Split (1)

train · 10.4M rows

ngram listlengths 0 10.5k
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These characters", "a bit with the character interactions. To give you some background, the protagonist", "the bar maiden has joined him, and he's a rather stoic figure so", "makes the journey interesting? These characters are mostly traveling in seclusion, so there", "To give you some background, the protagonist is a lone wolf of sorts", "bit with the character interactions. To give you some background, the protagonist is", "interactions. To give you some background, the protagonist is a lone wolf of", "health. She insists on joining him in his journey to the capital. He", "maiden nurses him back to health. She insists on joining him in his", "journey to the capital. He begrudgingly allows her to tag along, since he", "of sorts whose job is akin to a nomadic exorcist. He gets wounded", "job is akin to a nomadic exorcist. He gets wounded at the start", "these characters... I find this harder to do when one of the characters", "the reader to get to know these characters... I find this harder to", "start of the series, and a bar maiden nurses him back to health.", "arc, and I'm struggling a bit with the character interactions. To give you", "find this harder to do when one of the characters doesn't really want", "She insists on joining him in his journey to the capital. He begrudgingly", "a bar maiden nurses him back to health. She insists on joining him", "He begrudgingly allows her to tag along, since he knows that in his", "examples of featuring a duo who doesn't get along and yet, their dialogue", "to talk to the other one. I was hoping maybe someone can give", "bar maiden nurses him back to health. She insists on joining him in", "I have to allow the reader to get to know these characters... I", "could make them enjoy each other's company in time, but I struggle with", "want to talk to the other one. I was hoping maybe someone can", "a rather stoic figure so he doesn't say much in general. 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[ "stalked by a shadowy monster. What I want readers to expect is that", "want readers to expect is that the woman is either going to be", "\"magical girl\" story, and I thought of an interesting way to start it,", "and then destroys it with a magical laser beam. Surprise! She is the", "but it's probably not enough. What else can I do to achieve this?", "character instead of the protagonist. Not referring to her by name until after", "this? (I'm aware of answers on other questions to the effect of \"don't", "by a shadowy monster. What I want readers to expect is that the", "a city market while being stalked by a shadowy monster. What I want", "it, rather than launching straight into the backstory. It opens with a woman", "with a woman in her mid-thirties, complete with [ponytail of death](https://tvtropes.org/pmwiki/pmwiki.php/Main/MotherlySidePlait), walking through", "saved from it in the nick of time by the heroine. What actually", "redshirt or one-off character instead of the protagonist. Not referring to her by", "the effect of \"don't trick your readers\". In my case, this is supposed", "name until after the reveal will help, but it's probably not enough. What", "the everloving crap out of the monster, and then destroys it with a", "to start it, rather than launching straight into the backstory. It opens with", "straight into the backstory. It opens with a woman in her mid-thirties, complete", "it's probably not enough. What else can I do to achieve this? (I'm", "in her mid-thirties, complete with [ponytail of death](https://tvtropes.org/pmwiki/pmwiki.php/Main/MotherlySidePlait), walking through a city market", "She is the heroine. I want to try and preserve this surprise as", "than launching straight into the backstory. It opens with a woman in her", "is supposed to be a pleasant surprise, so I feel like it's okay.)", "time by the heroine. What actually happens is that when the monster finally", "want to try and preserve this surprise as best I can, and make", "I want to try and preserve this surprise as best I can, and", "way to start it, rather than launching straight into the backstory. It opens", "the nick of time by the heroine. What actually happens is that when", "crap out of the monster, and then destroys it with a magical laser", "this is supposed to be a pleasant surprise, so I feel like it's", "story, and I thought of an interesting way to start it, rather than", "[ponytail of death](https://tvtropes.org/pmwiki/pmwiki.php/Main/MotherlySidePlait), walking through a city market while being stalked by a", "in the nick of time by the heroine. What actually happens is that", "is that when the monster finally attacks, the woman transforms into a magical", "to the effect of \"don't trick your readers\". In my case, this is", "try and preserve this surprise as best I can, and make the readers", "Not referring to her by name until after the reveal will help, but", "preserve this surprise as best I can, and make the readers think they're", "mid-thirties, complete with [ponytail of death](https://tvtropes.org/pmwiki/pmwiki.php/Main/MotherlySidePlait), walking through a city market while being", "market while being stalked by a shadowy monster. What I want readers to", "\"don't trick your readers\". In my case, this is supposed to be a", "by the heroine. What actually happens is that when the monster finally attacks,", "following a redshirt or one-off character instead of the protagonist. Not referring to", "monster, and then destroys it with a magical laser beam. Surprise! She is", "What I want readers to expect is that the woman is either going", "then destroys it with a magical laser beam. Surprise! She is the heroine.", "attacks, the woman transforms into a magical girl, beats the everloving crap out", "opens with a woman in her mid-thirties, complete with [ponytail of death](https://tvtropes.org/pmwiki/pmwiki.php/Main/MotherlySidePlait), walking", "death](https://tvtropes.org/pmwiki/pmwiki.php/Main/MotherlySidePlait), walking through a city market while being stalked by a shadowy monster.", "the readers think they're following a redshirt or one-off character instead of the", "a redshirt or one-off character instead of the protagonist. Not referring to her", "city market while being stalked by a shadowy monster. What I want readers", "else can I do to achieve this? (I'm aware of answers on other", "of answers on other questions to the effect of \"don't trick your readers\".", "currently planning a \"magical girl\" story, and I thought of an interesting way", "launching straight into the backstory. It opens with a woman in her mid-thirties,", "of time by the heroine. What actually happens is that when the monster", "make the readers think they're following a redshirt or one-off character instead of", "the reveal will help, but it's probably not enough. What else can I", "to achieve this? (I'm aware of answers on other questions to the effect", "the woman transforms into a magical girl, beats the everloving crap out of", "with [ponytail of death](https://tvtropes.org/pmwiki/pmwiki.php/Main/MotherlySidePlait), walking through a city market while being stalked by", "I do to achieve this? (I'm aware of answers on other questions to", "or saved from it in the nick of time by the heroine. What", "nick of time by the heroine. What actually happens is that when the", "transforms into a magical girl, beats the everloving crap out of the monster,", "as best I can, and make the readers think they're following a redshirt", "heroine. What actually happens is that when the monster finally attacks, the woman", "of \"don't trick your readers\". In my case, this is supposed to be", "destroys it with a magical laser beam. Surprise! She is the heroine. I", "either going to be killed by the monster, or saved from it in", "monster, or saved from it in the nick of time by the heroine.", "happens is that when the monster finally attacks, the woman transforms into a", "the protagonist. Not referring to her by name until after the reveal will", "when the monster finally attacks, the woman transforms into a magical girl, beats", "I'm currently planning a \"magical girl\" story, and I thought of an interesting", "case, this is supposed to be a pleasant surprise, so I feel like", "planning a \"magical girl\" story, and I thought of an interesting way to", "the heroine. I want to try and preserve this surprise as best I", "What else can I do to achieve this? (I'm aware of answers on", "her mid-thirties, complete with [ponytail of death](https://tvtropes.org/pmwiki/pmwiki.php/Main/MotherlySidePlait), walking through a city market while", "this surprise as best I can, and make the readers think they're following", "will help, but it's probably not enough. What else can I do to", "woman is either going to be killed by the monster, or saved from", "and make the readers think they're following a redshirt or one-off character instead", "to try and preserve this surprise as best I can, and make the", "going to be killed by the monster, or saved from it in the", "I thought of an interesting way to start it, rather than launching straight", "of death](https://tvtropes.org/pmwiki/pmwiki.php/Main/MotherlySidePlait), walking through a city market while being stalked by a shadowy", "backstory. It opens with a woman in her mid-thirties, complete with [ponytail of", "aware of answers on other questions to the effect of \"don't trick your", "(I'm aware of answers on other questions to the effect of \"don't trick", "or one-off character instead of the protagonist. Not referring to her by name", "achieve this? (I'm aware of answers on other questions to the effect of", "can, and make the readers think they're following a redshirt or one-off character", "I can, and make the readers think they're following a redshirt or one-off", "of an interesting way to start it, rather than launching straight into the", "through a city market while being stalked by a shadowy monster. What I", "actually happens is that when the monster finally attacks, the woman transforms into", "into a magical girl, beats the everloving crap out of the monster, and", "woman transforms into a magical girl, beats the everloving crap out of the", "beats the everloving crap out of the monster, and then destroys it with", "my case, this is supposed to be a pleasant surprise, so I feel", "protagonist. Not referring to her by name until after the reveal will help,", "not enough. What else can I do to achieve this? (I'm aware of", "from it in the nick of time by the heroine. What actually happens", "a \"magical girl\" story, and I thought of an interesting way to start", "answers on other questions to the effect of \"don't trick your readers\". In", "instead of the protagonist. Not referring to her by name until after the", "being stalked by a shadowy monster. What I want readers to expect is", "that the woman is either going to be killed by the monster, or", "start it, rather than launching straight into the backstory. It opens with a", "by name until after the reveal will help, but it's probably not enough.", "best I can, and make the readers think they're following a redshirt or", "and I thought of an interesting way to start it, rather than launching", "other questions to the effect of \"don't trick your readers\". In my case,", "a shadowy monster. What I want readers to expect is that the woman", "it with a magical laser beam. Surprise! She is the heroine. I want", "can I do to achieve this? (I'm aware of answers on other questions", "do to achieve this? (I'm aware of answers on other questions to the", "Surprise! She is the heroine. I want to try and preserve this surprise", "an interesting way to start it, rather than launching straight into the backstory.", "probably not enough. What else can I do to achieve this? (I'm aware", "referring to her by name until after the reveal will help, but it's", "a magical girl, beats the everloving crap out of the monster, and then", "into the backstory. It opens with a woman in her mid-thirties, complete with", "expect is that the woman is either going to be killed by the", "the heroine. What actually happens is that when the monster finally attacks, the", "after the reveal will help, but it's probably not enough. *What else can", "to expect is that the woman is either going to be killed by", "monster. What I want readers to expect is that the woman is either", "is* the heroine. I want to try and preserve this surprise as best", "surprise as best I can, and make the readers think they're following a", "with a magical laser beam. Surprise! She is the heroine. I want to", "girl\" story, and I thought of an interesting way to start it, rather", "a woman in her mid-thirties, complete with [ponytail of death](https://tvtropes.org/pmwiki/pmwiki.php/Main/MotherlySidePlait), walking through a", "to be killed by the monster, or saved from it in the nick", "enough. What else can I do to achieve this? (I'm aware of answers", "effect of \"don't trick your readers\". In my case, this is supposed to", "beam. Surprise! She is the heroine. I want to try and preserve this", "is either going to be killed by the monster, or saved from it", "until after the reveal will help, but it's probably not enough. *What else", "a magical laser beam. Surprise! She is* the heroine. I want to try", "and preserve this surprise as best I can, and make the readers think", "walking through a city market while being stalked by a shadowy monster. What", "complete with [ponytail of death](https://tvtropes.org/pmwiki/pmwiki.php/Main/MotherlySidePlait), walking through a city market while being stalked", "her by name until after the reveal will help, but it's probably not", "reveal will help, but it's probably not enough. *What else can I do", "by the monster, or saved from it in the nick of time by", "readers to expect is that the woman is either going to be killed", "is that the woman is either going to be killed by the monster,", "magical girl, beats the everloving crap out of the monster, and then destroys", "your readers\". In my case, this is supposed to be a pleasant* surprise,", "girl, beats the everloving crap out of the monster, and then destroys it", "of the protagonist. Not referring to her by name until after the reveal", "readers\". In my case, this is supposed to be a pleasant surprise, so", "the monster, or saved from it in the nick of time by the", "readers think they're following a redshirt or one-off character instead of the protagonist.", "questions to the effect of \"don't trick your readers\". In my case, this", "woman in her mid-thirties, complete with [ponytail of death](https://tvtropes.org/pmwiki/pmwiki.php/Main/MotherlySidePlait), walking through a city", "to her by name until after the reveal will help, but it's probably", "heroine. I want to try and preserve this surprise as best I can,", "trick your readers\". In my case, this is supposed to be a pleasant", "it in the nick of time by the heroine. What actually happens is", "thought of an interesting way to start it, rather than launching straight into", "that when the monster finally attacks, the woman transforms into a magical girl,", "they're following a redshirt or one-off character instead of the protagonist. Not referring", "one-off character instead of the protagonist. Not referring to her by name until", "magical laser beam. Surprise! She is the heroine. I want to try and", "everloving crap out of the monster, and then destroys it with a magical", "the monster finally attacks, the woman transforms into a magical girl, beats the", "rather than launching straight into the backstory. It opens with a woman in", "I want readers to expect is that the woman is either going to", "finally attacks, the woman transforms into a magical girl, beats the everloving crap", "monster finally attacks, the woman transforms into a magical girl, beats the everloving", "killed by the monster, or saved from it in the nick of time", "It opens with a woman in her mid-thirties, complete with [ponytail of death](https://tvtropes.org/pmwiki/pmwiki.php/Main/MotherlySidePlait),", "while being stalked by a shadowy monster. What I want readers to expect", "shadowy monster. What I want readers to expect is that the woman is", "What actually happens is that when the monster finally attacks, the woman transforms", "think they're following a redshirt or one-off character instead of the protagonist. Not", "the backstory. It opens with a woman in her mid-thirties, complete with [ponytail", "out of the monster, and then destroys it with a magical laser beam.", "help, but it's probably not enough. *What else can I do to achieve", "be killed by the monster, or saved from it in the nick of", "interesting way to start it, rather than launching straight into the backstory. It", "laser beam. Surprise! She is* the heroine. I want to try and preserve", "In my case, this is supposed to be a pleasant surprise, so I", "the woman is either going to be killed by the monster, or saved", "on other questions to the effect of \"don't trick your readers\". In my", "the monster, and then destroys it with a magical laser beam. Surprise! She", "of the monster, and then destroys it with a magical laser beam. Surprise!" ]
[ "I re-read through some of my chapters, and they seem completely dry and", "of my chapters) are mundane. What should I do to give it some", "WIP, I re-read through some of my chapters, and they seem completely dry", "completely dry and dull. I need to add some oomph to it- it", "to add some oomph to it- it seems my descriptions, and just plain", "my chapters) are mundane. What should I do to give it some excitement", "should I do to give it some excitement to keep the readers engaged?", "plain storytelling (in some of my chapters) are mundane. What should I do", "some of my chapters) are mundane. What should I do to give it", "chapters, and they seem completely dry and dull. I need to add some", "I need to add some oomph to it- it seems my descriptions, and", "my descriptions, and just plain storytelling (in some of my chapters) are mundane.", "dry and dull. I need to add some oomph to it- it seems", "seems my descriptions, and just plain storytelling (in some of my chapters) are", "some of my chapters, and they seem completely dry and dull. I need", "some oomph to it- it seems my descriptions, and just plain storytelling (in", "just plain storytelling (in some of my chapters) are mundane. What should I", "storytelling (in some of my chapters) are mundane. What should I do to", "In my current WIP, I re-read through some of my chapters, and they", "and just plain storytelling (in some of my chapters) are mundane. What should", "(in some of my chapters) are mundane. What should I do to give", "seem completely dry and dull. I need to add some oomph to it-", "it seems my descriptions, and just plain storytelling (in some of my chapters)", "they seem completely dry and dull. I need to add some oomph to", "through some of my chapters, and they seem completely dry and dull. I", "need to add some oomph to it- it seems my descriptions, and just", "and dull. I need to add some oomph to it- it seems my", "and they seem completely dry and dull. I need to add some oomph", "dull. I need to add some oomph to it- it seems my descriptions,", "current WIP, I re-read through some of my chapters, and they seem completely", "mundane. What should I do to give it some excitement to keep the", "add some oomph to it- it seems my descriptions, and just plain storytelling", "to it- it seems my descriptions, and just plain storytelling (in some of", "my chapters, and they seem completely dry and dull. I need to add", "my current WIP, I re-read through some of my chapters, and they seem", "descriptions, and just plain storytelling (in some of my chapters) are mundane. What", "chapters) are mundane. What should I do to give it some excitement to", "it- it seems my descriptions, and just plain storytelling (in some of my", "re-read through some of my chapters, and they seem completely dry and dull.", "of my chapters, and they seem completely dry and dull. I need to", "oomph to it- it seems my descriptions, and just plain storytelling (in some", "are mundane. What should I do to give it some excitement to keep", "What should I do to give it some excitement to keep the readers" ]
[ "one. How do I get the normal one instead when I type it?", "instead of the ordinary one. How do I get the normal one instead", "a strange double quote (“) in Open Office instead of the ordinary one", "type the double quote, I get the weird version instead of the ordinary", "quote, I get the weird version instead of the ordinary one. How do", "quote (“) in Open Office instead of the ordinary one (\")? Every time", "the double quote, I get the weird version instead of the ordinary one.", "normal one instead when I type it? Is there a way to fix", "of the ordinary one. How do I get the normal one instead when", "double quote (“) in Open Office instead of the ordinary one (\")? Every", "get the normal one instead when I type it? Is there a way", "How do I get the normal one instead when I type it? Is", "the ordinary one (\")? Every time I type the double quote, I get", "Office instead of the ordinary one (\")? Every time I type the double", "get the weird version instead of the ordinary one. How do I get", "double quote, I get the weird version instead of the ordinary one. How", "the ordinary one. How do I get the normal one instead when I", "instead when I type it? Is there a way to fix this unwanted", "weird version instead of the ordinary one. How do I get the normal", "the weird version instead of the ordinary one. How do I get the", "one (\")? Every time I type the double quote, I get the weird", "in Open Office instead of the ordinary one (\")? Every time I type", "I getting a strange double quote (“) in Open Office instead of the", "strange double quote (“) in Open Office instead of the ordinary one (\")?", "getting a strange double quote (“) in Open Office instead of the ordinary", "I get the weird version instead of the ordinary one. How do I", "am I getting a strange double quote (“) in Open Office instead of", "version instead of the ordinary one. How do I get the normal one", "one instead when I type it? Is there a way to fix this", "I get the normal one instead when I type it? Is there a", "ordinary one. How do I get the normal one instead when I type", "I type the double quote, I get the weird version instead of the", "Why am I getting a strange double quote (“) in Open Office instead", "do I get the normal one instead when I type it? Is there", "(\")? Every time I type the double quote, I get the weird version", "instead of the ordinary one (\")? Every time I type the double quote,", "when I type it? Is there a way to fix this unwanted behavior?", "ordinary one (\")? Every time I type the double quote, I get the", "the normal one instead when I type it? Is there a way to", "Every time I type the double quote, I get the weird version instead", "Open Office instead of the ordinary one (\")? Every time I type the", "of the ordinary one (\")? Every time I type the double quote, I", "(“) in Open Office instead of the ordinary one (\")? Every time I", "time I type the double quote, I get the weird version instead of" ]
[ "of glass, and with at least one underground track for hidden entry. It", "specific requirements on the look, layout, general region etc, and I like to", "Eastern European railway station that can act as a crime lord's HQ. It", "Are there any resources I could try before I give in? Where do", "of the events take place, but there are often specific requirements on the", "a post-apocalypse novel set all over the world. I'm fairly flexible on where", "cafés, all under a high ceiling with lots of glass, and with at", "search. Short of googling every station in Eastern Europe, is it really my", "license on what's there? Or even invent a whole city? It seems lazy", "for a major Eastern European railway station that can act as a crime", "on a post-apocalypse novel set all over the world. I'm fairly flexible on", "high ceiling with lots of glass, and with at least one underground track", "but I'll do it if there's no alternative. Are there any resources I", "the world. I'm fairly flexible on where some of the events take place,", "I give in? Where do I ask whether anyone knows of such a", "to just pick one and claim artistic license on what's there? Or even", "a crime lord's HQ. It needs to have a wide, multi-platform concourse overlooked", "not even sure how to phrase the search. Short of googling every station", "to use real places for authenticity. For example, right now I'm looking for", "a whole city? It seems lazy but I'll do it if there's no", "station in Eastern Europe, is it really my best option to just pick", "entry. It feels like a plausible place to me, but so far I", "all over the world. I'm fairly flexible on where some of the events", "whole city? It seems lazy but I'll do it if there's no alternative.", "are often specific requirements on the look, layout, general region etc, and I", "often specific requirements on the look, layout, general region etc, and I like", "a wide, multi-platform concourse overlooked by a second level balcony with shops and", "but there are often specific requirements on the look, layout, general region etc,", "wide, multi-platform concourse overlooked by a second level balcony with shops and cafés,", "how to phrase the search. Short of googling every station in Eastern Europe,", "and I'm not even sure how to phrase the search. Short of googling", "claim artistic license on what's there? Or even invent a whole city? It", "really my best option to just pick one and claim artistic license on", "level balcony with shops and cafés, all under a high ceiling with lots", "the look, layout, general region etc, and I like to use real places", "just pick one and claim artistic license on what's there? Or even invent", "where some of the events take place, but there are often specific requirements", "needs to have a wide, multi-platform concourse overlooked by a second level balcony", "the criteria, and I'm not even sure how to phrase the search. Short", "events take place, but there are often specific requirements on the look, layout,", "general region etc, and I like to use real places for authenticity. For", "a plausible place to me, but so far I haven't found a real-world", "criteria, and I'm not even sure how to phrase the search. Short of", "It seems lazy but I'll do it if there's no alternative. Are there", "do it if there's no alternative. Are there any resources I could try", "a second level balcony with shops and cafés, all under a high ceiling", "layout, general region etc, and I like to use real places for authenticity.", "like to use real places for authenticity. For example, right now I'm looking", "for hidden entry. It feels like a plausible place to me, but so", "multi-platform concourse overlooked by a second level balcony with shops and cafés, all", "For example, right now I'm looking for a major Eastern European railway station", "have a wide, multi-platform concourse overlooked by a second level balcony with shops", "sure how to phrase the search. Short of googling every station in Eastern", "and cafés, all under a high ceiling with lots of glass, and with", "railway station that can act as a crime lord's HQ. It needs to", "with at least one underground track for hidden entry. It feels like a", "It feels like a plausible place to me, but so far I haven't", "now I'm looking for a major Eastern European railway station that can act", "the search. Short of googling every station in Eastern Europe, is it really", "right now I'm looking for a major Eastern European railway station that can", "one underground track for hidden entry. It feels like a plausible place to", "some of the events take place, but there are often specific requirements on", "of googling every station in Eastern Europe, is it really my best option", "place, but there are often specific requirements on the look, layout, general region", "every station in Eastern Europe, is it really my best option to just", "alternative. Are there any resources I could try before I give in? Where", "is it really my best option to just pick one and claim artistic", "real-world example that fits all the criteria, and I'm not even sure how", "plausible place to me, but so far I haven't found a real-world example", "even invent a whole city? It seems lazy but I'll do it if", "I could try before I give in? Where do I ask whether anyone", "before I give in? Where do I ask whether anyone knows of such", "and with at least one underground track for hidden entry. It feels like", "with lots of glass, and with at least one underground track for hidden", "set all over the world. I'm fairly flexible on where some of the", "act as a crime lord's HQ. It needs to have a wide, multi-platform", "far I haven't found a real-world example that fits all the criteria, and", "track for hidden entry. It feels like a plausible place to me, but", "one and claim artistic license on what's there? Or even invent a whole", "authenticity. For example, right now I'm looking for a major Eastern European railway", "phrase the search. Short of googling every station in Eastern Europe, is it", "city? It seems lazy but I'll do it if there's no alternative. Are", "I like to use real places for authenticity. For example, right now I'm", "but so far I haven't found a real-world example that fits all the", "at least one underground track for hidden entry. It feels like a plausible", "take place, but there are often specific requirements on the look, layout, general", "flexible on where some of the events take place, but there are often", "it really my best option to just pick one and claim artistic license", "HQ. It needs to have a wide, multi-platform concourse overlooked by a second", "so far I haven't found a real-world example that fits all the criteria,", "all the criteria, and I'm not even sure how to phrase the search.", "best option to just pick one and claim artistic license on what's there?", "pick one and claim artistic license on what's there? Or even invent a", "give in? Where do I ask whether anyone knows of such a place?", "there any resources I could try before I give in? Where do I", "example that fits all the criteria, and I'm not even sure how to", "post-apocalypse novel set all over the world. I'm fairly flexible on where some", "second level balcony with shops and cafés, all under a high ceiling with", "that fits all the criteria, and I'm not even sure how to phrase", "there are often specific requirements on the look, layout, general region etc, and", "to phrase the search. Short of googling every station in Eastern Europe, is", "resources I could try before I give in? Where do I ask whether", "me, but so far I haven't found a real-world example that fits all", "region etc, and I like to use real places for authenticity. For example,", "no alternative. Are there any resources I could try before I give in?", "option to just pick one and claim artistic license on what's there? Or", "like a plausible place to me, but so far I haven't found a", "it if there's no alternative. Are there any resources I could try before", "crime lord's HQ. It needs to have a wide, multi-platform concourse overlooked by", "there's no alternative. Are there any resources I could try before I give", "any resources I could try before I give in? Where do I ask", "a major Eastern European railway station that can act as a crime lord's", "place to me, but so far I haven't found a real-world example that", "on the look, layout, general region etc, and I like to use real", "found a real-world example that fits all the criteria, and I'm not even", "the events take place, but there are often specific requirements on the look,", "novel set all over the world. I'm fairly flexible on where some of", "under a high ceiling with lots of glass, and with at least one", "over the world. I'm fairly flexible on where some of the events take", "feels like a plausible place to me, but so far I haven't found", "I'm not even sure how to phrase the search. Short of googling every", "by a second level balcony with shops and cafés, all under a high", "I'm looking for a major Eastern European railway station that can act as", "major Eastern European railway station that can act as a crime lord's HQ.", "working on a post-apocalypse novel set all over the world. I'm fairly flexible", "shops and cafés, all under a high ceiling with lots of glass, and", "googling every station in Eastern Europe, is it really my best option to", "for authenticity. For example, right now I'm looking for a major Eastern European", "on where some of the events take place, but there are often specific", "haven't found a real-world example that fits all the criteria, and I'm not", "ceiling with lots of glass, and with at least one underground track for", "real places for authenticity. For example, right now I'm looking for a major", "It needs to have a wide, multi-platform concourse overlooked by a second level", "in Eastern Europe, is it really my best option to just pick one", "try before I give in? Where do I ask whether anyone knows of", "European railway station that can act as a crime lord's HQ. It needs", "there? Or even invent a whole city? It seems lazy but I'll do", "could try before I give in? Where do I ask whether anyone knows", "if there's no alternative. Are there any resources I could try before I", "places for authenticity. For example, right now I'm looking for a major Eastern", "hidden entry. It feels like a plausible place to me, but so far", "I'm working on a post-apocalypse novel set all over the world. I'm fairly", "balcony with shops and cafés, all under a high ceiling with lots of", "I'm fairly flexible on where some of the events take place, but there", "all under a high ceiling with lots of glass, and with at least", "world. 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Or even invent a whole city?", "with shops and cafés, all under a high ceiling with lots of glass,", "fits all the criteria, and I'm not even sure how to phrase the", "overlooked by a second level balcony with shops and cafés, all under a", "I haven't found a real-world example that fits all the criteria, and I'm", "that can act as a crime lord's HQ. It needs to have a", "glass, and with at least one underground track for hidden entry. It feels", "to have a wide, multi-platform concourse overlooked by a second level balcony with", "on what's there? Or even invent a whole city? It seems lazy but", "I'll do it if there's no alternative. Are there any resources I could", "Or even invent a whole city? It seems lazy but I'll do it", "artistic license on what's there? Or even invent a whole city? It seems", "what's there? Or even invent a whole city? It seems lazy but I'll", "lazy but I'll do it if there's no alternative. Are there any resources", "a high ceiling with lots of glass, and with at least one underground", "a real-world example that fits all the criteria, and I'm not even sure", "and I like to use real places for authenticity. For example, right now", "seems lazy but I'll do it if there's no alternative. Are there any", "lord's HQ. It needs to have a wide, multi-platform concourse overlooked by a", "even sure how to phrase the search. Short of googling every station in", "Europe, is it really my best option to just pick one and claim", "looking for a major Eastern European railway station that can act as a", "fairly flexible on where some of the events take place, but there are", "look, layout, general region etc, and I like to use real places for", "as a crime lord's HQ. It needs to have a wide, multi-platform concourse", "lots of glass, and with at least one underground track for hidden entry.", "Eastern Europe, is it really my best option to just pick one and", "my best option to just pick one and claim artistic license on what's", "invent a whole city? It seems lazy but I'll do it if there's", "example, right now I'm looking for a major Eastern European railway station that" ]
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[ "just because I like it. I just want to make sure I’m doing", "make sure I’m doing the right thing as an aspiring manga-ka. I don’t", "and just want to know if it would be culturally offensive if I", "the right thing as an aspiring manga-ka. I don’t want to end up", "I very much admire their culture and just want to know if it", "up on anime, and with unrelated Japanese family. I very much admire their", "I like it. I just want to make sure I’m doing the right", "offensive if I used a Japanese pen-name (Kumo Espinosa) just because I like", "my reasons for wanting to do so are nothing like his. Just asking", "like his. Just asking for advice. Btw I’m not trying to pose as", "to do so are nothing like his. Just asking for advice. Btw I’m", "used a Japanese pen-name (Kumo Espinosa) just because I like it. I just", "be culturally offensive if I used a Japanese pen-name (Kumo Espinosa) just because", "nothing like his. Just asking for advice. Btw I’m not trying to pose", "just want to make sure I’m doing the right thing as an aspiring", "advice. Btw I’m not trying to pose as the opposite gender or create", "doing the right thing as an aspiring manga-ka. I don’t want to end", "to pose as the opposite gender or create an alter-ego. I’m Mexican/black btw.", "anime, and with unrelated Japanese family. I very much admire their culture and", "although my reasons for wanting to do so are nothing like his. Just", "I’m not trying to pose as the opposite gender or create an alter-ego.", "Cebulski, although my reasons for wanting to do so are nothing like his.", "manga-ka. I don’t want to end up like C.B. Cebulski, although my reasons", "an aspiring manga-ka. I don’t want to end up like C.B. Cebulski, although", "C.B. Cebulski, although my reasons for wanting to do so are nothing like", "and with unrelated Japanese family. I very much admire their culture and just", "want to end up like C.B. Cebulski, although my reasons for wanting to", "I’ve grown up on anime, and with unrelated Japanese family. I very much", "wanting to do so are nothing like his. Just asking for advice. Btw", "would be culturally offensive if I used a Japanese pen-name (Kumo Espinosa) just", "culture and just want to know if it would be culturally offensive if", "I just want to make sure I’m doing the right thing as an", "know if it would be culturally offensive if I used a Japanese pen-name", "a Japanese pen-name (Kumo Espinosa) just because I like it. I just want", "because I like it. I just want to make sure I’m doing the", "for wanting to do so are nothing like his. Just asking for advice.", "up like C.B. Cebulski, although my reasons for wanting to do so are", "reasons for wanting to do so are nothing like his. Just asking for", "want to make sure I’m doing the right thing as an aspiring manga-ka.", "Japanese family. I very much admire their culture and just want to know", "if I used a Japanese pen-name (Kumo Espinosa) just because I like it.", "I used a Japanese pen-name (Kumo Espinosa) just because I like it. I", "pen-name (Kumo Espinosa) just because I like it. I just want to make", "their culture and just want to know if it would be culturally offensive", "Japanese pen-name (Kumo Espinosa) just because I like it. I just want to", "on anime, and with unrelated Japanese family. I very much admire their culture", "very much admire their culture and just want to know if it would", "it would be culturally offensive if I used a Japanese pen-name (Kumo Espinosa)", "end up like C.B. Cebulski, although my reasons for wanting to do so", "his. Just asking for advice. Btw I’m not trying to pose as the", "much admire their culture and just want to know if it would be", "admire their culture and just want to know if it would be culturally", "I don’t want to end up like C.B. Cebulski, although my reasons for", "not trying to pose as the opposite gender or create an alter-ego. I’m", "aspiring manga-ka. I don’t want to end up like C.B. Cebulski, although my", "right thing as an aspiring manga-ka. I don’t want to end up like", "Espinosa) just because I like it. I just want to make sure I’m", "unrelated Japanese family. I very much admire their culture and just want to", "Btw I’m not trying to pose as the opposite gender or create an", "do so are nothing like his. Just asking for advice. Btw I’m not", "culturally offensive if I used a Japanese pen-name (Kumo Espinosa) just because I", "so are nothing like his. Just asking for advice. Btw I’m not trying", "family. I very much admire their culture and just want to know if", "like it. I just want to make sure I’m doing the right thing", "thing as an aspiring manga-ka. I don’t want to end up like C.B.", "to end up like C.B. Cebulski, although my reasons for wanting to do", "sure I’m doing the right thing as an aspiring manga-ka. I don’t want", "are nothing like his. Just asking for advice. Btw I’m not trying to", "just want to know if it would be culturally offensive if I used", "to know if it would be culturally offensive if I used a Japanese", "I’m doing the right thing as an aspiring manga-ka. I don’t want to", "it. I just want to make sure I’m doing the right thing as", "don’t want to end up like C.B. Cebulski, although my reasons for wanting", "trying to pose as the opposite gender or create an alter-ego. I’m Mexican/black", "asking for advice. Btw I’m not trying to pose as the opposite gender", "(Kumo Espinosa) just because I like it. I just want to make sure", "as an aspiring manga-ka. I don’t want to end up like C.B. Cebulski,", "if it would be culturally offensive if I used a Japanese pen-name (Kumo", "grown up on anime, and with unrelated Japanese family. I very much admire", "with unrelated Japanese family. I very much admire their culture and just want", "to make sure I’m doing the right thing as an aspiring manga-ka. I", "want to know if it would be culturally offensive if I used a", "Just asking for advice. Btw I’m not trying to pose as the opposite", "like C.B. Cebulski, although my reasons for wanting to do so are nothing", "for advice. Btw I’m not trying to pose as the opposite gender or" ]
[ "hell have you been?\" > > > Then Book Two starts with: >", "work out that way. > > > To me that sets the tone", "The sequel to my first book is supposed to start immediately after the", "said. > > > Another example (from my actual story, with revealing names", "ending of Book One: > > Tted said, \"Bob, where the hell have", "end of book one a missing family member has finally joined the family.", "the tone and leaves it open for the next book. I could be", "The owner plans to start a new business and says to a character:", "said, \"Bob, where the hell have you been?\" > > > Then Book", "example (from my actual story, with revealing names left out): The first book", "first book. Zero time gap. Situation: At the end of book one a", "Book One: > > Tted said, \"Bob, where the hell have you been?\"", "done right.\" Last line of book: > > It didn't work out that", "revealing names left out): The first book deals with a business. After dealing", "part of book two will be what happened to him during his time", "business and says to a character: \"Bob, [New Business] will be [Old Business]", "didn't work out that way. > > > To me that sets the", "end of book one. Book two opens with first interaction from joining member,", "> > Another example (from my actual story, with revealing names left out):", "\"Bob, where the hell have you been?\" > > > Then Book Two", "is an appropriate way to transition between the first book and the sequel?", "> It didn't work out that way. > > > To me that", "my actual story, with revealing names left out): The first book deals with", "I could be wrong, though. Do you think this is an appropriate way", "one a missing family member has finally joined the family. No interaction from", "of the ending of Book One: > > Tted said, \"Bob, where the", "be wrong, though. Do you think this is an appropriate way to transition", "Bob said. > > > Another example (from my actual story, with revealing", "open for the next book. I could be wrong, though. Do you think", "sets the tone and leaves it open for the next book. I could", "this is an appropriate way to transition between the first book and the", "from joining member, and part of book two will be what happened to", "story, with revealing names left out): The first book deals with a business.", "first book. The owner plans to start a new business and says to", "start immediately after the end of the first book. Zero time gap. Situation:", "with first interaction from joining member, and part of book two will be", "with revealing names left out): The first book deals with a business. After", "Hypothetical example of the ending of Book One: > > Tted said, \"Bob,", "No interaction from the joining member occurs at the end of book one.", "to a character: \"Bob, [New Business] will be [Old Business] done right.\" Last", "owner, the business is sold by the end of first book. The owner", "start a new business and says to a character: \"Bob, [New Business] will", "> Then Book Two starts with: > > \"I've been lost in the", "interaction from the joining member occurs at the end of book one. Book", "wilderness,\" Bob said. > > > Another example (from my actual story, with", "member has finally joined the family. No interaction from the joining member occurs", "wrong, though. Do you think this is an appropriate way to transition between", "family. Hypothetical example of the ending of Book One: > > Tted said,", "has finally joined the family. No interaction from the joining member occurs at", "family member has finally joined the family. No interaction from the joining member", "by owner, the business is sold by the end of first book. The", "book two will be what happened to him during his time away from", "joining member occurs at the end of book one. Book two opens with", "a character: \"Bob, [New Business] will be [Old Business] done right.\" Last line", "> To me that sets the tone and leaves it open for the", "leaves it open for the next book. I could be wrong, though. Do", "new business and says to a character: \"Bob, [New Business] will be [Old", "of book two will be what happened to him during his time away", "[Old Business] done right.\" Last line of book: > > It didn't work", "and part of book two will be what happened to him during his", "book one. Book two opens with first interaction from joining member, and part", "tone and leaves it open for the next book. I could be wrong,", "> > > Another example (from my actual story, with revealing names left", "will be what happened to him during his time away from the family.", "book: > > It didn't work out that way. > > > To", "two will be what happened to him during his time away from the", "the end of first book. The owner plans to start a new business", "character: \"Bob, [New Business] will be [Old Business] done right.\" Last line of", "At the end of book one a missing family member has finally joined", "one. Book two opens with first interaction from joining member, and part of", "interaction from joining member, and part of book two will be what happened", "starts with: > > \"I've been lost in the wilderness,\" Bob said. >", "after the end of the first book. Zero time gap. Situation: At the", "with: > > \"I've been lost in the wilderness,\" Bob said. > >", "> > It didn't work out that way. > > > To me", "a missing family member has finally joined the family. No interaction from the", "the end of book one a missing family member has finally joined the", "though. Do you think this is an appropriate way to transition between the", "of Book One: > > Tted said, \"Bob, where the hell have you", "of book one. Book two opens with first interaction from joining member, and", "Then Book Two starts with: > > \"I've been lost in the wilderness,\"", "sold by the end of first book. The owner plans to start a", "for the next book. I could be wrong, though. Do you think this", "time away from the family. Hypothetical example of the ending of Book One:", "been lost in the wilderness,\" Bob said. > > > Another example (from", "could be wrong, though. Do you think this is an appropriate way to", "One: > > Tted said, \"Bob, where the hell have you been?\" >", "immediately after the end of the first book. Zero time gap. Situation: At", "Book two opens with first interaction from joining member, and part of book", "opens with first interaction from joining member, and part of book two will", "him during his time away from the family. Hypothetical example of the ending", "of book one a missing family member has finally joined the family. No", "example of the ending of Book One: > > Tted said, \"Bob, where", "in the wilderness,\" Bob said. > > > Another example (from my actual", "> > > Then Book Two starts with: > > \"I've been lost", "Business] done right.\" Last line of book: > > It didn't work out", "actual story, with revealing names left out): The first book deals with a", "owner plans to start a new business and says to a character: \"Bob,", "supposed to start immediately after the end of the first book. Zero time", "Situation: At the end of book one a missing family member has finally", "out): The first book deals with a business. After dealing with major problems", "and says to a character: \"Bob, [New Business] will be [Old Business] done", "[New Business] will be [Old Business] done right.\" Last line of book: >", "gap. Situation: At the end of book one a missing family member has", "dealing with major problems caused by owner, the business is sold by the", "Business] will be [Old Business] done right.\" Last line of book: > >", "Do you think this is an appropriate way to transition between the first", "to my first book is supposed to start immediately after the end of", "family. No interaction from the joining member occurs at the end of book", "lost in the wilderness,\" Bob said. > > > Another example (from my", "of the first book. Zero time gap. Situation: At the end of book", "book is supposed to start immediately after the end of the first book.", "that sets the tone and leaves it open for the next book. I", "the ending of Book One: > > Tted said, \"Bob, where the hell", "it open for the next book. I could be wrong, though. Do you", "right.\" Last line of book: > > It didn't work out that way.", "first book deals with a business. After dealing with major problems caused by", "the family. No interaction from the joining member occurs at the end of", "to him during his time away from the family. Hypothetical example of the", "time gap. Situation: At the end of book one a missing family member", "member occurs at the end of book one. Book two opens with first", "the wilderness,\" Bob said. > > > Another example (from my actual story,", "> > Then Book Two starts with: > > \"I've been lost in", "book. I could be wrong, though. Do you think this is an appropriate", "major problems caused by owner, the business is sold by the end of", "with major problems caused by owner, the business is sold by the end", "names left out): The first book deals with a business. After dealing with", "member, and part of book two will be what happened to him during", "\"Bob, [New Business] will be [Old Business] done right.\" Last line of book:", "next book. I could be wrong, though. Do you think this is an", "where the hell have you been?\" > > > Then Book Two starts", "by the end of first book. The owner plans to start a new", "Last line of book: > > It didn't work out that way. >", "his time away from the family. Hypothetical example of the ending of Book", "business. After dealing with major problems caused by owner, the business is sold", "sequel to my first book is supposed to start immediately after the end", "end of the first book. Zero time gap. Situation: At the end of", "occurs at the end of book one. Book two opens with first interaction", "you been?\" > > > Then Book Two starts with: > > \"I've", "been?\" > > > Then Book Two starts with: > > \"I've been", "business is sold by the end of first book. The owner plans to", "my first book is supposed to start immediately after the end of the", "the joining member occurs at the end of book one. Book two opens", "finally joined the family. No interaction from the joining member occurs at the", "It didn't work out that way. > > > To me that sets", "the family. Hypothetical example of the ending of Book One: > > Tted", "book deals with a business. After dealing with major problems caused by owner,", "you think this is an appropriate way to transition between the first book", "Tted said, \"Bob, where the hell have you been?\" > > > Then", "from the family. Hypothetical example of the ending of Book One: > >", "what happened to him during his time away from the family. Hypothetical example", "The first book deals with a business. After dealing with major problems caused", "out that way. > > > To me that sets the tone and", "a new business and says to a character: \"Bob, [New Business] will be", "first book is supposed to start immediately after the end of the first", "end of first book. The owner plans to start a new business and", "the first book. Zero time gap. Situation: At the end of book one", "to start a new business and says to a character: \"Bob, [New Business]", "\"I've been lost in the wilderness,\" Bob said. > > > Another example", "from the joining member occurs at the end of book one. Book two", "two opens with first interaction from joining member, and part of book two", "deals with a business. After dealing with major problems caused by owner, the", "Zero time gap. Situation: At the end of book one a missing family", "of book: > > It didn't work out that way. > > >", "problems caused by owner, the business is sold by the end of first", "> > > To me that sets the tone and leaves it open", "> Another example (from my actual story, with revealing names left out): The", "the next book. I could be wrong, though. Do you think this is", "will be [Old Business] done right.\" Last line of book: > > It", "missing family member has finally joined the family. No interaction from the joining", "of first book. The owner plans to start a new business and says", "To me that sets the tone and leaves it open for the next", "is sold by the end of first book. The owner plans to start", "that way. > > > To me that sets the tone and leaves", "(from my actual story, with revealing names left out): The first book deals", "me that sets the tone and leaves it open for the next book.", "> > To me that sets the tone and leaves it open for", "the hell have you been?\" > > > Then Book Two starts with:", "> Tted said, \"Bob, where the hell have you been?\" > > >", "at the end of book one. Book two opens with first interaction from", "> > Tted said, \"Bob, where the hell have you been?\" > >", "way. > > > To me that sets the tone and leaves it", "line of book: > > It didn't work out that way. > >", "is supposed to start immediately after the end of the first book. Zero", "during his time away from the family. Hypothetical example of the ending of", "joined the family. No interaction from the joining member occurs at the end", "have you been?\" > > > Then Book Two starts with: > >", "> \"I've been lost in the wilderness,\" Bob said. > > > Another", "Another example (from my actual story, with revealing names left out): The first", "joining member, and part of book two will be what happened to him", "to start immediately after the end of the first book. Zero time gap.", "After dealing with major problems caused by owner, the business is sold by", "be [Old Business] done right.\" Last line of book: > > It didn't", "the end of book one. Book two opens with first interaction from joining", "the end of the first book. Zero time gap. Situation: At the end", "away from the family. Hypothetical example of the ending of Book One: >", "first interaction from joining member, and part of book two will be what", "> > \"I've been lost in the wilderness,\" Bob said. > > >", "Two starts with: > > \"I've been lost in the wilderness,\" Bob said.", "the business is sold by the end of first book. The owner plans", "book. Zero time gap. Situation: At the end of book one a missing", "book. The owner plans to start a new business and says to a", "says to a character: \"Bob, [New Business] will be [Old Business] done right.\"", "book one a missing family member has finally joined the family. No interaction", "be what happened to him during his time away from the family. Hypothetical", "a business. After dealing with major problems caused by owner, the business is", "caused by owner, the business is sold by the end of first book.", "plans to start a new business and says to a character: \"Bob, [New", "think this is an appropriate way to transition between the first book and", "and leaves it open for the next book. I could be wrong, though.", "happened to him during his time away from the family. Hypothetical example of", "left out): The first book deals with a business. After dealing with major", "with a business. After dealing with major problems caused by owner, the business", "Book Two starts with: > > \"I've been lost in the wilderness,\" Bob" ]
[ "it comes over not as a random story, but as a decidedly religious", "describes how an ancient ruler asked the oracle, but because the sacrifice is", "at times). Basically the text describes how an ancient ruler asked the oracle,", "ceremony, the reading of a religious/mythological text. Now in the actual story, I", "about how to write it anyway (and after all, having an actual text", "text that it comes over not as a random story, but as a", "(the role of the text in context, and the protagonist's reaction to it", "how to write it anyway (and after all, having an actual text of", "of that myth might come handy at times). Basically the text describes how", "important points), but since I've seen the tag challenge, I thought I'd ask", "the protagonist's reaction to it are the important points), but since I've seen", "text in context, and the protagonist's reaction to it are the important points),", "an ancient ruler asked the oracle, but because the sacrifice is not valid,", "sacrifice is not valid, the oracle gives a false answer. But the point", "an actual text of that myth might come handy at times). Basically the", "not just a story told for entertainment. So what would be the major", "a religious text, not just a story told for entertainment. So what would", "told for entertainment. So what would be the major points in writing a", "what would be the major points in writing a text that it comes", "all, having an actual text of that myth might come handy at times).", "story the protagonist hears, in a temple ceremony, the reading of a religious/mythological", "I don't need the text itself (the role of the text in context,", "to write it anyway (and after all, having an actual text of that", "in context, and the protagonist's reaction to it are the important points), but", "points), but since I've seen the tag challenge, I thought I'd ask about", "that it comes over not as a random story, but as a decidedly", "seen the tag challenge, I thought I'd ask about how to write it", "is, it's a religious text, not just a story told for entertainment. So", "need the text itself (the role of the text in context, and the", "context, and the protagonist's reaction to it are the important points), but since", "I'd ask about how to write it anyway (and after all, having an", "might come handy at times). Basically the text describes how an ancient ruler", "ask about how to write it anyway (and after all, having an actual", "But the point is, it's a religious text, not just a story told", "the important points), but since I've seen the tag challenge, I thought I'd", "for entertainment. So what would be the major points in writing a text", "the reading of a religious/mythological text. Now in the actual story, I don't", "the major points in writing a text that it comes over not as", "since I've seen the tag challenge, I thought I'd ask about how to", "point is, it's a religious text, not just a story told for entertainment.", "anyway (and after all, having an actual text of that myth might come", "role of the text in context, and the protagonist's reaction to it are", "asked the oracle, but because the sacrifice is not valid, the oracle gives", "points in writing a text that it comes over not as a random", "Now in the actual story, I don't need the text itself (the role", "text itself (the role of the text in context, and the protagonist's reaction", "a false answer. But the point is, it's a religious text, not just", "having an actual text of that myth might come handy at times). Basically", "myth might come handy at times). Basically the text describes how an ancient", "oracle gives a false answer. But the point is, it's a religious text,", "how an ancient ruler asked the oracle, but because the sacrifice is not", "temple ceremony, the reading of a religious/mythological text. Now in the actual story,", "thought I'd ask about how to write it anyway (and after all, having", "the oracle, but because the sacrifice is not valid, the oracle gives a", "the text describes how an ancient ruler asked the oracle, but because the", "be the major points in writing a text that it comes over not", "actual text of that myth might come handy at times). Basically the text", "(and after all, having an actual text of that myth might come handy", "the tag challenge, I thought I'd ask about how to write it anyway", "protagonist hears, in a temple ceremony, the reading of a religious/mythological text. Now", "are the important points), but since I've seen the tag challenge, I thought", "my story the protagonist hears, in a temple ceremony, the reading of a", "comes over not as a random story, but as a decidedly religious text?", "the sacrifice is not valid, the oracle gives a false answer. But the", "tag challenge, I thought I'd ask about how to write it anyway (and", "it anyway (and after all, having an actual text of that myth might", "in a temple ceremony, the reading of a religious/mythological text. Now in the", "a text that it comes over not as a random story, but as", "itself (the role of the text in context, and the protagonist's reaction to", "ancient ruler asked the oracle, but because the sacrifice is not valid, the", "Basically the text describes how an ancient ruler asked the oracle, but because", "times). Basically the text describes how an ancient ruler asked the oracle, but", "the oracle gives a false answer. But the point is, it's a religious", "but because the sacrifice is not valid, the oracle gives a false answer.", "don't need the text itself (the role of the text in context, and", "entertainment. So what would be the major points in writing a text that", "text describes how an ancient ruler asked the oracle, but because the sacrifice", "challenge, I thought I'd ask about how to write it anyway (and after", "the text itself (the role of the text in context, and the protagonist's", "handy at times). Basically the text describes how an ancient ruler asked the", "writing a text that it comes over not as a random story, but", "text, not just a story told for entertainment. So what would be the", "a story told for entertainment. So what would be the major points in", "to it are the important points), but since I've seen the tag challenge,", "actual story, I don't need the text itself (the role of the text", "answer. But the point is, it's a religious text, not just a story", "is not valid, the oracle gives a false answer. But the point is,", "but since I've seen the tag challenge, I thought I'd ask about how", "write it anyway (and after all, having an actual text of that myth", "religious/mythological text. Now in the actual story, I don't need the text itself", "gives a false answer. But the point is, it's a religious text, not", "a religious/mythological text. Now in the actual story, I don't need the text", "hears, in a temple ceremony, the reading of a religious/mythological text. Now in", "the actual story, I don't need the text itself (the role of the", "story, I don't need the text itself (the role of the text in", "the text in context, and the protagonist's reaction to it are the important", "and the protagonist's reaction to it are the important points), but since I've", "protagonist's reaction to it are the important points), but since I've seen the", "in writing a text that it comes over not as a random story,", "In my story the protagonist hears, in a temple ceremony, the reading of", "religious text, not just a story told for entertainment. So what would be", "I've seen the tag challenge, I thought I'd ask about how to write", "of a religious/mythological text. Now in the actual story, I don't need the", "a temple ceremony, the reading of a religious/mythological text. Now in the actual", "major points in writing a text that it comes over not as a", "the protagonist hears, in a temple ceremony, the reading of a religious/mythological text.", "the point is, it's a religious text, not just a story told for", "reaction to it are the important points), but since I've seen the tag", "not valid, the oracle gives a false answer. But the point is, it's", "just a story told for entertainment. So what would be the major points", "because the sacrifice is not valid, the oracle gives a false answer. But", "text. Now in the actual story, I don't need the text itself (the", "valid, the oracle gives a false answer. But the point is, it's a", "story told for entertainment. So what would be the major points in writing", "in the actual story, I don't need the text itself (the role of", "So what would be the major points in writing a text that it", "come handy at times). Basically the text describes how an ancient ruler asked", "oracle, but because the sacrifice is not valid, the oracle gives a false", "would be the major points in writing a text that it comes over", "text of that myth might come handy at times). Basically the text describes", "it are the important points), but since I've seen the tag challenge, I", "after all, having an actual text of that myth might come handy at", "false answer. But the point is, it's a religious text, not just a", "ruler asked the oracle, but because the sacrifice is not valid, the oracle", "it's a religious text, not just a story told for entertainment. So what", "of the text in context, and the protagonist's reaction to it are the", "that myth might come handy at times). Basically the text describes how an", "reading of a religious/mythological text. Now in the actual story, I don't need", "I thought I'd ask about how to write it anyway (and after all," ]
[ "am mocking her for anxiety/insecurity, or that she is too dependent or clichéd?", "a very obsessive or possessive trait, so they can have a healthy relationship.", "pouty and annoyed, maybe lightly teases him, in a way that is entertaining", "to represent in a cute or funny way if possible. In other words,", "\"I exaggerated in my thoughts, maybe I should be more open-minded?\" I've seen", "teases him, in a way that is entertaining or allows funny situations to", "she reflecting something like this \"I exaggerated in my thoughts, maybe I should", "I would like to represent in a cute or funny way if possible.", "like to represent in a cute or funny way if possible. In other", "and annoyed, maybe lightly teases him, in a way that is entertaining or", "acts a little flirty and her love interest is kind to her, and", "express this jealousy in a cute way when writing fiction? What are some", "obsessive or possessive trait, so they can have a healthy relationship. For example:", "Is there a way to express this jealousy in a cute way when", "is kind to her, and that could trigger jealousy for a moment. Maybe,", "she is too dependent or clichéd? Is there a way to express this", "some self-esteem issues, which is another trait that could be related to jealousy.", "and issues. I've imagined something like this: She gets pouty and annoyed, maybe", "The main character (which is a girl) of the first romance I'm writing", "jealousy could be in the form of feeling a bit annoyed, disinterested or", "would feel jealous sometimes of her love interest, but I want it to", "be more open-minded?\" I've seen this done in some anime. How can I", "interest, but I want it to be a cute trait or even a", "girl) of the first romance I'm writing would feel jealous sometimes of her", "healthy relationship. 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The protagonist also has", "something like this: She gets pouty and annoyed, maybe lightly teases him, in", "I want it to be a cute trait or even a setup for", "a healthy relationship. For example: They are in a restaurant, and a waitress", "a moment. Maybe, this jealousy could be in the form of feeling a", "she would overcome these feelings and issues. I've imagined something like this: She", "seen this done in some anime. How can I do it in writing,", "represent in a cute or funny way if possible. In other words, sometimes", "to develop. These situations could lessen her anxiety, with she reflecting something like", "I've imagined something like this: She gets pouty and annoyed, maybe lightly teases", "and her love interest is kind to her, and that could trigger jealousy", "overcome these feelings and issues. I've imagined something like this: She gets pouty", "feel jealous of characters that aren't very important, as jealousy isn't a main", "to express this jealousy in a cute way when writing fiction? What are", "trait or even a setup for funny scenes, not a very obsessive or", "(which is a girl) of the first romance I'm writing would feel jealous", "would like to represent in a cute or funny way if possible. In", "or possessive trait, so they can have a healthy relationship. For example: They", "in a way that is entertaining or allows funny situations to develop. These", "or allows funny situations to develop. These situations could lessen her anxiety, with", "as jealousy isn't a main factor for this story, just a minor trait", "just a minor trait of the protagonist. The protagonist also has some self-esteem", "that could be related to jealousy. Eventually, she would overcome these feelings and", "is too dependent or clichéd? Is there a way to express this jealousy", "protagonist also has some self-esteem issues, which is another trait that could be", "to her, and that could trigger jealousy for a moment. Maybe, this jealousy", "but I would like to represent in a cute or funny way if", "aren't very important, as jealousy isn't a main factor for this story, just", "would feel jealous of characters that aren't very important, as jealousy isn't a", "also has some self-esteem issues, which is another trait that could be related", "for anxiety/insecurity, or that she is too dependent or clichéd? Is there a", "there a way to express this jealousy in a cute way when writing", "a main factor for this story, just a minor trait of the protagonist.", "mocking her for anxiety/insecurity, or that she is too dependent or clichéd? Is", "my thoughts, maybe I should be more open-minded?\" I've seen this done in", "possessive trait, so they can have a healthy relationship. 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I've imagined something like this: She gets", "reflecting something like this \"I exaggerated in my thoughts, maybe I should be", "disinterested or pouting, but I would like to represent in a cute or", "trait, so they can have a healthy relationship. For example: They are in", "too dependent or clichéd? Is there a way to express this jealousy in", "or pouting, but I would like to represent in a cute or funny", "that she is too dependent or clichéd? Is there a way to express", "scenes, not a very obsessive or possessive trait, so they can have a", "her, and that could trigger jealousy for a moment. Maybe, this jealousy could", "protagonist. The protagonist also has some self-esteem issues, which is another trait that", "entertaining or allows funny situations to develop. These situations could lessen her anxiety,", "How can I do it in writing, without making it look like I", "her love interest is kind to her, and that could trigger jealousy for", "a waitress acts a little flirty and her love interest is kind to", "in a cute or funny way if possible. In other words, sometimes she", "has some self-esteem issues, which is another trait that could be related to", "in some anime. How can I do it in writing, without making it", "situations to develop. These situations could lessen her anxiety, with she reflecting something", "anxiety, with she reflecting something like this \"I exaggerated in my thoughts, maybe", "she would feel jealous of characters that aren't very important, as jealousy isn't", "the first romance I'm writing would feel jealous sometimes of her love interest,", "not a very obsessive or possessive trait, so they can have a healthy", "it in writing, without making it look like I am mocking her for", "funny way if possible. In other words, sometimes she would feel jealous of", "could lessen her anxiety, with she reflecting something like this \"I exaggerated in", "even a setup for funny scenes, not a very obsessive or possessive trait,", "self-esteem issues, which is another trait that could be related to jealousy. Eventually,", "be related to jealousy. Eventually, she would overcome these feelings and issues. I've", "I've seen this done in some anime. How can I do it in", "example: They are in a restaurant, and a waitress acts a little flirty", "issues. I've imagined something like this: She gets pouty and annoyed, maybe lightly", "like this \"I exaggerated in my thoughts, maybe I should be more open-minded?\"", "trigger jealousy for a moment. Maybe, this jealousy could be in the form", "jealousy isn't a main factor for this story, just a minor trait of", "way to express this jealousy in a cute way when writing fiction? What", "these feelings and issues. I've imagined something like this: She gets pouty and", "cute trait or even a setup for funny scenes, not a very obsessive", "this \"I exaggerated in my thoughts, maybe I should be more open-minded?\" I've", "a minor trait of the protagonist. The protagonist also has some self-esteem issues,", "lightly teases him, in a way that is entertaining or allows funny situations", "can I do it in writing, without making it look like I am", "Maybe, this jealousy could be in the form of feeling a bit annoyed,", "exaggerated in my thoughts, maybe I should be more open-minded?\" I've seen this", "or that she is too dependent or clichéd? Is there a way to", "of the first romance I'm writing would feel jealous sometimes of her love", "characters that aren't very important, as jealousy isn't a main factor for this", "maybe lightly teases him, in a way that is entertaining or allows funny", "very obsessive or possessive trait, so they can have a healthy relationship. For", "this jealousy could be in the form of feeling a bit annoyed, disinterested", "I do it in writing, without making it look like I am mocking", "could be related to jealousy. Eventually, she would overcome these feelings and issues.", "can have a healthy relationship. For example: They are in a restaurant, and", "like this: She gets pouty and annoyed, maybe lightly teases him, in a", "situations could lessen her anxiety, with she reflecting something like this \"I exaggerated", "it look like I am mocking her for anxiety/insecurity, or that she is", "her for anxiety/insecurity, or that she is too dependent or clichéd? Is there", "little flirty and her love interest is kind to her, and that could", "story, just a minor trait of the protagonist. The protagonist also has some", "sometimes she would feel jealous of characters that aren't very important, as jealousy", "in my thoughts, maybe I should be more open-minded?\" I've seen this done", "but I want it to be a cute trait or even a setup", "annoyed, disinterested or pouting, but I would like to represent in a cute", "interest is kind to her, and that could trigger jealousy for a moment.", "jealousy in a cute way when writing fiction? What are some examples of", "thoughts, maybe I should be more open-minded?\" I've seen this done in some", "restaurant, and a waitress acts a little flirty and her love interest is", "is entertaining or allows funny situations to develop. These situations could lessen her", "is another trait that could be related to jealousy. Eventually, she would overcome", "that could trigger jealousy for a moment. Maybe, this jealousy could be in", "the form of feeling a bit annoyed, disinterested or pouting, but I would", "character (which is a girl) of the first romance I'm writing would feel", "a cute or funny way if possible. In other words, sometimes she would", "of the protagonist. The protagonist also has some self-esteem issues, which is another", "Eventually, she would overcome these feelings and issues. I've imagined something like this:", "that is entertaining or allows funny situations to develop. These situations could lessen", "moment. Maybe, this jealousy could be in the form of feeling a bit", "or funny way if possible. In other words, sometimes she would feel jealous", "a restaurant, and a waitress acts a little flirty and her love interest", "love interest is kind to her, and that could trigger jealousy for a", "of feeling a bit annoyed, disinterested or pouting, but I would like to", "For example: They are in a restaurant, and a waitress acts a little", "way that is entertaining or allows funny situations to develop. These situations could", "writing would feel jealous sometimes of her love interest, but I want it", "be in the form of feeling a bit annoyed, disinterested or pouting, but", "and a waitress acts a little flirty and her love interest is kind", "feelings and issues. I've imagined something like this: She gets pouty and annoyed,", "they can have a healthy relationship. For example: They are in a restaurant,", "more open-minded?\" I've seen this done in some anime. How can I do", "funny situations to develop. These situations could lessen her anxiety, with she reflecting", "jealous sometimes of her love interest, but I want it to be a", "or clichéd? Is there a way to express this jealousy in a cute", "jealousy for a moment. Maybe, this jealousy could be in the form of", "with she reflecting something like this \"I exaggerated in my thoughts, maybe I", "feel jealous sometimes of her love interest, but I want it to be", "form of feeling a bit annoyed, disinterested or pouting, but I would like", "a setup for funny scenes, not a very obsessive or possessive trait, so", "is a girl) of the first romance I'm writing would feel jealous sometimes", "In other words, sometimes she would feel jealous of characters that aren't very", "I'm writing would feel jealous sometimes of her love interest, but I want", "minor trait of the protagonist. The protagonist also has some self-esteem issues, which", "for this story, just a minor trait of the protagonist. The protagonist also", "the protagonist. The protagonist also has some self-esteem issues, which is another trait", "issues, which is another trait that could be related to jealousy. Eventually, she", "to jealousy. Eventually, she would overcome these feelings and issues. I've imagined something", "These situations could lessen her anxiety, with she reflecting something like this \"I", "anxiety/insecurity, or that she is too dependent or clichéd? Is there a way", "imagined something like this: She gets pouty and annoyed, maybe lightly teases him,", "setup for funny scenes, not a very obsessive or possessive trait, so they", "in a cute way when writing fiction? What are some examples of this?", "factor for this story, just a minor trait of the protagonist. The protagonist", "open-minded?\" I've seen this done in some anime. How can I do it", "another trait that could be related to jealousy. Eventually, she would overcome these", "in a restaurant, and a waitress acts a little flirty and her love", "of her love interest, but I want it to be a cute trait", "or even a setup for funny scenes, not a very obsessive or possessive", "it to be a cute trait or even a setup for funny scenes,", "anime. How can I do it in writing, without making it look like", "She gets pouty and annoyed, maybe lightly teases him, in a way that", "so they can have a healthy relationship. For example: They are in a", "The protagonist also has some self-esteem issues, which is another trait that could", "are in a restaurant, and a waitress acts a little flirty and her", "very important, as jealousy isn't a main factor for this story, just a", "a girl) of the first romance I'm writing would feel jealous sometimes of", "They are in a restaurant, and a waitress acts a little flirty and", "feeling a bit annoyed, disinterested or pouting, but I would like to represent", "cute or funny way if possible. In other words, sometimes she would feel", "trait of the protagonist. The protagonist also has some self-esteem issues, which is", "without making it look like I am mocking her for anxiety/insecurity, or that", "isn't a main factor for this story, just a minor trait of the", "to be a cute trait or even a setup for funny scenes, not", "writing, without making it look like I am mocking her for anxiety/insecurity, or", "her love interest, but I want it to be a cute trait or", "some anime. How can I do it in writing, without making it look", "clichéd? Is there a way to express this jealousy in a cute way", "a way to express this jealousy in a cute way when writing fiction?", "I should be more open-minded?\" I've seen this done in some anime. How", "this: She gets pouty and annoyed, maybe lightly teases him, in a way", "like I am mocking her for anxiety/insecurity, or that she is too dependent", "main factor for this story, just a minor trait of the protagonist. The", "him, in a way that is entertaining or allows funny situations to develop.", "maybe I should be more open-minded?\" I've seen this done in some anime.", "other words, sometimes she would feel jealous of characters that aren't very important,", "lessen her anxiety, with she reflecting something like this \"I exaggerated in my", "making it look like I am mocking her for anxiety/insecurity, or that she", "annoyed, maybe lightly teases him, in a way that is entertaining or allows", "which is another trait that could be related to jealousy. Eventually, she would", "words, sometimes she would feel jealous of characters that aren't very important, as", "sometimes of her love interest, but I want it to be a cute", "main character (which is a girl) of the first romance I'm writing would", "want it to be a cute trait or even a setup for funny", "a little flirty and her love interest is kind to her, and that", "should be more open-minded?\" I've seen this done in some anime. How can", "in writing, without making it look like I am mocking her for anxiety/insecurity,", "something like this \"I exaggerated in my thoughts, maybe I should be more", "love interest, but I want it to be a cute trait or even", "first romance I'm writing would feel jealous sometimes of her love interest, but", "romance I'm writing would feel jealous sometimes of her love interest, but I", "jealous of characters that aren't very important, as jealousy isn't a main factor", "trait that could be related to jealousy. Eventually, she would overcome these feelings", "done in some anime. How can I do it in writing, without making", "I am mocking her for anxiety/insecurity, or that she is too dependent or", "dependent or clichéd? Is there a way to express this jealousy in a", "this done in some anime. How can I do it in writing, without", "for a moment. Maybe, this jealousy could be in the form of feeling", "gets pouty and annoyed, maybe lightly teases him, in a way that is", "her anxiety, with she reflecting something like this \"I exaggerated in my thoughts,", "in the form of feeling a bit annoyed, disinterested or pouting, but I", "if possible. In other words, sometimes she would feel jealous of characters that", "of characters that aren't very important, as jealousy isn't a main factor for", "bit annoyed, disinterested or pouting, but I would like to represent in a", "for funny scenes, not a very obsessive or possessive trait, so they can", "flirty and her love interest is kind to her, and that could trigger", "funny scenes, not a very obsessive or possessive trait, so they can have", "could be in the form of feeling a bit annoyed, disinterested or pouting,", "this jealousy in a cute way when writing fiction? What are some examples" ]
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I have written it in a way that in a line or", "con-sulted experts in > the fields of Psychology, Business Management, Sociology, > Mathe-matics,", "systems, I con-sulted experts in > the fields of Psychology, Business Management, Sociology,", "a successful undertaking to procure funds. This meant that now some of the", "I am asking is it advisable to mention a scene change by adding", "what I was feeling. > > > Back in the office, Riwhurz and", "inquired getting out. > \"I am having a feeling that we are not", "that now some of the funds > were allocated to me for pure", "scene at home which changes to scene at the office which is completely", "time it feels lack of confidence. Following is example of my writing. >", "lack of confidence. Following is example of my writing. > > \"What's wrong", "understand the scene is changed but I am not sure. I am asking", "is changed but I am not sure. I am asking is it advisable", "the reader will understand the scene is changed but I am not sure.", "case, we should plan an abortion.\" Aakash gave a heads-up to what I", "office' or 'back at home'. Each time it feels lack of confidence. Following", "wrong\" > Aakash inquired getting out. > \"I am having a feeling that", "our life is not what we want.\" > \"In that case, we should", "be wrong\" > Aakash inquired getting out. > \"I am having a feeling", "out. > \"I am having a feeling that we are not ready for", "procure funds. This meant that now some of the funds > were allocated", "I have a scene at home which changes to scene at the office", "successful undertaking to procure funds. This meant that now some of the funds", "funds. This meant that now some of the funds > were allocated to", "which changes to scene at the office which is completely different. I have", "implementation of gaming systems, I con-sulted experts in > the fields of Psychology,", "now? You are looking worried something must be wrong\" > Aakash inquired getting", "of gaming systems, I con-sulted experts in > the fields of Psychology, Business", "like, 'back in the office' or 'back at home'. Each time it feels", "at the office which is completely different. I have written it in a", "a line or two the reader will understand the scene is changed but", "we should plan an abortion.\" Aakash gave a heads-up to what I was", "phrase like, 'back in the office' or 'back at home'. Each time it", "home which changes to scene at the office which is completely different. I", "to me for pure re-search. For the most effective and > life-like implementation", "am asking is it advisable to mention a scene change by adding a", "life-like implementation of gaming systems, I con-sulted experts in > the fields of", "am having a feeling that we are not ready for this at the", "Each time it feels lack of confidence. Following is example of my writing.", "reader will understand the scene is changed but I am not sure. I" ]
[ "to release my first fictional novel. At the moment I have zero web", "Before releasing should I create a Facebook account, and/or any other type of", "getting ready to release my first fictional novel. At the moment I have", "the moment I have zero web presence (besides E-mail accounts). I am considering", "moment I have zero web presence (besides E-mail accounts). I am considering using", "I have zero web presence (besides E-mail accounts). I am considering using Amazon's", "I am getting ready to release my first fictional novel. At the moment", "first fictional novel. At the moment I have zero web presence (besides E-mail", "web presence (besides E-mail accounts). I am considering using Amazon's Kindle Direct. Before", "(besides E-mail accounts). I am considering using Amazon's Kindle Direct. Before releasing should", "Amazon's Kindle Direct. Before releasing should I create a Facebook account, and/or any", "I am considering using Amazon's Kindle Direct. Before releasing should I create a", "Direct. Before releasing should I create a Facebook account, and/or any other type", "using Amazon's Kindle Direct. Before releasing should I create a Facebook account, and/or", "accounts). I am considering using Amazon's Kindle Direct. Before releasing should I create", "E-mail accounts). I am considering using Amazon's Kindle Direct. Before releasing should I", "Kindle Direct. Before releasing should I create a Facebook account, and/or any other", "am considering using Amazon's Kindle Direct. Before releasing should I create a Facebook", "release my first fictional novel. At the moment I have zero web presence", "presence (besides E-mail accounts). I am considering using Amazon's Kindle Direct. Before releasing", "fictional novel. At the moment I have zero web presence (besides E-mail accounts).", "At the moment I have zero web presence (besides E-mail accounts). I am", "ready to release my first fictional novel. At the moment I have zero", "am getting ready to release my first fictional novel. At the moment I", "novel. At the moment I have zero web presence (besides E-mail accounts). I", "should I create a Facebook account, and/or any other type of social media", "releasing should I create a Facebook account, and/or any other type of social", "have zero web presence (besides E-mail accounts). I am considering using Amazon's Kindle", "considering using Amazon's Kindle Direct. Before releasing should I create a Facebook account,", "my first fictional novel. At the moment I have zero web presence (besides", "zero web presence (besides E-mail accounts). I am considering using Amazon's Kindle Direct.", "I create a Facebook account, and/or any other type of social media accounts?" ]
[ "foreshadowed, and the MC has been his foil and antagonist – it's why", "\"witness\" character to observe, or a confidant to confess it to. I originally", "MC to leave (it's important that she does). There's no apology, and they", "that changes them. This is the emotional climax that pushes everyone to their", "another confrontation, with the MC saying \"You are gaslighting me, blah-blah-blah\", but that", "and antagonist – it's why she is assaulted. I have a good idea", "so extreme it calls into question everything that has come before, and the", "too on the nose, too similar to the confrontation with the hero, and", "everything that has come before, and the MC is overwhelmed by the double-whammy.", "beginning. It causes the MC to leave (it's important that she does). There's", "some cases explaining hanging mysteries, or adding a twist that changes them. This", "Or at least justify it as a strategic maneuver (in-character for the Daregan)?", "be plausible, in some cases explaining hanging mysteries, or adding a twist that", "with a few cracks to show inner-turmoil/regret, but mostly relying on the reader", "It causes the MC to leave (it's important that she does). There's no", "My concern is the reader. Should I explain the reasons for gaslighting? ---------------------------------------------", "\"wounded\" by this act of tough love? Or at least justify it as", "again. There is no \"witness\" character to observe, or a confidant to confess", "Hero is gaslighting for sinister reasons (to cover up that he assaulted her),", "will get away. The gaslighting dialog has enough truth mixed in to be", "co-protagonists begin gaslighting the MC. They each have ulterior motives which they don't", "the MC, the Daregan could be a cruel manipulator in a surprise grimdark", "confrontation, with the MC saying \"You are gaslighting me, blah-blah-blah\", but that was", "confrontation with the hero, and she can't be devastated if she also announces", "The Daregan's gaslighting is basically victim-blaming, and the \"twist\" aspect suggests the Daregan", "the assault which he later gaslights about, so it's clear. But almost immediately", "truth mixed in to be plausible, in some cases explaining hanging mysteries, or", "that was too on the nose, too similar to the confrontation with the", "blah-blah-blah\", but that was too on the nose, too similar to the confrontation", "mostly relying on the reader to recognize this is out-of-character – except, since", "the double-whammy. All 3 characters are on a negative arc. There's no reconciliation.", "as another confrontation, with the MC saying* \"You are gaslighting me, blah-blah-blah\", but", "Daregan has been expecting it since the beginning. It causes the MC to", "to confess it to. I originally wrote the Daregan's scene as another confrontation,", "I removed the explanation. The Daregan is stoic with a few cracks to", "All 3 characters are on a negative arc. There's no reconciliation. It ends", "ends dark. To clarify gaslighting refers to the 2 characters independently lying to", "is no \"witness\" character to observe, or a confidant to confess it to.", "she can't be devastated if she also announces she can see through the", "hero assault the MC, the Daregan could be a cruel manipulator in a", "strategic maneuver (in-character for the Daregan)? It's not important that the MC understands", "removed the explanation. The Daregan is stoic with a few cracks to show", "Daregan could be a cruel manipulator in a surprise grimdark ending. How do", "situation, 2 co-protagonists begin gaslighting the MC. They each have ulterior motives which", "except, since I just made the hero assault the MC, the Daregan could", "refers to the 2 characters independently* lying to the MC to discourage or", "too similar to the confrontation with the hero, and she can't be devastated", "the Daregan's gaslighting in reaction to this assault, and this motive is much", "leave (it's important that she does). There's no apology, and they don't speak", "reader is intended to infer the lies through contradictory statements, and the abrupt", "been expecting it since the beginning. It causes the MC to leave (it's", "through the ruse. So I removed the explanation. The Daregan is stoic with", "this dialog the MC calls out his hidden agenda. Then we see the", "come before, and the MC is overwhelmed by the double-whammy. All 3 characters", "sinister reasons (to cover up that he assaulted her), the Daregan is gaslighting", "to. I originally wrote the Daregan's scene as another confrontation, with the MC", "at least justify it as a strategic maneuver (in-character for the Daregan)? It's", "character change. The shift is so extreme it calls into question everything that", "has been heavily foreshadowed, and the MC has been his foil and antagonist", "no apology, and they don't speak again. There is no \"witness\" character to", "on the nose, too similar to the confrontation with the hero, and she", "it to. I originally wrote the Daregan's scene as another confrontation, with the", "also announces she can see through the ruse. So I removed the explanation.", "to the 2 characters independently lying to the MC to discourage or discredit", "causes the MC to leave (it's important that she does). There's no apology,", "the explanation. The Daregan is stoic with a few cracks to show inner-turmoil/regret,", "The Daregan is stoic with a few cracks to show inner-turmoil/regret, but mostly", "to recognize this is out-of-character – except, since I just made the hero", "get away. The gaslighting dialog has enough truth mixed in to be plausible,", "a negative arc. There's no reconciliation. It ends dark. To clarify gaslighting refers", "explanation. The Daregan is stoic with a few cracks to show inner-turmoil/regret, but", "are on a negative arc. There's no reconciliation. It ends dark. To clarify", "enough truth mixed in to be plausible, in some cases explaining hanging mysteries,", "their ending state. The Hero's downfall has been heavily foreshadowed, and the MC", "as a strategic maneuver (in-character for the Daregan)? It's not important that the", "this plays out. They argue, and within this dialog the MC calls out", "\"twist\" aspect suggests the Daregan has been expecting it since the beginning. It", "To clarify gaslighting** refers to the 2 characters independently lying to the MC", "assaulted her), the Daregan is gaslighting to scare the MC so she will", "(in-character for the Daregan)? It's not important that the MC understands the motive", "justify it as a strategic maneuver (in-character for the Daregan)? It's not important", "contradictory statements, and the abrupt character change. The shift is so extreme it", "the Daregan's scene as another confrontation, with the MC saying* \"You are gaslighting", "saying* \"You are gaslighting me, blah-blah-blah\", but that was too on the nose,", "a confidant to confess it to. I originally wrote the Daregan's scene as", "or a confidant to confess it to. I originally wrote the Daregan's scene", "can see through the ruse. So I removed the explanation. The Daregan is", "me, blah-blah-blah\", but that was too on the nose, too similar to the", "(to cover up that he assaulted her), the Daregan is gaslighting to scare", "since the beginning. It causes the MC to leave (it's important that she", "Daregan is \"wounded\" by this act of tough love? Or at least justify", "and the MC has been his foil and antagonist – it's why she", "ending state. The Hero's downfall has been heavily foreshadowed, and the MC has", "the Daregan is \"wounded\" by this act of tough love? Or at least", "Hero's downfall has been heavily foreshadowed, and the MC has been his foil", "in to be plausible, in some cases explaining hanging mysteries, or adding a", "grimdark ending. How do I show that the Daregan is \"wounded\" by this", "independently* lying to the MC to discourage or discredit her. In my story", "aspect suggests the Daregan has been expecting it since the beginning. It causes", "this is out-of-character – except, since I just made the hero assault the", "which they don't say. The reader is intended to infer* the lies through", "to their ending state. The Hero's downfall has been heavily foreshadowed, and the", "on the reader to recognize this is out-of-character – except, since I just", "It ends dark. To clarify gaslighting refers to the 2 characters independently lying", "see the assault which he later gaslights about, so it's clear. But almost", "shift is so extreme it calls into question everything that has come before,", "we see the assault which he later gaslights about, so it's clear. But", "been heavily foreshadowed, and the MC has been his foil and antagonist –", "her), the Daregan is gaslighting to scare the MC so she will get", "do I show that the Daregan is \"wounded\" by this act of tough", "pushes everyone to their ending state. The Hero's downfall has been heavily foreshadowed,", "twist that changes them. This is the emotional climax that pushes everyone to", "why she is assaulted. I have a good idea how this plays out.", "the nose, too similar to the confrontation with the hero, and she can't", "the abrupt character change. The shift is so extreme it calls into question", "extreme it calls into question everything that has come before, and the MC", "or adding a twist that changes them. This is the emotional climax that", "the 2 characters independently lying to the MC to discourage or discredit her.", "his hidden agenda. Then we see the assault which he later gaslights about,", "gaslighting** refers to the 2 characters independently lying to the MC to discourage", "to show inner-turmoil/regret, but mostly relying on the reader to recognize this is", "a cruel manipulator in a surprise grimdark ending. How do I show that", "is gaslighting for sinister reasons (to cover up that he assaulted her), the", "2 characters independently lying to the MC to discourage or discredit her. In", "confidant to confess it to. I originally wrote the Daregan's scene as another", "Then we see the assault which he later gaslights about, so it's clear.", "this motive is much harder to show the reader. The Daregan's gaslighting is", "she can see through the ruse. So I removed the explanation. The Daregan", "the Daregan)? It's not important that the MC understands the motive at all.", "through contradictory statements, and the abrupt character change. The shift is so extreme", "dialog has enough truth mixed in to be plausible, in some cases explaining", "don't speak again. There is no \"witness\" character to observe, or a confidant", "a twist that changes them. This is the emotional climax that pushes everyone", "she does). There's no apology, and they don't speak again. There is no", "gaslighting dialog has enough truth mixed in to be plausible, in some cases", "2 co-protagonists begin gaslighting the MC. They each have ulterior motives which they", "How do I show that the Daregan is \"wounded\" by this act of", "character to observe, or a confidant to confess it to. I originally wrote", "story the Hero is gaslighting for sinister reasons (to cover up that he", "the MC understands the motive at all. My concern is the reader. Should", "apology, and they don't speak again. There is no \"witness\" character to observe,", "The gaslighting dialog has enough truth mixed in to be plausible, in some", "with the MC saying \"You are gaslighting me, blah-blah-blah\", but that was too", "characters independently lying to the MC to discourage or discredit her. In my", "cases explaining hanging mysteries, or adding a twist that changes them. This is", "few cracks to show inner-turmoil/regret, but mostly relying on the reader to recognize", "hidden agenda. Then we see the assault which he later gaslights about, so", "similar to the confrontation with the hero, and she can't be devastated if", "that has come before, and the MC is overwhelmed by the double-whammy. All", "MC. They each have ulterior motives which they don't say. The reader is", "out his hidden agenda. Then we see the assault which he later gaslights", "within this dialog the MC calls out his hidden agenda. Then we see", "suggests the Daregan has been expecting it since the beginning. It causes the", "the MC has been his foil and antagonist – it's why she is", "not important that the MC understands the motive at all. My concern is", "inner-turmoil/regret, but mostly relying on the reader to recognize this is out-of-character –", "or discredit her. In my story the Hero is gaslighting for sinister reasons", "before, and the MC is overwhelmed by the double-whammy. All 3 characters are", "at all. My concern is the reader. Should I explain the reasons for", "show that the Daregan is \"wounded\" by this act of tough love? Or", "the reader to recognize this is out-of-character – except, since I just made", "to this assault, and this motive is much harder to show the reader.", "There is no \"witness\" character to observe, or a confidant to confess it", "it's clear. But almost immediately comes the Daregan's gaslighting in reaction to this", "emotional climax that pushes everyone to their ending state. The Hero's downfall has", "cruel manipulator in a surprise grimdark ending. How do I show that the", "expecting it since the beginning. It causes the MC to leave (it's important", "to infer the lies through contradictory statements, and the abrupt character change. The", "announces she can see through the ruse. So I removed the explanation. The", "discredit her. In my story the Hero is gaslighting for sinister reasons (to", "speak again. There is no \"witness\" character to observe, or a confidant to", "the Daregan has been expecting it since the beginning. It causes the MC", "\"You are gaslighting me, blah-blah-blah\", but that was too on the nose, too", "has come before, and the MC is overwhelmed by the double-whammy. All 3", "ending. How do I show that the Daregan is \"wounded\" by this act", "to be plausible, in some cases explaining hanging mysteries, or adding a twist", "The shift is so extreme it calls into question everything that has come", "and within this dialog the MC calls out his hidden agenda. Then we", "gaslights about, so it's clear. But almost immediately comes the Daregan's gaslighting in", "just made the hero assault the MC, the Daregan could be a cruel", "is basically victim-blaming, and the \"twist\" aspect suggests the Daregan has been expecting", "up that he assaulted her), the Daregan is gaslighting to scare the MC", "a few cracks to show inner-turmoil/regret, but mostly relying on the reader to", "adding a twist that changes them. This is the emotional climax that pushes", "they don't speak again. There is no \"witness\" character to observe, or a", "for sinister reasons (to cover up that he assaulted her), the Daregan is", "Daregan is stoic with a few cracks to show inner-turmoil/regret, but mostly relying", "the motive at all. My concern is the reader. Should I explain the", "a surprise grimdark ending. How do I show that the Daregan is \"wounded\"", "It's not important that the MC understands the motive at all. My concern", "MC to discourage or discredit her. In my story the Hero is gaslighting", "gaslighting to scare the MC so she will get away. The gaslighting dialog", "clarify gaslighting** refers to the 2 characters independently lying to the MC to", "out-of-character – except, since I just made the hero assault the MC, the", "motives which they don't say. The reader is intended to infer the lies", "which he later gaslights about, so it's clear. But almost immediately comes the", "with the hero, and she can't be devastated if she also announces she", "They each have ulterior motives which they don't say. The reader is intended", "she is assaulted. I have a good idea how this plays out. They", "basically victim-blaming, and the \"twist\" aspect suggests the Daregan has been expecting it", "devastated if she also announces she can see through the ruse. So I", "victim-blaming, and the \"twist\" aspect suggests the Daregan has been expecting it since", "Daregan's gaslighting in reaction to this assault, and this motive is much harder", "is the emotional climax that pushes everyone to their ending state. The Hero's", "I have an ambiguous script situation, 2 co-protagonists begin gaslighting the MC. They", "tough love? Or at least justify it as a strategic maneuver (in-character for", "be devastated if she also announces she can see through the ruse. So", "infer the lies through contradictory statements, and the abrupt character change. The shift", "abrupt character change. The shift is so extreme it calls into question everything", "that he assaulted her), the Daregan is gaslighting to scare the MC so", "MC, the Daregan could be* a cruel manipulator in a surprise grimdark ending.", "assaulted. I have a good idea how this plays out. They argue, and", "heavily foreshadowed, and the MC has been his foil and antagonist – it's", "the MC to discourage or discredit her. In my story the Hero is", "gaslighting me, blah-blah-blah\", but that was too on the nose, too similar to", "question everything that has come before, and the MC is overwhelmed by the", "this assault, and this motive is much harder to show the reader. The", "wrote the Daregan's scene as another confrontation, with the MC saying* \"You are", "the MC calls out his hidden agenda. Then we see* the assault which", "this act of tough love? Or at least justify it as a strategic", "maneuver (in-character for the Daregan)? It's not important that the MC understands the", "plausible, in some cases explaining hanging mysteries, or adding a twist that changes", "has been his foil and antagonist – it's why she is assaulted. I", "dialog the MC calls out his hidden agenda. Then we see the assault", "Daregan's gaslighting is basically victim-blaming, and the \"twist\" aspect suggests the Daregan has", "the MC saying \"You are gaslighting me, blah-blah-blah\", but that was too on", "clear. But almost immediately comes the Daregan's gaslighting in reaction to this assault,", "Daregan's scene as another confrontation, with the MC saying* \"You are gaslighting me,", "gaslighting for sinister* reasons (to cover up that he assaulted her), the Daregan", "MC so she will get away. The gaslighting dialog has enough truth mixed", "in reaction to this assault, and this motive is much harder to show", "scare the MC so she will get away. The gaslighting dialog has enough", "MC has been his foil and antagonist – it's why she is assaulted.", "cover up that he assaulted her), the Daregan is gaslighting to scare the", "downfall has been heavily foreshadowed, and the MC has been his foil and", "was too on the nose, too similar to the confrontation with the hero,", "gaslighting the MC. They each have ulterior motives which they don't say. The", "act of tough love? Or at least justify it as a strategic maneuver", "it as a strategic maneuver (in-character for the Daregan)? It's not important that", "begin gaslighting the MC. They each have ulterior motives which they don't say.", "her. In my story the Hero is gaslighting for sinister reasons (to cover", "later gaslights about, so it's clear. But almost immediately comes the Daregan's gaslighting", "no \"witness\" character to observe, or a confidant to confess it to. I", "statements, and the abrupt character change. The shift is so extreme it calls", "is much harder to show the reader. The Daregan's gaslighting is basically victim-blaming,", "comes the Daregan's gaslighting in reaction to this assault, and this motive is", "the confrontation with the hero, and she can't be devastated if she also", "foil and antagonist – it's why she is assaulted. I have a good", "so she will get away. The gaslighting dialog has enough truth mixed in", "them. This is the emotional climax that pushes everyone to their ending state.", "the Daregan could be a cruel manipulator in a surprise grimdark ending. How", "Daregan)? It's not important that the MC understands the motive at all. My", "understands the motive at all. My concern is the reader. Should I explain", "surprise grimdark ending. How do I show that the Daregan is \"wounded\" by", "But almost immediately comes the Daregan's gaslighting in reaction to this assault, and", "the reader. The Daregan's gaslighting is basically victim-blaming, and the \"twist\" aspect suggests", "have a good idea how this plays out. They argue, and within this", "ruse. So I removed the explanation. The Daregan is stoic with a few", "the ruse. So I removed the explanation. The Daregan is stoic with a", "the beginning. It causes the MC to leave (it's important that she does).", "could be a cruel manipulator in a surprise grimdark ending. How do I", "by this act of tough love? Or at least justify it as a", "harder to show the reader. The Daregan's gaslighting is basically victim-blaming, and the", "out. They argue, and within this dialog the MC calls out his hidden", "can't be devastated if she also announces she can see through the ruse.", "cracks to show inner-turmoil/regret, but mostly relying on the reader to recognize this", "the hero assault the MC, the Daregan could be a cruel manipulator in", "– it's why she is assaulted. I have a good idea how this", "important that the MC understands the motive at all. My concern is the", "but mostly relying on the reader to recognize this is out-of-character – except,", "it since the beginning. It causes the MC to leave (it's important that", "change. The shift is so extreme it calls into question everything that has", "immediately comes the Daregan's gaslighting in reaction to this assault, and this motive", "an ambiguous script situation, 2 co-protagonists begin gaslighting the MC. They each have", "have ulterior motives which they don't say. The reader is intended to infer", "the hero, and she can't be devastated if she also announces she can", "each have ulterior motives which they don't say. The reader is intended to", "relying on the reader to recognize this is out-of-character – except, since I", "all. My concern is the reader. Should I explain the reasons for gaslighting?", "has enough truth mixed in to be plausible, in some cases explaining hanging", "ulterior motives which they don't say. The reader is intended to infer the", "in a surprise grimdark ending. How do I show that the Daregan is", "manipulator in a surprise grimdark ending. How do I show that the Daregan", "don't say. The reader is intended to infer the lies through contradictory statements,", "and she can't be devastated if she also announces she can see through", "so it's clear. But almost immediately comes the Daregan's gaslighting in reaction to", "originally wrote the Daregan's scene as another confrontation, with the MC saying \"You", "to observe, or a confidant to confess it to. I originally wrote the", "have an ambiguous script* situation, 2 co-protagonists begin gaslighting the MC. They each", "So I removed the explanation. The Daregan is stoic with a few cracks", "(it's important that she does). There's no apology, and they don't speak again.", "calls into question everything that has come before, and the MC is overwhelmed", "There's no reconciliation. It ends dark. To clarify gaslighting refers to the 2", "on a negative arc. There's no reconciliation. It ends dark. To clarify gaslighting", "motive at all. My concern is the reader. Should I explain the reasons", "is assaulted. I have a good idea how this plays out. They argue,", "confess it to. I originally wrote the Daregan's scene as another confrontation, with", "but that was too on the nose, too similar to the confrontation with", "are gaslighting me, blah-blah-blah\", but that was too on the nose, too similar", "the emotional climax that pushes everyone to their ending state. The Hero's downfall", "I originally wrote the Daregan's scene as another confrontation, with the MC saying", "mixed in to be plausible, in some cases explaining hanging mysteries, or adding", "negative arc. There's no reconciliation. It ends dark. To clarify gaslighting* refers to", "love? Or at least justify it as a strategic maneuver (in-character for the", "be* a cruel manipulator in a surprise grimdark ending. How do I show", "reader to recognize this is out-of-character – except, since I just made the", "a strategic maneuver (in-character for the Daregan)? It's not important that the MC", "MC calls out his hidden agenda. Then we see the assault which he", "stoic with a few cracks to show inner-turmoil/regret, but mostly relying on the", "he later gaslights about, so it's clear. But almost immediately comes the Daregan's", "to show the reader. The Daregan's gaslighting is basically victim-blaming, and the \"twist\"", "is intended to infer the lies through contradictory statements, and the abrupt character", "in some cases explaining hanging mysteries, or adding a twist that changes them.", "by the double-whammy. All 3 characters are on a negative arc. There's no", "scene as another confrontation, with the MC saying \"You are gaslighting me, blah-blah-blah\",", "state. The Hero's downfall has been heavily foreshadowed, and the MC has been", "into question everything that has come before, and the MC is overwhelmed by", "is out-of-character – except, since I just made the hero assault the MC,", "everyone to their ending state. The Hero's downfall has been heavily foreshadowed, and", "The Hero's downfall has been heavily foreshadowed, and the MC has been his", "climax that pushes everyone to their ending state. The Hero's downfall has been", "MC saying \"You are gaslighting me, blah-blah-blah\", but that was too on the", "– except, since I just made the hero assault the MC, the Daregan", "calls out his hidden agenda. Then we see* the assault which he later", "assault which he later gaslights about, so it's clear. But almost immediately comes", "no reconciliation. It ends dark. To clarify gaslighting refers to the 2 characters", "been his foil and antagonist – it's why she is assaulted. I have", "idea how this plays out. They argue, and within this dialog the MC", "to the MC to discourage or discredit her. In my story the Hero", "overwhelmed by the double-whammy. All 3 characters are on a negative arc. There's", "The reader is intended to infer the lies through contradictory statements, and the", "the MC so she will get away. The gaslighting dialog has enough truth", "is stoic with a few cracks to show inner-turmoil/regret, but mostly relying on", "script situation, 2 co-protagonists begin gaslighting the MC. They each have ulterior motives", "say. The reader is intended to infer the lies through contradictory statements, and", "she will get away. The gaslighting dialog has enough truth mixed in to", "ambiguous script situation, 2 co-protagonists begin gaslighting the MC. They each have ulterior", "reasons (to cover up that he assaulted her), the Daregan is gaslighting to", "and they don't speak again. There is no \"witness\" character to observe, or", "the MC is overwhelmed by the double-whammy. All 3 characters are on a", "reader. The Daregan's gaslighting is basically victim-blaming, and the \"twist\" aspect suggests the", "my story the Hero is gaslighting for sinister reasons (to cover up that", "it's why she is assaulted. I have a good idea how this plays", "about, so it's clear. But almost immediately comes the Daregan's gaslighting in reaction", "see through the ruse. So I removed the explanation. The Daregan is stoic", "away. The gaslighting dialog has enough truth mixed in to be plausible, in", "assault, and this motive is much harder to show the reader. The Daregan's", "hero, and she can't be devastated if she also announces she can see", "it calls into question everything that has come before, and the MC is", "hanging mysteries, or adding a twist that changes them. This is the emotional", "the lies through contradictory statements, and the abrupt character change. The shift is", "is overwhelmed by the double-whammy. All 3 characters are on a negative arc.", "gaslighting in reaction to this assault, and this motive is much harder to", "show inner-turmoil/regret, but mostly relying on the reader to recognize this is out-of-character", "the MC. They each have ulterior motives which they don't say. The reader", "to discourage or discredit her. In my story the Hero is gaslighting for", "of tough love? Or at least justify it as a strategic maneuver (in-character", "nose, too similar to the confrontation with the hero, and she can't be", "agenda. Then we see the assault which he later gaslights about, so it's", "does). There's no apology, and they don't speak again. There is no \"witness\"", "There's no apology, and they don't speak again. There is no \"witness\" character", "and this motive is much harder to show the reader. The Daregan's gaslighting", "intended to infer the lies through contradictory statements, and the abrupt character change.", "much harder to show the reader. The Daregan's gaslighting is basically victim-blaming, and", "explaining hanging mysteries, or adding a twist that changes them. This is the", "characters are on a negative arc. There's no reconciliation. It ends dark. *To", "good idea how this plays out. They argue, and within this dialog the", "the Hero is gaslighting for sinister* reasons (to cover up that he assaulted", "the MC to leave (it's important that she does). There's no apology, and", "This is the emotional climax that pushes everyone to their ending state. The", "recognize this is out-of-character – except, since I just made the hero assault", "that the Daregan is \"wounded\" by this act of tough love? Or at", "is \"wounded\" by this act of tough love? Or at least justify it", "she also announces she can see through the ruse. So I removed the", "important that she does). There's no apology, and they don't speak again. There", "gaslighting is basically victim-blaming, and the \"twist\" aspect suggests the Daregan has been", "lies through contradictory statements, and the abrupt character change. The shift is so", "mysteries, or adding a twist that changes them. This is the emotional climax", "least justify it as a strategic maneuver (in-character for the Daregan)? It's not", "plays out. They argue, and within this dialog the MC calls out his", "assault the MC, the Daregan could be a cruel manipulator in a surprise", "and the \"twist\" aspect suggests the Daregan has been expecting it since the", "They argue, and within this dialog the MC calls out his hidden agenda.", "since I just made the hero assault the MC, the Daregan could be", "for the Daregan)? It's not important that the MC understands the motive at", "and the abrupt character change. The shift is so extreme it calls into", "show the reader. The Daregan's gaslighting is basically victim-blaming, and the \"twist\" aspect", "changes them. This is the emotional climax that pushes everyone to their ending", "I have a good idea how this plays out. They argue, and within", "to leave (it's important that she does). There's no apology, and they don't", "I show that the Daregan is \"wounded\" by this act of tough love?", "reconciliation. It ends dark. To clarify gaslighting refers to the 2 characters independently", "antagonist – it's why she is assaulted. I have a good idea how", "dark. To clarify gaslighting refers to the 2 characters independently lying to the", "Daregan is gaslighting to scare the MC so she will get away. The", "the Daregan is gaslighting to scare the MC so she will get away.", "I just made the hero assault the MC, the Daregan could be a", "3 characters are on a negative arc. There's no reconciliation. It ends dark.", "to scare the MC so she will get away. The gaslighting dialog has", "his foil and antagonist – it's why she is assaulted. I have a", "reaction to this assault, and this motive is much harder to show the", "MC is overwhelmed by the double-whammy. All 3 characters are on a negative", "that she does). There's no apology, and they don't speak again. There is", "double-whammy. All 3 characters are on a negative arc. There's no reconciliation. It", "almost immediately comes the Daregan's gaslighting in reaction to this assault, and this", "they don't say. The reader is intended to infer the lies through contradictory", "is so extreme it calls into question everything that has come before, and", "argue, and within this dialog the MC calls out his hidden agenda. Then", "that the MC understands the motive at all. My concern is the reader.", "and the MC is overwhelmed by the double-whammy. All 3 characters are on", "arc. There's no reconciliation. It ends dark. To clarify gaslighting refers to the", "is gaslighting to scare the MC so she will get away. The gaslighting", "the \"twist\" aspect suggests the Daregan has been expecting it since the beginning.", "In my story the Hero is gaslighting for sinister reasons (to cover up", "to the confrontation with the hero, and she can't be devastated if she", "a good idea how this plays out. They argue, and within this dialog", "discourage or discredit her. In my story the Hero is gaslighting for sinister", "that pushes everyone to their ending state. The Hero's downfall has been heavily", "motive is much harder to show the reader. The Daregan's gaslighting is basically", "lying to the MC to discourage or discredit her. In my story the", "he assaulted her), the Daregan is gaslighting to scare the MC so she", "made the hero assault the MC, the Daregan could be* a cruel manipulator", "how this plays out. They argue, and within this dialog the MC calls", "has been expecting it since the beginning. It causes the MC to leave", "if she also announces she can see through the ruse. So I removed", "MC understands the motive at all. My concern is the reader. Should I", "observe, or a confidant to confess it to. I originally wrote the Daregan's" ]
[ "telling it to people sitting by a campfire. I know that there is", "I had as a child. I wrote a first rough draft and had", "campfire. I know that there is no right or wrong way, but just", "the dream being described as if I were telling it to people sitting", "am writing a short story that describes a dream that I had as", "being engaging, should I change how I write or continue the way I", "thing she criticized is my writing style, saying that I type too formally,", "if I were telling it to people sitting by a campfire. I know", "a short story that describes a dream that I had as a child.", "she said felt out of place for the events in the story. The", "in the story. The story is in the first person with the dream", "describes a dream that I had as a child. I wrote a first", "dream being described as if I were telling it to people sitting by", "criticized is my writing style, saying that I type too formally, which she", "sake of being engaging, should I change how I write or continue the", "there is no right or wrong way, but just for the sake of", "I know that there is no right or wrong way, but just for", "a campfire. I know that there is no right or wrong way, but", "read it to give me some feedback. One thing she criticized is my", "that I type too formally, which she said felt out of place for", "I type too formally, which she said felt out of place for the", "draft and had my girlfriend read it to give me some feedback. One", "some feedback. One thing she criticized is my writing style, saying that I", "should I change how I write or continue the way I feel comfortable?", "just for the sake of being engaging, should I change how I write", "I were telling it to people sitting by a campfire. I know that", "formally, which she said felt out of place for the events in the", "writing style, saying that I type too formally, which she said felt out", "as a child. I wrote a first rough draft and had my girlfriend", "with the dream being described as if I were telling it to people", "that there is no right or wrong way, but just for the sake", "my girlfriend read it to give me some feedback. One thing she criticized", "but just for the sake of being engaging, should I change how I", "wrong way, but just for the sake of being engaging, should I change", "being described as if I were telling it to people sitting by a", "a dream that I had as a child. I wrote a first rough", "is my writing style, saying that I type too formally, which she said", "I am writing a short story that describes a dream that I had", "by a campfire. I know that there is no right or wrong way,", "know that there is no right or wrong way, but just for the", "for the sake of being engaging, should I change how I write or", "which she said felt out of place for the events in the story.", "in the first person with the dream being described as if I were", "a first rough draft and had my girlfriend read it to give me", "place for the events in the story. The story is in the first", "story that describes a dream that I had as a child. I wrote", "of being engaging, should I change how I write or continue the way", "story is in the first person with the dream being described as if", "it to give me some feedback. One thing she criticized is my writing", "the sake of being engaging, should I change how I write or continue", "too formally, which she said felt out of place for the events in", "sitting by a campfire. I know that there is no right or wrong", "the events in the story. The story is in the first person with", "One thing she criticized is my writing style, saying that I type too", "the story. The story is in the first person with the dream being", "no right or wrong way, but just for the sake of being engaging,", "events in the story. The story is in the first person with the", "the first person with the dream being described as if I were telling", "she criticized is my writing style, saying that I type too formally, which", "is no right or wrong way, but just for the sake of being", "girlfriend read it to give me some feedback. One thing she criticized is", "dream that I had as a child. I wrote a first rough draft", "rough draft and had my girlfriend read it to give me some feedback.", "I wrote a first rough draft and had my girlfriend read it to", "said felt out of place for the events in the story. The story", "were telling it to people sitting by a campfire. I know that there", "story. The story is in the first person with the dream being described", "type too formally, which she said felt out of place for the events", "had my girlfriend read it to give me some feedback. One thing she", "or wrong way, but just for the sake of being engaging, should I", "me some feedback. One thing she criticized is my writing style, saying that", "felt out of place for the events in the story. The story is", "a child. I wrote a first rough draft and had my girlfriend read", "right or wrong way, but just for the sake of being engaging, should", "style, saying that I type too formally, which she said felt out of", "it to people sitting by a campfire. I know that there is no", "feedback. One thing she criticized is my writing style, saying that I type", "first rough draft and had my girlfriend read it to give me some", "child. I wrote a first rough draft and had my girlfriend read it", "as if I were telling it to people sitting by a campfire. I", "my writing style, saying that I type too formally, which she said felt", "person with the dream being described as if I were telling it to", "short story that describes a dream that I had as a child. I", "for the events in the story. The story is in the first person", "to people sitting by a campfire. I know that there is no right", "people sitting by a campfire. I know that there is no right or", "first person with the dream being described as if I were telling it", "and had my girlfriend read it to give me some feedback. One thing", "described as if I were telling it to people sitting by a campfire.", "out of place for the events in the story. The story is in", "wrote a first rough draft and had my girlfriend read it to give", "had as a child. I wrote a first rough draft and had my", "saying that I type too formally, which she said felt out of place", "is in the first person with the dream being described as if I", "to give me some feedback. One thing she criticized is my writing style,", "The story is in the first person with the dream being described as", "give me some feedback. One thing she criticized is my writing style, saying", "way, but just for the sake of being engaging, should I change how", "engaging, should I change how I write or continue the way I feel", "that describes a dream that I had as a child. I wrote a", "of place for the events in the story. The story is in the", "that I had as a child. I wrote a first rough draft and", "writing a short story that describes a dream that I had as a" ]
[ "as a ghostwriter. Are there any other ghostwriters who have had any success?", "freelance as a ghostwriter. Are there any other ghostwriters who have had any", "I currently freelance as a ghostwriter. Are there any other ghostwriters who have", "currently freelance as a ghostwriter. Are there any other ghostwriters who have had" ]
[ "readers. But there's one particular chapter in which one of my beta-readers stated,", "there's one particular chapter in which one of my beta-readers stated, \"It's intriguing,", "amended some of my chapters so that they're more intriguing and engaging for", "I amended some of my chapters so that they're more intriguing and engaging", "and engaging for my readers. But there's one particular chapter in which one", "so that they're more intriguing and engaging for my readers. But there's one", "particular chapter in which one of my beta-readers stated, \"It's intriguing, but it", "of my chapters so that they're more intriguing and engaging for my readers.", "for my readers. But there's one particular chapter in which one of my", "chapter in which one of my beta-readers stated, \"It's intriguing, but it doesn't", "of my beta-readers stated, \"It's intriguing, but it doesn't blow me away like", "intriguing, but it doesn't blow me away like the first two chapters did,\"", "stated, \"It's intriguing, but it doesn't blow me away like the first two", "chapters so that they're more intriguing and engaging for my readers. But there's", "in which one of my beta-readers stated, \"It's intriguing, but it doesn't blow", "\"It's intriguing, but it doesn't blow me away like the first two chapters", "one of my beta-readers stated, \"It's intriguing, but it doesn't blow me away", "intriguing and engaging for my readers. But there's one particular chapter in which", "more intriguing and engaging for my readers. But there's one particular chapter in", "beta-readers stated, \"It's intriguing, but it doesn't blow me away like the first", "my beta-readers stated, \"It's intriguing, but it doesn't blow me away like the", "my chapters so that they're more intriguing and engaging for my readers. But", "one particular chapter in which one of my beta-readers stated, \"It's intriguing, but", "engaging for my readers. But there's one particular chapter in which one of", "that they're more intriguing and engaging for my readers. But there's one particular", "some of my chapters so that they're more intriguing and engaging for my", "they're more intriguing and engaging for my readers. But there's one particular chapter", "my readers. But there's one particular chapter in which one of my beta-readers", "But there's one particular chapter in which one of my beta-readers stated, \"It's", "which one of my beta-readers stated, \"It's intriguing, but it doesn't blow me" ]
[ "we just write them as we write them when they're in a dialogue?", "a em.\" she said. > > > To be honest, both look strange.", "even if it's in a dialogue, but I am not sure about a.m.", "dialogue, but I am not sure about a.m. For example: > > \"It's", "like FBI or abbreviations like a.m., do we just write them as we", "I am not sure about a.m. For example: > > \"It's 4:00 a.m..\"", "not sure about a.m. For example: > > \"It's 4:00 a.m..\" she said.", "or abbreviations like a.m., do we just write them as we write them", "a.m., do we just write them as we write them when they're in", "said. > > > To be honest, both look strange. Also, when would", "abbreviations like a.m., do we just write them as we write them when", "example, when people uses acronyms like FBI or abbreviations like a.m., do we", "To be honest, both look strange. Also, when would you transcribe the words", "them as we write them when they're in a dialogue? I am thinking", "> > > To be honest, both look strange. Also, when would you", "\"It's 4:00 a.m..\" she said. > > > \"It's four a em.\" she", "> > > \"It's four a em.\" she said. > > > To", "FBI or abbreviations like a.m., do we just write them as we write", "do we just write them as we write them when they're in a", "write them as we write them when they're in a dialogue? I am", "she said. > > > \"It's four a em.\" she said. > >", "FBI even if it's in a dialogue, but I am not sure about", "I am thinking FBI is FBI even if it's in a dialogue, but", "a.m..\" she said. > > > \"It's four a em.\" she said. >", "both look strange. Also, when would you transcribe the words or abbreviation or", "a.m. For example: > > \"It's 4:00 a.m..\" she said. > > >", "> To be honest, both look strange. Also, when would you transcribe the", "look strange. Also, when would you transcribe the words or abbreviation or whatever", "they're in a dialogue? I am thinking FBI is FBI even if it's", "example: > > \"It's 4:00 a.m..\" she said. > > > \"It's four", "we write them when they're in a dialogue? I am thinking FBI is", "Also, when would you transcribe the words or abbreviation or whatever else as", "honest, both look strange. Also, when would you transcribe the words or abbreviation", "For example, when people uses acronyms like FBI or abbreviations like a.m., do", "> > To be honest, both look strange. Also, when would you transcribe", "\"It's four a em.\" she said. > > > To be honest, both", "you transcribe the words or abbreviation or whatever else as they are pronounced?", "in a dialogue? I am thinking FBI is FBI even if it's in", "be honest, both look strange. Also, when would you transcribe the words or", "when abbreviations are used? For example, when people uses acronyms like FBI or", "4:00 a.m..\" she said. > > > \"It's four a em.\" she said.", "acronyms like FBI or abbreviations like a.m., do we just write them as", "is FBI even if it's in a dialogue, but I am not sure", "sure about a.m. For example: > > \"It's 4:00 a.m..\" she said. >", "For example: > > \"It's 4:00 a.m..\" she said. > > > \"It's", "> \"It's four a em.\" she said. > > > To be honest,", "them when they're in a dialogue? I am thinking FBI is FBI even", "when they're in a dialogue? I am thinking FBI is FBI even if", "em.\" she said. > > > To be honest, both look strange. Also,", "she said. > > > To be honest, both look strange. Also, when", "if it's in a dialogue, but I am not sure about a.m. For", "about a.m. For example: > > \"It's 4:00 a.m..\" she said. > >", "a dialogue, but I am not sure about a.m. For example: > >", "strange. Also, when would you transcribe the words or abbreviation or whatever else", "when would you transcribe the words or abbreviation or whatever else as they", "transcribe a dialogue when abbreviations are used? For example, when people uses acronyms", "FBI is FBI even if it's in a dialogue, but I am not", "people uses acronyms like FBI or abbreviations like a.m., do we just write", "used? For example, when people uses acronyms like FBI or abbreviations like a.m.,", "thinking FBI is FBI even if it's in a dialogue, but I am", "> > \"It's four a em.\" she said. > > > To be", "am thinking FBI is FBI even if it's in a dialogue, but I", "just write them as we write them when they're in a dialogue? I", "like a.m., do we just write them as we write them when they're", "would you transcribe the words or abbreviation or whatever else as they are", "said. > > > \"It's four a em.\" she said. > > >", "four a em.\" she said. > > > To be honest, both look", "am not sure about a.m. For example: > > \"It's 4:00 a.m..\" she", "abbreviations are used? For example, when people uses acronyms like FBI or abbreviations", "do you transcribe a dialogue when abbreviations are used? For example, when people", "> \"It's 4:00 a.m..\" she said. > > > \"It's four a em.\"", "in a dialogue, but I am not sure about a.m. For example: >", "but I am not sure about a.m. For example: > > \"It's 4:00", "dialogue when abbreviations are used? For example, when people uses acronyms like FBI", "How do you transcribe a dialogue when abbreviations are used? For example, when", "a dialogue? I am thinking FBI is FBI even if it's in a", "> > \"It's 4:00 a.m..\" she said. > > > \"It's four a", "a dialogue when abbreviations are used? For example, when people uses acronyms like", "are used? For example, when people uses acronyms like FBI or abbreviations like", "you transcribe a dialogue when abbreviations are used? For example, when people uses", "uses acronyms like FBI or abbreviations like a.m., do we just write them", "dialogue? I am thinking FBI is FBI even if it's in a dialogue,", "write them when they're in a dialogue? I am thinking FBI is FBI", "as we write them when they're in a dialogue? I am thinking FBI", "when people uses acronyms like FBI or abbreviations like a.m., do we just", "it's in a dialogue, but I am not sure about a.m. For example:" ]
[ "this? Would I owe them a flat fee, or a percentage, or would", "about working up a new proposal for a reworked version of the original", "website to co-brand it as \"presented\" by them. So, it would be the", "all be a negotiation? Note: The website only owns first rights, I still", "a a professional assignment writing [an ongoing series](https://partiallyexaminedlife.com/2019/06/06/saints-and-simulators-17-pascalreloaded/) for a well-known website. It", "sell to a publisher. It's been well-received as a series, so I'm thinking", "version of the original book, and shopping it around to publishers again. It", "had a a professional assignment writing [an ongoing series](https://partiallyexaminedlife.com/2019/06/06/saints-and-simulators-17-pascalreloaded/) for a well-known website.", "to sell to a publisher. It's been well-received as a series, so I'm", "of their branding on the cover, etc. Does anyone have any experience with", "So, it would be the same book, but I'd include some of their", "cover, etc. Does anyone have any experience with anything like this? Would I", "the same book, but I'd include some of their branding on the cover,", "same book, but I'd include some of their branding on the cover, etc.", "but I'd include some of their branding on the cover, etc. Does anyone", "branding on the cover, etc. Does anyone have any experience with anything like", "have any experience with anything like this? Would I owe them a flat", "book I wasn't able to sell to a publisher. It's been well-received as", "owns first rights, I still have copyright over the source material --which I", "any experience with anything like this? Would I owe them a flat fee,", "I still have copyright over the source material --which I would probably rewrite", "well-known website. It was repurposed from a book I wasn't able to sell", "new proposal for a reworked version of the original book, and shopping it", "it around to publishers again. It occurs to me it might be a", "last several months, I've had a a professional assignment writing [an ongoing series](https://partiallyexaminedlife.com/2019/06/06/saints-and-simulators-17-pascalreloaded/)", "as \"presented\" by them. So, it would be the same book, but I'd", "repurposed from a book I wasn't able to sell to a publisher. It's", "was repurposed from a book I wasn't able to sell to a publisher.", "the last several months, I've had a a professional assignment writing [an ongoing", "by them. So, it would be the same book, but I'd include some", "copyright over the source material --which I would probably rewrite in any case.", "ongoing series](https://partiallyexaminedlife.com/2019/06/06/saints-and-simulators-17-pascalreloaded/) for a well-known website. It was repurposed from a book I", "occurs to me it might be a win-win if I could convince the", "It was repurposed from a book I wasn't able to sell to a", "co-brand it as \"presented\" by them. So, it would be the same book,", "flat fee, or a percentage, or would that all be a negotiation? Note:", "series, so I'm thinking about working up a new proposal for a reworked", "a win-win if I could convince the website to co-brand it as \"presented\"", "writing [an ongoing series](https://partiallyexaminedlife.com/2019/06/06/saints-and-simulators-17-pascalreloaded/) for a well-known website. It was repurposed from a", "been well-received as a series, so I'm thinking about working up a new", "I owe them a flat fee, or a percentage, or would that all", "be the same book, but I'd include some of their branding on the", "that all be a negotiation? Note: The website only owns first rights, I", "professional assignment writing [an ongoing series](https://partiallyexaminedlife.com/2019/06/06/saints-and-simulators-17-pascalreloaded/) for a well-known website. It was repurposed", "the cover, etc. Does anyone have any experience with anything like this? Would", "a flat fee, or a percentage, or would that all be a negotiation?", "assignment writing [an ongoing series](https://partiallyexaminedlife.com/2019/06/06/saints-and-simulators-17-pascalreloaded/) for a well-known website. It was repurposed from", "experience with anything like this? Would I owe them a flat fee, or", "a new proposal for a reworked version of the original book, and shopping", "[an ongoing series](https://partiallyexaminedlife.com/2019/06/06/saints-and-simulators-17-pascalreloaded/) for a well-known website. It was repurposed from a book", "negotiation? Note: The website only owns first rights, I still have copyright over", "would that all be a negotiation? Note: The website only owns first rights,", "around to publishers again. It occurs to me it might be a win-win", "original book, and shopping it around to publishers again. It occurs to me", "convince the website to co-brand it as \"presented\" by them. So, it would", "or a percentage, or would that all be a negotiation? Note: The website", "etc. Does anyone have any experience with anything like this? Would I owe", "shopping it around to publishers again. It occurs to me it might be", "it as \"presented\" by them. So, it would be the same book, but", "still have copyright over the source material --which I would probably rewrite in", "anyone have any experience with anything like this? Would I owe them a", "of the original book, and shopping it around to publishers again. It occurs", "website. It was repurposed from a book I wasn't able to sell to", "or would that all be a negotiation? Note: The website only owns first", "fee, or a percentage, or would that all be a negotiation? Note: The", "proposal for a reworked version of the original book, and shopping it around", "might be a win-win if I could convince the website to co-brand it", "percentage, or would that all be a negotiation? Note: The website only owns", "a series, so I'm thinking about working up a new proposal for a", "them. So, it would be the same book, but I'd include some of", "their branding on the cover, etc. Does anyone have any experience with anything", "a negotiation? Note: The website only owns first rights, I still have copyright", "rights, I still have copyright over the source material --which I would probably", "I wasn't able to sell to a publisher. It's been well-received as a", "a book I wasn't able to sell to a publisher. It's been well-received", "so I'm thinking about working up a new proposal for a reworked version", "some of their branding on the cover, etc. Does anyone have any experience", "it would be the same book, but I'd include some of their branding", "to a publisher. It's been well-received as a series, so I'm thinking about", "up a new proposal for a reworked version of the original book, and", "be a win-win if I could convince the website to co-brand it as", "anything like this? Would I owe them a flat fee, or a percentage,", "them a flat fee, or a percentage, or would that all be a", "book, but I'd include some of their branding on the cover, etc. Does", "reworked version of the original book, and shopping it around to publishers again.", "working up a new proposal for a reworked version of the original book,", "to me it might be a win-win if I could convince the website", "several months, I've had a a professional assignment writing [an ongoing series](https://partiallyexaminedlife.com/2019/06/06/saints-and-simulators-17-pascalreloaded/) for", "I'm thinking about working up a new proposal for a reworked version of", "thinking about working up a new proposal for a reworked version of the", "able to sell to a publisher. It's been well-received as a series, so", "as a series, so I'm thinking about working up a new proposal for", "Would I owe them a flat fee, or a percentage, or would that", "For the last several months, I've had a a professional assignment writing [an", "publishers again. It occurs to me it might be a win-win if I", "Note: The website only owns first rights, I still have copyright over the", "for a well-known website. It was repurposed from a book I wasn't able", "have copyright over the source material --which I would probably rewrite in any", "a reworked version of the original book, and shopping it around to publishers", "win-win if I could convince the website to co-brand it as \"presented\" by", "I'd include some of their branding on the cover, etc. Does anyone have", "include some of their branding on the cover, etc. Does anyone have any", "the website to co-brand it as \"presented\" by them. So, it would be", "me it might be a win-win if I could convince the website to", "owe them a flat fee, or a percentage, or would that all be", "series](https://partiallyexaminedlife.com/2019/06/06/saints-and-simulators-17-pascalreloaded/) for a well-known website. It was repurposed from a book I wasn't", "The website only owns first rights, I still have copyright over the source", "on the cover, etc. Does anyone have any experience with anything like this?", "the original book, and shopping it around to publishers again. It occurs to", "from a book I wasn't able to sell to a publisher. It's been", "It occurs to me it might be a win-win if I could convince", "a well-known website. It was repurposed from a book I wasn't able to", "be a negotiation? Note: The website only owns first rights, I still have", "first rights, I still have copyright over the source material --which I would", "for a reworked version of the original book, and shopping it around to", "\"presented\" by them. So, it would be the same book, but I'd include", "again. It occurs to me it might be a win-win if I could", "It's been well-received as a series, so I'm thinking about working up a", "with anything like this? Would I owe them a flat fee, or a", "Does anyone have any experience with anything like this? Would I owe them", "I've had a a professional assignment writing [an ongoing series](https://partiallyexaminedlife.com/2019/06/06/saints-and-simulators-17-pascalreloaded/) for a well-known", "could convince the website to co-brand it as \"presented\" by them. So, it", "a professional assignment writing [an ongoing series](https://partiallyexaminedlife.com/2019/06/06/saints-and-simulators-17-pascalreloaded/) for a well-known website. It was", "it might be a win-win if I could convince the website to co-brand", "if I could convince the website to co-brand it as \"presented\" by them.", "to co-brand it as \"presented\" by them. So, it would be the same", "I could convince the website to co-brand it as \"presented\" by them. So,", "and shopping it around to publishers again. It occurs to me it might", "like this? Would I owe them a flat fee, or a percentage, or", "website only owns first rights, I still have copyright over the source material", "months, I've had a a professional assignment writing [an ongoing series](https://partiallyexaminedlife.com/2019/06/06/saints-and-simulators-17-pascalreloaded/) for a", "would be the same book, but I'd include some of their branding on", "only owns first rights, I still have copyright over the source material --which", "publisher. It's been well-received as a series, so I'm thinking about working up", "wasn't able to sell to a publisher. It's been well-received as a series,", "well-received as a series, so I'm thinking about working up a new proposal", "book, and shopping it around to publishers again. It occurs to me it", "a publisher. It's been well-received as a series, so I'm thinking about working", "a percentage, or would that all be a negotiation? Note: The website only", "to publishers again. It occurs to me it might be a win-win if" ]
[ "parents, he goes on adventures or Gom Siptem was a boy, he had", "no parents, he goes on adventures or Gom Siptem was a boy, he", "non-fiction work? e.g. Gom Siptem is a boy, he has no parents, he", "when referring to a fictional character in a non-fiction work? e.g. Gom Siptem", "you write when referring to a fictional character in a non-fiction work? e.g.", "would you write when referring to a fictional character in a non-fiction work?", "he has no parents, he goes on adventures or Gom Siptem was a", "a fictional character in a non-fiction work? e.g. Gom Siptem is a boy,", "referring to a fictional character in a non-fiction work? e.g. Gom Siptem is", "e.g. Gom Siptem is a boy, he has no parents, he goes on", "is a boy, he has no parents, he goes on adventures or Gom", "or Gom Siptem was a boy, he had no parents, he went on", "Siptem is a boy, he has no parents, he goes on adventures or", "goes on adventures or Gom Siptem was a boy, he had no parents,", "a non-fiction work? e.g. Gom Siptem is a boy, he has no parents,", "has no parents, he goes on adventures or Gom Siptem was a boy,", "on adventures or Gom Siptem was a boy, he had no parents, he", "Gom Siptem is a boy, he has no parents, he goes on adventures", "What would you write when referring to a fictional character in a non-fiction", "to a fictional character in a non-fiction work? e.g. Gom Siptem is a", "he goes on adventures or Gom Siptem was a boy, he had no", "character in a non-fiction work? e.g. Gom Siptem is a boy, he has", "fictional character in a non-fiction work? e.g. Gom Siptem is a boy, he", "adventures or Gom Siptem was a boy, he had no parents, he went", "a boy, he has no parents, he goes on adventures or Gom Siptem", "work? e.g. Gom Siptem is a boy, he has no parents, he goes", "in a non-fiction work? e.g. Gom Siptem is a boy, he has no", "write when referring to a fictional character in a non-fiction work? e.g. Gom", "boy, he has no parents, he goes on adventures or Gom Siptem was", "Gom Siptem was a boy, he had no parents, he went on adventures." ]
[ "“A dense, compact cluster of small flowers that appear to be a single", "flowers that appear to be a single flower, as of a dandelion or", "as of a dandelion or clover.” Thus, I changed the word to: >", "say a Zinnia. When describing the scene I wrote: > > “……she dived", "Zinnia’s head and hastily rolled into the > pollen….” > > > But", "wrote: > > “……she dived into the Zinnia’s head and hastily rolled into", "butterfly. In one of the scenes, she manages to run away from a", "the > pollen….” > > > But then, I found that the expression", "into the pollen….” > > > Would it be correct? [![enter image description", "of the scenes, she manages to run away from a bunch of hungry", "my characters is a butterfly. In one of the scenes, she manages to", "to run away from a bunch of hungry lizards and hides into a", "> pollen….” > > > But then, I found that the expression “flower", "of small flowers that appear to be a single flower, as of a", "hungry lizards and hides into a flower; let’s say a Zinnia. When describing", "manages to run away from a bunch of hungry lizards and hides into", "found that the expression “flower head” means: “A dense, compact cluster of small", "pollen….” > > > But then, I found that the expression “flower head”", "rolled into the > pollen….” > > > But then, I found that", "of hungry lizards and hides into a flower; let’s say a Zinnia. When", "a flower; let’s say a Zinnia. When describing the scene I wrote: >", "dense, compact cluster of small flowers that appear to be a single flower,", "that appear to be a single flower, as of a dandelion or clover.”", "cluster of small flowers that appear to be a single flower, as of", "of a dandelion or clover.” Thus, I changed the word to: > >", "run away from a bunch of hungry lizards and hides into a flower;", "> But then, I found that the expression “flower head” means: “A dense,", "I wrote: > > “……she dived into the Zinnia’s head and hastily rolled", "a dandelion or clover.” Thus, I changed the word to: > > “…she", "Thus, I changed the word to: > > “…she dived into the Zinnia’s", "word to: > > “…she dived into the Zinnia’s heart and hastily rolled", "into the Zinnia’s head and hastily rolled into the > pollen….” > >", "and hides into a flower; let’s say a Zinnia. When describing the scene", "When describing the scene I wrote: > > “……she dived into the Zinnia’s", "a butterfly. In one of the scenes, she manages to run away from", "single flower, as of a dandelion or clover.” Thus, I changed the word", "that the expression “flower head” means: “A dense, compact cluster of small flowers", "dandelion or clover.” Thus, I changed the word to: > > “…she dived", "into the > pollen….” > > > But then, I found that the", "let’s say a Zinnia. When describing the scene I wrote: > > “……she", "Zinnia. When describing the scene I wrote: > > “……she dived into the", "> “…she dived into the Zinnia’s heart and hastily rolled into the pollen….”", "compact cluster of small flowers that appear to be a single flower, as", "expression “flower head” means: “A dense, compact cluster of small flowers that appear", "be a single flower, as of a dandelion or clover.” Thus, I changed", "a bunch of hungry lizards and hides into a flower; let’s say a", "scenes, she manages to run away from a bunch of hungry lizards and", "clover.” Thus, I changed the word to: > > “…she dived into the", "currently writing a story and one of my characters is a butterfly. In", "one of my characters is a butterfly. In one of the scenes, she", "In one of the scenes, she manages to run away from a bunch", "writing a story and one of my characters is a butterfly. In one", "I’m currently writing a story and one of my characters is a butterfly.", "a Zinnia. When describing the scene I wrote: > > “……she dived into", "flower; let’s say a Zinnia. When describing the scene I wrote: > >", "then, I found that the expression “flower head” means: “A dense, compact cluster", "and one of my characters is a butterfly. In one of the scenes,", "flower, as of a dandelion or clover.” Thus, I changed the word to:", "she manages to run away from a bunch of hungry lizards and hides", "hastily rolled into the > pollen….” > > > But then, I found", "I found that the expression “flower head” means: “A dense, compact cluster of", "the expression “flower head” means: “A dense, compact cluster of small flowers that", "changed the word to: > > “…she dived into the Zinnia’s heart and", "the Zinnia’s head and hastily rolled into the > pollen….” > > >", "the Zinnia’s heart and hastily rolled into the pollen….” > > > Would", "a story and one of my characters is a butterfly. In one of", "into a flower; let’s say a Zinnia. When describing the scene I wrote:", "the scene I wrote: > > “……she dived into the Zinnia’s head and", "dived into the Zinnia’s heart and hastily rolled into the pollen….” > >", "I changed the word to: > > “…she dived into the Zinnia’s heart", "“……she dived into the Zinnia’s head and hastily rolled into the > pollen….”", "or clover.” Thus, I changed the word to: > > “…she dived into", "and hastily rolled into the > pollen….” > > > But then, I", "rolled into the pollen….” > > > Would it be correct? [![enter image", "characters is a butterfly. In one of the scenes, she manages to run", "> > But then, I found that the expression “flower head” means: “A", "means: “A dense, compact cluster of small flowers that appear to be a", "the word to: > > “…she dived into the Zinnia’s heart and hastily", "bunch of hungry lizards and hides into a flower; let’s say a Zinnia.", "lizards and hides into a flower; let’s say a Zinnia. When describing the", "the scenes, she manages to run away from a bunch of hungry lizards", "> > “……she dived into the Zinnia’s head and hastily rolled into the", "“…she dived into the Zinnia’s heart and hastily rolled into the pollen….” >", "to be a single flower, as of a dandelion or clover.” Thus, I", "> “……she dived into the Zinnia’s head and hastily rolled into the >", "appear to be a single flower, as of a dandelion or clover.” Thus,", "describing the scene I wrote: > > “……she dived into the Zinnia’s head", "Zinnia’s heart and hastily rolled into the pollen….” > > > Would it", "hastily rolled into the pollen….” > > > Would it be correct? [![enter", "away from a bunch of hungry lizards and hides into a flower; let’s", "hides into a flower; let’s say a Zinnia. When describing the scene I", "heart and hastily rolled into the pollen….” > > > Would it be", "into the Zinnia’s heart and hastily rolled into the pollen….” > > >", "dived into the Zinnia’s head and hastily rolled into the > pollen….” >", "to: > > “…she dived into the Zinnia’s heart and hastily rolled into", "a single flower, as of a dandelion or clover.” Thus, I changed the", "head” means: “A dense, compact cluster of small flowers that appear to be", "from a bunch of hungry lizards and hides into a flower; let’s say", "> > “…she dived into the Zinnia’s heart and hastily rolled into the", "the pollen….” > > > Would it be correct? [![enter image description here](https://i.stack.imgur.com/SGn4F.jpg)](https://i.stack.imgur.com/SGn4F.jpg)", "“flower head” means: “A dense, compact cluster of small flowers that appear to", "head and hastily rolled into the > pollen….” > > > But then,", "one of the scenes, she manages to run away from a bunch of", "is a butterfly. In one of the scenes, she manages to run away", "story and one of my characters is a butterfly. In one of the", "But then, I found that the expression “flower head” means: “A dense, compact", "small flowers that appear to be a single flower, as of a dandelion", "and hastily rolled into the pollen….” > > > Would it be correct?", "of my characters is a butterfly. In one of the scenes, she manages", "> > > But then, I found that the expression “flower head” means:", "scene I wrote: > > “……she dived into the Zinnia’s head and hastily" ]
[ "to process > my words. “You’re getting married? I never thought I’d see", "would be speaking again. I’m just unsure about the correct formatting. I wasn’t", "confusing, which is why I tend to avoid it, but sometimes, I really", "sometimes, I really want it there. > > “What?!” [said Character B.] I", "story of mine, and sometimes the action break is too long, so I", "too long, so I feel like I should put the action in a", "is why I tend to avoid it, but sometimes, I really want it", "The scene is a back-to-back dialogue since they’re conversing. This has also happened", "I want the pause between the dialogue. I suppose I can put an", "I really want it there. > > “What?!” [said Character B.] I laughed,", "giving her a minute to process > my words. “You’re getting married? I", "they’re conversing. This has also happened in another story of mine, and sometimes", "Character A which can make it confusing. The scene is a back-to-back dialogue", "can make it confusing. The scene is a back-to-back dialogue since they’re conversing.", "I can put an ellipsis, but I wanted action to break the dialogue.", "between the dialogue. I suppose I can put an ellipsis, but I wanted", "speaking again. I’m just unsure about the correct formatting. I wasn’t able to", "who was previously speaking would be speaking again. I’m just unsure about the", "break is too long, so I feel like I should put the action", "break the dialogue. However, the action is from Character A which can make", "suppose I can put an ellipsis, but I wanted action to break the", "to avoid it, but sometimes, I really want it there. > > “What?!”", "avoid it, but sometimes, I really want it there. > > “What?!” [said", "I’d see the day!” > > > I want the pause between the", "I suppose I can put an ellipsis, but I wanted action to break", "back-to-back dialogue since they’re conversing. This has also happened in another story of", "action to break the dialogue. However, the action is from Character A which", "is a back-to-back dialogue since they’re conversing. This has also happened in another", "> > > I want the pause between the dialogue. I suppose I", "getting married? I never thought I’d see the day!” > > > I", "confusing. The scene is a back-to-back dialogue since they’re conversing. This has also", "never thought I’d see the day!” > > > I want the pause", "A which can make it confusing. The scene is a back-to-back dialogue since", "so I feel like I should put the action in a different paragraph,", "her a minute to process > my words. “You’re getting married? I never", "ellipsis, but I wanted action to break the dialogue. However, the action is", "> I want the pause between the dialogue. I suppose I can put", "the pause between the dialogue. I suppose I can put an ellipsis, but", "“You’re getting married? I never thought I’d see the day!” > > >", "the action in a different paragraph, but the same person who was previously", "see the day!” > > > I want the pause between the dialogue.", "why I tend to avoid it, but sometimes, I really want it there.", "action is from Character A which can make it confusing. The scene is", "Character B.] I laughed, giving her a minute to process > my words.", "of mine, and sometimes the action break is too long, so I feel", "get... confusing, which is why I tend to avoid it, but sometimes, I", "However, the action is from Character A which can make it confusing. The", "feel like I should put the action in a different paragraph, but the", "put the action in a different paragraph, but the same person who was", "B.] I laughed, giving her a minute to process > my words. “You’re", "pause between the dialogue. I suppose I can put an ellipsis, but I", "another story of mine, and sometimes the action break is too long, so", "like I should put the action in a different paragraph, but the same", "can get... confusing, which is why I tend to avoid it, but sometimes,", "> > I want the pause between the dialogue. I suppose I can", "a different paragraph, but the same person who was previously speaking would be", "I tend to avoid it, but sometimes, I really want it there. >", "I laughed, giving her a minute to process > my words. “You’re getting", "be speaking again. I’m just unsure about the correct formatting. I wasn’t able", "dialogue. I suppose I can put an ellipsis, but I wanted action to", "I’m just unsure about the correct formatting. I wasn’t able to find much", "it confusing. The scene is a back-to-back dialogue since they’re conversing. This has", "I wanted action to break the dialogue. However, the action is from Character", "the dialogue. I suppose I can put an ellipsis, but I wanted action", "put an ellipsis, but I wanted action to break the dialogue. However, the", "I should put the action in a different paragraph, but the same person", "This can get... confusing, which is why I tend to avoid it, but", "from Character A which can make it confusing. The scene is a back-to-back", "the action break is too long, so I feel like I should put", "> my words. “You’re getting married? I never thought I’d see the day!”", "but sometimes, I really want it there. > > “What?!” [said Character B.]", "just unsure about the correct formatting. I wasn’t able to find much explanation", "about the correct formatting. I wasn’t able to find much explanation on Google.", "it there. > > “What?!” [said Character B.] I laughed, giving her a", "an ellipsis, but I wanted action to break the dialogue. However, the action", "laughed, giving her a minute to process > my words. “You’re getting married?", "action in a different paragraph, but the same person who was previously speaking", "scene is a back-to-back dialogue since they’re conversing. This has also happened in", "different paragraph, but the same person who was previously speaking would be speaking", "the action is from Character A which can make it confusing. The scene", "> > “What?!” [said Character B.] I laughed, giving her a minute to", "also happened in another story of mine, and sometimes the action break is", "really want it there. > > “What?!” [said Character B.] I laughed, giving", "to break the dialogue. However, the action is from Character A which can", "was previously speaking would be speaking again. I’m just unsure about the correct", "the day!” > > > I want the pause between the dialogue. I", "there. > > “What?!” [said Character B.] I laughed, giving her a minute", "but I wanted action to break the dialogue. However, the action is from", "speaking would be speaking again. I’m just unsure about the correct formatting. I", "thought I’d see the day!” > > > I want the pause between", "long, so I feel like I should put the action in a different", "same person who was previously speaking would be speaking again. I’m just unsure", "paragraph, but the same person who was previously speaking would be speaking again.", "day!” > > > I want the pause between the dialogue. I suppose", "the same person who was previously speaking would be speaking again. I’m just", "“What?!” [said Character B.] I laughed, giving her a minute to process >", "should put the action in a different paragraph, but the same person who", "person who was previously speaking would be speaking again. I’m just unsure about", "process > my words. “You’re getting married? I never thought I’d see the", "previously speaking would be speaking again. I’m just unsure about the correct formatting.", "a minute to process > my words. “You’re getting married? I never thought", "and sometimes the action break is too long, so I feel like I", "a back-to-back dialogue since they’re conversing. This has also happened in another story", "can put an ellipsis, but I wanted action to break the dialogue. However,", "in a different paragraph, but the same person who was previously speaking would", "is from Character A which can make it confusing. The scene is a", "make it confusing. The scene is a back-to-back dialogue since they’re conversing. This", "minute to process > my words. “You’re getting married? I never thought I’d", "> “What?!” [said Character B.] I laughed, giving her a minute to process", "dialogue since they’re conversing. This has also happened in another story of mine,", "action break is too long, so I feel like I should put the", "is too long, so I feel like I should put the action in", "want it there. > > “What?!” [said Character B.] I laughed, giving her", "sometimes the action break is too long, so I feel like I should", "married? I never thought I’d see the day!” > > > I want", "the dialogue. However, the action is from Character A which can make it", "happened in another story of mine, and sometimes the action break is too", "conversing. This has also happened in another story of mine, and sometimes the", "want the pause between the dialogue. I suppose I can put an ellipsis,", "since they’re conversing. This has also happened in another story of mine, and", "which is why I tend to avoid it, but sometimes, I really want", "again. I’m just unsure about the correct formatting. I wasn’t able to find", "in another story of mine, and sometimes the action break is too long,", "words. “You’re getting married? I never thought I’d see the day!” > >", "[said Character B.] I laughed, giving her a minute to process > my", "This has also happened in another story of mine, and sometimes the action", "tend to avoid it, but sometimes, I really want it there. > >", "I never thought I’d see the day!” > > > I want the", "wanted action to break the dialogue. However, the action is from Character A", "mine, and sometimes the action break is too long, so I feel like", "which can make it confusing. The scene is a back-to-back dialogue since they’re", "dialogue. However, the action is from Character A which can make it confusing.", "it, but sometimes, I really want it there. > > “What?!” [said Character", "has also happened in another story of mine, and sometimes the action break", "my words. “You’re getting married? I never thought I’d see the day!” >", "I feel like I should put the action in a different paragraph, but", "but the same person who was previously speaking would be speaking again. I’m", "unsure about the correct formatting.** I wasn’t able to find much explanation on" ]
[ "clue what was going on in the plot, or simply falling asleep. I", "losing focus and then not having a clue what was going on in", "reading a paper book. I might even start hitting my New Years resolution", "to become a better author is to read a lot. Is there anything", "do? EDIT: Thanks for all the responses! After reading through them all, I've", "but I don't care so much for reading them. It's not for me.", "having a clue what was going on in the plot, or simply falling", "an audio book from Audible and it seems to be going well so", "of a conscious effort to pay attention, but I am enjoying the process", "a conscious effort to pay attention, but I am enjoying the process MUCH", "books another chance. I've tried them before in the past, but I would", "a bit of a conscious effort to pay attention, but I am enjoying", "But the number one advice to become a better author is to read", "well so far. I do have to make a bit of a conscious", "bit of a conscious effort to pay attention, but I am enjoying the", "but I am enjoying the process MUCH more than reading a paper book.", "It's not for me. But the number one advice to become a better", "either losing focus and then not having a clue what was going on", "attention, but I am enjoying the process MUCH more than reading a paper", "to be going well so far. I do have to make a bit", "plot, or simply falling asleep. I grabbed an audio book from Audible and", "advice to become a better author is to read a lot. Is there", "another chance. I've tried them before in the past, but I would always", "I am enjoying the process MUCH more than reading a paper book. I", "else I can do? EDIT: Thanks for all the responses! After reading through", "chance. I've tried them before in the past, but I would always just", "past, but I would always just find myself either losing focus and then", "conscious effort to pay attention, but I am enjoying the process MUCH more", "I've tried them before in the past, but I would always just find", "simply falling asleep. I grabbed an audio book from Audible and it seems", "them before in the past, but I would always just find myself either", "or simply falling asleep. I grabbed an audio book from Audible and it", "a better author is to read a lot. Is there anything else I", "I might even start hitting my New Years resolution of reading one book", "care so much for reading them. It's not for me. But the number", "author is to read a lot. Is there anything else I can do?", "before in the past, but I would always just find myself either losing", "on in the plot, or simply falling asleep. I grabbed an audio book", "I can do? EDIT: Thanks for all the responses! After reading through them", "I grabbed an audio book from Audible and it seems to be going", "anything else I can do? EDIT: Thanks for all the responses! After reading", "do have to make a bit of a conscious effort to pay attention,", "be going well so far. I do have to make a bit of", "falling asleep. I grabbed an audio book from Audible and it seems to", "the responses! After reading through them all, I've decided to give audio books", "a paper book. I might even start hitting my New Years resolution of", "to pay attention, but I am enjoying the process MUCH more than reading", "but I would always just find myself either losing focus and then not", "seems to be going well so far. I do have to make a", "through them all, I've decided to give audio books another chance. I've tried", "much for reading them. It's not for me. But the number one advice", "them. It's not for me. But the number one advice to become a", "always just find myself either losing focus and then not having a clue", "make a bit of a conscious effort to pay attention, but I am", "was going on in the plot, or simply falling asleep. I grabbed an", "audio book from Audible and it seems to be going well so far.", "is to read a lot. Is there anything else I can do? EDIT:", "become a better author is to read a lot. Is there anything else", "going well so far. I do have to make a bit of a", "paper book. I might even start hitting my New Years resolution of reading", "then not having a clue what was going on in the plot, or", "pay attention, but I am enjoying the process MUCH more than reading a", "all the responses! After reading through them all, I've decided to give audio", "I do have to make a bit of a conscious effort to pay", "stories, but I don't care so much for reading them. It's not for", "me. But the number one advice to become a better author is to", "it seems to be going well so far. I do have to make", "the plot, or simply falling asleep. I grabbed an audio book from Audible", "I don't care so much for reading them. It's not for me. But", "responses! After reading through them all, I've decided to give audio books another", "book from Audible and it seems to be going well so far. I", "Is there anything else I can do? EDIT: Thanks for all the responses!", "don't care so much for reading them. It's not for me. But the", "decided to give audio books another chance. I've tried them before in the", "I would always just find myself either losing focus and then not having", "myself either losing focus and then not having a clue what was going", "reading them. It's not for me. But the number one advice to become", "for all the responses! After reading through them all, I've decided to give", "even start hitting my New Years resolution of reading one book a week", "in the plot, or simply falling asleep. I grabbed an audio book from", "so far. I do have to make a bit of a conscious effort", "can do? EDIT: Thanks for all the responses! After reading through them all,", "grabbed an audio book from Audible and it seems to be going well", "a clue what was going on in the plot, or simply falling asleep.", "from Audible and it seems to be going well so far. I do", "in the past, but I would always just find myself either losing focus", "audio books another chance. I've tried them before in the past, but I", "there anything else I can do? EDIT: Thanks for all the responses! After", "them all, I've decided to give audio books another chance. I've tried them", "I like telling stories, but I don't care so much for reading them.", "Thanks for all the responses! After reading through them all, I've decided to", "for reading them. It's not for me. But the number one advice to", "not for me. But the number one advice to become a better author", "start hitting my New Years resolution of reading one book a week :)", "for me. But the number one advice to become a better author is", "the number one advice to become a better author is to read a", "number one advice to become a better author is to read a lot.", "Audible and it seems to be going well so far. I do have", "like telling stories, but I don't care so much for reading them. It's", "process MUCH more than reading a paper book. I might even start hitting", "than reading a paper book. I might even start hitting my New Years", "to make a bit of a conscious effort to pay attention, but I", "effort to pay attention, but I am enjoying the process MUCH more than", "far. I do have to make a bit of a conscious effort to", "lot. Is there anything else I can do? EDIT: Thanks for all the", "just find myself either losing focus and then not having a clue what", "to read a lot. Is there anything else I can do? EDIT: Thanks", "to give audio books another chance. I've tried them before in the past,", "I've decided to give audio books another chance. I've tried them before in", "going on in the plot, or simply falling asleep. I grabbed an audio", "read a lot. Is there anything else I can do? EDIT: Thanks for", "enjoying the process MUCH more than reading a paper book. I might even", "MUCH more than reading a paper book. I might even start hitting my", "more than reading a paper book. I might even start hitting my New", "find myself either losing focus and then not having a clue what was", "would always just find myself either losing focus and then not having a", "so much for reading them. It's not for me. But the number one", "After reading through them all, I've decided to give audio books another chance.", "what was going on in the plot, or simply falling asleep. I grabbed", "might even start hitting my New Years resolution of reading one book a", "am enjoying the process MUCH more than reading a paper book. I might", "reading through them all, I've decided to give audio books another chance. I've", "telling stories, but I don't care so much for reading them. It's not", "one advice to become a better author is to read a lot. Is", "the past, but I would always just find myself either losing focus and", "EDIT: Thanks for all the responses! After reading through them all, I've decided", "book. I might even start hitting my New Years resolution of reading one", "and it seems to be going well so far. I do have to", "and then not having a clue what was going on in the plot,", "a lot. Is there anything else I can do? EDIT: Thanks for all", "all, I've decided to give audio books another chance. I've tried them before", "not having a clue what was going on in the plot, or simply", "asleep. I grabbed an audio book from Audible and it seems to be", "focus and then not having a clue what was going on in the", "tried them before in the past, but I would always just find myself", "the process MUCH more than reading a paper book. I might even start", "give audio books another chance. I've tried them before in the past, but", "better author is to read a lot. Is there anything else I can", "have to make a bit of a conscious effort to pay attention, but" ]
[ "second person, which will probably affect the time jump too). What are some", "branching narrative kind of story, and the entire story focuses on the reader", "#2 and #3 are much better, Innocent #1 is dead\". The main point", "are currently doing z, Innocents #2 and #3 are much better, Innocent #1", "in. There's only one ending where they survive. In the other ones, the", "out of place? (My epilogue isn't a lot of info - think \"You've", "ones, the loose ends remain unknown, since they're dead, but to tie them", "they're dead, but to tie them up in this ending, I would need", "Villains #1 and #2 are currently doing z, Innocents #2 and #3 are", "doing x for y years, Villains #1 and #2 are currently doing z,", "time jump too). What are some conventions or devices I can work with", "been doing x for y years, Villains #1 and #2 are currently doing", "some conventions or devices I can work with to make the jump less", "much better, Innocent #1 is dead\". The main point of this epilogue is", "they survive. In the other ones, the loose ends remain unknown, since they're", "would need to jump several years in the future (it's written in present", "of story, and the entire story focuses on the reader uncovering a mystery", "them up in this ending, I would need to jump several years in", "epilogue is to let the reader know that the \"good\" ending comes with", "other ones, the loose ends remain unknown, since they're dead, but to tie", "that they're in. There's only one ending where they survive. In the other", "What are some conventions or devices I can work with to make the", "The main point of this epilogue is to let the reader know that", "loose ends remain unknown, since they're dead, but to tie them up in", "story focuses on the reader uncovering a mystery in the house that they're", "years in the future (it's written in present tense and second person, which", "and the entire story focuses on the reader uncovering a mystery in the", "need to jump several years in the future (it's written in present tense", "and #3 are much better, Innocent #1 is dead\". The main point of", "mystery in the house that they're in. There's only one ending where they", "the other ones, the loose ends remain unknown, since they're dead, but to", "house that they're in. There's only one ending where they survive. In the", "in present tense and second person, which will probably affect the time jump", "epilogue isn't a lot of info - think \"You've been doing x for", "this ending, I would need to jump several years in the future (it's", "too). What are some conventions or devices I can work with to make", "are much better, Innocent #1 is dead\". The main point of this epilogue", "unknown, since they're dead, but to tie them up in this ending, I", "\"You've been doing x for y years, Villains #1 and #2 are currently", "up in this ending, I would need to jump several years in the", "devices I can work with to make the jump less abrupt and out", "but to tie them up in this ending, I would need to jump", "the future (it's written in present tense and second person, which will probably", "Innocents #2 and #3 are much better, Innocent #1 is dead\". The main", "work with to make the jump less abrupt and out of place? (My", "working on a branching narrative kind of story, and the entire story focuses", "currently doing z, Innocents #2 and #3 are much better, Innocent #1 is", "several years in the future (it's written in present tense and second person,", "to tie them up in this ending, I would need to jump several", "lot of info - think \"You've been doing x for y years, Villains", "z, Innocents #2 and #3 are much better, Innocent #1 is dead\". The", "entire story focuses on the reader uncovering a mystery in the house that", "and out of place? (My epilogue isn't a lot of info - think", "since they're dead, but to tie them up in this ending, I would", "uncovering a mystery in the house that they're in. There's only one ending", "jump too). What are some conventions or devices I can work with to", "y years, Villains #1 and #2 are currently doing z, Innocents #2 and", "#1 is dead\". The main point of this epilogue is to let the", "jump less abrupt and out of place? (My epilogue isn't a lot of", "abrupt and out of place? (My epilogue isn't a lot of info -", "narrative kind of story, and the entire story focuses on the reader uncovering", "affect the time jump too). What are some conventions or devices I can", "to jump several years in the future (it's written in present tense and", "dead\". The main point of this epilogue is to let the reader know", "this epilogue is to let the reader know that the \"good\" ending comes", "There's only one ending where they survive. In the other ones, the loose", "Innocent #1 is dead\". The main point of this epilogue is to let", "In the other ones, the loose ends remain unknown, since they're dead, but", "ending where they survive. In the other ones, the loose ends remain unknown,", "and #2 are currently doing z, Innocents #2 and #3 are much better,", "a branching narrative kind of story, and the entire story focuses on the", "kind of story, and the entire story focuses on the reader uncovering a", "on a branching narrative kind of story, and the entire story focuses on", "with to make the jump less abrupt and out of place? (My epilogue", "I can work with to make the jump less abrupt and out of", "I'm working on a branching narrative kind of story, and the entire story", "the loose ends remain unknown, since they're dead, but to tie them up", "dead, but to tie them up in this ending, I would need to", "tie them up in this ending, I would need to jump several years", "will probably affect the time jump too). What are some conventions or devices", "tense and second person, which will probably affect the time jump too). What", "of place? (My epilogue isn't a lot of info - think \"You've been", "ending, I would need to jump several years in the future (it's written", "or devices I can work with to make the jump less abrupt and", "of info - think \"You've been doing x for y years, Villains #1", "probably affect the time jump too). What are some conventions or devices I", "survive. In the other ones, the loose ends remain unknown, since they're dead,", "less abrupt and out of place? (My epilogue isn't a lot of info", "in the future (it's written in present tense and second person, which will", "for y years, Villains #1 and #2 are currently doing z, Innocents #2", "(My epilogue isn't a lot of info - think \"You've been doing x", "focuses on the reader uncovering a mystery in the house that they're in.", "main point of this epilogue is to let the reader know that the", "which will probably affect the time jump too). What are some conventions or", "a lot of info - think \"You've been doing x for y years,", "the house that they're in. There's only one ending where they survive. In", "of this epilogue is to let the reader know that the \"good\" ending", "make the jump less abrupt and out of place? (My epilogue isn't a", "is dead\". The main point of this epilogue is to let the reader", "isn't a lot of info - think \"You've been doing x for y", "- think \"You've been doing x for y years, Villains #1 and #2", "ends remain unknown, since they're dead, but to tie them up in this", "#2 are currently doing z, Innocents #2 and #3 are much better, Innocent", "reader uncovering a mystery in the house that they're in. There's only one", "to make the jump less abrupt and out of place? (My epilogue isn't", "the jump less abrupt and out of place? (My epilogue isn't a lot", "a mystery in the house that they're in. There's only one ending where", "where they survive. In the other ones, the loose ends remain unknown, since", "years, Villains #1 and #2 are currently doing z, Innocents #2 and #3", "doing z, Innocents #2 and #3 are much better, Innocent #1 is dead\".", "written in present tense and second person, which will probably affect the time", "I would need to jump several years in the future (it's written in", "better, Innocent #1 is dead\". The main point of this epilogue is to", "remain unknown, since they're dead, but to tie them up in this ending,", "future (it's written in present tense and second person, which will probably affect", "is to let the reader know that the \"good\" ending comes with collateral", "#1 and #2 are currently doing z, Innocents #2 and #3 are much", "conventions or devices I can work with to make the jump less abrupt", "on the reader uncovering a mystery in the house that they're in. There's", "#3 are much better, Innocent #1 is dead\". The main point of this", "jump several years in the future (it's written in present tense and second", "to let the reader know that the \"good\" ending comes with collateral damage)", "the entire story focuses on the reader uncovering a mystery in the house", "only one ending where they survive. In the other ones, the loose ends", "present tense and second person, which will probably affect the time jump too).", "are some conventions or devices I can work with to make the jump", "(it's written in present tense and second person, which will probably affect the", "info - think \"You've been doing x for y years, Villains #1 and", "place? (My epilogue isn't a lot of info - think \"You've been doing", "they're in. There's only one ending where they survive. In the other ones,", "in this ending, I would need to jump several years in the future", "person, which will probably affect the time jump too). What are some conventions", "the time jump too). What are some conventions or devices I can work", "can work with to make the jump less abrupt and out of place?", "in the house that they're in. There's only one ending where they survive.", "think \"You've been doing x for y years, Villains #1 and #2 are", "story, and the entire story focuses on the reader uncovering a mystery in", "x for y years, Villains #1 and #2 are currently doing z, Innocents", "the reader uncovering a mystery in the house that they're in. There's only", "one ending where they survive. In the other ones, the loose ends remain", "and second person, which will probably affect the time jump too). What are", "point of this epilogue is to let the reader know that the \"good\"" ]
[ "similitudes relying on the ideas of speed and force. Her hand hit like", "And while it may be appropriate for martial art fiction, it is breaking", "is more general to quick combat scenes, which resolve in less than a", "head of the character slows everything down: it seems to detract from the", "combat scenes, which resolve in less than a few seconds. How to get", "finally tried being more abstract with metaphors and similitudes relying on the ideas", "advices from the youtube videos I have been watching. I also tried", "* I finally tried being more abstract with metaphors and similitudes relying on", "quickly grabs the gun, and simultaneously hits the wrist; before the other can", "show it. I have rewritten this passage multiple times and I am still", "held at gunpoint in one sentence. She is grinning with the gun in", "reader does not know that though, so I need to show it. I", "starting point is that one character is being held at gunpoint, and the", "idea is that this sequence happens very rapidly. She is an expert at", "that this sequence happens very rapidly. She is an expert at it, and", "the short passage I am writing, the starting point is that one character", "at gunpoint in one sentence. She is grinning with the gun in her", "than a few seconds. How to get a pacing that surprises the reader", "need to show it. I have rewritten this passage multiple times and I", "character is being held at gunpoint, and the end point is that she", "thunder, and she whirled the gun away from the other's fingers. It was", "the gun away from the other's fingers. It was a wet rock slipping", "before the other can react she twists the barrel, and steps back...* and", "like a laundry list of what-to-dos advices from the youtube videos I have", "I had showed it once, but this being the first time happening, I", "slower buildup of psychological tension. I do not need psychological tension in this", "She quickly grabs the gun, and simultaneously hits the wrist; before the other", "show something. I finally tried being more abstract with metaphors and similitudes", "is that she now holds the gun, having disarmed the opponent. The idea", "having disarmed the opponent. The idea is that this sequence happens very rapidly.", "this issue is more general to quick combat scenes, which resolve in less", "I do not need psychological tension in this passage. There is psychological tension", "being more abstract with metaphors and similitudes relying on the ideas of speed", "the sea.* And while it may be appropriate for martial art fiction, it", "of what-to-dos advices from the youtube videos I have been watching. * I", "it is breaking the style and setting of my thriller. Question: I imagine", "in her hand in the next. This would work if I had showed", "in less than a few seconds. How to get a pacing that surprises", "now holds the gun, having disarmed the opponent. The idea is that this", "I tried a description of the action. She quickly grabs the gun, and", "an expert at it, and makes no mistakes. The reader does not know", "have rewritten this passage multiple times and I am still dissatisfied with the", "need to show something. I finally tried being more abstract with metaphors", "and I am still dissatisfied with the result: * getting into the head", "makes no mistakes. The reader does not know that though, so I need", "the next. This would work if I had showed it once, but this", "gunpoint in one sentence. She is grinning with the gun in her hand", "tried being more abstract with metaphors and similitudes relying on the ideas of", "in the next. This would work if I had showed it once, but", "she now holds the gun, having disarmed the opponent. The idea is that", "seems to detract from the spike of surprise due to the sudden action", "I am still dissatisfied with the result: * getting into the head of", "to the sudden action in favor of a slower buildup of psychological tension.", "had showed it once, but this being the first time happening, I need", "I am writing, the starting point is that one character is being held", "of the character slows everything down: it seems to detract from the spike", "other's fingers. It was a wet rock slipping under the greater will of", "does not know that though, so I need to show it. I have", "time happening, I need to show something. * I finally tried being more", "of the action. She quickly grabs the gun, and simultaneously hits the wrist;", "hand in the next. This would work if I had showed it once,", "action. She quickly grabs the gun, and simultaneously hits the wrist; before the", "am still dissatisfied with the result: * getting into the head of the", "the other's fingers. It was a wet rock slipping under the greater will", "am writing, the starting point is that one character is being held at", "held at gunpoint, and the end point is that she now holds the", "I also tried skipping it altogether. She is held at gunpoint in one", "tried a description of the action. She quickly grabs the gun, and simultaneously", "passage multiple times and I am still dissatisfied with the result: getting", "it like a bubble. * I tried a description of the action. She", "hits the wrist; before the other can react she twists the barrel, and", "favor of a slower buildup of psychological tension. I do not need psychological", "into the head of the character slows everything down: it seems to detract", "sequence happens very rapidly. She is an expert at it, and makes no", "short passage I am writing, the starting point is that one character is", "from the youtube videos I have been watching. I also tried skipping", "buildup of psychological tension. I do not need psychological tension in this passage.", "just burst it like a bubble. * I tried a description of the", "psychological tension. I do not need psychological tension in this passage. There is", "expert at it, and makes no mistakes. The reader does not know that", "The reader does not know that though, so I need to show it.", "the other can react she twists the barrel, and steps back...* and it", "spike of surprise due to the sudden action in favor of a slower", "tension in this passage. There is psychological tension in the paragraphs leading to", "sudden action in favor of a slower buildup of psychological tension. I do", "her hand in the next. This would work if I had showed it", "end point is that she now holds the gun, having disarmed the opponent.", "of my thriller. Question: I imagine that this issue is more general to", "so I need to show it. I have rewritten this passage multiple times", "I have been watching. * I also tried skipping it altogether. She is", "may be appropriate for martial art fiction, it is breaking the style and", "will of the sea.* And while it may be appropriate for martial art", "on the ideas of speed and force. Her hand hit like thunder, and", "paragraphs leading to it, and this passage should just burst it like a", "in one sentence. She is grinning with the gun in her hand in", "I need to show something. I finally tried being more abstract with", "I need to show it. I have rewritten this passage multiple times and", "it may be appropriate for martial art fiction, it is breaking the style", "twists the barrel, and steps back...* and it sounds choppy like a laundry", "breaking the style and setting of my thriller. Question: I imagine that this", "sounds choppy like a laundry list of what-to-dos advices from the youtube videos", "a laundry list of what-to-dos advices from the youtube videos I have been", "also tried skipping it altogether. She is held at gunpoint in one sentence.", "the first time happening, I need to show something. * I finally tried", "and setting of my thriller. Question: I imagine that this issue is more", "showed it once, but this being the first time happening, I need to", "is that this sequence happens very rapidly. She is an expert at it,", "this sequence happens very rapidly. She is an expert at it, and makes", "ideas of speed and force. Her hand hit like thunder, and she whirled", "react she twists the barrel, and steps back... and it sounds choppy like", "the action. She quickly grabs the gun, and simultaneously hits the wrist; before", "dissatisfied with the result: getting into the head of the character slows", "next. This would work if I had showed it once, but this being", "and she whirled the gun away from the other's fingers. It was a", "and the end point is that she now holds the gun, having disarmed", "no mistakes. The reader does not know that though, so I need to", "and similitudes relying on the ideas of speed and force. Her hand hit", "the spike of surprise due to the sudden action in favor of a", "gun, having disarmed the opponent. The idea is that this sequence happens very", "and simultaneously hits the wrist; before the other can react she twists the", "detract from the spike of surprise due to the sudden action in favor", "setting of my thriller. Question:* I imagine that this issue is more general", "sentence. She is grinning with the gun in her hand in the next.", "in favor of a slower buildup of psychological tension. I do not need", "been watching. * I also tried skipping it altogether. She is held at", "still dissatisfied with the result: * getting into the head of the character", "not need psychological tension in this passage. There is psychological tension in the", "leading to it, and this passage should just burst it like a bubble.", "whirled the gun away from the other's fingers. It was a wet rock", "It was a wet rock slipping under the greater will of the sea.", "the sudden action in favor of a slower buildup of psychological tension. I", "slipping under the greater will of the sea. And while it may be", "resolve in less than a few seconds. How to get a pacing that", "grabs the gun, and simultaneously hits the wrist; before the other can react", "* I tried a description of the action. She quickly grabs the gun,", "get a pacing that surprises the reader and renders the swiftness of the", "result: getting into the head of the character slows everything down: it", "and steps back...* and it sounds choppy like a laundry list of what-to-dos", "action in favor of a slower buildup of psychological tension. I do not", "thriller. 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Question: I imagine that this issue is", "at gunpoint, and the end point is that she now holds the gun,", "rewritten this passage multiple times and I am still dissatisfied with the result:", "the style and setting of my thriller. Question: I imagine that this issue", "that one character is being held at gunpoint, and the end point is", "of a slower buildup of psychological tension. I do not need psychological tension", "the paragraphs leading to it, and this passage should just burst it like", "to detract from the spike of surprise due to the sudden action in", "mistakes. The reader does not know that though, so I need to show", "character slows everything down: it seems to detract from the spike of surprise", "it. I have rewritten this passage multiple times and I am still dissatisfied", "of speed and force. 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", "tension in the paragraphs leading to it, and this passage should just burst", "this being the first time happening, I need to show something. I", "fiction, it is breaking the style and setting of my thriller. Question: I", "away from the other's fingers. It was a wet rock slipping under the", "due to the sudden action in favor of a slower buildup of psychological", "passage. There is psychological tension in the paragraphs leading to it, and this", "She is an expert at it, and makes no mistakes. The reader does", "tension. I do not need psychological tension in this passage. There is psychological", "the gun, and simultaneously hits the wrist; before the other can react she", "a slower buildup of psychological tension. I do not need psychological tension in", "the wrist; before the other can react she twists the barrel, and steps", "rock slipping under the greater will of the sea.* And while it may", "disarmed the opponent. The idea is that this sequence happens very rapidly. 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This would work if I had", "to show something. * I finally tried being more abstract with metaphors and", "less than a few seconds. How to get a pacing that surprises the", "it seems to detract from the spike of surprise due to the sudden", "a wet rock slipping under the greater will of the sea.* And while", "though, so I need to show it. I have rewritten this passage multiple", "She is grinning with the gun in her hand in the next. This", "tried skipping it altogether. She is held at gunpoint in one sentence. She", "relying on the ideas of speed and force. Her hand hit like thunder,", "the gun, having disarmed the opponent. The idea is that this sequence happens", "and force. Her hand hit like thunder, and she whirled the gun away", "more general to quick combat scenes, which resolve in less than a few", "rapidly. She is an expert at it, and makes no mistakes. The reader", "very rapidly. She is an expert at it, and makes no mistakes. 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Her hand hit like thunder, and she whirled the gun away from", "that this issue is more general to quick combat scenes, which resolve in", "general to quick combat scenes, which resolve in less than a few seconds.", "wet rock slipping under the greater will of the sea. And while it", "this passage multiple times and I am still dissatisfied with the result: ", "choppy like a laundry list of what-to-dos advices from the youtube videos I", "a bubble. I tried a description of the action. She quickly grabs", "it, and makes no mistakes. The reader does not know that though, so", "like a bubble. I tried a description of the action. She quickly", "altogether. She is held at gunpoint in one sentence. She is grinning with", "from the spike of surprise due to the sudden action in favor of", "passage should just burst it like a bubble. I tried a description", "a description of the action. She quickly grabs the gun, and simultaneously hits", "psychological tension in the paragraphs leading to it, and this passage should just", "can react she twists the barrel, and steps back... and it sounds choppy", "slows everything down: it seems to detract from the spike of surprise due", "more abstract with metaphors and similitudes relying on the ideas of speed and", "the starting point is that one character is being held at gunpoint, and", "down: it seems to detract from the spike of surprise due to the", "gunpoint, and the end point is that she now holds the gun, having", "writing, the starting point is that one character is being held at gunpoint," ]
[ "Ana Novkovic and I'm about to start writing and all that. I really", "I'm about to start writing and all that. I really really don't like", "considering using the pen name Ana N. Is it a bad idea to", "N. Is it a bad idea to have a pen name within only", "Novkovic and I'm about to start writing and all that. I really really", "my last name Novkovic. It's so hard to pronounce and I worry it", "just distract readers and not look good. I am considering using the pen", "using the pen name Ana N. Is it a bad idea to have", "worry it would just distract readers and not look good. I am considering", "hard to pronounce and I worry it would just distract readers and not", "and all that. I really really don't like my last name Novkovic. It's", "idea to have a pen name within only an initial for a surname?", "to pronounce and I worry it would just distract readers and not look", "bad idea to have a pen name within only an initial for a", "so hard to pronounce and I worry it would just distract readers and", "that. I really really don't like my last name Novkovic. It's so hard", "I am considering using the pen name Ana N. Is it a bad", "pen name Ana N. Is it a bad idea to have a pen", "to start writing and all that. I really really don't like my last", "Is it a bad idea to have a pen name within only an", "a bad idea to have a pen name within only an initial for", "Novkovic. It's so hard to pronounce and I worry it would just distract", "name Ana N. Is it a bad idea to have a pen name", "and I'm about to start writing and all that. I really really don't", "like my last name Novkovic. It's so hard to pronounce and I worry", "My name is Ana Novkovic and I'm about to start writing and all", "good. I am considering using the pen name Ana N. Is it a", "am considering using the pen name Ana N. Is it a bad idea", "really don't like my last name Novkovic. It's so hard to pronounce and", "the pen name Ana N. Is it a bad idea to have a", "would just distract readers and not look good. I am considering using the", "It's so hard to pronounce and I worry it would just distract readers", "really really don't like my last name Novkovic. It's so hard to pronounce", "readers and not look good. I am considering using the pen name Ana", "writing and all that. I really really don't like my last name Novkovic.", "about to start writing and all that. I really really don't like my", "and I worry it would just distract readers and not look good. I", "don't like my last name Novkovic. It's so hard to pronounce and I", "and not look good. I am considering using the pen name Ana N.", "look good. I am considering using the pen name Ana N. Is it", "name Novkovic. It's so hard to pronounce and I worry it would just", "I really really don't like my last name Novkovic. It's so hard to", "it would just distract readers and not look good. I am considering using", "all that. I really really don't like my last name Novkovic. It's so", "is Ana Novkovic and I'm about to start writing and all that. I", "distract readers and not look good. I am considering using the pen name", "not look good. I am considering using the pen name Ana N. Is", "it a bad idea to have a pen name within only an initial", "pronounce and I worry it would just distract readers and not look good.", "last name Novkovic. It's so hard to pronounce and I worry it would", "name is Ana Novkovic and I'm about to start writing and all that.", "Ana N. Is it a bad idea to have a pen name within", "I worry it would just distract readers and not look good. I am", "start writing and all that. I really really don't like my last name" ]
[ "the technique to start any negative feedback with a positive note. What is", "can often be quite popular answers. This popularity, however, can simply be a", "however, can simply be a measure of entertainment value, and not quality. Often", "on Stack Exchange, some of us challenge the assumptions of the author. These", "make them easier to swallow? I am aware of the technique to start", "negative feedback with a positive note. What is an effective way to do", "When answering questions on Stack Exchange, some of us challenge the assumptions of", "and not quality. Often the popular ones are even scolding the OP, making", "feedback with a positive note. What is an effective way to do that", "then we aren't really helping them. When writing a frame challenge, what are", "to make them easier to swallow? I am aware of the technique to", "to be positive about in the original question? How do I keep my", "answers. This popularity, however, can simply be a measure of entertainment value, and", "frame challenge, what are some techniques I can use to make them easier", "a frame challenge, what are some techniques I can use to make them", "tone, then we aren't really helping them. When writing a frame challenge, what", "is trying to help people. If the people who need the answer aren't", "OP, making the OP the last person to find the answer useful. No", "answer aren't willing to use it because of the tone, then we aren't", "about in the original question? How do I keep my style and tone", "OP the last person to find the answer useful. No matter how entertaining", "positive about in the original question? How do I keep my style and", "a good telling off can be, part of what we are doing when", "questions is trying to help people. If the people who need the answer", "because of the tone, then we aren't really helping them. When writing a", "the last person to find the answer useful. No matter how entertaining a", "are some techniques I can use to make them easier to swallow? I", "challenge the assumptions of the author. These frame challenges can often be quite", "find the answer useful. No matter how entertaining a good telling off can", "with a positive note. What is an effective way to do that when", "entertaining a good telling off can be, part of what we are doing", "Stack Exchange, some of us challenge the assumptions of the author. These frame", "technique to start any negative feedback with a positive note. What is an", "always valuable insight to be positive about in the original question? How do", "telling off can be, part of what we are doing when answering questions", "to do that when there isn't always valuable insight to be positive about", "note. What is an effective way to do that when there isn't always", "how entertaining a good telling off can be, part of what we are", "the author. These frame challenges can often be quite popular answers. This popularity,", "any negative feedback with a positive note. What is an effective way to", "of us challenge the assumptions of the author. These frame challenges can often", "These frame challenges can often be quite popular answers. This popularity, however, can", "popularity, however, can simply be a measure of entertainment value, and not quality.", "last person to find the answer useful. No matter how entertaining a good", "swallow? I am aware of the technique to start any negative feedback with", "a measure of entertainment value, and not quality. Often the popular ones are", "aren't really helping them. When writing a frame challenge, what are some techniques", "answering questions on Stack Exchange, some of us challenge the assumptions of the", "off can be, part of what we are doing when answering questions is", "of what we are doing when answering questions is trying to help people.", "we aren't really helping them. When writing a frame challenge, what are some", "start any negative feedback with a positive note. What is an effective way", "making the OP the last person to find the answer useful. No matter", "popular answers. This popularity, however, can simply be a measure of entertainment value,", "there isn't always valuable insight to be positive about in the original question?", "are even scolding the OP, making the OP the last person to find", "person to find the answer useful. No matter how entertaining a good telling", "the answer useful. No matter how entertaining a good telling off can be,", "help people. If the people who need the answer aren't willing to use", "to find the answer useful. No matter how entertaining a good telling off", "people who need the answer aren't willing to use it because of the", "an effective way to do that when there isn't always valuable insight to", "assumptions of the author. These frame challenges can often be quite popular answers.", "I am aware of the technique to start any negative feedback with a", "isn't always valuable insight to be positive about in the original question? How", "popular ones are even scolding the OP, making the OP the last person", "ones are even scolding the OP, making the OP the last person to", "are doing when answering questions is trying to help people. If the people", "writing a frame challenge, what are some techniques I can use to make", "frame challenges can often be quite popular answers. This popularity, however, can simply", "can use to make them easier to swallow? I am aware of the", "Exchange, some of us challenge the assumptions of the author. These frame challenges", "part of what we are doing when answering questions is trying to help", "be positive about in the original question? How do I keep my style", "original question? How do I keep my style and tone as amenable as", "simply be a measure of entertainment value, and not quality. Often the popular", "scolding the OP, making the OP the last person to find the answer", "good telling off can be, part of what we are doing when answering", "trying to help people. If the people who need the answer aren't willing", "what we are doing when answering questions is trying to help people. If", "we are doing when answering questions is trying to help people. If the", "is an effective way to do that when there isn't always valuable insight", "people. If the people who need the answer aren't willing to use it", "can be, part of what we are doing when answering questions is trying", "entertainment value, and not quality. Often the popular ones are even scolding the", "techniques I can use to make them easier to swallow? I am aware", "to start any negative feedback with a positive note. What is an effective", "This popularity, however, can simply be a measure of entertainment value, and not", "easier to swallow? I am aware of the technique to start any negative", "when answering questions is trying to help people. If the people who need", "way to do that when there isn't always valuable insight to be positive", "valuable insight to be positive about in the original question? How do I", "can simply be a measure of entertainment value, and not quality. Often the", "positive note. What is an effective way to do that when there isn't", "who need the answer aren't willing to use it because of the tone,", "some of us challenge the assumptions of the author. These frame challenges can", "of the tone, then we aren't really helping them. When writing a frame", "of entertainment value, and not quality. Often the popular ones are even scolding", "not quality. Often the popular ones are even scolding the OP, making the", "helping them. When writing a frame challenge, what are some techniques I can", "some techniques I can use to make them easier to swallow? I am", "them. When writing a frame challenge, what are some techniques I can use", "question? How do I keep my style and tone as amenable as possible?", "am aware of the technique to start any negative feedback with a positive", "No matter how entertaining a good telling off can be, part of what", "when there isn't always valuable insight to be positive about in the original", "of the author. These frame challenges can often be quite popular answers. This", "answer useful. No matter how entertaining a good telling off can be, part", "answering questions is trying to help people. If the people who need the", "do that when there isn't always valuable insight to be positive about in", "the people who need the answer aren't willing to use it because of", "the original question? How do I keep my style and tone as amenable", "the assumptions of the author. These frame challenges can often be quite popular", "author. These frame challenges can often be quite popular answers. This popularity, however,", "us challenge the assumptions of the author. These frame challenges can often be", "a positive note. What is an effective way to do that when there", "value, and not quality. Often the popular ones are even scolding the OP,", "effective way to do that when there isn't always valuable insight to be", "the OP, making the OP the last person to find the answer useful.", "be a measure of entertainment value, and not quality. Often the popular ones", "even scolding the OP, making the OP the last person to find the", "what are some techniques I can use to make them easier to swallow?", "challenges can often be quite popular answers. This popularity, however, can simply be", "aware of the technique to start any negative feedback with a positive note.", "the answer aren't willing to use it because of the tone, then we", "that when there isn't always valuable insight to be positive about in the", "What is an effective way to do that when there isn't always valuable", "the tone, then we aren't really helping them. When writing a frame challenge,", "be quite popular answers. This popularity, however, can simply be a measure of", "willing to use it because of the tone, then we aren't really helping", "often be quite popular answers. This popularity, however, can simply be a measure", "really helping them. When writing a frame challenge, what are some techniques I", "doing when answering questions is trying to help people. If the people who", "matter how entertaining a good telling off can be, part of what we", "be, part of what we are doing when answering questions is trying to", "need the answer aren't willing to use it because of the tone, then", "the OP the last person to find the answer useful. No matter how", "When writing a frame challenge, what are some techniques I can use to", "If the people who need the answer aren't willing to use it because", "questions on Stack Exchange, some of us challenge the assumptions of the author.", "useful. No matter how entertaining a good telling off can be, part of", "I can use to make them easier to swallow? I am aware of", "quite popular answers. This popularity, however, can simply be a measure of entertainment", "use it because of the tone, then we aren't really helping them. When", "use to make them easier to swallow? I am aware of the technique", "to swallow? I am aware of the technique to start any negative feedback", "Often the popular ones are even scolding the OP, making the OP the", "in the original question? How do I keep my style and tone as", "insight to be positive about in the original question? How do I keep", "measure of entertainment value, and not quality. Often the popular ones are even", "to use it because of the tone, then we aren't really helping them.", "of the technique to start any negative feedback with a positive note. What", "challenge, what are some techniques I can use to make them easier to", "quality. Often the popular ones are even scolding the OP, making the OP", "the popular ones are even scolding the OP, making the OP the last", "aren't willing to use it because of the tone, then we aren't really", "to help people. If the people who need the answer aren't willing to", "them easier to swallow? I am aware of the technique to start any", "it because of the tone, then we aren't really helping them. When writing" ]
[ "the characters don't fit into the first story. (One of them does appear,", "of the way in. The sequel seems to work best if I introduce", "of book 1, but most of the characters don't fit into the first", "story. (One of them does appear, but only for a single chapter.) Am", "first story. (One of them does appear, but only for a single chapter.)", "before the first book ends, or will I need to do something else", "years. The second picks up where the first left off... but only about", "but only for a single chapter.) Am I allowed to have a sequel", "writing 2 stories simultaneously. The first one spans 17 years. The second picks", "the new characters about 5 years before the end of book 1, but", "that starts 5 years before the first book ends, or will I need", "I introduce the new characters about 5 years before the end of book", "years before the end of book 1, but most of the characters don't", "up where the first left off... but only about 25% of the way", "first book ends, or will I need to do something else with that", "fit into the first story. (One of them does appear, but only for", "characters about 5 years before the end of book 1, but most of", "5 years before the first book ends, or will I need to do", "picks up where the first left off... but only about 25% of the", "starts 5 years before the first book ends, or will I need to", "in. The sequel seems to work best if I introduce the new characters", "don't fit into the first story. (One of them does appear, but only", "The first one spans 17 years. The second picks up where the first", "second picks up where the first left off... but only about 25% of", "appear, but only for a single chapter.) Am I allowed to have a", "stories simultaneously. The first one spans 17 years. The second picks up where", "allowed to have a sequel that starts 5 years before the first book", "into the first story. (One of them does appear, but only for a", "new characters about 5 years before the end of book 1, but most", "The second picks up where the first left off... but only about 25%", "Am I allowed to have a sequel that starts 5 years before the", "the first book ends, or will I need to do something else with", "most of the characters don't fit into the first story. (One of them", "the first left off... but only about 25% of the way in. The", "I allowed to have a sequel that starts 5 years before the first", "17 years. The second picks up where the first left off... but only", "a single chapter.) Am I allowed to have a sequel that starts 5", "book ends, or will I need to do something else with that 25%?", "first one spans 17 years. The second picks up where the first left", "1, but most of the characters don't fit into the first story. (One", "25% of the way in. The sequel seems to work best if I", "only for a single chapter.) Am I allowed to have a sequel that", "of the characters don't fit into the first story. (One of them does", "but most of the characters don't fit into the first story. (One of", "them does appear, but only for a single chapter.) Am I allowed to", "end of book 1, but most of the characters don't fit into the", "introduce the new characters about 5 years before the end of book 1,", "2 stories simultaneously. The first one spans 17 years. The second picks up", "chapter.) Am I allowed to have a sequel that starts 5 years before", "book 1, but most of the characters don't fit into the first story.", "spans 17 years. The second picks up where the first left off... but", "simultaneously. The first one spans 17 years. The second picks up where the", "off... but only about 25% of the way in. The sequel seems to", "seems to work best if I introduce the new characters about 5 years", "for a single chapter.) Am I allowed to have a sequel that starts", "sequel seems to work best if I introduce the new characters about 5", "one spans 17 years. The second picks up where the first left off...", "where the first left off... but only about 25% of the way in.", "about 5 years before the end of book 1, but most of the", "I'm writing 2 stories simultaneously. The first one spans 17 years. The second", "does appear, but only for a single chapter.) Am I allowed to have", "of them does appear, but only for a single chapter.) Am I allowed", "work best if I introduce the new characters about 5 years before the", "way in. The sequel seems to work best if I introduce the new", "but only about 25% of the way in. The sequel seems to work", "have a sequel that starts 5 years before the first book ends, or", "about 25% of the way in. The sequel seems to work best if", "5 years before the end of book 1, but most of the characters", "before the end of book 1, but most of the characters don't fit", "years before the first book ends, or will I need to do something", "to work best if I introduce the new characters about 5 years before", "first left off... but only about 25% of the way in. The sequel", "the way in. The sequel seems to work best if I introduce the", "single chapter.) Am I allowed to have a sequel that starts 5 years", "to have a sequel that starts 5 years before the first book ends,", "The sequel seems to work best if I introduce the new characters about", "a sequel that starts 5 years before the first book ends, or will", "only about 25% of the way in. The sequel seems to work best", "(One of them does appear, but only for a single chapter.) Am I", "the first story. (One of them does appear, but only for a single", "characters don't fit into the first story. (One of them does appear, but", "sequel that starts 5 years before the first book ends, or will I", "left off... but only about 25% of the way in. The sequel seems", "best if I introduce the new characters about 5 years before the end", "if I introduce the new characters about 5 years before the end of", "the end of book 1, but most of the characters don't fit into" ]
[ "back to present tense. In what way can I smooth my novel back", "the hook for my novel is a quote from the future that my", "novel is a quote from the future that my protagonist will eventually say.", "I need a way for my novel to go back to present tense.", "But I need a way for my novel to go back to present", "novel to go back to present tense. In what way can I smooth", "will eventually say. But I need a way for my novel to go", "eventually say. But I need a way for my novel to go back", "Ok, so the hook for my novel is a quote from the future", "that my protagonist will eventually say. But I need a way for my", "my protagonist will eventually say. But I need a way for my novel", "quote from the future that my protagonist will eventually say. But I need", "go back to present tense. In what way can I smooth my novel", "future that my protagonist will eventually say. But I need a way for", "is a quote from the future that my protagonist will eventually say. But", "present tense. In what way can I smooth my novel back to present", "so the hook for my novel is a quote from the future that", "way for my novel to go back to present tense. In what way", "a way for my novel to go back to present tense. In what", "to present tense. In what way can I smooth my novel back to", "for my novel is a quote from the future that my protagonist will", "hook for my novel is a quote from the future that my protagonist", "my novel to go back to present tense. In what way can I", "a quote from the future that my protagonist will eventually say. But I", "say. But I need a way for my novel to go back to", "from the future that my protagonist will eventually say. But I need a", "for my novel to go back to present tense. In what way can", "the future that my protagonist will eventually say. But I need a way", "to go back to present tense. In what way can I smooth my", "my novel is a quote from the future that my protagonist will eventually", "protagonist will eventually say. But I need a way for my novel to", "tense. In what way can I smooth my novel back to present tense?", "need a way for my novel to go back to present tense. In" ]
[ "Dramatis Personae: > > > * Jozw Cie, the protagonist > * Several", "left mine at home. > > > ### Give them numbers, continuing from", "traits > > Dramatis Personae: > > > * Jozw Cie, the protagonist", "* Bob, the unprepared townsperson > > > JOHN: Is it going to", "Bob, the unprepared townsperson > > > JOHN: Is it going to rain", "mine at home. > > > ### Give them numbers, continuing from previous", "by their professions, and their names are irrelevant (I could introduce them, but", "aren't said in the play > > Dramatis Personae: > > > ", "Jozw Cie, the protagonist > Aluke, the prepared townsperson > * Bob,", "* Aluke, the prepared townsperson > * Bob, the unprepared townsperson > >", "protagonist > * Several townspeople > > > (In a previous scene, Zotn", "left mine at home. > > > Question -------- How should the script", "starts with him approaching two new ones) > > > JOHN: Is it", "I'm writing a play that includes a number of minor characters who only", "at home. > > > ### Give them numbers, continuing from previous scenes", "> PREPARED: I think so. I brought my umbrella. > > > UNPREPARED:", "them by their personality traits > > Dramatis Personae: > > > ", "are defined by their personality traits, not by their professions, and their names", "continuing from previous scenes > > Dramatis Personae: > > > Jozw", "> TOWNSPERSON 6: Uh oh, I left mine at home. > > >", "Personae: > > > Jozw Cie, the protagonist > * Aluke, the", "today? > > > ALICE: I think so. I brought my umbrella. >", "> > UNPREPARED: Uh oh, I left mine at home. > > >", "I left mine at home. > > > ### Refer to them by", "four townspeople. This scene starts with him approaching two new ones)* > >", "mine at home. > > > Question -------- How should the script refer", "> * An unprepared townsperson > > > JOHN: Is it going to", "names in the script that aren't said in the play > > Dramatis", "so. I brought my umbrella. > > > BOB: Uh oh, I left", "I think so. I brought my umbrella. > > > BOB: Uh oh,", "Uh oh, I left mine at home. > > > Question -------- How", "Is it going to rain today? > > > TOWNSPERSON 5: I think", "protagonist > Aluke, the prepared townsperson > * Bob, the unprepared townsperson", "umbrella. > > > BOB: Uh oh, I left mine at home. >", "I left mine at home. > > > Question -------- How should the", "An unprepared townsperson > > > JOHN: Is it going to rain today?", "scene, Zotn talked to four townspeople. This scene starts with him approaching two", "townspeople > > > (In a previous scene, Zotn talked to four townspeople.", "Dramatis Personae: > > > Jozw Cie, the protagonist > * A", "the script that aren't said in the play > > Dramatis Personae: >", "* Jozw Cie, the protagonist > * Several townspeople > > > (In", "umbrella. > > > TOWNSPERSON 6: Uh oh, I left mine at home.", "home. > > > Question -------- How should the script refer to these", "> Several townspeople > > > (In a previous scene, Zotn talked", "numbers, continuing from previous scenes > > Dramatis Personae: > > > ", "I brought my umbrella. > > > BOB: Uh oh, I left mine", "so. I brought my umbrella. > > > UNPREPARED: Uh oh, I left", "> ### Give them numbers, continuing from previous scenes > > Dramatis Personae:", "irrelevant (I could introduce them, but they don't really matter). I'm unsure of", "I think so. I brought my umbrella. > > > UNPREPARED: Uh oh,", "play that includes a number of minor characters who only exist for a", "I left mine at home. > > > ### Give them numbers, continuing", "> > JOHN: Is it going to rain today? > > > ALICE:", "> > Dramatis Personae: > > > * Jozw Cie, the protagonist >", "### Refer to them by their personality traits > > Dramatis Personae: >", "scene starts with him approaching two new ones)* > > > JOHN: Is", "PREPARED: I think so. I brought my umbrella. > > > UNPREPARED: Uh", "> > > ### Give them numbers, continuing from previous scenes > >", "think so. I brought my umbrella. > > > BOB: Uh oh, I", "> * A prepared townsperson > * An unprepared townsperson > > >", "number of minor characters who only exist for a scene or two. They", "Aluke, the prepared townsperson > * Bob, the unprepared townsperson > > >", "> * Jozw Cie, the protagonist > * A prepared townsperson > ", "Is it going to rain today? > > > PREPARED: I think so.", "introduce them, but they don't really matter). I'm unsure of how to refer", "(In a previous scene, Zotn talked to four townspeople. This scene starts with", "rain today? > > > PREPARED: I think so. I brought my umbrella.", "> > PREPARED: I think so. I brought my umbrella. > > >", "professions, and their names are irrelevant (I could introduce them, but they don't", "that aren't said in the play > > Dramatis Personae: > > >", "matter). I'm unsure of how to refer to them in the script. Options", "them, but they don't really matter). I'm unsure of how to refer to", "and their names are irrelevant (I could introduce them, but they don't really", "> ### Refer to them by their personality traits > > Dramatis Personae:", "### Give them numbers, continuing from previous scenes > > Dramatis Personae: >", "Uh oh, I left mine at home. > > > ### Give them", "by their personality traits > > Dramatis Personae: > > > * Jozw", "> > > * Jozw Cie, the protagonist > * Aluke, the prepared", "of how to refer to them in the script. Options I've considered -----------------------", "> > * Jozw Cie, the protagonist > * Aluke, the prepared townsperson", "Personae: > > > Jozw Cie, the protagonist > * Several townspeople", "> > > TOWNSPERSON 5: I think so. I brought my umbrella. >", "Is it going to rain today? > > > ALICE: I think so.", "a play that includes a number of minor characters who only exist for", "protagonist > * A prepared townsperson > * An unprepared townsperson > >", "> > > TOWNSPERSON 6: Uh oh, I left mine at home. >", "them numbers, continuing from previous scenes > > Dramatis Personae: > > >", "> > (In a previous scene, Zotn talked to four townspeople. This scene", "> > Question -------- How should the script refer to these minor characters", "that includes a number of minor characters who only exist for a scene", "them in the script. Options I've considered ----------------------- ### Give them names in", "> > Jozw Cie, the protagonist > * A prepared townsperson >", "to refer to them in the script. Options I've considered ----------------------- ### Give", "personality traits, not by their professions, and their names are irrelevant (I could", "UNPREPARED: Uh oh, I left mine at home. > > > ### Give", "unsure of how to refer to them in the script. Options I've considered", "BOB: Uh oh, I left mine at home. > > > ### Refer", "the protagonist > * Several townspeople > > > (In a previous scene,", "a previous scene, Zotn talked to four townspeople. This scene starts with him", "JOHN: Is it going to rain today? > > > TOWNSPERSON 5: I", "> > > PREPARED: I think so. I brought my umbrella. > >", "the unprepared townsperson > > > JOHN: Is it going to rain today?", "Question -------- How should the script refer to these minor characters whose names", "They are defined by their personality traits, not by their professions, and their", "> > > UNPREPARED: Uh oh, I left mine at home. > >", "in the script that aren't said in the play > > Dramatis Personae:", "Give them numbers, continuing from previous scenes > > Dramatis Personae: > >", "> JOHN: Is it going to rain today? > > > ALICE: I", "> > > Jozw Cie, the protagonist > * Several townspeople >", "townspeople. This scene starts with him approaching two new ones)* > > >", "their professions, and their names are irrelevant (I could introduce them, but they", "in the script. Options I've considered ----------------------- ### Give them names in the", "to them in the script. Options I've considered ----------------------- ### Give them names", "the play > > Dramatis Personae: > > > * Jozw Cie, the", "rain today? > > > ALICE: I think so. I brought my umbrella.", "> JOHN: Is it going to rain today? > > > PREPARED: I", "they don't really matter). I'm unsure of how to refer to them in", "new ones)* > > > JOHN: Is it going to rain today? >", "in the play > > Dramatis Personae: > > > * Jozw Cie,", "the protagonist > * Aluke, the prepared townsperson > * Bob, the unprepared", "brought my umbrella. > > > BOB: Uh oh, I left mine at", "could introduce them, but they don't really matter). I'm unsure of how to", "I've considered ----------------------- ### Give them names in the script that aren't said", "my umbrella. > > > UNPREPARED: Uh oh, I left mine at home.", "Cie, the protagonist > * Several townspeople > > > (In a previous", "their names are irrelevant (I could introduce them, but they don't really matter).", "oh, I left mine at home. > > > ### Give them numbers,", "> > JOHN: Is it going to rain today? > > > TOWNSPERSON", "to rain today? > > > TOWNSPERSON 5: I think so. I brought", "scenes > > Dramatis Personae: > > > Jozw Cie, the protagonist", "today? > > > PREPARED: I think so. I brought my umbrella. >", "oh, I left mine at home. > > > Question -------- How should", "think so. I brought my umbrella. > > > UNPREPARED: Uh oh, I", "talked to four townspeople. This scene starts with him approaching two new ones)", "names are irrelevant (I could introduce them, but they don't really matter). I'm", "> TOWNSPERSON 5: I think so. I brought my umbrella. > > >", "said in the play > > Dramatis Personae: > > > Jozw", "who only exist for a scene or two. They are defined by their", "so. I brought my umbrella. > > > TOWNSPERSON 6: Uh oh, I", "----------------------- ### Give them names in the script that aren't said in the", "at home. > > > Question -------- How should the script refer to", "defined by their personality traits, not by their professions, and their names are", "script that aren't said in the play > > Dramatis Personae: > >", "brought my umbrella. > > > TOWNSPERSON 6: Uh oh, I left mine", "### Give them names in the script that aren't said in the play", "Problem ------- I'm writing a play that includes a number of minor characters", "* A prepared townsperson > * An unprepared townsperson > > > JOHN:", "prepared townsperson > * An unprepared townsperson > > > JOHN: Is it", "> BOB: Uh oh, I left mine at home. > > > ###", "previous scenes > > Dramatis Personae: > > > * Jozw Cie, the", "* Several townspeople > > > (In a previous scene, Zotn talked to", "but they don't really matter). I'm unsure of how to refer to them", "Zotn talked to four townspeople. This scene starts with him approaching two new", "ones) > > > JOHN: Is it going to rain today? > >", "the prepared townsperson > * Bob, the unprepared townsperson > > > JOHN:", "Options I've considered ----------------------- ### Give them names in the script that aren't", "personality traits > > Dramatis Personae: > > > * Jozw Cie, the", "How should the script refer to these minor characters whose names are irrelevant?", "Jozw Cie, the protagonist > * A prepared townsperson > * An unprepared", "not by their professions, and their names are irrelevant (I could introduce them,", "left mine at home. > > > ### Refer to them by their", "are irrelevant (I could introduce them, but they don't really matter). I'm unsure", "going to rain today? > > > PREPARED: I think so. I brought", "------- I'm writing a play that includes a number of minor characters who", "> UNPREPARED: Uh oh, I left mine at home. > > > ###", "don't really matter). I'm unsure of how to refer to them in the", "brought my umbrella. > > > UNPREPARED: Uh oh, I left mine at", "Cie, the protagonist > * A prepared townsperson > * An unprepared townsperson", "Personae: > > > Jozw Cie, the protagonist > * A prepared", "going to rain today? > > > ALICE: I think so. I brought", "I brought my umbrella. > > > UNPREPARED: Uh oh, I left mine", "the protagonist > * A prepared townsperson > * An unprepared townsperson >", "previous scene, Zotn talked to four townspeople. This scene starts with him approaching", "or two. They are defined by their personality traits, not by their professions,", "Jozw Cie, the protagonist > * Several townspeople > > > (In a", "> > ### Give them numbers, continuing from previous scenes > > Dramatis", "> > > * Jozw Cie, the protagonist > * A prepared townsperson", "play > > Dramatis Personae: > > > * Jozw Cie, the protagonist", "two new ones)* > > > JOHN: Is it going to rain today?", "> (In a previous scene, Zotn talked to four townspeople. This scene starts", "two. They are defined by their personality traits, not by their professions, and", "traits, not by their professions, and their names are irrelevant (I could introduce", "> > > JOHN: Is it going to rain today? > > >", "by their personality traits, not by their professions, and their names are irrelevant", "5: I think so. I brought my umbrella. > > > TOWNSPERSON 6:", "script. Options I've considered ----------------------- ### Give them names in the script that", "> Dramatis Personae: > > > Jozw Cie, the protagonist > ", "> Question -------- How should the script refer to these minor characters whose", "for a scene or two. They are defined by their personality traits, not", "them names in the script that aren't said in the play > >", "> > ### Refer to them by their personality traits > > Dramatis", "TOWNSPERSON 5: I think so. I brought my umbrella. > > > TOWNSPERSON", "home. > > > ### Refer to them by their personality traits >", "it going to rain today? > > > TOWNSPERSON 5: I think so.", "> > > Question -------- How should the script refer to these minor", "oh, I left mine at home. > > > ### Refer to them", "at home. > > > ### Refer to them by their personality traits", "-------- How should the script refer to these minor characters whose names are", "considered ----------------------- ### Give them names in the script that aren't said in", "him approaching two new ones)* > > > JOHN: Is it going to", "JOHN: Is it going to rain today? > > > PREPARED: I think", "umbrella. > > > UNPREPARED: Uh oh, I left mine at home. >", "to rain today? > > > PREPARED: I think so. I brought my", "Cie, the protagonist > * Aluke, the prepared townsperson > * Bob, the", "> > TOWNSPERSON 6: Uh oh, I left mine at home. > >", "* Jozw Cie, the protagonist > * A prepared townsperson > * An", "of minor characters who only exist for a scene or two. They are", "> > > (In a previous scene, Zotn talked to four townspeople. This", "minor characters who only exist for a scene or two. They are defined", "> > ALICE: I think so. I brought my umbrella. > > >", "my umbrella. > > > TOWNSPERSON 6: Uh oh, I left mine at", "A prepared townsperson > An unprepared townsperson > > > JOHN: Is", "approaching two new ones)* > > > JOHN: Is it going to rain", "a scene or two. They are defined by their personality traits, not by", "exist for a scene or two. They are defined by their personality traits,", "my umbrella. > > > BOB: Uh oh, I left mine at home.", "> > JOHN: Is it going to rain today? > > > PREPARED:", "Several townspeople > > > (In a previous scene, Zotn talked to four", "scene or two. They are defined by their personality traits, not by their", "refer to them in the script. Options I've considered ----------------------- ### Give them", "prepared townsperson > Bob, the unprepared townsperson > > > JOHN: Is", "to them by their personality traits > > Dramatis Personae: > > >", "(I could introduce them, but they don't really matter). I'm unsure of how", "townsperson > * An unprepared townsperson > > > JOHN: Is it going", "home. > > > ### Give them numbers, continuing from previous scenes >", "Give them names in the script that aren't said in the play >", "it going to rain today? > > > ALICE: I think so. I", "their personality traits, not by their professions, and their names are irrelevant (I", "> > > ALICE: I think so. I brought my umbrella. > >", "This scene starts with him approaching two new ones)* > > > JOHN:", "really matter). I'm unsure of how to refer to them in the script.", "going to rain today? > > > TOWNSPERSON 5: I think so. I", "a number of minor characters who only exist for a scene or two.", "today? > > > TOWNSPERSON 5: I think so. I brought my umbrella.", "> > > BOB: Uh oh, I left mine at home. > >", "> > TOWNSPERSON 5: I think so. I brought my umbrella. > >", "how to refer to them in the script. Options I've considered ----------------------- ###", "> * Jozw Cie, the protagonist > * Aluke, the prepared townsperson >", "> > BOB: Uh oh, I left mine at home. > > >", "I'm unsure of how to refer to them in the script. Options I've", "their personality traits > > Dramatis Personae: > > > * Jozw Cie,", "JOHN: Is it going to rain today? > > > ALICE: I think", "includes a number of minor characters who only exist for a scene or", "it going to rain today? > > > PREPARED: I think so. I", "mine at home. > > > ### Refer to them by their personality", "unprepared townsperson > > > JOHN: Is it going to rain today? >", "I brought my umbrella. > > > TOWNSPERSON 6: Uh oh, I left", "TOWNSPERSON 6: Uh oh, I left mine at home. > > > Question", "6: Uh oh, I left mine at home. > > > Question --------", "> > > ### Refer to them by their personality traits > >", "characters who only exist for a scene or two. They are defined by", "townsperson > * Bob, the unprepared townsperson > > > JOHN: Is it", "rain today? > > > TOWNSPERSON 5: I think so. I brought my", "Uh oh, I left mine at home. > > > ### Refer to", "I think so. I brought my umbrella. > > > TOWNSPERSON 6: Uh", "think so. I brought my umbrella. > > > TOWNSPERSON 6: Uh oh,", "* An unprepared townsperson > > > JOHN: Is it going to rain", "* Jozw Cie, the protagonist > * Aluke, the prepared townsperson > ", "Refer to them by their personality traits > > Dramatis Personae: > >", "> Jozw Cie, the protagonist > * Several townspeople > > >", "to four townspeople. This scene starts with him approaching two new ones)* >", "> > * Jozw Cie, the protagonist > * Several townspeople > >", "from previous scenes > > Dramatis Personae: > > > * Jozw Cie,", "the script. Options I've considered ----------------------- ### Give them names in the script", "with him approaching two new ones)* > > > JOHN: Is it going", "Dramatis Personae: > > > * Jozw Cie, the protagonist > * Aluke,", "> JOHN: Is it going to rain today? > > > TOWNSPERSON 5:", "writing a play that includes a number of minor characters who only exist", "> * Aluke, the prepared townsperson > * Bob, the unprepared townsperson >", "> * Bob, the unprepared townsperson > > > JOHN: Is it going", "townsperson > > > JOHN: Is it going to rain today? > >", "ALICE: I think so. I brought my umbrella. > > > BOB: Uh", "> ALICE: I think so. I brought my umbrella. > > > BOB:", "to rain today? > > > ALICE: I think so. I brought my", "only exist for a scene or two. They are defined by their personality" ]
[ "Fire;* if I recall correctly, A Dance with Dragons has summaries of the", "the Houses of Sinhelios (the noble family who the protagonist stabbed the heir", "the Houses Frey, Florent, Hightower, and Velaryon, all houses that, while their specifics", "first and only time she attempted it, et cetera, et cetera. However, there's", "time she attempted it, et cetera, et cetera. However, there's plenty of stuff", "has lots of little details which, if taken note of, give the story", "as being liege lords of the Ground's Scar Mining Colony, an area investigated", "Martin does it in A Song of Ice and Fire; if I recall", "the plot and story to function should be part of the story. However,", "magic works, the protag's backstory of being crap at any remotely covert work", "and toxic; her entire journey is about shaking these shackles and becoming a", "and becoming a better person. Everything strictly necessary for the story will be", "cult (and therefore the protag) to be racist against them, the cult's racial", "appendix summarising certain inessential worldbuilding entities that's entirely optional for a reader to", "I'm of the opinion that a story should stand on its own; any", "is, for the sake of satisfying reader interest, would it be worthwhile writing", "considerably limited, racist, and toxic; her entire journey is about shaking these shackles", "which, if taken note of, give the story a little bit of extra", "houses that, while their specifics may become important later, aren't particularly elaborated upon", "of the Houses Frey, Florent, Hightower, and Velaryon, all houses that, while their", "lords of the Ground's Scar Mining Colony, an area investigated by the cult),", "backstory) and Sandspark (a goblinese family mentioned as being liege lords of the", "in A Song of Ice and Fire; if I recall correctly, A Dance", "in is an extensive, fully-realised world which has lots of little details which,", "The story I'm writing covers a woman born and raised in a mage", "cult. Her understanding of the world is considerably limited, racist, and toxic; her", "the protag) to be racist against them, the cult's racial hierarchy, how magic", "of stuff which, while obliquely referenced, aren't strictly expanded upon, merely remarked upon", "all houses that, while their specifics may become important later, aren't particularly elaborated", "the story will be included; the outwardly animalistic and non-magical nature of orcs", "at the same time, the world I write in is an extensive, fully-realised", "of her backstory) and Sandspark (a goblinese family mentioned as being liege lords", "the world. 'The Crown' or 'the Royal Electorate' as an entity that rules", "interest, would it be worthwhile writing an appendix summarising certain inessential worldbuilding entities", "worthwhile writing an appendix summarising certain inessential worldbuilding entities that's entirely optional for", "animalistic and non-magical nature of orcs that causes the protagonist's cult (and therefore", "being liege lords of the Ground's Scar Mining Colony, an area investigated by", "heir of as part of her backstory) and Sandspark (a goblinese family mentioned", "racist, and toxic; her entire journey is about shaking these shackles and becoming", "family who the protagonist stabbed the heir of as part of her backstory)", "necessary* for the story will be included; the outwardly animalistic and non-magical nature", "born and raised in a mage cult. Her understanding of the world is", "Colony, an area investigated by the cult), mentions of cities such as Godswater", "RR Martin does it in A Song of Ice and Fire; if I", "and Sandspark (a goblinese family mentioned as being liege lords of the Ground's", "opinion that a story should stand on its own; any worldbuilding that is", "of the story. However, at the same time, the world I write in", "obliquely referenced, aren't strictly expanded upon, merely remarked upon as part of the", "that's entirely optional for a reader to peruse? I think an analogous example", "optional for a reader to peruse? I think an analogous example would be", "peruse? I think an analogous example would be how George RR Martin does", "important later, aren't particularly elaborated upon or are strictly necessary in the story", "and raised in a mage cult. Her understanding of the world is considerably", "liege lords of the Ground's Scar Mining Colony, an area investigated by the", "aren't strictly expanded upon, merely remarked upon as part of the world. 'The", "the cult's racial hierarchy, how magic works, the protag's backstory of being crap", "'the Royal Electorate' as an entity that rules the kingdom the cult is", "context. The story I'm writing covers a woman born and raised in a", "be part of the story. However, at the same time, the world I", "it, et cetera, et cetera. However, there's plenty of stuff which, while obliquely", "understanding of the world is considerably limited, racist, and toxic; her entire journey", "these shackles and becoming a better person. Everything strictly necessary for the story", "if taken note of, give the story a little bit of extra context.", "be racist against them, the cult's racial hierarchy, how magic works, the protag's", "stuff which, while obliquely referenced, aren't strictly expanded upon, merely remarked upon as", "of Ice and Fire;* if I recall correctly, A Dance with Dragons has", "Hightower, and Velaryon, all houses that, while their specifics may become important later,", "work due to killing a nobleman the first and only time she attempted", "how magic works, the protag's backstory of being crap at any remotely covert", "racial hierarchy, how magic works, the protag's backstory of being crap at any", "nobleman the first and only time she attempted it, et cetera, et cetera.", "be worthwhile writing an appendix summarising certain inessential worldbuilding entities that's entirely optional", "(a goblinese family mentioned as being liege lords of the Ground's Scar Mining", "Royal Electorate' as an entity that rules the kingdom the cult is within,", "example would be how George RR Martin does it in A Song of", "on its own; any worldbuilding that is necessary* for the plot and story", "a reader to peruse? I think an analogous example would be how George", "write in is an extensive, fully-realised world which has lots of little details", "Ice and Fire;* if I recall correctly, A Dance with Dragons has summaries", "of the opinion that a story should stand on its own; any worldbuilding", "is within, the Houses of Sinhelios (the noble family who the protagonist stabbed", "entity that rules the kingdom the cult is within, the Houses of Sinhelios", "details which, if taken note of, give the story a little bit of", "and non-magical nature of orcs that causes the protagonist's cult (and therefore the", "family mentioned as being liege lords of the Ground's Scar Mining Colony, an", "little details which, if taken note of, give the story a little bit", "of being crap at any remotely covert work due to killing a nobleman", "to killing a nobleman the first and only time she attempted it, et", "plot and story to function should be part of the story. However, at", "George RR Martin does it in A Song of Ice and Fire; if", "remotely covert work due to killing a nobleman the first and only time", "strictly necessary for the story will be included; the outwardly animalistic and non-magical", "it be worthwhile writing an appendix summarising certain inessential worldbuilding entities that's entirely", "protagonist's cult (and therefore the protag) to be racist against them, the cult's", "I recall correctly, A Dance with Dragons has summaries of the Houses Frey,", "Ground's Scar Mining Colony, an area investigated by the cult), mentions of cities", "protagonist stabbed the heir of as part of her backstory) and Sandspark (a", "summaries of the Houses Frey, Florent, Hightower, and Velaryon, all houses that, while", "Florent, Hightower, and Velaryon, all houses that, while their specifics may become important", "the protagonist's cult (and therefore the protag) to be racist against them, the", "be included; the outwardly animalistic and non-magical nature of orcs that causes the", "Frey, Florent, Hightower, and Velaryon, all houses that, while their specifics may become", "while their specifics may become important later, aren't particularly elaborated upon or are", "world. 'The Crown' or 'the Royal Electorate' as an entity that rules the", "Crown' or 'the Royal Electorate' as an entity that rules the kingdom the", "there's plenty of stuff which, while obliquely referenced, aren't strictly expanded upon, merely", "her backstory) and Sandspark (a goblinese family mentioned as being liege lords of", "A Song of Ice and Fire; if I recall correctly, A Dance with", "a better person. Everything strictly necessary* for the story will be included; the", "My question is, for the sake of satisfying reader interest, would it be", "that is necessary for the plot and story to function should be part", "protag) to be racist against them, the cult's racial hierarchy, how magic works,", "writing an appendix summarising certain inessential worldbuilding entities that's entirely optional for a", "Electorate' as an entity that rules the kingdom the cult is within, the", "raised in a mage cult. Her understanding of the world is considerably limited,", "give the story a little bit of extra context. The story I'm writing", "does it in A Song of Ice and Fire; if I recall correctly,", "stand on its own; any worldbuilding that is necessary for the plot and", "of the world. 'The Crown' or 'the Royal Electorate' as an entity that", "world is considerably limited, racist, and toxic; her entire journey is about shaking", "of extra context. The story I'm writing covers a woman born and raised", "of little details which, if taken note of, give the story a little", "attempted it, et cetera, et cetera. However, there's plenty of stuff which, while", "entirely optional for a reader to peruse? I think an analogous example would", "which has lots of little details which, if taken note of, give the", "story to function should be part of the story. However, at the same", "the world I write in is an extensive, fully-realised world which has lots", "outwardly animalistic and non-magical nature of orcs that causes the protagonist's cult (and", "against them, the cult's racial hierarchy, how magic works, the protag's backstory of", "the protag's backstory of being crap at any remotely covert work due to", "an extensive, fully-realised world which has lots of little details which, if taken", "Song of Ice and Fire;* if I recall correctly, A Dance with Dragons", "the same time, the world I write in is an extensive, fully-realised world", "part of the story. However, at the same time, the world I write", "the story a little bit of extra context. The story I'm writing covers", "covers a woman born and raised in a mage cult. Her understanding of", "as part of her backstory) and Sandspark (a goblinese family mentioned as being", "note of, give the story a little bit of extra context. The story", "extra context. The story I'm writing covers a woman born and raised in", "the kingdom the cult is within, the Houses of Sinhelios (the noble family", "story. However, at the same time, the world I write in is an", "killing a nobleman the first and only time she attempted it, et cetera,", "investigated by the cult), mentions of cities such as Godswater and Parakos, et", "non-magical nature of orcs that causes the protagonist's cult (and therefore the protag)", "causes the protagonist's cult (and therefore the protag) to be racist against them,", "become important later, aren't particularly elaborated upon or are strictly necessary in the", "worldbuilding that is necessary for the plot and story to function should be", "think an analogous example would be how George RR Martin does it in", "racist against them, the cult's racial hierarchy, how magic works, the protag's backstory", "time, the world I write in is an extensive, fully-realised world which has", "goblinese family mentioned as being liege lords of the Ground's Scar Mining Colony,", "bit of extra context. The story I'm writing covers a woman born and", "cult is within, the Houses of Sinhelios (the noble family who the protagonist", "specifics may become important later, aren't particularly elaborated upon or are strictly necessary", "lots of little details which, if taken note of, give the story a", "the heir of as part of her backstory) and Sandspark (a goblinese family", "as an entity that rules the kingdom the cult is within, the Houses", "for the sake of satisfying reader interest, would it be worthwhile writing an", "mentioned as being liege lords of the Ground's Scar Mining Colony, an area", "has summaries of the Houses Frey, Florent, Hightower, and Velaryon, all houses that,", "necessary for the plot and story to function should be part of the", "certain inessential worldbuilding entities that's entirely optional for a reader to peruse? I", "of the Ground's Scar Mining Colony, an area investigated by the cult), mentions", "story should stand on its own; any worldbuilding that is necessary for the", "person. Everything strictly necessary for the story will be included; the outwardly animalistic", "the cult), mentions of cities such as Godswater and Parakos, et cetera. My", "Velaryon, all houses that, while their specifics may become important later, aren't particularly", "an analogous example would be how George RR Martin does it in A", "is considerably limited, racist, and toxic; her entire journey is about shaking these", "orcs that causes the protagonist's cult (and therefore the protag) to be racist", "of satisfying reader interest, would it be worthwhile writing an appendix summarising certain", "its own; any worldbuilding that is necessary* for the plot and story to", "how George RR Martin does it in A Song of Ice and Fire;", "a woman born and raised in a mage cult. Her understanding of the", "Houses of Sinhelios (the noble family who the protagonist stabbed the heir of", "to function should be part of the story. However, at the same time,", "that a story should stand on its own; any worldbuilding that is necessary", "cult's racial hierarchy, how magic works, the protag's backstory of being crap at", "summarising certain inessential worldbuilding entities that's entirely optional for a reader to peruse?", "mentions of cities such as Godswater and Parakos, et cetera. My question is,", "hierarchy, how magic works, the protag's backstory of being crap at any remotely", "an appendix summarising certain inessential worldbuilding entities that's entirely optional for a reader", "Everything strictly necessary for the story will be included; the outwardly animalistic and", "their specifics may become important later, aren't particularly elaborated upon or are strictly", "crap at any remotely covert work due to killing a nobleman the first", "would it be worthwhile writing an appendix summarising certain inessential worldbuilding entities that's", "a little bit of extra context. The story I'm writing covers a woman", "own; any worldbuilding that is necessary for the plot and story to function", "the story. However, at the same time, the world I write in is", "will be included; the outwardly animalistic and non-magical nature of orcs that causes", "analogous example would be how George RR Martin does it in A Song", "a story should stand on its own; any worldbuilding that is necessary* for", "the world is considerably limited, racist, and toxic; her entire journey is about", "be how George RR Martin does it in A Song of Ice and", "fully-realised world which has lots of little details which, if taken note of,", "who the protagonist stabbed the heir of as part of her backstory) and", "merely remarked upon as part of the world. 'The Crown' or 'the Royal", "of as part of her backstory) and Sandspark (a goblinese family mentioned as", "However, there's plenty of stuff which, while obliquely referenced, aren't strictly expanded upon,", "rules the kingdom the cult is within, the Houses of Sinhelios (the noble", "it in A Song of Ice and Fire;* if I recall correctly, A", "story will be included; the outwardly animalistic and non-magical nature of orcs that", "included; the outwardly animalistic and non-magical nature of orcs that causes the protagonist's", "entities that's entirely optional for a reader to peruse? I think an analogous", "to peruse? I think an analogous example would be how George RR Martin", "any worldbuilding that is necessary* for the plot and story to function should", "as part of the world. 'The Crown' or 'the Royal Electorate' as an", "plenty of stuff which, while obliquely referenced, aren't strictly expanded upon, merely remarked", "cetera. However, there's plenty of stuff which, while obliquely referenced, aren't strictly expanded", "the sake of satisfying reader interest, would it be worthwhile writing an appendix", "correctly, A Dance with Dragons has summaries of the Houses Frey, Florent, Hightower,", "with Dragons* has summaries of the Houses Frey, Florent, Hightower, and Velaryon, all", "about shaking these shackles and becoming a better person. Everything strictly necessary for", "journey is about shaking these shackles and becoming a better person. Everything strictly", "and Fire;* if I recall correctly, A Dance with Dragons has summaries of", "the cult is within, the Houses of Sinhelios (the noble family who the", "of the world is considerably limited, racist, and toxic; her entire journey is", "should be part of the story. However, at the same time, the world", "an entity that rules the kingdom the cult is within, the Houses of", "et cetera. My question is, for the sake of satisfying reader interest, would", "entire journey is about shaking these shackles and becoming a better person. Everything", "shackles and becoming a better person. Everything strictly necessary for the story will", "for the story will be included; the outwardly animalistic and non-magical nature of", "or 'the Royal Electorate' as an entity that rules the kingdom the cult", "should stand on its own; any worldbuilding that is necessary for the plot", "therefore the protag) to be racist against them, the cult's racial hierarchy, how", "Dragons* has summaries of the Houses Frey, Florent, Hightower, and Velaryon, all houses", "to be racist against them, the cult's racial hierarchy, how magic works, the", "mage cult. Her understanding of the world is considerably limited, racist, and toxic;", "referenced, aren't strictly expanded upon, merely remarked upon as part of the world.", "the protagonist stabbed the heir of as part of her backstory) and Sandspark", "being crap at any remotely covert work due to killing a nobleman the", "as Godswater and Parakos, et cetera. My question is, for the sake of", "et cetera, et cetera. However, there's plenty of stuff which, while obliquely referenced,", "A Dance with Dragons has summaries of the Houses Frey, Florent, Hightower, and", "is an extensive, fully-realised world which has lots of little details which, if", "an area investigated by the cult), mentions of cities such as Godswater and", "of Sinhelios (the noble family who the protagonist stabbed the heir of as", "world I write in is an extensive, fully-realised world which has lots of", "Dance with Dragons* has summaries of the Houses Frey, Florent, Hightower, and Velaryon,", "inessential worldbuilding entities that's entirely optional for a reader to peruse? I think", "shaking these shackles and becoming a better person. Everything strictly necessary for the", "little bit of extra context. The story I'm writing covers a woman born", "them, the cult's racial hierarchy, how magic works, the protag's backstory of being", "of orcs that causes the protagonist's cult (and therefore the protag) to be", "upon, merely remarked upon as part of the world. 'The Crown' or 'the", "a mage cult. Her understanding of the world is considerably limited, racist, and", "for a reader to peruse? I think an analogous example would be how", "that causes the protagonist's cult (and therefore the protag) to be racist against", "protag's backstory of being crap at any remotely covert work due to killing", "part of the world. 'The Crown' or 'the Royal Electorate' as an entity", "extensive, fully-realised world which has lots of little details which, if taken note", "and Parakos, et cetera. My question is, for the sake of satisfying reader", "the outwardly animalistic and non-magical nature of orcs that causes the protagonist's cult", "sake of satisfying reader interest, would it be worthwhile writing an appendix summarising", "However, at the same time, the world I write in is an extensive,", "the first and only time she attempted it, et cetera, et cetera. However,", "any remotely covert work due to killing a nobleman the first and only", "cetera. My question is, for the sake of satisfying reader interest, would it", "taken note of, give the story a little bit of extra context. The", "function should be part of the story. However, at the same time, the", "backstory of being crap at any remotely covert work due to killing a", "same time, the world I write in is an extensive, fully-realised world which", "story I'm writing covers a woman born and raised in a mage cult.", "in a mage cult. Her understanding of the world is considerably limited, racist,", "works, the protag's backstory of being crap at any remotely covert work due", "of cities such as Godswater and Parakos, et cetera. My question is, for", "the Ground's Scar Mining Colony, an area investigated by the cult), mentions of", "satisfying reader interest, would it be worthwhile writing an appendix summarising certain inessential", "nature of orcs that causes the protagonist's cult (and therefore the protag) to", "and Velaryon, all houses that, while their specifics may become important later, aren't", "is necessary for the plot and story to function should be part of", "world which has lots of little details which, if taken note of, give", "upon as part of the world. 'The Crown' or 'the Royal Electorate' as", "woman born and raised in a mage cult. Her understanding of the world", "aren't particularly elaborated upon or are strictly necessary in the story thus far.", "cult), mentions of cities such as Godswater and Parakos, et cetera. My question", "and only time she attempted it, et cetera, et cetera. However, there's plenty", "is about shaking these shackles and becoming a better person. Everything strictly necessary", "her entire journey is about shaking these shackles and becoming a better person.", "better person. Everything strictly necessary for the story will be included; the outwardly", "Parakos, et cetera. My question is, for the sake of satisfying reader interest,", "cetera, et cetera. However, there's plenty of stuff which, while obliquely referenced, aren't", "Mining Colony, an area investigated by the cult), mentions of cities such as", "Sinhelios (the noble family who the protagonist stabbed the heir of as part", "(the noble family who the protagonist stabbed the heir of as part of", "such as Godswater and Parakos, et cetera. My question is, for the sake", "reader interest, would it be worthwhile writing an appendix summarising certain inessential worldbuilding", "writing covers a woman born and raised in a mage cult. Her understanding", "which, while obliquely referenced, aren't strictly expanded upon, merely remarked upon as part", "kingdom the cult is within, the Houses of Sinhelios (the noble family who", "stabbed the heir of as part of her backstory) and Sandspark (a goblinese", "she attempted it, et cetera, et cetera. However, there's plenty of stuff which,", "by the cult), mentions of cities such as Godswater and Parakos, et cetera.", "and story to function should be part of the story. However, at the", "Scar Mining Colony, an area investigated by the cult), mentions of cities such", "et cetera. However, there's plenty of stuff which, while obliquely referenced, aren't strictly", "covert work due to killing a nobleman the first and only time she", "Godswater and Parakos, et cetera. My question is, for the sake of satisfying", "story a little bit of extra context. The story I'm writing covers a", "expanded upon, merely remarked upon as part of the world. 'The Crown' or", "for the plot and story to function should be part of the story.", "within, the Houses of Sinhelios (the noble family who the protagonist stabbed the", "while obliquely referenced, aren't strictly expanded upon, merely remarked upon as part of", "that, while their specifics may become important later, aren't particularly elaborated upon or", "Houses Frey, Florent, Hightower, and Velaryon, all houses that, while their specifics may", "noble family who the protagonist stabbed the heir of as part of her", "the opinion that a story should stand on its own; any worldbuilding that", "part of her backstory) and Sandspark (a goblinese family mentioned as being liege", "cities such as Godswater and Parakos, et cetera. My question is, for the", "may become important later, aren't particularly elaborated upon or are strictly necessary in", "I write in is an extensive, fully-realised world which has lots of little", "question is, for the sake of satisfying reader interest, would it be worthwhile", "would be how George RR Martin does it in A Song of Ice", "if I recall correctly, A Dance with Dragons* has summaries of the Houses", "I think an analogous example would be how George RR Martin does it", "remarked upon as part of the world. 'The Crown' or 'the Royal Electorate'", "of, give the story a little bit of extra context. The story I'm", "toxic; her entire journey is about shaking these shackles and becoming a better", "strictly expanded upon, merely remarked upon as part of the world. 'The Crown'", "a nobleman the first and only time she attempted it, et cetera, et", "'The Crown' or 'the Royal Electorate' as an entity that rules the kingdom", "(and therefore the protag) to be racist against them, the cult's racial hierarchy,", "that rules the kingdom the cult is within, the Houses of Sinhelios (the", "limited, racist, and toxic; her entire journey is about shaking these shackles and", "worldbuilding entities that's entirely optional for a reader to peruse? I think an", "due to killing a nobleman the first and only time she attempted it,", "area investigated by the cult), mentions of cities such as Godswater and Parakos,", "only time she attempted it, et cetera, et cetera. However, there's plenty of", "at any remotely covert work due to killing a nobleman the first and", "Her understanding of the world is considerably limited, racist, and toxic; her entire", "Sandspark (a goblinese family mentioned as being liege lords of the Ground's Scar", "reader to peruse? I think an analogous example would be how George RR", "I'm writing covers a woman born and raised in a mage cult. Her", "recall correctly, A Dance with Dragons has summaries of the Houses Frey, Florent,", "later, aren't particularly elaborated upon or are strictly necessary in the story thus", "becoming a better person. Everything strictly necessary for the story will be included;" ]
[ "still dead. How can I do this without using cliches and boring the", "it. Everyone thinks he is still dead. How can I do this without", "nobody knows it. Everyone thinks he is still dead. How can I do", "knows it. Everyone thinks he is still dead. How can I do this", "who will die at the end of the first book. In the next", "thinks he is still dead. How can I do this without using cliches", "alive, but nobody knows it. Everyone thinks he is still dead. How can", "the next book he will be alive, but nobody knows it. Everyone thinks", "Everyone thinks he is still dead. How can I do this without using", "of the first book. In the next book he will be alive, but", "he will be alive, but nobody knows it. Everyone thinks he is still", "at the end of the first book. In the next book he will", "is still dead. How can I do this without using cliches and boring", "book he will be alive, but nobody knows it. Everyone thinks he is", "In the next book he will be alive, but nobody knows it. Everyone", "end of the first book. In the next book he will be alive,", "I have a main character who will die at the end of the", "the end of the first book. In the next book he will be", "first book. In the next book he will be alive, but nobody knows", "next book he will be alive, but nobody knows it. Everyone thinks he", "have a main character who will die at the end of the first", "but nobody knows it. Everyone thinks he is still dead. How can I", "main character who will die at the end of the first book. In", "So I have a main character who will die at the end of", "be alive, but nobody knows it. Everyone thinks he is still dead. How", "a main character who will die at the end of the first book.", "will die at the end of the first book. In the next book", "die at the end of the first book. In the next book he", "dead. How can I do this without using cliches and boring the reader?", "character who will die at the end of the first book. In the", "book. In the next book he will be alive, but nobody knows it.", "he is still dead. How can I do this without using cliches and", "will be alive, but nobody knows it. Everyone thinks he is still dead.", "the first book. In the next book he will be alive, but nobody" ]
[ "left. If I don't indent it, I end up with inconsistent indentation. Here's", "bulleted list that is then further indented](https://i.stack.imgur.com/cN9WO.png)](https://i.stack.imgur.com/cN9WO.png) > > > To me, this", "the rules are less clear. If I indent my list-introduction paragraph as a", "with a 1-2 sentence paragraph leading to the list. What indentation should that", "situations I've needed to introduce a bulleted list with a 1-2 sentence paragraph", "1-2 sentence paragraph leading to the list. What indentation should that introductory paragraph", "company where it'll be shared and used by a number of teams. Unfortunately,", "list with a 1-2 sentence paragraph leading to the list. What indentation should", "But with indented paragraphs, the rules are less clear. If I indent my", "indentation rules for bulleted lists as I frequently encounter this situation. In many", "Sentence leading up to the list: > > > * Item 1 >", "items in the list? If my paragraphs weren't intended, the rules seem straightforward", "To me, this looks like a bit of a mess, but I'm unsure", "teams. Unfortunately, we don't have any official standard style guide to follow, so", "* Item 1 > * Item 2 > > > But with indented", "my paragraphs weren't intended, the rules seem straightforward as no indentation is necessary.", "paragraphs in sequence. While I might ultimately revisit this decision, I'm still wondering", "list-introduction paragraph as a regular paragraph, I end up with a lot of", "to address it. Note that the introductory paragraph and the bulleted list have", "is then further indented](https://i.stack.imgur.com/cN9WO.png)](https://i.stack.imgur.com/cN9WO.png) > > > To me, this looks like a", "follow, so I've attempted to be as internally-consistent as possible. For indentation, I", "internally-consistent as possible. For indentation, I opted to go for paragraph indenting as", "the paragraph break is appropriate. What are the proper indentation rules around bulleted", "wondering about the indentation rules for bulleted lists as I frequently encounter this", "showing an indented one-line introduction to a bulleted list that is then further", "introduction to a bulleted list that is then further indented](https://i.stack.imgur.com/cN9WO.png)](https://i.stack.imgur.com/cN9WO.png) > > >", "opted to go for paragraph indenting as the majority of my paragraphs are", "whitespace on the left. If I don't indent it, I end up with", "looks like a bit of a mess, but I'm unsure how to address", "example from Word: > > [![Screenshot showing an indented one-line introduction to a", "have relative to the other paragraphs and to the bulleted items in the", "I feel the paragraph break is appropriate. What are the proper indentation rules", "that introductory paragraph have relative to the other paragraphs and to the bulleted", "I've needed to introduce a bulleted list with a 1-2 sentence paragraph leading", "long and some sections of my document have several such paragraphs in sequence.", "While I might ultimately revisit this decision, I'm still wondering about the indentation", "leading up to the list: > > > * Item 1 > ", "with indented paragraphs, the rules are less clear. If I indent my list-introduction", "number of teams. Unfortunately, we don't have any official standard style guide to", "lot of whitespace on the left. If I don't indent it, I end", "indentation. Here's an example from Word: > > [![Screenshot showing an indented one-line", "then further indented](https://i.stack.imgur.com/cN9WO.png)](https://i.stack.imgur.com/cN9WO.png) > > > To me, this looks like a bit", "indented paragraphs, the rules are less clear. If I indent my list-introduction paragraph", "of a mess, but I'm unsure how to address it. Note that the", "> > Item 1 > * Item 2 > > > But", "that is then further indented](https://i.stack.imgur.com/cN9WO.png)](https://i.stack.imgur.com/cN9WO.png) > > > To me, this looks like", "up with a lot of whitespace on the left. If I don't indent", "be shared and used by a number of teams. Unfortunately, we don't have", "paragraphs and to the bulleted items in the list? If my paragraphs weren't", "* Item 2 > > > But with indented paragraphs, the rules are", "be as internally-consistent as possible. For indentation, I opted to go for paragraph", "rules are less clear. If I indent my list-introduction paragraph as a regular", "one-line introduction to a bulleted list that is then further indented](https://i.stack.imgur.com/cN9WO.png)](https://i.stack.imgur.com/cN9WO.png) > >", "on the left. If I don't indent it, I end up with inconsistent", "me, this looks like a bit of a mess, but I'm unsure how", "it'll be shared and used by a number of teams. Unfortunately, we don't", "I'm unsure how to address it. Note that the introductory paragraph and the", "indent it, I end up with inconsistent indentation. Here's an example from Word:", "Item 2 > > > But with indented paragraphs, the rules are less", "situation. In many situations I've needed to introduce a bulleted list with a", "> > But with indented paragraphs, the rules are less clear. If I", "for my company where it'll be shared and used by a number of", "For indentation, I opted to go for paragraph indenting as the majority of", "paragraphs, the rules are less clear. If I indent my list-introduction paragraph as", "revisit this decision, I'm still wondering about the indentation rules for bulleted lists", "guide to follow, so I've attempted to be as internally-consistent as possible. For", "many situations I've needed to introduce a bulleted list with a 1-2 sentence", "the bulleted list have a separate focus, so I feel the paragraph break", "have any official standard style guide to follow, so I've attempted to be", "a lot of whitespace on the left. If I don't indent it, I", "Here's an example from Word: > > [![Screenshot showing an indented one-line introduction", "from Word: > > [![Screenshot showing an indented one-line introduction to a bulleted", "separate focus, so I feel the paragraph break is appropriate. What are the", "is necessary. > > Sentence leading up to the list: > > >", "focus, so I feel the paragraph break is appropriate. What are the proper", "sequence. While I might ultimately revisit this decision, I'm still wondering about the", "weren't intended, the rules seem straightforward as no indentation is necessary. > >", "my company where it'll be shared and used by a number of teams.", "a bit of a mess, but I'm unsure how to address it. Note", "style guide to follow, so I've attempted to be as internally-consistent as possible.", "and some sections of my document have several such paragraphs in sequence. While", "so I've attempted to be as internally-consistent as possible. For indentation, I opted", "up with inconsistent indentation. Here's an example from Word: > > [![Screenshot showing", "2 > > > But with indented paragraphs, the rules are less clear.", "list have a separate focus, so I feel the paragraph break is appropriate.", "go for paragraph indenting as the majority of my paragraphs are 4-6 lines", "have a separate focus, so I feel the paragraph break is appropriate. What", "to be as internally-consistent as possible. For indentation, I opted to go for", "with inconsistent indentation. Here's an example from Word: > > [![Screenshot showing an", "this situation. In many situations I've needed to introduce a bulleted list with", "regular paragraph, I end up with a lot of whitespace on the left.", "bit of a mess, but I'm unsure how to address it. Note that", "as a regular paragraph, I end up with a lot of whitespace on", "I'm writing a formal document for my company where it'll be shared and", "I indent my list-introduction paragraph as a regular paragraph, I end up with", "that the introductory paragraph and the bulleted list have a separate focus, so", "rules seem straightforward as no indentation is necessary. > > Sentence leading up", "as internally-consistent as possible. For indentation, I opted to go for paragraph indenting", "introduce a bulleted list with a 1-2 sentence paragraph leading to the list.", "indentation should that introductory paragraph have relative to the other paragraphs and to", "of whitespace on the left. If I don't indent it, I end up", "no indentation is necessary. > > Sentence leading up to the list: >", "decision, I'm still wondering about the indentation rules for bulleted lists as I", "necessary. > > Sentence leading up to the list: > > > ", "to the other paragraphs and to the bulleted items in the list? If", "a mess, but I'm unsure how to address it. Note that the introductory", "attempted to be as internally-consistent as possible. For indentation, I opted to go", "my list-introduction paragraph as a regular paragraph, I end up with a lot", "inconsistent indentation. Here's an example from Word: > > [![Screenshot showing an indented", "introductory paragraph have relative to the other paragraphs and to the bulleted items", "to the list. What indentation should that introductory paragraph have relative to the", "paragraph, I end up with a lot of whitespace on the left. If", "a separate focus, so I feel the paragraph break is appropriate. What are", "What indentation should that introductory paragraph have relative to the other paragraphs and", "list? If my paragraphs weren't intended, the rules seem straightforward as no indentation", "it, I end up with inconsistent indentation. Here's an example from Word: >", "but I'm unsure how to address it. Note that the introductory paragraph and", "about the indentation rules for bulleted lists as I frequently encounter this situation.", "a bulleted list that is then further indented](https://i.stack.imgur.com/cN9WO.png)](https://i.stack.imgur.com/cN9WO.png) > > > To me,", "mess, but I'm unsure how to address it. Note that the introductory paragraph", "I opted to go for paragraph indenting as the majority of my paragraphs", "the left. If I don't indent it, I end up with inconsistent indentation.", "I end up with a lot of whitespace on the left. If I", "the list. What indentation should that introductory paragraph have relative to the other", "indented](https://i.stack.imgur.com/cN9WO.png)](https://i.stack.imgur.com/cN9WO.png) > > > To me, this looks like a bit of a", "frequently encounter this situation. In many situations I've needed to introduce a bulleted", "it. Note that the introductory paragraph and the bulleted list have a separate", "in the list? If my paragraphs weren't intended, the rules seem straightforward as", "Item 1 > Item 2 > > > But with indented paragraphs,", "list: > > > * Item 1 > * Item 2 > >", "an example from Word: > > [![Screenshot showing an indented one-line introduction to", "> > [![Screenshot showing an indented one-line introduction to a bulleted list that", "> > > But with indented paragraphs, the rules are less clear. If", "to introduce a bulleted list with a 1-2 sentence paragraph leading to the", "formal document for my company where it'll be shared and used by a", "shared and used by a number of teams. Unfortunately, we don't have any", "indented one-line introduction to a bulleted list that is then further indented](https://i.stack.imgur.com/cN9WO.png)](https://i.stack.imgur.com/cN9WO.png) >", "for bulleted lists as I frequently encounter this situation. In many situations I've", "If my paragraphs weren't intended, the rules seem straightforward as no indentation is", "to a bulleted list that is then further indented](https://i.stack.imgur.com/cN9WO.png)](https://i.stack.imgur.com/cN9WO.png) > > > To", "by a number of teams. Unfortunately, we don't have any official standard style", "the list: > > > * Item 1 > * Item 2 >", "> * Item 1 > * Item 2 > > > But with", "a formal document for my company where it'll be shared and used by", "unsure how to address it. Note that the introductory paragraph and the bulleted", "paragraph and the bulleted list have a separate focus, so I feel the", "seem straightforward as no indentation is necessary. > > Sentence leading up to", "address it. Note that the introductory paragraph and the bulleted list have a", "should that introductory paragraph have relative to the other paragraphs and to the", "If I don't indent it, I end up with inconsistent indentation. Here's an", "list that is then further indented](https://i.stack.imgur.com/cN9WO.png)](https://i.stack.imgur.com/cN9WO.png) > > > To me, this looks", "of teams. Unfortunately, we don't have any official standard style guide to follow,", "paragraph break is appropriate. What are the proper indentation rules around bulleted lists?", "1 > * Item 2 > > > But with indented paragraphs, the", "majority of my paragraphs are 4-6 lines long and some sections of my", "Unfortunately, we don't have any official standard style guide to follow, so I've", "list. What indentation should that introductory paragraph have relative to the other paragraphs", "might ultimately revisit this decision, I'm still wondering about the indentation rules for", "as I frequently encounter this situation. In many situations I've needed to introduce", "paragraphs are 4-6 lines long and some sections of my document have several", "as the majority of my paragraphs are 4-6 lines long and some sections", "such paragraphs in sequence. While I might ultimately revisit this decision, I'm still", "document for my company where it'll be shared and used by a number", "bulleted items in the list? If my paragraphs weren't intended, the rules seem", "end up with a lot of whitespace on the left. If I don't", "needed to introduce a bulleted list with a 1-2 sentence paragraph leading to", "leading to the list. What indentation should that introductory paragraph have relative to", "paragraphs weren't intended, the rules seem straightforward as no indentation is necessary. >", "If I indent my list-introduction paragraph as a regular paragraph, I end up", "indenting as the majority of my paragraphs are 4-6 lines long and some", "standard style guide to follow, so I've attempted to be as internally-consistent as", "my document have several such paragraphs in sequence. While I might ultimately revisit", "indentation is necessary. > > Sentence leading up to the list: > >", "> To me, this looks like a bit of a mess, but I'm", "don't have any official standard style guide to follow, so I've attempted to", "I'm still wondering about the indentation rules for bulleted lists as I frequently", "as no indentation is necessary. > > Sentence leading up to the list:", "relative to the other paragraphs and to the bulleted items in the list?", "the rules seem straightforward as no indentation is necessary. > > Sentence leading", "paragraph as a regular paragraph, I end up with a lot of whitespace", "less clear. If I indent my list-introduction paragraph as a regular paragraph, I", "ultimately revisit this decision, I'm still wondering about the indentation rules for bulleted", "a bulleted list with a 1-2 sentence paragraph leading to the list. What", "paragraph have relative to the other paragraphs and to the bulleted items in", "bulleted lists as I frequently encounter this situation. In many situations I've needed", "straightforward as no indentation is necessary. > > Sentence leading up to the", "indentation, I opted to go for paragraph indenting as the majority of my", "> > > To me, this looks like a bit of a mess,", "how to address it. Note that the introductory paragraph and the bulleted list", "are 4-6 lines long and some sections of my document have several such", "this decision, I'm still wondering about the indentation rules for bulleted lists as", "the indentation rules for bulleted lists as I frequently encounter this situation. In", "the list? If my paragraphs weren't intended, the rules seem straightforward as no", "> * Item 2 > > > But with indented paragraphs, the rules", "an indented one-line introduction to a bulleted list that is then further indented](https://i.stack.imgur.com/cN9WO.png)](https://i.stack.imgur.com/cN9WO.png)", "encounter this situation. In many situations I've needed to introduce a bulleted list", "and the bulleted list have a separate focus, so I feel the paragraph", "several such paragraphs in sequence. While I might ultimately revisit this decision, I'm", "I might ultimately revisit this decision, I'm still wondering about the indentation rules", "> > > * Item 1 > * Item 2 > > >", "bulleted list have a separate focus, so I feel the paragraph break is", "feel the paragraph break is appropriate. What are the proper indentation rules around", "used by a number of teams. Unfortunately, we don't have any official standard", "to the list: > > > * Item 1 > * Item 2", "we don't have any official standard style guide to follow, so I've attempted", "sentence paragraph leading to the list. What indentation should that introductory paragraph have", "I've attempted to be as internally-consistent as possible. For indentation, I opted to", "the introductory paragraph and the bulleted list have a separate focus, so I", "possible. For indentation, I opted to go for paragraph indenting as the majority", "to go for paragraph indenting as the majority of my paragraphs are 4-6", "end up with inconsistent indentation. Here's an example from Word: > > [![Screenshot", "I end up with inconsistent indentation. Here's an example from Word: > >", "sections of my document have several such paragraphs in sequence. While I might", "4-6 lines long and some sections of my document have several such paragraphs", "with a lot of whitespace on the left. If I don't indent it,", "indent my list-introduction paragraph as a regular paragraph, I end up with a", "[![Screenshot showing an indented one-line introduction to a bulleted list that is then", "paragraph indenting as the majority of my paragraphs are 4-6 lines long and", "clear. If I indent my list-introduction paragraph as a regular paragraph, I end", "as possible. For indentation, I opted to go for paragraph indenting as the", "are less clear. If I indent my list-introduction paragraph as a regular paragraph,", "official standard style guide to follow, so I've attempted to be as internally-consistent", "have several such paragraphs in sequence. While I might ultimately revisit this decision,", "this looks like a bit of a mess, but I'm unsure how to", "like a bit of a mess, but I'm unsure how to address it.", "my paragraphs are 4-6 lines long and some sections of my document have", "some sections of my document have several such paragraphs in sequence. While I", "still wondering about the indentation rules for bulleted lists as I frequently encounter", "in sequence. While I might ultimately revisit this decision, I'm still wondering about", "paragraph leading to the list. What indentation should that introductory paragraph have relative", "document have several such paragraphs in sequence. While I might ultimately revisit this", "for paragraph indenting as the majority of my paragraphs are 4-6 lines long", "up to the list: > > > * Item 1 > * Item", "of my document have several such paragraphs in sequence. While I might ultimately", "a regular paragraph, I end up with a lot of whitespace on the", "Note that the introductory paragraph and the bulleted list have a separate focus,", "the bulleted items in the list? If my paragraphs weren't intended, the rules", "don't indent it, I end up with inconsistent indentation. Here's an example from", "of my paragraphs are 4-6 lines long and some sections of my document", "Word: > > [![Screenshot showing an indented one-line introduction to a bulleted list", "I frequently encounter this situation. In many situations I've needed to introduce a", "> > To me, this looks like a bit of a mess, but", "a 1-2 sentence paragraph leading to the list. What indentation should that introductory", "> Sentence leading up to the list: > > > * Item 1", "to follow, so I've attempted to be as internally-consistent as possible. For indentation,", "where it'll be shared and used by a number of teams. Unfortunately, we", "the other paragraphs and to the bulleted items in the list? If my", "lists as I frequently encounter this situation. In many situations I've needed to", "> But with indented paragraphs, the rules are less clear. If I indent", "bulleted list with a 1-2 sentence paragraph leading to the list. What indentation", "to the bulleted items in the list? If my paragraphs weren't intended, the", "and to the bulleted items in the list? If my paragraphs weren't intended,", "so I feel the paragraph break is appropriate. What are the proper indentation", "any official standard style guide to follow, so I've attempted to be as", "and used by a number of teams. Unfortunately, we don't have any official", "In many situations I've needed to introduce a bulleted list with a 1-2", "writing a formal document for my company where it'll be shared and used", "further indented](https://i.stack.imgur.com/cN9WO.png)](https://i.stack.imgur.com/cN9WO.png) > > > To me, this looks like a bit of", "a number of teams. Unfortunately, we don't have any official standard style guide", "> > Sentence leading up to the list: > > > * Item", "the majority of my paragraphs are 4-6 lines long and some sections of", "I don't indent it, I end up with inconsistent indentation. Here's an example", "> [![Screenshot showing an indented one-line introduction to a bulleted list that is", "lines long and some sections of my document have several such paragraphs in", "intended, the rules seem straightforward as no indentation is necessary. > > Sentence", "introductory paragraph and the bulleted list have a separate focus, so I feel", "other paragraphs and to the bulleted items in the list? If my paragraphs", "rules for bulleted lists as I frequently encounter this situation. In many situations" ]
[ "where should the interpretation be written? Should they be written in a footnote?", "how they should be interpreted? Often, movie scripts often only have dialogues and", "a view towards establishing all of the visual symbolisms and how they should", "How far would you go towards describing the camera work and the symbolisms", "very brief descriptions, but they don't describe how the camera should move nor", "these symbolisms should be interpreted. If you want to do so, how would", "the camera should move nor do they mention the symbolisms used and how", "a movie script with a view towards establishing all of the visual symbolisms", "do they mention the symbolisms used and how these symbolisms should be interpreted.", "mention the symbolisms used and how these symbolisms should be interpreted. If you", "often only have dialogues and some very brief descriptions, but they don't describe", "script? How far would you go towards describing the camera work and the", "don't describe how the camera should move nor do they mention the symbolisms", "and some very brief descriptions, but they don't describe how the camera should", "and how they should be interpreted? Often, movie scripts often only have dialogues", "interpreted. If you want to do so, how would you format the script?", "nor do they mention the symbolisms used and how these symbolisms should be", "do so, how would you format the script? How far would you go", "the visual symbolisms and how they should be interpreted? Often, movie scripts often", "the symbolisms used and how these symbolisms should be interpreted. If you want", "visual symbolisms and how they should be interpreted? Often, movie scripts often only", "they be written in a footnote? Is there a standard format for scripts", "script with a view towards establishing all of the visual symbolisms and how", "with a view towards establishing all of the visual symbolisms and how they", "all of the visual symbolisms and how they should be interpreted? Often, movie", "camera should move nor do they mention the symbolisms used and how these", "brief descriptions, but they don't describe how the camera should move nor do", "used and where should the interpretation be written? Should they be written in", "of the visual symbolisms and how they should be interpreted? Often, movie scripts", "movie script with a view towards establishing all of the visual symbolisms and", "be interpreted. If you want to do so, how would you format the", "you format the script? How far would you go towards describing the camera", "they mention the symbolisms used and how these symbolisms should be interpreted. If", "they don't describe how the camera should move nor do they mention the", "want to do so, how would you format the script? How far would", "have dialogues and some very brief descriptions, but they don't describe how the", "descriptions, but they don't describe how the camera should move nor do they", "symbolisms should be interpreted. If you want to do so, how would you", "would you go towards describing the camera work and the symbolisms used and", "describe how the camera should move nor do they mention the symbolisms used", "written in a footnote? Is there a standard format for scripts written like", "and how these symbolisms should be interpreted. If you want to do so,", "and where should the interpretation be written? Should they be written in a", "write a movie script with a view towards establishing all of the visual", "the script? How far would you go towards describing the camera work and", "go towards describing the camera work and the symbolisms used and where should", "camera work and the symbolisms used and where should the interpretation be written?", "should the interpretation be written? Should they be written in a footnote? Is", "should be interpreted. If you want to do so, how would you format", "you go towards describing the camera work and the symbolisms used and where", "some very brief descriptions, but they don't describe how the camera should move", "how these symbolisms should be interpreted. If you want to do so, how", "scripts often only have dialogues and some very brief descriptions, but they don't", "should move nor do they mention the symbolisms used and how these symbolisms", "you want to do so, how would you format the script? How far", "be interpreted? Often, movie scripts often only have dialogues and some very brief", "How do we write a movie script with a view towards establishing all", "written? Should they be written in a footnote? Is there a standard format", "view towards establishing all of the visual symbolisms and how they should be", "Should they be written in a footnote? Is there a standard format for", "we write a movie script with a view towards establishing all of the", "movie scripts often only have dialogues and some very brief descriptions, but they", "symbolisms used and how these symbolisms should be interpreted. If you want to", "to do so, how would you format the script? How far would you", "and the symbolisms used and where should the interpretation be written? Should they", "do we write a movie script with a view towards establishing all of", "establishing all of the visual symbolisms and how they should be interpreted? Often,", "dialogues and some very brief descriptions, but they don't describe how the camera", "interpreted? Often, movie scripts often only have dialogues and some very brief descriptions,", "how the camera should move nor do they mention the symbolisms used and", "be written in a footnote? Is there a standard format for scripts written", "work and the symbolisms used and where should the interpretation be written? Should", "would you format the script? How far would you go towards describing the", "they should be interpreted? Often, movie scripts often only have dialogues and some", "used and how these symbolisms should be interpreted. If you want to do", "should be interpreted? Often, movie scripts often only have dialogues and some very", "the symbolisms used and where should the interpretation be written? Should they be", "the interpretation be written? Should they be written in a footnote? Is there", "towards establishing all of the visual symbolisms and how they should be interpreted?", "format the script? How far would you go towards describing the camera work", "towards describing the camera work and the symbolisms used and where should the", "symbolisms used and where should the interpretation be written? Should they be written", "be written? Should they be written in a footnote? Is there a standard", "symbolisms and how they should be interpreted? Often, movie scripts often only have", "interpretation be written? Should they be written in a footnote? Is there a", "only have dialogues and some very brief descriptions, but they don't describe how", "move nor do they mention the symbolisms used and how these symbolisms should", "describing the camera work and the symbolisms used and where should the interpretation", "the camera work and the symbolisms used and where should the interpretation be", "far would you go towards describing the camera work and the symbolisms used", "If you want to do so, how would you format the script? How", "so, how would you format the script? How far would you go towards", "Often, movie scripts often only have dialogues and some very brief descriptions, but", "but they don't describe how the camera should move nor do they mention", "in a footnote? Is there a standard format for scripts written like this?", "how would you format the script? How far would you go towards describing" ]
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[ "given that readers will have gotten accustomed to hearing the inner thoughts of", "NOTE: I've seen this question asked when the POV is third but not", "in the novel I'm working on at the moment, I have two protagonists,", "working on at the moment, I have two protagonists, each with their own", "this it creates a sudden and jarring distance that I don't want (I", "that readers will have gotten accustomed to hearing the inner thoughts of the", "jarring distance that I don't want (I tried it with a chapter and", "and write the scene from her first person POV. But I'm wondering if", "POV. But I'm wondering if that's going to be jarring too, given that", "going to be jarring too, given that readers will have gotten accustomed to", "is third but not first. I write psychological thrillers that move quickly and", "I've seen this question asked when the POV is third but not first.", "asked when the POV is third but not first. I write psychological thrillers", "psychological thrillers that move quickly and focus heavily on what is going on", "feel right switching to third as this it creates a sudden and jarring", "and jarring distance that I don't want (I tried it with a chapter", "the stronger of the two protagonists and write the scene from her first", "in the mind of the protagonist. As such, I write in present tense,", "stronger of the two protagonists and write the scene from her first person", "that move quickly and focus heavily on what is going on in the", "own first person POV chapters. However, in a few chapters, they'll meet. It", "present tense, first person POV. This hasn't been a problem up till now.", "hearing the inner thoughts of the lesser protagonist. Any advice/tips/suggestions for how to", "the protagonist. As such, I write in present tense, first person POV. This", "POV chapters. However, in a few chapters, they'll meet. It doesn't feel right", "like reading a different book suddenly). I think the best option is to", "it creates a sudden and jarring distance that I don't want (I tried", "quickly and focus heavily on what is going on in the mind of", "each with their own first person POV chapters. However, in a few chapters,", "in a few chapters, they'll meet. It doesn't feel right switching to third", "first. I write psychological thrillers that move quickly and focus heavily on what", "first person POV chapters. However, in a few chapters, they'll meet. It doesn't", "I have two protagonists, each with their own first person POV chapters. However,", "heavily on what is going on in the mind of the protagonist. As", "now. But in the novel I'm working on at the moment, I have", "I don't want (I tried it with a chapter and it felt like", "accustomed to hearing the inner thoughts of the lesser protagonist. Any advice/tips/suggestions for", "to hearing the inner thoughts of the lesser protagonist. Any advice/tips/suggestions for how", "POV. This hasn't been a problem up till now. But in the novel", "to be jarring too, given that readers will have gotten accustomed to hearing", "third as this it creates a sudden and jarring distance that I don't", "the mind of the protagonist. As such, I write in present tense, first", "want (I tried it with a chapter and it felt like reading a", "mind of the protagonist. As such, I write in present tense, first person", "chapters. However, in a few chapters, they'll meet. It doesn't feel right switching", "the novel I'm working on at the moment, I have two protagonists, each", "that's going to be jarring too, given that readers will have gotten accustomed", "I'm wondering if that's going to be jarring too, given that readers will", "on in the mind of the protagonist. As such, I write in present", "the POV is third but not first. I write psychological thrillers that move", "they'll meet. It doesn't feel right switching to third as this it creates", "that I don't want (I tried it with a chapter and it felt", "I write psychological thrillers that move quickly and focus heavily on what is", "meet. It doesn't feel right switching to third as this it creates a", "a different book suddenly). I think the best option is to pick the", "two protagonists and write the scene from her first person POV. But I'm", "when the POV is third but not first. I write psychological thrillers that", "don't want (I tried it with a chapter and it felt like reading", "However, in a few chapters, they'll meet. It doesn't feel right switching to", "her first person POV. But I'm wondering if that's going to be jarring", "suddenly). I think the best option is to pick the stronger of the", "book suddenly). I think the best option is to pick the stronger of", "This hasn't been a problem up till now. But in the novel I'm", "their own first person POV chapters. However, in a few chapters, they'll meet.", "protagonists, each with their own first person POV chapters. However, in a few", "a sudden and jarring distance that I don't want (I tried it with", "of the protagonist. As such, I write in present tense, first person POV.", "been a problem up till now. But in the novel I'm working on", "first person POV. This hasn't been a problem up till now. But in", "novel I'm working on at the moment, I have two protagonists, each with", "have two protagonists, each with their own first person POV chapters. However, in", "tried it with a chapter and it felt like reading a different book", "the two protagonists and write the scene from her first person POV. But", "write the scene from her first person POV. But I'm wondering if that's", "problem up till now. But in the novel I'm working on at the", "third but not first. I write psychological thrillers that move quickly and focus", "protagonist. As such, I write in present tense, first person POV. This hasn't", "But I'm wondering if that's going to be jarring too, given that readers", "till now. But in the novel I'm working on at the moment, I", "sudden and jarring distance that I don't want (I tried it with a", "few chapters, they'll meet. It doesn't feel right switching to third as this", "inner thoughts of the lesser protagonist. Any advice/tips/suggestions for how to handle it?", "creates a sudden and jarring distance that I don't want (I tried it", "I'm working on at the moment, I have two protagonists, each with their", "scene from her first person POV. But I'm wondering if that's going to", "moment, I have two protagonists, each with their own first person POV chapters.", "the inner thoughts of the lesser protagonist. Any advice/tips/suggestions for how to handle", "will have gotten accustomed to hearing the inner thoughts of the lesser protagonist.", "too, given that readers will have gotten accustomed to hearing the inner thoughts", "such, I write in present tense, first person POV. This hasn't been a", "tense, first person POV. This hasn't been a problem up till now. But", "reading a different book suddenly). I think the best option is to pick", "at the moment, I have two protagonists, each with their own first person", "It doesn't feel right switching to third as this it creates a sudden", "on what is going on in the mind of the protagonist. As such,", "of the two protagonists and write the scene from her first person POV.", "I think the best option is to pick the stronger of the two", "a problem up till now. But in the novel I'm working on at", "if that's going to be jarring too, given that readers will have gotten", "person POV. But I'm wondering if that's going to be jarring too, given", "what is going on in the mind of the protagonist. As such, I", "a chapter and it felt like reading a different book suddenly). I think", "as this it creates a sudden and jarring distance that I don't want", "with their own first person POV chapters. However, in a few chapters, they'll", "going on in the mind of the protagonist. As such, I write in", "person POV. This hasn't been a problem up till now. But in the", "be jarring too, given that readers will have gotten accustomed to hearing the", "jarring too, given that readers will have gotten accustomed to hearing the inner", "this question asked when the POV is third but not first. I write", "not first. I write psychological thrillers that move quickly and focus heavily on", "is to pick the stronger of the two protagonists and write the scene", "chapters, they'll meet. It doesn't feel right switching to third as this it", "the best option is to pick the stronger of the two protagonists and", "wondering if that's going to be jarring too, given that readers will have", "best option is to pick the stronger of the two protagonists and write", "first person POV. But I'm wondering if that's going to be jarring too,", "option is to pick the stronger of the two protagonists and write the", "focus heavily on what is going on in the mind of the protagonist.", "and focus heavily on what is going on in the mind of the", "thrillers that move quickly and focus heavily on what is going on in", "But in the novel I'm working on at the moment, I have two", "I write in present tense, first person POV. This hasn't been a problem", "seen this question asked when the POV is third but not first. I", "the moment, I have two protagonists, each with their own first person POV", "from her first person POV. But I'm wondering if that's going to be", "but not first. I write psychological thrillers that move quickly and focus heavily", "the scene from her first person POV. But I'm wondering if that's going", "hasn't been a problem up till now. But in the novel I'm working", "switching to third as this it creates a sudden and jarring distance that", "question asked when the POV is third but not first. I write psychological", "felt like reading a different book suddenly). I think the best option is", "to pick the stronger of the two protagonists and write the scene from", "in present tense, first person POV. This hasn't been a problem up till", "chapter and it felt like reading a different book suddenly). I think the", "protagonists and write the scene from her first person POV. But I'm wondering", "on at the moment, I have two protagonists, each with their own first", "POV is third but not first. I write psychological thrillers that move quickly", "to third as this it creates a sudden and jarring distance that I", "pick the stronger of the two protagonists and write the scene from her", "it felt like reading a different book suddenly). I think the best option", "have gotten accustomed to hearing the inner thoughts of the lesser protagonist. Any", "As such, I write in present tense, first person POV. This hasn't been", "is going on in the mind of the protagonist. As such, I write", "with a chapter and it felt like reading a different book suddenly). I", "distance that I don't want (I tried it with a chapter and it", "right switching to third as this it creates a sudden and jarring distance", "move quickly and focus heavily on what is going on in the mind", "write in present tense, first person POV. This hasn't been a problem up", "person POV chapters. However, in a few chapters, they'll meet. It doesn't feel", "a few chapters, they'll meet. It doesn't feel right switching to third as", "gotten accustomed to hearing the inner thoughts of the lesser protagonist. Any advice/tips/suggestions", "and it felt like reading a different book suddenly). I think the best", "doesn't feel right switching to third as this it creates a sudden and", "readers will have gotten accustomed to hearing the inner thoughts of the lesser", "two protagonists, each with their own first person POV chapters. However, in a", "different book suddenly). I think the best option is to pick the stronger", "it with a chapter and it felt like reading a different book suddenly).", "(I tried it with a chapter and it felt like reading a different", "think the best option is to pick the stronger of the two protagonists", "write psychological thrillers that move quickly and focus heavily on what is going", "up till now. But in the novel I'm working on at the moment," ]
[ "an idea, have a hard time fleshing the idea out, and then lose", "read the story, is writing it still a good idea? Edit: The idea", "concept. The reason I don't think I'd want to read it is because", "the fact that I have interest in it as a writer. If I", "I have interest in it as a writer. If I wouldn't want to", "to me as a reader, despite the fact that I have interest in", "think I'd want to read it is because the fantasy genre doesn't tend", "story wouldn't appeal to me as a reader, despite the fact that I", "reason I don't think I'd want to read it is because the fantasy", "I struggle with forming full-fledged ideas. I'll come up with a snippet of", "come up with a snippet of an idea, have a hard time fleshing", "forming full-fledged ideas. I'll come up with a snippet of an idea, have", "an actual story concept. Sometimes, I'll begin forming an idea, and then realize", "idea? Edit: The idea in question is a fantasy concept. The reason I", "fantasy concept. The reason I don't think I'd want to read it is", "wouldn't appeal to me as a reader, despite the fact that I have", "and then realize that the story wouldn't appeal to me as a reader,", "a snippet of an idea, have a hard time fleshing the idea out,", "idea becomes an actual story concept. Sometimes, I'll begin forming an idea, and", "that the story wouldn't appeal to me as a reader, despite the fact", "a reader, despite the fact that I have interest in it as a", "to read the story, is writing it still a good idea? Edit: The", "the idea becomes an actual story concept. Sometimes, I'll begin forming an idea,", "fact that I have interest in it as a writer. If I wouldn't", "a writer. If I wouldn't want to read the story, is writing it", "have interest in it as a writer. If I wouldn't want to read", "out, and then lose interest before the idea becomes an actual story concept.", "idea, and then realize that the story wouldn't appeal to me as a", "still a good idea? Edit: The idea in question is a fantasy concept.", "it still a good idea? Edit: The idea in question is a fantasy", "I don't think I'd want to read it is because the fantasy genre", "full-fledged ideas. I'll come up with a snippet of an idea, have a", "in it as a writer. If I wouldn't want to read the story,", "fleshing the idea out, and then lose interest before the idea becomes an", "the story wouldn't appeal to me as a reader, despite the fact that", "wouldn't want to read the story, is writing it still a good idea?", "The reason I don't think I'd want to read it is because the", "is because the fantasy genre doesn't tend to appeal to me in literature.", "reader, despite the fact that I have interest in it as a writer.", "If I wouldn't want to read the story, is writing it still a", "don't think I'd want to read it is because the fantasy genre doesn't", "I'll begin forming an idea, and then realize that the story wouldn't appeal", "of an idea, have a hard time fleshing the idea out, and then", "question is a fantasy concept. The reason I don't think I'd want to", "a fantasy concept. The reason I don't think I'd want to read it", "good idea? Edit: The idea in question is a fantasy concept. The reason", "writer. If I wouldn't want to read the story, is writing it still", "as a writer. If I wouldn't want to read the story, is writing", "writing it still a good idea? Edit: The idea in question is a", "I wouldn't want to read the story, is writing it still a good", "the idea out, and then lose interest before the idea becomes an actual", "idea out, and then lose interest before the idea becomes an actual story", "concept. Sometimes, I'll begin forming an idea, and then realize that the story", "story concept. Sometimes, I'll begin forming an idea, and then realize that the", "snippet of an idea, have a hard time fleshing the idea out, and", "despite the fact that I have interest in it as a writer. If", "struggle with forming full-fledged ideas. I'll come up with a snippet of an", "idea, have a hard time fleshing the idea out, and then lose interest", "a good idea? Edit: The idea in question is a fantasy concept. The", "actual story concept. Sometimes, I'll begin forming an idea, and then realize that", "I'd want to read it is because the fantasy genre doesn't tend to", "and then lose interest before the idea becomes an actual story concept. Sometimes,", "becomes an actual story concept. Sometimes, I'll begin forming an idea, and then", "interest before the idea becomes an actual story concept. Sometimes, I'll begin forming", "realize that the story wouldn't appeal to me as a reader, despite the", "then realize that the story wouldn't appeal to me as a reader, despite", "it is because the fantasy genre doesn't tend to appeal to me in", "to read it is because the fantasy genre doesn't tend to appeal to", "read it is because the fantasy genre doesn't tend to appeal to me", "interest in it as a writer. If I wouldn't want to read the", "as a reader, despite the fact that I have interest in it as", "that I have interest in it as a writer. If I wouldn't want", "with forming full-fledged ideas. I'll come up with a snippet of an idea,", "up with a snippet of an idea, have a hard time fleshing the", "is writing it still a good idea? Edit: The idea in question is", "ideas. I'll come up with a snippet of an idea, have a hard", "The idea in question is a fantasy concept. The reason I don't think", "a hard time fleshing the idea out, and then lose interest before the", "an idea, and then realize that the story wouldn't appeal to me as", "me as a reader, despite the fact that I have interest in it", "the story, is writing it still a good idea? Edit: The idea in", "have a hard time fleshing the idea out, and then lose interest before", "in question is a fantasy concept. The reason I don't think I'd want", "with a snippet of an idea, have a hard time fleshing the idea", "I'll come up with a snippet of an idea, have a hard time", "before the idea becomes an actual story concept. Sometimes, I'll begin forming an", "want to read it is because the fantasy genre doesn't tend to appeal", "it as a writer. If I wouldn't want to read the story, is", "story, is writing it still a good idea? Edit: The idea in question", "Sometimes, I'll begin forming an idea, and then realize that the story wouldn't", "Edit: The idea in question is a fantasy concept. The reason I don't", "appeal to me as a reader, despite the fact that I have interest", "idea in question is a fantasy concept. The reason I don't think I'd", "then lose interest before the idea becomes an actual story concept. Sometimes, I'll", "hard time fleshing the idea out, and then lose interest before the idea", "begin forming an idea, and then realize that the story wouldn't appeal to", "time fleshing the idea out, and then lose interest before the idea becomes", "lose interest before the idea becomes an actual story concept. Sometimes, I'll begin", "want to read the story, is writing it still a good idea? Edit:", "is a fantasy concept. The reason I don't think I'd want to read", "forming an idea, and then realize that the story wouldn't appeal to me" ]
[ "have to speak to the reader and help them understand this culture. I", "into a terrible world and the reader comes away inspired. I wish I", "a woman. Women in the ancient world were abused and mistreated. Males slaves", "reader and help them understand this culture. I wish I could have the", "forced. This event is well known enough that people the most familiar with", "There are many stories (usually dystopian) where the MC is forced into a", "the first thing she did was to take the initiative to bring a", "life is childbearing. Sadly, women in ancient China had no sense of self-respect.", "Yet, I don't want to have to step in as the narrator and", "know from history that she never truly developed a sense of self-respect. After", "known enough that people the most familiar with China's history are sure to", "her parents about how good of a wife she's being by going the", "a historical figure who really did go into battle as a woman. Women", "requires me to significantly alter later historical events or end the story before", "for her husband. She even brags to her parents about how good of", "far society has progressed. Yet, I don't want to have to step in", "above this, we know from history that she never truly developed a sense", "mistress home for her husband. She even brags to her parents about how", "historical fiction which is set in ancient China. My MC is a historical", "struggling with how to turn this one around without breaking the rules of", "speak to the reader and help them understand this culture. I wish I", "all issues have been resolved. There are many stories (usually dystopian) where the", "developed a sense of self-respect. After she returned from battle, the first thing", "an unbiased narrator, the reader is likely to be shocked. I want to", "were abused and mistreated. Males slaves were often valued more highly than women.", "her husband's sexual appetite. Once she returns from battle and resumes her role", "the narrator and have to speak to the reader and help them understand", "I wish I could do that with this story. However, I'm really struggling", "significantly alter later historical events or end the story before all issues have", "could do that with this story. However, I'm really struggling with how to", "continue the story as an unbiased narrator, the reader is likely to be", "the most familiar with China's history are sure to notice its absence. Deleting", "were often valued more highly than women. Even though my MC managed to", "women in ancient China had no sense of self-respect. If I continue the", "the reader and help them understand this culture. I wish I could have", "childbearing. Sadly, women in ancient China had no sense of self-respect. If I", "are sure to notice its absence. Deleting this event requires me to significantly", "satisfy her husband's sexual appetite. Once she returns from battle and resumes her", "woman. Women in the ancient world were abused and mistreated. Males slaves were", "alter later historical events or end the story before all issues have been", "figure who really did go into battle as a woman. Women in the", "for the rest of her life is childbearing. Sadly, women in ancient China", "is childbearing. Sadly, women in ancient China had no sense of self-respect. If", "the story as an unbiased narrator, the reader is likely to be shocked.", "take the initiative to bring a mistress home for her husband. She even", "most familiar with China's history are sure to notice its absence. Deleting this", "of self-respect. If I continue the story as an unbiased narrator, the reader", "absence. Deleting this event requires me to significantly alter later historical events or", "dystopian) where the MC is forced into a terrible world and the reader", "terrible world and the reader comes away inspired. I wish I could do", "I could have the characters do this for me... but this was so", "to be shocked. I want to condemn these atrocities and help the modern", "them understand this culture. I wish I could have the characters do this", "brags to her parents about how good of a wife she's being by", "in ancient China had no sense of self-respect. If I continue the story", "This event is well known enough that people the most familiar with China's", "often valued more highly than women. Even though my MC managed to rise", "submissively concludes that her only role for the rest of her life is", "as a woman. Women in the ancient world were abused and mistreated. Males", "a wife, she submissively concludes that her only role for the rest of", "really did go into battle as a woman. Women in the ancient world", "discussed. Thus, any dialogue I could insert feels forced. This event is well", "concludes that her only role for the rest of her life is childbearing.", "its absence. Deleting this event requires me to significantly alter later historical events", "did was to take the initiative to bring a mistress home for her", "the reader comes away inspired. I wish I could do that with this", "that it was rarely discussed. Thus, any dialogue I could insert feels forced.", "in ancient China. My MC is a historical figure who really did go", "any dialogue I could insert feels forced. This event is well known enough", "culture. I wish I could have the characters do this for me... but", "valued more highly than women. Even though my MC managed to rise above", "to bring a mistress home for her husband. She even brags to her", "that she never truly developed a sense of self-respect. After she returned from", "battle as a woman. Women in the ancient world were abused and mistreated.", "(usually dystopian) where the MC is forced into a terrible world and the", "the story before all issues have been resolved. There are many stories (usually", "inspired. I wish I could do that with this story. However, I'm really", "by going the extra mile to satisfy her husband's sexual appetite. Once she", "event requires me to significantly alter later historical events or end the story", "ancient China had no sense of self-respect. If I continue the story as", "ancient world were abused and mistreated. Males slaves were often valued more highly", "only role for the rest of her life is childbearing. Sadly, women in", "self-respect. If I continue the story as an unbiased narrator, the reader is", "She even brags to her parents about how good of a wife she's", "Women in the ancient world were abused and mistreated. Males slaves were often", "being by going the extra mile to satisfy her husband's sexual appetite. Once", "into battle as a woman. Women in the ancient world were abused and", "understand this culture. 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If I continue the story as an unbiased narrator,", "is forced into a terrible world and the reader comes away inspired. I", "the MC is forced into a terrible world and the reader comes away", "me... but this was so commonplace that it was rarely discussed. Thus, any", "from history that she never truly developed a sense of self-respect. After she", "was so commonplace that it was rarely discussed. Thus, any dialogue I could", "in as the narrator and have to speak to the reader and help", "to the reader and help them understand this culture. I wish I could", "people the most familiar with China's history are sure to notice its absence.", "wish I could have the characters do this for me... but this was", "a sense of self-respect. After she returned from battle, the first thing she", "to her parents about how good of a wife she's being by going", "so commonplace that it was rarely discussed. Thus, any dialogue I could insert", "first thing she did was to take the initiative to bring a mistress", "returns from battle and resumes her role as a wife, she submissively concludes", "China's history are sure to notice its absence. Deleting this event requires me", "I'm really struggling with how to turn this one around without breaking the", "from battle and resumes her role as a wife, she submissively concludes that", "and mistreated. Males slaves were often valued more highly than women. Even though", "could have the characters do this for me... but this was so commonplace", "want to condemn these atrocities and help the modern reader understand how far", "are many stories (usually dystopian) where the MC is forced into a terrible", "historical figure who really did go into battle as a woman. Women in", "rest of her life is childbearing. Sadly, women in ancient China had no", "to have to step in as the narrator and have to speak to", "really struggling with how to turn this one around without breaking the rules", "later historical events or end the story before all issues have been resolved.", "and have to speak to the reader and help them understand this culture.", "notice its absence. Deleting this event requires me to significantly alter later historical", "as an unbiased narrator, the reader is likely to be shocked. I want", "I'm writing historical fiction which is set in ancient China. My MC is", "sense of self-respect. After she returned from battle, the first thing she did", "However, I'm really struggling with how to turn this one around without breaking", "I continue the story as an unbiased narrator, the reader is likely to", "help the modern reader understand how far society has progressed. Yet, I don't", "story before all issues have been resolved. There are many stories (usually dystopian)", "to take the initiative to bring a mistress home for her husband. She", "and the reader comes away inspired. I wish I could do that with", "she never truly developed a sense of self-respect. After she returned from battle,", "but this was so commonplace that it was rarely discussed. Thus, any dialogue", "away inspired. I wish I could do that with this story. However, I'm", "did go into battle as a woman. Women in the ancient world were", "insert feels forced. This event is well known enough that people the most", "husband. She even brags to her parents about how good of a wife", "of a wife she's being by going the extra mile to satisfy her", "she's being by going the extra mile to satisfy her husband's sexual appetite.", "enough that people the most familiar with China's history are sure to notice", "that people the most familiar with China's history are sure to notice its", "Thus, any dialogue I could insert feels forced. This event is well known", "issues have been resolved. There are many stories (usually dystopian) where the MC", "the extra mile to satisfy her husband's sexual appetite. Once she returns from", "who really did go into battle as a woman. Women in the ancient", "have been resolved. There are many stories (usually dystopian) where the MC is", "even brags to her parents about how good of a wife she's being", "though my MC managed to rise above this, we know from history that", "sense of self-respect. If I continue the story as an unbiased narrator, the", "many stories (usually dystopian) where the MC is forced into a terrible world", "abused and mistreated. Males slaves were often valued more highly than women. Even", "bring a mistress home for her husband. She even brags to her parents", "wife she's being by going the extra mile to satisfy her husband's sexual", "thing she did was to take the initiative to bring a mistress home", "world and the reader comes away inspired. I wish I could do that", "role for the rest of her life is childbearing. Sadly, women in ancient", "managed to rise above this, we know from history that she never truly", "MC is forced into a terrible world and the reader comes away inspired.", "her role as a wife, she submissively concludes that her only role for", "women. Even though my MC managed to rise above this, we know from", "of her life is childbearing. Sadly, women in ancient China had no sense", "her only role for the rest of her life is childbearing. Sadly, women", "battle, the first thing she did was to take the initiative to bring", "don't want to have to step in as the narrator and have to", "as a wife, she submissively concludes that her only role for the rest", "she submissively concludes that her only role for the rest of her life", "battle and resumes her role as a wife, she submissively concludes that her", "ancient China. My MC is a historical figure who really did go into", "do that with this story. However, I'm really struggling with how to turn", "Deleting this event requires me to significantly alter later historical events or end", "If I continue the story as an unbiased narrator, the reader is likely", "the reader is likely to be shocked. I want to condemn these atrocities", "event is well known enough that people the most familiar with China's history", "with China's history are sure to notice its absence. Deleting this event requires", "good of a wife she's being by going the extra mile to satisfy", "this, we know from history that she never truly developed a sense of", "I could do that with this story. However, I'm really struggling with how", "been resolved. There are many stories (usually dystopian) where the MC is forced", "the initiative to bring a mistress home for her husband. She even brags", "familiar with China's history are sure to notice its absence. Deleting this event", "how far society has progressed. Yet, I don't want to have to step", "condemn these atrocities and help the modern reader understand how far society has", "dialogue I could insert feels forced. This event is well known enough that", "was to take the initiative to bring a mistress home for her husband.", "it was rarely discussed. Thus, any dialogue I could insert feels forced. This", "Males slaves were often valued more highly than women. Even though my MC", "my MC managed to rise above this, we know from history that she", "she returned from battle, the first thing she did was to take the", "events or end the story before all issues have been resolved. There are", "how to turn this one around without breaking the rules of historical fiction.", "role as a wife, she submissively concludes that her only role for the", "of self-respect. After she returned from battle, the first thing she did was", "more highly than women. Even though my MC managed to rise above this,", "world were abused and mistreated. 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Deleting this event requires me to significantly alter", "understand how far society has progressed. Yet, I don't want to have to", "fiction which is set in ancient China. My MC is a historical figure", "where the MC is forced into a terrible world and the reader comes", "this story. However, I'm really struggling with how to turn this one around", "husband's sexual appetite. Once she returns from battle and resumes her role as", "step in as the narrator and have to speak to the reader and", "is a historical figure who really did go into battle as a woman.", "initiative to bring a mistress home for her husband. She even brags to", "I could insert feels forced. This event is well known enough that people", "the modern reader understand how far society has progressed. Yet, I don't want", "with how to turn this one around without breaking the rules of historical", "history are sure to notice its absence. Deleting this event requires me to", "is likely to be shocked. I want to condemn these atrocities and help", "than women. Even though my MC managed to rise above this, we know", "have the characters do this for me... but this was so commonplace that", "atrocities and help the modern reader understand how far society has progressed. Yet,", "reader is likely to be shocked. I want to condemn these atrocities and", "Once she returns from battle and resumes her role as a wife, she", "and resumes her role as a wife, she submissively concludes that her only", "do this for me... but this was so commonplace that it was rarely", "sexual appetite. Once she returns from battle and resumes her role as a", "a wife she's being by going the extra mile to satisfy her husband's", "narrator and have to speak to the reader and help them understand this", "feels forced. This event is well known enough that people the most familiar", "slaves were often valued more highly than women. Even though my MC managed", "to condemn these atrocities and help the modern reader understand how far society", "progressed. Yet, I don't want to have to step in as the narrator", "a terrible world and the reader comes away inspired. I wish I could", "set in ancient China. My MC is a historical figure who really did", "extra mile to satisfy her husband's sexual appetite. Once she returns from battle", "highly than women. Even though my MC managed to rise above this, we", "parents about how good of a wife she's being by going the extra", "story. However, I'm really struggling with how to turn this one around without", "history that she never truly developed a sense of self-respect. After she returned", "appetite. Once she returns from battle and resumes her role as a wife,", "and help them understand this culture. I wish I could have the characters", "wish I could do that with this story. However, I'm really struggling with", "that her only role for the rest of her life is childbearing. Sadly,", "want to have to step in as the narrator and have to speak", "me to significantly alter later historical events or end the story before all", "My MC is a historical figure who really did go into battle as", "was rarely discussed. Thus, any dialogue I could insert feels forced. This event", "this culture. I wish I could have the characters do this for me...", "is well known enough that people the most familiar with China's history are", "mile to satisfy her husband's sexual appetite. Once she returns from battle and", "as the narrator and have to speak to the reader and help them", "end the story before all issues have been resolved. There are many stories", "with this story. However, I'm really struggling with how to turn this one", "I don't want to have to step in as the narrator and have", "truly developed a sense of self-respect. After she returned from battle, the first", "we know from history that she never truly developed a sense of self-respect.", "to satisfy her husband's sexual appetite. Once she returns from battle and resumes", "to step in as the narrator and have to speak to the reader", "for me... but this was so commonplace that it was rarely discussed. Thus,", "could insert feels forced. This event is well known enough that people the", "the characters do this for me... but this was so commonplace that it", "help them understand this culture. I wish I could have the characters do", "After she returned from battle, the first thing she did was to take", "the rest of her life is childbearing. Sadly, women in ancient China had", "never truly developed a sense of self-respect. After she returned from battle, the", "China had no sense of self-respect. If I continue the story as an", "likely to be shocked. I want to condemn these atrocities and help the", "characters do this for me... but this was so commonplace that it was", "China. My MC is a historical figure who really did go into battle", "Sadly, women in ancient China had no sense of self-respect. If I continue", "that with this story. However, I'm really struggling with how to turn this", "her husband. She even brags to her parents about how good of a", "modern reader understand how far society has progressed. Yet, I don't want to", "she did was to take the initiative to bring a mistress home for", "is set in ancient China. My MC is a historical figure who really", "this was so commonplace that it was rarely discussed. Thus, any dialogue I", "commonplace that it was rarely discussed. Thus, any dialogue I could insert feels", "about how good of a wife she's being by going the extra mile", "wife, she submissively concludes that her only role for the rest of her", "rarely discussed. Thus, any dialogue I could insert feels forced. This event is", "Even though my MC managed to rise above this, we know from history", "rise above this, we know from history that she never truly developed a", "shocked. I want to condemn these atrocities and help the modern reader understand", "forced into a terrible world and the reader comes away inspired. I wish", "reader understand how far society has progressed. Yet, I don't want to have", "going the extra mile to satisfy her husband's sexual appetite. Once she returns", "home for her husband. She even brags to her parents about how good", "resolved. There are many stories (usually dystopian) where the MC is forced into", "these atrocities and help the modern reader understand how far society has progressed.", "and help the modern reader understand how far society has progressed. Yet, I", "in the ancient world were abused and mistreated. Males slaves were often valued", "unbiased narrator, the reader is likely to be shocked. I want to condemn", "MC managed to rise above this, we know from history that she never", "have to step in as the narrator and have to speak to the" ]
[ "also the enemy is a childlike, funny person who masks her deepest feeling", "mc). How can I make them both fall in love or attest mc", "same place so they end up fighting again and also the enemy is", "personality and always be angry towards mc (only to mc). How can I", "with her or at least his enemy fall in love with him without", "quest he met his enemy who also has these powers. They both end", "who masks her deepest feeling (sadness and isolation) and she hides this personality", "that they both were in the same city working in the same place", "down and escapes from there. Then he realizes that they both were in", "to mc). How can I make them both fall in love or attest", "both fall in love or attest mc fall in love with her or", "other and the mc slows her down and escapes from there. Then he", "in love with her or at least his enemy fall in love with", "hide and in one quest he met his enemy who also has these", "and isolation) and she hides this personality and always be angry towards mc", "always be angry towards mc (only to mc). How can I make them", "(only to mc). How can I make them both fall in love or", "make them both fall in love or attest mc fall in love with", "love with him without making the readers bored and also to avoid cliches?", "them both fall in love or attest mc fall in love with her", "they end up fighting again and also the enemy is a childlike, funny", "both end up fighting each other and the mc slows her down and", "How can I make them both fall in love or attest mc fall", "place so they end up fighting again and also the enemy is a", "They both end up fighting each other and the mc slows her down", "poses some strange shadow powers which he tries to hide and in one", "up fighting each other and the mc slows her down and escapes from", "or at least his enemy fall in love with him without making the", "her down and escapes from there. Then he realizes that they both were", "mc (only to mc). How can I make them both fall in love", "hides this personality and always be angry towards mc (only to mc). How", "has these powers. They both end up fighting each other and the mc", "a childlike, funny person who masks her deepest feeling (sadness and isolation) and", "to hide and in one quest he met his enemy who also has", "his enemy who also has these powers. They both end up fighting each", "each other and the mc slows her down and escapes from there. Then", "love with her or at least his enemy fall in love with him", "and in one quest he met his enemy who also has these powers.", "they both were in the same city working in the same place so", "and always be angry towards mc (only to mc). How can I make", "funny person who masks her deepest feeling (sadness and isolation) and she hides", "in the same place so they end up fighting again and also the", "in the same city working in the same place so they end up", "powers which he tries to hide and in one quest he met his", "fall in love or attest mc fall in love with her or at", "and the mc slows her down and escapes from there. Then he realizes", "the mc slows her down and escapes from there. Then he realizes that", "in one quest he met his enemy who also has these powers. They", "shadow powers which he tries to hide and in one quest he met", "tries to hide and in one quest he met his enemy who also", "fighting again and also the enemy is a childlike, funny person who masks", "so they end up fighting again and also the enemy is a childlike,", "towards mc (only to mc). How can I make them both fall in", "be angry towards mc (only to mc). How can I make them both", "powers. They both end up fighting each other and the mc slows her", "fall in love with her or at least his enemy fall in love", "end up fighting each other and the mc slows her down and escapes", "is a childlike, funny person who masks her deepest feeling (sadness and isolation)", "in love with him without making the readers bored and also to avoid", "I make them both fall in love or attest mc fall in love", "fighting each other and the mc slows her down and escapes from there.", "strange shadow powers which he tries to hide and in one quest he", "and she hides this personality and always be angry towards mc (only to", "both were in the same city working in the same place so they", "or attest mc fall in love with her or at least his enemy", "least his enemy fall in love with him without making the readers bored", "fall in love with him without making the readers bored and also to", "isolation) and she hides this personality and always be angry towards mc (only", "Then he realizes that they both were in the same city working in", "enemy who also has these powers. They both end up fighting each other", "person who masks her deepest feeling (sadness and isolation) and she hides this", "were in the same city working in the same place so they end", "masks her deepest feeling (sadness and isolation) and she hides this personality and", "escapes from there. Then he realizes that they both were in the same", "deepest feeling (sadness and isolation) and she hides this personality and always be", "one quest he met his enemy who also has these powers. They both", "enemy is a childlike, funny person who masks her deepest feeling (sadness and", "his enemy fall in love with him without making the readers bored and", "the same city working in the same place so they end up fighting", "her deepest feeling (sadness and isolation) and she hides this personality and always", "who also has these powers. They both end up fighting each other and", "mc slows her down and escapes from there. Then he realizes that they", "childlike, funny person who masks her deepest feeling (sadness and isolation) and she", "the enemy is a childlike, funny person who masks her deepest feeling (sadness", "can I make them both fall in love or attest mc fall in", "the same place so they end up fighting again and also the enemy", "angry towards mc (only to mc). How can I make them both fall", "feeling (sadness and isolation) and she hides this personality and always be angry", "mc poses some strange shadow powers which he tries to hide and in", "met his enemy who also has these powers. They both end up fighting", "and escapes from there. Then he realizes that they both were in the", "at least his enemy fall in love with him without making the readers", "attest mc fall in love with her or at least his enemy fall", "and also the enemy is a childlike, funny person who masks her deepest", "there. Then he realizes that they both were in the same city working", "end up fighting again and also the enemy is a childlike, funny person", "mc fall in love with her or at least his enemy fall in", "again and also the enemy is a childlike, funny person who masks her", "My mc poses some strange shadow powers which he tries to hide and", "which he tries to hide and in one quest he met his enemy", "working in the same place so they end up fighting again and also", "he met his enemy who also has these powers. They both end up", "love or attest mc fall in love with her or at least his", "also has these powers. They both end up fighting each other and the", "he tries to hide and in one quest he met his enemy who", "he realizes that they both were in the same city working in the", "same city working in the same place so they end up fighting again", "in love or attest mc fall in love with her or at least", "city working in the same place so they end up fighting again and", "her or at least his enemy fall in love with him without making", "from there. Then he realizes that they both were in the same city", "realizes that they both were in the same city working in the same", "up fighting again and also the enemy is a childlike, funny person who", "some strange shadow powers which he tries to hide and in one quest", "enemy fall in love with him without making the readers bored and also", "these powers. They both end up fighting each other and the mc slows", "(sadness and isolation) and she hides this personality and always be angry towards", "this personality and always be angry towards mc (only to mc). How can", "she hides this personality and always be angry towards mc (only to mc).", "slows her down and escapes from there. Then he realizes that they both" ]
[ "Potfeq’ and ‘Peryy Yiwfsan’, so I won’t come off as old fashioned. I", "I had the idea where I would name a female character ‘Violet Raine’", "also called allusions) to make his writing more meaningful, and to prove points", "the idea where I would name a female character ‘Violet Raine’ to come", "Victorian society. I am interested in the use of allusions which can be", "had the idea where I would name a female character ‘Violet Raine’ to", "day, such as in ‘Hijrp Potfeq’ and ‘Peryy Yiwfsan’, so I won’t come", "are still used to this day, such as in ‘Hijrp Potfeq’ and ‘Peryy", "used to this day, such as in ‘Hijrp Potfeq’ and ‘Peryy Yiwfsan’, so", "hidden in the text, I am trying to achieve the affect of the", "musician. Does this depend on how I use the characters, or what region", "the name to make it hidden in the text, I am trying to", "I use the characters, or what region I will eventually publish my work?", "the allusion in writing without looking into Christian stories, so I am unsure", "Raine’ to come off as a reference to the song ‘Purple Rain’ by", "similar to Thomas Hardy’s works, where he used techniques and Biblical references (they", "his writing more meaningful, and to prove points about Victorian society. I am", "of allusions which can be used intentionally. I think that Allusions are still", "and Biblical references (they were also called allusions) to make his writing more", "meaningful, and to prove points about Victorian society. I am interested in the", "the song ‘Purple Rain’ by Prince. I don’t want to break a copyright", "off as a reference to the song ‘Purple Rain’ by Prince. I don’t", "rule even though I changed the name to make it hidden in the", "make it hidden in the text, I am trying to achieve the affect", "my reference is to a real musician. Does this depend on how I", "to prove points about Victorian society. I am interested in the use of", "‘Peryy Yiwfsan’, so I won’t come off as old fashioned. I had the", "this is copyright as my reference is to a real musician. Does this", "into Christian stories, so I am unsure if this is copyright as my", "to make his writing more meaningful, and to prove points about Victorian society.", "to this day, such as in ‘Hijrp Potfeq’ and ‘Peryy Yiwfsan’, so I", "fashioned. I had the idea where I would name a female character ‘Violet", "a female character ‘Violet Raine’ to come off as a reference to the", "to make it hidden in the text, I am trying to achieve the", "allusions which can be used intentionally. I think that Allusions are still used", "Does this depend on how I use the characters, or what region I", "Thomas Hardy’s works, where he used techniques and Biblical references (they were also", "come off as a reference to the song ‘Purple Rain’ by Prince. I", "old fashioned. I had the idea where I would name a female character", "called allusions) to make his writing more meaningful, and to prove points about", "changed the name to make it hidden in the text, I am trying", "Yiwfsan’, so I won’t come off as old fashioned. I had the idea", "unsure if this is copyright as my reference is to a real musician.", "character ‘Violet Raine’ to come off as a reference to the song ‘Purple", "achieve the affect of the allusion in writing without looking into Christian stories,", "allusion in writing without looking into Christian stories, so I am unsure if", "writing more meaningful, and to prove points about Victorian society. I am interested", "techniques and Biblical references (they were also called allusions) to make his writing", "realistic fiction book similar to Thomas Hardy’s works, where he used techniques and", "to Thomas Hardy’s works, where he used techniques and Biblical references (they were", "idea where I would name a female character ‘Violet Raine’ to come off", "in writing without looking into Christian stories, so I am unsure if this", "writing without looking into Christian stories, so I am unsure if this is", "Prince. I don’t want to break a copyright rule even though I changed", "to achieve the affect of the allusion in writing without looking into Christian", "real musician. Does this depend on how I use the characters, or what", "copyright as my reference is to a real musician. Does this depend on", "I am unsure if this is copyright as my reference is to a", "intentionally. I think that Allusions are still used to this day, such as", "off as old fashioned. I had the idea where I would name a", "stories, so I am unsure if this is copyright as my reference is", "prove points about Victorian society. I am interested in the use of allusions", "a reference to the song ‘Purple Rain’ by Prince. I don’t want to", "don’t want to break a copyright rule even though I changed the name", "without looking into Christian stories, so I am unsure if this is copyright", "society. I am interested in the use of allusions which can be used", "were also called allusions) to make his writing more meaningful, and to prove", "am trying to achieve the affect of the allusion in writing without looking", "where he used techniques and Biblical references (they were also called allusions) to", "‘Hijrp Potfeq’ and ‘Peryy Yiwfsan’, so I won’t come off as old fashioned.", "used intentionally. I think that Allusions are still used to this day, such", "it hidden in the text, I am trying to achieve the affect of", "I won’t come off as old fashioned. I had the idea where I", "would name a female character ‘Violet Raine’ to come off as a reference", "‘Purple Rain’ by Prince. I don’t want to break a copyright rule even", "to the song ‘Purple Rain’ by Prince. I don’t want to break a", "to a real musician. Does this depend on how I use the characters,", "even though I changed the name to make it hidden in the text,", "allusions) to make his writing more meaningful, and to prove points about Victorian", "I changed the name to make it hidden in the text, I am", "looking into Christian stories, so I am unsure if this is copyright as", "he used techniques and Biblical references (they were also called allusions) to make", "that Allusions are still used to this day, such as in ‘Hijrp Potfeq’", "on how I use the characters, or what region I will eventually publish", "as a reference to the song ‘Purple Rain’ by Prince. I don’t want", "am unsure if this is copyright as my reference is to a real", "as my reference is to a real musician. Does this depend on how", "I am trying to achieve the affect of the allusion in writing without", "name a female character ‘Violet Raine’ to come off as a reference to", "such as in ‘Hijrp Potfeq’ and ‘Peryy Yiwfsan’, so I won’t come off", "though I changed the name to make it hidden in the text, I", "text, I am trying to achieve the affect of the allusion in writing", "trying to achieve the affect of the allusion in writing without looking into", "of the allusion in writing without looking into Christian stories, so I am", "be used intentionally. I think that Allusions are still used to this day,", "as in ‘Hijrp Potfeq’ and ‘Peryy Yiwfsan’, so I won’t come off as", "interested in the use of allusions which can be used intentionally. I think", "points about Victorian society. I am interested in the use of allusions which", "the use of allusions which can be used intentionally. I think that Allusions", "to write a realistic fiction book similar to Thomas Hardy’s works, where he", "want to write a realistic fiction book similar to Thomas Hardy’s works, where", "reference is to a real musician. Does this depend on how I use", "this depend on how I use the characters, or what region I will", "reference to the song ‘Purple Rain’ by Prince. I don’t want to break", "fiction book similar to Thomas Hardy’s works, where he used techniques and Biblical", "used techniques and Biblical references (they were also called allusions) to make his", "Hardy’s works, where he used techniques and Biblical references (they were also called", "depend on how I use the characters, or what region I will eventually", "affect of the allusion in writing without looking into Christian stories, so I", "name to make it hidden in the text, I am trying to achieve", "still used to this day, such as in ‘Hijrp Potfeq’ and ‘Peryy Yiwfsan’,", "won’t come off as old fashioned. I had the idea where I would", "references (they were also called allusions) to make his writing more meaningful, and", "in the text, I am trying to achieve the affect of the allusion", "Christian stories, so I am unsure if this is copyright as my reference", "write a realistic fiction book similar to Thomas Hardy’s works, where he used", "about Victorian society. I am interested in the use of allusions which can", "break a copyright rule even though I changed the name to make it", "so I am unsure if this is copyright as my reference is to", "book similar to Thomas Hardy’s works, where he used techniques and Biblical references", "think that Allusions are still used to this day, such as in ‘Hijrp", "can be used intentionally. I think that Allusions are still used to this", "song ‘Purple Rain’ by Prince. I don’t want to break a copyright rule", "a realistic fiction book similar to Thomas Hardy’s works, where he used techniques", "I am interested in the use of allusions which can be used intentionally.", "as old fashioned. I had the idea where I would name a female", "am interested in the use of allusions which can be used intentionally. I", "where I would name a female character ‘Violet Raine’ to come off as", "the affect of the allusion in writing without looking into Christian stories, so", "how I use the characters, or what region I will eventually publish my", "copyright rule even though I changed the name to make it hidden in", "I don’t want to break a copyright rule even though I changed the", "to break a copyright rule even though I changed the name to make", "more meaningful, and to prove points about Victorian society. I am interested in", "Allusions are still used to this day, such as in ‘Hijrp Potfeq’ and", "and ‘Peryy Yiwfsan’, so I won’t come off as old fashioned. I had", "and to prove points about Victorian society. I am interested in the use", "is to a real musician. Does this depend on how I use the", "which can be used intentionally. I think that Allusions are still used to", "want to break a copyright rule even though I changed the name to", "this day, such as in ‘Hijrp Potfeq’ and ‘Peryy Yiwfsan’, so I won’t", "make his writing more meaningful, and to prove points about Victorian society. I", "so I won’t come off as old fashioned. I had the idea where", "in the use of allusions which can be used intentionally. I think that", "I would name a female character ‘Violet Raine’ to come off as a", "a copyright rule even though I changed the name to make it hidden", "use of allusions which can be used intentionally. I think that Allusions are", "(they were also called allusions) to make his writing more meaningful, and to", "a real musician. Does this depend on how I use the characters, or", "come off as old fashioned. I had the idea where I would name", "to come off as a reference to the song ‘Purple Rain’ by Prince.", "is copyright as my reference is to a real musician. Does this depend", "in ‘Hijrp Potfeq’ and ‘Peryy Yiwfsan’, so I won’t come off as old", "female character ‘Violet Raine’ to come off as a reference to the song", "by Prince. I don’t want to break a copyright rule even though I", "works, where he used techniques and Biblical references (they were also called allusions)", "Rain’ by Prince. I don’t want to break a copyright rule even though", "I want to write a realistic fiction book similar to Thomas Hardy’s works,", "‘Violet Raine’ to come off as a reference to the song ‘Purple Rain’", "the text, I am trying to achieve the affect of the allusion in", "if this is copyright as my reference is to a real musician. Does", "Biblical references (they were also called allusions) to make his writing more meaningful,", "I think that Allusions are still used to this day, such as in" ]
[ "a character's name in the same story. I feel it can make it", "the story. Why do writers sometimes write the same character's name in different", "I feel it can make it harder to follow the story. Why do", "of a character's name in the same story. I feel it can make", "story. I feel it can make it harder to follow the story. Why", "multiple version of a character's name in the same story. I feel it", "the same story. I feel it can make it harder to follow the", "can make it harder to follow the story. Why do writers sometimes write", "same story. I feel it can make it harder to follow the story.", "name in the same story. I feel it can make it harder to", "story. Why do writers sometimes write the same character's name in different ways", "it harder to follow the story. Why do writers sometimes write the same", "in the same story. I feel it can make it harder to follow", "sometimes write the same character's name in different ways in their stories? e.g.", "make it harder to follow the story. Why do writers sometimes write the", "am having trouble understanding why authors use multiple version of a character's name", "write the same character's name in different ways in their stories? e.g. Sammy/Sam", "feel it can make it harder to follow the story. Why do writers", "trouble understanding why authors use multiple version of a character's name in the", "do writers sometimes write the same character's name in different ways in their", "Why do writers sometimes write the same character's name in different ways in", "understanding why authors use multiple version of a character's name in the same", "to follow the story. Why do writers sometimes write the same character's name", "character's name in the same story. I feel it can make it harder", "follow the story. Why do writers sometimes write the same character's name in", "version of a character's name in the same story. I feel it can", "authors use multiple version of a character's name in the same story. I", "why authors use multiple version of a character's name in the same story.", "it can make it harder to follow the story. Why do writers sometimes", "writers sometimes write the same character's name in different ways in their stories?", "having trouble understanding why authors use multiple version of a character's name in", "harder to follow the story. Why do writers sometimes write the same character's", "the same character's name in different ways in their stories? e.g. Sammy/Sam Sm.", "I am having trouble understanding why authors use multiple version of a character's", "use multiple version of a character's name in the same story. I feel" ]
[ "move the Inciting incident to the very beginning? * Inciting incident, * Exploring", "very well. However, I am uncertain about the exposition that I have been", "action to start. It occurred to me that I might begin [In Media", "Inciting incident, Exploring the \"New World\" (plus exposition in hindsight), * Committing", "course of action. Can it be effective instead to move the Inciting incident", "will fit a three-act structure very well. However, I am uncertain about the", "to the very beginning? * Inciting incident, * Exploring the \"New World\" (plus", "the events that got him into his current predicament. The structure I would", "I have a story in mind which I am confident will fit a", "Inciting incident to the very beginning? * Inciting incident, * Exploring the \"New", "that got him into his current predicament. The structure I would have followed", "of action. Can it be effective instead to move the Inciting incident to", "ponders the events that got him into his current predicament. The structure I", "might begin [In Media Res](https://en.wikipedia.org/wiki/In_medias_res) instead, and fill in the necessary exposition during", "a holding pattern waiting for the action to start. It occurred to me", "start. It occurred to me that I might begin [In Media Res](https://en.wikipedia.org/wiki/In_medias_res) instead,", "is in a holding pattern waiting for the action to start. It occurred", "necessary exposition during act one as the main character ponders the events that", "* Hesitation (refusing the call), * Committing to a course of action. Can", "moving the inciting incident in this way still compatible with the three-act structure?*", "the necessary exposition during act one as the main character ponders the events", "about the exposition that I have been writing, as it feels a bit", "in the necessary exposition during act one as the main character ponders the", "followed is: Exposition, * Inciting incident, * Hesitation (refusing the call), ", "character ponders the events that got him into his current predicament. The structure", "(refusing the call), Committing to a course of action. Can it be", "his current predicament. The structure I would have followed is: * Exposition, ", "would have followed is: Exposition, * Inciting incident, * Hesitation (refusing the", "It occurred to me that I might begin [In Media Res](https://en.wikipedia.org/wiki/In_medias_res) instead, and", "as though the character is in a holding pattern waiting for the action", "I might begin [In Media Res](https://en.wikipedia.org/wiki/In_medias_res) instead, and fill in the necessary exposition", "the very beginning? * Inciting incident, * Exploring the \"New World\" (plus exposition", "in mind which I am confident will fit a three-act structure very well.", "Committing to a course of action. *Is moving the inciting incident in this", "the call), Committing to a course of action. Can it be effective", "beginning? * Inciting incident, * Exploring the \"New World\" (plus exposition in hindsight),", "course of action. *Is moving the inciting incident in this way still compatible", "as it feels a bit stifled, almost as though the character is in", "holding pattern waiting for the action to start. It occurred to me that", "exposition in hindsight), Committing to a course of action. *Is moving the", "and fill in the necessary exposition during act one as the main character", "to a course of action. Can it be effective instead to move the", "confident will fit a three-act structure very well. However, I am uncertain about", "me that I might begin [In Media Res](https://en.wikipedia.org/wiki/In_medias_res) instead, and fill in the", "However, I am uncertain about the exposition that I have been writing, as", "The structure I would have followed is: Exposition, * Inciting incident, ", "bit stifled, almost as though the character is in a holding pattern waiting", "have been writing, as it feels a bit stifled, almost as though the", "I am uncertain about the exposition that I have been writing, as it", "story in mind which I am confident will fit a three-act structure very", "am confident will fit a three-act structure very well. However, I am uncertain", "to me that I might begin [In Media Res](https://en.wikipedia.org/wiki/In_medias_res) instead, and fill in", "though the character is in a holding pattern waiting for the action to", "Committing to a course of action. Can it be effective instead to move", "occurred to me that I might begin [In Media Res](https://en.wikipedia.org/wiki/In_medias_res) instead, and fill", "(plus exposition in hindsight), Committing to a course of action. *Is moving", "pattern waiting for the action to start. It occurred to me that I", "incident, Exploring the \"New World\" (plus exposition in hindsight), * Committing to", "action. *Is moving the inciting incident in this way still compatible with the", "well. However, I am uncertain about the exposition that I have been writing,", "Hesitation (refusing the call), Committing to a course of action. Can it", "action. Can it be effective instead to move the Inciting incident to the", "predicament. The structure I would have followed is: * Exposition, * Inciting incident,", "call), * Committing to a course of action. Can it be effective instead", "mind which I am confident will fit a three-act structure very well. However,", "during act one as the main character ponders the events that got him", "instead to move the Inciting incident to the very beginning? * Inciting incident,", "for the action to start. It occurred to me that I might begin", "in hindsight), * Committing to a course of action. *Is moving the inciting", "in a holding pattern waiting for the action to start. It occurred to", "is: Exposition, * Inciting incident, * Hesitation (refusing the call), * Committing", "which I am confident will fit a three-act structure very well. However, I", "almost as though the character is in a holding pattern waiting for the", "a course of action. *Is moving the inciting incident in this way still", "a three-act structure very well. However, I am uncertain about the exposition that", "him into his current predicament. The structure I would have followed is: ", "to move the Inciting incident to the very beginning? * Inciting incident, ", " Committing to a course of action. *Is moving the inciting incident in", "am uncertain about the exposition that I have been writing, as it feels", "I have been writing, as it feels a bit stifled, almost as though", "I am confident will fit a three-act structure very well. However, I am", "writing, as it feels a bit stifled, almost as though the character is", "have a story in mind which I am confident will fit a three-act", "incident to the very beginning? Inciting incident, * Exploring the \"New World\"", "Exploring the \"New World\" (plus exposition in hindsight), * Committing to a course", "to a course of action. *Is moving the inciting incident in this way", "events that got him into his current predicament. The structure I would have", "hindsight), Committing to a course of action. *Is moving the inciting incident", "got him into his current predicament. The structure I would have followed is:", "the action to start. It occurred to me that I might begin [In", "main character ponders the events that got him into his current predicament. The", "be effective instead to move the Inciting incident to the very beginning? ", "instead, and fill in the necessary exposition during act one as the main", "the main character ponders the events that got him into his current predicament.", "that I have been writing, as it feels a bit stifled, almost as", "it be effective instead to move the Inciting incident to the very beginning?", "World\" (plus exposition in hindsight), Committing to a course of action. *Is", "that I might begin [In Media Res](https://en.wikipedia.org/wiki/In_medias_res) instead, and fill in the necessary", "the exposition that I have been writing, as it feels a bit stifled,", "exposition that I have been writing, as it feels a bit stifled, almost", "current predicament. The structure I would have followed is: Exposition, * Inciting", "waiting for the action to start. It occurred to me that I might", "act one as the main character ponders the events that got him into", "structure very well. However, I am uncertain about the exposition that I have", "* Inciting incident, * Hesitation (refusing the call), * Committing to a course", "*Is moving the inciting incident in this way still compatible with the three-act", "as the main character ponders the events that got him into his current", "uncertain about the exposition that I have been writing, as it feels a", "[In Media Res](https://en.wikipedia.org/wiki/In_medias_res) instead, and fill in the necessary exposition during act one", " Exposition, * Inciting incident, * Hesitation (refusing the call), * Committing to", "the Inciting incident to the very beginning? * Inciting incident, * Exploring the", "one as the main character ponders the events that got him into his", "the character is in a holding pattern waiting for the action to start.", "fill in the necessary exposition during act one as the main character ponders", "very beginning? * Inciting incident, * Exploring the \"New World\" (plus exposition in", "* Inciting incident, * Exploring the \"New World\" (plus exposition in hindsight), ", "Inciting incident, Hesitation (refusing the call), * Committing to a course of", "Media Res](https://en.wikipedia.org/wiki/In_medias_res) instead, and fill in the necessary exposition during act one as", "Res](https://en.wikipedia.org/wiki/In_medias_res) instead, and fill in the necessary exposition during act one as the", "structure I would have followed is: * Exposition, * Inciting incident, * Hesitation", "have followed is: * Exposition, * Inciting incident, * Hesitation (refusing the call),", "Exposition, * Inciting incident, * Hesitation (refusing the call), * Committing to a", "a course of action. Can it be effective instead to move the Inciting", "\"New World\" (plus exposition in hindsight), * Committing to a course of action.", "* Committing to a course of action. Can it be effective instead to", "three-act structure very well. However, I am uncertain about the exposition that I", "Can it be effective instead to move the Inciting incident to the very", "been writing, as it feels a bit stifled, almost as though the character", "a bit stifled, almost as though the character is in a holding pattern", "stifled, almost as though the character is in a holding pattern waiting for", "a story in mind which I am confident will fit a three-act structure", "the \"New World\" (plus exposition in hindsight), * Committing to a course of", "to start. It occurred to me that I might begin [In Media Res](https://en.wikipedia.org/wiki/In_medias_res)", "I would have followed is: * Exposition, * Inciting incident, * Hesitation (refusing", "incident, * Hesitation (refusing the call), * Committing to a course of action.", "into his current predicament. The structure I would have followed is: * Exposition,", "begin [In Media Res](https://en.wikipedia.org/wiki/In_medias_res) instead, and fill in the necessary exposition during act", "character is in a holding pattern waiting for the action to start. It", "* Exploring the \"New World\" (plus exposition in hindsight), * Committing to a", "fit a three-act structure very well. However, I am uncertain about the exposition", "feels a bit stifled, almost as though the character is in a holding", "effective instead to move the Inciting incident to the very beginning? * Inciting", "of action. **Is moving the inciting incident in this way still compatible with", "it feels a bit stifled, almost as though the character is in a", "exposition during act one as the main character ponders the events that got" ]
[ "places and guides saying \"if it's not advancing the story and can be", "example, there are two characters who have 5 dates. I can probably write", "write them in 5 pages one after the other, but since the next", "to B, it feels more like a summary rather than a story. For", "in 5 pages one after the other, but since the next thing that", "happens is the death of one of those characters, it doesn't have any", "one of those characters, it doesn't have any weight and to the reader", "thing that happens is the death of one of those characters, it doesn't", "to the reader it seems like all of them happened in a weekend.", "seems like all of them happened in a weekend. Should I add filler", "a story. For example, there are two characters who have 5 dates. I", "be removed without affecting it, then it shouldn't be there\". The problem is", "weight and to the reader it seems like all of them happened in", "and to the reader it seems like all of them happened in a", "in a weekend. Should I add filler for this part of the story?", "is that if I just go jumping from point A to B, it", "or summary of my story. I have read many places and guides saying", "with the \"skeleton\" or summary of my story. I have read many places", "of those characters, it doesn't have any weight and to the reader it", "summary of my story. I have read many places and guides saying \"if", "of them happened in a weekend. Should I add filler for this part", "I just go jumping from point A to B, it feels more like", "without affecting it, then it shouldn't be there\". The problem is that if", "B, it feels more like a summary rather than a story. For example,", "death of one of those characters, it doesn't have any weight and to", "not advancing the story and can be removed without affecting it, then it", "next thing that happens is the death of one of those characters, it", "After a couple iterations I came up with the \"skeleton\" or summary of", "characters who have 5 dates. I can probably write them in 5 pages", "iterations I came up with the \"skeleton\" or summary of my story. I", "two characters who have 5 dates. I can probably write them in 5", "be there\". The problem is that if I just go jumping from point", "a summary rather than a story. For example, there are two characters who", "the next thing that happens is the death of one of those characters,", "the reader it seems like all of them happened in a weekend. Should", "but since the next thing that happens is the death of one of", "it, then it shouldn't be there\". The problem is that if I just", "the death of one of those characters, it doesn't have any weight and", "many places and guides saying \"if it's not advancing the story and can", "doesn't have any weight and to the reader it seems like all of", "have any weight and to the reader it seems like all of them", "5 dates. I can probably write them in 5 pages one after the", "of my story. I have read many places and guides saying \"if it's", "characters, it doesn't have any weight and to the reader it seems like", "story and can be removed without affecting it, then it shouldn't be there\".", "who have 5 dates. I can probably write them in 5 pages one", "it shouldn't be there\". The problem is that if I just go jumping", "are two characters who have 5 dates. I can probably write them in", "one after the other, but since the next thing that happens is the", "since the next thing that happens is the death of one of those", "like all of them happened in a weekend. Should I add filler for", "it doesn't have any weight and to the reader it seems like all", "A to B, it feels more like a summary rather than a story.", "have read many places and guides saying \"if it's not advancing the story", "happened in a weekend. Should I add filler for this part of the", "summary rather than a story. For example, there are two characters who have", "those characters, it doesn't have any weight and to the reader it seems", "saying \"if it's not advancing the story and can be removed without affecting", "\"if it's not advancing the story and can be removed without affecting it,", "the story and can be removed without affecting it, then it shouldn't be", "and can be removed without affecting it, then it shouldn't be there\". The", "removed without affecting it, then it shouldn't be there\". The problem is that", "problem is that if I just go jumping from point A to B,", "came up with the \"skeleton\" or summary of my story. I have read", "rather than a story. For example, there are two characters who have 5", "after the other, but since the next thing that happens is the death", "from point A to B, it feels more like a summary rather than", "them in 5 pages one after the other, but since the next thing", "them happened in a weekend. Should I add filler for this part of", "advancing the story and can be removed without affecting it, then it shouldn't", "other, but since the next thing that happens is the death of one", "shouldn't be there\". The problem is that if I just go jumping from", "story. For example, there are two characters who have 5 dates. I can", "and guides saying \"if it's not advancing the story and can be removed", "the \"skeleton\" or summary of my story. I have read many places and", "the other, but since the next thing that happens is the death of", "feels more like a summary rather than a story. For example, there are", "that if I just go jumping from point A to B, it feels", "there are two characters who have 5 dates. I can probably write them", "I can probably write them in 5 pages one after the other, but", "can probably write them in 5 pages one after the other, but since", "jumping from point A to B, it feels more like a summary rather", "probably write them in 5 pages one after the other, but since the", "pages one after the other, but since the next thing that happens is", "of one of those characters, it doesn't have any weight and to the", "read many places and guides saying \"if it's not advancing the story and", "go jumping from point A to B, it feels more like a summary", "more like a summary rather than a story. For example, there are two", "if I just go jumping from point A to B, it feels more", "like a summary rather than a story. For example, there are two characters", "5 pages one after the other, but since the next thing that happens", "I have read many places and guides saying \"if it's not advancing the", "it feels more like a summary rather than a story. For example, there", "dates. I can probably write them in 5 pages one after the other,", "all of them happened in a weekend. Should I add filler for this", "\"skeleton\" or summary of my story. I have read many places and guides", "have 5 dates. I can probably write them in 5 pages one after", "guides saying \"if it's not advancing the story and can be removed without", "a couple iterations I came up with the \"skeleton\" or summary of my", "I came up with the \"skeleton\" or summary of my story. I have", "it's not advancing the story and can be removed without affecting it, then", "there\". The problem is that if I just go jumping from point A", "can be removed without affecting it, then it shouldn't be there\". The problem", "that happens is the death of one of those characters, it doesn't have", "my story. I have read many places and guides saying \"if it's not", "just go jumping from point A to B, it feels more like a", "then it shouldn't be there\". The problem is that if I just go", "point A to B, it feels more like a summary rather than a", "The problem is that if I just go jumping from point A to", "For example, there are two characters who have 5 dates. I can probably", "affecting it, then it shouldn't be there\". The problem is that if I", "any weight and to the reader it seems like all of them happened", "than a story. For example, there are two characters who have 5 dates.", "it seems like all of them happened in a weekend. Should I add", "couple iterations I came up with the \"skeleton\" or summary of my story.", "story. I have read many places and guides saying \"if it's not advancing", "reader it seems like all of them happened in a weekend. Should I", "is the death of one of those characters, it doesn't have any weight", "up with the \"skeleton\" or summary of my story. I have read many" ]
[ "Ideally, I would be glad to see any examples of this. Thank you", "word “sparkling” being used as a diminutive of “spark” in a poem? Although", "you react if you saw the word “sparkling” being used as a diminutive", "the word “sparkling” being used as a diminutive of “spark” in a poem?", "used as a diminutive of “spark” in a poem? Although poetry does allow", "a non-native speaker I wonder if it sounds awkward. Ideally, I would be", "potentially unlimited flexibility, as a non-native speaker I wonder if it sounds awkward.", "you saw the word “sparkling” being used as a diminutive of “spark” in", "I wonder if it sounds awkward. Ideally, I would be glad to see", "a poem? Although poetry does allow for potentially unlimited flexibility, as a non-native", "allow for potentially unlimited flexibility, as a non-native speaker I wonder if it", "Although poetry does allow for potentially unlimited flexibility, as a non-native speaker I", "being used as a diminutive of “spark” in a poem? Although poetry does", "wonder if it sounds awkward. Ideally, I would be glad to see any", "sounds awkward. Ideally, I would be glad to see any examples of this.", "diminutive of “spark” in a poem? Although poetry does allow for potentially unlimited", "does allow for potentially unlimited flexibility, as a non-native speaker I wonder if", "non-native speaker I wonder if it sounds awkward. Ideally, I would be glad", "“sparkling” being used as a diminutive of “spark” in a poem? Although poetry", "as a diminutive of “spark” in a poem? Although poetry does allow for", "would you react if you saw the word “sparkling” being used as a", "saw the word “sparkling” being used as a diminutive of “spark” in a", "poetry does allow for potentially unlimited flexibility, as a non-native speaker I wonder", "it sounds awkward. Ideally, I would be glad to see any examples of", "if you saw the word “sparkling” being used as a diminutive of “spark”", "“spark” in a poem? Although poetry does allow for potentially unlimited flexibility, as", "if it sounds awkward. Ideally, I would be glad to see any examples", "unlimited flexibility, as a non-native speaker I wonder if it sounds awkward. Ideally,", "flexibility, as a non-native speaker I wonder if it sounds awkward. Ideally, I", "in a poem? Although poetry does allow for potentially unlimited flexibility, as a", "as a non-native speaker I wonder if it sounds awkward. Ideally, I would", "speaker I wonder if it sounds awkward. Ideally, I would be glad to", "awkward. Ideally, I would be glad to see any examples of this. Thank", "react if you saw the word “sparkling” being used as a diminutive of", "of “spark” in a poem? Although poetry does allow for potentially unlimited flexibility,", "poem? Although poetry does allow for potentially unlimited flexibility, as a non-native speaker", "How would you react if you saw the word “sparkling” being used as", "for potentially unlimited flexibility, as a non-native speaker I wonder if it sounds", "a diminutive of “spark” in a poem? Although poetry does allow for potentially" ]
[ "new types of flora, fauna, or may encounter hazards or have accidents, taking", "that doesn't feel rushed? These pieces of texts are at most two paragraphs", "no pre-defined back story in these cases, but the characters explore many different", "events in a way that doesn't feel rushed? These pieces of texts are", "way that doesn't feel rushed? These pieces of texts are at most two", "game. The limitation is that I have to get through a discovery, the", "flora, fauna, or may encounter hazards or have accidents, taking place in a", "a way that doesn't feel rushed? These pieces of texts are at most", "these cases, but the characters explore many different locations (deserts, jungles, tundra) and", "response to that in a very short time, otherwise the players may lose", "different locations (deserts, jungles, tundra) and potentially discover new types of flora, fauna,", "at most two paragraphs long. There is no pre-defined back story in these", "many different locations (deserts, jungles, tundra) and potentially discover new types of flora,", "driven video game. The limitation is that I have to get through a", "project where I write events for a story driven video game. The limitation", "any techniques I can employ which will make my writing more gripping, memorable", "these events in a way that doesn't feel rushed? These pieces of texts", "cases, but the characters explore many different locations (deserts, jungles, tundra) and potentially", "techniques I can employ which will make my writing more gripping, memorable and", "make my writing more gripping, memorable and personal to the players experiencing these", "otherwise the players may lose interest from having to read too much. Are", "more gripping, memorable and personal to the players experiencing these events in a", "gripping, memorable and personal to the players experiencing these events in a way", "is no pre-defined back story in these cases, but the characters explore many", "can employ which will make my writing more gripping, memorable and personal to", "are at most two paragraphs long. There is no pre-defined back story in", "will make my writing more gripping, memorable and personal to the players experiencing", "to read too much. Are there any techniques I can employ which will", "in a way that doesn't feel rushed? These pieces of texts are at", "to that in a very short time, otherwise the players may lose interest", "from having to read too much. Are there any techniques I can employ", "types of flora, fauna, or may encounter hazards or have accidents, taking place", "the characters explore many different locations (deserts, jungles, tundra) and potentially discover new", "read too much. Are there any techniques I can employ which will make", "get through a discovery, the consequence and the character's response to that in", "story driven video game. The limitation is that I have to get through", "through a discovery, the consequence and the character's response to that in a", "employ which will make my writing more gripping, memorable and personal to the", "having to read too much. Are there any techniques I can employ which", "tundra) and potentially discover new types of flora, fauna, or may encounter hazards", "a project where I write events for a story driven video game. The", "and the character's response to that in a very short time, otherwise the", "I write events for a story driven video game. The limitation is that", "that in a very short time, otherwise the players may lose interest from", "jungles, tundra) and potentially discover new types of flora, fauna, or may encounter", "I have to get through a discovery, the consequence and the character's response", "players experiencing these events in a way that doesn't feel rushed? These pieces", "Are there any techniques I can employ which will make my writing more", "lose interest from having to read too much. Are there any techniques I", "there any techniques I can employ which will make my writing more gripping,", "long. There is no pre-defined back story in these cases, but the characters", "or may encounter hazards or have accidents, taking place in a sci-fi setting.", "pre-defined back story in these cases, but the characters explore many different locations", "characters explore many different locations (deserts, jungles, tundra) and potentially discover new types", "working on a project where I write events for a story driven video", "the players may lose interest from having to read too much. Are there", "story in these cases, but the characters explore many different locations (deserts, jungles,", "a story driven video game. The limitation is that I have to get", "that I have to get through a discovery, the consequence and the character's", "may lose interest from having to read too much. Are there any techniques", "a very short time, otherwise the players may lose interest from having to", "the players experiencing these events in a way that doesn't feel rushed? These", "the character's response to that in a very short time, otherwise the players", "discover new types of flora, fauna, or may encounter hazards or have accidents,", "to get through a discovery, the consequence and the character's response to that", "feel rushed? These pieces of texts are at most two paragraphs long. There", "rushed? These pieces of texts are at most two paragraphs long. There is", "but the characters explore many different locations (deserts, jungles, tundra) and potentially discover", "discovery, the consequence and the character's response to that in a very short", "where I write events for a story driven video game. The limitation is", "in a very short time, otherwise the players may lose interest from having", "most two paragraphs long. There is no pre-defined back story in these cases,", "too much. Are there any techniques I can employ which will make my", "video game. The limitation is that I have to get through a discovery,", "to the players experiencing these events in a way that doesn't feel rushed?", "is that I have to get through a discovery, the consequence and the", "I'm currently working on a project where I write events for a story", "consequence and the character's response to that in a very short time, otherwise", "and potentially discover new types of flora, fauna, or may encounter hazards or", "texts are at most two paragraphs long. There is no pre-defined back story", "much. Are there any techniques I can employ which will make my writing", "writing more gripping, memorable and personal to the players experiencing these events in", "memorable and personal to the players experiencing these events in a way that", "short time, otherwise the players may lose interest from having to read too", "for a story driven video game. The limitation is that I have to", "doesn't feel rushed? These pieces of texts are at most two paragraphs long.", "of texts are at most two paragraphs long. There is no pre-defined back", "There is no pre-defined back story in these cases, but the characters explore", "character's response to that in a very short time, otherwise the players may", "players may lose interest from having to read too much. Are there any", "fauna, or may encounter hazards or have accidents, taking place in a sci-fi", "currently working on a project where I write events for a story driven", "in these cases, but the characters explore many different locations (deserts, jungles, tundra)", "and personal to the players experiencing these events in a way that doesn't", "These pieces of texts are at most two paragraphs long. There is no", "have to get through a discovery, the consequence and the character's response to", "back story in these cases, but the characters explore many different locations (deserts,", "my writing more gripping, memorable and personal to the players experiencing these events", "potentially discover new types of flora, fauna, or may encounter hazards or have", "write events for a story driven video game. The limitation is that I", "personal to the players experiencing these events in a way that doesn't feel", "on a project where I write events for a story driven video game.", "which will make my writing more gripping, memorable and personal to the players", "two paragraphs long. There is no pre-defined back story in these cases, but", "limitation is that I have to get through a discovery, the consequence and", "time, otherwise the players may lose interest from having to read too much.", "a discovery, the consequence and the character's response to that in a very", "paragraphs long. There is no pre-defined back story in these cases, but the", "locations (deserts, jungles, tundra) and potentially discover new types of flora, fauna, or", "explore many different locations (deserts, jungles, tundra) and potentially discover new types of", "interest from having to read too much. Are there any techniques I can", "I can employ which will make my writing more gripping, memorable and personal", "events for a story driven video game. The limitation is that I have", "experiencing these events in a way that doesn't feel rushed? These pieces of", "The limitation is that I have to get through a discovery, the consequence", "the consequence and the character's response to that in a very short time,", "of flora, fauna, or may encounter hazards or have accidents, taking place in", "(deserts, jungles, tundra) and potentially discover new types of flora, fauna, or may", "pieces of texts are at most two paragraphs long. There is no pre-defined", "very short time, otherwise the players may lose interest from having to read" ]
[ "its time, waiting for revenge. How can I convince my readers that that's", "For the story it is very important that it was defeated, and things", "I can use to convince at least most of my readers of something", "a fantasy story in which there once was a very powerful evil divine", "convince at least most of my readers of something that I tell them?*", "readers astray in order to surprise them with a \"hey guess what, he", "I come up with sounds like a diversion - as if I was", "and things would be really bad if it was still alive somewhere, biding", "with sounds like a diversion - as if I was deliberately leading the", "evil divine being, but it was defeated long before the beginning of the", "waiting for revenge. How can I convince my readers that that's really, really", "as if I was deliberately leading the readers astray in order to surprise", "that does not use a clichéd plot. I know the clichés so well", "know the clichés so well that I expect them all the time, and", "sounding as if I'm doing the opposite - building them up. So this", "deliberately leading the readers astray in order to surprise them with a \"hey", "not just about the example, although that example is relevant to me. What", "that example is relevant to me. What are the tools I can use", "order to surprise them with a \"hey guess what, he was* still alive", "would be really bad if it was still alive somewhere, biding its time,", "dead! I have this feeling often if I attempt to write something that", "just about the example, although that example is relevant to me. What are", "attempt to write something that does not use a clichéd plot. I know", "is relevant to me. What are the tools I can use to convince", "clichés so well that I expect them all the time, and cannot avoid", "very important that it was defeated, and things would be really bad if", "dead evil gods that they're not really dead! I have this feeling often", "is that every idea I come up with sounds like a diversion -", "convince my readers that that's really, really not going to happen? My problem", "to me. What are the tools I can use to convince at least", "idea of dead evil gods that they're not really dead! I have this", "alive after all!\" It's just so ingrained in the idea of dead evil", "to convince at least most of my readers of something that I tell", "plot. I know the clichés so well that I expect them all the", "a very powerful evil divine being, but it was defeated long before the", "them all the time, and cannot avoid them without sounding as if I'm", "the opposite - building them up. So this is not just about the", "it was defeated, and things would be really bad if it was still", "What are the tools I can use to convince at least most of", "of dead evil gods that they're not really dead! I have this feeling", "and cannot avoid them without sounding as if I'm doing the opposite -", "is very important that it was defeated, and things would be really bad", "astray in order to surprise them with a \"hey guess what, he was", "being, but it was defeated long before the beginning of the story. For", "biding its time, waiting for revenge. How can I convince my readers that", "use a clichéd plot. I know the clichés so well that I expect", "I'm doing the opposite - building them up. So this is not just", "he was still alive after all!\" It's just so ingrained in the idea", "the story. For the story it is very important that it was defeated,", "really dead! I have this feeling often if I attempt to write something", "story in which there once was a very powerful evil divine being, but", "gods that they're not really dead! I have this feeling often if I", "still alive after all!\" It's just so ingrained in the idea of dead", "feeling often if I attempt to write something that does not use a", "I know the clichés so well that I expect them all the time,", "opposite - building them up. So this is not just about the example,", "them up. So this is not just about the example, although that example", "can I convince my readers that that's really, really not going to happen?", "My problem is that every idea I come up with sounds like a", "like a diversion - as if I was deliberately leading the readers astray", "things would be really bad if it was still alive somewhere, biding its", "was still alive somewhere, biding its time, waiting for revenge. How can I", "time, waiting for revenge. How can I convince my readers that that's really,", "it was defeated long before the beginning of the story. For the story", "me. What are the tools I can use to convince at least most", "the time, and cannot avoid them without sounding as if I'm doing the", "was deliberately leading the readers astray in order to surprise them with a", "was a very powerful evil divine being, but it was defeated long before", "for revenge. How can I convince my readers that that's really, really* not", "example, although that example is relevant to me. *What are the tools I", "all the time, and cannot avoid them without sounding as if I'm doing", "really not going to happen? My problem is that every idea I come", "was defeated, and things would be really bad if it was still alive", "building them up. So this is not just about the example, although that", "I convince my readers that that's really, really not going to happen? My", "so well that I expect them all the time, and cannot avoid them", "that I expect them all the time, and cannot avoid them without sounding", "with a \"hey guess what, he was still alive after all!\" It's just", "is not just about the example, although that example is relevant to me.", "powerful evil divine being, but it was defeated long before the beginning of", "was defeated long before the beginning of the story. For the story it", "guess what, he was still alive after all!\" It's just so ingrained in", "ingrained in the idea of dead evil gods that they're not really dead!", "So this is not just about the example, although that example is relevant", "my readers that that's really, really not going to happen? My problem is", "defeated, and things would be really bad if it was still alive somewhere,", "if I was deliberately leading the readers astray in order to surprise them", "the tools I can use to convince at least most of my readers", "beginning of the story. For the story it is very important that it", "diversion - as if I was deliberately leading the readers astray in order", "before the beginning of the story. For the story it is very important", "can use to convince at least most of my readers of something that", "really, really not going to happen? My problem is that every idea I", "often if I attempt to write something that does not use a clichéd", "use to convince at least most of my readers of something that I", "to write something that does not use a clichéd plot. I know the", "they're not really dead! I have this feeling often if I attempt to", "if I attempt to write something that does not use a clichéd plot.", "doing the opposite - building them up. So this is not just about", "example is relevant to me. *What are the tools I can use to", "\"hey guess what, he was* still alive after all!\" It's just so ingrained", "sounds like a diversion - as if I was deliberately leading the readers", "expect them all the time, and cannot avoid them without sounding as if", "of the story. For the story it is very important that it was", "every idea I come up with sounds like a diversion - as if", "all!\" It's just so ingrained in the idea of dead evil gods that", "have this feeling often if I attempt to write something that does not", "clichéd plot. I know the clichés so well that I expect them all", "although that example is relevant to me. *What are the tools I can", "what, he was* still alive after all!\" It's just so ingrained in the", "that it was defeated, and things would be really bad if it was", "well that I expect them all the time, and cannot avoid them without", "which there once was a very powerful evil divine being, but it was", "alive somewhere, biding its time, waiting for revenge. How can I convince my", "write something that does not use a clichéd plot. I know the clichés", "be really bad if it was still alive somewhere, biding its time, waiting", "there once was a very powerful evil divine being, but it was defeated", "it is very important that it was defeated, and things would be really", "- as if I was deliberately leading the readers astray in order to", "if I'm doing the opposite - building them up. So this is not", "are the tools I can use to convince at least most of my", "evil gods that they're not really dead! I have this feeling often if", "come up with sounds like a diversion - as if I was deliberately", "about the example, although that example is relevant to me. *What are the", "surprise them with a \"hey guess what, he was* still alive after all!\"", "tools I can use to convince at least most of my readers of", "bad if it was still alive somewhere, biding its time, waiting for revenge.", "time, and cannot avoid them without sounding as if I'm doing the opposite", "the idea of dead evil gods that they're not really dead! I have", "long before the beginning of the story. For the story it is very", "as if I'm doing the opposite - building them up. So this is", "the clichés so well that I expect them all the time, and cannot", "this feeling often if I attempt to write something that does not use", "I have this feeling often if I attempt to write something that does", "after all!\" It's just so ingrained in the idea of dead evil gods", "I was deliberately leading the readers astray in order to surprise them with", "once was a very powerful evil divine being, but it was defeated long", "in which there once was a very powerful evil divine being, but it", "to surprise them with a \"hey guess what, he was still alive after", "still alive somewhere, biding its time, waiting for revenge. How can I convince", "that's really, really not going to happen? My problem is that every idea", "idea I come up with sounds like a diversion - as if I", "a \"hey guess what, he was still alive after all!\" It's just so", "divine being, but it was defeated long before the beginning of the story.", "if it was still alive somewhere, biding its time, waiting for revenge. How", "going to happen? My problem is that every idea I come up with", "up. So this is not just about the example, although that example is", "that every idea I come up with sounds like a diversion - as", "to happen? My problem is that every idea I come up with sounds", "readers that that's really, really not going to happen? My problem is that", "cannot avoid them without sounding as if I'm doing the opposite - building", "very powerful evil divine being, but it was defeated long before the beginning", "the readers astray in order to surprise them with a \"hey guess what,", "but it was defeated long before the beginning of the story. For the", "I expect them all the time, and cannot avoid them without sounding as", "so ingrained in the idea of dead evil gods that they're not really", "them with a \"hey guess what, he was still alive after all!\" It's", "- building them up. So this is not just about the example, although", "it was still alive somewhere, biding its time, waiting for revenge. How can", "a diversion - as if I was deliberately leading the readers astray in", "does not use a clichéd plot. I know the clichés so well that", "was still alive after all!\" It's just so ingrained in the idea of", "leading the readers astray in order to surprise them with a \"hey guess", "How can I convince my readers that that's really, really not going to", "the beginning of the story. For the story it is very important that", "the story it is very important that it was defeated, and things would", "something that does not use a clichéd plot. I know the clichés so", "happen? My problem is that every idea I come up with sounds like", "the example, although that example is relevant to me. *What are the tools", "really bad if it was still alive somewhere, biding its time, waiting for", "important that it was defeated, and things would be really bad if it", "defeated long before the beginning of the story. For the story it is", "them without sounding as if I'm doing the opposite - building them up.", "not going to happen? My problem is that every idea I come up", "fantasy story in which there once was a very powerful evil divine being,", "in order to surprise them with a \"hey guess what, he was* still", "problem is that every idea I come up with sounds like a diversion", "story. For the story it is very important that it was defeated, and", "I attempt to write something that does not use a clichéd plot. I", "that they're not really dead! I have this feeling often if I attempt", "up with sounds like a diversion - as if I was deliberately leading", "relevant to me. *What are the tools I can use to convince at", "a clichéd plot. I know the clichés so well that I expect them", "without sounding as if I'm doing the opposite - building them up. So", "not use a clichéd plot. I know the clichés so well that I", "story it is very important that it was defeated, and things would be", "It's just so ingrained in the idea of dead evil gods that they're", "avoid them without sounding as if I'm doing the opposite - building them", "this is not just about the example, although that example is relevant to", "that that's really, really* not going to happen? My problem is that every", "in the idea of dead evil gods that they're not really dead! I", "just so ingrained in the idea of dead evil gods that they're not", "Imagine a fantasy story in which there once was a very powerful evil", "not really dead! I have this feeling often if I attempt to write", "somewhere, biding its time, waiting for revenge. How can I convince my readers", "revenge. How can I convince my readers that that's really, really not going" ]
[ "my book? If not what sort of permission would I have to obtain?", "sort of permission would I have to obtain? The album covers are not", "in my book? If not what sort of permission would I have to", "of permission would I have to obtain? The album covers are not in", "book? If not what sort of permission would I have to obtain? The", "If not what sort of permission would I have to obtain? The album", "what sort of permission would I have to obtain? The album covers are", "(album covers) in my book? If not what sort of permission would I", "covers) in my book? If not what sort of permission would I have", "would I have to obtain? The album covers are not in the public", "Am I allowed to use art (album covers) in my book? If not", "not what sort of permission would I have to obtain? The album covers", "I allowed to use art (album covers) in my book? If not what", "permission would I have to obtain? The album covers are not in the", "art (album covers) in my book? If not what sort of permission would", "I have to obtain? The album covers are not in the public domain.", "use art (album covers) in my book? If not what sort of permission", "allowed to use art (album covers) in my book? If not what sort", "to use art (album covers) in my book? If not what sort of" ]
[ "that time the question is almost an afterthought; not only is this answer", "The movie has gotten many criticisms, and one of them is that this", "she finds the answer-- that he's been dead all along-- but by that", "get in the way and she herself will have a noticeable arc. And", "be what makes the story interesting. But I worry that such a straightforward", "makes the story interesting. But I worry that such a straightforward answer might", "something the reader probably already assumed, it hardly matters to my character either", "following basic plot: * At the start, my main character's motivating question is", "this answer something the reader probably already assumed, it hardly matters to my", "he's been dead all along-- but by that time the question is almost", "problems and motivations get in the way and slowly push aside the find-her-brother", "get in the way and slowly push aside the find-her-brother quest. * At", "many criticisms, and one of them is that this reveal felt unsatisfying. But", "as an analogy.) I guess my underlying question is, can payoff-that-isn't actually work?", "motivations get in the way and slowly push aside the find-her-brother quest. ", "to my character either way anymore. This question will not drive very many", "dead all along-- but by that time the question is almost an afterthought;", "noticeable arc. And my hope is that watching her arc will be what", "and slowly push aside the find-her-brother quest. At the end, she finds", "And my hope is that watching her arc will be what makes the", "the story interesting. But I worry that such a straightforward answer might leave", "because other plot elements will get in the way and she herself will", "expected some sort of narrative payoff. The closest analogy I can think of", "I worry that such a straightforward answer might leave readers disappointed, having expected", "plot: * At the start, my main character's motivating question is \"Where is", "question is \"Where is my brother?\" * As the story progresses, other problems", "maybe it doesn't work as an analogy.) I guess my underlying question is,", "money. > > > The movie has gotten many criticisms, and one of", "here, and if I am then maybe it doesn't work as an analogy.)", "narrative payoff. The closest analogy I can think of is Star Wars: The", "Last Jedi, with the reveal that Rey's parents are > > nobody special,", "the answer-- that he's been dead all along-- but by that time the", "answer-- that he's been dead all along-- but by that time the question", "the way and slowly push aside the find-her-brother quest. * At the end,", "anymore. This question will not drive very many of her decisions, because other", "question will not drive very many of her decisions, because other plot elements", "find-her-brother quest. * At the end, she finds the answer-- that he's been", "her decisions, because other plot elements will get in the way and she", "unsatisfying. But by that point in the story, the idea of finding her", "seem to be driving many of Rey's decisions anyway. (I mean I could", "driving many of Rey's decisions anyway. (I mean I could be wrong here,", "basic plot: * At the start, my main character's motivating question is \"Where", "question is almost an afterthought; not only is this answer something the reader", "At the start, my main character's motivating question is \"Where is my brother?\"", "other problems and motivations get in the way and slowly push aside the", "quest. * At the end, she finds the answer-- that he's been dead", "that Rey's parents are > > nobody special, and sold her for drug", "my hope is that watching her arc will be what makes the story", "developing a story with the following basic plot: * At the start, my", "parents are > > nobody special, and sold her for drug money. >", "progresses, other problems and motivations get in the way and slowly push aside", "the story, the idea of finding her parents didn't seem to be driving", "is my brother?\" * As the story progresses, other problems and motivations get", "\"Where is my brother?\" * As the story progresses, other problems and motivations", "As the story progresses, other problems and motivations get in the way and", "hardly matters to my character either way anymore. This question will not drive", "what makes the story interesting. But I worry that such a straightforward answer", "my main character's motivating question is \"Where is my brother?\" * As the", "an afterthought; not only is this answer something the reader probably already assumed,", "matters to my character either way anymore. This question will not drive very", "might leave readers disappointed, having expected some sort of narrative payoff. The closest", "> > The movie has gotten many criticisms, and one of them is", "elements will get in the way and she herself will have a noticeable", "will get in the way and she herself will have a noticeable arc.", "for drug money. > > > The movie has gotten many criticisms, and", "readers disappointed, having expected some sort of narrative payoff. The closest analogy I", "that this reveal felt unsatisfying. But by that point in the story, the", "it hardly matters to my character either way anymore. This question will not", "not drive very many of her decisions, because other plot elements will get", "arc. And my hope is that watching her arc will be what makes", "Rey's parents are > > nobody special, and sold her for drug money.", "is that this reveal felt unsatisfying. But by that point in the story,", "could be wrong here, and if I am then maybe it doesn't work", "end, she finds the answer-- that he's been dead all along-- but by", "other plot elements will get in the way and she herself will have", "my brother?\" * As the story progresses, other problems and motivations get in", "her arc will be what makes the story interesting. But I worry that", "have a noticeable arc. And my hope is that watching her arc will", "idea of finding her parents didn't seem to be driving many of Rey's", "drug money. > > > The movie has gotten many criticisms, and one", "* As the story progresses, other problems and motivations get in the way", "my character either way anymore. This question will not drive very many of", "has gotten many criticisms, and one of them is that this reveal felt", "I can think of is Star Wars: The Last Jedi, with the reveal", "herself will have a noticeable arc. And my hope is that watching her", "that such a straightforward answer might leave readers disappointed, having expected some sort", "start, my main character's motivating question is \"Where is my brother?\" * As", "finding her parents didn't seem to be driving many of Rey's decisions anyway.", "that he's been dead all along-- but by that time the question is", "reader probably already assumed, it hardly matters to my character either way anymore.", "the idea of finding her parents didn't seem to be driving many of", "way and she herself will have a noticeable arc. And my hope is", "of narrative payoff. The closest analogy I can think of is Star Wars:", "a noticeable arc. And my hope is that watching her arc will be", "by that time the question is almost an afterthought; not only is this", "a story with the following basic plot: At the start, my main", "the reader probably already assumed, it hardly matters to my character either way", "the question is almost an afterthought; not only is this answer something the", "Wars: The Last Jedi,* with the reveal that Rey's parents are > >", "along-- but by that time the question is almost an afterthought; not only", "is Star Wars: The Last Jedi, with the reveal that Rey's parents are", "in the way and slowly push aside the find-her-brother quest. * At the", "that point in the story, the idea of finding her parents didn't seem", "with the reveal that Rey's parents are > > nobody special, and sold", "nobody special, and sold her for drug money. > > > The movie", "all along-- but by that time the question is almost an afterthought; not", "some sort of narrative payoff. The closest analogy I can think of is", "> nobody special, and sold her for drug money. > > > The", "story with the following basic plot: * At the start, my main character's", "* At the end, she finds the answer-- that he's been dead all", "and motivations get in the way and slowly push aside the find-her-brother quest.", "if I am then maybe it doesn't work as an analogy.) I guess", "aside the find-her-brother quest. * At the end, she finds the answer-- that", "and she herself will have a noticeable arc. And my hope is that", "Rey's decisions anyway. (I mean I could be wrong here, and if I", "But by that point in the story, the idea of finding her parents", "main character's motivating question is \"Where is my brother?\" * As the story", "in the way and she herself will have a noticeable arc. And my", "is \"Where is my brother?\" * As the story progresses, other problems and", "the way and she herself will have a noticeable arc. And my hope", "will be what makes the story interesting. But I worry that such a", "slowly push aside the find-her-brother quest. * At the end, she finds the", "sort of narrative payoff. The closest analogy I can think of is Star", "analogy I can think of is Star Wars: The Last Jedi,* with the", "reveal that Rey's parents are > > nobody special, and sold her for", "afterthought; not only is this answer something the reader probably already assumed, it", "then maybe it doesn't work as an analogy.) I guess my underlying question", "will have a noticeable arc. And my hope is that watching her arc", "of finding her parents didn't seem to be driving many of Rey's decisions", "worry that such a straightforward answer might leave readers disappointed, having expected some", "such a straightforward answer might leave readers disappointed, having expected some sort of", "the following basic plot: * At the start, my main character's motivating question", "doesn't work as an analogy.) I guess my underlying question is, can payoff-that-isn't", "I'm developing a story with the following basic plot: * At the start,", "point in the story, the idea of finding her parents didn't seem to", "way and slowly push aside the find-her-brother quest. * At the end, she", "is that watching her arc will be what makes the story interesting. But", "Jedi,* with the reveal that Rey's parents are > > nobody special, and", "> > nobody special, and sold her for drug money. > > >", "work as an analogy.) I guess my underlying question is, can payoff-that-isn't actually", "the reveal that Rey's parents are > > nobody special, and sold her", "gotten many criticisms, and one of them is that this reveal felt unsatisfying.", "motivating question is \"Where is my brother?\" * As the story progresses, other", "closest analogy I can think of is Star Wars: The Last Jedi, with", "straightforward answer might leave readers disappointed, having expected some sort of narrative payoff.", "plot elements will get in the way and she herself will have a", "she herself will have a noticeable arc. And my hope is that watching", "one of them is that this reveal felt unsatisfying. But by that point", "decisions anyway. (I mean I could be wrong here, and if I am", "either way anymore. This question will not drive very many of her decisions,", "disappointed, having expected some sort of narrative payoff. The closest analogy I can", "anyway. (I mean I could be wrong here, and if I am then", "that watching her arc will be what makes the story interesting. But I", "criticisms, and one of them is that this reveal felt unsatisfying. But by", "(I mean I could be wrong here, and if I am then maybe", "way anymore. This question will not drive very many of her decisions, because", "character's motivating question is \"Where is my brother?\" * As the story progresses,", "Star Wars: The Last Jedi, with the reveal that Rey's parents are >", "At the end, she finds the answer-- that he's been dead all along--", "story progresses, other problems and motivations get in the way and slowly push", "only is this answer something the reader probably already assumed, it hardly matters", "can think of is Star Wars: The Last Jedi, with the reveal that", "having expected some sort of narrative payoff. The closest analogy I can think", "The Last Jedi,* with the reveal that Rey's parents are > > nobody", "in the story, the idea of finding her parents didn't seem to be", "are > > nobody special, and sold her for drug money. > >", "drive very many of her decisions, because other plot elements will get in", "probably already assumed, it hardly matters to my character either way anymore. This", "I could be wrong here, and if I am then maybe it doesn't", "answer might leave readers disappointed, having expected some sort of narrative payoff. The", "brother?\" * As the story progresses, other problems and motivations get in the", "been dead all along-- but by that time the question is almost an", "movie has gotten many criticisms, and one of them is that this reveal", "But I worry that such a straightforward answer might leave readers disappointed, having", "a straightforward answer might leave readers disappointed, having expected some sort of narrative", "watching her arc will be what makes the story interesting. But I worry", "parents didn't seem to be driving many of Rey's decisions anyway. (I mean", "leave readers disappointed, having expected some sort of narrative payoff. The closest analogy", "decisions, because other plot elements will get in the way and she herself", "of them is that this reveal felt unsatisfying. But by that point in", "her parents didn't seem to be driving many of Rey's decisions anyway. (I", "already assumed, it hardly matters to my character either way anymore. This question", "didn't seem to be driving many of Rey's decisions anyway. (I mean I", "push aside the find-her-brother quest. * At the end, she finds the answer--", "the end, she finds the answer-- that he's been dead all along-- but", "them is that this reveal felt unsatisfying. But by that point in the", "> > > The movie has gotten many criticisms, and one of them", "by that point in the story, the idea of finding her parents didn't", "be wrong here, and if I am then maybe it doesn't work as", "it doesn't work as an analogy.) I guess my underlying question is, can", "and one of them is that this reveal felt unsatisfying. But by that", "The closest analogy I can think of is Star Wars: The Last Jedi,", "time the question is almost an afterthought; not only is this answer something", "mean I could be wrong here, and if I am then maybe it", "* At the start, my main character's motivating question is \"Where is my", "very many of her decisions, because other plot elements will get in the", "of is Star Wars: The Last Jedi, with the reveal that Rey's parents", "sold her for drug money. > > > The movie has gotten many", "reveal felt unsatisfying. But by that point in the story, the idea of", "think of is Star Wars: The Last Jedi, with the reveal that Rey's", "not only is this answer something the reader probably already assumed, it hardly", "and sold her for drug money. > > > The movie has gotten", "> The movie has gotten many criticisms, and one of them is that", "be driving many of Rey's decisions anyway. (I mean I could be wrong", "is this answer something the reader probably already assumed, it hardly matters to", "of Rey's decisions anyway. (I mean I could be wrong here, and if", "her for drug money. > > > The movie has gotten many criticisms,", "will not drive very many of her decisions, because other plot elements will", "wrong here, and if I am then maybe it doesn't work as an", "but by that time the question is almost an afterthought; not only is", "This question will not drive very many of her decisions, because other plot", "am then maybe it doesn't work as an analogy.) I guess my underlying", "almost an afterthought; not only is this answer something the reader probably already", "and if I am then maybe it doesn't work as an analogy.) I", "felt unsatisfying. But by that point in the story, the idea of finding", "character either way anymore. This question will not drive very many of her", "to be driving many of Rey's decisions anyway. (I mean I could be", "is almost an afterthought; not only is this answer something the reader probably", "of her decisions, because other plot elements will get in the way and", "story interesting. But I worry that such a straightforward answer might leave readers", "finds the answer-- that he's been dead all along-- but by that time", "with the following basic plot: * At the start, my main character's motivating", "story, the idea of finding her parents didn't seem to be driving many", "I am then maybe it doesn't work as an analogy.) I guess my", "assumed, it hardly matters to my character either way anymore. This question will", "this reveal felt unsatisfying. But by that point in the story, the idea", "interesting. But I worry that such a straightforward answer might leave readers disappointed,", "the start, my main character's motivating question is \"Where is my brother?\" ", "payoff. The closest analogy I can think of is Star Wars: The Last", "special, and sold her for drug money. > > > The movie has", "many of Rey's decisions anyway. (I mean I could be wrong here, and", "many of her decisions, because other plot elements will get in the way", "arc will be what makes the story interesting. But I worry that such", "answer something the reader probably already assumed, it hardly matters to my character", "the story progresses, other problems and motivations get in the way and slowly", "hope is that watching her arc will be what makes the story interesting.", "the find-her-brother quest. * At the end, she finds the answer-- that he's" ]
[ "a critique or just simple feedback. How can I work on becoming a", "I sometimes find myself frustrated at trying to find the right words and", "find myself frustrated at trying to find the right words and how to", "I give a critique or just simple feedback. How can I work on", "trying to find the right words and how to properly structure my sentences", "give a critique or just simple feedback. How can I work on becoming", "sometimes find myself frustrated at trying to find the right words and how", "words and how to properly structure my sentences when I give a critique", "how to properly structure my sentences when I give a critique or just", "when I give a critique or just simple feedback. How can I work", "a beta reader, I sometimes find myself frustrated at trying to find the", "properly structure my sentences when I give a critique or just simple feedback.", "reader, I sometimes find myself frustrated at trying to find the right words", "As a beta reader, I sometimes find myself frustrated at trying to find", "structure my sentences when I give a critique or just simple feedback. How", "myself frustrated at trying to find the right words and how to properly", "beta reader, I sometimes find myself frustrated at trying to find the right", "to find the right words and how to properly structure my sentences when", "and how to properly structure my sentences when I give a critique or", "at trying to find the right words and how to properly structure my", "right words and how to properly structure my sentences when I give a", "How can I work on becoming a better critiquer and formulating my words", "can I work on becoming a better critiquer and formulating my words appropriately?", "just simple feedback. How can I work on becoming a better critiquer and", "critique or just simple feedback. How can I work on becoming a better", "simple feedback. How can I work on becoming a better critiquer and formulating", "my sentences when I give a critique or just simple feedback. How can", "the right words and how to properly structure my sentences when I give", "sentences when I give a critique or just simple feedback. How can I", "to properly structure my sentences when I give a critique or just simple", "feedback. How can I work on becoming a better critiquer and formulating my", "or just simple feedback. How can I work on becoming a better critiquer", "find the right words and how to properly structure my sentences when I", "frustrated at trying to find the right words and how to properly structure" ]
[ "am citing myself. Do I need to do anything special for such a", "I am writing, I have encountered an issue in which one of my", "I am citing myself. Do I need to do anything special for such", "a paper that I am writing, I have encountered an issue in which", "in in-text citations, makes it appear as if I am citing myself. Do", "name as myself, of which in in-text citations, makes it appear as if", "myself, of which in in-text citations, makes it appear as if I am", "an issue in which one of my sources has the same last name", "Do I need to do anything special for such a case? Thank you.", "makes it appear as if I am citing myself. Do I need to", "am writing, I have encountered an issue in which one of my sources", "if I am citing myself. Do I need to do anything special for", "encountered an issue in which one of my sources has the same last", "For a paper that I am writing, I have encountered an issue in", "as myself, of which in in-text citations, makes it appear as if I", "has the same last name as myself, of which in in-text citations, makes", "my sources has the same last name as myself, of which in in-text", "of which in in-text citations, makes it appear as if I am citing", "same last name as myself, of which in in-text citations, makes it appear", "in-text citations, makes it appear as if I am citing myself. Do I", "sources has the same last name as myself, of which in in-text citations,", "I have encountered an issue in which one of my sources has the", "last name as myself, of which in in-text citations, makes it appear as", "in which one of my sources has the same last name as myself,", "as if I am citing myself. Do I need to do anything special", "myself. Do I need to do anything special for such a case? Thank", "it appear as if I am citing myself. Do I need to do", "issue in which one of my sources has the same last name as", "writing, I have encountered an issue in which one of my sources has", "that I am writing, I have encountered an issue in which one of", "of my sources has the same last name as myself, of which in", "the same last name as myself, of which in in-text citations, makes it", "paper that I am writing, I have encountered an issue in which one", "citations, makes it appear as if I am citing myself. Do I need", "one of my sources has the same last name as myself, of which", "which one of my sources has the same last name as myself, of", "citing myself. Do I need to do anything special for such a case?", "have encountered an issue in which one of my sources has the same", "which in in-text citations, makes it appear as if I am citing myself.", "appear as if I am citing myself. Do I need to do anything" ]
[ "most fundamental part of what it means to be a woman by not", "I’ve come to view as “problematic” [because it implies femininity should be demonized", "it implies femininity should be demonized and torn down](https://tvtropes.org/pmwiki/pmwiki.php/Main/UnfortunateImplications). Many writers seem to", "is one that I’ve come to view as “problematic” [because it implies femininity", "female characters that behave more like men rather than women. As a male", "is when writers portray female characters possessing traditional feminine qualities as being less", "female characters”* (God, I hate that term) while ignoring the most fundamental part", "Don’t Wear Dresses](https://tvtropes.org/pmwiki/pmwiki.php/Main/RealWomenDontWearDresses) is when writers portray female characters possessing traditional feminine qualities", "be a woman by not giving them feminine traits and end up creating", "and end up creating female characters that behave more like men rather than", "and reliable instead of their tomboy foils. They also tend to be presented", "men, not their personality. When people write “strong female characters” (God, I hate", "male writer, I wish to pen women that are strong in “classical feminine”", "end up creating female characters that behave more like men rather than women.", "even though they have traits or commit actions of worth and merit. This", "they need to epitomize a female character’s strength through their ability to beat", "as whiny and annoying, even though they have traits or commit actions of", "what it means to be a woman by not giving them feminine traits", "a female character’s strength through their ability to beat and to take beatings", "of making them come across as “men with tits”. *How should I deal", "people write “strong female characters”* (God, I hate that term) while ignoring the", "from men, not their personality. When people write “strong female characters” (God, I", "though they have traits or commit actions of worth and merit. This trope", "hate that term) while ignoring the most fundamental part of what it means", "wish to pen women that are strong in “classical feminine” ways in lieu", "female character’s strength through their ability to beat and to take beatings from", "it means to be a woman by not giving them feminine traits and", "believe that they need to epitomize a female character’s strength through their ability", "Women Don’t Wear Dresses](https://tvtropes.org/pmwiki/pmwiki.php/Main/RealWomenDontWearDresses) is when writers portray female characters possessing traditional feminine", "in lieu of making them come across as “men with tits”. *How should", "of worth and merit. This trope is one that I’ve come to view", "and annoying, even though they have traits or commit actions of worth and", "Many writers seem to believe that they need to epitomize a female character’s", "that I’ve come to view as “problematic”* [because it implies femininity should be", "to beat and to take beatings from men, not their personality. When people", "to be a woman by not giving them feminine traits and end up", "qualities as being less desirable, competent and reliable instead of their tomboy foils.", "of their tomboy foils. They also tend to be presented as whiny and", "portray female characters possessing traditional feminine qualities as being less desirable, competent and", "seem to believe that they need to epitomize a female character’s strength through", "not giving them feminine traits and end up creating female characters that behave", "annoying, even though they have traits or commit actions of worth and merit.", "They also tend to be presented as whiny and annoying, even though they", "merit. This trope is one that I’ve come to view as “problematic” [because", "rather than women. As a male writer, I wish to pen women that", "presented as whiny and annoying, even though they have traits or commit actions", "more like men rather than women. As a male writer, I wish to", "to believe that they need to epitomize a female character’s strength through their", "feminine traits and end up creating female characters that behave more like men", "men rather than women. 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This trope is one that I’ve", "foils. They also tend to be presented as whiny and annoying, even though", "them feminine traits and end up creating female characters that behave more like", "traits or commit actions of worth and merit. This trope is one that", "their tomboy foils. They also tend to be presented as whiny and annoying,", "write “strong female characters”* (God, I hate that term) while ignoring the most", "not their personality. When people write “strong female characters” (God, I hate that", "when writers portray female characters possessing traditional feminine qualities as being less desirable,", "also tend to be presented as whiny and annoying, even though they have", "their ability to beat and to take beatings from men, not their personality.", "making them come across as “men with tits”. *How should I deal with", "as “problematic”* [because it implies femininity should be demonized and torn down](https://tvtropes.org/pmwiki/pmwiki.php/Main/UnfortunateImplications). Many", "that term) while ignoring the most fundamental part of what it means to", "through their ability to beat and to take beatings from men, not their", "writers seem to believe that they need to epitomize a female character’s strength", "up creating female characters that behave more like men rather than women. As", "fundamental part of what it means to be a woman by not giving", "means to be a woman by not giving them feminine traits and end", "traditional feminine qualities as being less desirable, competent and reliable instead of their", "one that I’ve come to view as “problematic” [because it implies femininity should", "and to take beatings from men, not their personality. When people write “strong", "As a male writer, I wish to pen women that are strong in", "less desirable, competent and reliable instead of their tomboy foils. They also tend", "actions of worth and merit. This trope is one that I’ve come to", "should be demonized and torn down](https://tvtropes.org/pmwiki/pmwiki.php/Main/UnfortunateImplications). Many writers seem to believe that they", "have traits or commit actions of worth and merit. This trope is one", "that are strong in “classical feminine”* ways in lieu of making them come", "Dresses](https://tvtropes.org/pmwiki/pmwiki.php/Main/RealWomenDontWearDresses) is when writers portray female characters possessing traditional feminine qualities as being", "a male writer, I wish to pen women that are strong in “classical", "[Real Women Don’t Wear Dresses](https://tvtropes.org/pmwiki/pmwiki.php/Main/RealWomenDontWearDresses) is when writers portray female characters possessing traditional", "This trope is one that I’ve come to view as “problematic”* [because it", "of what it means to be a woman by not giving them feminine", "“classical feminine” ways in lieu of making them come across as “men with", "across as “men with tits”. How should I deal with such a dilemma?", "lieu of making them come across as “men with tits”. How should I", "being less desirable, competent and reliable instead of their tomboy foils. They also", "desirable, competent and reliable instead of their tomboy foils. They also tend to", "worth and merit. This trope is one that I’ve come to view as", "(God, I hate that term) while ignoring the most fundamental part of what", "characters possessing traditional feminine qualities as being less desirable, competent and reliable instead", "beatings from men, not their personality. When people write “strong female characters”* (God,", "be presented as whiny and annoying, even though they have traits or commit", "[because it implies femininity should be demonized and torn down](https://tvtropes.org/pmwiki/pmwiki.php/Main/UnfortunateImplications). Many writers seem", "to pen women that are strong in “classical feminine” ways in lieu of", "giving them feminine traits and end up creating female characters that behave more", "that they need to epitomize a female character’s strength through their ability to", "come across as “men with tits”. *How should I deal with such a", "instead of their tomboy foils. They also tend to be presented as whiny", "to view as “problematic”* [because it implies femininity should be demonized and torn", "beat and to take beatings from men, not their personality. When people write", "ways in lieu of making them come across as “men with tits”. *How", "women. As a male writer, I wish to pen women that are strong", "torn down](https://tvtropes.org/pmwiki/pmwiki.php/Main/UnfortunateImplications). Many writers seem to believe that they need to epitomize a", "ignoring the most fundamental part of what it means to be a woman", "them come across as “men with tits”. How should I deal with such", "to take beatings from men, not their personality. When people write “strong female", "traits and end up creating female characters that behave more like men rather", "view as “problematic” [because it implies femininity should be demonized and torn down](https://tvtropes.org/pmwiki/pmwiki.php/Main/UnfortunateImplications).", "female characters possessing traditional feminine qualities as being less desirable, competent and reliable", "Wear Dresses](https://tvtropes.org/pmwiki/pmwiki.php/Main/RealWomenDontWearDresses) is when writers portray female characters possessing traditional feminine qualities as", "their personality. When people write “strong female characters” (God, I hate that term)", "feminine”* ways in lieu of making them come across as “men with tits”.", "women that are strong in “classical feminine” ways in lieu of making them", "“strong female characters” (God, I hate that term) while ignoring the most fundamental", "while ignoring the most fundamental part of what it means to be a", "than women. As a male writer, I wish to pen women that are", "to be presented as whiny and annoying, even though they have traits or", "tomboy foils. They also tend to be presented as whiny and annoying, even", "and merit. This trope is one that I’ve come to view as “problematic”", "epitomize a female character’s strength through their ability to beat and to take", "competent and reliable instead of their tomboy foils. They also tend to be", "ability to beat and to take beatings from men, not their personality. When", "down](https://tvtropes.org/pmwiki/pmwiki.php/Main/UnfortunateImplications). Many writers seem to believe that they need to epitomize a female", "feminine qualities as being less desirable, competent and reliable instead of their tomboy", "take beatings from men, not their personality. When people write “strong female characters”", "When people write “strong female characters” (God, I hate that term) while ignoring", "commit actions of worth and merit. This trope is one that I’ve come", "and torn down](https://tvtropes.org/pmwiki/pmwiki.php/Main/UnfortunateImplications). Many writers seem to believe that they need to epitomize", "tend to be presented as whiny and annoying, even though they have traits", "term) while ignoring the most fundamental part of what it means to be", "possessing traditional feminine qualities as being less desirable, competent and reliable instead of", "I wish to pen women that are strong in “classical feminine” ways in", "to epitomize a female character’s strength through their ability to beat and to", "woman by not giving them feminine traits and end up creating female characters", "characters that behave more like men rather than women. As a male writer,", "personality. When people write “strong female characters” (God, I hate that term) while", "by not giving them feminine traits and end up creating female characters that", "be demonized and torn down](https://tvtropes.org/pmwiki/pmwiki.php/Main/UnfortunateImplications). Many writers seem to believe that they need", "implies femininity should be demonized and torn down](https://tvtropes.org/pmwiki/pmwiki.php/Main/UnfortunateImplications). Many writers seem to believe", "need to epitomize a female character’s strength through their ability to beat and", "strength through their ability to beat and to take beatings from men, not", "characters”* (God, I hate that term) while ignoring the most fundamental part of", "are strong in “classical feminine” ways in lieu of making them come across", "a woman by not giving them feminine traits and end up creating female", "writers portray female characters possessing traditional feminine qualities as being less desirable, competent", "part of what it means to be a woman by not giving them", "that behave more like men rather than women. As a male writer, I", "trope is one that I’ve come to view as “problematic” [because it implies", "“problematic” [because it implies femininity should be demonized and torn down](https://tvtropes.org/pmwiki/pmwiki.php/Main/UnfortunateImplications). Many writers", "femininity should be demonized and torn down](https://tvtropes.org/pmwiki/pmwiki.php/Main/UnfortunateImplications). Many writers seem to believe that", "character’s strength through their ability to beat and to take beatings from men,", "behave more like men rather than women. As a male writer, I wish", "writer, I wish to pen women that are strong in “classical feminine” ways", "come to view as “problematic” [because it implies femininity should be demonized and", "the most fundamental part of what it means to be a woman by" ]
[ "not condescending towards others and do not lack compassion and empathy. They are", "not at all what I'm interested in. I'm mostly looking for adequate terms", "mean characters with self-confidence. But I didn't use the term self-confidence because the", "or vain. I tried looking up different synonyms by myself already, which is", "looking up different synonyms by myself already, which is my first step when", "is not exaggerated or non-warranted. I mean characters with self-confidence. But I didn't", "what I want, and could only find words with negative nuances, which is", "is my first step when lacking words to describe what I want, and", "the term self-confidence because the mindset I'd like to describe goes beyond plain", "this term does not exactly paint anyone in a nice light) are characters", "towards others and do not lack compassion and empathy. They are simply imbued", "and empathy. They are simply imbued with a sense of grandeur in everything", "tried looking up different synonyms by myself already, which is my first step", "up different synonyms by myself already, which is my first step when lacking", "only find words with negative nuances, which is not at all what I'm", "step when lacking words to describe what I want, and could only find", "exaggerated or non-warranted. I mean characters with self-confidence. But I didn't use the", "exactly paint anyone in a nice light) are characters who know their worth", "beyond plain self-confidence. I guess I mean characters who believe or sense they", "arrogant or vain. I tried looking up different synonyms by myself already, which", "other people, but are not condescending towards others and do not lack compassion", "because the mindset I'd like to describe goes beyond plain self-confidence. I guess", "non-warranted. I mean characters with self-confidence. But I didn't use the term self-confidence", "empathy. They are simply imbued with a sense of grandeur in everything they", "are above others, yet it doesn't make them arrogant or vain. I tried", "others and do not lack compassion and empathy. They are simply imbued with", "guess I mean characters who believe or sense they are above others, yet", "with self-confidence. But I didn't use the term self-confidence because the mindset I'd", "to describe goes beyond plain self-confidence. I guess I mean characters who believe", "make them arrogant or vain. I tried looking up different synonyms by myself", "a nice light) are characters who know their worth and know themselves to", "their worth and know themselves to be better than numerous other people, but", "to be better than numerous other people, but are not condescending towards others", "than numerous other people, but are not condescending towards others and do not", "not lack compassion and empathy. They are simply imbued with a sense of", "or sense they are above others, yet it doesn't make them arrogant or", "didn't use the term self-confidence because the mindset I'd like to describe goes", "or non-warranted. I mean characters with self-confidence. But I didn't use the term", "and know themselves to be better than numerous other people, but are not", "lack compassion and empathy. They are simply imbued with a sense of grandeur", "myself already, which is my first step when lacking words to describe what", "everything they do, and it is not exaggerated or non-warranted. I mean characters", "numerous other people, but are not condescending towards others and do not lack", "goes beyond plain self-confidence. I guess I mean characters who believe or sense", "describe goes beyond plain self-confidence. I guess I mean characters who believe or", "I'd like to describe goes beyond plain self-confidence. I guess I mean characters", "self-confidence because the mindset I'd like to describe goes beyond plain self-confidence. I", "I tried looking up different synonyms by myself already, which is my first", "and could only find words with negative nuances, which is not at all", "which is not at all what I'm interested in. I'm mostly looking for", "like to describe goes beyond plain self-confidence. I guess I mean characters who", "is not at all what I'm interested in. I'm mostly looking for adequate", "What I mean by \"high and mighty\" (though I realise this term does", "compassion and empathy. They are simply imbued with a sense of grandeur in", "negative nuances, which is not at all what I'm interested in. I'm mostly", "different synonyms by myself already, which is my first step when lacking words", "in everything they do, and it is not exaggerated or non-warranted. I mean", "my first step when lacking words to describe what I want, and could", "nuances, which is not at all what I'm interested in. I'm mostly looking", "in a nice light) are characters who know their worth and know themselves", "are not condescending towards others and do not lack compassion and empathy. They", "I'm interested in. I'm mostly looking for adequate terms rather descriptions of behaviours.", "believe or sense they are above others, yet it doesn't make them arrogant", "imbued with a sense of grandeur in everything they do, and it is", "what I'm interested in. I'm mostly looking for adequate terms rather descriptions of", "themselves to be better than numerous other people, but are not condescending towards", "them arrogant or vain. I tried looking up different synonyms by myself already,", "plain self-confidence. I guess I mean characters who believe or sense they are", "and it is not exaggerated or non-warranted. I mean characters with self-confidence. But", "paint anyone in a nice light) are characters who know their worth and", "first step when lacking words to describe what I want, and could only", "anyone in a nice light) are characters who know their worth and know", "and do not lack compassion and empathy. They are simply imbued with a", "by \"high and mighty\" (though I realise this term does not exactly paint", "term self-confidence because the mindset I'd like to describe goes beyond plain self-confidence.", "be better than numerous other people, but are not condescending towards others and", "mighty\" (though I realise this term does not exactly paint anyone in a", "\"high and mighty\" (though I realise this term does not exactly paint anyone", "all what I'm interested in. I'm mostly looking for adequate terms rather descriptions", "mean by \"high and mighty\" (though I realise this term does not exactly", "yet it doesn't make them arrogant or vain. I tried looking up different", "sense they are above others, yet it doesn't make them arrogant or vain.", "doesn't make them arrogant or vain. I tried looking up different synonyms by", "which is my first step when lacking words to describe what I want,", "grandeur in everything they do, and it is not exaggerated or non-warranted. I", "a sense of grandeur in everything they do, and it is not exaggerated", "who know their worth and know themselves to be better than numerous other", "synonyms by myself already, which is my first step when lacking words to", "term does not exactly paint anyone in a nice light) are characters who", "and mighty\" (though I realise this term does not exactly paint anyone in", "nice light) are characters who know their worth and know themselves to be", "words with negative nuances, which is not at all what I'm interested in.", "self-confidence. I guess I mean characters who believe or sense they are above", "it doesn't make them arrogant or vain. I tried looking up different synonyms", "I realise this term does not exactly paint anyone in a nice light)", "light) are characters who know their worth and know themselves to be better", "they do, and it is not exaggerated or non-warranted. I mean characters with", "not exactly paint anyone in a nice light) are characters who know their", "the mindset I'd like to describe goes beyond plain self-confidence. I guess I", "better than numerous other people, but are not condescending towards others and do", "want, and could only find words with negative nuances, which is not at", "does not exactly paint anyone in a nice light) are characters who know", "do, and it is not exaggerated or non-warranted. I mean characters with self-confidence.", "But I didn't use the term self-confidence because the mindset I'd like to", "mindset I'd like to describe goes beyond plain self-confidence. I guess I mean", "lacking words to describe what I want, and could only find words with", "at all what I'm interested in. I'm mostly looking for adequate terms rather", "it is not exaggerated or non-warranted. I mean characters with self-confidence. But I", "are characters who know their worth and know themselves to be better than", "They are simply imbued with a sense of grandeur in everything they do,", "simply imbued with a sense of grandeur in everything they do, and it", "self-confidence. But I didn't use the term self-confidence because the mindset I'd like", "I want, and could only find words with negative nuances, which is not", "people, but are not condescending towards others and do not lack compassion and", "sense of grandeur in everything they do, and it is not exaggerated or", "worth and know themselves to be better than numerous other people, but are", "to describe what I want, and could only find words with negative nuances,", "words to describe what I want, and could only find words with negative", "by myself already, which is my first step when lacking words to describe", "mean characters who believe or sense they are above others, yet it doesn't", "I mean characters with self-confidence. But I didn't use the term self-confidence because", "I guess I mean characters who believe or sense they are above others,", "with a sense of grandeur in everything they do, and it is not", "of grandeur in everything they do, and it is not exaggerated or non-warranted.", "when lacking words to describe what I want, and could only find words", "do not lack compassion and empathy. They are simply imbued with a sense", "I mean characters who believe or sense they are above others, yet it", "know their worth and know themselves to be better than numerous other people,", "already, which is my first step when lacking words to describe what I", "are simply imbued with a sense of grandeur in everything they do, and", "others, yet it doesn't make them arrogant or vain. I tried looking up", "describe what I want, and could only find words with negative nuances, which", "vain. I tried looking up different synonyms by myself already, which is my", "with negative nuances, which is not at all what I'm interested in. I'm", "above others, yet it doesn't make them arrogant or vain. I tried looking", "characters who believe or sense they are above others, yet it doesn't make", "who believe or sense they are above others, yet it doesn't make them", "find words with negative nuances, which is not at all what I'm interested", "I mean by \"high and mighty\" (though I realise this term does not", "(though I realise this term does not exactly paint anyone in a nice", "they are above others, yet it doesn't make them arrogant or vain. I", "I didn't use the term self-confidence because the mindset I'd like to describe", "condescending towards others and do not lack compassion and empathy. They are simply", "not exaggerated or non-warranted. I mean characters with self-confidence. But I didn't use", "characters who know their worth and know themselves to be better than numerous", "use the term self-confidence because the mindset I'd like to describe goes beyond", "realise this term does not exactly paint anyone in a nice light) are", "but are not condescending towards others and do not lack compassion and empathy.", "know themselves to be better than numerous other people, but are not condescending", "characters with self-confidence. But I didn't use the term self-confidence because the mindset", "could only find words with negative nuances, which is not at all what" ]
[ "memorable first and foremost, but my problem is that it can be anything", "and turning it into a web comic (and get crazily rich, of course),", "enough to be able to use it on multiple sites without having to", "able to use it on multiple sites without having to add numbers or", "a username/pen-name. I need it to be catchy and memorable first and foremost,", "it to be catchy and memorable first and foremost, but my problem is", "to be catchy and memorable first and foremost, but my problem is that", "first and foremost, but my problem is that it can be anything and", "it into a web comic (and get crazily rich, of course), for that", "suggestions, questions, ideas and 'this is how I got mine' methods are welcome!", "it on multiple sites without having to add numbers or other additions when", "but it also has to be unique enough to be able to use", "I need it to be catchy and memorable first and foremost, but my", "anything and everything and so I'm stuck.. I want it to be simple,", "a web comic (and get crazily rich, of course), for that I need", "taken. Both suggestions, questions, ideas and 'this is how I got mine' methods", "need it to be catchy and memorable first and foremost, but my problem", "or other additions when it's already taken. Both suggestions, questions, ideas and 'this", "for that I need a username/pen-name. I need it to be catchy and", "turning it into a web comic (and get crazily rich, of course), for", "sites without having to add numbers or other additions when it's already taken.", "catchy and memorable first and foremost, but my problem is that it can", "that it can be anything and everything and so I'm stuck.. I want", "Both suggestions, questions, ideas and 'this is how I got mine' methods are", "be able to use it on multiple sites without having to add numbers", "(and get crazily rich, of course), for that I need a username/pen-name. I", "into a web comic (and get crazily rich, of course), for that I", "can be anything and everything and so I'm stuck.. I want it to", "be simple, but it also has to be unique enough to be able", "simple, but it also has to be unique enough to be able to", "numbers or other additions when it's already taken. Both suggestions, questions, ideas and", "comic (and get crazily rich, of course), for that I need a username/pen-name.", "other additions when it's already taken. Both suggestions, questions, ideas and 'this is", "that I need a username/pen-name. I need it to be catchy and memorable", "already taken. Both suggestions, questions, ideas and 'this is how I got mine'", "also has to be unique enough to be able to use it on", "use it on multiple sites without having to add numbers or other additions", "of course), for that I need a username/pen-name. I need it to be", "and so I'm stuck.. I want it to be simple, but it also", "on multiple sites without having to add numbers or other additions when it's", "I have an ambitious idea of writing fantasy/erotica and turning it into a", "to be simple, but it also has to be unique enough to be", "it also has to be unique enough to be able to use it", "to be able to use it on multiple sites without having to add", "an ambitious idea of writing fantasy/erotica and turning it into a web comic", "has to be unique enough to be able to use it on multiple", "ambitious idea of writing fantasy/erotica and turning it into a web comic (and", "foremost, but my problem is that it can be anything and everything and", "want it to be simple, but it also has to be unique enough", "but my problem is that it can be anything and everything and so", "unique enough to be able to use it on multiple sites without having", "to be unique enough to be able to use it on multiple sites", "problem is that it can be anything and everything and so I'm stuck..", "username/pen-name. I need it to be catchy and memorable first and foremost, but", "crazily rich, of course), for that I need a username/pen-name. I need it", "my problem is that it can be anything and everything and so I'm", "and memorable first and foremost, but my problem is that it can be", "of writing fantasy/erotica and turning it into a web comic (and get crazily", "be anything and everything and so I'm stuck.. I want it to be", "writing fantasy/erotica and turning it into a web comic (and get crazily rich,", "multiple sites without having to add numbers or other additions when it's already", "to add numbers or other additions when it's already taken. Both suggestions, questions,", "it's already taken. Both suggestions, questions, ideas and 'this is how I got", "web comic (and get crazily rich, of course), for that I need a", "need a username/pen-name. I need it to be catchy and memorable first and", "idea of writing fantasy/erotica and turning it into a web comic (and get", "having to add numbers or other additions when it's already taken. Both suggestions,", "fantasy/erotica and turning it into a web comic (and get crazily rich, of", "to use it on multiple sites without having to add numbers or other", "have an ambitious idea of writing fantasy/erotica and turning it into a web", "course), for that I need a username/pen-name. I need it to be catchy", "I want it to be simple, but it also has to be unique", "rich, of course), for that I need a username/pen-name. I need it to", "so I'm stuck.. I want it to be simple, but it also has", "without having to add numbers or other additions when it's already taken. Both", "get crazily rich, of course), for that I need a username/pen-name. I need", "I'm stuck.. I want it to be simple, but it also has to", "and foremost, but my problem is that it can be anything and everything", "everything and so I'm stuck.. I want it to be simple, but it", "be catchy and memorable first and foremost, but my problem is that it", "and everything and so I'm stuck.. I want it to be simple, but", "stuck.. I want it to be simple, but it also has to be", "it can be anything and everything and so I'm stuck.. I want it", "when it's already taken. Both suggestions, questions, ideas and 'this is how I", "add numbers or other additions when it's already taken. Both suggestions, questions, ideas", "is that it can be anything and everything and so I'm stuck.. I", "it to be simple, but it also has to be unique enough to", "additions when it's already taken. Both suggestions, questions, ideas and 'this is how", "I need a username/pen-name. I need it to be catchy and memorable first", "be unique enough to be able to use it on multiple sites without" ]
[ "is the narrator of the novel. An extensive vocabulary and verbosity throughout the", "the narration normal, obviously keeping the same personality in the narration too. But", "uses a lot of extensive vocabulary and is quite verbose. The novel I", "tiring for me. And maybe for the reader too. If I keep the", "the novel. An extensive vocabulary and verbosity throughout the narration of the novel", "verbosity throughout the narration of the novel will be very frustrating and tiring", "too. But only during his dialogues, he will use extensive vocabulary. Is this", "during his dialogues, he will use extensive vocabulary. Is this ok to do?", "first-person narrative, and my protagonist is the narrator of the novel. An extensive", "vocabulary and verbosity throughout the narration of the novel will be very frustrating", "personality in the narration too. But only during his dialogues, he will use", "vocabulary and is quite verbose. The novel I am writing is a first-person", "and verbosity throughout the narration of the novel will be very frustrating and", "in the narration too. But only during his dialogues, he will use extensive", "The novel I am writing is a first-person narrative, and my protagonist is", "and tiring for me. And maybe for the reader too. If I keep", "But only during his dialogues, he will use extensive vocabulary. Is this ok", "will be very frustrating and tiring for me. And maybe for the reader", "narration normal, obviously keeping the same personality in the narration too. But only", "quite verbose. The novel I am writing is a first-person narrative, and my", "the same personality in the narration too. But only during his dialogues, he", "a lot of extensive vocabulary and is quite verbose. The novel I am", "my protagonist is the narrator of the novel. An extensive vocabulary and verbosity", "very frustrating and tiring for me. And maybe for the reader too. If", "novel will be very frustrating and tiring for me. And maybe for the", "the narration of the novel will be very frustrating and tiring for me.", "for the reader too. If I keep the narration normal, obviously keeping the", "lot of extensive vocabulary and is quite verbose. The novel I am writing", "I keep the narration normal, obviously keeping the same personality in the narration", "and my protagonist is the narrator of the novel. An extensive vocabulary and", "the narrator of the novel. An extensive vocabulary and verbosity throughout the narration", "only during his dialogues, he will use extensive vocabulary. Is this ok to", "the narration too. But only during his dialogues, he will use extensive vocabulary.", "throughout the narration of the novel will be very frustrating and tiring for", "a first-person narrative, and my protagonist is the narrator of the novel. An", "for me. And maybe for the reader too. If I keep the narration", "am writing is a first-person narrative, and my protagonist is the narrator of", "narrative, and my protagonist is the narrator of the novel. An extensive vocabulary", "keep the narration normal, obviously keeping the same personality in the narration too.", "My protagonist uses a lot of extensive vocabulary and is quite verbose. The", "I am writing is a first-person narrative, and my protagonist is the narrator", "An extensive vocabulary and verbosity throughout the narration of the novel will be", "novel. An extensive vocabulary and verbosity throughout the narration of the novel will", "the novel will be very frustrating and tiring for me. And maybe for", "and is quite verbose. The novel I am writing is a first-person narrative,", "obviously keeping the same personality in the narration too. But only during his", "keeping the same personality in the narration too. But only during his dialogues,", "narrator of the novel. An extensive vocabulary and verbosity throughout the narration of", "same personality in the narration too. But only during his dialogues, he will", "novel I am writing is a first-person narrative, and my protagonist is the", "narration too. But only during his dialogues, he will use extensive vocabulary. Is", "frustrating and tiring for me. And maybe for the reader too. If I", "normal, obviously keeping the same personality in the narration too. But only during", "protagonist uses a lot of extensive vocabulary and is quite verbose. The novel", "extensive vocabulary and is quite verbose. The novel I am writing is a", "And maybe for the reader too. If I keep the narration normal, obviously", "extensive vocabulary and verbosity throughout the narration of the novel will be very", "of the novel will be very frustrating and tiring for me. And maybe", "the reader too. If I keep the narration normal, obviously keeping the same", "writing is a first-person narrative, and my protagonist is the narrator of the", "of extensive vocabulary and is quite verbose. The novel I am writing is", "is a first-person narrative, and my protagonist is the narrator of the novel.", "me. And maybe for the reader too. If I keep the narration normal,", "too. If I keep the narration normal, obviously keeping the same personality in", "If I keep the narration normal, obviously keeping the same personality in the", "of the novel. An extensive vocabulary and verbosity throughout the narration of the", "protagonist is the narrator of the novel. An extensive vocabulary and verbosity throughout", "maybe for the reader too. If I keep the narration normal, obviously keeping", "is quite verbose. The novel I am writing is a first-person narrative, and", "verbose. The novel I am writing is a first-person narrative, and my protagonist", "be very frustrating and tiring for me. And maybe for the reader too.", "reader too. If I keep the narration normal, obviously keeping the same personality", "narration of the novel will be very frustrating and tiring for me. And" ]
[ "minds. And though I believe other things like personality, plot importance and symbolism", "And this is quite mild. Some of my character get no physical descriptions,", "plot or narrative. But I have been told how important giving characters a", "appearance becomes relevant to the plot or narrative. But I have been told", "I always describe them, though often a little while after their introduction. So,", "little while after their introduction. So, how long after someone's introduction is \"acceptable\"", "no physical descriptions, until potentially many chapters later, when their appearance becomes relevant", "always describe them, though often a little while after their introduction. So, how", "in the readers' minds. And though I believe other things like personality, plot", "name is revealed. Is this too long? And this is quite mild. Some", "physical descriptions, until potentially many chapters later, when their appearance becomes relevant to", "things like personality, plot importance and symbolism should carry characters, instead of appearance,", "get no physical descriptions, until potentially many chapters later, when their appearance becomes", "often a little while after their introduction. So, how long after someone's introduction", "quite mild. Some of my character get no physical descriptions, until potentially many", "Without it, they're just grey silhouettes in the readers' minds. And though I", "case that prompted me to ask this question), the character is described in", "if you count from when his name is revealed. Is this too long?", "the readers' minds. And though I believe other things like personality, plot importance", "later. A little less words if you count from when his name is", "little less words if you count from when his name is revealed. Is", "characters a face is. Without it, they're just grey silhouettes in the readers'", "introduction. So, how long after someone's introduction is \"acceptable\" to describe them? In", "have been told how important giving characters a face is. Without it, they're", "of appearance, perhaps the physical description is vital for the existence of the", "revealed. Is this too long? And this is quite mild. Some of my", "plot importance and symbolism should carry characters, instead of appearance, perhaps the physical", "in the same chapter, 866 words later. A little less words if you", "chapters later, when their appearance becomes relevant to the plot or narrative. But", "I have a tendency to forget to describe character's appearance. But I always", "Is this too long? And this is quite mild. Some of my character", "and symbolism should carry characters, instead of appearance, perhaps the physical description is", "described in the same chapter, 866 words later. A little less words if", "their appearance becomes relevant to the plot or narrative. But I have been", "to ask this question), the character is described in the same chapter, 866", "someone's introduction is \"acceptable\" to describe them? In my case, (the case that", "the plot or narrative. But I have been told how important giving characters", "just grey silhouettes in the readers' minds. And though I believe other things", "to the plot or narrative. But I have been told how important giving", "introduction is \"acceptable\" to describe them? In my case, (the case that prompted", "describe character's appearance. But I always describe them, though often a little while", "potentially many chapters later, when their appearance becomes relevant to the plot or", "this is quite mild. Some of my character get no physical descriptions, until", "other things like personality, plot importance and symbolism should carry characters, instead of", "of my character get no physical descriptions, until potentially many chapters later, when", "describe them, though often a little while after their introduction. So, how long", "been told how important giving characters a face is. Without it, they're just", "long after someone's introduction is \"acceptable\" to describe them? In my case, (the", "words later. A little less words if you count from when his name", "And though I believe other things like personality, plot importance and symbolism should", "the character is described in the same chapter, 866 words later. A little", "after someone's introduction is \"acceptable\" to describe them? In my case, (the case", "less words if you count from when his name is revealed. Is this", "it, they're just grey silhouettes in the readers' minds. And though I believe", "character get no physical descriptions, until potentially many chapters later, when their appearance", "like personality, plot importance and symbolism should carry characters, instead of appearance, perhaps", "from when his name is revealed. Is this too long? And this is", "important giving characters a face is. Without it, they're just grey silhouettes in", "should carry characters, instead of appearance, perhaps the physical description is vital for", "have a tendency to forget to describe character's appearance. But I always describe", "how long after someone's introduction is \"acceptable\" to describe them? In my case,", "chapter, 866 words later. A little less words if you count from when", "is revealed. Is this too long? And this is quite mild. Some of", "narrative. But I have been told how important giving characters a face is.", "giving characters a face is. Without it, they're just grey silhouettes in the", "relevant to the plot or narrative. But I have been told how important", "But I have been told how important giving characters a face is. Without", "866 words later. A little less words if you count from when his", "character's appearance. But I always describe them, though often a little while after", "instead of appearance, perhaps the physical description is vital for the existence of", "prompted me to ask this question), the character is described in the same", "Some of my character get no physical descriptions, until potentially many chapters later,", "is. Without it, they're just grey silhouettes in the readers' minds. And though", "that prompted me to ask this question), the character is described in the", "is quite mild. Some of my character get no physical descriptions, until potentially", "me to ask this question), the character is described in the same chapter,", "forget to describe character's appearance. But I always describe them, though often a", "though I believe other things like personality, plot importance and symbolism should carry", "appearance, perhaps the physical description is vital for the existence of the character.", "you count from when his name is revealed. Is this too long? And", "or narrative. But I have been told how important giving characters a face", "when his name is revealed. Is this too long? And this is quite", "after their introduction. So, how long after someone's introduction is \"acceptable\" to describe", "them? In my case, (the case that prompted me to ask this question),", "personality, plot importance and symbolism should carry characters, instead of appearance, perhaps the", "is \"acceptable\" to describe them? In my case, (the case that prompted me", "I have been told how important giving characters a face is. Without it,", "to forget to describe character's appearance. But I always describe them, though often", "how important giving characters a face is. Without it, they're just grey silhouettes", "his name is revealed. Is this too long? And this is quite mild.", "too long? And this is quite mild. Some of my character get no", "silhouettes in the readers' minds. And though I believe other things like personality,", "characters, instead of appearance, perhaps the physical description is vital for the existence", "case, (the case that prompted me to ask this question), the character is", "my character get no physical descriptions, until potentially many chapters later, when their", "readers' minds. And though I believe other things like personality, plot importance and", "ask this question), the character is described in the same chapter, 866 words", "(the case that prompted me to ask this question), the character is described", "But I always describe them, though often a little while after their introduction.", "long? And this is quite mild. Some of my character get no physical", "count from when his name is revealed. Is this too long? And this", "to describe them? In my case, (the case that prompted me to ask", "this too long? And this is quite mild. Some of my character get", "later, when their appearance becomes relevant to the plot or narrative. But I", "a face is. Without it, they're just grey silhouettes in the readers' minds.", "words if you count from when his name is revealed. Is this too", "until potentially many chapters later, when their appearance becomes relevant to the plot", "their introduction. So, how long after someone's introduction is \"acceptable\" to describe them?", "this question), the character is described in the same chapter, 866 words later.", "descriptions, until potentially many chapters later, when their appearance becomes relevant to the", "A little less words if you count from when his name is revealed.", "a little while after their introduction. So, how long after someone's introduction is", "many chapters later, when their appearance becomes relevant to the plot or narrative.", "I believe other things like personality, plot importance and symbolism should carry characters,", "question), the character is described in the same chapter, 866 words later. A", "to describe character's appearance. But I always describe them, though often a little", "character is described in the same chapter, 866 words later. A little less", "when their appearance becomes relevant to the plot or narrative. But I have", "though often a little while after their introduction. So, how long after someone's", "my case, (the case that prompted me to ask this question), the character", "a tendency to forget to describe character's appearance. But I always describe them,", "them, though often a little while after their introduction. So, how long after", "mild. Some of my character get no physical descriptions, until potentially many chapters", "same chapter, 866 words later. A little less words if you count from", "So, how long after someone's introduction is \"acceptable\" to describe them? In my", "becomes relevant to the plot or narrative. But I have been told how", "believe other things like personality, plot importance and symbolism should carry characters, instead", "grey silhouettes in the readers' minds. And though I believe other things like", "the same chapter, 866 words later. A little less words if you count", "importance and symbolism should carry characters, instead of appearance, perhaps the physical description", "carry characters, instead of appearance, perhaps the physical description is vital for the", "told how important giving characters a face is. Without it, they're just grey", "tendency to forget to describe character's appearance. But I always describe them, though", "describe them? In my case, (the case that prompted me to ask this", "appearance. But I always describe them, though often a little while after their", "face is. Without it, they're just grey silhouettes in the readers' minds. And", "while after their introduction. So, how long after someone's introduction is \"acceptable\" to", "symbolism should carry characters, instead of appearance, perhaps the physical description is vital", "they're just grey silhouettes in the readers' minds. And though I believe other", "is described in the same chapter, 866 words later. A little less words", "\"acceptable\" to describe them? In my case, (the case that prompted me to", "In my case, (the case that prompted me to ask this question), the" ]
[ "another character, with whom they were in love, to tell about their past", "I'm writing one character suffers from amnesia as a result of an accident.", "scenes without falling into an info-dump, or without resorting to very long (one-sided)", "I write these scenes without falling into an info-dump, or without resorting to", "write these scenes without falling into an info-dump, or without resorting to very", "could I write these scenes without falling into an info-dump, or without resorting", "these scenes without falling into an info-dump, or without resorting to very long", "a result of an accident. I want another character, with whom they were", "of an accident. I want another character, with whom they were in love,", "whom they were in love, to tell about their past in order to", "accident. I want another character, with whom they were in love, to tell", "to tell about their past in order to help regain their memory. How", "help regain their memory. How could I write these scenes without falling into", "their memory. How could I write these scenes without falling into an info-dump,", "an accident. I want another character, with whom they were in love, to", "story I'm writing one character suffers from amnesia as a result of an", "they were in love, to tell about their past in order to help", "memory. How could I write these scenes without falling into an info-dump, or", "amnesia as a result of an accident. I want another character, with whom", "were in love, to tell about their past in order to help regain", "about their past in order to help regain their memory. How could I", "writing one character suffers from amnesia as a result of an accident. I", "result of an accident. I want another character, with whom they were in", "In the story I'm writing one character suffers from amnesia as a result", "without falling into an info-dump, or without resorting to very long (one-sided) dialogues?", "want another character, with whom they were in love, to tell about their", "I want another character, with whom they were in love, to tell about", "their past in order to help regain their memory. How could I write", "order to help regain their memory. How could I write these scenes without", "in love, to tell about their past in order to help regain their", "one character suffers from amnesia as a result of an accident. I want", "character suffers from amnesia as a result of an accident. I want another", "character, with whom they were in love, to tell about their past in", "How could I write these scenes without falling into an info-dump, or without", "the story I'm writing one character suffers from amnesia as a result of", "past in order to help regain their memory. How could I write these", "to help regain their memory. How could I write these scenes without falling", "suffers from amnesia as a result of an accident. I want another character,", "from amnesia as a result of an accident. I want another character, with", "love, to tell about their past in order to help regain their memory.", "with whom they were in love, to tell about their past in order", "regain their memory. How could I write these scenes without falling into an", "in order to help regain their memory. How could I write these scenes", "as a result of an accident. I want another character, with whom they", "tell about their past in order to help regain their memory. How could" ]
[ "EDIT: I noticed that people are getting me wrong and think that i", "which is pretty much like ours. However, I am struggling with the question", "it. I am not trying to go the \"easy\" way. EDIT 2: Thank", "much like ours nowadays. But I want to use different names for cities,", "use different names for cities, countries, persons, etc., so that there is no", "of humankind\" to the readers without confusing them. For example, I feel like", "should use our real world cities and countries (e.g., US, UK, Russia, China,", "Very basic example: > > Tyuwoh Edihon invented the light bulb and was", "\"alternative reality of humankind\" to the readers without confusing them. For example, I", "Tolkien's Lord of the Rings). But I can only think of examples where", "to be pretty much like ours nowadays. But I want to use different", "scientific progress to be 10 to 20 years in the future from now", "want to build a world environment which is pretty much like ours. However,", "definitely address space travel at some point, which requires even more than a", "example: > > Tyuwoh Edihon invented the light bulb and was a US", "cities, countries, persons, etc., so that there is no real world connection via", "think of a good way to convey that \"alternative reality of humankind\" to", "I can't think of a good way to convey that \"alternative reality of", "etc., so that there is no real world connection via names. *My question", "the readers without confusing them. For example, I feel like when writing about", "worldbuilding.stackexchange because people suggested I post [my question](https://worldbuilding.stackexchange.com/questions/149538/how-can-my-story-take-place-on-earth-without-refering-to-our-existing-cities-and?noredirect=1#comment468873_149538) here: My story shall take", "'real' Earth directly (especially in fantasy, e.g., Tolkien's Lord of the Rings). But", "create something new from it. But now I can't think of a good", "part.\"* EDIT: I noticed that people are getting me wrong and think that", "that i need to develop my own politics, history and culture for the", "it feels odd if I would say: > > Keith Coleman, the inventor", "their politics, history and culture. I will explain this to you part by", "world political systems and historical events. My world building would of course be", "struggling with the question whether or not I should use our real world", "from worldbuilding.stackexchange because people suggested I post [my question](https://worldbuilding.stackexchange.com/questions/149538/how-can-my-story-take-place-on-earth-without-refering-to-our-existing-cities-and?noredirect=1#comment468873_149538) here: My story shall", "trying to go the \"easy\" way. EDIT 2: Thank you very much for", "other writers have built these human worlds without referring to our 'real' Earth", "(our current real life state) but basically I want to build a world", "their political situations, historical backgrounds and cultures. Doing that would require me to", "just as an inspiration and create something new from it. But now I", "> Keith Coleman, the inventor of the light bulb, was a citizen of", "came up with) > > > In my opinion, this would confuse the", "> For me, it feels odd if I would say: > > Keith", "something new from it. I am not trying to go the \"easy\" way.", "them. There are many good advices which will definitly help me with this", "want the technological progress, the state of science, the environment, and probably the", "own politics, history and culture for the countries but i want to take", "of the Rings* plays in medieval times. Another thing is that I cannot", "is no real world connection via names. My question is: What is a", "a planet-sized area. To bring it to a point, I want the technological", "on history and cultures in our real world, trying to go for a", "gap' between our time and the time in the book is very large.", "UK, Russia, China, etc.) and their political situations, historical backgrounds and cultures. Doing", "via names. My question is: What is a good way to convey the", "you part by part.\"** EDIT: I noticed that people are getting me wrong", "a point, I want the technological progress, the state of science, the environment,", "not trying to go the \"easy\" way. EDIT 2: Thank you very much", "just came up with) > > > In my opinion, this would confuse", "i want to take our world just as an inspiration and create something", "know any of the countries, cities or persons and you know nothing about", "way to convey that \"alternative reality of humankind\" to the readers without confusing", "think that i don't want to do any research on history and cultures", "of the light bulb, was a citizen of the > united nations of", "new from it. But now I can't think of a good way to", "countries but i want to take our world just as an inspiration and", "My story shall take place on Earth with the human race as the", "(like Tolkien with Middle earth) because I will definitely address space travel at", "be 10 to 20 years in the future from now (our current real", "avoid. I am aware that i need to develop my own politics, history", "the light bulb and was a US citizen. (true or > not doesn't", "bulb, was a citizen of the > united nations of Quimbleton (names I", "much for your comments, i read all of them. There are many good", "people suggested I post [my question](https://worldbuilding.stackexchange.com/questions/149538/how-can-my-story-take-place-on-earth-without-refering-to-our-existing-cities-and?noredirect=1#comment468873_149538) here: My story shall take place on", "I will definitely address space travel at some point, which requires even more", "some point, which requires even more than a planet-sized area. To bring it", "would of course be highly affected (or call it inspired) by our real", "will definitely address space travel at some point, which requires even more than", "and probably the cultural habits to be pretty much like ours nowadays. But", "things you already know about. But no, you don't know any of the", "> not doesn't matter) > > > For me, it feels odd if", "you know nothing about their politics, history and culture. I will explain this", "getting me wrong and think that i don't want to do any research", "Earth directly (especially in fantasy, e.g., Tolkien's Lord of the Rings). But I", "Middle earth) because I will definitely address space travel at some point, which", "thing is that I cannot limit the geographical area of the story (like", "names. *My question is: What is a good way to convey the following", "is very large. For example, Lord of the Rings* plays in medieval times.", "or > not doesn't matter) > > > For me, it feels odd", "use our real world cities and countries (e.g., US, UK, Russia, China, etc.)", "point, I want the technological progress, the state of science, the environment, and", "Keith Coleman, the inventor of the light bulb, was a citizen of the", "medieval times. Another thing is that I cannot limit the geographical area of", "Tyuwoh Edihon invented the light bulb and was a US citizen. (true or", "nothing about their politics, history and culture. I will explain this to you", "because I will definitely address space travel at some point, which requires even", "I can only think of examples where the 'potential time gap' between our", "the light bulb, was a citizen of the > united nations of Quimbleton", "as the dominant species. I imagine the technological and scientific progress to be", "opinion, this would confuse the reader. I know that other writers have built", "countries (e.g., US, UK, Russia, China, etc.) and their political situations, historical backgrounds", "know that other writers have built these human worlds without referring to our", "not doesn't matter) > > > For me, it feels odd if I", "of the > united nations of Quimbleton (names I just came up with)", "want the freedom to create something new from it. I am not trying", "historical backgrounds and cultures. Doing that would require me to stick to real", "people are getting me wrong and think that i don't want to do", "For example, I feel like when writing about inventions, that happened in the", "persons and you know nothing about their politics, history and culture. I will", "building would of course be highly affected (or call it inspired) by our", "whether or not I should use our real world cities and countries (e.g.,", "real historical facts which i want to avoid. I am aware that i", "real life state) but basically I want to build a world environment which", "because people suggested I post [my question](https://worldbuilding.stackexchange.com/questions/149538/how-can-my-story-take-place-on-earth-without-refering-to-our-existing-cities-and?noredirect=1#comment468873_149538) here: My story shall take place", "these inventions happen in a totally different world with different city and country", "stick to real historical facts which i want to avoid. I am aware", "let these inventions happen in a totally different world with different city and", "so that there is no real world connection via names. My question is:", "when writing about inventions, that happened in the near past, I shouldn't let", "> In my opinion, this would confuse the reader. I know that other", "united nations of Quimbleton (names I just came up with) > > >", "culture for the countries but i want to take our world just as", "go for a simple way. It's really just that i don't want to", "up with) > > > In my opinion, this would confuse the reader.", "happen in a totally different world with different city and country names. Very", "I noticed that people are getting me wrong and think that i don't", "that \"alternative reality of humankind\" to the readers without confusing them. For example,", "confusing them. For example, I feel like when writing about inventions, that happened", "like when writing about inventions, that happened in the near past, I shouldn't", "nowadays. But I want to use different names for cities, countries, persons, etc.,", "be pretty much like ours nowadays. But I want to use different names", "like ours nowadays. But I want to use different names for cities, countries,", "highly affected (or call it inspired) by our real world events and systems", "can only think of examples where the 'potential time gap' between our time", "good way to convey that \"alternative reality of humankind\" to the readers without", "in medieval times. Another thing is that I cannot limit the geographical area", "But I want to use different names for cities, countries, persons, etc., so", "writers have built these human worlds without referring to our 'real' Earth directly", "and systems but i just want the freedom to create something new from", "affected (or call it inspired) by our real world events and systems but", "the question whether or not I should use our real world cities and", "our real world, trying to go for a simple way. It's really just", "to be 10 to 20 years in the future from now (our current", "convey that \"alternative reality of humankind\" to the readers without confusing them. For", "real world connection via names. My question is: What is a good way", "Tolkien with Middle earth) because I will definitely address space travel at some", "real world, trying to go for a simple way. It's really just that", "to real historical facts which i want to avoid. I am aware that", "habits to be pretty much like ours nowadays. But I want to use", "I will explain this to you part by part.\" EDIT: I noticed that", "as an inspiration and create something new from it. But now I can't", "shall take place on Earth with the human race as the dominant species.", "connection via names. My question is: What is a good way to convey", "times. Another thing is that I cannot limit the geographical area of the", "bring it to a point, I want the technological progress, the state of", "real world political systems and historical events. My world building would of course", "me, it feels odd if I would say: > > Keith Coleman, the", "writing about inventions, that happened in the near past, I shouldn't let these", "names for cities, countries, persons, etc., so that there is no real world", "the reader. I know that other writers have built these human worlds without", "different names for cities, countries, persons, etc., so that there is no real", "(true or > not doesn't matter) > > > For me, it feels", "Thank you very much for your comments, i read all of them. There", "in the book is very large. For example, Lord of the Rings plays", "cities or persons and you know nothing about their politics, history and culture.", "was a citizen of the > united nations of Quimbleton (names I just", "from now (our current real life state) but basically I want to build", "no real world connection via names. My question is: What is a good", "just that i don't want to necessarily stick to our real world political", "the \"easy\" way. EDIT 2: Thank you very much for your comments, i", "of the story (like Tolkien with Middle earth) because I will definitely address", "time gap' between our time and the time in the book is very", "My question is: What is a good way to convey the following to", "a world environment which is pretty much like ours. However, I am struggling", "However, I am struggling with the question whether or not I should use", "area of the story (like Tolkien with Middle earth) because I will definitely", "Doing that would require me to stick to real historical facts which i", "What is a good way to convey the following to the reader: \"Yes", "human race as the dominant species. I imagine the technological and scientific progress", "ours nowadays. But I want to use different names for cities, countries, persons,", "politics, history and culture for the countries but i want to take our", "doesn't matter) > > > For me, it feels odd if I would", "with different city and country names. Very basic example: > > Tyuwoh Edihon", "not I should use our real world cities and countries (e.g., US, UK,", "don't know any of the countries, cities or persons and you know nothing", "and their political situations, historical backgrounds and cultures. Doing that would require me", "noticed that people are getting me wrong and think that i don't want", "the Rings* plays in medieval times. Another thing is that I cannot limit", "current real life state) but basically I want to build a world environment", "story (like Tolkien with Middle earth) because I will definitely address space travel", "the freedom to create something new from it. I am not trying to", "that would require me to stick to real historical facts which i want", "To bring it to a point, I want the technological progress, the state", "this is Earth, this is pretty much your time and there are a", "to do any research on history and cultures in our real world, trying", "have built these human worlds without referring to our 'real' Earth directly (especially", "that there is no real world connection via names. *My question is: What", "that happened in the near past, I shouldn't let these inventions happen in", "historical facts which i want to avoid. I am aware that i need", "China, etc.) and their political situations, historical backgrounds and cultures. Doing that would", "I want to build a world environment which is pretty much like ours.", "and the time in the book is very large. For example, Lord of", "But now I can't think of a good way to convey that \"alternative", "explain this to you part by part.\"** EDIT: I noticed that people are", "past, I shouldn't let these inventions happen in a totally different world with", "20 years in the future from now (our current real life state) but", "i don't want to do any research on history and cultures in our", "research on history and cultures in our real world, trying to go for", "for the countries but i want to take our world just as an", "to our 'real' Earth directly (especially in fantasy, e.g., Tolkien's Lord of the", "and culture for the countries but i want to take our world just", "(names I just came up with) > > > In my opinion, this", "is Earth, this is pretty much your time and there are a lot", "is pretty much your time and there are a lot things you already", "and historical events. My world building would of course be highly affected (or", "city and country names. Very basic example: > > Tyuwoh Edihon invented the", "humankind\" to the readers without confusing them. For example, I feel like when", "But I can only think of examples where the 'potential time gap' between", "and you know nothing about their politics, history and culture. I will explain", "world connection via names. My question is: What is a good way to", "a totally different world with different city and country names. Very basic example:", "matter) > > > For me, it feels odd if I would say:", "Another thing is that I cannot limit the geographical area of the story", "and create something new from it. But now I can't think of a", "example, I feel like when writing about inventions, that happened in the near", "pretty much your time and there are a lot things you already know", "know nothing about their politics, history and culture. I will explain this to", "don't want to do any research on history and cultures in our real", "new from it. I am not trying to go the \"easy\" way. EDIT", "real world cities and countries (e.g., US, UK, Russia, China, etc.) and their", "aware that i need to develop my own politics, history and culture for", "state) but basically I want to build a world environment which is pretty", "technological and scientific progress to be 10 to 20 years in the future", "world environment which is pretty much like ours. However, I am struggling with", "'potential time gap' between our time and the time in the book is", "I want the technological progress, the state of science, the environment, and probably", "simple way. It's really just that i don't want to necessarily stick to", "of course be highly affected (or call it inspired) by our real world", "good advices which will definitly help me with this issue, so thanks a", "much your time and there are a lot things you already know about.", "part by part.\"* EDIT: I noticed that people are getting me wrong and", "[my question](https://worldbuilding.stackexchange.com/questions/149538/how-can-my-story-take-place-on-earth-without-refering-to-our-existing-cities-and?noredirect=1#comment468873_149538) here: My story shall take place on Earth with the human", "our real world events and systems but i just want the freedom to", "and there are a lot things you already know about. But no, you", "there are a lot things you already know about. But no, you don't", "systems but i just want the freedom to create something new from it.", "without confusing them. For example, I feel like when writing about inventions, that", "I imagine the technological and scientific progress to be 10 to 20 years", "inventions, that happened in the near past, I shouldn't let these inventions happen", "the future from now (our current real life state) but basically I want", "I cannot limit the geographical area of the story (like Tolkien with Middle", "are many good advices which will definitly help me with this issue, so", "really just that i don't want to necessarily stick to our real world", "take place on Earth with the human race as the dominant species. I", "(or call it inspired) by our real world events and systems but i", "happened in the near past, I shouldn't let these inventions happen in a", "worlds without referring to our 'real' Earth directly (especially in fantasy, e.g., Tolkien's", "here: My story shall take place on Earth with the human race as", "light bulb, was a citizen of the > united nations of Quimbleton (names", "to our real world political systems and historical events. My world building would", "world events and systems but i just want the freedom to create something", "different world with different city and country names. Very basic example: > >", "this is pretty much your time and there are a lot things you", "where the 'potential time gap' between our time and the time in the", "i read all of them. There are many good advices which will definitly", "> united nations of Quimbleton (names I just came up with) > >", "that I cannot limit the geographical area of the story (like Tolkien with", "our real world political systems and historical events. My world building would of", "to the reader: \"Yes this is Earth, this is pretty much your time", "It's really just that i don't want to necessarily stick to our real", "require me to stick to real historical facts which i want to avoid.", "There are many good advices which will definitly help me with this issue,", "My world building would of course be highly affected (or call it inspired)", "pretty much like ours. However, I am struggling with the question whether or", "with the human race as the dominant species. I imagine the technological and", "confuse the reader. I know that other writers have built these human worlds", "species. I imagine the technological and scientific progress to be 10 to 20", "political situations, historical backgrounds and cultures. Doing that would require me to stick", "For example, Lord of the Rings plays in medieval times. Another thing is", "reality of humankind\" to the readers without confusing them. For example, I feel", "book is very large. For example, Lord of the Rings plays in medieval", "travel at some point, which requires even more than a planet-sized area. To", "from it. I am not trying to go the \"easy\" way. EDIT 2:", "advices which will definitly help me with this issue, so thanks a lot.", "with Middle earth) because I will definitely address space travel at some point,", "politics, history and culture. I will explain this to you part by part.\"", "Earth, this is pretty much your time and there are a lot things", "about inventions, that happened in the near past, I shouldn't let these inventions", "I should use our real world cities and countries (e.g., US, UK, Russia,", "course be highly affected (or call it inspired) by our real world events", "life state) but basically I want to build a world environment which is", "the > united nations of Quimbleton (names I just came up with) >", "or persons and you know nothing about their politics, history and culture. I", "the reader: *\"Yes this is Earth, this is pretty much your time and", "history and cultures in our real world, trying to go for a simple", "geographical area of the story (like Tolkien with Middle earth) because I will", "examples where the 'potential time gap' between our time and the time in", "the technological and scientific progress to be 10 to 20 years in the", "and was a US citizen. (true or > not doesn't matter) > >", "be highly affected (or call it inspired) by our real world events and", "> > > In my opinion, this would confuse the reader. I know", "I know that other writers have built these human worlds without referring to", "create something new from it. I am not trying to go the \"easy\"", "backgrounds and cultures. Doing that would require me to stick to real historical", "take our world just as an inspiration and create something new from it.", "In my opinion, this would confuse the reader. I know that other writers", "but i just want the freedom to create something new from it. I", "on Earth with the human race as the dominant species. I imagine the", "to a point, I want the technological progress, the state of science, the", "an inspiration and create something new from it. But now I can't think", "a lot things you already know about. But no, you don't know any", "your time and there are a lot things you already know about. But", "the cultural habits to be pretty much like ours nowadays. But I want", "political systems and historical events. My world building would of course be highly", "the technological progress, the state of science, the environment, and probably the cultural", "question is: What is a good way to convey the following to the", "with the question whether or not I should use our real world cities", "you very much for your comments, i read all of them. There are", "world cities and countries (e.g., US, UK, Russia, China, etc.) and their political", "referring to our 'real' Earth directly (especially in fantasy, e.g., Tolkien's Lord of", "and countries (e.g., US, UK, Russia, China, etc.) and their political situations, historical", "and scientific progress to be 10 to 20 years in the future from", "events. My world building would of course be highly affected (or call it", "plays in medieval times. Another thing is that I cannot limit the geographical", "> > For me, it feels odd if I would say: > >", "Quimbleton (names I just came up with) > > > In my opinion,", "which requires even more than a planet-sized area. To bring it to a", "But no, you don't know any of the countries, cities or persons and", "and cultures in our real world, trying to go for a simple way.", "would say: > > Keith Coleman, the inventor of the light bulb, was", "I just came up with) > > > In my opinion, this would", "your comments, i read all of them. There are many good advices which", "US citizen. (true or > not doesn't matter) > > > For me,", "in the future from now (our current real life state) but basically I", "if I would say: > > Keith Coleman, the inventor of the light", "by our real world events and systems but i just want the freedom", "*\"Yes this is Earth, this is pretty much your time and there are", "now I can't think of a good way to convey that \"alternative reality", "reader. I know that other writers have built these human worlds without referring", "is that I cannot limit the geographical area of the story (like Tolkien", "I am aware that i need to develop my own politics, history and", "but i want to take our world just as an inspiration and create", "am aware that i need to develop my own politics, history and culture", "fantasy, e.g., Tolkien's Lord of the Rings). But I can only think of", "culture. I will explain this to you part by part.\"* EDIT: I noticed", "facts which i want to avoid. I am aware that i need to", "there is no real world connection via names. *My question is: What is", "you don't know any of the countries, cities or persons and you know", "don't want to necessarily stick to our real world political systems and historical", "say: > > Keith Coleman, the inventor of the light bulb, was a", "Edihon invented the light bulb and was a US citizen. (true or >", "(especially in fantasy, e.g., Tolkien's Lord of the Rings). But I can only", "basic example: > > Tyuwoh Edihon invented the light bulb and was a", "space travel at some point, which requires even more than a planet-sized area.", "historical events. My world building would of course be highly affected (or call", "know about. But no, you don't know any of the countries, cities or", "history and culture for the countries but i want to take our world", "am struggling with the question whether or not I should use our real", "my own politics, history and culture for the countries but i want to", "way. It's really just that i don't want to necessarily stick to our", "more than a planet-sized area. To bring it to a point, I want", "any of the countries, cities or persons and you know nothing about their", "light bulb and was a US citizen. (true or > not doesn't matter)", "go the \"easy\" way. EDIT 2: Thank you very much for your comments,", "with) > > > In my opinion, this would confuse the reader. I", "world with different city and country names. Very basic example: > > Tyuwoh", "built these human worlds without referring to our 'real' Earth directly (especially in", "you already know about. But no, you don't know any of the countries,", "or not I should use our real world cities and countries (e.g., US,", "race as the dominant species. I imagine the technological and scientific progress to", "read all of them. There are many good advices which will definitly help", "country names. Very basic example: > > Tyuwoh Edihon invented the light bulb", "at some point, which requires even more than a planet-sized area. To bring", "are getting me wrong and think that i don't want to do any", "want to take our world just as an inspiration and create something new", "(e.g., US, UK, Russia, China, etc.) and their political situations, historical backgrounds and", "that i don't want to necessarily stick to our real world political systems", "would require me to stick to real historical facts which i want to", "are a lot things you already know about. But no, you don't know", "human worlds without referring to our 'real' Earth directly (especially in fantasy, e.g.,", "the book is very large. For example, Lord of the Rings* plays in", "\"easy\" way. EDIT 2: Thank you very much for your comments, i read", "Lord of the Rings). But I can only think of examples where the", "the environment, and probably the cultural habits to be pretty much like ours", "names. Very basic example: > > Tyuwoh Edihon invented the light bulb and", "odd if I would say: > > Keith Coleman, the inventor of the", "> Tyuwoh Edihon invented the light bulb and was a US citizen. (true", "was a US citizen. (true or > not doesn't matter) > > >", "to go for a simple way. It's really just that i don't want", "large. For example, Lord of the Rings plays in medieval times. Another thing", "a citizen of the > united nations of Quimbleton (names I just came", "can't think of a good way to convey that \"alternative reality of humankind\"", "the dominant species. I imagine the technological and scientific progress to be 10", "now (our current real life state) but basically I want to build a", "Lord of the Rings plays in medieval times. Another thing is that I", "in our real world, trying to go for a simple way. It's really", "point, which requires even more than a planet-sized area. To bring it to", "Rings* plays in medieval times. Another thing is that I cannot limit the", "etc.) and their political situations, historical backgrounds and cultures. Doing that would require", "world, trying to go for a simple way. It's really just that i", "pretty much like ours nowadays. But I want to use different names for", "> > Tyuwoh Edihon invented the light bulb and was a US citizen.", "like ours. However, I am struggling with the question whether or not I", "cannot limit the geographical area of the story (like Tolkien with Middle earth)", "much like ours. However, I am struggling with the question whether or not", "earth) because I will definitely address space travel at some point, which requires", "years in the future from now (our current real life state) but basically", "the 'potential time gap' between our time and the time in the book", "something new from it. But now I can't think of a good way", "Russia, China, etc.) and their political situations, historical backgrounds and cultures. Doing that", "our 'real' Earth directly (especially in fantasy, e.g., Tolkien's Lord of the Rings).", "real world events and systems but i just want the freedom to create", "i need to develop my own politics, history and culture for the countries", "our world just as an inspiration and create something new from it. But", "readers without confusing them. For example, I feel like when writing about inventions,", "to convey the following to the reader: \"Yes this is Earth, this is", "and cultures. Doing that would require me to stick to real historical facts", "inspiration and create something new from it. But now I can't think of", "me wrong and think that i don't want to do any research on", "I shouldn't let these inventions happen in a totally different world with different", "a simple way. It's really just that i don't want to necessarily stick", "Earth with the human race as the dominant species. I imagine the technological", "way. EDIT 2: Thank you very much for your comments, i read all", "the state of science, the environment, and probably the cultural habits to be", "reader: \"Yes this is Earth, this is pretty much your time and there", "just want the freedom to create something new from it. I am not", "example, Lord of the Rings plays in medieval times. Another thing is that", "world just as an inspiration and create something new from it. But now", "a US citizen. (true or > not doesn't matter) > > > For", "history and culture. I will explain this to you part by part.\"** EDIT:", "progress to be 10 to 20 years in the future from now (our", "and country names. Very basic example: > > Tyuwoh Edihon invented the light", "all of them. There are many good advices which will definitly help me", "e.g., Tolkien's Lord of the Rings). But I can only think of examples", "Coleman, the inventor of the light bulb, was a citizen of the >", "inventor of the light bulb, was a citizen of the > united nations", "convey the following to the reader: \"Yes this is Earth, this is pretty", "is a good way to convey the following to the reader: \"Yes this", "cultures. Doing that would require me to stick to real historical facts which", "invented the light bulb and was a US citizen. (true or > not", "to build a world environment which is pretty much like ours. However, I", "basically I want to build a world environment which is pretty much like", "10 to 20 years in the future from now (our current real life", "it. But now I can't think of a good way to convey that", "environment, and probably the cultural habits to be pretty much like ours nowadays.", "imagine the technological and scientific progress to be 10 to 20 years in", "the time in the book is very large. For example, Lord of the", "systems and historical events. My world building would of course be highly affected", "different city and country names. Very basic example: > > Tyuwoh Edihon invented", "of them. There are many good advices which will definitly help me with", "address space travel at some point, which requires even more than a planet-sized", "want to necessarily stick to our real world political systems and historical events.", "the geographical area of the story (like Tolkien with Middle earth) because I", "only think of examples where the 'potential time gap' between our time and", "of the Rings). But I can only think of examples where the 'potential", "i don't want to necessarily stick to our real world political systems and", "citizen. (true or > not doesn't matter) > > > For me, it", "I feel like when writing about inventions, that happened in the near past,", "is pretty much like ours. However, I am struggling with the question whether", "the Rings). But I can only think of examples where the 'potential time", "that i don't want to do any research on history and cultures in", "to avoid. I am aware that i need to develop my own politics,", "between our time and the time in the book is very large. For", "necessarily stick to our real world political systems and historical events. My world", "ours. However, I am struggling with the question whether or not I should", "of examples where the 'potential time gap' between our time and the time", "cultural habits to be pretty much like ours nowadays. But I want to", "want to use different names for cities, countries, persons, etc., so that there", "EDIT 2: Thank you very much for your comments, i read all of", "> > In my opinion, this would confuse the reader. I know that", "it inspired) by our real world events and systems but i just want", "want to do any research on history and cultures in our real world,", "of a good way to convey that \"alternative reality of humankind\" to the", "about. But no, you don't know any of the countries, cities or persons", "to you part by part.\"* EDIT: I noticed that people are getting me", "to convey that \"alternative reality of humankind\" to the readers without confusing them.", "I would say: > > Keith Coleman, the inventor of the light bulb,", "will explain this to you part by part.\" EDIT: I noticed that people", "planet-sized area. To bring it to a point, I want the technological progress,", "of science, the environment, and probably the cultural habits to be pretty much", "limit the geographical area of the story (like Tolkien with Middle earth) because", "cities and countries (e.g., US, UK, Russia, China, etc.) and their political situations,", "trying to go for a simple way. It's really just that i don't", "good way to convey the following to the reader: \"Yes this is Earth,", "place on Earth with the human race as the dominant species. I imagine", "it to a point, I want the technological progress, the state of science,", "technological progress, the state of science, the environment, and probably the cultural habits", "bulb and was a US citizen. (true or > not doesn't matter) >", "even more than a planet-sized area. To bring it to a point, I", "question](https://worldbuilding.stackexchange.com/questions/149538/how-can-my-story-take-place-on-earth-without-refering-to-our-existing-cities-and?noredirect=1#comment468873_149538) here: My story shall take place on Earth with the human race", "to take our world just as an inspiration and create something new from", "inspired) by our real world events and systems but i just want the", "this to you part by part.\" EDIT: I noticed that people are getting", "inventions happen in a totally different world with different city and country names.", "feel like when writing about inventions, that happened in the near past, I", "this would confuse the reader. I know that other writers have built these", "question whether or not I should use our real world cities and countries", "requires even more than a planet-sized area. To bring it to a point,", "way to convey the following to the reader: \"Yes this is Earth, this", "in a totally different world with different city and country names. Very basic", "no, you don't know any of the countries, cities or persons and you", "I am struggling with the question whether or not I should use our", "area. To bring it to a point, I want the technological progress, the", "shouldn't let these inventions happen in a totally different world with different city", "state of science, the environment, and probably the cultural habits to be pretty", "want to avoid. I am aware that i need to develop my own", "and culture. I will explain this to you part by part.\" EDIT: I", "which i want to avoid. I am aware that i need to develop", "> > > For me, it feels odd if I would say: >", "world building would of course be highly affected (or call it inspired) by", "dominant species. I imagine the technological and scientific progress to be 10 to", "for a simple way. It's really just that i don't want to necessarily", "about their politics, history and culture. I will explain this to you part", "persons, etc., so that there is no real world connection via names. My", "and think that i don't want to do any research on history and", "I am not trying to go the \"easy\" way. EDIT 2: Thank you", "come from worldbuilding.stackexchange because people suggested I post [my question](https://worldbuilding.stackexchange.com/questions/149538/how-can-my-story-take-place-on-earth-without-refering-to-our-existing-cities-and?noredirect=1#comment468873_149538) here: My story", "the inventor of the light bulb, was a citizen of the > united", "without referring to our 'real' Earth directly (especially in fantasy, e.g., Tolkien's Lord", "For me, it feels odd if I would say: > > Keith Coleman,", "a good way to convey the following to the reader:* *\"Yes this is", "to develop my own politics, history and culture for the countries but i", "in the near past, I shouldn't let these inventions happen in a totally", "time in the book is very large. For example, Lord of the Rings", "nations of Quimbleton (names I just came up with) > > > In", "I post [my question](https://worldbuilding.stackexchange.com/questions/149538/how-can-my-story-take-place-on-earth-without-refering-to-our-existing-cities-and?noredirect=1#comment468873_149538) here: My story shall take place on Earth with", "progress, the state of science, the environment, and probably the cultural habits to", "do any research on history and cultures in our real world, trying to", "future from now (our current real life state) but basically I want to", "time and there are a lot things you already know about. But no,", "very large. For example, Lord of the Rings* plays in medieval times. Another", "these human worlds without referring to our 'real' Earth directly (especially in fantasy,", "wrong and think that i don't want to do any research on history", "by part.\"** EDIT: I noticed that people are getting me wrong and think", "already know about. But no, you don't know any of the countries, cities", "2: Thank you very much for your comments, i read all of them.", "for your comments, i read all of them. There are many good advices", "environment which is pretty much like ours. However, I am struggling with the", "stick to our real world political systems and historical events. My world building", "near past, I shouldn't let these inventions happen in a totally different world", "I want to use different names for cities, countries, persons, etc., so that", "the near past, I shouldn't let these inventions happen in a totally different", "of Quimbleton (names I just came up with) > > > In my", "> > Keith Coleman, the inventor of the light bulb, was a citizen", "science, the environment, and probably the cultural habits to be pretty much like", "to create something new from it. I am not trying to go the", "suggested I post [my question](https://worldbuilding.stackexchange.com/questions/149538/how-can-my-story-take-place-on-earth-without-refering-to-our-existing-cities-and?noredirect=1#comment468873_149538) here: My story shall take place on Earth", "citizen of the > united nations of Quimbleton (names I just came up", "I come from worldbuilding.stackexchange because people suggested I post [my question](https://worldbuilding.stackexchange.com/questions/149538/how-can-my-story-take-place-on-earth-without-refering-to-our-existing-cities-and?noredirect=1#comment468873_149538) here: My", "the countries but i want to take our world just as an inspiration", "US, UK, Russia, China, etc.) and their political situations, historical backgrounds and cultures.", "to the readers without confusing them. For example, I feel like when writing", "that other writers have built these human worlds without referring to our 'real'", "from it. But now I can't think of a good way to convey", "Rings). But I can only think of examples where the 'potential time gap'", "to necessarily stick to our real world political systems and historical events. My", "i just want the freedom to create something new from it. I am", "i want to avoid. I am aware that i need to develop my", "feels odd if I would say: > > Keith Coleman, the inventor of", "to 20 years in the future from now (our current real life state)", "probably the cultural habits to be pretty much like ours nowadays. But I", "them. For example, I feel like when writing about inventions, that happened in", "freedom to create something new from it. I am not trying to go", "our time and the time in the book is very large. For example,", "that people are getting me wrong and think that i don't want to", "for cities, countries, persons, etc., so that there is no real world connection", "totally different world with different city and country names. Very basic example: >", "in fantasy, e.g., Tolkien's Lord of the Rings). But I can only think", "to use different names for cities, countries, persons, etc., so that there is", "would confuse the reader. I know that other writers have built these human", "call it inspired) by our real world events and systems but i just", "than a planet-sized area. To bring it to a point, I want the", "a good way to convey that \"alternative reality of humankind\" to the readers", "the story (like Tolkien with Middle earth) because I will definitely address space", "am not trying to go the \"easy\" way. EDIT 2: Thank you very", "need to develop my own politics, history and culture for the countries but", "directly (especially in fantasy, e.g., Tolkien's Lord of the Rings). But I can", "to stick to real historical facts which i want to avoid. I am", "develop my own politics, history and culture for the countries but i want", "me to stick to real historical facts which i want to avoid. I", "of the countries, cities or persons and you know nothing about their politics,", "build a world environment which is pretty much like ours. However, I am", "following to the reader:* \"Yes this is Earth, this is pretty much your", "situations, historical backgrounds and cultures. Doing that would require me to stick to", "to go the \"easy\" way. EDIT 2: Thank you very much for your", "cultures in our real world, trying to go for a simple way. It's", "the human race as the dominant species. I imagine the technological and scientific", "countries, cities or persons and you know nothing about their politics, history and", "countries, persons, etc., so that there is no real world connection via names.", "post [my question](https://worldbuilding.stackexchange.com/questions/149538/how-can-my-story-take-place-on-earth-without-refering-to-our-existing-cities-and?noredirect=1#comment468873_149538) here: My story shall take place on Earth with the", "many good advices which will definitly help me with this issue, so thanks", "but basically I want to build a world environment which is pretty much", "comments, i read all of them. There are many good advices which will", "is: What is a good way to convey the following to the reader:", "very much for your comments, i read all of them. There are many", "my opinion, this would confuse the reader. I know that other writers have", "the following to the reader: \"Yes this is Earth, this is pretty much", "lot things you already know about. But no, you don't know any of", "the countries, cities or persons and you know nothing about their politics, history", "events and systems but i just want the freedom to create something new", "our real world cities and countries (e.g., US, UK, Russia, China, etc.) and", "any research on history and cultures in our real world, trying to go", "think of examples where the 'potential time gap' between our time and the", "time and the time in the book is very large. For example, *Lord", "story shall take place on Earth with the human race as the dominant" ]
[ "took from Professor Shaledrake. But then as I write I discovered it sounds", "names of my English friends but its not giving justice to my character.", "I changed it to Muctaiw Jhown, which I believe to be a realistic", "not giving justice to my character. I also have a French guy as", "Langboz, Bison Bearzi, etc. I have a character who is a professor of", "to be a realistic sounding name in the UK. I also tried different", "popular novels you feel like the names define characters. They fit perfectly to", "write I discovered it sounds highly pretentious. Like a vampire novel, which I", "I also tried different last names of my English friends but its not", "art of imagination? Can something be done or do I just have to", "am asking what's this art of imagination? Can something be done or do", "pretentious. Like a vampire novel, which I am not writing. So I changed", "chubby, easy going, interested in mystical things. I named him Rufus Lraku...Rufus is", "a character who is a professor of psychology, is chubby, easy going, interested", "a professor of psychology, is chubby, easy going, interested in mystical things. I", "tried different last names of my English friends but its not giving justice", "writing. So I changed it to Muctaiw Jhown, which I believe to be", "in mystical things. I named him Rufus Lraku...Rufus is name of my friends", "I also have a French guy as a character. I named him after", "have to design email ID's and gaming zone names for these characters. I", "Jhown, which I believe to be a realistic sounding name in the UK.", "I believe to be a realistic sounding name in the UK. I also", "They fit perfectly to the personality of character. For an e.g. Hijrp Potfeq,", "which I am not writing. So I changed it to Muctaiw Jhown, which", "as a character. I named him after my friend but the last name", "have a character who is a professor of psychology, is chubby, easy going,", "character who is a professor of psychology, is chubby, easy going, interested in", "Lraku...Rufus is name of my friends son, Lraku I took from Professor Shaledrake.", "Like a vampire novel, which I am not writing. So I changed it", "changed it to Muctaiw Jhown, which I believe to be a realistic sounding", "and gaming zone names for these characters. I am asking what's this art", "my friends son, Lraku I took from Professor Shaledrake. But then as I", "it to Muctaiw Jhown, which I believe to be a realistic sounding name", "friends but its not giving justice to my character. I also have a", "Rocudq Langboz, Bison Bearzi, etc. I have a character who is a professor", "etc. I have a character who is a professor of psychology, is chubby,", "Professor Shaledrake. But then as I write I discovered it sounds highly pretentious.", "perfectly to the personality of character. For an e.g. Hijrp Potfeq, Rocudq Langboz,", "him Rufus Lraku...Rufus is name of my friends son, Lraku I took from", "its not giving justice to my character. I also have a French guy", "to design email ID's and gaming zone names for these characters. I am", "not writing. So I changed it to Muctaiw Jhown, which I believe to", "names for these characters. I am asking what's this art of imagination? Can", "I discovered it sounds highly pretentious. Like a vampire novel, which I am", "last names of my English friends but its not giving justice to my", "define characters. They fit perfectly to the personality of character. For an e.g.", "then as I write I discovered it sounds highly pretentious. Like a vampire", "search of French last names and it sounds pretentious. I also have to", "for these characters. I am asking what's this art of imagination? Can something", "what's this art of imagination? Can something be done or do I just", "Google search of French last names and it sounds pretentious. I also have", "a Google search of French last names and it sounds pretentious. I also", "names and it sounds pretentious. I also have to design email ID's and", "to Muctaiw Jhown, which I believe to be a realistic sounding name in", "psychology, is chubby, easy going, interested in mystical things. I named him Rufus", "is a professor of psychology, is chubby, easy going, interested in mystical things.", "characters. They fit perfectly to the personality of character. For an e.g. Hijrp", "sounds highly pretentious. Like a vampire novel, which I am not writing. So", "names define characters. They fit perfectly to the personality of character. For an", "from Professor Shaledrake. But then as I write I discovered it sounds highly", "friends son, Lraku I took from Professor Shaledrake. But then as I write", "of imagination? Can something be done or do I just have to practice?", "am not writing. So I changed it to Muctaiw Jhown, which I believe", "French last names and it sounds pretentious. I also have to design email", "son, Lraku I took from Professor Shaledrake. But then as I write I", "I am asking what's this art of imagination? Can something be done or", "names from popular novels you feel like the names define characters. They fit", "highly pretentious. Like a vampire novel, which I am not writing. So I", "asking what's this art of imagination? Can something be done or do I", "I just made a Google search of French last names and it sounds", "realistic sounding name in the UK. I also tried different last names of", "but the last name I just made a Google search of French last", "and it sounds pretentious. I also have to design email ID's and gaming", "have a French guy as a character. I named him after my friend", "of character. For an e.g. Hijrp Potfeq, Rocudq Langboz, Bison Bearzi, etc. I", "also have to design email ID's and gaming zone names for these characters.", "this art of imagination? Can something be done or do I just have", "going, interested in mystical things. I named him Rufus Lraku...Rufus is name of", "professor of psychology, is chubby, easy going, interested in mystical things. I named", "I named him Rufus Lraku...Rufus is name of my friends son, Lraku I", "after my friend but the last name I just made a Google search", "ID's and gaming zone names for these characters. I am asking what's this", "the names define characters. They fit perfectly to the personality of character. For", "the personality of character. For an e.g. Hijrp Potfeq, Rocudq Langboz, Bison Bearzi,", "email ID's and gaming zone names for these characters. I am asking what's", "vampire novel, which I am not writing. So I changed it to Muctaiw", "read names from popular novels you feel like the names define characters. They", "a French guy as a character. I named him after my friend but", "character. For an e.g. Hijrp Potfeq, Rocudq Langboz, Bison Bearzi, etc. I have", "gaming zone names for these characters. I am asking what's this art of", "I am not writing. So I changed it to Muctaiw Jhown, which I", "the UK. I also tried different last names of my English friends but", "Bison Bearzi, etc. I have a character who is a professor of psychology,", "characters. I am asking what's this art of imagination? Can something be done", "but its not giving justice to my character. I also have a French", "also tried different last names of my English friends but its not giving", "Shaledrake. But then as I write I discovered it sounds highly pretentious. Like", "French guy as a character. I named him after my friend but the", "I write I discovered it sounds highly pretentious. Like a vampire novel, which", "zone names for these characters. I am asking what's this art of imagination?", "which I believe to be a realistic sounding name in the UK. I", "of psychology, is chubby, easy going, interested in mystical things. I named him", "is chubby, easy going, interested in mystical things. I named him Rufus Lraku...Rufus", "like the names define characters. They fit perfectly to the personality of character.", "interested in mystical things. I named him Rufus Lraku...Rufus is name of my", "of French last names and it sounds pretentious. I also have to design", "friend but the last name I just made a Google search of French", "Muctaiw Jhown, which I believe to be a realistic sounding name in the", "in the UK. I also tried different last names of my English friends", "feel like the names define characters. They fit perfectly to the personality of", "design email ID's and gaming zone names for these characters. I am asking", "discovered it sounds highly pretentious. Like a vampire novel, which I am not", "novels you feel like the names define characters. They fit perfectly to the", "I have a character who is a professor of psychology, is chubby, easy", "believe to be a realistic sounding name in the UK. I also tried", "things. I named him Rufus Lraku...Rufus is name of my friends son, Lraku", "character. I named him after my friend but the last name I just", "Bearzi, etc. I have a character who is a professor of psychology, is", "of my friends son, Lraku I took from Professor Shaledrake. But then as", "you read names from popular novels you feel like the names define characters.", "easy going, interested in mystical things. I named him Rufus Lraku...Rufus is name", "justice to my character. I also have a French guy as a character.", "as I write I discovered it sounds highly pretentious. Like a vampire novel,", "you feel like the names define characters. They fit perfectly to the personality", "named him after my friend but the last name I just made a", "So I changed it to Muctaiw Jhown, which I believe to be a", "guy as a character. I named him after my friend but the last", "Potfeq, Rocudq Langboz, Bison Bearzi, etc. I have a character who is a", "him after my friend but the last name I just made a Google", "novel, which I am not writing. So I changed it to Muctaiw Jhown,", "of my English friends but its not giving justice to my character. I", "character. I also have a French guy as a character. I named him", "fit perfectly to the personality of character. For an e.g. Hijrp Potfeq, Rocudq", "giving justice to my character. I also have a French guy as a", "a vampire novel, which I am not writing. So I changed it to", "to my character. I also have a French guy as a character. I", "from popular novels you feel like the names define characters. They fit perfectly", "to the personality of character. For an e.g. Hijrp Potfeq, Rocudq Langboz, Bison", "just made a Google search of French last names and it sounds pretentious.", "last name I just made a Google search of French last names and", "made a Google search of French last names and it sounds pretentious. I", "e.g. Hijrp Potfeq, Rocudq Langboz, Bison Bearzi, etc. I have a character who", "mystical things. I named him Rufus Lraku...Rufus is name of my friends son,", "last names and it sounds pretentious. I also have to design email ID's", "these characters. I am asking what's this art of imagination? Can something be", "Lraku I took from Professor Shaledrake. But then as I write I discovered", "But then as I write I discovered it sounds highly pretentious. Like a", "name in the UK. I also tried different last names of my English", "a realistic sounding name in the UK. I also tried different last names", "it sounds pretentious. I also have to design email ID's and gaming zone", "pretentious. I also have to design email ID's and gaming zone names for", "a character. I named him after my friend but the last name I", "I also have to design email ID's and gaming zone names for these", "different last names of my English friends but its not giving justice to", "Hijrp Potfeq, Rocudq Langboz, Bison Bearzi, etc. I have a character who is", "sounding name in the UK. I also tried different last names of my", "personality of character. For an e.g. Hijrp Potfeq, Rocudq Langboz, Bison Bearzi, etc.", "my character. I also have a French guy as a character. I named", "be a realistic sounding name in the UK. I also tried different last", "I named him after my friend but the last name I just made", "my English friends but its not giving justice to my character. I also", "an e.g. Hijrp Potfeq, Rocudq Langboz, Bison Bearzi, etc. I have a character", "who is a professor of psychology, is chubby, easy going, interested in mystical", "my friend but the last name I just made a Google search of", "English friends but its not giving justice to my character. I also have", "If you read names from popular novels you feel like the names define", "the last name I just made a Google search of French last names", "name I just made a Google search of French last names and it", "Rufus Lraku...Rufus is name of my friends son, Lraku I took from Professor", "is name of my friends son, Lraku I took from Professor Shaledrake. But", "name of my friends son, Lraku I took from Professor Shaledrake. But then", "also have a French guy as a character. I named him after my", "For an e.g. Hijrp Potfeq, Rocudq Langboz, Bison Bearzi, etc. I have a", "sounds pretentious. I also have to design email ID's and gaming zone names", "named him Rufus Lraku...Rufus is name of my friends son, Lraku I took", "it sounds highly pretentious. Like a vampire novel, which I am not writing.", "UK. I also tried different last names of my English friends but its", "I took from Professor Shaledrake. But then as I write I discovered it" ]
[ "powerhouse with immense power and sword skills has always struck me as autistic", "want more than just the few autistic people who may read my book", "as autistic (possibly because of how much of myself I put into writing", "into writing her) and I want more than just the few autistic people", "for something that affects her like that but this is, of course, a", "world. How do I make it clear to neurotypical readers without stereotyping a", "because of how much of myself I put into writing her) and I", "neurotypical readers without stereotyping a good character or calling her by the name", "a fantasy world. How do I make it clear to neurotypical readers without", "has always struck me as autistic (possibly because of how much of myself", "her) and I want more than just the few autistic people who may", "name for something that affects her like that but this is, of course,", "woman with aspergers and writing an autistic character has always been close to", "to go \"oh yeah she has similarities to me cool.\" I want to", "I want to be able to give Fiera a name for something that", "similarities to me cool.\" I want to be able to give Fiera a", "Allas, a fantasy powerhouse with immense power and sword skills has always struck", "be able to give Fiera a name for something that affects her like", "able to give Fiera a name for something that affects her like that", "a woman with aspergers and writing an autistic character has always been close", "a fantasy powerhouse with immense power and sword skills has always struck me", "of how much of myself I put into writing her) and I want", "writing her) and I want more than just the few autistic people who", "may read my book to go \"oh yeah she has similarities to me", "put into writing her) and I want more than just the few autistic", "Fiera Allas, a fantasy powerhouse with immense power and sword skills has always", "sword skills has always struck me as autistic (possibly because of how much", "my heart. Fiera Allas, a fantasy powerhouse with immense power and sword skills", "give Fiera a name for something that affects her like that but this", "How do I make it clear to neurotypical readers without stereotyping a good", "few autistic people who may read my book to go \"oh yeah she", "yeah she has similarities to me cool.\" I want to be able to", "and I want more than just the few autistic people who may read", "do I make it clear to neurotypical readers without stereotyping a good character", "cool.\" I want to be able to give Fiera a name for something", "to neurotypical readers without stereotyping a good character or calling her by the", "always struck me as autistic (possibly because of how much of myself I", "a name for something that affects her like that but this is, of", "I want more than just the few autistic people who may read my", "always been close to my heart. Fiera Allas, a fantasy powerhouse with immense", "she has similarities to me cool.\" I want to be able to give", "I am a woman with aspergers and writing an autistic character has always", "is, of course, a fantasy world. How do I make it clear to", "I make it clear to neurotypical readers without stereotyping a good character or", "the few autistic people who may read my book to go \"oh yeah", "like that but this is, of course, a fantasy world. How do I", "how much of myself I put into writing her) and I want more", "something that affects her like that but this is, of course, a fantasy", "an autistic character has always been close to my heart. Fiera Allas, a", "make it clear to neurotypical readers without stereotyping a good character or calling", "people who may read my book to go \"oh yeah she has similarities", "than just the few autistic people who may read my book to go", "and writing an autistic character has always been close to my heart. Fiera", "that affects her like that but this is, of course, a fantasy world.", "has always been close to my heart. Fiera Allas, a fantasy powerhouse with", "read my book to go \"oh yeah she has similarities to me cool.\"", "Fiera a name for something that affects her like that but this is,", "this is, of course, a fantasy world. How do I make it clear", "that but this is, of course, a fantasy world. How do I make", "course, a fantasy world. How do I make it clear to neurotypical readers", "fantasy powerhouse with immense power and sword skills has always struck me as", "to be able to give Fiera a name for something that affects her", "skills has always struck me as autistic (possibly because of how much of", "aspergers and writing an autistic character has always been close to my heart.", "with immense power and sword skills has always struck me as autistic (possibly", "has similarities to me cool.\" I want to be able to give Fiera", "of course, a fantasy world. How do I make it clear to neurotypical", "me cool.\" I want to be able to give Fiera a name for", "but this is, of course, a fantasy world. How do I make it", "character has always been close to my heart. Fiera Allas, a fantasy powerhouse", "autistic character has always been close to my heart. Fiera Allas, a fantasy", "clear to neurotypical readers without stereotyping a good character or calling her by", "(possibly because of how much of myself I put into writing her) and", "to give Fiera a name for something that affects her like that but", "to my heart. Fiera Allas, a fantasy powerhouse with immense power and sword", "power and sword skills has always struck me as autistic (possibly because of", "more than just the few autistic people who may read my book to", "of myself I put into writing her) and I want more than just", "fantasy world. How do I make it clear to neurotypical readers without stereotyping", "to me cool.\" I want to be able to give Fiera a name", "close to my heart. Fiera Allas, a fantasy powerhouse with immense power and", "with aspergers and writing an autistic character has always been close to my", "been close to my heart. Fiera Allas, a fantasy powerhouse with immense power", "readers without stereotyping a good character or calling her by the name \"autistic.\"", "\"oh yeah she has similarities to me cool.\" I want to be able", "much of myself I put into writing her) and I want more than", "immense power and sword skills has always struck me as autistic (possibly because", "go \"oh yeah she has similarities to me cool.\" I want to be", "and sword skills has always struck me as autistic (possibly because of how", "I put into writing her) and I want more than just the few", "just the few autistic people who may read my book to go \"oh", "affects her like that but this is, of course, a fantasy world. How", "autistic people who may read my book to go \"oh yeah she has", "writing an autistic character has always been close to my heart. Fiera Allas,", "my book to go \"oh yeah she has similarities to me cool.\" I", "book to go \"oh yeah she has similarities to me cool.\" I want", "me as autistic (possibly because of how much of myself I put into", "who may read my book to go \"oh yeah she has similarities to", "heart. Fiera Allas, a fantasy powerhouse with immense power and sword skills has", "autistic (possibly because of how much of myself I put into writing her)", "want to be able to give Fiera a name for something that affects", "myself I put into writing her) and I want more than just the", "struck me as autistic (possibly because of how much of myself I put", "am a woman with aspergers and writing an autistic character has always been", "it clear to neurotypical readers without stereotyping a good character or calling her", "her like that but this is, of course, a fantasy world. How do" ]
[ "> > > The setting is in 2013 and it was normal then", "listen to MP3s and iPods. But I've read that it's lazy writing to", "was sitting alone and Gary Jules' \"Mad World\" was ringing in my iPod.", "my novel, the protagonist is depressed. In the story which is in my", "I can also elaborately mention her state of mind by showing all the", "The setting is in 2013 and it was normal then to listen to", "setting is in 2013 and it was normal then to listen to MP3s", "depressed. In the story which is in my mind... > > The autumn", "iPod. > > > The setting is in 2013 and it was normal", "also elaborately mention her state of mind by showing all the other things", "of mind or event by just mentioning third part scene. I mean I", "my mind... > > The autumn leaves were falling as I was sitting", "ringing in my iPod. > > > The setting is in 2013 and", "lazy writing to express the state of mind or event by just mentioning", "then to listen to MP3s and iPods. But I've read that it's lazy", "writing to express the state of mind or event by just mentioning third", "story which is in my mind... > > The autumn leaves were falling", "my iPod. > > > The setting is in 2013 and it was", "as I was sitting alone and Gary Jules' \"Mad World\" was ringing in", "just mentioning third part scene. I mean I can also elaborately mention her", "scene. I mean I can also elaborately mention her state of mind by", "were falling as I was sitting alone and Gary Jules' \"Mad World\" was", "part scene. I mean I can also elaborately mention her state of mind", "protagonist is depressed. In the story which is in my mind... > >", "was normal then to listen to MP3s and iPods. But I've read that", "in my iPod. > > > The setting is in 2013 and it", "and iPods. But I've read that it's lazy writing to express the state", "which is in my mind... > > The autumn leaves were falling as", "to listen to MP3s and iPods. But I've read that it's lazy writing", "and Gary Jules' \"Mad World\" was ringing in my iPod. > > >", "Jules' \"Mad World\" was ringing in my iPod. > > > The setting", "2013 and it was normal then to listen to MP3s and iPods. But", "or event by just mentioning third part scene. I mean I can also", "to express the state of mind or event by just mentioning third part", "that it's lazy writing to express the state of mind or event by", "and it was normal then to listen to MP3s and iPods. But I've", "> The setting is in 2013 and it was normal then to listen", "> > The autumn leaves were falling as I was sitting alone and", "read that it's lazy writing to express the state of mind or event", "can also elaborately mention her state of mind by showing all the other", "But I've read that it's lazy writing to express the state of mind", "express the state of mind or event by just mentioning third part scene.", "> > The setting is in 2013 and it was normal then to", "normal then to listen to MP3s and iPods. But I've read that it's", "In my novel, the protagonist is depressed. In the story which is in", "it's lazy writing to express the state of mind or event by just", "the protagonist is depressed. In the story which is in my mind... >", "Gary Jules' \"Mad World\" was ringing in my iPod. > > > The", "> The autumn leaves were falling as I was sitting alone and Gary", "alone and Gary Jules' \"Mad World\" was ringing in my iPod. > >", "was ringing in my iPod. > > > The setting is in 2013", "is in my mind... > > The autumn leaves were falling as I", "falling as I was sitting alone and Gary Jules' \"Mad World\" was ringing", "is depressed. In the story which is in my mind... > > The", "mind or event by just mentioning third part scene. I mean I can", "The autumn leaves were falling as I was sitting alone and Gary Jules'", "by just mentioning third part scene. I mean I can also elaborately mention", "is in 2013 and it was normal then to listen to MP3s and", "in 2013 and it was normal then to listen to MP3s and iPods.", "mean I can also elaborately mention her state of mind by showing all", "autumn leaves were falling as I was sitting alone and Gary Jules' \"Mad", "I've read that it's lazy writing to express the state of mind or", "third part scene. I mean I can also elaborately mention her state of", "I mean I can also elaborately mention her state of mind by showing", "her state of mind by showing all the other things that are happening.", "MP3s and iPods. But I've read that it's lazy writing to express the", "iPods. But I've read that it's lazy writing to express the state of", "the story which is in my mind... > > The autumn leaves were", "novel, the protagonist is depressed. In the story which is in my mind...", "mind... > > The autumn leaves were falling as I was sitting alone", "in my mind... > > The autumn leaves were falling as I was", "sitting alone and Gary Jules' \"Mad World\" was ringing in my iPod. >", "leaves were falling as I was sitting alone and Gary Jules' \"Mad World\"", "World\" was ringing in my iPod. > > > The setting is in", "mention her state of mind by showing all the other things that are", "state of mind or event by just mentioning third part scene. I mean", "\"Mad World\" was ringing in my iPod. > > > The setting is", "to MP3s and iPods. But I've read that it's lazy writing to express", "it was normal then to listen to MP3s and iPods. But I've read", "elaborately mention her state of mind by showing all the other things that", "mentioning third part scene. I mean I can also elaborately mention her state", "the state of mind or event by just mentioning third part scene. I", "event by just mentioning third part scene. I mean I can also elaborately", "I was sitting alone and Gary Jules' \"Mad World\" was ringing in my", "In the story which is in my mind... > > The autumn leaves" ]
[ "me from where the story is currently at. What would be the best", "be the best plan for this? Backtrack every time I want to give", "get into writing but always found myself coming up with increments of an", "always wanted to get into writing but always found myself coming up with", "is currently at. What would be the best plan for this? Backtrack every", "plan for this? Backtrack every time I want to give extra detail to", "clear enough) How do I deal with incoming ideas for different moments of", "the idea for a future event in mind? (If it's not clear enough)", "in mind? (If it's not clear enough) How do I deal with incoming", "but always found myself coming up with increments of an event that already", "found myself coming up with increments of an event that already happened or", "future event in mind? (If it's not clear enough) How do I deal", "story is currently at. What would be the best plan for this? Backtrack", "coming up with increments of an event that already happened or imagine something", "to what I already wrote/skip ahead while I have the idea for a", "have the idea for a future event in mind? (If it's not clear", "this? Backtrack every time I want to give extra detail to what I", "enough) How do I deal with incoming ideas for different moments of the", "into writing but always found myself coming up with increments of an event", "happen a bit ahead, distracting me from where the story is currently at.", "at. What would be the best plan for this? Backtrack every time I", "I've always wanted to get into writing but always found myself coming up", "to get into writing but always found myself coming up with increments of", "wanted to get into writing but always found myself coming up with increments", "where the story is currently at. What would be the best plan for", "while I have the idea for a future event in mind? (If it's", "idea for a future event in mind? (If it's not clear enough) How", "that already happened or imagine something that would only happen a bit ahead,", "What would be the best plan for this? Backtrack every time I want", "that would only happen a bit ahead, distracting me from where the story", "or imagine something that would only happen a bit ahead, distracting me from", "would be the best plan for this? Backtrack every time I want to", "event in mind? (If it's not clear enough) How do I deal with", "something that would only happen a bit ahead, distracting me from where the", "extra detail to what I already wrote/skip ahead while I have the idea", "every time I want to give extra detail to what I already wrote/skip", "writing but always found myself coming up with increments of an event that", "only happen a bit ahead, distracting me from where the story is currently", "imagine something that would only happen a bit ahead, distracting me from where", "happened or imagine something that would only happen a bit ahead, distracting me", "a future event in mind? (If it's not clear enough) How do I", "what I already wrote/skip ahead while I have the idea for a future", "(If it's not clear enough) How do I deal with incoming ideas for", "increments of an event that already happened or imagine something that would only", "from where the story is currently at. What would be the best plan", "mind? (If it's not clear enough) How do I deal with incoming ideas", "time I want to give extra detail to what I already wrote/skip ahead", "I want to give extra detail to what I already wrote/skip ahead while", "always found myself coming up with increments of an event that already happened", "How do I deal with incoming ideas for different moments of the story?", "the best plan for this? Backtrack every time I want to give extra", "Backtrack every time I want to give extra detail to what I already", "event that already happened or imagine something that would only happen a bit", "detail to what I already wrote/skip ahead while I have the idea for", "wrote/skip ahead while I have the idea for a future event in mind?", "not clear enough) How do I deal with incoming ideas for different moments", "I already wrote/skip ahead while I have the idea for a future event", "distracting me from where the story is currently at. What would be the", "currently at. What would be the best plan for this? Backtrack every time", "ahead, distracting me from where the story is currently at. What would be", "I have the idea for a future event in mind? (If it's not", "bit ahead, distracting me from where the story is currently at. What would", "an event that already happened or imagine something that would only happen a", "give extra detail to what I already wrote/skip ahead while I have the", "it's not clear enough) How do I deal with incoming ideas for different", "of an event that already happened or imagine something that would only happen", "would only happen a bit ahead, distracting me from where the story is", "for this? Backtrack every time I want to give extra detail to what", "up with increments of an event that already happened or imagine something that", "with increments of an event that already happened or imagine something that would", "ahead while I have the idea for a future event in mind? (If", "myself coming up with increments of an event that already happened or imagine", "the story is currently at. What would be the best plan for this?", "to give extra detail to what I already wrote/skip ahead while I have", "already wrote/skip ahead while I have the idea for a future event in", "already happened or imagine something that would only happen a bit ahead, distracting", "want to give extra detail to what I already wrote/skip ahead while I", "best plan for this? Backtrack every time I want to give extra detail", "a bit ahead, distracting me from where the story is currently at. What", "for a future event in mind? (If it's not clear enough) How do" ]
[ "character's shoes and I think to myself, \"how would I react if I", "haste to go along with the panic and dire of the situation at", "I were in this situation?\" Well one of my beta-readers commented on my", "commented on my work, and he said the chapter sounds like it was", "and dire of the situation at hand. He said that's not a good", "work, and he said the chapter sounds like it was written in haste", "think to myself, \"how would I react if I were in this situation?\"", "beta-readers commented on my work, and he said the chapter sounds like it", "written in haste to go along with the panic and dire of the", "I normally try to place myself in my character's shoes and I think", "my character's shoes and I think to myself, \"how would I react if", "it feeling like it was written in haste? Any feedback is appreciated. Thanks", "at hand. He said that's not a good thing. How can I write", "thing. How can I write a panicked/dire scene without it feeling like it", "sounds like it was written in haste to go along with the panic", "dire of the situation at hand. He said that's not a good thing.", "to myself, \"how would I react if I were in this situation?\" Well", "normally try to place myself in my character's shoes and I think to", "panic and dire of the situation at hand. He said that's not a", "a panicked/dire scene without it feeling like it was written in haste? Any", "like it was written in haste? Any feedback is appreciated. Thanks in advance!", "try to place myself in my character's shoes and I think to myself,", "the panic and dire of the situation at hand. He said that's not", "in my character's shoes and I think to myself, \"how would I react", "of my beta-readers commented on my work, and he said the chapter sounds", "was written in haste to go along with the panic and dire of", "can I write a panicked/dire scene without it feeling like it was written", "place myself in my character's shoes and I think to myself, \"how would", "on my work, and he said the chapter sounds like it was written", "that's not a good thing. How can I write a panicked/dire scene without", "scene without it feeling like it was written in haste? Any feedback is", "he said the chapter sounds like it was written in haste to go", "I react if I were in this situation?\" Well one of my beta-readers", "react if I were in this situation?\" Well one of my beta-readers commented", "said that's not a good thing. How can I write a panicked/dire scene", "would I react if I were in this situation?\" Well one of my", "to go along with the panic and dire of the situation at hand.", "to place myself in my character's shoes and I think to myself, \"how", "go along with the panic and dire of the situation at hand. He", "myself, \"how would I react if I were in this situation?\" Well one", "feeling like it was written in haste? Any feedback is appreciated. Thanks in", "one of my beta-readers commented on my work, and he said the chapter", "the chapter sounds like it was written in haste to go along with", "chapter sounds like it was written in haste to go along with the", "like it was written in haste to go along with the panic and", "Well one of my beta-readers commented on my work, and he said the", "of the situation at hand. He said that's not a good thing. How", "were in this situation?\" Well one of my beta-readers commented on my work,", "good thing. How can I write a panicked/dire scene without it feeling like", "it was written in haste to go along with the panic and dire", "and I think to myself, \"how would I react if I were in", "panicked/dire scene without it feeling like it was written in haste? Any feedback", "my beta-readers commented on my work, and he said the chapter sounds like", "shoes and I think to myself, \"how would I react if I were", "How can I write a panicked/dire scene without it feeling like it was", "in this situation?\" Well one of my beta-readers commented on my work, and", "I think to myself, \"how would I react if I were in this", "and he said the chapter sounds like it was written in haste to", "myself in my character's shoes and I think to myself, \"how would I", "without it feeling like it was written in haste? Any feedback is appreciated.", "situation at hand. He said that's not a good thing. How can I", "this situation?\" Well one of my beta-readers commented on my work, and he", "said the chapter sounds like it was written in haste to go along", "if I were in this situation?\" Well one of my beta-readers commented on", "in haste to go along with the panic and dire of the situation", "situation?\" Well one of my beta-readers commented on my work, and he said", "write a panicked/dire scene without it feeling like it was written in haste?", "hand. He said that's not a good thing. How can I write a", "\"how would I react if I were in this situation?\" Well one of", "my work, and he said the chapter sounds like it was written in", "with the panic and dire of the situation at hand. He said that's", "I write a panicked/dire scene without it feeling like it was written in", "not a good thing. How can I write a panicked/dire scene without it", "a good thing. How can I write a panicked/dire scene without it feeling", "He said that's not a good thing. How can I write a panicked/dire", "the situation at hand. He said that's not a good thing. How can", "along with the panic and dire of the situation at hand. He said" ]
[ "to describe my first person perspective character who's narrating without doing the Wattpad", "describe my first person perspective character who's narrating without doing the Wattpad \"mirror", "person perspective character who's narrating without doing the Wattpad \"mirror scene.\" How would", "perspective character who's narrating without doing the Wattpad \"mirror scene.\" How would I", "character who's narrating without doing the Wattpad \"mirror scene.\" How would I go", "first person perspective character who's narrating without doing the Wattpad \"mirror scene.\" How", "I want to describe my first person perspective character who's narrating without doing", "my first person perspective character who's narrating without doing the Wattpad \"mirror scene.\"", "want to describe my first person perspective character who's narrating without doing the", "narrating without doing the Wattpad \"mirror scene.\" How would I go about this?", "who's narrating without doing the Wattpad \"mirror scene.\" How would I go about" ]
[ "them has them wearing a certain style of clothing. As a playwright, I'd", "way to do this within the play script? Some sort of appendix or", "play and would like to express my desires for casting and costuming of", "in the play script in order to aid the director. Is there a", "As a playwright, I'd like to express that somehow in the play script", "write a document separate from the script and give it to the director", "Irish ancestry (thus an actor with red hair and a convincing Irish accent", "something? Or would I just write a document separate from the script and", "an actor with red hair and a convincing Irish accent would be desired)", "somehow in the play script in order to aid the director. Is there", "for casting and costuming of the characters. For instance, a historical character is", "the director. Is there a typical way to do this within the play", "portrait I've seen of them has them wearing a certain style of clothing.", "like to express that somehow in the play script in order to aid", "Is there a typical way to do this within the play script? Some", "the play script? Some sort of appendix or something? Or would I just", "of appendix or something? Or would I just write a document separate from", "just write a document separate from the script and give it to the", "desires for casting and costuming of the characters. For instance, a historical character", "stage play and would like to express my desires for casting and costuming", "do this within the play script? Some sort of appendix or something? Or", "of clothing. As a playwright, I'd like to express that somehow in the", "accent would be desired) and every portrait I've seen of them has them", "there a typical way to do this within the play script? Some sort", "seen of them has them wearing a certain style of clothing. As a", "document separate from the script and give it to the director with the", "express my desires for casting and costuming of the characters. For instance, a", "has them wearing a certain style of clothing. As a playwright, I'd like", "a certain style of clothing. As a playwright, I'd like to express that", "and every portrait I've seen of them has them wearing a certain style", "of Irish ancestry (thus an actor with red hair and a convincing Irish", "a stage play and would like to express my desires for casting and", "ancestry (thus an actor with red hair and a convincing Irish accent would", "I'd like to express that somehow in the play script in order to", "convincing Irish accent would be desired) and every portrait I've seen of them", "my desires for casting and costuming of the characters. For instance, a historical", "like to express my desires for casting and costuming of the characters. For", "separate from the script and give it to the director with the script?", "would be desired) and every portrait I've seen of them has them wearing", "of the characters. For instance, a historical character is of Irish ancestry (thus", "director. Is there a typical way to do this within the play script?", "script in order to aid the director. Is there a typical way to", "a document separate from the script and give it to the director with", "every portrait I've seen of them has them wearing a certain style of", "character is of Irish ancestry (thus an actor with red hair and a", "(thus an actor with red hair and a convincing Irish accent would be", "red hair and a convincing Irish accent would be desired) and every portrait", "I've seen of them has them wearing a certain style of clothing. As", "within the play script? Some sort of appendix or something? Or would I", "a typical way to do this within the play script? Some sort of", "sort of appendix or something? Or would I just write a document separate", "and a convincing Irish accent would be desired) and every portrait I've seen", "that somehow in the play script in order to aid the director. Is", "to express that somehow in the play script in order to aid the", "is of Irish ancestry (thus an actor with red hair and a convincing", "certain style of clothing. As a playwright, I'd like to express that somehow", "of them has them wearing a certain style of clothing. As a playwright,", "characters. For instance, a historical character is of Irish ancestry (thus an actor", "a convincing Irish accent would be desired) and every portrait I've seen of", "historical character is of Irish ancestry (thus an actor with red hair and", "actor with red hair and a convincing Irish accent would be desired) and", "be desired) and every portrait I've seen of them has them wearing a", "playwright, I'd like to express that somehow in the play script in order", "would I just write a document separate from the script and give it", "I am writing a stage play and would like to express my desires", "style of clothing. As a playwright, I'd like to express that somehow in", "writing a stage play and would like to express my desires for casting", "script? Some sort of appendix or something? Or would I just write a", "costuming of the characters. For instance, a historical character is of Irish ancestry", "and costuming of the characters. For instance, a historical character is of Irish", "Some sort of appendix or something? Or would I just write a document", "the characters. For instance, a historical character is of Irish ancestry (thus an", "to express my desires for casting and costuming of the characters. For instance,", "typical way to do this within the play script? Some sort of appendix", "to do this within the play script? Some sort of appendix or something?", "appendix or something? Or would I just write a document separate from the", "order to aid the director. Is there a typical way to do this", "For instance, a historical character is of Irish ancestry (thus an actor with", "desired) and every portrait I've seen of them has them wearing a certain", "aid the director. Is there a typical way to do this within the", "hair and a convincing Irish accent would be desired) and every portrait I've", "wearing a certain style of clothing. As a playwright, I'd like to express", "instance, a historical character is of Irish ancestry (thus an actor with red", "casting and costuming of the characters. For instance, a historical character is of", "a historical character is of Irish ancestry (thus an actor with red hair", "would like to express my desires for casting and costuming of the characters.", "them wearing a certain style of clothing. As a playwright, I'd like to", "am writing a stage play and would like to express my desires for", "Irish accent would be desired) and every portrait I've seen of them has", "or something? Or would I just write a document separate from the script", "play script in order to aid the director. Is there a typical way", "a playwright, I'd like to express that somehow in the play script in", "in order to aid the director. Is there a typical way to do", "the play script in order to aid the director. Is there a typical", "this within the play script? Some sort of appendix or something? Or would", "with red hair and a convincing Irish accent would be desired) and every", "Or would I just write a document separate from the script and give", "express that somehow in the play script in order to aid the director.", "clothing. As a playwright, I'd like to express that somehow in the play", "and would like to express my desires for casting and costuming of the", "play script? Some sort of appendix or something? Or would I just write", "I just write a document separate from the script and give it to", "to aid the director. Is there a typical way to do this within" ]
[ "question sounds similar to [this](https://writing.stackexchange.com/questions/21563/should-i-write-out-numbers-or-use-the-actual-numbers-ordinals) but I am asking something different. It is", "and over-estimating, sorry for that but I am starting to write second draft", "the reader will scroll through if he or she sees numbers and if", "it. Maybe I am being pedantic and over-estimating, sorry for that but I", "asking something different. It is said that Stephen Hawking [removed all the formulas](https://www.independent.co.uk/news/science/stephen-hawking-a-brief-history-of-time-book-theoretical-physics-why-good-a8255251.html)", "Hawking [removed all the formulas](https://www.independent.co.uk/news/science/stephen-hawking-a-brief-history-of-time-book-theoretical-physics-why-good-a8255251.html) except one because with each use of a", "5 a.m. My problem is I feel it looks good at lot of", "over-estimating, sorry for that but I am starting to write second draft and", "to writing actual numbers? I have done that in my novel, like saying", "sorry for that but I am starting to write second draft and I", "I have done that in my novel, like saying 'five in the morning'", "written out numbers at all the places. For e.g. I think when the", "to write second draft and I just wanted to be sure of use", "book will reduce by half. Will such a thing be applicable to writing", "will reduce by half. Will such a thing be applicable to writing actual", "through if he or she sees numbers and if sub-consciously he/she hates it.", "am asking something different. It is said that Stephen Hawking [removed all the", "writing actual numbers? I have done that in my novel, like saying 'five", "the morning' instead of 5 a.m. My problem is I feel it looks", "a.m. My problem is I feel it looks good at lot of places", "said that Stephen Hawking [removed all the formulas](https://www.independent.co.uk/news/science/stephen-hawking-a-brief-history-of-time-book-theoretical-physics-why-good-a8255251.html) except one because with each", "novel, like saying 'five in the morning' instead of 5 a.m. My problem", "again the warning resounds and I have written out numbers at all the", "each use of a formula the readers of book will reduce by half.", "done that in my novel, like saying 'five in the morning' instead of", "my fiction but again the warning resounds and I have written out numbers", "to [this](https://writing.stackexchange.com/questions/21563/should-i-write-out-numbers-or-use-the-actual-numbers-ordinals) but I am asking something different. It is said that Stephen", "the readers of book will reduce by half. Will such a thing be", "It is said that Stephen Hawking [removed all the formulas](https://www.independent.co.uk/news/science/stephen-hawking-a-brief-history-of-time-book-theoretical-physics-why-good-a8255251.html) except one because", "For e.g. I think when the reader will scroll through if he or", "that in my novel, like saying 'five in the morning' instead of 5", "in my novel, like saying 'five in the morning' instead of 5 a.m.", "or she sees numbers and if sub-consciously he/she hates it. Maybe I am", "sees numbers and if sub-consciously he/she hates it. Maybe I am being pedantic", "at lot of places in my fiction but again the warning resounds and", "I am asking something different. It is said that Stephen Hawking [removed all", "a thing be applicable to writing actual numbers? I have done that in", "have written out numbers at all the places. For e.g. I think when", "think when the reader will scroll through if he or she sees numbers", "have done that in my novel, like saying 'five in the morning' instead", "resounds and I have written out numbers at all the places. For e.g.", "all the formulas](https://www.independent.co.uk/news/science/stephen-hawking-a-brief-history-of-time-book-theoretical-physics-why-good-a8255251.html) except one because with each use of a formula the", "Maybe I am being pedantic and over-estimating, sorry for that but I am", "the places. For e.g. I think when the reader will scroll through if", "I feel it looks good at lot of places in my fiction but", "in the morning' instead of 5 a.m. My problem is I feel it", "similar to [this](https://writing.stackexchange.com/questions/21563/should-i-write-out-numbers-or-use-the-actual-numbers-ordinals) but I am asking something different. It is said that", "use of a formula the readers of book will reduce by half. Will", "looks good at lot of places in my fiction but again the warning", "something different. It is said that Stephen Hawking [removed all the formulas](https://www.independent.co.uk/news/science/stephen-hawking-a-brief-history-of-time-book-theoretical-physics-why-good-a8255251.html) except", "is said that Stephen Hawking [removed all the formulas](https://www.independent.co.uk/news/science/stephen-hawking-a-brief-history-of-time-book-theoretical-physics-why-good-a8255251.html) except one because with", "write second draft and I just wanted to be sure of use of", "if sub-consciously he/she hates it. Maybe I am being pedantic and over-estimating, sorry", "of a formula the readers of book will reduce by half. Will such", "such a thing be applicable to writing actual numbers? I have done that", "he/she hates it. Maybe I am being pedantic and over-estimating, sorry for that", "I am starting to write second draft and I just wanted to be", "thing be applicable to writing actual numbers? I have done that in my", "of places in my fiction but again the warning resounds and I have", "because with each use of a formula the readers of book will reduce", "when the reader will scroll through if he or she sees numbers and", "hates it. Maybe I am being pedantic and over-estimating, sorry for that but", "e.g. I think when the reader will scroll through if he or she", "different. It is said that Stephen Hawking [removed all the formulas](https://www.independent.co.uk/news/science/stephen-hawking-a-brief-history-of-time-book-theoretical-physics-why-good-a8255251.html) except one", "formulas](https://www.independent.co.uk/news/science/stephen-hawking-a-brief-history-of-time-book-theoretical-physics-why-good-a8255251.html) except one because with each use of a formula the readers of", "will scroll through if he or she sees numbers and if sub-consciously he/she", "reader will scroll through if he or she sees numbers and if sub-consciously", "of 5 a.m. My problem is I feel it looks good at lot", "applicable to writing actual numbers? I have done that in my novel, like", "places. For e.g. I think when the reader will scroll through if he", "Will such a thing be applicable to writing actual numbers? I have done", "half. Will such a thing be applicable to writing actual numbers? I have", "instead of 5 a.m. My problem is I feel it looks good at", "sounds similar to [this](https://writing.stackexchange.com/questions/21563/should-i-write-out-numbers-or-use-the-actual-numbers-ordinals) but I am asking something different. It is said", "of book will reduce by half. Will such a thing be applicable to", "if he or she sees numbers and if sub-consciously he/she hates it. Maybe", "am being pedantic and over-estimating, sorry for that but I am starting to", "in my fiction but again the warning resounds and I have written out", "he or she sees numbers and if sub-consciously he/she hates it. Maybe I", "morning' instead of 5 a.m. My problem is I feel it looks good", "being pedantic and over-estimating, sorry for that but I am starting to write", "the formulas](https://www.independent.co.uk/news/science/stephen-hawking-a-brief-history-of-time-book-theoretical-physics-why-good-a8255251.html) except one because with each use of a formula the readers", "formula the readers of book will reduce by half. Will such a thing", "numbers and if sub-consciously he/she hates it. Maybe I am being pedantic and", "reduce by half. Will such a thing be applicable to writing actual numbers?", "all the places. For e.g. I think when the reader will scroll through", "'five in the morning' instead of 5 a.m. My problem is I feel", "fiction but again the warning resounds and I have written out numbers at", "Stephen Hawking [removed all the formulas](https://www.independent.co.uk/news/science/stephen-hawking-a-brief-history-of-time-book-theoretical-physics-why-good-a8255251.html) except one because with each use of", "one because with each use of a formula the readers of book will", "like saying 'five in the morning' instead of 5 a.m. My problem is", "feel it looks good at lot of places in my fiction but again", "am starting to write second draft and I just wanted to be sure", "but I am asking something different. It is said that Stephen Hawking [removed", "at all the places. For e.g. I think when the reader will scroll", "[removed all the formulas](https://www.independent.co.uk/news/science/stephen-hawking-a-brief-history-of-time-book-theoretical-physics-why-good-a8255251.html) except one because with each use of a formula", "actual numbers? I have done that in my novel, like saying 'five in", "saying 'five in the morning' instead of 5 a.m. My problem is I", "This question sounds similar to [this](https://writing.stackexchange.com/questions/21563/should-i-write-out-numbers-or-use-the-actual-numbers-ordinals) but I am asking something different. It", "but again the warning resounds and I have written out numbers at all", "I have written out numbers at all the places. For e.g. I think", "that Stephen Hawking [removed all the formulas](https://www.independent.co.uk/news/science/stephen-hawking-a-brief-history-of-time-book-theoretical-physics-why-good-a8255251.html) except one because with each use", "numbers? I have done that in my novel, like saying 'five in the", "My problem is I feel it looks good at lot of places in", "is I feel it looks good at lot of places in my fiction", "out numbers at all the places. For e.g. I think when the reader", "except one because with each use of a formula the readers of book", "places in my fiction but again the warning resounds and I have written", "and if sub-consciously he/she hates it. Maybe I am being pedantic and over-estimating,", "good at lot of places in my fiction but again the warning resounds", "I think when the reader will scroll through if he or she sees", "for that but I am starting to write second draft and I just", "readers of book will reduce by half. Will such a thing be applicable", "with each use of a formula the readers of book will reduce by", "by half. Will such a thing be applicable to writing actual numbers? I", "numbers at all the places. For e.g. I think when the reader will", "sub-consciously he/she hates it. Maybe I am being pedantic and over-estimating, sorry for", "it looks good at lot of places in my fiction but again the", "I am being pedantic and over-estimating, sorry for that but I am starting", "the warning resounds and I have written out numbers at all the places.", "a formula the readers of book will reduce by half. Will such a", "lot of places in my fiction but again the warning resounds and I", "that but I am starting to write second draft and I just wanted", "second draft and I just wanted to be sure of use of numbers.", "be applicable to writing actual numbers? I have done that in my novel,", "[this](https://writing.stackexchange.com/questions/21563/should-i-write-out-numbers-or-use-the-actual-numbers-ordinals) but I am asking something different. It is said that Stephen Hawking", "my novel, like saying 'five in the morning' instead of 5 a.m. My", "she sees numbers and if sub-consciously he/she hates it. Maybe I am being", "and I have written out numbers at all the places. For e.g. I", "scroll through if he or she sees numbers and if sub-consciously he/she hates", "pedantic and over-estimating, sorry for that but I am starting to write second", "but I am starting to write second draft and I just wanted to", "warning resounds and I have written out numbers at all the places. For", "starting to write second draft and I just wanted to be sure of", "problem is I feel it looks good at lot of places in my" ]
[ "\"target\" be more fitting? Such as: > > Select the target disk. >", "example: > > Select your preferred printer. > > > I'm wondering what", "a situation. Would something more direct like \"target\" be more fitting? Such as:", "> > > I'm wondering what synonyms for \"preferred\" you would use in", "the user intends to use with my instructions. For example: > > Select", "the user that this is the time to enter preferences and not some", "indicate whatever value the user intends to use with my instructions. For example:", "target disk. > > > In short, how do convey to the user", "be more fitting? Such as: > > Select the target disk. > >", "wondering what synonyms for \"preferred\" you would use in such a situation. Would", "convey to the user that this is the time to enter preferences and", "synonyms for \"preferred\" you would use in such a situation. Would something more", "sticking to one word to indicate whatever value the user intends to use", "> I'm wondering what synonyms for \"preferred\" you would use in such a", "the target disk. > > > In short, how do convey to the", "whatever value the user intends to use with my instructions. For example: >", "printer. > > > I'm wondering what synonyms for \"preferred\" you would use", "such a situation. Would something more direct like \"target\" be more fitting? Such", "something more direct like \"target\" be more fitting? Such as: > > Select", "Would something more direct like \"target\" be more fitting? Such as: > >", "one word to indicate whatever value the user intends to use with my", "> > Select the target disk. > > > In short, how do", "that this is the time to enter preferences and not some data that", "finding and sticking to one word to indicate whatever value the user intends", "preferred printer. > > > I'm wondering what synonyms for \"preferred\" you would", "> Select your preferred printer. > > > I'm wondering what synonyms for", "as: > > Select the target disk. > > > In short, how", "Select your preferred printer. > > > I'm wondering what synonyms for \"preferred\"", "> Select the target disk. > > > In short, how do convey", "instructions. For example: > > Select your preferred printer. > > > I'm", "in such a situation. Would something more direct like \"target\" be more fitting?", "> > > In short, how do convey to the user that this", "more fitting? Such as: > > Select the target disk. > > >", "the time to enter preferences and not some data that they may have", "for \"preferred\" you would use in such a situation. Would something more direct", "use in such a situation. Would something more direct like \"target\" be more", "value the user intends to use with my instructions. For example: > >", "> > Select your preferred printer. > > > I'm wondering what synonyms", "you would use in such a situation. Would something more direct like \"target\"", "and sticking to one word to indicate whatever value the user intends to", "with my instructions. For example: > > Select your preferred printer. > >", "situation. Would something more direct like \"target\" be more fitting? Such as: >", "intends to use with my instructions. For example: > > Select your preferred", "to the user that this is the time to enter preferences and not", "my instructions. For example: > > Select your preferred printer. > > >", "is the time to enter preferences and not some data that they may", "disk. > > > In short, how do convey to the user that", "what synonyms for \"preferred\" you would use in such a situation. Would something", "user intends to use with my instructions. For example: > > Select your", "I'm having trouble finding and sticking to one word to indicate whatever value", "I'm wondering what synonyms for \"preferred\" you would use in such a situation.", "short, how do convey to the user that this is the time to", "> > In short, how do convey to the user that this is", "your preferred printer. > > > I'm wondering what synonyms for \"preferred\" you", "would use in such a situation. Would something more direct like \"target\" be", "time to enter preferences and not some data that they may have missed", "to one word to indicate whatever value the user intends to use with", "\"preferred\" you would use in such a situation. Would something more direct like", "> > I'm wondering what synonyms for \"preferred\" you would use in such", "Such as: > > Select the target disk. > > > In short,", "For example: > > Select your preferred printer. > > > I'm wondering", "more direct like \"target\" be more fitting? Such as: > > Select the", "word to indicate whatever value the user intends to use with my instructions.", "to use with my instructions. For example: > > Select your preferred printer.", "how do convey to the user that this is the time to enter", "fitting? Such as: > > Select the target disk. > > > In", "to indicate whatever value the user intends to use with my instructions. For", "direct like \"target\" be more fitting? Such as: > > Select the target", "user that this is the time to enter preferences and not some data", "this is the time to enter preferences and not some data that they", "In short, how do convey to the user that this is the time", "do convey to the user that this is the time to enter preferences", "to enter preferences and not some data that they may have missed earlier?", "having trouble finding and sticking to one word to indicate whatever value the", "Select the target disk. > > > In short, how do convey to", "like \"target\" be more fitting? Such as: > > Select the target disk.", "use with my instructions. For example: > > Select your preferred printer. >", "trouble finding and sticking to one word to indicate whatever value the user", "> In short, how do convey to the user that this is the" ]
[ "banshee > > > I felt like this would be a good place", "5th Edition Dungeons and Dragons, titled Lost Mine of Phandelver, and my players", "more than one reccomendation, and effective examples. Here are some samples of dialog", "into the quickly darkening forest, barely visible are the flickering forms of pale", "each exhale comes out in lush plumes of fog. An intense feeling of", "air. > > > My hope is that I can find more sentence", "narration technique. Sometimes it leans so far into it, that it can feel", "*What sentence formats can replace second-person POV for the purposes of rpg /", "just setting up the scene, they don't know how* to react yet That", "on rpg.stackexchange.com [here](https://rpg.stackexchange.com/questions/150540/how-to-limit-second-person-pov-narration), but was directed to the writing stack exchange because my", "sense would have avoided this place. It is a place where no living", "kind of place this is, tonally. Having \"there is\" as a layer of", "playful past lives. The air here feels freezing and seems to clutch desperately", "someone with no formal writing background, who has come to love writing for", "the purposes of rpg / choose-your-own-adventure style narration?** I initially had my question", "role players what kind of place this is, tonally. Having \"there is\" as", "gleam in the dim blue-green light of the abode as though meticulously polished.", "person or declaration feels sterile and impersonal in a situation where I am", "as you witness the gruesome murder of Sir Important from Storyston > >", "style narration?** I initially had my question on rpg.stackexchange.com [here](https://rpg.stackexchange.com/questions/150540/how-to-limit-second-person-pov-narration), but was directed", "down on you > > > The \"you do x\" format is pervasive,", "in lush plumes of fog. An intense feeling of dread muffles every sense.", "ie, the moments right when characters collide with a different setting and a", "replace second-person POV for the purposes of rpg / choose-your-own-adventure style narration?** I", "sentence is poured of the same mold, so to speak. > > You", "this primitive abode are thin strands of black filament that hang like a", "who has come to love writing for the fantasy adventure role-playing game Dungeons", "deeper into the darker parts of the woods. > > > --- >", "third person narration is that I would like to establish tone specifically, and", "sense. After all, anyone with any sense would have avoided this place. It", "Dungeons and Dragons (fifth edition) during my free time. I am currently running", "witness the gruesome murder of Sir Important from Storyston > > > You", "more formats and examples that could fit in just as well. My reasoning", "needs to be established immediately, and therefore I can find more enjoyment in", "> > > --- > > Plain to see is a modestly furnished", "players what kind of place this is, tonally. Having \"there is\" as a", "world makes it difficult for myself and them to invest in and enjoy", "so to speak. > > You have a feeling of immense dread as", "do: > > Continuing further along the trail, past the willow vines and", "to speak. > > You have a feeling of immense dread as you", "place where no living being belongs. > > > --- > > Plain", "skin. The trees seem oblivious of the harsh chill, and the branches in", "the trail winds deeper into the darker parts of the woods. > >", "narration (\"Ombcox is launched skywards 70ft before ultimately landing with a crunch\"), but", "every sense. After all, anyone with any sense would have avoided this place.", "more sentence formats to flesh out scene setting moments, ie, the moments right", "the scene for the first time, it removes a player's agency in at", "what kind of place this is, tonally. Having \"there is\" as a layer", "to love writing for the fantasy adventure role-playing game Dungeons and Dragons (fifth", "into it, that it can feel like each sentence is poured of the", "one another, living out mischievous and playful past lives. The air here feels", "with sentence structure. I don't know what the formal names of these are,", "murder of Sir Important from Storyston > > > You feel delerious as", "Toads stare apathetically as the trail winds deeper into the darker parts of", "abstraction between the players and the pretend world makes it difficult for myself", "the GM is just setting up the scene, they don't know how to", "the fantasy adventure role-playing game Dungeons and Dragons (fifth edition) during my free", "strictly third person narration is that I would like to establish tone specifically,", "fastenings gleam in the dim blue-green light of the abode as though meticulously", "characters collide with a different setting and a tone needs to be established", "these are, but I know that there are drop in replacements such as", "same mold, so to speak. > > You have a feeling of immense", "Having \"there is\" as a layer of abstraction between the players and the", "more variety. Please let me know how this question can be improved upon.", "very heavily on the second-person point-of-view narration technique. Sometimes it leans so far", "those moment-to-moment, because I will have more variety. Please let me know how", "person narration is that I would like to establish tone specifically, and sometimes", "made in preparation for this adventure, so you can see what I'm trying", "what I'm trying to do: > > Continuing further along the trail, past", "much to do with sentence structure. I don't know what the formal names", "impersonal in a situation where I am trying to telegraph to the role", "the harsh chill, and the branches in direct sunlight have begun to bud.", "scene setting moments, ie, the moments right when characters collide with a different", "a writer, and replacing one writing formula for a singular other writing formula", "> > --- > > Plain to see is a modestly furnished living", "the quickly darkening forest, barely visible are the flickering forms of pale blue", "comes out in lush plumes of fog. An intense feeling of dread muffles", "> > > You are reminded of your own mortaility as you witness", "rpg / choose-your-own-adventure style narration?** I initially had my question on rpg.stackexchange.com [here](https://rpg.stackexchange.com/questions/150540/how-to-limit-second-person-pov-narration),", "anyone with any sense would have avoided this place. It is a place", "though meticulously polished. A deathly silence hangs in the air. > > >", "more enjoyment in narrating those moment-to-moment, because I will have more variety. Please", "will be more inclined to accept an answer that has more than one", "skywards 70ft before ultimately landing with a crunch\"), but I'm sure that there", "singular other writing formula won't help me grow in any meaningful way. I", "an answer that has more than one reccomendation, and effective examples. Here are", "is pervasive, and for moments when a certain tone or theme is desired,", "and examples that could fit in just as well. My reasoning for not", "> > I felt like this would be a good place to try", "to reach a location in the adventure that has very little written for", "apathetically as the trail winds deeper into the darker parts of the woods.", "The air here feels freezing and seems to clutch desperately onto warm skin.", "passive voice (replace \"you see\" with \"there is\") as well as third person", "the haunted house and immediately feel a dreaded and ominous presence\") * the", "plumes of fog. An intense feeling of dread muffles every sense. After all,", "is being given to action before the player knows why (think \"you enter", "furnishings is a veil of dust that leaves the room looking like it", "find more enjoyment in narrating those moment-to-moment, because I will have more variety.", "than one reccomendation, and effective examples. Here are some samples of dialog that", "lived in for several centuries. Strangely, a pearl necklace with gold fastenings gleam", "willow vines and into the quickly darkening forest, barely visible are the flickering", "is, tonally. Having \"there is\" as a layer of abstraction between the players", "blue-green light of the abode as though meticulously polished. A deathly silence hangs", "* the player isn't given time to react, because if the GM is", "is a veil of dust that leaves the room looking like it hasn’t", "is\" or strictly third person narration is that I would like to establish", "and my players are about to reach a location in the adventure that", "initially had my question on rpg.stackexchange.com [here](https://rpg.stackexchange.com/questions/150540/how-to-limit-second-person-pov-narration), but was directed to the writing", "this is, tonally. Having \"there is\" as a layer of abstraction between the", "be a good place to try my hand at writing content. For those", "of the woods. > > > --- > > Slightly obscuring the view", "it hasn’t been lived in for several centuries. Strangely, a pearl necklace with", "as you take in the macabre sight > > > You are reminded", "the same mold, so to speak. > > You have a feeling of", "writing formula won't help me grow in any meaningful way. I will be", "formal writing background, who has come to love writing for the fantasy adventure", "I am someone with no formal writing background, who has come to love", "\"there is\" or strictly third person narration is that I would like to", "or declaration feels sterile and impersonal in a situation where I am trying", "formal names of these are, but I know that there are drop in", "My reasoning for not simply using declarative \"there is\" or strictly third person", "has more than one reccomendation, and effective examples. Here are some samples of", "a modestly furnished living quarters. Thinly coating the room and its furnishings is", "take in the macabre sight > > > You are reminded of your", "ways. * By declaritively stating \"you feel x\" the character is being given", "different setting and a tone needs to be established immediately, and therefore I", "of a powerful and knowledgable banshee > > > I felt like this", "to try my hand at writing content. For those not in the know,", "it, narratively. > > They are about to reach Conyberry, not far from", "the scene, they don't know how to react yet That said, my question", "not in the know, Dungeons and Dragons can lean very heavily on the", "reccomendation, and effective examples. Here are some samples of dialog that I have", "Phandelver, and my players are about to reach a location in the adventure", "looking like it hasn’t been lived in for several centuries. Strangely, a pearl", "> You* are reminded of your own mortaility as you witness the gruesome", "/ choose-your-own-adventure style narration?** I initially had my question on rpg.stackexchange.com [here](https://rpg.stackexchange.com/questions/150540/how-to-limit-second-person-pov-narration), but", "warm skin. The trees seem oblivious of the harsh chill, and the branches", "do with sentence structure. I don't know what the formal names of these", "the players and the pretend world makes it difficult for myself and them", "role-playing game Dungeons and Dragons (fifth edition) during my free time. I am", "Storyston > > > You feel delerious as the maddening desert sun beats", "my question has much to do with sentence structure. I don't know what", "choose-your-own-adventure style narration?** I initially had my question on rpg.stackexchange.com [here](https://rpg.stackexchange.com/questions/150540/how-to-limit-second-person-pov-narration), but was", "enjoy the scene. Moreover, I am trying to grow as a writer, and", "and Dragons (fifth edition) during my free time. I am currently running the", "sentence formats to flesh out scene setting moments, ie, the moments right when", "of the same mold, so to speak. > > You have a feeling", "narration is that I would like to establish tone specifically, and sometimes tone", "\"there is\" as a layer of abstraction between the players and the pretend", "that it can feel like each sentence is poured of the same mold,", "each sentence is poured of the same mold, so to speak. > >", "Sometimes it leans so far into it, that it can feel like each", "and immediately feel a dreaded and ominous presence\") * the player isn't given", "they don't know how to react yet That said, my question is: *What", "all, anyone with any sense would have avoided this place. It is a", "such as passive voice (replace \"you see\" with \"there is\") as well as", "knows why (think \"you enter the haunted house and immediately feel a dreaded", "primitive abode are thin strands of black filament that hang like a beaded", "> You* feel delerious as the maddening desert sun beats down on you", "enter the haunted house and immediately feel a dreaded and ominous presence\") ", "a location in the adventure that has very little written for it, narratively.", "the dim blue-green light of the abode as though meticulously polished. A deathly", "Dungeons and Dragons can lean very heavily on the second-person point-of-view narration technique.", "couple ways. By declaritively stating \"you feel x\" the character is being", "> > > --- > > Slightly obscuring the view into this primitive", "winds deeper into the darker parts of the woods. > > > ---", "you take in the macabre sight > > > You are reminded of", "furnished living quarters. Thinly coating the room and its furnishings is a veil", "and them to invest in and enjoy the scene. Moreover, I am trying", "beaded curtain. The strands are still in the air, and each exhale comes", "veil of dust that leaves the room looking like it hasn’t been lived", "trees seem oblivious of the harsh chill, and the branches in direct sunlight", "with a different setting and a tone needs to be established immediately, and", "that leaves the room looking like it hasn’t been lived in for several", "the willow vines and into the quickly darkening forest, barely visible are the", "exchange because my question has much to do with sentence structure. I don't", "a crunch\"), but I'm sure that there are more formats and examples that", "in direct sunlight have begun to bud. Toads stare apathetically as the trail", "given to action before the player knows why (think \"you enter the haunted", "removes a player's agency in at least a couple ways. * By declaritively", "Dragons, titled Lost Mine of Phandelver, and my players are about to reach", "strands are still in the air, and each exhale comes out in lush", "invest in and enjoy the scene. Moreover, I am trying to grow as", "grow in any meaningful way. I will be more inclined to accept an", "that there are drop in replacements such as passive voice (replace \"you see\"", "from Storyston > > > You feel delerious as the maddening desert sun", "further along the trail, past the willow vines and into the quickly darkening", "trying to grow as a writer, and replacing one writing formula for a", "fire. They dance around the trees as if chasing one another, living out", "other writing formula won't help me grow in any meaningful way. I will", "don't know what the formal names of these are, but I know that", "so far into it, that it can feel like each sentence is poured", "That said, my question is: *What sentence formats can replace second-person POV for", "with \"there is\") as well as third person narration (\"Ombcox is launched skywards", "or strictly third person narration is that I would like to establish tone", "Moreover, I am trying to grow as a writer, and replacing one writing", "to the role players what kind of place this is, tonally. Having \"there", "chill, and the branches in direct sunlight have begun to bud. Toads stare", "I initially had my question on rpg.stackexchange.com [here](https://rpg.stackexchange.com/questions/150540/how-to-limit-second-person-pov-narration), but was directed to the", "ominous presence\") the player isn't given time to react, because if the", "of the harsh chill, and the branches in direct sunlight have begun to", "of black filament that hang like a beaded curtain. The strands are still", "strictly third person or declaration feels sterile and impersonal in a situation where", "of Phandelver, and my players are about to reach a location in the", "the macabre sight > > > You* are reminded of your own mortaility", "there are drop in replacements such as passive voice (replace \"you see\" with", "crunch\"), but I'm sure that there are more formats and examples that could", "out mischievous and playful past lives. The air here feels freezing and seems", "could fit in just as well. My reasoning for not simply using declarative", "was directed to the writing stack exchange because my question has much to", "would have avoided this place. It is a place where no living being", "adventure, so you can see what I'm trying to do: > > Continuing", "abode are thin strands of black filament that hang like a beaded curtain.", "Edition Dungeons and Dragons, titled Lost Mine of Phandelver, and my players are", "I'm trying to do: > > Continuing further along the trail, past the", "\"there is\") as well as third person narration (\"Ombcox is launched skywards 70ft", "Strangely, a pearl necklace with gold fastenings gleam in the dim blue-green light", "macabre sight > > > You are reminded of your own mortaility as", "sunlight have begun to bud. Toads stare apathetically as the trail winds deeper", "the adventure that has very little written for it, narratively. > > They", "of these are, but I know that there are drop in replacements such", "feels freezing and seems to clutch desperately onto warm skin. The trees seem", "your own mortaility as you witness the gruesome murder of Sir Important from", "setting up the scene, they don't know how to react yet That said,", "answer that has more than one reccomendation, and effective examples. Here are some", "modestly furnished living quarters. Thinly coating the room and its furnishings is a", "> > > You feel delerious as the maddening desert sun beats down", "about to reach Conyberry, not far from the residency of a powerful and", "it removes a player's agency in at least a couple ways. * By", "purposes of rpg / choose-your-own-adventure style narration?** I initially had my question on", "dread as you take in the macabre sight > > > You are", "in the adventure that has very little written for it, narratively. > >", "there are more formats and examples that could fit in just as well.", "preparation for this adventure, so you can see what I'm trying to do:", "but I'm sure that there are more formats and examples that could fit", "For those not in the know, Dungeons and Dragons can lean very heavily", "out scene setting moments, ie, the moments right when characters collide with a", "established immediately, and therefore I can find more enjoyment in narrating those moment-to-moment,", "is a modestly furnished living quarters. Thinly coating the room and its furnishings", "delerious as the maddening desert sun beats down on you > > >", "I am trying to grow as a writer, and replacing one writing formula", "the branches in direct sunlight have begun to bud. Toads stare apathetically as", "dust that leaves the room looking like it hasn’t been lived in for", "the pretend world makes it difficult for myself and them to invest in", "immediately, and therefore I can find more enjoyment in narrating those moment-to-moment, because", "of dust that leaves the room looking like it hasn’t been lived in", "such as when setting the scene for the first time, it removes a", "won't help me grow in any meaningful way. I will be more inclined", "as though meticulously polished. A deathly silence hangs in the air. > >", "isn't given time to react, because if the GM is just setting up", "format of strictly third person or declaration feels sterile and impersonal in a", "> Plain to see is a modestly furnished living quarters. Thinly coating the", "as passive voice (replace \"you see\" with \"there is\") as well as third", "my players are about to reach a location in the adventure that has", "feeling of immense dread as you take in the macabre sight > >", "quarters. Thinly coating the room and its furnishings is a veil of dust", "said, my question is: *What sentence formats can replace second-person POV for the", "because I will have more variety. Please let me know how this question", "specifically, and sometimes tone can be visceral, personal, and emotional. The format of", "visceral, personal, and emotional. The format of strictly third person or declaration feels", "to invest in and enjoy the scene. Moreover, I am trying to grow", "agency in at least a couple ways. By declaritively stating \"you feel", "a pearl necklace with gold fastenings gleam in the dim blue-green light of", "and impersonal in a situation where I am trying to telegraph to the", "feels sterile and impersonal in a situation where I am trying to telegraph", "little written for it, narratively. > > They are about to reach Conyberry,", "Plain to see is a modestly furnished living quarters. Thinly coating the room", "> > Slightly obscuring the view into this primitive abode are thin strands", "know what the formal names of these are, but I know that there", "well. My reasoning for not simply using declarative \"there is\" or strictly third", "one reccomendation, and effective examples. Here are some samples of dialog that I", "with a crunch\"), but I'm sure that there are more formats and examples", "sure that there are more formats and examples that could fit in just", "reach Conyberry, not far from the residency of a powerful and knowledgable banshee", "I will have more variety. Please let me know how this question can", "simply using declarative \"there is\" or strictly third person narration is that I", "the scene. Moreover, I am trying to grow as a writer, and replacing", "for a singular other writing formula won't help me grow in any meaningful", "and replacing one writing formula for a singular other writing formula won't help", "reminded of your own mortaility as you witness the gruesome murder of Sir", "hang like a beaded curtain. The strands are still in the air, and", "far from the residency of a powerful and knowledgable banshee > > >", "so you can see what I'm trying to do: > > Continuing further", "if the GM is just setting up the scene, they don't know how", "another, living out mischievous and playful past lives. The air here feels freezing", "x\" the character is being given to action before the player knows why", "to bud. Toads stare apathetically as the trail winds deeper into the darker", "the second-person point-of-view narration technique. Sometimes it leans so far into it, that", "reasoning for not simply using declarative \"there is\" or strictly third person narration", "of abstraction between the players and the pretend world makes it difficult for", "They are about to reach Conyberry, not far from the residency of a", "is: *What sentence formats can replace second-person POV for the purposes of rpg", "in any meaningful way. I will be more inclined to accept an answer", "--- > > Slightly obscuring the view into this primitive abode are thin", "you can see what I'm trying to do: > > Continuing further along", "> > Continuing further along the trail, past the willow vines and into", "that accompanies the Starter Set for 5th Edition Dungeons and Dragons, titled Lost", "feel x\" the character is being given to action before the player knows", "like to establish tone specifically, and sometimes tone can be visceral, personal, and", "myself and them to invest in and enjoy the scene. Moreover, I am", "strands of black filament that hang like a beaded curtain. The strands are", "> The \"you do x\" format is pervasive, and for moments when a", "residency of a powerful and knowledgable banshee > > > I felt like", "I'm sure that there are more formats and examples that could fit in", "I felt like this would be a good place to try my hand", "> > They are about to reach Conyberry, not far from the residency", "not far from the residency of a powerful and knowledgable banshee > >", "stack exchange because my question has much to do with sentence structure. I", "Here are some samples of dialog that I have made in preparation for", "are thin strands of black filament that hang like a beaded curtain. The", "filament that hang like a beaded curtain. The strands are still in the", "My hope is that I can find more sentence formats to flesh out", "adventure role-playing game Dungeons and Dragons (fifth edition) during my free time. I", "gruesome murder of Sir Important from Storyston > > > You feel delerious", "tonally. Having \"there is\" as a layer of abstraction between the players and", "feel delerious as the maddening desert sun beats down on you > >", "formula for a singular other writing formula won't help me grow in any", "very little written for it, narratively. > > They are about to reach", "some samples of dialog that I have made in preparation for this adventure,", "of fog. An intense feeling of dread muffles every sense. After all, anyone", "feeling of dread muffles every sense. After all, anyone with any sense would", "> --- > > Slightly obscuring the view into this primitive abode are", "After all, anyone with any sense would have avoided this place. It is", "at least a couple ways. * By declaritively stating \"you feel x\" the", "is\") as well as third person narration (\"Ombcox is launched skywards 70ft before", "third person narration (\"Ombcox is launched skywards 70ft before ultimately landing with a", "> > My hope is that I can find more sentence formats to", "as third person narration (\"Ombcox is launched skywards 70ft before ultimately landing with", "trying to telegraph to the role players what kind of place this is,", "of pale blue fire. They dance around the trees as if chasing one", "using declarative \"there is\" or strictly third person narration is that I would", "place to try my hand at writing content. For those not in the", "on you > > > The \"you do x\" format is pervasive, and", "and enjoy the scene. Moreover, I am trying to grow as a writer,", "in the air, and each exhale comes out in lush plumes of fog.", "scene. Moreover, I am trying to grow as a writer, and replacing one", "(\"Ombcox is launched skywards 70ft before ultimately landing with a crunch\"), but I'm", "to clutch desperately onto warm skin. The trees seem oblivious of the harsh", "can replace second-person POV for the purposes of rpg / choose-your-own-adventure style narration?*", "> > > My hope is that I can find more sentence formats", "own mortaility as you* witness the gruesome murder of Sir Important from Storyston", "writer, and replacing one writing formula for a singular other writing formula won't", "that has very little written for it, narratively. > > They are about", "clutch desperately onto warm skin. The trees seem oblivious of the harsh chill,", "visible are the flickering forms of pale blue fire. They dance around the", "I would like to establish tone specifically, and sometimes tone can be visceral,", "and into the quickly darkening forest, barely visible are the flickering forms of", "a couple ways. * By declaritively stating \"you feel x\" the character is", "in the dim blue-green light of the abode as though meticulously polished. A", "see\" with \"there is\") as well as third person narration (\"Ombcox is launched", "of Sir Important from Storyston > > > You feel delerious as the", "had my question on rpg.stackexchange.com [here](https://rpg.stackexchange.com/questions/150540/how-to-limit-second-person-pov-narration), but was directed to the writing stack", "to do with sentence structure. I don't know what the formal names of", "the writing stack exchange because my question has much to do with sentence", "darker parts of the woods. > > > --- > > Slightly obscuring", "on the second-person point-of-view narration technique. Sometimes it leans so far into it,", "the formal names of these are, but I know that there are drop", "as a layer of abstraction between the players and the pretend world makes", "moments, ie, the moments right when characters collide with a different setting and", "of dread muffles every sense. After all, anyone with any sense would have", "content. For those not in the know, Dungeons and Dragons can lean very", "location in the adventure that has very little written for it, narratively. >", "a dreaded and ominous presence\") * the player isn't given time to react,", "this adventure, so you can see what I'm trying to do: > >", "It is a place where no living being belongs. > > > ---", "establish tone specifically, and sometimes tone can be visceral, personal, and emotional. The", "trail winds deeper into the darker parts of the woods. > > >", "stating \"you feel x\" the character is being given to action before the", "rpg.stackexchange.com [here](https://rpg.stackexchange.com/questions/150540/how-to-limit-second-person-pov-narration), but was directed to the writing stack exchange because my question", "the air, and each exhale comes out in lush plumes of fog. An", "light of the abode as though meticulously polished. A deathly silence hangs in", "replacing one writing formula for a singular other writing formula won't help me", "a different setting and a tone needs to be established immediately, and therefore", "trail, past the willow vines and into the quickly darkening forest, barely visible", "the maddening desert sun beats down on you > > > The \"you", "to telegraph to the role players what kind of place this is, tonally.", "given time to react, because if the GM is just setting up the", "a beaded curtain. The strands are still in the air, and each exhale", "Dragons (fifth edition) during my free time. I am currently running the adventure", "immediately feel a dreaded and ominous presence\") * the player isn't given time", "accompanies the Starter Set for 5th Edition Dungeons and Dragons, titled Lost Mine", "pervasive, and for moments when a certain tone* or theme is desired, such", "fantasy adventure role-playing game Dungeons and Dragons (fifth edition) during my free time.", "and a tone needs to be established immediately, and therefore I can find", "the gruesome murder of Sir Important from Storyston > > > You feel", "dance around the trees as if chasing one another, living out mischievous and", "see is a modestly furnished living quarters. Thinly coating the room and its", "currently running the adventure that accompanies the Starter Set for 5th Edition Dungeons", "Thinly coating the room and its furnishings is a veil of dust that", "right when characters collide with a different setting and a tone needs to", "second-person POV for the purposes of rpg / choose-your-own-adventure style narration?** I initially", "> > Plain to see is a modestly furnished living quarters. Thinly coating", "a powerful and knowledgable banshee > > > I felt like this would", "The trees seem oblivious of the harsh chill, and the branches in direct", "can find more enjoyment in narrating those moment-to-moment, because I will have more", "blue fire. They dance around the trees as if chasing one another, living", "have a feeling of immense dread as you take in the macabre sight", "hasn’t been lived in for several centuries. Strangely, a pearl necklace with gold", "trying to do: > > Continuing further along the trail, past the willow", "setting and a tone needs to be established immediately, and therefore I can", "can lean very heavily on the second-person point-of-view narration technique. Sometimes it leans", "x\" format is pervasive, and for moments when a certain tone or theme", "because if the GM is just setting up the scene, they don't know", "onto warm skin. The trees seem oblivious of the harsh chill, and the", "why (think \"you enter the haunted house and immediately feel a dreaded and", "I am trying to telegraph to the role players what kind of place", "setting the scene for the first time, it removes a player's agency in", "along the trail, past the willow vines and into the quickly darkening forest,", "> My hope is that I can find more sentence formats to flesh", "heavily on the second-person point-of-view narration technique. Sometimes it leans so far into", "to accept an answer that has more than one reccomendation, and effective examples.", "player knows why (think \"you enter the haunted house and immediately feel a", "help me grow in any meaningful way. I will be more inclined to", "yet That said, my question is: *What sentence formats can replace second-person POV", "> > You* have a feeling of immense dread as you take in", "You are reminded of your own mortaility as you witness the gruesome murder", "speak. > > You have a feeling of immense dread as you take", "those not in the know, Dungeons and Dragons can lean very heavily on", "the residency of a powerful and knowledgable banshee > > > I felt", "lean very heavily on the second-person point-of-view narration technique. Sometimes it leans so", "of place this is, tonally. Having \"there is\" as a layer of abstraction", "pretend world makes it difficult for myself and them to invest in and", "and the branches in direct sunlight have begun to bud. Toads stare apathetically", "the room looking like it hasn’t been lived in for several centuries. Strangely,", "sun beats down on you > > > The \"you do x\" format", "reach a location in the adventure that has very little written for it,", "you > > > The \"you do x\" format is pervasive, and for", "but was directed to the writing stack exchange because my question has much", "Set for 5th Edition Dungeons and Dragons, titled Lost Mine of Phandelver, and", "scene, they don't know how to react yet That said, my question is:", "formats can replace second-person POV for the purposes of rpg / choose-your-own-adventure style", "for the fantasy adventure role-playing game Dungeons and Dragons (fifth edition) during my", "the adventure that accompanies the Starter Set for 5th Edition Dungeons and Dragons,", "the player knows why (think \"you enter the haunted house and immediately feel", "player's agency in at least a couple ways. * By declaritively stating \"you", "> > --- > > Slightly obscuring the view into this primitive abode", "my question on rpg.stackexchange.com [here](https://rpg.stackexchange.com/questions/150540/how-to-limit-second-person-pov-narration), but was directed to the writing stack exchange", "bud. Toads stare apathetically as the trail winds deeper into the darker parts", "been lived in for several centuries. Strangely, a pearl necklace with gold fastenings", "that I can find more sentence formats to flesh out scene setting moments,", "\"you feel x\" the character is being given to action before the player", "any sense would have avoided this place. It is a place where no", "players are about to reach a location in the adventure that has very", "with no formal writing background, who has come to love writing for the", "mold, so to speak. > > You have a feeling of immense dread", "parts of the woods. > > > --- > > Slightly obscuring the", "to be established immediately, and therefore I can find more enjoyment in narrating", "The strands are still in the air, and each exhale comes out in", "the trees as if chasing one another, living out mischievous and playful past", "Slightly obscuring the view into this primitive abode are thin strands of black", "it leans so far into it, that it can feel like each sentence", "in at least a couple ways. * By declaritively stating \"you feel x\"", "to the writing stack exchange because my question has much to do with", "necklace with gold fastenings gleam in the dim blue-green light of the abode", "Conyberry, not far from the residency of a powerful and knowledgable banshee >", "are more formats and examples that could fit in just as well. My", "deathly silence hangs in the air. > > > My hope is that", "that I would like to establish tone specifically, and sometimes tone can be", "Dragons can lean very heavily on the second-person point-of-view narration technique. Sometimes it", "and emotional. The format of strictly third person or declaration feels sterile and", "know that there are drop in replacements such as passive voice (replace \"you", "question on rpg.stackexchange.com [here](https://rpg.stackexchange.com/questions/150540/how-to-limit-second-person-pov-narration), but was directed to the writing stack exchange because", "into this primitive abode are thin strands of black filament that hang like", "forms of pale blue fire. They dance around the trees as if chasing", "that hang like a beaded curtain. The strands are still in the air,", "before ultimately landing with a crunch\"), but I'm sure that there are more", "that could fit in just as well. My reasoning for not simply using", "layer of abstraction between the players and the pretend world makes it difficult", "that I have made in preparation for this adventure, so you can see", "have more variety. Please let me know how this question can be improved", "come to love writing for the fantasy adventure role-playing game Dungeons and Dragons", "tone specifically, and sometimes tone can be visceral, personal, and emotional. The format", "narratively. > > They are about to reach Conyberry, not far from the", "game Dungeons and Dragons (fifth edition) during my free time. I am currently", "powerful and knowledgable banshee > > > I felt like this would be", "sight > > > You are reminded of your own mortaility as you", "a singular other writing formula won't help me grow in any meaningful way.", "felt like this would be a good place to try my hand at", "in the macabre sight > > > You are reminded of your own", "the room and its furnishings is a veil of dust that leaves the", "during my free time. I am currently running the adventure that accompanies the", "are still in the air, and each exhale comes out in lush plumes", "how to react yet That said, my question is: *What sentence formats can", "into the darker parts of the woods. > > > --- > >", "fit in just as well. My reasoning for not simply using declarative \"there", "as when setting the scene for the first time, it removes a player's", "for myself and them to invest in and enjoy the scene. Moreover, I", "polished. A deathly silence hangs in the air. > > > My hope", "the view into this primitive abode are thin strands of black filament that", "from the residency of a powerful and knowledgable banshee > > > I", "Lost Mine of Phandelver, and my players are about to reach a location", "begun to bud. Toads stare apathetically as the trail winds deeper into the", "as the trail winds deeper into the darker parts of the woods. >", "but I know that there are drop in replacements such as passive voice", "and Dragons, titled Lost Mine of Phandelver, and my players are about to", "> > You* feel delerious as the maddening desert sun beats down on", "that has more than one reccomendation, and effective examples. 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I will be more inclined to accept an answer that has more", "oblivious of the harsh chill, and the branches in direct sunlight have begun", "this would be a good place to try my hand at writing content.", "a player's agency in at least a couple ways. * By declaritively stating", "maddening desert sun beats down on you > > > The \"you do", "am trying to grow as a writer, and replacing one writing formula for", "far into it, that it can feel like each sentence is poured of", "know, Dungeons and Dragons can lean very heavily on the second-person point-of-view narration", "to reach Conyberry, not far from the residency of a powerful and knowledgable", "to grow as a writer, and replacing one writing formula for a singular", "what the formal names of these are, but I know that there are", "living quarters. Thinly coating the room and its furnishings is a veil of", "leans so far into it, that it can feel like each sentence is", "titled Lost Mine of Phandelver, and my players are about to reach a", "the trail, past the willow vines and into the quickly darkening forest, barely", "I will be more inclined to accept an answer that has more than", "grow as a writer, and replacing one writing formula for a singular other", "70ft before ultimately landing with a crunch\"), but I'm sure that there are", "good place to try my hand at writing content. For those not in", "emotional. The format of strictly third person or declaration feels sterile and impersonal", "quickly darkening forest, barely visible are the flickering forms of pale blue fire.", "written for it, narratively. > > They are about to reach Conyberry, not", "Starter Set for 5th Edition Dungeons and Dragons, titled Lost Mine of Phandelver,", "are, but I know that there are drop in replacements such as passive", "freezing and seems to clutch desperately onto warm skin. The trees seem oblivious", "don't know how to react yet That said, my question is: *What sentence", "voice (replace \"you see\" with \"there is\") as well as third person narration", "I am currently running the adventure that accompanies the Starter Set for 5th", "be more inclined to accept an answer that has more than one reccomendation,", "pale blue fire. They dance around the trees as if chasing one another,", "writing background, who has come to love writing for the fantasy adventure role-playing", "can be visceral, personal, and emotional. The format of strictly third person or", "love writing for the fantasy adventure role-playing game Dungeons and Dragons (fifth edition)", "as well. My reasoning for not simply using declarative \"there is\" or strictly", "\"you see\" with \"there is\") as well as third person narration (\"Ombcox is", "would be a good place to try my hand at writing content. For", "--- > > Plain to see is a modestly furnished living quarters. Thinly", "be established immediately, and therefore I can find more enjoyment in narrating those", "format is pervasive, and for moments when a certain tone* or theme is", "[here](https://rpg.stackexchange.com/questions/150540/how-to-limit-second-person-pov-narration), but was directed to the writing stack exchange because my question has", "ultimately landing with a crunch\"), but I'm sure that there are more formats", "can see what I'm trying to do: > > Continuing further along the", "more inclined to accept an answer that has more than one reccomendation, and", "writing content. For those not in the know, Dungeons and Dragons can lean", "up the scene, they don't know how to react yet That said, my", "I know that there are drop in replacements such as passive voice (replace", "An intense feeling of dread muffles every sense. After all, anyone with any", "and the pretend world makes it difficult for myself and them to invest", "tone or theme is desired, such as when setting the scene for the", "is just setting up the scene, they don't know how to react yet", "the flickering forms of pale blue fire. They dance around the trees as", "in the air. > > > My hope is that I can find", "collide with a different setting and a tone needs to be established immediately,", "are the flickering forms of pale blue fire. They dance around the trees", "> Slightly obscuring the view into this primitive abode are thin strands of", "the abode as though meticulously polished. A deathly silence hangs in the air.", "harsh chill, and the branches in direct sunlight have begun to bud. Toads", "background, who has come to love writing for the fantasy adventure role-playing game", "for it, narratively. > > They are about to reach Conyberry, not far", "difficult for myself and them to invest in and enjoy the scene. Moreover,", "player isn't given time to react, because if the GM is just setting", "samples of dialog that I have made in preparation for this adventure, so", "haunted house and immediately feel a dreaded and ominous presence\") * the player", "examples. Here are some samples of dialog that I have made in preparation", "POV for the purposes of rpg / choose-your-own-adventure style narration?** I initially had", "You feel delerious as the maddening desert sun beats down on you >", "I don't know what the formal names of these are, but I know", "formula won't help me grow in any meaningful way. I will be more", "adventure that accompanies the Starter Set for 5th Edition Dungeons and Dragons, titled", "the first time, it removes a player's agency in at least a couple", "before the player knows why (think \"you enter the haunted house and immediately", "would like to establish tone specifically, and sometimes tone can be visceral, personal,", "with any sense would have avoided this place. It is a place where", "do x\" format is pervasive, and for moments when a certain tone or", "GM is just setting up the scene, they don't know how to react", "place. It is a place where no living being belongs. > > >", "and its furnishings is a veil of dust that leaves the room looking", "dread muffles every sense. After all, anyone with any sense would have avoided", "of immense dread as you take in the macabre sight > > >", "seems to clutch desperately onto warm skin. The trees seem oblivious of the", "like this would be a good place to try my hand at writing", "> > > The \"you do x\" format is pervasive, and for moments", "person narration (\"Ombcox is launched skywards 70ft before ultimately landing with a crunch\"),", "Mine of Phandelver, and my players are about to reach a location in", "scene for the first time, it removes a player's agency in at least", "By declaritively stating \"you feel* x\" the character is being given to action", "as well as third person narration (\"Ombcox is launched skywards 70ft before ultimately", "or theme is desired, such as when setting the scene for the first", "is launched skywards 70ft before ultimately landing with a crunch\"), but I'm sure", "about to reach a location in the adventure that has very little written", "> I felt like this would be a good place to try my", "are some samples of dialog that I have made in preparation for this", "hope is that I can find more sentence formats to flesh out scene", "> They are about to reach Conyberry, not far from the residency of", "be visceral, personal, and emotional. 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They dance around the trees as if", "Dungeons and Dragons, titled Lost Mine of Phandelver, and my players are about", "in a situation where I am trying to telegraph to the role players", "where no living being belongs. > > > --- > > Plain to", "A deathly silence hangs in the air. > > > My hope is", "it can feel like each sentence is poured of the same mold, so", "technique. Sometimes it leans so far into it, that it can feel like", "Important from Storyston > > > You* feel delerious as the maddening desert", "are about to reach a location in the adventure that has very little", "sometimes tone can be visceral, personal, and emotional. The format of strictly third", "replacements such as passive voice (replace \"you see\" with \"there is\") as well", "have begun to bud. Toads stare apathetically as the trail winds deeper into", "air here feels freezing and seems to clutch desperately onto warm skin. The", "dialog that I have made in preparation for this adventure, so you can", "narrating those moment-to-moment, because I will have more variety. Please let me know", "living out mischievous and playful past lives. The air here feels freezing and", "react yet That said, my question is: *What sentence formats can replace second-person", "You* have a feeling of immense dread as you take in the macabre", "I can find more sentence formats to flesh out scene setting moments, ie,", "to do: > > Continuing further along the trail, past the willow vines", "is that I can find more sentence formats to flesh out scene setting", "past the willow vines and into the quickly darkening forest, barely visible are", "the role players what kind of place this is, tonally. Having \"there is\"", "still in the air, and each exhale comes out in lush plumes of", "when setting the scene for the first time, it removes a player's agency", "examples that could fit in just as well. My reasoning for not simply", "them to invest in and enjoy the scene. Moreover, I am trying to", "hangs in the air. > > > My hope is that I can", "like each sentence is poured of the same mold, so to speak. >", "action before the player knows why (think \"you enter the haunted house and", "question has much to do with sentence structure. I don't know what the", "direct sunlight have begun to bud. Toads stare apathetically as the trail winds", "pearl necklace with gold fastenings gleam in the dim blue-green light of the", "around the trees as if chasing one another, living out mischievous and playful", "has very little written for it, narratively. > > They are about to", "has come to love writing for the fantasy adventure role-playing game Dungeons and", "desired, such as when setting the scene for the first time, it removes", "of rpg / choose-your-own-adventure style narration?** I initially had my question on rpg.stackexchange.com", "when characters collide with a different setting and a tone needs to be", "(fifth edition) during my free time. I am currently running the adventure that", "I can find more enjoyment in narrating those moment-to-moment, because I will have", "no living being belongs. > > > --- > > Plain to see", "in just as well. My reasoning for not simply using declarative \"there is\"", "drop in replacements such as passive voice (replace \"you see\" with \"there is\")", "directed to the writing stack exchange because my question has much to do", "in for several centuries. Strangely, a pearl necklace with gold fastenings gleam in", "with gold fastenings gleam in the dim blue-green light of the abode as", "and ominous presence\") * the player isn't given time to react, because if", "the know, Dungeons and Dragons can lean very heavily on the second-person point-of-view", "abode as though meticulously polished. A deathly silence hangs in the air. >", "meticulously polished. A deathly silence hangs in the air. > > > My", "me grow in any meaningful way. I will be more inclined to accept", "centuries. Strangely, a pearl necklace with gold fastenings gleam in the dim blue-green", "moment-to-moment, because I will have more variety. Please let me know how this", "sterile and impersonal in a situation where I am trying to telegraph to", "are reminded of your own mortaility as you witness the gruesome murder of", "writing formula for a singular other writing formula won't help me grow in", "in narrating those moment-to-moment, because I will have more variety. Please let me", "time, it removes a player's agency in at least a couple ways. ", "free time. I am currently running the adventure that accompanies the Starter Set", "one writing formula for a singular other writing formula won't help me grow", "(think \"you enter the haunted house and immediately feel a dreaded and ominous", "> > The \"you do x\" format is pervasive, and for moments when", "tone can be visceral, personal, and emotional. The format of strictly third person", "its furnishings is a veil of dust that leaves the room looking like", "exhale comes out in lush plumes of fog. An intense feeling of dread", "darkening forest, barely visible are the flickering forms of pale blue fire. They", "my question is: What sentence formats can replace second-person POV for the purposes", "for moments when a certain tone* or theme is desired, such as when", "dreaded and ominous presence\") * the player isn't given time to react, because", "* By declaritively stating \"you feel x\" the character is being given to", "lives. The air here feels freezing and seems to clutch desperately onto warm", "poured of the same mold, so to speak. > > You have a", "like a beaded curtain. The strands are still in the air, and each", "therefore I can find more enjoyment in narrating those moment-to-moment, because I will", "moments right when characters collide with a different setting and a tone needs", "and Dragons can lean very heavily on the second-person point-of-view narration technique. Sometimes", "am currently running the adventure that accompanies the Starter Set for 5th Edition", "(replace \"you see\" with \"there is\") as well as third person narration (\"Ombcox", "as a writer, and replacing one writing formula for a singular other writing", "makes it difficult for myself and them to invest in and enjoy the", "just as well. My reasoning for not simply using declarative \"there is\" or", "curtain. The strands are still in the air, and each exhale comes out", "muffles every sense. After all, anyone with any sense would have avoided this", "because my question has much to do with sentence structure. I don't know", "the moments right when characters collide with a different setting and a tone", "> > > I felt like this would be a good place to", "no formal writing background, who has come to love writing for the fantasy", "the woods. > > > --- > > Slightly obscuring the view into", "to see is a modestly furnished living quarters. Thinly coating the room and", "the character is being given to action before the player knows why (think", "intense feeling of dread muffles every sense. After all, anyone with any sense", "desperately onto warm skin. The trees seem oblivious of the harsh chill, and", "react, because if the GM is just setting up the scene, they don't", "the Starter Set for 5th Edition Dungeons and Dragons, titled Lost Mine of", "as if chasing one another, living out mischievous and playful past lives. The", "sentence structure. I don't know what the formal names of these are, but", "coating the room and its furnishings is a veil of dust that leaves", "try my hand at writing content. For those not in the know, Dungeons", "knowledgable banshee > > > I felt like this would be a good", "a good place to try my hand at writing content. For those not", "second-person point-of-view narration technique. Sometimes it leans so far into it, that it", "stare apathetically as the trail winds deeper into the darker parts of the", "formats and examples that could fit in just as well. My reasoning for", "in the know, Dungeons and Dragons can lean very heavily on the second-person", "chasing one another, living out mischievous and playful past lives. The air here", "\"you do x\" format is pervasive, and for moments when a certain tone", "personal, and emotional. The format of strictly third person or declaration feels sterile", "and seems to clutch desperately onto warm skin. The trees seem oblivious of", "as the maddening desert sun beats down on you* > > > The", "the darker parts of the woods. > > > --- > > Slightly", "this place. It is a place where no living being belongs. > >", "find more sentence formats to flesh out scene setting moments, ie, the moments", "running the adventure that accompanies the Starter Set for 5th Edition Dungeons and", "past lives. The air here feels freezing and seems to clutch desperately onto", "They dance around the trees as if chasing one another, living out mischievous", "of your own mortaility as you witness the gruesome murder of Sir Important", "to action before the player knows why (think \"you enter the haunted house", "it difficult for myself and them to invest in and enjoy the scene.", "in preparation for this adventure, so you can see what I'm trying to", "black filament that hang like a beaded curtain. The strands are still in", "several centuries. Strangely, a pearl necklace with gold fastenings gleam in the dim", "not simply using declarative \"there is\" or strictly third person narration is that", "feel like each sentence is poured of the same mold, so to speak.", "am trying to telegraph to the role players what kind of place this", "mortaility as you witness the gruesome murder of Sir Important from Storyston >", "tone needs to be established immediately, and therefore I can find more enjoyment", "mischievous and playful past lives. The air here feels freezing and seems to", "house and immediately feel a dreaded and ominous presence\") * the player isn't", "being belongs. > > > --- > > Plain to see is a", "point-of-view narration technique. Sometimes it leans so far into it, that it can", "> Continuing further along the trail, past the willow vines and into the", "character is being given to action before the player knows why (think \"you", "forest, barely visible are the flickering forms of pale blue fire. They dance", "view into this primitive abode are thin strands of black filament that hang", "that there are more formats and examples that could fit in just as", "is\" as a layer of abstraction between the players and the pretend world", "time. I am currently running the adventure that accompanies the Starter Set for", "adventure that has very little written for it, narratively. > > They are", "and effective examples. Here are some samples of dialog that I have made", "immense dread as you take in the macabre sight > > > You", "when a certain tone or theme is desired, such as when setting the", "declaration feels sterile and impersonal in a situation where I am trying to", "\"you enter the haunted house and immediately feel a dreaded and ominous presence\")", "landing with a crunch\"), but I'm sure that there are more formats and", "any meaningful way. I will be more inclined to accept an answer that", "avoided this place. It is a place where no living being belongs. >", "a situation where I am trying to telegraph to the role players what", "will have more variety. Please let me know how this question can be", "room looking like it hasn’t been lived in for several centuries. Strangely, a", "and each exhale comes out in lush plumes of fog. An intense feeling", "my free time. I am currently running the adventure that accompanies the Starter", "fog. An intense feeling of dread muffles every sense. After all, anyone with", "the air. > > > My hope is that I can find more", "theme is desired, such as when setting the scene for the first time,", "the player isn't given time to react, because if the GM is just", "air, and each exhale comes out in lush plumes of fog. An intense", "can feel like each sentence is poured of the same mold, so to", "vines and into the quickly darkening forest, barely visible are the flickering forms", "have avoided this place. It is a place where no living being belongs.", "thin strands of black filament that hang like a beaded curtain. The strands", "formats to flesh out scene setting moments, ie, the moments right when characters", "barely visible are the flickering forms of pale blue fire. They dance around", "leaves the room looking like it hasn’t been lived in for several centuries.", "beats down on you > > > The \"you do x\" format is", "are about to reach Conyberry, not far from the residency of a powerful", "silence hangs in the air. > > > My hope is that I", "narration?** I initially had my question on rpg.stackexchange.com [here](https://rpg.stackexchange.com/questions/150540/how-to-limit-second-person-pov-narration), but was directed to", "and playful past lives. The air here feels freezing and seems to clutch", "time to react, because if the GM is just setting up the scene,", "of strictly third person or declaration feels sterile and impersonal in a situation", "certain tone or theme is desired, such as when setting the scene for", "declarative \"there is\" or strictly third person narration is that I would like", "have made in preparation for this adventure, so you can see what I'm", "trees as if chasing one another, living out mischievous and playful past lives.", "declaritively stating \"you feel x\" the character is being given to action before", "well as third person narration (\"Ombcox is launched skywards 70ft before ultimately landing", "> --- > > Plain to see is a modestly furnished living quarters.", "at writing content. For those not in the know, Dungeons and Dragons can", "are drop in replacements such as passive voice (replace \"you see\" with \"there", "is that I would like to establish tone specifically, and sometimes tone can", "belongs. > > > --- > > Plain to see is a modestly", "my hand at writing content. For those not in the know, Dungeons and", "third person or declaration feels sterile and impersonal in a situation where I", "in replacements such as passive voice (replace \"you see\" with \"there is\") as", "a layer of abstraction between the players and the pretend world makes it", "The \"you do x\" format is pervasive, and for moments when a certain", "enjoyment in narrating those moment-to-moment, because I will have more variety. Please let", "of dialog that I have made in preparation for this adventure, so you", "writing for the fantasy adventure role-playing game Dungeons and Dragons (fifth edition) during", "and for moments when a certain tone or theme is desired, such as", "Sir Important from Storyston > > > You feel delerious as the maddening", "Continuing further along the trail, past the willow vines and into the quickly", "lush plumes of fog. An intense feeling of dread muffles every sense. After", "to react, because if the GM is just setting up the scene, they", "writing stack exchange because my question has much to do with sentence structure.", "am someone with no formal writing background, who has come to love writing", "gold fastenings gleam in the dim blue-green light of the abode as though", "where I am trying to telegraph to the role players what kind of", "it, that it can feel like each sentence is poured of the same", "is poured of the same mold, so to speak. > > You have", "of the abode as though meticulously polished. A deathly silence hangs in the", "a tone needs to be established immediately, and therefore I can find more", "and knowledgable banshee > > > I felt like this would be a", "first time, it removes a player's agency in at least a couple ways.", "for the purposes of rpg / choose-your-own-adventure style narration? I initially had my", "has much to do with sentence structure. I don't know what the formal", "effective examples. Here are some samples of dialog that I have made in", "branches in direct sunlight have begun to bud. Toads stare apathetically as the", "question is: What sentence formats can replace second-person POV for the purposes of", "The format of strictly third person or declaration feels sterile and impersonal in", "a feeling of immense dread as you take in the macabre sight >", "see what I'm trying to do: > > Continuing further along the trail,", "launched skywards 70ft before ultimately landing with a crunch\"), but I'm sure that", "presence\") * the player isn't given time to react, because if the GM", "inclined to accept an answer that has more than one reccomendation, and effective", "for the first time, it removes a player's agency in at least a", "situation where I am trying to telegraph to the role players what kind", "a place where no living being belongs. > > > --- > >", "being given to action before the player knows why (think \"you enter the", "room and its furnishings is a veil of dust that leaves the room", "is desired, such as when setting the scene for the first time, it", "sentence formats can replace second-person POV for the purposes of rpg / choose-your-own-adventure", "I have made in preparation for this adventure, so you can see what", "here feels freezing and seems to clutch desperately onto warm skin. The trees", "least a couple ways. * By declaritively stating \"you feel x\" the character", "telegraph to the role players what kind of place this is, tonally. Having", "seem oblivious of the harsh chill, and the branches in direct sunlight have", "desert sun beats down on you > > > The \"you do x\"", "meaningful way. I will be more inclined to accept an answer that has", "if chasing one another, living out mischievous and playful past lives. The air", "flesh out scene setting moments, ie, the moments right when characters collide with", "you witness the gruesome murder of Sir Important from Storyston > > >", "for this adventure, so you can see what I'm trying to do: >", "for not simply using declarative \"there is\" or strictly third person narration is", "hand at writing content. For those not in the know, Dungeons and Dragons", "out in lush plumes of fog. An intense feeling of dread muffles every", "accept an answer that has more than one reccomendation, and effective examples. Here", "edition) during my free time. I am currently running the adventure that accompanies", "can find more sentence formats to flesh out scene setting moments, ie, the", "between the players and the pretend world makes it difficult for myself and", "for 5th Edition Dungeons and Dragons, titled Lost Mine of Phandelver, and my", "like it hasn’t been lived in for several centuries. Strangely, a pearl necklace", "> > You are reminded of your own mortaility as you witness the", "woods. > > > --- > > Slightly obscuring the view into this", "dim blue-green light of the abode as though meticulously polished. A deathly silence", "obscuring the view into this primitive abode are thin strands of black filament", "structure. I don't know what the formal names of these are, but I", "to establish tone specifically, and sometimes tone can be visceral, personal, and emotional.", "to react yet That said, my question is: *What sentence formats can replace", "place this is, tonally. Having \"there is\" as a layer of abstraction between", "players and the pretend world makes it difficult for myself and them to", "names of these are, but I know that there are drop in replacements", "living being belongs. > > > --- > > Plain to see is", "feel a dreaded and ominous presence\") the player isn't given time to" ]
[ "the late 21st century. * While there is an obvious parallel to Star", "or are a triviality). How do I portray this in my world without", "some health care contexts. Choices about casual or even committed sexual activity outside", "is proceeding in a similar fashion, we can assume that my future likely", "in a similar fashion, we can assume that my future likely takes place", "just not care for them. I am asking this question here rather than", "place has actually elapsed. Considering that Western society's transition to allowing* women to", "setting where gender stereotypes have become a thing of the past. Unlike a", "explain to their students how there used to be these things called gender", "only to basic rules about protecting children and persons unable to consent. Rules", "teacher might give a history lesson in which they explain to their students", "Star Trek lurking somewhere in the question, it is important that I am", "transition to allowing* women to wear trousers took approximately 30 years (from organized", "isn't about LGBT issues](https://writing.stackexchange.com/q/41945/22049) and [How to write a homosexual character, whose homosexuality", "concept of being LGBT no longer exists because everyone, and conversely, no one,", "to write in an LGBT character without making an LGBT Story, such as", "we can assume at least the minimum amount of time for such a", "not really apply to the written medium, where everything must be described in", "in an LGBT character without making an LGBT Story, such as [An LGBT", "on another site](https://worldbuilding.stackexchange.com/q/149651/22685), physiological sex-specific traits are still very much present in society,", "character, but the book isn't about LGBT issues](https://writing.stackexchange.com/q/41945/22049) and [How to write a", "so we can assume at least the minimum amount of time for such", "without making it a critical part of the plot or theme? That is,", "and persons unable to consent. Rules about appropriate clothing, activities, professions, hairstyles, mannerisms,", "future and whatnot.** My main ideas are: * Just describe gender-free life, and", "30 years (from organized defiance to minority to normalcy), and that acceptance of", "My main ideas are: * Just describe gender-free life, and hope the reader", "theme? That is, I don't want this to be a \"men in dresses\"", "stereotype-free future and whatnot. My main ideas are: * Just describe gender-free life,", "the minimum amount of time for such a change to take place has", "of homosexuality is proceeding in a similar fashion, we can assume that my", "or sexual minority. Notes: * The exact timeframe is not very important, so", "my story or are a triviality). How do I portray this in my", "sexual activity outside of reproduction are subject only to basic rules about protecting", "there are no phasers, Klingons, or replicators around (nor anything similar to them),", "gender stereotypes no longer exist. This, however, seems like something I want to", "part of the focus is not falling into either traditional or \"LGBT\" stereotypes.", "characters in the background](https://scifi.stackexchange.com/q/11355/70477) does not really apply to the written medium, where", "\"Men in Dresses\" in the sense that that is their thing. Dresses, in", "story, but rather a story that might happen to have men in dresses", "that Western society's transition to allowing women to wear trousers took approximately 30", "ideas are: * Just describe gender-free life, and hope the reader is not", "society's transition to allowing women to wear trousers took approximately 30 years (from", "traits are still very much present in society, but they no longer have", "of in-universe contrived dialogue in which this is revealed. For example, a school", "of being LGBT* no longer exists because everyone, and conversely, no one, qualifies", "LGBT character without making an LGBT Story, such as [An LGBT main character,", "that acceptance of homosexuality is proceeding in a similar fashion, we can assume", "as [An LGBT main character, but the book isn't about LGBT issues](https://writing.stackexchange.com/q/41945/22049) and", "exist. This, however, seems like something I want to avoid, because the story", "etc. simply no longer exist except as a historical curiosity or the unachievable", "Rules about appropriate clothing, activities, professions, hairstyles, mannerisms, etc. simply no longer exist", "big part of the focus is not falling into either traditional or \"LGBT\"", "* Just describe gender-free life, and hope the reader is not too startled.", "likely takes place sometime in the late 21st century. * While there is", "outside of mate selection and some health care contexts. Choices about casual or", "few other questions on this site about how to write in an LGBT", "must be described in words. * A big part of the focus is", "options. Some women would be inclined to wearing them, some men would, and", "men would, and some people would just not care for them. I am", "wear trousers took approximately 30 years (from organized defiance to minority to normalcy),", "mate selection and some health care contexts. Choices about casual or even committed", "thing. Dresses, in this case, would just be one of many possible clothing", "in-universe contrived dialogue in which this is revealed. For example, a school teacher", "mannerisms, etc. simply no longer exist except as a historical curiosity or the", "some sort of narrative introduction to the reader explaining the setting and how", "quite match because I'm talking about an entire society, one in which the", "in which they explain to their students how there used to be these", "issues](https://writing.stackexchange.com/q/41945/22049) and [How to write a homosexual character, whose homosexuality isn't the point", "happen to have men in dresses at some point because it's the stereotype-free", "about an entire society, one in which the concept of being LGBT no", "triviality). How do I portray this in my world without making it a", "there is an obvious parallel to Star Trek lurking somewhere in the question,", "them, some men would, and some people would just not care for them.", "wearing them, some men would, and some people would just not care for", "write a homosexual character, whose homosexuality isn't the point of the story?](https://writing.stackexchange.com/q/19933/22049) ,", "subject only to basic rules about protecting children and persons unable to consent.", "want to avoid, because the story is not about gender. * Provide some", "making an LGBT Story, such as [An LGBT main character, but the book", "a critical part of the plot or theme? That is, *I don't want", "apply to the written medium, where everything must be described* in words. ", "want this to be a \"men in dresses\" story, but rather a story", "focus is not* falling into either traditional or \"LGBT\" stereotypes. So, while the", "sort of in-universe contrived dialogue in which this is revealed. For example, a", "so the way in which [Star Trek has presented some \"gender-non-conforming\" characters in", "process and how to explain this to my readers, not the process of", "about appropriate clothing, activities, professions, hairstyles, mannerisms, etc. simply no longer exist except", "the question, it is important that I am not writing a Star Trek", "words. A big part of the focus is not falling into either", "revealed. For example, a school teacher might give a history lesson in which", "[question on another site](https://worldbuilding.stackexchange.com/q/149651/22685), physiological sex-specific traits are still very much present in", "This, however, seems like something I want to avoid, because the story is", "an obvious parallel to Star Trek lurking somewhere in the question, it is", "explain this to my readers, not the process of designing a gender-free society.", "point of the story?](https://writing.stackexchange.com/q/19933/22049) , but they don't quite match because I'm talking", "men in dresses at some point because it's the stereotype-free future and whatnot.*", "physiological sex-specific traits are still very much present in society, but they no", "in dresses\", it won't have \"Men in Dresses\" in the sense that that", "hope the reader is not too startled. * Provide some sort of narrative", "have any significant meaning* outside of mate selection and some health care contexts.", "exist except as a historical curiosity or the unachievable dream of rare ultra-conservative", "everything must be described in words. * A big part of the focus", "was, the question is medium-based, so the way in which [Star Trek has", "a story that might happen to have men in dresses at some point", "that is their thing. Dresses, in this case, would just be one of", "* The exact timeframe is not very important, so we can assume at", "isn't the point of the story?](https://writing.stackexchange.com/q/19933/22049) , but they don't quite match because", "don't actually appear in my story or are a triviality). How do I", "present in society, but they no longer have any significant meaning outside of", "about protecting children and persons unable to consent. Rules about appropriate clothing, activities,", "asking this question here rather than Worldbuilding.SE because I am asking specifically about", "the stereotype-free future and whatnot.** My main ideas are: * Just describe gender-free", "Choices about casual or even committed sexual activity outside of reproduction are subject", "to their students how there used to be these things called gender stereotypes,", "women to wear trousers took approximately 30 years (from organized defiance to minority", "and [How to write a homosexual character, whose homosexuality isn't the point of", "medium, where everything must be described in words. * A big part of", "the unachievable dream of rare ultra-conservative activists (who either don't actually appear in", "minority to normalcy), and that acceptance of homosexuality is proceeding in a similar", "activities, professions, hairstyles, mannerisms, etc. simply no longer exist except as a historical", "of rare ultra-conservative activists (who either don't actually appear in my story or", "century. * While there is an obvious parallel to Star Trek lurking somewhere", "or theme? That is, *I don't want this to be a \"men in", "be a \"men in dresses\" story, but rather a story that might happen", "to explain this to my readers, not the process of designing* a gender-free", "talking about an entire society, one in which the concept of being LGBT", "LGBT* no longer exists because everyone, and conversely, no one, qualifies as a", "how to explain this to my readers, not the process of designing a", "acceptance of homosexuality is proceeding in a similar fashion, we can assume that", "which [Star Trek has presented some \"gender-non-conforming\" characters in the background](https://scifi.stackexchange.com/q/11355/70477) does not", "in which the concept of being LGBT no longer exists because everyone, and", "is an obvious parallel to Star Trek lurking somewhere in the question, it", "in the background](https://scifi.stackexchange.com/q/11355/70477) does not really apply to the written medium, where everything", "don't quite match because I'm talking about an entire society, one in which", "this in my world without making it a critical part of the plot", "future likely takes place sometime in the late 21st century. * While there", "described in words. * A big part of the focus is not falling", "[How to write a homosexual character, whose homosexuality isn't the point of the", "everyone, and conversely, no one, qualifies as a gender or sexual minority. Notes:", "has presented some \"gender-non-conforming\" characters in the background](https://scifi.stackexchange.com/q/11355/70477) does not really apply to", "of many possible clothing options. Some women would be inclined to wearing them,", "like something I want to avoid, because the story is not about gender.", "even if I was, the question is medium-based, so the way in which", "making it a critical part of the plot or theme? That is, *I", "How do I portray this in my world without* making it a critical", "these things called gender stereotypes, etc. There are a few other questions on", "LGBT main character, but the book isn't about LGBT issues](https://writing.stackexchange.com/q/41945/22049) and [How to", "has actually elapsed. Considering that Western society's transition to allowing women to wear", "about how to write in an LGBT character without making an LGBT Story,", "world without making it a critical part of the plot or theme? That", "become a thing of the past. Unlike a recent [question on another site](https://worldbuilding.stackexchange.com/q/149651/22685),", "consent. Rules about appropriate clothing, activities, professions, hairstyles, mannerisms, etc. simply no longer", "a homosexual character, whose homosexuality isn't the point of the story?](https://writing.stackexchange.com/q/19933/22049) , but", "am not writing a Star Trek story, and there are no phasers, Klingons,", "to be a \"men in dresses\" story, but rather a story that might", "gender stereotypes have become a thing of the past. Unlike a recent [question", "to avoid, because the story is not about* gender. * Provide some sort", "unable to consent. Rules about appropriate clothing, activities, professions, hairstyles, mannerisms, etc. simply", "question, it is important that I am not writing a Star Trek story,", "dream of rare ultra-conservative activists (who either don't actually appear in my story", "story or are a triviality). How do I portray this in my world", "elapsed. Considering that Western society's transition to allowing women to wear trousers took", "some \"gender-non-conforming\" characters in the background](https://scifi.stackexchange.com/q/11355/70477) does not really apply to the written", "character without making an LGBT Story, such as [An LGBT main character, but", "is not too startled. * Provide some sort of narrative introduction to the", "my future likely takes place sometime in the late 21st century. * While", "introduction to the reader explaining the setting and how gender stereotypes no longer", "late 21st century. * While there is an obvious parallel to Star Trek", "a relatively near future setting where gender stereotypes have become a thing of", "in Dresses\" in the sense that that is their thing. Dresses, in this", "Western society's transition to allowing women to wear trousers took approximately 30 years", "a recent [question on another site](https://worldbuilding.stackexchange.com/q/149651/22685), physiological sex-specific traits are still very much", "defiance to minority to normalcy), and that acceptance of homosexuality is proceeding in", "how gender stereotypes no longer exist. This, however, seems like something I want", "and how gender stereotypes no longer exist. This, however, seems like something I", "historical curiosity or the unachievable dream of rare ultra-conservative activists (who either don't", "takes place sometime in the late 21st century. * While there is an", "parallel to Star Trek lurking somewhere in the question, it is important that", "exists because everyone, and conversely, no one, qualifies as a gender or sexual", "not care for them. I am asking this question here rather than Worldbuilding.SE", "the past. Unlike a recent [question on another site](https://worldbuilding.stackexchange.com/q/149651/22685), physiological sex-specific traits are", "to the written medium, where everything must be described in words. * A", "would be inclined to wearing them, some men would, and some people would", "gender or sexual minority. Notes: * The exact timeframe is not very important,", "this case, would just be one of many possible clothing options. Some women", "in which this is revealed. For example, a school teacher might give a", "and conversely, no one, qualifies as a gender or sexual minority. Notes: ", "really apply to the written medium, where everything must be described* in words.", "of the plot or theme? That is, *I don't want this to be", "is important that I am not writing a Star Trek story, and there", "question here rather than Worldbuilding.SE because I am asking specifically about the writing", "in my story or are a triviality). How do I portray this in", "The exact timeframe is not very important, so we can assume at least", "explaining the setting and how gender stereotypes no longer exist. This, however, seems", "have \"men in dresses\", it won't have \"Men in Dresses\" in the sense", "took approximately 30 years (from organized defiance to minority to normalcy), and that", "the concept* of being LGBT no longer exists because everyone, and conversely, no", "of the focus is not* falling into either traditional or \"LGBT\" stereotypes. So,", "So, while the story may have \"men in dresses\", it won't have \"Men", "give a history lesson in which they explain to their students how there", "some sort of in-universe contrived dialogue in which this is revealed. For example,", "it won't have \"Men in Dresses\" in the sense that that is their", "about casual or even committed sexual activity outside of reproduction are subject only", "students how there used to be these things called gender stereotypes, etc. There", "of the past. Unlike a recent [question on another site](https://worldbuilding.stackexchange.com/q/149651/22685), physiological sex-specific traits", "exact timeframe is not very important, so we can assume at least the", "unachievable dream of rare ultra-conservative activists (who either don't actually appear in my", "some people would just not care for them. I am asking this question", "conversely, no one, qualifies as a gender or sexual minority. Notes: * The", "women would be inclined to wearing them, some men would, and some people", "the reader is not too startled. * Provide some sort of narrative introduction", "many possible clothing options. Some women would be inclined to wearing them, some", "which they explain to their students how there used to be these things", "LGBT issues](https://writing.stackexchange.com/q/41945/22049) and [How to write a homosexual character, whose homosexuality isn't the", "Klingons, or replicators around (nor anything similar to them), and, even if I", "hairstyles, mannerisms, etc. simply no longer exist except as a historical curiosity or", "[Star Trek has presented some \"gender-non-conforming\" characters in the background](https://scifi.stackexchange.com/q/11355/70477) does not really", "homosexuality isn't the point of the story?](https://writing.stackexchange.com/q/19933/22049) , but they don't quite match", "would, and some people would just not care for them. I am asking", "the point of the story?](https://writing.stackexchange.com/q/19933/22049) , but they don't quite match because I'm", "in my world without making it a critical part of the plot or", "be inclined to wearing them, some men would, and some people would just", "Just describe gender-free life, and hope the reader is not too startled. ", "are subject only to basic rules about protecting children and persons unable to", "setting and how gender stereotypes no longer exist. This, however, seems like something", "gender. Provide some sort of in-universe contrived dialogue in which this is", "to normalcy), and that acceptance of homosexuality is proceeding in a similar fashion,", "the focus is not falling into either traditional or \"LGBT\" stereotypes. So, while", "this is revealed. For example, a school teacher might give a history lesson", "it a critical part of the plot or theme? That is, *I don't", "\"men in dresses\", it won't have \"Men in Dresses\" in the sense that", "Dresses, in this case, would just be one of many possible clothing options.", "any significant meaning outside of mate selection and some health care contexts. Choices", "that I am not writing a Star Trek story, and there are no", "change to take place has actually elapsed. Considering that Western society's transition to", "plot or theme? That is, *I don't want this to be a \"men", "reader explaining the setting and how gender stereotypes no longer exist. This, however,", "are still very much present in society, but they no longer have any", "questions on this site about how to write in an LGBT character without", "no longer exists because everyone, and conversely, no one, qualifies as a gender", "and hope the reader is not too startled. * Provide some sort of", "lurking somewhere in the question, it is important that I am not writing", "portray this in my world without* making it a critical part of the", "near future setting where gender stereotypes have become a thing of the past.", "here rather than Worldbuilding.SE because I am asking specifically about the writing process", "no one, qualifies as a gender or sexual minority. Notes: * The exact", "normalcy), and that acceptance of homosexuality is proceeding in a similar fashion, we", "in the late 21st century. * While there is an obvious parallel to", "longer have any significant meaning* outside of mate selection and some health care", "won't have \"Men in Dresses\" in the sense that that is their thing.", "asking specifically about the writing process and how to explain this to my", "have become a thing of the past. Unlike a recent [question on another", "don't want this to be a \"men in dresses\" story, but rather a", "to wear trousers took approximately 30 years (from organized defiance to minority to", "to basic rules about protecting children and persons unable to consent. Rules about", "meaning* outside of mate selection and some health care contexts. Choices about casual", "no longer exist except as a historical curiosity or the unachievable dream of", "That is, *I don't want this to be a \"men in dresses\" story,", "I portray this in my world without* making it a critical part of", "that might happen to have men in dresses at some point because it's", "to minority to normalcy), and that acceptance of homosexuality is proceeding in a", "* A big part of the focus is not falling into either traditional", "am asking this question here rather than Worldbuilding.SE because I am asking specifically", "are a triviality). How do I portray this in my world without making", "is revealed. For example, a school teacher might give a history lesson in", "to Star Trek lurking somewhere in the question, it is important that I", "I am asking this question here rather than Worldbuilding.SE because I am asking", "A big part of the focus is not* falling into either traditional or", "a school teacher might give a history lesson in which they explain to", "main ideas are: * Just describe gender-free life, and hope the reader is", "Some women would be inclined to wearing them, some men would, and some", "the sense that that is their thing. Dresses, in this case, would just", "for them. I am asking this question here rather than Worldbuilding.SE because I", "significant meaning* outside of mate selection and some health care contexts. Choices about", "the written medium, where everything must be described in words. * A big", "timeframe is not very important, so we can assume at least the minimum", "that my future likely takes place sometime in the late 21st century. ", "health care contexts. Choices about casual or even committed sexual activity outside of", "does not really apply to the written medium, where everything must be described", "sort of narrative introduction to the reader explaining the setting and how gender", "in a relatively near future setting where gender stereotypes have become a thing", "qualifies as a gender or sexual minority. Notes: The exact timeframe is", "(nor anything similar to them), and, even if I was, the question is", "or even committed sexual activity outside of reproduction are subject only to basic", "of the story?](https://writing.stackexchange.com/q/19933/22049) , but they don't quite match because I'm talking about", "other questions on this site about how to write in an LGBT character", "the story?](https://writing.stackexchange.com/q/19933/22049) , but they don't quite match because I'm talking about an", "site](https://worldbuilding.stackexchange.com/q/149651/22685), physiological sex-specific traits are still very much present in society, but they", "much present in society, but they no longer have any significant meaning outside", "if I was, the question is medium-based, so the way in which [Star", "in dresses at some point because it's the stereotype-free future and whatnot.** My", "question is medium-based, so the way in which [Star Trek has presented some", "a few other questions on this site about how to write in an", "some men would, and some people would just not care for them. I", "example, a school teacher might give a history lesson in which they explain", "longer exists because everyone, and conversely, no one, qualifies as a gender or", "and some health care contexts. Choices about casual or even committed sexual activity", "recent [question on another site](https://worldbuilding.stackexchange.com/q/149651/22685), physiological sex-specific traits are still very much present", "point because it's the stereotype-free future and whatnot.** My main ideas are: ", "There are a few other questions on this site about how to write", "no longer have any significant meaning* outside of mate selection and some health", "in dresses\" story, but rather a story that might happen to have men", "used to be these things called gender stereotypes, etc. There are a few", "on this site about how to write in an LGBT character without making", "but the book isn't about LGBT issues](https://writing.stackexchange.com/q/41945/22049) and [How to write a homosexual", "Star Trek story, and there are no phasers, Klingons, or replicators around (nor", "this to be a \"men in dresses\" story, but rather a story that", "[An LGBT main character, but the book isn't about LGBT issues](https://writing.stackexchange.com/q/41945/22049) and [How", "and whatnot.* My main ideas are: * Just describe gender-free life, and hope", "to allowing women to wear trousers took approximately 30 years (from organized defiance", "describe gender-free life, and hope the reader is not too startled. * Provide", "how to write in an LGBT character without making an LGBT Story, such", "a gender or sexual minority. Notes: * The exact timeframe is not very", "place in a relatively near future setting where gender stereotypes have become a", "that that is their thing. Dresses, in this case, would just be one", "I'm talking about an entire society, one in which the concept of being", "minimum amount of time for such a change to take place has actually", "a thing of the past. Unlike a recent [question on another site](https://worldbuilding.stackexchange.com/q/149651/22685), physiological", "dialogue in which this is revealed. For example, a school teacher might give", "character, whose homosexuality isn't the point of the story?](https://writing.stackexchange.com/q/19933/22049) , but they don't", "an LGBT* character without making an LGBT Story, such as [An LGBT main", "dresses\", it won't have \"Men in Dresses\" in the sense that that is", "the setting and how gender stereotypes no longer exist. This, however, seems like", "story, and there are no phasers, Klingons, or replicators around (nor anything similar", "Story, such as [An LGBT main character, but the book isn't about LGBT", "very important, so we can assume at least the minimum amount of time", "\"gender-non-conforming\" characters in the background](https://scifi.stackexchange.com/q/11355/70477) does not really apply to the written medium,", "presented some \"gender-non-conforming\" characters in the background](https://scifi.stackexchange.com/q/11355/70477) does not really apply to the", "but they don't quite match because I'm talking about an entire society, one", "Notes: * The exact timeframe is not very important, so we can assume", "Trek story, and there are no phasers, Klingons, or replicators around (nor anything", "selection and some health care contexts. Choices about casual or even committed sexual", "whatnot.* My main ideas are: * Just describe gender-free life, and hope the", "for such a change to take place has actually elapsed. Considering that Western", "(who either don't actually appear in my story or are a triviality). How", "written medium, where everything must be described in words. * A big part", "such as [An LGBT main character, but the book isn't about LGBT issues](https://writing.stackexchange.com/q/41945/22049)", "it is important that I am not writing a Star Trek story, and", "rather a story that might happen to have men in dresses at some", "is not very important, so we can assume at least the minimum amount", "but they no longer have any significant meaning outside of mate selection and", "proceeding in a similar fashion, we can assume that my future likely takes", "in the sense that that is their thing. Dresses, in this case, would", "professions, hairstyles, mannerisms, etc. simply no longer exist except as a historical curiosity", "the writing process and how to explain this to my readers, not the", "be described in words. * A big part of the focus is not", "another site](https://worldbuilding.stackexchange.com/q/149651/22685), physiological sex-specific traits are still very much present in society, but", "reproduction are subject only to basic rules about protecting children and persons unable", "longer exist. This, however, seems like something I want to avoid, because the", "similar fashion, we can assume that my future likely takes place sometime in", "may have \"men in dresses\", it won't have \"Men in Dresses\" in the", "part of the plot or theme? That is, I don't want this to", "the plot or theme? That is, I don't want this to be a", "this question here rather than Worldbuilding.SE because I am asking specifically about the", "longer exist except as a historical curiosity or the unachievable dream of rare", "sexual minority. Notes: * The exact timeframe is not very important, so we", "can assume that my future likely takes place sometime in the late 21st", "stereotypes, etc. There are a few other questions on this site about how", "either traditional or \"LGBT\" stereotypes. So, while the story may have \"men in", "and how to explain this to my readers, not the process of designing", "because it's the stereotype-free future and whatnot.** My main ideas are: * Just", "where gender stereotypes have become a thing of the past. Unlike a recent", "are no phasers, Klingons, or replicators around (nor anything similar to them), and,", "to consent. Rules about appropriate clothing, activities, professions, hairstyles, mannerisms, etc. simply no", "life, and hope the reader is not too startled. * Provide some sort", "story may have \"men in dresses\", it won't have \"Men in Dresses\" in", "school teacher might give a history lesson in which they explain to their", "assume at least the minimum amount of time for such a change to", "they explain to their students how there used to be these things called", "simply no longer exist except as a historical curiosity or the unachievable dream", "not too startled. * Provide some sort of narrative introduction to the reader", "be these things called gender stereotypes, etc. There are a few other questions", "their students how there used to be these things called gender stereotypes, etc.", "not very important, so we can assume at least the minimum amount of", "in words. * A big part of the focus is not falling into", "is medium-based, so the way in which [Star Trek has presented some \"gender-non-conforming\"", "or \"LGBT\" stereotypes. So, while the story may have \"men in dresses\", it", "a triviality). How do I portray this in my world without making it", "replicators around (nor anything similar to them), and, even if I was, the", "into either traditional or \"LGBT\" stereotypes. So, while the story may have \"men", "minority. Notes: * The exact timeframe is not very important, so we can", "might happen to have men in dresses at some point because it's the", "very much present in society, but they no longer have any significant meaning", "called gender stereotypes, etc. There are a few other questions on this site", "it's the stereotype-free future and whatnot.** My main ideas are: * Just describe", "because everyone, and conversely, no one, qualifies as a gender or sexual minority.", "seems like something I want to avoid, because the story is not about", "can assume at least the minimum amount of time for such a change", "around (nor anything similar to them), and, even if I was, the question", "to wearing them, some men would, and some people would just not care", "lesson in which they explain to their students how there used to be", "Trek* lurking somewhere in the question, it is important that I am not", "where everything must be described* in words. * A big part of the", "the story may have \"men in dresses\", it won't have \"Men in Dresses\"", "outside of reproduction are subject only to basic rules about protecting children and", "sometime in the late 21st century. * While there is an obvious parallel", "case, would just be one of many possible clothing options. Some women would", "medium-based, so the way in which [Star Trek has presented some \"gender-non-conforming\" characters", "a history lesson in which they explain to their students how there used", "stereotypes no longer exist. This, however, seems like something I want to avoid,", "avoid, because the story is not about gender. * Provide some sort of", "fashion, we can assume that my future likely takes place sometime in the", "phasers, Klingons, or replicators around (nor anything similar to them), and, even if", "of mate selection and some health care contexts. Choices about casual or even", "actually elapsed. Considering that Western society's transition to allowing women to wear trousers", "years (from organized defiance to minority to normalcy), and that acceptance of homosexuality", "there used to be these things called gender stereotypes, etc. There are a", "rules about protecting children and persons unable to consent. Rules about appropriate clothing,", "narrative introduction to the reader explaining the setting and how gender stereotypes no", "* While there is an obvious parallel to Star Trek lurking somewhere in", "dresses\" story, but rather a story that might happen to have men in", "take place has actually elapsed. Considering that Western society's transition to allowing women", "to be these things called gender stereotypes, etc. There are a few other", "to take place has actually elapsed. Considering that Western society's transition to allowing", "LGBT Story, such as [An LGBT main character, but the book isn't about", "writing process and how to explain this to my readers, not the process", "an LGBT Story, such as [An LGBT main character, but the book isn't", "to them), and, even if I was, the question is medium-based, so the", "Worldbuilding.SE because I am asking specifically about the writing process and how to", "activity outside of reproduction are subject only to basic rules about protecting children", "main character, but the book isn't about LGBT issues](https://writing.stackexchange.com/q/41945/22049) and [How to write", "Trek has presented some \"gender-non-conforming\" characters in the background](https://scifi.stackexchange.com/q/11355/70477) does not really apply", "about LGBT issues](https://writing.stackexchange.com/q/41945/22049) and [How to write a homosexual character, whose homosexuality isn't", "a change to take place has actually elapsed. Considering that Western society's transition", "whose homosexuality isn't the point of the story?](https://writing.stackexchange.com/q/19933/22049) , but they don't quite", "them. I am asking this question here rather than Worldbuilding.SE because I am", "similar to them), and, even if I was, the question is medium-based, so", "and that acceptance of homosexuality is proceeding in a similar fashion, we can", "are: * Just describe gender-free life, and hope the reader is not too", "not falling into either traditional or \"LGBT\" stereotypes. So, while the story may", "reader is not too startled. * Provide some sort of narrative introduction to", "no longer exist. This, however, seems like something I want to avoid, because", "\"LGBT\" stereotypes. So, while the story may have \"men in dresses\", it won't", "am asking specifically about the writing process and how to explain this to", "might give a history lesson in which they explain to their students how", "about gender. * Provide some sort of in-universe contrived dialogue in which this", "story that might happen to have men in dresses at some point because", "a \"men in dresses\" story, but rather a story that might happen to", "their thing. Dresses, in this case, would just be one of many possible", "book isn't about LGBT issues](https://writing.stackexchange.com/q/41945/22049) and [How to write a homosexual character, whose", "or replicators around (nor anything similar to them), and, even if I was,", "rare ultra-conservative activists (who either don't actually appear in my story or are", "dresses at some point because it's the stereotype-free future and whatnot.** My main", "approximately 30 years (from organized defiance to minority to normalcy), and that acceptance", "\"men in dresses\" story, but rather a story that might happen to have", "them), and, even if I was, the question is medium-based, so the way", "clothing options. Some women would be inclined to wearing them, some men would,", "care for them. I am asking this question here rather than Worldbuilding.SE because", "(from organized defiance to minority to normalcy), and that acceptance of homosexuality is", "My story takes place in a relatively near future setting where gender stereotypes", "Provide some sort of in-universe contrived dialogue in which this is revealed. For", "one in which the concept of being LGBT no longer exists because everyone,", "have men in dresses at some point because it's the stereotype-free future and", "to have men in dresses at some point because it's the stereotype-free future", "the reader explaining the setting and how gender stereotypes no longer exist. This,", "because the story is not about gender. * Provide some sort of in-universe", "write in an LGBT character without making an LGBT Story, such as [An", "writing a Star Trek story, and there are no phasers, Klingons, or replicators", "way in which [Star Trek has presented some \"gender-non-conforming\" characters in the background](https://scifi.stackexchange.com/q/11355/70477)", "clothing, activities, professions, hairstyles, mannerisms, etc. simply no longer exist except as a", "I was, the question is medium-based, so the way in which [Star Trek", "not about* gender. * Provide some sort of in-universe contrived dialogue in which", "in the question, it is important that I am not writing a Star", "this site about how to write in an LGBT* character without making an", "basic rules about protecting children and persons unable to consent. Rules about appropriate", "my world without making it a critical part of the plot or theme?", "protecting children and persons unable to consent. Rules about appropriate clothing, activities, professions,", "I am not writing a Star Trek story, and there are no phasers,", "inclined to wearing them, some men would, and some people would just not", "the story is not about gender. * Provide some sort of in-universe contrived", "or the unachievable dream of rare ultra-conservative activists (who either don't actually appear", "in this case, would just be one of many possible clothing options. Some", "they don't quite match because I'm talking about an entire society, one in", "about the writing process and how to explain this to my readers, not", "takes place in a relatively near future setting where gender stereotypes have become", "ultra-conservative activists (who either don't actually appear in my story or are a", "homosexual character, whose homosexuality isn't the point of the story?](https://writing.stackexchange.com/q/19933/22049) , but they", "an entire society, one in which the concept of being LGBT no longer", "future setting where gender stereotypes have become a thing of the past. Unlike", "except as a historical curiosity or the unachievable dream of rare ultra-conservative activists", "gender stereotypes, etc. There are a few other questions on this site about", "one, qualifies as a gender or sexual minority. Notes: The exact timeframe", "the question is medium-based, so the way in which [Star Trek has presented", "is not falling into either traditional or \"LGBT\" stereotypes. So, while the story", "one of many possible clothing options. Some women would be inclined to wearing", "rather than Worldbuilding.SE because I am asking specifically about the writing process and", "care contexts. Choices about casual or even committed sexual activity outside of reproduction", "even committed sexual activity outside of reproduction are subject only to basic rules", "time for such a change to take place has actually elapsed. Considering that", "society, one in which the concept of being LGBT no longer exists because", "site about how to write in an LGBT character without making an LGBT", "story is not about* gender. * Provide some sort of in-universe contrived dialogue", "startled. * Provide some sort of narrative introduction to the reader explaining the", "For example, a school teacher might give a history lesson in which they", "sex-specific traits are still very much present in society, but they no longer", "Unlike a recent [question on another site](https://worldbuilding.stackexchange.com/q/149651/22685), physiological sex-specific traits are still very", "to the reader explaining the setting and how gender stereotypes no longer exist.", "have \"Men in Dresses\" in the sense that that is their thing. Dresses,", "sense that that is their thing. Dresses, in this case, would just be", "I want to avoid, because the story is not about* gender. * Provide", "appear in my story or are a triviality). How do I portray this", "place sometime in the late 21st century. * While there is an obvious", "some point because it's the stereotype-free future and whatnot.** My main ideas are:", "because I am asking specifically about the writing process and how to explain", "than Worldbuilding.SE because I am asking specifically about the writing process and how", "story?](https://writing.stackexchange.com/q/19933/22049) , but they don't quite match because I'm talking about an entire", "which this is revealed. For example, a school teacher might give a history", "etc. There are a few other questions on this site about how to", "being LGBT no longer exists because everyone, and conversely, no one, qualifies as", "thing of the past. Unlike a recent [question on another site](https://worldbuilding.stackexchange.com/q/149651/22685), physiological sex-specific", "relatively near future setting where gender stereotypes have become a thing of the", "story takes place in a relatively near future setting where gender stereotypes have", "still very much present in society, but they no longer have any significant", "stereotypes have become a thing of the past. Unlike a recent [question on", "the background](https://scifi.stackexchange.com/q/11355/70477) does not really apply to the written medium, where everything must", "persons unable to consent. Rules about appropriate clothing, activities, professions, hairstyles, mannerisms, etc.", "be one of many possible clothing options. Some women would be inclined to", "organized defiance to minority to normalcy), and that acceptance of homosexuality is proceeding", "however, seems like something I want to avoid, because the story is not", "would just be one of many possible clothing options. Some women would be", "is, I don't want this to be a \"men in dresses\" story, but", "entire society, one in which the concept* of being LGBT no longer exists", "important that I am not writing a Star Trek story, and there are", "least the minimum amount of time for such a change to take place", "just be one of many possible clothing options. Some women would be inclined", "and there are no phasers, Klingons, or replicators around (nor anything similar to", "a Star Trek story, and there are no phasers, Klingons, or replicators around", "appropriate clothing, activities, professions, hairstyles, mannerisms, etc. simply no longer exist except as", "would just not care for them. I am asking this question here rather", "in which [Star Trek has presented some \"gender-non-conforming\" characters in the background](https://scifi.stackexchange.com/q/11355/70477) does", "Considering that Western society's transition to allowing* women to wear trousers took approximately", "traditional or \"LGBT\" stereotypes. So, while the story may have \"men in dresses\",", "activists (who either don't actually appear in my story or are a triviality).", "at some point because it's the stereotype-free future and whatnot. My main ideas", "contexts. Choices about casual or even committed sexual activity outside of reproduction are", "at least the minimum amount of time for such a change to take", "critical part of the plot or theme? That is, I don't want this", "falling into either traditional or \"LGBT\" stereotypes. So, while the story may have", "casual or even committed sexual activity outside of reproduction are subject only to", "homosexuality is proceeding in a similar fashion, we can assume that my future", "the way in which [Star Trek has presented some \"gender-non-conforming\" characters in the", "not writing a Star Trek story, and there are no phasers, Klingons, or", "past. Unlike a recent [question on another site](https://worldbuilding.stackexchange.com/q/149651/22685), physiological sex-specific traits are still", " Provide some sort of in-universe contrived dialogue in which this is revealed.", "match because I'm talking about an entire society, one in which the concept", "but rather a story that might happen to have men in dresses at", "is not about gender. * Provide some sort of in-universe contrived dialogue in", "things called gender stereotypes, etc. There are a few other questions on this", "to write a homosexual character, whose homosexuality isn't the point of the story?](https://writing.stackexchange.com/q/19933/22049)", "possible clothing options. Some women would be inclined to wearing them, some men", "as a gender or sexual minority. Notes: * The exact timeframe is not", "assume that my future likely takes place sometime in the late 21st century.", "such a change to take place has actually elapsed. Considering that Western society's", "they no longer have any significant meaning outside of mate selection and some", "either don't actually appear in my story or are a triviality). How do", "do I portray this in my world without making it a critical part", "because I'm talking about an entire society, one in which the concept of", "is their thing. Dresses, in this case, would just be one of many", "and some people would just not care for them. I am asking this", "in society, but they no longer have any significant meaning outside of mate", "I am asking specifically about the writing process and how to explain this", "contrived dialogue in which this is revealed. For example, a school teacher might", "committed sexual activity outside of reproduction are subject only to basic rules about", "Provide some sort of narrative introduction to the reader explaining the setting and", "of time for such a change to take place has actually elapsed. Considering", "specifically about the writing process and how to explain this to my readers,", "of reproduction are subject only to basic rules about protecting children and persons", "and, even if I was, the question is medium-based, so the way in", "actually appear in my story or are a triviality). How do I portray", "history lesson in which they explain to their students how there used to", "important, so we can assume at least the minimum amount of time for", "21st century. * While there is an obvious parallel to Star Trek lurking", "children and persons unable to consent. Rules about appropriate clothing, activities, professions, hairstyles,", "without making an LGBT Story, such as [An LGBT main character, but the", "which the concept of being LGBT no longer exists because everyone, and conversely,", "no phasers, Klingons, or replicators around (nor anything similar to them), and, even", "amount of time for such a change to take place has actually elapsed.", "a historical curiosity or the unachievable dream of rare ultra-conservative activists (who either", "allowing women to wear trousers took approximately 30 years (from organized defiance to", "anything similar to them), and, even if I was, the question is medium-based,", "Dresses\" in the sense that that is their thing. Dresses, in this case,", "too startled. * Provide some sort of narrative introduction to the reader explaining", "stereotypes. So, while the story may have \"men in dresses\", it won't have", "of narrative introduction to the reader explaining the setting and how gender stereotypes", "how there used to be these things called gender stereotypes, etc. There are", "* Provide some sort of narrative introduction to the reader explaining the setting", "trousers took approximately 30 years (from organized defiance to minority to normalcy), and", "obvious parallel to Star Trek lurking somewhere in the question, it is important", "something I want to avoid, because the story is not about gender. ", "I don't want this to be a \"men in dresses\" story, but rather", "a similar fashion, we can assume that my future likely takes place sometime", "somewhere in the question, it is important that I am not writing a", "While there is an obvious parallel to Star Trek lurking somewhere in the", "people would just not care for them. I am asking this question here", "as a historical curiosity or the unachievable dream of rare ultra-conservative activists (who", "are a few other questions on this site about how to write in", "background](https://scifi.stackexchange.com/q/11355/70477) does not really apply to the written medium, where everything must be", "curiosity or the unachievable dream of rare ultra-conservative activists (who either don't actually", "while the story may have \"men in dresses\", it won't have \"Men in", "we can assume that my future likely takes place sometime in the late", "gender-free life, and hope the reader is not too startled. * Provide some", "society, but they no longer have any significant meaning outside of mate selection", ", but they don't quite match because I'm talking about an entire society,", "the book isn't about LGBT issues](https://writing.stackexchange.com/q/41945/22049) and [How to write a homosexual character," ]
[ "or lose. So now I am second guessing the entire series. Can a", "five book series and I have plotted them all out. The main bad", "this is my girlfriend keeps telling me that bad guys winning will make", "will make readers upset that they invested in the heroes only for them", "I have plotted them all out. The main bad guy wins in the", "book series and I have plotted them all out. The main bad guy", "only for them to die or lose. So now I am second guessing", "wins in the end. My problem with this is my girlfriend keeps telling", "So now I am second guessing the entire series. Can a book series", "winning will make readers upset that they invested in the heroes only for", "out. The main bad guy wins in the end. My problem with this", "now I am second guessing the entire series. Can a book series be", "a book series be successful even if the bad guy wins in the", "plotted them all out. The main bad guy wins in the end. My", "keeps telling me that bad guys winning will make readers upset that they", "me that bad guys winning will make readers upset that they invested in", "main bad guy wins in the end. My problem with this is my", "telling me that bad guys winning will make readers upset that they invested", "heroes only for them to die or lose. So now I am second", "am second guessing the entire series. Can a book series be successful even", "is my girlfriend keeps telling me that bad guys winning will make readers", "make readers upset that they invested in the heroes only for them to", "in the end. My problem with this is my girlfriend keeps telling me", "the end. My problem with this is my girlfriend keeps telling me that", "girlfriend keeps telling me that bad guys winning will make readers upset that", "a five book series and I have plotted them all out. The main", "all out. The main bad guy wins in the end. My problem with", "bad guy wins in the end. My problem with this is my girlfriend", "end. My problem with this is my girlfriend keeps telling me that bad", "My problem with this is my girlfriend keeps telling me that bad guys", "entire series. Can a book series be successful even if the bad guy", "die or lose. So now I am second guessing the entire series. Can", "guessing the entire series. Can a book series be successful even if the", "to die or lose. So now I am second guessing the entire series.", "guys winning will make readers upset that they invested in the heroes only", "with this is my girlfriend keeps telling me that bad guys winning will", "for them to die or lose. So now I am second guessing the", "the heroes only for them to die or lose. So now I am", "have a five book series and I have plotted them all out. The", "The main bad guy wins in the end. My problem with this is", "lose. So now I am second guessing the entire series. Can a book", "upset that they invested in the heroes only for them to die or", "series and I have plotted them all out. The main bad guy wins", "my girlfriend keeps telling me that bad guys winning will make readers upset", "Can a book series be successful even if the bad guy wins in", "readers upset that they invested in the heroes only for them to die", "I am second guessing the entire series. Can a book series be successful", "them all out. The main bad guy wins in the end. My problem", "bad guys winning will make readers upset that they invested in the heroes", "that they invested in the heroes only for them to die or lose.", "have plotted them all out. The main bad guy wins in the end.", "invested in the heroes only for them to die or lose. So now", "they invested in the heroes only for them to die or lose. So", "guy wins in the end. My problem with this is my girlfriend keeps", "problem with this is my girlfriend keeps telling me that bad guys winning", "in the heroes only for them to die or lose. So now I", "them to die or lose. So now I am second guessing the entire", "the entire series. Can a book series be successful even if the bad", "series. Can a book series be successful even if the bad guy wins", "and I have plotted them all out. The main bad guy wins in", "I have a five book series and I have plotted them all out.", "that bad guys winning will make readers upset that they invested in the", "book series be successful even if the bad guy wins in the end?", "second guessing the entire series. Can a book series be successful even if" ]
[ "dialogue. For example: > > \"Bang, bang, bang, pow.\" Celine banged on the", "> pow.\" she continued. \"Bang, bang, bang.\" > > > What are some", "quotes and treating it as a dialogue. For example: > > \"Bang, bang,", "> \"Bang, bang, bang, pow.\" Celine banged on the door. \"Bang, bang, pow,", "it between quotes and treating it as a dialogue. For example: > >", "quote when that something correspond to sounds into a dialogue by putting it", "when that something correspond to sounds into a dialogue by putting it between", "something correspond to sounds into a dialogue by putting it between quotes and", "by putting it between quotes and treating it as a dialogue. For example:", "\"Bang, bang, pow, > pow.\" she continued. \"Bang, bang, bang.\" > > >", "that something correspond to sounds into a dialogue by putting it between quotes", "in quote when that something correspond to sounds into a dialogue by putting", "a dialogue. For example: > > \"Bang, bang, bang, pow.\" Celine banged on", "on the door. \"Bang, bang, pow, > pow.\" she continued. \"Bang, bang, bang.\"", "correspond to sounds into a dialogue by putting it between quotes and treating", "to sounds into a dialogue by putting it between quotes and treating it", "\"Bang, bang, bang, pow.\" Celine banged on the door. \"Bang, bang, pow, >", "the door. \"Bang, bang, pow, > pow.\" she continued. \"Bang, bang, bang.\" >", "pow, > pow.\" she continued. \"Bang, bang, bang.\" > > > What are", "Can we dialoguify sounds? By dialoguifying I mean turning something that shouldn't be", "example: > > \"Bang, bang, bang, pow.\" Celine banged on the door. \"Bang,", "into a dialogue by putting it between quotes and treating it as a", "putting it between quotes and treating it as a dialogue. For example: >", "sounds? By dialoguifying I mean turning something that shouldn't be put in quote", "it as a dialogue. For example: > > \"Bang, bang, bang, pow.\" Celine", "pow.\" she continued. \"Bang, bang, bang.\" > > > What are some alternative", "between quotes and treating it as a dialogue. For example: > > \"Bang,", "mean turning something that shouldn't be put in quote when that something correspond", "a dialogue by putting it between quotes and treating it as a dialogue.", "bang, bang, pow.\" Celine banged on the door. \"Bang, bang, pow, > pow.\"", "shouldn't be put in quote when that something correspond to sounds into a", "dialoguify sounds? By dialoguifying I mean turning something that shouldn't be put in", "pow.\" Celine banged on the door. \"Bang, bang, pow, > pow.\" she continued.", "continued. \"Bang, bang, bang.\" > > > What are some alternative ways of", "treating it as a dialogue. For example: > > \"Bang, bang, bang, pow.\"", "she continued. \"Bang, bang, bang.\" > > > What are some alternative ways", "Celine banged on the door. \"Bang, bang, pow, > pow.\" she continued. \"Bang,", "and treating it as a dialogue. For example: > > \"Bang, bang, bang,", "banged on the door. \"Bang, bang, pow, > pow.\" she continued. \"Bang, bang,", "something that shouldn't be put in quote when that something correspond to sounds", "For example: > > \"Bang, bang, bang, pow.\" Celine banged on the door.", "bang, pow, > pow.\" she continued. \"Bang, bang, bang.\" > > > What", "turning something that shouldn't be put in quote when that something correspond to", "\"Bang, bang, bang.\" > > > What are some alternative ways of doing", "dialogue by putting it between quotes and treating it as a dialogue. For", "sounds into a dialogue by putting it between quotes and treating it as", "> > \"Bang, bang, bang, pow.\" Celine banged on the door. \"Bang, bang,", "bang, pow.\" Celine banged on the door. \"Bang, bang, pow, > pow.\" she", "dialoguifying I mean turning something that shouldn't be put in quote when that", "By dialoguifying I mean turning something that shouldn't be put in quote when", "that shouldn't be put in quote when that something correspond to sounds into", "we dialoguify sounds? By dialoguifying I mean turning something that shouldn't be put", "door. \"Bang, bang, pow, > pow.\" she continued. \"Bang, bang, bang.\" > >", "put in quote when that something correspond to sounds into a dialogue by", "bang, bang.\" > > > What are some alternative ways of doing it?", "be put in quote when that something correspond to sounds into a dialogue", "as a dialogue. For example: > > \"Bang, bang, bang, pow.\" Celine banged", "I mean turning something that shouldn't be put in quote when that something" ]
[ "all problems disappear? I expect some connotations to be had, which is okay,", "at a time I was unaware that this character existed in mythology, and", "and solidified within the reader's mind, will all problems disappear? I expect some", "was unaware that this character existed in mythology, and was at least a", "of it at first, but multiple people commented on it (seeing his name", "was at least a little established. I didn't think much of it at", "commented on it (seeing his name only). So naturally, I fear that this", "multiple people commented on it (seeing his name only). So naturally, I fear", "be had, which is okay, but will it bother people? What are the", "it (seeing his name only). So naturally, I fear that this might be", "I was unaware that this character existed in mythology, and was at least", "it bother people? What are the ramifications of a character sharing the same", "within the reader's mind, will all problems disappear? I expect some connotations to", "it at first, but multiple people commented on it (seeing his name only).", "developed and solidified within the reader's mind, will all problems disappear? I expect", "problems disappear? I expect some connotations to be had, which is okay, but", "wondering is, if my Beowulf's personality is developed and solidified within the reader's", "my fantasy novel is called Beowulf. I named him such at a time", "is okay, but will it bother people? What are the ramifications of a", "in mythology, and was at least a little established. I didn't think much", "story which includes him. So, what I'm wondering is, if my Beowulf's personality", "character existed in mythology, and was at least a little established. I didn't", "time I was unaware that this character existed in mythology, and was at", "but multiple people commented on it (seeing his name only). So naturally, I", "name only). So naturally, I fear that this might be a problem. BUT", "much of it at first, but multiple people commented on it (seeing his", "includes him. So, what I'm wondering is, if my Beowulf's personality is developed", "expect some connotations to be had, which is okay, but will it bother", "called Beowulf. I named him such at a time I was unaware that", "I named him such at a time I was unaware that this character", "existed in mythology, and was at least a little established. I didn't think", "I fear that this might be a problem. BUT These people only saw", "which is okay, but will it bother people? What are the ramifications of", "what I'm wondering is, if my Beowulf's personality is developed and solidified within", "Beowulf's personality is developed and solidified within the reader's mind, will all problems", "not read anything from the story which includes him. So, what I'm wondering", "at first, but multiple people commented on it (seeing his name only). So", "which includes him. So, what I'm wondering is, if my Beowulf's personality is", "first, but multiple people commented on it (seeing his name only). So naturally,", "people commented on it (seeing his name only). So naturally, I fear that", "ramifications of a character sharing the same name as another, famous and established", "think much of it at first, but multiple people commented on it (seeing", "the reader's mind, will all problems disappear? I expect some connotations to be", "A character in my fantasy novel is called Beowulf. I named him such", "I'm wondering is, if my Beowulf's personality is developed and solidified within the", "fear that this might be a problem. BUT These people only saw his", "is developed and solidified within the reader's mind, will all problems disappear? I", "mythology, and was at least a little established. I didn't think much of", "little established. I didn't think much of it at first, but multiple people", "in my fantasy novel is called Beowulf. I named him such at a", "this might be a problem. BUT These people only saw his name. They", "saw his name. They have not read anything from the story which includes", "solidified within the reader's mind, will all problems disappear? I expect some connotations", "but will it bother people? What are the ramifications of a character sharing", "They have not read anything from the story which includes him. So, what", "established. I didn't think much of it at first, but multiple people commented", "connotations to be had, which is okay, but will it bother people? What", "naturally, I fear that this might be a problem. BUT These people only", "such at a time I was unaware that this character existed in mythology,", "What are the ramifications of a character sharing the same name as another,", "have not read anything from the story which includes him. So, what I'm", "(seeing his name only). So naturally, I fear that this might be a", "are the ramifications of a character sharing the same name as another, famous", "be a problem. BUT These people only saw his name. They have not", "I didn't think much of it at first, but multiple people commented on", "name. They have not read anything from the story which includes him. So,", "fantasy novel is called Beowulf. I named him such at a time I", "at least a little established. I didn't think much of it at first,", "this character existed in mythology, and was at least a little established. I", "that this character existed in mythology, and was at least a little established.", "had, which is okay, but will it bother people? What are the ramifications", "problem. BUT These people only saw his name. They have not read anything", "only). So naturally, I fear that this might be a problem. BUT These", "reader's mind, will all problems disappear? I expect some connotations to be had,", "if my Beowulf's personality is developed and solidified within the reader's mind, will", "the ramifications of a character sharing the same name as another, famous and", "is, if my Beowulf's personality is developed and solidified within the reader's mind,", "personality is developed and solidified within the reader's mind, will all problems disappear?", "novel is called Beowulf. I named him such at a time I was", "anything from the story which includes him. So, what I'm wondering is, if", "a time I was unaware that this character existed in mythology, and was", "and was at least a little established. I didn't think much of it", "my Beowulf's personality is developed and solidified within the reader's mind, will all", "character in my fantasy novel is called Beowulf. I named him such at", "might be a problem. BUT These people only saw his name. They have", "So, what I'm wondering is, if my Beowulf's personality is developed and solidified", "Beowulf. I named him such at a time I was unaware that this", "BUT These people only saw his name. They have not read anything from", "a little established. I didn't think much of it at first, but multiple", "him. So, what I'm wondering is, if my Beowulf's personality is developed and", "bother people? What are the ramifications of a character sharing the same name", "named him such at a time I was unaware that this character existed", "some connotations to be had, which is okay, but will it bother people?", "will it bother people? What are the ramifications of a character sharing the", "I expect some connotations to be had, which is okay, but will it", "only saw his name. They have not read anything from the story which", "from the story which includes him. So, what I'm wondering is, if my", "a problem. BUT These people only saw his name. They have not read", "okay, but will it bother people? What are the ramifications of a character", "people only saw his name. They have not read anything from the story", "to be had, which is okay, but will it bother people? What are", "disappear? I expect some connotations to be had, which is okay, but will", "least a little established. I didn't think much of it at first, but", "people? What are the ramifications of a character sharing the same name as", "him such at a time I was unaware that this character existed in", "the story which includes him. So, what I'm wondering is, if my Beowulf's", "is called Beowulf. I named him such at a time I was unaware", "will all problems disappear? I expect some connotations to be had, which is", "didn't think much of it at first, but multiple people commented on it", "his name only). So naturally, I fear that this might be a problem.", "So naturally, I fear that this might be a problem. BUT These people", "that this might be a problem. BUT These people only saw his name.", "unaware that this character existed in mythology, and was at least a little", "These people only saw his name. They have not read anything from the", "read anything from the story which includes him. So, what I'm wondering is,", "on it (seeing his name only). So naturally, I fear that this might", "his name. They have not read anything from the story which includes him.", "mind, will all problems disappear? I expect some connotations to be had, which", "of a character sharing the same name as another, famous and established character?" ]
[ "accurate. Following is an example: > > \"Ahh don’t worry, it means nothing,", "'first person singular' and in past tense. There are lot of times in", "person singular' and in past tense. There are lot of times in it", "and in past tense. There are lot of times in it where I", "times in it where I have written it as I will say it", "practical > applicability goes is that you should not generate secondary emotions, >", "I am asking the listener 'are you following what I am saying?' Is", "tense. There are lot of times in it where I have written it", "while speaking. I have used phrases which have implied meaning but it's not", "secondary emotions, > you know like emotions about emotions\" Sisaq said.. > >", "> > > Especially the phrase 'you know' is some thing I use", "'you know' is some thing I use while talking which means I am", "about emotions\" Sisaq said.. > > > Especially the phrase 'you know' is", "in it where I have written it as I will say it while", "of times in it where I have written it as I will say", "example: > > \"Ahh don’t worry, it means nothing, all it means as", "emotions\" Sisaq said.. > > > Especially the phrase 'you know' is some", "implied meaning but it's not technically accurate. Following is an example: > >", "don’t worry, it means nothing, all it means as far as practical >", "are lot of times in it where I have written it as I", "know*' is some thing I use while talking which means I am asking", "past tense. There are lot of times in it where I have written", "phrases which have implied meaning but it's not technically accurate. Following is an", "it while speaking. I have used phrases which have implied meaning but it's", "am asking the listener 'are you following what I am saying?' Is this", "novel as a 'first person singular' and in past tense. There are lot", "Following is an example: > > \"Ahh don’t worry,* it means nothing, all", "in past tense. There are lot of times in it where I have", "you should not generate secondary emotions, > you know like emotions about emotions\"", "should not generate secondary emotions, > you know like emotions about emotions\" Sisaq", "> > \"Ahh don’t worry, it means nothing, all it means as far", "it means as far as practical > applicability goes is that you should", "means I am asking the listener 'are you following what I am saying?'", "that you should not generate secondary emotions, > you know like emotions about", "There are lot of times in it where I have written it as", "worry, it means nothing, all it means as far as practical > applicability", "as I will say it while speaking. I have used phrases which have", "an example: > > \"Ahh don’t worry, it means nothing, all it means", "as a 'first person singular' and in past tense. There are lot of", "meaning but it's not technically accurate. Following is an example: > > \"Ahh", "but it's not technically accurate. Following is an example: > > \"Ahh don’t", "where I have written it as I will say it while speaking. I", "> you know like emotions about emotions\" Sisaq said.. > > > Especially", "used phrases which have implied meaning but it's not technically accurate. Following is", "I use while talking which means I am asking the listener 'are you", "means as far as practical > applicability goes is that you should not", "a 'first person singular' and in past tense. There are lot of times", "> Especially the phrase 'you know' is some thing I use while talking", "I have written my novel as a 'first person singular' and in past", "is that you should not generate secondary emotions, > you know* like emotions", "have implied meaning but it's not technically accurate. Following is an example: >", "> > Especially the phrase 'you know' is some thing I use while", "is some thing I use while talking which means I am asking the", "as far as practical > applicability goes is that you should not generate", "\"Ahh don’t worry, it means nothing, all it means as far as practical", "say it while speaking. I have used phrases which have implied meaning but", "I have written it as I will say it while speaking. I have", "technically accurate. Following is an example: > > \"Ahh don’t worry, it means", "generate secondary emotions, > you know like emotions about emotions\" Sisaq said.. >", "emotions about emotions\" Sisaq said.. > > > Especially the phrase 'you know'", "emotions, > you know like emotions about emotions\" Sisaq said.. > > >", "like emotions about emotions\" Sisaq said.. > > > Especially the phrase 'you", "it as I will say it while speaking. I have used phrases which", "you know like emotions about emotions\" Sisaq said.. > > > Especially the", "my novel as a 'first person singular' and in past tense. There are", "not technically accurate. Following is an example: > > \"Ahh don’t worry,** it", "while talking which means I am asking the listener 'are you following what", "I will say it while speaking. I have used phrases which have implied", "speaking. I have used phrases which have implied meaning but it's not technically", "will say it while speaking. I have used phrases which have implied meaning", "the phrase 'you know' is some thing I use while talking which means", "said.. > > > Especially the phrase 'you know' is some thing I", "use while talking which means I am asking the listener 'are you following", "goes is that you should not generate secondary emotions, > you know like", "phrase 'you know' is some thing I use while talking which means I", "Sisaq said.. > > > Especially the phrase 'you know' is some thing", "asking the listener 'are you following what I am saying?' Is this acceptable?", "it's not technically accurate. Following is an example: > > \"Ahh don’t worry,", "> applicability goes is that you should not generate secondary emotions, > you", "singular' and in past tense. There are lot of times in it where", "it means nothing, all it means as far as practical > applicability goes", "I have used phrases which have implied meaning but it's not technically accurate.", "know like emotions about emotions\" Sisaq said.. > > > Especially the phrase", "as practical > applicability goes is that you should not generate secondary emotions,", "written it as I will say it while speaking. I have used phrases", "means nothing, all it means as far as practical > applicability goes is", "nothing, all it means as far as practical > applicability goes is that", "which means I am asking the listener 'are you following what I am", "it where I have written it as I will say it while speaking.", "lot of times in it where I have written it as I will", "written my novel as a 'first person singular' and in past tense. There", "> \"Ahh don’t worry,* it means nothing, all it means as far as", "Especially the phrase 'you know' is some thing I use while talking which", "have written my novel as a 'first person singular' and in past tense.", "far as practical > applicability goes is that you should not generate secondary", "applicability goes is that you should not generate secondary emotions, > you know", "have written it as I will say it while speaking. I have used", "have used phrases which have implied meaning but it's not technically accurate. Following", "which have implied meaning but it's not technically accurate. Following is an example:", "thing I use while talking which means I am asking the listener 'are", "talking which means I am asking the listener 'are you following what I", "all it means as far as practical > applicability goes is that you", "some thing I use while talking which means I am asking the listener", "is an example: > > \"Ahh don’t worry, it means nothing, all it", "not generate secondary emotions, > you know like emotions about emotions\" Sisaq said.." ]
[ "as the events are still happening as the story is being told. For", "happening as the story is being told. For an example: > > MaxyXv", "who headed our team. > > > In this paragraph, MaxyXv is still", "me. In my general fiction novel, which is told in first person singular", "and Riwhurz arrived just a few minutes later. MaxyXv was the software >", "I am confused whether to use present tense as the events are still", "For an example: > > MaxyXv and Riwhurz arrived just a few minutes", "told. For an example: > > MaxyXv and Riwhurz arrived just a few", "> architect and Riwhurz the Creative Director who headed our team. > >", "first person singular past tense, I encounter moments where I am confused whether", "Director as the story is being told. I am getting confused about usage", "use present tense as the events are still happening as the story is", "software > architect and Riwhurz the Creative Director who headed our team. >", "few minutes later. MaxyXv was the software > architect and Riwhurz the Creative", "arrived just a few minutes later. MaxyXv was the software > architect and", "I tried to use ',' for MaxyXv. Using 'is' is disturbing the flow", "use ',' for MaxyXv. Using 'is' is disturbing the flow of tenses in", "tense as the events are still happening as the story is being told.", "person singular past tense, I encounter moments where I am confused whether to", "the answers does not answer me. In my general fiction novel, which is", "my general fiction novel, which is told in first person singular past tense,", "was the software > architect and Riwhurz the Creative Director who headed our", "Riwhurz is still the Director as the story is being told. I am", "about usage of 'was', I tried to use ',' for MaxyXv. Using 'is'", "an example: > > MaxyXv and Riwhurz arrived just a few minutes later.", "question is similar to [this](https://writing.stackexchange.com/questions/12561/can-i-change-between-the-use-of-past-tense-to-present-tense-for-the-story-being) but the answers does not answer me. In", "told. I am getting confused about usage of 'was', I tried to use", "architect and Riwhurz is still the Director as the story is being told.", "our team. > > > In this paragraph, MaxyXv is still the software", "I encounter moments where I am confused whether to use present tense as", "Creative Director who headed our team. > > > In this paragraph, MaxyXv", "being told. I am getting confused about usage of 'was', I tried to", "for MaxyXv. Using 'is' is disturbing the flow of tenses in the paragraph.", "encounter moments where I am confused whether to use present tense as the", "minutes later. MaxyXv was the software > architect and Riwhurz the Creative Director", "novel, which is told in first person singular past tense, I encounter moments", "which is told in first person singular past tense, I encounter moments where", "MaxyXv is still the software architect and Riwhurz is still the Director as", "answer me. In my general fiction novel, which is told in first person", "not answer me. In my general fiction novel, which is told in first", "confused about usage of 'was', I tried to use ',' for MaxyXv. Using", "a few minutes later. MaxyXv was the software > architect and Riwhurz the", "usage of 'was', I tried to use ',' for MaxyXv. Using 'is' is", "Director who headed our team. > > > In this paragraph, MaxyXv is", "of 'was', I tried to use ',' for MaxyXv. Using 'is' is disturbing", "MaxyXv and Riwhurz arrived just a few minutes later. MaxyXv was the software", "tried to use ',' for MaxyXv. Using 'is' is disturbing the flow of", "> > MaxyXv and Riwhurz arrived just a few minutes later. MaxyXv was", "is told in first person singular past tense, I encounter moments where I", "The question is similar to [this](https://writing.stackexchange.com/questions/12561/can-i-change-between-the-use-of-past-tense-to-present-tense-for-the-story-being) but the answers does not answer me.", "to use present tense as the events are still happening as the story", "and Riwhurz the Creative Director who headed our team. > > > In", "as the story is being told. For an example: > > MaxyXv and", "told in first person singular past tense, I encounter moments where I am", "where I am confused whether to use present tense as the events are", "software architect and Riwhurz is still the Director as the story is being", "events are still happening as the story is being told. For an example:", "',' for MaxyXv. Using 'is' is disturbing the flow of tenses in the", "> In this paragraph, MaxyXv is still the software architect and Riwhurz is", "is still the Director as the story is being told. I am getting", "the events are still happening as the story is being told. For an", "and Riwhurz is still the Director as the story is being told. I", "'was', I tried to use ',' for MaxyXv. Using 'is' is disturbing the", "but the answers does not answer me. In my general fiction novel, which", "Riwhurz the Creative Director who headed our team. > > > In this", "headed our team. > > > In this paragraph, MaxyXv is still the", "the software > architect and Riwhurz the Creative Director who headed our team.", "[this](https://writing.stackexchange.com/questions/12561/can-i-change-between-the-use-of-past-tense-to-present-tense-for-the-story-being) but the answers does not answer me. In my general fiction novel,", "> MaxyXv and Riwhurz arrived just a few minutes later. MaxyXv was the", "still the Director as the story is being told. I am getting confused", "story is being told. I am getting confused about usage of 'was', I", "am getting confused about usage of 'was', I tried to use ',' for", "is being told. I am getting confused about usage of 'was', I tried", "similar to [this](https://writing.stackexchange.com/questions/12561/can-i-change-between-the-use-of-past-tense-to-present-tense-for-the-story-being) but the answers does not answer me. In my general", "present tense as the events are still happening as the story is being", "team. > > > In this paragraph, MaxyXv is still the software architect", "I am getting confused about usage of 'was', I tried to use ','", "the story is being told. I am getting confused about usage of 'was',", "the story is being told. For an example: > > MaxyXv and Riwhurz", "moments where I am confused whether to use present tense as the events", "in first person singular past tense, I encounter moments where I am confused", "is still the software architect and Riwhurz is still the Director as the", "story is being told. For an example: > > MaxyXv and Riwhurz arrived", "is being told. For an example: > > MaxyXv and Riwhurz arrived just", "confused whether to use present tense as the events are still happening as", "still the software architect and Riwhurz is still the Director as the story", "still happening as the story is being told. For an example: > >", "Riwhurz arrived just a few minutes later. MaxyXv was the software > architect", "the Director as the story is being told. I am getting confused about", "past tense, I encounter moments where I am confused whether to use present", "to use ',' for MaxyXv. Using 'is' is disturbing the flow of tenses", "> > > In this paragraph, MaxyXv is still the software architect and", "MaxyXv was the software > architect and Riwhurz the Creative Director who headed", "> > In this paragraph, MaxyXv is still the software architect and Riwhurz", "as the story is being told. I am getting confused about usage of", "am confused whether to use present tense as the events are still happening", "getting confused about usage of 'was', I tried to use ',' for MaxyXv.", "In this paragraph, MaxyXv is still the software architect and Riwhurz is still", "this paragraph, MaxyXv is still the software architect and Riwhurz is still the", "paragraph, MaxyXv is still the software architect and Riwhurz is still the Director", "to [this](https://writing.stackexchange.com/questions/12561/can-i-change-between-the-use-of-past-tense-to-present-tense-for-the-story-being) but the answers does not answer me. In my general fiction", "the software architect and Riwhurz is still the Director as the story is", "general fiction novel, which is told in first person singular past tense, I", "being told. For an example: > > MaxyXv and Riwhurz arrived just a", "just a few minutes later. MaxyXv was the software > architect and Riwhurz", "fiction novel, which is told in first person singular past tense, I encounter", "singular past tense, I encounter moments where I am confused whether to use", "are still happening as the story is being told. For an example: >", "does not answer me. In my general fiction novel, which is told in", "the Creative Director who headed our team. > > > In this paragraph,", "answers does not answer me. In my general fiction novel, which is told", "architect and Riwhurz the Creative Director who headed our team. > > >", "In my general fiction novel, which is told in first person singular past", "later. MaxyXv was the software > architect and Riwhurz the Creative Director who", "example: > > MaxyXv and Riwhurz arrived just a few minutes later. MaxyXv", "is similar to [this](https://writing.stackexchange.com/questions/12561/can-i-change-between-the-use-of-past-tense-to-present-tense-for-the-story-being) but the answers does not answer me. In my", "whether to use present tense as the events are still happening as the", "tense, I encounter moments where I am confused whether to use present tense" ]
[ "laid-back guy. So how do I write this so as to keep the", "who is in the squad who knew the Xergeokh before the war, and", "of the theaters of the war mimic previous wars in that area. Instead", "end, all of his men are killed in a horrendous battle and the", "to 2030. I like to call it the 'mixing pot war' because all", "it lasts from 2025 to 2030. I like to call it the 'mixing", "to attack. There is a character who is in the squad who knew", "area. Instead of having nukes, the countries use a myriad of nerve agents", "war' because all of the theaters of the war mimic previous wars in", "are killed in a horrendous battle and the squad is awarded a Medal", "2025 to 2030. I like to call it the 'mixing pot war' because", "the men are stationed in Passchendaele, awaiting the General's orders to attack. There", "SFD (Strike Force Delta), during the Third World War. 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Currently, the men are", "pot war' because all of the theaters of the war mimic previous wars", "poison gases against each other. The story is written from the point of", "unit, SFD (Strike Force Delta), during the Third World War. The war is", "of Honor for their actions before they died. (The men don't all die", "There is a character who is in the squad who knew the Xergeokh", "in that area. Instead of having nukes, the countries use a myriad of", "myriad of nerve agents and other poison gases against each other. The story", "the theaters of the war mimic previous wars in that area. Instead of", "other poison gases against each other. The story is written from the point", "previous wars in that area. Instead of having nukes, the countries use a", "Xergeokh's college sweetheart. How do I write the Xergeokh's POV without making him", "do I write the Xergeokh's POV without making him a angry guy but", "in Passchendaele, awaiting the General's orders to attack. 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[ "is based around a blog I wrote. There were comments on the blog", "I’m writing a non-fiction book. The book is based around a blog I", "comments or can I just put them in the book? Many thanks, Pabe", "around a blog I wrote. There were comments on the blog from family", "get their permission to use these comments or can I just put them", "to use these comments or can I just put them in the book?", "writing a non-fiction book. The book is based around a blog I wrote.", "on the blog from family and friends, do I need to get their", "the blog from family and friends, do I need to get their permission", "wrote. There were comments on the blog from family and friends, do I", "use these comments or can I just put them in the book? Many", "based around a blog I wrote. There were comments on the blog from", "a non-fiction book. The book is based around a blog I wrote. There", "do I need to get their permission to use these comments or can", "comments on the blog from family and friends, do I need to get", "There were comments on the blog from family and friends, do I need", "blog I wrote. There were comments on the blog from family and friends,", "friends, do I need to get their permission to use these comments or", "I need to get their permission to use these comments or can I", "a blog I wrote. There were comments on the blog from family and", "were comments on the blog from family and friends, do I need to", "book. The book is based around a blog I wrote. There were comments", "I wrote. There were comments on the blog from family and friends, do", "their permission to use these comments or can I just put them in", "book is based around a blog I wrote. There were comments on the", "need to get their permission to use these comments or can I just", "permission to use these comments or can I just put them in the", "from family and friends, do I need to get their permission to use", "and friends, do I need to get their permission to use these comments", "family and friends, do I need to get their permission to use these", "The book is based around a blog I wrote. There were comments on", "these comments or can I just put them in the book? Many thanks,", "to get their permission to use these comments or can I just put", "blog from family and friends, do I need to get their permission to", "non-fiction book. The book is based around a blog I wrote. There were" ]
[ "you have to explicitly be offered the “du”? Answering those questions forces me", "wouldn't need to give much thought about the sound inventory or the writing", "both forms. I decided to do so, and that forces me to make", "use “du” when you believe that it is appropriate, or do people expect", "typically how the fictional culture affects the choices of the language). On the", "addressed with it? Or maybe you have to explicitly be offered the “du”?", "of the fictional society that I might have overlooked if I had written", "working on is in a very far future. Clearly, people will speak a", "I had to decide whether the people in my story should also use", "negative) with the difference between translated dialogue and dialogue directly written in the", "“you”. I'd expect to encounter other such aspects when creating a conlang (disclaimer:", "writing in German made me consider questions that I would probably never have", "point, let me describe how the fact that I'm writing in German made", "affects the choices of the language). On the other hand, creating a conlang", "language in the final text. I see two potential advantages of this: First,", "it seriously, you are forced to consider aspects of the society that you", "might not think about otherwise. To explain what I mean with this point,", "it? Or maybe you have to explicitly be offered the “du”? Answering those", "I wouldn't need to give much thought about the sound inventory or the", "a conlang, at least if you do it seriously, you are forced to", "this: First, your language determines to a large part how you think. I", "to use “du” (in German, that changed over time, and it even is", "conlang. So in summary: Does creating a conlang but not using it actually", "expect to encounter other such aspects when creating a conlang (disclaimer: I haven't", "How close do people have to be to each other in order to", "a conlang for a story (probably in order to actually use it there)", "language I'm writing in) might help with the authenticity of the dialogue because", "so, and that forces me to make more decisions: How close do people", "haven't done so yet, but watched a few videos on YouTube about conlang", "I see two potential advantages of this: First, your language determines to a", "maybe someone has already experience (either positive or negative) with the difference between", "in order to use “du” (in German, that changed over time, and it", "yet, but watched a few videos on YouTube about conlang creation, and one", "effects suggested above, and if so, are those effects large enough to justify", "dialogue directly written in the story language. The second effect is related, but", "positive or negative) with the difference between translated dialogue and dialogue directly written", "guess writing dialogues in the conlang, and then translating into German (the language", "of the language). On the other hand, creating a conlang is certainly a", "the translation. Since such effects should be seen also for real languages, maybe", "German, that changed over time, and it even is different in different social", "it acceptable to use “du” when you believe that it is appropriate, or", "(either positive or negative) with the difference between translated dialogue and dialogue directly", "even is different in different social contexts). Also: Is it acceptable to use", "two forms of “you”: A formal one (“Sie”) and an informal one (“du”).", "fact that I'm writing in German made me consider questions that I would", "written in English. German has two forms of “you”: A formal one (“Sie”)", "not think about otherwise. To explain what I mean with this point, let", "what I mean with this point, let me describe how the fact that", "if it can make sense to (partially) create a conlang for the story", "see two potential advantages of this: First, your language determines to a large", "the authenticity of the dialogue because the source language character, even though not", "(for example, I wouldn't need to give much thought about the sound inventory", "actually have the positive effects suggested above, and if so, are those effects", "you do it seriously, you are forced to consider aspects of the society", "I haven't done so yet, but watched a few videos on YouTube about", "When creating a conlang, at least if you do it seriously, you are", "writing system). But maybe someone here has created a conlang for a story", "conlang, at least if you do it seriously, you are forced to consider", "very far future. Clearly, people will speak a different language then. Now, I", "in the story language. The second effect is related, but in a sense", "make sense to (partially) create a conlang for the story even though I", "in different social contexts). Also: Is it acceptable to use “du” when you", "on YouTube about conlang creation, and one major element was typically how the", "describe how the fact that I'm writing in German made me consider questions", "fictional society that I might have overlooked if I had written in English", "use “du” (in German, that changed over time, and it even is different", "the only way to address someone is “you”. I'd expect to encounter other", "to do so, and that forces me to make more decisions: How close", "asked before being addressed with it? Or maybe you have to explicitly be", "whether the people in my story should also use both forms. I decided", "be seen also for real languages, maybe someone has already experience (either positive", "least if you do it seriously, you are forced to consider aspects of", "close do people have to be to each other in order to use", "should inform the translation. Since such effects should be seen also for real", "anything in that language in the final text. I see two potential advantages", "I might have overlooked if I had written in English where the only", "in) might help with the authenticity of the dialogue because the source language", "story that I'm currently working on is in a very far future. Clearly,", "formal one (“Sie”) and an informal one (“du”). So when I was writing,", "do so, and that forces me to make more decisions: How close do", "choices of the language). On the other hand, creating a conlang is certainly", "such effects should be seen also for real languages, maybe someone has already", "should be seen also for real languages, maybe someone has already experience (either", "if you do it seriously, you are forced to consider aspects of the", "might help with the authenticity of the dialogue because the source language character,", "the difference between translated dialogue and dialogue directly written in the story language.", "can be omitted if the language is never actually shown (for example, I", "But maybe someone here has created a conlang for a story (probably in", "forced to consider aspects of the society that you might not think about", "conlang for a story (probably in order to actually use it there) and", "to encounter other such aspects when creating a conlang (disclaimer: I haven't done", "omitted if the language is never actually shown (for example, I wouldn't need", "speak a different language then. 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But,", "and description from both of them. Take the Alias Grace mini series for", "both of them. Take the Alias Grace mini series for example. But, instead", "the patient and doctor, to the patient's recollections of the past events the", "and doctor, to the patient's recollections of the past events the doctor is", "long conversations between the patient and doctor, to the patient's recollections of the", "now on my latest novel but have come across some issues in regards", "description from both of them. Take the Alias Grace mini series for example.", "main problem I'm having is transitioning from long conversations between the patient and", "latest novel but have come across some issues in regards to recollections of", "because that's a bit general... It's based around a psychiatrist and a patient", "mini series for example. But, instead of being a visual medium, It'll be", "I'd also like to including interjected dialogue and description from both of them.", "come across some issues in regards to recollections of past events. I'll outline", "that's a bit general... It's based around a psychiatrist and a patient discussing", "in regards to recollections of past events. I'll outline what I mean, because", "recollections of the past events the doctor is asking about. I'd also like", "for example. But, instead of being a visual medium, It'll be written down", "based around a psychiatrist and a patient discussing the patient's life. The main", "past events. I'll outline what I mean, because that's a bit general... It's", "about. I'd also like to including interjected dialogue and description from both of", "transitioning from long conversations between the patient and doctor, to the patient's recollections", "doctor, to the patient's recollections of the past events the doctor is asking", "Grace* mini series for example. But, instead of being a visual medium, It'll", "some issues in regards to recollections of past events. I'll outline what I", "the doctor is asking about. I'd also like to including interjected dialogue and", "on my latest novel but have come across some issues in regards to", "past events the doctor is asking about. I'd also like to including interjected", "outline what I mean, because that's a bit general... It's based around a", "around a psychiatrist and a patient discussing the patient's life. The main problem", "have come across some issues in regards to recollections of past events. I'll", "example. But, instead of being a visual medium, It'll be written down as", "been working for about a month now on my latest novel but have", "working for about a month now on my latest novel but have come", "The main problem I'm having is transitioning from long conversations between the patient", "to recollections of past events. I'll outline what I mean, because that's a", "having is transitioning from long conversations between the patient and doctor, to the", "I've been working for about a month now on my latest novel but", "a bit general... It's based around a psychiatrist and a patient discussing the", "life. The main problem I'm having is transitioning from long conversations between the", "to the patient's recollections of the past events the doctor is asking about.", "I'll outline what I mean, because that's a bit general... It's based around", "patient's life. The main problem I'm having is transitioning from long conversations between", "month now on my latest novel but have come across some issues in", "instead of being a visual medium, It'll be written down as a story.", "conversations between the patient and doctor, to the patient's recollections of the past", "the patient's life. The main problem I'm having is transitioning from long conversations", "mean, because that's a bit general... It's based around a psychiatrist and a", "events the doctor is asking about. I'd also like to including interjected dialogue", "a psychiatrist and a patient discussing the patient's life. The main problem I'm", "them. Take the Alias Grace mini series for example. But, instead of being", "like to including interjected dialogue and description from both of them. Take the", "So, I've been working for about a month now on my latest novel", "from long conversations between the patient and doctor, to the patient's recollections of", "Take the Alias Grace mini series for example. But, instead of being a", "recollections of past events. I'll outline what I mean, because that's a bit", "of them. Take the Alias Grace mini series for example. But, instead of", "doctor is asking about. I'd also like to including interjected dialogue and description", "problem I'm having is transitioning from long conversations between the patient and doctor,", "series for example. But, instead of being a visual medium, It'll be written", "patient and doctor, to the patient's recollections of the past events the doctor", "patient discussing the patient's life. The main problem I'm having is transitioning from", "the patient's recollections of the past events the doctor is asking about. I'd", "interjected dialogue and description from both of them. Take the Alias Grace mini", "the Alias Grace mini series for example. But, instead of being a visual", "for about a month now on my latest novel but have come across", "a patient discussing the patient's life. The main problem I'm having is transitioning", "asking about. I'd also like to including interjected dialogue and description from both", "also like to including interjected dialogue and description from both of them. Take", "issues in regards to recollections of past events. I'll outline what I mean,", "general... It's based around a psychiatrist and a patient discussing the patient's life.", "to including interjected dialogue and description from both of them. Take the Alias", "novel but have come across some issues in regards to recollections of past", "is transitioning from long conversations between the patient and doctor, to the patient's", "a month now on my latest novel but have come across some issues", "psychiatrist and a patient discussing the patient's life. The main problem I'm having", "what I mean, because that's a bit general... It's based around a psychiatrist", "dialogue and description from both of them. Take the Alias Grace* mini series", "between the patient and doctor, to the patient's recollections of the past events", "of the past events the doctor is asking about. I'd also like to", "the past events the doctor is asking about. I'd also like to including", "of past events. I'll outline what I mean, because that's a bit general...", "across some issues in regards to recollections of past events. I'll outline what", "about a month now on my latest novel but have come across some", "but have come across some issues in regards to recollections of past events.", "events. I'll outline what I mean, because that's a bit general... It's based", "It's based around a psychiatrist and a patient discussing the patient's life. The", "Alias Grace mini series for example. But, instead of being a visual medium," ]
[ "know what to google to get an answer so asking anyways. In this", "others have done. It seems both ways are used. I am not able", "such a miserable cold, your sarcastic remarks are hardly > making any effect", "making any effect on me,\" he commented. > > > Should the phrase", "downloaded to see what others have done. It seems both ways are used.", "what he commented? I also tried reading some novels I have downloaded to", "have downloaded to see what others have done. It seems both ways are", "dialogue; > > \"I have such a miserable cold, your sarcastic remarks are", "'he commented' come before or after what he commented? I also tried reading", "cold, your sarcastic remarks are hardly > making any effect on me,\" he", "google to get an answer so asking anyways. In this dialogue; > >", "are hardly > making any effect on me,\" he commented. > > >", "sarcastic remarks are hardly > making any effect on me,\" he commented. >", "come before or after what he commented? I also tried reading some novels", "seems both ways are used. I am not able to understand how its", "I don't know what to google to get an answer so asking anyways.", "or after what he commented? I also tried reading some novels I have", "might be a very trivial question but I don't know what to google", "This might be a very trivial question but I don't know what to", "to google to get an answer so asking anyways. In this dialogue; >", "what others have done. It seems both ways are used. I am not", "> \"I have such a miserable cold, your sarcastic remarks are hardly >", "see what others have done. It seems both ways are used. I am", "tried reading some novels I have downloaded to see what others have done.", "effect on me,\" he commented. > > > Should the phrase 'he commented'", "commented? I also tried reading some novels I have downloaded to see what", "also tried reading some novels I have downloaded to see what others have", "I have downloaded to see what others have done. It seems both ways", "don't know what to google to get an answer so asking anyways. In", "In this dialogue; > > \"I have such a miserable cold, your sarcastic", "what to google to get an answer so asking anyways. In this dialogue;", "answer so asking anyways. In this dialogue; > > \"I have such a", "\"I have such a miserable cold, your sarcastic remarks are hardly > making", "reading some novels I have downloaded to see what others have done. It", "trivial question but I don't know what to google to get an answer", "> > \"I have such a miserable cold, your sarcastic remarks are hardly", "the phrase 'he commented' come before or after what he commented? I also", "get an answer so asking anyways. In this dialogue; > > \"I have", "have done. It seems both ways are used. I am not able to", "a miserable cold, your sarcastic remarks are hardly > making any effect on", "novels I have downloaded to see what others have done. It seems both", "anyways. In this dialogue; > > \"I have such a miserable cold, your", "commented' come before or after what he commented? I also tried reading some", "so asking anyways. In this dialogue; > > \"I have such a miserable", "> making any effect on me,\" he commented. > > > Should the", "It seems both ways are used. I am not able to understand how", "he commented. > > > Should the phrase 'he commented' come before or", "question but I don't know what to google to get an answer so", "asking anyways. In this dialogue; > > \"I have such a miserable cold,", "done. It seems both ways are used. I am not able to understand", "> > > Should the phrase 'he commented' come before or after what", "me,\" he commented. > > > Should the phrase 'he commented' come before", "phrase 'he commented' come before or after what he commented? I also tried", "miserable cold, your sarcastic remarks are hardly > making any effect on me,\"", "before or after what he commented? I also tried reading some novels I", "> > Should the phrase 'he commented' come before or after what he", "remarks are hardly > making any effect on me,\" he commented. > >", "to see what others have done. It seems both ways are used. I", "any effect on me,\" he commented. > > > Should the phrase 'he", "he commented? I also tried reading some novels I have downloaded to see", "an answer so asking anyways. In this dialogue; > > \"I have such", "have such a miserable cold, your sarcastic remarks are hardly > making any", "your sarcastic remarks are hardly > making any effect on me,\" he commented.", "commented. > > > Should the phrase 'he commented' come before or after", "be a very trivial question but I don't know what to google to", "some novels I have downloaded to see what others have done. It seems", "after what he commented? I also tried reading some novels I have downloaded", "this dialogue; > > \"I have such a miserable cold, your sarcastic remarks", "I also tried reading some novels I have downloaded to see what others", "to get an answer so asking anyways. In this dialogue; > > \"I", "> Should the phrase 'he commented' come before or after what he commented?", "very trivial question but I don't know what to google to get an", "both ways are used. I am not able to understand how its decided.", "a very trivial question but I don't know what to google to get", "hardly > making any effect on me,\" he commented. > > > Should", "but I don't know what to google to get an answer so asking", "on me,\" he commented. > > > Should the phrase 'he commented' come", "Should the phrase 'he commented' come before or after what he commented? I" ]
[ "out before. I personally find that writing by hand makes flow harder, and", "novel during NaNoWriMo (and Camp sessions). At one point, a discussion arose around", "older and more used to writing stuff by hand. Are there advantages either", "again, this could come down to me being younger and more used to", "hand makes flow harder, and I lose my train of thought more easily.", "before. I personally find that writing by hand makes flow harder, and I", "around writing by hand vs. typing out your story. Someone mentioned that they", "by hand makes flow harder, and I lose my train of thought more", "that writing by hand makes flow harder, and I lose my train of", "one point, a discussion arose around writing by hand vs. typing out your", "although it makes revisions harder and they still have to type it all", "younger and more used to typing (and I have horrible handwriting), and them", "more easily. Then again, this could come down to me being younger and", "member of a Discord server for people interested in completing an entire novel", "they still have to type it all out before. I personally find that", "either way? What are the pros and cons of both methods? (Should I", "it all out before. I personally find that writing by hand makes flow", "the pros and cons of both methods? (Should I give hand another shot?)", "to me being younger and more used to typing (and I have horrible", "hand. Are there advantages either way? What are the pros and cons of", "people interested in completing an entire novel during NaNoWriMo (and Camp sessions). At", "horrible handwriting), and them being older and more used to writing stuff by", "and more used to writing stuff by hand. Are there advantages either way?", "and I lose my train of thought more easily. Then again, this could", "writing by hand, because it's fewer distractions, although it makes revisions harder and", "mentioned that they prefer writing by hand, because it's fewer distractions, although it", "are the pros and cons of both methods? (Should I give hand another", "that they prefer writing by hand, because it's fewer distractions, although it makes", "I have horrible handwriting), and them being older and more used to writing", "way? What are the pros and cons of both methods? (Should I give", "entire novel during NaNoWriMo (and Camp sessions). At one point, a discussion arose", "story. Someone mentioned that they prefer writing by hand, because it's fewer distractions,", "they prefer writing by hand, because it's fewer distractions, although it makes revisions", "an entire novel during NaNoWriMo (and Camp sessions). At one point, a discussion", "and they still have to type it all out before. I personally find", "typing (and I have horrible handwriting), and them being older and more used", "NaNoWriMo (and Camp sessions). At one point, a discussion arose around writing by", "all out before. I personally find that writing by hand makes flow harder,", "have horrible handwriting), and them being older and more used to writing stuff", "in completing an entire novel during NaNoWriMo (and Camp sessions). At one point,", "come down to me being younger and more used to typing (and I", "lose my train of thought more easily. Then again, this could come down", "it's fewer distractions, although it makes revisions harder and they still have to", "there advantages either way? What are the pros and cons of both methods?", "writing by hand makes flow harder, and I lose my train of thought", "used to writing stuff by hand. Are there advantages either way? What are", "a Discord server for people interested in completing an entire novel during NaNoWriMo", "advantages either way? What are the pros and cons of both methods? (Should", "by hand vs. typing out your story. Someone mentioned that they prefer writing", "it makes revisions harder and they still have to type it all out", "to writing stuff by hand. Are there advantages either way? What are the", "by hand. Are there advantages either way? What are the pros and cons", "because it's fewer distractions, although it makes revisions harder and they still have", "down to me being younger and more used to typing (and I have", "them being older and more used to writing stuff by hand. Are there", "a member of a Discord server for people interested in completing an entire", "and more used to typing (and I have horrible handwriting), and them being", "used to typing (and I have horrible handwriting), and them being older and", "Are there advantages either way? What are the pros and cons of both", "arose around writing by hand vs. typing out your story. Someone mentioned that", "my train of thought more easily. Then again, this could come down to", "harder and they still have to type it all out before. I personally", "personally find that writing by hand makes flow harder, and I lose my", "being older and more used to writing stuff by hand. Are there advantages", "What are the pros and cons of both methods? (Should I give hand", "distractions, although it makes revisions harder and they still have to type it", "point, a discussion arose around writing by hand vs. typing out your story.", "more used to writing stuff by hand. Are there advantages either way? What", "during NaNoWriMo (and Camp sessions). At one point, a discussion arose around writing", "to type it all out before. I personally find that writing by hand", "discussion arose around writing by hand vs. typing out your story. Someone mentioned", "prefer writing by hand, because it's fewer distractions, although it makes revisions harder", "your story. Someone mentioned that they prefer writing by hand, because it's fewer", "makes revisions harder and they still have to type it all out before.", "Someone mentioned that they prefer writing by hand, because it's fewer distractions, although", "fewer distractions, although it makes revisions harder and they still have to type", "revisions harder and they still have to type it all out before. I", "Camp sessions). At one point, a discussion arose around writing by hand vs.", "At one point, a discussion arose around writing by hand vs. typing out", "I personally find that writing by hand makes flow harder, and I lose", "find that writing by hand makes flow harder, and I lose my train", "hand, because it's fewer distractions, although it makes revisions harder and they still", "thought more easily. Then again, this could come down to me being younger", "writing stuff by hand. Are there advantages either way? What are the pros", "makes flow harder, and I lose my train of thought more easily. Then", "type it all out before. I personally find that writing by hand makes", "Discord server for people interested in completing an entire novel during NaNoWriMo (and", "(and I have horrible handwriting), and them being older and more used to", "handwriting), and them being older and more used to writing stuff by hand.", "of a Discord server for people interested in completing an entire novel during", "typing out your story. Someone mentioned that they prefer writing by hand, because", "this could come down to me being younger and more used to typing", "sessions). At one point, a discussion arose around writing by hand vs. typing", "I'm a member of a Discord server for people interested in completing an", "harder, and I lose my train of thought more easily. Then again, this", "to typing (and I have horrible handwriting), and them being older and more", "easily. Then again, this could come down to me being younger and more", "could come down to me being younger and more used to typing (and", "stuff by hand. Are there advantages either way? What are the pros and", "I lose my train of thought more easily. Then again, this could come", "writing by hand vs. typing out your story. Someone mentioned that they prefer", "by hand, because it's fewer distractions, although it makes revisions harder and they", "(and Camp sessions). At one point, a discussion arose around writing by hand", "for people interested in completing an entire novel during NaNoWriMo (and Camp sessions).", "server for people interested in completing an entire novel during NaNoWriMo (and Camp", "flow harder, and I lose my train of thought more easily. Then again,", "train of thought more easily. Then again, this could come down to me", "of thought more easily. Then again, this could come down to me being", "me being younger and more used to typing (and I have horrible handwriting),", "being younger and more used to typing (and I have horrible handwriting), and", "Then again, this could come down to me being younger and more used", "out your story. Someone mentioned that they prefer writing by hand, because it's", "interested in completing an entire novel during NaNoWriMo (and Camp sessions). At one", "more used to typing (and I have horrible handwriting), and them being older", "a discussion arose around writing by hand vs. typing out your story. Someone", "still have to type it all out before. I personally find that writing", "and them being older and more used to writing stuff by hand. Are", "vs. typing out your story. Someone mentioned that they prefer writing by hand,", "hand vs. typing out your story. Someone mentioned that they prefer writing by", "completing an entire novel during NaNoWriMo (and Camp sessions). At one point, a", "have to type it all out before. I personally find that writing by" ]
[ "and have a few short stories penned. I would like to build up", "read and the pacing of cinema almost like a screenplay in prose. I'm", "has been. I grew up with a lot of film and TV, and", "I'm worried that I may be cornering myself and limiting myself to the", "up to a novel but believe I have identified a potential weakness in", "of High School English have not studied writing in any way. So my", "a young age, I always imagined the scenes taking place on film and", "and the pacing of cinema almost like a screenplay in prose. I'm worried", "worried that I may be cornering myself and limiting myself to the full", "I have identified a potential weakness in my storytelling. My style is grounded", "way I read and the pacing of cinema almost like a screenplay in", "studied writing in any way. So my question, what are some of the", "young age, I always imagined the scenes taking place on film and pictured", "accommodates the way I read and the pacing of cinema almost like a", "but I am mostly self taught and outside of High School English have", "almost like a screenplay in prose. I'm worried that I may be cornering", "are not possible to do with film and TV? How can I ensure", "that accommodates the way I read and the pacing of cinema almost like", "language, and always has been. I grew up with a lot of film", "So my question, what are some of the forms and styles I can", "of the forms and styles I can use in my writing that are", "and pictured how I would film them, angles, framing, reaction shots etc. I've", "that are not possible to do with film and TV? How can I", "filmography being a bit of a film nerd when I was younger. As", "not possible to do with film and TV? How can I ensure I'm", "be cornering myself and limiting myself to the full power of prose, but", "stories penned. I would like to build up to a novel but believe", "I've always read like this. Because of this, I tend to write in", "can I ensure I'm not limiting my potential by writing almost exclusively 'for", "in prose. I'm worried that I may be cornering myself and limiting myself", "and have a good knowledge of filmography being a bit of a film", "for years and have a few short stories penned. I would like to", "of cinema almost like a screenplay in prose. I'm worried that I may", "of prose, but I am mostly self taught and outside of High School", "writing that are not possible to do with film and TV? How can", "my storytelling. My style is grounded in visual language, and always has been.", "how I would film them, angles, framing, reaction shots etc. I've always read", "cinema almost like a screenplay in prose. I'm worried that I may be", "film and TV? How can I ensure I'm not limiting my potential by", "myself to the full power of prose, but I am mostly self taught", "enjoyed writing prose for years and have a few short stories penned. I", "to build up to a novel but believe I have identified a potential", "prose. I'm worried that I may be cornering myself and limiting myself to", "prose, but I am mostly self taught and outside of High School English", "in visual language, and always has been. I grew up with a lot", "I can use in my writing that are not possible to do with", "a novel but believe I have identified a potential weakness in my storytelling.", "way. So my question, what are some of the forms and styles I", "of filmography being a bit of a film nerd when I was younger.", "to the full power of prose, but I am mostly self taught and", "some of the forms and styles I can use in my writing that", "in my storytelling. My style is grounded in visual language, and always has", "have a few short stories penned. I would like to build up to", "do with film and TV? How can I ensure I'm not limiting my", "in a style that accommodates the way I read and the pacing of", "My style is grounded in visual language, and always has been. I grew", "of this, I tend to write in a style that accommodates the way", "always read like this. Because of this, I tend to write in a", "reaction shots etc. I've always read like this. Because of this, I tend", "would like to build up to a novel but believe I have identified", "screenplay in prose. I'm worried that I may be cornering myself and limiting", "As such, even reading from a young age, I always imagined the scenes", "read like this. Because of this, I tend to write in a style", "cornering myself and limiting myself to the full power of prose, but I", "younger. As such, even reading from a young age, I always imagined the", "I would like to build up to a novel but believe I have", "write in a style that accommodates the way I read and the pacing", "film nerd when I was younger. As such, even reading from a young", "TV, and have a good knowledge of filmography being a bit of a", "power of prose, but I am mostly self taught and outside of High", "tend to write in a style that accommodates the way I read and", "are some of the forms and styles I can use in my writing", "on film and pictured how I would film them, angles, framing, reaction shots", "visual language, and always has been. I grew up with a lot of", "I have enjoyed writing prose for years and have a few short stories", "I would film them, angles, framing, reaction shots etc. I've always read like", "a lot of film and TV, and have a good knowledge of filmography", "can use in my writing that are not possible to do with film", "self taught and outside of High School English have not studied writing in", "and outside of High School English have not studied writing in any way.", "that I may be cornering myself and limiting myself to the full power", "what are some of the forms and styles I can use in my", "is grounded in visual language, and always has been. I grew up with", "identified a potential weakness in my storytelling. My style is grounded in visual", "shots etc. I've always read like this. Because of this, I tend to", "knowledge of filmography being a bit of a film nerd when I was", "any way. So my question, what are some of the forms and styles", "build up to a novel but believe I have identified a potential weakness", "I grew up with a lot of film and TV, and have a", "styles I can use in my writing that are not possible to do", "myself and limiting myself to the full power of prose, but I am", "to a novel but believe I have identified a potential weakness in my", "place on film and pictured how I would film them, angles, framing, reaction", "I was younger. As such, even reading from a young age, I always", "when I was younger. As such, even reading from a young age, I", "have not studied writing in any way. So my question, what are some", "High School English have not studied writing in any way. So my question,", "with film and TV? How can I ensure I'm not limiting my potential", "of film and TV, and have a good knowledge of filmography being a", "a style that accommodates the way I read and the pacing of cinema", "possible to do with film and TV? How can I ensure I'm not", "the full power of prose, but I am mostly self taught and outside", "full power of prose, but I am mostly self taught and outside of", "I ensure I'm not limiting my potential by writing almost exclusively 'for TV'?", "up with a lot of film and TV, and have a good knowledge", "storytelling. My style is grounded in visual language, and always has been. I", "Because of this, I tend to write in a style that accommodates the", "have identified a potential weakness in my storytelling. My style is grounded in", "was younger. As such, even reading from a young age, I always imagined", "believe I have identified a potential weakness in my storytelling. My style is", "and always has been. I grew up with a lot of film and", "film them, angles, framing, reaction shots etc. I've always read like this. Because", "may be cornering myself and limiting myself to the full power of prose,", "and limiting myself to the full power of prose, but I am mostly", "mostly self taught and outside of High School English have not studied writing", "School English have not studied writing in any way. So my question, what", "film and pictured how I would film them, angles, framing, reaction shots etc.", "am mostly self taught and outside of High School English have not studied", "but believe I have identified a potential weakness in my storytelling. My style", "taking place on film and pictured how I would film them, angles, framing,", "would film them, angles, framing, reaction shots etc. I've always read like this.", "such, even reading from a young age, I always imagined the scenes taking", "outside of High School English have not studied writing in any way. 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How can I ensure I'm not limiting my potential by writing", "with a lot of film and TV, and have a good knowledge of", "the way I read and the pacing of cinema almost like a screenplay", "How can I ensure I'm not limiting my potential by writing almost exclusively", "short stories penned. I would like to build up to a novel but", "writing in any way. So my question, what are some of the forms", "a few short stories penned. I would like to build up to a", "and TV, and have a good knowledge of filmography being a bit of", "good knowledge of filmography being a bit of a film nerd when I", "penned. I would like to build up to a novel but believe I", "this. Because of this, I tend to write in a style that accommodates", "pictured how I would film them, angles, framing, reaction shots etc. I've always", "pacing of cinema almost like a screenplay in prose. I'm worried that I", "in any way. So my question, what are some of the forms and", "of a film nerd when I was younger. As such, even reading from", "style that accommodates the way I read and the pacing of cinema almost", "the scenes taking place on film and pictured how I would film them,", "writing prose for years and have a few short stories penned. I would", "English have not studied writing in any way. So my question, what are", "the forms and styles I can use in my writing that are not", "question, what are some of the forms and styles I can use in", "being a bit of a film nerd when I was younger. As such,", "I read and the pacing of cinema almost like a screenplay in prose.", "TV? How can I ensure I'm not limiting my potential by writing almost", "taught and outside of High School English have not studied writing in any", "age, I always imagined the scenes taking place on film and pictured how", "my question, what are some of the forms and styles I can use", "weakness in my storytelling. My style is grounded in visual language, and always", "been. I grew up with a lot of film and TV, and have", "nerd when I was younger. As such, even reading from a young age,", "a good knowledge of filmography being a bit of a film nerd when", "etc. I've always read like this. Because of this, I tend to write", "I am mostly self taught and outside of High School English have not", "to do with film and TV? How can I ensure I'm not limiting", "have enjoyed writing prose for years and have a few short stories penned.", "a potential weakness in my storytelling. My style is grounded in visual language,", "grew up with a lot of film and TV, and have a good", "in my writing that are not possible to do with film and TV?", "reading from a young age, I always imagined the scenes taking place on", "scenes taking place on film and pictured how I would film them, angles,", "limiting myself to the full power of prose, but I am mostly self", "angles, framing, reaction shots etc. I've always read like this. Because of this,", "a film nerd when I was younger. As such, even reading from a", "lot of film and TV, and have a good knowledge of filmography being", "years and have a few short stories penned. I would like to build", "like to build up to a novel but believe I have identified a", "film and TV, and have a good knowledge of filmography being a bit", "I may be cornering myself and limiting myself to the full power of", "use in my writing that are not possible to do with film and", "prose for years and have a few short stories penned. I would like", "framing, reaction shots etc. I've always read like this. Because of this, I", "always has been. I grew up with a lot of film and TV,", "my writing that are not possible to do with film and TV? How" ]
[ "> > A: Oh, those are similar, but there are some differences. <", "well, and sometimes a normally strong character will take this role temporarily. Usually", "so you're saying that ducks can fly and swim? > > A: Exactly!", "heard about them too. > > A: Oh, those are similar, but there", "this role temporarily. Usually the conversation plays out something like this: > >", "ducks can fly and swim? > > A: Exactly! < Talks for 3", "some differences. < Talks about geese* > > > > And so on", "only to give the other character someone to talk to. I've seen this", "> A: Exactly! < Talks for 3 more minutes > > > B:", "< Talks for 3 more minutes > > > B: So what about", "about ducks* > > > B: Oh, interesting, so you're saying that ducks", "> > > B: So what about geese? I've heard about them too.", "in an children's educational video. Is there a term or trope for this", "did the majority of the talking and the other seemed to exist only", "interesting, so you're saying that ducks can fly and swim? > > A:", "I've heard about them too. > > A: Oh, those are similar, but", "Oh, those are similar, but there are some differences. < Talks about geese", "to the conversation and seems to only be there so it's not a", "I just saw a two-person play where one character did the majority of", "play where one character did the majority of the talking and the other", "majority of the talking and the other seemed to exist only to give", "> > > And so on and so forth. Character B never really", "to exist only to give the other character someone to talk to. I've", "plays out something like this: > > A: < Talks for 3 minutes", "strong character will take this role temporarily. Usually the conversation plays out something", "minutes > > > B: So what about geese? I've heard about them", "Talks for 3 more minutes > > > B: So what about geese?", "children's educational video. Is there a term or trope for this type of", "educational video. Is there a term or trope for this type of character", "a two-person play where one character did the majority of the talking and", "be there so it's not a 90-minute monologue. I would certainly view this", "Is there a term or trope for this type of character or scene?", "other seemed to exist only to give the other character someone to talk", "to only be there so it's not a 90-minute monologue. I would certainly", "two-person play where one character did the majority of the talking and the", "normally strong character will take this role temporarily. Usually the conversation plays out", "that would be more appropriate in an children's educational video. Is there a", "3 minutes about ducks* > > > B: Oh, interesting, so you're saying", "the other character someone to talk to. I've seen this happen in books", "the other seemed to exist only to give the other character someone to", "in books and TV as well, and sometimes a normally strong character will", "are similar, but there are some differences. < Talks about geese > >", "< Talks about geese > > > > And so on and so", "what about geese? I've heard about them too. > > A: Oh, those", "character someone to talk to. I've seen this happen in books and TV", "90-minute monologue. I would certainly view this as Bad Writing, and something that", "3 more minutes* > > > B: So what about geese? I've heard", "seemed to exist only to give the other character someone to talk to.", "so forth. Character B never really contributes anything meaningful to the conversation and", "out something like this: > > A: < Talks for 3 minutes about", "so it's not a 90-minute monologue. I would certainly view this as Bad", "role temporarily. Usually the conversation plays out something like this: > > A:", "geese > > > > And so on and so forth. Character B", "on and so forth. Character B never really contributes anything meaningful to the", "too. > > A: Oh, those are similar, but there are some differences.", "you're saying that ducks can fly and swim? > > A: Exactly! <", "> A: Oh, those are similar, but there are some differences. < Talks", "saw a two-person play where one character did the majority of the talking", "I've seen this happen in books and TV as well, and sometimes a", "just saw a two-person play where one character did the majority of the", "Usually the conversation plays out something like this: > > A: < Talks", "Talks for 3 minutes about ducks > > > B: Oh, interesting, so", "this: > > A: < Talks for 3 minutes about ducks > >", "but there are some differences. < Talks about geese > > > >", "and swim? > > A: Exactly! < Talks for 3 more minutes >", "those are similar, but there are some differences. < Talks about geese >", "temporarily. Usually the conversation plays out something like this: > > A: <", "> > B: So what about geese? I've heard about them too. >", "like this: > > A: < Talks for 3 minutes about ducks >", "anything meaningful to the conversation and seems to only be there so it's", "only be there so it's not a 90-minute monologue. I would certainly view", "there so it's not a 90-minute monologue. I would certainly view this as", "conversation plays out something like this: > > A: < Talks for 3", "view this as Bad Writing, and something that would be more appropriate in", "Oh, interesting, so you're saying that ducks can fly and* swim? > >", "ducks* > > > B: Oh, interesting, so you're saying that ducks can", "minutes about ducks* > > > B: Oh, interesting, so you're saying that", "for 3 minutes about ducks* > > > B: Oh, interesting, so you're", "video. Is there a term or trope for this type of character or", "talking and the other seemed to exist only to give the other character", "conversation and seems to only be there so it's not a 90-minute monologue.", "exist only to give the other character someone to talk to. I've seen", "and something that would be more appropriate in an children's educational video. Is", "this happen in books and TV as well, and sometimes a normally strong", "sometimes a normally strong character will take this role temporarily. Usually the conversation", "the conversation plays out something like this: > > A: < Talks for", "the conversation and seems to only be there so it's not a 90-minute", "Character B never really contributes anything meaningful to the conversation and seems to", "monologue. I would certainly view this as Bad Writing, and something that would", "So what about geese? I've heard about them too. > > A: Oh,", "A: < Talks for 3 minutes about ducks* > > > B: Oh,", "there are some differences. < Talks about geese > > > > And", "something that would be more appropriate in an children's educational video. Is there", "to. I've seen this happen in books and TV as well, and sometimes", "and seems to only be there so it's not a 90-minute monologue. I", "someone to talk to. I've seen this happen in books and TV as", "> A: < Talks for 3 minutes about ducks > > > B:", "about geese? I've heard about them too. > > A: Oh, those are", "will take this role temporarily. Usually the conversation plays out something like this:", "B: Oh, interesting, so you're saying that ducks can fly and swim? >", "similar, but there are some differences. < Talks about geese > > >", "more minutes* > > > B: So what about geese? I've heard about", "books and TV as well, and sometimes a normally strong character will take", "> > And so on and so forth. Character B never really contributes", "the majority of the talking and the other seemed to exist only to", "take this role temporarily. Usually the conversation plays out something like this: >", "and the other seemed to exist only to give the other character someone", "> B: So what about geese? I've heard about them too. > >", "forth. Character B never really contributes anything meaningful to the conversation and seems", "happen in books and TV as well, and sometimes a normally strong character", "seems to only be there so it's not a 90-minute monologue. I would", "Talks about geese > > > > And so on and so forth.", "certainly view this as Bad Writing, and something that would be more appropriate", "> > A: Exactly! < Talks for 3 more minutes > > >", "fly and swim? > > A: Exactly! < Talks for 3 more minutes", "as well, and sometimes a normally strong character will take this role temporarily.", "other character someone to talk to. I've seen this happen in books and", "that ducks can fly and swim? > > A: Exactly! < Talks for", "B: So what about geese? I've heard about them too. > > A:", "Writing, and something that would be more appropriate in an children's educational video.", "Exactly! < Talks for 3 more minutes* > > > B: So what", "something like this: > > A: < Talks for 3 minutes about ducks", "for 3 more minutes* > > > B: So what about geese? I've", "geese? I've heard about them too. > > A: Oh, those are similar,", "to give the other character someone to talk to. I've seen this happen", "the talking and the other seemed to exist only to give the other", "> > A: < Talks for 3 minutes about ducks > > >", "I would certainly view this as Bad Writing, and something that would be", "would certainly view this as Bad Writing, and something that would be more", "about them too. > > A: Oh, those are similar, but there are", "> And so on and so forth. Character B never really contributes anything", "not a 90-minute monologue. I would certainly view this as Bad Writing, and", "as Bad Writing, and something that would be more appropriate in an children's", "A: Exactly! < Talks for 3 more minutes > > > B: So", "can fly and swim? > > A: Exactly! < Talks for 3 more", "of the talking and the other seemed to exist only to give the", "> > B: Oh, interesting, so you're saying that ducks can fly and", "contributes anything meaningful to the conversation and seems to only be there so", "character did the majority of the talking and the other seemed to exist", "really contributes anything meaningful to the conversation and seems to only be there", "< Talks for 3 minutes about ducks* > > > B: Oh, interesting,", "and so forth. Character B never really contributes anything meaningful to the conversation", "this as Bad Writing, and something that would be more appropriate in an", "are some differences. < Talks about geese > > > > And so", "seen this happen in books and TV as well, and sometimes a normally", "one character did the majority of the talking and the other seemed to", "a normally strong character will take this role temporarily. Usually the conversation plays", "character will take this role temporarily. Usually the conversation plays out something like", "never really contributes anything meaningful to the conversation and seems to only be", "about geese* > > > > And so on and so forth. Character", "to talk to. I've seen this happen in books and TV as well,", "an children's educational video. Is there a term or trope for this type", "them too. > > A: Oh, those are similar, but there are some", "appropriate in an children's educational video. Is there a term or trope for", "a 90-minute monologue. I would certainly view this as Bad Writing, and something", "differences. < Talks about geese > > > > And so on and", "TV as well, and sometimes a normally strong character will take this role", "where one character did the majority of the talking and the other seemed", "B never really contributes anything meaningful to the conversation and seems to only", "give the other character someone to talk to. I've seen this happen in", "> > > > And so on and so forth. Character B never", "more appropriate in an children's educational video. Is there a term or trope", "so on and so forth. Character B never really contributes anything meaningful to", "talk to. I've seen this happen in books and TV as well, and", "meaningful to the conversation and seems to only be there so it's not", "and sometimes a normally strong character will take this role temporarily. Usually the", "saying that ducks can fly and swim? > > A: Exactly! < Talks", "And so on and so forth. Character B never really contributes anything meaningful", "swim? > > A: Exactly! < Talks for 3 more minutes* > >", "and TV as well, and sometimes a normally strong character will take this", "Bad Writing, and something that would be more appropriate in an children's educational", "> B: Oh, interesting, so you're saying that ducks can fly and swim?", "> > > B: Oh, interesting, so you're saying that ducks can fly", "it's not a 90-minute monologue. I would certainly view this as Bad Writing,", "be more appropriate in an children's educational video. Is there a term or", "A: Oh, those are similar, but there are some differences. < *Talks about", "would be more appropriate in an children's educational video. Is there a term" ]
[ "I didn't. I want to know if all of a sudden adding a", "But I'd like to know if it'd be alright if I didn't. I", "an earlier chapter. But I'd like to know if it'd be alright if", "writing a novel with many POVs, and this is a very flexible story.", "there is a lot more, having been integrated in between those previously existing", "with mystical and magical beings from chapter one, where a demon is present.", "where a demon is present. So the problem is not that suddenly a", "suddenly a magical element is added far into the story. The problem is", "way)? Of course, I have no problem adding a mention of vampires in", "this is a very flexible story. It started out with a few POVs", "vampires aren't any type of beast, they are established within literature. So, will", "alright if I didn't. I want to know if all of a sudden", "and this is a very flexible story. It started out with a few", "mentioned species is added to the story. Now, the world is described as", "a ton of implications. A vampire POV. The reader will be acquainted with", "of implications. A vampire POV. The reader will be acquainted with mystical and", "want to know if all of a sudden adding a species far into", "started out with a few POVs who had one plot, and now there", "POVs who had one plot, and now there is a lot more, having", "previously not mentioned species is added to the story. Now, the world is", "being home to many different types of beasts. But vampires aren't any type", "brings a ton of implications. A vampire POV. The reader will be acquainted", "element is added far into the story. The problem is that an entire,", "chapters in throw the reader off (in a bad way)? Of course, I", "integrated in between those previously existing POVs. But now I'm thinking about adding", "the story. The problem is that an entire, previously not mentioned species is", "bad way)? Of course, I have no problem adding a mention of vampires", "magical beings from chapter one, where a demon is present. So the problem", "is not that suddenly a magical element is added far into the story.", "this species to the mix over twenty chapters in throw the reader off", "type of beast, they are established within literature. So, will suddenly adding this", "a new POV that brings a ton of implications. A vampire POV. The", "I have no problem adding a mention of vampires in an earlier chapter.", "know if it'd be alright if I didn't. I want to know if", "literature. So, will suddenly adding this species to the mix over twenty chapters", "and now there is a lot more, having been integrated in between those", "present. So the problem is not that suddenly a magical element is added", "home to many different types of beasts. But vampires aren't any type of", "now there is a lot more, having been integrated in between those previously", "know if all of a sudden adding a species far into the story", "is a very flexible story. It started out with a few POVs who", "the reader off (in a bad way)? 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[ "for you.” > > > Transformation Intensive Programme -- £1500 – 3 months", "> > > Transformation Intensive Programme -- £1500 – 3 months > >", "word document; > > After patiently listening to my story, she pulled out", "one looks like something interesting for you.” > > > Transformation Intensive Programme", "in a health resort. The receptionist presents her with a brochure of activities.", "> > > Activity B with Daniel > > > Activity C with", "protagonist goes to live in a health resort. The receptionist presents her with", "written like this in a word document; > > After patiently listening to", "> After patiently listening to my story, she pulled out the resort >", "the resort > brochure and pointing out with the pen in her hand", "– 3 months > > > Activity A with Jacob > > >", "with a brochure of activities. At the moment I have written like this", "this in a word document; > > After patiently listening to my story,", "in a word document; > > After patiently listening to my story, she", "my story the protagonist goes to live in a health resort. The receptionist", "In my story the protagonist goes to live in a health resort. The", "with the pen in her hand she said; > “Here, this one looks", "document; > > After patiently listening to my story, she pulled out the", "C with XareFX. > > > Activity D with Tom > > >", "health resort. The receptionist presents her with a brochure of activities. At the", "At the moment I have written like this in a word document; >", "have written like this in a word document; > > After patiently listening", "with Jacob > > > Activity B with Daniel > > > Activity", "> Activity C with XareFX. > > > Activity D with Tom >", "this one looks like something interesting for you.” > > > Transformation Intensive", "the publisher (just in case I am fortunate enough to get one ;))", "A with Jacob > > > Activity B with Daniel > > >", "I send it to the publisher (just in case I am fortunate enough", ";)) Or should I just present it in a word table. Will this", "receptionist presents her with a brochure of activities. At the moment I have", "with Tom > > > Should I design this before I send it", "enough to get one ;)) Or should I just present it in a", "> Activity B with Daniel > > > Activity C with XareFX. >", "you.” > > > Transformation Intensive Programme -- £1500 – 3 months >", "with Daniel > > > Activity C with XareFX. > > > Activity", "> > > Should I design this before I send it to the", "> > > Activity C with XareFX. > > > Activity D with", "> > Activity D with Tom > > > Should I design this", "> brochure and pointing out with the pen in her hand she said;", "XareFX. > > > Activity D with Tom > > > Should I", "to live in a health resort. The receptionist presents her with a brochure", "case I am fortunate enough to get one* ;)) Or should I just", "something interesting for you.” > > > Transformation Intensive Programme -- £1500 –", "Jacob > > > Activity B with Daniel > > > Activity C", "live in a health resort. The receptionist presents her with a brochure of", "publisher (just in case I am fortunate enough to get one ;)) Or", "a brochure of activities. At the moment I have written like this in", "> > Transformation Intensive Programme -- £1500 – 3 months > > >", "> Transformation Intensive Programme -- £1500 – 3 months > > > Activity", "£1500 – 3 months > > > Activity A with Jacob > >", "like this in a word document; > > After patiently listening to my", "I have written like this in a word document; > > After patiently", "Or should I just present it in a word table. Will this be", "to the publisher (just in case I am fortunate enough to get one", "-- £1500 – 3 months > > > Activity A with Jacob >", "> Activity A with Jacob > > > Activity B with Daniel >", "> > After patiently listening to my story, she pulled out the resort", "activities. At the moment I have written like this in a word document;", "the pen in her hand she said; > “Here, this one looks like", "like something interesting for you.” > > > Transformation Intensive Programme -- £1500", "pen in her hand she said; > “Here, this one looks like something", "> “Here, this one looks like something interesting for you.” > > >", "she said; > “Here, this one looks like something interesting for you.” >", "brochure and pointing out with the pen in her hand she said; >", "Activity A with Jacob > > > Activity B with Daniel > >", "fortunate enough to get one* ;)) Or should I just present it in", "> > Activity C with XareFX. > > > Activity D with Tom", "Should I design this before I send it to the publisher (just in", "moment I have written like this in a word document; > > After", "this before I send it to the publisher (just in case I am", "the protagonist goes to live in a health resort. The receptionist presents her", "resort > brochure and pointing out with the pen in her hand she", "After patiently listening to my story, she pulled out the resort > brochure", "should I just present it in a word table. Will this be also", "Activity D with Tom > > > Should I design this before I", "B with Daniel > > > Activity C with XareFX. > > >", "it to the publisher (just in case I am fortunate enough to get", "to get one ;)) Or should I just present it in a word", "story, she pulled out the resort > brochure and pointing out with the", "a health resort. The receptionist presents her with a brochure of activities. At", "Daniel > > > Activity C with XareFX. > > > Activity D", "> > > Activity D with Tom > > > Should I design", "I just present it in a word table. Will this be also designed", "> > > Activity A with Jacob > > > Activity B with", "> Activity D with Tom > > > Should I design this before", "brochure of activities. At the moment I have written like this in a", "“Here, this one looks like something interesting for you.” > > > Transformation", "present it in a word table. Will this be also designed for the", "she pulled out the resort > brochure and pointing out with the pen", "get one* ;)) Or should I just present it in a word table.", "of activities. At the moment I have written like this in a word", "hand she said; > “Here, this one looks like something interesting for you.”", "her hand she said; > “Here, this one looks like something interesting for", "and pointing out with the pen in her hand she said; > “Here,", "with XareFX. > > > Activity D with Tom > > > Should", "Transformation Intensive Programme -- £1500 – 3 months > > > Activity A", "out the resort > brochure and pointing out with the pen in her", "one* ;)) Or should I just present it in a word table. Will", "story the protagonist goes to live in a health resort. The receptionist presents", "interesting for you.” > > > Transformation Intensive Programme -- £1500 – 3", "I am fortunate enough to get one* ;)) Or should I just present", "patiently listening to my story, she pulled out the resort > brochure and", "her with a brochure of activities. At the moment I have written like", "listening to my story, she pulled out the resort > brochure and pointing", "pulled out the resort > brochure and pointing out with the pen in", "in case I am fortunate enough to get one* ;)) Or should I", "a word document; > > After patiently listening to my story, she pulled", "> > Should I design this before I send it to the publisher", "send it to the publisher (just in case I am fortunate enough to", "resort. The receptionist presents her with a brochure of activities. At the moment", "in her hand she said; > “Here, this one looks like something interesting", "> > Activity A with Jacob > > > Activity B with Daniel", "D with Tom > > > Should I design this before I send", "3 months > > > Activity A with Jacob > > > Activity", "am fortunate enough to get one ;)) Or should I just present it", "Tom > > > Should I design this before I send it to", "The receptionist presents her with a brochure of activities. At the moment I", "the moment I have written like this in a word document; > >", "before I send it to the publisher (just in case I am fortunate", "design this before I send it to the publisher (just in case I", "> > Activity B with Daniel > > > Activity C with XareFX.", "pointing out with the pen in her hand she said; > “Here, this", "Activity B with Daniel > > > Activity C with XareFX. > >", "goes to live in a health resort. The receptionist presents her with a", "it in a word table. Will this be also designed for the book?", "my story, she pulled out the resort > brochure and pointing out with", "I design this before I send it to the publisher (just in case", "just present it in a word table. Will this be also designed for", "out with the pen in her hand she said; > “Here, this one", "(just in case I am fortunate enough to get one* ;)) Or should", "said; > “Here, this one looks like something interesting for you.” > >", "looks like something interesting for you.” > > > Transformation Intensive Programme --", "Intensive Programme -- £1500 – 3 months > > > Activity A with", "presents her with a brochure of activities. At the moment I have written", "> Should I design this before I send it to the publisher (*just", "months > > > Activity A with Jacob > > > Activity B", "Programme -- £1500 – 3 months > > > Activity A with Jacob", "Activity C with XareFX. > > > Activity D with Tom > >", "to my story, she pulled out the resort > brochure and pointing out" ]
[ "that was written by a child, and I guess it's more of an", "was written by a child, and I guess it's more of an inversion", "4th or 5th grade, where the MCs, a girl and a boy, were", "I just can't think of any examples right now. So what makes a", "were superheroes. One wore a blue costume with knives, and the other wore", "And the boy wore the pink! Your stereotypes mean nothing to my unsharpened-pencil", "girl wore the blue one! And the boy wore the pink! Your stereotypes", "written by a child, and I guess it's more of an inversion than", "blue one! And the boy wore the pink! Your stereotypes mean nothing to", "pink one with flowers... BUT PSYCH! The girl wore the blue one! And", "that feel similarly... cheap, for lack of a better word. Badly thought out,", "my unsharpened-pencil wielding mind! Now obviously, that was written by a child, and", "5th grade, where the MCs, a girl and a boy, were superheroes. One", "just can't think of any examples right now. So what makes a trope", "grade, where the MCs, a girl and a boy, were superheroes. One wore", "with knives, and the other wore a pink one with flowers... BUT PSYCH!", "better word. Badly thought out, perhaps. I just can't think of any examples", "a child, and I guess it's more of an inversion than a subversion,", "the boy wore the pink! Your stereotypes mean nothing to my unsharpened-pencil wielding", "a pink one with flowers... BUT PSYCH! The girl wore the blue one!", "stereotypes mean nothing to my unsharpened-pencil wielding mind! Now obviously, that was written", "it's more of an inversion than a subversion, I feel like there are", "recently came across something I wrote in 4th or 5th grade, where the", "wore a pink one with flowers... BUT PSYCH! The girl wore the blue", "with flowers... BUT PSYCH! The girl wore the blue one! And the boy", "across something I wrote in 4th or 5th grade, where the MCs, a", "any examples right now. So what makes a trope subversion fall flat/ boring/", "I guess it's more of an inversion than a subversion, I feel like", "of an inversion than a subversion, I feel like there are a lot", "than a subversion, I feel like there are a lot of trope 'subversions'", "similarly... cheap, for lack of a better word. Badly thought out, perhaps. I", "where the MCs, a girl and a boy, were superheroes. One wore a", "So what makes a trope subversion fall flat/ boring/ \"cheap\"? Examples would be", "flowers... BUT PSYCH! The girl wore the blue one! And the boy wore", "other wore a pink one with flowers... BUT PSYCH! The girl wore the", "wore the pink! Your stereotypes mean nothing to my unsharpened-pencil wielding mind! Now", "can't think of any examples right now. So what makes a trope subversion", "the pink! Your stereotypes mean nothing to my unsharpened-pencil wielding mind! Now obviously,", "'subversions' that feel similarly... cheap, for lack of a better word. Badly thought", "and I guess it's more of an inversion than a subversion, I feel", "feel similarly... cheap, for lack of a better word. Badly thought out, perhaps.", "mean nothing to my unsharpened-pencil wielding mind! Now obviously, that was written by", "lot of trope 'subversions' that feel similarly... cheap, for lack of a better", "I wrote in 4th or 5th grade, where the MCs, a girl and", "guess it's more of an inversion than a subversion, I feel like there", "of a better word. Badly thought out, perhaps. I just can't think of", "a boy, were superheroes. One wore a blue costume with knives, and the", "obviously, that was written by a child, and I guess it's more of", "there are a lot of trope 'subversions' that feel similarly... cheap, for lack", "child, and I guess it's more of an inversion than a subversion, I", "what makes a trope subversion fall flat/ boring/ \"cheap\"? Examples would be nice", "wielding mind! Now obviously, that was written by a child, and I guess", "lack of a better word. Badly thought out, perhaps. I just can't think", "an inversion than a subversion, I feel like there are a lot of", "and a boy, were superheroes. One wore a blue costume with knives, and", "knives, and the other wore a pink one with flowers... BUT PSYCH! The", "BUT PSYCH! The girl wore the blue one! And the boy wore the", "boy, were superheroes. One wore a blue costume with knives, and the other", "subversion, I feel like there are a lot of trope 'subversions' that feel", "the blue one! And the boy wore the pink! Your stereotypes mean nothing", "trope 'subversions' that feel similarly... cheap, for lack of a better word. Badly", "out, perhaps. I just can't think of any examples right now. So what", "PSYCH! The girl wore the blue one! And the boy wore the pink!", "are a lot of trope 'subversions' that feel similarly... cheap, for lack of", "a blue costume with knives, and the other wore a pink one with", "more of an inversion than a subversion, I feel like there are a", "of trope 'subversions' that feel similarly... cheap, for lack of a better word.", "superheroes. One wore a blue costume with knives, and the other wore a", "a better word. Badly thought out, perhaps. I just can't think of any", "unsharpened-pencil wielding mind! Now obviously, that was written by a child, and I", "pink! Your stereotypes mean nothing to my unsharpened-pencil wielding mind! Now obviously, that", "word. Badly thought out, perhaps. I just can't think of any examples right", "something I wrote in 4th or 5th grade, where the MCs, a girl", "thought out, perhaps. I just can't think of any examples right now. So", "perhaps. I just can't think of any examples right now. So what makes", "think of any examples right now. So what makes a trope subversion fall", "a subversion, I feel like there are a lot of trope 'subversions' that", "One wore a blue costume with knives, and the other wore a pink", "blue costume with knives, and the other wore a pink one with flowers...", "Now obviously, that was written by a child, and I guess it's more", "a girl and a boy, were superheroes. One wore a blue costume with", "inversion than a subversion, I feel like there are a lot of trope", "by a child, and I guess it's more of an inversion than a", "boy wore the pink! Your stereotypes mean nothing to my unsharpened-pencil wielding mind!", "wrote in 4th or 5th grade, where the MCs, a girl and a", "MCs, a girl and a boy, were superheroes. One wore a blue costume", "girl and a boy, were superheroes. One wore a blue costume with knives,", "wore a blue costume with knives, and the other wore a pink one", "the other wore a pink one with flowers... BUT PSYCH! The girl wore", "right now. So what makes a trope subversion fall flat/ boring/ \"cheap\"? Examples", "The girl wore the blue one! And the boy wore the pink! Your", "I recently came across something I wrote in 4th or 5th grade, where", "one with flowers... BUT PSYCH! The girl wore the blue one! And the", "now. So what makes a trope subversion fall flat/ boring/ \"cheap\"? Examples would", "costume with knives, and the other wore a pink one with flowers... BUT", "or 5th grade, where the MCs, a girl and a boy, were superheroes.", "came across something I wrote in 4th or 5th grade, where the MCs,", "the MCs, a girl and a boy, were superheroes. One wore a blue", "in 4th or 5th grade, where the MCs, a girl and a boy,", "and the other wore a pink one with flowers... BUT PSYCH! The girl", "wore the blue one! And the boy wore the pink! Your stereotypes mean", "a lot of trope 'subversions' that feel similarly... cheap, for lack of a", "I feel like there are a lot of trope 'subversions' that feel similarly...", "makes a trope subversion fall flat/ boring/ \"cheap\"? Examples would be nice too.", "to my unsharpened-pencil wielding mind! Now obviously, that was written by a child,", "examples right now. So what makes a trope subversion fall flat/ boring/ \"cheap\"?", "feel like there are a lot of trope 'subversions' that feel similarly... cheap,", "for lack of a better word. Badly thought out, perhaps. I just can't", "of any examples right now. So what makes a trope subversion fall flat/", "Badly thought out, perhaps. I just can't think of any examples right now.", "mind! Now obviously, that was written by a child, and I guess it's", "like there are a lot of trope 'subversions' that feel similarly... cheap, for", "nothing to my unsharpened-pencil wielding mind! Now obviously, that was written by a", "Your stereotypes mean nothing to my unsharpened-pencil wielding mind! Now obviously, that was", "one! And the boy wore the pink! Your stereotypes mean nothing to my", "cheap, for lack of a better word. Badly thought out, perhaps. I just" ]
[ "examples of published books that have pulled this off either well or badly?", "is that one of these has much more to do in the first", "Because of this, I am considering not running the POVs chronologically next to", "though they do (peripherally) interact. Is there any good advice on how to", "currently designing a story with three distinct POVs. An issue I am running", "than the other two while having less to do later. Because of this,", "of these has much more to do in the first third than the", "distinct POVs. An issue I am running into, however, is that one of", "designing a story with three distinct POVs. An issue I am running into,", "less to do later. Because of this, I am considering not running the", "POVs chronologically next to each other, even though they do (peripherally) interact. Is", "the first third than the other two while having less to do later.", "good advice on how to do this, or why not to do it,", "third than the other two while having less to do later. Because of", "do in the first third than the other two while having less to", "this, or why not to do it, and examples of published books that", "other, even though they do (peripherally) interact. Is there any good advice on", "much more to do in the first third than the other two while", "three distinct POVs. An issue I am running into, however, is that one", "next to each other, even though they do (peripherally) interact. Is there any", "considering not running the POVs chronologically next to each other, even though they", "not to do it, and examples of published books that have pulled this", "that one of these has much more to do in the first third", "not running the POVs chronologically next to each other, even though they do", "and examples of published books that have pulled this off either well or", "the other two while having less to do later. Because of this, I", "why not to do it, and examples of published books that have pulled", "has much more to do in the first third than the other two", "these has much more to do in the first third than the other", "first third than the other two while having less to do later. Because", "running into, however, is that one of these has much more to do", "they do (peripherally) interact. Is there any good advice on how to do", "how to do this, or why not to do it, and examples of", "two while having less to do later. Because of this, I am considering", "I am currently designing a story with three distinct POVs. An issue I", "there any good advice on how to do this, or why not to", "having less to do later. Because of this, I am considering not running", "or why not to do it, and examples of published books that have", "later. Because of this, I am considering not running the POVs chronologically next", "to do in the first third than the other two while having less", "to do this, or why not to do it, and examples of published", "other two while having less to do later. Because of this, I am", "An issue I am running into, however, is that one of these has", "issue I am running into, however, is that one of these has much", "I am considering not running the POVs chronologically next to each other, even", "on how to do this, or why not to do it, and examples", "do later. Because of this, I am considering not running the POVs chronologically", "story with three distinct POVs. An issue I am running into, however, is", "interact. Is there any good advice on how to do this, or why", "running the POVs chronologically next to each other, even though they do (peripherally)", "do this, or why not to do it, and examples of published books", "am running into, however, is that one of these has much more to", "to do it, and examples of published books that have pulled this off", "to do later. Because of this, I am considering not running the POVs", "way I am currently designing a story with three distinct POVs. An issue", "POVs. An issue I am running into, however, is that one of these", "with three distinct POVs. An issue I am running into, however, is that", "am considering not running the POVs chronologically next to each other, even though", "the POVs chronologically next to each other, even though they do (peripherally) interact.", "(peripherally) interact. Is there any good advice on how to do this, or", "am currently designing a story with three distinct POVs. An issue I am", "a story with three distinct POVs. An issue I am running into, however,", "while having less to do later. Because of this, I am considering not", "chronologically next to each other, even though they do (peripherally) interact. Is there", "advice on how to do this, or why not to do it, and", "however, is that one of these has much more to do in the", "of this, I am considering not running the POVs chronologically next to each", "I am running into, however, is that one of these has much more", "to each other, even though they do (peripherally) interact. Is there any good", "do (peripherally) interact. Is there any good advice on how to do this,", "more to do in the first third than the other two while having", "Is there any good advice on how to do this, or why not", "each other, even though they do (peripherally) interact. Is there any good advice", "any good advice on how to do this, or why not to do", "one of these has much more to do in the first third than", "this, I am considering not running the POVs chronologically next to each other,", "into, however, is that one of these has much more to do in", "in the first third than the other two while having less to do", "it, and examples of published books that have pulled this off either well", "The way I am currently designing a story with three distinct POVs. An", "do it, and examples of published books that have pulled this off either", "even though they do (peripherally) interact. Is there any good advice on how" ]
[ "(\"make terrible things happen to the characters\") but rather the philosophical aspects as", "systems guy so this is uncharted territory. I try not to follow examples", "of conflict. (It reminds me of people watching gladiators or boxers) * What", "some kind of conflict. (It reminds me of people watching gladiators or boxers)", "why do you care of what happens next, if you really just wanted", "then that. * Do you enjoy happy endings? Why exactly or why not?", "suffering of the characters in the story? Not necessarily suffering but always facing", "to know only that you could let yourself get spoilered. So there is", "I am more of a systems guy so this is uncharted territory. I", "lot of possibilities in how a game can be made fun. * What", "I assume you had to answer some o these questions for yourself before.", "trying to write a story for a game. I am more of a", "in how a game can be made fun. * What makes us as", "a lot of possibilities in how a game can be made fun. ", "conflict. (It reminds me of people watching gladiators or boxers) What keeps", "not? (unfortunate endings might appeal to some because of the realism, but that", "don't read stories all that much. I think that this is the best", "people watching gladiators or boxers) * What keeps you reading? I mean, why", "about the suffering of the characters in the story? Not necessarily suffering but", "be made fun. * What makes us as humans interested in reading about", "is the best forum to ask these questions, because I assume you had", "interested in reading about the suffering of the characters in the story? Not", "always facing problems or some kind of conflict. (It reminds me of people", "philosophical aspects as that opens up a lot of possibilities in how a", "to ask these questions, because I assume you had to answer some o", "watching gladiators or boxers) * What keeps you reading? I mean, why do", "up a lot of possibilities in how a game can be made fun.", "you really just wanted to know only that you could let yourself get", "mean, why do you care of what happens next, if you really just", "or some kind of conflict. (It reminds me of people watching gladiators or", "happen to the characters\") but rather the philosophical aspects as that opens up", "some because of the realism, but that of course gives the question: What", "a story for a game. I am more of a systems guy so", "(unfortunate endings might appeal to some because of the realism, but that of", "To learn from them or for the enjoyment?) I can't really answer these", "ask these questions, because I assume you had to answer some o these", "reading about the suffering of the characters in the story? Not necessarily suffering", "uncharted territory. I try not to follow examples (\"make terrible things happen to", "to follow examples (\"make terrible things happen to the characters\") but rather the", "appeal to some because of the realism, but that of course gives the", "these questions, because I assume you had to answer some o these questions", "for the enjoyment?) I can't really answer these questions myself, because I don't", "of possibilities in how a game can be made fun. * What makes", "am more of a systems guy so this is uncharted territory. I try", "in reading about the suffering of the characters in the story? Not necessarily", "the suffering of the characters in the story? Not necessarily suffering but always", "really answer these questions myself, because I don't read stories all that much.", "us as humans interested in reading about the suffering of the characters in", "makes us as humans interested in reading about the suffering of the characters", "to the characters\") but rather the philosophical aspects as that opens up a", "do you care of what happens next, if you really just wanted to", "happens next, if you really just wanted to know only that you could", "to some because of the realism, but that of course gives the question:", "spoilered. So there is more then that. * Do you enjoy happy endings?", "question: What do you read storys for? To learn from them or for", "do you read storys for? To learn from them or for the enjoyment?)", "a systems guy so this is uncharted territory. I try not to follow", "but rather the philosophical aspects as that opens up a lot of possibilities", "guy so this is uncharted territory. I try not to follow examples (\"make", "might appeal to some because of the realism, but that of course gives", "happy endings? Why exactly or why not? (unfortunate endings might appeal to some", "you reading? I mean, why do you care of what happens next, if", "that opens up a lot of possibilities in how a game can be", "can't really answer these questions myself, because I don't read stories all that", "questions, because I assume you had to answer some o these questions for", "the enjoyment?) I can't really answer these questions myself, because I don't read", "endings? Why exactly or why not? (unfortunate endings might appeal to some because", "but that of course gives the question: What do you read storys for?", "a game. I am more of a systems guy so this is uncharted", "characters\") but rather the philosophical aspects as that opens up a lot of", "I can't really answer these questions myself, because I don't read stories all", "because I don't read stories all that much. I think that this is", "you could let yourself get spoilered. So there is more then that. ", "let yourself get spoilered. So there is more then that. Do you", "best forum to ask these questions, because I assume you had to answer", "problems or some kind of conflict. (It reminds me of people watching gladiators", "myself, because I don't read stories all that much. I think that this", "or boxers) * What keeps you reading? I mean, why do you care", "you enjoy happy endings? Why exactly or why not? (unfortunate endings might appeal", "of the realism, but that of course gives the question: What do you", "enjoyment?) I can't really answer these questions myself, because I don't read stories", "what happens next, if you really just wanted to know only that you", "fun. * What makes us as humans interested in reading about the suffering", "* What keeps you reading? I mean, why do you care of what", "questions myself, because I don't read stories all that much. I think that", "examples (\"make terrible things happen to the characters\") but rather the philosophical aspects", "that much. I think that this is the best forum to ask these", "because of the realism, but that of course gives the question: What do", "I don't read stories all that much. I think that this is the", "the best forum to ask these questions, because I assume you had to", "of a systems guy so this is uncharted territory. I try not to", "opens up a lot of possibilities in how a game can be made", "Not necessarily suffering but always facing problems or some kind of conflict. (It", "reading? I mean, why do you care of what happens next, if you", "but always facing problems or some kind of conflict. (It reminds me of", "is more then that. * Do you enjoy happy endings? Why exactly or", "or why not? (unfortunate endings might appeal to some because of the realism,", "in the story? Not necessarily suffering but always facing problems or some kind", "if you really just wanted to know only that you could let yourself", "forum to ask these questions, because I assume you had to answer some", "I am trying to write a story for a game. I am more", "of the characters in the story? Not necessarily suffering but always facing problems", "as that opens up a lot of possibilities in how a game can", "learn from them or for the enjoyment?) I can't really answer these questions", "territory. I try not to follow examples (\"make terrible things happen to the", "a game can be made fun. * What makes us as humans interested", "so this is uncharted territory. I try not to follow examples (\"make terrible", "I try not to follow examples (\"make terrible things happen to the characters\")", "made fun. * What makes us as humans interested in reading about the", "characters in the story? Not necessarily suffering but always facing problems or some", "that of course gives the question: What do you read storys for? To", "from them or for the enjoyment?) I can't really answer these questions myself,", "answer these questions myself, because I don't read stories all that much. I", "much. I think that this is the best forum to ask these questions,", "because I assume you had to answer some o these questions for yourself", "just wanted to know only that you could let yourself get spoilered. So", "that this is the best forum to ask these questions, because I assume", "I mean, why do you care of what happens next, if you really", "enjoy happy endings? Why exactly or why not? (unfortunate endings might appeal to", "keeps you reading? I mean, why do you care of what happens next,", "only that you could let yourself get spoilered. So there is more then", "game. I am more of a systems guy so this is uncharted territory.", "aspects as that opens up a lot of possibilities in how a game", "you read storys for? To learn from them or for the enjoyment?) I", "humans interested in reading about the suffering of the characters in the story?", "gladiators or boxers) * What keeps you reading? I mean, why do you", "of course gives the question: What do you read storys for? To learn", "course gives the question: What do you read storys for? To learn from", "boxers) * What keeps you reading? I mean, why do you care of", "think that this is the best forum to ask these questions, because I", "realism, but that of course gives the question: What do you read storys", "stories all that much. I think that this is the best forum to", "storys for? To learn from them or for the enjoyment?) I can't really", "follow examples (\"make terrible things happen to the characters\") but rather the philosophical", "the realism, but that of course gives the question: What do you read", "for a game. I am more of a systems guy so this is", "So there is more then that. * Do you enjoy happy endings? Why", "write a story for a game. I am more of a systems guy", "gives the question: What do you read storys for? To learn from them", "can be made fun. * What makes us as humans interested in reading", "them or for the enjoyment?) I can't really answer these questions myself, because", "the story? Not necessarily suffering but always facing problems or some kind of", "kind of conflict. (It reminds me of people watching gladiators or boxers) ", "next, if you really just wanted to know only that you could let", "yourself get spoilered. So there is more then that. Do you enjoy", "for? To learn from them or for the enjoyment?) I can't really answer", "the question: What do you read storys for? To learn from them or", "this is the best forum to ask these questions, because I assume you", "the philosophical aspects as that opens up a lot of possibilities in how", "So I am trying to write a story for a game. I am", "terrible things happen to the characters\") but rather the philosophical aspects as that", "that you could let yourself get spoilered. So there is more then that.", "* What makes us as humans interested in reading about the suffering of", "to write a story for a game. I am more of a systems", "story? Not necessarily suffering but always facing problems or some kind of conflict.", "of what happens next, if you really just wanted to know only that", "that. * Do you enjoy happy endings? Why exactly or why not? (unfortunate", "(It reminds me of people watching gladiators or boxers) * What keeps you", "am trying to write a story for a game. I am more of", "the characters\") but rather the philosophical aspects as that opens up a lot", "What makes us as humans interested in reading about the suffering of the", "all that much. I think that this is the best forum to ask", "care of what happens next, if you really just wanted to know only", "read storys for? To learn from them or for the enjoyment?) I can't", "know only that you could let yourself get spoilered. So there is more", "as humans interested in reading about the suffering of the characters in the", "get spoilered. So there is more then that. * Do you enjoy happy", "is uncharted territory. I try not to follow examples (\"make terrible things happen", "me of people watching gladiators or boxers) * What keeps you reading? I", "more of a systems guy so this is uncharted territory. I try not", "why not? (unfortunate endings might appeal to some because of the realism, but", "What do you read storys for? To learn from them or for the", "things happen to the characters\") but rather the philosophical aspects as that opens", "of people watching gladiators or boxers) * What keeps you reading? I mean,", "* Do you enjoy happy endings? Why exactly or why not? (unfortunate endings", "or for the enjoyment?) I can't really answer these questions myself, because I", "possibilities in how a game can be made fun. * What makes us", "not to follow examples (\"make terrible things happen to the characters\") but rather", "game can be made fun. * What makes us as humans interested in", "What keeps you reading? I mean, why do you care of what happens", "wanted to know only that you could let yourself get spoilered. So there", "could let yourself get spoilered. So there is more then that. * Do", "facing problems or some kind of conflict. (It reminds me of people watching", "reminds me of people watching gladiators or boxers) * What keeps you reading?", "I think that this is the best forum to ask these questions, because", "more then that. * Do you enjoy happy endings? Why exactly or why", "endings might appeal to some because of the realism, but that of course", "really just wanted to know only that you could let yourself get spoilered.", "there is more then that. * Do you enjoy happy endings? Why exactly", "exactly or why not? (unfortunate endings might appeal to some because of the", "these questions myself, because I don't read stories all that much. I think", "the characters in the story? Not necessarily suffering but always facing problems or", "story for a game. I am more of a systems guy so this", "this is uncharted territory. I try not to follow examples (\"make terrible things", "suffering but always facing problems or some kind of conflict. (It reminds me", "read stories all that much. I think that this is the best forum", "rather the philosophical aspects as that opens up a lot of possibilities in", "Why exactly or why not? (unfortunate endings might appeal to some because of", "necessarily suffering but always facing problems or some kind of conflict. (It reminds", "how a game can be made fun. * What makes us as humans", "Do you enjoy happy endings? Why exactly or why not? (unfortunate endings might", "you care of what happens next, if you really just wanted to know", "try not to follow examples (\"make terrible things happen to the characters\") but" ]
[ "if how we name a version of a spacecraft differs from how we", "software. For software, I usually see things like \"2.0.32.32\" or something like that", "software, I usually see things like \"2.0.32.32\" or something like that and sometimes", "of a software. For software, I usually see things like \"2.0.32.32\" or something", "usually see things like \"2.0.32.32\" or something like that and sometimes they may", "of the version, and what about spacecrafts? Are the naming conventions the same?", "a software. For software, I usually see things like \"2.0.32.32\" or something like", "version of a spacecraft differs from how we name a version of a", "be preceded by some letter or word. Is there an universal standard for", "how we name a version of a software. For software, I usually see", "\"2.0.32.32\" or something like that and sometimes they may be preceded by some", "for telling how you should format the name of the version, and what", "how you should format the name of the version, and what about spacecrafts?", "wondering if how we name a version of a spacecraft differs from how", "or word. Is there an universal standard for telling how you should format", "universal standard for telling how you should format the name of the version,", "name a version of a software. For software, I usually see things like", "should format the name of the version, and what about spacecrafts? Are the", "I usually see things like \"2.0.32.32\" or something like that and sometimes they", "name of the version, and what about spacecrafts? Are the naming conventions the", "a spacecraft differs from how we name a version of a software. For", "am wondering if how we name a version of a spacecraft differs from", "version of a software. For software, I usually see things like \"2.0.32.32\" or", "there an universal standard for telling how you should format the name of", "things like \"2.0.32.32\" or something like that and sometimes they may be preceded", "telling how you should format the name of the version, and what about", "how we name a version of a spacecraft differs from how we name", "preceded by some letter or word. Is there an universal standard for telling", "from how we name a version of a software. For software, I usually", "format the name of the version, and what about spacecrafts? Are the naming", "For software, I usually see things like \"2.0.32.32\" or something like that and", "like that and sometimes they may be preceded by some letter or word.", "Is there an universal standard for telling how you should format the name", "some letter or word. Is there an universal standard for telling how you", "name a version of a spacecraft differs from how we name a version", "they may be preceded by some letter or word. Is there an universal", "you should format the name of the version, and what about spacecrafts? Are", "and sometimes they may be preceded by some letter or word. Is there", "may be preceded by some letter or word. Is there an universal standard", "sometimes they may be preceded by some letter or word. Is there an", "letter or word. Is there an universal standard for telling how you should", "differs from how we name a version of a software. For software, I", "standard for telling how you should format the name of the version, and", "like \"2.0.32.32\" or something like that and sometimes they may be preceded by", "or something like that and sometimes they may be preceded by some letter", "something like that and sometimes they may be preceded by some letter or", "that and sometimes they may be preceded by some letter or word. Is", "a version of a spacecraft differs from how we name a version of", "we name a version of a software. For software, I usually see things", "of a spacecraft differs from how we name a version of a software.", "spacecraft differs from how we name a version of a software. For software,", "see things like \"2.0.32.32\" or something like that and sometimes they may be", "by some letter or word. Is there an universal standard for telling how", "I am wondering if how we name a version of a spacecraft differs", "the name of the version, and what about spacecrafts? Are the naming conventions", "we name a version of a spacecraft differs from how we name a", "a version of a software. For software, I usually see things like \"2.0.32.32\"", "an universal standard for telling how you should format the name of the", "word. Is there an universal standard for telling how you should format the" ]
[ "spicy humor, situational humor, etc. and at what level? My question has been", "sense of humor that could be specified to some extent. For example do", "spicy joke for a specific situation in a sci-fi story and I'm not", "appropriate for your sci-fi stories? I realize that the question might seem so", "a specific situation in a sci-fi story and I'm not sure how readers", "at what level? My question has been provoked by the fact that I", "I think the target group for most sci-fi stories has a sense of", "provoked by the fact that I have a very spicy joke for a", "use dark humor, spicy humor, situational humor, etc. and at what level? My", "you find appropriate for your sci-fi stories? I realize that the question might", "by the fact that I have a very spicy joke for a specific", "do you use dark humor, spicy humor, situational humor, etc. and at what", "so broad, but I think the target group for most sci-fi stories has", "think the target group for most sci-fi stories has a sense of humor", "kind of humor do you find appropriate for your sci-fi stories? I realize", "very spicy joke for a specific situation in a sci-fi story and I'm", "in a sci-fi story and I'm not sure how readers would react to", "question has been provoked by the fact that I have a very spicy", "a sci-fi story and I'm not sure how readers would react to that.", "that could be specified to some extent. For example do you use dark", "of humor do you find appropriate for your sci-fi stories? I realize that", "level? My question has been provoked by the fact that I have a", "What kind of humor do you find appropriate for your sci-fi stories? I", "your sci-fi stories? I realize that the question might seem so broad, but", "you use dark humor, spicy humor, situational humor, etc. and at what level?", "do you find appropriate for your sci-fi stories? I realize that the question", "has been provoked by the fact that I have a very spicy joke", "broad, but I think the target group for most sci-fi stories has a", "situational humor, etc. and at what level? My question has been provoked by", "that I have a very spicy joke for a specific situation in a", "the fact that I have a very spicy joke for a specific situation", "humor do you find appropriate for your sci-fi stories? I realize that the", "the target group for most sci-fi stories has a sense of humor that", "a sense of humor that could be specified to some extent. For example", "be specified to some extent. For example do you use dark humor, spicy", "what level? 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For example do you", "sci-fi stories has a sense of humor that could be specified to some", "might seem so broad, but I think the target group for most sci-fi", "specified to some extent. For example do you use dark humor, spicy humor,", "have a very spicy joke for a specific situation in a sci-fi story", "group for most sci-fi stories has a sense of humor that could be", "target group for most sci-fi stories has a sense of humor that could", "for most sci-fi stories has a sense of humor that could be specified", "find appropriate for your sci-fi stories? I realize that the question might seem", "seem so broad, but I think the target group for most sci-fi stories", "realize that the question might seem so broad, but I think the target", "situation in a sci-fi story and I'm not sure how readers would react", "dark humor, spicy humor, situational humor, etc. and at what level? My question", "question might seem so broad, but I think the target group for most", "most sci-fi stories has a sense of humor that could be specified to", "a very spicy joke for a specific situation in a sci-fi story and", "for a specific situation in a sci-fi story and I'm not sure how", "My question has been provoked by the fact that I have a very", "the question might seem so broad, but I think the target group for", "specific situation in a sci-fi story and I'm not sure how readers would", "sci-fi stories? I realize that the question might seem so broad, but I", "to some extent. For example do you use dark humor, spicy humor, situational", "etc. and at what level? My question has been provoked by the fact", "for your sci-fi stories? I realize that the question might seem so broad,", "humor, situational humor, etc. and at what level? My question has been provoked", "but I think the target group for most sci-fi stories has a sense", "humor, spicy humor, situational humor, etc. and at what level? My question has", "could be specified to some extent. For example do you use dark humor,", "has a sense of humor that could be specified to some extent. For", "extent. For example do you use dark humor, spicy humor, situational humor, etc.", "and at what level? My question has been provoked by the fact that", "humor, etc. and at what level? My question has been provoked by the", "stories has a sense of humor that could be specified to some extent." ]
[ "close friend about my idea and she told me it shares similarities with", "the government to choose from that are suited to it - for example,", "regular boy with very dark eyes, often made fun of due to his", "weak powers • A boy with heterochromia who has the ability to control", "I told a close friend about my idea and she told me it", "personal lives. Of course, however, plenty of illegal arenas exist where people duel", "series takes place in an urban setting much like our world now, but", "Those with brighter eyes have much more Elemental potential (power) than those with", "brown is Fire, green/hazel is Earth and grey is Air. Here is some", "it is a law that Elemental powers must only be used to aid", "• Those with brighter eyes have much more Elemental potential (power) than those", "turns heads with a burning desire to share it with the weak I", "with the Darkest Minds series, which, after some research I can see a", "I can see a few. Is my concept too similar to another existing", "wield an Element corresponding to their eye colour - blue is Water, brown", "boy with very dark eyes, often made fun of due to his extremely", "the series to focus around four protagonists, each one struggling to fit the", "• A regular boy with very dark eyes, often made fun of due", "a blacksmith • In addition, it is a law that Elemental powers must", "be used to aid people in their jobs and personal lives. Of course,", "• Depending on their Element, a person is given a selection of jobs", "heads with a burning desire to share it with the weak I told", "and she told me it shares similarities with the Darkest Minds series, which,", "it with the weak I told a close friend about my idea and", "and grey is Air. Here is some of the lore: • Those with", "from that are suited to it - for example, a Water may be", "to control two elements • A girl with immense power that turns heads", "series, which, after some research I can see a few. Is my concept", "Elemental powers must only be used to aid people in their jobs and", "told a close friend about my idea and she told me it shares", "focus around four protagonists, each one struggling to fit the norm: • An", "Minds series, which, after some research I can see a few. Is my", "to his extremely weak powers • A boy with heterochromia who has the", "has the ability to control two elements • A girl with immense power", "a person is given a selection of jobs by the government to choose", "concept too similar to another existing book series? Or are there any ways", "see a few. Is my concept too similar to another existing book series?", "battles I’m planning for the series to focus around four protagonists, each one", "of due to his extremely weak powers • A boy with heterochromia who", "who has the ability to control two elements • A girl with immense", "have much more Elemental potential (power) than those with darker, duller eyes •", "colour - blue is Water, brown is Fire, green/hazel is Earth and grey", "Here is some of the lore: • Those with brighter eyes have much", "Of course, however, plenty of illegal arenas exist where people duel each other", "a law that Elemental powers must only be used to aid people in", "an Element corresponding to their eye colour - blue is Water, brown is", "an urban setting much like our world now, but each human has the", "more Elemental potential (power) than those with darker, duller eyes • Depending on", "illegal arenas exist where people duel each other in high-stake battles I’m planning", "in their jobs and personal lives. Of course, however, plenty of illegal arenas", "few. Is my concept too similar to another existing book series? Or are", "to aid people in their jobs and personal lives. Of course, however, plenty", "element” • A regular boy with very dark eyes, often made fun of", "that turns heads with a burning desire to share it with the weak", "eyes, often made fun of due to his extremely weak powers • A", "Is my concept too similar to another existing book series? Or are there", "desire to share it with the weak I told a close friend about", "green/hazel is Earth and grey is Air. Here is some of the lore:", "law that Elemental powers must only be used to aid people in their", "to focus around four protagonists, each one struggling to fit the norm: •", "Element corresponding to their eye colour - blue is Water, brown is Fire,", "idea for a YA series brewing in my mind. The series takes place", "aid people in their jobs and personal lives. Of course, however, plenty of", "the weak I told a close friend about my idea and she told", "to it - for example, a Water may be a firefighter, and a", "share it with the weak I told a close friend about my idea", "those with darker, duller eyes • Depending on their Element, a person is", "is Air. Here is some of the lore: • Those with brighter eyes", "Water may be a firefighter, and a Fire may be a blacksmith •", "brighter eyes have much more Elemental potential (power) than those with darker, duller", "for the series to focus around four protagonists, each one struggling to fit", "to control Aether, the “fifth element” • A regular boy with very dark", "now, but each human has the ability to wield an Element corresponding to", "may be a blacksmith • In addition, it is a law that Elemental", "A regular boy with very dark eyes, often made fun of due to", "of jobs by the government to choose from that are suited to it", "protagonists, each one struggling to fit the norm: • An albino girl who", "power that turns heads with a burning desire to share it with the", "an idea for a YA series brewing in my mind. The series takes", "by the government to choose from that are suited to it - for", "potential (power) than those with darker, duller eyes • Depending on their Element,", "much like our world now, but each human has the ability to wield", "“fifth element” • A regular boy with very dark eyes, often made fun", "girl with immense power that turns heads with a burning desire to share", "friend about my idea and she told me it shares similarities with the", "existing book series? Or are there any ways I can improve it? Any", "jobs and personal lives. Of course, however, plenty of illegal arenas exist where", "with very dark eyes, often made fun of due to his extremely weak", "another existing book series? Or are there any ways I can improve it?", "people in their jobs and personal lives. Of course, however, plenty of illegal", "rare ability to control Aether, the “fifth element” • A regular boy with", "weak I told a close friend about my idea and she told me", "my concept too similar to another existing book series? Or are there any", "my idea and she told me it shares similarities with the Darkest Minds", "for example, a Water may be a firefighter, and a Fire may be", "firefighter, and a Fire may be a blacksmith • In addition, it is", "much more Elemental potential (power) than those with darker, duller eyes • Depending", "The series takes place in an urban setting much like our world now,", "I’m planning for the series to focus around four protagonists, each one struggling", "of the lore: • Those with brighter eyes have much more Elemental potential", "in an urban setting much like our world now, but each human has", "that Elemental powers must only be used to aid people in their jobs", "Aether, the “fifth element” • A regular boy with very dark eyes, often", "person is given a selection of jobs by the government to choose from", "has the rare ability to control Aether, the “fifth element” • A regular", "a while now I’ve had an idea for a YA series brewing in", "to fit the norm: • An albino girl who has the rare ability", "very dark eyes, often made fun of due to his extremely weak powers", "which, after some research I can see a few. 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Or are there any ways I can improve", "to choose from that are suited to it - for example, a Water", "• A girl with immense power that turns heads with a burning desire", "for a YA series brewing in my mind. The series takes place in", "• In addition, it is a law that Elemental powers must only be", "must only be used to aid people in their jobs and personal lives.", "to share it with the weak I told a close friend about my", "urban setting much like our world now, but each human has the ability", "due to his extremely weak powers • A boy with heterochromia who has", "his extremely weak powers • A boy with heterochromia who has the ability", "- blue is Water, brown is Fire, green/hazel is Earth and grey is", "extremely weak powers • A boy with heterochromia who has the ability to", "Darkest Minds series, which, after some research I can see a few. Is", "in my mind. 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Here is", "Elemental potential (power) than those with darker, duller eyes • Depending on their", "example, a Water may be a firefighter, and a Fire may be a", "Earth and grey is Air. Here is some of the lore: • Those", "be a firefighter, and a Fire may be a blacksmith • In addition,", "is Water, brown is Fire, green/hazel is Earth and grey is Air. Here", "series brewing in my mind. The series takes place in an urban setting", "their jobs and personal lives. Of course, however, plenty of illegal arenas exist", "Fire, green/hazel is Earth and grey is Air. Here is some of the", "An albino girl who has the rare ability to control Aether, the “fifth", "mind. The series takes place in an urban setting much like our world", "eye colour - blue is Water, brown is Fire, green/hazel is Earth and", "only be used to aid people in their jobs and personal lives. Of", "made fun of due to his extremely weak powers • A boy with", "some research I can see a few. Is my concept too similar to", "with darker, duller eyes • Depending on their Element, a person is given", "research I can see a few. Is my concept too similar to another", "can see a few. Is my concept too similar to another existing book", "lore: • Those with brighter eyes have much more Elemental potential (power) than", "powers must only be used to aid people in their jobs and personal", "albino girl who has the rare ability to control Aether, the “fifth element”", "dark eyes, often made fun of due to his extremely weak powers •", "• A boy with heterochromia who has the ability to control two elements", "Or are there any ways I can improve it? Any help/advice/suggestions would be", "blacksmith • In addition, it is a law that Elemental powers must only", "is Earth and grey is Air. Here is some of the lore: •", "the ability to control two elements • A girl with immense power that", "Fire may be a blacksmith • In addition, it is a law that", "a firefighter, and a Fire may be a blacksmith • In addition, it", "their eye colour - blue is Water, brown is Fire, green/hazel is Earth", "blue is Water, brown is Fire, green/hazel is Earth and grey is Air.", "a selection of jobs by the government to choose from that are suited", "fun of due to his extremely weak powers • A boy with heterochromia", "YA series brewing in my mind. The series takes place in an urban", "control two elements • A girl with immense power that turns heads with", "similarities with the Darkest Minds series, which, after some research I can see", "is a law that Elemental powers must only be used to aid people", "eyes • Depending on their Element, a person is given a selection of", "darker, duller eyes • Depending on their Element, a person is given a", "there any ways I can improve it? Any help/advice/suggestions would be greatly appreciated", "brewing in my mind. The series takes place in an urban setting much", "I’ve had an idea for a YA series brewing in my mind. The", "their Element, a person is given a selection of jobs by the government", "the rare ability to control Aether, the “fifth element” • A regular boy", "like our world now, but each human has the ability to wield an", "the norm: • An albino girl who has the rare ability to control", "jobs by the government to choose from that are suited to it -", "struggling to fit the norm: • An albino girl who has the rare", "may be a firefighter, and a Fire may be a blacksmith • In", "be a blacksmith • In addition, it is a law that Elemental powers", "the “fifth element” • A regular boy with very dark eyes, often made", "each human has the ability to wield an Element corresponding to their eye", "where people duel each other in high-stake battles I’m planning for the series", "our world now, but each human has the ability to wield an Element", "addition, it is a law that Elemental powers must only be used to", "and personal lives. Of course, however, plenty of illegal arenas exist where people", "control Aether, the “fifth element” • A regular boy with very dark eyes,", "of illegal arenas exist where people duel each other in high-stake battles I’m", "A girl with immense power that turns heads with a burning desire to", "a burning desire to share it with the weak I told a close", "duel each other in high-stake battles I’m planning for the series to focus", "with heterochromia who has the ability to control two elements • A girl", "In addition, it is a law that Elemental powers must only be used", "with the weak I told a close friend about my idea and she", "is given a selection of jobs by the government to choose from that", "ability to control two elements • A girl with immense power that turns", "shares similarities with the Darkest Minds series, which, after some research I can", "and a Fire may be a blacksmith • In addition, it is a", "grey is Air. Here is some of the lore: • Those with brighter", "a Water may be a firefighter, and a Fire may be a blacksmith", "arenas exist where people duel each other in high-stake battles I’m planning for", "a YA series brewing in my mind. The series takes place in an", "ability to control Aether, the “fifth element” • A regular boy with very", "book series? Or are there any ways I can improve it? Any help/advice/suggestions", "is some of the lore: • Those with brighter eyes have much more", "has the ability to wield an Element corresponding to their eye colour -", "lives. Of course, however, plenty of illegal arenas exist where people duel each", "two elements • A girl with immense power that turns heads with a", "any ways I can improve it? Any help/advice/suggestions would be greatly appreciated :)", "had an idea for a YA series brewing in my mind. The series", "with brighter eyes have much more Elemental potential (power) than those with darker,", "a few. Is my concept too similar to another existing book series? Or", "people duel each other in high-stake battles I’m planning for the series to", "now I’ve had an idea for a YA series brewing in my mind.", "it shares similarities with the Darkest Minds series, which, after some research I", "some of the lore: • Those with brighter eyes have much more Elemental", "than those with darker, duller eyes • Depending on their Element, a person", "A boy with heterochromia who has the ability to control two elements •", "similar to another existing book series? Or are there any ways I can", "(power) than those with darker, duller eyes • Depending on their Element, a", "about my idea and she told me it shares similarities with the Darkest", "exist where people duel each other in high-stake battles I’m planning for the" ]
[ "not where she’s from. I hence changed the novel’s genre (from romance to", "However, the ending will be the same if I decide to move in", "inspiring and worthy of celebration\" type, and I honestly don't want that. There's", "wrote something inspiring and worthy of celebration\" type, and I honestly don't want", "might box me into something I don’t want to be wholly defined by", "nothing wrong with writing a story that celebrates one's background and sheds light", "boxed into the \"minority novelist who wrote something inspiring and worthy of celebration\"", "After some thinking, I now have this fear that, on the slight chance", "I'll be boxed into the \"minority novelist who wrote something inspiring and worthy", "by mainstream media and popular culture, but I have other stories to tell", "and cultural themes around immigration, cultural integration and belonging. After some thinking, I", "who wrote something inspiring and worthy of celebration\" type, and I honestly don't", "novel directly tied to my background in which the protagonist and her surrounding", "To overcome this, I had the idea of stripping away these cultural themes", "I wrote the first chapter, I realized that my novel idea is heavily", "I started writing a novel directly tied to my background in which the", "if I decide to move in either direction. Are my fears valid and", "in common with mine. As I wrote the first chapter, I realized that", "to thriller) and main character’s name and background. However, the ending will be", "on the slight chance my novel becomes a success, I'll be boxed into", "chance my novel becomes a success, I'll be boxed into the \"minority novelist", "into the \"minority novelist who wrote something inspiring and worthy of celebration\" type,", "and sheds light on a segment long ignored by mainstream media and popular", "thriller) and main character’s name and background. However, the ending will be the", "my writing career. To overcome this, I had the idea of stripping away", "I decide to move in either direction. Are my fears valid and did", "one's background and sheds light on a segment long ignored by mainstream media", "my novel becomes a success, I'll be boxed into the \"minority novelist who", "by for the rest of my writing career. To overcome this, I had", "romance to thriller) and main character’s name and background. However, the ending will", "same if I decide to move in either direction. Are my fears valid", "racial and cultural themes around immigration, cultural integration and belonging. After some thinking,", "surrounding environment have many characteristics in common with mine. As I wrote the", "celebration\" type, and I honestly don't want that. There's nothing wrong with writing", "type, and I honestly don't want that. There's nothing wrong with writing a", "idea of stripping away these cultural themes and narrating what the protagonist did,", "mine. As I wrote the first chapter, I realized that my novel idea", "with mine. As I wrote the first chapter, I realized that my novel", "the first chapter, I realized that my novel idea is heavily dependent on", "have other stories to tell and am afraid that my first novel might", "my novel idea is heavily dependent on racial and cultural themes around immigration,", "something inspiring and worthy of celebration\" type, and I honestly don't want that.", "this fear that, on the slight chance my novel becomes a success, I'll", "valid and did I make the right decision changing the story? Has anyone", "the rest of my writing career. To overcome this, I had the idea", "to my background in which the protagonist and her surrounding environment have many", "make the right decision changing the story? Has anyone faced a similar challenge?", "the same if I decide to move in either direction. Are my fears", "into something I don’t want to be wholly defined by for the rest", "started writing a novel directly tied to my background in which the protagonist", "defined by for the rest of my writing career. To overcome this, I", "overcome this, I had the idea of stripping away these cultural themes and", "to tell and am afraid that my first novel might box me into", "am afraid that my first novel might box me into something I don’t", "novel becomes a success, I'll be boxed into the \"minority novelist who wrote", "and her surrounding environment have many characteristics in common with mine. As I", "and worthy of celebration\" type, and I honestly don't want that. There's nothing", "character’s name and background. However, the ending will be the same if I", "Are my fears valid and did I make the right decision changing the", "my background in which the protagonist and her surrounding environment have many characteristics", "now have this fear that, on the slight chance my novel becomes a", "my first novel might box me into something I don’t want to be", "the protagonist and her surrounding environment have many characteristics in common with mine.", "she’s from. I hence changed the novel’s genre (from romance to thriller) and", "what the protagonist did, not where she’s from. I hence changed the novel’s", "have this fear that, on the slight chance my novel becomes a success,", "main character’s name and background. However, the ending will be the same if", "to move in either direction. Are my fears valid and did I make", "that. There's nothing wrong with writing a story that celebrates one's background and", "a segment long ignored by mainstream media and popular culture, but I have", "and did I make the right decision changing the story? Has anyone faced", "novel might box me into something I don’t want to be wholly defined", "dependent on racial and cultural themes around immigration, cultural integration and belonging. After", "and narrating what the protagonist did, not where she’s from. I hence changed", "sheds light on a segment long ignored by mainstream media and popular culture,", "be the same if I decide to move in either direction. Are my", "did I make the right decision changing the story? Has anyone faced a", "her surrounding environment have many characteristics in common with mine. As I wrote", "I now have this fear that, on the slight chance my novel becomes", "slight chance my novel becomes a success, I'll be boxed into the \"minority", "I hence changed the novel’s genre (from romance to thriller) and main character’s", "want to be wholly defined by for the rest of my writing career.", "of stripping away these cultural themes and narrating what the protagonist did, not", "had the idea of stripping away these cultural themes and narrating what the", "I honestly don't want that. There's nothing wrong with writing a story that", "realized that my novel idea is heavily dependent on racial and cultural themes", "story that celebrates one's background and sheds light on a segment long ignored", "will be the same if I decide to move in either direction. Are", "culture, but I have other stories to tell and am afraid that my", "stories to tell and am afraid that my first novel might box me", "the ending will be the same if I decide to move in either", "novelist who wrote something inspiring and worthy of celebration\" type, and I honestly", "a novel directly tied to my background in which the protagonist and her", "background in which the protagonist and her surrounding environment have many characteristics in", "belonging. After some thinking, I now have this fear that, on the slight", "and am afraid that my first novel might box me into something I", "away these cultural themes and narrating what the protagonist did, not where she’s", "wholly defined by for the rest of my writing career. To overcome this,", "stripping away these cultural themes and narrating what the protagonist did, not where", "of celebration\" type, and I honestly don't want that. There's nothing wrong with", "and I honestly don't want that. 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[ "to me, or like I was trying to incorporate a storyline that didn’t", "as she harbors romantic feelings for and eventually ends up with the female", "would I work this into a natural conversation? I would just like some", "a fantasy series that I’ve been working on for some time now, there", "decision to write him as ace/aro ([aromantic/asexual](https://identitiesandorientations.weebly.com/aroace-spectrum.html)), and this is what I’m sticking", "him, but it always felt extremely forced to me, or like I was", "who he is, but the problem lies in how I go about communicating", "it feels like who he is, but the problem lies in how I", "sexuality? 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I eventually made the decision to write him as", "([aromantic/asexual](https://identitiesandorientations.weebly.com/aroace-spectrum.html)), and this is what I’m sticking to at this point because it", "feel that way about people.” If so, how would I work this into", "she harbors romantic feelings for and eventually ends up with the female protagonist.", "series that I’ve been working on for some time now, there is a", "is obviously very easy to show as she harbors romantic feelings for and", "romantic attraction. Originally, I did have a love interest planned for him, but", "feel contrived. For example, one of the main characters is a lesbian, and", "you can show them being attracted to members of both sexes. But a", "or like I was trying to incorporate a storyline that didn’t fit him", "romantic feelings for and eventually ends up with the female protagonist. And writing", "I was trying to incorporate a storyline that didn’t fit him just for", "the female protagonist. And writing bisexual characters is not difficult either (especially for", "In a fantasy series that I’ve been working on for some time now,", "of both sexes. But a lack of sexuality? I don’t know if he", "possibly just say something along the lines of “I just don’t feel that", "to at this point because it feels right for him and it feels", "me considering I am bisexual myself) as you can show them being attracted", "to the readers, or writing it in a way that doesn’t feel contrived.", "lines of “I just don’t feel that way about people.” If so, how", "a love interest planned for him, but it always felt extremely forced to", "But a lack of sexuality? I don’t know if he could possibly just", "time now, there is a character that I’ve always kind of seen as", "not having sexual or romantic attraction. Originally, I did have a love interest", "main characters is a lesbian, and this is obviously very easy to show", "the main characters is a lesbian, and this is obviously very easy to", "for and eventually ends up with the female protagonist. And writing bisexual characters", "attracted to members of both sexes. But a lack of sexuality? I don’t", "know if he could possibly just say something along the lines of “I", "up with the female protagonist. And writing bisexual characters is not difficult either", "about communicating his asexuality to the readers, or writing it in a way", "readers, or writing it in a way that doesn’t feel contrived. For example,", "if he could possibly just say something along the lines of “I just", "point because it feels right for him and it feels like who he", "and this is obviously very easy to show as she harbors romantic feelings", "didn’t fit him just for the sake of having more romance in the", "lies in how I go about communicating his asexuality to the readers, or", "there is a character that I’ve always kind of seen as not having", "with the female protagonist. And writing bisexual characters is not difficult either (especially", "a storyline that didn’t fit him just for the sake of having more", "plot. I eventually made the decision to write him as ace/aro ([aromantic/asexual](https://identitiesandorientations.weebly.com/aroace-spectrum.html)), and", "something along the lines of “I just don’t feel that way about people.”", "the problem lies in how I go about communicating his asexuality to the", "me, or like I was trying to incorporate a storyline that didn’t fit", "him as ace/aro ([aromantic/asexual](https://identitiesandorientations.weebly.com/aroace-spectrum.html)), and this is what I’m sticking to at this", "his asexuality to the readers, or writing it in a way that doesn’t", "that I’ve always kind of seen as not having sexual or romantic attraction.", "love interest planned for him, but it always felt extremely forced to me,", "in the plot. I eventually made the decision to write him as ace/aro", "say something along the lines of “I just don’t feel that way about", "of seen as not having sexual or romantic attraction. Originally, I did have", "just say something along the lines of “I just don’t feel that way", "doesn’t feel contrived. For example, one of the main characters is a lesbian,", "just for the sake of having more romance in the plot. I eventually", "And writing bisexual characters is not difficult either (especially for me considering I", "always felt extremely forced to me, or like I was trying to incorporate", "lesbian, and this is obviously very easy to show as she harbors romantic", "For example, one of the main characters is a lesbian, and this is", "harbors romantic feelings for and eventually ends up with the female protagonist. And", "at this point because it feels right for him and it feels like", "pointers so that I can do this right, especially since I am not", "what I’m sticking to at this point because it feels right for him", "of sexuality? 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For example, one of the main characters is a lesbian, and this", "both sexes. But a lack of sexuality? I don’t know if he could", "If so, how would I work this into a natural conversation? I would", "characters is not difficult either (especially for me considering I am bisexual myself)", "eventually ends up with the female protagonist. And writing bisexual characters is not", "I am bisexual myself) as you can show them being attracted to members", "it in a way that doesn’t feel contrived. For example, one of the", "he could possibly just say something along the lines of “I just don’t", "obviously very easy to show as she harbors romantic feelings for and eventually", "myself) as you can show them being attracted to members of both sexes.", "conversation? I would just like some pointers so that I can do this", "being attracted to members of both sexes. But a lack of sexuality? I", "or writing it in a way that doesn’t feel contrived. For example, one", "female protagonist. And writing bisexual characters is not difficult either (especially for me", "planned for him, but it always felt extremely forced to me, or like", "I work this into a natural conversation? I would just like some pointers", "communicating his asexuality to the readers, or writing it in a way that", "one of the main characters is a lesbian, and this is obviously very", "but the problem lies in how I go about communicating his asexuality to", "feelings for and eventually ends up with the female protagonist. And writing bisexual", "for him and it feels like who he is, but the problem lies", "the readers, or writing it in a way that doesn’t feel contrived. For", "he is, but the problem lies in how I go about communicating his", "did have a love interest planned for him, but it always felt extremely", "some time now, there is a character that I’ve always kind of seen", "interest planned for him, but it always felt extremely forced to me, or", "can show them being attracted to members of both sexes. But a lack", "just don’t feel that way about people.” If so, how would I work", "I’ve always kind of seen as not having sexual or romantic attraction. Originally,", "about people.” If so, how would I work this into a natural conversation?", "that way about people.” If so, how would I work this into a", "a lack of sexuality? I don’t know if he could possibly just say", "would just like some pointers so that I can do this right, especially", "a way that doesn’t feel contrived. For example, one of the main characters", "writing bisexual characters is not difficult either (especially for me considering I am", "considering I am bisexual myself) as you can show them being attracted to", "and this is what I’m sticking to at this point because it feels", "on for some time now, there is a character that I’ve always kind", "sexes. But a lack of sexuality? I don’t know if he could possibly", "“I just don’t feel that way about people.” If so, how would I", "work this into a natural conversation? I would just like some pointers so", "in how I go about communicating his asexuality to the readers, or writing", "incorporate a storyline that didn’t fit him just for the sake of having", "feels like who he is, but the problem lies in how I go", "for the sake of having more romance in the plot. I eventually made", "trying to incorporate a storyline that didn’t fit him just for the sake", "show them being attracted to members of both sexes. But a lack of", "the lines of “I just don’t feel that way about people.” If so,", "storyline that didn’t fit him just for the sake of having more romance", "go about communicating his asexuality to the readers, or writing it in a", "easy to show as she harbors romantic feelings for and eventually ends up", "ace/aro ([aromantic/asexual](https://identitiesandorientations.weebly.com/aroace-spectrum.html)), and this is what I’m sticking to at this point because", "in a way that doesn’t feel contrived. For example, one of the main", "for him, but it always felt extremely forced to me, or like I", "bisexual myself) as you can show them being attracted to members of both", "because it feels right for him and it feels like who he is,", "kind of seen as not having sexual or romantic attraction. Originally, I did", "to write him as ace/aro ([aromantic/asexual](https://identitiesandorientations.weebly.com/aroace-spectrum.html)), and this is what I’m sticking to", "show as she harbors romantic feelings for and eventually ends up with the", "difficult either (especially for me considering I am bisexual myself) as you can", "am bisexual myself) as you can show them being attracted to members of", "feels right for him and it feels like who he is, but the", "people.” If so, how would I work this into a natural conversation? I", "or romantic attraction. Originally, I did have a love interest planned for him,", "having more romance in the plot. I eventually made the decision to write", "this is what I’m sticking to at this point because it feels right", "is a lesbian, and this is obviously very easy to show as she", "natural conversation? I would just like some pointers so that I can do", "just like some pointers so that I can do this right, especially since", "that doesn’t feel contrived. For example, one of the main characters is a", "way that doesn’t feel contrived. For example, one of the main characters is", "been working on for some time now, there is a character that I’ve", "as not having sexual or romantic attraction. Originally, I did have a love", "right for him and it feels like who he is, but the problem", "a lesbian, and this is obviously very easy to show as she harbors", "is a character that I’ve always kind of seen as not having sexual", "don’t know if he could possibly just say something along the lines of", "was trying to incorporate a storyline that didn’t fit him just for the", "sake of having more romance in the plot. I eventually made the decision", "this point because it feels right for him and it feels like who", "a natural conversation? I would just like some pointers so that I can", "working on for some time now, there is a character that I’ve always", "and eventually ends up with the female protagonist. And writing bisexual characters is", "to incorporate a storyline that didn’t fit him just for the sake of", "more romance in the plot. I eventually made the decision to write him", "I would just like some pointers so that I can do this right,", "fit him just for the sake of having more romance in the plot.", "characters is a lesbian, and this is obviously very easy to show as", "this into a natural conversation? I would just like some pointers so that", "the decision to write him as ace/aro ([aromantic/asexual](https://identitiesandorientations.weebly.com/aroace-spectrum.html)), and this is what I’m", "like I was trying to incorporate a storyline that didn’t fit him just", "the plot. I eventually made the decision to write him as ace/aro ([aromantic/asexual](https://identitiesandorientations.weebly.com/aroace-spectrum.html)),", "as you can show them being attracted to members of both sexes. But", "that I can do this right, especially since I am not ace/aro myself.", "some pointers so that I can do this right, especially since I am", "felt extremely forced to me, or like I was trying to incorporate a", "so that I can do this right, especially since I am not ace/aro", "the sake of having more romance in the plot. I eventually made the", "either (especially for me considering I am bisexual myself) as you can show", "members of both sexes. But a lack of sexuality? I don’t know if", "attraction. Originally, I did have a love interest planned for him, but it", "ends up with the female protagonist. And writing bisexual characters is not difficult", "protagonist. And writing bisexual characters is not difficult either (especially for me considering", "I did have a love interest planned for him, but it always felt", "don’t feel that way about people.” If so, how would I work this", "forced to me, or like I was trying to incorporate a storyline that", "character that I’ve always kind of seen as not having sexual or romantic", "along the lines of “I just don’t feel that way about people.” If", "(especially for me considering I am bisexual myself) as you can show them", "and it feels like who he is, but the problem lies in how", "of having more romance in the plot. I eventually made the decision to", "Originally, I did have a love interest planned for him, but it always", "how I go about communicating his asexuality to the readers, or writing it", "writing it in a way that doesn’t feel contrived. For example, one of", "how would I work this into a natural conversation? I would just like", "into a natural conversation? I would just like some pointers so that I", "a character that I’ve always kind of seen as not having sexual or", "have a love interest planned for him, but it always felt extremely forced", "of “I just don’t feel that way about people.” If so, how would", "eventually made the decision to write him as ace/aro ([aromantic/asexual](https://identitiesandorientations.weebly.com/aroace-spectrum.html)), and this is" ]
[ "open Hemingway's The Sun Also Rises at random (chapter 9). > > 'I", "say,' she said, 'is Gobejt Qofn going on this trip?' > > 'Yes.", "should be some indication of tone, or what they're doing, maybe some gesture,", "said. > > We walked along. > > 'What did you say that", "little dull.' > > 'Does he?' > > 'I rather thought it would", "along. > > 'What did you say that for?' > > 'I don't", "going on this trip?' > > 'Yes. Why?' > > 'Don't you think", "you, Jile?' > > 'Fine.' > > Brebk looked at me. 'I say,'", "tone, or what they're doing, maybe some gesture, something. But there's nothing. Bare", "the rules, it shouldn't work. Only it does, and it's brilliant. We don't", "'Don't you think it will be a bit rough on him?' > >", "many other novels that \"follow the rules\". Why does it work? How does", "We don't need to be told the tone of each phrase - it", "doing, maybe some gesture, something. But there's nothing. Bare lines of terse dialogue.", "said. > > 'No.' > > 'How are you, Jile?' > > 'Fine.'", "a corner. > > 'He behaved rather well, too. He gets a little", "what they're doing, maybe some gesture, something. But there's nothing. Bare lines of", "> 'Who did you think I went down to San Sebastian with?' >", "might take up social service.' > > 'Don't be nasty.' > > 'I", "terse dialogue. According to all the rules, it shouldn't work. Only it does,", "> 'No.' > > 'How are you, Jile?' > > 'Fine.' > >", "We walked along and turned a corner. > > 'He behaved rather well,", "tone of each phrase - it feels natural, alive. I can hear it,", "it would be good for him.' > > 'You might take up social", "good for him.' > > 'You might take up social service.' > >", "> > It goes on. You see the seeming problem: in theory, there", "maybe some gesture, something. But there's nothing. Bare lines of terse dialogue. According", "won't.' > > > It goes on. You see the seeming problem: in", "turned a corner. > > 'He behaved rather well, too. He gets a", "of tone, or what they're doing, maybe some gesture, something. But there's nothing.", "'Yes. Why?' > > 'Don't you think it will be a bit rough", "dialogue. According to all the rules, it shouldn't work. Only it does, and", "to San Sebastian with?' > > 'Congratulations,' I said. > > We walked", "> > 'Fine.' > > Brebk looked at me. 'I say,' she said,", "rules\". Why does it work? How does it work? (How does one write", "> Brebk looked at me. 'I say,' she said, 'is Gobejt Qofn going", "San Sebastian with?' > > 'Congratulations,' I said. > > We walked along.", "up social service.' > > 'Don't be nasty.' > > 'I won't.' >", "and it's brilliant. We don't need to be told the tone of each", "other novels that \"follow the rules\". Why does it work? How does it", "> > 'I haven't seen you since I've been back,' Brebk said. >", "I went down to San Sebastian with?' > > 'Congratulations,' I said. >", "haven't seen you since I've been back,' Brebk said. > > 'No.' >", "alive. I can hear it, better than I can hear the dialogue in", "a little dull.' > > 'Does he?' > > 'I rather thought it", "\"follow the rules\". Why does it work? How does it work? (How does", "bit rough on him?' > > 'Why should it?' > > 'Who did", "it does, and it's brilliant. We don't need to be told the tone", "hear the dialogue in many other novels that \"follow the rules\". *Why does", "for?' > > 'I don't know. What would you like me to say?'", "for him.' > > 'You might take up social service.' > > 'Don't", "natural, alive. I can hear it, better than I can hear the dialogue", "should it?' > > 'Who did you think I went down to San", "> It goes on. You see the seeming problem: in theory, there should", "think it will be a bit rough on him?' > > 'Why should", "Rises at random (chapter 9). > > 'I haven't seen you since I've", "thought it would be good for him.' > > 'You might take up", "be told the tone of each phrase - it feels natural, alive. I", "> 'You might take up social service.' > > 'Don't be nasty.' >", "did you think I went down to San Sebastian with?' > > 'Congratulations,'", "there's nothing. Bare lines of terse dialogue. According to all the rules, it", "the rules\". Why does it work? How does it work? (How does one", "'is Gobejt Qofn going on this trip?' > > 'Yes. Why?' > >", "it will be a bit rough on him?' > > 'Why should it?'", "'No.' > > 'How are you, Jile?' > > 'Fine.' > > Brebk", "> > 'What did you say that for?' > > 'I don't know.", "he?' > > 'I rather thought it would be good for him.' >", "the dialogue in many other novels that \"follow the rules\". Why does it", "According to all the rules, it shouldn't work. Only it does, and it's", "in many other novels that \"follow the rules\". Why does it work? How", "gets a little dull.' > > 'Does he?' > > 'I rather thought", "It goes on. You see the seeming problem: in theory, there should be", "and turned a corner. > > 'He behaved rather well, too. He gets", "walked along and turned a corner. > > 'He behaved rather well, too.", "Bare lines of terse dialogue. According to all the rules, it shouldn't work.", "need to be told the tone of each phrase - it feels natural,", "The Sun Also Rises at random (chapter 9). > > 'I haven't seen", "(chapter 9). > > 'I haven't seen you since I've been back,' Brebk", "some indication of tone, or what they're doing, maybe some gesture, something. But", "it?' > > 'Who did you think I went down to San Sebastian", "you since I've been back,' Brebk said. > > 'No.' > > 'How", "there should be some indication of tone, or what they're doing, maybe some", "to say?' > > We walked along and turned a corner. > >", "'Why should it?' > > 'Who did you think I went down to", "him?' > > 'Why should it?' > > 'Who did you think I", "with?' > > 'Congratulations,' I said. > > We walked along. > >", "dull.' > > 'Does he?' > > 'I rather thought it would be", "I can hear it, better than I can hear the dialogue in many", "can hear the dialogue in many other novels that \"follow the rules\". *Why", "phrase - it feels natural, alive. I can hear it, better than I", "the tone of each phrase - it feels natural, alive. I can hear", "at random (chapter 9). > > 'I haven't seen you since I've been", "indication of tone, or what they're doing, maybe some gesture, something. But there's", "gesture, something. But there's nothing. Bare lines of terse dialogue. According to all", "nothing. Bare lines of terse dialogue. According to all the rules, it shouldn't", "I open Hemingway's The Sun Also Rises* at random (chapter 9). > >", "feels natural, alive. I can hear it, better than I can hear the", "lines of terse dialogue. According to all the rules, it shouldn't work. Only", "at me. 'I say,' she said, 'is Gobejt Qofn going on this trip?'", "rough on him?' > > 'Why should it?' > > 'Who did you", "> We walked along and turned a corner. > > 'He behaved rather", "> > 'Does he?' > > 'I rather thought it would be good", "me to say?' > > We walked along and turned a corner. >", "are you, Jile?' > > 'Fine.' > > Brebk looked at me. 'I", "> 'I won't.' > > > It goes on. You see the seeming", "problem: in theory, there should be some indication of tone, or what they're", "take up social service.' > > 'Don't be nasty.' > > 'I won't.'", "me. 'I say,' she said, 'is Gobejt Qofn going on this trip?' >", "of terse dialogue. According to all the rules, it shouldn't work. Only it", "don't need to be told the tone of each phrase - it feels", "novels that \"follow the rules\". Why does it work? How does it work?", "rather thought it would be good for him.' > > 'You might take", "'Fine.' > > Brebk looked at me. 'I say,' she said, 'is Gobejt", "> > 'Don't you think it will be a bit rough on him?'", "'He behaved rather well, too. He gets a little dull.' > > 'Does", "social service.' > > 'Don't be nasty.' > > 'I won't.' > >", "> > > It goes on. You see the seeming problem: in theory,", "I've been back,' Brebk said. > > 'No.' > > 'How are you,", "> 'Why should it?' > > 'Who did you think I went down", "don't know. What would you like me to say?' > > We walked", "'You might take up social service.' > > 'Don't be nasty.' > >", "been back,' Brebk said. > > 'No.' > > 'How are you, Jile?'", "'What did you say that for?' > > 'I don't know. What would", "in theory, there should be some indication of tone, or what they're doing,", "'I say,' she said, 'is Gobejt Qofn going on this trip?' > >", "it, better than I can hear the dialogue in many other novels that", "'Congratulations,' I said. > > We walked along. > > 'What did you", "brilliant. We don't need to be told the tone of each phrase -", "say?' > > We walked along and turned a corner. > > 'He", "> 'Yes. Why?' > > 'Don't you think it will be a bit", "better than I can hear the dialogue in many other novels that \"follow", "you say that for?' > > 'I don't know. What would you like", "He gets a little dull.' > > 'Does he?' > > 'I rather", "Sebastian with?' > > 'Congratulations,' I said. > > We walked along. >", "rather well, too. He gets a little dull.' > > 'Does he?' >", "you think I went down to San Sebastian with?' > > 'Congratulations,' I", "'I won't.' > > > It goes on. You see the seeming problem:", "Qofn going on this trip?' > > 'Yes. Why?' > > 'Don't you", "> 'Does he?' > > 'I rather thought it would be good for", "along and turned a corner. > > 'He behaved rather well, too. He", "be some indication of tone, or what they're doing, maybe some gesture, something.", "'I haven't seen you since I've been back,' Brebk said. > > 'No.'", "it feels natural, alive. I can hear it, better than I can hear", "corner. > > 'He behaved rather well, too. He gets a little dull.'", "than I can hear the dialogue in many other novels that \"follow the", "be nasty.' > > 'I won't.' > > > It goes on. You", "down to San Sebastian with?' > > 'Congratulations,' I said. > > We", "all the rules, it shouldn't work. Only it does, and it's brilliant. We", "> > We walked along. > > 'What did you say that for?'", "each phrase - it feels natural, alive. I can hear it, better than", "dialogue in many other novels that \"follow the rules\". *Why does it work?", "work. Only it does, and it's brilliant. We don't need to be told", "a bit rough on him?' > > 'Why should it?' > > 'Who", "be good for him.' > > 'You might take up social service.' >", "of each phrase - it feels natural, alive. I can hear it, better", "this trip?' > > 'Yes. Why?' > > 'Don't you think it will", "some gesture, something. But there's nothing. Bare lines of terse dialogue. According to", "Brebk looked at me. 'I say,' she said, 'is Gobejt Qofn going on", "> > 'I don't know. What would you like me to say?' >", "you like me to say?' > > We walked along and turned a", "> > 'He behaved rather well, too. He gets a little dull.' >", "- it feels natural, alive. I can hear it, better than I can", "> We walked along. > > 'What did you say that for?' >", "> 'What did you say that for?' > > 'I don't know. What", "since I've been back,' Brebk said. > > 'No.' > > 'How are", "it shouldn't work. Only it does, and it's brilliant. We don't need to", "be a bit rough on him?' > > 'Why should it?' > >", "> > 'How are you, Jile?' > > 'Fine.' > > Brebk looked", "it's brilliant. We don't need to be told the tone of each phrase", "walked along. > > 'What did you say that for?' > > 'I", "> > 'Congratulations,' I said. > > We walked along. > > 'What", "would you like me to say?' > > We walked along and turned", "they're doing, maybe some gesture, something. But there's nothing. Bare lines of terse", "know. What would you like me to say?' > > We walked along", "seen you since I've been back,' Brebk said. > > 'No.' > >", "Jile?' > > 'Fine.' > > Brebk looked at me. 'I say,' she", "said, 'is Gobejt Qofn going on this trip?' > > 'Yes. Why?' >", "nasty.' > > 'I won't.' > > > It goes on. You see", "> 'Don't you think it will be a bit rough on him?' >", "to be told the tone of each phrase - it feels natural, alive.", "random (chapter 9). > > 'I haven't seen you since I've been back,'", "Also Rises at random (chapter 9). > > 'I haven't seen you since", "'Don't be nasty.' > > 'I won't.' > > > It goes on.", "can hear it, better than I can hear the dialogue in many other", "I can hear the dialogue in many other novels that \"follow the rules\".", "on him?' > > 'Why should it?' > > 'Who did you think", "> 'Congratulations,' I said. > > We walked along. > > 'What did", "Why?' > > 'Don't you think it will be a bit rough on", "Gobejt Qofn going on this trip?' > > 'Yes. Why?' > > 'Don't", "We walked along. > > 'What did you say that for?' > >", "theory, there should be some indication of tone, or what they're doing, maybe", "back,' Brebk said. > > 'No.' > > 'How are you, Jile?' >", "'I don't know. What would you like me to say?' > > We", "told the tone of each phrase - it feels natural, alive. I can", "well, too. He gets a little dull.' > > 'Does he?' > >", "'Who did you think I went down to San Sebastian with?' > >", "think I went down to San Sebastian with?' > > 'Congratulations,' I said.", "did you say that for?' > > 'I don't know. What would you", "to all the rules, it shouldn't work. Only it does, and it's brilliant.", "like me to say?' > > We walked along and turned a corner.", "she said, 'is Gobejt Qofn going on this trip?' > > 'Yes. Why?'", "Only it does, and it's brilliant. We don't need to be told the", "that \"follow the rules\". Why does it work? How does it work? (How", "> > 'Who did you think I went down to San Sebastian with?'", "> 'I don't know. What would you like me to say?' > >", "does, and it's brilliant. We don't need to be told the tone of", "goes on. You see the seeming problem: in theory, there should be some", "'How are you, Jile?' > > 'Fine.' > > Brebk looked at me.", "say that for?' > > 'I don't know. What would you like me", "> > 'Don't be nasty.' > > 'I won't.' > > > It", "on. You see the seeming problem: in theory, there should be some indication", "> > Brebk looked at me. 'I say,' she said, 'is Gobejt Qofn", "something. But there's nothing. Bare lines of terse dialogue. According to all the", "> 'Don't be nasty.' > > 'I won't.' > > > It goes", "shouldn't work. Only it does, and it's brilliant. We don't need to be", "> > 'No.' > > 'How are you, Jile?' > > 'Fine.' >", "see the seeming problem: in theory, there should be some indication of tone,", "> > 'Yes. Why?' > > 'Don't you think it will be a", "will be a bit rough on him?' > > 'Why should it?' >", "> > 'You might take up social service.' > > 'Don't be nasty.'", "> > We walked along and turned a corner. > > 'He behaved", "seeming problem: in theory, there should be some indication of tone, or what", "too. He gets a little dull.' > > 'Does he?' > > 'I", "> > 'I won't.' > > > It goes on. You see the", "'Does he?' > > 'I rather thought it would be good for him.'", "> 'I rather thought it would be good for him.' > > 'You", "does it work? How does it work?** (How does one write like that?)", "Hemingway's The Sun Also Rises at random (chapter 9). > > 'I haven't", "hear it, better than I can hear the dialogue in many other novels", "service.' > > 'Don't be nasty.' > > 'I won't.' > > >", "What would you like me to say?' > > We walked along and", "rules, it shouldn't work. Only it does, and it's brilliant. We don't need", "> 'He behaved rather well, too. He gets a little dull.' > >", "Sun Also Rises* at random (chapter 9). > > 'I haven't seen you", "trip?' > > 'Yes. Why?' > > 'Don't you think it will be", "would be good for him.' > > 'You might take up social service.'", "9). > > 'I haven't seen you since I've been back,' Brebk said.", "> 'How are you, Jile?' > > 'Fine.' > > Brebk looked at", "that for?' > > 'I don't know. What would you like me to", "> 'I haven't seen you since I've been back,' Brebk said. > >", "Why does it work? How does it work? (How does one write like", "> 'Fine.' > > Brebk looked at me. 'I say,' she said, 'is", "looked at me. 'I say,' she said, 'is Gobejt Qofn going on this", "went down to San Sebastian with?' > > 'Congratulations,' I said. > >", "I said. > > We walked along. > > 'What did you say", "or what they're doing, maybe some gesture, something. But there's nothing. Bare lines", "> > 'Why should it?' > > 'Who did you think I went", "the seeming problem: in theory, there should be some indication of tone, or", "Brebk said. > > 'No.' > > 'How are you, Jile?' > >", "You see the seeming problem: in theory, there should be some indication of", "him.' > > 'You might take up social service.' > > 'Don't be", "But there's nothing. Bare lines of terse dialogue. According to all the rules,", "on this trip?' > > 'Yes. Why?' > > 'Don't you think it", "you think it will be a bit rough on him?' > > 'Why", "> > 'I rather thought it would be good for him.' > >", "'I rather thought it would be good for him.' > > 'You might", "behaved rather well, too. He gets a little dull.' > > 'Does he?'" ]
[ "summoned from elsewhere, brought back from banishment after earlier issues, or even the", "arrives/arises it turns around and destroys the existing Big Bad only to pursue", "and destroys the existing Big Bad only to pursue its own campaign of", "which the story's \"Big Bad\" has a cunning plan to use some monstrous", "a cunning plan to use some monstrous being to further their diabolical machinations.", "Big Bad only to pursue its own campaign of destruction that continues to", "there a specific name for the plot device in which the story's \"Big", "pursue its own campaign of destruction that continues to tie down the same", "it arrives/arises it turns around and destroys the existing Big Bad only to", "elsewhere, brought back from banishment after earlier issues, or even the creation of", "name for the plot device in which the story's \"Big Bad\" has a", "Is there a specific name for the plot device in which the story's", "to further their diabolical machinations. This may be something summoned from elsewhere, brought", "\"Big Bad\" has a cunning plan to use some monstrous being to further", "from elsewhere, brought back from banishment after earlier issues, or even the creation", "only to pursue its own campaign of destruction that continues to tie down", "Bad only to pursue its own campaign of destruction that continues to tie", "device in which the story's \"Big Bad\" has a cunning plan to use", "the existing Big Bad only to pursue its own campaign of destruction that", "cunning plan to use some monstrous being to further their diabolical machinations. This", "the creation of magic or mad science. But when it arrives/arises it turns", "of magic or mad science. But when it arrives/arises it turns around and", "diabolical machinations. This may be something summoned from elsewhere, brought back from banishment", "being to further their diabolical machinations. This may be something summoned from elsewhere,", "plan to use some monstrous being to further their diabolical machinations. This may", "turns around and destroys the existing Big Bad only to pursue its own", "when it arrives/arises it turns around and destroys the existing Big Bad only", "to use some monstrous being to further their diabolical machinations. This may be", "be something summoned from elsewhere, brought back from banishment after earlier issues, or", "to pursue its own campaign of destruction that continues to tie down the", "some monstrous being to further their diabolical machinations. This may be something summoned", "brought back from banishment after earlier issues, or even the creation of magic", "after earlier issues, or even the creation of magic or mad science. But", "earlier issues, or even the creation of magic or mad science. But when", "monstrous being to further their diabolical machinations. This may be something summoned from", "creation of magic or mad science. But when it arrives/arises it turns around", "magic or mad science. But when it arrives/arises it turns around and destroys", "the plot device in which the story's \"Big Bad\" has a cunning plan", "Bad\" has a cunning plan to use some monstrous being to further their", "from banishment after earlier issues, or even the creation of magic or mad", "use some monstrous being to further their diabolical machinations. This may be something", "science. But when it arrives/arises it turns around and destroys the existing Big", "destroys the existing Big Bad only to pursue its own campaign of destruction", "its own campaign of destruction that continues to tie down the same protagonists?", "further their diabolical machinations. This may be something summoned from elsewhere, brought back", "their diabolical machinations. This may be something summoned from elsewhere, brought back from", "back from banishment after earlier issues, or even the creation of magic or", "banishment after earlier issues, or even the creation of magic or mad science.", "even the creation of magic or mad science. But when it arrives/arises it", "specific name for the plot device in which the story's \"Big Bad\" has", "existing Big Bad only to pursue its own campaign of destruction that continues", "it turns around and destroys the existing Big Bad only to pursue its", "around and destroys the existing Big Bad only to pursue its own campaign", "a specific name for the plot device in which the story's \"Big Bad\"", "or even the creation of magic or mad science. But when it arrives/arises", "the story's \"Big Bad\" has a cunning plan to use some monstrous being", "something summoned from elsewhere, brought back from banishment after earlier issues, or even", "story's \"Big Bad\" has a cunning plan to use some monstrous being to", "This may be something summoned from elsewhere, brought back from banishment after earlier", "may be something summoned from elsewhere, brought back from banishment after earlier issues,", "machinations. This may be something summoned from elsewhere, brought back from banishment after", "for the plot device in which the story's \"Big Bad\" has a cunning", "mad science. But when it arrives/arises it turns around and destroys the existing", "has a cunning plan to use some monstrous being to further their diabolical", "But when it arrives/arises it turns around and destroys the existing Big Bad", "or mad science. But when it arrives/arises it turns around and destroys the", "plot device in which the story's \"Big Bad\" has a cunning plan to", "issues, or even the creation of magic or mad science. But when it", "in which the story's \"Big Bad\" has a cunning plan to use some" ]
[ "my knowledge, onomatopoeic words are almost only used in cartoons and comic books/manga.", "in cinematography which is derived from set genres. But what about using it", "genres. But what about using it in writing, in a non-comedic fantasy novel?", "in cartoons and comic books/manga. Perhaps also in cinematography which is derived from", "is derived from set genres. But what about using it in writing, in", "are almost only used in cartoons and comic books/manga. Perhaps also in cinematography", "non-comedic fantasy novel, and I find myself using onomatopoeic words, like \"SLAM!\" and", "also in cinematography which is derived from set genres. But what about using", "a non-comedic fantasy novel, and I find myself using onomatopoeic words, like \"SLAM!\"", "books/manga. Perhaps also in cinematography which is derived from set genres. But what", "I'm writing a non-comedic fantasy novel, and I find myself using onomatopoeic words,", "onomatopoeic words, like \"SLAM!\" and \"TWISH\" (for the shooting of arrows). To my", "writing a non-comedic fantasy novel, and I find myself using onomatopoeic words, like", "cartoons and comic books/manga. Perhaps also in cinematography which is derived from set", "novel, and I find myself using onomatopoeic words, like \"SLAM!\" and \"TWISH\" (for", "Perhaps also in cinematography which is derived from set genres. But what about", "find myself using onomatopoeic words, like \"SLAM!\" and \"TWISH\" (for the shooting of", "the shooting of arrows). To my knowledge, onomatopoeic words are almost only used", "myself using onomatopoeic words, like \"SLAM!\" and \"TWISH\" (for the shooting of arrows).", "\"TWISH\" (for the shooting of arrows). To my knowledge, onomatopoeic words are almost", "\"SLAM!\" and \"TWISH\" (for the shooting of arrows). To my knowledge, onomatopoeic words", "(for the shooting of arrows). To my knowledge, onomatopoeic words are almost only", "only used in cartoons and comic books/manga. Perhaps also in cinematography which is", "words, like \"SLAM!\" and \"TWISH\" (for the shooting of arrows). To my knowledge,", "and I find myself using onomatopoeic words, like \"SLAM!\" and \"TWISH\" (for the", "words are almost only used in cartoons and comic books/manga. Perhaps also in", "arrows). To my knowledge, onomatopoeic words are almost only used in cartoons and", "onomatopoeic words are almost only used in cartoons and comic books/manga. Perhaps also", "of arrows). To my knowledge, onomatopoeic words are almost only used in cartoons", "I find myself using onomatopoeic words, like \"SLAM!\" and \"TWISH\" (for the shooting", "using onomatopoeic words, like \"SLAM!\" and \"TWISH\" (for the shooting of arrows). To", "like \"SLAM!\" and \"TWISH\" (for the shooting of arrows). To my knowledge, onomatopoeic", "and \"TWISH\" (for the shooting of arrows). To my knowledge, onomatopoeic words are", "derived from set genres. But what about using it in writing, in a", "fantasy novel, and I find myself using onomatopoeic words, like \"SLAM!\" and \"TWISH\"", "knowledge, onomatopoeic words are almost only used in cartoons and comic books/manga. Perhaps", "from set genres. But what about using it in writing, in a non-comedic", "set genres. But what about using it in writing, in a non-comedic fantasy", "which is derived from set genres. But what about using it in writing,", "used in cartoons and comic books/manga. Perhaps also in cinematography which is derived", "and comic books/manga. Perhaps also in cinematography which is derived from set genres.", "cinematography which is derived from set genres. But what about using it in", "To my knowledge, onomatopoeic words are almost only used in cartoons and comic", "shooting of arrows). To my knowledge, onomatopoeic words are almost only used in", "comic books/manga. Perhaps also in cinematography which is derived from set genres. But", "almost only used in cartoons and comic books/manga. Perhaps also in cinematography which" ]
[ "pause character A speaks again. How should we separate the two moments, should", "we handle pauses in a dialogue? Let's say that character A speaks and", "question?\" > > > \"No? Ok, see you on Thursday.\" > > >", "> > \"No? Ok, see you on Thursday.\" > > > \"Bye\" >", "A speaks and then after a pause character A speaks again. How should", "pauses in a dialogue? Let's say that character A speaks and then after", "> > > \"Bye\" > > > Bolded parts represent lines spoken by", "again. How should we separate the two moments, should we write two lines", "lines of dialogues or should we cut the two lines of dialogues with", "Thursday.\" > > > \"Bye\" > > > Bolded parts represent lines spoken", "on Thursday.\" > > > \"Bye\" > > > Bolded parts represent lines", "How should we separate the two moments, should we write two lines of", "example: > > \"Was the computer software hacked?\" > > > \"No, it", "A speaks again. How should we separate the two moments, should we write", "should we cut the two lines of dialogues with a brief description? For", "\"No? Ok, see you on Thursday.\" > > > \"Bye\" > > >", "brief description? For example: > > \"Was the computer software hacked?\" > >", "handle pauses in a dialogue? Let's say that character A speaks and then", "cut the two lines of dialogues with a brief description? For example: >", "dialogues or should we cut the two lines of dialogues with a brief", "> > \"Was the computer software hacked?\" > > > \"No, it was", "say that character A speaks and then after a pause character A speaks", "you on Thursday.\" > > > \"Bye\" > > > Bolded parts represent", "software. Any other question?\" > > > \"No? Ok, see you on Thursday.\"", "For example: > > \"Was the computer software hacked?\" > > > \"No,", "\"Bye\" > > > Bolded parts represent lines spoken by the same person.", "we cut the two lines of dialogues with a brief description? For example:", "with a brief description? For example: > > \"Was the computer software hacked?\"", "computer software hacked?\" > > > \"No, it was a bug caused by", "we separate the two moments, should we write two lines of dialogues or", "\"Was the computer software hacked?\" > > > \"No, it was a bug", "a bug caused by legacy software. Any other question?\" > > > \"No?", "speaks again. How should we separate the two moments, should we write two", "caused by legacy software. Any other question?\" > > > \"No? Ok, see", "two lines of dialogues or should we cut the two lines of dialogues", "write two lines of dialogues or should we cut the two lines of", "a pause character A speaks again. How should we separate the two moments,", "description? For example: > > \"Was the computer software hacked?\" > > >", "> > > \"No? Ok, see you on Thursday.\" > > > \"Bye\"", "> \"Bye\" > > > Bolded parts represent lines spoken by the same", "it was a bug caused by legacy software. Any other question?\" > >", "a brief description? For example: > > \"Was the computer software hacked?\" >", "separate the two moments, should we write two lines of dialogues or should", "character A speaks and then after a pause character A speaks again. How", "> \"Was the computer software hacked?\" > > > \"No, it was a", "Let's say that character A speaks and then after a pause character A", "or should we cut the two lines of dialogues with a brief description?", "should we separate the two moments, should we write two lines of dialogues", "the two lines of dialogues with a brief description? For example: > >", "a dialogue? Let's say that character A speaks and then after a pause", "lines of dialogues with a brief description? For example: > > \"Was the", "How do we handle pauses in a dialogue? Let's say that character A", "moments, should we write two lines of dialogues or should we cut the", "that character A speaks and then after a pause character A speaks again.", "of dialogues or should we cut the two lines of dialogues with a", "we write two lines of dialogues or should we cut the two lines", "> > > \"No, it was a bug caused by legacy software. Any", "legacy software. Any other question?\" > > > \"No? Ok, see you on", "speaks and then after a pause character A speaks again. How should we", "then after a pause character A speaks again. How should we separate the", "should we write two lines of dialogues or should we cut the two", "the computer software hacked?\" > > > \"No, it was a bug caused", "two lines of dialogues with a brief description? For example: > > \"Was", "two moments, should we write two lines of dialogues or should we cut", "in a dialogue? Let's say that character A speaks and then after a", "do we handle pauses in a dialogue? Let's say that character A speaks", "the two moments, should we write two lines of dialogues or should we", "after a pause character A speaks again. How should we separate the two", "> \"No? Ok, see you on Thursday.\" > > > \"Bye\" > >", "was a bug caused by legacy software. Any other question?\" > > >", "hacked?\" > > > \"No, it was a bug caused by legacy software.", "bug caused by legacy software. Any other question?\" > > > \"No? Ok,", "> > \"No, it was a bug caused by legacy software. Any other", "Ok, see you on Thursday.\" > > > \"Bye\" > > > Bolded", "\"No, it was a bug caused by legacy software. Any other question?\" >", "other question?\" > > > \"No? Ok, see you on Thursday.\" > >", "dialogue? Let's say that character A speaks and then after a pause character", "> \"No, it was a bug caused by legacy software. Any other question?\"", "by legacy software. Any other question?\" > > > \"No? Ok, see you", "and then after a pause character A speaks again. How should we separate", "character A speaks again. How should we separate the two moments, should we", "see you on Thursday.\" > > > \"Bye\" > > > Bolded parts", "of dialogues with a brief description? For example: > > \"Was the computer", "software hacked?\" > > > \"No, it was a bug caused by legacy", "Any other question?\" > > > \"No? Ok, see you on Thursday.\" >", "> > \"Bye\" > > > Bolded parts represent lines spoken by the", "dialogues with a brief description? For example: > > \"Was the computer software" ]
[ "go back to when she was in school. Eventually, my protagonist will experience", "my novel in the first person. Later on, I planned some plot twists", "experience a moment of reckoning towards the end of the book. I don't", "the protagonist shouldn't be aware of the consequences/interpretation of certain events; some go", "happen, the protagonist shouldn't be aware of the consequences/interpretation of certain events; some", "novel in the first person. Later on, I planned some plot twists along", "school. Eventually, my protagonist will experience a moment of reckoning towards the end", "*to* her when I'm writing in the first person? Or is it possible", "the end of the book. I don't know how to pull this off", "towards the end of the book. I don't know how to pull this", "to be aware of everything happening around her and *to* her when I'm", "my protagonist will experience a moment of reckoning towards the end of the", "in the first person. Later on, I planned some plot twists along the", "is the narrator. Is she supposed to be aware of everything happening around", "the first person. Later on, I planned some plot twists along the way.", "back to when she was in school. Eventually, my protagonist will experience a", "around her and *to* her when I'm writing in the first person? Or", "to pull this off when the protagonist is the narrator. Is she supposed", "her when I'm writing in the first person? Or is it possible to", "I'm writing in the first person? Or is it possible to navigate this?", "person. Later on, I planned some plot twists along the way. For these", "of the consequences/interpretation of certain events; some go back to when she was", "when the protagonist is the narrator. Is she supposed to be aware of", "of reckoning towards the end of the book. I don't know how to", "Later on, I planned some plot twists along the way. For these plot", "aware of everything happening around her and *to* her when I'm writing in", "a moment of reckoning towards the end of the book. I don't know", "I don't know how to pull this off when the protagonist is the", "don't know how to pull this off when the protagonist is the narrator.", "twists along the way. For these plot twists to happen, the protagonist shouldn't", "happening around her and *to* her when I'm writing in the first person?", "Eventually, my protagonist will experience a moment of reckoning towards the end of", "book. I don't know how to pull this off when the protagonist is", "supposed to be aware of everything happening around her and *to* her when", "when she was in school. Eventually, my protagonist will experience a moment of", "I had started writing my novel in the first person. Later on, I", "way. For these plot twists to happen, the protagonist shouldn't be aware of", "of everything happening around her and *to* her when I'm writing in the", "events; some go back to when she was in school. Eventually, my protagonist", "this off when the protagonist is the narrator. Is she supposed to be", "protagonist shouldn't be aware of the consequences/interpretation of certain events; some go back", "be aware of everything happening around her and *to* her when I'm writing", "to happen, the protagonist shouldn't be aware of the consequences/interpretation of certain events;", "everything happening around her and *to* her when I'm writing in the first", "along the way. For these plot twists to happen, the protagonist shouldn't be", "end of the book. I don't know how to pull this off when", "these plot twists to happen, the protagonist shouldn't be aware of the consequences/interpretation", "when I'm writing in the first person? Or is it possible to navigate", "narrator. Is she supposed to be aware of everything happening around her and", "reckoning towards the end of the book. I don't know how to pull", "and *to* her when I'm writing in the first person? Or is it", "shouldn't be aware of the consequences/interpretation of certain events; some go back to", "she was in school. Eventually, my protagonist will experience a moment of reckoning", "off when the protagonist is the narrator. Is she supposed to be aware", "started writing my novel in the first person. Later on, I planned some", "be aware of the consequences/interpretation of certain events; some go back to when", "protagonist will experience a moment of reckoning towards the end of the book.", "consequences/interpretation of certain events; some go back to when she was in school.", "how to pull this off when the protagonist is the narrator. Is she", "moment of reckoning towards the end of the book. I don't know how", "the consequences/interpretation of certain events; some go back to when she was in", "know how to pull this off when the protagonist is the narrator. Is", "certain events; some go back to when she was in school. Eventually, my", "in school. Eventually, my protagonist will experience a moment of reckoning towards the", "planned some plot twists along the way. For these plot twists to happen,", "the protagonist is the narrator. Is she supposed to be aware of everything", "will experience a moment of reckoning towards the end of the book. I", "was in school. Eventually, my protagonist will experience a moment of reckoning towards", "Is she supposed to be aware of everything happening around her and *to", "some plot twists along the way. For these plot twists to happen, the", "writing my novel in the first person. Later on, I planned some plot", "the way. For these plot twists to happen, the protagonist shouldn't be aware", "aware of the consequences/interpretation of certain events; some go back to when she", "plot twists to happen, the protagonist shouldn't be aware of the consequences/interpretation of", "plot twists along the way. For these plot twists to happen, the protagonist", "protagonist is the narrator. Is she supposed to be aware of everything happening", "I planned some plot twists along the way. For these plot twists to", "the book. I don't know how to pull this off when the protagonist", "her and to* her when I'm writing in the first person? Or is", "pull this off when the protagonist is the narrator. Is she supposed to", "first person. Later on, I planned some plot twists along the way. For", "of the book. I don't know how to pull this off when the", "to when she was in school. Eventually, my protagonist will experience a moment", "For these plot twists to happen, the protagonist shouldn't be aware of the", "had started writing my novel in the first person. Later on, I planned", "she supposed to be aware of everything happening around her and *to* her", "of certain events; some go back to when she was in school. Eventually,", "some go back to when she was in school. Eventually, my protagonist will", "the narrator. Is she supposed to be aware of everything happening around her", "on, I planned some plot twists along the way. For these plot twists", "twists to happen, the protagonist shouldn't be aware of the consequences/interpretation of certain" ]
[ "substitution of pages/ blocks of text based on a selection? I can't find", "being differently presented to a 12 year old without panic. I would define", "output is therefore customised to their circumstances. For example, a resource for anxiety,", "For example, a resource for anxiety, I would select the age of the", "that allows for display logic or easy substitution of pages/ blocks of text", "for software recommendation. I am hoping someone can help me, I am developing", "changed and the final PDF or output is therefore customised to their circumstances.", "the child (this would change the detail and language used) and the absence", "presence of panic (this information removed or put in), but the major storyline", "that covers mental illness and I want it to be flexible based on", "hoping someone can help me, I am developing a book for children that", "removed or put in), but the major storyline would remain the same. My", "or presence of panic (this information removed or put in), but the major", "and the absence or presence of panic (this information removed or put in),", "their circumstances. For example, a resource for anxiety, I would select the age", "Looking for software recommendation. I am hoping someone can help me, I am", "or put in), but the major storyline would remain the same. My question", "based on demographic or personal details (can be electronic or hard copy). What", "resource is changed and the final PDF or output is therefore customised to", "without panic. I would define the demographic details but based on these, some", "differently presented to a 12 year old without panic. I would define the", "panic. I would define the demographic details but based on these, some of", "for anxiety, I would select the age of the child (this would change", "in), but the major storyline would remain the same. My question is, does", "a book for children that covers mental illness and I want it to", "covers mental illness and I want it to be flexible based on demographic", "the major storyline would remain the same. My question is, does software like", "old with panic being differently presented to a 12 year old without panic.", "to their circumstances. For example, a resource for anxiety, I would select the", "used) and the absence or presence of panic (this information removed or put", "software recommendation. I am hoping someone can help me, I am developing a", "pages/ blocks of text based on a selection? I can't find anything so", "recommendation. I am hoping someone can help me, I am developing a book", "the resource is changed and the final PDF or output is therefore customised", "of panic (this information removed or put in), but the major storyline would", "select the age of the child (this would change the detail and language", "like this exist that allows for display logic or easy substitution of pages/", "children that covers mental illness and I want it to be flexible based", "information in the resource is changed and the final PDF or output is", "the age of the child (this would change the detail and language used)", "based on these, some of the information in the resource is changed and", "be electronic or hard copy). What is given to a 6 year old", "demographic details but based on these, some of the information in the resource", "a 12 year old without panic. I would define the demographic details but", "help me, I am developing a book for children that covers mental illness", "for children that covers mental illness and I want it to be flexible", "storyline would remain the same. My question is, does software like this exist", "details (can be electronic or hard copy). What is given to a 6", "is therefore customised to their circumstances. For example, a resource for anxiety, I", "on these, some of the information in the resource is changed and the", "therefore customised to their circumstances. For example, a resource for anxiety, I would", "but the major storyline would remain the same. My question is, does software", "is, does software like this exist that allows for display logic or easy", "resource for anxiety, I would select the age of the child (this would", "circumstances. For example, a resource for anxiety, I would select the age of", "flexible based on demographic or personal details (can be electronic or hard copy).", "panic being differently presented to a 12 year old without panic. I would", "age of the child (this would change the detail and language used) and", "allows for display logic or easy substitution of pages/ blocks of text based", "easy substitution of pages/ blocks of text based on a selection? I can't", "or hard copy). What is given to a 6 year old with panic", "is given to a 6 year old with panic being differently presented to", "software like this exist that allows for display logic or easy substitution of", "the absence or presence of panic (this information removed or put in), but", "or personal details (can be electronic or hard copy). What is given to", "to a 12 year old without panic. I would define the demographic details", "display logic or easy substitution of pages/ blocks of text based on a", "on demographic or personal details (can be electronic or hard copy). What is", "My question is, does software like this exist that allows for display logic", "for display logic or easy substitution of pages/ blocks of text based on", "What is given to a 6 year old with panic being differently presented", "language used) and the absence or presence of panic (this information removed or", "year old without panic. I would define the demographic details but based on", "be flexible based on demographic or personal details (can be electronic or hard", "(can be electronic or hard copy). What is given to a 6 year", "book for children that covers mental illness and I want it to be", "would change the detail and language used) and the absence or presence of", "of the child (this would change the detail and language used) and the", "the same. My question is, does software like this exist that allows for", "personal details (can be electronic or hard copy). What is given to a", "define the demographic details but based on these, some of the information in", "this exist that allows for display logic or easy substitution of pages/ blocks", "developing a book for children that covers mental illness and I want it", "to a 6 year old with panic being differently presented to a 12", "would define the demographic details but based on these, some of the information", "change the detail and language used) and the absence or presence of panic", "(this information removed or put in), but the major storyline would remain the", "does software like this exist that allows for display logic or easy substitution", "(this would change the detail and language used) and the absence or presence", "put in), but the major storyline would remain the same. My question is,", "demographic or personal details (can be electronic or hard copy). What is given", "the information in the resource is changed and the final PDF or output", "a 6 year old with panic being differently presented to a 12 year", "absence or presence of panic (this information removed or put in), but the", "of the information in the resource is changed and the final PDF or", "am developing a book for children that covers mental illness and I want", "want it to be flexible based on demographic or personal details (can be", "in the resource is changed and the final PDF or output is therefore", "hard copy). What is given to a 6 year old with panic being", "I want it to be flexible based on demographic or personal details (can", "I would define the demographic details but based on these, some of the", "with panic being differently presented to a 12 year old without panic. I", "electronic or hard copy). What is given to a 6 year old with", "copy). What is given to a 6 year old with panic being differently", "customised to their circumstances. For example, a resource for anxiety, I would select", "someone can help me, I am developing a book for children that covers", "the final PDF or output is therefore customised to their circumstances. For example,", "can help me, I am developing a book for children that covers mental", "old without panic. I would define the demographic details but based on these,", "to be flexible based on demographic or personal details (can be electronic or", "details but based on these, some of the information in the resource is", "presented to a 12 year old without panic. I would define the demographic", "12 year old without panic. I would define the demographic details but based", "logic or easy substitution of pages/ blocks of text based on a selection?", "and language used) and the absence or presence of panic (this information removed", "exist that allows for display logic or easy substitution of pages/ blocks of", "these, some of the information in the resource is changed and the final", "remain the same. My question is, does software like this exist that allows", "a resource for anxiety, I would select the age of the child (this", "question is, does software like this exist that allows for display logic or", "or easy substitution of pages/ blocks of text based on a selection? I", "some of the information in the resource is changed and the final PDF", "of pages/ blocks of text based on a selection? I can't find anything", "the demographic details but based on these, some of the information in the", "PDF or output is therefore customised to their circumstances. For example, a resource", "is changed and the final PDF or output is therefore customised to their", "am hoping someone can help me, I am developing a book for children", "but based on these, some of the information in the resource is changed", "information removed or put in), but the major storyline would remain the same.", "anxiety, I would select the age of the child (this would change the", "6 year old with panic being differently presented to a 12 year old", "child (this would change the detail and language used) and the absence or", "example, a resource for anxiety, I would select the age of the child", "and I want it to be flexible based on demographic or personal details", "it to be flexible based on demographic or personal details (can be electronic", "or output is therefore customised to their circumstances. For example, a resource for", "major storyline would remain the same. My question is, does software like this", "illness and I want it to be flexible based on demographic or personal", "panic (this information removed or put in), but the major storyline would remain", "I am developing a book for children that covers mental illness and I", "would select the age of the child (this would change the detail and", "final PDF or output is therefore customised to their circumstances. For example, a", "blocks of text based on a selection? I can't find anything so far.", "detail and language used) and the absence or presence of panic (this information", "I am hoping someone can help me, I am developing a book for", "same. My question is, does software like this exist that allows for display", "year old with panic being differently presented to a 12 year old without", "me, I am developing a book for children that covers mental illness and", "mental illness and I want it to be flexible based on demographic or", "the detail and language used) and the absence or presence of panic (this", "would remain the same. My question is, does software like this exist that", "I would select the age of the child (this would change the detail", "and the final PDF or output is therefore customised to their circumstances. For", "given to a 6 year old with panic being differently presented to a" ]
[ "question closed; so please consider the below question euphemistically: How to approach a", "wish I could be more specific but I'd almost certainly get this question", "be asking to eat my cake and have it too, but I think", "to approach a novel in which the main character thinks speed limits should", "examines or even argues against cultural moral values and laws without... dealing with", "I wish I could be more specific but I'd almost certainly get this", "so please consider the below question euphemistically: How to approach a novel in", "through a different lens. I wish I could be more specific but I'd", "inciting riots or anything, just examining the world through a different lens. I", "certainly get this question closed; so please consider the below question euphemistically: How", "just examining the world through a different lens. I wish I could be", "cake and have it too, but I think it is always important to", "could be more specific but I'd almost certainly get this question closed; so", "this may be asking to eat my cake and have it too, but", "and have it too, but I think it is always important to question", "approach a novel in which the main character thinks speed limits should be", "question the status quo. I am not inciting riots or anything, just examining", "novel that examines or even argues against cultural moral values and laws without...", "moral values and laws without... dealing with legal fallout as the author? I", "not inciting riots or anything, just examining the world through a different lens.", "it too, but I think it is always important to question the status", "closed; so please consider the below question euphemistically: How to approach a novel", "cultural moral values and laws without... dealing with legal fallout as the author?", "too, but I think it is always important to question the status quo.", "I am not inciting riots or anything, just examining the world through a", "it is always important to question the status quo. I am not inciting", "to question the status quo. I am not inciting riots or anything, just", "status quo. I am not inciting riots or anything, just examining the world", "think it is always important to question the status quo. I am not", "as the author? I realize this may be asking to eat my cake", "euphemistically: How to approach a novel in which the main character thinks speed", "may be asking to eat my cake and have it too, but I", "main character thinks speed limits should be abolished, AND in which this is", "values and laws without... dealing with legal fallout as the author? I realize", "lens. I wish I could be more specific but I'd almost certainly get", "novel in which the main character thinks speed limits should be abolished, AND", "character thinks speed limits should be abolished, AND in which this is presented", "I'd almost certainly get this question closed; so please consider the below question", "laws without... dealing with legal fallout as the author? I realize this may", "have it too, but I think it is always important to question the", "always important to question the status quo. I am not inciting riots or", "specific but I'd almost certainly get this question closed; so please consider the", "legal fallout as the author? I realize this may be asking to eat", "fallout as the author? I realize this may be asking to eat my", "argues against cultural moral values and laws without... dealing with legal fallout as", "asking to eat my cake and have it too, but I think it", "I could be more specific but I'd almost certainly get this question closed;", "be more specific but I'd almost certainly get this question closed; so please", "the author? I realize this may be asking to eat my cake and", "and laws without... dealing with legal fallout as the author? I realize this", "almost certainly get this question closed; so please consider the below question euphemistically:", "more specific but I'd almost certainly get this question closed; so please consider", "or anything, just examining the world through a different lens. I wish I", "the world through a different lens. I wish I could be more specific", "is always important to question the status quo. I am not inciting riots", "to eat my cake and have it too, but I think it is", "eat my cake and have it too, but I think it is always", "with legal fallout as the author? I realize this may be asking to", "the status quo. I am not inciting riots or anything, just examining the", "speed limits should be abolished, AND in which this is presented as the", "riots or anything, just examining the world through a different lens. I wish", "write a novel that examines or even argues against cultural moral values and", "I realize this may be asking to eat my cake and have it", "one write a novel that examines or even argues against cultural moral values", "question euphemistically: How to approach a novel in which the main character thinks", "quo. I am not inciting riots or anything, just examining the world through", "in which the main character thinks speed limits should be abolished, AND in", "thinks speed limits should be abolished, AND in which this is presented as", "how can one write a novel that examines or even argues against cultural", "should be abolished, AND in which this is presented as the proper argument?", "specifically, how can one write a novel that examines or even argues against", "this question closed; so please consider the below question euphemistically: How to approach", "different lens. I wish I could be more specific but I'd almost certainly", "How to approach a novel in which the main character thinks speed limits", "examining the world through a different lens. I wish I could be more", "get this question closed; so please consider the below question euphemistically: How to", "a different lens. I wish I could be more specific but I'd almost", "which the main character thinks speed limits should be abolished, AND in which", "dealing with legal fallout as the author? I realize this may be asking", "or even argues against cultural moral values and laws without... dealing with legal", "world through a different lens. I wish I could be more specific but", "am not inciting riots or anything, just examining the world through a different", "but I'd almost certainly get this question closed; so please consider the below", "author? I realize this may be asking to eat my cake and have", "below question euphemistically: How to approach a novel in which the main character", "can one write a novel that examines or even argues against cultural moral", "that examines or even argues against cultural moral values and laws without... dealing", "my cake and have it too, but I think it is always important", "anything, just examining the world through a different lens. I wish I could", "consider the below question euphemistically: How to approach a novel in which the", "even argues against cultural moral values and laws without... dealing with legal fallout", "but I think it is always important to question the status quo. I", "the main character thinks speed limits should be abolished, AND in which this", "a novel in which the main character thinks speed limits should be abolished,", "realize this may be asking to eat my cake and have it too,", "please consider the below question euphemistically: How to approach a novel in which", "More specifically, how can one write a novel that examines or even argues", "important to question the status quo. I am not inciting riots or anything,", "without... dealing with legal fallout as the author? I realize this may be", "I think it is always important to question the status quo. I am", "a novel that examines or even argues against cultural moral values and laws", "against cultural moral values and laws without... dealing with legal fallout as the", "the below question euphemistically: How to approach a novel in which the main", "limits should be abolished, AND in which this is presented as the proper" ]
[ "is. Can I shorten \"Gough Island\" to just \"Gough\"? Or \"leatherback turtle\" to", "to know what the correct protocol is. Can I shorten \"Gough Island\" to", "Can I shorten \"Gough Island\" to just \"Gough\"? Or \"leatherback turtle\" to \"leatherback\"?", "shortened in scientific journal articles and would like to know what the correct", "names shortened in scientific journal articles and would like to know what the", "in scientific journal articles and would like to know what the correct protocol", "what the correct protocol is. Can I shorten \"Gough Island\" to just \"Gough\"?", "articles and would like to know what the correct protocol is. Can I", "correct protocol is. Can I shorten \"Gough Island\" to just \"Gough\"? Or \"leatherback", "would like to know what the correct protocol is. Can I shorten \"Gough", "I often see place or species names shortened in scientific journal articles and", "protocol is. Can I shorten \"Gough Island\" to just \"Gough\"? Or \"leatherback turtle\"", "or species names shortened in scientific journal articles and would like to know", "often see place or species names shortened in scientific journal articles and would", "journal articles and would like to know what the correct protocol is. Can", "place or species names shortened in scientific journal articles and would like to", "and would like to know what the correct protocol is. Can I shorten", "like to know what the correct protocol is. Can I shorten \"Gough Island\"", "scientific journal articles and would like to know what the correct protocol is.", "species names shortened in scientific journal articles and would like to know what", "the correct protocol is. Can I shorten \"Gough Island\" to just \"Gough\"? Or", "see place or species names shortened in scientific journal articles and would like", "know what the correct protocol is. Can I shorten \"Gough Island\" to just" ]
[ "feedback on the chapter indicates that I'm not doing the greatest job distinguishing", "present-day self's POV. Early feedback on the chapter indicates that I'm not doing", "chapter where a character from the future interacts with his present-day self. This", "job distinguishing between the two instances of the character. I'm very wary of", "\"Edroon\". Both of them get \"he\" and \"his\" and I believe I am", "believe I am not breaking any of the rules that would make those", "greatest job distinguishing between the two instances of the character. I'm very wary", "time travel, and I have a chapter where a character from the future", "one who is causing the most problems for my readers -- is only", "have a chapter where a character from the future interacts with his present-day", "written from the present-day self's POV. Early feedback on the chapter indicates that", "self's POV. Early feedback on the chapter indicates that I'm not doing the", "other self\". The younger character -- and I think the one who is", "is causing the most problems for my readers -- is only ever referred", "only ever referred to \"Edroon\". Both of them get \"he\" and \"his\" and", "readers -- is only ever referred to \"Edroon\". Both of them get \"he\"", "reader too far out of the story? YA genre, present-day character is 15;", "story that involves time travel, and I have a chapter where a character", "counterpart\", \"his future self\", \"his older self\", \"Older Edroon\", and \"his other self\".", "taking the reader too far out of the story? YA genre, present-day character", "distinguishing between the two instances of the character. I'm very wary of using", "future interacts with his present-day self. This chapter is written from the present-day", "for my readers -- is only ever referred to \"Edroon\". Both of them", "character is 15; time-traveling character is 20. So far I've used \"the man\",", "think the one who is causing the most problems for my readers --", "them get \"he\" and \"his\" and I believe I am not breaking any", "the chapter indicates that I'm not doing the greatest job distinguishing between the", "get \"he\" and \"his\" and I believe I am not breaking any of", "Both of them get \"he\" and \"his\" and I believe I am not", "the greatest job distinguishing between the two instances of the character. I'm very", "\"Older Edroon\", and \"his other self\". The younger character -- and I think", "So far I've used \"the man\", \"his older counterpart\", \"his future self\", \"his", "is 15; time-traveling character is 20. So far I've used \"the man\", \"his", "the reader too far out of the story? YA genre, present-day character is", "15; time-traveling character is 20. So far I've used \"the man\", \"his older", "-- is only ever referred to \"Edroon\". Both of them get \"he\" and", "with his present-day self. This chapter is written from the present-day self's POV.", "is only ever referred to \"Edroon\". Both of them get \"he\" and \"his\"", "I think the one who is causing the most problems for my readers", "wary of using out-of-character perspective tropes (e.g. \"the older blond\", \"the other man\");", "and I believe I am not breaking any of the rules that would", "not breaking any of the rules that would make those difficult to distinguish.", "some good ways to distinguish between them without taking the reader too far", "I'm very wary of using out-of-character perspective tropes (e.g. \"the older blond\", \"the", "I am not breaking any of the rules that would make those difficult", "is written from the present-day self's POV. Early feedback on the chapter indicates", "from the present-day self's POV. Early feedback on the chapter indicates that I'm", "tropes (e.g. \"the older blond\", \"the other man\"); what are some good ways", "are some good ways to distinguish between them without taking the reader too", "self. This chapter is written from the present-day self's POV. Early feedback on", "of them get \"he\" and \"his\" and I believe I am not breaking", "(e.g. \"the older blond\", \"the other man\"); what are some good ways to", "character -- and I think the one who is causing the most problems", "to \"Edroon\". Both of them get \"he\" and \"his\" and I believe I", "a chapter where a character from the future interacts with his present-day self.", "younger character -- and I think the one who is causing the most", "The younger character -- and I think the one who is causing the", "story? YA genre, present-day character is 15; time-traveling character is 20. So far", "doing the greatest job distinguishing between the two instances of the character. I'm", "20. So far I've used \"the man\", \"his older counterpart\", \"his future self\",", "causing the most problems for my readers -- is only ever referred to", "present-day character is 15; time-traveling character is 20. So far I've used \"the", "a story that involves time travel, and I have a chapter where a", "character is 20. So far I've used \"the man\", \"his older counterpart\", \"his", "\"he\" and \"his\" and I believe I am not breaking any of the", "Edroon\", and \"his other self\". The younger character -- and I think the", "referred to \"Edroon\". Both of them get \"he\" and \"his\" and I believe", "to distinguish between them without taking the reader too far out of the", "the one who is causing the most problems for my readers -- is", "without taking the reader too far out of the story? YA genre, present-day", "the story? YA genre, present-day character is 15; time-traveling character is 20. So", "older self\", \"Older Edroon\", and \"his other self\". The younger character -- and", "future self\", \"his older self\", \"Older Edroon\", and \"his other self\". The younger", "ways to distinguish between them without taking the reader too far out of", "of using out-of-character perspective tropes (e.g. \"the older blond\", \"the other man\"); what", "blond\", \"the other man\"); what are some good ways to distinguish between them", "writing a story that involves time travel, and I have a chapter where", "far out of the story? YA genre, present-day character is 15; time-traveling character", "self\", \"Older Edroon\", and \"his other self\". The younger character -- and I", "used \"the man\", \"his older counterpart\", \"his future self\", \"his older self\", \"Older", "older counterpart\", \"his future self\", \"his older self\", \"Older Edroon\", and \"his other", "other man\"); what are some good ways to distinguish between them without taking", "is 20. So far I've used \"the man\", \"his older counterpart\", \"his future", "very wary of using out-of-character perspective tropes (e.g. \"the older blond\", \"the other", "good ways to distinguish between them without taking the reader too far out", "\"the man\", \"his older counterpart\", \"his future self\", \"his older self\", \"Older Edroon\",", "am not breaking any of the rules that would make those difficult to", "character from the future interacts with his present-day self. This chapter is written", "where a character from the future interacts with his present-day self. This chapter", "self\". The younger character -- and I think the one who is causing", "out of the story? YA genre, present-day character is 15; time-traveling character is", "\"his other self\". The younger character -- and I think the one who", "using out-of-character perspective tropes (e.g. \"the older blond\", \"the other man\"); what are", "man\", \"his older counterpart\", \"his future self\", \"his older self\", \"Older Edroon\", and", "I am writing a story that involves time travel, and I have a", "the future interacts with his present-day self. This chapter is written from the", "chapter indicates that I'm not doing the greatest job distinguishing between the two", "older blond\", \"the other man\"); what are some good ways to distinguish between", "\"the older blond\", \"the other man\"); what are some good ways to distinguish", "I believe I am not breaking any of the rules that would make", "the present-day self's POV. Early feedback on the chapter indicates that I'm not", "\"his future self\", \"his older self\", \"Older Edroon\", and \"his other self\". The", "genre, present-day character is 15; time-traveling character is 20. So far I've used", "\"his older counterpart\", \"his future self\", \"his older self\", \"Older Edroon\", and \"his", "instances of the character. I'm very wary of using out-of-character perspective tropes (e.g.", "out-of-character perspective tropes (e.g. \"the older blond\", \"the other man\"); what are some", "I've used \"the man\", \"his older counterpart\", \"his future self\", \"his older self\",", "chapter is written from the present-day self's POV. Early feedback on the chapter", "them without taking the reader too far out of the story? YA genre,", "two instances of the character. I'm very wary of using out-of-character perspective tropes", "character. I'm very wary of using out-of-character perspective tropes (e.g. \"the older blond\",", "I have a chapter where a character from the future interacts with his", "-- and I think the one who is causing the most problems for", "This chapter is written from the present-day self's POV. Early feedback on the", "far I've used \"the man\", \"his older counterpart\", \"his future self\", \"his older", "the most problems for my readers -- is only ever referred to \"Edroon\".", "distinguish between them without taking the reader too far out of the story?", "interacts with his present-day self. This chapter is written from the present-day self's", "a character from the future interacts with his present-day self. This chapter is", "man\"); what are some good ways to distinguish between them without taking the", "most problems for my readers -- is only ever referred to \"Edroon\". Both", "not doing the greatest job distinguishing between the two instances of the character.", "between the two instances of the character. I'm very wary of using out-of-character", "present-day self. This chapter is written from the present-day self's POV. Early feedback", "\"the other man\"); what are some good ways to distinguish between them without", "perspective tropes (e.g. \"the older blond\", \"the other man\"); what are some good", "and I think the one who is causing the most problems for my", "I'm not doing the greatest job distinguishing between the two instances of the", "Early feedback on the chapter indicates that I'm not doing the greatest job", "time-traveling character is 20. So far I've used \"the man\", \"his older counterpart\",", "on the chapter indicates that I'm not doing the greatest job distinguishing between", "problems for my readers -- is only ever referred to \"Edroon\". Both of", "from the future interacts with his present-day self. This chapter is written from", "that I'm not doing the greatest job distinguishing between the two instances of", "YA genre, present-day character is 15; time-traveling character is 20. So far I've", "\"his older self\", \"Older Edroon\", and \"his other self\". The younger character --", "and \"his other self\". The younger character -- and I think the one", "what are some good ways to distinguish between them without taking the reader", "self\", \"his older self\", \"Older Edroon\", and \"his other self\". The younger character", "of the story? YA genre, present-day character is 15; time-traveling character is 20.", "travel, and I have a chapter where a character from the future interacts", "his present-day self. This chapter is written from the present-day self's POV. Early", "POV. Early feedback on the chapter indicates that I'm not doing the greatest", "involves time travel, and I have a chapter where a character from the", "the two instances of the character. I'm very wary of using out-of-character perspective", "and \"his\" and I believe I am not breaking any of the rules", "who is causing the most problems for my readers -- is only ever", "ever referred to \"Edroon\". Both of them get \"he\" and \"his\" and I", "am writing a story that involves time travel, and I have a chapter", "the character. I'm very wary of using out-of-character perspective tropes (e.g. \"the older", "indicates that I'm not doing the greatest job distinguishing between the two instances", "\"his\" and I believe I am not breaking any of the rules that", "of the character. I'm very wary of using out-of-character perspective tropes (e.g. \"the", "that involves time travel, and I have a chapter where a character from", "my readers -- is only ever referred to \"Edroon\". Both of them get", "too far out of the story? YA genre, present-day character is 15; time-traveling", "and I have a chapter where a character from the future interacts with", "between them without taking the reader too far out of the story? YA" ]