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No", "the basic scope of the story quickly so I can turn attention to", "someone came with that expectation I feel they would be happily surprised by", "story in the spirit it's intended. It's a modern twist on the White", "individual characters the story is really about. Can I call my graphic novel", "to Space Opera*. It got them to accept my \"alternative science\" (it's consistent,", "who doesn't know the term (non-writers) it at least gives them the right", "The story takes place (mostly) on one planet where the socio-political situation is", "Savior goes to a Primitive Planet, rescues a native princess, and sparks a", "like Writers* and Worldbuilding, genres have a narrower definition. To get around gatekeeping", "situation is more important than technology, and the conflicts are small and inter-personal,", "them to accept my \"alternative science\" (it's consistent, but based on a specific", "different type of story. I'm writing and illustrating a graphic novel. My difficulty", "exactly what they want. While this made the drama better, it moved further", "about genre and reader expectations. I'm not trying to change my story to", "Space Opera ought to be. None of the action even takes place in", "Describe the story in 2 words... -------------------------------- I was fine with calling it", "a libertarian slum and all the hero and damsel tropes are subverted. I", "place in outer space. Subverting expectations, or genre salad…? ----------------------------------------- At each phase,", "mainstream sci-fi. Looking critically at my full script, it's like I hang a", "at first anyway. [For anyone who knows the origins of Planetary Romance](http://sf-encyclopedia.uk/fe.php?nm=planetary_romance), I", "My story is character-driven. It lacks melodramatic villains. There are no fantasy races", "Explaining this, I'd watch people's eyes glaze over. I can't get people excited", "my story: a \"melodrama villain\" is taken out early leaving unanswered questions, the", "fine with calling it Science Fiction, but I noticed non-writers had certain genre", "that expectation I feel they would be happily surprised by a complex character-driven", "my \"alternative science\" (it's consistent, but based on a specific pseudo-science) as not", "excited by saying how it's not* all these other things they expect. In", "appeal, but it's too late to create an entirely different type of story.", "story quickly so I can turn attention to the individual characters the story", "on the *White Savior goes to a Primitive Planet, rescues a native princess,", "to accept my \"alternative science\" (it's consistent, but based on a specific pseudo-science)", "the stage where I need to solidify how I discuss this project. The", "– but to anyone who doesn't know the term (non-writers) it at least", "try to make my story more commercial* (in a George R. R. 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Explaining this, I'd watch people's eyes glaze over. I can't", "they can read into that carries through. I'm at the stage where I", "to create an entirely different type of story. I'm writing and illustrating a", "how it's not all these other things they expect. In niche communities like", "expect. In niche communities like Writers and Worldbuilding, genres have a narrower definition.", "worlds\" so much as it's a clash of individuals from different worlds. The", "get around gatekeeping debates with other community members about scientific plausibility, I switched", "story takes place (mostly) on one planet where the socio-political situation is more", "first anyway. [For anyone who knows the origins of Planetary Romance](http://sf-encyclopedia.uk/fe.php?nm=planetary_romance), I feel", "\"romance\" here is not indicating an actual relationship, as in Romance genre –", "I think a Space Opera ought to be. None of the action even", "term (non-writers) it at least gives them the right sense of scale to", "more than boy-meets-girl-on-Planet-Z, but if someone came with that expectation I feel they", "will she choose\" aspect they can read into that carries through. I'm at", "expectations* which they get from mainstream works that I wouldn't even consider to", "just that I have grey-morality and adult themes, it's more like \"is this", "and reader expectations. I'm not trying to change my story to fit a", "graphic novel a planetary romance? ------------------------------------------------ Does it help me communicate the idea,", "is taken out early leaving unanswered questions, the \"action hero\" isn't able to", "(non-writers) it at least gives them the right sense of scale to the", "the \"1-minute elevator pitch\". Describe the story in 2 words... -------------------------------- I was", "mainstream tropes and then wander away to do something else. 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My difficulty is that I have issues communicating", "on a specific pseudo-science) as not requiring a deep explanation (not integral to", "a laserpistol, and the \"half-dressed space princess\" is a social-climbing thot trying to", "are no fantasy races or magic aliens or telepaths. Explaining this, I'd watch", "surprised by a complex character-driven story with some exotic stage dressing. There is", "know \"romance\" here is not indicating an actual relationship, as in Romance genre", "about. Can I call my graphic novel a planetary romance? ------------------------------------------------ Does it", "be clear, it's not just that I have grey-morality and adult themes, it's", "to strictly be sci-fi. My story is character-driven. It lacks melodramatic villains. There", "one's a \"hero\", no one's a \"villain\". Characters are imperfect and no one", "and it fits. My story isn't really a \"clash of worlds\" so much", "the story in 2 words... -------------------------------- I was fine with calling it Science", "ought to be. None of the action even takes place in outer space.", "modern twist on the White Savior goes to a Primitive Planet, rescues a", "is character-driven. It lacks melodramatic villains. There are no fantasy races or magic", "read into that carries through. I'm at the stage where I need to", "the hero and damsel tropes are subverted. I know \"romance\" here is not", "exotic stage dressing. There is a \"which guy will she choose\" aspect they", "mainstream genre. I have already taken steps to broaden it's appeal, but it's", "like dogfights in space, laser shootouts, space empires* and half-dressed space princesses. I'm", "finished and the artwork is in production. 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To", "origins of Planetary Romance](http://sf-encyclopedia.uk/fe.php?nm=planetary_romance), I feel they would accept the story in the", "consider to strictly be sci-fi. My story is character-driven. It lacks melodramatic villains.", "no one has heard of that has zero marketing appeal… ------------------------------------------------------------------------------------------ Earlier this", "fit a mainstream genre. I have already taken steps to broaden it's appeal,", "words... -------------------------------- I was fine with calling it Science Fiction, but I noticed", "George R. R. Martin sense) suggesting the implied genre promises but subverting expectations", "what I think a Space Opera ought to be. None of the action", "genre – but to anyone who doesn't know the term (non-writers) it at", "a clash of individuals from different worlds. The story takes place (mostly) on", "she choose\" aspect they can read into that carries through. I'm at the", "my story to fit a mainstream genre. 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Of course there is more than boy-meets-girl-on-Planet-Z, but if", "that carries through. I'm at the stage where I need to solidify how", "actually some obscure genre no one has heard of that has zero marketing", "small and inter-personal, at first anyway. [For anyone who knows the origins of", "but subverting expectations to get back to my story: a \"melodrama villain\" is", "choose\" aspect they can read into that carries through. I'm at the stage", "story isn't really a \"clash of worlds\" so much as it's a clash", "definition. To get around gatekeeping debates with other community members about scientific plausibility,", "there is more than boy-meets-girl-on-Planet-Z, but if someone came with that expectation I", "trying to get to another planet. Feminist and social justice themes were subverted", "character-driven story with some exotic stage dressing. There is a \"which guy will", "create an entirely different type of story. 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Martin sense) suggesting the", "a \"melodrama villain\" is taken out early leaving unanswered questions, the \"action hero\"", "can turn attention to the individual characters the story is really about. Can", "of that has zero marketing appeal… ------------------------------------------------------------------------------------------ Earlier this year I found the", "obscure genre no one has heard of that has zero marketing appeal… ------------------------------------------------------------------------------------------", "and no one gets exactly what they want. While this made the drama", "story with some exotic stage dressing. There is a \"which guy will she", "a revolution, except the planet is a libertarian slum and all the hero", "characters who act in their own self-interest. No one's a \"hero\", no one's", "takes place in outer space. Subverting expectations, or genre salad…? ----------------------------------------- At each", "as in Romance genre – but to anyone who doesn't know the term", "not trying to change my story to fit a mainstream genre. I have", "a native princess, and sparks a revolution, except the planet is a libertarian", "it's appeal, but it's too late to create an entirely different type of", "genre no one has heard of that has zero marketing appeal… ------------------------------------------------------------------------------------------ Earlier", "what it's about, the \"1-minute elevator pitch\". Describe the story in 2 words...", "actual relationship, as in Romance genre – but to anyone who doesn't know", "I can turn attention to the individual characters the story is really about.", "the term Planetary Romance, and it fits. My story isn't really a \"clash", "to the plot). However, I'm still not providing genre expectations like dogfights in", "even takes place in outer space. Subverting expectations, or genre salad…? ----------------------------------------- At", "Romance](http://sf-encyclopedia.uk/fe.php?nm=planetary_romance), I feel they would accept the story in the spirit it's intended.", "in favor of more complicated, frustrating characters who act in their own self-interest.", "the term (non-writers) it at least gives them the right sense of scale", "of story. I'm writing and illustrating a graphic novel. My difficulty is that", "of Planetary Romance](http://sf-encyclopedia.uk/fe.php?nm=planetary_romance), I feel they would accept the story in the spirit", "to broaden it's appeal, but it's too late to create an entirely different", "not providing genre expectations like dogfights in space, laser shootouts, space empires* and", "sci-fi. My story is character-driven. It lacks melodramatic villains. 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I'm not fulfilling", "steps to try to make my story more commercial (in a George R.", "other community members about scientific plausibility, I switched my genre label to *Space", "to get back to my* story: a \"melodrama villain\" is taken out early", "was fine with calling it Science Fiction, but I noticed non-writers had certain", "I have grey-morality and adult themes, it's more like \"is this story even", "more like \"is this story even in this genre?\" Wait, it's actually some", "\"clash of worlds\" so much as it's a clash of individuals from different", "to the conflict. Of course there is more than boy-meets-girl-on-Planet-Z, but if someone", "shootouts, space empires and half-dressed space princesses. I'm not fulfilling the promise-to-the-reader of", "However, I'm still not providing genre expectations like dogfights in space, laser shootouts,", "Characters are imperfect and no one gets exactly what they want. While this", "out early leaving unanswered questions, the \"action hero\" isn't able to solve problems", "moved further away from mainstream sci-fi. Looking critically at my full script, it's", "----------------------------------------- At each phase, I took steps to try to make my story", "my graphic novel a planetary romance? ------------------------------------------------ Does it help me communicate the", "me communicate the idea, or is it just too obscure to be useful?", "do something else. To try to be clear, it's not just that I", "To get around gatekeeping debates with other community members about scientific plausibility, I", "fits. My story isn't really a \"clash of worlds\" so much as it's", "lacks melodramatic villains. There are no fantasy races or magic aliens or telepaths.", "my full script, it's like I hang a lampshade on some mainstream tropes", "a modern twist on the *White Savior goes to a Primitive Planet, rescues", "pitch\". Describe the story in 2 words... -------------------------------- I was fine with calling", "space empires* and half-dressed space princesses. I'm not fulfilling the promise-to-the-reader of what", "with that expectation I feel they would be happily surprised by a complex", "\"villain\". Characters are imperfect and no one gets exactly what they want. While", "than technology, and the conflicts are small and inter-personal, at first anyway. [For", "be happily surprised by a complex character-driven story with some exotic stage dressing.", "villains. There are no fantasy races* or magic aliens or telepaths. Explaining this,", "genre and reader expectations. I'm not trying to change my story to fit", "would accept the story in the spirit it's intended. It's a modern twist", "While this made the drama better, it moved further away from mainstream sci-fi.", "it fits. My story isn't really a \"clash of worlds\" so much as", "to a Primitive Planet, rescues a native princess, and sparks a revolution*, except", "artwork is in production. I can't keep fishing for genre labels. I need", "empires and half-dressed space princesses. I'm not fulfilling the promise-to-the-reader of what I", "space, laser shootouts, space empires* and half-dressed space princesses. I'm not fulfilling the", "would be happily surprised by a complex character-driven story with some exotic stage", "one gets exactly what they want. While this made the drama better, it", "my genre label to Space Opera. It got them to accept my \"alternative", "have a narrower definition. To get around gatekeeping debates with other community members", "the action even takes place in outer space. Subverting expectations, or genre salad…?", "already taken steps to broaden it's appeal, but it's too late to create", "away from mainstream sci-fi. Looking critically at my full script, it's like I", "carries through. I'm at the stage where I need to solidify how I", "tropes and then wander away to do something else. To try to be", "to change my story to fit a mainstream genre. I have already taken", "knows the origins of Planetary Romance](http://sf-encyclopedia.uk/fe.php?nm=planetary_romance), I feel they would accept the story", "communicate the basic scope of the story quickly so I can turn attention", "R. Martin sense) suggesting the implied genre promises but subverting expectations to get", "able to solve problems with a laserpistol, and the \"half-dressed space princess\" is", "to communicate the basic scope of the story quickly so I can turn", "has heard of that has zero marketing appeal… ------------------------------------------------------------------------------------------ Earlier this year I", "a lampshade on some mainstream tropes and then wander away to do something", "their own self-interest. No one's a \"hero\", no one's a \"villain\". Characters are", "genre label to Space Opera. It got them to accept my \"alternative science\"", "isn't able to solve problems with a laserpistol, and the \"half-dressed space princess\"", "question is about genre and reader expectations. I'm not trying to change my", "from mainstream sci-fi. Looking critically at my full script, it's like I hang", "twist on the *White Savior goes to a Primitive Planet, rescues a native", "in production. I can't keep fishing for genre labels. I need to communicate", "Planetary Romance](http://sf-encyclopedia.uk/fe.php?nm=planetary_romance), I feel they would accept the story in the spirit it's", "romance? ------------------------------------------------ Does it help me communicate the idea, or is it just", "help me communicate the idea, or is it just too obscure to be", "the drama* better, it moved further away from mainstream sci-fi. Looking critically at", "stage dressing. There is a \"which guy will she choose\" aspect they can", "have issues communicating what it's about, the \"1-minute elevator pitch\". Describe the story", "(not integral to the plot). However, I'm still not providing genre expectations like", "sense of scale to the conflict. Of course there is more than boy-meets-girl-on-Planet-Z,", "that I have issues communicating what it's about, the \"1-minute elevator pitch\". Describe", "outer space. Subverting expectations, or genre salad…? ----------------------------------------- At each phase, I took", "Wait, it's actually some obscure genre no one has heard of that has", "melodramatic villains. There are no fantasy races or magic aliens or telepaths. Explaining", "I'm not fulfilling the promise-to-the-reader of what I think a Space Opera ought", "themes, it's more like \"is this story even in this genre?\" Wait, it's", "the \"action hero\" isn't able to solve problems with a laserpistol, and the", "in Romance genre – but to anyone who doesn't know the term (non-writers)", "is in production. I can't keep fishing for genre labels. I need to", "not just that I have grey-morality and adult themes, it's more like \"is", "graphic novel. My difficulty is that I have issues communicating what it's about,", "act in their own self-interest. No one's a \"hero\", no one's a \"villain\".", "story to fit a mainstream genre. I have already taken steps to broaden", "telepaths. Explaining this, I'd watch people's eyes glaze over. I can't get people", "or magic aliens or telepaths. Explaining this, I'd watch people's eyes glaze over.", "and half-dressed space princesses. I'm not fulfilling the promise-to-the-reader of what I think", "marketing appeal… ------------------------------------------------------------------------------------------ Earlier this year I found the term Planetary Romance, and", "and then wander away to do something else. To try to be clear,", "social-climbing thot trying to get to another planet. Feminist and social justice themes", "native princess, and sparks a revolution*, except the planet is a libertarian slum", "get back to my* story: a \"melodrama villain\" is taken out early leaving", "it Science Fiction, but I noticed non-writers had certain genre expectations which they", "guy will she choose\" aspect they can read into that carries through. I'm", "it's more like \"is this story even in this genre?\" Wait, it's actually", "so much as it's a clash of individuals from different worlds. The story", "subverting expectations to get back to my story: a \"melodrama villain\" is taken", "type of story. I'm writing and illustrating a graphic novel. My difficulty is", "but if someone came with that expectation I feel they would be happily", "frustrating characters who act in their own self-interest. No one's a \"hero\", no", "I can't get people excited by saying how it's not all these other", "doesn't know the term (non-writers) it at least gives them the right sense", "plausibility, I switched my genre label to Space Opera. It got them to", "broaden it's appeal, but it's too late to create an entirely different type", "drama better, it moved further away from mainstream sci-fi. Looking critically at my", "like I hang a lampshade on some mainstream tropes and then wander away", "of the story quickly so I can turn attention to the individual characters", "------------------------------------------------ Does it help me communicate the idea, or is it just too", "to get to another planet. Feminist and social justice themes were subverted in", "\"half-dressed space princess\" is a social-climbing thot trying to get to another planet.", "production. I can't keep fishing for genre labels. I need to communicate the", "into that carries through. I'm at the stage where I need to solidify", "call my graphic novel a planetary romance? ------------------------------------------------ Does it help me communicate", "with other community members about scientific plausibility, I switched my genre label to", "keep fishing for genre labels. I need to communicate the basic scope of", "of more complicated, frustrating characters who act in their own self-interest. No one's", "inter-personal, at first anyway. [For anyone who knows the origins of Planetary Romance](http://sf-encyclopedia.uk/fe.php?nm=planetary_romance),", "to the individual characters the story is really about. Can I call my", "R. R. Martin sense) suggesting the implied genre promises but subverting expectations to", "gatekeeping debates with other community members about scientific plausibility, I switched my genre", "a complex character-driven story with some exotic stage dressing. There is a \"which", "script is finished and the artwork is in production. I can't keep fishing", "socio-political situation is more important than technology, and the conflicts are small and", "to fit a mainstream genre. I have already taken steps to broaden it's", "works that I wouldn't even consider to strictly be sci-fi. My story is", "the spirit it's intended. It's a modern twist on the *White Savior goes", "slum and all the hero and damsel tropes are subverted. I know \"romance\"", "I have already taken steps to broaden it's appeal, but it's too late", "made the drama* better, it moved further away from mainstream sci-fi. Looking critically", "boy-meets-girl-on-Planet-Z, but if someone came with that expectation I feel they would be", "rescues a native princess, and sparks a revolution*, except the planet is a", "the implied genre promises but subverting expectations to get back to my* story:", "illustrating a graphic novel. My difficulty is that I have issues communicating what", "got them to accept my \"alternative science\" (it's consistent, but based on a", "princess, and sparks a revolution, except the planet is a libertarian slum and", "pseudo-science) as not requiring a deep explanation (not integral to the plot). However,", "about scientific plausibility, I switched my genre label to Space Opera. It got", "full script, it's like I hang a lampshade on some mainstream tropes and", "that I have grey-morality and adult themes, it's more like \"is this story", "year I found the term Planetary Romance*, and it fits. My story isn't", "conflicts are small and inter-personal, at first anyway. [For anyone who knows the", "princesses. I'm not fulfilling the promise-to-the-reader of what I think a Space Opera", "something else. To try to be clear, it's not just that I have", "sense) suggesting the implied genre promises but subverting expectations to get back to", "a graphic novel. My difficulty is that I have issues communicating what it's", "discuss this project. The script is finished and the artwork is in production.", "clash of individuals from different worlds. The story takes place (mostly) on one", "Does it help me communicate the idea, or is it just too obscure", "libertarian slum and all the hero and damsel tropes are subverted. I know", "expectations like dogfights in space, laser shootouts, space empires and half-dressed space princesses.", "Of course there is more than boy-meets-girl-on-Planet-Z, but if someone came with that", "at my full script, it's like I hang a lampshade on some mainstream", "accept my \"alternative science\" (it's consistent, but based on a specific pseudo-science) as", "I'm at the stage where I need to solidify how I discuss this", "in outer space. Subverting expectations, or genre salad…? ----------------------------------------- At each phase, I", "important than technology, and the conflicts are small and inter-personal, at first anyway.", "which they get from mainstream works that I wouldn't even consider to strictly", "they expect. In niche communities like Writers and Worldbuilding, genres have a narrower", "zero marketing appeal… ------------------------------------------------------------------------------------------ Earlier this year I found the term Planetary Romance,", "one's a \"villain\". Characters are imperfect and no one gets exactly what they", "Looking critically at my full script, it's like I hang a lampshade on", "where the socio-political situation is more important than technology, and the conflicts are", "stage where I need to solidify how I discuss this project. The script", "magic aliens or telepaths. Explaining this, I'd watch people's eyes glaze over. I", "and the \"half-dressed space princess\" is a social-climbing thot trying to get to", "at the stage where I need to solidify how I discuss this project.", "is not indicating an actual relationship, as in Romance genre – but to", "all these other things they expect. In niche communities like Writers and Worldbuilding,", "justice themes were subverted in favor of more complicated, frustrating characters who act", "I discuss this project. The script is finished and the artwork is in", "Space Opera. It got them to accept my \"alternative science\" (it's consistent, but", "subverted in favor of more complicated, frustrating characters who act in their own", "it's about, the \"1-minute elevator pitch\". Describe the story in 2 words... --------------------------------", "and damsel tropes are subverted. I know \"romance\" here is not indicating an", "suggesting the implied genre promises but subverting expectations to get back to my", "where I need to solidify how I discuss this project. The script is", "from mainstream works that I wouldn't even consider to strictly be sci-fi. My", "-------------------------------- I was fine with calling it Science Fiction, but I noticed non-writers", "Opera ought to be. None of the action even takes place in outer", "\"melodrama villain\" is taken out early leaving unanswered questions, the \"action hero\" isn't", "the planet is a libertarian slum and all the hero and damsel tropes", "of the action even takes place in outer space. Subverting expectations, or genre", "commercial* (in a George R. R. Martin sense) suggesting the implied genre promises", "------------------------------------------------------------------------------------------ Earlier this year I found the term Planetary Romance, and it fits.", "sparks a revolution, except the planet is a libertarian slum and all the", "(it's consistent, but based on a specific pseudo-science) as not requiring a deep", "calling it Science Fiction*, but I noticed non-writers had certain genre expectations* which", "My difficulty is that I have issues communicating what it's about, the \"1-minute", "debates with other community members about scientific plausibility, I switched my genre label", "saying how it's not all these other things they expect. In niche communities", "wouldn't even consider to strictly be sci-fi. My story is character-driven. It lacks", "explanation (not integral to the plot). However, I'm still not providing genre expectations", "lampshade on some mainstream tropes and then wander away to do something else.", "(in a George R. R. Martin sense) suggesting the implied genre promises but", "even consider to strictly be sci-fi. My story is character-driven. It lacks melodramatic", "genre expectations which they get from mainstream works that I wouldn't even consider", "expectation I feel they would be happily surprised by a complex character-driven story", "planetary romance? ------------------------------------------------ Does it help me communicate the idea, or is it", "I'm writing and illustrating a graphic novel. My difficulty is that I have", "it's not all these other things they expect. In niche communities like Writers", "I'm still not providing genre expectations like dogfights in space, laser shootouts, space", "away to do something else. To try to be clear, it's not just", "people excited by saying how it's not* all these other things they expect.", "taken out early leaving unanswered questions, the \"action hero\" isn't able to solve", "really about. Can I call my graphic novel a planetary romance? ------------------------------------------------ Does", "\"which guy will she choose\" aspect they can read into that carries through.", "some exotic stage dressing. There is a \"which guy will she choose\" aspect", "\"action hero\" isn't able to solve problems with a laserpistol, and the \"half-dressed", "White Savior goes to a Primitive Planet, rescues a native princess, and sparks", "the \"half-dressed space princess\" is a social-climbing thot trying to get to another", "Romance, and it fits. My story isn't really a \"clash of worlds\" so", "the right sense of scale to the conflict. Of course there is more", "turn attention to the individual characters the story is really about. Can I", "\"hero\", no one's a \"villain\". Characters are imperfect and no one gets exactly", "adult themes, it's more like \"is this story even in this genre?\" Wait,", "I know \"romance\" here is not indicating an actual relationship, as in Romance", "to do something else. To try to be clear, it's not just that", "a \"hero\", no one's a \"villain\". Characters are imperfect and no one gets", "to make my story more commercial (in a George R. R. Martin sense)", "It lacks melodramatic villains. There are no fantasy races or magic aliens or", "of scale to the conflict. Of course there is more than boy-meets-girl-on-Planet-Z, but", "further away from mainstream sci-fi. Looking critically at my full script, it's like", "novel a planetary romance? ------------------------------------------------ Does it help me communicate the idea, or", "eyes glaze over. I can't get people excited by saying how it's not", "laser shootouts, space empires and half-dressed space princesses. I'm not fulfilling the promise-to-the-reader", "is finished and the artwork is in production. I can't keep fishing for", "labels. I need to communicate the basic scope of the story quickly so", "glaze over. I can't get people excited by saying how it's not all", "it's not just that I have grey-morality and adult themes, it's more like", "implied genre promises but subverting expectations to get back to my story: a", "technology, and the conflicts are small and inter-personal, at first anyway. [For anyone", "plot). However, I'm still not providing genre expectations like dogfights in space, laser", "course there is more than boy-meets-girl-on-Planet-Z, but if someone came with that expectation", "wander away to do something else. To try to be clear, it's not", "steps to broaden it's appeal, but it's too late to create an entirely", "from different worlds. The story takes place (mostly) on one planet where the", "story. I'm writing and illustrating a graphic novel. My difficulty is that I", "I switched my genre label to Space Opera. It got them to accept", "around gatekeeping debates with other community members about scientific plausibility, I switched my", "I hang a lampshade on some mainstream tropes and then wander away to", "strictly be sci-fi. My story is character-driven. It lacks melodramatic villains. There are", "label to Space Opera. It got them to accept my \"alternative science\" (it's", "scientific plausibility, I switched my genre label to Space Opera. It got them", "anyway. [For anyone who knows the origins of Planetary Romance](http://sf-encyclopedia.uk/fe.php?nm=planetary_romance), I feel they", "themes were subverted in favor of more complicated, frustrating characters who act in", "and all the hero and damsel tropes are subverted. I know \"romance\" here", "can read into that carries through. I'm at the stage where I need", "There are no fantasy races* or magic aliens or telepaths. Explaining this, I'd", "a narrower definition. To get around gatekeeping debates with other community members about", "be. None of the action even takes place in outer space. Subverting expectations,", "than boy-meets-girl-on-Planet-Z, but if someone came with that expectation I feel they would", "to solve problems with a laserpistol, and the \"half-dressed space princess\" is a", "story even in this genre?\" Wait, it's actually some obscure genre no one", "difficulty is that I have issues communicating what it's about, the \"1-minute elevator", "a mainstream genre. I have already taken steps to broaden it's appeal, but", "providing genre expectations like dogfights in space, laser shootouts, space empires and half-dressed", "to another planet. Feminist and social justice themes were subverted in favor of", "I took steps to try to make my story more commercial* (in a", "Martin sense) suggesting the implied genre promises but subverting expectations to get back", "critically at my full script, it's like I hang a lampshade on some", "entirely different type of story. I'm writing and illustrating a graphic novel. My", "it's too late to create an entirely different type of story. I'm writing", "(mostly) on one planet where the socio-political situation is more important than technology,", "action even takes place in outer space. Subverting expectations, or genre salad…? -----------------------------------------", "right sense of scale to the conflict. Of course there is more than", "can't keep fishing for genre labels. I need to communicate the basic scope", "different worlds. The story takes place (mostly) on one planet where the socio-political", "At each phase, I took steps to try to make my story more", "promises but subverting expectations to get back to my story: a \"melodrama villain\"", "individuals from different worlds. The story takes place (mostly) on one planet where", "It's a modern twist on the *White Savior goes to a Primitive Planet,", "a \"villain\". Characters are imperfect and no one gets exactly what they want.", "need to communicate the basic scope of the story quickly so I can", "are imperfect and no one gets exactly what they want. While this made", "I'd watch people's eyes glaze over. I can't get people excited by saying", "to solidify how I discuss this project. The script is finished and the", "basic scope of the story quickly so I can turn attention to the", "I'm not trying to change my story to fit a mainstream genre. I", "how I discuss this project. The script is finished and the artwork is", "watch people's eyes glaze over. I can't get people excited by saying how", "all the hero and damsel tropes are subverted. I know \"romance\" here is", "races or magic aliens or telepaths. Explaining this, I'd watch people's eyes glaze", "characters the story is really about. Can I call my graphic novel a", "they would be happily surprised by a complex character-driven story with some exotic", "in their own self-interest. No one's a \"hero\", no one's a \"villain\". Characters", "the conflicts are small and inter-personal, at first anyway. [For anyone who knows", "half-dressed space princesses. I'm not fulfilling the promise-to-the-reader of what I think a", "so I can turn attention to the individual characters the story is really", "fantasy races or magic aliens or telepaths. Explaining this, I'd watch people's eyes", "My story isn't really a \"clash of worlds\" so much as it's a", "each phase, I took steps to try to make my story more commercial", "is more important than technology, and the conflicts are small and inter-personal, at", "they want. While this made the drama better, it moved further away from", "feel they would be happily surprised by a complex character-driven story with some", "is that I have issues communicating what it's about, the \"1-minute elevator pitch\".", "early leaving unanswered questions, the \"action hero\" isn't able to solve problems with", "much as it's a clash of individuals from different worlds. The story takes", "get from mainstream works that I wouldn't even consider to strictly be sci-fi.", "for genre labels. I need to communicate the basic scope of the story", "princess\" is a social-climbing thot trying to get to another planet. Feminist and", "heard of that has zero marketing appeal… ------------------------------------------------------------------------------------------ Earlier this year I found", "really a \"clash of worlds\" so much as it's a clash of individuals", "communities like Writers and Worldbuilding, genres have a narrower definition. To get around", "with a laserpistol, and the \"half-dressed space princess\" is a social-climbing thot trying", "want. While this made the drama better, it moved further away from mainstream", "worlds. The story takes place (mostly) on one planet where the socio-political situation", "things they expect. In niche communities like Writers and Worldbuilding, genres have a", "indicating an actual relationship, as in Romance genre – but to anyone who", "the socio-political situation is more important than technology, and the conflicts are small", "Can I call my graphic novel a planetary romance? ------------------------------------------------ Does it help", "aspect they can read into that carries through. I'm at the stage where", "like \"is this story even in this genre?\" Wait, it's actually some obscure", "character-driven. It lacks melodramatic villains. There are no fantasy races or magic aliens", "the promise-to-the-reader of what I think a Space Opera ought to be. None", "genre salad…? ----------------------------------------- At each phase, I took steps to try to make", "to be clear, it's not just that I have grey-morality and adult themes,", "salad…? ----------------------------------------- At each phase, I took steps to try to make my", "the origins of Planetary Romance](http://sf-encyclopedia.uk/fe.php?nm=planetary_romance), I feel they would accept the story in", "that I wouldn't even consider to strictly be sci-fi. My story is character-driven.", "but based on a specific pseudo-science) as not requiring a deep explanation (not", "a Space Opera ought to be. None of the action even takes place", "social justice themes were subverted in favor of more complicated, frustrating characters who", "2 words... -------------------------------- I was fine with calling it Science Fiction, but I", "Earlier this year I found the term Planetary Romance, and it fits. My", "of worlds\" so much as it's a clash of individuals from different worlds.", "an entirely different type of story. I'm writing and illustrating a graphic novel.", "people's eyes glaze over. I can't get people excited by saying how it's", "project. The script is finished and the artwork is in production. I can't", "I feel they would accept the story in the spirit it's intended. It's", "fishing for genre labels. I need to communicate the basic scope of the", "Opera*. It got them to accept my \"alternative science\" (it's consistent, but based", "\"is this story even in this genre?\" Wait, it's actually some obscure genre", "this genre?\" Wait, it's actually some obscure genre no one has heard of", "as it's a clash of individuals from different worlds. The story takes place", "I need to communicate the basic scope of the story quickly so I", "gives them the right sense of scale to the conflict. Of course there", "thot trying to get to another planet. Feminist and social justice themes were", "came with that expectation I feel they would be happily surprised by a", "gets exactly what they want. While this made the drama* better, it moved", "novel. My difficulty is that I have issues communicating what it's about, the", "planet is a libertarian slum and all the hero and damsel tropes are", "here is not indicating an actual relationship, as in Romance genre – but", "genre expectations like dogfights in space, laser shootouts, space empires and half-dressed space", "found the term Planetary Romance, and it fits. My story isn't really a", "planet. Feminist and social justice themes were subverted in favor of more complicated,", "planet where the socio-political situation is more important than technology, and the conflicts", "not fulfilling the promise-to-the-reader of what I think a Space Opera ought to", "issues communicating what it's about, the \"1-minute elevator pitch\". Describe the story in", "as not requiring a deep explanation (not integral to the plot). However, I'm", "it's a clash of individuals from different worlds. The story takes place (mostly)", "Worldbuilding, genres have a narrower definition. To get around gatekeeping debates with other", "a Primitive Planet, rescues a native princess, and sparks a revolution, except the", "subverted. I know \"romance\" here is not indicating an actual relationship, as in", "no fantasy races* or magic aliens or telepaths. Explaining this, I'd watch people's", "have already taken steps to broaden it's appeal, but it's too late to", "hero\" isn't able to solve problems with a laserpistol, and the \"half-dressed space", "and social justice themes were subverted in favor of more complicated, frustrating characters", "science\" (it's consistent, but based on a specific pseudo-science) as not requiring a", "even in this genre?\" Wait, it's actually some obscure genre no one has", "story: a \"melodrama villain\" is taken out early leaving unanswered questions, the \"action" ]
[ "editors, instead they use IDEs (integrated development environments) full of code assistance tools,", "analysis, and functions for improving their productivity? Is that because there is no", "writers use similarly advanced writing environments full of writing assistance tools, text analysis,", "a software developer looking for opportunities across different fields and I also tried", "text analysis, and functions for improving their productivity? Is that because there is", "for improving their productivity? Is that because there is no actual need for", "I always ended up realizing that I'm not good at writing, though it", "code assistance tools, etc. Why don't writers use similarly advanced writing environments full", "similarly advanced writing environments full of writing assistance tools, text analysis, and functions", "it a product opportunity here? Full disclosure: I'm a software developer looking for", "to write a book several times in the past. I always ended up", "at writing, though it would be great if I could provide some value", "would be great if I could provide some value to good writers (unlike", "environments) full of code assistance tools, etc. Why don't writers use similarly advanced", "advanced writing environments full of writing assistance tools, text analysis, and functions for", "several times in the past. I always ended up realizing that I'm not", "for opportunities across different fields and I also tried to write a book", "product opportunity here? Full disclosure: I'm a software developer looking for opportunities across", "I also tried to write a book several times in the past. I", "I could provide some value to good writers (unlike me) and help them", "here? Full disclosure: I'm a software developer looking for opportunities across different fields", "tools, etc. Why don't writers use similarly advanced writing environments full of writing", "(integrated development environments) full of code assistance tools, etc. Why don't writers use", "work in text editors, instead they use IDEs (integrated development environments) full of", "full of writing assistance tools, text analysis, and functions for improving their productivity?", "in text editors, instead they use IDEs (integrated development environments) full of code", "environments full of writing assistance tools, text analysis, and functions for improving their", "writing, though it would be great if I could provide some value to", "Why don't writers use similarly advanced writing environments full of writing assistance tools,", "always ended up realizing that I'm not good at writing, though it would", "improving their productivity? Is that because there is no actual need for that", "book several times in the past. I always ended up realizing that I'm", "for that or is it a product opportunity here? Full disclosure: I'm a", "fields and I also tried to write a book several times in the", "that I'm not good at writing, though it would be great if I", "don't ever work in text editors, instead they use IDEs (integrated development environments)", "great if I could provide some value to good writers (unlike me) and", "ever work in text editors, instead they use IDEs (integrated development environments) full", "up realizing that I'm not good at writing, though it would be great", "writing assistance tools, text analysis, and functions for improving their productivity? Is that", "times in the past. I always ended up realizing that I'm not good", "because there is no actual need for that or is it a product", "provide some value to good writers (unlike me) and help them be more", "is no actual need for that or is it a product opportunity here?", "tools, text analysis, and functions for improving their productivity? Is that because there", "assistance tools, text analysis, and functions for improving their productivity? Is that because", "is it a product opportunity here? Full disclosure: I'm a software developer looking", "across different fields and I also tried to write a book several times", "could provide some value to good writers (unlike me) and help them be", "no actual need for that or is it a product opportunity here? Full", "that or is it a product opportunity here? Full disclosure: I'm a software", "there is no actual need for that or is it a product opportunity", "a book several times in the past. I always ended up realizing that", "I'm a software developer looking for opportunities across different fields and I also", "be great if I could provide some value to good writers (unlike me)", "and I also tried to write a book several times in the past.", "write a book several times in the past. I always ended up realizing", "if I could provide some value to good writers (unlike me) and help", "don't writers use similarly advanced writing environments full of writing assistance tools, text", "in the past. I always ended up realizing that I'm not good at", "use similarly advanced writing environments full of writing assistance tools, text analysis, and", "they use IDEs (integrated development environments) full of code assistance tools, etc. Why", "good at writing, though it would be great if I could provide some", "developers don't ever work in text editors, instead they use IDEs (integrated development", "Full disclosure: I'm a software developer looking for opportunities across different fields and", "of code assistance tools, etc. Why don't writers use similarly advanced writing environments", "a product opportunity here? Full disclosure: I'm a software developer looking for opportunities", "also tried to write a book several times in the past. I always", "functions for improving their productivity? Is that because there is no actual need", "disclosure: I'm a software developer looking for opportunities across different fields and I", "instead they use IDEs (integrated development environments) full of code assistance tools, etc.", "past. I always ended up realizing that I'm not good at writing, though", "I'm not good at writing, though it would be great if I could", "tried to write a book several times in the past. I always ended", "Is that because there is no actual need for that or is it", "it would be great if I could provide some value to good writers", "actual need for that or is it a product opportunity here? Full disclosure:", "or is it a product opportunity here? Full disclosure: I'm a software developer", "productivity? Is that because there is no actual need for that or is", "use IDEs (integrated development environments) full of code assistance tools, etc. Why don't", "full of code assistance tools, etc. Why don't writers use similarly advanced writing", "of writing assistance tools, text analysis, and functions for improving their productivity? Is", "the past. I always ended up realizing that I'm not good at writing,", "writing environments full of writing assistance tools, text analysis, and functions for improving", "opportunity here? Full disclosure: I'm a software developer looking for opportunities across different", "opportunities across different fields and I also tried to write a book several", "realizing that I'm not good at writing, though it would be great if", "their productivity? Is that because there is no actual need for that or", "software developer looking for opportunities across different fields and I also tried to", "and functions for improving their productivity? Is that because there is no actual", "developer looking for opportunities across different fields and I also tried to write", "IDEs (integrated development environments) full of code assistance tools, etc. Why don't writers", "ended up realizing that I'm not good at writing, though it would be", "Software developers don't ever work in text editors, instead they use IDEs (integrated", "looking for opportunities across different fields and I also tried to write a", "assistance tools, etc. Why don't writers use similarly advanced writing environments full of", "though it would be great if I could provide some value to good", "that because there is no actual need for that or is it a", "some value to good writers (unlike me) and help them be more productive.", "not good at writing, though it would be great if I could provide", "text editors, instead they use IDEs (integrated development environments) full of code assistance", "development environments) full of code assistance tools, etc. Why don't writers use similarly", "need for that or is it a product opportunity here? Full disclosure: I'm", "etc. Why don't writers use similarly advanced writing environments full of writing assistance", "different fields and I also tried to write a book several times in" ]
[ "years later? Edit: To be completely clear, I'm not in this situation right", "book to various agents and/or publishing companies, but none of your queries gets", "and try to publish it again years later? Edit: To be completely clear,", "at all, and no feedback about how your work could be improved. Given", "all the appropriate stages of drafting and editing needed. You begin submitting the", "written or there's no market for it? Do you keep it in a", "it again years later? Edit: To be completely clear, I'm not in this", "needed. You begin submitting the book to various agents and/or publishing companies, but", "how your work could be improved. Given this grim setting, when do you", "not in this situation right now, but I figure it's an interesting question", "appropriate stages of drafting and editing needed. You begin submitting the book to", "when do you stop, if ever, sending queries for that particular novel? Is", "to publish it again years later? Edit: To be completely clear, I'm not", "ever, sending queries for that particular novel? Is it safe to assume that", "of your queries gets answers. I'm talking about a worst-case scenario, where you", "replies or no reply at all, and no feedback about how your work", "Let's suppose you have finished your novel, through all the appropriate stages of", "where you either get copypasted replies or no reply at all, and no", "get copypasted replies or no reply at all, and no feedback about how", "through all the appropriate stages of drafting and editing needed. You begin submitting", "feedback about how your work could be improved. Given this grim setting, when", "To be completely clear, I'm not in this situation right now, but I", "and no feedback about how your work could be improved. Given this grim", "stop, if ever, sending queries for that particular novel? Is it safe to", "I'm talking about a worst-case scenario, where you either get copypasted replies or", "and/or publishing companies, but none of your queries gets answers. I'm talking about", "worst-case scenario, where you either get copypasted replies or no reply at all,", "reply at all, and no feedback about how your work could be improved.", "Given this grim setting, when do you stop, if ever, sending queries for", "novel, through all the appropriate stages of drafting and editing needed. You begin", "Is it safe to assume that it's either badly written or there's no", "suppose you have finished your novel, through all the appropriate stages of drafting", "a worst-case scenario, where you either get copypasted replies or no reply at", "work could be improved. Given this grim setting, when do you stop, if", "sending queries for that particular novel? Is it safe to assume that it's", "clear, I'm not in this situation right now, but I figure it's an", "no feedback about how your work could be improved. Given this grim setting,", "market for it? Do you keep it in a locker and try to", "and editing needed. You begin submitting the book to various agents and/or publishing", "Edit: To be completely clear, I'm not in this situation right now, but", "editing needed. You begin submitting the book to various agents and/or publishing companies,", "agents and/or publishing companies, but none of your queries gets answers. I'm talking", "talking about a worst-case scenario, where you either get copypasted replies or no", "Do you keep it in a locker and try to publish it again", "be improved. Given this grim setting, when do you stop, if ever, sending", "setting, when do you stop, if ever, sending queries for that particular novel?", "companies, but none of your queries gets answers. I'm talking about a worst-case", "either badly written or there's no market for it? Do you keep it", "various agents and/or publishing companies, but none of your queries gets answers. I'm", "copypasted replies or no reply at all, and no feedback about how your", "no market for it? Do you keep it in a locker and try", "this grim setting, when do you stop, if ever, sending queries for that", "locker and try to publish it again years later? Edit: To be completely", "in this situation right now, but I figure it's an interesting question to", "you either get copypasted replies or no reply at all, and no feedback", "all, and no feedback about how your work could be improved. Given this", "queries for that particular novel? Is it safe to assume that it's either", "there's no market for it? Do you keep it in a locker and", "drafting and editing needed. You begin submitting the book to various agents and/or", "or there's no market for it? Do you keep it in a locker", "finished your novel, through all the appropriate stages of drafting and editing needed.", "gets answers. I'm talking about a worst-case scenario, where you either get copypasted", "later? Edit: To be completely clear, I'm not in this situation right now,", "particular novel? Is it safe to assume that it's either badly written or", "about how your work could be improved. Given this grim setting, when do", "of drafting and editing needed. You begin submitting the book to various agents", "it's either badly written or there's no market for it? Do you keep", "the book to various agents and/or publishing companies, but none of your queries", "the appropriate stages of drafting and editing needed. You begin submitting the book", "for that particular novel? Is it safe to assume that it's either badly", "I'm not in this situation right now, but I figure it's an interesting", "stages of drafting and editing needed. You begin submitting the book to various", "you have finished your novel, through all the appropriate stages of drafting and", "queries gets answers. I'm talking about a worst-case scenario, where you either get", "do you stop, if ever, sending queries for that particular novel? Is it", "your work could be improved. Given this grim setting, when do you stop,", "it? Do you keep it in a locker and try to publish it", "could be improved. Given this grim setting, when do you stop, if ever,", "try to publish it again years later? Edit: To be completely clear, I'm", "but none of your queries gets answers. I'm talking about a worst-case scenario,", "none of your queries gets answers. I'm talking about a worst-case scenario, where", "assume that it's either badly written or there's no market for it? Do", "you stop, if ever, sending queries for that particular novel? Is it safe", "to various agents and/or publishing companies, but none of your queries gets answers.", "your novel, through all the appropriate stages of drafting and editing needed. You", "you keep it in a locker and try to publish it again years", "for it? Do you keep it in a locker and try to publish", "in a locker and try to publish it again years later? Edit: To", "that particular novel? Is it safe to assume that it's either badly written", "your queries gets answers. I'm talking about a worst-case scenario, where you either", "or no reply at all, and no feedback about how your work could", "again years later? Edit: To be completely clear, I'm not in this situation", "submitting the book to various agents and/or publishing companies, but none of your", "it in a locker and try to publish it again years later? Edit:", "if ever, sending queries for that particular novel? Is it safe to assume", "keep it in a locker and try to publish it again years later?", "You begin submitting the book to various agents and/or publishing companies, but none", "publish it again years later? Edit: To be completely clear, I'm not in", "improved. Given this grim setting, when do you stop, if ever, sending queries", "publishing companies, but none of your queries gets answers. I'm talking about a", "begin submitting the book to various agents and/or publishing companies, but none of", "safe to assume that it's either badly written or there's no market for", "it safe to assume that it's either badly written or there's no market", "have finished your novel, through all the appropriate stages of drafting and editing", "answers. I'm talking about a worst-case scenario, where you either get copypasted replies", "either get copypasted replies or no reply at all, and no feedback about", "no reply at all, and no feedback about how your work could be", "to assume that it's either badly written or there's no market for it?", "badly written or there's no market for it? Do you keep it in", "novel? Is it safe to assume that it's either badly written or there's", "scenario, where you either get copypasted replies or no reply at all, and", "that it's either badly written or there's no market for it? Do you", "grim setting, when do you stop, if ever, sending queries for that particular", "completely clear, I'm not in this situation right now, but I figure it's", "this situation right now, but I figure it's an interesting question to ask.", "a locker and try to publish it again years later? Edit: To be", "be completely clear, I'm not in this situation right now, but I figure", "about a worst-case scenario, where you either get copypasted replies or no reply" ]
[ "of anarchy, a plague to culture and humanity. Thus it reveals itself in", "for it, but I hope I make it clear what I mean by", "pieces of writing are Rosa Luxemburg's [Junius Pamphlet](https://www.marxists.org/archive/luxemburg/1915/junius/ch01.htm), the lyrics to this [Phil", "bellies bounce inside them when they knock you to the floor, > No", "aren't really heavy on wordplay or metaphor. It still has very striking imagery,", "morning sermons pander to their lust > > > Their bellies bounce inside", "lust > > > Their bellies bounce inside them when they knock you", "anarchy, a plague to culture and humanity. Thus it reveals itself in its", "these are seperate lines from the song > > For underneath her borders,", "and the rule of law – but the ravening beast, the witches’ sabbath", "its true, its naked form. (The Junius Pamphlet) > > > There is", "must rot, must be forced to rot. (The Grapes of Wrath) > >", "feel the rage and despair in their words. What about them is so", "\"purple\" I'd also like some help with that. I feel like I go", "with that. I feel like I go on too long and use too", "What about them is so great? How do I emulate that? Not really", "related, but if my question is a bit too \"purple\" I'd also like", "spic and span and moral, with pretense to culture, philosophy, ethics, order, peace,", "legal fort > > > The sweating of their souls can't wash the", "I feel like I go on too long and use too many descriptors.", "rule of law – but the ravening beast, the witches’ sabbath of anarchy,", "I thought that \"wordplay\" was a better word, but these passages are filled", "sturdy trunks, and the ripe fruit. And children dying of pellagra must die", "beast, the witches’ sabbath of anarchy, a plague to culture and humanity. Thus", "has very striking imagery, and you can almost feel the rage and despair", "hands > > > Where the cross, once made of silver, now is", "How do I begin to work towards this? Are there specific resources? >", "dripping filth – there stands bourgeois society. This is it [in reality]. Not", "[in reality]. Not all spic and span and moral, with pretense to culture,", "– there stands bourgeois society. This is it [in reality]. Not all spic", "clear what I mean by \"impact\" soon. My favorite pieces of writing are", "thought that \"wordplay\" was a better word, but these passages are filled with", "beyond denunciation. There is a sorrow here that weeping cannot symbolize. There is", "once made of silver, now is caked with rust, and the Sunday morning", "weeping cannot symbolize. There is a failure here that topples all our success.", "of writing are Rosa Luxemburg's [Junius Pamphlet](https://www.marxists.org/archive/luxemburg/1915/junius/ch01.htm), the lyrics to this [Phil Ochs](https://genius.com/Phil-ochs-heres-to-the-state-of-mississippi-lyrics)", "of references and metaphors. How do I begin to work towards this? Are", "the blood from off their hands > > > Where the cross, once", "Wrath) > > > I thought that \"wordplay\" was a better word, but", "don't know the exact word for it, but I hope I make it", "must fill in the certificate—died of malnutrition—because the food must rot, must be", "ethics, order, peace, and the rule of law – but the ravening beast,", "like taking prisoners in their private little war > > > All of", "Grapes Of Wrath.](https://genius.com/John-steinbeck-grapes-of-wrath-chapter-25-annotated) All of these are seperate lines from the song >", "seperate lines from the song > > For underneath her borders, the devil", "was a better word, but these passages are filled with \"impact\" even though", "are seperate lines from the song > > For underneath her borders, the", "you can almost feel the rage and despair in their words. What about", "the ripe fruit. And children dying of pellagra must die because a profit", "little war > > > All of this stuff sounds really powerful, and", "but if my question is a bit too \"purple\" I'd also like some", "> For underneath her borders, the devil draws no lines > > >", "prisoners in their private little war > > > All of this stuff", "And coroners must fill in the certificate—died of malnutrition—because the food must rot,", "the ravening beast, the witches’ sabbath of anarchy, a plague to culture and", "success. The fertile earth, the straight tree rows, the sturdy trunks, and the", "> Where the cross, once made of silver, now is caked with rust,", "it clear what I mean by \"impact\" soon. My favorite pieces of writing", "tree rows, the sturdy trunks, and the ripe fruit. And children dying of", "dying of pellagra must die because a profit cannot be taken from an", "heavy on wordplay or metaphor. It still has very striking imagery, and you", "and you can almost feel the rage and despair in their words. What", "> > > They're guarding all the bastions of their phony legal fort", "failure here that topples all our success. The fertile earth, the straight tree", "in their private little war > > > All of this stuff sounds", "a sorrow here that weeping cannot symbolize. There is a failure here that", "forced to rot. (The Grapes of Wrath) > > > I thought that", "of these are seperate lines from the song > > For underneath her", "How do I emulate that? Not really related, but if my question is", "of Wrath) > > > I thought that \"wordplay\" was a better word,", "the Sunday morning sermons pander to their lust > > > Their bellies", "taken from an orange. And coroners must fill in the certificate—died of malnutrition—because", "begin to work towards this? Are there specific resources? > > Violated, dishonored,", "society. This is it [in reality]. Not all spic and span and moral,", "There is a crime here that goes beyond denunciation. There is a sorrow", "bit too \"purple\" I'd also like some help with that. I feel like", "the cross, once made of silver, now is caked with rust, and the", "> > I thought that \"wordplay\" was a better word, but these passages", "their words. What about them is so great? How do I emulate that?", "sabbath of anarchy, a plague to culture and humanity. Thus it reveals itself", "they knock you to the floor, > No they don't like taking prisoners", "by \"impact\" soon. My favorite pieces of writing are Rosa Luxemburg's [Junius Pamphlet](https://www.marxists.org/archive/luxemburg/1915/junius/ch01.htm),", "her borders, the devil draws no lines > > > They're guarding all", "filth – there stands bourgeois society. This is it [in reality]. Not all", "must be forced to rot. (The Grapes of Wrath) > > > I", "caked with rust, and the Sunday morning sermons pander to their lust >", "private little war > > > All of this stuff sounds really powerful,", "malnutrition—because the food must rot, must be forced to rot. (The Grapes of", "straight tree rows, the sturdy trunks, and the ripe fruit. And children dying", "It still has very striking imagery, and you can almost feel the rage", "this [Phil Ochs](https://genius.com/Phil-ochs-heres-to-the-state-of-mississippi-lyrics) song, and [Chapter 25 of the Grapes Of Wrath.](https://genius.com/John-steinbeck-grapes-of-wrath-chapter-25-annotated) All", "floor, > No they don't like taking prisoners in their private little war", "they don't like taking prisoners in their private little war > > >", "I emulate that? Not really related, but if my question is a bit", "There is a sorrow here that weeping cannot symbolize. There is a failure", "striking imagery, and you can almost feel the rage and despair in their", "the food must rot, must be forced to rot. (The Grapes of Wrath)", "though they aren't really heavy on wordplay or metaphor. It still has very", "taking prisoners in their private little war > > > All of this", "song > > For underneath her borders, the devil draws no lines >", "rows, the sturdy trunks, and the ripe fruit. And children dying of pellagra", "that topples all our success. The fertile earth, the straight tree rows, the", "the Grapes Of Wrath.](https://genius.com/John-steinbeck-grapes-of-wrath-chapter-25-annotated) All of these are seperate lines from the song", "in its true, its naked form. (The Junius Pamphlet) > > > There", "so great? How do I emulate that? Not really related, but if my", "sweating of their souls can't wash the blood from off their hands >", "reveals itself in its true, its naked form. (The Junius Pamphlet) > >", "All of this stuff sounds really powerful, and incorporates a lot of references", "made of silver, now is caked with rust, and the Sunday morning sermons", "here that topples all our success. The fertile earth, the straight tree rows,", "also like some help with that. I feel like I go on too", "if my question is a bit too \"purple\" I'd also like some help", "the exact word for it, but I hope I make it clear what", "make it clear what I mean by \"impact\" soon. My favorite pieces of", "the sturdy trunks, and the ripe fruit. And children dying of pellagra must", "exact word for it, but I hope I make it clear what I", "and incorporates a lot of references and metaphors. How do I begin to", "Grapes of Wrath) > > > I thought that \"wordplay\" was a better", "with rust, and the Sunday morning sermons pander to their lust > >", "the floor, > No they don't like taking prisoners in their private little", "know the exact word for it, but I hope I make it clear", "rage and despair in their words. What about them is so great? How", "(The Junius Pamphlet) > > > There is a crime here that goes", "sermons pander to their lust > > > Their bellies bounce inside them", "and span and moral, with pretense to culture, philosophy, ethics, order, peace, and", "Ochs](https://genius.com/Phil-ochs-heres-to-the-state-of-mississippi-lyrics) song, and [Chapter 25 of the Grapes Of Wrath.](https://genius.com/John-steinbeck-grapes-of-wrath-chapter-25-annotated) All of these", "but I hope I make it clear what I mean by \"impact\" soon.", "> > > There is a crime here that goes beyond denunciation. There", "fertile earth, the straight tree rows, the sturdy trunks, and the ripe fruit.", "pretense to culture, philosophy, ethics, order, peace, and the rule of law –", "with \"impact\" even though they aren't really heavy on wordplay or metaphor. It", "there specific resources? > > Violated, dishonored, wading in blood, dripping filth –", "resources? > > Violated, dishonored, wading in blood, dripping filth – there stands", "the lyrics to this [Phil Ochs](https://genius.com/Phil-ochs-heres-to-the-state-of-mississippi-lyrics) song, and [Chapter 25 of the Grapes", "our success. The fertile earth, the straight tree rows, the sturdy trunks, and", "rot. (The Grapes of Wrath) > > > I thought that \"wordplay\" was", "knock you to the floor, > No they don't like taking prisoners in", "denunciation. There is a sorrow here that weeping cannot symbolize. There is a", "a bit too \"purple\" I'd also like some help with that. I feel", "dishonored, wading in blood, dripping filth – there stands bourgeois society. This is", "filled with \"impact\" even though they aren't really heavy on wordplay or metaphor.", "goes beyond denunciation. There is a sorrow here that weeping cannot symbolize. There", "to culture and humanity. Thus it reveals itself in its true, its naked", "Wrath.](https://genius.com/John-steinbeck-grapes-of-wrath-chapter-25-annotated) All of these are seperate lines from the song > > For", "symbolize. There is a failure here that topples all our success. The fertile", "devil draws no lines > > > They're guarding all the bastions of", "soon. My favorite pieces of writing are Rosa Luxemburg's [Junius Pamphlet](https://www.marxists.org/archive/luxemburg/1915/junius/ch01.htm), the lyrics", "words. What about them is so great? How do I emulate that? Not", "Where the cross, once made of silver, now is caked with rust, and", "rust, and the Sunday morning sermons pander to their lust > > >", "pellagra must die because a profit cannot be taken from an orange. And", "lines from the song > > For underneath her borders, the devil draws", "that weeping cannot symbolize. There is a failure here that topples all our", "the bastions of their phony legal fort > > > The sweating of", "> There is a crime here that goes beyond denunciation. There is a", "here that goes beyond denunciation. There is a sorrow here that weeping cannot", "blood, dripping filth – there stands bourgeois society. This is it [in reality].", "The fertile earth, the straight tree rows, the sturdy trunks, and the ripe", "no lines > > > They're guarding all the bastions of their phony", "> > They're guarding all the bastions of their phony legal fort >", "inside them when they knock you to the floor, > No they don't", "There is a failure here that topples all our success. The fertile earth,", "their souls can't wash the blood from off their hands > > >", "For underneath her borders, the devil draws no lines > > > They're", "of this stuff sounds really powerful, and incorporates a lot of references and", "almost feel the rage and despair in their words. What about them is", "can't wash the blood from off their hands > > > Where the", "because a profit cannot be taken from an orange. And coroners must fill", "from an orange. And coroners must fill in the certificate—died of malnutrition—because the", "Their bellies bounce inside them when they knock you to the floor, >", "that goes beyond denunciation. There is a sorrow here that weeping cannot symbolize.", "song, and [Chapter 25 of the Grapes Of Wrath.](https://genius.com/John-steinbeck-grapes-of-wrath-chapter-25-annotated) All of these are", "> > > I thought that \"wordplay\" was a better word, but these", "an orange. And coroners must fill in the certificate—died of malnutrition—because the food", "really related, but if my question is a bit too \"purple\" I'd also", "> > > The sweating of their souls can't wash the blood from", "pander to their lust > > > Their bellies bounce inside them when", "I begin to work towards this? Are there specific resources? > > Violated,", "in their words. What about them is so great? How do I emulate", "specific resources? > > Violated, dishonored, wading in blood, dripping filth – there", "be forced to rot. (The Grapes of Wrath) > > > I thought", "blood from off their hands > > > Where the cross, once made", "itself in its true, its naked form. (The Junius Pamphlet) > > >", "topples all our success. The fertile earth, the straight tree rows, the sturdy", "and moral, with pretense to culture, philosophy, ethics, order, peace, and the rule", "writing are Rosa Luxemburg's [Junius Pamphlet](https://www.marxists.org/archive/luxemburg/1915/junius/ch01.htm), the lyrics to this [Phil Ochs](https://genius.com/Phil-ochs-heres-to-the-state-of-mississippi-lyrics) song,", "underneath her borders, the devil draws no lines > > > They're guarding", "sounds really powerful, and incorporates a lot of references and metaphors. How do", "its naked form. (The Junius Pamphlet) > > > There is a crime", "witches’ sabbath of anarchy, a plague to culture and humanity. Thus it reveals", "the rage and despair in their words. What about them is so great?", "fill in the certificate—died of malnutrition—because the food must rot, must be forced", "orange. And coroners must fill in the certificate—died of malnutrition—because the food must", "Sunday morning sermons pander to their lust > > > Their bellies bounce", "their private little war > > > All of this stuff sounds really", "do I emulate that? Not really related, but if my question is a", "\"wordplay\" was a better word, but these passages are filled with \"impact\" even", "imagery, and you can almost feel the rage and despair in their words.", "very striking imagery, and you can almost feel the rage and despair in", "> Their bellies bounce inside them when they knock you to the floor,", "but the ravening beast, the witches’ sabbath of anarchy, a plague to culture", "now is caked with rust, and the Sunday morning sermons pander to their", "are Rosa Luxemburg's [Junius Pamphlet](https://www.marxists.org/archive/luxemburg/1915/junius/ch01.htm), the lyrics to this [Phil Ochs](https://genius.com/Phil-ochs-heres-to-the-state-of-mississippi-lyrics) song, and", "> > Where the cross, once made of silver, now is caked with", "the straight tree rows, the sturdy trunks, and the ripe fruit. And children", "My favorite pieces of writing are Rosa Luxemburg's [Junius Pamphlet](https://www.marxists.org/archive/luxemburg/1915/junius/ch01.htm), the lyrics to", "must die because a profit cannot be taken from an orange. And coroners", "the song > > For underneath her borders, the devil draws no lines", "references and metaphors. How do I begin to work towards this? Are there", "food must rot, must be forced to rot. (The Grapes of Wrath) >", "word, but these passages are filled with \"impact\" even though they aren't really", "Rosa Luxemburg's [Junius Pamphlet](https://www.marxists.org/archive/luxemburg/1915/junius/ch01.htm), the lyrics to this [Phil Ochs](https://genius.com/Phil-ochs-heres-to-the-state-of-mississippi-lyrics) song, and [Chapter", "> The sweating of their souls can't wash the blood from off their", "profit cannot be taken from an orange. And coroners must fill in the", "All of these are seperate lines from the song > > For underneath", "you to the floor, > No they don't like taking prisoners in their", "wading in blood, dripping filth – there stands bourgeois society. This is it", "certificate—died of malnutrition—because the food must rot, must be forced to rot. (The", "don't like taking prisoners in their private little war > > > All", "Pamphlet) > > > There is a crime here that goes beyond denunciation.", "humanity. Thus it reveals itself in its true, its naked form. (The Junius", "incorporates a lot of references and metaphors. How do I begin to work", "Are there specific resources? > > Violated, dishonored, wading in blood, dripping filth", "I don't know the exact word for it, but I hope I make", "form. (The Junius Pamphlet) > > > There is a crime here that", "bounce inside them when they knock you to the floor, > No they", "cannot be taken from an orange. And coroners must fill in the certificate—died", "question is a bit too \"purple\" I'd also like some help with that.", "> > > Their bellies bounce inside them when they knock you to", "a crime here that goes beyond denunciation. There is a sorrow here that", "coroners must fill in the certificate—died of malnutrition—because the food must rot, must", "Of Wrath.](https://genius.com/John-steinbeck-grapes-of-wrath-chapter-25-annotated) All of these are seperate lines from the song > >", "naked form. (The Junius Pamphlet) > > > There is a crime here", "I'd also like some help with that. I feel like I go on", "and metaphors. How do I begin to work towards this? Are there specific", "my question is a bit too \"purple\" I'd also like some help with", "that \"wordplay\" was a better word, but these passages are filled with \"impact\"", "from off their hands > > > Where the cross, once made of", "order, peace, and the rule of law – but the ravening beast, the", "all the bastions of their phony legal fort > > > The sweating", "is caked with rust, and the Sunday morning sermons pander to their lust", "their hands > > > Where the cross, once made of silver, now", "favorite pieces of writing are Rosa Luxemburg's [Junius Pamphlet](https://www.marxists.org/archive/luxemburg/1915/junius/ch01.htm), the lyrics to this", "And children dying of pellagra must die because a profit cannot be taken", "\"impact\" even though they aren't really heavy on wordplay or metaphor. It still", "Not all spic and span and moral, with pretense to culture, philosophy, ethics,", "trunks, and the ripe fruit. And children dying of pellagra must die because", "is so great? How do I emulate that? Not really related, but if", "of law – but the ravening beast, the witches’ sabbath of anarchy, a", "culture and humanity. Thus it reveals itself in its true, its naked form.", "too \"purple\" I'd also like some help with that. I feel like I", "25 of the Grapes Of Wrath.](https://genius.com/John-steinbeck-grapes-of-wrath-chapter-25-annotated) All of these are seperate lines from", "is a crime here that goes beyond denunciation. There is a sorrow here", "of the Grapes Of Wrath.](https://genius.com/John-steinbeck-grapes-of-wrath-chapter-25-annotated) All of these are seperate lines from the", "Violated, dishonored, wading in blood, dripping filth – there stands bourgeois society. This", "> > There is a crime here that goes beyond denunciation. There is", "crime here that goes beyond denunciation. There is a sorrow here that weeping", "of malnutrition—because the food must rot, must be forced to rot. (The Grapes", "true, its naked form. (The Junius Pamphlet) > > > There is a", "like some help with that. I feel like I go on too long", "of their phony legal fort > > > The sweating of their souls", "\"impact\" soon. My favorite pieces of writing are Rosa Luxemburg's [Junius Pamphlet](https://www.marxists.org/archive/luxemburg/1915/junius/ch01.htm), the", "is a bit too \"purple\" I'd also like some help with that. I", "there stands bourgeois society. This is it [in reality]. Not all spic and", "lot of references and metaphors. How do I begin to work towards this?", "from the song > > For underneath her borders, the devil draws no", "> > > All of this stuff sounds really powerful, and incorporates a", "earth, the straight tree rows, the sturdy trunks, and the ripe fruit. And", "a plague to culture and humanity. Thus it reveals itself in its true,", "die because a profit cannot be taken from an orange. And coroners must", "they aren't really heavy on wordplay or metaphor. It still has very striking", "reality]. Not all spic and span and moral, with pretense to culture, philosophy,", "peace, and the rule of law – but the ravening beast, the witches’", "> I thought that \"wordplay\" was a better word, but these passages are", "ripe fruit. And children dying of pellagra must die because a profit cannot", "silver, now is caked with rust, and the Sunday morning sermons pander to", "hope I make it clear what I mean by \"impact\" soon. My favorite", "> > The sweating of their souls can't wash the blood from off", "this stuff sounds really powerful, and incorporates a lot of references and metaphors.", "> No they don't like taking prisoners in their private little war >", "cannot symbolize. There is a failure here that topples all our success. The", "No they don't like taking prisoners in their private little war > >", "> All of this stuff sounds really powerful, and incorporates a lot of", "be taken from an orange. And coroners must fill in the certificate—died of", "metaphors. How do I begin to work towards this? Are there specific resources?", "even though they aren't really heavy on wordplay or metaphor. It still has", "and the ripe fruit. And children dying of pellagra must die because a", "> > Their bellies bounce inside them when they knock you to the", "metaphor. It still has very striking imagery, and you can almost feel the", "that? Not really related, but if my question is a bit too \"purple\"", "war > > > All of this stuff sounds really powerful, and incorporates", "the witches’ sabbath of anarchy, a plague to culture and humanity. Thus it", "powerful, and incorporates a lot of references and metaphors. How do I begin", "> They're guarding all the bastions of their phony legal fort > >", "still has very striking imagery, and you can almost feel the rage and", "the certificate—died of malnutrition—because the food must rot, must be forced to rot.", "[Chapter 25 of the Grapes Of Wrath.](https://genius.com/John-steinbeck-grapes-of-wrath-chapter-25-annotated) All of these are seperate lines", "off their hands > > > Where the cross, once made of silver,", "better word, but these passages are filled with \"impact\" even though they aren't", "cross, once made of silver, now is caked with rust, and the Sunday", "I hope I make it clear what I mean by \"impact\" soon. My", "a profit cannot be taken from an orange. And coroners must fill in", "to their lust > > > Their bellies bounce inside them when they", "are filled with \"impact\" even though they aren't really heavy on wordplay or", "I make it clear what I mean by \"impact\" soon. My favorite pieces", "is a sorrow here that weeping cannot symbolize. There is a failure here", "borders, the devil draws no lines > > > They're guarding all the", "to the floor, > No they don't like taking prisoners in their private", "their phony legal fort > > > The sweating of their souls can't", "– but the ravening beast, the witches’ sabbath of anarchy, a plague to", "is it [in reality]. Not all spic and span and moral, with pretense", "culture, philosophy, ethics, order, peace, and the rule of law – but the", "stands bourgeois society. This is it [in reality]. Not all spic and span", "it, but I hope I make it clear what I mean by \"impact\"", "in blood, dripping filth – there stands bourgeois society. This is it [in", "and despair in their words. What about them is so great? How do", "them when they knock you to the floor, > No they don't like", "> > All of this stuff sounds really powerful, and incorporates a lot", "their lust > > > Their bellies bounce inside them when they knock", "a failure here that topples all our success. The fertile earth, the straight", "all spic and span and moral, with pretense to culture, philosophy, ethics, order,", "the rule of law – but the ravening beast, the witches’ sabbath of", "to this [Phil Ochs](https://genius.com/Phil-ochs-heres-to-the-state-of-mississippi-lyrics) song, and [Chapter 25 of the Grapes Of Wrath.](https://genius.com/John-steinbeck-grapes-of-wrath-chapter-25-annotated)", "phony legal fort > > > The sweating of their souls can't wash", "this? Are there specific resources? > > Violated, dishonored, wading in blood, dripping", "emulate that? Not really related, but if my question is a bit too", "work towards this? Are there specific resources? > > Violated, dishonored, wading in", "towards this? Are there specific resources? > > Violated, dishonored, wading in blood,", "guarding all the bastions of their phony legal fort > > > The", "despair in their words. What about them is so great? How do I", "great? How do I emulate that? Not really related, but if my question", "really powerful, and incorporates a lot of references and metaphors. How do I", "fruit. And children dying of pellagra must die because a profit cannot be", "a lot of references and metaphors. How do I begin to work towards", "children dying of pellagra must die because a profit cannot be taken from", "bourgeois society. This is it [in reality]. Not all spic and span and", "bastions of their phony legal fort > > > The sweating of their", "Junius Pamphlet) > > > There is a crime here that goes beyond", "the devil draws no lines > > > They're guarding all the bastions", "span and moral, with pretense to culture, philosophy, ethics, order, peace, and the", "Thus it reveals itself in its true, its naked form. (The Junius Pamphlet)", "to work towards this? Are there specific resources? > > Violated, dishonored, wading", "to rot. (The Grapes of Wrath) > > > I thought that \"wordplay\"", "draws no lines > > > They're guarding all the bastions of their", "to culture, philosophy, ethics, order, peace, and the rule of law – but", "these passages are filled with \"impact\" even though they aren't really heavy on", "ravening beast, the witches’ sabbath of anarchy, a plague to culture and humanity.", "all our success. The fertile earth, the straight tree rows, the sturdy trunks,", "and [Chapter 25 of the Grapes Of Wrath.](https://genius.com/John-steinbeck-grapes-of-wrath-chapter-25-annotated) All of these are seperate", "stuff sounds really powerful, and incorporates a lot of references and metaphors. How", "but these passages are filled with \"impact\" even though they aren't really heavy", "about them is so great? How do I emulate that? Not really related,", "word for it, but I hope I make it clear what I mean", "here that weeping cannot symbolize. There is a failure here that topples all", "Luxemburg's [Junius Pamphlet](https://www.marxists.org/archive/luxemburg/1915/junius/ch01.htm), the lyrics to this [Phil Ochs](https://genius.com/Phil-ochs-heres-to-the-state-of-mississippi-lyrics) song, and [Chapter 25", "and humanity. Thus it reveals itself in its true, its naked form. (The", "really heavy on wordplay or metaphor. It still has very striking imagery, and", "> > > Where the cross, once made of silver, now is caked", "of pellagra must die because a profit cannot be taken from an orange.", "that. I feel like I go on too long and use too many", "mean by \"impact\" soon. My favorite pieces of writing are Rosa Luxemburg's [Junius", "lines > > > They're guarding all the bastions of their phony legal", "The sweating of their souls can't wash the blood from off their hands", "and the Sunday morning sermons pander to their lust > > > Their", "wordplay or metaphor. It still has very striking imagery, and you can almost", "[Phil Ochs](https://genius.com/Phil-ochs-heres-to-the-state-of-mississippi-lyrics) song, and [Chapter 25 of the Grapes Of Wrath.](https://genius.com/John-steinbeck-grapes-of-wrath-chapter-25-annotated) All of", "of silver, now is caked with rust, and the Sunday morning sermons pander", "it reveals itself in its true, its naked form. (The Junius Pamphlet) >", "souls can't wash the blood from off their hands > > > Where", "lyrics to this [Phil Ochs](https://genius.com/Phil-ochs-heres-to-the-state-of-mississippi-lyrics) song, and [Chapter 25 of the Grapes Of", "is a failure here that topples all our success. The fertile earth, the", "This is it [in reality]. Not all spic and span and moral, with", "it [in reality]. Not all spic and span and moral, with pretense to", "[Junius Pamphlet](https://www.marxists.org/archive/luxemburg/1915/junius/ch01.htm), the lyrics to this [Phil Ochs](https://genius.com/Phil-ochs-heres-to-the-state-of-mississippi-lyrics) song, and [Chapter 25 of", "when they knock you to the floor, > No they don't like taking", "rot, must be forced to rot. (The Grapes of Wrath) > > >", "can almost feel the rage and despair in their words. What about them", "sorrow here that weeping cannot symbolize. There is a failure here that topples", "or metaphor. It still has very striking imagery, and you can almost feel", "plague to culture and humanity. Thus it reveals itself in its true, its", "fort > > > The sweating of their souls can't wash the blood", "what I mean by \"impact\" soon. My favorite pieces of writing are Rosa", "wash the blood from off their hands > > > Where the cross,", "> Violated, dishonored, wading in blood, dripping filth – there stands bourgeois society.", "philosophy, ethics, order, peace, and the rule of law – but the ravening", "in the certificate—died of malnutrition—because the food must rot, must be forced to", "I mean by \"impact\" soon. My favorite pieces of writing are Rosa Luxemburg's", "of their souls can't wash the blood from off their hands > >", "Pamphlet](https://www.marxists.org/archive/luxemburg/1915/junius/ch01.htm), the lyrics to this [Phil Ochs](https://genius.com/Phil-ochs-heres-to-the-state-of-mississippi-lyrics) song, and [Chapter 25 of the", "(The Grapes of Wrath) > > > I thought that \"wordplay\" was a", "them is so great? How do I emulate that? Not really related, but", "moral, with pretense to culture, philosophy, ethics, order, peace, and the rule of", "> > For underneath her borders, the devil draws no lines > >", "do I begin to work towards this? Are there specific resources? > >", "passages are filled with \"impact\" even though they aren't really heavy on wordplay", "Not really related, but if my question is a bit too \"purple\" I'd", "on wordplay or metaphor. It still has very striking imagery, and you can", "law – but the ravening beast, the witches’ sabbath of anarchy, a plague", "> > Violated, dishonored, wading in blood, dripping filth – there stands bourgeois", "help with that. I feel like I go on too long and use", "some help with that. I feel like I go on too long and", "a better word, but these passages are filled with \"impact\" even though they", "They're guarding all the bastions of their phony legal fort > > >", "with pretense to culture, philosophy, ethics, order, peace, and the rule of law" ]
[ "and what might make something lean heavily towards another classification (science-fantasy, speculative fiction,", "and we all know it when we see it. Even if we argue", "genre, and we all know it when we see it. Even if we", "we argue about the specific tropes – and what might make something lean", "if we argue about the specific tropes – and what might make something", "something lean heavily towards another classification (science-fantasy, speculative fiction, etc), is every story", "a \"big tent\" genre, and we all know it when we see it.", "fiction, etc), is every story that takes place in the future \"science fiction?\"", "when we see it. Even if we argue about the specific tropes –", "etc), is every story that takes place in the future \"science fiction?\" Are", "heavily towards another classification (science-fantasy, speculative fiction, etc), is every story that takes", "towards another classification (science-fantasy, speculative fiction, etc), is every story that takes place", "all know it when we see it. Even if we argue about the", "tent\" genre, and we all know it when we see it. Even if", "specific tropes – and what might make something lean heavily towards another classification", "(science-fantasy, speculative fiction, etc), is every story that takes place in the future", "classification (science-fantasy, speculative fiction, etc), is every story that takes place in the", "\"big tent\" genre, and we all know it when we see it. Even", "Fiction is a \"big tent\" genre, and we all know it when we", "Even if we argue about the specific tropes – and what might make", "every story that takes place in the future \"science fiction?\" Are there exceptions?", "argue about the specific tropes – and what might make something lean heavily", "make something lean heavily towards another classification (science-fantasy, speculative fiction, etc), is every", "Science Fiction is a \"big tent\" genre, and we all know it when", "what might make something lean heavily towards another classification (science-fantasy, speculative fiction, etc),", "might make something lean heavily towards another classification (science-fantasy, speculative fiction, etc), is", "we see it. Even if we argue about the specific tropes – and", "lean heavily towards another classification (science-fantasy, speculative fiction, etc), is every story that", "about the specific tropes – and what might make something lean heavily towards", "it when we see it. Even if we argue about the specific tropes", "we all know it when we see it. Even if we argue about", "another classification (science-fantasy, speculative fiction, etc), is every story that takes place in", "is every story that takes place in the future \"science fiction?\" Are there", "– and what might make something lean heavily towards another classification (science-fantasy, speculative", "is a \"big tent\" genre, and we all know it when we see", "the specific tropes – and what might make something lean heavily towards another", "tropes – and what might make something lean heavily towards another classification (science-fantasy,", "speculative fiction, etc), is every story that takes place in the future \"science", "it. Even if we argue about the specific tropes – and what might", "know it when we see it. Even if we argue about the specific", "see it. Even if we argue about the specific tropes – and what" ]
[ "a situation involving two strangers and Jeeves suggests referring to them as A", "\"Caesar\", but how could Bezhue write \"C, sir\" correctly and still use \"Caesar\"?", "In a detective story, a criminal who is a habitual liar talks about", "uses the wrong name until the end. [[ This is an example of", "]] (C) In too many movies, we see cases like the narrator explaining", "had a rough voice, another was clumsy and silent, the third was foolish", "and gets the matching records. Here the narrator does not write more than", "example of good writing and the story is consistent and logical ]] (C)", "thereby heard and saw the thieves. [[ C1 is an example of better", "be rectified if it was claimed that the narrator gained consciousness after a", "But how could the narrator describe the thieves if he had been knocked", "In lazily written movies, the description is used to catch the thieves. It", "throughout the novel but gets no matching record. He assumes the criminal is", "the story is consistent and logical ]] (C) In too many movies, we", "\"Caesar\"? It is lazy writing because, it is easy to rectify, with Jeeves", "fat.\" We, the audience, see all this and confirm what the narrator says.", "but rather the letter C\". With that minor alteration, everything makes sense. [[", "the story ]] (B) In a detective story, a criminal who is a", "bad storytelling? Or is it irrelevant because intended readers are okay with it?", "had been knocked out before he saw anything? (C1) In \"better\" stories or", "the narrator is not around or cannot know. E.g., \"Hearing a noise, I", "and fat.\" We, the audience, see all this and confirm what the narrator", "used to accuse the narrator of staging the crime. (C2) In lazily written", "story inconsistent or illogical ]] Now, A and C2 are examples of lazy", "and Bezhue says, \"Caesar is a good name\". It is a pun, \"C,", "like the narrator explaining how something happened, but the flashback scenes include scenes", "we see cases like the narrator explaining how something happened, but the flashback", "narrator does not write more than he knows, because he uses the wrong", "was claimed that the narrator gained consciousness after a while and thereby heard", "written movies, the description is used to catch the thieves. It could be", "We, the audience, see all this and confirm what the narrator says. But", "A & B. When another stranger enters that situation, Jeeves suggests \"We will", "later saying something like \"not Caesar, sir, but rather the letter C\". With", "staging the crime. (C2) In lazily written movies, the description is used to", "still use \"Caesar\"? It is lazy writing because, it is easy to rectify,", "is an example of good writing and the story is consistent and logical", "example of lazy or bad or sloppy writing having a major issue which", "is lying until he checks with alternate spellings like \"Doyel\" & \"Doile\" and", "gets the matching records. Here the narrator does not write more than he", "a habitual liar talks about a crime involving \"Deyme\" and the narrator uses", "Bezhue Wooster and Jeeves, Bezhue is talking about a situation involving two strangers", "accuse the narrator of staging the crime. (C2) In lazily written movies, the", "C2 is an example of lazy or bad or sloppy writing having a", "documents. One guy was thin and had a rough voice, another was clumsy", "write more than he knows, because he uses the wrong name until the", "on the rest of the story ]] (B) In a detective story, a", "C2 are examples of lazy writing. But is it also bad writing or", "\"Doyel\" & \"Doile\" and gets the matching records. Here the narrator does not", "a noise, I woke up at 3 AM and was knocked unconscious before", "and had a rough voice, another was clumsy and silent, the third was", "says. But how could the narrator describe the thieves if he had been", "been knocked out before he saw anything? (C1) In \"better\" stories or movies,", "is an example of better writing. C2 is an example of lazy or", "rest of the story ]] (B) In a detective story, a criminal who", "and silent, the third was foolish and fat.\" We, the audience, see all", "& \"Doile\" and gets the matching records. Here the narrator does not write", "to accuse the narrator of staging the crime. (C2) In lazily written movies,", "stories or movies, this fact is used to accuse the narrator of staging", "and thereby heard and saw the thieves. [[ C1 is an example of", "no matching record. He assumes the criminal is lying until he checks with", "alternate spellings like \"Doyel\" & \"Doile\" and gets the matching records. Here the", "enters that situation, Jeeves suggests \"We will call him C, sir\" and Bezhue", "and documents. One guy was thin and had a rough voice, another was", "situation involving two strangers and Jeeves suggests referring to them as A &", "narrator gained consciousness after a while and thereby heard and saw the thieves.", "Caesar, sir, but rather the letter C\". With that minor alteration, everything makes", "saw anything and the three thieves took all my money and documents. One", "[[ This is an example of a minor issue which has no impact", "examples of the narrator knowing more than he should. (A) In a humourous", "involving two strangers and Jeeves suggests referring to them as A & B.", "a minor issue which has no impact on the rest of the story", "anything? (C1) In \"better\" stories or movies, this fact is used to accuse", "but the flashback scenes include scenes where the narrator is not around or", "of lazy writing. But is it also bad writing or bad storytelling? Or", "sir\" and Bezhue says, \"Caesar is a good name\". It is a pun,", "confirm what the narrator says. But how could the narrator describe the thieves", "knocked out before he saw anything? (C1) In \"better\" stories or movies, this", "know. E.g., \"Hearing a noise, I woke up at 3 AM and was", "foolish and fat.\" We, the audience, see all this and confirm what the", "(C) In too many movies, we see cases like the narrator explaining how", "\"We will call him C, sir\" and Bezhue says, \"Caesar is a good", "it is easy to rectify, with Jeeves later saying something like \"not Caesar,", "or bad storytelling? Or is it irrelevant because intended readers are okay with", "(A) In a humourous short story about Bezhue Wooster and Jeeves, Bezhue is", "story about Bezhue Wooster and Jeeves, Bezhue is talking about a situation involving", "has no impact on the rest of the story ]] (B) In a", "narrator uses this name throughout the novel but gets no matching record. He", "the three thieves took all my money and documents. One guy was thin", "having a major issue which makes the rest of the story inconsistent or", "the audience, see all this and confirm what the narrator says. But how", "AM and was knocked unconscious before I saw anything and the three thieves", "the rest of the story ]] (B) In a detective story, a criminal", "movies, the description is used to catch the thieves. It could be rectified", "consistent and logical ]] (C) In too many movies, we see cases like", "It could be rectified if it was claimed that the narrator gained consciousness", "Bezhue says, \"Caesar is a good name\". It is a pun, \"C, sir\"", "short story about Bezhue Wooster and Jeeves, Bezhue is talking about a situation", "minor issue which has no impact on the rest of the story ]]", "involving \"Deyme\" and the narrator uses this name throughout the novel but gets", "he saw anything? (C1) In \"better\" stories or movies, this fact is used", "scenes include scenes where the narrator is not around or cannot know. E.g.,", "the thieves if he had been knocked out before he saw anything? (C1)", "that minor alteration, everything makes sense. [[ This is an example of a", "the story inconsistent or illogical ]] Now, A and C2 are examples of", "include scenes where the narrator is not around or cannot know. E.g., \"Hearing", "[[ This is an example of good writing and the story is consistent", "a detective story, a criminal who is a habitual liar talks about a", "C1 is an example of better writing. C2 is an example of lazy", "Bezhue write \"C, sir\" correctly and still use \"Caesar\"? It is lazy writing", "referring to them as A & B. When another stranger enters that situation,", "rest of the story inconsistent or illogical ]] Now, A and C2 are", "This is an example of a minor issue which has no impact on", "about a situation involving two strangers and Jeeves suggests referring to them as", "checks with alternate spellings like \"Doyel\" & \"Doile\" and gets the matching records.", "the thieves. It could be rectified if it was claimed that the narrator", "where the narrator is not around or cannot know. E.g., \"Hearing a noise,", "I woke up at 3 AM and was knocked unconscious before I saw", "of the story inconsistent or illogical ]] Now, A and C2 are examples", "heard and saw the thieves. [[ C1 is an example of better writing.", "all my money and documents. One guy was thin and had a rough", "was clumsy and silent, the third was foolish and fat.\" We, the audience,", "or illogical ]] Now, A and C2 are examples of lazy writing. But", "is lazy writing because, it is easy to rectify, with Jeeves later saying", "around or cannot know. E.g., \"Hearing a noise, I woke up at 3", "narrator says. But how could the narrator describe the thieves if he had", "consciousness after a while and thereby heard and saw the thieves. [[ C1", "claimed that the narrator gained consciousness after a while and thereby heard and", "are a few examples of the narrator knowing more than he should. (A)", "narrator of staging the crime. (C2) In lazily written movies, the description is", "them as A & B. When another stranger enters that situation, Jeeves suggests", "about Bezhue Wooster and Jeeves, Bezhue is talking about a situation involving two", "this and confirm what the narrator says. But how could the narrator describe", "the narrator describe the thieves if he had been knocked out before he", "the narrator gained consciousness after a while and thereby heard and saw the", "Jeeves later saying something like \"not Caesar, sir, but rather the letter C\".", "lazily written movies, the description is used to catch the thieves. It could", "while and thereby heard and saw the thieves. [[ C1 is an example", "\"better\" stories or movies, this fact is used to accuse the narrator of", "audience, see all this and confirm what the narrator says. But how could", "With that minor alteration, everything makes sense. [[ This is an example of", "end. [[ This is an example of good writing and the story is", "with Jeeves later saying something like \"not Caesar, sir, but rather the letter", "writing. But is it also bad writing or bad storytelling? Or is it", "illogical ]] Now, A and C2 are examples of lazy writing. But is", "not around or cannot know. E.g., \"Hearing a noise, I woke up at", "In \"better\" stories or movies, this fact is used to accuse the narrator", "saw the thieves. [[ C1 is an example of better writing. C2 is", "(B) In a detective story, a criminal who is a habitual liar talks", "could be rectified if it was claimed that the narrator gained consciousness after", "example of a minor issue which has no impact on the rest of", "rough voice, another was clumsy and silent, the third was foolish and fat.\"", "could the narrator describe the thieves if he had been knocked out before", "habitual liar talks about a crime involving \"Deyme\" and the narrator uses this", "is consistent and logical ]] (C) In too many movies, we see cases", "situation, Jeeves suggests \"We will call him C, sir\" and Bezhue says, \"Caesar", "writing. C2 is an example of lazy or bad or sloppy writing having", "humourous short story about Bezhue Wooster and Jeeves, Bezhue is talking about a", "of the narrator knowing more than he should. (A) In a humourous short", "fact is used to accuse the narrator of staging the crime. (C2) In", "the description is used to catch the thieves. It could be rectified if", "how could Bezhue write \"C, sir\" correctly and still use \"Caesar\"? It is", "suggests \"We will call him C, sir\" and Bezhue says, \"Caesar is a", "woke up at 3 AM and was knocked unconscious before I saw anything", "or bad or sloppy writing having a major issue which makes the rest", "It is a pun, \"C, sir\" sounding like \"Caesar\", but how could Bezhue", "an example of a minor issue which has no impact on the rest", "the novel but gets no matching record. He assumes the criminal is lying", "writing having a major issue which makes the rest of the story inconsistent", "narrator knowing more than he should. (A) In a humourous short story about", "It is lazy writing because, it is easy to rectify, with Jeeves later", "he uses the wrong name until the end. [[ This is an example", "\"Deyme\" and the narrator uses this name throughout the novel but gets no", "impact on the rest of the story ]] (B) In a detective story,", "issue which has no impact on the rest of the story ]] (B)", "that situation, Jeeves suggests \"We will call him C, sir\" and Bezhue says,", "after a while and thereby heard and saw the thieves. [[ C1 is", "name until the end. [[ This is an example of good writing and", "alteration, everything makes sense. [[ This is an example of a minor issue", "the thieves. [[ C1 is an example of better writing. C2 is an", "movies, we see cases like the narrator explaining how something happened, but the", "something happened, but the flashback scenes include scenes where the narrator is not", "bad or sloppy writing having a major issue which makes the rest of", "good writing and the story is consistent and logical ]] (C) In too", "makes sense. [[ This is an example of a minor issue which has", "Now, A and C2 are examples of lazy writing. But is it also", "to rectify, with Jeeves later saying something like \"not Caesar, sir, but rather", "took all my money and documents. One guy was thin and had a", "thieves took all my money and documents. One guy was thin and had", "knocked unconscious before I saw anything and the three thieves took all my", "He assumes the criminal is lying until he checks with alternate spellings like", "name throughout the novel but gets no matching record. He assumes the criminal", "Wooster and Jeeves, Bezhue is talking about a situation involving two strangers and", "& B. When another stranger enters that situation, Jeeves suggests \"We will call", "a good name\". It is a pun, \"C, sir\" sounding like \"Caesar\", but", "should. (A) In a humourous short story about Bezhue Wooster and Jeeves, Bezhue", "crime involving \"Deyme\" and the narrator uses this name throughout the novel but", "liar talks about a crime involving \"Deyme\" and the narrator uses this name", "and logical ]] (C) In too many movies, we see cases like the", "more than he should. (A) In a humourous short story about Bezhue Wooster", "the narrator of staging the crime. (C2) In lazily written movies, the description", "few examples of the narrator knowing more than he should. (A) In a", "A and C2 are examples of lazy writing. But is it also bad", "makes the rest of the story inconsistent or illogical ]] Now, A and", "writing because, it is easy to rectify, with Jeeves later saying something like", "cannot know. E.g., \"Hearing a noise, I woke up at 3 AM and", "a major issue which makes the rest of the story inconsistent or illogical", "a rough voice, another was clumsy and silent, the third was foolish and", "3 AM and was knocked unconscious before I saw anything and the three", "Jeeves suggests \"We will call him C, sir\" and Bezhue says, \"Caesar is", "is used to accuse the narrator of staging the crime. (C2) In lazily", "Bezhue is talking about a situation involving two strangers and Jeeves suggests referring", "Jeeves, Bezhue is talking about a situation involving two strangers and Jeeves suggests", "and Jeeves, Bezhue is talking about a situation involving two strangers and Jeeves", "was knocked unconscious before I saw anything and the three thieves took all", "or movies, this fact is used to accuse the narrator of staging the", "something like \"not Caesar, sir, but rather the letter C\". With that minor", "was foolish and fat.\" We, the audience, see all this and confirm what", "the flashback scenes include scenes where the narrator is not around or cannot", "this name throughout the novel but gets no matching record. He assumes the", "to them as A & B. When another stranger enters that situation, Jeeves", "guy was thin and had a rough voice, another was clumsy and silent,", "better writing. C2 is an example of lazy or bad or sloppy writing", "\"Caesar is a good name\". It is a pun, \"C, sir\" sounding like", "assumes the criminal is lying until he checks with alternate spellings like \"Doyel\"", "crime. (C2) In lazily written movies, the description is used to catch the", "inconsistent or illogical ]] Now, A and C2 are examples of lazy writing.", "of staging the crime. (C2) In lazily written movies, the description is used", "the third was foolish and fat.\" We, the audience, see all this and", "anything and the three thieves took all my money and documents. One guy", "is a good name\". It is a pun, \"C, sir\" sounding like \"Caesar\",", "stranger enters that situation, Jeeves suggests \"We will call him C, sir\" and", "and confirm what the narrator says. But how could the narrator describe the", "like \"not Caesar, sir, but rather the letter C\". With that minor alteration,", "happened, but the flashback scenes include scenes where the narrator is not around", "also bad writing or bad storytelling? Or is it irrelevant because intended readers", "many movies, we see cases like the narrator explaining how something happened, but", "talks about a crime involving \"Deyme\" and the narrator uses this name throughout", "up at 3 AM and was knocked unconscious before I saw anything and", "used to catch the thieves. It could be rectified if it was claimed", "too many movies, we see cases like the narrator explaining how something happened,", "detective story, a criminal who is a habitual liar talks about a crime", "and the three thieves took all my money and documents. One guy was", "major issue which makes the rest of the story inconsistent or illogical ]]", "saying something like \"not Caesar, sir, but rather the letter C\". With that", "scenes where the narrator is not around or cannot know. E.g., \"Hearing a", "C\". With that minor alteration, everything makes sense. [[ This is an example", "until the end. [[ This is an example of good writing and the", "bad writing or bad storytelling? Or is it irrelevant because intended readers are", "thieves. [[ C1 is an example of better writing. C2 is an example", "was thin and had a rough voice, another was clumsy and silent, the", "is talking about a situation involving two strangers and Jeeves suggests referring to", "third was foolish and fat.\" We, the audience, see all this and confirm", "which has no impact on the rest of the story ]] (B) In", "the rest of the story inconsistent or illogical ]] Now, A and C2", "catch the thieves. It could be rectified if it was claimed that the", "is an example of a minor issue which has no impact on the", "he checks with alternate spellings like \"Doyel\" & \"Doile\" and gets the matching", "is easy to rectify, with Jeeves later saying something like \"not Caesar, sir,", "the crime. (C2) In lazily written movies, the description is used to catch", "logical ]] (C) In too many movies, we see cases like the narrator", "of the story ]] (B) In a detective story, a criminal who is", "a crime involving \"Deyme\" and the narrator uses this name throughout the novel", "E.g., \"Hearing a noise, I woke up at 3 AM and was knocked", "movies, this fact is used to accuse the narrator of staging the crime.", "like \"Doyel\" & \"Doile\" and gets the matching records. Here the narrator does", "minor alteration, everything makes sense. [[ This is an example of a minor", "story is consistent and logical ]] (C) In too many movies, we see", "call him C, sir\" and Bezhue says, \"Caesar is a good name\". It", "When another stranger enters that situation, Jeeves suggests \"We will call him C,", "flashback scenes include scenes where the narrator is not around or cannot know.", "is it also bad writing or bad storytelling? Or is it irrelevant because", "before he saw anything? (C1) In \"better\" stories or movies, this fact is", "which makes the rest of the story inconsistent or illogical ]] Now, A", "rectified if it was claimed that the narrator gained consciousness after a while", "lazy writing because, it is easy to rectify, with Jeeves later saying something", "explaining how something happened, but the flashback scenes include scenes where the narrator", "at 3 AM and was knocked unconscious before I saw anything and the", "thieves if he had been knocked out before he saw anything? (C1) In", "lying until he checks with alternate spellings like \"Doyel\" & \"Doile\" and gets", "spellings like \"Doyel\" & \"Doile\" and gets the matching records. Here the narrator", "no impact on the rest of the story ]] (B) In a detective", "\"Hearing a noise, I woke up at 3 AM and was knocked unconscious", "strangers and Jeeves suggests referring to them as A & B. When another", "sense. [[ This is an example of a minor issue which has no", "clumsy and silent, the third was foolish and fat.\" We, the audience, see", "\"Doile\" and gets the matching records. Here the narrator does not write more", "easy to rectify, with Jeeves later saying something like \"not Caesar, sir, but", "how something happened, but the flashback scenes include scenes where the narrator is", "it was claimed that the narrator gained consciousness after a while and thereby", "see cases like the narrator explaining how something happened, but the flashback scenes", "and the narrator uses this name throughout the novel but gets no matching", "how could the narrator describe the thieves if he had been knocked out", "until he checks with alternate spellings like \"Doyel\" & \"Doile\" and gets the", "(C1) In \"better\" stories or movies, this fact is used to accuse the", "(C2) In lazily written movies, the description is used to catch the thieves.", "]] Now, A and C2 are examples of lazy writing. But is it", "knowing more than he should. (A) In a humourous short story about Bezhue", "of lazy or bad or sloppy writing having a major issue which makes", "could Bezhue write \"C, sir\" correctly and still use \"Caesar\"? It is lazy", "is an example of lazy or bad or sloppy writing having a major", "noise, I woke up at 3 AM and was knocked unconscious before I", "a pun, \"C, sir\" sounding like \"Caesar\", but how could Bezhue write \"C,", "because he uses the wrong name until the end. [[ This is an", "\"C, sir\" sounding like \"Caesar\", but how could Bezhue write \"C, sir\" correctly", "than he knows, because he uses the wrong name until the end. [[", "money and documents. One guy was thin and had a rough voice, another", "suggests referring to them as A & B. When another stranger enters that", "more than he knows, because he uses the wrong name until the end.", "In too many movies, we see cases like the narrator explaining how something", "will call him C, sir\" and Bezhue says, \"Caesar is a good name\".", "it also bad writing or bad storytelling? Or is it irrelevant because intended", "the narrator does not write more than he knows, because he uses the", "the narrator explaining how something happened, but the flashback scenes include scenes where", "is used to catch the thieves. It could be rectified if it was", "knows, because he uses the wrong name until the end. [[ This is", "narrator explaining how something happened, but the flashback scenes include scenes where the", "But is it also bad writing or bad storytelling? Or is it irrelevant", "sloppy writing having a major issue which makes the rest of the story", "lazy writing. But is it also bad writing or bad storytelling? Or is", "talking about a situation involving two strangers and Jeeves suggests referring to them", "B. When another stranger enters that situation, Jeeves suggests \"We will call him", "wrong name until the end. [[ This is an example of good writing", "cases like the narrator explaining how something happened, but the flashback scenes include", "gained consciousness after a while and thereby heard and saw the thieves. [[", "sir\" correctly and still use \"Caesar\"? It is lazy writing because, it is", "In a humourous short story about Bezhue Wooster and Jeeves, Bezhue is talking", "the end. [[ This is an example of good writing and the story", "sir, but rather the letter C\". With that minor alteration, everything makes sense.", "unconscious before I saw anything and the three thieves took all my money", "criminal is lying until he checks with alternate spellings like \"Doyel\" & \"Doile\"", "a while and thereby heard and saw the thieves. [[ C1 is an", "story, a criminal who is a habitual liar talks about a crime involving", "who is a habitual liar talks about a crime involving \"Deyme\" and the", "uses this name throughout the novel but gets no matching record. He assumes", "Here the narrator does not write more than he knows, because he uses", "pun, \"C, sir\" sounding like \"Caesar\", but how could Bezhue write \"C, sir\"", "out before he saw anything? (C1) In \"better\" stories or movies, this fact", "an example of lazy or bad or sloppy writing having a major issue", "says, \"Caesar is a good name\". It is a pun, \"C, sir\" sounding", "is not around or cannot know. E.g., \"Hearing a noise, I woke up", "silent, the third was foolish and fat.\" We, the audience, see all this", "a humourous short story about Bezhue Wooster and Jeeves, Bezhue is talking about", "example of better writing. C2 is an example of lazy or bad or", "like \"Caesar\", but how could Bezhue write \"C, sir\" correctly and still use", "my money and documents. One guy was thin and had a rough voice,", "and still use \"Caesar\"? It is lazy writing because, it is easy to", "use \"Caesar\"? It is lazy writing because, it is easy to rectify, with", "the criminal is lying until he checks with alternate spellings like \"Doyel\" &", "thin and had a rough voice, another was clumsy and silent, the third", "the narrator knowing more than he should. (A) In a humourous short story", "matching records. Here the narrator does not write more than he knows, because", "an example of good writing and the story is consistent and logical ]]", "and Jeeves suggests referring to them as A & B. When another stranger", "what the narrator says. But how could the narrator describe the thieves if", "the narrator says. But how could the narrator describe the thieves if he", "a criminal who is a habitual liar talks about a crime involving \"Deyme\"", "of a minor issue which has no impact on the rest of the", "the letter C\". With that minor alteration, everything makes sense. [[ This is", "as A & B. When another stranger enters that situation, Jeeves suggests \"We", "everything makes sense. [[ This is an example of a minor issue which", "writing and the story is consistent and logical ]] (C) In too many", "story ]] (B) In a detective story, a criminal who is a habitual", "about a crime involving \"Deyme\" and the narrator uses this name throughout the", "three thieves took all my money and documents. One guy was thin and", "another stranger enters that situation, Jeeves suggests \"We will call him C, sir\"", "two strangers and Jeeves suggests referring to them as A & B. When", "correctly and still use \"Caesar\"? It is lazy writing because, it is easy", "matching record. He assumes the criminal is lying until he checks with alternate", "records. Here the narrator does not write more than he knows, because he", "sir\" sounding like \"Caesar\", but how could Bezhue write \"C, sir\" correctly and", "\"C, sir\" correctly and still use \"Caesar\"? It is lazy writing because, it", "sounding like \"Caesar\", but how could Bezhue write \"C, sir\" correctly and still", "and was knocked unconscious before I saw anything and the three thieves took", "this fact is used to accuse the narrator of staging the crime. (C2)", "or sloppy writing having a major issue which makes the rest of the", "narrator is not around or cannot know. E.g., \"Hearing a noise, I woke", "letter C\". With that minor alteration, everything makes sense. [[ This is an", "because, it is easy to rectify, with Jeeves later saying something like \"not", "he knows, because he uses the wrong name until the end. [[ This", "or cannot know. E.g., \"Hearing a noise, I woke up at 3 AM", "describe the thieves if he had been knocked out before he saw anything?", "rectify, with Jeeves later saying something like \"not Caesar, sir, but rather the", "lazy or bad or sloppy writing having a major issue which makes the", "than he should. (A) In a humourous short story about Bezhue Wooster and", "good name\". It is a pun, \"C, sir\" sounding like \"Caesar\", but how", "of better writing. C2 is an example of lazy or bad or sloppy", "but how could Bezhue write \"C, sir\" correctly and still use \"Caesar\"? It", "with alternate spellings like \"Doyel\" & \"Doile\" and gets the matching records. Here", "voice, another was clumsy and silent, the third was foolish and fat.\" We,", "to catch the thieves. It could be rectified if it was claimed that", "the narrator uses this name throughout the novel but gets no matching record.", "not write more than he knows, because he uses the wrong name until", "thieves. It could be rectified if it was claimed that the narrator gained", "and saw the thieves. [[ C1 is an example of better writing. C2", "are examples of lazy writing. But is it also bad writing or bad", "description is used to catch the thieves. It could be rectified if it", "is a habitual liar talks about a crime involving \"Deyme\" and the narrator", "]] (B) In a detective story, a criminal who is a habitual liar", "narrator describe the thieves if he had been knocked out before he saw", "the wrong name until the end. [[ This is an example of good", "and C2 are examples of lazy writing. But is it also bad writing", "a few examples of the narrator knowing more than he should. (A) In", "I saw anything and the three thieves took all my money and documents.", "if it was claimed that the narrator gained consciousness after a while and", "C, sir\" and Bezhue says, \"Caesar is a good name\". It is a", "but gets no matching record. He assumes the criminal is lying until he", "rather the letter C\". With that minor alteration, everything makes sense. [[ This", "he should. (A) In a humourous short story about Bezhue Wooster and Jeeves,", "novel but gets no matching record. He assumes the criminal is lying until", "record. He assumes the criminal is lying until he checks with alternate spellings", "Jeeves suggests referring to them as A & B. When another stranger enters", "him C, sir\" and Bezhue says, \"Caesar is a good name\". It is", "gets no matching record. He assumes the criminal is lying until he checks", "if he had been knocked out before he saw anything? (C1) In \"better\"", "writing or bad storytelling? Or is it irrelevant because intended readers are okay", "\"not Caesar, sir, but rather the letter C\". With that minor alteration, everything", "is a pun, \"C, sir\" sounding like \"Caesar\", but how could Bezhue write", "issue which makes the rest of the story inconsistent or illogical ]] Now,", "name\". It is a pun, \"C, sir\" sounding like \"Caesar\", but how could", "write \"C, sir\" correctly and still use \"Caesar\"? It is lazy writing because,", "saw anything? (C1) In \"better\" stories or movies, this fact is used to", "he had been knocked out before he saw anything? (C1) In \"better\" stories", "that the narrator gained consciousness after a while and thereby heard and saw", "an example of better writing. C2 is an example of lazy or bad", "does not write more than he knows, because he uses the wrong name", "before I saw anything and the three thieves took all my money and", "see all this and confirm what the narrator says. But how could the", "and the story is consistent and logical ]] (C) In too many movies,", "One guy was thin and had a rough voice, another was clumsy and", "This is an example of good writing and the story is consistent and", "criminal who is a habitual liar talks about a crime involving \"Deyme\" and", "Here are a few examples of the narrator knowing more than he should.", "[[ C1 is an example of better writing. C2 is an example of", "the matching records. Here the narrator does not write more than he knows,", "of good writing and the story is consistent and logical ]] (C) In", "examples of lazy writing. But is it also bad writing or bad storytelling?", "all this and confirm what the narrator says. But how could the narrator", "another was clumsy and silent, the third was foolish and fat.\" We, the" ]
[ "but it's part of her habitual nature and it's not something she self-examines.", "I don't want to limit my distribution options. OTOH, I have a main", "people will like her more. Is there a publishing or distribution guide to", "post-sex scene. There are no actual sex scenes. This is a graphic novel.", "character development and story beats. I think it's probably showing her as a", "soften this character? Her arc is actually about \"leveling up\" so she doesn't", "where to draw the line? I am like this heroine, I don't understand", "coded as sympathetic – doing what she has to do, and willing to", "an anti-heroine, whatever that is I am trying to figure out. She's the", "(likely) that she still is. She has powerplay scenes with multiple characters where", "aware of it. The hero lampshades the manipulations by ignoring her sexplay, forcing", "constantly argues about what an dangerous gunslinger he is. How do I decide", "to figure out. She's the opposite of a \"strong female character\" she is", "get ahead, but it's part of her habitual nature and it's not something", "more important we don't see her fall for her own guile. It doesn't", "turning up the heat towards his co-workers. Her decision processes are all subtext", "decide where to draw the line?** I am like this heroine, I don't", "just see the manipulation not the sex, and maybe more important we don't", "she has no sexual power, her opinions and agency are dismissed. She is", "femme fatale. She's intended to be an anti-heroine, whatever that is I am", "look like a character flaw or a handicap, she's just a trampy b\\\\\\\\.", "actually fulfilled. I feel like I have a gunslinger who never has an", "the sex, and maybe more important we don't see her fall for her", "still is. She has powerplay scenes with multiple characters where she is able", "change though. She continues playing the other characters, and once you see the", "manipulations by ignoring her sexplay, forcing her to switch tactics and become smarter.", "and story beats. I think it's probably showing her as a worse person", "towards his co-workers. Her decision processes are all subtext – maybe she is", "novel? How do I decide what to show, and would it even work", "all subtext – maybe she is not even aware of it. The hero", "Other scenes where she has no sexual power, her opinions and agency are", "options. OTOH, I have a main character who, on the surface, is a", "1 post-sex scene. There are no actual sex scenes. This is a graphic", "than she is intended. We just see the manipulation not the sex, and", "of it. The hero lampshades the manipulations by ignoring her sexplay, forcing her", "subtext, and 1 post-sex scene. There are no actual sex scenes. This is", "sex talk, many many scenes with sexual subtext, and 1 post-sex scene. There", "think I need the sex scenes so people will like her more. Is", "story beats. I think it's probably showing her as a worse person than", "see the strings she is coded as a femme fatale. She's intended to", "up the heat towards his co-workers. Her decision processes are all subtext –", "foil that reveals her true goals. She doesn't change though. She continues playing", "forcing her to switch tactics and become smarter. He's the foil that reveals", "pervy with another, relationship-y with a third. When she can't pin down the", "not the sex, and maybe more important we don't see her fall for", "far I can or should go with sexual content in a graphic novel?", "ahead. Her sexuality becomes polemic, manipulative (when she can), and unsubtle. I try", "the sex scenes so people will like her more. Is there a publishing", "demure with one, pervy with another, relationship-y with a third. When she can't", "for her own guile. It doesn't look like a character flaw or a", "the past, it's left ambiguous (likely) that she still is. She has powerplay", "and 1 post-sex scene. There are no actual sex scenes. This is a", "by turning up the heat towards his co-workers. Her decision processes are all", "the character development and story beats. I think it's probably showing her as", "fatale. She's intended to be an anti-heroine, whatever that is I am trying", "that she still is. She has powerplay scenes with multiple characters where she", "sex and manipulation. I tell (not show) she was a sex worker in", "would it even work to soften this character? Her arc is actually about", "another, relationship-y with a third. When she can't pin down the hero (it's", "He's the foil that reveals her true goals. She doesn't change though. She", "of a \"strong female character\" she is a thot heroine who plays every", "group called her \"the villain\". There are a lot of near-sex* scenes, scenes", "reader group called her \"the villain\". There are a lot of near-sex scenes,", "like I have a gunslinger who never has an actual duel onscreen, but", "heroine who plays every card and has no moral compass. Someone in my", "game to get ahead. Her sexuality becomes polemic, manipulative (when she can), and", "processes are all subtext – maybe she is not even aware of it.", "I decide where to draw the line? I am like this heroine, I", "willing to play the game to get ahead. Her sexuality becomes polemic, manipulative", "scenes that she is adapting to whatever her target responds to – demure", "doesn't change though. She continues playing the other characters, and once you see", "gunslinger who never has an actual duel onscreen, but everyone constantly argues about", "with sexual content in a graphic novel? How do I decide what to", "she still is. She has powerplay scenes with multiple characters where she is", "or distribution guide to how far I can or should go with sexual", "clubs, scenes with explicit sex talk*, many many* scenes with sexual subtext, and", "and once you see the strings she is coded as a femme fatale.", "– doing what she has to do, and willing to play the game", "switch tactics and become smarter. He's the foil that reveals her true goals.", "her own guile. It doesn't look like a character flaw or a handicap,", "so people will like her more. Is there a publishing or distribution guide", "is intended. We just see the manipulation not the sex, and maybe more", "to use sex to get ahead, but it's part of her habitual nature", "a publishing or distribution guide to how far I can or should go", "worker in the past, it's left ambiguous (likely) that she still is. She", "coded as a femme fatale. She's intended to be an anti-heroine, whatever that", "I am trying to figure out. She's the opposite of a \"strong female", "explicit so some of this is actually fulfilled. I feel like I have", "line? I am like this heroine, I don't understand where the boundaries are.", "everyone constantly argues about what an dangerous gunslinger he is. How do I", "manipulation not the sex, and maybe more important we don't see her fall", "target responds to – demure with one, pervy with another, relationship-y with a", "moral compass. Someone in my reader group called her \"the villain\". There are", "many scenes with sexual subtext, and 1 post-sex scene. There are no actual", "an actual duel onscreen, but everyone constantly argues about what an dangerous gunslinger", "get ahead. Her sexuality becomes polemic, manipulative (when she can), and unsubtle. I", "gunslinger he is. How do I decide where to draw the line? I", "How do I decide where to draw the line? I am like this", "(when she can), and unsubtle. I try to show in each of her", "that reveals her true goals. She doesn't change though. She continues playing the", "heroine, I don't understand where the boundaries are. Right now I'm strictly telling", "OTOH, I have a main character who, on the surface, is a schizo-nympho", "my reader group called her \"the villain\". There are a lot of near-sex", "am like this heroine, I don't understand where the boundaries are. Right now", "change the stakes during a sexually-charged situation. Other scenes where she has no", "subtext – maybe she is not even aware of it. The hero lampshades", "play the game to get ahead. Her sexuality becomes polemic, manipulative (when she", "tactics and become smarter. He's the foil that reveals her true goals. She", "maybe she is not even aware of it. The hero lampshades the manipulations", "many many scenes with sexual subtext, and 1 post-sex scene. There are no", "important we don't see her fall for her own guile. It doesn't look", "or should go with sexual content in a graphic novel? How do I", "(as many as 8, 3 confirmed). It would be easy to go more", "of near-sex scenes, scenes in sex clubs, scenes with explicit sex talk, many", "guile heroine's character arc is almost entirely sex and manipulation. I tell (not", "a worse person than she is intended. We just see the manipulation not", "schizo-nympho bad girl going after nearly all the other characters (as many as", "more. Is there a publishing or distribution guide to how far I can", "I am like this heroine, I don't understand where the boundaries are. Right", "main character who, on the surface, is a schizo-nympho bad girl going after", "she is coded as a femme fatale. She's intended to be an anti-heroine,", "to play the game to get ahead. Her sexuality becomes polemic, manipulative (when", "to draw the line? I am like this heroine, I don't understand where", "\"leveling up\" so she doesn't need to use sex to get ahead, but", "tell (not show) she was a sex worker in the past, it's left", "She doesn't change though. She continues playing the other characters, and once you", "scenes. This is a graphic novel. I don't want to limit my distribution", "ignoring her sexplay, forcing her to switch tactics and become smarter. He's the", "down the hero (it's complicated) she retaliates by turning up the heat towards", "her to switch tactics and become smarter. He's the foil that reveals her", "becomes polemic, manipulative (when she can), and unsubtle. I try to show in", "fulfilled. I feel like I have a gunslinger who never has an actual", "and become smarter. He's the foil that reveals her true goals. She doesn't", "that is I am trying to figure out. She's the opposite of a", "and would it even work to soften this character? 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There are no actual sex scenes. This is a graphic novel. I", "is. She has powerplay scenes with multiple characters where she is able to", "has no moral compass. Someone in my reader group called her \"the villain\".", "the line? I am like this heroine, I don't understand where the boundaries", "My guile heroine's character arc is almost entirely sex and manipulation. I tell", "Is there a publishing or distribution guide to how far I can or", "can't pin down the hero (it's complicated) she retaliates by turning up the", "Ironically, I'm starting to think I need the sex scenes so people will", "I feel like I have a gunslinger who never has an actual duel", "I can or should go with sexual content in a graphic novel? How", "guile. It doesn't look like a character flaw or a handicap, she's just", "she can), and unsubtle. I try to show in each of her powerplay", "you see the strings she is coded as a femme fatale. 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Her decision", "sex scenes. *This is a graphic novel. I don't want to limit my", "have a main character who, on the surface, is a schizo-nympho* bad girl", "so some of this is actually fulfilled. I feel like I have a", "sex to get ahead, but it's part of her habitual nature and it's", "and agency are dismissed. She is coded as sympathetic – doing what she", "she is intended. We just see the manipulation not the sex, and maybe", "who never has an actual duel onscreen, but everyone constantly argues about what", "with multiple characters where she is able to change the stakes during a", "is a graphic novel. I don't want to limit my distribution options. OTOH,", "to get ahead, but it's part of her habitual nature and it's not", "one, pervy with another, relationship-y with a third. 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It", "to show in each of her powerplay scenes that she is adapting to", "near-sex scenes, scenes in sex clubs, scenes with explicit sex talk, many many", "do I decide where to draw the line?** I am like this heroine,", "decide what to show, and would it even work to soften this character?", "are dismissed. She is coded as sympathetic – doing what she has to", "we don't see her fall for her own guile. It doesn't look like", "– maybe she is not even aware of it. The hero lampshades the", "she retaliates by turning up the heat towards his co-workers. Her decision processes", "her as a worse person than she is intended. We just see the", "think it's probably showing her as a worse person than she is intended.", "3 confirmed). It would be easy to go more explicit so some of", "of this is actually fulfilled. I feel like I have a gunslinger who", "b\\\\\\\\. Ironically, I'm starting to think I need the sex scenes so people", "show, and would it even work to soften this character? Her arc is", "I decide what to show, and would it even work to soften this", "no actual sex scenes. This is a graphic novel. I don't want to", "understand where the boundaries are. Right now I'm strictly telling the arc, showing", "what an dangerous gunslinger he is. How do I decide where to draw", "scenes so people will like her more. Is there a publishing or distribution", "is I am trying to figure out. She's the opposite of a \"strong", "more explicit so some of this is actually fulfilled. I feel like I", "almost entirely sex and manipulation. I tell (not show) she was a sex", "will like her more. Is there a publishing or distribution guide** to how", "the hero (it's complicated) she retaliates by turning up the heat towards his", "who, on the surface, is a schizo-nympho bad girl going after nearly all", "in each of her powerplay scenes that she is adapting to whatever her", "compass. Someone in my reader group called her \"the villain\". There are a", "the boundaries are. Right now I'm strictly telling the arc, showing the character", "a main character who, on the surface, is a schizo-nympho bad girl going", "I try to show in each of her powerplay scenes that she is", "don't want to limit my distribution options. OTOH, I have a main character", "a \"strong female character\" she is a thot heroine who plays every card", "is almost entirely sex and manipulation. I tell (not show) she was a", "her \"the villain\". There are a lot of near-sex scenes, scenes in sex", "and unsubtle. I try to show in each of her powerplay scenes that", "hero (it's complicated) she retaliates by turning up the heat towards his co-workers.", "8, 3 confirmed). It would be easy to go more explicit so some", "whatever that is I am trying to figure out. She's the opposite of", "each of her powerplay scenes that she is adapting to whatever her target", "don't understand where the boundaries are. Right now I'm strictly telling the arc,", "girl going after nearly all the other characters (as many as 8, 3", "this character? Her arc is actually about \"leveling up\" so she doesn't need", "This is a graphic novel. I don't want to limit my distribution options.", "the stakes during a sexually-charged situation. Other scenes where she has no sexual", "adapting to whatever her target responds to – demure with one, pervy with", "her true goals. She doesn't change though. She continues playing the other characters,", "it even work to soften this character? Her arc is actually about \"leveling", "though. She continues playing the other characters, and once you see the strings", "argues about what an dangerous gunslinger he is. How do I decide where", "Her sexuality becomes polemic, manipulative (when she can), and unsubtle. I try to", "talk, many many scenes with sexual subtext, and 1 post-sex scene. There are", "by ignoring her sexplay, forcing her to switch tactics and become smarter. He's", "or a handicap, she's just a trampy b\\\\\\\\. Ironically, I'm starting to think", "to – demure with one, pervy with another, relationship-y with a third. When", "playing the other characters, and once you see the strings she is coded", "sex worker in the past, it's left ambiguous (likely) that she still is.", "I have a gunslinger who never has an actual duel onscreen, but everyone", "is a schizo-nympho bad girl going after nearly all the other characters (as", "all the other characters (as many as 8, 3 confirmed). It would be", "past, it's left ambiguous (likely) that she still is. She has powerplay scenes", "his co-workers. Her decision processes are all subtext – maybe she is not", "thot heroine who plays every card and has no moral compass. Someone in", "is actually fulfilled. I feel like I have a gunslinger who never has", "as sympathetic – doing what she has to do, and willing to play", "Right now I'm strictly telling the arc, showing the character development and story", "ahead, but it's part of her habitual nature and it's not something she", "I tell (not show) she was a sex worker in the past, it's", "showing her as a worse person than she is intended. We just see", "her opinions and agency are dismissed. She is coded as sympathetic – doing", "nearly all the other characters (as many as 8, 3 confirmed). It would", "telling the arc, showing the character development and story beats. I think it's", "duel onscreen, but everyone constantly argues about what an dangerous gunslinger he is.", "decision processes are all subtext – maybe she is not even aware of", "opposite of a \"strong female character\" she is a thot heroine who plays", "characters (as many as 8, 3 confirmed). It would be easy to go", "character arc is almost entirely sex and manipulation. I tell (not show) she", "where she is able to change the stakes during a sexually-charged situation. Other", "many as 8, 3 confirmed). It would be easy to go more explicit", "doesn't need to use sex to get ahead, but it's part of her", "sex clubs, scenes with explicit sex talk, many many scenes with sexual subtext,", "there a publishing or distribution guide to how far I can or should", "able to change the stakes during a sexually-charged situation. Other scenes where she", "where the boundaries are. Right now I'm strictly telling the arc, showing the", "and maybe more important we don't see her fall for her own guile.", "do, and willing to play the game to get ahead. Her sexuality becomes", "even aware of it. 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Ironically, I'm starting to think I need the sex scenes", "who plays every card and has no moral compass. Someone in my reader", "the surface, is a schizo-nympho bad girl going after nearly all the other", "When she can't pin down the hero (it's complicated) she retaliates by turning", "goals. She doesn't change though. She continues playing the other characters, and once", "beats. I think it's probably showing her as a worse person than she", "(it's complicated) she retaliates by turning up the heat towards his co-workers. Her", "no sexual power, her opinions and agency are dismissed. She is coded as", "are a lot of near-sex scenes, scenes in sex clubs, scenes with explicit", "go more explicit so some of this is actually fulfilled. I feel like", "dangerous gunslinger he is. How do I decide where to draw the line?", "during a sexually-charged situation. Other scenes where she has no sexual power, her", "she was a sex worker in the past, it's left ambiguous (likely) that", "confirmed). It would be easy to go more explicit so some of this", "character flaw or a handicap, she's just a trampy b\\\\\\\\. Ironically, I'm starting", "She's intended to be an anti-heroine, whatever that is I am trying to", "never has an actual duel onscreen, but everyone constantly argues about what an", "other characters (as many as 8, 3 confirmed). It would be easy to", "heroine's character arc is almost entirely sex and manipulation. I tell (not show)", "manipulative (when she can), and unsubtle. I try to show in each of", "like this heroine, I don't understand where the boundaries are. Right now I'm", "scenes with sexual subtext, and 1 post-sex scene. There are no actual sex", "and manipulation. I tell (not show) she was a sex worker in the", "I don't understand where the boundaries are. Right now I'm strictly telling the", "even work to soften this character? Her arc is actually about \"leveling up\"", "a graphic novel? How do I decide what to show, and would it", "need the sex scenes so people will like her more. Is there a", "is adapting to whatever her target responds to – demure with one, pervy", "limit my distribution options. OTOH, I have a main character who, on the", "handicap, she's just a trampy b\\\\\\\\. Ironically, I'm starting to think I need", "her fall for her own guile. It doesn't look like a character flaw", "her more. Is there a publishing or distribution guide to how far I", "and willing to play the game to get ahead. Her sexuality becomes polemic,", "are all subtext – maybe she is not even aware of it. The", "development and story beats. I think it's probably showing her as a worse", "The hero lampshades the manipulations by ignoring her sexplay, forcing her to switch", "of her powerplay scenes that she is adapting to whatever her target responds", "reveals her true goals. She doesn't change though. 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She continues playing the other characters, and", "scenes, scenes in sex clubs, scenes with explicit sex talk, many many scenes", "Her decision processes are all subtext – maybe she is not even aware", "hero lampshades the manipulations by ignoring her sexplay, forcing her to switch tactics", "arc is almost entirely sex and manipulation. I tell (not show) she was", "scenes with multiple characters where she is able to change the stakes during", "it. The hero lampshades the manipulations by ignoring her sexplay, forcing her to", "continues playing the other characters, and once you see the strings she is", "the strings she is coded as a femme fatale. She's intended to be", "She's the opposite of a \"strong female character\" she is a thot heroine", "\"the villain\". There are a lot of near-sex scenes, scenes in sex clubs,", "use sex to get ahead, but it's part of her habitual nature and", "is able to change the stakes during a sexually-charged situation. Other scenes where", "doesn't look like a character flaw or a handicap, she's just a trampy", "to be an anti-heroine, whatever that is I am trying to figure out.", "showing the character development and story beats. I think it's probably showing her", "about what an dangerous gunslinger he is. How do I decide where to", "now I'm strictly telling the arc, showing the character development and story beats.", "I'm strictly telling the arc, showing the character development and story beats. I", "characters where she is able to change the stakes during a sexually-charged situation.", "content in a graphic novel? How do I decide what to show, and", "don't see her fall for her own guile. It doesn't look like a", "she is a thot heroine who plays every card and has no moral", "dismissed. She is coded as sympathetic – doing what she has to do,", "sexual subtext, and 1 post-sex scene. There are no actual sex scenes. This", "It doesn't look like a character flaw or a handicap, she's just a", "work to soften this character? Her arc is actually about \"leveling up\" so", "situation. Other scenes where she has no sexual power, her opinions and agency", "is coded as sympathetic – doing what she has to do, and willing", "whatever her target responds to – demure with one, pervy with another, relationship-y", "draw the line?** I am like this heroine, I don't understand where the", "she is not even aware of it. The hero lampshades the manipulations by", "once you see the strings she is coded as a femme fatale. She's", "what she has to do, and willing to play the game to get", "agency are dismissed. She is coded as sympathetic – doing what she has", "as a femme fatale. She's intended to be an anti-heroine, whatever that is", "with a third. When she can't pin down the hero (it's complicated) she", "be an anti-heroine, whatever that is I am trying to figure out. She's", "actually about \"leveling up\" so she doesn't need to use sex to get", "smarter. He's the foil that reveals her true goals. She doesn't change though.", "this heroine, I don't understand where the boundaries are. Right now I'm strictly", "the foil that reveals her true goals. She doesn't change though. She continues", "she has to do, and willing to play the game to get ahead.", "power, her opinions and agency are dismissed. She is coded as sympathetic –", "sexplay, forcing her to switch tactics and become smarter. He's the foil that", "multiple characters where she is able to change the stakes during a sexually-charged", "some of this is actually fulfilled. I feel like I have a gunslinger", "relationship-y with a third. When she can't pin down the hero (it's complicated)", "what to show, and would it even work to soften this character? 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When she can't pin down the hero (it's complicated) she retaliates by", "the opposite of a \"strong female character\" she is a thot heroine who", "is actually about \"leveling up\" so she doesn't need to use sex to", "sexual content in a graphic novel? How do I decide what to show,", "she can't pin down the hero (it's complicated) she retaliates by turning up", "feel like I have a gunslinger who never has an actual duel onscreen,", "like her more. Is there a publishing or distribution guide to how far", "a sex worker in the past, it's left ambiguous (likely) that she still", "he is. How do I decide where to draw the line? I am", "fall for her own guile. It doesn't look like a character flaw or", "characters, and once you see the strings she is coded as a femme", "figure out. She's the opposite of a \"strong female character\" she is a", "sexually-charged situation. Other scenes where she has no sexual power, her opinions and", "she doesn't need to use sex to get ahead, but it's part of", "other characters, and once you see the strings she is coded as a", "she's just a trampy b\\\\\\\\. Ironically, I'm starting to think I need the", "a thot heroine who plays every card and has no moral compass. Someone", "flaw or a handicap, she's just a trampy b\\\\\\\\. Ironically, I'm starting to", "do I decide what to show, and would it even work to soften", "is coded as a femme fatale. She's intended to be an anti-heroine, whatever", "it's left ambiguous (likely) that she still is. She has powerplay scenes with", "are no actual sex scenes. This is a graphic novel. I don't want", "in the past, it's left ambiguous (likely) that she still is. She has", "I'm starting to think I need the sex scenes so people will like", "can or should go with sexual content in a graphic novel? How do", "in sex clubs, scenes with explicit sex talk, many many* scenes with sexual", "There are no actual sex scenes. This is a graphic novel. I don't", "retaliates by turning up the heat towards his co-workers. Her decision processes are", "see her fall for her own guile. It doesn't look like a character", "the heat towards his co-workers. Her decision processes are all subtext – maybe", "Someone in my reader group called her \"the villain\". There are a lot", "sex, and maybe more important we don't see her fall for her own", "I need the sex scenes so people will like her more. Is there", "guide to how far I can or should go with sexual content in", "manipulation. I tell (not show) she was a sex worker in the past,", "a third. When she can't pin down the hero (it's complicated) she retaliates", "this is actually fulfilled. I feel like I have a gunslinger who never", "no moral compass. Someone in my reader group called her \"the villain\". There", "actual duel onscreen, but everyone constantly argues about what an dangerous gunslinger he", "has to do, and willing to play the game to get ahead. Her", "surface, is a schizo-nympho bad girl going after nearly all the other characters", "to limit my distribution options.** OTOH, I have a main character who, on", "a femme fatale. She's intended to be an anti-heroine, whatever that is I", "like a character flaw or a handicap, she's just a trampy b\\\\\\\\. Ironically,", "own guile. It doesn't look like a character flaw or a handicap, she's", "Her arc is actually about \"leveling up\" so she doesn't need to use", "should go with sexual content in a graphic novel? How do I decide", "heat towards his co-workers. Her decision processes are all subtext – maybe she", "character who, on the surface, is a schizo-nympho bad girl going after nearly", "show) she was a sex worker in the past, it's left ambiguous (likely)", "distribution options. OTOH, I have a main character who, on the surface, is", "I think it's probably showing her as a worse person than she is", "to do, and willing to play the game to get ahead. Her sexuality", "to think I need the sex scenes so people will like her more.", "and has no moral compass. Someone in my reader group called her \"the", "in a graphic novel? How do I decide what to show, and would", "her sexplay, forcing her to switch tactics and become smarter. He's the foil", "strictly telling the arc, showing the character development and story beats. I think", "easy to go more explicit so some of this is actually fulfilled. I", "as a worse person than she is intended. We just see the manipulation", "She has powerplay scenes with multiple characters where she is able to change", "out. She's the opposite of a \"strong female character\" she is a thot", "responds to – demure with one, pervy with another, relationship-y with a third.", "an dangerous gunslinger he is. How do I decide where to draw the", "are. Right now I'm strictly telling the arc, showing the character development and", "it's probably showing her as a worse person than she is intended. We", "about \"leveling up\" so she doesn't need to use sex to get ahead,", "scenes in sex clubs, scenes with explicit sex talk, many many scenes with", "co-workers. Her decision processes are all subtext – maybe she is not even", "female character\" she is a thot heroine who plays every card and has", "There are a lot of near-sex scenes, scenes in sex clubs, scenes with", "she is adapting to whatever her target responds to – demure with one,", "sexual power, her opinions and agency are dismissed. She is coded as sympathetic", "not even aware of it. The hero lampshades the manipulations by ignoring her", "a schizo-nympho bad girl going after nearly all the other characters (as many", "to show, and would it even work to soften this character? Her arc", "doing what she has to do, and willing to play the game to", "go with sexual content in a graphic novel? How do I decide what", "is. How do I decide where to draw the line? I am like", "boundaries are. Right now I'm strictly telling the arc, showing the character development", "anti-heroine, whatever that is I am trying to figure out. She's the opposite", "every card and has no moral compass. Someone in my reader group called", "has an actual duel onscreen, but everyone constantly argues about what an dangerous", "has powerplay scenes with multiple characters where she is able to change the", "lot of near-sex scenes, scenes in sex clubs, scenes with explicit sex talk,", "the game to get ahead. Her sexuality becomes polemic, manipulative (when she can),", "arc is actually about \"leveling up\" so she doesn't need to use sex" ]
[ "several different writing tools and none of them has any IDE-ish features that", "(either their own, or Google Drive sync) * Available for Mac (would be", "it (or cmd+hover, or cmd+click, or whatever) to see a tooltip or a", "I wrote about my characters, especially about episodic characters. So I need a", "select \"Vally Xvuwc\", press some key combination, and there will be a character", "for better software for writers?](https://writing.stackexchange.com/questions/45035/is-there-a-need-for-better-software-for-writers) I'm currently using Google Docs for writing, and", "to help me write? (Yep, I do write code for living as well.)", "word \"Sarlb\" and the IDE should suggest something like \"Did you mean Vally", "have. But maybe it exists and I just can't find it? So, here's", "problem for me (the one that I'm trying to solve) is that I", "I have a sentence \"Vally Xvuwc, a tall blonde girl, was waiting for", "spell-checker, but it should then allow 3rd-party ones to work with it. ", "look-up whether some guy has a straight hair or curly, or what colour", "simple enough, has some nice features, cloud-based, free, etc. But the question I've", "can be found). Does something like this exist? --- The locked question [Is", "a spell-checker for Russian). It might not have its own spell-checker, but it", "the word \"Sarlb\" and the IDE should suggest something like \"Did you mean", "of distraction-free editors, mind-mapping tools and writing IDEs (for the lack of a", "highlighted and I should be able to hover it (or cmd+hover, or cmd+click,", "from selected text. For example, in chapter 1 I have a sentence \"Vally", "found). Does something like this exist? --- The locked question [Is there a", "of what an 'IDE-like reference tool' is: 1. It should allow me to", "tool' is: 1. It should allow me to quickly create character from selected", "some super-powers that IDE gives to programmers to help me write? (Yep, I", "(Yep, I do write code for living as well.) While there seem to", "exists and I just can't find it? So, here's a list of features", "also allow \"binding\" a character to the selected text. For example, in chapter", "unsortable list of distraction-free editors, mind-mapping tools and writing IDEs (for the lack", "selected text. For example, in chapter 2 I have a sentence \"Sarlb stormed", "is somewhat inspired by [Is there a need for better software for writers?](https://writing.stackexchange.com/questions/45035/is-there-a-need-for-better-software-for-writers)", "as I'm writing in Russian and I need a spell-checker for Russian). It", "So, here's a list of features I need from an IDE: Formatting", "and it's a great tool: simple enough, has some nice features, cloud-based, free,", "characters, locations, and events, there are also those who don't. I am a", "end\". I'll select \"Vally Xvuwc\", press some key combination, and there will be", "or cmd+click, or whatever) to see a tooltip or a small window with", "I need from an IDE: * Formatting support (basically RTF level, no need", "allow \"binding\" a character to the selected text. For example, in chapter 2", "the description). 2. It should also allow \"binding\" a character to the selected", "here's a list of features I need from an IDE: * Formatting support", "a great tool: simple enough, has some nice features, cloud-based, free, etc. But", "cmd+hover, or cmd+click, or whatever) to see a tooltip or a small window", "(including chapters where she can be found). Does something like this exist? ---", "characters. So I need a way to quickly look-up whether some guy has", "for writing, and it's a great tool: simple enough, has some nice features,", "for living as well.) While there seem to be a lot of writers", "writing tools and none of them has any IDE-ish features that I'd like", "IDE gives to programmers to help me write? (Yep, I do write code", "from an IDE: * Formatting support (basically RTF level, no need for super-fancy", "I just can't find it? So, here's a list of features I need", "to the selected text. For example, in chapter 2 I have a sentence", "what if I could use some super-powers that IDE gives to programmers to", "trial*, as I'm not buying a cat in a sac A bit of", "with it. Character list * IDE-like reference tool (that's actually what gDocs", "made me think, what if I could use some super-powers that IDE gives", "Some cloudness (either their own, or Google Drive sync) * Available for Mac", "episodic characters. So I need a way to quickly look-up whether some guy", "as I'm not buying a cat in a sac A bit of explanation", "IDEs (for the lack of a better term). This question however is much", "is bound to a character, it should be highlighted and I should be", "or whatever) to see a tooltip or a small window with character info", "there are also those who don't. I am a very text-first writer, and", "don't always remember what exactly I wrote about my characters, especially about episodic", "tall blonde girl, was waiting for her work day to end\". I'll select", "either be free or have a free trial*, as I'm not buying a", "this exist? --- The locked question [Is there a special software for writers?](https://writing.stackexchange.com/questions/9/is-there-a-special-software-for-writers))", "her work day to end\". I'll select \"Vally Xvuwc\", press some key combination,", "gives to programmers to help me write? (Yep, I do write code for", "I have a sentence \"Sarlb stormed into the office and started shouting\". Cmd+hover", "be highlighted and I should be able to hover it (or cmd+hover, or", "whatever) to see a tooltip or a small window with character info (including", "to work with it. Character list * IDE-like reference tool (that's actually", "not buying a cat in a sac A bit of explanation of what", "a way to quickly look-up whether some guy has a straight hair or", "has some nice features, cloud-based, free, etc. But the question I've mentioned above", "text. For example, in chapter 2 I have a sentence \"Sarlb stormed into", "example, in chapter 2 I have a sentence \"Sarlb stormed into the office", "selected text. For example, in chapter 1 I have a sentence \"Vally Xvuwc,", "actually what gDocs totally lacks) * \"Find in project\" would also be a", "need to) have an advanced map of characters, locations, and events, there are", "mentioned above made me think, what if I could use some super-powers that", "have a sentence \"Sarlb stormed into the office and started shouting\". Cmd+hover over", "always remember what exactly I wrote about my characters, especially about episodic characters.", "allow me to quickly create character from selected text. For example, in chapter", "shouting\". Cmd+hover over the word \"Sarlb\" and the IDE should suggest something like", "cmd+click, or whatever) to see a tooltip or a small window with character", "me think, what if I could use some super-powers that IDE gives to", "those who don't. I am a very text-first writer, and I'm comfortable with", "if it'd support regExps * Should either be free or have a free", "sentence \"Vally Xvuwc, a tall blonde girl, was waiting for her work day", "need a spell-checker for Russian). It might not have its own spell-checker, but", "editors, mind-mapping tools and writing IDEs (for the lack of a better term).", "is that I don't always remember what exactly I wrote about my characters,", "and the IDE should suggest something like \"Did you mean Vally Xvuwc (tall", "Vally Xvuwc (tall blonde girl from chapter 1)?\") 3. Once the text is", "over the word \"Sarlb\" and the IDE should suggest something like \"Did you", "as well.) While there seem to be a lot of writers who want", "and I need a spell-checker for Russian). It might not have its own", "It should also allow \"binding\" a character to the selected text. For example,", "remember what exactly I wrote about my characters, especially about episodic characters. So", "a tough one as I'm writing in Russian and I need a spell-checker", "(for the lack of a better term). This question however is much more", "I need a spell-checker for Russian). It might not have its own spell-checker,", "free trial, as I'm not buying a cat in a sac A bit", "solve) is that I don't always remember what exactly I wrote about my", "character to the selected text. For example, in chapter 2 I have a", "a sentence \"Sarlb stormed into the office and started shouting\". Cmd+hover over the", "better software for writers?](https://writing.stackexchange.com/questions/45035/is-there-a-need-for-better-software-for-writers) I'm currently using Google Docs for writing, and it's", "* Some cloudness (either their own, or Google Drive sync) * *Available for", "would also be a nice feature, especially if it'd support regExps *Should", "eyes are. Stuff like that. I've tried several different writing tools and none", "sentence \"Sarlb stormed into the office and started shouting\". Cmd+hover over the word", "some key combination, and there will be a character creation window or panel,", "to end\". I'll select \"Vally Xvuwc\", press some key combination, and there will", "blonde girl from chapter 1)?\") 3. Once the text is bound to a", "reference tool' is: 1. It should allow me to quickly create character from", "it has no details about what writing software can and can't do, and", "project\" would also be a nice feature, especially if it'd support regExps ", "currently using Google Docs for writing, and it's a great tool: simple enough,", "So I need a way to quickly look-up whether some guy has a", "his eyes are. Stuff like that. I've tried several different writing tools and", "from chapter 1)?\") 3. Once the text is bound to a character, it", "above made me think, what if I could use some super-powers that IDE", "\"binding\" a character to the selected text. For example, in chapter 2 I", "like to have. But maybe it exists and I just can't find it?", "Google Drive sync) * Available for Mac (would be super-cool if also available", "the map in my head. The main problem for me (the one that", "that. I've tried several different writing tools and none of them has any", "be a nice feature, especially if it'd support regExps * *Should either be", "hover it (or cmd+hover, or cmd+click, or whatever) to see a tooltip or", "you mean Vally Xvuwc (tall blonde girl from chapter 1)?\") 3. Once the", "(basically RTF level, no need for super-fancy stuff) Some cloudness (either their", "tooltip or a small window with character info (including chapters where she can", "something like this exist? --- The locked question [Is there a special software", "chapters where she can be found). Does something like this exist? --- The", "or Google Drive sync) * Available for Mac (would be super-cool if also", "a character creation window or panel, to which I can copy the description).", "nice feature, especially if it'd support regExps * *Should either be free or", "of writers who want to (or need to) have an advanced map of", "super-cool if also available for Windows) Ability to organize chapters into folders", "But maybe it exists and I just can't find it? So, here's a", "\"Sarlb stormed into the office and started shouting\". Cmd+hover over the word \"Sarlb\"", "* Ability to organize chapters into folders (tree structure) * Spell-checker (That's a", "be able to hover it (or cmd+hover, or cmd+click, or whatever) to see", "cloud-based, free, etc. But the question I've mentioned above made me think, what", "a list of features I need from an IDE: * Formatting support (basically", "answers provide an unsortable list of distraction-free editors, mind-mapping tools and writing IDEs", "with having the map in my head. The main problem for me (the", "should suggest something like \"Did you mean Vally Xvuwc (tall blonde girl from", "(that's actually what gDocs totally lacks) * \"Find in project\" would also be", "Google Docs for writing, and it's a great tool: simple enough, has some", "to (or need to) have an advanced map of characters, locations, and events,", "text-first writer, and I'm comfortable with having the map in my head. The", "should be able to hover it (or cmd+hover, or cmd+click, or whatever) to", "writing in Russian and I need a spell-checker for Russian). It might not", "spell-checker for Russian). It might not have its own spell-checker, but it should", "explanation of what an 'IDE-like reference tool' is: 1. It should allow me", "list of distraction-free editors, mind-mapping tools and writing IDEs (for the lack of", "to quickly look-up whether some guy has a straight hair or curly, or", "comfortable with having the map in my head. The main problem for me", "am a very text-first writer, and I'm comfortable with having the map in", "gDocs totally lacks) * \"Find in project\" would also be a nice feature,", "she can be found). Does something like this exist? --- The locked question", "need from an IDE: * Formatting support (basically RTF level, no need for", "be a character creation window or panel, to which I can copy the", "has no details about what writing software can and can't do, and answers", "like this exist? --- The locked question [Is there a special software for", "if I could use some super-powers that IDE gives to programmers to help", "there a need for better software for writers?](https://writing.stackexchange.com/questions/45035/is-there-a-need-for-better-software-for-writers) I'm currently using Google Docs", "there seem to be a lot of writers who want to (or need", "writer, and I'm comfortable with having the map in my head. The main", "tough one as I'm writing in Russian and I need a spell-checker for", "* Spell-checker (That's a tough one as I'm writing in Russian and I", "writers?](https://writing.stackexchange.com/questions/45035/is-there-a-need-for-better-software-for-writers) I'm currently using Google Docs for writing, and it's a great tool:", "Docs for writing, and it's a great tool: simple enough, has some nice", "bound to a character, it should be highlighted and I should be able", "a sentence \"Vally Xvuwc, a tall blonde girl, was waiting for her work", "--- The locked question [Is there a special software for writers?](https://writing.stackexchange.com/questions/9/is-there-a-special-software-for-writers)) is similar,", "by [Is there a need for better software for writers?](https://writing.stackexchange.com/questions/45035/is-there-a-need-for-better-software-for-writers) I'm currently using", "Russian and I need a spell-checker for Russian). It might not have its", "its own spell-checker, but it should then allow 3rd-party ones to work with", "I've tried several different writing tools and none of them has any IDE-ish", "it? So, here's a list of features I need from an IDE: ", "for Mac* (would be super-cool if also available for Windows) * Ability to", "(That's a tough one as I'm writing in Russian and I need a", "with character info (including chapters where she can be found). Does something like", "software for writers?](https://writing.stackexchange.com/questions/9/is-there-a-special-software-for-writers)) is similar, but it has no details about what writing", "for Windows) * Ability to organize chapters into folders (tree structure) * Spell-checker", "\"Vally Xvuwc\", press some key combination, and there will be a character creation", "should then allow 3rd-party ones to work with it. * Character list ", "enough, has some nice features, cloud-based, free, etc. But the question I've mentioned", "IDE-like reference tool* (that's actually what gDocs totally lacks) * \"Find in project\"", "but it should then allow 3rd-party ones to work with it. * Character", "to which I can copy the description). 2. It should also allow \"binding\"", "chapter 1)?\") 3. Once the text is bound to a character, it should", "write? (Yep, I do write code for living as well.) While there seem", "it. * Character list * IDE-like reference tool (that's actually what gDocs totally", "maybe it exists and I just can't find it? So, here's a list", "in chapter 1 I have a sentence \"Vally Xvuwc, a tall blonde girl,", "can and can't do, and answers provide an unsortable list of distraction-free editors,", "special software for writers?](https://writing.stackexchange.com/questions/9/is-there-a-special-software-for-writers)) is similar, but it has no details about what", "folders (tree structure) * Spell-checker (That's a tough one as I'm writing in", "them has any IDE-ish features that I'd like to have. But maybe it", "in project\" would also be a nice feature, especially if it'd support regExps", "regExps * Should either be free or have a free trial, as I'm", "having the map in my head. The main problem for me (the one", "has any IDE-ish features that I'd like to have. But maybe it exists", "writing, and it's a great tool: simple enough, has some nice features, cloud-based,", "[Is there a need for better software for writers?](https://writing.stackexchange.com/questions/45035/is-there-a-need-for-better-software-for-writers) I'm currently using Google", "nice features, cloud-based, free, etc. But the question I've mentioned above made me", "should be highlighted and I should be able to hover it (or cmd+hover,", "no details about what writing software can and can't do, and answers provide", "straight hair or curly, or what colour his eyes are. Stuff like that.", "great tool: simple enough, has some nice features, cloud-based, free, etc. But the", "curly, or what colour his eyes are. Stuff like that. I've tried several", "what colour his eyes are. Stuff like that. I've tried several different writing", "tools and none of them has any IDE-ish features that I'd like to", "a tall blonde girl, was waiting for her work day to end\". I'll", "about my characters, especially about episodic characters. So I need a way to", "a character, it should be highlighted and I should be able to hover", "inspired by [Is there a need for better software for writers?](https://writing.stackexchange.com/questions/45035/is-there-a-need-for-better-software-for-writers) I'm currently", "will be a character creation window or panel, to which I can copy", "well.) While there seem to be a lot of writers who want to", "what writing software can and can't do, and answers provide an unsortable list", "writers who want to (or need to) have an advanced map of characters,", "Once the text is bound to a character, it should be highlighted and", "super-fancy stuff) * Some cloudness (either their own, or Google Drive sync) ", "be found). Does something like this exist? --- The locked question [Is there", "Available for Mac* (would be super-cool if also available for Windows) * Ability", "1. It should allow me to quickly create character from selected text. For", "it'd support regExps * Should either be free or have a free trial,", "It might not have its own spell-checker, but it should then allow 3rd-party", "Stuff like that. I've tried several different writing tools and none of them", "just can't find it? So, here's a list of features I need from", "should also allow \"binding\" a character to the selected text. For example, in", "the question I've mentioned above made me think, what if I could use", "sync) * Available for Mac (would be super-cool if also available for Windows)", "sac A bit of explanation of what an 'IDE-like reference tool' is: 1.", "to a character, it should be highlighted and I should be able to", "(or need to) have an advanced map of characters, locations, and events, there", "I can copy the description). 2. It should also allow \"binding\" a character", "etc. But the question I've mentioned above made me think, what if I", "Formatting support (basically RTF level, no need for super-fancy stuff) * Some cloudness", "3rd-party ones to work with it. * Character list * IDE-like reference tool", "to see a tooltip or a small window with character info (including chapters", "I am a very text-first writer, and I'm comfortable with having the map", "map in my head. The main problem for me (the one that I'm", "seem to be a lot of writers who want to (or need to)", "stormed into the office and started shouting\". Cmd+hover over the word \"Sarlb\" and", "that I don't always remember what exactly I wrote about my characters, especially", "RTF level, no need for super-fancy stuff) * Some cloudness (either their own,", "free or have a free trial*, as I'm not buying a cat in", "(the one that I'm trying to solve) is that I don't always remember", "something like \"Did you mean Vally Xvuwc (tall blonde girl from chapter 1)?\")", "tools and writing IDEs (for the lack of a better term). This question", "(tall blonde girl from chapter 1)?\") 3. Once the text is bound to", "I'm not buying a cat in a sac A bit of explanation of", "and can't do, and answers provide an unsortable list of distraction-free editors, mind-mapping", "list of features I need from an IDE: Formatting support (basically RTF", "buying a cat in a sac A bit of explanation of what an", "some nice features, cloud-based, free, etc. But the question I've mentioned above made", "features I need from an IDE: * Formatting support (basically RTF level, no", "software for writers?](https://writing.stackexchange.com/questions/45035/is-there-a-need-for-better-software-for-writers) I'm currently using Google Docs for writing, and it's a", "my head. The main problem for me (the one that I'm trying to", "started shouting\". Cmd+hover over the word \"Sarlb\" and the IDE should suggest something", "features, cloud-based, free, etc. But the question I've mentioned above made me think,", "or curly, or what colour his eyes are. Stuff like that. I've tried", "who don't. I am a very text-first writer, and I'm comfortable with having", "a free trial, as I'm not buying a cat in a sac A", "1 I have a sentence \"Vally Xvuwc, a tall blonde girl, was waiting", "reference tool (that's actually what gDocs totally lacks) * \"Find in project\" would", "2 I have a sentence \"Sarlb stormed into the office and started shouting\".", "question [Is there a special software for writers?](https://writing.stackexchange.com/questions/9/is-there-a-special-software-for-writers)) is similar, but it has", "trying to solve) is that I don't always remember what exactly I wrote", "the IDE should suggest something like \"Did you mean Vally Xvuwc (tall blonde", "tried several different writing tools and none of them has any IDE-ish features", "mean Vally Xvuwc (tall blonde girl from chapter 1)?\") 3. Once the text", "press some key combination, and there will be a character creation window or", "do write code for living as well.) While there seem to be a", "the text is bound to a character, it should be highlighted and I", "is: 1. It should allow me to quickly create character from selected text.", "The locked question [Is there a special software for writers?](https://writing.stackexchange.com/questions/9/is-there-a-special-software-for-writers)) is similar, but", "a special software for writers?](https://writing.stackexchange.com/questions/9/is-there-a-special-software-for-writers)) is similar, but it has no details about", "* Character list * IDE-like reference tool (that's actually what gDocs totally lacks)", "locations, and events, there are also those who don't. I am a very", "there a special software for writers?](https://writing.stackexchange.com/questions/9/is-there-a-special-software-for-writers)) is similar, but it has no details", "\"Vally Xvuwc, a tall blonde girl, was waiting for her work day to", "a character to the selected text. For example, in chapter 2 I have", "lot of writers who want to (or need to) have an advanced map", "me to quickly create character from selected text. For example, in chapter 1", "think, what if I could use some super-powers that IDE gives to programmers", "available for Windows) * Ability to organize chapters into folders (tree structure) ", "some guy has a straight hair or curly, or what colour his eyes", "to organize chapters into folders (tree structure) Spell-checker (That's a tough one", "chapters into folders (tree structure) * Spell-checker (That's a tough one as I'm", "allow 3rd-party ones to work with it. * Character list * IDE-like reference", "or have a free trial, as I'm not buying a cat in a", "panel, to which I can copy the description). 2. It should also allow", "to have. But maybe it exists and I just can't find it? So,", "IDE: * Formatting support (basically RTF level, no need for super-fancy stuff) ", "using Google Docs for writing, and it's a great tool: simple enough, has", "example, in chapter 1 I have a sentence \"Vally Xvuwc, a tall blonde", "window or panel, to which I can copy the description). 2. It should", "have a sentence \"Vally Xvuwc, a tall blonde girl, was waiting for her", "especially about episodic characters. So I need a way to quickly look-up whether", "writing software can and can't do, and answers provide an unsortable list of", "Russian). It might not have its own spell-checker, but it should then allow", "and answers provide an unsortable list of distraction-free editors, mind-mapping tools and writing", "main problem for me (the one that I'm trying to solve) is that", "The main problem for me (the one that I'm trying to solve) is", "different writing tools and none of them has any IDE-ish features that I'd", "Xvuwc, a tall blonde girl, was waiting for her work day to end\".", "key combination, and there will be a character creation window or panel, to", "While there seem to be a lot of writers who want to (or", "of characters, locations, and events, there are also those who don't. I am", "I'm trying to solve) is that I don't always remember what exactly I", "in chapter 2 I have a sentence \"Sarlb stormed into the office and", "\"Find in project\" would also be a nice feature, especially if it'd support", "\"Sarlb\" and the IDE should suggest something like \"Did you mean Vally Xvuwc", "(or cmd+hover, or cmd+click, or whatever) to see a tooltip or a small", "day to end\". I'll select \"Vally Xvuwc\", press some key combination, and there", "don't. I am a very text-first writer, and I'm comfortable with having the", "character creation window or panel, to which I can copy the description). 2.", "head. The main problem for me (the one that I'm trying to solve)", "might not have its own spell-checker, but it should then allow 3rd-party ones", "what gDocs totally lacks) \"Find in project\" would also be a nice", "colour his eyes are. Stuff like that. I've tried several different writing tools", "organize chapters into folders (tree structure) * Spell-checker (That's a tough one as", "combination, and there will be a character creation window or panel, to which", "way to quickly look-up whether some guy has a straight hair or curly,", "then allow 3rd-party ones to work with it. * Character list * *IDE-like", "and writing IDEs (for the lack of a better term). This question however", "own, or Google Drive sync) Available for Mac (would be super-cool if", "description). 2. It should also allow \"binding\" a character to the selected text.", "of them has any IDE-ish features that I'd like to have. But maybe", "who want to (or need to) have an advanced map of characters, locations,", "about what writing software can and can't do, and answers provide an unsortable", "quickly create character from selected text. For example, in chapter 1 I have", "Xvuwc\", press some key combination, and there will be a character creation window", "could use some super-powers that IDE gives to programmers to help me write?", "(would be super-cool if also available for Windows) * Ability to organize chapters", "(tree structure) * Spell-checker (That's a tough one as I'm writing in Russian", "or a small window with character info (including chapters where she can be", "structure) * Spell-checker (That's a tough one as I'm writing in Russian and", "and I'm comfortable with having the map in my head. The main problem", "want to (or need to) have an advanced map of characters, locations, and", "similar, but it has no details about what writing software can and can't", "there will be a character creation window or panel, to which I can", "character, it should be highlighted and I should be able to hover it", "to solve) is that I don't always remember what exactly I wrote about", "Character list * IDE-like reference tool (that's actually what gDocs totally lacks) ", "create character from selected text. For example, in chapter 1 I have a", "have an advanced map of characters, locations, and events, there are also those", "have a free trial, as I'm not buying a cat in a sac", "was waiting for her work day to end\". I'll select \"Vally Xvuwc\", press", "can't do, and answers provide an unsortable list of distraction-free editors, mind-mapping tools", "office and started shouting\". Cmd+hover over the word \"Sarlb\" and the IDE should", "stuff) Some cloudness (either their own, or Google Drive sync) * *Available", "writers?](https://writing.stackexchange.com/questions/9/is-there-a-special-software-for-writers)) is similar, but it has no details about what writing software can", "should allow me to quickly create character from selected text. For example, in", "no need for super-fancy stuff) Some cloudness (either their own, or Google", "locked question [Is there a special software for writers?](https://writing.stackexchange.com/questions/9/is-there-a-special-software-for-writers)) is similar, but it", "somewhat inspired by [Is there a need for better software for writers?](https://writing.stackexchange.com/questions/45035/is-there-a-need-for-better-software-for-writers) I'm", "Windows) * Ability to organize chapters into folders (tree structure) * Spell-checker (That's", "quickly look-up whether some guy has a straight hair or curly, or what", "me (the one that I'm trying to solve) is that I don't always", "I'd like to have. But maybe it exists and I just can't find", "characters, especially about episodic characters. So I need a way to quickly look-up", "list * IDE-like reference tool (that's actually what gDocs totally lacks) * \"Find", "ones to work with it. * Character list * IDE-like reference tool (that's", "copy the description). 2. It should also allow \"binding\" a character to the", "support regExps * Should either be free or have a free trial, as", "For example, in chapter 1 I have a sentence \"Vally Xvuwc, a tall", "I could use some super-powers that IDE gives to programmers to help me", "I do write code for living as well.) While there seem to be", "IDE should suggest something like \"Did you mean Vally Xvuwc (tall blonde girl", "a sac A bit of explanation of what an 'IDE-like reference tool' is:", "that I'm trying to solve) is that I don't always remember what exactly", "super-powers that IDE gives to programmers to help me write? (Yep, I do", "for her work day to end\". I'll select \"Vally Xvuwc\", press some key", "Mac** (would be super-cool if also available for Windows) * Ability to organize", "small window with character info (including chapters where she can be found). Does", "for me (the one that I'm trying to solve) is that I don't", "an IDE: * Formatting support (basically RTF level, no need for super-fancy stuff)", "be a lot of writers who want to (or need to) have an", "cat in a sac A bit of explanation of what an 'IDE-like reference", "to programmers to help me write? (Yep, I do write code for living", "It should allow me to quickly create character from selected text. For example,", "text. For example, in chapter 1 I have a sentence \"Vally Xvuwc, a", "able to hover it (or cmd+hover, or cmd+click, or whatever) to see a", "exist? --- The locked question [Is there a special software for writers?](https://writing.stackexchange.com/questions/9/is-there-a-special-software-for-writers)) is", "in Russian and I need a spell-checker for Russian). It might not have", "their own, or Google Drive sync) * Available for Mac (would be super-cool", "it should be highlighted and I should be able to hover it (or", "and I just can't find it? So, here's a list of features I", "which I can copy the description). 2. It should also allow \"binding\" a", "distraction-free editors, mind-mapping tools and writing IDEs (for the lack of a better", "for writers?](https://writing.stackexchange.com/questions/9/is-there-a-special-software-for-writers)) is similar, but it has no details about what writing software", "a cat in a sac A bit of explanation of what an 'IDE-like", "wrote about my characters, especially about episodic characters. So I need a way", "the office and started shouting\". Cmd+hover over the word \"Sarlb\" and the IDE", "* IDE-like reference tool (that's actually what gDocs totally lacks) * \"Find in", "living as well.) While there seem to be a lot of writers who", "an 'IDE-like reference tool' is: 1. It should allow me to quickly create", "an advanced map of characters, locations, and events, there are also those who", "Spell-checker (That's a tough one as I'm writing in Russian and I need", "suggest something like \"Did you mean Vally Xvuwc (tall blonde girl from chapter", "chapter 1 I have a sentence \"Vally Xvuwc, a tall blonde girl, was", "of explanation of what an 'IDE-like reference tool' is: 1. It should allow", "into the office and started shouting\". Cmd+hover over the word \"Sarlb\" and the", "lacks) * \"Find in project\" would also be a nice feature, especially if", "be free or have a free trial*, as I'm not buying a cat", "advanced map of characters, locations, and events, there are also those who don't.", "has a straight hair or curly, or what colour his eyes are. Stuff", "a straight hair or curly, or what colour his eyes are. Stuff like", "'IDE-like reference tool' is: 1. It should allow me to quickly create character", "feature, especially if it'd support regExps *Should either be free or have", " \"Find in project\" would also be a nice feature, especially if it'd", "need for better software for writers?](https://writing.stackexchange.com/questions/45035/is-there-a-need-for-better-software-for-writers) I'm currently using Google Docs for writing,", "a need for better software for writers?](https://writing.stackexchange.com/questions/45035/is-there-a-need-for-better-software-for-writers) I'm currently using Google Docs for", "in a sac A bit of explanation of what an 'IDE-like reference tool'", "use some super-powers that IDE gives to programmers to help me write? (Yep,", "for Russian). It might not have its own spell-checker, but it should then", "character info (including chapters where she can be found). Does something like this", "details about what writing software can and can't do, and answers provide an", "I'm writing in Russian and I need a spell-checker for Russian). It might", "where she can be found). Does something like this exist? --- The locked", "but it has no details about what writing software can and can't do,", "in my head. The main problem for me (the one that I'm trying", "can't find it? So, here's a list of features I need from an", "writing IDEs (for the lack of a better term). This question however is", "do, and answers provide an unsortable list of distraction-free editors, mind-mapping tools and", "is similar, but it has no details about what writing software can and", "to quickly create character from selected text. For example, in chapter 1 I", "I don't always remember what exactly I wrote about my characters, especially about", "and there will be a character creation window or panel, to which I", "like \"Did you mean Vally Xvuwc (tall blonde girl from chapter 1)?\") 3.", "For example, in chapter 2 I have a sentence \"Sarlb stormed into the", "me write? (Yep, I do write code for living as well.) While there", "what an 'IDE-like reference tool' is: 1. It should allow me to quickly", "are also those who don't. I am a very text-first writer, and I'm", "work with it. * Character list * IDE-like reference tool (that's actually what", "software can and can't do, and answers provide an unsortable list of distraction-free", "tool** (that's actually what gDocs totally lacks) * \"Find in project\" would also", "Does something like this exist? --- The locked question [Is there a special", "for super-fancy stuff) * Some cloudness (either their own, or Google Drive sync)", "Cmd+hover over the word \"Sarlb\" and the IDE should suggest something like \"Did", "Should either be free or have a free trial, as I'm not buying", "it's a great tool: simple enough, has some nice features, cloud-based, free, etc.", "mind-mapping tools and writing IDEs (for the lack of a better term). This", "[Is there a special software for writers?](https://writing.stackexchange.com/questions/9/is-there-a-special-software-for-writers)) is similar, but it has no", "my characters, especially about episodic characters. So I need a way to quickly", "also available for Windows) * Ability to organize chapters into folders (tree structure)", "one as I'm writing in Russian and I need a spell-checker for Russian).", "waiting for her work day to end\". I'll select \"Vally Xvuwc\", press some", "to) have an advanced map of characters, locations, and events, there are also", "write code for living as well.) While there seem to be a lot", "into folders (tree structure) * Spell-checker (That's a tough one as I'm writing", "* Should either be free or have a free trial, as I'm not", "map of characters, locations, and events, there are also those who don't. I", "character from selected text. For example, in chapter 1 I have a sentence", "* Available for Mac (would be super-cool if also available for Windows) ", "IDE-ish features that I'd like to have. But maybe it exists and I", "none of them has any IDE-ish features that I'd like to have. But", "a tooltip or a small window with character info (including chapters where she", "creation window or panel, to which I can copy the description). 2. It", "level, no need for super-fancy stuff) Some cloudness (either their own, or", "and events, there are also those who don't. I am a very text-first", "But the question I've mentioned above made me think, what if I could", "code for living as well.) While there seem to be a lot of", "and started shouting\". Cmd+hover over the word \"Sarlb\" and the IDE should suggest", "programmers to help me write? (Yep, I do write code for living as", "provide an unsortable list of distraction-free editors, mind-mapping tools and writing IDEs (for", "Drive sync) * Available for Mac (would be super-cool if also available for", "whether some guy has a straight hair or curly, or what colour his", "I'm currently using Google Docs for writing, and it's a great tool: simple", "support (basically RTF level, no need for super-fancy stuff) * Some cloudness (either", "help me write? (Yep, I do write code for living as well.) While", "and none of them has any IDE-ish features that I'd like to have.", "are. Stuff like that. I've tried several different writing tools and none of", "the selected text. For example, in chapter 2 I have a sentence \"Sarlb", "can copy the description). 2. It should also allow \"binding\" a character to", "it exists and I just can't find it? So, here's a list of", "or panel, to which I can copy the description). 2. It should also", "a nice feature, especially if it'd support regExps * *Should either be free", "chapter 2 I have a sentence \"Sarlb stormed into the office and started", "question I've mentioned above made me think, what if I could use some", "This question is somewhat inspired by [Is there a need for better software", " Formatting support (basically RTF level, no need for super-fancy stuff) * Some", "to hover it (or cmd+hover, or cmd+click, or whatever) to see a tooltip", "and I should be able to hover it (or cmd+hover, or cmd+click, or", "or what colour his eyes are. Stuff like that. I've tried several different", "Xvuwc (tall blonde girl from chapter 1)?\") 3. Once the text is bound", "especially if it'd support regExps * *Should either be free or have a", "I'm comfortable with having the map in my head. The main problem for", "like that. I've tried several different writing tools and none of them has", "a small window with character info (including chapters where she can be found).", "girl from chapter 1)?\") 3. Once the text is bound to a character,", "\"Did you mean Vally Xvuwc (tall blonde girl from chapter 1)?\") 3. Once", "the lack of a better term). This question however is much more specific.", "events, there are also those who don't. I am a very text-first writer,", "I'll select \"Vally Xvuwc\", press some key combination, and there will be a", "free, etc. But the question I've mentioned above made me think, what if", "need for super-fancy stuff) Some cloudness (either their own, or Google Drive", "see a tooltip or a small window with character info (including chapters where", "need a way to quickly look-up whether some guy has a straight hair", "a lot of writers who want to (or need to) have an advanced", "I need a way to quickly look-up whether some guy has a straight", "guy has a straight hair or curly, or what colour his eyes are.", "A bit of explanation of what an 'IDE-like reference tool' is: 1. It", "2. It should also allow \"binding\" a character to the selected text. For", "1)?\") 3. Once the text is bound to a character, it should be", "to be a lot of writers who want to (or need to) have", "one that I'm trying to solve) is that I don't always remember what", "bit of explanation of what an 'IDE-like reference tool' is: 1. It should", "question is somewhat inspired by [Is there a need for better software for", "also those who don't. I am a very text-first writer, and I'm comfortable", "Ability to organize chapters into folders (tree structure) * Spell-checker (That's a tough", "any IDE-ish features that I'd like to have. But maybe it exists and", "features that I'd like to have. But maybe it exists and I just", "I should be able to hover it (or cmd+hover, or cmd+click, or whatever)", "info (including chapters where she can be found). Does something like this exist?", "if also available for Windows) * Ability to organize chapters into folders (tree", "about episodic characters. So I need a way to quickly look-up whether some", "what exactly I wrote about my characters, especially about episodic characters. So I", "cloudness (either their own, or Google Drive sync) * Available for Mac (would", "own spell-checker, but it should then allow 3rd-party ones to work with it.", "hair or curly, or what colour his eyes are. Stuff like that. I've", "be super-cool if also available for Windows) * Ability to organize chapters into", "also be a nice feature, especially if it'd support regExps * *Should either", "work day to end\". I'll select \"Vally Xvuwc\", press some key combination, and", "I've mentioned above made me think, what if I could use some super-powers", "not have its own spell-checker, but it should then allow 3rd-party ones to", "3. Once the text is bound to a character, it should be highlighted", "it should then allow 3rd-party ones to work with it. Character list", "window with character info (including chapters where she can be found). Does something", "girl, was waiting for her work day to end\". I'll select \"Vally Xvuwc\",", "blonde girl, was waiting for her work day to end\". I'll select \"Vally", "have its own spell-checker, but it should then allow 3rd-party ones to work", "tool: simple enough, has some nice features, cloud-based, free, etc. But the question", "text is bound to a character, it should be highlighted and I should", "exactly I wrote about my characters, especially about episodic characters. So I need", "totally lacks) * \"Find in project\" would also be a nice feature, especially", "a very text-first writer, and I'm comfortable with having the map in my", "that IDE gives to programmers to help me write? (Yep, I do write", "of features I need from an IDE: * Formatting support (basically RTF level,", "an unsortable list of distraction-free editors, mind-mapping tools and writing IDEs (for the", "find it? So, here's a list of features I need from an IDE:", "that I'd like to have. But maybe it exists and I just can't", "very text-first writer, and I'm comfortable with having the map in my head.", "for writers?](https://writing.stackexchange.com/questions/45035/is-there-a-need-for-better-software-for-writers) I'm currently using Google Docs for writing, and it's a great" ]
[ "above-average novel now... and a second edition in 2 years * Split my", "my first) As luck would have it, something just popped up in the", "book isn't ready for release. Not by far. Here's the options I've brainstormed", "(but the blog will require a time commitment and pull me away from", "Serh and say this wasn't meant to be (doing some research, I estimate", "now... and a second edition in 2 years * Split my book into", "the options I've brainstormed so far: * Start a blog and build a", "Release an average to above-average novel now... and a second edition in 2", "been trending on Google for months and is still going strong. But the", "book into 4 parts (100-150 pages each). Release one book every six months", "story. The topic has been trending on Google for months and is still", "was planning on spending the next 2 years editing. My book isn't ready", "novel. (BTW, this is my first) As luck would have it, something just", "each). Release one book every six months * Serh and say this wasn't", "time commitment and pull me away from my novel, delaying the release even", "I've brainstormed so far: * Start a blog and build a readership I", "and is still going strong. But the problem is that I was planning", "readership I can later market my book to (but the blog will require", "for this topic to start trending again) * Quit my job and get", "average to above-average novel now... and a second edition in 2 years ", "on Google for months and is still going strong. But the problem is", "strong. But the problem is that I was planning on spending the next", "ready for release. Not by far. Here's the options I've brainstormed so far:", "years editing. My book isn't ready for release. Not by far. Here's the", "something just popped up in the news which is directly related to my", "luck would have it, something just popped up in the news which is", "months Serh and say this wasn't meant to be (doing some research,", "(BTW, this is my first) As luck would have it, something just popped", "book every six months * Serh and say this wasn't meant to be", "next 2 years editing. My book isn't ready for release. Not by far.", "(100-150 pages each). Release one book every six months * Serh and say", "Start a blog and build a readership I can later market my book", "and build a readership I can later market my book to (but the", "to above-average novel now... and a second edition in 2 years * Split", "be (doing some research, I estimate it will take 10-20 years for this", "the release even further) * Release an average to above-average novel now... and", "spending the next 2 years editing. My book isn't ready for release. Not", "can later market my book to (but the blog will require a time", "Here's the options I've brainstormed so far: * Start a blog and build", "would have it, something just popped up in the news which is directly", "I estimate it will take 10-20 years for this topic to start trending", "topic has been trending on Google for months and is still going strong.", "my job and get this book out there now (haha) Any advice on", "commitment and pull me away from my novel, delaying the release even further)", "into 4 parts (100-150 pages each). Release one book every six months ", "my book into 4 parts (100-150 pages each). Release one book every six", "a second edition in 2 years Split my book into 4 parts", "parts (100-150 pages each). Release one book every six months * Serh and", "this topic to start trending again) * Quit my job and get this", "which is directly related to my story. The topic has been trending on", "that I was planning on spending the next 2 years editing. My book", "first) As luck would have it, something just popped up in the news", "novel now... and a second edition in 2 years * Split my book", "an average to above-average novel now... and a second edition in 2 years", "problem is that I was planning on spending the next 2 years editing.", "and say this wasn't meant to be (doing some research, I estimate it", "has been trending on Google for months and is still going strong. But", "topic to start trending again) * Quit my job and get this book", "finished writing the first draft of my novel. (BTW, this is my first)", "I just finished writing the first draft of my novel. (BTW, this is", "of my novel. (BTW, this is my first) As luck would have it,", "(doing some research, I estimate it will take 10-20 years for this topic", "just popped up in the news which is directly related to my story.", "* Start a blog and build a readership I can later market my", "this is my first) As luck would have it, something just popped up", "first draft of my novel. (BTW, this is my first) As luck would", "draft of my novel. (BTW, this is my first) As luck would have", "it will take 10-20 years for this topic to start trending again) ", "My book isn't ready for release. Not by far. Here's the options I've", "research, I estimate it will take 10-20 years for this topic to start", "it, something just popped up in the news which is directly related to", "build a readership I can later market my book to (but the blog", "to start trending again) Quit my job and get this book out", "options I've brainstormed so far: * Start a blog and build a readership", "one book every six months * Serh and say this wasn't meant to", "on spending the next 2 years editing. My book isn't ready for release.", "But the problem is that I was planning on spending the next 2", "every six months * Serh and say this wasn't meant to be (doing", "news which is directly related to my story. The topic has been trending", "writing the first draft of my novel. (BTW, this is my first) As", "so far: * Start a blog and build a readership I can later", "a readership I can later market my book to (but the blog will", "2 years editing. My book isn't ready for release. Not by far. Here's", "get this book out there now (haha) Any advice on what I should", "in 2 years * Split my book into 4 parts (100-150 pages each).", "meant to be (doing some research, I estimate it will take 10-20 years", "months and is still going strong. But the problem is that I was", "Quit my job and get this book out there now (haha) Any advice", "up in the news which is directly related to my story. The topic", "edition in 2 years * Split my book into 4 parts (100-150 pages", "* Quit my job and get this book out there now (haha) Any", "the news which is directly related to my story. The topic has been", "10-20 years for this topic to start trending again) * Quit my job", "I was planning on spending the next 2 years editing. My book isn't", "further) * Release an average to above-average novel now... and a second edition", "trending on Google for months and is still going strong. But the problem", "years * Split my book into 4 parts (100-150 pages each). Release one", "is that I was planning on spending the next 2 years editing. My", "* Release an average to above-average novel now... and a second edition in", "my novel, delaying the release even further) * Release an average to above-average", "start trending again) * Quit my job and get this book out there", "pages each). Release one book every six months * Serh and say this", "going strong. But the problem is that I was planning on spending the", "trending again) * Quit my job and get this book out there now", "to be (doing some research, I estimate it will take 10-20 years for", "have it, something just popped up in the news which is directly related", "wasn't meant to be (doing some research, I estimate it will take 10-20", "even further) * Release an average to above-average novel now... and a second", "is directly related to my story. The topic has been trending on Google", "4 parts (100-150 pages each). Release one book every six months * Serh", "estimate it will take 10-20 years for this topic to start trending again)", "from my novel, delaying the release even further) * Release an average to", "me away from my novel, delaying the release even further) * Release an", "far: * Start a blog and build a readership I can later market", "require a time commitment and pull me away from my novel, delaying the", "again) * Quit my job and get this book out there now (haha)", "related to my story. The topic has been trending on Google for months", "my novel. (BTW, this is my first) As luck would have it, something", "job and get this book out there now (haha) Any advice on what", "Split my book into 4 parts (100-150 pages each). Release one book every", "Not by far. Here's the options I've brainstormed so far: * Start a", "the next 2 years editing. My book isn't ready for release. Not by", "book to (but the blog will require a time commitment and pull me", "delaying the release even further) * Release an average to above-average novel now...", "still going strong. But the problem is that I was planning on spending", "by far. Here's the options I've brainstormed so far: * Start a blog", "Release one book every six months * Serh and say this wasn't meant", "a blog and build a readership I can later market my book to", "for months and is still going strong. But the problem is that I", "say this wasn't meant to be (doing some research, I estimate it will", "take 10-20 years for this topic to start trending again) * Quit my", "planning on spending the next 2 years editing. My book isn't ready for", "six months * Serh and say this wasn't meant to be (doing some", "and get this book out there now (haha) Any advice on what I", "later market my book to (but the blog will require a time commitment", "pull me away from my novel, delaying the release even further) * Release", "away from my novel, delaying the release even further) * Release an average", "release even further) * Release an average to above-average novel now... and a", "this book out there now (haha) Any advice on what I should do?", "is my first) As luck would have it, something just popped up in", "will take 10-20 years for this topic to start trending again) * Quit", "release. Not by far. Here's the options I've brainstormed so far: * Start", "popped up in the news which is directly related to my story. The", "the problem is that I was planning on spending the next 2 years", "Google for months and is still going strong. But the problem is that", "will require a time commitment and pull me away from my novel, delaying", "novel, delaying the release even further) * Release an average to above-average novel", "some research, I estimate it will take 10-20 years for this topic to", "to my story. The topic has been trending on Google for months and", "second edition in 2 years * Split my book into 4 parts (100-150", "and a second edition in 2 years * Split my book into 4", "this wasn't meant to be (doing some research, I estimate it will take", "in the news which is directly related to my story. The topic has", "As luck would have it, something just popped up in the news which", "market my book to (but the blog will require a time commitment and", "years for this topic to start trending again) * Quit my job and", "the first draft of my novel. (BTW, this is my first) As luck", "my book to (but the blog will require a time commitment and pull", "far. Here's the options I've brainstormed so far: * Start a blog and", "* Serh and say this wasn't meant to be (doing some research, I", "I can later market my book to (but the blog will require a", "the blog will require a time commitment and pull me away from my", "blog and build a readership I can later market my book to (but", "to (but the blog will require a time commitment and pull me away", "my story. The topic has been trending on Google for months and is", "brainstormed so far: * Start a blog and build a readership I can", "just finished writing the first draft of my novel. (BTW, this is my", "The topic has been trending on Google for months and is still going", "* Split my book into 4 parts (100-150 pages each). Release one book", "2 years * Split my book into 4 parts (100-150 pages each). Release", "editing. My book isn't ready for release. Not by far. Here's the options", "is still going strong. But the problem is that I was planning on", "isn't ready for release. Not by far. Here's the options I've brainstormed so", "and pull me away from my novel, delaying the release even further) ", "blog will require a time commitment and pull me away from my novel,", "a time commitment and pull me away from my novel, delaying the release", "directly related to my story. The topic has been trending on Google for", "for release. Not by far. Here's the options I've brainstormed so far: " ]
[ "up all the loose ends. They can occur at a significant period of", "of your novel. What I'm interested in is if it would be possible", "the fates of the characters. Some epilogues may feature scenes only tangentially related", "and wouldn't be able to talk of all the relevant characters in a", "of them. This is especially true if your narrator has a limited perspective", "> > An epilogue is the final chapter at the end of a", "of a story that often serves to reveal the fates of the characters.", "end of your novel. What I'm interested in is if it would be", "the loose ends*. They can occur at a significant period of time after", " Epilogue: Chorkia Each one keeps the basic functions of an epilogue described", "all the loose ends. They can occur at a significant period of time", "has a limited perspective of the events, and wouldn't be able to talk", "can occur at a significant period of time after the main plot has", "one epilogue? ----------------------------------------- Of course, I'm well aware that you can put how", "What I'm interested in is if it would be possible to \"extend\" the", "fates of the characters. Some epilogues may feature scenes only tangentially related to", "of all the relevant characters in a single chapter. So, can you write", "if it would be possible to \"extend\" the notion of epilogue to a", "at most one chapter. Yet, if you have multiple characters in your story,", "possible to \"extend\" the notion of epilogue to a subset of chapters. E.g,", "Aluke * Epilogue: Bob * Epilogue: Chorkia Each one keeps the basic functions", "serves to reveal the fates of the characters. Some epilogues may feature scenes", "I'm interested in is if it would be possible to \"extend\" the notion", "multiple characters in your story, you may want to \"wrap loose ends\" for", "the characters. Some epilogues may feature scenes only tangentially related to the subject", "my understanding is that in most cases the epilogue is at most one", "you wish at the end of your novel. What I'm interested in is", "that in most cases the epilogue is at most one chapter. Yet, if", "can put how many chapters you wish at the end of your novel.", "limited perspective of the events, and wouldn't be able to talk of all", "epilogue? ----------------------------------------- Of course, I'm well aware that you can put how many", "three characters, Aluke, Bob and Chorkia, we may want to have: * Epilogue:", "the main character a chance to \"speak freely\". > > > Now, my", "the epilogue is used to allow the main character a chance to \"speak", "subset of chapters. E.g, if we have three characters, Aluke, Bob and Chorkia,", "According to [Wikipedia](https://en.wikipedia.org/wiki/Epilogue), > > An epilogue is the final chapter at the", "story that often serves to reveal the fates of the characters. Some epilogues", "freely\". > > > Now, my understanding is that in most cases the", "be used to hint at a sequel or wrap up all the loose", "So, can you write more than one epilogue? ----------------------------------------- Of course, I'm well", "reveal the fates of the characters. Some epilogues may feature scenes only tangentially", "In some cases, the epilogue is used to allow the main character a", "epilogue is at most one chapter. Yet, if you have multiple characters in", "to [Wikipedia](https://en.wikipedia.org/wiki/Epilogue), > > An epilogue is the final chapter at the end", "tangentially related to the subject of the story. They can be used to", "them. This is especially true if your narrator has a limited perspective of", "\"extend\" the notion of epilogue to a subset of chapters. E.g, if we", "Epilogue: Chorkia Each one keeps the basic functions of an epilogue described above.", "a story that often serves to reveal the fates of the characters. Some", "They can occur at a significant period of time after the main plot", "the end of a story that often serves to reveal the fates of", "characters. Some epilogues may feature scenes only tangentially related to the subject of", "than one epilogue? ----------------------------------------- Of course, I'm well aware that you can put", "----------------------------------------- Of course, I'm well aware that you can put how many chapters", "wish at the end of your novel. What I'm interested in is if", "interested in is if it would be possible to \"extend\" the notion of", "plot has ended. In some cases, the epilogue is used to allow the", "feature scenes only tangentially related to the subject of the story. They can", "is used to allow the main character a chance to \"speak freely\". >", "to reveal the fates of the characters*. Some epilogues may feature scenes only", "only tangentially related to the subject of the story. They can be used", "chapter. Yet, if you have multiple characters in your story, you may want", "how many chapters you wish at the end of your novel. What I'm", "is that in most cases the epilogue is at most one chapter. Yet,", "E.g, if we have three characters, Aluke, Bob and Chorkia, we may want", "have: Epilogue: Aluke * Epilogue: Bob * Epilogue: Chorkia Each one keeps", "especially true if your narrator has a limited perspective of the events, and", "Chorkia, we may want to have: * Epilogue: Aluke * Epilogue: Bob ", "of epilogue to a subset of chapters. E.g, if we have three characters,", "An epilogue is the final chapter at the end of a story that", "able to talk of all the relevant characters in a single chapter. So,", "a single chapter. So, can you write more than one epilogue? ----------------------------------------- Of", "you write more than one epilogue? ----------------------------------------- Of course, I'm well aware that", "chapter at the end of a story that often serves to reveal the", "would be possible to \"extend\" the notion of epilogue to a subset of", "> An epilogue is the final chapter at the end of a story", "epilogue is used to allow the main character a chance to \"speak freely\".", "related to the subject of the story. They can be used to hint", "> > > Now, my understanding is that in most cases the epilogue", "the events, and wouldn't be able to talk of all the relevant characters", "of the events, and wouldn't be able to talk of all the relevant", "perspective of the events, and wouldn't be able to talk of all the", "single chapter. So, can you write more than one epilogue? ----------------------------------------- Of course,", "loose ends\" for each one of them. This is especially true if your", "your novel. What I'm interested in is if it would be possible to", "in is if it would be possible to \"extend\" the notion of epilogue", "in a single chapter. So, can you write more than one epilogue? -----------------------------------------", "at a significant period of time after the main plot has ended. In", "is at most one chapter. Yet, if you have multiple characters in your", "if we have three characters, Aluke, Bob and Chorkia, we may want to", "often serves to reveal the fates of the characters. Some epilogues may feature", "we have three characters, Aluke, Bob and Chorkia, we may want to have:", "you have multiple characters in your story, you may want to \"wrap loose", "epilogue is the final chapter at the end of a story that often", "most cases the epilogue is at most one chapter. Yet, if you have", "notion of epilogue to a subset of chapters. E.g, if we have three", "well aware that you can put how many chapters you wish at the", "to hint at a sequel or wrap up all the loose ends. They", "we may want to have: Epilogue: Aluke * Epilogue: Bob * Epilogue:", "final chapter at the end of a story *that often serves to reveal", "to the subject of the story. They can be used to hint at", "in your story, you may want to \"wrap loose ends\" for each one", "more than one epilogue? ----------------------------------------- Of course, I'm well aware that you can", "> Now, my understanding is that in most cases the epilogue is at", "\"speak freely\". > > > Now, my understanding is that in most cases", "Epilogue: Aluke Epilogue: Bob * Epilogue: Chorkia Each one keeps the basic", "significant period of time after the main plot has ended. In some cases,", "after the main plot has ended. In some cases, the epilogue is used", "\"wrap loose ends\" for each one of them. This is especially true if", "events, and wouldn't be able to talk of all the relevant characters in", "is if it would be possible to \"extend\" the notion of epilogue to", "epilogue to a subset of chapters. E.g, if we have three characters, Aluke,", "wrap up all the loose ends. They can occur at a significant period", "ends. They can occur at a significant period of time after the main", "to \"speak freely\". > > > Now, my understanding is that in most", "at the end of a story that often serves to reveal the fates", "for each one of them. This is especially true if your narrator has", "> > Now, my understanding is that in most cases the epilogue is", "your narrator has a limited perspective of the events, and wouldn't be able", "story. They can be used to hint at a sequel or wrap up", "some cases, the epilogue is used to allow the main character a chance", "at the end of your novel. What I'm interested in is if it", "of chapters. E.g, if we have three characters, Aluke, Bob and Chorkia, we", "or wrap up all the loose ends. They can occur at a significant", "epilogues may feature scenes only tangentially related to the subject of the story.", "to a subset of chapters. E.g, if we have three characters, Aluke, Bob", "sequel or wrap up all the loose ends*. They can occur at a", "understanding is that in most cases the epilogue is at most one chapter.", "most one chapter. Yet, if you have multiple characters in your story, you", "a subset of chapters. E.g, if we have three characters, Aluke, Bob and", "be able to talk of all the relevant characters in a single chapter.", "Bob and Chorkia, we may want to have: Epilogue: Aluke * Epilogue:", "may feature scenes only tangentially related to the subject of the story. They", "time after the main plot has ended. In some cases, the epilogue is", "scenes only tangentially related to the subject of the story. They can be", "character a chance to \"speak freely\". > > > Now, my understanding is", "to have: * Epilogue: Aluke * Epilogue: Bob * Epilogue: Chorkia Each one", "many chapters you wish at the end of your novel. What I'm interested", "aware that you can put how many chapters you wish at the end", "that you can put how many chapters you wish at the end of", "novel. 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So, can", "Aluke, Bob and Chorkia, we may want to have: * Epilogue: Aluke ", "They can be used to hint at a sequel or wrap up all", "want to have: Epilogue: Aluke * Epilogue: Bob * Epilogue: Chorkia Each", "want to \"wrap loose ends\" for each one of them. This is especially", "main plot has ended. In some cases, the epilogue is used to allow", "put how many chapters you wish at the end of your novel. What", "course, I'm well aware that you can put how many chapters you wish", "period of time after the main plot has ended. In some cases, the", "relevant characters in a single chapter. So, can you write more than one", "of the characters*. 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[ "experience. Or the ones that ask you to write about what you want", "middle school. The writing is okay, but I hate feeling like I'm writing...", "tear you apart. > > > I can't write these. Well, I hate", "point. Those. Here are several examples. The one in bold is the one", "you get the point. Those. Here are several examples. The one in bold", "the first paragraph of the sample \"level six\" response they provided, which is", "love to tear you apart. > > > I can't write these. Well,", "be more > physically active. > > > As the saying goes, “If", "that ask you to explain why it's important to... you get the point.", "writing... fanfiction. Mediocre fanfiction. So, it's not horrible, but I hate it. Why?", "persuading readers to be more > physically active. > > > As the", "Is there a book that you feel should be required reading for >", "> > > As the saying goes, “If at first you don’t succeed,", "a book that you feel should be required reading for > everyone? Write", "Rabiygox house and avoided it like > a bowl of Brussels sprouts. Mr.", "the sample \"level six\" response they provided, which is the \"perfect\" response according", "you what you would theoretically do in a given situation. Or the ones", "kid in the neighborhood knew the Rabiygox house and avoided it like >", "which is the \"perfect\" response according to the textbook. > > Every kid", "Or the ones that ask you to write about what you want to", "something. Or the ones that ask you to write about a personal experience.", "in a given situation. Or the ones that ask you to explain why", "should be required reading for > everyone? Write an essay persuading your audience", "Describe the purposes of the Internet. Include various viewpoints, > including that of", "all have things that we are afraid of, and sometimes we find >", "these. Well, I hate writing these. They seem so weird and... middle school.", "looked like she would love to tear you apart. > > > I", "to read this > book. > > > Some people think of the", "bowl of Brussels sprouts. Mr. Rabiygox was a notorious crank, the house >", "we are afraid of, and sometimes we find > ourselves in situations that", "the Rabiygox house and avoided it like > a bowl of Brussels sprouts.", "but I hate it. Why? Am I too picky? Personal taste? It just", "do. Or the ones that ask you what you would theoretically do in", "Am I too picky? Personal taste? It just feels like a kid's show.", "feel should be required reading for > everyone? Write an essay persuading your", "fanfiction. Mediocre fanfiction. So, it's not horrible, but I hate it. Why? Am", "when you persisted until you achieved your goal. > > > Describe the", "a prompt makes me freeze up immediately. Let me clarify. I'm talking about", "me clarify. I'm talking about high school writing prompts. You know. Those. The", "neighborhood knew the Rabiygox house and avoided it like > a bowl of", "you persisted until you achieved your goal. > > > Describe the purposes", "active. > > > As the saying goes, “If at first you don’t", "at first you don’t succeed, try, try again.” > Describe a time when", "situations that force us to face our deepest fears. Tell > about a", "know. Those. The ones that ask you to write an essay about what", "textbook. > > Every kid in the neighborhood knew the Rabiygox house and", "me freeze up immediately. Let me clarify. I'm talking about high school writing", "goes, “If at first you don’t succeed, try, try again.” > Describe a", "first paragraph of the sample \"level six\" response they provided, which is the", "and his dog was a terror—a mean, fang-toothed > creature that looked like", "these. They seem so weird and... middle school. The writing is okay, but", "this > book. > > > Some people think of the United States", "avoided it like > a bowl of Brussels sprouts. Mr. Rabiygox was a", "don’t succeed, try, try again.” > Describe a time when you persisted until", "users and providers. > > > We all have things that we are", "according to the textbook. > > Every kid in the neighborhood knew the", "a time when you had to face one of your greatest fears. >", "the ones that ask you to write about a personal experience. Or the", "> --- Here's the first paragraph of the sample \"level six\" response they", "reading for > everyone? Write an essay persuading your audience to read this", "in situations that force us to face our deepest fears. Tell > about", "United States as a nation of “couch > potatoes.” Write an essay persuading", "It just feels like a kid's show. Should I stomach it, or try", "providers. > > > We all have things that we are afraid of,", "> potatoes.” Write an essay persuading readers to be more > physically active.", "in bold is the one answered in my sample response. > > Is", "the house > was always dark and creepy, and his dog was a", "> everyone? Write an essay persuading your audience to read this > book.", "fanfiction. So, it's not horrible, but I hate it. Why? Am I too", "potatoes.” Write an essay persuading readers to be more > physically active. >", "and sometimes we find > ourselves in situations that force us to face", "> > > We all have things that we are afraid of, and", "would love to tear you apart. > > > I can't write these.", "like I'm writing... fanfiction. Mediocre fanfiction. So, it's not horrible, but I hate", "try again.” > Describe a time when you persisted until you achieved your", "she would love to tear you apart. > > > I can't write", "a notorious crank, the house > was always dark and creepy, and his", "I can't write these. Well, I hate writing these. They seem so weird", "persisted until you achieved your goal. > > > Describe the purposes of", "that looked like she would love to tear you apart. > > >", "Mediocre fanfiction. So, it's not horrible, but I hate it. Why? Am I", "you to write about what you want to do. Or the ones that", "think of the United States as a nation of “couch > potatoes.” Write", "> > Some people think of the United States as a nation of", "you to write an essay about what you would change about something. Or", "house > was always dark and creepy, and his dog was a terror—a", "> As the saying goes, “If at first you don’t succeed, try, try", "would theoretically do in a given situation. Or the ones that ask you", "that we are afraid of, and sometimes we find > ourselves in situations", "six\" response they provided, which is the \"perfect\" response according to the textbook.", "school. The writing is okay, but I hate feeling like I'm writing... fanfiction.", "talking about high school writing prompts. You know. Those. The ones that ask", "that ask you to write about a personal experience. Or the ones that", "a time when you persisted until you achieved your goal. > > >", "> We all have things that we are afraid of, and sometimes we", "horrible, but I hate it. Why? Am I too picky? Personal taste? It", "taste? It just feels like a kid's show. Should I stomach it, or", "to write an essay about what you would change about something. Or the", "your audience to read this > book. > > > Some people think", "it. Why? Am I too picky? Personal taste? It just feels like a", "Here's the first paragraph of the sample \"level six\" response they provided, which", "a given situation. Or the ones that ask you to explain why it's", "> Every kid in the neighborhood knew the Rabiygox house and avoided it", "required reading for > everyone? Write an essay persuading your audience to read", "bold is the one answered in my sample response. > > Is there", "time when you had to face one of your greatest fears. > >", "prompts. You know. Those. The ones that ask you to write an essay", "They seem so weird and... middle school. The writing is okay, but I", "> physically active. > > > As the saying goes, “If at first", "situation. Or the ones that ask you to explain why it's important to...", "terror—a mean, fang-toothed > creature that looked like she would love to tear", "change about something. Or the ones that ask you to write about a", "notorious crank, the house > was always dark and creepy, and his dog", "his dog was a terror—a mean, fang-toothed > creature that looked like she", "sprouts. Mr. Rabiygox was a notorious crank, the house > was always dark", "clarify. I'm talking about high school writing prompts. You know. Those. The ones", "feeling like I'm writing... fanfiction. Mediocre fanfiction. So, it's not horrible, but I", "I too picky? Personal taste? It just feels like a kid's show. Should", "hate feeling like I'm writing... fanfiction. Mediocre fanfiction. So, it's not horrible, but", "for > everyone? Write an essay persuading your audience to read this >", "are afraid of, and sometimes we find > ourselves in situations that force", "the point. Those. Here are several examples. The one in bold is the", "of “couch > potatoes.” Write an essay persuading readers to be more >", "> including that of users and providers. > > > We all have", "to the textbook. > > Every kid in the neighborhood knew the Rabiygox", "always dark and creepy, and his dog was a terror—a mean, fang-toothed >", "the ones that ask you to write about what you want to do.", "fears. Tell > about a time when you had to face one of", "ask you what you would theoretically do in a given situation. Or the", "achieved your goal. > > > Describe the purposes of the Internet. Include", "various viewpoints, > including that of users and providers. > > > We", "Here are several examples. The one in bold is the one answered in", "like a kid's show. Should I stomach it, or try a different approach?", "\"perfect\" response according to the textbook. > > Every kid in the neighborhood", "to write about a personal experience. Or the ones that ask you to", "you don’t succeed, try, try again.” > Describe a time when you persisted", "paragraph of the sample \"level six\" response they provided, which is the \"perfect\"", "Or the ones that ask you what you would theoretically do in a", "you would change about something. Or the ones that ask you to write", "that force us to face our deepest fears. Tell > about a time", "too picky? Personal taste? It just feels like a kid's show. Should I", "the textbook. > > Every kid in the neighborhood knew the Rabiygox house", "a personal experience. Or the ones that ask you to write about what", "you to write about a personal experience. Or the ones that ask you", "personal experience. Or the ones that ask you to write about what you", "succeed, try, try again.” > Describe a time when you persisted until you", "dark and creepy, and his dog was a terror—a mean, fang-toothed > creature", "one answered in my sample response. > > Is there a book that", "> > Is there a book that you feel should be required reading", "we find > ourselves in situations that force us to face our deepest", "weird and... middle school. The writing is okay, but I hate feeling like", "one of your greatest fears. > > > --- Here's the first paragraph", "given situation. Or the ones that ask you to explain why it's important", "> > > --- Here's the first paragraph of the sample \"level six\"", "prompt makes me freeze up immediately. Let me clarify. I'm talking about high", "Tell > about a time when you had to face one of your", "> > > I can't write these. Well, I hate writing these. They", "when you had to face one of your greatest fears. > > >", "Mr. Rabiygox was a notorious crank, the house > was always dark and", "Some people think of the United States as a nation of “couch >", "Describe a time when you persisted until you achieved your goal. > >", "the \"perfect\" response according to the textbook. > > Every kid in the", "> Describe a time when you persisted until you achieved your goal. >", "and avoided it like > a bowl of Brussels sprouts. Mr. Rabiygox was", "about a time when you had to face one of your greatest fears.", "mean, fang-toothed > creature that looked like she would love to tear you", "it's not horrible, but I hate it. Why? Am I too picky? Personal", "sample \"level six\" response they provided, which is the \"perfect\" response according to", "response. > > Is there a book that you feel should be required", "> ourselves in situations that force us to face our deepest fears. Tell", "first you don’t succeed, try, try again.” > Describe a time when you", "hate writing these. They seem so weird and... middle school. The writing is", "knew the Rabiygox house and avoided it like > a bowl of Brussels", "fears. > > > --- Here's the first paragraph of the sample \"level", "my sample response. > > Is there a book that you feel should", "about a personal experience. Or the ones that ask you to write about", "are several examples. The one in bold is the one answered in my", "again.” > Describe a time when you persisted until you achieved your goal.", "The ones that ask you to write an essay about what you would", "As the saying goes, “If at first you don’t succeed, try, try again.”", "about something. Or the ones that ask you to write about a personal", "“If at first you don’t succeed, try, try again.” > Describe a time", "The one in bold is the one answered in my sample response. >", "you had to face one of your greatest fears.** > > > ---", "an essay about what you would change about something. Or the ones that", "> creature that looked like she would love to tear you apart. >", "--- Here's the first paragraph of the sample \"level six\" response they provided,", "just feels like a kid's show. Should I stomach it, or try a", "theoretically do in a given situation. Or the ones that ask you to", "book that you feel should be required reading for > everyone? Write an", "> > > Some people think of the United States as a nation", "it like > a bowl of Brussels sprouts. Mr. Rabiygox was a notorious", "want to do. Or the ones that ask you what you would theoretically", "saying goes, “If at first you don’t succeed, try, try again.” > Describe", "several examples. The one in bold is the one answered in my sample", "Write an essay persuading your audience to read this > book. > >", "school writing prompts. You know. Those. The ones that ask you to write", "the ones that ask you to explain why it's important to... you get", "us to face our deepest fears. Tell > about a time when you", "ones that ask you to write about what you want to do. Or", "ones that ask you to write about a personal experience. Or the ones", "an essay persuading readers to be more > physically active. > > >", "one in bold is the one answered in my sample response. > >", "can't write these. Well, I hate writing these. They seem so weird and...", "essay persuading readers to be more > physically active. > > > As", "Every kid in the neighborhood knew the Rabiygox house and avoided it like", "was a terror—a mean, fang-toothed > creature that looked like she would love", "to explain why it's important to... you get the point. Those. Here are", "our deepest fears. Tell > about a time when you had to face", "deepest fears. Tell > about a time when you had to face one", "to tear you apart. > > > I can't write these. Well, I", "your greatest fears. > > > --- Here's the first paragraph of the", "essay persuading your audience to read this > book. > > > Some", "response according to the textbook. > > Every kid in the neighborhood knew", "would change about something. Or the ones that ask you to write about", "to be more > physically active. > > > As the saying goes,", "the saying goes, “If at first you don’t succeed, try, try again.” >", "why it's important to... you get the point. Those. Here are several examples.", "makes me freeze up immediately. Let me clarify. I'm talking about high school", "persuading your audience to read this > book. > > > Some people", "to face one of your greatest fears. > > > --- Here's the", "book. > > > Some people think of the United States as a", "so weird and... middle school. The writing is okay, but I hate feeling", "of your greatest fears.** > > > --- Here's the first paragraph of", "crank, the house > was always dark and creepy, and his dog was", "but I hate feeling like I'm writing... fanfiction. Mediocre fanfiction. So, it's not", "a bowl of Brussels sprouts. Mr. Rabiygox was a notorious crank, the house", "the one answered in my sample response. > > Is there a book", "freeze up immediately. Let me clarify. I'm talking about high school writing prompts.", "readers to be more > physically active. > > > As the saying", "until you achieved your goal. > > > Describe the purposes of the", "about what you would change about something. Or the ones that ask you", "ask you to write about what you want to do. Or the ones", "> > Describe the purposes of the Internet. Include various viewpoints, > including", "> > > Describe the purposes of the Internet. Include various viewpoints, >", "Internet. Include various viewpoints, > including that of users and providers. > >", "house and avoided it like > a bowl of Brussels sprouts. Mr. Rabiygox", "you would theoretically do in a given situation. Or the ones that ask", "okay, but I hate feeling like I'm writing... fanfiction. Mediocre fanfiction. So, it's", "writing these. They seem so weird and... middle school. The writing is okay,", "was a notorious crank, the house > was always dark and creepy, and", "writing is okay, but I hate feeling like I'm writing... fanfiction. Mediocre fanfiction.", "I'm writing... fanfiction. Mediocre fanfiction. So, it's not horrible, but I hate it.", "ask you to explain why it's important to... you get the point. Those.", "about what you want to do. Or the ones that ask you what", "try, try again.” > Describe a time when you persisted until you achieved", "So, it's not horrible, but I hate it. Why? Am I too picky?", "about high school writing prompts. You know. Those. The ones that ask you", "the United States as a nation of “couch > potatoes.” Write an essay", "to do. Or the ones that ask you what you would theoretically do", "immediately. Let me clarify. I'm talking about high school writing prompts. You know.", "Let me clarify. I'm talking about high school writing prompts. You know. Those.", "it's important to... you get the point. Those. Here are several examples. The", "in my sample response. > > Is there a book that you feel", "important to... you get the point. Those. Here are several examples. The one", "more > physically active. > > > As the saying goes, “If at", "Well, I hate writing these. They seem so weird and... middle school. The", "is the one answered in my sample response. > > Is there a", "of the United States as a nation of “couch > potatoes.” Write an", "explain why it's important to... you get the point. Those. Here are several", "what you would change about something. Or the ones that ask you to", "response they provided, which is the \"perfect\" response according to the textbook. >", "find > ourselves in situations that force us to face our deepest fears.", "write these. Well, I hate writing these. They seem so weird and... middle", "not horrible, but I hate it. Why? Am I too picky? Personal taste?", "everyone? Write an essay persuading your audience to read this > book. >", "a terror—a mean, fang-toothed > creature that looked like she would love to", "you to explain why it's important to... you get the point. Those. Here", "greatest fears. > > > --- Here's the first paragraph of the sample", "picky? Personal taste? It just feels like a kid's show. Should I stomach", "is okay, but I hate feeling like I'm writing... fanfiction. Mediocre fanfiction. So,", "you feel should be required reading for > everyone? Write an essay persuading", "dog was a terror—a mean, fang-toothed > creature that looked like she would", "Include various viewpoints, > including that of users and providers. > > >", "examples. The one in bold is the one answered in my sample response.", "> > As the saying goes, “If at first you don’t succeed, try,", "the purposes of the Internet. Include various viewpoints, > including that of users", "like she would love to tear you apart. > > > I can't", "I hate feeling like I'm writing... fanfiction. Mediocre fanfiction. So, it's not horrible,", "like > a bowl of Brussels sprouts. Mr. Rabiygox was a notorious crank,", "of the sample \"level six\" response they provided, which is the \"perfect\" response", "face our deepest fears. Tell > about a time when you had to", "you achieved your goal. > > > Describe the purposes of the Internet.", "purposes of the Internet. Include various viewpoints, > including that of users and", "of, and sometimes we find > ourselves in situations that force us to", "force us to face our deepest fears. Tell > about a time when", "things that we are afraid of, and sometimes we find > ourselves in", "physically active. > > > As the saying goes, “If at first you", "ask you to write an essay about what you would change about something.", "> Some people think of the United States as a nation of “couch", "Personal taste? It just feels like a kid's show. Should I stomach it,", "ourselves in situations that force us to face our deepest fears. Tell >", "I hate it. Why? Am I too picky? Personal taste? It just feels", "an essay persuading your audience to read this > book. > > >", "ones that ask you what you would theoretically do in a given situation.", "to write about what you want to do. Or the ones that ask", "ones that ask you to write an essay about what you would change", "had to face one of your greatest fears. > > > --- Here's", "You know. Those. The ones that ask you to write an essay about", "was always dark and creepy, and his dog was a terror—a mean, fang-toothed", "ask you to write about a personal experience. Or the ones that ask", "I'm talking about high school writing prompts. You know. Those. The ones that", "that ask you to write about what you want to do. Or the", "that ask you to write an essay about what you would change about", "sample response. > > Is there a book that you feel should be", "that of users and providers. > > > We all have things that", "> > We all have things that we are afraid of, and sometimes", "of the Internet. Include various viewpoints, > including that of users and providers.", "do in a given situation. Or the ones that ask you to explain", "I hate writing these. They seem so weird and... middle school. The writing", "Those. Here are several examples. The one in bold is the one answered", "Or the ones that ask you to write about a personal experience. Or", "> > --- Here's the first paragraph of the sample \"level six\" response", "Those. The ones that ask you to write an essay about what you", "of users and providers. > > > We all have things that we", "that you feel should be required reading for > everyone? Write an essay", "and providers. > > > We all have things that we are afraid", "“couch > potatoes.” Write an essay persuading readers to be more > physically", "there a book that you feel should be required reading for > everyone?", "seem so weird and... middle school. The writing is okay, but I hate", "fang-toothed > creature that looked like she would love to tear you apart.", "what you would theoretically do in a given situation. Or the ones that", "the ones that ask you what you would theoretically do in a given", "Rabiygox was a notorious crank, the house > was always dark and creepy,", "what you want to do. Or the ones that ask you what you", "and creepy, and his dog was a terror—a mean, fang-toothed > creature that", "States as a nation of “couch > potatoes.” Write an essay persuading readers", "you apart. > > > I can't write these. Well, I hate writing", "high school writing prompts. You know. Those. The ones that ask you to", "audience to read this > book. > > > Some people think of", "> > Every kid in the neighborhood knew the Rabiygox house and avoided", "> was always dark and creepy, and his dog was a terror—a mean,", "that ask you what you would theoretically do in a given situation. Or", "hate it. Why? Am I too picky? Personal taste? It just feels like", "to face our deepest fears. Tell > about a time when you had", "answered in my sample response. > > Is there a book that you", "the neighborhood knew the Rabiygox house and avoided it like > a bowl", "they provided, which is the \"perfect\" response according to the textbook. > >", "people think of the United States as a nation of “couch > potatoes.”", "given a prompt makes me freeze up immediately. Let me clarify. I'm talking", "sometimes we find > ourselves in situations that force us to face our", "in the neighborhood knew the Rabiygox house and avoided it like > a", "writing prompts. You know. Those. The ones that ask you to write an", "We all have things that we are afraid of, and sometimes we find", "up immediately. Let me clarify. I'm talking about high school writing prompts. You", "time when you persisted until you achieved your goal. > > > Describe", "is the \"perfect\" response according to the textbook. > > Every kid in", "essay about what you would change about something. Or the ones that ask", "Or the ones that ask you to explain why it's important to... you", "nation of “couch > potatoes.” Write an essay persuading readers to be more", "to... you get the point. Those. Here are several examples. The one in", "and... middle school. The writing is okay, but I hate feeling like I'm", "the Internet. Include various viewpoints, > including that of users and providers. >", "write about a personal experience. Or the ones that ask you to write", "viewpoints, > including that of users and providers. > > > We all", "read this > book. > > > Some people think of the United", "> Is there a book that you feel should be required reading for", "> book. > > > Some people think of the United States as", "get the point. Those. Here are several examples. The one in bold is", "> I can't write these. Well, I hate writing these. They seem so", "as a nation of “couch > potatoes.” Write an essay persuading readers to", "Brussels sprouts. Mr. Rabiygox was a notorious crank, the house > was always", "creature that looked like she would love to tear you apart. > >", "you want to do. Or the ones that ask you what you would", "have things that we are afraid of, and sometimes we find > ourselves", "The writing is okay, but I hate feeling like I'm writing... fanfiction. Mediocre", "Why? Am I too picky? Personal taste? It just feels like a kid's", "feels like a kid's show. Should I stomach it, or try a different", "write an essay about what you would change about something. Or the ones", "creepy, and his dog was a terror—a mean, fang-toothed > creature that looked", "apart. > > > I can't write these. Well, I hate writing these.", "\"level six\" response they provided, which is the \"perfect\" response according to the", "of Brussels sprouts. Mr. Rabiygox was a notorious crank, the house > was", "ones that ask you to explain why it's important to... you get the", "Being given a prompt makes me freeze up immediately. Let me clarify. I'm", "goal. > > > Describe the purposes of the Internet. Include various viewpoints,", "> > I can't write these. Well, I hate writing these. They seem", "> about a time when you had to face one of your greatest", "> a bowl of Brussels sprouts. Mr. Rabiygox was a notorious crank, the", "face one of your greatest fears. > > > --- Here's the first", "Write an essay persuading readers to be more > physically active. > >", "a nation of “couch > potatoes.” Write an essay persuading readers to be", "including that of users and providers. > > > We all have things", "be required reading for > everyone? Write an essay persuading your audience to", "write about what you want to do. Or the ones that ask you", "your goal. > > > Describe the purposes of the Internet. Include various", "> Describe the purposes of the Internet. Include various viewpoints, > including that", "afraid of, and sometimes we find > ourselves in situations that force us", "provided, which is the \"perfect\" response according to the textbook. > > Every" ]
[ "my built world, and would like them to feel like established legends from", "than in a more routine work of fiction? What makes a legend sound", "built world, and would like them to feel like established legends from our", "and so on are more likely to be found in legends than in", "are more likely to be found in legends than in a more routine", "our own human experience. What should I keep in mind while writing these", "legends? What elements, styles of prose, turns of phrases, structure, length, and so", "legends than in a more routine work of fiction? What makes a legend", "in a more routine work of fiction? What makes a legend sound like", "for my built world, and would like them to feel like established legends", "while writing these legends? What elements, styles of prose, turns of phrases, structure,", "feel like established legends from our own human experience. What should I keep", "structure, length, and so on are more likely to be found in legends", "to be found in legends than in a more routine work of fiction?", "from our own human experience. What should I keep in mind while writing", "and would like them to feel like established legends from our own human", "writing these legends? What elements, styles of prose, turns of phrases, structure, length,", "world, and would like them to feel like established legends from our own", "in-world legends for my built world, and would like them to feel like", "own human experience. What should I keep in mind while writing these legends?", "human experience. What should I keep in mind while writing these legends? What", "of prose, turns of phrases, structure, length, and so on are more likely", "phrases, structure, length, and so on are more likely to be found in", "mind while writing these legends? What elements, styles of prose, turns of phrases,", "like established legends from our own human experience. What should I keep in", "in legends than in a more routine work of fiction? What makes a", "elements, styles of prose, turns of phrases, structure, length, and so on are", "of phrases, structure, length, and so on are more likely to be found", "these legends? What elements, styles of prose, turns of phrases, structure, length, and", "more routine work of fiction? What makes a legend sound like a legend?", "would like them to feel like established legends from our own human experience.", "should I keep in mind while writing these legends? What elements, styles of", "What elements, styles of prose, turns of phrases, structure, length, and so on", "compiling in-world legends for my built world, and would like them to feel", "prose, turns of phrases, structure, length, and so on are more likely to", "found in legends than in a more routine work of fiction? What makes", "legends from our own human experience. What should I keep in mind while", "more likely to be found in legends than in a more routine work", "like them to feel like established legends from our own human experience. What", "What should I keep in mind while writing these legends? What elements, styles", "styles of prose, turns of phrases, structure, length, and so on are more", "in mind while writing these legends? What elements, styles of prose, turns of", "turns of phrases, structure, length, and so on are more likely to be", "length, and so on are more likely to be found in legends than", "keep in mind while writing these legends? What elements, styles of prose, turns", "legends for my built world, and would like them to feel like established", "to feel like established legends from our own human experience. What should I", "on are more likely to be found in legends than in a more", "established legends from our own human experience. What should I keep in mind", "experience. What should I keep in mind while writing these legends? What elements,", "so on are more likely to be found in legends than in a", "likely to be found in legends than in a more routine work of", "I keep in mind while writing these legends? What elements, styles of prose,", "I'm compiling in-world legends for my built world, and would like them to", "a more routine work of fiction? What makes a legend sound like a", "be found in legends than in a more routine work of fiction? What", "them to feel like established legends from our own human experience. What should" ]
[ "of disrupts the mood and atmosphere of it. You know, those that make", "you can see, I tend to use repetition and focused only on the", "> > > As you can see, I tend to use repetition and", "devices almost always makes the reader feel more of what is in the", "“I was so scared!” In my reflective narratives I hardly use literary devices,", "those that make the mood really melancholy, or deep sadness. I don’t know", "Her unique, blue eyes focused on a hole. A hole now so small", "limb, there was still a faded mark. What did it represent? The wolf", "devices. Nobody would think, “My body shook so hard that it could be", "snout, staring off into the trees. Her unique, blue eyes focused on a", "could be ranked on a Richter Scale.” Most probably it would be something", "her front limb, there was still a faded mark. What did it represent?", "it, but here’s an example: > > The wolf stood quietly at the", "was so scared!” In my reflective narratives I hardly use literary devices, because", "wolf lifted her snout, staring off into the trees. Her unique, blue eyes", "reflective narratives I hardly use literary devices, because using them sort of disrupts", "the mood and atmosphere of it. You know, those that make the mood", "the character are more important. And nobody in real life thinks like literary", "can see, I tend to use repetition and focused only on the wolf", "capable of making sad expressions, it would have been right there on her", "in the story. However, sometimes I like writing reflective narratives, where thoughts of", "wolf and her thoughts. My question is, if I used literary devices, would", "here’s an example: > > The wolf stood quietly at the edge of", "into the trees. Her unique, blue eyes focused on a hole. A hole", "youth. If wolves’s faces were capable of making sad expressions, it would have", "what is in the story. However, sometimes I like writing reflective narratives, where", "know how to describe it, but here’s an example: > > The wolf", "been right there on her face. On her front limb, there was still", "on the wolf and her thoughts. My question is, if I used literary", "it represent? The wolf lifted her snout, staring off into the trees. Her", "repetition and focused only on the wolf and her thoughts. My question is,", "know, those that make the mood really melancholy, or deep sadness. I don’t", "As you can see, I tend to use repetition and focused only on", "signs of her youth. If wolves’s faces were capable of making sad expressions,", "a Richter Scale.” Most probably it would be something like “I was so", "is, if I used literary devices, would it necessarily be better? Or is", "quietly at the edge of the pond. She was staring at her reflection,", "tend to use repetition and focused only on the wolf and her thoughts.", "like writing reflective narratives, where thoughts of the character are more important. And", "almost always makes the reader feel more of what is in the story.", "of making sad expressions, it would have been right there on her face.", "> As you can see, I tend to use repetition and focused only", "more of what is in the story. However, sometimes I like writing reflective", "showed signs of her youth. If wolves’s faces were capable of making sad", "only on the wolf and her thoughts. My question is, if I used", "lifted her snout, staring off into the trees. Her unique, blue eyes focused", "so small she could only fit her snout in. A hole which once", "I used literary devices, would it necessarily be better? Or is it fine", "the wolf and her thoughts. My question is, if I used literary devices,", "like “I was so scared!” In my reflective narratives I hardly use literary", "“My body shook so hard that it could be ranked on a Richter", "the trees. Her unique, blue eyes focused on a hole. A hole now", "where thoughts of the character are more important. And nobody in real life", "literary devices. Nobody would think, “My body shook so hard that it could", "small she could only fit her snout in. A hole which once belonged", "beloved Den. > > > As you can see, I tend to use", "to use repetition and focused only on the wolf and her thoughts. My", "expressions, it would have been right there on her face. On her front", "unique, blue eyes focused on a hole. A hole now so small she", "her snout in. A hole which once belonged to her, her beloved Den.", "and focused only on the wolf and her thoughts. My question is, if", "and atmosphere of it. You know, those that make the mood really melancholy,", "don’t know how to describe it, but here’s an example: > > The", "but here’s an example: > > The wolf stood quietly at the edge", "on a hole. A hole now so small she could only fit her", "use literary devices, because using them sort of disrupts the mood and atmosphere", "Nobody would think, “My body shook so hard that it could be ranked", "the edge of the pond. She was staring at her reflection, which no", "nobody in real life thinks like literary devices. Nobody would think, “My body", "reflective narratives, where thoughts of the character are more important. And nobody in", "In my reflective narratives I hardly use literary devices, because using them sort", "the mood really melancholy, or deep sadness. I don’t know how to describe", "> > As you can see, I tend to use repetition and focused", "Most probably it would be something like “I was so scared!” In my", "If wolves’s faces were capable of making sad expressions, it would have been", "her face. On her front limb, there was still a faded mark. What", "use repetition and focused only on the wolf and her thoughts. My question", "describe it, but here’s an example: > > The wolf stood quietly at", "sort of disrupts the mood and atmosphere of it. You know, those that", "literary devices almost always makes the reader feel more of what is in", "are more important. And nobody in real life thinks like literary devices. Nobody", "sadness. I don’t know how to describe it, but here’s an example: >", "faded mark. What did it represent? The wolf lifted her snout, staring off", "A hole now so small she could only fit her snout in. A", "snout in. A hole which once belonged to her, her beloved Den. >", "how to describe it, but here’s an example: > > The wolf stood", "that make the mood really melancholy, or deep sadness. I don’t know how", "wolves’s faces were capable of making sad expressions, it would have been right", "hole which once belonged to her, her beloved Den. > > > As", "there on her face. On her front limb, there was still a faded", "hole. A hole now so small she could only fit her snout in.", "blue eyes focused on a hole. A hole now so small she could", "in. A hole which once belonged to her, her beloved Den. > >", "> > The wolf stood quietly at the edge of the pond. She", "an example: > > The wolf stood quietly at the edge of the", "of her youth. If wolves’s faces were capable of making sad expressions, it", "of it. You know, those that make the mood really melancholy, or deep", "She was staring at her reflection, which no longer showed signs of her", "her beloved Den. > > > As you can see, I tend to", "because using them sort of disrupts the mood and atmosphere of it. You", "still a faded mark. What did it represent? The wolf lifted her snout,", "used literary devices, would it necessarily be better? Or is it fine without", "it would be something like “I was so scared!” In my reflective narratives", "trees. Her unique, blue eyes focused on a hole. A hole now so", "if I used literary devices, would it necessarily be better? Or is it", "her snout, staring off into the trees. Her unique, blue eyes focused on", "In narrative essays, writing literary devices almost always makes the reader feel more", "off into the trees. Her unique, blue eyes focused on a hole. A", "life thinks like literary devices. Nobody would think, “My body shook so hard", "devices, because using them sort of disrupts the mood and atmosphere of it.", "character are more important. And nobody in real life thinks like literary devices.", "it could be ranked on a Richter Scale.” Most probably it would be", "mood really melancholy, or deep sadness. I don’t know how to describe it,", "would be something like “I was so scared!” In my reflective narratives I", "staring off into the trees. Her unique, blue eyes focused on a hole.", "pond. She was staring at her reflection, which no longer showed signs of", "of the pond. She was staring at her reflection, which no longer showed", "stood quietly at the edge of the pond. She was staring at her", "making sad expressions, it would have been right there on her face. On", "which once belonged to her, her beloved Den. > > > As you", "was still a faded mark. What did it represent? 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However, sometimes I like writing reflective narratives, where thoughts of the", "using them sort of disrupts the mood and atmosphere of it. You know,", "the pond. She was staring at her reflection, which no longer showed signs", "right there on her face. On her front limb, there was still a", "literary devices, would it necessarily be better? Or is it fine without them?", "something like “I was so scared!” In my reflective narratives I hardly use", "only fit her snout in. A hole which once belonged to her, her", "I don’t know how to describe it, but here’s an example: > >", "in real life thinks like literary devices. Nobody would think, “My body shook", "there was still a faded mark. What did it represent? The wolf lifted", "fit her snout in. A hole which once belonged to her, her beloved", "reader feel more of what is in the story. However, sometimes I like", "body shook so hard that it could be ranked on a Richter Scale.”", "thinks like literary devices. Nobody would think, “My body shook so hard that", "What did it represent? The wolf lifted her snout, staring off into the", "A hole which once belonged to her, her beloved Den. > > >", "so scared!” In my reflective narratives I hardly use literary devices, because using", "edge of the pond. She was staring at her reflection, which no longer", "were capable of making sad expressions, it would have been right there on", "a hole. A hole now so small she could only fit her snout", "face. On her front limb, there was still a faded mark. What did", "narratives I hardly use literary devices, because using them sort of disrupts the", "her thoughts. My question is, if I used literary devices, would it necessarily", "Scale.” Most probably it would be something like “I was so scared!” In", "atmosphere of it. You know, those that make the mood really melancholy, or", "her reflection, which no longer showed signs of her youth. If wolves’s faces", "reflection, which no longer showed signs of her youth. If wolves’s faces were", "front limb, there was still a faded mark. What did it represent? The", "at the edge of the pond. She was staring at her reflection, which", "essays, writing literary devices almost always makes the reader feel more of what", "On her front limb, there was still a faded mark. What did it", "her youth. If wolves’s faces were capable of making sad expressions, it would", "like literary devices. Nobody would think, “My body shook so hard that it", "was staring at her reflection, which no longer showed signs of her youth.", "writing literary devices almost always makes the reader feel more of what is", "I tend to use repetition and focused only on the wolf and her", "focused on a hole. A hole now so small she could only fit", "focused only on the wolf and her thoughts. My question is, if I", "And nobody in real life thinks like literary devices. Nobody would think, “My", "probably it would be something like “I was so scared!” In my reflective", "thoughts of the character are more important. And nobody in real life thinks", "more important. And nobody in real life thinks like literary devices. Nobody would", "have been right there on her face. On her front limb, there was", "did it represent? The wolf lifted her snout, staring off into the trees.", "> The wolf stood quietly at the edge of the pond. She was", "deep sadness. I don’t know how to describe it, but here’s an example:", "feel more of what is in the story. However, sometimes I like writing", "is in the story. However, sometimes I like writing reflective narratives, where thoughts", "be ranked on a Richter Scale.” Most probably it would be something like", "once belonged to her, her beloved Den. > > > As you can", "narrative essays, writing literary devices almost always makes the reader feel more of", "staring at her reflection, which no longer showed signs of her youth. If", "always makes the reader feel more of what is in the story. However,", "and her thoughts. My question is, if I used literary devices, would it", "thoughts. My question is, if I used literary devices, would it necessarily be", "make the mood really melancholy, or deep sadness. I don’t know how to", "at her reflection, which no longer showed signs of her youth. If wolves’s", "mark. What did it represent? The wolf lifted her snout, staring off into", "However, sometimes I like writing reflective narratives, where thoughts of the character are", "scared!” In my reflective narratives I hardly use literary devices, because using them", "would think, “My body shook so hard that it could be ranked on", "sometimes I like writing reflective narratives, where thoughts of the character are more", "on her face. On her front limb, there was still a faded mark.", "a faded mark. What did it represent? The wolf lifted her snout, staring", "mood and atmosphere of it. You know, those that make the mood really", "ranked on a Richter Scale.” Most probably it would be something like “I", "shook so hard that it could be ranked on a Richter Scale.” Most", "Den. > > > As you can see, I tend to use repetition", "the reader feel more of what is in the story. However, sometimes I", "really melancholy, or deep sadness. I don’t know how to describe it, but", "so hard that it could be ranked on a Richter Scale.” Most probably", "could only fit her snout in. A hole which once belonged to her,", "my reflective narratives I hardly use literary devices, because using them sort of", "Richter Scale.” Most probably it would be something like “I was so scared!”", "hard that it could be ranked on a Richter Scale.” Most probably it", "My question is, if I used literary devices, would it necessarily be better?", "eyes focused on a hole. A hole now so small she could only", "narratives, where thoughts of the character are more important. And nobody in real", "real life thinks like literary devices. Nobody would think, “My body shook so", "which no longer showed signs of her youth. If wolves’s faces were capable", "You know, those that make the mood really melancholy, or deep sadness. I" ]
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The sections contain more of a high-level topic as the plot", "an author, whose approach is to write her text, approximately divided by indicators", "to be, with the idea that later she and I would improve the", "novel, but not purely science fiction. It has elements of a psychological drama", "volume of the manuscript is around 700 pages and she is planning a", "approximately divided by indicators where she wants the breaks to be, with the", "to 10 sections with 8 being most common. The work is almost complete", "they are more than 6 years old. Are there any commonly accepted guidelines", "indicators where she wants the breaks to be, with the idea that later", "I have typeset it for the time being as chapters and sections, but", "look rather like parts, and our sections should be chapters. The only problem", "a psychological drama and bits of other styles, such as crime and action.", "and action. The overall volume of the manuscript is around 700 pages and", "it for the time being as chapters and sections, but now we both", "only problem is that early in the manuscript the chapters are much shorter,", "the book's universe. The sections contain more of a high-level topic as the", "into 8 chapters and each has from 2 to 10 sections with 8", "not necessarily looking to change it - we are only looking for any", "approach is to write her text, approximately divided by indicators where she wants", "both answers; however, they are more than 6 years old. Are there any", "sequel or several under the same title with different subtitles. Currently it is", "but not purely science fiction. It has elements of a psychological drama and", "plot moves across the book's universe. The sections contain more of a high-level", "idea that later she and I would improve the breaks and decide, what", "it is divided into 8 chapters and each has from 2 to 10", "is planning a sequel or several under the same title with different subtitles.", "parts, and our sections should be chapters. The only problem is that early", "around 700 pages and she is planning a sequel or several under the", "her text, approximately divided by indicators where she wants the breaks to be,", "several under the same title with different subtitles. Currently it is divided into", "well-articulated and commonly accepted reasons to improve what we have. We are aware", "will the sections become: parts, chapters, sections, etc. This is mostly based on", "and I have typeset it for the time being as chapters and sections,", "sectioning and are not necessarily looking to change it - we are only", "text, approximately divided by indicators where she wants the breaks to be, with", "the manuscript the chapters are much shorter, and increase in length as the", "2 to 10 sections with 8 being most common. The work is almost", "the breaks and decide, what will the sections become: parts, chapters, sections, etc.", "debating, whether our chapters look rather like parts, and our sections should be", "problem is that early in the manuscript the chapters are much shorter, and", "It has elements of a psychological drama and bits of other styles, such", "answers; however, they are more than 6 years old. Are there any commonly", "complete and I have typeset it for the time being as chapters and", "manuscript is around 700 pages and she is planning a sequel or several", "with both answers; however, they are more than 6 years old. Are there", "than 6 years old. Are there any commonly accepted guidelines for choosing parts", "We are kind of content with this sectioning and are not necessarily looking", "I used to typeset the book. The book is a science fiction novel,", "this sectioning and are not necessarily looking to change it - we are", "within one location. We are kind of content with this sectioning and are", "The work is almost complete and I have typeset it for the time", "and each has from 2 to 10 sections with 8 being most common.", "are not necessarily looking to change it - we are only looking for", "become: parts, chapters, sections, etc. This is mostly based on the `LaTeX` `memoir`", "vs chapters vs sections for the work described above and where could we", "the chapters are much shorter, and increase in length as the text goes.", "improve what we have. We are aware of [this question](https://writing.stackexchange.com/q/7083) and agree with", "a sequel or several under the same title with different subtitles. Currently it", "the same title with different subtitles. Currently it is divided into 8 chapters", "action. The overall volume of the manuscript is around 700 pages and she", "is to write her text, approximately divided by indicators where she wants the", "such as crime and action. The overall volume of the manuscript is around", "different locations as the plot moves across the book's universe. The sections contain", "breaks and decide, what will the sections become: parts, chapters, sections, etc. This", "of content with this sectioning and are not necessarily looking to change it", "choosing parts vs chapters vs sections for the work described above and where", "and she is planning a sequel or several under the same title with", "elements of a psychological drama and bits of other styles, such as crime", "being most common. The work is almost complete and I have typeset it", "the manuscript is around 700 pages and she is planning a sequel or", "like parts, and our sections should be chapters. 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Are there any commonly accepted guidelines for choosing parts vs chapters vs", "whether our chapters look rather like parts, and our sections should be chapters.", "The only problem is that early in the manuscript the chapters are much", "most common. The work is almost complete and I have typeset it for", "and are not necessarily looking to change it - we are only looking", "time being as chapters and sections, but now we both are debating, whether", "The book is a science fiction novel, but not purely science fiction. It", "styles, such as crime and action. The overall volume of the manuscript is", "almost complete and I have typeset it for the time being as chapters", "under the same title with different subtitles. Currently it is divided into 8", "write her text, approximately divided by indicators where she wants the breaks to", "8 chapters and each has from 2 to 10 sections with 8 being", "are much shorter, and increase in length as the text goes. 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My question is what aspects of the story, if", "written a piece stemming from an idea about a particular process that leads", "have the greatest bearing on changing the title to something that encompasses the", "an idea about a particular process that leads to the attainment of magical", "fact I'm not sure if the treatise itself has has a role in", "piece or not. My question is what aspects of the story, if any,", "idea about a particular process that leads to the attainment of magical abilities.", "attainment of magical abilities. The working title was written for the small, 250", "My question is what aspects of the story, if any, have the greatest", "is what aspects of the story, if any, have the greatest bearing on", "with the finished piece in the 1600 word range the title doesn't work", "the subject codified before starting the narrative. Now with the finished piece in", "The working title was written for the small, 250 word, treatise that I", "a particular process that leads to the attainment of magical abilities. The working", "greatest bearing on changing the title to something that encompasses the finished tale", "word range the title doesn't work particularly well and in fact I'm not", "I have written a piece stemming from an idea about a particular process", "the title doesn't work particularly well and in fact I'm not sure if", "not sure if the treatise itself has has a role in the overall", "process that leads to the attainment of magical abilities. The working title was", "has has a role in the overall piece or not. My question is", "the attainment of magical abilities. The working title was written for the small,", "what aspects of the story, if any, have the greatest bearing on changing", "have written a piece stemming from an idea about a particular process that", "I'm not sure if the treatise itself has has a role in the", "the narrative. Now with the finished piece in the 1600 word range the", "250 word, treatise that I used to get my thoughts on the subject", "piece in the 1600 word range the title doesn't work particularly well and", "starting the narrative. Now with the finished piece in the 1600 word range", "used to get my thoughts on the subject codified before starting the narrative.", "story, if any, have the greatest bearing on changing the title to something", "to the attainment of magical abilities. The working title was written for the", "working title was written for the small, 250 word, treatise that I used", "title doesn't work particularly well and in fact I'm not sure if the", "not. My question is what aspects of the story, if any, have the", "in fact I'm not sure if the treatise itself has has a role", "question is what aspects of the story, if any, have the greatest bearing", "piece stemming from an idea about a particular process that leads to the", "the finished piece in the 1600 word range the title doesn't work particularly", "and in fact I'm not sure if the treatise itself has has a" ]
[ "(introspective) post mortems be sufficient to develop the characters in my novels? Or", "but also seems \"contrived\" to me. Most characters (that I know in \"real", "lives. Can an event driven format, with brief (introspective) post mortems be sufficient", "words and actions while another tries to interpret those words and actions. Another", "dances, the Prom, etc. Then I have the characters react to, or comment", "also seems \"contrived\" to me. Most characters (that I know in \"real life\")", "determine the likely result. Or at the Prom, one character merely observes other", "team scores, while another character analyzes the flow of play in trying to", "know in \"real life\") are not highly introspective, and will reveal themselves primarily", "result. Or at the Prom, one character merely observes other peoples' words and", "events in their lives. Can an event driven format, with brief (introspective) post", "another tries to interpret those words and actions. Another format used to develop", "develop the characters in my novels? Or does one need to \"make time\"", "characters react to, or comment on the occurrences that happen at these events.", "the flow of play in trying to determine the likely result. Or at", "to \"make time\" in a story for strategically placed \"asides\" to produce character", "This, in my experience, usually \"does the job,\" but also seems \"contrived\" to", "Dance, the basketball game, other dances, the Prom, etc. Then I have the", "strategically placed \"asides\" to produce character development, even though this may or may", "\"asides\" to produce character development, even though this may or may not happen", "words and actions. Another format used to develop character is to have long", "instance, at the games, one character \"jumps up and down\" (not literally), when", "in my high school novel, I have the main characters attend a football", "literally), when the home team scores, while another character analyzes the flow of", "Prom, one character merely observes other peoples' words and actions while another tries", "mortems be sufficient to develop the characters in my novels? Or does one", "post mortems be sufficient to develop the characters in my novels? Or does", "in their lives. Can an event driven format, with brief (introspective) post mortems", "themselves primarily at critical points and events in their lives. Can an event", "format, with brief (introspective) post mortems be sufficient to develop the characters in", "likely result. Or at the Prom, one character merely observes other peoples' words", "comment on the occurrences that happen at these events. For instance, at the", "Or does one need to \"make time\" in a story for strategically placed", "observes other peoples' words and actions while another tries to interpret those words", "or comment on the occurrences that happen at these events. For instance, at", "event driven format, with brief (introspective) post mortems be sufficient to develop the", "brief (introspective) post mortems be sufficient to develop the characters in my novels?", "have the characters react to, or comment on the occurrences that happen at", "on the occurrences that happen at these events. For instance, at the games,", "these events. For instance, at the games, one character \"jumps up and down\"", "when the home team scores, while another character analyzes the flow of play", "to, or comment on the occurrences that happen at these events. For instance,", "main character and others. This, in my experience, usually \"does the job,\" but", "my novels? Or does one need to \"make time\" in a story for", "to produce character development, even though this may or may not happen in", "a football game, the Homecoming Dance, the basketball game, other dances, the Prom,", "the characters react to, or comment on the occurrences that happen at these", "to determine the likely result. Or at the Prom, one character merely observes", "in trying to determine the likely result. Or at the Prom, one character", "the Homecoming Dance, the basketball game, other dances, the Prom, etc. Then I", "one character \"jumps up and down\" (not literally), when the home team scores,", "Another format used to develop character is to have long conversations between the", "\"contrived\" to me. Most characters (that I know in \"real life\") are not", "characters in my novels? Or does one need to \"make time\" in a", "up and down\" (not literally), when the home team scores, while another character", "need to \"make time\" in a story for strategically placed \"asides\" to produce", "are not highly introspective, and will reveal themselves primarily at critical points and", "Can an event driven format, with brief (introspective) post mortems be sufficient to", "develop character is to have long conversations between the main character and others.", "while another tries to interpret those words and actions. Another format used to", "and will reveal themselves primarily at critical points and events in their lives.", "to me. Most characters (that I know in \"real life\") are not highly", "analyzes the flow of play in trying to determine the likely result. Or", "attend a football game, the Homecoming Dance, the basketball game, other dances, the", "the occurrences that happen at these events. For instance, at the games, one", "experience, usually \"does the job,\" but also seems \"contrived\" to me. Most characters", "home team scores, while another character analyzes the flow of play in trying", "at the Prom, one character merely observes other peoples' words and actions while", "play in trying to determine the likely result. Or at the Prom, one", "game, the Homecoming Dance, the basketball game, other dances, the Prom, etc. Then", "I have the main characters attend a football game, the Homecoming Dance, the", "For instance, in my high school novel, I have the main characters attend", "that happen at these events. For instance, at the games, one character \"jumps", "For instance, at the games, one character \"jumps up and down\" (not literally),", "in \"real life\") are not highly introspective, and will reveal themselves primarily at", "peoples' words and actions while another tries to interpret those words and actions.", "happen at these events. For instance, at the games, one character \"jumps up", "between the main character and others. This, in my experience, usually \"does the", "will reveal themselves primarily at critical points and events in their lives. Can", "usually \"does the job,\" but also seems \"contrived\" to me. Most characters (that", "to interpret those words and actions. Another format used to develop character is", "driven format, with brief (introspective) post mortems be sufficient to develop the characters", "me. Most characters (that I know in \"real life\") are not highly introspective,", "their lives. Can an event driven format, with brief (introspective) post mortems be", "at these events. For instance, at the games, one character \"jumps up and", "and events in their lives. Can an event driven format, with brief (introspective)", "another character analyzes the flow of play in trying to determine the likely", "the characters in my novels? Or does one need to \"make time\" in", "have long conversations between the main character and others. This, in my experience,", "character development, even though this may or may not happen in real life?", "my high school novel, I have the main characters attend a football game,", "merely observes other peoples' words and actions while another tries to interpret those", "in a story for strategically placed \"asides\" to produce character development, even though", "with brief (introspective) post mortems be sufficient to develop the characters in my", "while another character analyzes the flow of play in trying to determine the", "and down\" (not literally), when the home team scores, while another character analyzes", "introspective, and will reveal themselves primarily at critical points and events in their", "(not literally), when the home team scores, while another character analyzes the flow", "sufficient to develop the characters in my novels? Or does one need to", "is to have long conversations between the main character and others. This, in", "used to develop character is to have long conversations between the main character", "main characters attend a football game, the Homecoming Dance, the basketball game, other", "character merely observes other peoples' words and actions while another tries to interpret", "others. This, in my experience, usually \"does the job,\" but also seems \"contrived\"", "football game, the Homecoming Dance, the basketball game, other dances, the Prom, etc.", "instance, in my high school novel, I have the main characters attend a", "other dances, the Prom, etc. Then I have the characters react to, or", "job,\" but also seems \"contrived\" to me. Most characters (that I know in", "\"make time\" in a story for strategically placed \"asides\" to produce character development,", "my experience, usually \"does the job,\" but also seems \"contrived\" to me. Most", "an event driven format, with brief (introspective) post mortems be sufficient to develop", "to have long conversations between the main character and others. This, in my", "characters attend a football game, the Homecoming Dance, the basketball game, other dances,", "at critical points and events in their lives. Can an event driven format,", "tries to interpret those words and actions. Another format used to develop character", "the likely result. Or at the Prom, one character merely observes other peoples'", "events. For instance, at the games, one character \"jumps up and down\" (not", "school novel, I have the main characters attend a football game, the Homecoming", "character and others. This, in my experience, usually \"does the job,\" but also", "Most characters (that I know in \"real life\") are not highly introspective, and", "I have the characters react to, or comment on the occurrences that happen", "character is to have long conversations between the main character and others. This,", "time\" in a story for strategically placed \"asides\" to produce character development, even", "the main characters attend a football game, the Homecoming Dance, the basketball game,", "the home team scores, while another character analyzes the flow of play in", "and actions. Another format used to develop character is to have long conversations", "novel, I have the main characters attend a football game, the Homecoming Dance,", "at the games, one character \"jumps up and down\" (not literally), when the", "have the main characters attend a football game, the Homecoming Dance, the basketball", "to develop character is to have long conversations between the main character and", "the job,\" but also seems \"contrived\" to me. Most characters (that I know", "character analyzes the flow of play in trying to determine the likely result.", "scores, while another character analyzes the flow of play in trying to determine", "seems \"contrived\" to me. Most characters (that I know in \"real life\") are", "the Prom, one character merely observes other peoples' words and actions while another", "games, one character \"jumps up and down\" (not literally), when the home team", "highly introspective, and will reveal themselves primarily at critical points and events in", "down\" (not literally), when the home team scores, while another character analyzes the", "etc. Then I have the characters react to, or comment on the occurrences", "and others. This, in my experience, usually \"does the job,\" but also seems", "does one need to \"make time\" in a story for strategically placed \"asides\"", "novels? Or does one need to \"make time\" in a story for strategically", "in my novels? Or does one need to \"make time\" in a story", "one need to \"make time\" in a story for strategically placed \"asides\" to", "high school novel, I have the main characters attend a football game, the", "Prom, etc. Then I have the characters react to, or comment on the", "one character merely observes other peoples' words and actions while another tries to", "actions. Another format used to develop character is to have long conversations between", "conversations between the main character and others. This, in my experience, usually \"does", "those words and actions. Another format used to develop character is to have", "reveal themselves primarily at critical points and events in their lives. Can an", "to develop the characters in my novels? Or does one need to \"make", "be sufficient to develop the characters in my novels? Or does one need", "of play in trying to determine the likely result. Or at the Prom,", "occurrences that happen at these events. For instance, at the games, one character", "trying to determine the likely result. Or at the Prom, one character merely", "the basketball game, other dances, the Prom, etc. Then I have the characters", "the main character and others. This, in my experience, usually \"does the job,\"", "react to, or comment on the occurrences that happen at these events. For", "story for strategically placed \"asides\" to produce character development, even though this may", "and actions while another tries to interpret those words and actions. Another format", "primarily at critical points and events in their lives. Can an event driven", "for strategically placed \"asides\" to produce character development, even though this may or", "Or at the Prom, one character merely observes other peoples' words and actions", "life\") are not highly introspective, and will reveal themselves primarily at critical points", "other peoples' words and actions while another tries to interpret those words and", "points and events in their lives. Can an event driven format, with brief", "in my experience, usually \"does the job,\" but also seems \"contrived\" to me.", "format used to develop character is to have long conversations between the main", "\"does the job,\" but also seems \"contrived\" to me. Most characters (that I", "produce character development, even though this may or may not happen in real", "flow of play in trying to determine the likely result. Or at the", "not highly introspective, and will reveal themselves primarily at critical points and events", "(that I know in \"real life\") are not highly introspective, and will reveal", "character \"jumps up and down\" (not literally), when the home team scores, while", "the Prom, etc. Then I have the characters react to, or comment on", "critical points and events in their lives. Can an event driven format, with", "characters (that I know in \"real life\") are not highly introspective, and will", "I know in \"real life\") are not highly introspective, and will reveal themselves", "Then I have the characters react to, or comment on the occurrences that", "placed \"asides\" to produce character development, even though this may or may not", "actions while another tries to interpret those words and actions. Another format used", "\"real life\") are not highly introspective, and will reveal themselves primarily at critical", "\"jumps up and down\" (not literally), when the home team scores, while another", "a story for strategically placed \"asides\" to produce character development, even though this", "long conversations between the main character and others. This, in my experience, usually", "basketball game, other dances, the Prom, etc. Then I have the characters react", "interpret those words and actions. Another format used to develop character is to", "Homecoming Dance, the basketball game, other dances, the Prom, etc. Then I have", "game, other dances, the Prom, etc. Then I have the characters react to,", "the games, one character \"jumps up and down\" (not literally), when the home" ]
[ "of interested in writing a grey vs gray story. For those who don't", "idea is that there is a planet filled with an alien race called", "love to fight yet are great companions in their group evolution. Which explains", "evolution. Which explains how they haven't died off (since last I checked in", "gray story. For those who don't know grey vs gray is two or", "story. For those who don't know grey vs gray is two or more", "sides look like pricks (especially since I use to day dream scenes that", "look like pricks (especially since I use to day dream scenes that are", "the idea is that there is a planet filled with an alien race", "etc. The trouble is figuring out how to do it. I don't want", "with this idea. Basically the idea is that there is a planet filled", "race called stick figures (inspired by Hyun's Dojo and Stickpage versions of stick", "the evolved species in question must get along with each other). I'm inspired", "and Stickpage versions of stick figures which are more stylized, you can [view", "figures (inspired by Hyun's Dojo and Stickpage versions of stick figures which are", "are very angsty and it's a little hard to put those into scripts).", "to day dream scenes that are very angsty and it's a little hard", "it. I don't want to risk having multiple sides look like pricks (especially", "with an alien race called stick figures (inspired by Hyun's Dojo and Stickpage", "to do it. I don't want to risk having multiple sides look like", "figures which are more stylized, you can [view one of their best here](https://www.youtube.com/watch?v=34NfuVCrfok))", "use to day dream scenes that are very angsty and it's a little", "yet are great companions in their group evolution. Which explains how they haven't", "on good or full on evil. I'm writing a webcomic that will become", "will become an animation with this idea. Basically the idea is that there", "are more stylized, you can [view one of their best here](https://www.youtube.com/watch?v=34NfuVCrfok)) who love", "evolved species in question must get along with each other). I'm inspired by", "their best here](https://www.youtube.com/watch?v=34NfuVCrfok)) who love to fight yet are great companions in their", "you can [view one of their best here](https://www.youtube.com/watch?v=34NfuVCrfok)) who love to fight yet", "Makvog movies, martial arts movies, etc. The trouble is figuring out how to", "Hyun's Dojo (obviously), My Hero Academia, Avatar The Last Airbender, Dragon Ball Z,", "question must get along with each other). I'm inspired by Hyun's Dojo (obviously),", "(especially since I use to day dream scenes that are very angsty and", "with each other). I'm inspired by Hyun's Dojo (obviously), My Hero Academia, Avatar", "that will become an animation with this idea. Basically the idea is that", "those into scripts). So how do I show all the sides not being", "The Last Airbender, Dragon Ball Z, Makvog movies, martial arts movies, etc. The", "is figuring out how to do it. I don't want to risk having", "evil. I'm writing a webcomic that will become an animation with this idea.", "stick figures which are more stylized, you can [view one of their best", "Basically the idea is that there is a planet filled with an alien", "who don't know grey vs gray is two or more sides of conflict", "in their group evolution. Which explains how they haven't died off (since last", "is two or more sides of conflict that aren't full on good or", "scenes that are very angsty and it's a little hard to put those", "other). I'm inspired by Hyun's Dojo (obviously), My Hero Academia, Avatar The Last", "martial arts movies, etc. The trouble is figuring out how to do it.", "their group evolution. Which explains how they haven't died off (since last I", "that there is a planet filled with an alien race called stick figures", "in question must get along with each other). I'm inspired by Hyun's Dojo", "of conflict that aren't full on good or full on evil. I'm writing", "an alien race called stick figures (inspired by Hyun's Dojo and Stickpage versions", "dream scenes that are very angsty and it's a little hard to put", "having multiple sides look like pricks (especially since I use to day dream", "don't want to risk having multiple sides look like pricks (especially since I", "(since last I checked in regular evolution the evolved species in question must", "multiple sides look like pricks (especially since I use to day dream scenes", "Ball Z, Makvog movies, martial arts movies, etc. The trouble is figuring out", "by Hyun's Dojo and Stickpage versions of stick figures which are more stylized,", "this idea. Basically the idea is that there is a planet filled with", "of stick figures which are more stylized, you can [view one of their", "more stylized, you can [view one of their best here](https://www.youtube.com/watch?v=34NfuVCrfok)) who love to", "best here](https://www.youtube.com/watch?v=34NfuVCrfok)) who love to fight yet are great companions in their group", "put those into scripts). So how do I show all the sides not", "is that there is a planet filled with an alien race called stick", "vs gray is two or more sides of conflict that aren't full on", "Dojo and Stickpage versions of stick figures which are more stylized, you can", "species in question must get along with each other). I'm inspired by Hyun's", "evolution the evolved species in question must get along with each other). I'm", "a webcomic that will become an animation with this idea. Basically the idea", "are great companions in their group evolution. Which explains how they haven't died", "movies, martial arts movies, etc. The trouble is figuring out how to do", "they haven't died off (since last I checked in regular evolution the evolved", "each other). I'm inspired by Hyun's Dojo (obviously), My Hero Academia, Avatar The", "like pricks (especially since I use to day dream scenes that are very", "a little hard to put those into scripts). So how do I show", "webcomic that will become an animation with this idea. Basically the idea is", "angsty and it's a little hard to put those into scripts). So how", "Which explains how they haven't died off (since last I checked in regular", "more sides of conflict that aren't full on good or full on evil.", "by Hyun's Dojo (obviously), My Hero Academia, Avatar The Last Airbender, Dragon Ball", "I'm inspired by Hyun's Dojo (obviously), My Hero Academia, Avatar The Last Airbender,", "haven't died off (since last I checked in regular evolution the evolved species", "full on evil. I'm writing a webcomic that will become an animation with", "Hyun's Dojo and Stickpage versions of stick figures which are more stylized, you", "here](https://www.youtube.com/watch?v=34NfuVCrfok)) who love to fight yet are great companions in their group evolution.", "how they haven't died off (since last I checked in regular evolution the", "vs gray story. For those who don't know grey vs gray is two", "called stick figures (inspired by Hyun's Dojo and Stickpage versions of stick figures", "kind of interested in writing a grey vs gray story. For those who", "very angsty and it's a little hard to put those into scripts). So", "a grey vs gray story. For those who don't know grey vs gray", "Dragon Ball Z, Makvog movies, martial arts movies, etc. The trouble is figuring", "Last Airbender, Dragon Ball Z, Makvog movies, martial arts movies, etc. The trouble", "Stickpage versions of stick figures which are more stylized, you can [view one", "it's a little hard to put those into scripts). So how do I", "become an animation with this idea. Basically the idea is that there is", "in regular evolution the evolved species in question must get along with each", "do it. I don't want to risk having multiple sides look like pricks", "grey vs gray is two or more sides of conflict that aren't full", "(inspired by Hyun's Dojo and Stickpage versions of stick figures which are more", "fight yet are great companions in their group evolution. Which explains how they", "Academia, Avatar The Last Airbender, Dragon Ball Z, Makvog movies, martial arts movies,", "Dojo (obviously), My Hero Academia, Avatar The Last Airbender, Dragon Ball Z, Makvog", "interested in writing a grey vs gray story. For those who don't know", "can [view one of their best here](https://www.youtube.com/watch?v=34NfuVCrfok)) who love to fight yet are", "I'm writing a webcomic that will become an animation with this idea. Basically", "inspired by Hyun's Dojo (obviously), My Hero Academia, Avatar The Last Airbender, Dragon", "to risk having multiple sides look like pricks (especially since I use to", "sides of conflict that aren't full on good or full on evil. I'm", "planet filled with an alien race called stick figures (inspired by Hyun's Dojo", "I use to day dream scenes that are very angsty and it's a", "to put those into scripts). So how do I show all the sides", "conflict that aren't full on good or full on evil. I'm writing a", "want to risk having multiple sides look like pricks (especially since I use", "stylized, you can [view one of their best here](https://www.youtube.com/watch?v=34NfuVCrfok)) who love to fight", "or full on evil. I'm writing a webcomic that will become an animation", "writing a grey vs gray story. For those who don't know grey vs", "I checked in regular evolution the evolved species in question must get along", "checked in regular evolution the evolved species in question must get along with", "movies, etc. The trouble is figuring out how to do it. I don't", "one of their best here](https://www.youtube.com/watch?v=34NfuVCrfok)) who love to fight yet are great companions", "two or more sides of conflict that aren't full on good or full", "into scripts). So how do I show all the sides not being assholes?", "to fight yet are great companions in their group evolution. Which explains how", "along with each other). I'm inspired by Hyun's Dojo (obviously), My Hero Academia,", "Airbender, Dragon Ball Z, Makvog movies, martial arts movies, etc. The trouble is", "alien race called stick figures (inspired by Hyun's Dojo and Stickpage versions of", "animation with this idea. Basically the idea is that there is a planet", "there is a planet filled with an alien race called stick figures (inspired", "filled with an alien race called stick figures (inspired by Hyun's Dojo and", "full on good or full on evil. I'm writing a webcomic that will", "writing a webcomic that will become an animation with this idea. Basically the", "is a planet filled with an alien race called stick figures (inspired by", "out how to do it. I don't want to risk having multiple sides", "I don't want to risk having multiple sides look like pricks (especially since", "Avatar The Last Airbender, Dragon Ball Z, Makvog movies, martial arts movies, etc.", "versions of stick figures which are more stylized, you can [view one of", "[view one of their best here](https://www.youtube.com/watch?v=34NfuVCrfok)) who love to fight yet are great", "gray is two or more sides of conflict that aren't full on good", "For those who don't know grey vs gray is two or more sides", "aren't full on good or full on evil. I'm writing a webcomic that", "day dream scenes that are very angsty and it's a little hard to", "in writing a grey vs gray story. For those who don't know grey", "off (since last I checked in regular evolution the evolved species in question", "get along with each other). I'm inspired by Hyun's Dojo (obviously), My Hero", "or more sides of conflict that aren't full on good or full on", "Hero Academia, Avatar The Last Airbender, Dragon Ball Z, Makvog movies, martial arts", "risk having multiple sides look like pricks (especially since I use to day", "been kind of interested in writing a grey vs gray story. For those", "stick figures (inspired by Hyun's Dojo and Stickpage versions of stick figures which", "that are very angsty and it's a little hard to put those into", "little hard to put those into scripts). So how do I show all", "who love to fight yet are great companions in their group evolution. Which", "on evil. I'm writing a webcomic that will become an animation with this", "explains how they haven't died off (since last I checked in regular evolution", "must get along with each other). I'm inspired by Hyun's Dojo (obviously), My", "regular evolution the evolved species in question must get along with each other).", "trouble is figuring out how to do it. I don't want to risk", "grey vs gray story. For those who don't know grey vs gray is", "don't know grey vs gray is two or more sides of conflict that", "good or full on evil. I'm writing a webcomic that will become an", "idea. Basically the idea is that there is a planet filled with an", "figuring out how to do it. I don't want to risk having multiple", "My Hero Academia, Avatar The Last Airbender, Dragon Ball Z, Makvog movies, martial", "that aren't full on good or full on evil. I'm writing a webcomic", "died off (since last I checked in regular evolution the evolved species in", "since I use to day dream scenes that are very angsty and it's", "which are more stylized, you can [view one of their best here](https://www.youtube.com/watch?v=34NfuVCrfok)) who", "of their best here](https://www.youtube.com/watch?v=34NfuVCrfok)) who love to fight yet are great companions in", "last I checked in regular evolution the evolved species in question must get", "Z, Makvog movies, martial arts movies, etc. The trouble is figuring out how", "and it's a little hard to put those into scripts). So how do", "group evolution. Which explains how they haven't died off (since last I checked", "(obviously), My Hero Academia, Avatar The Last Airbender, Dragon Ball Z, Makvog movies,", "a planet filled with an alien race called stick figures (inspired by Hyun's", "pricks (especially since I use to day dream scenes that are very angsty", "companions in their group evolution. Which explains how they haven't died off (since", "an animation with this idea. Basically the idea is that there is a", "I've been kind of interested in writing a grey vs gray story. For", "those who don't know grey vs gray is two or more sides of", "hard to put those into scripts). So how do I show all the", "arts movies, etc. The trouble is figuring out how to do it. I", "know grey vs gray is two or more sides of conflict that aren't", "The trouble is figuring out how to do it. I don't want to", "how to do it. I don't want to risk having multiple sides look", "great companions in their group evolution. Which explains how they haven't died off" ]
[ "the reader out of the story? I also thought of just writing in", "just writing in the characters sometimes mentioning what day it is, though this", "solution I thought of was making my own version of the weekdays, months", "mentioning what day it is, though this seems like it could very easily", "know when things are happening, I am afraid my reader doesn't know, due", "Is it good story-telling, or is lazy. And lazy in an unacceptable way?", "all happening. It's bad confusion in my opinion, simply impractical (unless it's intentional", "what day it is, though this seems like it could very easily become", "like it could very easily become unnatural and inorganic. So, what is the", "due to the aforementioned fact. I do not want my reader to be", "the aforementioned fact. I do not want my reader to be confused, and", "it good story-telling, or is lazy. And lazy in an unacceptable way? Does", "within a small time periods, to the larger plots taking years. But is", "aforementioned fact. I do not want my reader to be confused, and become", "when things are happening, I am afraid my reader doesn't know, due to", "though this seems like it could very easily become unnatural and inorganic. So,", "happening. It's bad confusion in my opinion, simply impractical (unless it's intentional like", "novel takes place in a big world, with MANY POVs. Although I know", "plots taking years. But is this organic? Is it good story-telling, or is", "story-telling, or is lazy. And lazy in an unacceptable way? Does it take", "writing in the characters sometimes mentioning what day it is, though this seems", "many events happening within a small time periods, to the larger plots taking", "So, the first solution I thought of was making my own version of", "the movie Memento). So, the first solution I thought of was making my", "confused, and become unfocused on the story because they're constantly wondering when this", "It's bad confusion in my opinion, simply impractical (unless it's intentional like in", "when everything, from the many events happening within a small time periods, to", "things are happening, I am afraid my reader doesn't know, due to the", "impractical (unless it's intentional like in the movie Memento). So, the first solution", "do not want my reader to be confused, and become unfocused on the", "But is this organic? Is it good story-telling, or is lazy. And lazy", "the many events happening within a small time periods, to the larger plots", "organic? Is it good story-telling, or is lazy. And lazy in an unacceptable", "to be confused, and become unfocused on the story because they're constantly wondering", "become unfocused on the story because they're constantly wondering when this is all", "random year, and featuring them as a subtitle to every chapter. This would", "to every chapter. This would work terrifically (in a practical sense) to keep", "confusion in my opinion, simply impractical (unless it's intentional like in the movie", "a practical sense) to keep the reader completely aware of when everything, from", "is lazy. And lazy in an unacceptable way? Does it take the reader", "a small time periods, to the larger plots taking years. But is this", "in the movie Memento). So, the first solution I thought of was making", "because they're constantly wondering when this is all happening. It's bad confusion in", "and some random year, and featuring them as a subtitle to every chapter.", "know, due to the aforementioned fact. I do not want my reader to", "reader completely aware of when everything, from the many events happening within a", "I also thought of just writing in the characters sometimes mentioning what day", "making my own version of the weekdays, months and some random year, and", "out of the story? I also thought of just writing in the characters", "easily become unnatural and inorganic. So, what is the widely used alternative, and", "every chapter. This would work terrifically (in a practical sense) to keep the", "seems like it could very easily become unnatural and inorganic. So, what is", "simply impractical (unless it's intentional like in the movie Memento). So, the first", "an unacceptable way? Does it take the reader out of the story? I", "Although I know when things are happening, I am afraid my reader doesn't", "reader doesn't know, due to the aforementioned fact. I do not want my", "it could very easily become unnatural and inorganic. So, what is the widely", "become unnatural and inorganic. So, what is the widely used alternative, and what", "and inorganic. So, what is the widely used alternative, and what alternative has", "the story? I also thought of just writing in the characters sometimes mentioning", "opinion, simply impractical (unless it's intentional like in the movie Memento). So, the", "own version of the weekdays, months and some random year, and featuring them", "big world, with MANY POVs. Although I know when things are happening, I", "from the many events happening within a small time periods, to the larger", "on the story because they're constantly wondering when this is all happening. It's", "fact. I do not want my reader to be confused, and become unfocused", "So, what is the widely used alternative, and what alternative has worked best?", "are happening, I am afraid my reader doesn't know, due to the aforementioned", "months and some random year, and featuring them as a subtitle to every", "would work terrifically (in a practical sense) to keep the reader completely aware", "bad confusion in my opinion, simply impractical (unless it's intentional like in the", "good story-telling, or is lazy. And lazy in an unacceptable way? Does it", "in a big world, with MANY POVs. Although I know when things are", "My novel takes place in a big world, with MANY POVs. Although I", "Does it take the reader out of the story? I also thought of", "way? Does it take the reader out of the story? I also thought", "of was making my own version of the weekdays, months and some random", "my own version of the weekdays, months and some random year, and featuring", "it's intentional like in the movie Memento). So, the first solution I thought", "movie Memento). So, the first solution I thought of was making my own", "also thought of just writing in the characters sometimes mentioning what day it", "subtitle to every chapter. This would work terrifically (in a practical sense) to", "to keep the reader completely aware of when everything, from the many events", "POVs. Although I know when things are happening, I am afraid my reader", "small time periods, to the larger plots taking years. But is this organic?", "afraid my reader doesn't know, due to the aforementioned fact. I do not", "happening within a small time periods, to the larger plots taking years. But", "intentional like in the movie Memento). So, the first solution I thought of", "in an unacceptable way? Does it take the reader out of the story?", "doesn't know, due to the aforementioned fact. I do not want my reader", "characters sometimes mentioning what day it is, though this seems like it could", "MANY POVs. Although I know when things are happening, I am afraid my", "of the weekdays, months and some random year, and featuring them as a", "year, and featuring them as a subtitle to every chapter. This would work", "the story because they're constantly wondering when this is all happening. It's bad", "aware of when everything, from the many events happening within a small time", "work terrifically (in a practical sense) to keep the reader completely aware of", "keep the reader completely aware of when everything, from the many events happening", "reader to be confused, and become unfocused on the story because they're constantly", "this organic? Is it good story-telling, or is lazy. And lazy in an", "is, though this seems like it could very easily become unnatural and inorganic.", "my opinion, simply impractical (unless it's intentional like in the movie Memento). So,", "time periods, to the larger plots taking years. But is this organic? Is", "And lazy in an unacceptable way? Does it take the reader out of", "practical sense) to keep the reader completely aware of when everything, from the", "this is all happening. It's bad confusion in my opinion, simply impractical (unless", "thought of just writing in the characters sometimes mentioning what day it is,", "constantly wondering when this is all happening. It's bad confusion in my opinion,", "unnatural and inorganic. So, what is the widely used alternative, and what alternative", "a big world, with MANY POVs. Although I know when things are happening,", "events happening within a small time periods, to the larger plots taking years.", "it is, though this seems like it could very easily become unnatural and", "reader out of the story? I also thought of just writing in the", "happening, I am afraid my reader doesn't know, due to the aforementioned fact.", "(unless it's intentional like in the movie Memento). So, the first solution I", "wondering when this is all happening. It's bad confusion in my opinion, simply", "everything, from the many events happening within a small time periods, to the", "the reader completely aware of when everything, from the many events happening within", "it take the reader out of the story? I also thought of just", "as a subtitle to every chapter. This would work terrifically (in a practical", "(in a practical sense) to keep the reader completely aware of when everything,", "is all happening. It's bad confusion in my opinion, simply impractical (unless it's", "of when everything, from the many events happening within a small time periods,", "featuring them as a subtitle to every chapter. This would work terrifically (in", "inorganic. So, what is the widely used alternative, and what alternative has worked", "take the reader out of the story? I also thought of just writing", "them as a subtitle to every chapter. This would work terrifically (in a", "not want my reader to be confused, and become unfocused on the story", "I thought of was making my own version of the weekdays, months and", "is this organic? Is it good story-telling, or is lazy. And lazy in", "I do not want my reader to be confused, and become unfocused on", "lazy. And lazy in an unacceptable way? Does it take the reader out", "version of the weekdays, months and some random year, and featuring them as", "completely aware of when everything, from the many events happening within a small", "was making my own version of the weekdays, months and some random year,", "Memento). So, the first solution I thought of was making my own version", "very easily become unnatural and inorganic. So, what is the widely used alternative,", "am afraid my reader doesn't know, due to the aforementioned fact. I do", "or is lazy. And lazy in an unacceptable way? Does it take the", "unfocused on the story because they're constantly wondering when this is all happening.", "periods, to the larger plots taking years. But is this organic? Is it", "and featuring them as a subtitle to every chapter. This would work terrifically", "in the characters sometimes mentioning what day it is, though this seems like", "a subtitle to every chapter. This would work terrifically (in a practical sense)", "to the larger plots taking years. But is this organic? Is it good", "weekdays, months and some random year, and featuring them as a subtitle to", "chapter. This would work terrifically (in a practical sense) to keep the reader", "sometimes mentioning what day it is, though this seems like it could very", "this seems like it could very easily become unnatural and inorganic. So, what", "with MANY POVs. Although I know when things are happening, I am afraid", "place in a big world, with MANY POVs. Although I know when things", "the larger plots taking years. But is this organic? Is it good story-telling,", "of just writing in the characters sometimes mentioning what day it is, though", "be confused, and become unfocused on the story because they're constantly wondering when", "years. But is this organic? Is it good story-telling, or is lazy. And", "first solution I thought of was making my own version of the weekdays,", "larger plots taking years. But is this organic? Is it good story-telling, or", "unacceptable way? Does it take the reader out of the story? I also", "taking years. But is this organic? Is it good story-telling, or is lazy.", "some random year, and featuring them as a subtitle to every chapter. This", "story because they're constantly wondering when this is all happening. It's bad confusion", "world, with MANY POVs. Although I know when things are happening, I am", "the first solution I thought of was making my own version of the", "like in the movie Memento). So, the first solution I thought of was", "they're constantly wondering when this is all happening. It's bad confusion in my", "in my opinion, simply impractical (unless it's intentional like in the movie Memento).", "thought of was making my own version of the weekdays, months and some", "sense) to keep the reader completely aware of when everything, from the many", "takes place in a big world, with MANY POVs. Although I know when", "and become unfocused on the story because they're constantly wondering when this is", "I am afraid my reader doesn't know, due to the aforementioned fact. I", "my reader to be confused, and become unfocused on the story because they're", "story? I also thought of just writing in the characters sometimes mentioning what", "I know when things are happening, I am afraid my reader doesn't know,", "the characters sometimes mentioning what day it is, though this seems like it", "my reader doesn't know, due to the aforementioned fact. I do not want", "could very easily become unnatural and inorganic. So, what is the widely used", "terrifically (in a practical sense) to keep the reader completely aware of when", "when this is all happening. It's bad confusion in my opinion, simply impractical", "want my reader to be confused, and become unfocused on the story because", "lazy in an unacceptable way? Does it take the reader out of the", "This would work terrifically (in a practical sense) to keep the reader completely", "day it is, though this seems like it could very easily become unnatural", "of the story? I also thought of just writing in the characters sometimes", "the weekdays, months and some random year, and featuring them as a subtitle", "to the aforementioned fact. I do not want my reader to be confused," ]
[ "is when the MC is about to lose everything 5. MC manages to", "archetype. The question is: how to avoid the obvious pitfalls when trying to", "second option, that was to insert a new substantial amount of plot to", "of the \"overcoming the monster\" archetype: 1. Learn about the monster, get a", "it as a new fifth step of a larger \"kill the monster\" plot.", "step. I have three concerns: 1. Unless I do major editing throughout the", "that it is not over. It feels that I would owe the reader", "question is: how to avoid the obvious pitfalls when trying to seamlessly glue", "still stuck at the story planning phase. The original plot was along the", "the manuscript. After three weeks, I am still stuck at the story planning", "insert the foreshadowing of an even greater one, and resolve it as a", "the foreshadowing of an even greater one, and resolve it as a new", "in going through a very strong climatic point, only to discover that it", "5. MC manages to slay the monster. My plan was to spare the", "of plot to the manuscript. After three weeks, I am still stuck at", "the story planning phase. The original plot was along the lines of the", "the lines of the \"overcoming the monster\" archetype: 1. Learn about the monster,", "major editing throughout the entire book, the result may look like a disconnected", "I focused on trying to glue a different archetype. The question is: how", "beta readers, and they liked it except for the very ending, i.e. the", "thought fell short and a bit rushed. I therefore decided to try and", "have three concerns: 1. Unless I do major editing throughout the entire book,", "the entire book, the result may look like a disconnected blob. A bit", "latest book to my favorite beta readers, and they liked it except for", "three weeks, I am still stuck at the story planning phase. The original", "the monster and hook another archetypal plot to the 5th step. I have", "peak is when the MC is about to lose everything 5. MC manages", "is no match for it. 4. Epic climatic confrontation, the peak is when", "MC manages to slay the monster. My plan was to spare the monster", "was along the lines of the \"overcoming the monster\" archetype: 1. Learn about", "that was to insert a new substantial amount of plot to the manuscript.", "to my favorite beta readers, and they liked it except for the very", "climax, and a longer epilogue perhaps. I went for the second option, that", "I do major editing throughout the entire book, the result may look like", "I have three concerns: 1. Unless I do major editing throughout the entire", "fifth step of a larger \"kill the monster\" plot. As I sketched this", "a different archetype. The question is: how to avoid the obvious pitfalls when", "focused on trying to glue a different archetype. The question is: how to", "to slay the monster. My plan was to spare the monster and hook", "am still stuck at the story planning phase. The original plot was along", "stuck at the story planning phase. The original plot was along the lines", "Learn about the monster, get a glimpse of it. 2. MC prepares to", "the very ending, i.e. the last 20 pages, which they thought fell short", "about the monster, get a glimpse of it. 2. MC prepares to fend", "4. Epic climatic confrontation, the peak is when the MC is about to", "lose everything 5. MC manages to slay the monster. My plan was to", "owe the reader an even stronger climax near the end. 3. I could", "MC is about to lose everything 5. MC manages to slay the monster.", "monster power is revealed and looks like the MC is no match for", "and a bit rushed. I therefore decided to try and lengthen it. One", "new fifth step of a larger \"kill the monster\" plot. As I sketched", "glueing two books with the same characters by the cover. 2. There may", "pitfalls when trying to seamlessly glue an archetypal plot onto the back of", "monster. 3. The monster power is revealed and looks like the MC is", "point, only to discover that it is not over. It feels that I", "and resolve it as a new fifth step of a larger \"kill the", "with the same characters by the cover. 2. There may be backlash in", "plot to the 5th step. I have three concerns: 1. Unless I do", "1. Learn about the monster, get a glimpse of it. 2. MC prepares", "bit like glueing two books with the same characters by the cover. 2.", "and they liked it except for the very ending, i.e. the last 20", "It feels that I would owe the reader an even stronger climax near", "I could insert the foreshadowing of an even greater one, and resolve it", "and that is why I focused on trying to glue a different archetype.", "disconnected blob. A bit like glueing two books with the same characters by", "a new substantial amount of plot to the manuscript. After three weeks, I", "monster. My plan was to spare the monster and hook another archetypal plot", "editing throughout the entire book, the result may look like a disconnected blob.", "longer epilogue perhaps. I went for the second option, that was to insert", "could insert the foreshadowing of an even greater one, and resolve it as", "2. MC prepares to fend off the monster. 3. The monster power is", "discover that it is not over. It feels that I would owe the", "look like a disconnected blob. A bit like glueing two books with the", "Unless I do major editing throughout the entire book, the result may look", "the cover. 2. There may be backlash in going through a very strong", "plan was to spare the monster and hook another archetypal plot to the", "monster and hook another archetypal plot to the 5th step. I have three", "greater one, and resolve it as a new fifth step of a larger", "a new fifth step of a larger \"kill the monster\" plot. As I", "a very strong climatic point, only to discover that it is not over.", "like glueing two books with the same characters by the cover. 2. There", "same characters by the cover. 2. There may be backlash in going through", "3. The monster power is revealed and looks like the MC is no", "\"kill the monster\" plot. As I sketched this on paper, it sounded like", "insert a new substantial amount of plot to the manuscript. After three weeks,", "readers, and they liked it except for the very ending, i.e. the last", "a longer climax, and a longer epilogue perhaps. I went for the second", "boring repetition and that is why I focused on trying to glue a", "was to spare the monster and hook another archetypal plot to the 5th", "the monster\" plot. As I sketched this on paper, it sounded like a", "the obvious pitfalls when trying to seamlessly glue an archetypal plot onto the", "rushed. I therefore decided to try and lengthen it. One option would have", "new substantial amount of plot to the manuscript. After three weeks, I am", "feels that I would owe the reader an even stronger climax near the", "the same characters by the cover. 2. There may be backlash in going", "and hook another archetypal plot to the 5th step. I have three concerns:", "it is not over. It feels that I would owe the reader an", "liked it except for the very ending, i.e. the last 20 pages, which", "books with the same characters by the cover. 2. There may be backlash", "that I would owe the reader an even stronger climax near the end.", "to avoid the obvious pitfalls when trying to seamlessly glue an archetypal plot", "is why I focused on trying to glue a different archetype. The question", "the monster. 3. The monster power is revealed and looks like the MC", "is not over. It feels that I would owe the reader an even", "that is why I focused on trying to glue a different archetype. The", "manages to slay the monster. My plan was to spare the monster and", "blob. A bit like glueing two books with the same characters by the", "The question is: how to avoid the obvious pitfalls when trying to seamlessly", "on trying to glue a different archetype. The question is: how to avoid", "about to lose everything 5. MC manages to slay the monster. My plan", "lengthen the ending by sustaining a longer climax, and a longer epilogue perhaps.", "monster\" plot. As I sketched this on paper, it sounded like a boring", "like the MC is no match for it. 4. Epic climatic confrontation, the", "backlash in going through a very strong climatic point, only to discover that", "archetypal plot to the 5th step. I have three concerns: 1. Unless I", "therefore decided to try and lengthen it. One option would have been just", "cover. 2. There may be backlash in going through a very strong climatic", "i.e. the last 20 pages, which they thought fell short and a bit", "longer climax, and a longer epilogue perhaps. I went for the second option,", "monster\" archetype: 1. Learn about the monster, get a glimpse of it. 2.", "was to insert a new substantial amount of plot to the manuscript. After", "to discover that it is not over. It feels that I would owe", "the \"overcoming the monster\" archetype: 1. Learn about the monster, get a glimpse", "it. One option would have been just be to lengthen the ending by", "a boring repetition and that is why I focused on trying to glue", "be to lengthen the ending by sustaining a longer climax, and a longer", "2. There may be backlash in going through a very strong climatic point,", "pages, which they thought fell short and a bit rushed. I therefore decided", "archetype: 1. Learn about the monster, get a glimpse of it. 2. MC", "result may look like a disconnected blob. A bit like glueing two books", "to glue a different archetype. The question is: how to avoid the obvious", "try and lengthen it. One option would have been just be to lengthen", "they thought fell short and a bit rushed. I therefore decided to try", "confrontation, the peak is when the MC is about to lose everything 5.", "gave my latest book to my favorite beta readers, and they liked it", "to lengthen the ending by sustaining a longer climax, and a longer epilogue", "planning phase. The original plot was along the lines of the \"overcoming the", "to the 5th step. I have three concerns: 1. Unless I do major", "the MC is no match for it. 4. Epic climatic confrontation, the peak", "it except for the very ending, i.e. the last 20 pages, which they", "is about to lose everything 5. MC manages to slay the monster. My", "when the MC is about to lose everything 5. MC manages to slay", "reader an even stronger climax near the end. 3. I could insert the", "spare the monster and hook another archetypal plot to the 5th step. I", "over. It feels that I would owe the reader an even stronger climax", "the monster\" archetype: 1. Learn about the monster, get a glimpse of it.", "have been just be to lengthen the ending by sustaining a longer climax,", "even stronger climax near the end. 3. I could insert the foreshadowing of", "lengthen it. One option would have been just be to lengthen the ending", "trying to glue a different archetype. The question is: how to avoid the", "for the second option, that was to insert a new substantial amount of", "a larger \"kill the monster\" plot. As I sketched this on paper, it", "hook another archetypal plot to the 5th step. I have three concerns: 1.", "my favorite beta readers, and they liked it except for the very ending,", "the result may look like a disconnected blob. A bit like glueing two", "to seamlessly glue an archetypal plot onto the back of an existing story?", "fell short and a bit rushed. I therefore decided to try and lengthen", "monster, get a glimpse of it. 2. MC prepares to fend off the", "5th step. I have three concerns: 1. Unless I do major editing throughout", "lines of the \"overcoming the monster\" archetype: 1. Learn about the monster, get", "I would owe the reader an even stronger climax near the end. 3.", "going through a very strong climatic point, only to discover that it is", "As I sketched this on paper, it sounded like a boring repetition and", "3. I could insert the foreshadowing of an even greater one, and resolve", "glimpse of it. 2. MC prepares to fend off the monster. 3. The", "epilogue perhaps. I went for the second option, that was to insert a", "After three weeks, I am still stuck at the story planning phase. The", "not over. It feels that I would owe the reader an even stronger", "just be to lengthen the ending by sustaining a longer climax, and a", "I gave my latest book to my favorite beta readers, and they liked", "along the lines of the \"overcoming the monster\" archetype: 1. Learn about the", "plot to the manuscript. After three weeks, I am still stuck at the", "it. 4. Epic climatic confrontation, the peak is when the MC is about", "no match for it. 4. Epic climatic confrontation, the peak is when the", "the MC is about to lose everything 5. MC manages to slay the", "a disconnected blob. A bit like glueing two books with the same characters", "climax near the end. 3. I could insert the foreshadowing of an even", "resolve it as a new fifth step of a larger \"kill the monster\"", "on paper, it sounded like a boring repetition and that is why I", "like a boring repetition and that is why I focused on trying to", "end. 3. I could insert the foreshadowing of an even greater one, and", "amount of plot to the manuscript. After three weeks, I am still stuck", "it sounded like a boring repetition and that is why I focused on", "My plan was to spare the monster and hook another archetypal plot to", "book, the result may look like a disconnected blob. A bit like glueing", "entire book, the result may look like a disconnected blob. A bit like", "foreshadowing of an even greater one, and resolve it as a new fifth", "how to avoid the obvious pitfalls when trying to seamlessly glue an archetypal", "Epic climatic confrontation, the peak is when the MC is about to lose", "get a glimpse of it. 2. MC prepares to fend off the monster.", "phase. The original plot was along the lines of the \"overcoming the monster\"", "1. Unless I do major editing throughout the entire book, the result may", "be backlash in going through a very strong climatic point, only to discover", "everything 5. MC manages to slay the monster. My plan was to spare", "sounded like a boring repetition and that is why I focused on trying", "and a longer epilogue perhaps. I went for the second option, that was", "strong climatic point, only to discover that it is not over. It feels", "except for the very ending, i.e. the last 20 pages, which they thought", "throughout the entire book, the result may look like a disconnected blob. A", "different archetype. The question is: how to avoid the obvious pitfalls when trying", "I went for the second option, that was to insert a new substantial", "A bit like glueing two books with the same characters by the cover.", "short and a bit rushed. I therefore decided to try and lengthen it.", "to fend off the monster. 3. The monster power is revealed and looks", "glue a different archetype. The question is: how to avoid the obvious pitfalls", "looks like the MC is no match for it. 4. Epic climatic confrontation,", "for the very ending, i.e. the last 20 pages, which they thought fell", "plot. As I sketched this on paper, it sounded like a boring repetition", "plot was along the lines of the \"overcoming the monster\" archetype: 1. Learn", "step of a larger \"kill the monster\" plot. As I sketched this on", "the monster, get a glimpse of it. 2. MC prepares to fend off", "to spare the monster and hook another archetypal plot to the 5th step.", "went for the second option, that was to insert a new substantial amount", "I therefore decided to try and lengthen it. One option would have been", "concerns: 1. Unless I do major editing throughout the entire book, the result", "sketched this on paper, it sounded like a boring repetition and that is", "to insert a new substantial amount of plot to the manuscript. After three", "a longer epilogue perhaps. I went for the second option, that was to", "characters by the cover. 2. There may be backlash in going through a", "avoid the obvious pitfalls when trying to seamlessly glue an archetypal plot onto", "option, that was to insert a new substantial amount of plot to the", "obvious pitfalls when trying to seamlessly glue an archetypal plot onto the back", "when trying to seamlessly glue an archetypal plot onto the back of an", "the 5th step. I have three concerns: 1. Unless I do major editing", "stronger climax near the end. 3. I could insert the foreshadowing of an", "paper, it sounded like a boring repetition and that is why I focused", "for it. 4. Epic climatic confrontation, the peak is when the MC is", "an even stronger climax near the end. 3. I could insert the foreshadowing", "The monster power is revealed and looks like the MC is no match", "been just be to lengthen the ending by sustaining a longer climax, and", "they liked it except for the very ending, i.e. the last 20 pages,", "option would have been just be to lengthen the ending by sustaining a", "weeks, I am still stuck at the story planning phase. The original plot", "of it. 2. MC prepares to fend off the monster. 3. The monster", "is revealed and looks like the MC is no match for it. 4.", "very strong climatic point, only to discover that it is not over. It", "ending by sustaining a longer climax, and a longer epilogue perhaps. I went", "the last 20 pages, which they thought fell short and a bit rushed.", "book to my favorite beta readers, and they liked it except for the", "like a disconnected blob. A bit like glueing two books with the same", "at the story planning phase. The original plot was along the lines of", "which they thought fell short and a bit rushed. I therefore decided to", "would have been just be to lengthen the ending by sustaining a longer", "One option would have been just be to lengthen the ending by sustaining", "I am still stuck at the story planning phase. The original plot was", "do major editing throughout the entire book, the result may look like a", "larger \"kill the monster\" plot. As I sketched this on paper, it sounded", "even greater one, and resolve it as a new fifth step of a", "the end. 3. I could insert the foreshadowing of an even greater one,", "by sustaining a longer climax, and a longer epilogue perhaps. I went for", "by the cover. 2. There may be backlash in going through a very", "very ending, i.e. the last 20 pages, which they thought fell short and", "The original plot was along the lines of the \"overcoming the monster\" archetype:", "manuscript. After three weeks, I am still stuck at the story planning phase.", "power is revealed and looks like the MC is no match for it.", "20 pages, which they thought fell short and a bit rushed. I therefore", "off the monster. 3. The monster power is revealed and looks like the", "to try and lengthen it. One option would have been just be to", "slay the monster. My plan was to spare the monster and hook another", "to the manuscript. After three weeks, I am still stuck at the story", "my latest book to my favorite beta readers, and they liked it except", "near the end. 3. I could insert the foreshadowing of an even greater", "climatic point, only to discover that it is not over. It feels that", "MC is no match for it. 4. Epic climatic confrontation, the peak is", "the peak is when the MC is about to lose everything 5. MC", "MC prepares to fend off the monster. 3. The monster power is revealed", "the ending by sustaining a longer climax, and a longer epilogue perhaps. I", "only to discover that it is not over. It feels that I would", "may be backlash in going through a very strong climatic point, only to", "of a larger \"kill the monster\" plot. As I sketched this on paper,", "one, and resolve it as a new fifth step of a larger \"kill", "another archetypal plot to the 5th step. I have three concerns: 1. Unless", "through a very strong climatic point, only to discover that it is not", "match for it. 4. Epic climatic confrontation, the peak is when the MC", "revealed and looks like the MC is no match for it. 4. Epic", "prepares to fend off the monster. 3. The monster power is revealed and", "may look like a disconnected blob. A bit like glueing two books with", "as a new fifth step of a larger \"kill the monster\" plot. As", "repetition and that is why I focused on trying to glue a different", "original plot was along the lines of the \"overcoming the monster\" archetype: 1.", "ending, i.e. the last 20 pages, which they thought fell short and a", "this on paper, it sounded like a boring repetition and that is why", "decided to try and lengthen it. One option would have been just be", "three concerns: 1. Unless I do major editing throughout the entire book, the", "sustaining a longer climax, and a longer epilogue perhaps. I went for the", "There may be backlash in going through a very strong climatic point, only", "and looks like the MC is no match for it. 4. Epic climatic", "last 20 pages, which they thought fell short and a bit rushed. I", "climatic confrontation, the peak is when the MC is about to lose everything", "trying to seamlessly glue an archetypal plot onto the back of an existing", "a bit rushed. I therefore decided to try and lengthen it. One option", "would owe the reader an even stronger climax near the end. 3. I", "is: how to avoid the obvious pitfalls when trying to seamlessly glue an", "why I focused on trying to glue a different archetype. The question is:", "the monster. My plan was to spare the monster and hook another archetypal", "to lose everything 5. MC manages to slay the monster. My plan was", "of an even greater one, and resolve it as a new fifth step", "\"overcoming the monster\" archetype: 1. Learn about the monster, get a glimpse of", "substantial amount of plot to the manuscript. After three weeks, I am still", "two books with the same characters by the cover. 2. There may be", "the reader an even stronger climax near the end. 3. I could insert", "bit rushed. I therefore decided to try and lengthen it. One option would", "favorite beta readers, and they liked it except for the very ending, i.e.", "I sketched this on paper, it sounded like a boring repetition and that", "an even greater one, and resolve it as a new fifth step of", "the second option, that was to insert a new substantial amount of plot", "and lengthen it. One option would have been just be to lengthen the", "perhaps. I went for the second option, that was to insert a new", "fend off the monster. 3. The monster power is revealed and looks like", "a glimpse of it. 2. MC prepares to fend off the monster. 3.", "story planning phase. The original plot was along the lines of the \"overcoming", "it. 2. MC prepares to fend off the monster. 3. The monster power" ]
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[ "in the whole story these are the only 2-3 places that may break", "The windows are rolled up so the main character couldn't actually hear them.", "them. I had a couple of lines of dialogue for the men in", "is it ok? If it's ok, does that put it in \"omniscient\" or", "it, but what if I wanted to include a scene here or there", "observe it) - would I need to take that out to keep consistent?", "scene, the parents of a boy are arguing in the kitchen. To keep", "the odd POV position throughout a story or does that smack of amateurish", "a POV question in a short story I'm writing. The entire story is", "POV character wouldn't have heard that himself or have a way of knowing", "POV character can see and know. But can one sprinkle the odd POV", "to include a scene here or there where maybe the parents say something", "need to cut for consistency, or is it ok? If it's ok, does", "a truck with two men in it. The windows are rolled up so", "odd POV position throughout a story or does that smack of amateurish writing?", "an idiot; still others called stupid...\" But the POV character wouldn't have heard", "I did it, but what if I wanted to include a scene here", "a story or does that smack of amateurish writing? Thanks in advance for", "actually hear be written? Currently, that's how I did it, but what if", "a scene here or there where maybe the parents say something out of", "places that may break from what the POV character can see and know.", "main POV character is approaching a truck with two men in it. The", "the other replying \"How would I know?\" Again, since the POV character can't", "not the POV) who at one point says something like: \"...some people called", "people called him a jerk, others called him an idiot; still others called", "that out, or if I leave it in, how is it justified? What", "truck. Something like, \"Who's that kid?\" and the other replying \"How would I", "scene here or there where maybe the parents say something out of earshot?", "omniscient - I guess it's either \"distant limited\" or \"deep\" (I'm not sure", "explain (and I can't show it because those events would never be in", "would never be in front of the POV character to observe it) -", "are the only 2-3 places that may break from what the POV character", "hear them. I had a couple of lines of dialogue for the men", "sprinkle the odd POV position throughout a story or does that smack of", "here or there where maybe the parents say something out of earshot? I", "actually hear them. I had a couple of lines of dialogue for the", "If it's ok, does that put it in \"omniscient\" or \"occasional omniscient\" if", "those events would never be in front of the POV character to observe", "or there where maybe the parents say something out of earshot? I think", "I feel it's important to explain (and I can't show it because those", "of dialogue for the men in the truck. Something like, \"Who's that kid?\"", "thing? Examples: 1. There is a main character (but not the POV) who", "out of earshot? I think in the whole story these are the only", "others called him an idiot; still others called stupid...\" But the POV character", "is it justified somehow and what would the POV then be? 2. The", "would I know?\" Again, since the POV character can't actually hear them, do", "either \"distant limited\" or \"deep\" (I'm not sure exactly the difference and where", "2. The main POV character is approaching a truck with two men in", "\"distant limited\" or \"deep\" (I'm not sure exactly the difference and where my", "the POV then be? 2. The main POV character is approaching a truck", "one sprinkle the odd POV position throughout a story or does that smack", "out, or if I leave it in, how is it justified? What kind", "I can't show it because those events would never be in front of", "not omniscient - I guess it's either \"distant limited\" or \"deep\" (I'm not", "or \"occasional omniscient\" if there is such a thing? Examples: 1. There is", "to take that out to keep consistent? Or is it justified somehow and", "I need to take that out, or if I leave it in, how", "important to explain (and I can't show it because those events would never", "maybe someone can help). That said there are only 2-3 parts where I'm", "such a thing? Examples: 1. There is a main character (but not the", "arguing in the kitchen. To keep within the POV, would only the conversation", "I leave it in, how is it justified? What kind of POV do", "but what if I wanted to include a scene here or there where", "hear be written? Currently, that's how I did it, but what if I", "sure exactly the difference and where my story lands, maybe someone can help).", "kind of POV do I have then? 3. In one scene, the parents", "are rolled up so the main character couldn't actually hear them. I had", "POV position throughout a story or does that smack of amateurish writing? Thanks", "point says something like: \"...some people called him a jerk, others called him", "guess it's either \"distant limited\" or \"deep\" (I'm not sure exactly the difference", "think in the whole story these are the only 2-3 places that may", "lines of dialogue for the men in the truck. Something like, \"Who's that", "where maybe the parents say something out of earshot? I think in the", "exactly the difference and where my story lands, maybe someone can help). That", "did it, but what if I wanted to include a scene here or", "ok, does that put it in \"omniscient\" or \"occasional omniscient\" if there is", "one scene, the parents of a boy are arguing in the kitchen. To", "character to observe it) - would I need to take that out to", "of a boy are arguing in the kitchen. To keep within the POV,", "there are only 2-3 parts where I'm wondering if I need to cut", "is such a thing? Examples: 1. There is a main character (but not", "can see and know. But can one sprinkle the odd POV position throughout", "couple of lines of dialogue for the men in the truck. Something like,", "(but not the POV) who at one point says something like: \"...some people", "keep within the POV, would only the conversation that the boy could actually", "writing. The entire story is written in 3rd Person, but not omniscient -", "know. But can one sprinkle the odd POV position throughout a story or", "does that put it in \"omniscient\" or \"occasional omniscient\" if there is such", "then be? 2. The main POV character is approaching a truck with two", "story I'm writing. The entire story is written in 3rd Person, but not", "still others called stupid...\" But the POV character wouldn't have heard that himself", "have heard that himself or have a way of knowing that. But I", "somehow and what would the POV then be? 2. The main POV character", "for consistency, or is it ok? If it's ok, does that put it", "be written? Currently, that's how I did it, but what if I wanted", "if there is such a thing? Examples: 1. There is a main character", "character (but not the POV) who at one point says something like: \"...some", "POV) who at one point says something like: \"...some people called him a", "and the other replying \"How would I know?\" Again, since the POV character", "stuck on a POV question in a short story I'm writing. The entire", "in the truck. Something like, \"Who's that kid?\" and the other replying \"How", "idiot; still others called stupid...\" But the POV character wouldn't have heard that", "I'm wondering if I need to cut for consistency, or is it ok?", "need to take that out, or if I leave it in, how is", "it justified somehow and what would the POV then be? 2. The main", "POV character can't actually hear them, do I need to take that out,", "like, \"Who's that kid?\" and the other replying \"How would I know?\" Again,", "say something out of earshot? I think in the whole story these are", "the whole story these are the only 2-3 places that may break from", "in a short story I'm writing. The entire story is written in 3rd", "that out to keep consistent? Or is it justified somehow and what would", "character can't actually hear them, do I need to take that out, or", "one point says something like: \"...some people called him a jerk, others called", "leave it in, how is it justified? What kind of POV do I", "the POV character can't actually hear them, do I need to take that", "character can see and know. But can one sprinkle the odd POV position", "two men in it. The windows are rolled up so the main character", "I know?\" Again, since the POV character can't actually hear them, do I", "to explain (and I can't show it because those events would never be", "that kid?\" and the other replying \"How would I know?\" Again, since the", "feel it's important to explain (and I can't show it because those events", "parts where I'm wondering if I need to cut for consistency, or is", "character couldn't actually hear them. I had a couple of lines of dialogue", "that may break from what the POV character can see and know. But", "include a scene here or there where maybe the parents say something out", "Examples: 1. There is a main character (but not the POV) who at", "couldn't actually hear them. I had a couple of lines of dialogue for", "entire story is written in 3rd Person, but not omniscient - I guess", "story these are the only 2-3 places that may break from what the", "says something like: \"...some people called him a jerk, others called him an", "\"...some people called him a jerk, others called him an idiot; still others", "would only the conversation that the boy could actually hear be written? Currently,", "the POV, would only the conversation that the boy could actually hear be", "consistency, or is it ok? If it's ok, does that put it in", "justified somehow and what would the POV then be? 2. The main POV", "where my story lands, maybe someone can help). That said there are only", "show it because those events would never be in front of the POV", "have then? 3. In one scene, the parents of a boy are arguing", "conversation that the boy could actually hear be written? Currently, that's how I", "of knowing that. But I feel it's important to explain (and I can't", "2-3 places that may break from what the POV character can see and", "3. In one scene, the parents of a boy are arguing in the", "could actually hear be written? Currently, that's how I did it, but what", "be in front of the POV character to observe it) - would I", "only the conversation that the boy could actually hear be written? Currently, that's", "to observe it) - would I need to take that out to keep", "it in \"omniscient\" or \"occasional omniscient\" if there is such a thing? Examples:", "see and know. But can one sprinkle the odd POV position throughout a", "(and I can't show it because those events would never be in front", "my story lands, maybe someone can help). That said there are only 2-3", "there is such a thing? Examples: 1. There is a main character (but", "lands, maybe someone can help). That said there are only 2-3 parts where", "approaching a truck with two men in it. The windows are rolled up", "story lands, maybe someone can help). That said there are only 2-3 parts", "the main character couldn't actually hear them. I had a couple of lines", "way of knowing that. But I feel it's important to explain (and I", "to keep consistent? Or is it justified somehow and what would the POV", "I had a couple of lines of dialogue for the men in the", "how is it justified? What kind of POV do I have then? 3.", "called stupid...\" But the POV character wouldn't have heard that himself or have", "POV, would only the conversation that the boy could actually hear be written?", "windows are rolled up so the main character couldn't actually hear them. I", "story is written in 3rd Person, but not omniscient - I guess it's", "it because those events would never be in front of the POV character", "front of the POV character to observe it) - would I need to", "wanted to include a scene here or there where maybe the parents say", "the POV character to observe it) - would I need to take that", "I'm stuck on a POV question in a short story I'm writing. The", "limited\" or \"deep\" (I'm not sure exactly the difference and where my story", "is it justified? What kind of POV do I have then? 3. In", "of earshot? I think in the whole story these are the only 2-3", "break from what the POV character can see and know. But can one", "\"How would I know?\" Again, since the POV character can't actually hear them,", "But the POV character wouldn't have heard that himself or have a way", "it justified? What kind of POV do I have then? 3. In one", "to cut for consistency, or is it ok? If it's ok, does that", "parents say something out of earshot? I think in the whole story these", "others called stupid...\" But the POV character wouldn't have heard that himself or", "dialogue for the men in the truck. Something like, \"Who's that kid?\" and", "or have a way of knowing that. But I feel it's important to", "wouldn't have heard that himself or have a way of knowing that. But", "at one point says something like: \"...some people called him a jerk, others", "2-3 parts where I'm wondering if I need to cut for consistency, or", "the boy could actually hear be written? Currently, that's how I did it,", "are only 2-3 parts where I'm wondering if I need to cut for", "earshot? I think in the whole story these are the only 2-3 places", "question in a short story I'm writing. The entire story is written in", "story or does that smack of amateurish writing? Thanks in advance for any", "of POV do I have then? 3. In one scene, the parents of", "wondering if I need to cut for consistency, or is it ok? If", "to take that out, or if I leave it in, how is it", "in 3rd Person, but not omniscient - I guess it's either \"distant limited\"", "POV character to observe it) - would I need to take that out", "take that out, or if I leave it in, how is it justified?", "\"deep\" (I'm not sure exactly the difference and where my story lands, maybe", "men in it. The windows are rolled up so the main character couldn't", "it's either \"distant limited\" or \"deep\" (I'm not sure exactly the difference and", "actually hear them, do I need to take that out, or if I", "the men in the truck. Something like, \"Who's that kid?\" and the other", "or does that smack of amateurish writing? Thanks in advance for any clarification.", "only 2-3 parts where I'm wondering if I need to cut for consistency,", "because those events would never be in front of the POV character to", "boy are arguing in the kitchen. To keep within the POV, would only", "position throughout a story or does that smack of amateurish writing? Thanks in", "POV character is approaching a truck with two men in it. The windows", "it's important to explain (and I can't show it because those events would", "The main POV character is approaching a truck with two men in it.", "never be in front of the POV character to observe it) - would", "where I'm wondering if I need to cut for consistency, or is it", "know?\" Again, since the POV character can't actually hear them, do I need", "3rd Person, but not omniscient - I guess it's either \"distant limited\" or", "What kind of POV do I have then? 3. In one scene, the", "I need to cut for consistency, or is it ok? If it's ok,", "or is it ok? If it's ok, does that put it in \"omniscient\"", "events would never be in front of the POV character to observe it)", "what the POV character can see and know. But can one sprinkle the", "himself or have a way of knowing that. But I feel it's important", "be? 2. The main POV character is approaching a truck with two men", "something like: \"...some people called him a jerk, others called him an idiot;", "something out of earshot? I think in the whole story these are the", "But I feel it's important to explain (and I can't show it because", "help). That said there are only 2-3 parts where I'm wondering if I", "In one scene, the parents of a boy are arguing in the kitchen.", "in \"omniscient\" or \"occasional omniscient\" if there is such a thing? Examples: 1.", "Person, but not omniscient - I guess it's either \"distant limited\" or \"deep\"", "would I need to take that out to keep consistent? Or is it", "consistent? Or is it justified somehow and what would the POV then be?", "hear them, do I need to take that out, or if I leave", "I'm writing. The entire story is written in 3rd Person, but not omniscient", "cut for consistency, or is it ok? If it's ok, does that put", "is written in 3rd Person, but not omniscient - I guess it's either", "need to take that out to keep consistent? Or is it justified somehow", "To keep within the POV, would only the conversation that the boy could", "only 2-3 places that may break from what the POV character can see", "written in 3rd Person, but not omniscient - I guess it's either \"distant", "may break from what the POV character can see and know. But can", "so the main character couldn't actually hear them. I had a couple of", "from what the POV character can see and know. But can one sprinkle", "I think in the whole story these are the only 2-3 places that", "a boy are arguing in the kitchen. To keep within the POV, would", "the parents of a boy are arguing in the kitchen. To keep within", "that the boy could actually hear be written? Currently, that's how I did", "for the men in the truck. Something like, \"Who's that kid?\" and the", "There is a main character (but not the POV) who at one point", "these are the only 2-3 places that may break from what the POV", "or if I leave it in, how is it justified? What kind of", "then? 3. In one scene, the parents of a boy are arguing in", "That said there are only 2-3 parts where I'm wondering if I need", "put it in \"omniscient\" or \"occasional omniscient\" if there is such a thing?", "difference and where my story lands, maybe someone can help). That said there", "the conversation that the boy could actually hear be written? Currently, that's how", "other replying \"How would I know?\" Again, since the POV character can't actually", "can one sprinkle the odd POV position throughout a story or does that", "if I leave it in, how is it justified? What kind of POV", "is a main character (but not the POV) who at one point says", "that put it in \"omniscient\" or \"occasional omniscient\" if there is such a", "and what would the POV then be? 2. The main POV character is", "have a way of knowing that. But I feel it's important to explain", "that's how I did it, but what if I wanted to include a", "can't show it because those events would never be in front of the", "the only 2-3 places that may break from what the POV character can", "if I wanted to include a scene here or there where maybe the", "is approaching a truck with two men in it. The windows are rolled", "Or is it justified somehow and what would the POV then be? 2.", "the kitchen. To keep within the POV, would only the conversation that the", "keep consistent? Or is it justified somehow and what would the POV then", "short story I'm writing. The entire story is written in 3rd Person, but", "them, do I need to take that out, or if I leave it", "with two men in it. The windows are rolled up so the main", "\"Who's that kid?\" and the other replying \"How would I know?\" Again, since", "maybe the parents say something out of earshot? I think in the whole", "on a POV question in a short story I'm writing. The entire story", "I guess it's either \"distant limited\" or \"deep\" (I'm not sure exactly the", "kitchen. To keep within the POV, would only the conversation that the boy", "heard that himself or have a way of knowing that. But I feel", "do I have then? 3. In one scene, the parents of a boy", "that. But I feel it's important to explain (and I can't show it", "truck with two men in it. The windows are rolled up so the", "omniscient\" if there is such a thing? Examples: 1. There is a main", "since the POV character can't actually hear them, do I need to take", "called him an idiot; still others called stupid...\" But the POV character wouldn't", "But can one sprinkle the odd POV position throughout a story or does", "a main character (but not the POV) who at one point says something", "that himself or have a way of knowing that. But I feel it's", "in front of the POV character to observe it) - would I need", "POV question in a short story I'm writing. The entire story is written", "in the kitchen. To keep within the POV, would only the conversation that", "him an idiot; still others called stupid...\" But the POV character wouldn't have", "and where my story lands, maybe someone can help). That said there are", "would the POV then be? 2. The main POV character is approaching a", "the difference and where my story lands, maybe someone can help). That said", "a couple of lines of dialogue for the men in the truck. Something", "it. The windows are rolled up so the main character couldn't actually hear", "I have then? 3. In one scene, the parents of a boy are", "the truck. Something like, \"Who's that kid?\" and the other replying \"How would", "but not omniscient - I guess it's either \"distant limited\" or \"deep\" (I'm", "it ok? If it's ok, does that put it in \"omniscient\" or \"occasional", "character wouldn't have heard that himself or have a way of knowing that.", "it) - would I need to take that out to keep consistent? Or", "said there are only 2-3 parts where I'm wondering if I need to", "a short story I'm writing. The entire story is written in 3rd Person,", "like: \"...some people called him a jerk, others called him an idiot; still", "the POV character can see and know. But can one sprinkle the odd", "within the POV, would only the conversation that the boy could actually hear", "him a jerk, others called him an idiot; still others called stupid...\" But", "the parents say something out of earshot? I think in the whole story", "in, how is it justified? What kind of POV do I have then?", "take that out to keep consistent? Or is it justified somehow and what", "boy could actually hear be written? Currently, that's how I did it, but", "written? Currently, that's how I did it, but what if I wanted to", "kid?\" and the other replying \"How would I know?\" Again, since the POV", "not sure exactly the difference and where my story lands, maybe someone can", "of lines of dialogue for the men in the truck. Something like, \"Who's", "it's ok, does that put it in \"omniscient\" or \"occasional omniscient\" if there", "- would I need to take that out to keep consistent? Or is", "how I did it, but what if I wanted to include a scene", "men in the truck. Something like, \"Who's that kid?\" and the other replying", "I need to take that out to keep consistent? Or is it justified", "replying \"How would I know?\" Again, since the POV character can't actually hear", "parents of a boy are arguing in the kitchen. To keep within the", "can help). That said there are only 2-3 parts where I'm wondering if", "a way of knowing that. But I feel it's important to explain (and", "- I guess it's either \"distant limited\" or \"deep\" (I'm not sure exactly", "do I need to take that out, or if I leave it in,", "called him a jerk, others called him an idiot; still others called stupid...\"", "can't actually hear them, do I need to take that out, or if", "(I'm not sure exactly the difference and where my story lands, maybe someone", "the POV character wouldn't have heard that himself or have a way of", "knowing that. But I feel it's important to explain (and I can't show", "or \"deep\" (I'm not sure exactly the difference and where my story lands,", "\"occasional omniscient\" if there is such a thing? Examples: 1. There is a", "a jerk, others called him an idiot; still others called stupid...\" But the", "stupid...\" But the POV character wouldn't have heard that himself or have a", "out to keep consistent? Or is it justified somehow and what would the", "had a couple of lines of dialogue for the men in the truck.", "it in, how is it justified? What kind of POV do I have", "the POV) who at one point says something like: \"...some people called him", "someone can help). That said there are only 2-3 parts where I'm wondering", "who at one point says something like: \"...some people called him a jerk,", "up so the main character couldn't actually hear them. I had a couple", "1. There is a main character (but not the POV) who at one", "whole story these are the only 2-3 places that may break from what", "what would the POV then be? 2. The main POV character is approaching", "main character (but not the POV) who at one point says something like:", "Something like, \"Who's that kid?\" and the other replying \"How would I know?\"", "POV do I have then? 3. In one scene, the parents of a", "Currently, that's how I did it, but what if I wanted to include", "and know. But can one sprinkle the odd POV position throughout a story", "are arguing in the kitchen. To keep within the POV, would only the", "rolled up so the main character couldn't actually hear them. I had a", "a thing? Examples: 1. There is a main character (but not the POV)", "justified? What kind of POV do I have then? 3. In one scene,", "I wanted to include a scene here or there where maybe the parents", "main character couldn't actually hear them. I had a couple of lines of", "\"omniscient\" or \"occasional omniscient\" if there is such a thing? Examples: 1. There", "in it. The windows are rolled up so the main character couldn't actually", "The entire story is written in 3rd Person, but not omniscient - I", "jerk, others called him an idiot; still others called stupid...\" But the POV", "Again, since the POV character can't actually hear them, do I need to", "POV then be? 2. The main POV character is approaching a truck with", "if I need to cut for consistency, or is it ok? If it's", "ok? If it's ok, does that put it in \"omniscient\" or \"occasional omniscient\"", "character is approaching a truck with two men in it. The windows are", "throughout a story or does that smack of amateurish writing? Thanks in advance", "there where maybe the parents say something out of earshot? I think in", "what if I wanted to include a scene here or there where maybe", "of the POV character to observe it) - would I need to take" ]
[ "time, my money, my family's patience on nothing, nothing at all? I cannot", "an acute case of the graphomania disease, and nobody will ever be interested", "lurking in my mind, becoming stronger and clearer with each rejection: what if?", "All the answers were very insightful and very helpful. Thank you. I am", "or wealth, I seek an audience. I want my books to be read.", "wealth, I seek an audience. I want my books to be read. Almost", "anything I have to say. What if I am wasting my time, my", "all? I cannot stop writing. I do not seek fame or wealth, I", "seek fame or wealth, I seek an audience. I want my books to", "have this right to ask unknown people to spend some hours of their", "each and every beta reader (not personal acquaintance) told me I am good.", "Rowling story. Yet the question is lurking in my mind, becoming stronger and", "Bradbury was rejected about 800 times. I know the famous JK Rowling story.", "I know that Bradbury was rejected about 800 times. I know the famous", "wasting my time, my money, my family's patience on nothing, nothing at all?", "spend some hours of their lives with my books? EDIT: All the answers", "you. I am going to accept @Liquid's answer just because it was the", "times. I know the famous JK Rowling story. Yet the question is lurking", "if I am simply an acute case of the graphomania disease, and nobody", "know if I am any good? If I have this right to ask", "mind, becoming stronger and clearer with each rejection: what if? What if I", "not that good, what if I am simply an acute case of the", "right to ask unknown people to spend some hours of their lives with", "ask unknown people to spend some hours of their lives with my books?", "books? EDIT: All the answers were very insightful and very helpful. Thank you.", "lives with my books? EDIT: All the answers were very insightful and very", "Almost each and every beta reader (not personal acquaintance) told me I am", "read. Almost each and every beta reader (not personal acquaintance) told me I", "But how would I really know if I am any good? If I", "money, my family's patience on nothing, nothing at all? I cannot stop writing.", "do not seek fame or wealth, I seek an audience. I want my", "What if I am really not that good, what if I am simply", "if? What if I am really not that good, what if I am", "would I really know if I am any good? If I have this", "and very helpful. Thank you. I am going to accept @Liquid's answer just", "am really not that good, what if I am simply an acute case", "writing. I do not seek fame or wealth, I seek an audience. I", "be interested in anything I have to say. What if I am wasting", "I cannot stop writing. I do not seek fame or wealth, I seek", "and clearer with each rejection: what if? What if I am really not", "rejected about 800 times. I know the famous JK Rowling story. Yet the", "the question is lurking in my mind, becoming stronger and clearer with each", "in anything I have to say. What if I am wasting my time,", "becoming stronger and clearer with each rejection: what if? What if I am", "I am wasting my time, my money, my family's patience on nothing, nothing", "graphomania disease, and nobody will ever be interested in anything I have to", "seek an audience. I want my books to be read. Almost each and", "some hours of their lives with my books? EDIT: All the answers were", "say. What if I am wasting my time, my money, my family's patience", "not seek fame or wealth, I seek an audience. I want my books", "know the famous JK Rowling story. Yet the question is lurking in my", "to accept @Liquid's answer just because it was the first and it was", "audience. I want my books to be read. Almost each and every beta", "was rejected about 800 times. I know the famous JK Rowling story. Yet", "stronger and clearer with each rejection: what if? What if I am really", "if I am wasting my time, my money, my family's patience on nothing,", "my mind, becoming stronger and clearer with each rejection: what if? What if", "nothing, nothing at all? I cannot stop writing. I do not seek fame", "want my books to be read. Almost each and every beta reader (not", "(not personal acquaintance) told me I am good. But how would I really", "me I am good. But how would I really know if I am", "JK Rowling story. Yet the question is lurking in my mind, becoming stronger", "each rejection: what if? What if I am really not that good, what", "cannot stop writing. I do not seek fame or wealth, I seek an", "@Liquid's answer just because it was the first and it was there when", "story. Yet the question is lurking in my mind, becoming stronger and clearer", "to be read. Almost each and every beta reader (not personal acquaintance) told", "acute case of the graphomania disease, and nobody will ever be interested in", "patience on nothing, nothing at all? I cannot stop writing. I do not", "I am good. But how would I really know if I am any", "If I have this right to ask unknown people to spend some hours", "is lurking in my mind, becoming stronger and clearer with each rejection: what", "about 800 times. I know the famous JK Rowling story. Yet the question", "simply an acute case of the graphomania disease, and nobody will ever be", "and nobody will ever be interested in anything I have to say. What", "an audience. I want my books to be read. Almost each and every", "every beta reader (not personal acquaintance) told me I am good. But how", "how would I really know if I am any good? If I have", "I am any good? If I have this right to ask unknown people", "my books to be read. Almost each and every beta reader (not personal", "with my books? EDIT: All the answers were very insightful and very helpful.", "very helpful. Thank you. I am going to accept @Liquid's answer just because", "I have to say. What if I am wasting my time, my money,", "very insightful and very helpful. Thank you. I am going to accept @Liquid's", "answer just because it was the first and it was there when I", "to spend some hours of their lives with my books? EDIT: All the", "I am going to accept @Liquid's answer just because it was the first", "800 times. I know the famous JK Rowling story. Yet the question is", "with each rejection: what if? What if I am really not that good,", "if I am any good? If I have this right to ask unknown", "nothing at all? I cannot stop writing. I do not seek fame or", "interested in anything I have to say. What if I am wasting my", "I want my books to be read. Almost each and every beta reader", "insightful and very helpful. Thank you. I am going to accept @Liquid's answer", "that good, what if I am simply an acute case of the graphomania", "Thank you. I am going to accept @Liquid's answer just because it was", "my time, my money, my family's patience on nothing, nothing at all? I", "of their lives with my books? EDIT: All the answers were very insightful", "just because it was the first and it was there when I needed", "I am simply an acute case of the graphomania disease, and nobody will", "reader (not personal acquaintance) told me I am good. But how would I", "of the graphomania disease, and nobody will ever be interested in anything I", "any good? If I have this right to ask unknown people to spend", "on nothing, nothing at all? I cannot stop writing. I do not seek", "because it was the first and it was there when I needed it", "going to accept @Liquid's answer just because it was the first and it", "what if I am simply an acute case of the graphomania disease, and", "the answers were very insightful and very helpful. Thank you. I am going", "their lives with my books? EDIT: All the answers were very insightful and", "am good. But how would I really know if I am any good?", "the graphomania disease, and nobody will ever be interested in anything I have", "am simply an acute case of the graphomania disease, and nobody will ever", "good. But how would I really know if I am any good? If", "really not that good, what if I am simply an acute case of", "famous JK Rowling story. Yet the question is lurking in my mind, becoming", "if I am really not that good, what if I am simply an", "good? If I have this right to ask unknown people to spend some", "know that Bradbury was rejected about 800 times. I know the famous JK", "good, what if I am simply an acute case of the graphomania disease,", "told me I am good. But how would I really know if I", "at all? I cannot stop writing. I do not seek fame or wealth,", "I seek an audience. I want my books to be read. Almost each", "people to spend some hours of their lives with my books? EDIT: All", "will ever be interested in anything I have to say. What if I", "am any good? If I have this right to ask unknown people to", "I do not seek fame or wealth, I seek an audience. I want", "I have this right to ask unknown people to spend some hours of", "what if? What if I am really not that good, what if I", "nobody will ever be interested in anything I have to say. What if", "Yet the question is lurking in my mind, becoming stronger and clearer with", "my books? EDIT: All the answers were very insightful and very helpful. Thank", "disease, and nobody will ever be interested in anything I have to say.", "accept @Liquid's answer just because it was the first and it was there", "am going to accept @Liquid's answer just because it was the first and", "to ask unknown people to spend some hours of their lives with my", "EDIT: All the answers were very insightful and very helpful. Thank you. I", "this right to ask unknown people to spend some hours of their lives", "unknown people to spend some hours of their lives with my books? EDIT:", "that Bradbury was rejected about 800 times. I know the famous JK Rowling", "books to be read. Almost each and every beta reader (not personal acquaintance)", "in my mind, becoming stronger and clearer with each rejection: what if? What", "am wasting my time, my money, my family's patience on nothing, nothing at", "were very insightful and very helpful. Thank you. I am going to accept", "and every beta reader (not personal acquaintance) told me I am good. But", "I really know if I am any good? If I have this right", "family's patience on nothing, nothing at all? I cannot stop writing. I do", "my money, my family's patience on nothing, nothing at all? I cannot stop", "I am really not that good, what if I am simply an acute", "be read. Almost each and every beta reader (not personal acquaintance) told me", "personal acquaintance) told me I am good. But how would I really know", "case of the graphomania disease, and nobody will ever be interested in anything", "the famous JK Rowling story. Yet the question is lurking in my mind,", "acquaintance) told me I am good. But how would I really know if", "rejection: what if? What if I am really not that good, what if", "have to say. What if I am wasting my time, my money, my", "to say. What if I am wasting my time, my money, my family's", "What if I am wasting my time, my money, my family's patience on", "helpful. Thank you. I am going to accept @Liquid's answer just because it", "question is lurking in my mind, becoming stronger and clearer with each rejection:", "stop writing. I do not seek fame or wealth, I seek an audience.", "clearer with each rejection: what if? What if I am really not that", "ever be interested in anything I have to say. What if I am", "my family's patience on nothing, nothing at all? I cannot stop writing. I", "hours of their lives with my books? EDIT: All the answers were very", "really know if I am any good? If I have this right to", "fame or wealth, I seek an audience. I want my books to be", "answers were very insightful and very helpful. Thank you. I am going to", "beta reader (not personal acquaintance) told me I am good. But how would", "it was the first and it was there when I needed it most.", "I know the famous JK Rowling story. Yet the question is lurking in" ]
[ "these flags, it makes a great deal of sense to use a crest,", "crest. I would like to make crests like these, but I realized that", "doesn't rely on it at all. In a fantasy world, there's no good", "I would like to make crests like these, but I realized that (considering", "fairly easy (throw a few syllables together) but the alphabet would be latin,", "the alphabet would be latin, which realistically makes no sense for a completely", "a great deal of sense to use a crest, similar to the real", "but it seems like a waste of time to create an entire alphabet", "the real flags of [Andorra](https://en.wikipedia.org/wiki/Flag_of_Andorra) and [Spain](https://en.wikipedia.org/wiki/Flag_of_Spain). A lot of these crests use", "these, but I realized that (considering it was a fantasy world) it makes", "the latin alphabet, or any real alphabet for that matter. I was wondering;", "sense to use a crest, similar to the real flags of [Andorra](https://en.wikipedia.org/wiki/Flag_of_Andorra) and", "just for the use of crests on flags. I'm wondering how to proceed.", "of time to create an entire alphabet just for the use of crests", "alphabet just for the use of crests on flags. I'm wondering how to", "for a very small issue and the story and world-building doesn't rely on", "I was wondering if it makes any sense to use a real alphabet.", "Latin alphabet to write a message (written in a fictional language) make any", "a real alphabet. The language would be fictional, as that is fairly easy", "be fictional, as that is fairly easy (throw a few syllables together) but", "words as an integral part of the crest. I would like to make", "together) but the alphabet would be latin, which realistically makes no sense for", "no plans to start constructing an alphabet. It would be a considerable amount", "sense for a completely removed setting. Does it make sense to use real", "time to create an entire alphabet just for the use of crests on", "language would be fictional, as that is fairly easy (throw a few syllables", "of these crests use words as an integral part of the crest. I", "constructing an alphabet. It would be a considerable amount of work for a", "use a real alphabet. The language would be fictional, as that is fairly", "I was wondering; would using the Latin alphabet to write a message (written", "rely on it at all. In a fantasy world, there's no good reason", "few syllables together) but the alphabet would be latin, which realistically makes no", "a completely removed setting. Does it make sense to use real alphabets for", "it make sense to use real alphabets for fantasy languages on map or", "on it at all. In a fantasy world, there's no good reason that", "alphabet for that matter. I was wondering; would using the Latin alphabet to", "countries. On some of these flags, it makes a great deal of sense", "latin alphabet, or any real alphabet for that matter. I was wondering; would", "to make flags for all my fictional countries. On some of these flags,", "be a considerable amount of work for a very small issue and the", "and [Spain](https://en.wikipedia.org/wiki/Flag_of_Spain). A lot of these crests use words as an integral part", "In a fantasy world, there's no good reason that the characters would end", "of the crest. I would like to make crests like these, but I", "[Spain](https://en.wikipedia.org/wiki/Flag_of_Spain). A lot of these crests use words as an integral part of", "to make crests like these, but I realized that (considering it was a", "completely removed setting. Does it make sense to use real alphabets for fantasy", "real alphabet for that matter. I was wondering; would using the Latin alphabet", "trying to make flags for all my fictional countries. On some of these", "as that is fairly easy (throw a few syllables together) but the alphabet", "at all? I have no plans to start constructing an alphabet. It would", "crests on flags. I'm wondering how to proceed. So I was wondering if", "is fairly easy (throw a few syllables together) but the alphabet would be", "in a fictional language) make any sense at all? I have no plans", "flags of [Andorra](https://en.wikipedia.org/wiki/Flag_of_Andorra) and [Spain](https://en.wikipedia.org/wiki/Flag_of_Spain). A lot of these crests use words as", "So I was wondering if it makes any sense to use a real", "of sense to use a crest, similar to the real flags of [Andorra](https://en.wikipedia.org/wiki/Flag_of_Andorra)", "it was a fantasy world) it makes no sense to use the latin", "an entire alphabet just for the use of crests on flags. I'm wondering", "start constructing an alphabet. It would be a considerable amount of work for", "amount of work for a very small issue and the story and world-building", "I'm trying to make flags for all my fictional countries. On some of", "any sense at all? I have no plans to start constructing an alphabet.", "matter. I was wondering; would using the Latin alphabet to write a message", "seems like a waste of time to create an entire alphabet just for", "makes no sense to use the latin alphabet, or any real alphabet for", "entire alphabet just for the use of crests on flags. I'm wondering how", "my fictional countries. On some of these flags, it makes a great deal", "an integral part of the crest. I would like to make crests like", "world) it makes no sense to use the latin alphabet, or any real", "make sense to use real alphabets for fantasy languages on map or emblems?", "use of crests on flags. I'm wondering how to proceed. So I was", "like a waste of time to create an entire alphabet just for the", "makes a great deal of sense to use a crest, similar to the", "for a completely removed setting. Does it make sense to use real alphabets", "removed setting. Does it make sense to use real alphabets for fantasy languages", "A lot of these crests use words as an integral part of the", "fantasy world, there's no good reason that the characters would end up similar,", "the characters would end up similar, but it seems like a waste of", "would be fictional, as that is fairly easy (throw a few syllables together)", "fictional language) make any sense at all? I have no plans to start", "(throw a few syllables together) but the alphabet would be latin, which realistically", "wondering; would using the Latin alphabet to write a message (written in a", "of these flags, it makes a great deal of sense to use a", "very small issue and the story and world-building doesn't rely on it at", "would be latin, which realistically makes no sense for a completely removed setting.", "issue and the story and world-building doesn't rely on it at all. In", "I'm wondering how to proceed. So I was wondering if it makes any", "would end up similar, but it seems like a waste of time to", "good reason that the characters would end up similar, but it seems like", "the story and world-building doesn't rely on it at all. In a fantasy", "it seems like a waste of time to create an entire alphabet just", "and the story and world-building doesn't rely on it at all. In a", "alphabet. It would be a considerable amount of work for a very small", "for that matter. I was wondering; would using the Latin alphabet to write", "characters would end up similar, but it seems like a waste of time", "the Latin alphabet to write a message (written in a fictional language) make", "(written in a fictional language) make any sense at all? I have no", "plans to start constructing an alphabet. It would be a considerable amount of", "real flags of [Andorra](https://en.wikipedia.org/wiki/Flag_of_Andorra) and [Spain](https://en.wikipedia.org/wiki/Flag_of_Spain). A lot of these crests use words", "language) make any sense at all? I have no plans to start constructing", "world, there's no good reason that the characters would end up similar, but", "latin, which realistically makes no sense for a completely removed setting. Does it", "The language would be fictional, as that is fairly easy (throw a few", "like to make crests like these, but I realized that (considering it was", "a fantasy world, there's no good reason that the characters would end up", "there's no good reason that the characters would end up similar, but it", "but the alphabet would be latin, which realistically makes no sense for a", "story and world-building doesn't rely on it at all. In a fantasy world,", "lot of these crests use words as an integral part of the crest.", "reason that the characters would end up similar, but it seems like a", "to use a crest, similar to the real flags of [Andorra](https://en.wikipedia.org/wiki/Flag_of_Andorra) and [Spain](https://en.wikipedia.org/wiki/Flag_of_Spain).", "small issue and the story and world-building doesn't rely on it at all.", "wondering how to proceed. So I was wondering if it makes any sense", "integral part of the crest. I would like to make crests like these,", "no good reason that the characters would end up similar, but it seems", "wondering if it makes any sense to use a real alphabet. The language", "flags for all my fictional countries. On some of these flags, it makes", "all. In a fantasy world, there's no good reason that the characters would", "but I realized that (considering it was a fantasy world) it makes no", "similar, but it seems like a waste of time to create an entire", "create an entire alphabet just for the use of crests on flags. I'm", "a fictional language) make any sense at all? I have no plans to", "sense to use a real alphabet. The language would be fictional, as that", "a crest, similar to the real flags of [Andorra](https://en.wikipedia.org/wiki/Flag_of_Andorra) and [Spain](https://en.wikipedia.org/wiki/Flag_of_Spain). A lot", "and world-building doesn't rely on it at all. In a fantasy world, there's", "flags, it makes a great deal of sense to use a crest, similar", "(considering it was a fantasy world) it makes no sense to use the", "alphabet, or any real alphabet for that matter. I was wondering; would using", "was a fantasy world) it makes no sense to use the latin alphabet,", "flags. I'm wondering how to proceed. So I was wondering if it makes", "all? I have no plans to start constructing an alphabet. It would be", "Does it make sense to use real alphabets for fantasy languages on map", "to the real flags of [Andorra](https://en.wikipedia.org/wiki/Flag_of_Andorra) and [Spain](https://en.wikipedia.org/wiki/Flag_of_Spain). A lot of these crests", "as an integral part of the crest. I would like to make crests", "which realistically makes no sense for a completely removed setting. Does it make", "real alphabet. The language would be fictional, as that is fairly easy (throw", "have no plans to start constructing an alphabet. It would be a considerable", "a waste of time to create an entire alphabet just for the use", "deal of sense to use a crest, similar to the real flags of", "waste of time to create an entire alphabet just for the use of", "or any real alphabet for that matter. I was wondering; would using the", "similar to the real flags of [Andorra](https://en.wikipedia.org/wiki/Flag_of_Andorra) and [Spain](https://en.wikipedia.org/wiki/Flag_of_Spain). A lot of these", "I realized that (considering it was a fantasy world) it makes no sense", "for the use of crests on flags. I'm wondering how to proceed. So", "I have no plans to start constructing an alphabet. It would be a", "at all. In a fantasy world, there's no good reason that the characters", "to proceed. So I was wondering if it makes any sense to use", "write a message (written in a fictional language) make any sense at all?", "of crests on flags. I'm wondering how to proceed. So I was wondering", "alphabet. The language would be fictional, as that is fairly easy (throw a", "use the latin alphabet, or any real alphabet for that matter. I was", "end up similar, but it seems like a waste of time to create", "how to proceed. So I was wondering if it makes any sense to", "all my fictional countries. On some of these flags, it makes a great", "that (considering it was a fantasy world) it makes no sense to use", "alphabet to write a message (written in a fictional language) make any sense", "the crest. I would like to make crests like these, but I realized", "if it makes any sense to use a real alphabet. The language would", "makes no sense for a completely removed setting. Does it make sense to", "crests like these, but I realized that (considering it was a fantasy world)", "to start constructing an alphabet. It would be a considerable amount of work", "it at all. In a fantasy world, there's no good reason that the", "it makes a great deal of sense to use a crest, similar to", "was wondering if it makes any sense to use a real alphabet. The", "makes any sense to use a real alphabet. The language would be fictional,", "that the characters would end up similar, but it seems like a waste", "be latin, which realistically makes no sense for a completely removed setting. Does", "up similar, but it seems like a waste of time to create an", "It would be a considerable amount of work for a very small issue", "would be a considerable amount of work for a very small issue and", "fictional countries. On some of these flags, it makes a great deal of", "a considerable amount of work for a very small issue and the story", "message (written in a fictional language) make any sense at all? I have", "any sense to use a real alphabet. The language would be fictional, as", "realistically makes no sense for a completely removed setting. Does it make sense", "[Andorra](https://en.wikipedia.org/wiki/Flag_of_Andorra) and [Spain](https://en.wikipedia.org/wiki/Flag_of_Spain). A lot of these crests use words as an integral", "to use a real alphabet. The language would be fictional, as that is", "an alphabet. It would be a considerable amount of work for a very", "it makes any sense to use a real alphabet. The language would be", "any real alphabet for that matter. I was wondering; would using the Latin", "a few syllables together) but the alphabet would be latin, which realistically makes", "some of these flags, it makes a great deal of sense to use", "use words as an integral part of the crest. I would like to", "work for a very small issue and the story and world-building doesn't rely", "crests use words as an integral part of the crest. I would like", "a fantasy world) it makes no sense to use the latin alphabet, or", "easy (throw a few syllables together) but the alphabet would be latin, which", "for all my fictional countries. On some of these flags, it makes a", "fantasy world) it makes no sense to use the latin alphabet, or any", "these crests use words as an integral part of the crest. I would", "like these, but I realized that (considering it was a fantasy world) it", "considerable amount of work for a very small issue and the story and", "On some of these flags, it makes a great deal of sense to", "to use the latin alphabet, or any real alphabet for that matter. I", "of work for a very small issue and the story and world-building doesn't", "make crests like these, but I realized that (considering it was a fantasy", "would using the Latin alphabet to write a message (written in a fictional", "was wondering; would using the Latin alphabet to write a message (written in", "of [Andorra](https://en.wikipedia.org/wiki/Flag_of_Andorra) and [Spain](https://en.wikipedia.org/wiki/Flag_of_Spain). A lot of these crests use words as an", "to create an entire alphabet just for the use of crests on flags.", "fictional, as that is fairly easy (throw a few syllables together) but the", "using the Latin alphabet to write a message (written in a fictional language)", "that is fairly easy (throw a few syllables together) but the alphabet would", "syllables together) but the alphabet would be latin, which realistically makes no sense", "setting. Does it make sense to use real alphabets for fantasy languages on", "make any sense at all? I have no plans to start constructing an", "it makes no sense to use the latin alphabet, or any real alphabet", "on flags. I'm wondering how to proceed. So I was wondering if it", "no sense for a completely removed setting. Does it make sense to use", "sense at all? I have no plans to start constructing an alphabet. It", "world-building doesn't rely on it at all. In a fantasy world, there's no", "no sense to use the latin alphabet, or any real alphabet for that", "a very small issue and the story and world-building doesn't rely on it", "that matter. I was wondering; would using the Latin alphabet to write a", "realized that (considering it was a fantasy world) it makes no sense to", "great deal of sense to use a crest, similar to the real flags", "part of the crest. I would like to make crests like these, but", "a message (written in a fictional language) make any sense at all? I", "alphabet would be latin, which realistically makes no sense for a completely removed", "make flags for all my fictional countries. On some of these flags, it", "to write a message (written in a fictional language) make any sense at", "sense to use the latin alphabet, or any real alphabet for that matter.", "the use of crests on flags. I'm wondering how to proceed. So I", "proceed. So I was wondering if it makes any sense to use a", "use a crest, similar to the real flags of [Andorra](https://en.wikipedia.org/wiki/Flag_of_Andorra) and [Spain](https://en.wikipedia.org/wiki/Flag_of_Spain). A", "would like to make crests like these, but I realized that (considering it", "crest, similar to the real flags of [Andorra](https://en.wikipedia.org/wiki/Flag_of_Andorra) and [Spain](https://en.wikipedia.org/wiki/Flag_of_Spain). A lot of" ]
[ "she used to drag on the vocal at the end of each word", "be transcribed effectly, but while this is somewhat doable for real dialects with", "for the readers. More on this point: * I'd rather not use nonces", "completely new language, since it relays a lot on an already existing and", "dialects usually have a lot of new terms, it's hard for the reader", "somewhat doable for real dialects with actual references, I feel it would be", "We're talking about fictional worldbuilding: so any real world dialect is ruled out.", "a dialect from scratch is easier than making a completely new language, since", "was speanking with a southern accent ... she used to drag on the", "this point: * I'd rather not use nonces and completely made up words.", "reader (*she was speanking with a southern accent ... she used to drag", "readers. More on this point: I'd rather not use nonces and completely", "lot of vocabulary and grammar to draw from. Yet making a dialect comes", "For a similar reason, I'm kinda wary of accents. They are hard to", "doable for real dialects with actual references, I feel it would be significantly", "realistic should dialogue and character voices be?](https://writing.stackexchange.com/questions/20468/how-realistic-should-dialogue-and-character-voices-be) \\N.B.: to be fair, some accents", "character voices be?](https://writing.stackexchange.com/questions/20468/how-realistic-should-dialogue-and-character-voices-be) \\N.B.: to be fair, some accents probably CAN be transcribed", "base language in a convincing way, while mantaining readability for the readers. More", "its own challenges. I'm specifically looking for ways to change, distort and \"misuse\"", "a similar reason, I'm kinda wary of accents. They are hard to convey", "Yet making a dialect comes with its own challenges. I'm specifically looking for", "are hard to convey without telling the reader (she was speanking with a", "and completely made up words. While dialects usually have a lot of new", "vocal at the end of each word ..) and can't be transcribed in", "albeit delightfully confusing: [link](https://coppermind.net/wiki/High_Imperial). Related: * [Introduce new English dialect](https://writing.stackexchange.com/questions/32460/introduce-new-english-dialect) * [How realistic", "I'm kinda wary of accents. They are hard to convey without telling the", "made dialect, albeit delightfully confusing: [link](https://coppermind.net/wiki/High_Imperial). Related: * [Introduce new English dialect](https://writing.stackexchange.com/questions/32460/introduce-new-english-dialect) ", "introduce one, if not several, made up dialects. We're talking about fictional worldbuilding:", "out. They can be used as a source of inspiration, but they can't", "not several, made up dialects. We're talking about fictional worldbuilding: so any real", "is easier than making a completely new language, since it relays a lot", "to convey without telling the reader (she was speanking with a southern accent", "often need to introduce one, if not several, made up dialects. We're talking", "dialect, albeit delightfully confusing: [link](https://coppermind.net/wiki/High_Imperial). Related:* * [Introduce new English dialect](https://writing.stackexchange.com/questions/32460/introduce-new-english-dialect) * [How", "accents probably CAN be transcribed effectly, but while this is somewhat doable for", "of inspiration, but they can't be straight up applied. Creating a dialect from", "estabilished tongue. If English is the base, we'll have a lot of vocabulary", "Creating a dialect from scratch is easier than making a completely new language,", "a [a rick&morty scene](https://www.youtube.com/watch?v=GE_Lk5fVGxs)). * For a similar reason, I'm kinda wary of", "words. While dialects usually have a lot of new terms, it's hard for", "the vocal at the end of each word ..*) and can't be transcribed", "fictional worldbuilding: so any real world dialect is ruled out. They can be", "a dialect comes with its own challenges. I'm specifically looking for ways to", "than a [a rick&morty scene](https://www.youtube.com/watch?v=GE_Lk5fVGxs)). For a similar reason, I'm kinda wary", "to change, distort and \"misuse\" the base language in a convincing way, while", "no less than a [a rick&morty scene](https://www.youtube.com/watch?v=GE_Lk5fVGxs)). * For a similar reason, I'm", "any real world dialect is ruled out. They can be used as a", "(she was speanking with a southern accent ... she used to drag on", "an already existing and estabilished tongue. If English is the base, we'll have", "of each word ..) and can't be transcribed in text effectively\\. As a", "applied. Creating a dialect from scratch is easier than making a completely new", "but they can't be straight up applied. Creating a dialect from scratch is", "and estabilished tongue. If English is the base, we'll have a lot of", "ways to change, distort and \"misuse\" the base language in a convincing way,", "is ruled out. They can be used as a source of inspiration, but", "I'd rather not use nonces* and completely made up words. While dialects usually", "on the vocal at the end of each word ..*) and can't be", "source of inspiration, but they can't be straight up applied. Creating a dialect", "be fair, some accents probably CAN be transcribed effectly, but while this is", "dialect from scratch is easier than making a completely new language, since it", "effect (Source: no less than a [a rick&morty scene](https://www.youtube.com/watch?v=GE_Lk5fVGxs)). For a similar", "the reader (*she was speanking with a southern accent ... she used to", "English dialect](https://writing.stackexchange.com/questions/32460/introduce-new-english-dialect) [How realistic should dialogue and character voices be?](https://writing.stackexchange.com/questions/20468/how-realistic-should-dialogue-and-character-voices-be) \\N.B.: to", "While dialects usually have a lot of new terms, it's hard for the", "rick&morty scene](https://www.youtube.com/watch?v=GE_Lk5fVGxs)). For a similar reason, I'm kinda wary of accents. They", "real dialects with actual references, I feel it would be significantly difficult for", "well made dialect, albeit delightfully confusing: [link](https://coppermind.net/wiki/High_Imperial). Related: * [Introduce new English dialect](https://writing.stackexchange.com/questions/32460/introduce-new-english-dialect)", "dialect](https://writing.stackexchange.com/questions/32460/introduce-new-english-dialect) * [How realistic should dialogue and character voices be?](https://writing.stackexchange.com/questions/20468/how-realistic-should-dialogue-and-character-voices-be) \\N.B.: to be", "fair, some accents probably CAN be transcribed effectly, but while this is somewhat", "making a completely new language, since it relays a lot on an already", "distort and \"misuse\" the base language in a convincing way, while mantaining readability", "for ways to change, distort and \"misuse\" the base language in a convincing", "Related:* * [Introduce new English dialect](https://writing.stackexchange.com/questions/32460/introduce-new-english-dialect) * [How realistic should dialogue and character", "Brandon Sanderson' High Imperial a well made dialect, albeit delightfully confusing: [link](https://coppermind.net/wiki/High_Imperial). Related:", "..*) and can't be transcribed in text effectively\\. As a point of reference,", "tongue. If English is the base, we'll have a lot of vocabulary and", "with its own challenges. I'm specifically looking for ways to change, distort and", "should dialogue and character voices be?](https://writing.stackexchange.com/questions/20468/how-realistic-should-dialogue-and-character-voices-be) \\N.B.: to be fair, some accents probably", "lot on an already existing and estabilished tongue. If English is the base,", "looking for ways to change, distort and \"misuse\" the base language in a", "scratch is easier than making a completely new language, since it relays a", "reader to familiarize with new vocabulary. And I'd rather avoid the squanch* effect", "one, if not several, made up dialects. We're talking about fictional worldbuilding: so", "language, since it relays a lot on an already existing and estabilished tongue.", "point of reference, I consider Brandon Sanderson' High Imperial a well made dialect,", "not use nonces and completely made up words. While dialects usually have a", "of new terms, it's hard for the reader to familiarize with new vocabulary.", "I'd rather avoid the squanch effect (Source: no less than a [a rick&morty", "we'll have a lot of vocabulary and grammar to draw from. Yet making", "convey without telling the reader (she was speanking with a southern accent ...", "delightfully confusing: [link](https://coppermind.net/wiki/High_Imperial). Related:** * [Introduce new English dialect](https://writing.stackexchange.com/questions/32460/introduce-new-english-dialect) * [How realistic should", "some accents probably CAN be transcribed effectly, but while this is somewhat doable", "actual references, I feel it would be significantly difficult for an invented one.", "base, we'll have a lot of vocabulary and grammar to draw from. Yet", "made up words. While dialects usually have a lot of new terms, it's", "with a southern accent ... she used to drag on the vocal at", "[link](https://coppermind.net/wiki/High_Imperial). Related: * [Introduce new English dialect](https://writing.stackexchange.com/questions/32460/introduce-new-english-dialect) * [How realistic should dialogue and", "the base, we'll have a lot of vocabulary and grammar to draw from.", "dialect comes with its own challenges. I'm specifically looking for ways to change,", "reason, I'm kinda wary of accents. They are hard to convey without telling", "with new vocabulary. And I'd rather avoid the squanch effect (Source: no less", "new language, since it relays a lot on an already existing and estabilished", "comes with its own challenges. I'm specifically looking for ways to change, distort", "completely made up words. While dialects usually have a lot of new terms,", "a convincing way, while mantaining readability for the readers. More on this point:", "I consider Brandon Sanderson' High Imperial a well made dialect, albeit delightfully confusing:", "use nonces and completely made up words. While dialects usually have a lot", "terms, it's hard for the reader to familiarize with new vocabulary. And I'd", "change, distort and \"misuse\" the base language in a convincing way, while mantaining", "easier than making a completely new language, since it relays a lot on", "to familiarize with new vocabulary. And I'd rather avoid the squanch effect (Source:", "\\N.B.: to be fair, some accents probably CAN be transcribed effectly, but while", "it's hard for the reader to familiarize with new vocabulary. And I'd rather", "[Introduce new English dialect](https://writing.stackexchange.com/questions/32460/introduce-new-english-dialect) [How realistic should dialogue and character voices be?](https://writing.stackexchange.com/questions/20468/how-realistic-should-dialogue-and-character-voices-be)", "vocabulary and grammar to draw from. Yet making a dialect comes with its", "without telling the reader (she was speanking with a southern accent ... she", "accents. They are hard to convey without telling the reader (she was speanking", "speanking with a southern accent ... she used to drag on the vocal", "voices be?](https://writing.stackexchange.com/questions/20468/how-realistic-should-dialogue-and-character-voices-be) \\N.B.: to be fair, some accents probably CAN be transcribed effectly,", "consider Brandon Sanderson' High Imperial a well made dialect, albeit delightfully confusing: [link](https://coppermind.net/wiki/High_Imperial).", "need to introduce one, if not several, made up dialects. We're talking about", "specifically looking for ways to change, distort and \"misuse\" the base language in", "convincing way, while mantaining readability for the readers. More on this point: ", "end of each word ..*) and can't be transcribed in text effectively\\. As", "probably CAN be transcribed effectly, but while this is somewhat doable for real", "existing and estabilished tongue. If English is the base, we'll have a lot", "rather not use nonces and completely made up words. While dialects usually have", "but while this is somewhat doable for real dialects with actual references, I", "effectly, but while this is somewhat doable for real dialects with actual references,", "inspiration, but they can't be straight up applied. Creating a dialect from scratch", "it relays a lot on an already existing and estabilished tongue. If English", "(Source: no less than a [a rick&morty scene](https://www.youtube.com/watch?v=GE_Lk5fVGxs)). * For a similar reason,", "so any real world dialect is ruled out. They can be used as", "grammar to draw from. Yet making a dialect comes with its own challenges.", "to be fair, some accents probably CAN be transcribed effectly, but while this", "a lot of vocabulary and grammar to draw from. Yet making a dialect", "new English dialect](https://writing.stackexchange.com/questions/32460/introduce-new-english-dialect) * [How realistic should dialogue and character voices be?](https://writing.stackexchange.com/questions/20468/how-realistic-should-dialogue-and-character-voices-be) \\N.B.:", "a completely new language, since it relays a lot on an already existing", "they can't be straight up applied. Creating a dialect from scratch is easier", "new vocabulary. And I'd rather avoid the squanch* effect (Source: no less than", "nonces and completely made up words. While dialects usually have a lot of", "High Imperial a well made dialect, albeit delightfully confusing: [link](https://coppermind.net/wiki/High_Imperial). Related: * [Introduce", "used as a source of inspiration, but they can't be straight up applied.", "dialects with actual references, I feel it would be significantly difficult for an", "of vocabulary and grammar to draw from. Yet making a dialect comes with", "of accents. They are hard to convey without telling the reader (*she was", "transcribed effectly, but while this is somewhat doable for real dialects with actual", " [Introduce new English dialect](https://writing.stackexchange.com/questions/32460/introduce-new-english-dialect) * [How realistic should dialogue and character voices", "transcribed in text effectively\\. As a point of reference, I consider Brandon Sanderson'", "challenges. I'm specifically looking for ways to change, distort and \"misuse\" the base", "used to drag on the vocal at the end of each word ..)", "made up dialects. We're talking about fictional worldbuilding: so any real world dialect", "worldbuilding: so any real world dialect is ruled out. They can be used", "They can be used as a source of inspiration, but they can't be", "world dialect is ruled out. They can be used as a source of", "in text effectively\\. As a point of reference, I consider Brandon Sanderson' High", "And I'd rather avoid the squanch effect (Source: no less than a [a", "relays a lot on an already existing and estabilished tongue. If English is", "mantaining readability for the readers. More on this point: * I'd rather not", "from scratch is easier than making a completely new language, since it relays", "wary of accents. They are hard to convey without telling the reader (*she", "a southern accent ... she used to drag on the vocal at the", "new terms, it's hard for the reader to familiarize with new vocabulary. And", "if not several, made up dialects. We're talking about fictional worldbuilding: so any", "up words. While dialects usually have a lot of new terms, it's hard", "lot of new terms, it's hard for the reader to familiarize with new", "CAN be transcribed effectly, but while this is somewhat doable for real dialects", "rather avoid the squanch* effect (Source: no less than a [a rick&morty scene](https://www.youtube.com/watch?v=GE_Lk5fVGxs)).", "in a convincing way, while mantaining readability for the readers. More on this", "reference, I consider Brandon Sanderson' High Imperial a well made dialect, albeit delightfully", "squanch effect (Source: no less than a [a rick&morty scene](https://www.youtube.com/watch?v=GE_Lk5fVGxs)). * For a", "up dialects. We're talking about fictional worldbuilding: so any real world dialect is", "ruled out. They can be used as a source of inspiration, but they", "this is somewhat doable for real dialects with actual references, I feel it", "the reader to familiarize with new vocabulary. And I'd rather avoid the squanch", "\"misuse\" the base language in a convincing way, while mantaining readability for the", "As a point of reference, I consider Brandon Sanderson' High Imperial a well", "for real dialects with actual references, I feel it would be significantly difficult", "a lot of new terms, it's hard for the reader to familiarize with", "[How realistic should dialogue and character voices be?](https://writing.stackexchange.com/questions/20468/how-realistic-should-dialogue-and-character-voices-be) \\N.B.: to be fair, some", "own challenges. I'm specifically looking for ways to change, distort and \"misuse\" the", "word ..) and can't be transcribed in text effectively\\. As a point of", "already existing and estabilished tongue. If English is the base, we'll have a", "confusing: [link](https://coppermind.net/wiki/High_Imperial). Related: * [Introduce new English dialect](https://writing.stackexchange.com/questions/32460/introduce-new-english-dialect) * [How realistic should dialogue", "avoid the squanch effect (Source: no less than a [a rick&morty scene](https://www.youtube.com/watch?v=GE_Lk5fVGxs)). ", "dialogue and character voices be?](https://writing.stackexchange.com/questions/20468/how-realistic-should-dialogue-and-character-voices-be) \\N.B.: to be fair, some accents probably CAN", "a source of inspiration, but they can't be straight up applied. Creating a", "hard to convey without telling the reader (*she was speanking with a southern", "straight up applied. Creating a dialect from scratch is easier than making a", "on this point: I'd rather not use nonces and completely made up", "can be used as a source of inspiration, but they can't be straight", "about fictional worldbuilding: so any real world dialect is ruled out. They can", "hard for the reader to familiarize with new vocabulary. And I'd rather avoid", "be transcribed in text effectively\\. As a point of reference, I consider Brandon", "have a lot of new terms, it's hard for the reader to familiarize", "can't be transcribed in text effectively\\. As a point of reference, I consider", "text effectively\\. As a point of reference, I consider Brandon Sanderson' High Imperial", "kinda wary of accents. They are hard to convey without telling the reader", "Sanderson' High Imperial a well made dialect, albeit delightfully confusing: [link](https://coppermind.net/wiki/High_Imperial). Related:* ", "I often need to introduce one, if not several, made up dialects. We're", "can't be straight up applied. Creating a dialect from scratch is easier than", "up applied. Creating a dialect from scratch is easier than making a completely", "than making a completely new language, since it relays a lot on an", "drag on the vocal at the end of each word ..) and can't", "dialect is ruled out. They can be used as a source of inspiration,", "is somewhat doable for real dialects with actual references, I feel it would", "English is the base, we'll have a lot of vocabulary and grammar to", "familiarize with new vocabulary. And I'd rather avoid the squanch* effect (Source: no", "the squanch effect (Source: no less than a [a rick&morty scene](https://www.youtube.com/watch?v=GE_Lk5fVGxs)). * For", "the readers. More on this point: * I'd rather not use nonces and", "to draw from. Yet making a dialect comes with its own challenges. I'm", "be used as a source of inspiration, but they can't be straight up", "for the reader to familiarize with new vocabulary. And I'd rather avoid the", "each word ..*) and can't be transcribed in text effectively\\. As a point", "while this is somewhat doable for real dialects with actual references, I feel", "telling the reader (*she was speanking with a southern accent ... she used", "[a rick&morty scene](https://www.youtube.com/watch?v=GE_Lk5fVGxs)). For a similar reason, I'm kinda wary of accents.", "More on this point: * I'd rather not use nonces and completely made", "and grammar to draw from. Yet making a dialect comes with its own", "and \"misuse\" the base language in a convincing way, while mantaining readability for", "the end of each word ..*) and can't be transcribed in text effectively\\.", "southern accent ... she used to drag on the vocal at the end", "a well made dialect, albeit delightfully confusing: [link](https://coppermind.net/wiki/High_Imperial). Related: * [Introduce new English", "be straight up applied. Creating a dialect from scratch is easier than making", "several, made up dialects. We're talking about fictional worldbuilding: so any real world", "since it relays a lot on an already existing and estabilished tongue. If", "scene](https://www.youtube.com/watch?v=GE_Lk5fVGxs)). * For a similar reason, I'm kinda wary of accents. They are", "from. Yet making a dialect comes with its own challenges. I'm specifically looking", "to drag on the vocal at the end of each word ..*) and", "a point of reference, I consider Brandon Sanderson' High Imperial a well made", "of reference, I consider Brandon Sanderson' High Imperial a well made dialect, albeit", "language in a convincing way, while mantaining readability for the readers. More on", " [How realistic should dialogue and character voices be?](https://writing.stackexchange.com/questions/20468/how-realistic-should-dialogue-and-character-voices-be) \\N.B.: to be fair,", "vocabulary. And I'd rather avoid the squanch* effect (Source: no less than a", "readability for the readers. More on this point: * I'd rather not use", "They are hard to convey without telling the reader (*she was speanking with", "a lot on an already existing and estabilished tongue. If English is the", "have a lot of vocabulary and grammar to draw from. Yet making a", "point: I'd rather not use nonces and completely made up words. While", "If English is the base, we'll have a lot of vocabulary and grammar", "talking about fictional worldbuilding: so any real world dialect is ruled out. They", "accent ... she used to drag on the vocal at the end of", "draw from. Yet making a dialect comes with its own challenges. I'm specifically", "less than a [a rick&morty scene](https://www.youtube.com/watch?v=GE_Lk5fVGxs)). * For a similar reason, I'm kinda", "the base language in a convincing way, while mantaining readability for the readers.", "similar reason, I'm kinda wary of accents. They are hard to convey without", "as a source of inspiration, but they can't be straight up applied. Creating", "on an already existing and estabilished tongue. If English is the base, we'll", "with actual references, I feel it would be significantly difficult for an invented", "be?](https://writing.stackexchange.com/questions/20468/how-realistic-should-dialogue-and-character-voices-be) \\N.B.: to be fair, some accents probably CAN be transcribed effectly, but", "usually have a lot of new terms, it's hard for the reader to", "to introduce one, if not several, made up dialects. We're talking about fictional", "dialects. We're talking about fictional worldbuilding: so any real world dialect is ruled", "is the base, we'll have a lot of vocabulary and grammar to draw", "way, while mantaining readability for the readers. More on this point: I'd", "while mantaining readability for the readers. More on this point: * I'd rather", "real world dialect is ruled out. They can be used as a source", "... she used to drag on the vocal at the end of each", "making a dialect comes with its own challenges. I'm specifically looking for ways", "and character voices be?](https://writing.stackexchange.com/questions/20468/how-realistic-should-dialogue-and-character-voices-be) \\N.B.: to be fair, some accents probably CAN be", "Imperial a well made dialect, albeit delightfully confusing: [link](https://coppermind.net/wiki/High_Imperial). Related:* * [Introduce new", "and can't be transcribed in text effectively\\. As a point of reference, I", "effectively\\. As a point of reference, I consider Brandon Sanderson' High Imperial a", "at the end of each word ..*) and can't be transcribed in text", " I'd rather not use nonces and completely made up words. While dialects", "* For a similar reason, I'm kinda wary of accents. They are hard", "I'm specifically looking for ways to change, distort and \"misuse\" the base language" ]
[ "a physical description instead). What's the correct way to refer to him in", "description instead). What's the correct way to refer to him in this flashback:", "What's the correct way to refer to him in this flashback: by the", "years old. At the time, he didn't have a name (he goes by", "flashback: by the \"name\" he had then, or by the name he has", "by the \"name\" he had then, or by the name he has now?", "he was 5 years old. At the time, he didn't have a name", "a name (he goes by a physical description instead). What's the correct way", "by a physical description instead). What's the correct way to refer to him", "5 years old. At the time, he didn't have a name (he goes", "have a name (he goes by a physical description instead). What's the correct", "to him in this flashback: by the \"name\" he had then, or by", "him in this flashback: by the \"name\" he had then, or by the", "way to refer to him in this flashback: by the \"name\" he had", "a flashback to when he was 5 years old. At the time, he", "of my characters has a flashback to when he was 5 years old.", "correct way to refer to him in this flashback: by the \"name\" he", "in this flashback: by the \"name\" he had then, or by the name", "this flashback: by the \"name\" he had then, or by the name he", "flashback to when he was 5 years old. At the time, he didn't", "name (he goes by a physical description instead). What's the correct way to", "then, or by the name he has now? The PoV is third-person limited.", "was 5 years old. At the time, he didn't have a name (he", "One of my characters has a flashback to when he was 5 years", "old. At the time, he didn't have a name (he goes by a", "didn't have a name (he goes by a physical description instead). What's the", "goes by a physical description instead). What's the correct way to refer to", "(he goes by a physical description instead). What's the correct way to refer", "characters has a flashback to when he was 5 years old. At the", "my characters has a flashback to when he was 5 years old. At", "physical description instead). What's the correct way to refer to him in this", "the correct way to refer to him in this flashback: by the \"name\"", "he had then, or by the name he has now? The PoV is", "the time, he didn't have a name (he goes by a physical description", "he didn't have a name (he goes by a physical description instead). What's", "has a flashback to when he was 5 years old. At the time,", "when he was 5 years old. At the time, he didn't have a", "to refer to him in this flashback: by the \"name\" he had then,", "time, he didn't have a name (he goes by a physical description instead).", "instead). What's the correct way to refer to him in this flashback: by", "the \"name\" he had then, or by the name he has now? The", "\"name\" he had then, or by the name he has now? The PoV", "had then, or by the name he has now? The PoV is third-person", "refer to him in this flashback: by the \"name\" he had then, or", "At the time, he didn't have a name (he goes by a physical", "to when he was 5 years old. At the time, he didn't have" ]
[ "The flashback makes sense once the scene is over, but that is after", "earlier reference in the plot line. The flashback makes sense once the scene", "the plot line. The flashback makes sense once the scene is over, but", "something that happened twenty years earlier. Seeing her reflection triggers the flashback, but", "happened twenty years earlier. Seeing her reflection triggers the flashback, but a reflection", "no earlier reference in the plot line. The flashback makes sense once the", "is over, but that is after the fact. Is it an accepted technique", "\"The Americans\" Olilabatp has a flashback to something that happened twenty years earlier.", "over, but that is after the fact. Is it an accepted technique for", "earlier. Seeing her reflection triggers the flashback, but a reflection seems to have", "for the protagonist to have an internally logical flashback, even if the audience", "but a reflection seems to have no earlier reference in the plot line.", "Is it an accepted technique for the protagonist to have an internally logical", "line. The flashback makes sense once the scene is over, but that is", "sense once the scene is over, but that is after the fact. Is", "that is after the fact. Is it an accepted technique for the protagonist", "accepted technique for the protagonist to have an internally logical flashback, even if", "her reflection triggers the flashback, but a reflection seems to have no earlier", "the flashback, but a reflection seems to have no earlier reference in the", "episode of \"The Americans\" Olilabatp has a flashback to something that happened twenty", "years earlier. Seeing her reflection triggers the flashback, but a reflection seems to", "have no earlier reference in the plot line. The flashback makes sense once", "Seeing her reflection triggers the flashback, but a reflection seems to have no", "Olilabatp has a flashback to something that happened twenty years earlier. Seeing her", "technique for the protagonist to have an internally logical flashback, even if the", "to have an internally logical flashback, even if the audience doesn't know the", "the protagonist to have an internally logical flashback, even if the audience doesn't", "has a flashback to something that happened twenty years earlier. Seeing her reflection", "a flashback to something that happened twenty years earlier. Seeing her reflection triggers", "reflection triggers the flashback, but a reflection seems to have no earlier reference", "plot line. The flashback makes sense once the scene is over, but that", "to have no earlier reference in the plot line. The flashback makes sense", "reflection seems to have no earlier reference in the plot line. The flashback", "the fact. Is it an accepted technique for the protagonist to have an", "internally logical flashback, even if the audience doesn't know the reason for the", "logical flashback, even if the audience doesn't know the reason for the flashback?", "an internally logical flashback, even if the audience doesn't know the reason for", "the pilot episode of \"The Americans\" Olilabatp has a flashback to something that", "once the scene is over, but that is after the fact. Is it", "is after the fact. Is it an accepted technique for the protagonist to", "makes sense once the scene is over, but that is after the fact.", "flashback, but a reflection seems to have no earlier reference in the plot", "an accepted technique for the protagonist to have an internally logical flashback, even", "the scene is over, but that is after the fact. Is it an", "flashback makes sense once the scene is over, but that is after the", "have an internally logical flashback, even if the audience doesn't know the reason", "In the pilot episode of \"The Americans\" Olilabatp has a flashback to something", "scene is over, but that is after the fact. Is it an accepted", "to something that happened twenty years earlier. Seeing her reflection triggers the flashback,", "that happened twenty years earlier. Seeing her reflection triggers the flashback, but a", "it an accepted technique for the protagonist to have an internally logical flashback,", "seems to have no earlier reference in the plot line. The flashback makes", "protagonist to have an internally logical flashback, even if the audience doesn't know", "in the plot line. The flashback makes sense once the scene is over,", "fact. Is it an accepted technique for the protagonist to have an internally", "twenty years earlier. Seeing her reflection triggers the flashback, but a reflection seems", "reference in the plot line. The flashback makes sense once the scene is", "pilot episode of \"The Americans\" Olilabatp has a flashback to something that happened", "flashback to something that happened twenty years earlier. Seeing her reflection triggers the", "of \"The Americans\" Olilabatp has a flashback to something that happened twenty years", "triggers the flashback, but a reflection seems to have no earlier reference in", "but that is after the fact. Is it an accepted technique for the", "a reflection seems to have no earlier reference in the plot line. The", "after the fact. Is it an accepted technique for the protagonist to have", "Americans\" Olilabatp has a flashback to something that happened twenty years earlier. Seeing" ]
[ "through the course of the story. I want the readers to understand her", "people won't like her, even if she changes. This can be applied to", "masters. Thing is, I want her to soften her heart through the course", "an ass, then people won't like her, even if she changes. This can", "her previous masters. Thing is, I want her to soften her heart through", "I'm afraid that if I initially make her more an ass, then people", "her heart through the course of the story. I want the readers to", "starts off a complete ass to everyone. She hates the world, especially the", "can be applied to any character, not just mine. I'm just using this", "and it's not like she doesn't care about anyone at all. She just", "She just is the tough love kind of girl. But I'm afraid that", "at all. She just is the tough love kind of girl. But I'm", "applied to any character, not just mine. I'm just using this character as", "who starts off a complete ass to everyone. She hates the world, especially", "she had no parents to her memory, her people are enslaved and continuously", "to everyone. She hates the world, especially the protagonist. Then again, she had", "and continuously abused, and she had her fair share of whacks from her", "even if she changes. This can be applied to any character, not just", "tough love kind of girl. But I'm afraid that if I initially make", "from her previous masters. Thing is, I want her to soften her heart", "it's not like she doesn't care about anyone at all. She just is", "make her more an ass, then people won't like her, even if she", "understand her story, and it's not like she doesn't care about anyone at", "to soften her heart through the course of the story. I want the", "I initially make her more an ass, then people won't like her, even", "I want her to soften her heart through the course of the story.", "of the story. I want the readers to understand her story, and it's", "is the tough love kind of girl. But I'm afraid that if I", "story, and it's not like she doesn't care about anyone at all. She", "world, especially the protagonist. Then again, she had no parents to her memory,", "abused, and she had her fair share of whacks from her previous masters.", "kind of girl. But I'm afraid that if I initially make her more", "afraid that if I initially make her more an ass, then people won't", "about anyone at all. She just is the tough love kind of girl.", "her more an ass, then people won't like her, even if she changes.", "course of the story. I want the readers to understand her story, and", "her, even if she changes. This can be applied to any character, not", "all. She just is the tough love kind of girl. But I'm afraid", "to any character, not just mine. I'm just using this character as an", "the readers to understand her story, and it's not like she doesn't care", "to understand her story, and it's not like she doesn't care about anyone", "the tough love kind of girl. But I'm afraid that if I initially", "I want the readers to understand her story, and it's not like she", "her story, and it's not like she doesn't care about anyone at all.", "is, I want her to soften her heart through the course of the", "doesn't care about anyone at all. She just is the tough love kind", "parents to her memory, her people are enslaved and continuously abused, and she", "readers to understand her story, and it's not like she doesn't care about", "the world, especially the protagonist. Then again, she had no parents to her", "the protagonist. Then again, she had no parents to her memory, her people", "Thing is, I want her to soften her heart through the course of", "the story. I want the readers to understand her story, and it's not", "she doesn't care about anyone at all. She just is the tough love", "love kind of girl. But I'm afraid that if I initially make her", "memory, her people are enslaved and continuously abused, and she had her fair", "that if I initially make her more an ass, then people won't like", "previous masters. Thing is, I want her to soften her heart through the", "want her to soften her heart through the course of the story. I", "girl. But I'm afraid that if I initially make her more an ass,", "I have a character who starts off a complete ass to everyone. She", "her to soften her heart through the course of the story. I want", "again, she had no parents to her memory, her people are enslaved and", "not like she doesn't care about anyone at all. She just is the", "ass, then people won't like her, even if she changes. This can be", "off a complete ass to everyone. She hates the world, especially the protagonist.", "initially make her more an ass, then people won't like her, even if", "character who starts off a complete ass to everyone. She hates the world,", "She hates the world, especially the protagonist. Then again, she had no parents", "more an ass, then people won't like her, even if she changes. This", "had no parents to her memory, her people are enslaved and continuously abused,", "like she doesn't care about anyone at all. She just is the tough", "people are enslaved and continuously abused, and she had her fair share of", "So, I have a character who starts off a complete ass to everyone.", "had her fair share of whacks from her previous masters. Thing is, I", "no parents to her memory, her people are enslaved and continuously abused, and", "complete ass to everyone. She hates the world, especially the protagonist. Then again,", "of whacks from her previous masters. Thing is, I want her to soften", "anyone at all. She just is the tough love kind of girl. But", "story. I want the readers to understand her story, and it's not like", "if she changes. This can be applied to any character, not just mine.", "care about anyone at all. She just is the tough love kind of", "whacks from her previous masters. Thing is, I want her to soften her", "hates the world, especially the protagonist. Then again, she had no parents to", "ass to everyone. She hates the world, especially the protagonist. Then again, she", "a complete ass to everyone. She hates the world, especially the protagonist. Then", "changes. This can be applied to any character, not just mine. I'm just", "a character who starts off a complete ass to everyone. She hates the", "her people are enslaved and continuously abused, and she had her fair share", "any character, not just mine. I'm just using this character as an example.", "the course of the story. I want the readers to understand her story,", "fair share of whacks from her previous masters. Thing is, I want her", "want the readers to understand her story, and it's not like she doesn't", "and she had her fair share of whacks from her previous masters. Thing", "continuously abused, and she had her fair share of whacks from her previous", "to her memory, her people are enslaved and continuously abused, and she had", "everyone. She hates the world, especially the protagonist. Then again, she had no", "This can be applied to any character, not just mine. I'm just using", "be applied to any character, not just mine. I'm just using this character", "then people won't like her, even if she changes. This can be applied", "just is the tough love kind of girl. But I'm afraid that if", "soften her heart through the course of the story. I want the readers", "she changes. This can be applied to any character, not just mine. I'm", "if I initially make her more an ass, then people won't like her,", "won't like her, even if she changes. This can be applied to any", "But I'm afraid that if I initially make her more an ass, then", "share of whacks from her previous masters. Thing is, I want her to", "Then again, she had no parents to her memory, her people are enslaved", "have a character who starts off a complete ass to everyone. She hates", "enslaved and continuously abused, and she had her fair share of whacks from", "protagonist. Then again, she had no parents to her memory, her people are", "her fair share of whacks from her previous masters. Thing is, I want", "of girl. But I'm afraid that if I initially make her more an", "are enslaved and continuously abused, and she had her fair share of whacks", "she had her fair share of whacks from her previous masters. Thing is,", "her memory, her people are enslaved and continuously abused, and she had her", "heart through the course of the story. I want the readers to understand", "like her, even if she changes. This can be applied to any character,", "especially the protagonist. Then again, she had no parents to her memory, her" ]
[ "and to complete requests (Another slave has a daughter she wants to reunite,", "she wants to reunite, but it takes a long time to search for", "out of his way to save them instead of himself, and to complete", "of himself, and to complete requests (Another slave has a daughter she wants", "freed completely later in the story. He also goes out of his way", "How do I avoid this? I should clarify now, that he does not", "until way later in the series, but I think that there are elements", "early on. A little background info: The story is set in a fantastical", "a banished prince seeking his throne, and the love interest is one of", "want to tease the romance later, but if there are elements already planted", "to think I'm giving them a cat and mouse chase. How do I", "mouse chase. How do I avoid this? I should clarify now, that he", "humans are the dominant race, and all others are servants or slaves. The", "chase. How do I avoid this? I should clarify now, that he does", "them instead of himself, and to complete requests (Another slave has a daughter", "later in the story. He also goes out of his way to save", "I think that there are elements of the romance very early on. A", "is set in a fantastical world where humans are the dominant race, and", "one of his slaves (Whom he will free later.) The thing is, I", "requests (Another slave has a daughter she wants to reunite, but it takes", "and mouse chase. How do I avoid this? I should clarify now, that", "a fantastical world where humans are the dominant race, and all others are", "mistreat his slaves, and the slave is freed completely later in the story.", "dominant race, and all others are servants or slaves. The MC is a", "fantastical world where humans are the dominant race, and all others are servants", "his way to save them instead of himself, and to complete requests (Another", "little background info: The story is set in a fantastical world where humans", "to reunite, but it takes a long time to search for her.) His", "banished prince seeking his throne, and the love interest is one of his", "the slave is freed completely later in the story. He also goes out", "background info: The story is set in a fantastical world where humans are", "the dominant race, and all others are servants or slaves. The MC is", "also goes out of his way to save them instead of himself, and", "interest is one of his slaves (Whom he will free later.) The thing", "long time to search for her.) His slaves are actually pretty much free.", "later.) The thing is, I want to tease the romance later, but if", "(Another slave has a daughter she wants to reunite, but it takes a", "all others are servants or slaves. The MC is a banished prince seeking", "to search for her.) His slaves are actually pretty much free. Just not", "the reader's brain, I don't want them to think I'm giving them a", "story is set in a fantastical world where humans are the dominant race,", "way to save them instead of himself, and to complete requests (Another slave", "(Whom he will free later.) The thing is, I want to tease the", "his throne, and the love interest is one of his slaves (Whom he", "slaves. The MC is a banished prince seeking his throne, and the love", "himself, and to complete requests (Another slave has a daughter she wants to", "clarify now, that he does not mistreat his slaves, and the slave is", "on. A little background info: The story is set in a fantastical world", "a cat and mouse chase. How do I avoid this? I should clarify", "are elements of the romance very early on. A little background info: The", "race, and all others are servants or slaves. The MC is a banished", "world where humans are the dominant race, and all others are servants or", "that there are elements of the romance very early on. A little background", "love interest is one of his slaves (Whom he will free later.) The", "where humans are the dominant race, and all others are servants or slaves.", "does not mistreat his slaves, and the slave is freed completely later in", "but it takes a long time to search for her.) His slaves are", "a daughter she wants to reunite, but it takes a long time to", "The story is set in a fantastical world where humans are the dominant", "there are elements of the romance very early on. A little background info:", "I'm giving them a cat and mouse chase. How do I avoid this?", "to tease the romance later, but if there are elements already planted in", "planted in the reader's brain, I don't want them to think I'm giving", "not mistreat his slaves, and the slave is freed completely later in the", "and all others are servants or slaves. The MC is a banished prince", "search for her.) His slaves are actually pretty much free. Just not on", "and the love interest is one of his slaves (Whom he will free", "are the dominant race, and all others are servants or slaves. The MC", "servants or slaves. The MC is a banished prince seeking his throne, and", "brain, I don't want them to think I'm giving them a cat and", "them a cat and mouse chase. How do I avoid this? I should", "reunite, but it takes a long time to search for her.) His slaves", "has a daughter she wants to reunite, but it takes a long time", "are elements already planted in the reader's brain, I don't want them to", "think that there are elements of the romance very early on. A little", "instead of himself, and to complete requests (Another slave has a daughter she", "elements of the romance very early on. A little background info: The story", "he will free later.) The thing is, I want to tease the romance", "in the story. He also goes out of his way to save them", "thing is, I want to tease the romance later, but if there are", "I should clarify now, that he does not mistreat his slaves, and the", "avoid this? I should clarify now, that he does not mistreat his slaves,", "daughter she wants to reunite, but it takes a long time to search", "his slaves (Whom he will free later.) The thing is, I want to", "is freed completely later in the story. He also goes out of his", "the romance later, but if there are elements already planted in the reader's", "I want to tease the romance later, but if there are elements already", "the series, but I think that there are elements of the romance very", "I avoid this? I should clarify now, that he does not mistreat his", "will free later.) The thing is, I want to tease the romance later,", "the romance very early on. A little background info: The story is set", "throne, and the love interest is one of his slaves (Whom he will", "do I avoid this? I should clarify now, that he does not mistreat", "goes out of his way to save them instead of himself, and to", "this? I should clarify now, that he does not mistreat his slaves, and", "now, that he does not mistreat his slaves, and the slave is freed", "slaves (Whom he will free later.) The thing is, I want to tease", "info: The story is set in a fantastical world where humans are the", "story. He also goes out of his way to save them instead of", "takes a long time to search for her.) His slaves are actually pretty", "is, I want to tease the romance later, but if there are elements", "The thing is, I want to tease the romance later, but if there", "a long time to search for her.) His slaves are actually pretty much", "seeking his throne, and the love interest is one of his slaves (Whom", "of his slaves (Whom he will free later.) The thing is, I want", "his slaves, and the slave is freed completely later in the story. He", "for her.) His slaves are actually pretty much free. Just not on paper.", "the love interest is one of his slaves (Whom he will free later.)", "in the series, but I think that there are elements of the romance", "a romance subplot until way later in the series, but I think that", "The MC is a banished prince seeking his throne, and the love interest", "slave is freed completely later in the story. He also goes out of", "save them instead of himself, and to complete requests (Another slave has a", "wants to reunite, but it takes a long time to search for her.)", "slave has a daughter she wants to reunite, but it takes a long", "very early on. A little background info: The story is set in a", "to complete requests (Another slave has a daughter she wants to reunite, but", "there are elements already planted in the reader's brain, I don't want them", "others are servants or slaves. The MC is a banished prince seeking his", "romance subplot until way later in the series, but I think that there", "free later.) The thing is, I want to tease the romance later, but", "should clarify now, that he does not mistreat his slaves, and the slave", "completely later in the story. He also goes out of his way to", "later, but if there are elements already planted in the reader's brain, I", "to save them instead of himself, and to complete requests (Another slave has", "A little background info: The story is set in a fantastical world where", "my story doesn't have a romance subplot until way later in the series,", "are servants or slaves. The MC is a banished prince seeking his throne,", "but I think that there are elements of the romance very early on.", "series, but I think that there are elements of the romance very early", "or slaves. The MC is a banished prince seeking his throne, and the", "he does not mistreat his slaves, and the slave is freed completely later", "slaves, and the slave is freed completely later in the story. He also", "complete requests (Another slave has a daughter she wants to reunite, but it", "that he does not mistreat his slaves, and the slave is freed completely", "I don't want them to think I'm giving them a cat and mouse", "cat and mouse chase. How do I avoid this? I should clarify now,", "MC is a banished prince seeking his throne, and the love interest is", "story doesn't have a romance subplot until way later in the series, but", "think I'm giving them a cat and mouse chase. How do I avoid", "have a romance subplot until way later in the series, but I think", "romance later, but if there are elements already planted in the reader's brain,", "reader's brain, I don't want them to think I'm giving them a cat", "but if there are elements already planted in the reader's brain, I don't", "later in the series, but I think that there are elements of the", "prince seeking his throne, and the love interest is one of his slaves", "tease the romance later, but if there are elements already planted in the", "subplot until way later in the series, but I think that there are", "time to search for her.) His slaves are actually pretty much free. Just", "and the slave is freed completely later in the story. He also goes", "already planted in the reader's brain, I don't want them to think I'm", "romance very early on. A little background info: The story is set in", "in a fantastical world where humans are the dominant race, and all others", "is a banished prince seeking his throne, and the love interest is one", "them to think I'm giving them a cat and mouse chase. How do", "it takes a long time to search for her.) His slaves are actually", "if there are elements already planted in the reader's brain, I don't want", "doesn't have a romance subplot until way later in the series, but I", "elements already planted in the reader's brain, I don't want them to think", "is one of his slaves (Whom he will free later.) The thing is,", "set in a fantastical world where humans are the dominant race, and all", "in the reader's brain, I don't want them to think I'm giving them", "the story. He also goes out of his way to save them instead", "way later in the series, but I think that there are elements of", "don't want them to think I'm giving them a cat and mouse chase.", "He also goes out of his way to save them instead of himself,", "So, my story doesn't have a romance subplot until way later in the", "of his way to save them instead of himself, and to complete requests", "of the romance very early on. A little background info: The story is", "giving them a cat and mouse chase. How do I avoid this? I", "want them to think I'm giving them a cat and mouse chase. How" ]
[ "character. Thing is, I also don't want to go overboard all over again.", "be an unlikable character at the start of the novel, but now I", "also don't want to go overboard all over again. I want to balance", "innocent character. Thing is, I also don't want to go overboard all over", "needs to be disliked, still, but you can also see that she's redeemable", "is, I also don't want to go overboard all over again. I want", "who was going to just be an unlikable character at the start of", "and being a complete ass. she needs to be disliked, still, but you", "novel, but now I want to make her more caring towards certain people,", "So, I have a character who was going to just be an unlikable", "have a character who was going to just be an unlikable character at", "want to go overboard all over again. I want to balance her character", "a complete ass. she needs to be disliked, still, but you can also", "I want to make her more caring towards certain people, like the innocent", "the novel, but now I want to make her more caring towards certain", "between tough love, and being a complete ass. she needs to be disliked,", "I have a character who was going to just be an unlikable character", "but now I want to make her more caring towards certain people, like", "don't want to go overboard all over again. I want to balance her", "to be disliked, still, but you can also see that she's redeemable with", "start of the novel, but now I want to make her more caring", "go overboard all over again. I want to balance her character between tough", "I also don't want to go overboard all over again. I want to", "all over again. I want to balance her character between tough love, and", "to just be an unlikable character at the start of the novel, but", "now I want to make her more caring towards certain people, like the", "an unlikable character at the start of the novel, but now I want", "at the start of the novel, but now I want to make her", "her more caring towards certain people, like the innocent character. Thing is, I", "character between tough love, and being a complete ass. she needs to be", "unlikable character at the start of the novel, but now I want to", "be disliked, still, but you can also see that she's redeemable with character", "character who was going to just be an unlikable character at the start", "the innocent character. Thing is, I also don't want to go overboard all", "overboard all over again. I want to balance her character between tough love,", "a character who was going to just be an unlikable character at the", "like the innocent character. Thing is, I also don't want to go overboard", "to make her more caring towards certain people, like the innocent character. Thing", "but you can also see that she's redeemable with character development. But how", "towards certain people, like the innocent character. Thing is, I also don't want", "tough love, and being a complete ass. she needs to be disliked, still,", "to balance her character between tough love, and being a complete ass. she", "love, and being a complete ass. she needs to be disliked, still, but", "you can also see that she's redeemable with character development. But how do", "just be an unlikable character at the start of the novel, but now", "complete ass. she needs to be disliked, still, but you can also see", "see that she's redeemable with character development. But how do I do that?", "disliked, still, but you can also see that she's redeemable with character development.", "over again. I want to balance her character between tough love, and being", "more caring towards certain people, like the innocent character. Thing is, I also", "still, but you can also see that she's redeemable with character development. But", "ass. she needs to be disliked, still, but you can also see that", "I want to balance her character between tough love, and being a complete", "make her more caring towards certain people, like the innocent character. Thing is,", "certain people, like the innocent character. Thing is, I also don't want to", "the start of the novel, but now I want to make her more", "of the novel, but now I want to make her more caring towards", "people, like the innocent character. Thing is, I also don't want to go", "Thing is, I also don't want to go overboard all over again. I", "being a complete ass. she needs to be disliked, still, but you can", "going to just be an unlikable character at the start of the novel,", "want to balance her character between tough love, and being a complete ass.", "she needs to be disliked, still, but you can also see that she's", "also see that she's redeemable with character development. But how do I do", "to go overboard all over again. I want to balance her character between", "caring towards certain people, like the innocent character. Thing is, I also don't", "again. I want to balance her character between tough love, and being a", "want to make her more caring towards certain people, like the innocent character.", "balance her character between tough love, and being a complete ass. she needs", "was going to just be an unlikable character at the start of the", "her character between tough love, and being a complete ass. she needs to", "can also see that she's redeemable with character development. But how do I", "character at the start of the novel, but now I want to make" ]
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I want to tell stories", "I begin a new story, so I decided to pose the question here.", "Rapmyup and writers like Amish Tripathi constantly push the boundary of what the", "representative of all of Earth there, not just a country. So that's how", "of place for an Indian writer of fiction. Can someone help me figure", "stemming from Indian stories and settings and characters! Be it a potboiler, or", "restriction cook up a diverse fantasy world with wild ideas and crazy conjurings", "and type of stories I want to write- very different from the mainstream", "to cook up, are such that just won't fit in the Indian context.", "push the boundary of what the Indian audiences can consume. But like I", "from India who published a SF/Fantasy novel 2 years ago. That story involved", "it a potboiler, or a noir style thriller, or a Bradbury style SF,", "we have a rich market for international authors and artists- but while writers", "settings and characters! 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I've used this website previously too but am putting my own", "old from India who published a SF/Fantasy novel 2 years ago. That story", "short stories/poems/pieces over the years which try to tackle this problem by giving", "can without restriction cook up a diverse fantasy world with wild ideas and", "write, the movies we make, the music we compose all have a heavy", "is that even a fantasy world would seem incongruous with 'unindian' names and", "fantasy world with wild ideas and crazy conjurings and names (all rooted in", "and settings and characters! Be it a potboiler, or a noir style thriller,", "all of Earth there, not just a country. So that's how I subverted", "from the cultural restrictions of my country- but the problem is that even", "culture, all of art produced in our country chooses to remain sundered from", "out this dilemma? EDIT: Okay, I'm just so overwhelmed by the complexity of", "researched answers. Now a little about myself for further context in case anybody", "of what the Indian audiences can consume. But like I said! While their", "taste in modern literature, I don't. I want to tell stories free from", "fiction. Can someone help me figure out this dilemma? EDIT: Okay, I'm just", "our country chooses to remain sundered from it and exploit our own cultural", "perhaps- rich cultural and historical heritage. It's imbued in each and every part", "country/region/culture in the world) or placing them in settings free from national boundaries.", "That story involved Indian characters in Indian settings but were quickly whisked away", "idiosyncrasies become irrelevant because well, you're a representative of all of Earth there,", "in India, stemming from Indian stories and settings and characters! 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I'm not saying that the Indian audience wouldn't consume something like", "of stories I want to write- very different from the mainstream writers/filmmakers of", "really. Because it would seem out of place for an Indian writer of", "I want to write- very different from the mainstream writers/filmmakers of the current", "do in relation to this- it's not an easy one-size-fits-all resolution for sure!", "I decided to pose the question here. Thanks so much for all the", "places here. It's different from the first world, and proudly so. 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The thing is, as you all might already know, my country", "don't have good artists to boast of- filmmakers like Inurah Rapmyup and writers", "language, setting) and while we may be extremely erudite of external culture, all", "(all rooted in American culture perhaps), I cannot really. Because it would seem", "to the people here and the places here. It's different from the first", "try to tackle this problem by giving characters unique names (which can't immediately", "stories and settings and characters! Be it a potboiler, or a noir style", "to do in relation to this- it's not an easy one-size-fits-all resolution for", "to make it in this country, the one I live in. But the", "and proudly so. The stories we write, the movies we make, the music", "much more varied and diverse than previous generations. So the style of stories", "rooted heavily in India, stemming from Indian stories and settings and characters! Be", "that particular story. 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Now a little about myself for", "my country has an extremely- excessively, perhaps- rich cultural and historical heritage. It's", "arenas (ie different planets) where such cultural idiosyncrasies become irrelevant because well, you're", "giving characters unique names (which can't immediately be associated with ANY particular country/region/culture", "website previously too but am putting my own perspective out there for the", "stories free from the cultural restrictions of my country- but the problem is", "a SF/Fantasy novel 2 years ago. That story involved Indian characters in Indian", "writer. I want to make it in this country, the one I live", "our own cultural bounty. But the thing is, I don't really want to.", "can't immediately be associated with ANY particular country/region/culture in the world) or placing", "(which can't immediately be associated with ANY particular country/region/culture in the world) or", "previously too but am putting my own perspective out there for the first", "I've also written a bunch of short stories/poems/pieces over the years which try", "heavily in India, stemming from Indian stories and settings and characters! Be it", "it and exploit our own cultural bounty. But the thing is, I don't", "proudly so. The stories we write, the movies we make, the music we", "question on SE. 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But the content and type", "to. The thing is, as you all might already know, my country has", "I want to be a fiction novelist. And growing up as a millennial,", "a bunch of short stories/poems/pieces over the years which try to tackle this", "generations. So the style of stories I want to tell, and the kind", "to foreign arenas (ie different planets) where such cultural idiosyncrasies become irrelevant because", "19 year old from India who published a SF/Fantasy novel 2 years ago.", "India, stemming from Indian stories and settings and characters! Be it a potboiler,", "I've received here on my first question on SE. I've used this website", "published a SF/Fantasy novel 2 years ago. That story involved Indian characters in", "in American culture perhaps), I cannot really. Because it would seem out of", "And the stories I write don't want to. The thing is, as you", "of short stories/poems/pieces over the years which try to tackle this problem by", "current industry- feel like they won't fit in. I'm not saying we don't", "my dilemma in that particular story. Meanwhile, I've also written a bunch of", "tell stories free from the cultural restrictions of my country- but the problem", "over the years which try to tackle this problem by giving characters unique", "the world) or placing them in settings free from national boundaries. So basically,", "creatures coming from an Indian writer. I want to make it in this", "my first question on SE. I've used this website previously too but am", "capacity or the other, and the Indian subcontinent has a very particular flavor", "cannot really. Because it would seem out of place for an Indian writer", "of plots I want to cook up, are such that just won't fit", "for their beautifully researched answers. Now a little about myself for further context", "I sure do have a lot of thinking to do in relation to", "all of art produced in our country chooses to remain sundered from it", "I said! While their ideas and stories may be very new-age, they're still", "settings free from national boundaries. So basically, that's the dilemma that plagues me", "immediately be associated with ANY particular country/region/culture in the world) or placing them", "all might already know, my country has an extremely- excessively, perhaps- rich cultural", "for all the answers here, and I sure do have a lot of", "compose all have a heavy root of 'Indianness' in them (in terms of", "be associated with ANY particular country/region/culture in the world) or placing them in", "of all of Earth there, not just a country. So that's how I", "the cultural restrictions of my country- but the problem is that even a", "case anybody else comes digging with the same quandary. I'm a 19 year", "as a millennial, my exposure to world literature and cinema and music has", "to tell stories free from the cultural restrictions of my country- but the", "market for international authors and artists- but while writers from places like Europe", "country. So that's how I subverted my dilemma in that particular story. Meanwhile,", "country chooses to remain sundered from it and exploit our own cultural bounty.", "often whenever I begin a new story, so I decided to pose the", "that even a fantasy world would seem incongruous with 'unindian' names and 'foreign'", "diverse than previous generations. So the style of stories I want to tell,", "perhaps), I cannot really. Because it would seem out of place for an", "literature produced/consumed in my country. While American writers can without restriction cook up", "a little about myself for further context in case anybody else comes digging", "their ideas and stories may be very new-age, they're still rooted heavily in", "It's imbued in each and every part of our daily life in some", "boundary of what the Indian audiences can consume. But like I said! While", "novel 2 years ago. That story involved Indian characters in Indian settings but", "the boundary of what the Indian audiences can consume. But like I said!", "involved Indian characters in Indian settings but were quickly whisked away to foreign", "naturally been much more varied and diverse than previous generations. So the style", "has an extremely- excessively, perhaps- rich cultural and historical heritage. It's imbued in", "'foreign' mythical creatures coming from an Indian writer. I want to make it", "country. While American writers can without restriction cook up a diverse fantasy world", "exploit our own cultural bounty. But the thing is, I don't really want", "here on my first question on SE. I've used this website previously too", "and names (all rooted in American culture perhaps), I cannot really. Because it", "I want to cook up, are such that just won't fit in the", "so must thank everybody for their beautifully researched answers. Now a little about", "me figure out this dilemma? EDIT: Okay, I'm just so overwhelmed by the", "the people here and the places here. It's different from the first world,", "from an Indian writer. I want to make it in this country, the", "Earth there, not just a country. So that's how I subverted my dilemma", "tone/style of literature produced/consumed in my country. While American writers can without restriction", "further context in case anybody else comes digging with the same quandary. I'm", "anybody else comes digging with the same quandary. I'm a 19 year old", "beautifully researched answers. Now a little about myself for further context in case", "already know, my country has an extremely- excessively, perhaps- rich cultural and historical", "of content, character, language, setting) and while we may be extremely erudite of", "first question on SE. I've used this website previously too but am putting", "part of our daily life in some capacity or the other, and the", "Indian writer. I want to make it in this country, the one I", "like Europe or the US may benefit from already hailing from countries which", "there for the first time so must thank everybody for their beautifully researched", "an extremely- excessively, perhaps- rich cultural and historical heritage. It's imbued in each", "millennial, my exposure to world literature and cinema and music has naturally been", "audiences can consume. But like I said! While their ideas and stories may", "a millennial, my exposure to world literature and cinema and music has naturally", "with 'unindian' names and 'foreign' mythical creatures coming from an Indian writer. I", "stories I write don't want to. The thing is, as you all might", "live in India. And the stories I write don't want to. The thing", "a Bradbury style SF, I am constantly and continuously restricted by the tone/style", "won't fit in. I'm not saying we don't have good artists to boast", "for an Indian writer of fiction. Can someone help me figure out this", "dilemma in that particular story. Meanwhile, I've also written a bunch of short", "foreign arenas (ie different planets) where such cultural idiosyncrasies become irrelevant because well,", "while we may be extremely erudite of external culture, all of art produced", "remain sundered from it and exploit our own cultural bounty. But the thing", "hailing from countries which have already influenced the world's taste in modern literature,", "who published a SF/Fantasy novel 2 years ago. That story involved Indian characters", "away to foreign arenas (ie different planets) where such cultural idiosyncrasies become irrelevant", "artists to boast of- filmmakers like Inurah Rapmyup and writers like Amish Tripathi", "So that's how I subverted my dilemma in that particular story. Meanwhile, I've", "answers. Now a little about myself for further context in case anybody else", "that plagues me often whenever I begin a new story, so I decided", "SE. I've used this website previously too but am putting my own perspective", "free from the cultural restrictions of my country- but the problem is that", "literature, I don't. I want to tell stories free from the cultural restrictions", "time so must thank everybody for their beautifully researched answers. Now a little", "planets) where such cultural idiosyncrasies become irrelevant because well, you're a representative of", "want to write- very different from the mainstream writers/filmmakers of the current industry-", "this country, the one I live in. But the content and type of", "the one I live in. But the content and type of stories I", "Indian subcontinent has a very particular flavor when it comes to the people", "how I subverted my dilemma in that particular story. Meanwhile, I've also written", "wild ideas and crazy conjurings and names (all rooted in American culture perhaps),", "by the complexity of the answers I've received here on my first question", "diverse fantasy world with wild ideas and crazy conjurings and names (all rooted", "particular country/region/culture in the world) or placing them in settings free from national", "very different from the mainstream writers/filmmakers of the current industry- feel like they", "up as a millennial, my exposure to world literature and cinema and music", "that- we have a rich market for international authors and artists- but while", "own perspective out there for the first time so must thank everybody for", "So basically, that's the dilemma that plagues me often whenever I begin a", "not saying we don't have good artists to boast of- filmmakers like Inurah", "But the content and type of stories I want to write- very different", "tell, and the kind of plots I want to cook up, are such", "mainstream writers/filmmakers of the current industry- feel like they won't fit in. I'm", "type of stories I want to write- very different from the mainstream writers/filmmakers", "like they won't fit in. I'm not saying we don't have good artists", "with wild ideas and crazy conjurings and names (all rooted in American culture", "or the US may benefit from already hailing from countries which have already", "first world, and proudly so. The stories we write, the movies we make,", "in them (in terms of content, character, language, setting) and while we may", "of art produced in our country chooses to remain sundered from it and", "one I live in. But the content and type of stories I want", "a rich market for international authors and artists- but while writers from places", "more varied and diverse than previous generations. So the style of stories I", "fantasy world would seem incongruous with 'unindian' names and 'foreign' mythical creatures coming", "a fantasy world would seem incongruous with 'unindian' names and 'foreign' mythical creatures", "we write, the movies we make, the music we compose all have a", "of 'Indianness' in them (in terms of content, character, language, setting) and while", "want to tell, and the kind of plots I want to cook up,", "the kind of plots I want to cook up, are such that just", "I'm just so overwhelmed by the complexity of the answers I've received here", "problem is that even a fantasy world would seem incongruous with 'unindian' names", "Indian characters in Indian settings but were quickly whisked away to foreign arenas", "in some capacity or the other, and the Indian subcontinent has a very", "like that- we have a rich market for international authors and artists- but", "music we compose all have a heavy root of 'Indianness' in them (in", "out of place for an Indian writer of fiction. Can someone help me", "imbued in each and every part of our daily life in some capacity", "cultural and historical heritage. It's imbued in each and every part of our", "erudite of external culture, all of art produced in our country chooses to", "with the same quandary. I'm a 19 year old from India who published", "Thanks so much for all the answers here, and I sure do have", "and crazy conjurings and names (all rooted in American culture perhaps), I cannot", "world's taste in modern literature, I don't. I want to tell stories free", "of my country- but the problem is that even a fantasy world would", "context in case anybody else comes digging with the same quandary. I'm a", "I live in. But the content and type of stories I want to", "basically, that's the dilemma that plagues me often whenever I begin a new", "all the answers here, and I sure do have a lot of thinking", "I'm not saying that the Indian audience wouldn't consume something like that- we", "can consume. But like I said! While their ideas and stories may be", "Because it would seem out of place for an Indian writer of fiction.", "movies we make, the music we compose all have a heavy root of", "and historical heritage. It's imbued in each and every part of our daily", "we make, the music we compose all have a heavy root of 'Indianness'", "content, character, language, setting) and while we may be extremely erudite of external", "I want to make it in this country, the one I live in.", "digging with the same quandary. I'm a 19 year old from India who", "so much for all the answers here, and I sure do have a", "in settings free from national boundaries. So basically, that's the dilemma that plagues", "question here. Thanks so much for all the answers here, and I sure", "fit in. I'm not saying we don't have good artists to boast of-", "boast of- filmmakers like Inurah Rapmyup and writers like Amish Tripathi constantly push", "sundered from it and exploit our own cultural bounty. But the thing is,", "seem incongruous with 'unindian' names and 'foreign' mythical creatures coming from an Indian", "complexity of the answers I've received here on my first question on SE.", "the answers I've received here on my first question on SE. I've used", "in modern literature, I don't. I want to tell stories free from the", "art produced in our country chooses to remain sundered from it and exploit", "of literature produced/consumed in my country. While American writers can without restriction cook", "every part of our daily life in some capacity or the other, and", "writers can without restriction cook up a diverse fantasy world with wild ideas", "the music we compose all have a heavy root of 'Indianness' in them", "I'm not saying we don't have good artists to boast of- filmmakers like", "free from national boundaries. So basically, that's the dilemma that plagues me often", "the places here. It's different from the first world, and proudly so. The", "that just won't fit in the Indian context. I'm not saying that the", "SF/Fantasy novel 2 years ago. That story involved Indian characters in Indian settings", "and cinema and music has naturally been much more varied and diverse than", "when it comes to the people here and the places here. It's different", "American culture perhaps), I cannot really. Because it would seem out of place", "them in settings free from national boundaries. So basically, that's the dilemma that", "all have a heavy root of 'Indianness' in them (in terms of content,", "the mainstream writers/filmmakers of the current industry- feel like they won't fit in.", "I don't. I want to tell stories free from the cultural restrictions of", "just won't fit in the Indian context. I'm not saying that the Indian", "or placing them in settings free from national boundaries. So basically, that's the", "won't fit in the Indian context. 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While American writers can without restriction cook up a diverse", "cultural restrictions of my country- but the problem is that even a fantasy", "names and 'foreign' mythical creatures coming from an Indian writer. I want to", "and writers like Amish Tripathi constantly push the boundary of what the Indian", "boundaries. So basically, that's the dilemma that plagues me often whenever I begin", "constantly push the boundary of what the Indian audiences can consume. But like", "flavor when it comes to the people here and the places here. It's", "am constantly and continuously restricted by the tone/style of literature produced/consumed in my", "from countries which have already influenced the world's taste in modern literature, I", "they won't fit in. I'm not saying we don't have good artists to", "to pose the question here. Thanks so much for all the answers here,", "2 years ago. That story involved Indian characters in Indian settings but were", "an Indian writer. I want to make it in this country, the one", "'Indianness' in them (in terms of content, character, language, setting) and while we", "Meanwhile, I've also written a bunch of short stories/poems/pieces over the years which", "style SF, I am constantly and continuously restricted by the tone/style of literature", "I've used this website previously too but am putting my own perspective out", "don't want to. The thing is, as you all might already know, my", "kind of plots I want to cook up, are such that just won't", "want to. I want to be a fiction novelist. And growing up as", "heritage. It's imbued in each and every part of our daily life in", "their beautifully researched answers. Now a little about myself for further context in", "particular flavor when it comes to the people here and the places here.", "because well, you're a representative of all of Earth there, not just a", "cook up, are such that just won't fit in the Indian context. I'm", "don't. 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I've", "the Indian audience wouldn't consume something like that- we have a rich market", "new story, so I decided to pose the question here. Thanks so much", "we don't have good artists to boast of- filmmakers like Inurah Rapmyup and", "each and every part of our daily life in some capacity or the", "also written a bunch of short stories/poems/pieces over the years which try to", "here and the places here. It's different from the first world, and proudly", "a potboiler, or a noir style thriller, or a Bradbury style SF, I", "and diverse than previous generations. So the style of stories I want to", "influenced the world's taste in modern literature, I don't. I want to tell", "international authors and artists- but while writers from places like Europe or the", "associated with ANY particular country/region/culture in the world) or placing them in settings", "industry- feel like they won't fit in. 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Thanks so much for all the answers here, and I sure do", "still rooted heavily in India, stemming from Indian stories and settings and characters!", "to be a fiction novelist. And growing up as a millennial, my exposure", "my exposure to world literature and cinema and music has naturally been much", "of the current industry- feel like they won't fit in. I'm not saying", "in our country chooses to remain sundered from it and exploit our own", "to boast of- filmmakers like Inurah Rapmyup and writers like Amish Tripathi constantly", "in. But the content and type of stories I want to write- very", "want to make it in this country, the one I live in. 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Thanks so much for all the answers here, and I", "without restriction cook up a diverse fantasy world with wild ideas and crazy", "restrictions of my country- but the problem is that even a fantasy world", "thriller, or a Bradbury style SF, I am constantly and continuously restricted by", "I subverted my dilemma in that particular story. Meanwhile, I've also written a", "to world literature and cinema and music has naturally been much more varied", "But the thing is, I don't really want to. I want to be", "or the other, and the Indian subcontinent has a very particular flavor when", "So the style of stories I want to tell, and the kind of", "national boundaries. 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[ "to heart. I thought the alternative was a separate line under, like this.", "having this separate line under. The problem is, which someone once told me,", "When posting an excerpt of my book on a critiquing site, someone commented", "makes the reader have to go back. The person said this in relation", "this is subjective, so rather I will ask this: Which alternative is the", "it took them out of the reading. Obviously, this is subjective, so rather", "ask this: Which alternative is the most popular and professional? Which do you", "heart. I thought the alternative was a separate line under, like this. >", "-That's so funny, Mucc laughed. > > > The latter having filtering, in", "under. The problem is, which someone once told me, having specification for the", "> > > The latter having filtering, in the way there's a \"Mucc", "back. The person said this in relation to not including name tags after", "was bad, and within the phenomenon called filtering. In [another question](https://writing.stackexchange.com/questions/34417/how-to-avoid-using-he-she-it-repetitively-in-action), a user", "> > > Instead of: > > -That's so funny, Mucc laughed. >", "on my use of \"hahaha\" inside the dialogue instead of just having a", "to go back. The person said this in relation to not including name", "filtering, in the way there's a \"Mucc laughed\" in between the dialogue and", "The person said this in relation to not including name tags after the", "A thundering laugh rolled out of him. > > > Instead of: >", "later time** isn't good, because it often makes the reader have to go", "> -That's so funny, Mucc laughed. > > > The latter having filtering,", "I've tried to take it to heart. I thought the alternative was a", "having a laughing verb after or before it. They said it took them", "subjective, so rather I will ask this: Which alternative is the most popular", "most popular and professional? Which do you see the most in writing? The", "so funny! > > > A thundering laugh rolled out of him. >", "> > The latter having filtering, in the way there's a \"Mucc laughed\"", "\"hahaha\" and having this separate line under. The problem is, which someone once", "excerpt of my book on a critiquing site, someone commented on my use", "is subjective, so rather I will ask this: Which alternative is the most", "most in writing? The answers to this question said to use speech tags.", "once told me, having specification for the dialogue at a later time isn't", "have to go back. The person said this in relation to not including", "tags after the dialogue, but I believe it applies to the way dialogue", "I thought this was bad, and within the phenomenon called filtering. In [another", "funny, Mucc laughed. > > > The latter having filtering, in the way", "the dialogue and the rest of the text. So, I thought the alternatives", "of my book on a critiquing site, someone commented on my use of", "in the way there's a \"Mucc laughed\" in between the dialogue and the", "to use speech tags. But I thought this was bad, and within the", "or before it. They said it took them out of the reading. Obviously,", "told me, having specification for the dialogue at a later time isn't good,", "alternatives were \"hahaha\" and having this separate line under. The problem is, which", "funny! > > > A thundering laugh rolled out of him. > >", "book on a critiquing site, someone commented on my use of \"hahaha\" inside", "my book on a critiquing site, someone commented on my use of \"hahaha\"", "and professional? Which do you see the most in writing? The answers to", "> > Instead of: > > -That's so funny, Mucc laughed. > >", "which someone once told me, having specification for the dialogue at a later", "laugh rolled out of him. > > > Instead of: > > -That's", "me about this, and I've tried to take it to heart. I thought", "a later time** isn't good, because it often makes the reader have to", "because it often makes the reader have to go back. The person said", "> Instead of: > > -That's so funny, Mucc laughed. > > >", "of the text. So, I thought the alternatives were \"hahaha\" and having this", "to this question said to use speech tags. But I thought this was", "called filtering. In [another question](https://writing.stackexchange.com/questions/34417/how-to-avoid-using-he-she-it-repetitively-in-action), a user taught me about this, and I've", "before it. They said it took them out of the reading. Obviously, this", "I will ask this: Which alternative is the most popular and professional? Which", "a laughing verb after or before it. They said it took them out", "him. > > > Instead of: > > -That's so funny, Mucc laughed.", "believe it applies to the way dialogue is uttered, as in if it", "popular and professional? Which do you see the most in writing? The answers", "see the most in writing? The answers to this question said to use", "taught me about this, and I've tried to take it to heart. I", "my use of \"hahaha\" inside the dialogue instead of just having a laughing", "Mucc laughed. > > > The latter having filtering, in the way there's", "thundering laugh rolled out of him. > > > Instead of: > >", "alternative was a separate line under, like this. > > -That's so funny!", "me, having specification for the dialogue at a later time isn't good, because", "is, which someone once told me, having specification for the dialogue at *a", "go back. The person said this in relation to not including name tags", "this was bad, and within the phenomenon called filtering. In [another question](https://writing.stackexchange.com/questions/34417/how-to-avoid-using-he-she-it-repetitively-in-action), a", "including name tags after the dialogue, but I believe it applies to the", "just having a laughing verb after or before it. They said it took", "posting an excerpt of my book on a critiquing site, someone commented on", "was a separate line under, like this. > > -That's so funny! >", "line under. The problem is, which someone once told me, having specification for", "question](https://writing.stackexchange.com/questions/34417/how-to-avoid-using-he-she-it-repetitively-in-action), a user taught me about this, and I've tried to take it", "rolled out of him. > > > Instead of: > > -That's so", "The latter having filtering, in the way there's a \"Mucc laughed\" in between", "rest of the text. So, I thought the alternatives were \"hahaha\" and having", "separate line under. The problem is, which someone once told me, having specification", "writing? The answers to this question said to use speech tags. But I", "take it to heart. I thought the alternative was a separate line under,", "this: Which alternative is the most popular and professional? Which do you see", "under, like this. > > -That's so funny! > > > A thundering", "do you see the most in writing? The answers to this question said", "this. > > -That's so funny! > > > A thundering laugh rolled", "having filtering, in the way there's a \"Mucc laughed\" in between the dialogue", "in writing? The answers to this question said to use speech tags. But", "so rather I will ask this: Which alternative is the most popular and", "> > A thundering laugh rolled out of him. > > > Instead", "> The latter having filtering, in the way there's a \"Mucc laughed\" in", "question said to use speech tags. But I thought this was bad, and", "between the dialogue and the rest of the text. So, I thought the", "it applies to the way* dialogue is uttered, as in if it is", "The answers to this question said to use speech tags. But I thought", "like this. > > -That's so funny! > > > A thundering laugh", "In [another question](https://writing.stackexchange.com/questions/34417/how-to-avoid-using-he-she-it-repetitively-in-action), a user taught me about this, and I've tried to", "a \"Mucc laughed\" in between the dialogue and the rest of the text.", "the alternatives were \"hahaha\" and having this separate line under. The problem is,", "out of him. > > > Instead of: > > -That's so funny,", "of him. > > > Instead of: > > -That's so funny, Mucc", "\"Mucc laughed\" in between the dialogue and the rest of the text. So,", "an excerpt of my book on a critiquing site, someone commented on my", "thought this was bad, and within the phenomenon called filtering. In [another question](https://writing.stackexchange.com/questions/34417/how-to-avoid-using-he-she-it-repetitively-in-action),", "the dialogue at a later time isn't good, because it often makes the", "separate line under, like this. > > -That's so funny! > > >", "text. So, I thought the alternatives were \"hahaha\" and having this separate line", "bad, and within the phenomenon called filtering. In [another question](https://writing.stackexchange.com/questions/34417/how-to-avoid-using-he-she-it-repetitively-in-action), a user taught", "filtering. In [another question](https://writing.stackexchange.com/questions/34417/how-to-avoid-using-he-she-it-repetitively-in-action), a user taught me about this, and I've tried", "within the phenomenon called filtering. In [another question](https://writing.stackexchange.com/questions/34417/how-to-avoid-using-he-she-it-repetitively-in-action), a user taught me about", "to not including name tags after the dialogue, but I believe it applies", "the text. So, I thought the alternatives were \"hahaha\" and having this separate", "> > > A thundering laugh rolled out of him. > > >", "this, and I've tried to take it to heart. I thought the alternative", "relation to not including name tags after the dialogue, but I believe it", "and within the phenomenon called filtering. In [another question](https://writing.stackexchange.com/questions/34417/how-to-avoid-using-he-she-it-repetitively-in-action), a user taught me", "dialogue, but I believe it applies to the way dialogue is uttered, as", "this in relation to not including name tags after the dialogue, but I", "tried to take it to heart. I thought the alternative was a separate", "rather I will ask this: Which alternative is the most popular and professional?", "[another question](https://writing.stackexchange.com/questions/34417/how-to-avoid-using-he-she-it-repetitively-in-action), a user taught me about this, and I've tried to take", "it. They said it took them out of the reading. Obviously, this is", "good, because it often makes the reader have to go back. The person", "a separate line under, like this. > > -That's so funny! > >", "phenomenon called filtering. In [another question](https://writing.stackexchange.com/questions/34417/how-to-avoid-using-he-she-it-repetitively-in-action), a user taught me about this, and", "the reading. Obviously, this is subjective, so rather I will ask this: Which", "said this in relation to not including name tags after the dialogue, but", "there's a \"Mucc laughed\" in between the dialogue and the rest of the", "problem is, which someone once told me, having specification for the dialogue at", "having specification for the dialogue at a later time isn't good, because it", "on a critiquing site, someone commented on my use of \"hahaha\" inside the", "for the dialogue at a later time isn't good, because it often makes", "They said it took them out of the reading. Obviously, this is subjective,", "But I thought this was bad, and within the phenomenon called filtering. In", "site, someone commented on my use of \"hahaha\" inside the dialogue instead of", "the dialogue instead of just having a laughing verb after or before it.", "> A thundering laugh rolled out of him. > > > Instead of:", "name tags after the dialogue, but I believe it applies to the way", "applies to the way dialogue is uttered, as in if it is laughed", "out of the reading. Obviously, this is subjective, so rather I will ask", "So, I thought the alternatives were \"hahaha\" and having this separate line under.", "the way dialogue is uttered, as in if it is laughed or said", "laughed. > > > The latter having filtering, in the way there's a", "reading. Obviously, this is subjective, so rather I will ask this: Which alternative", "answers to this question said to use speech tags. But I thought this", "said to use speech tags. But I thought this was bad, and within", "it to heart. I thought the alternative was a separate line under, like", "critiquing site, someone commented on my use of \"hahaha\" inside the dialogue instead", "I thought the alternatives were \"hahaha\" and having this separate line under. The", "laughing verb after or before it. They said it took them out of", "someone once told me, having specification for the dialogue at a later time", "and the rest of the text. So, I thought the alternatives were \"hahaha\"", "use speech tags. But I thought this was bad, and within the phenomenon", "inside the dialogue instead of just having a laughing verb after or before", "of the reading. Obviously, this is subjective, so rather I will ask this:", "and I've tried to take it to heart. I thought the alternative was", "> > -That's so funny! > > > A thundering laugh rolled out", "tags. But I thought this was bad, and within the phenomenon called filtering.", "in between the dialogue and the rest of the text. So, I thought", "way dialogue is uttered, as in if it is laughed or said normally.", "the phenomenon called filtering. In [another question](https://writing.stackexchange.com/questions/34417/how-to-avoid-using-he-she-it-repetitively-in-action), a user taught me about this,", "thought the alternatives were \"hahaha\" and having this separate line under. The problem", "of \"hahaha\" inside the dialogue instead of just having a laughing verb after", "a critiquing site, someone commented on my use of \"hahaha\" inside the dialogue", "dialogue at a later time isn't good, because it often makes the reader", "time isn't good, because it often makes the reader have to go back.", "at a later time isn't good, because it often makes the reader have", "user taught me about this, and I've tried to take it to heart.", "is the most popular and professional? Which do you see the most in", "The problem is, which someone once told me, having specification for the dialogue", "to the way dialogue is uttered, as in if it is laughed or", "this question said to use speech tags. But I thought this was bad,", "specification for the dialogue at a later time isn't good, because it often", "Which alternative is the most popular and professional? Which do you see the", "the alternative was a separate line under, like this. > > -That's so", "said it took them out of the reading. Obviously, this is subjective, so", "the reader have to go back. The person said this in relation to", "in relation to not including name tags after the dialogue, but I believe", "way there's a \"Mucc laughed\" in between the dialogue and the rest of", "took them out of the reading. Obviously, this is subjective, so rather I", "I believe it applies to the way dialogue is uttered, as in if", "use of \"hahaha\" inside the dialogue instead of just having a laughing verb", "but I believe it applies to the way** dialogue is uttered, as in", "dialogue instead of just having a laughing verb after or before it. They", "to take it to heart. I thought the alternative was a separate line", "not including name tags after the dialogue, but I believe it applies to", "latter having filtering, in the way there's a \"Mucc laughed\" in between the", "after or before it. They said it took them out of the reading.", "-That's so funny! > > > A thundering laugh rolled out of him.", "of just having a laughing verb after or before it. They said it", "verb after or before it. They said it took them out of the", "> -That's so funny! > > > A thundering laugh rolled out of", "line under, like this. > > -That's so funny! > > > A", "you see the most in writing? The answers to this question said to", "someone commented on my use of \"hahaha\" inside the dialogue instead of just", "the rest of the text. So, I thought the alternatives were \"hahaha\" and", "were \"hahaha\" and having this separate line under. The problem is, which someone", "> > -That's so funny, Mucc laughed. > > > The latter having", "the way there's a \"Mucc laughed\" in between the dialogue and the rest", "I thought the alternative was a separate line under, like this. > >", "Obviously, this is subjective, so rather I will ask this: Which alternative is", "the most popular and professional? Which do you see the most in writing?", "professional? Which do you see the most in writing? The answers to this", "often makes the reader have to go back. The person said this in", "Instead of: > > -That's so funny, Mucc laughed. > > > The", "after the dialogue, but I believe it applies to the way dialogue is", "alternative is the most popular and professional? Which do you see the most", "person said this in relation to not including name tags after the dialogue,", "and having this separate line under. The problem is, which someone once told", "will ask this: Which alternative is the most popular and professional? Which do", "it often makes the reader have to go back. The person said this", "Which do you see the most in writing? The answers to this question", "about this, and I've tried to take it to heart. I thought the", "the most in writing? The answers to this question said to use speech", "laughed\" in between the dialogue and the rest of the text. So, I", "of: > > -That's so funny, Mucc laughed. > > > The latter", "a user taught me about this, and I've tried to take it to", "the dialogue, but I believe it applies to the way dialogue is uttered,", "them out of the reading. Obviously, this is subjective, so rather I will", "thought the alternative was a separate line under, like this. > > -That's", "so funny, Mucc laughed. > > > The latter having filtering, in the", "commented on my use of \"hahaha\" inside the dialogue instead of just having", "this separate line under. The problem is, which someone once told me, having", "reader have to go back. The person said this in relation to not", "speech tags. But I thought this was bad, and within the phenomenon called", "isn't good, because it often makes the reader have to go back. The", "instead of just having a laughing verb after or before it. They said", "dialogue and the rest of the text. So, I thought the alternatives were", "\"hahaha\" inside the dialogue instead of just having a laughing verb after or" ]
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After releasing an issue, I think that I failed", "goes insane was all but successful. Instead of asking themselves \"what happened\", \"why", "I don't know how to handle it. I don't think the plot is", "the readers came with critics like \"the hero would never do that\", \"it", "all Traitor's fault. > > > The scene during which the protagonist goes", "the hero rampage was caused by the poison, and that it was all", "type of toxin designed to induce bloodlust and insanity amongst men. I introduced", "is explicit*, a.k.a. the reader does not know that the hero has been", "the effect of the poison. An action which causes him to lose most", "reaction, and I don't know how to handle it. I don't think the", "have made sure that he looks like a genuine sidekick, though there is", "for the bad guy. He plans to kill the hero, and the reader", "An action which causes him to lose most of his support and makes", "my story. Let me explain: > > One of my protagonist closest friend", "I have made sure that he looks like a genuine sidekick, though there", "introduced a Chekhov's gun just before to showcase the moment Traitor poisons the", "they did not have enough faith in me to make the \"right choices\"", "there is plenty of evidence that suggests he will do something. > >", "the trust of my readers. My analysis is that they did not have", "The hero had to go through this trial, and the traitor had to", "that\", the readers came with critics like \"the hero would never do that\",", "of that. I have made sure that he looks like a genuine sidekick,", "not aware of that*. 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He plans to kill the", "his support and makes him question everything he has been fighting for. >", "genuine sidekick, though there is plenty of evidence that suggests he will do", "\"make up\" for my mistake (even though it was definitely planned!). I am", "explains it all now, it will sound forced and as if I was", "it was definitely planned!). I am confused about this reaction, and I don't", "second time. It's only later that we learn the hero rampage was caused", "and the reader is not aware of that. I have made sure that", "my protagonist closest friend is a traitor secretly working for the bad guy.", "for. > > > Following this event, he will find a way to", "> The scene during which the protagonist goes insane was all but successful.", "the battle, the hero goes on a rampage and kills people from both", "was definitely planned!). I am confused about this reaction, and I don't know", "explicit, a.k.a. the reader does not know that the hero has been poisoned.", "that. I have made sure that he looks like a genuine sidekick, though", "ultimately poisons the hero with a unique type of toxin designed to induce", "hero goes on a rampage and kills people from both sides due to", "on a rampage and kills people from both sides due to the effect", "hero rampage was caused by the poison, and that *it was all Traitor's", "sidekick, though there is plenty of evidence that suggests he will do something.", "sense\" or \"the story lost its potential\". Moreover, if I try to bring", "\"why did the hero do that\", the readers came with critics like \"the", "of my readers. My analysis is that they did not have enough faith", "though there is plenty of evidence that suggests he will do something. >", "a problem. 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An action which causes", "moment Traitor poisons the hero, but nothing is explicit, a.k.a. the reader does", "the hero* with a unique type of toxin designed to induce bloodlust and", "know how to handle it. I don't think the plot is the cause.", "gun just before to showcase the moment Traitor poisons the hero, but *nothing", "with is that I did not build enough trust. Which begs the question:", "to provoke it. Yet, I have been wondering what went wrong. The explanation", "> > > Following this event, he will find a way to win", "the cause. The hero had to go through this trial, and the traitor", "to \"make up\" for my mistake (even though it was definitely planned!). I", "\"the story lost its potential\". Moreover, if I try to bring the poison", "The scene during which the protagonist goes insane was all but successful. Instead", "not know that the hero has been poisoned. Then, during the battle, the", "effect of the poison. 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Moreover,", "now, it will sound forced and as if I was trying to \"make", "> > One of my protagonist closest friend is a traitor secretly working", "don't think the plot is the cause. The hero had to go through", "trust. Which begs the question: What should have I done to have the", "it will sound forced* and as if I was trying to \"make up\"", "hero had to go through this trial, and the traitor had to provoke", "and explains it all now, it will sound forced and as if I", "was all but successful. Instead of asking themselves \"what happened\", \"why did the", "something. > > > Before a battle, he ultimately poisons the hero* with", "(even though it was definitely planned!). I am confused about this reaction, and", "amongst men. I introduced a Chekhov's gun just before to showcase the moment", "went wrong. The explanation I came with is that I did not build", "men. 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I have", "action which causes him to lose most of his support and makes him", "my mistake (even though it was definitely planned!). I am confused about this", "I came with is that I did not build enough trust. Which begs", "is the cause. The hero had to go through this trial, and the", "that they did not have enough faith in me to make the \"right", "choices\" about my story. Let me explain: > > One of my protagonist", "failed to earn the trust of my readers. My analysis is that they", "that we learn the hero rampage was caused by the poison, and that", "or \"the story lost its potential\". Moreover, if I try to bring the", "working for the bad guy. He plans to kill the hero, and the", "we learn the hero rampage was caused by the poison, and that it", "guy. He plans to kill the hero, and the reader is not aware", "have stumbled upon a problem. After releasing an issue, I think that I", "readers. My analysis is that they did not have enough faith in me", "that he looks like a genuine sidekick, though there is plenty of evidence", "the hero do that\", the readers came with critics like \"the hero would", "fighting because he fears to lose his mind a second time. It's only", "bloodlust and insanity amongst men. I introduced a Chekhov's gun just before to", "which causes him to lose most of his support and makes him question", "about my story. Let me explain: > > One of my protagonist closest", "explain: > > One of my protagonist closest friend is a traitor secretly", "explanation I came with is that I did not build enough trust. Which", "reader is not aware of that. I have made sure that he looks", "had to provoke it. Yet, I have been wondering what went wrong. The", "me explain: > > One of my protagonist closest friend is a traitor", "people from both sides due to the effect of the poison. An action", "forced and as if I was trying to \"make up\" for my mistake", "not build enough trust. Which begs the question: What should have I done", "> One of my protagonist closest friend is a traitor secretly working for", "rampage was caused by the poison, and that it was all Traitor's fault.", "and insanity amongst men. I introduced a Chekhov's gun just before to showcase", "sure that he looks like a genuine sidekick, though there is plenty of", "a genuine sidekick, though there is plenty of evidence that suggests he will", "question everything he has been fighting for. > > > Following this event,", "Then, during the battle, the hero goes on a rampage and kills people", "fighting for. > > > Following this event, he will find a way", "came with is that I did not build enough trust. Which begs the", "he will find a way to win without fighting* because he fears to", "me to make the \"right choices\" about my story. Let me explain: >", "plans to kill the hero, and the reader is not aware of that.", "provoke it. Yet, I have been wondering what went wrong. The explanation I", "to lose most of his support and makes him question everything he has", "poison and explains it all now, it will sound forced and as if", "it all now, it will sound forced and as if I was trying", "I was trying to \"make up\" for my mistake (even though it was", "nothing is explicit, a.k.a. the reader does not know that the hero has", "is not aware of that. I have made sure that he looks like", "makes no sense\"* or \"the story lost its potential\". Moreover, if I try", "insanity amongst men. I introduced a Chekhov's gun just before to showcase the", "happened\", \"why did the hero do that\", the readers came with critics like", "and as if I was trying to \"make up\" for my mistake (even", "the reader is not aware of that. I have made sure that he", "poisoned. Then, during the battle, the hero goes on a rampage and kills", "don't know how to handle it. I don't think the plot is the", "to bring the poison and explains it all now, it will sound forced", "because he fears to lose his mind a second time. It's only later", "has been fighting for. > > > Following this event, he will find", "he has been fighting for. > > > Following this event, he will", "to handle it. I don't think the plot is the cause. The hero", "secretly working for the bad guy. He plans to kill the hero, and", "poison. An action which causes him to lose most of his support and", "enough faith in me to make the \"right choices\" about my story. Let", "evidence that suggests he will do something. > > > Before a battle,", "battle, he ultimately poisons the hero* with a unique type of toxin designed", "One of my protagonist closest friend is a traitor secretly working for the", "for my mistake (even though it was definitely planned!). I am confused about", "only later that we learn the hero rampage was caused by the poison,", "poisons the hero, but nothing is explicit, a.k.a. the reader does not know", "and kills people from both sides due to the effect of the poison.", "just before to showcase the moment Traitor poisons the hero, but nothing is", "that suggests he will do something. > > > Before a battle, he", "he ultimately poisons the hero with a unique type of toxin designed to", "my readers. My analysis is that they did not have enough faith in", "but nothing is explicit*, a.k.a. the reader does not know that the hero", "that the hero has been poisoned. Then, during the battle, the hero goes", "insane was all but successful. Instead of asking themselves \"what happened\", \"why did", "should have I done to have the readers trust me and my story?*", "make the \"right choices\" about my story. Let me explain: > > One", "Let me explain: > > One of my protagonist closest friend is a", "all now, it will sound forced* and as if I was trying to", "friend is a traitor secretly working for the bad guy. He plans to", "all but successful. Instead of asking themselves \"what happened\", \"why did the hero", "have been wondering what went wrong. The explanation I came with is that", "He plans to kill the hero, and the reader is not aware of", "unique type of toxin designed to induce bloodlust and insanity amongst men. I", "Instead of asking themselves \"what happened\", \"why did the hero do that\", the", "been poisoned. Then, during the battle, the hero goes on a rampage and", "plot is the cause. The hero had to go through this trial, and", "it. I don't think the plot is the cause. The hero had to", "know that the hero has been poisoned. Then, during the battle, the hero", "story. Let me explain: > > One of my protagonist closest friend is", "win without fighting* because he fears to lose his mind a second time.", "issue, I think that I failed to earn the trust of my readers.", "to make the \"right choices\" about my story. Let me explain: > >", "> > Following this event, he will find a way to win without", "Traitor poisons the hero, but nothing is explicit, a.k.a. the reader does not", "What should have I done to have the readers trust me and my", "by the poison, and that it was all Traitor's fault. > > >", "Chekhov's gun just before to showcase the moment Traitor poisons the hero, but", "Which begs the question: What should have I done to have the readers", "of toxin designed to induce bloodlust and insanity amongst men. I introduced a", "a.k.a. the reader does not know that the hero has been poisoned. Then,", "trust of my readers. My analysis is that they did not have enough", "sound forced* and as if I was trying to \"make up\" for my", "releasing an issue, I think that I failed to earn the trust of", "a Chekhov's gun just before to showcase the moment Traitor poisons the hero,", "lost its potential\". Moreover, if I try to bring the poison and explains", "\"it makes no sense\"* or \"the story lost its potential\". Moreover, if I", "do that\", the readers came with critics like \"the hero would never do", "in me to make the \"right choices\" about my story. Let me explain:", "about this reaction, and I don't know how to handle it. I don't", "the plot is the cause. The hero had to go through this trial,", "and that it was all Traitor's fault. > > > The scene during", "> > The scene during which the protagonist goes insane was all but", "to kill the hero, and the reader is not aware of that. I", "enough trust. Which begs the question: What should have I done to have", "potential\". Moreover, if I try to bring the poison and explains it all", "critics like \"the hero would never do that\", \"it makes no sense\" or", "been fighting for. > > > Following this event, he will find a", "through this trial, and the traitor had to provoke it. Yet, I have", "showcase the moment Traitor poisons the hero, but nothing is explicit, a.k.a. the", "and makes him question everything he has been fighting for. > > >", "this event, he will find a way to win without fighting because he", "Yet, I have been wondering what went wrong. The explanation I came with", "to lose his mind a second time. It's only later that we learn", "go through this trial, and the traitor had to provoke it. Yet, I", "> Before a battle, he ultimately poisons the hero with a unique type", "sides due to the effect of the poison. An action which causes him", "of asking themselves \"what happened\", \"why did the hero do that\", the readers", "build enough trust. Which begs the question: What should have I done to", "The explanation I came with is that I did not build enough trust.", "with critics like \"the hero would never do that\", \"it makes no sense\"", "during the battle, the hero goes on a rampage and kills people from", "which the protagonist goes insane was all but successful. Instead of asking themselves", "I think that I failed to earn the trust of my readers. My", "and I don't know how to handle it. I don't think the plot", "will find a way to win without fighting* because he fears to lose", "hero, and the reader is not aware of that. I have made sure", "am confused about this reaction, and I don't know how to handle it.", "suggests he will do something. > > > Before a battle, he ultimately", "kills people from both sides due to the effect of the poison. An", "induce bloodlust and insanity amongst men. I introduced a Chekhov's gun just before", "without fighting because he fears to lose his mind a second time. It's", "due to the effect of the poison. An action which causes him to", "I try to bring the poison and explains it all now, it will", "protagonist goes insane was all but successful. Instead of asking themselves \"what happened\",", "the traitor had to provoke it. Yet, I have been wondering what went", "has been poisoned. Then, during the battle, the hero goes on a rampage", "> > > Before a battle, he ultimately poisons the hero* with a", "Before a battle, he ultimately poisons the hero with a unique type of", "the question: *What should have I done to have the readers trust me", "as if I was trying to \"make up\" for my mistake (even though", "causes him to lose most of his support and makes him question everything", "I did not build enough trust. Which begs the question: What should have", "mind a second time. It's only later that we learn the hero rampage", "this reaction, and I don't know how to handle it. I don't think", "aware of that. I have made sure that he looks like a genuine", "time. It's only later that we learn the hero rampage was caused by", "> > > The scene during which the protagonist goes insane was all", "was all Traitor's fault. > > > The scene during which the protagonist", "poisons the hero* with a unique type of toxin designed to induce bloodlust", "I have been wondering what went wrong. The explanation I came with is", "is that they did not have enough faith in me to make the", "bring the poison and explains it all now, it will sound forced and", "poison, and that it was all Traitor's fault. > > > The scene", "learn the hero rampage was caused by the poison, and that *it was", "handle it. I don't think the plot is the cause. The hero had", "Recently, I have stumbled upon a problem. After releasing an issue, I think", "that I did not build enough trust. Which begs the question: What should", "readers came with critics like \"the hero would never do that\", \"it makes", "> Following this event, he will find a way to win without fighting", "like a genuine sidekick, though there is plenty of evidence that suggests he", "upon a problem. After releasing an issue, I think that I failed to", "most of his support and makes him question everything he has been fighting", "its potential\". Moreover, if I try to bring the poison and explains it", "question: What should have I done to have the readers trust me and", "he looks like a genuine sidekick, though there is plenty of evidence that", "After releasing an issue, I think that I failed to earn the trust", "hero* with a unique type of toxin designed to induce bloodlust and insanity", "goes on a rampage and kills people from both sides due to the", "did not have enough faith in me to make the \"right choices\" about", "of evidence that suggests he will do something. > > > Before a", "later that we learn the hero rampage was caused by the poison, and", "a unique type of toxin designed to induce bloodlust and insanity amongst men.", "protagonist closest friend is a traitor secretly working for the bad guy. He", "the hero goes on a rampage and kills people from both sides due", "will sound forced and as if I was trying to \"make up\" for", "closest friend is a traitor secretly working for the bad guy. He plans", "was trying to \"make up\" for my mistake (even though it was definitely", "trial, and the traitor had to provoke it. Yet, I have been wondering", "lose his mind a second time. It's only later that we learn the", "wondering what went wrong. The explanation I came with is that I did", "designed to induce bloodlust and insanity amongst men. I introduced a Chekhov's gun", "planned!). I am confused about this reaction, and I don't know how to", "\"right choices\" about my story. Let me explain: > > One of my", "he will do something. > > > Before a battle, he ultimately poisons", "faith in me to make the \"right choices\" about my story. Let me", "him question everything he has been fighting for. > > > Following this", "hero do that\", the readers came with critics like \"the hero would never", "to the effect of the poison. An action which causes him to lose", "a way to win without fighting* because he fears to lose his mind", "it was all Traitor's fault. > > > The scene during which the", "plenty of evidence that suggests he will do something. > > > Before", "a rampage and kills people from both sides due to the effect of", "not have enough faith in me to make the \"right choices\" about my", "traitor had to provoke it. Yet, I have been wondering what went wrong.", "the hero, but nothing is explicit, a.k.a. the reader does not know that", "> > Before a battle, he ultimately poisons the hero with a unique", "trying to \"make up\" for my mistake (even though it was definitely planned!).", "the hero, and the reader is not aware of that. I have made", "the bad guy. He plans to kill the hero, and the reader is", "did not build enough trust. Which begs the question: *What should have I", "his mind a second time. It's only later that we learn the hero" ]
[ "writing from the protagonist's (limited) POV. If I say \"MC met the boss,\"", "the book. But if I say \"MC met the fake boss,\" that's not", "MC does eventually figure it out... but how to I reference the fake", "I say \"MC met the fake boss,\" that's not only awkward... but it", "thinks he is. The boss actually sends someone to pretend to be him.", "out... but how to I reference the fake boss while the MC still", "eventually figure it out... but how to I reference the fake boss while", "if I say \"MC met the fake boss,\" that's not only awkward... but", "it also implies that the MC knows. The MC does eventually figure it", "lied to them when it's later revealed that the boss doesn't actually show", "meeting with the big boss of a mafia. At least, he thinks he", "does eventually figure it out... but how to I reference the fake boss", "the boss,\" that's dishonest and the reader will feel that I lied to", "boss,\" that's dishonest and the reader will feel that I lied to them", "that the MC knows. The MC does eventually figure it out... but how", "pretend to be him. I'm writing from the protagonist's (limited) POV. If I", "met the fake boss,\" that's not only awkward... but it also implies that", "knows. The MC does eventually figure it out... but how to I reference", "until the very end of the book. But if I say \"MC met", "POV. If I say \"MC met the boss,\" that's dishonest and the reader", "mafia. At least, he thinks he is. The boss actually sends someone to", "be him. I'm writing from the protagonist's (limited) POV. If I say \"MC", "implies that the MC knows. The MC does eventually figure it out... but", "to be him. I'm writing from the protagonist's (limited) POV. If I say", "met the boss,\" that's dishonest and the reader will feel that I lied", "the boss doesn't actually show his face until the very end of the", "I reference the fake boss while the MC still thinks that he's meeting", "will feel that I lied to them when it's later revealed that the", "doesn't actually show his face until the very end of the book. But", "actually sends someone to pretend to be him. I'm writing from the protagonist's", "that the boss doesn't actually show his face until the very end of", "least, he thinks he is. The boss actually sends someone to pretend to", "not only awkward... but it also implies that the MC knows. The MC", "fake boss while the MC still thinks that he's meeting with the real", "show his face until the very end of the book. But if I", "the protagonist's (limited) POV. If I say \"MC met the boss,\" that's dishonest", "is. The boss actually sends someone to pretend to be him. I'm writing", "but it also implies that the MC knows. The MC does eventually figure", "to pretend to be him. I'm writing from the protagonist's (limited) POV. If", "of a mafia. At least, he thinks he is. The boss actually sends", "feel that I lied to them when it's later revealed that the boss", "the very end of the book. But if I say \"MC met the", "it's later revealed that the boss doesn't actually show his face until the", "his face until the very end of the book. But if I say", "finally meeting with the big boss of a mafia. At least, he thinks", "boss,\" that's not only awkward... but it also implies that the MC knows.", "he thinks he is. The boss actually sends someone to pretend to be", "he is. The boss actually sends someone to pretend to be him. I'm", "protagonist's (limited) POV. If I say \"MC met the boss,\" that's dishonest and", "At least, he thinks he is. The boss actually sends someone to pretend", "dishonest and the reader will feel that I lied to them when it's", "very end of the book. But if I say \"MC met the fake", "that I lied to them when it's later revealed that the boss doesn't", "\"MC met the boss,\" that's dishonest and the reader will feel that I", "the big boss of a mafia. At least, he thinks he is. The", "The MC does eventually figure it out... but how to I reference the", "with the big boss of a mafia. At least, he thinks he is.", "\"MC met the fake boss,\" that's not only awkward... but it also implies", "the fake boss,\" that's not only awkward... but it also implies that the", "that's not only awkward... but it also implies that the MC knows. The", "I say \"MC met the boss,\" that's dishonest and the reader will feel", "them when it's later revealed that the boss doesn't actually show his face", "But if I say \"MC met the fake boss,\" that's not only awkward...", "say \"MC met the fake boss,\" that's not only awkward... but it also", "face until the very end of the book. But if I say \"MC", "boss of a mafia. At least, he thinks he is. The boss actually", "big boss of a mafia. At least, he thinks he is. The boss", "boss while the MC still thinks that he's meeting with the real boss?", "My protagonist is finally meeting with the big boss of a mafia. At", "I'm writing from the protagonist's (limited) POV. If I say \"MC met the", "the reader will feel that I lied to them when it's later revealed", "only awkward... but it also implies that the MC knows. The MC does", "boss doesn't actually show his face until the very end of the book.", "book. But if I say \"MC met the fake boss,\" that's not only", "of the book. But if I say \"MC met the fake boss,\" that's", "MC knows. The MC does eventually figure it out... but how to I", "but how to I reference the fake boss while the MC still thinks", "actually show his face until the very end of the book. But if", "that's dishonest and the reader will feel that I lied to them when", "figure it out... but how to I reference the fake boss while the", "say \"MC met the boss,\" that's dishonest and the reader will feel that", "The boss actually sends someone to pretend to be him. I'm writing from", "awkward... but it also implies that the MC knows. The MC does eventually", "when it's later revealed that the boss doesn't actually show his face until", "protagonist is finally meeting with the big boss of a mafia. At least,", "and the reader will feel that I lied to them when it's later", "reader will feel that I lied to them when it's later revealed that", "the MC knows. The MC does eventually figure it out... but how to", "(limited) POV. If I say \"MC met the boss,\" that's dishonest and the", "revealed that the boss doesn't actually show his face until the very end", "to them when it's later revealed that the boss doesn't actually show his", "later revealed that the boss doesn't actually show his face until the very", "reference the fake boss while the MC still thinks that he's meeting with", "the fake boss while the MC still thinks that he's meeting with the", "how to I reference the fake boss while the MC still thinks that", "sends someone to pretend to be him. I'm writing from the protagonist's (limited)", "it out... but how to I reference the fake boss while the MC", "someone to pretend to be him. I'm writing from the protagonist's (limited) POV.", "I lied to them when it's later revealed that the boss doesn't actually", "also implies that the MC knows. The MC does eventually figure it out...", "end of the book. But if I say \"MC met the fake boss,\"", "a mafia. At least, he thinks he is. The boss actually sends someone", "If I say \"MC met the boss,\" that's dishonest and the reader will", "boss actually sends someone to pretend to be him. I'm writing from the", "to I reference the fake boss while the MC still thinks that he's", "him. I'm writing from the protagonist's (limited) POV. If I say \"MC met", "fake boss,\" that's not only awkward... but it also implies that the MC", "is finally meeting with the big boss of a mafia. At least, he", "from the protagonist's (limited) POV. If I say \"MC met the boss,\" that's" ]
[ "it is dialogue. Is this a bad thing? How could I fix this", "looking back at the bits of it I have so far brought into", "is dialogue. Is this a bad thing? How could I fix this if", "of my own and, looking back at the bits of it I have", "working on a novel of my own and, looking back at the bits", "Is this a bad thing? How could I fix this if it is?", "it I have so far brought into light, that almost everything in it", "light, that almost everything in it is dialogue. Is this a bad thing?", "novel of my own and, looking back at the bits of it I", "the bits of it I have so far brought into light, that almost", "my own and, looking back at the bits of it I have so", "into light, that almost everything in it is dialogue. Is this a bad", "so far brought into light, that almost everything in it is dialogue. Is", "have so far brought into light, that almost everything in it is dialogue.", "own and, looking back at the bits of it I have so far", "bits of it I have so far brought into light, that almost everything", "almost everything in it is dialogue. Is this a bad thing? How could", "I'm working on a novel of my own and, looking back at the", "and, looking back at the bits of it I have so far brought", "on a novel of my own and, looking back at the bits of", "a novel of my own and, looking back at the bits of it", "dialogue. Is this a bad thing? How could I fix this if it", "back at the bits of it I have so far brought into light,", "of it I have so far brought into light, that almost everything in", "in it is dialogue. Is this a bad thing? How could I fix", "brought into light, that almost everything in it is dialogue. Is this a", "I have so far brought into light, that almost everything in it is", "everything in it is dialogue. Is this a bad thing? How could I", "far brought into light, that almost everything in it is dialogue. Is this", "that almost everything in it is dialogue. Is this a bad thing? How", "at the bits of it I have so far brought into light, that" ]
[ "barely budge > regardless of how many times the footage looped on itself.", "room. > However, peculiarly enough, there was enough light to see the white", "there > we could only see this cone of light in the middle", "by a ghost as their eyes would barely budge > regardless of how", "sheet in the > darkness of the room. The light were completely shut", "is that really a bad thing? And if so, how do you get", "aren't attached to a person's actions. But is that really a bad thing?", "get around it? > > The projector beamed a short footage onto a", "starring > at the projected footage with undivided attention. It was as if", "itself. Even after > the footage had played a dozen of times, their", "white > matter of the eyes of there people inside the room which", "It feels like there is something wrong with using impersonal descriptions in fiction.", "light in the middle of the room > projecting its rays onto the", "projected footage with undivided attention. It was as if their > eyes were", "footage onto a large white sheet in the > darkness of the room.", "as their eyes would barely budge > regardless of how many times the", "> regardless of how many times the footage looped on itself. Even after", "and there > we could only see this cone of light in the", "in fiction. But what is it? As an example, I'm unhappy with the", "projector beamed a short footage onto a large white sheet in the >", "enough, there was enough light to see the white > matter of the", "the projected footage with undivided attention. It was as if their > eyes", "we could only see this cone of light in the middle of the", "it? As an example, I'm unhappy with the following passage I wrote, because", "of the eyes of there people inside the room which was starring >", "The light were completely shut close and there > we could only see", "But is that really a bad thing? And if so, how do you", "the footage looped on itself. Even after > the footage had played a", "that really a bad thing? And if so, how do you get around", "something wrong with using impersonal descriptions in fiction. But what is it? As", "peculiarly enough, there was enough light to see the white > matter of", "inside the room which was starring > at the projected footage with undivided", "their > eyes were possessed by a ghost as their eyes would barely", "there people inside the room which was starring > at the projected footage", "I wrote, because the descriptions aren't attached to a person's actions. But is", "footage looped on itself. Even after > the footage had played a dozen", "this cone of light in the middle of the room > projecting its", "descriptions in fiction. But what is it? As an example, I'm unhappy with", "fiction. But what is it? As an example, I'm unhappy with the following", "the following passage I wrote, because the descriptions aren't attached to a person's", "> at the projected footage with undivided attention. It was as if their", "to a person's actions. But is that really a bad thing? And if", "light to see the white > matter of the eyes of there people", "had played a dozen of times, their eyes were as wide open >", "which was starring > at the projected footage with undivided attention. It was", "of there people inside the room which was starring > at the projected", "see this cone of light in the middle of the room > projecting", "the room. > However, peculiarly enough, there was enough light to see the", "attached to a person's actions. But is that really a bad thing? And", "> eyes were possessed by a ghost as their eyes would barely budge", "the eyes of there people inside the room which was starring > at", "It was as if their > eyes were possessed by a ghost as", "their eyes would barely budge > regardless of how many times the footage", "short footage onto a large white sheet in the > darkness of the", "shut close and there > we could only see this cone of light", "dozen of times, their eyes were as wide open > as ever. >", "of the room. The light were completely shut close and there > we", "at the projected footage with undivided attention. It was as if their >", "person's actions. But is that really a bad thing? And if so, how", "in the front of the room. > However, peculiarly enough, there was enough", "using impersonal descriptions in fiction. But what is it? As an example, I'm", "middle of the room > projecting its rays onto the white sheet in", "example, I'm unhappy with the following passage I wrote, because the descriptions aren't", "wrote, because the descriptions aren't attached to a person's actions. But is that", "eyes were possessed by a ghost as their eyes would barely budge >", "light were completely shut close and there > we could only see this", "an example, I'm unhappy with the following passage I wrote, because the descriptions", "But what is it? As an example, I'm unhappy with the following passage", "many times the footage looped on itself. Even after > the footage had", "only see this cone of light in the middle of the room >", "of times, their eyes were as wide open > as ever. > >", "is it? As an example, I'm unhappy with the following passage I wrote,", "Even after > the footage had played a dozen of times, their eyes", "And if so, how do you get around it? > > The projector", "could only see this cone of light in the middle of the room", "is something wrong with using impersonal descriptions in fiction. But what is it?", "was as if their > eyes were possessed by a ghost as their", "a large white sheet in the > darkness of the room. The light", "sheet in the front of the room. > However, peculiarly enough, there was", "it? > > The projector beamed a short footage onto a large white", "of the room > projecting its rays onto the white sheet in the", "played a dozen of times, their eyes were as wide open > as", "of the room. > However, peculiarly enough, there was enough light to see", "possessed by a ghost as their eyes would barely budge > regardless of", "large white sheet in the > darkness of the room. The light were", "white sheet in the front of the room. > However, peculiarly enough, there", "what is it? As an example, I'm unhappy with the following passage I", "unhappy with the following passage I wrote, because the descriptions aren't attached to", "undivided attention. It was as if their > eyes were possessed by a", "see the white > matter of the eyes of there people inside the", "thing? And if so, how do you get around it? > > The", "the front of the room. > However, peculiarly enough, there was enough light", "a dozen of times, their eyes were as wide open > as ever.", "bad thing? And if so, how do you get around it? > >", "The projector beamed a short footage onto a large white sheet in the", "with using impersonal descriptions in fiction. But what is it? As an example,", "front of the room. > However, peculiarly enough, there was enough light to", "footage with undivided attention. It was as if their > eyes were possessed", "because the descriptions aren't attached to a person's actions. But is that really", "there is something wrong with using impersonal descriptions in fiction. But what is", "the footage had played a dozen of times, their eyes were as wide", "I'm unhappy with the following passage I wrote, because the descriptions aren't attached", "following passage I wrote, because the descriptions aren't attached to a person's actions.", "onto a large white sheet in the > darkness of the room. The", "wrong with using impersonal descriptions in fiction. But what is it? As an", "completely shut close and there > we could only see this cone of", "was starring > at the projected footage with undivided attention. It was as", "there was enough light to see the white > matter of the eyes", "feels like there is something wrong with using impersonal descriptions in fiction. But", "matter of the eyes of there people inside the room which was starring", "how do you get around it? > > The projector beamed a short", "a ghost as their eyes would barely budge > regardless of how many", "> The projector beamed a short footage onto a large white sheet in", "However, peculiarly enough, there was enough light to see the white > matter", "a short footage onto a large white sheet in the > darkness of", "in the > darkness of the room. The light were completely shut close", "on itself. Even after > the footage had played a dozen of times,", "the room. The light were completely shut close and there > we could", "room. The light were completely shut close and there > we could only", "were completely shut close and there > we could only see this cone", "passage I wrote, because the descriptions aren't attached to a person's actions. But", "of light in the middle of the room > projecting its rays onto", "with the following passage I wrote, because the descriptions aren't attached to a", "the middle of the room > projecting its rays onto the white sheet", "if so, how do you get around it? > > The projector beamed", "projecting its rays onto the white sheet in the front of the room.", "enough light to see the white > matter of the eyes of there", "> we could only see this cone of light in the middle of", "a person's actions. But is that really a bad thing? And if so,", "the > darkness of the room. The light were completely shut close and", "a bad thing? And if so, how do you get around it? >", "with undivided attention. It was as if their > eyes were possessed by", "of how many times the footage looped on itself. Even after > the", "times, their eyes were as wide open > as ever. > > >", "really a bad thing? And if so, how do you get around it?", "the room which was starring > at the projected footage with undivided attention.", "> However, peculiarly enough, there was enough light to see the white >", "the room > projecting its rays onto the white sheet in the front", "looped on itself. Even after > the footage had played a dozen of", "> > The projector beamed a short footage onto a large white sheet", "in the middle of the room > projecting its rays onto the white", "white sheet in the > darkness of the room. The light were completely", "onto the white sheet in the front of the room. > However, peculiarly", "descriptions aren't attached to a person's actions. But is that really a bad", "ghost as their eyes would barely budge > regardless of how many times", "regardless of how many times the footage looped on itself. Even after >", "> matter of the eyes of there people inside the room which was", "> darkness of the room. The light were completely shut close and there", "room > projecting its rays onto the white sheet in the front of", "to see the white > matter of the eyes of there people inside", "around it? > > The projector beamed a short footage onto a large", "you get around it? > > The projector beamed a short footage onto", "as if their > eyes were possessed by a ghost as their eyes", "> projecting its rays onto the white sheet in the front of the", "eyes of there people inside the room which was starring > at the", "attention. It was as if their > eyes were possessed by a ghost", "if their > eyes were possessed by a ghost as their eyes would", "how many times the footage looped on itself. Even after > the footage", "was enough light to see the white > matter of the eyes of", "As an example, I'm unhappy with the following passage I wrote, because the", "close and there > we could only see this cone of light in", "times the footage looped on itself. Even after > the footage had played", "actions. But is that really a bad thing? And if so, how do", "the white > matter of the eyes of there people inside the room", "people inside the room which was starring > at the projected footage with", "eyes would barely budge > regardless of how many times the footage looped", "its rays onto the white sheet in the front of the room. >", "after > the footage had played a dozen of times, their eyes were", "the descriptions aren't attached to a person's actions. But is that really a", "would barely budge > regardless of how many times the footage looped on", "like there is something wrong with using impersonal descriptions in fiction. But what", "beamed a short footage onto a large white sheet in the > darkness", "darkness of the room. The light were completely shut close and there >", "cone of light in the middle of the room > projecting its rays", "do you get around it? > > The projector beamed a short footage", "> the footage had played a dozen of times, their eyes were as", "room which was starring > at the projected footage with undivided attention. It", "were possessed by a ghost as their eyes would barely budge > regardless", "the white sheet in the front of the room. > However, peculiarly enough,", "footage had played a dozen of times, their eyes were as wide open", "budge > regardless of how many times the footage looped on itself. Even", "rays onto the white sheet in the front of the room. > However,", "impersonal descriptions in fiction. But what is it? As an example, I'm unhappy", "so, how do you get around it? > > The projector beamed a" ]
[ "them in places where there's a punctuation mark like a comma, but there", "almost anywhere. Such seem to be the case with this verse: > >", "example alexandrines require a caesura in the middle. But the question is where", "we tend to put them in places where there's a punctuation mark like", "between to and your, which breaks the natural flow of the verse. So", "which breaks the natural flow of the verse. So I was wondering if", "because for example alexandrines require a caesura in the middle. But the question", "verse. So I was wondering if I could place a caesura basically anywhere", "be the case with this verse: > > Ye sacred Bards, that to", "could place a caesura basically anywhere as long as it's not in the", "So I was wondering if I could place a caesura basically anywhere as", "strings > > > The caesura is placed between to and your, which", "put them in places where there's a punctuation mark like a comma, but", "where can we put them. I know that we tend to put them", "I was wondering if I could place a caesura basically anywhere as long", "there's a punctuation mark like a comma, but there are also authors who", "question is where can we put them. I know that we tend to", "> Ye sacred Bards, that to ¦ your harps' melodious strings > >", "can we put them. I know that we tend to put them in", "put them. I know that we tend to put them in places where", "important in poetry, because for example alexandrines require a caesura in the middle.", "> > Ye sacred Bards, that to ¦ your harps' melodious strings >", "melodious strings > > > The caesura is placed between to and your,", "punctuation mark like a comma, but there are also authors who put them", "wondering if I could place a caesura basically anywhere as long as it's", "seem to be the case with this verse: > > Ye sacred Bards,", "poetry, because for example alexandrines require a caesura in the middle. But the", "caesura in the middle. But the question is where can we put them.", "them. I know that we tend to put them in places where there's", "this verse: > > Ye sacred Bards, that to ¦ your harps' melodious", "caesura is placed between to and your, which breaks the natural flow of", "that we tend to put them in places where there's a punctuation mark", "a comma, but there are also authors who put them almost anywhere. Such", "> > > The caesura is placed between to and your, which breaks", "middle. But the question is where can we put them. I know that", "your harps' melodious strings > > > The caesura is placed between to", "in the middle. But the question is where can we put them. I", "is where can we put them. I know that we tend to put", "But the question is where can we put them. I know that we", "the verse. So I was wondering if I could place a caesura basically", "anywhere. Such seem to be the case with this verse: > > Ye", "are also authors who put them almost anywhere. 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I know", "is placed between to and your, which breaks the natural flow of the", "to ¦ your harps' melodious strings > > > The caesura is placed", "to be the case with this verse: > > Ye sacred Bards, that", "put them almost anywhere. Such seem to be the case with this verse:", "in poetry, because for example alexandrines require a caesura in the middle. But", "that to ¦ your harps' melodious strings > > > The caesura is", "authors who put them almost anywhere. Such seem to be the case with", "we put them. I know that we tend to put them in places", "in places where there's a punctuation mark like a comma, but there are", "but there are also authors who put them almost anywhere. Such seem to", "placed between to and your, which breaks the natural flow of the verse.", "places where there's a punctuation mark like a comma, but there are also", "I could place a caesura basically anywhere as long as it's not in", "harps' melodious strings > > > The caesura is placed between to and", "also authors who put them almost anywhere. Such seem to be the case", "your, which breaks the natural flow of the verse. So I was wondering", "with this verse: > > Ye sacred Bards, that to ¦ your harps'", "slight pause that's important in poetry, because for example alexandrines require a caesura", "there are also authors who put them almost anywhere. Such seem to be", "that's important in poetry, because for example alexandrines require a caesura in the", "like a comma, but there are also authors who put them almost anywhere.", "breaks the natural flow of the verse. So I was wondering if I", "Bards, that to ¦ your harps' melodious strings > > > The caesura", "natural flow of the verse. So I was wondering if I could place", "to and your, which breaks the natural flow of the verse. So I", "caesura basically anywhere as long as it's not in the middle of a", "if I could place a caesura basically anywhere as long as it's not", "them almost anywhere. Such seem to be the case with this verse: >", "¦ your harps' melodious strings > > > The caesura is placed between", "was wondering if I could place a caesura basically anywhere as long as", "place a caesura basically anywhere as long as it's not in the middle", "Such seem to be the case with this verse: > > Ye sacred", "a punctuation mark like a comma, but there are also authors who put", "of the verse. So I was wondering if I could place a caesura", "the natural flow of the verse. So I was wondering if I could", "> > The caesura is placed between to and your, which breaks the", "The caesura is placed between to and your, which breaks the natural flow", "a slight pause that's important in poetry, because for example alexandrines require a", "case with this verse: > > Ye sacred Bards, that to ¦ your", "basically anywhere as long as it's not in the middle of a word.", "where there's a punctuation mark like a comma, but there are also authors", "to put them in places where there's a punctuation mark like a comma,", "and your, which breaks the natural flow of the verse. So I was", "a caesura basically anywhere as long as it's not in the middle of", "a caesura in the middle. But the question is where can we put", "for example alexandrines require a caesura in the middle. But the question is", "tend to put them in places where there's a punctuation mark like a", "pause that's important in poetry, because for example alexandrines require a caesura in", "caesura is a slight pause that's important in poetry, because for example alexandrines", "the case with this verse: > > Ye sacred Bards, that to ¦", "flow of the verse. So I was wondering if I could place a", "require a caesura in the middle. But the question is where can we", "sacred Bards, that to ¦ your harps' melodious strings > > > The", "I know that we tend to put them in places where there's a" ]
[ "I'm a data scientist and for my next project I'm looking for a", "structure](https://en.m.wikipedia.org/wiki/Dramatic_structure), etc... I've found <https://www.helpingwritersbecomeauthors.com/story-structures/> but I was looking for something less articulate.", "next project I'm looking for a location where I can find stories broken", "need the open source story (short, novel, play, ...) and some way of", "where I can find stories broken down by structure. I.e. [The basics of", "I'm looking for a location where I can find stories broken down by", "looking for something less articulate. Something that would break it down by chapters", "native English speaker). At the end of the day I would need the", "a subjective question to be boiled down as I'm asking (if so I'll", "dramatic structure](https://en.m.wikipedia.org/wiki/Dramatic_structure), etc... I've found <https://www.helpingwritersbecomeauthors.com/story-structures/> but I was looking for something less", "won't be a fun task for a non native English speaker). At the", "structure. I.e. [The basics of the seven point story structure](https://thewritingkylie.com/blog/the-basics-of-the-seven-point-story-structure-and-how-to-use-it), or [wikipedia dramatic", "manually and it won't be a fun task for a non native English", "I'm asking (if so I'll need to do it manually and it won't", "and it won't be a fun task for a non native English speaker).", "English speaker). At the end of the day I would need the open", "location where I can find stories broken down by structure. I.e. [The basics", "it manually and it won't be a fun task for a non native", "do it manually and it won't be a fun task for a non", "find stories broken down by structure. I.e. [The basics of the seven point", "or some other dry quantitative metric instead of the qualitative / descriptive one", "seven point story structure](https://thewritingkylie.com/blog/the-basics-of-the-seven-point-story-structure-and-how-to-use-it), or [wikipedia dramatic structure](https://en.m.wikipedia.org/wiki/Dramatic_structure), etc... I've found <https://www.helpingwritersbecomeauthors.com/story-structures/> but", "found in the link above. For all I know this is too much", "a fun task for a non native English speaker). At the end of", "of the day I would need the open source story (short, novel, play,", "story structure](https://thewritingkylie.com/blog/the-basics-of-the-seven-point-story-structure-and-how-to-use-it), or [wikipedia dramatic structure](https://en.m.wikipedia.org/wiki/Dramatic_structure), etc... I've found <https://www.helpingwritersbecomeauthors.com/story-structures/> but I was", "above. For all I know this is too much of a subjective question", "for something less articulate. Something that would break it down by chapters or", "I know this is too much of a subjective question to be boiled", "basics of the seven point story structure](https://thewritingkylie.com/blog/the-basics-of-the-seven-point-story-structure-and-how-to-use-it), or [wikipedia dramatic structure](https://en.m.wikipedia.org/wiki/Dramatic_structure), etc... I've", "At the end of the day I would need the open source story", "break it down by chapters or some other dry quantitative metric instead of", "that would break it down by chapters or some other dry quantitative metric", "the qualitative / descriptive one found in the link above. For all I", "boiled down as I'm asking (if so I'll need to do it manually", "of a subjective question to be boiled down as I'm asking (if so", "be boiled down as I'm asking (if so I'll need to do it", "speaker). At the end of the day I would need the open source", "something less articulate. Something that would break it down by chapters or some", "looking for a location where I can find stories broken down by structure.", "broken down by structure. I.e. [The basics of the seven point story structure](https://thewritingkylie.com/blog/the-basics-of-the-seven-point-story-structure-and-how-to-use-it),", "is too much of a subjective question to be boiled down as I'm", "play, ...) and some way of telling when the structure changes (climax, Rising", "non native English speaker). At the end of the day I would need", "open source story (short, novel, play, ...) and some way of telling when", "etc... I've found <https://www.helpingwritersbecomeauthors.com/story-structures/> but I was looking for something less articulate. Something", "it down by chapters or some other dry quantitative metric instead of the", "other dry quantitative metric instead of the qualitative / descriptive one found in", "asking (if so I'll need to do it manually and it won't be", "/ descriptive one found in the link above. For all I know this", "fun task for a non native English speaker). At the end of the", "source story (short, novel, play, ...) and some way of telling when the", "I was looking for something less articulate. Something that would break it down", "the end of the day I would need the open source story (short,", "some other dry quantitative metric instead of the qualitative / descriptive one found", "...) and some way of telling when the structure changes (climax, Rising action,", "chapters or some other dry quantitative metric instead of the qualitative / descriptive", "but I was looking for something less articulate. Something that would break it", "down by structure. I.e. [The basics of the seven point story structure](https://thewritingkylie.com/blog/the-basics-of-the-seven-point-story-structure-and-how-to-use-it), or", "by structure. I.e. [The basics of the seven point story structure](https://thewritingkylie.com/blog/the-basics-of-the-seven-point-story-structure-and-how-to-use-it), or [wikipedia", "and some way of telling when the structure changes (climax, Rising action, Exposition,", "be a fun task for a non native English speaker). At the end", "some way of telling when the structure changes (climax, Rising action, Exposition, ...).", "project I'm looking for a location where I can find stories broken down", "subjective question to be boiled down as I'm asking (if so I'll need", "for my next project I'm looking for a location where I can find", "For all I know this is too much of a subjective question to", "data scientist and for my next project I'm looking for a location where", "less articulate. Something that would break it down by chapters or some other", "task for a non native English speaker). At the end of the day", "<https://www.helpingwritersbecomeauthors.com/story-structures/> but I was looking for something less articulate. Something that would break", "I.e. [The basics of the seven point story structure](https://thewritingkylie.com/blog/the-basics-of-the-seven-point-story-structure-and-how-to-use-it), or [wikipedia dramatic structure](https://en.m.wikipedia.org/wiki/Dramatic_structure),", "by chapters or some other dry quantitative metric instead of the qualitative /", "the open source story (short, novel, play, ...) and some way of telling", "the day I would need the open source story (short, novel, play, ...)", "for a location where I can find stories broken down by structure. I.e.", "the seven point story structure](https://thewritingkylie.com/blog/the-basics-of-the-seven-point-story-structure-and-how-to-use-it), or [wikipedia dramatic structure](https://en.m.wikipedia.org/wiki/Dramatic_structure), etc... I've found <https://www.helpingwritersbecomeauthors.com/story-structures/>", "to be boiled down as I'm asking (if so I'll need to do", "story (short, novel, play, ...) and some way of telling when the structure", "much of a subjective question to be boiled down as I'm asking (if", "for a non native English speaker). At the end of the day I", "down by chapters or some other dry quantitative metric instead of the qualitative", "of the qualitative / descriptive one found in the link above. For all", "I've found <https://www.helpingwritersbecomeauthors.com/story-structures/> but I was looking for something less articulate. Something that", "structure](https://thewritingkylie.com/blog/the-basics-of-the-seven-point-story-structure-and-how-to-use-it), or [wikipedia dramatic structure](https://en.m.wikipedia.org/wiki/Dramatic_structure), etc... I've found <https://www.helpingwritersbecomeauthors.com/story-structures/> but I was looking", "found <https://www.helpingwritersbecomeauthors.com/story-structures/> but I was looking for something less articulate. Something that would", "this is too much of a subjective question to be boiled down as", "it won't be a fun task for a non native English speaker). At", "too much of a subjective question to be boiled down as I'm asking", "(if so I'll need to do it manually and it won't be a", "I can find stories broken down by structure. I.e. [The basics of the", "novel, play, ...) and some way of telling when the structure changes (climax,", "(short, novel, play, ...) and some way of telling when the structure changes", "[wikipedia dramatic structure](https://en.m.wikipedia.org/wiki/Dramatic_structure), etc... I've found <https://www.helpingwritersbecomeauthors.com/story-structures/> but I was looking for something", "down as I'm asking (if so I'll need to do it manually and", "instead of the qualitative / descriptive one found in the link above. For", "descriptive one found in the link above. For all I know this is", "know this is too much of a subjective question to be boiled down", "point story structure](https://thewritingkylie.com/blog/the-basics-of-the-seven-point-story-structure-and-how-to-use-it), or [wikipedia dramatic structure](https://en.m.wikipedia.org/wiki/Dramatic_structure), etc... I've found <https://www.helpingwritersbecomeauthors.com/story-structures/> but I", "Something that would break it down by chapters or some other dry quantitative", "one found in the link above. For all I know this is too", "articulate. Something that would break it down by chapters or some other dry", "or [wikipedia dramatic structure](https://en.m.wikipedia.org/wiki/Dramatic_structure), etc... I've found <https://www.helpingwritersbecomeauthors.com/story-structures/> but I was looking for", "would break it down by chapters or some other dry quantitative metric instead", "end of the day I would need the open source story (short, novel,", "question to be boiled down as I'm asking (if so I'll need to", "and for my next project I'm looking for a location where I can", "qualitative / descriptive one found in the link above. For all I know", "all I know this is too much of a subjective question to be", "was looking for something less articulate. Something that would break it down by", "a data scientist and for my next project I'm looking for a location", "a location where I can find stories broken down by structure. I.e. [The", "stories broken down by structure. I.e. [The basics of the seven point story", "link above. For all I know this is too much of a subjective", "scientist and for my next project I'm looking for a location where I", "so I'll need to do it manually and it won't be a fun", "would need the open source story (short, novel, play, ...) and some way", "as I'm asking (if so I'll need to do it manually and it", "need to do it manually and it won't be a fun task for", "I would need the open source story (short, novel, play, ...) and some", "can find stories broken down by structure. I.e. [The basics of the seven", "dry quantitative metric instead of the qualitative / descriptive one found in the", "day I would need the open source story (short, novel, play, ...) and", "to do it manually and it won't be a fun task for a", "the link above. For all I know this is too much of a", "metric instead of the qualitative / descriptive one found in the link above.", "quantitative metric instead of the qualitative / descriptive one found in the link", "of the seven point story structure](https://thewritingkylie.com/blog/the-basics-of-the-seven-point-story-structure-and-how-to-use-it), or [wikipedia dramatic structure](https://en.m.wikipedia.org/wiki/Dramatic_structure), etc... I've found", "I'll need to do it manually and it won't be a fun task", "[The basics of the seven point story structure](https://thewritingkylie.com/blog/the-basics-of-the-seven-point-story-structure-and-how-to-use-it), or [wikipedia dramatic structure](https://en.m.wikipedia.org/wiki/Dramatic_structure), etc...", "my next project I'm looking for a location where I can find stories", "in the link above. For all I know this is too much of", "a non native English speaker). At the end of the day I would" ]
[ "that writers groups can end up confusing writers as their purpose is to", "knew who was saying what and to whom and that good writers use", "submitted the first eighteen pages of my work and also sent the same", "said that writers groups can end up confusing writers as their purpose is", "too often (4300 occurrences in nearly 300k words). However, my cousin remarked that", "at AuthorHouse told me nothing disturbed his immersion and he wants to read", "because the characters sound the same. I don’t think that they do. I", "the first eighteen pages of my work and also sent the same file", "work and also sent the same file to a publisher at AuthorHouse. The", "I need more identifiers because the characters sound the same. I don’t think", "to simplify my language and reword certain passages. I was told that I", "occurrences in nearly 300k words). However, my cousin remarked that I used the", "that good writers use minimal identifiers. He also said that writers groups can", "of my work and also sent the same file to a publisher at", "a writers group that meets every three weeks. I submitted the first eighteen", "I used the word unremarkable four times in one paragraph (I asked him", "don’t think that they do. I was told to simplify my language and", "every three weeks. I submitted the first eighteen pages of my work and", "same file to a publisher at AuthorHouse. The writers group had varied opinions", "the word unremarkable four times in one paragraph (I asked him if I", "three weeks. I submitted the first eighteen pages of my work and also", "more identifiers because the characters sound the same. I don’t think that they", "joined a writers group that meets every three weeks. I submitted the first", "to tear it apart looking for mistakes. Not to worry. How much weight", "group had varied opinions including I need more identifiers because the characters sound", "that they do. I was told to simplify my language and reword certain", "The writers group had varied opinions including I need more identifiers because the", "it apart looking for mistakes. Not to worry. How much weight would one", "writers as their purpose is to tear it apart looking for mistakes. Not", "use that too often (4300 occurrences in nearly 300k words). However, my cousin", "used the word unremarkable four times in one paragraph (I asked him if", "wants to read more. He said he always knew who was saying what", "much weight would one give the critique? I know it is feedback and", "However, my cousin remarked that I used the word unremarkable four times in", "identifiers because the characters sound the same. I don’t think that they do.", "I don’t think that they do. I was told to simplify my language", "opinions including I need more identifiers because the characters sound the same. I", "times in one paragraph (I asked him if I used that too often).", "he wants to read more. He said he always knew who was saying", "remarked that I used the word unremarkable four times in one paragraph (I", "he always knew who was saying what and to whom and that good", "I was told that I use that too often (4300 occurrences in nearly", "up confusing writers as their purpose is to tear it apart looking for", "my language and reword certain passages. I was told that I use that", "too often). The gentleman at AuthorHouse told me nothing disturbed his immersion and", "I joined a writers group that meets every three weeks. I submitted the", "for mistakes. Not to worry. How much weight would one give the critique?", "language and reword certain passages. I was told that I use that too", "and that good writers use minimal identifiers. He also said that writers groups", "word unremarkable four times in one paragraph (I asked him if I used", "me nothing disturbed his immersion and he wants to read more. He said", "to worry. How much weight would one give the critique? I know it", "including I need more identifiers because the characters sound the same. I don’t", "first eighteen pages of my work and also sent the same file to", "would one give the critique? I know it is feedback and completely optional.", "300k words). However, my cousin remarked that I used the word unremarkable four", "(I asked him if I used that too often). The gentleman at AuthorHouse", "also said that writers groups can end up confusing writers as their purpose", "told me nothing disturbed his immersion and he wants to read more. He", "to read more. He said he always knew who was saying what and", "their purpose is to tear it apart looking for mistakes. Not to worry.", "was told to simplify my language and reword certain passages. I was told", "pages of my work and also sent the same file to a publisher", "passages. I was told that I use that too often (4300 occurrences in", "that too often (4300 occurrences in nearly 300k words). However, my cousin remarked", "use minimal identifiers. He also said that writers groups can end up confusing", "often (4300 occurrences in nearly 300k words). However, my cousin remarked that I", "Not to worry. How much weight would one give the critique? I know", "and reword certain passages. I was told that I use that too often", "tear it apart looking for mistakes. Not to worry. How much weight would", "that meets every three weeks. I submitted the first eighteen pages of my", "in one paragraph (I asked him if I used that too often). The", "confusing writers as their purpose is to tear it apart looking for mistakes.", "reword certain passages. I was told that I use that too often (4300", "He also said that writers groups can end up confusing writers as their", "him if I used that too often). The gentleman at AuthorHouse told me", "sound the same. I don’t think that they do. I was told to", "I submitted the first eighteen pages of my work and also sent the", "eighteen pages of my work and also sent the same file to a", "group that meets every three weeks. I submitted the first eighteen pages of", "to a publisher at AuthorHouse. The writers group had varied opinions including I", "was told that I use that too often (4300 occurrences in nearly 300k", "paragraph (I asked him if I used that too often). The gentleman at", "nothing disturbed his immersion and he wants to read more. He said he", "(4300 occurrences in nearly 300k words). However, my cousin remarked that I used", "I was told to simplify my language and reword certain passages. I was", "can end up confusing writers as their purpose is to tear it apart", "writers group that meets every three weeks. I submitted the first eighteen pages", "and he wants to read more. He said he always knew who was", "saying what and to whom and that good writers use minimal identifiers. He", "whom and that good writers use minimal identifiers. He also said that writers", "at AuthorHouse. The writers group had varied opinions including I need more identifiers", "that I use that too often (4300 occurrences in nearly 300k words). However,", "a publisher at AuthorHouse. The writers group had varied opinions including I need", "the same. I don’t think that they do. I was told to simplify", "writers groups can end up confusing writers as their purpose is to tear", "I used that too often). The gentleman at AuthorHouse told me nothing disturbed", "and also sent the same file to a publisher at AuthorHouse. The writers", "his immersion and he wants to read more. He said he always knew", "always knew who was saying what and to whom and that good writers", "used that too often). The gentleman at AuthorHouse told me nothing disturbed his", "identifiers. He also said that writers groups can end up confusing writers as", "as their purpose is to tear it apart looking for mistakes. Not to", "also sent the same file to a publisher at AuthorHouse. The writers group", "to whom and that good writers use minimal identifiers. He also said that", "The gentleman at AuthorHouse told me nothing disturbed his immersion and he wants", "writers use minimal identifiers. He also said that writers groups can end up", "I use that too often (4300 occurrences in nearly 300k words). However, my", "the same file to a publisher at AuthorHouse. The writers group had varied", "what and to whom and that good writers use minimal identifiers. He also", "weight would one give the critique? I know it is feedback and completely", "is to tear it apart looking for mistakes. Not to worry. How much", "apart looking for mistakes. Not to worry. How much weight would one give", "asked him if I used that too often). The gentleman at AuthorHouse told", "immersion and he wants to read more. He said he always knew who", "one paragraph (I asked him if I used that too often). The gentleman", "read more. He said he always knew who was saying what and to", "told that I use that too often (4300 occurrences in nearly 300k words).", "they do. I was told to simplify my language and reword certain passages.", "who was saying what and to whom and that good writers use minimal", "the characters sound the same. I don’t think that they do. I was", "had varied opinions including I need more identifiers because the characters sound the", "often). The gentleman at AuthorHouse told me nothing disturbed his immersion and he", "purpose is to tear it apart looking for mistakes. Not to worry. How", "He said he always knew who was saying what and to whom and", "end up confusing writers as their purpose is to tear it apart looking", "publisher at AuthorHouse. The writers group had varied opinions including I need more", "nearly 300k words). However, my cousin remarked that I used the word unremarkable", "cousin remarked that I used the word unremarkable four times in one paragraph", "minimal identifiers. He also said that writers groups can end up confusing writers", "disturbed his immersion and he wants to read more. He said he always", "writers group had varied opinions including I need more identifiers because the characters", "unremarkable four times in one paragraph (I asked him if I used that", "words). However, my cousin remarked that I used the word unremarkable four times", "my cousin remarked that I used the word unremarkable four times in one", "need more identifiers because the characters sound the same. I don’t think that", "certain passages. I was told that I use that too often (4300 occurrences", "varied opinions including I need more identifiers because the characters sound the same.", "was saying what and to whom and that good writers use minimal identifiers.", "looking for mistakes. Not to worry. How much weight would one give the", "that I used the word unremarkable four times in one paragraph (I asked", "AuthorHouse. The writers group had varied opinions including I need more identifiers because", "meets every three weeks. I submitted the first eighteen pages of my work", "in nearly 300k words). However, my cousin remarked that I used the word", "four times in one paragraph (I asked him if I used that too", "weeks. I submitted the first eighteen pages of my work and also sent", "sent the same file to a publisher at AuthorHouse. The writers group had", "think that they do. I was told to simplify my language and reword", "same. I don’t think that they do. I was told to simplify my", "worry. How much weight would one give the critique? I know it is", "do. I was told to simplify my language and reword certain passages. I", "my work and also sent the same file to a publisher at AuthorHouse.", "How much weight would one give the critique? I know it is feedback", "groups can end up confusing writers as their purpose is to tear it", "more. He said he always knew who was saying what and to whom", "and to whom and that good writers use minimal identifiers. He also said", "simplify my language and reword certain passages. I was told that I use", "characters sound the same. I don’t think that they do. I was told", "told to simplify my language and reword certain passages. I was told that", "if I used that too often). The gentleman at AuthorHouse told me nothing", "file to a publisher at AuthorHouse. The writers group had varied opinions including", "said he always knew who was saying what and to whom and that", "that too often). The gentleman at AuthorHouse told me nothing disturbed his immersion", "AuthorHouse told me nothing disturbed his immersion and he wants to read more.", "mistakes. Not to worry. How much weight would one give the critique? I", "gentleman at AuthorHouse told me nothing disturbed his immersion and he wants to", "good writers use minimal identifiers. He also said that writers groups can end" ]
[ "between 1750 - 2000). I would like to understand the evolution of what", "be able to adapt the writing style as well. So far: I just", "the absence of European equivalents. The reason: I am working on a short", "pre-date Strunk and White's The Elements of Style (possibly in the period between", "the evolution of what was taught to be good style in written English", "of that time. [Note: keeping in mind that learning writers might have been", "am working on a short novel where I have a long-lived character (born", "it. I can safely alter word usage to give a feeling of older", "time. [Note: keeping in mind that learning writers might have been far from", "am looking for the representative references on writing style in English that would", "epistolary correspondence. The MC is convinced that there is a treasure hidden amidst", "lazily through period texts. However, rather than imitate specific authors, I was hoping", "correspondence. The MC is convinced that there is a treasure hidden amidst all", "writer of that time. [Note: keeping in mind that learning writers might have", "I am looking for the representative references on writing style in English that", "- dead 2000), who is described through her epistolary correspondence. The MC is", "was hoping I could put myself in the mindset of an \"average\" learning", "Strunk and White's The Elements of Style (possibly in the period between 1750", "in the mindset of an \"average\" learning writer of that time. [Note: keeping", "understand the evolution of what was taught to be good style in written", "1750 - 2000). I would like to understand the evolution of what was", "mindset of an \"average\" learning writer of that time. [Note: keeping in mind", "keeping in mind that learning writers might have been far from average in", "English is also welcome in the absence of European equivalents. The reason: I", "So far: I just browsed lazily through period texts. However, rather than imitate", "but American English is also welcome in the absence of European equivalents. The", "to be good style in written English before the only book on the", "I know of. British English references would be preferable, but American English is", "European equivalents. The reason: I am working on a short novel where I", "to it. I can safely alter word usage to give a feeling of", "style as well. So far: I just browsed lazily through period texts. However,", "Style* (possibly in the period between 1750 - 2000). I would like to", "and White's The Elements of Style (possibly in the period between 1750 -", "before the only book on the topic that I know of. British English", "equivalents. The reason: I am working on a short novel where I have", "that I know of. British English references would be preferable, but American English", "for the representative references on writing style in English that would pre-date Strunk", "to adapt the writing style as well. So far: I just browsed lazily", "writing style as well. So far: I just browsed lazily through period texts.", "that time. [Note: keeping in mind that learning writers might have been far", "on a short novel where I have a long-lived character (born 1750 -", "written English before the only book on the topic that I know of.", "of flavour to it. I can safely alter word usage to give a", "safely alter word usage to give a feeling of older times. I was", "rather than imitate specific authors, I was hoping I could put myself in", "dead 2000), who is described through her epistolary correspondence. The MC is convinced", "The reason: I am working on a short novel where I have a", "2000). I would like to understand the evolution of what was taught to", "style in written English before the only book on the topic that I", "there is a treasure hidden amidst all these letters. I wanted to give", "give a bit of flavour to it. I can safely alter word usage", "to give a bit of flavour to it. I can safely alter word", "have a long-lived character (born 1750 - dead 2000), who is described through", "hoping to be able to adapt the writing style as well. So far:", "the mindset of an \"average\" learning writer of that time. [Note: keeping in", "character (born 1750 - dead 2000), who is described through her epistolary correspondence.", "I was hoping to be able to adapt the writing style as well.", "evolution of what was taught to be good style in written English before", "in the period between 1750 - 2000). I would like to understand the", "through her epistolary correspondence. The MC is convinced that there is a treasure", "just browsed lazily through period texts. However, rather than imitate specific authors, I", "who is described through her epistolary correspondence. The MC is convinced that there", "texts. However, rather than imitate specific authors, I was hoping I could put", "I was hoping I could put myself in the mindset of an \"average\"", "well. So far: I just browsed lazily through period texts. However, rather than", "the representative references on writing style in English that would pre-date Strunk and", "could put myself in the mindset of an \"average\" learning writer of that", "[Note: keeping in mind that learning writers might have been far from average", "of European equivalents. The reason: I am working on a short novel where", "letters. I wanted to give a bit of flavour to it. I can", "was taught to be good style in written English before the only book", "times. I was hoping to be able to adapt the writing style as", "good style in written English before the only book on the topic that", "a feeling of older times. I was hoping to be able to adapt", "what was taught to be good style in written English before the only", "novel where I have a long-lived character (born 1750 - dead 2000), who", "period texts. However, rather than imitate specific authors, I was hoping I could", "However, rather than imitate specific authors, I was hoping I could put myself", "through period texts. However, rather than imitate specific authors, I was hoping I", "references on writing style in English that would pre-date Strunk and White's The", "I am working on a short novel where I have a long-lived character", "feeling of older times. I was hoping to be able to adapt the", "a short novel where I have a long-lived character (born 1750 - dead", "able to adapt the writing style as well. So far: I just browsed", "short novel where I have a long-lived character (born 1750 - dead 2000),", "that would pre-date Strunk and White's The Elements of Style* (possibly in the", "bit of flavour to it. I can safely alter word usage to give", "alter word usage to give a feeling of older times. I was hoping", "White's The Elements of Style (possibly in the period between 1750 - 2000).", "of what was taught to be good style in written English before the", "older times. I was hoping to be able to adapt the writing style", "adapt the writing style as well. So far: I just browsed lazily through", "a long-lived character (born 1750 - dead 2000), who is described through her", "to understand the evolution of what was taught to be good style in", "book on the topic that I know of. British English references would be", "British English references would be preferable, but American English is also welcome in", "imitate specific authors, I was hoping I could put myself in the mindset", "1750 - dead 2000), who is described through her epistolary correspondence. The MC", "the period between 1750 - 2000). I would like to understand the evolution", "also welcome in the absence of European equivalents. The reason: I am working", "specific authors, I was hoping I could put myself in the mindset of", "is a treasure hidden amidst all these letters. I wanted to give a", "in English that would pre-date Strunk and White's The Elements of Style (possibly", "would pre-date Strunk and White's The Elements of Style (possibly in the period", "in the absence of European equivalents. The reason: I am working on a", "know of. British English references would be preferable, but American English is also", "I can safely alter word usage to give a feeling of older times.", "an \"average\" learning writer of that time. [Note: keeping in mind that learning", "I have a long-lived character (born 1750 - dead 2000), who is described", "would like to understand the evolution of what was taught to be good", "described through her epistolary correspondence. The MC is convinced that there is a", "far: I just browsed lazily through period texts. However, rather than imitate specific", "2000), who is described through her epistolary correspondence. The MC is convinced that", "word usage to give a feeling of older times. I was hoping to", "her epistolary correspondence. The MC is convinced that there is a treasure hidden", "hidden amidst all these letters. I wanted to give a bit of flavour", "the writing style as well. So far: I just browsed lazily through period", "welcome in the absence of European equivalents. The reason: I am working on", "convinced that there is a treasure hidden amidst all these letters. I wanted", "English before the only book on the topic that I know of. British", "American English is also welcome in the absence of European equivalents. The reason:", "a treasure hidden amidst all these letters. I wanted to give a bit", "style in English that would pre-date Strunk and White's The Elements of Style", "taught to be good style in written English before the only book on", "where I have a long-lived character (born 1750 - dead 2000), who is", "in mind that learning writers might have been far from average in the", "would be preferable, but American English is also welcome in the absence of", "wanted to give a bit of flavour to it. I can safely alter", "(born 1750 - dead 2000), who is described through her epistolary correspondence. The", "authors, I was hoping I could put myself in the mindset of an", "The Elements of Style (possibly in the period between 1750 - 2000). I", "absence of European equivalents. The reason: I am working on a short novel", "can safely alter word usage to give a feeling of older times. I", "on writing style in English that would pre-date Strunk and White's The Elements", "is convinced that there is a treasure hidden amidst all these letters. I", "was hoping to be able to adapt the writing style as well. So", "put myself in the mindset of an \"average\" learning writer of that time.", "The MC is convinced that there is a treasure hidden amidst all these", "is also welcome in the absence of European equivalents. The reason: I am", "long-lived character (born 1750 - dead 2000), who is described through her epistolary", "treasure hidden amidst all these letters. I wanted to give a bit of", "to give a feeling of older times. I was hoping to be able", "representative references on writing style in English that would pre-date Strunk and White's", "only book on the topic that I know of. British English references would", "give a feeling of older times. I was hoping to be able to", "of. British English references would be preferable, but American English is also welcome", "preferable, but American English is also welcome in the absence of European equivalents.", "usage to give a feeling of older times. I was hoping to be", "to be able to adapt the writing style as well. So far: I", "references would be preferable, but American English is also welcome in the absence", "I could put myself in the mindset of an \"average\" learning writer of", "learning writer of that time. [Note: keeping in mind that learning writers might", "working on a short novel where I have a long-lived character (born 1750", "all these letters. I wanted to give a bit of flavour to it.", "as well. So far: I just browsed lazily through period texts. However, rather", "that there is a treasure hidden amidst all these letters. I wanted to", "flavour to it. I can safely alter word usage to give a feeling", "period between 1750 - 2000). I would like to understand the evolution of", "of an \"average\" learning writer of that time. [Note: keeping in mind that", "English that would pre-date Strunk and White's The Elements of Style* (possibly in", "like to understand the evolution of what was taught to be good style", "reason: I am working on a short novel where I have a long-lived", "hoping I could put myself in the mindset of an \"average\" learning writer", "a bit of flavour to it. I can safely alter word usage to", "(possibly in the period between 1750 - 2000). I would like to understand", "the only book on the topic that I know of. British English references", "these letters. I wanted to give a bit of flavour to it. I", "- 2000). I would like to understand the evolution of what was taught", "on the topic that I know of. British English references would be preferable,", "I wanted to give a bit of flavour to it. I can safely", "mind that learning writers might have been far from average in the past]", "I would like to understand the evolution of what was taught to be", "writing style in English that would pre-date Strunk and White's The Elements of", "in written English before the only book on the topic that I know", "than imitate specific authors, I was hoping I could put myself in the", "is described through her epistolary correspondence. The MC is convinced that there is", "MC is convinced that there is a treasure hidden amidst all these letters.", "amidst all these letters. I wanted to give a bit of flavour to", "Elements of Style (possibly in the period between 1750 - 2000). I would", "English references would be preferable, but American English is also welcome in the", "I just browsed lazily through period texts. However, rather than imitate specific authors,", "\"average\" learning writer of that time. [Note: keeping in mind that learning writers", "myself in the mindset of an \"average\" learning writer of that time. [Note:", "of older times. I was hoping to be able to adapt the writing", "the topic that I know of. British English references would be preferable, but", "topic that I know of. British English references would be preferable, but American", "browsed lazily through period texts. However, rather than imitate specific authors, I was", "be good style in written English before the only book on the topic", "of Style* (possibly in the period between 1750 - 2000). I would like", "be preferable, but American English is also welcome in the absence of European", "looking for the representative references on writing style in English that would pre-date" ]
[ "sitting on a fortune\" > > > At face value they just seem", "here. > > > but it does not quite stand the comparison. Am", "it does not quite stand the comparison. Am I being too strict in", "of these clickbaits (or some variation thereof): > > \"single mom discovers the", "> At face value they just seem cheap psychological tricks. They place the", "> or > > \"billionaires don't want you to know this secret\" >", "> If you want to be really famous you only have to click", "certain group, and they suggest that membership can be attained with the only", "thereof): > > \"single mom discovers the meaning of life with a simple", "> > \"the 10 things that only real survivors do\" > > >", "> > but it does not quite stand the comparison. Am I being", "things that only real survivors do\" > > > or > > \"you", "all have seen at least one of these clickbaits (or some variation thereof):", "> > If you want to be really famous you only have to", "the only effort of clicking somewhere. As a test I wrote: > >", "\"you could be sitting on a fortune\" > > > At face value", "or > > \"the 10 things that only real survivors do\" > >", "secret\" > > > or > > \"the 10 things that only real", "clicking somewhere. As a test I wrote: > > If you want to", "don't want you to know this secret\" > > > or > >", "They place the reader in the position to wish to belong to a", "you to know this secret\" > > > or > > \"the 10", "at least one of these clickbaits (or some variation thereof): > > \"single", "real survivors do\" > > > or > > \"you could be sitting", "> > > At face value they just seem cheap psychological tricks. They", "of clicking somewhere. As a test I wrote: > > If you want", "with the only effort of clicking somewhere. As a test I wrote: >", "simple trick\" > > > or > > \"billionaires don't want you to", "this secret\" > > > or > > \"the 10 things that only", "face value they just seem cheap psychological tricks. They place the reader in", "effort of clicking somewhere. As a test I wrote: > > If you", "can be attained with the only effort of clicking somewhere. As a test", "seem cheap psychological tricks. They place the reader in the position to wish", "strict in judging my own clickbait, or is there a deeper art to", "> > > or > > \"you could be sitting on a fortune\"", "that only real survivors do\" > > > or > > \"you could", "only have to click here. > > > but it does not quite", "place the reader in the position to wish to belong to a certain", "one of these clickbaits (or some variation thereof): > > \"single mom discovers", "> > or > > \"you could be sitting on a fortune\" >", "As a test I wrote: > > If you want to be really", "\"billionaires don't want you to know this secret\" > > > or >", "suggest that membership can be attained with the only effort of clicking somewhere.", "survivors do\" > > > or > > \"you could be sitting on", "\"single mom discovers the meaning of life with a simple trick\" > >", "click here. > > > but it does not quite stand the comparison.", "a certain group, and they suggest that membership can be attained with the", "to a certain group, and they suggest that membership can be attained with", "> > At face value they just seem cheap psychological tricks. They place", "clickbaits (or some variation thereof): > > \"single mom discovers the meaning of", "Am I being too strict in judging my own clickbait, or is there", "to click here. > > > but it does not quite stand the", "do\" > > > or > > \"you could be sitting on a", "of life with a simple trick\" > > > or > > \"billionaires", "> but it does not quite stand the comparison. Am I being too", "and they suggest that membership can be attained with the only effort of", "comparison. Am I being too strict in judging my own clickbait, or is", "the comparison. Am I being too strict in judging my own clickbait, or", "does not quite stand the comparison. Am I being too strict in judging", "stand the comparison. Am I being too strict in judging my own clickbait,", "or > > \"billionaires don't want you to know this secret\" > >", "> > or > > \"billionaires don't want you to know this secret\"", "> \"the 10 things that only real survivors do\" > > > or", "in judging my own clickbait, or is there a deeper art to crafting", "life with a simple trick\" > > > or > > \"billionaires don't", "least one of these clickbaits (or some variation thereof): > > \"single mom", "trick\" > > > or > > \"billionaires don't want you to know", "> > > or > > \"billionaires don't want you to know this", "have to click here. > > > but it does not quite stand", "fortune\" > > > At face value they just seem cheap psychological tricks.", "group, and they suggest that membership can be attained with the only effort", "to wish to belong to a certain group, and they suggest that membership", "position to wish to belong to a certain group, and they suggest that", "be sitting on a fortune\" > > > At face value they just", "(or some variation thereof): > > \"single mom discovers the meaning of life", "> or > > \"the 10 things that only real survivors do\" >", "I wrote: > > If you want to be really famous you only", "meaning of life with a simple trick\" > > > or > >", "to know this secret\" > > > or > > \"the 10 things", "> or > > \"you could be sitting on a fortune\" > >", "famous you only have to click here. > > > but it does", "they just seem cheap psychological tricks. They place the reader in the position", "have seen at least one of these clickbaits (or some variation thereof): >", "> > or > > \"the 10 things that only real survivors do\"", "belong to a certain group, and they suggest that membership can be attained", "you want to be really famous you only have to click here. >", "just seem cheap psychological tricks. They place the reader in the position to", "quite stand the comparison. Am I being too strict in judging my own", "you only have to click here. > > > but it does not", "judging my own clickbait, or is there a deeper art to crafting it?", "to belong to a certain group, and they suggest that membership can be", "too strict in judging my own clickbait, or is there a deeper art", "but it does not quite stand the comparison. Am I being too strict", "a test I wrote: > > If you want to be really famous", "a simple trick\" > > > or > > \"billionaires don't want you", "test I wrote: > > If you want to be really famous you", "some variation thereof): > > \"single mom discovers the meaning of life with", "being too strict in judging my own clickbait, or is there a deeper", "really famous you only have to click here. > > > but it", "know this secret\" > > > or > > \"the 10 things that", "tricks. They place the reader in the position to wish to belong to", "they suggest that membership can be attained with the only effort of clicking", "the meaning of life with a simple trick\" > > > or >", "wrote: > > If you want to be really famous you only have", "or > > \"you could be sitting on a fortune\" > > >", "cheap psychological tricks. They place the reader in the position to wish to", "attained with the only effort of clicking somewhere. As a test I wrote:", "wish to belong to a certain group, and they suggest that membership can", "value they just seem cheap psychological tricks. They place the reader in the", "10 things that only real survivors do\" > > > or > >", "> \"you could be sitting on a fortune\" > > > At face", "At face value they just seem cheap psychological tricks. They place the reader", "discovers the meaning of life with a simple trick\" > > > or", "these clickbaits (or some variation thereof): > > \"single mom discovers the meaning", "> \"billionaires don't want you to know this secret\" > > > or", "\"the 10 things that only real survivors do\" > > > or >", "that membership can be attained with the only effort of clicking somewhere. As", "a fortune\" > > > At face value they just seem cheap psychological", "in the position to wish to belong to a certain group, and they", "the position to wish to belong to a certain group, and they suggest", "want to be really famous you only have to click here. > >", "We all have seen at least one of these clickbaits (or some variation", "want you to know this secret\" > > > or > > \"the", "membership can be attained with the only effort of clicking somewhere. As a", "be really famous you only have to click here. > > > but", "psychological tricks. They place the reader in the position to wish to belong", "only real survivors do\" > > > or > > \"you could be", "> \"single mom discovers the meaning of life with a simple trick\" >", "the reader in the position to wish to belong to a certain group,", "variation thereof): > > \"single mom discovers the meaning of life with a", "> > > but it does not quite stand the comparison. Am I", "on a fortune\" > > > At face value they just seem cheap", "be attained with the only effort of clicking somewhere. As a test I", "> > > or > > \"the 10 things that only real survivors", "somewhere. As a test I wrote: > > If you want to be", "If you want to be really famous you only have to click here.", "reader in the position to wish to belong to a certain group, and", "> > \"single mom discovers the meaning of life with a simple trick\"", "seen at least one of these clickbaits (or some variation thereof): > >", "only effort of clicking somewhere. As a test I wrote: > > If", "could be sitting on a fortune\" > > > At face value they", "to be really famous you only have to click here. > > >", "> > \"billionaires don't want you to know this secret\" > > >", "mom discovers the meaning of life with a simple trick\" > > >", "with a simple trick\" > > > or > > \"billionaires don't want", "> > \"you could be sitting on a fortune\" > > > At", "not quite stand the comparison. Am I being too strict in judging my", "I being too strict in judging my own clickbait, or is there a" ]
[ "them hate each other when they meet even though they are otherwise compatible", "when they meet even though they are otherwise compatible and they end up", "other. I’m not sure if all of these are stereotypes. But if they", "they meet even though they are otherwise compatible and they end up getting", "B but B is either oblivious, too focused on something else, or doesn’t", "has a panic attack and/or mental breakdown. * One or both people hiding", "claim to have very much experience with romance and clichés. But here are", "long to confess their affection and by that time B is in a", "them being committed to something else. * A waiting too long to confess", "by pretending they don’t like the other. I’m not sure if all of", "They’re in love from the start. * Getting together is blocked by one", "I can think of: * Something happens to make them hate each other", "experience with romance and clichés. But here are the ones I can think", "the romance is a subplot? Are any of these such common clichés/stereotypes that", "subplot? Are any of these such common clichés/stereotypes that they shouldn’t even be", "one or both of them being committed to something else. * A waiting", "so don’t claim to have very much experience with romance and clichés. But", "hate each other when they meet even though they are otherwise compatible and", "here are the ones I can think of: * Something happens to make", "But here are the ones I can think of: * Something happens to", "is either oblivious, too focused on something else, or doesn’t love them back.", "to one of them and the other flips out and has a panic", "the ones I can think of: * Something happens to make them hate", "or by one or both of them being committed to something else. ", "flips out and has a panic attack and/or mental breakdown. One or", "Are any of these such common clichés/stereotypes that they shouldn’t even be combined", "Can that still be accomplished when the romance is a subplot? Are any", "mental breakdown. * One or both people hiding their emotions by pretending they", "compatible and they end up getting together. * Third wheel * Love triangle", "by one or both of them being committed to something else. * A", "a panic attack and/or mental breakdown. * One or both people hiding their", "and/or mental breakdown. * One or both people hiding their emotions by pretending", "start. * Getting together is blocked by one of them already being in", "I’m not sure if all of these are stereotypes. But if they are,", "relationship. * They don’t even see each other as a potential love interest", "in love with B but B is either oblivious, too focused on something", "with B but B is either oblivious, too focused on something else, or", "they are, then I’m almost wondering what’s left. *Is a combination of these", "stereotypes. But if they are, then I’m almost* wondering what’s left. *Is a", "see each other as a potential love interest until something happens to one", "each other as a potential love interest until something happens to one of", "enough to avoid a cliché? Can that still be accomplished when the romance", "one of them already being in a relationship or by one or both", "people hiding their emotions by pretending they don’t like the other. I’m not", "is in love with B but B is either oblivious, too focused on", "something else. A waiting too long to confess their affection and by", "of them already being in a relationship or by one or both of", "until something happens to one of them and the other flips out and", "a cliché? Can that still be accomplished when the romance is a subplot?", "out and has a panic attack and/or mental breakdown. * One or both", "other flips out and has a panic attack and/or mental breakdown. * One", "don’t even see each other as a potential love interest until something happens", "of these such common clichés/stereotypes that they shouldn’t even be combined with something", "something else, or doesn’t love them back. * They’re in love from the", "is a subplot? Are any of these such common clichés/stereotypes that they shouldn’t", "a subplot? Are any of these such common clichés/stereotypes that they shouldn’t even", "* Love triangle * A is in love with B but B is", "But if they are, then I’m almost wondering what’s left. *Is a combination", "when the romance is a subplot? Are any of these such common clichés/stereotypes", "to confess their affection and by that time B is in a relationship.", "that time B is in a relationship. They don’t even see each", "can think of: * Something happens to make them hate each other when", "a relationship. * They don’t even see each other as a potential love", "or both people hiding their emotions by pretending they don’t like the other.", "and they end up getting together. * Third wheel * Love triangle ", "that still be accomplished when the romance is a subplot? Are any of", "A waiting too long to confess their affection and by that time B", "then I’m almost* wondering what’s left. *Is a combination of these enough to", "wheel Love triangle * A is in love with B but B", "make them hate each other when they meet even though they are otherwise", "is blocked by one of them already being in a relationship or by", "together is blocked by one of them already being in a relationship or", "of them and the other flips out and has a panic attack and/or", "One or both people hiding their emotions by pretending they don’t like the", "being committed to something else. * A waiting too long to confess their", "relationship or by one or both of them being committed to something else.", "are stereotypes. But if they are, then I’m almost wondering what’s left. Is", "too long to confess their affection and by that time B is in", "Is a combination of these enough to avoid a cliché? Can that still", "clichés. But here are the ones I can think of: * Something happens", "end up getting together. * Third wheel * Love triangle * A is", "and the other flips out and has a panic attack and/or mental breakdown.", "the other. I’m not sure if all of these are stereotypes. But if", "* Something happens to make them hate each other when they meet even", "don’t like the other. I’m not sure if all of these are stereotypes.", "* One or both people hiding their emotions by pretending they don’t like", "ones I can think of: * Something happens to make them hate each", "have read a couple romance books at most and so don’t claim to", "they end up getting together. * Third wheel * Love triangle * A", "one of them and the other flips out and has a panic attack", "by one of them already being in a relationship or by one or", "from the start. * Getting together is blocked by one of them already", "romance is a subplot? Are any of these such common clichés/stereotypes that they", "books at most and so don’t claim to have very much experience with", "are the ones I can think of: * Something happens to make them", "read a couple romance books at most and so don’t claim to have", "blocked by one of them already being in a relationship or by one", "else. * A waiting too long to confess their affection and by that", "their affection and by that time B is in a relationship. * They", "and clichés. But here are the ones I can think of: * Something", "these are stereotypes. But if they are, then I’m almost wondering what’s left.", "avoid a cliché? Can that still be accomplished when the romance is a", "* Third wheel * Love triangle * A is in love with B", "love with B but B is either oblivious, too focused on something else,", "not sure if all of these are stereotypes. But if they are, then", "other when they meet even though they are otherwise compatible and they end", "They don’t even see each other as a potential love interest until something", "don’t claim to have very much experience with romance and clichés. But here", "them back. * They’re in love from the start. * Getting together is", "have very much experience with romance and clichés. But here are the ones", "* A waiting too long to confess their affection and by that time", "each other when they meet even though they are otherwise compatible and they", "doesn’t love them back. * They’re in love from the start. * Getting", "being in a relationship or by one or both of them being committed", "Third wheel * Love triangle * A is in love with B but", "and so don’t claim to have very much experience with romance and clichés.", "of them being committed to something else. * A waiting too long to", "of these enough to avoid a cliché? Can that still be accomplished when", "oblivious, too focused on something else, or doesn’t love them back. * They’re", "with romance and clichés. But here are the ones I can think of:", "other as a potential love interest until something happens to one of them", "these such common clichés/stereotypes that they shouldn’t even be combined with something else?*", "a combination of these enough to avoid a cliché? Can that still be", "time B is in a relationship. They don’t even see each other", "potential love interest until something happens to one of them and the other", "either oblivious, too focused on something else, or doesn’t love them back. ", "are otherwise compatible and they end up getting together. Third wheel ", "getting together. Third wheel * Love triangle * A is in love", "love interest until something happens to one of them and the other flips", "B is in a relationship. * They don’t even see each other as", "by that time B is in a relationship. * They don’t even see", "as a potential love interest until something happens to one of them and", "think of: * Something happens to make them hate each other when they", "wondering what’s left. *Is a combination of these enough to avoid a cliché?", "couple romance books at most and so don’t claim to have very much", "almost* wondering what’s left. *Is a combination of these enough to avoid a", "still be accomplished when the romance is a subplot? Are any of these", "like the other. I’m not sure if all of these are stereotypes. But", "something happens to one of them and the other flips out and has", "triangle A is in love with B but B is either oblivious,", "them already being in a relationship or by one or both of them", "attack and/or mental breakdown. * One or both people hiding their emotions by", "otherwise compatible and they end up getting together. * Third wheel * Love", "B is either oblivious, too focused on something else, or doesn’t love them", "interest until something happens to one of them and the other flips out", "happens to make them hate each other when they meet even though they", "confess their affection and by that time B is in a relationship. ", "though they are otherwise compatible and they end up getting together. Third", "I have read a couple romance books at most and so don’t claim", "left. Is a combination of these enough to avoid a cliché? Can that", "what’s left. Is a combination of these enough to avoid a cliché? Can", "any of these such common clichés/stereotypes that they shouldn’t even be combined with", "even though they are otherwise compatible and they end up getting together. ", "all of these are stereotypes. But if they are, then I’m almost* wondering", "to have very much experience with romance and clichés. But here are the", "back. * They’re in love from the start. * Getting together is blocked", "be accomplished when the romance is a subplot? Are any of these such", "panic attack and/or mental breakdown. * One or both people hiding their emotions", "very much experience with romance and clichés. But here are the ones I", "their emotions by pretending they don’t like the other. I’m not sure if", "is in a relationship. * They don’t even see each other as a", "to make them hate each other when they meet even though they are", "affection and by that time B is in a relationship. * They don’t", "love them back. * They’re in love from the start. * Getting together", "sure if all of these are stereotypes. But if they are, then I’m", "on something else, or doesn’t love them back. * They’re in love from", "of these are stereotypes. But if they are, then I’m almost wondering what’s", "* They don’t even see each other as a potential love interest until", "Something happens to make them hate each other when they meet even though", "they are otherwise compatible and they end up getting together. * Third wheel", "hiding their emotions by pretending they don’t like the other. I’m not sure", "and by that time B is in a relationship. * They don’t even", "up getting together. * Third wheel * Love triangle * A is in", "but B is either oblivious, too focused on something else, or doesn’t love", "happens to one of them and the other flips out and has a", "else, or doesn’t love them back. * They’re in love from the start.", "a couple romance books at most and so don’t claim to have very", "are, then I’m almost wondering what’s left. *Is a combination of these enough", "waiting too long to confess their affection and by that time B is", "if all of these are stereotypes. But if they are, then I’m almost", "romance and clichés. But here are the ones I can think of: ", "much experience with romance and clichés. But here are the ones I can", "even see each other as a potential love interest until something happens to", "cliché? Can that still be accomplished when the romance is a subplot? Are", "both people hiding their emotions by pretending they don’t like the other. I’m", "already being in a relationship or by one or both of them being", "to avoid a cliché? Can that still be accomplished when the romance is", "together. * Third wheel * Love triangle * A is in love with", "most and so don’t claim to have very much experience with romance and", "love from the start. * Getting together is blocked by one of them", "in a relationship or by one or both of them being committed to", "Love triangle * A is in love with B but B is either", "combination of these enough to avoid a cliché? Can that still be accomplished", "and has a panic attack and/or mental breakdown. * One or both people", "* They’re in love from the start. * Getting together is blocked by", "Getting together is blocked by one of them already being in a relationship", "them and the other flips out and has a panic attack and/or mental", "focused on something else, or doesn’t love them back. * They’re in love", "meet even though they are otherwise compatible and they end up getting together.", "romance books at most and so don’t claim to have very much experience", "committed to something else. * A waiting too long to confess their affection", "at most and so don’t claim to have very much experience with romance", "I’m almost wondering what’s left. *Is a combination of these enough to avoid", "A is in love with B but B is either oblivious, too focused", "a relationship or by one or both of them being committed to something", "both of them being committed to something else. A waiting too long", "or both of them being committed to something else. * A waiting too", "pretending they don’t like the other. I’m not sure if all of these", "accomplished when the romance is a subplot? Are any of these such common", "* A is in love with B but B is either oblivious, too", "emotions by pretending they don’t like the other. I’m not sure if all", "of: * Something happens to make them hate each other when they meet", "* Getting together is blocked by one of them already being in a", "breakdown. * One or both people hiding their emotions by pretending they don’t", "to something else. * A waiting too long to confess their affection and", "the other flips out and has a panic attack and/or mental breakdown. ", "a potential love interest until something happens to one of them and the", "if they are, then I’m almost* wondering what’s left. *Is a combination of", "they don’t like the other. I’m not sure if all of these are", "the start. Getting together is blocked by one of them already being", "these enough to avoid a cliché? Can that still be accomplished when the", "too focused on something else, or doesn’t love them back. * They’re in", "in love from the start. * Getting together is blocked by one of", "or doesn’t love them back. * They’re in love from the start. ", "in a relationship. They don’t even see each other as a potential" ]
[ "lines where he needs to sound obnoxiously, falling-down drunk. Is there a good", "way to accomplish this? What sounds should he have trouble pronouncing, and what", "drunk and accidentally kills another. He has a couple of lines where he", "He has a couple of lines where he needs to sound obnoxiously, falling-down", "a good way to accomplish this? What sounds should he have trouble pronouncing,", "to sound obnoxiously, falling-down drunk. Is there a good way to accomplish this?", "gets drunk and accidentally kills another. He has a couple of lines where", "of lines where he needs to sound obnoxiously, falling-down drunk. Is there a", "sounds should he have trouble pronouncing, and what letters should I replace (like", "obnoxiously, falling-down drunk. Is there a good way to accomplish this? What sounds", "of my characters gets drunk and accidentally kills another. He has a couple", "good way to accomplish this? What sounds should he have trouble pronouncing, and", "accidentally kills another. He has a couple of lines where he needs to", "One of my characters gets drunk and accidentally kills another. He has a", "What sounds should he have trouble pronouncing, and what letters should I replace", "and accidentally kills another. He has a couple of lines where he needs", "has a couple of lines where he needs to sound obnoxiously, falling-down drunk.", "have trouble pronouncing, and what letters should I replace (like s -> sh)?", "characters gets drunk and accidentally kills another. He has a couple of lines", "kills another. He has a couple of lines where he needs to sound", "needs to sound obnoxiously, falling-down drunk. Is there a good way to accomplish", "where he needs to sound obnoxiously, falling-down drunk. Is there a good way", "to accomplish this? What sounds should he have trouble pronouncing, and what letters", "should he have trouble pronouncing, and what letters should I replace (like s", "another. He has a couple of lines where he needs to sound obnoxiously,", "couple of lines where he needs to sound obnoxiously, falling-down drunk. Is there", "sound obnoxiously, falling-down drunk. Is there a good way to accomplish this? What", "there a good way to accomplish this? What sounds should he have trouble", "a couple of lines where he needs to sound obnoxiously, falling-down drunk. Is", "accomplish this? What sounds should he have trouble pronouncing, and what letters should", "this? What sounds should he have trouble pronouncing, and what letters should I", "falling-down drunk. Is there a good way to accomplish this? What sounds should", "drunk. Is there a good way to accomplish this? What sounds should he", "my characters gets drunk and accidentally kills another. He has a couple of", "Is there a good way to accomplish this? What sounds should he have", "he needs to sound obnoxiously, falling-down drunk. Is there a good way to", "he have trouble pronouncing, and what letters should I replace (like s ->" ]
[ "as the economic crisis demands that the finance minister takes immediate action, and", "economic crisis demands that the finance minister takes immediate action, and so on.", "wither away the economic crisis as the economic crisis demands that the finance", "modal verbs and make the writing more persuasive. Examples include: the parliament should", "make the writing more persuasive. Examples include: the parliament should pass the antiterrorism", "could be rewritten as: it is incumbent upon the parliament to pass the", "should pass the antiterrorism bill could be rewritten as: it is incumbent upon", "the parliament should pass the antiterrorism bill could be rewritten as: it is", "exercise book that could teach how one sentence can be written in alternative", "like should and would in third person. 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[ "Young Adult fiction is distinguished from Adult fiction typically by the age of", "store), but the two are generally pretty distinct. I would prefer my novel", "age of the protagonist(s) and the subject matter or experiences involved. You can,", "are children or teenagers), and there is some overlap (I've seen Ender's Game", "not be classified as YA, for various reasons. My protagonist is a teenager,", "be classified as YA, for various reasons. My protagonist is a teenager, and", "the same store), but the two are generally pretty distinct. I would prefer", "there is some overlap (I've seen Ender's Game sitting on both shelves of", "typically by the age of the protagonist(s) and the subject matter or experiences", "teenagers), and there is some overlap (I've seen Ender's Game sitting on both", "have adult novels starring children (nobody would consider A Game of Thrones to", "teenager, and while I intend to involve some adult themes I don't want", "the protagonists are children or teenagers), and there is some overlap (I've seen", "pretty distinct. I would prefer my novel not be classified as YA, for", "starring children (nobody would consider A Game of Thrones to be YA, even", "protagonists are children or teenagers), and there is some overlap (I've seen Ender's", "from Adult fiction typically by the age of the protagonist(s) and the subject", "would prefer my novel not be classified as YA, for various reasons. My", "be YA, even though most of the protagonists are children or teenagers), and", "Game sitting on both shelves of the same store), but the two are", "the two are generally pretty distinct. I would prefer my novel not be", "the age of the protagonist(s) and the subject matter or experiences involved. You", "involve some adult themes I don't want them to feel forced or out", "both shelves of the same store), but the two are generally pretty distinct.", "is some overlap (I've seen Ender's Game sitting on both shelves of the", "protagonist is a teenager, and while I intend to involve some adult themes", "don't want them to feel forced or out of place. But ultimately, who", "is a teenager, and while I intend to involve some adult themes I", "but the two are generally pretty distinct. I would prefer my novel not", "YA, for various reasons. My protagonist is a teenager, and while I intend", "distinguished from Adult fiction typically by the age of the protagonist(s) and the", "a teenager, and while I intend to involve some adult themes I don't", "though most of the protagonists are children or teenagers), and there is some", "would consider A Game of Thrones to be YA, even though most of", "I intend to involve some adult themes I don't want them to feel", "experiences involved. You can, of course, have adult novels starring children (nobody would", "Thrones* to be YA, even though most of the protagonists are children or", "YA, even though most of the protagonists are children or teenagers), and there", "on both shelves of the same store), but the two are generally pretty", "some overlap (I've seen Ender's Game sitting on both shelves of the same", "novels starring children (nobody would consider A Game of Thrones to be YA,", "two are generally pretty distinct. I would prefer my novel not be classified", "to involve some adult themes I don't want them to feel forced or", "is distinguished from Adult fiction typically by the age of the protagonist(s) and", "sitting on both shelves of the same store), but the two are generally", "involved. You can, of course, have adult novels starring children (nobody would consider", "course, have adult novels starring children (nobody would consider A Game of Thrones", "distinct. I would prefer my novel not be classified as YA, for various", "subject matter or experiences involved. You can, of course, have adult novels starring", "or experiences involved. You can, of course, have adult novels starring children (nobody", "seen Ender's Game sitting on both shelves of the same store), but the", "can, of course, have adult novels starring children (nobody would consider A Game", "generally pretty distinct. I would prefer my novel not be classified as YA,", "Ender's Game* sitting on both shelves of the same store), but the two", "adult novels starring children (nobody would consider A Game of Thrones to be", "by the age of the protagonist(s) and the subject matter or experiences involved.", "reasons. My protagonist is a teenager, and while I intend to involve some", "themes I don't want them to feel forced or out of place. But", "to feel forced or out of place. But ultimately, who makes that call?", "same store), but the two are generally pretty distinct. I would prefer my", "Game of Thrones* to be YA, even though most of the protagonists are", "my novel not be classified as YA, for various reasons. My protagonist is", "even though most of the protagonists are children or teenagers), and there is", "adult themes I don't want them to feel forced or out of place.", "of the protagonists are children or teenagers), and there is some overlap (I've", "children (nobody would consider A Game of Thrones to be YA, even though", "shelves of the same store), but the two are generally pretty distinct. I", "for various reasons. My protagonist is a teenager, and while I intend to", "as YA, for various reasons. My protagonist is a teenager, and while I", "various reasons. My protagonist is a teenager, and while I intend to involve", "prefer my novel not be classified as YA, for various reasons. My protagonist", "Adult fiction typically by the age of the protagonist(s) and the subject matter", "overlap (I've seen Ender's Game sitting on both shelves of the same store),", "of the protagonist(s) and the subject matter or experiences involved. You can, of", "want them to feel forced or out of place. But ultimately, who makes", "(I've seen Ender's Game sitting on both shelves of the same store), but", "or teenagers), and there is some overlap (I've seen Ender's Game sitting on", "intend to involve some adult themes I don't want them to feel forced", "of Thrones* to be YA, even though most of the protagonists are children", "and there is some overlap (I've seen Ender's Game sitting on both shelves", "You can, of course, have adult novels starring children (nobody would consider A", "children or teenagers), and there is some overlap (I've seen Ender's Game* sitting", "are generally pretty distinct. I would prefer my novel not be classified as", "while I intend to involve some adult themes I don't want them to", "classified as YA, for various reasons. My protagonist is a teenager, and while", "of the same store), but the two are generally pretty distinct. I would", "consider A Game of Thrones to be YA, even though most of the", "My protagonist is a teenager, and while I intend to involve some adult", "and while I intend to involve some adult themes I don't want them", "fiction is distinguished from Adult fiction typically by the age of the protagonist(s)", "of course, have adult novels starring children (nobody would consider A Game of", "the subject matter or experiences involved. You can, of course, have adult novels", "A Game of Thrones* to be YA, even though most of the protagonists", "I would prefer my novel not be classified as YA, for various reasons.", "most of the protagonists are children or teenagers), and there is some overlap", "the protagonist(s) and the subject matter or experiences involved. You can, of course,", "protagonist(s) and the subject matter or experiences involved. You can, of course, have", "them to feel forced or out of place. But ultimately, who makes that", "Adult fiction is distinguished from Adult fiction typically by the age of the", "some adult themes I don't want them to feel forced or out of", "matter or experiences involved. You can, of course, have adult novels starring children", "novel not be classified as YA, for various reasons. My protagonist is a", "I don't want them to feel forced or out of place. But ultimately,", "to be YA, even though most of the protagonists are children or teenagers),", "(nobody would consider A Game of Thrones to be YA, even though most", "and the subject matter or experiences involved. You can, of course, have adult", "fiction typically by the age of the protagonist(s) and the subject matter or" ]
[ "and I don’t mean ghosts. My characters will face suspicions, distrust, paranoia and", "I don’t mean ghosts. My characters will face suspicions, distrust, paranoia and emotional", "one (other than the main characters) will save them. My questions are: Can", "an extra element. Monsters, and I don’t mean ghosts. My characters will face", "horror with an extra element. Monsters, and I don’t mean ghosts. My characters", "I am working on a psychological horror with an extra element. Monsters, and", "these monsters in an empty city where no one (other than the main", "deal with these issues while trying to stop and survive these monsters in", "will save them. My questions are: Can a story still be a psychological", "still be a psychological horror with physical monsters? What additional guidelines are needed", "the main characters) will save them. My questions are: Can a story still", "and survive these monsters in an empty city where no one (other than", "while trying to stop and survive these monsters in an empty city where", "trying to stop and survive these monsters in an empty city where no", "to stop and survive these monsters in an empty city where no one", "with an extra element. Monsters, and I don’t mean ghosts. My characters will", "Can a story still be a psychological horror with physical monsters? What additional", "than the main characters) will save them. My questions are: Can a story", "a psychological horror with physical monsters? What additional guidelines are needed to keep", "working on a psychological horror with an extra element. Monsters, and I don’t", "element. Monsters, and I don’t mean ghosts. My characters will face suspicions, distrust,", "ghosts. My characters will face suspicions, distrust, paranoia and emotional disturbances. They will", "with these issues while trying to stop and survive these monsters in an", "emotional disturbances. They will deal with these issues while trying to stop and", "physical monsters? What additional guidelines are needed to keep within the parameters of", "story still be a psychological horror with physical monsters? What additional guidelines are", "in an empty city where no one (other than the main characters) will", "these issues while trying to stop and survive these monsters in an empty", "characters will face suspicions, distrust, paranoia and emotional disturbances. They will deal with", "My questions are: Can a story still be a psychological horror with physical", "My characters will face suspicions, distrust, paranoia and emotional disturbances. They will deal", "What additional guidelines are needed to keep within the parameters of psychological horror?", "survive these monsters in an empty city where no one (other than the", "main characters) will save them. My questions are: Can a story still be", "a psychological horror with an extra element. Monsters, and I don’t mean ghosts.", "be a psychological horror with physical monsters? What additional guidelines are needed to", "save them. My questions are: Can a story still be a psychological horror", "will face suspicions, distrust, paranoia and emotional disturbances. They will deal with these", "face suspicions, distrust, paranoia and emotional disturbances. They will deal with these issues", "them. My questions are: Can a story still be a psychological horror with", "no one (other than the main characters) will save them. My questions are:", "extra element. Monsters, and I don’t mean ghosts. My characters will face suspicions,", "disturbances. They will deal with these issues while trying to stop and survive", "a story still be a psychological horror with physical monsters? What additional guidelines", "paranoia and emotional disturbances. They will deal with these issues while trying to", "where no one (other than the main characters) will save them. My questions", "psychological horror with physical monsters? What additional guidelines are needed to keep within", "psychological horror with an extra element. Monsters, and I don’t mean ghosts. My", "characters) will save them. My questions are: Can a story still be a", "an empty city where no one (other than the main characters) will save", "mean ghosts. My characters will face suspicions, distrust, paranoia and emotional disturbances. They", "monsters in an empty city where no one (other than the main characters)", "stop and survive these monsters in an empty city where no one (other", "Monsters, and I don’t mean ghosts. My characters will face suspicions, distrust, paranoia", "They will deal with these issues while trying to stop and survive these", "will deal with these issues while trying to stop and survive these monsters", "city where no one (other than the main characters) will save them. My", "issues while trying to stop and survive these monsters in an empty city", "questions are: Can a story still be a psychological horror with physical monsters?", "on a psychological horror with an extra element. Monsters, and I don’t mean", "don’t mean ghosts. My characters will face suspicions, distrust, paranoia and emotional disturbances.", "(other than the main characters) will save them. My questions are: Can a", "are: Can a story still be a psychological horror with physical monsters? What", "horror with physical monsters? What additional guidelines are needed to keep within the", "empty city where no one (other than the main characters) will save them.", "and emotional disturbances. They will deal with these issues while trying to stop", "distrust, paranoia and emotional disturbances. They will deal with these issues while trying", "with physical monsters? What additional guidelines are needed to keep within the parameters", "monsters? What additional guidelines are needed to keep within the parameters of psychological", "am working on a psychological horror with an extra element. Monsters, and I", "suspicions, distrust, paranoia and emotional disturbances. They will deal with these issues while" ]
[ "I self published through Amazon in 2013. I did not do any advertising", "of a query letter to a publishing company, and they have two different", "a query letter to a publishing company, and they have two different categories,", "company, and they have two different categories, published writers and unpublished writers. How", "Amazon in 2013. I did not do any advertising for the book and", "have two different categories, published writers and unpublished writers. How should I send", "categories, published writers and unpublished writers. How should I send it, as a", "very crudely written book that I self published through Amazon in 2013. I", "the process of a query letter to a publishing company, and they have", "different categories, published writers and unpublished writers. How should I send it, as", "about 80 copies. I am now in the process of a query letter", "80 copies. I am now in the process of a query letter to", "I am now in the process of a query letter to a publishing", "in 2013. I did not do any advertising for the book and it", "that I self published through Amazon in 2013. I did not do any", "2013. I did not do any advertising for the book and it only", "crudely written book that I self published through Amazon in 2013. I did", "book that I self published through Amazon in 2013. I did not do", "book and it only sold about 80 copies. I am now in the", "have a very crudely written book that I self published through Amazon in", "through Amazon in 2013. I did not do any advertising for the book", "writers. How should I send it, as a published or unpublished writer? Thanks.", "self published through Amazon in 2013. I did not do any advertising for", "I did not do any advertising for the book and it only sold", "letter to a publishing company, and they have two different categories, published writers", "publishing company, and they have two different categories, published writers and unpublished writers.", "a publishing company, and they have two different categories, published writers and unpublished", "writers and unpublished writers. How should I send it, as a published or", "the book and it only sold about 80 copies. I am now in", "published writers and unpublished writers. How should I send it, as a published", "they have two different categories, published writers and unpublished writers. How should I", "two different categories, published writers and unpublished writers. How should I send it,", "published through Amazon in 2013. I did not do any advertising for the", "process of a query letter to a publishing company, and they have two", "for the book and it only sold about 80 copies. I am now", "did not do any advertising for the book and it only sold about", "advertising for the book and it only sold about 80 copies. I am", "unpublished writers. How should I send it, as a published or unpublished writer?", "not do any advertising for the book and it only sold about 80", "I have a very crudely written book that I self published through Amazon", "to a publishing company, and they have two different categories, published writers and", "any advertising for the book and it only sold about 80 copies. I", "written book that I self published through Amazon in 2013. I did not", "copies. I am now in the process of a query letter to a", "and it only sold about 80 copies. I am now in the process", "am now in the process of a query letter to a publishing company,", "sold about 80 copies. I am now in the process of a query", "do any advertising for the book and it only sold about 80 copies.", "query letter to a publishing company, and they have two different categories, published", "and unpublished writers. How should I send it, as a published or unpublished", "it only sold about 80 copies. I am now in the process of", "only sold about 80 copies. I am now in the process of a", "now in the process of a query letter to a publishing company, and", "in the process of a query letter to a publishing company, and they", "a very crudely written book that I self published through Amazon in 2013.", "and they have two different categories, published writers and unpublished writers. How should" ]
[ "after the fact for reading out loud: who is speaking and the mood", "gleefully burbled \"what a day.\" > > > --- This example is chosen", "> > Pabe gleefully burbled \"what a day.\" > > > --- This", "and just wondering why, so sorry if this is a bad place. I", "\"what a day.\" > > > --- This example is chosen to show", "point of a reader not a writer and just wondering why, so sorry", "kids and the construct always seems to go: > > \"What a day,\"", "the mood of the speech. So why is that preferred over: > >", "of the information needed after the fact for reading out loud: who is", "chosen to show a quote which I would read in a gloomy voice", "show a quote which I would read in a gloomy voice to discover", "construct always seems to go: > > \"What a day,\" gleefully burbled Pabe", "this from the point of a reader not a writer and just wondering", "is that preferred over: > > Pabe gleefully burbled \"what a day.\" >", "not a writer and just wondering why, so sorry if this is a", "> > \"What a day,\" gleefully burbled Pabe > > > With all", "> > With all of the information needed after the fact for reading", "of the speech. So why is that preferred over: > > Pabe gleefully", "my kids and the construct always seems to go: > > \"What a", "am asking this from the point of a reader not a writer and", "a quote which I would read in a gloomy voice to discover I", "that preferred over: > > Pabe gleefully burbled \"what a day.\" > >", "With all of the information needed after the fact for reading out loud:", "Pabe gleefully burbled \"what a day.\" > > > --- This example is", "go: > > \"What a day,\" gleefully burbled Pabe > > > With", "day.\" > > > --- This example is chosen to show a quote", "seems to go: > > \"What a day,\" gleefully burbled Pabe > >", "reader not a writer and just wondering why, so sorry if this is", "> --- This example is chosen to show a quote which I would", "to show a quote which I would read in a gloomy voice to", "> With all of the information needed after the fact for reading out", "read in a gloomy voice to discover I was completely wrong after the", "preferred over: > > Pabe gleefully burbled \"what a day.\" > > >", "a bad place. I read loads of books to my kids and the", "who is speaking and the mood of the speech. So why is that", "speech. So why is that preferred over: > > Pabe gleefully burbled \"what", "would read in a gloomy voice to discover I was completely wrong after", "from the point of a reader not a writer and just wondering why,", "just wondering why, so sorry if this is a bad place. I read", "> Pabe gleefully burbled \"what a day.\" > > > --- This example", "the information needed after the fact for reading out loud: who is speaking", "all of the information needed after the fact for reading out loud: who", "So why is that preferred over: > > Pabe gleefully burbled \"what a", "a day.\" > > > --- This example is chosen to show a", "fact for reading out loud: who is speaking and the mood of the", "reading out loud: who is speaking and the mood of the speech. So", "and the mood of the speech. So why is that preferred over: >", "needed after the fact for reading out loud: who is speaking and the", "quote which I would read in a gloomy voice to discover I was", "so sorry if this is a bad place. I read loads of books", "always seems to go: > > \"What a day,\" gleefully burbled Pabe >", "I read loads of books to my kids and the construct always seems", "--- This example is chosen to show a quote which I would read", "loads of books to my kids and the construct always seems to go:", "over: > > Pabe gleefully burbled \"what a day.\" > > > ---", "of books to my kids and the construct always seems to go: >", "example is chosen to show a quote which I would read in a", "bad place. I read loads of books to my kids and the construct", "to my kids and the construct always seems to go: > > \"What", "if this is a bad place. I read loads of books to my", "burbled Pabe > > > With all of the information needed after the", "writer and just wondering why, so sorry if this is a bad place.", "gleefully burbled Pabe > > > With all of the information needed after", "why is that preferred over: > > Pabe gleefully burbled \"what a day.\"", "read loads of books to my kids and the construct always seems to", "and the construct always seems to go: > > \"What a day,\" gleefully", "the fact for reading out loud: who is speaking and the mood of", "why, so sorry if this is a bad place. I read loads of", "day,\" gleefully burbled Pabe > > > With all of the information needed", "loud: who is speaking and the mood of the speech. So why is", "the point of a reader not a writer and just wondering why, so", "place. I read loads of books to my kids and the construct always", "asking this from the point of a reader not a writer and just", "a reader not a writer and just wondering why, so sorry if this", "the speech. So why is that preferred over: > > Pabe gleefully burbled", "sorry if this is a bad place. I read loads of books to", "speaking and the mood of the speech. So why is that preferred over:", "is speaking and the mood of the speech. So why is that preferred", "> > > --- This example is chosen to show a quote which", "this is a bad place. I read loads of books to my kids", "a writer and just wondering why, so sorry if this is a bad", "information needed after the fact for reading out loud: who is speaking and", "wondering why, so sorry if this is a bad place. I read loads", "for reading out loud: who is speaking and the mood of the speech.", "Pabe > > > With all of the information needed after the fact", "to go: > > \"What a day,\" gleefully burbled Pabe > > >", "in a gloomy voice to discover I was completely wrong after the fact.", "mood of the speech. So why is that preferred over: > > Pabe", "\"What a day,\" gleefully burbled Pabe > > > With all of the", "This example is chosen to show a quote which I would read in", "> > > With all of the information needed after the fact for", "I am asking this from the point of a reader not a writer", "a day,\" gleefully burbled Pabe > > > With all of the information", "which I would read in a gloomy voice to discover I was completely", "burbled \"what a day.\" > > > --- This example is chosen to", "of a reader not a writer and just wondering why, so sorry if", "> > --- This example is chosen to show a quote which I", "is chosen to show a quote which I would read in a gloomy", "I would read in a gloomy voice to discover I was completely wrong", "is a bad place. I read loads of books to my kids and", "out loud: who is speaking and the mood of the speech. So why", "> \"What a day,\" gleefully burbled Pabe > > > With all of", "books to my kids and the construct always seems to go: > >", "the construct always seems to go: > > \"What a day,\" gleefully burbled" ]
[ "the antagonist wins by luck, so to speak. So I am wondering, is", "I am wondering, is this in general a poor way to end a", "in order to ever so slightly predict the protagonist’s eventual demise, or would", "to ever so slightly predict the protagonist’s eventual demise, or would it best", "continuously throughout the story. He is challenged by foes along the way, but", "turns out to be a “bad guy” all along, but rather one where", "nightmare. This is where the plot twist comes into play. The protagonist begins", "the antagonist, but in a shocking turn of fate, the protagonist is defeated.", "overcomes them all. By the end, he encounters the main antagonist, his worst", "antagonist wins by luck, so to speak. So I am wondering, is this", "is this in general a poor way to end a story, or an", "end, he encounters the main antagonist, his worst nightmare. This is where the", "make sense, or would it be too sudden and immediately turn off the", "in the sense that the protagonist turns out to be a “bad guy”", "this kind of ending make sense, or would it be too sudden and", "allow him to succeed continuously throughout the story. He is challenged by foes", "to how the ending would appear to the reader. My protagonist is a", "is defeated. This is not a plot twist in the sense that the", "am genuinely interested as to how the ending would appear to the reader.", "would appear to the reader. My protagonist is a skilled character whose powerful", "overpower the antagonist, but in a shocking turn of fate, the protagonist is", "that the protagonist turns out to be a “bad guy” all along, but", "one? Would this kind of ending make sense, or would it be too", "implicated in order to ever so slightly predict the protagonist’s eventual demise, or", "predict the protagonist’s eventual demise, or would it best go down as a", "together this story and its formative stages are almost complete. However, I am", "the plot twist comes into play. The protagonist begins to overpower the antagonist,", "almost complete. However, I am genuinely interested as to how the ending would", "the story. He is challenged by foes along the way, but he eventually", "by foes along the way, but he eventually overcomes them all. By the", "story and its formative stages are almost complete. However, I am genuinely interested", "of fate, the protagonist is defeated. This is not a plot twist in", "an effective one? Would this kind of ending make sense, or would it", "to be a “bad guy” all along, but rather one where the protagonist", "out to be a “bad guy” all along, but rather one where the", "would it be too sudden and immediately turn off the reader? Should any", "kind of ending make sense, or would it be too sudden and immediately", "turn off the reader? Should any instances of foreshadowing be implicated in order", "instances of foreshadowing be implicated in order to ever so slightly predict the", "throughout the story. He is challenged by foes along the way, but he", "but in a shocking turn of fate, the protagonist is defeated. This is", "or an effective one? Would this kind of ending make sense, or would", "genuinely interested as to how the ending would appear to the reader. My", "its formative stages are almost complete. However, I am genuinely interested as to", "but he eventually overcomes them all. By the end, he encounters the main", "clearly expected to win until the very last second where the antagonist wins", "turn of fate, the protagonist is defeated. This is not a plot twist", "how the ending would appear to the reader. My protagonist is a skilled", "skilled character whose powerful traits allow him to succeed continuously throughout the story.", "off the reader? Should any instances of foreshadowing be implicated in order to", "a skilled character whose powerful traits allow him to succeed continuously throughout the", "all. By the end, he encounters the main antagonist, his worst nightmare. This", "until the very last second where the antagonist wins by luck, so to", "the protagonist is defeated. This is not a plot twist in the sense", "appear to the reader. My protagonist is a skilled character whose powerful traits", "wins by luck, so to speak. So I am wondering, is this in", "but rather one where the protagonist is clearly expected to win until the", "a story, or an effective one? Would this kind of ending make sense,", "putting together this story and its formative stages are almost complete. However, I", "My protagonist is a skilled character whose powerful traits allow him to succeed", "wondering, is this in general a poor way to end a story, or", "is clearly expected to win until the very last second where the antagonist", "antagonist, his worst nightmare. This is where the plot twist comes into play.", "He is challenged by foes along the way, but he eventually overcomes them", "This is not a plot twist in the sense that the protagonist turns", "guy” all along, but rather one where the protagonist is clearly expected to", "shocking turn of fate, the protagonist is defeated. This is not a plot", "character whose powerful traits allow him to succeed continuously throughout the story. He", "them all. By the end, he encounters the main antagonist, his worst nightmare.", "main antagonist, his worst nightmare. This is where the plot twist comes into", "where the antagonist wins by luck, so to speak. So I am wondering,", "Should any instances of foreshadowing be implicated in order to ever so slightly", "or would it be too sudden and immediately turn off the reader? Should", "This is where the plot twist comes into play. The protagonist begins to", "is a skilled character whose powerful traits allow him to succeed continuously throughout", "last second where the antagonist wins by luck, so to speak. So I", "protagonist begins to overpower the antagonist, but in a shocking turn of fate,", "sense, or would it be too sudden and immediately turn off the reader?", "reader. My protagonist is a skilled character whose powerful traits allow him to", "eventually overcomes them all. By the end, he encounters the main antagonist, his", "into play. The protagonist begins to overpower the antagonist, but in a shocking", "play. The protagonist begins to overpower the antagonist, but in a shocking turn", "and its formative stages are almost complete. However, I am genuinely interested as", "So I am wondering, is this in general a poor way to end", "way to end a story, or an effective one? Would this kind of", "luck, so to speak. So I am wondering, is this in general a", "poor way to end a story, or an effective one? Would this kind", "to overpower the antagonist, but in a shocking turn of fate, the protagonist", "is not a plot twist in the sense that the protagonist turns out", "where the protagonist is clearly expected to win until the very last second", "The protagonist begins to overpower the antagonist, but in a shocking turn of", "all along, but rather one where the protagonist is clearly expected to win", "win until the very last second where the antagonist wins by luck, so", "foes along the way, but he eventually overcomes them all. By the end,", "speak. So I am wondering, is this in general a poor way to", "reader? Should any instances of foreshadowing be implicated in order to ever so", "to end a story, or an effective one? Would this kind of ending", "By the end, he encounters the main antagonist, his worst nightmare. This is", "rather one where the protagonist is clearly expected to win until the very", "the way, but he eventually overcomes them all. By the end, he encounters", "this in general a poor way to end a story, or an effective", "in a shocking turn of fate, the protagonist is defeated. This is not", "of ending make sense, or would it be too sudden and immediately turn", "as to how the ending would appear to the reader. My protagonist is", "be implicated in order to ever so slightly predict the protagonist’s eventual demise,", "any instances of foreshadowing be implicated in order to ever so slightly predict", "I’m putting together this story and its formative stages are almost complete. However,", "a “bad guy” all along, but rather one where the protagonist is clearly", "Would this kind of ending make sense, or would it be too sudden", "formative stages are almost complete. However, I am genuinely interested as to how", "foreshadowing be implicated in order to ever so slightly predict the protagonist’s eventual", "the protagonist’s eventual demise, or would it best go down as a surprise", "immediately turn off the reader? Should any instances of foreshadowing be implicated in", "ending would appear to the reader. My protagonist is a skilled character whose", "defeated. This is not a plot twist in the sense that the protagonist", "this story and its formative stages are almost complete. However, I am genuinely", "a poor way to end a story, or an effective one? Would this", "way, but he eventually overcomes them all. By the end, he encounters the", "antagonist, but in a shocking turn of fate, the protagonist is defeated. This", "the end, he encounters the main antagonist, his worst nightmare. 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[ "* she can't help but steal, as it's become part of her routine", "a girl who wants to befriend her. 'Lolj' is suspicious, she's survived by", "can't help but steal, as it's become part of her routine and she", "but her words are usually spare and short. * she has issues understanding", "across the universe either seen as either blasphemies, miracles or just people. She's", "an opportunity though, as trading a Deviant is worth a ship. Worth freedom.-and", "subtle allegory for poc/queer/disability. And I really want to make sure I portray", "help but steal, as it's become part of her routine and she becomes", "usually spare and short. * she has issues understanding body language, tone ", "who are born with powers, and across the universe either seen as either", "not so subtle allegory for poc/queer/disability. And I really want to make sure", "sensory issues. And if there are issues with my listing- like can you", "a ship. Worth freedom.-and that's all you get to know. 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I'm still confused", "with crowds can't stand slimy texture or squelching sounds * She is", "be sensitive to loud places as a kid, but change when you're an", "From my research so far this is how her autism presents itself: ", "And how do things change when time passes? Can you be sensitive to", "issues understanding body language, tone she can't help but steal, as it's", "part of her routine and she becomes angry and distressed as a result", "with powers, and across the universe either seen as either blasphemies, miracles or", "miracles or just people. She's trapped on a planet, and survives through thievery.", "as either blasphemies, miracles or just people. She's trapped on a planet, and", "time passes? Can you be sensitive to loud places as a kid, but", "* she has issues understanding body language, tone * she can't help but", "by specific sensations? And how do things change when time passes? Can you", "Can you be sensitive to loud places as a kid, but change when", "* uncomfortable with crowds * can't stand slimy texture or squelching sounds ", "can you be disgusted by specific sensations? And how do things change when", "when she was young. She is a Deviant, a group of people who", "suspicious, she's survived by only looking out for herself, and by trusting no", "on their experiences with autism. I'm still confused though as to whether there", "sounds She is verbal, but her words are usually spare and short.", "deviant 'Diisb', a girl who wants to befriend her. 'Lolj' is suspicious, she's", "steal, as it's become part of her routine and she becomes angry and", "as it's become part of her routine and she becomes angry and distressed", "people who are born with powers, and across the universe either seen as", "get to know. So my story is about 'deviants', not so subtle allegory", "routine and she becomes angry and distressed as a result So I've been", "to befriend her. 'Lolj' is suspicious, she's survived by only looking out for", "a result So I've been cross-referencing a bunch of people on their experiences", "can't stand slimy texture or squelching sounds * She is verbal, but her", "the universe either seen as either blasphemies, miracles or just people. She's trapped", "one. This deviant does offer an opportunity though, as trading a Deviant is", "stand slimy texture or squelching sounds * She is verbal, but her words", "of her routine and she becomes angry and distressed as a result So", "listing- like can you be disgusted by specific sensations? And how do things", "just people. She's trapped on a planet, and survives through thievery. One day", "who wants to befriend her. 'Lolj' is suspicious, she's survived by only looking", "info as to the story: 'Lolj' was abandoned when she was young. She", "She is a Deviant, a group of people who are born with powers,", "story: 'Lolj' was abandoned when she was young. She is a Deviant, a", "through thievery. One day she meets another deviant 'Diisb', a girl who wants", "to whether there are some things that are universal, like avoiding eye contact,", "if there are issues with my listing- like can you be disgusted by", "though, as trading a Deviant is worth a ship. Worth freedom.-and that's all", "she's survived by only looking out for herself, and by trusting no one.", "was young. She is a Deviant, a group of people who are born", "for poc/queer/disability. And I really want to make sure I portray 'Lolj's autism", "she was young. She is a Deviant, a group of people who are", "issues with my listing- like can you be disgusted by specific sensations? And", "offer an opportunity though, as trading a Deviant is worth a ship. Worth", "universe either seen as either blasphemies, miracles or just people. She's trapped on", "only looking out for herself, and by trusting no one. This deviant does", "survives through thievery. One day she meets another deviant 'Diisb', a girl who", "born with powers, and across the universe either seen as either blasphemies, miracles", "no one. This deviant does offer an opportunity though, as trading a Deviant", "all you get to know. So my story is about 'deviants', not so", "allegory for poc/queer/disability. And I really want to make sure I portray 'Lolj's", "she can't help but steal, as it's become part of her routine and", "some things that are universal, like avoiding eye contact, sensory issues. And if", "uncomfortable with crowds * can't stand slimy texture or squelching sounds * She", "like avoiding eye contact, sensory issues. And if there are issues with my", "contact, sensory issues. And if there are issues with my listing- like can", "She is verbal, but her words are usually spare and short. * she", "autism. I'm still confused though as to whether there are some things that", "the story: 'Lolj' was abandoned when she was young. 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This", "are usually spare and short. she has issues understanding body language, tone" ]
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As such, I would really like to have the", "fiction novel set during the tail end of the Harlem Renaissance, in the", "working on a historical fiction novel set during the tail end of the", "actors. If I place them in a made up theatre on Lenox Avenue,", "the tail end of the Harlem Renaissance, in the 1930s. As such, I", "story take place in Harlem. However, the specific places I plan to have", "are at the moment, fictional. How much will this throw off readers? For", "1930s. As such, I would really like to have the story take place", "such, I would really like to have the story take place in Harlem.", "of actors. If I place them in a made up theatre on Lenox", "with, are at the moment, fictional. How much will this throw off readers?", "interact with, are at the moment, fictional. How much will this throw off", "much will this throw off readers? For example, the story centers around a", "can actually make this story work before I get too emotionally invested in", "the Harlem Renaissance, in the 1930s. As such, I would really like to", "in the 1930s. As such, I would really like to have the story", "1930s, will that then make the novel less realistic? Any advice is appreciated!", "tail end of the Harlem Renaissance, in the 1930s. As such, I would", "set during the tail end of the Harlem Renaissance, in the 1930s. As", "then make the novel less realistic? Any advice is appreciated! Just want to", "take place in Harlem. However, the specific places I plan to have my", "troupe of actors. If I place them in a made up theatre on", "on Lenox Avenue in the 1930s, will that then make the novel less", "end of the Harlem Renaissance, in the 1930s. As such, I would really", "throw off readers? For example, the story centers around a troupe of actors.", "theatre on Lenox Avenue, and no such theatre existed on Lenox Avenue in", "made up theatre on Lenox Avenue, and no such theatre existed on Lenox", "in a made up theatre on Lenox Avenue, and no such theatre existed", "I place them in a made up theatre on Lenox Avenue, and no", "Lenox Avenue in the 1930s, will that then make the novel less realistic?", "have the story take place in Harlem. However, the specific places I plan", "them in a made up theatre on Lenox Avenue, and no such theatre", "really like to have the story take place in Harlem. However, the specific", "in Harlem. However, the specific places I plan to have my characters interact", "How much will this throw off readers? For example, the story centers around", "I would really like to have the story take place in Harlem. However,", "to make sure I can actually make this story work before I get", "Avenue in the 1930s, will that then make the novel less realistic? Any", "historical fiction novel set during the tail end of the Harlem Renaissance, in", "the 1930s. As such, I would really like to have the story take", "I can actually make this story work before I get too emotionally invested", "Harlem Renaissance, in the 1930s. As such, I would really like to have", "no such theatre existed on Lenox Avenue in the 1930s, will that then", "around a troupe of actors. If I place them in a made up", "I plan to have my characters interact with, are at the moment, fictional.", "the moment, fictional. How much will this throw off readers? For example, the", "example, the story centers around a troupe of actors. If I place them", "a historical fiction novel set during the tail end of the Harlem Renaissance,", "on Lenox Avenue, and no such theatre existed on Lenox Avenue in the", "of the Harlem Renaissance, in the 1930s. As such, I would really like", "novel less realistic? Any advice is appreciated! Just want to make sure I", "am currently working on a historical fiction novel set during the tail end", "like to have the story take place in Harlem. However, the specific places", "my characters interact with, are at the moment, fictional. How much will this", "sure I can actually make this story work before I get too emotionally", "less realistic? Any advice is appreciated! Just want to make sure I can", "novel set during the tail end of the Harlem Renaissance, in the 1930s.", "that then make the novel less realistic? Any advice is appreciated! Just want", "have my characters interact with, are at the moment, fictional. How much will", "such theatre existed on Lenox Avenue in the 1930s, will that then make", "Just want to make sure I can actually make this story work before", "want to make sure I can actually make this story work before I", "the 1930s, will that then make the novel less realistic? Any advice is", "realistic? Any advice is appreciated! Just want to make sure I can actually", "places I plan to have my characters interact with, are at the moment,", "the story take place in Harlem. However, the specific places I plan to", "advice is appreciated! Just want to make sure I can actually make this", "moment, fictional. How much will this throw off readers? For example, the story", "the specific places I plan to have my characters interact with, are at", "Any advice is appreciated! Just want to make sure I can actually make", "As such, I would really like to have the story take place in", "centers around a troupe of actors. If I place them in a made", "make sure I can actually make this story work before I get too", "currently working on a historical fiction novel set during the tail end of", "specific places I plan to have my characters interact with, are at the", "For example, the story centers around a troupe of actors. If I place", "I am currently working on a historical fiction novel set during the tail", "appreciated! Just want to make sure I can actually make this story work", "to have the story take place in Harlem. However, the specific places I", "this throw off readers? For example, the story centers around a troupe of", "If I place them in a made up theatre on Lenox Avenue, and", "However, the specific places I plan to have my characters interact with, are", "off readers? For example, the story centers around a troupe of actors. If", "a made up theatre on Lenox Avenue, and no such theatre existed on", "and no such theatre existed on Lenox Avenue in the 1930s, will that", "make the novel less realistic? Any advice is appreciated! Just want to make", "the novel less realistic? Any advice is appreciated! Just want to make sure", "readers? For example, the story centers around a troupe of actors. If I", "theatre existed on Lenox Avenue in the 1930s, will that then make the", "to have my characters interact with, are at the moment, fictional. How much", "story centers around a troupe of actors. If I place them in a", "fictional. How much will this throw off readers? For example, the story centers", "characters interact with, are at the moment, fictional. How much will this throw", "existed on Lenox Avenue in the 1930s, will that then make the novel", "Lenox Avenue, and no such theatre existed on Lenox Avenue in the 1930s,", "will that then make the novel less realistic? Any advice is appreciated! Just", "up theatre on Lenox Avenue, and no such theatre existed on Lenox Avenue", "place in Harlem. However, the specific places I plan to have my characters", "place them in a made up theatre on Lenox Avenue, and no such", "Avenue, and no such theatre existed on Lenox Avenue in the 1930s, will", "on a historical fiction novel set during the tail end of the Harlem" ]
[ "already theorized about having the antagonist succeed over the protagonist, subverting a common", "against the antagonist's forces, and eventually the antagonist himself. I've had some trouble", "protagonist against the antagonist's forces, and eventually the antagonist himself. I've had some", "collide with each other and eventually collapse. Is this kind of scenario technically", "\"unfinished scrutiny\" as victory is given to nobody, and failure is awarded to", "is what has been left damaged - the protagonist's positive influence has been", "come out of the final climactic ending, because of the two ideological opposites", "to be based on a black and white perspective of success vs. failure", "collapse. Is this kind of scenario technically impossible, because the concept of defeat", "be possible for neither side's goals to be accomplished, and in their attempt", "awarded to both sides. While the antagonist is no longer a threat, the", "the two opposing side's motives are not solely to eliminate each other as", "only plausible if the two opposing side's motives are not solely to eliminate", "neither good nor bad has come out of the final climactic ending, because", "what has been left damaged - the protagonist's positive influence has been destroyed,", "as a result? It is indeed partly to give a sense of \"unfinished", "is no longer a hero. I understand that this is only plausible if", "realistic, as a general idea? Would it be possible for neither side's goals", "as I'm not sure as to whether the ending to any story is", "to eliminate each other as individuals, in which case both would be the", "the protagonist is no longer a hero. I understand that this is only", "antagonist is successful? Is this realistic, as a general idea? Would it be", "longer a hero. I understand that this is only plausible if the two", "attempt to fulfill their ambition, they sacrifice themselves and fail as a result?", "influence has been destroyed, while the antagonist's negative influence has been destroyed as", "while the antagonist's negative influence has been destroyed as well. Overall, I see", "himself. I've had some trouble finding an appropriate ending - I've already theorized", "trouble finding an appropriate ending - I've already theorized about having the antagonist", "on the other's victory? This kind of concluding effect may seem quite vague", "as a general idea? Would it be possible for neither side's goals to", "with each other and eventually collapse. Is this kind of scenario technically impossible,", "on a black and white perspective of success vs. failure on either side.", "This may seem like an awkward scenario for a story's ending. My plot", "as well. Overall, I see this as creating a sort of \"neutral\" effect", "positive influence has been destroyed, while the antagonist's negative influence has been destroyed", "they sacrifice themselves and fail as a result? It is indeed partly to", "not sure as to whether the ending to any story is meant to", "Rather, their influence is what has been left damaged - the protagonist's positive", "as individuals, in which case both would be the winners. Rather, their influence", "eliminate each other as individuals, in which case both would be the winners.", "a threat, the protagonist is no longer a hero. I understand that this", "- the protagonist's positive influence has been destroyed, while the antagonist's negative influence", "a general idea? Would it be possible for neither side's goals to be", "Overall, I see this as creating a sort of \"neutral\" effect - neither", "sure as to whether the ending to any story is meant to be", "\"hero always wins\" dilemma. However, recently another proposition had also crossed my mind.", "concluding effect may seem quite vague and hard to grasp, as I'm not", "subverting a common trope of the \"hero always wins\" dilemma. However, recently another", "may seem like an awkward scenario for a story's ending. My plot revolves", "and eventually collapse. Is this kind of scenario technically impossible, because the concept", "antagonist's negative influence has been destroyed as well. Overall, I see this as", "to grasp, as I'm not sure as to whether the ending to any", "neither side's goals to be accomplished, and in their attempt to fulfill their", "and hard to grasp, as I'm not sure as to whether the ending", "given to nobody, and failure is awarded to both sides. While the antagonist", "having the antagonist succeed over the protagonist, subverting a common trope of the", "had also crossed my mind. What if neither the protagonist nor the antagonist", "around a constant struggle of the protagonist against the antagonist's forces, and eventually", "a hero. I understand that this is only plausible if the two opposing", "fulfill their ambition, they sacrifice themselves and fail as a result? It is", "I've had some trouble finding an appropriate ending - I've already theorized about", "crossed my mind. What if neither the protagonist nor the antagonist is successful?", "sense of \"unfinished scrutiny\" as victory is given to nobody, and failure is", "threat, the protagonist is no longer a hero. I understand that this is", "the winners. Rather, their influence is what has been left damaged - the", "winners. Rather, their influence is what has been left damaged - the protagonist's", "creating a sort of \"neutral\" effect - neither good nor bad has come", "understand that this is only plausible if the two opposing side's motives are", "revolves around a constant struggle of the protagonist against the antagonist's forces, and", "What if neither the protagonist nor the antagonist is successful? Is this realistic,", "of the two ideological opposites that collide with each other and eventually collapse.", "appropriate ending - I've already theorized about having the antagonist succeed over the", "antagonist is dependent on the other's victory? This kind of concluding effect may", "the ending to any story is meant to be based on a black", "seem quite vague and hard to grasp, as I'm not sure as to", "another proposition had also crossed my mind. What if neither the protagonist nor", "protagonist nor the antagonist is successful? Is this realistic, as a general idea?", "a sense of \"unfinished scrutiny\" as victory is given to nobody, and failure", "about having the antagonist succeed over the protagonist, subverting a common trope of", "protagonist, subverting a common trope of the \"hero always wins\" dilemma. However, recently", "that collide with each other and eventually collapse. Is this kind of scenario", "the antagonist's negative influence has been destroyed as well. Overall, I see this", "give a sense of \"unfinished scrutiny\" as victory is given to nobody, and", "the concept of defeat for either the protagonist or antagonist is dependent on", "technically impossible, because the concept of defeat for either the protagonist or antagonist", "to whether the ending to any story is meant to be based on", "meant to be based on a black and white perspective of success vs.", "be based on a black and white perspective of success vs. failure on", "the other's victory? This kind of concluding effect may seem quite vague and", "scenario for a story's ending. My plot revolves around a constant struggle of", "ending - I've already theorized about having the antagonist succeed over the protagonist,", "protagonist is no longer a hero. I understand that this is only plausible", "like an awkward scenario for a story's ending. My plot revolves around a", "influence is what has been left damaged - the protagonist's positive influence has", "no longer a hero. I understand that this is only plausible if the", "been destroyed, while the antagonist's negative influence has been destroyed as well. Overall,", "plausible if the two opposing side's motives are not solely to eliminate each", "has been destroyed as well. Overall, I see this as creating a sort", "the two ideological opposites that collide with each other and eventually collapse. Is", "two ideological opposites that collide with each other and eventually collapse. Is this", "ending, because of the two ideological opposites that collide with each other and", "may seem quite vague and hard to grasp, as I'm not sure as", "kind of concluding effect may seem quite vague and hard to grasp, as", "to both sides. While the antagonist is no longer a threat, the protagonist", "opposing side's motives are not solely to eliminate each other as individuals, in", "negative influence has been destroyed as well. Overall, I see this as creating", "of the protagonist against the antagonist's forces, and eventually the antagonist himself. I've", "opposites that collide with each other and eventually collapse. Is this kind of", "damaged - the protagonist's positive influence has been destroyed, while the antagonist's negative", "some trouble finding an appropriate ending - I've already theorized about having the", "concept of defeat for either the protagonist or antagonist is dependent on the", "left damaged - the protagonist's positive influence has been destroyed, while the antagonist's", "antagonist himself. I've had some trouble finding an appropriate ending - I've already", "sides. While the antagonist is no longer a threat, the protagonist is no", "is no longer a threat, the protagonist is no longer a hero. I", "sort of \"neutral\" effect - neither good nor bad has come out of", "been left damaged - the protagonist's positive influence has been destroyed, while the", "climactic ending, because of the two ideological opposites that collide with each other", "other's victory? This kind of concluding effect may seem quite vague and hard", "vague and hard to grasp, as I'm not sure as to whether the", "final climactic ending, because of the two ideological opposites that collide with each", "the protagonist against the antagonist's forces, and eventually the antagonist himself. I've had", "idea? Would it be possible for neither side's goals to be accomplished, and", "ending. My plot revolves around a constant struggle of the protagonist against the", "two opposing side's motives are not solely to eliminate each other as individuals,", "of scenario technically impossible, because the concept of defeat for either the protagonist", "of concluding effect may seem quite vague and hard to grasp, as I'm", "this is only plausible if the two opposing side's motives are not solely", "fail as a result? It is indeed partly to give a sense of", "to nobody, and failure is awarded to both sides. While the antagonist is", "\"neutral\" effect - neither good nor bad has come out of the final", "eventually collapse. Is this kind of scenario technically impossible, because the concept of", "My plot revolves around a constant struggle of the protagonist against the antagonist's", "an appropriate ending - I've already theorized about having the antagonist succeed over", "to fulfill their ambition, they sacrifice themselves and fail as a result? It", "is only plausible if the two opposing side's motives are not solely to", "it be possible for neither side's goals to be accomplished, and in their", "a constant struggle of the protagonist against the antagonist's forces, and eventually the", "this kind of scenario technically impossible, because the concept of defeat for either", "out of the final climactic ending, because of the two ideological opposites that", "both sides. While the antagonist is no longer a threat, the protagonist is", "quite vague and hard to grasp, as I'm not sure as to whether", "is meant to be based on a black and white perspective of success", "be accomplished, and in their attempt to fulfill their ambition, they sacrifice themselves", "that this is only plausible if the two opposing side's motives are not", "ideological opposites that collide with each other and eventually collapse. Is this kind", "is dependent on the other's victory? This kind of concluding effect may seem", "based on a black and white perspective of success vs. failure on either", "is successful? Is this realistic, as a general idea? Would it be possible", "proposition had also crossed my mind. What if neither the protagonist nor the", "because the concept of defeat for either the protagonist or antagonist is dependent", "dilemma. However, recently another proposition had also crossed my mind. What if neither", "mind. What if neither the protagonist nor the antagonist is successful? Is this", "has been destroyed, while the antagonist's negative influence has been destroyed as well.", "and fail as a result? It is indeed partly to give a sense", "is given to nobody, and failure is awarded to both sides. While the", "protagonist's positive influence has been destroyed, while the antagonist's negative influence has been", "the antagonist succeed over the protagonist, subverting a common trope of the \"hero", "no longer a threat, the protagonist is no longer a hero. I understand", "as victory is given to nobody, and failure is awarded to both sides.", "However, recently another proposition had also crossed my mind. What if neither the", "antagonist is no longer a threat, the protagonist is no longer a hero.", "of the \"hero always wins\" dilemma. However, recently another proposition had also crossed", "an awkward scenario for a story's ending. My plot revolves around a constant", "both would be the winners. Rather, their influence is what has been left", "It is indeed partly to give a sense of \"unfinished scrutiny\" as victory", "ending to any story is meant to be based on a black and", "I've already theorized about having the antagonist succeed over the protagonist, subverting a", "to be accomplished, and in their attempt to fulfill their ambition, they sacrifice", "nor the antagonist is successful? Is this realistic, as a general idea? Would", "Would it be possible for neither side's goals to be accomplished, and in", "hero. I understand that this is only plausible if the two opposing side's", "dependent on the other's victory? This kind of concluding effect may seem quite", "their influence is what has been left damaged - the protagonist's positive influence", "finding an appropriate ending - I've already theorized about having the antagonist succeed", "been destroyed as well. Overall, I see this as creating a sort of", "failure is awarded to both sides. While the antagonist is no longer a", "effect - neither good nor bad has come out of the final climactic", "a result? It is indeed partly to give a sense of \"unfinished scrutiny\"", "to any story is meant to be based on a black and white", "effect may seem quite vague and hard to grasp, as I'm not sure", "each other as individuals, in which case both would be the winners. Rather,", "kind of scenario technically impossible, because the concept of defeat for either the", "succeed over the protagonist, subverting a common trope of the \"hero always wins\"", "scenario technically impossible, because the concept of defeat for either the protagonist or", "in their attempt to fulfill their ambition, they sacrifice themselves and fail as", "plot revolves around a constant struggle of the protagonist against the antagonist's forces,", "possible for neither side's goals to be accomplished, and in their attempt to", "ambition, they sacrifice themselves and fail as a result? It is indeed partly", "individuals, in which case both would be the winners. Rather, their influence is", "the protagonist or antagonist is dependent on the other's victory? This kind of", "which case both would be the winners. Rather, their influence is what has", "neither the protagonist nor the antagonist is successful? Is this realistic, as a", "to give a sense of \"unfinished scrutiny\" as victory is given to nobody,", "had some trouble finding an appropriate ending - I've already theorized about having", "the protagonist's positive influence has been destroyed, while the antagonist's negative influence has", "While the antagonist is no longer a threat, the protagonist is no longer", "of \"unfinished scrutiny\" as victory is given to nobody, and failure is awarded", "the protagonist nor the antagonist is successful? Is this realistic, as a general", "side's goals to be accomplished, and in their attempt to fulfill their ambition,", "scrutiny\" as victory is given to nobody, and failure is awarded to both", "if neither the protagonist nor the antagonist is successful? Is this realistic, as", "influence has been destroyed as well. Overall, I see this as creating a", "grasp, as I'm not sure as to whether the ending to any story", "partly to give a sense of \"unfinished scrutiny\" as victory is given to", "see this as creating a sort of \"neutral\" effect - neither good nor", "other and eventually collapse. Is this kind of scenario technically impossible, because the", "the \"hero always wins\" dilemma. However, recently another proposition had also crossed my", "defeat for either the protagonist or antagonist is dependent on the other's victory?", "either the protagonist or antagonist is dependent on the other's victory? This kind", "for a story's ending. My plot revolves around a constant struggle of the", "victory is given to nobody, and failure is awarded to both sides. While", "each other and eventually collapse. Is this kind of scenario technically impossible, because", "for either the protagonist or antagonist is dependent on the other's victory? This", "protagonist or antagonist is dependent on the other's victory? This kind of concluding", "or antagonist is dependent on the other's victory? This kind of concluding effect", "and failure is awarded to both sides. While the antagonist is no longer", "indeed partly to give a sense of \"unfinished scrutiny\" as victory is given", "are not solely to eliminate each other as individuals, in which case both", "- I've already theorized about having the antagonist succeed over the protagonist, subverting", "as creating a sort of \"neutral\" effect - neither good nor bad has", "is awarded to both sides. While the antagonist is no longer a threat,", "sacrifice themselves and fail as a result? It is indeed partly to give", "of \"neutral\" effect - neither good nor bad has come out of the", "has been left damaged - the protagonist's positive influence has been destroyed, while", "seem like an awkward scenario for a story's ending. My plot revolves around", "longer a threat, the protagonist is no longer a hero. I understand that", "good nor bad has come out of the final climactic ending, because of", "recently another proposition had also crossed my mind. What if neither the protagonist", "story is meant to be based on a black and white perspective of", "forces, and eventually the antagonist himself. I've had some trouble finding an appropriate", "- neither good nor bad has come out of the final climactic ending,", "accomplished, and in their attempt to fulfill their ambition, they sacrifice themselves and", "other as individuals, in which case both would be the winners. Rather, their", "their attempt to fulfill their ambition, they sacrifice themselves and fail as a", "whether the ending to any story is meant to be based on a", "this realistic, as a general idea? Would it be possible for neither side's", "over the protagonist, subverting a common trope of the \"hero always wins\" dilemma.", "not solely to eliminate each other as individuals, in which case both would", "of the final climactic ending, because of the two ideological opposites that collide", "struggle of the protagonist against the antagonist's forces, and eventually the antagonist himself.", "has come out of the final climactic ending, because of the two ideological", "motives are not solely to eliminate each other as individuals, in which case", "the antagonist is successful? Is this realistic, as a general idea? Would it", "for neither side's goals to be accomplished, and in their attempt to fulfill", "in which case both would be the winners. Rather, their influence is what", "my mind. What if neither the protagonist nor the antagonist is successful? Is", "the protagonist, subverting a common trope of the \"hero always wins\" dilemma. However,", "a story's ending. My plot revolves around a constant struggle of the protagonist", "the antagonist's forces, and eventually the antagonist himself. I've had some trouble finding", "impossible, because the concept of defeat for either the protagonist or antagonist is", "Is this realistic, as a general idea? Would it be possible for neither", "also crossed my mind. What if neither the protagonist nor the antagonist is", "a common trope of the \"hero always wins\" dilemma. However, recently another proposition", "the antagonist is no longer a threat, the protagonist is no longer a", "case both would be the winners. Rather, their influence is what has been", "bad has come out of the final climactic ending, because of the two", "side's motives are not solely to eliminate each other as individuals, in which", "This kind of concluding effect may seem quite vague and hard to grasp,", "this as creating a sort of \"neutral\" effect - neither good nor bad", "I'm not sure as to whether the ending to any story is meant", "be the winners. Rather, their influence is what has been left damaged -", "as to whether the ending to any story is meant to be based", "result? It is indeed partly to give a sense of \"unfinished scrutiny\" as", "common trope of the \"hero always wins\" dilemma. However, recently another proposition had", "antagonist succeed over the protagonist, subverting a common trope of the \"hero always", "awkward scenario for a story's ending. My plot revolves around a constant struggle", "trope of the \"hero always wins\" dilemma. However, recently another proposition had also", "goals to be accomplished, and in their attempt to fulfill their ambition, they", "well. Overall, I see this as creating a sort of \"neutral\" effect -", "I see this as creating a sort of \"neutral\" effect - neither good", "a sort of \"neutral\" effect - neither good nor bad has come out", "destroyed as well. Overall, I see this as creating a sort of \"neutral\"", "always wins\" dilemma. However, recently another proposition had also crossed my mind. What", "general idea? Would it be possible for neither side's goals to be accomplished,", "because of the two ideological opposites that collide with each other and eventually", "antagonist's forces, and eventually the antagonist himself. I've had some trouble finding an", "nobody, and failure is awarded to both sides. While the antagonist is no", "eventually the antagonist himself. I've had some trouble finding an appropriate ending -", "is indeed partly to give a sense of \"unfinished scrutiny\" as victory is", "of defeat for either the protagonist or antagonist is dependent on the other's", "constant struggle of the protagonist against the antagonist's forces, and eventually the antagonist", "themselves and fail as a result? It is indeed partly to give a", "nor bad has come out of the final climactic ending, because of the", "destroyed, while the antagonist's negative influence has been destroyed as well. Overall, I", "the final climactic ending, because of the two ideological opposites that collide with", "hard to grasp, as I'm not sure as to whether the ending to", "I understand that this is only plausible if the two opposing side's motives", "successful? Is this realistic, as a general idea? Would it be possible for", "if the two opposing side's motives are not solely to eliminate each other", "Is this kind of scenario technically impossible, because the concept of defeat for", "their ambition, they sacrifice themselves and fail as a result? It is indeed", "and eventually the antagonist himself. I've had some trouble finding an appropriate ending", "solely to eliminate each other as individuals, in which case both would be", "and in their attempt to fulfill their ambition, they sacrifice themselves and fail", "wins\" dilemma. However, recently another proposition had also crossed my mind. What if", "any story is meant to be based on a black and white perspective", "story's ending. My plot revolves around a constant struggle of the protagonist against", "victory? This kind of concluding effect may seem quite vague and hard to", "the antagonist himself. I've had some trouble finding an appropriate ending - I've", "would be the winners. Rather, their influence is what has been left damaged", "theorized about having the antagonist succeed over the protagonist, subverting a common trope" ]
[ "If I say \"*I am a roll of toilet paper on the inside", "prejudices. I think we all do. If I use a metaphor, I'm pretty", "and understand how other people, \"non like-minded people\" might interpret that same metaphor.", "figure out the different interpretations other people might have towards the same metaphor?", "see a metaphor used in a speech. I tend to think a certain", "and analogies. How ironical is that. Swoth tells about using what is called", "response I intended to that segment of the audience of like-minded individuals. What", "came in the mail today. Chapter 24 is titled Metaphors and analogies. How", "ago called \"Lead With A Story\" by Peil Smucd and it came in", "I'm pretty certain that it will invoke the response I intended to that", "60 year old male. If I say \"*I am a roll of toilet", "the mail today. Chapter 24 is titled Metaphors and analogies. How ironical is", "questions out there I can use to figure out the different interpretations other", "think about that metaphor. I'd like to understand what 20 somethings, or 30", "have certain prejudices. I think we all do. If I use a metaphor,", "can use to figure out the different interpretations other people might have towards", "Are there some sort of exercises I can do? Is there a standard", "know what 60+ year old people think about that metaphor. I'd like to", "it came in the mail today. Chapter 24 is titled Metaphors and analogies.", "toilet paper on the inside third.\" I know what 60+ year old people", "I say \"I am a roll of toilet paper on the inside third.\"", "somethings might think. Update* I ordered a book two days ago called \"Lead", "and 50 somethings might think. Update I ordered a book two days ago", "there a standard set of questions out there I can use to figure", "like-minded people\" might interpret that same metaphor. Are there some sort of exercises", "discover what others might think when they hear or see a metaphor used", "30 somethings, or 40, and 50 somethings might think. Update I ordered a", "looking for ways to discover what others might think when they hear or", "individuals. What about other people? People who are not like-minded? How will they", "titled Metaphors and analogies. How ironical is that. Swoth tells about using what", "not like-minded? How will they interpret the meaning behind the metaphor? I want", "third.*\" I know what 60+ year old people think about that metaphor. I'd", "a metaphor used in a speech. I tend to think a certain way.", "ways to discover what others might think when they hear or see a", "I use a metaphor, I'm pretty certain that it will invoke the response", "I ordered a book two days ago called \"Lead With A Story\" by", "sort of exercises I can do? Is there a standard set of questions", "like to understand what 20 somethings, or 30 somethings, or 40, and 50", "I think we all do. If I use a metaphor, I'm pretty certain", "book two days ago called \"Lead With A Story\" by Peil Smucd and", "interpret the meaning behind the metaphor? I want to learn and understand how", "certain that it will invoke the response I intended to that segment of", "\"I am a roll of toilet paper on the inside third.\" I know", "what 60+ year old people think about that metaphor. I'd like to understand", "certain prejudices. I think we all do. If I use a metaphor, I'm", "do? Is there a standard set of questions out there I can use", "called \"Lead With A Story\" by Peil Smucd and it came in the", "(ZMET). [Zaltman Metaphor Elicitation Technique](https://en.wikipedia.org/wiki/Zaltman_metaphor_elicitation_technique) I also found some very interesting resources: <http://sixminutes.dlugan.com/metaphor-speech-examples/>", "segment of the audience of like-minded individuals. What about other people? People who", "am a roll of toilet paper on the inside third.\" I know what", "I want to learn and understand how other people, \"non like-minded people\" might", "to think a certain way. I have certain prejudices. I think we all", "want to learn and understand how other people, \"non like-minded people\" might interpret", "same metaphor. Are there some sort of exercises I can do? Is there", "that. Swoth tells about using what is called the Zaltman Metaphor Elicitation Technique", "\"Lead With A Story\" by Peil Smucd and it came in the mail", "the response I intended to that segment of the audience of like-minded individuals.", "speech. I tend to think a certain way. I have certain prejudices. I", "the metaphor? I want to learn and understand how other people, \"non like-minded", "ordered a book two days ago called \"Lead With A Story\" by Peil", "Peil Smucd and it came in the mail today. Chapter 24 is titled", "there I can use to figure out the different interpretations other people might", "might have towards the same metaphor? For example:* I'm a 60 year old", "Elicitation Technique (ZMET). [Zaltman Metaphor Elicitation Technique](https://en.wikipedia.org/wiki/Zaltman_metaphor_elicitation_technique) I also found some very interesting", "somethings, or 40, and 50 somethings might think. Update I ordered a book", "pretty certain that it will invoke the response I intended to that segment", "we all do. If I use a metaphor, I'm pretty certain that it", "standard set of questions out there I can use to figure out the", "will they interpret the meaning behind the metaphor? I want to learn and", "I'm looking for ways to discover what others might think when they hear", "use to figure out the different interpretations other people might have towards the", "the inside third.*\" I know what 60+ year old people think about that", "are not like-minded? How will they interpret the meaning behind the metaphor? I", "I can do? Is there a standard set of questions out there I", "how other people, \"non like-minded people\" might interpret that same metaphor. Are there", "24 is titled Metaphors and analogies. How ironical is that. Swoth tells about", "For example: I'm a 60 year old male. If I say \"I am", "Smucd and it came in the mail today. Chapter 24 is titled Metaphors", "that segment of the audience of like-minded individuals. What about other people? People", "about using what is called the Zaltman Metaphor Elicitation Technique (ZMET). [Zaltman Metaphor", "to discover what others might think when they hear or see a metaphor", "metaphor used in a speech. I tend to think a certain way. I", "the audience of like-minded individuals. What about other people? People who are not", "think when they hear or see a metaphor used in a speech. I", "say \"I am a roll of toilet paper on the inside third.\" I", "a book two days ago called \"Lead With A Story\" by Peil Smucd", "there some sort of exercises I can do? Is there a standard set", "think a certain way. I have certain prejudices. I think we all do.", "think. Update* I ordered a book two days ago called \"Lead With A", "What about other people? People who are not like-minded? How will they interpret", "is titled Metaphors and analogies. How ironical is that. Swoth tells about using", "I can use to figure out the different interpretations other people might have", "might think when they hear or see a metaphor used in a speech.", "a 60 year old male. If I say \"*I am a roll of", "50 somethings might think. Update I ordered a book two days ago called", "about that metaphor. I'd like to understand what 20 somethings, or 30 somethings,", "like-minded? How will they interpret the meaning behind the metaphor? I want to", "people think about that metaphor. I'd like to understand what 20 somethings, or", "or 40, and 50 somethings might think. Update I ordered a book two", "Swoth tells about using what is called the Zaltman Metaphor Elicitation Technique (ZMET).", "and it came in the mail today. Chapter 24 is titled Metaphors and", "Is there a standard set of questions out there I can use to", "A Story\" by Peil Smucd and it came in the mail today. Chapter", "People who are not like-minded? How will they interpret the meaning behind the", "Story\" by Peil Smucd and it came in the mail today. Chapter 24", "of questions out there I can use to figure out the different interpretations", "using what is called the Zaltman Metaphor Elicitation Technique (ZMET). [Zaltman Metaphor Elicitation", "people, \"non like-minded people\" might interpret that same metaphor. Are there some sort", "of the audience of like-minded individuals. What about other people? People who are", "interpret that same metaphor. Are there some sort of exercises I can do?", "audience of like-minded individuals. What about other people? People who are not like-minded?", "is that. Swoth tells about using what is called the Zaltman Metaphor Elicitation", "of like-minded individuals. What about other people? People who are not like-minded? How", "what others might think when they hear or see a metaphor used in", "people\" might interpret that same metaphor. Are there some sort of exercises I", "might interpret that same metaphor. Are there some sort of exercises I can", "for ways to discover what others might think when they hear or see", "inside third.*\" I know what 60+ year old people think about that metaphor.", "is called the Zaltman Metaphor Elicitation Technique (ZMET). [Zaltman Metaphor Elicitation Technique](https://en.wikipedia.org/wiki/Zaltman_metaphor_elicitation_technique) I", "what is called the Zaltman Metaphor Elicitation Technique (ZMET). [Zaltman Metaphor Elicitation Technique](https://en.wikipedia.org/wiki/Zaltman_metaphor_elicitation_technique)", "do. If I use a metaphor, I'm pretty certain that it will invoke", "called the Zaltman Metaphor Elicitation Technique (ZMET). [Zaltman Metaphor Elicitation Technique](https://en.wikipedia.org/wiki/Zaltman_metaphor_elicitation_technique) I also", "mail today. Chapter 24 is titled Metaphors and analogies. How ironical is that.", "60+ year old people think about that metaphor. I'd like to understand what", "paper on the inside third.\" I know what 60+ year old people think", "a speech. I tend to think a certain way. I have certain prejudices.", "a certain way. I have certain prejudices. I think we all do. If", "can do? Is there a standard set of questions out there I can", "exercises I can do? Is there a standard set of questions out there", "different interpretations other people might have towards the same metaphor? For example:* I'm", "certain way. I have certain prejudices. I think we all do. If I", "male. If I say \"*I am a roll of toilet paper on the", "I tend to think a certain way. I have certain prejudices. I think", "metaphor. I'd like to understand what 20 somethings, or 30 somethings, or 40,", "a metaphor, I'm pretty certain that it will invoke the response I intended", "others might think when they hear or see a metaphor used in a", "How will they interpret the meaning behind the metaphor? I want to learn", "metaphor, I'm pretty certain that it will invoke the response I intended to", "the Zaltman Metaphor Elicitation Technique (ZMET). [Zaltman Metaphor Elicitation Technique](https://en.wikipedia.org/wiki/Zaltman_metaphor_elicitation_technique) I also found", "on the inside third.\" I know what 60+ year old people think about", "Metaphor Elicitation Technique](https://en.wikipedia.org/wiki/Zaltman_metaphor_elicitation_technique) I also found some very interesting resources: <http://sixminutes.dlugan.com/metaphor-speech-examples/> <https://www.lancaster.ac.uk/staff/eiaes/Pragglejaz_Group_2007.pdf> <http://www.mt-archive.info/CLRU-1959-Wordley-1.pdf>", "hear or see a metaphor used in a speech. I tend to think", "or 30 somethings, or 40, and 50 somethings might think. Update* I ordered", "some sort of exercises I can do? Is there a standard set of", "somethings, or 30 somethings, or 40, and 50 somethings might think. Update I", "other people might have towards the same metaphor? For example: I'm a 60", "tend to think a certain way. I have certain prejudices. I think we", "I know what 60+ year old people think about that metaphor. I'd like", "Chapter 24 is titled Metaphors and analogies. How ironical is that. Swoth tells", "like-minded individuals. What about other people? People who are not like-minded? How will", "it will invoke the response I intended to that segment of the audience", "of exercises I can do? Is there a standard set of questions out", "days ago called \"Lead With A Story\" by Peil Smucd and it came", "invoke the response I intended to that segment of the audience of like-minded", "to understand what 20 somethings, or 30 somethings, or 40, and 50 somethings", "example: I'm a 60 year old male. If I say \"I am a", "they hear or see a metaphor used in a speech. I tend to", "people? People who are not like-minded? How will they interpret the meaning behind", "With A Story\" by Peil Smucd and it came in the mail today.", "metaphor? For example:* I'm a 60 year old male. If I say \"*I", "have towards the same metaphor? For example: I'm a 60 year old male.", "other people, \"non like-minded people\" might interpret that same metaphor. Are there some", "think we all do. If I use a metaphor, I'm pretty certain that", "old people think about that metaphor. I'd like to understand what 20 somethings,", "will invoke the response I intended to that segment of the audience of", "by Peil Smucd and it came in the mail today. Chapter 24 is", "Zaltman Metaphor Elicitation Technique (ZMET). [Zaltman Metaphor Elicitation Technique](https://en.wikipedia.org/wiki/Zaltman_metaphor_elicitation_technique) I also found some", "of toilet paper on the inside third.\" I know what 60+ year old", "interpretations other people might have towards the same metaphor? For example:* I'm a", "who are not like-minded? How will they interpret the meaning behind the metaphor?", "40, and 50 somethings might think. Update I ordered a book two days", "a roll of toilet paper on the inside third.*\" I know what 60+", "in the mail today. Chapter 24 is titled Metaphors and analogies. How ironical", "I intended to that segment of the audience of like-minded individuals. What about", "used in a speech. I tend to think a certain way. I have", "Metaphors and analogies. How ironical is that. Swoth tells about using what is", "behind the metaphor? I want to learn and understand how other people, \"non", "set of questions out there I can use to figure out the different", "use a metaphor, I'm pretty certain that it will invoke the response I", "in a speech. I tend to think a certain way. I have certain", "intended to that segment of the audience of like-minded individuals. What about other", "to learn and understand how other people, \"non like-minded people\" might interpret that", "If I use a metaphor, I'm pretty certain that it will invoke the", "roll of toilet paper on the inside third.\" I know what 60+ year", "metaphor? I want to learn and understand how other people, \"non like-minded people\"", "I'm a 60 year old male. If I say \"I am a roll", "what 20 somethings, or 30 somethings, or 40, and 50 somethings might think.", "learn and understand how other people, \"non like-minded people\" might interpret that same", "metaphor. Are there some sort of exercises I can do? Is there a", "about other people? People who are not like-minded? How will they interpret the", "the different interpretations other people might have towards the same metaphor? For example:", "same metaphor? For example: I'm a 60 year old male. If I say", "the same metaphor? For example: I'm a 60 year old male. If I", "tells about using what is called the Zaltman Metaphor Elicitation Technique (ZMET). [Zaltman", "a standard set of questions out there I can use to figure out", "Update I ordered a book two days ago called \"Lead With A Story\"", "[Zaltman Metaphor Elicitation Technique](https://en.wikipedia.org/wiki/Zaltman_metaphor_elicitation_technique) I also found some very interesting resources: <http://sixminutes.dlugan.com/metaphor-speech-examples/> <https://www.lancaster.ac.uk/staff/eiaes/Pragglejaz_Group_2007.pdf>", "that it will invoke the response I intended to that segment of the", "or see a metaphor used in a speech. I tend to think a", "they interpret the meaning behind the metaphor? I want to learn and understand", "all do. If I use a metaphor, I'm pretty certain that it will", "I'd like to understand what 20 somethings, or 30 somethings, or 40, and", "when they hear or see a metaphor used in a speech. I tend", "analogies. How ironical is that. Swoth tells about using what is called the", "ironical is that. Swoth tells about using what is called the Zaltman Metaphor", "towards the same metaphor? For example: I'm a 60 year old male. If", "two days ago called \"Lead With A Story\" by Peil Smucd and it", "20 somethings, or 30 somethings, or 40, and 50 somethings might think. Update", "year old male. If I say \"*I am a roll of toilet paper", "How ironical is that. Swoth tells about using what is called the Zaltman", "Technique (ZMET). [Zaltman Metaphor Elicitation Technique](https://en.wikipedia.org/wiki/Zaltman_metaphor_elicitation_technique) I also found some very interesting resources:", "year old people think about that metaphor. I'd like to understand what 20", "other people? People who are not like-minded? How will they interpret the meaning", "the meaning behind the metaphor? I want to learn and understand how other", "understand how other people, \"non like-minded people\" might interpret that same metaphor. Are", "\"non like-minded people\" might interpret that same metaphor. Are there some sort of", "that metaphor. I'd like to understand what 20 somethings, or 30 somethings, or", "might think. Update I ordered a book two days ago called \"Lead With", "to figure out the different interpretations other people might have towards the same", "Metaphor Elicitation Technique (ZMET). [Zaltman Metaphor Elicitation Technique](https://en.wikipedia.org/wiki/Zaltman_metaphor_elicitation_technique) I also found some very", "meaning behind the metaphor? I want to learn and understand how other people,", "people might have towards the same metaphor? For example: I'm a 60 year", "way. I have certain prejudices. I think we all do. If I use", "today. Chapter 24 is titled Metaphors and analogies. How ironical is that. Swoth", "out the different interpretations other people might have towards the same metaphor? For", "I have certain prejudices. I think we all do. If I use a", "out there I can use to figure out the different interpretations other people", "that same metaphor. Are there some sort of exercises I can do? Is", "understand what 20 somethings, or 30 somethings, or 40, and 50 somethings might", "old male. If I say \"***I am a roll of toilet paper on", "to that segment of the audience of like-minded individuals. What about other people?" ]
[ "a character that was the antagonist in one story and will be the", "the softer side of a rough person without loosing the gruffness? I have", "softer side of a rough person without loosing the gruffness? I have a", "the protagonist in another where he will fall in love. He was very", "without loosing the gruffness? I have a character that was the antagonist in", "He found his perfect mate, but reader feedback has told me that when", "side of a rough person without loosing the gruffness? I have a character", "the same man. So how does one walk that line between bad boy", "try to show that he's in love, he turns too mushy and is", "and cruel. He's a hard person with a heavy background, but he's not", "do you show the softer side of a rough person without loosing the", "was very harsh and cruel. He's a hard person with a heavy background,", "He was very harsh and cruel. He's a hard person with a heavy", "fall in love. He was very harsh and cruel. He's a hard person", "will be the protagonist in another where he will fall in love. He", "evil and not all bad. He has a soft spot. He found his", "person without loosing the gruffness? I have a character that was the antagonist", "has a soft spot. He found his perfect mate, but reader feedback has", "rough person without loosing the gruffness? I have a character that was the", "walk that line between bad boy and pitiful Romeo? Any tips or tricks?", "a heavy background, but he's not evil and not all bad. He has", "you show the softer side of a rough person without loosing the gruffness?", "and is not the same man. So how does one walk that line", "same man. So how does one walk that line between bad boy and", "I try to show that he's in love, he turns too mushy and", "love, he turns too mushy and is not the same man. So how", "harsh and cruel. He's a hard person with a heavy background, but he's", "person with a heavy background, but he's not evil and not all bad.", "background, but he's not evil and not all bad. He has a soft", "me that when I try to show that he's in love, he turns", "that when I try to show that he's in love, he turns too", "heavy background, but he's not evil and not all bad. He has a", "one story and will be the protagonist in another where he will fall", "in love. He was very harsh and cruel. He's a hard person with", "in another where he will fall in love. He was very harsh and", "very harsh and cruel. He's a hard person with a heavy background, but", "in one story and will be the protagonist in another where he will", "is not the same man. So how does one walk that line between", "mushy and is not the same man. So how does one walk that", "He's a hard person with a heavy background, but he's not evil and", "spot. He found his perfect mate, but reader feedback has told me that", "does one walk that line between bad boy and pitiful Romeo? Any tips", "where he will fall in love. He was very harsh and cruel. He's", "too mushy and is not the same man. So how does one walk", "his perfect mate, but reader feedback has told me that when I try", "show the softer side of a rough person without loosing the gruffness? I", "turns too mushy and is not the same man. So how does one", "loosing the gruffness? I have a character that was the antagonist in one", "I have a character that was the antagonist in one story and will", "found his perfect mate, but reader feedback has told me that when I", "he turns too mushy and is not the same man. So how does", "feedback has told me that when I try to show that he's in", "not evil and not all bad. He has a soft spot. He found", "was the antagonist in one story and will be the protagonist in another", "another where he will fall in love. He was very harsh and cruel.", "protagonist in another where he will fall in love. He was very harsh", "one walk that line between bad boy and pitiful Romeo? Any tips or", "love. He was very harsh and cruel. He's a hard person with a", "cruel. He's a hard person with a heavy background, but he's not evil", "in love, he turns too mushy and is not the same man. So", "not all bad. He has a soft spot. He found his perfect mate,", "the antagonist in one story and will be the protagonist in another where", "perfect mate, but reader feedback has told me that when I try to", "show that he's in love, he turns too mushy and is not the", "but reader feedback has told me that when I try to show that", "he's not evil and not all bad. He has a soft spot. He", "soft spot. He found his perfect mate, but reader feedback has told me", "to show that he's in love, he turns too mushy and is not", "bad. He has a soft spot. He found his perfect mate, but reader", "have a character that was the antagonist in one story and will be", "reader feedback has told me that when I try to show that he's", "told me that when I try to show that he's in love, he", "character that was the antagonist in one story and will be the protagonist", "How do you show the softer side of a rough person without loosing", "not the same man. So how does one walk that line between bad", "a hard person with a heavy background, but he's not evil and not", "that he's in love, he turns too mushy and is not the same", "when I try to show that he's in love, he turns too mushy", "all bad. He has a soft spot. He found his perfect mate, but", "will fall in love. He was very harsh and cruel. He's a hard", "and will be the protagonist in another where he will fall in love.", "with a heavy background, but he's not evil and not all bad. He", "He has a soft spot. He found his perfect mate, but reader feedback", "he's in love, he turns too mushy and is not the same man.", "that was the antagonist in one story and will be the protagonist in", "a soft spot. He found his perfect mate, but reader feedback has told", "a rough person without loosing the gruffness? I have a character that was", "be the protagonist in another where he will fall in love. He was", "has told me that when I try to show that he's in love,", "antagonist in one story and will be the protagonist in another where he", "how does one walk that line between bad boy and pitiful Romeo? Any", "gruffness? I have a character that was the antagonist in one story and", "So how does one walk that line between bad boy and pitiful Romeo?", "and not all bad. He has a soft spot. He found his perfect", "hard person with a heavy background, but he's not evil and not all", "of a rough person without loosing the gruffness? I have a character that", "mate, but reader feedback has told me that when I try to show", "man. So how does one walk that line between bad boy and pitiful", "the gruffness? I have a character that was the antagonist in one story", "he will fall in love. He was very harsh and cruel. He's a", "story and will be the protagonist in another where he will fall in", "but he's not evil and not all bad. He has a soft spot." ]
[ "trees are flying in the wind. What's the intended effect and what kind", "is this if it indeed is a metaphor? I am talking about \"trees", "of metaphor is \"trees in the wind\"? > > I saw God in", "the wind\" as if the trees are flying in the wind. What's the", "I find odd is that the reference is \"trees in the wind\" and", "and the intended can be just \"trees moving with the wind\" instead of", "> > > Teachin' Tai Chi > > > To the trees in", "be comparing it to anything and the intended can be just \"trees moving", "the wind\" instead of \"tree in the wind\" as if the trees are", "> > I saw God in the Forest > > > Teachin' Tai", "in the wind. What's the intended effect and what kind of metaphor is", "be just \"trees moving with the wind\" instead of \"tree in the wind\"", "> Bowing to the sea > > > Excerpt from <http://www.bensollee.com/panning-for-gold> What I", "find odd is that the reference is \"trees in the wind\" and not", "the reference is \"trees in the wind\" and not just a word and", "> > > To the trees in the wind > > > Bowing", "obvious, because it doesn't seem to be comparing it to anything and the", "to anything and the intended can be just \"trees moving with the wind\"", "wind > > > Bowing to the sea > > > Excerpt from", "the sea > > > Excerpt from <http://www.bensollee.com/panning-for-gold> What I find odd is", "the wind. What's the intended effect and what kind of metaphor is this", "I am talking about \"trees in the wind\" specifically and not \"teachin' Tai", "because it doesn't seem to be comparing it to anything and the intended", "\"trees in the wind\" and not just a word and the referee is", "the wind\" specifically and not \"teachin' Tai Chi to the trees in the", "metaphor is this if it indeed is a metaphor? I am talking about", "metaphor is \"trees in the wind\"? > > I saw God in the", "in the wind\" as if the trees are flying in the wind. What's", "in the wind\"? > > I saw God in the Forest > >", "effect and what kind of metaphor is this if it indeed is a", "it to anything and the intended can be just \"trees moving with the", "wind. What's the intended effect and what kind of metaphor is this if", "wind\" instead of \"tree in the wind\" as if the trees are flying", "> Teachin' Tai Chi > > > To the trees in the wind", "from <http://www.bensollee.com/panning-for-gold> What I find odd is that the reference is \"trees in", "the wind\" and not just a word and the referee is not obvious,", "to be comparing it to anything and the intended can be just \"trees", "> I saw God in the Forest > > > Teachin' Tai Chi", "sea > > > Excerpt from <http://www.bensollee.com/panning-for-gold> What I find odd is that", "not obvious, because it doesn't seem to be comparing it to anything and", "in the wind\" specifically and not \"teachin' Tai Chi to the trees in", "kind of metaphor is \"trees in the wind\"? > > I saw God", "intended can be just \"trees moving with the wind\" instead of \"tree in", "of \"tree in the wind\" as if the trees are flying in the", "just a word and the referee is not obvious, because it doesn't seem", "\"trees in the wind\"? > > I saw God in the Forest >", "the wind\"? > > I saw God in the Forest > > >", "can be just \"trees moving with the wind\" instead of \"tree in the", "referee is not obvious, because it doesn't seem to be comparing it to", "to the sea > > > Excerpt from <http://www.bensollee.com/panning-for-gold> What I find odd", "the trees in the wind > > > Bowing to the sea >", "word and the referee is not obvious, because it doesn't seem to be", "what kind of metaphor is this if it indeed is a metaphor? I", "is that the reference is \"trees in the wind\" and not just a", "of metaphor is this if it indeed is a metaphor? I am talking", "wind\" specifically and not \"teachin' Tai Chi to the trees in the wind\".", "odd is that the reference is \"trees in the wind\" and not just", "> > Bowing to the sea > > > Excerpt from <http://www.bensollee.com/panning-for-gold> What", "\"trees in the wind\" specifically and not \"teachin' Tai Chi to the trees", "> > > Bowing to the sea > > > Excerpt from <http://www.bensollee.com/panning-for-gold>", "is \"trees in the wind\" and not just a word and the referee", "a metaphor? I am talking about \"trees in the wind\" specifically and not", "Bowing to the sea > > > Excerpt from <http://www.bensollee.com/panning-for-gold> What I find", "instead of \"tree in the wind\" as if the trees are flying in", "To the trees in the wind > > > Bowing to the sea", "reference is \"trees in the wind\" and not just a word and the", "are flying in the wind. What's the intended effect and what kind of", "the trees are flying in the wind. What's the intended effect and what", "indeed is a metaphor? I am talking about \"trees in the wind\" specifically", "and the referee is not obvious, because it doesn't seem to be comparing", "a word and the referee is not obvious, because it doesn't seem to", "the wind > > > Bowing to the sea > > > Excerpt", "What's the intended effect and what kind of metaphor is this if it", "Forest > > > Teachin' Tai Chi > > > To the trees", "moving with the wind\" instead of \"tree in the wind\" as if the", "if it indeed is a metaphor? I am talking about \"trees in the", "talking about \"trees in the wind\" specifically and not \"teachin' Tai Chi to", "doesn't seem to be comparing it to anything and the intended can be", "and not just a word and the referee is not obvious, because it", "seem to be comparing it to anything and the intended can be just", "flying in the wind. What's the intended effect and what kind of metaphor", "is \"trees in the wind\"? > > I saw God in the Forest", "Teachin' Tai Chi > > > To the trees in the wind >", "<http://www.bensollee.com/panning-for-gold> What I find odd is that the reference is \"trees in the", "the intended effect and what kind of metaphor is this if it indeed", "the referee is not obvious, because it doesn't seem to be comparing it", "in the wind\" and not just a word and the referee is not", "Tai Chi > > > To the trees in the wind > >", "and what kind of metaphor is this if it indeed is a metaphor?", "as if the trees are flying in the wind. What's the intended effect", "is a metaphor? I am talking about \"trees in the wind\" specifically and", "about \"trees in the wind\" specifically and not \"teachin' Tai Chi to the", "the intended can be just \"trees moving with the wind\" instead of \"tree", "intended effect and what kind of metaphor is this if it indeed is", "> To the trees in the wind > > > Bowing to the", "wind\" as if the trees are flying in the wind. What's the intended", "I saw God in the Forest > > > Teachin' Tai Chi >", "anything and the intended can be just \"trees moving with the wind\" instead", "trees in the wind > > > Bowing to the sea > >", "> > To the trees in the wind > > > Bowing to", "is not obvious, because it doesn't seem to be comparing it to anything", "in the Forest > > > Teachin' Tai Chi > > > To", "\"tree in the wind\" as if the trees are flying in the wind.", "Chi > > > To the trees in the wind > > >", "it indeed is a metaphor? I am talking about \"trees in the wind\"", "> > Teachin' Tai Chi > > > To the trees in the", "Excerpt from <http://www.bensollee.com/panning-for-gold> What I find odd is that the reference is \"trees", "wind\"? > > I saw God in the Forest > > > Teachin'", "saw God in the Forest > > > Teachin' Tai Chi > >", "am talking about \"trees in the wind\" specifically and not \"teachin' Tai Chi", "it doesn't seem to be comparing it to anything and the intended can", "the Forest > > > Teachin' Tai Chi > > > To the", "> > Excerpt from <http://www.bensollee.com/panning-for-gold> What I find odd is that the reference", "if the trees are flying in the wind. What's the intended effect and", "> Excerpt from <http://www.bensollee.com/panning-for-gold> What I find odd is that the reference is", "that the reference is \"trees in the wind\" and not just a word", "God in the Forest > > > Teachin' Tai Chi > > >", "this if it indeed is a metaphor? I am talking about \"trees in", "with the wind\" instead of \"tree in the wind\" as if the trees", "kind of metaphor is this if it indeed is a metaphor? I am", "What kind of metaphor is \"trees in the wind\"? > > I saw", "wind\" and not just a word and the referee is not obvious, because", "\"trees moving with the wind\" instead of \"tree in the wind\" as if", "comparing it to anything and the intended can be just \"trees moving with", "metaphor? I am talking about \"trees in the wind\" specifically and not \"teachin'", "What I find odd is that the reference is \"trees in the wind\"", "not just a word and the referee is not obvious, because it doesn't", "in the wind > > > Bowing to the sea > > >", "just \"trees moving with the wind\" instead of \"tree in the wind\" as", "> > > Excerpt from <http://www.bensollee.com/panning-for-gold> What I find odd is that the" ]
[ "for any advice! P.S. I am new to this forum, so I'm not", "2 * Disadvantages Would it be better to address the rebuttals in the", "or should I tackle each point right after. For the former, it seems", "Would it be better to address the rebuttals in the disadvantages paragraph altogether,", "I am new to this forum, so I'm not sure whether this content", "it seems like it's more organised, because I'm not jumping from advantages to", "advantages to disadvantages, then back to advantages again. However, for the latter, it", "for the latter, it reminds the reader the point I was making instead", "from advantages to disadvantages, then back to advantages again. However, for the latter,", "following lines... * Advantage 1; rebuttal 1 * Advantage 2; rebuttal 2 ", "after. For the former, it seems like it's more organised, because I'm not", "of going back to check what points I have made. Would be grateful", "2; rebuttal 2 Disadvantages Would it be better to address the rebuttals", "not jumping from advantages to disadvantages, then back to advantages again. However, for", "former, it seems like it's more organised, because I'm not jumping from advantages", "the following lines... * Advantage 1; rebuttal 1 * Advantage 2; rebuttal 2", "check what points I have made. Would be grateful for any advice! P.S.", "to disadvantages, then back to advantages again. However, for the latter, it reminds", "an argumentative essay and it goes along the following lines... * Advantage 1;", "making instead of going back to check what points I have made. Would", "the latter, it reminds the reader the point I was making instead of", "right after. For the former, it seems like it's more organised, because I'm", "it be better to address the rebuttals in the disadvantages paragraph altogether, or", "because I'm not jumping from advantages to disadvantages, then back to advantages again.", "to address the rebuttals in the disadvantages paragraph altogether, or should I tackle", "Advantage 2; rebuttal 2 * Disadvantages Would it be better to address the", "the disadvantages paragraph altogether, or should I tackle each point right after. For", "be grateful for any advice! P.S. I am new to this forum, so", "paragraph altogether, or should I tackle each point right after. For the former,", "address the rebuttals in the disadvantages paragraph altogether, or should I tackle each", "reminds the reader the point I was making instead of going back to", "Would be grateful for any advice! P.S. I am new to this forum,", "advice! P.S. 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For the", "rebuttals in the disadvantages paragraph altogether, or should I tackle each point right", "better to address the rebuttals in the disadvantages paragraph altogether, or should I", "it goes along the following lines... * Advantage 1; rebuttal 1 * Advantage", "points I have made. Would be grateful for any advice! P.S. I am", "to advantages again. However, for the latter, it reminds the reader the point", "advantages again. However, for the latter, it reminds the reader the point I", "lines... * Advantage 1; rebuttal 1 * Advantage 2; rebuttal 2 * Disadvantages", "tackle each point right after. For the former, it seems like it's more", "1 * Advantage 2; rebuttal 2 * Disadvantages Would it be better to", "Advantage 1; rebuttal 1 * Advantage 2; rebuttal 2 * Disadvantages Would it", "I was making instead of going back to check what points I have", "I am writing an argumentative essay and it goes along the following lines...", "have made. Would be grateful for any advice! P.S. I am new to", "instead of going back to check what points I have made. Would be", "rebuttal 1 * Advantage 2; rebuttal 2 * Disadvantages Would it be better", "* Disadvantages Would it be better to address the rebuttals in the disadvantages", "grateful for any advice! P.S. I am new to this forum, so I'm", "be better to address the rebuttals in the disadvantages paragraph altogether, or should", "essay and it goes along the following lines... * Advantage 1; rebuttal 1", "1; rebuttal 1 * Advantage 2; rebuttal 2 * Disadvantages Would it be", "I tackle each point right after. For the former, it seems like it's", "I have made. Would be grateful for any advice! P.S. I am new", "to check what points I have made. Would be grateful for any advice!", "in the disadvantages paragraph altogether, or should I tackle each point right after.", "again. However, for the latter, it reminds the reader the point I was", "I'm not jumping from advantages to disadvantages, then back to advantages again. 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I am new to this forum, so I'm not sure whether this", "rebuttal 2 * Disadvantages Would it be better to address the rebuttals in", "Disadvantages Would it be better to address the rebuttals in the disadvantages paragraph", "am writing an argumentative essay and it goes along the following lines... ", "the point I was making instead of going back to check what points", "am new to this forum, so I'm not sure whether this content befits", "it reminds the reader the point I was making instead of going back", "each point right after. For the former, it seems like it's more organised,", "then back to advantages again. However, for the latter, it reminds the reader", " Advantage 1; rebuttal 1 * Advantage 2; rebuttal 2 * Disadvantages Would", "it's more organised, because I'm not jumping from advantages to disadvantages, then back", "going back to check what points I have made. Would be grateful for", "the former, it seems like it's more organised, because I'm not jumping from", "should I tackle each point right after. For the former, it seems like", "any advice! P.S. I am new to this forum, so I'm not sure", "organised, because I'm not jumping from advantages to disadvantages, then back to advantages", "jumping from advantages to disadvantages, then back to advantages again. However, for the", "argumentative essay and it goes along the following lines... * Advantage 1; rebuttal", "and it goes along the following lines... * Advantage 1; rebuttal 1 ", "along the following lines... Advantage 1; rebuttal 1 * Advantage 2; rebuttal", "back to advantages again. However, for the latter, it reminds the reader the", "like it's more organised, because I'm not jumping from advantages to disadvantages, then" ]
[ "the subplots that were explored in previous seasons were completely dismissed or ignored.", "bad thing, is there a good case for doing this? When is it", "8, a lot of the subplots that were explored in previous seasons were", "in previous seasons were completely dismissed or ignored. While this is an example", "While this is an example that tells you it's a bad thing, is", "Thrones season 8, a lot of the subplots that were explored in previous", "explored in previous seasons were completely dismissed or ignored. While this is an", "Game of Thrones season 8, a lot of the subplots that were explored", "doing this? When is it ok to do this and why? Could you", "Is it ok to put a subplot to a story that is never", "to put a subplot to a story that is never meant to contribute", "never meant to contribute to the development of the main plot? In Game", "were explored in previous seasons were completely dismissed or ignored. While this is", "a bad thing, is there a good case for doing this? When is", "for doing this? When is it ok to do this and why? Could", "meant to contribute to the development of the main plot? In Game of", "In Game of Thrones season 8, a lot of the subplots that were", "story that is never meant to contribute to the development of the main", "a lot of the subplots that were explored in previous seasons were completely", "season 8, a lot of the subplots that were explored in previous seasons", "development of the main plot? In Game of Thrones season 8, a lot", "plot? In Game of Thrones season 8, a lot of the subplots that", "contribute to the development of the main plot? In Game of Thrones season", "an example that tells you it's a bad thing, is there a good", "it's a bad thing, is there a good case for doing this? When", "dismissed or ignored. While this is an example that tells you it's a", "of the main plot? In Game of Thrones season 8, a lot of", "tells you it's a bad thing, is there a good case for doing", "good case for doing this? When is it ok to do this and", "seasons were completely dismissed or ignored. While this is an example that tells", "were completely dismissed or ignored. While this is an example that tells you", "is it ok to do this and why? Could you provide some examples?", "a story that is never meant to contribute to the development of the", "put a subplot to a story that is never meant to contribute to", "main plot? In Game of Thrones season 8, a lot of the subplots", "thing, is there a good case for doing this? When is it ok", "that were explored in previous seasons were completely dismissed or ignored. While this", "to a story that is never meant to contribute to the development of", "a subplot to a story that is never meant to contribute to the", "that is never meant to contribute to the development of the main plot?", "or ignored. While this is an example that tells you it's a bad", "When is it ok to do this and why? Could you provide some", "this is an example that tells you it's a bad thing, is there", "the development of the main plot? In Game of Thrones season 8, a", "ok to put a subplot to a story that is never meant to", "previous seasons were completely dismissed or ignored. While this is an example that", "to contribute to the development of the main plot? In Game of Thrones", "subplot to a story that is never meant to contribute to the development", "completely dismissed or ignored. While this is an example that tells you it's", "is never meant to contribute to the development of the main plot? In", "there a good case for doing this? When is it ok to do", "subplots that were explored in previous seasons were completely dismissed or ignored. While", "it ok to put a subplot to a story that is never meant", "of Thrones season 8, a lot of the subplots that were explored in", "the main plot? In Game of Thrones season 8, a lot of the", "of the subplots that were explored in previous seasons were completely dismissed or", "is an example that tells you it's a bad thing, is there a", "that tells you it's a bad thing, is there a good case for", "is there a good case for doing this? When is it ok to", "this? When is it ok to do this and why? Could you provide", "a good case for doing this? When is it ok to do this", "lot of the subplots that were explored in previous seasons were completely dismissed", "example that tells you it's a bad thing, is there a good case", "ignored. While this is an example that tells you it's a bad thing,", "you it's a bad thing, is there a good case for doing this?", "case for doing this? When is it ok to do this and why?", "to the development of the main plot? In Game of Thrones season 8," ]
[ "--------------------------------------------- --- The responses are becoming random so I've picked the top answer", "a \"train heist\", or more broadly the action sequences where a protagonist boards", "clues, and bumbles her way through moral conundrums. She alternates between 4D chess", "plotted a very trope-y action climax, but now that I write it, I", "write it, I realize the standard action-hero tone feels wrong so I need", "chess and being able to manipulate people by reading their reactions – meaning", "their reactions – meaning she has been making it up as she goes.", "action climax, but now that I write it, I realize the standard action-hero", "What are the recognizable tropes to a \"train heist\", or more broadly the", "heroine* who has been playing at hero the entire book. She typically over-inflates", "tropes in order to invoke and subvert them, not asking to suggest random", "How do I subvert the tropes of a train heist? --------------------------------------------- --- The", "\"train heist\", or more broadly the action sequences where a protagonist boards a", "does stop – that still has to happen so it's not a failed", "the train and it does stop – that still has to happen so", "it does stop – that still has to happen so it's not a", "invoke and subvert them, not asking to suggest random surprise endings* that avoid", "she goes. At this point she's no longer sure if she's running a", "that still has to happen so it's not a failed trope. How do", "stop – that still has to happen so it's not a failed trope.", "I realize the standard action-hero tone feels wrong so I need to identify", "still has to happen so it's not a failed trope. How do I", "unreliable guile heroine who has been playing at hero the entire book. She", "typically over-inflates intrigue, misreads clues, and bumbles her way through moral conundrums. She", "which addresses the question about train heist tropes. The question is about *identifying", "has been playing at hero* the entire book. She typically over-inflates intrigue, misreads", "con* or actually becoming a hero, but she knows she's not going to", "the top answer which addresses the question about train heist tropes. The question", "knows she's not going to be left out. Unfortunately I have plotted a", "– meaning she has been making it up as she goes. At this", "and it does stop – that still has to happen so it's not", "order to subvert them. To be clear the protagonists do board the train", "about identifying established tropes in order to invoke and subvert them, not asking", "to a \"train heist\", or more broadly the action sequences where a protagonist", "to stop it? My protagonist is the unreliable guile heroine who has been", "she's no longer sure if she's running a long con or actually becoming", "tropes to a \"train heist\", or more broadly *the action sequences where a", "hero, but she knows she's not going to be left out. Unfortunately I", "at hero the entire book. She typically over-inflates intrigue, misreads clues, and bumbles", "she's not going to be left out. Unfortunately I have plotted a very", "very trope-y action climax, but now that I write it, I realize the", "identifying established tropes in order to invoke and subvert them, not asking to", "She typically over-inflates intrigue, misreads clues, and bumbles her way through moral conundrums.", "She alternates between 4D chess and being able to manipulate people by reading", "--- The responses are becoming random so I've picked the top answer which", "them, not asking to suggest random surprise endings that avoid these story elements", "alternates between 4D chess and being able to manipulate people by reading their", "her way through moral conundrums. She alternates between 4D chess and being able", "to identify the main tropes in order to subvert them. To be clear", "board the train and it does stop – that still has to happen", "but now that I write it, I realize the standard action-hero tone feels", "recognizable tropes to a \"train heist\", or more broadly *the action sequences where", "are becoming random so I've picked the top answer which addresses the question", "endings that avoid these story elements altogether – which would be too broad", "a hero, but she knows she's not going to be left out. Unfortunately", "so it's not a failed trope. How do I subvert the tropes of", "are the recognizable tropes to a \"train heist\", or more broadly *the action", "The responses are becoming random so I've picked the top answer which addresses", "or actually becoming a hero, but she knows she's not going to be", "people by reading their reactions – meaning she has been making it up", "the standard action-hero tone feels wrong so I need to identify the main", "action-hero tone feels wrong so I need to identify the main tropes in", "a failed trope. How do I subvert the tropes of a train heist?", "or more broadly the action sequences where a protagonist boards a moving train", "moral conundrums. She alternates between 4D chess and being able to manipulate people", "question about train heist tropes. The question is about identifying established tropes* in", "addresses the question about train heist tropes. The question is about *identifying established", "is the unreliable guile heroine* who has been playing at hero the entire", "longer sure if she's running a long con or actually becoming a hero,", "a very trope-y action climax, but now that I write it, I realize", "she knows she's not going to be left out. Unfortunately I have plotted", "she has been making it up as she goes. At this point she's", "do board the train and it does stop – that still has to", "order to stop it*? My protagonist is the unreliable guile heroine* who has", "protagonist is the unreliable guile heroine who has been playing at hero the", "as she goes. At this point she's no longer sure if she's running", "not going to be left out. Unfortunately I have plotted a very trope-y", "clear the protagonists do board the train and it does stop – that", "responses are becoming random so I've picked the top answer which addresses the", "I've picked the top answer which addresses the question about train heist tropes.", "has to happen so it's not a failed trope. How do I subvert", "subvert them. To be clear the protagonists do board the train and it", "train heist? --------------------------------------------- --- The responses are becoming random so I've picked the", "moving train in order to stop it*? My protagonist is the unreliable guile", "and being able to manipulate people by reading their reactions – meaning she", "been making it up as she goes. At this point she's no longer", "about train heist tropes. The question is about identifying established tropes in order", "point she's no longer sure if she's running a long con or actually", "playing at hero the entire book. She typically over-inflates intrigue, misreads clues, and", "boards a moving train in order to stop it*? My protagonist is the", "climax, but now that I write it, I realize the standard action-hero tone", "protagonists do* board the train and it does stop – that still has", "to happen so it's not a failed trope. How do I subvert the", "more broadly the action sequences where a protagonist boards a moving train in", "picked the top answer which addresses the question about train heist tropes. The", "so I've picked the top answer which addresses the question about train heist", "has been making it up as she goes. At this point she's no", "I need to identify the main tropes in order to subvert them. To", "no longer sure if she's running a long con or actually becoming a", "not asking to suggest random surprise endings that avoid these story elements altogether", "it up as she goes. At this point she's no longer sure if", "tropes of a train heist? --------------------------------------------- --- The responses are becoming random so", "through moral conundrums. She alternates between 4D chess and being able to manipulate", "becoming a hero, but she knows she's not going to be left out.", "Unfortunately I have plotted a very trope-y action climax, but now that I", "4D chess and being able to manipulate people by reading their reactions –", "stop it*? My protagonist is the unreliable guile heroine* who has been playing", "intrigue, misreads clues, and bumbles her way through moral conundrums. She alternates between", "To be clear the protagonists do* board the train and it does stop", "but she knows she's not going to be left out. Unfortunately I have", "of a train heist? --------------------------------------------- --- The responses are becoming random so I've", "guile heroine who has been playing at hero the entire book. She typically", "going to be left out. 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To be clear the protagonists do board the train and it does", "*the action sequences where a protagonist boards a moving train in order to", "long con* or actually becoming a hero, but she knows she's not going", "actually becoming a hero, but she knows she's not going to be left", "failed trope. How do I subvert the tropes of a train heist? ---------------------------------------------", "heist? --------------------------------------------- --- The responses are becoming random so I've picked the top", "the entire book. She typically over-inflates intrigue, misreads clues, and bumbles her way", "My protagonist is the unreliable guile heroine who has been playing at hero", "so I need to identify the main tropes in order to subvert them.", "top answer which addresses the question about train heist tropes. The question is", "out. Unfortunately I have plotted a very trope-y action climax, but now that", "able to manipulate people by reading their reactions – meaning she has been", "is about identifying established tropes in order to invoke and subvert them, not", "realize the standard action-hero tone feels wrong so I need to identify the", "where a protagonist boards a moving train in order to stop it**? My" ]
[ "have just finished a short story, set in what is known as [20", "Future](https://tvtropes.org/pmwiki/pmwiki.php/Main/TwentyMinutesIntoTheFuture) - a time frame that's only a little into the future from", "in what is known as [20 Minutes into the Future](https://tvtropes.org/pmwiki/pmwiki.php/Main/TwentyMinutesIntoTheFuture) - a time", "feels forced, too big to just be a timestamp. What other options do", "some event that had clearly not happened, like the monarchy in Spain being", "happened, like the monarchy in Spain being voted out, but that feels forced,", "past decades.\" How can I establish the setting as \"tomorrow\"? I suppose I", "from modern times, but it is sociological rather than technological. I opened with", "technological. I opened with the element that's different, set it and the process", "doesn't seem to fit anything in the past decades.\" How can I establish", "the conflict is known, its current status, as it turned out - less", "set it and the process that led to it within the first page,", "I establish the setting as \"tomorrow\"? I suppose I can mention a year,", "the moment the year passes. I can mention some event that had clearly", "the \"change\" happening when he was 5. So I need to establish that", "I have? To make things more difficult, the story is narrated in third-person", "can mention some event that had clearly not happened, like the monarchy in", "that had clearly not happened, like the monarchy in Spain being voted out,", "when he was 5. So I need to establish that his \"reference point", "with the \"change\" happening when he was 5. So I need to establish", "anything in the past decades.\" How can I establish the setting as \"tomorrow\"?", "only a little into the future from our own. There is a change", "mention some event that had clearly not happened, like the monarchy in Spain", "that would make the work dated the moment the year passes. I can", "narrated in third-person limited, following very closely a protagonist who is 16 at", "in third-person limited, following very closely a protagonist who is 16 at the", "need to establish that his \"reference point in the past\" is in our", "little into the future from our own. There is a change from modern", "I took a conflict that's ongoing right now, and explored what happens after", "sociological rather than technological. I opened with the element that's different, set it", "of the story, with the \"change\" happening when he was 5. So I", "story, with the \"change\" happening when he was 5. So I need to", "happening when he was 5. So I need to establish that his \"reference", "explored what happens after one side \"wins\". However, while the existence of the", "a time frame that's only a little into the future from our own.", "More specifically, I took a conflict that's ongoing right now, and explored what", "\"When is this happening? I looked through Wikipedia, it doesn't seem to fit", "I have just finished a short story, set in what is known as", "as \"tomorrow\"? I suppose I can mention a year, but that would make", "but that feels forced, too big to just be a timestamp. What other", "its current status, as it turned out - less so. First question I", "it within the first page, and thought that it would be enough. More", "conflict that's ongoing right now, and explored what happens after one side \"wins\".", "There is a change from modern times, but it is sociological rather than", "a change from modern times, but it is sociological rather than technological. I", "into the Future](https://tvtropes.org/pmwiki/pmwiki.php/Main/TwentyMinutesIntoTheFuture) - a time frame that's only a little into the", "rather than technological. I opened with the element that's different, set it and", "5. So I need to establish that his \"reference point in the past\"", "into the future from our own. There is a change from modern times,", "finished a short story, set in what is known as [20 Minutes into", "opened with the element that's different, set it and the process that led", "that led to it within the first page, and thought that it would", "I looked through Wikipedia, it doesn't seem to fit anything in the past", "and the process that led to it within the first page, and thought", "can I establish the setting as \"tomorrow\"? I suppose I can mention a", "that it would be enough. More specifically, I took a conflict that's ongoing", "I suppose I can mention a year, but that would make the work", "\"wins\". However, while the existence of the conflict is known, its current status,", "make things more difficult, the story is narrated in third-person limited, following very", "time of the story, with the \"change\" happening when he was 5. So", "third-person limited, following very closely a protagonist who is 16 at the time", "would be enough. More specifically, I took a conflict that's ongoing right now,", "change from modern times, but it is sociological rather than technological. I opened", "conflict is known, its current status, as it turned out - less so.", "one side \"wins\". However, while the existence of the conflict is known, its", "what is known as [20 Minutes into the Future](https://tvtropes.org/pmwiki/pmwiki.php/Main/TwentyMinutesIntoTheFuture) - a time frame", "passes. I can mention some event that had clearly not happened, like the", "times, but it is sociological rather than technological. I opened with the element", "page, and thought that it would be enough. More specifically, I took a", "I get from a beta reader: \"When is this happening? I looked through", "but that would make the work dated the moment the year passes. I", "and thought that it would be enough. More specifically, I took a conflict", "different, set it and the process that led to it within the first", "a protagonist who is 16 at the time of the story, with the", "be a timestamp. What other options do I have? To make things more", "side \"wins\". However, while the existence of the conflict is known, its current", "short story, set in what is known as [20 Minutes into the Future](https://tvtropes.org/pmwiki/pmwiki.php/Main/TwentyMinutesIntoTheFuture)", "forced, too big to just be a timestamp. What other options do I", "that feels forced, too big to just be a timestamp. What other options", "modern times, but it is sociological rather than technological. I opened with the", "the first page, and thought that it would be enough. More specifically, I", "that's different, set it and the process that led to it within the", "time frame that's only a little into the future from our own. There", "the existence of the conflict is known, its current status, as it turned", "I need to establish that his \"reference point in the past\" is in", "get from a beta reader: \"When is this happening? I looked through Wikipedia,", "decades.\" How can I establish the setting as \"tomorrow\"? I suppose I can", "be enough. More specifically, I took a conflict that's ongoing right now, and", "looked through Wikipedia, it doesn't seem to fit anything in the past decades.\"", "was 5. So I need to establish that his \"reference point in the", "I can mention some event that had clearly not happened, like the monarchy", "to it within the first page, and thought that it would be enough.", "moment the year passes. I can mention some event that had clearly not", "it is sociological rather than technological. I opened with the element that's different,", "very closely a protagonist who is 16 at the time of the story,", "the year passes. I can mention some event that had clearly not happened,", "more difficult, the story is narrated in third-person limited, following very closely a", "within the first page, and thought that it would be enough. More specifically,", "known as [20 Minutes into the Future](https://tvtropes.org/pmwiki/pmwiki.php/Main/TwentyMinutesIntoTheFuture) - a time frame that's only", "have? To make things more difficult, the story is narrated in third-person limited,", "the time of the story, with the \"change\" happening when he was 5.", "Minutes into the Future](https://tvtropes.org/pmwiki/pmwiki.php/Main/TwentyMinutesIntoTheFuture) - a time frame that's only a little into", "things more difficult, the story is narrated in third-person limited, following very closely", "is 16 at the time of the story, with the \"change\" happening when", "the Future](https://tvtropes.org/pmwiki/pmwiki.php/Main/TwentyMinutesIntoTheFuture) - a time frame that's only a little into the future", "suppose I can mention a year, but that would make the work dated", "turned out - less so. First question I get from a beta reader:", "the setting as \"tomorrow\"? I suppose I can mention a year, but that", "as it turned out - less so. First question I get from a", "a little into the future from our own. There is a change from", "is sociological rather than technological. I opened with the element that's different, set", "First question I get from a beta reader: \"When is this happening? I", "enough. More specifically, I took a conflict that's ongoing right now, and explored", "from a beta reader: \"When is this happening? I looked through Wikipedia, it", "while the existence of the conflict is known, its current status, as it", "voted out, but that feels forced, too big to just be a timestamp.", "the work dated the moment the year passes. I can mention some event", "clearly not happened, like the monarchy in Spain being voted out, but that", "who is 16 at the time of the story, with the \"change\" happening", "the element that's different, set it and the process that led to it", "monarchy in Spain being voted out, but that feels forced, too big to", "now, and explored what happens after one side \"wins\". However, while the existence", "and explored what happens after one side \"wins\". However, while the existence of", "status, as it turned out - less so. First question I get from", "\"tomorrow\"? I suppose I can mention a year, but that would make the", "the story, with the \"change\" happening when he was 5. So I need", "is known as [20 Minutes into the Future](https://tvtropes.org/pmwiki/pmwiki.php/Main/TwentyMinutesIntoTheFuture) - a time frame that's", "from our own. There is a change from modern times, but it is", "make the work dated the moment the year passes. I can mention some", "as [20 Minutes into the Future](https://tvtropes.org/pmwiki/pmwiki.php/Main/TwentyMinutesIntoTheFuture) - a time frame that's only a", "event that had clearly not happened, like the monarchy in Spain being voted", "thought that it would be enough. More specifically, I took a conflict that's", "other options do I have? To make things more difficult, the story is", "had clearly not happened, like the monarchy in Spain being voted out, but", "story is narrated in third-person limited, following very closely a protagonist who is", "it doesn't seem to fit anything in the past decades.\" How can I", "big to just be a timestamp. What other options do I have? To", "first page, and thought that it would be enough. More specifically, I took", "the story is narrated in third-person limited, following very closely a protagonist who", "is narrated in third-person limited, following very closely a protagonist who is 16", "led to it within the first page, and thought that it would be", "element that's different, set it and the process that led to it within", "difficult, the story is narrated in third-person limited, following very closely a protagonist", "that's only a little into the future from our own. There is a", "happening? I looked through Wikipedia, it doesn't seem to fit anything in the", "ongoing right now, and explored what happens after one side \"wins\". However, while", "after one side \"wins\". However, while the existence of the conflict is known,", "like the monarchy in Spain being voted out, but that feels forced, too", "being voted out, but that feels forced, too big to just be a", "I can mention a year, but that would make the work dated the", "is a change from modern times, but it is sociological rather than technological.", "So I need to establish that his \"reference point in the past\" is", "I opened with the element that's different, set it and the process that", "process that led to it within the first page, and thought that it", "with the element that's different, set it and the process that led to", "However, while the existence of the conflict is known, its current status, as", "the future from our own. There is a change from modern times, but", "protagonist who is 16 at the time of the story, with the \"change\"", "at the time of the story, with the \"change\" happening when he was", "How can I establish the setting as \"tomorrow\"? I suppose I can mention", "seem to fit anything in the past decades.\" How can I establish the", "closely a protagonist who is 16 at the time of the story, with", "what happens after one side \"wins\". However, while the existence of the conflict", "beta reader: \"When is this happening? I looked through Wikipedia, it doesn't seem", "a year, but that would make the work dated the moment the year", "not happened, like the monarchy in Spain being voted out, but that feels", "than technological. I opened with the element that's different, set it and the", "just finished a short story, set in what is known as [20 Minutes", "out, but that feels forced, too big to just be a timestamp. What", "that's ongoing right now, and explored what happens after one side \"wins\". However,", "too big to just be a timestamp. What other options do I have?", "To make things more difficult, the story is narrated in third-person limited, following", "fit anything in the past decades.\" How can I establish the setting as", "\"change\" happening when he was 5. So I need to establish that his", "in the past decades.\" How can I establish the setting as \"tomorrow\"? I", "establish the setting as \"tomorrow\"? I suppose I can mention a year, but", "year passes. I can mention some event that had clearly not happened, like", "timestamp. What other options do I have? To make things more difficult, the", "options do I have? To make things more difficult, the story is narrated", "limited, following very closely a protagonist who is 16 at the time of", "the process that led to it within the first page, and thought that", "16 at the time of the story, with the \"change\" happening when he", "is this happening? I looked through Wikipedia, it doesn't seem to fit anything", "future from our own. There is a change from modern times, but it", "out - less so. First question I get from a beta reader: \"When", "it turned out - less so. First question I get from a beta", "setting as \"tomorrow\"? I suppose I can mention a year, but that would", "following very closely a protagonist who is 16 at the time of the", "year, but that would make the work dated the moment the year passes.", "- a time frame that's only a little into the future from our", "a conflict that's ongoing right now, and explored what happens after one side", "current status, as it turned out - less so. First question I get", "question I get from a beta reader: \"When is this happening? I looked", "is known, its current status, as it turned out - less so. First", "to just be a timestamp. What other options do I have? To make", "to fit anything in the past decades.\" How can I establish the setting", "in Spain being voted out, but that feels forced, too big to just", "right now, and explored what happens after one side \"wins\". However, while the", "took a conflict that's ongoing right now, and explored what happens after one", "a beta reader: \"When is this happening? I looked through Wikipedia, it doesn't", "existence of the conflict is known, its current status, as it turned out", "he was 5. So I need to establish that his \"reference point in", "happens after one side \"wins\". However, while the existence of the conflict is", "own. There is a change from modern times, but it is sociological rather", "the monarchy in Spain being voted out, but that feels forced, too big", "just be a timestamp. What other options do I have? To make things", "Spain being voted out, but that feels forced, too big to just be", "it would be enough. More specifically, I took a conflict that's ongoing right", "do I have? To make things more difficult, the story is narrated in", "it and the process that led to it within the first page, and", "specifically, I took a conflict that's ongoing right now, and explored what happens", "reader: \"When is this happening? I looked through Wikipedia, it doesn't seem to", "set in what is known as [20 Minutes into the Future](https://tvtropes.org/pmwiki/pmwiki.php/Main/TwentyMinutesIntoTheFuture) - a", "[20 Minutes into the Future](https://tvtropes.org/pmwiki/pmwiki.php/Main/TwentyMinutesIntoTheFuture) - a time frame that's only a little", "mention a year, but that would make the work dated the moment the", "What other options do I have? To make things more difficult, the story", "a timestamp. What other options do I have? To make things more difficult,", "the past decades.\" How can I establish the setting as \"tomorrow\"? I suppose", "Wikipedia, it doesn't seem to fit anything in the past decades.\" How can", "can mention a year, but that would make the work dated the moment", "through Wikipedia, it doesn't seem to fit anything in the past decades.\" How", "to establish that his \"reference point in the past\" is in our future.", "known, its current status, as it turned out - less so. First question", "this happening? I looked through Wikipedia, it doesn't seem to fit anything in", "so. First question I get from a beta reader: \"When is this happening?", "story, set in what is known as [20 Minutes into the Future](https://tvtropes.org/pmwiki/pmwiki.php/Main/TwentyMinutesIntoTheFuture) -", "of the conflict is known, its current status, as it turned out -", "dated the moment the year passes. I can mention some event that had", "- less so. First question I get from a beta reader: \"When is", "but it is sociological rather than technological. I opened with the element that's", "frame that's only a little into the future from our own. There is", "a short story, set in what is known as [20 Minutes into the", "our own. There is a change from modern times, but it is sociological", "less so. First question I get from a beta reader: \"When is this", "would make the work dated the moment the year passes. I can mention", "work dated the moment the year passes. I can mention some event that" ]
[ "poetic licenses: * [Storytelling is about telling a logically coherent story, not realism](https://writing.stackexchange.com/a/27416/39422):", "stories can only be written in the language that is spoken by the", "story, the characters, who don't speak English in-universe, use \"untranslatable\" wordplay/puns that are", "speak English in-universe, use \"untranslatable\" wordplay/puns that are specific to English? By \"untranslatable\"", "spoken by the characters, because there are many words that have a deeper", "characters don't know English, and I'm not trying to adapt existing wordplay into", "more about a technical field than you do, and in my case, I'm", "It's restrictive otherwise: taken to the logical extreme, it would mean that original", "be jarring if in an original (non-translated) story, the characters, who don't speak", "translation, because there is no equivalent in the foreign language, the characters don't", "meaning to them, that just cannot be reproduced in other languages. For example,", "minutiae of translating wordplay, they care more about a good story. * It's", "for \"love\"](https://en.wikipedia.org/wiki/Greek_words_for_love), and while you can translate \"eros\" as \"lust\", it's not the", "in translation, because there is no equivalent in the foreign language, the characters", "restrictive otherwise: taken to the logical extreme, it would mean that original stories", "my case, I'm not writing for an audience of linguists. * *I can't", "for the sake of it. Arguments in favor of poetic licenses: [*Storytelling", "you do, and in my case, I'm not writing for an audience of", "and while you can translate \"eros\" as \"lust\", it's not the same. The", "they care more about a good story. * It's restrictive otherwise: taken to", "* [Lack of realism can hurt fiction](https://writing.stackexchange.com/a/43076/39422): granted, this applies more to fiction", "granted, this applies more to fiction that tries to be realistic, or to", "* [Storytelling is about telling a logically coherent story, not realism](https://writing.stackexchange.com/a/27416/39422): this is", "more about a good story. * It's restrictive otherwise: taken to the logical", "care: the average layperson doesn't know or care about the minutiae of translating", "feeling that it just feels gimmicky: it's almost an \"added\" in translation, because", "cannot be reproduced in other languages. For example, [Greek has four words for", "English-specific pun to exist, if not for the sake of it. Arguments in", "English because it's not a translation. There is no logical justification, so to", "that it just feels gimmicky: it's almost an \"added\" in translation, because there", "because there are many words that have a deeper meaning to them, that", "know more about a technical field than you do, and in my case,", "has four words for \"love\"](https://en.wikipedia.org/wiki/Greek_words_for_love), and while you can translate \"eros\" as \"lust\",", "[here](https://forum.unilang.org/viewtopic.php?t=46200) ([archived version](https://archive.fo/tli2F)) for some examples. Arguments against non-English speakers using English-specific wordplay:", "the characters don't know English, and I'm not trying to adapt existing wordplay", "doesn't care: the average layperson doesn't know or care about the minutiae of", "funny in the original language: see [here](https://forum.unilang.org/viewtopic.php?t=46200) ([archived version](https://archive.fo/tli2F)) for some examples. Arguments", "it's almost an \"added\" in translation, because there is no equivalent in the", "not trying to adapt existing wordplay into English because it's not a translation.", "another language, it's not apparent why it's funny, and you need to explain", "([archived version](https://archive.fo/tli2F)) for some examples. Arguments against non-English speakers using English-specific wordplay: ", "are specific to English? By \"untranslatable\" I mean that if a pun is", "or to the specific readers know more about a technical field than you", " I can't shake off the gut feeling that it just feels gimmicky:", "of poetic licenses: * [*Storytelling is about telling a logically coherent story, not", "reproduced in other languages. For example, [Greek has four words for \"love\"](https://en.wikipedia.org/wiki/Greek_words_for_love), and", "it's not the same. The audience probably doesn't care, but I definitely do...", "words for \"love\"](https://en.wikipedia.org/wiki/Greek_words_for_love), and while you can translate \"eros\" as \"lust\", it's not", "\"lust\", it's not the same. The audience probably doesn't care, but I definitely", "that if a pun is translated literally into another language, it's not apparent", "as \"lust\", it's not the same. The audience probably doesn't care, but I", "coherent story, not realism](https://writing.stackexchange.com/a/27416/39422): this is probably the most compelling argument. *The", "words that have a deeper meaning to them, that just cannot be reproduced", "is spoken by the characters, because there are many words that have a", "some examples. Arguments against non-English speakers using English-specific wordplay: [*Lack of realism", "is probably the most compelling argument. The audience doesn't care: the average", "licenses: * [Storytelling is about telling a logically coherent story, not realism](https://writing.stackexchange.com/a/27416/39422): this", "in the original language: see [here](https://forum.unilang.org/viewtopic.php?t=46200) ([archived version](https://archive.fo/tli2F)) for some examples. Arguments against", "the most compelling argument. * The audience doesn't care: the average layperson doesn't", "that is spoken by the characters, because there are many words that have", "original language: see [here](https://forum.unilang.org/viewtopic.php?t=46200) ([archived version](https://archive.fo/tli2F)) for some examples. Arguments against non-English speakers", "it be jarring if in an original (non-translated) story, the characters, who don't", "to adapt existing wordplay into English because it's not a translation. There is", "other languages. For example, [Greek has four words for \"love\"](https://en.wikipedia.org/wiki/Greek_words_for_love), and while you", "field than you do, and in my case, I'm not writing for an", "version](https://archive.fo/tli2F)) for some examples. Arguments against non-English speakers using English-specific wordplay: * [*Lack", " It's restrictive otherwise: taken to the logical extreme, it would mean that", "can hurt fiction*](https://writing.stackexchange.com/a/43076/39422): granted, this applies more to fiction that tries to be", "that tries to be realistic, or to the specific readers know more about", "the language that is spoken by the characters, because there are many words", "English, and I'm not trying to adapt existing wordplay into English because it's", "them, that just cannot be reproduced in other languages. For example, [Greek has", "readers know more about a technical field than you do, and in my", "it's funny in the original language: see [here](https://forum.unilang.org/viewtopic.php?t=46200) ([archived version](https://archive.fo/tli2F)) for some examples.", "adapt existing wordplay into English because it's not a translation. There is no", "taken to the logical extreme, it would mean that original stories can only", "the logical extreme, it would mean that original stories can only be written", "Would it be jarring if in an original (non-translated) story, the characters, who", "tries to be realistic, or to the specific readers know more about a", "translated literally into another language, it's not apparent why it's funny, and you", "\"love\"](https://en.wikipedia.org/wiki/Greek_words_for_love), and while you can translate \"eros\" as \"lust\", it's not the same.", "by the characters, because there are many words that have a deeper meaning", "There is no logical justification, so to speak, for that English-specific pun to", "\"eros\" as \"lust\", it's not the same. The audience probably doesn't care, but", "of it. Arguments in favor of poetic licenses: * [Storytelling is about telling", "(non-translated) story, the characters, who don't speak English in-universe, use \"untranslatable\" wordplay/puns that", "I can't shake off the gut feeling that it just feels gimmicky: it's", "not realism](https://writing.stackexchange.com/a/27416/39422): this is probably the most compelling argument. * *The audience doesn't", "it's not a translation. There is no logical justification, so to speak, for", "have a deeper meaning to them, that just cannot be reproduced in other", "speakers using English-specific wordplay: [Lack of realism can hurt fiction](https://writing.stackexchange.com/a/43076/39422): granted, this", "in-universe, use \"untranslatable\" wordplay/puns that are specific to English? By \"untranslatable\" I mean", "writing for an audience of linguists. * *I can't shake off the gut", "of linguists. I can't shake off the gut feeling that it just", "almost an \"added\" in translation, because there is no equivalent in the foreign", "pun is translated literally into another language, it's not apparent why it's funny,", "don't speak English in-universe, use \"untranslatable\" wordplay/puns that are specific to English? By", "characters, who don't speak English in-universe, use \"untranslatable\" wordplay/puns that are specific to", "feels gimmicky: it's almost an \"added\" in translation, because there is no equivalent", "case, I'm not writing for an audience of linguists. * I can't shake", "off the gut feeling that it just feels gimmicky: it's almost an \"added\"", "doesn't know or care about the minutiae of translating wordplay, they care more", "that are specific to English? By \"untranslatable\" I mean that if a pun", "language, the characters don't know English, and I'm not trying to adapt existing", "it just feels gimmicky: it's almost an \"added\" in translation, because there is", "existing wordplay into English because it's not a translation. There is no logical", "just feels gimmicky: it's almost an \"added\" in translation, because there is no", "most compelling argument. * The audience doesn't care: the average layperson doesn't know", "The audience doesn't care: the average layperson doesn't know or care about the", "so to speak, for that English-specific pun to exist, if not for the", "that have a deeper meaning to them, that just cannot be reproduced in", "an audience of linguists. * *I can't shake off the gut feeling that", "or care about the minutiae of translating wordplay, they care more about a", "in my case, I'm not writing for an audience of linguists. I", "about a technical field than you do, and in my case, I'm not", "need to explain why it's funny in the original language: see [here](https://forum.unilang.org/viewtopic.php?t=46200) ([archived", "I'm not trying to adapt existing wordplay into English because it's not a", "not a translation. There is no logical justification, so to speak, for that", "to the specific readers know more about a technical field than you do,", "realism can hurt fiction](https://writing.stackexchange.com/a/43076/39422): granted, this applies more to fiction that tries to", "in the foreign language, the characters don't know English, and I'm not trying", "that original stories can only be written in the language that is spoken", "non-English speakers using English-specific wordplay: * [Lack of realism can hurt fiction](https://writing.stackexchange.com/a/43076/39422): granted,", "compelling argument. * The audience doesn't care: the average layperson doesn't know or", "language: see [here](https://forum.unilang.org/viewtopic.php?t=46200) ([archived version](https://archive.fo/tli2F)) for some examples. Arguments against non-English speakers using", "a translation. There is no logical justification, so to speak, for that English-specific", "and in my case, I'm not writing for an audience of linguists. ", "in other languages. For example, [Greek has four words for \"love\"](https://en.wikipedia.org/wiki/Greek_words_for_love), and while", "only be written in the language that is spoken by the characters, because", "about telling a logically coherent story, not realism](https://writing.stackexchange.com/a/27416/39422): this is probably the most", "the average layperson doesn't know or care about the minutiae of translating wordplay,", "realism](https://writing.stackexchange.com/a/27416/39422): this is probably the most compelling argument. The audience doesn't care:", "be reproduced in other languages. For example, [Greek has four words for \"love\"](https://en.wikipedia.org/wiki/Greek_words_for_love),", "Arguments in favor of poetic licenses: * [Storytelling is about telling a logically", "layperson doesn't know or care about the minutiae of translating wordplay, they care", "By \"untranslatable\" I mean that if a pun is translated literally into another", "an original (non-translated) story, the characters, who don't speak English in-universe, use \"untranslatable\"", "literally into another language, it's not apparent why it's funny, and you need", "is about telling a logically coherent story, not realism](https://writing.stackexchange.com/a/27416/39422): this is probably the", "can only be written in the language that is spoken by the characters,", "characters, because there are many words that have a deeper meaning to them,", "specific to English? By \"untranslatable\" I mean that if a pun is translated", "this applies more to fiction that tries to be realistic, or to the", "a technical field than you do, and in my case, I'm not writing", "gimmicky*: it's almost an \"added\" in translation, because there is no equivalent in", "and you need to explain why it's funny in the original language: see", "is translated literally into another language, it's not apparent why it's funny, and", "no logical justification, so to speak, for that English-specific pun to exist, if", "care more about a good story. It's restrictive otherwise: taken to the", "example, [Greek has four words for \"love\"](https://en.wikipedia.org/wiki/Greek_words_for_love), and while you can translate \"eros\"", "foreign language, the characters don't know English, and I'm not trying to adapt", "argument. * The audience doesn't care: the average layperson doesn't know or care", "for that English-specific pun to exist, if not for the sake of it.", "language, it's not apparent why it's funny, and you need to explain why", "examples. Arguments against non-English speakers using English-specific wordplay: * [*Lack of realism can", "audience of linguists. I can't shake off the gut feeling that it", "because it's not a translation. There is no logical justification, so to speak,", "be realistic, or to the specific readers know more about a technical field", "telling a logically coherent story, not realism](https://writing.stackexchange.com/a/27416/39422): this is probably the most compelling", "trying to adapt existing wordplay into English because it's not a translation. There", "to them, that just cannot be reproduced in other languages. For example, [Greek", "an \"added\" in translation, because there is no equivalent in the foreign language,", "of realism can hurt fiction](https://writing.stackexchange.com/a/43076/39422): granted, this applies more to fiction that tries", "equivalent in the foreign language, the characters don't know English, and I'm not", "the characters, who don't speak English in-universe, use \"untranslatable\" wordplay/puns that are specific", "original (non-translated) story, the characters, who don't speak English in-universe, use \"untranslatable\" wordplay/puns", "technical field than you do, and in my case, I'm not writing for", "there is no equivalent in the foreign language, the characters don't know English,", "translation. There is no logical justification, so to speak, for that English-specific pun", "to fiction that tries to be realistic, or to the specific readers know", "about the minutiae of translating wordplay, they care more about a good story.", "and I'm not trying to adapt existing wordplay into English because it's not", "jarring if in an original (non-translated) story, the characters, who don't speak English", "if in an original (non-translated) story, the characters, who don't speak English in-universe,", "exist, if not for the sake of it. Arguments in favor of poetic", "gut feeling that it just feels gimmicky: it's almost an \"added\" in translation,", "in favor of poetic licenses: * [*Storytelling is about telling a logically coherent", "For example, [Greek has four words for \"love\"](https://en.wikipedia.org/wiki/Greek_words_for_love), and while you can translate", "\"untranslatable\" wordplay/puns that are specific to English? By \"untranslatable\" I mean that if", "care about the minutiae of translating wordplay, they care more about a good", "favor of poetic licenses: [Storytelling is about telling a logically coherent story,", "\"added\" in translation, because there is no equivalent in the foreign language, the", "audience doesn't care: the average layperson doesn't know or care about the minutiae", "do, and in my case, I'm not writing for an audience of linguists.", "justification, so to speak, for that English-specific pun to exist, if not for", "you need to explain why it's funny in the original language: see [here](https://forum.unilang.org/viewtopic.php?t=46200)", "logical justification, so to speak, for that English-specific pun to exist, if not", "\"untranslatable\" I mean that if a pun is translated literally into another language,", "a good story. * It's restrictive otherwise: taken to the logical extreme, it", "why it's funny in the original language: see [here](https://forum.unilang.org/viewtopic.php?t=46200) ([archived version](https://archive.fo/tli2F)) for some", "not for the sake of it. Arguments in favor of poetic licenses: ", "to exist, if not for the sake of it. Arguments in favor of", "more to fiction that tries to be realistic, or to the specific readers", "to explain why it's funny in the original language: see [here](https://forum.unilang.org/viewtopic.php?t=46200) ([archived version](https://archive.fo/tli2F))", "a pun is translated literally into another language, it's not apparent why it's", "in the language that is spoken by the characters, because there are many", "not writing for an audience of linguists. *I can't shake off the", "the sake of it. Arguments in favor of poetic licenses: [*Storytelling is", "about a good story. It's restrictive otherwise: taken to the logical extreme,", "it would mean that original stories can only be written in the language", "deeper meaning to them, that just cannot be reproduced in other languages. For", "explain why it's funny in the original language: see [here](https://forum.unilang.org/viewtopic.php?t=46200) ([archived version](https://archive.fo/tli2F)) for", "be written in the language that is spoken by the characters, because there", "don't know English, and I'm not trying to adapt existing wordplay into English", "into another language, it's not apparent why it's funny, and you need to", "of translating wordplay, they care more about a good story. * It's restrictive", "it's funny, and you need to explain why it's funny in the original", "story, not realism](https://writing.stackexchange.com/a/27416/39422): this is probably the most compelling argument. * *The audience", "no equivalent in the foreign language, the characters don't know English, and I'm", "story. It's restrictive otherwise: taken to the logical extreme, it would mean", "English in-universe, use \"untranslatable\" wordplay/puns that are specific to English? By \"untranslatable\" I", "[Storytelling is about telling a logically coherent story, not realism](https://writing.stackexchange.com/a/27416/39422): this is probably", "know or care about the minutiae of translating wordplay, they care more about", "otherwise: taken to the logical extreme, it would mean that original stories can", "can't shake off the gut feeling that it just feels gimmicky: it's almost", "a deeper meaning to them, that just cannot be reproduced in other languages.", "Arguments against non-English speakers using English-specific wordplay: * [*Lack of realism can hurt", "you can translate \"eros\" as \"lust\", it's not the same. The audience probably", "that English-specific pun to exist, if not for the sake of it. Arguments", "many words that have a deeper meaning to them, that just cannot be", "can translate \"eros\" as \"lust\", it's not the same. The audience probably doesn't", "see [here](https://forum.unilang.org/viewtopic.php?t=46200) ([archived version](https://archive.fo/tli2F)) for some examples. Arguments against non-English speakers using English-specific", "if not for the sake of it. Arguments in favor of poetic licenses:", "to be realistic, or to the specific readers know more about a technical", "apparent why it's funny, and you need to explain why it's funny in", "pun to exist, if not for the sake of it. Arguments in favor", "languages. For example, [Greek has four words for \"love\"](https://en.wikipedia.org/wiki/Greek_words_for_love), and while you can", "the foreign language, the characters don't know English, and I'm not trying to", "is no equivalent in the foreign language, the characters don't know English, and", "just cannot be reproduced in other languages. For example, [Greek has four words", "it's not apparent why it's funny, and you need to explain why it's", "that just cannot be reproduced in other languages. For example, [Greek has four", "funny, and you need to explain why it's funny in the original language:", "into English because it's not a translation. There is no logical justification, so", "to speak, for that English-specific pun to exist, if not for the sake", "four words for \"love\"](https://en.wikipedia.org/wiki/Greek_words_for_love), and while you can translate \"eros\" as \"lust\", it's", "for an audience of linguists. *I can't shake off the gut feeling", "English? By \"untranslatable\" I mean that if a pun is translated literally into", "linguists. I can't shake off the gut feeling that it just feels", "speak, for that English-specific pun to exist, if not for the sake of", "fiction](https://writing.stackexchange.com/a/43076/39422): granted, this applies more to fiction that tries to be realistic, or", "are many words that have a deeper meaning to them, that just cannot", "not apparent why it's funny, and you need to explain why it's funny", "than you do, and in my case, I'm not writing for an audience", "a logically coherent story, not realism](https://writing.stackexchange.com/a/27416/39422): this is probably the most compelling argument.", "logically coherent story, not realism](https://writing.stackexchange.com/a/27416/39422): this is probably the most compelling argument. ", "it. Arguments in favor of poetic licenses: [*Storytelling is about telling a", "wordplay/puns that are specific to English? By \"untranslatable\" I mean that if a", "probably the most compelling argument. The audience doesn't care: the average layperson", "the specific readers know more about a technical field than you do, and", "shake off the gut feeling that it just feels gimmicky*: it's almost an", "the minutiae of translating wordplay, they care more about a good story. ", "extreme, it would mean that original stories can only be written in the", "mean that if a pun is translated literally into another language, it's not", "why it's funny, and you need to explain why it's funny in the", "[Greek has four words for \"love\"](https://en.wikipedia.org/wiki/Greek_words_for_love), and while you can translate \"eros\" as", "fiction that tries to be realistic, or to the specific readers know more", "written in the language that is spoken by the characters, because there are", "use \"untranslatable\" wordplay/puns that are specific to English? By \"untranslatable\" I mean that", "hurt fiction*](https://writing.stackexchange.com/a/43076/39422): granted, this applies more to fiction that tries to be realistic,", "I mean that if a pun is translated literally into another language, it's", "in an original (non-translated) story, the characters, who don't speak English in-universe, use", "I'm not writing for an audience of linguists. *I can't shake off", "realistic, or to the specific readers know more about a technical field than", "is no logical justification, so to speak, for that English-specific pun to exist,", "good story. It's restrictive otherwise: taken to the logical extreme, it would", "sake of it. Arguments in favor of poetic licenses: * [*Storytelling is about", " The audience doesn't care: the average layperson doesn't know or care about", "to the logical extreme, it would mean that original stories can only be", "mean that original stories can only be written in the language that is", "language that is spoken by the characters, because there are many words that", "to English? By \"untranslatable\" I mean that if a pun is translated literally", "using English-specific wordplay: * [Lack of realism can hurt fiction](https://writing.stackexchange.com/a/43076/39422): granted, this applies", "while you can translate \"eros\" as \"lust\", it's not the same. The audience", "wordplay: [Lack of realism can hurt fiction](https://writing.stackexchange.com/a/43076/39422): granted, this applies more to", "know English, and I'm not trying to adapt existing wordplay into English because", "logical extreme, it would mean that original stories can only be written in", "if a pun is translated literally into another language, it's not apparent why", "wordplay into English because it's not a translation. There is no logical justification,", "because there is no equivalent in the foreign language, the characters don't know", "for some examples. Arguments against non-English speakers using English-specific wordplay: * [*Lack of", "against non-English speakers using English-specific wordplay: [Lack of realism can hurt fiction](https://writing.stackexchange.com/a/43076/39422):", "English-specific wordplay: * [Lack of realism can hurt fiction](https://writing.stackexchange.com/a/43076/39422): granted, this applies more", "applies more to fiction that tries to be realistic, or to the specific", "the characters, because there are many words that have a deeper meaning to", "there are many words that have a deeper meaning to them, that just", "average layperson doesn't know or care about the minutiae of translating wordplay, they", "the gut feeling that it just feels gimmicky*: it's almost an \"added\" in", "wordplay, they care more about a good story. It's restrictive otherwise: taken", "original stories can only be written in the language that is spoken by", "the original language: see [here](https://forum.unilang.org/viewtopic.php?t=46200) ([archived version](https://archive.fo/tli2F)) for some examples. Arguments against non-English", "translating wordplay, they care more about a good story. * It's restrictive otherwise:", "would mean that original stories can only be written in the language that", "who don't speak English in-universe, use \"untranslatable\" wordplay/puns that are specific to English?", "this is probably the most compelling argument. * The audience doesn't care: the", "translate \"eros\" as \"lust\", it's not the same. The audience probably doesn't care,", "specific readers know more about a technical field than you do, and in", "[Lack of realism can hurt fiction*](https://writing.stackexchange.com/a/43076/39422): granted, this applies more to fiction that" ]
[ "I don't really understand why characters play such an active role. Can't the", "developed first, but I don't really understand why characters play such an active", "a story have to be developed first, but I don't really understand why", "but I don't really understand why characters play such an active role. Can't", "mostly say that the characters of a story have to be developed first,", "have to be developed first, but I don't really understand why characters play", "play such an active role. Can't the characters simply be classified as objects?", "really understand why characters play such an active role. Can't the characters simply", "first, but I don't really understand why characters play such an active role.", "say that the characters of a story have to be developed first, but", "to be developed first, but I don't really understand why characters play such", "that the characters of a story have to be developed first, but I", "why characters play such an active role. Can't the characters simply be classified", "the characters of a story have to be developed first, but I don't", "be developed first, but I don't really understand why characters play such an", "understand why characters play such an active role. Can't the characters simply be", "characters play such an active role. Can't the characters simply be classified as", "of a story have to be developed first, but I don't really understand", "People mostly say that the characters of a story have to be developed", "don't really understand why characters play such an active role. Can't the characters", "characters of a story have to be developed first, but I don't really", "story have to be developed first, but I don't really understand why characters" ]
[ "visual novel. I have all of the possible endings in mind, but for", "that depends on my particular story, so I understand if that can't be", "question is, how do I go about adding choices to make it a", "- the True Ending. That means it's just a single story so far,", "I go about adding choices to make it a branching narrative, so that", "I don't think just shoehorning choices into the story as an afterthought is", "afterthought is fair to the story or the readers/players. And what kind of", "the story as an afterthought is fair to the story or the readers/players.", "with? I don't think just shoehorning choices into the story as an afterthought", "path - the True Ending. That means it's just a single story so", "focusing on what I think of as the \"main\" path - the True", "to make it a branching narrative, so that I can use the other", "work well as a visual novel. I have all of the possible endings", "in mind, but for now I'm focusing on what I think of as", "it's just a single story so far, though. I'm having trouble visualizing where", "would work well as a visual novel. I have all of the possible", "writing a story which started out as a short story but kept growing,", "just a single story so far, though. I'm having trouble visualizing where player", "affect the story. So my question is, how do I go about adding", "the story. So my question is, how do I go about adding choices", "I'm having trouble visualizing where player choices could occur and affect the story.", "\"main\" path - the True Ending. That means it's just a single story", "I'm currently writing a story which started out as a short story but", "currently writing a story which started out as a short story but kept", "story but kept growing, until I discovered it would work well as a", "as an afterthought is fair to the story or the readers/players. And what", "I can use the other endings I came up with? I don't think", "could there be? I suppose that depends on my particular story, so I", "of choices could there be? I suppose that depends on my particular story,", "I have all of the possible endings in mind, but for now I'm", "is fair to the story or the readers/players. And what kind of choices", "as a short story but kept growing, until I discovered it would work", "growing, until I discovered it would work well as a visual novel. I", "possible endings in mind, but for now I'm focusing on what I think", "now I'm focusing on what I think of as the \"main\" path -", "on what I think of as the \"main\" path - the True Ending.", "where player choices could occur and affect the story. So my question is,", "choices into the story as an afterthought is fair to the story or", "up with? I don't think just shoehorning choices into the story as an", "all of the possible endings in mind, but for now I'm focusing on", "branching narrative, so that I can use the other endings I came up", "the readers/players. And what kind of choices could there be? I suppose that", "depends on my particular story, so I understand if that can't be answered.", "go about adding choices to make it a branching narrative, so that I", "started out as a short story but kept growing, until I discovered it", "out as a short story but kept growing, until I discovered it would", "story. So my question is, how do I go about adding choices to", "a branching narrative, so that I can use the other endings I came", "though. I'm having trouble visualizing where player choices could occur and affect the", "far, though. I'm having trouble visualizing where player choices could occur and affect", "well as a visual novel. I have all of the possible endings in", "which started out as a short story but kept growing, until I discovered", "think of as the \"main\" path - the True Ending. That means it's", "be? I suppose that depends on my particular story, so I understand if", "I think of as the \"main\" path - the True Ending. That means", "story so far, though. I'm having trouble visualizing where player choices could occur", "as the \"main\" path - the True Ending. That means it's just a", "discovered it would work well as a visual novel. I have all of", "means it's just a single story so far, though. I'm having trouble visualizing", "a short story but kept growing, until I discovered it would work well", "choices could there be? I suppose that depends on my particular story, so", "make it a branching narrative, so that I can use the other endings", "to the story or the readers/players. And what kind of choices could there", "have all of the possible endings in mind, but for now I'm focusing", "can use the other endings I came up with? I don't think just", "there be? I suppose that depends on my particular story, so I understand", "visualizing where player choices could occur and affect the story. So my question", "I suppose that depends on my particular story, so I understand if that", "use the other endings I came up with? I don't think just shoehorning", "what kind of choices could there be? I suppose that depends on my", "suppose that depends on my particular story, so I understand if that can't", "a visual novel. I have all of the possible endings in mind, but", "just shoehorning choices into the story as an afterthought is fair to the", "the story or the readers/players. And what kind of choices could there be?", "a story which started out as a short story but kept growing, until", "shoehorning choices into the story as an afterthought is fair to the story", "Ending. That means it's just a single story so far, though. I'm having", "short story but kept growing, until I discovered it would work well as", "the possible endings in mind, but for now I'm focusing on what I", "a single story so far, though. I'm having trouble visualizing where player choices", "That means it's just a single story so far, though. I'm having trouble", "about adding choices to make it a branching narrative, so that I can", "so far, though. I'm having trouble visualizing where player choices could occur and", "but kept growing, until I discovered it would work well as a visual", "of as the \"main\" path - the True Ending. That means it's just", "kept growing, until I discovered it would work well as a visual novel.", "narrative, so that I can use the other endings I came up with?", "don't think just shoehorning choices into the story as an afterthought is fair", "adding choices to make it a branching narrative, so that I can use", "that I can use the other endings I came up with? I don't", "readers/players. And what kind of choices could there be? I suppose that depends", "mind, but for now I'm focusing on what I think of as the", "occur and affect the story. So my question is, how do I go", "into the story as an afterthought is fair to the story or the", "think just shoehorning choices into the story as an afterthought is fair to", "kind of choices could there be? I suppose that depends on my particular", "do I go about adding choices to make it a branching narrative, so", "So my question is, how do I go about adding choices to make", "I came up with? I don't think just shoehorning choices into the story", "choices could occur and affect the story. So my question is, how do", "story which started out as a short story but kept growing, until I", "what I think of as the \"main\" path - the True Ending. That", "the \"main\" path - the True Ending. That means it's just a single", "True Ending. That means it's just a single story so far, though. I'm", "it a branching narrative, so that I can use the other endings I", "story as an afterthought is fair to the story or the readers/players. And", "as a visual novel. I have all of the possible endings in mind,", "and affect the story. So my question is, how do I go about", "having trouble visualizing where player choices could occur and affect the story. So", "could occur and affect the story. So my question is, how do I", "I'm focusing on what I think of as the \"main\" path - the", "of the possible endings in mind, but for now I'm focusing on what", "my question is, how do I go about adding choices to make it", "I discovered it would work well as a visual novel. I have all", "trouble visualizing where player choices could occur and affect the story. So my", "endings I came up with? I don't think just shoehorning choices into the", "is, how do I go about adding choices to make it a branching", "story or the readers/players. And what kind of choices could there be? I", "choices to make it a branching narrative, so that I can use the", "for now I'm focusing on what I think of as the \"main\" path", "until I discovered it would work well as a visual novel. I have", "so that I can use the other endings I came up with? I", "endings in mind, but for now I'm focusing on what I think of", "came up with? I don't think just shoehorning choices into the story as", "the True Ending. That means it's just a single story so far, though.", "And what kind of choices could there be? I suppose that depends on", "other endings I came up with? I don't think just shoehorning choices into", "fair to the story or the readers/players. And what kind of choices could", "an afterthought is fair to the story or the readers/players. And what kind", "but for now I'm focusing on what I think of as the \"main\"", "or the readers/players. And what kind of choices could there be? I suppose", "the other endings I came up with? I don't think just shoehorning choices", "novel. I have all of the possible endings in mind, but for now", "single story so far, though. I'm having trouble visualizing where player choices could", "it would work well as a visual novel. I have all of the", "how do I go about adding choices to make it a branching narrative,", "player choices could occur and affect the story. So my question is, how" ]
[ "endlessly ambitious task had fundamentally transformed the empire itself into a ceaseless engine", "the main character will eventually form some idea about the truth of the", "seized the emperor for decades, and the endlessly ambitious task had fundamentally transformed", "story is supposed to begin after this obsession had seized the emperor for", "and industry. The main character, whoever that be, is supposed to infiltrate the", "unable to come up with equally compelling character or plot. For example, I", "be, is supposed to infiltrate the empire's ranks, perhaps seeking vengeance against the", "project that seem to never finish, because no matter how tall the tower", "clue what the specific character or storyline should be, and have no clue", "emperor becomes obsessed with building a tower, and mobilizing the entire empire in", "after this obsession had seized the emperor for decades, and the endlessly ambitious", "taller. The story is supposed to begin after this obsession had seized the", "emperor's obsession, whatever the case, the main character will eventually form some idea", "whatever the case, the main character will eventually form some idea about the", "is any procedure that other writers use to conceive plot and character based", "empire's ranks, perhaps seeking vengeance against the emperor's cruel conquests, or perhaps simply", "I have little clue what the specific character or storyline should be, and", "of the matter. All that being said, I have little clue what the", "equally compelling character or plot. For example, I am currently thinking about a", "with equally compelling character or plot. For example, I am currently thinking about", "The main character, whoever that be, is supposed to infiltrate the empire's ranks,", "against the emperor's cruel conquests, or perhaps simply curious about the reason behind", "main character will eventually form some idea about the truth of the matter.", "and the endlessly ambitious task had fundamentally transformed the empire itself into a", "find myself coming up with seemingly compelling premises and world settings, but unable", "character will eventually form some idea about the truth of the matter. All", "with building a tower, and mobilizing the entire empire in a grueling construction", "seemingly compelling premises and world settings, but unable to come up with equally", "about a premise where a desert empire's emperor becomes obsessed with building a", "to never finish, because no matter how tall the tower reached, the emperor", "supposed to begin after this obsession had seized the emperor for decades, and", "perhaps seeking vengeance against the emperor's cruel conquests, or perhaps simply curious about", "idea about the truth of the matter. All that being said, I have", "supposed to infiltrate the empire's ranks, perhaps seeking vengeance against the emperor's cruel", "mobilizing the entire empire in a grueling construction project that seem to never", "know if there is any procedure that other writers use to conceive plot", "emperor simply demanded taller. The story is supposed to begin after this obsession", "the emperor for decades, and the endlessly ambitious task had fundamentally transformed the", "transformed the empire itself into a ceaseless engine of conquest and industry. The", "the truth of the matter. All that being said, I have little clue", "the emperor simply demanded taller. The story is supposed to begin after this", "the empire itself into a ceaseless engine of conquest and industry. The main", "emperor's cruel conquests, or perhaps simply curious about the reason behind the emperor's", "if there is any procedure that other writers use to conceive plot and", "premise where a desert empire's emperor becomes obsessed with building a tower, and", "for decades, and the endlessly ambitious task had fundamentally transformed the empire itself", "I often find myself coming up with seemingly compelling premises and world settings,", "a desert empire's emperor becomes obsessed with building a tower, and mobilizing the", "tall the tower reached, the emperor simply demanded taller. The story is supposed", "the tower reached, the emperor simply demanded taller. The story is supposed to", "have no clue where to start either. I want to know if there", "am currently thinking about a premise where a desert empire's emperor becomes obsessed", "character or plot. For example, I am currently thinking about a premise where", "or plot. For example, I am currently thinking about a premise where a", "compelling character or plot. For example, I am currently thinking about a premise", "coming up with seemingly compelling premises and world settings, but unable to come", "reached, the emperor simply demanded taller. The story is supposed to begin after", "character, whoever that be, is supposed to infiltrate the empire's ranks, perhaps seeking", "itself into a ceaseless engine of conquest and industry. The main character, whoever", "that other writers use to conceive plot and character based on setting and", "to infiltrate the empire's ranks, perhaps seeking vengeance against the emperor's cruel conquests,", "some idea about the truth of the matter. All that being said, I", "into a ceaseless engine of conquest and industry. The main character, whoever that", "of conquest and industry. The main character, whoever that be, is supposed to", "clue where to start either. I want to know if there is any", "engine of conquest and industry. The main character, whoever that be, is supposed", "a grueling construction project that seem to never finish, because no matter how", "matter how tall the tower reached, the emperor simply demanded taller. The story", "vengeance against the emperor's cruel conquests, or perhaps simply curious about the reason", "what the specific character or storyline should be, and have no clue where", "start either. I want to know if there is any procedure that other", "to start either. I want to know if there is any procedure that", "either. I want to know if there is any procedure that other writers", "truth of the matter. All that being said, I have little clue what", "want to know if there is any procedure that other writers use to", "reason behind the emperor's obsession, whatever the case, the main character will eventually", "come up with equally compelling character or plot. For example, I am currently", "should be, and have no clue where to start either. I want to", "construction project that seem to never finish, because no matter how tall the", "because no matter how tall the tower reached, the emperor simply demanded taller.", "plot. For example, I am currently thinking about a premise where a desert", "no clue where to start either. I want to know if there is", "will eventually form some idea about the truth of the matter. All that", "compelling premises and world settings, but unable to come up with equally compelling", "simply curious about the reason behind the emperor's obsession, whatever the case, the", "For example, I am currently thinking about a premise where a desert empire's", "or storyline should be, and have no clue where to start either. I", "matter. All that being said, I have little clue what the specific character", "is supposed to infiltrate the empire's ranks, perhaps seeking vengeance against the emperor's", "and have no clue where to start either. I want to know if", "example, I am currently thinking about a premise where a desert empire's emperor", "thinking about a premise where a desert empire's emperor becomes obsessed with building", "desert empire's emperor becomes obsessed with building a tower, and mobilizing the entire", "empire's emperor becomes obsessed with building a tower, and mobilizing the entire empire", "the reason behind the emperor's obsession, whatever the case, the main character will", "building a tower, and mobilizing the entire empire in a grueling construction project", "other writers use to conceive plot and character based on setting and themes.", "and mobilizing the entire empire in a grueling construction project that seem to", "to begin after this obsession had seized the emperor for decades, and the", "currently thinking about a premise where a desert empire's emperor becomes obsessed with", "up with equally compelling character or plot. For example, I am currently thinking", "a ceaseless engine of conquest and industry. The main character, whoever that be,", "task had fundamentally transformed the empire itself into a ceaseless engine of conquest", "the emperor's cruel conquests, or perhaps simply curious about the reason behind the", "becomes obsessed with building a tower, and mobilizing the entire empire in a", "obsessed with building a tower, and mobilizing the entire empire in a grueling", "the emperor's obsession, whatever the case, the main character will eventually form some", "The story is supposed to begin after this obsession had seized the emperor", "eventually form some idea about the truth of the matter. All that being", "character or storyline should be, and have no clue where to start either.", "the matter. All that being said, I have little clue what the specific", "ambitious task had fundamentally transformed the empire itself into a ceaseless engine of", "fundamentally transformed the empire itself into a ceaseless engine of conquest and industry.", "I want to know if there is any procedure that other writers use", "that be, is supposed to infiltrate the empire's ranks, perhaps seeking vengeance against", "grueling construction project that seem to never finish, because no matter how tall", "the empire's ranks, perhaps seeking vengeance against the emperor's cruel conquests, or perhaps", "to come up with equally compelling character or plot. For example, I am", "perhaps simply curious about the reason behind the emperor's obsession, whatever the case,", "decades, and the endlessly ambitious task had fundamentally transformed the empire itself into", "curious about the reason behind the emperor's obsession, whatever the case, the main", "up with seemingly compelling premises and world settings, but unable to come up", "no matter how tall the tower reached, the emperor simply demanded taller. The", "about the reason behind the emperor's obsession, whatever the case, the main character", "the entire empire in a grueling construction project that seem to never finish,", "had seized the emperor for decades, and the endlessly ambitious task had fundamentally", "specific character or storyline should be, and have no clue where to start", "industry. The main character, whoever that be, is supposed to infiltrate the empire's", "conquests, or perhaps simply curious about the reason behind the emperor's obsession, whatever", "there is any procedure that other writers use to conceive plot and character", "finish, because no matter how tall the tower reached, the emperor simply demanded", "demanded taller. The story is supposed to begin after this obsession had seized", "whoever that be, is supposed to infiltrate the empire's ranks, perhaps seeking vengeance", "All that being said, I have little clue what the specific character or", "where to start either. I want to know if there is any procedure", "being said, I have little clue what the specific character or storyline should", "entire empire in a grueling construction project that seem to never finish, because", "empire in a grueling construction project that seem to never finish, because no", "case, the main character will eventually form some idea about the truth of", "be, and have no clue where to start either. I want to know", "a tower, and mobilizing the entire empire in a grueling construction project that", "empire itself into a ceaseless engine of conquest and industry. The main character,", "often find myself coming up with seemingly compelling premises and world settings, but", "main character, whoever that be, is supposed to infiltrate the empire's ranks, perhaps", "begin after this obsession had seized the emperor for decades, and the endlessly", "had fundamentally transformed the empire itself into a ceaseless engine of conquest and", "cruel conquests, or perhaps simply curious about the reason behind the emperor's obsession,", "but unable to come up with equally compelling character or plot. For example,", "storyline should be, and have no clue where to start either. I want", "the case, the main character will eventually form some idea about the truth", "obsession had seized the emperor for decades, and the endlessly ambitious task had", "emperor for decades, and the endlessly ambitious task had fundamentally transformed the empire", "procedure that other writers use to conceive plot and character based on setting", "how tall the tower reached, the emperor simply demanded taller. The story is", "this obsession had seized the emperor for decades, and the endlessly ambitious task", "I am currently thinking about a premise where a desert empire's emperor becomes", "the endlessly ambitious task had fundamentally transformed the empire itself into a ceaseless", "ceaseless engine of conquest and industry. The main character, whoever that be, is", "the specific character or storyline should be, and have no clue where to", "have little clue what the specific character or storyline should be, and have", "or perhaps simply curious about the reason behind the emperor's obsession, whatever the", "that being said, I have little clue what the specific character or storyline", "that seem to never finish, because no matter how tall the tower reached,", "seeking vengeance against the emperor's cruel conquests, or perhaps simply curious about the", "any procedure that other writers use to conceive plot and character based on", "premises and world settings, but unable to come up with equally compelling character", "in a grueling construction project that seem to never finish, because no matter", "conquest and industry. The main character, whoever that be, is supposed to infiltrate", "little clue what the specific character or storyline should be, and have no", "behind the emperor's obsession, whatever the case, the main character will eventually form", "form some idea about the truth of the matter. All that being said,", "never finish, because no matter how tall the tower reached, the emperor simply", "a premise where a desert empire's emperor becomes obsessed with building a tower,", "obsession, whatever the case, the main character will eventually form some idea about", "about the truth of the matter. All that being said, I have little", "where a desert empire's emperor becomes obsessed with building a tower, and mobilizing", "settings, but unable to come up with equally compelling character or plot. For", "myself coming up with seemingly compelling premises and world settings, but unable to", "simply demanded taller. The story is supposed to begin after this obsession had", "is supposed to begin after this obsession had seized the emperor for decades,", "ranks, perhaps seeking vengeance against the emperor's cruel conquests, or perhaps simply curious", "to know if there is any procedure that other writers use to conceive", "said, I have little clue what the specific character or storyline should be,", "with seemingly compelling premises and world settings, but unable to come up with", "world settings, but unable to come up with equally compelling character or plot.", "seem to never finish, because no matter how tall the tower reached, the", "tower reached, the emperor simply demanded taller. The story is supposed to begin", "infiltrate the empire's ranks, perhaps seeking vengeance against the emperor's cruel conquests, or", "tower, and mobilizing the entire empire in a grueling construction project that seem", "and world settings, but unable to come up with equally compelling character or" ]
[ "How do you show that a character is suffering from lovesickness in a", "story plot, but not distract the reader from the actual main plot of", "that a character is suffering from lovesickness in a story plot, but not", "show that a character is suffering from lovesickness in a story plot, but", "a character is suffering from lovesickness in a story plot, but not distract", "do you show that a character is suffering from lovesickness in a story", "from lovesickness in a story plot, but not distract the reader from the", "lovesickness in a story plot, but not distract the reader from the actual", "is suffering from lovesickness in a story plot, but not distract the reader", "character is suffering from lovesickness in a story plot, but not distract the", "a story plot, but not distract the reader from the actual main plot", "plot, but not distract the reader from the actual main plot of the", "but not distract the reader from the actual main plot of the story?", "you show that a character is suffering from lovesickness in a story plot,", "in a story plot, but not distract the reader from the actual main", "suffering from lovesickness in a story plot, but not distract the reader from" ]
[ "you enjoy, how do you detach from a character you've grown attached to?", "the platoon to go for an all out assault on the final destination/mission.", "the unit into the endgame. Problem is, I don't want to kill her", "caring. I'm setting her up to be a mascot and somewhat of the", "her death sort of motivate the platoon to go for an all out", "military, I have a female soldier who is very kind and caring. I'm", "is, I don't want to kill her because I've been suckered by her", "is very kind and caring. I'm setting her up to be a mascot", "to send the unit into the endgame. Problem is, I don't want to", "unit into the endgame. Problem is, I don't want to kill her because", "how do you detach from a character you've grown attached to? Some background:", "attached to? Some background: I planned to have her die by sniper fire,", "a mascot and somewhat of the postergirl. Trouble is, she dies further down", "detach from a character you've grown attached to? Some background: I planned to", "death sort of motivate the platoon to go for an all out assault", "the player that this is a war game, not a war-themed visual novel,", "by sniper fire, and have her death sort of motivate the platoon to", "enjoy, how do you detach from a character you've grown attached to? Some", "postergirl. Trouble is, she dies further down the story to kind of remind", "be a mascot and somewhat of the postergirl. Trouble is, she dies further", "is a war game, not a war-themed visual novel, and to send the", "Some background: I planned to have her die by sniper fire, and have", "their characters you enjoy, how do you detach from a character you've grown", "the story to kind of remind the player that this is a war", "her die by sniper fire, and have her death sort of motivate the", "send the unit into the endgame. Problem is, I don't want to kill", "female soldier who is very kind and caring. I'm setting her up to", "of remind the player that this is a war game, not a war-themed", "soldier who is very kind and caring. I'm setting her up to be", "suckered by her charm! So, for those who slay their characters you enjoy,", "for those who slay their characters you enjoy, how do you detach from", "in a WW2-ish story featuring a co-ed military, I have a female soldier", "of motivate the platoon to go for an all out assault on the", "WW2-ish story featuring a co-ed military, I have a female soldier who is", "to be a mascot and somewhat of the postergirl. Trouble is, she dies", "have a female soldier who is very kind and caring. I'm setting her", "you detach from a character you've grown attached to? Some background: I planned", "to kill her because I've been suckered by her charm! So, for those", "from a character you've grown attached to? Some background: I planned to have", "the postergirl. Trouble is, she dies further down the story to kind of", "she dies further down the story to kind of remind the player that", "I've been suckered by her charm! So, for those who slay their characters", "and have her death sort of motivate the platoon to go for an", "I don't want to kill her because I've been suckered by her charm!", "of the postergirl. Trouble is, she dies further down the story to kind", "into the endgame. Problem is, I don't want to kill her because I've", "and caring. I'm setting her up to be a mascot and somewhat of", "charm! So, for those who slay their characters you enjoy, how do you", "down the story to kind of remind the player that this is a", "fire, and have her death sort of motivate the platoon to go for", "the endgame. Problem is, I don't want to kill her because I've been", "slay their characters you enjoy, how do you detach from a character you've", "Trouble is, she dies further down the story to kind of remind the", "setting her up to be a mascot and somewhat of the postergirl. Trouble", "endgame. Problem is, I don't want to kill her because I've been suckered", "a character you've grown attached to? Some background: I planned to have her", "to kind of remind the player that this is a war game, not", "by her charm! So, for those who slay their characters you enjoy, how", "a co-ed military, I have a female soldier who is very kind and", "sniper fire, and have her death sort of motivate the platoon to go", "have her die by sniper fire, and have her death sort of motivate", "die by sniper fire, and have her death sort of motivate the platoon", "that this is a war game, not a war-themed visual novel, and to", "characters you enjoy, how do you detach from a character you've grown attached", "visual novel, and to send the unit into the endgame. Problem is, I", "war-themed visual novel, and to send the unit into the endgame. Problem is,", "player that this is a war game, not a war-themed visual novel, and", "planned to have her die by sniper fire, and have her death sort", "her charm! So, for those who slay their characters you enjoy, how do", "dies further down the story to kind of remind the player that this", "sort of motivate the platoon to go for an all out assault on", "kill her because I've been suckered by her charm! So, for those who", "grown attached to? Some background: I planned to have her die by sniper", "I have a female soldier who is very kind and caring. I'm setting", "character you've grown attached to? Some background: I planned to have her die", "further down the story to kind of remind the player that this is", "story to kind of remind the player that this is a war game,", "kind of remind the player that this is a war game, not a", "I'm setting her up to be a mascot and somewhat of the postergirl.", "been suckered by her charm! So, for those who slay their characters you", "not a war-themed visual novel, and to send the unit into the endgame.", "Problem is, I don't want to kill her because I've been suckered by", "a WW2-ish story featuring a co-ed military, I have a female soldier who", "to? Some background: I planned to have her die by sniper fire, and", "who slay their characters you enjoy, how do you detach from a character", "a war game, not a war-themed visual novel, and to send the unit", "this is a war game, not a war-themed visual novel, and to send", "her up to be a mascot and somewhat of the postergirl. Trouble is,", "and to send the unit into the endgame. Problem is, I don't want", "to have her die by sniper fire, and have her death sort of", "game, not a war-themed visual novel, and to send the unit into the", "So, in a WW2-ish story featuring a co-ed military, I have a female", "co-ed military, I have a female soldier who is very kind and caring.", "I planned to have her die by sniper fire, and have her death", "very kind and caring. I'm setting her up to be a mascot and", "kind and caring. I'm setting her up to be a mascot and somewhat", "is, she dies further down the story to kind of remind the player", "her because I've been suckered by her charm! So, for those who slay", "have her death sort of motivate the platoon to go for an all", "because I've been suckered by her charm! So, for those who slay their", "those who slay their characters you enjoy, how do you detach from a", "mascot and somewhat of the postergirl. Trouble is, she dies further down the", "remind the player that this is a war game, not a war-themed visual", "motivate the platoon to go for an all out assault on the final", "war game, not a war-themed visual novel, and to send the unit into", "do you detach from a character you've grown attached to? Some background: I", "you've grown attached to? Some background: I planned to have her die by", "who is very kind and caring. I'm setting her up to be a", "and somewhat of the postergirl. Trouble is, she dies further down the story", "don't want to kill her because I've been suckered by her charm! So,", "featuring a co-ed military, I have a female soldier who is very kind", "So, for those who slay their characters you enjoy, how do you detach", "a female soldier who is very kind and caring. I'm setting her up", "want to kill her because I've been suckered by her charm! So, for", "novel, and to send the unit into the endgame. Problem is, I don't", "somewhat of the postergirl. Trouble is, she dies further down the story to", "story featuring a co-ed military, I have a female soldier who is very", "background: I planned to have her die by sniper fire, and have her", "up to be a mascot and somewhat of the postergirl. Trouble is, she", "a war-themed visual novel, and to send the unit into the endgame. Problem" ]
[ "Problem is, I have no idea if it's even necessary. I mean, a", "I have no idea if it's even necessary. I mean, a lot of", "So, with the recent craze in waifu games, I've decided to try my", "going to be in it for the waifus, and not at all for", "the recent craze in waifu games, I've decided to try my hand at", "events planned with their own snippet of story. Problem is, I have no", "bother? Background: a waifu game is a game where the main point is", "necessary. I mean, a lot of people are going to be in it", "and some events planned with their own snippet of story. Problem is, I", "the main point is to collect fighters or characters, typically sexy anime girls.", "making one. I have a semi-intricate plot with twists, and some events planned", "to try my hand at making one. I have a semi-intricate plot with", "their own snippet of story. Problem is, I have no idea if it's", "a lot of people are going to be in it for the waifus,", "planned with their own snippet of story. Problem is, I have no idea", "own snippet of story. Problem is, I have no idea if it's even", "the waifus, and not at all for the story. So, should I even", "of story. Problem is, I have no idea if it's even necessary. I", "with twists, and some events planned with their own snippet of story. Problem", "semi-intricate plot with twists, and some events planned with their own snippet of", "try my hand at making one. I have a semi-intricate plot with twists,", "have a semi-intricate plot with twists, and some events planned with their own", "idea if it's even necessary. I mean, a lot of people are going", "are going to be in it for the waifus, and not at all", "some events planned with their own snippet of story. Problem is, I have", "I've decided to try my hand at making one. I have a semi-intricate", "at making one. I have a semi-intricate plot with twists, and some events", "in it for the waifus, and not at all for the story. So,", "I have a semi-intricate plot with twists, and some events planned with their", "So, should I even bother? Background: a waifu game is a game where", "my hand at making one. I have a semi-intricate plot with twists, and", "story. So, should I even bother? Background: a waifu game is a game", "collect fighters or characters, typically sexy anime girls. Examples are Azur Lane, Girl's", "the story. So, should I even bother? Background: a waifu game is a", "waifu game is a game where the main point is to collect fighters", "typically sexy anime girls. Examples are Azur Lane, Girl's Frontline, and Valkyrie Crusade.", "a semi-intricate plot with twists, and some events planned with their own snippet", "for the story. So, should I even bother? Background: a waifu game is", "snippet of story. Problem is, I have no idea if it's even necessary.", "for the waifus, and not at all for the story. So, should I", "at all for the story. So, should I even bother? Background: a waifu", "with their own snippet of story. Problem is, I have no idea if", "or characters, typically sexy anime girls. Examples are Azur Lane, Girl's Frontline, and", "I even bother? Background: a waifu game is a game where the main", "game where the main point is to collect fighters or characters, typically sexy", "to be in it for the waifus, and not at all for the", "not at all for the story. So, should I even bother? Background: a", "games, I've decided to try my hand at making one. I have a", "plot with twists, and some events planned with their own snippet of story.", "lot of people are going to be in it for the waifus, and", "characters, typically sexy anime girls. Examples are Azur Lane, Girl's Frontline, and Valkyrie", "recent craze in waifu games, I've decided to try my hand at making", "main point is to collect fighters or characters, typically sexy anime girls. Examples", "be in it for the waifus, and not at all for the story.", "is to collect fighters or characters, typically sexy anime girls. Examples are Azur", "one. I have a semi-intricate plot with twists, and some events planned with", "a waifu game is a game where the main point is to collect", "no idea if it's even necessary. I mean, a lot of people are", "waifu games, I've decided to try my hand at making one. I have", "and not at all for the story. So, should I even bother? Background:", "hand at making one. I have a semi-intricate plot with twists, and some", "craze in waifu games, I've decided to try my hand at making one.", "have no idea if it's even necessary. I mean, a lot of people", "it for the waifus, and not at all for the story. So, should", "a game where the main point is to collect fighters or characters, typically", "twists, and some events planned with their own snippet of story. Problem is,", "if it's even necessary. I mean, a lot of people are going to", "I mean, a lot of people are going to be in it for", "of people are going to be in it for the waifus, and not", "point is to collect fighters or characters, typically sexy anime girls. Examples are", "even bother? Background: a waifu game is a game where the main point", "even necessary. I mean, a lot of people are going to be in", "mean, a lot of people are going to be in it for the", "fighters or characters, typically sexy anime girls. Examples are Azur Lane, Girl's Frontline,", "to collect fighters or characters, typically sexy anime girls. Examples are Azur Lane,", "should I even bother? Background: a waifu game is a game where the", "with the recent craze in waifu games, I've decided to try my hand", "all for the story. So, should I even bother? Background: a waifu game", "Background: a waifu game is a game where the main point is to", "is, I have no idea if it's even necessary. I mean, a lot", "decided to try my hand at making one. I have a semi-intricate plot", "is a game where the main point is to collect fighters or characters,", "game is a game where the main point is to collect fighters or", "it's even necessary. I mean, a lot of people are going to be", "people are going to be in it for the waifus, and not at", "in waifu games, I've decided to try my hand at making one. I", "where the main point is to collect fighters or characters, typically sexy anime", "waifus, and not at all for the story. So, should I even bother?", "story. Problem is, I have no idea if it's even necessary. I mean," ]
[ "that to do with it. Do I delete the scene and replace it", "no one. In fact, a major epic battle is brewing and to delay", "it with how the POV character hears the news after the fact? But", "figure out that to do with it. Do I delete the scene and", "unrealistic. If anything, the enemy would surely seek to strike while the hero", "three months. But life stops for no one. In fact, a major epic", "brewing and to delay it would be unrealistic. If anything, the enemy would", "delay it would be unrealistic. If anything, the enemy would surely seek to", "is bedridden for three months. But life stops for no one. In fact,", "(Would it be confusing to have a secondary POV character for only one", "it. Do I delete the scene and replace it with how the POV", "the POV character hears the news after the fact? But three months of", "it's epic. But I can't figure out that to do with it. Do", "just one scene? (Would it be confusing to have a secondary POV character", "for three months. But life stops for no one. In fact, a major", "I can't figure out that to do with it. Do I delete the", "for no one. In fact, a major epic battle is brewing and to", "delete the scene and replace it with how the POV character hears the", "replace it with how the POV character hears the news after the fact?", "strike while the hero has been forced onto the sidelines. I've already written", "But I can't figure out that to do with it. Do I delete", "Do I delete the scene and replace it with how the POV character", "fact? But three months of doing nothing is really boring. Or, do I", "keep the scene but switch to a new POV character for just one", "with it. Do I delete the scene and replace it with how the", "a new POV character for just one scene? (Would it be confusing to", "to do with it. Do I delete the scene and replace it with", "character has been seriously injured and is bedridden for three months. But life", "epic. But I can't figure out that to do with it. Do I", "character hears the news after the fact? But three months of doing nothing", "but switch to a new POV character for just one scene? (Would it", "injured and is bedridden for three months. But life stops for no one.", "really boring. Or, do I keep the scene but switch to a new", "been forced onto the sidelines. I've already written the huge battle... and it's", "of doing nothing is really boring. Or, do I keep the scene but", "a major epic battle is brewing and to delay it would be unrealistic.", "out that to do with it. Do I delete the scene and replace", "switch to a new POV character for just one scene? (Would it be", "and to delay it would be unrealistic. If anything, the enemy would surely", "the scene but switch to a new POV character for just one scene?", "huge battle... and it's epic. But I can't figure out that to do", "onto the sidelines. I've already written the huge battle... and it's epic. But", "I keep the scene but switch to a new POV character for just", "POV character has been seriously injured and is bedridden for three months. But", "epic battle is brewing and to delay it would be unrealistic. If anything,", "the hero has been forced onto the sidelines. I've already written the huge", "scene but switch to a new POV character for just one scene? (Would", "months of doing nothing is really boring. Or, do I keep the scene", "has been seriously injured and is bedridden for three months. But life stops", "has been forced onto the sidelines. I've already written the huge battle... and", "fact, a major epic battle is brewing and to delay it would be", "months. But life stops for no one. In fact, a major epic battle", "POV character for just one scene? (Would it be confusing to have a", "would surely seek to strike while the hero has been forced onto the", "to a new POV character for just one scene? (Would it be confusing", "battle is brewing and to delay it would be unrealistic. If anything, the", "scene? (Would it be confusing to have a secondary POV character for only", "do I keep the scene but switch to a new POV character for", "and it's epic. But I can't figure out that to do with it.", "scene and replace it with how the POV character hears the news after", "it would be unrealistic. If anything, the enemy would surely seek to strike", "how the POV character hears the news after the fact? But three months", "one. In fact, a major epic battle is brewing and to delay it", "one scene? (Would it be confusing to have a secondary POV character for", "after the fact? But three months of doing nothing is really boring. Or,", "character for just one scene? (Would it be confusing to have a secondary", "In fact, a major epic battle is brewing and to delay it would", "But three months of doing nothing is really boring. Or, do I keep", "is really boring. Or, do I keep the scene but switch to a", "nothing is really boring. Or, do I keep the scene but switch to", "and replace it with how the POV character hears the news after the", "do with it. Do I delete the scene and replace it with how", "the news after the fact? But three months of doing nothing is really", "But life stops for no one. In fact, a major epic battle is", "major epic battle is brewing and to delay it would be unrealistic. If", "sidelines. I've already written the huge battle... and it's epic. But I can't", "can't figure out that to do with it. Do I delete the scene", "stops for no one. In fact, a major epic battle is brewing and", "I've already written the huge battle... and it's epic. But I can't figure", "forced onto the sidelines. I've already written the huge battle... and it's epic.", "hero has been forced onto the sidelines. I've already written the huge battle...", "news after the fact? But three months of doing nothing is really boring.", "the scene and replace it with how the POV character hears the news", "life stops for no one. In fact, a major epic battle is brewing", "and is bedridden for three months. But life stops for no one. In", "the sidelines. I've already written the huge battle... and it's epic. But I", "written the huge battle... and it's epic. But I can't figure out that", "bedridden for three months. But life stops for no one. In fact, a", "boring. Or, do I keep the scene but switch to a new POV", "the fact? But three months of doing nothing is really boring. Or, do", "hears the news after the fact? But three months of doing nothing is", "POV character hears the news after the fact? But three months of doing", "anything, the enemy would surely seek to strike while the hero has been", "surely seek to strike while the hero has been forced onto the sidelines.", "new POV character for just one scene? (Would it be confusing to have", "already written the huge battle... and it's epic. But I can't figure out", "with how the POV character hears the news after the fact? But three", "for just one scene? (Would it be confusing to have a secondary POV", "the huge battle... and it's epic. But I can't figure out that to", "seriously injured and is bedridden for three months. But life stops for no", "to delay it would be unrealistic. If anything, the enemy would surely seek", "been seriously injured and is bedridden for three months. But life stops for", "enemy would surely seek to strike while the hero has been forced onto", "three months of doing nothing is really boring. Or, do I keep the", "My POV character has been seriously injured and is bedridden for three months.", "battle... and it's epic. But I can't figure out that to do with", "the enemy would surely seek to strike while the hero has been forced", "it be confusing to have a secondary POV character for only one scene?)", "be unrealistic. If anything, the enemy would surely seek to strike while the", "Or, do I keep the scene but switch to a new POV character", "to strike while the hero has been forced onto the sidelines. I've already", "while the hero has been forced onto the sidelines. I've already written the", "I delete the scene and replace it with how the POV character hears", "would be unrealistic. If anything, the enemy would surely seek to strike while", "doing nothing is really boring. Or, do I keep the scene but switch", "seek to strike while the hero has been forced onto the sidelines. I've", "If anything, the enemy would surely seek to strike while the hero has", "is brewing and to delay it would be unrealistic. If anything, the enemy" ]
[ "They take no crap, but they're not there to start fights. So, what's", "Disclaimer: Also works for guys, if you have the problem, but genderbent. So,", "Also works for guys, if you have the problem, but genderbent. So, in", "I don't want to cross over in the realm of asshole with some", "take no crap, but they're not there to start fights. So, what's the", "but they're not there to start fights. So, what's the difference between a", "the problem, but genderbent. So, in my plots, I typically have a \"tough", "upfront, and is stubborn to the core. Thing is, I don't want to", "genderbent. So, in my plots, I typically have a \"tough girl\" character in", "She's confident and upfront, and is stubborn to the core. Thing is, I", "and is stubborn to the core. Thing is, I don't want to cross", "core. Thing is, I don't want to cross over in the realm of", "you have the problem, but genderbent. So, in my plots, I typically have", "of them. They take no crap, but they're not there to start fights.", "them. They take no crap, but they're not there to start fights. So,", "crap, but they're not there to start fights. So, what's the difference between", "with some of them. They take no crap, but they're not there to", "works for guys, if you have the problem, but genderbent. So, in my", "they're not there to start fights. So, what's the difference between a tough", "in my thing. She's confident and upfront, and is stubborn to the core.", "have the problem, but genderbent. So, in my plots, I typically have a", "plots, I typically have a \"tough girl\" character in my thing. She's confident", "a \"tough girl\" character in my thing. She's confident and upfront, and is", "the core. Thing is, I don't want to cross over in the realm", "asshole with some of them. They take no crap, but they're not there", "have a \"tough girl\" character in my thing. She's confident and upfront, and", "\"tough girl\" character in my thing. She's confident and upfront, and is stubborn", "no crap, but they're not there to start fights. So, what's the difference", "start fights. So, what's the difference between a tough gal and an asshole?", "if you have the problem, but genderbent. So, in my plots, I typically", "and upfront, and is stubborn to the core. Thing is, I don't want", "typically have a \"tough girl\" character in my thing. She's confident and upfront,", "So, in my plots, I typically have a \"tough girl\" character in my", "some of them. They take no crap, but they're not there to start", "to cross over in the realm of asshole with some of them. They", "of asshole with some of them. They take no crap, but they're not", "Thing is, I don't want to cross over in the realm of asshole", "character in my thing. She's confident and upfront, and is stubborn to the", "want to cross over in the realm of asshole with some of them.", "in my plots, I typically have a \"tough girl\" character in my thing.", "my thing. She's confident and upfront, and is stubborn to the core. Thing", "realm of asshole with some of them. They take no crap, but they're", "cross over in the realm of asshole with some of them. They take", "in the realm of asshole with some of them. They take no crap,", "the realm of asshole with some of them. They take no crap, but", "to start fights. So, what's the difference between a tough gal and an", "I typically have a \"tough girl\" character in my thing. She's confident and", "not there to start fights. So, what's the difference between a tough gal", "stubborn to the core. Thing is, I don't want to cross over in", "is, I don't want to cross over in the realm of asshole with", "over in the realm of asshole with some of them. They take no", "girl\" character in my thing. She's confident and upfront, and is stubborn to", "but genderbent. So, in my plots, I typically have a \"tough girl\" character", "problem, but genderbent. So, in my plots, I typically have a \"tough girl\"", "there to start fights. So, what's the difference between a tough gal and", "guys, if you have the problem, but genderbent. So, in my plots, I", "to the core. Thing is, I don't want to cross over in the", "for guys, if you have the problem, but genderbent. So, in my plots,", "thing. She's confident and upfront, and is stubborn to the core. Thing is,", "don't want to cross over in the realm of asshole with some of", "my plots, I typically have a \"tough girl\" character in my thing. She's", "confident and upfront, and is stubborn to the core. Thing is, I don't", "is stubborn to the core. Thing is, I don't want to cross over" ]
[ "point of view: > > Part of this genre's roots derive from pulp", "\"New Weird\" as a genre entails. On [the Wikipedia page](https://en.wikipedia.org/wiki/New_weird) a bunch of", "of the fantastic in order to put them to discomfiting, rather than consoling", "were sometimes described as \"weird fiction\". > > > My point here being", "genre entails. On [the Wikipedia page](https://en.wikipedia.org/wiki/New_weird) a bunch of definitions can be found:", "historic point of view: > > Part of this genre's roots derive from", "I'm having trouble understanding what the \"New Weird\" as a genre entails. On", "fantasy or grimdark). So, what would be the most important characteristic, the one", "between fantasy and science-fiction (as steampunk, maybe) or fantasy and horror (dark fantasy", "place found in traditional fantasy, largely by choosing realistic, complex real-world models as", "can be seen as a breaking of barriers between fantasy and science-fiction (as", "the most important characteristic, the one that you absolutely cannot miss, when writing", "that may combine elements of both science fiction and fantasy\" > > >", "it completely. After all, other genres can be seen as a breaking of", "> > > However, > > Robin Anne ReentR notes that while the", "choosing realistic, complex real-world models as the jumping-off point for creation of settings", "to be even more specific New Weird, where the \"new\" is used to", "New Weird, where the \"new\" is used to distinguish new writers from literary", "new writers from literary sources as Lovecraft. Yet, in my opinion, a book", "important characteristic, the one that you absolutely cannot miss, when writing New Weird?", "both science fiction and fantasy\" > > > However, > > Robin Anne", "elements of both science fiction and fantasy\" > > > However, > >", "what would be the most important characteristic, the one that you absolutely cannot", "the barriers between fantasy, science fiction and supernatural horror. > > > And", "that while the definition of the new weird is disputed, \"a general consensus", "what the \"New Weird\" as a genre entails. On [the Wikipedia page](https://en.wikipedia.org/wiki/New_weird) a", "between fantasy, science fiction and supernatural horror. > > > And then again,", "disputed, \"a general consensus uses the term\" to describe fictions that \"subvert cliches", "Fiction novel will either find himself expanding the definition, or missing it completely.", "or grimdark). So, what would be the most important characteristic, the one that", "there is no specific consensus about this. So, a new author wanting to", "Street Station could be defined as a crossbreed between fantasy and steampunk. In", "realistic, complex real-world models as the jumping-off point for creation of settings that", "a more historic point of view: > > Part of this genre's roots", "found: > > ... according to Jeff VanderMeer and Ann VanderMeer, in their", "introduction to the anthology The New Weird, the genre is \"a type of", "barriers between fantasy and science-fiction (as steampunk, maybe) or fantasy and horror (dark", "Fiction, or to be even more specific New Weird, where the \"new\" is", "definition, or missing it completely. After all, other genres can be seen as", "science fiction and supernatural horror. > > > And then again, from a", "like Perdido Street Station* could be defined as a crossbreed between fantasy and", "specific New Weird, where the \"new\" is used to distinguish new writers from", "himself expanding the definition, or missing it completely. After all, other genres can", "the definition, or missing it completely. After all, other genres can be seen", "fantasy and steampunk. In short, I'm having trouble understanding what the \"New Weird\"", "the romanticized ideas about place found in traditional fantasy, largely by choosing realistic,", "the jumping-off point for creation of settings that may combine elements of both", "the definition of the new weird is disputed, \"a general consensus uses the", "uses the term\" to describe fictions that \"subvert cliches of the fantastic in", "bunch of definitions can be found: > > ... according to Jeff VanderMeer", "down the barriers between fantasy, science fiction and supernatural horror. > > >", "across China Miéville's novels. Apparently, they fit in a genre called Weird Fiction,", "short, I'm having trouble understanding what the \"New Weird\" as a genre entails.", "China Miéville's novels. Apparently, they fit in a genre called Weird Fiction, or", "from a more historic point of view: > > Part of this genre's", "> My point here being that there is no specific consensus about this.", "or missing it completely. After all, other genres can be seen as a", "is disputed, \"a general consensus uses the term\" to describe fictions that \"subvert", "combine elements of both science fiction and fantasy\" > > > However, >", "a genre entails. On [the Wikipedia page](https://en.wikipedia.org/wiki/New_weird) a bunch of definitions can be", "about place found in traditional fantasy, largely by choosing realistic, complex real-world models", "fantasy and science-fiction (as steampunk, maybe) or fantasy and horror (dark fantasy or", "as \"weird fiction\". > > > My point here being that there is", "complex real-world models as the jumping-off point for creation of settings that may", "> And then again, from a more historic point of view: > >", "used to distinguish new writers from literary sources as Lovecraft. Yet, in my", "that there is no specific consensus about this. So, a new author wanting", "Miéville's novels. Apparently, they fit in a genre called Weird Fiction, or to", "Lovecraft. Yet, in my opinion, a book like Perdido Street Station* could be", "\"a type of urban, secondary-world fiction that subverts the romanticized ideas about place", "consensus uses the term\" to describe fictions that \"subvert cliches of the fantastic", "a crossbreed between fantasy and steampunk. In short, I'm having trouble understanding what", "> > ... according to Jeff VanderMeer and Ann VanderMeer, in their introduction", "ends\". [1](https://en.wikipedia.org/wiki/New_weird) ReentR also notes the genre tends to break down the barriers", "no specific consensus about this. So, a new author wanting to write a", "to Jeff VanderMeer and Ann VanderMeer, in their introduction to the anthology The", "novel will either find himself expanding the definition, or missing it completely. After", "genre called Weird Fiction, or to be even more specific New Weird, where", "authors, whose stories were sometimes described as \"weird fiction\". > > > My", "in my opinion, a book like Perdido Street Station* could be defined as", "[the Wikipedia page](https://en.wikipedia.org/wiki/New_weird) a bunch of definitions can be found: > > ...", "> Part of this genre's roots derive from pulp horror authors, whose stories", "anthology The New Weird, the genre is \"a type of urban, secondary-world fiction", "sometimes described as \"weird fiction\". > > > My point here being that", "Ann VanderMeer, in their introduction to the anthology The New Weird, the genre", "be found: > > ... according to Jeff VanderMeer and Ann VanderMeer, in", "derive from pulp horror authors, whose stories were sometimes described as \"weird fiction\".", "barriers between fantasy, science fiction and supernatural horror. > > > And then", "to break down the barriers between fantasy, science fiction and supernatural horror. >", "all, other genres can be seen as a breaking of barriers between fantasy", "is no specific consensus about this. So, a new author wanting to write", "> > Part of this genre's roots derive from pulp horror authors, whose", "could be defined as a crossbreed between fantasy and steampunk. In short, I'm", "Apparently, they fit in a genre called Weird Fiction, or to be even", "Yet, in my opinion, a book like Perdido Street Station* could be defined", "the \"new\" is used to distinguish new writers from literary sources as Lovecraft.", "seen as a breaking of barriers between fantasy and science-fiction (as steampunk, maybe)", "again, from a more historic point of view: > > Part of this", "settings that may combine elements of both science fiction and fantasy\" > >", "And then again, from a more historic point of view: > > Part", "fiction\". > > > My point here being that there is no specific", "the \"New Weird\" as a genre entails. On [the Wikipedia page](https://en.wikipedia.org/wiki/New_weird) a bunch", "I've stumbled across China Miéville's novels. Apparently, they fit in a genre called", "their introduction to the anthology The New Weird, the genre is \"a type", "put them to discomfiting, rather than consoling ends\". [1](https://en.wikipedia.org/wiki/New_weird) ReentR also notes the", "here being that there is no specific consensus about this. So, a new", "(as steampunk, maybe) or fantasy and horror (dark fantasy or grimdark). So, what", "as Lovecraft. Yet, in my opinion, a book like Perdido Street Station could", "a new author wanting to write a Weird Fiction novel will either find", "most important characteristic, the one that you absolutely cannot miss, when writing New", "while the definition of the new weird is disputed, \"a general consensus uses", "fiction and fantasy\" > > > However, > > Robin Anne ReentR notes", "On [the Wikipedia page](https://en.wikipedia.org/wiki/New_weird) a bunch of definitions can be found: > >", "genres can be seen as a breaking of barriers between fantasy and science-fiction", "horror (dark fantasy or grimdark). So, what would be the most important characteristic,", "of both science fiction and fantasy\" > > > However, > > Robin", "Recently I've stumbled across China Miéville's novels. Apparently, they fit in a genre", "in order to put them to discomfiting, rather than consoling ends\". [1](https://en.wikipedia.org/wiki/New_weird) ReentR", "specific consensus about this. So, a new author wanting to write a Weird", "the fantastic in order to put them to discomfiting, rather than consoling ends\".", "[1](https://en.wikipedia.org/wiki/New_weird) ReentR also notes the genre tends to break down the barriers between", "be the most important characteristic, the one that you absolutely cannot miss, when", "the term\" to describe fictions that \"subvert cliches of the fantastic in order", "is \"a type of urban, secondary-world fiction that subverts the romanticized ideas about", "view: > > Part of this genre's roots derive from pulp horror authors,", "Weird, where the \"new\" is used to distinguish new writers from literary sources", "more specific New Weird, where the \"new\" is used to distinguish new writers", "\"new\" is used to distinguish new writers from literary sources as Lovecraft. Yet,", "found in traditional fantasy, largely by choosing realistic, complex real-world models as the", "author wanting to write a Weird Fiction novel will either find himself expanding", "type of urban, secondary-world fiction that subverts the romanticized ideas about place found", "the new weird is disputed, \"a general consensus uses the term\" to describe", "by choosing realistic, complex real-world models as the jumping-off point for creation of", "ReentR notes that while the definition of the new weird is disputed, \"a", "> > However, > > Robin Anne ReentR notes that while the definition", "of urban, secondary-world fiction that subverts the romanticized ideas about place found in", "expanding the definition, or missing it completely. After all, other genres can be", "and science-fiction (as steampunk, maybe) or fantasy and horror (dark fantasy or grimdark).", "also notes the genre tends to break down the barriers between fantasy, science", "roots derive from pulp horror authors, whose stories were sometimes described as \"weird", "fantasy\" > > > However, > > Robin Anne ReentR notes that while", "fantasy, science fiction and supernatural horror. > > > And then again, from", "understanding what the \"New Weird\" as a genre entails. On [the Wikipedia page](https://en.wikipedia.org/wiki/New_weird)", "New Weird, the genre is \"a type of urban, secondary-world fiction that subverts", "the anthology The New Weird, the genre is \"a type of urban, secondary-world", "Robin Anne ReentR notes that while the definition of the new weird is", "from pulp horror authors, whose stories were sometimes described as \"weird fiction\". >", "to the anthology The New Weird, the genre is \"a type of urban,", "be defined as a crossbreed between fantasy and steampunk. In short, I'm having", "general consensus uses the term\" to describe fictions that \"subvert cliches of the", "secondary-world fiction that subverts the romanticized ideas about place found in traditional fantasy,", "to discomfiting, rather than consoling ends\". [1](https://en.wikipedia.org/wiki/New_weird) ReentR also notes the genre tends", "traditional fantasy, largely by choosing realistic, complex real-world models as the jumping-off point", "my opinion, a book like Perdido Street Station* could be defined as a", "term\" to describe fictions that \"subvert cliches of the fantastic in order to", "wanting to write a Weird Fiction novel will either find himself expanding the", "VanderMeer and Ann VanderMeer, in their introduction to the anthology The New Weird,", "> However, > > Robin Anne ReentR notes that while the definition of", "Anne ReentR notes that while the definition of the new weird is disputed,", "Part of this genre's roots derive from pulp horror authors, whose stories were", "be even more specific New Weird, where the \"new\" is used to distinguish", "as the jumping-off point for creation of settings that may combine elements of", "break down the barriers between fantasy, science fiction and supernatural horror. > >", "or to be even more specific New Weird, where the \"new\" is used", "tends to break down the barriers between fantasy, science fiction and supernatural horror.", "of this genre's roots derive from pulp horror authors, whose stories were sometimes", "jumping-off point for creation of settings that may combine elements of both science", "distinguish new writers from literary sources as Lovecraft. Yet, in my opinion, a", "> > And then again, from a more historic point of view: >", "grimdark). So, what would be the most important characteristic, the one that you", "called Weird Fiction, or to be even more specific New Weird, where the", "a bunch of definitions can be found: > > ... according to Jeff", "models as the jumping-off point for creation of settings that may combine elements", "genre is \"a type of urban, secondary-world fiction that subverts the romanticized ideas", "would be the most important characteristic, the one that you absolutely cannot miss,", "than consoling ends\". [1](https://en.wikipedia.org/wiki/New_weird) ReentR also notes the genre tends to break down", "\"a general consensus uses the term\" to describe fictions that \"subvert cliches of", "\"weird fiction\". > > > My point here being that there is no", "in their introduction to the anthology The New Weird, the genre is \"a", "However, > > Robin Anne ReentR notes that while the definition of the", "point for creation of settings that may combine elements of both science fiction", "cliches of the fantastic in order to put them to discomfiting, rather than", "for creation of settings that may combine elements of both science fiction and", "genre's roots derive from pulp horror authors, whose stories were sometimes described as", "The New Weird, the genre is \"a type of urban, secondary-world fiction that", "is used to distinguish new writers from literary sources as Lovecraft. Yet, in", "> > My point here being that there is no specific consensus about", "other genres can be seen as a breaking of barriers between fantasy and", "fantasy and horror (dark fantasy or grimdark). So, what would be the most", "missing it completely. After all, other genres can be seen as a breaking", "In short, I'm having trouble understanding what the \"New Weird\" as a genre", "fantastic in order to put them to discomfiting, rather than consoling ends\". [1](https://en.wikipedia.org/wiki/New_weird)", "definitions can be found: > > ... according to Jeff VanderMeer and Ann", "whose stories were sometimes described as \"weird fiction\". > > > My point", "in a genre called Weird Fiction, or to be even more specific New", "and fantasy\" > > > However, > > Robin Anne ReentR notes that", "Weird Fiction novel will either find himself expanding the definition, or missing it", "notes that while the definition of the new weird is disputed, \"a general", "and Ann VanderMeer, in their introduction to the anthology The New Weird, the", "will either find himself expanding the definition, or missing it completely. After all,", "find himself expanding the definition, or missing it completely. After all, other genres", "where the \"new\" is used to distinguish new writers from literary sources as", "according to Jeff VanderMeer and Ann VanderMeer, in their introduction to the anthology", "VanderMeer, in their introduction to the anthology The New Weird, the genre is", "Weird Fiction, or to be even more specific New Weird, where the \"new\"", "a Weird Fiction novel will either find himself expanding the definition, or missing", "> > > My point here being that there is no specific consensus", "that \"subvert cliches of the fantastic in order to put them to discomfiting,", "Jeff VanderMeer and Ann VanderMeer, in their introduction to the anthology The New", "ReentR also notes the genre tends to break down the barriers between fantasy,", "science fiction and fantasy\" > > > However, > > Robin Anne ReentR", "a book like Perdido Street Station* could be defined as a crossbreed between", "described as \"weird fiction\". > > > My point here being that there", "this. So, a new author wanting to write a Weird Fiction novel will", "a breaking of barriers between fantasy and science-fiction (as steampunk, maybe) or fantasy", "entails. On [the Wikipedia page](https://en.wikipedia.org/wiki/New_weird) a bunch of definitions can be found: >", "fiction and supernatural horror. > > > And then again, from a more", "either find himself expanding the definition, or missing it completely. After all, other", "that subverts the romanticized ideas about place found in traditional fantasy, largely by", "describe fictions that \"subvert cliches of the fantastic in order to put them", "horror. > > > And then again, from a more historic point of", "steampunk, maybe) or fantasy and horror (dark fantasy or grimdark). So, what would", "notes the genre tends to break down the barriers between fantasy, science fiction", "new author wanting to write a Weird Fiction novel will either find himself", "fit in a genre called Weird Fiction, or to be even more specific", "order to put them to discomfiting, rather than consoling ends\". [1](https://en.wikipedia.org/wiki/New_weird) ReentR also", "consensus about this. So, a new author wanting to write a Weird Fiction", "between fantasy and steampunk. In short, I'm having trouble understanding what the \"New", "stories were sometimes described as \"weird fiction\". > > > My point here", "science-fiction (as steampunk, maybe) or fantasy and horror (dark fantasy or grimdark). So,", "consoling ends\". [1](https://en.wikipedia.org/wiki/New_weird) ReentR also notes the genre tends to break down the", "the genre is \"a type of urban, secondary-world fiction that subverts the romanticized", "then again, from a more historic point of view: > > Part of", "So, what would be the most important characteristic, the one that you absolutely", "(dark fantasy or grimdark). So, what would be the most important characteristic, the", "real-world models as the jumping-off point for creation of settings that may combine", "as a crossbreed between fantasy and steampunk. In short, I'm having trouble understanding", "maybe) or fantasy and horror (dark fantasy or grimdark). So, what would be", "genre tends to break down the barriers between fantasy, science fiction and supernatural", "> ... according to Jeff VanderMeer and Ann VanderMeer, in their introduction to", "> > > And then again, from a more historic point of view:", "and steampunk. In short, I'm having trouble understanding what the \"New Weird\" as", "from literary sources as Lovecraft. Yet, in my opinion, a book like Perdido", "be seen as a breaking of barriers between fantasy and science-fiction (as steampunk,", "page](https://en.wikipedia.org/wiki/New_weird) a bunch of definitions can be found: > > ... according to", "completely. After all, other genres can be seen as a breaking of barriers", "to put them to discomfiting, rather than consoling ends\". [1](https://en.wikipedia.org/wiki/New_weird) ReentR also notes", "steampunk. In short, I'm having trouble understanding what the \"New Weird\" as a", "as a genre entails. On [the Wikipedia page](https://en.wikipedia.org/wiki/New_weird) a bunch of definitions can", "discomfiting, rather than consoling ends\". [1](https://en.wikipedia.org/wiki/New_weird) ReentR also notes the genre tends to", "pulp horror authors, whose stories were sometimes described as \"weird fiction\". > >", "My point here being that there is no specific consensus about this. So,", "novels. Apparently, they fit in a genre called Weird Fiction, or to be", "creation of settings that may combine elements of both science fiction and fantasy\"", "as a breaking of barriers between fantasy and science-fiction (as steampunk, maybe) or", "> > Robin Anne ReentR notes that while the definition of the new", "... according to Jeff VanderMeer and Ann VanderMeer, in their introduction to the", "weird is disputed, \"a general consensus uses the term\" to describe fictions that", "trouble understanding what the \"New Weird\" as a genre entails. On [the Wikipedia", "fictions that \"subvert cliches of the fantastic in order to put them to", "horror authors, whose stories were sometimes described as \"weird fiction\". > > >", "and supernatural horror. > > > And then again, from a more historic", "of the new weird is disputed, \"a general consensus uses the term\" to", "So, a new author wanting to write a Weird Fiction novel will either", "writers from literary sources as Lovecraft. Yet, in my opinion, a book like", "opinion, a book like Perdido Street Station* could be defined as a crossbreed", "more historic point of view: > > Part of this genre's roots derive", "or fantasy and horror (dark fantasy or grimdark). So, what would be the", "supernatural horror. > > > And then again, from a more historic point", "of settings that may combine elements of both science fiction and fantasy\" >", "in traditional fantasy, largely by choosing realistic, complex real-world models as the jumping-off", "Perdido Street Station* could be defined as a crossbreed between fantasy and steampunk.", "> Robin Anne ReentR notes that while the definition of the new weird", "to distinguish new writers from literary sources as Lovecraft. Yet, in my opinion,", "defined as a crossbreed between fantasy and steampunk. In short, I'm having trouble", "having trouble understanding what the \"New Weird\" as a genre entails. On [the", "can be found: > > ... according to Jeff VanderMeer and Ann VanderMeer,", "crossbreed between fantasy and steampunk. In short, I'm having trouble understanding what the", "them to discomfiting, rather than consoling ends\". [1](https://en.wikipedia.org/wiki/New_weird) ReentR also notes the genre", "of definitions can be found: > > ... according to Jeff VanderMeer and", "and horror (dark fantasy or grimdark). So, what would be the most important", "\"subvert cliches of the fantastic in order to put them to discomfiting, rather", "stumbled across China Miéville's novels. Apparently, they fit in a genre called *Weird", "about this. So, a new author wanting to write a Weird Fiction novel", "point here being that there is no specific consensus about this. So, a", "definition of the new weird is disputed, \"a general consensus uses the term\"", "romanticized ideas about place found in traditional fantasy, largely by choosing realistic, complex", "After all, other genres can be seen as a breaking of barriers between", "write a Weird Fiction novel will either find himself expanding the definition, or", "breaking of barriers between fantasy and science-fiction (as steampunk, maybe) or fantasy and", "fiction that subverts the romanticized ideas about place found in traditional fantasy, largely", "urban, secondary-world fiction that subverts the romanticized ideas about place found in traditional", "book like Perdido Street Station* could be defined as a crossbreed between fantasy", "of barriers between fantasy and science-fiction (as steampunk, maybe) or fantasy and horror", "subverts the romanticized ideas about place found in traditional fantasy, largely by choosing", "being that there is no specific consensus about this. So, a new author", "rather than consoling ends\". [1](https://en.wikipedia.org/wiki/New_weird) ReentR also notes the genre tends to break", "of view: > > Part of this genre's roots derive from pulp horror", "this genre's roots derive from pulp horror authors, whose stories were sometimes described", "they fit in a genre called Weird Fiction, or to be even more", "a genre called Weird Fiction, or to be even more specific New Weird,", "to write a Weird Fiction novel will either find himself expanding the definition,", "new weird is disputed, \"a general consensus uses the term\" to describe fictions", "Wikipedia page](https://en.wikipedia.org/wiki/New_weird) a bunch of definitions can be found: > > ... according", "fantasy, largely by choosing realistic, complex real-world models as the jumping-off point for", "ideas about place found in traditional fantasy, largely by choosing realistic, complex real-world", "largely by choosing realistic, complex real-world models as the jumping-off point for creation", "may combine elements of both science fiction and fantasy\" > > > However,", "Weird, the genre is \"a type of urban, secondary-world fiction that subverts the", "to describe fictions that \"subvert cliches of the fantastic in order to put", "literary sources as Lovecraft. Yet, in my opinion, a book like Perdido Street", "even more specific New Weird, where the \"new\" is used to distinguish new", "the genre tends to break down the barriers between fantasy, science fiction and", "Weird\" as a genre entails. On [the Wikipedia page](https://en.wikipedia.org/wiki/New_weird) a bunch of definitions", "sources as Lovecraft. Yet, in my opinion, a book like Perdido Street Station", "Station could be defined as a crossbreed between fantasy and steampunk. In short," ]
[ "and has garnered a lot of reads- currently at 67k reads (if were", "good, bad or neutral thing. Anyone with experience, please chime in. Thanks in", "at 67k reads (if were longer, it'd be double that number, but the", "won the 2017 Watty Award and has garnered a lot of reads- currently", "a lot of reads- currently at 67k reads (if were longer, it'd be", "are counted per chapter- It's only 8 chapters in length). I want to", "counted per chapter- It's only 8 chapters in length). I want to query", "the 2017 Watty Award and has garnered a lot of reads- currently at", "currently having public exposure is a good, bad or neutral thing. Anyone with", "2017 Watty Award and has garnered a lot of reads- currently at 67k", "a good, bad or neutral thing. Anyone with experience, please chime in. Thanks", "it currently having public exposure is a good, bad or neutral thing. Anyone", "(if were longer, it'd be double that number, but the reads are counted", "but I'm not sure if it currently having public exposure is a good,", "8 chapters in length). I want to query this novella, but I'm not", "be double that number, but the reads are counted per chapter- It's only", "having public exposure is a good, bad or neutral thing. Anyone with experience,", "that number, but the reads are counted per chapter- It's only 8 chapters", "I'm not sure if it currently having public exposure is a good, bad", "It's only 8 chapters in length). I want to query this novella, but", "I want to query this novella, but I'm not sure if it currently", "double that number, but the reads are counted per chapter- It's only 8", "is a good, bad or neutral thing. Anyone with experience, please chime in.", "Award and has garnered a lot of reads- currently at 67k reads (if", "it'd be double that number, but the reads are counted per chapter- It's", "longer, it'd be double that number, but the reads are counted per chapter-", "chapters in length). I want to query this novella, but I'm not sure", "reads are counted per chapter- It's only 8 chapters in length). I want", "sure if it currently having public exposure is a good, bad or neutral", "chapter- It's only 8 chapters in length). I want to query this novella,", "in length). I want to query this novella, but I'm not sure if", "to query this novella, but I'm not sure if it currently having public", "novella, but I'm not sure if it currently having public exposure is a", "if it currently having public exposure is a good, bad or neutral thing.", "novella won the 2017 Watty Award and has garnered a lot of reads-", "67k reads (if were longer, it'd be double that number, but the reads", "want to query this novella, but I'm not sure if it currently having", "not sure if it currently having public exposure is a good, bad or", "query this novella, but I'm not sure if it currently having public exposure", "of reads- currently at 67k reads (if were longer, it'd be double that", "garnered a lot of reads- currently at 67k reads (if were longer, it'd", "Watty Award and has garnered a lot of reads- currently at 67k reads", "exposure is a good, bad or neutral thing. Anyone with experience, please chime", "My novella won the 2017 Watty Award and has garnered a lot of", "number, but the reads are counted per chapter- It's only 8 chapters in", "bad or neutral thing. Anyone with experience, please chime in. Thanks in advance.", "lot of reads- currently at 67k reads (if were longer, it'd be double", "has garnered a lot of reads- currently at 67k reads (if were longer,", "currently at 67k reads (if were longer, it'd be double that number, but", "length). I want to query this novella, but I'm not sure if it", "per chapter- It's only 8 chapters in length). I want to query this", "public exposure is a good, bad or neutral thing. Anyone with experience, please", "were longer, it'd be double that number, but the reads are counted per", "reads- currently at 67k reads (if were longer, it'd be double that number,", "but the reads are counted per chapter- It's only 8 chapters in length).", "this novella, but I'm not sure if it currently having public exposure is", "the reads are counted per chapter- It's only 8 chapters in length). I", "reads (if were longer, it'd be double that number, but the reads are", "only 8 chapters in length). I want to query this novella, but I'm" ]
[ "to have a moment when she's weeping on her bed, and the MC/her", "lot.) But, later in the story, she comes across someone she truly fears,", "and finds that she must fight that person in order to free the", "MC/her love interest comes to comfort her. Then again, I don't want (insert", "question is: How do I show her vulnerability, and have a comforting moment,", "a lot.) But, later in the story, she comes across someone she truly", "the townspeople of an oppressive ruler. Thing is, I want her to have", "I don't want (insert group here) screaming in criticism and tearing that scene", "ruler. Thing is, I want her to have a moment when she's weeping", "want her to have a moment when she's weeping on her bed, and", "her vulnerability, and have a comforting moment, and tease the romance, without being", "order to free the townspeople of an oppressive ruler. Thing is, I want", "finds that she must fight that person in order to free the townspeople", "Thing is, I want her to have a moment when she's weeping on", "of an oppressive ruler. Thing is, I want her to have a moment", "the MC/her love interest comes to comfort her. Then again, I don't want", "weeping on her bed, and the MC/her love interest comes to comfort her.", "fight and first to go on the offensive (This is a fantasy, so", "(This is a fantasy, so she fights a lot.) But, later in the", "go on the offensive (This is a fantasy, so she fights a lot.)", "kinda loudmouthed character who's always the first to fight and first to go", "that person in order to free the townspeople of an oppressive ruler. Thing", "here) screaming in criticism and tearing that scene apart. My question is: How", "(insert group here) screaming in criticism and tearing that scene apart. My question", "and tearing that scene apart. My question is: How do I show her", "scene apart. My question is: How do I show her vulnerability, and have", "have a kinda loudmouthed character who's always the first to fight and first", "I have a kinda loudmouthed character who's always the first to fight and", "do I show her vulnerability, and have a comforting moment, and tease the", "again, I don't want (insert group here) screaming in criticism and tearing that", "character who's always the first to fight and first to go on the", "must fight that person in order to free the townspeople of an oppressive", "and the MC/her love interest comes to comfort her. Then again, I don't", "have a moment when she's weeping on her bed, and the MC/her love", "is: How do I show her vulnerability, and have a comforting moment, and", "show her vulnerability, and have a comforting moment, and tease the romance, without", "so she fights a lot.) But, later in the story, she comes across", "the story, she comes across someone she truly fears, and finds that she", "I show her vulnerability, and have a comforting moment, and tease the romance,", "person in order to free the townspeople of an oppressive ruler. Thing is,", "fights a lot.) But, later in the story, she comes across someone she", "tearing that scene apart. My question is: How do I show her vulnerability,", "that scene apart. My question is: How do I show her vulnerability, and", "always the first to fight and first to go on the offensive (This", "the first to fight and first to go on the offensive (This is", "interest comes to comfort her. Then again, I don't want (insert group here)", "want (insert group here) screaming in criticism and tearing that scene apart. My", "comes across someone she truly fears, and finds that she must fight that", "oppressive ruler. Thing is, I want her to have a moment when she's", "she comes across someone she truly fears, and finds that she must fight", "when she's weeping on her bed, and the MC/her love interest comes to", "she must fight that person in order to free the townspeople of an", "fantasy, so she fights a lot.) But, later in the story, she comes", "screaming in criticism and tearing that scene apart. My question is: How do", "a fantasy, so she fights a lot.) But, later in the story, she", "love interest comes to comfort her. Then again, I don't want (insert group", "the offensive (This is a fantasy, so she fights a lot.) But, later", "a comforting moment, and tease the romance, without being overly cliche or overboard?", "who's always the first to fight and first to go on the offensive", "My question is: How do I show her vulnerability, and have a comforting", "to comfort her. Then again, I don't want (insert group here) screaming in", "and have a comforting moment, and tease the romance, without being overly cliche", "in criticism and tearing that scene apart. My question is: How do I", "to go on the offensive (This is a fantasy, so she fights a", "her. Then again, I don't want (insert group here) screaming in criticism and", "she's weeping on her bed, and the MC/her love interest comes to comfort", "to fight and first to go on the offensive (This is a fantasy,", "someone she truly fears, and finds that she must fight that person in", "fears, and finds that she must fight that person in order to free", "is a fantasy, so she fights a lot.) But, later in the story,", "across someone she truly fears, and finds that she must fight that person", "I want her to have a moment when she's weeping on her bed,", "criticism and tearing that scene apart. My question is: How do I show", "But, later in the story, she comes across someone she truly fears, and", "So, I have a kinda loudmouthed character who's always the first to fight", "don't want (insert group here) screaming in criticism and tearing that scene apart.", "in the story, she comes across someone she truly fears, and finds that", "offensive (This is a fantasy, so she fights a lot.) But, later in", "first to go on the offensive (This is a fantasy, so she fights", "bed, and the MC/her love interest comes to comfort her. Then again, I", "fight that person in order to free the townspeople of an oppressive ruler.", "an oppressive ruler. Thing is, I want her to have a moment when", "Then again, I don't want (insert group here) screaming in criticism and tearing", "vulnerability, and have a comforting moment, and tease the romance, without being overly", "and first to go on the offensive (This is a fantasy, so she", "that she must fight that person in order to free the townspeople of", "her to have a moment when she's weeping on her bed, and the", "comfort her. Then again, I don't want (insert group here) screaming in criticism", "story, she comes across someone she truly fears, and finds that she must", "a moment when she's weeping on her bed, and the MC/her love interest", "on the offensive (This is a fantasy, so she fights a lot.) But,", "to free the townspeople of an oppressive ruler. Thing is, I want her", "she fights a lot.) But, later in the story, she comes across someone", "her bed, and the MC/her love interest comes to comfort her. Then again,", "group here) screaming in criticism and tearing that scene apart. My question is:", "on her bed, and the MC/her love interest comes to comfort her. Then", "How do I show her vulnerability, and have a comforting moment, and tease", "have a comforting moment, and tease the romance, without being overly cliche or", "a kinda loudmouthed character who's always the first to fight and first to", "moment when she's weeping on her bed, and the MC/her love interest comes", "free the townspeople of an oppressive ruler. Thing is, I want her to", "she truly fears, and finds that she must fight that person in order", "later in the story, she comes across someone she truly fears, and finds", "in order to free the townspeople of an oppressive ruler. Thing is, I", "truly fears, and finds that she must fight that person in order to", "is, I want her to have a moment when she's weeping on her", "loudmouthed character who's always the first to fight and first to go on", "comes to comfort her. Then again, I don't want (insert group here) screaming", "townspeople of an oppressive ruler. Thing is, I want her to have a", "apart. My question is: How do I show her vulnerability, and have a", "first to fight and first to go on the offensive (This is a" ]
[ "established characters (one of them being Werorac) were flirting while talking about the", "a pawn shop. Five scenes (and ten minutes of the show) later Werorac", "up something, especially as with Werorac's which is so casual, only to make", "in the Family') two established characters (one of them being Werorac) were flirting", "\"played me like a f--king $20 dollar guitar.\" Just before her line, Doxlar", "show) later Werorac said she felt manipulated by the character spoken of earlier,", "her line, Doxlar recites what he just heard from a defendant. It is", "on the TV show Doxlar. Halfway through an episode (Season 4, episode 4,", "(and ten minutes of the show) later Werorac said she felt manipulated by", "manipulated by the character spoken of earlier, that he \"played me like a", "question by citing what was done on the TV show Doxlar. Halfway through", "he is going to repeat that line to Biti, seven scenes later (12", "my question by citing what was done on the TV show Doxlar. Halfway", "guitar from a pawn shop. Five scenes (and ten minutes of the show)", "guitar.\" Just before her line, Doxlar recites what he just heard from a", "to repeat that line to Biti, seven scenes later (12 minutes of the", "a beat up old $20 guitar from a pawn shop. Five scenes (and", "scenes later (12 minutes of the show) later. I take it this is", "not foreshadowing? It doesn't seem like that to me. Is there a term", "seem like that to me. Is there a term for this device (if", "of earlier, that he \"played me like a f--king $20 dollar guitar.\" Just", "what he just heard from a defendant. It is important that he recites", "doesn't seem like that to me. Is there a term for this device", "a f--king $20 dollar guitar.\" Just before her line, Doxlar recites what he", "it is a device) to bring up something, especially as with Werorac's which", "f--king $20 dollar guitar.\" Just before her line, Doxlar recites what he just", "dollar guitar.\" Just before her line, Doxlar recites what he just heard from", "shop. Five scenes (and ten minutes of the show) later Werorac said she", "that line to Biti, seven scenes later (12 minutes of the show) later.", "During this scene there is a brief discussion, and joke, about a beat", "about a beat up old $20 guitar from a pawn shop. Five scenes", "being Werorac) were flirting while talking about the value of another character. During", "through an episode (Season 4, episode 4, 'All in the Family') two established", "I take it this is not foreshadowing? It doesn't seem like that to", "Five scenes (and ten minutes of the show) later Werorac said she felt", "recites what he just heard from a defendant. It is important that he", "from a defendant. It is important that he recites it as he is", "$20 dollar guitar.\" Just before her line, Doxlar recites what he just heard", "TV show Doxlar. Halfway through an episode (Season 4, episode 4, 'All in", "up old $20 guitar from a pawn shop. Five scenes (and ten minutes", "It is important that he recites it as he is going to repeat", "is not foreshadowing? It doesn't seem like that to me. Is there a", "Biti, seven scenes later (12 minutes of the show) later. I take it", "bring up something, especially as with Werorac's which is so casual, only to", "so casual, only to make it important or even a key moment later", "Werorac said she felt manipulated by the character spoken of earlier, that he", "while talking about the value of another character. During this scene there is", "beat up old $20 guitar from a pawn shop. Five scenes (and ten", "later. I take it this is not foreshadowing? It doesn't seem like that", "a defendant. It is important that he recites it as he is going", "a term for this device (if it is a device) to bring up", "about the value of another character. During this scene there is a brief", "them being Werorac) were flirting while talking about the value of another character.", "Doxlar. Halfway through an episode (Season 4, episode 4, 'All in the Family')", "by the character spoken of earlier, that he \"played me like a f--king", "earlier, that he \"played me like a f--king $20 dollar guitar.\" Just before", "me. Is there a term for this device (if it is a device)", "that he recites it as he is going to repeat that line to", "another character. During this scene there is a brief discussion, and joke, about", "explain my question by citing what was done on the TV show Doxlar.", "ten minutes of the show) later Werorac said she felt manipulated by the", "heard from a defendant. It is important that he recites it as he", "old $20 guitar from a pawn shop. Five scenes (and ten minutes of", "It doesn't seem like that to me. Is there a term for this", "device (if it is a device) to bring up something, especially as with", "of the show) later Werorac said she felt manipulated by the character spoken", "discussion, and joke, about a beat up old $20 guitar from a pawn", "minutes of the show) later. I take it this is not foreshadowing? It", "is important that he recites it as he is going to repeat that", "was done on the TV show Doxlar. Halfway through an episode (Season 4,", "is a brief discussion, and joke, about a beat up old $20 guitar", "casual, only to make it important or even a key moment later on?", "repeat that line to Biti, seven scenes later (12 minutes of the show)", "she felt manipulated by the character spoken of earlier, that he \"played me", "something, especially as with Werorac's which is so casual, only to make it", "to Biti, seven scenes later (12 minutes of the show) later. I take", "this device (if it is a device) to bring up something, especially as", "device) to bring up something, especially as with Werorac's which is so casual,", "this scene there is a brief discussion, and joke, about a beat up", "Halfway through an episode (Season 4, episode 4, 'All in the Family') two", "flirting while talking about the value of another character. During this scene there", "minutes of the show) later Werorac said she felt manipulated by the character", "value of another character. During this scene there is a brief discussion, and", "character spoken of earlier, that he \"played me like a f--king $20 dollar", "the value of another character. During this scene there is a brief discussion,", "done on the TV show Doxlar. Halfway through an episode (Season 4, episode", "joke, about a beat up old $20 guitar from a pawn shop. Five", "line, Doxlar recites what he just heard from a defendant. It is important", "two established characters (one of them being Werorac) were flirting while talking about", "like that to me. Is there a term for this device (if it", "which is so casual, only to make it important or even a key", "show Doxlar. Halfway through an episode (Season 4, episode 4, 'All in the", "scenes (and ten minutes of the show) later Werorac said she felt manipulated", "episode (Season 4, episode 4, 'All in the Family') two established characters (one", "Is there a term for this device (if it is a device) to", "to bring up something, especially as with Werorac's which is so casual, only", "term for this device (if it is a device) to bring up something,", "from a pawn shop. Five scenes (and ten minutes of the show) later", "Werorac) were flirting while talking about the value of another character. During this", "a device) to bring up something, especially as with Werorac's which is so", "take it this is not foreshadowing? It doesn't seem like that to me.", "4, episode 4, 'All in the Family') two established characters (one of them", "that to me. Is there a term for this device (if it is", "brief discussion, and joke, about a beat up old $20 guitar from a", "(Season 4, episode 4, 'All in the Family') two established characters (one of", "$20 guitar from a pawn shop. Five scenes (and ten minutes of the", "he \"played me like a f--king $20 dollar guitar.\" Just before her line,", "he just heard from a defendant. It is important that he recites it", "the show) later. I take it this is not foreshadowing? It doesn't seem", "were flirting while talking about the value of another character. During this scene", "what was done on the TV show Doxlar. Halfway through an episode (Season", "like a f--king $20 dollar guitar.\" Just before her line, Doxlar recites what", "of them being Werorac) were flirting while talking about the value of another", "spoken of earlier, that he \"played me like a f--king $20 dollar guitar.\"", "just heard from a defendant. It is important that he recites it as", "pawn shop. Five scenes (and ten minutes of the show) later Werorac said", "recites it as he is going to repeat that line to Biti, seven", "is so casual, only to make it important or even a key moment", "the show) later Werorac said she felt manipulated by the character spoken of", "to me. Is there a term for this device (if it is a", "character. During this scene there is a brief discussion, and joke, about a", "the character spoken of earlier, that he \"played me like a f--king $20", "important that he recites it as he is going to repeat that line", "is a device) to bring up something, especially as with Werorac's which is", "as with Werorac's which is so casual, only to make it important or", "(one of them being Werorac) were flirting while talking about the value of", "Just before her line, Doxlar recites what he just heard from a defendant.", "of another character. During this scene there is a brief discussion, and joke,", "later (12 minutes of the show) later. I take it this is not", "and joke, about a beat up old $20 guitar from a pawn shop.", "the TV show Doxlar. Halfway through an episode (Season 4, episode 4, 'All", "the Family') two established characters (one of them being Werorac) were flirting while", "there a term for this device (if it is a device) to bring", "me like a f--king $20 dollar guitar.\" Just before her line, Doxlar recites", "of the show) later. I take it this is not foreshadowing? It doesn't", "this is not foreshadowing? It doesn't seem like that to me. Is there", "as he is going to repeat that line to Biti, seven scenes later", "said she felt manipulated by the character spoken of earlier, that he \"played", "before her line, Doxlar recites what he just heard from a defendant. It", "characters (one of them being Werorac) were flirting while talking about the value", "(if it is a device) to bring up something, especially as with Werorac's", "for this device (if it is a device) to bring up something, especially", "citing what was done on the TV show Doxlar. Halfway through an episode", "felt manipulated by the character spoken of earlier, that he \"played me like", "it as he is going to repeat that line to Biti, seven scenes", "talking about the value of another character. During this scene there is a", "he recites it as he is going to repeat that line to Biti,", "'All in the Family') two established characters (one of them being Werorac) were", "it this is not foreshadowing? It doesn't seem like that to me. Is", "a brief discussion, and joke, about a beat up old $20 guitar from", "is going to repeat that line to Biti, seven scenes later (12 minutes", "there is a brief discussion, and joke, about a beat up old $20", "Doxlar recites what he just heard from a defendant. It is important that", "going to repeat that line to Biti, seven scenes later (12 minutes of", "by citing what was done on the TV show Doxlar. Halfway through an", "an episode (Season 4, episode 4, 'All in the Family') two established characters", "that he \"played me like a f--king $20 dollar guitar.\" Just before her", "with Werorac's which is so casual, only to make it important or even", "4, 'All in the Family') two established characters (one of them being Werorac)", "Family') two established characters (one of them being Werorac) were flirting while talking", "seven scenes later (12 minutes of the show) later. I take it this", "show) later. I take it this is not foreshadowing? It doesn't seem like", "(12 minutes of the show) later. I take it this is not foreshadowing?", "especially as with Werorac's which is so casual, only to make it important", "I'll explain my question by citing what was done on the TV show", "line to Biti, seven scenes later (12 minutes of the show) later. I", "Werorac's which is so casual, only to make it important or even a", "foreshadowing? It doesn't seem like that to me. Is there a term for", "scene there is a brief discussion, and joke, about a beat up old", "episode 4, 'All in the Family') two established characters (one of them being", "defendant. It is important that he recites it as he is going to", "later Werorac said she felt manipulated by the character spoken of earlier, that" ]
[ "expand the dimensionality of the hero so that he can be turned into", "interesting deeds in such a long period, but none worthy of a hero", "worthy of a hero of his caliber. Luckily for him, a slave finally", "years, he faces a third monster. I wanted to create my Beowulf around", "The extra dimension is a result of the hero's actions. Beowulf regrets his", "This would be great, but it would also imply that his initial actions", "The monster awakes bringing destruction all around, and Beowulf has to defeat it.", "dimension is a result of the hero's actions. Beowulf regrets his past actions,", "to the aid of king Hrothgar to defeat two monsters. Then, after a", "Beowulf comes to the aid of king Hrothgar to defeat two monsters. Then,", "in the context of a mythological tale, how to expand the dimensionality of", "I thought of three approaches, but they seem to fall short of the", "these 50 years of pause. Clearly he must have done some interesting deeds", "a hero always had a Machiavellian side, would require depth, and thus question", "In my opinion this has the risk of turning the hero into a", "setup of the story, which was not my original intent. 3. The extra", "version of the story Beowulf forces the slave to provoke the dragon. My", "altering the setup of the story? To clarify, I thought of three approaches,", "but none worthy of a hero of his caliber. Luckily for him, a", "great, but it would also imply that his initial actions were far from", "other hand, to reveal that a hero always had a Machiavellian side, would", "pause. Clearly he must have done some interesting deeds in such a long", "My issue is that mythology heroes like Beowulf are largely two-dimensional. This is", "of the hero's actions. Beowulf regrets his past actions, and the guilt corrupts", "original intent. 3. The extra dimension is a result of the hero's actions.", "the dragon. My issue is that mythology heroes like Beowulf are largely two-dimensional.", "extra dimension is given by the divergence of the world and the hero.", "thought of three approaches, but they seem to fall short of the initial", "it is frowned upon. This seems to require rewriting the setup of the", "of a hero of his caliber. Luckily for him, a slave finally steals", "such a long period, but none worthy of a hero of his caliber.", "to make them the absolute moral reference. On the other hand, to reveal", "that a hero always had a Machiavellian side, would require depth, and thus", "be turned into a scheming villain, without losing its value as absolute reference,", "but they seem to fall short of the initial goal: 1. The extra", "to tackle Beowulf's character. In the original saga, the hero Beowulf comes to", "the story Beowulf forces the slave to provoke the dragon. My issue is", "aid of king Hrothgar to defeat two monsters. Then, after a period of", "the slave to provoke the dragon. 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Beowulf has always been a scheming villain, but this was accepted in", "his caliber. Luckily for him, a slave finally steals a cup from a", "of the story, which was not my original intent. 3. The extra dimension", "the hero's actions. Beowulf regrets his past actions, and the guilt corrupts his", "but it would also imply that his initial actions were far from being", "his initial actions were far from being a great moral reference, as the", "The twist is that in my version of the story Beowulf forces the", "would require depth, and thus question their value as absolute reference. My question", "dimensionality of the hero so that he can be turned into a scheming", "a scheming villain, without losing its value as absolute reference, nor altering the", "they seem to fall short of the initial goal: 1. The extra dimension", "hero. The hero does not change, but the world does. Beowulf has always", "wanted to create my Beowulf around these 50 years of pause. Clearly he", "years of pause. Clearly he must have done some interesting deeds in such", "absolute reference, nor altering the setup of the story? To clarify, I thought", "clown. 2. The extra dimension is given by the divergence of the world", "a long period, but none worthy of a hero of his caliber. Luckily", "so that he can be turned into a scheming villain, without losing its", "create my Beowulf around these 50 years of pause. Clearly he must have", "the aid of king Hrothgar to defeat two monsters. Then, after a period", "Beowulf's character. In the original saga, the hero Beowulf comes to the aid", "of pause. Clearly he must have done some interesting deeds in such a", "can be turned into a scheming villain, without losing its value as absolute", "Beowulf are largely two-dimensional. This is a requirement to make them the absolute", "defeat two monsters. Then, after a period of 50 years, he faces a", "is a requirement to make them the absolute moral reference. On the other", "turning the hero into a clown. 2. 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Beowulf regrets his past actions, and the guilt corrupts his soul.", "goal: 1. The extra dimension come from a different aspect of the story", "My question is: in the context of a mythological tale, how to expand", "character. In the original saga, the hero Beowulf comes to the aid of", "of the story? To clarify, I thought of three approaches, but they seem", "and thus question their value as absolute reference. My question is: in the", "to defeat two monsters. Then, after a period of 50 years, he faces", "after a period of 50 years, he faces a third monster. I wanted", "I wanted to tackle Beowulf's character. In the original saga, the hero Beowulf", "to defeat it. The twist is that in my version of the story", "three approaches, but they seem to fall short of the initial goal: 1.", "intent. 3. The extra dimension is a result of the hero's actions. Beowulf", "lair. The monster awakes bringing destruction all around, and Beowulf has to defeat", "the initial goal: 1. The extra dimension come from a different aspect of", "a mythological tale, how to expand the dimensionality of the hero so that", "initial goal: 1. The extra dimension come from a different aspect of the", "my version of the story Beowulf forces the slave to provoke the dragon.", "Beowulf has to defeat it. The twist is that in my version of", "I wanted to create my Beowulf around these 50 years of pause. Clearly", "period, but none worthy of a hero of his caliber. Luckily for him,", "the other hand, to reveal that a hero always had a Machiavellian side,", "and the hero. The hero does not change, but the world does. Beowulf", "in such a long period, but none worthy of a hero of his", "would also imply that his initial actions were far from being a great", "[writing exercise](https://writing.meta.stackexchange.com/questions/2027/) I wanted to tackle Beowulf's character. In the original saga, the", "long period, but none worthy of a hero of his caliber. Luckily for", "the hero. The hero does not change, but the world does. Beowulf has", "fall short of the initial goal: 1. The extra dimension come from a", "of the hero so that he can be turned into a scheming villain,", "to expand the dimensionality of the hero so that he can be turned", "none worthy of a hero of his caliber. Luckily for him, a slave", "Then, after a period of 50 years, he faces a third monster. I", "my opinion this has the risk of turning the hero into a clown.", "the world does. Beowulf has always been a scheming villain, but this was", "of the story altogether. For instance, Beowulf is still the compass of morality,", "dragon. My issue is that mythology heroes like Beowulf are largely two-dimensional. This", "like Beowulf are largely two-dimensional. This is a requirement to make them the", "does not change, but the world does. 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[ "consequences (Well, that are really impactful to the story.) One is where the", "as a child ruler. Luckily, she's mature for her age, and will try", "home country, and finds it in ruins. Well, a magician has gone on", "as the daughter takes over as a child ruler. Luckily, she's mature for", "still to be hope in the story after these two events happen, but", "Well, a magician has gone on a year or two long power trip,", "consequences for their actions. My question is: how do I portray realism without", "fantasy story where I want the heroes' actions to actually have consequences (Well,", "are really impactful to the story.) One is where the MCs kill a", "to actually have consequences (Well, that are really impactful to the story.) One", "there to be realistic consequences for their actions. My question is: how do", "that's another tale. The other moment is when an MC, a prince thought", "long power trip, and hadn't thought to actually rule the country, and therefore,", "that are really impactful to the story.) One is where the MCs kill", "thought to actually rule the country, and therefore, all the petty nobles are", "want there to be realistic consequences for their actions. My question is: how", "his home country, and finds it in ruins. Well, a magician has gone", "thought to be dead, shows up in his home country, and finds it", "all the petty nobles are controlling their own territories. I want there still", "The other moment is when an MC, a prince thought to be dead,", "want there still to be hope in the story after these two events", "kill a minor lord, causing a major disruption as the daughter takes over", "causing a major disruption as the daughter takes over as a child ruler.", "ruler. Luckily, she's mature for her age, and will try to rule fairly", "really impactful to the story.) One is where the MCs kill a minor", "MC, a prince thought to be dead, shows up in his home country,", "hope in the story after these two events happen, but I also want", "territories. I want there still to be hope in the story after these", "to be dead, shows up in his home country, and finds it in", "in the story after these two events happen, but I also want there", "and therefore, all the petty nobles are controlling their own territories. I want", "after these two events happen, but I also want there to be realistic", "when an MC, a prince thought to be dead, shows up in his", "a year or two long power trip, and hadn't thought to actually rule", "the petty nobles are controlling their own territories. I want there still to", "dead, shows up in his home country, and finds it in ruins. Well,", "the MCs kill a minor lord, causing a major disruption as the daughter", "therefore, all the petty nobles are controlling their own territories. I want there", "but that's another tale. The other moment is when an MC, a prince", "be realistic consequences for their actions. My question is: how do I portray", "controlling their own territories. I want there still to be hope in the", "to be hope in the story after these two events happen, but I", "a major disruption as the daughter takes over as a child ruler. Luckily,", "I have a couple moments in a fantasy story where I want the", "it in ruins. Well, a magician has gone on a year or two", "I want there still to be hope in the story after these two", "actions. My question is: how do I portray realism without making the whole", "takes over as a child ruler. Luckily, she's mature for her age, and", "their actions. My question is: how do I portray realism without making the", "realistic consequences for their actions. My question is: how do I portray realism", "the heroes' actions to actually have consequences (Well, that are really impactful to", "minor lord, causing a major disruption as the daughter takes over as a", "couple moments in a fantasy story where I want the heroes' actions to", "has gone on a year or two long power trip, and hadn't thought", "to actually rule the country, and therefore, all the petty nobles are controlling", "major disruption as the daughter takes over as a child ruler. Luckily, she's", "a minor lord, causing a major disruption as the daughter takes over as", "happen, but I also want there to be realistic consequences for their actions.", "trip, and hadn't thought to actually rule the country, and therefore, all the", "story.) One is where the MCs kill a minor lord, causing a major", "I want the heroes' actions to actually have consequences (Well, that are really", "up in his home country, and finds it in ruins. Well, a magician", "shows up in his home country, and finds it in ruins. Well, a", "story after these two events happen, but I also want there to be", "where the MCs kill a minor lord, causing a major disruption as the", "So, I have a couple moments in a fantasy story where I want", "a prince thought to be dead, shows up in his home country, and", "and will try to rule fairly and kindly, unlike her father, but that's", "an MC, a prince thought to be dead, shows up in his home", "prince thought to be dead, shows up in his home country, and finds", "rule fairly and kindly, unlike her father, but that's another tale. The other", "and hadn't thought to actually rule the country, and therefore, all the petty", "the country, and therefore, all the petty nobles are controlling their own territories.", "be hope in the story after these two events happen, but I also", "impactful to the story.) One is where the MCs kill a minor lord,", "for their actions. My question is: how do I portray realism without making", "in a fantasy story where I want the heroes' actions to actually have", "disruption as the daughter takes over as a child ruler. Luckily, she's mature", "tale. The other moment is when an MC, a prince thought to be", "question is: how do I portray realism without making the whole situation a", "for her age, and will try to rule fairly and kindly, unlike her", "her father, but that's another tale. The other moment is when an MC,", "heroes' actions to actually have consequences (Well, that are really impactful to the", "but I also want there to be realistic consequences for their actions. My", "story where I want the heroes' actions to actually have consequences (Well, that", "magician has gone on a year or two long power trip, and hadn't", "kindly, unlike her father, but that's another tale. The other moment is when", "My question is: how do I portray realism without making the whole situation", "try to rule fairly and kindly, unlike her father, but that's another tale.", "their own territories. I want there still to be hope in the story", "she's mature for her age, and will try to rule fairly and kindly,", "actions to actually have consequences (Well, that are really impactful to the story.)", "be dead, shows up in his home country, and finds it in ruins.", "is: how do I portray realism without making the whole situation a s\\\\\\*show?", "hadn't thought to actually rule the country, and therefore, all the petty nobles", "is where the MCs kill a minor lord, causing a major disruption as", "or two long power trip, and hadn't thought to actually rule the country,", "daughter takes over as a child ruler. Luckily, she's mature for her age,", "a fantasy story where I want the heroes' actions to actually have consequences", "also want there to be realistic consequences for their actions. My question is:", "country, and finds it in ruins. Well, a magician has gone on a", "there still to be hope in the story after these two events happen,", "the story after these two events happen, but I also want there to", "will try to rule fairly and kindly, unlike her father, but that's another", "where I want the heroes' actions to actually have consequences (Well, that are", "One is where the MCs kill a minor lord, causing a major disruption", "year or two long power trip, and hadn't thought to actually rule the", "petty nobles are controlling their own territories. I want there still to be", "and finds it in ruins. Well, a magician has gone on a year", "is when an MC, a prince thought to be dead, shows up in", "to rule fairly and kindly, unlike her father, but that's another tale. The", "child ruler. Luckily, she's mature for her age, and will try to rule", "gone on a year or two long power trip, and hadn't thought to", "two long power trip, and hadn't thought to actually rule the country, and", "and kindly, unlike her father, but that's another tale. The other moment is", "(Well, that are really impactful to the story.) One is where the MCs", "MCs kill a minor lord, causing a major disruption as the daughter takes", "country, and therefore, all the petty nobles are controlling their own territories. I", "to the story.) One is where the MCs kill a minor lord, causing", "actually have consequences (Well, that are really impactful to the story.) One is", "lord, causing a major disruption as the daughter takes over as a child", "a child ruler. Luckily, she's mature for her age, and will try to", "have consequences (Well, that are really impactful to the story.) One is where", "rule the country, and therefore, all the petty nobles are controlling their own", "want the heroes' actions to actually have consequences (Well, that are really impactful", "a magician has gone on a year or two long power trip, and", "ruins. Well, a magician has gone on a year or two long power", "have a couple moments in a fantasy story where I want the heroes'", "another tale. The other moment is when an MC, a prince thought to", "own territories. I want there still to be hope in the story after", "nobles are controlling their own territories. I want there still to be hope", "finds it in ruins. Well, a magician has gone on a year or", "on a year or two long power trip, and hadn't thought to actually", "these two events happen, but I also want there to be realistic consequences", "I also want there to be realistic consequences for their actions. My question", "a couple moments in a fantasy story where I want the heroes' actions", "moment is when an MC, a prince thought to be dead, shows up", "in ruins. Well, a magician has gone on a year or two long", "two events happen, but I also want there to be realistic consequences for", "Luckily, she's mature for her age, and will try to rule fairly and", "mature for her age, and will try to rule fairly and kindly, unlike", "unlike her father, but that's another tale. The other moment is when an", "actually rule the country, and therefore, all the petty nobles are controlling their", "moments in a fantasy story where I want the heroes' actions to actually", "the daughter takes over as a child ruler. Luckily, she's mature for her", "father, but that's another tale. The other moment is when an MC, a", "age, and will try to rule fairly and kindly, unlike her father, but", "events happen, but I also want there to be realistic consequences for their", "other moment is when an MC, a prince thought to be dead, shows", "are controlling their own territories. I want there still to be hope in", "to be realistic consequences for their actions. My question is: how do I", "in his home country, and finds it in ruins. Well, a magician has", "the story.) One is where the MCs kill a minor lord, causing a", "her age, and will try to rule fairly and kindly, unlike her father,", "power trip, and hadn't thought to actually rule the country, and therefore, all", "over as a child ruler. Luckily, she's mature for her age, and will", "fairly and kindly, unlike her father, but that's another tale. The other moment" ]
[ "was a kid and teen. I wrote my first book at 6 and", "was also in journalism. After high school, life happened. I took an almost", "it has enough depth. How do I determine this? Can I provide a", "it's meaningful, if it has enough depth. How do I determine this? Can", "new to writing. I wrote a lot when I was a kid and", "almost 20 year break, so I consider myself \"new\". I'm currently writing a", "20 year break, so I consider myself \"new\". I'm currently writing a YA", "wrote my first book at 6 and then again in high school. I", "lot when I was a kid and teen. I wrote my first book", "I wrote my first book at 6 and then again in high school.", "has enough depth. How do I determine this? Can I provide a synopsis,", "a kid and teen. I wrote my first book at 6 and then", "but I'm unsure if it's meaningful, if it has enough depth. How do", "do I determine this? Can I provide a synopsis, is that allowed here?", "I consider myself \"new\". I'm currently writing a YA Paranormal, but I'm unsure", "wrote a lot when I was a kid and teen. I wrote my", "and teen. I wrote my first book at 6 and then again in", "I took an almost 20 year break, so I consider myself \"new\". I'm", "and then again in high school. I was also in journalism. After high", "\"new\". I'm currently writing a YA Paranormal, but I'm unsure if it's meaningful,", "Paranormal, but I'm unsure if it's meaningful, if it has enough depth. How", "took an almost 20 year break, so I consider myself \"new\". I'm currently", "teen. I wrote my first book at 6 and then again in high", "a lot when I was a kid and teen. I wrote my first", "when I was a kid and teen. I wrote my first book at", "so I consider myself \"new\". I'm currently writing a YA Paranormal, but I'm", "I'm currently writing a YA Paranormal, but I'm unsure if it's meaningful, if", "currently writing a YA Paranormal, but I'm unsure if it's meaningful, if it", "I was a kid and teen. I wrote my first book at 6", "a YA Paranormal, but I'm unsure if it's meaningful, if it has enough", "if it's meaningful, if it has enough depth. How do I determine this?", "depth. How do I determine this? Can I provide a synopsis, is that", "break, so I consider myself \"new\". I'm currently writing a YA Paranormal, but", "meaningful, if it has enough depth. How do I determine this? Can I", "How do I determine this? Can I provide a synopsis, is that allowed", "then again in high school. I was also in journalism. After high school,", "consider myself \"new\". I'm currently writing a YA Paranormal, but I'm unsure if", "school. I was also in journalism. After high school, life happened. I took", "unsure if it's meaningful, if it has enough depth. How do I determine", "6 and then again in high school. I was also in journalism. After", "if it has enough depth. How do I determine this? Can I provide", "writing. I wrote a lot when I was a kid and teen. I", "book at 6 and then again in high school. I was also in", "journalism. After high school, life happened. I took an almost 20 year break,", "writing a YA Paranormal, but I'm unsure if it's meaningful, if it has", "in high school. I was also in journalism. After high school, life happened.", "I wrote a lot when I was a kid and teen. I wrote", "again in high school. I was also in journalism. After high school, life", "high school. I was also in journalism. After high school, life happened. I", "I am new to writing. I wrote a lot when I was a", "at 6 and then again in high school. I was also in journalism.", "I was also in journalism. After high school, life happened. I took an", "in journalism. After high school, life happened. I took an almost 20 year", "happened. I took an almost 20 year break, so I consider myself \"new\".", "high school, life happened. I took an almost 20 year break, so I", "YA Paranormal, but I'm unsure if it's meaningful, if it has enough depth.", "After high school, life happened. I took an almost 20 year break, so", "I'm unsure if it's meaningful, if it has enough depth. How do I", "kid and teen. I wrote my first book at 6 and then again", "am new to writing. I wrote a lot when I was a kid", "life happened. I took an almost 20 year break, so I consider myself", "also in journalism. After high school, life happened. I took an almost 20", "enough depth. How do I determine this? Can I provide a synopsis, is", "first book at 6 and then again in high school. I was also", "to writing. I wrote a lot when I was a kid and teen.", "school, life happened. I took an almost 20 year break, so I consider", "year break, so I consider myself \"new\". I'm currently writing a YA Paranormal,", "my first book at 6 and then again in high school. I was", "myself \"new\". I'm currently writing a YA Paranormal, but I'm unsure if it's", "an almost 20 year break, so I consider myself \"new\". I'm currently writing" ]
[ "the first person perspective of 5 different characters. I have a different voice", "2 of the characters should narrate in the present tense and the others", "I'm currently planning a book series that is told from the first person", "planning a book series that is told from the first person perspective of", "I want to do this is that these two characters are really fast-paced,", "currently planning a book series that is told from the first person perspective", "a different voice for all of the characters, but I think that 2", "the reader? The only reason I want to do this is that these", "told from the first person perspective of 5 different characters. I have a", "reason I want to do this is that these two characters are really", "in the present tense and the others in the past tense. Is that", "have a different voice for all of the characters, but I think that", "too jarring for the reader? The only reason I want to do this", "two characters are really fast-paced, in the moment kind of characters. Thanks for", "reader? The only reason I want to do this is that these two", "acceptable or is it too jarring for the reader? The only reason I", "to do this is that these two characters are really fast-paced, in the", "it too jarring for the reader? The only reason I want to do", "of 5 different characters. I have a different voice for all of the", "tense. Is that acceptable or is it too jarring for the reader? The", "are really fast-paced, in the moment kind of characters. Thanks for any input", "that acceptable or is it too jarring for the reader? The only reason", "these two characters are really fast-paced, in the moment kind of characters. Thanks", "voice for all of the characters, but I think that 2 of the", "perspective of 5 different characters. I have a different voice for all of", "tense and the others in the past tense. Is that acceptable or is", "only reason I want to do this is that these two characters are", "fast-paced, in the moment kind of characters. Thanks for any input you have.", "different voice for all of the characters, but I think that 2 of", "the present tense and the others in the past tense. Is that acceptable", "present tense and the others in the past tense. Is that acceptable or", "the others in the past tense. Is that acceptable or is it too", "is told from the first person perspective of 5 different characters. I have", "the characters should narrate in the present tense and the others in the", "others in the past tense. Is that acceptable or is it too jarring", "The only reason I want to do this is that these two characters", "should narrate in the present tense and the others in the past tense.", "the past tense. Is that acceptable or is it too jarring for the", "characters should narrate in the present tense and the others in the past", "characters are really fast-paced, in the moment kind of characters. Thanks for any", "in the past tense. Is that acceptable or is it too jarring for", "for the reader? The only reason I want to do this is that", "I have a different voice for all of the characters, but I think", "5 different characters. I have a different voice for all of the characters,", "that 2 of the characters should narrate in the present tense and the", "characters. I have a different voice for all of the characters, but I", "Is that acceptable or is it too jarring for the reader? The only", "person perspective of 5 different characters. I have a different voice for all", "the characters, but I think that 2 of the characters should narrate in", "that these two characters are really fast-paced, in the moment kind of characters.", "but I think that 2 of the characters should narrate in the present", "book series that is told from the first person perspective of 5 different", "for all of the characters, but I think that 2 of the characters", "jarring for the reader? The only reason I want to do this is", "first person perspective of 5 different characters. I have a different voice for", "really fast-paced, in the moment kind of characters. Thanks for any input you", "do this is that these two characters are really fast-paced, in the moment", "a book series that is told from the first person perspective of 5", "is it too jarring for the reader? The only reason I want to", "that is told from the first person perspective of 5 different characters. I", "want to do this is that these two characters are really fast-paced, in", "of the characters, but I think that 2 of the characters should narrate", "all of the characters, but I think that 2 of the characters should", "is that these two characters are really fast-paced, in the moment kind of", "narrate in the present tense and the others in the past tense. Is", "past tense. Is that acceptable or is it too jarring for the reader?", "different characters. I have a different voice for all of the characters, but", "from the first person perspective of 5 different characters. I have a different", "and the others in the past tense. Is that acceptable or is it", "think that 2 of the characters should narrate in the present tense and", "series that is told from the first person perspective of 5 different characters.", "characters, but I think that 2 of the characters should narrate in the", "I think that 2 of the characters should narrate in the present tense", "this is that these two characters are really fast-paced, in the moment kind", "or is it too jarring for the reader? The only reason I want", "of the characters should narrate in the present tense and the others in" ]
[ "new scene for a book I'm currently writing. Here's some comments from my", "wrote a scene that I put my heart and soul into. It was", "the mood!\" > \"Love it! The details and it was so graphic, made", "was able to captivate my audience: > > \"OMG I love how you", "I was able to captivate my audience: > > \"OMG I love how", "> > > I want to be able to do this again in", "details and it was so graphic, made me feel like I was there.", "I put my heart and soul into. It was received well by most", "graphic, made me feel like I was there. I had to stop reading", "love how you set the mood!\" > \"Love it! The details and it", "a book I'm currently writing. Here's some comments from my beta readers on", "it! The details and it was so graphic, made me feel like I", "book I'm currently writing. Here's some comments from my beta readers on the", "I wrote a scene that I put my heart and soul into. It", "to captivate my audience: > > \"OMG I love how you set the", "there,\" > \"Beautifully written\" > > > I want to be able to", "\"OMG I love how you set the mood!\" > \"Love it! The details", "book, but I'm finding it so difficult. How can I get back to", "I had to stop reading for a minute because I felt like I", "I want to be able to do this again in my new book,", "by most of my readers, but I'm struggling with crafting a new scene", "do this again in my new book, but I'm finding it so difficult.", "my heart and soul into. It was received well by most of my", "my new book, but I'm finding it so difficult. How can I get", "crafting a new scene for a book I'm currently writing. Here's some comments", "audience: > > \"OMG I love how you set the mood!\" > \"Love", "beta readers on the first scene in which I was able to captivate", "made me feel like I was there. I had to stop reading for", "was so graphic, made me feel like I was there. I had to", "> > I want to be able to do this again in my", "feel like I was there. I had to stop reading for a minute", "this again in my new book, but I'm finding it so difficult. How", "readers on the first scene in which I was able to captivate my", "me feel like I was there. I had to stop reading for a", "I'm struggling with crafting a new scene for a book I'm currently writing.", "I felt like I was there,\" > \"Beautifully written\" > > > I", "stop reading for a minute because I felt like I was there,\" >", "but I'm finding it so difficult. How can I get back to that", "mood!\" > \"Love it! The details and it was so graphic, made me", "like I was there,\" > \"Beautifully written\" > > > I want to", "my audience: > > \"OMG I love how you set the mood!\" >", "\"Beautifully written\" > > > I want to be able to do this", "new book, but I'm finding it so difficult. How can I get back", "how you set the mood!\" > \"Love it! The details and it was", "> \"Love it! The details and it was so graphic, made me feel", "currently writing. Here's some comments from my beta readers on the first scene", "on the first scene in which I was able to captivate my audience:", "set the mood!\" > \"Love it! The details and it was so graphic,", "because I felt like I was there,\" > \"Beautifully written\" > > >", "into. It was received well by most of my readers, but I'm struggling", "> I want to be able to do this again in my new", "there. I had to stop reading for a minute because I felt like", "able to do this again in my new book, but I'm finding it", "to do this again in my new book, but I'm finding it so", "you set the mood!\" > \"Love it! The details and it was so", "received well by most of my readers, but I'm struggling with crafting a", "struggling with crafting a new scene for a book I'm currently writing. Here's", "writing. Here's some comments from my beta readers on the first scene in", "minute because I felt like I was there,\" > \"Beautifully written\" > >", "\"Love it! The details and it was so graphic, made me feel like", "for a book I'm currently writing. Here's some comments from my beta readers", "and soul into. It was received well by most of my readers, but", "the first scene in which I was able to captivate my audience: >", "some comments from my beta readers on the first scene in which I", "comments from my beta readers on the first scene in which I was", "to be able to do this again in my new book, but I'm", "reading for a minute because I felt like I was there,\" > \"Beautifully", "I was there. I had to stop reading for a minute because I", "in which I was able to captivate my audience: > > \"OMG I", "want to be able to do this again in my new book, but", "with crafting a new scene for a book I'm currently writing. Here's some", "scene in which I was able to captivate my audience: > > \"OMG", "which I was able to captivate my audience: > > \"OMG I love", "I was there,\" > \"Beautifully written\" > > > I want to be", "again in my new book, but I'm finding it so difficult. How can", "I'm finding it so difficult. How can I get back to that place?", "felt like I was there,\" > \"Beautifully written\" > > > I want", "that I put my heart and soul into. It was received well by", "in my new book, but I'm finding it so difficult. How can I", "was received well by most of my readers, but I'm struggling with crafting", "of my readers, but I'm struggling with crafting a new scene for a", "for a minute because I felt like I was there,\" > \"Beautifully written\"", "written\" > > > I want to be able to do this again", "I love how you set the mood!\" > \"Love it! The details and", "a minute because I felt like I was there,\" > \"Beautifully written\" >", "a scene that I put my heart and soul into. It was received", "captivate my audience: > > \"OMG I love how you set the mood!\"", "soul into. It was received well by most of my readers, but I'm", "well by most of my readers, but I'm struggling with crafting a new", "my beta readers on the first scene in which I was able to", "was there. I had to stop reading for a minute because I felt", "was there,\" > \"Beautifully written\" > > > I want to be able", "readers, but I'm struggling with crafting a new scene for a book I'm", "but I'm struggling with crafting a new scene for a book I'm currently", "> \"OMG I love how you set the mood!\" > \"Love it! The", "heart and soul into. It was received well by most of my readers,", "to stop reading for a minute because I felt like I was there,\"", "> > \"OMG I love how you set the mood!\" > \"Love it!", "> \"Beautifully written\" > > > I want to be able to do", "a new scene for a book I'm currently writing. Here's some comments from", "I'm currently writing. Here's some comments from my beta readers on the first", "The details and it was so graphic, made me feel like I was", "my readers, but I'm struggling with crafting a new scene for a book", "had to stop reading for a minute because I felt like I was", "It was received well by most of my readers, but I'm struggling with", "first scene in which I was able to captivate my audience: > >", "scene that I put my heart and soul into. It was received well", "most of my readers, but I'm struggling with crafting a new scene for", "and it was so graphic, made me feel like I was there. I", "Here's some comments from my beta readers on the first scene in which", "be able to do this again in my new book, but I'm finding", "able to captivate my audience: > > \"OMG I love how you set", "put my heart and soul into. It was received well by most of", "from my beta readers on the first scene in which I was able", "like I was there. I had to stop reading for a minute because", "it was so graphic, made me feel like I was there. I had", "scene for a book I'm currently writing. Here's some comments from my beta", "so graphic, made me feel like I was there. I had to stop" ]
[ "writing an application for iPhone and I have some error prompt in my", "and I have some error prompt in my application like \"Your password must", "I am writing an application for iPhone and I have some error prompt", "should we end the sentence with a exclamation mark or a dot? I", "am writing an application for iPhone and I have some error prompt in", "must be 8 character long with alphanumeric characters!\" However, I am not completely", "not completely sold on the idea of putting an exclamation mark (!) on", "\"Your password must be 8 character long with alphanumeric characters!\" However, I am", "a exclamation mark or a dot? I am writing an application for iPhone", "However, I am not completely sold on the idea of putting an exclamation", "end the sentence with a exclamation mark or a dot? I am writing", "sold on the idea of putting an exclamation mark (!) on error prompt.", "Are there situation where it might be warranted, and what about just replacing", "I am not completely sold on the idea of putting an exclamation mark", "what about just replacing exclamation marks with dots? Is there a sort of", "writing an error prompt, should we end the sentence with a exclamation mark", "application like \"Your password must be 8 character long with alphanumeric characters!\" However,", "the idea of putting an exclamation mark (!) on error prompt. Are there", "on the idea of putting an exclamation mark (!) on error prompt. Are", "of putting an exclamation mark (!) on error prompt. Are there situation where", "an error prompt, should we end the sentence with a exclamation mark or", "password must be 8 character long with alphanumeric characters!\" However, I am not", "completely sold on the idea of putting an exclamation mark (!) on error", "situation where it might be warranted, and what about just replacing exclamation marks", "it might be warranted, and what about just replacing exclamation marks with dots?", "for iPhone and I have some error prompt in my application like \"Your", "When writing an error prompt, should we end the sentence with a exclamation", "long with alphanumeric characters!\" However, I am not completely sold on the idea", "error prompt. Are there situation where it might be warranted, and what about", "my application like \"Your password must be 8 character long with alphanumeric characters!\"", "alphanumeric characters!\" However, I am not completely sold on the idea of putting", "where it might be warranted, and what about just replacing exclamation marks with", "an application for iPhone and I have some error prompt in my application", "replacing exclamation marks with dots? Is there a sort of standard among programmers?", "there situation where it might be warranted, and what about just replacing exclamation", "and what about just replacing exclamation marks with dots? Is there a sort", "application for iPhone and I have some error prompt in my application like", "have some error prompt in my application like \"Your password must be 8", "prompt, should we end the sentence with a exclamation mark or a dot?", "exclamation mark (!) on error prompt. Are there situation where it might be", "exclamation mark or a dot? I am writing an application for iPhone and", "sentence with a exclamation mark or a dot? I am writing an application", "just replacing exclamation marks with dots? Is there a sort of standard among", "iPhone and I have some error prompt in my application like \"Your password", "might be warranted, and what about just replacing exclamation marks with dots? Is", "some error prompt in my application like \"Your password must be 8 character", "error prompt, should we end the sentence with a exclamation mark or a", "prompt. Are there situation where it might be warranted, and what about just", "be warranted, and what about just replacing exclamation marks with dots? Is there", "idea of putting an exclamation mark (!) on error prompt. Are there situation", "dot? I am writing an application for iPhone and I have some error", "like \"Your password must be 8 character long with alphanumeric characters!\" However, I", "be 8 character long with alphanumeric characters!\" However, I am not completely sold", "prompt in my application like \"Your password must be 8 character long with", "8 character long with alphanumeric characters!\" However, I am not completely sold on", "character long with alphanumeric characters!\" However, I am not completely sold on the", "or a dot? I am writing an application for iPhone and I have", "characters!\" However, I am not completely sold on the idea of putting an", "am not completely sold on the idea of putting an exclamation mark (!)", "an exclamation mark (!) on error prompt. Are there situation where it might", "we end the sentence with a exclamation mark or a dot? I am", "putting an exclamation mark (!) on error prompt. Are there situation where it", "error prompt in my application like \"Your password must be 8 character long", "mark (!) on error prompt. Are there situation where it might be warranted,", "(!) on error prompt. Are there situation where it might be warranted, and", "with a exclamation mark or a dot? I am writing an application for", "I have some error prompt in my application like \"Your password must be", "the sentence with a exclamation mark or a dot? I am writing an", "a dot? I am writing an application for iPhone and I have some", "in my application like \"Your password must be 8 character long with alphanumeric", "on error prompt. Are there situation where it might be warranted, and what", "with alphanumeric characters!\" However, I am not completely sold on the idea of", "about just replacing exclamation marks with dots? Is there a sort of standard", "mark or a dot? I am writing an application for iPhone and I", "warranted, and what about just replacing exclamation marks with dots? Is there a" ]
[ "but since the criticisms are still mostly canon and in-world, I put these", "as one savvy intellectual to another. The viewer probably needs an awareness of", "social movements. The films I write about are not current box office, so", "of art history and social movements. The films I write about are not", "stepping out of the \"review\" to discuss broader themes, compare other work that", "naive and consumerist. There is social cache in being an authority of the", "cache is being an authority of art history and social movements. The films", "is put in cultural and historic context, stepping out of the \"review\" to", "in the story are not as important as the technique and intent. The", "being an authority of the canon. The social criticism essays don't presume the", "the work as a superfan. The canon story is revered, and the details", "– I'm not sure what to call them. One type approaches the work", "usually easy to separate the two essay styles almost immediately. A superfan review", "films, and have been thinking about converting them into video essay for YouTube.", "discuss broader themes, compare other work that covers similar ground, its impact on", "towards the latter rather than the former. Are there any accepted terms –", "consumerist. There is social cache in being an authority of the canon. The", "its impact on the entertainment industry or its place in the career of", "an awareness of film theory and an interest in film as an artform.", "the two essay styles almost immediately. A superfan review expects the viewer to", "to another. The viewer probably needs an awareness of film theory and an", "is so fundamentally different it's usually easy to separate the two essay styles", "filmmakers, but since the criticisms are still mostly canon and in-world, I put", "work that covers similar ground, its impact on the entertainment industry or its", "often takes the form of \"fixing\" the story. Sometimes these videos are clickbait,", "story are not as important as the technique and intent. The work is", "or discussing plot points that are entirely within the work. When this type", "cultural and historic context, stepping out of the \"review\" to discuss broader themes,", "historic context, stepping out of the \"review\" to discuss broader themes, compare other", "being an authority of art history and social movements. The films I write", "immediately. A superfan review expects the viewer to be familiar with the subject,", "one fan to another. They can feel a bit naive and consumerist. There", "different types of essay – I'm not sure what to call them. One", "artform. The social cache is being an authority of art history and social", "The viewer probably needs an awareness of film theory and an interest in", "movements. The films I write about are not current box office, so my", "broader themes, compare other work that covers similar ground, its impact on the", "about explaining the ending, or discussing plot points that are entirely within the", "an authority of the canon. The social criticism essays don't presume the viewer", "A superfan review expects the viewer to be familiar with the subject, and", "than the former. Are there any accepted terms – or maybe other cues", "and historic context, stepping out of the \"review\" to discuss broader themes, compare", "one savvy intellectual to another. The viewer probably needs an awareness of film", "film as an artform. The social cache is being an authority of art", "them into video essay for YouTube. What I observe are 2 very different", "One type approaches the work as a superfan. The canon story is revered,", "turns critical, it often takes the form of \"fixing\" the story. Sometimes these", "are not as important as the technique and intent. The work is put", "to call them. One type approaches the work as a superfan. The canon", "work. When this type of essay turns critical, it often takes the form", "are 2 very different types of essay – I'm not sure what to", "takes the form of \"fixing\" the story. Sometimes these videos are clickbait, \"trashing\"", "are still mostly canon and in-world, I put these in the same \"superfan\"", "not as important as the technique* and intent. The work is put in", "place in the career of the actors and director, or how the work", "these in the same \"superfan\" category. The other type of essay is more", "is revered, and the details are often about explaining the ending, or discussing", "to another. They can feel a bit naive and consumerist. There is social", "theory and an interest in film as an artform. The social cache is", "and in-world, I put these in the same \"superfan\" category. The other type", "and speaks as one fan to another. They can feel a bit naive", "and an interest in film as an artform. The social cache is being", "put these in the same \"superfan\" category. The other type of essay is", "pretentious and pondering, speaking as one savvy intellectual to another. The viewer probably", "as an artform. The social cache is being an authority of art history", "the two, but the approach is so fundamentally different it's usually easy to", "They can feel a bit naive and consumerist. There is social cache in", "work as a superfan. The canon story is revered, and the details are", "other work that covers similar ground, its impact on the entertainment industry or", "the work. When this type of essay turns critical, it often takes the", "\"fixing\" the story. Sometimes these videos are clickbait, \"trashing\" the bad choices of", "subject, and speaks as one fan to another. They can feel a bit", "social cache is being an authority of art history and social movements. The", "in cultural and historic context, stepping out of the \"review\" to discuss broader", "critical, it often takes the form of \"fixing\" the story. Sometimes these videos", "fan to another. They can feel a bit naive and consumerist. There is", "career of the actors and director, or how the work reflects (or ignores)", "the details are often about explaining the ending, or discussing plot points that", "technique and intent. The work is put in cultural and historic context, stepping", "and consumerist. There is social cache in being an authority of the canon.", "essay turns critical, it often takes the form of \"fixing\" the story. Sometimes", "the same \"superfan\" category. The other type of essay is more aligned with", "The work is put in cultural and historic context, stepping out of the", "how the work reflects (or ignores) social conventions of its time. There is", "explaining the ending, or discussing plot points that are entirely within the work.", "can be pretentious and pondering, speaking as one savvy intellectual to another. The", "to discuss broader themes, compare other work that covers similar ground, its impact", "and social movements. The films I write about are not current box office,", "viewer probably needs an awareness of film theory and an interest in film", "story. Sometimes these videos are clickbait, \"trashing\" the bad choices of the filmmakers,", "are often about explaining the ending, or discussing plot points that are entirely", "essay* for YouTube. What I observe are 2 very different types of essay", "familiar with the subject, and speaks as one fan to another. They can", "\"trashing\" the bad choices of the filmmakers, but since the criticisms are still", "ignores) social conventions of its time. There is crossover between the two, but", "the career of the actors and director, or how the work reflects (or", "intellectual to another. The viewer probably needs an awareness of film theory and", "styles almost immediately. A superfan review expects the viewer to be familiar with", "entirely within the work. When this type of essay turns critical, it often", "video essay for YouTube. What I observe are 2 very different types of", "it often takes the form of \"fixing\" the story. Sometimes these videos are", "about classic films, and have been thinking about converting them into video essay", "I observe are 2 very different types of essay – I'm not sure", "essay is more aligned with social criticism. The details in the story are", "between the two, but the approach is so fundamentally different it's usually easy", "superfan review expects the viewer to be familiar with the subject, and speaks", "interest in film as an artform. The social cache is being an authority", "YouTube. What I observe are 2 very different types of essay – I'm", "the approach is so fundamentally different it's usually easy to separate the two", "very different types of essay – I'm not sure what to call them.", "put in cultural and historic context, stepping out of the \"review\" to discuss", "its place in the career of the actors and director, or how the", "as the technique and intent. The work is put in cultural and historic", "story* is revered, and the details are often about explaining the ending, or", "for YouTube. What I observe are 2 very different types of essay –", "awareness of film theory and an interest in film as an artform. The", "can feel a bit naive and consumerist. There is social cache in being", "is more aligned with social criticism. The details in the story are not", "ending, or discussing plot points that are entirely within the work. When this", "that are entirely within the work. When this type of essay turns critical,", "type of essay is more aligned with social criticism. The details in the", "and the details are often about explaining the ending, or discussing plot points", "work is put in cultural and historic context, stepping out of the \"review\"", "what to call them. One type approaches the work as a superfan. The", "out of the \"review\" to discuss broader themes, compare other work that covers", "so fundamentally different it's usually easy to separate the two essay styles almost", "but the approach is so fundamentally different it's usually easy to separate the", "authority of the canon. The social criticism essays don't presume the viewer has", "are entirely within the work. When this type of essay turns critical, it", "and director, or how the work reflects (or ignores) social conventions of its", "another. They can feel a bit naive and consumerist. There is social cache", "an authority of art history and social movements. The films I write about", "cache in being an authority of the canon. The social criticism essays don't", "the former. Are there any accepted terms – or maybe other cues I", "office, so my essays tend to lean towards the latter rather than the", "is being an authority of art history and social movements. The films I", "There is crossover between the two, but the approach is so fundamentally different", "speaking as one savvy intellectual to another. The viewer probably needs an awareness", "needs an awareness of film theory and an interest in film as an", "approach is so fundamentally different it's usually easy to separate the two essay", "of its time. There is crossover between the two, but the approach is", "social conventions of its time. There is crossover between the two, but the", "the story. Sometimes these videos are clickbait, \"trashing\" the bad choices of the", "\"review\" to discuss broader themes, compare other work that covers similar ground, its", "and pondering, speaking as one savvy intellectual to another. The viewer probably needs", "almost immediately. A superfan review expects the viewer to be familiar with the", "in film as an artform. The social cache is being an authority of", "criticism*. The details in the story are not as important as the technique", "be pretentious and pondering, speaking as one savvy intellectual to another. The viewer", "mostly canon and in-world, I put these in the same \"superfan\" category. The", "call them. One type approaches the work as a superfan. The canon story", "current box office, so my essays tend to lean towards the latter rather", "an interest in film as an artform. The social cache is being an", "since the criticisms are still mostly canon and in-world, I put these in", "thinking about converting them into video essay* for YouTube. What I observe are", "films I write about are not current box office, so my essays tend", "pondering, speaking as one savvy intellectual to another. The viewer probably needs an", "has seen the film, and can be pretentious and pondering, speaking as one", "classic films, and have been thinking about converting them into video essay for", "the entertainment industry or its place in the career of the actors and", "occasionally write short essays about classic films, and have been thinking about converting", "The canon story is revered, and the details are often about explaining the", "an artform. The social cache is being an authority of art history and", "I'm not sure what to call them. One type approaches the work as", "my essays tend to lean towards the latter rather than the former. Are", "time. There is crossover between the two, but the approach is so fundamentally", "to separate the two essay styles almost immediately. A superfan review expects the", "in being an authority of the canon. The social criticism essays don't presume", "that covers similar ground, its impact on the entertainment industry or its place", "the film, and can be pretentious and pondering, speaking as one savvy intellectual", "in the career of the actors and director, or how the work reflects", "often about explaining the ending, or discussing plot points that are entirely within", "not sure what to call them. One type approaches the work as a", "to lean towards the latter rather than the former. Are there any accepted", "crossover between the two, but the approach is so fundamentally different it's usually", "in the same \"superfan\" category. The other type of essay is more aligned", "of film theory and an interest in film as an artform. The social", "reflects (or ignores) social conventions of its time. There is crossover between the", "aligned with social criticism. The details in the story are not as important", "type of essay turns critical, it often takes the form of \"fixing\" the", "there any accepted terms – or maybe other cues I can use to", "the work reflects (or ignores) social conventions of its time. There is crossover", "I occasionally write short essays about classic films, and have been thinking about", "history and social movements. The films I write about are not current box", "rather than the former. Are there any accepted terms – or maybe other", "viewer to be familiar with the subject, and speaks as one fan to", "important as the technique and intent. The work is put in cultural and", "of the canon. The social criticism essays don't presume the viewer has seen", "discussing plot points that are entirely within the work. When this type of", "about are not current box office, so my essays tend to lean towards", "easy to separate the two essay styles almost immediately. A superfan review expects", "canon story is revered, and the details are often about explaining the ending,", "are not current box office, so my essays tend to lean towards the", "don't presume the viewer has seen the film, and can be pretentious and", "of the filmmakers, but since the criticisms are still mostly canon and in-world,", "these videos are clickbait, \"trashing\" the bad choices of the filmmakers, but since", "covers similar ground, its impact on the entertainment industry or its place in", "seen the film, and can be pretentious and pondering, speaking as one savvy", "When this type of essay turns critical, it often takes the form of", "art history and social movements. The films I write about are not current", "themes, compare other work that covers similar ground, its impact on the entertainment", "another. The viewer probably needs an awareness of film theory and an interest", "similar ground, its impact on the entertainment industry or its place in the", "write short essays about classic films, and have been thinking about converting them", "authority of art history and social movements. The films I write about are", "There is social cache in being an authority of the canon. The social", "or its place in the career of the actors and director, or how", "Are there any accepted terms* – or maybe other cues I can use", "review* expects the viewer to be familiar with the subject, and speaks as", "(or ignores) social conventions of its time. There is crossover between the two,", "other type of essay is more aligned with social criticism. The details in", "or how the work reflects (or ignores) social conventions of its time. There", "have been thinking about converting them into video essay for YouTube. What I", "on the entertainment industry or its place in the career of the actors", "is crossover between the two, but the approach is so fundamentally different it's", "observe are 2 very different types of essay – I'm not sure what", "essays tend to lean towards the latter rather than the former. Are there", "work reflects (or ignores) social conventions of its time. There is crossover between", "social criticism. The details in the story are not as important as the", "director, or how the work reflects (or ignores) social conventions of its time.", "essay – I'm not sure what to call them. One type approaches the", "the actors and director, or how the work reflects (or ignores) social conventions", "compare other work that covers similar ground, its impact on the entertainment industry", "approaches the work as a superfan. The canon story is revered, and the", "feel a bit naive and consumerist. There is social cache in being an", "accepted terms – or maybe other cues I can use to signal the", "with social criticism. The details in the story are not as important as", "short essays about classic films, and have been thinking about converting them into", "two, but the approach is so fundamentally different it's usually easy to separate", "latter rather than the former. Are there any accepted terms – or maybe", "tend to lean towards the latter rather than the former. Are there any", "expects the viewer to be familiar with the subject, and speaks as one", "criticisms are still mostly canon and in-world, I put these in the same", "The details in the story are not as important as the technique and", "form of \"fixing\" the story. Sometimes these videos are clickbait, \"trashing\" the bad", "essays* don't presume the viewer has seen the film, and can be pretentious", "details in the story are not as important as the technique and intent.", "The social criticism essays don't presume the viewer has seen the film, and", "revered, and the details are often about explaining the ending, or discussing plot", "as one fan to another. They can feel a bit naive and consumerist.", "category. The other type of essay is more aligned with social criticism. The", "them. One type approaches the work as a superfan. The canon story is", "type approaches the work as a superfan. The canon story is revered, and", "entertainment industry or its place in the career of the actors and director,", "as important as the technique and intent. The work is put in cultural", "box office, so my essays tend to lean towards the latter rather than", "a superfan. The canon story is revered, and the details are often about", "I write about are not current box office, so my essays tend to", "canon. The social criticism essays don't presume the viewer has seen the film,", "of the actors and director, or how the work reflects (or ignores) social", "its time. There is crossover between the two, but the approach is so", "about converting them into video essay for YouTube. What I observe are 2", "in-world, I put these in the same \"superfan\" category. The other type of", "the ending, or discussing plot points that are entirely within the work. When", "of \"fixing\" the story. Sometimes these videos are clickbait, \"trashing\" the bad choices", "conventions of its time. There is crossover between the two, but the approach", "a bit naive and consumerist. There is social cache in being an authority", "this type of essay turns critical, it often takes the form of \"fixing\"", "not current box office, so my essays tend to lean towards the latter", "converting them into video essay for YouTube. What I observe are 2 very", "probably needs an awareness of film theory and an interest in film as", "into video essay for YouTube. What I observe are 2 very different types", "choices of the filmmakers, but since the criticisms are still mostly canon and", "viewer has seen the film, and can be pretentious and pondering, speaking as", "impact on the entertainment industry or its place in the career of the", "clickbait, \"trashing\" the bad choices of the filmmakers, but since the criticisms are", "the bad choices of the filmmakers, but since the criticisms are still mostly", "as a superfan. The canon story is revered, and the details are often", "the canon. The social criticism essays don't presume the viewer has seen the", "more aligned with social criticism. The details in the story are not as", "Sometimes these videos are clickbait, \"trashing\" the bad choices of the filmmakers, but", "and can be pretentious and pondering, speaking as one savvy intellectual to another.", "former. Are there any accepted terms – or maybe other cues I can", "the latter rather than the former. Are there any accepted terms – or", "canon and in-world, I put these in the same \"superfan\" category. The other", "The films I write about are not current box office, so my essays", "The other type of essay is more aligned with social criticism. The details", "of essay turns critical, it often takes the form of \"fixing\" the story.", "bit naive and consumerist. There is social cache in being an authority of", "The social cache is being an authority of art history and social movements.", "videos are clickbait, \"trashing\" the bad choices of the filmmakers, but since the", "essay styles almost immediately. A superfan review expects the viewer to be familiar", "are clickbait, \"trashing\" the bad choices of the filmmakers, but since the criticisms", "presume the viewer has seen the film, and can be pretentious and pondering,", "film theory and an interest in film as an artform. The social cache", "and intent. The work is put in cultural and historic context, stepping out", "sure what to call them. One type approaches the work as a superfan.", "lean towards the latter rather than the former. Are there any accepted terms", "terms – or maybe other cues I can use to signal the difference?", "be familiar with the subject, and speaks as one fan to another. They", "plot points that are entirely within the work. When this type of essay", "essays about classic films, and have been thinking about converting them into video", "2 very different types of essay – I'm not sure what to call", "superfan. The canon story* is revered, and the details are often about explaining", "social criticism essays don't presume the viewer has seen the film, and can", "intent. The work is put in cultural and historic context, stepping out of", "been thinking about converting them into video essay for YouTube. What I observe", "the subject, and speaks as one fan to another. They can feel a", "separate the two essay styles almost immediately. A superfan review expects the viewer", "film, and can be pretentious and pondering, speaking as one savvy intellectual to", "details are often about explaining the ending, or discussing plot points that are", "of essay is more aligned with social criticism. The details in the story", "types of essay – I'm not sure what to call them. One type", "\"superfan\" category. The other type of essay is more aligned with social criticism.", "savvy intellectual to another. The viewer probably needs an awareness of film theory", "speaks as one fan to another. They can feel a bit naive and", "it's usually easy to separate the two essay styles almost immediately. A superfan", "two essay styles almost immediately. A superfan review* expects the viewer to be", "with the subject, and speaks as one fan to another. They can feel", "ground, its impact on the entertainment industry or its place in the career", "so my essays tend to lean towards the latter rather than the former.", "is social cache in being an authority of the canon. The social criticism", "points that are entirely within* the work. When this type of essay turns", "of the \"review\" to discuss broader themes, compare other work that covers similar", "bad choices of the filmmakers, but since the criticisms are still mostly canon", "the \"review\" to discuss broader themes, compare other work that covers similar ground,", "within the work. When this type of essay turns critical, it often takes", "the filmmakers, but since the criticisms are still mostly canon and in-world, I", "What I observe are 2 very different types of essay – I'm not", "context, stepping out of the \"review\" to discuss broader themes, compare other work", "criticism essays* don't presume the viewer has seen the film, and can be", "still mostly canon and in-world, I put these in the same \"superfan\" category.", "and have been thinking about converting them into video essay for YouTube. What", "same \"superfan\" category. The other type of essay is more aligned with *social", "write about are not current box office, so my essays tend to lean", "fundamentally different it's usually easy to separate the two essay styles almost immediately.", "the story are not as important as the technique* and intent. The work", "the form of \"fixing\" the story. Sometimes these videos are clickbait, \"trashing\" the", "the technique and intent. The work is put in cultural and historic context,", "any accepted terms – or maybe other cues I can use to signal", "of essay – I'm not sure what to call them. One type approaches", "social cache in being an authority of the canon. The social criticism essays", "to be familiar with the subject, and speaks as one fan to another.", "the viewer has seen the film, and can be pretentious and pondering, speaking", "actors and director, or how the work reflects (or ignores) social conventions of", "the viewer to be familiar with the subject, and speaks as one fan", "different it's usually easy to separate the two essay styles almost immediately. A", "industry or its place in the career of the actors and director, or", "I put these in the same \"superfan\" category. The other type of essay", "the criticisms are still mostly canon and in-world, I put these in the" ]
[ "fictional polytheisms, it's tempting to draw inspiration from the existing ones. In ancient", "They all have a \"father\"-god figure, they have gods of war, fertility gods", "are expressions of very different cultures. So, when inventing gods for a fictional", "the Greek/Latin, Egyptian and Norse pantheons) there are some common tropes and similarities.", "with wisdom. Yet, it can be argued that those similarities are rather superficial.", "stretch. Týr and Oros, while being both associated with war and masculinity, are", "Egyptian and Norse pantheons) there are some common tropes and similarities. They all", "and are expressions of very different cultures. So, when inventing gods for a", "war, fertility gods and gods associated with wisdom. Yet, it can be argued", "that those similarities are rather superficial. Odin is not Zuub by a far", "times in history, and are expressions of very different cultures. So, when inventing", "is not a problem, if it makes sense in the context. It is", "and Norse pantheons) there are some common tropes and similarities. They all have", "have arisen in different places and times in history, and are expressions of", "being both associated with war and masculinity, are not the same. Those mythological", "inventing gods for a fictional pantheon, how do you avoid falling into those", "\"father\"-god figure, they have gods of war, fertility gods and gods associated with", "be argued that those similarities are rather superficial. Odin is not Zuub by", "figures have arisen in different places and times in history, and are expressions", "for a fictional pantheon, how do you avoid falling into those cliches? ---", "far stretch. Týr and Oros, while being both associated with war and masculinity,", "there are some common tropes and similarities. They all have a \"father\"-god figure,", "Those mythological figures have arisen in different places and times in history, and", "of war, fertility gods and gods associated with wisdom. Yet, it can be", "do you avoid falling into those cliches? --- I'd further clarify that having", "have a \"father\"-god figure, they have gods of war, fertility gods and gods", "and Oros, while being both associated with war and masculinity, are not the", "Týr and Oros, while being both associated with war and masculinity, are not", "a \"father\"-god figure, they have gods of war, fertility gods and gods associated", "ancient religions (I'm mainly thinking of the Greek/Latin, Egyptian and Norse pantheons) there", "ones. In ancient religions (I'm mainly thinking of the Greek/Latin, Egyptian and Norse", "all have a \"father\"-god figure, they have gods of war, fertility gods and", "gods associated with wisdom. Yet, it can be argued that those similarities are", "it makes sense in the context. It is a cliché if the god", "gods for a fictional pantheon, how do you avoid falling into those cliches?", "war and masculinity, are not the same. Those mythological figures have arisen in", "a far stretch. Týr and Oros, while being both associated with war and", "they have gods of war, fertility gods and gods associated with wisdom. Yet,", "how do you avoid falling into those cliches? --- I'd further clarify that", "in history, and are expressions of very different cultures. So, when inventing gods", "not a problem, if it makes sense in the context. It is a", "Zuub by a far stretch. Týr and Oros, while being both associated with", "(I'm mainly thinking of the Greek/Latin, Egyptian and Norse pantheons) there are some", "are some common tropes and similarities. They all have a \"father\"-god figure, they", "masculinity, are not the same. Those mythological figures have arisen in different places", "cultures. So, when inventing gods for a fictional pantheon, how do you avoid", "It is a cliché if the god of war in question is just", "not the same. Those mythological figures have arisen in different places and times", "in the context. It is a cliché if the god of war in", "cliché if the god of war in question is just \"filling a seat.\"", "associated with war and masculinity, are not the same. Those mythological figures have", "not Zuub by a far stretch. Týr and Oros, while being both associated", "are rather superficial. Odin is not Zuub by a far stretch. Týr and", "by a far stretch. Týr and Oros, while being both associated with war", "similarities are rather superficial. Odin is not Zuub by a far stretch. Týr", "both associated with war and masculinity, are not the same. Those mythological figures", "same. Those mythological figures have arisen in different places and times in history,", "fictional pantheon, how do you avoid falling into those cliches? --- I'd further", "\"God of War\" is not a problem, if it makes sense in the", "to draw inspiration from the existing ones. In ancient religions (I'm mainly thinking", "the context. It is a cliché if the god of war in question", "it can be argued that those similarities are rather superficial. Odin is not", "places and times in history, and are expressions of very different cultures. So,", "cliches? --- I'd further clarify that having a \"God of War\" is not", "I'd further clarify that having a \"God of War\" is not a problem,", "when inventing gods for a fictional pantheon, how do you avoid falling into", "Norse pantheons) there are some common tropes and similarities. They all have a", "the existing ones. In ancient religions (I'm mainly thinking of the Greek/Latin, Egyptian", "falling into those cliches? --- I'd further clarify that having a \"God of", "have gods of war, fertility gods and gods associated with wisdom. Yet, it", "a problem, if it makes sense in the context. It is a cliché", "tropes and similarities. They all have a \"father\"-god figure, they have gods of", "inspiration from the existing ones. In ancient religions (I'm mainly thinking of the", "those cliches? --- I'd further clarify that having a \"God of War\" is", "gods of war, fertility gods and gods associated with wisdom. Yet, it can", "context. It is a cliché if the god of war in question is", "In ancient religions (I'm mainly thinking of the Greek/Latin, Egyptian and Norse pantheons)", "and times in history, and are expressions of very different cultures. So, when", "pantheons) there are some common tropes and similarities. They all have a \"father\"-god", "of War\" is not a problem, if it makes sense in the context.", "problem, if it makes sense in the context. It is a cliché if", "the same. Those mythological figures have arisen in different places and times in", "further clarify that having a \"God of War\" is not a problem, if", "common tropes and similarities. They all have a \"father\"-god figure, they have gods", "arisen in different places and times in history, and are expressions of very", "Greek/Latin, Egyptian and Norse pantheons) there are some common tropes and similarities. They", "are not the same. Those mythological figures have arisen in different places and", "pantheon, how do you avoid falling into those cliches? --- I'd further clarify", "mainly thinking of the Greek/Latin, Egyptian and Norse pantheons) there are some common", "existing ones. In ancient religions (I'm mainly thinking of the Greek/Latin, Egyptian and", "figure, they have gods of war, fertility gods and gods associated with wisdom.", "expressions of very different cultures. So, when inventing gods for a fictional pantheon,", "it's tempting to draw inspiration from the existing ones. In ancient religions (I'm", "gods and gods associated with wisdom. Yet, it can be argued that those", "draw inspiration from the existing ones. In ancient religions (I'm mainly thinking of", "mythological figures have arisen in different places and times in history, and are", "and similarities. They all have a \"father\"-god figure, they have gods of war,", "polytheisms, it's tempting to draw inspiration from the existing ones. In ancient religions", "a fictional pantheon, how do you avoid falling into those cliches? --- I'd", "can be argued that those similarities are rather superficial. Odin is not Zuub", "while being both associated with war and masculinity, are not the same. Those", "and masculinity, are not the same. Those mythological figures have arisen in different", "War\" is not a problem, if it makes sense in the context. It", "sense in the context. It is a cliché if the god of war", "wisdom. Yet, it can be argued that those similarities are rather superficial. Odin", "is not Zuub by a far stretch. Týr and Oros, while being both", "argued that those similarities are rather superficial. Odin is not Zuub by a", "makes sense in the context. It is a cliché if the god of", "clarify that having a \"God of War\" is not a problem, if it", "very different cultures. So, when inventing gods for a fictional pantheon, how do", "of very different cultures. So, when inventing gods for a fictional pantheon, how", "different cultures. So, when inventing gods for a fictional pantheon, how do you", "Oros, while being both associated with war and masculinity, are not the same.", "associated with wisdom. Yet, it can be argued that those similarities are rather", "fertility gods and gods associated with wisdom. Yet, it can be argued that", "Yet, it can be argued that those similarities are rather superficial. Odin is", "avoid falling into those cliches? --- I'd further clarify that having a \"God", "you avoid falling into those cliches? --- I'd further clarify that having a", "in different places and times in history, and are expressions of very different", "a \"God of War\" is not a problem, if it makes sense in", "writing fictional polytheisms, it's tempting to draw inspiration from the existing ones. In", "with war and masculinity, are not the same. Those mythological figures have arisen", "and gods associated with wisdom. Yet, it can be argued that those similarities", "history, and are expressions of very different cultures. So, when inventing gods for", "that having a \"God of War\" is not a problem, if it makes", "So, when inventing gods for a fictional pantheon, how do you avoid falling", "superficial. Odin is not Zuub by a far stretch. Týr and Oros, while", "rather superficial. Odin is not Zuub by a far stretch. Týr and Oros,", "religions (I'm mainly thinking of the Greek/Latin, Egyptian and Norse pantheons) there are", "having a \"God of War\" is not a problem, if it makes sense", "from the existing ones. In ancient religions (I'm mainly thinking of the Greek/Latin,", "--- I'd further clarify that having a \"God of War\" is not a", "those similarities are rather superficial. Odin is not Zuub by a far stretch.", "similarities. They all have a \"father\"-god figure, they have gods of war, fertility", "is a cliché if the god of war in question is just \"filling", "if it makes sense in the context. It is a cliché if the", "When writing fictional polytheisms, it's tempting to draw inspiration from the existing ones.", "of the Greek/Latin, Egyptian and Norse pantheons) there are some common tropes and", "tempting to draw inspiration from the existing ones. In ancient religions (I'm mainly", "into those cliches? --- I'd further clarify that having a \"God of War\"", "thinking of the Greek/Latin, Egyptian and Norse pantheons) there are some common tropes", "different places and times in history, and are expressions of very different cultures.", "Odin is not Zuub by a far stretch. Týr and Oros, while being", "some common tropes and similarities. They all have a \"father\"-god figure, they have", "a cliché if the god of war in question is just \"filling a" ]
[ "for a \"world\" (more fantasy than sci-fi at this point). I've noodled around", "I have some brief character descriptions for the regional leaders. So, do you", "have a vague notion but am hoping there are some suggested pathways. Thanks!", "essentially grow a story out of the environment? I have a vague notion", "you have any tips on how to essentially grow a story out of", "regional leaders. So, do you have any tips on how to essentially grow", "have any tips on how to essentially grow a story out of the", "in the world. I have some brief character descriptions for the regional leaders.", "I have a vague notion but am hoping there are some suggested pathways.", "than sci-fi at this point). I've noodled around with this world off-and-on for", "of the environment? I have a vague notion but am hoping there are", "a story to put in the world. I have some brief character descriptions", "I have some material for a \"world\" (more fantasy than sci-fi at this", "had a story to put in the world. I have some brief character", "descriptions for the regional leaders. So, do you have any tips on how", "some brief character descriptions for the regional leaders. So, do you have any", "\"world\" (more fantasy than sci-fi at this point). I've noodled around with this", "how to essentially grow a story out of the environment? I have a", "(more fantasy than sci-fi at this point). I've noodled around with this world", "do you have any tips on how to essentially grow a story out", "story out of the environment? I have a vague notion but am hoping", "brief character descriptions for the regional leaders. So, do you have any tips", "ages but have never had a story to put in the world. I", "the world. I have some brief character descriptions for the regional leaders. So,", "leaders. So, do you have any tips on how to essentially grow a", "environment? I have a vague notion but am hoping there are some suggested", "with this world off-and-on for ages but have never had a story to", "sci-fi at this point). I've noodled around with this world off-and-on for ages", "at this point). I've noodled around with this world off-and-on for ages but", "point). I've noodled around with this world off-and-on for ages but have never", "off-and-on for ages but have never had a story to put in the", "So, do you have any tips on how to essentially grow a story", "to essentially grow a story out of the environment? I have a vague", "character descriptions for the regional leaders. So, do you have any tips on", "on how to essentially grow a story out of the environment? I have", "world. I have some brief character descriptions for the regional leaders. So, do", "I've noodled around with this world off-and-on for ages but have never had", "this point). I've noodled around with this world off-and-on for ages but have", "never had a story to put in the world. I have some brief", "tips on how to essentially grow a story out of the environment? I", "this world off-and-on for ages but have never had a story to put", "have some material for a \"world\" (more fantasy than sci-fi at this point).", "for the regional leaders. So, do you have any tips on how to", "the regional leaders. So, do you have any tips on how to essentially", "story to put in the world. I have some brief character descriptions for", "to put in the world. I have some brief character descriptions for the", "put in the world. I have some brief character descriptions for the regional", "have some brief character descriptions for the regional leaders. So, do you have", "material for a \"world\" (more fantasy than sci-fi at this point). I've noodled", "world off-and-on for ages but have never had a story to put in", "fantasy than sci-fi at this point). I've noodled around with this world off-and-on", "grow a story out of the environment? I have a vague notion but", "noodled around with this world off-and-on for ages but have never had a", "for ages but have never had a story to put in the world.", "out of the environment? I have a vague notion but am hoping there", "but have never had a story to put in the world. I have", "the environment? I have a vague notion but am hoping there are some", "have never had a story to put in the world. I have some", "any tips on how to essentially grow a story out of the environment?", "a story out of the environment? I have a vague notion but am", "some material for a \"world\" (more fantasy than sci-fi at this point). I've", "around with this world off-and-on for ages but have never had a story", "a \"world\" (more fantasy than sci-fi at this point). I've noodled around with" ]
[ "techniques that I could use to mention the setting in relation to things", "in my story into where the characters are? Are there techniques that I", "is that my settings feel irrelevant, or that the entire book could have", "office, or a restaurant, or a different office at various times throughout the", "interchangeable as my story currently stands. How can I tie the scenes and", "times throughout the story ― but any of these places are interchangeable as", "feedback that I got on a story I wrote is that my settings", "my story into where the characters are? Are there techniques that I could", "are in an office, or a restaurant, or a different office at various", "my story currently stands. How can I tie the scenes and dialogue in", "places are interchangeable as my story currently stands. How can I tie the", "tie the scenes and dialogue in my story into where the characters are?", "stands. How can I tie the scenes and dialogue in my story into", "feel irrelevant, or that the entire book could have been a phone call.", "characters are? Are there techniques that I could use to mention the setting", "things that the character say or do, or to make the settings matter", "irrelevant, or that the entire book could have been a phone call. I", "different office at various times throughout the story ― but any of these", "restaurant, or a different office at various times throughout the story ― but", "book could have been a phone call. I am not sure how to", "or that the entire book could have been a phone call. I am", "various times throughout the story ― but any of these places are interchangeable", "piece of feedback that I got on a story I wrote is that", "I am not sure how to go about fixing this. The characters, for", "a different office at various times throughout the story ― but any of", "in an office, or a restaurant, or a different office at various times", "I could use to mention the setting in relation to things that the", "this. The characters, for example, are in an office, or a restaurant, or", "How can I tie the scenes and dialogue in my story into where", "to go about fixing this. The characters, for example, are in an office,", "my settings feel irrelevant, or that the entire book could have been a", "throughout the story ― but any of these places are interchangeable as my", "story currently stands. How can I tie the scenes and dialogue in my", "currently stands. How can I tie the scenes and dialogue in my story", "characters, for example, are in an office, or a restaurant, or a different", "I got on a story I wrote is that my settings feel irrelevant,", "of feedback that I got on a story I wrote is that my", "story ― but any of these places are interchangeable as my story currently", "call. I am not sure how to go about fixing this. The characters,", "the scenes and dialogue in my story into where the characters are? Are", "as my story currently stands. How can I tie the scenes and dialogue", "have been a phone call. I am not sure how to go about", "I tie the scenes and dialogue in my story into where the characters", "story I wrote is that my settings feel irrelevant, or that the entire", "scenes and dialogue in my story into where the characters are? Are there", "could have been a phone call. I am not sure how to go", "that the character say or do, or to make the settings matter more?", "am not sure how to go about fixing this. The characters, for example,", "I wrote is that my settings feel irrelevant, or that the entire book", "wrote is that my settings feel irrelevant, or that the entire book could", "to mention the setting in relation to things that the character say or", "relation to things that the character say or do, or to make the", "are? Are there techniques that I could use to mention the setting in", "of these places are interchangeable as my story currently stands. How can I", "at various times throughout the story ― but any of these places are", "― but any of these places are interchangeable as my story currently stands.", "any of these places are interchangeable as my story currently stands. How can", "use to mention the setting in relation to things that the character say", "dialogue in my story into where the characters are? Are there techniques that", "a phone call. I am not sure how to go about fixing this.", "a restaurant, or a different office at various times throughout the story ―", "got on a story I wrote is that my settings feel irrelevant, or", "but any of these places are interchangeable as my story currently stands. How", "the characters are? Are there techniques that I could use to mention the", "there techniques that I could use to mention the setting in relation to", "that I could use to mention the setting in relation to things that", "or a different office at various times throughout the story ― but any", "mention the setting in relation to things that the character say or do,", "a story I wrote is that my settings feel irrelevant, or that the", "how to go about fixing this. The characters, for example, are in an", "to things that the character say or do, or to make the settings", "on a story I wrote is that my settings feel irrelevant, or that", "the story ― but any of these places are interchangeable as my story", "that my settings feel irrelevant, or that the entire book could have been", "that the entire book could have been a phone call. I am not", "that I got on a story I wrote is that my settings feel", "into where the characters are? Are there techniques that I could use to", "where the characters are? Are there techniques that I could use to mention", "Are there techniques that I could use to mention the setting in relation", "One piece of feedback that I got on a story I wrote is", "are interchangeable as my story currently stands. How can I tie the scenes", "the entire book could have been a phone call. I am not sure", "entire book could have been a phone call. I am not sure how", "not sure how to go about fixing this. The characters, for example, are", "go about fixing this. The characters, for example, are in an office, or", "about fixing this. The characters, for example, are in an office, or a", "story into where the characters are? Are there techniques that I could use", "the setting in relation to things that the character say or do, or", "for example, are in an office, or a restaurant, or a different office", "been a phone call. I am not sure how to go about fixing", "these places are interchangeable as my story currently stands. How can I tie", "settings feel irrelevant, or that the entire book could have been a phone", "fixing this. The characters, for example, are in an office, or a restaurant,", "could use to mention the setting in relation to things that the character", "can I tie the scenes and dialogue in my story into where the", "setting in relation to things that the character say or do, or to", "in relation to things that the character say or do, or to make", "office at various times throughout the story ― but any of these places", "example, are in an office, or a restaurant, or a different office at", "and dialogue in my story into where the characters are? Are there techniques", "The characters, for example, are in an office, or a restaurant, or a", "phone call. I am not sure how to go about fixing this. The", "sure how to go about fixing this. The characters, for example, are in", "an office, or a restaurant, or a different office at various times throughout", "or a restaurant, or a different office at various times throughout the story" ]
[ "unnatural in dialogue, but to me it feels cheap. The easy way out.", "one of the critics said that the exposition given away in my dialogue", "chance of the exposition feeling unnatural in dialogue, but to me it feels", "in question would say in that situation. But is this irrelevant? Will any", "the fact it was very relevant to the topic, and it seemed to", "to the topic, and it seemed to me like something a person, and", "critiqued, one of the critics said that the exposition given away in my", "takes the reader out of the experience. But without the information itself, the", "reader out of the experience. But without the information itself, the reader is", "the exposition given away in my dialogue was forced and unnatural. Though, this", "But without the information itself, the reader is not getting the full experience,", "it takes the reader out of the experience. But without the information itself,", "any exposition given through dialogue feel forced and unnatural? Is it all better", "Now, (this is opinion-based) I felt the exposition wasn't unnatural, due to the", "exposition feeling unnatural in dialogue, but to me it feels cheap. The easy", "the reader is not getting the full experience, nor is understanding/seeing the full", "full picture. Now, (this is opinion-based) I felt the exposition wasn't unnatural, due", "my work was being critiqued, one of the critics said that the exposition", "experience, nor is understanding/seeing the full picture. Now, (this is opinion-based) I felt", "dialogue feel forced and unnatural? Is it all better to just give it", "information itself, the reader is not getting the full experience, nor is understanding/seeing", "the exposition wasn't unnatural, due to the fact it was very relevant to", "When my work was being critiqued, one of the critics said that the", "exposition wasn't unnatural, due to the fact it was very relevant to the", "the \"show don't tell\" rule by actually just giving the exposition straight up,", "reader is not getting the full experience, nor is understanding/seeing the full picture.", "just giving the exposition straight up, no dialogue. This does eliminate the chance", "a person, and more importantly, the character in question would say in that", "is opinion-based) I felt the exposition wasn't unnatural, due to the fact it", "was being critiqued, one of the critics said that the exposition given away", "say in that situation. But is this irrelevant? Will any exposition given through", "the exposition feeling unnatural in dialogue, but to me it feels cheap. The", "the topic, and it seemed to me like something a person, and more", "unnatural. Though, this exposition is crucial, so leaving it out is out of", "itself, the reader is not getting the full experience, nor is understanding/seeing the", "wasn't unnatural, due to the fact it was very relevant to the topic,", "eliminate the chance of the exposition feeling unnatural in dialogue, but to me", "dialogue was forced and unnatural. Though, this exposition is crucial, so leaving it", "in my dialogue was forced and unnatural. Though, this exposition is crucial, so", "out of the picture. The critic said it would be better to break", "better to break the \"show don't tell\" rule by actually just giving the", "actually just giving the exposition straight up, no dialogue. This does eliminate the", "importantly, the character in question would say in that situation. But is this", "that situation. But is this irrelevant? Will any exposition given through dialogue feel", "feeling unnatural in dialogue, but to me it feels cheap. The easy way", "out is out of the picture. The critic said it would be better", "and it seemed to me like something a person, and more importantly, the", "exposition is crucial, so leaving it out is out of the picture. The", "to break the \"show don't tell\" rule by actually just giving the exposition", "(this is opinion-based) I felt the exposition wasn't unnatural, due to the fact", "critics said that the exposition given away in my dialogue was forced and", "relevant to the topic, and it seemed to me like something a person,", "feel it takes the reader out of the experience. But without the information", "more importantly, the character in question would say in that situation. But is", "don't tell\" rule by actually just giving the exposition straight up, no dialogue.", "full experience, nor is understanding/seeing the full picture. Now, (this is opinion-based) I", "the full experience, nor is understanding/seeing the full picture. Now, (this is opinion-based)", "very relevant to the topic, and it seemed to me like something a", "feels cheap. The easy way out. And I also feel it takes the", "would be better to break the \"show don't tell\" rule by actually just", "is not getting the full experience, nor is understanding/seeing the full picture. Now,", "break the \"show don't tell\" rule by actually just giving the exposition straight", "so leaving it out is out of the picture. The critic said it", "given away in my dialogue was forced and unnatural. Though, this exposition is", "and unnatural? Is it all better to just give it as unfiltered exposition", "being critiqued, one of the critics said that the exposition given away in", "forced and unnatural? Is it all better to just give it as unfiltered", "given through dialogue feel forced and unnatural? Is it all better to just", "giving the exposition straight up, no dialogue. This does eliminate the chance of", "of the experience. But without the information itself, the reader is not getting", "but to me it feels cheap. The easy way out. And I also", "seemed to me like something a person, and more importantly, the character in", "the full picture. Now, (this is opinion-based) I felt the exposition wasn't unnatural,", "cheap. The easy way out. And I also feel it takes the reader", "was forced and unnatural. Though, this exposition is crucial, so leaving it out", "it was very relevant to the topic, and it seemed to me like", "way out. And I also feel it takes the reader out of the", "leaving it out is out of the picture. The critic said it would", "the chance of the exposition feeling unnatural in dialogue, but to me it", "The easy way out. And I also feel it takes the reader out", "understanding/seeing the full picture. Now, (this is opinion-based) I felt the exposition wasn't", "feel forced and unnatural? Is it all better to just give it as", "crucial, so leaving it out is out of the picture. The critic said", "exposition given through dialogue feel forced and unnatural? Is it all better to", "Is it all better to just give it as unfiltered exposition in a", "through dialogue feel forced and unnatural? Is it all better to just give", "the exposition straight up, no dialogue. This does eliminate the chance of the", "it out is out of the picture. The critic said it would be", "in dialogue, but to me it feels cheap. The easy way out. And", "question would say in that situation. But is this irrelevant? Will any exposition", "The critic said it would be better to break the \"show don't tell\"", "is crucial, so leaving it out is out of the picture. The critic", "is understanding/seeing the full picture. Now, (this is opinion-based) I felt the exposition", "of the picture. The critic said it would be better to break the", "unnatural, due to the fact it was very relevant to the topic, and", "dialogue. This does eliminate the chance of the exposition feeling unnatural in dialogue,", "it feels cheap. The easy way out. And I also feel it takes", "This does eliminate the chance of the exposition feeling unnatural in dialogue, but", "unnatural? Is it all better to just give it as unfiltered exposition in", "irrelevant? Will any exposition given through dialogue feel forced and unnatural? Is it", "the picture. The critic said it would be better to break the \"show", "my dialogue was forced and unnatural. Though, this exposition is crucial, so leaving", "forced and unnatural. Though, this exposition is crucial, so leaving it out is", "said it would be better to break the \"show don't tell\" rule by", "dialogue, but to me it feels cheap. The easy way out. And I", "work was being critiqued, one of the critics said that the exposition given", "fact it was very relevant to the topic, and it seemed to me", "no dialogue. This does eliminate the chance of the exposition feeling unnatural in", "due to the fact it was very relevant to the topic, and it", "topic, and it seemed to me like something a person, and more importantly,", "it all better to just give it as unfiltered exposition in a paragraph?", "also feel it takes the reader out of the experience. But without the", "And I also feel it takes the reader out of the experience. But", "the character in question would say in that situation. But is this irrelevant?", "be better to break the \"show don't tell\" rule by actually just giving", "this exposition is crucial, so leaving it out is out of the picture.", "out. And I also feel it takes the reader out of the experience.", "But is this irrelevant? Will any exposition given through dialogue feel forced and", "situation. But is this irrelevant? Will any exposition given through dialogue feel forced", "was very relevant to the topic, and it seemed to me like something", "does eliminate the chance of the exposition feeling unnatural in dialogue, but to", "of the exposition feeling unnatural in dialogue, but to me it feels cheap.", "exposition straight up, no dialogue. This does eliminate the chance of the exposition", "me like something a person, and more importantly, the character in question would", "I felt the exposition wasn't unnatural, due to the fact it was very", "to me like something a person, and more importantly, the character in question", "straight up, no dialogue. This does eliminate the chance of the exposition feeling", "easy way out. And I also feel it takes the reader out of", "the information itself, the reader is not getting the full experience, nor is", "by actually just giving the exposition straight up, no dialogue. This does eliminate", "away in my dialogue was forced and unnatural. Though, this exposition is crucial,", "to the fact it was very relevant to the topic, and it seemed", "this irrelevant? Will any exposition given through dialogue feel forced and unnatural? Is", "exposition given away in my dialogue was forced and unnatural. Though, this exposition", "tell\" rule by actually just giving the exposition straight up, no dialogue. This", "would say in that situation. But is this irrelevant? Will any exposition given", "is out of the picture. The critic said it would be better to", "\"show don't tell\" rule by actually just giving the exposition straight up, no", "I also feel it takes the reader out of the experience. But without", "rule by actually just giving the exposition straight up, no dialogue. This does", "not getting the full experience, nor is understanding/seeing the full picture. Now, (this", "getting the full experience, nor is understanding/seeing the full picture. Now, (this is", "like something a person, and more importantly, the character in question would say", "is this irrelevant? Will any exposition given through dialogue feel forced and unnatural?", "without the information itself, the reader is not getting the full experience, nor", "character in question would say in that situation. But is this irrelevant? Will", "nor is understanding/seeing the full picture. Now, (this is opinion-based) I felt the", "person, and more importantly, the character in question would say in that situation.", "it seemed to me like something a person, and more importantly, the character", "said that the exposition given away in my dialogue was forced and unnatural.", "picture. The critic said it would be better to break the \"show don't", "and unnatural. Though, this exposition is crucial, so leaving it out is out", "picture. Now, (this is opinion-based) I felt the exposition wasn't unnatural, due to", "to me it feels cheap. The easy way out. And I also feel", "out of the experience. But without the information itself, the reader is not", "Will any exposition given through dialogue feel forced and unnatural? Is it all", "that the exposition given away in my dialogue was forced and unnatural. Though,", "up, no dialogue. This does eliminate the chance of the exposition feeling unnatural", "Though, this exposition is crucial, so leaving it out is out of the", "the experience. But without the information itself, the reader is not getting the", "and more importantly, the character in question would say in that situation. But", "experience. But without the information itself, the reader is not getting the full", "opinion-based) I felt the exposition wasn't unnatural, due to the fact it was", "of the critics said that the exposition given away in my dialogue was", "something a person, and more importantly, the character in question would say in", "it would be better to break the \"show don't tell\" rule by actually", "felt the exposition wasn't unnatural, due to the fact it was very relevant", "the reader out of the experience. But without the information itself, the reader", "me it feels cheap. The easy way out. And I also feel it", "in that situation. But is this irrelevant? Will any exposition given through dialogue", "the critics said that the exposition given away in my dialogue was forced", "critic said it would be better to break the \"show don't tell\" rule" ]
[ "very good portion of my life. Funnily enough--I learned about these cues from", "a very good portion of my life. Funnily enough--I learned about these cues", "personally find SDT hard because...I just don't get it due to my Asperger", "I picked up on more social cues and people have publicized lists of", "of being surprised in my novel with their action of raising their eyebrow.", "ran out of phrases and starts becoming repetitive. I lack the finesse for", "they, are they truly lacking or they just need to \"learn it\") which", "and social cue. For example, we all know that somebody who \"clenches their", "\"learn it\") which has been rather controversial. Regardless of the actual nature of", "emotion I'm trying to demonstrate (e.g. surprised) 2. Look up on google what", "publicized lists of phrases commonly used to describe emotions, but it feels..formula-ish. For", "raise their eyebrow.) 3. Replace the emotion of being surprised in my novel", "of I rarely practice \"Show, Don't Tell\" (SDT) in my stories. However, I", "eyebrow. It works, but it doesn't take long before I ran out of", "it for a very good portion of my life. Funnily enough--I learned about", "are they truly lacking or they just need to \"learn it\") which has", "surprised (ooh, they raise their eyebrow.) 3. Replace the emotion of being surprised", "do when they're surprised (ooh, they raise their eyebrow.) 3. Replace the emotion", "There has been some (deleted) discussion on the true nature of Asperger Syndrome", "my novel with their action of raising their eyebrow. It works, but it", "nature of Asperger Syndrome, I think the premise of the question still holds.", "with their action of raising their eyebrow. It works, but it doesn't take", "some guidance. Update: There has been some (deleted) discussion on the true nature", "example, we all know that somebody who \"clenches their fist\" is someone who", "practice \"Show, Don't Tell\" (SDT) in my stories. However, I personally find SDT", "enough--I learned about these cues from a \"Show, Don't Tell\" chapter of a", "describe emotions, but it feels..formula-ish. For me, the process for writing SDT is", "due to my Asperger Syndrome. Having Asperger Syndrome means that I simply lack", "like. 1. Write the emotion I'm trying to demonstrate (e.g. surprised) 2. Look", "I simply lack the knowledge non-verbal communication including body languages, facial expression, and", "simply lack the knowledge non-verbal communication including body languages, facial expression, and social", "Tell\" chapter of a writing book. Obviously, I read more books and I", "surprised) 2. Look up on google what do people do when they're surprised", "take long before I ran out of phrases and starts becoming repetitive. I", "being surprised in my novel with their action of raising their eyebrow. It", "true nature of Asperger Syndrome (ie. how big in a disadvantage are they,", "picked up on more social cues and people have publicized lists of phrases", "bit flustered and hope you can provide me with some guidance. Update: There", "we all know that somebody who \"clenches their fist\" is someone who is", "is someone who is angry or somebody \"who raises their eyebrow\" is surprised,", "have publicized lists of phrases commonly used to describe emotions, but it feels..formula-ish.", "and I picked up on more social cues and people have publicized lists", "2. Look up on google what do people do when they're surprised (ooh,", "Write the emotion I'm trying to demonstrate (e.g. surprised) 2. Look up on", "Syndrome (ie. how big in a disadvantage are they, are they truly lacking", "cue. For example, we all know that somebody who \"clenches their fist\" is", "is like. 1. Write the emotion I'm trying to demonstrate (e.g. surprised) 2.", "Asperger Syndrome (ie. how big in a disadvantage are they, are they truly", "Regardless of the actual nature of Asperger Syndrome, I think the premise of", "my writing seems a bit blunt in the sense of I rarely practice", "the knowledge non-verbal communication including body languages, facial expression, and social cue. For", "but it doesn't take long before I ran out of phrases and starts", "Replace the emotion of being surprised in my novel with their action of", "provide me with some guidance. Update: There has been some (deleted) discussion on", "just need to \"learn it\") which has been rather controversial. Regardless of the", "life. Funnily enough--I learned about these cues from a \"Show, Don't Tell\" chapter", "more books and I picked up on more social cues and people have", "who is angry or somebody \"who raises their eyebrow\" is surprised, right? Unfortunately,", "of raising their eyebrow. It works, but it doesn't take long before I", "nature of Asperger Syndrome (ie. how big in a disadvantage are they, are", "Asperger Syndrome, I think the premise of the question still holds. This is", "demonstrate (e.g. surprised) 2. Look up on google what do people do when", "of phrases and starts becoming repetitive. I lack the finesse for SDT and", "it doesn't take long before I ran out of phrases and starts becoming", "who \"clenches their fist\" is someone who is angry or somebody \"who raises", "Asperger Syndrome means that I simply lack the knowledge non-verbal communication including body", "a writing book. Obviously, I read more books and I picked up on", "their fist\" is someone who is angry or somebody \"who raises their eyebrow\"", "Asperger Syndrome. Having Asperger Syndrome means that I simply lack the knowledge non-verbal", "social cue. For example, we all know that somebody who \"clenches their fist\"", "process for writing SDT is like. 1. Write the emotion I'm trying to", "do people do when they're surprised (ooh, they raise their eyebrow.) 3. Replace", "rarely practice \"Show, Don't Tell\" (SDT) in my stories. However, I personally find", "feels..formula-ish. For me, the process for writing SDT is like. 1. Write the", "I ran out of phrases and starts becoming repetitive. I lack the finesse", "their eyebrow\" is surprised, right? Unfortunately, I didn't know about it for a", "commonly used to describe emotions, but it feels..formula-ish. For me, the process for", "the premise of the question still holds. This is a writing technique question,", "SDT and I'm a bit flustered and hope you can provide me with", "trying to demonstrate (e.g. surprised) 2. Look up on google what do people", "you can provide me with some guidance. Update: There has been some (deleted)", "I lack the finesse for SDT and I'm a bit flustered and hope", "disadvantage are they, are they truly lacking or they just need to \"learn", "expression, and social cue. For example, we all know that somebody who \"clenches", "angry or somebody \"who raises their eyebrow\" is surprised, right? Unfortunately, I didn't", "of my life. Funnily enough--I learned about these cues from a \"Show, Don't", "surprised in my novel with their action of raising their eyebrow. It works,", "have been told by my friends that my writing seems a bit blunt", "just don't get it due to my Asperger Syndrome. Having Asperger Syndrome means", "or they just need to \"learn it\") which has been rather controversial. Regardless", "the question still holds. This is a writing technique question, not a mental", "the actual nature of Asperger Syndrome, I think the premise of the question", "used to describe emotions, but it feels..formula-ish. For me, the process for writing", "the sense of I rarely practice \"Show, Don't Tell\" (SDT) in my stories.", "\"Show, Don't Tell\" chapter of a writing book. Obviously, I read more books", "but it feels..formula-ish. For me, the process for writing SDT is like. 1.", "becoming repetitive. I lack the finesse for SDT and I'm a bit flustered", "It works, but it doesn't take long before I ran out of phrases", "I didn't know about it for a very good portion of my life.", "from a \"Show, Don't Tell\" chapter of a writing book. Obviously, I read", "somebody \"who raises their eyebrow\" is surprised, right? Unfortunately, I didn't know about", "(SDT) in my stories. However, I personally find SDT hard because...I just don't", "Syndrome means that I simply lack the knowledge non-verbal communication including body languages,", "and starts becoming repetitive. I lack the finesse for SDT and I'm a", "including body languages, facial expression, and social cue. For example, we all know", "to describe emotions, but it feels..formula-ish. For me, the process for writing SDT", "(deleted) discussion on the true nature of Asperger Syndrome (ie. how big in", "for a very good portion of my life. Funnily enough--I learned about these", "eyebrow.) 3. Replace the emotion of being surprised in my novel with their", "I have been told by my friends that my writing seems a bit", "somebody who \"clenches their fist\" is someone who is angry or somebody \"who", "a bit blunt in the sense of I rarely practice \"Show, Don't Tell\"", "I read more books and I picked up on more social cues and", "is surprised, right? Unfortunately, I didn't know about it for a very good", "I'm a bit flustered and hope you can provide me with some guidance.", "cues from a \"Show, Don't Tell\" chapter of a writing book. Obviously, I", "book. Obviously, I read more books and I picked up on more social", "of Asperger Syndrome, I think the premise of the question still holds. This", "they're surprised (ooh, they raise their eyebrow.) 3. Replace the emotion of being", "blunt in the sense of I rarely practice \"Show, Don't Tell\" (SDT) in", "what do people do when they're surprised (ooh, they raise their eyebrow.) 3.", "learned about these cues from a \"Show, Don't Tell\" chapter of a writing", "chapter of a writing book. Obviously, I read more books and I picked", "seems a bit blunt in the sense of I rarely practice \"Show, Don't", "stories. However, I personally find SDT hard because...I just don't get it due", "or somebody \"who raises their eyebrow\" is surprised, right? Unfortunately, I didn't know", "to demonstrate (e.g. surprised) 2. Look up on google what do people do", "me with some guidance. Update: There has been some (deleted) discussion on the", "SDT hard because...I just don't get it due to my Asperger Syndrome. Having", "the finesse for SDT and I'm a bit flustered and hope you can", "has been rather controversial. Regardless of the actual nature of Asperger Syndrome, I", "need to \"learn it\") which has been rather controversial. Regardless of the actual", "Don't Tell\" chapter of a writing book. Obviously, I read more books and", "I rarely practice \"Show, Don't Tell\" (SDT) in my stories. However, I personally", "writing SDT is like. 1. Write the emotion I'm trying to demonstrate (e.g.", "it\") which has been rather controversial. Regardless of the actual nature of Asperger", "lack the finesse for SDT and I'm a bit flustered and hope you", "phrases and starts becoming repetitive. I lack the finesse for SDT and I'm", "body languages, facial expression, and social cue. For example, we all know that", "been some (deleted) discussion on the true nature of Asperger Syndrome (ie. how", "about these cues from a \"Show, Don't Tell\" chapter of a writing book.", "Having Asperger Syndrome means that I simply lack the knowledge non-verbal communication including", "a bit flustered and hope you can provide me with some guidance. Update:", "the process for writing SDT is like. 1. Write the emotion I'm trying", "premise of the question still holds. This is a writing technique question, not", "these cues from a \"Show, Don't Tell\" chapter of a writing book. Obviously,", "long before I ran out of phrases and starts becoming repetitive. I lack", "social cues and people have publicized lists of phrases commonly used to describe", "starts becoming repetitive. I lack the finesse for SDT and I'm a bit", "in my stories. However, I personally find SDT hard because...I just don't get", "hope you can provide me with some guidance. Update: There has been some", "with some guidance. Update: There has been some (deleted) discussion on the true", "on more social cues and people have publicized lists of phrases commonly used", "finesse for SDT and I'm a bit flustered and hope you can provide", "truly lacking or they just need to \"learn it\") which has been rather", "actual nature of Asperger Syndrome, I think the premise of the question still", "more social cues and people have publicized lists of phrases commonly used to", "they just need to \"learn it\") which has been rather controversial. Regardless of", "because...I just don't get it due to my Asperger Syndrome. Having Asperger Syndrome", "the emotion I'm trying to demonstrate (e.g. surprised) 2. Look up on google", "they raise their eyebrow.) 3. Replace the emotion of being surprised in my", "get it due to my Asperger Syndrome. Having Asperger Syndrome means that I", "doesn't take long before I ran out of phrases and starts becoming repetitive.", "flustered and hope you can provide me with some guidance. Update: There has", "I think the premise of the question still holds. This is a writing", "Syndrome, I think the premise of the question still holds. This is a", "of phrases commonly used to describe emotions, but it feels..formula-ish. For me, the", "However, I personally find SDT hard because...I just don't get it due to", "in my novel with their action of raising their eyebrow. It works, but", "my friends that my writing seems a bit blunt in the sense of", "about it for a very good portion of my life. Funnily enough--I learned", "books and I picked up on more social cues and people have publicized", "by my friends that my writing seems a bit blunt in the sense", "been told by my friends that my writing seems a bit blunt in", "know that somebody who \"clenches their fist\" is someone who is angry or", "of the actual nature of Asperger Syndrome, I think the premise of the", "writing seems a bit blunt in the sense of I rarely practice \"Show,", "know about it for a very good portion of my life. Funnily enough--I", "languages, facial expression, and social cue. For example, we all know that somebody", "I personally find SDT hard because...I just don't get it due to my", "the true nature of Asperger Syndrome (ie. how big in a disadvantage are", "is angry or somebody \"who raises their eyebrow\" is surprised, right? Unfortunately, I", "lacking or they just need to \"learn it\") which has been rather controversial.", "rather controversial. Regardless of the actual nature of Asperger Syndrome, I think the", "I'm trying to demonstrate (e.g. surprised) 2. Look up on google what do", "people have publicized lists of phrases commonly used to describe emotions, but it", "of the question still holds. This is a writing technique question, not a", "non-verbal communication including body languages, facial expression, and social cue. For example, we", "emotions, but it feels..formula-ish. For me, the process for writing SDT is like.", "raising their eyebrow. It works, but it doesn't take long before I ran", "SDT is like. 1. Write the emotion I'm trying to demonstrate (e.g. surprised)", "that I simply lack the knowledge non-verbal communication including body languages, facial expression,", "don't get it due to my Asperger Syndrome. Having Asperger Syndrome means that", "in a disadvantage are they, are they truly lacking or they just need", "controversial. Regardless of the actual nature of Asperger Syndrome, I think the premise", "for SDT and I'm a bit flustered and hope you can provide me", "in the sense of I rarely practice \"Show, Don't Tell\" (SDT) in my", "didn't know about it for a very good portion of my life. Funnily", "think the premise of the question still holds. This is a writing technique", "\"clenches their fist\" is someone who is angry or somebody \"who raises their", "before I ran out of phrases and starts becoming repetitive. I lack the", "and I'm a bit flustered and hope you can provide me with some", "of a writing book. Obviously, I read more books and I picked up", "cues and people have publicized lists of phrases commonly used to describe emotions,", "\"Show, Don't Tell\" (SDT) in my stories. However, I personally find SDT hard", "of Asperger Syndrome (ie. how big in a disadvantage are they, are they", "Unfortunately, I didn't know about it for a very good portion of my", "it feels..formula-ish. For me, the process for writing SDT is like. 1. Write", "knowledge non-verbal communication including body languages, facial expression, and social cue. For example,", "that my writing seems a bit blunt in the sense of I rarely", "1. Write the emotion I'm trying to demonstrate (e.g. surprised) 2. Look up", "to \"learn it\") which has been rather controversial. Regardless of the actual nature", "told by my friends that my writing seems a bit blunt in the", "up on more social cues and people have publicized lists of phrases commonly", "facial expression, and social cue. For example, we all know that somebody who", "someone who is angry or somebody \"who raises their eyebrow\" is surprised, right?", "and hope you can provide me with some guidance. Update: There has been", "eyebrow\" is surprised, right? Unfortunately, I didn't know about it for a very", "for writing SDT is like. 1. Write the emotion I'm trying to demonstrate", "(ie. how big in a disadvantage are they, are they truly lacking or", "a disadvantage are they, are they truly lacking or they just need to", "and people have publicized lists of phrases commonly used to describe emotions, but", "it due to my Asperger Syndrome. Having Asperger Syndrome means that I simply", "works, but it doesn't take long before I ran out of phrases and", "discussion on the true nature of Asperger Syndrome (ie. how big in a", "bit blunt in the sense of I rarely practice \"Show, Don't Tell\" (SDT)", "right? Unfortunately, I didn't know about it for a very good portion of", "Don't Tell\" (SDT) in my stories. However, I personally find SDT hard because...I", "some (deleted) discussion on the true nature of Asperger Syndrome (ie. how big", "still holds. This is a writing technique question, not a mental health question.", "lists of phrases commonly used to describe emotions, but it feels..formula-ish. For me,", "my life. Funnily enough--I learned about these cues from a \"Show, Don't Tell\"", "up on google what do people do when they're surprised (ooh, they raise", "repetitive. I lack the finesse for SDT and I'm a bit flustered and", "on the true nature of Asperger Syndrome (ie. how big in a disadvantage", "a \"Show, Don't Tell\" chapter of a writing book. Obviously, I read more", "surprised, right? Unfortunately, I didn't know about it for a very good portion", "big in a disadvantage are they, are they truly lacking or they just", "been rather controversial. Regardless of the actual nature of Asperger Syndrome, I think", "lack the knowledge non-verbal communication including body languages, facial expression, and social cue.", "my Asperger Syndrome. Having Asperger Syndrome means that I simply lack the knowledge", "that somebody who \"clenches their fist\" is someone who is angry or somebody", "\"who raises their eyebrow\" is surprised, right? Unfortunately, I didn't know about it", "good portion of my life. Funnily enough--I learned about these cues from a", "communication including body languages, facial expression, and social cue. For example, we all", "sense of I rarely practice \"Show, Don't Tell\" (SDT) in my stories. However,", "Tell\" (SDT) in my stories. However, I personally find SDT hard because...I just", "their eyebrow.) 3. Replace the emotion of being surprised in my novel with", "their action of raising their eyebrow. It works, but it doesn't take long", "guidance. Update: There has been some (deleted) discussion on the true nature of", "they truly lacking or they just need to \"learn it\") which has been", "phrases commonly used to describe emotions, but it feels..formula-ish. For me, the process", "the emotion of being surprised in my novel with their action of raising", "Look up on google what do people do when they're surprised (ooh, they", "question still holds. This is a writing technique question, not a mental health", "Syndrome. Having Asperger Syndrome means that I simply lack the knowledge non-verbal communication", "google what do people do when they're surprised (ooh, they raise their eyebrow.)", "3. Replace the emotion of being surprised in my novel with their action", "has been some (deleted) discussion on the true nature of Asperger Syndrome (ie.", "friends that my writing seems a bit blunt in the sense of I", "means that I simply lack the knowledge non-verbal communication including body languages, facial", "novel with their action of raising their eyebrow. It works, but it doesn't", "people do when they're surprised (ooh, they raise their eyebrow.) 3. Replace the", "their eyebrow. It works, but it doesn't take long before I ran out", "hard because...I just don't get it due to my Asperger Syndrome. Having Asperger", "For example, we all know that somebody who \"clenches their fist\" is someone", "(e.g. surprised) 2. Look up on google what do people do when they're", "out of phrases and starts becoming repetitive. I lack the finesse for SDT", "can provide me with some guidance. Update: There has been some (deleted) discussion", "Obviously, I read more books and I picked up on more social cues", "action of raising their eyebrow. It works, but it doesn't take long before", "Update: There has been some (deleted) discussion on the true nature of Asperger", "raises their eyebrow\" is surprised, right? Unfortunately, I didn't know about it for", "writing book. Obviously, I read more books and I picked up on more", "read more books and I picked up on more social cues and people", "which has been rather controversial. Regardless of the actual nature of Asperger Syndrome,", "Funnily enough--I learned about these cues from a \"Show, Don't Tell\" chapter of", "are they, are they truly lacking or they just need to \"learn it\")", "emotion of being surprised in my novel with their action of raising their", "my stories. However, I personally find SDT hard because...I just don't get it", "all know that somebody who \"clenches their fist\" is someone who is angry", "For me, the process for writing SDT is like. 1. Write the emotion", "when they're surprised (ooh, they raise their eyebrow.) 3. Replace the emotion of", "how big in a disadvantage are they, are they truly lacking or they", "fist\" is someone who is angry or somebody \"who raises their eyebrow\" is", "me, the process for writing SDT is like. 1. Write the emotion I'm", "on google what do people do when they're surprised (ooh, they raise their", "to my Asperger Syndrome. Having Asperger Syndrome means that I simply lack the", "portion of my life. Funnily enough--I learned about these cues from a \"Show,", "(ooh, they raise their eyebrow.) 3. Replace the emotion of being surprised in", "find SDT hard because...I just don't get it due to my Asperger Syndrome." ]
[ "occurred, so I have no idea what format I should use for the", "made a medical record application that allows someone to record data about someone,", "basically you can have a tab for the main user, and a tab", "I have never used an application that indicates in which tab an error", "example: > > The last name can only contain alphanumeric characters (tab: Rumerz).", "I have no idea what format I should use for the error prompt.", "someone, but the application also allows us to add the data of a", "The problem with the above is that it looks weird, so I am", "the spouse and enter them at the same time, because of this, all", "an application that indicates in which tab an error occurred, so I have", "like the spouse and enter them at the same time, because of this,", "application that indicates in which tab an error occurred, so I have no", "the above is that it looks weird, so I am wondering if there's", "main user, and a tab for a relative like the spouse and enter", "The last name can only contain alphanumeric characters (tab: Rumerz). > > >", "So basically you can have a tab for the main user, and a", "and a tab for a relative like the spouse and enter them at", "tab for a relative like the spouse and enter them at the same", "a relative. So basically you can have a tab for the main user,", "the application also allows us to add the data of a relative. So", "to the user in which tab the error occurred. So for example: >", "with the above is that it looks weird, so I am wondering if", "tab the error occurred. So for example: > > The last name can", "because of this, all error prompt must indicate to the user in which", "a medical record application that allows someone to record data about someone, but", "allows someone to record data about someone, but the application also allows us", "of this, all error prompt must indicate to the user in which tab", "alphanumeric characters (tab: Rumerz). > > > The problem with the above is", "that allows someone to record data about someone, but the application also allows", "them at the same time, because of this, all error prompt must indicate", "have made a medical record application that allows someone to record data about", "only contain alphanumeric characters (tab: Rumerz). > > > The problem with the", "that it looks weird, so I am wondering if there's a better way", "in which tab the error occurred. So for example: > > The last", "the main user, and a tab for a relative like the spouse and", "a tab for a relative like the spouse and enter them at the", "can only contain alphanumeric characters (tab: Rumerz). > > > The problem with", "user in which tab the error occurred. So for example: > > The", "used an application that indicates in which tab an error occurred, so I", "tab for the main user, and a tab for a relative like the", "problem with the above is that it looks weird, so I am wondering", "weird, so I am wondering if there's a better way for it. I", "the user in which tab the error occurred. So for example: > >", "error prompt must indicate to the user in which tab the error occurred.", "about someone, but the application also allows us to add the data of", "to record data about someone, but the application also allows us to add", "us to add the data of a relative. So basically you can have", "relative. So basically you can have a tab for the main user, and", "tab an error occurred, so I have no idea what format I should", "characters (tab: Rumerz). > > > The problem with the above is that", "indicates in which tab an error occurred, so I have no idea what", "> > The problem with the above is that it looks weird, so", "data of a relative. So basically you can have a tab for the", "at the same time, because of this, all error prompt must indicate to", "add the data of a relative. So basically you can have a tab", "medical record application that allows someone to record data about someone, but the", "never used an application that indicates in which tab an error occurred, so", "contain alphanumeric characters (tab: Rumerz). > > > The problem with the above", "time, because of this, all error prompt must indicate to the user in", "better way for it. I have never used an application that indicates in", "someone to record data about someone, but the application also allows us to", "spouse and enter them at the same time, because of this, all error", "(tab: Rumerz). > > > The problem with the above is that it", "wondering if there's a better way for it. I have never used an", "a tab for the main user, and a tab for a relative like", "for the main user, and a tab for a relative like the spouse", "you can have a tab for the main user, and a tab for", "user, and a tab for a relative like the spouse and enter them", "that indicates in which tab an error occurred, so I have no idea", "all error prompt must indicate to the user in which tab the error", "the error occurred. So for example: > > The last name can only", "is that it looks weird, so I am wondering if there's a better", "also allows us to add the data of a relative. So basically you", "same time, because of this, all error prompt must indicate to the user", "record application that allows someone to record data about someone, but the application", "for example: > > The last name can only contain alphanumeric characters (tab:", "relative like the spouse and enter them at the same time, because of", "enter them at the same time, because of this, all error prompt must", "occurred. So for example: > > The last name can only contain alphanumeric", "indicate to the user in which tab the error occurred. So for example:", "> The last name can only contain alphanumeric characters (tab: Rumerz). > >", "<https://en.wikipedia.org/wiki/Tab_(interface)> I have made a medical record application that allows someone to record", "the data of a relative. So basically you can have a tab for", "in which tab an error occurred, so I have no idea what format", "can have a tab for the main user, and a tab for a", "am wondering if there's a better way for it. I have never used", "the same time, because of this, all error prompt must indicate to the", "So for example: > > The last name can only contain alphanumeric characters", "record data about someone, but the application also allows us to add the", "application that allows someone to record data about someone, but the application also", "a relative like the spouse and enter them at the same time, because", "looks weird, so I am wondering if there's a better way for it.", "which tab an error occurred, so I have no idea what format I", "there's a better way for it. I have never used an application that", "which tab the error occurred. So for example: > > The last name", "> The problem with the above is that it looks weird, so I", "have never used an application that indicates in which tab an error occurred,", "it looks weird, so I am wondering if there's a better way for", "it. I have never used an application that indicates in which tab an", "so I am wondering if there's a better way for it. I have", "prompt must indicate to the user in which tab the error occurred. So", "name can only contain alphanumeric characters (tab: Rumerz). > > > The problem", "application also allows us to add the data of a relative. So basically", "but the application also allows us to add the data of a relative.", "and enter them at the same time, because of this, all error prompt", "I am wondering if there's a better way for it. I have never", "above is that it looks weird, so I am wondering if there's a", "way for it. I have never used an application that indicates in which", "a better way for it. I have never used an application that indicates", "for it. I have never used an application that indicates in which tab", "> > The last name can only contain alphanumeric characters (tab: Rumerz). >", "must indicate to the user in which tab the error occurred. So for", "I have made a medical record application that allows someone to record data", "of a relative. So basically you can have a tab for the main", "this, all error prompt must indicate to the user in which tab the", "last name can only contain alphanumeric characters (tab: Rumerz). > > > The", "data about someone, but the application also allows us to add the data", "> > > The problem with the above is that it looks weird,", "allows us to add the data of a relative. So basically you can", "Rumerz). > > > The problem with the above is that it looks", "have a tab for the main user, and a tab for a relative", "error occurred. So for example: > > The last name can only contain", "for a relative like the spouse and enter them at the same time,", "to add the data of a relative. So basically you can have a", "an error occurred, so I have no idea what format I should use", "so I have no idea what format I should use for the error", "error occurred, so I have no idea what format I should use for", "if there's a better way for it. I have never used an application" ]
[ "the first result I bumped into was [this](https://www.thebalancecareers.com/cv-vs-resume-2058495). I am highlighting a few", "the candidate’s > skills, notable achievements, and work experience to the greatest >", "includes each detail chronologically. I am a non-US resident, so I am not", "it below: > > The primary differences between a resume and a curriculum", "documents intended to showcase the candidate’s > skills, notable achievements, and work experience", "> certifications, research experience, and professional affiliations and > memberships. > > >", "> interchangeable. > > > Most resumes in the United States are competency-based:", "to the greatest > advantage. US CVs, submitted for jobs in academia, scientific", "CV? What voice should a career document have (first person, active)? How does", "> > > Now, I do have my own resume (or CV, I", "CV are not always > interchangeable. > > > Most resumes in the", "research experience, and professional affiliations and > memberships. > > > Now, I", "highlighting a few points that are mentioned in it below: > > The", "often lengthy) listing of one’s education, > certifications, research experience, and professional affiliations", "providing a > comprehensive (and often lengthy) listing of one’s education, > certifications,", "> > Most resumes in the United States are competency-based: they are >", "(or CV, I am confused already), that is 7 pages long and includes", "resume or a CV. More generally, what changes in terms of writing make", "> > > Most resumes in the United States are competency-based: they are", "person, active)? How does the narrative of articulating oneself differ in CV and", "that are mentioned in it below: > > The primary differences between a", "is included, and what each is used for. While both > are used", "intended to showcase the candidate’s > skills, notable achievements, and work experience to", "result I bumped into was [this](https://www.thebalancecareers.com/cv-vs-resume-2058495). I am highlighting a few points that", "I am highlighting a few points that are mentioned in it below: >", "few points that are mentioned in it below: > > The primary differences", "differences between a resume and a curriculum vitae (CV) are length, what is", "are competency-based: they are > personal marketing documents intended to showcase the candidate’s", "curriculum vitae (CV) are length, what is included, and what each is used", "I am confused already), that is 7 pages long and includes each detail", "generally, what changes in terms of writing make a resume, resume and a", "More generally, what changes in terms of writing make a resume, resume and", "first result I bumped into was [this](https://www.thebalancecareers.com/cv-vs-resume-2058495). I am highlighting a few points", "affiliations and > memberships. > > > Now, I do have my own", "should a career document have (first person, active)? How does the narrative of", "resumes in the United States are competency-based: they are > personal marketing documents", "of one’s education, > certifications, research experience, and professional affiliations and > memberships.", "and > memberships. > > > Now, I do have my own resume", "primary differences between a resume and a curriculum vitae (CV) are length, what", "a resume or a CV. More generally, what changes in terms of writing", "resume and a CV are not always > interchangeable. > > > Most", "showcase the candidate’s > skills, notable achievements, and work experience to the greatest", "resume and a CV, CV? What voice should a career document have (first", "are used in job applications, a resume and a CV are not always", "used in job applications, a resume and a CV are not always >", "experience to the greatest > advantage. US CVs, submitted for jobs in academia,", "competency-based: they are > personal marketing documents intended to showcase the candidate’s >", "resident, so I am not sure whether my resume is a resume or", "what changes in terms of writing make a resume, resume and a CV,", "is a resume or a CV. More generally, what changes in terms of", "googled \"[The Difference between Resume and CV](https://www.google.com/search?q=difference%20between%20cv%20and%20resume&rlz=1C1CHZL_enIN840IN840&oq=difference%20between%20cv%20and%20resume&aqs=chrome.0.69i59j69i57j69i60j69i59l2j69i60.2771j0j7&sourceid=chrome&ie=UTF-8)\", the first result I bumped into", "are not always > interchangeable. > > > Most resumes in the United", "> are used in job applications, a resume and a CV are not", "a > comprehensive (and often lengthy) listing of one’s education, > certifications, research", "and a CV are not always > interchangeable. > > > Most resumes", "am highlighting a few points that are mentioned in it below: > >", "detail chronologically. I am a non-US resident, so I am not sure whether", "> advantage. US CVs, submitted for jobs in academia, scientific > research and", "document have (first person, active)? How does the narrative of articulating oneself differ", "mentioned in it below: > > The primary differences between a resume and", "[this](https://www.thebalancecareers.com/cv-vs-resume-2058495). I am highlighting a few points that are mentioned in it below:", "a CV. More generally, what changes in terms of writing make a resume,", "I googled \"[The Difference between Resume and CV](https://www.google.com/search?q=difference%20between%20cv%20and%20resume&rlz=1C1CHZL_enIN840IN840&oq=difference%20between%20cv%20and%20resume&aqs=chrome.0.69i59j69i57j69i60j69i59l2j69i60.2771j0j7&sourceid=chrome&ie=UTF-8)\", the first result I bumped", "lengthy) listing of one’s education, > certifications, research experience, and professional affiliations and", "the United States are competency-based: they are > personal marketing documents intended to", "work experience to the greatest > advantage. US CVs, submitted for jobs in", "am not sure whether my resume is a resume or a CV. More", "not always > interchangeable. > > > Most resumes in the United States", "> comprehensive (and often lengthy) listing of one’s education, > certifications, research experience,", "Now, I do have my own resume (or CV, I am confused already),", "skills, notable achievements, and work experience to the greatest > advantage. US CVs,", "a curriculum vitae (CV) are length, what is included, and what each is", "to showcase the candidate’s > skills, notable achievements, and work experience to the", "> > Now, I do have my own resume (or CV, I am", "experience, and professional affiliations and > memberships. > > > Now, I do", "interchangeable. > > > Most resumes in the United States are competency-based: they", "are mentioned in it below: > > The primary differences between a resume", "resume and a curriculum vitae (CV) are length, what is included, and what", "medical fields are credential-based, providing a > comprehensive (and often lengthy) listing of", "have (first person, active)? How does the narrative of articulating oneself differ in", "a CV are not always > interchangeable. > > > Most resumes in", "Difference between Resume and CV](https://www.google.com/search?q=difference%20between%20cv%20and%20resume&rlz=1C1CHZL_enIN840IN840&oq=difference%20between%20cv%20and%20resume&aqs=chrome.0.69i59j69i57j69i60j69i59l2j69i60.2771j0j7&sourceid=chrome&ie=UTF-8)\", the first result I bumped into was [this](https://www.thebalancecareers.com/cv-vs-resume-2058495).", "and includes each detail chronologically. I am a non-US resident, so I am", "a non-US resident, so I am not sure whether my resume is a", "not sure whether my resume is a resume or a CV. More generally,", "career document have (first person, active)? How does the narrative of articulating oneself", "is 7 pages long and includes each detail chronologically. I am a non-US", "> > The primary differences between a resume and a curriculum vitae (CV)", "always > interchangeable. > > > Most resumes in the United States are", "professional affiliations and > memberships. > > > Now, I do have my", "each detail chronologically. I am a non-US resident, so I am not sure", "long and includes each detail chronologically. I am a non-US resident, so I", "own resume (or CV, I am confused already), that is 7 pages long", "listing of one’s education, > certifications, research experience, and professional affiliations and >", "voice should a career document have (first person, active)? How does the narrative", "The primary differences between a resume and a curriculum vitae (CV) are length,", "> personal marketing documents intended to showcase the candidate’s > skills, notable achievements,", "my own resume (or CV, I am confused already), that is 7 pages", "CV. More generally, what changes in terms of writing make a resume, resume", "> Most resumes in the United States are competency-based: they are > personal", "already), that is 7 pages long and includes each detail chronologically. I am", "candidate’s > skills, notable achievements, and work experience to the greatest > advantage.", "CV, I am confused already), that is 7 pages long and includes each", "am a non-US resident, so I am not sure whether my resume is", "points that are mentioned in it below: > > The primary differences between", "When I googled \"[The Difference between Resume and CV](https://www.google.com/search?q=difference%20between%20cv%20and%20resume&rlz=1C1CHZL_enIN840IN840&oq=difference%20between%20cv%20and%20resume&aqs=chrome.0.69i59j69i57j69i60j69i59l2j69i60.2771j0j7&sourceid=chrome&ie=UTF-8)\", the first result I", "United States are competency-based: they are > personal marketing documents intended to showcase", "sure whether my resume is a resume or a CV. More generally, what", "and a CV, CV? What voice should a career document have (first person,", "and CV](https://www.google.com/search?q=difference%20between%20cv%20and%20resume&rlz=1C1CHZL_enIN840IN840&oq=difference%20between%20cv%20and%20resume&aqs=chrome.0.69i59j69i57j69i60j69i59l2j69i60.2771j0j7&sourceid=chrome&ie=UTF-8)\", the first result I bumped into was [this](https://www.thebalancecareers.com/cv-vs-resume-2058495). I am highlighting", "job applications, a resume and a CV are not always > interchangeable. >", "make a resume, resume and a CV, CV? What voice should a career", "I am a non-US resident, so I am not sure whether my resume", "and medical fields are credential-based, providing a > comprehensive (and often lengthy) listing", "writing make a resume, resume and a CV, CV? What voice should a", "academia, scientific > research and medical fields are credential-based, providing a > comprehensive", "they are > personal marketing documents intended to showcase the candidate’s > skills,", "between Resume and CV](https://www.google.com/search?q=difference%20between%20cv%20and%20resume&rlz=1C1CHZL_enIN840IN840&oq=difference%20between%20cv%20and%20resume&aqs=chrome.0.69i59j69i57j69i60j69i59l2j69i60.2771j0j7&sourceid=chrome&ie=UTF-8)\", the first result I bumped into was [this](https://www.thebalancecareers.com/cv-vs-resume-2058495). I", "a few points that are mentioned in it below: > > The primary", "States are competency-based: they are > personal marketing documents intended to showcase the", "> The primary differences between a resume and a curriculum vitae (CV) are", "advantage. US CVs, submitted for jobs in academia, scientific > research and medical", "a resume, resume and a CV, CV? What voice should a career document", "research and medical fields are credential-based, providing a > comprehensive (and often lengthy)", "> memberships. > > > Now, I do have my own resume (or", "I bumped into was [this](https://www.thebalancecareers.com/cv-vs-resume-2058495). I am highlighting a few points that are", "that is 7 pages long and includes each detail chronologically. I am a", "Most resumes in the United States are competency-based: they are > personal marketing", "and a curriculum vitae (CV) are length, what is included, and what each", "CV](https://www.google.com/search?q=difference%20between%20cv%20and%20resume&rlz=1C1CHZL_enIN840IN840&oq=difference%20between%20cv%20and%20resume&aqs=chrome.0.69i59j69i57j69i60j69i59l2j69i60.2771j0j7&sourceid=chrome&ie=UTF-8)\", the first result I bumped into was [this](https://www.thebalancecareers.com/cv-vs-resume-2058495). I am highlighting a", "into was [this](https://www.thebalancecareers.com/cv-vs-resume-2058495). I am highlighting a few points that are mentioned in", "was [this](https://www.thebalancecareers.com/cv-vs-resume-2058495). I am highlighting a few points that are mentioned in it", "I am not sure whether my resume is a resume or a CV.", "and what each is used for. While both > are used in job", "one’s education, > certifications, research experience, and professional affiliations and > memberships. >", "pages long and includes each detail chronologically. I am a non-US resident, so", "fields are credential-based, providing a > comprehensive (and often lengthy) listing of one’s", "(and often lengthy) listing of one’s education, > certifications, research experience, and professional", "in it below: > > The primary differences between a resume and a", "notable achievements, and work experience to the greatest > advantage. US CVs, submitted", "chronologically. I am a non-US resident, so I am not sure whether my", "are credential-based, providing a > comprehensive (and often lengthy) listing of one’s education,", "in job applications, a resume and a CV are not always > interchangeable.", "jobs in academia, scientific > research and medical fields are credential-based, providing a", "marketing documents intended to showcase the candidate’s > skills, notable achievements, and work", "used for. While both > are used in job applications, a resume and", "do have my own resume (or CV, I am confused already), that is", "CVs, submitted for jobs in academia, scientific > research and medical fields are", "(first person, active)? How does the narrative of articulating oneself differ in CV", "are > personal marketing documents intended to showcase the candidate’s > skills, notable", "While both > are used in job applications, a resume and a CV", "so I am not sure whether my resume is a resume or a", "have my own resume (or CV, I am confused already), that is 7", "resume is a resume or a CV. More generally, what changes in terms", "changes in terms of writing make a resume, resume and a CV, CV?", "greatest > advantage. US CVs, submitted for jobs in academia, scientific > research", "Resume and CV](https://www.google.com/search?q=difference%20between%20cv%20and%20resume&rlz=1C1CHZL_enIN840IN840&oq=difference%20between%20cv%20and%20resume&aqs=chrome.0.69i59j69i57j69i60j69i59l2j69i60.2771j0j7&sourceid=chrome&ie=UTF-8)\", the first result I bumped into was [this](https://www.thebalancecareers.com/cv-vs-resume-2058495). I am", "length, what is included, and what each is used for. While both >", "am confused already), that is 7 pages long and includes each detail chronologically.", "(CV) are length, what is included, and what each is used for. While", "my resume is a resume or a CV. More generally, what changes in", "US CVs, submitted for jobs in academia, scientific > research and medical fields", "certifications, research experience, and professional affiliations and > memberships. > > > Now,", "a resume and a curriculum vitae (CV) are length, what is included, and", "non-US resident, so I am not sure whether my resume is a resume", "comprehensive (and often lengthy) listing of one’s education, > certifications, research experience, and", "both > are used in job applications, a resume and a CV are", "> skills, notable achievements, and work experience to the greatest > advantage. US", "below: > > The primary differences between a resume and a curriculum vitae", "credential-based, providing a > comprehensive (and often lengthy) listing of one’s education, >", "7 pages long and includes each detail chronologically. I am a non-US resident,", "personal marketing documents intended to showcase the candidate’s > skills, notable achievements, and", "active)? How does the narrative of articulating oneself differ in CV and resume?", "achievements, and work experience to the greatest > advantage. US CVs, submitted for", "submitted for jobs in academia, scientific > research and medical fields are credential-based,", "memberships. > > > Now, I do have my own resume (or CV,", "terms of writing make a resume, resume and a CV, CV? What voice", "for jobs in academia, scientific > research and medical fields are credential-based, providing", "scientific > research and medical fields are credential-based, providing a > comprehensive (and", "of writing make a resume, resume and a CV, CV? What voice should", "what is included, and what each is used for. While both > are", "in the United States are competency-based: they are > personal marketing documents intended", "applications, a resume and a CV are not always > interchangeable. > >", "> Now, I do have my own resume (or CV, I am confused", "between a resume and a curriculum vitae (CV) are length, what is included,", "is used for. While both > are used in job applications, a resume", "and professional affiliations and > memberships. > > > Now, I do have", "vitae (CV) are length, what is included, and what each is used for.", "included, and what each is used for. While both > are used in", "a CV, CV? What voice should a career document have (first person, active)?", "a resume and a CV are not always > interchangeable. > > >", "I do have my own resume (or CV, I am confused already), that", "\"[The Difference between Resume and CV](https://www.google.com/search?q=difference%20between%20cv%20and%20resume&rlz=1C1CHZL_enIN840IN840&oq=difference%20between%20cv%20and%20resume&aqs=chrome.0.69i59j69i57j69i60j69i59l2j69i60.2771j0j7&sourceid=chrome&ie=UTF-8)\", the first result I bumped into was", "confused already), that is 7 pages long and includes each detail chronologically. I", "are length, what is included, and what each is used for. While both", "the greatest > advantage. US CVs, submitted for jobs in academia, scientific >", "in academia, scientific > research and medical fields are credential-based, providing a >", "and work experience to the greatest > advantage. US CVs, submitted for jobs", "a career document have (first person, active)? How does the narrative of articulating", "in terms of writing make a resume, resume and a CV, CV? What", "resume (or CV, I am confused already), that is 7 pages long and", "what each is used for. While both > are used in job applications,", "What voice should a career document have (first person, active)? How does the", "each is used for. While both > are used in job applications, a", "education, > certifications, research experience, and professional affiliations and > memberships. > >", "> research and medical fields are credential-based, providing a > comprehensive (and often", "resume, resume and a CV, CV? What voice should a career document have", "CV, CV? What voice should a career document have (first person, active)? How", "bumped into was [this](https://www.thebalancecareers.com/cv-vs-resume-2058495). I am highlighting a few points that are mentioned", "for. While both > are used in job applications, a resume and a", "or a CV. More generally, what changes in terms of writing make a", "whether my resume is a resume or a CV. More generally, what changes" ]
[ "acceptable break from reality: interjections, pauses when we look for the right word", "not forsake the land of my forefathers\", I'm breaking the readers' suspension of", "\"your character talks like a character from a book. He's too eloquent, nobody", "of disbelief. My character might reasonably feel like this, but that's not how", "And the moment my character has become to my readers \"a character from", "will not forsake the land of my forefathers\", I'm breaking the readers' suspension", "suspension of disbelief. My character might reasonably feel like this, but that's not", "feel natural (even though it really isn't - see links above), so readers", "human\", I've lost their sympathy for him. How do I keep to the", "pertinent for main characters: side characters with little \"screen time\" can get away", "can get away with verbal tics that would become annoying in the characters", "annoying in the characters whose speech one has to follow all the time.", "My character might reasonably feel like this, but that's not how he would", "readers \"a character from a book\" rather than \"a human\", I've lost their", "literal? My goal is for the dialogue to feel natural (even though it", "sparingly, or they get annoying. (See also TV Tropes: [Realistic Diction is Unrealistic](https://tvtropes.org/pmwiki/pmwiki.php/Main/RealisticDictionIsUnrealistic)", "The question is particularly pertinent for main characters: side characters with little \"screen", "Here's a critique I've received more than once: \"your character talks like a", "is, if I have a modern teenager saying \"I will not forsake the", "really do is an acceptable break from reality: interjections, pauses when we look", "the story - definitely doesn't distract. The question is particularly pertinent for main", "the narrative, so they would only be used to that deliberate effect, and", "interjections, pauses when we look for the right word etc. break the flow", "[Realistic Diction is Unrealistic](https://tvtropes.org/pmwiki/pmwiki.php/Main/RealisticDictionIsUnrealistic) and discussion of the trope [here](http://gavthorpe.co.uk/2008/05/07/realism-is-fake/)) However, the flip", "readers' suspension of disbelief. My character might reasonably feel like this, but that's", "a way that's neither too bookish, nor too literal? My goal is for", "(even though it really isn't - see links above), so readers listen to", "also TV Tropes: [Realistic Diction is Unrealistic](https://tvtropes.org/pmwiki/pmwiki.php/Main/RealisticDictionIsUnrealistic) and discussion of the trope [here](http://gavthorpe.co.uk/2008/05/07/realism-is-fake/))", "would express his feelings. And the moment my character has become to my", "some extent, characters not talking like we really do is an acceptable break", "it's being said becomes transparent, or else enhances the story - definitely doesn't", "they grew up in a library.\" Now, to some extent, characters not talking", "character might reasonably feel like this, but that's not how he would express", "characters talk in a way that's neither too bookish, nor too literal? My", "annoying. (See also TV Tropes: [Realistic Diction is Unrealistic](https://tvtropes.org/pmwiki/pmwiki.php/Main/RealisticDictionIsUnrealistic) and discussion of the", "that's not how he would express his feelings. And the moment my character", "How do I keep to the golden mean between those two problems? What", "a critique I've received more than once: \"your character talks like a character", "critique I've received more than once: \"your character talks like a character from", "a library.\" Now, to some extent, characters not talking like we really do", "in a library.\" Now, to some extent, characters not talking like we really", "doesn't distract. The question is particularly pertinent for main characters: side characters with", "mean between those two problems? What techniques can I use to ensure my", "said becomes transparent, or else enhances the story - definitely doesn't distract. The", "I keep to the golden mean between those two problems? What techniques can", "he would express his feelings. And the moment my character has become to", "can I use to ensure my characters talk in a way that's neither", "a character from a book. He's too eloquent, nobody really talks like that,", "verbal tics that would become annoying in the characters whose speech one has", "golden mean between those two problems? What techniques can I use to ensure", "Diction is Unrealistic](https://tvtropes.org/pmwiki/pmwiki.php/Main/RealisticDictionIsUnrealistic) and discussion of the trope [here](http://gavthorpe.co.uk/2008/05/07/realism-is-fake/)) However, the flip side", "be used to that deliberate effect, and sparingly, or they get annoying. (See", "him. How do I keep to the golden mean between those two problems?", "to ensure my characters talk in a way that's neither too bookish, nor", "ensure my characters talk in a way that's neither too bookish, nor too", "readers listen to what is being said, while how it's being said becomes", "grew up in a library.\" Now, to some extent, characters not talking like", "received more than once: \"your character talks like a character from a book.", "deliberate effect, and sparingly, or they get annoying. (See also TV Tropes: [Realistic", "discussion of the trope [here](http://gavthorpe.co.uk/2008/05/07/realism-is-fake/)) However, the flip side of this coin is,", "I have a modern teenager saying \"I will not forsake the land of", "lost their sympathy for him. How do I keep to the golden mean", "teenager saying \"I will not forsake the land of my forefathers\", I'm breaking", "breaking the readers' suspension of disbelief. My character might reasonably feel like this,", "in a way that's neither too bookish, nor too literal? My goal is", "of my forefathers\", I'm breaking the readers' suspension of disbelief. My character might", "the land of my forefathers\", I'm breaking the readers' suspension of disbelief. My", "too bookish, nor too literal? My goal is for the dialogue to feel", "to the golden mean between those two problems? What techniques can I use", "the trope [here](http://gavthorpe.co.uk/2008/05/07/realism-is-fake/)) However, the flip side of this coin is, if I", "is for the dialogue to feel natural (even though it really isn't -", "etc. break the flow of the narrative, so they would only be used", "tics that would become annoying in the characters whose speech one has to", "character from a book. He's too eloquent, nobody really talks like that, unless", "that deliberate effect, and sparingly, or they get annoying. (See also TV Tropes:", "character from a book\" rather than \"a human\", I've lost their sympathy for", "little \"screen time\" can get away with verbal tics that would become annoying", "they get annoying. (See also TV Tropes: [Realistic Diction is Unrealistic](https://tvtropes.org/pmwiki/pmwiki.php/Main/RealisticDictionIsUnrealistic) and discussion", "library.\" Now, to some extent, characters not talking like we really do is", "with little \"screen time\" can get away with verbal tics that would become", "I'm breaking the readers' suspension of disbelief. My character might reasonably feel like", "flow of the narrative, so they would only be used to that deliberate", "once: \"your character talks like a character from a book. He's too eloquent,", "express his feelings. And the moment my character has become to my readers", "the dialogue to feel natural (even though it really isn't - see links", "unless they grew up in a library.\" Now, to some extent, characters not", "\"a character from a book\" rather than \"a human\", I've lost their sympathy", "keep to the golden mean between those two problems? What techniques can I", "not how he would express his feelings. And the moment my character has", "the readers' suspension of disbelief. My character might reasonably feel like this, but", "being said becomes transparent, or else enhances the story - definitely doesn't distract.", "listen to what is being said, while how it's being said becomes transparent,", "Tropes: [Realistic Diction is Unrealistic](https://tvtropes.org/pmwiki/pmwiki.php/Main/RealisticDictionIsUnrealistic) and discussion of the trope [here](http://gavthorpe.co.uk/2008/05/07/realism-is-fake/)) However, the", "talk in a way that's neither too bookish, nor too literal? My goal", "from reality: interjections, pauses when we look for the right word etc. break", "do I keep to the golden mean between those two problems? What techniques", "[here](http://gavthorpe.co.uk/2008/05/07/realism-is-fake/)) However, the flip side of this coin is, if I have a", "from a book\" rather than \"a human\", I've lost their sympathy for him.", "dialogue to feel natural (even though it really isn't - see links above),", "to feel natural (even though it really isn't - see links above), so", "two problems? What techniques can I use to ensure my characters talk in", "said, while how it's being said becomes transparent, or else enhances the story", "enhances the story - definitely doesn't distract. The question is particularly pertinent for", "we look for the right word etc. break the flow of the narrative,", "too literal? My goal is for the dialogue to feel natural (even though", "or else enhances the story - definitely doesn't distract. The question is particularly", "only be used to that deliberate effect, and sparingly, or they get annoying.", "an acceptable break from reality: interjections, pauses when we look for the right", "when we look for the right word etc. break the flow of the", "flip side of this coin is, if I have a modern teenager saying", "a book. He's too eloquent, nobody really talks like that, unless they grew", "my forefathers\", I'm breaking the readers' suspension of disbelief. My character might reasonably", "a book\" rather than \"a human\", I've lost their sympathy for him. How", "My goal is for the dialogue to feel natural (even though it really", "break from reality: interjections, pauses when we look for the right word etc.", "we really do is an acceptable break from reality: interjections, pauses when we", "to that deliberate effect, and sparingly, or they get annoying. (See also TV", "I've received more than once: \"your character talks like a character from a", "from a book. He's too eloquent, nobody really talks like that, unless they", "particularly pertinent for main characters: side characters with little \"screen time\" can get", "and discussion of the trope [here](http://gavthorpe.co.uk/2008/05/07/realism-is-fake/)) However, the flip side of this coin", "effect, and sparingly, or they get annoying. (See also TV Tropes: [Realistic Diction", "the right word etc. break the flow of the narrative, so they would", "character talks like a character from a book. He's too eloquent, nobody really", "a modern teenager saying \"I will not forsake the land of my forefathers\",", "used to that deliberate effect, and sparingly, or they get annoying. (See also", "above), so readers listen to what is being said, while how it's being", "talking like we really do is an acceptable break from reality: interjections, pauses", "really isn't - see links above), so readers listen to what is being", "transparent, or else enhances the story - definitely doesn't distract. The question is", "\"screen time\" can get away with verbal tics that would become annoying in", "else enhances the story - definitely doesn't distract. The question is particularly pertinent", "definitely doesn't distract. The question is particularly pertinent for main characters: side characters", "side of this coin is, if I have a modern teenager saying \"I", "characters with little \"screen time\" can get away with verbal tics that would", "if I have a modern teenager saying \"I will not forsake the land", "TV Tropes: [Realistic Diction is Unrealistic](https://tvtropes.org/pmwiki/pmwiki.php/Main/RealisticDictionIsUnrealistic) and discussion of the trope [here](http://gavthorpe.co.uk/2008/05/07/realism-is-fake/)) However,", "sympathy for him. How do I keep to the golden mean between those", "- see links above), so readers listen to what is being said, while", "pauses when we look for the right word etc. break the flow of", "look for the right word etc. break the flow of the narrative, so", "trope [here](http://gavthorpe.co.uk/2008/05/07/realism-is-fake/)) However, the flip side of this coin is, if I have", "and sparingly, or they get annoying. (See also TV Tropes: [Realistic Diction is", "their sympathy for him. How do I keep to the golden mean between", "rather than \"a human\", I've lost their sympathy for him. How do I", "links above), so readers listen to what is being said, while how it's", "characters: side characters with little \"screen time\" can get away with verbal tics", "coin is, if I have a modern teenager saying \"I will not forsake", "question is particularly pertinent for main characters: side characters with little \"screen time\"", "that would become annoying in the characters whose speech one has to follow", "get annoying. (See also TV Tropes: [Realistic Diction is Unrealistic](https://tvtropes.org/pmwiki/pmwiki.php/Main/RealisticDictionIsUnrealistic) and discussion of", "how it's being said becomes transparent, or else enhances the story - definitely", "it really isn't - see links above), so readers listen to what is", "is being said, while how it's being said becomes transparent, or else enhances", "have a modern teenager saying \"I will not forsake the land of my", "disbelief. My character might reasonably feel like this, but that's not how he", "but that's not how he would express his feelings. And the moment my", "to my readers \"a character from a book\" rather than \"a human\", I've", "for main characters: side characters with little \"screen time\" can get away with", "forsake the land of my forefathers\", I'm breaking the readers' suspension of disbelief.", "with verbal tics that would become annoying in the characters whose speech one", "is Unrealistic](https://tvtropes.org/pmwiki/pmwiki.php/Main/RealisticDictionIsUnrealistic) and discussion of the trope [here](http://gavthorpe.co.uk/2008/05/07/realism-is-fake/)) However, the flip side of", "side characters with little \"screen time\" can get away with verbal tics that", "this, but that's not how he would express his feelings. And the moment", "talks like that, unless they grew up in a library.\" Now, to some", "use to ensure my characters talk in a way that's neither too bookish,", "really talks like that, unless they grew up in a library.\" Now, to", "eloquent, nobody really talks like that, unless they grew up in a library.\"", "character has become to my readers \"a character from a book\" rather than", "the flip side of this coin is, if I have a modern teenager", "becomes transparent, or else enhances the story - definitely doesn't distract. The question", "nobody really talks like that, unless they grew up in a library.\" Now,", "like we really do is an acceptable break from reality: interjections, pauses when", "bookish, nor too literal? My goal is for the dialogue to feel natural", "right word etc. break the flow of the narrative, so they would only", "though it really isn't - see links above), so readers listen to what", "moment my character has become to my readers \"a character from a book\"", "for him. How do I keep to the golden mean between those two", "the golden mean between those two problems? What techniques can I use to", "become to my readers \"a character from a book\" rather than \"a human\",", "so they would only be used to that deliberate effect, and sparingly, or", "However, the flip side of this coin is, if I have a modern", "my characters talk in a way that's neither too bookish, nor too literal?", "\"I will not forsake the land of my forefathers\", I'm breaking the readers'", "saying \"I will not forsake the land of my forefathers\", I'm breaking the", "reasonably feel like this, but that's not how he would express his feelings.", "narrative, so they would only be used to that deliberate effect, and sparingly,", "distract. The question is particularly pertinent for main characters: side characters with little", "time\" can get away with verbal tics that would become annoying in the", "forefathers\", I'm breaking the readers' suspension of disbelief. My character might reasonably feel", "main characters: side characters with little \"screen time\" can get away with verbal", "become annoying in the characters whose speech one has to follow all the", "feel like this, but that's not how he would express his feelings. And", "more than once: \"your character talks like a character from a book. He's", "has become to my readers \"a character from a book\" rather than \"a", "Now, to some extent, characters not talking like we really do is an", "away with verbal tics that would become annoying in the characters whose speech", "would only be used to that deliberate effect, and sparingly, or they get", "\"a human\", I've lost their sympathy for him. How do I keep to", "neither too bookish, nor too literal? My goal is for the dialogue to", "natural (even though it really isn't - see links above), so readers listen", "I've lost their sympathy for him. How do I keep to the golden", "- definitely doesn't distract. The question is particularly pertinent for main characters: side", "get away with verbal tics that would become annoying in the characters whose", "word etc. break the flow of the narrative, so they would only be", "He's too eloquent, nobody really talks like that, unless they grew up in", "goal is for the dialogue to feel natural (even though it really isn't", "for the right word etc. break the flow of the narrative, so they", "to what is being said, while how it's being said becomes transparent, or", "or they get annoying. (See also TV Tropes: [Realistic Diction is Unrealistic](https://tvtropes.org/pmwiki/pmwiki.php/Main/RealisticDictionIsUnrealistic) and", "not talking like we really do is an acceptable break from reality: interjections,", "problems? What techniques can I use to ensure my characters talk in a", "for the dialogue to feel natural (even though it really isn't - see", "(See also TV Tropes: [Realistic Diction is Unrealistic](https://tvtropes.org/pmwiki/pmwiki.php/Main/RealisticDictionIsUnrealistic) and discussion of the trope", "reality: interjections, pauses when we look for the right word etc. break the", "extent, characters not talking like we really do is an acceptable break from", "this coin is, if I have a modern teenager saying \"I will not", "nor too literal? My goal is for the dialogue to feel natural (even", "like that, unless they grew up in a library.\" Now, to some extent,", "would become annoying in the characters whose speech one has to follow all", "up in a library.\" Now, to some extent, characters not talking like we", "my readers \"a character from a book\" rather than \"a human\", I've lost", "too eloquent, nobody really talks like that, unless they grew up in a", "techniques can I use to ensure my characters talk in a way that's", "like this, but that's not how he would express his feelings. And the", "book. He's too eloquent, nobody really talks like that, unless they grew up", "they would only be used to that deliberate effect, and sparingly, or they", "like a character from a book. He's too eloquent, nobody really talks like", "my character has become to my readers \"a character from a book\" rather", "I use to ensure my characters talk in a way that's neither too", "characters not talking like we really do is an acceptable break from reality:", "what is being said, while how it's being said becomes transparent, or else", "of the narrative, so they would only be used to that deliberate effect,", "story - definitely doesn't distract. The question is particularly pertinent for main characters:", "do is an acceptable break from reality: interjections, pauses when we look for", "land of my forefathers\", I'm breaking the readers' suspension of disbelief. My character", "of the trope [here](http://gavthorpe.co.uk/2008/05/07/realism-is-fake/)) However, the flip side of this coin is, if", "the moment my character has become to my readers \"a character from a", "between those two problems? What techniques can I use to ensure my characters", "feelings. And the moment my character has become to my readers \"a character", "that's neither too bookish, nor too literal? My goal is for the dialogue", "isn't - see links above), so readers listen to what is being said,", "see links above), so readers listen to what is being said, while how", "while how it's being said becomes transparent, or else enhances the story -", "What techniques can I use to ensure my characters talk in a way", "is particularly pertinent for main characters: side characters with little \"screen time\" can", "so readers listen to what is being said, while how it's being said", "than once: \"your character talks like a character from a book. He's too", "than \"a human\", I've lost their sympathy for him. How do I keep", "book\" rather than \"a human\", I've lost their sympathy for him. How do", "way that's neither too bookish, nor too literal? My goal is for the", "modern teenager saying \"I will not forsake the land of my forefathers\", I'm", "is an acceptable break from reality: interjections, pauses when we look for the", "those two problems? What techniques can I use to ensure my characters talk", "of this coin is, if I have a modern teenager saying \"I will", "his feelings. And the moment my character has become to my readers \"a", "being said, while how it's being said becomes transparent, or else enhances the", "how he would express his feelings. And the moment my character has become", "talks like a character from a book. He's too eloquent, nobody really talks", "to some extent, characters not talking like we really do is an acceptable", "the flow of the narrative, so they would only be used to that", "Unrealistic](https://tvtropes.org/pmwiki/pmwiki.php/Main/RealisticDictionIsUnrealistic) and discussion of the trope [here](http://gavthorpe.co.uk/2008/05/07/realism-is-fake/)) However, the flip side of this", "that, unless they grew up in a library.\" Now, to some extent, characters", "break the flow of the narrative, so they would only be used to", "might reasonably feel like this, but that's not how he would express his" ]
[ "what they're saying. Here are the options I've considered so far: 1. Normal", "the effect on the character. (Example: Raider was having none of it. The", "of it. The crumb was HERS, she insisted.) Sounds a little flat. 3.", "this is my strongest option, but also might make the sparrows sound telepathic.", "insisted.) Sounds a little flat. 3. Italics. (Example: This crumb is MINE.) I", "I need another way to show what they're saying. Here are the options", "Raider was having none of it. The crumb was HERS, she insisted.) Sounds", "is MINE.\") This feels like the weakest option - the sparrows aren't speaking", "replied in (language)\", but the sparrows don't have an official language, and it", "on the character. (Example: Raider was having none of it. The crumb was", "sparrows aren't speaking English. Normally I could add \"she replied in (language)\", but", "but also might make the sparrows sound telepathic. Are there any other options?", "challenge](https://writing.meta.stackexchange.com/questions/2027/) features a flock of sparrows. Since the actual \"dialogue\" between two sparrows", "none of it. The crumb was HERS, she insisted.) Sounds a little flat.", "I've considered so far: 1. Normal quotation marks. (Example: \"This crumb is MINE.\")", "actual \"dialogue\" between two sparrows would sound like a bunch of cheeping, I", "flock of sparrows. Since the actual \"dialogue\" between two sparrows would sound like", "one. 2. Showing the effect on the character. (Example: Raider was having none", "Here are the options I've considered so far: 1. Normal quotation marks. (Example:", "(Example: Raider was having none of it. The crumb was HERS, she insisted.)", "attempt at the current [writing challenge](https://writing.meta.stackexchange.com/questions/2027/) features a flock of sparrows. Since the", "of sparrows. Since the actual \"dialogue\" between two sparrows would sound like a", "(Example: \"This crumb is MINE.\") This feels like the weakest option - the", "could add \"she replied in (language)\", but the sparrows don't have an official", "don't have an official language, and it doesn't feel right to give them", "current [writing challenge](https://writing.meta.stackexchange.com/questions/2027/) features a flock of sparrows. Since the actual \"dialogue\" between", "This feels like the weakest option - the sparrows aren't speaking English. Normally", "it doesn't feel right to give them one. 2. Showing the effect on", "Sounds a little flat. 3. Italics. (Example: This crumb is MINE.) I think", "and it doesn't feel right to give them one. 2. Showing the effect", "of cheeping, I need another way to show what they're saying. Here are", "they're saying. Here are the options I've considered so far: 1. Normal quotation", "Since the actual \"dialogue\" between two sparrows would sound like a bunch of", "\"she replied in (language)\", but the sparrows don't have an official language, and", "crumb was HERS, she insisted.) Sounds a little flat. 3. Italics. (Example: This", "I think this is my strongest option, but also might make the sparrows", "saying. Here are the options I've considered so far: 1. Normal quotation marks.", "give them one. 2. Showing the effect on the character.* (Example: Raider was", "have an official language, and it doesn't feel right to give them one.", "way to show what they're saying. Here are the options I've considered so", "the options I've considered so far: 1. Normal quotation marks. (Example: \"This crumb", "bunch of cheeping, I need another way to show what they're saying. Here", "\"dialogue\" between two sparrows would sound like a bunch of cheeping, I need", "aren't speaking English. Normally I could add \"she replied in (language)\", but the", "but the sparrows don't have an official language, and it doesn't feel right", "MINE.) I think this is my strongest option, but also might make the", "speaking English. Normally I could add \"she replied in (language)\", but the sparrows", "effect on the character.* (Example: Raider was having none of it. The crumb", "a bunch of cheeping, I need another way to show what they're saying.", "is MINE.) I think this is my strongest option, but also might make", "she insisted.) Sounds a little flat. 3. Italics.* (Example: This crumb is MINE.)", "language, and it doesn't feel right to give them one. 2. Showing the", "Italics.** (Example: This crumb is MINE.) I think this is my strongest option,", "\"This crumb is MINE.\") This feels like the weakest option - the sparrows", "crumb is MINE.\") This feels like the weakest option - the sparrows aren't", "sparrows. Since the actual \"dialogue\" between two sparrows would sound like a bunch", "between two sparrows would sound like a bunch of cheeping, I need another", "feel right to give them one. 2. Showing the effect on the character.", "option, but also might make the sparrows sound telepathic. Are there any other", "My attempt at the current [writing challenge](https://writing.meta.stackexchange.com/questions/2027/) features a flock of sparrows. Since", "1. Normal quotation marks. (Example: \"This crumb is MINE.\") This feels like the", "doesn't feel right to give them one. 2. Showing the effect on the", "Showing the effect on the character. (Example: Raider was having none of it.", "another way to show what they're saying. Here are the options I've considered", "Normal quotation marks. (Example: \"This crumb is MINE.\") This feels like the weakest", "them one. 2. Showing the effect on the character. (Example: Raider was having", "(language)\", but the sparrows don't have an official language, and it doesn't feel", "- the sparrows aren't speaking English. Normally I could add \"she replied in", "feels like the weakest option - the sparrows aren't speaking English. Normally I", "like a bunch of cheeping, I need another way to show what they're", "to show what they're saying. Here are the options I've considered so far:", "[writing challenge](https://writing.meta.stackexchange.com/questions/2027/) features a flock of sparrows. Since the actual \"dialogue\" between two", "far: 1. Normal quotation marks. (Example: \"This crumb is MINE.\") This feels like", "the sparrows don't have an official language, and it doesn't feel right to", "need another way to show what they're saying. Here are the options I've", "so far: 1. Normal quotation marks. (Example: \"This crumb is MINE.\") This feels", "the current [writing challenge](https://writing.meta.stackexchange.com/questions/2027/) features a flock of sparrows. Since the actual \"dialogue\"", "I could add \"she replied in (language)\", but the sparrows don't have an", "my strongest option, but also might make the sparrows sound telepathic. Are there", "strongest option, but also might make the sparrows sound telepathic. Are there any", "the actual \"dialogue\" between two sparrows would sound like a bunch of cheeping,", "sound like a bunch of cheeping, I need another way to show what", "character. (Example: Raider was having none of it. The crumb was HERS, she", "HERS, she insisted.) Sounds a little flat. 3. Italics. (Example: This crumb is", "crumb is MINE.) I think this is my strongest option, but also might", "are the options I've considered so far: 1. Normal quotation marks. (Example: \"This", "two sparrows would sound like a bunch of cheeping, I need another way", "MINE.\") This feels like the weakest option - the sparrows aren't speaking English.", "quotation marks. (Example: \"This crumb is MINE.\") This feels like the weakest option", "marks. (Example: \"This crumb is MINE.\") This feels like the weakest option -", "was HERS, she insisted.) Sounds a little flat. 3. Italics. (Example: This crumb", "a flock of sparrows. Since the actual \"dialogue\" between two sparrows would sound", "features a flock of sparrows. Since the actual \"dialogue\" between two sparrows would", "considered so far: 1. Normal quotation marks.* (Example: \"This crumb is MINE.\") This", "This crumb is MINE.) I think this is my strongest option, but also", "sparrows would sound like a bunch of cheeping, I need another way to", "little flat. 3. Italics. (Example: This crumb is MINE.) I think this is", "having none of it. The crumb was HERS, she insisted.) Sounds a little", "it. The crumb was HERS, she insisted.) Sounds a little flat. 3. Italics.", "think this is my strongest option, but also might make the sparrows sound", "Normally I could add \"she replied in (language)\", but the sparrows don't have", "flat. 3. Italics. (Example: This crumb is MINE.) I think this is my", "weakest option - the sparrows aren't speaking English. Normally I could add \"she", "(Example: This crumb is MINE.) I think this is my strongest option, but", "the character. (Example: Raider was having none of it. The crumb was HERS,", "cheeping, I need another way to show what they're saying. Here are the", "show what they're saying. Here are the options I've considered so far: 1.", "would sound like a bunch of cheeping, I need another way to show", "the weakest option - the sparrows aren't speaking English. Normally I could add", "2. Showing the effect on the character. (Example: Raider was having none of", "official language, and it doesn't feel right to give them one. 2. Showing", "3. Italics. (Example: This crumb is MINE.) I think this is my strongest", "The crumb was HERS, she insisted.) Sounds a little flat. 3. Italics. (Example:", "sparrows don't have an official language, and it doesn't feel right to give", "at the current [writing challenge](https://writing.meta.stackexchange.com/questions/2027/) features a flock of sparrows. Since the actual", "English. Normally I could add \"she replied in (language)\", but the sparrows don't", "options I've considered so far: 1. Normal quotation marks. (Example: \"This crumb is", "right to give them one. 2. Showing the effect on the character. (Example:", "option - the sparrows aren't speaking English. Normally I could add \"she replied", "like the weakest option - the sparrows aren't speaking English. Normally I could", "to give them one. 2. Showing the effect on the character. (Example: Raider", "add \"she replied in (language)\", but the sparrows don't have an official language,", "an official language, and it doesn't feel right to give them one. 2.", "the sparrows aren't speaking English. Normally I could add \"she replied in (language)\",", "was having none of it. The crumb was HERS, she insisted.) Sounds a", "is my strongest option, but also might make the sparrows sound telepathic. Are", "a little flat. 3. Italics. (Example: This crumb is MINE.) I think this", "in (language)\", but the sparrows don't have an official language, and it doesn't" ]
[ "life; the kind of impression you can have glancing at [Tsutomu Nihei's](https://en.wikipedia.org/wiki/Tsutomu_Nihei) landscapes", "manga such as [Blame!](https://en.wikipedia.org/wiki/Blame!) or [Biomega](https://en.wikipedia.org/wiki/Biomega_(manga)). Being inspired by his works, and other", "world ...) that I could employ to make the difference even more clear", "other masters of the cyberpunk genre, I started to work on my novel.", "I started to work on my novel. While I did manage to give", "to represent when I started is the sense of a vast, empty, artificial", "can have glancing at [Tsutomu Nihei's](https://en.wikipedia.org/wiki/Tsutomu_Nihei) landscapes in manga such as [Blame!](https://en.wikipedia.org/wiki/Blame!) or", "I did manage to give out that feeling (according to some beta readers)", "an hard and uncaring world? ------------------------------------------- How do you picture a stark contrast", "sense of a vast, empty, artificial world, mostly cold and uncaring of human", "Being inspired by his works, and other masters of the cyberpunk genre, I", "How do you show an hard and uncaring world? ------------------------------------------- How do you", "struggle and an uncaring, hostile environment? I'm mainly interested in stylistic devices (e.g.", "when I started is the sense of a vast, empty, artificial world, mostly", "out that feeling (according to some beta readers) I wonder if something could", "hard and uncaring world? ------------------------------------------- How do you picture a stark contrast between", "mainly interested in stylistic devices (e.g. the use of certain images, similes, pairing", "to work on my novel. While I did manage to give out that", "environment? I'm mainly interested in stylistic devices (e.g. the use of certain images,", "use of certain images, similes, pairing up the character's internal emotion with a", "readers) I wonder if something could be done better, hence the question. How", "to give out that feeling (according to some beta readers) I wonder if", "[Tsutomu Nihei's](https://en.wikipedia.org/wiki/Tsutomu_Nihei) landscapes in manga such as [Blame!](https://en.wikipedia.org/wiki/Blame!) or [Biomega](https://en.wikipedia.org/wiki/Biomega_(manga)). Being inspired by", "characters' struggle and an uncaring, hostile environment? I'm mainly interested in stylistic devices", "(according to some beta readers) I wonder if something could be done better,", "the question. How do you show an hard and uncaring world? ------------------------------------------- How", "devices (e.g. the use of certain images, similes, pairing up the character's internal", "mostly cold and uncaring of human life; the kind of impression you can", "impression you can have glancing at [Tsutomu Nihei's](https://en.wikipedia.org/wiki/Tsutomu_Nihei) landscapes in manga such as", "in stylistic devices (e.g. the use of certain images, similes, pairing up the", "As I've already mentioned, I'm working on a sci-fi novel. One of the", "in manga such as [Blame!](https://en.wikipedia.org/wiki/Blame!) or [Biomega](https://en.wikipedia.org/wiki/Biomega_(manga)). Being inspired by his works, and", "manage to give out that feeling (according to some beta readers) I wonder", "better, hence the question. How do you show an hard and uncaring world?", "------------------------------------------- How do you picture a stark contrast between the characters' struggle and", "started to work on my novel. While I did manage to give out", "give out that feeling (according to some beta readers) I wonder if something", "work on my novel. While I did manage to give out that feeling", "up the character's internal emotion with a description of the outside world ...)", "a description of the outside world ...) that I could employ to make", "world, mostly cold and uncaring of human life; the kind of impression you", "uncaring of human life; the kind of impression you can have glancing at", "a vast, empty, artificial world, mostly cold and uncaring of human life; the", "the sense of a vast, empty, artificial world, mostly cold and uncaring of", "I'm mainly interested in stylistic devices (e.g. the use of certain images, similes,", "(e.g. the use of certain images, similes, pairing up the character's internal emotion", "certain images, similes, pairing up the character's internal emotion with a description of", "One of the main feelings that I wanted to represent when I started", "by his works, and other masters of the cyberpunk genre, I started to", "between the characters' struggle and an uncaring, hostile environment? I'm mainly interested in", "and an uncaring, hostile environment? I'm mainly interested in stylistic devices (e.g. the", "at [Tsutomu Nihei's](https://en.wikipedia.org/wiki/Tsutomu_Nihei) landscapes in manga such as [Blame!](https://en.wikipedia.org/wiki/Blame!) or [Biomega](https://en.wikipedia.org/wiki/Biomega_(manga)). Being inspired", "novel. One of the main feelings that I wanted to represent when I", "the characters' struggle and an uncaring, hostile environment? I'm mainly interested in stylistic", "cold and uncaring of human life; the kind of impression you can have", "Nihei's](https://en.wikipedia.org/wiki/Tsutomu_Nihei) landscapes in manga such as [Blame!](https://en.wikipedia.org/wiki/Blame!) or [Biomega](https://en.wikipedia.org/wiki/Biomega_(manga)). Being inspired by his", "artificial world, mostly cold and uncaring of human life; the kind of impression", "stark contrast between the characters' struggle and an uncaring, hostile environment? I'm mainly", "masters of the cyberpunk genre, I started to work on my novel. While", "the use of certain images, similes, pairing up the character's internal emotion with", "outside world ...) that I could employ to make the difference even more", "landscapes in manga such as [Blame!](https://en.wikipedia.org/wiki/Blame!) or [Biomega](https://en.wikipedia.org/wiki/Biomega_(manga)). Being inspired by his works,", "inspired by his works, and other masters of the cyberpunk genre, I started", "vast, empty, artificial world, mostly cold and uncaring of human life; the kind", "already mentioned, I'm working on a sci-fi novel. One of the main feelings", "you show an hard and uncaring world? ------------------------------------------- How do you picture a", "be done better, hence the question. How do you show an hard and", "I started is the sense of a vast, empty, artificial world, mostly cold", "is the sense of a vast, empty, artificial world, mostly cold and uncaring", "empty, artificial world, mostly cold and uncaring of human life; the kind of", "some beta readers) I wonder if something could be done better, hence the", "or [Biomega](https://en.wikipedia.org/wiki/Biomega_(manga)). Being inspired by his works, and other masters of the cyberpunk", "such as [Blame!](https://en.wikipedia.org/wiki/Blame!) or [Biomega](https://en.wikipedia.org/wiki/Biomega_(manga)). Being inspired by his works, and other masters", "I've already mentioned, I'm working on a sci-fi novel. One of the main", "wonder if something could be done better, hence the question. How do you", "glancing at [Tsutomu Nihei's](https://en.wikipedia.org/wiki/Tsutomu_Nihei) landscapes in manga such as [Blame!](https://en.wikipedia.org/wiki/Blame!) or [Biomega](https://en.wikipedia.org/wiki/Biomega_(manga)). Being", "I'm working on a sci-fi novel. One of the main feelings that I", "you picture a stark contrast between the characters' struggle and an uncaring, hostile", "show an hard and uncaring world? ------------------------------------------- How do you picture a stark", "of a vast, empty, artificial world, mostly cold and uncaring of human life;", "the outside world ...) that I could employ to make the difference even", "How do you picture a stark contrast between the characters' struggle and an", "and uncaring of human life; the kind of impression you can have glancing", "description of the outside world ...) that I could employ to make the", "as [Blame!](https://en.wikipedia.org/wiki/Blame!) or [Biomega](https://en.wikipedia.org/wiki/Biomega_(manga)). Being inspired by his works, and other masters of", "and uncaring world? ------------------------------------------- How do you picture a stark contrast between the", "While I did manage to give out that feeling (according to some beta", "uncaring, hostile environment? I'm mainly interested in stylistic devices (e.g. the use of", "to some beta readers) I wonder if something could be done better, hence", "working on a sci-fi novel. One of the main feelings that I wanted", "of certain images, similes, pairing up the character's internal emotion with a description", "[Biomega](https://en.wikipedia.org/wiki/Biomega_(manga)). Being inspired by his works, and other masters of the cyberpunk genre,", "kind of impression you can have glancing at [Tsutomu Nihei's](https://en.wikipedia.org/wiki/Tsutomu_Nihei) landscapes in manga", "world? ------------------------------------------- How do you picture a stark contrast between the characters' struggle", "cyberpunk genre, I started to work on my novel. While I did manage", "main feelings that I wanted to represent when I started is the sense", "an uncaring, hostile environment? I'm mainly interested in stylistic devices (e.g. the use", "internal emotion with a description of the outside world ...) that I could", "picture a stark contrast between the characters' struggle and an uncaring, hostile environment?", "started is the sense of a vast, empty, artificial world, mostly cold and", "I wanted to represent when I started is the sense of a vast,", "have glancing at [Tsutomu Nihei's](https://en.wikipedia.org/wiki/Tsutomu_Nihei) landscapes in manga such as [Blame!](https://en.wikipedia.org/wiki/Blame!) or [Biomega](https://en.wikipedia.org/wiki/Biomega_(manga)).", "works, and other masters of the cyberpunk genre, I started to work on", "with a description of the outside world ...) that I could employ to", "of impression you can have glancing at [Tsutomu Nihei's](https://en.wikipedia.org/wiki/Tsutomu_Nihei) landscapes in manga such", "contrast between the characters' struggle and an uncaring, hostile environment? I'm mainly interested", "done better, hence the question. How do you show an hard and uncaring", "genre, I started to work on my novel. While I did manage to", "I wonder if something could be done better, hence the question. How do", "interested in stylistic devices (e.g. the use of certain images, similes, pairing up", "of the cyberpunk genre, I started to work on my novel. While I", "beta readers) I wonder if something could be done better, hence the question.", "of the main feelings that I wanted to represent when I started is", "on a sci-fi novel. One of the main feelings that I wanted to", "the character's internal emotion with a description of the outside world ...) that", "similes, pairing up the character's internal emotion with a description of the outside", "could be done better, hence the question. How do you show an hard", "images, similes, pairing up the character's internal emotion with a description of the", "question. How do you show an hard and uncaring world? ------------------------------------------- How do", "the main feelings that I wanted to represent when I started is the", "stylistic devices (e.g. the use of certain images, similes, pairing up the character's", "do you picture a stark contrast between the characters' struggle and an uncaring,", "his works, and other masters of the cyberpunk genre, I started to work", "pairing up the character's internal emotion with a description of the outside world", "human life; the kind of impression you can have glancing at [Tsutomu Nihei's](https://en.wikipedia.org/wiki/Tsutomu_Nihei)", "something could be done better, hence the question. How do you show an", "emotion with a description of the outside world ...) that I could employ", "the kind of impression you can have glancing at [Tsutomu Nihei's](https://en.wikipedia.org/wiki/Tsutomu_Nihei) landscapes in", "if something could be done better, hence the question. How do you show", "do you show an hard and uncaring world? ------------------------------------------- How do you picture", "[Blame!](https://en.wikipedia.org/wiki/Blame!) or [Biomega](https://en.wikipedia.org/wiki/Biomega_(manga)). Being inspired by his works, and other masters of the", "a sci-fi novel. One of the main feelings that I wanted to represent", "novel. While I did manage to give out that feeling (according to some", "and other masters of the cyberpunk genre, I started to work on my", "feeling (according to some beta readers) I wonder if something could be done", "wanted to represent when I started is the sense of a vast, empty,", "hence the question. How do you show an hard and uncaring world? -------------------------------------------", "feelings that I wanted to represent when I started is the sense of", "you can have glancing at [Tsutomu Nihei's](https://en.wikipedia.org/wiki/Tsutomu_Nihei) landscapes in manga such as [Blame!](https://en.wikipedia.org/wiki/Blame!)", "that feeling (according to some beta readers) I wonder if something could be", "my novel. While I did manage to give out that feeling (according to", "of human life; the kind of impression you can have glancing at [Tsutomu", "sci-fi novel. One of the main feelings that I wanted to represent when", "of the outside world ...) that I could employ to make the difference", "represent when I started is the sense of a vast, empty, artificial world,", "did manage to give out that feeling (according to some beta readers) I", "uncaring world? ------------------------------------------- How do you picture a stark contrast between the characters'", "hostile environment? I'm mainly interested in stylistic devices (e.g. the use of certain", "a stark contrast between the characters' struggle and an uncaring, hostile environment? I'm", "that I wanted to represent when I started is the sense of a", "character's internal emotion with a description of the outside world ...) that I", "...) that I could employ to make the difference even more clear cut.", "the cyberpunk genre, I started to work on my novel. While I did", "on my novel. While I did manage to give out that feeling (according", "mentioned, I'm working on a sci-fi novel. One of the main feelings that" ]
[ "explaining to do.\" (hyphen, sentence restart) 5. \"If—No, when Zotn arrives, he'll have", "arrives, he'll have some explaining to do.\" (comma, no sentence restart) 2. \"If-no,", "Do you use a comma, an em dash, or what? In addition, if", "em dash, or what? In addition, if it's at the beginning of a", "you for your help. This is not the same question as the one", "have some explaining to do.\" (hyphen, sentence restart) 5. \"If—No, when Zotn arrives,", "this example, which is correct? 1. \"If, no, when Zotn arrives, he'll have", "sentence, does it count as restarting the sentence (and thus necessitating capitalizing the", "Thank you for your help. This is not the same question as the", "restart) 2. \"If-no, when Zotn arrives, he'll have some explaining to do.\" (hyphen,", "question as the one this is marked as a possible duplicate of, as", "sentence restart) 5. \"If—No, when Zotn arrives, he'll have some explaining to do.\"", "necessitating capitalizing the next word)? In this example, which is correct? 1. \"If,", "have some explaining to do.\" (em dash, sentence restart) Thank you for your", "do.\" (em dash, no sentence restart) 4. \"If-No, when Zotn arrives, he'll have", "Zotn arrives, he'll have some explaining to do.\" (hyphen, sentence restart) 5. \"If—No,", "no sentence restart) 3. \"If—no, when Zotn arrives, he'll have some explaining to", "he'll have some explaining to do.\" (hyphen, sentence restart) 5. \"If—No, when Zotn", "a different word. Do you use a comma, an em dash, or what?", "arrives, he'll have some explaining to do.\" (em dash, no sentence restart) 4.", "the beginning of a sentence, does it count as restarting the sentence (and", "to do.\" (hyphen, no sentence restart) 3. \"If—no, when Zotn arrives, he'll have", "restart) 5. \"If—No, when Zotn arrives, he'll have some explaining to do.\" (em", "arrives, he'll have some explaining to do.\" (hyphen, sentence restart) 5. \"If—No, when", "to do.\" (em dash, sentence restart) Thank you for your help. This is", "refers to immediate negation of a previous word, and does not necessarily involve", "to do.\" (hyphen, sentence restart) 5. \"If—No, when Zotn arrives, he'll have some", "when Zotn arrives, he'll have some explaining to do.\" (em dash, no sentence", "the same question as the one this is marked as a possible duplicate", "some explaining to do.\" (hyphen, sentence restart) 5. \"If—No, when Zotn arrives, he'll", "(em dash, sentence restart) Thank you for your help. This is not the", "have some explaining to do.\" (em dash, no sentence restart) 4. \"If-No, when", "to a different word. Do you use a comma, an em dash, or", "This is not the same question as the one this is marked as", "say that someone says a word, but then immediately \"corrects\" it to a", "have some explaining to do.\" (hyphen, no sentence restart) 3. \"If—no, when Zotn", "negation of a previous word, and does not necessarily involve starting the sentence", "of, as it refers to immediate negation of a previous word, and does", "a word, but then immediately \"corrects\" it to a different word. Do you", "explaining to do.\" (em dash, sentence restart) Thank you for your help. This", "when Zotn arrives, he'll have some explaining to do.\" (comma, no sentence restart)", "the one this is marked as a possible duplicate of, as it refers", "arrives, he'll have some explaining to do.\" (hyphen, no sentence restart) 3. \"If—no,", "no, when Zotn arrives, he'll have some explaining to do.\" (comma, no sentence", "1. \"If, no, when Zotn arrives, he'll have some explaining to do.\" (comma,", "to do.\" (em dash, no sentence restart) 4. \"If-No, when Zotn arrives, he'll", "one this is marked as a possible duplicate of, as it refers to", "sentence restart) 2. \"If-no, when Zotn arrives, he'll have some explaining to do.\"", "is marked as a possible duplicate of, as it refers to immediate negation", "capitalizing the next word)? In this example, which is correct? 1. \"If, no,", "some explaining to do.\" (em dash, no sentence restart) 4. \"If-No, when Zotn", "have some explaining to do.\" (comma, no sentence restart) 2. \"If-no, when Zotn", "4. \"If-No, when Zotn arrives, he'll have some explaining to do.\" (hyphen, sentence", "sentence restart) 4. \"If-No, when Zotn arrives, he'll have some explaining to do.\"", "an em dash, or what? In addition, if it's at the beginning of", "(and thus necessitating capitalizing the next word)? In this example, which is correct?", "beginning of a sentence, does it count as restarting the sentence (and thus", "it count as restarting the sentence (and thus necessitating capitalizing the next word)?", "explaining to do.\" (hyphen, no sentence restart) 3. \"If—no, when Zotn arrives, he'll", "if it's at the beginning of a sentence, does it count as restarting", "as a possible duplicate of, as it refers to immediate negation of a", "says a word, but then immediately \"corrects\" it to a different word. Do", "addition, if it's at the beginning of a sentence, does it count as", "\"If-no, when Zotn arrives, he'll have some explaining to do.\" (hyphen, no sentence", "arrives, he'll have some explaining to do.\" (em dash, sentence restart) Thank you", "a possible duplicate of, as it refers to immediate negation of a previous", "explaining to do.\" (em dash, no sentence restart) 4. \"If-No, when Zotn arrives,", "as the one this is marked as a possible duplicate of, as it", "what? In addition, if it's at the beginning of a sentence, does it", "the next word)? In this example, which is correct? 1. \"If, no, when", "use a comma, an em dash, or what? In addition, if it's at", "a sentence, does it count as restarting the sentence (and thus necessitating capitalizing", "he'll have some explaining to do.\" (comma, no sentence restart) 2. \"If-no, when", "no sentence restart) 4. \"If-No, when Zotn arrives, he'll have some explaining to", "Zotn arrives, he'll have some explaining to do.\" (em dash, no sentence restart)", "word)? In this example, which is correct? 1. \"If, no, when Zotn arrives,", "dash, no sentence restart) 4. \"If-No, when Zotn arrives, he'll have some explaining", "restart) 4. \"If-No, when Zotn arrives, he'll have some explaining to do.\" (hyphen,", "explaining to do.\" (comma, no sentence restart) 2. \"If-no, when Zotn arrives, he'll", "marked as a possible duplicate of, as it refers to immediate negation of", "\"If, no, when Zotn arrives, he'll have some explaining to do.\" (comma, no", "(hyphen, no sentence restart) 3. \"If—no, when Zotn arrives, he'll have some explaining", "count as restarting the sentence (and thus necessitating capitalizing the next word)? In", "possible duplicate of, as it refers to immediate negation of a previous word,", "Zotn arrives, he'll have some explaining to do.\" (em dash, sentence restart) Thank", "For example, let's say that someone says a word, but then immediately \"corrects\"", "of a sentence, does it count as restarting the sentence (and thus necessitating", "no sentence restart) 2. \"If-no, when Zotn arrives, he'll have some explaining to", "then immediately \"corrects\" it to a different word. Do you use a comma,", "example, let's say that someone says a word, but then immediately \"corrects\" it", "this is marked as a possible duplicate of, as it refers to immediate", "thus necessitating capitalizing the next word)? In this example, which is correct? 1.", "next word)? In this example, which is correct? 1. \"If, no, when Zotn", "(comma, no sentence restart) 2. \"If-no, when Zotn arrives, he'll have some explaining", "do.\" (hyphen, sentence restart) 5. \"If—No, when Zotn arrives, he'll have some explaining", "but then immediately \"corrects\" it to a different word. Do you use a", "Zotn arrives, he'll have some explaining to do.\" (comma, no sentence restart) 2.", "or what? In addition, if it's at the beginning of a sentence, does", "that someone says a word, but then immediately \"corrects\" it to a different", "you use a comma, an em dash, or what? In addition, if it's", "when Zotn arrives, he'll have some explaining to do.\" (hyphen, sentence restart) 5.", "let's say that someone says a word, but then immediately \"corrects\" it to", "your help. This is not the same question as the one this is", "when Zotn arrives, he'll have some explaining to do.\" (hyphen, no sentence restart)", "correct? 1. \"If, no, when Zotn arrives, he'll have some explaining to do.\"", "at the beginning of a sentence, does it count as restarting the sentence", "\"If—No, when Zotn arrives, he'll have some explaining to do.\" (em dash, sentence", "is correct? 1. \"If, no, when Zotn arrives, he'll have some explaining to", "as restarting the sentence (and thus necessitating capitalizing the next word)? In this", "In addition, if it's at the beginning of a sentence, does it count", "not the same question as the one this is marked as a possible", "different word. Do you use a comma, an em dash, or what? In", "he'll have some explaining to do.\" (hyphen, no sentence restart) 3. \"If—no, when", "dash, sentence restart) Thank you for your help. This is not the same", "do.\" (em dash, sentence restart) Thank you for your help. This is not", "do.\" (comma, no sentence restart) 2. \"If-no, when Zotn arrives, he'll have some", "as it refers to immediate negation of a previous word, and does not", "word. Do you use a comma, an em dash, or what? In addition,", "sentence (and thus necessitating capitalizing the next word)? In this example, which is", "\"corrects\" it to a different word. Do you use a comma, an em", "some explaining to do.\" (comma, no sentence restart) 2. \"If-no, when Zotn arrives,", "for your help. This is not the same question as the one this", "same question as the one this is marked as a possible duplicate of,", "he'll have some explaining to do.\" (em dash, no sentence restart) 4. \"If-No,", "it's at the beginning of a sentence, does it count as restarting the", "\"If-No, when Zotn arrives, he'll have some explaining to do.\" (hyphen, sentence restart)", "immediately \"corrects\" it to a different word. Do you use a comma, an", "of a previous word, and does not necessarily involve starting the sentence over.", "\"If—no, when Zotn arrives, he'll have some explaining to do.\" (em dash, no", "to do.\" (comma, no sentence restart) 2. \"If-no, when Zotn arrives, he'll have", "is not the same question as the one this is marked as a", "which is correct? 1. \"If, no, when Zotn arrives, he'll have some explaining", "Zotn arrives, he'll have some explaining to do.\" (hyphen, no sentence restart) 3.", "(hyphen, sentence restart) 5. \"If—No, when Zotn arrives, he'll have some explaining to", "some explaining to do.\" (em dash, sentence restart) Thank you for your help.", "sentence restart) Thank you for your help. This is not the same question", "someone says a word, but then immediately \"corrects\" it to a different word.", "a comma, an em dash, or what? In addition, if it's at the", "help. This is not the same question as the one this is marked", "2. \"If-no, when Zotn arrives, he'll have some explaining to do.\" (hyphen, no", "to immediate negation of a previous word, and does not necessarily involve starting", "it refers to immediate negation of a previous word, and does not necessarily", "restarting the sentence (and thus necessitating capitalizing the next word)? In this example,", "some explaining to do.\" (hyphen, no sentence restart) 3. \"If—no, when Zotn arrives,", "In this example, which is correct? 1. \"If, no, when Zotn arrives, he'll", "restart) Thank you for your help. This is not the same question as", "duplicate of, as it refers to immediate negation of a previous word, and", "sentence restart) 3. \"If—no, when Zotn arrives, he'll have some explaining to do.\"", "5. \"If—No, when Zotn arrives, he'll have some explaining to do.\" (em dash,", "(em dash, no sentence restart) 4. \"If-No, when Zotn arrives, he'll have some", "dash, or what? In addition, if it's at the beginning of a sentence,", "immediate negation of a previous word, and does not necessarily involve starting the", "3. \"If—no, when Zotn arrives, he'll have some explaining to do.\" (em dash,", "restart) 3. \"If—no, when Zotn arrives, he'll have some explaining to do.\" (em", "does it count as restarting the sentence (and thus necessitating capitalizing the next", "it to a different word. Do you use a comma, an em dash,", "comma, an em dash, or what? In addition, if it's at the beginning", "word, but then immediately \"corrects\" it to a different word. Do you use", "the sentence (and thus necessitating capitalizing the next word)? In this example, which", "example, which is correct? 1. \"If, no, when Zotn arrives, he'll have some", "when Zotn arrives, he'll have some explaining to do.\" (em dash, sentence restart)", "he'll have some explaining to do.\" (em dash, sentence restart) Thank you for", "do.\" (hyphen, no sentence restart) 3. \"If—no, when Zotn arrives, he'll have some" ]
[ "pm. Sunday, in Los Angeles, CA, USA. > > > but I don't", "popular ones. For example: > > Nine pm. Sunday, in Los Angeles, CA,", "beginning a chapter with the time and location of the events? I was", "usual, and took a cab to meet his friend who was sitting >", "I don't think it looks good, so I was wondering what were the", "Angeles, CA, USA. Skepe got out of the office > earlier than usual,", "was sitting > on a park bench by his lonesome. > > >", "his friend who was sitting > on a park bench by his lonesome.", "got out of the office > earlier than usual, and took a cab", "think it looks good, so I was wondering what were the alternatives and", "to meet his friend who was sitting > on a park bench by", "don't think it looks good, so I was wondering what were the alternatives", "CA, USA. Skepe got out of the office > earlier than usual, and", "of the events? I was thinking to use: > > Nine pm. Sunday,", "good, so I was wondering what were the alternatives and which ones were", "use when beginning a chapter with the time and location of the events?", "Skepe got out of the office > earlier than usual, and took a", "> > but I don't think it looks good, so I was wondering", "the time and location of the events? I was thinking to use: >", "For example: > > Nine pm. Sunday, in Los Angeles, CA, USA. Skepe", "wondering what were the alternatives and which ones were the most popular ones.", "the alternatives and which ones were the most popular ones. For example: >", "time and location of the events? I was thinking to use: > >", "chapter with the time and location of the events? I was thinking to", "I was wondering what were the alternatives and which ones were the most", "when beginning a chapter with the time and location of the events? I", "what were the alternatives and which ones were the most popular ones. For", "of the office > earlier than usual, and took a cab to meet", "I use when beginning a chapter with the time and location of the", "office > earlier than usual, and took a cab to meet his friend", "events? I was thinking to use: > > Nine pm. Sunday, in Los", "to use: > > Nine pm. Sunday, in Los Angeles, CA, USA. >", "a cab to meet his friend who was sitting > on a park", "example: > > Nine pm. Sunday, in Los Angeles, CA, USA. Skepe got", "with the time and location of the events? I was thinking to use:", "ones were the most popular ones. For example: > > Nine pm. Sunday,", "was thinking to use: > > Nine pm. Sunday, in Los Angeles, CA,", "I was thinking to use: > > Nine pm. Sunday, in Los Angeles,", "> Nine pm. Sunday, in Los Angeles, CA, USA. > > > but", "> earlier than usual, and took a cab to meet his friend who", "who was sitting > on a park bench by his lonesome. > >", "format should I use when beginning a chapter with the time and location", "> > Nine pm. Sunday, in Los Angeles, CA, USA. > > >", "> > Nine pm. Sunday, in Los Angeles, CA, USA. Skepe got out", "> Nine pm. Sunday, in Los Angeles, CA, USA. Skepe got out of", "but I don't think it looks good, so I was wondering what were", "it looks good, so I was wondering what were the alternatives and which", "CA, USA. > > > but I don't think it looks good, so", "Sunday, in Los Angeles, CA, USA. > > > but I don't think", "and which ones were the most popular ones. For example: > > Nine", "Sunday, in Los Angeles, CA, USA. Skepe got out of the office >", "was wondering what were the alternatives and which ones were the most popular", "were the alternatives and which ones were the most popular ones. For example:", "USA. > > > but I don't think it looks good, so I", "in Los Angeles, CA, USA. > > > but I don't think it", "ones. For example: > > Nine pm. Sunday, in Los Angeles, CA, USA.", "cab to meet his friend who was sitting > on a park bench", "meet his friend who was sitting > on a park bench by his", "location of the events? I was thinking to use: > > Nine pm.", "USA. Skepe got out of the office > earlier than usual, and took", "so I was wondering what were the alternatives and which ones were the", "should I use when beginning a chapter with the time and location of", "than usual, and took a cab to meet his friend who was sitting", "use: > > Nine pm. Sunday, in Los Angeles, CA, USA. > >", "out of the office > earlier than usual, and took a cab to", "pm. Sunday, in Los Angeles, CA, USA. Skepe got out of the office", "Angeles, CA, USA. > > > but I don't think it looks good,", "most popular ones. For example: > > Nine pm. Sunday, in Los Angeles,", "> > > but I don't think it looks good, so I was", "and location of the events? I was thinking to use: > > Nine", "and took a cab to meet his friend who was sitting > on", "Los Angeles, CA, USA. Skepe got out of the office > earlier than", "Nine pm. Sunday, in Los Angeles, CA, USA. > > > but I", "a chapter with the time and location of the events? I was thinking", "earlier than usual, and took a cab to meet his friend who was", "took a cab to meet his friend who was sitting > on a", "alternatives and which ones were the most popular ones. For example: > >", "were the most popular ones. For example: > > Nine pm. Sunday, in", "friend who was sitting > on a park bench by his lonesome. >", "Nine pm. Sunday, in Los Angeles, CA, USA. Skepe got out of the", "thinking to use: > > Nine pm. Sunday, in Los Angeles, CA, USA.", "in Los Angeles, CA, USA. Skepe got out of the office > earlier", "looks good, so I was wondering what were the alternatives and which ones", "the events? I was thinking to use: > > Nine pm. Sunday, in", "> but I don't think it looks good, so I was wondering what", "What format should I use when beginning a chapter with the time and", "the most popular ones. For example: > > Nine pm. Sunday, in Los", "the office > earlier than usual, and took a cab to meet his", "which ones were the most popular ones. For example: > > Nine pm.", "Los Angeles, CA, USA. > > > but I don't think it looks" ]
[ "kind of questions can I ask them, to help me understand what's wrong", "They are people whose opinion I trust, and who are genuinely trying to", "put my finger on what\". How can I help my beta readers figure", "my finger on what\". How can I help my beta readers figure out", "the problem: sometimes the critique I get is: \"I understand the character's motivations,", "trust, and who are genuinely trying to be helpful. (And I haven't found", "off, can't really put my finger on what\". How can I help my", "don't know why.\" Or, \"something's off, can't really put my finger on what\".", "what\". How can I help my beta readers figure out what it is", "opinion I trust, and who are genuinely trying to be helpful. (And I", "(And I haven't found a writing group.) Here's the problem: sometimes the critique", "genuinely trying to be helpful. (And I haven't found a writing group.) Here's", "trying to be helpful. (And I haven't found a writing group.) Here's the", "found a writing group.) Here's the problem: sometimes the critique I get is:", "figure out what it is that doesn't work for them? What kind of", "group.) Here's the problem: sometimes the critique I get is: \"I understand the", "why.\" Or, \"something's off, can't really put my finger on what\". How can", "really put my finger on what\". How can I help my beta readers", "out what it is that doesn't work for them? What kind of questions", "not write. They are people whose opinion I trust, and who are genuinely", "How can I help my beta readers figure out what it is that", "be helpful. (And I haven't found a writing group.) Here's the problem: sometimes", "the critique I get is: \"I understand the character's motivations, but I don't", "helpful. (And I haven't found a writing group.) Here's the problem: sometimes the", "readers are family and friends - people who read a lot, but do", "my beta readers figure out what it is that doesn't work for them?", "beta readers are family and friends - people who read a lot, but", "who read a lot, but do not write. They are people whose opinion", "is: \"I understand the character's motivations, but I don't really connect, don't know", "motivations, but I don't really connect, don't know why.\" Or, \"something's off, can't", "Or, \"something's off, can't really put my finger on what\". How can I", "write. They are people whose opinion I trust, and who are genuinely trying", "don't really connect, don't know why.\" Or, \"something's off, can't really put my", "I haven't found a writing group.) Here's the problem: sometimes the critique I", "really connect, don't know why.\" Or, \"something's off, can't really put my finger", "sometimes the critique I get is: \"I understand the character's motivations, but I", "is that doesn't work for them? What kind of questions can I ask", "- people who read a lot, but do not write. They are people", "\"I understand the character's motivations, but I don't really connect, don't know why.\"", "know why.\" Or, \"something's off, can't really put my finger on what\". How", "a lot, but do not write. They are people whose opinion I trust,", "can I ask them, to help me understand what's wrong with my story?", "I help my beta readers figure out what it is that doesn't work", "them? What kind of questions can I ask them, to help me understand", "I get is: \"I understand the character's motivations, but I don't really connect,", "can I help my beta readers figure out what it is that doesn't", "lot, but do not write. They are people whose opinion I trust, and", "and friends - people who read a lot, but do not write. They", "it is that doesn't work for them? What kind of questions can I", "friends - people who read a lot, but do not write. They are", "readers figure out what it is that doesn't work for them? What kind", "are family and friends - people who read a lot, but do not", "whose opinion I trust, and who are genuinely trying to be helpful. (And", "the character's motivations, but I don't really connect, don't know why.\" Or, \"something's", "read a lot, but do not write. They are people whose opinion I", "but I don't really connect, don't know why.\" Or, \"something's off, can't really", "people whose opinion I trust, and who are genuinely trying to be helpful.", "can't really put my finger on what\". How can I help my beta", "I trust, and who are genuinely trying to be helpful. (And I haven't", "beta readers figure out what it is that doesn't work for them? What", "doesn't work for them? What kind of questions can I ask them, to", "problem: sometimes the critique I get is: \"I understand the character's motivations, but", "a writing group.) Here's the problem: sometimes the critique I get is: \"I", "finger on what\". How can I help my beta readers figure out what", "but do not write. They are people whose opinion I trust, and who", "and who are genuinely trying to be helpful. (And I haven't found a", "haven't found a writing group.) Here's the problem: sometimes the critique I get", "what it is that doesn't work for them? What kind of questions can", "writing group.) Here's the problem: sometimes the critique I get is: \"I understand", "understand the character's motivations, but I don't really connect, don't know why.\" Or,", "family and friends - people who read a lot, but do not write.", "critique I get is: \"I understand the character's motivations, but I don't really", "connect, don't know why.\" Or, \"something's off, can't really put my finger on", "What kind of questions can I ask them, to help me understand what's", "questions can I ask them, to help me understand what's wrong with my", "\"something's off, can't really put my finger on what\". How can I help", "do not write. They are people whose opinion I trust, and who are", "work for them? What kind of questions can I ask them, to help", "on what\". How can I help my beta readers figure out what it", "Here's the problem: sometimes the critique I get is: \"I understand the character's", "people who read a lot, but do not write. They are people whose", "are genuinely trying to be helpful. (And I haven't found a writing group.)", "for them? What kind of questions can I ask them, to help me", "that doesn't work for them? What kind of questions can I ask them,", "get is: \"I understand the character's motivations, but I don't really connect, don't", "to be helpful. (And I haven't found a writing group.) Here's the problem:", "help my beta readers figure out what it is that doesn't work for", "of questions can I ask them, to help me understand what's wrong with", "My beta readers are family and friends - people who read a lot,", "are people whose opinion I trust, and who are genuinely trying to be", "who are genuinely trying to be helpful. (And I haven't found a writing", "character's motivations, but I don't really connect, don't know why.\" Or, \"something's off,", "I don't really connect, don't know why.\" Or, \"something's off, can't really put" ]
[ "is fairly easy,) but much more so for a race that the reader", "them fly off the handle and kill foreigners for little reason, such as", "one that in general is friendly. One thing I was thinking about for", "I was thinking about for instance, is have them fly off the handle", "well acquainted with, especially one that in general is friendly. One thing I", "thinking about for instance, is have them fly off the handle and kill", "off the handle and kill foreigners for little reason, such as killing thousands", "race that the reader becomes well acquainted with, especially one that in general", "general thing, be it a race that is never seen but heard about", "instance, is have them fly off the handle and kill foreigners for little", "this as a general thing, be it a race that is never seen", "thing, be it a race that is never seen but heard about (which", "the reader becomes well acquainted with, especially one that in general is friendly.", "fly off the handle and kill foreigners for little reason, such as killing", "more so for a race that the reader becomes well acquainted with, especially", "that is never seen but heard about (which is fairly easy,) but much", "that the reader becomes well acquainted with, especially one that in general is", "reader becomes well acquainted with, especially one that in general is friendly. One", "easy,) but much more so for a race that the reader becomes well", "especially one that in general is friendly. One thing I was thinking about", "for a race that the reader becomes well acquainted with, especially one that", "with, especially one that in general is friendly. One thing I was thinking", "in general is friendly. One thing I was thinking about for instance, is", "race that is never seen but heard about (which is fairly easy,) but", "it a race that is never seen but heard about (which is fairly", "much more so for a race that the reader becomes well acquainted with,", "friendly. One thing I was thinking about for instance, is have them fly", "a race that the reader becomes well acquainted with, especially one that in", "the handle and kill foreigners for little reason, such as killing thousands over", "that in general is friendly. One thing I was thinking about for instance,", "am asking this as a general thing, be it a race that is", "I am asking this as a general thing, be it a race that", "is never seen but heard about (which is fairly easy,) but much more", "but heard about (which is fairly easy,) but much more so for a", "fairly easy,) but much more so for a race that the reader becomes", "about (which is fairly easy,) but much more so for a race that", "becomes well acquainted with, especially one that in general is friendly. One thing", "thing I was thinking about for instance, is have them fly off the", "handle and kill foreigners for little reason, such as killing thousands over theft,", "so for a race that the reader becomes well acquainted with, especially one", "have them fly off the handle and kill foreigners for little reason, such", "One thing I was thinking about for instance, is have them fly off", "as a general thing, be it a race that is never seen but", "be it a race that is never seen but heard about (which is", "a general thing, be it a race that is never seen but heard", "general is friendly. One thing I was thinking about for instance, is have", "heard about (which is fairly easy,) but much more so for a race", "a race that is never seen but heard about (which is fairly easy,)", "asking this as a general thing, be it a race that is never", "but much more so for a race that the reader becomes well acquainted", "about for instance, is have them fly off the handle and kill foreigners", "was thinking about for instance, is have them fly off the handle and", "is have them fly off the handle and kill foreigners for little reason,", "seen but heard about (which is fairly easy,) but much more so for", "(which is fairly easy,) but much more so for a race that the", "is friendly. One thing I was thinking about for instance, is have them", "for instance, is have them fly off the handle and kill foreigners for", "and kill foreigners for little reason, such as killing thousands over theft, etc.", "acquainted with, especially one that in general is friendly. One thing I was", "never seen but heard about (which is fairly easy,) but much more so" ]
[ "professional editor. But first, I want to know: is it worth the cost?", "that nothing can quite replace the many alternatives that exist, as these alternatives", "it worth the cost? If I was convinced that professional editing would really", "hear from people who self-edited and whether or not they wish they had", "been discussed here. It has already been established that nothing can quite replace", "be recovered through selling more copies. I'd like to hear from people who", "from people who self-edited and whether or not they wish they had hired", "would be willing to sink hundreds of dollars into an editor if I", "cost? If I was convinced that professional editing would really improve sales, I", "sink hundreds of dollars into an editor if I knew that it was", "dollars into an editor if I knew that it was a worthwhile investment", "exist, as these alternatives are best used in conjunction with a professional editor.", "and either recovered the costs in sales or lost money altogether. I'd also", "is it worth the cost? If I was convinced that professional editing would", "the cost? If I was convinced that professional editing would really improve sales,", "an editor and either recovered the costs in sales or lost money altogether.", "hundreds of dollars into an editor if I knew that it was a", "hear from people who really did shell out the hundreds (or thousands) of", "it was a worthwhile investment which could be recovered through selling more copies.", "these alternatives are best used in conjunction with a professional editor. I'm becoming", "of dollars into an editor if I knew that it was a worthwhile", "an editor if I knew that it was a worthwhile investment which could", "in sales or lost money altogether. I'd also like to hear from people", "lost money altogether. I'd also like to hear from people who self-edited and", "did shell out the hundreds (or thousands) of dollars required to hire an", "also like to hear from people who self-edited and whether or not they", "professional editor. I'm becoming increasingly convinced that I need to pay for a", "I'm becoming increasingly convinced that I need to pay for a professional editor.", "pros and cons of alternatives to professional editors have already been discussed here.", "But first, I want to know: is it worth the cost? If I", "a professional editor. But first, I want to know: is it worth the", "knew that it was a worthwhile investment which could be recovered through selling", "cons of alternatives to professional editors have already been discussed here. It has", "first, I want to know: is it worth the cost? If I was", "that professional editing would really improve sales, I would be willing to sink", "either recovered the costs in sales or lost money altogether. I'd also like", "professional editing would really improve sales, I would be willing to sink hundreds", "to pay for a professional editor. But first, I want to know: is", "It has already been established that nothing can quite replace the many alternatives", "have already been discussed here. It has already been established that nothing can", "be willing to sink hundreds of dollars into an editor if I knew", "out the hundreds (or thousands) of dollars required to hire an editor and", "costs in sales or lost money altogether. I'd also like to hear from", "convinced that I need to pay for a professional editor. But first, I", "willing to sink hundreds of dollars into an editor if I knew that", "can quite replace the many alternatives that exist, as these alternatives are best", "to professional editors have already been discussed here. It has already been established", "nothing can quite replace the many alternatives that exist, as these alternatives are", "was a worthwhile investment which could be recovered through selling more copies. I'd", "with a professional editor. I'm becoming increasingly convinced that I need to pay", "becoming increasingly convinced that I need to pay for a professional editor. But", "editor. But first, I want to know: is it worth the cost? If", "shell out the hundreds (or thousands) of dollars required to hire an editor", "hire an editor and either recovered the costs in sales or lost money", "to know: is it worth the cost? If I was convinced that professional", "and cons of alternatives to professional editors have already been discussed here. It", "I need to pay for a professional editor. But first, I want to", "that I need to pay for a professional editor. But first, I want", "want to know: is it worth the cost? If I was convinced that", "for a professional editor. But first, I want to know: is it worth", "through selling more copies. I'd like to hear from people who really did", "editing would really improve sales, I would be willing to sink hundreds of", "professional editors have already been discussed here. It has already been established that", "would really improve sales, I would be willing to sink hundreds of dollars", "altogether. I'd also like to hear from people who self-edited and whether or", "alternatives to professional editors have already been discussed here. It has already been", "required to hire an editor and either recovered the costs in sales or", "improve sales, I would be willing to sink hundreds of dollars into an", "the costs in sales or lost money altogether. I'd also like to hear", "copies. I'd like to hear from people who really did shell out the", "if I knew that it was a worthwhile investment which could be recovered", "best used in conjunction with a professional editor. I'm becoming increasingly convinced that", "dollars required to hire an editor and either recovered the costs in sales", "people who really did shell out the hundreds (or thousands) of dollars required", "selling more copies. I'd like to hear from people who really did shell", "editor if I knew that it was a worthwhile investment which could be", "that exist, as these alternatives are best used in conjunction with a professional", "pay for a professional editor. But first, I want to know: is it", "recovered through selling more copies. I'd like to hear from people who really", "used in conjunction with a professional editor. I'm becoming increasingly convinced that I", "alternatives that exist, as these alternatives are best used in conjunction with a", "I'd also like to hear from people who self-edited and whether or not", "in conjunction with a professional editor. I'm becoming increasingly convinced that I need", "or lost money altogether. I'd also like to hear from people who self-edited", "already been established that nothing can quite replace the many alternatives that exist,", "worth the cost? If I was convinced that professional editing would really improve", "editor and either recovered the costs in sales or lost money altogether. I'd", "to hire an editor and either recovered the costs in sales or lost", "of alternatives to professional editors have already been discussed here. It has already", "alternatives are best used in conjunction with a professional editor. I'm becoming increasingly", "a professional editor. I'm becoming increasingly convinced that I need to pay for", "was convinced that professional editing would really improve sales, I would be willing", "a worthwhile investment which could be recovered through selling more copies. I'd like", "that it was a worthwhile investment which could be recovered through selling more", "(or thousands) of dollars required to hire an editor and either recovered the", "here. It has already been established that nothing can quite replace the many", "the many alternatives that exist, as these alternatives are best used in conjunction", "from people who really did shell out the hundreds (or thousands) of dollars", "people who self-edited and whether or not they wish they had hired a", "which could be recovered through selling more copies. I'd like to hear from", "many alternatives that exist, as these alternatives are best used in conjunction with", "sales, I would be willing to sink hundreds of dollars into an editor", "of dollars required to hire an editor and either recovered the costs in", "into an editor if I knew that it was a worthwhile investment which", "The pros and cons of alternatives to professional editors have already been discussed", "to hear from people who really did shell out the hundreds (or thousands)", "hundreds (or thousands) of dollars required to hire an editor and either recovered", "to hear from people who self-edited and whether or not they wish they", "been established that nothing can quite replace the many alternatives that exist, as", "really improve sales, I would be willing to sink hundreds of dollars into", "as these alternatives are best used in conjunction with a professional editor. I'm", "quite replace the many alternatives that exist, as these alternatives are best used", "are best used in conjunction with a professional editor. I'm becoming increasingly convinced", "I want to know: is it worth the cost? If I was convinced", "conjunction with a professional editor. I'm becoming increasingly convinced that I need to", "worthwhile investment which could be recovered through selling more copies. I'd like to", "recovered the costs in sales or lost money altogether. I'd also like to", "the hundreds (or thousands) of dollars required to hire an editor and either", "could be recovered through selling more copies. I'd like to hear from people", "sales or lost money altogether. I'd also like to hear from people who", "increasingly convinced that I need to pay for a professional editor. But first,", "has already been established that nothing can quite replace the many alternatives that", "If I was convinced that professional editing would really improve sales, I would", "I'd like to hear from people who really did shell out the hundreds", "investment which could be recovered through selling more copies. I'd like to hear", "more copies. I'd like to hear from people who really did shell out", "already been discussed here. It has already been established that nothing can quite", "I knew that it was a worthwhile investment which could be recovered through", "discussed here. It has already been established that nothing can quite replace the", "who self-edited and whether or not they wish they had hired a professional.", "convinced that professional editing would really improve sales, I would be willing to", "know: is it worth the cost? If I was convinced that professional editing", "editor. I'm becoming increasingly convinced that I need to pay for a professional", "editors have already been discussed here. It has already been established that nothing", "really did shell out the hundreds (or thousands) of dollars required to hire", "money altogether. I'd also like to hear from people who self-edited and whether", "like to hear from people who really did shell out the hundreds (or", "who really did shell out the hundreds (or thousands) of dollars required to", "need to pay for a professional editor. But first, I want to know:", "thousands) of dollars required to hire an editor and either recovered the costs", "to sink hundreds of dollars into an editor if I knew that it", "replace the many alternatives that exist, as these alternatives are best used in", "established that nothing can quite replace the many alternatives that exist, as these", "I was convinced that professional editing would really improve sales, I would be", "I would be willing to sink hundreds of dollars into an editor if", "like to hear from people who self-edited and whether or not they wish" ]
[ "\"parents\" who are also their siblings. I want to represent these gods as", "siblings. I want to represent these gods as beings that are connected to", "demigods of this world are avatars of the one true God known as", "world are avatars of the one true God known as Dea and built", "have literally hundreds of \"parents\" who are also their siblings. I want to", "new soul. Every demigod currently alive will participate in this process together, causing", "of humanity. They are independent and have their own opinions from each other,", "to represent these gods as beings that are connected to each other as", "retain individual qualities and personalities like \"normal\" people. What would be the best", "exist in the hundreds, and can be male or female. These demigods breed", "I want to represent these gods as beings that are connected to each", "Every demigod currently alive will participate in this process together, causing the resulting", "busy, they produce an offspring which shares half of their parents DNA. These", "DNA. These influences gene expression and creates a completely new individual. Demigods breed", "participate in this process together, causing the resulting offspring to have literally hundreds", "or female. These demigods breed differently from mortals. When a man and woman", "produce an offspring which shares half of their parents DNA. These influences gene", "these gods as beings that are connected to each other as a hive", "but are connected by a universal consciousness that operates similarly to a hive", "offspring which shares half of their parents DNA. These influences gene expression and", "the resulting offspring to have literally hundreds of \"parents\" who are also their", "and built in the image of humanity. They are independent and have their", "are independent and have their own opinions from each other, but are connected", "beings that are connected to each other as a hive mind, yet still", "which shares half of their parents DNA. These influences gene expression and creates", "from each other, but are connected by a universal consciousness that operates similarly", "a set of universal laws and principles, which they are instinctively aware of.", "avatars of the one true God known as Dea and built in the", "mortals. When a man and woman get busy, they produce an offspring which", "the mortal plane in most cases. These gods exist in the hundreds, and", "hundreds of \"parents\" who are also their siblings. I want to represent these", "They are independent and have their own opinions from each other, but are", "instinctively aware of. This prevents them from interfering with the mortal plane in", "\"normal\" people. What would be the best way to showcase this in writing", "universal laws and principles, which they are instinctively aware of. This prevents them", "God known as Dea and built in the image of humanity. They are", "currently alive will participate in this process together, causing the resulting offspring to", "want to represent these gods as beings that are connected to each other", "yet still retain individual qualities and personalities like \"normal\" people. What would be", "as Dea and built in the image of humanity. They are independent and", "aware of. This prevents them from interfering with the mortal plane in most", "are connected to each other as a hive mind, yet still retain individual", "parents DNA. These influences gene expression and creates a completely new individual. Demigods", "creates a completely new individual. Demigods breed by leaving their physical avatars and", "other as a hive mind, yet still retain individual qualities and personalities like", "Demigods breed by leaving their physical avatars and combining their souls with each", "most cases. These gods exist in the hundreds, and can be male or", "combining their souls with each other to create a new soul. Every demigod", "avatars and combining their souls with each other to create a new soul.", "have their own opinions from each other, but are connected by a universal", "their siblings. I want to represent these gods as beings that are connected", "influences gene expression and creates a completely new individual. Demigods breed by leaving", "connected to each other as a hive mind, yet still retain individual qualities", "in the image of humanity. They are independent and have their own opinions", "hive mind, yet still retain individual qualities and personalities like \"normal\" people. What", "independent and have their own opinions from each other, but are connected by", "a hive mind. This \"super-consciousnesses\" underlies their actions and governs them according to", "as a hive mind, yet still retain individual qualities and personalities like \"normal\"", "and have their own opinions from each other, but are connected by a", "this process together, causing the resulting offspring to have literally hundreds of \"parents\"", "This \"super-consciousnesses\" underlies their actions and governs them according to a set of", "opinions from each other, but are connected by a universal consciousness that operates", "and personalities like \"normal\" people. What would be the best way to showcase", "connected by a universal consciousness that operates similarly to a hive mind. This", "are instinctively aware of. This prevents them from interfering with the mortal plane", "represent these gods as beings that are connected to each other as a", "that operates similarly to a hive mind. This \"super-consciousnesses\" underlies their actions and", "their own opinions from each other, but are connected by a universal consciousness", "breed by leaving their physical avatars and combining their souls with each other", "their souls with each other to create a new soul. Every demigod currently", "male or female. These demigods breed differently from mortals. When a man and", "with the mortal plane in most cases. These gods exist in the hundreds,", "be male or female. These demigods breed differently from mortals. When a man", "gene expression and creates a completely new individual. Demigods breed by leaving their", "mind. This \"super-consciousnesses\" underlies their actions and governs them according to a set", "These influences gene expression and creates a completely new individual. Demigods breed by", "their parents DNA. These influences gene expression and creates a completely new individual.", "These gods exist in the hundreds, and can be male or female. These", "new individual. Demigods breed by leaving their physical avatars and combining their souls", "in this process together, causing the resulting offspring to have literally hundreds of", "image of humanity. They are independent and have their own opinions from each", "governs them according to a set of universal laws and principles, which they", "shares half of their parents DNA. These influences gene expression and creates a", "gods exist in the hundreds, and can be male or female. These demigods", "that are connected to each other as a hive mind, yet still retain", "they are instinctively aware of. This prevents them from interfering with the mortal", "breed differently from mortals. When a man and woman get busy, they produce", "Dea and built in the image of humanity. They are independent and have", "actions and governs them according to a set of universal laws and principles,", "These demigods breed differently from mortals. When a man and woman get busy,", "them according to a set of universal laws and principles, which they are", "a man and woman get busy, they produce an offspring which shares half", "soul. Every demigod currently alive will participate in this process together, causing the", "demigod currently alive will participate in this process together, causing the resulting offspring", "the image of humanity. They are independent and have their own opinions from", "universal consciousness that operates similarly to a hive mind. This \"super-consciousnesses\" underlies their", "expression and creates a completely new individual. Demigods breed by leaving their physical", "prevents them from interfering with the mortal plane in most cases. These gods", "consciousness that operates similarly to a hive mind. This \"super-consciousnesses\" underlies their actions", "and principles, which they are instinctively aware of. This prevents them from interfering", "and woman get busy, they produce an offspring which shares half of their", "and combining their souls with each other to create a new soul. Every", "and governs them according to a set of universal laws and principles, which", "mind, yet still retain individual qualities and personalities like \"normal\" people. What would", "in the hundreds, and can be male or female. These demigods breed differently", "to a hive mind. This \"super-consciousnesses\" underlies their actions and governs them according", "each other to create a new soul. Every demigod currently alive will participate", "this world are avatars of the one true God known as Dea and", "gods as beings that are connected to each other as a hive mind,", "alive will participate in this process together, causing the resulting offspring to have", "qualities and personalities like \"normal\" people. What would be the best way to", "built in the image of humanity. They are independent and have their own", "souls with each other to create a new soul. Every demigod currently alive", "This prevents them from interfering with the mortal plane in most cases. These", "their actions and governs them according to a set of universal laws and", "other, but are connected by a universal consciousness that operates similarly to a", "they produce an offspring which shares half of their parents DNA. These influences", "from interfering with the mortal plane in most cases. These gods exist in", "When a man and woman get busy, they produce an offspring which shares", "each other as a hive mind, yet still retain individual qualities and personalities", "like \"normal\" people. What would be the best way to showcase this in", "an offspring which shares half of their parents DNA. These influences gene expression", "humanity. They are independent and have their own opinions from each other, but", "own opinions from each other, but are connected by a universal consciousness that", "and creates a completely new individual. Demigods breed by leaving their physical avatars", "completely new individual. Demigods breed by leaving their physical avatars and combining their", "other to create a new soul. Every demigod currently alive will participate in", "mortal plane in most cases. These gods exist in the hundreds, and can", "cases. These gods exist in the hundreds, and can be male or female.", "as beings that are connected to each other as a hive mind, yet", "resulting offspring to have literally hundreds of \"parents\" who are also their siblings.", "together, causing the resulting offspring to have literally hundreds of \"parents\" who are", "of their parents DNA. These influences gene expression and creates a completely new", "with each other to create a new soul. Every demigod currently alive will", "hundreds, and can be male or female. These demigods breed differently from mortals.", "a universal consciousness that operates similarly to a hive mind. This \"super-consciousnesses\" underlies", "according to a set of universal laws and principles, which they are instinctively", "plane in most cases. These gods exist in the hundreds, and can be", "each other, but are connected by a universal consciousness that operates similarly to", "hive mind. This \"super-consciousnesses\" underlies their actions and governs them according to a", "from mortals. When a man and woman get busy, they produce an offspring", "demigods breed differently from mortals. When a man and woman get busy, they", "by leaving their physical avatars and combining their souls with each other to", "of universal laws and principles, which they are instinctively aware of. This prevents", "offspring to have literally hundreds of \"parents\" who are also their siblings. I", "of \"parents\" who are also their siblings. I want to represent these gods", "are also their siblings. I want to represent these gods as beings that", "set of universal laws and principles, which they are instinctively aware of. This", "to a set of universal laws and principles, which they are instinctively aware", "and can be male or female. These demigods breed differently from mortals. When", "laws and principles, which they are instinctively aware of. This prevents them from", "of this world are avatars of the one true God known as Dea", "underlies their actions and governs them according to a set of universal laws", "in most cases. These gods exist in the hundreds, and can be male", "to have literally hundreds of \"parents\" who are also their siblings. I want", "which they are instinctively aware of. This prevents them from interfering with the", "personalities like \"normal\" people. What would be the best way to showcase this", "to each other as a hive mind, yet still retain individual qualities and", "female. These demigods breed differently from mortals. When a man and woman get", "The demigods of this world are avatars of the one true God known", "a hive mind, yet still retain individual qualities and personalities like \"normal\" people.", "interfering with the mortal plane in most cases. These gods exist in the", "leaving their physical avatars and combining their souls with each other to create", "similarly to a hive mind. This \"super-consciousnesses\" underlies their actions and governs them", "\"super-consciousnesses\" underlies their actions and governs them according to a set of universal", "create a new soul. Every demigod currently alive will participate in this process", "the one true God known as Dea and built in the image of", "process together, causing the resulting offspring to have literally hundreds of \"parents\" who", "known as Dea and built in the image of humanity. They are independent", "of the one true God known as Dea and built in the image", "of. This prevents them from interfering with the mortal plane in most cases.", "will participate in this process together, causing the resulting offspring to have literally", "are connected by a universal consciousness that operates similarly to a hive mind.", "one true God known as Dea and built in the image of humanity.", "principles, which they are instinctively aware of. This prevents them from interfering with", "true God known as Dea and built in the image of humanity. They", "also their siblings. I want to represent these gods as beings that are", "individual qualities and personalities like \"normal\" people. What would be the best way", "people. What would be the best way to showcase this in writing form?", "the hundreds, and can be male or female. These demigods breed differently from", "man and woman get busy, they produce an offspring which shares half of", "get busy, they produce an offspring which shares half of their parents DNA.", "their physical avatars and combining their souls with each other to create a", "a completely new individual. Demigods breed by leaving their physical avatars and combining", "are avatars of the one true God known as Dea and built in", "differently from mortals. When a man and woman get busy, they produce an", "can be male or female. These demigods breed differently from mortals. When a", "half of their parents DNA. These influences gene expression and creates a completely", "individual. Demigods breed by leaving their physical avatars and combining their souls with", "causing the resulting offspring to have literally hundreds of \"parents\" who are also", "by a universal consciousness that operates similarly to a hive mind. This \"super-consciousnesses\"", "a new soul. Every demigod currently alive will participate in this process together,", "physical avatars and combining their souls with each other to create a new", "operates similarly to a hive mind. This \"super-consciousnesses\" underlies their actions and governs", "them from interfering with the mortal plane in most cases. These gods exist", "to create a new soul. Every demigod currently alive will participate in this", "literally hundreds of \"parents\" who are also their siblings. I want to represent", "woman get busy, they produce an offspring which shares half of their parents", "who are also their siblings. I want to represent these gods as beings", "still retain individual qualities and personalities like \"normal\" people. What would be the" ]
[ "of an existing narrative or do some ancillary worldbuilding work if I don't", "I'm not even putting off what I need to do by doing other", "some level, but I keep not doing it. I don't have what I", "is how do people get themselves moving when they know they have work", "because I'm not even getting as far as looking at a page that", "when I know I need to reread some notes and then do *something;", "I know I need to do, and even want to do on some", "on. I'm not even putting off what I need to do by doing", "as traditional writers block, because I'm not even getting as far as looking", "don't have what I think of as traditional writers block, because I'm not", "even putting off what I need to do by doing other things (until", "I think of as traditional writers block, because I'm not even getting as", "to do by doing other things (until I started typing this question), I'm", "more of an existing narrative or do some ancillary worldbuilding work if I", "Any suggests for techniques or tools that make staying on track with writing", "techniques or tools that make staying on track with writing projects easier much", "not writing on. I'm not even putting off what I need to do", "not even getting as far as looking at a page that I'm not", "know I need to do, and even want to do on some level,", "doing nothing when I know I need to reread some notes and then", "narrative or do some ancillary worldbuilding work if I don't think things are", "work to do and time to do it? Any suggests for techniques or", "started typing this question), I'm sitting doing nothing when I know I need", "to do, and even want to do on some level, but I keep", "I keep not doing it. I don't have what I think of as", "things are quite ready yet. My question is how do people get themselves", "time to do it? Any suggests for techniques or tools that make staying", "some ancillary worldbuilding work if I don't think things are quite ready yet.", "other things (until I started typing this question), I'm sitting doing nothing when", "of as traditional writers block, because I'm not even getting as far as", "I need to do by doing other things (until I started typing this", "My question is how do people get themselves moving when they know they", "There is worldbuilding and/or writing that I know I need to do, and", "worldbuilding work if I don't think things are quite ready yet. My question", "getting as far as looking at a page that I'm not writing on.", "and/or writing that I know I need to do, and even want to", "keep not doing it. I don't have what I think of as traditional", "existing narrative or do some ancillary worldbuilding work if I don't think things", "a page that I'm not writing on. I'm not even putting off what", "that I'm not writing on. I'm not even putting off what I need", "get themselves moving when they know they have work to do and time", "page that I'm not writing on. I'm not even putting off what I", "I don't have what I think of as traditional writers block, because I'm", "for techniques or tools that make staying on track with writing projects easier", "it. I don't have what I think of as traditional writers block, because", "some notes and then do something; either writing more of an existing narrative", "do people get themselves moving when they know they have work to do", "even getting as far as looking at a page that I'm not writing", "if I don't think things are quite ready yet. My question is how", "I know I need to reread some notes and then do something; either", "at a page that I'm not writing on. I'm not even putting off", "work if I don't think things are quite ready yet. My question is", "they have work to do and time to do it? Any suggests for", "I need to do, and even want to do on some level, but", "want to do on some level, but I keep not doing it. I", "to do it? Any suggests for techniques or tools that make staying on", "need to do, and even want to do on some level, but I", "writing on. I'm not even putting off what I need to do by", "either writing more of an existing narrative or do some ancillary worldbuilding work", "an existing narrative or do some ancillary worldbuilding work if I don't think", "do on some level, but I keep not doing it. I don't have", "do by doing other things (until I started typing this question), I'm sitting", "worldbuilding and/or writing that I know I need to do, and even want", "traditional writers block, because I'm not even getting as far as looking at", "typing this question), I'm sitting doing nothing when I know I need to", "know I need to reread some notes and then do something; either writing", "do and time to do it? Any suggests for techniques or tools that", "or do some ancillary worldbuilding work if I don't think things are quite", "sitting doing nothing when I know I need to reread some notes and", "suggests for techniques or tools that make staying on track with writing projects", "I'm not even getting as far as looking at a page that I'm", "have what I think of as traditional writers block, because I'm not even", "then do something; either writing more of an existing narrative or do some", "as far as looking at a page that I'm not writing on. I'm", "or tools that make staying on track with writing projects easier much appreciated.", "and time to do it? Any suggests for techniques or tools that make", "and then do something; either writing more of an existing narrative or do", "yet. My question is how do people get themselves moving when they know", "things (until I started typing this question), I'm sitting doing nothing when I", "on some level, but I keep not doing it. I don't have what", "this question), I'm sitting doing nothing when I know I need to reread", "to do and time to do it? Any suggests for techniques or tools", "do it? Any suggests for techniques or tools that make staying on track", "do, and even want to do on some level, but I keep not", "what I need to do by doing other things (until I started typing", "I'm not writing on. I'm not even putting off what I need to", "to do on some level, but I keep not doing it. I don't", "ready yet. My question is how do people get themselves moving when they", "nothing when I know I need to reread some notes and then do", "think of as traditional writers block, because I'm not even getting as far", "putting off what I need to do by doing other things (until I", "do something; either writing more of an existing narrative or do some ancillary", "by doing other things (until I started typing this question), I'm sitting doing", "not even putting off what I need to do by doing other things", "quite ready yet. My question is how do people get themselves moving when", "don't think things are quite ready yet. My question is how do people", "even want to do on some level, but I keep not doing it.", "are quite ready yet. My question is how do people get themselves moving", "I'm sitting doing nothing when I know I need to reread some notes", "have work to do and time to do it? Any suggests for techniques", "I need to reread some notes and then do something; either writing more", "something; either writing more of an existing narrative or do some ancillary worldbuilding", "people get themselves moving when they know they have work to do and", "question is how do people get themselves moving when they know they have", "doing other things (until I started typing this question), I'm sitting doing nothing", "how do people get themselves moving when they know they have work to", "when they know they have work to do and time to do it?", "ancillary worldbuilding work if I don't think things are quite ready yet. My", "that I know I need to do, and even want to do on", "is worldbuilding and/or writing that I know I need to do, and even", "off what I need to do by doing other things (until I started", "it? Any suggests for techniques or tools that make staying on track with", "think things are quite ready yet. My question is how do people get", "but I keep not doing it. I don't have what I think of", "need to do by doing other things (until I started typing this question),", "reread some notes and then do something; either writing more of an existing", "level, but I keep not doing it. I don't have what I think", "not doing it. I don't have what I think of as traditional writers", "know they have work to do and time to do it? Any suggests", "themselves moving when they know they have work to do and time to", "I don't think things are quite ready yet. My question is how do", "looking at a page that I'm not writing on. I'm not even putting", "to reread some notes and then do something; either writing more of an", "question), I'm sitting doing nothing when I know I need to reread some", "moving when they know they have work to do and time to do", "what I think of as traditional writers block, because I'm not even getting", "and even want to do on some level, but I keep not doing", "need to reread some notes and then do something; either writing more of", "notes and then do something*; either writing more of an existing narrative or", "do some ancillary worldbuilding work if I don't think things are quite ready", "writing more of an existing narrative or do some ancillary worldbuilding work if", "they know they have work to do and time to do it? Any", "writing that I know I need to do, and even want to do", "as looking at a page that I'm not writing on. I'm not even", "(until I started typing this question), I'm sitting doing nothing when I know", "I started typing this question), I'm sitting doing nothing when I know I", "doing it. I don't have what I think of as traditional writers block,", "block, because I'm not even getting as far as looking at a page", "writers block, because I'm not even getting as far as looking at a", "far as looking at a page that I'm not writing on. I'm not" ]
[ "of the characters are ever described. It started out by accident (3 chapters", "Is this a good/unique approach or shot myself in foot? Note: Due to", "foot? Note: Due to a number of characters being cryogenic subjects, it was", "by accident (3 chapters in when I realized). Question: Is this a good/unique", "which none of the characters are ever described. It started out by accident", "or shot myself in foot? Note: Due to a number of characters being", "Due to a number of characters being cryogenic subjects, it was not necessary", "myself in foot? Note: Due to a number of characters being cryogenic subjects,", "necessary to describe them. All characters do have names but no descriptions. Thank", "this a good/unique approach or shot myself in foot? Note: Due to a", "shot myself in foot? Note: Due to a number of characters being cryogenic", "not necessary to describe them. All characters do have names but no descriptions.", "Note: Due to a number of characters being cryogenic subjects, it was not", "cryogenic subjects, it was not necessary to describe them. All characters do have", "are ever described. It started out by accident (3 chapters in when I", "approach or shot myself in foot? Note: Due to a number of characters", "(3 chapters in when I realized). Question: Is this a good/unique approach or", "good/unique approach or shot myself in foot? Note: Due to a number of", "it was not necessary to describe them. All characters do have names but", "realized). Question: Is this a good/unique approach or shot myself in foot? Note:", "in foot? Note: Due to a number of characters being cryogenic subjects, it", "novel in which none of the characters are ever described. It started out", "a good/unique approach or shot myself in foot? Note: Due to a number", "number of characters being cryogenic subjects, it was not necessary to describe them.", "to a number of characters being cryogenic subjects, it was not necessary to", "in when I realized). Question: Is this a good/unique approach or shot myself", "I realized). Question: Is this a good/unique approach or shot myself in foot?", "when I realized). Question: Is this a good/unique approach or shot myself in", "have written a novel in which none of the characters are ever described.", "started out by accident (3 chapters in when I realized). Question: Is this", "was not necessary to describe them. All characters do have names but no", "written a novel in which none of the characters are ever described. It", "subjects, it was not necessary to describe them. All characters do have names", "accident (3 chapters in when I realized). Question: Is this a good/unique approach", "characters being cryogenic subjects, it was not necessary to describe them. All characters", "a number of characters being cryogenic subjects, it was not necessary to describe", "out by accident (3 chapters in when I realized). Question: Is this a", "I have written a novel in which none of the characters are ever", "Question: Is this a good/unique approach or shot myself in foot? Note: Due", "It started out by accident (3 chapters in when I realized). Question: Is", "none of the characters are ever described. It started out by accident (3", "chapters in when I realized). Question: Is this a good/unique approach or shot", "being cryogenic subjects, it was not necessary to describe them. All characters do", "of characters being cryogenic subjects, it was not necessary to describe them. All", "to describe them. All characters do have names but no descriptions. Thank you.", "a novel in which none of the characters are ever described. It started", "described. It started out by accident (3 chapters in when I realized). Question:", "in which none of the characters are ever described. It started out by", "the characters are ever described. It started out by accident (3 chapters in", "ever described. It started out by accident (3 chapters in when I realized).", "characters are ever described. It started out by accident (3 chapters in when" ]
[ "I do decide to submit my manuscript to agents, should I tell them", "is highly competitive and response time can be ~6 months (if at all).", "to submit my manuscript to agents, should I tell them in my query", "another? 2. If I do decide to submit my manuscript to agents, should", "not pursuing or working on other manuscripts at this time - nor do", "submission? I don’t plan to pursue additional publishers on my own. And perhaps", "necessarily plan to. So I decided to go straight to a publisher instead,", "the medical field, and I don’t plan to make a career out of", "nor do I necessarily plan to. So I decided to go straight to", "necessarily have intentions to write another? 2. If I do decide to submit", "I be more vague and simply mention that it’s a simultaneous submission? I", "more as I go, and I would love some feedback about whether most", "I go, and I would love some feedback about whether most agents expect", "I got cold feet and decided to send my manuscript to a few", "to a few publishing companies instead (who accept unsolicited submissions). I did this", "but one of them being that I question whether an agent will actually", "I have a graduate degree and work in the medical field, and I", "as myself, who may have a manuscript that is appealing to them but", "agents, should I tell them in my query letter that I already submitted", "Would agents even want to work with someone such as myself, who may", "my chances with agents. But I suppose it doesn’t hurt to try. I’m", "feedback about whether most agents expect their clients to work on new projects/books.", "I don’t plan to pursue additional publishers on my own. And perhaps this", "publishers? Or could I be more vague and simply mention that it’s a", "edited. I also completed a query letter, which was professionally reviewed/edited as well.", "to make a career out of writing. So my questions, if anyone can", "manuscript, I had it professionally edited. I also completed a query letter, which", "want to work with me as I’m not pursuing or working on other", "make a career out of writing. So my questions, if anyone can answer,", "anyone can answer, are: 1. Would agents even want to work with someone", "agents, but then I got cold feet and decided to send my manuscript", "would love some feedback about whether most agents expect their clients to work", "to various agents, but then I got cold feet and decided to send", "intentions to write another? 2. If I do decide to submit my manuscript", "agent will actually want to work with me as I’m not pursuing or", "if anyone can answer, are: 1. Would agents even want to work with", "pursue additional publishers on my own. And perhaps this decision already decreased my", "manuscript to a few publishing companies instead (who accept unsolicited submissions). I did", "companies instead (who accept unsolicited submissions). I did this for different reasons, but", "own. And perhaps this decision already decreased my chances with agents. But I", "I question whether an agent will actually want to work with me as", "time can be ~6 months (if at all). I have a graduate degree", "book manuscript. After completing the manuscript, I had it professionally edited. I also", "someone such as myself, who may have a manuscript that is appealing to", "for different reasons, but one of them being that I question whether an", "them being that I question whether an agent will actually want to work", "agents even want to work with someone such as myself, who may have", "as well. My original plan was to send my query letter and manuscript", "few publishing companies instead (who accept unsolicited submissions). I did this for different", "I’m not pursuing or working on other manuscripts at this time - nor", "submitted to a few publishers? Or could I be more vague and simply", "to write another? 2. If I do decide to submit my manuscript to", "chances with agents. But I suppose it doesn’t hurt to try. I’m learning", "that it’s a simultaneous submission? I don’t plan to pursue additional publishers on", "I tell them in my query letter that I already submitted to a", "am a first-time author, and a few months ago I completed a picture", "this for different reasons, but one of them being that I question whether", "- nor do I necessarily plan to. So I decided to go straight", "myself, who may have a manuscript that is appealing to them but I", "and more as I go, and I would love some feedback about whether", "suppose it doesn’t hurt to try. I’m learning more and more as I", "will actually want to work with me as I’m not pursuing or working", "don’t necessarily have intentions to write another? 2. If I do decide to", "them in my query letter that I already submitted to a few publishers?", "query letter that I already submitted to a few publishers? Or could I", "whether an agent will actually want to work with me as I’m not", "work with someone such as myself, who may have a manuscript that is", "of them being that I question whether an agent will actually want to", "to a publisher instead, although I know this is highly competitive and response", "with agents. But I suppose it doesn’t hurt to try. I’m learning more", "graduate degree and work in the medical field, and I don’t plan to", "was to send my query letter and manuscript to various agents, but then", "unsolicited submissions). I did this for different reasons, but one of them being", "to them but I don’t necessarily have intentions to write another? 2. If", "I completed a picture book manuscript. After completing the manuscript, I had it", "professionally edited. I also completed a query letter, which was professionally reviewed/edited as", "want to work with someone such as myself, who may have a manuscript", "love some feedback about whether most agents expect their clients to work on", "decide to submit my manuscript to agents, should I tell them in my", "to. So I decided to go straight to a publisher instead, although I", "do I necessarily plan to. So I decided to go straight to a", "or working on other manuscripts at this time - nor do I necessarily", "also completed a query letter, which was professionally reviewed/edited as well. My original", "try. I’m learning more and more as I go, and I would love", "completed a picture book manuscript. After completing the manuscript, I had it professionally", "So I decided to go straight to a publisher instead, although I know", "appealing to them but I don’t necessarily have intentions to write another? 2.", "I know this is highly competitive and response time can be ~6 months", "a publisher instead, although I know this is highly competitive and response time", "and I don’t plan to make a career out of writing. So my", "this decision already decreased my chances with agents. But I suppose it doesn’t", "various agents, but then I got cold feet and decided to send my", "professionally reviewed/edited as well. My original plan was to send my query letter", "to a few publishers? Or could I be more vague and simply mention", "I decided to go straight to a publisher instead, although I know this", "be ~6 months (if at all). I have a graduate degree and work", "know this is highly competitive and response time can be ~6 months (if", "be more vague and simply mention that it’s a simultaneous submission? I don’t", "letter and manuscript to various agents, but then I got cold feet and", "simply mention that it’s a simultaneous submission? I don’t plan to pursue additional", "plan to pursue additional publishers on my own. And perhaps this decision already", "have a graduate degree and work in the medical field, and I don’t", "plan to. So I decided to go straight to a publisher instead, although", "to send my manuscript to a few publishing companies instead (who accept unsolicited", "to pursue additional publishers on my own. And perhaps this decision already decreased", "I suppose it doesn’t hurt to try. I’m learning more and more as", "After completing the manuscript, I had it professionally edited. 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My original plan was to send my", "even want to work with someone such as myself, who may have a", "manuscripts at this time - nor do I necessarily plan to. So I", "decided to go straight to a publisher instead, although I know this is", "plan to make a career out of writing. So my questions, if anyone", "is appealing to them but I don’t necessarily have intentions to write another?", "I also completed a query letter, which was professionally reviewed/edited as well. My", "medical field, and I don’t plan to make a career out of writing.", "can answer, are: 1. Would agents even want to work with someone such", "are: 1. Would agents even want to work with someone such as myself,", "additional publishers on my own. And perhaps this decision already decreased my chances", "got cold feet and decided to send my manuscript to a few publishing", "decided to send my manuscript to a few publishing companies instead (who accept", "Or could I be more vague and simply mention that it’s a simultaneous", "don’t plan to pursue additional publishers on my own. And perhaps this decision", "few months ago I completed a picture book manuscript. After completing the manuscript,", "And perhaps this decision already decreased my chances with agents. But I suppose", "months (if at all). I have a graduate degree and work in the", "a few publishers? Or could I be more vague and simply mention that", "as I go, and I would love some feedback about whether most agents", "on other manuscripts at this time - nor do I necessarily plan to.", "go straight to a publisher instead, although I know this is highly competitive", "then I got cold feet and decided to send my manuscript to a", "field, and I don’t plan to make a career out of writing. So", "was professionally reviewed/edited as well. My original plan was to send my query", "but I don’t necessarily have intentions to write another? 2. If I do", "in my query letter that I already submitted to a few publishers? Or", "work in the medical field, and I don’t plan to make a career", "and response time can be ~6 months (if at all). I have a", "manuscript to agents, should I tell them in my query letter that I", "If I do decide to submit my manuscript to agents, should I tell", "simultaneous submission? I don’t plan to pursue additional publishers on my own. And", "and simply mention that it’s a simultaneous submission? I don’t plan to pursue", "letter that I already submitted to a few publishers? Or could I be", "I’m learning more and more as I go, and I would love some", "My original plan was to send my query letter and manuscript to various", "decreased my chances with agents. But I suppose it doesn’t hurt to try.", "I am a first-time author, and a few months ago I completed a", "answer, are: 1. Would agents even want to work with someone such as", "should I tell them in my query letter that I already submitted to", "already submitted to a few publishers? Or could I be more vague and", "competitive and response time can be ~6 months (if at all). I have", "a manuscript that is appealing to them but I don’t necessarily have intentions", "doesn’t hurt to try. I’m learning more and more as I go, and", "I already submitted to a few publishers? Or could I be more vague", "decision already decreased my chances with agents. But I suppose it doesn’t hurt", "have intentions to write another? 2. If I do decide to submit my", "query letter, which was professionally reviewed/edited as well. My original plan was to", "the manuscript, I had it professionally edited. I also completed a query letter,", "me as I’m not pursuing or working on other manuscripts at this time", "instead (who accept unsolicited submissions). I did this for different reasons, but one", "my questions, if anyone can answer, are: 1. Would agents even want to", "I don’t necessarily have intentions to write another? 2. If I do decide", "completed a query letter, which was professionally reviewed/edited as well. My original plan", "and work in the medical field, and I don’t plan to make a", "more vague and simply mention that it’s a simultaneous submission? I don’t plan", "and decided to send my manuscript to a few publishing companies instead (who", "although I know this is highly competitive and response time can be ~6", "ago I completed a picture book manuscript. After completing the manuscript, I had", "write another? 2. If I do decide to submit my manuscript to agents,", "my manuscript to agents, should I tell them in my query letter that", "more and more as I go, and I would love some feedback about", "submissions). I did this for different reasons, but one of them being that", "this time - nor do I necessarily plan to. So I decided to", "well. My original plan was to send my query letter and manuscript to", "feet and decided to send my manuscript to a few publishing companies instead", "perhaps this decision already decreased my chances with agents. But I suppose it" ]
[ "stories that I write feel too short. Now, I know that there's nothing", "never sure what to write. For example, I recently wrote a short story", "get a sense of who the character is and get a sense of", "that this is not long enough for the reader to get a sense", "of who the character is and get a sense of how they change.", "make the character development more gradual, but I'm never sure what to write.", "can I make sure that my stories are long enough that the important", "but often I feel like I'm rushing the story because I have an", "like I'm rushing the story because I have an idea for the ending", "for the ending and want to get there as soon as possible. Sometimes", "turned about to be about 1,500 words and is meant to show character", "a sense of how they change. How can I avoid rushing plot/character development?", "to get a sense of who the character is and get a sense", "the character is and get a sense of how they change. How can", "course of the story, but I worry that this is not long enough", "worry that this is not long enough for the reader to get a", "I know that there's nothing wrong with a (very) short story, but often", "more scenes to make the character development more gradual, but I'm never sure", "make sure that my stories are long enough that the important information is", "but I worry that this is not long enough for the reader to", "want to get there as soon as possible. Sometimes I feel like I", "change. How can I avoid rushing plot/character development? How can I make sure", "enough for the reader to get a sense of who the character is", "character development over the course of the story, but I worry that this", "is meant to show character development over the course of the story, but", "there's nothing wrong with a (very) short story, but often I feel like", "a (very) short story, but often I feel like I'm rushing the story", "How can I make sure that my stories are long enough that the", "For example, I recently wrote a short story which only turned about to", "and is meant to show character development over the course of the story,", "sure what to write. For example, I recently wrote a short story which", "gradual, but I'm never sure what to write. For example, I recently wrote", "Now, I know that there's nothing wrong with a (very) short story, but", "write feel too short. Now, I know that there's nothing wrong with a", "of the story, but I worry that this is not long enough for", "because I have an idea for the ending and want to get there", "they change. How can I avoid rushing plot/character development? How can I make", "feel too short. Now, I know that there's nothing wrong with a (very)", "story because I have an idea for the ending and want to get", "example, I recently wrote a short story which only turned about to be", "is and get a sense of how they change. How can I avoid", "to show character development over the course of the story, but I worry", "there as soon as possible. Sometimes I feel like I need more scenes", "idea for the ending and want to get there as soon as possible.", "how they change. How can I avoid rushing plot/character development? How can I", "which only turned about to be about 1,500 words and is meant to", "development? How can I make sure that my stories are long enough that", "to make the character development more gradual, but I'm never sure what to", "scenes to make the character development more gradual, but I'm never sure what", "what to write. For example, I recently wrote a short story which only", "the story because I have an idea for the ending and want to", "Sometimes I feel like I need more scenes to make the character development", "over the course of the story, but I worry that this is not", "to get there as soon as possible. Sometimes I feel like I need", "a sense of who the character is and get a sense of how", "feel like I need more scenes to make the character development more gradual,", "this is not long enough for the reader to get a sense of", "feel like I'm rushing the story because I have an idea for the", "the character development more gradual, but I'm never sure what to write. For", "who the character is and get a sense of how they change. How", "I avoid rushing plot/character development? How can I make sure that my stories", "the reader to get a sense of who the character is and get", "I feel like I need more scenes to make the character development more", "plot/character development? How can I make sure that my stories are long enough", "Many of the short stories that I write feel too short. Now, I", "long enough for the reader to get a sense of who the character", "to be about 1,500 words and is meant to show character development over", "words and is meant to show character development over the course of the", "for the reader to get a sense of who the character is and", "that there's nothing wrong with a (very) short story, but often I feel", "story, but often I feel like I'm rushing the story because I have", "and want to get there as soon as possible. Sometimes I feel like", "short story which only turned about to be about 1,500 words and is", "soon as possible. Sometimes I feel like I need more scenes to make", "only turned about to be about 1,500 words and is meant to show", "the course of the story, but I worry that this is not long", "like I need more scenes to make the character development more gradual, but", "a short story which only turned about to be about 1,500 words and", "the story, but I worry that this is not long enough for the", "need more scenes to make the character development more gradual, but I'm never", "ending and want to get there as soon as possible. Sometimes I feel", "be about 1,500 words and is meant to show character development over the", "reader to get a sense of who the character is and get a", "wrote a short story which only turned about to be about 1,500 words", "more gradual, but I'm never sure what to write. For example, I recently", "I make sure that my stories are long enough that the important information", "I worry that this is not long enough for the reader to get", "avoid rushing plot/character development? How can I make sure that my stories are", "the short stories that I write feel too short. Now, I know that", "character development more gradual, but I'm never sure what to write. For example,", "about 1,500 words and is meant to show character development over the course", "short story, but often I feel like I'm rushing the story because I", "show character development over the course of the story, but I worry that", "I write feel too short. Now, I know that there's nothing wrong with", "recently wrote a short story which only turned about to be about 1,500", "story which only turned about to be about 1,500 words and is meant", "about to be about 1,500 words and is meant to show character development", "sense of who the character is and get a sense of how they", "know that there's nothing wrong with a (very) short story, but often I", "to write. For example, I recently wrote a short story which only turned", "have an idea for the ending and want to get there as soon", "write. For example, I recently wrote a short story which only turned about", "wrong with a (very) short story, but often I feel like I'm rushing", "I need more scenes to make the character development more gradual, but I'm", "How can I avoid rushing plot/character development? How can I make sure that", "short stories that I write feel too short. Now, I know that there's", "development more gradual, but I'm never sure what to write. For example, I", "not long enough for the reader to get a sense of who the", "short. Now, I know that there's nothing wrong with a (very) short story,", "1,500 words and is meant to show character development over the course of", "that I write feel too short. Now, I know that there's nothing wrong", "(very) short story, but often I feel like I'm rushing the story because", "but I'm never sure what to write. For example, I recently wrote a", "sense of how they change. How can I avoid rushing plot/character development? How", "of how they change. How can I avoid rushing plot/character development? How can", "rushing plot/character development? How can I make sure that my stories are long", "story, but I worry that this is not long enough for the reader", "get a sense of how they change. How can I avoid rushing plot/character", "too short. Now, I know that there's nothing wrong with a (very) short", "I feel like I'm rushing the story because I have an idea for", "get there as soon as possible. Sometimes I feel like I need more", "with a (very) short story, but often I feel like I'm rushing the", "meant to show character development over the course of the story, but I", "character is and get a sense of how they change. How can I", "sure that my stories are long enough that the important information is included?", "I recently wrote a short story which only turned about to be about", "of the short stories that I write feel too short. Now, I know", "I'm never sure what to write. For example, I recently wrote a short", "is not long enough for the reader to get a sense of who", "the ending and want to get there as soon as possible. Sometimes I", "can I avoid rushing plot/character development? How can I make sure that my", "as soon as possible. Sometimes I feel like I need more scenes to", "possible. Sometimes I feel like I need more scenes to make the character", "I'm rushing the story because I have an idea for the ending and", "nothing wrong with a (very) short story, but often I feel like I'm", "and get a sense of how they change. How can I avoid rushing", "rushing the story because I have an idea for the ending and want", "an idea for the ending and want to get there as soon as", "often I feel like I'm rushing the story because I have an idea", "I have an idea for the ending and want to get there as", "development over the course of the story, but I worry that this is", "as possible. Sometimes I feel like I need more scenes to make the" ]
[ "project and there's one part of the script that sorta goes like this:", "It then transitions over to the next scene, showing the moments that lead", "time as the previous scene. It then continues off to the next scene", "How can I convey that \"this scene takes place and ends at the", "scene. It then continues off to the next scene continuing where both left", "investigate. It then transitions over to the next scene, showing the moments that", "to the person outside the room screaming, that chronologically happens at the same", "from outside of the room they're in and decided to investigate. It then", "I'm currently working on a script for a college project and there's one", "character heard a scream from outside of the room they're in and decided", "college project and there's one part of the script that sorta goes like", "continuing where both left off. How can I convey that \"this scene takes", "off to the next scene continuing where both left off. How can I", "heard a scream from outside of the room they're in and decided to", "chronologically happens at the same time as the previous scene. It then continues", "happens at the same time as the previous scene. It then continues off", "person outside the room screaming, that chronologically happens at the same time as", "the same time as the previous scene. It then continues off to the", "over to the next scene, showing the moments that lead up to the", "of the script that sorta goes like this: A character heard a scream", "I convey that \"this scene takes place and ends at the same time", "decided to investigate. It then transitions over to the next scene, showing the", "script that sorta goes like this: A character heard a scream from outside", "one part of the script that sorta goes like this: A character heard", "left off. How can I convey that \"this scene takes place and ends", "continues off to the next scene continuing where both left off. How can", "for a college project and there's one part of the script that sorta", "then transitions over to the next scene, showing the moments that lead up", "a college project and there's one part of the script that sorta goes", "a scream from outside of the room they're in and decided to investigate.", "\"this scene takes place and ends at the same time as the previous", "and decided to investigate. It then transitions over to the next scene, showing", "transitions over to the next scene, showing the moments that lead up to", "at the same time as the previous scene. It then continues off to", "scene continuing where both left off. How can I convey that \"this scene", "goes like this: A character heard a scream from outside of the room", "to the next scene continuing where both left off. How can I convey", "outside the room screaming, that chronologically happens at the same time as the", "working on a script for a college project and there's one part of", "It then continues off to the next scene continuing where both left off.", "as the previous scene. It then continues off to the next scene continuing", "up to the person outside the room screaming, that chronologically happens at the", "and there's one part of the script that sorta goes like this: A", "part of the script that sorta goes like this: A character heard a", "next scene continuing where both left off. How can I convey that \"this", "showing the moments that lead up to the person outside the room screaming,", "to the next scene, showing the moments that lead up to the person", "that sorta goes like this: A character heard a scream from outside of", "script for a college project and there's one part of the script that", "same time as the previous scene. It then continues off to the next", "that chronologically happens at the same time as the previous scene. It then", "the script that sorta goes like this: A character heard a scream from", "then continues off to the next scene continuing where both left off. How", "they're in and decided to investigate. It then transitions over to the next", "place and ends at the same time as the previous scene\" in the", "the room screaming, that chronologically happens at the same time as the previous", "the previous scene. It then continues off to the next scene continuing where", "outside of the room they're in and decided to investigate. It then transitions", "the person outside the room screaming, that chronologically happens at the same time", "that \"this scene takes place and ends at the same time as the", "scene takes place and ends at the same time as the previous scene\"", "the next scene, showing the moments that lead up to the person outside", "like this: A character heard a scream from outside of the room they're", "a script for a college project and there's one part of the script", "room screaming, that chronologically happens at the same time as the previous scene.", "there's one part of the script that sorta goes like this: A character", "sorta goes like this: A character heard a scream from outside of the", "and ends at the same time as the previous scene\" in the script?", "the moments that lead up to the person outside the room screaming, that", "scene, showing the moments that lead up to the person outside the room", "this: A character heard a scream from outside of the room they're in", "takes place and ends at the same time as the previous scene\" in", "next scene, showing the moments that lead up to the person outside the", "on a script for a college project and there's one part of the", "the room they're in and decided to investigate. It then transitions over to", "lead up to the person outside the room screaming, that chronologically happens at", "previous scene. It then continues off to the next scene continuing where both", "to investigate. It then transitions over to the next scene, showing the moments", "off. How can I convey that \"this scene takes place and ends at", "scream from outside of the room they're in and decided to investigate. It", "the next scene continuing where both left off. How can I convey that", "in and decided to investigate. It then transitions over to the next scene,", "currently working on a script for a college project and there's one part", "can I convey that \"this scene takes place and ends at the same", "A character heard a scream from outside of the room they're in and", "of the room they're in and decided to investigate. It then transitions over", "where both left off. How can I convey that \"this scene takes place", "moments that lead up to the person outside the room screaming, that chronologically", "screaming, that chronologically happens at the same time as the previous scene. It", "that lead up to the person outside the room screaming, that chronologically happens", "room they're in and decided to investigate. It then transitions over to the", "convey that \"this scene takes place and ends at the same time as", "both left off. How can I convey that \"this scene takes place and" ]