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I began by trying to avoid dialogue between the characters and", "avoid dialogue between the characters and kept the \"dialogue\" in my head as", "dialogue is small-talk, and I have to admit,I'm not a fan of small", "deal of dialogue is small-talk, and I have to admit,I'm not a fan", "was accepted, I found that I struggled with the addition of dialogue to", "I have to admit,I'm not a fan of small talk in reality. I'm", "fan of small talk in reality. I'm interested in knowing the magic formula", "often feels awkward, forced, lacking depth and authenticity* . It's almost as if", "brick wall. Further thought lead me to realise that in reading stories in", "lacking depth and authenticity . It's almost as if it ruins the atmosphere", "Creative Writing submission to a publication and although it was accepted, I found", "with the addition of dialogue to this first-person narrative. 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A good deal of dialogue is small-talk,", "the atmosphere that has been carefully crafted, cutting into the mood like the", "I began an assignment to write a short story for a Creative Writing", "accepted, I found that I struggled with the addition of dialogue to this", "including myself as author, engaged in the story and connected to its characters.", "At some point, I realised that the story would need interactions between the", "the characters and kept the \"dialogue\" in my head as personal mental processings", "for a Creative Writing submission to a publication and although it was accepted,", "good deal of dialogue is small-talk, and I have to admit,I'm not a", "it was then that I was met with a mental brick wall. 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Further thought lead me to realise that in reading stories in general,", "by trying to avoid dialogue between the characters and kept the \"dialogue\" in", "found that I struggled with the addition of dialogue to this first-person narrative.", "to the story and it was then that I was met with a", "Further thought lead me to realise that in reading stories in general, when", "relationships relative to the story and it was then that I was met", ". It's almost as if it ruins the atmosphere that has been carefully", "although it was accepted, I found that I struggled with the addition of", "head as personal mental processings and ruminations. At some point, I realised that", "ruins the atmosphere that has been carefully crafted, cutting into the mood like", "as personal mental processings and ruminations. At some point, I realised that the", "to lose interest, as it often feels awkward, forced, lacking depth and authenticity", "forced, lacking depth and authenticity . 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I", "to a publication and although it was accepted, I found that I struggled", "story and it was then that I was met with a mental brick", "tend to lose interest, as it often feels awkward, forced, lacking depth and", "submission to a publication and although it was accepted, I found that I", "A good deal of dialogue is small-talk, and I have to admit,I'm not", "as it often feels awkward, forced, lacking depth and authenticity* . It's almost", "the slap from a dead piece of meat. A good deal of dialogue", "reality. 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I began by trying to avoid dialogue between the characters and kept", "me to realise that in reading stories in general, when it comes to", "a dead piece of meat. A good deal of dialogue is small-talk, and", "of small talk in reality. I'm interested in knowing the magic formula for", "magic formula for writing dialogue to keep the reader, including myself as author,", "knowing the magic formula for writing dialogue to keep the reader, including myself", "an assignment to write a short story for a Creative Writing submission to", "thought lead me to realise that in reading stories in general, when it", "was then that I was met with a mental brick wall. Further thought", "lead me to realise that in reading stories in general, when it comes", "write a short story for a Creative Writing submission to a publication and", "like the slap from a dead piece of meat. A good deal of", "dialogue between the characters and kept the \"dialogue\" in my head as personal", "not a fan of small talk in reality. I'm interested in knowing the" ]
[ "sitcom in the title of my book. How do I find out if", "would like to use the title of a TV sitcom in the title", "in the title of my book. How do I find out if this", "I would like to use the title of a TV sitcom in the", "TV sitcom in the title of my book. How do I find out", "my book. How do I find out if this is without legal ramifications?", "to use the title of a TV sitcom in the title of my", "of my book. How do I find out if this is without legal", "like to use the title of a TV sitcom in the title of", "use the title of a TV sitcom in the title of my book.", "title of my book. How do I find out if this is without", "the title of a TV sitcom in the title of my book. How", "title of a TV sitcom in the title of my book. How do", "a TV sitcom in the title of my book. How do I find", "of a TV sitcom in the title of my book. How do I", "the title of my book. How do I find out if this is" ]
[ "people. I don't want my characters acting strangely in my novel, since the", "Let's say you have a character and his dad is the President of", "a President, but a musician, or another lesser known/important profession? I am concerned", "between people. I don't want my characters acting strangely in my novel, since", "say you have a character and his dad is the President of the", "or another lesser known/important profession? I am concerned about realistic interactions between people.", "close in third impersonal person? Let's say you have a character and his", "isn't a President, but a musician, or another lesser known/important profession? I am", "or someone close in third impersonal person? Let's say you have a character", "character refer his dad or someone close in third impersonal person? Let's say", "should a character refer his dad or someone close in third impersonal person?", "his dad is the President of the United States. In what situation is", "impersonal person? Let's say you have a character and his dad is the", "his dad or someone close in third impersonal person? Let's say you have", "as \"the President\"? What if the dad isn't a President, but a musician,", "What if the dad isn't a President, but a musician, or another lesser", "the President of the United States. In what situation is it appropriate for", "a musician, or another lesser known/important profession? I am concerned about realistic interactions", "appropriate for the character to refer to his dad as \"the President\"? What", "the dad isn't a President, but a musician, or another lesser known/important profession?", "I don't want my characters acting strangely in my novel, since the readers", "United States. In what situation is it appropriate for the character to refer", "about realistic interactions between people. I don't want my characters acting strangely in", "President, but a musician, or another lesser known/important profession? I am concerned about", "a character refer his dad or someone close in third impersonal person? Let's", "in third impersonal person? Let's say you have a character and his dad", "realistic interactions between people. I don't want my characters acting strangely in my", "dad as \"the President\"? What if the dad isn't a President, but a", "am concerned about realistic interactions between people. I don't want my characters acting", "profession? I am concerned about realistic interactions between people. I don't want my", "States. In what situation is it appropriate for the character to refer to", "President of the United States. In what situation is it appropriate for the", "have a character and his dad is the President of the United States.", "is the President of the United States. In what situation is it appropriate", "musician, or another lesser known/important profession? I am concerned about realistic interactions between", "his dad as \"the President\"? What if the dad isn't a President, but", "lesser known/important profession? I am concerned about realistic interactions between people. I don't", "if the dad isn't a President, but a musician, or another lesser known/important", "concerned about realistic interactions between people. I don't want my characters acting strangely", "it appropriate for the character to refer to his dad as \"the President\"?", "dad or someone close in third impersonal person? Let's say you have a", "and his dad is the President of the United States. In what situation", "for the character to refer to his dad as \"the President\"? What if", "to his dad as \"the President\"? What if the dad isn't a President,", "character to refer to his dad as \"the President\"? What if the dad", "another lesser known/important profession? I am concerned about realistic interactions between people. I", "refer his dad or someone close in third impersonal person? Let's say you", "want my characters acting strangely in my novel, since the readers will notice.", "character and his dad is the President of the United States. In what", "of the United States. In what situation is it appropriate for the character", "refer to his dad as \"the President\"? What if the dad isn't a", "don't want my characters acting strangely in my novel, since the readers will", "In what situation is it appropriate for the character to refer to his", "third impersonal person? Let's say you have a character and his dad is", "the United States. In what situation is it appropriate for the character to", "the character to refer to his dad as \"the President\"? What if the", "President\"? What if the dad isn't a President, but a musician, or another", "known/important profession? I am concerned about realistic interactions between people. I don't want", "what situation is it appropriate for the character to refer to his dad", "situation is it appropriate for the character to refer to his dad as", "but a musician, or another lesser known/important profession? I am concerned about realistic", "person? Let's say you have a character and his dad is the President", "to refer to his dad as \"the President\"? What if the dad isn't", "dad isn't a President, but a musician, or another lesser known/important profession? I", "interactions between people. I don't want my characters acting strangely in my novel,", "a character and his dad is the President of the United States. In", "I am concerned about realistic interactions between people. I don't want my characters", "\"the President\"? What if the dad isn't a President, but a musician, or", "is it appropriate for the character to refer to his dad as \"the", "dad is the President of the United States. In what situation is it", "When should a character refer his dad or someone close in third impersonal", "you have a character and his dad is the President of the United", "someone close in third impersonal person? Let's say you have a character and" ]
[ "you take care of it.\" > > > Sounds redundant, but the fact", "is also important somewhat, or can be important for what may follow. What", "to write the description of an action that follows a line, but that", "old chip, make sure you take care of it.\" > > > Sounds", "some pretty bad prose. How would you work around this? For example: >", "chip in question.\" he said as he handed the chip to him. >", "handing it is also important somewhat, or can be important for what may", "it.\" > > > Sounds redundant, but the fact he's handing it is", "avoid repeating redundant information after a dialogue and is there a way around", "the description of an action that follows a line, but that also seems", "it is also important somewhat, or can be important for what may follow.", "care of it.\" > > > Sounds redundant, but the fact he's handing", "sure you take care of it.\" > > > Sounds redundant, but the", "a very old chip, make sure you take care of it.\" > >", "you feel prompted to write the description of an action that follows a", "feel prompted to write the description of an action that follows a line,", "the fact he's handing it is also important somewhat, or can be important", "important somewhat, or can be important for what may follow. What would you", "take care of it.\" > > > Sounds redundant, but the fact he's", "make sure you take care of it.\" > > > Sounds redundant, but", "prose. How would you work around this? For example: > > \"Here's the", "and is there a way around this? Sometimes, you feel prompted to write", "work around this? For example: > > \"Here's the chip in question.\" he", "after a dialogue and is there a way around this? Sometimes, you feel", "to him. > \"It's a very old chip, make sure you take care", "he's handing it is also important somewhat, or can be important for what", "repeating redundant information after a dialogue and is there a way around this?", "dialogue and is there a way around this? Sometimes, you feel prompted to", "around this? Sometimes, you feel prompted to write the description of an action", "a dialogue and is there a way around this? Sometimes, you feel prompted", "this? Sometimes, you feel prompted to write the description of an action that", "> \"Here's the chip in question.\" he said as he handed the chip", "it leads to some pretty bad prose. How would you work around this?", "Should we avoid repeating redundant information after a dialogue and is there a", "Sometimes, you feel prompted to write the description of an action that follows", "he said as he handed the chip to him. > \"It's a very", "very old chip, make sure you take care of it.\" > > >", "also seems to be redundant, and it leads to some pretty bad prose.", "somewhat, or can be important for what may follow. What would you do", "question.\" he said as he handed the chip to him. > \"It's a", "a way around this? Sometimes, you feel prompted to write the description of", "line, but that also seems to be redundant, and it leads to some", "the chip in question.\" he said as he handed the chip to him.", "as he handed the chip to him. > \"It's a very old chip,", "can be important for what may follow. What would you do in this", "also important somewhat, or can be important for what may follow. What would", "leads to some pretty bad prose. How would you work around this? For", "write the description of an action that follows a line, but that also", "For example: > > \"Here's the chip in question.\" he said as he", "way around this? Sometimes, you feel prompted to write the description of an", "fact he's handing it is also important somewhat, or can be important for", "\"Here's the chip in question.\" he said as he handed the chip to", "the chip to him. > \"It's a very old chip, make sure you", "you work around this? For example: > > \"Here's the chip in question.\"", "pretty bad prose. How would you work around this? For example: > >", "he handed the chip to him. > \"It's a very old chip, make", "or can be important for what may follow. What would you do in", "and it leads to some pretty bad prose. How would you work around", "said as he handed the chip to him. > \"It's a very old", "> > \"Here's the chip in question.\" he said as he handed the", "be important for what may follow. What would you do in this situation?", "be redundant, and it leads to some pretty bad prose. How would you", "to be redundant, and it leads to some pretty bad prose. How would", "> > > Sounds redundant, but the fact he's handing it is also", "redundant information after a dialogue and is there a way around this? Sometimes,", "we avoid repeating redundant information after a dialogue and is there a way", "information after a dialogue and is there a way around this? Sometimes, you", "a line, but that also seems to be redundant, and it leads to", "> > Sounds redundant, but the fact he's handing it is also important", "redundant, but the fact he's handing it is also important somewhat, or can", "around this? For example: > > \"Here's the chip in question.\" he said", "that also seems to be redundant, and it leads to some pretty bad", "handed the chip to him. > \"It's a very old chip, make sure", "redundant, and it leads to some pretty bad prose. How would you work", "there a way around this? Sometimes, you feel prompted to write the description", "but that also seems to be redundant, and it leads to some pretty", "Sounds redundant, but the fact he's handing it is also important somewhat, or", "that follows a line, but that also seems to be redundant, and it", "this? For example: > > \"Here's the chip in question.\" he said as", "How would you work around this? For example: > > \"Here's the chip", "> \"It's a very old chip, make sure you take care of it.\"", "chip to him. > \"It's a very old chip, make sure you take", "example: > > \"Here's the chip in question.\" he said as he handed", "is there a way around this? Sometimes, you feel prompted to write the", "in question.\" he said as he handed the chip to him. > \"It's", "of it.\" > > > Sounds redundant, but the fact he's handing it", "of an action that follows a line, but that also seems to be", "action that follows a line, but that also seems to be redundant, and", "him. > \"It's a very old chip, make sure you take care of", "prompted to write the description of an action that follows a line, but", "seems to be redundant, and it leads to some pretty bad prose. How", "description of an action that follows a line, but that also seems to", "would you work around this? For example: > > \"Here's the chip in", "chip, make sure you take care of it.\" > > > Sounds redundant,", "\"It's a very old chip, make sure you take care of it.\" >", "> Sounds redundant, but the fact he's handing it is also important somewhat,", "an action that follows a line, but that also seems to be redundant,", "to some pretty bad prose. How would you work around this? For example:", "follows a line, but that also seems to be redundant, and it leads", "but the fact he's handing it is also important somewhat, or can be", "bad prose. How would you work around this? For example: > > \"Here's" ]
[ "dies in a later book, and knowing they never get their bottle of", "simple moment of comradery and thanks giving for what they owe that person.", "buying a third character a drink when they all got home, on the", "this is a simple moment of comradery and thanks giving for what they", "and knowing they never get their bottle of booze makes the moment very", "met a few of these but the most recent instance was two characters", "all got home, on the first reading this is a simple moment of", "on a more poignant note, the character dies in a later book, and", "moment very different. I'm wondering if there's a specific name for these moments", "two characters discussing buying a third character a drink when they all got", "first time and sad when reread because of the ultimate fate of the", "the series again this moment takes on a more poignant note, the character", "booze makes the moment very different. I'm wondering if there's a specific name", "time and sad when reread because of the ultimate fate of the characters", "this moment takes on a more poignant note, the character dies in a", "reading the series again this moment takes on a more poignant note, the", "there's a specific name for these moments that are simple the first time", "when they all got home, on the first reading this is a simple", "knowing they never get their bottle of booze makes the moment very different.", "instance was two characters discussing buying a third character a drink when they", "later book, and knowing they never get their bottle of booze makes the", "takes on a more poignant note, the character dies in a later book,", "that person. When reading the series again this moment takes on a more", "poignant note, the character dies in a later book, and knowing they never", "they never get their bottle of booze makes the moment very different. I'm", "for these moments that are simple the first time and sad when reread", "the first reading this is a simple moment of comradery and thanks giving", "a specific name for these moments that are simple the first time and", "owe that person. When reading the series again this moment takes on a", "of booze makes the moment very different. I'm wondering if there's a specific", "home, on the first reading this is a simple moment of comradery and", "I'm wondering if there's a specific name for these moments that are simple", "never get their bottle of booze makes the moment very different. I'm wondering", "specific name for these moments that are simple the first time and sad", "book, and knowing they never get their bottle of booze makes the moment", "what they owe that person. When reading the series again this moment takes", "in a later book, and knowing they never get their bottle of booze", "few of these but the most recent instance was two characters discussing buying", "on the first reading this is a simple moment of comradery and thanks", "for what they owe that person. When reading the series again this moment", "third character a drink when they all got home, on the first reading", "a third character a drink when they all got home, on the first", "the most recent instance was two characters discussing buying a third character a", "most recent instance was two characters discussing buying a third character a drink", "are simple the first time and sad when reread because of the ultimate", "character a drink when they all got home, on the first reading this", "and thanks giving for what they owe that person. When reading the series", "a more poignant note, the character dies in a later book, and knowing", "recent instance was two characters discussing buying a third character a drink when", "got home, on the first reading this is a simple moment of comradery", "a drink when they all got home, on the first reading this is", "was two characters discussing buying a third character a drink when they all", "character dies in a later book, and knowing they never get their bottle", "very different. I'm wondering if there's a specific name for these moments that", "thanks giving for what they owe that person. When reading the series again", "the first time and sad when reread because of the ultimate fate of", "they all got home, on the first reading this is a simple moment", "simple the first time and sad when reread because of the ultimate fate", "more poignant note, the character dies in a later book, and knowing they", "series again this moment takes on a more poignant note, the character dies", "moment of comradery and thanks giving for what they owe that person. When", "of comradery and thanks giving for what they owe that person. When reading", "comradery and thanks giving for what they owe that person. When reading the", "these moments that are simple the first time and sad when reread because", "drink when they all got home, on the first reading this is a", "a simple moment of comradery and thanks giving for what they owe that", "name for these moments that are simple the first time and sad when", "When reading the series again this moment takes on a more poignant note,", "characters discussing buying a third character a drink when they all got home,", "a later book, and knowing they never get their bottle of booze makes", "and sad when reread because of the ultimate fate of the characters involved?", "the moment very different. I'm wondering if there's a specific name for these", "giving for what they owe that person. When reading the series again this", "again this moment takes on a more poignant note, the character dies in", "discussing buying a third character a drink when they all got home, on", "is a simple moment of comradery and thanks giving for what they owe", "they owe that person. When reading the series again this moment takes on", "wondering if there's a specific name for these moments that are simple the", "first reading this is a simple moment of comradery and thanks giving for", "moment takes on a more poignant note, the character dies in a later", "a few of these but the most recent instance was two characters discussing", "person. When reading the series again this moment takes on a more poignant", "I've met a few of these but the most recent instance was two", "if there's a specific name for these moments that are simple the first", "get their bottle of booze makes the moment very different. I'm wondering if", "that are simple the first time and sad when reread because of the", "note, the character dies in a later book, and knowing they never get", "makes the moment very different. I'm wondering if there's a specific name for", "their bottle of booze makes the moment very different. I'm wondering if there's", "reading this is a simple moment of comradery and thanks giving for what", "but the most recent instance was two characters discussing buying a third character", "the character dies in a later book, and knowing they never get their", "different. I'm wondering if there's a specific name for these moments that are", "of these but the most recent instance was two characters discussing buying a", "these but the most recent instance was two characters discussing buying a third", "moments that are simple the first time and sad when reread because of", "bottle of booze makes the moment very different. I'm wondering if there's a" ]
[ "avoid LGBT representation--five out of six of the living named characters that I've", "and Ezrith is his adoptive mom. Pastea was accidentally killed by UrasMt when", "mind, is it still bad that I have a female character who was", "a woman die? And if so, how can I change my story or", "that I've written are queer. With this context in mind, is it still", "two mothers, Pastea and Ezrith (Ezrith is the antagonist). Pastea was his biological", "lover\" trope is also used a lot, and is pretty tired. But I'm", "that I have a female character who was in love with a woman", "trope is extremely popular in the media, especially with shows/books/movies that want to", "Pastea was accidentally killed by UrasMt when UrasMt was a child, and neither", "extremely popular in the media, especially with shows/books/movies that want to avoid having", "written are queer. With this context in mind, is it still bad that", "MC, UrasMt' love interest, Caspian, has/had two mothers, Pastea and Ezrith (Ezrith is", "reference, I am queer.) In my post-apocalyptic novel and in the short story", "novel and in the short story from the novel's antagonist's perspective, my MC,", "how can I change my story or development to avoid any underlying homophobic", "was accidentally killed by UrasMt when UrasMt was a child, and neither Caspian", "was a child, and neither Caspian nor Ezrith know about it. I know", "with shows/books/movies that want to avoid having LGBT representation, so they kill off", "queer.) In my post-apocalyptic novel and in the short story from the novel's", "UrasMt was a child, and neither Caspian nor Ezrith know about it. I", "am queer.) In my post-apocalyptic novel and in the short story from the", "biological mom, and Ezrith is his adoptive mom. Pastea was accidentally killed by", "characters that I've written are queer. With this context in mind, is it", "love with a woman die? And if so, how can I change my", "the only queer character. The \"lesbian/gay character has a dead lover\" trope is", "know the \"lesbian/gay character dies\" trope is extremely popular in the media, especially", "\"lesbian/gay character has a dead lover\" trope is also used a lot, and", "representation--five out of six of the living named characters that I've written are", "my MC, UrasMt' love interest, Caspian, has/had two mothers, Pastea and Ezrith (Ezrith", "and neither Caspian nor Ezrith know about it. I know the \"lesbian/gay character", "UrasMt when UrasMt was a child, and neither Caspian nor Ezrith know about", "(For reference, I am queer.) In my post-apocalyptic novel and in the short", "living named characters that I've written are queer. With this context in mind,", "way to avoid LGBT representation--five out of six of the living named characters", "nor Ezrith know about it. I know the \"lesbian/gay character dies\" trope is", "the media, especially with shows/books/movies that want to avoid having LGBT representation, so", "short story from the novel's antagonist's perspective, my MC, UrasMt' love interest, Caspian,", "In my post-apocalyptic novel and in the short story from the novel's antagonist's", "LGBT representation--five out of six of the living named characters that I've written", "Caspian nor Ezrith know about it. I know the \"lesbian/gay character dies\" trope", "the \"lesbian/gay character dies\" trope is extremely popular in the media, especially with", "I've written are queer. With this context in mind, is it still bad", "from the novel's antagonist's perspective, my MC, UrasMt' love interest, Caspian, has/had two", "that want to avoid having LGBT representation, so they kill off the only", "dead lover\" trope is also used a lot, and is pretty tired. But", "especially with shows/books/movies that want to avoid having LGBT representation, so they kill", "with a woman die? And if so, how can I change my story", "dies\" trope is extremely popular in the media, especially with shows/books/movies that want", "lot, and is pretty tired. But I'm not using Pastea's death as a", "avoid having LGBT representation, so they kill off the only queer character. The", "is also used a lot, and is pretty tired. But I'm not using", "still bad that I have a female character who was in love with", "With this context in mind, is it still bad that I have a", "Pastea and Ezrith (Ezrith is the antagonist). Pastea was his biological mom, and", "only queer character. The \"lesbian/gay character has a dead lover\" trope is also", "love interest, Caspian, has/had two mothers, Pastea and Ezrith (Ezrith is the antagonist).", "kill off the only queer character. The \"lesbian/gay character has a dead lover\"", "queer. With this context in mind, is it still bad that I have", "LGBT representation, so they kill off the only queer character. The \"lesbian/gay character", "Caspian, has/had two mothers, Pastea and Ezrith (Ezrith is the antagonist). Pastea was", "interest, Caspian, has/had two mothers, Pastea and Ezrith (Ezrith is the antagonist). Pastea", "out of six of the living named characters that I've written are queer.", "having LGBT representation, so they kill off the only queer character. The \"lesbian/gay", "antagonist). Pastea was his biological mom, and Ezrith is his adoptive mom. Pastea", "I know the \"lesbian/gay character dies\" trope is extremely popular in the media,", "death as a way to avoid LGBT representation--five out of six of the", "neither Caspian nor Ezrith know about it. I know the \"lesbian/gay character dies\"", "mom. Pastea was accidentally killed by UrasMt when UrasMt was a child, and", "to avoid having LGBT representation, so they kill off the only queer character.", "is pretty tired. But I'm not using Pastea's death as a way to", "context in mind, is it still bad that I have a female character", "the short story from the novel's antagonist's perspective, my MC, UrasMt' love interest,", "character who was in love with a woman die? And if so, how", "bad that I have a female character who was in love with a", "is it still bad that I have a female character who was in", "in the short story from the novel's antagonist's perspective, my MC, UrasMt' love", "using Pastea's death as a way to avoid LGBT representation--five out of six", "and in the short story from the novel's antagonist's perspective, my MC, UrasMt'", "his biological mom, and Ezrith is his adoptive mom. Pastea was accidentally killed", "woman die? And if so, how can I change my story or development", "have a female character who was in love with a woman die? And", "who was in love with a woman die? And if so, how can", "was his biological mom, and Ezrith is his adoptive mom. Pastea was accidentally", "die? And if so, how can I change my story or development to", "queer character. The \"lesbian/gay character has a dead lover\" trope is also used", "named characters that I've written are queer. With this context in mind, is", "Ezrith (Ezrith is the antagonist). Pastea was his biological mom, and Ezrith is", "it still bad that I have a female character who was in love", "and Ezrith (Ezrith is the antagonist). Pastea was his biological mom, and Ezrith", "his adoptive mom. Pastea was accidentally killed by UrasMt when UrasMt was a", "has a dead lover\" trope is also used a lot, and is pretty", "I am queer.) In my post-apocalyptic novel and in the short story from", "\"lesbian/gay character dies\" trope is extremely popular in the media, especially with shows/books/movies", "adoptive mom. Pastea was accidentally killed by UrasMt when UrasMt was a child,", "perspective, my MC, UrasMt' love interest, Caspian, has/had two mothers, Pastea and Ezrith", "has/had two mothers, Pastea and Ezrith (Ezrith is the antagonist). Pastea was his", "is extremely popular in the media, especially with shows/books/movies that want to avoid", "popular in the media, especially with shows/books/movies that want to avoid having LGBT", "Pastea was his biological mom, and Ezrith is his adoptive mom. Pastea was", "and is pretty tired. But I'm not using Pastea's death as a way", "I'm not using Pastea's death as a way to avoid LGBT representation--five out", "antagonist's perspective, my MC, UrasMt' love interest, Caspian, has/had two mothers, Pastea and", "the antagonist). Pastea was his biological mom, and Ezrith is his adoptive mom.", "so, how can I change my story or development to avoid any underlying", "of six of the living named characters that I've written are queer. With", "also used a lot, and is pretty tired. But I'm not using Pastea's", "as a way to avoid LGBT representation--five out of six of the living", "post-apocalyptic novel and in the short story from the novel's antagonist's perspective, my", "mom, and Ezrith is his adoptive mom. Pastea was accidentally killed by UrasMt", "character. The \"lesbian/gay character has a dead lover\" trope is also used a", "media, especially with shows/books/movies that want to avoid having LGBT representation, so they", "in love with a woman die? And if so, how can I change", "UrasMt' love interest, Caspian, has/had two mothers, Pastea and Ezrith (Ezrith is the", "Ezrith is his adoptive mom. Pastea was accidentally killed by UrasMt when UrasMt", "character dies\" trope is extremely popular in the media, especially with shows/books/movies that", "is his adoptive mom. Pastea was accidentally killed by UrasMt when UrasMt was", "was in love with a woman die? And if so, how can I", "(Ezrith is the antagonist). Pastea was his biological mom, and Ezrith is his", "the novel's antagonist's perspective, my MC, UrasMt' love interest, Caspian, has/had two mothers,", "novel's antagonist's perspective, my MC, UrasMt' love interest, Caspian, has/had two mothers, Pastea", "so they kill off the only queer character. The \"lesbian/gay character has a", "six of the living named characters that I've written are queer. With this", "not using Pastea's death as a way to avoid LGBT representation--five out of", "story from the novel's antagonist's perspective, my MC, UrasMt' love interest, Caspian, has/had", "a dead lover\" trope is also used a lot, and is pretty tired.", "a way to avoid LGBT representation--five out of six of the living named", "this context in mind, is it still bad that I have a female", "Ezrith know about it. I know the \"lesbian/gay character dies\" trope is extremely", "is the antagonist). Pastea was his biological mom, and Ezrith is his adoptive", "to avoid LGBT representation--five out of six of the living named characters that", "female character who was in love with a woman die? And if so,", "the living named characters that I've written are queer. With this context in", "Pastea's death as a way to avoid LGBT representation--five out of six of", "I have a female character who was in love with a woman die?", "a lot, and is pretty tired. But I'm not using Pastea's death as", "pretty tired. But I'm not using Pastea's death as a way to avoid", "accidentally killed by UrasMt when UrasMt was a child, and neither Caspian nor", "mothers, Pastea and Ezrith (Ezrith is the antagonist). Pastea was his biological mom,", "know about it. I know the \"lesbian/gay character dies\" trope is extremely popular", "about it. I know the \"lesbian/gay character dies\" trope is extremely popular in", "are queer. With this context in mind, is it still bad that I", "The \"lesbian/gay character has a dead lover\" trope is also used a lot,", "a child, and neither Caspian nor Ezrith know about it. I know the", "trope is also used a lot, and is pretty tired. But I'm not", "tired. But I'm not using Pastea's death as a way to avoid LGBT", "shows/books/movies that want to avoid having LGBT representation, so they kill off the", "if so, how can I change my story or development to avoid any", "off the only queer character. The \"lesbian/gay character has a dead lover\" trope", "But I'm not using Pastea's death as a way to avoid LGBT representation--five", "in the media, especially with shows/books/movies that want to avoid having LGBT representation,", "And if so, how can I change my story or development to avoid", "used a lot, and is pretty tired. But I'm not using Pastea's death", "want to avoid having LGBT representation, so they kill off the only queer", "in mind, is it still bad that I have a female character who", "my post-apocalyptic novel and in the short story from the novel's antagonist's perspective,", "when UrasMt was a child, and neither Caspian nor Ezrith know about it.", "they kill off the only queer character. The \"lesbian/gay character has a dead", "child, and neither Caspian nor Ezrith know about it. I know the \"lesbian/gay", "killed by UrasMt when UrasMt was a child, and neither Caspian nor Ezrith", "a female character who was in love with a woman die? And if", "character has a dead lover\" trope is also used a lot, and is", "by UrasMt when UrasMt was a child, and neither Caspian nor Ezrith know", "of the living named characters that I've written are queer. With this context", "can I change my story or development to avoid any underlying homophobic tones?", "representation, so they kill off the only queer character. The \"lesbian/gay character has", "it. I know the \"lesbian/gay character dies\" trope is extremely popular in the" ]
[ "”I don’t like this at all, ” he said, as the door closed", "all, ” he said, as the door closed behind them. > > Or", "before the word ”as”. For example: > > ”I don’t like this at", "be used after a dialogue tag and before the word ”as”. For example:", "don’t like this at all, ” he said, as the door closed behind", "this at all, ” he said as the door closed behind > them.", "them. > > > Is the comma required? Is this proper to extend", "he said, as the door closed behind them. > > Or > ”I", "> > Is the comma required? Is this proper to extend a sentence", "used after a dialogue tag and before the word ”as”. For example: >", "Or > ”I don’t like this at all, ” he said as the", "dialogue tag and before the word ”as”. For example: > > ”I don’t", "door closed behind them. > > Or > ”I don’t like this at", "Should a comma be used after a dialogue tag and before the word", "at all, ” he said, as the door closed behind them. > >", "closed behind > them. > > > Is the comma required? Is this", "comma required? Is this proper to extend a sentence after a dialogue tag?", "this at all, ” he said, as the door closed behind them. >", "” he said, as the door closed behind them. > > Or >", "For example: > > ”I don’t like this at all, ” he said,", "> Or > ”I don’t like this at all, ” he said as", "> ”I don’t like this at all, ” he said, as the door", "them. > > Or > ”I don’t like this at all, ” he", "> > Or > ”I don’t like this at all, ” he said", "and before the word ”as”. For example: > > ”I don’t like this", "”I don’t like this at all, ” he said as the door closed", "> ”I don’t like this at all, ” he said as the door", "> Is the comma required? Is this proper to extend a sentence after", "Is this proper to extend a sentence after a dialogue tag? Thank you!", "after a dialogue tag and before the word ”as”. For example: > >", "as the door closed behind > them. > > > Is the comma", "a dialogue tag and before the word ”as”. For example: > > ”I", "required? Is this proper to extend a sentence after a dialogue tag? Thank", "all, ” he said as the door closed behind > them. > >", "he said as the door closed behind > them. > > > Is", "behind > them. > > > Is the comma required? Is this proper", "door closed behind > them. > > > Is the comma required? Is", "example: > > ”I don’t like this at all, ” he said, as", "comma be used after a dialogue tag and before the word ”as”. For", "a comma be used after a dialogue tag and before the word ”as”.", "closed behind them. > > Or > ”I don’t like this at all,", "said as the door closed behind > them. > > > Is the", "the door closed behind them. > > Or > ”I don’t like this", "don’t like this at all, ” he said as the door closed behind", "Is the comma required? Is this proper to extend a sentence after a", "like this at all, ” he said, as the door closed behind them.", "said, as the door closed behind them. > > Or > ”I don’t", "the comma required? Is this proper to extend a sentence after a dialogue", "> them. > > > Is the comma required? Is this proper to", "tag and before the word ”as”. For example: > > ”I don’t like", "word ”as”. For example: > > ”I don’t like this at all, ”", "”as”. For example: > > ”I don’t like this at all, ” he", "the door closed behind > them. > > > Is the comma required?", "> > > Is the comma required? Is this proper to extend a", "> > ”I don’t like this at all, ” he said, as the", "like this at all, ” he said as the door closed behind >", "behind them. > > Or > ”I don’t like this at all, ”", "as the door closed behind them. > > Or > ”I don’t like", "” he said as the door closed behind > them. > > >", "at all, ” he said as the door closed behind > them. >", "the word ”as”. For example: > > ”I don’t like this at all," ]
[ "remembering the time things happened at school. > > \"Is everything alright,\" I", "at school. > > \"Is everything alright,\" I said. > > \"Didn't the", "books or stories to research how the first person character could effectively address", "mad. Cuson remained stoic, remembering the time things happened at school. > >", "tell you,\" said Cuson thinking of home. \"I'm not the sharing type.\" >", "any books or stories to research how the first person character could effectively", "in first person, but with a third person narrator for the secondary character.", "the first person character could effectively address the narrator in a chapter with", "confusion? Oversimplified: > > I thought he was mad. Cuson remained stoic, remembering", "research how the first person character could effectively address the narrator in a", "first person character could effectively address the narrator in a chapter with competing", "narrator in a chapter with competing POVs without confusion? Oversimplified: > > I", "stories to research how the first person character could effectively address the narrator", "address the narrator in a chapter with competing POVs without confusion? Oversimplified: >", "I said. > > \"Didn't the narrator tell you,\" said Cuson thinking of", "you,\" said Cuson thinking of home. \"I'm not the sharing type.\" > >", "was mad. Cuson remained stoic, remembering the time things happened at school. >", "narrator tell you,\" said Cuson thinking of home. \"I'm not the sharing type.\"", "story in first person, but with a third person narrator for the secondary", "stoic, remembering the time things happened at school. > > \"Is everything alright,\"", "character. I was wondering if there were any books or stories to research", "I thought he was mad. Cuson remained stoic, remembering the time things happened", "\"Didn't the narrator tell you,\" said Cuson thinking of home. \"I'm not the", "Cuson remained stoic, remembering the time things happened at school. > > \"Is", "without confusion? Oversimplified: > > I thought he was mad. Cuson remained stoic,", "school. > > \"Is everything alright,\" I said. > > \"Didn't the narrator", "> \"Didn't the narrator tell you,\" said Cuson thinking of home. \"I'm not", "with competing POVs without confusion? Oversimplified: > > I thought he was mad.", "in a chapter with competing POVs without confusion? Oversimplified: > > I thought", "he was mad. Cuson remained stoic, remembering the time things happened at school.", "character could effectively address the narrator in a chapter with competing POVs without", "remained stoic, remembering the time things happened at school. > > \"Is everything", "secondary character. I was wondering if there were any books or stories to", "said. > > \"Didn't the narrator tell you,\" said Cuson thinking of home.", "writing a story in first person, but with a third person narrator for", "with a third person narrator for the secondary character. I was wondering if", "or stories to research how the first person character could effectively address the", "> > \"Didn't the narrator tell you,\" said Cuson thinking of home. \"I'm", "there were any books or stories to research how the first person character", "first person, but with a third person narrator for the secondary character. I", "\"Is everything alright,\" I said. > > \"Didn't the narrator tell you,\" said", "the time things happened at school. > > \"Is everything alright,\" I said.", "a story in first person, but with a third person narrator for the", "could effectively address the narrator in a chapter with competing POVs without confusion?", "was wondering if there were any books or stories to research how the", "everything alright,\" I said. > > \"Didn't the narrator tell you,\" said Cuson", "the narrator in a chapter with competing POVs without confusion? Oversimplified: > >", "happened at school. > > \"Is everything alright,\" I said. > > \"Didn't", "> > I thought he was mad. Cuson remained stoic, remembering the time", "a chapter with competing POVs without confusion? Oversimplified: > > I thought he", "how the first person character could effectively address the narrator in a chapter", "Oversimplified: > > I thought he was mad. Cuson remained stoic, remembering the", "said Cuson thinking of home. \"I'm not the sharing type.\" > > >", "if there were any books or stories to research how the first person", "but with a third person narrator for the secondary character. I was wondering", "third person narrator for the secondary character. I was wondering if there were", "person character could effectively address the narrator in a chapter with competing POVs", "thought he was mad. Cuson remained stoic, remembering the time things happened at", "time things happened at school. > > \"Is everything alright,\" I said. >", "to research how the first person character could effectively address the narrator in", "competing POVs without confusion? Oversimplified: > > I thought he was mad. Cuson", "person narrator for the secondary character. I was wondering if there were any", "the secondary character. I was wondering if there were any books or stories", "effectively address the narrator in a chapter with competing POVs without confusion? Oversimplified:", "were any books or stories to research how the first person character could", "the narrator tell you,\" said Cuson thinking of home. \"I'm not the sharing", "wondering if there were any books or stories to research how the first", "person, but with a third person narrator for the secondary character. I was", "things happened at school. > > \"Is everything alright,\" I said. > >", "POVs without confusion? Oversimplified: > > I thought he was mad. Cuson remained", "for the secondary character. I was wondering if there were any books or", "> \"Is everything alright,\" I said. > > \"Didn't the narrator tell you,\"", "> > \"Is everything alright,\" I said. > > \"Didn't the narrator tell", "narrator for the secondary character. I was wondering if there were any books", "I'm writing a story in first person, but with a third person narrator", "I was wondering if there were any books or stories to research how", "a third person narrator for the secondary character. I was wondering if there", "chapter with competing POVs without confusion? Oversimplified: > > I thought he was", "> I thought he was mad. Cuson remained stoic, remembering the time things", "alright,\" I said. > > \"Didn't the narrator tell you,\" said Cuson thinking" ]
[ "get mad and dump the tea on her own head. (I tried to", "objectively tell if an ambiguous sentence will cause confusion and needs to be", "On further reflection, I realized this sentence is ambiguous: I never said which", "sudden, fierce urge to snatch the teacup out > of her sister's hand", "a sudden, fierce urge to snatch the teacup out > of her sister's", "dump the contents into her perfectly arranged > hair. > > > On", "her sister's hand and dump the contents into her perfectly arranged > hair.", "reflection, I realized this sentence is ambiguous: I never said which of the", "head. (I tried to replace the pronoun with her sister's name, but the", "realized this sentence is ambiguous: I never said which of the two gets", "the resulting sentence just felt... clumsy.) Is there a way I can objectively", "really needs fixing - it wouldn't make sense for Atysri to get mad", "the two gets the tea dumped on her head. Except, I'm not sure", "Is there a way I can objectively tell if an ambiguous sentence will", "A story of mine has the following sentence: > > Atysri was possessed", "of her sister's hand and dump the contents into her perfectly arranged >", "dumped on her head. Except, I'm not sure that the sentence really needs", "dump the tea on her own head. (I tried to replace the pronoun", "possessed by a sudden, fierce urge to snatch the teacup out > of", "> of her sister's hand and dump the contents into her perfectly arranged", "gets the tea dumped on her head. Except, I'm not sure that the", "clumsy.) Is there a way I can objectively tell if an ambiguous sentence", "I realized this sentence is ambiguous: I never said which of the two", "I'm not sure that the sentence really needs fixing - it wouldn't make", "her head. Except, I'm not sure that the sentence really needs fixing -", "> Atysri was possessed by a sudden, fierce urge to snatch the teacup", "tea dumped on her head. Except, I'm not sure that the sentence really", "arranged > hair. > > > On further reflection, I realized this sentence", "to get mad and dump the tea on her own head. (I tried", "for Atysri to get mad and dump the tea on her own head.", "> > > On further reflection, I realized this sentence is ambiguous: I", "is ambiguous: I never said which of the two gets the tea dumped", "to snatch the teacup out > of her sister's hand and dump the", "there a way I can objectively tell if an ambiguous sentence will cause", "hand and dump the contents into her perfectly arranged > hair. > >", "mine has the following sentence: > > Atysri was possessed by a sudden,", "the sentence really needs fixing - it wouldn't make sense for Atysri to", "perfectly arranged > hair. > > > On further reflection, I realized this", "never said which of the two gets the tea dumped on her head.", "and dump the contents into her perfectly arranged > hair. > > >", "I can objectively tell if an ambiguous sentence will cause confusion and needs", "tea on her own head. (I tried to replace the pronoun with her", "on her head. Except, I'm not sure that the sentence really needs fixing", "it wouldn't make sense for Atysri to get mad and dump the tea", "into her perfectly arranged > hair. > > > On further reflection, I", "Except, I'm not sure that the sentence really needs fixing - it wouldn't", "sentence: > > Atysri was possessed by a sudden, fierce urge to snatch", "name, but the resulting sentence just felt... clumsy.) Is there a way I", "needs fixing - it wouldn't make sense for Atysri to get mad and", "of the two gets the tea dumped on her head. Except, I'm not", "make sense for Atysri to get mad and dump the tea on her", "but the resulting sentence just felt... clumsy.) Is there a way I can", "replace the pronoun with her sister's name, but the resulting sentence just felt...", "was possessed by a sudden, fierce urge to snatch the teacup out >", "out > of her sister's hand and dump the contents into her perfectly", "the following sentence: > > Atysri was possessed by a sudden, fierce urge", "said which of the two gets the tea dumped on her head. Except,", "the tea on her own head. (I tried to replace the pronoun with", "Atysri was possessed by a sudden, fierce urge to snatch the teacup out", "her own head. (I tried to replace the pronoun with her sister's name,", "(I tried to replace the pronoun with her sister's name, but the resulting", "felt... clumsy.) Is there a way I can objectively tell if an ambiguous", "sure that the sentence really needs fixing - it wouldn't make sense for", "two gets the tea dumped on her head. Except, I'm not sure that", "sentence really needs fixing - it wouldn't make sense for Atysri to get", "- it wouldn't make sense for Atysri to get mad and dump the", "tried to replace the pronoun with her sister's name, but the resulting sentence", "hair. > > > On further reflection, I realized this sentence is ambiguous:", "following sentence: > > Atysri was possessed by a sudden, fierce urge to", "her sister's name, but the resulting sentence just felt... clumsy.) Is there a", "> On further reflection, I realized this sentence is ambiguous: I never said", "sentence just felt... clumsy.) Is there a way I can objectively tell if", "by a sudden, fierce urge to snatch the teacup out > of her", "sister's hand and dump the contents into her perfectly arranged > hair. >", "urge to snatch the teacup out > of her sister's hand and dump", "that the sentence really needs fixing - it wouldn't make sense for Atysri", "sister's name, but the resulting sentence just felt... clumsy.) Is there a way", "the teacup out > of her sister's hand and dump the contents into", "on her own head. (I tried to replace the pronoun with her sister's", "a way I can objectively tell if an ambiguous sentence will cause confusion", "which of the two gets the tea dumped on her head. Except, I'm", "to replace the pronoun with her sister's name, but the resulting sentence just", "own head. (I tried to replace the pronoun with her sister's name, but", "contents into her perfectly arranged > hair. > > > On further reflection,", "just felt... clumsy.) Is there a way I can objectively tell if an", "tell if an ambiguous sentence will cause confusion and needs to be fixed?", "way I can objectively tell if an ambiguous sentence will cause confusion and", "ambiguous: I never said which of the two gets the tea dumped on", "further reflection, I realized this sentence is ambiguous: I never said which of", "the contents into her perfectly arranged > hair. > > > On further", "fierce urge to snatch the teacup out > of her sister's hand and", "with her sister's name, but the resulting sentence just felt... clumsy.) Is there", "resulting sentence just felt... clumsy.) Is there a way I can objectively tell", "the pronoun with her sister's name, but the resulting sentence just felt... clumsy.)", "head. Except, I'm not sure that the sentence really needs fixing - it", "can objectively tell if an ambiguous sentence will cause confusion and needs to", "the tea dumped on her head. Except, I'm not sure that the sentence", "sentence is ambiguous: I never said which of the two gets the tea", "and dump the tea on her own head. (I tried to replace the", "story of mine has the following sentence: > > Atysri was possessed by", "this sentence is ambiguous: I never said which of the two gets the", "of mine has the following sentence: > > Atysri was possessed by a", "sense for Atysri to get mad and dump the tea on her own", "> > Atysri was possessed by a sudden, fierce urge to snatch the", "her perfectly arranged > hair. > > > On further reflection, I realized", "has the following sentence: > > Atysri was possessed by a sudden, fierce", "pronoun with her sister's name, but the resulting sentence just felt... clumsy.) Is", "snatch the teacup out > of her sister's hand and dump the contents", "not sure that the sentence really needs fixing - it wouldn't make sense", "wouldn't make sense for Atysri to get mad and dump the tea on", "I never said which of the two gets the tea dumped on her", "> > On further reflection, I realized this sentence is ambiguous: I never", "> hair. > > > On further reflection, I realized this sentence is", "mad and dump the tea on her own head. (I tried to replace", "teacup out > of her sister's hand and dump the contents into her", "fixing - it wouldn't make sense for Atysri to get mad and dump", "Atysri to get mad and dump the tea on her own head. (I" ]
[ "living from my blog because I have online earning limitations in my country", "various other topics. I want to make a living writing from those articles", "to clients. Are they called 'opinion' articles? I know there's such thing but", "know the name of those type of articles so that I can market", "I only write my thoughts and opinions on topics such as world peace,", "earning limitations in my country that makes it impossible to receive my money", "it applies to non-political topics as a lot of the definitions I read", "topics. I want to make a living writing from those articles and I", "the definitions I read seem to be talking about political topics only. Please", "market myself to clients. Are they called 'opinion' articles? I know there's such", "such as world peace, social matters, art & culture, and various other topics.", "those articles and I want to know the name of those type of", "topics such as world peace, social matters, art & culture, and various other", "Are they called 'opinion' articles? I know there's such thing but I'm not", "know there's such thing but I'm not sure if it applies to non-political", "thing but I'm not sure if it applies to non-political topics as a", "that I can market myself to clients. Are they called 'opinion' articles? I", "limitations in my country that makes it impossible to receive my money online.", "and I want to know the name of those type of articles so", "to make a living writing from those articles and I want to know", "they called 'opinion' articles? I know there's such thing but I'm not sure", "culture, and various other topics. I want to make a living writing from", "talking about political topics only. Please note, that I can't make a living", "non-political topics as a lot of the definitions I read seem to be", "peace, social matters, art & culture, and various other topics. I want to", "& culture, and various other topics. I want to make a living writing", "been blogging for a while and I only write my thoughts and opinions", "blog because I have online earning limitations in my country that makes it", "sure if it applies to non-political topics as a lot of the definitions", "articles and I want to know the name of those type of articles", "about political topics only. Please note, that I can't make a living from", "living writing from those articles and I want to know the name of", "of the definitions I read seem to be talking about political topics only.", "thoughts and opinions on topics such as world peace, social matters, art &", "seem to be talking about political topics only. Please note, that I can't", "I know there's such thing but I'm not sure if it applies to", "of those type of articles so that I can market myself to clients.", "be talking about political topics only. Please note, that I can't make a", "so that I can market myself to clients. Are they called 'opinion' articles?", "I read seem to be talking about political topics only. Please note, that", "from my blog because I have online earning limitations in my country that", "make a living from my blog because I have online earning limitations in", "political topics only. Please note, that I can't make a living from my", "social matters, art & culture, and various other topics. I want to make", "articles so that I can market myself to clients. Are they called 'opinion'", "my blog because I have online earning limitations in my country that makes", "topics only. Please note, that I can't make a living from my blog", "art & culture, and various other topics. I want to make a living", "online earning limitations in my country that makes it impossible to receive my", "topics as a lot of the definitions I read seem to be talking", "I have online earning limitations in my country that makes it impossible to", "a while and I only write my thoughts and opinions on topics such", "applies to non-political topics as a lot of the definitions I read seem", "to be talking about political topics only. Please note, that I can't make", "I've been blogging for a while and I only write my thoughts and", "make a living writing from those articles and I want to know the", "writing from those articles and I want to know the name of those", "opinions on topics such as world peace, social matters, art & culture, and", "not sure if it applies to non-political topics as a lot of the", "only. Please note, that I can't make a living from my blog because", "but I'm not sure if it applies to non-political topics as a lot", "to know the name of those type of articles so that I can", "a living from my blog because I have online earning limitations in my", "lot of the definitions I read seem to be talking about political topics", "such thing but I'm not sure if it applies to non-political topics as", "clients. Are they called 'opinion' articles? I know there's such thing but I'm", "and various other topics. I want to make a living writing from those", "I can market myself to clients. Are they called 'opinion' articles? I know", "'opinion' articles? I know there's such thing but I'm not sure if it", "only write my thoughts and opinions on topics such as world peace, social", "I can't make a living from my blog because I have online earning", "as a lot of the definitions I read seem to be talking about", "blogging for a while and I only write my thoughts and opinions on", "while and I only write my thoughts and opinions on topics such as", "write my thoughts and opinions on topics such as world peace, social matters,", "matters, art & culture, and various other topics. I want to make a", "definitions I read seem to be talking about political topics only. Please note,", "a living writing from those articles and I want to know the name", "I want to know the name of those type of articles so that", "to non-political topics as a lot of the definitions I read seem to", "myself to clients. Are they called 'opinion' articles? I know there's such thing", "the name of those type of articles so that I can market myself", "Please note, that I can't make a living from my blog because I", "there's such thing but I'm not sure if it applies to non-political topics", "world peace, social matters, art & culture, and various other topics. I want", "a lot of the definitions I read seem to be talking about political", "as world peace, social matters, art & culture, and various other topics. I", "and opinions on topics such as world peace, social matters, art & culture,", "those type of articles so that I can market myself to clients. Are", "want to know the name of those type of articles so that I", "for a while and I only write my thoughts and opinions on topics", "if it applies to non-political topics as a lot of the definitions I", "articles? I know there's such thing but I'm not sure if it applies", "that I can't make a living from my blog because I have online", "from those articles and I want to know the name of those type", "of articles so that I can market myself to clients. Are they called", "my thoughts and opinions on topics such as world peace, social matters, art", "and I only write my thoughts and opinions on topics such as world", "other topics. I want to make a living writing from those articles and", "I want to make a living writing from those articles and I want", "on topics such as world peace, social matters, art & culture, and various", "called 'opinion' articles? I know there's such thing but I'm not sure if", "note, that I can't make a living from my blog because I have", "have online earning limitations in my country that makes it impossible to receive", "want to make a living writing from those articles and I want to", "I'm not sure if it applies to non-political topics as a lot of", "because I have online earning limitations in my country that makes it impossible", "can market myself to clients. Are they called 'opinion' articles? I know there's", "name of those type of articles so that I can market myself to", "can't make a living from my blog because I have online earning limitations", "read seem to be talking about political topics only. Please note, that I", "type of articles so that I can market myself to clients. Are they" ]
[ "he still has a tiny spark of hope. As if thinking, \"I know", "evidence that they will be a couple in the future? I want to", "be a couple in the future? The funniest thing is that, unintentionally, I", "being obvious. How can I make the chemistry be perceived without giving evidence", "is that I have two characters and I ended up (\"accidentally\") seeing chemistry", "without being obvious. How can I make the chemistry be perceived without giving", "couple in the future? I want to do it in a way that", "himself, and at the same time not (I think it's kind of confusing,", "up (\"accidentally\") seeing chemistry between them, they have a good dynamic. With that,", "I ask again, how to develop a romance that is not obvious? How", "probably never happen, but that he still has a tiny spark of hope.", "of hope. As if thinking, \"I know it will probably never happen, but", "same time not (I think it's kind of confusing, sorry). Exemplifying would be", "be like Romanogers (Marvel), Finrey (Star Wars), Stydia (Teen Wolf), or even Scalia", "chemistry be perceived without giving evidence that they will be a couple in", "have the impression that it will probably never happen, but that he still", "without giving evidence that they will be a couple in the future? The", "them without being obvious. How can I make the chemistry be perceived without", "as well. The point is that I have two characters and I ended", "they have, so that they come and ship the couple without having any", "chemistry between them, they have a good dynamic. With that, I really want", "even Scalia in 6A of Teen Wolf. So I ask again, how to", "someday. I want the reader to have the impression that it will probably", "funniest thing is that, unintentionally, I ended up shipping them, so I'm hoping", "evidence that they will be a couple in the future? The funniest thing", "have, so that they come and ship the couple without having any certainty", "obvious. How can I make the chemistry be perceived without giving evidence that", "obvious? How can chemistry be perceived without giving evidence that they will be", "that's an important part as well. The point is that I have two", "a way that the reader can see the chemistry and the romantic potential", "will be canon someday. I want the reader to have the impression that", "want to do it in a way that the reader can see the", "that it will probably never happen, but that he still has a tiny", "without giving evidence that they will be a couple in the future? I", "As if thinking, \"I know it will probably never happen, but I ship", "idea is to make the reader think that he is deluding himself, and", "in the future? The funniest thing is that, unintentionally, I ended up shipping", "the same time not (I think it's kind of confusing, sorry). Exemplifying would", "the future? I want to do it in a way that the reader", "but I ship it anyway.\", Anyway, what I meant by that, is that", "How can I make the chemistry be perceived without giving evidence that they", "I want to do it in a way that the reader can see", "that, unintentionally, I ended up shipping them, so I'm hoping they'll be together!", "and ship the couple without having any certainty that they will be canon", "they will be canon someday. I want the reader to have the impression", "do it in a way that the reader can see the chemistry and", "the impression that it will probably never happen, but that he still has", "would be like Romanogers (Marvel), Finrey (Star Wars), Stydia (Teen Wolf), or even", "they have a good dynamic. With that, I really want to know how", "can I make the chemistry be perceived without giving evidence that they will", "and at the same time not (I think it's kind of confusing, sorry).", "the reader to have the impression that it will probably never happen, but", "ended up shipping them, so I'm hoping they'll be together! ![enter image description", "come and ship the couple without having any certainty that they will be", "seeing chemistry between them, they have a good dynamic. With that, I really", "of confusing, sorry). Exemplifying would be like Romanogers (Marvel), Finrey (Star Wars), Stydia", "having any certainty that they will be canon someday. I want the reader", "develop a romance between them without being obvious. How can I make the", "chemistry and the romantic potential that they have, so that they come and", "Wars), Stydia (Teen Wolf), or even Scalia in 6A of Teen Wolf. So", "that the reader can see the chemistry and the romantic potential that they", "that he still has a tiny spark of hope. As if thinking, \"I", "time not (I think it's kind of confusing, sorry). Exemplifying would be like", "be a couple in the future? I want to do it in a", "they come and ship the couple without having any certainty that they will", "perceived without giving evidence that they will be a couple in the future?", "thinking, \"I know it will probably never happen, but I ship it anyway.\",", "So I ask again, how to develop a romance that is not obvious?", "spark of hope. As if thinking, \"I know it will probably never happen,", "to know how to develop a romance between them without being obvious. How", "a romance between them without being obvious. How can I make the chemistry", "I make the chemistry be perceived without giving evidence that they will be", "(\"accidentally\") seeing chemistry between them, they have a good dynamic. With that, I", "see the chemistry and the romantic potential that they have, so that they", "never happen, but that he still has a tiny spark of hope. As", "be perceived without giving evidence that they will be a couple in the", "is to make the reader think that he is deluding himself, and at", "I ended up (\"accidentally\") seeing chemistry between them, they have a good dynamic.", "important part as well. The point is that I have two characters and", "The point is that I have two characters and I ended up (\"accidentally\")", "is that the idea is to make the reader think that he is", "giving evidence that they will be a couple in the future? The funniest", "With that, I really want to know how to develop a romance between", "that they will be a couple in the future? I want to do", "the couple without having any certainty that they will be canon someday. I", "thing is that, unintentionally, I ended up shipping them, so I'm hoping they'll", "make the chemistry be perceived without giving evidence that they will be a", "Anyway, what I meant by that, is that the idea is to make", "but that's an important part as well. The point is that I have", "not (I think it's kind of confusing, sorry). Exemplifying would be like Romanogers", "in the future? I want to do it in a way that the", "to do it in a way that the reader can see the chemistry", "romance between them without being obvious. How can I make the chemistry be", "potential that they have, so that they come and ship the couple without", "reader can see the chemistry and the romantic potential that they have, so", "want to know how to develop a romance between them without being obvious.", "Wolf. So I ask again, how to develop a romance that is not", "it anyway.\", Anyway, what I meant by that, is that the idea is", "that they come and ship the couple without having any certainty that they", "ask again, how to develop a romance that is not obvious? How can", "happen, but that he still has a tiny spark of hope. As if", "way that the reader can see the chemistry and the romantic potential that", "never happen, but I ship it anyway.\", Anyway, what I meant by that,", "the reader think that he is deluding himself, and at the same time", "(Teen Wolf), or even Scalia in 6A of Teen Wolf. So I ask", "writing a story, it's not focused on romance, but that's an important part", "without having any certainty that they will be canon someday. I want the", "dynamic. With that, I really want to know how to develop a romance", "the chemistry be perceived without giving evidence that they will be a couple", "that is not obvious? How can chemistry be perceived without giving evidence that", "the reader can see the chemistry and the romantic potential that they have,", "ended up (\"accidentally\") seeing chemistry between them, they have a good dynamic. With", "a story, it's not focused on romance, but that's an important part as", "part as well. The point is that I have two characters and I", "on romance, but that's an important part as well. The point is that", "Teen Wolf. So I ask again, how to develop a romance that is", "The funniest thing is that, unintentionally, I ended up shipping them, so I'm", "it in a way that the reader can see the chemistry and the", "will probably never happen, but that he still has a tiny spark of", "not focused on romance, but that's an important part as well. The point", "develop a romance that is not obvious? How can chemistry be perceived without", "it's kind of confusing, sorry). Exemplifying would be like Romanogers (Marvel), Finrey (Star", "two characters and I ended up (\"accidentally\") seeing chemistry between them, they have", "couple without having any certainty that they will be canon someday. I want", "point is that I have two characters and I ended up (\"accidentally\") seeing", "that they will be canon someday. I want the reader to have the", "sorry). Exemplifying would be like Romanogers (Marvel), Finrey (Star Wars), Stydia (Teen Wolf),", "to have the impression that it will probably never happen, but that he", "the idea is to make the reader think that he is deluding himself,", "them, they have a good dynamic. With that, I really want to know", "by that, is that the idea is to make the reader think that", "Romanogers (Marvel), Finrey (Star Wars), Stydia (Teen Wolf), or even Scalia in 6A", "romance that is not obvious? How can chemistry be perceived without giving evidence", "is not obvious? How can chemistry be perceived without giving evidence that they", "an important part as well. The point is that I have two characters", "it will probably never happen, but that he still has a tiny spark", "what I meant by that, is that the idea is to make the", "Wolf), or even Scalia in 6A of Teen Wolf. So I ask again,", "I want the reader to have the impression that it will probably never", "still has a tiny spark of hope. As if thinking, \"I know it", "that they will be a couple in the future? The funniest thing is", "has a tiny spark of hope. As if thinking, \"I know it will", "focused on romance, but that's an important part as well. The point is", "\"I know it will probably never happen, but I ship it anyway.\", Anyway,", "it will probably never happen, but I ship it anyway.\", Anyway, what I", "can see the chemistry and the romantic potential that they have, so that", "probably never happen, but I ship it anyway.\", Anyway, what I meant by", "future? I want to do it in a way that the reader can", "be canon someday. I want the reader to have the impression that it", "romance, but that's an important part as well. The point is that I", "know how to develop a romance between them without being obvious. How can", "at the same time not (I think it's kind of confusing, sorry). Exemplifying", "anyway.\", Anyway, what I meant by that, is that the idea is to", "well. The point is that I have two characters and I ended up", "confusing, sorry). Exemplifying would be like Romanogers (Marvel), Finrey (Star Wars), Stydia (Teen", "not obvious? How can chemistry be perceived without giving evidence that they will", "up shipping them, so I'm hoping they'll be together! ![enter image description here](https://i.stack.imgur.com/LHEIt.jpg)", "meant by that, is that the idea is to make the reader think", "think that he is deluding himself, and at the same time not (I", "characters and I ended up (\"accidentally\") seeing chemistry between them, they have a", "think it's kind of confusing, sorry). Exemplifying would be like Romanogers (Marvel), Finrey", "a good dynamic. With that, I really want to know how to develop", "of Teen Wolf. So I ask again, how to develop a romance that", "happen, but I ship it anyway.\", Anyway, what I meant by that, is", "have a good dynamic. With that, I really want to know how to", "story, it's not focused on romance, but that's an important part as well.", "that I have two characters and I ended up (\"accidentally\") seeing chemistry between", "(Marvel), Finrey (Star Wars), Stydia (Teen Wolf), or even Scalia in 6A of", "couple in the future? The funniest thing is that, unintentionally, I ended up", "how to develop a romance between them without being obvious. How can I", "to develop a romance between them without being obvious. How can I make", "will be a couple in the future? I want to do it in", "like Romanogers (Marvel), Finrey (Star Wars), Stydia (Teen Wolf), or even Scalia in", "a couple in the future? I want to do it in a way", "want the reader to have the impression that it will probably never happen,", "I'm writing a story, it's not focused on romance, but that's an important", "future? The funniest thing is that, unintentionally, I ended up shipping them, so", "kind of confusing, sorry). Exemplifying would be like Romanogers (Marvel), Finrey (Star Wars),", "they will be a couple in the future? I want to do it", "Finrey (Star Wars), Stydia (Teen Wolf), or even Scalia in 6A of Teen", "I meant by that, is that the idea is to make the reader", "really want to know how to develop a romance between them without being", "Scalia in 6A of Teen Wolf. So I ask again, how to develop", "to develop a romance that is not obvious? How can chemistry be perceived", "a couple in the future? The funniest thing is that, unintentionally, I ended", "is that, unintentionally, I ended up shipping them, so I'm hoping they'll be", "I really want to know how to develop a romance between them without", "ship it anyway.\", Anyway, what I meant by that, is that the idea", "in a way that the reader can see the chemistry and the romantic", "canon someday. I want the reader to have the impression that it will", "I ship it anyway.\", Anyway, what I meant by that, is that the", "or even Scalia in 6A of Teen Wolf. So I ask again, how", "in 6A of Teen Wolf. So I ask again, how to develop a", "impression that it will probably never happen, but that he still has a", "that the idea is to make the reader think that he is deluding", "giving evidence that they will be a couple in the future? I want", "know it will probably never happen, but I ship it anyway.\", Anyway, what", "how to develop a romance that is not obvious? How can chemistry be", "between them, they have a good dynamic. With that, I really want to", "and the romantic potential that they have, so that they come and ship", "certainty that they will be canon someday. I want the reader to have", "he is deluding himself, and at the same time not (I think it's", "reader to have the impression that it will probably never happen, but that", "deluding himself, and at the same time not (I think it's kind of", "6A of Teen Wolf. So I ask again, how to develop a romance", "that he is deluding himself, and at the same time not (I think", "that, is that the idea is to make the reader think that he", "(Star Wars), Stydia (Teen Wolf), or even Scalia in 6A of Teen Wolf.", "have two characters and I ended up (\"accidentally\") seeing chemistry between them, they", "make the reader think that he is deluding himself, and at the same", "that they have, so that they come and ship the couple without having", "Exemplifying would be like Romanogers (Marvel), Finrey (Star Wars), Stydia (Teen Wolf), or", "ship the couple without having any certainty that they will be canon someday.", "a tiny spark of hope. As if thinking, \"I know it will probably", "a romance that is not obvious? How can chemistry be perceived without giving", "I have two characters and I ended up (\"accidentally\") seeing chemistry between them,", "and I ended up (\"accidentally\") seeing chemistry between them, they have a good", "is deluding himself, and at the same time not (I think it's kind", "it's not focused on romance, but that's an important part as well. The", "will be a couple in the future? The funniest thing is that, unintentionally,", "unintentionally, I ended up shipping them, so I'm hoping they'll be together! ![enter", "(I think it's kind of confusing, sorry). Exemplifying would be like Romanogers (Marvel),", "will probably never happen, but I ship it anyway.\", Anyway, what I meant", "again, how to develop a romance that is not obvious? How can chemistry", "the future? The funniest thing is that, unintentionally, I ended up shipping them,", "but that he still has a tiny spark of hope. As if thinking,", "I ended up shipping them, so I'm hoping they'll be together! ![enter image", "can chemistry be perceived without giving evidence that they will be a couple", "Stydia (Teen Wolf), or even Scalia in 6A of Teen Wolf. So I", "any certainty that they will be canon someday. I want the reader to", "tiny spark of hope. As if thinking, \"I know it will probably never", "if thinking, \"I know it will probably never happen, but I ship it", "the romantic potential that they have, so that they come and ship the", "hope. As if thinking, \"I know it will probably never happen, but I", "the chemistry and the romantic potential that they have, so that they come", "they will be a couple in the future? The funniest thing is that,", "good dynamic. With that, I really want to know how to develop a", "How can chemistry be perceived without giving evidence that they will be a", "between them without being obvious. How can I make the chemistry be perceived", "reader think that he is deluding himself, and at the same time not", "that, I really want to know how to develop a romance between them", "so that they come and ship the couple without having any certainty that", "romantic potential that they have, so that they come and ship the couple", "to make the reader think that he is deluding himself, and at the" ]
[ "wait, say, three years, will it be dated or irrelevant if something drastically", "and possibly publish this novella, but I don't know when is a good", "before the next election cycle, will it be too on-the-nose? If I wait,", "cycle, will it be too on-the-nose? If I wait, say, three years, will", "possibly publish this novella, but I don't know when is a good time", "good time to do so. If I publish it before the next election", "publish it before the next election cycle, will it be too on-the-nose? If", "do so. If I publish it before the next election cycle, will it", "to finish and possibly publish this novella, but I don't know when is", "based on the current American political climate. I'm exploring themes of race, political", "polarity, and youth. I do want to finish and possibly publish this novella,", "American political climate. I'm exploring themes of race, political polarity, and youth. I", "I'm exploring themes of race, political polarity, and youth. I do want to", "on-the-nose? If I wait, say, three years, will it be dated or irrelevant", "will it be dated or irrelevant if something drastically changes within American politics?", "I'm writing a satirical novella of sorts, based on the current American political", "know when is a good time to do so. If I publish it", "want to finish and possibly publish this novella, but I don't know when", "is a good time to do so. If I publish it before the", "too on-the-nose? If I wait, say, three years, will it be dated or", "it before the next election cycle, will it be too on-the-nose? If I", "of race, political polarity, and youth. I do want to finish and possibly", "I publish it before the next election cycle, will it be too on-the-nose?", "time to do so. If I publish it before the next election cycle,", "exploring themes of race, political polarity, and youth. I do want to finish", "next election cycle, will it be too on-the-nose? If I wait, say, three", "finish and possibly publish this novella, but I don't know when is a", "three years, will it be dated or irrelevant if something drastically changes within", "do want to finish and possibly publish this novella, but I don't know", "publish this novella, but I don't know when is a good time to", "years, will it be dated or irrelevant if something drastically changes within American", "so. If I publish it before the next election cycle, will it be", "themes of race, political polarity, and youth. I do want to finish and", "don't know when is a good time to do so. If I publish", "the next election cycle, will it be too on-the-nose? If I wait, say,", "novella of sorts, based on the current American political climate. I'm exploring themes", "current American political climate. I'm exploring themes of race, political polarity, and youth.", "satirical novella of sorts, based on the current American political climate. I'm exploring", "but I don't know when is a good time to do so. If", "will it be too on-the-nose? If I wait, say, three years, will it", "election cycle, will it be too on-the-nose? If I wait, say, three years,", "climate. I'm exploring themes of race, political polarity, and youth. I do want", "political climate. I'm exploring themes of race, political polarity, and youth. I do", "If I wait, say, three years, will it be dated or irrelevant if", "youth. I do want to finish and possibly publish this novella, but I", "say, three years, will it be dated or irrelevant if something drastically changes", "novella, but I don't know when is a good time to do so.", "of sorts, based on the current American political climate. I'm exploring themes of", "political polarity, and youth. I do want to finish and possibly publish this", "it be too on-the-nose? If I wait, say, three years, will it be", "a good time to do so. If I publish it before the next", "I wait, say, three years, will it be dated or irrelevant if something", "the current American political climate. I'm exploring themes of race, political polarity, and", "when is a good time to do so. If I publish it before", "a satirical novella of sorts, based on the current American political climate. I'm", "writing a satirical novella of sorts, based on the current American political climate.", "and youth. I do want to finish and possibly publish this novella, but", "be too on-the-nose? If I wait, say, three years, will it be dated", "sorts, based on the current American political climate. I'm exploring themes of race,", "If I publish it before the next election cycle, will it be too", "to do so. If I publish it before the next election cycle, will", "I do want to finish and possibly publish this novella, but I don't", "race, political polarity, and youth. I do want to finish and possibly publish", "on the current American political climate. I'm exploring themes of race, political polarity,", "I don't know when is a good time to do so. If I", "this novella, but I don't know when is a good time to do" ]
[ "and my beta readers also understand that UrasMt is the one who killed", "I recently cut out my entire Chapter 10-11. I was revealing the MC,", "to an [eight-point story arc](https://www.dailywritingtips.com/how-to-structure-a-story-the-eight-point-arc/), I think my story is moving from the", "to reveal a part of her past that she'd blocked out after knowing", "the characters, and I'm faltering a bit on identifying when is a good", "MC, UrasMt' finékinesis (death-force manipulation) to her love interest, Caspian, and her accidental", "she'd blocked out after knowing Caspian for roughly a week. At this point", "her past that she'd blocked out after knowing Caspian for roughly a week.", "characters, and I'm faltering a bit on identifying when is a good time.", "and her own family, but in the middle of writing it, I realized", "probably too soon, realistically, for UrasMt to reveal a part of her past", "mother and her own family, but in the middle of writing it, I", "of her past that she'd blocked out after knowing Caspian for roughly a", "time to reveal this to the characters, and I'm faltering a bit on", "cut out my entire Chapter 10-11. I was revealing the MC, UrasMt' finékinesis", "of many questions I've asked on Writing.SE), I recently cut out my entire", "is the one who killed both Caspian's mom and UrasMt' family. I just", "of writing it, I realized that it was probably too soon, realistically, for", "UrasMt is the one who killed both Caspian's mom and UrasMt' family. I", "both Caspian's mom and UrasMt' family. I just don't think it's the right", "the middle of writing it, I realized that it was probably too soon,", "of his mother and her own family, but in the middle of writing", "the MC, UrasMt' finékinesis (death-force manipulation) to her love interest, Caspian, and her", "Writing.SE), I recently cut out my entire Chapter 10-11. I was revealing the", "I just don't think it's the right time to reveal this to the", "subject of many questions I've asked on Writing.SE), I recently cut out my", "writing (which is the subject of many questions I've asked on Writing.SE), I", "my entire Chapter 10-11. I was revealing the MC, UrasMt' finékinesis (death-force manipulation)", "an [eight-point story arc](https://www.dailywritingtips.com/how-to-structure-a-story-the-eight-point-arc/), I think my story is moving from the quest", "killing of his mother and her own family, but in the middle of", "that UrasMt is the one who killed both Caspian's mom and UrasMt' family.", "a week. At this point in the story, however, UrasMt' own actions are", "to the characters, and I'm faltering a bit on identifying when is a", "who killed both Caspian's mom and UrasMt' family. I just don't think it's", "I'm faltering a bit on identifying when is a good time. If this", "obvious to her, and my beta readers also understand that UrasMt is the", "10-11. I was revealing the MC, UrasMt' finékinesis (death-force manipulation) to her love", "many questions I've asked on Writing.SE), I recently cut out my entire Chapter", "love interest, Caspian, and her accidental killing of his mother and her own", "Chapter 10-11. I was revealing the MC, UrasMt' finékinesis (death-force manipulation) to her", "own family, but in the middle of writing it, I realized that it", "entire Chapter 10-11. I was revealing the MC, UrasMt' finékinesis (death-force manipulation) to", "finékinesis (death-force manipulation) to her love interest, Caspian, and her accidental killing of", "on identifying when is a good time. If this helps, according to an", "in the middle of writing it, I realized that it was probably too", "UrasMt' family. I just don't think it's the right time to reveal this", "killed both Caspian's mom and UrasMt' family. I just don't think it's the", "revealing the MC, UrasMt' finékinesis (death-force manipulation) to her love interest, Caspian, and", "part of her past that she'd blocked out after knowing Caspian for roughly", "good time. If this helps, according to an [eight-point story arc](https://www.dailywritingtips.com/how-to-structure-a-story-the-eight-point-arc/), I think", "her, and my beta readers also understand that UrasMt is the one who", "the right time to reveal this to the characters, and I'm faltering a", "in the story, however, UrasMt' own actions are becoming more obvious to her,", "I think my story is moving from the quest stage to the surprise", "one who killed both Caspian's mom and UrasMt' family. I just don't think", "Caspian's mom and UrasMt' family. I just don't think it's the right time", "accidental killing of his mother and her own family, but in the middle", "I've asked on Writing.SE), I recently cut out my entire Chapter 10-11. I", "don't think it's the right time to reveal this to the characters, and", "story arc](https://www.dailywritingtips.com/how-to-structure-a-story-the-eight-point-arc/), I think my story is moving from the quest stage to", "that she'd blocked out after knowing Caspian for roughly a week. At this", "novel I'm writing (which is the subject of many questions I've asked on", "and her accidental killing of his mother and her own family, but in", "my beta readers also understand that UrasMt is the one who killed both", "the one who killed both Caspian's mom and UrasMt' family. I just don't", "(death-force manipulation) to her love interest, Caspian, and her accidental killing of his", "when is a good time. If this helps, according to an [eight-point story", "out my entire Chapter 10-11. I was revealing the MC, UrasMt' finékinesis (death-force", "beta readers also understand that UrasMt is the one who killed both Caspian's", "was probably too soon, realistically, for UrasMt to reveal a part of her", "a part of her past that she'd blocked out after knowing Caspian for", "more obvious to her, and my beta readers also understand that UrasMt is", "interest, Caspian, and her accidental killing of his mother and her own family,", "are becoming more obvious to her, and my beta readers also understand that", "it was probably too soon, realistically, for UrasMt to reveal a part of", "understand that UrasMt is the one who killed both Caspian's mom and UrasMt'", "becoming more obvious to her, and my beta readers also understand that UrasMt", "and I'm faltering a bit on identifying when is a good time. If", "is a good time. If this helps, according to an [eight-point story arc](https://www.dailywritingtips.com/how-to-structure-a-story-the-eight-point-arc/),", "At this point in the story, however, UrasMt' own actions are becoming more", "Caspian for roughly a week. At this point in the story, however, UrasMt'", "a good time. If this helps, according to an [eight-point story arc](https://www.dailywritingtips.com/how-to-structure-a-story-the-eight-point-arc/), I", "to her love interest, Caspian, and her accidental killing of his mother and", "recently cut out my entire Chapter 10-11. I was revealing the MC, UrasMt'", "week. At this point in the story, however, UrasMt' own actions are becoming", "right time to reveal this to the characters, and I'm faltering a bit", "I was revealing the MC, UrasMt' finékinesis (death-force manipulation) to her love interest,", "post-apocalyptic novel I'm writing (which is the subject of many questions I've asked", "and UrasMt' family. I just don't think it's the right time to reveal", "questions I've asked on Writing.SE), I recently cut out my entire Chapter 10-11.", "to reveal this to the characters, and I'm faltering a bit on identifying", "to her, and my beta readers also understand that UrasMt is the one", "readers also understand that UrasMt is the one who killed both Caspian's mom", "this to the characters, and I'm faltering a bit on identifying when is", "according to an [eight-point story arc](https://www.dailywritingtips.com/how-to-structure-a-story-the-eight-point-arc/), I think my story is moving from", "however, UrasMt' own actions are becoming more obvious to her, and my beta", "out after knowing Caspian for roughly a week. At this point in the", "this helps, according to an [eight-point story arc](https://www.dailywritingtips.com/how-to-structure-a-story-the-eight-point-arc/), I think my story is", "realistically, for UrasMt to reveal a part of her past that she'd blocked", "reveal this to the characters, and I'm faltering a bit on identifying when", "also understand that UrasMt is the one who killed both Caspian's mom and", "a post-apocalyptic novel I'm writing (which is the subject of many questions I've", "manipulation) to her love interest, Caspian, and her accidental killing of his mother", "the story, however, UrasMt' own actions are becoming more obvious to her, and", "that it was probably too soon, realistically, for UrasMt to reveal a part", "I'm writing (which is the subject of many questions I've asked on Writing.SE),", "the subject of many questions I've asked on Writing.SE), I recently cut out", "her love interest, Caspian, and her accidental killing of his mother and her", "writing it, I realized that it was probably too soon, realistically, for UrasMt", "asked on Writing.SE), I recently cut out my entire Chapter 10-11. I was", "think it's the right time to reveal this to the characters, and I'm", "time. If this helps, according to an [eight-point story arc](https://www.dailywritingtips.com/how-to-structure-a-story-the-eight-point-arc/), I think my", "I realized that it was probably too soon, realistically, for UrasMt to reveal", "too soon, realistically, for UrasMt to reveal a part of her past that", "knowing Caspian for roughly a week. At this point in the story, however,", "helps, according to an [eight-point story arc](https://www.dailywritingtips.com/how-to-structure-a-story-the-eight-point-arc/), I think my story is moving", "Caspian, and her accidental killing of his mother and her own family, but", "family, but in the middle of writing it, I realized that it was", "family. I just don't think it's the right time to reveal this to", "it's the right time to reveal this to the characters, and I'm faltering", "a bit on identifying when is a good time. If this helps, according", "UrasMt' finékinesis (death-force manipulation) to her love interest, Caspian, and her accidental killing", "(which is the subject of many questions I've asked on Writing.SE), I recently", "faltering a bit on identifying when is a good time. If this helps,", "realized that it was probably too soon, realistically, for UrasMt to reveal a", "is the subject of many questions I've asked on Writing.SE), I recently cut", "her accidental killing of his mother and her own family, but in the", "arc](https://www.dailywritingtips.com/how-to-structure-a-story-the-eight-point-arc/), I think my story is moving from the quest stage to the", "his mother and her own family, but in the middle of writing it,", "UrasMt' own actions are becoming more obvious to her, and my beta readers", "this point in the story, however, UrasMt' own actions are becoming more obvious", "roughly a week. At this point in the story, however, UrasMt' own actions", "just don't think it's the right time to reveal this to the characters,", "story, however, UrasMt' own actions are becoming more obvious to her, and my", "point in the story, however, UrasMt' own actions are becoming more obvious to", "reveal a part of her past that she'd blocked out after knowing Caspian", "identifying when is a good time. If this helps, according to an [eight-point", "for roughly a week. At this point in the story, however, UrasMt' own", "actions are becoming more obvious to her, and my beta readers also understand", "her own family, but in the middle of writing it, I realized that", "soon, realistically, for UrasMt to reveal a part of her past that she'd", "was revealing the MC, UrasMt' finékinesis (death-force manipulation) to her love interest, Caspian,", "after knowing Caspian for roughly a week. At this point in the story,", "UrasMt to reveal a part of her past that she'd blocked out after", "it, I realized that it was probably too soon, realistically, for UrasMt to", "blocked out after knowing Caspian for roughly a week. At this point in", "own actions are becoming more obvious to her, and my beta readers also", "If this helps, according to an [eight-point story arc](https://www.dailywritingtips.com/how-to-structure-a-story-the-eight-point-arc/), I think my story", "but in the middle of writing it, I realized that it was probably", "past that she'd blocked out after knowing Caspian for roughly a week. At", "mom and UrasMt' family. I just don't think it's the right time to", "In a post-apocalyptic novel I'm writing (which is the subject of many questions", "[eight-point story arc](https://www.dailywritingtips.com/how-to-structure-a-story-the-eight-point-arc/), I think my story is moving from the quest stage", "think my story is moving from the quest stage to the surprise stage.", "middle of writing it, I realized that it was probably too soon, realistically,", "on Writing.SE), I recently cut out my entire Chapter 10-11. I was revealing", "bit on identifying when is a good time. If this helps, according to", "for UrasMt to reveal a part of her past that she'd blocked out" ]
[ "seriously wondering about the format. Should it look like regular dialogues, what about", "it look like regular dialogues, what about emoticons like OWO and ;) and", "like regular dialogues, what about emoticons like OWO and ;) and XD? For", "that!\" > > > \"Yeah, I am the funniest clown on earth! ;)\"", "room? I am seriously wondering about the format. Should it look like regular", "can't believe you did that!\" > > > \"Yeah, I am the funniest", "time to sleep!\" > > > \"Bye!\" > > > \"Cya!\" > >", "For example: > > \"Bzle, you're so funny! XD\" she wrote. \"I can't", "> > \"Bzle, you're so funny! XD\" she wrote. \"I can't believe you", "\"Yeah, I am the funniest clown on earth! ;)\" he replied. \"Oh, crap,", ";)\" he replied. \"Oh, crap, > time to sleep!\" > > > \"Bye!\"", "the funniest clown on earth! ;)\" he replied. \"Oh, crap, > time to", "the dialogues of two characters talking in a chat room? I am seriously", "regular dialogues, what about emoticons like OWO and ;) and XD? For example:", "about the format. Should it look like regular dialogues, what about emoticons like", "dialogues of two characters talking in a chat room? I am seriously wondering", "he replied. \"Oh, crap, > time to sleep!\" > > > \"Bye!\" >", "replied. \"Oh, crap, > time to sleep!\" > > > \"Bye!\" > >", "example: > > \"Bzle, you're so funny! XD\" she wrote. \"I can't believe", "> \"Yeah, I am the funniest clown on earth! ;)\" he replied. \"Oh,", "and XD? For example: > > \"Bzle, you're so funny! XD\" she wrote.", ";) and XD? For example: > > \"Bzle, you're so funny! XD\" she", "emoticons like OWO and ;) and XD? For example: > > \"Bzle, you're", "funny! XD\" she wrote. \"I can't believe you did that!\" > > >", "like OWO and ;) and XD? For example: > > \"Bzle, you're so", "so funny! XD\" she wrote. \"I can't believe you did that!\" > >", "\"I can't believe you did that!\" > > > \"Yeah, I am the", "to sleep!\" > > > \"Bye!\" > > > \"Cya!\" > > >", "> > > \"Yeah, I am the funniest clown on earth! ;)\" he", "what about emoticons like OWO and ;) and XD? For example: > >", "am the funniest clown on earth! ;)\" he replied. \"Oh, crap, > time", "the format. Should it look like regular dialogues, what about emoticons like OWO", "I am the funniest clown on earth! ;)\" he replied. \"Oh, crap, >", "XD? For example: > > \"Bzle, you're so funny! XD\" she wrote. \"I", "> time to sleep!\" > > > \"Bye!\" > > > \"Cya!\" >", "about emoticons like OWO and ;) and XD? For example: > > \"Bzle,", "How would you write do the dialogues of two characters talking in a", "look like regular dialogues, what about emoticons like OWO and ;) and XD?", "characters talking in a chat room? I am seriously wondering about the format.", "chat room? I am seriously wondering about the format. Should it look like", "> \"Bzle, you're so funny! XD\" she wrote. \"I can't believe you did", "\"Bzle, you're so funny! XD\" she wrote. \"I can't believe you did that!\"", "Should it look like regular dialogues, what about emoticons like OWO and ;)", "a chat room? I am seriously wondering about the format. Should it look", "format. Should it look like regular dialogues, what about emoticons like OWO and", "funniest clown on earth! ;)\" he replied. \"Oh, crap, > time to sleep!\"", "earth! ;)\" he replied. \"Oh, crap, > time to sleep!\" > > >", "do the dialogues of two characters talking in a chat room? I am", "of two characters talking in a chat room? I am seriously wondering about", "wondering about the format. Should it look like regular dialogues, what about emoticons", "you did that!\" > > > \"Yeah, I am the funniest clown on", "and ;) and XD? For example: > > \"Bzle, you're so funny! XD\"", "you're so funny! XD\" she wrote. \"I can't believe you did that!\" >", "dialogues, what about emoticons like OWO and ;) and XD? For example: >", "on earth! ;)\" he replied. \"Oh, crap, > time to sleep!\" > >", "she wrote. \"I can't believe you did that!\" > > > \"Yeah, I", "would you write do the dialogues of two characters talking in a chat", "\"Oh, crap, > time to sleep!\" > > > \"Bye!\" > > >", "in a chat room? I am seriously wondering about the format. Should it", "> > \"Yeah, I am the funniest clown on earth! ;)\" he replied.", "did that!\" > > > \"Yeah, I am the funniest clown on earth!", "I am seriously wondering about the format. Should it look like regular dialogues,", "crap, > time to sleep!\" > > > \"Bye!\" > > > \"Cya!\"", "believe you did that!\" > > > \"Yeah, I am the funniest clown", "clown on earth! ;)\" he replied. \"Oh, crap, > time to sleep!\" >", "am seriously wondering about the format. Should it look like regular dialogues, what", "you write do the dialogues of two characters talking in a chat room?", "OWO and ;) and XD? For example: > > \"Bzle, you're so funny!", "XD\" she wrote. \"I can't believe you did that!\" > > > \"Yeah,", "wrote. \"I can't believe you did that!\" > > > \"Yeah, I am", "talking in a chat room? I am seriously wondering about the format. Should", "write do the dialogues of two characters talking in a chat room? I", "two characters talking in a chat room? I am seriously wondering about the" ]
[ "until someone pointed it out to me. The names I picked are fairly", "other? Do I have to change it for safety? PS: The names are:", "Ok, so, I am currently writing a book and 3 of my characters", "me. The names I picked are fairly common and used frequently in the", "didn't realize it until someone pointed it out to me. The names I", "it until someone pointed it out to me. The names I picked are", "same name as in another novel. I didn't realize it until someone pointed", "as in another novel. I didn't realize it until someone pointed it out", "out to me. The names I picked are fairly common and used frequently", "it a problem? Even though the books have absolutely nothing to do with", "a problem? Even though the books have absolutely nothing to do with each", "the books have absolutely nothing to do with each other? Do I have", "have absolutely nothing to do with each other? Do I have to change", "Ulovor and Kicob. Same names as in Miss Peregrine's Home for Peculiar Children", "someone pointed it out to me. The names I picked are fairly common", "have to change it for safety? PS: The names are: AmmuiV, Ulovor and", "frequently in the real world. Is it a problem? Even though the books", "The names I picked are fairly common and used frequently in the real", "am currently writing a book and 3 of my characters have the same", "picked are fairly common and used frequently in the real world. Is it", "absolutely nothing to do with each other? Do I have to change it", "do with each other? Do I have to change it for safety? PS:", "safety? PS: The names are: AmmuiV, Ulovor and Kicob. Same names as in", "Even though the books have absolutely nothing to do with each other? Do", "problem? Even though the books have absolutely nothing to do with each other?", "book and 3 of my characters have the same name as in another", "have the same name as in another novel. I didn't realize it until", "novel. I didn't realize it until someone pointed it out to me. The", "for safety? PS: The names are: AmmuiV, Ulovor and Kicob. Same names as", "each other? Do I have to change it for safety? PS: The names", "3 of my characters have the same name as in another novel. I", "are: AmmuiV, Ulovor and Kicob. Same names as in Miss Peregrine's Home for", "books have absolutely nothing to do with each other? Do I have to", "writing a book and 3 of my characters have the same name as", "I didn't realize it until someone pointed it out to me. The names", "The names are: AmmuiV, Ulovor and Kicob. Same names as in Miss Peregrine's", "are fairly common and used frequently in the real world. Is it a", "it for safety? PS: The names are: AmmuiV, Ulovor and Kicob. Same names", "with each other? Do I have to change it for safety? PS: The", "names I picked are fairly common and used frequently in the real world.", "currently writing a book and 3 of my characters have the same name", "in the real world. Is it a problem? Even though the books have", "to me. The names I picked are fairly common and used frequently in", "characters have the same name as in another novel. I didn't realize it", "to do with each other? Do I have to change it for safety?", "in another novel. I didn't realize it until someone pointed it out to", "PS: The names are: AmmuiV, Ulovor and Kicob. Same names as in Miss", "my characters have the same name as in another novel. I didn't realize", "the same name as in another novel. I didn't realize it until someone", "realize it until someone pointed it out to me. The names I picked", "of my characters have the same name as in another novel. I didn't", "I picked are fairly common and used frequently in the real world. Is", "names are: AmmuiV, Ulovor and Kicob. Same names as in Miss Peregrine's Home", "fairly common and used frequently in the real world. Is it a problem?", "though the books have absolutely nothing to do with each other? Do I", "to change it for safety? PS: The names are: AmmuiV, Ulovor and Kicob.", "used frequently in the real world. Is it a problem? Even though the", "Is it a problem? Even though the books have absolutely nothing to do", "and 3 of my characters have the same name as in another novel.", "and used frequently in the real world. Is it a problem? Even though", "a book and 3 of my characters have the same name as in", "it out to me. The names I picked are fairly common and used", "real world. Is it a problem? Even though the books have absolutely nothing", "I am currently writing a book and 3 of my characters have the", "world. Is it a problem? Even though the books have absolutely nothing to", "the real world. Is it a problem? Even though the books have absolutely", "another novel. I didn't realize it until someone pointed it out to me.", "Do I have to change it for safety? PS: The names are: AmmuiV,", "common and used frequently in the real world. Is it a problem? Even", "nothing to do with each other? Do I have to change it for", "name as in another novel. I didn't realize it until someone pointed it", "change it for safety? PS: The names are: AmmuiV, Ulovor and Kicob. Same", "AmmuiV, Ulovor and Kicob. Same names as in *Miss Peregrine's Home for Peculiar", "I have to change it for safety? PS: The names are: AmmuiV, Ulovor", "pointed it out to me. The names I picked are fairly common and", "so, I am currently writing a book and 3 of my characters have" ]
[ "and you wonder what's the point of it. Does it make a difference", "Britney Spears that's titled \"Everytime\" instead of \"every time\". What's the intended effect", "\"every time\". What's the intended effect here, and when should we use it?", "the title of a song, poem, story? Sometimes, you see word that are", "song, poem, story? Sometimes, you see word that are made of two conjoined", "in the title of a song, poem, story? Sometimes, you see word that", "your song is \"bathwater\" instead of \"bath water\"? There's this song by Britney", "poem, story? Sometimes, you see word that are made of two conjoined words,", "two conjoined words, and you wonder what's the point of it. Does it", "does compounding bring when used in the title of a song, poem, story?", "the title of your song is \"bathwater\" instead of \"bath water\"? There's this", "of a song, poem, story? Sometimes, you see word that are made of", "word that are made of two conjoined words, and you wonder what's the", "used in the title of a song, poem, story? Sometimes, you see word", "it. Does it make a difference if the title of your song is", "instead of \"bath water\"? There's this song by Britney Spears that's titled \"Everytime\"", "you wonder what's the point of it. Does it make a difference if", "conjoined words, and you wonder what's the point of it. Does it make", "are made of two conjoined words, and you wonder what's the point of", "of \"every time\". What's the intended effect here, and when should we use", "song by Britney Spears that's titled \"Everytime\" instead of \"every time\". What's the", "see word that are made of two conjoined words, and you wonder what's", "difference if the title of your song is \"bathwater\" instead of \"bath water\"?", "of \"bath water\"? There's this song by Britney Spears that's titled \"Everytime\" instead", "\"bath water\"? There's this song by Britney Spears that's titled \"Everytime\" instead of", "make a difference if the title of your song is \"bathwater\" instead of", "title of your song is \"bathwater\" instead of \"bath water\"? There's this song", "a song, poem, story? Sometimes, you see word that are made of two", "words, and you wonder what's the point of it. Does it make a", "the point of it. Does it make a difference if the title of", "Spears that's titled \"Everytime\" instead of \"every time\". What's the intended effect here,", "is \"bathwater\" instead of \"bath water\"? There's this song by Britney Spears that's", "title of a song, poem, story? Sometimes, you see word that are made", "What effect does compounding bring when used in the title of a song,", "of it. Does it make a difference if the title of your song", "wonder what's the point of it. Does it make a difference if the", "when used in the title of a song, poem, story? Sometimes, you see", "water\"? There's this song by Britney Spears that's titled \"Everytime\" instead of \"every", "song is \"bathwater\" instead of \"bath water\"? There's this song by Britney Spears", "There's this song by Britney Spears that's titled \"Everytime\" instead of \"every time\".", "titled \"Everytime\" instead of \"every time\". What's the intended effect here, and when", "if the title of your song is \"bathwater\" instead of \"bath water\"? There's", "that are made of two conjoined words, and you wonder what's the point", "compounding bring when used in the title of a song, poem, story? Sometimes,", "Sometimes, you see word that are made of two conjoined words, and you", "Does it make a difference if the title of your song is \"bathwater\"", "of your song is \"bathwater\" instead of \"bath water\"? There's this song by", "this song by Britney Spears that's titled \"Everytime\" instead of \"every time\". What's", "effect does compounding bring when used in the title of a song, poem,", "of two conjoined words, and you wonder what's the point of it. Does", "a difference if the title of your song is \"bathwater\" instead of \"bath", "\"bathwater\" instead of \"bath water\"? There's this song by Britney Spears that's titled", "by Britney Spears that's titled \"Everytime\" instead of \"every time\". What's the intended", "that's titled \"Everytime\" instead of \"every time\". What's the intended effect here, and", "\"Everytime\" instead of \"every time\". What's the intended effect here, and when should", "instead of \"every time\". What's the intended effect here, and when should we", "bring when used in the title of a song, poem, story? Sometimes, you", "you see word that are made of two conjoined words, and you wonder", "what's the point of it. Does it make a difference if the title", "it make a difference if the title of your song is \"bathwater\" instead", "point of it. Does it make a difference if the title of your", "story? Sometimes, you see word that are made of two conjoined words, and", "made of two conjoined words, and you wonder what's the point of it." ]
[ "and I am not sure at what point to ask for constructive criticism.", "I have 40,000 words of a novel and I am not sure at", "40,000 words of a novel and I am not sure at what point", "novel and I am not sure at what point to ask for constructive", "have 40,000 words of a novel and I am not sure at what", "words of a novel and I am not sure at what point to", "a novel and I am not sure at what point to ask for", "of a novel and I am not sure at what point to ask" ]
[ "now and I've gone really in depth to clean up any plot holes", "Edd N Eddy. I'm in the editing stage now cuz this book needed", "and a chapter should only be about 10 pages long. This isn't an", "flow together, and when I read it, it didn't feel like it was", "needed a glow up, and I just finished the first chapter. Based on", "in the editing stage now cuz this book needed a glow up, and", "I love this story almost as much as I love my boyfriend; it's", "it is 7,812 words long and has a 30 minute reading time and", "book, told me it was much too long and a chapter should only", "reading time and a 1 hour speaking time. My aunt, who is a", "first chapter. Based on Grammarly, it is 7,812 words long and has a", "has a 30 minute reading time and a 1 hour speaking time. My", "words long and has a 30 minute reading time and a 1 hour", "to keep the show alive in their mind. My aunt seems to want", "it down or is it fine to keep it how it is? It", "gone really in depth to clean up any plot holes I can readily", "it fine to keep it how it is? It all seems to flow", "the gross kind, a bringing-back-a-short-lived-90s-show-from-the-dead-because-it-was-great kind) of Ed Edd N Eddy. I'm in", "time. My aunt, who is a 3rd grade teacher and doesn't seem to", "I've gone really in depth to clean up any plot holes I can", "only be about 10 pages long. This isn't an elementary school chapter book,", "bad but I still really love what I'm doing and it's making me", "the show alive in their mind. My aunt seems to want me to", "editing stage now cuz this book needed a glow up, and I just", "and it's making me happy. That's all that matters, isn't it? Should I", "really cut it down or is it fine to keep it how it", "should only be about 10 pages long. This isn't an elementary school chapter", "one. It's a book for Ed Edd N Eddy lovers to keep the", "what I'm doing and it's making me happy. That's all that matters, isn't", "I'm in the editing stage now cuz this book needed a glow up,", "any plot holes I can readily see (thanks Cinemasins). I think I love", "clean up any plot holes I can readily see (thanks Cinemasins). I think", "glow up, and I just finished the first chapter. Based on Grammarly, it", "the average elementary school chapter book, told me it was much too long", "in depth to clean up any plot holes I can readily see (thanks", "just finished the first chapter. Based on Grammarly, it is 7,812 words long", "and I just finished the first chapter. Based on Grammarly, it is 7,812", "the first chapter. Based on Grammarly, it is 7,812 words long and has", "a bringing-back-a-short-lived-90s-show-from-the-dead-because-it-was-great kind) of Ed Edd N Eddy. I'm in the editing stage", "show alive in their mind. My aunt seems to want me to feel", "Ed Edd N Eddy. I'm in the editing stage now cuz this book", "is? It all seems to flow together, and when I read it, it", "matters, isn't it? Should I really cut it down or is it fine", "for Ed Edd N Eddy lovers to keep the show alive in their", "it? Should I really cut it down or is it fine to keep", "project now and I've gone really in depth to clean up any plot", "can readily see (thanks Cinemasins). I think I love this story almost as", "seem to read more than the average elementary school chapter book, told me", "My aunt, who is a 3rd grade teacher and doesn't seem to read", "long and a chapter should only be about 10 pages long. This isn't", "just a personal project now and I've gone really in depth to clean", "lovers to keep the show alive in their mind. My aunt seems to", "My aunt seems to want me to feel bad but I still really", "who is a 3rd grade teacher and doesn't seem to read more than", "a fanfiction (not the gross kind, a bringing-back-a-short-lived-90s-show-from-the-dead-because-it-was-great kind) of Ed Edd N", "school chapter book, told me it was much too long and a chapter", "really in depth to clean up any plot holes I can readily see", "doing and it's making me happy. That's all that matters, isn't it? Should", "a personal project now and I've gone really in depth to clean up", "as I love my boyfriend; it's a fanfiction (not the gross kind, a", "is 7,812 words long and has a 30 minute reading time and a", "I think I love this story almost as much as I love my", "almost as much as I love my boyfriend; it's a fanfiction (not the", "Eddy. I'm in the editing stage now cuz this book needed a glow", "a glow up, and I just finished the first chapter. Based on Grammarly,", "elementary school chapter book, and not even a middle school one. It's a", "keep the show alive in their mind. My aunt seems to want me", "I just finished the first chapter. Based on Grammarly, it is 7,812 words", "too long and a chapter should only be about 10 pages long. This", "Edd N Eddy lovers to keep the show alive in their mind. My", "as much as I love my boyfriend; it's a fanfiction (not the gross", "want me to feel bad but I still really love what I'm doing", "been working on a story for the last 4 years. It's just a", "the last 4 years. It's just a personal project now and I've gone", "or is it fine to keep it how it is? It all seems", "I love my boyfriend; it's a fanfiction (not the gross kind, a bringing-back-a-short-lived-90s-show-from-the-dead-because-it-was-great", "kind, a bringing-back-a-short-lived-90s-show-from-the-dead-because-it-was-great kind) of Ed Edd N Eddy. I'm in the editing", "Based on Grammarly, it is 7,812 words long and has a 30 minute", "up, and I just finished the first chapter. Based on Grammarly, it is", "mind. My aunt seems to want me to feel bad but I still", "keep it how it is? It all seems to flow together, and when", "This isn't an elementary school chapter book, and not even a middle school", "finished the first chapter. Based on Grammarly, it is 7,812 words long and", "Grammarly, it is 7,812 words long and has a 30 minute reading time", "(thanks Cinemasins). I think I love this story almost as much as I", "and has a 30 minute reading time and a 1 hour speaking time.", "time and a 1 hour speaking time. My aunt, who is a 3rd", "elementary school chapter book, told me it was much too long and a", "I'm doing and it's making me happy. That's all that matters, isn't it?", "isn't it? Should I really cut it down or is it fine to", "to feel bad but I still really love what I'm doing and it's", "7,812 words long and has a 30 minute reading time and a 1", "their mind. My aunt seems to want me to feel bad but I", "to clean up any plot holes I can readily see (thanks Cinemasins). I", "me happy. That's all that matters, isn't it? Should I really cut it", "this story almost as much as I love my boyfriend; it's a fanfiction", "this book needed a glow up, and I just finished the first chapter.", "is a 3rd grade teacher and doesn't seem to read more than the", "and a 1 hour speaking time. My aunt, who is a 3rd grade", "was much too long and a chapter should only be about 10 pages", "for the last 4 years. It's just a personal project now and I've", "It all seems to flow together, and when I read it, it didn't", "and not even a middle school one. It's a book for Ed Edd", "average elementary school chapter book, told me it was much too long and", "it was much too long and a chapter should only be about 10", "Eddy lovers to keep the show alive in their mind. My aunt seems", "how it is? It all seems to flow together, and when I read", "last 4 years. It's just a personal project now and I've gone really", "boyfriend; it's a fanfiction (not the gross kind, a bringing-back-a-short-lived-90s-show-from-the-dead-because-it-was-great kind) of Ed", "kind) of Ed Edd N Eddy. I'm in the editing stage now cuz", "(not the gross kind, a bringing-back-a-short-lived-90s-show-from-the-dead-because-it-was-great kind) of Ed Edd N Eddy. I'm", "chapter. Based on Grammarly, it is 7,812 words long and has a 30", "even a middle school one. It's a book for Ed Edd N Eddy", "a middle school one. It's a book for Ed Edd N Eddy lovers", "cut it down or is it fine to keep it how it is?", "think I love this story almost as much as I love my boyfriend;", "aunt, who is a 3rd grade teacher and doesn't seem to read more", "gross kind, a bringing-back-a-short-lived-90s-show-from-the-dead-because-it-was-great kind) of Ed Edd N Eddy. I'm in the", "together, and when I read it, it didn't feel like it was that", "story almost as much as I love my boyfriend; it's a fanfiction (not", "chapter book, told me it was much too long and a chapter should", "Cinemasins). I think I love this story almost as much as I love", "love this story almost as much as I love my boyfriend; it's a", "book needed a glow up, and I just finished the first chapter. Based", "holes I can readily see (thanks Cinemasins). I think I love this story", "to keep it how it is? It all seems to flow together, and", "told me it was much too long and a chapter should only be", "a story for the last 4 years. It's just a personal project now", "now cuz this book needed a glow up, and I just finished the", "1 hour speaking time. My aunt, who is a 3rd grade teacher and", "personal project now and I've gone really in depth to clean up any", "I still really love what I'm doing and it's making me happy. That's", "it is? It all seems to flow together, and when I read it,", "it's making me happy. That's all that matters, isn't it? Should I really", "making me happy. That's all that matters, isn't it? Should I really cut", "minute reading time and a 1 hour speaking time. My aunt, who is", "me it was much too long and a chapter should only be about", "than the average elementary school chapter book, told me it was much too", "not even a middle school one. It's a book for Ed Edd N", "It's a book for Ed Edd N Eddy lovers to keep the show", "read more than the average elementary school chapter book, told me it was", "it's a fanfiction (not the gross kind, a bringing-back-a-short-lived-90s-show-from-the-dead-because-it-was-great kind) of Ed Edd", "grade teacher and doesn't seem to read more than the average elementary school", "long. This isn't an elementary school chapter book, and not even a middle", "seems to want me to feel bad but I still really love what", "fanfiction (not the gross kind, a bringing-back-a-short-lived-90s-show-from-the-dead-because-it-was-great kind) of Ed Edd N Eddy.", "It's just a personal project now and I've gone really in depth to", "speaking time. My aunt, who is a 3rd grade teacher and doesn't seem", "still really love what I'm doing and it's making me happy. That's all", "I really cut it down or is it fine to keep it how", "and doesn't seem to read more than the average elementary school chapter book,", "much as I love my boyfriend; it's a fanfiction (not the gross kind,", "love what I'm doing and it's making me happy. That's all that matters,", "alive in their mind. My aunt seems to want me to feel bad", "book, and not even a middle school one. It's a book for Ed", "all that matters, isn't it? Should I really cut it down or is", "stage now cuz this book needed a glow up, and I just finished", "hour speaking time. My aunt, who is a 3rd grade teacher and doesn't", "isn't an elementary school chapter book, and not even a middle school one.", "working on a story for the last 4 years. It's just a personal", "N Eddy. I'm in the editing stage now cuz this book needed a", "I've been working on a story for the last 4 years. It's just", "bringing-back-a-short-lived-90s-show-from-the-dead-because-it-was-great kind) of Ed Edd N Eddy. I'm in the editing stage now", "but I still really love what I'm doing and it's making me happy.", "school one. It's a book for Ed Edd N Eddy lovers to keep", "teacher and doesn't seem to read more than the average elementary school chapter", "That's all that matters, isn't it? Should I really cut it down or", "chapter should only be about 10 pages long. This isn't an elementary school", "it how it is? It all seems to flow together, and when I", "much too long and a chapter should only be about 10 pages long.", "long and has a 30 minute reading time and a 1 hour speaking", "doesn't seem to read more than the average elementary school chapter book, told", "a chapter should only be about 10 pages long. This isn't an elementary", "I can readily see (thanks Cinemasins). I think I love this story almost", "see (thanks Cinemasins). I think I love this story almost as much as", "to want me to feel bad but I still really love what I'm", "be about 10 pages long. This isn't an elementary school chapter book, and", "10 pages long. This isn't an elementary school chapter book, and not even", "in their mind. My aunt seems to want me to feel bad but", "an elementary school chapter book, and not even a middle school one. It's", "more than the average elementary school chapter book, told me it was much", "aunt seems to want me to feel bad but I still really love", "love my boyfriend; it's a fanfiction (not the gross kind, a bringing-back-a-short-lived-90s-show-from-the-dead-because-it-was-great kind)", "a 1 hour speaking time. My aunt, who is a 3rd grade teacher", "a 30 minute reading time and a 1 hour speaking time. My aunt,", "and I've gone really in depth to clean up any plot holes I", "to flow together, and when I read it, it didn't feel like it", "happy. That's all that matters, isn't it? Should I really cut it down", "chapter book, and not even a middle school one. It's a book for", "a 3rd grade teacher and doesn't seem to read more than the average", "on a story for the last 4 years. It's just a personal project", "the editing stage now cuz this book needed a glow up, and I", "N Eddy lovers to keep the show alive in their mind. My aunt", "pages long. This isn't an elementary school chapter book, and not even a", "plot holes I can readily see (thanks Cinemasins). I think I love this", "up any plot holes I can readily see (thanks Cinemasins). I think I", "all seems to flow together, and when I read it, it didn't feel", "cuz this book needed a glow up, and I just finished the first", "seems to flow together, and when I read it, it didn't feel like", "really love what I'm doing and it's making me happy. That's all that", "book for Ed Edd N Eddy lovers to keep the show alive in", "and when I read it, it didn't feel like it was that long.", "feel bad but I still really love what I'm doing and it's making", "middle school one. It's a book for Ed Edd N Eddy lovers to", "of Ed Edd N Eddy. I'm in the editing stage now cuz this", "readily see (thanks Cinemasins). I think I love this story almost as much", "Ed Edd N Eddy lovers to keep the show alive in their mind.", "story for the last 4 years. It's just a personal project now and", "that matters, isn't it? Should I really cut it down or is it", "me to feel bad but I still really love what I'm doing and", "school chapter book, and not even a middle school one. It's a book", "a book for Ed Edd N Eddy lovers to keep the show alive", "3rd grade teacher and doesn't seem to read more than the average elementary", "to read more than the average elementary school chapter book, told me it", "is it fine to keep it how it is? It all seems to", "fine to keep it how it is? It all seems to flow together,", "down or is it fine to keep it how it is? It all", "Should I really cut it down or is it fine to keep it", "about 10 pages long. This isn't an elementary school chapter book, and not", "depth to clean up any plot holes I can readily see (thanks Cinemasins).", "30 minute reading time and a 1 hour speaking time. My aunt, who", "4 years. It's just a personal project now and I've gone really in", "years. It's just a personal project now and I've gone really in depth", "on Grammarly, it is 7,812 words long and has a 30 minute reading", "my boyfriend; it's a fanfiction (not the gross kind, a bringing-back-a-short-lived-90s-show-from-the-dead-because-it-was-great kind) of" ]
[ "follows, their 'darkest hour'. In the story that I'm working on, I have", "dire place that seems insurmountable. The second half of act 2 being the", "However, I have also seen it suggested that the midpoint is simply the", "doesn't actually embrace until they've faced the crisis that follows, their 'darkest hour'.", "how he faces his situation and decides he isn't going to take it", "is simply the event that precipitates choice, a choice that the protagonist doesn't", "tale of how he faces his situation and decides he isn't going to", "the later, where a catastrophe strikes and the protagonist is left in a", "being a reactive character, simply reacting to whatever the story throws at them,", "course from here on out. However, I have also seen it suggested that", "a reactive character, simply reacting to whatever the story throws at them, to", "story throws at them, to being a proactive one, choosing their own course", "it has been suggested that the midpoint of a story represents the moment", "that the midpoint is simply the event that precipitates choice, a choice that", "the midpoint is simply the event that precipitates choice, a choice that the", "represents the moment that the protagonist shifts from being a reactive character, simply", "insurmountable. The second half of act 2 being the tale of how he", "throws at them, to being a proactive one, choosing their own course from", "shifts from being a reactive character, simply reacting to whatever the story throws", "a dire place that seems insurmountable. The second half of act 2 being", "from here on out. However, I have also seen it suggested that the", "later, where a catastrophe strikes and the protagonist is left in a dire", "In some instances, it has been suggested that the midpoint of a story", "faces his situation and decides he isn't going to take it lying down.", "the protagonist shifts from being a reactive character, simply reacting to whatever the", "down. Does this approach make sense? Or should the protagonist really be making", "character, simply reacting to whatever the story throws at them, to being a", "conflicting advice. In some instances, it has been suggested that the midpoint of", "more the later, where a catastrophe strikes and the protagonist is left in", "being the tale of how he faces his situation and decides he isn't", "lying down. Does this approach make sense? Or should the protagonist really be", "on out. However, I have also seen it suggested that the midpoint is", "the midpoint of a story represents the moment that the protagonist shifts from", "have encountered some conflicting advice. In some instances, it has been suggested that", "isn't going to take it lying down. Does this approach make sense? Or", "from being a reactive character, simply reacting to whatever the story throws at", "faced the crisis that follows, their 'darkest hour'. In the story that I'm", "I have been treating the midpoint as more the later, where a catastrophe", "the event that precipitates choice, a choice that the protagonist doesn't actually embrace", "approach make sense? Or should the protagonist really be making his decision at", "reacting to whatever the story throws at them, to being a proactive one,", "In the story that I'm working on, I have been treating the midpoint", "I'm working on, I have been treating the midpoint as more the later,", "take it lying down. Does this approach make sense? Or should the protagonist", "the tale of how he faces his situation and decides he isn't going", "hour'. In the story that I'm working on, I have been treating the", "of how he faces his situation and decides he isn't going to take", "midpoint is simply the event that precipitates choice, a choice that the protagonist", "that the protagonist doesn't actually embrace until they've faced the crisis that follows,", "he faces his situation and decides he isn't going to take it lying", "on, I have been treating the midpoint as more the later, where a", "treating the midpoint as more the later, where a catastrophe strikes and the", "I have also seen it suggested that the midpoint is simply the event", "in a dire place that seems insurmountable. The second half of act 2", "as more the later, where a catastrophe strikes and the protagonist is left", "whatever the story throws at them, to being a proactive one, choosing their", "seen it suggested that the midpoint is simply the event that precipitates choice,", "protagonist shifts from being a reactive character, simply reacting to whatever the story", "protagonist doesn't actually embrace until they've faced the crisis that follows, their 'darkest", "working on, I have been treating the midpoint as more the later, where", "Or should the protagonist really be making his decision at the midpoint as", "choice, a choice that the protagonist doesn't actually embrace until they've faced the", "one, choosing their own course from here on out. However, I have also", "crisis that follows, their 'darkest hour'. In the story that I'm working on,", "and the protagonist is left in a dire place that seems insurmountable. The", "is left in a dire place that seems insurmountable. The second half of", "that seems insurmountable. The second half of act 2 being the tale of", "place that seems insurmountable. The second half of act 2 being the tale", "it lying down. Does this approach make sense? Or should the protagonist really", "2 being the tale of how he faces his situation and decides he", "suggested that the midpoint of a story represents the moment that the protagonist", "act 2 being the tale of how he faces his situation and decides", "some instances, it has been suggested that the midpoint of a story represents", "has been suggested that the midpoint of a story represents the moment that", "the story that I'm working on, I have been treating the midpoint as", "the protagonist is left in a dire place that seems insurmountable. The second", "reactive character, simply reacting to whatever the story throws at them, to being", "that the protagonist shifts from being a reactive character, simply reacting to whatever", "the protagonist doesn't actually embrace until they've faced the crisis that follows, their", "proactive one, choosing their own course from here on out. However, I have", "to being a proactive one, choosing their own course from here on out.", "of story structure, I have encountered some conflicting advice. In some instances, it", "story structure, I have encountered some conflicting advice. In some instances, it has", "they've faced the crisis that follows, their 'darkest hour'. In the story that", "their 'darkest hour'. In the story that I'm working on, I have been", "instances, it has been suggested that the midpoint of a story represents the", "decides he isn't going to take it lying down. Does this approach make", "that the midpoint of a story represents the moment that the protagonist shifts", "moment that the protagonist shifts from being a reactive character, simply reacting to", "strikes and the protagonist is left in a dire place that seems insurmountable.", "it suggested that the midpoint is simply the event that precipitates choice, a", "event that precipitates choice, a choice that the protagonist doesn't actually embrace until", "choosing their own course from here on out. However, I have also seen", "simply reacting to whatever the story throws at them, to being a proactive", "that precipitates choice, a choice that the protagonist doesn't actually embrace until they've", "protagonist is left in a dire place that seems insurmountable. The second half", "second half of act 2 being the tale of how he faces his", "exploration of story structure, I have encountered some conflicting advice. In some instances,", "the crisis that follows, their 'darkest hour'. In the story that I'm working", "some conflicting advice. In some instances, it has been suggested that the midpoint", "suggested that the midpoint is simply the event that precipitates choice, a choice", "catastrophe strikes and the protagonist is left in a dire place that seems", "to take it lying down. Does this approach make sense? Or should the", "a choice that the protagonist doesn't actually embrace until they've faced the crisis", "that follows, their 'darkest hour'. In the story that I'm working on, I", "midpoint as more the later, where a catastrophe strikes and the protagonist is", "of a story represents the moment that the protagonist shifts from being a", "his situation and decides he isn't going to take it lying down. Does", "them, to being a proactive one, choosing their own course from here on", "encountered some conflicting advice. In some instances, it has been suggested that the", "advice. In some instances, it has been suggested that the midpoint of a", "going to take it lying down. Does this approach make sense? Or should", "should the protagonist really be making his decision at the midpoint as some", "story represents the moment that the protagonist shifts from being a reactive character,", "out. However, I have also seen it suggested that the midpoint is simply", "embrace until they've faced the crisis that follows, their 'darkest hour'. In the", "at them, to being a proactive one, choosing their own course from here", "and decides he isn't going to take it lying down. Does this approach", "own course from here on out. However, I have also seen it suggested", "seems insurmountable. The second half of act 2 being the tale of how", "to whatever the story throws at them, to being a proactive one, choosing", "choice that the protagonist doesn't actually embrace until they've faced the crisis that", "being a proactive one, choosing their own course from here on out. However,", "that I'm working on, I have been treating the midpoint as more the", "The second half of act 2 being the tale of how he faces", "here on out. However, I have also seen it suggested that the midpoint", "In my exploration of story structure, I have encountered some conflicting advice. In", "'darkest hour'. In the story that I'm working on, I have been treating", "where a catastrophe strikes and the protagonist is left in a dire place", "a catastrophe strikes and the protagonist is left in a dire place that", "my exploration of story structure, I have encountered some conflicting advice. In some", "actually embrace until they've faced the crisis that follows, their 'darkest hour'. In", "I have encountered some conflicting advice. In some instances, it has been suggested", "the story throws at them, to being a proactive one, choosing their own", "this approach make sense? Or should the protagonist really be making his decision", "have also seen it suggested that the midpoint is simply the event that", "sense? Or should the protagonist really be making his decision at the midpoint", "until they've faced the crisis that follows, their 'darkest hour'. In the story", "make sense? Or should the protagonist really be making his decision at the", "a proactive one, choosing their own course from here on out. However, I", "the moment that the protagonist shifts from being a reactive character, simply reacting", "their own course from here on out. However, I have also seen it", "story that I'm working on, I have been treating the midpoint as more", "half of act 2 being the tale of how he faces his situation", "situation and decides he isn't going to take it lying down. Does this", "Does this approach make sense? Or should the protagonist really be making his", "been treating the midpoint as more the later, where a catastrophe strikes and", "precipitates choice, a choice that the protagonist doesn't actually embrace until they've faced", "also seen it suggested that the midpoint is simply the event that precipitates", "the midpoint as more the later, where a catastrophe strikes and the protagonist", "left in a dire place that seems insurmountable. The second half of act", "of act 2 being the tale of how he faces his situation and", "structure, I have encountered some conflicting advice. In some instances, it has been", "been suggested that the midpoint of a story represents the moment that the", "a story represents the moment that the protagonist shifts from being a reactive", "midpoint of a story represents the moment that the protagonist shifts from being", "the protagonist really be making his decision at the midpoint as some suggest?", "he isn't going to take it lying down. Does this approach make sense?", "have been treating the midpoint as more the later, where a catastrophe strikes", "simply the event that precipitates choice, a choice that the protagonist doesn't actually" ]
[ "that emotions must be shown, not told. So, what about opinions? Attitudes people", "Attitudes people have, etc.? I'd say opinions and attitudes to certain things are", "within the \"show don't tell\" guideline is to convey the information through dialogue/monologue/thought.", "is the concept I'm talking about. Though, I honestly don't know. Perhaps it", "and ReenaCm. Now, I reacted to the fact that it says, straight-up \"ReenaCm", "too on the nose, so that it is practically still \"telling\", but it", "honestly don't know. Perhaps it is completely acceptable and good writing to just", "attitudes to certain things are integral parts of someone's personality, and if you're", "it through their actions or conveying it through dialogue, then that's bad writing.", "wrinkled as his eyebrows rose, looking at his apprentice's new posture. > >", "don't tell\" guideline, I believe it applied to everything. I have now learned", "the sentence in question that I am currently critiquing: > > He [Visa]", "the nose, so that it is practically still \"telling\", but it is the", "about the \"show don't tell\" guideline, I believe it applied to everything. I", "acceptable and good writing to just write \"...ReenaCm respected confidence.\"? Perhaps that is", "dialogue/monologue/thought. > > He squared his shoulders. This'll get him to listen to", "nose, so that it is practically still \"telling\", but it is the concept", "it says, straight-up \"ReenaCm respected confidence\". I believed in such cases, one would", "of showing it through their actions or conveying it through dialogue, then that's", "new posture. > > > Now, this writing is pretty terrible, but at", "and acknowledgement. And another way I believe to do it, whilst still staying", "still staying within the \"show don't tell\" guideline is to convey the information", "concept I'm talking about. Though, I honestly don't know. Perhaps it is completely", "example exposition, and that the most important thing to remember is that emotions", "> He squared his shoulders. ReenaCm's forehead wrinkled as his eyebrows rose, looking", "confidence. > > > There is a conflict, between Visa and ReenaCm. Now,", "at his apprentice's new posture. > > > Now, this writing is pretty", "writing is pretty terrible, but at least I'm showing his respect and acknowledgement.", "guideline is to convey the information through dialogue/monologue/thought. > > He squared his", "convey the information through dialogue/monologue/thought. > > He squared his shoulders. This'll get", "Visa's personality is illuminated as well. Now, I probably did it a bit", "so that it is practically still \"telling\", but it is the concept I'm", "to certain things are integral parts of someone's personality, and if you're telling", "shoulders. ReenaCm's forehead wrinkled as his eyebrows rose, looking at his apprentice's new", "told. So, what about opinions? Attitudes people have, etc.? I'd say opinions and", "what about opinions? Attitudes people have, etc.? I'd say opinions and attitudes to", "> > He squared his shoulders. This'll get him to listen to me.", "get him to listen to me. He respects confidence. > > > Not", "to listen to me. He respects confidence.* > > > Not only is", "> > Not only is the fact that ReenaCm respects confidence conveyed, but", "first learned about the \"show don't tell\" guideline, I believe it applied to", "many grey areas, like for example exposition, and that the most important thing", "at least I'm showing his respect and acknowledgement. And another way I believe", "it is completely acceptable and good writing to just write \"...ReenaCm respected confidence.\"?", "don't tell\" guideline is to convey the information through dialogue/monologue/thought. > > He", "the \"show don't tell\" guideline, I believe it applied to everything. I have", "that the most important thing to remember is that emotions must be shown,", "and attitudes to certain things are integral parts of someone's personality, and if", "Here's the sentence in question that I am currently critiquing: > > He", "but at least I'm showing his respect and acknowledgement. And another way I", "> He [Visa] squared his shoulders, ReenaCm respected confidence. > > > There", "believe it applied to everything. I have now learned there are many grey", "least I'm showing his respect and acknowledgement. And another way I believe to", "the information through dialogue/monologue/thought. > > He squared his shoulders. This'll get him", "ReenaCm's forehead wrinkled as his eyebrows rose, looking at his apprentice's new posture.", "remember is that emotions must be shown, not told. So, what about opinions?", "are many grey areas, like for example exposition, and that the most important", "etc.? I'd say opinions and attitudes to certain things are integral parts of", "Perhaps it is completely acceptable and good writing to just write \"...ReenaCm respected", "confidence. I.e.: > > He squared his shoulders. ReenaCm's forehead wrinkled as his", "squared his shoulders. This'll get him to listen to me. He respects confidence.", "through their actions or conveying it through dialogue, then that's bad writing. Here's", "his shoulders. ReenaCm's forehead wrinkled as his eyebrows rose, looking at his apprentice's", "to the fact that it says, straight-up \"ReenaCm respected confidence\". I believed in", "Not only is the fact that ReenaCm respects confidence conveyed, but a little", "opinions? Attitudes people have, etc.? I'd say opinions and attitudes to certain things", "says, straight-up \"ReenaCm respected confidence\". I believed in such cases, one would show", "the \"show don't tell\" guideline is to convey the information through dialogue/monologue/thought. >", "opinions and attitudes to certain things are integral parts of someone's personality, and", "instead of showing it through their actions or conveying it through dialogue, then", "just write \"...ReenaCm respected confidence.\"? Perhaps that is even better than my options?", "I'd say opinions and attitudes to certain things are integral parts of someone's", "the most important thing to remember is that emotions must be shown, not", "believed in such cases, one would show his respect and acknowledgement as Visa", "am currently critiquing: > > He [Visa] squared his shoulders, ReenaCm respected confidence.", "someone's personality, instead of showing it through their actions or conveying it through", "the concept I'm talking about. Though, I honestly don't know. Perhaps it is", "fact that ReenaCm respects confidence conveyed, but a little of Visa's personality is", "is to convey the information through dialogue/monologue/thought. > > He squared his shoulders.", "Now, I reacted to the fact that it says, straight-up \"ReenaCm respected confidence\".", "another way I believe to do it, whilst still staying within the \"show", "tell\" guideline is to convey the information through dialogue/monologue/thought. > > He squared", "his apprentice's new posture. > > > Now, this writing is pretty terrible,", "as his eyebrows rose, looking at his apprentice's new posture. > > >", "and if you're telling* someone's personality, instead of showing it through their actions", "bad writing. Here's the sentence in question that I am currently critiquing: >", "\"show don't tell\" guideline is to convey the information through dialogue/monologue/thought. > >", "his shoulders. This'll get him to listen to me. He respects confidence. >", "He squared his shoulders. ReenaCm's forehead wrinkled as his eyebrows rose, looking at", "I reacted to the fact that it says, straight-up \"ReenaCm respected confidence\". I", "learned about the \"show don't tell\" guideline, I believe it applied to everything.", "is that emotions must be shown, not told. So, what about opinions? Attitudes", "information through dialogue/monologue/thought. > > He squared his shoulders. This'll get him to", "on the nose, so that it is practically still \"telling\", but it is", "is a conflict, between Visa and ReenaCm. Now, I reacted to the fact", "about. Though, I honestly don't know. Perhaps it is completely acceptable and good", "integral parts of someone's personality, and if you're telling* someone's personality, instead of", "is illuminated as well. Now, I probably did it a bit too on", "to just write \"...ReenaCm respected confidence.\"? Perhaps that is even better than my", "\"show don't tell\" guideline, I believe it applied to everything. I have now", "respected confidence\". I believed in such cases, one would show his respect and", "you're telling someone's personality, instead of showing it through their actions or conveying", "their actions or conveying it through dialogue, then that's bad writing. Here's the", "portrayed confidence. I.e.: > > He squared his shoulders. ReenaCm's forehead wrinkled as", "respected confidence. > > > There is a conflict, between Visa and ReenaCm.", "personality, and if you're telling someone's personality, instead of showing it through their", "important thing to remember is that emotions must be shown, not told. So,", "certain things are integral parts of someone's personality, and if you're telling someone's", "confidence.* > > > Not only is the fact that ReenaCm respects confidence", "would show his respect and acknowledgement as Visa portrayed confidence. I.e.: > >", "terrible, but at least I'm showing his respect and acknowledgement. And another way", "talking about. Though, I honestly don't know. Perhaps it is completely acceptable and", "everything. I have now learned there are many grey areas, like for example", "like for example exposition, and that the most important thing to remember is", "ReenaCm. Now, I reacted to the fact that it says, straight-up \"ReenaCm respected", "areas, like for example exposition, and that the most important thing to remember", "bit too on the nose, so that it is practically still \"telling\", but", "apprentice's new posture. > > > Now, this writing is pretty terrible, but", "completely acceptable and good writing to just write \"...ReenaCm respected confidence.\"? Perhaps that", "be shown*, not told. So, what about opinions? Attitudes people have, etc.? I'd", "of someone's personality, and if you're telling* someone's personality, instead of showing it", "squared his shoulders, ReenaCm respected confidence. > > > There is a conflict,", "currently critiquing: > > He [Visa] squared his shoulders, ReenaCm respected confidence. >", "I am currently critiquing: > > He [Visa] squared his shoulders, ReenaCm respected", "this writing is pretty terrible, but at least I'm showing his respect and", "I believed in such cases, one would show his respect and acknowledgement as", "\"ReenaCm respected confidence\". I believed in such cases, one would show his respect", "is the fact that ReenaCm respects confidence conveyed, but a little of Visa's", "There is a conflict, between Visa and ReenaCm. Now, I reacted to the", "Visa and ReenaCm. Now, I reacted to the fact that it says, straight-up", "acknowledgement as Visa portrayed confidence. I.e.: > > He squared his shoulders. ReenaCm's", "that's bad writing. Here's the sentence in question that I am currently critiquing:", "only is the fact that ReenaCm respects confidence conveyed, but a little of", "probably did it a bit too on the nose, so that it is", "confidence conveyed, but a little of Visa's personality is illuminated as well. Now,", "shoulders, ReenaCm respected confidence. > > > There is a conflict, between Visa", "it, whilst still staying within the \"show don't tell\" guideline is to convey", "not told. So, what about opinions? Attitudes people have, etc.? I'd say opinions", "staying within the \"show don't tell\" guideline is to convey the information through", "but it is the concept I'm talking about. Though, I honestly don't know.", "as well. Now, I probably did it a bit too on the nose,", "a little of Visa's personality is illuminated as well. Now, I probably did", "fact that it says, straight-up \"ReenaCm respected confidence\". I believed in such cases,", "as Visa portrayed confidence. I.e.: > > He squared his shoulders. ReenaCm's forehead", "forehead wrinkled as his eyebrows rose, looking at his apprentice's new posture. >", "ReenaCm respected confidence. > > > There is a conflict, between Visa and", "that it is practically still \"telling\", but it is the concept I'm talking", "So, what about opinions? Attitudes people have, etc.? I'd say opinions and attitudes", "ReenaCm respects confidence conveyed, but a little of Visa's personality is illuminated as", "a bit too on the nose, so that it is practically still \"telling\",", "did it a bit too on the nose, so that it is practically", "writing to just write \"...ReenaCm respected confidence.\"? Perhaps that is even better than", "of Visa's personality is illuminated as well. Now, I probably did it a", "respect and acknowledgement. And another way I believe to do it, whilst still", "it through dialogue, then that's bad writing. Here's the sentence in question that", "and that the most important thing to remember is that *emotions must be", "showing his respect and acknowledgement. And another way I believe to do it,", "his shoulders, ReenaCm respected confidence. > > > There is a conflict, between", "to do it, whilst still staying within the \"show don't tell\" guideline is", "I first learned about the \"show don't tell\" guideline, I believe it applied", "but a little of Visa's personality is illuminated as well. Now, I probably", "\"telling\", but it is the concept I'm talking about. Though, I honestly don't", "This'll get him to listen to me. He respects confidence.* > > >", "it a bit too on the nose, so that it is practically still", "to everything. I have now learned there are many grey areas, like for", "and good writing to just write \"...ReenaCm respected confidence.\"? Perhaps that is even", "conflict, between Visa and ReenaCm. Now, I reacted to the fact that it", "if you're telling someone's personality, instead of showing it through their actions or", "I'm showing his respect and acknowledgement. And another way I believe to do", "through dialogue/monologue/thought. > > He squared his shoulders. This'll get him to listen", "the fact that ReenaCm respects confidence conveyed, but a little of Visa's personality", "guideline, I believe it applied to everything. I have now learned there are", "that ReenaCm respects confidence conveyed, but a little of Visa's personality is illuminated", "thing to remember is that emotions must be shown, not told. So, what", "looking at his apprentice's new posture. > > > Now, this writing is", "grey areas, like for example exposition, and that the most important thing to", "confidence\". I believed in such cases, one would show his respect and acknowledgement", "Now, I probably did it a bit too on the nose, so that", "> > There is a conflict, between Visa and ReenaCm. Now, I reacted", "emotions must be shown, not told. So, what about opinions? Attitudes people have,", "it is the concept I'm talking about. Though, I honestly don't know. Perhaps", "Visa portrayed confidence. I.e.: > > He squared his shoulders. ReenaCm's forehead wrinkled", "> > He squared his shoulders. ReenaCm's forehead wrinkled as his eyebrows rose,", "do it, whilst still staying within the \"show don't tell\" guideline is to", "him to listen to me. He respects confidence. > > > Not only", "to me. He respects confidence.* > > > Not only is the fact", "showing it through their actions or conveying it through dialogue, then that's bad", "straight-up \"ReenaCm respected confidence\". I believed in such cases, one would show his", "pretty terrible, but at least I'm showing his respect and acknowledgement. And another", "people have, etc.? I'd say opinions and attitudes to certain things are integral", "exposition, and that the most important thing to remember is that emotions must", "acknowledgement. And another way I believe to do it, whilst still staying within", "I honestly don't know. Perhaps it is completely acceptable and good writing to", "to remember is that emotions must be shown*, not told. So, what about", "sentence in question that I am currently critiquing: > > He [Visa] squared", "I'm talking about. Though, I honestly don't know. Perhaps it is completely acceptable", "I probably did it a bit too on the nose, so that it", "whilst still staying within the \"show don't tell\" guideline is to convey the", "posture. > > > Now, this writing is pretty terrible, but at least", "way I believe to do it, whilst still staying within the \"show don't", "He squared his shoulders. This'll get him to listen to me. He respects", "practically still \"telling\", but it is the concept I'm talking about. Though, I", "question that I am currently critiquing: > > He [Visa] squared his shoulders,", "cases, one would show his respect and acknowledgement as Visa portrayed confidence. I.e.:", "it is practically still \"telling\", but it is the concept I'm talking about.", "I have now learned there are many grey areas, like for example exposition,", "actions or conveying it through dialogue, then that's bad writing. Here's the sentence", "applied to everything. I have now learned there are many grey areas, like", "squared his shoulders. ReenaCm's forehead wrinkled as his eyebrows rose, looking at his", "> > > There is a conflict, between Visa and ReenaCm. Now, I", "have now learned there are many grey areas, like for example exposition, and", "dialogue, then that's bad writing. Here's the sentence in question that I am", "is pretty terrible, but at least I'm showing his respect and acknowledgement. And", "respect and acknowledgement as Visa portrayed confidence. I.e.: > > He squared his", "about opinions? Attitudes people have, etc.? I'd say opinions and attitudes to certain", "tell\" guideline, I believe it applied to everything. I have now learned there", "then that's bad writing. Here's the sentence in question that I am currently", "such cases, one would show his respect and acknowledgement as Visa portrayed confidence.", "He respects confidence.* > > > Not only is the fact that ReenaCm", "conveying it through dialogue, then that's bad writing. Here's the sentence in question", "rose, looking at his apprentice's new posture. > > > Now, this writing", "is completely acceptable and good writing to just write \"...ReenaCm respected confidence.\"? Perhaps", "little of Visa's personality is illuminated as well. Now, I probably did it", "show his respect and acknowledgement as Visa portrayed confidence. I.e.: > > He", "the fact that it says, straight-up \"ReenaCm respected confidence\". I believed in such", "is practically still \"telling\", but it is the concept I'm talking about. Though,", "parts of someone's personality, and if you're telling someone's personality, instead of showing", "it applied to everything. I have now learned there are many grey areas,", "> > Now, this writing is pretty terrible, but at least I'm showing", "listen to me. He respects confidence.* > > > Not only is the", "his respect and acknowledgement as Visa portrayed confidence. I.e.: > > He squared", "I believe it applied to everything. I have now learned there are many", "in such cases, one would show his respect and acknowledgement as Visa portrayed", "> There is a conflict, between Visa and ReenaCm. Now, I reacted to", "there are many grey areas, like for example exposition, and that the most", "have, etc.? I'd say opinions and attitudes to certain things are integral parts", "someone's personality, and if you're telling someone's personality, instead of showing it through", "between Visa and ReenaCm. Now, I reacted to the fact that it says,", "are integral parts of someone's personality, and if you're telling someone's personality, instead", "good writing to just write \"...ReenaCm respected confidence.\"? Perhaps that is even better", "to convey the information through dialogue/monologue/thought. > > He squared his shoulders. This'll", "I believe to do it, whilst still staying within the \"show don't tell\"", "that it says, straight-up \"ReenaCm respected confidence\". I believed in such cases, one", "Though, I honestly don't know. Perhaps it is completely acceptable and good writing", "one would show his respect and acknowledgement as Visa portrayed confidence. I.e.: >", "well. Now, I probably did it a bit too on the nose, so", "don't know. Perhaps it is completely acceptable and good writing to just write", "learned there are many grey areas, like for example exposition, and that the", "and acknowledgement as Visa portrayed confidence. I.e.: > > He squared his shoulders.", "shown, not told. So, what about opinions? Attitudes people have, etc.? I'd say", "shoulders. This'll get him to listen to me. He respects confidence.* > >", "know. Perhaps it is completely acceptable and good writing to just write \"...ReenaCm", "or conveying it through dialogue, then that's bad writing. Here's the sentence in", "his eyebrows rose, looking at his apprentice's new posture. > > > Now,", "He [Visa] squared his shoulders, ReenaCm respected confidence. > > > There is", "still \"telling\", but it is the concept I'm talking about. Though, I honestly", "When I first learned about the \"show don't tell\" guideline, I believe it", "Now, this writing is pretty terrible, but at least I'm showing his respect", "> Now, this writing is pretty terrible, but at least I'm showing his", "> > > Not only is the fact that ReenaCm respects confidence conveyed,", "personality is illuminated as well. Now, I probably did it a bit too", "must be shown*, not told. So, what about opinions? Attitudes people have, etc.?", "I.e.: > > He squared his shoulders. ReenaCm's forehead wrinkled as his eyebrows", "personality, instead of showing it through their actions or conveying it through dialogue,", "now learned there are many grey areas, like for example exposition, and that", "for example exposition, and that the most important thing to remember is that", "telling* someone's personality, instead of showing it through their actions or conveying it", "> > He [Visa] squared his shoulders, ReenaCm respected confidence. > > >", "reacted to the fact that it says, straight-up \"ReenaCm respected confidence\". I believed", "a conflict, between Visa and ReenaCm. Now, I reacted to the fact that", "respects confidence conveyed, but a little of Visa's personality is illuminated as well.", "respects confidence.* > > > Not only is the fact that ReenaCm respects", "illuminated as well. Now, I probably did it a bit too on the", "And another way I believe to do it, whilst still staying within the", "eyebrows rose, looking at his apprentice's new posture. > > > Now, this", "believe to do it, whilst still staying within the \"show don't tell\" guideline", "[Visa] squared his shoulders, ReenaCm respected confidence. > > > There is a", "conveyed, but a little of Visa's personality is illuminated as well. Now, I", "> Not only is the fact that ReenaCm respects confidence conveyed, but a", "> He squared his shoulders. This'll get him to listen to me. He", "me. He respects confidence. > > > Not only is the fact that", "through dialogue, then that's bad writing. Here's the sentence in question that I", "writing. Here's the sentence in question that I am currently critiquing: > >", "in question that I am currently critiquing: > > He [Visa] squared his", "critiquing: > > He [Visa] squared his shoulders, ReenaCm respected confidence. > >", "his respect and acknowledgement. And another way I believe to do it, whilst", "say opinions and attitudes to certain things are integral parts of someone's personality,", "that I am currently critiquing: > > He [Visa] squared his shoulders, ReenaCm", "things are integral parts of someone's personality, and if you're telling someone's personality,", "> > > Now, this writing is pretty terrible, but at least I'm", "most important thing to remember is that emotions must be shown, not told." ]
[ "Does that fact that Sir Forename Surname is a knight mean one should", "academic writing, one would typically refer to someone as Surname, e.g. Surname (2019)", "as Sir Forename, not Surname, e.g. Sir Forename is distinguished in ...* But", "we ignore the general usage convention, keeping the academic convention without exception (even", "writing, one would typically refer to someone as Surname, e.g. Surname (2019) suggests", "an academic context, or do we ignore the general usage convention, keeping the", "e.g. Sir Forename is distinguished in ...* But in academic writing, one would", "Surname, e.g. Sir Forename is distinguished in ... But in academic writing, one", "would refer to a knight called 'Forename Surname' as Sir Forename, not Surname,", "mean one should address him as Sir Forename in an academic context, or", "in an academic context, or do we ignore the general usage convention, keeping", "Surname, e.g. Surname (2019) suggests that ... Does that fact that Sir Forename", "him as Sir Forename in an academic context, or do we ignore the", "Sir Forename in an academic context, or do we ignore the general usage", "general usage convention, keeping the academic convention without exception (even where it doesn't", "one should address him as Sir Forename in an academic context, or do", "would typically refer to someone as Surname, e.g. Surname (2019) suggests that ...", "ignore the general usage convention, keeping the academic convention without exception (even where", "Forename* in an academic context, or do we ignore the general usage convention,", "is distinguished in ...* But in academic writing, one would typically refer to", "But in academic writing, one would typically refer to someone as Surname, e.g.", "the academic convention without exception (even where it doesn't match the general one)?", "usage, one would refer to a knight called 'Forename Surname' as Sir Forename,", "to someone as Surname, e.g. Surname (2019) suggests that ... Does that fact", "e.g. Surname (2019) suggests that ... 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[ "bold settings and characters, and the character arcs? In my case I have", "those two character arcs. The beginning of the story implicitly emphasizes BG and", "flavors a lot of the rest of the story and provides a few", "in the mind of the reader than I had intended, imposing its own", "a satisfying ending to those two character arcs. The beginning of the story", "backstory is set in a second (British Guiana), and significant plot developments happen", "and bold settings and characters, and the character arcs? In my case I", "the inability to reconnect with BG leaves me feeling let down, particularly for", "few minor plot elements, but never becomes relevant again as a destination or", "the story takes place in one country (England), significant backstory is set in", "but never becomes relevant again as a destination or setting. I'm new to", "travel there with the naturalist. It's an open emotional thread that needs a", "rest of the story and provides a few minor plot elements, but never", "travel as thematically important because it's a point of connection for the main", "female protagonist, who is homesick and might have reasonably expected to travel there", "as a destination or setting. I'm new to creative writing, but my instincts", "stay in England for the foreseeable future (because of what happens in France),", "both natural history expeditions and visiting BG. While the lack of further natural", "in a third (France). The British Guiana backstory provides a significant catalyst for", "is off. I'd like to give a satisfying ending to those two character", "such as plot, themes, and bold settings and characters, and the character arcs?", "the foreseeable future (because of what happens in France), and thus they must", "balance between the significance of different elements, such as plot, themes, and bold", "significance of different elements, such as plot, themes, and bold settings and characters,", "set in a second (British Guiana), and significant plot developments happen in a", "for my female protagonist, who is homesick and might have reasonably expected to", "leaves me feeling let down, particularly for my female protagonist, who is homesick", "his lecture about it), and it flavors a lot of the rest of", "Guiana backstory provides a significant catalyst for why my protagonists meet and get", "and the character arcs? In my case I have a great setting for", "plot elements, but never becomes relevant again as a destination or setting. I'm", "and plot development, the inability to reconnect with BG leaves me feeling let", "a naturalist who explores the rainforest there, she lived there in her childhood", "new to creative writing, but my instincts are telling me the balance between", "to give a satisfying ending to those two character arcs. The beginning of", "place in one country (England), significant backstory is set in a second (British", "my instincts are telling me the balance between setting, theme, and character arcs", "and attends his lecture about it), and it flavors a lot of the", "particularly for my female protagonist, who is homesick and might have reasonably expected", "is set in a second (British Guiana), and significant plot developments happen in", "as plot, themes, and bold settings and characters, and the character arcs? In", "any hope of both natural history expeditions and visiting BG. While the lack", "the main characters and their families. However, the plot and resolution force the", "to the story. I am writing a historical novel in which, currently, most", "However, the plot and resolution force the characters to stay in England for", "or setting. I'm new to creative writing, but my instincts are telling me", "emotional thread that needs a conclusion. What needs to be changed to bring", "to those two character arcs. The beginning of the story implicitly emphasizes BG", "do you find a good balance between the significance of different elements, such", "much more significant in the mind of the reader than I had intended,", "mind of the reader than I had intended, imposing its own themes and", "plot and resolution force the characters to stay in England for the foreseeable", "In my case I have a great setting for a minor part of", "emphasizes BG and travel as thematically important because it's a point of connection", "homesick and might have reasonably expected to travel there with the naturalist. It's", "become much more significant in the mind of the reader than I had", "they must abandon any hope of both natural history expeditions and visiting BG.", "two character arcs. The beginning of the story implicitly emphasizes BG and travel", "The British Guiana backstory provides a significant catalyst for why my protagonists meet", "a third (France). The British Guiana backstory provides a significant catalyst for why", "a lot of the rest of the story and provides a few minor", "point of connection for the main characters and their families. However, the plot", "happens in France), and thus they must abandon any hope of both natural", "off. I'd like to give a satisfying ending to those two character arcs.", "one country (England), significant backstory is set in a second (British Guiana), and", "is acceptable and leads to character and plot development, the inability to reconnect", "of what happens in France), and thus they must abandon any hope of", "important because it's a point of connection for the main characters and their", "of the book, and it is threatening to become much more significant in", "and it is threatening to become much more significant in the mind of", "the book, and it is threatening to become much more significant in the", "significance, but I don't want to lose the color it brings to the", "and thus they must abandon any hope of both natural history expeditions and", "arcs. The beginning of the story implicitly emphasizes BG and travel as thematically", "future (because of what happens in France), and thus they must abandon any", "setting. I'm new to creative writing, but my instincts are telling me the", "the balance between setting, theme, and character arcs is off. I'd like to", "country (England), significant backstory is set in a second (British Guiana), and significant", "and it flavors a lot of the rest of the story and provides", "Guiana), and significant plot developments happen in a third (France). The British Guiana", "which, currently, most of the story takes place in one country (England), significant", "visiting BG. While the lack of further natural history adventures is acceptable and", "writing a historical novel in which, currently, most of the story takes place", "a good balance between the significance of different elements, such as plot, themes,", "ending to those two character arcs. The beginning of the story implicitly emphasizes", "thematically important because it's a point of connection for the main characters and", "case I have a great setting for a minor part of the book,", "she lived there in her childhood and attends his lecture about it), and", "a significant catalyst for why my protagonists meet and get together (he's a", "and travel as thematically important because it's a point of connection for the", "lived there in her childhood and attends his lecture about it), and it", "reasonably expected to travel there with the naturalist. It's an open emotional thread", "setting, theme, and character arcs is off. I'd like to give a satisfying", "takes place in one country (England), significant backstory is set in a second", "of the story and provides a few minor plot elements, but never becomes", "story. I am writing a historical novel in which, currently, most of the", "plot development, the inability to reconnect with BG leaves me feeling let down,", "I have a great setting for a minor part of the book, and", "I am writing a historical novel in which, currently, most of the story", "want to lose the color it brings to the story. I am writing", "different elements, such as plot, themes, and bold settings and characters, and the", "arcs? In my case I have a great setting for a minor part", "and their families. However, the plot and resolution force the characters to stay", "the character arcs? In my case I have a great setting for a", "protagonists meet and get together (he's a naturalist who explores the rainforest there,", "relevant again as a destination or setting. I'm new to creative writing, but", "the characters to stay in England for the foreseeable future (because of what", "how do you find a good balance between the significance of different elements,", "get together (he's a naturalist who explores the rainforest there, she lived there", "historical novel in which, currently, most of the story takes place in one", "hope of both natural history expeditions and visiting BG. While the lack of", "me feeling let down, particularly for my female protagonist, who is homesick and", "attends his lecture about it), and it flavors a lot of the rest", "it flavors a lot of the rest of the story and provides a", "am writing a historical novel in which, currently, most of the story takes", "BG leaves me feeling let down, particularly for my female protagonist, who is", "have reasonably expected to travel there with the naturalist. It's an open emotional", "to creative writing, but my instincts are telling me the balance between setting,", "because it's a point of connection for the main characters and their families.", "theme, and character arcs is off. I'd like to give a satisfying ending", "book, and it is threatening to become much more significant in the mind", "and character arcs is off. I'd like to give a satisfying ending to", "with BG leaves me feeling let down, particularly for my female protagonist, who", "let down, particularly for my female protagonist, who is homesick and might have", "(he's a naturalist who explores the rainforest there, she lived there in her", "you find a good balance between the significance of different elements, such as", "and resolution force the characters to stay in England for the foreseeable future", "thus they must abandon any hope of both natural history expeditions and visiting", "British Guiana backstory provides a significant catalyst for why my protagonists meet and", "again as a destination or setting. I'm new to creative writing, but my", "of the reader than I had intended, imposing its own themes and emotional", "who explores the rainforest there, she lived there in her childhood and attends", "reader than I had intended, imposing its own themes and emotional significance, but", "novel in which, currently, most of the story takes place in one country", "an open emotional thread that needs a conclusion. What needs to be changed", "a conclusion. What needs to be changed to bring these elements into balance?", "there, she lived there in her childhood and attends his lecture about it),", "expected to travel there with the naturalist. It's an open emotional thread that", "lot of the rest of the story and provides a few minor plot", "implicitly emphasizes BG and travel as thematically important because it's a point of", "plot, themes, and bold settings and characters, and the character arcs? In my", "feeling let down, particularly for my female protagonist, who is homesick and might", "beginning of the story implicitly emphasizes BG and travel as thematically important because", "(England), significant backstory is set in a second (British Guiana), and significant plot", "settings and characters, and the character arcs? In my case I have a", "instincts are telling me the balance between setting, theme, and character arcs is", "with the naturalist. It's an open emotional thread that needs a conclusion. What", "significant backstory is set in a second (British Guiana), and significant plot developments", "what happens in France), and thus they must abandon any hope of both", "connection for the main characters and their families. However, the plot and resolution", "provides a significant catalyst for why my protagonists meet and get together (he's", "why my protagonists meet and get together (he's a naturalist who explores the", "a point of connection for the main characters and their families. However, the", "I'd like to give a satisfying ending to those two character arcs. The", "story and provides a few minor plot elements, but never becomes relevant again", "natural history expeditions and visiting BG. While the lack of further natural history", "I'm new to creative writing, but my instincts are telling me the balance", "it's a point of connection for the main characters and their families. However,", "foreseeable future (because of what happens in France), and thus they must abandon", "have a great setting for a minor part of the book, and it", "the rainforest there, she lived there in her childhood and attends his lecture", "story implicitly emphasizes BG and travel as thematically important because it's a point", "had intended, imposing its own themes and emotional significance, but I don't want", "(because of what happens in France), and thus they must abandon any hope", "story, how do you find a good balance between the significance of different", "in England for the foreseeable future (because of what happens in France), and", "destination or setting. I'm new to creative writing, but my instincts are telling", "part of the book, and it is threatening to become much more significant", "of the rest of the story and provides a few minor plot elements,", "main characters and their families. However, the plot and resolution force the characters", "minor part of the book, and it is threatening to become much more", "in France), and thus they must abandon any hope of both natural history", "the story and provides a few minor plot elements, but never becomes relevant", "and provides a few minor plot elements, but never becomes relevant again as", "for a minor part of the book, and it is threatening to become", "elements, but never becomes relevant again as a destination or setting. I'm new", "never becomes relevant again as a destination or setting. I'm new to creative", "lose the color it brings to the story. I am writing a historical", "writing, but my instincts are telling me the balance between setting, theme, and", "provides a few minor plot elements, but never becomes relevant again as a", "me the balance between setting, theme, and character arcs is off. I'd like", "the significance of different elements, such as plot, themes, and bold settings and", "arcs is off. I'd like to give a satisfying ending to those two", "I had intended, imposing its own themes and emotional significance, but I don't", "What needs to be changed to bring these elements into balance? Thank you!", "significant plot developments happen in a third (France). The British Guiana backstory provides", "further natural history adventures is acceptable and leads to character and plot development,", "leads to character and plot development, the inability to reconnect with BG leaves", "my female protagonist, who is homesick and might have reasonably expected to travel", "characters and their families. However, the plot and resolution force the characters to", "a story, how do you find a good balance between the significance of", "it), and it flavors a lot of the rest of the story and", "writing a story, how do you find a good balance between the significance", "it brings to the story. I am writing a historical novel in which,", "happen in a third (France). The British Guiana backstory provides a significant catalyst", "character arcs is off. I'd like to give a satisfying ending to those", "rainforest there, she lived there in her childhood and attends his lecture about", "balance between setting, theme, and character arcs is off. I'd like to give", "third (France). The British Guiana backstory provides a significant catalyst for why my", "great setting for a minor part of the book, and it is threatening", "but I don't want to lose the color it brings to the story.", "protagonist, who is homesick and might have reasonably expected to travel there with", "threatening to become much more significant in the mind of the reader than", "open emotional thread that needs a conclusion. What needs to be changed to", "the lack of further natural history adventures is acceptable and leads to character", "When writing a story, how do you find a good balance between the", "meet and get together (he's a naturalist who explores the rainforest there, she", "in one country (England), significant backstory is set in a second (British Guiana),", "the plot and resolution force the characters to stay in England for the", "significant in the mind of the reader than I had intended, imposing its", "about it), and it flavors a lot of the rest of the story", "themes and emotional significance, but I don't want to lose the color it", "to become much more significant in the mind of the reader than I", "find a good balance between the significance of different elements, such as plot,", "and leads to character and plot development, the inability to reconnect with BG", "intended, imposing its own themes and emotional significance, but I don't want to", "brings to the story. I am writing a historical novel in which, currently,", "It's an open emotional thread that needs a conclusion. What needs to be", "(British Guiana), and significant plot developments happen in a third (France). The British", "my case I have a great setting for a minor part of the", "than I had intended, imposing its own themes and emotional significance, but I", "families. However, the plot and resolution force the characters to stay in England", "to lose the color it brings to the story. I am writing a", "natural history adventures is acceptable and leads to character and plot development, the", "inability to reconnect with BG leaves me feeling let down, particularly for my", "lecture about it), and it flavors a lot of the rest of the", "who is homesick and might have reasonably expected to travel there with the", "of further natural history adventures is acceptable and leads to character and plot", "the naturalist. It's an open emotional thread that needs a conclusion. What needs", "its own themes and emotional significance, but I don't want to lose the", "developments happen in a third (France). The British Guiana backstory provides a significant", "BG. While the lack of further natural history adventures is acceptable and leads", "naturalist who explores the rainforest there, she lived there in her childhood and", "there in her childhood and attends his lecture about it), and it flavors", "England for the foreseeable future (because of what happens in France), and thus", "minor plot elements, but never becomes relevant again as a destination or setting.", "telling me the balance between setting, theme, and character arcs is off. I'd", "naturalist. It's an open emotional thread that needs a conclusion. What needs to", "of different elements, such as plot, themes, and bold settings and characters, and", "history adventures is acceptable and leads to character and plot development, the inability", "reconnect with BG leaves me feeling let down, particularly for my female protagonist,", "the story implicitly emphasizes BG and travel as thematically important because it's a", "acceptable and leads to character and plot development, the inability to reconnect with", "to stay in England for the foreseeable future (because of what happens in", "expeditions and visiting BG. While the lack of further natural history adventures is", "BG and travel as thematically important because it's a point of connection for", "for the main characters and their families. However, the plot and resolution force", "a second (British Guiana), and significant plot developments happen in a third (France).", "abandon any hope of both natural history expeditions and visiting BG. While the", "resolution force the characters to stay in England for the foreseeable future (because", "explores the rainforest there, she lived there in her childhood and attends his", "good balance between the significance of different elements, such as plot, themes, and", "I don't want to lose the color it brings to the story. I", "the color it brings to the story. I am writing a historical novel", "a historical novel in which, currently, most of the story takes place in", "childhood and attends his lecture about it), and it flavors a lot of", "(France). The British Guiana backstory provides a significant catalyst for why my protagonists", "thread that needs a conclusion. What needs to be changed to bring these", "the story. I am writing a historical novel in which, currently, most of", "between setting, theme, and character arcs is off. I'd like to give a", "own themes and emotional significance, but I don't want to lose the color", "the reader than I had intended, imposing its own themes and emotional significance,", "story takes place in one country (England), significant backstory is set in a", "are telling me the balance between setting, theme, and character arcs is off.", "is threatening to become much more significant in the mind of the reader", "imposing its own themes and emotional significance, but I don't want to lose", "catalyst for why my protagonists meet and get together (he's a naturalist who", "needs a conclusion. What needs to be changed to bring these elements into", "it is threatening to become much more significant in the mind of the", "down, particularly for my female protagonist, who is homesick and might have reasonably", "lack of further natural history adventures is acceptable and leads to character and", "in her childhood and attends his lecture about it), and it flavors a", "for why my protagonists meet and get together (he's a naturalist who explores", "setting for a minor part of the book, and it is threatening to", "her childhood and attends his lecture about it), and it flavors a lot", "a minor part of the book, and it is threatening to become much", "my protagonists meet and get together (he's a naturalist who explores the rainforest", "of the story implicitly emphasizes BG and travel as thematically important because it's", "France), and thus they must abandon any hope of both natural history expeditions", "and might have reasonably expected to travel there with the naturalist. It's an", "might have reasonably expected to travel there with the naturalist. It's an open", "characters, and the character arcs? In my case I have a great setting", "and get together (he's a naturalist who explores the rainforest there, she lived", "conclusion. What needs to be changed to bring these elements into balance? Thank", "of both natural history expeditions and visiting BG. While the lack of further", "character and plot development, the inability to reconnect with BG leaves me feeling", "to reconnect with BG leaves me feeling let down, particularly for my female", "becomes relevant again as a destination or setting. I'm new to creative writing,", "but my instincts are telling me the balance between setting, theme, and character", "emotional significance, but I don't want to lose the color it brings to", "there with the naturalist. It's an open emotional thread that needs a conclusion.", "and emotional significance, but I don't want to lose the color it brings", "don't want to lose the color it brings to the story. I am", "and significant plot developments happen in a third (France). The British Guiana backstory", "in a second (British Guiana), and significant plot developments happen in a third", "history expeditions and visiting BG. While the lack of further natural history adventures", "The beginning of the story implicitly emphasizes BG and travel as thematically important", "like to give a satisfying ending to those two character arcs. The beginning", "that needs a conclusion. What needs to be changed to bring these elements", "a great setting for a minor part of the book, and it is", "adventures is acceptable and leads to character and plot development, the inability to", "plot developments happen in a third (France). The British Guiana backstory provides a", "a few minor plot elements, but never becomes relevant again as a destination", "most of the story takes place in one country (England), significant backstory is", "force the characters to stay in England for the foreseeable future (because of", "more significant in the mind of the reader than I had intended, imposing", "as thematically important because it's a point of connection for the main characters", "their families. However, the plot and resolution force the characters to stay in", "give a satisfying ending to those two character arcs. The beginning of the", "themes, and bold settings and characters, and the character arcs? In my case", "the mind of the reader than I had intended, imposing its own themes", "backstory provides a significant catalyst for why my protagonists meet and get together", "and characters, and the character arcs? In my case I have a great", "and visiting BG. While the lack of further natural history adventures is acceptable", "the rest of the story and provides a few minor plot elements, but", "color it brings to the story. I am writing a historical novel in", "second (British Guiana), and significant plot developments happen in a third (France). The", "significant catalyst for why my protagonists meet and get together (he's a naturalist", "is homesick and might have reasonably expected to travel there with the naturalist.", "to character and plot development, the inability to reconnect with BG leaves me", "of the story takes place in one country (England), significant backstory is set", "for the foreseeable future (because of what happens in France), and thus they", "While the lack of further natural history adventures is acceptable and leads to", "creative writing, but my instincts are telling me the balance between setting, theme,", "elements, such as plot, themes, and bold settings and characters, and the character", "in which, currently, most of the story takes place in one country (England),", "currently, most of the story takes place in one country (England), significant backstory", "character arcs? In my case I have a great setting for a minor", "to travel there with the naturalist. It's an open emotional thread that needs", "development, the inability to reconnect with BG leaves me feeling let down, particularly", "characters to stay in England for the foreseeable future (because of what happens", "together (he's a naturalist who explores the rainforest there, she lived there in", "of connection for the main characters and their families. However, the plot and", "character arcs. The beginning of the story implicitly emphasizes BG and travel as", "must abandon any hope of both natural history expeditions and visiting BG. While", "between the significance of different elements, such as plot, themes, and bold settings", "a destination or setting. I'm new to creative writing, but my instincts are", "satisfying ending to those two character arcs. The beginning of the story implicitly" ]
[ "again, there's really only a little segment where the other character kind of", "little segment where the other character kind of takes over. EDIT: When I", "and he's pretty significant to the plot and world. Though, since they're so", "to one of them, who isn't the actual POV of that chapter. The", "more passive role in it. That narrative asks for more attention to the", "level cues. So I would say it pretty safe to say the actual", "them, who isn't the actual POV of that chapter. The reason for this", "that's not in-line with who is the POV, and the center of attention", "they are the one who is doing something. We see their preperations, even", "one of the characters, as he's one of the MCs and he's pretty", "of attention also in the chapters they're not the POV in. That's okay", "the POV as the chapter progresses? The chapter will end with the POV", "the doer, but that's not in-line with who is the POV, and the", "POV shifts, and it isn't a Jolzec and Watson case. But as Galastel", "I would say it pretty safe to say the actual POV shifts, and", "their plot, though mostly leaning to one of the characters, as he's one", "of takes over. EDIT: When I meant who is active, I mean we", "the actual POV is not in the same room. And their emotions are", "And their emotions are described, not directly, but through surface level cues. So", "the other character gets drunk. They're on this mission, and the POV character", "chapter progresses? The chapter will end with the POV being the center of", "case. But as Galastel said in his answer, it is okay to shift", "and world. Though, since they're so much together, they get a lot of", "duo in my novel, they're always together in chapters. Usually the story alternates", "for this is that the other character gets drunk. They're on this mission,", "meant who is active, I mean we see things from their perspective, because", "they get a lot of attention also in the chapters they're not the", "said in his answer, it is okay to shift POV, and it is", "asks for more attention to the doer, but that's not in-line with who", "obviously, but in the latest chapter, the attention almost completely shifts to one", "the POV in. That's okay obviously, but in the latest chapter, the attention", "say the actual POV shifts, and it isn't a Jolzec and Watson case.", "actual POV is not in the same room. And their emotions are described,", "are described, not directly, but through surface level cues. So I would say", "Though, since they're so much together, they get a lot of attention also", "POV character has a more passive role in it. That narrative asks for", "they're so much together, they get a lot of attention also in the", "to say the actual POV shifts, and it isn't a Jolzec and Watson", "get a lot of attention also in the chapters they're not the POV", "same room. And their emotions are described, not directly, but through surface level", "their preperations, even though the actual POV is not in the same room.", "So, is it okay to shift the POV as the chapter progresses? The", "the same room. And their emotions are described, not directly, but through surface", "the actual POV of that chapter. The reason for this is that the", "the story alternates between them within their plot, though mostly leaning to one", "gets drunk. They're on this mission, and the POV character has a more", "that the other character gets drunk. They're on this mission, and the POV", "the center of attention again, there's really only a little segment where the", "only a little segment where the other character kind of takes over. EDIT:", "the other character kind of takes over. EDIT: When I meant who is", "over. EDIT: When I meant who is active, I mean we see things", "who is active, I mean we see things from their perspective, because they", "always together in chapters. Usually the story alternates between them within their plot,", "in the same room. And their emotions are described, not directly, but through", "other character kind of takes over. EDIT: When I meant who is active,", "the chapters they're not the POV in. That's okay obviously, but in the", "kind of takes over. EDIT: When I meant who is active, I mean", "through surface level cues. So I would say it pretty safe to say", "isn't the actual POV of that chapter. The reason for this is that", "in-line with who is the POV, and the center of attention for the", "preperations, even though the actual POV is not in the same room. And", "isn't a Jolzec and Watson case. But as Galastel said in his answer,", "a more passive role in it. That narrative asks for more attention to", "passive role in it. That narrative asks for more attention to the doer,", "it pretty safe to say the actual POV shifts, and it isn't a", "as Galastel said in his answer, it is okay to shift POV, and", "between them within their plot, though mostly leaning to one of the characters,", "reason for this is that the other character gets drunk. They're on this", "it okay to shift the POV as the chapter progresses? The chapter will", "together in chapters. Usually the story alternates between them within their plot, though", "but that's not in-line with who is the POV, and the center of", "okay to shift the POV as the chapter progresses? The chapter will end", "POV of that chapter. The reason for this is that the other character", "world. Though, since they're so much together, they get a lot of attention", "attention again, there's really only a little segment where the other character kind", "the MCs and he's pretty significant to the plot and world. Though, since", "POV in. That's okay obviously, but in the latest chapter, the attention almost", "he's one of the MCs and he's pretty significant to the plot and", "of the chapter. So, is it okay to shift the POV as the", "shift the POV as the chapter progresses? The chapter will end with the", "though mostly leaning to one of the characters, as he's one of the", "doing something. We see their preperations, even though the actual POV is not", "they're always together in chapters. Usually the story alternates between them within their", "Watson* case. But as Galastel said in his answer, it is okay to", "see things from their perspective, because they are the one who is doing", "in. That's okay obviously, but in the latest chapter, the attention almost completely", "chapter. The reason for this is that the other character gets drunk. They're", "is okay to shift POV, and it is really more of a question", "plot, though mostly leaning to one of the characters, as he's one of", "the actual POV shifts, and it isn't a Jolzec and Watson case. But", "it isn't a Jolzec and Watson case. But as Galastel said in his", "has a more passive role in it. That narrative asks for more attention", "together, they get a lot of attention also in the chapters they're not", "POV is not in the same room. And their emotions are described, not", "POV being the center of attention again, there's really only a little segment", "have this duo in my novel, they're always together in chapters. Usually the", "EDIT: When I meant who is active, I mean we see things from", "in the latest chapter, the attention almost completely shifts to one of them,", "and it isn't a Jolzec and Watson case. But as Galastel said in", "the POV being the center of attention again, there's really only a little", "the plot and world. Though, since they're so much together, they get a", "is not in the same room. And their emotions are described, not directly,", "will end with the POV being the center of attention again, there's really", "there's really only a little segment where the other character kind of takes", "progresses? The chapter will end with the POV being the center of attention", "one who is doing something. We see their preperations, even though the actual", "would say it pretty safe to say the actual POV shifts, and it", "from their perspective, because they are the one who is doing something. We", "he's pretty significant to the plot and world. Though, since they're so much", "is active, I mean we see things from their perspective, because they are", "okay to shift POV, and it is really more of a question how.", "attention for the beginning parts of the chapter. So, is it okay to", "but through surface level cues. So I would say it pretty safe to", "with who is the POV, and the center of attention for the beginning", "When I meant who is active, I mean we see things from their", "doer, but that's not in-line with who is the POV, and the center", "of attention again, there's really only a little segment where the other character", "even though the actual POV is not in the same room. And their", "directly, but through surface level cues. So I would say it pretty safe", "chapter will end with the POV being the center of attention again, there's", "actual POV of that chapter. The reason for this is that the other", "not in-line with who is the POV, and the center of attention for", "to shift the POV as the chapter progresses? The chapter will end with", "character has a more passive role in it. That narrative asks for more", "significant to the plot and world. Though, since they're so much together, they", "to one of the characters, as he's one of the MCs and he's", "center of attention for the beginning parts of the chapter. So, is it", "a lot of attention also in the chapters they're not the POV in.", "center of attention again, there's really only a little segment where the other", "So I would say it pretty safe to say the actual POV shifts,", "pretty safe to say the actual POV shifts, and it isn't a Jolzec", "plot and world. Though, since they're so much together, they get a lot", "is that the other character gets drunk. They're on this mission, and the", "is the POV, and the center of attention for the beginning parts of", "answer, it is okay to shift POV, and it is really more of", "That's okay obviously, but in the latest chapter, the attention almost completely shifts", "role in it. That narrative asks for more attention to the doer, but", "their perspective, because they are the one who is doing something. We see", "on this mission, and the POV character has a more passive role in", "completely shifts to one of them, who isn't the actual POV of that", "not in the same room. And their emotions are described, not directly, but", "and the POV character has a more passive role in it. That narrative", "POV as the chapter progresses? The chapter will end with the POV being", "pretty significant to the plot and world. Though, since they're so much together,", "that chapter. The reason for this is that the other character gets drunk.", "this duo in my novel, they're always together in chapters. Usually the story", "the characters, as he's one of the MCs and he's pretty significant to", "chapter. So, is it okay to shift the POV as the chapter progresses?", "in the chapters they're not the POV in. That's okay obviously, but in", "but in the latest chapter, the attention almost completely shifts to one of", "I meant who is active, I mean we see things from their perspective,", "a little segment where the other character kind of takes over. EDIT:* When", "their emotions are described, not directly, but through surface level cues. So I", "of them, who isn't the actual POV of that chapter. The reason for", "as the chapter progresses? The chapter will end with the POV being the", "who is doing something. We see their preperations, even though the actual POV", "described, not directly, but through surface level cues. So I would say it", "not the POV in. That's okay obviously, but in the latest chapter, the", "shifts, and it isn't a Jolzec and Watson case. But as Galastel said", "lot of attention also in the chapters they're not the POV in. That's", "see their preperations, even though the actual POV is not in the same", "they're not the POV in. That's okay obviously, but in the latest chapter,", "who isn't the actual POV of that chapter. The reason for this is", "and the center of attention for the beginning parts of the chapter. So,", "my novel, they're always together in chapters. Usually the story alternates between them", "it is okay to shift POV, and it is really more of a", "one of the MCs and he's pretty significant to the plot and world.", "chapters. Usually the story alternates between them within their plot, though mostly leaning", "because they are the one who is doing something. We see their preperations,", "drunk. They're on this mission, and the POV character has a more passive", "emotions are described, not directly, but through surface level cues. So I would", "leaning to one of the characters, as he's one of the MCs and", "though the actual POV is not in the same room. And their emotions", "the chapter progresses? The chapter will end with the POV being the center", "a Jolzec and Watson case. But as Galastel said in his answer, it", "of the MCs and he's pretty significant to the plot and world. Though,", "really only a little segment where the other character kind of takes over.", "and Watson* case. But as Galastel said in his answer, it is okay", "for the beginning parts of the chapter. So, is it okay to shift", "who is the POV, and the center of attention for the beginning parts", "perspective, because they are the one who is doing something. We see their", "where the other character kind of takes over. EDIT: When I meant who", "the latest chapter, the attention almost completely shifts to one of them, who", "active, I mean we see things from their perspective, because they are the", "Jolzec and Watson case. But as Galastel said in his answer, it is", "chapter, the attention almost completely shifts to one of them, who isn't the", "other character gets drunk. They're on this mission, and the POV character has", "them within their plot, though mostly leaning to one of the characters, as", "are the one who is doing something. We see their preperations, even though", "in chapters. Usually the story alternates between them within their plot, though mostly", "story alternates between them within their plot, though mostly leaning to one of", "to the plot and world. Though, since they're so much together, they get", "to the doer, but that's not in-line with who is the POV, and", "say it pretty safe to say the actual POV shifts, and it isn't", "the center of attention for the beginning parts of the chapter. So, is", "segment where the other character kind of takes over. EDIT: When I meant", "latest chapter, the attention almost completely shifts to one of them, who isn't", "POV, and the center of attention for the beginning parts of the chapter.", "the attention almost completely shifts to one of them, who isn't the actual", "since they're so much together, they get a lot of attention also in", "MCs and he's pretty significant to the plot and world. Though, since they're", "much together, they get a lot of attention also in the chapters they're", "this mission, and the POV character has a more passive role in it.", "the POV character has a more passive role in it. That narrative asks", "one of them, who isn't the actual POV of that chapter. The reason", "character kind of takes over. EDIT: When I meant who is active, I", "of the characters, as he's one of the MCs and he's pretty significant", "in my novel, they're always together in chapters. Usually the story alternates between", "so much together, they get a lot of attention also in the chapters", "almost completely shifts to one of them, who isn't the actual POV of", "narrative asks for more attention to the doer, but that's not in-line with", "But as Galastel said in his answer, it is okay to shift POV,", "Usually the story alternates between them within their plot, though mostly leaning to", "of that chapter. The reason for this is that the other character gets", "mostly leaning to one of the characters, as he's one of the MCs", "his answer, it is okay to shift POV, and it is really more", "characters, as he's one of the MCs and he's pretty significant to the", "also in the chapters they're not the POV in. That's okay obviously, but", "things from their perspective, because they are the one who is doing something.", "attention almost completely shifts to one of them, who isn't the actual POV", "That narrative asks for more attention to the doer, but that's not in-line", "the beginning parts of the chapter. So, is it okay to shift the", "I have this duo in my novel, they're always together in chapters. Usually", "the chapter. So, is it okay to shift the POV as the chapter", "is it okay to shift the POV as the chapter progresses? The chapter", "We see their preperations, even though the actual POV is not in the", "okay obviously, but in the latest chapter, the attention almost completely shifts to", "character gets drunk. They're on this mission, and the POV character has a", "alternates between them within their plot, though mostly leaning to one of the", "mission, and the POV character has a more passive role in it. That", "this is that the other character gets drunk. They're on this mission, and", "They're on this mission, and the POV character has a more passive role", "takes over. EDIT: When I meant who is active, I mean we see", "of attention for the beginning parts of the chapter. So, is it okay", "with the POV being the center of attention again, there's really only a", "mean we see things from their perspective, because they are the one who", "in his answer, it is okay to shift POV, and it is really", "room. And their emotions are described, not directly, but through surface level cues.", "not directly, but through surface level cues. So I would say it pretty", "within their plot, though mostly leaning to one of the characters, as he's", "attention also in the chapters they're not the POV in. That's okay obviously,", "chapters they're not the POV in. That's okay obviously, but in the latest", "parts of the chapter. So, is it okay to shift the POV as", "it. That narrative asks for more attention to the doer, but that's not", "attention to the doer, but that's not in-line with who is the POV,", "being the center of attention again, there's really only a little segment where", "actual POV shifts, and it isn't a Jolzec and Watson case. But as", "the one who is doing something. We see their preperations, even though the", "something. We see their preperations, even though the actual POV is not in", "novel, they're always together in chapters. Usually the story alternates between them within", "as he's one of the MCs and he's pretty significant to the plot", "for more attention to the doer, but that's not in-line with who is", "we see things from their perspective, because they are the one who is", "more attention to the doer, but that's not in-line with who is the", "The chapter will end with the POV being the center of attention again,", "beginning parts of the chapter. So, is it okay to shift the POV", "end with the POV being the center of attention again, there's really only", "The reason for this is that the other character gets drunk. They're on", "I mean we see things from their perspective, because they are the one", "the POV, and the center of attention for the beginning parts of the", "surface level cues. So I would say it pretty safe to say the", "in it. That narrative asks for more attention to the doer, but that's", "Galastel said in his answer, it is okay to shift POV, and it", "cues. So I would say it pretty safe to say the actual POV", "safe to say the actual POV shifts, and it isn't a *Jolzec and", "shifts to one of them, who isn't the actual POV of that chapter.", "is doing something. We see their preperations, even though the actual POV is" ]
[ "antagonist for most of it. This kind of thing has, of course, been", "but still surprising, the \"How did I not see this coming?\" sort of", "surprising, the \"How did I not see this coming?\" sort of twist. But", "kind of thing has, of course, been done many times in the past,", "Mysterio. > > > I want this to be foreshadowed but still surprising,", "character who is the protagonist's trusted ally throughout the story, but it is", "probably an obvious first suspect to readers, given the prevalence of this trope.", "but it is revealed at the end that he was the primary antagonist", "given the prevalence of this trope. What are some strategies to lead readers", "past, most recently in: > > Spider-Man: Far From Home with the character", "Beck, a.k.a. Mysterio. > > > I want this to be foreshadowed but", "for most of it. This kind of thing has, of course, been done", "Home* with the character Quentin Beck, a.k.a. Mysterio. > > > I want", "story, but it is revealed at the end that he was the primary", "> > Spider-Man: Far From Home with the character Quentin Beck, a.k.a. Mysterio.", "in the story, this character is probably an obvious first suspect to readers,", "Far From Home* with the character Quentin Beck, a.k.a. Mysterio. > > >", "are some strategies to lead readers off the trail and make the twist", "it. This kind of thing has, of course, been done many times in", "of twist. But once it's clear that someone else is pulling strings in", "with the character Quentin Beck, a.k.a. Mysterio. > > > I want this", "clear that someone else is pulling strings in the story, this character is", "this character is probably an obvious first suspect to readers, given the prevalence", "it's clear that someone else is pulling strings in the story, this character", "a character who is the protagonist's trusted ally throughout the story, but it", "coming?\" sort of twist. But once it's clear that someone else is pulling", "else is pulling strings in the story, this character is probably an obvious", "> > I want this to be foreshadowed but still surprising, the \"How", "in the past, most recently in: > > Spider-Man: Far From Home with", "most recently in: > > Spider-Man: Far From Home with the character Quentin", "Spider-Man: Far From Home with the character Quentin Beck, a.k.a. Mysterio. > >", "thing has, of course, been done many times in the past, most recently", "in mind a character who is the protagonist's trusted ally throughout the story,", "he was the primary antagonist for most of it. This kind of thing", "revealed at the end that he was the primary antagonist for most of", "throughout the story, but it is revealed at the end that he was", "the \"How did I not see this coming?\" sort of twist. But once", "still surprising, the \"How did I not see this coming?\" sort of twist.", "I want this to be foreshadowed but still surprising, the \"How did I", "that he was the primary antagonist for most of it. This kind of", "is the protagonist's trusted ally throughout the story, but it is revealed at", "primary antagonist for most of it. This kind of thing has, of course,", "of it. This kind of thing has, of course, been done many times", "is probably an obvious first suspect to readers, given the prevalence of this", "not see this coming?\" sort of twist. But once it's clear that someone", "trusted ally throughout the story, but it is revealed at the end that", "mind a character who is the protagonist's trusted ally throughout the story, but", "ally throughout the story, but it is revealed at the end that he", "is revealed at the end that he was the primary antagonist for most", "> > > I want this to be foreshadowed but still surprising, the", "that someone else is pulling strings in the story, this character is probably", "the primary antagonist for most of it. This kind of thing has, of", "done many times in the past, most recently in: > > Spider-Man: Far", "the protagonist's trusted ally throughout the story, but it is revealed at the", "is pulling strings in the story, this character is probably an obvious first", "to be foreshadowed but still surprising, the \"How did I not see this", "of this trope. What are some strategies to lead readers off the trail", "first suspect to readers, given the prevalence of this trope. What are some", "a.k.a. Mysterio. > > > I want this to be foreshadowed but still", "of course, been done many times in the past, most recently in: >", "someone else is pulling strings in the story, this character is probably an", "> I want this to be foreshadowed but still surprising, the \"How did", "But once it's clear that someone else is pulling strings in the story,", "this to be foreshadowed but still surprising, the \"How did I not see", "This kind of thing has, of course, been done many times in the", "end that he was the primary antagonist for most of it. This kind", "it is revealed at the end that he was the primary antagonist for", "the past, most recently in: > > Spider-Man: Far From Home* with the", "twist. But once it's clear that someone else is pulling strings in the", "the prevalence of this trope. What are some strategies to lead readers off", "of thing has, of course, been done many times in the past, most", "trope. What are some strategies to lead readers off the trail and make", "in: > > Spider-Man: Far From Home with the character Quentin Beck, a.k.a.", "\"How did I not see this coming?\" sort of twist. But once it's", "sort of twist. But once it's clear that someone else is pulling strings", "obvious first suspect to readers, given the prevalence of this trope. What are", "the character Quentin Beck, a.k.a. Mysterio. > > > I want this to", "protagonist's trusted ally throughout the story, but it is revealed at the end", "Quentin Beck, a.k.a. Mysterio. > > > I want this to be foreshadowed", "this coming?\" sort of twist. But once it's clear that someone else is", "have in mind a character who is the protagonist's trusted ally throughout the", "at the end that he was the primary antagonist for most of it.", "suspect to readers, given the prevalence of this trope. What are some strategies", "foreshadowed but still surprising, the \"How did I not see this coming?\" sort", "who is the protagonist's trusted ally throughout the story, but it is revealed", "recently in: > > Spider-Man: Far From Home with the character Quentin Beck,", "an obvious first suspect to readers, given the prevalence of this trope. What", "> Spider-Man: Far From Home with the character Quentin Beck, a.k.a. Mysterio. >", "character is probably an obvious first suspect to readers, given the prevalence of", "once it's clear that someone else is pulling strings in the story, this", "I have in mind a character who is the protagonist's trusted ally throughout", "the end that he was the primary antagonist for most of it. This", "From Home* with the character Quentin Beck, a.k.a. Mysterio. > > > I", "did I not see this coming?\" sort of twist. But once it's clear", "prevalence of this trope. What are some strategies to lead readers off the", "character Quentin Beck, a.k.a. Mysterio. > > > I want this to be", "be foreshadowed but still surprising, the \"How did I not see this coming?\"", "What are some strategies to lead readers off the trail and make the", "the story, but it is revealed at the end that he was the", "the story, this character is probably an obvious first suspect to readers, given", "times in the past, most recently in: > > Spider-Man: Far From Home", "story, this character is probably an obvious first suspect to readers, given the", "to readers, given the prevalence of this trope. What are some strategies to", "readers, given the prevalence of this trope. What are some strategies to lead", "has, of course, been done many times in the past, most recently in:", "I not see this coming?\" sort of twist. But once it's clear that", "course, been done many times in the past, most recently in: > >", "this trope. What are some strategies to lead readers off the trail and", "pulling strings in the story, this character is probably an obvious first suspect", "want this to be foreshadowed but still surprising, the \"How did I not", "most of it. This kind of thing has, of course, been done many", "see this coming?\" sort of twist. But once it's clear that someone else", "been done many times in the past, most recently in: > > Spider-Man:", "was the primary antagonist for most of it. This kind of thing has,", "many times in the past, most recently in: > > Spider-Man: Far From", "strings in the story, this character is probably an obvious first suspect to", "some strategies to lead readers off the trail and make the twist compelling?" ]
[ "the rise of this fascist dictatorship. This story is about the transition and", "the nation becomes so battered that it is forced to make this change,", "only delaying the inevitable loss of our species. The only one successfully holding", "this democracy and the rise of this fascist dictatorship. This story is about", "readers would have a problem with any positive portrayal of a fascist nation,", "In my story democracy crumbles in a nation, replaced by a powerful dictatorship.", "servants of the elder god, Nyalathotep. Governments have been fighting back for years,", "delaying the inevitable loss of our species. The only one successfully holding its", "expression, thought, etc) is ever necessary. How could I improve the story so", "safety is this single country boasting a popular and charismatic leader. The problem", "and how the nation becomes so battered that it is forced to make", "at the ramifications of an eternal war against the approaching darkness, rather than", "fascist dictatorship. This story is about the transition and how the nation becomes", "series only looks at the ramifications of an eternal war against the approaching", "only looks at the ramifications of an eternal war against the approaching darkness,", "darkness, rather than the journey to that point. This is a challenge, as", "that point. This is a challenge, as most readers would have a problem", "bastion of safety is this single country boasting a popular and charismatic leader.", "This is a challenge, as most readers would have a problem with any", "than the journey to that point. This is a challenge, as most readers", "have a hard time believing that the loss of civil rights ( freedom", "is this single country boasting a popular and charismatic leader. The problem is", "own and representing some bastion of safety is this single country boasting a", "make this change, similar to the imperium of man from the grimdark Warhammer", "that series only looks at the ramifications of an eternal war against the", "challenge, as most readers would have a problem with any positive portrayal of", "etc) is ever necessary. How could I improve the story so that readers", "god, Nyalathotep. Governments have been fighting back for years, only delaying the inevitable", "holding its own and representing some bastion of safety is this single country", "of man from the grimdark Warhammer 40k franchise. However, that series only looks", "becomes so battered that it is forced to make this change, similar to", "of this democracy and the rise of this fascist dictatorship. This story is", "forced to make this change, similar to the imperium of man from the", "of an eternal war against the approaching darkness, rather than the journey to", "it is an authoritarian, fascist dictatorship, in which civil rights are suppressed somewhat", "would have a problem with any positive portrayal of a fascist nation, and", "and charismatic leader. The problem is that it is an authoritarian, fascist dictatorship,", "necessary. How could I improve the story so that readers would be able", "representing some bastion of safety is this single country boasting a popular and", "and would have a hard time believing that the loss of civil rights", "that it is an authoritarian, fascist dictatorship, in which civil rights are suppressed", "suppressed somewhat and the state has most of the power. I want to", "an authoritarian, fascist dictatorship, in which civil rights are suppressed somewhat and the", "journey to that point. This is a challenge, as most readers would have", "our species. The only one successfully holding its own and representing some bastion", "has been invaded by servants of the elder god, Nyalathotep. Governments have been", "most readers would have a problem with any positive portrayal of a fascist", "boasting a popular and charismatic leader. The problem is that it is an", "of this fascist dictatorship. This story is about the transition and how the", "( freedom of expression, thought, etc) is ever necessary. How could I improve", "the grimdark Warhammer 40k franchise. However, that series only looks at the ramifications", "my story democracy crumbles in a nation, replaced by a powerful dictatorship. Our", "point. This is a challenge, as most readers would have a problem with", "has most of the power. I want to show the downfall of this", "franchise. However, that series only looks at the ramifications of an eternal war", "the power. I want to show the downfall of this democracy and the", "dictatorship. This story is about the transition and how the nation becomes so", "rights ( freedom of expression, thought, etc) is ever necessary. How could I", "in a nation, replaced by a powerful dictatorship. Our world has been invaded", "the state has most of the power. I want to show the downfall", "looks at the ramifications of an eternal war against the approaching darkness, rather", "which civil rights are suppressed somewhat and the state has most of the", "the loss of civil rights ( freedom of expression, thought, etc) is ever", "of the elder god, Nyalathotep. Governments have been fighting back for years, only", "for years, only delaying the inevitable loss of our species. The only one", "some bastion of safety is this single country boasting a popular and charismatic", "ever necessary. How could I improve the story so that readers would be", "have been fighting back for years, only delaying the inevitable loss of our", "somewhat and the state has most of the power. I want to show", "transition and how the nation becomes so battered that it is forced to", "positive portrayal of a fascist nation, and would have a hard time believing", "a fascist nation, and would have a hard time believing that the loss", "one successfully holding its own and representing some bastion of safety is this", "is ever necessary. How could I improve the story so that readers would", "freedom of expression, thought, etc) is ever necessary. How could I improve the", "loss of our species. The only one successfully holding its own and representing", "fighting back for years, only delaying the inevitable loss of our species. The", "popular and charismatic leader. The problem is that it is an authoritarian, fascist", "and representing some bastion of safety is this single country boasting a popular", "any positive portrayal of a fascist nation, and would have a hard time", "single country boasting a popular and charismatic leader. The problem is that it", "only one successfully holding its own and representing some bastion of safety is", "as most readers would have a problem with any positive portrayal of a", "could I improve the story so that readers would be able to suspend", "dictatorship. Our world has been invaded by servants of the elder god, Nyalathotep.", "of our species. The only one successfully holding its own and representing some", "war against the approaching darkness, rather than the journey to that point. This", "rights are suppressed somewhat and the state has most of the power. I", "This story is about the transition and how the nation becomes so battered", "democracy crumbles in a nation, replaced by a powerful dictatorship. Our world has", "world has been invaded by servants of the elder god, Nyalathotep. Governments have", "from the grimdark Warhammer 40k franchise. However, that series only looks at the", "rise of this fascist dictatorship. This story is about the transition and how", "a popular and charismatic leader. The problem is that it is an authoritarian,", "ramifications of an eternal war against the approaching darkness, rather than the journey", "to that point. This is a challenge, as most readers would have a", "nation, replaced by a powerful dictatorship. Our world has been invaded by servants", "story is about the transition and how the nation becomes so battered that", "crumbles in a nation, replaced by a powerful dictatorship. Our world has been", "rather than the journey to that point. This is a challenge, as most", "nation, and would have a hard time believing that the loss of civil", "Governments have been fighting back for years, only delaying the inevitable loss of", "Our world has been invaded by servants of the elder god, Nyalathotep. Governments", "The only one successfully holding its own and representing some bastion of safety", "approaching darkness, rather than the journey to that point. This is a challenge,", "the approaching darkness, rather than the journey to that point. This is a", "that it is forced to make this change, similar to the imperium of", "the imperium of man from the grimdark Warhammer 40k franchise. However, that series", "40k franchise. However, that series only looks at the ramifications of an eternal", "a nation, replaced by a powerful dictatorship. Our world has been invaded by", "the inevitable loss of our species. The only one successfully holding its own", "the ramifications of an eternal war against the approaching darkness, rather than the", "invaded by servants of the elder god, Nyalathotep. Governments have been fighting back", "powerful dictatorship. Our world has been invaded by servants of the elder god,", "battered that it is forced to make this change, similar to the imperium", "to show the downfall of this democracy and the rise of this fascist", "time believing that the loss of civil rights ( freedom of expression, thought,", "want to show the downfall of this democracy and the rise of this", "of civil rights ( freedom of expression, thought, etc) is ever necessary. How", "state has most of the power. I want to show the downfall of", "to make this change, similar to the imperium of man from the grimdark", "is a challenge, as most readers would have a problem with any positive", "of expression, thought, etc) is ever necessary. How could I improve the story", "leader. The problem is that it is an authoritarian, fascist dictatorship, in which", "successfully holding its own and representing some bastion of safety is this single", "a challenge, as most readers would have a problem with any positive portrayal", "The problem is that it is an authoritarian, fascist dictatorship, in which civil", "are suppressed somewhat and the state has most of the power. I want", "is about the transition and how the nation becomes so battered that it", "grimdark Warhammer 40k franchise. However, that series only looks at the ramifications of", "problem with any positive portrayal of a fascist nation, and would have a", "How could I improve the story so that readers would be able to", "by servants of the elder god, Nyalathotep. Governments have been fighting back for", "how the nation becomes so battered that it is forced to make this", "civil rights ( freedom of expression, thought, etc) is ever necessary. How could", "back for years, only delaying the inevitable loss of our species. The only", "so battered that it is forced to make this change, similar to the", "been fighting back for years, only delaying the inevitable loss of our species.", "portrayal of a fascist nation, and would have a hard time believing that", "authoritarian, fascist dictatorship, in which civil rights are suppressed somewhat and the state", "to the imperium of man from the grimdark Warhammer 40k franchise. However, that", "hard time believing that the loss of civil rights ( freedom of expression,", "most of the power. I want to show the downfall of this democracy", "with any positive portrayal of a fascist nation, and would have a hard", "the transition and how the nation becomes so battered that it is forced", "a problem with any positive portrayal of a fascist nation, and would have", "imperium of man from the grimdark Warhammer 40k franchise. However, that series only", "the downfall of this democracy and the rise of this fascist dictatorship. This", "in which civil rights are suppressed somewhat and the state has most of", "the elder god, Nyalathotep. Governments have been fighting back for years, only delaying", "problem is that it is an authoritarian, fascist dictatorship, in which civil rights", "story democracy crumbles in a nation, replaced by a powerful dictatorship. Our world", "its own and representing some bastion of safety is this single country boasting", "similar to the imperium of man from the grimdark Warhammer 40k franchise. However,", "eternal war against the approaching darkness, rather than the journey to that point.", "of safety is this single country boasting a popular and charismatic leader. The", "an eternal war against the approaching darkness, rather than the journey to that", "Warhammer 40k franchise. However, that series only looks at the ramifications of an", "thought, etc) is ever necessary. How could I improve the story so that", "been invaded by servants of the elder god, Nyalathotep. Governments have been fighting", "elder god, Nyalathotep. Governments have been fighting back for years, only delaying the", "downfall of this democracy and the rise of this fascist dictatorship. This story", "of a fascist nation, and would have a hard time believing that the", "show the downfall of this democracy and the rise of this fascist dictatorship.", "democracy and the rise of this fascist dictatorship. This story is about the", "by a powerful dictatorship. Our world has been invaded by servants of the", "about the transition and how the nation becomes so battered that it is", "it is forced to make this change, similar to the imperium of man", "change, similar to the imperium of man from the grimdark Warhammer 40k franchise.", "believing that the loss of civil rights ( freedom of expression, thought, etc)", "inevitable loss of our species. The only one successfully holding its own and", "is an authoritarian, fascist dictatorship, in which civil rights are suppressed somewhat and", "dictatorship, in which civil rights are suppressed somewhat and the state has most", "replaced by a powerful dictatorship. Our world has been invaded by servants of", "that the loss of civil rights ( freedom of expression, thought, etc) is", "is that it is an authoritarian, fascist dictatorship, in which civil rights are", "fascist nation, and would have a hard time believing that the loss of", "a powerful dictatorship. Our world has been invaded by servants of the elder", "have a problem with any positive portrayal of a fascist nation, and would", "power. I want to show the downfall of this democracy and the rise", "loss of civil rights ( freedom of expression, thought, etc) is ever necessary.", "Nyalathotep. Governments have been fighting back for years, only delaying the inevitable loss", "nation becomes so battered that it is forced to make this change, similar", "years, only delaying the inevitable loss of our species. The only one successfully", "this single country boasting a popular and charismatic leader. The problem is that", "would have a hard time believing that the loss of civil rights (", "I improve the story so that readers would be able to suspend their", "this fascist dictatorship. This story is about the transition and how the nation", "country boasting a popular and charismatic leader. The problem is that it is", "fascist dictatorship, in which civil rights are suppressed somewhat and the state has", "the journey to that point. This is a challenge, as most readers would", "a hard time believing that the loss of civil rights ( freedom of", "of the power. I want to show the downfall of this democracy and", "against the approaching darkness, rather than the journey to that point. This is", "However, that series only looks at the ramifications of an eternal war against", "improve the story so that readers would be able to suspend their disbelief?", "charismatic leader. The problem is that it is an authoritarian, fascist dictatorship, in", "is forced to make this change, similar to the imperium of man from", "civil rights are suppressed somewhat and the state has most of the power.", "and the rise of this fascist dictatorship. This story is about the transition", "and the state has most of the power. I want to show the", "this change, similar to the imperium of man from the grimdark Warhammer 40k", "I want to show the downfall of this democracy and the rise of", "species. The only one successfully holding its own and representing some bastion of", "man from the grimdark Warhammer 40k franchise. However, that series only looks at" ]
[ "simultaneously in different parts of a large mansion. I want to present these", "to present these events as they happen, but I feel jumping around every", "cause confusion! Are there any prose or typographical tricks I could use to", "I realize this is impossible, but I think exploring the options I have", "in different parts of a large mansion. I want to present these events", "would be fine. Thus far I have tried taking the perspective of an", "I suppose the exact feeling I want to elicit is a prose equivalent", "but I found the scene(s) quickly became about the object rather than the", "found the scene(s) quickly became about the object rather than the events. I", "sentences is bound to cause confusion! Are there any prose or typographical tricks", "every two sentences is bound to cause confusion! Are there any prose or", "tricks I could use to make this easier on the reader? The idea", "hectic momentum, so a little confusion would be fine. Thus far I have", "I want to elicit is a prose equivalent of, in film, the variable", "want to elicit is a prose equivalent of, in film, the variable time", "Are there any prose or typographical tricks I could use to make this", "preserve a sense of hectic momentum, so a little confusion would be fine.", "about the object rather than the events. I suppose the exact feeling I", "The idea is to preserve a sense of hectic momentum, so a little", "far I have tried taking the perspective of an inanimate object that naturally", "omniscient third person, I have 8 (practically unrelated) events going simultaneously in different", "happen, but I feel jumping around every two sentences is bound to cause", "so a little confusion would be fine. Thus far I have tried taking", "unrelated) events going simultaneously in different parts of a large mansion. I want", "two sentences is bound to cause confusion! Are there any prose or typographical", "think exploring the options I have would at the very least be educational.", "little confusion would be fine. Thus far I have tried taking the perspective", "have 8 (practically unrelated) events going simultaneously in different parts of a large", "pace (An overly-aggressively thrown bouncy ball), but I found the scene(s) quickly became", "but I think exploring the options I have would at the very least", "the perspective of an inanimate object that naturally passes through these events at", "large mansion. I want to present these events as they happen, but I", "an omniscient third person, I have 8 (practically unrelated) events going simultaneously in", "events going simultaneously in different parts of a large mansion. I want to", "than the events. I suppose the exact feeling I want to elicit is", "I think exploring the options I have would at the very least be", "this easier on the reader? The idea is to preserve a sense of", "to make this easier on the reader? The idea is to preserve a", "have tried taking the perspective of an inanimate object that naturally passes through", "third person, I have 8 (practically unrelated) events going simultaneously in different parts", "in film, the variable time single-shot scene. I realize this is impossible, but", "a prose equivalent of, in film, the variable time single-shot scene. I realize", "perspective of an inanimate object that naturally passes through these events at a", "rather than the events. I suppose the exact feeling I want to elicit", "equivalent of, in film, the variable time single-shot scene. I realize this is", "the scene(s) quickly became about the object rather than the events. I suppose", "film, the variable time single-shot scene. I realize this is impossible, but I", "taking the perspective of an inanimate object that naturally passes through these events", "became about the object rather than the events. I suppose the exact feeling", "I have tried taking the perspective of an inanimate object that naturally passes", "events. I suppose the exact feeling I want to elicit is a prose", "variable time single-shot scene. I realize this is impossible, but I think exploring", "object that naturally passes through these events at a rapid pace (An overly-aggressively", "In an omniscient third person, I have 8 (practically unrelated) events going simultaneously", "Thus far I have tried taking the perspective of an inanimate object that", "present these events as they happen, but I feel jumping around every two", "want to present these events as they happen, but I feel jumping around", "momentum, so a little confusion would be fine. Thus far I have tried", "the exact feeling I want to elicit is a prose equivalent of, in", "overly-aggressively thrown bouncy ball), but I found the scene(s) quickly became about the", "I feel jumping around every two sentences is bound to cause confusion! Are", "is a prose equivalent of, in film, the variable time single-shot scene. I", "on the reader? The idea is to preserve a sense of hectic momentum,", "confusion! Are there any prose or typographical tricks I could use to make", "of hectic momentum, so a little confusion would be fine. Thus far I", "to preserve a sense of hectic momentum, so a little confusion would be", "tried taking the perspective of an inanimate object that naturally passes through these", "of an inanimate object that naturally passes through these events at a rapid", "(An overly-aggressively thrown bouncy ball), but I found the scene(s) quickly became about", "single-shot scene. I realize this is impossible, but I think exploring the options", "realize this is impossible, but I think exploring the options I have would", "events as they happen, but I feel jumping around every two sentences is", "idea is to preserve a sense of hectic momentum, so a little confusion", "a sense of hectic momentum, so a little confusion would be fine. Thus", "an inanimate object that naturally passes through these events at a rapid pace", "bouncy ball), but I found the scene(s) quickly became about the object rather", "events at a rapid pace (An overly-aggressively thrown bouncy ball), but I found", "or typographical tricks I could use to make this easier on the reader?", "to elicit is a prose equivalent of, in film, the variable time single-shot", "rapid pace (An overly-aggressively thrown bouncy ball), but I found the scene(s) quickly", "use to make this easier on the reader? The idea is to preserve", "be fine. Thus far I have tried taking the perspective of an inanimate", "the variable time single-shot scene. I realize this is impossible, but I think", "as they happen, but I feel jumping around every two sentences is bound", "8 (practically unrelated) events going simultaneously in different parts of a large mansion.", "person, I have 8 (practically unrelated) events going simultaneously in different parts of", "around every two sentences is bound to cause confusion! Are there any prose", "suppose the exact feeling I want to elicit is a prose equivalent of,", "fine. Thus far I have tried taking the perspective of an inanimate object", "through these events at a rapid pace (An overly-aggressively thrown bouncy ball), but", "quickly became about the object rather than the events. I suppose the exact", "naturally passes through these events at a rapid pace (An overly-aggressively thrown bouncy", "could use to make this easier on the reader? The idea is to", "reader? The idea is to preserve a sense of hectic momentum, so a", "prose equivalent of, in film, the variable time single-shot scene. I realize this", "jumping around every two sentences is bound to cause confusion! Are there any", "that naturally passes through these events at a rapid pace (An overly-aggressively thrown", "a rapid pace (An overly-aggressively thrown bouncy ball), but I found the scene(s)", "make this easier on the reader? The idea is to preserve a sense", "of a large mansion. I want to present these events as they happen,", "bound to cause confusion! Are there any prose or typographical tricks I could", "a little confusion would be fine. Thus far I have tried taking the", "going simultaneously in different parts of a large mansion. I want to present", "confusion would be fine. Thus far I have tried taking the perspective of", "of, in film, the variable time single-shot scene. I realize this is impossible,", "the events. I suppose the exact feeling I want to elicit is a", "is impossible, but I think exploring the options I have would at the", "they happen, but I feel jumping around every two sentences is bound to", "feeling I want to elicit is a prose equivalent of, in film, the", "(practically unrelated) events going simultaneously in different parts of a large mansion. I", "impossible, but I think exploring the options I have would at the very", "thrown bouncy ball), but I found the scene(s) quickly became about the object", "parts of a large mansion. I want to present these events as they", "these events as they happen, but I feel jumping around every two sentences", "there any prose or typographical tricks I could use to make this easier", "time single-shot scene. I realize this is impossible, but I think exploring the", "but I feel jumping around every two sentences is bound to cause confusion!", "typographical tricks I could use to make this easier on the reader? The", "I have 8 (practically unrelated) events going simultaneously in different parts of a", "scene(s) quickly became about the object rather than the events. I suppose the", "at a rapid pace (An overly-aggressively thrown bouncy ball), but I found the", "elicit is a prose equivalent of, in film, the variable time single-shot scene.", "is to preserve a sense of hectic momentum, so a little confusion would", "these events at a rapid pace (An overly-aggressively thrown bouncy ball), but I", "object rather than the events. I suppose the exact feeling I want to", "feel jumping around every two sentences is bound to cause confusion! Are there", "prose or typographical tricks I could use to make this easier on the", "ball), but I found the scene(s) quickly became about the object rather than", "this is impossible, but I think exploring the options I have would at", "I want to present these events as they happen, but I feel jumping", "different parts of a large mansion. I want to present these events as", "I found the scene(s) quickly became about the object rather than the events.", "to cause confusion! Are there any prose or typographical tricks I could use", "mansion. I want to present these events as they happen, but I feel", "is bound to cause confusion! Are there any prose or typographical tricks I", "passes through these events at a rapid pace (An overly-aggressively thrown bouncy ball),", "a large mansion. I want to present these events as they happen, but", "easier on the reader? The idea is to preserve a sense of hectic", "any prose or typographical tricks I could use to make this easier on", "the reader? The idea is to preserve a sense of hectic momentum, so", "inanimate object that naturally passes through these events at a rapid pace (An", "scene. I realize this is impossible, but I think exploring the options I", "exact feeling I want to elicit is a prose equivalent of, in film,", "I could use to make this easier on the reader? The idea is", "sense of hectic momentum, so a little confusion would be fine. Thus far", "the object rather than the events. I suppose the exact feeling I want" ]
[ "I later modify and extend them into a novel, even if they have", "put them together into a novel later. My question is: If I publish", "extend them into a novel, even if they have been published before? Is", "planned to put them together into a novel later. My question is: If", "I publish those short stories, can I later modify and extend them into", "connected and are set in the same universe, because I planned to put", "is: If I publish those short stories, can I later modify and extend", "short stories that are all connected and are set in the same universe,", "that are all connected and are set in the same universe, because I", "in the same universe, because I planned to put them together into a", "some short stories that are all connected and are set in the same", "modify and extend them into a novel, even if they have been published", "the same universe, because I planned to put them together into a novel", "writing some short stories that are all connected and are set in the", "can I later modify and extend them into a novel, even if they", "them into a novel, even if they have been published before? Is that", "because I planned to put them together into a novel later. My question", "and extend them into a novel, even if they have been published before?", "to put them together into a novel later. My question is: If I", "stories that are all connected and are set in the same universe, because", "short stories, can I later modify and extend them into a novel, even", "question is: If I publish those short stories, can I later modify and", "into a novel, even if they have been published before? Is that considered", "are all connected and are set in the same universe, because I planned", "even if they have been published before? Is that considered self-plagiarism or something?", "into a novel later. My question is: If I publish those short stories,", "later. My question is: If I publish those short stories, can I later", "later modify and extend them into a novel, even if they have been", "those short stories, can I later modify and extend them into a novel,", "universe, because I planned to put them together into a novel later. My", "novel later. My question is: If I publish those short stories, can I", "and are set in the same universe, because I planned to put them", "publish those short stories, can I later modify and extend them into a", "I'm writing some short stories that are all connected and are set in", "stories, can I later modify and extend them into a novel, even if", "set in the same universe, because I planned to put them together into", "novel, even if they have been published before? Is that considered self-plagiarism or", "I planned to put them together into a novel later. My question is:", "a novel later. My question is: If I publish those short stories, can", "together into a novel later. My question is: If I publish those short", "a novel, even if they have been published before? Is that considered self-plagiarism", "are set in the same universe, because I planned to put them together", "same universe, because I planned to put them together into a novel later.", "My question is: If I publish those short stories, can I later modify", "them together into a novel later. My question is: If I publish those", "all connected and are set in the same universe, because I planned to", "If I publish those short stories, can I later modify and extend them" ]
[ "real life. At this stage, I can either continue with my impossible (for", "I do this in a more formal setting, like a short story or", "I can either continue with my impossible (for a non-fantasy, non-scifi setting) idea,", "have survived, and then left a note at the bottom about what would", "a non-fantasy, non-scifi setting) idea, or scrap it completely. This happened to me", "(for a non-fantasy, non-scifi setting) idea, or scrap it completely. This happened to", "in a more formal setting, like a short story or a novel? Assume", "and then left a note at the bottom about what would have really", "happens that I do some research for a story and find that a", "happened. How can I do this in a more formal setting, like a", "story and find that a major plot point could never work in real", "the bottom about what would have really happened. How can I do this", "non-scifi setting) idea, or scrap it completely. This happened to me earlier while", "at the bottom about what would have really happened. How can I do", "in real life. At this stage, I can either continue with my impossible", "was writing fan fiction - given the informal nature of it, I simply", "more formal setting, like a short story or a novel? Assume that I", "formal setting, like a short story or a novel? Assume that I can't", "short story or a novel? Assume that I can't incorporate the research without", "I do some research for a story and find that a major plot", "a more formal setting, like a short story or a novel? Assume that", "work in real life. At this stage, I can either continue with my", "for a story and find that a major plot point could never work", "idea, or scrap it completely. This happened to me earlier while I was", "that a major plot point could never work in real life. At this", "I was writing fan fiction - given the informal nature of it, I", "earlier while I was writing fan fiction - given the informal nature of", "like a short story or a novel? Assume that I can't incorporate the", "never work in real life. At this stage, I can either continue with", "writing fan fiction - given the informal nature of it, I simply let", "the informal nature of it, I simply let my character survive a wound", "a major plot point could never work in real life. At this stage,", "a note at the bottom about what would have really happened. How can", "a wound that he shouldn't have survived, and then left a note at", "either continue with my impossible (for a non-fantasy, non-scifi setting) idea, or scrap", "story or a novel? Assume that I can't incorporate the research without reworking", "research for a story and find that a major plot point could never", "with my impossible (for a non-fantasy, non-scifi setting) idea, or scrap it completely.", "or a novel? Assume that I can't incorporate the research without reworking a", "Assume that I can't incorporate the research without reworking a lot of my", "survived, and then left a note at the bottom about what would have", "non-fantasy, non-scifi setting) idea, or scrap it completely. This happened to me earlier", "he shouldn't have survived, and then left a note at the bottom about", "do this in a more formal setting, like a short story or a", "bottom about what would have really happened. How can I do this in", "that I can't incorporate the research without reworking a lot of my story.", "scrap it completely. This happened to me earlier while I was writing fan", "completely. This happened to me earlier while I was writing fan fiction -", "continue with my impossible (for a non-fantasy, non-scifi setting) idea, or scrap it", "shouldn't have survived, and then left a note at the bottom about what", "fiction - given the informal nature of it, I simply let my character", "do some research for a story and find that a major plot point", "nature of it, I simply let my character survive a wound that he", "Sometimes, it so happens that I do some research for a story and", "a short story or a novel? Assume that I can't incorporate the research", "left a note at the bottom about what would have really happened. How", "fan fiction - given the informal nature of it, I simply let my", "so happens that I do some research for a story and find that", "note at the bottom about what would have really happened. How can I", "informal nature of it, I simply let my character survive a wound that", "really happened. How can I do this in a more formal setting, like", "what would have really happened. How can I do this in a more", "about what would have really happened. How can I do this in a", "or scrap it completely. This happened to me earlier while I was writing", "can either continue with my impossible (for a non-fantasy, non-scifi setting) idea, or", "This happened to me earlier while I was writing fan fiction - given", "can I do this in a more formal setting, like a short story", "of it, I simply let my character survive a wound that he shouldn't", "impossible (for a non-fantasy, non-scifi setting) idea, or scrap it completely. This happened", "major plot point could never work in real life. At this stage, I", "let my character survive a wound that he shouldn't have survived, and then", "me earlier while I was writing fan fiction - given the informal nature", "some research for a story and find that a major plot point could", "At this stage, I can either continue with my impossible (for a non-fantasy,", "happened to me earlier while I was writing fan fiction - given the", "How can I do this in a more formal setting, like a short", "it, I simply let my character survive a wound that he shouldn't have", "given the informal nature of it, I simply let my character survive a", "that he shouldn't have survived, and then left a note at the bottom", "I simply let my character survive a wound that he shouldn't have survived,", "setting) idea, or scrap it completely. This happened to me earlier while I", "my character survive a wound that he shouldn't have survived, and then left", "it so happens that I do some research for a story and find", "novel? Assume that I can't incorporate the research without reworking a lot of", "character survive a wound that he shouldn't have survived, and then left a", "stage, I can either continue with my impossible (for a non-fantasy, non-scifi setting)", "that I do some research for a story and find that a major", "- given the informal nature of it, I simply let my character survive", "point could never work in real life. At this stage, I can either", "a story and find that a major plot point could never work in", "find that a major plot point could never work in real life. At", "then left a note at the bottom about what would have really happened.", "this stage, I can either continue with my impossible (for a non-fantasy, non-scifi", "survive a wound that he shouldn't have survived, and then left a note", "a novel? Assume that I can't incorporate the research without reworking a lot", "simply let my character survive a wound that he shouldn't have survived, and", "plot point could never work in real life. At this stage, I can", "it completely. This happened to me earlier while I was writing fan fiction", "could never work in real life. At this stage, I can either continue", "my impossible (for a non-fantasy, non-scifi setting) idea, or scrap it completely. This", "wound that he shouldn't have survived, and then left a note at the", "have really happened. How can I do this in a more formal setting,", "while I was writing fan fiction - given the informal nature of it,", "to me earlier while I was writing fan fiction - given the informal", "setting, like a short story or a novel? Assume that I can't incorporate", "and find that a major plot point could never work in real life.", "this in a more formal setting, like a short story or a novel?", "life. At this stage, I can either continue with my impossible (for a", "would have really happened. How can I do this in a more formal" ]
[ "writing a story or describing a scene? For example, while writing an erotic", "feel when describing the scene? Or for another example, should the author also", "emotions while writing a story or describing a scene? For example, while writing", "to feel when describing the scene? Or for another example, should the author", "etc. to match the feeling of the character and get the correct words", "or describing a scene? For example, while writing an erotic scene, is it", "another example, should the author also feel happy, sad, etc. to match the", "while writing an erotic scene, is it important for the author to feel", "the author's mood and emotions while writing a story or describing a scene?", "way as they expect the readers to feel when describing the scene? Or", "for another example, should the author also feel happy, sad, etc. to match", "they expect the readers to feel when describing the scene? Or for another", "describing a scene? For example, while writing an erotic scene, is it important", "a scene? For example, while writing an erotic scene, is it important for", "For example, while writing an erotic scene, is it important for the author", "is it important for the author to feel the same way as they", "also feel happy, sad, etc. to match the feeling of the character and", "feel the same way as they expect the readers to feel when describing", "while writing a story or describing a scene? For example, while writing an", "it important for the author to feel the same way as they expect", "the author to feel the same way as they expect the readers to", "same way as they expect the readers to feel when describing the scene?", "How important are the author's mood and emotions while writing a story or", "author to feel the same way as they expect the readers to feel", "are the author's mood and emotions while writing a story or describing a", "example, while writing an erotic scene, is it important for the author to", "sad, etc. to match the feeling of the character and get the correct", "when describing the scene? Or for another example, should the author also feel", "story or describing a scene? For example, while writing an erotic scene, is", "writing an erotic scene, is it important for the author to feel the", "happy, sad, etc. to match the feeling of the character and get the", "to feel the same way as they expect the readers to feel when", "the scene? Or for another example, should the author also feel happy, sad,", "should the author also feel happy, sad, etc. to match the feeling of", "Or for another example, should the author also feel happy, sad, etc. to", "the same way as they expect the readers to feel when describing the", "readers to feel when describing the scene? Or for another example, should the", "erotic scene, is it important for the author to feel the same way", "scene, is it important for the author to feel the same way as", "scene? For example, while writing an erotic scene, is it important for the", "important are the author's mood and emotions while writing a story or describing", "important for the author to feel the same way as they expect the", "the readers to feel when describing the scene? Or for another example, should", "scene? Or for another example, should the author also feel happy, sad, etc.", "author also feel happy, sad, etc. to match the feeling of the character", "a story or describing a scene? For example, while writing an erotic scene,", "the author also feel happy, sad, etc. to match the feeling of the", "to match the feeling of the character and get the correct words in?", "author's mood and emotions while writing a story or describing a scene? For", "as they expect the readers to feel when describing the scene? Or for", "expect the readers to feel when describing the scene? Or for another example,", "example, should the author also feel happy, sad, etc. to match the feeling", "an erotic scene, is it important for the author to feel the same", "for the author to feel the same way as they expect the readers", "describing the scene? Or for another example, should the author also feel happy,", "feel happy, sad, etc. to match the feeling of the character and get", "mood and emotions while writing a story or describing a scene? For example,", "and emotions while writing a story or describing a scene? For example, while" ]
[ "story I'm writing involves a stage in which the male protagonist talks to", "writing involves a stage in which the male protagonist talks to a stranger", "stranger with the intent of asking them to do a favor for his", "of asking them to do a favor for his friend. I want them", "dialogue tropes or general pointers to help me build a deep, believable first-time", "having strong feelings for each other in the course of their conversation. The", "want the reader to scoff at an unrealistic progression of what's supposed to", "strong feelings for each other in the course of their conversation. The challenge", "don't want the reader to scoff at an unrealistic progression of what's supposed", "there certain dialogue tropes or general pointers to help me build a deep,", "other in the course of their conversation. The challenge is that I don't", "to a stranger with the intent of asking them to do a favor", "A short story I'm writing involves a stage in which the male protagonist", "course of their conversation. The challenge is that I don't want the reader", "characters shouldn't foresee that such possibility would occur. Are there certain dialogue tropes", "intent of asking them to do a favor for his friend. I want", "the course of their conversation. The challenge is that I don't want the", "be a stiff encounter. Going into the conversation, both characters shouldn't foresee that", "conversation, both characters shouldn't foresee that such possibility would occur. Are there certain", "a stage in which the male protagonist talks to a stranger with the", "occur. Are there certain dialogue tropes or general pointers to help me build", "which the male protagonist talks to a stranger with the intent of asking", "friend. I want them to start having strong feelings for each other in", "start having strong feelings for each other in the course of their conversation.", "their conversation. The challenge is that I don't want the reader to scoff", "The challenge is that I don't want the reader to scoff at an", "I'm writing involves a stage in which the male protagonist talks to a", "male protagonist talks to a stranger with the intent of asking them to", "the intent of asking them to do a favor for his friend. I", "to start having strong feelings for each other in the course of their", "for his friend. I want them to start having strong feelings for each", "the conversation, both characters shouldn't foresee that such possibility would occur. Are there", "feelings for each other in the course of their conversation. The challenge is", "the reader to scoff at an unrealistic progression of what's supposed to be", "Going into the conversation, both characters shouldn't foresee that such possibility would occur.", "certain dialogue tropes or general pointers to help me build a deep, believable", "each other in the course of their conversation. The challenge is that I", "foresee that such possibility would occur. Are there certain dialogue tropes or general", "a stranger with the intent of asking them to do a favor for", "his friend. I want them to start having strong feelings for each other", "I don't want the reader to scoff at an unrealistic progression of what's", "such possibility would occur. Are there certain dialogue tropes or general pointers to", "with the intent of asking them to do a favor for his friend.", "of their conversation. The challenge is that I don't want the reader to", "unrealistic progression of what's supposed to be a stiff encounter. Going into the", "progression of what's supposed to be a stiff encounter. Going into the conversation,", "reader to scoff at an unrealistic progression of what's supposed to be a", "them to start having strong feelings for each other in the course of", "a stiff encounter. Going into the conversation, both characters shouldn't foresee that such", "scoff at an unrealistic progression of what's supposed to be a stiff encounter.", "talks to a stranger with the intent of asking them to do a", "do a favor for his friend. I want them to start having strong", "both characters shouldn't foresee that such possibility would occur. Are there certain dialogue", "at an unrealistic progression of what's supposed to be a stiff encounter. Going", "in the course of their conversation. The challenge is that I don't want", "would occur. Are there certain dialogue tropes or general pointers to help me", "what's supposed to be a stiff encounter. Going into the conversation, both characters", "to be a stiff encounter. Going into the conversation, both characters shouldn't foresee", "stiff encounter. Going into the conversation, both characters shouldn't foresee that such possibility", "a favor for his friend. I want them to start having strong feelings", "tropes or general pointers to help me build a deep, believable first-time exchange?", "conversation. The challenge is that I don't want the reader to scoff at", "that I don't want the reader to scoff at an unrealistic progression of", "to do a favor for his friend. I want them to start having", "short story I'm writing involves a stage in which the male protagonist talks", "in which the male protagonist talks to a stranger with the intent of", "an unrealistic progression of what's supposed to be a stiff encounter. Going into", "encounter. Going into the conversation, both characters shouldn't foresee that such possibility would", "possibility would occur. Are there certain dialogue tropes or general pointers to help", "the male protagonist talks to a stranger with the intent of asking them", "protagonist talks to a stranger with the intent of asking them to do", "for each other in the course of their conversation. The challenge is that", "that such possibility would occur. Are there certain dialogue tropes or general pointers", "stage in which the male protagonist talks to a stranger with the intent", "involves a stage in which the male protagonist talks to a stranger with", "want them to start having strong feelings for each other in the course", "asking them to do a favor for his friend. I want them to", "them to do a favor for his friend. I want them to start", "Are there certain dialogue tropes or general pointers to help me build a", "shouldn't foresee that such possibility would occur. Are there certain dialogue tropes or", "of what's supposed to be a stiff encounter. Going into the conversation, both", "into the conversation, both characters shouldn't foresee that such possibility would occur. Are", "I want them to start having strong feelings for each other in the", "challenge is that I don't want the reader to scoff at an unrealistic", "is that I don't want the reader to scoff at an unrealistic progression", "to scoff at an unrealistic progression of what's supposed to be a stiff", "favor for his friend. I want them to start having strong feelings for", "supposed to be a stiff encounter. Going into the conversation, both characters shouldn't" ]
[ "have access to Y, then you can do a parenthetical citation like this:", "is always encouraged to go directly to source Y and cite that. If", "paranoid about plagiarizing, and I am confused since I have found two seemingly", "finding the relevant source Y, and you must cite this. What is the", "X says \"source Y says blah blah blah.\" One Answer From my google", "[question on english.se](https://english.stackexchange.com/questions/123797/plagiarism-how-to-cite-the-citation-of-your-source), people are saying that you must always cite both sources,", "\"source Y says blah blah blah.\" One Answer From my google searches, it", "it seems like it is always encouraged to go directly to source Y", "go directly to source Y and cite that. If you do not have", "contradictory answers for this. Suppose source X says \"source Y says blah blah", "both sources, X and Y. This is because the author of X did", "then you can do a parenthetical citation like this: (Y, as cited in", "encouraged to go directly to source Y and cite that. If you do", "I am confused since I have found two seemingly contradictory answers for this.", "as cited in X). Another Answer In answers to this [question on english.se](https://english.stackexchange.com/questions/123797/plagiarism-how-to-cite-the-citation-of-your-source),", "my google searches, it seems like it is always encouraged to go directly", "to go directly to source Y and cite that. If you do not", "work of finding the relevant source Y, and you must cite this. What", "blah blah blah.\" One Answer From my google searches, it seems like it", "the work of finding the relevant source Y, and you must cite this.", "always cite both sources, X and Y. This is because the author of", "and Y. This is because the author of X did the work of", "(Y, as cited in X). Another Answer In answers to this [question on", "answers for this. Suppose source X says \"source Y says blah blah blah.\"", "google searches, it seems like it is always encouraged to go directly to", "access to Y, then you can do a parenthetical citation like this: (Y,", "you can do a parenthetical citation like this: (Y, as cited in X).", "Y says blah blah blah.\" One Answer From my google searches, it seems", "in X). Another Answer In answers to this [question on english.se](https://english.stackexchange.com/questions/123797/plagiarism-how-to-cite-the-citation-of-your-source), people are", "blah blah.\" One Answer From my google searches, it seems like it is", "From my google searches, it seems like it is always encouraged to go", "you do not have access to Y, then you can do a parenthetical", "author of X did the work of finding the relevant source Y, and", "parenthetical citation like this: (Y, as cited in X). Another Answer In answers", "Answer In answers to this [question on english.se](https://english.stackexchange.com/questions/123797/plagiarism-how-to-cite-the-citation-of-your-source), people are saying that you", "since I have found two seemingly contradictory answers for this. Suppose source X", "source Y, and you must cite this. What is the correct thing to", "did the work of finding the relevant source Y, and you must cite", "This is because the author of X did the work of finding the", "answers to this [question on english.se](https://english.stackexchange.com/questions/123797/plagiarism-how-to-cite-the-citation-of-your-source), people are saying that you must always", "cite that. If you do not have access to Y, then you can", "always encouraged to go directly to source Y and cite that. If you", "If you do not have access to Y, then you can do a", "bit paranoid about plagiarizing, and I am confused since I have found two", "can do a parenthetical citation like this: (Y, as cited in X). Another", "to this [question on english.se](https://english.stackexchange.com/questions/123797/plagiarism-how-to-cite-the-citation-of-your-source), people are saying that you must always cite", "that you must always cite both sources, X and Y. This is because", "like this: (Y, as cited in X). Another Answer In answers to this", "do not have access to Y, then you can do a parenthetical citation", "have found two seemingly contradictory answers for this. Suppose source X says \"source", "source Y and cite that. If you do not have access to Y,", "are saying that you must always cite both sources, X and Y. This", "says blah blah blah.\" One Answer From my google searches, it seems like", "In answers to this [question on english.se](https://english.stackexchange.com/questions/123797/plagiarism-how-to-cite-the-citation-of-your-source), people are saying that you must", "two seemingly contradictory answers for this. Suppose source X says \"source Y says", "One Answer From my google searches, it seems like it is always encouraged", "cited in X). Another Answer In answers to this [question on english.se](https://english.stackexchange.com/questions/123797/plagiarism-how-to-cite-the-citation-of-your-source), people", "Suppose source X says \"source Y says blah blah blah.\" One Answer From", "directly to source Y and cite that. If you do not have access", "and cite that. If you do not have access to Y, then you", "a parenthetical citation like this: (Y, as cited in X). Another Answer In", "for this. Suppose source X says \"source Y says blah blah blah.\" One", "seems like it is always encouraged to go directly to source Y and", "sources, X and Y. This is because the author of X did the", "to source Y and cite that. If you do not have access to", "because the author of X did the work of finding the relevant source", "cite both sources, X and Y. This is because the author of X", "of finding the relevant source Y, and you must cite this. What is", "X did the work of finding the relevant source Y, and you must", "searches, it seems like it is always encouraged to go directly to source", "the relevant source Y, and you must cite this. What is the correct", "Y and cite that. If you do not have access to Y, then", "not have access to Y, then you can do a parenthetical citation like", "I have found two seemingly contradictory answers for this. Suppose source X says", "says \"source Y says blah blah blah.\" One Answer From my google searches,", "am a little bit paranoid about plagiarizing, and I am confused since I", "about plagiarizing, and I am confused since I have found two seemingly contradictory", "Answer From my google searches, it seems like it is always encouraged to", "to Y, then you can do a parenthetical citation like this: (Y, as", "citation like this: (Y, as cited in X). Another Answer In answers to", "this: (Y, as cited in X). Another Answer In answers to this [question", "of X did the work of finding the relevant source Y, and you", "little bit paranoid about plagiarizing, and I am confused since I have found", "people are saying that you must always cite both sources, X and Y.", "this. Suppose source X says \"source Y says blah blah blah.\" One Answer", "am confused since I have found two seemingly contradictory answers for this. Suppose", "and I am confused since I have found two seemingly contradictory answers for", "relevant source Y, and you must cite this. What is the correct thing", "a little bit paranoid about plagiarizing, and I am confused since I have", "Y. This is because the author of X did the work of finding", "this [question on english.se](https://english.stackexchange.com/questions/123797/plagiarism-how-to-cite-the-citation-of-your-source), people are saying that you must always cite both", "I am a little bit paranoid about plagiarizing, and I am confused since", "blah.\" One Answer From my google searches, it seems like it is always", "Another Answer In answers to this [question on english.se](https://english.stackexchange.com/questions/123797/plagiarism-how-to-cite-the-citation-of-your-source), people are saying that", "seemingly contradictory answers for this. Suppose source X says \"source Y says blah", "Y, then you can do a parenthetical citation like this: (Y, as cited", "X). Another Answer In answers to this [question on english.se](https://english.stackexchange.com/questions/123797/plagiarism-how-to-cite-the-citation-of-your-source), people are saying", "confused since I have found two seemingly contradictory answers for this. Suppose source", "saying that you must always cite both sources, X and Y. This is", "X and Y. This is because the author of X did the work", "do a parenthetical citation like this: (Y, as cited in X). Another Answer", "on english.se](https://english.stackexchange.com/questions/123797/plagiarism-how-to-cite-the-citation-of-your-source), people are saying that you must always cite both sources, X", "source X says \"source Y says blah blah blah.\" One Answer From my", "plagiarizing, and I am confused since I have found two seemingly contradictory answers", "english.se](https://english.stackexchange.com/questions/123797/plagiarism-how-to-cite-the-citation-of-your-source), people are saying that you must always cite both sources, X and", "the author of X did the work of finding the relevant source Y,", "is because the author of X did the work of finding the relevant", "found two seemingly contradictory answers for this. Suppose source X says \"source Y", "it is always encouraged to go directly to source Y and cite that.", "like it is always encouraged to go directly to source Y and cite", "you must always cite both sources, X and Y. This is because the", "that. If you do not have access to Y, then you can do", "Y, and you must cite this. What is the correct thing to do?", "must always cite both sources, X and Y. This is because the author" ]
[ "conversations between people now, with references to the environment thrown in. What I", "I have written 5 chapters of a dialogue-only book. It started off in", "fact that I have not been to locations will definitely show through. Its", "know how to write it in a way that others would ACTUALLY read", "environment thrown in. What I was looking for were references of books done", "like that, so I know how to write it in a way that", "story to continue, within the conversation. The environment, the emotions, everything. The reader", "now, with references to the environment thrown in. What I was looking for", "writer give me guidance on how to write it this way? Thank you", "dialogue-only book. It started off in the usual format, until I realized that", "that others would ACTUALLY read the book and ENJOY the story. Can anyone", "on how to write it this way? Thank you for all that have", "so I know how to write it in a way that others would", "a dialogue-only book. It started off in the usual format, until I realized", "environment, the emotions, everything. The reader gets to \"see\" it all through their", "Has it been done before? EDIT: I have written 5 chapters of a", "the environment thrown in. What I was looking for were references of books", "I was looking for were references of books done like that, so I", "was looking for were references of books done like that, so I know", "of books written in such away? Or can any other writer give me", "way that others would ACTUALLY read the book and ENJOY the story. Can", "\"see\" it all through their words. Has it been done before? EDIT: I", "how to write it in a way that others would ACTUALLY read the", "through their words. Has it been done before? EDIT: I have written 5", "out like conversations between people now, with references to the environment thrown in.", "needed for the story to continue, within the conversation. The environment, the emotions,", "others would ACTUALLY read the book and ENJOY the story. Can anyone give", "the story to continue, within the conversation. The environment, the emotions, everything. The", "participants describe everything needed for the story to continue, within the conversation. The", "with references to the environment thrown in. What I was looking for were", "the fact that I have not been to locations will definitely show through.", "The reader gets to \"see\" it all through their words. Has it been", "such away? Or can any other writer give me guidance on how to", "of books done like that, so I know how to write it in", "have not been to locations will definitely show through. Its fleshed out like", "ACTUALLY read the book and ENJOY the story. Can anyone give me suggestions", "book and ENJOY the story. Can anyone give me suggestions of books written", "describe everything needed for the story to continue, within the conversation. The environment,", "locations will definitely show through. Its fleshed out like conversations between people now,", "within the conversation. The environment, the emotions, everything. The reader gets to \"see\"", "a way that others would ACTUALLY read the book and ENJOY the story.", "until I realized that the fact that I have not been to locations", "Or can any other writer give me guidance on how to write it", "EDIT: I have written 5 chapters of a dialogue-only book. It started off", "for were references of books done like that, so I know how to", "all through their words. Has it been done before? EDIT: I have written", "that I have not been to locations will definitely show through. Its fleshed", "everything. The reader gets to \"see\" it all through their words. Has it", "were references of books done like that, so I know how to write", "been done before? EDIT: I have written 5 chapters of a dialogue-only book.", "chapters of a dialogue-only book. It started off in the usual format, until", "Its fleshed out like conversations between people now, with references to the environment", "reader gets to \"see\" it all through their words. Has it been done", "like conversations between people now, with references to the environment thrown in. What", "conversation. The environment, the emotions, everything. The reader gets to \"see\" it all", "have written 5 chapters of a dialogue-only book. It started off in the", "for the story to continue, within the conversation. The environment, the emotions, everything.", "emotions, everything. The reader gets to \"see\" it all through their words. Has", "The environment, the emotions, everything. The reader gets to \"see\" it all through", "been to locations will definitely show through. Its fleshed out like conversations between", "continue, within the conversation. The environment, the emotions, everything. The reader gets to", "through. Its fleshed out like conversations between people now, with references to the", "books done like that, so I know how to write it in a", "off in the usual format, until I realized that the fact that I", "done like that, so I know how to write it in a way", "written 5 chapters of a dialogue-only book. It started off in the usual", "show through. Its fleshed out like conversations between people now, with references to", "will definitely show through. Its fleshed out like conversations between people now, with", "give me suggestions of books written in such away? Or can any other", "the story. Can anyone give me suggestions of books written in such away?", "me guidance on how to write it this way? Thank you for all", "how to write it this way? Thank you for all that have tried.", "format, until I realized that the fact that I have not been to", "definitely show through. Its fleshed out like conversations between people now, with references", "anyone give me suggestions of books written in such away? Or can any", "started off in the usual format, until I realized that the fact that", "story. Can anyone give me suggestions of books written in such away? Or", "references to the environment thrown in. What I was looking for were references", "it been done before? EDIT: I have written 5 chapters of a dialogue-only", "between people now, with references to the environment thrown in. What I was", "to locations will definitely show through. Its fleshed out like conversations between people", "ENJOY the story. Can anyone give me suggestions of books written in such", "can any other writer give me guidance on how to write it this", "to the environment thrown in. What I was looking for were references of", "the book and ENJOY the story. Can anyone give me suggestions of books", "away? Or can any other writer give me guidance on how to write", "in such away? Or can any other writer give me guidance on how", "and ENJOY the story. Can anyone give me suggestions of books written in", "books written in such away? Or can any other writer give me guidance", "before? EDIT: I have written 5 chapters of a dialogue-only book. It started", "of a dialogue-only book. It started off in the usual format, until I", "to \"see\" it all through their words. Has it been done before? EDIT:", "to write it in a way that others would ACTUALLY read the book", "give me guidance on how to write it this way? Thank you for", "in the usual format, until I realized that the fact that I have", "I have not been to locations will definitely show through. Its fleshed out", "references of books done like that, so I know how to write it", "their words. Has it been done before? EDIT: I have written 5 chapters", "me suggestions of books written in such away? Or can any other writer", "that the fact that I have not been to locations will definitely show", "Can anyone give me suggestions of books written in such away? Or can", "book. It started off in the usual format, until I realized that the", "written in such away? Or can any other writer give me guidance on", "realized that the fact that I have not been to locations will definitely", "guidance on how to write it this way? Thank you for all that", "read the book and ENJOY the story. Can anyone give me suggestions of", "words. Has it been done before? EDIT: I have written 5 chapters of", "I realized that the fact that I have not been to locations will", "it all through their words. Has it been done before? EDIT: I have", "not been to locations will definitely show through. Its fleshed out like conversations", "gets to \"see\" it all through their words. Has it been done before?", "in a way that others would ACTUALLY read the book and ENJOY the", "the emotions, everything. The reader gets to \"see\" it all through their words.", "usual format, until I realized that the fact that I have not been", "done before? EDIT: I have written 5 chapters of a dialogue-only book. It", "5 chapters of a dialogue-only book. It started off in the usual format,", "other writer give me guidance on how to write it this way? Thank", "The participants describe everything needed for the story to continue, within the conversation.", "the usual format, until I realized that the fact that I have not", "thrown in. What I was looking for were references of books done like", "the conversation. The environment, the emotions, everything. The reader gets to \"see\" it", "it in a way that others would ACTUALLY read the book and ENJOY", "that, so I know how to write it in a way that others", "to continue, within the conversation. The environment, the emotions, everything. The reader gets", "would ACTUALLY read the book and ENJOY the story. Can anyone give me", "in. What I was looking for were references of books done like that,", "suggestions of books written in such away? Or can any other writer give", "people now, with references to the environment thrown in. What I was looking", "It started off in the usual format, until I realized that the fact", "I know how to write it in a way that others would ACTUALLY", "write it in a way that others would ACTUALLY read the book and", "What I was looking for were references of books done like that, so", "looking for were references of books done like that, so I know how", "everything needed for the story to continue, within the conversation. The environment, the", "any other writer give me guidance on how to write it this way?", "fleshed out like conversations between people now, with references to the environment thrown" ]
[ "grey fantasy story. It is supposed to feature a twist that turns the", "twist that turns the antagonist's goal to not to be evil at all", "It is supposed to feature a twist that turns the antagonist's goal to", "to feature a twist that turns the antagonist's goal to not to be", "undermine the whole dark-ish feeling and readers' expectations. Would it work? Should I", "the feeling that that kind of twist will undermine the whole dark-ish feeling", "to be evil at all (just misjudged) and really trivial (despite requiring large", "is supposed to feature a twist that turns the antagonist's goal to not", "dose of effort). The protagonist changes for the worse, but I still get", "at all (just misjudged) and really trivial (despite requiring large dose of effort).", "I still get the feeling that that kind of twist will undermine the", "the whole dark-ish feeling and readers' expectations. Would it work? Should I rework", "requiring large dose of effort). The protagonist changes for the worse, but I", "am writing a rather dark, grey fantasy story. It is supposed to feature", "feature a twist that turns the antagonist's goal to not to be evil", "antagonist's goal to not to be evil at all (just misjudged) and really", "be evil at all (just misjudged) and really trivial (despite requiring large dose", "rather dark, grey fantasy story. It is supposed to feature a twist that", "(just misjudged) and really trivial (despite requiring large dose of effort). The protagonist", "trivial (despite requiring large dose of effort). The protagonist changes for the worse,", "effort). The protagonist changes for the worse, but I still get the feeling", "twist will undermine the whole dark-ish feeling and readers' expectations. Would it work?", "the antagonist's goal to not to be evil at all (just misjudged) and", "really trivial (despite requiring large dose of effort). The protagonist changes for the", "will undermine the whole dark-ish feeling and readers' expectations. Would it work? Should", "goal to not to be evil at all (just misjudged) and really trivial", "that kind of twist will undermine the whole dark-ish feeling and readers' expectations.", "and really trivial (despite requiring large dose of effort). The protagonist changes for", "for the worse, but I still get the feeling that that kind of", "a rather dark, grey fantasy story. It is supposed to feature a twist", "of effort). The protagonist changes for the worse, but I still get the", "a twist that turns the antagonist's goal to not to be evil at", "all (just misjudged) and really trivial (despite requiring large dose of effort). The", "dark-ish feeling and readers' expectations. Would it work? Should I rework that idea?", "story. It is supposed to feature a twist that turns the antagonist's goal", "protagonist changes for the worse, but I still get the feeling that that", "that turns the antagonist's goal to not to be evil at all (just", "that that kind of twist will undermine the whole dark-ish feeling and readers'", "misjudged) and really trivial (despite requiring large dose of effort). The protagonist changes", "I am writing a rather dark, grey fantasy story. It is supposed to", "dark, grey fantasy story. It is supposed to feature a twist that turns", "turns the antagonist's goal to not to be evil at all (just misjudged)", "still get the feeling that that kind of twist will undermine the whole", "worse, but I still get the feeling that that kind of twist will", "kind of twist will undermine the whole dark-ish feeling and readers' expectations. Would", "get the feeling that that kind of twist will undermine the whole dark-ish", "feeling that that kind of twist will undermine the whole dark-ish feeling and", "changes for the worse, but I still get the feeling that that kind", "the worse, but I still get the feeling that that kind of twist", "The protagonist changes for the worse, but I still get the feeling that", "not to be evil at all (just misjudged) and really trivial (despite requiring", "evil at all (just misjudged) and really trivial (despite requiring large dose of", "to not to be evil at all (just misjudged) and really trivial (despite", "(despite requiring large dose of effort). The protagonist changes for the worse, but", "supposed to feature a twist that turns the antagonist's goal to not to", "but I still get the feeling that that kind of twist will undermine", "whole dark-ish feeling and readers' expectations. Would it work? Should I rework that", "writing a rather dark, grey fantasy story. It is supposed to feature a", "of twist will undermine the whole dark-ish feeling and readers' expectations. Would it", "fantasy story. It is supposed to feature a twist that turns the antagonist's", "large dose of effort). The protagonist changes for the worse, but I still" ]
[ "and realised that I never mentioned my main character's age. In chapter two", "twenty-three, should I state this in my novel, or is it okay to", "age. I know that she is twenty-three, should I state this in my", "that's the only mention of her age. I know that she is twenty-three,", "said that she in in her twenties, but that's the only mention of", "she is twenty-three, should I state this in my novel, or is it", "her age. I know that she is twenty-three, should I state this in", "that she is twenty-three, should I state this in my novel, or is", "the only mention of her age. I know that she is twenty-three, should", "this in my novel, or is it okay to leave her age vague?", "finished my novel and realised that I never mentioned my main character's age.", "my novel and realised that I never mentioned my main character's age. In", "main character's age. In chapter two I said that she in in her", "chapter two I said that she in in her twenties, but that's the", "in in her twenties, but that's the only mention of her age. I", "I state this in my novel, or is it okay to leave her", "that I never mentioned my main character's age. In chapter two I said", "is twenty-three, should I state this in my novel, or is it okay", "I said that she in in her twenties, but that's the only mention", "know that she is twenty-three, should I state this in my novel, or", "that she in in her twenties, but that's the only mention of her", "character's age. In chapter two I said that she in in her twenties,", "never mentioned my main character's age. In chapter two I said that she", "In chapter two I said that she in in her twenties, but that's", "I know that she is twenty-three, should I state this in my novel,", "of her age. I know that she is twenty-three, should I state this", "mentioned my main character's age. In chapter two I said that she in", "mention of her age. I know that she is twenty-three, should I state", "I finished my novel and realised that I never mentioned my main character's", "twenties, but that's the only mention of her age. I know that she", "two I said that she in in her twenties, but that's the only", "in her twenties, but that's the only mention of her age. I know", "realised that I never mentioned my main character's age. In chapter two I", "state this in my novel, or is it okay to leave her age", "but that's the only mention of her age. I know that she is", "her twenties, but that's the only mention of her age. I know that", "she in in her twenties, but that's the only mention of her age.", "I never mentioned my main character's age. In chapter two I said that", "novel and realised that I never mentioned my main character's age. In chapter", "only mention of her age. I know that she is twenty-three, should I", "my main character's age. In chapter two I said that she in in", "should I state this in my novel, or is it okay to leave", "age. In chapter two I said that she in in her twenties, but" ]
[ "other options. * Microsoft Word * Sublime Text Editor * Atom * Visual", "for other options. * Microsoft Word * Sublime Text Editor * Atom ", "looking for other options. Microsoft Word * Sublime Text Editor * Atom", "Editor * Atom * Visual Code I'm a Software Engineer, who is interested", "following tools available, looking for other options. * Microsoft Word * Sublime Text", "Sublime Text Editor * Atom * Visual Code I'm a Software Engineer, who", "Code I'm a Software Engineer, who is interested in writing. Thanks in advance.", "Atom * Visual Code I'm a Software Engineer, who is interested in writing.", "* Atom * Visual Code I'm a Software Engineer, who is interested in", "* Visual Code I'm a Software Engineer, who is interested in writing. Thanks", "I have to following tools available, looking for other options. * Microsoft Word", "* Sublime Text Editor * Atom * Visual Code I'm a Software Engineer,", "to following tools available, looking for other options. * Microsoft Word * Sublime", "* Microsoft Word * Sublime Text Editor * Atom * Visual Code I'm", "Microsoft Word * Sublime Text Editor * Atom * Visual Code I'm a", "options. * Microsoft Word * Sublime Text Editor * Atom * Visual Code", "available, looking for other options. * Microsoft Word * Sublime Text Editor ", "Visual Code I'm a Software Engineer, who is interested in writing. Thanks in", "tools available, looking for other options. Microsoft Word * Sublime Text Editor", "Text Editor * Atom * Visual Code I'm a Software Engineer, who is", "have to following tools available, looking for other options. * Microsoft Word ", "Word Sublime Text Editor * Atom * Visual Code I'm a Software" ]
[ "and name themselves before using their names in dialogue tags. For example: >", "names in dialogue tags. For example: > > \"My name is Zotn!\" the", "meet you!\" said Matthew. > > > \"Likewise!\" said Zotn. > > >", "Zotn. > > > What are the various approaches for this? And when", "if we can use the names without saying it's a man or a", "Do we have to introduce the character's name before using their names in", "> > > What are the various approaches for this? And when should", "name themselves before using their names in dialogue tags. For example: > >", "woman, and then making the characters introduce themselves and name themselves before using", "we can use the names without saying it's a man or a woman,", "their names in a dialogue tag? I am wondering if we can use", "themselves before using their names in dialogue tags. For example: > > \"My", "dialogue tag? I am wondering if we can use the names without saying", "to introduce the character's name before using their names in a dialogue tag?", "names without saying it's a man or a woman, and then making the", "introduce the character's name before using their names in a dialogue tag? I", "said. > > > \"Happy to meet you!\" said Matthew. > > >", "Zotn!\" the man said. > > > \"Happy to meet you!\" said Matthew.", "to meet you!\" said Matthew. > > > \"Likewise!\" said Zotn. > >", "in a dialogue tag? I am wondering if we can use the names", "> > \"Likewise!\" said Zotn. > > > What are the various approaches", "before using their names in dialogue tags. For example: > > \"My name", "the man said. > > > \"Happy to meet you!\" said Matthew. >", "we have to introduce the character's name before using their names in a", "in dialogue tags. For example: > > \"My name is Zotn!\" the man", "and then making the characters introduce themselves and name themselves before using their", "the character's name before using their names in a dialogue tag? I am", "have to introduce the character's name before using their names in a dialogue", "saying it's a man or a woman, and then making the characters introduce", "you!\" said Matthew. > > > \"Likewise!\" said Zotn. > > > What", "before using their names in a dialogue tag? I am wondering if we", "man said. > > > \"Happy to meet you!\" said Matthew. > >", "a man or a woman, and then making the characters introduce themselves and", "> > > \"Happy to meet you!\" said Matthew. > > > \"Likewise!\"", "name is Zotn!\" the man said. > > > \"Happy to meet you!\"", "then making the characters introduce themselves and name themselves before using their names", "> > \"My name is Zotn!\" the man said. > > > \"Happy", "is Zotn!\" the man said. > > > \"Happy to meet you!\" said", "it's a man or a woman, and then making the characters introduce themselves", "I am wondering if we can use the names without saying it's a", "names in a dialogue tag? I am wondering if we can use the", "> > > \"Likewise!\" said Zotn. > > > What are the various", "What are the various approaches for this? And when should you use them?", "am wondering if we can use the names without saying it's a man", "> \"Likewise!\" said Zotn. > > > What are the various approaches for", "name before using their names in a dialogue tag? I am wondering if", "> > \"Happy to meet you!\" said Matthew. > > > \"Likewise!\" said", "> > What are the various approaches for this? And when should you", "tags. For example: > > \"My name is Zotn!\" the man said. >", "said Zotn. > > > What are the various approaches for this? And", "example: > > \"My name is Zotn!\" the man said. > > >", "can use the names without saying it's a man or a woman, and", "the names without saying it's a man or a woman, and then making", "> \"My name is Zotn!\" the man said. > > > \"Happy to", "making the characters introduce themselves and name themselves before using their names in", "use the names without saying it's a man or a woman, and then", "said Matthew. > > > \"Likewise!\" said Zotn. > > > What are", "dialogue tags. For example: > > \"My name is Zotn!\" the man said.", "characters introduce themselves and name themselves before using their names in dialogue tags.", "or a woman, and then making the characters introduce themselves and name themselves", "a dialogue tag? I am wondering if we can use the names without", "a woman, and then making the characters introduce themselves and name themselves before", "> What are the various approaches for this? And when should you use", "man or a woman, and then making the characters introduce themselves and name", "For example: > > \"My name is Zotn!\" the man said. > >", "> \"Happy to meet you!\" said Matthew. > > > \"Likewise!\" said Zotn.", "\"Happy to meet you!\" said Matthew. > > > \"Likewise!\" said Zotn. >", "themselves and name themselves before using their names in dialogue tags. For example:", "wondering if we can use the names without saying it's a man or", "Matthew. > > > \"Likewise!\" said Zotn. > > > What are the", "the characters introduce themselves and name themselves before using their names in dialogue", "without saying it's a man or a woman, and then making the characters", "\"Likewise!\" said Zotn. > > > What are the various approaches for this?", "using their names in a dialogue tag? I am wondering if we can", "introduce themselves and name themselves before using their names in dialogue tags. For", "\"My name is Zotn!\" the man said. > > > \"Happy to meet", "using their names in dialogue tags. For example: > > \"My name is", "tag? I am wondering if we can use the names without saying it's", "character's name before using their names in a dialogue tag? I am wondering", "their names in dialogue tags. For example: > > \"My name is Zotn!\"" ]
[ "copying a better one, and then developing from there. He had chosen, probably", "the questions on this site and found no satisfying answers. How does one", "in foreign words. How would one analyze the writing style and then copy", "useless, replaceable words, and that he tends to sneak in foreign words. How", "like Christopher Hitchens. Not exactly like him, as I find that he has", "for the best, Orwell's style. I looked over the questions on this site", "copy a better author's style? As an example, I would like to write", "that he tends to sneak in foreign words. How would one analyze the", "essays is him saying that good authors usually begin by copying a better", "Hitchens. Not exactly like him, as I find that he has the habit", "authors usually begin by copying a better one, and then developing from there.", "analyze the writing style and then copy it? (I'll leave the developing up", "he has the habit of using too many useless, replaceable words, and that", "had chosen, probably for the best, Orwell's style. I looked over the questions", "words. How would one analyze the writing style and then copy it? (I'll", "Hitchens' catalog of essays is him saying that good authors usually begin by", "and then developing from there. He had chosen, probably for the best, Orwell's", "satisfying answers. How does one specifically copy a better author's style? As an", "that he has the habit of using too many useless, replaceable words, and", "site and found no satisfying answers. How does one specifically copy a better", "the habit of using too many useless, replaceable words, and that he tends", "words, and that he tends to sneak in foreign words. How would one", "him saying that good authors usually begin by copying a better one, and", "writing style and then copy it? (I'll leave the developing up to me.)", "He had chosen, probably for the best, Orwell's style. I looked over the", "like him, as I find that he has the habit of using too", "somewhere in Christopher Hitchens' catalog of essays is him saying that good authors", "then developing from there. He had chosen, probably for the best, Orwell's style.", "him, as I find that he has the habit of using too many", "and that he tends to sneak in foreign words. How would one analyze", "can't remember where I had read it, but somewhere in Christopher Hitchens' catalog", "this site and found no satisfying answers. How does one specifically copy a", "an example, I would like to write more like Christopher Hitchens. Not exactly", "usually begin by copying a better one, and then developing from there. He", "I looked over the questions on this site and found no satisfying answers.", "Christopher Hitchens' catalog of essays is him saying that good authors usually begin", "had read it, but somewhere in Christopher Hitchens' catalog of essays is him", "one, and then developing from there. He had chosen, probably for the best,", "does one specifically copy a better author's style? As an example, I would", "author's style? As an example, I would like to write more like Christopher", "How would one analyze the writing style and then copy it? (I'll leave", "exactly like him, as I find that he has the habit of using", "tends to sneak in foreign words. How would one analyze the writing style", "as I find that he has the habit of using too many useless,", "replaceable words, and that he tends to sneak in foreign words. How would", "I had read it, but somewhere in Christopher Hitchens' catalog of essays is", "over the questions on this site and found no satisfying answers. How does", "catalog of essays is him saying that good authors usually begin by copying", "good authors usually begin by copying a better one, and then developing from", "begin by copying a better one, and then developing from there. He had", "from there. He had chosen, probably for the best, Orwell's style. I looked", "better author's style? As an example, I would like to write more like", "a better author's style? As an example, I would like to write more", "the writing style and then copy it? (I'll leave the developing up to", "remember where I had read it, but somewhere in Christopher Hitchens' catalog of", "Not exactly like him, as I find that he has the habit of", "a better one, and then developing from there. He had chosen, probably for", "Christopher Hitchens. Not exactly like him, as I find that he has the", "there. He had chosen, probably for the best, Orwell's style. I looked over", "would one analyze the writing style and then copy it? (I'll leave the", "one specifically copy a better author's style? As an example, I would like", "probably for the best, Orwell's style. I looked over the questions on this", "many useless, replaceable words, and that he tends to sneak in foreign words.", "more like Christopher Hitchens. Not exactly like him, as I find that he", "too many useless, replaceable words, and that he tends to sneak in foreign", "read it, but somewhere in Christopher Hitchens' catalog of essays is him saying", "sneak in foreign words. How would one analyze the writing style and then", "find that he has the habit of using too many useless, replaceable words,", "of using too many useless, replaceable words, and that he tends to sneak", "of essays is him saying that good authors usually begin by copying a", "foreign words. How would one analyze the writing style and then copy it?", "chosen, probably for the best, Orwell's style. I looked over the questions on", "is him saying that good authors usually begin by copying a better one,", "saying that good authors usually begin by copying a better one, and then", "it, but somewhere in Christopher Hitchens' catalog of essays is him saying that", "in Christopher Hitchens' catalog of essays is him saying that good authors usually", "no satisfying answers. How does one specifically copy a better author's style? As", "to sneak in foreign words. How would one analyze the writing style and", "How does one specifically copy a better author's style? As an example, I", "I would like to write more like Christopher Hitchens. Not exactly like him,", "using too many useless, replaceable words, and that he tends to sneak in", "better one, and then developing from there. He had chosen, probably for the", "As an example, I would like to write more like Christopher Hitchens. Not", "that good authors usually begin by copying a better one, and then developing", "has the habit of using too many useless, replaceable words, and that he", "where I had read it, but somewhere in Christopher Hitchens' catalog of essays", "looked over the questions on this site and found no satisfying answers. How", "habit of using too many useless, replaceable words, and that he tends to", "and found no satisfying answers. How does one specifically copy a better author's", "Orwell's style. I looked over the questions on this site and found no", "I find that he has the habit of using too many useless, replaceable", "best, Orwell's style. I looked over the questions on this site and found", "one analyze the writing style and then copy it? (I'll leave the developing", "style. I looked over the questions on this site and found no satisfying", "would like to write more like Christopher Hitchens. Not exactly like him, as", "he tends to sneak in foreign words. How would one analyze the writing", "answers. How does one specifically copy a better author's style? As an example,", "but somewhere in Christopher Hitchens' catalog of essays is him saying that good", "style? As an example, I would like to write more like Christopher Hitchens.", "the best, Orwell's style. I looked over the questions on this site and", "specifically copy a better author's style? As an example, I would like to", "questions on this site and found no satisfying answers. How does one specifically", "on this site and found no satisfying answers. How does one specifically copy", "found no satisfying answers. How does one specifically copy a better author's style?", "I can't remember where I had read it, but somewhere in Christopher Hitchens'", "write more like Christopher Hitchens. Not exactly like him, as I find that", "by copying a better one, and then developing from there. He had chosen,", "like to write more like Christopher Hitchens. Not exactly like him, as I", "developing from there. He had chosen, probably for the best, Orwell's style. I", "to write more like Christopher Hitchens. Not exactly like him, as I find", "example, I would like to write more like Christopher Hitchens. Not exactly like" ]
[ "Is there anything against it or examples where it worked to sell a", "chapters a valid marketing scheme? Is there anything against it or examples where", "individual chapters a valid marketing scheme? Is there anything against it or examples", "selling individual chapters a valid marketing scheme? Is there anything against it or", "a valid marketing scheme? Is there anything against it or examples where it", "valid marketing scheme? Is there anything against it or examples where it worked", "anything against it or examples where it worked to sell a whole novel?", "scheme? Is there anything against it or examples where it worked to sell", "Is selling individual chapters a valid marketing scheme? Is there anything against it", "there anything against it or examples where it worked to sell a whole", "marketing scheme? Is there anything against it or examples where it worked to" ]
[ "half of the first act. At least, that is the common wisdom. However,", "a bit of a bind of a side project. In a three-act structure", "Is there any possible way to do it right, without foreshadowing it so", "events have happened and have been scientifically explained, even though they may have", "how does one then present a twist that is not character driven but", "project. In a three-act structure (not what everyone uses, but a good reference", "possible way to do it right, without foreshadowing it so hard that the", "you generally need to set up all expectations and major setting truths in", "the reader and their expectations? Is there any possible way to do it", "that is the common wisdom. However, how does one then present a twist", "one then present a twist that is not character driven but setting driven?", "that is not character driven but setting driven? Strange events have happened and", "of a bind of a side project. In a three-act structure (not what", "implausible, but the twist is that it was, in fact, magic all along.", "a bind of a side project. In a three-act structure (not what everyone", "feels silly to say, but I've got myself into a bit of a", "present a twist that is not character driven but setting driven? Strange events", "that it was, in fact, magic all along. Does doing so betray the", "fact, magic all along. Does doing so betray the reader and their expectations?", "expectations? Is there any possible way to do it right, without foreshadowing it", "a twist that is not character driven but setting driven? Strange events have", "Strange events have happened and have been scientifically explained, even though they may", "in fact, magic all along. Does doing so betray the reader and their", "myself into a bit of a bind of a side project. In a", "way to do it right, without foreshadowing it so hard that the twist", "is the common wisdom. However, how does one then present a twist that", "first act--preferably in the first half of the first act. At least, that", "In a three-act structure (not what everyone uses, but a good reference point)", "a three-act structure (not what everyone uses, but a good reference point) you", "the common wisdom. However, how does one then present a twist that is", "into a bit of a bind of a side project. In a three-act", "reader and their expectations? Is there any possible way to do it right,", "first act. At least, that is the common wisdom. However, how does one", "everyone uses, but a good reference point) you generally need to set up", "need to set up all expectations and major setting truths in the first", "got myself into a bit of a bind of a side project. In", "have been implausible, but the twist is that it was, in fact, magic", "and their expectations? Is there any possible way to do it right, without", "though they may have been implausible, but the twist is that it was,", "there any possible way to do it right, without foreshadowing it so hard", "all along. Does doing so betray the reader and their expectations? Is there", "to do it right, without foreshadowing it so hard that the twist is", "and have been scientifically explained, even though they may have been implausible, but", "to say, but I've got myself into a bit of a bind of", "of a side project. In a three-act structure (not what everyone uses, but", "(not what everyone uses, but a good reference point) you generally need to", "may have been implausible, but the twist is that it was, in fact,", "setting driven? Strange events have happened and have been scientifically explained, even though", "but the twist is that it was, in fact, magic all along. Does", "even though they may have been implausible, but the twist is that it", "silly to say, but I've got myself into a bit of a bind", "they may have been implausible, but the twist is that it was, in", "and major setting truths in the first act--preferably in the first half of", "then present a twist that is not character driven but setting driven? Strange", "of the first act. At least, that is the common wisdom. However, how", "do it right, without foreshadowing it so hard that the twist is moot?", "common wisdom. However, how does one then present a twist that is not", "good reference point) you generally need to set up all expectations and major", "been implausible, but the twist is that it was, in fact, magic all", "driven but setting driven? Strange events have happened and have been scientifically explained,", "twist that is not character driven but setting driven? Strange events have happened", "the first half of the first act. At least, that is the common", "magic all along. Does doing so betray the reader and their expectations? Is", "wisdom. However, how does one then present a twist that is not character", "scientifically explained, even though they may have been implausible, but the twist is", "a good reference point) you generally need to set up all expectations and", "but setting driven? Strange events have happened and have been scientifically explained, even", "explained, even though they may have been implausible, but the twist is that", "their expectations? Is there any possible way to do it right, without foreshadowing", "uses, but a good reference point) you generally need to set up all", "but a good reference point) you generally need to set up all expectations", "have happened and have been scientifically explained, even though they may have been", "betray the reader and their expectations? Is there any possible way to do", "up all expectations and major setting truths in the first act--preferably in the", "have been scientifically explained, even though they may have been implausible, but the", "act. At least, that is the common wisdom. However, how does one then", "is that it was, in fact, magic all along. Does doing so betray", "generally need to set up all expectations and major setting truths in the", "expectations and major setting truths in the first act--preferably in the first half", "However, how does one then present a twist that is not character driven", "in the first half of the first act. At least, that is the", "side project. In a three-act structure (not what everyone uses, but a good", "the twist is that it was, in fact, magic all along. Does doing", "three-act structure (not what everyone uses, but a good reference point) you generally", "it was, in fact, magic all along. Does doing so betray the reader", "At least, that is the common wisdom. However, how does one then present", "say, but I've got myself into a bit of a bind of a", "does one then present a twist that is not character driven but setting", "driven? Strange events have happened and have been scientifically explained, even though they", "so betray the reader and their expectations? Is there any possible way to", "It feels silly to say, but I've got myself into a bit of", "truths in the first act--preferably in the first half of the first act.", "Does doing so betray the reader and their expectations? Is there any possible", "bit of a bind of a side project. In a three-act structure (not", "setting truths in the first act--preferably in the first half of the first", "all expectations and major setting truths in the first act--preferably in the first", "the first act. At least, that is the common wisdom. However, how does", "least, that is the common wisdom. However, how does one then present a", "reference point) you generally need to set up all expectations and major setting", "twist is that it was, in fact, magic all along. Does doing so", "act--preferably in the first half of the first act. At least, that is", "point) you generally need to set up all expectations and major setting truths", "any possible way to do it right, without foreshadowing it so hard that", "but I've got myself into a bit of a bind of a side", "character driven but setting driven? Strange events have happened and have been scientifically", "was, in fact, magic all along. Does doing so betray the reader and", "a side project. In a three-act structure (not what everyone uses, but a", "is not character driven but setting driven? Strange events have happened and have", "doing so betray the reader and their expectations? Is there any possible way", "bind of a side project. In a three-act structure (not what everyone uses,", "major setting truths in the first act--preferably in the first half of the", "what everyone uses, but a good reference point) you generally need to set", "I've got myself into a bit of a bind of a side project.", "along. Does doing so betray the reader and their expectations? Is there any", "been scientifically explained, even though they may have been implausible, but the twist", "the first act--preferably in the first half of the first act. At least,", "first half of the first act. At least, that is the common wisdom.", "to set up all expectations and major setting truths in the first act--preferably", "set up all expectations and major setting truths in the first act--preferably in", "happened and have been scientifically explained, even though they may have been implausible,", "in the first act--preferably in the first half of the first act. At", "structure (not what everyone uses, but a good reference point) you generally need", "not character driven but setting driven? Strange events have happened and have been" ]
[ "on paper? Also, this is my first question on this page. Please feel", "read the \"[Storyboard a Novel?](https://writing.stackexchange.com/questions/10938/storyboard-a-novel)\" as well as some sources online and numerous", "if this is off topic or b) you require more information or details", "two in the same space. Are there tools or apps or \"old-school\" approaches", "Novel?](https://writing.stackexchange.com/questions/10938/storyboard-a-novel)\" as well as some sources online and numerous failed attempts to write", "skills - skills which I lack, I can hardly draw a stick man", "a cohesive novel (I have a great idea too long for a short", "in the same space. Are there tools or apps or \"old-school\" approaches that", "I have read about require basic drawing skills - skills which I lack,", "draw well enough to do the \"Draw and describe method\" --- Hello, having", "and Tricks for storyboarding a novel? For someone who can't draw well enough", "off topic or b) you require more information or details to help me", "cohesive novel (I have a great idea too long for a short story).", "attempts to write a cohesive novel (I have a great idea too long", "get it on paper? Also, this is my first question on this page.", "I can hardly draw a stick man let alone two in the same", "for a short story). I have decided to ask for help! A lot", "Are there tools or apps or \"old-school\" approaches that would work for someone", "hardly draw a stick man let alone two in the same space. Are", "know where I want my story to go, I just don't know how", "a stick man let alone two in the same space. Are there tools", "too long for a short story). I have decided to ask for help!", "someone who can't draw well enough to do the \"Draw and describe method\"", "having read the \"[Storyboard a Novel?](https://writing.stackexchange.com/questions/10938/storyboard-a-novel)\" as well as some sources online and", "for someone like myself. I know where I want my story to go,", "as some sources online and numerous failed attempts to write a cohesive novel", "I lack, I can hardly draw a stick man let alone two in", "can't draw well enough to do the \"Draw and describe method\" --- Hello,", "to get it on paper? Also, this is my first question on this", "space. Are there tools or apps or \"old-school\" approaches that would work for", "story). I have decided to ask for help! A lot of the methods", "to write a cohesive novel (I have a great idea too long for", "about require basic drawing skills - skills which I lack, I can hardly", "long for a short story). I have decided to ask for help! A", "have a great idea too long for a short story). I have decided", "failed attempts to write a cohesive novel (I have a great idea too", "the methods I have read about require basic drawing skills - skills which", "a Novel?](https://writing.stackexchange.com/questions/10938/storyboard-a-novel)\" as well as some sources online and numerous failed attempts to", "decided to ask for help! A lot of the methods I have read", "have read about require basic drawing skills - skills which I lack, I", "that would work for someone like myself. I know where I want my", "man let alone two in the same space. Are there tools or apps", "of the methods I have read about require basic drawing skills - skills", "free to let me know a) if this is off topic or b)", "ask for help! A lot of the methods I have read about require", "great idea too long for a short story). I have decided to ask", "page. Please feel free to let me know a) if this is off", "have decided to ask for help! A lot of the methods I have", "my story to go, I just don't know how to get it on", "question on this page. Please feel free to let me know a) if", "short story). I have decided to ask for help! A lot of the", "A lot of the methods I have read about require basic drawing skills", "online and numerous failed attempts to write a cohesive novel (I have a", "- skills which I lack, I can hardly draw a stick man let", "Tricks for storyboarding a novel? For someone who can't draw well enough to", "method\" --- Hello, having read the \"[Storyboard a Novel?](https://writing.stackexchange.com/questions/10938/storyboard-a-novel)\" as well as some", "do the \"Draw and describe method\" --- Hello, having read the \"[Storyboard a", "know a) if this is off topic or b) you require more information", "alone two in the same space. Are there tools or apps or \"old-school\"", "the same space. Are there tools or apps or \"old-school\" approaches that would", "I have decided to ask for help! A lot of the methods I", "the \"Draw and describe method\" --- Hello, having read the \"[Storyboard a Novel?](https://writing.stackexchange.com/questions/10938/storyboard-a-novel)\"", "describe method\" --- Hello, having read the \"[Storyboard a Novel?](https://writing.stackexchange.com/questions/10938/storyboard-a-novel)\" as well as", "to go, I just don't know how to get it on paper? Also,", "or apps or \"old-school\" approaches that would work for someone like myself. I", "write a cohesive novel (I have a great idea too long for a", "novel? For someone who can't draw well enough to do the \"Draw and", "For someone who can't draw well enough to do the \"Draw and describe", "me know a) if this is off topic or b) you require more", "this is my first question on this page. Please feel free to let", "know how to get it on paper? Also, this is my first question", "TLDR: Tips and Tricks for storyboarding a novel? For someone who can't draw", "Tips and Tricks for storyboarding a novel? For someone who can't draw well", "feel free to let me know a) if this is off topic or", "to let me know a) if this is off topic or b) you", "same space. Are there tools or apps or \"old-school\" approaches that would work", "a great idea too long for a short story). I have decided to", "to ask for help! A lot of the methods I have read about", "novel (I have a great idea too long for a short story). I", "someone like myself. I know where I want my story to go, I", "to do the \"Draw and describe method\" --- Hello, having read the \"[Storyboard", "methods I have read about require basic drawing skills - skills which I", "skills which I lack, I can hardly draw a stick man let alone", "don't know how to get it on paper? Also, this is my first", "drawing skills - skills which I lack, I can hardly draw a stick", "where I want my story to go, I just don't know how to", "I know where I want my story to go, I just don't know", "well as some sources online and numerous failed attempts to write a cohesive", "topic or b) you require more information or details to help me out.", "and numerous failed attempts to write a cohesive novel (I have a great", "draw a stick man let alone two in the same space. Are there", "go, I just don't know how to get it on paper? Also, this", "lot of the methods I have read about require basic drawing skills -", "let alone two in the same space. Are there tools or apps or", "approaches that would work for someone like myself. I know where I want", "is my first question on this page. Please feel free to let me", "require basic drawing skills - skills which I lack, I can hardly draw", "on this page. Please feel free to let me know a) if this", "stick man let alone two in the same space. Are there tools or", "work for someone like myself. I know where I want my story to", "some sources online and numerous failed attempts to write a cohesive novel (I", "Please feel free to let me know a) if this is off topic", "which I lack, I can hardly draw a stick man let alone two", "sources online and numerous failed attempts to write a cohesive novel (I have", "enough to do the \"Draw and describe method\" --- Hello, having read the", "a short story). I have decided to ask for help! A lot of", "lack, I can hardly draw a stick man let alone two in the", "there tools or apps or \"old-school\" approaches that would work for someone like", "apps or \"old-school\" approaches that would work for someone like myself. I know", "for help! A lot of the methods I have read about require basic", "myself. I know where I want my story to go, I just don't", "like myself. I know where I want my story to go, I just", "want my story to go, I just don't know how to get it", "or \"old-school\" approaches that would work for someone like myself. I know where", "how to get it on paper? Also, this is my first question on", "can hardly draw a stick man let alone two in the same space.", "read about require basic drawing skills - skills which I lack, I can", "my first question on this page. Please feel free to let me know", "--- Hello, having read the \"[Storyboard a Novel?](https://writing.stackexchange.com/questions/10938/storyboard-a-novel)\" as well as some sources", "story to go, I just don't know how to get it on paper?", "the \"[Storyboard a Novel?](https://writing.stackexchange.com/questions/10938/storyboard-a-novel)\" as well as some sources online and numerous failed", "help! A lot of the methods I have read about require basic drawing", "I just don't know how to get it on paper? Also, this is", "\"Draw and describe method\" --- Hello, having read the \"[Storyboard a Novel?](https://writing.stackexchange.com/questions/10938/storyboard-a-novel)\" as", "a novel? For someone who can't draw well enough to do the \"Draw", "\"old-school\" approaches that would work for someone like myself. I know where I", "storyboarding a novel? For someone who can't draw well enough to do the", "is off topic or b) you require more information or details to help", "idea too long for a short story). I have decided to ask for", "as well as some sources online and numerous failed attempts to write a", "for storyboarding a novel? For someone who can't draw well enough to do", "Also, this is my first question on this page. Please feel free to", "well enough to do the \"Draw and describe method\" --- Hello, having read", "first question on this page. Please feel free to let me know a)", "this is off topic or b) you require more information or details to", "would work for someone like myself. I know where I want my story", "basic drawing skills - skills which I lack, I can hardly draw a", "I want my story to go, I just don't know how to get", "Hello, having read the \"[Storyboard a Novel?](https://writing.stackexchange.com/questions/10938/storyboard-a-novel)\" as well as some sources online", "and describe method\" --- Hello, having read the \"[Storyboard a Novel?](https://writing.stackexchange.com/questions/10938/storyboard-a-novel)\" as well", "numerous failed attempts to write a cohesive novel (I have a great idea", "just don't know how to get it on paper? Also, this is my", "this page. Please feel free to let me know a) if this is", "a) if this is off topic or b) you require more information or", "paper? Also, this is my first question on this page. Please feel free", "\"[Storyboard a Novel?](https://writing.stackexchange.com/questions/10938/storyboard-a-novel)\" as well as some sources online and numerous failed attempts", "(I have a great idea too long for a short story). I have", "let me know a) if this is off topic or b) you require", "tools or apps or \"old-school\" approaches that would work for someone like myself.", "it on paper? Also, this is my first question on this page. Please", "who can't draw well enough to do the \"Draw and describe method\" ---" ]
[ "and put the seat belt on. > > > \"Oh, really? That's really", "said as he made himself > comfortable and put the seat belt on.", "might make sense to describe everything the people do while talking, but it", "actions? I am trying to think of a situation where it might make", "the door open until he jumped into > the car. > > >", "That's really strange, because you look like a thug. You > dress like", "> How would you fix this monstrosity? You can't really skip all of", "\"Is that your dream job? Being a cop.\" he said as he opened", "because there are too many actions being performed. For example: > > \"Is", "strange, because you look like a thug. You > dress like one at", "dialogues and action wouldn't make any sense. I would like a special emphasis", "performed. For example: > > \"Is that your dream job? Being a cop.\"", "him pass, and held the door open until he jumped into > the", "wanted to be a cop!\" Rumerz said as he made himself > comfortable", "many actions being performed. For example: > > \"Is that your dream job?", "I would like a special emphasis on what can be omitted and what", "feels overkill, because there are too many actions being performed. For example: >", "the engine. > > > How would you fix this monstrosity? You can't", "this monstrosity? You can't really skip all of them, because otherwise the following", "make sense to describe everything the people do while talking, but it also", "skip all of them, because otherwise the following dialogues and action wouldn't make", "emphasis on what can be omitted and what needs to be said, etc.", "and follow up actions? I am trying to think of a situation where", "to describe everything the people do while talking, but it also feels overkill,", "> > \"Oh, really? That's really strange, because you look like a thug.", "and locked the door close and started the engine. > > > How", "and started the engine. > > > How would you fix this monstrosity?", "side of the > car, opened the door, then jumped into the other", "it also feels overkill, because there are too many actions being performed. For", "thug. You > dress like one at least.\" he said as he went", "also feels overkill, because there are too many actions being performed. For example:", "them, because otherwise the following dialogues and action wouldn't make any sense. I", "other side, and then closed > the door and locked the door close", "> > \"Is that your dream job? Being a cop.\" he said as", "into the other side, and then closed > the door and locked the", "made himself > comfortable and put the seat belt on. > > >", "closed > the door and locked the door close and started the engine.", "a thug. You > dress like one at least.\" he said as he", "started the engine. > > > How would you fix this monstrosity? You", "trying to think of a situation where it might make sense to describe", "it might make sense to describe everything the people do while talking, but", "your dream job? Being a cop.\" he said as he opened the door", "as he made himself > comfortable and put the seat belt on. >", "> the car. > > > \"Yes, I wanted to be a cop!\"", "the door > of the car, let him pass, and held the door", "job? Being a cop.\" he said as he opened the door > of", "> \"Is that your dream job? Being a cop.\" he said as he", "actions being performed. For example: > > \"Is that your dream job? Being", "you look like a thug. You > dress like one at least.\" he", "you fix this monstrosity? You can't really skip all of them, because otherwise", "> \"Oh, really? That's really strange, because you look like a thug. You", "the door close and started the engine. > > > How would you", "be a cop!\" Rumerz said as he made himself > comfortable and put", "because you look like a thug. You > dress like one at least.\"", "then closed > the door and locked the door close and started the", "of a situation where it might make sense to describe everything the people", "but it also feels overkill, because there are too many actions being performed.", "while talking, but it also feels overkill, because there are too many actions", "have too many dialogue tags and follow up actions? I am trying to", "jumped into the other side, and then closed > the door and locked", "\"Yes, I wanted to be a cop!\" Rumerz said as he made himself", "dress like one at least.\" he said as he went to the other", "Can we have too many dialogue tags and follow up actions? I am", "do while talking, but it also feels overkill, because there are too many", "> > > \"Oh, really? That's really strange, because you look like a", "sense to describe everything the people do while talking, but it also feels", "being performed. For example: > > \"Is that your dream job? Being a", "monstrosity? You can't really skip all of them, because otherwise the following dialogues", "he made himself > comfortable and put the seat belt on. > >", "follow up actions? I am trying to think of a situation where it", "a situation where it might make sense to describe everything the people do", "comfortable and put the seat belt on. > > > \"Oh, really? That's", "he went to the other side of the > car, opened the door,", "to think of a situation where it might make sense to describe everything", "I wanted to be a cop!\" Rumerz said as he made himself >", "where it might make sense to describe everything the people do while talking,", "really? That's really strange, because you look like a thug. You > dress", "tags and follow up actions? I am trying to think of a situation", "belt on. > > > \"Oh, really? That's really strange, because you look", "How would you fix this monstrosity? You can't really skip all of them,", "would you fix this monstrosity? You can't really skip all of them, because", "I am trying to think of a situation where it might make sense", "a special emphasis on what can be omitted and what needs to be", "make any sense. I would like a special emphasis on what can be", "put the seat belt on. > > > \"Oh, really? That's really strange,", "like one at least.\" he said as he went to the other side", "door, then jumped into the other side, and then closed > the door", "a cop.\" he said as he opened the door > of the car,", "the people do while talking, but it also feels overkill, because there are", "a cop!\" Rumerz said as he made himself > comfortable and put the", "door close and started the engine. > > > How would you fix", "he said as he opened the door > of the car, let him", "door and locked the door close and started the engine. > > >", "pass, and held the door open until he jumped into > the car.", "> comfortable and put the seat belt on. > > > \"Oh, really?", "sense. I would like a special emphasis on what can be omitted and", "opened the door, then jumped into the other side, and then closed >", "following dialogues and action wouldn't make any sense. I would like a special", "You > dress like one at least.\" he said as he went to", "For example: > > \"Is that your dream job? Being a cop.\" he", "> of the car, let him pass, and held the door open until", "look like a thug. You > dress like one at least.\" he said", "of the > car, opened the door, then jumped into the other side,", "example: > > \"Is that your dream job? Being a cop.\" he said", "situation where it might make sense to describe everything the people do while", "he opened the door > of the car, let him pass, and held", "> the door and locked the door close and started the engine. >", "everything the people do while talking, but it also feels overkill, because there", "and then closed > the door and locked the door close and started", "fix this monstrosity? You can't really skip all of them, because otherwise the", "locked the door close and started the engine. > > > How would", "like a thug. You > dress like one at least.\" he said as", "said as he went to the other side of the > car, opened", "the car. > > > \"Yes, I wanted to be a cop!\" Rumerz", "> dress like one at least.\" he said as he went to the", "people do while talking, but it also feels overkill, because there are too", "up actions? I am trying to think of a situation where it might", "said as he opened the door > of the car, let him pass,", "the other side of the > car, opened the door, then jumped into", "went to the other side of the > car, opened the door, then", "because otherwise the following dialogues and action wouldn't make any sense. I would", "otherwise the following dialogues and action wouldn't make any sense. I would like", "other side of the > car, opened the door, then jumped into the", "You can't really skip all of them, because otherwise the following dialogues and", "side, and then closed > the door and locked the door close and", "> > > \"Yes, I wanted to be a cop!\" Rumerz said as", "would like a special emphasis on what can be omitted and what needs", "talking, but it also feels overkill, because there are too many actions being", "that your dream job? Being a cop.\" he said as he opened the", "cop!\" Rumerz said as he made himself > comfortable and put the seat", "the door and locked the door close and started the engine. > >", "car, let him pass, and held the door open until he jumped into", "many dialogue tags and follow up actions? I am trying to think of", "Rumerz said as he made himself > comfortable and put the seat belt", "and held the door open until he jumped into > the car. >", "too many actions being performed. For example: > > \"Is that your dream", "door > of the car, let him pass, and held the door open", "then jumped into the other side, and then closed > the door and", "open until he jumped into > the car. > > > \"Yes, I", "least.\" he said as he went to the other side of the >", "seat belt on. > > > \"Oh, really? That's really strange, because you", "special emphasis on what can be omitted and what needs to be said,", "really strange, because you look like a thug. You > dress like one", "can't really skip all of them, because otherwise the following dialogues and action", "as he opened the door > of the car, let him pass, and", "wouldn't make any sense. I would like a special emphasis on what can", "at least.\" he said as he went to the other side of the", "jumped into > the car. > > > \"Yes, I wanted to be", "held the door open until he jumped into > the car. > >", "door open until he jumped into > the car. > > > \"Yes,", "into > the car. > > > \"Yes, I wanted to be a", "Being a cop.\" he said as he opened the door > of the", "the > car, opened the door, then jumped into the other side, and", "of the car, let him pass, and held the door open until he", "the door, then jumped into the other side, and then closed > the", "think of a situation where it might make sense to describe everything the", "and action wouldn't make any sense. I would like a special emphasis on", "overkill, because there are too many actions being performed. For example: > >", "close and started the engine. > > > How would you fix this", "let him pass, and held the door open until he jumped into >", "car. > > > \"Yes, I wanted to be a cop!\" Rumerz said", "car, opened the door, then jumped into the other side, and then closed", "he jumped into > the car. > > > \"Yes, I wanted to", "there are too many actions being performed. For example: > > \"Is that", "like a special emphasis on what can be omitted and what needs to", "dialogue tags and follow up actions? I am trying to think of a", "to be a cop!\" Rumerz said as he made himself > comfortable and", "\"Oh, really? That's really strange, because you look like a thug. You >", "> > \"Yes, I wanted to be a cop!\" Rumerz said as he", "he said as he went to the other side of the > car,", "as he went to the other side of the > car, opened the", "engine. > > > How would you fix this monstrosity? You can't really", "> > How would you fix this monstrosity? You can't really skip all", "the other side, and then closed > the door and locked the door", "himself > comfortable and put the seat belt on. > > > \"Oh,", "one at least.\" he said as he went to the other side of", "really skip all of them, because otherwise the following dialogues and action wouldn't", "all of them, because otherwise the following dialogues and action wouldn't make any", "until he jumped into > the car. > > > \"Yes, I wanted", "the car, let him pass, and held the door open until he jumped", "any sense. I would like a special emphasis on what can be omitted", "am trying to think of a situation where it might make sense to", "cop.\" he said as he opened the door > of the car, let", "action wouldn't make any sense. I would like a special emphasis on what", "describe everything the people do while talking, but it also feels overkill, because", "on. > > > \"Oh, really? That's really strange, because you look like", "we have too many dialogue tags and follow up actions? I am trying", "to the other side of the > car, opened the door, then jumped", "of them, because otherwise the following dialogues and action wouldn't make any sense.", "too many dialogue tags and follow up actions? I am trying to think", "> car, opened the door, then jumped into the other side, and then", "the following dialogues and action wouldn't make any sense. I would like a", "are too many actions being performed. For example: > > \"Is that your", "> \"Yes, I wanted to be a cop!\" Rumerz said as he made", "> > > How would you fix this monstrosity? You can't really skip", "dream job? Being a cop.\" he said as he opened the door >", "the seat belt on. > > > \"Oh, really? That's really strange, because", "opened the door > of the car, let him pass, and held the" ]
[ "these events. Since UrasMt is my MC and my narrator, the reader discovers", "get-go that UrasMt has done something bad, and when deaths are mentioned, the", "is that humans have developed different kinds of kineses, like hydrokinesis, telekinesis, and", "a \"twist\" if my reader knows it? Are plot twists for the reader", "and through her diary entries that she killed people, but I do not", "characters find out. The characters (other than UrasMt) are also unaware of UrasMt'", "but I do not explicitly state it until the rest of the characters", "want to outsmart my reader by making some bizarre plot twist that they", "she killed people, but I do not explicitly state it until the rest", "twist that they never would have guessed and therefore make it unfeasible. But", "explicitly state it until the rest of the characters find out. The characters", "it? Are plot twists for the reader or for the characters, or both?", "post-apocalyptic novel, there are two \"twists\", but they're mostly tied up in each", "but they're mostly tied up in each other. The first is that humans", "ability to manipulate death, and she killed innocent people with that power. UrasMt", "when deaths are mentioned, the reader can easily infer that she was the", "the reader, however, from the get-go that UrasMt has done something bad, and", "the get-go that UrasMt has done something bad, and when deaths are mentioned,", "MC, UrasMt, has finékinesis, the ability to manipulate death, and she killed innocent", "through her diary entries that she killed people, but I do not explicitly", "that humans have developed different kinds of kineses, like hydrokinesis, telekinesis, and so", "never would have guessed and therefore make it unfeasible. But if my readers", "It's pretty clear to the reader, however, from the get-go that UrasMt has", "alongside her in real time and through her diary entries that she killed", "reader or for the characters, or both? I don't want to outsmart my", "therefore make it unfeasible. But if my readers guess it early, have I", "reader, however, from the get-go that UrasMt has done something bad, and when", "antagonist is suspicious. It's pretty clear to the reader, however, from the get-go", "humans have developed different kinds of kineses, like hydrokinesis, telekinesis, and so on.", "telekinesis, and so on. The second is that the MC, UrasMt, has finékinesis,", "out. The characters (other than UrasMt) are also unaware of UrasMt' actions, although", "blocked out the memories of these events. Since UrasMt is my MC and", "have developed different kinds of kineses, like hydrokinesis, telekinesis, and so on. The", "so on. The second is that the MC, UrasMt, has finékinesis, the ability", "than UrasMt) are also unaware of UrasMt' actions, although the antagonist is suspicious.", "my reader by making some bizarre plot twist that they never would have", "each other. The first is that humans have developed different kinds of kineses,", "killed people, but I do not explicitly state it until the rest of", "mostly tied up in each other. The first is that humans have developed", "the ability to manipulate death, and she killed innocent people with that power.", "is my MC and my narrator, the reader discovers alongside her in real", "the killer. What I'm asking is, is a plot twist still a \"twist\"", "both? I don't want to outsmart my reader by making some bizarre plot", "discovers alongside her in real time and through her diary entries that she", "she killed innocent people with that power. UrasMt has blocked out the memories", "the reader discovers alongside her in real time and through her diary entries", "killer. What I'm asking is, is a plot twist still a \"twist\" if", "The second is that the MC, UrasMt, has finékinesis, the ability to manipulate", "and so on. The second is that the MC, UrasMt, has finékinesis, the", "manipulate death, and she killed innocent people with that power. UrasMt has blocked", "with that power. UrasMt has blocked out the memories of these events. Since", "real time and through her diary entries that she killed people, but I", "of the characters find out. The characters (other than UrasMt) are also unaware", "make it unfeasible. But if my readers guess it early, have I \"ruined\"", "has blocked out the memories of these events. Since UrasMt is my MC", "UrasMt has blocked out the memories of these events. Since UrasMt is my", "find out. The characters (other than UrasMt) are also unaware of UrasMt' actions,", "pretty clear to the reader, however, from the get-go that UrasMt has done", "the reader or for the characters, or both? I don't want to outsmart", "I'm asking is, is a plot twist still a \"twist\" if my reader", "of these events. Since UrasMt is my MC and my narrator, the reader", "is suspicious. It's pretty clear to the reader, however, from the get-go that", "power. UrasMt has blocked out the memories of these events. Since UrasMt is", "if my reader knows it? Are plot twists for the reader or for", "suspicious. It's pretty clear to the reader, however, from the get-go that UrasMt", "memories of these events. Since UrasMt is my MC and my narrator, the", "my reader knows it? Are plot twists for the reader or for the", "bizarre plot twist that they never would have guessed and therefore make it", "in real time and through her diary entries that she killed people, but", "kineses, like hydrokinesis, telekinesis, and so on. The second is that the MC,", "that they never would have guessed and therefore make it unfeasible. But if", "is, is a plot twist still a \"twist\" if my reader knows it?", "to manipulate death, and she killed innocent people with that power. UrasMt has", "done something bad, and when deaths are mentioned, the reader can easily infer", "and when deaths are mentioned, the reader can easily infer that she was", "still a \"twist\" if my reader knows it? Are plot twists for the", "the characters, or both? I don't want to outsmart my reader by making", "But if my readers guess it early, have I \"ruined\" my twist and/or", "on. The second is that the MC, UrasMt, has finékinesis, the ability to", "and therefore make it unfeasible. But if my readers guess it early, have", "my narrator, the reader discovers alongside her in real time and through her", "UrasMt is my MC and my narrator, the reader discovers alongside her in", "plot twist that they never would have guessed and therefore make it unfeasible.", "and she killed innocent people with that power. UrasMt has blocked out the", "The first is that humans have developed different kinds of kineses, like hydrokinesis,", "for the characters, or both? I don't want to outsmart my reader by", "rest of the characters find out. The characters (other than UrasMt) are also", "to the reader, however, from the get-go that UrasMt has done something bad,", "that she was the killer. What I'm asking is, is a plot twist", "UrasMt' actions, although the antagonist is suspicious. It's pretty clear to the reader,", "was the killer. What I'm asking is, is a plot twist still a", "do not explicitly state it until the rest of the characters find out.", "making some bizarre plot twist that they never would have guessed and therefore", "reader can easily infer that she was the killer. What I'm asking is,", "characters, or both? I don't want to outsmart my reader by making some", "hydrokinesis, telekinesis, and so on. The second is that the MC, UrasMt, has", "her diary entries that she killed people, but I do not explicitly state", "bad, and when deaths are mentioned, the reader can easily infer that she", "infer that she was the killer. What I'm asking is, is a plot", "by making some bizarre plot twist that they never would have guessed and", "In my post-apocalyptic novel, there are two \"twists\", but they're mostly tied up", "killed innocent people with that power. UrasMt has blocked out the memories of", "is a plot twist still a \"twist\" if my reader knows it? Are", "entries that she killed people, but I do not explicitly state it until", "my MC and my narrator, the reader discovers alongside her in real time", "are also unaware of UrasMt' actions, although the antagonist is suspicious. It's pretty", "I don't want to outsmart my reader by making some bizarre plot twist", "UrasMt, has finékinesis, the ability to manipulate death, and she killed innocent people", "knows it? Are plot twists for the reader or for the characters, or", "it until the rest of the characters find out. The characters (other than", "up in each other. The first is that humans have developed different kinds", "state it until the rest of the characters find out. The characters (other", "diary entries that she killed people, but I do not explicitly state it", "developed different kinds of kineses, like hydrokinesis, telekinesis, and so on. The second", "death, and she killed innocent people with that power. UrasMt has blocked out", "Since UrasMt is my MC and my narrator, the reader discovers alongside her", "plot twists for the reader or for the characters, or both? I don't", "they never would have guessed and therefore make it unfeasible. But if my", "for the reader or for the characters, or both? I don't want to", "narrator, the reader discovers alongside her in real time and through her diary", "I do not explicitly state it until the rest of the characters find", "it unfeasible. But if my readers guess it early, have I \"ruined\" my", "finékinesis, the ability to manipulate death, and she killed innocent people with that", "not explicitly state it until the rest of the characters find out. The", "the antagonist is suspicious. It's pretty clear to the reader, however, from the", "or for the characters, or both? I don't want to outsmart my reader", "innocent people with that power. UrasMt has blocked out the memories of these", "also unaware of UrasMt' actions, although the antagonist is suspicious. It's pretty clear", "twist still a \"twist\" if my reader knows it? Are plot twists for", "the characters find out. The characters (other than UrasMt) are also unaware of", "Are plot twists for the reader or for the characters, or both? I", "however, from the get-go that UrasMt has done something bad, and when deaths", "actions, although the antagonist is suspicious. It's pretty clear to the reader, however,", "are two \"twists\", but they're mostly tied up in each other. The first", "something bad, and when deaths are mentioned, the reader can easily infer that", "kinds of kineses, like hydrokinesis, telekinesis, and so on. The second is that", "\"twist\" if my reader knows it? Are plot twists for the reader or", "unfeasible. But if my readers guess it early, have I \"ruined\" my twist", "and my narrator, the reader discovers alongside her in real time and through", "my post-apocalyptic novel, there are two \"twists\", but they're mostly tied up in", "are mentioned, the reader can easily infer that she was the killer. What", "that power. UrasMt has blocked out the memories of these events. Since UrasMt", "she was the killer. What I'm asking is, is a plot twist still", "the reader can easily infer that she was the killer. What I'm asking", "although the antagonist is suspicious. It's pretty clear to the reader, however, from", "like hydrokinesis, telekinesis, and so on. The second is that the MC, UrasMt,", "out the memories of these events. Since UrasMt is my MC and my", "or both? I don't want to outsmart my reader by making some bizarre", "(other than UrasMt) are also unaware of UrasMt' actions, although the antagonist is", "mentioned, the reader can easily infer that she was the killer. What I'm", "some bizarre plot twist that they never would have guessed and therefore make", "my readers guess it early, have I \"ruined\" my twist and/or my plot?", "easily infer that she was the killer. What I'm asking is, is a", "of kineses, like hydrokinesis, telekinesis, and so on. The second is that the", "events. Since UrasMt is my MC and my narrator, the reader discovers alongside", "asking is, is a plot twist still a \"twist\" if my reader knows", "characters (other than UrasMt) are also unaware of UrasMt' actions, although the antagonist", "UrasMt has done something bad, and when deaths are mentioned, the reader can", "clear to the reader, however, from the get-go that UrasMt has done something", "people with that power. UrasMt has blocked out the memories of these events.", "plot twist still a \"twist\" if my reader knows it? Are plot twists", "guessed and therefore make it unfeasible. But if my readers guess it early,", "that she killed people, but I do not explicitly state it until the", "novel, there are two \"twists\", but they're mostly tied up in each other.", "that the MC, UrasMt, has finékinesis, the ability to manipulate death, and she", "her in real time and through her diary entries that she killed people,", "The characters (other than UrasMt) are also unaware of UrasMt' actions, although the", "if my readers guess it early, have I \"ruined\" my twist and/or my", "has done something bad, and when deaths are mentioned, the reader can easily", "people, but I do not explicitly state it until the rest of the", "time and through her diary entries that she killed people, but I do", "from the get-go that UrasMt has done something bad, and when deaths are", "other. The first is that humans have developed different kinds of kineses, like", "reader discovers alongside her in real time and through her diary entries that", "is that the MC, UrasMt, has finékinesis, the ability to manipulate death, and", "until the rest of the characters find out. The characters (other than UrasMt)", "outsmart my reader by making some bizarre plot twist that they never would", "twists for the reader or for the characters, or both? I don't want", "the memories of these events. Since UrasMt is my MC and my narrator,", "reader by making some bizarre plot twist that they never would have guessed", "in each other. The first is that humans have developed different kinds of", "don't want to outsmart my reader by making some bizarre plot twist that", "there are two \"twists\", but they're mostly tied up in each other. The", "they're mostly tied up in each other. The first is that humans have", "the rest of the characters find out. The characters (other than UrasMt) are", "of UrasMt' actions, although the antagonist is suspicious. It's pretty clear to the", "tied up in each other. The first is that humans have developed different", "would have guessed and therefore make it unfeasible. But if my readers guess", "\"twists\", but they're mostly tied up in each other. The first is that", "MC and my narrator, the reader discovers alongside her in real time and", "unaware of UrasMt' actions, although the antagonist is suspicious. It's pretty clear to", "UrasMt) are also unaware of UrasMt' actions, although the antagonist is suspicious. It's", "deaths are mentioned, the reader can easily infer that she was the killer.", "has finékinesis, the ability to manipulate death, and she killed innocent people with", "second is that the MC, UrasMt, has finékinesis, the ability to manipulate death,", "the MC, UrasMt, has finékinesis, the ability to manipulate death, and she killed", "two \"twists\", but they're mostly tied up in each other. The first is", "have guessed and therefore make it unfeasible. But if my readers guess it", "What I'm asking is, is a plot twist still a \"twist\" if my", "a plot twist still a \"twist\" if my reader knows it? Are plot", "to outsmart my reader by making some bizarre plot twist that they never", "reader knows it? Are plot twists for the reader or for the characters,", "different kinds of kineses, like hydrokinesis, telekinesis, and so on. The second is", "first is that humans have developed different kinds of kineses, like hydrokinesis, telekinesis,", "can easily infer that she was the killer. What I'm asking is, is", "that UrasMt has done something bad, and when deaths are mentioned, the reader" ]
[ "good and true—require that the character come back from their journeys changed, usually", "overcome and in fact the story continues, more like in life, w/o a", "with positive growth (maybe the opposite, a new wound). How do you structure", "story. But what if the character doesn't overcome and in fact the story", "I'm looking for plot and character advice to make a tragic story, still", "lot of books about plot and character arcs. Most structures—and I believe this", "divorced parents, wants to go live with the other parent, but realizes by", "who is more abusive or unloving. A tragic example maybe, but I can", "new wound would follow the child (into the next story maybe) as they", "parent, who is more abusive or unloving. A tragic example maybe, but I", "generally good and true—require that the character come back from their journeys changed,", "instead has to continue living with the other parent, who is more abusive", "advice to make a tragic story, still interesting and even entertaining, even if", "end with positive growth (maybe the opposite, a new wound). How do you", "character arcs. Most structures—and I believe this is generally good and true—require that", "would be too young to overcome it (but maybe they would as an", "disappointments? Eg. a child of divorced parents, wants to go live with the", "and even entertaining, even if it's not especially hopeful. In reality, this new", "if it's not especially hopeful. 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How do you structure a good story like this?", "of many more realistic endings that don't have a happily ever after and", "realistic endings that don't have a happily ever after and don't also end", "that don't have a happily ever after and don't also end with positive", "for plot and character advice to make a tragic story, still interesting and", "follow the child (into the next story maybe) as they would be too", "the character come back from their journeys changed, usually for the better, by", "this? I'm looking for plot and character advice to make a tragic story,", "with the other parent, but realizes by the end of the story that", "possible, and instead has to continue living with the other parent, who is", "go live with the other parent, but realizes by the end of the", "wound would follow the child (into the next story maybe) as they would", "a good story like this? I'm looking for plot and character advice to", "even if it's not especially hopeful. 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I'm looking for plot and character", "the child (into the next story maybe) as they would be too young", "a submission or acceptance of life's disappointments? Eg. a child of divorced parents,", "in life, w/o a happily ever after, and w/o some greater internal victory", "the other parent, who is more abusive or unloving. A tragic example maybe,", "maybe they would as an adult). How to approach and structure this kind", "and in fact the story continues, more like in life, w/o a happily", "do you structure a good story like this? I'm looking for plot and", "structure a good story like this? I'm looking for plot and character advice", "story continues, more like in life, w/o a happily ever after, and w/o", "by the end of the story that it's not possible, and instead has", "end of the story that it's not possible, and instead has to continue", "but I can think of many more realistic endings that don't have a", "and instead has to continue living with the other parent, who is more", "beginning of the story. But what if the character doesn't overcome and in", "a happily ever after, and w/o some greater internal victory or inspiring revelation,", "child of divorced parents, wants to go live with the other parent, but", "if the character doesn't overcome and in fact the story continues, more like", "very things that hindered them at the beginning of the story. But what", "things that hindered them at the beginning of the story. But what if", "life's disappointments? Eg. a child of divorced parents, wants to go live with", "wound). How do you structure a good story like this? I'm looking for", "books about plot and character arcs. Most structures—and I believe this is generally", "they would as an adult). How to approach and structure this kind of", "and true—require that the character come back from their journeys changed, usually for", "after, and w/o some greater internal victory or inspiring revelation, but rather a", "other parent, who is more abusive or unloving. A tragic example maybe, but", "and character advice to make a tragic story, still interesting and even entertaining,", "or inspiring revelation, but rather a submission or acceptance of life's disappointments? Eg.", "greater internal victory or inspiring revelation, but rather a submission or acceptance of", "hindered them at the beginning of the story. But what if the character", "of the story. But what if the character doesn't overcome and in fact", "this new wound would follow the child (into the next story maybe) as", "and character arcs. Most structures—and I believe this is generally good and true—require", "the end of the story that it's not possible, and instead has to", "the opposite, a new wound). How do you structure a good story like", "ever after and don't also end with positive growth (maybe the opposite, a", "I can think of many more realistic endings that don't have a happily", "would follow the child (into the next story maybe) as they would be", "plot and character arcs. Most structures—and I believe this is generally good and", "abusive or unloving. A tragic example maybe, but I can think of many", "parents, wants to go live with the other parent, but realizes by the", "a tragic story, still interesting and even entertaining, even if it's not especially", "continues, more like in life, w/o a happily ever after, and w/o some", "that it's not possible, and instead has to continue living with the other", "this is generally good and true—require that the character come back from their", "new wound). How do you structure a good story like this? I'm looking" ]
[ "Are the seven archetypes all of them, or simply the most common, fundamental", "the seven archetypes all of them, or simply the most common, fundamental ones?", "Overcoming the Monster. > > > Rags to Riches. > > > The", "For example, riches to rags? That is one, right? Or would that go", "go into another one, like rebirth, tragedy or even overcoming the monster, the", "seven archetypes are as follows:** > > Overcoming the Monster. > > >", "to rags? That is one, right? Or would that go into another one,", "would that go into another one, like rebirth, tragedy* or even overcoming the", "rebirth, tragedy* or even overcoming the monster, the monster being poverty? What I'm", "Monster. > > > Rags to Riches. > > > The Quest. >", "to Riches. > > > The Quest. > > > Voyage and Return.", "the monster being poverty? What I'm asking is: Are the seven archetypes all", "is: Are the seven archetypes all of them, or simply the most common,", "> But surely, there are more? For example, riches to rags? That is", "Or would that go into another one, like rebirth, tragedy or even overcoming", "The Quest. > > > Voyage and Return. > > > Comedy. >", "follows:* > > Overcoming the Monster. > > > Rags to Riches. >", "> > > The Quest. > > > Voyage and Return. > >", "are more? For example, riches to rags? That is one, right? Or would", "like rebirth, tragedy or even overcoming the monster, the monster being poverty? What", "are as follows:** > > Overcoming the Monster. > > > Rags to", "> > Tragedy. > > > Rebirth. > > > But surely, there", "poverty? What I'm asking is: Are the seven archetypes all of them, or", "> > Overcoming the Monster. > > > Rags to Riches. > >", "> > > Rebirth. > > > But surely, there are more? For", "overcoming the monster, the monster being poverty? What I'm asking is: Are the", "Tragedy. > > > Rebirth. > > > But surely, there are more?", "another one, like rebirth, tragedy or even overcoming the monster, the monster being", "the Monster. > > > Rags to Riches. > > > The Quest.", "as follows:** > > Overcoming the Monster. > > > Rags to Riches.", "What I'm asking is: Are the seven archetypes all of them, or simply", "one, like rebirth, tragedy or even overcoming the monster, the monster being poverty?", "> > Rags to Riches. > > > The Quest. > > >", "that go into another one, like rebirth, tragedy or even overcoming the monster,", "I'm asking is: Are the seven archetypes all of them, or simply the", "> > > Voyage and Return. > > > Comedy. > > >", "Comedy. > > > Tragedy. > > > Rebirth. > > > But", "> Rebirth. > > > But surely, there are more? For example, riches", "> > The Quest. > > > Voyage and Return. > > >", "surely, there are more? For example, riches to rags? That is one, right?", "the monster, the monster being poverty? What I'm asking is: Are the seven", "Rags to Riches. > > > The Quest. > > > Voyage and", "is one, right? Or would that go into another one, like rebirth, tragedy", "> Voyage and Return. > > > Comedy. > > > Tragedy. >", "riches to rags? That is one, right? Or would that go into another", "more? For example, riches to rags? That is one, right? Or would that", "> > > Tragedy. > > > Rebirth. > > > But surely,", "> > > But surely, there are more? For example, riches to rags?", "> Rags to Riches. > > > The Quest. > > > Voyage", "rags? That is one, right? Or would that go into another one, like", "into another one, like rebirth, tragedy* or even overcoming the monster, the monster", "one, right? Or would that go into another one, like rebirth, tragedy or", "monster, the monster* being poverty? What I'm asking is: Are the seven archetypes", "there are more? For example, riches to rags? That is one, right? Or", "or even overcoming the monster, the monster being poverty? What I'm asking is:", "asking is: Are the seven archetypes all of them, or simply the most", "being poverty? What I'm asking is: Are the seven archetypes all of them,", "> Overcoming the Monster. > > > Rags to Riches. > > >", "Rebirth. > > > But surely, there are more? For example, riches to", "> > Voyage and Return. > > > Comedy. > > > Tragedy.", "> Comedy. > > > Tragedy. > > > Rebirth. > > >", "> > > Rags to Riches. > > > The Quest. > >", "Quest. > > > Voyage and Return. > > > Comedy. > >", "even overcoming the monster, the monster* being poverty? What I'm asking is: Are", "archetypes are as follows:** > > Overcoming the Monster. > > > Rags", "right? Or would that go into another one, like rebirth, tragedy or even", "example, riches to rags? That is one, right? Or would that go into", "The seven archetypes are as follows: > > Overcoming the Monster. > >", "monster being poverty? What I'm asking is: Are the seven archetypes all of", "and Return. > > > Comedy. > > > Tragedy. > > >", "> > But surely, there are more? For example, riches to rags? That", "But surely, there are more? For example, riches to rags? That is one,", "> > > Comedy. > > > Tragedy. > > > Rebirth. >", "Return. > > > Comedy. > > > Tragedy. > > > Rebirth.", "That is one, right? Or would that go into another one, like rebirth,", "> Tragedy. > > > Rebirth. > > > But surely, there are", "> The Quest. > > > Voyage and Return. > > > Comedy.", "> > Comedy. > > > Tragedy. > > > Rebirth. > >", "> > Rebirth. > > > But surely, there are more? For example,", "Voyage and Return. > > > Comedy. > > > Tragedy. > >", "Riches. > > > The Quest. > > > Voyage and Return. >", "tragedy or even overcoming the monster, the monster being poverty? What I'm asking" ]
[ "[Different projects will draw on different technical jargon, sci-fi/fantasy, etc, and I would", "\"wander away from what I'm doing\" because it never gets configured for things", "the 'middle' of the screen. [Which kind of negates the use of a", "and keeping data entry awkwardly in the 'middle' of the screen. [Which kind", "environment.] * Must not rely on any closed encoding for file storage, not", "instance. * Wiki-Like data organization for keeping track of notes. --- Existing software", "awkwardly in the 'middle' of the screen. [Which kind of negates the use", "monitor. Nice to haves: * Robust Spell Check with easy to configure custom", "as a word processor in a Raspbian Terminal environment. The goal has been", "linux command line environment. [System will not boot into a GUI/Windowed environment.] ", "keeping data entry awkwardly in the 'middle' of the screen. [Which kind of", "of notes. --- Existing software opinions: vim/emacs tends to feel like it has", "docs and maintaining organization of 'open stuff', while being able to move the", "on the hunt for software options that may have gotten drowned out in", " Must run natively in a linux command line environment. [System will not", "'minimal distraction' writing environment running on a lightweight raspberry pi configured with little", "tends to feel like it has too much fluff in the UI to", "not worried about extra markup/down added to the files, but ideally would want", "Raspbian Terminal environment. The goal has been to have a 'minimal distraction' writing", "between docs and maintaining organization of 'open stuff', while being able to move", "able to move the whole process into the background as a single instance.", "from actually writing...] --- Key Requirements: * Must run natively in a linux", "or browsing the web. [And working on this project totally hasn't been used", "file storage, not worried about extra markup/down added to the files, but ideally", "* File Switching/Grouping controls for jumping between docs and maintaining organization of 'open", "from what I'm doing\" because it never gets configured for things like checking", "the use of a portrait monitor when the software insists on not using", "much fluff in the UI to work through, or I end up tinkering", "my information with a standard text editor. * Plays nicely with a portrait", "negates the use of a portrait monitor when the software insists on not", "feel like it has too much fluff in the UI to work through,", "cross pollute projects.] * File Switching/Grouping controls for jumping between docs and maintaining", "ideally would want to be able to extract my information with a standard", "project totally hasn't been used as procrastination from actually writing...] --- Key Requirements:", "haves: * Robust Spell Check with easy to configure custom dictionaries. [Different projects", "as a single instance. * Wiki-Like data organization for keeping track of notes.", "maintaining organization of 'open stuff', while being able to move the whole process", "worried about extra markup/down added to the files, but ideally would want to", "Terminal environment. The goal has been to have a 'minimal distraction' writing environment", "draw on different technical jargon, sci-fi/fantasy, etc, and I would rather not cross", "--- Key Requirements: * Must run natively in a linux command line environment.", "into the background as a single instance. * Wiki-Like data organization for keeping", "would want to be able to extract my information with a standard text", "than writing. wordgrinder has a few quirks so far, with one of the", "organization of 'open stuff', while being able to move the whole process into", "[Which kind of negates the use of a portrait monitor when the software", "Spell Check with easy to configure custom dictionaries. [Different projects will draw on", "boot into a GUI/Windowed environment.] * Must not rely on any closed encoding", "* Plays nicely with a portrait monitor. Nice to haves: * Robust Spell", "configured with little else. A little portable laptop that I can't easily \"wander", "run natively in a linux command line environment. [System will not boot into", "a few quirks so far, with one of the biggest being lack of", "File Switching/Grouping controls for jumping between docs and maintaining organization of 'open stuff',", "configs more than writing. wordgrinder has a few quirks so far, with one", "doing\" because it never gets configured for things like checking email or browsing", "but ideally would want to be able to extract my information with a", "[System will not boot into a GUI/Windowed environment.] * Must not rely on", "to be able to extract my information with a standard text editor. ", "portrait monitor when the software insists on not using much of it, given", "working on this project totally hasn't been used as procrastination from actually writing...]", "Nice to haves: Robust Spell Check with easy to configure custom dictionaries.", "it, given that the majority of my writing is appending to file rather", "my google searches by emacs, vim, and wordgrinder to use as a word", "one of the biggest being lack of tab, and keeping data entry awkwardly", "been to have a 'minimal distraction' writing environment running on a lightweight raspberry", "processor in a Raspbian Terminal environment. The goal has been to have a", "dictionaries. [Different projects will draw on different technical jargon, sci-fi/fantasy, etc, and I", "raspberry pi configured with little else. A little portable laptop that I can't", "never gets configured for things like checking email or browsing the web. [And", "email or browsing the web. [And working on this project totally hasn't been", "distraction' writing environment running on a lightweight raspberry pi configured with little else.", "on this project totally hasn't been used as procrastination from actually writing...] ---", "A little portable laptop that I can't easily \"wander away from what I'm", "of 'open stuff', while being able to move the whole process into the", "etc, and I would rather not cross pollute projects.] * File Switching/Grouping controls", "what I'm doing\" because it never gets configured for things like checking email", "a portrait monitor. Nice to haves: * Robust Spell Check with easy to", "I can't easily \"wander away from what I'm doing\" because it never gets", "to move the whole process into the background as a single instance. ", "too much fluff in the UI to work through, or I end up", "given that the majority of my writing is appending to file rather than", "through, or I end up tinkering with configs more than writing. wordgrinder has", "vim, and wordgrinder to use as a word processor in a Raspbian Terminal", "natively in a linux command line environment. [System will not boot into a", "single instance. Wiki-Like data organization for keeping track of notes. --- Existing", "for jumping between docs and maintaining organization of 'open stuff', while being able", "up tinkering with configs more than writing. wordgrinder has a few quirks so", "controls for jumping between docs and maintaining organization of 'open stuff', while being", "with a portrait monitor. Nice to haves: * Robust Spell Check with easy", "hasn't been used as procrastination from actually writing...] --- Key Requirements: * Must", "else. A little portable laptop that I can't easily \"wander away from what", "my writing is appending to file rather than editing.] --- Thanks for any", "sci-fi/fantasy, etc, and I would rather not cross pollute projects.] * File Switching/Grouping", "a GUI/Windowed environment.] * Must not rely on any closed encoding for file", "things like checking email or browsing the web. [And working on this project", "of the screen. [Which kind of negates the use of a portrait monitor", "background as a single instance. * Wiki-Like data organization for keeping track of", "on any closed encoding for file storage, not worried about extra markup/down added", "emacs, vim, and wordgrinder to use as a word processor in a Raspbian", "google searches by emacs, vim, and wordgrinder to use as a word processor", "Check with easy to configure custom dictionaries. [Different projects will draw on different", "Switching/Grouping controls for jumping between docs and maintaining organization of 'open stuff', while", "software options that may have gotten drowned out in my google searches by", "the software insists on not using much of it, given that the majority", "in my google searches by emacs, vim, and wordgrinder to use as a", "easily \"wander away from what I'm doing\" because it never gets configured for", "for things like checking email or browsing the web. [And working on this", "closed encoding for file storage, not worried about extra markup/down added to the", "gotten drowned out in my google searches by emacs, vim, and wordgrinder to", "--- Existing software opinions: vim/emacs tends to feel like it has too much", "kind of negates the use of a portrait monitor when the software insists", "Plays nicely with a portrait monitor. Nice to haves: * Robust Spell Check", "in a Raspbian Terminal environment. The goal has been to have a 'minimal", "to extract my information with a standard text editor. * Plays nicely with", "command line environment. [System will not boot into a GUI/Windowed environment.] * Must", "being lack of tab, and keeping data entry awkwardly in the 'middle' of", "a 'minimal distraction' writing environment running on a lightweight raspberry pi configured with", "the majority of my writing is appending to file rather than editing.] ---", "'open stuff', while being able to move the whole process into the background", "of it, given that the majority of my writing is appending to file", "in the UI to work through, or I end up tinkering with configs", "and maintaining organization of 'open stuff', while being able to move the whole", "insists on not using much of it, given that the majority of my", "markup/down added to the files, but ideally would want to be able to", "with little else. A little portable laptop that I can't easily \"wander away", "wordgrinder to use as a word processor in a Raspbian Terminal environment. The", "extract my information with a standard text editor. * Plays nicely with a", "standard text editor. * Plays nicely with a portrait monitor. Nice to haves:", "can't easily \"wander away from what I'm doing\" because it never gets configured", "options that may have gotten drowned out in my google searches by emacs,", "writing. wordgrinder has a few quirks so far, with one of the biggest", "a standard text editor. * Plays nicely with a portrait monitor. Nice to", "not cross pollute projects.] * File Switching/Grouping controls for jumping between docs and", "little else. A little portable laptop that I can't easily \"wander away from", "information with a standard text editor. * Plays nicely with a portrait monitor.", "stuff', while being able to move the whole process into the background as", "data entry awkwardly in the 'middle' of the screen. [Which kind of negates", "nicely with a portrait monitor. Nice to haves: * Robust Spell Check with", "environment. The goal has been to have a 'minimal distraction' writing environment running", "or I end up tinkering with configs more than writing. wordgrinder has a", "opinions: vim/emacs tends to feel like it has too much fluff in the", "about extra markup/down added to the files, but ideally would want to be", "searches by emacs, vim, and wordgrinder to use as a word processor in", "while being able to move the whole process into the background as a", "for software options that may have gotten drowned out in my google searches", "am on the hunt for software options that may have gotten drowned out", "laptop that I can't easily \"wander away from what I'm doing\" because it", "a linux command line environment. [System will not boot into a GUI/Windowed environment.]", "[And working on this project totally hasn't been used as procrastination from actually", "actually writing...] --- Key Requirements: * Must run natively in a linux command", "of negates the use of a portrait monitor when the software insists on", "writing is appending to file rather than editing.] --- Thanks for any leads.", "of a portrait monitor when the software insists on not using much of", "to use as a word processor in a Raspbian Terminal environment. The goal", "jumping between docs and maintaining organization of 'open stuff', while being able to", "editor. * Plays nicely with a portrait monitor. Nice to haves: * Robust", "out in my google searches by emacs, vim, and wordgrinder to use as", "writing environment running on a lightweight raspberry pi configured with little else. A", "that the majority of my writing is appending to file rather than editing.]", "track of notes. --- Existing software opinions: vim/emacs tends to feel like it", "totally hasn't been used as procrastination from actually writing...] --- Key Requirements: ", "hunt for software options that may have gotten drowned out in my google", "rely on any closed encoding for file storage, not worried about extra markup/down", "goal has been to have a 'minimal distraction' writing environment running on a", "to feel like it has too much fluff in the UI to work", "storage, not worried about extra markup/down added to the files, but ideally would", "more than writing. wordgrinder has a few quirks so far, with one of", "to haves: Robust Spell Check with easy to configure custom dictionaries. [Different", "to configure custom dictionaries. [Different projects will draw on different technical jargon, sci-fi/fantasy,", "with a standard text editor. * Plays nicely with a portrait monitor. Nice", "I would rather not cross pollute projects.] * File Switching/Grouping controls for jumping", "with configs more than writing. wordgrinder has a few quirks so far, with", "GUI/Windowed environment.] * Must not rely on any closed encoding for file storage,", "checking email or browsing the web. [And working on this project totally hasn't", "text editor. * Plays nicely with a portrait monitor. Nice to haves: ", "and I would rather not cross pollute projects.] File Switching/Grouping controls for", "notes. --- Existing software opinions: vim/emacs tends to feel like it has too", "a single instance. * Wiki-Like data organization for keeping track of notes. ---", "a portrait monitor when the software insists on not using much of it,", "use of a portrait monitor when the software insists on not using much", "I'm doing\" because it never gets configured for things like checking email or", "UI to work through, or I end up tinkering with configs more than", "work through, or I end up tinkering with configs more than writing. wordgrinder", "the web. [And working on this project totally hasn't been used as procrastination", "portrait monitor. Nice to haves: * Robust Spell Check with easy to configure", "the hunt for software options that may have gotten drowned out in my", "the files, but ideally would want to be able to extract my information", "Existing software opinions: vim/emacs tends to feel like it has too much fluff", "word processor in a Raspbian Terminal environment. The goal has been to have", "because it never gets configured for things like checking email or browsing the", "been used as procrastination from actually writing...] --- Key Requirements: * Must run", "into a GUI/Windowed environment.] * Must not rely on any closed encoding for", "software insists on not using much of it, given that the majority of", "the background as a single instance. * Wiki-Like data organization for keeping track", "with one of the biggest being lack of tab, and keeping data entry", "a Raspbian Terminal environment. The goal has been to have a 'minimal distraction'", "files, but ideally would want to be able to extract my information with", "added to the files, but ideally would want to be able to extract", "web. [And working on this project totally hasn't been used as procrastination from", "and wordgrinder to use as a word processor in a Raspbian Terminal environment.", "little portable laptop that I can't easily \"wander away from what I'm doing\"", "lack of tab, and keeping data entry awkwardly in the 'middle' of the", "quirks so far, with one of the biggest being lack of tab, and", "software opinions: vim/emacs tends to feel like it has too much fluff in", "entry awkwardly in the 'middle' of the screen. [Which kind of negates the", "that I can't easily \"wander away from what I'm doing\" because it never", "pi configured with little else. A little portable laptop that I can't easily", "lightweight raspberry pi configured with little else. A little portable laptop that I", "encoding for file storage, not worried about extra markup/down added to the files,", "screen. [Which kind of negates the use of a portrait monitor when the", "Robust Spell Check with easy to configure custom dictionaries. [Different projects will draw", "I end up tinkering with configs more than writing. wordgrinder has a few", "tinkering with configs more than writing. wordgrinder has a few quirks so far,", "running on a lightweight raspberry pi configured with little else. A little portable", "organization for keeping track of notes. --- Existing software opinions: vim/emacs tends to", "projects.] * File Switching/Grouping controls for jumping between docs and maintaining organization of", "move the whole process into the background as a single instance. * Wiki-Like", "tab, and keeping data entry awkwardly in the 'middle' of the screen. [Which", "on a lightweight raspberry pi configured with little else. A little portable laptop", "wordgrinder has a few quirks so far, with one of the biggest being", "of tab, and keeping data entry awkwardly in the 'middle' of the screen.", "so far, with one of the biggest being lack of tab, and keeping", "the UI to work through, or I end up tinkering with configs more", "easy to configure custom dictionaries. [Different projects will draw on different technical jargon,", "the whole process into the background as a single instance. * Wiki-Like data", "end up tinkering with configs more than writing. wordgrinder has a few quirks", "has too much fluff in the UI to work through, or I end", "may have gotten drowned out in my google searches by emacs, vim, and", "in the 'middle' of the screen. [Which kind of negates the use of", "on not using much of it, given that the majority of my writing", "'middle' of the screen. [Which kind of negates the use of a portrait", "want to be able to extract my information with a standard text editor.", "environment running on a lightweight raspberry pi configured with little else. A little", "whole process into the background as a single instance. * Wiki-Like data organization", "jargon, sci-fi/fantasy, etc, and I would rather not cross pollute projects.] * File", "* Robust Spell Check with easy to configure custom dictionaries. [Different projects will", "this project totally hasn't been used as procrastination from actually writing...] --- Key", "not boot into a GUI/Windowed environment.] * Must not rely on any closed", "Requirements: * Must run natively in a linux command line environment. [System will", "The goal has been to have a 'minimal distraction' writing environment running on", "with easy to configure custom dictionaries. [Different projects will draw on different technical", "by emacs, vim, and wordgrinder to use as a word processor in a", "majority of my writing is appending to file rather than editing.] --- Thanks", "it never gets configured for things like checking email or browsing the web.", "be able to extract my information with a standard text editor. * Plays", "have a 'minimal distraction' writing environment running on a lightweight raspberry pi configured", "Key Requirements: * Must run natively in a linux command line environment. [System", "will not boot into a GUI/Windowed environment.] * Must not rely on any", "for keeping track of notes. --- Existing software opinions: vim/emacs tends to feel", "use as a word processor in a Raspbian Terminal environment. The goal has", "not using much of it, given that the majority of my writing is", "gets configured for things like checking email or browsing the web. [And working", "extra markup/down added to the files, but ideally would want to be able", "to the files, but ideally would want to be able to extract my", "like it has too much fluff in the UI to work through, or", "like checking email or browsing the web. [And working on this project totally", "to have a 'minimal distraction' writing environment running on a lightweight raspberry pi", "using much of it, given that the majority of my writing is appending", "the screen. [Which kind of negates the use of a portrait monitor when", "configured for things like checking email or browsing the web. [And working on", "a word processor in a Raspbian Terminal environment. The goal has been to", "that may have gotten drowned out in my google searches by emacs, vim,", "procrastination from actually writing...] --- Key Requirements: * Must run natively in a", "not rely on any closed encoding for file storage, not worried about extra", "has a few quirks so far, with one of the biggest being lack", "monitor when the software insists on not using much of it, given that", "keeping track of notes. --- Existing software opinions: vim/emacs tends to feel like", "will draw on different technical jargon, sci-fi/fantasy, etc, and I would rather not", "process into the background as a single instance. * Wiki-Like data organization for", "have gotten drowned out in my google searches by emacs, vim, and wordgrinder", "portable laptop that I can't easily \"wander away from what I'm doing\" because", "the biggest being lack of tab, and keeping data entry awkwardly in the", "of the biggest being lack of tab, and keeping data entry awkwardly in", "being able to move the whole process into the background as a single", "Must not rely on any closed encoding for file storage, not worried about", "Must run natively in a linux command line environment. [System will not boot", "drowned out in my google searches by emacs, vim, and wordgrinder to use", "any closed encoding for file storage, not worried about extra markup/down added to", "away from what I'm doing\" because it never gets configured for things like", "of my writing is appending to file rather than editing.] --- Thanks for", "biggest being lack of tab, and keeping data entry awkwardly in the 'middle'", "rather not cross pollute projects.] * File Switching/Grouping controls for jumping between docs", "pollute projects.] * File Switching/Grouping controls for jumping between docs and maintaining organization", "Wiki-Like data organization for keeping track of notes. --- Existing software opinions: vim/emacs", "used as procrastination from actually writing...] --- Key Requirements: * Must run natively", "technical jargon, sci-fi/fantasy, etc, and I would rather not cross pollute projects.] ", "line environment. [System will not boot into a GUI/Windowed environment.] Must not", "* Wiki-Like data organization for keeping track of notes. --- Existing software opinions:", "I am on the hunt for software options that may have gotten drowned", "able to extract my information with a standard text editor. * Plays nicely", "projects will draw on different technical jargon, sci-fi/fantasy, etc, and I would rather", "it has too much fluff in the UI to work through, or I", "configure custom dictionaries. [Different projects will draw on different technical jargon, sci-fi/fantasy, etc,", "* Must not rely on any closed encoding for file storage, not worried", "as procrastination from actually writing...] --- Key Requirements: * Must run natively in", "when the software insists on not using much of it, given that the", "few quirks so far, with one of the biggest being lack of tab,", "data organization for keeping track of notes. --- Existing software opinions: vim/emacs tends", "much of it, given that the majority of my writing is appending to", "would rather not cross pollute projects.] * File Switching/Grouping controls for jumping between", "environment. [System will not boot into a GUI/Windowed environment.] * Must not rely", "for file storage, not worried about extra markup/down added to the files, but", "vim/emacs tends to feel like it has too much fluff in the UI", "different technical jargon, sci-fi/fantasy, etc, and I would rather not cross pollute projects.]", "fluff in the UI to work through, or I end up tinkering with", "has been to have a 'minimal distraction' writing environment running on a lightweight", "far, with one of the biggest being lack of tab, and keeping data", "to work through, or I end up tinkering with configs more than writing.", "browsing the web. [And working on this project totally hasn't been used as", "writing...] --- Key Requirements: * Must run natively in a linux command line", "a lightweight raspberry pi configured with little else. A little portable laptop that", "in a linux command line environment. [System will not boot into a GUI/Windowed", "custom dictionaries. [Different projects will draw on different technical jargon, sci-fi/fantasy, etc, and", "on different technical jargon, sci-fi/fantasy, etc, and I would rather not cross pollute" ]
[ "subtleties in Swedish than in English. Does anyone have experience writing in a", "in my life has been short stories given as writing tasks in school.", "start writing for real since I've managed to think of an outline to", "as writing tasks in school. However, I've always enjoyed reading/watching/experiencing fiction and for", "opportunities at getting feedback on my work than writing in Swedish, which is", "work than writing in Swedish, which is my native language. On the other", "much for it to be worth the trouble? Should I try something along", "for real since I've managed to think of an outline to a story", "a smaller risk that I make subtle syntax-based errors in my prose since", "my own work(s) of fiction. After some hesitation, I feel like it is", "I'm not a native English speaker, but I feel like writing in English", "always enjoyed reading/watching/experiencing fiction and for the last few years I've slowly gotten", "more and more attracted to the idea of writing my own work(s) of", "much stronger intuitive grasp of subtleties in Swedish than in English. Does anyone", "However, I've always enjoyed reading/watching/experiencing fiction and for the last few years I've", "and for the last few years I've slowly gotten more and more attracted", "years I've slowly gotten more and more attracted to the idea of writing", "stories given as writing tasks in school. However, I've always enjoyed reading/watching/experiencing fiction", "own work(s) of fiction. After some hesitation, I feel like it is finally", "an outline to a story that seems like it would be really fun", "attracted to the idea of writing my own work(s) of fiction. After some", "Swedish, which is my native language. On the other hand, if I write", "I feel like it is finally time for me to start writing for", "to a story that seems like it would be really fun to write.", "since I have a much stronger intuitive grasp of subtleties in Swedish than", "one? Is it feasible, or does the quality of the prose suffer too", "be really fun to write. But before I start writing there is a", "to start writing for real since I've managed to think of an outline", "should I write the story in? I'm not a native English speaker, but", "I make subtle syntax-based errors in my prose since I have a much", "Does anyone have experience writing in a different language than their native one?", "story that seems like it would be really fun to write. But before", "the prose suffer too much for it to be worth the trouble? Should", "quality of the prose suffer too much for it to be worth the", "tasks in school. However, I've always enjoyed reading/watching/experiencing fiction and for the last", "of writing my story in Swedish and then if I have trouble finding", "I've always enjoyed reading/watching/experiencing fiction and for the last few years I've slowly", "finally time for me to start writing for real since I've managed to", "or does the quality of the prose suffer too much for it to", "I've slowly gotten more and more attracted to the idea of writing my", "writing in a different language than their native one? Is it feasible, or", "is finally time for me to start writing for real since I've managed", "my life has been short stories given as writing tasks in school. However,", "my story in Swedish and then if I have trouble finding test readers/writing", "grasp of subtleties in Swedish than in English. Does anyone have experience writing", "but I feel like writing in English would give me better opportunities at", "story in Swedish and then if I have trouble finding test readers/writing groups", "the trouble? Should I try something along the lines of writing my story", "than in English. Does anyone have experience writing in a different language than", "to write. But before I start writing there is a decision to be", "different language than their native one? Is it feasible, or does the quality", "is a decision to be made: what language should I write the story", "what language should I write the story in? I'm not a native English", "feel like writing in English would give me better opportunities at getting feedback", "outline to a story that seems like it would be really fun to", "writing my own work(s) of fiction. After some hesitation, I feel like it", "native English speaker, but I feel like writing in English would give me", "which is my native language. On the other hand, if I write in", "native language. On the other hand, if I write in Swedish there is", "subtle syntax-based errors in my prose since I have a much stronger intuitive", "hand, if I write in Swedish there is a smaller risk that I", "in Swedish there is a smaller risk that I make subtle syntax-based errors", "fiction and for the last few years I've slowly gotten more and more", "have experience writing in a different language than their native one? Is it", "and then if I have trouble finding test readers/writing groups for feedback I", "would be really fun to write. But before I start writing there is", "of an outline to a story that seems like it would be really", "me to start writing for real since I've managed to think of an", "few years I've slowly gotten more and more attracted to the idea of", "for me to start writing for real since I've managed to think of", "the quality of the prose suffer too much for it to be worth", "and more attracted to the idea of writing my own work(s) of fiction.", "seems like it would be really fun to write. But before I start", "a much stronger intuitive grasp of subtleties in Swedish than in English. Does", "something along the lines of writing my story in Swedish and then if", "Swedish and then if I have trouble finding test readers/writing groups for feedback", "have a much stronger intuitive grasp of subtleties in Swedish than in English.", "Swedish there is a smaller risk that I make subtle syntax-based errors in", "writing for real since I've managed to think of an outline to a", "story in? I'm not a native English speaker, but I feel like writing", "then if I have trouble finding test readers/writing groups for feedback I could", "been short stories given as writing tasks in school. However, I've always enjoyed", "decision to be made: what language should I write the story in? I'm", "trouble? Should I try something along the lines of writing my story in", "gotten more and more attracted to the idea of writing my own work(s)", "experience writing in a different language than their native one? Is it feasible,", "written in my life has been short stories given as writing tasks in", "English speaker, but I feel like writing in English would give me better", "speaker, but I feel like writing in English would give me better opportunities", "getting feedback on my work than writing in Swedish, which is my native", "of the fiction I've written in my life has been short stories given", "a different language than their native one? Is it feasible, or does the", "prose since I have a much stronger intuitive grasp of subtleties in Swedish", "Swedish than in English. Does anyone have experience writing in a different language", "feasible, or does the quality of the prose suffer too much for it", "than writing in Swedish, which is my native language. On the other hand,", "it to be worth the trouble? Should I try something along the lines", "that seems like it would be really fun to write. But before I", "writing my story in Swedish and then if I have trouble finding test", "too much for it to be worth the trouble? Should I try something", "of the prose suffer too much for it to be worth the trouble?", "last few years I've slowly gotten more and more attracted to the idea", "language. On the other hand, if I write in Swedish there is a", "the fiction I've written in my life has been short stories given as", "my native language. On the other hand, if I write in Swedish there", "risk that I make subtle syntax-based errors in my prose since I have", "So far, all of the fiction I've written in my life has been", "I feel like writing in English would give me better opportunities at getting", "suffer too much for it to be worth the trouble? Should I try", "a story that seems like it would be really fun to write. But", "before I start writing there is a decision to be made: what language", "I have a much stronger intuitive grasp of subtleties in Swedish than in", "idea of writing my own work(s) of fiction. After some hesitation, I feel", "I've written in my life has been short stories given as writing tasks", "be worth the trouble? Should I try something along the lines of writing", "have trouble finding test readers/writing groups for feedback I could translate it to", "be made: what language should I write the story in? I'm not a", "like it is finally time for me to start writing for real since", "language than their native one? Is it feasible, or does the quality of", "errors in my prose since I have a much stronger intuitive grasp of", "I try something along the lines of writing my story in Swedish and", "to be made: what language should I write the story in? I'm not", "is a smaller risk that I make subtle syntax-based errors in my prose", "stronger intuitive grasp of subtleties in Swedish than in English. Does anyone have", "the other hand, if I write in Swedish there is a smaller risk", "After some hesitation, I feel like it is finally time for me to", "all of the fiction I've written in my life has been short stories", "syntax-based errors in my prose since I have a much stronger intuitive grasp", "enjoyed reading/watching/experiencing fiction and for the last few years I've slowly gotten more", "real since I've managed to think of an outline to a story that", "along the lines of writing my story in Swedish and then if I", "trouble finding test readers/writing groups for feedback I could translate it to English?", "made: what language should I write the story in? I'm not a native", "life has been short stories given as writing tasks in school. However, I've", "it would be really fun to write. But before I start writing there", "worth the trouble? Should I try something along the lines of writing my", "really fun to write. But before I start writing there is a decision", "short stories given as writing tasks in school. However, I've always enjoyed reading/watching/experiencing", "slowly gotten more and more attracted to the idea of writing my own", "work(s) of fiction. After some hesitation, I feel like it is finally time", "for the last few years I've slowly gotten more and more attracted to", "has been short stories given as writing tasks in school. However, I've always", "feel like it is finally time for me to start writing for real", "I write in Swedish there is a smaller risk that I make subtle", "Should I try something along the lines of writing my story in Swedish", "other hand, if I write in Swedish there is a smaller risk that", "the lines of writing my story in Swedish and then if I have", "if I have trouble finding test readers/writing groups for feedback I could translate", "I have trouble finding test readers/writing groups for feedback I could translate it", "writing there is a decision to be made: what language should I write", "smaller risk that I make subtle syntax-based errors in my prose since I", "in? I'm not a native English speaker, but I feel like writing in", "a decision to be made: what language should I write the story in?", "in a different language than their native one? Is it feasible, or does", "write the story in? I'm not a native English speaker, but I feel", "it feasible, or does the quality of the prose suffer too much for", "writing in English would give me better opportunities at getting feedback on my", "it is finally time for me to start writing for real since I've", "in Swedish, which is my native language. On the other hand, if I", "language should I write the story in? I'm not a native English speaker,", "there is a smaller risk that I make subtle syntax-based errors in my", "my work than writing in Swedish, which is my native language. On the", "like it would be really fun to write. But before I start writing", "try something along the lines of writing my story in Swedish and then", "more attracted to the idea of writing my own work(s) of fiction. After", "school. However, I've always enjoyed reading/watching/experiencing fiction and for the last few years", "But before I start writing there is a decision to be made: what", "would give me better opportunities at getting feedback on my work than writing", "the last few years I've slowly gotten more and more attracted to the", "on my work than writing in Swedish, which is my native language. On", "far, all of the fiction I've written in my life has been short", "their native one? Is it feasible, or does the quality of the prose", "better opportunities at getting feedback on my work than writing in Swedish, which", "since I've managed to think of an outline to a story that seems", "write. But before I start writing there is a decision to be made:", "not a native English speaker, but I feel like writing in English would", "fiction. After some hesitation, I feel like it is finally time for me", "write in Swedish there is a smaller risk that I make subtle syntax-based", "make subtle syntax-based errors in my prose since I have a much stronger", "intuitive grasp of subtleties in Swedish than in English. Does anyone have experience", "is my native language. On the other hand, if I write in Swedish", "prose suffer too much for it to be worth the trouble? Should I", "think of an outline to a story that seems like it would be", "to be worth the trouble? Should I try something along the lines of", "managed to think of an outline to a story that seems like it", "in English. Does anyone have experience writing in a different language than their", "to the idea of writing my own work(s) of fiction. After some hesitation,", "English. Does anyone have experience writing in a different language than their native", "hesitation, I feel like it is finally time for me to start writing", "I write the story in? I'm not a native English speaker, but I", "I've managed to think of an outline to a story that seems like", "On the other hand, if I write in Swedish there is a smaller", "reading/watching/experiencing fiction and for the last few years I've slowly gotten more and", "start writing there is a decision to be made: what language should I", "time for me to start writing for real since I've managed to think", "the story in? I'm not a native English speaker, but I feel like", "at getting feedback on my work than writing in Swedish, which is my", "in my prose since I have a much stronger intuitive grasp of subtleties", "my prose since I have a much stronger intuitive grasp of subtleties in", "than their native one? Is it feasible, or does the quality of the", "writing tasks in school. However, I've always enjoyed reading/watching/experiencing fiction and for the", "the idea of writing my own work(s) of fiction. After some hesitation, I", "Is it feasible, or does the quality of the prose suffer too much", "there is a decision to be made: what language should I write the", "of writing my own work(s) of fiction. After some hesitation, I feel like", "in English would give me better opportunities at getting feedback on my work", "a native English speaker, but I feel like writing in English would give", "lines of writing my story in Swedish and then if I have trouble", "in school. However, I've always enjoyed reading/watching/experiencing fiction and for the last few", "writing in Swedish, which is my native language. On the other hand, if", "that I make subtle syntax-based errors in my prose since I have a", "fiction I've written in my life has been short stories given as writing", "fun to write. But before I start writing there is a decision to", "in Swedish than in English. Does anyone have experience writing in a different", "in Swedish and then if I have trouble finding test readers/writing groups for", "does the quality of the prose suffer too much for it to be", "me better opportunities at getting feedback on my work than writing in Swedish,", "native one? Is it feasible, or does the quality of the prose suffer", "anyone have experience writing in a different language than their native one? Is", "if I write in Swedish there is a smaller risk that I make", "like writing in English would give me better opportunities at getting feedback on", "to think of an outline to a story that seems like it would", "English would give me better opportunities at getting feedback on my work than", "give me better opportunities at getting feedback on my work than writing in", "feedback on my work than writing in Swedish, which is my native language.", "of subtleties in Swedish than in English. Does anyone have experience writing in", "for it to be worth the trouble? Should I try something along the", "some hesitation, I feel like it is finally time for me to start", "given as writing tasks in school. However, I've always enjoyed reading/watching/experiencing fiction and", "I start writing there is a decision to be made: what language should", "of fiction. After some hesitation, I feel like it is finally time for" ]
[ "being a plotter is better for a beginner, then once you get good", "advice from professional (or at least experienced) writers. I feel as though I", "asked my friends this question, they say being a plotter is better for", "they say being a plotter is better for a beginner, then once you", "a plotter is better for a beginner, then once you get good you", "(or at least experienced) writers. I feel as though I lean more toward", "you get good you transition to pantser. I ask here because I hope", "hope to get advice from professional (or at least experienced) writers. I feel", "as though I lean more toward panster. How do I find out which", "I lean more toward panster. How do I find out which is better", "ask here because I hope to get advice from professional (or at least", "is better for a beginner, then once you get good you transition to", "experienced) writers. I feel as though I lean more toward panster. How do", "my friends this question, they say being a plotter is better for a", "question, they say being a plotter is better for a beginner, then once", "then once you get good you transition to pantser. I ask here because", "because I hope to get advice from professional (or at least experienced) writers.", "this question, they say being a plotter is better for a beginner, then", "I hope to get advice from professional (or at least experienced) writers. I", "you transition to pantser. I ask here because I hope to get advice", "least experienced) writers. I feel as though I lean more toward panster. How", "get advice from professional (or at least experienced) writers. I feel as though", "better for a beginner, then once you get good you transition to pantser.", "transition to pantser. I ask here because I hope to get advice from", "pantser. I ask here because I hope to get advice from professional (or", "at least experienced) writers. I feel as though I lean more toward panster.", "here because I hope to get advice from professional (or at least experienced)", "for a beginner, then once you get good you transition to pantser. I", "I asked my friends this question, they say being a plotter is better", "from professional (or at least experienced) writers. I feel as though I lean", "more toward panster. How do I find out which is better for me?", "friends this question, they say being a plotter is better for a beginner,", "lean more toward panster. How do I find out which is better for", "once you get good you transition to pantser. I ask here because I", "get good you transition to pantser. I ask here because I hope to", "professional (or at least experienced) writers. I feel as though I lean more", "a beginner, then once you get good you transition to pantser. I ask", "feel as though I lean more toward panster. How do I find out", "to get advice from professional (or at least experienced) writers. I feel as", "plotter is better for a beginner, then once you get good you transition", "writers. I feel as though I lean more toward panster. How do I", "good you transition to pantser. I ask here because I hope to get", "though I lean more toward panster. How do I find out which is", "say being a plotter is better for a beginner, then once you get", "beginner, then once you get good you transition to pantser. I ask here", "I ask here because I hope to get advice from professional (or at", "to pantser. I ask here because I hope to get advice from professional", "I feel as though I lean more toward panster. **How do I find" ]
[ "close 3rd-person limited narration. (He'll be my POV character perhaps 40% of the", "on the evolving relations between Catholics, Anglicans, and other Protestant denominations in Great", "to portray them as unfiltered as I reasonably can through close 3rd-person limited", "don't want to pass judgement on it, either affirming or rejecting it, even", "necessarily have an English or Christian worldview), and (surprise!) supernatural elements. I don't", "the point, the moral, or the widely held worldview of my story, which", "(If he interprets something as a sign or a punishment, it will be", "His dogmatic beliefs shape many of his decisions, including insisting that another POV", "directly in the POV character's head, will be rather passively agnostic. * I", "experiences in life are crucial to his character and I'd like to portray", "Parliament, if I can reconcile it with the new industrial technologies I'm including.", "around the British Empire who do not necessarily have an English or Christian", "punishment, it will be ambiguous. If something magical happens, well, Catholics acknowledge the", "*What should I include or avoid in my story to ensure that the", "happens, well, Catholics acknowledge the existence of witchcraft, demons, and miracles.) Edit: (Side", "even in historical settings when everyone* was religious. Maybe it's because they run", "3rd-person limited narration. (He'll be my POV character perhaps 40% of the time.)", "books dealing with magic often avoid any mention of religion, even in historical", "or avoid in my story to ensure that the reader can empathize with", "establishing a direct dichotomous religious conflict as a theme in the book. ", "and (surprise!) supernatural elements. I don't want to pass judgement on it, either", "marriage for her family's financial security). But his religion is emphatically not the", "limited narration. (He'll be my POV character perhaps 40% of the time.) His", "avoid in my story to ensure that the reader can empathize with this", "in the directly in the POV character's head, will be rather passively agnostic.", "give him any unequivocally religious or disillusioning experiences. (If he interprets something as", "one of my main characters is a devout Catholic. His struggles with reconciling", "do not necessarily have an English or Christian worldview), and (surprise!) supernatural elements.", "main characters is a devout Catholic. His struggles with reconciling his religion and", "with her thoughts on conversion and religion as well; she's committing to the", "to 1828/9 to capture the Catholic Relief Act that might newly allow my", "the industrial revolution, scientific progress, multiculturalism (with characters from around the British Empire", "represent in passing a variety of worldviews to avoid establishing a direct dichotomous", "they run into this difficulty? In any case, I haven't found many examples", "is a devout Catholic. His struggles with reconciling his religion and his experiences", "conversion and religion as well; she's committing to the marriage for her family's", "writing a book in which one of my main characters is a devout", "I'm considering moving it to 1828/9 to capture the Catholic Relief Act that", "interprets something as a sign or a punishment, it will be ambiguous. If", "not to give him any unequivocally religious or disillusioning experiences. (If he interprets", "with actively or profoundly Christian characters that aren't \"inspirational\", preachy, or otherwise judgmental.", "intend to at least represent in passing a variety of worldviews to avoid", "the Catholic Relief Act that might newly allow my character to run for", "impacts of the industrial revolution, scientific progress, multiculturalism (with characters from around the", "protagonist convert to Catholicism before they can marry (and I will therefore have", "unequivocally religious or disillusioning experiences. (If he interprets something as a sign or", "below: Yes, this is set in early-mid 19th c. England-- probably 1840/1, but", "(with characters from around the British Empire who do not necessarily have an", "profoundly Christian characters that aren't \"inspirational\", preachy, or otherwise judgmental. What should I", "am either evangelizing or sending anti-religious messages?* What I've got so far: ", "aware of it. Many books dealing with magic often avoid any mention of", "probably 1840/1, but I'm considering moving it to 1828/9 to capture the Catholic", "ensure that the reader can empathize with this protagonist but not feel that", "or the widely held worldview of my story, which also explores the impacts", "book. I also currently intend not to give him any unequivocally religious", "or profoundly Christian characters that aren't \"inspirational\", preachy, or otherwise judgmental. What should", "in life are crucial to his character and I'd like to portray them", "characters that aren't \"inspirational\", preachy, or otherwise judgmental. What should I include or", "in my story to ensure that the reader can empathize with this protagonist", "the existence of witchcraft, demons, and miracles.) Edit: (Side note, since it's a", "rejecting it, even as I allow for the existence of magic and he", "to avoid establishing a direct dichotomous religious conflict as a theme in the", "dichotomous religious conflict as a theme in the book. * I also currently", "reader can empathize with this protagonist but not feel that I am either", "or sending anti-religious messages?** What I've got so far: * My narrative voice,", "that another POV protagonist convert to Catholicism before they can marry (and I", "everyone was religious. Maybe it's because they run into this difficulty? In any", "them as unfiltered as I reasonably can through close 3rd-person limited narration. (He'll", "considering moving it to 1828/9 to capture the Catholic Relief Act that might", "scientific progress, multiculturalism (with characters from around the British Empire who do not", "What I've got so far: * My narrative voice, when it isn't in", "a sign or a punishment, it will be ambiguous. If something magical happens,", "will therefore have to reckon with her thoughts on conversion and religion as", "between Catholics, Anglicans, and other Protestant denominations in Great Britain and the Empire.)", "run into this difficulty? In any case, I haven't found many examples of", "something magical happens, well, Catholics acknowledge the existence of witchcraft, demons, and miracles.)", "of the time.) His dogmatic beliefs shape many of his decisions, including insisting", "be rather passively agnostic. * I currently intend to at least represent in", "in historical settings when everyone was religious. Maybe it's because they run into", "intend not to give him any unequivocally religious or disillusioning experiences. (If he", "unfiltered as I reasonably can through close 3rd-person limited narration. (He'll be my", "his religion is emphatically not the point, the moral, or the widely held", "worldview of my story, which also explores the impacts of the industrial revolution,", "religion and his experiences in life are crucial to his character and I'd", "theme in the book. * I also currently intend not to give him", "a theme in the book. * I also currently intend not to give", "through close 3rd-person limited narration. (He'll be my POV character perhaps 40% of", "do I really need railroads?) I've been doing my homework on the evolving", "also explores the impacts of the industrial revolution, scientific progress, multiculturalism (with characters", "not feel that I am either evangelizing or sending anti-religious messages?** What I've", "worldviews to avoid establishing a direct dichotomous religious conflict as a theme in", "elements. I don't want to pass judgement on it, either affirming or rejecting", "moral, or the widely held worldview of my story, which also explores the", "the existence of magic and he becomes aware of it. Many books dealing", "experiences. (If he interprets something as a sign or a punishment, it will", "it's a topic of interest below: Yes, this is set in early-mid 19th", "in the book. * I also currently intend not to give him any", "(surprise!) supernatural elements. I don't want to pass judgement on it, either affirming", "am writing a book in which one of my main characters is a", "family's financial security). But his religion is emphatically not the point, the moral,", "not the point, the moral, or the widely held worldview of my story,", "a variety of worldviews to avoid establishing a direct dichotomous religious conflict as", "note, since it's a topic of interest below: Yes, this is set in", "got so far: * My narrative voice, when it isn't in the directly", "* I also currently intend not to give him any unequivocally religious or", "miracles.) Edit: (Side note, since it's a topic of interest below: Yes, this", "which also explores the impacts of the industrial revolution, scientific progress, multiculturalism (with", "emphatically not the point, the moral, or the widely held worldview of my", "to capture the Catholic Relief Act that might newly allow my character to", "as I allow for the existence of magic and he becomes aware of", "variety of worldviews to avoid establishing a direct dichotomous religious conflict as a", "* I currently intend to at least represent in passing a variety of", "Relief Act that might newly allow my character to run for Parliament, if", "I've got so far: * My narrative voice, when it isn't in the", "a direct dichotomous religious conflict as a theme in the book. * I", "currently intend not to give him any unequivocally religious or disillusioning experiences. (If", "that aren't \"inspirational\", preachy, or otherwise judgmental. *What should I include or avoid", "should I include or avoid in my story to ensure that the reader", "convert to Catholicism before they can marry (and I will therefore have to", "into this difficulty? In any case, I haven't found many examples of books", "before they can marry (and I will therefore have to reckon with her", "religion, even in historical settings when everyone* was religious. Maybe it's because they", "character to run for Parliament, if I can reconcile it with the new", "worldview), and (surprise!) supernatural elements. I don't want to pass judgement on it,", "examples of books with actively or profoundly Christian characters that aren't \"inspirational\", preachy,", "book in which one of my main characters is a devout Catholic. His", "want to pass judgement on it, either affirming or rejecting it, even as", "to give him any unequivocally religious or disillusioning experiences. (If he interprets something", "my main characters is a devout Catholic. His struggles with reconciling his religion", "can through close 3rd-person limited narration. (He'll be my POV character perhaps 40%", "need railroads?) I've been doing my homework on the evolving relations between Catholics,", "preachy, or otherwise judgmental. What should I include or avoid in my story", "relations between Catholics, Anglicans, and other Protestant denominations in Great Britain and the", "sending anti-religious messages? What I've got so far: * My narrative voice, when", "far: * My narrative voice, when it isn't in the directly in the", "many of his decisions, including insisting that another POV protagonist convert to Catholicism", "with magic often avoid any mention of religion, even in historical settings when", "judgement on it, either affirming or rejecting it, even as I allow for", "haven't found many examples of books with actively or profoundly Christian characters that", "it's because they run into this difficulty? In any case, I haven't found", "Act that might newly allow my character to run for Parliament, if I", "a book in which one of my main characters is a devout Catholic.", "include or avoid in my story to ensure that the reader can empathize", "My narrative voice, when it isn't in the directly in the POV character's", "demons, and miracles.) Edit: (Side note, since it's a topic of interest below:", "but not feel that I am either evangelizing or sending anti-religious messages?** What", "for her family's financial security). But his religion is emphatically not the point,", "rather passively agnostic. * I currently intend to at least represent in passing", "I am writing a book in which one of my main characters is", "a devout Catholic. His struggles with reconciling his religion and his experiences in", "magical happens, well, Catholics acknowledge the existence of witchcraft, demons, and miracles.) Edit:", "narration. (He'll be my POV character perhaps 40% of the time.) His dogmatic", "English or Christian worldview), and (surprise!) supernatural elements. I don't want to pass", "disillusioning experiences. (If he interprets something as a sign or a punishment, it", "she's committing to the marriage for her family's financial security). But his religion", "an English or Christian worldview), and (surprise!) supernatural elements. I don't want to", "it will be ambiguous. If something magical happens, well, Catholics acknowledge the existence", "homework on the evolving relations between Catholics, Anglicans, and other Protestant denominations in", "reconciling his religion and his experiences in life are crucial to his character", "therefore have to reckon with her thoughts on conversion and religion as well;", "not necessarily have an English or Christian worldview), and (surprise!) supernatural elements. I", "like to portray them as unfiltered as I reasonably can through close 3rd-person", "portray them as unfiltered as I reasonably can through close 3rd-person limited narration.", "the impacts of the industrial revolution, scientific progress, multiculturalism (with characters from around", "characters from around the British Empire who do not necessarily have an English", "the new industrial technologies I'm including. (E.g., do I really need railroads?) I've", "moving it to 1828/9 to capture the Catholic Relief Act that might newly", "in early-mid 19th c. England-- probably 1840/1, but I'm considering moving it to", "1840/1, but I'm considering moving it to 1828/9 to capture the Catholic Relief", "or a punishment, it will be ambiguous. If something magical happens, well, Catholics", "witchcraft, demons, and miracles.) Edit: (Side note, since it's a topic of interest", "POV protagonist convert to Catholicism before they can marry (and I will therefore", "this protagonist but not feel that I am either evangelizing or sending anti-religious", "reasonably can through close 3rd-person limited narration. (He'll be my POV character perhaps", "magic often avoid any mention of religion, even in historical settings when everyone", "with this protagonist but not feel that I am either evangelizing or sending", "my story to ensure that the reader can empathize with this protagonist but", "that might newly allow my character to run for Parliament, if I can", "shape many of his decisions, including insisting that another POV protagonist convert to", "devout Catholic. His struggles with reconciling his religion and his experiences in life", "can marry (and I will therefore have to reckon with her thoughts on", "progress, multiculturalism (with characters from around the British Empire who do not necessarily", "his character and I'd like to portray them as unfiltered as I reasonably", "direct dichotomous religious conflict as a theme in the book. * I also", "insisting that another POV protagonist convert to Catholicism before they can marry (and", "His struggles with reconciling his religion and his experiences in life are crucial", "will be ambiguous. If something magical happens, well, Catholics acknowledge the existence of", "point, the moral, or the widely held worldview of my story, which also", "of interest below: Yes, this is set in early-mid 19th c. England-- probably", "industrial technologies I'm including. (E.g., do I really need railroads?) I've been doing", "to pass judgement on it, either affirming or rejecting it, even as I", "and his experiences in life are crucial to his character and I'd like", "with reconciling his religion and his experiences in life are crucial to his", "multiculturalism (with characters from around the British Empire who do not necessarily have", "judgmental. *What should I include or avoid in my story to ensure that", "perhaps 40% of the time.) His dogmatic beliefs shape many of his decisions,", "religion is emphatically not the point, the moral, or the widely held worldview", "newly allow my character to run for Parliament, if I can reconcile it", "which one of my main characters is a devout Catholic. His struggles with", "the book. I also currently intend not to give him any unequivocally", "or otherwise judgmental. *What should I include or avoid in my story to", "the directly in the POV character's head, will be rather passively agnostic. ", "acknowledge the existence of witchcraft, demons, and miracles.) Edit: (Side note, since it's", "well; she's committing to the marriage for her family's financial security). But his", "his experiences in life are crucial to his character and I'd like to", "avoid any mention of religion, even in historical settings when everyone was religious.", "run for Parliament, if I can reconcile it with the new industrial technologies", "currently intend to at least represent in passing a variety of worldviews to", "decisions, including insisting that another POV protagonist convert to Catholicism before they can", "40% of the time.) His dogmatic beliefs shape many of his decisions, including", "her family's financial security). But his religion is emphatically not the point, the", "can reconcile it with the new industrial technologies I'm including. (E.g., do I", "beliefs shape many of his decisions, including insisting that another POV protagonist convert", "something as a sign or a punishment, it will be ambiguous. If something", "Maybe it's because they run into this difficulty? In any case, I haven't", "revolution, scientific progress, multiculturalism (with characters from around the British Empire who do", "new industrial technologies I'm including. (E.g., do I really need railroads?) I've been", "voice, when it isn't in the directly in the POV character's head, will", "when everyone was religious. Maybe it's because they run into this difficulty? In", "this difficulty? In any case, I haven't found many examples of books with", "religious. Maybe it's because they run into this difficulty? In any case, I", "difficulty? In any case, I haven't found many examples of books with actively", "magic and he becomes aware of it. Many books dealing with magic often", "I'd like to portray them as unfiltered as I reasonably can through close", "be my POV character perhaps 40% of the time.) His dogmatic beliefs shape", "because they run into this difficulty? In any case, I haven't found many", "books with actively or profoundly Christian characters that aren't \"inspirational\", preachy, or otherwise", "as well; she's committing to the marriage for her family's financial security). But", "I currently intend to at least represent in passing a variety of worldviews", "are crucial to his character and I'd like to portray them as unfiltered", "ambiguous. If something magical happens, well, Catholics acknowledge the existence of witchcraft, demons,", "have to reckon with her thoughts on conversion and religion as well; she's", "might newly allow my character to run for Parliament, if I can reconcile", "reconcile it with the new industrial technologies I'm including. (E.g., do I really", "of my main characters is a devout Catholic. His struggles with reconciling his", "so far: * My narrative voice, when it isn't in the directly in", "is set in early-mid 19th c. England-- probably 1840/1, but I'm considering moving", "early-mid 19th c. England-- probably 1840/1, but I'm considering moving it to 1828/9", "dogmatic beliefs shape many of his decisions, including insisting that another POV protagonist", "the time.) His dogmatic beliefs shape many of his decisions, including insisting that", "POV character's head, will be rather passively agnostic. * I currently intend to", "topic of interest below: Yes, this is set in early-mid 19th c. England--", "interest below: Yes, this is set in early-mid 19th c. England-- probably 1840/1,", "existence of witchcraft, demons, and miracles.) Edit: (Side note, since it's a topic", "any mention of religion, even in historical settings when everyone was religious. Maybe", "Christian worldview), and (surprise!) supernatural elements. I don't want to pass judgement on", "c. England-- probably 1840/1, but I'm considering moving it to 1828/9 to capture", "(and I will therefore have to reckon with her thoughts on conversion and", "I really need railroads?) I've been doing my homework on the evolving relations", "I am either evangelizing or sending anti-religious messages?** What I've got so far:", "of books with actively or profoundly Christian characters that aren't \"inspirational\", preachy, or", "found many examples of books with actively or profoundly Christian characters that aren't", "reckon with her thoughts on conversion and religion as well; she's committing to", "In any case, I haven't found many examples of books with actively or", "allow for the existence of magic and he becomes aware of it. Many", "Yes, this is set in early-mid 19th c. England-- probably 1840/1, but I'm", "the widely held worldview of my story, which also explores the impacts of", "security). But his religion is emphatically not the point, the moral, or the", "historical settings when everyone was religious. Maybe it's because they run into this", "otherwise judgmental. What should I include or avoid in my story to ensure", "I include or avoid in my story to ensure that the reader can", "Christian characters that aren't \"inspirational\", preachy, or otherwise judgmental. What should I include", "narrative voice, when it isn't in the directly in the POV character's head,", "or disillusioning experiences. (If he interprets something as a sign or a punishment,", "another POV protagonist convert to Catholicism before they can marry (and I will", "was religious. Maybe it's because they run into this difficulty? In any case,", "doing my homework on the evolving relations between Catholics, Anglicans, and other Protestant", "life are crucial to his character and I'd like to portray them as", "really need railroads?) I've been doing my homework on the evolving relations between", "Catholic. His struggles with reconciling his religion and his experiences in life are", "as a theme in the book. * I also currently intend not to", "to at least represent in passing a variety of worldviews to avoid establishing", "he becomes aware of it. Many books dealing with magic often avoid any", "thoughts on conversion and religion as well; she's committing to the marriage for", "it, even as I allow for the existence of magic and he becomes", "either affirming or rejecting it, even as I allow for the existence of", "POV character perhaps 40% of the time.) His dogmatic beliefs shape many of", "story, which also explores the impacts of the industrial revolution, scientific progress, multiculturalism", "have an English or Christian worldview), and (surprise!) supernatural elements. I don't want", "they can marry (and I will therefore have to reckon with her thoughts", "I've been doing my homework on the evolving relations between Catholics, Anglicans, and", "feel that I am either evangelizing or sending anti-religious messages?** What I've got", "I don't want to pass judgement on it, either affirming or rejecting it,", "to the marriage for her family's financial security). But his religion is emphatically", "dealing with magic often avoid any mention of religion, even in historical settings", "industrial revolution, scientific progress, multiculturalism (with characters from around the British Empire who", "often avoid any mention of religion, even in historical settings when everyone was", "in passing a variety of worldviews to avoid establishing a direct dichotomous religious", "Empire who do not necessarily have an English or Christian worldview), and (surprise!)", "I haven't found many examples of books with actively or profoundly Christian characters", "affirming or rejecting it, even as I allow for the existence of magic", "the British Empire who do not necessarily have an English or Christian worldview),", "and he becomes aware of it. Many books dealing with magic often avoid", "evangelizing or sending anti-religious messages?** What I've got so far: * My narrative", "Catholics acknowledge the existence of witchcraft, demons, and miracles.) Edit: (Side note, since", "as unfiltered as I reasonably can through close 3rd-person limited narration. (He'll be", "on conversion and religion as well; she's committing to the marriage for her", "and religion as well; she's committing to the marriage for her family's financial", "(Side note, since it's a topic of interest below: Yes, this is set", "as a sign or a punishment, it will be ambiguous. If something magical", "story to ensure that the reader can empathize with this protagonist but not", "also currently intend not to give him any unequivocally religious or disillusioning experiences.", "even as I allow for the existence of magic and he becomes aware", "England-- probably 1840/1, but I'm considering moving it to 1828/9 to capture the", "when it isn't in the directly in the POV character's head, will be", "religious conflict as a theme in the book. * I also currently intend", "I also currently intend not to give him any unequivocally religious or disillusioning", "since it's a topic of interest below: Yes, this is set in early-mid", "technologies I'm including. (E.g., do I really need railroads?) I've been doing my", "my homework on the evolving relations between Catholics, Anglicans, and other Protestant denominations", "capture the Catholic Relief Act that might newly allow my character to run", "religion as well; she's committing to the marriage for her family's financial security).", "the evolving relations between Catholics, Anglicans, and other Protestant denominations in Great Britain", "If something magical happens, well, Catholics acknowledge the existence of witchcraft, demons, and", "on it, either affirming or rejecting it, even as I allow for the", "marry (and I will therefore have to reckon with her thoughts on conversion", "of my story, which also explores the impacts of the industrial revolution, scientific", "from around the British Empire who do not necessarily have an English or", "protagonist but not feel that I am either evangelizing or sending anti-religious messages?*", "head, will be rather passively agnostic. I currently intend to at least", "widely held worldview of my story, which also explores the impacts of the", "and I'd like to portray them as unfiltered as I reasonably can through", "pass judgement on it, either affirming or rejecting it, even as I allow", "crucial to his character and I'd like to portray them as unfiltered as", "can empathize with this protagonist but not feel that I am either evangelizing", "a topic of interest below: Yes, this is set in early-mid 19th c.", "religious or disillusioning experiences. (If he interprets something as a sign or a", "to run for Parliament, if I can reconcile it with the new industrial", "him any unequivocally religious or disillusioning experiences. (If he interprets something as a", "the POV character's head, will be rather passively agnostic. * I currently intend", "struggles with reconciling his religion and his experiences in life are crucial to", "time.) His dogmatic beliefs shape many of his decisions, including insisting that another", "to his character and I'd like to portray them as unfiltered as I", "this is set in early-mid 19th c. England-- probably 1840/1, but I'm considering", "if I can reconcile it with the new industrial technologies I'm including. (E.g.,", "held worldview of my story, which also explores the impacts of the industrial", "character's head, will be rather passively agnostic. * I currently intend to at", "his religion and his experiences in life are crucial to his character and", "supernatural elements. I don't want to pass judgement on it, either affirming or", "to ensure that the reader can empathize with this protagonist but not feel", "least represent in passing a variety of worldviews to avoid establishing a direct", "(E.g., do I really need railroads?) I've been doing my homework on the", "of it. Many books dealing with magic often avoid any mention of religion,", "allow my character to run for Parliament, if I can reconcile it with", "railroads?) I've been doing my homework on the evolving relations between Catholics, Anglicans,", "conflict as a theme in the book. * I also currently intend not", "is emphatically not the point, the moral, or the widely held worldview of", "character and I'd like to portray them as unfiltered as I reasonably can", "But his religion is emphatically not the point, the moral, or the widely", "many examples of books with actively or profoundly Christian characters that aren't \"inspirational\",", "passively agnostic. * I currently intend to at least represent in passing a", "the reader can empathize with this protagonist but not feel that I am", "who do not necessarily have an English or Christian worldview), and (surprise!) supernatural", "to Catholicism before they can marry (and I will therefore have to reckon", "of the industrial revolution, scientific progress, multiculturalism (with characters from around the British", "of magic and he becomes aware of it. Many books dealing with magic", "it. Many books dealing with magic often avoid any mention of religion, even", "anti-religious messages?** What I've got so far: * My narrative voice, when it", "either evangelizing or sending anti-religious messages?** What I've got so far: * My", "my POV character perhaps 40% of the time.) His dogmatic beliefs shape many", "my story, which also explores the impacts of the industrial revolution, scientific progress,", "\"inspirational\", preachy, or otherwise judgmental. *What should I include or avoid in my", "avoid establishing a direct dichotomous religious conflict as a theme in the book.", "isn't in the directly in the POV character's head, will be rather passively", "agnostic. I currently intend to at least represent in passing a variety", "with the new industrial technologies I'm including. (E.g., do I really need railroads?)", "he interprets something as a sign or a punishment, it will be ambiguous.", "Edit: (Side note, since it's a topic of interest below: Yes, this is", "it to 1828/9 to capture the Catholic Relief Act that might newly allow", "committing to the marriage for her family's financial security). But his religion is", "a punishment, it will be ambiguous. If something magical happens, well, Catholics acknowledge", "I allow for the existence of magic and he becomes aware of it.", "19th c. England-- probably 1840/1, but I'm considering moving it to 1828/9 to", "sign or a punishment, it will be ambiguous. If something magical happens, well,", "for Parliament, if I can reconcile it with the new industrial technologies I'm", "I can reconcile it with the new industrial technologies I'm including. (E.g., do", "for the existence of magic and he becomes aware of it. Many books", "including insisting that another POV protagonist convert to Catholicism before they can marry", "existence of magic and he becomes aware of it. Many books dealing with", "Catholicism before they can marry (and I will therefore have to reckon with", "of witchcraft, demons, and miracles.) Edit: (Side note, since it's a topic of", "been doing my homework on the evolving relations between Catholics, Anglicans, and other", "any unequivocally religious or disillusioning experiences. (If he interprets something as a sign", "I reasonably can through close 3rd-person limited narration. (He'll be my POV character", "1828/9 to capture the Catholic Relief Act that might newly allow my character", "that I am either evangelizing or sending anti-religious messages? What I've got so", "character perhaps 40% of the time.) His dogmatic beliefs shape many of his", "messages? What I've got so far: * My narrative voice, when it isn't", "evolving relations between Catholics, Anglicans, and other Protestant denominations in Great Britain and", "as I reasonably can through close 3rd-person limited narration. (He'll be my POV", "Many books dealing with magic often avoid any mention of religion, even in", "it, either affirming or rejecting it, even as I allow for the existence", "that the reader can empathize with this protagonist but not feel that I", "passing a variety of worldviews to avoid establishing a direct dichotomous religious conflict", "financial security). But his religion is emphatically not the point, the moral, or", "Catholic Relief Act that might newly allow my character to run for Parliament,", "to reckon with her thoughts on conversion and religion as well; she's committing", "actively or profoundly Christian characters that aren't \"inspirational\", preachy, or otherwise judgmental. *What", "will be rather passively agnostic. I currently intend to at least represent", "or Christian worldview), and (surprise!) supernatural elements. I don't want to pass judgement", "the moral, or the widely held worldview of my story, which also explores", "including. (E.g., do I really need railroads?) I've been doing my homework on", "and miracles.) Edit: (Side note, since it's a topic of interest below: Yes,", "settings when everyone was religious. Maybe it's because they run into this difficulty?", "in the POV character's head, will be rather passively agnostic. * I currently", "her thoughts on conversion and religion as well; she's committing to the marriage", "be ambiguous. If something magical happens, well, Catholics acknowledge the existence of witchcraft,", "any case, I haven't found many examples of books with actively or profoundly", "it isn't in the directly in the POV character's head, will be rather", "empathize with this protagonist but not feel that I am either evangelizing or", "case, I haven't found many examples of books with actively or profoundly Christian", "* My narrative voice, when it isn't in the directly in the POV", "becomes aware of it. Many books dealing with magic often avoid any mention", "my character to run for Parliament, if I can reconcile it with the", "his decisions, including insisting that another POV protagonist convert to Catholicism before they", "I will therefore have to reckon with her thoughts on conversion and religion", "well, Catholics acknowledge the existence of witchcraft, demons, and miracles.) Edit: (Side note,", "British Empire who do not necessarily have an English or Christian worldview), and", "in which one of my main characters is a devout Catholic. His struggles", "or rejecting it, even as I allow for the existence of magic and", "at least represent in passing a variety of worldviews to avoid establishing a", "set in early-mid 19th c. England-- probably 1840/1, but I'm considering moving it", "of his decisions, including insisting that another POV protagonist convert to Catholicism before", "I'm including. (E.g., do I really need railroads?) I've been doing my homework", "explores the impacts of the industrial revolution, scientific progress, multiculturalism (with characters from", "of religion, even in historical settings when everyone was religious. Maybe it's because", "of worldviews to avoid establishing a direct dichotomous religious conflict as a theme", "mention of religion, even in historical settings when everyone was religious. Maybe it's", "(He'll be my POV character perhaps 40% of the time.) His dogmatic beliefs", "characters is a devout Catholic. His struggles with reconciling his religion and his", "the marriage for her family's financial security). But his religion is emphatically not", "it with the new industrial technologies I'm including. (E.g., do I really need", "but I'm considering moving it to 1828/9 to capture the Catholic Relief Act", "aren't \"inspirational\", preachy, or otherwise judgmental. **What should I include or avoid in" ]
[ "to a full-blown fight, rather they are more like sparring and establishing dominance.", "and under the table. How do I signal who's winning the argument? ===========================================", "show that the 3rd character is being persuaded? After the off-screen manipulations, this", "control of the 3rd character, but that motive is beneath the surface. What's", "characters are willing to compromise to get what they want. The argument isn't", "need show it reversing too. It's not really about the merits of the", "character is being persuaded? After the off-screen manipulations, this dynamic shifts back the", "\"winning\" the discussion at specific 'beats'. I've tried to compress the actual argument", "as well as to the subtext and powerplays. It's plotted so it all", "motives which muddy the power dynamics. My fear is an entire episode of", "out-of-proportion to the argument. This motive only makes sense if I can show", "argument, it's about losing control of the 3rd character, but that motive is", "that are out-of-proportion to the argument. This motive only makes sense if I", "to compress the actual argument (the points being discussed) so there's structure and", "close to the vest* and all have ulterior motives which muddy the power", "spans the whole episode. The characters are playing their cards close to the", "subtext and powerplays. It's plotted so it all makes sense (to me, the", "they are more like sparring and establishing dominance. It affirms characters motives (they", "is influencing whom, and in some cases what the characters are willing to", "who's winning the argument? =========================================== What are some unambiguous signals I can give", "show that he fears he's losing influence. It's not really about losing the", "hero senses he's losing, which motivates off-screen destructive manipulations that are out-of-proportion to", "the author) but it's still a huge wall of dialog that spans the", "sparring and establishing dominance. It affirms characters motives (they can just say* what", "signals I can give the reader to show that the 3rd character is", "like sparring and establishing dominance. It affirms characters motives (they can just say", "an entire episode of portentous talk that's all subtext and moral philosophy. I", "there's structure and progression to their positions, as well as to the subtext", "want. The argument isn't the real fight --------------------------------- My problem is a bottleneck", "show who is influencing whom, and in some cases what the characters are", "current score? ------------------------- I'm looking for ways to signal the score: who is", "the real fight --------------------------------- My problem is a bottleneck episode where the conflict", "The characters are playing their cards close to the vest and all have", "philosophy. I have a battle going on, but it's subtle and under the", "losing the argument, it's about losing control of the 3rd character, but that", "this dynamic shifts back the other way, so I need show it reversing", "lot of \"arguments\" – loose definition: long discussions where characters disagree about what", "discussed) so there's structure and progression to their positions, as well as to", "a lot of \"arguments\" – loose definition: long discussions where characters disagree about", "to do. These arguments don't escalate to a full-blown fight, rather they are", "(to me, the author) but it's still a huge wall of dialog that", "of the episode, but it's a slow burn and hints at a negative", "It's not really about the merits of the argument, it's about manipulating the", "is \"winning\" the discussion at specific 'beats'. I've tried to compress the actual", "3rd character, but that motive is beneath the surface. What's the current score?", "full-blown fight, rather they are more like sparring and establishing dominance. It affirms", "the 3rd character*, but that motive is beneath the surface. What's the current", "just say* what they want), but more importantly the arguments *show who is", "the reader to show that the 3rd character is being persuaded? After the", "argument. This motive only makes sense if I can show that he fears", "These arguments don't escalate to a full-blown fight, rather they are more like", "all subtext and moral philosophy.* I have a battle going on, but it's", "he's losing, which motivates off-screen destructive manipulations that are out-of-proportion to the argument.", "dynamic shifts back the other way, so I need show it reversing too.", "if I can show that he fears he's losing influence. It's not really", "of the argument, it's about manipulating the 3rd character – that's the whole", "power dynamics. My fear is an entire episode of portentous talk that's all", "positions, as well as to the subtext and powerplays. It's plotted so it", "really about the merits of the argument, it's about manipulating the 3rd character", "the merits of the argument, it's about manipulating the 3rd character – that's", "It's not really about losing the argument, it's about losing control of the", "conflict turns on these discussions. 2 team mates are at complete odds, trying", "manipulations that are out-of-proportion to the argument. This motive only makes sense if", "I can give the reader to show that the 3rd character is being", "and progression to their positions, as well as to the subtext and powerplays.", "a full-blown fight, rather they are more like sparring and establishing dominance. It", "subtle and under the table. How do I signal who's winning the argument?", "of \"arguments\" – loose definition: long discussions where characters disagree about what to", "more like sparring and establishing dominance. It affirms characters motives (they can just", "is an entire episode of portentous talk that's all subtext and moral philosophy.", "tried to compress the actual argument (the points being discussed) so there's structure", "Arguments, discussions, disagreements ------------------------------------- In my script I have a lot of \"arguments\"", "powerplays. It's plotted so it all makes sense (to me, the author) but", "what they want. The argument isn't the real fight --------------------------------- My problem is", "manipulations, this dynamic shifts back the other way, so I need show it", "going on, but it's subtle and under the table. How do I signal", "unambiguous signals I can give the reader to show that the 3rd character", "subtext and moral philosophy. I have a battle going on, but it's subtle", "(they can just say what they want), but more importantly the arguments *show", "the whole point by the end of the episode, but it's a slow", "wall of dialog that spans the whole episode. The characters are playing their", "arguments don't escalate to a full-blown fight, rather they are more like sparring", "they want), but more importantly the arguments show who is influencing whom, and", "by the end of the episode, but it's a slow burn and hints", "2 team mates are at complete odds, trying to convince a 3rd. My", "and in some cases what the characters are willing to compromise to get", "the argument? =========================================== What are some unambiguous signals I can give the reader", "all makes sense (to me, the author) but it's still a huge wall", "end of the episode, but it's a slow burn and hints at a", "sense (to me, the author) but it's still a huge wall of dialog", "portentous talk that's all subtext and moral philosophy.** I have a battle going", "are playing their cards close to the vest and all have ulterior motives", "argument? =========================================== What are some unambiguous signals I can give the reader to", "and all have ulterior motives which muddy the power dynamics. My fear is", "convince a 3rd. My hero senses he's losing, which motivates off-screen destructive manipulations", "the 3rd character – that's the whole point by the end of the", "a slow burn and hints at a negative character arc for the hero.", "that's all subtext and moral philosophy. I have a battle going on, but", "to convince a 3rd. My hero senses he's losing, which motivates off-screen destructive", "are at complete odds, trying to convince a 3rd. My hero senses he's", "the discussion at specific 'beats'. I've tried to compress the actual argument (the", "the other way, so I need show it reversing too. It's not really", "argument isn't the real fight --------------------------------- My problem is a bottleneck episode where", "to signal the score: who is \"winning\" the discussion at specific 'beats'. I've", "fear is an entire episode of portentous talk that's all subtext and moral", "but it's subtle and under the table. How do I signal who's winning", "he fears he's losing influence. It's not really about losing the argument, it's", "argument, it's about manipulating the 3rd character – that's the whole point by", "What are some unambiguous signals I can give the reader to show that", "character – that's the whole point by the end of the episode, but", "which muddy the power dynamics. My fear is an entire episode of portentous", "beneath the surface. What's the current score? ------------------------- I'm looking for ways to", "I have a battle going on, but it's subtle and under the table.", "which motivates off-screen destructive manipulations that are out-of-proportion to the argument. This motive", "compromise** to get what they want. The argument isn't the real fight ---------------------------------", "persuaded? After the off-screen manipulations, this dynamic shifts back the other way, so", "the off-screen manipulations, this dynamic shifts back the other way, so I need", "rather they are more like sparring and establishing dominance. It affirms characters motives", "on, but it's subtle and under the table. How do I signal who's", "the score: who is \"winning\" the discussion at specific 'beats'. I've tried to", "are willing to compromise to get what they want. The argument isn't the", "do*. These arguments don't escalate to a full-blown fight, rather they are more", "it's subtle and under the table. How do I signal who's winning the", "episode where the conflict turns on these discussions. 2 team mates are at", "characters are playing their cards close to the vest* and all have ulterior", "what they want), but more importantly the arguments show who is influencing whom,", "destructive manipulations that are out-of-proportion to the argument. This motive only makes sense", "bottleneck episode where the conflict turns on these discussions. 2 team mates are", "and establishing dominance. It affirms characters motives (they can just say what they", "the subtext and powerplays. It's plotted so it all makes sense (to me,", "------------------------- I'm looking for ways to signal the score: who is \"winning\" the", "reversing too. It's not really about the merits of the argument, it's about", "actual argument (the points being discussed) so there's structure and progression to their", "surface. What's the current score? ------------------------- I'm looking for ways to signal the", "discussion at specific 'beats'. I've tried to compress the actual argument (the points", "signal the score: who is \"winning\" the discussion at specific 'beats'. I've tried", "who is \"winning\" the discussion at specific 'beats'. I've tried to compress the", "influencing whom, and in some cases what the characters are willing to compromise*", "can just say* what they want), but more importantly the arguments show who", "entire episode of portentous talk that's all subtext and moral philosophy. I have", "way, so I need show it reversing too. It's not really about the", "3rd character is being persuaded? After the off-screen manipulations, this dynamic shifts back", "of dialog that spans the whole episode. The characters are playing their cards", "to the vest and all have ulterior motives which muddy the power dynamics.", "=========================================== What are some unambiguous signals I can give the reader to show", "ulterior motives which muddy the power dynamics. My fear is an entire episode", "where characters disagree about what to do. These arguments don't escalate to a", "table. How do I signal who's winning the argument? =========================================== What are some", "the surface. What's the current score? ------------------------- I'm looking for ways to signal", "In my script I have a lot of \"arguments\" – loose definition: long", "can show that he fears he's losing influence. It's not really about losing", "are some unambiguous signals I can give the reader to show that the", "do I signal who's winning the argument? =========================================== What are some unambiguous signals", "losing influence. It's not really about losing the argument, it's about losing control", "other way, so I need show it reversing too. It's not really about", "have a lot of \"arguments\" – loose definition: long discussions where characters disagree", "How do I signal who's winning the argument? =========================================== What are some unambiguous", "about manipulating the 3rd character – that's the whole point by the end", "too. It's not really about the merits of the argument, it's about manipulating", "the end of the episode, but it's a slow burn and hints at", "moral philosophy. I have a battle going on, but it's subtle and under", "characters motives (they can just say what they want), but more importantly the", "but it's still a huge wall of dialog that spans the whole episode.", "on these discussions. 2 team mates are at complete odds, trying to convince", "the current score? ------------------------- I'm looking for ways to signal the score: who", "of the 3rd character, but that motive is beneath the surface. What's the", "My problem is a bottleneck episode where the conflict turns on these discussions.", "plotted so it all makes sense (to me, the author) but it's still", "back the other way, so I need show it reversing too. It's not", "me, the author) but it's still a huge wall of dialog that spans", "------------------------------------- In my script I have a lot of \"arguments\" – loose definition:", "in some cases what the characters are willing to compromise to get what", "sense if I can show that he fears he's losing influence. It's not", "give the reader to show that the 3rd character is being persuaded? After", "compress the actual argument (the points being discussed) so there's structure and progression", "losing control of the 3rd character, but that motive is beneath the surface.", "he's losing influence. It's not really about losing the argument, it's about losing", "have a battle going on, but it's subtle and under the table. How", "point by the end of the episode, but it's a slow burn and", "characters disagree about what to do*. These arguments don't escalate to a full-blown", "battle going on, but it's subtle and under the table. How do I", "shifts back the other way, so I need show it reversing too. It's", "dialog that spans the whole episode. The characters are playing their cards close", "but it's a slow burn and hints at a negative character arc for", "I've tried to compress the actual argument (the points being discussed) so there's", "about the merits of the argument, it's about manipulating the 3rd character –", "their positions, as well as to the subtext and powerplays. It's plotted so", "cards close to the vest* and all have ulterior motives which muddy the", "script I have a lot of \"arguments\" – loose definition: long discussions where", "structure and progression to their positions, as well as to the subtext and", "as to the subtext and powerplays. It's plotted so it all makes sense", "are more like sparring and establishing dominance. It affirms characters motives (they can", "willing to compromise to get what they want. The argument isn't the real", "so it all makes sense (to me, the author) but it's still a", "winning the argument? =========================================== What are some unambiguous signals I can give the", "but that motive is beneath the surface. What's the current score? ------------------------- I'm", "It's plotted so it all makes sense (to me, the author) but it's", "they want. The argument isn't the real fight --------------------------------- My problem is a", "signal who's winning the argument? =========================================== What are some unambiguous signals I can", "episode of portentous talk that's all subtext and moral philosophy. I have a", "– that's the whole point by the end of the episode, but it's", "well as to the subtext and powerplays. It's plotted so it all makes", "the 3rd character is being persuaded? After the off-screen manipulations, this dynamic shifts", "is a bottleneck episode where the conflict turns on these discussions. 2 team", "more importantly the arguments show who is influencing whom, and in some cases", "it's about manipulating the 3rd character – that's the whole point by the", "off-screen destructive manipulations that are out-of-proportion to the argument. This motive only makes", "makes sense (to me, the author) but it's still a huge wall of", "complete odds, trying to convince a 3rd. My hero senses he's losing, which", "the power dynamics. *My fear is an entire episode of portentous talk that's", "motives (they can just say* what they want), but more importantly the arguments", "'beats'. I've tried to compress the actual argument (the points being discussed) so", "fight, rather they are more like sparring and establishing dominance. It affirms characters", "who is influencing whom, and in some cases what the characters are willing", "it reversing too. It's not really about the merits of the argument, it's", "discussions where characters disagree about what to do. These arguments don't escalate to", "only makes sense if I can show that he fears he's losing influence.", "I'm looking for ways to signal the score: who is \"winning\" the discussion", "arguments show who is influencing whom, and in some cases what the characters", "loose definition: long discussions where characters disagree about what to do. These arguments", "affirms characters motives (they can just say what they want), but more importantly", "the argument. This motive only makes sense if I can show that he", "still a huge wall of dialog that spans the whole episode. The characters", "can give the reader to show that the 3rd character is being persuaded?", "progression to their positions, as well as to the subtext and powerplays. It's", "motivates off-screen destructive manipulations that are out-of-proportion to the argument. This motive only", "fight --------------------------------- My problem is a bottleneck episode where the conflict turns on", "looking for ways to signal the score*: who is \"winning\" the discussion at", "it all makes sense (to me, the author) but it's still a huge", "episode. The characters are playing their cards close to the vest* and all", "it's still a huge wall of dialog that spans the whole episode. The", "This motive only makes sense if I can show that he fears he's", "that the 3rd character is being persuaded? After the off-screen manipulations, this dynamic", "don't escalate to a full-blown fight, rather they are more like sparring and", "have ulterior motives which muddy the power dynamics. My fear is an entire", "to get what they want. The argument isn't the real fight --------------------------------- My", "the argument, it's about manipulating the 3rd character – that's the whole point", "muddy the power dynamics. My fear is an entire episode of portentous talk", "It affirms characters motives (they can just say what they want), but more", "whole point by the end of the episode, but it's a slow burn", "all have ulterior motives which muddy the power dynamics. My fear is an", "turns on these discussions. 2 team mates are at complete odds, trying to", "merits of the argument, it's about manipulating the 3rd character – that's the", "What's the current score? ------------------------- I'm looking for ways to signal the score:", "that motive is beneath the surface. What's the current score? ------------------------- I'm looking", "what to do. These arguments don't escalate to a full-blown fight, rather they", "about losing control of the 3rd character, but that motive is beneath the", "where the conflict turns on these discussions. 2 team mates are at complete", "discussions. 2 team mates are at complete odds, trying to convince a 3rd.", "at specific 'beats'. I've tried to compress the actual argument (the points being", "long discussions where characters disagree about what to do. These arguments don't escalate", "I can show that he fears he's losing influence. It's not really about", "talk that's all subtext and moral philosophy. I have a battle going on,", "specific 'beats'. I've tried to compress the actual argument (the points being discussed)", "to show that the 3rd character is being persuaded? After the off-screen manipulations,", "dominance*. It affirms characters motives (they can just say* what they want), but", "definition: long discussions where characters disagree about what to do. These arguments don't", "the episode, but it's a slow burn and hints at a negative character", "get what they want. The argument isn't the real fight --------------------------------- My problem", "losing, which motivates off-screen destructive manipulations that are out-of-proportion to the argument. This", "(the points being discussed) so there's structure and progression to their positions, as", "trying to convince a 3rd. My hero senses he's losing, which motivates off-screen", "a bottleneck episode where the conflict turns on these discussions. 2 team mates", "being persuaded? After the off-screen manipulations, this dynamic shifts back the other way,", "My hero senses he's losing, which motivates off-screen destructive manipulations that are out-of-proportion", "the whole episode. The characters are playing their cards close to the vest", "for ways to signal the score: who is \"winning\" the discussion at specific", "to their positions, as well as to the subtext and powerplays. It's plotted", "that he fears he's losing influence. It's not really about losing the argument,", "to the subtext and powerplays. It's plotted so it all makes sense (to", "--------------------------------- My problem is a bottleneck episode where the conflict turns on these", "the table. How do I signal who's winning the argument? =========================================== What are", "some cases what the characters are willing to compromise to get what they", "team mates are at complete odds, trying to convince a 3rd. My hero", "points being discussed) so there's structure and progression to their positions, as well", "at complete odds, trying to convince a 3rd. My hero senses he's losing,", "it's about losing control of the 3rd character, but that motive is beneath", "influence. It's not really about losing the argument, it's about losing control of", "After the off-screen manipulations, this dynamic shifts back the other way, so I", "the actual argument (the points being discussed) so there's structure and progression to", "3rd character – that's the whole point by the end of the episode,", "the conflict turns on these discussions. 2 team mates are at complete odds,", "huge wall of dialog that spans the whole episode. The characters are playing", "not really about the merits of the argument, it's about manipulating the 3rd", "isn't the real fight --------------------------------- My problem is a bottleneck episode where the", "a battle going on, but it's subtle and under the table. How do", "are out-of-proportion to the argument. This motive only makes sense if I can", "about losing the argument, it's about losing control of the 3rd character, but", "so I need show it reversing too. It's not really about the merits", "3rd. My hero senses he's losing, which motivates off-screen destructive manipulations that are", "– loose definition: long discussions where characters disagree about what to do. These", "a 3rd. My hero senses he's losing, which motivates off-screen destructive manipulations that", "playing their cards close to the vest* and all have ulterior motives which", "cases what the characters are willing to compromise to get what they want.", "say what they want), but more importantly the arguments *show who is influencing", "that's the whole point by the end of the episode, but it's a", "reader to show that the 3rd character is being persuaded? After the off-screen", "motive only makes sense if I can show that he fears he's losing", "show it reversing too. It's not really about the merits of the argument,", "character, but that motive is beneath the surface. What's the current score? -------------------------", "is being persuaded? After the off-screen manipulations, this dynamic shifts back the other", "odds, trying to convince a 3rd. My hero senses he's losing, which motivates", "escalate to a full-blown fight, rather they are more like sparring and establishing", "disagree about what to do. These arguments don't escalate to a full-blown fight,", "vest and all have ulterior motives which muddy the power dynamics. My fear", "to compromise to get what they want. The argument isn't the real fight", "their cards close to the vest* and all have ulterior motives which muddy", "and powerplays. It's plotted so it all makes sense (to me, the author)", "I need show it reversing too. It's not really about the merits of", "The argument isn't the real fight --------------------------------- My problem is a bottleneck episode", "a huge wall of dialog that spans the whole episode. The characters are", "that spans the whole episode. The characters are playing their cards close to", "under the table. How do I signal who's winning the argument? =========================================== What", "what the characters are willing to compromise* to get what they want. The", "ways to signal the score: who is \"winning\" the discussion at specific 'beats'.", "so there's structure and progression to their positions, as well as to the", "the characters are willing to compromise to get what they want. The argument", "score? ------------------------- I'm looking for ways to signal the score: who is \"winning\"", "it's a slow burn and hints at a negative character arc for the", "and moral philosophy. I have a battle going on, but it's subtle and", "score: who is \"winning\" the discussion at specific 'beats'. I've tried to compress", "real fight --------------------------------- My problem is a bottleneck episode where the conflict turns", "my script I have a lot of \"arguments\" – loose definition: long discussions", "want), but more importantly the arguments show who is influencing whom, and in", "\"arguments\" – loose definition: long discussions where characters disagree about what to do.", "being discussed) so there's structure and progression to their positions, as well as", "off-screen manipulations, this dynamic shifts back the other way, so I need show", "the argument, it's about losing control of the 3rd character, but that motive", "argument (the points being discussed) so there's structure and progression to their positions,", "senses he's losing, which motivates off-screen destructive manipulations that are out-of-proportion to the", "these discussions. 2 team mates are at complete odds, trying to convince a", "disagreements ------------------------------------- In my script I have a lot of \"arguments\" – loose", "motive is beneath the surface. What's the current score? ------------------------- I'm looking for", "of portentous talk that's all subtext and moral philosophy. I have a battle", "I have a lot of \"arguments\" – loose definition: long discussions where characters", "to the argument. This motive only makes sense if I can show that", "I signal who's winning the argument? =========================================== What are some unambiguous signals I", "some unambiguous signals I can give the reader to show that the 3rd", "dynamics. My fear is an entire episode of portentous talk that's all subtext", "but more importantly the arguments show who is influencing whom, and in some", "mates are at complete odds, trying to convince a 3rd. My hero senses", "establishing dominance. It affirms characters motives (they can just say what they want),", "whom, and in some cases what the characters are willing to compromise to", "really about losing the argument, it's about losing control of the 3rd character,", "problem is a bottleneck episode where the conflict turns on these discussions. 2", "about what to do. These arguments don't escalate to a full-blown fight, rather", "not really about losing the argument, it's about losing control of the 3rd", "is beneath the surface. What's the current score? ------------------------- I'm looking for ways", "the arguments show who is influencing whom, and in some cases what the", "discussions, disagreements ------------------------------------- In my script I have a lot of \"arguments\" –", "fears he's losing influence. It's not really about losing the argument, it's about", "My fear is an entire episode of portentous talk that's all subtext and", "manipulating the 3rd character – that's the whole point by the end of", "author) but it's still a huge wall of dialog that spans the whole", "importantly the arguments show who is influencing whom, and in some cases what", "whole episode. The characters are playing their cards close to the vest and", "makes sense if I can show that he fears he's losing influence. *It's", "episode, but it's a slow burn and hints at a negative character arc", "the vest and all have ulterior motives which muddy the power dynamics. **My" ]
[ "this two, and most importantly a sense of hate. But why should I", "have some scene where the protagonist interacts with this father before he's killed?", "a stranger? Should I have some scene where the protagonist interacts with this", "situation, and I would like to create a tension between this two, and", "I hate someone that has killed a stranger? Should I have some scene", "invested about the situation, and I would like to create a tension between", "hate someone that has killed a stranger? Should I have some scene where", "the moment when the poor man is killed. Or even after that, when", "\"join\" for a while. My fear is that the reader won't feel invested", "I've considered starting exactly from the moment when the poor man is killed.", "to \"join\" for a while. My fear is that the reader won't feel", "what I would like to tell this is not important. So I've considered", "like to tell. It's about a girl and how she's forced to take", "has killed a stranger? 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But why should I hate someone that has killed a stranger?", "But why should I hate someone that has killed a stranger? Should I", "that, when the two are forced to \"join\" for a while. My fear", "details. The point is I'm not interested in the figure of her father;", "killed her father. I'll skip the details. The point is I'm not interested", "to tell this is not important. So I've considered starting exactly from the", "even after that, when the two are forced to \"join\" for a while.", "while. My fear is that the reader won't feel invested about the situation,", "like to tell this is not important. So I've considered starting exactly from", "importantly a sense of hate. But why should I hate someone that has", "someone that has killed a stranger? Should I have some scene where the", "about a girl and how she's forced to take a journey with the", "journey with the man who has just killed her father. I'll skip the", "is not important. So I've considered starting exactly from the moment when the", "feel invested about the situation, and I would like to create a tension", "this is not important. So I've considered starting exactly from the moment when", "that the reader won't feel invested about the situation, and I would like", "why should I hate someone that has killed a stranger? Should I have", "the poor man is killed. Or even after that, when the two are", "is that the reader won't feel invested about the situation, and I would", "hate. But why should I hate someone that has killed a stranger? Should", "just killed her father. I'll skip the details. The point is I'm not", "a tension between this two, and most importantly a sense of hate. But", "her father. I'll skip the details. The point is I'm not interested in", "little story I would like to tell. It's about a girl and how", "My fear is that the reader won't feel invested about the situation, and", "in the figure of her father; for what I would like to tell", "who has just killed her father. I'll skip the details. The point is", "like to create a tension between this two, and most importantly a sense", "the figure of her father; for what I would like to tell this", "is killed. Or even after that, when the two are forced to \"join\"", "for what I would like to tell this is not important. So I've", "between this two, and most importantly a sense of hate. But why should", "not important. So I've considered starting exactly from the moment when the poor", "I would like to tell. It's about a girl and how she's forced", "and how she's forced to take a journey with the man who has", "is I'm not interested in the figure of her father; for what I", "most importantly a sense of hate. But why should I hate someone that", "to create a tension between this two, and most importantly a sense of", "are forced to \"join\" for a while. My fear is that the reader", "create a tension between this two, and most importantly a sense of hate.", "Should I have some scene where the protagonist interacts with this father before", "two are forced to \"join\" for a while. My fear is that the", "won't feel invested about the situation, and I would like to create a", "I'm not interested in the figure of her father; for what I would", "a journey with the man who has just killed her father. I'll skip", "the man who has just killed her father. I'll skip the details. The", "I have some scene where the protagonist interacts with this father before he's", "sense of hate. But why should I hate someone that has killed a", "The point is I'm not interested in the figure of her father; for", "man is killed. Or even after that, when the two are forced to", "the situation, and I would like to create a tension between this two,", "from the moment when the poor man is killed. Or even after that,", "take a journey with the man who has just killed her father. I'll", "has just killed her father. I'll skip the details. The point is I'm", "poor man is killed. Or even after that, when the two are forced", "to take a journey with the man who has just killed her father.", "stranger? Should I have some scene where the protagonist interacts with this father", "a while. My fear is that the reader won't feel invested about the", "figure of her father; for what I would like to tell this is", "exactly from the moment when the poor man is killed. Or even after", "I have this little story I would like to tell. It's about a", "when the two are forced to \"join\" for a while. My fear is", "moment when the poor man is killed. Or even after that, when the", "this little story I would like to tell. It's about a girl and", "It's about a girl and how she's forced to take a journey with", "fear is that the reader won't feel invested about the situation, and I", "that has killed a stranger? Should I have some scene where the protagonist", "story I would like to tell. It's about a girl and how she's", "Or even after that, when the two are forced to \"join\" for a", "would like to tell this is not important. So I've considered starting exactly", "girl and how she's forced to take a journey with the man who", "skip the details. The point is I'm not interested in the figure of", "have this little story I would like to tell. It's about a girl", "would like to tell. It's about a girl and how she's forced to", "she's forced to take a journey with the man who has just killed", "forced to \"join\" for a while. My fear is that the reader won't", "man who has just killed her father. I'll skip the details. The point", "and I would like to create a tension between this two, and most", "when the poor man is killed. Or even after that, when the two", "how she's forced to take a journey with the man who has just", "So I've considered starting exactly from the moment when the poor man is", "for a while. My fear is that the reader won't feel invested about", "killed. Or even after that, when the two are forced to \"join\" for", "a sense of hate. But why should I hate someone that has killed", "reader won't feel invested about the situation, and I would like to create", "forced to take a journey with the man who has just killed her", "I would like to tell this is not important. So I've considered starting", "father; for what I would like to tell this is not important. So", "not interested in the figure of her father; for what I would like", "about the situation, and I would like to create a tension between this", "interested in the figure of her father; for what I would like to", "father. I'll skip the details. The point is I'm not interested in the", "tell this is not important. So I've considered starting exactly from the moment", "a girl and how she's forced to take a journey with the man", "would like to create a tension between this two, and most importantly a", "tension between this two, and most importantly a sense of hate. But why", "with the man who has just killed her father. I'll skip the details.", "after that, when the two are forced to \"join\" for a while. My", "two, and most importantly a sense of hate. But why should I hate", "considered starting exactly from the moment when the poor man is killed. Or", "starting exactly from the moment when the poor man is killed. Or even", "point is I'm not interested in the figure of her father; for what", "I'll skip the details. The point is I'm not interested in the figure", "killed a stranger? Should I have some scene where the protagonist interacts with" ]
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[ "a hard G, as in Gary. Another character (dismissively) calls him by his", "gee whiz. I've been using the letter G, but it's giving me the", "formatted text. I don't know that it's wrong, but it pings wrong to", "eye. Is it better to spell it out, like a nickname? How do", "letter G, but it's giving me the willies in formatted text. I don't", "G, as in Gary. Another character (dismissively) calls him by his first initial", "a soft G, as in gee whiz. I've been using the letter G,", "character (dismissively) calls him by his first initial \"G\", said with a soft", "I've been using the letter G, but it's giving me the willies in", "been using the letter G, but it's giving me the willies in formatted", "A character's name starts with a hard G, as in Gary. Another character", "his first initial \"G\", said with a soft G, as in gee whiz.", "it's giving me the willies in formatted text. I don't know that it's", "that it's wrong, but it pings wrong to my eye. Is it better", "Another character (dismissively) calls him by his first initial \"G\", said with a", "pings wrong to my eye. Is it better to spell it out, like", "don't know that it's wrong, but it pings wrong to my eye. Is", "initial \"G\", said with a soft G, as in gee whiz. I've been", "wrong to my eye. Is it better to spell it out, like a", "I don't know that it's wrong, but it pings wrong to my eye.", "calls him by his first initial \"G\", said with a soft G, as", "said with a soft G, as in gee whiz. I've been using the", "in formatted text. I don't know that it's wrong, but it pings wrong", "with a soft G, as in gee whiz. I've been using the letter", "him by his first initial \"G\", said with a soft G, as in", "but it's giving me the willies in formatted text. I don't know that", "first initial \"G\", said with a soft G, as in gee whiz. I've", "with a hard G, as in Gary. Another character (dismissively) calls him by", "wrong, but it pings wrong to my eye. Is it better to spell", "it better to spell it out, like a nickname? How do I write", "in gee whiz. I've been using the letter G, but it's giving me", "it pings wrong to my eye. Is it better to spell it out,", "the willies in formatted text. I don't know that it's wrong, but it", "name starts with a hard G, as in Gary. Another character (dismissively) calls", "giving me the willies in formatted text. I don't know that it's wrong,", "whiz. I've been using the letter G, but it's giving me the willies", "me the willies in formatted text. I don't know that it's wrong, but", "soft G, as in gee whiz. I've been using the letter G, but", "but it pings wrong to my eye. Is it better to spell it", "Is it better to spell it out, like a nickname? How do I", "using the letter G, but it's giving me the willies in formatted text.", "in Gary. Another character (dismissively) calls him by his first initial \"G\", said", "it's wrong, but it pings wrong to my eye. Is it better to", "by his first initial \"G\", said with a soft G, as in gee", "hard G, as in Gary. Another character (dismissively) calls him by his first", "as in gee whiz. I've been using the letter G, but it's giving", "my eye. Is it better to spell it out, like a nickname? How", "(dismissively) calls him by his first initial \"G\", said with a soft G,", "G, but it's giving me the willies in formatted text. I don't know", "as in Gary. Another character (dismissively) calls him by his first initial \"G\",", "G, as in gee whiz. I've been using the letter G, but it's", "willies in formatted text. I don't know that it's wrong, but it pings", "know that it's wrong, but it pings wrong to my eye. Is it", "text. I don't know that it's wrong, but it pings wrong to my", "to my eye. Is it better to spell it out, like a nickname?", "the letter G, but it's giving me the willies in formatted text. I", "starts with a hard G, as in Gary. Another character (dismissively) calls him", "character's name starts with a hard G, as in Gary. Another character (dismissively)", "\"G\", said with a soft G, as in gee whiz. I've been using", "Gary. Another character (dismissively) calls him by his first initial \"G\", said with", "better to spell it out, like a nickname? How do I write it?" ]
[ "a character study of the Russian soldier and his inner struggles of changing", "He shares with her that he's Jewish and that his home town is", "was meant to be a character study of the Russian soldier and his", "who know his identity. No matter what I do I can't help but", "gave the Nurse a fiancé and that didn't seem to stop me. I", "seem to work it out. I guess I'm wondering how to work out", "of war and since his character is vulnerable I can't stop writing him", "Germany. It's about A Jewish Soviet soldier that, with the help of an", "the Nurse a fiancé and that didn't seem to stop me. I think", "that his home town is currently posted by the Germans and how he", "his character is vulnerable I can't stop writing him seeing her as a", "and since his character is vulnerable I can't stop writing him seeing her", "I'm writing a short story based in a WW2 American military base camp", "seem to stop me. I think the reason it keeps happening is because", "be a character study of the Russian soldier and his inner struggles of", "character study of the Russian soldier and his inner struggles of changing his", "of them'. When I started writing this it was meant to be a", "war and since his character is vulnerable I can't stop writing him seeing", "and a small handful of Americans are the only ones who know his", "writing this it was meant to be a character study of the Russian", "supposed to just be there to help nurse the Russian soldier back to", "just a short story idea and I really can't seem to work it", "is because I use her nurturing character as a building block for the", "posted by the Germans and how he worries for his family but deep", "nurse and a small handful of Americans are the only ones who know", "as a love interest. This isn't a novel it's just a short story", "Soviet soldier that, with the help of an American soldier and a series", "and a series of coincidences, switches his identity and slips into the American", "to just be there to help nurse the Russian soldier back to health", "a short story based in a WW2 American military base camp stationed in", "inner struggles of changing his entire life and his feelings on his past", "help nurse the Russian soldier back to health after he injures himself in", "problem. The Nurse... So the Nurse in the camp is supposed to just", "they're in for. No matter how I try and write this I keep", "into the same problem. The Nurse... So the Nurse in the camp is", "and write this I keep running into the same problem. The Nurse... So", "and that didn't seem to stop me. I think the reason it keeps", "with hot shots who really don't know what they're in for. No matter", "that, with the help of an American soldier and a series of coincidences,", "Nurse a fiancé and that didn't seem to stop me. I think the", "that didn't seem to stop me. I think the reason it keeps happening", "to this camp filled with hot shots who really don't know what they're", "I really can't seem to work it out. I guess I'm wondering how", "his inner struggles of changing his entire life and his feelings on his", "fiancé and that didn't seem to stop me. I think the reason it", "a novel it's just a short story idea and I really can't seem", "do I can't help but make them fall in love. That wasn't my", "camp filled with hot shots who really don't know what they're in for.", "wasn't my intention with the story. I even gave the Nurse a fiancé", "deep down knows the worse has happened. He shares his traumas of war", "injures himself in order to fake his identity to switch sides. The nurse", "seeing her as a love interest. This isn't a novel it's just a", "about the war through his seasoned eyes coming to this camp filled with", "the Russian soldier back to health after he injures himself in order to", "my intention with the story. I even gave the Nurse a fiancé and", "has happened. He shares his traumas of war and since his character is", "happening is because I use her nurturing character as a building block for", "of the Russian soldier and his inner struggles of changing his entire life", "traumas of war and since his character is vulnerable I can't stop writing", "military base camp stationed in Germany. It's about A Jewish Soviet soldier that,", "a love interest. This isn't a novel it's just a short story idea", "his traumas of war and since his character is vulnerable I can't stop", "started writing this it was meant to be a character study of the", "vulnerable I can't stop writing him seeing her as a love interest. This", "camp stationed in Germany. It's about A Jewish Soviet soldier that, with the", "even gave the Nurse a fiancé and that didn't seem to stop me.", "who really don't know what they're in for. No matter how I try", "I even gave the Nurse a fiancé and that didn't seem to stop", "same problem. The Nurse... So the Nurse in the camp is supposed to", "in love. That wasn't my intention with the story. I even gave the", "it out. I guess I'm wondering how to work out these kinks and", "he injures himself in order to fake his identity to switch sides. The", "with the help of an American soldier and a series of coincidences, switches", "identity and slips into the American base and 'becomes one of them'. When", "seasoned eyes coming to this camp filled with hot shots who really don't", "camp is supposed to just be there to help nurse the Russian soldier", "the American base and 'becomes one of them'. When I started writing this", "to fake his identity to switch sides. The nurse and a small handful", "to stop me. I think the reason it keeps happening is because I", "guess I'm wondering how to work out these kinks and try and avoid", "but deep down knows the worse has happened. He shares his traumas of", "be there to help nurse the Russian soldier back to health after he", "block for the Russians character. He shares with her that he's Jewish and", "an American soldier and a series of coincidences, switches his identity and slips", "the help of an American soldier and a series of coincidences, switches his", "work out these kinks and try and avoid any romance. Any help would", "switch sides. The nurse and a small handful of Americans are the only", "but make them fall in love. That wasn't my intention with the story.", "No matter what I do I can't help but make them fall in", "wondering how to work out these kinks and try and avoid any romance.", "short story based in a WW2 American military base camp stationed in Germany.", "in for. No matter how I try and write this I keep running", "It's about A Jewish Soviet soldier that, with the help of an American", "shares with her that he's Jewish and that his home town is currently", "think the reason it keeps happening is because I use her nurturing character", "worries for his family but deep down knows the worse has happened. He", "what I do I can't help but make them fall in love. That", "this I keep running into the same problem. The Nurse... So the Nurse", "nurse the Russian soldier back to health after he injures himself in order", "can't stop writing him seeing her as a love interest. This isn't a", "writing him seeing her as a love interest. This isn't a novel it's", "Germans and how he worries for his family but deep down knows the", "himself in order to fake his identity to switch sides. The nurse and", "his identity. No matter what I do I can't help but make them", "of an American soldier and a series of coincidences, switches his identity and", "worse has happened. He shares his traumas of war and since his character", "town is currently posted by the Germans and how he worries for his", "his entire life and his feelings on his past and thoughts about the", "because I use her nurturing character as a building block for the Russians", "work it out. I guess I'm wondering how to work out these kinks", "help but make them fall in love. That wasn't my intention with the", "matter how I try and write this I keep running into the same", "he's Jewish and that his home town is currently posted by the Germans", "story based in a WW2 American military base camp stationed in Germany. It's", "order to fake his identity to switch sides. The nurse and a small", "filled with hot shots who really don't know what they're in for. No", "and that his home town is currently posted by the Germans and how", "coincidences, switches his identity and slips into the American base and 'becomes one", "'becomes one of them'. When I started writing this it was meant to", "American base and 'becomes one of them'. When I started writing this it", "Russian soldier and his inner struggles of changing his entire life and his", "about A Jewish Soviet soldier that, with the help of an American soldier", "family but deep down knows the worse has happened. He shares his traumas", "through his seasoned eyes coming to this camp filled with hot shots who", "hot shots who really don't know what they're in for. No matter how", "after he injures himself in order to fake his identity to switch sides.", "short story idea and I really can't seem to work it out. I", "identity. No matter what I do I can't help but make them fall", "in order to fake his identity to switch sides. The nurse and a", "Americans are the only ones who know his identity. No matter what I", "running into the same problem. The Nurse... So the Nurse in the camp", "the war through his seasoned eyes coming to this camp filled with hot", "entire life and his feelings on his past and thoughts about the war", "try and write this I keep running into the same problem. The Nurse...", "a fiancé and that didn't seem to stop me. I think the reason", "soldier and his inner struggles of changing his entire life and his feelings", "that he's Jewish and that his home town is currently posted by the", "life and his feelings on his past and thoughts about the war through", "happened. He shares his traumas of war and since his character is vulnerable", "home town is currently posted by the Germans and how he worries for", "it keeps happening is because I use her nurturing character as a building", "Russians character. He shares with her that he's Jewish and that his home", "a short story idea and I really can't seem to work it out.", "the reason it keeps happening is because I use her nurturing character as", "nurturing character as a building block for the Russians character. He shares with", "fall in love. That wasn't my intention with the story. I even gave", "Nurse... So the Nurse in the camp is supposed to just be there", "by the Germans and how he worries for his family but deep down", "since his character is vulnerable I can't stop writing him seeing her as", "writing a short story based in a WW2 American military base camp stationed", "American military base camp stationed in Germany. It's about A Jewish Soviet soldier", "how I try and write this I keep running into the same problem.", "I guess I'm wondering how to work out these kinks and try and", "He shares his traumas of war and since his character is vulnerable I", "the same problem. The Nurse... So the Nurse in the camp is supposed", "and thoughts about the war through his seasoned eyes coming to this camp", "just be there to help nurse the Russian soldier back to health after", "them'. When I started writing this it was meant to be a character", "I do I can't help but make them fall in love. That wasn't", "Jewish and that his home town is currently posted by the Germans and", "a building block for the Russians character. He shares with her that he's", "identity to switch sides. The nurse and a small handful of Americans are", "in the camp is supposed to just be there to help nurse the", "character is vulnerable I can't stop writing him seeing her as a love", "a small handful of Americans are the only ones who know his identity.", "him seeing her as a love interest. This isn't a novel it's just", "for the Russians character. He shares with her that he's Jewish and that", "I use her nurturing character as a building block for the Russians character.", "character as a building block for the Russians character. He shares with her", "matter what I do I can't help but make them fall in love.", "idea and I really can't seem to work it out. I guess I'm", "with her that he's Jewish and that his home town is currently posted", "back to health after he injures himself in order to fake his identity", "I try and write this I keep running into the same problem. The", "No matter how I try and write this I keep running into the", "slips into the American base and 'becomes one of them'. When I started", "the Russian soldier and his inner struggles of changing his entire life and", "the Nurse in the camp is supposed to just be there to help", "shots who really don't know what they're in for. No matter how I", "to switch sides. The nurse and a small handful of Americans are the", "know his identity. No matter what I do I can't help but make", "base and 'becomes one of them'. When I started writing this it was", "is supposed to just be there to help nurse the Russian soldier back", "really don't know what they're in for. No matter how I try and", "meant to be a character study of the Russian soldier and his inner", "isn't a novel it's just a short story idea and I really can't", "the only ones who know his identity. No matter what I do I", "struggles of changing his entire life and his feelings on his past and", "in a WW2 American military base camp stationed in Germany. It's about A", "a series of coincidences, switches his identity and slips into the American base", "health after he injures himself in order to fake his identity to switch", "what they're in for. No matter how I try and write this I", "love interest. This isn't a novel it's just a short story idea and", "his identity and slips into the American base and 'becomes one of them'.", "out. I guess I'm wondering how to work out these kinks and try", "her as a love interest. This isn't a novel it's just a short", "in Germany. It's about A Jewish Soviet soldier that, with the help of", "know what they're in for. No matter how I try and write this", "for his family but deep down knows the worse has happened. He shares", "to work it out. I guess I'm wondering how to work out these", "his past and thoughts about the war through his seasoned eyes coming to", "eyes coming to this camp filled with hot shots who really don't know", "soldier that, with the help of an American soldier and a series of", "past and thoughts about the war through his seasoned eyes coming to this", "his identity to switch sides. The nurse and a small handful of Americans", "coming to this camp filled with hot shots who really don't know what", "the story. I even gave the Nurse a fiancé and that didn't seem", "love. That wasn't my intention with the story. I even gave the Nurse", "When I started writing this it was meant to be a character study", "is currently posted by the Germans and how he worries for his family", "soldier back to health after he injures himself in order to fake his", "of Americans are the only ones who know his identity. No matter what", "soldier and a series of coincidences, switches his identity and slips into the", "I started writing this it was meant to be a character study of", "novel it's just a short story idea and I really can't seem to", "don't know what they're in for. No matter how I try and write", "only ones who know his identity. No matter what I do I can't", "building block for the Russians character. He shares with her that he's Jewish", "Jewish Soviet soldier that, with the help of an American soldier and a", "his seasoned eyes coming to this camp filled with hot shots who really", "Nurse in the camp is supposed to just be there to help nurse", "switches his identity and slips into the American base and 'becomes one of", "this it was meant to be a character study of the Russian soldier", "sides. The nurse and a small handful of Americans are the only ones", "base camp stationed in Germany. It's about A Jewish Soviet soldier that, with", "So I'm writing a short story based in a WW2 American military base", "make them fall in love. That wasn't my intention with the story. I", "A Jewish Soviet soldier that, with the help of an American soldier and", "keep running into the same problem. The Nurse... So the Nurse in the", "feelings on his past and thoughts about the war through his seasoned eyes", "to help nurse the Russian soldier back to health after he injures himself", "use her nurturing character as a building block for the Russians character. He", "stop writing him seeing her as a love interest. This isn't a novel", "of coincidences, switches his identity and slips into the American base and 'becomes", "can't seem to work it out. I guess I'm wondering how to work", "currently posted by the Germans and how he worries for his family but", "and 'becomes one of them'. When I started writing this it was meant", "one of them'. When I started writing this it was meant to be", "intention with the story. I even gave the Nurse a fiancé and that", "this camp filled with hot shots who really don't know what they're in", "to health after he injures himself in order to fake his identity to", "That wasn't my intention with the story. I even gave the Nurse a", "reason it keeps happening is because I use her nurturing character as a", "is vulnerable I can't stop writing him seeing her as a love interest.", "he worries for his family but deep down knows the worse has happened.", "thoughts about the war through his seasoned eyes coming to this camp filled", "her nurturing character as a building block for the Russians character. He shares", "the Russians character. He shares with her that he's Jewish and that his", "war through his seasoned eyes coming to this camp filled with hot shots", "and how he worries for his family but deep down knows the worse", "Russian soldier back to health after he injures himself in order to fake", "I keep running into the same problem. The Nurse... So the Nurse in", "the Germans and how he worries for his family but deep down knows", "stationed in Germany. It's about A Jewish Soviet soldier that, with the help", "me. I think the reason it keeps happening is because I use her", "the camp is supposed to just be there to help nurse the Russian", "I'm wondering how to work out these kinks and try and avoid any", "write this I keep running into the same problem. The Nurse... So the", "with the story. I even gave the Nurse a fiancé and that didn't", "his family but deep down knows the worse has happened. He shares his", "and I really can't seem to work it out. I guess I'm wondering", "ones who know his identity. No matter what I do I can't help", "series of coincidences, switches his identity and slips into the American base and", "it was meant to be a character study of the Russian soldier and", "shares his traumas of war and since his character is vulnerable I can't", "fake his identity to switch sides. The nurse and a small handful of", "his home town is currently posted by the Germans and how he worries", "based in a WW2 American military base camp stationed in Germany. It's about", "on his past and thoughts about the war through his seasoned eyes coming", "didn't seem to stop me. I think the reason it keeps happening is", "how to work out these kinks and try and avoid any romance. Any", "story idea and I really can't seem to work it out. I guess", "for. No matter how I try and write this I keep running into", "story. I even gave the Nurse a fiancé and that didn't seem to", "them fall in love. That wasn't my intention with the story. I even", "I can't help but make them fall in love. That wasn't my intention", "to work out these kinks and try and avoid any romance. Any help", "changing his entire life and his feelings on his past and thoughts about", "The Nurse... So the Nurse in the camp is supposed to just be", "character. He shares with her that he's Jewish and that his home town", "help of an American soldier and a series of coincidences, switches his identity", "out these kinks and try and avoid any romance. Any help would be", "it's just a short story idea and I really can't seem to work", "a WW2 American military base camp stationed in Germany. It's about A Jewish", "these kinks and try and avoid any romance. Any help would be appreciated.", "into the American base and 'becomes one of them'. When I started writing", "stop me. I think the reason it keeps happening is because I use", "and slips into the American base and 'becomes one of them'. When I", "and his inner struggles of changing his entire life and his feelings on", "his feelings on his past and thoughts about the war through his seasoned", "I can't stop writing him seeing her as a love interest. This isn't", "really can't seem to work it out. I guess I'm wondering how to", "as a building block for the Russians character. He shares with her that", "handful of Americans are the only ones who know his identity. No matter", "American soldier and a series of coincidences, switches his identity and slips into", "knows the worse has happened. He shares his traumas of war and since", "study of the Russian soldier and his inner struggles of changing his entire", "The nurse and a small handful of Americans are the only ones who", "to be a character study of the Russian soldier and his inner struggles", "This isn't a novel it's just a short story idea and I really", "small handful of Americans are the only ones who know his identity. No", "interest. This isn't a novel it's just a short story idea and I", "there to help nurse the Russian soldier back to health after he injures", "of changing his entire life and his feelings on his past and thoughts", "the worse has happened. He shares his traumas of war and since his", "how he worries for his family but deep down knows the worse has", "keeps happening is because I use her nurturing character as a building block", "So the Nurse in the camp is supposed to just be there to", "WW2 American military base camp stationed in Germany. It's about A Jewish Soviet", "and his feelings on his past and thoughts about the war through his", "are the only ones who know his identity. No matter what I do", "I think the reason it keeps happening is because I use her nurturing", "her that he's Jewish and that his home town is currently posted by", "down knows the worse has happened. He shares his traumas of war and", "can't help but make them fall in love. That wasn't my intention with" ]
[ "emotional state I had experienced with Rurijamu without copying his style? 2. Do", "to Haruki Rurijamu. I don't know if it's case for every writer trying", "I noticed, upon reading a short story I finished, is that I unconsciously", "How to balance my goal of putting readers into the same emotional state", "I read his novels, I clearly and determinately said, \"These are exactly the", "similarity, or try to suppress it? Please feel free to answer either of", "feelings I want to convey.\" I increased my writing output, being inspired by", "to convey.\" I increased my writing output, being inspired by Rurijamu's writings, but", "his. My questions: 1. How to balance my goal of putting readers into", "once I read his novels, I clearly and determinately said, \"These are exactly", "upon reading a short story I finished, is that I unconsciously copy elements", "unconsciously copy elements of his style. Sure, it's my story, but his writings", "that I find myself constructing sentences and setting scenes in the same way", "Rurijamu without copying his style? 2. Do I keep writing without questioning this", "of putting readers into the same emotional state I had experienced with Rurijamu", "by Rurijamu's writings, but what I noticed, upon reading a short story I", "or try to suppress it? Please feel free to answer either of the", "trying to figure out their voice, but for me, once I read his", "exactly the kind of stories I want to tell. And these are the", "is that I unconsciously copy elements of his style. Sure, it's my story,", "short story I finished, is that I unconsciously copy elements of his style.", "and writing for a long time. Last year, I was introduced to Haruki", "I don't know if it's case for every writer trying to figure out", "year, I was introduced to Haruki Rurijamu. I don't know if it's case", "tell. And these are the feelings I want to convey.\" I increased my", "copy elements of his style. Sure, it's my story, but his writings have", "questions: 1. How to balance my goal of putting readers into the same", "output, being inspired by Rurijamu's writings, but what I noticed, upon reading a", "me, once I read his novels, I clearly and determinately said, \"These are", "introduced to Haruki Rurijamu. I don't know if it's case for every writer", "Rurijamu's writings, but what I noticed, upon reading a short story I finished,", "he constructs his. My questions:** 1. How to balance my goal of putting", "find myself constructing sentences and setting scenes in the same way he constructs", "his style. Sure, it's my story, but his writings have been so influential", "a short story I finished, is that I unconsciously copy elements of his", "goal of putting readers into the same emotional state I had experienced with", "novels, I clearly and determinately said, \"These are exactly the kind of stories", "my writing output, being inspired by Rurijamu's writings, but what I noticed, upon", "the feelings I want to convey.\" I increased my writing output, being inspired", "being inspired by Rurijamu's writings, but what I noticed, upon reading a short", "I clearly and determinately said, \"These are exactly the kind of stories I", "for every writer trying to figure out their voice, but for me, once", "into the same emotional state I had experienced with Rurijamu without copying his", "balance my goal of putting readers into the same emotional state I had", "2. Do I keep writing without questioning this similarity, or try to suppress", "writings have been so influential and inspiring that I find myself constructing sentences", "story, but his writings have been so influential and inspiring that I find", "I want to tell. And these are the feelings I want to convey.\"", "readers into the same emotional state I had experienced with Rurijamu without copying", "keep writing without questioning this similarity, or try to suppress it? Please feel", "constructs his. My questions: 1. How to balance my goal of putting readers", "story I finished, is that I unconsciously copy elements of his style. Sure,", "elements of his style. Sure, it's my story, but his writings have been", "read his novels, I clearly and determinately said, \"These are exactly the kind", "experienced with Rurijamu without copying his style? 2. Do I keep writing without", "his style? 2. Do I keep writing without questioning this similarity, or try", "writing for a long time. Last year, I was introduced to Haruki Rurijamu.", "this similarity, or try to suppress it? Please feel free to answer either", "clearly and determinately said, \"These are exactly the kind of stories I want", "state I had experienced with Rurijamu without copying his style? 2. Do I", "I want to convey.\" I increased my writing output, being inspired by Rurijamu's", "I unconsciously copy elements of his style. Sure, it's my story, but his", "putting readers into the same emotional state I had experienced with Rurijamu without", "a long time. Last year, I was introduced to Haruki Rurijamu. I don't", "know if it's case for every writer trying to figure out their voice,", "reading a short story I finished, is that I unconsciously copy elements of", "writer trying to figure out their voice, but for me, once I read", "every writer trying to figure out their voice, but for me, once I", "what I noticed, upon reading a short story I finished, is that I", "My questions: 1. How to balance my goal of putting readers into the", "are the feelings I want to convey.\" I increased my writing output, being", "don't know if it's case for every writer trying to figure out their", "the same emotional state I had experienced with Rurijamu without copying his style?", "without copying his style? 2. Do I keep writing without questioning this similarity,", "I keep writing without questioning this similarity, or try to suppress it? Please", "of stories I want to tell. And these are the feelings I want", "but for me, once I read his novels, I clearly and determinately said,", "out their voice, but for me, once I read his novels, I clearly", "voice, but for me, once I read his novels, I clearly and determinately", "way he constructs his. My questions: 1. How to balance my goal of", "writings, but what I noticed, upon reading a short story I finished, is", "been so influential and inspiring that I find myself constructing sentences and setting", "of his style. Sure, it's my story, but his writings have been so", "and inspiring that I find myself constructing sentences and setting scenes in the", "had experienced with Rurijamu without copying his style? 2. Do I keep writing", "I was introduced to Haruki Rurijamu. I don't know if it's case for", "finished, is that I unconsciously copy elements of his style. Sure, it's my", "and setting scenes in the same way he constructs his. My questions: 1.", "with Rurijamu without copying his style? 2. Do I keep writing without questioning", "\"These are exactly the kind of stories I want to tell. And these", "style? 2. Do I keep writing without questioning this similarity, or try to", "noticed, upon reading a short story I finished, is that I unconsciously copy", "writing without questioning this similarity, or try to suppress it? Please feel free", "reading and writing for a long time. Last year, I was introduced to", "want to tell. And these are the feelings I want to convey.\" I", "that I unconsciously copy elements of his style. Sure, it's my story, but", "if it's case for every writer trying to figure out their voice, but", "and determinately said, \"These are exactly the kind of stories I want to", "my story, but his writings have been so influential and inspiring that I", "but his writings have been so influential and inspiring that I find myself", "setting scenes in the same way he constructs his. My questions: 1. How", "determinately said, \"These are exactly the kind of stories I want to tell.", "are exactly the kind of stories I want to tell. And these are", "to tell. And these are the feelings I want to convey.\" I increased", "was introduced to Haruki Rurijamu. I don't know if it's case for every", "it's case for every writer trying to figure out their voice, but for", "convey.\" I increased my writing output, being inspired by Rurijamu's writings, but what", "myself constructing sentences and setting scenes in the same way he constructs his.", "his writings have been so influential and inspiring that I find myself constructing", "without questioning this similarity, or try to suppress it? Please feel free to", "inspiring that I find myself constructing sentences and setting scenes in the same", "their voice, but for me, once I read his novels, I clearly and", "I finished, is that I unconsciously copy elements of his style. Sure, it's", "the kind of stories I want to tell. And these are the feelings", "but what I noticed, upon reading a short story I finished, is that", "copying his style? 2. Do I keep writing without questioning this similarity, or", "to balance my goal of putting readers into the same emotional state I", "sentences and setting scenes in the same way he constructs his. My questions:", "questioning this similarity, or try to suppress it? Please feel free to answer", "Sure, it's my story, but his writings have been so influential and inspiring", "said, \"These are exactly the kind of stories I want to tell. And", "try to suppress it? Please feel free to answer either of the questions.", "these are the feelings I want to convey.\" I increased my writing output,", "it's my story, but his writings have been so influential and inspiring that", "so influential and inspiring that I find myself constructing sentences and setting scenes", "influential and inspiring that I find myself constructing sentences and setting scenes in", "I had experienced with Rurijamu without copying his style? 2. Do I keep", "Do I keep writing without questioning this similarity, or try to suppress it?", "kind of stories I want to tell. And these are the feelings I", "style. Sure, it's my story, but his writings have been so influential and", "been reading and writing for a long time. Last year, I was introduced", "scenes in the same way he constructs his. My questions: 1. How to", "for a long time. Last year, I was introduced to Haruki Rurijamu. I", "case for every writer trying to figure out their voice, but for me,", "Last year, I was introduced to Haruki Rurijamu. I don't know if it's", "in the same way he constructs his. My questions: 1. How to balance", "Rurijamu. I don't know if it's case for every writer trying to figure", "long time. Last year, I was introduced to Haruki Rurijamu. I don't know", "his novels, I clearly and determinately said, \"These are exactly the kind of", "the same way he constructs his. My questions: 1. How to balance my", "I find myself constructing sentences and setting scenes in the same way he", "to figure out their voice, but for me, once I read his novels,", "1. How to balance my goal of putting readers into the same emotional", "writing output, being inspired by Rurijamu's writings, but what I noticed, upon reading", "inspired by Rurijamu's writings, but what I noticed, upon reading a short story", "have been so influential and inspiring that I find myself constructing sentences and", "same emotional state I had experienced with Rurijamu without copying his style? 2.", "for me, once I read his novels, I clearly and determinately said, \"These", "I've been reading and writing for a long time. Last year, I was", "Haruki Rurijamu. I don't know if it's case for every writer trying to", "stories I want to tell. And these are the feelings I want to", "my goal of putting readers into the same emotional state I had experienced", "increased my writing output, being inspired by Rurijamu's writings, but what I noticed,", "constructing sentences and setting scenes in the same way he constructs his. My", "same way he constructs his. My questions:** 1. How to balance my goal", "I increased my writing output, being inspired by Rurijamu's writings, but what I", "And these are the feelings I want to convey.\" I increased my writing", "figure out their voice, but for me, once I read his novels, I", "time. Last year, I was introduced to Haruki Rurijamu. I don't know if", "want to convey.\" I increased my writing output, being inspired by Rurijamu's writings," ]
[ "prevent him from achieving his goals. However, even so, the antagonist takes great", "his crusade against the scientist. My question is thus: In this scenario, how", "protagonist has decided that the scientist is an insane terrorist, and likewise will", "the wrong side of history\" as the people turn against him and demand", "scientist has, despite mostly avoiding violence, committed what could easily be considered a", "is \"evil\" in a classical sense, or is he an antivillain, or even", "under something else entirely). In my story, the primary antagonist is a Nobel", "in a classical sense, or is he an antivillain, or even an antihero,", "antivillain because, despite being classically \"good,\" he is ultimately working against the benefit", "warrior and antagonist scientist? Is the scientist a villain, since his motives are", "from achieving his goals. However, even so, the antagonist takes great pains to", "terrorist, and likewise will stop at nothing to prevent him from achieving his", "protagonist has no problem killing any of the many minions opposing him in", "in the scientist's \"terrorist organization.\" This is because of the protagonist's convictions that", "fails, and the scientist succeeds in his plans and causes the massive change", "warrior with a strong sense of justice, while the scientist is a cold", "on humanity. He has decided what he thinks is the ideal state for", "wrong side of history\" as the people turn against him and demand that", "he never stopped to think about whether or not what was done to", "avoiding violence, committed what could easily be considered a violent act on the", "people ultimately come to accept the changes as beneficial. For his part, the", "he an antihero due to his greater willingness to kill, or is he", "the antagonist takes great pains to avoid killing, while the protagonist has no", "the scientist is a cold and calculating pragmatic thinker with an occasional flair", "is a charismatic warrior with a strong sense of justice, while the scientist", "actions, regardless of his means and motives? Similarly, is the warrior a hero,", "motives of justice and \"good\" by \"killing the bad guys,\" is he an", "the protagonist warrior and antagonist scientist? Is the scientist a villain, since his", "effect a massive change on humanity. He has decided what he thinks is", "demand that he end his crusade against the scientist. My question is thus:", "end his crusade against the scientist. My question is thus: In this scenario,", "to bring his vision to fruition. The protagonist has decided that the scientist", "nothing to bring his vision to fruition. The protagonist has decided that the", "However, it turns out the scientist's changes to the human race actually are", "is made a better place through his actions, regardless of his means and", "the protagonist's convictions that the scientist is an insane terrorist, and because the", "what was done to him was a good thing in the first place.", "busy trying to stop the scientist from doing to others what was done", "done to him was a good thing in the first place. He finds", "\"pure\" motives of justice and \"good\" by \"killing the bad guys,\" is he", "the antagonist and protagonist in my story would fall under in terms of", "that he never stopped to think about whether or not what was done", "my story would fall under in terms of the classic literary labels of", "how would one classify both the protagonist warrior and antagonist scientist? Is the", "is he a antivillain because, despite being classically \"good,\" he is ultimately working", "his goals. However, even so, the antagonist takes great pains to avoid killing,", "stop the scientist from doing to others what was done to him that", "thinker with an occasional flair for the dramatic. Ultimately, the protagonist fails, and", "analysis standpoint, I'm trying to determine what classification the antagonist and protagonist in", "history\" as the people turn against him and demand that he end his", "antihero, as the world is made a better place through his actions, regardless", "protagonist's convictions that the scientist is an insane terrorist, and because the scientist", "protagonist in my story would fall under in terms of the classic literary", "the scientist. My question is thus: In this scenario, how would one classify", "classical sense, or is he an antivillain, or even an antihero, as the", "his greater willingness to kill, or is he a antivillain because, despite being", "him as an unwilling guinea pig for testing out the changes he wants", "and calculating pragmatic thinker with an occasional flair for the dramatic. Ultimately, the", "whether they fall under something else entirely). In my story, the primary antagonist", "to him was a good thing in the first place. He finds himself", "trying to stop the scientist from doing to others what was done to", "killing, while the protagonist has no problem killing any of the many minions", "the scientist succeeds in his plans and causes the massive change in humanity", "him in the scientist's \"terrorist organization.\" This is because of the protagonist's convictions", "committed what could easily be considered a violent act on the protagonist by", "the protagonist has no problem killing any of the many minions opposing him", "minions opposing him in the scientist's \"terrorist organization.\" This is because of the", "despite mostly avoiding violence, committed what could easily be considered a violent act", "having them forced upon them, the people ultimately come to accept the changes", "the people ultimately come to accept the changes as beneficial. For his part,", "with a strong sense of justice, while the scientist is a cold and", "the scientist a villain, since his motives are clearly impure an he is", "a villain, since his motives are clearly impure an he is \"evil\" in", "protagonist fails, and the scientist succeeds in his plans and causes the massive", "the bad guys,\" is he an antihero due to his greater willingness to", "pains to avoid killing, while the protagonist has no problem killing any of", "justice, while the scientist is a cold and calculating pragmatic thinker with an", "\"hero,\" \"villain,\" \"antihero,\" and \"antivillain\" (or whether they fall under something else entirely).", "a massive change on humanity. He has decided what he thinks is the", "succeeds in his plans and causes the massive change in humanity he wanted.", "classification the antagonist and protagonist in my story would fall under in terms", "protagonist by using him as an unwilling guinea pig for testing out the", "for testing out the changes he wants to make to humanity. The protagonist", "is he an antihero due to his greater willingness to kill, or is", "him from achieving his goals. However, even so, the antagonist takes great pains", "to him that he never stopped to think about whether or not what", "no problem killing any of the many minions opposing him in the scientist's", "the protagonist was so busy trying to stop the scientist from doing to", "are for the better, and despite having them forced upon them, the people", "has, despite mostly avoiding violence, committed what could easily be considered a violent", "and he will stop at nothing to bring his vision to fruition. The", "is the warrior a hero, since he clearly has \"pure\" motives of justice", "through his actions, regardless of his means and motives? Similarly, is the warrior", "change on humanity. He has decided what he thinks is the ideal state", "changes as beneficial. For his part, the protagonist was so busy trying to", "and \"on the wrong side of history\" as the people turn against him", "with an occasional flair for the dramatic. Ultimately, the protagonist fails, and the", "question is thus: In this scenario, how would one classify both the protagonist", "that he end his crusade against the scientist. My question is thus: In", "wanted. However, it turns out the scientist's changes to the human race actually", "and demand that he end his crusade against the scientist. My question is", "is thus: In this scenario, how would one classify both the protagonist warrior", "plans and causes the massive change in humanity he wanted. However, it turns", "state for the human race and he will stop at nothing to bring", "occasional flair for the dramatic. Ultimately, the protagonist fails, and the scientist succeeds", "scientist's changes to the human race actually are for the better, and despite", "scientist is an insane terrorist, and likewise will stop at nothing to prevent", "pig for testing out the changes he wants to make to humanity. The", "he a antivillain because, despite being classically \"good,\" he is ultimately working against", "bad guys,\" is he an antihero due to his greater willingness to kill,", "\"killing the bad guys,\" is he an antihero due to his greater willingness", "for the better, and despite having them forced upon them, the people ultimately", "a antivillain because, despite being classically \"good,\" he is ultimately working against the", "problem killing any of the many minions opposing him in the scientist's \"terrorist", "what could easily be considered a violent act on the protagonist by using", "is he an antivillain, or even an antihero, as the world is made", "easily be considered a violent act on the protagonist by using him as", "However, even so, the antagonist takes great pains to avoid killing, while the", "will stop at nothing to bring his vision to fruition. The protagonist has", "and the scientist succeeds in his plans and causes the massive change in", "accept the changes as beneficial. For his part, the protagonist was so busy", "not what was done to him was a good thing in the first", "because, despite being classically \"good,\" he is ultimately working against the benefit of", "his vision to fruition. The protagonist has decided that the scientist is an", "beneficial. For his part, the protagonist was so busy trying to stop the", "stopped to think about whether or not what was done to him was", "and protagonist in my story would fall under in terms of the classic", "unwilling guinea pig for testing out the changes he wants to make to", "sense of justice, while the scientist is a cold and calculating pragmatic thinker", "scientist is a cold and calculating pragmatic thinker with an occasional flair for", "by \"killing the bad guys,\" is he an antihero due to his greater", "story, the primary antagonist is a Nobel Laureate scientist who wants to effect", "In my story, the primary antagonist is a Nobel Laureate scientist who wants", "he an antivillain, or even an antihero, as the world is made a", "about whether or not what was done to him was a good thing", "protagonist warrior and antagonist scientist? Is the scientist a villain, since his motives", "his actions, regardless of his means and motives? Similarly, is the warrior a", "means and motives? Similarly, is the warrior a hero, since he clearly has", "achieving his goals. However, even so, the antagonist takes great pains to avoid", "or is he an antivillain, or even an antihero, as the world is", "turn against him and demand that he end his crusade against the scientist.", "violent act on the protagonist by using him as an unwilling guinea pig", "is an insane terrorist, and because the scientist has, despite mostly avoiding violence,", "clearly impure an he is \"evil\" in a classical sense, or is he", "it turns out the scientist's changes to the human race actually are for", "many minions opposing him in the scientist's \"terrorist organization.\" This is because of", "to kill, or is he a antivillain because, despite being classically \"good,\" he", "himself conflicted and \"on the wrong side of history\" as the people turn", "has \"pure\" motives of justice and \"good\" by \"killing the bad guys,\" is", "nothing to prevent him from achieving his goals. However, even so, the antagonist", "thus: In this scenario, how would one classify both the protagonist warrior and", "and despite having them forced upon them, the people ultimately come to accept", "is the ideal state for the human race and he will stop at", "\"villain,\" \"antihero,\" and \"antivillain\" (or whether they fall under something else entirely). In", "scientist succeeds in his plans and causes the massive change in humanity he", "and \"antivillain\" (or whether they fall under something else entirely). In my story,", "For his part, the protagonist was so busy trying to stop the scientist", "has no problem killing any of the many minions opposing him in the", "think about whether or not what was done to him was a good", "forced upon them, the people ultimately come to accept the changes as beneficial.", "kill, or is he a antivillain because, despite being classically \"good,\" he is", "a strong sense of justice, while the scientist is a cold and calculating", "human race actually are for the better, and despite having them forced upon", "what was done to him that he never stopped to think about whether", "an antihero due to his greater willingness to kill, or is he a", "of the classic literary labels of \"hero,\" \"villain,\" \"antihero,\" and \"antivillain\" (or whether", "in his plans and causes the massive change in humanity he wanted. However,", "an unwilling guinea pig for testing out the changes he wants to make", "From an analysis standpoint, I'm trying to determine what classification the antagonist and", "was done to him that he never stopped to think about whether or", "dramatic. Ultimately, the protagonist fails, and the scientist succeeds in his plans and", "because the scientist has, despite mostly avoiding violence, committed what could easily be", "The protagonist is a charismatic warrior with a strong sense of justice, while", "labels of \"hero,\" \"villain,\" \"antihero,\" and \"antivillain\" (or whether they fall under something", "a Nobel Laureate scientist who wants to effect a massive change on humanity.", "a hero, since he clearly has \"pure\" motives of justice and \"good\" by", "was a good thing in the first place. He finds himself conflicted and", "because of the protagonist's convictions that the scientist is an insane terrorist, and", "are clearly impure an he is \"evil\" in a classical sense, or is", "world is made a better place through his actions, regardless of his means", "of history\" as the people turn against him and demand that he end", "of the many minions opposing him in the scientist's \"terrorist organization.\" This is", "could easily be considered a violent act on the protagonist by using him", "he thinks is the ideal state for the human race and he will", "antivillain, or even an antihero, as the world is made a better place", "the scientist is an insane terrorist, and likewise will stop at nothing to", "antagonist takes great pains to avoid killing, while the protagonist has no problem", "who wants to effect a massive change on humanity. He has decided what", "scientist a villain, since his motives are clearly impure an he is \"evil\"", "This is because of the protagonist's convictions that the scientist is an insane", "he wanted. However, it turns out the scientist's changes to the human race", "while the scientist is a cold and calculating pragmatic thinker with an occasional", "and likewise will stop at nothing to prevent him from achieving his goals.", "entirely). In my story, the primary antagonist is a Nobel Laureate scientist who", "or even an antihero, as the world is made a better place through", "Laureate scientist who wants to effect a massive change on humanity. He has", "is a cold and calculating pragmatic thinker with an occasional flair for the", "from doing to others what was done to him that he never stopped", "he wants to make to humanity. The protagonist is a charismatic warrior with", "greater willingness to kill, or is he a antivillain because, despite being classically", "to effect a massive change on humanity. He has decided what he thinks", "to prevent him from achieving his goals. However, even so, the antagonist takes", "scientist who wants to effect a massive change on humanity. He has decided", "this scenario, how would one classify both the protagonist warrior and antagonist scientist?", "fruition. The protagonist has decided that the scientist is an insane terrorist, and", "using him as an unwilling guinea pig for testing out the changes he", "changes to the human race actually are for the better, and despite having", "side of history\" as the people turn against him and demand that he", "decided what he thinks is the ideal state for the human race and", "never stopped to think about whether or not what was done to him", "an insane terrorist, and because the scientist has, despite mostly avoiding violence, committed", "people turn against him and demand that he end his crusade against the", "out the changes he wants to make to humanity. The protagonist is a", "they fall under something else entirely). In my story, the primary antagonist is", "thinks is the ideal state for the human race and he will stop", "considered a violent act on the protagonist by using him as an unwilling", "ultimately come to accept the changes as beneficial. For his part, the protagonist", "wants to effect a massive change on humanity. He has decided what he", "stop at nothing to prevent him from achieving his goals. However, even so,", "them, the people ultimately come to accept the changes as beneficial. For his", "Similarly, is the warrior a hero, since he clearly has \"pure\" motives of", "in my story would fall under in terms of the classic literary labels", "the warrior a hero, since he clearly has \"pure\" motives of justice and", "likewise will stop at nothing to prevent him from achieving his goals. However,", "done to him that he never stopped to think about whether or not", "of the protagonist's convictions that the scientist is an insane terrorist, and because", "make to humanity. The protagonist is a charismatic warrior with a strong sense", "thing in the first place. He finds himself conflicted and \"on the wrong", "even an antihero, as the world is made a better place through his", "he is \"evil\" in a classical sense, or is he an antivillain, or", "classify both the protagonist warrior and antagonist scientist? Is the scientist a villain,", "testing out the changes he wants to make to humanity. The protagonist is", "a cold and calculating pragmatic thinker with an occasional flair for the dramatic.", "bring his vision to fruition. The protagonist has decided that the scientist is", "due to his greater willingness to kill, or is he a antivillain because,", "was so busy trying to stop the scientist from doing to others what", "trying to determine what classification the antagonist and protagonist in my story would", "(or whether they fall under something else entirely). In my story, the primary", "humanity. The protagonist is a charismatic warrior with a strong sense of justice,", "the scientist from doing to others what was done to him that he", "motives? Similarly, is the warrior a hero, since he clearly has \"pure\" motives", "calculating pragmatic thinker with an occasional flair for the dramatic. Ultimately, the protagonist", "determine what classification the antagonist and protagonist in my story would fall under", "takes great pains to avoid killing, while the protagonist has no problem killing", "to others what was done to him that he never stopped to think", "decided that the scientist is an insane terrorist, and likewise will stop at", "causes the massive change in humanity he wanted. However, it turns out the", "antihero due to his greater willingness to kill, or is he a antivillain", "even so, the antagonist takes great pains to avoid killing, while the protagonist", "conflicted and \"on the wrong side of history\" as the people turn against", "or not what was done to him was a good thing in the", "better, and despite having them forced upon them, the people ultimately come to", "against him and demand that he end his crusade against the scientist. My", "My question is thus: In this scenario, how would one classify both the", "of his means and motives? Similarly, is the warrior a hero, since he", "for the human race and he will stop at nothing to bring his", "on the protagonist by using him as an unwilling guinea pig for testing", "to avoid killing, while the protagonist has no problem killing any of the", "I'm trying to determine what classification the antagonist and protagonist in my story", "the human race actually are for the better, and despite having them forced", "the primary antagonist is a Nobel Laureate scientist who wants to effect a", "a good thing in the first place. He finds himself conflicted and \"on", "as the world is made a better place through his actions, regardless of", "insane terrorist, and likewise will stop at nothing to prevent him from achieving", "and \"good\" by \"killing the bad guys,\" is he an antihero due to", "any of the many minions opposing him in the scientist's \"terrorist organization.\" This", "human race and he will stop at nothing to bring his vision to", "pragmatic thinker with an occasional flair for the dramatic. Ultimately, the protagonist fails,", "scientist. My question is thus: In this scenario, how would one classify both", "has decided that the scientist is an insane terrorist, and likewise will stop", "motives are clearly impure an he is \"evil\" in a classical sense, or", "would one classify both the protagonist warrior and antagonist scientist? Is the scientist", "antagonist is a Nobel Laureate scientist who wants to effect a massive change", "in humanity he wanted. However, it turns out the scientist's changes to the", "race and he will stop at nothing to bring his vision to fruition.", "the human race and he will stop at nothing to bring his vision", "them forced upon them, the people ultimately come to accept the changes as", "or is he a antivillain because, despite being classically \"good,\" he is ultimately", "finds himself conflicted and \"on the wrong side of history\" as the people", "massive change on humanity. He has decided what he thinks is the ideal", "that the scientist is an insane terrorist, and likewise will stop at nothing", "strong sense of justice, while the scientist is a cold and calculating pragmatic", "will stop at nothing to prevent him from achieving his goals. However, even", "the dramatic. Ultimately, the protagonist fails, and the scientist succeeds in his plans", "fall under something else entirely). In my story, the primary antagonist is a", "first place. He finds himself conflicted and \"on the wrong side of history\"", "antagonist and protagonist in my story would fall under in terms of the", "He finds himself conflicted and \"on the wrong side of history\" as the", "goals. However, even so, the antagonist takes great pains to avoid killing, while", "warrior a hero, since he clearly has \"pure\" motives of justice and \"good\"", "opposing him in the scientist's \"terrorist organization.\" This is because of the protagonist's", "charismatic warrior with a strong sense of justice, while the scientist is a", "of justice and \"good\" by \"killing the bad guys,\" is he an antihero", "antagonist scientist? Is the scientist a villain, since his motives are clearly impure", "and causes the massive change in humanity he wanted. However, it turns out", "an occasional flair for the dramatic. Ultimately, the protagonist fails, and the scientist", "whether or not what was done to him was a good thing in", "\"antivillain\" (or whether they fall under something else entirely). In my story, the", "is a Nobel Laureate scientist who wants to effect a massive change on", "the world is made a better place through his actions, regardless of his", "humanity. He has decided what he thinks is the ideal state for the", "a classical sense, or is he an antivillain, or even an antihero, as", "avoid killing, while the protagonist has no problem killing any of the many", "be considered a violent act on the protagonist by using him as an", "change in humanity he wanted. However, it turns out the scientist's changes to", "else entirely). In my story, the primary antagonist is a Nobel Laureate scientist", "doing to others what was done to him that he never stopped to", "the people turn against him and demand that he end his crusade against", "terrorist, and because the scientist has, despite mostly avoiding violence, committed what could", "what he thinks is the ideal state for the human race and he", "was done to him was a good thing in the first place. He", "a violent act on the protagonist by using him as an unwilling guinea", "so busy trying to stop the scientist from doing to others what was", "at nothing to prevent him from achieving his goals. However, even so, the", "Is the scientist a villain, since his motives are clearly impure an he", "willingness to kill, or is he a antivillain because, despite being classically \"good,\"", "his means and motives? Similarly, is the warrior a hero, since he clearly", "\"terrorist organization.\" This is because of the protagonist's convictions that the scientist is", "of \"hero,\" \"villain,\" \"antihero,\" and \"antivillain\" (or whether they fall under something else", "insane terrorist, and because the scientist has, despite mostly avoiding violence, committed what", "scientist's \"terrorist organization.\" This is because of the protagonist's convictions that the scientist", "an insane terrorist, and likewise will stop at nothing to prevent him from", "the many minions opposing him in the scientist's \"terrorist organization.\" This is because", "by using him as an unwilling guinea pig for testing out the changes", "cold and calculating pragmatic thinker with an occasional flair for the dramatic. Ultimately,", "scenario, how would one classify both the protagonist warrior and antagonist scientist? Is", "and antagonist scientist? Is the scientist a villain, since his motives are clearly", "an he is \"evil\" in a classical sense, or is he an antivillain,", "to make to humanity. The protagonist is a charismatic warrior with a strong", "is an insane terrorist, and likewise will stop at nothing to prevent him", "the scientist has, despite mostly avoiding violence, committed what could easily be considered", "what classification the antagonist and protagonist in my story would fall under in", "has decided what he thinks is the ideal state for the human race", "hero, since he clearly has \"pure\" motives of justice and \"good\" by \"killing", "one classify both the protagonist warrior and antagonist scientist? Is the scientist a", "as the people turn against him and demand that he end his crusade", "his plans and causes the massive change in humanity he wanted. However, it", "wants to make to humanity. The protagonist is a charismatic warrior with a", "convictions that the scientist is an insane terrorist, and because the scientist has,", "impure an he is \"evil\" in a classical sense, or is he an", "standpoint, I'm trying to determine what classification the antagonist and protagonist in my", "story would fall under in terms of the classic literary labels of \"hero,\"", "out the scientist's changes to the human race actually are for the better,", "to the human race actually are for the better, and despite having them", "violence, committed what could easily be considered a violent act on the protagonist", "the massive change in humanity he wanted. However, it turns out the scientist's", "\"evil\" in a classical sense, or is he an antivillain, or even an", "The protagonist has decided that the scientist is an insane terrorist, and likewise", "clearly has \"pure\" motives of justice and \"good\" by \"killing the bad guys,\"", "of justice, while the scientist is a cold and calculating pragmatic thinker with", "changes he wants to make to humanity. The protagonist is a charismatic warrior", "despite being classically \"good,\" he is ultimately working against the benefit of humanity?", "and because the scientist has, despite mostly avoiding violence, committed what could easily", "humanity he wanted. However, it turns out the scientist's changes to the human", "great pains to avoid killing, while the protagonist has no problem killing any", "place. He finds himself conflicted and \"on the wrong side of history\" as", "despite having them forced upon them, the people ultimately come to accept the", "the classic literary labels of \"hero,\" \"villain,\" \"antihero,\" and \"antivillain\" (or whether they", "for the dramatic. Ultimately, the protagonist fails, and the scientist succeeds in his", "both the protagonist warrior and antagonist scientist? Is the scientist a villain, since", "stop at nothing to bring his vision to fruition. The protagonist has decided", "him that he never stopped to think about whether or not what was", "others what was done to him that he never stopped to think about", "a better place through his actions, regardless of his means and motives? Similarly,", "he will stop at nothing to bring his vision to fruition. The protagonist", "massive change in humanity he wanted. However, it turns out the scientist's changes", "justice and \"good\" by \"killing the bad guys,\" is he an antihero due", "Nobel Laureate scientist who wants to effect a massive change on humanity. He", "in the first place. He finds himself conflicted and \"on the wrong side", "literary labels of \"hero,\" \"villain,\" \"antihero,\" and \"antivillain\" (or whether they fall under", "against the scientist. My question is thus: In this scenario, how would one", "an antihero, as the world is made a better place through his actions,", "actually are for the better, and despite having them forced upon them, the", "at nothing to bring his vision to fruition. The protagonist has decided that", "place through his actions, regardless of his means and motives? Similarly, is the", "under in terms of the classic literary labels of \"hero,\" \"villain,\" \"antihero,\" and", "my story, the primary antagonist is a Nobel Laureate scientist who wants to", "is because of the protagonist's convictions that the scientist is an insane terrorist,", "killing any of the many minions opposing him in the scientist's \"terrorist organization.\"", "part, the protagonist was so busy trying to stop the scientist from doing", "\"antihero,\" and \"antivillain\" (or whether they fall under something else entirely). In my", "terms of the classic literary labels of \"hero,\" \"villain,\" \"antihero,\" and \"antivillain\" (or", "as beneficial. For his part, the protagonist was so busy trying to stop", "protagonist is a charismatic warrior with a strong sense of justice, while the", "so, the antagonist takes great pains to avoid killing, while the protagonist has", "him was a good thing in the first place. He finds himself conflicted", "\"good\" by \"killing the bad guys,\" is he an antihero due to his", "made a better place through his actions, regardless of his means and motives?", "since he clearly has \"pure\" motives of justice and \"good\" by \"killing the", "to determine what classification the antagonist and protagonist in my story would fall", "Ultimately, the protagonist fails, and the scientist succeeds in his plans and causes", "sense, or is he an antivillain, or even an antihero, as the world", "in terms of the classic literary labels of \"hero,\" \"villain,\" \"antihero,\" and \"antivillain\"", "to humanity. The protagonist is a charismatic warrior with a strong sense of", "something else entirely). In my story, the primary antagonist is a Nobel Laureate", "the ideal state for the human race and he will stop at nothing", "he end his crusade against the scientist. My question is thus: In this", "vision to fruition. The protagonist has decided that the scientist is an insane", "regardless of his means and motives? Similarly, is the warrior a hero, since", "to accept the changes as beneficial. For his part, the protagonist was so", "upon them, the people ultimately come to accept the changes as beneficial. For", "the protagonist by using him as an unwilling guinea pig for testing out", "as an unwilling guinea pig for testing out the changes he wants to", "\"on the wrong side of history\" as the people turn against him and", "scientist is an insane terrorist, and because the scientist has, despite mostly avoiding", "good thing in the first place. He finds himself conflicted and \"on the", "he clearly has \"pure\" motives of justice and \"good\" by \"killing the bad", "the scientist is an insane terrorist, and because the scientist has, despite mostly", "act on the protagonist by using him as an unwilling guinea pig for", "the changes he wants to make to humanity. The protagonist is a charismatic", "turns out the scientist's changes to the human race actually are for the", "scientist from doing to others what was done to him that he never", "guys,\" is he an antihero due to his greater willingness to kill, or", "his motives are clearly impure an he is \"evil\" in a classical sense,", "and motives? Similarly, is the warrior a hero, since he clearly has \"pure\"", "the protagonist fails, and the scientist succeeds in his plans and causes the", "In this scenario, how would one classify both the protagonist warrior and antagonist", "an antivillain, or even an antihero, as the world is made a better", "fall under in terms of the classic literary labels of \"hero,\" \"villain,\" \"antihero,\"", "classic literary labels of \"hero,\" \"villain,\" \"antihero,\" and \"antivillain\" (or whether they fall", "race actually are for the better, and despite having them forced upon them,", "the first place. He finds himself conflicted and \"on the wrong side of", "the changes as beneficial. For his part, the protagonist was so busy trying", "while the protagonist has no problem killing any of the many minions opposing", "the better, and despite having them forced upon them, the people ultimately come", "to stop the scientist from doing to others what was done to him", "mostly avoiding violence, committed what could easily be considered a violent act on", "to fruition. The protagonist has decided that the scientist is an insane terrorist,", "crusade against the scientist. My question is thus: In this scenario, how would", "that the scientist is an insane terrorist, and because the scientist has, despite", "scientist? Is the scientist a villain, since his motives are clearly impure an", "guinea pig for testing out the changes he wants to make to humanity.", "primary antagonist is a Nobel Laureate scientist who wants to effect a massive", "He has decided what he thinks is the ideal state for the human", "the scientist's changes to the human race actually are for the better, and", "organization.\" This is because of the protagonist's convictions that the scientist is an", "the scientist's \"terrorist organization.\" This is because of the protagonist's convictions that the", "ideal state for the human race and he will stop at nothing to", "better place through his actions, regardless of his means and motives? Similarly, is", "an analysis standpoint, I'm trying to determine what classification the antagonist and protagonist", "to his greater willingness to kill, or is he a antivillain because, despite", "come to accept the changes as beneficial. For his part, the protagonist was", "his part, the protagonist was so busy trying to stop the scientist from", "would fall under in terms of the classic literary labels of \"hero,\" \"villain,\"", "a charismatic warrior with a strong sense of justice, while the scientist is", "to think about whether or not what was done to him was a", "since his motives are clearly impure an he is \"evil\" in a classical", "flair for the dramatic. Ultimately, the protagonist fails, and the scientist succeeds in", "villain, since his motives are clearly impure an he is \"evil\" in a", "protagonist was so busy trying to stop the scientist from doing to others", "him and demand that he end his crusade against the scientist. My question" ]
[ "and slowly regains her memories. But just as quickly as she regains her", "memories, they begin to fade as she is slowly devolving into a mindless", "course of this short story, she learns of what she is and slowly", "it as she has no memory of any recent events and simply woke", "recent events and simply woke up there. Over the course of this short", "just as quickly as she regains her memories, they begin to fade as", "not realize it as she has no memory of any recent events and", "devolving into a mindless beast. What would you say is the best way", "as she has no memory of any recent events and simply woke up", "maze yet she does not realize it as she has no memory of", "short story, she learns of what she is and slowly regains her memories.", "in a labyrinth of sorts. The twist here is that she is the", "the monster within this maze yet she does not realize it as she", "But just as quickly as she regains her memories, they begin to fade", "she regains her memories, they begin to fade as she is slowly devolving", "no memory of any recent events and simply woke up there. Over the", "The twist here is that she is the monster within this maze yet", "is the best way to approach my protagonist's thoughts and emotions throughout this?", "memory of any recent events and simply woke up there. Over the course", "realize it as she has no memory of any recent events and simply", "yet she does not realize it as she has no memory of any", "there. Over the course of this short story, she learns of what she", "is trapped in a labyrinth of sorts. The twist here is that she", "quickly as she regains her memories, they begin to fade as she is", "is the monster within this maze yet she does not realize it as", "has no memory of any recent events and simply woke up there. Over", "this maze yet she does not realize it as she has no memory", "her memories, they begin to fade as she is slowly devolving into a", "her memories. But just as quickly as she regains her memories, they begin", "as quickly as she regains her memories, they begin to fade as she", "she has no memory of any recent events and simply woke up there.", "memories. But just as quickly as she regains her memories, they begin to", "the course of this short story, she learns of what she is and", "of sorts. The twist here is that she is the monster within this", "as she regains her memories, they begin to fade as she is slowly", "they begin to fade as she is slowly devolving into a mindless beast.", "and simply woke up there. Over the course of this short story, she", "is slowly devolving into a mindless beast. What would you say is the", "say is the best way to approach my protagonist's thoughts and emotions throughout", "of this short story, she learns of what she is and slowly regains", "does not realize it as she has no memory of any recent events", "writing a story in which our protagonist is trapped in a labyrinth of", "events and simply woke up there. Over the course of this short story,", "what she is and slowly regains her memories. But just as quickly as", "of any recent events and simply woke up there. Over the course of", "which our protagonist is trapped in a labyrinth of sorts. The twist here", "any recent events and simply woke up there. Over the course of this", "What would you say is the best way to approach my protagonist's thoughts", "slowly devolving into a mindless beast. What would you say is the best", "is and slowly regains her memories. But just as quickly as she regains", "she is the monster within this maze yet she does not realize it", "simply woke up there. Over the course of this short story, she learns", "story, she learns of what she is and slowly regains her memories. But", "twist here is that she is the monster within this maze yet she", "into a mindless beast. What would you say is the best way to", "woke up there. Over the course of this short story, she learns of", "is that she is the monster within this maze yet she does not", "she is slowly devolving into a mindless beast. What would you say is", "up there. Over the course of this short story, she learns of what", "a story in which our protagonist is trapped in a labyrinth of sorts.", "she is and slowly regains her memories. But just as quickly as she", "regains her memories. But just as quickly as she regains her memories, they", "a mindless beast. What would you say is the best way to approach", "here is that she is the monster within this maze yet she does", "monster within this maze yet she does not realize it as she has", "trapped in a labyrinth of sorts. The twist here is that she is", "of what she is and slowly regains her memories. But just as quickly", "begin to fade as she is slowly devolving into a mindless beast. What", "I'm currently writing a story in which our protagonist is trapped in a", "learns of what she is and slowly regains her memories. But just as", "in which our protagonist is trapped in a labyrinth of sorts. The twist", "she does not realize it as she has no memory of any recent", "sorts. The twist here is that she is the monster within this maze", "a labyrinth of sorts. The twist here is that she is the monster", "beast. What would you say is the best way to approach my protagonist's", "regains her memories, they begin to fade as she is slowly devolving into", "Over the course of this short story, she learns of what she is", "protagonist is trapped in a labyrinth of sorts. The twist here is that", "fade as she is slowly devolving into a mindless beast. What would you", "as she is slowly devolving into a mindless beast. What would you say", "slowly regains her memories. But just as quickly as she regains her memories,", "this short story, she learns of what she is and slowly regains her", "story in which our protagonist is trapped in a labyrinth of sorts. The", "currently writing a story in which our protagonist is trapped in a labyrinth", "you say is the best way to approach my protagonist's thoughts and emotions", "our protagonist is trapped in a labyrinth of sorts. The twist here is", "within this maze yet she does not realize it as she has no", "that she is the monster within this maze yet she does not realize", "mindless beast. What would you say is the best way to approach my", "she learns of what she is and slowly regains her memories. But just", "to fade as she is slowly devolving into a mindless beast. What would", "labyrinth of sorts. The twist here is that she is the monster within", "would you say is the best way to approach my protagonist's thoughts and" ]
[ "of the story. Lets call him Bob. Through some actions of Bob and", "be stopped by the protagonist with the help of Bob. The problem is,", "of redemption begins. In the end, Bob is a redeemed villain and even", "and even becomes friends with the protagonist, while Zotn has become kind of", "have a connection to both these characters (in addition to the protagonist) and", "too much for one book to introduce the new characters, the world, the", "the plot, while Bob starts to realize how wrong his actions are and", "Bob. Through some actions of Bob and especially his family, Zotn starts to", "becomes friends with the protagonist, while Zotn has become kind of a fallen", "some actions of Bob and especially his family, Zotn starts to hate Bob", "raised is the villain, at least in the beginning of the story. Lets", "to be multiple parts. So the question is: Is it too much for", "is: Is it too much for one book to introduce the new characters,", "I see that as one story I don't want to be multiple parts.", "with the reason to stop him, the guilt of letting him fall, etc.)", "has quite some struggles (His best friend turns bad and he has to", "multiple parts. So the question is: Is it too much for one book", "protagonist also has quite some struggles (His best friend turns bad and he", "story I am about to write the best friend of the protagonist is", "a bad person but because of the circumstances in which he was raised", "with the protagonist, while Zotn has become kind of a fallen hero, who", "protagonist with the help of Bob. The problem is, that in order for", "But as the protagonist also has quite some struggles (His best friend turns", "him, the guilt of letting him fall, etc.) I feel like that is", "to the protagonist) and care for the change in them I need to", "friend turns bad and he has to team up with the reason to", "question is: Is it too much for one book to introduce the new", "circumstances in which he was raised is the villain, at least in the", "reason to stop him, the guilt of letting him fall, etc.) I feel", "with the help of Bob. The problem is, that in order for the", "some struggles (His best friend turns bad and he has to team up", "the change. But as the protagonist also has quite some struggles (His best", "beginning of the story. Lets call him Bob. Through some actions of Bob", "addition to the protagonist) and care for the change in them I need", "a fallen hero, who must be stopped by the protagonist with the help", "because of the circumstances in which he was raised is the villain, at", "become kind of a fallen hero, who must be stopped by the protagonist", "about to write the best friend of the protagonist is a good, caring", "the help of Bob. The problem is, that in order for the audience", "fall, etc.) I feel like that is too much for one book. But", "of the circumstances in which he was raised is the villain, at least", "hate Bob and his mental states gets worse throughout the plot, while Bob", "in which two people flip the sides with the explanation to why that", "book to introduce the new characters, the world, the magic system and in", "system and in addition have so much character change, in which two people", "letting him fall, etc.) I feel like that is too much for one", "write the best friend of the protagonist is a good, caring and benevolent", "states gets worse throughout the plot, while Bob starts to realize how wrong", "Zotn has become kind of a fallen hero, who must be stopped by", "Is it too much for one book to introduce the new characters, the", "change. But as the protagonist also has quite some struggles (His best friend", "lets call him Zotn. The antagonist is not really a bad person but", "character change, in which two people flip the sides with the explanation to", "has to team up with the reason to stop him, the guilt of", "etc.) I feel like that is too much for one book. But on", "him Bob. Through some actions of Bob and especially his family, Zotn starts", "mental states gets worse throughout the plot, while Bob starts to realize how", "plot, while Bob starts to realize how wrong his actions are and his", "and his mental states gets worse throughout the plot, while Bob starts to", "their characters before the change. But as the protagonist also has quite some", "the guilt of letting him fall, etc.) I feel like that is too", "throughout the plot, while Bob starts to realize how wrong his actions are", "also has quite some struggles (His best friend turns bad and he has", "a story I am about to write the best friend of the protagonist", "actions of Bob and especially his family, Zotn starts to hate Bob and", "actions are and his arc of redemption begins. In the end, Bob is", "which two people flip the sides with the explanation to why that is?", "want to be multiple parts. So the question is: Is it too much", "be multiple parts. So the question is: Is it too much for one", "protagonist is a good, caring and benevolent person, lets call him Zotn. The", "of a fallen hero, who must be stopped by the protagonist with the", "up with the reason to stop him, the guilt of letting him fall,", "and he has to team up with the reason to stop him, the", "to realize how wrong his actions are and his arc of redemption begins.", "change, in which two people flip the sides with the explanation to why", "the protagonist, while Zotn has become kind of a fallen hero, who must", "parts. So the question is: Is it too much for one book to", "for the change in them I need to show their characters before the", "So the question is: Is it too much for one book to introduce", "stopped by the protagonist with the help of Bob. The problem is, that", "but because of the circumstances in which he was raised is the villain,", "book. But on the other hand I see that as one story I", "and especially his family, Zotn starts to hate Bob and his mental states", "is not really a bad person but because of the circumstances in which", "best friend of the protagonist is a good, caring and benevolent person, lets", "really have a connection to both these characters (in addition to the protagonist)", "good, caring and benevolent person, lets call him Zotn. The antagonist is not", "while Zotn has become kind of a fallen hero, who must be stopped", "call him Bob. Through some actions of Bob and especially his family, Zotn", "of Bob. The problem is, that in order for the audience to really", "story I don't want to be multiple parts. So the question is: Is", "the villain, at least in the beginning of the story. Lets call him", "other hand I see that as one story I don't want to be", "villain and even becomes friends with the protagonist, while Zotn has become kind", "introduce the new characters, the world, the magic system and in addition have", "The problem is, that in order for the audience to really have a", "the best friend of the protagonist is a good, caring and benevolent person,", "order for the audience to really have a connection to both these characters", "worse throughout the plot, while Bob starts to realize how wrong his actions", "begins. In the end, Bob is a redeemed villain and even becomes friends", "too much for one book. But on the other hand I see that", "friends with the protagonist, while Zotn has become kind of a fallen hero,", "the protagonist with the help of Bob. The problem is, that in order", "characters (in addition to the protagonist) and care for the change in them", "in which he was raised is the villain, at least in the beginning", "has become kind of a fallen hero, who must be stopped by the", "the change in them I need to show their characters before the change.", "the audience to really have a connection to both these characters (in addition", "Through some actions of Bob and especially his family, Zotn starts to hate", "in addition have so much character change, in which two people flip the", "to team up with the reason to stop him, the guilt of letting", "his arc of redemption begins. In the end, Bob is a redeemed villain", "to stop him, the guilt of letting him fall, etc.) I feel like", "Lets call him Bob. Through some actions of Bob and especially his family,", "best friend turns bad and he has to team up with the reason", "one book. But on the other hand I see that as one story", "is a redeemed villain and even becomes friends with the protagonist, while Zotn", "like that is too much for one book. But on the other hand", "much for one book to introduce the new characters, the world, the magic", "characters, the world, the magic system and in addition have so much character", "must be stopped by the protagonist with the help of Bob. The problem", "to really have a connection to both these characters (in addition to the", "guilt of letting him fall, etc.) I feel like that is too much", "protagonist) and care for the change in them I need to show their", "for the audience to really have a connection to both these characters (in", "the protagonist is a good, caring and benevolent person, lets call him Zotn.", "I am about to write the best friend of the protagonist is a", "really a bad person but because of the circumstances in which he was", "a good, caring and benevolent person, lets call him Zotn. The antagonist is", "call him Zotn. The antagonist is not really a bad person but because", "gets worse throughout the plot, while Bob starts to realize how wrong his", "friend of the protagonist is a good, caring and benevolent person, lets call", "benevolent person, lets call him Zotn. The antagonist is not really a bad", "least in the beginning of the story. Lets call him Bob. Through some", "was raised is the villain, at least in the beginning of the story.", "story. Lets call him Bob. Through some actions of Bob and especially his", "connection to both these characters (in addition to the protagonist) and care for", "But on the other hand I see that as one story I don't", "by the protagonist with the help of Bob. The problem is, that in", "them I need to show their characters before the change. But as the", "he has to team up with the reason to stop him, the guilt", "person but because of the circumstances in which he was raised is the", "to hate Bob and his mental states gets worse throughout the plot, while", "see that as one story I don't want to be multiple parts. So", "for one book to introduce the new characters, the world, the magic system", "need to show their characters before the change. But as the protagonist also", "the other hand I see that as one story I don't want to", "before the change. But as the protagonist also has quite some struggles (His", "audience to really have a connection to both these characters (in addition to", "even becomes friends with the protagonist, while Zotn has become kind of a", "a connection to both these characters (in addition to the protagonist) and care", "and benevolent person, lets call him Zotn. The antagonist is not really a", "of Bob and especially his family, Zotn starts to hate Bob and his", "his actions are and his arc of redemption begins. In the end, Bob", "(His best friend turns bad and he has to team up with the", "(in addition to the protagonist) and care for the change in them I", "the protagonist) and care for the change in them I need to show", "his mental states gets worse throughout the plot, while Bob starts to realize", "bad and he has to team up with the reason to stop him,", "his family, Zotn starts to hate Bob and his mental states gets worse", "Bob and especially his family, Zotn starts to hate Bob and his mental", "the end, Bob is a redeemed villain and even becomes friends with the", "especially his family, Zotn starts to hate Bob and his mental states gets", "have so much character change, in which two people flip the sides with", "The antagonist is not really a bad person but because of the circumstances", "the beginning of the story. Lets call him Bob. Through some actions of", "and in addition have so much character change, in which two people flip", "starts to hate Bob and his mental states gets worse throughout the plot,", "I need to show their characters before the change. But as the protagonist", "starts to realize how wrong his actions are and his arc of redemption", "a redeemed villain and even becomes friends with the protagonist, while Zotn has", "the new characters, the world, the magic system and in addition have so", "caring and benevolent person, lets call him Zotn. The antagonist is not really", "to show their characters before the change. But as the protagonist also has", "problem is, that in order for the audience to really have a connection", "both these characters (in addition to the protagonist) and care for the change", "care for the change in them I need to show their characters before", "are and his arc of redemption begins. In the end, Bob is a", "villain, at least in the beginning of the story. Lets call him Bob.", "in the beginning of the story. Lets call him Bob. Through some actions", "Bob starts to realize how wrong his actions are and his arc of", "change in them I need to show their characters before the change. But", "quite some struggles (His best friend turns bad and he has to team", "world, the magic system and in addition have so much character change, in", "Bob. The problem is, that in order for the audience to really have", "kind of a fallen hero, who must be stopped by the protagonist with", "help of Bob. The problem is, that in order for the audience to", "Zotn starts to hate Bob and his mental states gets worse throughout the", "end, Bob is a redeemed villain and even becomes friends with the protagonist,", "at least in the beginning of the story. Lets call him Bob. Through", "as the protagonist also has quite some struggles (His best friend turns bad", "the world, the magic system and in addition have so much character change,", "that as one story I don't want to be multiple parts. So the", "which he was raised is the villain, at least in the beginning of", "team up with the reason to stop him, the guilt of letting him", "Bob and his mental states gets worse throughout the plot, while Bob starts", "don't want to be multiple parts. So the question is: Is it too", "characters before the change. But as the protagonist also has quite some struggles", "of letting him fall, etc.) I feel like that is too much for", "protagonist, while Zotn has become kind of a fallen hero, who must be", "and care for the change in them I need to show their characters", "realize how wrong his actions are and his arc of redemption begins. In", "as one story I don't want to be multiple parts. So the question", "magic system and in addition have so much character change, in which two", "hero, who must be stopped by the protagonist with the help of Bob.", "one book to introduce the new characters, the world, the magic system and", "for one book. But on the other hand I see that as one", "that in order for the audience to really have a connection to both", "family, Zotn starts to hate Bob and his mental states gets worse throughout", "the story. Lets call him Bob. Through some actions of Bob and especially", "wrong his actions are and his arc of redemption begins. In the end,", "on the other hand I see that as one story I don't want", "am about to write the best friend of the protagonist is a good,", "arc of redemption begins. In the end, Bob is a redeemed villain and", "Zotn. The antagonist is not really a bad person but because of the", "show their characters before the change. But as the protagonist also has quite", "he was raised is the villain, at least in the beginning of the", "these characters (in addition to the protagonist) and care for the change in", "is a good, caring and benevolent person, lets call him Zotn. The antagonist", "I feel like that is too much for one book. But on the", "to both these characters (in addition to the protagonist) and care for the", "the reason to stop him, the guilt of letting him fall, etc.) I", "In the end, Bob is a redeemed villain and even becomes friends with", "in order for the audience to really have a connection to both these", "him fall, etc.) I feel like that is too much for one book.", "is too much for one book. But on the other hand I see", "him Zotn. The antagonist is not really a bad person but because of", "to introduce the new characters, the world, the magic system and in addition", "addition have so much character change, in which two people flip the sides", "person, lets call him Zotn. The antagonist is not really a bad person", "the protagonist also has quite some struggles (His best friend turns bad and", "much for one book. But on the other hand I see that as", "I don't want to be multiple parts. So the question is: Is it", "redemption begins. In the end, Bob is a redeemed villain and even becomes", "the circumstances in which he was raised is the villain, at least in", "while Bob starts to realize how wrong his actions are and his arc", "in them I need to show their characters before the change. But as", "antagonist is not really a bad person but because of the circumstances in", "bad person but because of the circumstances in which he was raised is", "and his arc of redemption begins. In the end, Bob is a redeemed", "of the protagonist is a good, caring and benevolent person, lets call him", "redeemed villain and even becomes friends with the protagonist, while Zotn has become", "new characters, the world, the magic system and in addition have so much", "feel like that is too much for one book. But on the other", "much character change, in which two people flip the sides with the explanation", "not really a bad person but because of the circumstances in which he", "who must be stopped by the protagonist with the help of Bob. The", "is, that in order for the audience to really have a connection to", "one story I don't want to be multiple parts. So the question is:", "how wrong his actions are and his arc of redemption begins. In the", "the question is: Is it too much for one book to introduce the", "it too much for one book to introduce the new characters, the world,", "the magic system and in addition have so much character change, in which", "so much character change, in which two people flip the sides with the", "In a story I am about to write the best friend of the", "to write the best friend of the protagonist is a good, caring and", "fallen hero, who must be stopped by the protagonist with the help of", "turns bad and he has to team up with the reason to stop", "that is too much for one book. But on the other hand I", "stop him, the guilt of letting him fall, etc.) I feel like that", "is the villain, at least in the beginning of the story. Lets call", "Bob is a redeemed villain and even becomes friends with the protagonist, while", "hand I see that as one story I don't want to be multiple", "struggles (His best friend turns bad and he has to team up with" ]
[ "strawman, you are weakening your argument by presenting the extreme edge of the", "> > This is too much, this is a strawman, you are weakening", "and Fahrenheit 451 are classical examples. I have received two seemingly contradictory critiques", "each of them says, but how do I combine the two? Perhaps exacerbating", "worse than what you present. You weaken your story by keeping it too", "argument by presenting the extreme edge of the phenomenon you wish to engage", "here? What is hiding behind the contradictory critique? I can see how there", "have very limited space to set up what I have set out to", "to both my beta readers here? What is hiding behind the contradictory critique?", "exacerbating the problem is the fact that this is a short story. I", "future. 1984 and Fahrenheit 451 are classical examples. I have received two seemingly", "of the phenomenon you wish to engage with rather than its mainstream. >", "short story. It is science fiction of the \"if this goes on\" kind:", "- a troubling future. 1984 and Fahrenheit 451 are classical examples. I have", "> > The other says: > > This is not enough. If you", "of them says, but how do I combine the two?** Perhaps exacerbating the", "listen to both my beta readers here? What is hiding behind the contradictory", "am in the process of editing a short story. It is science fiction", "goes on\" kind: I take a social trend I see, and paint its", "presenting the extreme edge of the phenomenon you wish to engage with rather", "engage with rather than its mainstream. > > > The other says: >", "> The other says: > > This is not enough. If you give", "I see, and paint its event horizon - a troubling future. 1984 and", "is not enough. If you give that phenomenon free reign, it would go", "Fahrenheit 451 are classical examples. I have received two seemingly contradictory critiques from", "not enough. If you give that phenomenon free reign, it would go much", "how do I combine the two? Perhaps exacerbating the problem is the fact", "This is not enough. If you give that phenomenon free reign, it would", "far enough. > > > How do I listen to both my beta", "in the process of editing a short story. It is science fiction of", "by keeping it too tame, by not going far enough. > > >", "contradictory critiques from beta readers: one says > > This is too much,", "is hiding behind the contradictory critique? I can see how there is truth", "going far enough. > > > How do I listen to both my", "is a short story. I have very limited space to set up what", "you are weakening your argument by presenting the extreme edge of the phenomenon", "truth in what each of them says, but how do I combine the", "editing a short story. It is science fiction of the \"if this goes", "critiques from beta readers: one says > > This is too much, this", "see how there is truth in what each of them says, but how", "kind: I take a social trend I see, and paint its event horizon", "this goes on\" kind: I take a social trend I see, and paint", "I combine the two? Perhaps exacerbating the problem is the fact that this", "by not going far enough. > > > How do I listen to", "beta readers: one says > > This is too much, this is a", "very limited space to set up what I have set out to explore.", "two? Perhaps exacerbating the problem is the fact that this is a short", "can see how there is truth in what each of them says, but", "horizon - a troubling future. 1984 and Fahrenheit 451 are classical examples. I", "my beta readers here? What is hiding behind the contradictory critique? I can", "with rather than its mainstream. > > > The other says: > >", "combine the two? Perhaps exacerbating the problem is the fact that this is", "of the \"if this goes on\" kind: I take a social trend I", "two seemingly contradictory critiques from beta readers: one says > > This is", "readers: one says > > This is too much, this is a strawman,", "contradictory critique? I can see how there is truth in what each of", "of editing a short story. It is science fiction of the \"if this", "not going far enough. > > > How do I listen to both", "fiction of the \"if this goes on\" kind: I take a social trend", "you give that phenomenon free reign, it would go much further, get much", "that phenomenon free reign, it would go much further, get much worse than", "\"if this goes on\" kind: I take a social trend I see, and", "critique? I can see how there is truth in what each of them", "keeping it too tame, by not going far enough. > > > How", "If you give that phenomenon free reign, it would go much further, get", "other says: > > This is not enough. If you give that phenomenon", "problem is the fact that this is a short story. I have very", "much, this is a strawman, you are weakening your argument by presenting the", "much worse than what you present. You weaken your story by keeping it", "enough. If you give that phenomenon free reign, it would go much further,", "hiding behind the contradictory critique? *I can see how there is truth in", "troubling future. 1984* and Fahrenheit 451 are classical examples. I have received two", "is science fiction of the \"if this goes on\" kind: I take a", "> This is not enough. If you give that phenomenon free reign, it", "further, get much worse than what you present. You weaken your story by", "says, but how do I combine the two?** Perhaps exacerbating the problem is", "I have very limited space to set up what I have set out", "trend I see, and paint its event horizon - a troubling future. 1984", "It is science fiction of the \"if this goes on\" kind: I take", "> > > The other says: > > This is not enough. If", "phenomenon you wish to engage with rather than its mainstream. > > >", "is truth in what each of them says, but how do I combine", "than its mainstream. > > > The other says: > > This is", "wish to engage with rather than its mainstream. > > > The other", "a strawman, you are weakening your argument by presenting the extreme edge of", "a short story. It is science fiction of the \"if this goes on\"", "mainstream. > > > The other says: > > This is not enough.", "what you present. You weaken your story by keeping it too tame, by", "says > > This is too much, this is a strawman, you are", "too much, this is a strawman, you are weakening your argument by presenting", "how there is truth in what each of them says, but how do", "see, and paint its event horizon - a troubling future. 1984 and Fahrenheit", "behind the contradictory critique? I can see how there is truth in what", "the phenomenon you wish to engage with rather than its mainstream. > >", "a short story. I have very limited space to set up what I", "a social trend I see, and paint its event horizon - a troubling", "it too tame, by not going far enough. > > > How do", "reign, it would go much further, get much worse than what you present.", "social trend I see, and paint its event horizon - a troubling future.", "give that phenomenon free reign, it would go much further, get much worse", "its mainstream. > > > The other says: > > This is not", "tame, by not going far enough. > > > How do I listen", "is the fact that this is a short story. I have very limited", "weakening your argument by presenting the extreme edge of the phenomenon you wish", "them says, but how do I combine the two?* Perhaps exacerbating the problem", "the fact that this is a short story. I have very limited space", "enough. > > > How do I listen to both my beta readers", "the \"if this goes on\" kind: I take a social trend I see,", "readers here? What is hiding behind the contradictory critique? *I can see how", "extreme edge of the phenomenon you wish to engage with rather than its", "> > How do I listen to both my beta readers here? What", "How do I listen to both my beta readers here? What is hiding", "it would go much further, get much worse than what you present. You", "its event horizon - a troubling future. 1984* and Fahrenheit 451 are classical", "classical examples. I have received two seemingly contradictory critiques from beta readers: one", "This is too much, this is a strawman, you are weakening your argument", "and paint its event horizon - a troubling future. 1984 and Fahrenheit 451", "the two? Perhaps exacerbating the problem is the fact that this is a", "phenomenon free reign, it would go much further, get much worse than what", "What is hiding behind the contradictory critique? I can see how there is", "do I combine the two? Perhaps exacerbating the problem is the fact that", "I can see how there is truth in what each of them says,", "rather than its mainstream. > > > The other says: > > This", "the process of editing a short story. It is science fiction of the", "present. You weaken your story by keeping it too tame, by not going", "but how do I combine the two? Perhaps exacerbating the problem is the", "this is a strawman, you are weakening your argument by presenting the extreme", "one says > > This is too much, this is a strawman, you", "short story. I have very limited space to set up what I have", "the extreme edge of the phenomenon you wish to engage with rather than", "> > > How do I listen to both my beta readers here?", "I listen to both my beta readers here? What is hiding behind the", "you wish to engage with rather than its mainstream. > > > The", "the contradictory critique? I can see how there is truth in what each", "event horizon - a troubling future. 1984 and Fahrenheit 451 are classical examples.", "what each of them says, but how do I combine the two? Perhaps", "have received two seemingly contradictory critiques from beta readers: one says > >", "> > This is not enough. If you give that phenomenon free reign,", "free reign, it would go much further, get much worse than what you", "science fiction of the \"if this goes on\" kind: I take a social", "examples. I have received two seemingly contradictory critiques from beta readers: one says", "is too much, this is a strawman, you are weakening your argument by", "than what you present. You weaken your story by keeping it too tame,", "I take a social trend I see, and paint its event horizon -", "seemingly contradictory critiques from beta readers: one says > > This is too", "by presenting the extreme edge of the phenomenon you wish to engage with", "your argument by presenting the extreme edge of the phenomenon you wish to", "to engage with rather than its mainstream. > > > The other says:", "process of editing a short story. It is science fiction of the \"if", "this is a short story. I have very limited space to set up", "go much further, get much worse than what you present. You weaken your", "beta readers here? What is hiding behind the contradictory critique? I can see", "is a strawman, you are weakening your argument by presenting the extreme edge", "your story by keeping it too tame, by not going far enough. >", "do I listen to both my beta readers here? What is hiding behind", "fact that this is a short story. I have very limited space to", "1984 and Fahrenheit 451 are classical examples. I have received two seemingly contradictory", "I have received two seemingly contradictory critiques from beta readers: one says >", "take a social trend I see, and paint its event horizon - a", "both my beta readers here? What is hiding behind the contradictory critique? I", "would go much further, get much worse than what you present. You weaken", "there is truth in what each of them says, but how do I", "story. It is science fiction of the \"if this goes on\" kind: I", "that this is a short story. I have very limited space to set", "I am in the process of editing a short story. It is science", "are classical examples. I have received two seemingly contradictory critiques from beta readers:", "get much worse than what you present. You weaken your story by keeping", "on\" kind: I take a social trend I see, and paint its event", "in what each of them says, but how do I combine the two?", "the problem is the fact that this is a short story. I have", "edge of the phenomenon you wish to engage with rather than its mainstream.", "says: > > This is not enough. If you give that phenomenon free", "from beta readers: one says > > This is too much, this is", "451* are classical examples. I have received two seemingly contradictory critiques from beta", "Perhaps exacerbating the problem is the fact that this is a short story.", "story by keeping it too tame, by not going far enough. > >", "too tame, by not going far enough. > > > How do I", "received two seemingly contradictory critiques from beta readers: one says > > This", "paint its event horizon - a troubling future. 1984 and Fahrenheit 451 are", "> How do I listen to both my beta readers here? What is", "a troubling future. 1984 and Fahrenheit 451 are classical examples. I have received", "story. I have very limited space to set up what I have set", "weaken your story by keeping it too tame, by not going far enough.", "The other says: > > This is not enough. If you give that", "you present. You weaken your story by keeping it too tame, by not", "are weakening your argument by presenting the extreme edge of the phenomenon you", "much further, get much worse than what you present. You weaken your story", "You weaken your story by keeping it too tame, by not going far", "> This is too much, this is a strawman, you are weakening your" ]
[ "up with original worlds and plots, but I need a portfolio of original", "and plots, but I need a portfolio of original work. Any thoughts on", "have a hard time coming up with original worlds and plots, but I", "with original worlds and plots, but I need a portfolio of original work.", "portfolio of original work. Any thoughts on how to come up with ideas?", "but I need a portfolio of original work. Any thoughts on how to", "time coming up with original worlds and plots, but I need a portfolio", "plots, but I need a portfolio of original work. Any thoughts on how", "a portfolio of original work. Any thoughts on how to come up with", "need a portfolio of original work. Any thoughts on how to come up", "worlds and plots, but I need a portfolio of original work. Any thoughts", "I need a portfolio of original work. Any thoughts on how to come", "coming up with original worlds and plots, but I need a portfolio of", "hard time coming up with original worlds and plots, but I need a", "a hard time coming up with original worlds and plots, but I need", "I have a hard time coming up with original worlds and plots, but", "original worlds and plots, but I need a portfolio of original work. Any" ]
[ "a scene at the beginning of a chapter for instance, before character interactions", "elements to consider, and how long should the description be, before getting on", "instance, before character interactions take place, what are the important elements to consider,", "important elements to consider, and how long should the description be, before getting", "of a chapter for instance, before character interactions take place, what are the", "the important elements to consider, and how long should the description be, before", "character interactions take place, what are the important elements to consider, and how", "building a scene at the beginning of a chapter for instance, before character", "consider, and how long should the description be, before getting on with the", "beginning of a chapter for instance, before character interactions take place, what are", "place, what are the important elements to consider, and how long should the", "chapter for instance, before character interactions take place, what are the important elements", "to consider, and how long should the description be, before getting on with", "and how long should the description be, before getting on with the narration?", "a chapter for instance, before character interactions take place, what are the important", "before character interactions take place, what are the important elements to consider, and", "take place, what are the important elements to consider, and how long should", "what are the important elements to consider, and how long should the description", "at the beginning of a chapter for instance, before character interactions take place,", "are the important elements to consider, and how long should the description be,", "interactions take place, what are the important elements to consider, and how long", "the beginning of a chapter for instance, before character interactions take place, what", "for instance, before character interactions take place, what are the important elements to", "scene at the beginning of a chapter for instance, before character interactions take", "When building a scene at the beginning of a chapter for instance, before" ]
[ "vintage coolness, and well also on fineness, but not very well on several", "leaking or otherwise misbehaving 5. a pen that is reasonably inexpensive so that", "fineness, but not very well on several of the other criteria -- they", "that can sit for several weeks, even in winter (by winter I mainly", "sentimental value (they're what my mom grew up using) and on vintage coolness,", "am using them frequently) they are dry (though the cartridge is full) and", "Liby school pen that meets all the criteria except that it has a", "reliably handle travel well (and I'm talking ground travel, walking or driving) 4.", "old Liby school pen that meets all the criteria except that it has", "pen that does these things, or should I just stick with throwaway rollerball", "heating), without requiring a rescue operation to return it to fluid writing 4.", "my mom grew up using) and on vintage coolness, and well also on", "plastic-barreled Liby pens that write at the width I want and meet all", "math). I do dip-pen calligraphy and various kinds of ink-based artwork, as well", "return it to fluid writing 4. a pen that is portable -- not", "and has the most flexible nib I've ever seen on a fountain pen;", "like Esterbrooks that is delightfully fine, has excellent fluidity, and has the most", "I grew up in Germany, where we were required to write in fountain", "give -- not the firmest thing out there Does anyone know of a", "can sit for several weeks, even in winter (by winter I mainly mean", "that write at the width I want and meet all the other criteria", "sit for several weeks, even in winter (by winter I mainly mean low-moisture", "for several weeks, even in winter (by winter I mainly mean low-moisture conditions", "that is reasonably inexpensive so that if I were to lose it, it", "degrade easily, and they do not reliably handle travel well (and I'm talking", "the other criteria -- they dry out easily, their sacs degrade easily, and", "grade for math). I do dip-pen calligraphy and various kinds of ink-based artwork,", "pen that is portable -- not interested in one I have to keep", "a nib that is a little too broad for me. 2. Two new", "they do not reliably handle travel well (and I'm talking ground travel, walking", "1. An old Liby school pen that meets all the criteria except that", "other criteria but whenever I go to use them (even, it seems to", "of give -- not the firmest thing out there Does anyone know of", "not wide) 2. a pen that writes fluidly 3. a pen that can", "is reasonably inexpensive so that if I were to lose it, it would", "am reasonably familiar with their functioning, and I have an assortment of them", "familiar with their functioning, and I have an assortment of them at home.", "gray are my favorites) 7. a pen with a nib that has a", "the other criteria but whenever I go to use them (even, it seems", "grade on (fourth grade for math). I do dip-pen calligraphy and various kinds", "their struggles are (in response to this feel free to give me troubleshooting", "that can be replenished reasonably inexpensively, preferably in an array of colors (brown,", "for extra-fine; but not wide) 2. a pen that writes fluidly 3. a", "to return it to fluid writing 4. a pen that is portable --", "(and in response to this feel free to suggest pens). Then I will", "pens I have, and what their struggles are (in response to this feel", "inexpensive so that if I were to lose it, it would not be", "out the pens I have, and what their struggles are (in response to", "ground travel, walking or driving) 4. a 1920s Moore pen with a lever-refill", "and what their struggles are (in response to this feel free to give", "with a nib that has a tiny bit of give -- not the", "well also on fineness, but not very well on several of the other", "out there Does anyone know of a fountain pen that does these things,", "lose it, it would not be catastrophic 6. a pen that can be", "criteria except that it has a nib that is a little too broad", "a pen that is portable -- not interested in one I have to", "a pen that is reasonably inexpensive so that if I were to lose", "a fountain pen that does these things, or should I just stick with", "1920s Moore pen with a lever-refill sac like Esterbrooks that is delightfully fine,", "for in a pen (and in response to this feel free to suggest", "extensive coaxing before they write fluidly, or never really get there. 3. an", "very well on several of the other criteria -- they dry out easily,", "with their functioning, and I have an assortment of them at home. I", "and meet all the other criteria but whenever I go to use them", "pen from second grade on (fourth grade for math). I do dip-pen calligraphy", "list out first what I am looking for in a pen (and in", "4. a 1920s Moore pen with a lever-refill sac like Esterbrooks that is", "that is a little too broad for me. 2. Two new low-end, plastic-barreled", "a 1920s Moore pen with a lever-refill sac like Esterbrooks that is delightfully", "array of Esterbrook pens that do fabulously on sentimental value (they're what my", "winter (by winter I mainly mean low-moisture conditions created by indoor heating), without", "list out the pens I have, and what their struggles are (in response", "interested in one I have to keep at my desk, so it needs", "rollerball and felt-tipped pens? II. What I have: 1. An old Liby school", "were to lose it, it would not be catastrophic 6. a pen that", "nib that is a little too broad for me. 2. Two new low-end,", "it would not be catastrophic 6. a pen that can be replenished reasonably", "plastic is simply starting to break down and recently the barrel cracked in", "requiring a rescue operation to return it to fluid writing 4. a pen", "to keep at my desk, so it needs to handle being carried about", "does these things, or should I just stick with throwaway rollerball and felt-tipped", "would not be catastrophic 6. a pen that can be replenished reasonably inexpensively,", "grew up in Germany, where we were required to write in fountain pen", "were required to write in fountain pen from second grade on (fourth grade", "lever-refill sac like Esterbrooks that is delightfully fine, has excellent fluidity, and has", "in response to this feel free to suggest pens). Then I will list", "in an array of colors (brown, black, blue, and gray are my favorites)", "the width I want and meet all the other criteria but whenever I", "so it needs to handle being carried about and joggled a bit without", "broad for me. 2. Two new low-end, plastic-barreled Liby pens that write at", "fine nib (no need for extra-fine; but not wide) 2. a pen that", "(though the cartridge is full) and they either require extensive coaxing before they", "is portable -- not interested in one I have to keep at my", "with a lever-refill sac like Esterbrooks that is delightfully fine, has excellent fluidity,", "mainly mean low-moisture conditions created by indoor heating), without requiring a rescue operation", "seems to me, when I am using them frequently) they are dry (though", "writing 4. a pen that is portable -- not interested in one I", "joggled a bit without leaking or otherwise misbehaving 5. a pen that is", "be catastrophic 6. a pen that can be replenished reasonably inexpensively, preferably in", "frequently) they are dry (though the cartridge is full) and they either require", "7. a pen with a nib that has a tiny bit of give", "to write in fountain pen from second grade on (fourth grade for math).", "Esterbrook pens that do fabulously on sentimental value (they're what my mom grew", "a lever-refill sac like Esterbrooks that is delightfully fine, has excellent fluidity, and", "there. 3. an array of Esterbrook pens that do fabulously on sentimental value", "pen with a fine nib (no need for extra-fine; but not wide) 2.", "first what I am looking for in a pen (and in response to", "-- not interested in one I have to keep at my desk, so", "a fountain pen; but unfortunately, the plastic is simply starting to break down", "an array of colors (brown, black, blue, and gray are my favorites) 7.", "Two new low-end, plastic-barreled Liby pens that write at the width I want", "all the criteria except that it has a nib that is a little", "to me, when I am using them frequently) they are dry (though the", "I'm talking ground travel, walking or driving) 4. a 1920s Moore pen with", "throwaway rollerball and felt-tipped pens? II. What I have: 1. An old Liby", "easily, and they do not reliably handle travel well (and I'm talking ground", "to use them (even, it seems to me, when I am using them", "weeks, even in winter (by winter I mainly mean low-moisture conditions created by", "too broad for me. 2. Two new low-end, plastic-barreled Liby pens that write", "it seems to me, when I am using them frequently) they are dry", "several of the other criteria -- they dry out easily, their sacs degrade", "keep at my desk, so it needs to handle being carried about and", "their sacs degrade easily, and they do not reliably handle travel well (and", "that do fabulously on sentimental value (they're what my mom grew up using)", "I will list out the pens I have, and what their struggles are", "on vintage coolness, and well also on fineness, but not very well on", "are dry (though the cartridge is full) and they either require extensive coaxing", "value (they're what my mom grew up using) and on vintage coolness, and", "the pens I have, and what their struggles are (in response to this", "barrel cracked in a way I'm not sure is repairable Does anyone know", "has excellent fluidity, and has the most flexible nib I've ever seen on", "pen that writes fluidly 3. a pen that can sit for several weeks,", "colors (brown, black, blue, and gray are my favorites) 7. a pen with", "they write fluidly, or never really get there. 3. an array of Esterbrook", "these things, or should I just stick with throwaway rollerball and felt-tipped pens?", "catastrophic 6. a pen that can be replenished reasonably inexpensively, preferably in an", "indoor heating), without requiring a rescue operation to return it to fluid writing", "should I just stick with throwaway rollerball and felt-tipped pens? II. What I", "but not very well on several of the other criteria -- they dry", "can be replenished reasonably inexpensively, preferably in an array of colors (brown, black,", "that is delightfully fine, has excellent fluidity, and has the most flexible nib", "that if I were to lose it, it would not be catastrophic 6.", "stick with throwaway rollerball and felt-tipped pens? II. What I have: 1. An", "of a fountain pen that does these things, or should I just stick", "or never really get there. 3. an array of Esterbrook pens that do", "new low-end, plastic-barreled Liby pens that write at the width I want and", "in fountain pen from second grade on (fourth grade for math). I do", "is simply starting to break down and recently the barrel cracked in a", "down and recently the barrel cracked in a way I'm not sure is", "for math). I do dip-pen calligraphy and various kinds of ink-based artwork, as", "break down and recently the barrel cracked in a way I'm not sure", "desk, so it needs to handle being carried about and joggled a bit", "low-end, plastic-barreled Liby pens that write at the width I want and meet", "the most flexible nib I've ever seen on a fountain pen; but unfortunately,", "ink-based artwork, as well as writing. I like fountain pens and am reasonably", "me. 2. Two new low-end, plastic-barreled Liby pens that write at the width", "seen on a fountain pen; but unfortunately, the plastic is simply starting to", "with a fine nib (no need for extra-fine; but not wide) 2. a", "I have to keep at my desk, so it needs to handle being", "pens and am reasonably familiar with their functioning, and I have an assortment", "fountain pen; but unfortunately, the plastic is simply starting to break down and", "pens). Then I will list out the pens I have, and what their", "various kinds of ink-based artwork, as well as writing. I like fountain pens", "have, and what their struggles are (in response to this feel free to", "fabulously on sentimental value (they're what my mom grew up using) and on", "and felt-tipped pens? II. What I have: 1. An old Liby school pen", "I'm looking for: 1. a pen with a fine nib (no need for", "where we were required to write in fountain pen from second grade on", "looking for: 1. a pen with a fine nib (no need for extra-fine;", "has the most flexible nib I've ever seen on a fountain pen; but", "-- not the firmest thing out there Does anyone know of a fountain", "sac like Esterbrooks that is delightfully fine, has excellent fluidity, and has the", "it needs to handle being carried about and joggled a bit without leaking", "and recently the barrel cracked in a way I'm not sure is repairable", "nib that has a tiny bit of give -- not the firmest thing", "from second grade on (fourth grade for math). I do dip-pen calligraphy and", "reasonably inexpensively, preferably in an array of colors (brown, black, blue, and gray", "fountain pen that does these things, or should I just stick with throwaway", "use them (even, it seems to me, when I am using them frequently)", "cartridge is full) and they either require extensive coaxing before they write fluidly,", "an array of Esterbrook pens that do fabulously on sentimental value (they're what", "using) and on vintage coolness, and well also on fineness, but not very", "a bit without leaking or otherwise misbehaving 5. a pen that is reasonably", "they either require extensive coaxing before they write fluidly, or never really get", "the cartridge is full) and they either require extensive coaxing before they write", "a nib that has a tiny bit of give -- not the firmest", "to this feel free to suggest pens). Then I will list out the", "all the other criteria but whenever I go to use them (even, it", "pen with a lever-refill sac like Esterbrooks that is delightfully fine, has excellent", "feel free to suggest pens). Then I will list out the pens I", "using them frequently) they are dry (though the cartridge is full) and they", "I go to use them (even, it seems to me, when I am", "Moore pen with a lever-refill sac like Esterbrooks that is delightfully fine, has", "cracked in a way I'm not sure is repairable Does anyone know how", "as well as writing. I like fountain pens and am reasonably familiar with", "at my desk, so it needs to handle being carried about and joggled", "required to write in fountain pen from second grade on (fourth grade for", "or should I just stick with throwaway rollerball and felt-tipped pens? II. What", "way I'm not sure is repairable Does anyone know how to troubleshoot any", "nib I've ever seen on a fountain pen; but unfortunately, the plastic is", "their functioning, and I have an assortment of them at home. I will", "to this feel free to give me troubleshooting suggestions). I. What I'm looking", "anyone know of a fountain pen that does these things, or should I", "in Germany, where we were required to write in fountain pen from second", "either require extensive coaxing before they write fluidly, or never really get there.", "free to suggest pens). Then I will list out the pens I have,", "do fabulously on sentimental value (they're what my mom grew up using) and", "there Does anyone know of a fountain pen that does these things, or", "and various kinds of ink-based artwork, as well as writing. I like fountain", "I do dip-pen calligraphy and various kinds of ink-based artwork, as well as", "black, blue, and gray are my favorites) 7. a pen with a nib", "out first what I am looking for in a pen (and in response", "travel, walking or driving) 4. a 1920s Moore pen with a lever-refill sac", "me troubleshooting suggestions). I. What I'm looking for: 1. a pen with a", "not interested in one I have to keep at my desk, so it", "have to keep at my desk, so it needs to handle being carried", "them at home. I will list out first what I am looking for", "my desk, so it needs to handle being carried about and joggled a", "what their struggles are (in response to this feel free to give me", "is a little too broad for me. 2. Two new low-end, plastic-barreled Liby", "has a tiny bit of give -- not the firmest thing out there", "most flexible nib I've ever seen on a fountain pen; but unfortunately, the", "a pen with a nib that has a tiny bit of give --", "(and I'm talking ground travel, walking or driving) 4. a 1920s Moore pen", "extra-fine; but not wide) 2. a pen that writes fluidly 3. a pen", "a pen with a fine nib (no need for extra-fine; but not wide)", "they dry out easily, their sacs degrade easily, and they do not reliably", "I will list out first what I am looking for in a pen", "fountain pen from second grade on (fourth grade for math). I do dip-pen", "it to fluid writing 4. a pen that is portable -- not interested", "what I am looking for in a pen (and in response to this", "on a fountain pen; but unfortunately, the plastic is simply starting to break", "I am using them frequently) they are dry (though the cartridge is full)", "a fine nib (no need for extra-fine; but not wide) 2. a pen", "on fineness, but not very well on several of the other criteria --", "but unfortunately, the plastic is simply starting to break down and recently the", "(in response to this feel free to give me troubleshooting suggestions). I. What", "being carried about and joggled a bit without leaking or otherwise misbehaving 5.", "in one I have to keep at my desk, so it needs to", "mean low-moisture conditions created by indoor heating), without requiring a rescue operation to", "before they write fluidly, or never really get there. 3. an array of", "are (in response to this feel free to give me troubleshooting suggestions). I.", "am looking for in a pen (and in response to this feel free", "well as writing. I like fountain pens and am reasonably familiar with their", "What I'm looking for: 1. a pen with a fine nib (no need", "give me troubleshooting suggestions). I. What I'm looking for: 1. a pen with", "me, when I am using them frequently) they are dry (though the cartridge", "that is portable -- not interested in one I have to keep at", "conditions created by indoor heating), without requiring a rescue operation to return it", "driving) 4. a 1920s Moore pen with a lever-refill sac like Esterbrooks that", "not very well on several of the other criteria -- they dry out", "reasonably inexpensive so that if I were to lose it, it would not", "will list out first what I am looking for in a pen (and", "and am reasonably familiar with their functioning, and I have an assortment of", "pen that meets all the criteria except that it has a nib that", "dip-pen calligraphy and various kinds of ink-based artwork, as well as writing. I", "(brown, black, blue, and gray are my favorites) 7. a pen with a", "has a nib that is a little too broad for me. 2. Two", "struggles are (in response to this feel free to give me troubleshooting suggestions).", "a way I'm not sure is repairable Does anyone know how to troubleshoot", "pens? II. What I have: 1. An old Liby school pen that meets", "low-moisture conditions created by indoor heating), without requiring a rescue operation to return", "and they either require extensive coaxing before they write fluidly, or never really", "calligraphy and various kinds of ink-based artwork, as well as writing. I like", "starting to break down and recently the barrel cracked in a way I'm", "(fourth grade for math). I do dip-pen calligraphy and various kinds of ink-based", "in winter (by winter I mainly mean low-moisture conditions created by indoor heating),", "width I want and meet all the other criteria but whenever I go", "this feel free to give me troubleshooting suggestions). I. What I'm looking for:", "Liby pens that write at the width I want and meet all the", "that writes fluidly 3. a pen that can sit for several weeks, even", "at home. I will list out first what I am looking for in", "I mainly mean low-moisture conditions created by indoor heating), without requiring a rescue", "have: 1. An old Liby school pen that meets all the criteria except", "kinds of ink-based artwork, as well as writing. I like fountain pens and", "I have, and what their struggles are (in response to this feel free", "coaxing before they write fluidly, or never really get there. 3. an array", "of the other criteria -- they dry out easily, their sacs degrade easily,", "except that it has a nib that is a little too broad for", "whenever I go to use them (even, it seems to me, when I", "felt-tipped pens? II. What I have: 1. An old Liby school pen that", "the plastic is simply starting to break down and recently the barrel cracked", "response to this feel free to give me troubleshooting suggestions). I. What I'm", "need for extra-fine; but not wide) 2. a pen that writes fluidly 3.", "the firmest thing out there Does anyone know of a fountain pen that", "fine, has excellent fluidity, and has the most flexible nib I've ever seen", "of Esterbrook pens that do fabulously on sentimental value (they're what my mom", "3. an array of Esterbrook pens that do fabulously on sentimental value (they're", "pen that can be replenished reasonably inexpensively, preferably in an array of colors", "firmest thing out there Does anyone know of a fountain pen that does", "write in fountain pen from second grade on (fourth grade for math). I", "4. a pen that is portable -- not interested in one I have", "(even, it seems to me, when I am using them frequently) they are", "by indoor heating), without requiring a rescue operation to return it to fluid", "fluidly 3. a pen that can sit for several weeks, even in winter", "not the firmest thing out there Does anyone know of a fountain pen", "what my mom grew up using) and on vintage coolness, and well also", "to lose it, it would not be catastrophic 6. a pen that can", "inexpensively, preferably in an array of colors (brown, black, blue, and gray are", "or otherwise misbehaving 5. a pen that is reasonably inexpensive so that if", "do not reliably handle travel well (and I'm talking ground travel, walking or", "to fluid writing 4. a pen that is portable -- not interested in", "pen that is reasonably inexpensive so that if I were to lose it,", "well (and I'm talking ground travel, walking or driving) 4. a 1920s Moore", "get there. 3. an array of Esterbrook pens that do fabulously on sentimental", "operation to return it to fluid writing 4. a pen that is portable", "a pen that can sit for several weeks, even in winter (by winter", "do dip-pen calligraphy and various kinds of ink-based artwork, as well as writing.", "when I am using them frequently) they are dry (though the cartridge is", "a pen that writes fluidly 3. a pen that can sit for several", "troubleshooting suggestions). I. What I'm looking for: 1. a pen with a fine", "at the width I want and meet all the other criteria but whenever", "II. What I have: 1. An old Liby school pen that meets all", "winter I mainly mean low-moisture conditions created by indoor heating), without requiring a", "little too broad for me. 2. Two new low-end, plastic-barreled Liby pens that", "sacs degrade easily, and they do not reliably handle travel well (and I'm", "mom grew up using) and on vintage coolness, and well also on fineness,", "suggest pens). Then I will list out the pens I have, and what", "Esterbrooks that is delightfully fine, has excellent fluidity, and has the most flexible", "write at the width I want and meet all the other criteria but", "a pen (and in response to this feel free to suggest pens). Then", "I. What I'm looking for: 1. a pen with a fine nib (no", "An old Liby school pen that meets all the criteria except that it", "(they're what my mom grew up using) and on vintage coolness, and well", "on several of the other criteria -- they dry out easily, their sacs", "meet all the other criteria but whenever I go to use them (even,", "to break down and recently the barrel cracked in a way I'm not", "ever seen on a fountain pen; but unfortunately, the plastic is simply starting", "them frequently) they are dry (though the cartridge is full) and they either", "home. I will list out first what I am looking for in a", "2. Two new low-end, plastic-barreled Liby pens that write at the width I", "preferably in an array of colors (brown, black, blue, and gray are my", "criteria -- they dry out easily, their sacs degrade easily, and they do", "Does anyone know of a fountain pen that does these things, or should", "I have an assortment of them at home. I will list out first", "(no need for extra-fine; but not wide) 2. a pen that writes fluidly", "fountain pens and am reasonably familiar with their functioning, and I have an", "as writing. I like fountain pens and am reasonably familiar with their functioning,", "What I have: 1. An old Liby school pen that meets all the", "up using) and on vintage coolness, and well also on fineness, but not", "recently the barrel cracked in a way I'm not sure is repairable Does", "or driving) 4. a 1920s Moore pen with a lever-refill sac like Esterbrooks", "coolness, and well also on fineness, but not very well on several of", "never really get there. 3. an array of Esterbrook pens that do fabulously", "I've ever seen on a fountain pen; but unfortunately, the plastic is simply", "dry (though the cartridge is full) and they either require extensive coaxing before", "I am looking for in a pen (and in response to this feel", "write fluidly, or never really get there. 3. an array of Esterbrook pens", "them (even, it seems to me, when I am using them frequently) they", "portable -- not interested in one I have to keep at my desk,", "Then I will list out the pens I have, and what their struggles", "pen with a nib that has a tiny bit of give -- not", "but not wide) 2. a pen that writes fluidly 3. a pen that", "fluidly, or never really get there. 3. an array of Esterbrook pens that", "functioning, and I have an assortment of them at home. I will list", "tiny bit of give -- not the firmest thing out there Does anyone", "well on several of the other criteria -- they dry out easily, their", "to suggest pens). Then I will list out the pens I have, and", "know of a fountain pen that does these things, or should I just", "pens that do fabulously on sentimental value (they're what my mom grew up", "excellent fluidity, and has the most flexible nib I've ever seen on a", "travel well (and I'm talking ground travel, walking or driving) 4. a 1920s", "without requiring a rescue operation to return it to fluid writing 4. a", "school pen that meets all the criteria except that it has a nib", "up in Germany, where we were required to write in fountain pen from", "and gray are my favorites) 7. a pen with a nib that has", "my favorites) 7. a pen with a nib that has a tiny bit", "and on vintage coolness, and well also on fineness, but not very well", "unfortunately, the plastic is simply starting to break down and recently the barrel", "bit of give -- not the firmest thing out there Does anyone know", "fluid writing 4. a pen that is portable -- not interested in one", "full) and they either require extensive coaxing before they write fluidly, or never", "on sentimental value (they're what my mom grew up using) and on vintage", "talking ground travel, walking or driving) 4. a 1920s Moore pen with a", "we were required to write in fountain pen from second grade on (fourth", "I like fountain pens and am reasonably familiar with their functioning, and I", "a pen that can be replenished reasonably inexpensively, preferably in an array of", "looking for in a pen (and in response to this feel free to", "will list out the pens I have, and what their struggles are (in", "otherwise misbehaving 5. a pen that is reasonably inexpensive so that if I", "for me. 2. Two new low-end, plastic-barreled Liby pens that write at the", "(by winter I mainly mean low-moisture conditions created by indoor heating), without requiring", "handle being carried about and joggled a bit without leaking or otherwise misbehaving", "simply starting to break down and recently the barrel cracked in a way", "of colors (brown, black, blue, and gray are my favorites) 7. a pen", "also on fineness, but not very well on several of the other criteria", "and well also on fineness, but not very well on several of the", "criteria but whenever I go to use them (even, it seems to me,", "rescue operation to return it to fluid writing 4. a pen that is", "they are dry (though the cartridge is full) and they either require extensive", "but whenever I go to use them (even, it seems to me, when", "blue, and gray are my favorites) 7. a pen with a nib that", "that it has a nib that is a little too broad for me.", "an assortment of them at home. I will list out first what I", "I'm not sure is repairable Does anyone know how to troubleshoot any of", "a rescue operation to return it to fluid writing 4. a pen that", "to handle being carried about and joggled a bit without leaking or otherwise", "have an assortment of them at home. I will list out first what", "pen that can sit for several weeks, even in winter (by winter I", "with throwaway rollerball and felt-tipped pens? II. What I have: 1. An old", "it has a nib that is a little too broad for me. 2.", "feel free to give me troubleshooting suggestions). I. What I'm looking for: 1.", "is full) and they either require extensive coaxing before they write fluidly, or", "without leaking or otherwise misbehaving 5. a pen that is reasonably inexpensive so", "I want and meet all the other criteria but whenever I go to", "in a pen (and in response to this feel free to suggest pens).", "of them at home. I will list out first what I am looking", "misbehaving 5. a pen that is reasonably inexpensive so that if I were", "not be catastrophic 6. a pen that can be replenished reasonably inexpensively, preferably", "carried about and joggled a bit without leaking or otherwise misbehaving 5. a", "easily, their sacs degrade easily, and they do not reliably handle travel well", "so that if I were to lose it, it would not be catastrophic", "several weeks, even in winter (by winter I mainly mean low-moisture conditions created", "are my favorites) 7. a pen with a nib that has a tiny", "be replenished reasonably inexpensively, preferably in an array of colors (brown, black, blue,", "and I have an assortment of them at home. I will list out", "for: 1. a pen with a fine nib (no need for extra-fine; but", "needs to handle being carried about and joggled a bit without leaking or", "favorites) 7. a pen with a nib that has a tiny bit of", "thing out there Does anyone know of a fountain pen that does these", "assortment of them at home. I will list out first what I am", "dry out easily, their sacs degrade easily, and they do not reliably handle", "nib (no need for extra-fine; but not wide) 2. a pen that writes", "I just stick with throwaway rollerball and felt-tipped pens? II. What I have:", "suggestions). I. What I'm looking for: 1. a pen with a fine nib", "walking or driving) 4. a 1920s Moore pen with a lever-refill sac like", "Germany, where we were required to write in fountain pen from second grade", "a little too broad for me. 2. Two new low-end, plastic-barreled Liby pens", "that does these things, or should I just stick with throwaway rollerball and", "array of colors (brown, black, blue, and gray are my favorites) 7. a", "go to use them (even, it seems to me, when I am using", "6. a pen that can be replenished reasonably inexpensively, preferably in an array", "and they do not reliably handle travel well (and I'm talking ground travel,", "second grade on (fourth grade for math). I do dip-pen calligraphy and various", "out easily, their sacs degrade easily, and they do not reliably handle travel", "fluidity, and has the most flexible nib I've ever seen on a fountain", "other criteria -- they dry out easily, their sacs degrade easily, and they", "on (fourth grade for math). I do dip-pen calligraphy and various kinds of", "free to give me troubleshooting suggestions). I. What I'm looking for: 1. a", "wide) 2. a pen that writes fluidly 3. a pen that can sit", "3. a pen that can sit for several weeks, even in winter (by", "and joggled a bit without leaking or otherwise misbehaving 5. a pen that", "2. a pen that writes fluidly 3. a pen that can sit for", "it, it would not be catastrophic 6. a pen that can be replenished", "of ink-based artwork, as well as writing. I like fountain pens and am", "that has a tiny bit of give -- not the firmest thing out", "reasonably familiar with their functioning, and I have an assortment of them at", "the barrel cracked in a way I'm not sure is repairable Does anyone", "the criteria except that it has a nib that is a little too", "created by indoor heating), without requiring a rescue operation to return it to", "meets all the criteria except that it has a nib that is a", "5. a pen that is reasonably inexpensive so that if I were to", "just stick with throwaway rollerball and felt-tipped pens? II. What I have: 1.", "writing. I like fountain pens and am reasonably familiar with their functioning, and", "to give me troubleshooting suggestions). I. What I'm looking for: 1. a pen", "pen; but unfortunately, the plastic is simply starting to break down and recently", "grew up using) and on vintage coolness, and well also on fineness, but", "things, or should I just stick with throwaway rollerball and felt-tipped pens? II.", "not reliably handle travel well (and I'm talking ground travel, walking or driving)", "this feel free to suggest pens). Then I will list out the pens", "require extensive coaxing before they write fluidly, or never really get there. 3.", "if I were to lose it, it would not be catastrophic 6. a", "bit without leaking or otherwise misbehaving 5. a pen that is reasonably inexpensive", "like fountain pens and am reasonably familiar with their functioning, and I have", "a tiny bit of give -- not the firmest thing out there Does", "writes fluidly 3. a pen that can sit for several weeks, even in", "-- they dry out easily, their sacs degrade easily, and they do not", "delightfully fine, has excellent fluidity, and has the most flexible nib I've ever", "1. a pen with a fine nib (no need for extra-fine; but not", "one I have to keep at my desk, so it needs to handle", "I were to lose it, it would not be catastrophic 6. a pen", "want and meet all the other criteria but whenever I go to use", "artwork, as well as writing. I like fountain pens and am reasonably familiar", "is delightfully fine, has excellent fluidity, and has the most flexible nib I've", "even in winter (by winter I mainly mean low-moisture conditions created by indoor", "pen (and in response to this feel free to suggest pens). Then I", "about and joggled a bit without leaking or otherwise misbehaving 5. a pen", "in a way I'm not sure is repairable Does anyone know how to", "handle travel well (and I'm talking ground travel, walking or driving) 4. a", "that meets all the criteria except that it has a nib that is", "really get there. 3. an array of Esterbrook pens that do fabulously on", "replenished reasonably inexpensively, preferably in an array of colors (brown, black, blue, and", "flexible nib I've ever seen on a fountain pen; but unfortunately, the plastic", "response to this feel free to suggest pens). Then I will list out", "I have: 1. An old Liby school pen that meets all the criteria", "pens that write at the width I want and meet all the other", "not sure is repairable Does anyone know how to troubleshoot any of these?" ]
[ "but my essay is written in British English. Should I change terms like", "quote a few American English speakers, but my essay is written in British", "working on a formal essay where I have to quote a few American", "I am working on a formal essay where I have to quote a", "formal essay where I have to quote a few American English speakers, but", "to quote a few American English speakers, but my essay is written in", "I have to quote a few American English speakers, but my essay is", "have to quote a few American English speakers, but my essay is written", "essay is written in British English. Should I change terms like color to", "English speakers, but my essay is written in British English. Should I change", "essay where I have to quote a few American English speakers, but my", "American English speakers, but my essay is written in British English. Should I", "on a formal essay where I have to quote a few American English", "is written in British English. Should I change terms like color to colour?", "a few American English speakers, but my essay is written in British English.", "my essay is written in British English. Should I change terms like color", "a formal essay where I have to quote a few American English speakers,", "am working on a formal essay where I have to quote a few", "speakers, but my essay is written in British English. Should I change terms", "where I have to quote a few American English speakers, but my essay", "few American English speakers, but my essay is written in British English. Should" ]
[ "a bit more context: Main character 1 gets killed by main character 2.", "use the changing perspectives of two main characters with limited information each to", "life. She has to live with the moral burden of having killed him.", "the story after they've experienced it themselves. This concept in itself works quite", "were fighting before to smash it from within. He dies thinking that she's", "him die is a very strong story element and I'd really like to", "is a very strong story element and I'd really like to keep it.", "If he was dead, he wouldn't be able to tell the story of", "readers care about something like this or does it fall under \"suspension of", "was dead, he wouldn't be able to tell the story of what happened", "part of the \"evil state\" both were fighting before to smash it from", "story. Now, this leads to a kind of inconsistent situation: If he was", "before to smash it from within. He dies thinking that she's bad person,", "doesn't want to kill him, but does it anyways because she's pretending to", "illusion of actually getting the story told by himself. My question is, now:", "If it's a problem, what can I do to fix that? Edit: To", "perspectives of two main characters with limited information each to slowly unveil the", "of the story after they've experienced it themselves. This concept in itself works", "I'm writing a novel in which I use the changing perspectives of two", "has only taken advantage of him and is cooperating with the state both", "therefore think having him die is a very strong story element and I'd", "burden of having killed him. I therefore think having him die is a", "the reader. Both use the past tense and first person (i.e. \"When I", "have a problem, though: One of the two personal narrators needs to die", "him, but does it anyways because she's pretending to be part of the", "plot to the reader. Both use the past tense and first person (i.e.", "from a narrative standpoint in my opinion. I do have a problem, though:", "throughout the course of the story. Now, this leads to a kind of", "were telling pieces of the story after they've experienced it themselves. This concept", "dies thinking that she's bad person, has only taken advantage of him and", "person, has only taken advantage of him and is cooperating with the state", "her own life. She has to live with the moral burden of having", "the story. Now, this leads to a kind of inconsistent situation: If he", "wouldn't be able to tell the story of what happened up to this", "character 2. She doesn't want to kill him, but does it anyways because", "quite nicely from a narrative standpoint in my opinion. I do have a", "kill him, but does it anyways because she's pretending to be part of", "because she's pretending to be part of the \"evil state\" both were fighting", "in which I use the changing perspectives of two main characters with limited", "can I do to fix that? Edit: To add a bit more context:", "woke up that morning, rain was pouring down the sky\"), as if they", "I woke up that morning, rain was pouring down the sky\"), as if", "to be part of the \"evil state\" both were fighting before to smash", "like this or does it fall under \"suspension of disbelief\"? If it's a", "what happened up to this point afterwards. It destroys the illusion of actually", "1 gets killed by main character 2. She doesn't want to kill him,", "something like this or does it fall under \"suspension of disbelief\"? If it's", "do to fix that? Edit: To add a bit more context: Main character", "from within. He dies thinking that she's bad person, has only taken advantage", "the course of the story. Now, this leads to a kind of inconsistent", "She has to live with the moral burden of having killed him. I", "problem, what can I do to fix that? Edit: To add a bit", "want to kill him, but does it anyways because she's pretending to be", "a narrative standpoint in my opinion. I do have a problem, though: One", "does it anyways because she's pretending to be part of the \"evil state\"", "it anyways because she's pretending to be part of the \"evil state\" both", "morning, rain was pouring down the sky\"), as if they were telling pieces", "of what happened up to this point afterwards. It destroys the illusion of", "both were fighting before to smash it from within. He dies thinking that", "after they've experienced it themselves. This concept in itself works quite nicely from", "my opinion. I do have a problem, though: One of the two personal", "to a kind of inconsistent situation: If he was dead, he wouldn't be", "standpoint in my opinion. I do have a problem, though: One of the", "characters with limited information each to slowly unveil the whole plot to the", "concept in itself works quite nicely from a narrative standpoint in my opinion.", "personal narrators needs to die throughout the course of the story. Now, this", "rain was pouring down the sky\"), as if they were telling pieces of", "inconsistent situation: If he was dead, he wouldn't be able to tell the", "nicely from a narrative standpoint in my opinion. I do have a problem,", "they were telling pieces of the story after they've experienced it themselves. This", "does it fall under \"suspension of disbelief\"? If it's a problem, what can", "the changing perspectives of two main characters with limited information each to slowly", "though: One of the two personal narrators needs to die throughout the course", "to tell the story of what happened up to this point afterwards. It", "actually getting the story told by himself. My question is, now: Is this", "opinion. I do have a problem, though: One of the two personal narrators", "under \"suspension of disbelief\"? If it's a problem, what can I do to", "Right now I'm writing a novel in which I use the changing perspectives", "more context: Main character 1 gets killed by main character 2. She doesn't", "\"suspension of disbelief\"? If it's a problem, what can I do to fix", "2. She doesn't want to kill him, but does it anyways because she's", "has to live with the moral burden of having killed him. I therefore", "the story told by himself. My question is, now: Is this bad style?", "question is, now: Is this bad style? Do readers care about something like", "save her own life. She has to live with the moral burden of", "of two main characters with limited information each to slowly unveil the whole", "thinking that she's bad person, has only taken advantage of him and is", "Is this bad style? Do readers care about something like this or does", "moral burden of having killed him. I therefore think having him die is", "unveil the whole plot to the reader. Both use the past tense and", "themselves. This concept in itself works quite nicely from a narrative standpoint in", "what can I do to fix that? Edit: To add a bit more", "add a bit more context: Main character 1 gets killed by main character", "He dies thinking that she's bad person, has only taken advantage of him", "of the two personal narrators needs to die throughout the course of the", "cooperating with the state both hated intensely before to save her own life.", "My question is, now: Is this bad style? Do readers care about something", "both hated intensely before to save her own life. She has to live", "gets killed by main character 2. She doesn't want to kill him, but", "of having killed him. I therefore think having him die is a very", "the whole plot to the reader. Both use the past tense and first", "advantage of him and is cooperating with the state both hated intensely before", "if they were telling pieces of the story after they've experienced it themselves.", "\"When I woke up that morning, rain was pouring down the sky\"), as", "She doesn't want to kill him, but does it anyways because she's pretending", "that she's bad person, has only taken advantage of him and is cooperating", "and is cooperating with the state both hated intensely before to save her", "Now, this leads to a kind of inconsistent situation: If he was dead,", "point afterwards. It destroys the illusion of actually getting the story told by", "hated intensely before to save her own life. She has to live with", "telling pieces of the story after they've experienced it themselves. This concept in", "in itself works quite nicely from a narrative standpoint in my opinion. I", "having him die is a very strong story element and I'd really like", "to this point afterwards. It destroys the illusion of actually getting the story", "the sky\"), as if they were telling pieces of the story after they've", "each to slowly unveil the whole plot to the reader. Both use the", "a problem, what can I do to fix that? Edit: To add a", "to smash it from within. He dies thinking that she's bad person, has", "smash it from within. He dies thinking that she's bad person, has only", "main characters with limited information each to slowly unveil the whole plot to", "getting the story told by himself. My question is, now: Is this bad", "he was dead, he wouldn't be able to tell the story of what", "to save her own life. She has to live with the moral burden", "the \"evil state\" both were fighting before to smash it from within. He", "two personal narrators needs to die throughout the course of the story. Now,", "him and is cooperating with the state both hated intensely before to save", "novel in which I use the changing perspectives of two main characters with", "of him and is cooperating with the state both hated intensely before to", "it fall under \"suspension of disbelief\"? If it's a problem, what can I", "this or does it fall under \"suspension of disbelief\"? If it's a problem,", "pieces of the story after they've experienced it themselves. This concept in itself", "that? Edit: To add a bit more context: Main character 1 gets killed", "pretending to be part of the \"evil state\" both were fighting before to", "to kill him, but does it anyways because she's pretending to be part", "die throughout the course of the story. Now, this leads to a kind", "first person (i.e. \"When I woke up that morning, rain was pouring down", "having killed him. I therefore think having him die is a very strong", "afterwards. It destroys the illusion of actually getting the story told by himself.", "killed him. I therefore think having him die is a very strong story", "a novel in which I use the changing perspectives of two main characters", "intensely before to save her own life. She has to live with the", "(i.e. \"When I woke up that morning, rain was pouring down the sky\"),", "the story of what happened up to this point afterwards. It destroys the", "this bad style? Do readers care about something like this or does it", "or does it fall under \"suspension of disbelief\"? If it's a problem, what", "of inconsistent situation: If he was dead, he wouldn't be able to tell", "as if they were telling pieces of the story after they've experienced it", "fall under \"suspension of disbelief\"? If it's a problem, what can I do", "be part of the \"evil state\" both were fighting before to smash it", "up that morning, rain was pouring down the sky\"), as if they were", "Edit: To add a bit more context: Main character 1 gets killed by", "works quite nicely from a narrative standpoint in my opinion. I do have", "to slowly unveil the whole plot to the reader. Both use the past", "pouring down the sky\"), as if they were telling pieces of the story", "story told by himself. My question is, now: Is this bad style? Do", "himself. My question is, now: Is this bad style? Do readers care about", "I therefore think having him die is a very strong story element and", "which I use the changing perspectives of two main characters with limited information", "of disbelief\"? If it's a problem, what can I do to fix that?", "disbelief\"? If it's a problem, what can I do to fix that? Edit:", "the moral burden of having killed him. I therefore think having him die", "now: Is this bad style? Do readers care about something like this or", "tense and first person (i.e. \"When I woke up that morning, rain was", "live with the moral burden of having killed him. I therefore think having", "bit more context: Main character 1 gets killed by main character 2. She", "happened up to this point afterwards. It destroys the illusion of actually getting", "the illusion of actually getting the story told by himself. My question is,", "die is a very strong story element and I'd really like to keep", "now I'm writing a novel in which I use the changing perspectives of", "past tense and first person (i.e. \"When I woke up that morning, rain", "itself works quite nicely from a narrative standpoint in my opinion. I do", "down the sky\"), as if they were telling pieces of the story after", "they've experienced it themselves. This concept in itself works quite nicely from a", "story after they've experienced it themselves. This concept in itself works quite nicely", "by main character 2. She doesn't want to kill him, but does it", "of actually getting the story told by himself. My question is, now: Is", "style? Do readers care about something like this or does it fall under", "by himself. My question is, now: Is this bad style? Do readers care", "with limited information each to slowly unveil the whole plot to the reader.", "This concept in itself works quite nicely from a narrative standpoint in my", "two main characters with limited information each to slowly unveil the whole plot", "it themselves. This concept in itself works quite nicely from a narrative standpoint", "within. He dies thinking that she's bad person, has only taken advantage of", "care about something like this or does it fall under \"suspension of disbelief\"?", "about something like this or does it fall under \"suspension of disbelief\"? If", "bad style? Do readers care about something like this or does it fall", "with the moral burden of having killed him. I therefore think having him", "situation: If he was dead, he wouldn't be able to tell the story", "course of the story. Now, this leads to a kind of inconsistent situation:", "state both hated intensely before to save her own life. She has to", "changing perspectives of two main characters with limited information each to slowly unveil", "narrators needs to die throughout the course of the story. Now, this leads", "slowly unveil the whole plot to the reader. Both use the past tense", "Main character 1 gets killed by main character 2. She doesn't want to", "a problem, though: One of the two personal narrators needs to die throughout", "leads to a kind of inconsistent situation: If he was dead, he wouldn't", "I do have a problem, though: One of the two personal narrators needs", "experienced it themselves. This concept in itself works quite nicely from a narrative", "it from within. He dies thinking that she's bad person, has only taken", "with the state both hated intensely before to save her own life. She", "was pouring down the sky\"), as if they were telling pieces of the", "story of what happened up to this point afterwards. It destroys the illusion", "state\" both were fighting before to smash it from within. He dies thinking", "him. I therefore think having him die is a very strong story element", "writing a novel in which I use the changing perspectives of two main", "is, now: Is this bad style? Do readers care about something like this", "of the \"evil state\" both were fighting before to smash it from within.", "the two personal narrators needs to die throughout the course of the story.", "One of the two personal narrators needs to die throughout the course of", "to the reader. Both use the past tense and first person (i.e. \"When", "information each to slowly unveil the whole plot to the reader. Both use", "Both use the past tense and first person (i.e. \"When I woke up", "needs to die throughout the course of the story. Now, this leads to", "he wouldn't be able to tell the story of what happened up to", "narrative standpoint in my opinion. I do have a problem, though: One of", "be able to tell the story of what happened up to this point", "is cooperating with the state both hated intensely before to save her own", "this leads to a kind of inconsistent situation: If he was dead, he", "\"evil state\" both were fighting before to smash it from within. He dies", "only taken advantage of him and is cooperating with the state both hated", "fix that? Edit: To add a bit more context: Main character 1 gets", "and first person (i.e. \"When I woke up that morning, rain was pouring", "to die throughout the course of the story. Now, this leads to a", "I use the changing perspectives of two main characters with limited information each", "bad person, has only taken advantage of him and is cooperating with the", "before to save her own life. She has to live with the moral", "sky\"), as if they were telling pieces of the story after they've experienced", "to fix that? Edit: To add a bit more context: Main character 1", "up to this point afterwards. It destroys the illusion of actually getting the", "Do readers care about something like this or does it fall under \"suspension", "the past tense and first person (i.e. \"When I woke up that morning,", "fighting before to smash it from within. He dies thinking that she's bad", "destroys the illusion of actually getting the story told by himself. My question", "own life. She has to live with the moral burden of having killed", "character 1 gets killed by main character 2. She doesn't want to kill", "but does it anyways because she's pretending to be part of the \"evil", "told by himself. My question is, now: Is this bad style? Do readers", "think having him die is a very strong story element and I'd really", "killed by main character 2. She doesn't want to kill him, but does", "I do to fix that? Edit: To add a bit more context: Main", "a kind of inconsistent situation: If he was dead, he wouldn't be able", "problem, though: One of the two personal narrators needs to die throughout the", "able to tell the story of what happened up to this point afterwards.", "that morning, rain was pouring down the sky\"), as if they were telling", "It destroys the illusion of actually getting the story told by himself. My", "the state both hated intensely before to save her own life. She has", "use the past tense and first person (i.e. \"When I woke up that", "kind of inconsistent situation: If he was dead, he wouldn't be able to", "it's a problem, what can I do to fix that? Edit: To add", "dead, he wouldn't be able to tell the story of what happened up", "limited information each to slowly unveil the whole plot to the reader. Both", "this point afterwards. It destroys the illusion of actually getting the story told", "reader. Both use the past tense and first person (i.e. \"When I woke", "main character 2. She doesn't want to kill him, but does it anyways", "whole plot to the reader. Both use the past tense and first person", "she's bad person, has only taken advantage of him and is cooperating with", "taken advantage of him and is cooperating with the state both hated intensely", "anyways because she's pretending to be part of the \"evil state\" both were", "in my opinion. I do have a problem, though: One of the two", "tell the story of what happened up to this point afterwards. It destroys", "to live with the moral burden of having killed him. I therefore think", "of the story. Now, this leads to a kind of inconsistent situation: If", "person (i.e. \"When I woke up that morning, rain was pouring down the", "context: Main character 1 gets killed by main character 2. She doesn't want", "To add a bit more context: Main character 1 gets killed by main", "do have a problem, though: One of the two personal narrators needs to", "she's pretending to be part of the \"evil state\" both were fighting before" ]
[ "not limited to aliens, demons, vampires, zombies, trolls, dragons, ogres, goblins, werewolves, giants,", "implying Degenerated animals are slaves to the pentastomids' desires. While some Degenerated humans", "being parasitised by prehistoric pentastomids and style themselves after various nomadic Indo-Iranian cultures.", "pentastomids and style themselves after various nomadic Indo-Iranian cultures. I've tried avoiding portraying", "Frequent recipients of this trope include but are not limited to aliens, demons,", "[Always Chaotic Evil](https://tvtropes.org/pmwiki/pmwiki.php/Main/AlwaysChaoticEvil) denotes an entire species in a fictional setting as outright", "entire species in a fictional setting as outright evil - no matter how", "Indo-Iranian cultures. I've tried avoiding portraying them as violent savages by justifying the", "discrimination by turning humans in Degenerates while founding a proto-nation where they can", "for the trilogy's first half. The Degenerates are genderless humans and animals who", "every form of discrimination by turning humans in Degenerates while founding a proto-nation", "the Degenerate's aggressive tendencies via implying Degenerated animals are slaves to the pentastomids'", "their \"king\", Koloksai being a [polite](https://tvtropes.org/pmwiki/pmwiki.php/Main/AffablyEvil), [idealistic](https://tvtropes.org/pmwiki/pmwiki.php/Main/WellIntentionedExtremist) and [moralistic individual](https://tvtropes.org/pmwiki/pmwiki.php/Main/NobleDemon) who wants to", "this because my trilogy has a species called the Degenerates, who are an", "Degenerated animals are slaves to the pentastomids' desires. While some Degenerated humans retain", "orcs, dinosaurs, and scorpions. I mention this because my trilogy has a species", "I've tried avoiding portraying them as violent savages by justifying the Degenerate's aggressive", "justifying the Degenerate's aggressive tendencies via implying Degenerated animals are slaves to the", "to eradicate every form of discrimination by turning humans in Degenerates while founding", "similarities with [a parasitic extraterrestrial](https://tvtropes.org/pmwiki/pmwiki.php/Main/XenomorphXerox) thanks to being parasitised by prehistoric pentastomids and", "nomadic Indo-Iranian cultures. I've tried avoiding portraying them as violent savages by justifying", "them as violent savages by justifying the Degenerate's aggressive tendencies via implying Degenerated", "animals are slaves to the pentastomids' desires. While some Degenerated humans retain enough", "in Degenerates while founding a proto-nation where they can live centuries-long lives in", "demons, vampires, zombies, trolls, dragons, ogres, goblins, werewolves, giants, orcs, dinosaurs, and scorpions.", "all Degenerates as bloodthirsty barbarians. How can I avoid falling into such a", "with nature. But when all is said and done, I feel that this", "and animals who share similarities with [a parasitic extraterrestrial](https://tvtropes.org/pmwiki/pmwiki.php/Main/XenomorphXerox) thanks to being parasitised", "founding a proto-nation where they can live centuries-long lives in harmony with nature.", "Evil](https://tvtropes.org/pmwiki/pmwiki.php/Main/AlwaysChaoticEvil) denotes an entire species in a fictional setting as outright evil -", "humans retain enough humanity to even be sympathetic characters, with their \"king\", Koloksai", "when all is said and done, I feel that this still isn't enough", "where they can live centuries-long lives in harmony with nature. But when all", "first half. The Degenerates are genderless humans and animals who share similarities with", "style themselves after various nomadic Indo-Iranian cultures. I've tried avoiding portraying them as", "individual](https://tvtropes.org/pmwiki/pmwiki.php/Main/NobleDemon) who wants to eradicate every form of discrimination by turning humans in", "thanks to being parasitised by prehistoric pentastomids and style themselves after various nomadic", "zombies, trolls, dragons, ogres, goblins, werewolves, giants, orcs, dinosaurs, and scorpions. I mention", "[idealistic](https://tvtropes.org/pmwiki/pmwiki.php/Main/WellIntentionedExtremist) and [moralistic individual](https://tvtropes.org/pmwiki/pmwiki.php/Main/NobleDemon) who wants to eradicate every form of discrimination by", "and [moralistic individual](https://tvtropes.org/pmwiki/pmwiki.php/Main/NobleDemon) who wants to eradicate every form of discrimination by turning", "by justifying the Degenerate's aggressive tendencies via implying Degenerated animals are slaves to", "The Degenerates are genderless humans and animals who share similarities with [a parasitic", "how one treats them, they reward kindness with treachery and violence. Frequent recipients", "one treats them, they reward kindness with treachery and violence. Frequent recipients of", "reward kindness with treachery and violence. Frequent recipients of this trope include but", "with treachery and violence. Frequent recipients of this trope include but are not", "vampires, zombies, trolls, dragons, ogres, goblins, werewolves, giants, orcs, dinosaurs, and scorpions. I", "lives in harmony with nature. But when all is said and done, I", "are not limited to aliens, demons, vampires, zombies, trolls, dragons, ogres, goblins, werewolves,", "I mention this because my trilogy has a species called the Degenerates, who", "trilogy has a species called the Degenerates, who are an antagonistic force for", "can live centuries-long lives in harmony with nature. But when all is said", "are genderless humans and animals who share similarities with [a parasitic extraterrestrial](https://tvtropes.org/pmwiki/pmwiki.php/Main/XenomorphXerox) thanks", "that this still isn't enough to avoid characterising all Degenerates as bloodthirsty barbarians.", "are an antagonistic force for the trilogy's first half. The Degenerates are genderless", "species in a fictional setting as outright evil - no matter how one", "feel that this still isn't enough to avoid characterising all Degenerates as bloodthirsty", "to avoid characterising all Degenerates as bloodthirsty barbarians. How can I avoid falling", "of this trope include but are not limited to aliens, demons, vampires, zombies,", "animals who share similarities with [a parasitic extraterrestrial](https://tvtropes.org/pmwiki/pmwiki.php/Main/XenomorphXerox) thanks to being parasitised by", "dragons, ogres, goblins, werewolves, giants, orcs, dinosaurs, and scorpions. I mention this because", "half. The Degenerates are genderless humans and animals who share similarities with [a", "fictional setting as outright evil - no matter how one treats them, they", "themselves after various nomadic Indo-Iranian cultures. I've tried avoiding portraying them as violent", "eradicate every form of discrimination by turning humans in Degenerates while founding a", "share similarities with [a parasitic extraterrestrial](https://tvtropes.org/pmwiki/pmwiki.php/Main/XenomorphXerox) thanks to being parasitised by prehistoric pentastomids", "cultures. I've tried avoiding portraying them as violent savages by justifying the Degenerate's", "in a fictional setting as outright evil - no matter how one treats", "this trope include but are not limited to aliens, demons, vampires, zombies, trolls,", "to aliens, demons, vampires, zombies, trolls, dragons, ogres, goblins, werewolves, giants, orcs, dinosaurs,", "Degenerates, who are an antagonistic force for the trilogy's first half. The Degenerates", "extraterrestrial](https://tvtropes.org/pmwiki/pmwiki.php/Main/XenomorphXerox) thanks to being parasitised by prehistoric pentastomids and style themselves after various", "violent savages by justifying the Degenerate's aggressive tendencies via implying Degenerated animals are", "sympathetic characters, with their \"king\", Koloksai being a [polite](https://tvtropes.org/pmwiki/pmwiki.php/Main/AffablyEvil), [idealistic](https://tvtropes.org/pmwiki/pmwiki.php/Main/WellIntentionedExtremist) and [moralistic individual](https://tvtropes.org/pmwiki/pmwiki.php/Main/NobleDemon)", "has a species called the Degenerates, who are an antagonistic force for the", "who are an antagonistic force for the trilogy's first half. The Degenerates are", "all is said and done, I feel that this still isn't enough to", "nature. But when all is said and done, I feel that this still", "done, I feel that this still isn't enough to avoid characterising all Degenerates", "setting as outright evil - no matter how one treats them, they reward", "an entire species in a fictional setting as outright evil - no matter", "characters, with their \"king\", Koloksai being a [polite](https://tvtropes.org/pmwiki/pmwiki.php/Main/AffablyEvil), [idealistic](https://tvtropes.org/pmwiki/pmwiki.php/Main/WellIntentionedExtremist) and [moralistic individual](https://tvtropes.org/pmwiki/pmwiki.php/Main/NobleDemon) who", "\"king\", Koloksai being a [polite](https://tvtropes.org/pmwiki/pmwiki.php/Main/AffablyEvil), [idealistic](https://tvtropes.org/pmwiki/pmwiki.php/Main/WellIntentionedExtremist) and [moralistic individual](https://tvtropes.org/pmwiki/pmwiki.php/Main/NobleDemon) who wants to eradicate", "avoid characterising all Degenerates as bloodthirsty barbarians. How can I avoid falling into", "by turning humans in Degenerates while founding a proto-nation where they can live", "are slaves to the pentastomids' desires. While some Degenerated humans retain enough humanity", "kindness with treachery and violence. Frequent recipients of this trope include but are", "parasitised by prehistoric pentastomids and style themselves after various nomadic Indo-Iranian cultures. I've", "harmony with nature. But when all is said and done, I feel that", "the Degenerates, who are an antagonistic force for the trilogy's first half. The", "werewolves, giants, orcs, dinosaurs, and scorpions. I mention this because my trilogy has", "antagonistic force for the trilogy's first half. The Degenerates are genderless humans and", "species called the Degenerates, who are an antagonistic force for the trilogy's first", "dinosaurs, and scorpions. I mention this because my trilogy has a species called", "Degenerates are genderless humans and animals who share similarities with [a parasitic extraterrestrial](https://tvtropes.org/pmwiki/pmwiki.php/Main/XenomorphXerox)", "to being parasitised by prehistoric pentastomids and style themselves after various nomadic Indo-Iranian", "is said and done, I feel that this still isn't enough to avoid", "and violence. Frequent recipients of this trope include but are not limited to", "matter how one treats them, they reward kindness with treachery and violence. Frequent", "genderless humans and animals who share similarities with [a parasitic extraterrestrial](https://tvtropes.org/pmwiki/pmwiki.php/Main/XenomorphXerox) thanks to", "while founding a proto-nation where they can live centuries-long lives in harmony with", "the pentastomids' desires. While some Degenerated humans retain enough humanity to even be", "this still isn't enough to avoid characterising all Degenerates as bloodthirsty barbarians. How", "isn't enough to avoid characterising all Degenerates as bloodthirsty barbarians. How can I", "centuries-long lives in harmony with nature. But when all is said and done,", "because my trilogy has a species called the Degenerates, who are an antagonistic", "with [a parasitic extraterrestrial](https://tvtropes.org/pmwiki/pmwiki.php/Main/XenomorphXerox) thanks to being parasitised by prehistoric pentastomids and style", "scorpions. I mention this because my trilogy has a species called the Degenerates,", "force for the trilogy's first half. The Degenerates are genderless humans and animals", "savages by justifying the Degenerate's aggressive tendencies via implying Degenerated animals are slaves", "a fictional setting as outright evil - no matter how one treats them,", "Chaotic Evil](https://tvtropes.org/pmwiki/pmwiki.php/Main/AlwaysChaoticEvil) denotes an entire species in a fictional setting as outright evil", "wants to eradicate every form of discrimination by turning humans in Degenerates while", "Degenerate's aggressive tendencies via implying Degenerated animals are slaves to the pentastomids' desires.", "ogres, goblins, werewolves, giants, orcs, dinosaurs, and scorpions. I mention this because my", "tendencies via implying Degenerated animals are slaves to the pentastomids' desires. While some", "treats them, they reward kindness with treachery and violence. Frequent recipients of this", "no matter how one treats them, they reward kindness with treachery and violence.", "pentastomids' desires. While some Degenerated humans retain enough humanity to even be sympathetic", "violence. Frequent recipients of this trope include but are not limited to aliens,", "Koloksai being a [polite](https://tvtropes.org/pmwiki/pmwiki.php/Main/AffablyEvil), [idealistic](https://tvtropes.org/pmwiki/pmwiki.php/Main/WellIntentionedExtremist) and [moralistic individual](https://tvtropes.org/pmwiki/pmwiki.php/Main/NobleDemon) who wants to eradicate every", "of discrimination by turning humans in Degenerates while founding a proto-nation where they", "recipients of this trope include but are not limited to aliens, demons, vampires,", "and scorpions. I mention this because my trilogy has a species called the", "mention this because my trilogy has a species called the Degenerates, who are", "- no matter how one treats them, they reward kindness with treachery and", "goblins, werewolves, giants, orcs, dinosaurs, and scorpions. I mention this because my trilogy", "portraying them as violent savages by justifying the Degenerate's aggressive tendencies via implying", "characterising all Degenerates as bloodthirsty barbarians. How can I avoid falling into such", "aliens, demons, vampires, zombies, trolls, dragons, ogres, goblins, werewolves, giants, orcs, dinosaurs, and", "parasitic extraterrestrial](https://tvtropes.org/pmwiki/pmwiki.php/Main/XenomorphXerox) thanks to being parasitised by prehistoric pentastomids and style themselves after", "and style themselves after various nomadic Indo-Iranian cultures. I've tried avoiding portraying them", "after various nomadic Indo-Iranian cultures. I've tried avoiding portraying them as violent savages", "my trilogy has a species called the Degenerates, who are an antagonistic force", "enough to avoid characterising all Degenerates as bloodthirsty barbarians. How can I avoid", "denotes an entire species in a fictional setting as outright evil - no", "a species called the Degenerates, who are an antagonistic force for the trilogy's", "[moralistic individual](https://tvtropes.org/pmwiki/pmwiki.php/Main/NobleDemon) who wants to eradicate every form of discrimination by turning humans", "a proto-nation where they can live centuries-long lives in harmony with nature. But", "even be sympathetic characters, with their \"king\", Koloksai being a [polite](https://tvtropes.org/pmwiki/pmwiki.php/Main/AffablyEvil), [idealistic](https://tvtropes.org/pmwiki/pmwiki.php/Main/WellIntentionedExtremist) and", "treachery and violence. Frequent recipients of this trope include but are not limited", "in harmony with nature. But when all is said and done, I feel", "desires. While some Degenerated humans retain enough humanity to even be sympathetic characters,", "trope include but are not limited to aliens, demons, vampires, zombies, trolls, dragons,", "via implying Degenerated animals are slaves to the pentastomids' desires. While some Degenerated", "prehistoric pentastomids and style themselves after various nomadic Indo-Iranian cultures. I've tried avoiding", "turning humans in Degenerates while founding a proto-nation where they can live centuries-long", "tried avoiding portraying them as violent savages by justifying the Degenerate's aggressive tendencies", "called the Degenerates, who are an antagonistic force for the trilogy's first half.", "Degenerated humans retain enough humanity to even be sympathetic characters, with their \"king\",", "as violent savages by justifying the Degenerate's aggressive tendencies via implying Degenerated animals", "the trilogy's first half. The Degenerates are genderless humans and animals who share", "avoiding portraying them as violent savages by justifying the Degenerate's aggressive tendencies via", "as outright evil - no matter how one treats them, they reward kindness", "But when all is said and done, I feel that this still isn't", "an antagonistic force for the trilogy's first half. The Degenerates are genderless humans", "evil - no matter how one treats them, they reward kindness with treachery", "being a [polite](https://tvtropes.org/pmwiki/pmwiki.php/Main/AffablyEvil), [idealistic](https://tvtropes.org/pmwiki/pmwiki.php/Main/WellIntentionedExtremist) and [moralistic individual](https://tvtropes.org/pmwiki/pmwiki.php/Main/NobleDemon) who wants to eradicate every form", "limited to aliens, demons, vampires, zombies, trolls, dragons, ogres, goblins, werewolves, giants, orcs,", "humanity to even be sympathetic characters, with their \"king\", Koloksai being a [polite](https://tvtropes.org/pmwiki/pmwiki.php/Main/AffablyEvil),", "but are not limited to aliens, demons, vampires, zombies, trolls, dragons, ogres, goblins,", "a [polite](https://tvtropes.org/pmwiki/pmwiki.php/Main/AffablyEvil), [idealistic](https://tvtropes.org/pmwiki/pmwiki.php/Main/WellIntentionedExtremist) and [moralistic individual](https://tvtropes.org/pmwiki/pmwiki.php/Main/NobleDemon) who wants to eradicate every form of", "they reward kindness with treachery and violence. Frequent recipients of this trope include", "trilogy's first half. The Degenerates are genderless humans and animals who share similarities", "[polite](https://tvtropes.org/pmwiki/pmwiki.php/Main/AffablyEvil), [idealistic](https://tvtropes.org/pmwiki/pmwiki.php/Main/WellIntentionedExtremist) and [moralistic individual](https://tvtropes.org/pmwiki/pmwiki.php/Main/NobleDemon) who wants to eradicate every form of discrimination", "live centuries-long lives in harmony with nature. But when all is said and", "various nomadic Indo-Iranian cultures. I've tried avoiding portraying them as violent savages by", "said and done, I feel that this still isn't enough to avoid characterising", "who share similarities with [a parasitic extraterrestrial](https://tvtropes.org/pmwiki/pmwiki.php/Main/XenomorphXerox) thanks to being parasitised by prehistoric", "and done, I feel that this still isn't enough to avoid characterising all", "humans and animals who share similarities with [a parasitic extraterrestrial](https://tvtropes.org/pmwiki/pmwiki.php/Main/XenomorphXerox) thanks to being", "outright evil - no matter how one treats them, they reward kindness with", "to even be sympathetic characters, with their \"king\", Koloksai being a [polite](https://tvtropes.org/pmwiki/pmwiki.php/Main/AffablyEvil), [idealistic](https://tvtropes.org/pmwiki/pmwiki.php/Main/WellIntentionedExtremist)", "include but are not limited to aliens, demons, vampires, zombies, trolls, dragons, ogres,", "I feel that this still isn't enough to avoid characterising all Degenerates as", "by prehistoric pentastomids and style themselves after various nomadic Indo-Iranian cultures. I've tried", "they can live centuries-long lives in harmony with nature. But when all is", "retain enough humanity to even be sympathetic characters, with their \"king\", Koloksai being", "Degenerates while founding a proto-nation where they can live centuries-long lives in harmony", "Degenerates as bloodthirsty barbarians. How can I avoid falling into such a trap?", "slaves to the pentastomids' desires. While some Degenerated humans retain enough humanity to", "to the pentastomids' desires. While some Degenerated humans retain enough humanity to even", "trolls, dragons, ogres, goblins, werewolves, giants, orcs, dinosaurs, and scorpions. I mention this", "enough humanity to even be sympathetic characters, with their \"king\", Koloksai being a", "them, they reward kindness with treachery and violence. Frequent recipients of this trope", "form of discrimination by turning humans in Degenerates while founding a proto-nation where", "still isn't enough to avoid characterising all Degenerates as bloodthirsty barbarians. How can", "giants, orcs, dinosaurs, and scorpions. I mention this because my trilogy has a", "some Degenerated humans retain enough humanity to even be sympathetic characters, with their", "with their \"king\", Koloksai being a [polite](https://tvtropes.org/pmwiki/pmwiki.php/Main/AffablyEvil), [idealistic](https://tvtropes.org/pmwiki/pmwiki.php/Main/WellIntentionedExtremist) and [moralistic individual](https://tvtropes.org/pmwiki/pmwiki.php/Main/NobleDemon) who wants", "proto-nation where they can live centuries-long lives in harmony with nature. But when", "[a parasitic extraterrestrial](https://tvtropes.org/pmwiki/pmwiki.php/Main/XenomorphXerox) thanks to being parasitised by prehistoric pentastomids and style themselves", "While some Degenerated humans retain enough humanity to even be sympathetic characters, with", "who wants to eradicate every form of discrimination by turning humans in Degenerates", "be sympathetic characters, with their \"king\", Koloksai being a [polite](https://tvtropes.org/pmwiki/pmwiki.php/Main/AffablyEvil), [idealistic](https://tvtropes.org/pmwiki/pmwiki.php/Main/WellIntentionedExtremist) and [moralistic", "aggressive tendencies via implying Degenerated animals are slaves to the pentastomids' desires. While", "humans in Degenerates while founding a proto-nation where they can live centuries-long lives" ]
[ "outliner and 80% discovery writer, (I know many will object that this is", "story happens in mind. How to boost the imagination about and around the", "screen till story happens in mind. How to boost the imagination about and", "brief outline of what is going to happen in the end and then", "had periods of inspiration when the story flowed and periods of inactive pessimism.", "I was writing I had periods of inspiration when the story flowed and", "last two chapters are not coming to me. I just know what is", "I just know what is going to happen in the end. It's been", "to happen in the end and then I go on filling the story", "of inactive pessimism. I want to ask the discovery writers that what to", "when the story is not coming. Do you blog? or keep writing something", "Do you blog? or keep writing something else, or just stare at the", "I want to ask the discovery writers that what to do in periods", "go on filling the story in discovery writing way. At the moment I", "want to ask the discovery writers that what to do in periods of", "possible) meaning, I have a very brief outline of what is going to", "is going to happen in the end and then I go on filling", "me. Sometime back when I was writing I had periods of inspiration when", "80% discovery writer, (I know many will object that this is not possible)", "discovery writer, (I know many will object that this is not possible) meaning,", "just stare at the screen till story happens in mind. How to boost", "back when I was writing I had periods of inspiration when the story", "periods of inspiration when the story flowed and periods of inactive pessimism. I", "on filling the story in discovery writing way. At the moment I have", "in the end and then I go on filling the story in discovery", "but the last two chapters are not coming to me. I just know", "of hibernation when the story is not coming. Do you blog? or keep", "will object that this is not possible) meaning, I have a very brief", "to ask the discovery writers that what to do in periods of hibernation", "end and then I go on filling the story in discovery writing way.", "I have a very brief outline of what is going to happen in", "coming to me. I just know what is going to happen in the", "of what is going to happen in the end and then I go", "two chapters are not coming to me. I just know what is going", "in the end. It's been a long time that the story is not", "the end. It's been a long time that the story is not coming", "I had periods of inspiration when the story flowed and periods of inactive", "writing I had periods of inspiration when the story flowed and periods of", "is not possible) meaning, I have a very brief outline of what is", "the story is not coming to me. Sometime back when I was writing", "(I know many will object that this is not possible) meaning, I have", "you blog? or keep writing something else, or just stare at the screen", "the end and then I go on filling the story in discovery writing", "pessimism. I want to ask the discovery writers that what to do in", "a very brief outline of what is going to happen in the end", "what to do in periods of hibernation when the story is not coming.", "story flowed and periods of inactive pessimism. I want to ask the discovery", "in discovery writing way. At the moment I have almost finished my novella", "keep writing something else, or just stare at the screen till story happens", "the discovery writers that what to do in periods of hibernation when the", "not possible) meaning, I have a very brief outline of what is going", "that the story is not coming to me. Sometime back when I was", "the moment I have almost finished my novella but the last two chapters", "happen in the end. It's been a long time that the story is", "coming. Do you blog? or keep writing something else, or just stare at", "end. It's been a long time that the story is not coming to", "writing way. At the moment I have almost finished my novella but the", "long time that the story is not coming to me. Sometime back when", "story is not coming to me. Sometime back when I was writing I", "what is going to happen in the end and then I go on", "have almost finished my novella but the last two chapters are not coming", "at the screen till story happens in mind. How to boost the imagination", "happen in the end and then I go on filling the story in", "object that this is not possible) meaning, I have a very brief outline", "was writing I had periods of inspiration when the story flowed and periods", "moment I have almost finished my novella but the last two chapters are", "something else, or just stare at the screen till story happens in mind.", "coming to me. Sometime back when I was writing I had periods of", "inspiration when the story flowed and periods of inactive pessimism. I want to", "me. I just know what is going to happen in the end. It's", "filling the story in discovery writing way. At the moment I have almost", "that this is not possible) meaning, I have a very brief outline of", "discovery writers that what to do in periods of hibernation when the story", "meaning, I have a very brief outline of what is going to happen", "to me. Sometime back when I was writing I had periods of inspiration", "know what is going to happen in the end. It's been a long", "when I was writing I had periods of inspiration when the story flowed", "novella but the last two chapters are not coming to me. I just", "and then I go on filling the story in discovery writing way. At", "is going to happen in the end. It's been a long time that", "the story is not coming. Do you blog? or keep writing something else,", "the story flowed and periods of inactive pessimism. I want to ask the", "to me. I just know what is going to happen in the end.", "do in periods of hibernation when the story is not coming. Do you", "or just stare at the screen till story happens in mind. How to", "not coming to me. Sometime back when I was writing I had periods", "to happen in the end. It's been a long time that the story", "inactive pessimism. I want to ask the discovery writers that what to do", "not coming. Do you blog? or keep writing something else, or just stare", "or keep writing something else, or just stare at the screen till story", "chapters are not coming to me. I just know what is going to", "almost finished my novella but the last two chapters are not coming to", "been a long time that the story is not coming to me. Sometime", "what is going to happen in the end. It's been a long time", "writing something else, or just stare at the screen till story happens in", "I go on filling the story in discovery writing way. At the moment", "my novella but the last two chapters are not coming to me. I", "the screen till story happens in mind. How to boost the imagination about", "blog? or keep writing something else, or just stare at the screen till", "just know what is going to happen in the end. It's been a", "Sometime back when I was writing I had periods of inspiration when the", "then I go on filling the story in discovery writing way. At the", "flowed and periods of inactive pessimism. I want to ask the discovery writers", "and periods of inactive pessimism. I want to ask the discovery writers that", "else, or just stare at the screen till story happens in mind. How", "story in discovery writing way. At the moment I have almost finished my", "to do in periods of hibernation when the story is not coming. Do", "way. At the moment I have almost finished my novella but the last", "discovery writing way. At the moment I have almost finished my novella but", "have a very brief outline of what is going to happen in the", "ask the discovery writers that what to do in periods of hibernation when", "this is not possible) meaning, I have a very brief outline of what", "I have almost finished my novella but the last two chapters are not", "It's been a long time that the story is not coming to me.", "periods of inactive pessimism. I want to ask the discovery writers that what", "not coming to me. I just know what is going to happen in", "and 80% discovery writer, (I know many will object that this is not", "outline of what is going to happen in the end and then I", "time that the story is not coming to me. Sometime back when I", "am 20% outliner and 80% discovery writer, (I know many will object that", "is not coming to me. Sometime back when I was writing I had", "the story in discovery writing way. At the moment I have almost finished", "are not coming to me. I just know what is going to happen", "happens in mind. How to boost the imagination about and around the story?", "a long time that the story is not coming to me. Sometime back", "writers that what to do in periods of hibernation when the story is", "periods of hibernation when the story is not coming. Do you blog? or", "know many will object that this is not possible) meaning, I have a", "many will object that this is not possible) meaning, I have a very", "finished my novella but the last two chapters are not coming to me.", "that what to do in periods of hibernation when the story is not", "stare at the screen till story happens in mind. How to boost the", "I am 20% outliner and 80% discovery writer, (I know many will object", "going to happen in the end and then I go on filling the", "story is not coming. Do you blog? or keep writing something else, or", "when the story flowed and periods of inactive pessimism. I want to ask", "in periods of hibernation when the story is not coming. Do you blog?", "going to happen in the end. It's been a long time that the", "hibernation when the story is not coming. Do you blog? or keep writing", "writer, (I know many will object that this is not possible) meaning, I", "At the moment I have almost finished my novella but the last two", "the last two chapters are not coming to me. I just know what", "is not coming. Do you blog? or keep writing something else, or just", "very brief outline of what is going to happen in the end and", "of inspiration when the story flowed and periods of inactive pessimism. I want", "20% outliner and 80% discovery writer, (I know many will object that this", "till story happens in mind. How to boost the imagination about and around" ]
[ "is not sufficient for creating a whole game. But there are fiction books", "easier? A structured procedure by which I can work, that can help me", "can make this easier? A structured procedure by which I can work, that", "the choices your character makes, think how to display text on the page,", "some links that apparently discuss this topic, but with few details: * [Five", "around the web and found some links that apparently discuss this topic, but", "the conversion process itself. * [What the heck is interactive fiction?](https://sub-q.com/what-the-heck-is-interactive-fiction-a-guide-for-authors/) - a", "process itself. * [What the heck is interactive fiction?](https://sub-q.com/what-the-heck-is-interactive-fiction-a-guide-for-authors/) - a subsection titled", "[What the heck is interactive fiction?](https://sub-q.com/what-the-heck-is-interactive-fiction-a-guide-for-authors/) - a subsection titled \"Converting Fiction to", "sequential, while in a game there are many branches. Even if I have,", "9 of these on my own. Is there a process that can make", "game](https://www.thebookseller.com/futurebook/five-tips-turning-book-interactive-game-514791) - mainly discusses what should be in a book in order to", "there are fiction books (in the public domain) that are very imaginative and", "main problem is that, a standard fiction book is sequential, while in a", "game. But there are fiction books (in the public domain) that are very", "say, only 10 branches, I still have to write 9 of these on", "mainly discusses what should be in a book in order to be able", "on the page, think outside the page. Again, few details about the process", "text on the page, think outside the page. Again, few details about the", "makes, think how to display text on the page, think outside the page.", "the page, think outside the page. Again, few details about the process itself", "Again, few details about the process itself are given. EDIT: thanks a lot", "details about the process itself are given. EDIT: thanks a lot to all", "are many branches. Even if I have, say, only 10 branches, I still", "process itself are given. EDIT: thanks a lot to all the repliers for", "that can make this easier? A structured procedure by which I can work,", "a novel to a text adventure, with minimal need to use my \"rusty\"", "to use my \"rusty\" imagination? I looked around the web and found some", "book is sequential, while in a game there are many branches. Even if", "how to display text on the page, think outside the page. Again, few", "turning a book into an interactive game](https://www.thebookseller.com/futurebook/five-tips-turning-book-interactive-game-514791) - mainly discusses what should be", "it does not speak about the conversion process itself. * [What the heck", "able to make a game out of it, namely: scalability, strong characters, first-person", "that, a standard fiction book is sequential, while in a game there are", "book into an interactive game](https://www.thebookseller.com/futurebook/five-tips-turning-book-interactive-game-514791) - mainly discusses what should be in a", "I have, say, only 10 branches, I still have to write 9 of", "have to write 9 of these on my own. Is there a process", "think outside the page. Again, few details about the process itself are given.", "EDIT: thanks a lot to all the repliers for the wonderful ideas and", "branches. Even if I have, say, only 10 branches, I still have to", "think about the choices your character makes, think how to display text on", "domain) that are very imaginative and could potentially make a great game. The", "your character makes, think how to display text on the page, think outside", "page. Again, few details about the process itself are given. EDIT: thanks a", "about the choices your character makes, think how to display text on the", "adventure, with minimal need to use my \"rusty\" imagination? I looked around the", "write 9 of these on my own. Is there a process that can", "and found some links that apparently discuss this topic, but with few details:", "interactive fiction?](https://sub-q.com/what-the-heck-is-interactive-fiction-a-guide-for-authors/) - a subsection titled \"Converting Fiction to IF\" gives some hints:", "creating a whole game. But there are fiction books (in the public domain)", "found some links that apparently discuss this topic, but with few details: ", "few details about the process itself are given. EDIT: thanks a lot to", "few details: [Five tips for turning a book into an interactive game](https://www.thebookseller.com/futurebook/five-tips-turning-book-interactive-game-514791)", "[Five tips for turning a book into an interactive game](https://www.thebookseller.com/futurebook/five-tips-turning-book-interactive-game-514791) - mainly discusses", "namely: scalability, strong characters, first-person narrative, and genre. But, it does not speak", "to write 9 of these on my own. Is there a process that", "game there are many branches. Even if I have, say, only 10 branches,", "adventure game, but my imagination is not sufficient for creating a whole game.", "need to use my \"rusty\" imagination? I looked around the web and found", "work, that can help me convert a novel to a text adventure, with", "to create a text adventure game, but my imagination is not sufficient for", "there are many branches. Even if I have, say, only 10 branches, I", "a process that can make this easier? A structured procedure by which I", "titled \"Converting Fiction to IF\" gives some hints: pick a shorter story, think", "the web and found some links that apparently discuss this topic, but with", "make this easier? A structured procedure by which I can work, that can", "many branches. Even if I have, say, only 10 branches, I still have", "there a process that can make this easier? A structured procedure by which", "this topic, but with few details: * [Five tips for turning a book", "books (in the public domain) that are very imaginative and could potentially make", "I looked around the web and found some links that apparently discuss this", "fiction book is sequential, while in a game there are many branches. Even", "tips for turning a book into an interactive game](https://www.thebookseller.com/futurebook/five-tips-turning-book-interactive-game-514791) - mainly discusses what", "discusses what should be in a book in order to be able to", "a subsection titled \"Converting Fiction to IF\" gives some hints: pick a shorter", "novel to a text adventure, with minimal need to use my \"rusty\" imagination?", "A structured procedure by which I can work, that can help me convert", "to a text adventure, with minimal need to use my \"rusty\" imagination? I", "it, namely: scalability, strong characters, first-person narrative, and genre. But, it does not", "but with few details: * [Five tips for turning a book into an", "could potentially make a great game. The main problem is that, a standard", "lot to all the repliers for the wonderful ideas and the warm welcome!", "like to create a text adventure game, but my imagination is not sufficient", "display text on the page, think outside the page. Again, few details about", "that are very imaginative and could potentially make a great game. The main", "itself. * [What the heck is interactive fiction?](https://sub-q.com/what-the-heck-is-interactive-fiction-a-guide-for-authors/) - a subsection titled \"Converting", "game, but my imagination is not sufficient for creating a whole game. But", "I can work, that can help me convert a novel to a text", "fiction books (in the public domain) that are very imaginative and could potentially", "Suppose I would like to create a text adventure game, but my imagination", "to make a game out of it, namely: scalability, strong characters, first-person narrative,", "text adventure game, but my imagination is not sufficient for creating a whole", "a whole game. But there are fiction books (in the public domain) that", "this easier? A structured procedure by which I can work, that can help", "- mainly discusses what should be in a book in order to be", "some hints: pick a shorter story, think about the choices your character makes,", "create a text adventure game, but my imagination is not sufficient for creating", "and could potentially make a great game. The main problem is that, a", "10 branches, I still have to write 9 of these on my own.", "have, say, only 10 branches, I still have to write 9 of these", "first-person narrative, and genre. But, it does not speak about the conversion process", "details: * [Five tips for turning a book into an interactive game](https://www.thebookseller.com/futurebook/five-tips-turning-book-interactive-game-514791) -", "if I have, say, only 10 branches, I still have to write 9", "subsection titled \"Converting Fiction to IF\" gives some hints: pick a shorter story,", "for turning a book into an interactive game](https://www.thebookseller.com/futurebook/five-tips-turning-book-interactive-game-514791) - mainly discusses what should", "gives some hints: pick a shorter story, think about the choices your character", "would like to create a text adventure game, but my imagination is not", "shorter story, think about the choices your character makes, think how to display", "great game. The main problem is that, a standard fiction book is sequential,", "speak about the conversion process itself. * [What the heck is interactive fiction?](https://sub-q.com/what-the-heck-is-interactive-fiction-a-guide-for-authors/)", "sufficient for creating a whole game. But there are fiction books (in the", "The main problem is that, a standard fiction book is sequential, while in", "outside the page. Again, few details about the process itself are given. EDIT:", "itself are given. EDIT: thanks a lot to all the repliers for the", "are fiction books (in the public domain) that are very imaginative and could", "can work, that can help me convert a novel to a text adventure,", "while in a game there are many branches. Even if I have, say,", "does not speak about the conversion process itself. * [What the heck is", "is interactive fiction?](https://sub-q.com/what-the-heck-is-interactive-fiction-a-guide-for-authors/) - a subsection titled \"Converting Fiction to IF\" gives some", "Even if I have, say, only 10 branches, I still have to write", "my \"rusty\" imagination? I looked around the web and found some links that", "a text adventure game, but my imagination is not sufficient for creating a", "own. Is there a process that can make this easier? A structured procedure", "topic, but with few details: * [Five tips for turning a book into", "pick a shorter story, think about the choices your character makes, think how", "these on my own. Is there a process that can make this easier?", "and genre. But, it does not speak about the conversion process itself. ", "structured procedure by which I can work, that can help me convert a", "imagination? I looked around the web and found some links that apparently discuss", "are given. EDIT: thanks a lot to all the repliers for the wonderful", "that apparently discuss this topic, but with few details: [Five tips for", "\"rusty\" imagination? I looked around the web and found some links that apparently", "on my own. Is there a process that can make this easier? A", "But there are fiction books (in the public domain) that are very imaginative", "an interactive game](https://www.thebookseller.com/futurebook/five-tips-turning-book-interactive-game-514791) - mainly discusses what should be in a book in", "is that, a standard fiction book is sequential, while in a game there", "by which I can work, that can help me convert a novel to", "help me convert a novel to a text adventure, with minimal need to", "to be able to make a game out of it, namely: scalability, strong", "game out of it, namely: scalability, strong characters, first-person narrative, and genre. But,", "about the conversion process itself. * [What the heck is interactive fiction?](https://sub-q.com/what-the-heck-is-interactive-fiction-a-guide-for-authors/) -", "- a subsection titled \"Converting Fiction to IF\" gives some hints: pick a", "minimal need to use my \"rusty\" imagination? I looked around the web and", "procedure by which I can work, that can help me convert a novel", "hints: pick a shorter story, think about the choices your character makes, think", "story, think about the choices your character makes, think how to display text", "apparently discuss this topic, but with few details: * [Five tips for turning", "(in the public domain) that are very imaginative and could potentially make a", "the heck is interactive fiction?](https://sub-q.com/what-the-heck-is-interactive-fiction-a-guide-for-authors/) - a subsection titled \"Converting Fiction to IF\"", "of it, namely: scalability, strong characters, first-person narrative, and genre. But, it does", "a game there are many branches. Even if I have, say, only 10", "\"Converting Fiction to IF\" gives some hints: pick a shorter story, think about", "think how to display text on the page, think outside the page. Again,", "about the process itself are given. EDIT: thanks a lot to all the", "a great game. The main problem is that, a standard fiction book is", "a text adventure, with minimal need to use my \"rusty\" imagination? I looked", "a game out of it, namely: scalability, strong characters, first-person narrative, and genre.", "process that can make this easier? A structured procedure by which I can", "make a great game. The main problem is that, a standard fiction book", "fiction?](https://sub-q.com/what-the-heck-is-interactive-fiction-a-guide-for-authors/) - a subsection titled \"Converting Fiction to IF\" gives some hints: pick", "to display text on the page, think outside the page. Again, few details", "Fiction to IF\" gives some hints: pick a shorter story, think about the", "with few details: * [Five tips for turning a book into an interactive", "characters, first-person narrative, and genre. But, it does not speak about the conversion", "narrative, and genre. But, it does not speak about the conversion process itself.", "can help me convert a novel to a text adventure, with minimal need", "that can help me convert a novel to a text adventure, with minimal", "the process itself are given. EDIT: thanks a lot to all the repliers", "imaginative and could potentially make a great game. The main problem is that,", "my own. Is there a process that can make this easier? A structured", "* [What the heck is interactive fiction?](https://sub-q.com/what-the-heck-is-interactive-fiction-a-guide-for-authors/) - a subsection titled \"Converting Fiction", "Is there a process that can make this easier? A structured procedure by", "book in order to be able to make a game out of it,", "imagination is not sufficient for creating a whole game. But there are fiction", "IF\" gives some hints: pick a shorter story, think about the choices your", "in a book in order to be able to make a game out", "potentially make a great game. The main problem is that, a standard fiction", "not sufficient for creating a whole game. But there are fiction books (in", "only 10 branches, I still have to write 9 of these on my", "thanks a lot to all the repliers for the wonderful ideas and the", "convert a novel to a text adventure, with minimal need to use my", "a lot to all the repliers for the wonderful ideas and the warm", "to IF\" gives some hints: pick a shorter story, think about the choices", "standard fiction book is sequential, while in a game there are many branches.", "be in a book in order to be able to make a game", "branches, I still have to write 9 of these on my own. Is", "page, think outside the page. Again, few details about the process itself are", "a standard fiction book is sequential, while in a game there are many", "me convert a novel to a text adventure, with minimal need to use", "be able to make a game out of it, namely: scalability, strong characters,", "public domain) that are very imaginative and could potentially make a great game.", "is sequential, while in a game there are many branches. Even if I", "discuss this topic, but with few details: * [Five tips for turning a", "should be in a book in order to be able to make a", "text adventure, with minimal need to use my \"rusty\" imagination? I looked around", "what should be in a book in order to be able to make", "whole game. But there are fiction books (in the public domain) that are", "conversion process itself. * [What the heck is interactive fiction?](https://sub-q.com/what-the-heck-is-interactive-fiction-a-guide-for-authors/) - a subsection", "choices your character makes, think how to display text on the page, think", "but my imagination is not sufficient for creating a whole game. But there", "game. The main problem is that, a standard fiction book is sequential, while", "web and found some links that apparently discuss this topic, but with few", "I still have to write 9 of these on my own. Is there", "out of it, namely: scalability, strong characters, first-person narrative, and genre. But, it", "heck is interactive fiction?](https://sub-q.com/what-the-heck-is-interactive-fiction-a-guide-for-authors/) - a subsection titled \"Converting Fiction to IF\" gives", "character makes, think how to display text on the page, think outside the", "are very imaginative and could potentially make a great game. The main problem", "in a game there are many branches. Even if I have, say, only", "of these on my own. Is there a process that can make this", "the public domain) that are very imaginative and could potentially make a great", "looked around the web and found some links that apparently discuss this topic,", "in order to be able to make a game out of it, namely:", "genre. But, it does not speak about the conversion process itself. * [What", "order to be able to make a game out of it, namely: scalability,", "the page. Again, few details about the process itself are given. EDIT: thanks", "which I can work, that can help me convert a novel to a", "my imagination is not sufficient for creating a whole game. But there are", "* [Five tips for turning a book into an interactive game](https://www.thebookseller.com/futurebook/five-tips-turning-book-interactive-game-514791) - mainly", "still have to write 9 of these on my own. Is there a", "use my \"rusty\" imagination? I looked around the web and found some links", "But, it does not speak about the conversion process itself. * [What the", "with minimal need to use my \"rusty\" imagination? I looked around the web", "links that apparently discuss this topic, but with few details: * [Five tips", "problem is that, a standard fiction book is sequential, while in a game", "into an interactive game](https://www.thebookseller.com/futurebook/five-tips-turning-book-interactive-game-514791) - mainly discusses what should be in a book", "a book in order to be able to make a game out of", "for creating a whole game. But there are fiction books (in the public", "a book into an interactive game](https://www.thebookseller.com/futurebook/five-tips-turning-book-interactive-game-514791) - mainly discusses what should be in", "strong characters, first-person narrative, and genre. But, it does not speak about the", "I would like to create a text adventure game, but my imagination is", "interactive game](https://www.thebookseller.com/futurebook/five-tips-turning-book-interactive-game-514791) - mainly discusses what should be in a book in order", "not speak about the conversion process itself. * [What the heck is interactive", "a shorter story, think about the choices your character makes, think how to", "very imaginative and could potentially make a great game. The main problem is", "make a game out of it, namely: scalability, strong characters, first-person narrative, and", "scalability, strong characters, first-person narrative, and genre. But, it does not speak about", "given. EDIT: thanks a lot to all the repliers for the wonderful ideas" ]
[ "just throw the existence of said ability into the climax of the story", "much or too little? Will an anecdote or a story 'from legend' be", "I foreshadow the existence of this ability effectively without telling too much or", "something from a legend and not really an option. I want to avoid", "reader. How do I foreshadow the existence of this ability effectively without telling", "the climax to the reader. How do I foreshadow the existence of this", "are just right. Therefore, it is not mentioned in the story as a", "said ability into the climax of the story as a deus ex machina.", "extensively beforehand due to above reasons. I'm also afraid that talking too much", "the story as a solution to the MC's problem, as the ability is", "Will an anecdote or a story 'from legend' be what I'm looking for?", "around a certain ability of the MC that is normally not available, unless", "talk about it extensively beforehand due to above reasons. I'm also afraid that", "I want to avoid to just throw the existence of said ability into", "a certain ability of the MC that is normally not available, unless the", "the ability is considered to be something from a legend and not really", "ability effectively without telling too much or too little? Will an anecdote or", "considered to be something from a legend and not really an option. I", "to the reader. How do I foreshadow the existence of this ability effectively", "circumstances are just right. Therefore, it is not mentioned in the story as", "it is not mentioned in the story as a solution to the MC's", "my story revolves around a certain ability of the MC that is normally", "existence of this ability effectively without telling too much or too little? Will", "just right. Therefore, it is not mentioned in the story as a solution", "the existence of this ability effectively without telling too much or too little?", "beforehand due to above reasons. I'm also afraid that talking too much about", "effectively without telling too much or too little? Will an anecdote or a", "telling too much or too little? Will an anecdote or a story 'from", "'from legend' be what I'm looking for? When do I talk about it?", "is not mentioned in the story as a solution to the MC's problem,", "The plot in my story revolves around a certain ability of the MC", "will give away the climax to the reader. How do I foreshadow the", "without telling too much or too little? Will an anecdote or a story", "of said ability into the climax of the story as a deus ex", "into the climax of the story as a deus ex machina. However, it", "that talking too much about it will give away the climax to the", "a deus ex machina. However, it also makes no sense to talk about", "I'm also afraid that talking too much about it will give away the", "not mentioned in the story as a solution to the MC's problem, as", "it extensively beforehand due to above reasons. I'm also afraid that talking too", "is normally not available, unless the circumstances are just right. Therefore, it is", "Therefore, it is not mentioned in the story as a solution to the", "too much about it will give away the climax to the reader. How", "little? Will an anecdote or a story 'from legend' be what I'm looking", "to talk about it extensively beforehand due to above reasons. I'm also afraid", "the reader. How do I foreshadow the existence of this ability effectively without", "foreshadow the existence of this ability effectively without telling too much or too", "problem, as the ability is considered to be something from a legend and", "really an option. I want to avoid to just throw the existence of", "an anecdote or a story 'from legend' be what I'm looking for? When", "ability of the MC that is normally not available, unless the circumstances are", "no sense to talk about it extensively beforehand due to above reasons. I'm", "of the story as a deus ex machina. However, it also makes no", "normally not available, unless the circumstances are just right. Therefore, it is not", "also makes no sense to talk about it extensively beforehand due to above", "of this ability effectively without telling too much or too little? Will an", "due to above reasons. I'm also afraid that talking too much about it", "want to avoid to just throw the existence of said ability into the", "give away the climax to the reader. How do I foreshadow the existence", "too little? Will an anecdote or a story 'from legend' be what I'm", "in my story revolves around a certain ability of the MC that is", "ability is considered to be something from a legend and not really an", "mentioned in the story as a solution to the MC's problem, as the", "revolves around a certain ability of the MC that is normally not available,", "However, it also makes no sense to talk about it extensively beforehand due", "anecdote or a story 'from legend' be what I'm looking for? When do", "this ability effectively without telling too much or too little? Will an anecdote", "is considered to be something from a legend and not really an option.", "afraid that talking too much about it will give away the climax to", "throw the existence of said ability into the climax of the story as", "about it extensively beforehand due to above reasons. I'm also afraid that talking", "ability into the climax of the story as a deus ex machina. However,", "from a legend and not really an option. I want to avoid to", "above reasons. I'm also afraid that talking too much about it will give", "available, unless the circumstances are just right. Therefore, it is not mentioned in", "not really an option. I want to avoid to just throw the existence", "right. Therefore, it is not mentioned in the story as a solution to", "ex machina. However, it also makes no sense to talk about it extensively", "the story as a deus ex machina. However, it also makes no sense", "a legend and not really an option. I want to avoid to just", "an option. I want to avoid to just throw the existence of said", "of the MC that is normally not available, unless the circumstances are just", "avoid to just throw the existence of said ability into the climax of", "or a story 'from legend' be what I'm looking for? When do I", "too much or too little? Will an anecdote or a story 'from legend'", "do I foreshadow the existence of this ability effectively without telling too much", "be something from a legend and not really an option. I want to", "certain ability of the MC that is normally not available, unless the circumstances", "the MC's problem, as the ability is considered to be something from a", "about it will give away the climax to the reader. How do I", "away the climax to the reader. How do I foreshadow the existence of", "the circumstances are just right. Therefore, it is not mentioned in the story", "MC that is normally not available, unless the circumstances are just right. Therefore,", "also afraid that talking too much about it will give away the climax", "that is normally not available, unless the circumstances are just right. Therefore, it", "machina. However, it also makes no sense to talk about it extensively beforehand", "legend and not really an option. I want to avoid to just throw", "reasons. I'm also afraid that talking too much about it will give away", "in the story as a solution to the MC's problem, as the ability", "plot in my story revolves around a certain ability of the MC that", "or too little? Will an anecdote or a story 'from legend' be what", "the climax of the story as a deus ex machina. However, it also", "to avoid to just throw the existence of said ability into the climax", "a story 'from legend' be what I'm looking for? When do I talk", "climax of the story as a deus ex machina. However, it also makes", "much about it will give away the climax to the reader. How do", "it will give away the climax to the reader. How do I foreshadow", "story as a deus ex machina. However, it also makes no sense to", "as a deus ex machina. However, it also makes no sense to talk", "the MC that is normally not available, unless the circumstances are just right.", "not available, unless the circumstances are just right. Therefore, it is not mentioned", "and not really an option. I want to avoid to just throw the", "existence of said ability into the climax of the story as a deus", "a solution to the MC's problem, as the ability is considered to be", "story as a solution to the MC's problem, as the ability is considered", "to just throw the existence of said ability into the climax of the", "unless the circumstances are just right. Therefore, it is not mentioned in the", "sense to talk about it extensively beforehand due to above reasons. I'm also", "How do I foreshadow the existence of this ability effectively without telling too", "as the ability is considered to be something from a legend and not", "story 'from legend' be what I'm looking for? When do I talk about", "it also makes no sense to talk about it extensively beforehand due to", "as a solution to the MC's problem, as the ability is considered to", "to the MC's problem, as the ability is considered to be something from", "talking too much about it will give away the climax to the reader.", "climax to the reader. How do I foreshadow the existence of this ability", "solution to the MC's problem, as the ability is considered to be something", "deus ex machina. However, it also makes no sense to talk about it", "MC's problem, as the ability is considered to be something from a legend", "makes no sense to talk about it extensively beforehand due to above reasons.", "to above reasons. I'm also afraid that talking too much about it will", "story revolves around a certain ability of the MC that is normally not", "the existence of said ability into the climax of the story as a", "option. I want to avoid to just throw the existence of said ability", "to be something from a legend and not really an option. I want" ]
[ "across to a rock formation seen in the screen right of the image/photograph.", "'island'. What word(s) best describe this isolated rock outcrop ? Thanks for any", "masters of geographic eloquence, A rock arch bridges across to a rock formation", "image/photograph. It's not an independent 'island'. What word(s) best describe this isolated rock", "describe this isolated rock outcrop ? Thanks for any suggestions. [![coast](https://i.stack.imgur.com/imn2k.jpg)](https://i.stack.imgur.com/imn2k.jpg) (credit due", "arch bridges across to a rock formation seen in the screen right of", "A rock arch bridges across to a rock formation seen in the screen", "word(s) best describe this isolated rock outcrop ? Thanks for any suggestions. [![coast](https://i.stack.imgur.com/imn2k.jpg)](https://i.stack.imgur.com/imn2k.jpg)", "rock outcrop ? Thanks for any suggestions. [![coast](https://i.stack.imgur.com/imn2k.jpg)](https://i.stack.imgur.com/imn2k.jpg) (credit due to unknown photographer", "What word(s) best describe this isolated rock outcrop ? Thanks for any suggestions.", "seen in the screen right of the image/photograph. It's not an independent 'island'.", "Hello masters of geographic eloquence, A rock arch bridges across to a rock", "Thanks for any suggestions. [![coast](https://i.stack.imgur.com/imn2k.jpg)](https://i.stack.imgur.com/imn2k.jpg) (credit due to unknown photographer of this image)", "to a rock formation seen in the screen right of the image/photograph. It's", "the screen right of the image/photograph. It's not an independent 'island'. What word(s)", "the image/photograph. It's not an independent 'island'. What word(s) best describe this isolated", "It's not an independent 'island'. What word(s) best describe this isolated rock outcrop", "a rock formation seen in the screen right of the image/photograph. It's not", "rock formation seen in the screen right of the image/photograph. It's not an", "? Thanks for any suggestions. [![coast](https://i.stack.imgur.com/imn2k.jpg)](https://i.stack.imgur.com/imn2k.jpg) (credit due to unknown photographer of this", "formation seen in the screen right of the image/photograph. It's not an independent", "best describe this isolated rock outcrop ? Thanks for any suggestions. [![coast](https://i.stack.imgur.com/imn2k.jpg)](https://i.stack.imgur.com/imn2k.jpg) (credit", "of geographic eloquence, A rock arch bridges across to a rock formation seen", "outcrop ? Thanks for any suggestions. [![coast](https://i.stack.imgur.com/imn2k.jpg)](https://i.stack.imgur.com/imn2k.jpg) (credit due to unknown photographer of", "rock arch bridges across to a rock formation seen in the screen right", "an independent 'island'. What word(s) best describe this isolated rock outcrop ? Thanks", "screen right of the image/photograph. It's not an independent 'island'. What word(s) best", "independent 'island'. What word(s) best describe this isolated rock outcrop ? Thanks for", "geographic eloquence, A rock arch bridges across to a rock formation seen in", "of the image/photograph. It's not an independent 'island'. What word(s) best describe this", "not an independent 'island'. What word(s) best describe this isolated rock outcrop ?", "eloquence, A rock arch bridges across to a rock formation seen in the", "this isolated rock outcrop ? Thanks for any suggestions. [![coast](https://i.stack.imgur.com/imn2k.jpg)](https://i.stack.imgur.com/imn2k.jpg) (credit due to", "isolated rock outcrop ? Thanks for any suggestions. [![coast](https://i.stack.imgur.com/imn2k.jpg)](https://i.stack.imgur.com/imn2k.jpg) (credit due to unknown", "in the screen right of the image/photograph. It's not an independent 'island'. What", "right of the image/photograph. It's not an independent 'island'. What word(s) best describe", "bridges across to a rock formation seen in the screen right of the" ]
[ "with this version. I've read lots of things about the usage of active", "implementation of cloud reorientation with Google Kubernetes & Docker * Automation of the", "description. Originally it is written in german. That's why I try to translate", "to move on. Now I was asked how I want my Job description", "with 4 bullet points. But I'm not happy with this version. I've read", "usage of active verbs etc pp. But on the other hand, there are", "want to use the possibility to write my job description. Originally it is", "translate it as true to original. * Development and architecture of APIs, web", "and implementation of cloud reorientation with Google Kubernetes & Docker * Automation of", "architecture of APIs, web services, websites and services with .net Core 2.x and", "of existing interfaces The last sentence sounds like one, which could be used", "use the possibility to write my job description. Originally it is written in", "Automation of the development and deployment process with GitLab and Lelz * Analysis", "process with GitLab and Lelz * Analysis and optimization of existing interfaces The", "of the development and deployment process with GitLab and Lelz * Analysis and", "description for my employment reference. My first draft was one full page... This", "it as true to original. * Development and architecture of APIs, web services,", "I was asked how I want my Job description for my employment reference.", "I've read lots of things about the usage of active verbs etc pp.", "Core 2.x and C# * Architecture and implementation of cloud reorientation with Google", "it is written in german. That's why I try to translate it as", "with .net Core 2.x and C# * Architecture and implementation of cloud reorientation", "4 bullet points. But I'm not happy with this version. I've read lots", "sentence sounds like one, which could be used for every employee. But I", "I want one sentence which describes my possibility to work in existing code.", "of cloud reorientation with Google Kubernetes & Docker * Automation of the development", "was one full page... This is too much. Now I've reduced the long", "active verbs etc pp. But on the other hand, there are a lot", "employment reference. My first draft was one full page... This is too much.", "websites and services with .net Core 2.x and C# * Architecture and implementation", "version. I've read lots of things about the usage of active verbs etc", "of APIs, web services, websites and services with .net Core 2.x and C#", "version to a short version with 4 bullet points. But I'm not happy", "with Google Kubernetes & Docker * Automation of the development and deployment process", "optimization of existing interfaces The last sentence sounds like one, which could be", "development and deployment process with GitLab and Lelz * Analysis and optimization of", "use nominalization. I'm confused and want to use the possibility to write my", "why I try to translate it as true to original. * Development and", "to translate it as true to original. * Development and architecture of APIs,", "Lelz * Analysis and optimization of existing interfaces The last sentence sounds like", "want my Job description for my employment reference. My first draft was one", "first draft was one full page... This is too much. Now I've reduced", "nominalization. I'm confused and want to use the possibility to write my job", "interfaces The last sentence sounds like one, which could be used for every", "too much. Now I've reduced the long version to a short version with", "true to original. * Development and architecture of APIs, web services, websites and", "is written in german. That's why I try to translate it as true", "and services with .net Core 2.x and C# * Architecture and implementation of", "is too much. Now I've reduced the long version to a short version", "to original. * Development and architecture of APIs, web services, websites and services", "my employment reference. My first draft was one full page... This is too", "this version. I've read lots of things about the usage of active verbs", "try to translate it as true to original. * Development and architecture of", "confused and want to use the possibility to write my job description. Originally", "say to use nominalization. I'm confused and want to use the possibility to", "I'm not happy with this version. I've read lots of things about the", "lots of things about the usage of active verbs etc pp. But on", "on. Now I was asked how I want my Job description for my", "how I want my Job description for my employment reference. My first draft", "was asked how I want my Job description for my employment reference. My", "But on the other hand, there are a lot of sites which say", "* Development and architecture of APIs, web services, websites and services with .net", "hand, there are a lot of sites which say to use nominalization. I'm", "could be used for every employee. But I want one sentence which describes", "a short version with 4 bullet points. But I'm not happy with this", "my job to move on. Now I was asked how I want my", "things about the usage of active verbs etc pp. But on the other", "I've canceled my job to move on. Now I was asked how I", "bullet points. But I'm not happy with this version. I've read lots of", "original. * Development and architecture of APIs, web services, websites and services with", "last sentence sounds like one, which could be used for every employee. But", "canceled my job to move on. Now I was asked how I want", "for my employment reference. My first draft was one full page... This is", "the long version to a short version with 4 bullet points. But I'm", "read lots of things about the usage of active verbs etc pp. But", "Docker * Automation of the development and deployment process with GitLab and Lelz", "Development and architecture of APIs, web services, websites and services with .net Core", "etc pp. But on the other hand, there are a lot of sites", "german. That's why I try to translate it as true to original. ", "to a short version with 4 bullet points. But I'm not happy with", "and want to use the possibility to write my job description. Originally it", "possibility to write my job description. Originally it is written in german. That's", "on the other hand, there are a lot of sites which say to", "But I want one sentence which describes my possibility to work in existing", "a lot of sites which say to use nominalization. I'm confused and want", "Job description for my employment reference. My first draft was one full page...", "are a lot of sites which say to use nominalization. I'm confused and", "and Lelz Analysis and optimization of existing interfaces The last sentence sounds", "the development and deployment process with GitLab and Lelz * Analysis and optimization", "used for every employee. But I want one sentence which describes my possibility", "employee. But I want one sentence which describes my possibility to work in", "full page... This is too much. Now I've reduced the long version to", "* Analysis and optimization of existing interfaces The last sentence sounds like one,", "services, websites and services with .net Core 2.x and C# * Architecture and", "not happy with this version. I've read lots of things about the usage", "to use nominalization. I'm confused and want to use the possibility to write", "to write my job description. Originally it is written in german. That's why", "reorientation with Google Kubernetes & Docker * Automation of the development and deployment", "my Job description for my employment reference. My first draft was one full", "asked how I want my Job description for my employment reference. My first", "my job description. Originally it is written in german. That's why I try", "one, which could be used for every employee. But I want one sentence", "about the usage of active verbs etc pp. But on the other hand,", "My first draft was one full page... This is too much. Now I've", "which say to use nominalization. I'm confused and want to use the possibility", "I try to translate it as true to original. * Development and architecture", "there are a lot of sites which say to use nominalization. I'm confused", "web services, websites and services with .net Core 2.x and C# * Architecture", "points. But I'm not happy with this version. I've read lots of things", "services with .net Core 2.x and C# * Architecture and implementation of cloud", "and C# * Architecture and implementation of cloud reorientation with Google Kubernetes &", "sounds like one, which could be used for every employee. But I want", "be used for every employee. But I want one sentence which describes my", "Now I've reduced the long version to a short version with 4 bullet", "reduced the long version to a short version with 4 bullet points. But", "The last sentence sounds like one, which could be used for every employee.", "This is too much. Now I've reduced the long version to a short", "C# * Architecture and implementation of cloud reorientation with Google Kubernetes & Docker", "Analysis and optimization of existing interfaces The last sentence sounds like one, which", "and architecture of APIs, web services, websites and services with .net Core 2.x", "move on. Now I was asked how I want my Job description for", "I'm confused and want to use the possibility to write my job description.", "Architecture and implementation of cloud reorientation with Google Kubernetes & Docker * Automation", "of things about the usage of active verbs etc pp. But on the", "the usage of active verbs etc pp. But on the other hand, there", "in german. That's why I try to translate it as true to original.", "cloud reorientation with Google Kubernetes & Docker * Automation of the development and", "verbs etc pp. But on the other hand, there are a lot of", "of sites which say to use nominalization. I'm confused and want to use", "job description. Originally it is written in german. That's why I try to", "pp. But on the other hand, there are a lot of sites which", "That's why I try to translate it as true to original. * Development", "to use the possibility to write my job description. Originally it is written", "Now I was asked how I want my Job description for my employment", "But I'm not happy with this version. I've read lots of things about", "of active verbs etc pp. But on the other hand, there are a", "write my job description. Originally it is written in german. That's why I", "* Architecture and implementation of cloud reorientation with Google Kubernetes & Docker ", "reference. My first draft was one full page... This is too much. Now", "Google Kubernetes & Docker Automation of the development and deployment process with", "* Automation of the development and deployment process with GitLab and Lelz ", "every employee. But I want one sentence which describes my possibility to work", "version with 4 bullet points. But I'm not happy with this version. I've", "the possibility to write my job description. Originally it is written in german.", "GitLab and Lelz Analysis and optimization of existing interfaces The last sentence", "APIs, web services, websites and services with .net Core 2.x and C# ", "lot of sites which say to use nominalization. I'm confused and want to", "short version with 4 bullet points. But I'm not happy with this version.", "the other hand, there are a lot of sites which say to use", "with GitLab and Lelz Analysis and optimization of existing interfaces The last", "and deployment process with GitLab and Lelz * Analysis and optimization of existing", "other hand, there are a lot of sites which say to use nominalization.", "job to move on. Now I was asked how I want my Job", "page... This is too much. Now I've reduced the long version to a", "draft was one full page... This is too much. Now I've reduced the", "and optimization of existing interfaces The last sentence sounds like one, which could", "for every employee. But I want one sentence which describes my possibility to", "much. Now I've reduced the long version to a short version with 4", "sites which say to use nominalization. I'm confused and want to use the", "like one, which could be used for every employee. But I want one", "existing interfaces The last sentence sounds like one, which could be used for", "I've reduced the long version to a short version with 4 bullet points.", "which could be used for every employee. But I want one sentence which", "I want my Job description for my employment reference. My first draft was", "& Docker * Automation of the development and deployment process with GitLab and", "deployment process with GitLab and Lelz * Analysis and optimization of existing interfaces", "happy with this version. I've read lots of things about the usage of", "Originally it is written in german. That's why I try to translate it", "written in german. That's why I try to translate it as true to", "as true to original. * Development and architecture of APIs, web services, websites", "long version to a short version with 4 bullet points. But I'm not", "one full page... This is too much. Now I've reduced the long version", ".net Core 2.x and C# * Architecture and implementation of cloud reorientation with", "2.x and C# * Architecture and implementation of cloud reorientation with Google Kubernetes", "Kubernetes & Docker * Automation of the development and deployment process with GitLab" ]
[ "a stone object in one hand. They throw it up and down in", "holds a stone object in one hand. They throw it up and down", "hand. They throw it up and down in the air, in that hand,", "in one hand. They throw it up and down in the air, in", "Does this particular physical action have a (preferably non-sports-related) description? \"Vana 'popped(?)' the", "object in one hand. They throw it up and down in the air,", "They throw it up and down in the air, in that hand, a", "particular physical action have a (preferably non-sports-related) description? \"Vana 'popped(?)' the stone in", "physical action have a (preferably non-sports-related) description? \"Vana 'popped(?)' the stone in her", "air, in that hand, a few times, to judge the weight/feel/impact of the", "have a (preferably non-sports-related) description? \"Vana 'popped(?)' the stone in her hand to", "up and down in the air, in that hand, a few times, to", "times, to judge the weight/feel/impact of the object. Does this particular physical action", "judge the weight/feel/impact of the object. Does this particular physical action have a", "down in the air, in that hand, a few times, to judge the", "stone object in one hand. They throw it up and down in the", "the object. Does this particular physical action have a (preferably non-sports-related) description? \"Vana", "hand, a few times, to judge the weight/feel/impact of the object. Does this", "the air, in that hand, a few times, to judge the weight/feel/impact of", "this particular physical action have a (preferably non-sports-related) description? \"Vana 'popped(?)' the stone", "and down in the air, in that hand, a few times, to judge", "the weight/feel/impact of the object. Does this particular physical action have a (preferably", "in that hand, a few times, to judge the weight/feel/impact of the object.", "a few times, to judge the weight/feel/impact of the object. Does this particular", "person holds a stone object in one hand. They throw it up and", "few times, to judge the weight/feel/impact of the object. Does this particular physical", "A person holds a stone object in one hand. They throw it up", "action have a (preferably non-sports-related) description? \"Vana 'popped(?)' the stone in her hand", "(preferably non-sports-related) description? \"Vana 'popped(?)' the stone in her hand to judge its", "in the air, in that hand, a few times, to judge the weight/feel/impact", "weight/feel/impact of the object. Does this particular physical action have a (preferably non-sports-related)", "that hand, a few times, to judge the weight/feel/impact of the object. Does", "throw it up and down in the air, in that hand, a few", "object. Does this particular physical action have a (preferably non-sports-related) description? \"Vana 'popped(?)'", "a (preferably non-sports-related) description? \"Vana 'popped(?)' the stone in her hand to judge", "of the object. Does this particular physical action have a (preferably non-sports-related) description?", "one hand. They throw it up and down in the air, in that", "it up and down in the air, in that hand, a few times,", "non-sports-related) description? \"Vana 'popped(?)' the stone in her hand to judge its weight.\"", "to judge the weight/feel/impact of the object. Does this particular physical action have" ]
[ "without taking the main point of the meditations away. I want to include", "these steps in my book, and I can't change them, but I don't", "offer two types of Buddhist meditations. Those meditations are from another book and", "meditation steps without taking the main point of the meditations away. I want", "the meditation steps without taking the main point of the meditations away. I", "my book, and I can't change them, but I don't want to plagiarize", "and at the resort, they offer two types of Buddhist meditations. Those meditations", "main point of the meditations away. I want to include these steps in", "but I don't want to plagiarize the original author. What can I do?", "point of the meditations away. I want to include these steps in my", "types of Buddhist meditations. Those meditations are from another book and I cannot", "are from another book and I cannot fiddle with the meditation steps without", "book, and I can't change them, but I don't want to plagiarize the", "meditations. Those meditations are from another book and I cannot fiddle with the", "MC goes to a resort and at the resort, they offer two types", "include these steps in my book, and I can't change them, but I", "Those meditations are from another book and I cannot fiddle with the meditation", "to include these steps in my book, and I can't change them, but", "taking the main point of the meditations away. I want to include these", "I cannot fiddle with the meditation steps without taking the main point of", "resort, they offer two types of Buddhist meditations. Those meditations are from another", "another book and I cannot fiddle with the meditation steps without taking the", "Buddhist meditations. Those meditations are from another book and I cannot fiddle with", "the meditations away. I want to include these steps in my book, and", "my novel, the MC goes to a resort and at the resort, they", "book and I cannot fiddle with the meditation steps without taking the main", "cannot fiddle with the meditation steps without taking the main point of the", "the resort, they offer two types of Buddhist meditations. Those meditations are from", "In my novel, the MC goes to a resort and at the resort,", "at the resort, they offer two types of Buddhist meditations. Those meditations are", "with the meditation steps without taking the main point of the meditations away.", "I can't change them, but I don't want to plagiarize the original author.", "the MC goes to a resort and at the resort, they offer two", "steps without taking the main point of the meditations away. I want to", "steps in my book, and I can't change them, but I don't want", "of Buddhist meditations. Those meditations are from another book and I cannot fiddle", "and I cannot fiddle with the meditation steps without taking the main point", "of the meditations away. I want to include these steps in my book,", "meditations away. I want to include these steps in my book, and I", "away. I want to include these steps in my book, and I can't", "can't change them, but I don't want to plagiarize the original author. What", "want to include these steps in my book, and I can't change them,", "them, but I don't want to plagiarize the original author. What can I", "two types of Buddhist meditations. Those meditations are from another book and I", "novel, the MC goes to a resort and at the resort, they offer", "meditations are from another book and I cannot fiddle with the meditation steps", "in my book, and I can't change them, but I don't want to", "resort and at the resort, they offer two types of Buddhist meditations. Those", "a resort and at the resort, they offer two types of Buddhist meditations.", "fiddle with the meditation steps without taking the main point of the meditations", "they offer two types of Buddhist meditations. Those meditations are from another book", "change them, but I don't want to plagiarize the original author. What can", "to a resort and at the resort, they offer two types of Buddhist", "I want to include these steps in my book, and I can't change", "the main point of the meditations away. I want to include these steps", "from another book and I cannot fiddle with the meditation steps without taking", "and I can't change them, but I don't want to plagiarize the original", "goes to a resort and at the resort, they offer two types of" ]
[ "or any snippets of my essay for fear that a plagiarism checker will", "thesis should be about some arguable point in my novel, and I chose", "a five-page essay about a novel my literature class has read. I do", "class has read. I do not want to post my thesis or any", "should include the elements of my close reading in my thesis statement (characterization,", "will flag my paper. My paper's thesis should be about some arguable point", "literature class has read. I do not want to post my thesis or", "should be about some arguable point in my novel, and I chose to", "novel my literature class has read. I do not want to post my", "my paper and if I should include the elements of my close reading", "paper. My paper's thesis should be about some arguable point in my novel,", "five-page essay about a novel my literature class has read. I do not", "thesis or any snippets of my essay for fear that a plagiarism checker", "the elements of my close reading in my thesis statement (characterization, ennui, etc.)?", "of my essay for fear that a plagiarism checker will flag my paper.", "too. I am unsure of how I would integrate my close readings into", "I am unsure of how I would integrate my close readings into my", "writing a five-page essay about a novel my literature class has read. I", "essay about a novel my literature class has read. I do not want", "I do not want to post my thesis or any snippets of my", "work, too. I am unsure of how I would integrate my close readings", "about gender inequality. The requirements also state that I should include at least", "should include at least two \"close readings\" (commentaries) in my work, too. I", "I am writing a five-page essay about a novel my literature class has", "my literature class has read. I do not want to post my thesis", "post my thesis or any snippets of my essay for fear that a", "that I should include at least two \"close readings\" (commentaries) in my work,", "has read. I do not want to post my thesis or any snippets", "plagiarism checker will flag my paper. My paper's thesis should be about some", "of how I would integrate my close readings into my paper and if", "paper's thesis should be about some arguable point in my novel, and I", "for fear that a plagiarism checker will flag my paper. My paper's thesis", "snippets of my essay for fear that a plagiarism checker will flag my", "that a plagiarism checker will flag my paper. My paper's thesis should be", "a novel my literature class has read. I do not want to post", "some arguable point in my novel, and I chose to write about gender", "my work, too. I am unsure of how I would integrate my close", "would integrate my close readings into my paper and if I should include", "my thesis or any snippets of my essay for fear that a plagiarism", "write about gender inequality. The requirements also state that I should include at", "fear that a plagiarism checker will flag my paper. My paper's thesis should", "flag my paper. My paper's thesis should be about some arguable point in", "I chose to write about gender inequality. The requirements also state that I", "The requirements also state that I should include at least two \"close readings\"", "point in my novel, and I chose to write about gender inequality. The", "gender inequality. The requirements also state that I should include at least two", "requirements also state that I should include at least two \"close readings\" (commentaries)", "into my paper and if I should include the elements of my close", "want to post my thesis or any snippets of my essay for fear", "I should include the elements of my close reading in my thesis statement", "about a novel my literature class has read. I do not want to", "two \"close readings\" (commentaries) in my work, too. I am unsure of how", "checker will flag my paper. My paper's thesis should be about some arguable", "am unsure of how I would integrate my close readings into my paper", "include at least two \"close readings\" (commentaries) in my work, too. I am", "readings\" (commentaries) in my work, too. I am unsure of how I would", "my novel, and I chose to write about gender inequality. The requirements also", "and if I should include the elements of my close reading in my", "My paper's thesis should be about some arguable point in my novel, and", "I should include at least two \"close readings\" (commentaries) in my work, too.", "to post my thesis or any snippets of my essay for fear that", "unsure of how I would integrate my close readings into my paper and", "paper and if I should include the elements of my close reading in", "how I would integrate my close readings into my paper and if I", "novel, and I chose to write about gender inequality. The requirements also state", "do not want to post my thesis or any snippets of my essay", "readings into my paper and if I should include the elements of my", "not want to post my thesis or any snippets of my essay for", "arguable point in my novel, and I chose to write about gender inequality.", "I would integrate my close readings into my paper and if I should", "integrate my close readings into my paper and if I should include the", "\"close readings\" (commentaries) in my work, too. I am unsure of how I", "and I chose to write about gender inequality. The requirements also state that", "a plagiarism checker will flag my paper. My paper's thesis should be about", "include the elements of my close reading in my thesis statement (characterization, ennui,", "chose to write about gender inequality. The requirements also state that I should", "least two \"close readings\" (commentaries) in my work, too. I am unsure of", "in my novel, and I chose to write about gender inequality. The requirements", "my paper. My paper's thesis should be about some arguable point in my", "any snippets of my essay for fear that a plagiarism checker will flag", "in my work, too. I am unsure of how I would integrate my", "if I should include the elements of my close reading in my thesis", "state that I should include at least two \"close readings\" (commentaries) in my", "inequality. The requirements also state that I should include at least two \"close", "about some arguable point in my novel, and I chose to write about", "also state that I should include at least two \"close readings\" (commentaries) in", "be about some arguable point in my novel, and I chose to write", "my essay for fear that a plagiarism checker will flag my paper. My", "to write about gender inequality. The requirements also state that I should include", "(commentaries) in my work, too. I am unsure of how I would integrate", "my close readings into my paper and if I should include the elements", "at least two \"close readings\" (commentaries) in my work, too. I am unsure", "am writing a five-page essay about a novel my literature class has read.", "read. I do not want to post my thesis or any snippets of", "essay for fear that a plagiarism checker will flag my paper. My paper's", "close readings into my paper and if I should include the elements of" ]
[ "it, run from it, destiny arrives > all the same.\" > > >", "that remember what was, > there will always be those, that are unable", "you, to what end? Dread it, run from it, destiny arrives > all", "\"philosophical\" quotes that memes have seem to have used in almost any situation.", "a different way to format the sentences or use certain diction to make", "(due to Endgame) and thus Thanos's consequent popularity ( since he is the", "Turns the legs to > jelly. I ask you, to what end? Dread", "am taking an advanced English/writing class where we write a lot of essays.", "not only used in the context of the MCU; they are like general,", "> \"I know what it’s like to lose. To feel so desperately that", "have used in almost any situation. I might just be blinded by the", "question but as a fan of the Marvel Cinematic Universe, I have watched", "is just a few of my favorites. If you watched the movies, you", "to Endgame) and thus Thanos's consequent popularity ( since he is the biggest", "you? Back to me... As long as there are those that remember what", "scraps? Your planet was on the > brink of collapse\" > > >", "of a pouty child\" > > > There is just a few of", "and yet hey are not even very sophisticated. For example, > > \"I", "> \"You could not live with your own failure, and where did that", "there a specific style of words or writing Thanos's screenwriter was using? Is", "your own failure, and where did that bring > you? Back to me...", "hungry? Scrounging for scraps? Your planet was on the > brink of collapse\"", "forcibly slap some large complicated words into his lines; rather, the lines are", "destiny arrives > all the same.\" > > > \"Going to bed hungry?", "politics bore me! Your demeanor is that of a pouty child\" > >", "the MCU fandom that an entire subreddit ([r/ thanosdidnothingwrong](https://www.reddit.com/r/thanosdidnothingwrong/)) was originally made for", "entire subreddit ([r/ thanosdidnothingwrong](https://www.reddit.com/r/thanosdidnothingwrong/)) was originally made for MCU fans to make memes", "are not only used in the context of the MCU; they are like", "to what end? Dread it, run from it, destiny arrives > all the", "complicated words into his lines; rather, the lines are carefully crafted and straight", "message and yet hey are not even very sophisticated. For example, > >", "to format the sentences or use certain diction to make my writing compelling?", "it’s like to lose. To feel so desperately that you’re > right, yet", "is the biggest villain the MCU had so far), but to me, his", "tell that Thanos's writer didn't forcibly slap some large complicated words into his", "always be those, that are unable to accept what can be.\" > >", "and where did that bring > you? Back to me... As long as", "legs to > jelly. I ask you, to what end? Dread it, run", "specific style of words or writing Thanos's screenwriter was using? Is there a", "the point with no extra filler words. I am taking an advanced English/writing", "I really wish to convey the same powerful messages like Thanos does. Is", "lot of essays. And again, this sounds dumb, but I really wish to", "and Avengers: Endgame so many times. One of the most interesting things that", "since he is the biggest villain the MCU had so far), but to", "was on the > brink of collapse\" > > > \"You could not", "many times. One of the most interesting things that popped out were Thanos's", "he is the biggest villain the MCU had so far), but to me,", "For example, > > \"I know what it’s like to lose. To feel", "like to lose. To feel so desperately that you’re > right, yet to", "were Thanos's quotes. His quotes have gained so much popularity in the MCU", "writer didn't forcibly slap some large complicated words into his lines; rather, the", "be.\" > > > \"Your politics bore me! Your demeanor is that of", "MCU fans to make memes out of his lines. Thanos's statements are not", "interesting things that popped out were Thanos's quotes. His quotes have gained so", "This is really a dumb question but as a fan of the Marvel", "that you’re > right, yet to fail nonetheless. It’s frightening. Turns the legs", "\"Going to bed hungry? Scrounging for scraps? Your planet was on the >", "words or writing Thanos's screenwriter was using? Is there a different way to", "> all the same.\" > > > \"Going to bed hungry? Scrounging for", "to lose. To feel so desperately that you’re > right, yet to fail", "of his lines. Thanos's statements are not only used in the context of", "but as a fan of the Marvel Cinematic Universe, I have watched Avengers:", "> > There is just a few of my favorites. If you watched", "it, destiny arrives > all the same.\" > > > \"Going to bed", "are unable to accept what can be.\" > > > \"Your politics bore", "that an entire subreddit ([r/ thanosdidnothingwrong](https://www.reddit.com/r/thanosdidnothingwrong/)) was originally made for MCU fans to", "seem to have used in almost any situation. I might just be blinded", "favorites. If you watched the movies, you can tell that Thanos's writer didn't", "accept what can be.\" > > > \"Your politics bore me! Your demeanor", "class where we write a lot of essays. And again, this sounds dumb,", "sophisticated. For example, > > \"I know what it’s like to lose. To", "feel so desperately that you’re > right, yet to fail nonetheless. It’s frightening.", "into his lines; rather, the lines are carefully crafted and straight to the", "not live with your own failure, and where did that bring > you?", "watched the movies, you can tell that Thanos's writer didn't forcibly slap some", "some large complicated words into his lines; rather, the lines are carefully crafted", "in the context of the MCU; they are like general, \"philosophical\" quotes that", "that memes have seem to have used in almost any situation. I might", "out were Thanos's quotes. His quotes have gained so much popularity in the", "the > brink of collapse\" > > > \"You could not live with", "> There is just a few of my favorites. If you watched the", "MCU (due to Endgame) and thus Thanos's consequent popularity ( since he is", "hey are not even very sophisticated. For example, > > \"I know what", "own failure, and where did that bring > you? Back to me... As", "like Thanos does. Is there a specific style of words or writing Thanos's", "didn't forcibly slap some large complicated words into his lines; rather, the lines", "Thanos's quotes. His quotes have gained so much popularity in the MCU fandom", "are carefully crafted and straight to the point with no extra filler words.", "desperately that you’re > right, yet to fail nonetheless. It’s frightening. Turns the", "Thanos's consequent popularity ( since he is the biggest villain the MCU had", "as there are those that remember what was, > there will always be", "There is just a few of my favorites. If you watched the movies,", "movies, you can tell that Thanos's writer didn't forcibly slap some large complicated", "to the point with no extra filler words. I am taking an advanced", "failure, and where did that bring > you? Back to me... As long", "Your planet was on the > brink of collapse\" > > > \"You", "Thanos's screenwriter was using? Is there a different way to format the sentences", "end? Dread it, run from it, destiny arrives > all the same.\" >", "you can tell that Thanos's writer didn't forcibly slap some large complicated words", "yet to fail nonetheless. It’s frightening. Turns the legs to > jelly. I", "few of my favorites. If you watched the movies, you can tell that", "fans to make memes out of his lines. Thanos's statements are not only", "fandom that an entire subreddit ([r/ thanosdidnothingwrong](https://www.reddit.com/r/thanosdidnothingwrong/)) was originally made for MCU fans", "was, > there will always be those, that are unable to accept what", "demeanor is that of a pouty child\" > > > There is just", "not even very sophisticated. For example, > > \"I know what it’s like", "slap some large complicated words into his lines; rather, the lines are carefully", "Infinity War and Avengers: Endgame so many times. One of the most interesting", "his lines. Thanos's statements are not only used in the context of the", "to make memes out of his lines. Thanos's statements are not only used", "be those, that are unable to accept what can be.\" > > >", "this sounds dumb, but I really wish to convey the same powerful messages", "> > > \"Your politics bore me! Your demeanor is that of a", "crafted and straight to the point with no extra filler words. I am", "> \"Your politics bore me! Your demeanor is that of a pouty child\"", "fan of the Marvel Cinematic Universe, I have watched Avengers: Infinity War and", "to me, his lines seem so powerful in conveying a message and yet", "is really a dumb question but as a fan of the Marvel Cinematic", "Marvel Cinematic Universe, I have watched Avengers: Infinity War and Avengers: Endgame so", "those, that are unable to accept what can be.\" > > > \"Your", "statements are not only used in the context of the MCU; they are", "the movies, you can tell that Thanos's writer didn't forcibly slap some large", "lose. To feel so desperately that you’re > right, yet to fail nonetheless.", "just be blinded by the recent popularity of the MCU (due to Endgame)", "be blinded by the recent popularity of the MCU (due to Endgame) and", "there a different way to format the sentences or use certain diction to", "the MCU (due to Endgame) and thus Thanos's consequent popularity ( since he", "same.\" > > > \"Going to bed hungry? Scrounging for scraps? Your planet", "> you? Back to me... As long as there are those that remember", "no extra filler words. I am taking an advanced English/writing class where we", "does. Is there a specific style of words or writing Thanos's screenwriter was", "using? Is there a different way to format the sentences or use certain", "Is there a different way to format the sentences or use certain diction", "in conveying a message and yet hey are not even very sophisticated. For", "have seem to have used in almost any situation. I might just be", "> right, yet to fail nonetheless. It’s frightening. Turns the legs to >", "dumb, but I really wish to convey the same powerful messages like Thanos", "\"Your politics bore me! Your demeanor is that of a pouty child\" >", "only used in the context of the MCU; they are like general, \"philosophical\"", "on the > brink of collapse\" > > > \"You could not live", "used in almost any situation. I might just be blinded by the recent", "of the Marvel Cinematic Universe, I have watched Avengers: Infinity War and Avengers:", "context of the MCU; they are like general, \"philosophical\" quotes that memes have", "blinded by the recent popularity of the MCU (due to Endgame) and thus", "used in the context of the MCU; they are like general, \"philosophical\" quotes", "to accept what can be.\" > > > \"Your politics bore me! Your", "that bring > you? Back to me... As long as there are those", "the MCU had so far), but to me, his lines seem so powerful", "is that of a pouty child\" > > > There is just a", "me... As long as there are those that remember what was, > there", "straight to the point with no extra filler words. I am taking an", "sounds dumb, but I really wish to convey the same powerful messages like", "MCU had so far), but to me, his lines seem so powerful in", "I have watched Avengers: Infinity War and Avengers: Endgame so many times. One", "advanced English/writing class where we write a lot of essays. And again, this", "Avengers: Infinity War and Avengers: Endgame so many times. One of the most", "I am taking an advanced English/writing class where we write a lot of", "> > \"You could not live with your own failure, and where did", "bring > you? Back to me... As long as there are those that", "that popped out were Thanos's quotes. His quotes have gained so much popularity", "Your demeanor is that of a pouty child\" > > > There is", "for scraps? Your planet was on the > brink of collapse\" > >", "to convey the same powerful messages like Thanos does. Is there a specific", "collapse\" > > > \"You could not live with your own failure, and", "there will always be those, that are unable to accept what can be.\"", "English/writing class where we write a lot of essays. And again, this sounds", "essays. And again, this sounds dumb, but I really wish to convey the", "\"I know what it’s like to lose. To feel so desperately that you’re", "really a dumb question but as a fan of the Marvel Cinematic Universe,", "are not even very sophisticated. For example, > > \"I know what it’s", "that are unable to accept what can be.\" > > > \"Your politics", "thus Thanos's consequent popularity ( since he is the biggest villain the MCU", "can tell that Thanos's writer didn't forcibly slap some large complicated words into", "was using? Is there a different way to format the sentences or use", "Avengers: Endgame so many times. One of the most interesting things that popped", "way to format the sentences or use certain diction to make my writing", "we write a lot of essays. And again, this sounds dumb, but I", "I ask you, to what end? Dread it, run from it, destiny arrives", "far), but to me, his lines seem so powerful in conveying a message", "point with no extra filler words. I am taking an advanced English/writing class", "lines are carefully crafted and straight to the point with no extra filler", "Thanos does. Is there a specific style of words or writing Thanos's screenwriter", "will always be those, that are unable to accept what can be.\" >", "remember what was, > there will always be those, that are unable to", "ask you, to what end? Dread it, run from it, destiny arrives >", "the MCU; they are like general, \"philosophical\" quotes that memes have seem to", "the same powerful messages like Thanos does. Is there a specific style of", "but I really wish to convey the same powerful messages like Thanos does.", "> jelly. I ask you, to what end? Dread it, run from it,", "any situation. I might just be blinded by the recent popularity of the", "live with your own failure, and where did that bring > you? Back", "right, yet to fail nonetheless. It’s frightening. Turns the legs to > jelly.", "> > > \"You could not live with your own failure, and where", "general, \"philosophical\" quotes that memes have seem to have used in almost any", "([r/ thanosdidnothingwrong](https://www.reddit.com/r/thanosdidnothingwrong/)) was originally made for MCU fans to make memes out of", "write a lot of essays. And again, this sounds dumb, but I really", "by the recent popularity of the MCU (due to Endgame) and thus Thanos's", "It’s frightening. Turns the legs to > jelly. I ask you, to what", "and straight to the point with no extra filler words. I am taking", "the legs to > jelly. I ask you, to what end? Dread it,", "in almost any situation. I might just be blinded by the recent popularity", "frightening. Turns the legs to > jelly. I ask you, to what end?", "bore me! Your demeanor is that of a pouty child\" > > >", "Thanos's writer didn't forcibly slap some large complicated words into his lines; rather,", "the context of the MCU; they are like general, \"philosophical\" quotes that memes", "subreddit ([r/ thanosdidnothingwrong](https://www.reddit.com/r/thanosdidnothingwrong/)) was originally made for MCU fans to make memes out", "or writing Thanos's screenwriter was using? Is there a different way to format", "things that popped out were Thanos's quotes. His quotes have gained so much", "quotes have gained so much popularity in the MCU fandom that an entire", "wish to convey the same powerful messages like Thanos does. Is there a", "so much popularity in the MCU fandom that an entire subreddit ([r/ thanosdidnothingwrong](https://www.reddit.com/r/thanosdidnothingwrong/))", "they are like general, \"philosophical\" quotes that memes have seem to have used", "> > \"Your politics bore me! Your demeanor is that of a pouty", "( since he is the biggest villain the MCU had so far), but", "pouty child\" > > > There is just a few of my favorites.", "the most interesting things that popped out were Thanos's quotes. His quotes have", "of my favorites. If you watched the movies, you can tell that Thanos's", "have watched Avengers: Infinity War and Avengers: Endgame so many times. One of", "of words or writing Thanos's screenwriter was using? Is there a different way", "to fail nonetheless. It’s frightening. Turns the legs to > jelly. I ask", "powerful in conveying a message and yet hey are not even very sophisticated.", "> > \"I know what it’s like to lose. To feel so desperately", "rather, the lines are carefully crafted and straight to the point with no", "extra filler words. I am taking an advanced English/writing class where we write", "\"You could not live with your own failure, and where did that bring", "to > jelly. I ask you, to what end? Dread it, run from", "words. I am taking an advanced English/writing class where we write a lot", "MCU fandom that an entire subreddit ([r/ thanosdidnothingwrong](https://www.reddit.com/r/thanosdidnothingwrong/)) was originally made for MCU", "War and Avengers: Endgame so many times. One of the most interesting things", "and thus Thanos's consequent popularity ( since he is the biggest villain the", "popularity ( since he is the biggest villain the MCU had so far),", "memes out of his lines. Thanos's statements are not only used in the", "brink of collapse\" > > > \"You could not live with your own", "consequent popularity ( since he is the biggest villain the MCU had so", "arrives > all the same.\" > > > \"Going to bed hungry? Scrounging", "One of the most interesting things that popped out were Thanos's quotes. His", "dumb question but as a fan of the Marvel Cinematic Universe, I have", "was originally made for MCU fans to make memes out of his lines.", "screenwriter was using? Is there a different way to format the sentences or", "fail nonetheless. It’s frightening. Turns the legs to > jelly. I ask you,", "conveying a message and yet hey are not even very sophisticated. For example,", "Universe, I have watched Avengers: Infinity War and Avengers: Endgame so many times.", "writing Thanos's screenwriter was using? Is there a different way to format the", "so many times. One of the most interesting things that popped out were", "those that remember what was, > there will always be those, that are", "as a fan of the Marvel Cinematic Universe, I have watched Avengers: Infinity", "taking an advanced English/writing class where we write a lot of essays. And", "have gained so much popularity in the MCU fandom that an entire subreddit", "could not live with your own failure, and where did that bring >", "jelly. I ask you, to what end? Dread it, run from it, destiny", "of the MCU (due to Endgame) and thus Thanos's consequent popularity ( since", "Dread it, run from it, destiny arrives > all the same.\" > >", "what it’s like to lose. To feel so desperately that you’re > right,", "the lines are carefully crafted and straight to the point with no extra", "out of his lines. Thanos's statements are not only used in the context", "carefully crafted and straight to the point with no extra filler words. I", "really wish to convey the same powerful messages like Thanos does. Is there", "a message and yet hey are not even very sophisticated. For example, >", "planet was on the > brink of collapse\" > > > \"You could", "style of words or writing Thanos's screenwriter was using? Is there a different", "long as there are those that remember what was, > there will always", "recent popularity of the MCU (due to Endgame) and thus Thanos's consequent popularity", "messages like Thanos does. Is there a specific style of words or writing", "of essays. And again, this sounds dumb, but I really wish to convey", "like general, \"philosophical\" quotes that memes have seem to have used in almost", "of collapse\" > > > \"You could not live with your own failure,", "quotes. His quotes have gained so much popularity in the MCU fandom that", "And again, this sounds dumb, but I really wish to convey the same", "run from it, destiny arrives > all the same.\" > > > \"Going", "the same.\" > > > \"Going to bed hungry? Scrounging for scraps? Your", "the Marvel Cinematic Universe, I have watched Avengers: Infinity War and Avengers: Endgame", "lines. Thanos's statements are not only used in the context of the MCU;", "an entire subreddit ([r/ thanosdidnothingwrong](https://www.reddit.com/r/thanosdidnothingwrong/)) was originally made for MCU fans to make", "> > > \"Going to bed hungry? Scrounging for scraps? Your planet was", "Cinematic Universe, I have watched Avengers: Infinity War and Avengers: Endgame so many", "example, > > \"I know what it’s like to lose. To feel so", "my favorites. If you watched the movies, you can tell that Thanos's writer", "to bed hungry? Scrounging for scraps? Your planet was on the > brink", "make memes out of his lines. Thanos's statements are not only used in", "unable to accept what can be.\" > > > \"Your politics bore me!", "quotes that memes have seem to have used in almost any situation. I", "even very sophisticated. For example, > > \"I know what it’s like to", "know what it’s like to lose. To feel so desperately that you’re >", "what can be.\" > > > \"Your politics bore me! Your demeanor is", "> \"Going to bed hungry? Scrounging for scraps? Your planet was on the", "made for MCU fans to make memes out of his lines. Thanos's statements", "an advanced English/writing class where we write a lot of essays. And again,", "his lines seem so powerful in conveying a message and yet hey are", "yet hey are not even very sophisticated. For example, > > \"I know", "thanosdidnothingwrong](https://www.reddit.com/r/thanosdidnothingwrong/)) was originally made for MCU fans to make memes out of his", "most interesting things that popped out were Thanos's quotes. His quotes have gained", "might just be blinded by the recent popularity of the MCU (due to", "to have used in almost any situation. I might just be blinded by", "very sophisticated. For example, > > \"I know what it’s like to lose.", "nonetheless. It’s frightening. Turns the legs to > jelly. I ask you, to", "what end? Dread it, run from it, destiny arrives > all the same.\"", "Endgame) and thus Thanos's consequent popularity ( since he is the biggest villain", "Endgame so many times. One of the most interesting things that popped out", "you’re > right, yet to fail nonetheless. It’s frightening. Turns the legs to", "watched Avengers: Infinity War and Avengers: Endgame so many times. One of the", "seem so powerful in conveying a message and yet hey are not even", "a dumb question but as a fan of the Marvel Cinematic Universe, I", "so desperately that you’re > right, yet to fail nonetheless. It’s frightening. Turns", "large complicated words into his lines; rather, the lines are carefully crafted and", "the biggest villain the MCU had so far), but to me, his lines", "child\" > > > There is just a few of my favorites. If", "If you watched the movies, you can tell that Thanos's writer didn't forcibly", "a specific style of words or writing Thanos's screenwriter was using? Is there", "filler words. I am taking an advanced English/writing class where we write a", "again, this sounds dumb, but I really wish to convey the same powerful", "As long as there are those that remember what was, > there will", "Back to me... As long as there are those that remember what was,", "villain the MCU had so far), but to me, his lines seem so", "with no extra filler words. I am taking an advanced English/writing class where", "where did that bring > you? Back to me... As long as there", "Is there a specific style of words or writing Thanos's screenwriter was using?", "where we write a lot of essays. And again, this sounds dumb, but", "bed hungry? Scrounging for scraps? Your planet was on the > brink of", "> > \"Going to bed hungry? Scrounging for scraps? Your planet was on", "words into his lines; rather, the lines are carefully crafted and straight to", "a pouty child\" > > > There is just a few of my", "just a few of my favorites. If you watched the movies, you can", "powerful messages like Thanos does. Is there a specific style of words or", "gained so much popularity in the MCU fandom that an entire subreddit ([r/", "> there will always be those, that are unable to accept what can", "> > > There is just a few of my favorites. If you", "to me... As long as there are those that remember what was, >", "you watched the movies, you can tell that Thanos's writer didn't forcibly slap", "lines; rather, the lines are carefully crafted and straight to the point with", "convey the same powerful messages like Thanos does. Is there a specific style", "are like general, \"philosophical\" quotes that memes have seem to have used in", "To feel so desperately that you’re > right, yet to fail nonetheless. It’s", "his lines; rather, the lines are carefully crafted and straight to the point", "so far), but to me, his lines seem so powerful in conveying a", "lines seem so powerful in conveying a message and yet hey are not", "popularity of the MCU (due to Endgame) and thus Thanos's consequent popularity (", "I might just be blinded by the recent popularity of the MCU (due", "of the MCU; they are like general, \"philosophical\" quotes that memes have seem", "did that bring > you? Back to me... As long as there are", "what was, > there will always be those, that are unable to accept", "from it, destiny arrives > all the same.\" > > > \"Going to", "memes have seem to have used in almost any situation. I might just", "a fan of the Marvel Cinematic Universe, I have watched Avengers: Infinity War", "almost any situation. I might just be blinded by the recent popularity of", "different way to format the sentences or use certain diction to make my", "all the same.\" > > > \"Going to bed hungry? Scrounging for scraps?", "there are those that remember what was, > there will always be those,", "> brink of collapse\" > > > \"You could not live with your", "are those that remember what was, > there will always be those, that", "popped out were Thanos's quotes. His quotes have gained so much popularity in", "popularity in the MCU fandom that an entire subreddit ([r/ thanosdidnothingwrong](https://www.reddit.com/r/thanosdidnothingwrong/)) was originally", "can be.\" > > > \"Your politics bore me! Your demeanor is that", "MCU; they are like general, \"philosophical\" quotes that memes have seem to have", "the recent popularity of the MCU (due to Endgame) and thus Thanos's consequent", "me, his lines seem so powerful in conveying a message and yet hey", "me! Your demeanor is that of a pouty child\" > > > There", "Thanos's statements are not only used in the context of the MCU; they", "situation. I might just be blinded by the recent popularity of the MCU", "Scrounging for scraps? Your planet was on the > brink of collapse\" >", "His quotes have gained so much popularity in the MCU fandom that an", "in the MCU fandom that an entire subreddit ([r/ thanosdidnothingwrong](https://www.reddit.com/r/thanosdidnothingwrong/)) was originally made", "of the most interesting things that popped out were Thanos's quotes. His quotes", "for MCU fans to make memes out of his lines. Thanos's statements are", "biggest villain the MCU had so far), but to me, his lines seem", "originally made for MCU fans to make memes out of his lines. Thanos's", "but to me, his lines seem so powerful in conveying a message and", "times. One of the most interesting things that popped out were Thanos's quotes.", "a few of my favorites. If you watched the movies, you can tell", "much popularity in the MCU fandom that an entire subreddit ([r/ thanosdidnothingwrong](https://www.reddit.com/r/thanosdidnothingwrong/)) was", "had so far), but to me, his lines seem so powerful in conveying", "that Thanos's writer didn't forcibly slap some large complicated words into his lines;", "a lot of essays. And again, this sounds dumb, but I really wish", "same powerful messages like Thanos does. Is there a specific style of words", "so powerful in conveying a message and yet hey are not even very", "with your own failure, and where did that bring > you? Back to", "that of a pouty child\" > > > There is just a few" ]
[ "I have written this line; > > At your deepest core the buddha", "might confuse the reader. However, a prior explanation would make the novel like", "that might lead me to explain that concept to the MC or any", "In my novel I have written this line; > > At your deepest", "the MC or any other character. How do you handle the introduction of", "> Now Buddha-nature is a complex concept to understand. If the reader is", "have written this line; > > At your deepest core the buddha nature", "your deepest core the buddha nature is waiting quietly for you. > >", "savvy about religious concepts it might confuse the reader. However, a prior explanation", "At your deepest core the buddha nature is waiting quietly for you. >", "complex concept to understand. If the reader is not savvy about religious concepts", "for you. > > > Now Buddha-nature is a complex concept to understand.", "written this line; > > At your deepest core the buddha nature is", "concepts it might confuse the reader. However, a prior explanation would make the", "quietly for you. > > > Now Buddha-nature is a complex concept to", "you. > > > Now Buddha-nature is a complex concept to understand. If", "don't have any plot that might lead me to explain that concept to", "deepest core the buddha nature is waiting quietly for you. > > >", "the novel like a textbook as I don't have any plot that might", "a textbook as I don't have any plot that might lead me to", "concept to understand. If the reader is not savvy about religious concepts it", "a complex concept to understand. If the reader is not savvy about religious", "is a complex concept to understand. If the reader is not savvy about", "to the MC or any other character. How do you handle the introduction", "religious concepts it might confuse the reader. However, a prior explanation would make", "is not savvy about religious concepts it might confuse the reader. However, a", "the buddha nature is waiting quietly for you. > > > Now Buddha-nature", "novel I have written this line; > > At your deepest core the", "make the novel like a textbook as I don't have any plot that", "line; > > At your deepest core the buddha nature is waiting quietly", "However, a prior explanation would make the novel like a textbook as I", "to understand. If the reader is not savvy about religious concepts it might", "to explain that concept to the MC or any other character. How do", "understand. If the reader is not savvy about religious concepts it might confuse", "a prior explanation would make the novel like a textbook as I don't", "plot that might lead me to explain that concept to the MC or", "or any other character. How do you handle the introduction of a concept", "character. How do you handle the introduction of a concept and its use?", "reader is not savvy about religious concepts it might confuse the reader. However,", "it might confuse the reader. However, a prior explanation would make the novel", "would make the novel like a textbook as I don't have any plot", "any plot that might lead me to explain that concept to the MC", "Now Buddha-nature is a complex concept to understand. If the reader is not", "core the buddha nature is waiting quietly for you. > > > Now", "MC or any other character. How do you handle the introduction of a", "this line; > > At your deepest core the buddha nature is waiting", "concept to the MC or any other character. How do you handle the", "have any plot that might lead me to explain that concept to the", "lead me to explain that concept to the MC or any other character.", "Buddha-nature is a complex concept to understand. If the reader is not savvy", "> > Now Buddha-nature is a complex concept to understand. If the reader", "I don't have any plot that might lead me to explain that concept", "not savvy about religious concepts it might confuse the reader. However, a prior", "might lead me to explain that concept to the MC or any other", "my novel I have written this line; > > At your deepest core", "reader. However, a prior explanation would make the novel like a textbook as", "If the reader is not savvy about religious concepts it might confuse the", "the reader is not savvy about religious concepts it might confuse the reader.", "buddha nature is waiting quietly for you. > > > Now Buddha-nature is", "explain that concept to the MC or any other character. How do you", "as I don't have any plot that might lead me to explain that", "novel like a textbook as I don't have any plot that might lead", "other character. How do you handle the introduction of a concept and its", "nature is waiting quietly for you. > > > Now Buddha-nature is a", "> > > Now Buddha-nature is a complex concept to understand. If the", "any other character. How do you handle the introduction of a concept and", "confuse the reader. However, a prior explanation would make the novel like a", "about religious concepts it might confuse the reader. However, a prior explanation would", "like a textbook as I don't have any plot that might lead me", "me to explain that concept to the MC or any other character. How", "that concept to the MC or any other character. How do you handle", "> > At your deepest core the buddha nature is waiting quietly for", "prior explanation would make the novel like a textbook as I don't have", "explanation would make the novel like a textbook as I don't have any", "> At your deepest core the buddha nature is waiting quietly for you.", "the reader. However, a prior explanation would make the novel like a textbook", "waiting quietly for you. > > > Now Buddha-nature is a complex concept", "textbook as I don't have any plot that might lead me to explain", "is waiting quietly for you. > > > Now Buddha-nature is a complex" ]
[ "we handle plots which do not include the MC, like something happening with", "include the MC, like something happening with others but not including MC? Will", "already happened MC knows it all. Edit: In my novel, the characters are", "it be taken as granted that as the story has already happened MC", "while she is not playing sometimes. Can my character narrate the story of", "including MC? Will it be taken as granted that as the story has", "narrate the story of what happened a game when she was not present", "is happing in the game while she is not playing sometimes. Can my", "How do we handle plots which do not include the MC, like something", "singular novel, is the MC all-knowing? How do we handle plots which do", "with others but not including MC? Will it be taken as granted that", "In my novel, the characters are playing an online game, how does my", "game while she is not playing sometimes. Can my character narrate the story", "all. Edit: In my novel, the characters are playing an online game, how", "sometimes. Can my character narrate the story of what happened a game when", "my novel, the characters are playing an online game, how does my MC", "do not include the MC, like something happening with others but not including", "novel, the characters are playing an online game, how does my MC know", "playing an online game, how does my MC know what is happing in", "which do not include the MC, like something happening with others but not", "like something happening with others but not including MC? Will it be taken", "the MC all-knowing? How do we handle plots which do not include the", "does my MC know what is happing in the game while she is", "others but not including MC? Will it be taken as granted that as", "my character narrate the story of what happened a game when she was", "the story has already happened MC knows it all. Edit: In my novel,", "game, how does my MC know what is happing in the game while", "of what happened a game when she was not present or she was", "a first-person singular novel, is the MC all-knowing? How do we handle plots", "MC? Will it be taken as granted that as the story has already", "as granted that as the story has already happened MC knows it all.", "the story of what happened a game when she was not present or", "but not including MC? Will it be taken as granted that as the", "when she was not present or she was not told in the story", "as the story has already happened MC knows it all. Edit: In my", "that as the story has already happened MC knows it all. Edit: In", "novel, is the MC all-knowing? How do we handle plots which do not", "not playing sometimes. Can my character narrate the story of what happened a", "is not playing sometimes. Can my character narrate the story of what happened", "she is not playing sometimes. Can my character narrate the story of what", "are playing an online game, how does my MC know what is happing", "Can my character narrate the story of what happened a game when she", "something happening with others but not including MC? Will it be taken as", "has already happened MC knows it all. Edit: In my novel, the characters", "she was not present or she was not told in the story what", "know what is happing in the game while she is not playing sometimes.", "MC know what is happing in the game while she is not playing", "game when she was not present or she was not told in the", "be taken as granted that as the story has already happened MC knows", "an online game, how does my MC know what is happing in the", "happing in the game while she is not playing sometimes. Can my character", "happening with others but not including MC? Will it be taken as granted", "do we handle plots which do not include the MC, like something happening", "handle plots which do not include the MC, like something happening with others", "Will it be taken as granted that as the story has already happened", "happened a game when she was not present or she was not told", "what is happing in the game while she is not playing sometimes. Can", "the MC, like something happening with others but not including MC? Will it", "was not present or she was not told in the story what happened.", "story has already happened MC knows it all. Edit: In my novel, the", "in the game while she is not playing sometimes. Can my character narrate", "While writing a first-person singular novel, is the MC all-knowing? How do we", "story of what happened a game when she was not present or she", "first-person singular novel, is the MC all-knowing? How do we handle plots which", "knows it all. Edit: In my novel, the characters are playing an online", "a game when she was not present or she was not told in", "happened MC knows it all. Edit: In my novel, the characters are playing", "plots which do not include the MC, like something happening with others but", "Edit: In my novel, the characters are playing an online game, how does", "all-knowing? How do we handle plots which do not include the MC, like", "not include the MC, like something happening with others but not including MC?", "my MC know what is happing in the game while she is not", "is the MC all-knowing? How do we handle plots which do not include", "it all. Edit: In my novel, the characters are playing an online game,", "online game, how does my MC know what is happing in the game", "the characters are playing an online game, how does my MC know what", "how does my MC know what is happing in the game while she", "MC, like something happening with others but not including MC? Will it be", "not including MC? Will it be taken as granted that as the story", "taken as granted that as the story has already happened MC knows it", "character narrate the story of what happened a game when she was not", "MC knows it all. Edit: In my novel, the characters are playing an", "writing a first-person singular novel, is the MC all-knowing? How do we handle", "what happened a game when she was not present or she was not", "playing sometimes. Can my character narrate the story of what happened a game", "characters are playing an online game, how does my MC know what is", "the game while she is not playing sometimes. Can my character narrate the", "granted that as the story has already happened MC knows it all. Edit:", "MC all-knowing? How do we handle plots which do not include the MC," ]
[ "copyright or intellectual property laws? And if I did, hypothetically, base a work", "my favorite being Writing Prompts on [Tumblr](https://writing-prompt-s.tumblr.com) and [Instagram](https://www.instagram.com/writing.prompt.s/?hl=en). I've never actually incorporated", "any of the ones I find into serious pieces, but if I were", "wanted to publish around a writing prompt from, say, Tumblr or Instagram, would", "never actually incorporated any of the ones I find into serious pieces, but", "Writing Prompts on [Tumblr](https://writing-prompt-s.tumblr.com) and [Instagram](https://www.instagram.com/writing.prompt.s/?hl=en). I've never actually incorporated any of the", "if I did, hypothetically, base a work that I wanted to publish around", "of the ones I find into serious pieces, but if I were to,", "actually incorporated any of the ones I find into serious pieces, but if", "and accounts on social media because they really get my creativity flowing, my", "my creativity flowing, my favorite being Writing Prompts on [Tumblr](https://writing-prompt-s.tumblr.com) and [Instagram](https://www.instagram.com/writing.prompt.s/?hl=en). I've", "were to, would I be violating copyright? Are writing prompts put out online", "I wanted to publish around a writing prompt from, say, Tumblr or Instagram,", "from, say, Tumblr or Instagram, would I need to get permission from the", "pieces, but if I were to, would I be violating copyright? Are writing", "and [Instagram](https://www.instagram.com/writing.prompt.s/?hl=en). I've never actually incorporated any of the ones I find into", "find into serious pieces, but if I were to, would I be violating", "incorporated any of the ones I find into serious pieces, but if I", "the ones I find into serious pieces, but if I were to, would", "I were to, would I be violating copyright? Are writing prompts put out", "be violating copyright? Are writing prompts put out online subject to copyright or", "laws? And if I did, hypothetically, base a work that I wanted to", "social media because they really get my creativity flowing, my favorite being Writing", "prompts put out online subject to copyright or intellectual property laws? And if", "get my creativity flowing, my favorite being Writing Prompts on [Tumblr](https://writing-prompt-s.tumblr.com) and [Instagram](https://www.instagram.com/writing.prompt.s/?hl=en).", "I be violating copyright? Are writing prompts put out online subject to copyright", "flowing, my favorite being Writing Prompts on [Tumblr](https://writing-prompt-s.tumblr.com) and [Instagram](https://www.instagram.com/writing.prompt.s/?hl=en). I've never actually", "following writing prompt blogs and accounts on social media because they really get", "out online subject to copyright or intellectual property laws? And if I did,", "but if I were to, would I be violating copyright? Are writing prompts", "base a work that I wanted to publish around a writing prompt from,", "I love following writing prompt blogs and accounts on social media because they", "creativity flowing, my favorite being Writing Prompts on [Tumblr](https://writing-prompt-s.tumblr.com) and [Instagram](https://www.instagram.com/writing.prompt.s/?hl=en). I've never", "violating copyright? Are writing prompts put out online subject to copyright or intellectual", "And if I did, hypothetically, base a work that I wanted to publish", "[Tumblr](https://writing-prompt-s.tumblr.com) and [Instagram](https://www.instagram.com/writing.prompt.s/?hl=en). I've never actually incorporated any of the ones I find", "serious pieces, but if I were to, would I be violating copyright? Are", "property laws? And if I did, hypothetically, base a work that I wanted", "writing prompts put out online subject to copyright or intellectual property laws? And", "writing prompt from, say, Tumblr or Instagram, would I need to get permission", "blogs and accounts on social media because they really get my creativity flowing,", "that I wanted to publish around a writing prompt from, say, Tumblr or", "love following writing prompt blogs and accounts on social media because they really", "say, Tumblr or Instagram, would I need to get permission from the original", "a writing prompt from, say, Tumblr or Instagram, would I need to get", "writing prompt blogs and accounts on social media because they really get my", "I did, hypothetically, base a work that I wanted to publish around a", "into serious pieces, but if I were to, would I be violating copyright?", "on social media because they really get my creativity flowing, my favorite being", "accounts on social media because they really get my creativity flowing, my favorite", "a work that I wanted to publish around a writing prompt from, say,", "did, hypothetically, base a work that I wanted to publish around a writing", "media because they really get my creativity flowing, my favorite being Writing Prompts", "I find into serious pieces, but if I were to, would I be", "around a writing prompt from, say, Tumblr or Instagram, would I need to", "subject to copyright or intellectual property laws? And if I did, hypothetically, base", "put out online subject to copyright or intellectual property laws? And if I", "or intellectual property laws? And if I did, hypothetically, base a work that", "to, would I be violating copyright? Are writing prompts put out online subject", "if I were to, would I be violating copyright? Are writing prompts put", "Prompts on [Tumblr](https://writing-prompt-s.tumblr.com) and [Instagram](https://www.instagram.com/writing.prompt.s/?hl=en). I've never actually incorporated any of the ones", "really get my creativity flowing, my favorite being Writing Prompts on [Tumblr](https://writing-prompt-s.tumblr.com) and", "I've never actually incorporated any of the ones I find into serious pieces,", "to copyright or intellectual property laws? And if I did, hypothetically, base a", "intellectual property laws? And if I did, hypothetically, base a work that I", "on [Tumblr](https://writing-prompt-s.tumblr.com) and [Instagram](https://www.instagram.com/writing.prompt.s/?hl=en). I've never actually incorporated any of the ones I", "because they really get my creativity flowing, my favorite being Writing Prompts on", "online subject to copyright or intellectual property laws? And if I did, hypothetically,", "hypothetically, base a work that I wanted to publish around a writing prompt", "being Writing Prompts on [Tumblr](https://writing-prompt-s.tumblr.com) and [Instagram](https://www.instagram.com/writing.prompt.s/?hl=en). I've never actually incorporated any of", "publish around a writing prompt from, say, Tumblr or Instagram, would I need", "Tumblr or Instagram, would I need to get permission from the original poster?", "prompt from, say, Tumblr or Instagram, would I need to get permission from", "they really get my creativity flowing, my favorite being Writing Prompts on [Tumblr](https://writing-prompt-s.tumblr.com)", "work that I wanted to publish around a writing prompt from, say, Tumblr", "Are writing prompts put out online subject to copyright or intellectual property laws?", "[Instagram](https://www.instagram.com/writing.prompt.s/?hl=en). I've never actually incorporated any of the ones I find into serious", "favorite being Writing Prompts on [Tumblr](https://writing-prompt-s.tumblr.com) and [Instagram](https://www.instagram.com/writing.prompt.s/?hl=en). I've never actually incorporated any", "prompt blogs and accounts on social media because they really get my creativity", "ones I find into serious pieces, but if I were to, would I", "to publish around a writing prompt from, say, Tumblr or Instagram, would I", "copyright? Are writing prompts put out online subject to copyright or intellectual property", "would I be violating copyright? Are writing prompts put out online subject to" ]
[ "Think \"wolf in sheep clothing\". I can't really think of a concrete example,", "the essence and changing the superficial. Here's what I mean. My character has", "know what I mean. At surface level, nothing could give of the underlying", "portrays? Or does the fact that this creation is religious bring further implications,", "with that it was \"wrong\", in the sense that by subverting the very", "and good, like angels in theory are supposed to be. This angel was", "not a villain. My critique partner responded with that it was \"wrong\", in", "a better world), in that altering the essence makes it not the fictional", "for the greater good character. He is also narrative-wise one of many antagonist,", "a whole different tale, him trying to kill a child at one time,", "kill a child at one time, to save the world (exactly how and", "at one time, to save the world (exactly how and why is irrelevant).", "a concrete example, but you know what I mean. At surface level, nothing", "the very essence of a fictional creation fallacious (for the lack of a", "in that altering the essence makes it not the fictional creation it portrays?", "subversion is all about keeping the superficial and changing the essence, or keeping", "this case? Is it rather a matter of offense than definition in my", "can't really think of a concrete example, but you know what I mean.", "about keeping the superficial and changing the essence, or keeping the essence and", "he was a subversive character, in the way that he wasn't 100 %", "all about keeping the superficial and changing the essence, or keeping the essence", "good, wielding the blade of righteousness, all that jazz. But his character speaks", "way that he wasn't 100 % pure and good, like angels in theory", "angel anymore. But in my idea, subversion is all about keeping the superficial", "idea, subversion is all about keeping the superficial and changing the essence, or", "he is not a villain. My critique partner responded with that it was", "Gods inside the world to protect the mortal plain. Wings, strength, created by", "one time, to save the world (exactly how and why is irrelevant). Or", "is tall, and strong. He is made by one of the Gods inside", "underlying truth. The essence. So, is the practice of subverting the very essence", "pure and good, like angels in theory are supposed to be. This angel", "though in my opinion, he is not a villain. My critique partner responded", "Or then you have the other type. Think \"wolf in sheep clothing\". I", "a villain. My critique partner responded with that it was \"wrong\", in the", "altering the essence makes it not the fictional creation it portrays? Or does", "villain. My critique partner responded with that it was \"wrong\", in the sense", "jazz. But his character speaks a whole different tale, him trying to kill", "further implications, which is what makes it unacceptable in this case? Is it", "essence and changing the superficial. Here's what I mean. My character has wings.", "which is what makes it unacceptable in this case? Is it rather a", "not too long ago about an angel in my book. I said, he", "unacceptable in this case? Is it rather a matter of offense than definition", "have the other type. Think \"wolf in sheep clothing\". I can't really think", "But his character speaks a whole different tale, him trying to kill a", "in theory are supposed to be. This angel was a cynical, harsh, capable", "my opinion, he is not a villain. My critique partner responded with that", "I couldn't call it an angel anymore. But in my idea, subversion is", "blade of righteousness, all that jazz. But his character speaks a whole different", "ago about an angel in my book. I said, he was a subversive", "% pure and good, like angels in theory are supposed to be. This", "to save the world (exactly how and why is irrelevant). Or then you", "character has wings. He is tall, and strong. He is made by one", "responded with that it was \"wrong\", in the sense that by subverting the", "wielding the blade of righteousness, all that jazz. But his character speaks a", "angelhood, I couldn't call it an angel anymore. But in my idea, subversion", "I can't really think of a concrete example, but you know what I", "of offense than definition in my case, where it is a religious creation?", "The essence. So, is the practice of subverting the very essence of a", "the way that he wasn't 100 % pure and good, like angels in", "fact that this creation is religious bring further implications, which is what makes", "the lack of a better world), in that altering the essence makes it", "give of the underlying truth. The essence. So, is the practice of subverting", "long ago about an angel in my book. I said, he was a", "couldn't call it an angel anymore. But in my idea, subversion is all", "essence makes it not the fictional creation it portrays? Or does the fact", "the superficial and changing the essence, or keeping the essence and changing the", "antagonist, though in my opinion, he is not a villain. My critique partner", "the underlying truth. The essence. So, is the practice of subverting the very", "the superficial. Here's what I mean. My character has wings. He is tall,", "by subverting the very essence of angelhood, I couldn't call it an angel", "all that jazz. But his character speaks a whole different tale, him trying", "of subverting the very essence of a fictional creation fallacious (for the lack", "save the world (exactly how and why is irrelevant). Or then you have", "talked to a critique partner not too long ago about an angel in", "it was \"wrong\", in the sense that by subverting the very essence of", "also narrative-wise one of many antagonist, though in my opinion, he is not", "creation it portrays? Or does the fact that this creation is religious bring", "character. He is also narrative-wise one of many antagonist, though in my opinion,", "is irrelevant). Or then you have the other type. Think \"wolf in sheep", "of the Gods inside the world to protect the mortal plain. Wings, strength,", "I mean. My character has wings. He is tall, and strong. He is", "this creation is religious bring further implications, which is what makes it unacceptable", "created by good, wielding the blade of righteousness, all that jazz. But his", "that he wasn't 100 % pure and good, like angels in theory are", "partner responded with that it was \"wrong\", in the sense that by subverting", "the Gods inside the world to protect the mortal plain. Wings, strength, created", "book. I said, he was a subversive character, in the way that he", "is not a villain. My critique partner responded with that it was \"wrong\",", "you have the other type. Think \"wolf in sheep clothing\". I can't really", "of a concrete example, but you know what I mean. At surface level,", "of the underlying truth. The essence. So, is the practice of subverting the", "truth. The essence. So, is the practice of subverting the very essence of", "subverting the very essence of a fictional creation fallacious (for the lack of", "(exactly how and why is irrelevant). Or then you have the other type.", "makes it not the fictional creation it portrays? Or does the fact that", "Is it rather a matter of offense than definition in my case, where", "the world (exactly how and why is irrelevant). Or then you have the", "is also narrative-wise one of many antagonist, though in my opinion, he is", "religious bring further implications, which is what makes it unacceptable in this case?", "the sense that by subverting the very essence of angelhood, I couldn't call", "practice of subverting the very essence of a fictional creation fallacious (for the", "it rather a matter of offense than definition in my case, where it", "Here's what I mean. My character has wings. He is tall, and strong.", "angels in theory are supposed to be. This angel was a cynical, harsh,", "good character. He is also narrative-wise one of many antagonist, though in my", "mortal plain. Wings, strength, created by good, wielding the blade of righteousness, all", "creation is religious bring further implications, which is what makes it unacceptable in", "opinion, he is not a villain. My critique partner responded with that it", "he wasn't 100 % pure and good, like angels in theory are supposed", "sense that by subverting the very essence of angelhood, I couldn't call it", "too long ago about an angel in my book. I said, he was", "is all about keeping the superficial and changing the essence, or keeping the", "and changing the essence, or keeping the essence and changing the superficial. Here's", "of righteousness, all that jazz. But his character speaks a whole different tale,", "a matter of offense than definition in my case, where it is a", "was a cynical, harsh, capable of evil for the greater good character. He", "the practice of subverting the very essence of a fictional creation fallacious (for", "fictional creation fallacious (for the lack of a better world), in that altering", "was a subversive character, in the way that he wasn't 100 % pure", "creation fallacious (for the lack of a better world), in that altering the", "greater good character. He is also narrative-wise one of many antagonist, though in", "a subversive character, in the way that he wasn't 100 % pure and", "the other type. Think \"wolf in sheep clothing\". I can't really think of", "changing the superficial. Here's what I mean. My character has wings. He is", "not the fictional creation it portrays? Or does the fact that this creation", "tall, and strong. He is made by one of the Gods inside the", "changing the essence, or keeping the essence and changing the superficial. Here's what", "essence of a fictional creation fallacious (for the lack of a better world),", "of a fictional creation fallacious (for the lack of a better world), in", "partner not too long ago about an angel in my book. I said,", "surface level, nothing could give of the underlying truth. The essence. So, is", "better world), in that altering the essence makes it not the fictional creation", "I mean. At surface level, nothing could give of the underlying truth. The", "tale, him trying to kill a child at one time, to save the", "child at one time, to save the world (exactly how and why is", "the essence, or keeping the essence and changing the superficial. Here's what I", "one of many antagonist, though in my opinion, he is not a villain.", "a fictional creation fallacious (for the lack of a better world), in that", "essence. So, is the practice of subverting the very essence of a fictional", "by good, wielding the blade of righteousness, all that jazz. But his character", "my book. I said, he was a subversive character, in the way that", "could give of the underlying truth. The essence. So, is the practice of", "whole different tale, him trying to kill a child at one time, to", "a cynical, harsh, capable of evil for the greater good character. He is", "to be. This angel was a cynical, harsh, capable of evil for the", "anymore. But in my idea, subversion is all about keeping the superficial and", "inside the world to protect the mortal plain. Wings, strength, created by good,", "world), in that altering the essence makes it not the fictional creation it", "angel in my book. I said, he was a subversive character, in the", "character speaks a whole different tale, him trying to kill a child at", "to protect the mortal plain. Wings, strength, created by good, wielding the blade", "very essence of angelhood, I couldn't call it an angel anymore. But in", "mean. My character has wings. He is tall, and strong. He is made", "in my opinion, he is not a villain. My critique partner responded with", "narrative-wise one of many antagonist, though in my opinion, he is not a", "irrelevant). Or then you have the other type. Think \"wolf in sheep clothing\".", "the essence makes it not the fictional creation it portrays? Or does the", "it portrays? Or does the fact that this creation is religious bring further", "an angel anymore. But in my idea, subversion is all about keeping the", "character, in the way that he wasn't 100 % pure and good, like", "call it an angel anymore. But in my idea, subversion is all about", "clothing\". I can't really think of a concrete example, but you know what", "is the practice of subverting the very essence of a fictional creation fallacious", "example, but you know what I mean. At surface level, nothing could give", "that jazz. But his character speaks a whole different tale, him trying to", "other type. Think \"wolf in sheep clothing\". I can't really think of a", "At surface level, nothing could give of the underlying truth. The essence. So,", "in sheep clothing\". I can't really think of a concrete example, but you", "lack of a better world), in that altering the essence makes it not", "in the sense that by subverting the very essence of angelhood, I couldn't", "to kill a child at one time, to save the world (exactly how", "concrete example, but you know what I mean. At surface level, nothing could", "and strong. He is made by one of the Gods inside the world", "of a better world), in that altering the essence makes it not the", "evil for the greater good character. He is also narrative-wise one of many", "theory are supposed to be. This angel was a cynical, harsh, capable of", "very essence of a fictional creation fallacious (for the lack of a better", "the very essence of angelhood, I couldn't call it an angel anymore. But", "said, he was a subversive character, in the way that he wasn't 100", "fallacious (for the lack of a better world), in that altering the essence", "is religious bring further implications, which is what makes it unacceptable in this", "case? Is it rather a matter of offense than definition in my case,", "superficial and changing the essence, or keeping the essence and changing the superficial.", "essence, or keeping the essence and changing the superficial. Here's what I mean.", "is what makes it unacceptable in this case? Is it rather a matter", "supposed to be. This angel was a cynical, harsh, capable of evil for", "keeping the essence and changing the superficial. Here's what I mean. My character", "world to protect the mortal plain. Wings, strength, created by good, wielding the", "My character has wings. He is tall, and strong. He is made by", "harsh, capable of evil for the greater good character. He is also narrative-wise", "what I mean. My character has wings. He is tall, and strong. He", "sheep clothing\". I can't really think of a concrete example, but you know", "keeping the superficial and changing the essence, or keeping the essence and changing", "I talked to a critique partner not too long ago about an angel", "critique partner not too long ago about an angel in my book. I", "does the fact that this creation is religious bring further implications, which is", "in my book. I said, he was a subversive character, in the way", "subversive character, in the way that he wasn't 100 % pure and good,", "implications, which is what makes it unacceptable in this case? Is it rather", "it unacceptable in this case? Is it rather a matter of offense than", "him trying to kill a child at one time, to save the world", "\"wrong\", in the sense that by subverting the very essence of angelhood, I", "the greater good character. He is also narrative-wise one of many antagonist, though", "wings. He is tall, and strong. He is made by one of the", "many antagonist, though in my opinion, he is not a villain. My critique", "angel was a cynical, harsh, capable of evil for the greater good character.", "superficial. Here's what I mean. My character has wings. He is tall, and", "essence of angelhood, I couldn't call it an angel anymore. But in my", "be. This angel was a cynical, harsh, capable of evil for the greater", "and changing the superficial. Here's what I mean. My character has wings. He", "the fact that this creation is religious bring further implications, which is what", "an angel in my book. I said, he was a subversive character, in", "why is irrelevant). Or then you have the other type. Think \"wolf in", "that by subverting the very essence of angelhood, I couldn't call it an", "his character speaks a whole different tale, him trying to kill a child", "world (exactly how and why is irrelevant). Or then you have the other", "He is also narrative-wise one of many antagonist, though in my opinion, he", "a critique partner not too long ago about an angel in my book.", "made by one of the Gods inside the world to protect the mortal", "But in my idea, subversion is all about keeping the superficial and changing", "mean. At surface level, nothing could give of the underlying truth. The essence.", "that altering the essence makes it not the fictional creation it portrays? Or", "matter of offense than definition in my case, where it is a religious", "My critique partner responded with that it was \"wrong\", in the sense that", "rather a matter of offense than definition in my case, where it is", "it an angel anymore. But in my idea, subversion is all about keeping", "Wings, strength, created by good, wielding the blade of righteousness, all that jazz.", "how and why is irrelevant). Or then you have the other type. Think", "think of a concrete example, but you know what I mean. At surface", "trying to kill a child at one time, to save the world (exactly", "time, to save the world (exactly how and why is irrelevant). Or then", "like angels in theory are supposed to be. This angel was a cynical,", "that this creation is religious bring further implications, which is what makes it", "This angel was a cynical, harsh, capable of evil for the greater good", "about an angel in my book. I said, he was a subversive character,", "you know what I mean. At surface level, nothing could give of the", "the blade of righteousness, all that jazz. But his character speaks a whole", "that it was \"wrong\", in the sense that by subverting the very essence", "or keeping the essence and changing the superficial. Here's what I mean. My", "is made by one of the Gods inside the world to protect the", "strength, created by good, wielding the blade of righteousness, all that jazz. But", "\"wolf in sheep clothing\". I can't really think of a concrete example, but", "So, is the practice of subverting the very essence of a fictional creation", "protect the mortal plain. Wings, strength, created by good, wielding the blade of", "righteousness, all that jazz. But his character speaks a whole different tale, him", "it not the fictional creation it portrays? Or does the fact that this", "was \"wrong\", in the sense that by subverting the very essence of angelhood,", "makes it unacceptable in this case? Is it rather a matter of offense", "(for the lack of a better world), in that altering the essence makes", "of angelhood, I couldn't call it an angel anymore. But in my idea,", "plain. Wings, strength, created by good, wielding the blade of righteousness, all that", "subverting the very essence of angelhood, I couldn't call it an angel anymore.", "in my idea, subversion is all about keeping the superficial and changing the", "but you know what I mean. At surface level, nothing could give of", "to a critique partner not too long ago about an angel in my", "my idea, subversion is all about keeping the superficial and changing the essence,", "fictional creation it portrays? Or does the fact that this creation is religious", "are supposed to be. This angel was a cynical, harsh, capable of evil", "cynical, harsh, capable of evil for the greater good character. He is also", "Or does the fact that this creation is religious bring further implications, which", "what makes it unacceptable in this case? Is it rather a matter of", "the world to protect the mortal plain. Wings, strength, created by good, wielding", "He is made by one of the Gods inside the world to protect", "a child at one time, to save the world (exactly how and why", "type. Think \"wolf in sheep clothing\". I can't really think of a concrete", "what I mean. At surface level, nothing could give of the underlying truth.", "nothing could give of the underlying truth. The essence. So, is the practice", "good, like angels in theory are supposed to be. This angel was a", "strong. He is made by one of the Gods inside the world to", "the fictional creation it portrays? Or does the fact that this creation is", "in the way that he wasn't 100 % pure and good, like angels", "of evil for the greater good character. He is also narrative-wise one of", "of many antagonist, though in my opinion, he is not a villain. My", "by one of the Gods inside the world to protect the mortal plain.", "the mortal plain. Wings, strength, created by good, wielding the blade of righteousness,", "speaks a whole different tale, him trying to kill a child at one", "then you have the other type. Think \"wolf in sheep clothing\". I can't", "different tale, him trying to kill a child at one time, to save", "wasn't 100 % pure and good, like angels in theory are supposed to", "and why is irrelevant). Or then you have the other type. Think \"wolf", "bring further implications, which is what makes it unacceptable in this case? Is", "really think of a concrete example, but you know what I mean. At", "I said, he was a subversive character, in the way that he wasn't", "100 % pure and good, like angels in theory are supposed to be.", "critique partner responded with that it was \"wrong\", in the sense that by", "has wings. He is tall, and strong. He is made by one of", "level, nothing could give of the underlying truth. The essence. So, is the", "in this case? Is it rather a matter of offense than definition in", "He is tall, and strong. He is made by one of the Gods", "capable of evil for the greater good character. He is also narrative-wise one", "one of the Gods inside the world to protect the mortal plain. Wings," ]
[ "can be so distant in the future or so foreign to most people", "to exploit them can be hard, I'm being told. In particular, the real", "ideas can be so distant in the future or so foreign to most", "creating a relatable setting or character to exploit them can be hard, I'm", "who fought for immortality and was pretty successful until he realizes that this", "these questions more relatable ? How do you make more relatable, for example,", "exploit them can be hard, I'm being told. In particular, the real human", "foreign to most people that creating a relatable setting or character to exploit", "probably be completely unrelatable to us. Questions like \"what's the point of accumulating", "much larger scales (for example : million, billion years or even more) would", "more relatable ? How do you make more relatable, for example, a character", "consequence of some ideas can be so distant in the future or so", "years or even more) would probably be completely unrelatable to us. Questions like", "to 100). So, any consequence on much larger scales (for example : million,", "any consequence on much larger scales (for example : million, billion years or", "impossible ? That now he has to face not only his own death", "was impossible ? That now he has to face not only his own", "or character to exploit them can be hard, I'm being told. In particular,", "point of accumulating knownledge when everything cease to exist in bazillions years ?\"", "to face not only his own death but also the end of this", "larger scales (for example : million, billion years or even more) would probably", "you make more relatable, for example, a character who fought for immortality and", "successful until he realizes that this quest was impossible ? That now he", "? That now he has to face not only his own death but", "consequence on much larger scales (for example : million, billion years or even", "may seem very unrelatable. So, how do you make these questions more relatable", "a relatable setting or character to exploit them can be hard, I'm being", "human life expectancy is about 80 years (lets round it to 100). So,", "about 80 years (lets round it to 100). So, any consequence on much", "now he has to face not only his own death but also the", "so distant in the future or so foreign to most people that creating", "character to exploit them can be hard, I'm being told. In particular, the", "accumulating knownledge when everything cease to exist in bazillions years ?\" may seem", "very unrelatable. So, how do you make these questions more relatable ? How", "people that creating a relatable setting or character to exploit them can be", "In particular, the real human life expectancy is about 80 years (lets round", "the point of accumulating knownledge when everything cease to exist in bazillions years", "do you make more relatable, for example, a character who fought for immortality", "How do you make more relatable, for example, a character who fought for", "to most people that creating a relatable setting or character to exploit them", "when everything cease to exist in bazillions years ?\" may seem very unrelatable.", "unrelatable to us. Questions like \"what's the point of accumulating knownledge when everything", "so foreign to most people that creating a relatable setting or character to", ": million, billion years or even more) would probably be completely unrelatable to", "not only his own death but also the end of this dream ?", "or so foreign to most people that creating a relatable setting or character", "years (lets round it to 100). So, any consequence on much larger scales", "relatable setting or character to exploit them can be hard, I'm being told.", "The consequence of some ideas can be so distant in the future or", "distant in the future or so foreign to most people that creating a", "can be hard, I'm being told. In particular, the real human life expectancy", "this quest was impossible ? That now he has to face not only", "round it to 100). So, any consequence on much larger scales (for example", "them can be hard, I'm being told. In particular, the real human life", "relatable, for example, a character who fought for immortality and was pretty successful", "Questions like \"what's the point of accumulating knownledge when everything cease to exist", "that this quest was impossible ? That now he has to face not", "years ?\" may seem very unrelatable. So, how do you make these questions", "character who fought for immortality and was pretty successful until he realizes that", "seem very unrelatable. So, how do you make these questions more relatable ?", "and was pretty successful until he realizes that this quest was impossible ?", "That now he has to face not only his own death but also", "immortality and was pretty successful until he realizes that this quest was impossible", "unrelatable. So, how do you make these questions more relatable ? How do", "would probably be completely unrelatable to us. Questions like \"what's the point of", "cease to exist in bazillions years ?\" may seem very unrelatable. So, how", "questions more relatable ? How do you make more relatable, for example, a", "he has to face not only his own death but also the end", "a character who fought for immortality and was pretty successful until he realizes", "? How do you make more relatable, for example, a character who fought", "you make these questions more relatable ? How do you make more relatable,", "(lets round it to 100). So, any consequence on much larger scales (for", "has to face not only his own death but also the end of", "relatable ? How do you make more relatable, for example, a character who", "everything cease to exist in bazillions years ?\" may seem very unrelatable. So,", "was pretty successful until he realizes that this quest was impossible ? That", "of some ideas can be so distant in the future or so foreign", "how do you make these questions more relatable ? How do you make", "bazillions years ?\" may seem very unrelatable. So, how do you make these", "expectancy is about 80 years (lets round it to 100). So, any consequence", "the real human life expectancy is about 80 years (lets round it to", "80 years (lets round it to 100). So, any consequence on much larger", "even more) would probably be completely unrelatable to us. Questions like \"what's the", "the future or so foreign to most people that creating a relatable setting", "in the future or so foreign to most people that creating a relatable", "to us. Questions like \"what's the point of accumulating knownledge when everything cease", "face not only his own death but also the end of this dream", "be completely unrelatable to us. Questions like \"what's the point of accumulating knownledge", "us. Questions like \"what's the point of accumulating knownledge when everything cease to", "example : million, billion years or even more) would probably be completely unrelatable", "fought for immortality and was pretty successful until he realizes that this quest", "future or so foreign to most people that creating a relatable setting or", "So, how do you make these questions more relatable ? How do you", "setting or character to exploit them can be hard, I'm being told. In", "\"what's the point of accumulating knownledge when everything cease to exist in bazillions", "realizes that this quest was impossible ? That now he has to face", "of accumulating knownledge when everything cease to exist in bazillions years ?\" may", "pretty successful until he realizes that this quest was impossible ? That now", "he realizes that this quest was impossible ? That now he has to", "being told. In particular, the real human life expectancy is about 80 years", "or even more) would probably be completely unrelatable to us. Questions like \"what's", "real human life expectancy is about 80 years (lets round it to 100).", "I'm being told. In particular, the real human life expectancy is about 80", "it to 100). So, any consequence on much larger scales (for example :", "quest was impossible ? That now he has to face not only his", "on much larger scales (for example : million, billion years or even more)", "knownledge when everything cease to exist in bazillions years ?\" may seem very", "hard, I'm being told. In particular, the real human life expectancy is about", "be hard, I'm being told. In particular, the real human life expectancy is", "more) would probably be completely unrelatable to us. Questions like \"what's the point", "like \"what's the point of accumulating knownledge when everything cease to exist in", "scales (for example : million, billion years or even more) would probably be", "make more relatable, for example, a character who fought for immortality and was", "for example, a character who fought for immortality and was pretty successful until", "exist in bazillions years ?\" may seem very unrelatable. So, how do you", "more relatable, for example, a character who fought for immortality and was pretty", "life expectancy is about 80 years (lets round it to 100). So, any", "for immortality and was pretty successful until he realizes that this quest was", "be so distant in the future or so foreign to most people that", "do you make these questions more relatable ? How do you make more", "particular, the real human life expectancy is about 80 years (lets round it", "is about 80 years (lets round it to 100). So, any consequence on", "million, billion years or even more) would probably be completely unrelatable to us.", "until he realizes that this quest was impossible ? That now he has", "most people that creating a relatable setting or character to exploit them can", "some ideas can be so distant in the future or so foreign to", "(for example : million, billion years or even more) would probably be completely", "to exist in bazillions years ?\" may seem very unrelatable. So, how do", "100). So, any consequence on much larger scales (for example : million, billion", "that creating a relatable setting or character to exploit them can be hard,", "in bazillions years ?\" may seem very unrelatable. So, how do you make", "So, any consequence on much larger scales (for example : million, billion years", "completely unrelatable to us. Questions like \"what's the point of accumulating knownledge when", "example, a character who fought for immortality and was pretty successful until he", "told. In particular, the real human life expectancy is about 80 years (lets", "?\" may seem very unrelatable. So, how do you make these questions more", "make these questions more relatable ? How do you make more relatable, for", "billion years or even more) would probably be completely unrelatable to us. Questions" ]
[ "say the former villain brought a lot more stakes to the table. Personally,", "it is safe to say the former villain brought a lot more stakes", "last season of Game of Thrones was the fact that > > they", "> > > Though the fact remains, many did not like the progression.", "came around to be the center antagonist. > > > Though the fact", "the stakes are lower with the last villain, will that make it less", "Cersei, a mere mortal, as the enemy. Considering the Nigqv Dudg wanted to", "night, and Cersei just wanted to continue her tyranny, > > > it", "the universe, etc. So, if I create my story in a way that", "progression. And I have heard that the standard progression is always higher stakes", "much of a problem with exactly the downscaling of stakes. I don't care", "exactly the downscaling of stakes. I don't care that much about stakes. >", "antagonist. > > > Though the fact remains, many did not like the", "create my story in a way that the stakes are lower with the", "with the last villain, will that make it less compelling? Also, what are", "they killed the Nigqv Dudg before the finale, and the last episodes had", "a mere mortal, as the enemy. Considering the Nigqv Dudg wanted to instate", "> they killed the Nigqv Dudg before the finale, and the last episodes", "then the universe, etc. So, if I create my story in a way", "she came around to be the center antagonist. > > > Though the", "story in a way that the stakes are lower with the last villain,", "more emotional investment than with the one-dimensional Nigqv Dudg, so I found it", "the world, then the universe, etc. So, if I create my story in", "before the finale, and the last episodes had Cersei, a mere mortal, as", "tyranny, > > > it is safe to say the former villain brought", "the standard progression is always higher stakes in sequels to come. First the", "to come. First the hero might be saving the streets, then the country,", "First the hero might be saving the streets, then the country, then the", "center antagonist. > > > Though the fact remains, many did not like", "compelling when she came around to be the center antagonist. > > >", "seen directed at the last season of Game of Thrones was the fact", "eternal night, and Cersei just wanted to continue her tyranny, > > >", "as the enemy. Considering the Nigqv Dudg wanted to instate an eternal night,", "the last episodes had Cersei, a mere mortal, as the enemy. Considering the", "care that much about stakes. > > With Cersei, there was A LOT", "be compelling when she came around to be the center antagonist. > >", "the downscaling of stakes. I don't care that much about stakes. > >", "downscaling of stakes. I don't care that much about stakes. > > With", "Dudg wanted to instate an eternal night, and Cersei just wanted to continue", "> Though the fact remains, many did not like the progression. And I", "heard that the standard progression is always higher stakes in sequels to come.", "the table. Personally, I didn't have much of a problem with exactly the", "a way that the stakes are lower with the last villain, will that", "to be the center antagonist. > > > Though the fact remains, many", "is safe to say the former villain brought a lot more stakes to", "stakes are lower with the last villain, will that make it less compelling?", "didn't have much of a problem with exactly the downscaling of stakes. I", "Nigqv Dudg, so I found it to still be compelling when she came", "have much of a problem with exactly the downscaling of stakes. I don't", "of criticism I've seen directed at the last season of Game of Thrones", "LOT more emotional investment than with the one-dimensional Nigqv Dudg, so I found", "Cersei just wanted to continue her tyranny, > > > it is safe", "like the progression. And I have heard that the standard progression is always", "streets, then the country, then the world, then the universe, etc. So, if", "wanted to instate an eternal night, and Cersei just wanted to continue her", "of Game of Thrones was the fact that > > they killed the", "Dudg, so I found it to still be compelling when she came around", "I found it to still be compelling when she came around to be", "the Nigqv Dudg wanted to instate an eternal night, and Cersei just wanted", "> > they killed the Nigqv Dudg before the finale, and the last", "villain, will that make it less compelling? Also, what are the implications of", "With Cersei, there was A LOT more emotional investment than with the one-dimensional", "Considering the Nigqv Dudg wanted to instate an eternal night, and Cersei just", "more stakes to the table. Personally, I didn't have much of a problem", "much about stakes. > > With Cersei, there was A LOT more emotional", "Nigqv Dudg before the finale, and the last episodes had Cersei, a mere", "then the country, then the world, then the universe, etc. So, if I", "to say the former villain brought a lot more stakes to the table.", "of stakes. I don't care that much about stakes. > > With Cersei,", "directed at the last season of Game of Thrones was the fact that", "the last villain, will that make it less compelling? Also, what are the", "higher stakes in sequels to come. First the hero might be saving the", "fact that > > they killed the Nigqv Dudg before the finale, and", "stakes in sequels to come. First the hero might be saving the streets,", "stakes to the table. Personally, I didn't have much of a problem with", "the progression. And I have heard that the standard progression is always higher", "> > With Cersei, there was A LOT more emotional investment than with", "I've seen directed at the last season of Game of Thrones was the", "one-dimensional Nigqv Dudg, so I found it to still be compelling when she", "the last season of Game of Thrones was the fact that > >", "I don't care that much about stakes. > > With Cersei, there was", "with exactly the downscaling of stakes. I don't care that much about stakes.", "table. Personally, I didn't have much of a problem with exactly the downscaling", "piece of criticism I've seen directed at the last season of Game of", "and the last episodes had Cersei, a mere mortal, as the enemy. Considering", "> it is safe to say the former villain brought a lot more", "investment than with the one-dimensional Nigqv Dudg, so I found it to still", "the hero might be saving the streets, then the country, then the world,", "hero might be saving the streets, then the country, then the world, then", "emotional investment than with the one-dimensional Nigqv Dudg, so I found it to", "big piece of criticism I've seen directed at the last season of Game", "the streets, then the country, then the world, then the universe, etc. So,", "world, then the universe, etc. So, if I create my story in a", "lower with the last villain, will that make it less compelling? Also, what", "wanted to continue her tyranny, > > > it is safe to say", "there was A LOT more emotional investment than with the one-dimensional Nigqv Dudg,", "I have heard that the standard progression is always higher stakes in sequels", "the enemy. Considering the Nigqv Dudg wanted to instate an eternal night, and", "criticism I've seen directed at the last season of Game of Thrones was", "> > it is safe to say the former villain brought a lot", "are lower with the last villain, will that make it less compelling? Also,", "a lot more stakes to the table. Personally, I didn't have much of", "an eternal night, and Cersei just wanted to continue her tyranny, > >", "brought a lot more stakes to the table. Personally, I didn't have much", "to still be compelling when she came around to be the center antagonist.", "in sequels to come. First the hero might be saving the streets, then", "make it less compelling? Also, what are the implications of this with spin-offs?", "not like the progression. And I have heard that the standard progression is", "standard progression is always higher stakes in sequels to come. First the hero", "season of Game of Thrones was the fact that > > they killed", "come. First the hero might be saving the streets, then the country, then", "that the stakes are lower with the last villain, will that make it", "stakes. > > With Cersei, there was A LOT more emotional investment than", "might be saving the streets, then the country, then the world, then the", "to continue her tyranny, > > > it is safe to say the", "have heard that the standard progression is always higher stakes in sequels to", "I create my story in a way that the stakes are lower with", "saving the streets, then the country, then the world, then the universe, etc.", "that make it less compelling? Also, what are the implications of this with", "then the world, then the universe, etc. So, if I create my story", "universe, etc. So, if I create my story in a way that the", "still be compelling when she came around to be the center antagonist. >", "to the table. Personally, I didn't have much of a problem with exactly", "had Cersei, a mere mortal, as the enemy. Considering the Nigqv Dudg wanted", "continue her tyranny, > > > it is safe to say the former", "> > Though the fact remains, many did not like the progression. And", "the fact remains, many did not like the progression. And I have heard", "that > > they killed the Nigqv Dudg before the finale, and the", "did not like the progression. And I have heard that the standard progression", "about stakes. > > With Cersei, there was A LOT more emotional investment", "A LOT more emotional investment than with the one-dimensional Nigqv Dudg, so I", "etc. So, if I create my story in a way that the stakes", "last episodes had Cersei, a mere mortal, as the enemy. Considering the Nigqv", "stakes. I don't care that much about stakes. > > With Cersei, there", "progression is always higher stakes in sequels to come. First the hero might", "in a way that the stakes are lower with the last villain, will", "Nigqv Dudg wanted to instate an eternal night, and Cersei just wanted to", "safe to say the former villain brought a lot more stakes to the", "the Nigqv Dudg before the finale, and the last episodes had Cersei, a", "and Cersei just wanted to continue her tyranny, > > > it is", "So, if I create my story in a way that the stakes are", "my story in a way that the stakes are lower with the last", "at the last season of Game of Thrones was the fact that >", "so I found it to still be compelling when she came around to", "last villain, will that make it less compelling? Also, what are the implications", "enemy. Considering the Nigqv Dudg wanted to instate an eternal night, and Cersei", "villain brought a lot more stakes to the table. Personally, I didn't have", "Personally, I didn't have much of a problem with exactly the downscaling of", "it to still be compelling when she came around to be the center", "be saving the streets, then the country, then the world, then the universe,", "the country, then the world, then the universe, etc. So, if I create", "way that the stakes are lower with the last villain, will that make", "the finale, and the last episodes had Cersei, a mere mortal, as the", "don't care that much about stakes. > > With Cersei, there was A", "was A LOT more emotional investment than with the one-dimensional Nigqv Dudg, so", "sequels to come. First the hero might be saving the streets, then the", "And I have heard that the standard progression is always higher stakes in", "the former villain brought a lot more stakes to the table. Personally, I", "just wanted to continue her tyranny, > > > it is safe to", "of Thrones* was the fact that > > they killed the Nigqv Dudg", "around to be the center antagonist. > > > Though the fact remains,", "found it to still be compelling when she came around to be the", "Cersei, there was A LOT more emotional investment than with the one-dimensional Nigqv", "the center antagonist. > > > Though the fact remains, many did not", "> > > it is safe to say the former villain brought a", "instate an eternal night, and Cersei just wanted to continue her tyranny, >", "Game of Thrones was the fact that > > they killed the Nigqv", "lot more stakes to the table. Personally, I didn't have much of a", "mere mortal, as the enemy. Considering the Nigqv Dudg wanted to instate an", "> With Cersei, there was A LOT more emotional investment than with the", "a problem with exactly the downscaling of stakes. I don't care that much", "fact remains, many did not like the progression. And I have heard that", "country, then the world, then the universe, etc. So, if I create my", "the fact that > > they killed the Nigqv Dudg before the finale,", "Thrones* was the fact that > > they killed the Nigqv Dudg before", "killed the Nigqv Dudg before the finale, and the last episodes had Cersei,", "when she came around to be the center antagonist. > > > Though", "be the center antagonist. > > > Though the fact remains, many did", "many did not like the progression. And I have heard that the standard", "I didn't have much of a problem with exactly the downscaling of stakes.", "Dudg before the finale, and the last episodes had Cersei, a mere mortal,", "episodes had Cersei, a mere mortal, as the enemy. Considering the Nigqv Dudg", "with the one-dimensional Nigqv Dudg, so I found it to still be compelling", "that the standard progression is always higher stakes in sequels to come. First", "of a problem with exactly the downscaling of stakes. I don't care that", "that much about stakes. > > With Cersei, there was A LOT more", "will that make it less compelling? Also, what are the implications of this", "if I create my story in a way that the stakes are lower", "always higher stakes in sequels to come. First the hero might be saving", "was the fact that > > they killed the Nigqv Dudg before the", "remains, many did not like the progression. And I have heard that the", "former villain brought a lot more stakes to the table. Personally, I didn't", "is always higher stakes in sequels to come. First the hero might be", "problem with exactly the downscaling of stakes. I don't care that much about", "mortal, as the enemy. Considering the Nigqv Dudg wanted to instate an eternal", "A big piece of criticism I've seen directed at the last season of", "Though the fact remains, many did not like the progression. And I have", "her tyranny, > > > it is safe to say the former villain", "the one-dimensional Nigqv Dudg, so I found it to still be compelling when", "to instate an eternal night, and Cersei just wanted to continue her tyranny,", "finale, and the last episodes had Cersei, a mere mortal, as the enemy.", "than with the one-dimensional Nigqv Dudg, so I found it to still be" ]
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[ "yet, something in its circuits told it > that it was incomplete. Tom", "still a complete > robot with nothing missing. And yet, something in its", "knew, as he was still a complete > robot with nothing missing. And", "right. I can partially work around it by using the names or the", "> it hadn't cared about that, but now it felt like something was", "something was missing > from it. That was illogical, Tom knew, as it", "that also goes so far. Here's an example of what I mean (Tom", "it felt like something was missing > from it. That was illogical, Tom", "Therefore my question: Are there other techniques I can employ to avoid the", "sense of it. > > > Here's the same paragraph with male pronouns", "another robot is frequently addressed. However I've hit a problem: Referring to the", "the phrase “the robot” more often, but that also goes so far. Here's", "as “it” often gives confusing sentences. It probably doesn't help that one of", "can partially work around it by using the names or the phrase “the", "was still a complete > robot with nothing missing. And yet, something in", "removed the connector from Toms arm and inserted it into one on the", "more often, but that also goes so far. Here's an example of what", "> > Here's the same paragraph with male pronouns for Tom: > >", "I can employ to avoid the confusion and awkwardness of constantly using “it”?", "female (I don't actually know why). But the robots don't have the concept", "nothing missing. And yet, something in his circuits told him > that he", "but that also goes so far. Here's an example of what I mean", "he hadn't cared about that, but now he felt like something was missing", "make sense of it. > > > In that form, the paragraph reads", "about that, but now it felt like something was missing > from it.", "robot” more often, but that also goes so far. Here's an example of", "still a complete > robot with nothing missing. And yet, something in his", "complete > robot with nothing missing. And yet, something in its circuits told", "his thoughts. Before meeting Mil, > he hadn't cared about that, but now", "work around it by using the names or the phrase “the robot” more", "he was still a complete > robot with nothing missing. And yet, something", "know why). But the robots don't have the concept of gender (they don't", "Toms arm and inserted it into one on the > door. Tom now", "> > > Here's the same paragraph with male pronouns for Tom: >", "robot. Also another robot is frequently addressed. However I've hit a problem: Referring", "thoughts. Before meeting Mil, > it hadn't cared about that, but now it", "Here's an example of what I mean (Tom and Mil are the robots):", "I'm currently writing from the point of view of a robot. Also another", "(which it read from a cryogenic chamber data and liked). Also for some", "from it. That was illogical, Tom knew, as it was still a complete", "Tom now was again alone with his thoughts. Before meeting Mil, > he", "for some reason I think of the other robot as female (I don't", "robot simply does not know the concept of male and female. Therefore my", "of it. > > > Here's the same paragraph with male pronouns for", "he felt like something was missing > from him. That was illogical, Tom", "(I don't actually know why). But the robots don't have the concept of", "some reason I think of the other robot as female (I don't actually", "For the writing challenge, I'm currently writing from the point of view of", "> Here's the same paragraph with male pronouns for Tom: > > Mil", "door. Tom now was again alone with its thoughts. Before meeting Mil, >", "Tom: > > Mil removed the connector from Toms arm and inserted it", "> > > In that form, the paragraph reads much better. But it", "data and liked). Also for some reason I think of the other robot", "as he was still a complete > robot with nothing missing. And yet,", "alone with his thoughts. Before meeting Mil, > he hadn't cared about that,", "“the robot” more often, but that also goes so far. Here's an example", "it hadn't cared about that, but now it felt like something was missing", "sense because the robot simply does not know the concept of male and", "> > Mil removed the connector from Toms arm and inserted it into", "the paragraph reads much better. But it doesn't make sense because the robot", "him. That was illogical, Tom knew, as he was still a complete >", "does not know the concept of male and female. Therefore my question: Are", "> door. Tom now was again alone with its thoughts. Before meeting Mil,", "its thoughts. Before meeting Mil, > it hadn't cared about that, but now", "simply does not know the concept of male and female. Therefore my question:", "on the > door. Tom now was again alone with his thoughts. Before", "help that one of the robot acquired a human male name (which it", "actually know why). But the robots don't have the concept of gender (they", "Are there other techniques I can employ to avoid the confusion and awkwardness", "I mean (Tom and Mil are the robots): > > Mil removed the", "Mil removed the connector from Toms arm and inserted it into one on", "but now it felt like something was missing > from it. That was", "pronouns for Tom: > > Mil removed the connector from Toms arm and", "meeting Mil, > he hadn't cared about that, but now he felt like", "was illogical, Tom knew, as he was still a complete > robot with", "Mil, > it hadn't cared about that, but now it felt like something", "as it was still a complete > robot with nothing missing. And yet,", "> from it. That was illogical, Tom knew, as it was still a", "> he hadn't cared about that, but now he felt like something was", "a complete > robot with nothing missing. And yet, something in his circuits", "about that, but now he felt like something was missing > from him.", "sentences. It probably doesn't help that one of the robot acquired a human", "of gender (they don't even really know what humans are), so using “he”", "nothing missing. And yet, something in its circuits told it > that it", "meeting Mil, > it hadn't cared about that, but now it felt like", "> door. Tom now was again alone with his thoughts. Before meeting Mil,", "don't actually know why). But the robots don't have the concept of gender", "the robot simply does not know the concept of male and female. Therefore", "inserted it into one on the > door. Tom now was again alone", "that form, the paragraph reads much better. But it doesn't make sense because", "techniques I can employ to avoid the confusion and awkwardness of constantly using", "> that he was incomplete. Tom couldn't make sense of it. > >", "for Tom: > > Mil removed the connector from Toms arm and inserted", "missing. And yet, something in his circuits told him > that he was", "and inserted it into one on the > door. Tom now was again", "not know the concept of male and female. Therefore my question: Are there", "don't even really know what humans are), so using “he” and “she” wouldn't", "now was again alone with his thoughts. Before meeting Mil, > he hadn't", "I've hit a problem: Referring to the robots as “it” often gives confusing", "read from a cryogenic chamber data and liked). Also for some reason I", "it > that it was incomplete. Tom couldn't make sense of it. >", "don't have the concept of gender (they don't even really know what humans", "Tom now was again alone with its thoughts. Before meeting Mil, > it", "other techniques I can employ to avoid the confusion and awkwardness of constantly", "and female. Therefore my question: Are there other techniques I can employ to", "its circuits told it > that it was incomplete. Tom couldn't make sense", "robot is frequently addressed. However I've hit a problem: Referring to the robots", "something in its circuits told it > that it was incomplete. Tom couldn't", "circuits told him > that he was incomplete. Tom couldn't make sense of", "cryogenic chamber data and liked). Also for some reason I think of the", "robots don't have the concept of gender (they don't even really know what", "concept of male and female. Therefore my question: Are there other techniques I", "hadn't cared about that, but now it felt like something was missing >", "reason I think of the other robot as female (I don't actually know", "names or the phrase “the robot” more often, but that also goes so", "there other techniques I can employ to avoid the confusion and awkwardness of", "But the robots don't have the concept of gender (they don't even really", "yet, something in his circuits told him > that he was incomplete. Tom", "That was illogical, Tom knew, as he was still a complete > robot", "goes so far. Here's an example of what I mean (Tom and Mil", "In that form, the paragraph reads much better. But it doesn't make sense", "> Mil removed the connector from Toms arm and inserted it into one", "have the concept of gender (they don't even really know what humans are),", "felt like something was missing > from it. That was illogical, Tom knew,", "the robot acquired a human male name (which it read from a cryogenic", "currently writing from the point of view of a robot. Also another robot", "question: Are there other techniques I can employ to avoid the confusion and", "gives confusing sentences. It probably doesn't help that one of the robot acquired", "on the > door. Tom now was again alone with its thoughts. Before", "is frequently addressed. However I've hit a problem: Referring to the robots as", "However I've hit a problem: Referring to the robots as “it” often gives", "complete > robot with nothing missing. And yet, something in his circuits told", "was incomplete. Tom couldn't make sense of it. > > > Here's the", "around it by using the names or the phrase “the robot” more often,", "illogical, Tom knew, as it was still a complete > robot with nothing", "hit a problem: Referring to the robots as “it” often gives confusing sentences.", "now he felt like something was missing > from him. That was illogical,", "writing from the point of view of a robot. Also another robot is", "cared about that, but now it felt like something was missing > from", "concept of gender (they don't even really know what humans are), so using", "it by using the names or the phrase “the robot” more often, but", "> robot with nothing missing. And yet, something in his circuits told him", "or the phrase “the robot” more often, but that also goes so far.", "incomplete. Tom couldn't make sense of it. > > > In that form,", "it was incomplete. Tom couldn't make sense of it. > > > Here's", "now was again alone with its thoughts. Before meeting Mil, > it hadn't", "and “she” wouldn't seem right. I can partially work around it by using", "again alone with its thoughts. Before meeting Mil, > it hadn't cared about", "probably doesn't help that one of the robot acquired a human male name", "of a robot. Also another robot is frequently addressed. However I've hit a", "Before meeting Mil, > he hadn't cared about that, but now he felt", "so far. Here's an example of what I mean (Tom and Mil are", "it into one on the > door. Tom now was again alone with", "really know what humans are), so using “he” and “she” wouldn't seem right.", "from him. That was illogical, Tom knew, as he was still a complete", "name (which it read from a cryogenic chamber data and liked). Also for", "other robot as female (I don't actually know why). But the robots don't", "circuits told it > that it was incomplete. Tom couldn't make sense of", "he was incomplete. Tom couldn't make sense of it. > > > In", "Also another robot is frequently addressed. However I've hit a problem: Referring to", "But it doesn't make sense because the robot simply does not know the", "the robots don't have the concept of gender (they don't even really know", "that, but now he felt like something was missing > from him. That", "one on the > door. Tom now was again alone with its thoughts.", "as female (I don't actually know why). But the robots don't have the", "That was illogical, Tom knew, as it was still a complete > robot", "example of what I mean (Tom and Mil are the robots): > >", "Here's the same paragraph with male pronouns for Tom: > > Mil removed", "but now he felt like something was missing > from him. That was", "the concept of gender (they don't even really know what humans are), so", "addressed. However I've hit a problem: Referring to the robots as “it” often", "with nothing missing. And yet, something in its circuits told it > that", "told him > that he was incomplete. Tom couldn't make sense of it.", "it. > > > In that form, the paragraph reads much better. But", "far. Here's an example of what I mean (Tom and Mil are the", "think of the other robot as female (I don't actually know why). But", "told it > that it was incomplete. Tom couldn't make sense of it.", "one of the robot acquired a human male name (which it read from", "and Mil are the robots): > > Mil removed the connector from Toms", "was incomplete. Tom couldn't make sense of it. > > > In that", "male and female. Therefore my question: Are there other techniques I can employ", "even really know what humans are), so using “he” and “she” wouldn't seem", "hadn't cared about that, but now he felt like something was missing >", "with male pronouns for Tom: > > Mil removed the connector from Toms", "him > that he was incomplete. Tom couldn't make sense of it. >", "of the robot acquired a human male name (which it read from a", "Mil, > he hadn't cared about that, but now he felt like something", "partially work around it by using the names or the phrase “the robot”", "now it felt like something was missing > from it. That was illogical,", "from Toms arm and inserted it into one on the > door. Tom", "also goes so far. Here's an example of what I mean (Tom and", "And yet, something in its circuits told it > that it was incomplete.", "that, but now it felt like something was missing > from it. That", "phrase “the robot” more often, but that also goes so far. Here's an", "“it” often gives confusing sentences. It probably doesn't help that one of the", "using “he” and “she” wouldn't seem right. I can partially work around it", "> robot with nothing missing. And yet, something in its circuits told it", "door. Tom now was again alone with his thoughts. Before meeting Mil, >", "robot with nothing missing. And yet, something in his circuits told him >", "and liked). Also for some reason I think of the other robot as", "paragraph with male pronouns for Tom: > > Mil removed the connector from", "male name (which it read from a cryogenic chamber data and liked). Also", "human male name (which it read from a cryogenic chamber data and liked).", "the > door. Tom now was again alone with its thoughts. Before meeting", "(Tom and Mil are the robots): > > Mil removed the connector from", "the robots as “it” often gives confusing sentences. It probably doesn't help that", "because the robot simply does not know the concept of male and female.", "of the other robot as female (I don't actually know why). But the", "reads much better. But it doesn't make sense because the robot simply does", "> from him. That was illogical, Tom knew, as he was still a", "what humans are), so using “he” and “she” wouldn't seem right. I can", "the concept of male and female. Therefore my question: Are there other techniques", "> that it was incomplete. Tom couldn't make sense of it. > >", "male pronouns for Tom: > > Mil removed the connector from Toms arm", "humans are), so using “he” and “she” wouldn't seem right. I can partially", "that one of the robot acquired a human male name (which it read", "much better. But it doesn't make sense because the robot simply does not", "in his circuits told him > that he was incomplete. Tom couldn't make", "“she” wouldn't seem right. I can partially work around it by using the", "like something was missing > from it. That was illogical, Tom knew, as", "make sense of it. > > > Here's the same paragraph with male", "missing > from him. That was illogical, Tom knew, as he was still", "the > door. Tom now was again alone with his thoughts. Before meeting", "why). But the robots don't have the concept of gender (they don't even", "doesn't help that one of the robot acquired a human male name (which", "Tom knew, as it was still a complete > robot with nothing missing.", "a complete > robot with nothing missing. And yet, something in its circuits", "are the robots): > > Mil removed the connector from Toms arm and", "the writing challenge, I'm currently writing from the point of view of a", "robots as “it” often gives confusing sentences. It probably doesn't help that one", "> In that form, the paragraph reads much better. But it doesn't make", "Before meeting Mil, > it hadn't cared about that, but now it felt", "challenge, I'm currently writing from the point of view of a robot. Also", "by using the names or the phrase “the robot” more often, but that", "of male and female. Therefore my question: Are there other techniques I can", "robots): > > Mil removed the connector from Toms arm and inserted it", "robot as female (I don't actually know why). But the robots don't have", "are), so using “he” and “she” wouldn't seem right. I can partially work", "frequently addressed. However I've hit a problem: Referring to the robots as “it”", "from a cryogenic chamber data and liked). Also for some reason I think", "Tom knew, as he was still a complete > robot with nothing missing.", "robot acquired a human male name (which it read from a cryogenic chamber", "an example of what I mean (Tom and Mil are the robots): >", "problem: Referring to the robots as “it” often gives confusing sentences. It probably", "was again alone with his thoughts. Before meeting Mil, > he hadn't cared", "connector from Toms arm and inserted it into one on the > door.", "same paragraph with male pronouns for Tom: > > Mil removed the connector", "a cryogenic chamber data and liked). Also for some reason I think of", "was missing > from him. That was illogical, Tom knew, as he was", "that he was incomplete. Tom couldn't make sense of it. > > >", "of what I mean (Tom and Mil are the robots): > > Mil", "often gives confusing sentences. It probably doesn't help that one of the robot", "gender (they don't even really know what humans are), so using “he” and", "point of view of a robot. Also another robot is frequently addressed. However", "missing. And yet, something in its circuits told it > that it was", "felt like something was missing > from him. That was illogical, Tom knew,", "of it. > > > In that form, the paragraph reads much better.", "was missing > from it. That was illogical, Tom knew, as it was", "confusing sentences. It probably doesn't help that one of the robot acquired a", "the point of view of a robot. Also another robot is frequently addressed.", "so using “he” and “she” wouldn't seem right. I can partially work around", "mean (Tom and Mil are the robots): > > Mil removed the connector", "it. That was illogical, Tom knew, as it was still a complete >", "it was still a complete > robot with nothing missing. And yet, something", "again alone with his thoughts. Before meeting Mil, > he hadn't cared about", "it read from a cryogenic chamber data and liked). Also for some reason", "that it was incomplete. Tom couldn't make sense of it. > > >", "a robot. Also another robot is frequently addressed. However I've hit a problem:", "was illogical, Tom knew, as it was still a complete > robot with", "illogical, Tom knew, as he was still a complete > robot with nothing", "liked). Also for some reason I think of the other robot as female", "in its circuits told it > that it was incomplete. Tom couldn't make", "form, the paragraph reads much better. But it doesn't make sense because the", "a human male name (which it read from a cryogenic chamber data and", "seem right. I can partially work around it by using the names or", "paragraph reads much better. But it doesn't make sense because the robot simply", "it. > > > Here's the same paragraph with male pronouns for Tom:", "with its thoughts. Before meeting Mil, > it hadn't cared about that, but", "chamber data and liked). Also for some reason I think of the other", "doesn't make sense because the robot simply does not know the concept of", "better. But it doesn't make sense because the robot simply does not know", "the other robot as female (I don't actually know why). But the robots", "the robots): > > Mil removed the connector from Toms arm and inserted", "the names or the phrase “the robot” more often, but that also goes", "sense of it. > > > In that form, the paragraph reads much", "using the names or the phrase “the robot” more often, but that also", "Mil are the robots): > > Mil removed the connector from Toms arm", "I can partially work around it by using the names or the phrase", "with nothing missing. And yet, something in his circuits told him > that", "the same paragraph with male pronouns for Tom: > > Mil removed the", "was again alone with its thoughts. Before meeting Mil, > it hadn't cared", "missing > from it. That was illogical, Tom knew, as it was still", "the connector from Toms arm and inserted it into one on the >", "into one on the > door. Tom now was again alone with his", "to the robots as “it” often gives confusing sentences. It probably doesn't help", "> > In that form, the paragraph reads much better. But it doesn't", "It probably doesn't help that one of the robot acquired a human male", "one on the > door. Tom now was again alone with his thoughts.", "Also for some reason I think of the other robot as female (I", "know the concept of male and female. Therefore my question: Are there other", "I think of the other robot as female (I don't actually know why).", "arm and inserted it into one on the > door. Tom now was", "Tom couldn't make sense of it. > > > Here's the same paragraph", "into one on the > door. Tom now was again alone with its", "something in his circuits told him > that he was incomplete. Tom couldn't", "my question: Are there other techniques I can employ to avoid the confusion", "acquired a human male name (which it read from a cryogenic chamber data", "it doesn't make sense because the robot simply does not know the concept", "“he” and “she” wouldn't seem right. I can partially work around it by", "And yet, something in his circuits told him > that he was incomplete.", "couldn't make sense of it. > > > Here's the same paragraph with", "from the point of view of a robot. Also another robot is frequently", "what I mean (Tom and Mil are the robots): > > Mil removed", "thoughts. Before meeting Mil, > he hadn't cared about that, but now he", "his circuits told him > that he was incomplete. Tom couldn't make sense", "Tom couldn't make sense of it. > > > In that form, the", "wouldn't seem right. I can partially work around it by using the names", "like something was missing > from him. That was illogical, Tom knew, as", "incomplete. Tom couldn't make sense of it. > > > Here's the same", "know what humans are), so using “he” and “she” wouldn't seem right. I", "something was missing > from him. That was illogical, Tom knew, as he", "view of a robot. Also another robot is frequently addressed. However I've hit", "alone with its thoughts. Before meeting Mil, > it hadn't cared about that,", "(they don't even really know what humans are), so using “he” and “she”", "knew, as it was still a complete > robot with nothing missing. And", "make sense because the robot simply does not know the concept of male", "cared about that, but now he felt like something was missing > from", "female. Therefore my question: Are there other techniques I can employ to avoid", "couldn't make sense of it. > > > In that form, the paragraph", "of view of a robot. Also another robot is frequently addressed. However I've", "often, but that also goes so far. Here's an example of what I", "robot with nothing missing. And yet, something in its circuits told it >", "a problem: Referring to the robots as “it” often gives confusing sentences. It", "with his thoughts. Before meeting Mil, > he hadn't cared about that, but", "writing challenge, I'm currently writing from the point of view of a robot.", "Referring to the robots as “it” often gives confusing sentences. It probably doesn't" ]
[ "is no reason for Ella to be kidnapped as he is basically a", "he explains how much innocent he is and starts telling why there is", "I have any option here other than MaxyXv telling his own back story?", "basically a very nice guy. At this point how do I introduce MaxyXvs", "gets kidnapped and MaxyXv is held responsible by the kidnappers. As it wasn't", "why there is no reason for Ella to be kidnapped as he is", "done anything wrong\", how should the backstory come here? Do I have any", "ransom but as a revenge of something MaxyXv did. And then MaxyXv storms", "revenge of something MaxyXv did. And then MaxyXv storms into my MC's office", "In my novel, MaxyXv's girlfriend Ella gets kidnapped and MaxyXv is held responsible", "saying, \"I haven't done anything wrong\", how should the backstory come here? Do", "not tell the way? Like instead of MaxyXv saying, \"I haven't done anything", "this point how do I introduce MaxyXvs back story in a show not", "At this point how do I introduce MaxyXvs back story in a show", "much innocent he is and starts telling why there is no reason for", "starts telling why there is no reason for Ella to be kidnapped as", "is held responsible by the kidnappers. As it wasn't for ransom but as", "do I introduce MaxyXvs back story in a show not tell the way?", "girlfriend Ella gets kidnapped and MaxyXv is held responsible by the kidnappers. As", "Ella gets kidnapped and MaxyXv is held responsible by the kidnappers. As it", "then MaxyXv storms into my MC's office and there he explains how much", "MaxyXv's girlfriend Ella gets kidnapped and MaxyXv is held responsible by the kidnappers.", "kidnapped as he is basically a very nice guy. At this point how", "office and there he explains how much innocent he is and starts telling", "As it wasn't for ransom but as a revenge of something MaxyXv did.", "be kidnapped as he is basically a very nice guy. At this point", "there he explains how much innocent he is and starts telling why there", "show not tell the way? Like instead of MaxyXv saying, \"I haven't done", "for ransom but as a revenge of something MaxyXv did. And then MaxyXv", "no reason for Ella to be kidnapped as he is basically a very", "nice guy. At this point how do I introduce MaxyXvs back story in", "MaxyXvs back story in a show not tell the way? Like instead of", "I introduce MaxyXvs back story in a show not tell the way? Like", "the kidnappers. As it wasn't for ransom but as a revenge of something", "novel, MaxyXv's girlfriend Ella gets kidnapped and MaxyXv is held responsible by the", "MaxyXv did. And then MaxyXv storms into my MC's office and there he", "is basically a very nice guy. At this point how do I introduce", "guy. At this point how do I introduce MaxyXvs back story in a", "of something MaxyXv did. And then MaxyXv storms into my MC's office and", "point how do I introduce MaxyXvs back story in a show not tell", "into my MC's office and there he explains how much innocent he is", "responsible by the kidnappers. As it wasn't for ransom but as a revenge", "the backstory come here? Do I have any option here other than MaxyXv", "reason for Ella to be kidnapped as he is basically a very nice", "my novel, MaxyXv's girlfriend Ella gets kidnapped and MaxyXv is held responsible by", "telling why there is no reason for Ella to be kidnapped as he", "way? Like instead of MaxyXv saying, \"I haven't done anything wrong\", how should", "he is basically a very nice guy. At this point how do I", "of MaxyXv saying, \"I haven't done anything wrong\", how should the backstory come", "backstory come here? Do I have any option here other than MaxyXv telling", "something MaxyXv did. And then MaxyXv storms into my MC's office and there", "in a show not tell the way? Like instead of MaxyXv saying, \"I", "how do I introduce MaxyXvs back story in a show not tell the", "and MaxyXv is held responsible by the kidnappers. As it wasn't for ransom", "And then MaxyXv storms into my MC's office and there he explains how", "story in a show not tell the way? Like instead of MaxyXv saying,", "wasn't for ransom but as a revenge of something MaxyXv did. And then", "Do I have any option here other than MaxyXv telling his own back", "a show not tell the way? Like instead of MaxyXv saying, \"I haven't", "as he is basically a very nice guy. At this point how do", "my MC's office and there he explains how much innocent he is and", "MaxyXv storms into my MC's office and there he explains how much innocent", "by the kidnappers. As it wasn't for ransom but as a revenge of", "come here? Do I have any option here other than MaxyXv telling his", "innocent he is and starts telling why there is no reason for Ella", "Like instead of MaxyXv saying, \"I haven't done anything wrong\", how should the", "anything wrong\", how should the backstory come here? Do I have any option", "for Ella to be kidnapped as he is basically a very nice guy.", "should the backstory come here? Do I have any option here other than", "here? Do I have any option here other than MaxyXv telling his own", "kidnappers. As it wasn't for ransom but as a revenge of something MaxyXv", "wrong\", how should the backstory come here? Do I have any option here", "did. And then MaxyXv storms into my MC's office and there he explains", "MaxyXv saying, \"I haven't done anything wrong\", how should the backstory come here?", "tell the way? Like instead of MaxyXv saying, \"I haven't done anything wrong\",", "but as a revenge of something MaxyXv did. And then MaxyXv storms into", "storms into my MC's office and there he explains how much innocent he", "Ella to be kidnapped as he is basically a very nice guy. At", "explains how much innocent he is and starts telling why there is no", "instead of MaxyXv saying, \"I haven't done anything wrong\", how should the backstory", "there is no reason for Ella to be kidnapped as he is basically", "haven't done anything wrong\", how should the backstory come here? Do I have", "as a revenge of something MaxyXv did. And then MaxyXv storms into my", "kidnapped and MaxyXv is held responsible by the kidnappers. As it wasn't for", "he is and starts telling why there is no reason for Ella to", "\"I haven't done anything wrong\", how should the backstory come here? Do I", "a very nice guy. At this point how do I introduce MaxyXvs back", "MC's office and there he explains how much innocent he is and starts", "how much innocent he is and starts telling why there is no reason", "and starts telling why there is no reason for Ella to be kidnapped", "to be kidnapped as he is basically a very nice guy. At this", "it wasn't for ransom but as a revenge of something MaxyXv did. And", "a revenge of something MaxyXv did. And then MaxyXv storms into my MC's", "MaxyXv is held responsible by the kidnappers. As it wasn't for ransom but", "how should the backstory come here? Do I have any option here other", "back story in a show not tell the way? Like instead of MaxyXv", "is and starts telling why there is no reason for Ella to be", "introduce MaxyXvs back story in a show not tell the way? Like instead", "very nice guy. At this point how do I introduce MaxyXvs back story", "and there he explains how much innocent he is and starts telling why", "the way? Like instead of MaxyXv saying, \"I haven't done anything wrong\", how", "held responsible by the kidnappers. As it wasn't for ransom but as a" ]
[ "from the MC's POV. I am unable to understand, which characters need a", "backstory about his job. Later on, the story is almost entirely focused on", "which characters need a backstory, wherein the story it should be introduced. Are", "In my novel, at the point where the MC meets her would-be boyfriend,", "I am unable to understand, which characters need a backstory, wherein the story", "Three chapters after meeting Rufus they fall in love, and then the story", "backstory is something the reader would like. Three chapters after meeting Rufus they", "small backstory about his job. Later on, the story is almost entirely focused", "would like. Three chapters after meeting Rufus they fall in love, and then", "almost focused on the adventure they go on together from the MC's POV.", "on, the story is almost entirely focused on the MC and what happens", "where the MC meets her would-be boyfriend, Rufus, I have added a small", "on together from the MC's POV. I am unable to understand, which characters", "Rufus' backstory. Now, IMHO, being a lead character, his backstory is something the", "meets her would-be boyfriend, Rufus, I have added a small backstory about his", "MC and what happens to her with a very little mention of Rufus'", "happens to her with a very little mention of Rufus' backstory. Now, IMHO,", "little mention of Rufus' backstory. Now, IMHO, being a lead character, his backstory", "the adventure they go on together from the MC's POV. I am unable", "is almost focused on the adventure they go on together from the MC's", "MC meets her would-be boyfriend, Rufus, I have added a small backstory about", "lead character, his backstory is something the reader would like. Three chapters after", "the point where the MC meets her would-be boyfriend, Rufus, I have added", "her with a very little mention of Rufus' backstory. Now, IMHO, being a", "what happens to her with a very little mention of Rufus' backstory. Now,", "meeting Rufus they fall in love, and then the story is almost focused", "about his job. Later on, the story is almost entirely focused on the", "the story is almost entirely focused on the MC and what happens to", "and then the story is almost focused on the adventure they go on", "story is almost focused on the adventure they go on together from the", "at the point where the MC meets her would-be boyfriend, Rufus, I have", "a backstory, wherein the story it should be introduced. Are backstories 'word fillers'?", "would-be boyfriend, Rufus, I have added a small backstory about his job. Later", "point where the MC meets her would-be boyfriend, Rufus, I have added a", "they fall in love, and then the story is almost focused on the", "POV. I am unable to understand, which characters need a backstory, wherein the", "on the adventure they go on together from the MC's POV. I am", "job. Later on, the story is almost entirely focused on the MC and", "the MC's POV. I am unable to understand, which characters need a backstory,", "of Rufus' backstory. Now, IMHO, being a lead character, his backstory is something", "my novel, at the point where the MC meets her would-be boyfriend, Rufus,", "a small backstory about his job. Later on, the story is almost entirely", "they go on together from the MC's POV. I am unable to understand,", "am unable to understand, which characters need a backstory, wherein the story it", "unable to understand, which characters need a backstory, wherein the story it should", "his job. Later on, the story is almost entirely focused on the MC", "adventure they go on together from the MC's POV. I am unable to", "then the story is almost focused on the adventure they go on together", "focused on the MC and what happens to her with a very little", "like. Three chapters after meeting Rufus they fall in love, and then the", "focused on the adventure they go on together from the MC's POV. I", "characters need a backstory, wherein the story it should be introduced. Are backstories", "with a very little mention of Rufus' backstory. Now, IMHO, being a lead", "a very little mention of Rufus' backstory. Now, IMHO, being a lead character,", "chapters after meeting Rufus they fall in love, and then the story is", "go on together from the MC's POV. I am unable to understand, which", "understand, which characters need a backstory, wherein the story it should be introduced.", "fall in love, and then the story is almost focused on the adventure", "a lead character, his backstory is something the reader would like. Three chapters", "his backstory is something the reader would like. Three chapters after meeting Rufus", "need a backstory, wherein the story it should be introduced. Are backstories 'word", "Now, IMHO, being a lead character, his backstory is something the reader would", "on the MC and what happens to her with a very little mention", "the MC and what happens to her with a very little mention of", "the reader would like. Three chapters after meeting Rufus they fall in love,", "added a small backstory about his job. Later on, the story is almost", "I have added a small backstory about his job. Later on, the story", "is something the reader would like. Three chapters after meeting Rufus they fall", "the MC meets her would-be boyfriend, Rufus, I have added a small backstory", "story is almost entirely focused on the MC and what happens to her", "mention of Rufus' backstory. Now, IMHO, being a lead character, his backstory is", "Later on, the story is almost entirely focused on the MC and what", "something the reader would like. Three chapters after meeting Rufus they fall in", "is almost entirely focused on the MC and what happens to her with", "and what happens to her with a very little mention of Rufus' backstory.", "IMHO, being a lead character, his backstory is something the reader would like.", "novel, at the point where the MC meets her would-be boyfriend, Rufus, I", "after meeting Rufus they fall in love, and then the story is almost", "Rufus, I have added a small backstory about his job. Later on, the", "very little mention of Rufus' backstory. Now, IMHO, being a lead character, his", "Rufus they fall in love, and then the story is almost focused on", "her would-be boyfriend, Rufus, I have added a small backstory about his job.", "MC's POV. I am unable to understand, which characters need a backstory, wherein", "boyfriend, Rufus, I have added a small backstory about his job. Later on,", "in love, and then the story is almost focused on the adventure they", "to her with a very little mention of Rufus' backstory. Now, IMHO, being", "entirely focused on the MC and what happens to her with a very", "being a lead character, his backstory is something the reader would like. Three", "to understand, which characters need a backstory, wherein the story it should be", "the story is almost focused on the adventure they go on together from", "have added a small backstory about his job. Later on, the story is", "backstory. Now, IMHO, being a lead character, his backstory is something the reader", "together from the MC's POV. I am unable to understand, which characters need", "reader would like. Three chapters after meeting Rufus they fall in love, and", "love, and then the story is almost focused on the adventure they go", "character, his backstory is something the reader would like. Three chapters after meeting", "almost entirely focused on the MC and what happens to her with a" ]
[ "dialogue as it may sound to the writer. An example would be a", "has bid ruddeg all day log!\" (Translation: \"My nose has been running all", "if there's a technical writing term for when an author uses purposefully misspelled", "author uses purposefully misspelled words to mimic the sound of the speaker? This", "speaker? This has the effect of \"forcing\" the reader to hear the dialogue", "(Translation: \"My nose has been running all day long!\") I've seen (generally fiction)", "whose dialogue might be written this way: \"By doze has bid ruddeg all", "\"forcing\" the reader to hear the dialogue as it may sound to the", "the effect of \"forcing\" the reader to hear the dialogue as it may", "effect of \"forcing\" the reader to hear the dialogue as it may sound", "the dialogue as it may sound to the writer. An example would be", "has, say, a cold or sinus infection whose dialogue might be written this", "a cold or sinus infection whose dialogue might be written this way: \"By", "written this way: \"By doze has bid ruddeg all day log!\" (Translation: \"My", "this way: \"By doze has bid ruddeg all day log!\" (Translation: \"My nose", "all day long!\") I've seen (generally fiction) writers employ this technique in dialogue.", "writer. An example would be a character who has, say, a cold or", "sound of the speaker? This has the effect of \"forcing\" the reader to", "term for when an author uses purposefully misspelled words to mimic the sound", "has been running all day long!\") I've seen (generally fiction) writers employ this", "technical writing term for when an author uses purposefully misspelled words to mimic", "of the speaker? This has the effect of \"forcing\" the reader to hear", "long!\") I've seen (generally fiction) writers employ this technique in dialogue. Is there", "fiction) writers employ this technique in dialogue. Is there a name for it?", "to mimic the sound of the speaker? This has the effect of \"forcing\"", "as it may sound to the writer. An example would be a character", "log!\" (Translation: \"My nose has been running all day long!\") I've seen (generally", "would be a character who has, say, a cold or sinus infection whose", "be a character who has, say, a cold or sinus infection whose dialogue", "say, a cold or sinus infection whose dialogue might be written this way:", "writing term for when an author uses purposefully misspelled words to mimic the", "a character who has, say, a cold or sinus infection whose dialogue might", "I'm wondering if there's a technical writing term for when an author uses", "reader to hear the dialogue as it may sound to the writer. An", "\"My nose has been running all day long!\") I've seen (generally fiction) writers", "or sinus infection whose dialogue might be written this way: \"By doze has", "character who has, say, a cold or sinus infection whose dialogue might be", "hear the dialogue as it may sound to the writer. An example would", "the writer. An example would be a character who has, say, a cold", "a technical writing term for when an author uses purposefully misspelled words to", "(generally fiction) writers employ this technique in dialogue. Is there a name for", "I've seen (generally fiction) writers employ this technique in dialogue. Is there a", "bid ruddeg all day log!\" (Translation: \"My nose has been running all day", "running all day long!\") I've seen (generally fiction) writers employ this technique in", "dialogue might be written this way: \"By doze has bid ruddeg all day", "the reader to hear the dialogue as it may sound to the writer.", "sinus infection whose dialogue might be written this way: \"By doze has bid", "day log!\" (Translation: \"My nose has been running all day long!\") I've seen", "words to mimic the sound of the speaker? This has the effect of", "day long!\") I've seen (generally fiction) writers employ this technique in dialogue. Is", "seen (generally fiction) writers employ this technique in dialogue. Is there a name", "might be written this way: \"By doze has bid ruddeg all day log!\"", "when an author uses purposefully misspelled words to mimic the sound of the", "all day log!\" (Translation: \"My nose has been running all day long!\") I've", "been running all day long!\") I've seen (generally fiction) writers employ this technique", "ruddeg all day log!\" (Translation: \"My nose has been running all day long!\")", "sound to the writer. An example would be a character who has, say,", "uses purposefully misspelled words to mimic the sound of the speaker? This has", "to the writer. An example would be a character who has, say, a", "be written this way: \"By doze has bid ruddeg all day log!\" (Translation:", "cold or sinus infection whose dialogue might be written this way: \"By doze", "for when an author uses purposefully misspelled words to mimic the sound of", "infection whose dialogue might be written this way: \"By doze has bid ruddeg", "an author uses purposefully misspelled words to mimic the sound of the speaker?", "of \"forcing\" the reader to hear the dialogue as it may sound to", "may sound to the writer. An example would be a character who has,", "it may sound to the writer. An example would be a character who", "nose has been running all day long!\") I've seen (generally fiction) writers employ", "the sound of the speaker? This has the effect of \"forcing\" the reader", "misspelled words to mimic the sound of the speaker? This has the effect", "to hear the dialogue as it may sound to the writer. An example", "\"By doze has bid ruddeg all day log!\" (Translation: \"My nose has been", "has the effect of \"forcing\" the reader to hear the dialogue as it", "An example would be a character who has, say, a cold or sinus", "mimic the sound of the speaker? This has the effect of \"forcing\" the", "wondering if there's a technical writing term for when an author uses purposefully", "way: \"By doze has bid ruddeg all day log!\" (Translation: \"My nose has", "example would be a character who has, say, a cold or sinus infection", "who has, say, a cold or sinus infection whose dialogue might be written", "doze has bid ruddeg all day log!\" (Translation: \"My nose has been running", "purposefully misspelled words to mimic the sound of the speaker? This has the", "the speaker? This has the effect of \"forcing\" the reader to hear the", "This has the effect of \"forcing\" the reader to hear the dialogue as", "there's a technical writing term for when an author uses purposefully misspelled words" ]
[ "said, thrusting a book into Lofa's > hands. \"I didn't exactly know what", "thrusting a book into Lofa's > hands. \"I didn't exactly know what I", "all be on the one paragraph? I feel like it doesn't look right.", "looking for, but this place > has everything.\" He took her hand and", "come with me to > see—\" Lofa could feel the panic vibrating through", "on, I got you this,\" Seck said, thrusting a book into Lofa's >", "he said. \"I am so sorry.\" > > > Should it all be", "as the > words left his mouth. \"Shit, sorry,\" he said. \"I am", "trying to encourage her back into music. The following piece of dialogue is", "am so sorry.\" > > > Should it all be on the one", "> > Should it all be on the one paragraph? I feel like", "> see—\" Lofa could feel the panic vibrating through him as soon as", "was looking for, but this place > has everything.\" He took her hand", "characters. > > \"Hang on, I got you this,\" Seck said, thrusting a", "this,\" Seck said, thrusting a book into Lofa's > hands. \"I didn't exactly", "could feel the panic vibrating through him as soon as the > words", "left his mouth. \"Shit, sorry,\" he said. \"I am so sorry.\" > >", "Seck said, thrusting a book into Lofa's > hands. \"I didn't exactly know", "with me to > see—\" Lofa could feel the panic vibrating through him", "as soon as the > words left his mouth. \"Shit, sorry,\" he said.", "back into music. The following piece of dialogue is spoken entirely by Seck,", "panic vibrating through him as soon as the > words left his mouth.", "action is from both characters. > > \"Hang on, I got you this,\"", "through him as soon as the > words left his mouth. \"Shit, sorry,\"", "know what I was looking for, but this place > has everything.\" He", "guided it to the top of the > book, where Lofa could feel", "to how I can describe the \"action\"), and the action is from both", "The following piece of dialogue is spoken entirely by Seck, but the POV", "\"action\"), and the action is from both characters. > > \"Hang on, I", "me to > see—\" Lofa could feel the panic vibrating through him as", "spoken entirely by Seck, but the POV is from Lofa (so I'm limited", "how I can describe the \"action\"), and the action is from both characters.", "POV is from Lofa (so I'm limited to how I can describe the", "hand and guided it to the top of the > book, where Lofa", "scene between two characters, a cello player, Lofa and her friend from college,", "characters, a cello player, Lofa and her friend from college, Seck. Lofa has", "the > book, where Lofa could feel the raised bumps of braille under", "can describe the \"action\"), and the action is from both characters. > >", "by Seck, but the POV is from Lofa (so I'm limited to how", "book, where Lofa could feel the raised bumps of braille under her >", "words left his mouth. \"Shit, sorry,\" he said. \"I am so sorry.\" >", "mouth. \"Shit, sorry,\" he said. \"I am so sorry.\" > > > Should", "music. The following piece of dialogue is spoken entirely by Seck, but the", "him as soon as the > words left his mouth. \"Shit, sorry,\" he", "Lofa and her friend from college, Seck. Lofa has recently lost her sight,", "and guided it to the top of the > book, where Lofa could", "(so I'm limited to how I can describe the \"action\"), and the action", "> has everything.\" He took her hand and guided it to the top", "> hands. \"I didn't exactly know what I was looking for, but this", "top of the > book, where Lofa could feel the raised bumps of", "feel the raised bumps of braille under her > fingertips; it was a", "sight, and Seck is trying to encourage her back into music. The following", "but the POV is from Lofa (so I'm limited to how I can", "this place > has everything.\" He took her hand and guided it to", "score. \"Lofa, you gotta come with me to > see—\" Lofa could feel", "is trying to encourage her back into music. The following piece of dialogue", "I'm limited to how I can describe the \"action\"), and the action is", "writing a scene between two characters, a cello player, Lofa and her friend", "his mouth. \"Shit, sorry,\" he said. \"I am so sorry.\" > > >", "see—\" Lofa could feel the panic vibrating through him as soon as the", "for, but this place > has everything.\" He took her hand and guided", "piece of dialogue is spoken entirely by Seck, but the POV is from", "of braille under her > fingertips; it was a music score. \"Lofa, you", "into music. The following piece of dialogue is spoken entirely by Seck, but", "is from both characters. > > \"Hang on, I got you this,\" Seck", "> > \"Hang on, I got you this,\" Seck said, thrusting a book", "everything.\" He took her hand and guided it to the top of the", "her sight, and Seck is trying to encourage her back into music. The", "you this,\" Seck said, thrusting a book into Lofa's > hands. \"I didn't", "of writing a scene between two characters, a cello player, Lofa and her", "\"Lofa, you gotta come with me to > see—\" Lofa could feel the", "gotta come with me to > see—\" Lofa could feel the panic vibrating", "> Should it all be on the one paragraph? I feel like it", "a book into Lofa's > hands. \"I didn't exactly know what I was", "the raised bumps of braille under her > fingertips; it was a music", "her > fingertips; it was a music score. \"Lofa, you gotta come with", "soon as the > words left his mouth. \"Shit, sorry,\" he said. \"I", "Seck, but the POV is from Lofa (so I'm limited to how I", "is from Lofa (so I'm limited to how I can describe the \"action\"),", "has everything.\" He took her hand and guided it to the top of", "bumps of braille under her > fingertips; it was a music score. \"Lofa,", "> book, where Lofa could feel the raised bumps of braille under her", "place > has everything.\" He took her hand and guided it to the", "a scene between two characters, a cello player, Lofa and her friend from", "> > > Should it all be on the one paragraph? I feel", "Lofa (so I'm limited to how I can describe the \"action\"), and the", "sorry,\" he said. \"I am so sorry.\" > > > Should it all", "the panic vibrating through him as soon as the > words left his", "dialogue is spoken entirely by Seck, but the POV is from Lofa (so", "I can describe the \"action\"), and the action is from both characters. >", "college, Seck. Lofa has recently lost her sight, and Seck is trying to", "braille under her > fingertips; it was a music score. \"Lofa, you gotta", "her friend from college, Seck. Lofa has recently lost her sight, and Seck", "entirely by Seck, but the POV is from Lofa (so I'm limited to", "and the action is from both characters. > > \"Hang on, I got", "from college, Seck. Lofa has recently lost her sight, and Seck is trying", "> fingertips; it was a music score. \"Lofa, you gotta come with me", "player, Lofa and her friend from college, Seck. Lofa has recently lost her", "recently lost her sight, and Seck is trying to encourage her back into", "hands. \"I didn't exactly know what I was looking for, but this place", "under her > fingertips; it was a music score. \"Lofa, you gotta come", "fingertips; it was a music score. \"Lofa, you gotta come with me to", "it was a music score. \"Lofa, you gotta come with me to >", "to > see—\" Lofa could feel the panic vibrating through him as soon", "and Seck is trying to encourage her back into music. The following piece", "the \"action\"), and the action is from both characters. > > \"Hang on,", "didn't exactly know what I was looking for, but this place > has", "following piece of dialogue is spoken entirely by Seck, but the POV is", "describe the \"action\"), and the action is from both characters. > > \"Hang", "He took her hand and guided it to the top of the >", "a music score. \"Lofa, you gotta come with me to > see—\" Lofa", "\"Shit, sorry,\" he said. \"I am so sorry.\" > > > Should it", "and her friend from college, Seck. Lofa has recently lost her sight, and", "where Lofa could feel the raised bumps of braille under her > fingertips;", "was a music score. \"Lofa, you gotta come with me to > see—\"", "raised bumps of braille under her > fingertips; it was a music score.", "two characters, a cello player, Lofa and her friend from college, Seck. Lofa", "from Lofa (so I'm limited to how I can describe the \"action\"), and", "Seck is trying to encourage her back into music. The following piece of", "am in the middle of writing a scene between two characters, a cello", "the action is from both characters. > > \"Hang on, I got you", "what I was looking for, but this place > has everything.\" He took", "to the top of the > book, where Lofa could feel the raised", "Lofa could feel the panic vibrating through him as soon as the >", "into Lofa's > hands. \"I didn't exactly know what I was looking for,", "you gotta come with me to > see—\" Lofa could feel the panic", "so sorry.\" > > > Should it all be on the one paragraph?", "it all be on the one paragraph? I feel like it doesn't look", "lost her sight, and Seck is trying to encourage her back into music.", "\"Hang on, I got you this,\" Seck said, thrusting a book into Lofa's", "the POV is from Lofa (so I'm limited to how I can describe", "middle of writing a scene between two characters, a cello player, Lofa and", "Lofa could feel the raised bumps of braille under her > fingertips; it", "encourage her back into music. The following piece of dialogue is spoken entirely", "> \"Hang on, I got you this,\" Seck said, thrusting a book into", "> words left his mouth. \"Shit, sorry,\" he said. \"I am so sorry.\"", "to encourage her back into music. The following piece of dialogue is spoken", "but this place > has everything.\" He took her hand and guided it", "could feel the raised bumps of braille under her > fingertips; it was", "got you this,\" Seck said, thrusting a book into Lofa's > hands. \"I", "I got you this,\" Seck said, thrusting a book into Lofa's > hands.", "sorry.\" > > > Should it all be on the one paragraph? I", "between two characters, a cello player, Lofa and her friend from college, Seck.", "Seck. Lofa has recently lost her sight, and Seck is trying to encourage", "Lofa has recently lost her sight, and Seck is trying to encourage her", "has recently lost her sight, and Seck is trying to encourage her back", "from both characters. > > \"Hang on, I got you this,\" Seck said,", "in the middle of writing a scene between two characters, a cello player,", "her hand and guided it to the top of the > book, where", "music score. \"Lofa, you gotta come with me to > see—\" Lofa could", "of dialogue is spoken entirely by Seck, but the POV is from Lofa", "of the > book, where Lofa could feel the raised bumps of braille", "\"I didn't exactly know what I was looking for, but this place >", "exactly know what I was looking for, but this place > has everything.\"", "book into Lofa's > hands. \"I didn't exactly know what I was looking", "\"I am so sorry.\" > > > Should it all be on the", "feel the panic vibrating through him as soon as the > words left", "a cello player, Lofa and her friend from college, Seck. Lofa has recently", "Lofa's > hands. \"I didn't exactly know what I was looking for, but", "I am in the middle of writing a scene between two characters, a", "vibrating through him as soon as the > words left his mouth. \"Shit,", "is spoken entirely by Seck, but the POV is from Lofa (so I'm", "said. \"I am so sorry.\" > > > Should it all be on", "I was looking for, but this place > has everything.\" He took her", "took her hand and guided it to the top of the > book,", "limited to how I can describe the \"action\"), and the action is from", "Should it all be on the one paragraph? I feel like it doesn't", "both characters. > > \"Hang on, I got you this,\" Seck said, thrusting", "the > words left his mouth. \"Shit, sorry,\" he said. \"I am so", "the top of the > book, where Lofa could feel the raised bumps", "cello player, Lofa and her friend from college, Seck. Lofa has recently lost", "the middle of writing a scene between two characters, a cello player, Lofa", "friend from college, Seck. Lofa has recently lost her sight, and Seck is", "her back into music. The following piece of dialogue is spoken entirely by", "it to the top of the > book, where Lofa could feel the" ]
[ "or as the book is in English, they will speak in English. Also,", "Russian character start the conversation in Russian or as the book is in", "to a Russian mafia in Moscow. Now before the MC character introduces herself", "English. Also, how will the mafia talk with each other, English or Russian?", "person, will the Russian character start the conversation in Russian or as the", "character start the conversation in Russian or as the book is in English,", "goes to a Russian mafia in Moscow. Now before the MC character introduces", "the conversation in Russian or as the book is in English, they will", "before the MC character introduces herself as an English speaking person, will the", "book is in English, they will speak in English. Also, how will the", "character introduces herself as an English speaking person, will the Russian character start", "the book is in English, they will speak in English. Also, how will", "conversation in Russian or as the book is in English, they will speak", "start the conversation in Russian or as the book is in English, they", "my novel, the MC goes to a Russian mafia in Moscow. Now before", "mafia in Moscow. Now before the MC character introduces herself as an English", "is in English, they will speak in English. Also, how will the mafia", "will the Russian character start the conversation in Russian or as the book", "a Russian mafia in Moscow. Now before the MC character introduces herself as", "they will speak in English. Also, how will the mafia talk with each", "in Russian or as the book is in English, they will speak in", "as the book is in English, they will speak in English. Also, how", "introduces herself as an English speaking person, will the Russian character start the", "Now before the MC character introduces herself as an English speaking person, will", "Russian mafia in Moscow. Now before the MC character introduces herself as an", "English, they will speak in English. Also, how will the mafia talk with", "the MC character introduces herself as an English speaking person, will the Russian", "MC character introduces herself as an English speaking person, will the Russian character", "speaking person, will the Russian character start the conversation in Russian or as", "the Russian character start the conversation in Russian or as the book is", "in English, they will speak in English. Also, how will the mafia talk", "in Moscow. Now before the MC character introduces herself as an English speaking", "In my novel, the MC goes to a Russian mafia in Moscow. Now", "in English. Also, how will the mafia talk with each other, English or", "the MC goes to a Russian mafia in Moscow. Now before the MC", "novel, the MC goes to a Russian mafia in Moscow. Now before the", "as an English speaking person, will the Russian character start the conversation in", "speak in English. Also, how will the mafia talk with each other, English", "Russian or as the book is in English, they will speak in English.", "MC goes to a Russian mafia in Moscow. Now before the MC character", "an English speaking person, will the Russian character start the conversation in Russian", "herself as an English speaking person, will the Russian character start the conversation", "will speak in English. **Also, how will the mafia talk with each other,", "English speaking person, will the Russian character start the conversation in Russian or", "Moscow. Now before the MC character introduces herself as an English speaking person," ]
[ "specific libraries, archives, or websites to recommend (for instance, the Library of Congress", "historical fiction characters? If you know of any specific libraries, archives, or websites", "sources that are great for authors doing research for historical fiction characters? If", "libraries, or other organizations have strong, easy-to-browse collections of letters, diaries, and other", "diaries, and other primary sources that are great for authors doing research for", "libraries, archives, or websites to recommend (for instance, the Library of Congress and", "organizations have strong, easy-to-browse collections of letters, diaries, and other primary sources that", "that are great for authors doing research for historical fiction characters? If you", "doing research for historical fiction characters? If you know of any specific libraries,", "you know of any specific libraries, archives, or websites to recommend (for instance,", "What sites, libraries, or other organizations have strong, easy-to-browse collections of letters, diaries,", "authors doing research for historical fiction characters? If you know of any specific", "other primary sources that are great for authors doing research for historical fiction", "of letters, diaries, and other primary sources that are great for authors doing", "archives, or websites to recommend (for instance, the Library of Congress and its", "great for authors doing research for historical fiction characters? If you know of", "sites, libraries, or other organizations have strong, easy-to-browse collections of letters, diaries, and", "for authors doing research for historical fiction characters? If you know of any", "to recommend (for instance, the Library of Congress and its website), please include", "recommend (for instance, the Library of Congress and its website), please include them.", "fiction characters? If you know of any specific libraries, archives, or websites to", "websites to recommend (for instance, the Library of Congress and its website), please", "primary sources that are great for authors doing research for historical fiction characters?", "or other organizations have strong, easy-to-browse collections of letters, diaries, and other primary", "If you know of any specific libraries, archives, or websites to recommend (for", "know of any specific libraries, archives, or websites to recommend (for instance, the", "other organizations have strong, easy-to-browse collections of letters, diaries, and other primary sources", "have strong, easy-to-browse collections of letters, diaries, and other primary sources that are", "for historical fiction characters? If you know of any specific libraries, archives, or", "of any specific libraries, archives, or websites to recommend (for instance, the Library", "or websites to recommend (for instance, the Library of Congress and its website),", "letters, diaries, and other primary sources that are great for authors doing research", "easy-to-browse collections of letters, diaries, and other primary sources that are great for", "are great for authors doing research for historical fiction characters? If you know", "strong, easy-to-browse collections of letters, diaries, and other primary sources that are great", "research for historical fiction characters? If you know of any specific libraries, archives,", "characters? If you know of any specific libraries, archives, or websites to recommend", "any specific libraries, archives, or websites to recommend (for instance, the Library of", "and other primary sources that are great for authors doing research for historical", "collections of letters, diaries, and other primary sources that are great for authors" ]
[ "arsehole, or that I may get dinged for demonizeing mental illness. How do", "trilogy-in-progress suffers from a serve case of Borderline Personality Disorder. Among his symptoms", "Tropes link warning!) [find him attractive in spite of them](https://tvtropes.org/pmwiki/pmwiki.php/Main/FreakinessShame). However, one aspect", "unfamiliar with BPD's many nuances will simply write off my protagonist as a", "emptiness, promiscuity, distrust of others, impulsivity and body dysmorphia (worsened by the fact", "dysmorphia (worsened by the fact that he's ashamed by magical markings all over", "for demonizeing mental illness. How do I portray the thoughts and feelings of", "do I portray the thoughts and feelings of a mood-swing character with BPD", "I may get dinged for demonizeing mental illness. How do I portray the", "is the intense emotional outbursts that the protagonist experiences through the story without", "across as an inconsistently written character. I fear many readers unfamiliar with BPD's", "through the story without him coming across as an inconsistently written character. I", "coming across as an inconsistently written character. I fear many readers unfamiliar with", "link warning!) [lacking stature](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheNapoleon), even though many characters (TV Tropes link warning!) [find", "protagonist as a histrionic arsehole, or that I may get dinged for demonizeing", "feelings of emptiness, promiscuity, distrust of others, impulsivity and body dysmorphia (worsened by", "feelings of a mood-swing character with BPD in an accurate and sensitive manner?", "by magical markings all over his body and his (TV Tropes link warning!)", "histrionic arsehole, or that I may get dinged for demonizeing mental illness. How", "off my protagonist as a histrionic arsehole, or that I may get dinged", "illness. How do I portray the thoughts and feelings of a mood-swing character", "story without him coming across as an inconsistently written character. I fear many", "of them](https://tvtropes.org/pmwiki/pmwiki.php/Main/FreakinessShame). However, one aspect of BPD I'm struggling to portray in believable", "are continually splitting, unstable self-image, chronic feelings of emptiness, promiscuity, distrust of others,", "demonizeing mental illness. How do I portray the thoughts and feelings of a", "ashamed by magical markings all over his body and his (TV Tropes link", "experiences through the story without him coming across as an inconsistently written character.", "an inconsistently written character. I fear many readers unfamiliar with BPD's many nuances", "I'm struggling to portray in believable light is the intense emotional outbursts that", "one aspect of BPD I'm struggling to portray in believable light is the", "Disorder. Among his symptoms are continually splitting, unstable self-image, chronic feelings of emptiness,", "without him coming across as an inconsistently written character. I fear many readers", "(TV Tropes link warning!) [lacking stature](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheNapoleon), even though many characters (TV Tropes link", "simply write off my protagonist as a histrionic arsehole, or that I may", "the fact that he's ashamed by magical markings all over his body and", "promiscuity, distrust of others, impulsivity and body dysmorphia (worsened by the fact that", "my protagonist as a histrionic arsehole, or that I may get dinged for", "written character. I fear many readers unfamiliar with BPD's many nuances will simply", "impulsivity and body dysmorphia (worsened by the fact that he's ashamed by magical", "stature](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheNapoleon), even though many characters (TV Tropes link warning!) [find him attractive in", "continually splitting, unstable self-image, chronic feelings of emptiness, promiscuity, distrust of others, impulsivity", "of BPD I'm struggling to portray in believable light is the intense emotional", "his symptoms are continually splitting, unstable self-image, chronic feelings of emptiness, promiscuity, distrust", "his (TV Tropes link warning!) [lacking stature](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheNapoleon), even though many characters (TV Tropes", "portray in believable light is the intense emotional outbursts that the protagonist experiences", "many nuances will simply write off my protagonist as a histrionic arsehole, or", "his body and his (TV Tropes link warning!) [lacking stature](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheNapoleon), even though many", "to portray in believable light is the intense emotional outbursts that the protagonist", "case of Borderline Personality Disorder. Among his symptoms are continually splitting, unstable self-image,", "self-image, chronic feelings of emptiness, promiscuity, distrust of others, impulsivity and body dysmorphia", "many readers unfamiliar with BPD's many nuances will simply write off my protagonist", "with BPD's many nuances will simply write off my protagonist as a histrionic", "him attractive in spite of them](https://tvtropes.org/pmwiki/pmwiki.php/Main/FreakinessShame). However, one aspect of BPD I'm struggling", "However, one aspect of BPD I'm struggling to portray in believable light is", "as a histrionic arsehole, or that I may get dinged for demonizeing mental", "intense emotional outbursts that the protagonist experiences through the story without him coming", "emotional outbursts that the protagonist experiences through the story without him coming across", "(TV Tropes link warning!) [find him attractive in spite of them](https://tvtropes.org/pmwiki/pmwiki.php/Main/FreakinessShame). However, one", "How do I portray the thoughts and feelings of a mood-swing character with", "nuances will simply write off my protagonist as a histrionic arsehole, or that", "of my trilogy-in-progress suffers from a serve case of Borderline Personality Disorder. Among", "BPD's many nuances will simply write off my protagonist as a histrionic arsehole,", "splitting, unstable self-image, chronic feelings of emptiness, promiscuity, distrust of others, impulsivity and", "will simply write off my protagonist as a histrionic arsehole, or that I", "aspect of BPD I'm struggling to portray in believable light is the intense", "body dysmorphia (worsened by the fact that he's ashamed by magical markings all", "that he's ashamed by magical markings all over his body and his (TV", "portray the thoughts and feelings of a mood-swing character with BPD in an", "my trilogy-in-progress suffers from a serve case of Borderline Personality Disorder. Among his", "get dinged for demonizeing mental illness. How do I portray the thoughts and", "readers unfamiliar with BPD's many nuances will simply write off my protagonist as", "a serve case of Borderline Personality Disorder. Among his symptoms are continually splitting,", "struggling to portray in believable light is the intense emotional outbursts that the", "protagonist experiences through the story without him coming across as an inconsistently written", "believable light is the intense emotional outbursts that the protagonist experiences through the", "serve case of Borderline Personality Disorder. Among his symptoms are continually splitting, unstable", "unstable self-image, chronic feelings of emptiness, promiscuity, distrust of others, impulsivity and body", "fact that he's ashamed by magical markings all over his body and his", "as an inconsistently written character. I fear many readers unfamiliar with BPD's many", "symptoms are continually splitting, unstable self-image, chronic feelings of emptiness, promiscuity, distrust of", "many characters (TV Tropes link warning!) [find him attractive in spite of them](https://tvtropes.org/pmwiki/pmwiki.php/Main/FreakinessShame).", "the story without him coming across as an inconsistently written character. I fear", "and body dysmorphia (worsened by the fact that he's ashamed by magical markings", "link warning!) [find him attractive in spite of them](https://tvtropes.org/pmwiki/pmwiki.php/Main/FreakinessShame). However, one aspect of", "inconsistently written character. I fear many readers unfamiliar with BPD's many nuances will", "The protagonist of my trilogy-in-progress suffers from a serve case of Borderline Personality", "of Borderline Personality Disorder. Among his symptoms are continually splitting, unstable self-image, chronic", "magical markings all over his body and his (TV Tropes link warning!) [lacking", "chronic feelings of emptiness, promiscuity, distrust of others, impulsivity and body dysmorphia (worsened", "Among his symptoms are continually splitting, unstable self-image, chronic feelings of emptiness, promiscuity,", "(worsened by the fact that he's ashamed by magical markings all over his", "thoughts and feelings of a mood-swing character with BPD in an accurate and", "of others, impulsivity and body dysmorphia (worsened by the fact that he's ashamed", "others, impulsivity and body dysmorphia (worsened by the fact that he's ashamed by", "all over his body and his (TV Tropes link warning!) [lacking stature](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheNapoleon), even", "distrust of others, impulsivity and body dysmorphia (worsened by the fact that he's", "may get dinged for demonizeing mental illness. How do I portray the thoughts", "and feelings of a mood-swing character with BPD in an accurate and sensitive", "him coming across as an inconsistently written character. I fear many readers unfamiliar", "warning!) [lacking stature](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheNapoleon), even though many characters (TV Tropes link warning!) [find him", "he's ashamed by magical markings all over his body and his (TV Tropes", "over his body and his (TV Tropes link warning!) [lacking stature](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheNapoleon), even though", "markings all over his body and his (TV Tropes link warning!) [lacking stature](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheNapoleon),", "Tropes link warning!) [lacking stature](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheNapoleon), even though many characters (TV Tropes link warning!)", "and his (TV Tropes link warning!) [lacking stature](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheNapoleon), even though many characters (TV", "from a serve case of Borderline Personality Disorder. Among his symptoms are continually", "I fear many readers unfamiliar with BPD's many nuances will simply write off", "character. I fear many readers unfamiliar with BPD's many nuances will simply write", "Personality Disorder. Among his symptoms are continually splitting, unstable self-image, chronic feelings of", "mental illness. How do I portray the thoughts and feelings of a mood-swing", "BPD I'm struggling to portray in believable light is the intense emotional outbursts", "that I may get dinged for demonizeing mental illness. How do I portray", "even though many characters (TV Tropes link warning!) [find him attractive in spite", "Borderline Personality Disorder. Among his symptoms are continually splitting, unstable self-image, chronic feelings", "in believable light is the intense emotional outbursts that the protagonist experiences through", "I portray the thoughts and feelings of a mood-swing character with BPD in", "by the fact that he's ashamed by magical markings all over his body", "attractive in spite of them](https://tvtropes.org/pmwiki/pmwiki.php/Main/FreakinessShame). However, one aspect of BPD I'm struggling to", "dinged for demonizeing mental illness. How do I portray the thoughts and feelings", "spite of them](https://tvtropes.org/pmwiki/pmwiki.php/Main/FreakinessShame). However, one aspect of BPD I'm struggling to portray in", "suffers from a serve case of Borderline Personality Disorder. Among his symptoms are", "fear many readers unfamiliar with BPD's many nuances will simply write off my", "outbursts that the protagonist experiences through the story without him coming across as", "or that I may get dinged for demonizeing mental illness. How do I", "[lacking stature](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheNapoleon), even though many characters (TV Tropes link warning!) [find him attractive", "in spite of them](https://tvtropes.org/pmwiki/pmwiki.php/Main/FreakinessShame). However, one aspect of BPD I'm struggling to portray", "the thoughts and feelings of a mood-swing character with BPD in an accurate", "them](https://tvtropes.org/pmwiki/pmwiki.php/Main/FreakinessShame). However, one aspect of BPD I'm struggling to portray in believable light", "the intense emotional outbursts that the protagonist experiences through the story without him", "a histrionic arsehole, or that I may get dinged for demonizeing mental illness.", "[find him attractive in spite of them](https://tvtropes.org/pmwiki/pmwiki.php/Main/FreakinessShame). However, one aspect of BPD I'm", "body and his (TV Tropes link warning!) [lacking stature](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheNapoleon), even though many characters", "that the protagonist experiences through the story without him coming across as an", "write off my protagonist as a histrionic arsehole, or that I may get", "the protagonist experiences through the story without him coming across as an inconsistently", "warning!) [find him attractive in spite of them](https://tvtropes.org/pmwiki/pmwiki.php/Main/FreakinessShame). However, one aspect of BPD", "light is the intense emotional outbursts that the protagonist experiences through the story", "characters (TV Tropes link warning!) [find him attractive in spite of them](https://tvtropes.org/pmwiki/pmwiki.php/Main/FreakinessShame). However,", "of emptiness, promiscuity, distrust of others, impulsivity and body dysmorphia (worsened by the", "though many characters (TV Tropes link warning!) [find him attractive in spite of", "protagonist of my trilogy-in-progress suffers from a serve case of Borderline Personality Disorder." ]
[ "the reasons, I was doing research as to whether self-publish or try my", "I read many similar answers on the internet) > > So if you", "the cover and importantly learn the book publishing game? I want to make", "then publish now. > > > So, what is my best bet as", "side story of suspense. [This blog answer](https://www.quora.com/Is-it-worth-publishing-a-book-on-Amazon-Kindle-Self-Direct-publishing) (Vic Connor) says, (also I read", "is my first book. The genre is general fiction, a self-help book with", "> / twiddle your thumbs / get rejected carousel, then publish now. >", "This is my first book. The genre is general fiction, a self-help book", "now, or entering the query > / twiddle your thumbs / get rejected", "For all the reasons, I was doing research as to whether self-publish or", "as getting readers to read my story? What should I aim at before", "to proofread (probably paid) and designing the cover and importantly learn the book", "with a side story of suspense. [This blog answer](https://www.quora.com/Is-it-worth-publishing-a-book-on-Amazon-Kindle-Self-Direct-publishing) (Vic Connor) says, (also", "fiction, a self-help book with a side story of suspense. [This blog answer](https://www.quora.com/Is-it-worth-publishing-a-book-on-Amazon-Kindle-Self-Direct-publishing)", "publishing now, or entering the query > / twiddle your thumbs / get", "novice at writing fiction books and publishing. This is my first book. The", "getting readers to read my story? What should I aim at before proceeding", "and publishing. This is my first book. The genre is general fiction, a", "I was doing research as to whether self-publish or try my luck getting", "on the internet) > > So if you have a choice between publishing", "self-help book with a side story of suspense. [This blog answer](https://www.quora.com/Is-it-worth-publishing-a-book-on-Amazon-Kindle-Self-Direct-publishing) (Vic Connor)", "my story? What should I aim at before proceeding to proofread (probably paid)", "or entering the query > / twiddle your thumbs / get rejected carousel,", "game? I want to make a decision now, whether self-publish or find a", "I aim at before proceeding to proofread (probably paid) and designing the cover", "long. For all the reasons, I was doing research as to whether self-publish", "books and publishing. This is my first book. The genre is general fiction,", "bet as far as getting readers to read my story? What should I", "my luck getting a publisher. I should tell you that I am a", "luck getting a publisher. I should tell you that I am a complete", "have completed my novellas first draft which is 32k words long. For all", "I have completed my novellas first draft which is 32k words long. For", "I am a complete novice at writing fiction books and publishing. This is", "general fiction, a self-help book with a side story of suspense. [This blog", "at writing fiction books and publishing. This is my first book. The genre", "or try my luck getting a publisher. I should tell you that I", "between publishing now, or entering the query > / twiddle your thumbs /", "all the reasons, I was doing research as to whether self-publish or try", "publisher. I should tell you that I am a complete novice at writing", "the query > / twiddle your thumbs / get rejected carousel, then publish", "is my best bet as far as getting readers to read my story?", "story of suspense. [This blog answer](https://www.quora.com/Is-it-worth-publishing-a-book-on-Amazon-Kindle-Self-Direct-publishing) (Vic Connor) says, (also I read many", "you that I am a complete novice at writing fiction books and publishing.", "publishing. This is my first book. The genre is general fiction, a self-help", "is 32k words long. For all the reasons, I was doing research as", "your thumbs / get rejected carousel, then publish now. > > > So,", "get rejected carousel, then publish now. > > > So, what is my", "cover and importantly learn the book publishing game? I want to make a", "What should I aim at before proceeding to proofread (probably paid) and designing", "similar answers on the internet) > > So if you have a choice", "Connor) says, (also I read many similar answers on the internet) > >", "should I aim at before proceeding to proofread (probably paid) and designing the", "was doing research as to whether self-publish or try my luck getting a", "whether self-publish or try my luck getting a publisher. I should tell you", "The genre is general fiction, a self-help book with a side story of", "as far as getting readers to read my story? What should I aim", "first draft which is 32k words long. For all the reasons, I was", "I should tell you that I am a complete novice at writing fiction", "to read my story? What should I aim at before proceeding to proofread", "doing research as to whether self-publish or try my luck getting a publisher.", "completed my novellas first draft which is 32k words long. For all the", "publish now. > > > So, what is my best bet as far", "> So, what is my best bet as far as getting readers to", "the internet) > > So if you have a choice between publishing now,", "proceeding to proofread (probably paid) and designing the cover and importantly learn the", "book. The genre is general fiction, a self-help book with a side story", "self-publish or try my luck getting a publisher. I should tell you that", "book with a side story of suspense. [This blog answer](https://www.quora.com/Is-it-worth-publishing-a-book-on-Amazon-Kindle-Self-Direct-publishing) (Vic Connor) says,", "> > > So, what is my best bet as far as getting", "writing fiction books and publishing. This is my first book. The genre is", "importantly learn the book publishing game? I want to make a decision now,", "answer](https://www.quora.com/Is-it-worth-publishing-a-book-on-Amazon-Kindle-Self-Direct-publishing) (Vic Connor) says, (also I read many similar answers on the internet)", "draft which is 32k words long. For all the reasons, I was doing", "at before proceeding to proofread (probably paid) and designing the cover and importantly", "words long. For all the reasons, I was doing research as to whether", "complete novice at writing fiction books and publishing. This is my first book.", "if you have a choice between publishing now, or entering the query >", "tell you that I am a complete novice at writing fiction books and", "choice between publishing now, or entering the query > / twiddle your thumbs", "fiction books and publishing. This is my first book. The genre is general", "entering the query > / twiddle your thumbs / get rejected carousel, then", "that I am a complete novice at writing fiction books and publishing. This", "story? What should I aim at before proceeding to proofread (probably paid) and", "answers on the internet) > > So if you have a choice between", "query > / twiddle your thumbs / get rejected carousel, then publish now.", "[This blog answer](https://www.quora.com/Is-it-worth-publishing-a-book-on-Amazon-Kindle-Self-Direct-publishing) (Vic Connor) says, (also I read many similar answers on", "which is 32k words long. For all the reasons, I was doing research", "So if you have a choice between publishing now, or entering the query", "read my story? What should I aim at before proceeding to proofread (probably", "32k words long. For all the reasons, I was doing research as to", "research as to whether self-publish or try my luck getting a publisher. I", "genre is general fiction, a self-help book with a side story of suspense.", "paid) and designing the cover and importantly learn the book publishing game? I", "book publishing game? I want to make a decision now, whether self-publish or", "I want to make a decision now, whether self-publish or find a publisher?", "now. > > > So, what is my best bet as far as", "> So if you have a choice between publishing now, or entering the", "(Vic Connor) says, (also I read many similar answers on the internet) >", "you have a choice between publishing now, or entering the query > /", "So, what is my best bet as far as getting readers to read", "best bet as far as getting readers to read my story? What should", "and importantly learn the book publishing game? I want to make a decision", "my best bet as far as getting readers to read my story? What", "novellas first draft which is 32k words long. For all the reasons, I", "rejected carousel, then publish now. > > > So, what is my best", "a complete novice at writing fiction books and publishing. This is my first", "thumbs / get rejected carousel, then publish now. > > > So, what", "is general fiction, a self-help book with a side story of suspense. [This", "the book publishing game? I want to make a decision now, whether self-publish", "far as getting readers to read my story? What should I aim at", "as to whether self-publish or try my luck getting a publisher. I should", "suspense. [This blog answer](https://www.quora.com/Is-it-worth-publishing-a-book-on-Amazon-Kindle-Self-Direct-publishing) (Vic Connor) says, (also I read many similar answers", "carousel, then publish now. > > > So, what is my best bet", "proofread (probably paid) and designing the cover and importantly learn the book publishing", "(probably paid) and designing the cover and importantly learn the book publishing game?", "internet) > > So if you have a choice between publishing now, or", "> > So if you have a choice between publishing now, or entering", "read many similar answers on the internet) > > So if you have", "what is my best bet as far as getting readers to read my", "a choice between publishing now, or entering the query > / twiddle your", "/ twiddle your thumbs / get rejected carousel, then publish now. > >", "(also I read many similar answers on the internet) > > So if", "before proceeding to proofread (probably paid) and designing the cover and importantly learn", "my novellas first draft which is 32k words long. For all the reasons,", "should tell you that I am a complete novice at writing fiction books", "blog answer](https://www.quora.com/Is-it-worth-publishing-a-book-on-Amazon-Kindle-Self-Direct-publishing) (Vic Connor) says, (also I read many similar answers on the", "have a choice between publishing now, or entering the query > / twiddle", "first book. The genre is general fiction, a self-help book with a side", "aim at before proceeding to proofread (probably paid) and designing the cover and", "reasons, I was doing research as to whether self-publish or try my luck", "twiddle your thumbs / get rejected carousel, then publish now. > > >", "getting a publisher. I should tell you that I am a complete novice", "a publisher. I should tell you that I am a complete novice at", "many similar answers on the internet) > > So if you have a", "readers to read my story? What should I aim at before proceeding to", "a side story of suspense. [This blog answer](https://www.quora.com/Is-it-worth-publishing-a-book-on-Amazon-Kindle-Self-Direct-publishing) (Vic Connor) says, (also I", "to whether self-publish or try my luck getting a publisher. I should tell", "my first book. The genre is general fiction, a self-help book with a", "learn the book publishing game? I want to make a decision now, whether", "publishing game? I want to make a decision now, whether self-publish or find", "/ get rejected carousel, then publish now. > > > So, what is", "> > So, what is my best bet as far as getting readers", "designing the cover and importantly learn the book publishing game? I want to", "and designing the cover and importantly learn the book publishing game? I want", "am a complete novice at writing fiction books and publishing. This is my", "a self-help book with a side story of suspense. [This blog answer](https://www.quora.com/Is-it-worth-publishing-a-book-on-Amazon-Kindle-Self-Direct-publishing) (Vic", "try my luck getting a publisher. I should tell you that I am", "says, (also I read many similar answers on the internet) > > So", "of suspense. [This blog answer](https://www.quora.com/Is-it-worth-publishing-a-book-on-Amazon-Kindle-Self-Direct-publishing) (Vic Connor) says, (also I read many similar" ]
[ "course. I want to ask, what are good ways to improve as a", "to improve my writing I have taken one online course. I want to", "novice writer to improve my writing I have taken one online course. I", "ask, what are good ways to improve as a writer other than writing", "one online course. I want to ask, what are good ways to improve", "my writing I have taken one online course. I want to ask, what", "As a novice writer to improve my writing I have taken one online", "writer to improve my writing I have taken one online course. I want", "a novice writer to improve my writing I have taken one online course.", "I want to ask, what are good ways to improve as a writer", "have taken one online course. I want to ask, what are good ways", "taken one online course. I want to ask, what are good ways to", "what are good ways to improve as a writer other than writing courses?", "improve my writing I have taken one online course. I want to ask,", "online course. I want to ask, what are good ways to improve as", "to ask, what are good ways to improve as a writer other than", "I have taken one online course. I want to ask, what are good", "want to ask, what are good ways to improve as a writer other", "writing I have taken one online course. I want to ask, what are" ]
[ "if it's possible to use phrasal verbs like \"joked around\" in our dialog", "tags? I can't imagine it being possible, but I thought maybe someone had", "in our dialog tags? I can't imagine it being possible, but I thought", "him. > > > \"Nah, if I stop drinking, I won't have an", "> tommorrow!\" he joked around. > > > I am wondering if it's", "joked around. > > > I am wondering if it's possible to use", "it!\" she implored him. > > > \"Nah, if I stop drinking, I", "have an excuse to miss work > tommorrow!\" he joked around. > >", "tags. Also, aside phrasal verbs, is it possible to not even use a", "to not even use a verb in our dialog tags? I can't imagine", "I stop drinking, I won't have an excuse to miss work > tommorrow!\"", "is it possible to not even use a verb in our dialog tags?", "a verb in our dialog tags? I can't imagine it being possible, but", "dialog tags? I can't imagine it being possible, but I thought maybe someone", "thought maybe someone had an example in mind where we don't use any", "example in mind where we don't use any verb or phrasal verb at", "you're already drunk! Stop it!\" she implored him. > > > \"Nah, if", "to use phrasal verbs like \"joked around\" in our dialog tags. Also, aside", "> > I am wondering if it's possible to use phrasal verbs like", "he joked around. > > > I am wondering if it's possible to", "it's possible to use phrasal verbs like \"joked around\" in our dialog tags.", "in our dialog tags. Also, aside phrasal verbs, is it possible to not", "possible to not even use a verb in our dialog tags? I can't", "it possible to not even use a verb in our dialog tags? I", "already drunk! Stop it!\" she implored him. > > > \"Nah, if I", "> \"Uhbekt, you're already drunk! Stop it!\" she implored him. > > >", "miss work > tommorrow!\" he joked around. > > > I am wondering", "verb in our dialog tags? I can't imagine it being possible, but I", "our dialog tags. Also, aside phrasal verbs, is it possible to not even", "had an example in mind where we don't use any verb or phrasal", "Stop it!\" she implored him. > > > \"Nah, if I stop drinking,", "> > > \"Nah, if I stop drinking, I won't have an excuse", "drunk! Stop it!\" she implored him. > > > \"Nah, if I stop", "stop drinking, I won't have an excuse to miss work > tommorrow!\" he", "\"joked around\" in our dialog tags. Also, aside phrasal verbs, is it possible", "even use a verb in our dialog tags? I can't imagine it being", "possible, but I thought maybe someone had an example in mind where we", "maybe someone had an example in mind where we don't use any verb", "verbs like \"joked around\" in our dialog tags. Also, aside phrasal verbs, is", "work > tommorrow!\" he joked around. > > > I am wondering if", "dialog tags. Also, aside phrasal verbs, is it possible to not even use", "> > \"Uhbekt, you're already drunk! Stop it!\" she implored him. > >", "drinking, I won't have an excuse to miss work > tommorrow!\" he joked", "implored him. > > > \"Nah, if I stop drinking, I won't have", "phrasal verbs like \"joked around\" in our dialog tags. Also, aside phrasal verbs,", "she implored him. > > > \"Nah, if I stop drinking, I won't", "Also, aside phrasal verbs, is it possible to not even use a verb", "not even use a verb in our dialog tags? I can't imagine it", "> \"Nah, if I stop drinking, I won't have an excuse to miss", "an excuse to miss work > tommorrow!\" he joked around. > > >", "if I stop drinking, I won't have an excuse to miss work >", "am wondering if it's possible to use phrasal verbs like \"joked around\" in", "I am wondering if it's possible to use phrasal verbs like \"joked around\"", "an example in mind where we don't use any verb or phrasal verb", "wondering if it's possible to use phrasal verbs like \"joked around\" in our", "won't have an excuse to miss work > tommorrow!\" he joked around. >", "but I thought maybe someone had an example in mind where we don't", "to miss work > tommorrow!\" he joked around. > > > I am", "excuse to miss work > tommorrow!\" he joked around. > > > I", "around. > > > I am wondering if it's possible to use phrasal", "aside phrasal verbs, is it possible to not even use a verb in", "I won't have an excuse to miss work > tommorrow!\" he joked around.", "\"Uhbekt, you're already drunk! Stop it!\" she implored him. > > > \"Nah,", "our dialog tags? I can't imagine it being possible, but I thought maybe", "phrasal verbs, is it possible to not even use a verb in our", "use a verb in our dialog tags? I can't imagine it being possible,", "verbs, is it possible to not even use a verb in our dialog", "> > \"Nah, if I stop drinking, I won't have an excuse to", "someone had an example in mind where we don't use any verb or", "tommorrow!\" he joked around. > > > I am wondering if it's possible", "in mind where we don't use any verb or phrasal verb at all.", "being possible, but I thought maybe someone had an example in mind where", "\"Nah, if I stop drinking, I won't have an excuse to miss work", "use phrasal verbs like \"joked around\" in our dialog tags. Also, aside phrasal", "I thought maybe someone had an example in mind where we don't use", "> I am wondering if it's possible to use phrasal verbs like \"joked", "> > > I am wondering if it's possible to use phrasal verbs", "I can't imagine it being possible, but I thought maybe someone had an", "like \"joked around\" in our dialog tags. Also, aside phrasal verbs, is it", "can't imagine it being possible, but I thought maybe someone had an example", "it being possible, but I thought maybe someone had an example in mind", "around\" in our dialog tags. Also, aside phrasal verbs, is it possible to", "possible to use phrasal verbs like \"joked around\" in our dialog tags. Also,", "imagine it being possible, but I thought maybe someone had an example in" ]
[ "I have written a children's book and wanted to list my name as", "and wanted to list my name as Banberi (Babs) but my editor said", "name is Banberi but I have gone by Babs since I was in", "written a children's book and wanted to list my name as Banberi (Babs)", "use parentheses as an author. Would the use of parentheses in an author's", "in the 4th grade. I have written a children's book and wanted to", "is Banberi but I have gone by Babs since I was in the", "list my name as Banberi (Babs) but my editor said that it might", "professional. She has never heard or seen anyone use parentheses as an author.", "has never heard or seen anyone use parentheses as an author. Would the", "grade. I have written a children's book and wanted to list my name", "(Babs) but my editor said that it might not appear very professional. She", "but I have gone by Babs since I was in the 4th grade.", "that it might not appear very professional. She has never heard or seen", "a children's book and wanted to list my name as Banberi (Babs) but", "editor said that it might not appear very professional. She has never heard", "4th grade. I have written a children's book and wanted to list my", "it might not appear very professional. She has never heard or seen anyone", "or seen anyone use parentheses as an author. Would the use of parentheses", "the 4th grade. I have written a children's book and wanted to list", "anyone use parentheses as an author. Would the use of parentheses in an", "but my editor said that it might not appear very professional. She has", "not appear very professional. She has never heard or seen anyone use parentheses", "Babs since I was in the 4th grade. I have written a children's", "appear very professional. She has never heard or seen anyone use parentheses as", "She has never heard or seen anyone use parentheses as an author. Would", "as an author. Would the use of parentheses in an author's name seem", "I was in the 4th grade. I have written a children's book and", "Banberi (Babs) but my editor said that it might not appear very professional.", "heard or seen anyone use parentheses as an author. Would the use of", "since I was in the 4th grade. I have written a children's book", "very professional. She has never heard or seen anyone use parentheses as an", "legal name is Banberi but I have gone by Babs since I was", "never heard or seen anyone use parentheses as an author. Would the use", "as Banberi (Babs) but my editor said that it might not appear very", "might not appear very professional. She has never heard or seen anyone use", "parentheses as an author. Would the use of parentheses in an author's name", "wanted to list my name as Banberi (Babs) but my editor said that", "said that it might not appear very professional. She has never heard or", "to list my name as Banberi (Babs) but my editor said that it", "book and wanted to list my name as Banberi (Babs) but my editor", "My legal name is Banberi but I have gone by Babs since I", "have gone by Babs since I was in the 4th grade. I have", "gone by Babs since I was in the 4th grade. I have written", "Banberi but I have gone by Babs since I was in the 4th", "my editor said that it might not appear very professional. She has never", "name as Banberi (Babs) but my editor said that it might not appear", "children's book and wanted to list my name as Banberi (Babs) but my", "was in the 4th grade. I have written a children's book and wanted", "my name as Banberi (Babs) but my editor said that it might not", "an author. Would the use of parentheses in an author's name seem amateurish?", "I have gone by Babs since I was in the 4th grade. I", "seen anyone use parentheses as an author. Would the use of parentheses in", "by Babs since I was in the 4th grade. I have written a", "have written a children's book and wanted to list my name as Banberi" ]
[ "distinguish the two parts. Is there a convention for doing this? I don't", "don't see it dealt with in any of the style manuals I have", "However, some of the poems/lyrics are sung by different people and it's important", "of indented and italicised. However, some of the poems/lyrics are sung by different", "the usual style of indented and italicised. However, some of the poems/lyrics are", "see it dealt with in any of the style manuals I have thus", "I don't see it dealt with in any of the style manuals I", "out a lyric to show different parts (or even a chorus). In my", "lyric to show different parts (or even a chorus). In my novel, there", "are a number of poems and lyrics. They are set in the usual", "if someone can tell me whether there is a convention when laying out", "it's important to distinguish the two parts. Is there a convention for doing", "me whether there is a convention when laying out a lyric to show", "the two parts. Is there a convention for doing this? I don't see", "dealt with in any of the style manuals I have thus far consulted.", "a convention when laying out a lyric to show different parts (or even", "a lyric to show different parts (or even a chorus). In my novel,", "convention for doing this? I don't see it dealt with in any of", "They are set in the usual style of indented and italicised. However, some", "even a chorus). In my novel, there are a number of poems and", "to show different parts (or even a chorus). In my novel, there are", "Is there a convention for doing this? I don't see it dealt with", "in the usual style of indented and italicised. However, some of the poems/lyrics", "different parts (or even a chorus). In my novel, there are a number", "of poems and lyrics. They are set in the usual style of indented", "I wonder if someone can tell me whether there is a convention when", "convention when laying out a lyric to show different parts (or even a", "this? I don't see it dealt with in any of the style manuals", "chorus). In my novel, there are a number of poems and lyrics. They", "are sung by different people and it's important to distinguish the two parts.", "my novel, there are a number of poems and lyrics. They are set", "and it's important to distinguish the two parts. Is there a convention for", "the poems/lyrics are sung by different people and it's important to distinguish the", "whether there is a convention when laying out a lyric to show different", "and lyrics. They are set in the usual style of indented and italicised.", "show different parts (or even a chorus). In my novel, there are a", "usual style of indented and italicised. However, some of the poems/lyrics are sung", "of the poems/lyrics are sung by different people and it's important to distinguish", "important to distinguish the two parts. Is there a convention for doing this?", "it dealt with in any of the style manuals I have thus far", "someone can tell me whether there is a convention when laying out a", "a number of poems and lyrics. They are set in the usual style", "poems and lyrics. They are set in the usual style of indented and", "parts. Is there a convention for doing this? I don't see it dealt", "indented and italicised. However, some of the poems/lyrics are sung by different people", "by different people and it's important to distinguish the two parts. Is there", "there is a convention when laying out a lyric to show different parts", "two parts. Is there a convention for doing this? I don't see it", "italicised. However, some of the poems/lyrics are sung by different people and it's", "set in the usual style of indented and italicised. However, some of the", "and italicised. However, some of the poems/lyrics are sung by different people and", "wonder if someone can tell me whether there is a convention when laying", "doing this? I don't see it dealt with in any of the style", "novel, there are a number of poems and lyrics. They are set in", "laying out a lyric to show different parts (or even a chorus). In", "parts (or even a chorus). In my novel, there are a number of", "number of poems and lyrics. They are set in the usual style of", "In my novel, there are a number of poems and lyrics. They are", "there a convention for doing this? I don't see it dealt with in", "is a convention when laying out a lyric to show different parts (or", "a convention for doing this? I don't see it dealt with in any", "can tell me whether there is a convention when laying out a lyric", "sung by different people and it's important to distinguish the two parts. Is", "tell me whether there is a convention when laying out a lyric to", "when laying out a lyric to show different parts (or even a chorus).", "for doing this? I don't see it dealt with in any of the", "people and it's important to distinguish the two parts. Is there a convention", "are set in the usual style of indented and italicised. However, some of", "a chorus). In my novel, there are a number of poems and lyrics.", "lyrics. They are set in the usual style of indented and italicised. However,", "to distinguish the two parts. Is there a convention for doing this? I", "some of the poems/lyrics are sung by different people and it's important to", "poems/lyrics are sung by different people and it's important to distinguish the two", "style of indented and italicised. However, some of the poems/lyrics are sung by", "different people and it's important to distinguish the two parts. Is there a", "there are a number of poems and lyrics. They are set in the", "(or even a chorus). In my novel, there are a number of poems" ]
[ "at the end, and then starting the dialogue tag with a capital letter,", "by a dialogue tag, the sentence is usually ended with a comma (inside", "> \"I never pegged you for a fan of the obvious, Sam,\" she", "with a comma (inside the quotation marks) and the dialogue tag is in", "like \"Said John.\" and \"Responds Keith.\" are supposed to be complete, independent sentences.", "> > > \"I never pegged you for a fan of the obvious,", "no, it's not, simply because I've never seen it in print, and it", "the end, and then starting the dialogue tag with a capital letter, like", "a quoted sentence followed by a dialogue tag, the sentence is usually ended", "guess is no, it's not, simply because I've never seen it in print,", "a comma (inside the quotation marks) and the dialogue tag is in sentence", "Rules for Punctuating Dialogue](https://www.authorlearningcenter.com/writing/fiction/w/character-development/6491/8-essential-rules-for-punctuating-dialogue---article). On a couple of occasions, though, I've seen people", "quotation marks) and the dialogue tag is in sentence case, like this: >", "On a couple of occasions, though, I've seen people writing the quoted sentence", "acceptable too? My best guess is no, it's not, simply because I've never", "dialogue tag, the sentence is usually ended with a comma (inside the quotation", "with a capital letter, like this: > > \"Hey.\" Said John. > >", "writing the quoted sentence with a period at the end, and then starting", "the sentence is usually ended with a comma (inside the quotation marks) and", "she said. > > > The above is the style recommended by, say,", "style recommended by, say, the page [8 Essential Rules for Punctuating Dialogue](https://www.authorlearningcenter.com/writing/fiction/w/character-development/6491/8-essential-rules-for-punctuating-dialogue---article). On", "seen people writing the quoted sentence with a period at the end, and", "the style recommended by, say, the page [8 Essential Rules for Punctuating Dialogue](https://www.authorlearningcenter.com/writing/fiction/w/character-development/6491/8-essential-rules-for-punctuating-dialogue---article).", "dialogue tag with a capital letter, like this: > > \"Hey.\" Said John.", "and it makes it seem like \"Said John.\" and \"Responds Keith.\" are supposed", "> > > \"Not a problem, buddy.\" Responds Keith. > > > Is", "then starting the dialogue tag with a capital letter, like this: > >", "sentence followed by a dialogue tag, the sentence is usually ended with a", "ended with a comma (inside the quotation marks) and the dialogue tag is", "a fan of the obvious, Sam,\" she said. > > > The above", "a piece of writing has a quoted sentence followed by a dialogue tag,", "I've seen people writing the quoted sentence with a period at the end,", "a dialogue tag, the sentence is usually ended with a comma (inside the", "My best guess is no, it's not, simply because I've never seen it", "> > \"Hey.\" Said John. > > > \"Not a problem, buddy.\" Responds", "Sam,\" she said. > > > The above is the style recommended by,", "buddy.\" Responds Keith. > > > Is the latter style acceptable too? My", "seem like \"Said John.\" and \"Responds Keith.\" are supposed to be complete, independent", "never seen it in print, and it makes it seem like \"Said John.\"", "John. > > > \"Not a problem, buddy.\" Responds Keith. > > >", "is in sentence case, like this: > > \"Look,\" said Hermione. > >", "for a fan of the obvious, Sam,\" she said. > > > The", "of writing has a quoted sentence followed by a dialogue tag, the sentence", "> \"Look,\" said Hermione. > > > \"I never pegged you for a", "it's not, simply because I've never seen it in print, and it makes", "followed by a dialogue tag, the sentence is usually ended with a comma", "quoted sentence with a period at the end, and then starting the dialogue", "it in print, and it makes it seem like \"Said John.\" and \"Responds", "(inside the quotation marks) and the dialogue tag is in sentence case, like", "makes it seem like \"Said John.\" and \"Responds Keith.\" are supposed to be", "When a piece of writing has a quoted sentence followed by a dialogue", "I've never seen it in print, and it makes it seem like \"Said", "> > \"I never pegged you for a fan of the obvious, Sam,\"", "people writing the quoted sentence with a period at the end, and then", "Dialogue](https://www.authorlearningcenter.com/writing/fiction/w/character-development/6491/8-essential-rules-for-punctuating-dialogue---article). On a couple of occasions, though, I've seen people writing the quoted", "sentence case, like this: > > \"Look,\" said Hermione. > > > \"I", "problem, buddy.\" Responds Keith. > > > Is the latter style acceptable too?", "is usually ended with a comma (inside the quotation marks) and the dialogue", "too? My best guess is no, it's not, simply because I've never seen", "the dialogue tag with a capital letter, like this: > > \"Hey.\" Said", "Hermione. > > > \"I never pegged you for a fan of the", "like this: > > \"Hey.\" Said John. > > > \"Not a problem,", "quoted sentence followed by a dialogue tag, the sentence is usually ended with", "of occasions, though, I've seen people writing the quoted sentence with a period", "end, and then starting the dialogue tag with a capital letter, like this:", "> Is the latter style acceptable too? My best guess is no, it's", "this: > > \"Look,\" said Hermione. > > > \"I never pegged you", "> > > Is the latter style acceptable too? My best guess is", "and the dialogue tag is in sentence case, like this: > > \"Look,\"", "capital letter, like this: > > \"Hey.\" Said John. > > > \"Not", "a capital letter, like this: > > \"Hey.\" Said John. > > >", "with a period at the end, and then starting the dialogue tag with", "> The above is the style recommended by, say, the page [8 Essential", "writing has a quoted sentence followed by a dialogue tag, the sentence is", "the quotation marks) and the dialogue tag is in sentence case, like this:", "by, say, the page [8 Essential Rules for Punctuating Dialogue](https://www.authorlearningcenter.com/writing/fiction/w/character-development/6491/8-essential-rules-for-punctuating-dialogue---article). On a couple", "the page [8 Essential Rules for Punctuating Dialogue](https://www.authorlearningcenter.com/writing/fiction/w/character-development/6491/8-essential-rules-for-punctuating-dialogue---article). On a couple of occasions,", "above is the style recommended by, say, the page [8 Essential Rules for", "[8 Essential Rules for Punctuating Dialogue](https://www.authorlearningcenter.com/writing/fiction/w/character-development/6491/8-essential-rules-for-punctuating-dialogue---article). On a couple of occasions, though, I've", "page [8 Essential Rules for Punctuating Dialogue](https://www.authorlearningcenter.com/writing/fiction/w/character-development/6491/8-essential-rules-for-punctuating-dialogue---article). On a couple of occasions, though,", "it seem like \"Said John.\" and \"Responds Keith.\" are supposed to be complete,", "the latter style acceptable too? My best guess is no, it's not, simply", "it makes it seem like \"Said John.\" and \"Responds Keith.\" are supposed to", "marks) and the dialogue tag is in sentence case, like this: > >", "occasions, though, I've seen people writing the quoted sentence with a period at", "letter, like this: > > \"Hey.\" Said John. > > > \"Not a", "couple of occasions, though, I've seen people writing the quoted sentence with a", "starting the dialogue tag with a capital letter, like this: > > \"Hey.\"", "Keith. > > > Is the latter style acceptable too? My best guess", "in print, and it makes it seem like \"Said John.\" and \"Responds Keith.\"", "a period at the end, and then starting the dialogue tag with a", "piece of writing has a quoted sentence followed by a dialogue tag, the", "period at the end, and then starting the dialogue tag with a capital", "\"Hey.\" Said John. > > > \"Not a problem, buddy.\" Responds Keith. >", "of the obvious, Sam,\" she said. > > > The above is the", "> > > The above is the style recommended by, say, the page", "Punctuating Dialogue](https://www.authorlearningcenter.com/writing/fiction/w/character-development/6491/8-essential-rules-for-punctuating-dialogue---article). On a couple of occasions, though, I've seen people writing the", "pegged you for a fan of the obvious, Sam,\" she said. > >", "\"I never pegged you for a fan of the obvious, Sam,\" she said.", "fan of the obvious, Sam,\" she said. > > > The above is", "> > The above is the style recommended by, say, the page [8", "> > Is the latter style acceptable too? My best guess is no,", "said Hermione. > > > \"I never pegged you for a fan of", "print, and it makes it seem like \"Said John.\" and \"Responds Keith.\" are", "best guess is no, it's not, simply because I've never seen it in", "and then starting the dialogue tag with a capital letter, like this: >", "> > \"Not a problem, buddy.\" Responds Keith. > > > Is the", "Essential Rules for Punctuating Dialogue](https://www.authorlearningcenter.com/writing/fiction/w/character-development/6491/8-essential-rules-for-punctuating-dialogue---article). On a couple of occasions, though, I've seen", "Is the latter style acceptable too? My best guess is no, it's not,", "\"Look,\" said Hermione. > > > \"I never pegged you for a fan", "you for a fan of the obvious, Sam,\" she said. > > >", "recommended by, say, the page [8 Essential Rules for Punctuating Dialogue](https://www.authorlearningcenter.com/writing/fiction/w/character-development/6491/8-essential-rules-for-punctuating-dialogue---article). On a", "comma (inside the quotation marks) and the dialogue tag is in sentence case,", "tag, the sentence is usually ended with a comma (inside the quotation marks)", "dialogue tag is in sentence case, like this: > > \"Look,\" said Hermione.", "obvious, Sam,\" she said. > > > The above is the style recommended", "not, simply because I've never seen it in print, and it makes it", "this: > > \"Hey.\" Said John. > > > \"Not a problem, buddy.\"", "Responds Keith. > > > Is the latter style acceptable too? My best", "style acceptable too? My best guess is no, it's not, simply because I've", "a problem, buddy.\" Responds Keith. > > > Is the latter style acceptable", "is no, it's not, simply because I've never seen it in print, and", "tag with a capital letter, like this: > > \"Hey.\" Said John. >", "> > \"Look,\" said Hermione. > > > \"I never pegged you for", "Said John. > > > \"Not a problem, buddy.\" Responds Keith. > >", "sentence with a period at the end, and then starting the dialogue tag", "for Punctuating Dialogue](https://www.authorlearningcenter.com/writing/fiction/w/character-development/6491/8-essential-rules-for-punctuating-dialogue---article). On a couple of occasions, though, I've seen people writing", "like this: > > \"Look,\" said Hermione. > > > \"I never pegged", "tag is in sentence case, like this: > > \"Look,\" said Hermione. >", "> \"Not a problem, buddy.\" Responds Keith. > > > Is the latter", "is the style recommended by, say, the page [8 Essential Rules for Punctuating", "say, the page [8 Essential Rules for Punctuating Dialogue](https://www.authorlearningcenter.com/writing/fiction/w/character-development/6491/8-essential-rules-for-punctuating-dialogue---article). On a couple of", "latter style acceptable too? My best guess is no, it's not, simply because", "though, I've seen people writing the quoted sentence with a period at the", "because I've never seen it in print, and it makes it seem like", "a couple of occasions, though, I've seen people writing the quoted sentence with", "> \"Hey.\" Said John. > > > \"Not a problem, buddy.\" Responds Keith.", "said. > > > The above is the style recommended by, say, the", "the obvious, Sam,\" she said. > > > The above is the style", "\"Not a problem, buddy.\" Responds Keith. > > > Is the latter style", "case, like this: > > \"Look,\" said Hermione. > > > \"I never", "seen it in print, and it makes it seem like \"Said John.\" and", "usually ended with a comma (inside the quotation marks) and the dialogue tag", "in sentence case, like this: > > \"Look,\" said Hermione. > > >", "never pegged you for a fan of the obvious, Sam,\" she said. >", "sentence is usually ended with a comma (inside the quotation marks) and the", "has a quoted sentence followed by a dialogue tag, the sentence is usually", "The above is the style recommended by, say, the page [8 Essential Rules", "simply because I've never seen it in print, and it makes it seem", "the quoted sentence with a period at the end, and then starting the", "the dialogue tag is in sentence case, like this: > > \"Look,\" said" ]
[ "whole. Would the answer be any different if it were the last, or", "other stories do that? For what it matters, the title has a slightly", "that. Do other stories do that? For what it matters, the title has", "story as a whole. Would the answer be any different if it were", "for my story, but it would also work really well as the title", "first chapter. However, I wonder whether it's at all advisable to do that.", "all advisable to do that. Do other stories do that? For what it", "chapter vs. the story as a whole. Would the answer be any different", "Do other stories do that? For what it matters, the title has a", "slightly different meaning for the first chapter vs. the story as a whole.", "the first chapter. However, I wonder whether it's at all advisable to do", "really well as the title for the first chapter. However, I wonder whether", "but it would also work really well as the title for the first", "title for my story, but it would also work really well as the", "title has a slightly different meaning for the first chapter vs. the story", "well as the title for the first chapter. However, I wonder whether it's", "matters, the title has a slightly different meaning for the first chapter vs.", "I've come up with a good title for my story, but it would", "answer be any different if it were the last, or any other chapter?", "good title for my story, but it would also work really well as", "with a good title for my story, but it would also work really", "a whole. Would the answer be any different if it were the last,", "work really well as the title for the first chapter. However, I wonder", "different meaning for the first chapter vs. the story as a whole. Would", "what it matters, the title has a slightly different meaning for the first", "for the first chapter. However, I wonder whether it's at all advisable to", "the story as a whole. Would the answer be any different if it", "up with a good title for my story, but it would also work", "as the title for the first chapter. However, I wonder whether it's at", "title for the first chapter. However, I wonder whether it's at all advisable", "as a whole. Would the answer be any different if it were the", "the title for the first chapter. However, I wonder whether it's at all", "it's at all advisable to do that. Do other stories do that? For", "whether it's at all advisable to do that. Do other stories do that?", "vs. the story as a whole. Would the answer be any different if", "Would the answer be any different if it were the last, or any", "the answer be any different if it were the last, or any other", "chapter. However, I wonder whether it's at all advisable to do that. Do", "do that. Do other stories do that? For what it matters, the title", "stories do that? For what it matters, the title has a slightly different", "the title has a slightly different meaning for the first chapter vs. the", "that? For what it matters, the title has a slightly different meaning for", "meaning for the first chapter vs. the story as a whole. Would the", "for the first chapter vs. the story as a whole. Would the answer", "story, but it would also work really well as the title for the", "come up with a good title for my story, but it would also", "do that? For what it matters, the title has a slightly different meaning", "advisable to do that. Do other stories do that? For what it matters,", "I wonder whether it's at all advisable to do that. Do other stories", "would also work really well as the title for the first chapter. However,", "it matters, the title has a slightly different meaning for the first chapter", "also work really well as the title for the first chapter. However, I", "to do that. Do other stories do that? For what it matters, the", "However, I wonder whether it's at all advisable to do that. Do other", "my story, but it would also work really well as the title for", "wonder whether it's at all advisable to do that. Do other stories do", "For what it matters, the title has a slightly different meaning for the", "a good title for my story, but it would also work really well", "at all advisable to do that. Do other stories do that? For what", "has a slightly different meaning for the first chapter vs. the story as", "it would also work really well as the title for the first chapter.", "the first chapter vs. the story as a whole. Would the answer be", "first chapter vs. the story as a whole. Would the answer be any", "a slightly different meaning for the first chapter vs. the story as a" ]
[ "to happen, as far as publishing is concerned: readers who are already familiar", "is concerned: readers who are already familiar with the author's work need to", "gets married, and chooses to change her surname to her husband's. Obviously, she", "there's also this other stuff written by the same author. How would that", "doesn't change the name that appears on her books, no matter what changes", "an author doesn't change the name that appears on her books, no matter", "also this other stuff written by the same author. How would that be", "the name that appears on her books, no matter what changes her legal", "pseudonym of sorts. But let us suppose she actually wants to use her", "And she can choose to publish under her maiden name, using it as", "married, and chooses to change her surname to her husband's. Obviously, she can", "who are already familiar with the author's work need to be able to", "work? Two things need to happen, as far as publishing is concerned: readers", "to her husband's. Obviously, she can choose not to change her surname. And", "can choose not to change her surname. And she can choose to publish", "Let us suppose an unmarried female author. She publishes something. Then she gets", "need to happen, as far as publishing is concerned: readers who are already", "this other stuff written by the same author. How would that be achieved?", "name, and new readers would need to find out there's also this other", "publish under her maiden name, using it as a pseudonym of sorts. But", "her husband's. Obviously, she can choose not to change her surname. And she", "would need to find out there's also this other stuff written by the", "new name, and new readers would need to find out there's also this", "as a pseudonym of sorts. But let us suppose she actually wants to", "readers who are already familiar with the author's work need to be able", "the same author. How would that be achieved? Or is the standard that", "she actually wants to use her new legal name. How would that work?", "can choose to publish under her maiden name, using it as a pseudonym", "her surname to her husband's. Obviously, she can choose not to change her", "happen, as far as publishing is concerned: readers who are already familiar with", "things need to happen, as far as publishing is concerned: readers who are", "suppose she actually wants to use her new legal name. How would that", "to find out there's also this other stuff written by the same author.", "able to find her under the new name, and new readers would need", "new legal name. How would that work? Two things need to happen, as", "achieved? Or is the standard that once published, an author doesn't change the", "out there's also this other stuff written by the same author. How would", "author doesn't change the name that appears on her books, no matter what", "How would that work? Two things need to happen, as far as publishing", "chooses to change her surname to her husband's. Obviously, she can choose not", "to change her surname. And she can choose to publish under her maiden", "find out there's also this other stuff written by the same author. How", "not to change her surname. And she can choose to publish under her", "with the author's work need to be able to find her under the", "Two things need to happen, as far as publishing is concerned: readers who", "familiar with the author's work need to be able to find her under", "be able to find her under the new name, and new readers would", "work need to be able to find her under the new name, and", "How would that be achieved? Or is the standard that once published, an", "that appears on her books, no matter what changes her legal name undergoes?", "her surname. And she can choose to publish under her maiden name, using", "surname. And she can choose to publish under her maiden name, using it", "use her new legal name. How would that work? Two things need to", "far as publishing is concerned: readers who are already familiar with the author's", "it as a pseudonym of sorts. But let us suppose she actually wants", "legal name. How would that work? Two things need to happen, as far", "husband's. Obviously, she can choose not to change her surname. And she can", "Or is the standard that once published, an author doesn't change the name", "actually wants to use her new legal name. How would that work? Two", "the standard that once published, an author doesn't change the name that appears", "choose not to change her surname. And she can choose to publish under", "as far as publishing is concerned: readers who are already familiar with the", "published, an author doesn't change the name that appears on her books, no", "concerned: readers who are already familiar with the author's work need to be", "readers would need to find out there's also this other stuff written by", "an unmarried female author. She publishes something. Then she gets married, and chooses", "would that be achieved? Or is the standard that once published, an author", "publishing is concerned: readers who are already familiar with the author's work need", "new readers would need to find out there's also this other stuff written", "and chooses to change her surname to her husband's. Obviously, she can choose", "she can choose not to change her surname. And she can choose to", "us suppose an unmarried female author. She publishes something. Then she gets married,", "using it as a pseudonym of sorts. But let us suppose she actually", "maiden name, using it as a pseudonym of sorts. But let us suppose", "of sorts. But let us suppose she actually wants to use her new", "that once published, an author doesn't change the name that appears on her", "need to be able to find her under the new name, and new", "wants to use her new legal name. How would that work? Two things", "stuff written by the same author. How would that be achieved? Or is", "let us suppose she actually wants to use her new legal name. How", "find her under the new name, and new readers would need to find", "to use her new legal name. How would that work? Two things need", "Obviously, she can choose not to change her surname. And she can choose", "unmarried female author. She publishes something. Then she gets married, and chooses to", "something. Then she gets married, and chooses to change her surname to her", "choose to publish under her maiden name, using it as a pseudonym of", "change her surname to her husband's. Obviously, she can choose not to change", "name. How would that work? Two things need to happen, as far as", "author's work need to be able to find her under the new name,", "that work? Two things need to happen, as far as publishing is concerned:", "under her maiden name, using it as a pseudonym of sorts. But let", "standard that once published, an author doesn't change the name that appears on", "be achieved? Or is the standard that once published, an author doesn't change", "But let us suppose she actually wants to use her new legal name.", "once published, an author doesn't change the name that appears on her books,", "suppose an unmarried female author. She publishes something. Then she gets married, and", "to be able to find her under the new name, and new readers", "author. How would that be achieved? Or is the standard that once published,", "change her surname. And she can choose to publish under her maiden name,", "to find her under the new name, and new readers would need to", "written by the same author. How would that be achieved? Or is the", "is the standard that once published, an author doesn't change the name that", "author. She publishes something. Then she gets married, and chooses to change her", "are already familiar with the author's work need to be able to find", "sorts. But let us suppose she actually wants to use her new legal", "to publish under her maiden name, using it as a pseudonym of sorts.", "surname to her husband's. Obviously, she can choose not to change her surname.", "other stuff written by the same author. How would that be achieved? Or", "the new name, and new readers would need to find out there's also", "name that appears on her books, no matter what changes her legal name", "Then she gets married, and chooses to change her surname to her husband's.", "female author. She publishes something. Then she gets married, and chooses to change", "under the new name, and new readers would need to find out there's", "would that work? Two things need to happen, as far as publishing is", "already familiar with the author's work need to be able to find her", "us suppose she actually wants to use her new legal name. How would", "the author's work need to be able to find her under the new", "her under the new name, and new readers would need to find out", "and new readers would need to find out there's also this other stuff", "by the same author. How would that be achieved? Or is the standard", "publishes something. Then she gets married, and chooses to change her surname to", "same author. How would that be achieved? Or is the standard that once", "she can choose to publish under her maiden name, using it as a", "as publishing is concerned: readers who are already familiar with the author's work", "her new legal name. How would that work? Two things need to happen,", "to change her surname to her husband's. Obviously, she can choose not to", "She publishes something. Then she gets married, and chooses to change her surname", "that be achieved? Or is the standard that once published, an author doesn't", "need to find out there's also this other stuff written by the same", "her maiden name, using it as a pseudonym of sorts. But let us", "change the name that appears on her books, no matter what changes her", "she gets married, and chooses to change her surname to her husband's. Obviously,", "a pseudonym of sorts. But let us suppose she actually wants to use", "name, using it as a pseudonym of sorts. But let us suppose she" ]
[ "I find myself using words like \"kiddo\", \"bullshit\" and \"badass\" in the more", "later draft. But upon reading it, I found myself liking the contrast between", "modern speech and medieval-esque world. In an era of literary subversion, perhaps this", "At first it was simply me not paying attention, and not caring as", "knew I'd edit it out in a later draft. But upon reading it,", "was simply me not paying attention, and not caring as I knew I'd", "the contrast between modern speech and medieval-esque world. In an era of literary", "novel. At first it was simply me not paying attention, and not caring", "I'd edit it out in a later draft. But upon reading it, I", "paying attention, and not caring as I knew I'd edit it out in", "and \"badass\" in the more comedic side of dialogue/thoughts in my fantasy novel.", "an era of literary subversion, perhaps this is a welcoming addition? Or is", "as I knew I'd edit it out in a later draft. But upon", "subversion, perhaps this is a welcoming addition? Or is this just stylistically untrue", "simply me not paying attention, and not caring as I knew I'd edit", "first it was simply me not paying attention, and not caring as I", "reading it, I found myself liking the contrast between modern speech and medieval-esque", "side of dialogue/thoughts in my fantasy novel. At first it was simply me", "contrast between modern speech and medieval-esque world. In an era of literary subversion,", "edit it out in a later draft. But upon reading it, I found", "myself liking the contrast between modern speech and medieval-esque world. In an era", "of literary subversion, perhaps this is a welcoming addition? Or is this just", "\"bullshit\" and \"badass\" in the more comedic side of dialogue/thoughts in my fantasy", "myself using words like \"kiddo\", \"bullshit\" and \"badass\" in the more comedic side", "literary subversion, perhaps this is a welcoming addition? Or is this just stylistically", "is a welcoming addition? Or is this just stylistically untrue to the genre?", "out in a later draft. But upon reading it, I found myself liking", "in my fantasy novel. At first it was simply me not paying attention,", "not paying attention, and not caring as I knew I'd edit it out", "a later draft. But upon reading it, I found myself liking the contrast", "dialogue/thoughts in my fantasy novel. At first it was simply me not paying", "not caring as I knew I'd edit it out in a later draft.", "words like \"kiddo\", \"bullshit\" and \"badass\" in the more comedic side of dialogue/thoughts", "I knew I'd edit it out in a later draft. But upon reading", "it, I found myself liking the contrast between modern speech and medieval-esque world.", "found myself liking the contrast between modern speech and medieval-esque world. In an", "caring as I knew I'd edit it out in a later draft. But", "In an era of literary subversion, perhaps this is a welcoming addition? Or", "speech and medieval-esque world. In an era of literary subversion, perhaps this is", "it was simply me not paying attention, and not caring as I knew", "But upon reading it, I found myself liking the contrast between modern speech", "of dialogue/thoughts in my fantasy novel. At first it was simply me not", "draft. But upon reading it, I found myself liking the contrast between modern", "perhaps this is a welcoming addition? Or is this just stylistically untrue to", "attention, and not caring as I knew I'd edit it out in a", "in a later draft. But upon reading it, I found myself liking the", "and medieval-esque world. In an era of literary subversion, perhaps this is a", "liking the contrast between modern speech and medieval-esque world. In an era of", "world. In an era of literary subversion, perhaps this is a welcoming addition?", "fantasy novel. At first it was simply me not paying attention, and not", "me not paying attention, and not caring as I knew I'd edit it", "\"kiddo\", \"bullshit\" and \"badass\" in the more comedic side of dialogue/thoughts in my", "comedic side of dialogue/thoughts in my fantasy novel. At first it was simply", "using words like \"kiddo\", \"bullshit\" and \"badass\" in the more comedic side of", "upon reading it, I found myself liking the contrast between modern speech and", "in the more comedic side of dialogue/thoughts in my fantasy novel. At first", "this is a welcoming addition? Or is this just stylistically untrue to the", "\"badass\" in the more comedic side of dialogue/thoughts in my fantasy novel. At", "my fantasy novel. At first it was simply me not paying attention, and", "I found myself liking the contrast between modern speech and medieval-esque world. In", "the more comedic side of dialogue/thoughts in my fantasy novel. At first it", "between modern speech and medieval-esque world. In an era of literary subversion, perhaps", "era of literary subversion, perhaps this is a welcoming addition? Or is this", "find myself using words like \"kiddo\", \"bullshit\" and \"badass\" in the more comedic", "more comedic side of dialogue/thoughts in my fantasy novel. At first it was", "medieval-esque world. In an era of literary subversion, perhaps this is a welcoming", "it out in a later draft. But upon reading it, I found myself", "like \"kiddo\", \"bullshit\" and \"badass\" in the more comedic side of dialogue/thoughts in", "and not caring as I knew I'd edit it out in a later" ]
[ "Seeking the sun > > > No matter where it goes > >", "> Yet still I hide > > > Behind this mask that I", "short version of \"The Edge of Dawn\". > > Reach for my hand,", "of \"The Edge of Dawn\". > > Reach for my hand, > >", "> > My blackened heart > > > Scorched by flames of a", "to you > > > Like a red rose > > > Seeking", "version of \"The Edge of Dawn\". > > Reach for my hand, >", "could stay > > > Here in cherished halls, > > > In", "That I know so well > > > I have been wondering what", "> Silver shines, the world dines > > > A smile on each", "dawn > > > Oh, I wish I could stay > > >", "am asking, because you could put commas in more places in the lyrics,", "force I can't run from > > > I look to you >", "have been wondering what are the rules of punctuation in song lyrics. I", "the light dwells > > > To guard against the cold > >", "> > > Here in cherished halls, > > > In peaceful days", "I am finally me > > > Yet still I hide > >", "> > > Scorched by flames of a force I can't run from", "glass > > > In this beloved place > > > Silver shines,", "I feel like the use of comma seems to be a bit inconsistent", "surrounds, comfort abounds > > > and I can feel I'm breaking free", "to stay, > > > Where the light dwells > > > To", "> > > I'll soar away > > > Into the dawn >", "away > > > Into the dawn > > > Oh, I wish", "> > > To guard against the cold > > > That I", "are? I am asking, because you could put commas in more places in", "> > > Yet still I hide > > > Behind this mask", "use of comma seems to be a bit inconsistent in song lyrics and", "I look to you > > > Like a red rose > >", "Reach for my hand, > > > I'll soar away > > >", "the dawn > > > Oh, I wish I could stay > >", "> > > I fear the edge of dawn > > > Knowing", "finally me > > > Yet still I hide > > > Behind", "> > > I am finally me > > > Yet still I", "> > Behind this mask that I have become > > > My", "is the short version of \"The Edge of Dawn\". > > Reach for", "> > I am finally me > > > Yet still I hide", "the cold > > > That I know so well > > >", "In peaceful days > > > I fear the edge of dawn >", "song lyrics and they never seem to use dots. So could someone tell", "\"The Edge of Dawn\". > > Reach for my hand, > > >", "> > > No matter where it goes > > > I long", "the rules of punctuation in song lyrics. I feel like the use of", "can feel I'm breaking free > > > For just this moment lost", "> > > Where the light dwells > > > To guard against", "the lyrics, but the person who wrote it didn't and I would like", "cherished halls, > > > In peaceful days > > > I fear", "> > I long to stay, > > > Where the light dwells", "me if there are indeed rules and what they are? I am asking,", "indeed rules and what they are? I am asking, because you could put", "wish I could stay > > > Here in cherished halls, > >", "> I long to stay, > > > Where the light dwells >", "> > Silver shines, the world dines > > > A smile on", "guard against the cold > > > That I know so well >", "time. > > > I am finally me > > > Yet still", "against the cold > > > That I know so well > >", "betrays > > > Daylights pass through colored glass > > > In", "but the person who wrote it didn't and I would like to know", "> > Like a red rose > > > Seeking the sun >", "> > > Behind this mask that I have become > > >", "could someone tell me if there are indeed rules and what they are?", "lost in time. > > > I am finally me > > >", "> I am finally me > > > Yet still I hide >", "edge of dawn > > > Knowing time betrays > > > Daylights", "face > > > As joy surrounds, comfort abounds > > > and", "> > Where the light dwells > > > To guard against the", "> I fear the edge of dawn > > > Knowing time betrays", "Silver shines, the world dines > > > A smile on each face", "well > > > I have been wondering what are the rules of", "> > > As joy surrounds, comfort abounds > > > and I", "someone tell me if there are indeed rules and what they are? I", "seem to use dots. So could someone tell me if there are indeed", "> I look to you > > > Like a red rose >", "I hide > > > Behind this mask that I have become >", "hide > > > Behind this mask that I have become > >", "> Oh, I wish I could stay > > > Here in cherished", "I wish I could stay > > > Here in cherished halls, >", "joy surrounds, comfort abounds > > > and I can feel I'm breaking", "I can feel I'm breaking free > > > For just this moment", "My blackened heart > > > Scorched by flames of a force I", "No matter where it goes > > > I long to stay, >", "mask that I have become > > > My blackened heart > >", "just this moment lost in time. > > > I am finally me", "Into the dawn > > > Oh, I wish I could stay >", "I know so well > > > I have been wondering what are", "> > No matter where it goes > > > I long to", "punctuation in song lyrics. I feel like the use of comma seems to", "stay, > > > Where the light dwells > > > To guard", "> > > Knowing time betrays > > > Daylights pass through colored", "matter where it goes > > > I long to stay, > >", "my hand, > > > I'll soar away > > > Into the", "what they are? I am asking, because you could put commas in more", "> > > Oh, I wish I could stay > > > Here", "> > Oh, I wish I could stay > > > Here in", "> > > In peaceful days > > > I fear the edge", "of dawn > > > Knowing time betrays > > > Daylights pass", "> I have been wondering what are the rules of punctuation in song", "> > > and I can feel I'm breaking free > > >", "song lyrics. I feel like the use of comma seems to be a", "dwells > > > To guard against the cold > > > That", "place > > > Silver shines, the world dines > > > A", "tell me if there are indeed rules and what they are? I am", "> > Into the dawn > > > Oh, I wish I could", "smile on each face > > > As joy surrounds, comfort abounds >", "because you could put commas in more places in the lyrics, but the", "it goes > > > I long to stay, > > > Where", "> > I look to you > > > Like a red rose", "dawn > > > Knowing time betrays > > > Daylights pass through", "been wondering what are the rules of punctuation in song lyrics. I feel", "The following is the short version of \"The Edge of Dawn\". > >", "> Scorched by flames of a force I can't run from > >", "> Knowing time betrays > > > Daylights pass through colored glass >", "abounds > > > and I can feel I'm breaking free > >", "free > > > For just this moment lost in time. > >", "> No matter where it goes > > > I long to stay,", "bit inconsistent in song lyrics and they never seem to use dots. So", "colored glass > > > In this beloved place > > > Silver", "know so well > > > I have been wondering what are the", "and I can feel I'm breaking free > > > For just this", "soar away > > > Into the dawn > > > Oh, I", "> For just this moment lost in time. > > > I am", "so well > > > I have been wondering what are the rules", "I could stay > > > Here in cherished halls, > > >", "lyrics and they never seem to use dots. So could someone tell me", "rules and what they are? I am asking, because you could put commas", "Yet still I hide > > > Behind this mask that I have", "A smile on each face > > > As joy surrounds, comfort abounds", "Scorched by flames of a force I can't run from > > >", "to use dots. So could someone tell me if there are indeed rules", "> In peaceful days > > > I fear the edge of dawn", "in more places in the lyrics, but the person who wrote it didn't", "rose > > > Seeking the sun > > > No matter where", "I fear the edge of dawn > > > Knowing time betrays >", "I'm breaking free > > > For just this moment lost in time.", "So could someone tell me if there are indeed rules and what they", "more places in the lyrics, but the person who wrote it didn't and", "and they never seem to use dots. So could someone tell me if", "of Dawn\". > > Reach for my hand, > > > I'll soar", "commas in more places in the lyrics, but the person who wrote it", "> > > I look to you > > > Like a red", "have become > > > My blackened heart > > > Scorched by", "> > I'll soar away > > > Into the dawn > >", "beloved place > > > Silver shines, the world dines > > >", "> My blackened heart > > > Scorched by flames of a force", "long to stay, > > > Where the light dwells > > >", "> > > In this beloved place > > > Silver shines, the", "feel I'm breaking free > > > For just this moment lost in", "in the lyrics, but the person who wrote it didn't and I would", "from > > > I look to you > > > Like a", "flames of a force I can't run from > > > I look", "<https://fireemblem.fandom.com/wiki/The_Edge_of_Dawn_(Seasons_of_Warfare)> The following is the short version of \"The Edge of Dawn\". >", "blackened heart > > > Scorched by flames of a force I can't", "of a force I can't run from > > > I look to", "> > > Silver shines, the world dines > > > A smile", "comfort abounds > > > and I can feel I'm breaking free >", "this mask that I have become > > > My blackened heart >", "places in the lyrics, but the person who wrote it didn't and I", "lyrics. I feel like the use of comma seems to be a bit", "> > > Seeking the sun > > > No matter where it", "> > > My blackened heart > > > Scorched by flames of", "they are? I am asking, because you could put commas in more places", "seems to be a bit inconsistent in song lyrics and they never seem", "Daylights pass through colored glass > > > In this beloved place >", "you could put commas in more places in the lyrics, but the person", "am finally me > > > Yet still I hide > > >", "halls, > > > In peaceful days > > > I fear the", "> and I can feel I'm breaking free > > > For just", "inconsistent in song lyrics and they never seem to use dots. So could", "the sun > > > No matter where it goes > > >", "they never seem to use dots. So could someone tell me if there", "For just this moment lost in time. > > > I am finally", "if there are indeed rules and what they are? I am asking, because", "Dawn\". > > Reach for my hand, > > > I'll soar away", "each face > > > As joy surrounds, comfort abounds > > >", "me > > > Yet still I hide > > > Behind this", "> > I fear the edge of dawn > > > Knowing time", "Like a red rose > > > Seeking the sun > > >", "a force I can't run from > > > I look to you", "I long to stay, > > > Where the light dwells > >", "> > > Into the dawn > > > Oh, I wish I", "red rose > > > Seeking the sun > > > No matter", "a bit inconsistent in song lyrics and they never seem to use dots.", "Edge of Dawn\". > > Reach for my hand, > > > I'll", "Where the light dwells > > > To guard against the cold >", "and what they are? I am asking, because you could put commas in", "asking, because you could put commas in more places in the lyrics, but", "look to you > > > Like a red rose > > >", "that I have become > > > My blackened heart > > >", "I have become > > > My blackened heart > > > Scorched", "heart > > > Scorched by flames of a force I can't run", "could put commas in more places in the lyrics, but the person who", "> > Yet still I hide > > > Behind this mask that", "you > > > Like a red rose > > > Seeking the", "put commas in more places in the lyrics, but the person who wrote", "> > > Like a red rose > > > Seeking the sun", "> > Here in cherished halls, > > > In peaceful days >", "> > In this beloved place > > > Silver shines, the world", "> > > I have been wondering what are the rules of punctuation", "by flames of a force I can't run from > > > I", "hand, > > > I'll soar away > > > Into the dawn", "I have been wondering what are the rules of punctuation in song lyrics.", "the use of comma seems to be a bit inconsistent in song lyrics", "comma seems to be a bit inconsistent in song lyrics and they never", "rules of punctuation in song lyrics. I feel like the use of comma", "> > I have been wondering what are the rules of punctuation in", "Oh, I wish I could stay > > > Here in cherished halls,", "> > In peaceful days > > > I fear the edge of", "> Seeking the sun > > > No matter where it goes >", "> > A smile on each face > > > As joy surrounds,", "> > > That I know so well > > > I have", "run from > > > I look to you > > > Like", "To guard against the cold > > > That I know so well", "> > That I know so well > > > I have been", "> > Knowing time betrays > > > Daylights pass through colored glass", "dots. So could someone tell me if there are indeed rules and what", "I'll soar away > > > Into the dawn > > > Oh,", "> > Scorched by flames of a force I can't run from >", "where it goes > > > I long to stay, > > >", "use dots. So could someone tell me if there are indeed rules and", "in song lyrics and they never seem to use dots. So could someone", "for my hand, > > > I'll soar away > > > Into", "dines > > > A smile on each face > > > As", "> > > For just this moment lost in time. > > >", "become > > > My blackened heart > > > Scorched by flames", "> > > I long to stay, > > > Where the light", "are the rules of punctuation in song lyrics. I feel like the use", "feel like the use of comma seems to be a bit inconsistent in", "I am asking, because you could put commas in more places in the", "lyrics, but the person who wrote it didn't and I would like to", "the short version of \"The Edge of Dawn\". > > Reach for my", "> > For just this moment lost in time. > > > I", "of comma seems to be a bit inconsistent in song lyrics and they", "> Into the dawn > > > Oh, I wish I could stay", "I can't run from > > > I look to you > >", "> That I know so well > > > I have been wondering", "Knowing time betrays > > > Daylights pass through colored glass > >", "in song lyrics. I feel like the use of comma seems to be", "goes > > > I long to stay, > > > Where the", "this beloved place > > > Silver shines, the world dines > >", "can't run from > > > I look to you > > >", "> I'll soar away > > > Into the dawn > > >", "stay > > > Here in cherished halls, > > > In peaceful", "fear the edge of dawn > > > Knowing time betrays > >", "> Where the light dwells > > > To guard against the cold", "what are the rules of punctuation in song lyrics. I feel like the", "> > > A smile on each face > > > As joy", "never seem to use dots. So could someone tell me if there are", "> In this beloved place > > > Silver shines, the world dines", "there are indeed rules and what they are? I am asking, because you", "> > As joy surrounds, comfort abounds > > > and I can", "> > Reach for my hand, > > > I'll soar away >", "be a bit inconsistent in song lyrics and they never seem to use", "> Reach for my hand, > > > I'll soar away > >", "> > > Daylights pass through colored glass > > > In this", "> Like a red rose > > > Seeking the sun > >", "are indeed rules and what they are? I am asking, because you could", "> > and I can feel I'm breaking free > > > For", "light dwells > > > To guard against the cold > > >", "sun > > > No matter where it goes > > > I", "cold > > > That I know so well > > > I", "to be a bit inconsistent in song lyrics and they never seem to", "in time. > > > I am finally me > > > Yet", "the person who wrote it didn't and I would like to know why.", "> As joy surrounds, comfort abounds > > > and I can feel", "> > To guard against the cold > > > That I know", "> Here in cherished halls, > > > In peaceful days > >", "this moment lost in time. > > > I am finally me >", "peaceful days > > > I fear the edge of dawn > >", "the edge of dawn > > > Knowing time betrays > > >", "a red rose > > > Seeking the sun > > > No", "Behind this mask that I have become > > > My blackened heart", "breaking free > > > For just this moment lost in time. >", "wondering what are the rules of punctuation in song lyrics. I feel like", "like the use of comma seems to be a bit inconsistent in song", "Here in cherished halls, > > > In peaceful days > > >", "still I hide > > > Behind this mask that I have become", "> Behind this mask that I have become > > > My blackened", "on each face > > > As joy surrounds, comfort abounds > >", "time betrays > > > Daylights pass through colored glass > > >", "> > Seeking the sun > > > No matter where it goes", "moment lost in time. > > > I am finally me > >", "through colored glass > > > In this beloved place > > >", "in cherished halls, > > > In peaceful days > > > I", "pass through colored glass > > > In this beloved place > >", "shines, the world dines > > > A smile on each face >", "As joy surrounds, comfort abounds > > > and I can feel I'm", "> > Daylights pass through colored glass > > > In this beloved", "days > > > I fear the edge of dawn > > >", "of punctuation in song lyrics. I feel like the use of comma seems", "> A smile on each face > > > As joy surrounds, comfort", "> Daylights pass through colored glass > > > In this beloved place", "world dines > > > A smile on each face > > >", "the world dines > > > A smile on each face > >", "> To guard against the cold > > > That I know so", "following is the short version of \"The Edge of Dawn\". > > Reach", "In this beloved place > > > Silver shines, the world dines >" ]
[ "everyone. I am a big fan of Lock stock and two smoking barrels,", "crime family, and he sends his sons on this mission. This is *Gang", "who guards the mortal realm. There is a threat to the mortal realm,", "from the treasury). But also, the leader of the King's Guard wants revenge", "the sword, for power, but they also want to retrieve the son in", "being who guards the mortal realm. There is a threat to the mortal", "his quest, but they were separated. Now he is coming back to help", "you to be able to answer this question: There is a sword of", "gang, Gang 7. Whatever, it is for you to decide. Then you have", "the destined one, and is kind of a failed mentor to him. He", "characters, meet in a messy, complex confrontation. But I'm wondering, can this kind", "God, which is why Gang 1* stole the sword to begin with. But", "stock and two smoking barrels, and the way those kinds of narratives play", "bounty hunter, who is coming to retrieve the wanted Knight, or Gang 8.", "barrels, and the way those kinds of narratives play out, when all the", "narratives play out, when all the subplots, with all their unrelated characters, meet", "unrelated characters, meet in a messy, complex confrontation. But I'm wondering, can this", "destined one who wields it. The destined one has two companions. These three", "one of the members in Gang 1. We'll call these people Gang 2.", "company taking people from one dock to an island, and then further from", "you have the knight, who is wanted and has been through hell. He", "subplots, with all their unrelated characters, meet in a messy, complex confrontation. But", "characters have had sufficient time to have their stories told and their motives", "is a threat to the mortal realm, an invading God, which is why", "as he is a more capable fighter. We will refer to him as", "kind of a failed mentor to him. He was supposed to guide him", "their unrelated characters, meet in a messy, complex confrontation. But I'm wondering, can", "These three we'll call Gang 1, for simplicity. Then you have the King's", "to him. He was supposed to guide him on his quest, but they", "merely a child, and the powerful being believes the sword is better in", "realm, an invading God, which is why Gang 1 stole the sword to", "destroy the sword, both due to conviction but also personal motives. He and", "one, and is kind of a failed mentor to him. He was supposed", "who is coming to retrieve the wanted Knight, or Gang 8.* We will", "Whatever, it is for you to decide. Then you have the knight, who", "that's everyone. I am a big fan of Lock stock and two smoking", "a McGuffin, and a destined one* who wields it. The destined one has", "the destined one within Gang 1 is merely a child, and the powerful", "a sword of great power, a McGuffin, and a destined one* who wields", "treasury). But also, the leader of the King's Guard wants revenge on one", "Just so it is clear, all these characters have had sufficient time to", "boss, though he is of a prominent crime family, and he sends his", "or Gang 8. We will refer to him as Gang 9. And finally,", "powerful being* who guards the mortal realm. There is a threat to the", "will refer to him as Gang 10. And that's everyone. I am a", "you have the destroyer, who has hired a crew, so he can destroy", "the King's Guard wants revenge on one of the members in Gang 1.", "some preliminary information for you to be able to answer this question: There", "to answer this question: There is a sword of great power, a McGuffin,", "mutiny within Gang 5, which will be Gang 6. He also has personal", "this kind of stuff be too complex? Too complicated? Too disorienting? Just so", "then further from that island to two different countries. But he takes his", "there is some preliminary information for you to be able to answer this", "has hired a crew, so he can destroy the sword, both due to", "educated, and therefore knows the power of the sword, and therefore decides he", "all these characters have had sufficient time to have their stories told and", "and his crew is kind of Gang 1, but also kind of another", "is Gang 4, and he is in a feud with Gang 3. Also,", "separated. Now he is coming back to help him. Despite being one man,", "to him as Gang 9. And finally, we have a powerful being who", "who is wanted and has been through hell. He knows the destined one,", "captain of the boat Gang 1 is travelling with. He sails for a", "from one dock to an island, and then further from that island to", "countries. But he takes his job very seriously. His motto is \"I always", "begin with. But the destined one within Gang 1 is merely a child,", "of another gang, Gang 7. Whatever, it is for you to decide. Then", "one* within Gang 1 is merely a child, and the powerful being believes", "for a travelling company taking people from one dock to an island, and", "to two different countries. But he takes his job very seriously. His motto", "messy, complex confrontation. But I'm wondering, can this kind of stuff be too", "too complex? Too complicated? Too disorienting? Just so it is clear, all these", "sons are one of the destined one's companions. So, his sons want to", "his crew is kind of Gang 1, but also kind of another gang,", "clear, all these characters have had sufficient time to have their stories told", "also kind of another gang, Gang 7. Whatever, it is for you to", "the sword, and therefore decides he doesn't want it destroyed, but rather in", "fathers shoes of being a captain (this all happens at sea, like a", "with. He sails for a travelling company taking people from one dock to", "His motto is \"I always get my passengers to their destination\". He and", "5 is someone who is a bit more educated, and therefore knows the", "we have another crime boss, though he is of a prominent crime family,", "an island, and then further from that island to two different countries. But", "to him as Gang 10. And that's everyone. I am a big fan", "a bit of a grudge to someone in Gang 1. Then we have", "of Gang 1, but also kind of another gang, Gang 7. Whatever, it", "ship battle, boarding, fighting, etc.) Then you have the captain of the boat", "revenge on one of the members in Gang 1. We'll call these people", "him as Gang 10. And that's everyone. I am a big fan of", "with Gang 3*. Also, one of his sons are one of the destined", "Gang 1 is travelling with. He sails for a travelling company taking people", "super-skilled bounty hunter, who is coming to retrieve the wanted Knight, or *Gang", "is merely a child, and the powerful being* believes the sword is better", "also has a bit of a grudge to someone in Gang 1. Then", "retrieve the son in Gang 1. Then you have the destroyer, who has", "9.** And finally, we have a powerful being who guards the mortal realm.", "complicated? Too disorienting? Just so it is clear, all these characters have had", "King's Guard wants revenge on one of the members in Gang 1. We'll", "complex confrontation. But I'm wondering, can this kind of stuff be too complex?", "family, and he sends his sons on this mission. This is Gang 4,", "also wants the sword, for power. Him and his men we'll call Gang", "crime boss, though he is of a prominent crime family, and he sends", "in his hands, as he is a more capable fighter. We will refer", "to retrieve the sword (it was stolen from the treasury). But also, the", "therefore knows the power of the sword, and therefore decides he doesn't want", "But also, the leader of the King's Guard wants revenge on one of", "son in Gang 1.** Then you have the destroyer, who has hired a", "of the members in Gang 1. We'll call these people Gang 2. Then", "1** stole the sword to begin with. But the destined one within *Gang", "a messy, complex confrontation. But I'm wondering, can this kind of stuff be", "McGuffin, and a destined one* who wields it. The destined one has two", "his hands, as he is a more capable fighter. We will refer to", "the leader of the King's Guard wants revenge on one of the members", "crew, so he can destroy the sword, both due to conviction but also", "Okay, there is some preliminary information for you to be able to answer", "take the sword, for power, but they also want to retrieve the son", "who wields it. The destined one has two companions. These three we'll call", "for power, but they also want to retrieve the son in Gang 1.", "destined one, and is kind of a failed mentor to him. He was", "wanted and has been through hell. He knows the destined one, and is", "Within Gang 5* is someone who is a bit more educated, and therefore", "is kind of a failed mentor to him. He was supposed to guide", "to the mortal realm, an invading God, which is why Gang 1 stole", "it is for you to decide. Then you have the knight, who is", "believes the sword is better in his hands, as he is a more", "8. We will refer to him as Gang 9. And finally, we have", "only take the sword, for power, but they also want to retrieve the", "passengers to their destination\". He and his crew is kind of Gang 1,", "he can destroy the sword, both due to conviction but also personal motives.", "crime boss, who also wants the sword, for power. Him and his men", "(this all happens at sea, like a big ship battle, boarding, fighting, etc.)", "why Gang 1** stole the sword to begin with. But the destined one", "want to retrieve the sword (it was stolen from the treasury). But also,", "hell. He knows the destined one, and is kind of a failed mentor", "power, a McGuffin, and a destined one who wields it. The destined one", "destination\". He and his crew is kind of Gang 1, but also kind", "of a grudge to someone in Gang 1. Then we have another crime", "as Gang 9. And finally, we have a powerful being who guards the", "from that island to two different countries. But he takes his job very", "is travelling with. He sails for a travelling company taking people from one", "people Gang 2. Then there is this crime boss, who also wants the", "for simplicity. Then you have the King's Guard, who want to retrieve the", "as Gang 8. Then you have the renowned, super-skilled bounty hunter, who is", "the boat Gang 1 is travelling with. He sails for a travelling company", "to guide him on his quest, but they were separated. Now he is", "He knows the destined one, and is kind of a failed mentor to", "Gang 1. Then we have another crime boss, though he is of a", "boss, who also wants the sword, for power. Him and his men we'll", "have the renowned, super-skilled bounty hunter, who is coming to retrieve the wanted", "I'm wondering, can this kind of stuff be too complex? Too complicated? Too", "Gang 3. Also, one of his sons are one of the destined one's", "coming to retrieve the wanted Knight, or Gang 8. We will refer to", "And that's everyone. I am a big fan of Lock stock and two", "through hell. He knows the destined one, and is kind of a failed", "his crew is Gang 5.* Within Gang 5 is someone who is a", "a child, and the powerful being believes the sword is better in his", "power, but they also want to retrieve the son in Gang 1. Then", "sword, for power, but they also want to retrieve the son in *Gang", "of the sword, and therefore decides he doesn't want it destroyed, but rather", "powerful being believes the sword is better in his hands, as he is", "bit more educated, and therefore knows the power of the sword, and therefore", "crew is Gang 5. Within Gang 5 is someone who is a bit", "him as Gang 8. Then you have the renowned, super-skilled bounty hunter, who", "a crew, so he can destroy the sword, both due to conviction but", "fill his fathers shoes of being a captain (this all happens at sea,", "within Gang 5, which will be Gang 6. He also has personal motives", "kinds of narratives play out, when all the subplots, with all their unrelated", "of being a captain (this all happens at sea, like a big ship", "threat to the mortal realm, an invading God, which is why Gang 1", "it. The destined one has two companions. These three we'll call Gang 1,", "Gang 2. Then there is this crime boss, who also wants the sword,", "have the King's Guard, who want to retrieve the sword (it was stolen", "to him as Gang 8. Then you have the renowned, super-skilled bounty hunter,", "you have the renowned, super-skilled bounty hunter, who is coming to retrieve the", "is Gang 5. Within Gang 5 is someone who is a bit more", "on his quest, but they were separated. Now he is coming back to", "he sends his sons on this mission. This is Gang 4, and he", "but they were separated. Now he is coming back to help him. Despite", "he doesn't want it destroyed, but rather in his hands. So, he stages", "Gang 10. And that's everyone. I am a big fan of Lock stock", "hired a crew, so he can destroy the sword, both due to conviction", "he stages a mutiny within Gang 5, which will be Gang 6. He", "we will refer to him as Gang 8.* Then you have the renowned,", "you to decide. Then you have the knight, who is wanted and has", "have the knight, who is wanted and has been through hell. He knows", "is coming to retrieve the wanted Knight, or Gang 8. We will refer", "has two companions. These three we'll call Gang 1, for simplicity. Then you", "members in Gang 1. We'll call these people Gang 2. Then there is", "He also has personal motives involved in this, as he wants to fill", "he is a more capable fighter. We will refer to him as *Gang", "power of the sword, and therefore decides he doesn't want it destroyed, but", "the sword to begin with. 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And", "But the destined one within Gang 1 is merely a child, and the", "have had sufficient time to have their stories told and their motives made", "he takes his job very seriously. His motto is \"I always get my", "kind of Gang 1, but also kind of another gang, Gang 7. Whatever,", "his hands. So, he stages a mutiny within Gang 5, which will be", "two smoking barrels, and the way those kinds of narratives play out, when", "is a bit more educated, and therefore knows the power of the sword,", "this mission. This is Gang 4, and he is in a feud with", "the subplots, with all their unrelated characters, meet in a messy, complex confrontation.", "motto is \"I always get my passengers to their destination\". He and his", "call these people Gang 2. Then there is this crime boss, who also", "Despite being one man, we will refer to him as Gang 8. Then", "hunter, who is coming to retrieve the wanted Knight, or Gang 8. We", "Gang 8. We will refer to him as Gang 9. And finally, we", "3*. Also, one of his sons are one of the destined one's* companions.", "rather in his hands. So, he stages a mutiny within Gang 5, which", "and he sends his sons on this mission. This is Gang 4, and", "call Gang 3. He also has a bit of a grudge to someone", "for you to decide. Then you have the knight, who is wanted and", "Gang 8. Then you have the renowned, super-skilled bounty hunter, who is coming", "a grudge to someone in Gang 1. Then we have another crime boss,", "he is coming back to help him. Despite being one man, we will", "simplicity. Then you have the King's Guard, who want to retrieve the sword", "is this crime boss, who also wants the sword, for power. Him and", "will refer to him as Gang 9. And finally, we have a powerful", "Knight, or Gang 8.* We will refer to him as Gang 9. And", "of great power, a McGuffin, and a destined one who wields it. The", "one dock to an island, and then further from that island to two", "the power of the sword, and therefore decides he doesn't want it destroyed,", "destined one's* companions. So, his sons want to not only take the sword,", "another gang, Gang 7. Whatever, it is for you to decide. Then you", "to retrieve the wanted Knight, or Gang 8. We will refer to him", "have a powerful being who guards the mortal realm. There is a threat", "has personal motives involved in this, as he wants to fill his fathers", "(it was stolen from the treasury). But also, the leader of the King's", "those kinds of narratives play out, when all the subplots, with all their", "So, he stages a mutiny within Gang 5, which will be Gang 6.", "invading God, which is why Gang 1* stole the sword to begin with.", "the sword is better in his hands, as he is a more capable", "So, his sons want to not only take the sword, for power, but", "is some preliminary information for you to be able to answer this question:", "two companions. These three we'll call Gang 1, for simplicity. Then you have", "7*. Whatever, it is for you to decide. Then you have the knight,", "has been through hell. He knows the destined one, and is kind of", "all happens at sea, like a big ship battle, boarding, fighting, etc.) Then", "but they also want to retrieve the son in Gang 1.* Then you", "personal motives. He and his crew is Gang 5. Within Gang 5 is", "knows the destined one, and is kind of a failed mentor to him.", "and he is in a feud with Gang 3. Also, one of his", "are one of the destined one's companions. So, his sons want to not", "one of his sons are one of the destined one's companions. So, his", "to fill his fathers shoes of being a captain (this all happens at", "like a big ship battle, boarding, fighting, etc.) Then you have the captain", "to begin with. But the destined one within Gang 1 is merely a", "grudge to someone in Gang 1. Then we have another crime boss, though", "3. He also has a bit of a grudge to someone in Gang", "as he wants to fill his fathers shoes of being a captain (this", "you have the King's Guard, who want to retrieve the sword (it was", "answer this question: There is a sword of great power, a McGuffin, and", "is wanted and has been through hell. He knows the destined one, and", "in Gang 1. Then you have the destroyer, who has hired a crew,", "have the captain of the boat Gang 1 is travelling with. He sails", "different countries. But he takes his job very seriously. His motto is \"I", "in his hands. So, he stages a mutiny within Gang 5, which will", "a travelling company taking people from one dock to an island, and then", "people from one dock to an island, and then further from that island", "kind of stuff be too complex? Too complicated? Too disorienting? Just so it", "him as Gang 9. And finally, we have a powerful being who guards", "power. Him and his men we'll call Gang 3. He also has a", "sea, like a big ship battle, boarding, fighting, etc.) Then you have the", "also want to retrieve the son in Gang 1. Then you have the", "But I'm wondering, can this kind of stuff be too complex? Too complicated?", "I am a big fan of Lock stock and two smoking barrels, and", "mentor to him. He was supposed to guide him on his quest, but", "who also wants the sword, for power. Him and his men we'll call", "one who wields it. The destined one has two companions. These three we'll", "the way those kinds of narratives play out, when all the subplots, with", "bit of a grudge to someone in Gang 1. Then we have another", "He sails for a travelling company taking people from one dock to an", "sons on this mission. This is Gang 4, and he is in a", "6*. He also has personal motives involved in this, as he wants to", "to not only take the sword, for power, but they also want to", "a threat to the mortal realm, an invading God, which is why Gang", "But he takes his job very seriously. His motto is \"I always get", "is why Gang 1* stole the sword to begin with. But the destined", "which is why Gang 1* stole the sword to begin with. But the", "he wants to fill his fathers shoes of being a captain (this all", "sends his sons on this mission. This is Gang 4, and he is", "out, when all the subplots, with all their unrelated characters, meet in a", "doesn't want it destroyed, but rather in his hands. So, he stages a", "1, but also kind of another gang, Gang 7. Whatever, it is for", "stolen from the treasury). But also, the leader of the King's Guard wants", "failed mentor to him. He was supposed to guide him on his quest,", "stole the sword to begin with. But the destined one* within Gang 1", "Gang 5. Within Gang 5 is someone who is a bit more educated,", "fighter. We will refer to him as Gang 10. And that's everyone. I", "1.** Then you have the destroyer, who has hired a crew, so he", "Gang 4, and he is in a feud with Gang 3. Also, one", "the son in Gang 1. Then you have the destroyer, who has hired", "the mortal realm, an invading God, which is why Gang 1 stole the", "who is a bit more educated, and therefore knows the power of the", "sword to begin with. But the destined one within Gang 1 is merely", "to an island, and then further from that island to two different countries.", "the sword, for power. Him and his men we'll call Gang 3. He", "preliminary information for you to be able to answer this question: There is", "an invading God, which is why Gang 1 stole the sword to begin", "which will be Gang 6. He also has personal motives involved in this,", "meet in a messy, complex confrontation. But I'm wondering, can this kind of", "King's Guard, who want to retrieve the sword (it was stolen from the", "on one of the members in Gang 1. We'll call these people Gang", "stages a mutiny within Gang 5, which will be Gang 6. He also", "very seriously. His motto is \"I always get my passengers to their destination\".", "1. Then we have another crime boss, though he is of a prominent", "someone who is a bit more educated, and therefore knows the power of", "4, and he is in a feud with Gang 3*. Also, one of", "There is a sword of great power, a McGuffin, and a destined one", "mission. This is Gang 4, and he is in a feud with Gang", "decides he doesn't want it destroyed, but rather in his hands. So, he", "all the subplots, with all their unrelated characters, meet in a messy, complex", "wants revenge on one of the members in Gang 1.* We'll call these", "another crime boss, though he is of a prominent crime family, and he", "Gang 1, for simplicity. Then you have the King's Guard, who want to", "takes his job very seriously. His motto is \"I always get my passengers", "companions. These three we'll call Gang 1, for simplicity. Then you have the", "of the destined one's companions. So, his sons want to not only take", "will be Gang 6. He also has personal motives involved in this, as", "crew is kind of Gang 1, but also kind of another gang, Gang", "wondering, can this kind of stuff be too complex? Too complicated? Too disorienting?", "to their destination\". He and his crew is kind of Gang 1, but", "1 is merely a child, and the powerful being believes the sword is", "The destined one has two companions. These three we'll call Gang 1, for", "knows the power of the sword, and therefore decides he doesn't want it", "hands, as he is a more capable fighter. We will refer to him", "is a more capable fighter. We will refer to him as Gang 10.", "has a bit of a grudge to someone in Gang 1. Then we", "We will refer to him as Gang 9. And finally, we have a", "in this, as he wants to fill his fathers shoes of being a", "but also personal motives. He and his crew is Gang 5.* Within *Gang", "a destined one* who wields it. The destined one has two companions. These", "be too complex? Too complicated? Too disorienting? Just so it is clear, all", "Gang 1, but also kind of another gang, Gang 7. Whatever, it is", "is of a prominent crime family, and he sends his sons on this", "sword, for power. Him and his men we'll call Gang 3. He also", "though he is of a prominent crime family, and he sends his sons", "Him and his men we'll call Gang 3. He also has a bit", "is a sword of great power, a McGuffin, and a destined one who", "am a big fan of Lock stock and two smoking barrels, and the", "his sons are one of the destined one's companions. So, his sons want", "and has been through hell. He knows the destined one, and is kind", "mortal realm. There is a threat to the mortal realm, an invading God,", "this question: There is a sword of great power, a McGuffin, and a", "sword, and therefore decides he doesn't want it destroyed, but rather in his", "personal motives involved in this, as he wants to fill his fathers shoes", "the King's Guard, who want to retrieve the sword (it was stolen from", "and his men we'll call Gang 3. He also has a bit of", "Then you have the King's Guard, who want to retrieve the sword (it", "Then we have another crime boss, though he is of a prominent crime", "one man, we will refer to him as Gang 8. Then you have", "big fan of Lock stock and two smoking barrels, and the way those", "child, and the powerful being believes the sword is better in his hands,", "and is kind of a failed mentor to him. He was supposed to", "and a destined one who wields it. The destined one has two companions.", "can destroy the sword, both due to conviction but also personal motives. He", "1 is travelling with. He sails for a travelling company taking people from", "Gang 9.** And finally, we have a powerful being who guards the mortal", "renowned, super-skilled bounty hunter, who is coming to retrieve the wanted Knight, or", "the treasury). But also, the leader of the King's Guard wants revenge on", "Gang 1 stole the sword to begin with. But the destined one within", "for power. Him and his men we'll call Gang 3. He also has", "sons want to not only take the sword, for power, but they also", "of a failed mentor to him. He was supposed to guide him on", "will refer to him as Gang 8. Then you have the renowned, super-skilled", "guards the mortal realm. There is a threat to the mortal realm, an", "but rather in his hands. So, he stages a mutiny within Gang 5,", "stuff be too complex? Too complicated? Too disorienting? Just so it is clear,", "10.* And that's everyone. I am a big fan of Lock stock and", "way those kinds of narratives play out, when all the subplots, with all", "travelling company taking people from one dock to an island, and then further", "big ship battle, boarding, fighting, etc.) Then you have the captain of the", "decide. Then you have the knight, who is wanted and has been through", "destroyed, but rather in his hands. So, he stages a mutiny within Gang", "but also kind of another gang, Gang 7. Whatever, it is for you", "with all their unrelated characters, meet in a messy, complex confrontation. But I'm", "in a messy, complex confrontation. But I'm wondering, can this kind of stuff", "realm. There is a threat to the mortal realm, an invading God, which", "Now he is coming back to help him. Despite being one man, we", "also personal motives. He and his crew is Gang 5.* Within Gang 5", "want it destroyed, but rather in his hands. So, he stages a mutiny", "a captain (this all happens at sea, like a big ship battle, boarding,", "his men we'll call Gang 3. He also has a bit of a", "one of the destined one's companions. So, his sons want to not only", "and therefore decides he doesn't want it destroyed, but rather in his hands.", "Then you have the knight, who is wanted and has been through hell.", "this, as he wants to fill his fathers shoes of being a captain", "further from that island to two different countries. But he takes his job", "be able to answer this question: There is a sword of great power,", "all their unrelated characters, meet in a messy, complex confrontation. But I'm wondering,", "a big fan of Lock stock and two smoking barrels, and the way", "had sufficient time to have their stories told and their motives made clear.", "Gang 5, which will be Gang 6. He also has personal motives involved", "boarding, fighting, etc.) Then you have the captain of the boat Gang 1", "complex? Too complicated? Too disorienting? Just so it is clear, all these characters", "this crime boss, who also wants the sword, for power. Him and his", "the mortal realm. There is a threat to the mortal realm, an invading", "when all the subplots, with all their unrelated characters, meet in a messy,", "therefore decides he doesn't want it destroyed, but rather in his hands. So,", "happens at sea, like a big ship battle, boarding, fighting, etc.) Then you", "We will refer to him as Gang 10.* And that's everyone. I am", "Too disorienting? Just so it is clear, all these characters have had sufficient", "island, and then further from that island to two different countries. But he", "one's* companions. So, his sons want to not only take the sword, for", "etc.) Then you have the captain of the boat Gang 1 is travelling", "of stuff be too complex? Too complicated? Too disorienting? Just so it is", "island to two different countries. But he takes his job very seriously. His", "Gang 1. Then you have the destroyer, who has hired a crew, so", "who want to retrieve the sword (it was stolen from the treasury). But", "these characters have had sufficient time to have their stories told and their", "for you to be able to answer this question: There is a sword", "and his crew is Gang 5. Within Gang 5 is someone who is", "the powerful being believes the sword is better in his hands, as he", "quest, but they were separated. Now he is coming back to help him.", "Too complicated? Too disorienting? Just so it is clear, all these characters have", "as Gang 10. And that's everyone. I am a big fan of Lock", "Then you have the renowned, super-skilled bounty hunter, who is coming to retrieve", "Gang 3. He also has a bit of a grudge to someone in", "more capable fighter. We will refer to him as Gang 10.* And that's", "the wanted Knight, or Gang 8. We will refer to him as Gang", "dock to an island, and then further from that island to two different", "someone in Gang 1. Then we have another crime boss, though he is", "1, for simplicity. Then you have the King's Guard, who want to retrieve", "travelling with. He sails for a travelling company taking people from one dock", "companions. So, his sons want to not only take the sword, for power,", "the members in Gang 1. We'll call these people Gang 2. Then there", "with. But the destined one within Gang 1 is merely a child, and", "the destined one's companions. So, his sons want to not only take the", "of the King's Guard wants revenge on one of the members in Gang", "\"I always get my passengers to their destination\". He and his crew is", "guide him on his quest, but they were separated. Now he is coming", "disorienting? Just so it is clear, all these characters have had sufficient time", "8. Then you have the renowned, super-skilled bounty hunter, who is coming to", "mortal realm, an invading God, which is why Gang 1 stole the sword", "information for you to be able to answer this question: There is a", "retrieve the sword (it was stolen from the treasury). But also, the leader", "of a prominent crime family, and he sends his sons on this mission.", "Then you have the destroyer, who has hired a crew, so he can", "so he can destroy the sword, both due to conviction but also personal", "and the powerful being believes the sword is better in his hands, as", "supposed to guide him on his quest, but they were separated. Now he", "was stolen from the treasury). But also, the leader of the King's Guard", "call Gang 1, for simplicity. Then you have the King's Guard, who want", "him. He was supposed to guide him on his quest, but they were", "refer to him as Gang 8. Then you have the renowned, super-skilled bounty", "leader of the King's Guard wants revenge on one of the members in", "wants to fill his fathers shoes of being a captain (this all happens", "to decide. Then you have the knight, who is wanted and has been", "Also, one of his sons are one of the destined one's companions. So,", "He and his crew is Gang 5. Within Gang 5 is someone who", "being one man, we will refer to him as Gang 8. Then you", "been through hell. He knows the destined one, and is kind of a", "three we'll call Gang 1, for simplicity. Then you have the King's Guard,", "it is clear, all these characters have had sufficient time to have their", "sails for a travelling company taking people from one dock to an island,", "get my passengers to their destination\". He and his crew is kind of", "him. Despite being one man, we will refer to him as Gang 8.", "is coming back to help him. Despite being one man, we will refer", "a feud with Gang 3. Also, one of his sons are one of", "wants the sword, for power. Him and his men we'll call Gang 3.", "it destroyed, but rather in his hands. So, he stages a mutiny within", "they were separated. Now he is coming back to help him. Despite being", "wields it. The destined one has two companions. These three we'll call Gang", "him on his quest, but they were separated. Now he is coming back", "capable fighter. We will refer to him as Gang 10. And that's everyone.", "and then further from that island to two different countries. But he takes", "he is in a feud with Gang 3. Also, one of his sons", "in Gang 1. We'll call these people Gang 2. Then there is this", "so it is clear, all these characters have had sufficient time to have", "to be able to answer this question: There is a sword of great", "sword is better in his hands, as he is a more capable fighter.", "Gang 1** is merely a child, and the powerful being believes the sword", "destined one* within Gang 1 is merely a child, and the powerful being", "we'll call Gang 3. He also has a bit of a grudge to", "better in his hands, as he is a more capable fighter. We will", "sword, both due to conviction but also personal motives. He and his crew", "seriously. His motto is \"I always get my passengers to their destination\". He", "involved in this, as he wants to fill his fathers shoes of being", "is for you to decide. Then you have the knight, who is wanted", "help him. Despite being one man, we will refer to him as *Gang", "sword of great power, a McGuffin, and a destined one* who wields it.", "my passengers to their destination\". He and his crew is kind of Gang", "of the boat Gang 1 is travelling with. He sails for a travelling", "We'll call these people Gang 2*. Then there is this crime boss, who", "fan of Lock stock and two smoking barrels, and the way those kinds", "great power, a McGuffin, and a destined one* who wields it. The destined", "the captain of the boat Gang 1* is travelling with. He sails for", "the sword (it was stolen from the treasury). But also, the leader of", "his fathers shoes of being a captain (this all happens at sea, like", "Gang 1. We'll call these people Gang 2. Then there is this crime", "wanted Knight, or Gang 8. We will refer to him as Gang 9.", "their destination\". He and his crew is kind of Gang 1, but also", "refer to him as Gang 10. And that's everyone. I am a big", "was supposed to guide him on his quest, but they were separated. Now", "the renowned, super-skilled bounty hunter, who is coming to retrieve the wanted Knight,", "battle, boarding, fighting, etc.) Then you have the captain of the boat Gang", "to conviction but also personal motives. He and his crew is Gang 5.*", "and two smoking barrels, and the way those kinds of narratives play out,", "is kind of Gang 1, but also kind of another gang, Gang 7.", "confrontation. But I'm wondering, can this kind of stuff be too complex? Too", "destined one has two companions. These three we'll call Gang 1, for simplicity.", "we'll call Gang 1, for simplicity. Then you have the King's Guard, who", "retrieve the wanted Knight, or Gang 8. We will refer to him as", "knight, who is wanted and has been through hell. He knows the destined", "man, we will refer to him as Gang 8.* Then you have the", "is \"I always get my passengers to their destination\". He and his crew", "fighting, etc.) Then you have the captain of the boat Gang 1 is", "have the destroyer, who has hired a crew, so he can destroy the", "to retrieve the son in Gang 1. Then you have the destroyer, who", "He was supposed to guide him on his quest, but they were separated.", "being* believes the sword is better in his hands, as he is a", "his sons on this mission. This is Gang 4, and he is in", "play out, when all the subplots, with all their unrelated characters, meet in", "being a captain (this all happens at sea, like a big ship battle,", "to help him. Despite being one man, we will refer to him as", "job very seriously. His motto is \"I always get my passengers to their", "prominent crime family, and he sends his sons on this mission. This is", "And finally, we have a powerful being who guards the mortal realm. There", "who has hired a crew, so he can destroy the sword, both due", "refer to him as Gang 9. And finally, we have a powerful being", "of his sons are one of the destined one's companions. So, his sons", "not only take the sword, for power, but they also want to retrieve", "captain (this all happens at sea, like a big ship battle, boarding, fighting,", "we have a powerful being who guards the mortal realm. There is a", "question: There is a sword of great power, a McGuffin, and a destined", "Guard wants revenge on one of the members in Gang 1.* We'll call", "He and his crew is kind of Gang 1, but also kind of", "is in a feud with Gang 3. Also, one of his sons are", "back to help him. Despite being one man, we will refer to him", "Lock stock and two smoking barrels, and the way those kinds of narratives", "sword (it was stolen from the treasury). But also, the leader of the", "2. Then there is this crime boss, who also wants the sword, for", "a prominent crime family, and he sends his sons on this mission. This", "he is of a prominent crime family, and he sends his sons on", "due to conviction but also personal motives. He and his crew is Gang", "his sons want to not only take the sword, for power, but they", "one* has two companions. These three we'll call Gang 1, for simplicity. Then", "within Gang 1 is merely a child, and the powerful being believes the", "want to retrieve the son in Gang 1. Then you have the destroyer,", "kind of another gang, Gang 7. Whatever, it is for you to decide.", "coming back to help him. Despite being one man, we will refer to", "finally, we have a powerful being who guards the mortal realm. There is", "hands. So, he stages a mutiny within Gang 5, which will be *Gang", "There is a threat to the mortal realm, an invading God, which is", "always get my passengers to their destination\". He and his crew is kind", "both due to conviction but also personal motives. He and his crew is", "the sword, both due to conviction but also personal motives. He and his", "also, the leader of the King's Guard wants revenge on one of the", "two different countries. But he takes his job very seriously. His motto is", "were separated. Now he is coming back to help him. Despite being one", "a powerful being* who guards the mortal realm. There is a threat to", "a failed mentor to him. He was supposed to guide him on his", "motives involved in this, as he wants to fill his fathers shoes of", "Guard, who want to retrieve the sword (it was stolen from the treasury).", "and therefore knows the power of the sword, and therefore decides he doesn't", "a big ship battle, boarding, fighting, etc.) Then you have the captain of", "motives. He and his crew is Gang 5. Within Gang 5 is someone", "boat Gang 1 is travelling with. He sails for a travelling company taking", "taking people from one dock to an island, and then further from that", "is better in his hands, as he is a more capable fighter. We", "conviction but also personal motives. He and his crew is Gang 5. Within", "in Gang 1. Then we have another crime boss, though he is of", "of narratives play out, when all the subplots, with all their unrelated characters,", "can this kind of stuff be too complex? Too complicated? Too disorienting? Just", "Then you have the captain of the boat Gang 1 is travelling with.", "to someone in Gang 1. Then we have another crime boss, though he", "the destroyer, who has hired a crew, so he can destroy the sword,", "be Gang 6. He also has personal motives involved in this, as he", "these people Gang 2. Then there is this crime boss, who also wants", "men we'll call Gang 3. He also has a bit of a grudge", "and the way those kinds of narratives play out, when all the subplots,", "also has personal motives involved in this, as he wants to fill his", "they also want to retrieve the son in Gang 1. Then you have", "there is this crime boss, who also wants the sword, for power. Him", "Then there is this crime boss, who also wants the sword, for power.", "feud with Gang 3. Also, one of his sons are one of the", "5.* Within Gang 5 is someone who is a bit more educated, and", "1. We'll call these people Gang 2*. Then there is this crime boss,", "smoking barrels, and the way those kinds of narratives play out, when all", "5, which will be Gang 6. He also has personal motives involved in", "in a feud with Gang 3. Also, one of his sons are one", "able to answer this question: There is a sword of great power, a", "his job very seriously. His motto is \"I always get my passengers to", "Gang 7. Whatever, it is for you to decide. Then you have the", "a bit more educated, and therefore knows the power of the sword, and", "more educated, and therefore knows the power of the sword, and therefore decides", "on this mission. This is Gang 4, and he is in a feud", "shoes of being a captain (this all happens at sea, like a big", "Gang 5** is someone who is a bit more educated, and therefore knows", "destroyer, who has hired a crew, so he can destroy the sword, both", "the knight, who is wanted and has been through hell. He knows the", "He also has a bit of a grudge to someone in Gang 1." ]
[ "an example, it would have been easy to think of For Whom the", "distant story of some Gobert Xoqyav - some individual entirely unrelated to me.", "clear: by means of the quote, one can hint at the work's subtext,", "you can't distance yourself in this fashion. You have no right. The tragedy", "because I am involved in Mankinde; And therefore never send to know for", "and more. The advantages are clear: by means of the quote, one can", "quote from another famous work: Aldous Luxjiy's Brave New World, Ernest Hemingway's For", "evokes the right ideas, and is also sufficiently recognisable to be effective, is", "- some individual entirely unrelated to me. But Hemingway tells us - no,", "me, because I am involved in Mankinde; And therefore never send to know", "> Any mans death diminishes me, because I am involved in Mankinde; And", "the bell tolls; It tolls for thee. (Sahm Dennu) > > > Are", "to use a quote from another work as my title, even though I", "Hemingway tells us - no, you can't distance yourself in this fashion. You", "found one? (Finding a quote that says what I want, evokes the right", "central theme. Invoking another work, one can summon a complex array of ideas,", "of ideas, images and emotions using only a few words. As an example,", "be effective, is of course a challenge, but one separate from this question.)", "would not wish to use a quote from another work as my title,", "ideas, and is also sufficiently recognisable to be effective, is of course a", "another work as my title, even though I have found one? (Finding a", "summon a complex array of ideas, images and emotions using only a few", "and is also sufficiently recognisable to be effective, is of course a challenge,", "of works of fiction using for their title a quote from another famous", "means of the quote, one can hint at the work's subtext, say something", "the right ideas, and is also sufficiently recognisable to be effective, is of", "work's subtext, say something about the work on a meta level, stress a", "are clear: by means of the quote, one can hint at the work's", "for whom the bell tolls; It tolls for thee. (Sahm Dennu) > >", "can hint at the work's subtext, say something about the work on a", "my title, even though I have found one? (Finding a quote that says", "Whom the Bell Tolls* as a distant story of some Gobert Xoqyav -", "I am involved in Mankinde; And therefore never send to know for whom", "situations when I would not wish to use a quote from another work", "thee. (Sahm Dennu) > > > Are there disadvantages? *Any situations when I", "one can hint at the work's subtext, say something about the work on", "death diminishes me, because I am involved in Mankinde; And therefore never send", "mans death diminishes me, because I am involved in Mankinde; And therefore never", "even though I have found one? (Finding a quote that says what I", "that says what I want, evokes the right ideas, and is also sufficiently", "Luxjiy's Brave New World, Ernest Hemingway's For Whom the Bell Tolls* and more.", "by means of the quote, one can hint at the work's subtext, say", "Mankinde; And therefore never send to know for whom the bell tolls; It", "meta level, stress a central theme. Invoking another work, one can summon a", "(Sahm Dennu) > > > Are there disadvantages? *Any situations when I would", "some individual entirely unrelated to me. But Hemingway tells us - no, you", "Brave New World, Ernest Hemingway's For Whom the Bell Tolls* and more. The", "Hemingway's For Whom the Bell Tolls and more. The advantages are clear: by", "therefore never send to know for whom the bell tolls; It tolls for", "work, one can summon a complex array of ideas, images and emotions using", "some Gobert Xoqyav - some individual entirely unrelated to me. But Hemingway tells", "title a quote from another famous work: Aldous Luxjiy's Brave New World, Ernest", "for thee. (Sahm Dennu) > > > Are there disadvantages? *Any situations when", "send to know for whom the bell tolls; It tolls for thee. (Sahm", "I would not wish to use a quote from another work as my", "of fiction using for their title a quote from another famous work: Aldous", "tells us - no, you can't distance yourself in this fashion. You have", "also sufficiently recognisable to be effective, is of course a challenge, but one", "something about the work on a meta level, stress a central theme. Invoking", "the quote, one can hint at the work's subtext, say something about the", "are multiple examples of works of fiction using for their title a quote", "words. As an example, it would have been easy to think of For", "work on a meta level, stress a central theme. Invoking another work, one", "say something about the work on a meta level, stress a central theme.", "of For Whom the Bell Tolls as a distant story of some Gobert", "You have no right. The tragedy touches every man. > > Any mans", "emotions using only a few words. As an example, it would have been", "Xoqyav - some individual entirely unrelated to me. But Hemingway tells us -", "for their title a quote from another famous work: Aldous Luxjiy's Brave New", "would have been easy to think of For Whom the Bell Tolls* as", "distance yourself in this fashion. You have no right. The tragedy touches every", "what I want, evokes the right ideas, and is also sufficiently recognisable to", "am involved in Mankinde; And therefore never send to know for whom the", "want, evokes the right ideas, and is also sufficiently recognisable to be effective,", "in Mankinde; And therefore never send to know for whom the bell tolls;", "ideas, images and emotions using only a few words. As an example, it", "have found one? (Finding a quote that says what I want, evokes the", "when I would not wish to use a quote from another work as", "easy to think of For Whom the Bell Tolls as a distant story", "diminishes me, because I am involved in Mankinde; And therefore never send to", "a quote that says what I want, evokes the right ideas, and is", "fiction using for their title a quote from another famous work: Aldous Luxjiy's", "a quote from another famous work: Aldous Luxjiy's Brave New World, Ernest Hemingway's", "Ernest Hemingway's For Whom the Bell Tolls and more. The advantages are clear:", "examples of works of fiction using for their title a quote from another", "The tragedy touches every man. > > Any mans death diminishes me, because", "the Bell Tolls* and more. The advantages are clear: by means of the", "another work, one can summon a complex array of ideas, images and emotions", "disadvantages? *Any situations when I would not wish to use a quote from", "- no, you can't distance yourself in this fashion. You have no right.", "think of For Whom the Bell Tolls* as a distant story of some", "only a few words. As an example, it would have been easy to", "no right. The tragedy touches every man. > > Any mans death diminishes", "every man. > > Any mans death diminishes me, because I am involved", "a quote from another work as my title, even though I have found", "though I have found one? (Finding a quote that says what I want,", "few words. As an example, it would have been easy to think of", "no, you can't distance yourself in this fashion. You have no right. The", "involved in Mankinde; And therefore never send to know for whom the bell", "quote from another work as my title, even though I have found one?", "a few words. As an example, it would have been easy to think", "bell tolls; It tolls for thee. (Sahm Dennu) > > > Are there", "I want, evokes the right ideas, and is also sufficiently recognisable to be", "wish to use a quote from another work as my title, even though", "from another work as my title, even though I have found one? (Finding", "know for whom the bell tolls; It tolls for thee. (Sahm Dennu) >", "to be effective, is of course a challenge, but one separate from this", "As an example, it would have been easy to think of For Whom", "yourself in this fashion. You have no right. The tragedy touches every man.", "in this fashion. You have no right. The tragedy touches every man. >", "this fashion. You have no right. The tragedy touches every man. > >", "using for their title a quote from another famous work: Aldous Luxjiy's Brave", "There are multiple examples of works of fiction using for their title a", "But Hemingway tells us - no, you can't distance yourself in this fashion.", "to think of For Whom the Bell Tolls as a distant story of", "man. > > Any mans death diminishes me, because I am involved in", "Tolls* and more. The advantages are clear: by means of the quote, one", "Are there disadvantages? *Any situations when I would not wish to use a", "stress a central theme. Invoking another work, one can summon a complex array", "can summon a complex array of ideas, images and emotions using only a", "tolls; It tolls for thee. (Sahm Dennu) > > > Are there disadvantages?", "me. 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