > It works. > > >", "I can't seem to change this, especially when writing emotions. I can write", "below me. > > > The bodies sink. The smell of rot fills", "fluidly, with non-fiction/persuasive projects, but anything else I fail miserably at. Just my", "obviously can't keep up this style for the next 300 meters. I took", "happen. It's supposed to shift the mood quickly. > > Fire. > >", "some inspiration from the [Saving Private Ryan screenplay](http://www.moviescriptsandscreenplays.com/BenandMatt/savingprivateryan.txt), which I think also limits", "men die, peppered with bullets. Cut to ribbons. > > > I run,", "Private Ryan screenplay](http://www.moviescriptsandscreenplays.com/BenandMatt/savingprivateryan.txt), which I think also limits me. It's my all-time favorite", "writing emotions. I can write pretty fluidly, with non-fiction/persuasive projects, but anything else", "I fail miserably at. Just my ADHD, or indicative of a bigger (changeable)", "sink. The smell of rot fills the city. > > > Six men", "I feel that my writing is incredibly... off? I feel that I try", "still young. I feel that my writing is incredibly... off? I feel that", "bodies. > > > It works. > > > Only 300 meters to", "too hard to be \"profound\" and use \"too many\" rhetorical techniques to the", "entry, with the main character being completely oblivious to what's about to happen.", "from actual books, so could that be my problem? I read a lot", "I think that my writing style comes from \"gritty\" video games and war", "because I'm still young. I feel that my writing is incredibly... off? I", "> Fire. > > > Hellfire. > > > The concrete melts below", "an example. I never finish writing ANYTHING, but I always have the concept", "supposed to shift the mood quickly. > > Fire. > > > Hellfire.", "inappropriate here, I will gladly delete it. None of my teachers say that", "will gladly delete it. None of my teachers say that anything is wrong", "problem? I think that my writing style comes from \"gritty\" video games and", "style for the next 300 meters. I took some inspiration from the [Saving", "suspect it's because I'm still young. I feel that my writing is incredibly...", "I think also limits me. It's my all-time favorite movie, but I think", "to change this, especially when writing emotions. I can write pretty fluidly, with", "but I'm completely stumped. If this question is inappropriate here, I will gladly", "like what I write. Here's an example. I never finish writing ANYTHING, but", "of course, but nothing like what I write. Here's an example. I never", "completely stumped. If this question is inappropriate here, I will gladly delete it.", "young. I feel that my writing is incredibly... off? I feel that I", "> Six men get up, skin charred black. Determined to fight. > >", "the next 300 meters. I took some inspiration from the [Saving Private Ryan", "but NOBODY has mentioned it. I can't seem to change this, especially when", "oblivious to what's about to happen. It's supposed to shift the mood quickly.", "but I obviously can't keep up this style for the next 300 meters.", "> > Six men die, peppered with bullets. Cut to ribbons. > >", "pretty fluidly, with non-fiction/persuasive projects, but anything else I fail miserably at. Just", "Ryan screenplay](http://www.moviescriptsandscreenplays.com/BenandMatt/savingprivateryan.txt), which I think also limits me. It's my all-time favorite movie,", "but not from actual books, so could that be my problem? I read", "writing ANYTHING, but I always have the concept down. This is after a", "get up, skin charred black. Determined to fight. > > > Six men", "black. Determined to fight. > > > Six men die, peppered with bullets.", "smell of rot fills the city. > > > Six men get up,", "> > I think this part is sort of satisfactory, but I obviously", "to go. > > > I think this part is sort of satisfactory,", "next 300 meters. I took some inspiration from the [Saving Private Ryan screenplay](http://www.moviescriptsandscreenplays.com/BenandMatt/savingprivateryan.txt),", "The concrete melts below me. > > > The bodies sink. The smell", "it's because I'm still young. I feel that my writing is incredibly... off?", "indicative of a bigger (changeable) problem? I think that my writing style comes", "lot of course, but nothing like what I write. Here's an example. I", "seem to change this, especially when writing emotions. I can write pretty fluidly,", "I think this part is sort of satisfactory, but I obviously can't keep", "never finish writing ANYTHING, but I always have the concept down. This is", "stackexchange as a last resort, but I'm completely stumped. If this question is", "resort, but I'm completely stumped. If this question is inappropriate here, I will", "peppered with bullets. Cut to ribbons. > > > I run, and take", "with my writing, but I suspect it's because I'm still young. I feel", "from the [Saving Private Ryan screenplay](http://www.moviescriptsandscreenplays.com/BenandMatt/savingprivateryan.txt), which I think also limits me. It's", "I took some inspiration from the [Saving Private Ryan screenplay](http://www.moviescriptsandscreenplays.com/BenandMatt/savingprivateryan.txt), which I think", "say that anything is wrong with my writing, but I suspect it's because", "I suspect it's because I'm still young. I feel that my writing is", "for the next 300 meters. I took some inspiration from the [Saving Private", "rot fills the city. > > > Six men get up, skin charred", "satisfactory, but I obviously can't keep up this style for the next 300", "can't seem to change this, especially when writing emotions. I can write pretty", "so could that be my problem? I read a lot of course, but", "This is after a journal entry, with the main character being completely oblivious", "mood quickly. > > Fire. > > > Hellfire. > > > The", "at. Just my ADHD, or indicative of a bigger (changeable) problem? I think", "up, skin charred black. Determined to fight. > > > Six men die,", "me. It's my all-time favorite movie, but I think it's ruined my writing", "have the concept down. This is after a journal entry, with the main", "this, especially when writing emotions. I can write pretty fluidly, with non-fiction/persuasive projects,", "inspiration from the [Saving Private Ryan screenplay](http://www.moviescriptsandscreenplays.com/BenandMatt/savingprivateryan.txt), which I think also limits me.", "cover under their bodies. > > > It works. > > > Only", "writing is incredibly... off? I feel that I try too hard to be", "screenplay](http://www.moviescriptsandscreenplays.com/BenandMatt/savingprivateryan.txt), which I think also limits me. It's my all-time favorite movie, but", "war movies, but not from actual books, so could that be my problem?", "ANYTHING, but I always have the concept down. This is after a journal", "has mentioned it. I can't seem to change this, especially when writing emotions.", "that anything is wrong with my writing, but I suspect it's because I'm", "that be my problem? I read a lot of course, but nothing like", "hard to be \"profound\" and use \"too many\" rhetorical techniques to the point", "but I always have the concept down. This is after a journal entry,", "that my writing is incredibly... off? I feel that I try too hard", "I'm completely stumped. If this question is inappropriate here, I will gladly delete", "is incredibly... off? I feel that I try too hard to be \"profound\"", "down. This is after a journal entry, with the main character being completely", "incredibly... off? I feel that I try too hard to be \"profound\" and", "think also limits me. It's my all-time favorite movie, but I think it's", "especially when writing emotions. I can write pretty fluidly, with non-fiction/persuasive projects, but", "the mood quickly. > > Fire. > > > Hellfire. > > >", "300 meters to go. > > > I think this part is sort", "with the main character being completely oblivious to what's about to happen. It's", "> Six men die, peppered with bullets. Cut to ribbons. > > >", "this part is sort of satisfactory, but I obviously can't keep up this", "feel that I try too hard to be \"profound\" and use \"too many\"", "their bodies. > > > It works. > > > Only 300 meters", "took some inspiration from the [Saving Private Ryan screenplay](http://www.moviescriptsandscreenplays.com/BenandMatt/savingprivateryan.txt), which I think also", "always have the concept down. This is after a journal entry, with the", "I run, and take cover under their bodies. > > > It works.", "write pretty fluidly, with non-fiction/persuasive projects, but anything else I fail miserably at.", "think this part is sort of satisfactory, but I obviously can't keep up", "melts below me. > > > The bodies sink. The smell of rot", "If this question is inappropriate here, I will gladly delete it. None of", "of a bigger (changeable) problem? I think that my writing style comes from", "Six men get up, skin charred black. Determined to fight. > > >", "also limits me. It's my all-time favorite movie, but I think it's ruined", "> > The bodies sink. The smell of rot fills the city. >", "it sounds... staccato, but NOBODY has mentioned it. I can't seem to change", "\"profound\" and use \"too many\" rhetorical techniques to the point where it sounds...", "delete it. None of my teachers say that anything is wrong with my", "it. I can't seem to change this, especially when writing emotions. I can", "I feel that I try too hard to be \"profound\" and use \"too", "question is inappropriate here, I will gladly delete it. None of my teachers", "be \"profound\" and use \"too many\" rhetorical techniques to the point where it", "It's supposed to shift the mood quickly. > > Fire. > > >", "nothing like what I write. Here's an example. I never finish writing ANYTHING,", "with non-fiction/persuasive projects, but anything else I fail miserably at. Just my ADHD,", "what I write. Here's an example. I never finish writing ANYTHING, but I", "the [Saving Private Ryan screenplay](http://www.moviescriptsandscreenplays.com/BenandMatt/savingprivateryan.txt), which I think also limits me. It's my", "Cut to ribbons. > > > I run, and take cover under their", "> Only 300 meters to go. > > > I think this part", "Just my ADHD, or indicative of a bigger (changeable) problem? I think that", "I read a lot of course, but nothing like what I write. Here's", "what's about to happen. It's supposed to shift the mood quickly. > >", "The bodies sink. The smell of rot fills the city. > > >", "to the point where it sounds... staccato, but NOBODY has mentioned it. I", "\"too many\" rhetorical techniques to the point where it sounds... staccato, but NOBODY", "> > > Only 300 meters to go. > > > I think", "that I try too hard to be \"profound\" and use \"too many\" rhetorical", "\"gritty\" video games and war movies, but not from actual books, so could", "this style for the next 300 meters. I took some inspiration from the", "keep up this style for the next 300 meters. I took some inspiration", "up this style for the next 300 meters. I took some inspiration from", "course, but nothing like what I write. Here's an example. I never finish", "use \"too many\" rhetorical techniques to the point where it sounds... staccato, but", "bodies sink. The smell of rot fills the city. > > > Six", "which I think also limits me. It's my all-time favorite movie, but I", "movies, but not from actual books, so could that be my problem? I", "> > The concrete melts below me. > > > The bodies sink.", "a lot of course, but nothing like what I write. Here's an example.", "being completely oblivious to what's about to happen. It's supposed to shift the", "off? I feel that I try too hard to be \"profound\" and use", "Only 300 meters to go. > > > I think this part is", "ADHD, or indicative of a bigger (changeable) problem? I think that my writing", "and use \"too many\" rhetorical techniques to the point where it sounds... staccato,", "is wrong with my writing, but I suspect it's because I'm still young." ]
[ "do I create actions against a wispy cloud? If he takes over other", "be undetectable to my hero characters, and so that it could take over", "it could take over many different life-forms so that it can seem as", "and personality-wise, but his body is best described as a wispy, dark cloud.", "I create actions against a wispy cloud? If he takes over other people's", "read that correctly. My villain character is literally a virus. He thinks and", "minds and actions. No, I haven't lost my mind. It's a sci-fi setting.", "a wispy cloud? If he takes over other people's minds then wouldn't those", "the ones who are menacing instead of him? In the story, this virus", "I created it this way so that it would be undetectable to my", "how do I make a wispy cloud menacing? How do I create actions", "He enters people's bodies and takes over their minds and actions. No, I", "How do I create actions against a wispy cloud? If he takes over", "against a wispy cloud? If he takes over other people's minds then wouldn't", "thinks and behaves just like any other character does, mentally and personality-wise, but", "minds then wouldn't those people be the ones who are menacing instead of", "just like any other character does, mentally and personality-wise, but his body is", "is actually an alien life-form. The problem is how do I make a", "people be the ones who are menacing instead of him? In the story,", "create actions against a wispy cloud? If he takes over other people's minds", "villain character is literally a virus. He thinks and behaves just like any", "menacing? How do I create actions against a wispy cloud? If he takes", "and makes them do its evil bidding. I created it this way so", "to my hero characters, and so that it could take over many different", "problem is how do I make a wispy cloud menacing? How do I", "Yes, you read that correctly. My villain character is literally a virus. He", "correctly. My villain character is literally a virus. He thinks and behaves just", "power and makes them do its evil bidding. I created it this way", "cloud? If he takes over other people's minds then wouldn't those people be", "actions. No, I haven't lost my mind. It's a sci-fi setting. The virus", "ones who are menacing instead of him? In the story, this virus takes", "literally a virus. He thinks and behaves just like any other character does,", "and takes over their minds and actions. No, I haven't lost my mind.", "other people's minds then wouldn't those people be the ones who are menacing", "who are menacing instead of him? In the story, this virus takes over", "a virus. He thinks and behaves just like any other character does, mentally", "wispy cloud? If he takes over other people's minds then wouldn't those people", "anywhere. But how to write it in such a way that it comes", "over their minds and actions. No, I haven't lost my mind. It's a", "make a wispy cloud menacing? How do I create actions against a wispy", "and behaves just like any other character does, mentally and personality-wise, but his", "to write it in such a way that it comes across as menacing?", "you read that correctly. My villain character is literally a virus. He thinks", "the threat to my hero characters can come from anywhere. But how to", "over many different life-forms so that it can seem as if the threat", "wouldn't those people be the ones who are menacing instead of him? In", "a sci-fi setting. The virus is actually an alien life-form. The problem is", "of prominent people in power and makes them do its evil bidding. I", "from anywhere. But how to write it in such a way that it", "lost my mind. It's a sci-fi setting. The virus is actually an alien", "to my hero characters can come from anywhere. But how to write it", "do its evil bidding. I created it this way so that it would", "its evil bidding. I created it this way so that it would be", "so that it can seem as if the threat to my hero characters", "mentally and personality-wise, but his body is best described as a wispy, dark", "the minds of prominent people in power and makes them do its evil", "menacing instead of him? In the story, this virus takes over the minds", "makes them do its evil bidding. I created it this way so that", "virus is actually an alien life-form. The problem is how do I make", "My villain character is literally a virus. He thinks and behaves just like", "evil bidding. I created it this way so that it would be undetectable", "does, mentally and personality-wise, but his body is best described as a wispy,", "those people be the ones who are menacing instead of him? In the", "of him? In the story, this virus takes over the minds of prominent", "way so that it would be undetectable to my hero characters, and so", "The problem is how do I make a wispy cloud menacing? How do", "seem as if the threat to my hero characters can come from anywhere.", "cloud. He enters people's bodies and takes over their minds and actions. No,", "bidding. I created it this way so that it would be undetectable to", "that correctly. My villain character is literally a virus. He thinks and behaves", "and actions. No, I haven't lost my mind. It's a sci-fi setting. The", "them do its evil bidding. I created it this way so that it", "if the threat to my hero characters can come from anywhere. But how", "If he takes over other people's minds then wouldn't those people be the", "wispy cloud menacing? How do I create actions against a wispy cloud? If", "as if the threat to my hero characters can come from anywhere. But", "described as a wispy, dark cloud. He enters people's bodies and takes over", "characters can come from anywhere. But how to write it in such a", "would be undetectable to my hero characters, and so that it could take", "wispy, dark cloud. He enters people's bodies and takes over their minds and", "the story, this virus takes over the minds of prominent people in power", "takes over the minds of prominent people in power and makes them do", "in power and makes them do its evil bidding. I created it this", "enters people's bodies and takes over their minds and actions. No, I haven't", "life-forms so that it can seem as if the threat to my hero", "take over many different life-forms so that it can seem as if the", "personality-wise, but his body is best described as a wispy, dark cloud. He", "mind. It's a sci-fi setting. The virus is actually an alien life-form. The", "and so that it could take over many different life-forms so that it", "it can seem as if the threat to my hero characters can come", "minds of prominent people in power and makes them do its evil bidding.", "hero characters can come from anywhere. But how to write it in such", "my mind. It's a sci-fi setting. The virus is actually an alien life-form.", "is best described as a wispy, dark cloud. He enters people's bodies and", "many different life-forms so that it can seem as if the threat to", "He thinks and behaves just like any other character does, mentally and personality-wise,", "their minds and actions. No, I haven't lost my mind. It's a sci-fi", "are menacing instead of him? In the story, this virus takes over the", "I haven't lost my mind. It's a sci-fi setting. The virus is actually", "that it would be undetectable to my hero characters, and so that it", "But how to write it in such a way that it comes across", "any other character does, mentally and personality-wise, but his body is best described", "that it can seem as if the threat to my hero characters can", "is literally a virus. He thinks and behaves just like any other character", "takes over other people's minds then wouldn't those people be the ones who", "dark cloud. He enters people's bodies and takes over their minds and actions.", "cloud menacing? How do I create actions against a wispy cloud? If he", "The virus is actually an alien life-form. The problem is how do I", "takes over their minds and actions. No, I haven't lost my mind. It's", "virus takes over the minds of prominent people in power and makes them", "can seem as if the threat to my hero characters can come from", "bodies and takes over their minds and actions. No, I haven't lost my", "other character does, mentally and personality-wise, but his body is best described as", "haven't lost my mind. It's a sci-fi setting. The virus is actually an", "characters, and so that it could take over many different life-forms so that", "best described as a wispy, dark cloud. He enters people's bodies and takes", "is how do I make a wispy cloud menacing? How do I create", "but his body is best described as a wispy, dark cloud. He enters", "threat to my hero characters can come from anywhere. But how to write", "over other people's minds then wouldn't those people be the ones who are", "this virus takes over the minds of prominent people in power and makes", "created it this way so that it would be undetectable to my hero", "alien life-form. The problem is how do I make a wispy cloud menacing?", "can come from anywhere. But how to write it in such a way", "actions against a wispy cloud? If he takes over other people's minds then", "how to write it in such a way that it comes across as", "a wispy, dark cloud. He enters people's bodies and takes over their minds", "undetectable to my hero characters, and so that it could take over many", "instead of him? In the story, this virus takes over the minds of", "be the ones who are menacing instead of him? In the story, this", "sci-fi setting. The virus is actually an alien life-form. The problem is how", "then wouldn't those people be the ones who are menacing instead of him?", "like any other character does, mentally and personality-wise, but his body is best", "him? In the story, this virus takes over the minds of prominent people", "hero characters, and so that it could take over many different life-forms so", "life-form. The problem is how do I make a wispy cloud menacing? How", "come from anywhere. But how to write it in such a way that", "prominent people in power and makes them do its evil bidding. I created", "character is literally a virus. He thinks and behaves just like any other", "over the minds of prominent people in power and makes them do its", "people's minds then wouldn't those people be the ones who are menacing instead", "that it could take over many different life-forms so that it can seem", "I make a wispy cloud menacing? How do I create actions against a", "setting. The virus is actually an alien life-form. The problem is how do", "his body is best described as a wispy, dark cloud. He enters people's", "virus. He thinks and behaves just like any other character does, mentally and", "actually an alien life-form. The problem is how do I make a wispy", "he takes over other people's minds then wouldn't those people be the ones", "different life-forms so that it can seem as if the threat to my", "No, I haven't lost my mind. It's a sci-fi setting. The virus is", "behaves just like any other character does, mentally and personality-wise, but his body", "do I make a wispy cloud menacing? How do I create actions against", "character does, mentally and personality-wise, but his body is best described as a", "so that it could take over many different life-forms so that it can", "my hero characters, and so that it could take over many different life-forms", "this way so that it would be undetectable to my hero characters, and", "people's bodies and takes over their minds and actions. No, I haven't lost", "so that it would be undetectable to my hero characters, and so that", "could take over many different life-forms so that it can seem as if", "as a wispy, dark cloud. He enters people's bodies and takes over their", "In the story, this virus takes over the minds of prominent people in", "it this way so that it would be undetectable to my hero characters,", "body is best described as a wispy, dark cloud. He enters people's bodies", "story, this virus takes over the minds of prominent people in power and", "It's a sci-fi setting. The virus is actually an alien life-form. The problem", "an alien life-form. The problem is how do I make a wispy cloud", "people in power and makes them do its evil bidding. I created it", "it would be undetectable to my hero characters, and so that it could", "my hero characters can come from anywhere. But how to write it in", "a wispy cloud menacing? How do I create actions against a wispy cloud?" ]
[ "an online document, how many characters should I leave for things like names", "text box for an online document, how many characters should I leave for", "document, how many characters should I leave for things like names and dates?", "am making a text box for an online document, how many characters should", "making a text box for an online document, how many characters should I", "a text box for an online document, how many characters should I leave", "I am making a text box for an online document, how many characters", "online document, how many characters should I leave for things like names and", "for an online document, how many characters should I leave for things like", "If I am making a text box for an online document, how many", "box for an online document, how many characters should I leave for things" ]
[ "much from that draft. I know from submitting poetry to publishers that publishers", "changed much from that draft. I know from submitting poetry to publishers that", "an earlier draft of it a few years ago (as in submitted it", "know from submitting poetry to publishers that publishers don't usually want work that's", "published elsewhere. Do publishers care if something has already been registered for copyright", "poetry to publishers that publishers don't usually want work that's been displayed or", "care if something has already been registered for copyright if it hasn't yet", "a book I've written. I copyrighted an earlier draft of it a few", "copyright). The final draft has not changed much from that draft. I know", "displayed or published elsewhere. Do publishers care if something has already been registered", "publishers care if something has already been registered for copyright if it hasn't", "I've written. I copyrighted an earlier draft of it a few years ago", "ago (as in submitted it for official registered copyright). The final draft has", "I know from submitting poetry to publishers that publishers don't usually want work", "submitting a book I've written. I copyrighted an earlier draft of it a", "book I've written. I copyrighted an earlier draft of it a few years", "draft of it a few years ago (as in submitted it for official", "work that's been displayed or published elsewhere. Do publishers care if something has", "Do publishers care if something has already been registered for copyright if it", "has already been registered for copyright if it hasn't yet been published or", "it for official registered copyright). The final draft has not changed much from", "getting ready to start submitting a book I've written. I copyrighted an earlier", "(as in submitted it for official registered copyright). The final draft has not", "or published elsewhere. Do publishers care if something has already been registered for", "has not changed much from that draft. I know from submitting poetry to", "submitting poetry to publishers that publishers don't usually want work that's been displayed", "want work that's been displayed or published elsewhere. Do publishers care if something", "for official registered copyright). The final draft has not changed much from that", "draft has not changed much from that draft. I know from submitting poetry", "earlier draft of it a few years ago (as in submitted it for", "few years ago (as in submitted it for official registered copyright). The final", "written. I copyrighted an earlier draft of it a few years ago (as", "not changed much from that draft. I know from submitting poetry to publishers", "that publishers don't usually want work that's been displayed or published elsewhere. Do", "something has already been registered for copyright if it hasn't yet been published", "to start submitting a book I've written. I copyrighted an earlier draft of", "elsewhere. Do publishers care if something has already been registered for copyright if", "I copyrighted an earlier draft of it a few years ago (as in", "been displayed or published elsewhere. Do publishers care if something has already been", "The final draft has not changed much from that draft. I know from", "it a few years ago (as in submitted it for official registered copyright).", "that's been displayed or published elsewhere. Do publishers care if something has already", "years ago (as in submitted it for official registered copyright). The final draft", "I'm getting ready to start submitting a book I've written. I copyrighted an", "if something has already been registered for copyright if it hasn't yet been", "publishers that publishers don't usually want work that's been displayed or published elsewhere.", "from submitting poetry to publishers that publishers don't usually want work that's been", "copyrighted an earlier draft of it a few years ago (as in submitted", "start submitting a book I've written. I copyrighted an earlier draft of it", "from that draft. I know from submitting poetry to publishers that publishers don't", "already been registered for copyright if it hasn't yet been published or displayed?", "to publishers that publishers don't usually want work that's been displayed or published", "submitted it for official registered copyright). The final draft has not changed much", "of it a few years ago (as in submitted it for official registered", "don't usually want work that's been displayed or published elsewhere. Do publishers care", "that draft. I know from submitting poetry to publishers that publishers don't usually", "ready to start submitting a book I've written. I copyrighted an earlier draft", "in submitted it for official registered copyright). The final draft has not changed", "usually want work that's been displayed or published elsewhere. Do publishers care if", "registered copyright). The final draft has not changed much from that draft. I", "final draft has not changed much from that draft. I know from submitting", "a few years ago (as in submitted it for official registered copyright). The", "official registered copyright). The final draft has not changed much from that draft.", "publishers don't usually want work that's been displayed or published elsewhere. Do publishers", "draft. I know from submitting poetry to publishers that publishers don't usually want" ]
[ "novel? Have you used any software that makes it easy? Perhaps something with", "I find that a book comes together much faster and with a more", "this question asked before but many years ago and no doubt much has", "end of the first draft, realise what an incoherent mess it all is,", "it properly. What methods do you use/recommend for outlining a novel? Have you", "any software that makes it easy? Perhaps something with a draft chapter title,", "with a draft chapter title, short synopsis, then notes on possible dialogue, events,", "dull and laborious chore and usually end up distracted, procrastinating, and then finally", "get to the end of the first draft, realise what an incoherent mess", "comes together much faster and with a more coherent structure if I outline", "want a way that's quick, clean and easy; not a tool that's overly", "abandoning it to begin the novel. Then, I get to the end of", "setting, premise, etc. I guess I could use Scrivener, but it seems heavy", "properly. What methods do you use/recommend for outlining a novel? Have you used", "outline it. However, I find outlining a dull and laborious chore and usually", "asked before but many years ago and no doubt much has changed in", "a dull and laborious chore and usually end up distracted, procrastinating, and then", "I get to the end of the first draft, realise what an incoherent", "overly complex and designed for beginner writers who need lots of guidance with", "with creating characters, arcs, setting, premise, etc. I guess I could use Scrivener,", "is, and wish I'd outlined it properly. What methods do you use/recommend for", "of the first draft, realise what an incoherent mess it all is, and", "has changed in terms of software. I find that a book comes together", "makes it easy? Perhaps something with a draft chapter title, short synopsis, then", "and laborious chore and usually end up distracted, procrastinating, and then finally abandoning", "find that a book comes together much faster and with a more coherent", "draft, realise what an incoherent mess it all is, and wish I'd outlined", "chore and usually end up distracted, procrastinating, and then finally abandoning it to", "easy? Perhaps something with a draft chapter title, short synopsis, then notes on", "that's overly complex and designed for beginner writers who need lots of guidance", "need lots of guidance with creating characters, arcs, setting, premise, etc. I guess", "could use Scrivener, but it seems heavy handed and voluminous for a chapter", "question asked before but many years ago and no doubt much has changed", "the novel. Then, I get to the end of the first draft, realise", "years ago and no doubt much has changed in terms of software. I", "that makes it easy? Perhaps something with a draft chapter title, short synopsis,", "together much faster and with a more coherent structure if I outline it.", "incoherent mess it all is, and wish I'd outlined it properly. What methods", "begin the novel. Then, I get to the end of the first draft,", "writers who need lots of guidance with creating characters, arcs, setting, premise, etc.", "lots of guidance with creating characters, arcs, setting, premise, etc. I guess I", "changed in terms of software. I find that a book comes together much", "etc. I want a way that's quick, clean and easy; not a tool", "much has changed in terms of software. I find that a book comes", "much faster and with a more coherent structure if I outline it. However,", "of guidance with creating characters, arcs, setting, premise, etc. I guess I could", "and designed for beginner writers who need lots of guidance with creating characters,", "and with a more coherent structure if I outline it. However, I find", "beginner writers who need lots of guidance with creating characters, arcs, setting, premise,", "ago and no doubt much has changed in terms of software. I find", "arcs, setting, premise, etc. I guess I could use Scrivener, but it seems", "faster and with a more coherent structure if I outline it. However, I", "title, short synopsis, then notes on possible dialogue, events, scenes etc. I want", "who need lots of guidance with creating characters, arcs, setting, premise, etc. I", "up distracted, procrastinating, and then finally abandoning it to begin the novel. Then,", "use Scrivener, but it seems heavy handed and voluminous for a chapter outline.", "then finally abandoning it to begin the novel. Then, I get to the", "something with a draft chapter title, short synopsis, then notes on possible dialogue,", "easy; not a tool that's overly complex and designed for beginner writers who", "it easy? Perhaps something with a draft chapter title, short synopsis, then notes", "I guess I could use Scrivener, but it seems heavy handed and voluminous", "what an incoherent mess it all is, and wish I'd outlined it properly.", "wish I'd outlined it properly. What methods do you use/recommend for outlining a", "used any software that makes it easy? Perhaps something with a draft chapter", "realise what an incoherent mess it all is, and wish I'd outlined it", "guess I could use Scrivener, but it seems heavy handed and voluminous for", "no doubt much has changed in terms of software. I find that a", "find outlining a dull and laborious chore and usually end up distracted, procrastinating,", "structure if I outline it. However, I find outlining a dull and laborious", "Perhaps something with a draft chapter title, short synopsis, then notes on possible", "draft chapter title, short synopsis, then notes on possible dialogue, events, scenes etc.", "I find outlining a dull and laborious chore and usually end up distracted,", "and wish I'd outlined it properly. What methods do you use/recommend for outlining", "premise, etc. I guess I could use Scrivener, but it seems heavy handed", "outlining a novel? Have you used any software that makes it easy? Perhaps", "designed for beginner writers who need lots of guidance with creating characters, arcs,", "a draft chapter title, short synopsis, then notes on possible dialogue, events, scenes", "events, scenes etc. I want a way that's quick, clean and easy; not", "a more coherent structure if I outline it. However, I find outlining a", "I outline it. However, I find outlining a dull and laborious chore and", "tool that's overly complex and designed for beginner writers who need lots of", "methods do you use/recommend for outlining a novel? Have you used any software", "and no doubt much has changed in terms of software. I find that", "for outlining a novel? Have you used any software that makes it easy?", "more coherent structure if I outline it. However, I find outlining a dull", "complex and designed for beginner writers who need lots of guidance with creating", "but many years ago and no doubt much has changed in terms of", "software. I find that a book comes together much faster and with a", "Then, I get to the end of the first draft, realise what an", "laborious chore and usually end up distracted, procrastinating, and then finally abandoning it", "characters, arcs, setting, premise, etc. I guess I could use Scrivener, but it", "do you use/recommend for outlining a novel? Have you used any software that", "I'd outlined it properly. What methods do you use/recommend for outlining a novel?", "book comes together much faster and with a more coherent structure if I", "it. However, I find outlining a dull and laborious chore and usually end", "notes on possible dialogue, events, scenes etc. I want a way that's quick,", "short synopsis, then notes on possible dialogue, events, scenes etc. I want a", "procrastinating, and then finally abandoning it to begin the novel. Then, I get", "software that makes it easy? Perhaps something with a draft chapter title, short", "end up distracted, procrastinating, and then finally abandoning it to begin the novel.", "I want a way that's quick, clean and easy; not a tool that's", "doubt much has changed in terms of software. I find that a book", "possible dialogue, events, scenes etc. I want a way that's quick, clean and", "synopsis, then notes on possible dialogue, events, scenes etc. I want a way", "that a book comes together much faster and with a more coherent structure", "etc. I guess I could use Scrivener, but it seems heavy handed and", "coherent structure if I outline it. However, I find outlining a dull and", "outlined it properly. What methods do you use/recommend for outlining a novel? Have", "scenes etc. I want a way that's quick, clean and easy; not a", "to begin the novel. Then, I get to the end of the first", "that's quick, clean and easy; not a tool that's overly complex and designed", "usually end up distracted, procrastinating, and then finally abandoning it to begin the", "a tool that's overly complex and designed for beginner writers who need lots", "novel. Then, I get to the end of the first draft, realise what", "mess it all is, and wish I'd outlined it properly. What methods do", "the end of the first draft, realise what an incoherent mess it all", "Have you used any software that makes it easy? Perhaps something with a", "not a tool that's overly complex and designed for beginner writers who need", "an incoherent mess it all is, and wish I'd outlined it properly. What", "quick, clean and easy; not a tool that's overly complex and designed for", "you use/recommend for outlining a novel? Have you used any software that makes", "it all is, and wish I'd outlined it properly. What methods do you", "way that's quick, clean and easy; not a tool that's overly complex and", "distracted, procrastinating, and then finally abandoning it to begin the novel. Then, I", "of software. I find that a book comes together much faster and with", "if I outline it. However, I find outlining a dull and laborious chore", "in terms of software. I find that a book comes together much faster", "outlining a dull and laborious chore and usually end up distracted, procrastinating, and", "I could use Scrivener, but it seems heavy handed and voluminous for a", "What methods do you use/recommend for outlining a novel? Have you used any", "However, I find outlining a dull and laborious chore and usually end up", "to the end of the first draft, realise what an incoherent mess it", "terms of software. I find that a book comes together much faster and", "a book comes together much faster and with a more coherent structure if", "first draft, realise what an incoherent mess it all is, and wish I'd", "creating characters, arcs, setting, premise, etc. I guess I could use Scrivener, but", "for beginner writers who need lots of guidance with creating characters, arcs, setting,", "before but many years ago and no doubt much has changed in terms", "then notes on possible dialogue, events, scenes etc. I want a way that's", "with a more coherent structure if I outline it. However, I find outlining", "the first draft, realise what an incoherent mess it all is, and wish", "it to begin the novel. Then, I get to the end of the", "a way that's quick, clean and easy; not a tool that's overly complex", "chapter title, short synopsis, then notes on possible dialogue, events, scenes etc. I", "many years ago and no doubt much has changed in terms of software.", "I've seen this question asked before but many years ago and no doubt", "all is, and wish I'd outlined it properly. What methods do you use/recommend", "clean and easy; not a tool that's overly complex and designed for beginner", "you used any software that makes it easy? Perhaps something with a draft", "a novel? Have you used any software that makes it easy? Perhaps something", "dialogue, events, scenes etc. I want a way that's quick, clean and easy;", "and usually end up distracted, procrastinating, and then finally abandoning it to begin", "guidance with creating characters, arcs, setting, premise, etc. I guess I could use", "and easy; not a tool that's overly complex and designed for beginner writers", "finally abandoning it to begin the novel. Then, I get to the end", "on possible dialogue, events, scenes etc. I want a way that's quick, clean", "seen this question asked before but many years ago and no doubt much", "use/recommend for outlining a novel? Have you used any software that makes it", "and then finally abandoning it to begin the novel. Then, I get to" ]
[ "2. Go \"all in\" with the alien race. This would involve somehow contacting", "famous film / TV show / novel. Ouch. Didn't intend that. I want", "artistically speaking, \"naturally\" fit or extend from the primary characteristics, backing them up", "the primary characteristics in a completely different set of secondary, if I can", "or extend from the primary characteristics, backing them up and making a believable,", "just looking for a useful vehicle for the primary characteristics, which is what", "in relation to the primary characteristics. They just seemed to, artistically speaking, \"naturally\"", "social, technological, etc) to make the plot work. Call these primary characteristics. In", "matter. When (if) your story ever becomes big enough, cross (or burn) that", "believable, convincing whole package. When I then looked over what I had, I", "have a plot which involves an alien race. This race needs certain characteristics", "to do with a fiction story and its relation to other fiction in", "in worldbuilding.stackexchange.com, but the question has to do with a fiction story and", "package. When I then looked over what I had, I realised that my", "backing them up and making a believable, convincing whole package. When I then", "out of my imagination in relation to the primary characteristics. They just seemed", "fan-fiction, I'm just looking for a useful vehicle for the primary characteristics, which", "and assumes I will be able to \"dress-up\" the primary characteristics in a", "real world. I have a plot which involves an alien race. This race", "what to avoid. 2. Go \"all in\" with the alien race. This would", "to systematically note down a comparison, and to know what to avoid. 2.", "burn) that bridge when you get to it.\" In other words, relax, I'm", "race needs certain characteristics (biological, social, technological, etc) to make the plot work.", "to make the plot work. Call these primary characteristics. In fleshing out the", "primary characteristics. They just seemed to, artistically speaking, \"naturally\" fit or extend from", "in many ways to a race in a certain famous film / TV", "doesn't matter. When (if) your story ever becomes big enough, cross (or burn)", "Go \"all in\" with the alien race. This would involve somehow contacting the", "vehicle for the primary characteristics, which is what the plot is all about.", "an alien race. This race needs certain characteristics (biological, social, technological, etc) to", "copyright upsets, so I'm considering my options: 1. Rework my alien race until", "my options: 1. Rework my alien race until it's not at all similar.", "(or burn) that bridge when you get to it.\" In other words, relax,", "ago) in order to systematically note down a comparison, and to know what", "secondary characteristics, not the primary; and assumes I will be able to \"dress-up\"", "over what I had, I realised that my alien race seemed similar in", "/ TV show / novel. Ouch. Didn't intend that. I want to avoid", "Arguably this might belong in worldbuilding.stackexchange.com, but the question has to do with", "certain characteristics (biological, social, technological, etc) to make the plot work. Call these", "takes the viewpoint, \"If there's no money involved, it doesn't matter. When (if)", "asking for licensing permission to use their race. Problems here are a) how", "when you get to it.\" In other words, relax, I'm worrying over nothing.", "I realised that my alien race seemed similar in many ways to a", "race. Problems here are a) how to communicate with them, b) I don't", "extend from the primary characteristics, backing them up and making a believable, convincing", "TV show / novel. Ouch. Didn't intend that. I want to avoid copyright", "race. This would involve somehow contacting the creator(s) of said film / show", "similar in many ways to a race in a certain famous film /", "secondary, if I can unstick myself, imaginatively speaking. It may involve rewatching /", "novel. Ouch. Didn't intend that. I want to avoid copyright upsets, so I'm", "speaking. It may involve rewatching / rereading the film / show / novel", "it doesn't matter. When (if) your story ever becomes big enough, cross (or", "avoid copyright upsets, so I'm considering my options: 1. Rework my alien race", "primary characteristics, backing them up and making a believable, convincing whole package. When", "fiction story and its relation to other fiction in the real world. I", "number of other characteristics which seemed to \"naturally\" spill out of my imagination", "what I had, I realised that my alien race seemed similar in many", "different set of secondary, if I can unstick myself, imaginatively speaking. It may", "with the alien race. This would involve somehow contacting the creator(s) of said", "just seemed to, artistically speaking, \"naturally\" fit or extend from the primary characteristics,", "It may involve rewatching / rereading the film / show / novel (it", "When (if) your story ever becomes big enough, cross (or burn) that bridge", "not the primary; and assumes I will be able to \"dress-up\" the primary", "ways to a race in a certain famous film / TV show /", "a) how to communicate with them, b) I don't want to become fan-fiction,", "my imagination in relation to the primary characteristics. They just seemed to, artistically", "make the plot work. Call these primary characteristics. In fleshing out the race,", "licensing permission to use their race. Problems here are a) how to communicate", "in order to systematically note down a comparison, and to know what to", "other fiction in the real world. I have a plot which involves an", "film / show / novel and asking for licensing permission to use their", "it's not at all similar. This relies on the idea that the similarities", "This relies on the idea that the similarities are in the secondary characteristics,", "here are a) how to communicate with them, b) I don't want to", "said film / show / novel and asking for licensing permission to use", "/ show / novel and asking for licensing permission to use their race.", "a fiction story and its relation to other fiction in the real world.", "world. I have a plot which involves an alien race. This race needs", "years ago) in order to systematically note down a comparison, and to know", "to, artistically speaking, \"naturally\" fit or extend from the primary characteristics, backing them", "certain famous film / TV show / novel. Ouch. Didn't intend that. I", "to \"dress-up\" the primary characteristics in a completely different set of secondary, if", "don't want to become fan-fiction, I'm just looking for a useful vehicle for", "their race. Problems here are a) how to communicate with them, b) I", "Rework my alien race until it's not at all similar. This relies on", "enough, cross (or burn) that bridge when you get to it.\" In other", "other characteristics which seemed to \"naturally\" spill out of my imagination in relation", "of said film / show / novel and asking for licensing permission to", "I'm just looking for a useful vehicle for the primary characteristics, which is", "1. Rework my alien race until it's not at all similar. This relies", "many years ago) in order to systematically note down a comparison, and to", "in a completely different set of secondary, if I can unstick myself, imaginatively", "if I can unstick myself, imaginatively speaking. It may involve rewatching / rereading", "get to it.\" In other words, relax, I'm worrying over nothing. Any suggestions", "communicate with them, b) I don't want to become fan-fiction, I'm just looking", "upsets, so I'm considering my options: 1. Rework my alien race until it's", "plot which involves an alien race. This race needs certain characteristics (biological, social,", "myself, imaginatively speaking. It may involve rewatching / rereading the film / show", "be able to \"dress-up\" the primary characteristics in a completely different set of", "(it was many years ago) in order to systematically note down a comparison,", "show / novel. Ouch. Didn't intend that. I want to avoid copyright upsets,", "to become fan-fiction, I'm just looking for a useful vehicle for the primary", "it. This answer basically takes the viewpoint, \"If there's no money involved, it", "This answer basically takes the viewpoint, \"If there's no money involved, it doesn't", "that the similarities are in the secondary characteristics, not the primary; and assumes", "I want to avoid copyright upsets, so I'm considering my options: 1. Rework", "them up and making a believable, convincing whole package. When I then looked", "etc) to make the plot work. Call these primary characteristics. In fleshing out", "to it.\" In other words, relax, I'm worrying over nothing. Any suggestions for", "big enough, cross (or burn) that bridge when you get to it.\" In", "you get to it.\" In other words, relax, I'm worrying over nothing. Any", "technological, etc) to make the plot work. Call these primary characteristics. In fleshing", "set of secondary, if I can unstick myself, imaginatively speaking. It may involve", "answer basically takes the viewpoint, \"If there's no money involved, it doesn't matter.", "it.\" In other words, relax, I'm worrying over nothing. Any suggestions for a", "to communicate with them, b) I don't want to become fan-fiction, I'm just", "which involves an alien race. This race needs certain characteristics (biological, social, technological,", "speaking, \"naturally\" fit or extend from the primary characteristics, backing them up and", "that bridge when you get to it.\" In other words, relax, I'm worrying", "the plot is all about. 3. Ignore it. This answer basically takes the", "a plot which involves an alien race. This race needs certain characteristics (biological,", "use their race. Problems here are a) how to communicate with them, b)", "permission to use their race. Problems here are a) how to communicate with", "the alien race. This would involve somehow contacting the creator(s) of said film", "creator(s) of said film / show / novel and asking for licensing permission", "Didn't intend that. I want to avoid copyright upsets, so I'm considering my", "is all about. 3. Ignore it. This answer basically takes the viewpoint, \"If", "there's no money involved, it doesn't matter. When (if) your story ever becomes", "intend that. I want to avoid copyright upsets, so I'm considering my options:", "them, b) I don't want to become fan-fiction, I'm just looking for a", "comparison, and to know what to avoid. 2. Go \"all in\" with the", "\"all in\" with the alien race. This would involve somehow contacting the creator(s)", "film / show / novel (it was many years ago) in order to", "question has to do with a fiction story and its relation to other", "When I then looked over what I had, I realised that my alien", "adopted a number of other characteristics which seemed to \"naturally\" spill out of", "plot is all about. 3. Ignore it. This answer basically takes the viewpoint,", "whole package. When I then looked over what I had, I realised that", "characteristics. In fleshing out the race, it adopted a number of other characteristics", "race, it adopted a number of other characteristics which seemed to \"naturally\" spill", "a completely different set of secondary, if I can unstick myself, imaginatively speaking.", "(if) your story ever becomes big enough, cross (or burn) that bridge when", "This race needs certain characteristics (biological, social, technological, etc) to make the plot", "spill out of my imagination in relation to the primary characteristics. They just", "the primary characteristics. They just seemed to, artistically speaking, \"naturally\" fit or extend", "its relation to other fiction in the real world. I have a plot", "the plot work. Call these primary characteristics. In fleshing out the race, it", "systematically note down a comparison, and to know what to avoid. 2. Go", "relation to the primary characteristics. They just seemed to, artistically speaking, \"naturally\" fit", "useful vehicle for the primary characteristics, which is what the plot is all", "to avoid. 2. Go \"all in\" with the alien race. This would involve", "which is what the plot is all about. 3. Ignore it. This answer", "fit or extend from the primary characteristics, backing them up and making a", "all similar. This relies on the idea that the similarities are in the", "ever becomes big enough, cross (or burn) that bridge when you get to", "the film / show / novel (it was many years ago) in order", "involved, it doesn't matter. When (if) your story ever becomes big enough, cross", "would involve somehow contacting the creator(s) of said film / show / novel", "for the primary characteristics, which is what the plot is all about. 3.", "many ways to a race in a certain famous film / TV show", "is what the plot is all about. 3. Ignore it. This answer basically", "seemed to, artistically speaking, \"naturally\" fit or extend from the primary characteristics, backing", "of my imagination in relation to the primary characteristics. They just seemed to,", "seemed similar in many ways to a race in a certain famous film", "what the plot is all about. 3. Ignore it. This answer basically takes", "primary characteristics. In fleshing out the race, it adopted a number of other", "involve somehow contacting the creator(s) of said film / show / novel and", "that my alien race seemed similar in many ways to a race in", "Problems here are a) how to communicate with them, b) I don't want", "are a) how to communicate with them, b) I don't want to become", "has to do with a fiction story and its relation to other fiction", "race seemed similar in many ways to a race in a certain famous", "(biological, social, technological, etc) to make the plot work. Call these primary characteristics.", "imagination in relation to the primary characteristics. They just seemed to, artistically speaking,", "to a race in a certain famous film / TV show / novel.", "the viewpoint, \"If there's no money involved, it doesn't matter. When (if) your", "Call these primary characteristics. In fleshing out the race, it adopted a number", "and asking for licensing permission to use their race. Problems here are a)", "primary characteristics in a completely different set of secondary, if I can unstick", "cross (or burn) that bridge when you get to it.\" In other words,", "characteristics, not the primary; and assumes I will be able to \"dress-up\" the", "primary characteristics, which is what the plot is all about. 3. Ignore it.", "convincing whole package. When I then looked over what I had, I realised", "will be able to \"dress-up\" the primary characteristics in a completely different set", "how to communicate with them, b) I don't want to become fan-fiction, I'm", "involves an alien race. This race needs certain characteristics (biological, social, technological, etc)", "your story ever becomes big enough, cross (or burn) that bridge when you", "seemed to \"naturally\" spill out of my imagination in relation to the primary", "/ novel (it was many years ago) in order to systematically note down", "work. Call these primary characteristics. In fleshing out the race, it adopted a", "this might belong in worldbuilding.stackexchange.com, but the question has to do with a", "basically takes the viewpoint, \"If there's no money involved, it doesn't matter. When", "up and making a believable, convincing whole package. When I then looked over", "and to know what to avoid. 2. Go \"all in\" with the alien", "relax, I'm worrying over nothing. Any suggestions for a good approach to this?", "a comparison, and to know what to avoid. 2. Go \"all in\" with", "able to \"dress-up\" the primary characteristics in a completely different set of secondary,", "the race, it adopted a number of other characteristics which seemed to \"naturally\"", "imaginatively speaking. It may involve rewatching / rereading the film / show /", "order to systematically note down a comparison, and to know what to avoid.", "to know what to avoid. 2. Go \"all in\" with the alien race.", "somehow contacting the creator(s) of said film / show / novel and asking", "was many years ago) in order to systematically note down a comparison, and", "to the primary characteristics. They just seemed to, artistically speaking, \"naturally\" fit or", "with them, b) I don't want to become fan-fiction, I'm just looking for", "want to become fan-fiction, I'm just looking for a useful vehicle for the", "characteristics (biological, social, technological, etc) to make the plot work. Call these primary", "worldbuilding.stackexchange.com, but the question has to do with a fiction story and its", "similarities are in the secondary characteristics, not the primary; and assumes I will", "these primary characteristics. In fleshing out the race, it adopted a number of", "\"naturally\" fit or extend from the primary characteristics, backing them up and making", "of other characteristics which seemed to \"naturally\" spill out of my imagination in", "in\" with the alien race. This would involve somehow contacting the creator(s) of", "a certain famous film / TV show / novel. Ouch. Didn't intend that.", "/ novel. Ouch. Didn't intend that. I want to avoid copyright upsets, so", "about. 3. Ignore it. This answer basically takes the viewpoint, \"If there's no", "show / novel and asking for licensing permission to use their race. Problems", "characteristics which seemed to \"naturally\" spill out of my imagination in relation to", "\"If there's no money involved, it doesn't matter. When (if) your story ever", "show / novel (it was many years ago) in order to systematically note", "can unstick myself, imaginatively speaking. It may involve rewatching / rereading the film", "plot work. Call these primary characteristics. In fleshing out the race, it adopted", "fiction in the real world. I have a plot which involves an alien", "contacting the creator(s) of said film / show / novel and asking for", "alien race seemed similar in many ways to a race in a certain", "money involved, it doesn't matter. When (if) your story ever becomes big enough,", "unstick myself, imaginatively speaking. It may involve rewatching / rereading the film /", "rereading the film / show / novel (it was many years ago) in", "know what to avoid. 2. Go \"all in\" with the alien race. This", "\"naturally\" spill out of my imagination in relation to the primary characteristics. They", "needs certain characteristics (biological, social, technological, etc) to make the plot work. Call", "idea that the similarities are in the secondary characteristics, not the primary; and", "assumes I will be able to \"dress-up\" the primary characteristics in a completely", "similar. This relies on the idea that the similarities are in the secondary", "it adopted a number of other characteristics which seemed to \"naturally\" spill out", "might belong in worldbuilding.stackexchange.com, but the question has to do with a fiction", "\"dress-up\" the primary characteristics in a completely different set of secondary, if I", "relies on the idea that the similarities are in the secondary characteristics, not", "to \"naturally\" spill out of my imagination in relation to the primary characteristics.", "/ show / novel (it was many years ago) in order to systematically", "completely different set of secondary, if I can unstick myself, imaginatively speaking. It", "the idea that the similarities are in the secondary characteristics, not the primary;", "film / TV show / novel. Ouch. Didn't intend that. I want to", "I will be able to \"dress-up\" the primary characteristics in a completely different", "the primary characteristics, which is what the plot is all about. 3. Ignore", "words, relax, I'm worrying over nothing. Any suggestions for a good approach to", "options: 1. Rework my alien race until it's not at all similar. This", "not at all similar. This relies on the idea that the similarities are", "This would involve somehow contacting the creator(s) of said film / show /", "a race in a certain famous film / TV show / novel. Ouch.", "involve rewatching / rereading the film / show / novel (it was many", "alien race. This race needs certain characteristics (biological, social, technological, etc) to make", "looking for a useful vehicle for the primary characteristics, which is what the", "which seemed to \"naturally\" spill out of my imagination in relation to the", "characteristics. They just seemed to, artistically speaking, \"naturally\" fit or extend from the", "I'm considering my options: 1. Rework my alien race until it's not at", "I have a plot which involves an alien race. This race needs certain", "at all similar. This relies on the idea that the similarities are in", "/ novel and asking for licensing permission to use their race. Problems here", "story ever becomes big enough, cross (or burn) that bridge when you get", "a believable, convincing whole package. When I then looked over what I had,", "become fan-fiction, I'm just looking for a useful vehicle for the primary characteristics,", "alien race. This would involve somehow contacting the creator(s) of said film /", "to avoid copyright upsets, so I'm considering my options: 1. Rework my alien", "becomes big enough, cross (or burn) that bridge when you get to it.\"", "In fleshing out the race, it adopted a number of other characteristics which", "alien race until it's not at all similar. This relies on the idea", "in the real world. I have a plot which involves an alien race.", "They just seemed to, artistically speaking, \"naturally\" fit or extend from the primary", "the primary; and assumes I will be able to \"dress-up\" the primary characteristics", "the creator(s) of said film / show / novel and asking for licensing", "to use their race. Problems here are a) how to communicate with them,", "fleshing out the race, it adopted a number of other characteristics which seemed", "for licensing permission to use their race. Problems here are a) how to", "I had, I realised that my alien race seemed similar in many ways", "with a fiction story and its relation to other fiction in the real", "realised that my alien race seemed similar in many ways to a race", "note down a comparison, and to know what to avoid. 2. Go \"all", "novel and asking for licensing permission to use their race. Problems here are", "novel (it was many years ago) in order to systematically note down a", "primary; and assumes I will be able to \"dress-up\" the primary characteristics in", "bridge when you get to it.\" In other words, relax, I'm worrying over", "belong in worldbuilding.stackexchange.com, but the question has to do with a fiction story", "characteristics, which is what the plot is all about. 3. Ignore it. This", "all about. 3. Ignore it. This answer basically takes the viewpoint, \"If there's", "want to avoid copyright upsets, so I'm considering my options: 1. Rework my", "the primary characteristics, backing them up and making a believable, convincing whole package.", "I don't want to become fan-fiction, I'm just looking for a useful vehicle", "Ouch. Didn't intend that. I want to avoid copyright upsets, so I'm considering", "my alien race seemed similar in many ways to a race in a", "race. This race needs certain characteristics (biological, social, technological, etc) to make the", "I can unstick myself, imaginatively speaking. It may involve rewatching / rereading the", "race until it's not at all similar. This relies on the idea that", "story and its relation to other fiction in the real world. I have", "the real world. I have a plot which involves an alien race. This", "making a believable, convincing whole package. When I then looked over what I", "out the race, it adopted a number of other characteristics which seemed to", "Ignore it. This answer basically takes the viewpoint, \"If there's no money involved,", "no money involved, it doesn't matter. When (if) your story ever becomes big", "may involve rewatching / rereading the film / show / novel (it was", "characteristics, backing them up and making a believable, convincing whole package. When I", "a useful vehicle for the primary characteristics, which is what the plot is", "looked over what I had, I realised that my alien race seemed similar", "the secondary characteristics, not the primary; and assumes I will be able to", "from the primary characteristics, backing them up and making a believable, convincing whole", "I then looked over what I had, I realised that my alien race", "and its relation to other fiction in the real world. I have a", "relation to other fiction in the real world. I have a plot which", "down a comparison, and to know what to avoid. 2. Go \"all in\"", "are in the secondary characteristics, not the primary; and assumes I will be", "to other fiction in the real world. I have a plot which involves", "other words, relax, I'm worrying over nothing. Any suggestions for a good approach", "a number of other characteristics which seemed to \"naturally\" spill out of my", "viewpoint, \"If there's no money involved, it doesn't matter. When (if) your story", "characteristics in a completely different set of secondary, if I can unstick myself,", "until it's not at all similar. This relies on the idea that the", "race in a certain famous film / TV show / novel. Ouch. Didn't", "considering my options: 1. Rework my alien race until it's not at all", "then looked over what I had, I realised that my alien race seemed", "in a certain famous film / TV show / novel. Ouch. Didn't intend", "on the idea that the similarities are in the secondary characteristics, not the", "in the secondary characteristics, not the primary; and assumes I will be able", "for a useful vehicle for the primary characteristics, which is what the plot", "that. I want to avoid copyright upsets, so I'm considering my options: 1.", "rewatching / rereading the film / show / novel (it was many years", "had, I realised that my alien race seemed similar in many ways to", "do with a fiction story and its relation to other fiction in the", "of secondary, if I can unstick myself, imaginatively speaking. It may involve rewatching", "3. Ignore it. This answer basically takes the viewpoint, \"If there's no money", "the similarities are in the secondary characteristics, not the primary; and assumes I", "the question has to do with a fiction story and its relation to", "my alien race until it's not at all similar. This relies on the", "/ rereading the film / show / novel (it was many years ago)", "avoid. 2. Go \"all in\" with the alien race. This would involve somehow", "In other words, relax, I'm worrying over nothing. Any suggestions for a good", "so I'm considering my options: 1. Rework my alien race until it's not", "and making a believable, convincing whole package. When I then looked over what", "but the question has to do with a fiction story and its relation", "b) I don't want to become fan-fiction, I'm just looking for a useful" ]
[ "myself absolutely dumbfounded as to how to write into my story the action", "how to write into my story the action of a character reading a", "be read. I just am kind of stumped as to how to write", "the main character notices an email on his computer and begins to read", "of a character reading a piece of text. Can anybody please help me?", "sort of a catalyst, and I already have it written down how it", "help me? To provide context for a more specific answer the main character", "to write a thriller/fiction novel for a class, and I find myself absolutely", "write into my story the action of a character reading a piece of", "a class, and I find myself absolutely dumbfounded as to how to write", "who is trying to write a thriller/fiction novel for a class, and I", "text. Can anybody please help me? To provide context for a more specific", "I find myself absolutely dumbfounded as to how to write into my story", "begins to read it. This email is sort of a catalyst, and I", "of a catalyst, and I already have it written down how it will", "please help me? To provide context for a more specific answer the main", "as to how to write into my story the action of a character", "a character reading a piece of text. Can anybody please help me? To", "reading a piece of text. Can anybody please help me? To provide context", "character notices an email on his computer and begins to read it. This", "is sort of a catalyst, and I already have it written down how", "a very amateur writer, who is trying to write a thriller/fiction novel for", "am rather a very amateur writer, who is trying to write a thriller/fiction", "story the action of a character reading a piece of text. Can anybody", "it written down how it will be read. I just am kind of", "how it will be read. I just am kind of stumped as to", "on his computer and begins to read it. This email is sort of", "into my story the action of a character reading a piece of text.", "I am rather a very amateur writer, who is trying to write a", "for a class, and I find myself absolutely dumbfounded as to how to", "a thriller/fiction novel for a class, and I find myself absolutely dumbfounded as", "the action of a character reading a piece of text. Can anybody please", "to how to write into my story the action of a character reading", "answer the main character notices an email on his computer and begins to", "find myself absolutely dumbfounded as to how to write into my story the", "write a thriller/fiction novel for a class, and I find myself absolutely dumbfounded", "an email on his computer and begins to read it. This email is", "This email is sort of a catalyst, and I already have it written", "amateur writer, who is trying to write a thriller/fiction novel for a class,", "thriller/fiction novel for a class, and I find myself absolutely dumbfounded as to", "class, and I find myself absolutely dumbfounded as to how to write into", "have it written down how it will be read. I just am kind", "it will be read. I just am kind of stumped as to how", "and begins to read it. This email is sort of a catalyst, and", "it. This email is sort of a catalyst, and I already have it", "of text. Can anybody please help me? To provide context for a more", "am kind of stumped as to how to write the action of him", "rather a very amateur writer, who is trying to write a thriller/fiction novel", "will be read. I just am kind of stumped as to how to", "is trying to write a thriller/fiction novel for a class, and I find", "to read it. This email is sort of a catalyst, and I already", "I already have it written down how it will be read. I just", "Can anybody please help me? To provide context for a more specific answer", "of stumped as to how to write the action of him beginning to", "me? To provide context for a more specific answer the main character notices", "To provide context for a more specific answer the main character notices an", "writer, who is trying to write a thriller/fiction novel for a class, and", "stumped as to how to write the action of him beginning to read", "context for a more specific answer the main character notices an email on", "a more specific answer the main character notices an email on his computer", "computer and begins to read it. This email is sort of a catalyst,", "for a more specific answer the main character notices an email on his", "main character notices an email on his computer and begins to read it.", "and I already have it written down how it will be read. I", "read. I just am kind of stumped as to how to write the", "notices an email on his computer and begins to read it. This email", "down how it will be read. I just am kind of stumped as", "just am kind of stumped as to how to write the action of", "already have it written down how it will be read. I just am", "written down how it will be read. I just am kind of stumped", "very amateur writer, who is trying to write a thriller/fiction novel for a", "novel for a class, and I find myself absolutely dumbfounded as to how", "more specific answer the main character notices an email on his computer and", "a catalyst, and I already have it written down how it will be", "catalyst, and I already have it written down how it will be read.", "absolutely dumbfounded as to how to write into my story the action of", "specific answer the main character notices an email on his computer and begins", "I just am kind of stumped as to how to write the action", "action of a character reading a piece of text. 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This email is sort of a", "email is sort of a catalyst, and I already have it written down", "piece of text. Can anybody please help me? To provide context for a", "anybody please help me? To provide context for a more specific answer the" ]
[ "the issue I cannot write two books at the same time. It wouldn't", "publisher to express their interest. The universe of this story is very vast,", "rest for a long time, had beta testers, and I am sure of", "submit it anywhere (publishers, competitions etc.) where it could lead to publishing a", "story. I just have the issue I cannot write two books at the", "to publishing a book out of it, and not just the single short", "is very vast, the possibilities of expanding it feel infinite already in the", "thoughts about this? Which steps would you take? Forgot to add: the short", "like a potential publisher to express their interest. The universe of this story", "at the same time. It wouldn't be fair for any of these universes.", "My attention wouldn't be entirely dedicated. What are your thoughts about this? Which", "possibilities of expanding it feel infinite already in the short story. I just", "to this short story. I made this story rest for a long time,", "story rest for a long time, had beta testers, and I am sure", "its value. I would like to submit it anywhere (publishers, competitions etc.) where", "dedicated. What are your thoughts about this? Which steps would you take? Forgot", "I cannot write two books at the same time. It wouldn't be fair", "a very compelling science fiction short story. I am currently writing a book", "entirely different universe, not related to this short story. I made this story", "a long time, had beta testers, and I am sure of its value.", "and not just the single short story. Basically, I would like a potential", "cannot write two books at the same time. It wouldn't be fair for", "of it, and not just the single short story. Basically, I would like", "infinite already in the short story. I just have the issue I cannot", "could lead to publishing a book out of it, and not just the", "writing a book about an entirely different universe, not related to this short", "potential publisher to express their interest. The universe of this story is very", "it feel infinite already in the short story. I just have the issue", "already in the short story. I just have the issue I cannot write", "I would like to submit it anywhere (publishers, competitions etc.) where it could", "story. Basically, I would like a potential publisher to express their interest. The", "very vast, the possibilities of expanding it feel infinite already in the short", "(publishers, competitions etc.) where it could lead to publishing a book out of", "It wouldn't be fair for any of these universes. My attention wouldn't be", "be fair for any of these universes. My attention wouldn't be entirely dedicated.", "entirely dedicated. What are your thoughts about this? Which steps would you take?", "short story. Basically, I would like a potential publisher to express their interest.", "I just have the issue I cannot write two books at the same", "take? Forgot to add: the short story could be already be regarded as", "testers, and I am sure of its value. I would like to submit", "of expanding it feel infinite already in the short story. I just have", "it, and not just the single short story. Basically, I would like a", "etc.) where it could lead to publishing a book out of it, and", "The universe of this story is very vast, the possibilities of expanding it", "would like to submit it anywhere (publishers, competitions etc.) where it could lead", "for any of these universes. My attention wouldn't be entirely dedicated. What are", "their interest. The universe of this story is very vast, the possibilities of", "wouldn't be entirely dedicated. What are your thoughts about this? Which steps would", "I wrote a very compelling science fiction short story. I am currently writing", "have the issue I cannot write two books at the same time. It", "time, had beta testers, and I am sure of its value. I would", "it could lead to publishing a book out of it, and not just", "made this story rest for a long time, had beta testers, and I", "competitions etc.) where it could lead to publishing a book out of it,", "issue I cannot write two books at the same time. It wouldn't be", "would like a potential publisher to express their interest. The universe of this", "not related to this short story. I made this story rest for a", "be entirely dedicated. What are your thoughts about this? Which steps would you", "compelling science fiction short story. I am currently writing a book about an", "short story. I just have the issue I cannot write two books at", "add: the short story could be already be regarded as 2-3 chapter samples.", "value. I would like to submit it anywhere (publishers, competitions etc.) where it", "Basically, I would like a potential publisher to express their interest. The universe", "lead to publishing a book out of it, and not just the single", "of this story is very vast, the possibilities of expanding it feel infinite", "the same time. It wouldn't be fair for any of these universes. My", "to add: the short story could be already be regarded as 2-3 chapter", "of its value. I would like to submit it anywhere (publishers, competitions etc.)", "I made this story rest for a long time, had beta testers, and", "wrote a very compelling science fiction short story. I am currently writing a", "just the single short story. Basically, I would like a potential publisher to", "in the short story. I just have the issue I cannot write two", "long time, had beta testers, and I am sure of its value. I", "any of these universes. My attention wouldn't be entirely dedicated. What are your", "of these universes. My attention wouldn't be entirely dedicated. What are your thoughts", "these universes. My attention wouldn't be entirely dedicated. What are your thoughts about", "write two books at the same time. It wouldn't be fair for any", "am currently writing a book about an entirely different universe, not related to", "this? Which steps would you take? Forgot to add: the short story could", "the short story. I just have the issue I cannot write two books", "books at the same time. It wouldn't be fair for any of these", "the possibilities of expanding it feel infinite already in the short story. I", "universes. My attention wouldn't be entirely dedicated. What are your thoughts about this?", "to submit it anywhere (publishers, competitions etc.) where it could lead to publishing", "the single short story. Basically, I would like a potential publisher to express", "this story is very vast, the possibilities of expanding it feel infinite already", "are your thoughts about this? Which steps would you take? Forgot to add:", "vast, the possibilities of expanding it feel infinite already in the short story.", "about an entirely different universe, not related to this short story. I made", "just have the issue I cannot write two books at the same time.", "fiction short story. I am currently writing a book about an entirely different", "same time. It wouldn't be fair for any of these universes. My attention", "interest. The universe of this story is very vast, the possibilities of expanding", "for a long time, had beta testers, and I am sure of its", "this story rest for a long time, had beta testers, and I am", "not just the single short story. Basically, I would like a potential publisher", "story. I am currently writing a book about an entirely different universe, not", "anywhere (publishers, competitions etc.) where it could lead to publishing a book out", "short story. I made this story rest for a long time, had beta", "sure of its value. I would like to submit it anywhere (publishers, competitions", "book out of it, and not just the single short story. Basically, I", "express their interest. The universe of this story is very vast, the possibilities", "your thoughts about this? Which steps would you take? Forgot to add: the", "single short story. Basically, I would like a potential publisher to express their", "different universe, not related to this short story. I made this story rest", "book about an entirely different universe, not related to this short story. I", "about this? Which steps would you take? Forgot to add: the short story", "story is very vast, the possibilities of expanding it feel infinite already in", "and I am sure of its value. I would like to submit it", "I am sure of its value. I would like to submit it anywhere", "attention wouldn't be entirely dedicated. What are your thoughts about this? Which steps", "steps would you take? Forgot to add: the short story could be already", "a book out of it, and not just the single short story. Basically,", "Which steps would you take? Forgot to add: the short story could be", "currently writing a book about an entirely different universe, not related to this", "an entirely different universe, not related to this short story. I made this", "am sure of its value. I would like to submit it anywhere (publishers,", "would you take? Forgot to add: the short story could be already be", "where it could lead to publishing a book out of it, and not", "a book about an entirely different universe, not related to this short story.", "short story. I am currently writing a book about an entirely different universe,", "time. It wouldn't be fair for any of these universes. My attention wouldn't", "this short story. I made this story rest for a long time, had", "you take? Forgot to add: the short story could be already be regarded", "universe of this story is very vast, the possibilities of expanding it feel", "What are your thoughts about this? Which steps would you take? Forgot to", "universe, not related to this short story. I made this story rest for", "expanding it feel infinite already in the short story. I just have the", "to express their interest. The universe of this story is very vast, the", "a potential publisher to express their interest. The universe of this story is", "feel infinite already in the short story. I just have the issue I", "two books at the same time. It wouldn't be fair for any of", "Forgot to add: the short story could be already be regarded as 2-3", "story. I made this story rest for a long time, had beta testers,", "I am currently writing a book about an entirely different universe, not related", "wouldn't be fair for any of these universes. My attention wouldn't be entirely", "like to submit it anywhere (publishers, competitions etc.) where it could lead to", "had beta testers, and I am sure of its value. I would like", "I would like a potential publisher to express their interest. The universe of", "beta testers, and I am sure of its value. I would like to", "publishing a book out of it, and not just the single short story.", "very compelling science fiction short story. I am currently writing a book about", "science fiction short story. I am currently writing a book about an entirely", "fair for any of these universes. My attention wouldn't be entirely dedicated. What", "out of it, and not just the single short story. Basically, I would", "it anywhere (publishers, competitions etc.) where it could lead to publishing a book", "related to this short story. I made this story rest for a long" ]
[ "novice writer working on my first book. I've made the story 1st person", "as such: C1: \"So, where are you guys eating today? I said.\" C2:", "dialog goes as such: C1: \"So, where are you guys eating today? I", "I've made the story 1st person from the perspective of the main character.", "I've been writing dialog goes as such: C1: \"So, where are you guys", "I said.\" C2: \"We're probably going to the Italian place down the street\",", "C2: \"We're probably going to the Italian place down the street\", C2 responded.", "going to the Italian place down the street\", C2 responded. Is this the", "place down the street\", C2 responded. Is this the correct way of doing", "goes as such: C1: \"So, where are you guys eating today? I said.\"", "the Italian place down the street\", C2 responded. Is this the correct way", "down the street\", C2 responded. Is this the correct way of doing this", "the main character. The way I've been writing dialog goes as such: C1:", "\"So, where are you guys eating today? I said.\" C2: \"We're probably going", "\"We're probably going to the Italian place down the street\", C2 responded. Is", "story 1st person from the perspective of the main character. The way I've", "of the main character. The way I've been writing dialog goes as such:", "from the perspective of the main character. The way I've been writing dialog", "where are you guys eating today? I said.\" C2: \"We're probably going to", "Is this the correct way of doing this or is there a more", "main character. The way I've been writing dialog goes as such: C1: \"So,", "to the Italian place down the street\", C2 responded. Is this the correct", "person from the perspective of the main character. The way I've been writing", "a novice writer working on my first book. I've made the story 1st", "on my first book. I've made the story 1st person from the perspective", "such: C1: \"So, where are you guys eating today? I said.\" C2: \"We're", "are you guys eating today? I said.\" C2: \"We're probably going to the", "street\", C2 responded. Is this the correct way of doing this or is", "C2 responded. Is this the correct way of doing this or is there", "writing dialog goes as such: C1: \"So, where are you guys eating today?", "this the correct way of doing this or is there a more official", "1st person from the perspective of the main character. The way I've been", "the correct way of doing this or is there a more official way?", "The way I've been writing dialog goes as such: C1: \"So, where are", "my first book. I've made the story 1st person from the perspective of", "guys eating today? I said.\" C2: \"We're probably going to the Italian place", "I'm a novice writer working on my first book. I've made the story", "made the story 1st person from the perspective of the main character. The", "perspective of the main character. The way I've been writing dialog goes as", "C1: \"So, where are you guys eating today? I said.\" C2: \"We're probably", "first book. I've made the story 1st person from the perspective of the", "today? I said.\" C2: \"We're probably going to the Italian place down the", "book. I've made the story 1st person from the perspective of the main", "writer working on my first book. I've made the story 1st person from", "said.\" C2: \"We're probably going to the Italian place down the street\", C2", "the street\", C2 responded. Is this the correct way of doing this or", "eating today? I said.\" C2: \"We're probably going to the Italian place down", "responded. Is this the correct way of doing this or is there a", "Italian place down the street\", C2 responded. Is this the correct way of", "character. The way I've been writing dialog goes as such: C1: \"So, where", "probably going to the Italian place down the street\", C2 responded. Is this", "the perspective of the main character. The way I've been writing dialog goes", "you guys eating today? I said.\" C2: \"We're probably going to the Italian", "the story 1st person from the perspective of the main character. The way", "working on my first book. I've made the story 1st person from the", "been writing dialog goes as such: C1: \"So, where are you guys eating", "way I've been writing dialog goes as such: C1: \"So, where are you" ]
[ "first 50 pages, and goes on to say it should be double-spaced as", "and goes on to say it should be double-spaced as an attachment, does", "cutting it off at the resulting new 50-page mark? Do you see the", "you paste the pages into an email instead of attaching. Then, apparently, you're", "should be double-spaced as an attachment, does that mean your first 50 pages", "be double-spaced as an attachment, does that mean your first 50 pages from", "the half-empty first page), or first converting the manuscript to double-space and formatting", "goes on to say it should be double-spaced as an attachment, does that", "as it's totally different if you paste the pages into an email instead", "your first 50 pages from your single-spaced document converted to a double-spaced submission", "the confusion? I'm sure everyone in the industry knows the answer but it's", "it for submission, then cutting it off at the resulting new 50-page mark?", "When an agent/publisher limits manuscript submissions to your first 50 pages, and goes", "double-spaced as an attachment, does that mean your first 50 pages from your", "email instead of attaching. Then, apparently, you're allowed to single-space, but must block", "attachment, does that mean your first 50 pages from your single-spaced document converted", "as an attachment, does that mean your first 50 pages from your single-spaced", "answer but it's not clear to a lot of us, especially as it's", "attaching. Then, apparently, you're allowed to single-space, but must block indent. If we", "limits manuscript submissions to your first 50 pages, and goes on to say", "manuscript submissions to your first 50 pages, and goes on to say it", "into an email instead of attaching. Then, apparently, you're allowed to single-space, but", "say it should be double-spaced as an attachment, does that mean your first", "at the resulting new 50-page mark? Do you see the confusion? I'm sure", "apparently, you're allowed to single-space, but must block indent. If we get it", "the manuscript to double-space and formatting it for submission, then cutting it off", "if you paste the pages into an email instead of attaching. Then, apparently,", "your single-spaced document converted to a double-spaced submission (with standard formatting requiring the", "instead of attaching. Then, apparently, you're allowed to single-space, but must block indent.", "you're allowed to single-space, but must block indent. If we get it wrong,", "single-space, but must block indent. If we get it wrong, should we assume", "and formatting it for submission, then cutting it off at the resulting new", "of attaching. Then, apparently, you're allowed to single-space, but must block indent. If", "pages from your single-spaced document converted to a double-spaced submission (with standard formatting", "to a lot of us, especially as it's totally different if you paste", "new 50-page mark? Do you see the confusion? I'm sure everyone in the", "not clear to a lot of us, especially as it's totally different if", "the answer but it's not clear to a lot of us, especially as", "but must block indent. If we get it wrong, should we assume that's", "resulting new 50-page mark? Do you see the confusion? I'm sure everyone in", "confusion? I'm sure everyone in the industry knows the answer but it's not", "Do you see the confusion? I'm sure everyone in the industry knows the", "does that mean your first 50 pages from your single-spaced document converted to", "an attachment, does that mean your first 50 pages from your single-spaced document", "I'm sure everyone in the industry knows the answer but it's not clear", "industry knows the answer but it's not clear to a lot of us,", "to single-space, but must block indent. If we get it wrong, should we", "formatting it for submission, then cutting it off at the resulting new 50-page", "block indent. If we get it wrong, should we assume that's an automatic", "you see the confusion? I'm sure everyone in the industry knows the answer", "double-spaced submission (with standard formatting requiring the half-empty first page), or first converting", "agent/publisher limits manuscript submissions to your first 50 pages, and goes on to", "converting the manuscript to double-space and formatting it for submission, then cutting it", "single-spaced document converted to a double-spaced submission (with standard formatting requiring the half-empty", "converted to a double-spaced submission (with standard formatting requiring the half-empty first page),", "document converted to a double-spaced submission (with standard formatting requiring the half-empty first", "on to say it should be double-spaced as an attachment, does that mean", "allowed to single-space, but must block indent. If we get it wrong, should", "but it's not clear to a lot of us, especially as it's totally", "indent. If we get it wrong, should we assume that's an automatic rejection?", "a lot of us, especially as it's totally different if you paste the", "clear to a lot of us, especially as it's totally different if you", "or first converting the manuscript to double-space and formatting it for submission, then", "page), or first converting the manuscript to double-space and formatting it for submission,", "a double-spaced submission (with standard formatting requiring the half-empty first page), or first", "from your single-spaced document converted to a double-spaced submission (with standard formatting requiring", "submissions to your first 50 pages, and goes on to say it should", "see the confusion? I'm sure everyone in the industry knows the answer but", "50-page mark? Do you see the confusion? I'm sure everyone in the industry", "sure everyone in the industry knows the answer but it's not clear to", "then cutting it off at the resulting new 50-page mark? Do you see", "the resulting new 50-page mark? Do you see the confusion? I'm sure everyone", "it should be double-spaced as an attachment, does that mean your first 50", "it's not clear to a lot of us, especially as it's totally different", "especially as it's totally different if you paste the pages into an email", "totally different if you paste the pages into an email instead of attaching.", "double-space and formatting it for submission, then cutting it off at the resulting", "for submission, then cutting it off at the resulting new 50-page mark? Do", "lot of us, especially as it's totally different if you paste the pages", "an email instead of attaching. Then, apparently, you're allowed to single-space, but must", "your first 50 pages, and goes on to say it should be double-spaced", "standard formatting requiring the half-empty first page), or first converting the manuscript to", "paste the pages into an email instead of attaching. Then, apparently, you're allowed", "requiring the half-empty first page), or first converting the manuscript to double-space and", "Then, apparently, you're allowed to single-space, but must block indent. If we get", "submission (with standard formatting requiring the half-empty first page), or first converting the", "everyone in the industry knows the answer but it's not clear to a", "50 pages from your single-spaced document converted to a double-spaced submission (with standard", "us, especially as it's totally different if you paste the pages into an", "pages into an email instead of attaching. Then, apparently, you're allowed to single-space,", "first converting the manuscript to double-space and formatting it for submission, then cutting", "mean your first 50 pages from your single-spaced document converted to a double-spaced", "to a double-spaced submission (with standard formatting requiring the half-empty first page), or", "it's totally different if you paste the pages into an email instead of", "the pages into an email instead of attaching. Then, apparently, you're allowed to", "first 50 pages from your single-spaced document converted to a double-spaced submission (with", "in the industry knows the answer but it's not clear to a lot", "50 pages, and goes on to say it should be double-spaced as an", "formatting requiring the half-empty first page), or first converting the manuscript to double-space", "knows the answer but it's not clear to a lot of us, especially", "it off at the resulting new 50-page mark? Do you see the confusion?", "mark? Do you see the confusion? I'm sure everyone in the industry knows", "to your first 50 pages, and goes on to say it should be", "must block indent. If we get it wrong, should we assume that's an", "off at the resulting new 50-page mark? Do you see the confusion? I'm", "an agent/publisher limits manuscript submissions to your first 50 pages, and goes on", "to say it should be double-spaced as an attachment, does that mean your", "half-empty first page), or first converting the manuscript to double-space and formatting it", "of us, especially as it's totally different if you paste the pages into", "different if you paste the pages into an email instead of attaching. Then,", "that mean your first 50 pages from your single-spaced document converted to a", "(with standard formatting requiring the half-empty first page), or first converting the manuscript", "manuscript to double-space and formatting it for submission, then cutting it off at", "the industry knows the answer but it's not clear to a lot of", "pages, and goes on to say it should be double-spaced as an attachment,", "first page), or first converting the manuscript to double-space and formatting it for", "submission, then cutting it off at the resulting new 50-page mark? Do you", "to double-space and formatting it for submission, then cutting it off at the" ]
[ "somewhat creative with artwork, although I don't have plenty of time available to", "formatting. Is this possible through iBooks? --- Some contextual information: Please notice that", "--- Some contextual information: Please notice that I'm a beginner in this area,", "that I'm a beginner in this area, so any advice is appreciated. I'm", "I'm a beginner in this area, so any advice is appreciated. I'm open", "so any advice is appreciated. I'm open to using different software too, if", "plenty of time available to spend on over detailed formatting rules. Software that", "meets the requirements. My current goal is to start simple, maybe with e-book", "clarity about life for interested readers through inner reflections and the profits are", "Some contextual information: Please notice that I'm a beginner in this area, so", "area, so any advice is appreciated. I'm open to using different software too,", "notice that I'm a beginner in this area, so any advice is appreciated.", "publish it into iBooks, [export it for iBooks or in another format](https://support.apple.com/kb/PH2809?locale=en_US), which", "humble goal is to raise hope and clarity about life for interested readers", "Is this possible through iBooks? --- Some contextual information: Please notice that I'm", "valid options as, for example, I could also publish it on Amazon or", "option to generate a formatted (or pre-formatted) version to send to a publisher", "Please notice that I'm a beginner in this area, so any advice is", "a reasonable cost. --- The book's humble goal is to raise hope and", "to start simple, maybe with e-book and paperback versions. I'm very skilled with", "I am considering to use the [iBooks Author](https://www.apple.com/ibooks-author/) app since I tend to", "format](https://support.apple.com/kb/PH2809?locale=en_US), which all seem valid options as, for example, I could also publish", "to use the [iBooks Author](https://www.apple.com/ibooks-author/) app since I tend to like Apple products.", "another format](https://support.apple.com/kb/PH2809?locale=en_US), which all seem valid options as, for example, I could also", "with e-book and paperback versions. I'm very skilled with learning to use software", "with that is valid, even if it has a reasonable cost. --- The", "too, if it meets the requirements. My current goal is to start simple,", "on over detailed formatting rules. Software that can help me with that is", "seem valid options as, for example, I could also publish it on Amazon", "to send to a publisher to print, to possibly avoid the costs of", "Software that can help me with that is valid, even if it has", "has a reasonable cost. --- The book's humble goal is to raise hope", "any advice is appreciated. I'm open to using different software too, if it", "detailed formatting rules. Software that can help me with that is valid, even", "use software in general and somewhat creative with artwork, although I don't have", "(or pre-formatted) version to send to a publisher to print, to possibly avoid", "and I am considering to use the [iBooks Author](https://www.apple.com/ibooks-author/) app since I tend", "is appreciated. I'm open to using different software too, if it meets the", "inner reflections and the profits are to support a non-profit organization with the", "on Amazon or Barnes & Noble. But I also want to have the", "and clarity about life for interested readers through inner reflections and the profits", "time available to spend on over detailed formatting rules. Software that can help", "print, to possibly avoid the costs of formatting. Is this possible through iBooks?", "contextual information:* Please notice that I'm a beginner in this area, so any", "requirements. My current goal is to start simple, maybe with e-book and paperback", "for interested readers through inner reflections and the profits are to support a", "interested readers through inner reflections and the profits are to support a non-profit", "Noble. But I also want to have the option to generate a formatted", "and somewhat creative with artwork, although I don't have plenty of time available", "I tend to like Apple products. Through my research, I learned I can", "this area, so any advice is appreciated. I'm open to using different software", "it meets the requirements. My current goal is to start simple, maybe with", "readers through inner reflections and the profits are to support a non-profit organization", "to generate a formatted (or pre-formatted) version to send to a publisher to", "to have the option to generate a formatted (or pre-formatted) version to send", "I learned I can publish it into iBooks, [export it for iBooks or", "I'm open to using different software too, if it meets the requirements. My", "Barnes & Noble. But I also want to have the option to generate", "information: Please notice that I'm a beginner in this area, so any advice", "although I don't have plenty of time available to spend on over detailed", "available to spend on over detailed formatting rules. Software that can help me", "& Noble. But I also want to have the option to generate a", "example, I could also publish it on Amazon or Barnes & Noble. But", "versions. I'm very skilled with learning to use software in general and somewhat", "and paperback versions. I'm very skilled with learning to use software in general", "very skilled with learning to use software in general and somewhat creative with", "which all seem valid options as, for example, I could also publish it", "possible through iBooks? --- Some contextual information: Please notice that I'm a beginner", "or in another format](https://support.apple.com/kb/PH2809?locale=en_US), which all seem valid options as, for example, I", "software too, if it meets the requirements. My current goal is to start", "is to start simple, maybe with e-book and paperback versions. I'm very skilled", "learned I can publish it into iBooks, [export it for iBooks or in", "goal is to raise hope and clarity about life for interested readers through", "the requirements. My current goal is to start simple, maybe with e-book and", "if it meets the requirements. My current goal is to start simple, maybe", "starting to write a book and I am considering to use the [iBooks", "to like Apple products. Through my research, I learned I can publish it", "to use software in general and somewhat creative with artwork, although I don't", "start simple, maybe with e-book and paperback versions. I'm very skilled with learning", "iBooks, [export it for iBooks or in another format](https://support.apple.com/kb/PH2809?locale=en_US), which all seem valid", "I'm starting to write a book and I am considering to use the", "like Apple products. Through my research, I learned I can publish it into", "publisher to print, to possibly avoid the costs of formatting. Is this possible", "I don't have plenty of time available to spend on over detailed formatting", "to spend on over detailed formatting rules. Software that can help me with", "rules. Software that can help me with that is valid, even if it", "[export it for iBooks or in another format](https://support.apple.com/kb/PH2809?locale=en_US), which all seem valid options", "Through my research, I learned I can publish it into iBooks, [export it", "I can publish it into iBooks, [export it for iBooks or in another", "over detailed formatting rules. Software that can help me with that is valid,", "I'm very skilled with learning to use software in general and somewhat creative", "formatting rules. Software that can help me with that is valid, even if", "software in general and somewhat creative with artwork, although I don't have plenty", "possibly avoid the costs of formatting. Is this possible through iBooks? --- Some", "since I tend to like Apple products. Through my research, I learned I", "can publish it into iBooks, [export it for iBooks or in another format](https://support.apple.com/kb/PH2809?locale=en_US),", "I could also publish it on Amazon or Barnes & Noble. But I", "spend on over detailed formatting rules. Software that can help me with that", "a book and I am considering to use the [iBooks Author](https://www.apple.com/ibooks-author/) app since", "about life for interested readers through inner reflections and the profits are to", "or Barnes & Noble. But I also want to have the option to", "of time available to spend on over detailed formatting rules. Software that can", "pre-formatted) version to send to a publisher to print, to possibly avoid the", "also want to have the option to generate a formatted (or pre-formatted) version", "is to raise hope and clarity about life for interested readers through inner", "open to using different software too, if it meets the requirements. My current", "and the profits are to support a non-profit organization with the same goals.", "appreciated. I'm open to using different software too, if it meets the requirements.", "in another format](https://support.apple.com/kb/PH2809?locale=en_US), which all seem valid options as, for example, I could", "simple, maybe with e-book and paperback versions. I'm very skilled with learning to", "for iBooks or in another format](https://support.apple.com/kb/PH2809?locale=en_US), which all seem valid options as, for", "have the option to generate a formatted (or pre-formatted) version to send to", "a formatted (or pre-formatted) version to send to a publisher to print, to", "into iBooks, [export it for iBooks or in another format](https://support.apple.com/kb/PH2809?locale=en_US), which all seem", "help me with that is valid, even if it has a reasonable cost.", "it for iBooks or in another format](https://support.apple.com/kb/PH2809?locale=en_US), which all seem valid options as,", "the costs of formatting. Is this possible through iBooks? --- Some contextual information:", "e-book and paperback versions. I'm very skilled with learning to use software in", "if it has a reasonable cost. --- The book's humble goal is to", "beginner in this area, so any advice is appreciated. I'm open to using", "learning to use software in general and somewhat creative with artwork, although I", "can help me with that is valid, even if it has a reasonable", "for example, I could also publish it on Amazon or Barnes & Noble.", "want to have the option to generate a formatted (or pre-formatted) version to", "as, for example, I could also publish it on Amazon or Barnes &", "a beginner in this area, so any advice is appreciated. I'm open to", "version to send to a publisher to print, to possibly avoid the costs", "My current goal is to start simple, maybe with e-book and paperback versions.", "general and somewhat creative with artwork, although I don't have plenty of time", "that can help me with that is valid, even if it has a", "maybe with e-book and paperback versions. I'm very skilled with learning to use", "reflections and the profits are to support a non-profit organization with the same", "through iBooks? --- Some contextual information: Please notice that I'm a beginner in", "my research, I learned I can publish it into iBooks, [export it for", "current goal is to start simple, maybe with e-book and paperback versions. I'm", "iBooks? --- Some contextual information: Please notice that I'm a beginner in this", "send to a publisher to print, to possibly avoid the costs of formatting.", "tend to like Apple products. Through my research, I learned I can publish", "But I also want to have the option to generate a formatted (or", "costs of formatting. Is this possible through iBooks? --- Some contextual information: Please", "use the [iBooks Author](https://www.apple.com/ibooks-author/) app since I tend to like Apple products. Through", "to write a book and I am considering to use the [iBooks Author](https://www.apple.com/ibooks-author/)", "all seem valid options as, for example, I could also publish it on", "I also want to have the option to generate a formatted (or pre-formatted)", "book and I am considering to use the [iBooks Author](https://www.apple.com/ibooks-author/) app since I", "iBooks or in another format](https://support.apple.com/kb/PH2809?locale=en_US), which all seem valid options as, for example,", "of formatting. Is this possible through iBooks? --- Some contextual information: Please notice", "to raise hope and clarity about life for interested readers through inner reflections", "raise hope and clarity about life for interested readers through inner reflections and", "artwork, although I don't have plenty of time available to spend on over", "it on Amazon or Barnes & Noble. But I also want to have", "Amazon or Barnes & Noble. But I also want to have the option", "app since I tend to like Apple products. Through my research, I learned", "the [iBooks Author](https://www.apple.com/ibooks-author/) app since I tend to like Apple products. Through my", "this possible through iBooks? --- Some contextual information: Please notice that I'm a", "in general and somewhat creative with artwork, although I don't have plenty of", "me with that is valid, even if it has a reasonable cost. ---", "write a book and I am considering to use the [iBooks Author](https://www.apple.com/ibooks-author/) app", "through inner reflections and the profits are to support a non-profit organization with", "it into iBooks, [export it for iBooks or in another format](https://support.apple.com/kb/PH2809?locale=en_US), which all", "Apple products. Through my research, I learned I can publish it into iBooks,", "with artwork, although I don't have plenty of time available to spend on", "have plenty of time available to spend on over detailed formatting rules. Software", "even if it has a reasonable cost. --- The book's humble goal is", "with learning to use software in general and somewhat creative with artwork, although", "--- The book's humble goal is to raise hope and clarity about life", "using different software too, if it meets the requirements. My current goal is", "cost. --- The book's humble goal is to raise hope and clarity about", "is valid, even if it has a reasonable cost. --- The book's humble", "life for interested readers through inner reflections and the profits are to support", "considering to use the [iBooks Author](https://www.apple.com/ibooks-author/) app since I tend to like Apple", "to possibly avoid the costs of formatting. Is this possible through iBooks? ---", "goal is to start simple, maybe with e-book and paperback versions. I'm very", "don't have plenty of time available to spend on over detailed formatting rules.", "a publisher to print, to possibly avoid the costs of formatting. Is this", "formatted (or pre-formatted) version to send to a publisher to print, to possibly", "in this area, so any advice is appreciated. I'm open to using different", "generate a formatted (or pre-formatted) version to send to a publisher to print,", "avoid the costs of formatting. Is this possible through iBooks? --- *Some contextual", "publish it on Amazon or Barnes & Noble. But I also want to", "paperback versions. I'm very skilled with learning to use software in general and", "The book's humble goal is to raise hope and clarity about life for", "to a publisher to print, to possibly avoid the costs of formatting. Is", "different software too, if it meets the requirements. My current goal is to", "[iBooks Author](https://www.apple.com/ibooks-author/) app since I tend to like Apple products. Through my research,", "Author](https://www.apple.com/ibooks-author/) app since I tend to like Apple products. Through my research, I", "that is valid, even if it has a reasonable cost. --- The book's", "to print, to possibly avoid the costs of formatting. Is this possible through", "skilled with learning to use software in general and somewhat creative with artwork,", "book's humble goal is to raise hope and clarity about life for interested", "to using different software too, if it meets the requirements. My current goal", "it has a reasonable cost. --- The book's humble goal is to raise", "creative with artwork, although I don't have plenty of time available to spend", "options as, for example, I could also publish it on Amazon or Barnes", "research, I learned I can publish it into iBooks, [export it for iBooks", "also publish it on Amazon or Barnes & Noble. But I also want", "reasonable cost. --- The book's humble goal is to raise hope and clarity", "advice is appreciated. I'm open to using different software too, if it meets", "hope and clarity about life for interested readers through inner reflections and the", "am considering to use the [iBooks Author](https://www.apple.com/ibooks-author/) app since I tend to like", "products. Through my research, I learned I can publish it into iBooks, [export", "the option to generate a formatted (or pre-formatted) version to send to a", "valid, even if it has a reasonable cost. --- The book's humble goal", "could also publish it on Amazon or Barnes & Noble. But I also" ]
[ "plenty of sex appeal, the perfect figure and all that. As a reader,", "main characters as good looking? Does it increase the prospects of people buying", "and all that. As a reader, how important would it be to portray", "main protagonists are described as good looking people with Greek god looks, plenty", "the main protagonists are described as good looking people with Greek god looks,", "that. As a reader, how important would it be to portray your main", "portray your main characters as good looking? Does it increase the prospects of", "god looks, plenty of sex appeal, the perfect figure and all that. As", "perfect figure and all that. As a reader, how important would it be", "figure and all that. As a reader, how important would it be to", "important would it be to portray your main characters as good looking? Does", "it be to portray your main characters as good looking? Does it increase", "as good looking people with Greek god looks, plenty of sex appeal, the", "described as good looking people with Greek god looks, plenty of sex appeal,", "to portray your main characters as good looking? Does it increase the prospects", "your main characters as good looking? Does it increase the prospects of people", "of sex appeal, the perfect figure and all that. As a reader, how", "would it be to portray your main characters as good looking? Does it", "protagonists are described as good looking people with Greek god looks, plenty of", "reader, how important would it be to portray your main characters as good", "appeal, the perfect figure and all that. As a reader, how important would", "as good looking? Does it increase the prospects of people buying your book?", "how important would it be to portray your main characters as good looking?", "looking people with Greek god looks, plenty of sex appeal, the perfect figure", "a reader, how important would it be to portray your main characters as", "read many books where the main protagonists are described as good looking people", "with Greek god looks, plenty of sex appeal, the perfect figure and all", "I've read many books where the main protagonists are described as good looking", "looks, plenty of sex appeal, the perfect figure and all that. As a", "good looking people with Greek god looks, plenty of sex appeal, the perfect", "sex appeal, the perfect figure and all that. As a reader, how important", "characters as good looking? Does it increase the prospects of people buying your", "books where the main protagonists are described as good looking people with Greek", "people with Greek god looks, plenty of sex appeal, the perfect figure and", "As a reader, how important would it be to portray your main characters", "where the main protagonists are described as good looking people with Greek god", "Greek god looks, plenty of sex appeal, the perfect figure and all that.", "many books where the main protagonists are described as good looking people with", "be to portray your main characters as good looking? Does it increase the", "the perfect figure and all that. As a reader, how important would it", "all that. As a reader, how important would it be to portray your", "are described as good looking people with Greek god looks, plenty of sex" ]
[ "because there is nothing behind it. Then I fizzle out and abandon the", "a random arbitrary theme by spinning the great wheel of themes, then I", "that if I just had a greater purpose for the work than just", "I often don't have any great meaningful moral to share. I don't have", "for absurdity is exceeded and I abandon the project. I often have a", "society that devalues adolescence. In fact I am often just along for the", "nothing behind it. Then I fizzle out and abandon the project. Is there", "happens. Sometimes a theme develops and suddenly my story has more purpose and", "When I write I often don't have any great meaningful moral to share.", "a message that I want to convey to the reader. I often don't", "along for the ride. I create characters and then set them on their", "to the reader. I often don't write about the nature of the battle", "my story has more purpose and writing it becomes easier. And sometimes, nothing.", "arbitrary theme by spinning the great wheel of themes, then I find myself", "this a sign that the project is flat and I should let it", "exceeded and I abandon the project. I often have a point where I", "about the nature of the battle between good and evil. Or what constitutes", "I just had a greater purpose for the work than just a series", "would go better. However, if I just pick a random arbitrary theme by", "have any great meaningful moral to share. I don't have a message that", "I know that if I just had a greater purpose for the work", "I fizzle out and abandon the project. Is there any process to come", "don't have any great meaningful moral to share. I don't have a message", "them on their path and watch what happens. Sometimes a theme develops and", "with a theme to use in these situations when I don't have any", "to develop it because there is nothing behind it. Then I fizzle out", "just pick a random arbitrary theme by spinning the great wheel of themes,", "find myself throwing the characters into more and more contrived circumstances to explore", "any great meaningful moral to share. I don't have a message that I", "convey to the reader. I often don't write about the nature of the", "don't write about the nature of the battle between good and evil. Or", "and I abandon the project. I often have a point where I know", "In fact things tend to begin to stall. I find myself throwing the", "myself throwing the characters into more and more contrived circumstances to explore them", "explore them until my tolerance for absurdity is exceeded and I abandon the", "project. I often have a point where I know that if I just", "have a message that I want to convey to the reader. I often", "just along for the ride. I create characters and then set them on", "abandon the project. Is there any process to come up with a theme", "and watch what happens. Sometimes a theme develops and suddenly my story has", "the nature of the battle between good and evil. Or what constitutes good.", "clear direction? Or is this a sign that the project is flat and", "of age in a society that devalues adolescence. In fact I am often", "stall. I find myself throwing the characters into more and more contrived circumstances", "just had a greater purpose for the work than just a series of", "spinning the great wheel of themes, then I find myself struggling to develop", "what constitutes good. Or coming of age in a society that devalues adolescence.", "into more and more contrived circumstances to explore them until my tolerance for", "their path and watch what happens. Sometimes a theme develops and suddenly my", "good and evil. Or what constitutes good. Or coming of age in a", "I often don't write about the nature of the battle between good and", "direction? Or is this a sign that the project is flat and I", "random arbitrary theme by spinning the great wheel of themes, then I find", "Or what constitutes good. Or coming of age in a society that devalues", "wheel of themes, then I find myself struggling to develop it because there", "to share. I don't have a message that I want to convey to", "it becomes easier. And sometimes, nothing. In fact things tend to begin to", "In fact I am often just along for the ride. I create characters", "in these situations when I don't have any clear direction? Or is this", "for the ride. I create characters and then set them on their path", "purpose and writing it becomes easier. And sometimes, nothing. In fact things tend", "Is there any process to come up with a theme to use in", "age in a society that devalues adolescence. In fact I am often just", "what happens. Sometimes a theme develops and suddenly my story has more purpose", "develops and suddenly my story has more purpose and writing it becomes easier.", "is this a sign that the project is flat and I should let", "to use in these situations when I don't have any clear direction? Or", "I want to convey to the reader. I often don't write about the", "story has more purpose and writing it becomes easier. And sometimes, nothing. In", "then I find myself struggling to develop it because there is nothing behind", "use in these situations when I don't have any clear direction? Or is", "I often have a point where I know that if I just had", "Or coming of age in a society that devalues adolescence. In fact I", "to stall. I find myself throwing the characters into more and more contrived", "these situations when I don't have any clear direction? Or is this a", "often just along for the ride. I create characters and then set them", "Then I fizzle out and abandon the project. Is there any process to", "purpose for the work than just a series of events, things would go", "the great wheel of themes, then I find myself struggling to develop it", "better. However, if I just pick a random arbitrary theme by spinning the", "often don't write about the nature of the battle between good and evil.", "don't have any clear direction? Or is this a sign that the project", "a point where I know that if I just had a greater purpose", "theme develops and suddenly my story has more purpose and writing it becomes", "events, things would go better. However, if I just pick a random arbitrary", "find myself struggling to develop it because there is nothing behind it. Then", "and abandon the project. Is there any process to come up with a", "theme to use in these situations when I don't have any clear direction?", "don't have a message that I want to convey to the reader. I", "share. I don't have a message that I want to convey to the", "greater purpose for the work than just a series of events, things would", "often have a point where I know that if I just had a", "the ride. I create characters and then set them on their path and", "between good and evil. Or what constitutes good. Or coming of age in", "write about the nature of the battle between good and evil. Or what", "go better. However, if I just pick a random arbitrary theme by spinning", "when I don't have any clear direction? Or is this a sign that", "have any clear direction? Or is this a sign that the project is", "the battle between good and evil. Or what constitutes good. Or coming of", "I don't have a message that I want to convey to the reader.", "I write I often don't have any great meaningful moral to share. I", "set them on their path and watch what happens. Sometimes a theme develops", "reader. I often don't write about the nature of the battle between good", "battle between good and evil. Or what constitutes good. Or coming of age", "I find myself throwing the characters into more and more contrived circumstances to", "devalues adolescence. In fact I am often just along for the ride. I", "tend to begin to stall. I find myself throwing the characters into more", "want to convey to the reader. I often don't write about the nature", "series of events, things would go better. However, if I just pick a", "of events, things would go better. However, if I just pick a random", "situations when I don't have any clear direction? Or is this a sign", "Or is this a sign that the project is flat and I should", "by spinning the great wheel of themes, then I find myself struggling to", "watch what happens. Sometimes a theme develops and suddenly my story has more", "to explore them until my tolerance for absurdity is exceeded and I abandon", "fact I am often just along for the ride. I create characters and", "constitutes good. Or coming of age in a society that devalues adolescence. In", "absurdity is exceeded and I abandon the project. I often have a point", "a sign that the project is flat and I should let it die?", "point where I know that if I just had a greater purpose for", "of themes, then I find myself struggling to develop it because there is", "create characters and then set them on their path and watch what happens.", "writing it becomes easier. And sometimes, nothing. In fact things tend to begin", "evil. Or what constitutes good. Or coming of age in a society that", "any process to come up with a theme to use in these situations", "up with a theme to use in these situations when I don't have", "a theme to use in these situations when I don't have any clear", "more purpose and writing it becomes easier. And sometimes, nothing. In fact things", "any clear direction? Or is this a sign that the project is flat", "I create characters and then set them on their path and watch what", "contrived circumstances to explore them until my tolerance for absurdity is exceeded and", "a society that devalues adolescence. In fact I am often just along for", "come up with a theme to use in these situations when I don't", "moral to share. I don't have a message that I want to convey", "and writing it becomes easier. And sometimes, nothing. In fact things tend to", "to begin to stall. I find myself throwing the characters into more and", "out and abandon the project. Is there any process to come up with", "adolescence. In fact I am often just along for the ride. I create", "path and watch what happens. Sometimes a theme develops and suddenly my story", "tolerance for absurdity is exceeded and I abandon the project. I often have", "it because there is nothing behind it. Then I fizzle out and abandon", "there any process to come up with a theme to use in these", "good. Or coming of age in a society that devalues adolescence. In fact", "and evil. Or what constitutes good. Or coming of age in a society", "I am often just along for the ride. I create characters and then", "on their path and watch what happens. Sometimes a theme develops and suddenly", "a theme develops and suddenly my story has more purpose and writing it", "great wheel of themes, then I find myself struggling to develop it because", "becomes easier. And sometimes, nothing. In fact things tend to begin to stall.", "to convey to the reader. I often don't write about the nature of", "characters into more and more contrived circumstances to explore them until my tolerance", "them until my tolerance for absurdity is exceeded and I abandon the project.", "know that if I just had a greater purpose for the work than", "coming of age in a society that devalues adolescence. In fact I am", "for the work than just a series of events, things would go better.", "theme by spinning the great wheel of themes, then I find myself struggling", "the characters into more and more contrived circumstances to explore them until my", "has more purpose and writing it becomes easier. And sometimes, nothing. In fact", "of the battle between good and evil. Or what constitutes good. Or coming", "And sometimes, nothing. In fact things tend to begin to stall. I find", "it. Then I fizzle out and abandon the project. Is there any process", "and then set them on their path and watch what happens. Sometimes a", "a greater purpose for the work than just a series of events, things", "ride. I create characters and then set them on their path and watch", "fact things tend to begin to stall. I find myself throwing the characters", "than just a series of events, things would go better. However, if I", "a series of events, things would go better. However, if I just pick", "that I want to convey to the reader. I often don't write about", "I abandon the project. I often have a point where I know that", "often don't have any great meaningful moral to share. I don't have a", "the work than just a series of events, things would go better. However,", "pick a random arbitrary theme by spinning the great wheel of themes, then", "I find myself struggling to develop it because there is nothing behind it.", "is nothing behind it. Then I fizzle out and abandon the project. Is", "process to come up with a theme to use in these situations when", "then set them on their path and watch what happens. Sometimes a theme", "abandon the project. I often have a point where I know that if", "that devalues adolescence. In fact I am often just along for the ride.", "suddenly my story has more purpose and writing it becomes easier. And sometimes,", "However, if I just pick a random arbitrary theme by spinning the great", "and more contrived circumstances to explore them until my tolerance for absurdity is", "behind it. Then I fizzle out and abandon the project. Is there any", "have a point where I know that if I just had a greater", "things tend to begin to stall. I find myself throwing the characters into", "the project. I often have a point where I know that if I", "throwing the characters into more and more contrived circumstances to explore them until", "themes, then I find myself struggling to develop it because there is nothing", "I don't have any clear direction? Or is this a sign that the", "characters and then set them on their path and watch what happens. Sometimes", "myself struggling to develop it because there is nothing behind it. Then I", "write I often don't have any great meaningful moral to share. I don't", "meaningful moral to share. I don't have a message that I want to", "there is nothing behind it. Then I fizzle out and abandon the project.", "nature of the battle between good and evil. Or what constitutes good. Or", "where I know that if I just had a greater purpose for the", "the project. Is there any process to come up with a theme to", "until my tolerance for absurdity is exceeded and I abandon the project. I", "in a society that devalues adolescence. In fact I am often just along", "great meaningful moral to share. I don't have a message that I want", "fizzle out and abandon the project. Is there any process to come up", "easier. And sometimes, nothing. In fact things tend to begin to stall. I", "if I just had a greater purpose for the work than just a", "more and more contrived circumstances to explore them until my tolerance for absurdity", "message that I want to convey to the reader. I often don't write", "had a greater purpose for the work than just a series of events,", "Sometimes a theme develops and suddenly my story has more purpose and writing", "things would go better. However, if I just pick a random arbitrary theme", "work than just a series of events, things would go better. However, if", "struggling to develop it because there is nothing behind it. Then I fizzle", "more contrived circumstances to explore them until my tolerance for absurdity is exceeded", "just a series of events, things would go better. However, if I just", "if I just pick a random arbitrary theme by spinning the great wheel", "is exceeded and I abandon the project. I often have a point where", "am often just along for the ride. I create characters and then set", "I just pick a random arbitrary theme by spinning the great wheel of", "and suddenly my story has more purpose and writing it becomes easier. And", "develop it because there is nothing behind it. Then I fizzle out and", "my tolerance for absurdity is exceeded and I abandon the project. I often", "nothing. In fact things tend to begin to stall. I find myself throwing", "begin to stall. I find myself throwing the characters into more and more", "the reader. I often don't write about the nature of the battle between", "circumstances to explore them until my tolerance for absurdity is exceeded and I", "project. Is there any process to come up with a theme to use", "sometimes, nothing. In fact things tend to begin to stall. I find myself", "to come up with a theme to use in these situations when I" ]
[ "Anne H. Ehrlich. And I want to use the proper APA method to", "one: > > As Ehrlich and Ehrlich underlined, ... (2015) > > >", "and Anne H. Ehrlich. And I want to use the proper APA method", "and Ehrlich underlined, ... (2015) > > > or this one: > >", "> > As P. Ehrlich and A. Ehrlich underlined, ... (2015) > >", "> > or this one: > > As P. Ehrlich and A. Ehrlich", "Ehrlich underlined, ... (2015) > > > or this one: > > As", "> > > or this one: > > As P. Ehrlich and A.", "two authors, Paul Ehrlich and Anne H. Ehrlich. And I want to use", "this one: > > As P. Ehrlich and A. Ehrlich underlined, ... (2015)", "method to cite them. Should I use this one: > > As Ehrlich", "APA method to cite them. Should I use this one: > > As", "> As Ehrlich and Ehrlich underlined, ... (2015) > > > or this", "a source text that had two authors, Paul Ehrlich and Anne H. Ehrlich.", "to use the proper APA method to cite them. Should I use this", "had two authors, Paul Ehrlich and Anne H. Ehrlich. And I want to", "Ehrlich and Ehrlich underlined, ... (2015) > > > or this one: >", "the proper APA method to cite them. Should I use this one: >", "I want to use the proper APA method to cite them. Should I", "encountered a source text that had two authors, Paul Ehrlich and Anne H.", "underlined, ... (2015) > > > or this one: > > As P.", "want to use the proper APA method to cite them. Should I use", "cite them. Should I use this one: > > As Ehrlich and Ehrlich", "H. Ehrlich. And I want to use the proper APA method to cite", "(2015) > > > or this one: > > As P. Ehrlich and", "Should I use this one: > > As Ehrlich and Ehrlich underlined, ...", "use this one: > > As Ehrlich and Ehrlich underlined, ... (2015) >", "one: > > As P. Ehrlich and A. Ehrlich underlined, ... (2015) >", "As Ehrlich and Ehrlich underlined, ... (2015) > > > or this one:", "use the proper APA method to cite them. Should I use this one:", "Ehrlich and Anne H. Ehrlich. And I want to use the proper APA", "to cite them. Should I use this one: > > As Ehrlich and", "proper APA method to cite them. Should I use this one: > >", "> or this one: > > As P. Ehrlich and A. Ehrlich underlined,", "this one: > > As Ehrlich and Ehrlich underlined, ... (2015) > >", "Paul Ehrlich and Anne H. Ehrlich. And I want to use the proper", "them. Should I use this one: > > As Ehrlich and Ehrlich underlined,", "that had two authors, Paul Ehrlich and Anne H. Ehrlich. And I want", "source text that had two authors, Paul Ehrlich and Anne H. Ehrlich. And", "I encountered a source text that had two authors, Paul Ehrlich and Anne", "And I want to use the proper APA method to cite them. Should", "> As P. Ehrlich and A. Ehrlich underlined, ... (2015) > > >", "... (2015) > > > or this one: > > As P. Ehrlich", "text that had two authors, Paul Ehrlich and Anne H. Ehrlich. And I", "authors, Paul Ehrlich and Anne H. Ehrlich. And I want to use the", "or this one: > > As P. Ehrlich and A. Ehrlich underlined, ...", "Ehrlich. And I want to use the proper APA method to cite them.", "I use this one: > > As Ehrlich and Ehrlich underlined, ... (2015)", "> > As Ehrlich and Ehrlich underlined, ... (2015) > > > or" ]
[ "current state of knowledge) impossible\" (According to Darko Suvin, from Wikipedia [link](https://en.wikipedia.org/wiki/Science_fiction#cite_ref-metamorphoses_7-0)). This", "Let's suppose there is this technology X. X works following some even remotely", "X is never explained out loud; the scientific principles that it operates on", "in the current state of knowledge) impossible\" (According to Darko Suvin, from Wikipedia", "explanations for every technology that appears in a novel. This may be for", "as not-true, but also as not-unlike-true, not-flatly- (and in the current state of", "on speculation. Probably related: * [The role of inexplicable events in hard science", "ray bursts. In short, X's effects are clear, but the details of X's", "operates on are left entirely on speculation. Probably related: * [The role of", "where the \"incredible\" elements are \"recognizable as not-true, but also as not-unlike-true, not-flatly-", "a novel. This may be for a variety of reasons, brevity being one", "\"scientific plausibility\" without giving a reasonable explanation?** After all, X is never explained", "* [The role of inexplicable events in hard science fiction](https://writing.stackexchange.com/questions/37798/the-role-of-inexplicable-events-in-hard-science-fiction) * [The role", "technology that appears in a novel. This may be for a variety of", "pretense of \"scientific plausibility\" without giving a reasonable explanation? After all, X is", "can see the technology in use, understand what it does, and even what", "work. Maybe it's a machine needing fuel and electricity. Maybe it's a weapon", "also as not-unlike-true, not-flatly- (and in the current state of knowledge) impossible\" (According", "the details of X's inner working are never laid out. How can the", "one of them, keeping an air of mystery another. Let's suppose there is", "all, X is never explained out loud; the scientific principles that it operates", "of reasons, brevity being one of them, keeping an air of mystery another.", "never explains it. X gets a lot of space in the novel: the", "but the details of X's inner working are never laid out. How can", "this technology X. X works following some even remotely possible scientific concept. The", "for every technology that appears in a novel. This may be for a", "but never explains it. X gets a lot of space in the novel:", "and electricity. Maybe it's a weapon emitting huge ray bursts. In short, X's", "related: * [The role of inexplicable events in hard science fiction](https://writing.stackexchange.com/questions/37798/the-role-of-inexplicable-events-in-hard-science-fiction) * [The", "concept. The author knows the concept, but never explains it. X gets a", "principles that it operates on are left entirely on speculation. Probably related: ", "has been defined as a genre where the \"incredible\" elements are \"recognizable as", "into lengthy explanations for every technology that appears in a novel. This may", "reasonable explanation?* After all, X is never explained out loud; the scientific principles", "of mystery another. Let's suppose there is this technology X. X works following", "are \"recognizable as not-true, but also as not-unlike-true, not-flatly- (and in the current", "a variety of reasons, brevity being one of them, keeping an air of", "X gets a lot of space in the novel: the reader can see", "effects are clear, but the details of X's inner working are never laid", "explains it. X gets a lot of space in the novel: the reader", "out loud; the scientific principles that it operates on are left entirely on", "in use, understand what it does, and even what it requires to work.", "air of mystery another. Let's suppose there is this technology X. X works", "being scientifically possible. Yet, sometimes an author doesn't want to get into lengthy", "concept, but never explains it. X gets a lot of space in the", "space in the novel: the reader can see the technology in use, understand", "has no pretense of being scientifically possible. Yet, sometimes an author doesn't want", "compared against fantasy, where magic has no pretense of being scientifically possible. Yet,", "not-true, but also as not-unlike-true, not-flatly- (and in the current state of knowledge)", "needing fuel and electricity. Maybe it's a weapon emitting huge ray bursts. In", "them, keeping an air of mystery another. Let's suppose there is this technology", "in a novel. This may be for a variety of reasons, brevity being", "How can the author maintain a pretense of \"scientific plausibility\" without giving a", "working are never laid out. How can the author maintain a pretense of", "following some even remotely possible scientific concept. The author knows the concept, but", "[link](https://en.wikipedia.org/wiki/Science_fiction#cite_ref-metamorphoses_7-0)). This is often compared against fantasy, where magic has no pretense of", "lengthy explanations for every technology that appears in a novel. This may be", "suppose there is this technology X. X works following some even remotely possible", "inexplicable events in hard science fiction](https://writing.stackexchange.com/questions/37798/the-role-of-inexplicable-events-in-hard-science-fiction) * [The role of the supernatural in", "but also as not-unlike-true, not-flatly- (and in the current state of knowledge) impossible\"", "inner working are never laid out. *How can the author maintain a pretense", "[The role of inexplicable events in hard science fiction](https://writing.stackexchange.com/questions/37798/the-role-of-inexplicable-events-in-hard-science-fiction) [The role of", "possible scientific concept. The author knows the concept, but never explains it. X", "is often compared against fantasy, where magic has no pretense of being scientifically", "can the author maintain a pretense of \"scientific plausibility\" without giving a reasonable", "not-flatly- (and in the current state of knowledge) impossible\" (According to Darko Suvin,", "author doesn't want to get into lengthy explanations for every technology that appears", "gets a lot of space in the novel: the reader can see the", "an air of mystery another. Let's suppose there is this technology X. X", "reasons, brevity being one of them, keeping an air of mystery another. Let's", "there is this technology X. X works following some even remotely possible scientific", "a machine needing fuel and electricity. Maybe it's a weapon emitting huge ray", "technology X. X works following some even remotely possible scientific concept. The author", "to Darko Suvin, from Wikipedia [link](https://en.wikipedia.org/wiki/Science_fiction#cite_ref-metamorphoses_7-0)). This is often compared against fantasy, where", "loud; the scientific principles that it operates on are left entirely on speculation.", "giving a reasonable explanation? After all, X is never explained out loud; the", "see the technology in use, understand what it does, and even what it", "are left entirely on speculation. Probably related:** * [The role of inexplicable events", "details of X's inner working are never laid out. *How can the author", "Suvin, from Wikipedia [link](https://en.wikipedia.org/wiki/Science_fiction#cite_ref-metamorphoses_7-0)). This is often compared against fantasy, where magic has", "Science fiction has been defined as a genre where the \"incredible\" elements are", "[The role of the supernatural in hard science fiction](https://writing.stackexchange.com/questions/37828/the-role-of-the-supernatural-in-hard-science-fiction) [Spiritual elements in", "works following some even remotely possible scientific concept. The author knows the concept,", "science fiction](https://writing.stackexchange.com/questions/37798/the-role-of-inexplicable-events-in-hard-science-fiction) * [The role of the supernatural in hard science fiction](https://writing.stackexchange.com/questions/37828/the-role-of-the-supernatural-in-hard-science-fiction) ", "X's effects are clear, but the details of X's inner working are never", "a pretense of \"scientific plausibility\" without giving a reasonable explanation?* After all, X", "get into lengthy explanations for every technology that appears in a novel. This", "a lot of space in the novel: the reader can see the technology", "without giving a reasonable explanation?** After all, X is never explained out loud;", "events in hard science fiction](https://writing.stackexchange.com/questions/37798/the-role-of-inexplicable-events-in-hard-science-fiction) * [The role of the supernatural in hard", "for a variety of reasons, brevity being one of them, keeping an air", "of knowledge) impossible\" (According to Darko Suvin, from Wikipedia [link](https://en.wikipedia.org/wiki/Science_fiction#cite_ref-metamorphoses_7-0)). This is often", "machine needing fuel and electricity. Maybe it's a weapon emitting huge ray bursts.", "the scientific principles that it operates on are left entirely on speculation. *Probably", "knows the concept, but never explains it. X gets a lot of space", "what it does, and even what it requires to work. Maybe it's a", "it's a weapon emitting huge ray bursts. In short, X's effects are clear,", "hard science fiction](https://writing.stackexchange.com/questions/37798/the-role-of-inexplicable-events-in-hard-science-fiction) [The role of the supernatural in hard science fiction](https://writing.stackexchange.com/questions/37828/the-role-of-the-supernatural-in-hard-science-fiction)", "speculation. Probably related: * [The role of inexplicable events in hard science fiction](https://writing.stackexchange.com/questions/37798/the-role-of-inexplicable-events-in-hard-science-fiction)", "where magic has no pretense of being scientifically possible. Yet, sometimes an author", "fiction](https://writing.stackexchange.com/questions/37798/the-role-of-inexplicable-events-in-hard-science-fiction) * [The role of the supernatural in hard science fiction](https://writing.stackexchange.com/questions/37828/the-role-of-the-supernatural-in-hard-science-fiction) * [Spiritual", "Yet, sometimes an author doesn't want to get into lengthy explanations for every", "often compared against fantasy, where magic has no pretense of being scientifically possible.", "brevity being one of them, keeping an air of mystery another. Let's suppose", "even what it requires to work. Maybe it's a machine needing fuel and", "novel: the reader can see the technology in use, understand what it does,", "of space in the novel: the reader can see the technology in use,", "(According to Darko Suvin, from Wikipedia [link](https://en.wikipedia.org/wiki/Science_fiction#cite_ref-metamorphoses_7-0)). This is often compared against fantasy,", "want to get into lengthy explanations for every technology that appears in a", "a weapon emitting huge ray bursts. In short, X's effects are clear, but", "being one of them, keeping an air of mystery another. Let's suppose there", "X works following some even remotely possible scientific concept. The author knows the", "to get into lengthy explanations for every technology that appears in a novel.", "an author doesn't want to get into lengthy explanations for every technology that", "from Wikipedia [link](https://en.wikipedia.org/wiki/Science_fiction#cite_ref-metamorphoses_7-0)). This is often compared against fantasy, where magic has no", "After all, X is never explained out loud; the scientific principles that it", "possible. Yet, sometimes an author doesn't want to get into lengthy explanations for", "use, understand what it does, and even what it requires to work. Maybe", "\"recognizable as not-true, but also as not-unlike-true, not-flatly- (and in the current state", "magic has no pretense of being scientifically possible. Yet, sometimes an author doesn't", "that appears in a novel. This may be for a variety of reasons,", "role of inexplicable events in hard science fiction](https://writing.stackexchange.com/questions/37798/the-role-of-inexplicable-events-in-hard-science-fiction) * [The role of the", "of inexplicable events in hard science fiction](https://writing.stackexchange.com/questions/37798/the-role-of-inexplicable-events-in-hard-science-fiction) * [The role of the supernatural", "* [The role of the supernatural in hard science fiction](https://writing.stackexchange.com/questions/37828/the-role-of-the-supernatural-in-hard-science-fiction) * [Spiritual elements", "to work. Maybe it's a machine needing fuel and electricity. Maybe it's a", "is never explained out loud; the scientific principles that it operates on are", "emitting huge ray bursts. In short, X's effects are clear, but the details", "are never laid out. *How can the author maintain a pretense of \"scientific", "and even what it requires to work. Maybe it's a machine needing fuel", "electricity. Maybe it's a weapon emitting huge ray bursts. In short, X's effects", "genre where the \"incredible\" elements are \"recognizable as not-true, but also as not-unlike-true,", "fantasy, where magic has no pretense of being scientifically possible. Yet, sometimes an", "the technology in use, understand what it does, and even what it requires", "X. X works following some even remotely possible scientific concept. The author knows", "in hard science fiction](https://writing.stackexchange.com/questions/37798/the-role-of-inexplicable-events-in-hard-science-fiction) [The role of the supernatural in hard science", "never laid out. How can the author maintain a pretense of \"scientific plausibility\"", "remotely possible scientific concept. The author knows the concept, but never explains it.", "understand what it does, and even what it requires to work. Maybe it's", "Maybe it's a weapon emitting huge ray bursts. In short, X's effects are", "lot of space in the novel: the reader can see the technology in", "sometimes an author doesn't want to get into lengthy explanations for every technology", "doesn't want to get into lengthy explanations for every technology that appears in", "fuel and electricity. Maybe it's a weapon emitting huge ray bursts. In short,", "scientifically possible. Yet, sometimes an author doesn't want to get into lengthy explanations", "the current state of knowledge) impossible\" (According to Darko Suvin, from Wikipedia [link](https://en.wikipedia.org/wiki/Science_fiction#cite_ref-metamorphoses_7-0)).", "may be for a variety of reasons, brevity being one of them, keeping", "scientific concept. The author knows the concept, but never explains it. X gets", "X's inner working are never laid out. How can the author maintain a", "it's a machine needing fuel and electricity. Maybe it's a weapon emitting huge", "role of the supernatural in hard science fiction](https://writing.stackexchange.com/questions/37828/the-role-of-the-supernatural-in-hard-science-fiction) * [Spiritual elements in a", "reader can see the technology in use, understand what it does, and even", "never explained out loud; the scientific principles that it operates on are left", "defined as a genre where the \"incredible\" elements are \"recognizable as not-true, but", "technology in use, understand what it does, and even what it requires to", "a reasonable explanation? After all, X is never explained out loud; the scientific", "explained out loud; the scientific principles that it operates on are left entirely", "left entirely on speculation. Probably related:** * [The role of inexplicable events in", "requires to work. Maybe it's a machine needing fuel and electricity. Maybe it's", "keeping an air of mystery another. Let's suppose there is this technology X.", "bursts. In short, X's effects are clear, but the details of X's inner", "no pretense of being scientifically possible. Yet, sometimes an author doesn't want to", "the reader can see the technology in use, understand what it does, and", "the concept, but never explains it. X gets a lot of space in", "Maybe it's a machine needing fuel and electricity. Maybe it's a weapon emitting", "be for a variety of reasons, brevity being one of them, keeping an", "as a genre where the \"incredible\" elements are \"recognizable as not-true, but also", "pretense of being scientifically possible. Yet, sometimes an author doesn't want to get", "as not-unlike-true, not-flatly- (and in the current state of knowledge) impossible\" (According to", "Wikipedia [link](https://en.wikipedia.org/wiki/Science_fiction#cite_ref-metamorphoses_7-0)). This is often compared against fantasy, where magic has no pretense", "are clear, but the details of X's inner working are never laid out.", "of X's inner working are never laid out. How can the author maintain", "the \"incredible\" elements are \"recognizable as not-true, but also as not-unlike-true, not-flatly- (and", "even remotely possible scientific concept. The author knows the concept, but never explains", "scientific principles that it operates on are left entirely on speculation. Probably related:", "clear, but the details of X's inner working are never laid out. How", "does, and even what it requires to work. Maybe it's a machine needing", "weapon emitting huge ray bursts. In short, X's effects are clear, but the", "maintain a pretense of \"scientific plausibility\" without giving a reasonable explanation? After all,", "out. How can the author maintain a pretense of \"scientific plausibility\" without giving", "what it requires to work. Maybe it's a machine needing fuel and electricity.", "plausibility\" without giving a reasonable explanation? After all, X is never explained out", "\"incredible\" elements are \"recognizable as not-true, but also as not-unlike-true, not-flatly- (and in", "on are left entirely on speculation. Probably related:** * [The role of inexplicable", "the author maintain a pretense of \"scientific plausibility\" without giving a reasonable explanation?*", "the supernatural in hard science fiction](https://writing.stackexchange.com/questions/37828/the-role-of-the-supernatural-in-hard-science-fiction) [Spiritual elements in a science-fiction novel](https://writing.stackexchange.com/questions/6339/spiritual-elements-in-a-science-fiction-novel)", "Darko Suvin, from Wikipedia [link](https://en.wikipedia.org/wiki/Science_fiction#cite_ref-metamorphoses_7-0)). This is often compared against fantasy, where magic", "some even remotely possible scientific concept. The author knows the concept, but never", "novel. This may be for a variety of reasons, brevity being one of", "Probably related: * [The role of inexplicable events in hard science fiction](https://writing.stackexchange.com/questions/37798/the-role-of-inexplicable-events-in-hard-science-fiction) ", "(and in the current state of knowledge) impossible\" (According to Darko Suvin, from", "it. X gets a lot of space in the novel: the reader can", "short, X's effects are clear, but the details of X's inner working are", "of being scientifically possible. Yet, sometimes an author doesn't want to get into", "entirely on speculation. Probably related:* * [The role of inexplicable events in hard", "the novel: the reader can see the technology in use, understand what it", "another. Let's suppose there is this technology X. X works following some even", "impossible\" (According to Darko Suvin, from Wikipedia [link](https://en.wikipedia.org/wiki/Science_fiction#cite_ref-metamorphoses_7-0)). This is often compared against", "mystery another. Let's suppose there is this technology X. X works following some", "elements are \"recognizable as not-true, but also as not-unlike-true, not-flatly- (and in the", "variety of reasons, brevity being one of them, keeping an air of mystery", "been defined as a genre where the \"incredible\" elements are \"recognizable as not-true,", "a genre where the \"incredible\" elements are \"recognizable as not-true, but also as", "state of knowledge) impossible\" (According to Darko Suvin, from Wikipedia [link](https://en.wikipedia.org/wiki/Science_fiction#cite_ref-metamorphoses_7-0)). This is", "it requires to work. Maybe it's a machine needing fuel and electricity. Maybe", "huge ray bursts. In short, X's effects are clear, but the details of", "against fantasy, where magic has no pretense of being scientifically possible. Yet, sometimes", "of \"scientific plausibility\" without giving a reasonable explanation? After all, X is never", "that it operates on are left entirely on speculation. Probably related:** * [The", "every technology that appears in a novel. This may be for a variety", "explanation? After all, X is never explained out loud; the scientific principles that", "is this technology X. X works following some even remotely possible scientific concept.", "fiction has been defined as a genre where the \"incredible\" elements are \"recognizable", "This is often compared against fantasy, where magic has no pretense of being", "laid out. How can the author maintain a pretense of \"scientific plausibility\" without", "it operates on are left entirely on speculation. Probably related: * [The role", "it does, and even what it requires to work. Maybe it's a machine", "appears in a novel. This may be for a variety of reasons, brevity", "author knows the concept, but never explains it. X gets a lot of", "This may be for a variety of reasons, brevity being one of them,", "The author knows the concept, but never explains it. X gets a lot", "author maintain a pretense of \"scientific plausibility\" without giving a reasonable explanation?** After", "In short, X's effects are clear, but the details of X's inner working", "of the supernatural in hard science fiction](https://writing.stackexchange.com/questions/37828/the-role-of-the-supernatural-in-hard-science-fiction) * [Spiritual elements in a science-fiction", "of them, keeping an air of mystery another. Let's suppose there is this", "knowledge) impossible\" (According to Darko Suvin, from Wikipedia [link](https://en.wikipedia.org/wiki/Science_fiction#cite_ref-metamorphoses_7-0)). This is often compared", "in the novel: the reader can see the technology in use, understand what", "not-unlike-true, not-flatly- (and in the current state of knowledge) impossible\" (According to Darko" ]
[ "know what I mean to say, and my reading-speed will be pretty fast.", "reading-speed will be pretty fast. (But if I'm actually confusing and making a", "(blogs and such) list how long they estimate for a specific essay/post/article to", "myself -- plus, if adding a time-estimate to my own works, I'm going", "-- plus, if adding a time-estimate to my own works, I'm going to", "list how long they estimate for a specific essay/post/article to take for the", "lot of platforms (blogs and such) list how long they estimate for a", "be pretty fast. (But if I'm actually confusing and making a lot of", "I mean to say, and my reading-speed will be pretty fast. (But if", "pretty fast. (But if I'm actually confusing and making a lot of assumptions,", "to say, and my reading-speed will be pretty fast. (But if I'm actually", "so I can't just time myself -- plus, if adding a time-estimate to", "how short it is, a not-me reader will take much longer.) Is there", "works, I'm going to know what I mean to say, and my reading-speed", "mean to say, and my reading-speed will be pretty fast. (But if I'm", "essay/post/article to take for the average reader. How is this calculated? I always", "fast, so I can't just time myself -- plus, if adding a time-estimate", "is, a not-me reader will take much longer.) Is there a standard bot", "not-me reader will take much longer.) Is there a standard bot everyone submits", "reader. How is this calculated? I always read fast, so I can't just", "take for the average reader. How is this calculated? I always read fast,", "and my reading-speed will be pretty fast. (But if I'm actually confusing and", "and such) list how long they estimate for a specific essay/post/article to take", "just time myself -- plus, if adding a time-estimate to my own works,", "I'm going to know what I mean to say, and my reading-speed will", "a specific essay/post/article to take for the average reader. How is this calculated?", "a lot of assumptions, no matter how short it is, a not-me reader", "specific essay/post/article to take for the average reader. How is this calculated? I", "to know what I mean to say, and my reading-speed will be pretty", "say, and my reading-speed will be pretty fast. (But if I'm actually confusing", "making a lot of assumptions, no matter how short it is, a not-me", "it is, a not-me reader will take much longer.) Is there a standard", "take much longer.) Is there a standard bot everyone submits to, or some", "I'm actually confusing and making a lot of assumptions, no matter how short", "matter how short it is, a not-me reader will take much longer.) Is", "calculated?** I always read fast, so I can't just time myself -- plus,", "short it is, a not-me reader will take much longer.) Is there a", "going to know what I mean to say, and my reading-speed will be", "can't just time myself -- plus, if adding a time-estimate to my own", "always read fast, so I can't just time myself -- plus, if adding", "a time-estimate to my own works, I'm going to know what I mean", "to my own works, I'm going to know what I mean to say,", "will take much longer.) Is there a standard bot everyone submits to, or", "fast. (But if I'm actually confusing and making a lot of assumptions, no", "time-estimate to my own works, I'm going to know what I mean to", "I've noticed a lot of platforms (blogs and such) list how long they", "I can't just time myself -- plus, if adding a time-estimate to my", "confusing and making a lot of assumptions, no matter how short it is,", "long they estimate for a specific essay/post/article to take for the average reader.", "this calculated?** I always read fast, so I can't just time myself --", "noticed a lot of platforms (blogs and such) list how long they estimate", "what I mean to say, and my reading-speed will be pretty fast. (But", "will be pretty fast. (But if I'm actually confusing and making a lot", "a lot of platforms (blogs and such) list how long they estimate for", "how long they estimate for a specific essay/post/article to take for the average", "a not-me reader will take much longer.) Is there a standard bot everyone", "my reading-speed will be pretty fast. (But if I'm actually confusing and making", "lot of assumptions, no matter how short it is, a not-me reader will", "time myself -- plus, if adding a time-estimate to my own works, I'm", "of assumptions, no matter how short it is, a not-me reader will take", "and making a lot of assumptions, no matter how short it is, a", "longer.) Is there a standard bot everyone submits to, or some other resource/calculation?", "(But if I'm actually confusing and making a lot of assumptions, no matter", "such) list how long they estimate for a specific essay/post/article to take for", "is this calculated? I always read fast, so I can't just time myself", "the average reader. How is this calculated? I always read fast, so I", "read fast, so I can't just time myself -- plus, if adding a", "average reader. How is this calculated?** I always read fast, so I can't", "adding a time-estimate to my own works, I'm going to know what I", "they estimate for a specific essay/post/article to take for the average reader. How", "for the average reader. How is this calculated? I always read fast, so", "platforms (blogs and such) list how long they estimate for a specific essay/post/article", "estimate for a specific essay/post/article to take for the average reader. How is", "if adding a time-estimate to my own works, I'm going to know what", "no matter how short it is, a not-me reader will take much longer.)", "my own works, I'm going to know what I mean to say, and", "assumptions, no matter how short it is, a not-me reader will take much", "How is this calculated? I always read fast, so I can't just time", "if I'm actually confusing and making a lot of assumptions, no matter how", "reader will take much longer.) Is there a standard bot everyone submits to,", "for a specific essay/post/article to take for the average reader. *How is this", "actually confusing and making a lot of assumptions, no matter how short it", "I always read fast, so I can't just time myself -- plus, if", "plus, if adding a time-estimate to my own* works, I'm going to know", "to take for the average reader. How is this calculated? I always read", "much longer.) Is there a standard bot everyone submits to, or some other", "own works, I'm going to know what I mean to say, and my", "of platforms (blogs and such) list how long they estimate for a specific" ]
[ "in my country (Spain) and publish in other languages in other countries then", "French, Arabic and Italian. I want to publish the book in these five", "books in these languages doesn't cover the cost of translations and editing. I", "I can only think of 3 options: * Publish in Spanish in my", "have two options: either to ignore the other languages and publish only in", "simultaneously but there are some problems. I live in Spain; most of the", "publish them also in other countries. That is, for example, I publish in", "English, French, Arabic and Italian. I want to publish the book in these", "speak Spanish, a few speak the other four languages. Therefore the number of", "sell them here. The price of the book in English will be higher", "book in English will be higher than its price in Spanish. * Publish", "my country and publish them also in other countries. That is, for example,", "other countries. That is, for example, I publish in French in my country", "of books I will sell in non-Spanish in my country is very small", "here. The price of the book in English will be higher than its", "no market in these countries because people don't know me. * Publish in", "know me. * Publish in all languages in my country and publish them", "I then have two options: either to ignore the other languages and publish", "publish the book in these five languages simultaneously but there are some problems.", "Spanish, a few speak the other four languages. Therefore the number of books", "book in Spanish. I translated the book to English, French, Arabic and Italian.", "these languages doesn't cover the cost of translations and editing. I then have", "in Spanish in my country (Spain) and publish in other languages in other", "publish it in France; two publishers publishing the same book! Is that even", "France; two publishers publishing the same book! Is that even possible? How do", "the number of books I will sell in non-Spanish in my country is", "books I will sell in non-Spanish in my country is very small compared", "Spanish. The profit of selling the books in these languages doesn't cover the", "two options: either to ignore the other languages and publish only in Spanish", "countries. But there's no market in these countries because people don't know me.", "(Spain) and publish in other languages in other countries then import some of", "books and sell them here. The price of the book in English will", "there are some problems. I live in Spain; most of the citizens speak", "languages and find a market in other countries. Since most publishers are local", "then have two options: either to ignore the other languages and publish only", "publish only in Spanish or publish in all languages and find a market", "them here. The price of the book in English will be higher than", "in my country is very small compared to the number of books in", "and export them to other countries. But there's no market in these countries", "in my country and publish them also in other countries. That is, for", "other languages and publish only in Spanish or publish in all languages and", "book! Is that even possible? How do I deal with such a situation?", "to other countries. But there's no market in these countries because people don't", "for example, I publish in French in my country and then publish it", "Publish all languages in my country and export them to other countries. But", "speak the other four languages. Therefore the number of books I will sell", "languages doesn't cover the cost of translations and editing. I then have two", "the book in English will be higher than its price in Spanish. ", "to English, French, Arabic and Italian. I want to publish the book in", "other countries then import some of these books and sell them here. The", "I want to publish the book in these five languages simultaneously but there", "book in these five languages simultaneously but there are some problems. I live", "some of these books and sell them here. The price of the book", "them to other countries. But there's no market in these countries because people", "non-Spanish in my country is very small compared to the number of books", "of selling the books in these languages doesn't cover the cost of translations", "my country and export them to other countries. But there's no market in", "But there's no market in these countries because people don't know me. ", "some problems. I live in Spain; most of the citizens speak Spanish, a", "the books in these languages doesn't cover the cost of translations and editing.", "citizens speak Spanish, a few speak the other four languages. Therefore the number", "my country (Spain) and publish in other languages in other countries then import", "it in France; two publishers publishing the same book! Is that even possible?", "sell in non-Spanish in my country is very small compared to the number", "live in Spain; most of the citizens speak Spanish, a few speak the", "will sell in non-Spanish in my country is very small compared to the", "in Spanish. * Publish all languages in my country and export them to", "of these books and sell them here. The price of the book in", "but there are some problems. I live in Spain; most of the citizens", "international), I can only think of 3 options: * Publish in Spanish in", "the other four languages. Therefore the number of books I will sell in", "either to ignore the other languages and publish only in Spanish or publish", "and then publish it in France; two publishers publishing the same book! Is", "publishing the same book! Is that even possible? How do I deal with", "Spain; most of the citizens speak Spanish, a few speak the other four", "people don't know me. * Publish in all languages in my country and", "and publish in other languages in other countries then import some of these", "publish in all languages and find a market in other countries. Since most", "in these countries because people don't know me. * Publish in all languages", "Since most publishers are local (not international), I can only think of 3", "problems. I live in Spain; most of the citizens speak Spanish, a few", "very small compared to the number of books in Spanish. The profit of", "can only think of 3 options: * Publish in Spanish in my country", "two publishers publishing the same book! Is that even possible? How do I", "in these five languages simultaneously but there are some problems. I live in", "ignore the other languages and publish only in Spanish or publish in all", "in these languages doesn't cover the cost of translations and editing. I then", "and find a market in other countries. Since most publishers are local (not", "market in other countries. Since most publishers are local (not international), I can", "The profit of selling the books in these languages doesn't cover the cost", "* Publish all languages in my country and export them to other countries.", "Spanish or publish in all languages and find a market in other countries.", "selling the books in these languages doesn't cover the cost of translations and", "country is very small compared to the number of books in Spanish. The", "in other countries. That is, for example, I publish in French in my", "or publish in all languages and find a market in other countries. Since", "translations and editing. I then have two options: either to ignore the other", "countries. Since most publishers are local (not international), I can only think of", "example, I publish in French in my country and then publish it in", "Arabic and Italian. I want to publish the book in these five languages", "country and publish them also in other countries. That is, for example, I", "in my country and then publish it in France; two publishers publishing the", "country and then publish it in France; two publishers publishing the same book!", "languages simultaneously but there are some problems. I live in Spain; most of", "will be higher than its price in Spanish. * Publish all languages in", "be higher than its price in Spanish. * Publish all languages in my", "Publish in all languages in my country and publish them also in other", "languages in my country and publish them also in other countries. That is,", "other four languages. Therefore the number of books I will sell in non-Spanish", "the cost of translations and editing. I then have two options: either to", "think of 3 options: * Publish in Spanish in my country (Spain) and", "because people don't know me. * Publish in all languages in my country", "other countries. But there's no market in these countries because people don't know", "in Spain; most of the citizens speak Spanish, a few speak the other", "books in Spanish. The profit of selling the books in these languages doesn't", "most publishers are local (not international), I can only think of 3 options:", "I publish in French in my country and then publish it in France;", "and Italian. I want to publish the book in these five languages simultaneously", "in English will be higher than its price in Spanish. * Publish all", "in other countries. Since most publishers are local (not international), I can only", "my country and then publish it in France; two publishers publishing the same", "is very small compared to the number of books in Spanish. The profit", "Publish in Spanish in my country (Spain) and publish in other languages in", "other languages in other countries then import some of these books and sell", "its price in Spanish. * Publish all languages in my country and export", "of translations and editing. I then have two options: either to ignore the", "I live in Spain; most of the citizens speak Spanish, a few speak", "to publish the book in these five languages simultaneously but there are some", "cover the cost of translations and editing. I then have two options: either", "The price of the book in English will be higher than its price", "in Spanish. The profit of selling the books in these languages doesn't cover", "languages and publish only in Spanish or publish in all languages and find", "higher than its price in Spanish. * Publish all languages in my country", "doesn't cover the cost of translations and editing. I then have two options:", "translated the book to English, French, Arabic and Italian. I want to publish", "only think of 3 options: * Publish in Spanish in my country (Spain)", "in other countries then import some of these books and sell them here.", "all languages in my country and publish them also in other countries. That", "are some problems. I live in Spain; most of the citizens speak Spanish,", "publishers publishing the same book! Is that even possible? How do I deal", "of the citizens speak Spanish, a few speak the other four languages. Therefore", "these countries because people don't know me. * Publish in all languages in", "options: either to ignore the other languages and publish only in Spanish or", "profit of selling the books in these languages doesn't cover the cost of", "and publish them also in other countries. That is, for example, I publish", "options: * Publish in Spanish in my country (Spain) and publish in other", "of books in Spanish. The profit of selling the books in these languages", "compared to the number of books in Spanish. The profit of selling the", "to ignore the other languages and publish only in Spanish or publish in", "wrote a book in Spanish. I translated the book to English, French, Arabic", "in French in my country and then publish it in France; two publishers", "market in these countries because people don't know me. * Publish in all", "book to English, French, Arabic and Italian. I want to publish the book", "all languages and find a market in other countries. Since most publishers are", "publish in French in my country and then publish it in France; two", "these five languages simultaneously but there are some problems. I live in Spain;", "Spanish. * Publish all languages in my country and export them to other", "don't know me. * Publish in all languages in my country and publish", "most of the citizens speak Spanish, a few speak the other four languages.", "my country is very small compared to the number of books in Spanish.", "Therefore the number of books I will sell in non-Spanish in my country", "the number of books in Spanish. The profit of selling the books in", "find a market in other countries. Since most publishers are local (not international),", "them also in other countries. That is, for example, I publish in French", "than its price in Spanish. * Publish all languages in my country and", "the book in these five languages simultaneously but there are some problems. I", "then publish it in France; two publishers publishing the same book! Is that", "in all languages and find a market in other countries. Since most publishers", "of 3 options: * Publish in Spanish in my country (Spain) and publish", "to the number of books in Spanish. The profit of selling the books", "in non-Spanish in my country is very small compared to the number of", "price in Spanish. * Publish all languages in my country and export them", "in France; two publishers publishing the same book! Is that even possible? How", "cost of translations and editing. I then have two options: either to ignore", "(not international), I can only think of 3 options: * Publish in Spanish", "only in Spanish or publish in all languages and find a market in", "import some of these books and sell them here. The price of the", "export them to other countries. But there's no market in these countries because", "publish in other languages in other countries then import some of these books", "small compared to the number of books in Spanish. The profit of selling", "four languages. Therefore the number of books I will sell in non-Spanish in", "I will sell in non-Spanish in my country is very small compared to", "few speak the other four languages. Therefore the number of books I will", "in my country and export them to other countries. But there's no market", "and publish only in Spanish or publish in all languages and find a", "me. * Publish in all languages in my country and publish them also", "I wrote a book in Spanish. I translated the book to English, French,", "French in my country and then publish it in France; two publishers publishing", "the book to English, French, Arabic and Italian. I want to publish the", "languages. Therefore the number of books I will sell in non-Spanish in my", "3 options: * Publish in Spanish in my country (Spain) and publish in", "countries then import some of these books and sell them here. The price", "these books and sell them here. The price of the book in English", "in Spanish or publish in all languages and find a market in other", "all languages in my country and export them to other countries. But there's", "Spanish in my country (Spain) and publish in other languages in other countries", "country and export them to other countries. But there's no market in these", "want to publish the book in these five languages simultaneously but there are", "number of books in Spanish. The profit of selling the books in these", "Italian. I want to publish the book in these five languages simultaneously but", "in other languages in other countries then import some of these books and", "in all languages in my country and publish them also in other countries.", "languages in other countries then import some of these books and sell them", "Spanish. I translated the book to English, French, Arabic and Italian. I want", "number of books I will sell in non-Spanish in my country is very", "* Publish in Spanish in my country (Spain) and publish in other languages", "price of the book in English will be higher than its price in", "same book! Is that even possible? How do I deal with such a", "a few speak the other four languages. Therefore the number of books I", "languages in my country and export them to other countries. But there's no", "a market in other countries. Since most publishers are local (not international), I", "local (not international), I can only think of 3 options: * Publish in", "then import some of these books and sell them here. The price of", "the same book! Is that even possible? How do I deal with such", "countries because people don't know me. * Publish in all languages in my", "also in other countries. That is, for example, I publish in French in", "countries. That is, for example, I publish in French in my country and", "English will be higher than its price in Spanish. * Publish all languages", "other countries. Since most publishers are local (not international), I can only think", "editing. I then have two options: either to ignore the other languages and", "are local (not international), I can only think of 3 options: * Publish", "in Spanish. I translated the book to English, French, Arabic and Italian. I", "there's no market in these countries because people don't know me. * Publish", "That is, for example, I publish in French in my country and then", "is, for example, I publish in French in my country and then publish", "five languages simultaneously but there are some problems. I live in Spain; most", "and editing. I then have two options: either to ignore the other languages", "of the book in English will be higher than its price in Spanish.", "a book in Spanish. I translated the book to English, French, Arabic and", "the citizens speak Spanish, a few speak the other four languages. Therefore the", "I translated the book to English, French, Arabic and Italian. I want to", "the other languages and publish only in Spanish or publish in all languages", "country (Spain) and publish in other languages in other countries then import some", "and sell them here. The price of the book in English will be", "publishers are local (not international), I can only think of 3 options: ", " Publish in all languages in my country and publish them also in" ]
[ "I'm writing a novel focusing on a single character POV. For many aspects,", "happy to read the follow up to book 1. Yet, leaving behind the", "alienating a part of your audience? In my understanding, people purchasing book 2", "never stop developing), but she cannot be considered a wide-eyed, insecure girl anymore.", "A major arc is resolved, but many themes are left open for a", "the \"growing character\" aspect without losing and alienating a part of your audience?", "people purchasing book 2 of a series do that because they're happy to", "wouldn't have the same characteristics. Surely my main character hasn't finished growing (after", "character hasn't finished growing (after all, good characters never stop developing), but she", "cannot be considered a wide-eyed, insecure girl anymore. Moreover, I don't want my", "\"coming of age\" theme can be considered as breaking a premise. Note that", "her peers. In other words, she grows a lot in the course of", "but many themes are left open for a potential sequel. Yet, the sequels", "of the first. Hence the question. What happens after the classical coming of", "considered a wide-eyed, insecure girl anymore. Moreover, I don't want my second novel", "of your audience? In my understanding, people purchasing book 2 of a series", "respect of her peers. In other words, she grows a lot in the", "a wide-eyed, insecure girl anymore. Moreover, I don't want my second novel following", "don't want my second novel following the same theme of the first. Hence", "aspect without losing and alienating a part of your audience? In my understanding,", "arc is resolved, but many themes are left open for a potential sequel.", "series do that because they're happy to read the follow up to book", "they're happy to read the follow up to book 1. Yet, leaving behind", "read the follow up to book 1. Yet, leaving behind the \"coming of", "that because they're happy to read the follow up to book 1. Yet,", "Young Adult genre, even if a lot of \"coming of age\" related stories", "age story; along with the usual tropes of the hero's journey, my protagonist", "the course of the novel. Now, my setting is ripe with interesting thing", "follow up to book 1. Yet, leaving behind the \"coming of age\" theme", "many themes are left open for a potential sequel. Yet, the sequels wouldn't", "be considered a wide-eyed, insecure girl anymore. Moreover, I don't want my second", "a lot of \"coming of age\" related stories are aimed at that audience.", "characteristics. Surely my main character hasn't finished growing (after all, good characters never", "along with the usual tropes of the hero's journey, my protagonist gradually learn", "behind the \"coming of age\" theme can be considered as breaking a premise.", "growing (after all, good characters never stop developing), but she cannot be considered", "aimed at that audience. Related:** * [Fantasy Series - YA or Adult protagonist?](https://writing.stackexchange.com/questions/32226/fantasy-series-ya-or-adult-protagonist)", "single character POV. For many aspects, it can be considered a coming of", "open for a potential sequel. Yet, the sequels wouldn't have the same characteristics.", "a novel focusing on a single character POV. For many aspects, it can", "anymore. Moreover, I don't want my second novel following the same theme of", "of age story; along with the usual tropes of the hero's journey, my", "up to book 1. Yet, leaving behind the \"coming of age\" theme can", "purchasing book 2 of a series do that because they're happy to read", "the question is not limited to the Young Adult genre, even if a", "wide-eyed, insecure girl anymore. Moreover, I don't want my second novel following the", "not end with the current novel. A major arc is resolved, but many", "classical coming of age story? Can you rule out the \"growing character\" aspect", "the world she lives in, acquires more confidence, agency, and the respect of", "want my second novel following the same theme of the first. Hence the", "a lot in the course of the novel. Now, my setting is ripe", "of age\" related stories are aimed at that audience. Related:** * [Fantasy Series", "sequel. Yet, the sequels wouldn't have the same characteristics. Surely my main character", "stop developing), but she cannot be considered a wide-eyed, insecure girl anymore. Moreover,", "my understanding, people purchasing book 2 of a series do that because they're", "journey, my protagonist gradually learn something of the world she lives in, acquires", "breaking a premise. Note that the scope of the question is not limited", "grows a lot in the course of the novel. Now, my setting is", "without losing and alienating a part of your audience? In my understanding, people", "she grows a lot in the course of the novel. Now, my setting", "my protagonist gradually learn something of the world she lives in, acquires more", "the plot does not end with the current novel. A major arc is", "related stories are aimed at that audience. Related:** * [Fantasy Series - YA", "aspects, it can be considered a coming of age story; along with the", "my setting is ripe with interesting thing to be explored and the plot", "hasn't finished growing (after all, good characters never stop developing), but she cannot", "other words, she grows a lot in the course of the novel. Now,", "story; along with the usual tropes of the hero's journey, my protagonist gradually", "lot of \"coming of age\" related stories are aimed at that audience. Related:", "\"coming of age\" related stories are aimed at that audience. Related: * [Fantasy", "Now, my setting is ripe with interesting thing to be explored and the", "novel following the same theme of the first. Hence the question. What happens", "that the scope of the question is not limited to the Young Adult", "explored and the plot does not end with the current novel. A major", "many aspects, it can be considered a coming of age story; along with", "lives in, acquires more confidence, agency, and the respect of her peers. In", "the usual tropes of the hero's journey, my protagonist gradually learn something of", "same characteristics. Surely my main character hasn't finished growing (after all, good characters", "a series do that because they're happy to read the follow up to", "something of the world she lives in, acquires more confidence, agency, and the", "the classical coming of age story? Can you rule out the \"growing character\"", "novel focusing on a single character POV. For many aspects, it can be", "the novel. Now, my setting is ripe with interesting thing to be explored", "even if a lot of \"coming of age\" related stories are aimed at", "the same theme of the first. Hence the question. What happens after the", "question is not limited to the Young Adult genre, even if a lot", "lot in the course of the novel. Now, my setting is ripe with", "good characters never stop developing), but she cannot be considered a wide-eyed, insecure", "coming of age story; along with the usual tropes of the hero's journey,", "as breaking a premise. Note that the scope of the question is not", "does not end with the current novel. A major arc is resolved, but", "resolved, but many themes are left open for a potential sequel. Yet, the", "What happens after the classical coming of age story? Can you rule out", "do that because they're happy to read the follow up to book 1.", "of the question is not limited to the Young Adult genre, even if", "character POV. For many aspects, it can be considered a coming of age", "to the Young Adult genre, even if a lot of \"coming of age\"", "hero's journey, my protagonist gradually learn something of the world she lives in,", "more confidence, agency, and the respect of her peers. In other words, she", "to read the follow up to book 1. Yet, leaving behind the \"coming", "Can you rule out the \"growing character\" aspect without losing and alienating a", "focusing on a single character POV. For many aspects, it can be considered", "have the same characteristics. Surely my main character hasn't finished growing (after all,", "words, she grows a lot in the course of the novel. Now, my", "ripe with interesting thing to be explored and the plot does not end", "\"growing character\" aspect without losing and alienating a part of your audience? In", "of age\" theme can be considered as breaking a premise. Note that the", "a potential sequel. Yet, the sequels wouldn't have the same characteristics. Surely my", "Adult genre, even if a lot of \"coming of age\" related stories are", "acquires more confidence, agency, and the respect of her peers. In other words,", "with the current novel. A major arc is resolved, but many themes are", "themes are left open for a potential sequel. Yet, the sequels wouldn't have", "theme of the first. Hence the question. What happens after the classical coming", "losing and alienating a part of your audience? In my understanding, people purchasing", "sequels wouldn't have the same characteristics. Surely my main character hasn't finished growing", "stories are aimed at that audience. Related:** * [Fantasy Series - YA or", "premise. Note that the scope of the question is not limited to the", "the same characteristics. Surely my main character hasn't finished growing (after all, good", "a part of your audience? In my understanding, people purchasing book 2 of", "course of the novel. Now, my setting is ripe with interesting thing to", "the respect of her peers. In other words, she grows a lot in", "learn something of the world she lives in, acquires more confidence, agency, and", "of the novel. Now, my setting is ripe with interesting thing to be", "interesting thing to be explored and the plot does not end with the", "following the same theme of the first. Hence the question. What happens after", "Hence the question. What happens after the classical coming of age story? Can", "main character hasn't finished growing (after all, good characters never stop developing), but", "Surely my main character hasn't finished growing (after all, good characters never stop", "I don't want my second novel following the same theme of the first.", "finished growing (after all, good characters never stop developing), but she cannot be", "all, good characters never stop developing), but she cannot be considered a wide-eyed,", "major arc is resolved, but many themes are left open for a potential", "with interesting thing to be explored and the plot does not end with", "In my understanding, people purchasing book 2 of a series do that because", "peers. In other words, she grows a lot in the course of the", "you rule out the \"growing character\" aspect without losing and alienating a part", "is not limited to the Young Adult genre, even if a lot of", "novel. Now, my setting is ripe with interesting thing to be explored and", "potential sequel. Yet, the sequels wouldn't have the same characteristics. Surely my main", "developing), but she cannot be considered a wide-eyed, insecure girl anymore. Moreover, I", "age story? Can you rule out the \"growing character\" aspect without losing and", "usual tropes of the hero's journey, my protagonist gradually learn something of the", "story? Can you rule out the \"growing character\" aspect without losing and alienating", "For many aspects, it can be considered a coming of age story; along", "after the classical coming of age story? Can you rule out the \"growing", "out the \"growing character\" aspect without losing and alienating a part of your", "and the respect of her peers. In other words, she grows a lot", "considered as breaking a premise. Note that the scope of the question is", "the current novel. A major arc is resolved, but many themes are left", "to book 1. Yet, leaving behind the \"coming of age\" theme can be", "of her peers. In other words, she grows a lot in the course", "with the usual tropes of the hero's journey, my protagonist gradually learn something", "Note that the scope of the question is not limited to the Young", "of the hero's journey, my protagonist gradually learn something of the world she", "agency, and the respect of her peers. In other words, she grows a", "be considered a coming of age story; along with the usual tropes of", "a single character POV. For many aspects, it can be considered a coming", "1. Yet, leaving behind the \"coming of age\" theme can be considered as", "and alienating a part of your audience? In my understanding, people purchasing book", "my second novel following the same theme of the first. Hence the question.", "theme can be considered as breaking a premise. Note that the scope of", "second novel following the same theme of the first. Hence the question. What", "of age story? Can you rule out the \"growing character\" aspect without losing", "gradually learn something of the world she lives in, acquires more confidence, agency,", "girl anymore. Moreover, I don't want my second novel following the same theme", "insecure girl anymore. Moreover, I don't want my second novel following the same", "Yet, the sequels wouldn't have the same characteristics. Surely my main character hasn't", "a coming of age story; along with the usual tropes of the hero's", "Moreover, I don't want my second novel following the same theme of the", "be explored and the plot does not end with the current novel. A", "to be explored and the plot does not end with the current novel.", "of \"coming of age\" related stories are aimed at that audience. Related:** ", "in the course of the novel. Now, my setting is ripe with interesting", "are aimed at that audience. Related:* * [Fantasy Series - YA or Adult", "first. Hence the question. What happens after the classical coming of age story?", "left open for a potential sequel. Yet, the sequels wouldn't have the same", "POV. For many aspects, it can be considered a coming of age story;", "same theme of the first. Hence the question. What happens after the classical", "rule out the \"growing character\" aspect without losing and alienating a part of", "plot does not end with the current novel. A major arc is resolved,", "be considered as breaking a premise. Note that the scope of the question", "is resolved, but many themes are left open for a potential sequel. Yet,", "writing a novel focusing on a single character POV. For many aspects, it", "is ripe with interesting thing to be explored and the plot does not", "are left open for a potential sequel. Yet, the sequels wouldn't have the", "of a series do that because they're happy to read the follow up", "thing to be explored and the plot does not end with the current", "the sequels wouldn't have the same characteristics. Surely my main character hasn't finished", "limited to the Young Adult genre, even if a lot of \"coming of", "leaving behind the \"coming of age\" theme can be considered as breaking a", "confidence, agency, and the respect of her peers. In other words, she grows", "a premise. Note that the scope of the question is not limited to", "scope of the question is not limited to the Young Adult genre, even", "age\" theme can be considered as breaking a premise. Note that the scope", "the follow up to book 1. Yet, leaving behind the \"coming of age\"", "the hero's journey, my protagonist gradually learn something of the world she lives", "audience? In my understanding, people purchasing book 2 of a series do that", "characters never stop developing), but she cannot be considered a wide-eyed, insecure girl", "if a lot of \"coming of age\" related stories are aimed at that", "world she lives in, acquires more confidence, agency, and the respect of her", "novel. A major arc is resolved, but many themes are left open for", "2 of a series do that because they're happy to read the follow", "happens after the classical coming of age story? Can you rule out the", "book 2 of a series do that because they're happy to read the", "setting is ripe with interesting thing to be explored and the plot does", "the \"coming of age\" theme can be considered as breaking a premise. Note", "Yet, leaving behind the \"coming of age\" theme can be considered as breaking", "in, acquires more confidence, agency, and the respect of her peers. In other", "it can be considered a coming of age story; along with the usual", "the first. Hence the question. What happens after the classical coming of age", "on a single character POV. For many aspects, it can be considered a", "current novel. A major arc is resolved, but many themes are left open", "book 1. Yet, leaving behind the \"coming of age\" theme can be considered", "considered a coming of age story; along with the usual tropes of the", "the question. What happens after the classical coming of age story? Can you", "part of your audience? In my understanding, people purchasing book 2 of a", "because they're happy to read the follow up to book 1. Yet, leaving", "can be considered as breaking a premise. Note that the scope of the", "not limited to the Young Adult genre, even if a lot of \"coming", "the Young Adult genre, even if a lot of \"coming of age\" related", "protagonist gradually learn something of the world she lives in, acquires more confidence,", "question. What happens after the classical coming of age story? Can you rule", "character\" aspect without losing and alienating a part of your audience? In my", "your audience? In my understanding, people purchasing book 2 of a series do", "end with the current novel. A major arc is resolved, but many themes", "my main character hasn't finished growing (after all, good characters never stop developing),", "age\" related stories are aimed at that audience. Related:** * [Fantasy Series -", "she cannot be considered a wide-eyed, insecure girl anymore. Moreover, I don't want", "In other words, she grows a lot in the course of the novel.", "genre, even if a lot of \"coming of age\" related stories are aimed", "she lives in, acquires more confidence, agency, and the respect of her peers.", "and the plot does not end with the current novel. A major arc", "understanding, people purchasing book 2 of a series do that because they're happy", "of the world she lives in, acquires more confidence, agency, and the respect", "but she cannot be considered a wide-eyed, insecure girl anymore. Moreover, I don't", "tropes of the hero's journey, my protagonist gradually learn something of the world", "can be considered a coming of age story; along with the usual tropes", "for a potential sequel. Yet, the sequels wouldn't have the same characteristics. Surely", "coming of age story? Can you rule out the \"growing character\" aspect without", "the scope of the question is not limited to the Young Adult genre,", "(after all, good characters never stop developing), but she cannot be considered a" ]
[ "magical stick with stuff inside which chooses the wizard. Just something that gives", "books. And I am finding it hard to find a solution which is", "wands have pretty much been copyrighted (not literally) by the Hijrp Potfeq books.", "series. Like adding more of a Jedi ritual to making the Wand or", "to the Hijrp Potfeq books. Do you think this is still too much", "Hijrp Potfeq series. Like adding more of a Jedi ritual to making the", "the Hijrp Potfeq series, as I fear that at this point wands have", "point wands have pretty much been copyrighted (not literally) by the Hijrp Potfeq", "am trying to write a magical system, and I love the way that", "hand movements or long unwieldy staffs or canes to use. But I'm stuck", "a Jedi ritual to making the Wand or something else than just a", "or long unwieldy staffs or canes to use. But I'm stuck at the", "ritual to making the Wand or something else than just a magical stick", "this is still too much like Hijrp Potfeq, or that it might work?", "effect. My plan is to use a wand in the broader sense, but", "use. But I'm stuck at the Hijrp Potfeq series, as I fear that", "with stuff inside which chooses the wizard. Just something that gives it something", "gives it something different to the Hijrp Potfeq books. Do you think this", "to find a solution which is a good substitute with a wand which", "the same effect. My plan is to use a wand in the broader", "that wands are like gunfire and how you flick and attack and it's", "a magical system, and I love the way that wands are like gunfire", "is a good substitute with a wand which has the same effect. My", "which chooses the wizard. Just something that gives it something different to the", "I fear that at this point wands have pretty much been copyrighted (not", "is to use a wand in the broader sense, but add and find", "and making them more different from just wands like in the Hijrp Potfeq", "Hijrp Potfeq books. And I am finding it hard to find a solution", "else than just a magical stick with stuff inside which chooses the wizard.", "making the Wand or something else than just a magical stick with stuff", "add and find unique and different ways of using them and making them", "at this point wands have pretty much been copyrighted (not literally) by the", "Just something that gives it something different to the Hijrp Potfeq books. Do", "different ways of using them and making them more different from just wands", "flick and attack and it's instant. No weird hand movements or long unwieldy", "something else than just a magical stick with stuff inside which chooses the", "the Hijrp Potfeq books. Do you think this is still too much like", "I'm stuck at the Hijrp Potfeq series, as I fear that at this", "Potfeq* series. Like adding more of a Jedi ritual to making the Wand", "substitute with a wand which has the same effect. My plan is to", "good substitute with a wand which has the same effect. My plan is", "pretty much been copyrighted (not literally) by the Hijrp Potfeq books. And I", "wands are like gunfire and how you flick and attack and it's instant.", "stuff inside which chooses the wizard. Just something that gives it something different", "and different ways of using them and making them more different from just", "long unwieldy staffs or canes to use. But I'm stuck at the Hijrp", "sense, but add and find unique and different ways of using them and", "a solution which is a good substitute with a wand which has the", "I love the way that wands are like gunfire and how you flick", "stuck at the Hijrp Potfeq* series, as I fear that at this point", "them more different from just wands like in the Hijrp Potfeq series. Like", "to use. But I'm stuck at the Hijrp Potfeq series, as I fear", "wands like in the Hijrp Potfeq series. Like adding more of a Jedi", "Potfeq* books. And I am finding it hard to find a solution which", "are like gunfire and how you flick and attack and it's instant. No", "find a solution which is a good substitute with a wand which has", "different to the Hijrp Potfeq books. Do you think this is still too", "trying to write a magical system, and I love the way that wands", "Do you think this is still too much like Hijrp Potfeq, or that", "more different from just wands like in the Hijrp Potfeq series. Like adding", "instant. No weird hand movements or long unwieldy staffs or canes to use.", "in the Hijrp Potfeq series. Like adding more of a Jedi ritual to", "by the Hijrp Potfeq books. And I am finding it hard to find", "it something different to the Hijrp Potfeq books. Do you think this is", "like in the Hijrp Potfeq series. Like adding more of a Jedi ritual", "Hijrp Potfeq books. Do you think this is still too much like Hijrp", "a magical stick with stuff inside which chooses the wizard. Just something that", "the broader sense, but add and find unique and different ways of using", "solution which is a good substitute with a wand which has the same", "way that wands are like gunfire and how you flick and attack and", "something that gives it something different to the Hijrp Potfeq books. Do you", "series, as I fear that at this point wands have pretty much been", "And I am finding it hard to find a solution which is a", "staffs or canes to use. But I'm stuck at the Hijrp Potfeq* series,", "it hard to find a solution which is a good substitute with a", "broader sense, but add and find unique and different ways of using them", "but add and find unique and different ways of using them and making", "gunfire and how you flick and attack and it's instant. No weird hand", "copyrighted (not literally) by the Hijrp Potfeq books. And I am finding it", "Like adding more of a Jedi ritual to making the Wand or something", "unwieldy staffs or canes to use. But I'm stuck at the Hijrp Potfeq", "movements or long unwieldy staffs or canes to use. But I'm stuck at", "find unique and different ways of using them and making them more different", "a good substitute with a wand which has the same effect. My plan", "Potfeq books. Do you think this is still too much like Hijrp Potfeq,", "or canes to use. But I'm stuck at the Hijrp Potfeq series, as", "am finding it hard to find a solution which is a good substitute", "ways of using them and making them more different from just wands like", "chooses the wizard. Just something that gives it something different to the Hijrp", "hard to find a solution which is a good substitute with a wand", "use a wand in the broader sense, but add and find unique and", "more of a Jedi ritual to making the Wand or something else than", "have pretty much been copyrighted (not literally) by the Hijrp Potfeq books. And", "the way that wands are like gunfire and how you flick and attack", "different from just wands like in the Hijrp Potfeq series. Like adding more", "and attack and it's instant. No weird hand movements or long unwieldy staffs", "Hijrp Potfeq series, as I fear that at this point wands have pretty", "to making the Wand or something else than just a magical stick with", "much been copyrighted (not literally) by the Hijrp Potfeq books. 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Do you think this is still", "a wand which has the same effect. My plan is to use a", "you flick and attack and it's instant. No weird hand movements or long", "been copyrighted (not literally) by the Hijrp Potfeq* books. And I am finding", "from just wands like in the Hijrp Potfeq series. Like adding more of", "just a magical stick with stuff inside which chooses the wizard. Just something", "a wand in the broader sense, but add and find unique and different" ]