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[ "Is it possible that a Cherokee man in his late twenties would have", "Cherokee, prior to the Trail of Tears were bilingual, being educated in both", "educated in both Cherokee and English. Is it possible that a Cherokee man", "in both Cherokee and English. Is it possible that a Cherokee man in", "a fifteen-year-old Caucasian male? Both characters were Christian, educated in schools, and lived", "his late twenties would have the same accent as a fifteen-year-old Caucasian male?", "is my understanding that the Cherokee, prior to the Trail of Tears were", "in his late twenties would have the same accent as a fifteen-year-old Caucasian", "late twenties would have the same accent as a fifteen-year-old Caucasian male? Both", "the Trail of Tears were bilingual, being educated in both Cherokee and English.", "bilingual, being educated in both Cherokee and English. Is it possible that a", "would have the same accent as a fifteen-year-old Caucasian male? Both characters were", "to the Trail of Tears were bilingual, being educated in both Cherokee and", "characters were Christian, educated in schools, and lived in villages of log houses.", "as a fifteen-year-old Caucasian male? Both characters were Christian, educated in schools, and", "have the same accent as a fifteen-year-old Caucasian male? Both characters were Christian,", "Caucasian male? Both characters were Christian, educated in schools, and lived in villages", "it possible that a Cherokee man in his late twenties would have the", "being educated in both Cherokee and English. Is it possible that a Cherokee", "possible that a Cherokee man in his late twenties would have the same", "Cherokee man in his late twenties would have the same accent as a", "the Cherokee, prior to the Trail of Tears were bilingual, being educated in", "both Cherokee and English. Is it possible that a Cherokee man in his", "and English. Is it possible that a Cherokee man in his late twenties", "Tears were bilingual, being educated in both Cherokee and English. Is it possible", "male? Both characters were Christian, educated in schools, and lived in villages of", "Cherokee and English. Is it possible that a Cherokee man in his late", "twenties would have the same accent as a fifteen-year-old Caucasian male? Both characters", "accent as a fifteen-year-old Caucasian male? Both characters were Christian, educated in schools,", "the same accent as a fifteen-year-old Caucasian male? Both characters were Christian, educated", "that the Cherokee, prior to the Trail of Tears were bilingual, being educated", "man in his late twenties would have the same accent as a fifteen-year-old", "of Tears were bilingual, being educated in both Cherokee and English. Is it", "prior to the Trail of Tears were bilingual, being educated in both Cherokee", "It is my understanding that the Cherokee, prior to the Trail of Tears", "understanding that the Cherokee, prior to the Trail of Tears were bilingual, being", "Both characters were Christian, educated in schools, and lived in villages of log", "Trail of Tears were bilingual, being educated in both Cherokee and English. Is", "same accent as a fifteen-year-old Caucasian male? Both characters were Christian, educated in", "English. Is it possible that a Cherokee man in his late twenties would", "were bilingual, being educated in both Cherokee and English. Is it possible that", "a Cherokee man in his late twenties would have the same accent as", "my understanding that the Cherokee, prior to the Trail of Tears were bilingual,", "that a Cherokee man in his late twenties would have the same accent", "fifteen-year-old Caucasian male? Both characters were Christian, educated in schools, and lived in" ]
[ "the terms used in any and all related publications, fiction and non-fiction alike.", "the weight of foreign terms in the story, without sacrificing the main character's", "the story, without sacrificing the main character's voice? It is important to note", "Anything else doesn't really make sense in terms of the narrator's voice. When", "fuller as a \"blood groove\". Trouble is, within the scope of a short", "the Spanish ones. Those are the terms used in any and all related", "field, so he would be using the proper terms, not more general nonspecific", "How can I alleviate the weight of foreign terms in the story, without", "question could apply to other fields.) My POV character lives that particular field,", "story, my beta readers feel overwhelmed by the abundance of terms. What they're", "uses is called a [muleta](https://en.wikipedia.org/wiki/Muleta). No other word exists. Calling it a \"red", "professional swordsman calling the hilt \"a handle\", or worse - referring to a", "can't be figured out from context, but there's just too many, too much", "in English, the proper terms are the Spanish ones. Those are the terms", "is a short story, so spreading the term out more isn't an option.", "a fuller as a \"blood groove\". Trouble is, within the scope of a", "term can't be figured out from context, but there's just too many, too", "weight of foreign terms in the story, without sacrificing the main character's voice?", "writing about bullfighting, but the question could apply to other fields.) My POV", "swordsman calling the hilt \"a handle\", or worse - referring to a fuller", "- referring to a fuller as a \"blood groove\". Trouble is, within the", "with multiple specific terms, none of which are in English. (Specifically, I'm writing", "foreign terms in the story, without sacrificing the main character's voice? It is", "a professional swordsman calling the hilt \"a handle\", or worse - referring to", "as a professional swordsman calling the hilt \"a handle\", or worse - referring", "of a short story, my beta readers feel overwhelmed by the abundance of", "other word exists. Calling it a \"red piece of cloth\" makes as much", "main character's voice? It is important to note this is a short story,", "the matador uses is called a [muleta](https://en.wikipedia.org/wiki/Muleta). No other word exists. Calling it", "to note this is a short story, so spreading the term out more", "of terms. What they're saying is, it's not that the meaning of each", "the hilt \"a handle\", or worse - referring to a fuller as a", "to other fields.) My POV character lives that particular field, so he would", "proper terms are the Spanish ones. Those are the terms used in any", "and non-fiction alike. As an example, the red piece of cloth the matador", "handle\", or worse - referring to a fuller as a \"blood groove\". Trouble", "just too many, too much effort required. How can I alleviate the weight", "in English. (Specifically, I'm writing about bullfighting, but the question could apply to", "hilt \"a handle\", or worse - referring to a fuller as a \"blood", "a particular field with multiple specific terms, none of which are in English.", "alleviate the weight of foreign terms in the story, without sacrificing the main", "bullfighting, but the question could apply to other fields.) My POV character lives", "of cloth the matador uses is called a [muleta](https://en.wikipedia.org/wiki/Muleta). No other word exists.", "else doesn't really make sense in terms of the narrator's voice. When speaking", "general nonspecific words. Anything else doesn't really make sense in terms of the", "terms are the Spanish ones. Those are the terms used in any and", "my beta readers feel overwhelmed by the abundance of terms. What they're saying", "the main character's voice? It is important to note this is a short", "It is important to note this is a short story, so spreading the", "makes as much sense as a professional swordsman calling the hilt \"a handle\",", "voice. When speaking in English, the proper terms are the Spanish ones. Those", "be using the proper terms, not more general nonspecific words. Anything else doesn't", "sense as a professional swordsman calling the hilt \"a handle\", or worse -", "character's voice? It is important to note this is a short story, so", "POV character lives that particular field, so he would be using the proper", "word exists. Calling it a \"red piece of cloth\" makes as much sense", "any and all related publications, fiction and non-fiction alike. As an example, the", "can I alleviate the weight of foreign terms in the story, without sacrificing", "specific terms, none of which are in English. (Specifically, I'm writing about bullfighting,", "worse - referring to a fuller as a \"blood groove\". Trouble is, within", "not more general nonspecific words. Anything else doesn't really make sense in terms", "a short story, my beta readers feel overwhelmed by the abundance of terms.", "scope of a short story, my beta readers feel overwhelmed by the abundance", "meaning of each particular term can't be figured out from context, but there's", "lives that particular field, so he would be using the proper terms, not", "could apply to other fields.) My POV character lives that particular field, so", "many, too much effort required. How can I alleviate the weight of foreign", "the question could apply to other fields.) My POV character lives that particular", "character lives that particular field, so he would be using the proper terms,", "the meaning of each particular term can't be figured out from context, but", "matador uses is called a [muleta](https://en.wikipedia.org/wiki/Muleta). No other word exists. Calling it a", "by the abundance of terms. What they're saying is, it's not that the", "context, but there's just too many, too much effort required. How can I", "much effort required. How can I alleviate the weight of foreign terms in", "writing a short story, about a particular field with multiple specific terms, none", "Trouble is, within the scope of a short story, my beta readers feel", "short story, my beta readers feel overwhelmed by the abundance of terms. What", "(Specifically, I'm writing about bullfighting, but the question could apply to other fields.)", "from context, but there's just too many, too much effort required. How can", "piece of cloth\" makes as much sense as a professional swordsman calling the", "a \"red piece of cloth\" makes as much sense as a professional swordsman", "I'm writing about bullfighting, but the question could apply to other fields.) My", "the proper terms are the Spanish ones. Those are the terms used in", "are the Spanish ones. Those are the terms used in any and all", "Calling it a \"red piece of cloth\" makes as much sense as a", "be figured out from context, but there's just too many, too much effort", "doesn't really make sense in terms of the narrator's voice. When speaking in", "exists. Calling it a \"red piece of cloth\" makes as much sense as", "publications, fiction and non-fiction alike. As an example, the red piece of cloth", "particular field with multiple specific terms, none of which are in English. (Specifically,", "terms, none of which are in English. (Specifically, I'm writing about bullfighting, but", "this is a short story, so spreading the term out more isn't an", "story, about a particular field with multiple specific terms, none of which are", "I am writing a short story, about a particular field with multiple specific", "What they're saying is, it's not that the meaning of each particular term", "that the meaning of each particular term can't be figured out from context,", "none of which are in English. (Specifically, I'm writing about bullfighting, but the", "and all related publications, fiction and non-fiction alike. As an example, the red", "not that the meaning of each particular term can't be figured out from", "My POV character lives that particular field, so he would be using the", "using the proper terms, not more general nonspecific words. Anything else doesn't really", "note this is a short story, so spreading the term out more isn't", "piece of cloth the matador uses is called a [muleta](https://en.wikipedia.org/wiki/Muleta). No other word", "but there's just too many, too much effort required. How can I alleviate", "which are in English. (Specifically, I'm writing about bullfighting, but the question could", "a \"blood groove\". Trouble is, within the scope of a short story, my", "referring to a fuller as a \"blood groove\". Trouble is, within the scope", "more general nonspecific words. Anything else doesn't really make sense in terms of", "effort required. How can I alleviate the weight of foreign terms in the", "without sacrificing the main character's voice? It is important to note this is", "\"a handle\", or worse - referring to a fuller as a \"blood groove\".", "in any and all related publications, fiction and non-fiction alike. As an example,", "nonspecific words. Anything else doesn't really make sense in terms of the narrator's", "too many, too much effort required. How can I alleviate the weight of", "I alleviate the weight of foreign terms in the story, without sacrificing the", "the red piece of cloth the matador uses is called a [muleta](https://en.wikipedia.org/wiki/Muleta). No", "groove\". Trouble is, within the scope of a short story, my beta readers", "terms in the story, without sacrificing the main character's voice? It is important", "overwhelmed by the abundance of terms. What they're saying is, it's not that", "is, it's not that the meaning of each particular term can't be figured", "terms, not more general nonspecific words. Anything else doesn't really make sense in", "\"red piece of cloth\" makes as much sense as a professional swordsman calling", "but the question could apply to other fields.) My POV character lives that", "there's just too many, too much effort required. How can I alleviate the", "saying is, it's not that the meaning of each particular term can't be", "of which are in English. (Specifically, I'm writing about bullfighting, but the question", "is important to note this is a short story, so spreading the term", "\"blood groove\". Trouble is, within the scope of a short story, my beta", "or worse - referring to a fuller as a \"blood groove\". Trouble is,", "Those are the terms used in any and all related publications, fiction and", "within the scope of a short story, my beta readers feel overwhelmed by", "particular field, so he would be using the proper terms, not more general", "are the terms used in any and all related publications, fiction and non-fiction", "terms used in any and all related publications, fiction and non-fiction alike. As", "is called a [muleta](https://en.wikipedia.org/wiki/Muleta). No other word exists. Calling it a \"red piece", "really make sense in terms of the narrator's voice. When speaking in English,", "non-fiction alike. As an example, the red piece of cloth the matador uses", "am writing a short story, about a particular field with multiple specific terms,", "used in any and all related publications, fiction and non-fiction alike. As an", "would be using the proper terms, not more general nonspecific words. Anything else", "red piece of cloth the matador uses is called a [muleta](https://en.wikipedia.org/wiki/Muleta). No other", "called a [muleta](https://en.wikipedia.org/wiki/Muleta). No other word exists. Calling it a \"red piece of", "No other word exists. Calling it a \"red piece of cloth\" makes as", "of foreign terms in the story, without sacrificing the main character's voice? It", "a [muleta](https://en.wikipedia.org/wiki/Muleta). No other word exists. Calling it a \"red piece of cloth\"", "beta readers feel overwhelmed by the abundance of terms. What they're saying is,", "too much effort required. How can I alleviate the weight of foreign terms", "it a \"red piece of cloth\" makes as much sense as a professional", "narrator's voice. When speaking in English, the proper terms are the Spanish ones.", "story, without sacrificing the main character's voice? It is important to note this", "as a \"blood groove\". Trouble is, within the scope of a short story,", "an example, the red piece of cloth the matador uses is called a", "all related publications, fiction and non-fiction alike. As an example, the red piece", "it's not that the meaning of each particular term can't be figured out", "to a fuller as a \"blood groove\". Trouble is, within the scope of", "voice? It is important to note this is a short story, so spreading", "is, within the scope of a short story, my beta readers feel overwhelmed", "English. (Specifically, I'm writing about bullfighting, but the question could apply to other", "terms of the narrator's voice. When speaking in English, the proper terms are", "alike. As an example, the red piece of cloth the matador uses is", "short story, about a particular field with multiple specific terms, none of which", "of cloth\" makes as much sense as a professional swordsman calling the hilt", "cloth\" makes as much sense as a professional swordsman calling the hilt \"a", "particular term can't be figured out from context, but there's just too many,", "As an example, the red piece of cloth the matador uses is called", "the abundance of terms. What they're saying is, it's not that the meaning", "fields.) My POV character lives that particular field, so he would be using", "[muleta](https://en.wikipedia.org/wiki/Muleta). No other word exists. Calling it a \"red piece of cloth\" makes", "words. Anything else doesn't really make sense in terms of the narrator's voice.", "proper terms, not more general nonspecific words. Anything else doesn't really make sense", "each particular term can't be figured out from context, but there's just too", "out from context, but there's just too many, too much effort required. How", "When speaking in English, the proper terms are the Spanish ones. Those are", "figured out from context, but there's just too many, too much effort required.", "apply to other fields.) My POV character lives that particular field, so he", "ones. Those are the terms used in any and all related publications, fiction", "example, the red piece of cloth the matador uses is called a [muleta](https://en.wikipedia.org/wiki/Muleta).", "calling the hilt \"a handle\", or worse - referring to a fuller as", "the scope of a short story, my beta readers feel overwhelmed by the", "required. How can I alleviate the weight of foreign terms in the story,", "related publications, fiction and non-fiction alike. As an example, the red piece of", "that particular field, so he would be using the proper terms, not more", "about bullfighting, but the question could apply to other fields.) My POV character", "other fields.) My POV character lives that particular field, so he would be", "so he would be using the proper terms, not more general nonspecific words.", "he would be using the proper terms, not more general nonspecific words. Anything", "the narrator's voice. When speaking in English, the proper terms are the Spanish", "sacrificing the main character's voice? It is important to note this is a", "important to note this is a short story, so spreading the term out", "feel overwhelmed by the abundance of terms. What they're saying is, it's not", "a short story, about a particular field with multiple specific terms, none of", "make sense in terms of the narrator's voice. When speaking in English, the", "they're saying is, it's not that the meaning of each particular term can't", "the proper terms, not more general nonspecific words. Anything else doesn't really make", "abundance of terms. What they're saying is, it's not that the meaning of", "field with multiple specific terms, none of which are in English. (Specifically, I'm", "English, the proper terms are the Spanish ones. Those are the terms used", "multiple specific terms, none of which are in English. (Specifically, I'm writing about", "sense in terms of the narrator's voice. When speaking in English, the proper", "of the narrator's voice. When speaking in English, the proper terms are the", "speaking in English, the proper terms are the Spanish ones. Those are the", "are in English. (Specifically, I'm writing about bullfighting, but the question could apply", "cloth the matador uses is called a [muleta](https://en.wikipedia.org/wiki/Muleta). No other word exists. Calling", "as much sense as a professional swordsman calling the hilt \"a handle\", or", "of each particular term can't be figured out from context, but there's just", "in terms of the narrator's voice. When speaking in English, the proper terms", "readers feel overwhelmed by the abundance of terms. What they're saying is, it's", "fiction and non-fiction alike. As an example, the red piece of cloth the", "much sense as a professional swordsman calling the hilt \"a handle\", or worse", "terms. What they're saying is, it's not that the meaning of each particular", "Spanish ones. Those are the terms used in any and all related publications,", "in the story, without sacrificing the main character's voice? It is important to", "about a particular field with multiple specific terms, none of which are in" ]
[ "of simply writing: \"....in typical Gujarati acccent...\", I want to add something more", "English in an altogether different accent than a person from Karnataka state. The", "I want to add something more that gives that flavor to a conversation,", "Moreover, people from different parts of the country have different accents of speaking", "that even the person who is unaware of that accent get to know", "typical Gujarati acccent...\", I want to add something more that gives that* flavor", "stuck here. How to do a fair description of accent? And Is it", "when heard/spoken and I want to create the same flavor in writing. Instead", "of speaking the same language as well. For example, a person from Gujarat", "people from different parts of the country have different accents of speaking the", "mentioning so much so that even the person who is unaware of that", "range of languages and accents. Moreover, people from different parts of the country", "Gujarat state tends to speak English in an altogether different accent than a", "tends to speak English in an altogether different accent than a person from", "more that gives that flavor to a conversation, but I am stuck here.", "to create the same flavor in writing. Instead of simply writing: \"....in typical", "of the country have different accents of speaking the same language as well.", "in an altogether different accent than a person from Karnataka state. The accents", "add the local flavor when heard/spoken and I want to create the same", "speak English in an altogether different accent than a person from Karnataka state.", "I am stuck here. How to do a fair description of accent? And", "in writing. Instead of simply writing: \"....in typical Gujarati acccent...\", I want to", "fair description of accent? And Is it even possible to describe an accent", "acccent...\", I want to add something more that gives that flavor to a", "country have different accents of speaking the same language as well. For example,", "a person from Karnataka state. The accents add the local flavor when heard/spoken", "so that even the person who is unaware of that accent get to", "want to create the same flavor in writing. Instead of simply writing: \"....in", "so much so that even the person who is unaware of that accent", "altogether different accent than a person from Karnataka state. The accents add the", "to a conversation, but I am stuck here. How to do a fair", "to describe an accent instead of just mentioning so much so that even", "flavor when heard/spoken and I want to create the same flavor in writing.", "do a fair description of accent? And Is it even possible to describe", "create the same flavor in writing. Instead of simply writing: \"....in typical Gujarati", "here. How to do a fair description of accent? And Is it even", "even the person who is unaware of that accent get to know it?", "from Karnataka state. The accents add the local flavor when heard/spoken and I", "Instead of simply writing: \"....in typical Gujarati acccent...\", I want to add something", "a conversation, but I am stuck here. How to do a fair description", "languages and accents. Moreover, people from different parts of the country have different", "state. The accents add the local flavor when heard/spoken and I want to", "person from Gujarat state tends to speak English in an altogether different accent", "person from Karnataka state. The accents add the local flavor when heard/spoken and", "accents add the local flavor when heard/spoken and I want to create the", "have different accents of speaking the same language as well. For example, a", "writing: \"....in typical Gujarati acccent...\", I want to add something more that gives", "description of accent? And Is it even possible to describe an accent instead", "parts of the country have different accents of speaking the same language as", "a fair description of accent? And Is it even possible to describe an", "How to do a fair description of accent? And Is it even possible", "much so that even the person who is unaware of that accent get", "of languages and accents. Moreover, people from different parts of the country have", "but I am stuck here. How to do a fair description of accent?", "possible to describe an accent instead of just mentioning so much so that", "that gives that flavor to a conversation, but I am stuck here. How", "Karnataka state. The accents add the local flavor when heard/spoken and I want", "am stuck here. How to do a fair description of accent? And Is", "something more that gives that flavor to a conversation, but I am stuck", "a person from Gujarat state tends to speak English in an altogether different", "and accents. Moreover, people from different parts of the country have different accents", "as well. For example, a person from Gujarat state tends to speak English", "diverse range of languages and accents. Moreover, people from different parts of the", "and I want to create the same flavor in writing. Instead of simply", "from Gujarat state tends to speak English in an altogether different accent than", "it even possible to describe an accent instead of just mentioning so much", "describe an accent instead of just mentioning so much so that even the", "want to add something more that gives that flavor to a conversation, but", "Is it even possible to describe an accent instead of just mentioning so", "flavor in writing. Instead of simply writing: \"....in typical Gujarati acccent...\", I want", "accent than a person from Karnataka state. The accents add the local flavor", "instead of just mentioning so much so that even the person who is", "a diverse range of languages and accents. Moreover, people from different parts of", "than a person from Karnataka state. The accents add the local flavor when", "state tends to speak English in an altogether different accent than a person", "Gujarati acccent...\", I want to add something more that gives that* flavor to", "writing. Instead of simply writing: \"....in typical Gujarati acccent...\", I want to add", "India has a diverse range of languages and accents. Moreover, people from different", "the local flavor when heard/spoken and I want to create the same flavor", "language as well. For example, a person from Gujarat state tends to speak", "the country have different accents of speaking the same language as well. For", "to add something more that gives that flavor to a conversation, but I", "same language as well. For example, a person from Gujarat state tends to", "accent? And Is it even possible to describe an accent instead of just", "different accent than a person from Karnataka state. The accents add the local", "flavor to a conversation, but I am stuck here. How to do a", "local flavor when heard/spoken and I want to create the same flavor in", "add something more that gives that flavor to a conversation, but I am", "different accents of speaking the same language as well. For example, a person", "accents. Moreover, people from different parts of the country have different accents of", "an accent instead of just mentioning so much so that even the person", "that flavor to a conversation, but I am stuck here. How to do", "from different parts of the country have different accents of speaking the same", "I want to create the same flavor in writing. Instead of simply writing:", "accent instead of just mentioning so much so that even the person who", "accents of speaking the same language as well. For example, a person from", "to speak English in an altogether different accent than a person from Karnataka", "simply writing: \"....in typical Gujarati acccent...\", I want to add something more that", "of accent? And Is it even possible to describe an accent instead of", "just mentioning so much so that even the person who is unaware of", "gives that flavor to a conversation, but I am stuck here. How to", "The accents add the local flavor when heard/spoken and I want to create", "same flavor in writing. Instead of simply writing: \"....in typical Gujarati acccent...\", I", "conversation, but I am stuck here. How to do a fair description of", "For example, a person from Gujarat state tends to speak English in an", "to do a fair description of accent? And Is it even possible to", "an altogether different accent than a person from Karnataka state. The accents add", "different parts of the country have different accents of speaking the same language", "\"....in typical Gujarati acccent...\", I want to add something more that gives that", "heard/spoken and I want to create the same flavor in writing. Instead of", "has a diverse range of languages and accents. Moreover, people from different parts", "And Is it even possible to describe an accent instead of just mentioning", "even possible to describe an accent instead of just mentioning so much so", "of just mentioning so much so that even the person who is unaware", "the same flavor in writing. Instead of simply writing: \"....in typical Gujarati acccent...\",", "the same language as well. For example, a person from Gujarat state tends", "speaking the same language as well. For example, a person from Gujarat state", "example, a person from Gujarat state tends to speak English in an altogether", "well. For example, a person from Gujarat state tends to speak English in" ]
[ "Edit: Wow, many great answers and suggestions here, and very hard to pick", "own. What's more, he witnessed the event where everything went downhill, where he", "on will discover, the world was not always that way, but the MC", "to tell. What I fear is, either I start with this backstory, writing", "whole stuff before this turning point could probably fit into its own book.", "either I start with this backstory, writing a whole book possibly, for everything", "whole world and society to describe, other characters (of which only two or", "not the story I want to tell. What I fear is, either I", "place in a \"crapsack world\", and starts with the MC wandering through it", "become a novel, possibly multiple novels because of its scale. It's quite a", "question regarding a long backstory, I accepted this answer. The other answers are", "the event where everything went downhill, where he (and everyone else) was betrayed", "which just doesn't fit the scope of this disastrous event. So my question", "betrayed by a person he had called a friend, and so he swore", "If I as a writer have a backstory that is so long it", "flashbacks of some kind, which just doesn't fit the scope of this disastrous", "is, basically: If I as a writer have a backstory that is so", "of some kind, which just doesn't fit the scope of this disastrous event.", "but is not the story I want to tell but merely results in", "My story takes place in a \"crapsack world\", and starts with the MC", "long it could fill a book on its own, but is not the", "in the main story being there to tell, but still is essential because", "very good suggestions and I wish I could have accepted all of them.", "gave very good suggestions and I wish I could have accepted all of", "story I want to tell but merely results in the main story being", "not always that way, but the MC knows how it was before, and", "and to try to revert the results of this event. The whole stuff", "will discover, the world was not always that way, but the MC knows", "Thanks in advance for any suggestions! Edit: Wow, many great answers and suggestions", "merely results in the main story being there to tell, but still is", "I start after this time skip, and introduce the backstory through dialogue, or", "The thing is, as the reader later on will discover, the world was", "person he had called a friend, and so he swore revenge and to", "which looked very much like our own. What's more, he witnessed the event", "fill a book on its own, but is not the story I want", "own, but is not the story I want to tell but merely results", "introduce the backstory through dialogue, or flashbacks of some kind, which just doesn't", "so far, and I know where everything will go to. But now to", "try to revert the results of this event. The whole stuff before this", "and society to describe, other characters (of which only two or three will", "my question is, basically: If I as a writer have a backstory that", "bad, and the next book starts with a whole other premise, or I", "are also great, though, and gave very good suggestions and I wish I", "as the reader later on will discover, the world was not always that", "swore revenge and to try to revert the results of this event. The", "in search of something. So far, so cliché. The thing is, as the", "to tell, but still is essential because of this fact, how do I", "much like our own. What's more, he witnessed the event where everything went", "this fact, how do I go about it? Thanks in advance for any", "have the characters planned out so far, and I know where everything will", "to become a novel, possibly multiple novels because of its scale. It's quite", "far, and I know where everything will go to. But now to my", "just doesn't fit the scope of this disastrous event. So my question is,", "many great answers and suggestions here, and very hard to pick one. Thank", "and the next book starts with a whole other premise, or I start", "the scope of this disastrous event. So my question is, basically: If I", "where he (and everyone else) was betrayed by a person he had called", "Especially how the event twists him into the Person he will be for", "everything went downhill, where he (and everyone else) was betrayed by a person", "start after this time skip, and introduce the backstory through dialogue, or flashbacks", "I am wanting to write), and much character development for the MC. Especially", "a backstory that is so long it could fill a book on its", "novels because of its scale. It's quite a long ride, and I have", "planning for it to become a novel, possibly multiple novels because of its", "everything to turn bad, and the next book starts with a whole other", "up already thousands of times, though here I am. So let me explain...", "witnessed the event where everything went downhill, where he (and everyone else) was", "event. The whole stuff before this turning point could probably fit into its", "of the Story. But...this is not the story I want to tell. What", "even be alive in the main book I am wanting to write), and", "thorough on the general problem of \"how to start a story\" that also", "though here I am. So let me explain... I have a story I", "with a whole other premise, or I start after this time skip, and", "wanting to write), and much character development for the MC. Especially how the", "one. Thank you all for your quick support! As Amaheor' answer is very", "writing a whole book possibly, for everything to turn bad, and the next", "characters planned out so far, and I know where everything will go to.", "all for your quick support! As Amaheor' answer is very thorough on the", "event twists him into the Person he will be for the main part", "will be for the main part of the Story. But...this is not the", "am wanting to write), and much character development for the MC. Especially how", "go about it? Thanks in advance for any suggestions! Edit: Wow, many great", "fear is, either I start with this backstory, writing a whole book possibly,", "answers are also great, though, and gave very good suggestions and I wish", "was before, and even lived in that world, which looked very much like", "scale. It's quite a long ride, and I have the characters planned out", "about it? Thanks in advance for any suggestions! Edit: Wow, many great answers", "a long backstory, I accepted this answer. The other answers are also great,", "problem: My story takes place in a \"crapsack world\", and starts with the", "society to describe, other characters (of which only two or three will even", "is very thorough on the general problem of \"how to start a story\"", "story takes place in a \"crapsack world\", and starts with the MC wandering", "though, and gave very good suggestions and I wish I could have accepted", "a whole book possibly, for everything to turn bad, and the next book", "time skip, and introduce the backstory through dialogue, or flashbacks of some kind,", "a \"crapsack world\", and starts with the MC wandering through it in search", "came up already thousands of times, though here I am. So let me", "that is so long it could fill a book on its own, but", "I fear is, either I start with this backstory, writing a whole book", "of this event. The whole stuff before this turning point could probably fit", "book starts with a whole other premise, or I start after this time", "novel, possibly multiple novels because of its scale. It's quite a long ride,", "part of the Story. But...this is not the story I want to tell.", "But now to my problem: My story takes place in a \"crapsack world\",", "know where everything will go to. But now to my problem: My story", "of this fact, how do I go about it? Thanks in advance for", "answers and suggestions here, and very hard to pick one. Thank you all", "MC wandering through it in search of something. So far, so cliché. The", "characters (of which only two or three will even be alive in the", "this time skip, and introduce the backstory through dialogue, or flashbacks of some", "story I want to tell. What I fear is, either I start with", "world was not always that way, but the MC knows how it was", "a novel, possibly multiple novels because of its scale. It's quite a long", "starts with a whole other premise, or I start after this time skip,", "suggestions here, and very hard to pick one. Thank you all for your", "multiple novels because of its scale. It's quite a long ride, and I", "great answers and suggestions here, and very hard to pick one. Thank you", "it to become a novel, possibly multiple novels because of its scale. It's", "for any suggestions! Edit: Wow, many great answers and suggestions here, and very", "more, he witnessed the event where everything went downhill, where he (and everyone", "very hard to pick one. Thank you all for your quick support! As", "I want to tell. What I fear is, either I start with this", "long backstory, I accepted this answer. The other answers are also great, though,", "is, as the reader later on will discover, the world was not always", "and gave very good suggestions and I wish I could have accepted all", "general problem of \"how to start a story\" that also tackles the question", "tell. I am planning for it to become a novel, possibly multiple novels", "through it in search of something. So far, so cliché. The thing is,", "possibly, for everything to turn bad, and the next book starts with a", "development for the MC. Especially how the event twists him into the Person", "of its scale. It's quite a long ride, and I have the characters", "have a story I want to tell. I am planning for it to", "he (and everyone else) was betrayed by a person he had called a", "still is essential because of this fact, how do I go about it?", "answer is very thorough on the general problem of \"how to start a", "The whole stuff before this turning point could probably fit into its own", "I start with this backstory, writing a whole book possibly, for everything to", "for the MC. Especially how the event twists him into the Person he", "a whole world and society to describe, other characters (of which only two", "where everything will go to. But now to my problem: My story takes", "want to tell. What I fear is, either I start with this backstory,", "book. There is a whole world and society to describe, other characters (of", "for the main part of the Story. But...this is not the story I", "but the MC knows how it was before, and even lived in that", "the backstory through dialogue, or flashbacks of some kind, which just doesn't fit", "he will be for the main part of the Story. But...this is not", "want to tell. I am planning for it to become a novel, possibly", "thousands of times, though here I am. So let me explain... I have", "quite a long ride, and I have the characters planned out so far,", "in the main book I am wanting to write), and much character development", "What's more, he witnessed the event where everything went downhill, where he (and", "to pick one. Thank you all for your quick support! As Amaheor' answer", "I am. So let me explain... I have a story I want to", "cliché. The thing is, as the reader later on will discover, the world", "advance for any suggestions! Edit: Wow, many great answers and suggestions here, and", "essential because of this fact, how do I go about it? Thanks in", "of times, though here I am. So let me explain... I have a", "in that world, which looked very much like our own. What's more, he", "to write), and much character development for the MC. Especially how the event", "character development for the MC. Especially how the event twists him into the", "how do I go about it? Thanks in advance for any suggestions! Edit:", "he had called a friend, and so he swore revenge and to try", "dialogue, or flashbacks of some kind, which just doesn't fit the scope of", "to turn bad, and the next book starts with a whole other premise,", "fit into its own book. There is a whole world and society to", "and suggestions here, and very hard to pick one. Thank you all for", "problem of \"how to start a story\" that also tackles the question regarding", "start with this backstory, writing a whole book possibly, for everything to turn", "you all for your quick support! As Amaheor' answer is very thorough on", "this disastrous event. So my question is, basically: If I as a writer", "start a story\" that also tackles the question regarding a long backstory, I", "the MC knows how it was before, and even lived in that world,", "Wow, many great answers and suggestions here, and very hard to pick one.", "your quick support! As Amaheor' answer is very thorough on the general problem", "the next book starts with a whole other premise, or I start after", "this backstory, writing a whole book possibly, for everything to turn bad, and", "planned out so far, and I know where everything will go to. But", "As Amaheor' answer is very thorough on the general problem of \"how to", "So let me explain... I have a story I want to tell. I", "I have the characters planned out so far, and I know where everything", "even lived in that world, which looked very much like our own. What's", "very thorough on the general problem of \"how to start a story\" that", "because of this fact, how do I go about it? Thanks in advance", "had called a friend, and so he swore revenge and to try to", "world, which looked very much like our own. What's more, he witnessed the", "So far, so cliché. The thing is, as the reader later on will", "a whole other premise, or I start after this time skip, and introduce", "way, but the MC knows how it was before, and even lived in", "for it to become a novel, possibly multiple novels because of its scale.", "very much like our own. What's more, he witnessed the event where everything", "The other answers are also great, though, and gave very good suggestions and", "knows how it was before, and even lived in that world, which looked", "MC. Especially how the event twists him into the Person he will be", "tell, but still is essential because of this fact, how do I go", "else) was betrayed by a person he had called a friend, and so", "not the story I want to tell but merely results in the main", "and I know where everything will go to. But now to my problem:", "I go about it? Thanks in advance for any suggestions! Edit: Wow, many", "I know where everything will go to. But now to my problem: My", "as a writer have a backstory that is so long it could fill", "always that way, but the MC knows how it was before, and even", "thing is, as the reader later on will discover, the world was not", "book on its own, but is not the story I want to tell", "for everything to turn bad, and the next book starts with a whole", "that also tackles the question regarding a long backstory, I accepted this answer.", "and I have the characters planned out so far, and I know where", "and very hard to pick one. Thank you all for your quick support!", "could probably fit into its own book. There is a whole world and", "other premise, or I start after this time skip, and introduce the backstory", "to revert the results of this event. The whole stuff before this turning", "support! As Amaheor' answer is very thorough on the general problem of \"how", "basically: If I as a writer have a backstory that is so long", "here I am. So let me explain... I have a story I want", "Story. But...this is not the story I want to tell. What I fear", "want to tell but merely results in the main story being there to", "the MC wandering through it in search of something. So far, so cliché.", "be alive in the main book I am wanting to write), and much", "regarding a long backstory, I accepted this answer. The other answers are also", "It's quite a long ride, and I have the characters planned out so", "the world was not always that way, but the MC knows how it", "before, and even lived in that world, which looked very much like our", "this answer. The other answers are also great, though, and gave very good", "MC knows how it was before, and even lived in that world, which", "the main book I am wanting to write), and much character development for", "book I am wanting to write), and much character development for the MC.", "him into the Person he will be for the main part of the", "the Person he will be for the main part of the Story. But...this", "by a person he had called a friend, and so he swore revenge", "this event. The whole stuff before this turning point could probably fit into", "the results of this event. The whole stuff before this turning point could", "doesn't fit the scope of this disastrous event. So my question is, basically:", "backstory, I accepted this answer. The other answers are also great, though, and", "a person he had called a friend, and so he swore revenge and", "revert the results of this event. The whole stuff before this turning point", "possibly multiple novels because of its scale. It's quite a long ride, and", "describe, other characters (of which only two or three will even be alive", "main story being there to tell, but still is essential because of this", "far, so cliché. The thing is, as the reader later on will discover,", "much character development for the MC. Especially how the event twists him into", "downhill, where he (and everyone else) was betrayed by a person he had", "whole other premise, or I start after this time skip, and introduce the", "into its own book. There is a whole world and society to describe,", "that world, which looked very much like our own. What's more, he witnessed", "how it was before, and even lived in that world, which looked very", "a long ride, and I have the characters planned out so far, and", "next book starts with a whole other premise, or I start after this", "the story I want to tell but merely results in the main story", "point could probably fit into its own book. There is a whole world", "its scale. It's quite a long ride, and I have the characters planned", "to. But now to my problem: My story takes place in a \"crapsack", "starts with the MC wandering through it in search of something. So far,", "stuff before this turning point could probably fit into its own book. There", "backstory, writing a whole book possibly, for everything to turn bad, and the", "the main story being there to tell, but still is essential because of", "question is, basically: If I as a writer have a backstory that is", "\"crapsack world\", and starts with the MC wandering through it in search of", "the question regarding a long backstory, I accepted this answer. The other answers", "revenge and to try to revert the results of this event. The whole", "before this turning point could probably fit into its own book. There is", "also great, though, and gave very good suggestions and I wish I could", "kind, which just doesn't fit the scope of this disastrous event. So my", "some kind, which just doesn't fit the scope of this disastrous event. So", "disastrous event. So my question is, basically: If I as a writer have", "it? Thanks in advance for any suggestions! Edit: Wow, many great answers and", "the characters planned out so far, and I know where everything will go", "the story I want to tell. What I fear is, either I start", "I want to tell. I am planning for it to become a novel,", "So, this probably came up already thousands of times, though here I am.", "results of this event. The whole stuff before this turning point could probably", "and so he swore revenge and to try to revert the results of", "So my question is, basically: If I as a writer have a backstory", "through dialogue, or flashbacks of some kind, which just doesn't fit the scope", "but still is essential because of this fact, how do I go about", "something. So far, so cliché. The thing is, as the reader later on", "and introduce the backstory through dialogue, or flashbacks of some kind, which just", "on the general problem of \"how to start a story\" that also tackles", "he swore revenge and to try to revert the results of this event.", "I want to tell but merely results in the main story being there", "how the event twists him into the Person he will be for the", "tackles the question regarding a long backstory, I accepted this answer. The other", "wandering through it in search of something. So far, so cliché. The thing", "premise, or I start after this time skip, and introduce the backstory through", "later on will discover, the world was not always that way, but the", "do I go about it? Thanks in advance for any suggestions! Edit: Wow,", "writer have a backstory that is so long it could fill a book", "Person he will be for the main part of the Story. But...this is", "am. So let me explain... I have a story I want to tell.", "\"how to start a story\" that also tackles the question regarding a long", "lived in that world, which looked very much like our own. What's more,", "was betrayed by a person he had called a friend, and so he", "that way, but the MC knows how it was before, and even lived", "whole book possibly, for everything to turn bad, and the next book starts", "the reader later on will discover, the world was not always that way,", "I am planning for it to become a novel, possibly multiple novels because", "where everything went downhill, where he (and everyone else) was betrayed by a", "suggestions! Edit: Wow, many great answers and suggestions here, and very hard to", "I have a story I want to tell. I am planning for it", "he witnessed the event where everything went downhill, where he (and everyone else)", "What I fear is, either I start with this backstory, writing a whole", "friend, and so he swore revenge and to try to revert the results", "there to tell, but still is essential because of this fact, how do", "looked very much like our own. What's more, he witnessed the event where", "let me explain... I have a story I want to tell. I am", "after this time skip, and introduce the backstory through dialogue, or flashbacks of", "with this backstory, writing a whole book possibly, for everything to turn bad,", "discover, the world was not always that way, but the MC knows how", "I accepted this answer. The other answers are also great, though, and gave", "is essential because of this fact, how do I go about it? Thanks", "event. So my question is, basically: If I as a writer have a", "the general problem of \"how to start a story\" that also tackles the", "turn bad, and the next book starts with a whole other premise, or", "have a backstory that is so long it could fill a book on", "is not the story I want to tell but merely results in the", "other characters (of which only two or three will even be alive in", "its own, but is not the story I want to tell but merely", "will go to. But now to my problem: My story takes place in", "is so long it could fill a book on its own, but is", "this turning point could probably fit into its own book. There is a", "scope of this disastrous event. So my question is, basically: If I as", "skip, and introduce the backstory through dialogue, or flashbacks of some kind, which", "into the Person he will be for the main part of the Story.", "backstory through dialogue, or flashbacks of some kind, which just doesn't fit the", "main part of the Story. But...this is not the story I want to", "the event twists him into the Person he will be for the main", "hard to pick one. Thank you all for your quick support! As Amaheor'", "Amaheor' answer is very thorough on the general problem of \"how to start", "go to. But now to my problem: My story takes place in a", "the Story. But...this is not the story I want to tell. What I", "search of something. So far, so cliché. The thing is, as the reader", "being there to tell, but still is essential because of this fact, how", "it was before, and even lived in that world, which looked very much", "and even lived in that world, which looked very much like our own.", "everyone else) was betrayed by a person he had called a friend, and", "which only two or three will even be alive in the main book", "Thank you all for your quick support! As Amaheor' answer is very thorough", "am planning for it to become a novel, possibly multiple novels because of", "or flashbacks of some kind, which just doesn't fit the scope of this", "world and society to describe, other characters (of which only two or three", "is, either I start with this backstory, writing a whole book possibly, for", "fit the scope of this disastrous event. So my question is, basically: If", "is a whole world and society to describe, other characters (of which only", "write), and much character development for the MC. Especially how the event twists", "could fill a book on its own, but is not the story I", "now to my problem: My story takes place in a \"crapsack world\", and", "because of its scale. It's quite a long ride, and I have the", "tell. What I fear is, either I start with this backstory, writing a", "to my problem: My story takes place in a \"crapsack world\", and starts", "or I start after this time skip, and introduce the backstory through dialogue,", "to start a story\" that also tackles the question regarding a long backstory,", "also tackles the question regarding a long backstory, I accepted this answer. The", "other answers are also great, though, and gave very good suggestions and I", "accepted this answer. The other answers are also great, though, and gave very", "alive in the main book I am wanting to write), and much character", "and much character development for the MC. Especially how the event twists him", "was not always that way, but the MC knows how it was before,", "two or three will even be alive in the main book I am", "it could fill a book on its own, but is not the story", "story\" that also tackles the question regarding a long backstory, I accepted this", "a writer have a backstory that is so long it could fill a", "main book I am wanting to write), and much character development for the", "world\", and starts with the MC wandering through it in search of something.", "so he swore revenge and to try to revert the results of this", "own book. There is a whole world and society to describe, other characters", "There is a whole world and society to describe, other characters (of which", "will even be alive in the main book I am wanting to write),", "for your quick support! As Amaheor' answer is very thorough on the general", "called a friend, and so he swore revenge and to try to revert", "story I want to tell. I am planning for it to become a", "tell but merely results in the main story being there to tell, but", "story being there to tell, but still is essential because of this fact,", "probably came up already thousands of times, though here I am. So let", "only two or three will even be alive in the main book I", "to tell but merely results in the main story being there to tell,", "turning point could probably fit into its own book. There is a whole", "the main part of the Story. But...this is not the story I want", "(and everyone else) was betrayed by a person he had called a friend,", "answer. The other answers are also great, though, and gave very good suggestions", "takes place in a \"crapsack world\", and starts with the MC wandering through", "its own book. There is a whole world and society to describe, other", "the MC. Especially how the event twists him into the Person he will", "already thousands of times, though here I am. So let me explain... I", "to try to revert the results of this event. The whole stuff before", "everything will go to. But now to my problem: My story takes place", "be for the main part of the Story. But...this is not the story", "backstory that is so long it could fill a book on its own,", "quick support! As Amaheor' answer is very thorough on the general problem of", "with the MC wandering through it in search of something. So far, so", "so cliché. The thing is, as the reader later on will discover, the", "like our own. What's more, he witnessed the event where everything went downhill,", "this probably came up already thousands of times, though here I am. So", "a book on its own, but is not the story I want to", "results in the main story being there to tell, but still is essential", "probably fit into its own book. There is a whole world and society", "fact, how do I go about it? Thanks in advance for any suggestions!", "my problem: My story takes place in a \"crapsack world\", and starts with", "great, though, and gave very good suggestions and I wish I could have", "so long it could fill a book on its own, but is not", "went downhill, where he (and everyone else) was betrayed by a person he", "But...this is not the story I want to tell. What I fear is,", "out so far, and I know where everything will go to. But now", "but merely results in the main story being there to tell, but still", "here, and very hard to pick one. Thank you all for your quick", "it in search of something. So far, so cliché. The thing is, as", "of \"how to start a story\" that also tackles the question regarding a", "and starts with the MC wandering through it in search of something. So", "I as a writer have a backstory that is so long it could", "explain... I have a story I want to tell. I am planning for", "pick one. Thank you all for your quick support! As Amaheor' answer is", "any suggestions! Edit: Wow, many great answers and suggestions here, and very hard", "or three will even be alive in the main book I am wanting", "to tell. I am planning for it to become a novel, possibly multiple", "ride, and I have the characters planned out so far, and I know", "(of which only two or three will even be alive in the main", "on its own, but is not the story I want to tell but", "of something. So far, so cliché. The thing is, as the reader later", "book possibly, for everything to turn bad, and the next book starts with", "twists him into the Person he will be for the main part of", "event where everything went downhill, where he (and everyone else) was betrayed by", "in advance for any suggestions! Edit: Wow, many great answers and suggestions here,", "our own. What's more, he witnessed the event where everything went downhill, where", "long ride, and I have the characters planned out so far, and I", "is not the story I want to tell. What I fear is, either", "to describe, other characters (of which only two or three will even be", "three will even be alive in the main book I am wanting to", "of this disastrous event. So my question is, basically: If I as a", "reader later on will discover, the world was not always that way, but", "a story I want to tell. I am planning for it to become", "a friend, and so he swore revenge and to try to revert the", "in a \"crapsack world\", and starts with the MC wandering through it in", "me explain... I have a story I want to tell. I am planning", "a story\" that also tackles the question regarding a long backstory, I accepted", "times, though here I am. So let me explain... I have a story" ]
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Basically, the narrator recounts his story in the", "address his daughter, Mapidul, he does so in the present tense. Is the", "the narrator was recounting his nightmarish ordeal, he is talking in the past", "was recounting his nightmarish ordeal, he is talking in the past tense. But", "tense. Is the shifting of tenses in the middle of narration an acceptable", "sanity. > > > Notice that when the narrator was recounting his nightmarish", "daughter about some tragic event and in between the narration, the narrator sometimes", "years ago, then he shifts to the present tense when addressing his daughter", "> > What I saw on that night would forever haunt my dreams", "story where the narrator is recording a message to his daughter about some", "Notice that when the narrator was recounting his nightmarish ordeal, he is talking", "narration, the narrator sometimes tries to address directly his daughter. Basically, the narrator", "I am writing a short story where the narrator is recording a message", "of my life. I was at a loss on what to make out", "tense. But when he shifts his focus to directly address his daughter, Mapidul,", "tries to address directly his daughter. Basically, the narrator recounts his story in", "our minds just couldn’t comprehend it without losing our sanity. > > >", "narrator is recording a message to his daughter about some tragic event and", "addressing his daughter in the middle of narration as if to give further", "address directly his daughter. Basically, the narrator recounts his story in the past", "our sanity. > > > Notice that when the narrator was recounting his", "> > > Notice that when the narrator was recounting his nightmarish ordeal,", "the present tense. Is the shifting of tenses in the middle of narration", "world that we humans are just not meant to know… things so unworldly,", "daughter, Mapidul, he does so in the present tense. Is the shifting of", "minds just couldn’t comprehend it without losing our sanity. > > > Notice", "focus to directly address his daughter, Mapidul, he does so in the present", "in the middle of narration as if to give further context on the", "his daughter about some tragic event and in between the narration, the narrator", "tragic event and in between the narration, the narrator sometimes tries to address", "the shifting of tenses in the middle of narration an acceptable grammar practice?", "the rest of my life. I was at a loss on what to", "> > Mapidul, there are things in this world that we humans are", "losing our sanity. > > > Notice that when the narrator was recounting", "his daughter in the middle of narration as if to give further context", "the past tense. But when he shifts his focus to directly address his", "on the said events. For example: > > What I saw on that", "example: > > What I saw on that night would forever haunt my", "out of what I saw. > > > Mapidul, there are things in", "he does so in the present tense. Is the shifting of tenses in", "on that night would forever haunt my dreams for the rest of my", "past tense, since it happened twenty years ago, then he shifts to the", "Basically, the narrator recounts his story in the past tense, since it happened", "> What I saw on that night would forever haunt my dreams for", "that night would forever haunt my dreams for the rest of my life.", "saw. > > > Mapidul, there are things in this world that we", "when he shifts his focus to directly address his daughter, Mapidul, he does", "was at a loss on what to make out of what I saw.", "there are things in this world that we humans are just not meant", "to make out of what I saw. > > > Mapidul, there are", "nightmarish ordeal, he is talking in the past tense. But when he shifts", "so fundamentally wrong that our minds just couldn’t comprehend it without losing our", "about some tragic event and in between the narration, the narrator sometimes tries", "his daughter. Basically, the narrator recounts his story in the past tense, since", "since it happened twenty years ago, then he shifts to the present tense", "short story where the narrator is recording a message to his daughter about", "loss on what to make out of what I saw. > > >", "narration as if to give further context on the said events. For example:", "for the rest of my life. I was at a loss on what", "without losing our sanity. > > > Notice that when the narrator was", "he is talking in the past tense. But when he shifts his focus", "narrator recounts his story in the past tense, since it happened twenty years", "Mapidul, there are things in this world that we humans are just not", "What I saw on that night would forever haunt my dreams for the", "my dreams for the rest of my life. I was at a loss", "just not meant to know… things so unworldly, so fundamentally wrong that our", "recounting his nightmarish ordeal, he is talking in the past tense. But when", "are things in this world that we humans are just not meant to", "a message to his daughter about some tragic event and in between the", "make out of what I saw. > > > Mapidul, there are things", "to the present tense when addressing his daughter in the middle of narration", "of what I saw. > > > Mapidul, there are things in this", "to give further context on the said events. For example: > > What", "the said events. For example: > > What I saw on that night", "the past tense, since it happened twenty years ago, then he shifts to", "> > > Mapidul, there are things in this world that we humans", "in this world that we humans are just not meant to know… things", "this world that we humans are just not meant to know… things so", "give further context on the said events. For example: > > What I", "message to his daughter about some tragic event and in between the narration,", "I was at a loss on what to make out of what I", "tenses in the middle of narration an acceptable grammar practice? Or not? Thanks.", "his story in the past tense, since it happened twenty years ago, then", "not meant to know… things so unworldly, so fundamentally wrong that our minds", "so in the present tense. Is the shifting of tenses in the middle", "event and in between the narration, the narrator sometimes tries to address directly", "in the past tense, since it happened twenty years ago, then he shifts", "know… things so unworldly, so fundamentally wrong that our minds just couldn’t comprehend", "shifting of tenses in the middle of narration an acceptable grammar practice? Or", "the narrator sometimes tries to address directly his daughter. Basically, the narrator recounts", "when addressing his daughter in the middle of narration as if to give", "just couldn’t comprehend it without losing our sanity. > > > Notice that", "happened twenty years ago, then he shifts to the present tense when addressing", "would forever haunt my dreams for the rest of my life. I was", "at a loss on what to make out of what I saw. >", "unworldly, so fundamentally wrong that our minds just couldn’t comprehend it without losing", "comprehend it without losing our sanity. > > > Notice that when the", "in the present tense. Is the shifting of tenses in the middle of", "ago, then he shifts to the present tense when addressing his daughter in", "the narration, the narrator sometimes tries to address directly his daughter. Basically, the", "ordeal, he is talking in the past tense. But when he shifts his", "story in the past tense, since it happened twenty years ago, then he", "things so unworldly, so fundamentally wrong that our minds just couldn’t comprehend it", "further context on the said events. For example: > > What I saw", "daughter. Basically, the narrator recounts his story in the past tense, since it", "daughter in the middle of narration as if to give further context on", "directly his daughter. Basically, the narrator recounts his story in the past tense,", "a short story where the narrator is recording a message to his daughter", "I saw. > > > Mapidul, there are things in this world that", "where the narrator is recording a message to his daughter about some tragic", "shifts to the present tense when addressing his daughter in the middle of", "sometimes tries to address directly his daughter. Basically, the narrator recounts his story", "is recording a message to his daughter about some tragic event and in", "on what to make out of what I saw. > > > Mapidul,", "wrong that our minds just couldn’t comprehend it without losing our sanity. >", "twenty years ago, then he shifts to the present tense when addressing his", "some tragic event and in between the narration, the narrator sometimes tries to", "present tense. Is the shifting of tenses in the middle of narration an", "that we humans are just not meant to know… things so unworldly, so", "the narrator recounts his story in the past tense, since it happened twenty", "my life. I was at a loss on what to make out of", "to his daughter about some tragic event and in between the narration, the", "in between the narration, the narrator sometimes tries to address directly his daughter.", "humans are just not meant to know… things so unworldly, so fundamentally wrong", "does so in the present tense. Is the shifting of tenses in the", "then he shifts to the present tense when addressing his daughter in the", "are just not meant to know… things so unworldly, so fundamentally wrong that", "between the narration, the narrator sometimes tries to address directly his daughter. Basically,", "that our minds just couldn’t comprehend it without losing our sanity. > >", "shifts his focus to directly address his daughter, Mapidul, he does so in", "the narrator is recording a message to his daughter about some tragic event", "recounts his story in the past tense, since it happened twenty years ago,", "we humans are just not meant to know… things so unworldly, so fundamentally", "tense, since it happened twenty years ago, then he shifts to the present", "it without losing our sanity. > > > Notice that when the narrator", "middle of narration as if to give further context on the said events.", "> Mapidul, there are things in this world that we humans are just", "when the narrator was recounting his nightmarish ordeal, he is talking in the", "in the past tense. But when he shifts his focus to directly address", "he shifts his focus to directly address his daughter, Mapidul, he does so", "to directly address his daughter, Mapidul, he does so in the present tense.", "But when he shifts his focus to directly address his daughter, Mapidul, he", "present tense when addressing his daughter in the middle of narration as if", "the present tense when addressing his daughter in the middle of narration as", "the middle of narration as if to give further context on the said", "saw on that night would forever haunt my dreams for the rest of", "past tense. But when he shifts his focus to directly address his daughter,", "night would forever haunt my dreams for the rest of my life. I", "a loss on what to make out of what I saw. > >", "of tenses in the middle of narration an acceptable grammar practice? Or not?", "For example: > > What I saw on that night would forever haunt", "it happened twenty years ago, then he shifts to the present tense when", "haunt my dreams for the rest of my life. I was at a", "what to make out of what I saw. > > > Mapidul, there", "what I saw. > > > Mapidul, there are things in this world", "if to give further context on the said events. For example: > >", "context on the said events. For example: > > What I saw on", "is talking in the past tense. But when he shifts his focus to", "things in this world that we humans are just not meant to know…", "talking in the past tense. But when he shifts his focus to directly", "so unworldly, so fundamentally wrong that our minds just couldn’t comprehend it without", "that when the narrator was recounting his nightmarish ordeal, he is talking in", "directly address his daughter, Mapidul, he does so in the present tense. Is", "his daughter, Mapidul, he does so in the present tense. Is the shifting", "he shifts to the present tense when addressing his daughter in the middle", "recording a message to his daughter about some tragic event and in between", "and in between the narration, the narrator sometimes tries to address directly his", "> > Notice that when the narrator was recounting his nightmarish ordeal, he", "couldn’t comprehend it without losing our sanity. > > > Notice that when", "narrator was recounting his nightmarish ordeal, he is talking in the past tense.", "I saw on that night would forever haunt my dreams for the rest", "fundamentally wrong that our minds just couldn’t comprehend it without losing our sanity.", "dreams for the rest of my life. I was at a loss on", "as if to give further context on the said events. For example: >", "Is the shifting of tenses in the middle of narration an acceptable grammar", "am writing a short story where the narrator is recording a message to", "of narration as if to give further context on the said events. For", "his focus to directly address his daughter, Mapidul, he does so in the", "writing a short story where the narrator is recording a message to his" ]
[ "that don't know, LitRPG (<https://en.wikipedia.org/wiki/LitRPG>) - it is a genre more prominent in", "game world\" like Sword Art Online, that is GameLit. Then as the story", "read, the start of the stories is full of system messages, +1 here", "a crutch to get the story kickstarted. One that could be entirely discarded", "Gone is the damage message, gone is the skill growth, gone is all", "Then as the story progresses and the characters power growth characteristic of a", "game-like world\" kind of stories happen. Not to be confused with \"trapped in", "LitRPG (<https://en.wikipedia.org/wiki/LitRPG>) - it is a genre more prominent in asian literature, where", "a game world\" like Sword Art Online, that is GameLit. Then as the", "be mentioned again. Gone is the damage message, gone is the skill growth,", "a true RPG creeps in, these elements are blatantly discarded, never to be", "story progresses and the characters power growth characteristic of a true RPG creeps", "know, LitRPG (<https://en.wikipedia.org/wiki/LitRPG>) - it is a genre more prominent in asian literature,", "element becomes just a crutch to get the story kickstarted. One that could", "here and there, even damage prompts saying \"Goblin hits Hero for -8 HP\".", "full of system messages, +1 here and there, even damage prompts saying \"Goblin", "start of the stories is full of system messages, +1 here and there,", "never to be mentioned again. Gone is the damage message, gone is the", "of brevity. Or sent to the Checkov firing squad. But almost all authors", "becomes just a normal (insert genre) story. To the point I feel like", "becomes just a crutch to get the story kickstarted. One that could be", "prominent in asian literature, where \"transported into or living in a game-like world\"", "gone is the skill growth, gone is all but the most superficial elements", "to be confused with \"trapped in a game world\" like Sword Art Online,", "that could be entirely discarded for the sake of brevity. Or sent to", "But almost all authors do it that way. Therefore, is it a genre", "it becomes just a normal (insert genre) story. To the point I feel", "the stories is full of system messages, +1 here and there, even damage", "damage prompts saying \"Goblin hits Hero for -8 HP\". Classes, skills, experience points", "the start of the stories is full of system messages, +1 here and", "the characters power growth characteristic of a true RPG creeps in, these elements", "into or living in a game-like world\" kind of stories happen. Not to", "is the skill growth, gone is all but the most superficial elements of", "experience points galore. For those that don't know, LitRPG (<https://en.wikipedia.org/wiki/LitRPG>) - it is", "growth, gone is all but the most superficial elements of the RPG and", "stories I read, the start of the stories is full of system messages,", "\"trapped in a game world\" like Sword Art Online, that is GameLit. Then", "-8 HP\". Classes, skills, experience points galore. For those that don't know, LitRPG", "just a crutch to get the story kickstarted. One that could be entirely", "genre) story. To the point I feel like the LitRPG element becomes just", "and it becomes just a normal (insert genre) story. To the point I", "creeps in, these elements are blatantly discarded, never to be mentioned again. Gone", "to get the story kickstarted. One that could be entirely discarded for the", "- it is a genre more prominent in asian literature, where \"transported into", "don't know, LitRPG (<https://en.wikipedia.org/wiki/LitRPG>) - it is a genre more prominent in asian", "happen. Not to be confused with \"trapped in a game world\" like Sword", "there, even damage prompts saying \"Goblin hits Hero for -8 HP\". Classes, skills,", "like Sword Art Online, that is GameLit. Then as the story progresses and", "story kickstarted. One that could be entirely discarded for the sake of brevity.", "story. To the point I feel like the LitRPG element becomes just a", "hits Hero for -8 HP\". Classes, skills, experience points galore. For those that", "Not to be confused with \"trapped in a game world\" like Sword Art", "I feel like the LitRPG element becomes just a crutch to get the", "points galore. For those that don't know, LitRPG (<https://en.wikipedia.org/wiki/LitRPG>) - it is a", "mentioned again. Gone is the damage message, gone is the skill growth, gone", "it is a genre more prominent in asian literature, where \"transported into or", "are blatantly discarded, never to be mentioned again. Gone is the damage message,", "and the characters power growth characteristic of a true RPG creeps in, these", "point I feel like the LitRPG element becomes just a crutch to get", "almost all the LitRPG stories I read, the start of the stories is", "of the RPG and it becomes just a normal (insert genre) story. To", "progresses and the characters power growth characteristic of a true RPG creeps in,", "saying \"Goblin hits Hero for -8 HP\". Classes, skills, experience points galore. For", "skills, experience points galore. For those that don't know, LitRPG (<https://en.wikipedia.org/wiki/LitRPG>) - it", "living in a game-like world\" kind of stories happen. Not to be confused", "elements are blatantly discarded, never to be mentioned again. Gone is the damage", "crutch to get the story kickstarted. One that could be entirely discarded for", "normal (insert genre) story. To the point I feel like the LitRPG element", "kickstarted. One that could be entirely discarded for the sake of brevity. Or", "Classes, skills, experience points galore. For those that don't know, LitRPG (<https://en.wikipedia.org/wiki/LitRPG>) -", "of the stories is full of system messages, +1 here and there, even", "those that don't know, LitRPG (<https://en.wikipedia.org/wiki/LitRPG>) - it is a genre more prominent", "where \"transported into or living in a game-like world\" kind of stories happen.", "get the story kickstarted. One that could be entirely discarded for the sake", "or living in a game-like world\" kind of stories happen. Not to be", "the most superficial elements of the RPG and it becomes just a normal", "it that way. Therefore, is it a genre convention to do it that", "LitRPG element becomes just a crutch to get the story kickstarted. One that", "a genre more prominent in asian literature, where \"transported into or living in", "I read, the start of the stories is full of system messages, +1", "system messages, +1 here and there, even damage prompts saying \"Goblin hits Hero", "is GameLit. Then as the story progresses and the characters power growth characteristic", "but the most superficial elements of the RPG and it becomes just a", "in a game-like world\" kind of stories happen. Not to be confused with", "+1 here and there, even damage prompts saying \"Goblin hits Hero for -8", "sake of brevity. Or sent to the Checkov firing squad. But almost all", "Or sent to the Checkov firing squad. But almost all authors do it", "genre more prominent in asian literature, where \"transported into or living in a", "(insert genre) story. To the point I feel like the LitRPG element becomes", "the LitRPG stories I read, the start of the stories is full of", "\"Goblin hits Hero for -8 HP\". Classes, skills, experience points galore. For those", "message, gone is the skill growth, gone is all but the most superficial", "confused with \"trapped in a game world\" like Sword Art Online, that is", "kind of stories happen. Not to be confused with \"trapped in a game", "almost all authors do it that way. Therefore, is it a genre convention", "Online, that is GameLit. Then as the story progresses and the characters power", "is the damage message, gone is the skill growth, gone is all but", "a normal (insert genre) story. To the point I feel like the LitRPG", "with \"trapped in a game world\" like Sword Art Online, that is GameLit.", "is full of system messages, +1 here and there, even damage prompts saying", "damage message, gone is the skill growth, gone is all but the most", "One that could be entirely discarded for the sake of brevity. Or sent", "entirely discarded for the sake of brevity. Or sent to the Checkov firing", "the Checkov firing squad. But almost all authors do it that way. Therefore,", "brevity. Or sent to the Checkov firing squad. But almost all authors do", "discarded for the sake of brevity. Or sent to the Checkov firing squad.", "to the Checkov firing squad. But almost all authors do it that way.", "the story kickstarted. One that could be entirely discarded for the sake of", "asian literature, where \"transported into or living in a game-like world\" kind of", "the LitRPG element becomes just a crutch to get the story kickstarted. One", "the point I feel like the LitRPG element becomes just a crutch to", "Checkov firing squad. But almost all authors do it that way. Therefore, is", "that way. Therefore, is it a genre convention to do it that way?", "To the point I feel like the LitRPG element becomes just a crutch", "(<https://en.wikipedia.org/wiki/LitRPG>) - it is a genre more prominent in asian literature, where \"transported", "the story progresses and the characters power growth characteristic of a true RPG", "gone is all but the most superficial elements of the RPG and it", "just a normal (insert genre) story. To the point I feel like the", "could be entirely discarded for the sake of brevity. Or sent to the", "literature, where \"transported into or living in a game-like world\" kind of stories", "firing squad. But almost all authors do it that way. Therefore, is it", "again. Gone is the damage message, gone is the skill growth, gone is", "Art Online, that is GameLit. Then as the story progresses and the characters", "stories is full of system messages, +1 here and there, even damage prompts", "in a game world\" like Sword Art Online, that is GameLit. Then as", "RPG and it becomes just a normal (insert genre) story. To the point", "like the LitRPG element becomes just a crutch to get the story kickstarted.", "all but the most superficial elements of the RPG and it becomes just", "is all but the most superficial elements of the RPG and it becomes", "be confused with \"trapped in a game world\" like Sword Art Online, that", "is a genre more prominent in asian literature, where \"transported into or living", "world\" kind of stories happen. Not to be confused with \"trapped in a", "sent to the Checkov firing squad. But almost all authors do it that", "characteristic of a true RPG creeps in, these elements are blatantly discarded, never", "be entirely discarded for the sake of brevity. Or sent to the Checkov", "in asian literature, where \"transported into or living in a game-like world\" kind", "power growth characteristic of a true RPG creeps in, these elements are blatantly", "a game-like world\" kind of stories happen. Not to be confused with \"trapped", "authors do it that way. Therefore, is it a genre convention to do", "In almost all the LitRPG stories I read, the start of the stories", "Sword Art Online, that is GameLit. Then as the story progresses and the", "these elements are blatantly discarded, never to be mentioned again. Gone is the", "even damage prompts saying \"Goblin hits Hero for -8 HP\". Classes, skills, experience", "the skill growth, gone is all but the most superficial elements of the", "messages, +1 here and there, even damage prompts saying \"Goblin hits Hero for", "the RPG and it becomes just a normal (insert genre) story. To the", "all the LitRPG stories I read, the start of the stories is full", "stories happen. Not to be confused with \"trapped in a game world\" like", "for the sake of brevity. Or sent to the Checkov firing squad. But", "characters power growth characteristic of a true RPG creeps in, these elements are", "LitRPG stories I read, the start of the stories is full of system", "For those that don't know, LitRPG (<https://en.wikipedia.org/wiki/LitRPG>) - it is a genre more", "true RPG creeps in, these elements are blatantly discarded, never to be mentioned", "blatantly discarded, never to be mentioned again. Gone is the damage message, gone", "the damage message, gone is the skill growth, gone is all but the", "Hero for -8 HP\". Classes, skills, experience points galore. For those that don't", "elements of the RPG and it becomes just a normal (insert genre) story.", "world\" like Sword Art Online, that is GameLit. Then as the story progresses", "the sake of brevity. Or sent to the Checkov firing squad. But almost", "most superficial elements of the RPG and it becomes just a normal (insert", "in, these elements are blatantly discarded, never to be mentioned again. Gone is", "superficial elements of the RPG and it becomes just a normal (insert genre)", "as the story progresses and the characters power growth characteristic of a true", "do it that way. Therefore, is it a genre convention to do it", "growth characteristic of a true RPG creeps in, these elements are blatantly discarded,", "squad. But almost all authors do it that way. Therefore, is it a", "prompts saying \"Goblin hits Hero for -8 HP\". Classes, skills, experience points galore.", "for -8 HP\". Classes, skills, experience points galore. For those that don't know,", "galore. For those that don't know, LitRPG (<https://en.wikipedia.org/wiki/LitRPG>) - it is a genre", "of a true RPG creeps in, these elements are blatantly discarded, never to", "HP\". Classes, skills, experience points galore. For those that don't know, LitRPG (<https://en.wikipedia.org/wiki/LitRPG>)", "all authors do it that way. Therefore, is it a genre convention to", "\"transported into or living in a game-like world\" kind of stories happen. Not", "that is GameLit. Then as the story progresses and the characters power growth", "discarded, never to be mentioned again. Gone is the damage message, gone is", "of stories happen. Not to be confused with \"trapped in a game world\"", "RPG creeps in, these elements are blatantly discarded, never to be mentioned again.", "skill growth, gone is all but the most superficial elements of the RPG", "feel like the LitRPG element becomes just a crutch to get the story", "more prominent in asian literature, where \"transported into or living in a game-like", "GameLit. Then as the story progresses and the characters power growth characteristic of", "of system messages, +1 here and there, even damage prompts saying \"Goblin hits", "and there, even damage prompts saying \"Goblin hits Hero for -8 HP\". Classes,", "to be mentioned again. Gone is the damage message, gone is the skill" ]
[ "of the Hobbit condensed into 32 pages aimed at 4-8 year olds (can", "It's an adaptation of the Hobbit condensed into 32 pages aimed at 4-8", "into 32 pages aimed at 4-8 year olds (can be read to and", "(can be read to and read by children). I had the book printed", "many people have asked me. But Tolkien's works are copyrighted. My question is-", "Christmas present) but I would really like to publish it to make it", "because so many people have asked me. But Tolkien's works are copyrighted. My", "Tolkien's works are copyrighted. My question is- can I publish it? And if", "book. It's an adaptation of the Hobbit condensed into 32 pages aimed at", "not, would making name changes be enough, or would it still be an", "be read to and read by children). I had the book printed for", "people have asked me. But Tolkien's works are copyrighted. My question is- can", "if not, would making name changes be enough, or would it still be", "it available for others because so many people have asked me. But Tolkien's", "present) but I would really like to publish it to make it available", "it? And if not, would making name changes be enough, or would it", "book printed for private use (it was a Christmas present) but I would", "but I would really like to publish it to make it available for", "the book printed for private use (it was a Christmas present) but I", "And if not, would making name changes be enough, or would it still", "available for others because so many people have asked me. But Tolkien's works", "Hobbit condensed into 32 pages aimed at 4-8 year olds (can be read", "32 pages aimed at 4-8 year olds (can be read to and read", "really like to publish it to make it available for others because so", "would making name changes be enough, or would it still be an infringement?", "children's book. It's an adaptation of the Hobbit condensed into 32 pages aimed", "was a Christmas present) but I would really like to publish it to", "publish it to make it available for others because so many people have", "read by children). I had the book printed for private use (it was", "written and drawn a children's book. It's an adaptation of the Hobbit condensed", "is- can I publish it? And if not, would making name changes be", "I would really like to publish it to make it available for others", "adaptation of the Hobbit condensed into 32 pages aimed at 4-8 year olds", "by children). I had the book printed for private use (it was a", "question is- can I publish it? And if not, would making name changes", "to and read by children). I had the book printed for private use", "have asked me. But Tolkien's works are copyrighted. My question is- can I", "for private use (it was a Christmas present) but I would really like", "I have written and drawn a children's book. It's an adaptation of the", "year olds (can be read to and read by children). I had the", "me. But Tolkien's works are copyrighted. My question is- can I publish it?", "to publish it to make it available for others because so many people", "a Christmas present) but I would really like to publish it to make", "olds (can be read to and read by children). I had the book", "4-8 year olds (can be read to and read by children). I had", "like to publish it to make it available for others because so many", "a children's book. It's an adaptation of the Hobbit condensed into 32 pages", "an adaptation of the Hobbit condensed into 32 pages aimed at 4-8 year", "children). I had the book printed for private use (it was a Christmas", "condensed into 32 pages aimed at 4-8 year olds (can be read to", "can I publish it? And if not, would making name changes be enough,", "others because so many people have asked me. But Tolkien's works are copyrighted.", "pages aimed at 4-8 year olds (can be read to and read by", "are copyrighted. My question is- can I publish it? And if not, would", "My question is- can I publish it? And if not, would making name", "read to and read by children). I had the book printed for private", "printed for private use (it was a Christmas present) but I would really", "private use (it was a Christmas present) but I would really like to", "make it available for others because so many people have asked me. But", "publish it? And if not, would making name changes be enough, or would", "and drawn a children's book. It's an adaptation of the Hobbit condensed into", "the Hobbit condensed into 32 pages aimed at 4-8 year olds (can be", "it to make it available for others because so many people have asked", "so many people have asked me. But Tolkien's works are copyrighted. My question", "drawn a children's book. It's an adaptation of the Hobbit condensed into 32", "would really like to publish it to make it available for others because", "to make it available for others because so many people have asked me.", "aimed at 4-8 year olds (can be read to and read by children).", "and read by children). I had the book printed for private use (it", "I had the book printed for private use (it was a Christmas present)", "(it was a Christmas present) but I would really like to publish it", "use (it was a Christmas present) but I would really like to publish", "But Tolkien's works are copyrighted. My question is- can I publish it? And", "asked me. But Tolkien's works are copyrighted. My question is- can I publish", "I publish it? And if not, would making name changes be enough, or", "have written and drawn a children's book. It's an adaptation of the Hobbit", "works are copyrighted. My question is- can I publish it? And if not,", "at 4-8 year olds (can be read to and read by children). I", "had the book printed for private use (it was a Christmas present) but", "copyrighted. My question is- can I publish it? And if not, would making", "for others because so many people have asked me. But Tolkien's works are" ]
[ "it (Hijrp Potfeq, LOTR, Wheel of Time). It's even part of the \"Hero's", "with the \"normal world\". Lately, however, I have considered sticking in an extra", "reason I did this was to subvert the expectation that a book has", "the \"Hero's Journey\". However, my book starts with the \"inciting incidient\" i.e. my", "of Time). It's even part of the \"Hero's Journey\". However, my book starts", "to slowly introduce my reader to my world. What are the advantages and", "my book starts with the \"inciting incidient\" i.e. my main charatcer begins her", "the beginning as a way to slowly introduce my reader to my world.", "the reason I did this was to subvert the expectation that a book", "Part of the reason I did this was to subvert the expectation that", "book has to start with the \"normal world\". Lately, however, I have considered", "however, I have considered sticking in an extra chapter or two in the", "are the advantages and disadvantages of staring a novel with the \"normal world\"?", "a way to slowly introduce my reader to my world. What are the", "charatcer begins her first day at school. Part of the reason I did", "Journey\". However, my book starts with the \"inciting incidient\" i.e. my main charatcer", "It's even part of the \"Hero's Journey\". However, my book starts with the", "my main charatcer begins her first day at school. Part of the reason", "beginning as a way to slowly introduce my reader to my world. What", "Potfeq, LOTR, Wheel of Time). It's even part of the \"Hero's Journey\". However,", "to start with the \"normal world\". Lately, however, I have considered sticking in", "an extra chapter or two in the beginning as a way to slowly", "do it (Hijrp Potfeq, LOTR, Wheel of Time). It's even part of the", "reader to my world. What are the advantages and disadvantages of staring a", "of books do it (Hijrp Potfeq, LOTR, Wheel of Time). It's even part", "way to slowly introduce my reader to my world. What are the advantages", "lot of books do it (Hijrp Potfeq, LOTR, Wheel of Time). It's even", "the \"normal world\". Lately, however, I have considered sticking in an extra chapter", "to subvert the expectation that a book has to start with the \"normal", "expectation that a book has to start with the \"normal world\". Lately, however,", "i.e. my main charatcer begins her first day at school. Part of the", "of the \"Hero's Journey\". However, my book starts with the \"inciting incidient\" i.e.", "a lot of books do it (Hijrp Potfeq, LOTR, Wheel of Time). It's", "in an extra chapter or two in the beginning as a way to", "with the \"inciting incidient\" i.e. my main charatcer begins her first day at", "LOTR, Wheel of Time). It's even part of the \"Hero's Journey\". However, my", "\"inciting incidient\" i.e. my main charatcer begins her first day at school. Part", "as a way to slowly introduce my reader to my world. What are", "in the beginning as a way to slowly introduce my reader to my", "even part of the \"Hero's Journey\". However, my book starts with the \"inciting", "I know a lot of books do it (Hijrp Potfeq, LOTR, Wheel of", "I have considered sticking in an extra chapter or two in the beginning", "chapter or two in the beginning as a way to slowly introduce my", "to my world. What are the advantages and disadvantages of staring a novel", "main charatcer begins her first day at school. Part of the reason I", "my reader to my world. What are the advantages and disadvantages of staring", "introduce my reader to my world. What are the advantages and disadvantages of", "day at school. Part of the reason I did this was to subvert", "have considered sticking in an extra chapter or two in the beginning as", "I did this was to subvert the expectation that a book has to", "this was to subvert the expectation that a book has to start with", "at school. Part of the reason I did this was to subvert the", "book starts with the \"inciting incidient\" i.e. my main charatcer begins her first", "Wheel of Time). It's even part of the \"Hero's Journey\". However, my book", "my world. What are the advantages and disadvantages of staring a novel with", "\"normal world\". Lately, however, I have considered sticking in an extra chapter or", "first day at school. Part of the reason I did this was to", "subvert the expectation that a book has to start with the \"normal world\".", "part of the \"Hero's Journey\". However, my book starts with the \"inciting incidient\"", "Lately, however, I have considered sticking in an extra chapter or two in", "of the reason I did this was to subvert the expectation that a", "a book has to start with the \"normal world\". Lately, however, I have", "extra chapter or two in the beginning as a way to slowly introduce", "did this was to subvert the expectation that a book has to start", "the \"inciting incidient\" i.e. my main charatcer begins her first day at school.", "school. Part of the reason I did this was to subvert the expectation", "was to subvert the expectation that a book has to start with the", "the expectation that a book has to start with the \"normal world\". Lately,", "know a lot of books do it (Hijrp Potfeq, LOTR, Wheel of Time).", "her first day at school. Part of the reason I did this was", "two in the beginning as a way to slowly introduce my reader to", "books do it (Hijrp Potfeq, LOTR, Wheel of Time). It's even part of", "has to start with the \"normal world\". Lately, however, I have considered sticking", "starts with the \"inciting incidient\" i.e. my main charatcer begins her first day", "or two in the beginning as a way to slowly introduce my reader", "\"Hero's Journey\". However, my book starts with the \"inciting incidient\" i.e. my main", "start with the \"normal world\". Lately, however, I have considered sticking in an", "Time). It's even part of the \"Hero's Journey\". However, my book starts with", "slowly introduce my reader to my world. What are the advantages and disadvantages", "world. What are the advantages and disadvantages of staring a novel with the", "(Hijrp Potfeq, LOTR, Wheel of Time). It's even part of the \"Hero's Journey\".", "begins her first day at school. Part of the reason I did this", "sticking in an extra chapter or two in the beginning as a way", "that a book has to start with the \"normal world\". Lately, however, I", "However, my book starts with the \"inciting incidient\" i.e. my main charatcer begins", "incidient\" i.e. my main charatcer begins her first day at school. Part of", "considered sticking in an extra chapter or two in the beginning as a", "world\". Lately, however, I have considered sticking in an extra chapter or two", "What are the advantages and disadvantages of staring a novel with the \"normal" ]
[ "just to clarify, my readers haven't read all of them, my teacher has", "all of them, my teacher has read 3 of them and the group", "were nonsense - my teacher told me. Is there a good way to", "to clarify, my readers haven't read all of them, my teacher has read", "thinking about how would I have a haircut. If no one existed after", "of readers. After a while I had 586 words in total SO FAR,I", "After a while I had 586 words in total SO FAR,I am not", "stairs. Missing all the blood and the occasional dead body on my journey", "total SO FAR,I am not sure if my writing is nonsense. This is", "if my writing is nonsense. This is my 5th revision of the book,", "teacher has read 3 of them and the group has read 2. A", "2. A short example: > > I locked my door and walked down", "feel like they just don't care. just to clarify, my readers haven't read", "had 586 words in total SO FAR,I am not sure if my writing", "to tell if my writing is nonsense? I would ask the group if", "them and the group has read 2. A short example: > > I", "was dead, I was > thinking about how would I have a haircut.", "> thinking about how would I have a haircut. If no one existed", "it's good, but I am beginning to feel like they just don't care.", "I was > thinking about how would I have a haircut. If no", "about how would I have a haircut. If no one existed after this", "they think it's good, but I am beginning to feel like they just", "would ask the group if they think it's good, but I am beginning", "group if they think it's good, but I am beginning to feel like", "The hairdresser was dead, I was > thinking about how would I have", "clarify, my readers haven't read all of them, my teacher has read 3", "example: > > I locked my door and walked down the stairs. Missing", "my writing is nonsense. This is my 5th revision of the book, all", "locked my door and walked down the stairs. Missing all the blood and", "down the stairs. Missing all the blood and the occasional dead body on", "don't care. just to clarify, my readers haven't read all of them, my", "sounds interesting even to the my \"board\" of readers. After a while I", "haircut. If no one existed after this > I wouldn’t care about my", "the book sounds interesting even to the my \"board\" of readers. After a", "writing is nonsense. This is my 5th revision of the book, all the", "revision of the book, all the other ones were nonsense - my teacher", "the blood and the occasional dead body on my journey downstairs. The hairdresser", "my \"board\" of readers. After a while I had 586 words in total", "way to tell if my writing is nonsense? I would ask the group", "586 words in total SO FAR,I am not sure if my writing is", "a haircut. If no one existed after this > I wouldn’t care about", "read 3 of them and the group has read 2. A short example:", "a good way to tell if my writing is nonsense? I would ask", "if my writing is nonsense? I would ask the group if they think", "they just don't care. just to clarify, my readers haven't read all of", "nonsense - my teacher told me. Is there a good way to tell", "I locked my door and walked down the stairs. Missing all the blood", "writing a book, the start of the book sounds interesting even to the", "is my 5th revision of the book, all the other ones were nonsense", "in total SO FAR,I am not sure if my writing is nonsense. This", "short example: > > I locked my door and walked down the stairs.", "am not sure if my writing is nonsense. This is my 5th revision", "the start of the book sounds interesting even to the my \"board\" of", "Is there a good way to tell if my writing is nonsense? I", "other ones were nonsense - my teacher told me. Is there a good", "me. Is there a good way to tell if my writing is nonsense?", "downstairs. The hairdresser was dead, I was > thinking about how would I", "and walked down the stairs. Missing all the blood and the occasional dead", "was > thinking about how would I have a haircut. If no one", "have a haircut. If no one existed after this > I wouldn’t care", "think it's good, but I am beginning to feel like they just don't", "the stairs. Missing all the blood and the occasional dead body on my", "group has read 2. A short example: > > I locked my door", "interesting even to the my \"board\" of readers. After a while I had", "my writing is nonsense? I would ask the group if they think it's", "walked down the stairs. Missing all the blood and the occasional dead body", "existed after this > I wouldn’t care about my hair style. > >", "good, but I am beginning to feel like they just don't care. just", "my teacher has read 3 of them and the group has read 2.", "dead, I was > thinking about how would I have a haircut. If", "5th revision of the book, all the other ones were nonsense - my", "sure if my writing is nonsense. This is my 5th revision of the", "has read 2. A short example: > > I locked my door and", "one existed after this > I wouldn’t care about my hair style. >", "all the other ones were nonsense - my teacher told me. Is there", "am beginning to feel like they just don't care. just to clarify, my", "Missing all the blood and the occasional dead body on my journey downstairs.", "the my \"board\" of readers. After a while I had 586 words in", "all the blood and the occasional dead body on my journey downstairs. The", "after this > I wouldn’t care about my hair style. > > >", "I would ask the group if they think it's good, but I am", "a book, the start of the book sounds interesting even to the my", "journey downstairs. The hairdresser was dead, I was > thinking about how would", "I am writing a book, the start of the book sounds interesting even", "there a good way to tell if my writing is nonsense? I would", "nonsense. This is my 5th revision of the book, all the other ones", "tell if my writing is nonsense? I would ask the group if they", "book, the start of the book sounds interesting even to the my \"board\"", "start of the book sounds interesting even to the my \"board\" of readers.", "the book, all the other ones were nonsense - my teacher told me.", "care. just to clarify, my readers haven't read all of them, my teacher", "my teacher told me. Is there a good way to tell if my", "If no one existed after this > I wouldn’t care about my hair", "beginning to feel like they just don't care. just to clarify, my readers", "has read 3 of them and the group has read 2. A short", "a while I had 586 words in total SO FAR,I am not sure", "> > I locked my door and walked down the stairs. Missing all", "readers. After a while I had 586 words in total SO FAR,I am", "to the my \"board\" of readers. After a while I had 586 words", "like they just don't care. just to clarify, my readers haven't read all", "and the occasional dead body on my journey downstairs. The hairdresser was dead,", "dead body on my journey downstairs. The hairdresser was dead, I was >", "This is my 5th revision of the book, all the other ones were", "the group if they think it's good, but I am beginning to feel", "readers haven't read all of them, my teacher has read 3 of them", "nonsense? I would ask the group if they think it's good, but I", "on my journey downstairs. The hairdresser was dead, I was > thinking about", "I have a haircut. If no one existed after this > I wouldn’t", "not sure if my writing is nonsense. This is my 5th revision of", "book, all the other ones were nonsense - my teacher told me. Is", "hairdresser was dead, I was > thinking about how would I have a", "FAR,I am not sure if my writing is nonsense. This is my 5th", "door and walked down the stairs. Missing all the blood and the occasional", "just don't care. just to clarify, my readers haven't read all of them,", "of the book sounds interesting even to the my \"board\" of readers. After", "ask the group if they think it's good, but I am beginning to", "is nonsense? I would ask the group if they think it's good, but", "my 5th revision of the book, all the other ones were nonsense -", "teacher told me. Is there a good way to tell if my writing", "I had 586 words in total SO FAR,I am not sure if my", "the other ones were nonsense - my teacher told me. Is there a", "I am beginning to feel like they just don't care. just to clarify,", "is nonsense. This is my 5th revision of the book, all the other", "if they think it's good, but I am beginning to feel like they", "while I had 586 words in total SO FAR,I am not sure if", "am writing a book, the start of the book sounds interesting even to", "book sounds interesting even to the my \"board\" of readers. After a while", "to feel like they just don't care. just to clarify, my readers haven't", "my readers haven't read all of them, my teacher has read 3 of", "how would I have a haircut. If no one existed after this >", "ones were nonsense - my teacher told me. Is there a good way", "A short example: > > I locked my door and walked down the", "3 of them and the group has read 2. A short example: >", "no one existed after this > I wouldn’t care about my hair style.", "of them and the group has read 2. A short example: > >", "writing is nonsense? I would ask the group if they think it's good,", "read all of them, my teacher has read 3 of them and the", "the occasional dead body on my journey downstairs. The hairdresser was dead, I", "- my teacher told me. Is there a good way to tell if", "my door and walked down the stairs. Missing all the blood and the", "of them, my teacher has read 3 of them and the group has", "words in total SO FAR,I am not sure if my writing is nonsense.", "and the group has read 2. A short example: > > I locked", "told me. Is there a good way to tell if my writing is", "> I locked my door and walked down the stairs. Missing all the", "even to the my \"board\" of readers. After a while I had 586", "good way to tell if my writing is nonsense? I would ask the", "haven't read all of them, my teacher has read 3 of them and", "the group has read 2. A short example: > > I locked my", "blood and the occasional dead body on my journey downstairs. The hairdresser was", "but I am beginning to feel like they just don't care. just to", "would I have a haircut. If no one existed after this > I", "them, my teacher has read 3 of them and the group has read", "occasional dead body on my journey downstairs. The hairdresser was dead, I was", "So I am writing a book, the start of the book sounds interesting", "\"board\" of readers. After a while I had 586 words in total SO", "SO FAR,I am not sure if my writing is nonsense. This is my", "body on my journey downstairs. The hairdresser was dead, I was > thinking", "my journey downstairs. The hairdresser was dead, I was > thinking about how", "read 2. A short example: > > I locked my door and walked", "of the book, all the other ones were nonsense - my teacher told" ]
[ "I decided to post it as an official question --even though I have", "I feel NOT knowing the answer to this question was, for a long", "very difficult, frustrating, stressful and effortful process. It can also be very isolating", "point of writing material that you're pretty sure no one else will ever", "the answer to this question was, for a long time, the biggest barrier", "comments to [another question](https://writing.stackexchange.com/q/47317/10479). I decided to post it as an official question", "it as an official question --even though I have an answer in mind", "Note: I saw this question posed in the comments to [another question](https://writing.stackexchange.com/q/47317/10479). I", "stressful and effortful process. It can also be very isolating to the writer.", "that you're pretty sure no one else will ever read? Isn't it a", "saw this question posed in the comments to [another question](https://writing.stackexchange.com/q/47317/10479). I decided to", "writing is a form of communication, what is the point of writing material", "the biggest barrier to my growth and success as a writer. Other people's", "this question was, for a long time, the biggest barrier to my growth", "of your time and effort? Note: I saw this question posed in the", "to this question was, for a long time, the biggest barrier to my", "one else will ever read? Isn't it a complete waste of your time", "Given that writing is a form of communication, what is the point of", "question](https://writing.stackexchange.com/q/47317/10479). I decided to post it as an official question --even though I", "a writer. Other people's answers are welcome --this continues to be something I", "a form of communication, *what is the point of writing material that you're", "answer in mind --because I feel NOT knowing the answer to this question", "effort? Note: I saw this question posed in the comments to [another question](https://writing.stackexchange.com/q/47317/10479).", "that writing is a form of communication, what is the point of writing", "process. It can also be very isolating to the writer. Given that writing", "knowing the answer to this question was, for a long time, the biggest", "time, the biggest barrier to my growth and success as a writer. Other", "of writing material that you're pretty sure no one else will ever read?", "can also be very isolating to the writer. Given that writing is a", "is a form of communication, what is the point of writing material that", "people's answers are welcome --this continues to be something I struggle with emotionally,", "writer. Given that writing is a form of communication, what is the point", "waste of your time and effort? Note: I saw this question posed in", "to the writer. Given that writing is a form of communication, what is", "answer to this question was, for a long time, the biggest barrier to", "posed in the comments to [another question](https://writing.stackexchange.com/q/47317/10479). I decided to post it as", "form of communication, what is the point of writing material that you're pretty", "ever read? Isn't it a complete waste of your time and effort? Note:", "this question posed in the comments to [another question](https://writing.stackexchange.com/q/47317/10479). I decided to post", "and success as a writer. Other people's answers are welcome --this continues to", "Writing can be a very difficult, frustrating, stressful and effortful process. It can", "communication, *what is the point of writing material that you're pretty sure no", "your time and effort? Note: I saw this question posed in the comments", "to my growth and success as a writer. Other people's answers are welcome", "writer. Other people's answers are welcome --this continues to be something I struggle", "success as a writer. Other people's answers are welcome --this continues to be", "to post it as an official question --even though I have an answer", "question was, for a long time, the biggest barrier to my growth and", "I saw this question posed in the comments to [another question](https://writing.stackexchange.com/q/47317/10479). I decided", "have an answer in mind --because I feel NOT knowing the answer to", "Other people's answers are welcome --this continues to be something I struggle with", "material that you're pretty sure no one else will ever read? Isn't it", "frustrating, stressful and effortful process. It can also be very isolating to the", "NOT knowing the answer to this question was, for a long time, the", "welcome --this continues to be something I struggle with emotionally, even though I've", "can be a very difficult, frustrating, stressful and effortful process. It can also", "in mind --because I feel NOT knowing the answer to this question was,", "was, for a long time, the biggest barrier to my growth and success", "barrier to my growth and success as a writer. Other people's answers are", "in the comments to [another question](https://writing.stackexchange.com/q/47317/10479). I decided to post it as an", "very isolating to the writer. Given that writing is a form of communication,", "an official question --even though I have an answer in mind --because I", "long time, the biggest barrier to my growth and success as a writer.", "of communication, what is the point of writing material that you're pretty sure", "biggest barrier to my growth and success as a writer. Other people's answers", "question posed in the comments to [another question](https://writing.stackexchange.com/q/47317/10479). I decided to post it", "though I have an answer in mind --because I feel NOT knowing the", "read*? Isn't it a complete waste of your time and effort? Note: I", "and effortful process. It can also be very isolating to the writer. Given", "no one else will ever read? Isn't it a complete waste of your", "be a very difficult, frustrating, stressful and effortful process. It can also be", "an answer in mind --because I feel NOT knowing the answer to this", "as a writer. Other people's answers are welcome --this continues to be something", "mind --because I feel NOT knowing the answer to this question was, for", "difficult, frustrating, stressful and effortful process. It can also be very isolating to", "post it as an official question --even though I have an answer in", "what is the point of writing material that you're pretty sure no one", "else will ever read? Isn't it a complete waste of your time and", "will ever read? Isn't it a complete waste of your time and effort?", "Isn't it a complete waste of your time and effort? Note: I saw", "as an official question --even though I have an answer in mind --because", "question --even though I have an answer in mind --because I feel NOT", "are welcome --this continues to be something I struggle with emotionally, even though", "also be very isolating to the writer. Given that writing is a form", "--this continues to be something I struggle with emotionally, even though I've embraced", "be very isolating to the writer. Given that writing is a form of", "my growth and success as a writer. Other people's answers are welcome --this", "--even though I have an answer in mind --because I feel NOT knowing", "isolating to the writer. Given that writing is a form of communication, what", "writing material that you're pretty sure no one else will ever read? Isn't", "pretty sure no one else will ever read? Isn't it a complete waste", "a complete waste of your time and effort? Note: I saw this question", "you're pretty sure no one else will ever read*? Isn't it a complete", "I have an answer in mind --because I feel NOT knowing the answer", "It can also be very isolating to the writer. Given that writing is", "the point of writing material that you're pretty sure no one else will", "growth and success as a writer. Other people's answers are welcome --this continues", "a long time, the biggest barrier to my growth and success as a", "a very difficult, frustrating, stressful and effortful process. It can also be very", "--because I feel NOT knowing the answer to this question was, for a", "to be something I struggle with emotionally, even though I've embraced it intellectually.", "time and effort? Note: I saw this question posed in the comments to", "continues to be something I struggle with emotionally, even though I've embraced it", "the comments to [another question](https://writing.stackexchange.com/q/47317/10479). I decided to post it as an official", "decided to post it as an official question --even though I have an", "complete waste of your time and effort? Note: I saw this question posed", "for a long time, the biggest barrier to my growth and success as", "answers are welcome --this continues to be something I struggle with emotionally, even", "sure no one else will ever read*? Isn't it a complete waste of", "effortful process. It can also be very isolating to the writer. Given that", "is the point of writing material that you're pretty sure no one else", "it a complete waste of your time and effort? Note: I saw this", "[another question](https://writing.stackexchange.com/q/47317/10479). I decided to post it as an official question --even though", "official question --even though I have an answer in mind --because I feel", "and effort? Note: I saw this question posed in the comments to [another", "the writer. Given that writing is a form of communication, *what is the", "to [another question](https://writing.stackexchange.com/q/47317/10479). I decided to post it as an official question --even", "feel NOT knowing the answer to this question was, for a long time," ]
[ "already do and don't have to actively attempt to learn. It also isn't", "serious, qualitative writing practice. I do focus on more open-ended topics and don't", "describe everyday events. It's not uncommon to be incredibly meta in this, questions", "not uncommon to be incredibly meta in this, questions like 'why do I", "more open-ended topics and don't usually deadpan describe everyday events. It's not uncommon", "pieces of writing advice I hear is that you should write frequently and", "that you should write frequently and often. Writing regular entries in a diary", "It also isn't the exact same thing as trying to write an actual", "thing as trying to write an actual paragraph or chapter of a novel.", "that my problem with thinking of this as serious writing practice is because", "it's already a habit of mine and it feels like cheating to accept", "mine and it feels like cheating to accept something that I already do", "qualitative writing practice. I do focus on more open-ended topics and don't usually", "hesistant to call my years of writing entries as serious, qualitative writing practice.", "you should write frequently and often. Writing regular entries in a diary should", "diary should fit this criteria, but I'm hesistant to call my years of", "the thinking that emerges from that can conclude by changing my own perspective", "criteria, but I'm hesistant to call my years of writing entries as serious,", "of this as serious writing practice is because it's already a habit of", "fit this criteria, but I'm hesistant to call my years of writing entries", "because it's already a habit of mine and it feels like cheating to", "write frequently and often. Writing regular entries in a diary should fit this", "emerges from that can conclude by changing my own perspective or the way", "as serious writing practice is because it's already a habit of mine and", "common pieces of writing advice I hear is that you should write frequently", "my years of writing entries as serious, qualitative writing practice. I do focus", "writing advice I hear is that you should write frequently and often. Writing", "writing entries as serious, qualitative writing practice. I do focus on more open-ended", "think that my problem with thinking of this as serious writing practice is", "do and don't have to actively attempt to learn. It also isn't the", "way I think or approach a certain topic. I think that my problem", "and often. Writing regular entries in a diary should fit this criteria, but", "my own perspective or the way I think or approach a certain topic.", "cheating to accept something that I already do and don't have to actively", "and don't have to actively attempt to learn. It also isn't the exact", "a certain topic. I think that my problem with thinking of this as", "certain topic. I think that my problem with thinking of this as serious", "on more open-ended topics and don't usually deadpan describe everyday events. It's not", "as serious, qualitative writing practice. I do focus on more open-ended topics and", "meta in this, questions like 'why do I think this?' and the thinking", "that emerges from that can conclude by changing my own perspective or the", "thinking of this as serious writing practice is because it's already a habit", "I think or approach a certain topic. I think that my problem with", "approach a certain topic. I think that my problem with thinking of this", "perspective or the way I think or approach a certain topic. I think", "to be incredibly meta in this, questions like 'why do I think this?'", "writing practice. I do focus on more open-ended topics and don't usually deadpan", "accept something that I already do and don't have to actively attempt to", "is because it's already a habit of mine and it feels like cheating", "or approach a certain topic. I think that my problem with thinking of", "the exact same thing as trying to write an actual paragraph or chapter", "years of writing entries as serious, qualitative writing practice. I do focus on", "actively attempt to learn. It also isn't the exact same thing as trying", "feels like cheating to accept something that I already do and don't have", "topic. I think that my problem with thinking of this as serious writing", "something that I already do and don't have to actively attempt to learn.", "events. It's not uncommon to be incredibly meta in this, questions like 'why", "'why do I think this?' and the thinking that emerges from that can", "deadpan describe everyday events. It's not uncommon to be incredibly meta in this,", "same thing as trying to write an actual paragraph or chapter of a", "don't have to actively attempt to learn. It also isn't the exact same", "it feels like cheating to accept something that I already do and don't", "I hear is that you should write frequently and often. Writing regular entries", "of writing advice I hear is that you should write frequently and often.", "have to actively attempt to learn. It also isn't the exact same thing", "frequently and often. Writing regular entries in a diary should fit this criteria,", "like 'why do I think this?' and the thinking that emerges from that", "entries as serious, qualitative writing practice. I do focus on more open-ended topics", "don't usually deadpan describe everyday events. It's not uncommon to be incredibly meta", "attempt to learn. It also isn't the exact same thing as trying to", "of mine and it feels like cheating to accept something that I already", "One of the most common pieces of writing advice I hear is that", "of writing entries as serious, qualitative writing practice. I do focus on more", "a habit of mine and it feels like cheating to accept something that", "questions like 'why do I think this?' and the thinking that emerges from", "think this?' and the thinking that emerges from that can conclude by changing", "my problem with thinking of this as serious writing practice is because it's", "do focus on more open-ended topics and don't usually deadpan describe everyday events.", "incredibly meta in this, questions like 'why do I think this?' and the", "to call my years of writing entries as serious, qualitative writing practice. I", "exact same thing as trying to write an actual paragraph or chapter of", "focus on more open-ended topics and don't usually deadpan describe everyday events. It's", "I do focus on more open-ended topics and don't usually deadpan describe everyday", "I think this?' and the thinking that emerges from that can conclude by", "own perspective or the way I think or approach a certain topic. I", "changing my own perspective or the way I think or approach a certain", "this criteria, but I'm hesistant to call my years of writing entries as", "regular entries in a diary should fit this criteria, but I'm hesistant to", "call my years of writing entries as serious, qualitative writing practice. I do", "think or approach a certain topic. I think that my problem with thinking", "a diary should fit this criteria, but I'm hesistant to call my years", "should write frequently and often. 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I do focus on more open-ended topics and don't usually deadpan describe", "isn't the exact same thing as trying to write an actual paragraph or", "from that can conclude by changing my own perspective or the way I", "uncommon to be incredibly meta in this, questions like 'why do I think", "learn. It also isn't the exact same thing as trying to write an", "most common pieces of writing advice I hear is that you should write", "thinking that emerges from that can conclude by changing my own perspective or", "this, questions like 'why do I think this?' and the thinking that emerges", "that can conclude by changing my own perspective or the way I think", "entries in a diary should fit this criteria, but I'm hesistant to call", "and the thinking that emerges from that can conclude by changing my own", "to accept something that I already do and don't have to actively attempt", "already a habit of mine and it feels like cheating to accept something", "to actively attempt to learn. It also isn't the exact same thing as", "can conclude by changing my own perspective or the way I think or", "with thinking of this as serious writing practice is because it's already a", "and it feels like cheating to accept something that I already do and", "or the way I think or approach a certain topic. I think that", "everyday events. It's not uncommon to be incredibly meta in this, questions like", "I'm hesistant to call my years of writing entries as serious, qualitative writing", "I think that my problem with thinking of this as serious writing practice", "be incredibly meta in this, questions like 'why do I think this?' and", "this as serious writing practice is because it's already a habit of mine", "I already do and don't have to actively attempt to learn. It also", "is that you should write frequently and often. Writing regular entries in a", "often. Writing regular entries in a diary should fit this criteria, but I'm", "in this, questions like 'why do I think this?' and the thinking that", "problem with thinking of this as serious writing practice is because it's already", "of the most common pieces of writing advice I hear is that you", "hear is that you should write frequently and often. Writing regular entries in", "writing practice is because it's already a habit of mine and it feels", "in a diary should fit this criteria, but I'm hesistant to call my", "to learn. It also isn't the exact same thing as trying to write", "that I already do and don't have to actively attempt to learn. It", "topics and don't usually deadpan describe everyday events. It's not uncommon to be", "the most common pieces of writing advice I hear is that you should", "It's not uncommon to be incredibly meta in this, questions like 'why do", "but I'm hesistant to call my years of writing entries as serious, qualitative", "do I think this?' and the thinking that emerges from that can conclude", "usually deadpan describe everyday events. It's not uncommon to be incredibly meta in", "habit of mine and it feels like cheating to accept something that I", "and don't usually deadpan describe everyday events. It's not uncommon to be incredibly" ]
[ "is conceived of as a coming-of-age story. There's also elements of a quest", "and one stays in the third location). I have an overall story arc", "three distinct locations (the two main characters start in the first location, travel", "don't think it really has resonance without the rest. I've also thought about", "genre, but the overall book is conceived of as a coming-of-age story. There's", "each location. The problem is that the sections feel very different in tone,", "but I don't think it really has resonance without the rest. I've also", "as a writer is to overthink and overcomplicate things. I don't want to", "I've also thought about going non-linear, with flashbacks and so forth, but I", "location). I have an overall story arc that connects the whole narrative, and", "that connects the whole narrative, and I think there are strong storylines for", "least three distinct sections in three distinct locations (the two main characters start", "ones who travel from place to place, although there are connections between the", "conceived of as a coming-of-age story. There's also elements of a quest narrative", "first section is more of an action/thriller. The middle section has some action,", "characters are the only ones who travel from place to place, although there", "mystery plot. I know --that's a lot! My tendency as a writer is", "as clear a genre, but the overall book is conceived of as a", "different in tone, and stakes, and I'm worried that the book will feel", "know --that's a lot! My tendency as a writer is to overthink and", "in three distinct locations (the two main characters start in the first location,", "think there are strong storylines for each location. The problem is that the", "on one section of the story, but I don't think it really has", "the second location, and one stays in the third location). I have an", "largely about a love triangle. The last section doesn't have as clear a", "the sections feel very different in tone, and stakes, and I'm worried that", "don't want to get lost in the outlining here, my goal is just", "want to confuse or lose the reader. How can I give this story", "I give this story a strong throughline that will keep it from feeling", "also elements of a quest narrative and a mystery plot. I know --that's", "I don't want to confuse or lose the reader. How can I give", "although there are connections between the locations. The story for the first section", "problem is that the sections feel very different in tone, and stakes, and", "reader. How can I give this story a strong throughline that will keep", "the locations. The story for the first section is more of an action/thriller.", "has some action, but is largely about a love triangle. The last section", "are strong storylines for each location. The problem is that the sections feel", "also thought about going non-linear, with flashbacks and so forth, but I don't", "overcomplicate things. I don't want to get lost in the outlining here, my", "book will feel disconnected and episodic. There's no single villain in the book", "book is conceived of as a coming-of-age story. There's also elements of a", "going non-linear, with flashbacks and so forth, but I don't want to confuse", "in the book --the main characters are the only ones who travel from", "travel from place to place, although there are connections between the locations. The", "locations. The story for the first section is more of an action/thriller. The", "with these characters and these settings. I've thought about just focusing on one", "at least three distinct sections in three distinct locations (the two main characters", "so forth, but I don't want to confuse or lose the reader. How", "settings. I've thought about just focusing on one section of the story, but", "How can I give this story a strong throughline that will keep it", "here, my goal is just to tell the strongest possible story with these", "that the sections feel very different in tone, and stakes, and I'm worried", "action/thriller. The middle section has some action, but is largely about a love", "I don't want to get lost in the outlining here, my goal is", "overall story arc that connects the whole narrative, and I think there are", "I'm working on a novel that will have at least three distinct sections", "middle section has some action, but is largely about a love triangle. The", "tendency as a writer is to overthink and overcomplicate things. I don't want", "overthink and overcomplicate things. I don't want to get lost in the outlining", "strongest possible story with these characters and these settings. I've thought about just", "story with these characters and these settings. I've thought about just focusing on", "resonance without the rest. I've also thought about going non-linear, with flashbacks and", "There's no single villain in the book --the main characters are the only", "about just focusing on one section of the story, but I don't think", "the overall book is conceived of as a coming-of-age story. There's also elements", "is to overthink and overcomplicate things. I don't want to get lost in", "will have at least three distinct sections in three distinct locations (the two", "have at least three distinct sections in three distinct locations (the two main", "or lose the reader. How can I give this story a strong throughline", "doesn't have as clear a genre, but the overall book is conceived of", "there are connections between the locations. The story for the first section is", "as a coming-of-age story. There's also elements of a quest narrative and a", "love triangle. The last section doesn't have as clear a genre, but the", "for the first section is more of an action/thriller. The middle section has", "one section of the story, but I don't think it really has resonance", "very different in tone, and stakes, and I'm worried that the book will", "give this story a strong throughline that will keep it from feeling episodic?", "story arc that connects the whole narrative, and I think there are strong", "but I don't want to confuse or lose the reader. How can I", "villain in the book --the main characters are the only ones who travel", "locations (the two main characters start in the first location, travel through the", "in the outlining here, my goal is just to tell the strongest possible", "I'm worried that the book will feel disconnected and episodic. There's no single", "location, and one stays in the third location). I have an overall story", "section doesn't have as clear a genre, but the overall book is conceived", "a mystery plot. I know --that's a lot! My tendency as a writer", "to get lost in the outlining here, my goal is just to tell", "thought about just focusing on one section of the story, but I don't", "the first location, travel through the second location, and one stays in the", "My tendency as a writer is to overthink and overcomplicate things. I don't", "tell the strongest possible story with these characters and these settings. I've thought", "more of an action/thriller. The middle section has some action, but is largely", "novel that will have at least three distinct sections in three distinct locations", "has resonance without the rest. I've also thought about going non-linear, with flashbacks", "are the only ones who travel from place to place, although there are", "episodic. There's no single villain in the book --the main characters are the", "three distinct sections in three distinct locations (the two main characters start in", "there are strong storylines for each location. The problem is that the sections", "to place, although there are connections between the locations. The story for the", "a coming-of-age story. There's also elements of a quest narrative and a mystery", "possible story with these characters and these settings. I've thought about just focusing", "can I give this story a strong throughline that will keep it from", "of an action/thriller. The middle section has some action, but is largely about", "goal is just to tell the strongest possible story with these characters and", "forth, but I don't want to confuse or lose the reader. How can", "really has resonance without the rest. I've also thought about going non-linear, with", "The last section doesn't have as clear a genre, but the overall book", "these characters and these settings. I've thought about just focusing on one section", "outlining here, my goal is just to tell the strongest possible story with", "main characters start in the first location, travel through the second location, and", "location, travel through the second location, and one stays in the third location).", "characters and these settings. I've thought about just focusing on one section of", "The problem is that the sections feel very different in tone, and stakes,", "for each location. The problem is that the sections feel very different in", "from place to place, although there are connections between the locations. The story", "story for the first section is more of an action/thriller. The middle section", "(the two main characters start in the first location, travel through the second", "writer is to overthink and overcomplicate things. I don't want to get lost", "connects the whole narrative, and I think there are strong storylines for each", "and overcomplicate things. I don't want to get lost in the outlining here,", "characters start in the first location, travel through the second location, and one", "distinct locations (the two main characters start in the first location, travel through", "feel very different in tone, and stakes, and I'm worried that the book", "an action/thriller. The middle section has some action, but is largely about a", "through the second location, and one stays in the third location). I have", "start in the first location, travel through the second location, and one stays", "but is largely about a love triangle. The last section doesn't have as", "action, but is largely about a love triangle. The last section doesn't have", "a quest narrative and a mystery plot. I know --that's a lot! My", "last section doesn't have as clear a genre, but the overall book is", "third location). I have an overall story arc that connects the whole narrative,", "I know --that's a lot! My tendency as a writer is to overthink", "the only ones who travel from place to place, although there are connections", "to confuse or lose the reader. How can I give this story a", "thought about going non-linear, with flashbacks and so forth, but I don't want", "one stays in the third location). I have an overall story arc that", "a love triangle. The last section doesn't have as clear a genre, but", "There's also elements of a quest narrative and a mystery plot. I know", "disconnected and episodic. There's no single villain in the book --the main characters", "on a novel that will have at least three distinct sections in three", "get lost in the outlining here, my goal is just to tell the", "second location, and one stays in the third location). I have an overall", "section of the story, but I don't think it really has resonance without", "but the overall book is conceived of as a coming-of-age story. There's also", "non-linear, with flashbacks and so forth, but I don't want to confuse or", "I think there are strong storylines for each location. The problem is that", "lose the reader. How can I give this story a strong throughline that", "coming-of-age story. There's also elements of a quest narrative and a mystery plot.", "just to tell the strongest possible story with these characters and these settings.", "lot! My tendency as a writer is to overthink and overcomplicate things. I", "and a mystery plot. I know --that's a lot! My tendency as a", "a writer is to overthink and overcomplicate things. I don't want to get", "arc that connects the whole narrative, and I think there are strong storylines", "and episodic. There's no single villain in the book --the main characters are", "single villain in the book --the main characters are the only ones who", "it really has resonance without the rest. I've also thought about going non-linear,", "in the first location, travel through the second location, and one stays in", "no single villain in the book --the main characters are the only ones", "place, although there are connections between the locations. The story for the first", "the strongest possible story with these characters and these settings. I've thought about", "rest. I've also thought about going non-linear, with flashbacks and so forth, but", "the third location). I have an overall story arc that connects the whole", "flashbacks and so forth, but I don't want to confuse or lose the", "an overall story arc that connects the whole narrative, and I think there", "will feel disconnected and episodic. There's no single villain in the book --the", "narrative, and I think there are strong storylines for each location. The problem", "connections between the locations. The story for the first section is more of", "stays in the third location). I have an overall story arc that connects", "want to get lost in the outlining here, my goal is just to", "and stakes, and I'm worried that the book will feel disconnected and episodic.", "are connections between the locations. The story for the first section is more", "just focusing on one section of the story, but I don't think it", "section has some action, but is largely about a love triangle. The last", "triangle. The last section doesn't have as clear a genre, but the overall", "is just to tell the strongest possible story with these characters and these", "in tone, and stakes, and I'm worried that the book will feel disconnected", "overall book is conceived of as a coming-of-age story. There's also elements of", "main characters are the only ones who travel from place to place, although", "focusing on one section of the story, but I don't think it really", "only ones who travel from place to place, although there are connections between", "about a love triangle. The last section doesn't have as clear a genre,", "some action, but is largely about a love triangle. The last section doesn't", "quest narrative and a mystery plot. I know --that's a lot! My tendency", "things. I don't want to get lost in the outlining here, my goal", "to overthink and overcomplicate things. I don't want to get lost in the", "travel through the second location, and one stays in the third location). I", "don't want to confuse or lose the reader. How can I give this", "about going non-linear, with flashbacks and so forth, but I don't want to", "The middle section has some action, but is largely about a love triangle.", "story, but I don't think it really has resonance without the rest. I've", "feel disconnected and episodic. There's no single villain in the book --the main", "plot. I know --that's a lot! My tendency as a writer is to", "is more of an action/thriller. The middle section has some action, but is", "without the rest. I've also thought about going non-linear, with flashbacks and so", "storylines for each location. The problem is that the sections feel very different", "--the main characters are the only ones who travel from place to place,", "sections in three distinct locations (the two main characters start in the first", "--that's a lot! My tendency as a writer is to overthink and overcomplicate", "think it really has resonance without the rest. I've also thought about going", "I don't think it really has resonance without the rest. I've also thought", "of a quest narrative and a mystery plot. I know --that's a lot!", "the book --the main characters are the only ones who travel from place", "in the third location). I have an overall story arc that connects the", "tone, and stakes, and I'm worried that the book will feel disconnected and", "and I'm worried that the book will feel disconnected and episodic. There's no", "and these settings. I've thought about just focusing on one section of the", "and I think there are strong storylines for each location. The problem is", "that the book will feel disconnected and episodic. There's no single villain in", "the book will feel disconnected and episodic. There's no single villain in the", "location. The problem is that the sections feel very different in tone, and", "worried that the book will feel disconnected and episodic. There's no single villain", "clear a genre, but the overall book is conceived of as a coming-of-age", "to tell the strongest possible story with these characters and these settings. I've", "have as clear a genre, but the overall book is conceived of as", "a lot! My tendency as a writer is to overthink and overcomplicate things.", "whole narrative, and I think there are strong storylines for each location. The", "with flashbacks and so forth, but I don't want to confuse or lose", "two main characters start in the first location, travel through the second location,", "the story, but I don't think it really has resonance without the rest.", "place to place, although there are connections between the locations. The story for", "the whole narrative, and I think there are strong storylines for each location.", "distinct sections in three distinct locations (the two main characters start in the", "and so forth, but I don't want to confuse or lose the reader.", "the reader. How can I give this story a strong throughline that will", "my goal is just to tell the strongest possible story with these characters", "the outlining here, my goal is just to tell the strongest possible story", "narrative and a mystery plot. I know --that's a lot! My tendency as", "I've thought about just focusing on one section of the story, but I", "the rest. I've also thought about going non-linear, with flashbacks and so forth,", "lost in the outlining here, my goal is just to tell the strongest", "working on a novel that will have at least three distinct sections in", "these settings. I've thought about just focusing on one section of the story,", "of as a coming-of-age story. There's also elements of a quest narrative and", "who travel from place to place, although there are connections between the locations.", "is that the sections feel very different in tone, and stakes, and I'm", "The story for the first section is more of an action/thriller. The middle", "a genre, but the overall book is conceived of as a coming-of-age story.", "that will have at least three distinct sections in three distinct locations (the", "is largely about a love triangle. The last section doesn't have as clear", "story. There's also elements of a quest narrative and a mystery plot. I", "stakes, and I'm worried that the book will feel disconnected and episodic. There's", "I have an overall story arc that connects the whole narrative, and I", "a novel that will have at least three distinct sections in three distinct", "sections feel very different in tone, and stakes, and I'm worried that the", "of the story, but I don't think it really has resonance without the", "strong storylines for each location. The problem is that the sections feel very", "between the locations. The story for the first section is more of an", "confuse or lose the reader. How can I give this story a strong", "book --the main characters are the only ones who travel from place to", "elements of a quest narrative and a mystery plot. I know --that's a", "first location, travel through the second location, and one stays in the third", "have an overall story arc that connects the whole narrative, and I think", "section is more of an action/thriller. The middle section has some action, but", "the first section is more of an action/thriller. The middle section has some" ]
[ "They're meant to be a slog for the characters, but I don't want", "not (yet) finding the magic in them. They're meant to be a slog", "need to put more thought and effort into those liminal locations? Or can", "those liminal locations? Or can I just drop them? They feel necessary both", "question](https://writing.stackexchange.com/q/47353/10479), my novel in progress has three main locations. I feel those three", "about those locations. They're just places to pass through. Do I need to", "in my [other recent question](https://writing.stackexchange.com/q/47353/10479), my novel in progress has three main locations.", "finding the magic in them. They're meant to be a slog for the", "locations? Or can I just drop them? They feel necessary both geographically and", "they aren't side by side, and this is a setting where travel takes", "imagined places, with interesting storylines. However, they aren't side by side, and this", "[other recent question](https://writing.stackexchange.com/q/47353/10479), my novel in progress has three main locations. I feel", "the magic in them. They're meant to be a slog for the characters,", "are strong, fully imagined places, with interesting storylines. However, they aren't side by", "that I'm not enthused about those locations. They're just places to pass through.", "So I have two more locations that are basically transitional places between the", "I just drop them? They feel necessary both geographically and psychologically. But I'm", "drop them? They feel necessary both geographically and psychologically. But I'm not (yet)", "feel those three settings are strong, fully imagined places, with interesting storylines. However,", "the other locations. The problem is that I'm not enthused about those locations.", "locations. They're just places to pass through. Do I need to put more", "to be a slog for the characters, but I don't want them to", "I need to put more thought and effort into those liminal locations? Or", "However, they aren't side by side, and this is a setting where travel", "liminal locations? Or can I just drop them? They feel necessary both geographically", "mentioned in my [other recent question](https://writing.stackexchange.com/q/47353/10479), my novel in progress has three main", "is that I'm not enthused about those locations. They're just places to pass", "this is a setting where travel takes time and effort. So I have", "geographically and psychologically. But I'm not (yet) finding the magic in them. They're", "novel in progress has three main locations. I feel those three settings are", "interesting storylines. However, they aren't side by side, and this is a setting", "problem is that I'm not enthused about those locations. They're just places to", "have two more locations that are basically transitional places between the other locations.", "for the characters, but I don't want them to be one for the", "a setting where travel takes time and effort. So I have two more", "They feel necessary both geographically and psychologically. But I'm not (yet) finding the", "my [other recent question](https://writing.stackexchange.com/q/47353/10479), my novel in progress has three main locations. I", "is a setting where travel takes time and effort. So I have two", "and effort into those liminal locations? Or can I just drop them? They", "are basically transitional places between the other locations. The problem is that I'm", "I'm not (yet) finding the magic in them. They're meant to be a", "just drop them? They feel necessary both geographically and psychologically. But I'm not", "effort into those liminal locations? Or can I just drop them? They feel", "them. They're meant to be a slog for the characters, but I don't", "where travel takes time and effort. So I have two more locations that", "strong, fully imagined places, with interesting storylines. However, they aren't side by side,", "feel necessary both geographically and psychologically. But I'm not (yet) finding the magic", "places between the other locations. The problem is that I'm not enthused about", "that are basically transitional places between the other locations. The problem is that", "takes time and effort. So I have two more locations that are basically", "can I just drop them? They feel necessary both geographically and psychologically. But", "side, and this is a setting where travel takes time and effort. So", "and psychologically. But I'm not (yet) finding the magic in them. They're meant", "I have two more locations that are basically transitional places between the other", "aren't side by side, and this is a setting where travel takes time", "Do I need to put more thought and effort into those liminal locations?", "with interesting storylines. However, they aren't side by side, and this is a", "through. Do I need to put more thought and effort into those liminal", "in progress has three main locations. I feel those three settings are strong,", "between the other locations. The problem is that I'm not enthused about those", "locations that are basically transitional places between the other locations. The problem is", "to put more thought and effort into those liminal locations? Or can I", "has three main locations. I feel those three settings are strong, fully imagined", "put more thought and effort into those liminal locations? Or can I just", "just places to pass through. Do I need to put more thought and", "transitional places between the other locations. The problem is that I'm not enthused", "main locations. I feel those three settings are strong, fully imagined places, with", "settings are strong, fully imagined places, with interesting storylines. However, they aren't side", "meant to be a slog for the characters, but I don't want them", "locations. The problem is that I'm not enthused about those locations. They're just", "slog for the characters, but I don't want them to be one for", "my novel in progress has three main locations. I feel those three settings", "enthused about those locations. They're just places to pass through. Do I need", "not enthused about those locations. They're just places to pass through. Do I", "psychologically. But I'm not (yet) finding the magic in them. They're meant to", "(yet) finding the magic in them. They're meant to be a slog for", "necessary both geographically and psychologically. But I'm not (yet) finding the magic in", "I feel those three settings are strong, fully imagined places, with interesting storylines.", "and this is a setting where travel takes time and effort. So I", "basically transitional places between the other locations. The problem is that I'm not", "setting where travel takes time and effort. So I have two more locations", "a slog for the characters, but I don't want them to be one", "and effort. So I have two more locations that are basically transitional places", "three settings are strong, fully imagined places, with interesting storylines. However, they aren't", "those locations. They're just places to pass through. Do I need to put", "those three settings are strong, fully imagined places, with interesting storylines. However, they", "both geographically and psychologically. But I'm not (yet) finding the magic in them.", "effort. So I have two more locations that are basically transitional places between", "the characters, but I don't want them to be one for the readers.", "them? They feel necessary both geographically and psychologically. But I'm not (yet) finding", "pass through. Do I need to put more thought and effort into those", "in them. They're meant to be a slog for the characters, but I", "into those liminal locations? Or can I just drop them? They feel necessary", "The problem is that I'm not enthused about those locations. They're just places", "time and effort. So I have two more locations that are basically transitional", "They're just places to pass through. Do I need to put more thought", "magic in them. They're meant to be a slog for the characters, but", "As I mentioned in my [other recent question](https://writing.stackexchange.com/q/47353/10479), my novel in progress has", "But I'm not (yet) finding the magic in them. They're meant to be", "other locations. The problem is that I'm not enthused about those locations. They're", "to pass through. Do I need to put more thought and effort into", "more thought and effort into those liminal locations? Or can I just drop", "places to pass through. Do I need to put more thought and effort", "recent question](https://writing.stackexchange.com/q/47353/10479), my novel in progress has three main locations. I feel those", "travel takes time and effort. So I have two more locations that are", "locations. I feel those three settings are strong, fully imagined places, with interesting", "by side, and this is a setting where travel takes time and effort.", "two more locations that are basically transitional places between the other locations. The", "I'm not enthused about those locations. They're just places to pass through. Do", "storylines. However, they aren't side by side, and this is a setting where", "fully imagined places, with interesting storylines. However, they aren't side by side, and", "places, with interesting storylines. However, they aren't side by side, and this is", "three main locations. I feel those three settings are strong, fully imagined places,", "be a slog for the characters, but I don't want them to be", "more locations that are basically transitional places between the other locations. The problem", "I mentioned in my [other recent question](https://writing.stackexchange.com/q/47353/10479), my novel in progress has three", "thought and effort into those liminal locations? Or can I just drop them?", "progress has three main locations. I feel those three settings are strong, fully", "Or can I just drop them? They feel necessary both geographically and psychologically.", "side by side, and this is a setting where travel takes time and" ]
[ "> \"You fired all three of them?!\" > > > Trouble is, I'm", "a novel without it appearing childish and/or obnoxious? Using just the question mark", "use it in a novel without it appearing childish and/or obnoxious? Using just", "is it safe to use it in a novel without it appearing childish", "them?!\" > > > Trouble is, I'm not sure I've ever seen a", "together - it's something I normally see in comic strips and the like.", "Is using the two punctuation marks together only acceptable in certain forms of", "in certain forms of writing, or is it safe to use it in", "punctuation marks together only acceptable in certain forms of writing, or is it", "see in comic strips and the like. Is using the two punctuation marks", "safe to use it in a novel without it appearing childish and/or obnoxious?*", "the two punctuation marks together only acceptable in certain forms of writing, or", "of them?!\" > > > Trouble is, I'm not sure I've ever seen", "marks together only acceptable in certain forms of writing, or is it safe", "acceptable in certain forms of writing, or is it safe to use it", "the following sentence: > > \"You fired all three* of them?!\" > >", "it appearing childish and/or obnoxious? Using just the question mark doesn't really create", "not sure I've ever seen a novel that used a question mark and", "and the like. Is using the two punctuation marks together only acceptable in", "or is it safe to use it in a novel without it appearing", "in comic strips and the like. *Is using the two punctuation marks together", "mark and an exclamation point together - it's something I normally see in", "fired all three* of them?!\" > > > Trouble is, I'm not sure", "exclamation point together - it's something I normally see in comic strips and", "> > > Trouble is, I'm not sure I've ever seen a novel", "normally see in comic strips and the like. Is using the two punctuation", "is, I'm not sure I've ever seen a novel that used a question", "only acceptable in certain forms of writing, or is it safe to use", "and/or obnoxious? Using just the question mark doesn't really create the effect I'm", "three of them?!\" > > > Trouble is, I'm not sure I've ever", "contains the following sentence: > > \"You fired all three of them?!\" >", "> Trouble is, I'm not sure I've ever seen a novel that used", "mine contains the following sentence: > > \"You fired all three of them?!\"", "A dialogue of mine contains the following sentence: > > \"You fired all", "the like. Is using the two punctuation marks together only acceptable in certain", "a novel that used a question mark and an exclamation point together -", "it's something I normally see in comic strips and the like. Is using", "obnoxious?** Using just the question mark doesn't really create the effect I'm aiming", "of mine contains the following sentence: > > \"You fired all three of", "to use it in a novel without it appearing childish and/or obnoxious? Using", "- it's something I normally see in comic strips and the like. Is", "that used a question mark and an exclamation point together - it's something", "of writing, or is it safe to use it in a novel without", "all three of them?!\" > > > Trouble is, I'm not sure I've", "I'm not sure I've ever seen a novel that used a question mark", "appearing childish and/or obnoxious?** Using just the question mark doesn't really create the", "I've ever seen a novel that used a question mark and an exclamation", "it safe to use it in a novel without it appearing childish and/or", "> > \"You fired all three of them?!\" > > > Trouble is,", "using the two punctuation marks together only acceptable in certain forms of writing,", "and an exclamation point together - it's something I normally see in comic", "forms of writing, or is it safe to use it in a novel", "strips and the like. Is using the two punctuation marks together only acceptable", "I normally see in comic strips and the like. Is using the two", "an exclamation point together - it's something I normally see in comic strips", "Trouble is, I'm not sure I've ever seen a novel that used a", "point together - it's something I normally see in comic strips and the", "novel that used a question mark and an exclamation point together - it's", "like. Is using the two punctuation marks together only acceptable in certain forms", "> > Trouble is, I'm not sure I've ever seen a novel that", "comic strips and the like. Is using the two punctuation marks together only", "following sentence: > > \"You fired all three of them?!\" > > >", "ever seen a novel that used a question mark and an exclamation point", "childish and/or obnoxious? Using just the question mark doesn't really create the effect", "a question mark and an exclamation point together - it's something I normally", "certain forms of writing, or is it safe to use it in a", "without it appearing childish and/or obnoxious? Using just the question mark doesn't really", "writing, or is it safe to use it in a novel without it", "novel without it appearing childish and/or obnoxious?** Using just the question mark doesn't", "seen a novel that used a question mark and an exclamation point together", "Using just the question mark doesn't really create the effect I'm aiming for.", "used a question mark and an exclamation point together - it's something I", "sentence: > > \"You fired all three of them?!\" > > > Trouble", "dialogue of mine contains the following sentence: > > \"You fired all three", "together only acceptable in certain forms of writing, or is it safe to", "it in a novel without it appearing childish and/or obnoxious? Using just the", "two punctuation marks together only acceptable in certain forms of writing, or is", "question mark and an exclamation point together - it's something I normally see", "in a novel without it appearing childish and/or obnoxious? Using just the question", "something I normally see in comic strips and the like. *Is using the", "sure I've ever seen a novel that used a question mark and an", "\"You fired all three* of them?!\" > > > Trouble is, I'm not" ]
[ "but is clearly not fluent in Spanish. > > > Grandma drives them", "orange juice. Piola declines the offer, despite Grandma's justification that it will help", "enough Spanish to communicate to Grandma about the snakebite situation but is clearly", "> He feels too sad and worried to just stay home with his", "bit by an unknown snake species and is being treated for it. Out", "USA, I don't know how many people will understand it if I write", "disadvantages of each of these 3 ways of getting across foreign language in", "native tongue. Pedez knows enough Spanish to communicate to Grandma about the snakebite", "of the 3 snakebite victims, this little girl seems to have the best", "school and tells his dad about the situation during a break from his", "think of getting across foreign language in the dialogue. First off, there is", "and is being treated for it. Out of the 3 snakebite victims, this", "a picture of the snake. His dad, an expert herpetologist goes to the", "snake traps. On the news is some live footage of his youngest sister,", "are the advantages and disadvantages of each of these 3 ways of getting", "is being treated for it. Out of the 3 snakebite victims, this little", "a gravely dangerous situation of not being able to breathe. > > >", "go to Grandma's and tell her about the situation. Grandma greets the two", "chapter of my story, where I introduce a foreign language speaking character. ###", "dialogue. First off, there is writing the foreign language directly. However, I am", "the news is some live footage of his youngest sister, Lolj and her", "Lolj is blind. Piola says that Lolj needs her rest and is worried", "will help her immune system fight off the snake venom. Grandma doesn't know", "advantages and disadvantages of each of these 3 ways of getting across foreign", "they decide to go to Grandma's and tell her about the situation. Grandma", "story about a little girl who got bit by an unknown snake species", "in my story speaks Spanish as a native language, Piola is bilingual in", "them to the hospital and offers Lolj some orange juice. Piola declines the", "of them in Spanish, her native tongue. Pedez knows enough Spanish to communicate", "many people will understand it if I write the foreign language directly. Then", "rest and is worried that she isn't ready to eat or drink anything", "> > Pedez, the little girl's brother is at school and tells his", "her native tongue. Pedez knows enough Spanish to communicate to Grandma about the", "to go to Grandma's and tell her about the situation. Grandma greets the", "and worried to just stay home with his older sister Alilenbra, so they", "sister, Lolj and her mom, Piola at the hospital. > > > He", "sets a lot of snake traps. Pedez hears the news the next morning", "in Spanish and English, Pedez is actively learning Spanish, Alilenbra and Bob, Pedez's", "in the USA, I don't know how many people will understand it if", "justification that it will help her immune system fight off the snake venom.", "is worried that she isn't ready to eat or drink anything since she", "speaker or even conservationally fluent in Spanish. Also, given that I live in", "little girl's brother is at school and tells his dad about the situation", "despite Grandma's justification that it will help her immune system fight off the", "> Grandma drives them to the hospital and offers Lolj some orange juice.", "the next morning about his dad setting the snake traps. On the news", "able to breathe. > > > Grandma in my story speaks Spanish as", "stay home with his older sister Alilenbra, so they decide to go to", "learning it, and Lolj can't understand Spanish at all yet. So there are", "will understand it if I write the foreign language directly. Then there is", "her about the situation. Grandma greets the two of them in Spanish, her", "older sister Alilenbra, so they decide to go to Grandma's and tell her", "> > Grandma drives them to the hospital and offers Lolj some orange", "there is writing completely in English and just mentioning that it is spoken", "drives them to the hospital and offers Lolj some orange juice. Piola declines", "native language, Piola is bilingual in Spanish and English, Pedez is actively learning", "the hospital. > > > He feels too sad and worried to just", "mom, Piola at the hospital. > > > He feels too sad and", "understand it if I write the foreign language directly. Then there is writing", "> > He feels too sad and worried to just stay home with", "snakebite victims, this little girl seems to have the best prognosis. Here is", "On the news is some live footage of his youngest sister, Lolj and", "during a break from his classes. He shows a picture of the snake.", "my story, where I introduce a foreign language speaking character. ### Chapter summary:", "her rest and is worried that she isn't ready to eat or drink", "is writing completely in English and just mentioning that it is spoken in", "directly. Then there is writing completely in English and just mentioning that it", "hospital and offers Lolj some orange juice. Piola declines the offer, despite Grandma's", "to eat or drink anything since she got out of a gravely dangerous", "worried that she isn't ready to eat or drink anything since she got", "I write the foreign language directly. Then there is writing completely in English", "pronounced instead of writing it the way it is spelt. What are the", "the snake was found and sets a lot of snake traps. Pedez hears", "am not a native Spanish speaker or even conservationally fluent in Spanish. Also,", "story, where I introduce a foreign language speaking character. ### Chapter summary: >", "just stay home with his older sister Alilenbra, so they decide to go", "them in Spanish, her native tongue. Pedez knows enough Spanish to communicate to", "sister Alilenbra, so they decide to go to Grandma's and tell her about", "it the way it is spelt. What are the advantages and disadvantages of", "for it. Out of the 3 snakebite victims, this little girl seems to", "yet. So there are several ways that I can think of getting across", "snake traps. Pedez hears the news the next morning about his dad setting", "it, and Lolj can't understand Spanish at all yet. So there are several", "in the dialogue. First off, there is writing the foreign language directly. However,", "is spoken in Spanish. Then there is writing a romanization, in other words", "across foreign language in the dialogue. First off, there is writing the foreign", "His dad, an expert herpetologist goes to the park where the snake was", "Pedez is actively learning Spanish, Alilenbra and Bob, Pedez's dad, both understand some", "the way that it is pronounced instead of writing it the way it", "instead of writing it the way it is spelt. What are the advantages", "Spanish, her native tongue. Pedez knows enough Spanish to communicate to Grandma about", "knows enough Spanish to communicate to Grandma about the snakebite situation but is", "a summary of what happens in the second chapter of my story, where", "people will understand it if I write the foreign language directly. Then there", "not fluent in Spanish. > > > Grandma drives them to the hospital", "both understand some Spanish but aren't actively learning it, and Lolj can't understand", "yet, but Lolj is blind. Piola says that Lolj needs her rest and", "dad setting the snake traps. On the news is some live footage of", "is actively learning Spanish, Alilenbra and Bob, Pedez's dad, both understand some Spanish", "that she isn't ready to eat or drink anything since she got out", "her mom, Piola at the hospital. > > > He feels too sad", "is clearly not fluent in Spanish. > > > Grandma drives them to", "of getting across foreign language in the dialogue. First off, there is writing", "her immune system fight off the snake venom. Grandma doesn't know it yet,", "### Chapter summary: > > Pedez, the little girl's brother is at school", "directly. However, I am not a native Spanish speaker or even conservationally fluent", "> > > He feels too sad and worried to just stay home", "a romanization, in other words writing it the way that it is pronounced", "other words writing it the way that it is pronounced instead of writing", "Spanish and English, Pedez is actively learning Spanish, Alilenbra and Bob, Pedez's dad,", "or drink anything since she got out of a gravely dangerous situation of", "Pedez's dad, both understand some Spanish but aren't actively learning it, and Lolj", "an expert herpetologist goes to the park where the snake was found and", "Piola declines the offer, despite Grandma's justification that it will help her immune", "live footage of his youngest sister, Lolj and her mom, Piola at the", "in Spanish. > > > Grandma drives them to the hospital and offers", "system fight off the snake venom. Grandma doesn't know it yet, but Lolj", "of my story, where I introduce a foreign language speaking character. ### Chapter", "park where the snake was found and sets a lot of snake traps.", "about the snakebite situation but is clearly not fluent in Spanish. > >", "can think of getting across foreign language in the dialogue. First off, there", "of what happens in the second chapter of my story, where I introduce", "his dad about the situation during a break from his classes. He shows", "lot of snake traps. Pedez hears the news the next morning about his", "Lolj can't understand Spanish at all yet. So there are several ways that", "not a native Spanish speaker or even conservationally fluent in Spanish. Also, given", "hears the news the next morning about his dad setting the snake traps.", "I don't know how many people will understand it if I write the", "clearly not fluent in Spanish. > > > Grandma drives them to the", "to Grandma's and tell her about the situation. Grandma greets the two of", "spoken in Spanish. Then there is writing a romanization, in other words writing", "He shows a picture of the snake. His dad, an expert herpetologist goes", "to communicate to Grandma about the snakebite situation but is clearly not fluent", "is writing the foreign language directly. However, I am not a native Spanish", "to just stay home with his older sister Alilenbra, so they decide to", "since she got out of a gravely dangerous situation of not being able", "his classes. He shows a picture of the snake. His dad, an expert", "the two of them in Spanish, her native tongue. Pedez knows enough Spanish", "but Lolj is blind. Piola says that Lolj needs her rest and is", "species and is being treated for it. Out of the 3 snakebite victims,", "who got bit by an unknown snake species and is being treated for", "about the situation during a break from his classes. He shows a picture", "Spanish to communicate to Grandma about the snakebite situation but is clearly not", "the snake venom. Grandma doesn't know it yet, but Lolj is blind. Piola", "there is writing the foreign language directly. However, I am not a native", "ways that I can think of getting across foreign language in the dialogue.", "Lolj and her mom, Piola at the hospital. > > > He feels", "> Grandma in my story speaks Spanish as a native language, Piola is", "little girl who got bit by an unknown snake species and is being", "dad, an expert herpetologist goes to the park where the snake was found", "Then there is writing a romanization, in other words writing it the way", "help her immune system fight off the snake venom. Grandma doesn't know it", "speaks Spanish as a native language, Piola is bilingual in Spanish and English,", "foreign language directly. Then there is writing completely in English and just mentioning", "brother is at school and tells his dad about the situation during a", "decide to go to Grandma's and tell her about the situation. Grandma greets", "his youngest sister, Lolj and her mom, Piola at the hospital. > >", "about the situation. Grandma greets the two of them in Spanish, her native", "learning Spanish, Alilenbra and Bob, Pedez's dad, both understand some Spanish but aren't", "in Spanish. Also, given that I live in the USA, I don't know", "if I write the foreign language directly. Then there is writing completely in", "setting the snake traps. On the news is some live footage of his", "way it is spelt. What are the advantages and disadvantages of each of", "I'm writing a story about a little girl who got bit by an", "and is worried that she isn't ready to eat or drink anything since", "the dialogue. First off, there is writing the foreign language directly. However, I", "English, Pedez is actively learning Spanish, Alilenbra and Bob, Pedez's dad, both understand", "the little girl's brother is at school and tells his dad about the", "how many people will understand it if I write the foreign language directly.", "blind. Piola says that Lolj needs her rest and is worried that she", "I introduce a foreign language speaking character. ### Chapter summary: > > Pedez,", "speaking character. ### Chapter summary: > > Pedez, the little girl's brother is", "the hospital and offers Lolj some orange juice. Piola declines the offer, despite", "the offer, despite Grandma's justification that it will help her immune system fight", "the second chapter of my story, where I introduce a foreign language speaking", "the USA, I don't know how many people will understand it if I", "the snakebite situation but is clearly not fluent in Spanish. > > >", "I live in the USA, I don't know how many people will understand", "Bob, Pedez's dad, both understand some Spanish but aren't actively learning it, and", "mentioning that it is spoken in Spanish. Then there is writing a romanization,", "actively learning it, and Lolj can't understand Spanish at all yet. So there", "Piola at the hospital. > > > He feels too sad and worried", "where I introduce a foreign language speaking character. ### Chapter summary: > >", "and her mom, Piola at the hospital. > > > He feels too", "a break from his classes. He shows a picture of the snake. His", "foreign language speaking character. ### Chapter summary: > > Pedez, the little girl's", "to Grandma about the snakebite situation but is clearly not fluent in Spanish.", "Spanish, Alilenbra and Bob, Pedez's dad, both understand some Spanish but aren't actively", "to have the best prognosis. Here is a summary of what happens in", "to the park where the snake was found and sets a lot of", "Lolj some orange juice. Piola declines the offer, despite Grandma's justification that it", "Spanish as a native language, Piola is bilingual in Spanish and English, Pedez", "However, I am not a native Spanish speaker or even conservationally fluent in", "aren't actively learning it, and Lolj can't understand Spanish at all yet. So", "of the snake. His dad, an expert herpetologist goes to the park where", "of writing it the way it is spelt. What are the advantages and", "that Lolj needs her rest and is worried that she isn't ready to", "worried to just stay home with his older sister Alilenbra, so they decide", "two of them in Spanish, her native tongue. Pedez knows enough Spanish to", "character. ### Chapter summary: > > Pedez, the little girl's brother is at", "needs her rest and is worried that she isn't ready to eat or", "it if I write the foreign language directly. Then there is writing completely", "juice. Piola declines the offer, despite Grandma's justification that it will help her", "break from his classes. He shows a picture of the snake. His dad,", "the snake traps. On the news is some live footage of his youngest", "his older sister Alilenbra, so they decide to go to Grandma's and tell", "some live footage of his youngest sister, Lolj and her mom, Piola at", "a native language, Piola is bilingual in Spanish and English, Pedez is actively", "but aren't actively learning it, and Lolj can't understand Spanish at all yet.", "there is writing a romanization, in other words writing it the way that", "romanization, in other words writing it the way that it is pronounced instead", "foreign language directly. However, I am not a native Spanish speaker or even", "venom. Grandma doesn't know it yet, but Lolj is blind. Piola says that", "she got out of a gravely dangerous situation of not being able to", "so they decide to go to Grandma's and tell her about the situation.", "write the foreign language directly. Then there is writing completely in English and", "is writing a romanization, in other words writing it the way that it", "doesn't know it yet, but Lolj is blind. Piola says that Lolj needs", "Grandma's justification that it will help her immune system fight off the snake", "dangerous situation of not being able to breathe. > > > Grandma in", "writing the foreign language directly. However, I am not a native Spanish speaker", "in other words writing it the way that it is pronounced instead of", "language directly. Then there is writing completely in English and just mentioning that", "bilingual in Spanish and English, Pedez is actively learning Spanish, Alilenbra and Bob,", "it is spelt. What are the advantages and disadvantages of each of these", "in the second chapter of my story, where I introduce a foreign language", "that it is spoken in Spanish. Then there is writing a romanization, in", "the best prognosis. Here is a summary of what happens in the second", "some Spanish but aren't actively learning it, and Lolj can't understand Spanish at", "dad about the situation during a break from his classes. He shows a", "of each of these 3 ways of getting across foreign language in my", "and tell her about the situation. Grandma greets the two of them in", "snake. His dad, an expert herpetologist goes to the park where the snake", "isn't ready to eat or drink anything since she got out of a", "know how many people will understand it if I write the foreign language", "the way it is spelt. What are the advantages and disadvantages of each", "Alilenbra, so they decide to go to Grandma's and tell her about the", "gravely dangerous situation of not being able to breathe. > > > Grandma", "understand some Spanish but aren't actively learning it, and Lolj can't understand Spanish", "each of these 3 ways of getting across foreign language in my dialogue?", "about a little girl who got bit by an unknown snake species and", "news is some live footage of his youngest sister, Lolj and her mom,", "about his dad setting the snake traps. On the news is some live", "Spanish speaker or even conservationally fluent in Spanish. Also, given that I live", "is at school and tells his dad about the situation during a break", "communicate to Grandma about the snakebite situation but is clearly not fluent in", "by an unknown snake species and is being treated for it. Out of", "youngest sister, Lolj and her mom, Piola at the hospital. > > >", "Spanish. > > > Grandma drives them to the hospital and offers Lolj", "of a gravely dangerous situation of not being able to breathe. > >", "it is pronounced instead of writing it the way it is spelt. What", "Alilenbra and Bob, Pedez's dad, both understand some Spanish but aren't actively learning", "girl's brother is at school and tells his dad about the situation during", "writing completely in English and just mentioning that it is spoken in Spanish.", "Grandma doesn't know it yet, but Lolj is blind. Piola says that Lolj", "feels too sad and worried to just stay home with his older sister", "the situation. Grandma greets the two of them in Spanish, her native tongue.", "> > Grandma in my story speaks Spanish as a native language, Piola", "understand Spanish at all yet. So there are several ways that I can", "writing it the way it is spelt. What are the advantages and disadvantages", "of his youngest sister, Lolj and her mom, Piola at the hospital. >", "can't understand Spanish at all yet. So there are several ways that I", "Spanish. Also, given that I live in the USA, I don't know how", "in English and just mentioning that it is spoken in Spanish. Then there", "home with his older sister Alilenbra, so they decide to go to Grandma's", "situation but is clearly not fluent in Spanish. > > > Grandma drives", "greets the two of them in Spanish, her native tongue. Pedez knows enough", "little girl seems to have the best prognosis. Here is a summary of", "out of a gravely dangerous situation of not being able to breathe. >", "found and sets a lot of snake traps. Pedez hears the news the", "several ways that I can think of getting across foreign language in the", "dad, both understand some Spanish but aren't actively learning it, and Lolj can't", "given that I live in the USA, I don't know how many people", "herpetologist goes to the park where the snake was found and sets a", "hospital. > > > He feels too sad and worried to just stay", "got out of a gravely dangerous situation of not being able to breathe.", "seems to have the best prognosis. Here is a summary of what happens", "is a summary of what happens in the second chapter of my story,", "and just mentioning that it is spoken in Spanish. Then there is writing", "Then there is writing completely in English and just mentioning that it is", "the situation during a break from his classes. He shows a picture of", "not being able to breathe. > > > Grandma in my story speaks", "> > > Grandma in my story speaks Spanish as a native language,", "that it is pronounced instead of writing it the way it is spelt.", "Out of the 3 snakebite victims, this little girl seems to have the", "introduce a foreign language speaking character. ### Chapter summary: > > Pedez, the", "> Pedez, the little girl's brother is at school and tells his dad", "expert herpetologist goes to the park where the snake was found and sets", "traps. Pedez hears the news the next morning about his dad setting the", "Also, given that I live in the USA, I don't know how many", "the 3 snakebite victims, this little girl seems to have the best prognosis.", "to breathe. > > > Grandma in my story speaks Spanish as a", "actively learning Spanish, Alilenbra and Bob, Pedez's dad, both understand some Spanish but", "my story speaks Spanish as a native language, Piola is bilingual in Spanish", "offers Lolj some orange juice. Piola declines the offer, despite Grandma's justification that", "happens in the second chapter of my story, where I introduce a foreign", "don't know how many people will understand it if I write the foreign", "even conservationally fluent in Spanish. Also, given that I live in the USA,", "is bilingual in Spanish and English, Pedez is actively learning Spanish, Alilenbra and", "the advantages and disadvantages of each of these 3 ways of getting across", "the snake. His dad, an expert herpetologist goes to the park where the", "news the next morning about his dad setting the snake traps. On the", "unknown snake species and is being treated for it. Out of the 3", "girl seems to have the best prognosis. Here is a summary of what", "goes to the park where the snake was found and sets a lot", "So there are several ways that I can think of getting across foreign", "completely in English and just mentioning that it is spoken in Spanish. Then", "spelt. What are the advantages and disadvantages of each of these 3 ways", "a story about a little girl who got bit by an unknown snake", "shows a picture of the snake. His dad, an expert herpetologist goes to", "way that it is pronounced instead of writing it the way it is", "some orange juice. Piola declines the offer, despite Grandma's justification that it will", "is pronounced instead of writing it the way it is spelt. What are", "is spelt. What are the advantages and disadvantages of each of these 3", "a foreign language speaking character. ### Chapter summary: > > Pedez, the little", "sad and worried to just stay home with his older sister Alilenbra, so", "Spanish at all yet. So there are several ways that I can think", "that I live in the USA, I don't know how many people will", "Chapter summary: > > Pedez, the little girl's brother is at school and", "conservationally fluent in Spanish. Also, given that I live in the USA, I", "3 snakebite victims, this little girl seems to have the best prognosis. Here", "from his classes. He shows a picture of the snake. His dad, an", "and offers Lolj some orange juice. Piola declines the offer, despite Grandma's justification", "language, Piola is bilingual in Spanish and English, Pedez is actively learning Spanish,", "> > > Grandma drives them to the hospital and offers Lolj some", "next morning about his dad setting the snake traps. On the news is", "language in the dialogue. First off, there is writing the foreign language directly.", "prognosis. Here is a summary of what happens in the second chapter of", "tongue. Pedez knows enough Spanish to communicate to Grandma about the snakebite situation", "summary of what happens in the second chapter of my story, where I", "that I can think of getting across foreign language in the dialogue. First", "writing a romanization, in other words writing it the way that it is", "Spanish but aren't actively learning it, and Lolj can't understand Spanish at all", "fluent in Spanish. > > > Grandma drives them to the hospital and", "immune system fight off the snake venom. Grandma doesn't know it yet, but", "there are several ways that I can think of getting across foreign language", "tell her about the situation. Grandma greets the two of them in Spanish,", "story speaks Spanish as a native language, Piola is bilingual in Spanish and", "Spanish. Then there is writing a romanization, in other words writing it the", "in Spanish, her native tongue. Pedez knows enough Spanish to communicate to Grandma", "and Lolj can't understand Spanish at all yet. So there are several ways", "situation of not being able to breathe. > > > Grandma in my", "victims, this little girl seems to have the best prognosis. Here is a", "He feels too sad and worried to just stay home with his older", "Piola is bilingual in Spanish and English, Pedez is actively learning Spanish, Alilenbra", "is blind. Piola says that Lolj needs her rest and is worried that", "language speaking character. ### Chapter summary: > > Pedez, the little girl's brother", "Grandma in my story speaks Spanish as a native language, Piola is bilingual", "Pedez hears the news the next morning about his dad setting the snake", "it is spoken in Spanish. Then there is writing a romanization, in other", "morning about his dad setting the snake traps. On the news is some", "or even conservationally fluent in Spanish. Also, given that I live in the", "Pedez, the little girl's brother is at school and tells his dad about", "as a native language, Piola is bilingual in Spanish and English, Pedez is", "at school and tells his dad about the situation during a break from", "are several ways that I can think of getting across foreign language in", "of snake traps. Pedez hears the news the next morning about his dad", "the park where the snake was found and sets a lot of snake", "it the way that it is pronounced instead of writing it the way", "snake venom. Grandma doesn't know it yet, but Lolj is blind. Piola says", "got bit by an unknown snake species and is being treated for it.", "off the snake venom. Grandma doesn't know it yet, but Lolj is blind.", "Grandma greets the two of them in Spanish, her native tongue. Pedez knows", "have the best prognosis. Here is a summary of what happens in the", "English and just mentioning that it is spoken in Spanish. Then there is", "situation. Grandma greets the two of them in Spanish, her native tongue. Pedez", "what happens in the second chapter of my story, where I introduce a", "it yet, but Lolj is blind. Piola says that Lolj needs her rest", "being treated for it. Out of the 3 snakebite victims, this little girl", "is some live footage of his youngest sister, Lolj and her mom, Piola", "classes. He shows a picture of the snake. His dad, an expert herpetologist", "where the snake was found and sets a lot of snake traps. Pedez", "eat or drink anything since she got out of a gravely dangerous situation", "at the hospital. > > > He feels too sad and worried to", "and sets a lot of snake traps. Pedez hears the news the next", "the foreign language directly. However, I am not a native Spanish speaker or", "What are the advantages and disadvantages of each of these 3 ways of", "foreign language in the dialogue. First off, there is writing the foreign language", "girl who got bit by an unknown snake species and is being treated", "all yet. So there are several ways that I can think of getting", "and English, Pedez is actively learning Spanish, Alilenbra and Bob, Pedez's dad, both", "declines the offer, despite Grandma's justification that it will help her immune system", "says that Lolj needs her rest and is worried that she isn't ready", "was found and sets a lot of snake traps. Pedez hears the news", "snakebite situation but is clearly not fluent in Spanish. > > > Grandma", "offer, despite Grandma's justification that it will help her immune system fight off", "just mentioning that it is spoken in Spanish. Then there is writing a", "it. Out of the 3 snakebite victims, this little girl seems to have", "Grandma's and tell her about the situation. Grandma greets the two of them", "tells his dad about the situation during a break from his classes. He", "it will help her immune system fight off the snake venom. Grandma doesn't", "words writing it the way that it is pronounced instead of writing it", "in Spanish. Then there is writing a romanization, in other words writing it", "know it yet, but Lolj is blind. Piola says that Lolj needs her", "language directly. However, I am not a native Spanish speaker or even conservationally", "the foreign language directly. Then there is writing completely in English and just", "Lolj needs her rest and is worried that she isn't ready to eat", "I am not a native Spanish speaker or even conservationally fluent in Spanish.", "drink anything since she got out of a gravely dangerous situation of not", "snake species and is being treated for it. Out of the 3 snakebite", "ready to eat or drink anything since she got out of a gravely", "a little girl who got bit by an unknown snake species and is", "getting across foreign language in the dialogue. First off, there is writing the", "I can think of getting across foreign language in the dialogue. First off,", "picture of the snake. His dad, an expert herpetologist goes to the park", "footage of his youngest sister, Lolj and her mom, Piola at the hospital.", "to the hospital and offers Lolj some orange juice. Piola declines the offer,", "a native Spanish speaker or even conservationally fluent in Spanish. Also, given that", "she isn't ready to eat or drink anything since she got out of", "situation during a break from his classes. He shows a picture of the", "his dad setting the snake traps. On the news is some live footage", "this little girl seems to have the best prognosis. Here is a summary", "snake was found and sets a lot of snake traps. Pedez hears the", "fight off the snake venom. Grandma doesn't know it yet, but Lolj is", "with his older sister Alilenbra, so they decide to go to Grandma's and", "Grandma about the snakebite situation but is clearly not fluent in Spanish. >", "live in the USA, I don't know how many people will understand it", "off, there is writing the foreign language directly. However, I am not a", "being able to breathe. > > > Grandma in my story speaks Spanish", "breathe. > > > Grandma in my story speaks Spanish as a native", "writing a story about a little girl who got bit by an unknown", "of not being able to breathe. > > > Grandma in my story", "traps. On the news is some live footage of his youngest sister, Lolj", "First off, there is writing the foreign language directly. However, I am not", "and tells his dad about the situation during a break from his classes.", "and Bob, Pedez's dad, both understand some Spanish but aren't actively learning it,", "treated for it. Out of the 3 snakebite victims, this little girl seems", "an unknown snake species and is being treated for it. Out of the", "fluent in Spanish. Also, given that I live in the USA, I don't", "the news the next morning about his dad setting the snake traps. On", "a lot of snake traps. Pedez hears the news the next morning about", "that it will help her immune system fight off the snake venom. Grandma", "writing it the way that it is pronounced instead of writing it the", "anything since she got out of a gravely dangerous situation of not being", "second chapter of my story, where I introduce a foreign language speaking character.", "at all yet. So there are several ways that I can think of", "best prognosis. Here is a summary of what happens in the second chapter", "Grandma drives them to the hospital and offers Lolj some orange juice. Piola", "Piola says that Lolj needs her rest and is worried that she isn't", "too sad and worried to just stay home with his older sister Alilenbra,", "and disadvantages of each of these 3 ways of getting across foreign language", "summary: > > Pedez, the little girl's brother is at school and tells", "native Spanish speaker or even conservationally fluent in Spanish. Also, given that I", "Here is a summary of what happens in the second chapter of my", "Pedez knows enough Spanish to communicate to Grandma about the snakebite situation but" ]
[ "genre. I don't know if that's actually important or not. If my name", "I'm not done with any of them, I can't stop thinking about how", "(Piché is pronounced pee-shay, by the way)? Or should it be S. M.", "be good enough (Piché is pronounced pee-shay, by the way)? Or should it", "are finished. I remember reading somewhere that authors should go by names that", "should it be S. M. Piché? Or should I come up with a", "finished. I remember reading somewhere that authors should go by names that are", "Or should it be S. M. Piché? Or should I come up with", "not. If my name is Sage Piché, would that be good enough (Piché", "fantasy books and, even though I'm not done with any of them, I", "to their genre. I don't know if that's actually important or not. If", "my name is Sage Piché, would that be good enough (Piché is pronounced", "appear on my books once they are finished. I remember reading somewhere that", "done with any of them, I can't stop thinking about how my name", "their genre. I don't know if that's actually important or not. If my", "books and, even though I'm not done with any of them, I can't", "not done with any of them, I can't stop thinking about how my", "S. M. Piché? Or should I come up with a new name altogether?", "any of them, I can't stop thinking about how my name will appear", "Sage Piché, would that be good enough (Piché is pronounced pee-shay, by the", "writing several fantasy books and, even though I'm not done with any of", "enough (Piché is pronounced pee-shay, by the way)? Or should it be S.", "that authors should go by names that are sort of related to their", "is pronounced pee-shay, by the way)? Or should it be S. M. Piché?", "my name will appear on my books once they are finished. I remember", "reading somewhere that authors should go by names that are sort of related", "of writing several fantasy books and, even though I'm not done with any", "should go by names that are sort of related to their genre. I", "pronounced pee-shay, by the way)? Or should it be S. M. Piché? Or", "know if that's actually important or not. If my name is Sage Piché,", "several fantasy books and, even though I'm not done with any of them,", "if that's actually important or not. If my name is Sage Piché, would", "will appear on my books once they are finished. I remember reading somewhere", "names that are sort of related to their genre. I don't know if", "thinking about how my name will appear on my books once they are", "sort of related to their genre. I don't know if that's actually important", "them, I can't stop thinking about how my name will appear on my", "and, even though I'm not done with any of them, I can't stop", "middle of writing several fantasy books and, even though I'm not done with", "how my name will appear on my books once they are finished. I", "remember reading somewhere that authors should go by names that are sort of", "though I'm not done with any of them, I can't stop thinking about", "by names that are sort of related to their genre. I don't know", "I can't stop thinking about how my name will appear on my books", "in the middle of writing several fantasy books and, even though I'm not", "they are finished. I remember reading somewhere that authors should go by names", "on my books once they are finished. I remember reading somewhere that authors", "authors should go by names that are sort of related to their genre.", "that are sort of related to their genre. I don't know if that's", "of related to their genre. I don't know if that's actually important or", "be S. M. Piché? Or should I come up with a new name", "name will appear on my books once they are finished. I remember reading", "name is Sage Piché, would that be good enough (Piché is pronounced pee-shay,", "or not. If my name is Sage Piché, would that be good enough", "Piché, would that be good enough (Piché is pronounced pee-shay, by the way)?", "can't stop thinking about how my name will appear on my books once", "If my name is Sage Piché, would that be good enough (Piché is", "the way)? Or should it be S. M. Piché? Or should I come", "pee-shay, by the way)? Or should it be S. M. Piché? Or should", "about how my name will appear on my books once they are finished.", "by the way)? Or should it be S. M. Piché? Or should I", "the middle of writing several fantasy books and, even though I'm not done", "would that be good enough (Piché is pronounced pee-shay, by the way)? Or", "that be good enough (Piché is pronounced pee-shay, by the way)? Or should", "stop thinking about how my name will appear on my books once they", "books once they are finished. I remember reading somewhere that authors should go", "it be S. M. Piché? Or should I come up with a new", "of them, I can't stop thinking about how my name will appear on", "my books once they are finished. I remember reading somewhere that authors should", "is Sage Piché, would that be good enough (Piché is pronounced pee-shay, by", "important or not. If my name is Sage Piché, would that be good", "don't know if that's actually important or not. If my name is Sage", "that's actually important or not. If my name is Sage Piché, would that", "even though I'm not done with any of them, I can't stop thinking", "related to their genre. I don't know if that's actually important or not.", "actually important or not. If my name is Sage Piché, would that be", "way)? Or should it be S. M. Piché? Or should I come up", "I'm currently in the middle of writing several fantasy books and, even though", "are sort of related to their genre. I don't know if that's actually", "currently in the middle of writing several fantasy books and, even though I'm", "once they are finished. I remember reading somewhere that authors should go by", "I remember reading somewhere that authors should go by names that are sort", "somewhere that authors should go by names that are sort of related to", "I don't know if that's actually important or not. If my name is", "good enough (Piché is pronounced pee-shay, by the way)? Or should it be", "with any of them, I can't stop thinking about how my name will", "go by names that are sort of related to their genre. I don't" ]
[ "wanted to be 100% sure that I'm not breaking any laws regarding it.", "but I am using the place and it's surroundings. I've seen plenty of", "event that took place over 2000 years ago. I'm not using any real", "over 2000 years ago. I'm not using any real person, but I am", "and it's surroundings. I've seen plenty of books, movies and songs being about", "place and it's surroundings. I've seen plenty of books, movies and songs being", "not using any real person, but I am using the place and it's", "about the event, but wanted to be 100% sure that I'm not breaking", "thinking about writing a short story depicting a real event that took place", "writing a short story depicting a real event that took place over 2000", "took place over 2000 years ago. I'm not using any real person, but", "person, but I am using the place and it's surroundings. I've seen plenty", "am using the place and it's surroundings. I've seen plenty of books, movies", "real person, but I am using the place and it's surroundings. I've seen", "ago. I'm not using any real person, but I am using the place", "songs being about the event, but wanted to be 100% sure that I'm", "story depicting a real event that took place over 2000 years ago. I'm", "about writing a short story depicting a real event that took place over", "of books, movies and songs being about the event, but wanted to be", "real event that took place over 2000 years ago. I'm not using any", "being about the event, but wanted to be 100% sure that I'm not", "was thinking about writing a short story depicting a real event that took", "plenty of books, movies and songs being about the event, but wanted to", "books, movies and songs being about the event, but wanted to be 100%", "short story depicting a real event that took place over 2000 years ago.", "using the place and it's surroundings. I've seen plenty of books, movies and", "surroundings. I've seen plenty of books, movies and songs being about the event,", "a short story depicting a real event that took place over 2000 years", "that took place over 2000 years ago. I'm not using any real person,", "event, but wanted to be 100% sure that I'm not breaking any laws", "I'm not using any real person, but I am using the place and", "the place and it's surroundings. I've seen plenty of books, movies and songs", "place over 2000 years ago. I'm not using any real person, but I", "but wanted to be 100% sure that I'm not breaking any laws regarding", "depicting a real event that took place over 2000 years ago. I'm not", "I am using the place and it's surroundings. I've seen plenty of books,", "years ago. I'm not using any real person, but I am using the", "I've seen plenty of books, movies and songs being about the event, but", "seen plenty of books, movies and songs being about the event, but wanted", "a real event that took place over 2000 years ago. I'm not using", "using any real person, but I am using the place and it's surroundings.", "movies and songs being about the event, but wanted to be 100% sure", "it's surroundings. I've seen plenty of books, movies and songs being about the", "the event, but wanted to be 100% sure that I'm not breaking any", "and songs being about the event, but wanted to be 100% sure that", "2000 years ago. I'm not using any real person, but I am using", "I was thinking about writing a short story depicting a real event that", "any real person, but I am using the place and it's surroundings. I've" ]
[ "still get paid royalties for their old works? For example, If I decided", "old works? For example, If I decided to buy a copy of the", "a copy of the \"Odessa File\" by Frederick Forsyth or \"Kini and Obek\"", "for my kid, maybe 10-15 years down the line (it would definitely be", "the Hijrp Potfeq series for my kid, maybe 10-15 years down the line", "buy a copy of the \"Odessa File\" by Frederick Forsyth or \"Kini and", "Jeffery Archer, do the authors get paid royalties for them? Another example would", "maybe 10-15 years down the line (it would definitely be considered a classic", "Do authors still get paid royalties for their old works? For example, If", "years down the line (it would definitely be considered a classic by then).", "the \"Odessa File\" by Frederick Forsyth or \"Kini and Obek\" by Jeffery Archer,", "would be me buying the Hijrp Potfeq series for my kid, maybe 10-15", "I decided to buy a copy of the \"Odessa File\" by Frederick Forsyth", "get paid royalties for them? Another example would be me buying the Hijrp", "for their old works? For example, If I decided to buy a copy", "example, If I decided to buy a copy of the \"Odessa File\" by", "me buying the Hijrp Potfeq series for my kid, maybe 10-15 years down", "for them? Another example would be me buying the Hijrp Potfeq series for", "down the line (it would definitely be considered a classic by then). Would", "to buy a copy of the \"Odessa File\" by Frederick Forsyth or \"Kini", "paid royalties for their old works? For example, If I decided to buy", "For example, If I decided to buy a copy of the \"Odessa File\"", "Potfeq series for my kid, maybe 10-15 years down the line (it would", "Frederick Forsyth or \"Kini and Obek\" by Jeffery Archer, do the authors get", "authors still get paid royalties for their old works? For example, If I", "or \"Kini and Obek\" by Jeffery Archer, do the authors get paid royalties", "Archer, do the authors get paid royalties for them? Another example would be", "of the \"Odessa File\" by Frederick Forsyth or \"Kini and Obek\" by Jeffery", "authors get paid royalties for them? Another example would be me buying the", "royalties for them? Another example would be me buying the Hijrp Potfeq series", "example would be me buying the Hijrp Potfeq series for my kid, maybe", "\"Odessa File\" by Frederick Forsyth or \"Kini and Obek\" by Jeffery Archer, do", "(it would definitely be considered a classic by then). Would J.K. Rowling benefit", "Hijrp Potfeq series for my kid, maybe 10-15 years down the line (it", "would definitely be considered a classic by then). Would J.K. Rowling benefit from", "by Jeffery Archer, do the authors get paid royalties for them? Another example", "works? For example, If I decided to buy a copy of the \"Odessa", "be me buying the Hijrp Potfeq series for my kid, maybe 10-15 years", "paid royalties for them? Another example would be me buying the Hijrp Potfeq", "my kid, maybe 10-15 years down the line (it would definitely be considered", "and Obek\" by Jeffery Archer, do the authors get paid royalties for them?", "\"Kini and Obek\" by Jeffery Archer, do the authors get paid royalties for", "Forsyth or \"Kini and Obek\" by Jeffery Archer, do the authors get paid", "buying the Hijrp Potfeq series for my kid, maybe 10-15 years down the", "by Frederick Forsyth or \"Kini and Obek\" by Jeffery Archer, do the authors", "the line (it would definitely be considered a classic by then). Would J.K.", "line (it would definitely be considered a classic by then). Would J.K. Rowling", "decided to buy a copy of the \"Odessa File\" by Frederick Forsyth or", "the authors get paid royalties for them? Another example would be me buying", "Obek\" by Jeffery Archer, do the authors get paid royalties for them? Another", "copy of the \"Odessa File\" by Frederick Forsyth or \"Kini and Obek\" by", "get paid royalties for their old works? For example, If I decided to", "their old works? For example, If I decided to buy a copy of", "If I decided to buy a copy of the \"Odessa File\" by Frederick", "series for my kid, maybe 10-15 years down the line (it would definitely", "do the authors get paid royalties for them? Another example would be me", "kid, maybe 10-15 years down the line (it would definitely be considered a", "royalties for their old works? For example, If I decided to buy a", "Another example would be me buying the Hijrp Potfeq series for my kid,", "10-15 years down the line (it would definitely be considered a classic by", "them? Another example would be me buying the Hijrp Potfeq series for my", "definitely be considered a classic by then). Would J.K. Rowling benefit from it?", "File\" by Frederick Forsyth or \"Kini and Obek\" by Jeffery Archer, do the" ]
[ "dragon swoops down and makes them lose, that would be too inconvenient, at", "widespread phenomenon, so it doesn't require mentioning, but is it irrelevant? From a", "inconvenient. Also, this inconvenience suffers from the last one too, it is irrelevant.", "irritated at elements in situations that help characters succeed, elements which are also", "if there's a thunderstorm, these people are on top of a mountain and", "win, and a never before mentioned/foreshadowed/hinted at dragon swoops down and saves the", "as I have witnessed inconvenience and liked it, like in Whiplash, where the", "completely irrelevant to the story and the conflict in question that the lightening", "day, that would be too convenient. Oppositely, if the characters are winning the", "our hero is chasing the villain, and he is close to catching him,", "all give each others superpowers, and are therefore conveniently able to repel the", "this: The dragon hasn't been mentioned, for the dragon to appear is very", "hadn't been mentioned before, it would be cheap and too convenient. Then you", "it would be cheap and too convenient. Then you have inconveniences that are", "an inherent difference between convenience and inconvenience, making it so that the same", "hangar together? If they are left like that, they kill each other!\". Have", "elements which are also highly unlikely or even illogical. But often, if not", "that same dragon swoops down and makes them lose, that would be too", "the author. The main character let's us know that \"OH NO! You have", "than not. But relevant? Though I must admit, I am very unsure in", "lightening. Too inconvenient. Also, this inconvenience suffers from the last one too, it", "cheap. Imagine someone is attacking the airstrip, and instead of kill each others,", "suffers from any of the aforementioned things, then it will not fly. But", "the villain has superpowers or is a god, it is completely irrelevant to", "least in my opinion. Now, if I understand correctly, there are multiple components", "mentioned information. To me, it comes off as cheap. Imagine someone is attacking", "Whiplash, where the main character is hit by a car before attending the", "is unlikely inconvenience bad writing? To be very clear: (a Fantasy setting) If", "Now, if there's a thunderstorm, these people are on top of a mountain", "My core question is really this: > > Is there narrative-wise an inherent", "there is small differences in inconvenience based on which of these three it", "are also highly unlikely or even illogical. But often, if not more, I", "and it comes out of nowhere, because it is based on never before", "NO! You have all the males in one hangar together? If they are", "author. The main character let's us know that \"OH NO! You have all", "to play at. Though, he was speeding, lowering the unlikeliness, car crashes are", "tolerable for inconvenience? My core question is really this: > > Is there", "myself angered by things that too inconvenient. Improbably inconvenient. But am I alone", "last one too, it is irrelevant. Unless the villain has superpowers or is", "based on which of these three it suffers from. I'll tackle them in", "hold them in airplane hangars, waiting for whatever, not important. The resistance had", "is a little less unlikely. Perhaps even more likely to happen than not.", "this was the second last chapter. So, this is a problem, and it", "nowhere, because it is based on never before mentioned information. To me, it", "order. In a book I was reviewing, there is this whole species that", "Oppositely, if the characters are winning the fight, but that same dragon swoops", "comes out of nowhere, because it is based on never before mentioned information.", "Imagine someone is attacking the airstrip, and instead of kill each others, when", "character is hit by a car before attending the concert he was supposed", "mentioned/foreshadowed/hinted at dragon swoops down and saves the day, that would be too", "unlikely. Perhaps even more likely to happen than not. But relevant? Though I", "they kill each other!\". Have in mind, this was the second last chapter.", "to repel the attack. There could be a smart and scientific explanation to", "of these three it suffers from. I'll tackle them in order. In a", "the fight, but that same dragon swoops down and makes them lose, that", "before mentioned information. To me, it comes off as cheap. Imagine someone is", "difference between convenience and inconvenience, making it so that the same rules don't", "is this whole species that is enslaved secretly by some bad people. A", "irritation or is unlikely inconvenience bad writing? To be very clear: (a Fantasy", "Too inconvenient. Also, this inconvenience suffers from the last one too, it is", "attacking the airstrip, and instead of kill each others, when the males are", "room, they all give each others superpowers, and are therefore conveniently able to", "instead of kill each others, when the males are in the same room,", "are just very unlikely. Imagine our hero is chasing the villain, and he", "conflict in question that the lightening would strike our hero. Now, if there's", "even illogical. But often, if not more, I find myself angered by things", "never before mentioned/foreshadowed/hinted at dragon swoops down and saves the day, that would", "where the main character is hit by a car before attending the concert", "bad writing? To be very clear: (a Fantasy setting) If characters are fighting", "To me, it comes off as cheap. Imagine someone is attacking the airstrip,", "and then he is struck by lightening. Too inconvenient. Also, this inconvenience suffers", "a mountain and they have giant metal poles attached to their heads, then", "But often, if not more, I find myself angered by things that too", "repel the attack. There could be a smart and scientific explanation to this,", "our hero. Now, if there's a thunderstorm, these people are on top of", "believe there is small differences in inconvenience based on which of these three", "characters are fighting a fight they'll never win, and a never before mentioned/foreshadowed/hinted", "my opinion. Now, if I understand correctly, there are multiple components to this:", "liked it, like in Whiplash, where the main character is hit by a", "even more likely to happen than not. But relevant? Though I must admit,", "able to repel the attack. There could be a smart and scientific explanation", "convenient. Oppositely, if the characters are winning the fight, but that same dragon", "and scientific explanation to this, but it wouldn't matter, because if it hadn't", "inherent difference between convenience and inconvenience, making it so that the same rules", "and inconvenience, making it so that the same rules don't apply to the", "if the characters are winning the fight, but that same dragon swoops down", "the day, that would be too convenient. Oppositely, if the characters are winning", "to what is happening (the fight). I believe there is small differences in", "highly unlikely or even illogical. But often, if not more, I find myself", "unlikely. Imagine our hero is chasing the villain, and he is close to", "characters succeed, elements which are also highly unlikely or even illogical. But often,", "fly. But is it tolerable for inconvenience? My core question is really this:", "and makes them lose, that would be too inconvenient, at least in my", "last chapter. So, this is a problem, and it comes out of nowhere,", "one hangar together? If they are left like that, they kill each other!\".", "the characters are winning the fight, but that same dragon swoops down and", "sure, it is a little less unlikely. Perhaps even more likely to happen", "and liked it, like in Whiplash, where the main character is hit by", "it is irrelevant. Unless the villain has superpowers or is a god, it", "in this \"theory\", as I have witnessed inconvenience and liked it, like in", "I have witnessed inconvenience and liked it, like in Whiplash, where the main", "likely to happen than not. But relevant? Though I must admit, I am", "aforementioned things, then it will not fly. But is it tolerable for inconvenience?", "often, if not more, I find myself angered by things that too inconvenient.", "not more, I find myself angered by things that too inconvenient. Improbably inconvenient.", "therefore conveniently able to repel the attack. There could be a smart and", "that too inconvenient. Improbably inconvenient. But am I alone on this? Is it", "> Is there narrative-wise an inherent difference between convenience and inconvenience, making it", "heads, then sure, it is a little less unlikely. Perhaps even more likely", "to this: The dragon hasn't been mentioned, for the dragon to appear is", "are winning the fight, but that same dragon swoops down and makes them", "inconvenience suffers from the last one too, it is irrelevant. Unless the villain", "it is based on never before mentioned information. To me, it comes off", "that the lightening would strike our hero. Now, if there's a thunderstorm, these", "smart and scientific explanation to this, but it wouldn't matter, because if it", "less unlikely. Perhaps even more likely to happen than not. But relevant? Though", "enslaved secretly by some bad people. A resistance freed the species, and chose", "unlikely inconvenience bad writing? To be very clear: (a Fantasy setting) If characters", "From a narrative perspective, perhaps not? Anyways, one thing is for certain, if", "witnessed inconvenience and liked it, like in Whiplash, where the main character is", "a problem, and it comes out of nowhere, because it is based on", "the villain, and he is close to catching him, and then he is", "there's a thunderstorm, these people are on top of a mountain and they", "If they are left like that, they kill each other!\". Have in mind,", "any of the aforementioned things, then it will not fly. But is it", "it wouldn't matter, because if it hadn't been mentioned before, it would be", "planned ahead enough though, and neither had the author. The main character let's", "whatever, not important. The resistance had not planned ahead enough though, and neither", "and they have giant metal poles attached to their heads, then sure, it", "is based on never before mentioned information. To me, it comes off as", "by things that too inconvenient. Improbably inconvenient. But am I alone on this?", "Have in mind, this was the second last chapter. So, this is a", "You have all the males in one hangar together? If they are left", "is very unlikely and the dragon is irrelevant to what is happening (the", "the story and the conflict in question that the lightening would strike our", "ahead enough though, and neither had the author. The main character let's us", "males are in the same room, they all give each others superpowers, and", "had the author. The main character let's us know that \"OH NO! You", "is irrelevant. Unless the villain has superpowers or is a god, it is", "there narrative-wise an inherent difference between convenience and inconvenience, making it so that", "then he is struck by lightening. Too inconvenient. Also, this inconvenience suffers from", "very clear: (a Fantasy setting) If characters are fighting a fight they'll never", "or even illogical. But often, if not more, I find myself angered by", "question is really this: > > Is there narrative-wise an inherent difference between", "components to this: The dragon hasn't been mentioned, for the dragon to appear", "off as cheap. Imagine someone is attacking the airstrip, and instead of kill", "But is it tolerable for inconvenience? My core question is really this: >", "their heads, then sure, it is a little less unlikely. Perhaps even more", "will not fly. But is it tolerable for inconvenience? My core question is", "core question is really this: > > Is there narrative-wise an inherent difference", "the aforementioned things, then it will not fly. But is it tolerable for", "is hit by a car before attending the concert he was supposed to", "it tolerable for inconvenience? My core question is really this: > > Is", "convenience suffers from any of the aforementioned things, then it will not fly.", "in the same room, they all give each others superpowers, and are therefore", "have inconveniences that are just very unlikely. Imagine our hero is chasing the", "not planned ahead enough though, and neither had the author. The main character", "was the second last chapter. So, this is a problem, and it comes", "them lose, that would be too inconvenient, at least in my opinion. Now,", "by a car before attending the concert he was supposed to play at.", "angered by things that too inconvenient. Improbably inconvenient. But am I alone on", "happen than not. But relevant? Though I must admit, I am very unsure", "of nowhere, because it is based on never before mentioned information. To me,", "(a Fantasy setting) If characters are fighting a fight they'll never win, and", "there is this whole species that is enslaved secretly by some bad people.", "the main character is hit by a car before attending the concert he", "irrelevant? From a narrative perspective, perhaps not? Anyways, one thing is for certain,", "Is there narrative-wise an inherent difference between convenience and inconvenience, making it so", "the dragon is irrelevant to what is happening (the fight). I believe there", "is close to catching him, and then he is struck by lightening. Too", "convenience and inconvenience, making it so that the same rules don't apply to", "is struck by lightening. Too inconvenient. Also, this inconvenience suffers from the last", "the lightening would strike our hero. Now, if there's a thunderstorm, these people", "crashes are a widespread phenomenon, so it doesn't require mentioning, but is it", "of the aforementioned things, then it will not fly. But is it tolerable", "mentioned before, it would be cheap and too convenient. Then you have inconveniences", "mind, this was the second last chapter. So, this is a problem, and", "the last one too, it is irrelevant. Unless the villain has superpowers or", "for certain, if convenience suffers from any of the aforementioned things, then it", "question that the lightening would strike our hero. Now, if there's a thunderstorm,", "a book I was reviewing, there is this whole species that is enslaved", "Anyways, one thing is for certain, if convenience suffers from any of the", "the second last chapter. So, this is a problem, and it comes out", "dragon swoops down and saves the day, that would be too convenient. Oppositely,", "inconvenient. But am I alone on this? Is it a pedantic irritation or", "it comes out of nowhere, because it is based on never before mentioned", "The dragon hasn't been mentioned, for the dragon to appear is very unlikely", "Perhaps even more likely to happen than not. But relevant? Though I must", "is for certain, if convenience suffers from any of the aforementioned things, then", "to this, but it wouldn't matter, because if it hadn't been mentioned before,", "important. The resistance had not planned ahead enough though, and neither had the", "superpowers or is a god, it is completely irrelevant to the story and", "because if it hadn't been mentioned before, it would be cheap and too", "dragon to appear is very unlikely and the dragon is irrelevant to what", "irrelevant. Unless the villain has superpowers or is a god, it is completely", "Now, if I understand correctly, there are multiple components to this: The dragon", "not important. The resistance had not planned ahead enough though, and neither had", "whole species that is enslaved secretly by some bad people. A resistance freed", "Though I must admit, I am very unsure in this \"theory\", as I", "enough though, and neither had the author. The main character let's us know", "like in Whiplash, where the main character is hit by a car before", "pedantic irritation or is unlikely inconvenience bad writing? To be very clear: (a", "understand correctly, there are multiple components to this: The dragon hasn't been mentioned,", "fight). I believe there is small differences in inconvenience based on which of", "and a never before mentioned/foreshadowed/hinted at dragon swoops down and saves the day,", "people are on top of a mountain and they have giant metal poles", "together? If they are left like that, they kill each other!\". Have in", "is attacking the airstrip, and instead of kill each others, when the males", "so that the same rules don't apply to the latter? > > >", "and are therefore conveniently able to repel the attack. There could be a", "before attending the concert he was supposed to play at. Though, he was", "was speeding, lowering the unlikeliness, car crashes are a widespread phenomenon, so it", "each others superpowers, and are therefore conveniently able to repel the attack. There", "story and the conflict in question that the lightening would strike our hero.", "have all the males in one hangar together? If they are left like", "would strike our hero. Now, if there's a thunderstorm, these people are on", "just very unlikely. Imagine our hero is chasing the villain, and he is", "resistance freed the species, and chose to hold them in airplane hangars, waiting", "problem, and it comes out of nowhere, because it is based on never", "explanation to this, but it wouldn't matter, because if it hadn't been mentioned", "a thunderstorm, these people are on top of a mountain and they have", "makes them lose, that would be too inconvenient, at least in my opinion.", "situations that help characters succeed, elements which are also highly unlikely or even", "to hold them in airplane hangars, waiting for whatever, not important. The resistance", "winning the fight, but that same dragon swoops down and makes them lose,", "illogical. But often, if not more, I find myself angered by things that", "irrelevant to what is happening (the fight). I believe there is small differences", "\"OH NO! You have all the males in one hangar together? If they", "it irrelevant? From a narrative perspective, perhaps not? Anyways, one thing is for", "freed the species, and chose to hold them in airplane hangars, waiting for", "for inconvenience? My core question is really this: > > Is there narrative-wise", "very unsure in this \"theory\", as I have witnessed inconvenience and liked it,", "main character is hit by a car before attending the concert he was", "to catching him, and then he is struck by lightening. Too inconvenient. Also,", "if not more, I find myself angered by things that too inconvenient. Improbably", "is small differences in inconvenience based on which of these three it suffers", "help characters succeed, elements which are also highly unlikely or even illogical. But", "cheap and too convenient. Then you have inconveniences that are just very unlikely.", "are on top of a mountain and they have giant metal poles attached", "it hadn't been mentioned before, it would be cheap and too convenient. Then", "based on never before mentioned information. To me, it comes off as cheap.", "mentioned, for the dragon to appear is very unlikely and the dragon is", "if I understand correctly, there are multiple components to this: The dragon hasn't", "really this: > > Is there narrative-wise an inherent difference between convenience and", "that are just very unlikely. Imagine our hero is chasing the villain, and", "these people are on top of a mountain and they have giant metal", "one thing is for certain, if convenience suffers from any of the aforementioned", "down and saves the day, that would be too convenient. Oppositely, if the", "have witnessed inconvenience and liked it, like in Whiplash, where the main character", "in order. In a book I was reviewing, there is this whole species", "this inconvenience suffers from the last one too, it is irrelevant. Unless the", "to the story and the conflict in question that the lightening would strike", "species that is enslaved secretly by some bad people. A resistance freed the", "at. Though, he was speeding, lowering the unlikeliness, car crashes are a widespread", "require mentioning, but is it irrelevant? From a narrative perspective, perhaps not? Anyways,", "chose to hold them in airplane hangars, waiting for whatever, not important. The", "me, it comes off as cheap. Imagine someone is attacking the airstrip, and", "to appear is very unlikely and the dragon is irrelevant to what is", "So, this is a problem, and it comes out of nowhere, because it", "narrative-wise an inherent difference between convenience and inconvenience, making it so that the", "so it doesn't require mentioning, but is it irrelevant? From a narrative perspective,", "myself often being irritated at elements in situations that help characters succeed, elements", "them in order. In a book I was reviewing, there is this whole", "and the dragon is irrelevant to what is happening (the fight). I believe", "swoops down and makes them lose, that would be too inconvenient, at least", "appear is very unlikely and the dragon is irrelevant to what is happening", "find myself often being irritated at elements in situations that help characters succeed,", "The resistance had not planned ahead enough though, and neither had the author.", "a car before attending the concert he was supposed to play at. Though,", "dragon is irrelevant to what is happening (the fight). I believe there is", "they are left like that, they kill each other!\". Have in mind, this", "opinion. Now, if I understand correctly, there are multiple components to this: The", "kill each other!\". Have in mind, this was the second last chapter. So,", "this? Is it a pedantic irritation or is unlikely inconvenience bad writing? To", "be too convenient. Oppositely, if the characters are winning the fight, but that", "this \"theory\", as I have witnessed inconvenience and liked it, like in Whiplash,", "on top of a mountain and they have giant metal poles attached to", "giant metal poles attached to their heads, then sure, it is a little", "car before attending the concert he was supposed to play at. Though, he", "writing? To be very clear: (a Fantasy setting) If characters are fighting a", "is chasing the villain, and he is close to catching him, and then", "is really this: > > Is there narrative-wise an inherent difference between convenience", "I was reviewing, there is this whole species that is enslaved secretly by", "must admit, I am very unsure in this \"theory\", as I have witnessed", "But am I alone on this? Is it a pedantic irritation or is", "I find myself often being irritated at elements in situations that help characters", "secretly by some bad people. A resistance freed the species, and chose to", "Unless the villain has superpowers or is a god, it is completely irrelevant", "but is it irrelevant? From a narrative perspective, perhaps not? Anyways, one thing", "not? Anyways, one thing is for certain, if convenience suffers from any of", "book I was reviewing, there is this whole species that is enslaved secretly", "There could be a smart and scientific explanation to this, but it wouldn't", "it doesn't require mentioning, but is it irrelevant? From a narrative perspective, perhaps", "it, like in Whiplash, where the main character is hit by a car", "for whatever, not important. The resistance had not planned ahead enough though, and", "but that same dragon swoops down and makes them lose, that would be", "on this? Is it a pedantic irritation or is unlikely inconvenience bad writing?", "has superpowers or is a god, it is completely irrelevant to the story", "would be too convenient. Oppositely, if the characters are winning the fight, but", "that \"OH NO! You have all the males in one hangar together? If", "supposed to play at. Though, he was speeding, lowering the unlikeliness, car crashes", "not. But relevant? Though I must admit, I am very unsure in this", "superpowers, and are therefore conveniently able to repel the attack. There could be", "very unlikely and the dragon is irrelevant to what is happening (the fight).", "little less unlikely. Perhaps even more likely to happen than not. But relevant?", "attached to their heads, then sure, it is a little less unlikely. Perhaps", "speeding, lowering the unlikeliness, car crashes are a widespread phenomenon, so it doesn't", "in mind, this was the second last chapter. So, this is a problem,", "thunderstorm, these people are on top of a mountain and they have giant", "car crashes are a widespread phenomenon, so it doesn't require mentioning, but is", "then it will not fly. But is it tolerable for inconvenience? My core", "the dragon to appear is very unlikely and the dragon is irrelevant to", "suffers from the last one too, it is irrelevant. Unless the villain has", "as cheap. Imagine someone is attacking the airstrip, and instead of kill each", "resistance had not planned ahead enough though, and neither had the author. The", "dragon hasn't been mentioned, for the dragon to appear is very unlikely and", "from. I'll tackle them in order. In a book I was reviewing, there", "The main character let's us know that \"OH NO! You have all the", "would be too inconvenient, at least in my opinion. Now, if I understand", "at elements in situations that help characters succeed, elements which are also highly", "at dragon swoops down and saves the day, that would be too convenient.", "from any of the aforementioned things, then it will not fly. But is", "often being irritated at elements in situations that help characters succeed, elements which", "what is happening (the fight). I believe there is small differences in inconvenience", "too inconvenient, at least in my opinion. Now, if I understand correctly, there", "is it irrelevant? From a narrative perspective, perhaps not? Anyways, one thing is", "concert he was supposed to play at. Though, he was speeding, lowering the", "a god, it is completely irrelevant to the story and the conflict in", "chasing the villain, and he is close to catching him, and then he", "between convenience and inconvenience, making it so that the same rules don't apply", "they all give each others superpowers, and are therefore conveniently able to repel", "are fighting a fight they'll never win, and a never before mentioned/foreshadowed/hinted at", "down and makes them lose, that would be too inconvenient, at least in", "it so that the same rules don't apply to the latter? > >", "be very clear: (a Fantasy setting) If characters are fighting a fight they'll", "some bad people. A resistance freed the species, and chose to hold them", "A resistance freed the species, and chose to hold them in airplane hangars,", "like that, they kill each other!\". Have in mind, this was the second", "wouldn't matter, because if it hadn't been mentioned before, it would be cheap", "in situations that help characters succeed, elements which are also highly unlikely or", "and chose to hold them in airplane hangars, waiting for whatever, not important.", "this: > > Is there narrative-wise an inherent difference between convenience and inconvenience,", "to their heads, then sure, it is a little less unlikely. Perhaps even", "of a mountain and they have giant metal poles attached to their heads,", "these three it suffers from. I'll tackle them in order. In a book", "is happening (the fight). I believe there is small differences in inconvenience based", "for the dragon to appear is very unlikely and the dragon is irrelevant", "a never before mentioned/foreshadowed/hinted at dragon swoops down and saves the day, that", "hasn't been mentioned, for the dragon to appear is very unlikely and the", "a smart and scientific explanation to this, but it wouldn't matter, because if", "it suffers from. I'll tackle them in order. In a book I was", "or is a god, it is completely irrelevant to the story and the", "hit by a car before attending the concert he was supposed to play", "other!\". Have in mind, this was the second last chapter. So, this is", "are therefore conveniently able to repel the attack. There could be a smart", "the unlikeliness, car crashes are a widespread phenomenon, so it doesn't require mentioning,", "a narrative perspective, perhaps not? Anyways, one thing is for certain, if convenience", "attending the concert he was supposed to play at. Though, he was speeding,", "waiting for whatever, not important. The resistance had not planned ahead enough though,", "being irritated at elements in situations that help characters succeed, elements which are", "struck by lightening. Too inconvenient. Also, this inconvenience suffers from the last one", "which of these three it suffers from. I'll tackle them in order. In", "mountain and they have giant metal poles attached to their heads, then sure,", "the conflict in question that the lightening would strike our hero. Now, if", "relevant? Though I must admit, I am very unsure in this \"theory\", as", "neither had the author. The main character let's us know that \"OH NO!", "in my opinion. Now, if I understand correctly, there are multiple components to", "that would be too convenient. Oppositely, if the characters are winning the fight,", "someone is attacking the airstrip, and instead of kill each others, when the", "on which of these three it suffers from. I'll tackle them in order.", "I understand correctly, there are multiple components to this: The dragon hasn't been", "that is enslaved secretly by some bad people. A resistance freed the species,", "swoops down and saves the day, that would be too convenient. Oppositely, if", "is completely irrelevant to the story and the conflict in question that the", "never win, and a never before mentioned/foreshadowed/hinted at dragon swoops down and saves", "find myself angered by things that too inconvenient. Improbably inconvenient. But am I", "conveniently able to repel the attack. There could be a smart and scientific", "same dragon swoops down and makes them lose, that would be too inconvenient,", "Imagine our hero is chasing the villain, and he is close to catching", "unlikeliness, car crashes are a widespread phenomenon, so it doesn't require mentioning, but", "or is unlikely inconvenience bad writing? To be very clear: (a Fantasy setting)", "a widespread phenomenon, so it doesn't require mentioning, but is it irrelevant? From", "Is it a pedantic irritation or is unlikely inconvenience bad writing? To be", "each other!\". Have in mind, this was the second last chapter. So, this", "differences in inconvenience based on which of these three it suffers from. I'll", "could be a smart and scientific explanation to this, but it wouldn't matter,", "admit, I am very unsure in this \"theory\", as I have witnessed inconvenience", "information. To me, it comes off as cheap. Imagine someone is attacking the", "very unlikely. Imagine our hero is chasing the villain, and he is close", "main character let's us know that \"OH NO! You have all the males", "and saves the day, that would be too convenient. Oppositely, if the characters", "is irrelevant to what is happening (the fight). I believe there is small", "it is a little less unlikely. Perhaps even more likely to happen than", "of kill each others, when the males are in the same room, they", "in question that the lightening would strike our hero. Now, if there's a", "making it so that the same rules don't apply to the latter? >", "same room, they all give each others superpowers, and are therefore conveniently able", "you have inconveniences that are just very unlikely. Imagine our hero is chasing", "is it tolerable for inconvenience? My core question is really this: > >", "before, it would be cheap and too convenient. Then you have inconveniences that", "out of nowhere, because it is based on never before mentioned information. To", "more likely to happen than not. But relevant? Though I must admit, I", "a little less unlikely. Perhaps even more likely to happen than not. But", "inconvenience and liked it, like in Whiplash, where the main character is hit", "In a book I was reviewing, there is this whole species that is", "they have giant metal poles attached to their heads, then sure, it is", "narrative perspective, perhaps not? Anyways, one thing is for certain, if convenience suffers", "but it wouldn't matter, because if it hadn't been mentioned before, it would", "when the males are in the same room, they all give each others", "the males in one hangar together? If they are left like that, they", "too convenient. Then you have inconveniences that are just very unlikely. Imagine our", "he is struck by lightening. Too inconvenient. Also, this inconvenience suffers from the", "happening (the fight). I believe there is small differences in inconvenience based on", "three it suffers from. I'll tackle them in order. In a book I", "and too convenient. Then you have inconveniences that are just very unlikely. Imagine", "If characters are fighting a fight they'll never win, and a never before", "more, I find myself angered by things that too inconvenient. Improbably inconvenient. But", "fight, but that same dragon swoops down and makes them lose, that would", "perhaps not? Anyways, one thing is for certain, if convenience suffers from any", "am I alone on this? Is it a pedantic irritation or is unlikely", "to happen than not. But relevant? Though I must admit, I am very", "airstrip, and instead of kill each others, when the males are in the", "from the last one too, it is irrelevant. Unless the villain has superpowers", "that help characters succeed, elements which are also highly unlikely or even illogical.", "and instead of kill each others, when the males are in the same", "if it hadn't been mentioned before, it would be cheap and too convenient.", "things that too inconvenient. Improbably inconvenient. But am I alone on this? Is", "be a smart and scientific explanation to this, but it wouldn't matter, because", "not fly. But is it tolerable for inconvenience? My core question is really", "then sure, it is a little less unlikely. Perhaps even more likely to", "it is completely irrelevant to the story and the conflict in question that", "I'll tackle them in order. In a book I was reviewing, there is", "the attack. There could be a smart and scientific explanation to this, but", "Then you have inconveniences that are just very unlikely. Imagine our hero is", "certain, if convenience suffers from any of the aforementioned things, then it will", "in Whiplash, where the main character is hit by a car before attending", "> > Is there narrative-wise an inherent difference between convenience and inconvenience, making", "thing is for certain, if convenience suffers from any of the aforementioned things,", "doesn't require mentioning, but is it irrelevant? From a narrative perspective, perhaps not?", "a pedantic irritation or is unlikely inconvenience bad writing? To be very clear:", "that would be too inconvenient, at least in my opinion. Now, if I", "be too inconvenient, at least in my opinion. Now, if I understand correctly,", "attack. There could be a smart and scientific explanation to this, but it", "are multiple components to this: The dragon hasn't been mentioned, for the dragon", "reviewing, there is this whole species that is enslaved secretly by some bad", "he was supposed to play at. Though, he was speeding, lowering the unlikeliness,", "close to catching him, and then he is struck by lightening. Too inconvenient.", "phenomenon, so it doesn't require mentioning, but is it irrelevant? From a narrative", "airplane hangars, waiting for whatever, not important. The resistance had not planned ahead", "bad people. A resistance freed the species, and chose to hold them in", "are a widespread phenomenon, so it doesn't require mentioning, but is it irrelevant?", "mentioning, but is it irrelevant? From a narrative perspective, perhaps not? Anyways, one", "inconvenient. Improbably inconvenient. But am I alone on this? Is it a pedantic", "one too, it is irrelevant. Unless the villain has superpowers or is a", "convenient. Then you have inconveniences that are just very unlikely. Imagine our hero", "which are also highly unlikely or even illogical. But often, if not more,", "never before mentioned information. To me, it comes off as cheap. Imagine someone", "comes off as cheap. Imagine someone is attacking the airstrip, and instead of", "are left like that, they kill each other!\". Have in mind, this was", "poles attached to their heads, then sure, it is a little less unlikely.", "hero is chasing the villain, and he is close to catching him, and", "small differences in inconvenience based on which of these three it suffers from.", "alone on this? Is it a pedantic irritation or is unlikely inconvenience bad", "inconvenience based on which of these three it suffers from. I'll tackle them", "others, when the males are in the same room, they all give each", "the species, and chose to hold them in airplane hangars, waiting for whatever,", "also highly unlikely or even illogical. But often, if not more, I find", "in airplane hangars, waiting for whatever, not important. The resistance had not planned", "on never before mentioned information. To me, it comes off as cheap. Imagine", "\"theory\", as I have witnessed inconvenience and liked it, like in Whiplash, where", "all the males in one hangar together? If they are left like that,", "hero. Now, if there's a thunderstorm, these people are on top of a", "the concert he was supposed to play at. Though, he was speeding, lowering", "tackle them in order. In a book I was reviewing, there is this", "catching him, and then he is struck by lightening. Too inconvenient. Also, this", "been mentioned, for the dragon to appear is very unlikely and the dragon", "this whole species that is enslaved secretly by some bad people. A resistance", "been mentioned before, it would be cheap and too convenient. Then you have", "Also, this inconvenience suffers from the last one too, it is irrelevant. Unless", "perspective, perhaps not? Anyways, one thing is for certain, if convenience suffers from", "they'll never win, and a never before mentioned/foreshadowed/hinted at dragon swoops down and", "let's us know that \"OH NO! You have all the males in one", "the same room, they all give each others superpowers, and are therefore conveniently", "know that \"OH NO! You have all the males in one hangar together?", "unlikely and the dragon is irrelevant to what is happening (the fight). I", "fighting a fight they'll never win, and a never before mentioned/foreshadowed/hinted at dragon", "is a god, it is completely irrelevant to the story and the conflict", "villain, and he is close to catching him, and then he is struck", "things, then it will not fly. But is it tolerable for inconvenience? My", "fight they'll never win, and a never before mentioned/foreshadowed/hinted at dragon swoops down", "unlikely or even illogical. But often, if not more, I find myself angered", "scientific explanation to this, but it wouldn't matter, because if it hadn't been", "had not planned ahead enough though, and neither had the author. The main", "if convenience suffers from any of the aforementioned things, then it will not", "at least in my opinion. Now, if I understand correctly, there are multiple", "a fight they'll never win, and a never before mentioned/foreshadowed/hinted at dragon swoops", "too convenient. Oppositely, if the characters are winning the fight, but that same", "succeed, elements which are also highly unlikely or even illogical. But often, if", "villain has superpowers or is a god, it is completely irrelevant to the", "metal poles attached to their heads, then sure, it is a little less", "I must admit, I am very unsure in this \"theory\", as I have", "I find myself angered by things that too inconvenient. Improbably inconvenient. But am", "top of a mountain and they have giant metal poles attached to their", "Though, he was speeding, lowering the unlikeliness, car crashes are a widespread phenomenon,", "that, they kill each other!\". Have in mind, this was the second last", "them in airplane hangars, waiting for whatever, not important. The resistance had not", "by lightening. Too inconvenient. Also, this inconvenience suffers from the last one too,", "be cheap and too convenient. Then you have inconveniences that are just very", "it a pedantic irritation or is unlikely inconvenience bad writing? To be very", "each others, when the males are in the same room, they all give", "have giant metal poles attached to their heads, then sure, it is a", "though, and neither had the author. The main character let's us know that", "saves the day, that would be too convenient. Oppositely, if the characters are", "inconvenience, making it so that the same rules don't apply to the latter?", "unsure in this \"theory\", as I have witnessed inconvenience and liked it, like", "clear: (a Fantasy setting) If characters are fighting a fight they'll never win,", "But relevant? Though I must admit, I am very unsure in this \"theory\",", "character let's us know that \"OH NO! You have all the males in", "I am very unsure in this \"theory\", as I have witnessed inconvenience and", "it will not fly. But is it tolerable for inconvenience? My core question", "would be cheap and too convenient. Then you have inconveniences that are just", "us know that \"OH NO! You have all the males in one hangar", "hangars, waiting for whatever, not important. The resistance had not planned ahead enough", "in inconvenience based on which of these three it suffers from. I'll tackle", "(the fight). I believe there is small differences in inconvenience based on which", "are in the same room, they all give each others superpowers, and are", "is enslaved secretly by some bad people. A resistance freed the species, and", "was reviewing, there is this whole species that is enslaved secretly by some", "inconvenient, at least in my opinion. Now, if I understand correctly, there are", "because it is based on never before mentioned information. To me, it comes", "inconvenience bad writing? To be very clear: (a Fantasy setting) If characters are", "setting) If characters are fighting a fight they'll never win, and a never", "irrelevant to the story and the conflict in question that the lightening would", "in one hangar together? If they are left like that, they kill each", "matter, because if it hadn't been mentioned before, it would be cheap and", "god, it is completely irrelevant to the story and the conflict in question", "was supposed to play at. Though, he was speeding, lowering the unlikeliness, car", "by some bad people. A resistance freed the species, and chose to hold", "this, but it wouldn't matter, because if it hadn't been mentioned before, it", "lose, that would be too inconvenient, at least in my opinion. Now, if", "multiple components to this: The dragon hasn't been mentioned, for the dragon to", "others superpowers, and are therefore conveniently able to repel the attack. There could", "am very unsure in this \"theory\", as I have witnessed inconvenience and liked", "him, and then he is struck by lightening. Too inconvenient. Also, this inconvenience", "there are multiple components to this: The dragon hasn't been mentioned, for the", "Fantasy setting) If characters are fighting a fight they'll never win, and a", "correctly, there are multiple components to this: The dragon hasn't been mentioned, for", "kill each others, when the males are in the same room, they all", "give each others superpowers, and are therefore conveniently able to repel the attack.", "second last chapter. So, this is a problem, and it comes out of", "lowering the unlikeliness, car crashes are a widespread phenomenon, so it doesn't require", "he was speeding, lowering the unlikeliness, car crashes are a widespread phenomenon, so", "elements in situations that help characters succeed, elements which are also highly unlikely", "suffers from. I'll tackle them in order. In a book I was reviewing,", "and the conflict in question that the lightening would strike our hero. Now,", "males in one hangar together? If they are left like that, they kill", "strike our hero. Now, if there's a thunderstorm, these people are on top", "too inconvenient. Improbably inconvenient. But am I alone on this? Is it a", "inconvenience? My core question is really this: > > Is there narrative-wise an", "Improbably inconvenient. But am I alone on this? Is it a pedantic irritation", "characters are winning the fight, but that same dragon swoops down and makes", "it comes off as cheap. Imagine someone is attacking the airstrip, and instead", "people. A resistance freed the species, and chose to hold them in airplane", "species, and chose to hold them in airplane hangars, waiting for whatever, not", "and neither had the author. The main character let's us know that \"OH", "left like that, they kill each other!\". Have in mind, this was the", "inconveniences that are just very unlikely. Imagine our hero is chasing the villain,", "I believe there is small differences in inconvenience based on which of these", "lightening would strike our hero. Now, if there's a thunderstorm, these people are", "this is a problem, and it comes out of nowhere, because it is", "the airstrip, and instead of kill each others, when the males are in", "To be very clear: (a Fantasy setting) If characters are fighting a fight", "I alone on this? Is it a pedantic irritation or is unlikely inconvenience", "and he is close to catching him, and then he is struck by", "chapter. So, this is a problem, and it comes out of nowhere, because", "too, it is irrelevant. Unless the villain has superpowers or is a god,", "before mentioned/foreshadowed/hinted at dragon swoops down and saves the day, that would be", "the males are in the same room, they all give each others superpowers,", "play at. Though, he was speeding, lowering the unlikeliness, car crashes are a", "is a problem, and it comes out of nowhere, because it is based", "he is close to catching him, and then he is struck by lightening." ]
[ "walked across the room > > > Is this true? Maybe I'm misremembering", "I read somewhere that when writing, you shouldn't describe characters by their characteristics", "when writing, you shouldn't describe characters by their characteristics i.e. > > The", "their characteristics i.e. > > The tall man walked across the room >", "somewhere that when writing, you shouldn't describe characters by their characteristics i.e. >", "characters by their characteristics i.e. > > The tall man walked across the", "read somewhere that when writing, you shouldn't describe characters by their characteristics i.e.", "tall man walked across the room > > > Is this true? Maybe", "> The tall man walked across the room > > > Is this", "writing, you shouldn't describe characters by their characteristics i.e. > > The tall", "that when writing, you shouldn't describe characters by their characteristics i.e. > >", "you shouldn't describe characters by their characteristics i.e. > > The tall man", "> > The tall man walked across the room > > > Is", "describe characters by their characteristics i.e. > > The tall man walked across", "man walked across the room > > > Is this true? Maybe I'm", "I think I read somewhere that when writing, you shouldn't describe characters by", "i.e. > > The tall man walked across the room > > >", "The tall man walked across the room > > > Is this true?", "think I read somewhere that when writing, you shouldn't describe characters by their", "by their characteristics i.e. > > The tall man walked across the room", "characteristics i.e. > > The tall man walked across the room > >", "shouldn't describe characters by their characteristics i.e. > > The tall man walked" ]
[ "turn out how I want it to. Is this because it's not uniquely", "of many other writers and I try to emulate them, but most of", "my own style, but rather forcing myself to write similar as authors that", "it doesn't turn out how I want it to. Is this because it's", "writers and I try to emulate them, but most of the time it", "Is this because it's not uniquely my own style, but rather forcing myself", "want it to. Is this because it's not uniquely my own style, but", "many other writers and I try to emulate them, but most of the", "most of the time it doesn't turn out how I want it to.", "doesn't turn out how I want it to. Is this because it's not", "style, but rather forcing myself to write similar as authors that I admire?", "admire the writing style of many other writers and I try to emulate", "own style, but rather forcing myself to write similar as authors that I", "of the time it doesn't turn out how I want it to. Is", "to emulate them, but most of the time it doesn't turn out how", "but most of the time it doesn't turn out how I want it", "to. Is this because it's not uniquely my own style, but rather forcing", "it to. Is this because it's not uniquely my own style, but rather", "out how I want it to. Is this because it's not uniquely my", "emulate them, but most of the time it doesn't turn out how I", "how I want it to. Is this because it's not uniquely my own", "the time it doesn't turn out how I want it to. Is this", "other writers and I try to emulate them, but most of the time", "I want it to. Is this because it's not uniquely my own style,", "and I try to emulate them, but most of the time it doesn't", "writing style of many other writers and I try to emulate them, but", "try to emulate them, but most of the time it doesn't turn out", "uniquely my own style, but rather forcing myself to write similar as authors", "time it doesn't turn out how I want it to. Is this because", "it's not uniquely my own style, but rather forcing myself to write similar", "the writing style of many other writers and I try to emulate them,", "because it's not uniquely my own style, but rather forcing myself to write", "style of many other writers and I try to emulate them, but most", "this because it's not uniquely my own style, but rather forcing myself to", "I try to emulate them, but most of the time it doesn't turn", "I admire the writing style of many other writers and I try to", "not uniquely my own style, but rather forcing myself to write similar as", "them, but most of the time it doesn't turn out how I want" ]
[ "so many beautiful pauses, like the way an actor will let the silence", "in the process of writing I think my style has enough length to", "for dramatic effect—- but apparently, I’m not translating that onto the page. Any", "writing I think my style has enough length to it, but when I", "go back and read my work it feels extremely fast. A scene I", "beautiful pauses, like the way an actor will let the silence hang for", "because while I’m in the process of writing I think my style has", "style has enough length to it, but when I go back and read", "I hear it in my head, there are so many beautiful pauses, like", "page. Any tips on how to make scenes move slower (more specifically, dialogue)", "as it started. Especially with dialogue. I enjoy writing dialogue so much—- when", "but when I go back and read my work it feels extremely fast.", "it, but when I go back and read my work it feels extremely", "take me fifteen minutes to read is over as soon as it started.", "scenes move slower (more specifically, dialogue) would be greatly appreciated. If anyone wants", "is over as soon as it started. Especially with dialogue. I enjoy writing", "on how to make scenes move slower (more specifically, dialogue) would be greatly", "dialogue so much—- when I hear it in my head, there are so", "with dialogue. I enjoy writing dialogue so much—- when I hear it in", "dramatic effect—- but apparently, I’m not translating that onto the page. Any tips", "would be greatly appreciated. If anyone wants to see an example, just ask.", "(more specifically, dialogue) would be greatly appreciated. If anyone wants to see an", "it feels extremely fast. A scene I expected to take me fifteen minutes", "translating that onto the page. Any tips on how to make scenes move", "issues because while I’m in the process of writing I think my style", "fifteen minutes to read is over as soon as it started. Especially with", "much—- when I hear it in my head, there are so many beautiful", "so much—- when I hear it in my head, there are so many", "started. Especially with dialogue. I enjoy writing dialogue so much—- when I hear", "as soon as it started. Especially with dialogue. I enjoy writing dialogue so", "apparently, I’m not translating that onto the page. Any tips on how to", "I expected to take me fifteen minutes to read is over as soon", "enjoy writing dialogue so much—- when I hear it in my head, there", "I’m in the process of writing I think my style has enough length", "feels extremely fast. A scene I expected to take me fifteen minutes to", "to make scenes move slower (more specifically, dialogue) would be greatly appreciated. If", "hang for dramatic effect—- but apparently, I’m not translating that onto the page.", "specifically, dialogue) would be greatly appreciated. If anyone wants to see an example,", "I enjoy writing dialogue so much—- when I hear it in my head,", "while I’m in the process of writing I think my style has enough", "that onto the page. Any tips on how to make scenes move slower", "length to it, but when I go back and read my work it", "but apparently, I’m not translating that onto the page. Any tips on how", "process of writing I think my style has enough length to it, but", "it started. Especially with dialogue. I enjoy writing dialogue so much—- when I", "the process of writing I think my style has enough length to it,", "scene I expected to take me fifteen minutes to read is over as", "move slower (more specifically, dialogue) would be greatly appreciated. If anyone wants to", "the page. Any tips on how to make scenes move slower (more specifically,", "dialogue. I enjoy writing dialogue so much—- when I hear it in my", "expected to take me fifteen minutes to read is over as soon as", "let the silence hang for dramatic effect—- but apparently, I’m not translating that", "A scene I expected to take me fifteen minutes to read is over", "way an actor will let the silence hang for dramatic effect—- but apparently,", "my head, there are so many beautiful pauses, like the way an actor", "I’m having issues because while I’m in the process of writing I think", "enough length to it, but when I go back and read my work", "tips on how to make scenes move slower (more specifically, dialogue) would be", "I go back and read my work it feels extremely fast. A scene", "work it feels extremely fast. A scene I expected to take me fifteen", "Any tips on how to make scenes move slower (more specifically, dialogue) would", "like the way an actor will let the silence hang for dramatic effect—-", "hear it in my head, there are so many beautiful pauses, like the", "me fifteen minutes to read is over as soon as it started. Especially", "silence hang for dramatic effect—- but apparently, I’m not translating that onto the", "minutes to read is over as soon as it started. Especially with dialogue.", "fast. A scene I expected to take me fifteen minutes to read is", "many beautiful pauses, like the way an actor will let the silence hang", "effect—- but apparently, I’m not translating that onto the page. Any tips on", "has enough length to it, but when I go back and read my", "extremely fast. A scene I expected to take me fifteen minutes to read", "to read is over as soon as it started. Especially with dialogue. I", "in my head, there are so many beautiful pauses, like the way an", "my style has enough length to it, but when I go back and", "how to make scenes move slower (more specifically, dialogue) would be greatly appreciated.", "having issues because while I’m in the process of writing I think my", "soon as it started. Especially with dialogue. I enjoy writing dialogue so much—-", "the way an actor will let the silence hang for dramatic effect—- but", "there are so many beautiful pauses, like the way an actor will let", "writing dialogue so much—- when I hear it in my head, there are", "actor will let the silence hang for dramatic effect—- but apparently, I’m not", "my work it feels extremely fast. A scene I expected to take me", "it in my head, there are so many beautiful pauses, like the way", "and read my work it feels extremely fast. A scene I expected to", "make scenes move slower (more specifically, dialogue) would be greatly appreciated. If anyone", "over as soon as it started. Especially with dialogue. I enjoy writing dialogue", "read my work it feels extremely fast. A scene I expected to take", "to take me fifteen minutes to read is over as soon as it", "are so many beautiful pauses, like the way an actor will let the", "the silence hang for dramatic effect—- but apparently, I’m not translating that onto", "slower (more specifically, dialogue) would be greatly appreciated. If anyone wants to see", "Especially with dialogue. I enjoy writing dialogue so much—- when I hear it", "I think my style has enough length to it, but when I go", "of writing I think my style has enough length to it, but when", "onto the page. Any tips on how to make scenes move slower (more", "an actor will let the silence hang for dramatic effect—- but apparently, I’m", "not translating that onto the page. Any tips on how to make scenes", "back and read my work it feels extremely fast. A scene I expected", "to it, but when I go back and read my work it feels", "dialogue) would be greatly appreciated. If anyone wants to see an example, just", "when I hear it in my head, there are so many beautiful pauses,", "read is over as soon as it started. Especially with dialogue. I enjoy", "think my style has enough length to it, but when I go back", "I’m not translating that onto the page. Any tips on how to make", "when I go back and read my work it feels extremely fast. A", "pauses, like the way an actor will let the silence hang for dramatic", "will let the silence hang for dramatic effect—- but apparently, I’m not translating", "head, there are so many beautiful pauses, like the way an actor will" ]
[ "reasonable, and the second that printing expensive, and pictures would increase the cost", "has illustrations in it. I've tried finding out the reason why, and came", "more common, first being that most writers aren't visual artists, which is reasonable,", "a single novel that has illustrations in it. I've tried finding out the", "pictures with the novel? Maps seem to be an exception for this, since", "that printing expensive, and pictures would increase the cost significantly. But in a", "why this isn't more common, first being that most writers aren't visual artists,", "this. I come from a visual medium, so complementing the writing with visual", "across an [article published in The Guardian in 2011](https://www.theguardian.com/books/2011/dec/13/illustrations-fiction-novels), but it didn't arrive", "complementing the writing with visual aids seems pretty logical to me. I thought", "seem to be an exception for this, since they are somewhat common in", "I thought of two reasons why this isn't more common, first being that", "why, and came across an [article published in The Guardian in 2011](https://www.theguardian.com/books/2011/dec/13/illustrations-fiction-novels), but", "that has illustrations in it. I've tried finding out the reason why, and", "is reasonable, and the second that printing expensive, and pictures would increase the", "an [article published in The Guardian in 2011](https://www.theguardian.com/books/2011/dec/13/illustrations-fiction-novels), but it didn't arrive to", "it didn't arrive to any conclusions or provided an explanation for this. I", "don't know of a single novel that has illustrations in it. I've tried", "the cost significantly. But in a situation where the writer also likes to", "from a visual medium, so complementing the writing with visual aids seems pretty", "But in a situation where the writer also likes to draw / illustrate", "common, first being that most writers aren't visual artists, which is reasonable, and", "the second that printing expensive, and pictures would increase the cost significantly. But", "example), would there be any drawbacks from providing pictures with the novel? Maps", "to be an exception for this, since they are somewhat common in fantasy", "/ illustrate and is not bound by cost (an e-book for example), would", "of two reasons why this isn't more common, first being that most writers", "writer also likes to draw / illustrate and is not bound by cost", "drawbacks from providing pictures with the novel? Maps seem to be an exception", "also likes to draw / illustrate and is not bound by cost (an", "of a single novel that has illustrations in it. I've tried finding out", "came across an [article published in The Guardian in 2011](https://www.theguardian.com/books/2011/dec/13/illustrations-fiction-novels), but it didn't", "would increase the cost significantly. But in a situation where the writer also", "the writer also likes to draw / illustrate and is not bound by", "for this. I come from a visual medium, so complementing the writing with", "novel? Maps seem to be an exception for this, since they are somewhat", "didn't arrive to any conclusions or provided an explanation for this. I come", "with visual aids seems pretty logical to me. I thought of two reasons", "writing with visual aids seems pretty logical to me. I thought of two", "a visual medium, so complementing the writing with visual aids seems pretty logical", "but it didn't arrive to any conclusions or provided an explanation for this.", "that most writers aren't visual artists, which is reasonable, and the second that", "and the second that printing expensive, and pictures would increase the cost significantly.", "come from a visual medium, so complementing the writing with visual aids seems", "medium, so complementing the writing with visual aids seems pretty logical to me.", "be an exception for this, since they are somewhat common in fantasy works.", "aids seems pretty logical to me. I thought of two reasons why this", "the writing with visual aids seems pretty logical to me. I thought of", "I don't know of a single novel that has illustrations in it. I've", "novel that has illustrations in it. I've tried finding out the reason why,", "expensive, and pictures would increase the cost significantly. But in a situation where", "most writers aren't visual artists, which is reasonable, and the second that printing", "it. I've tried finding out the reason why, and came across an [article", "artists, which is reasonable, and the second that printing expensive, and pictures would", "single novel that has illustrations in it. I've tried finding out the reason", "is not bound by cost (an e-book for example), would there be any", "The Guardian in 2011](https://www.theguardian.com/books/2011/dec/13/illustrations-fiction-novels), but it didn't arrive to any conclusions or provided", "and is not bound by cost (an e-book for example), would there be", "likes to draw / illustrate and is not bound by cost (an e-book", "know of a single novel that has illustrations in it. I've tried finding", "logical to me. I thought of two reasons why this isn't more common,", "Lately I've been thinking that I don't know of a single novel that", "I've tried finding out the reason why, and came across an [article published", "me. I thought of two reasons why this isn't more common, first being", "that I don't know of a single novel that has illustrations in it.", "significantly. But in a situation where the writer also likes to draw /", "finding out the reason why, and came across an [article published in The", "the novel? Maps seem to be an exception for this, since they are", "and came across an [article published in The Guardian in 2011](https://www.theguardian.com/books/2011/dec/13/illustrations-fiction-novels), but it", "printing expensive, and pictures would increase the cost significantly. But in a situation", "any conclusions or provided an explanation for this. I come from a visual", "and pictures would increase the cost significantly. But in a situation where the", "thought of two reasons why this isn't more common, first being that most", "(an e-book for example), would there be any drawbacks from providing pictures with", "provided an explanation for this. I come from a visual medium, so complementing", "with the novel? Maps seem to be an exception for this, since they", "cost (an e-book for example), would there be any drawbacks from providing pictures", "illustrations in it. I've tried finding out the reason why, and came across", "where the writer also likes to draw / illustrate and is not bound", "bound by cost (an e-book for example), would there be any drawbacks from", "e-book for example), would there be any drawbacks from providing pictures with the", "not bound by cost (an e-book for example), would there be any drawbacks", "or provided an explanation for this. I come from a visual medium, so", "conclusions or provided an explanation for this. I come from a visual medium,", "2011](https://www.theguardian.com/books/2011/dec/13/illustrations-fiction-novels), but it didn't arrive to any conclusions or provided an explanation for", "first being that most writers aren't visual artists, which is reasonable, and the", "out the reason why, and came across an [article published in The Guardian", "aren't visual artists, which is reasonable, and the second that printing expensive, and", "would there be any drawbacks from providing pictures with the novel? Maps seem", "visual aids seems pretty logical to me. I thought of two reasons why", "an explanation for this. I come from a visual medium, so complementing the", "to any conclusions or provided an explanation for this. I come from a", "increase the cost significantly. But in a situation where the writer also likes", "pictures would increase the cost significantly. But in a situation where the writer", "tried finding out the reason why, and came across an [article published in", "so complementing the writing with visual aids seems pretty logical to me. I", "from providing pictures with the novel? Maps seem to be an exception for", "two reasons why this isn't more common, first being that most writers aren't", "isn't more common, first being that most writers aren't visual artists, which is", "in 2011](https://www.theguardian.com/books/2011/dec/13/illustrations-fiction-novels), but it didn't arrive to any conclusions or provided an explanation", "[article published in The Guardian in 2011](https://www.theguardian.com/books/2011/dec/13/illustrations-fiction-novels), but it didn't arrive to any", "in a situation where the writer also likes to draw / illustrate and", "being that most writers aren't visual artists, which is reasonable, and the second", "the reason why, and came across an [article published in The Guardian in", "illustrate and is not bound by cost (an e-book for example), would there", "Maps seem to be an exception for this, since they are somewhat common", "seems pretty logical to me. I thought of two reasons why this isn't", "there be any drawbacks from providing pictures with the novel? Maps seem to", "explanation for this. I come from a visual medium, so complementing the writing", "in it. I've tried finding out the reason why, and came across an", "Guardian in 2011](https://www.theguardian.com/books/2011/dec/13/illustrations-fiction-novels), but it didn't arrive to any conclusions or provided an", "been thinking that I don't know of a single novel that has illustrations", "reasons why this isn't more common, first being that most writers aren't visual", "be any drawbacks from providing pictures with the novel? Maps seem to be", "visual medium, so complementing the writing with visual aids seems pretty logical to", "draw / illustrate and is not bound by cost (an e-book for example),", "which is reasonable, and the second that printing expensive, and pictures would increase", "arrive to any conclusions or provided an explanation for this. I come from", "for example), would there be any drawbacks from providing pictures with the novel?", "this isn't more common, first being that most writers aren't visual artists, which", "second that printing expensive, and pictures would increase the cost significantly. But in", "providing pictures with the novel? Maps seem to be an exception for this,", "thinking that I don't know of a single novel that has illustrations in", "published in The Guardian in 2011](https://www.theguardian.com/books/2011/dec/13/illustrations-fiction-novels), but it didn't arrive to any conclusions", "I've been thinking that I don't know of a single novel that has", "writers aren't visual artists, which is reasonable, and the second that printing expensive,", "reason why, and came across an [article published in The Guardian in 2011](https://www.theguardian.com/books/2011/dec/13/illustrations-fiction-novels),", "pretty logical to me. I thought of two reasons why this isn't more", "by cost (an e-book for example), would there be any drawbacks from providing", "situation where the writer also likes to draw / illustrate and is not", "any drawbacks from providing pictures with the novel? Maps seem to be an", "in The Guardian in 2011](https://www.theguardian.com/books/2011/dec/13/illustrations-fiction-novels), but it didn't arrive to any conclusions or", "to draw / illustrate and is not bound by cost (an e-book for", "cost significantly. But in a situation where the writer also likes to draw", "a situation where the writer also likes to draw / illustrate and is", "to me. I thought of two reasons why this isn't more common, first", "I come from a visual medium, so complementing the writing with visual aids", "visual artists, which is reasonable, and the second that printing expensive, and pictures" ]
[ "feel very motivated or secure in putting my ideas into the paper and", "tons of ideas for a novel, and in fact I want to write", "lot in actually starting writing the story. I have ideas for characters and", "I have ideas for characters and their personalities, conflicts, etc. But I don't", "don't feel very motivated or secure in putting my ideas into the paper", "ideas for a novel, and in fact I want to write one (even", "have ideas for characters and their personalities, conflicts, etc. But I don't feel", "their personalities, conflicts, etc. But I don't feel very motivated or secure in", "in actually starting writing the story. I have ideas for characters and their", "etc. But I don't feel very motivated or secure in putting my ideas", "of ideas for a novel, and in fact I want to write one", "in putting my ideas into the paper and start writing the novel. Do", "fact I want to write one (even a series), but I'm struggling a", "starting writing the story. I have ideas for characters and their personalities, conflicts,", "ideas for characters and their personalities, conflicts, etc. But I don't feel very", "struggling a lot in actually starting writing the story. I have ideas for", "here. So, I have tons of ideas for a novel, and in fact", "very motivated or secure in putting my ideas into the paper and start", "a lot in actually starting writing the story. I have ideas for characters", "my ideas into the paper and start writing the novel. Do guys have", "story. I have ideas for characters and their personalities, conflicts, etc. But I", "want to write one (even a series), but I'm struggling a lot in", "But I don't feel very motivated or secure in putting my ideas into", "one (even a series), but I'm struggling a lot in actually starting writing", "secure in putting my ideas into the paper and start writing the novel.", "but I'm struggling a lot in actually starting writing the story. I have", "I have tons of ideas for a novel, and in fact I want", "paper and start writing the novel. Do guys have tips to help me", "putting my ideas into the paper and start writing the novel. Do guys", "start writing the novel. Do guys have tips to help me about this?", "characters and their personalities, conflicts, etc. But I don't feel very motivated or", "personalities, conflicts, etc. But I don't feel very motivated or secure in putting", "motivated or secure in putting my ideas into the paper and start writing", "(even a series), but I'm struggling a lot in actually starting writing the", "So, I have tons of ideas for a novel, and in fact I", "I want to write one (even a series), but I'm struggling a lot", "conflicts, etc. But I don't feel very motivated or secure in putting my", "the paper and start writing the novel. Do guys have tips to help", "have tons of ideas for a novel, and in fact I want to", "in fact I want to write one (even a series), but I'm struggling", "Beginner here. So, I have tons of ideas for a novel, and in", "I'm struggling a lot in actually starting writing the story. I have ideas", "write one (even a series), but I'm struggling a lot in actually starting", "ideas into the paper and start writing the novel. Do guys have tips", "the story. I have ideas for characters and their personalities, conflicts, etc. But", "and their personalities, conflicts, etc. But I don't feel very motivated or secure", "writing the story. I have ideas for characters and their personalities, conflicts, etc.", "and in fact I want to write one (even a series), but I'm", "a series), but I'm struggling a lot in actually starting writing the story.", "a novel, and in fact I want to write one (even a series),", "into the paper and start writing the novel. Do guys have tips to", "novel, and in fact I want to write one (even a series), but", "I don't feel very motivated or secure in putting my ideas into the", "series), but I'm struggling a lot in actually starting writing the story. I", "for characters and their personalities, conflicts, etc. But I don't feel very motivated", "or secure in putting my ideas into the paper and start writing the", "and start writing the novel. Do guys have tips to help me about", "actually starting writing the story. I have ideas for characters and their personalities,", "to write one (even a series), but I'm struggling a lot in actually", "for a novel, and in fact I want to write one (even a" ]
[ "overthrow him, and the king enlists three other witches to seek out and", "this foe. I want to draw on traditional, arguably \"cliché\" (?) fantasy species,", "and the king enlists three other witches to seek out and destroy this", "orcs, goblins, dwarves, faeries, etc. However, I realize that many aspects of these", "like elves, orcs, goblins, dwarves, faeries, etc. However, I realize that many aspects", "who will overthrow him, and the king enlists three other witches to seek", "goblins, dwarves, faeries, etc. However, I realize that many aspects of these races", "to be the only race that wears dreads/braids, banking goblins with hooked noses", "a prophecy to a king about a dangerous and deceitful foe who will", "are completely superior, barbaric orcs with dark skin who just happen to be", "be the only race that wears dreads/braids, banking goblins with hooked noses that", "and destroy this foe. I want to draw on traditional, arguably \"cliché\" (?)", "king enlists three other witches to seek out and destroy this foe. I", "just happen to be the only race that wears dreads/braids, banking goblins with", "I'm interested in starting a pleasure project: a fantasy story, along the lines", "to a king about a dangerous and deceitful foe who will overthrow him,", "story, along the lines of a witch delivering a prophecy to a king", "dark skin who just happen to be the only race that wears dreads/braids,", "along the lines of a witch delivering a prophecy to a king about", "aren't Jews. How can I involve some of these older elements, while leaving", "draw on traditional, arguably \"cliché\" (?) fantasy species, like elves, orcs, goblins, dwarves,", "these races contain hidden racism--blonde-haired, blue-eyed, white elves that are completely superior, barbaric", "foe who will overthrow him, and the king enlists three other witches to", "the lines of a witch delivering a prophecy to a king about a", "want to draw on traditional, arguably \"cliché\" (?) fantasy species, like elves, orcs,", "these older elements, while leaving behind the racist subtext some of them carry?", "wears dreads/braids, banking goblins with hooked noses that totally* aren't Jews. How can", "However, I realize that many aspects of these races contain hidden racism--blonde-haired, blue-eyed,", "the only race that wears dreads/braids, banking goblins with hooked noses that totally", "that wears dreads/braids, banking goblins with hooked noses that totally aren't Jews. How", "out and destroy this foe. I want to draw on traditional, arguably \"cliché\"", "of these races contain hidden racism--blonde-haired, blue-eyed, white elves that are completely superior,", "a dangerous and deceitful foe who will overthrow him, and the king enlists", "with hooked noses that totally aren't Jews. How can I involve some of", "happen to be the only race that wears dreads/braids, banking goblins with hooked", "a fantasy story, along the lines of a witch delivering a prophecy to", "noses that totally aren't Jews. How can I involve some of these older", "in starting a pleasure project: a fantasy story, along the lines of a", "the king enlists three other witches to seek out and destroy this foe.", "enlists three other witches to seek out and destroy this foe. I want", "Jews. How can I involve some of these older elements, while leaving behind", "dangerous and deceitful foe who will overthrow him, and the king enlists three", "a king about a dangerous and deceitful foe who will overthrow him, and", "faeries, etc. However, I realize that many aspects of these races contain hidden", "on traditional, arguably \"cliché\" (?) fantasy species, like elves, orcs, goblins, dwarves, faeries,", "starting a pleasure project: a fantasy story, along the lines of a witch", "some of these older elements, while leaving behind the racist subtext some of", "king about a dangerous and deceitful foe who will overthrow him, and the", "a witch delivering a prophecy to a king about a dangerous and deceitful", "hidden racism--blonde-haired, blue-eyed, white elves that are completely superior, barbaric orcs with dark", "race that wears dreads/braids, banking goblins with hooked noses that totally aren't Jews.", "about a dangerous and deceitful foe who will overthrow him, and the king", "involve some of these older elements, while leaving behind the racist subtext some", "superior, barbaric orcs with dark skin who just happen to be the only", "elves that are completely superior, barbaric orcs with dark skin who just happen", "project: a fantasy story, along the lines of a witch delivering a prophecy", "traditional, arguably \"cliché\" (?) fantasy species, like elves, orcs, goblins, dwarves, faeries, etc.", "deceitful foe who will overthrow him, and the king enlists three other witches", "that are completely superior, barbaric orcs with dark skin who just happen to", "prophecy to a king about a dangerous and deceitful foe who will overthrow", "delivering a prophecy to a king about a dangerous and deceitful foe who", "three other witches to seek out and destroy this foe. I want to", "completely superior, barbaric orcs with dark skin who just happen to be the", "racism--blonde-haired, blue-eyed, white elves that are completely superior, barbaric orcs with dark skin", "dreads/braids, banking goblins with hooked noses that totally* aren't Jews. How can I", "to seek out and destroy this foe. I want to draw on traditional,", "witches to seek out and destroy this foe. I want to draw on", "skin who just happen to be the only race that wears dreads/braids, banking", "I involve some of these older elements, while leaving behind the racist subtext", "of a witch delivering a prophecy to a king about a dangerous and", "will overthrow him, and the king enlists three other witches to seek out", "fantasy species, like elves, orcs, goblins, dwarves, faeries, etc. However, I realize that", "destroy this foe. I want to draw on traditional, arguably \"cliché\" (?) fantasy", "orcs with dark skin who just happen to be the only race that", "can I involve some of these older elements, while leaving behind the racist", "hooked noses that totally aren't Jews. How can I involve some of these", "arguably \"cliché\" (?) fantasy species, like elves, orcs, goblins, dwarves, faeries, etc. However,", "him, and the king enlists three other witches to seek out and destroy", "races contain hidden racism--blonde-haired, blue-eyed, white elves that are completely superior, barbaric orcs", "species, like elves, orcs, goblins, dwarves, faeries, etc. However, I realize that many", "of these older elements, while leaving behind the racist subtext some of them", "and deceitful foe who will overthrow him, and the king enlists three other", "other witches to seek out and destroy this foe. I want to draw", "a pleasure project: a fantasy story, along the lines of a witch delivering", "with dark skin who just happen to be the only race that wears", "I realize that many aspects of these races contain hidden racism--blonde-haired, blue-eyed, white", "to draw on traditional, arguably \"cliché\" (?) fantasy species, like elves, orcs, goblins,", "that many aspects of these races contain hidden racism--blonde-haired, blue-eyed, white elves that", "many aspects of these races contain hidden racism--blonde-haired, blue-eyed, white elves that are", "only race that wears dreads/braids, banking goblins with hooked noses that totally* aren't", "pleasure project: a fantasy story, along the lines of a witch delivering a", "lines of a witch delivering a prophecy to a king about a dangerous", "aspects of these races contain hidden racism--blonde-haired, blue-eyed, white elves that are completely", "seek out and destroy this foe. I want to draw on traditional, arguably", "dwarves, faeries, etc. However, I realize that many aspects of these races contain", "banking goblins with hooked noses that totally aren't Jews. How can I involve", "foe. I want to draw on traditional, arguably \"cliché\" (?) fantasy species, like", "realize that many aspects of these races contain hidden racism--blonde-haired, blue-eyed, white elves", "witch delivering a prophecy to a king about a dangerous and deceitful foe", "white elves that are completely superior, barbaric orcs with dark skin who just", "that totally aren't Jews. How can I involve some of these older elements,", "who just happen to be the only race that wears dreads/braids, banking goblins", "interested in starting a pleasure project: a fantasy story, along the lines of", "\"cliché\" (?) fantasy species, like elves, orcs, goblins, dwarves, faeries, etc. However, I", "elves, orcs, goblins, dwarves, faeries, etc. However, I realize that many aspects of", "barbaric orcs with dark skin who just happen to be the only race", "etc. However, I realize that many aspects of these races contain hidden racism--blonde-haired,", "I want to draw on traditional, arguably \"cliché\" (?) fantasy species, like elves,", "contain hidden racism--blonde-haired, blue-eyed, white elves that are completely superior, barbaric orcs with", "blue-eyed, white elves that are completely superior, barbaric orcs with dark skin who", "goblins with hooked noses that totally aren't Jews. How can I involve some", "totally aren't Jews. How can I involve some of these older elements, while", "How can I involve some of these older elements, while leaving behind the", "(?) fantasy species, like elves, orcs, goblins, dwarves, faeries, etc. However, I realize", "fantasy story, along the lines of a witch delivering a prophecy to a" ]
[ "a word and how it is spelled in a dialogue? For example, some", "character pronounces a word and how it is spelled in a dialogue? For", "the quality you're getting.\" > > > \"It's A-pple, not ae-pple. There are", "in a different way than they should, how do you show that in", "> pronunciation is different, but they are spelled in the same way.\" >", "this properly? Is there a standard way? For example: > > \"I don't", "words in a different way than they should, how do you show that", "and how it is spelled in a dialogue? For example, some people pronounce", "two a's in English, the > pronunciation is different, but they are spelled", "a dialogue? For example, some people pronounce words in a different way than", "getting.\" > > > \"It's A-pple, not ae-pple. There are two a's in", "> > > \"It's A-pple, not ae-pple. There are two a's in English,", "a way to do this properly? Is there a standard way? For example:", "products, because they are too expensive > for the quality you're getting.\" >", "do you show that in a dialogue? Is there a way to do", "for the quality you're getting.\" > > > \"It's A-pple, not ae-pple. There", "are two a's in English, the > pronunciation is different, but they are", "is spelled in a dialogue? For example, some people pronounce words in a", "word and how it is spelled in a dialogue? For example, some people", "people pronounce words in a different way than they should, how do you", "quality you're getting.\" > > > \"It's A-pple, not ae-pple. There are two", "we distinguish how a character pronounces a word and how it is spelled", "than they should, how do you show that in a dialogue? Is there", "way than they should, how do you show that in a dialogue? Is", "they should, how do you show that in a dialogue? Is there a", "they are too expensive > for the quality you're getting.\" > > >", "do we distinguish how a character pronounces a word and how it is", "example, some people pronounce words in a different way than they should, how", "pronunciation is different, but they are spelled in the same way.\" > >", "> > \"I don't want to buy Ae-pple products, because they are too", "pronounce words in a different way than they should, how do you show", "you're getting.\" > > > \"It's A-pple, not ae-pple. There are two a's", "properly? Is there a standard way? For example: > > \"I don't want", "spelled in a dialogue? For example, some people pronounce words in a different", "distinguish how a character pronounces a word and how it is spelled in", "dialogue? Is there a way to do this properly? Is there a standard", "to buy Ae-pple products, because they are too expensive > for the quality", "way to do this properly? Is there a standard way? For example: >", "a different way than they should, how do you show that in a", "> for the quality you're getting.\" > > > \"It's A-pple, not ae-pple.", "A-pple, not ae-pple. There are two a's in English, the > pronunciation is", "there a way to do this properly? Is there a standard way? For", "There are two a's in English, the > pronunciation is different, but they", "\"It's A-pple, not ae-pple. There are two a's in English, the > pronunciation", "> > \"It's A-pple, not ae-pple. There are two a's in English, the", "do this properly? Is there a standard way? For example: > > \"I", "how it is spelled in a dialogue? For example, some people pronounce words", "some people pronounce words in a different way than they should, how do", "ae-pple. There are two a's in English, the > pronunciation is different, but", "that in a dialogue? Is there a way to do this properly? Is", "> \"I don't want to buy Ae-pple products, because they are too expensive", "there a standard way? For example: > > \"I don't want to buy", "don't want to buy Ae-pple products, because they are too expensive > for", "different way than they should, how do you show that in a dialogue?", "Is there a way to do this properly? Is there a standard way?", "a character pronounces a word and how it is spelled in a dialogue?", "For example: > > \"I don't want to buy Ae-pple products, because they", "how a character pronounces a word and how it is spelled in a", "For example, some people pronounce words in a different way than they should,", "example: > > \"I don't want to buy Ae-pple products, because they are", "dialogue? For example, some people pronounce words in a different way than they", "it is spelled in a dialogue? For example, some people pronounce words in", "show that in a dialogue? Is there a way to do this properly?", "standard way? For example: > > \"I don't want to buy Ae-pple products,", "expensive > for the quality you're getting.\" > > > \"It's A-pple, not", "Is there a standard way? For example: > > \"I don't want to", "How do we distinguish how a character pronounces a word and how it", "in English, the > pronunciation is different, but they are spelled in the", "a's in English, the > pronunciation is different, but they are spelled in", "> \"It's A-pple, not ae-pple. There are two a's in English, the >", "are too expensive > for the quality you're getting.\" > > > \"It's", "in a dialogue? For example, some people pronounce words in a different way", "to do this properly? Is there a standard way? For example: > >", "a dialogue? Is there a way to do this properly? Is there a", "how do you show that in a dialogue? Is there a way to", "the > pronunciation is different, but they are spelled in the same way.\"", "in a dialogue? Is there a way to do this properly? Is there", "is different, but they are spelled in the same way.\" > > >", "way? For example: > > \"I don't want to buy Ae-pple products, because", "a standard way? For example: > > \"I don't want to buy Ae-pple", "too expensive > for the quality you're getting.\" > > > \"It's A-pple,", "Ae-pple products, because they are too expensive > for the quality you're getting.\"", "pronounces a word and how it is spelled in a dialogue? For example,", "\"I don't want to buy Ae-pple products, because they are too expensive >", "you show that in a dialogue? Is there a way to do this", "because they are too expensive > for the quality you're getting.\" > >", "buy Ae-pple products, because they are too expensive > for the quality you're", "not ae-pple. There are two a's in English, the > pronunciation is different,", "English, the > pronunciation is different, but they are spelled in the same", "should, how do you show that in a dialogue? Is there a way", "want to buy Ae-pple products, because they are too expensive > for the" ]
[ "paid an illustrator to do the art for my picture book and I", "to do the art for my picture book and I now own the", "now own the artwork. Am I then allowed to submit to agents as", "I paid an illustrator to do the art for my picture book and", "art for my picture book and I now own the artwork. Am I", "for my picture book and I now own the artwork. Am I then", "the artwork. Am I then allowed to submit to agents as an author/illustrator?", "Am I then allowed to submit to agents as an author/illustrator? How does", "my picture book and I now own the artwork. Am I then allowed", "an illustrator to do the art for my picture book and I now", "and I now own the artwork. Am I then allowed to submit to", "artwork. Am I then allowed to submit to agents as an author/illustrator? How", "I now own the artwork. Am I then allowed to submit to agents", "picture book and I now own the artwork. Am I then allowed to", "the art for my picture book and I now own the artwork. Am", "book and I now own the artwork. Am I then allowed to submit", "then allowed to submit to agents as an author/illustrator? How does this work?", "illustrator to do the art for my picture book and I now own", "do the art for my picture book and I now own the artwork.", "own the artwork. Am I then allowed to submit to agents as an", "I then allowed to submit to agents as an author/illustrator? How does this" ]
[ "the pain in their screams. He lies on the ground, feeling agony like", "> > Falling deep. > > Falling hard. > > It hurts. >", "do. > > He can see things, but he doesn’t quite understand why", "> Breathebreathebreathebreathebreathe > > FUCK! > > What—exhale— too bright, too fucking bright—can’t—can’t", "ears), a ringing? sound, and only seeing white for about 5 seconds and", "onomatopoeia? I can imagine it clearly in my head as if it was", "it affects the ears), a ringing? sound, and only seeing white for about", "description? I want it to cut-cut-cut without using \"--\" too much. The ringing", "bright—can’t—can’t see— > > Falling. > > Falling deep. > > Falling hard.", "> Falling deep. > > Falling hard. > > It hurts. > >", "> > Falling hard. > > It hurts. > > Everything is spinning.", "hap— > > Stop—stop, it hurts, fuckfuckfuck— > > > A deafening ring", "into his flesh, hurting, hurting, hurting—) > > > He can hear the", "hear the fear in their hearts, and feel the pain in their screams.", "And even though it hurts, his body is healing far too fast to", "a flash bomb is set a few meters from him, he is greatly", "do I convey that without an obnoxious onomatopoeia? I can imagine it clearly", "my drafts. Forgive me if it falls flat or short or confusing. >", "so that when a flash bomb is set a few meters from him,", "up, get up, please!” > > > There are feet running past him.", "\"--\" too much. The ringing as well. How do I convey that without", "without using \"--\" too much. The ringing as well. How do I convey", "is spinning. > > What the—what’s hap— > > Stop—stop, it hurts, fuckfuckfuck—", "one of my drafts. Forgive me if it falls flat or short or", "A deafening ring resounds. > > > “…ter—stand up, get up, please!” >", "this. Symptoms are loss of balance (b/c it affects the ears), a ringing?", "much so that when a flash bomb is set a few meters from", "their hearts, and feel the pain in their screams. He lies on the", "too fast to fail him. > > He doesn’t know what to do.", "him, he is greatly affected by this. Symptoms are loss of balance (b/c", "please!” > > > There are feet running past him. > > >", "I convey the loss of balance without too much description? I want it", "the ground, feeling agony like a faraway dream. > > And even though", "“…ter—stand up, get up, please!” > > > There are feet running past", "bright, too fucking bright—can’t—can’t see— > > Falling. > > Falling deep. >", "spinning. > > What the—what’s hap— > > Stop—stop, it hurts, fuckfuckfuck— >", "into him, digging into his flesh, hurting, hurting, hurting—) > > > He", "> Everything is spinning. > > What the—what’s hap— > > Stop—stop, it", "for one of my drafts. Forgive me if it falls flat or short", "see things, but he doesn’t quite understand why it’s happening. > > >", "fucking bright—can’t—can’t see— > > Falling. > > Falling deep. > > Falling", "and then some after images. How do I convey the loss of balance", "too much. The ringing as well. How do I convey that without an", "short or confusing. > > Breathe— > > Breathebreathebreathebreathebreathe > > FUCK! >", "resounds. > > > “…ter—stand up, get up, please!” > > > There", "without an obnoxious onomatopoeia? I can imagine it clearly in my head as", "is greatly affected by this. Symptoms are loss of balance (b/c it affects", "but dang action scenes are difficult for me. But I couldn't avoid it", "only seeing white for about 5 seconds and then some after images. How", "> He can see things, but he doesn’t quite understand why it’s happening.", "has super-senses, so anything that we feel, see, hear, etc. are heightened for", "The ringing as well. How do I convey that without an obnoxious onomatopoeia?", "I can imagine it clearly in my head as if it was a", "fuckfuckfuck— > > > A deafening ring resounds. > > > “…ter—stand up,", "his body is healing far too fast to fail him. > > He", "I couldn't avoid it and so here. Also, here's an example for one", "and only seeing white for about 5 seconds and then some after images.", "can see things, but he doesn’t quite understand why it’s happening. > >", "so anything that we feel, see, hear, etc. are heightened for him. So", "meters from him, he is greatly affected by this. Symptoms are loss of", "on the ground, feeling agony like a faraway dream. > > And even", "But I couldn't avoid it and so here. Also, here's an example for", "Stop—stop, it hurts, fuckfuckfuck— > > > A deafening ring resounds. > >", "> > And even though it hurts, his body is healing far too", "the loss of balance without too much description? I want it to cut-cut-cut", "> > A deafening ring resounds. > > > “…ter—stand up, get up,", "him. > > > (Running into him, digging into his flesh, hurting, hurting,", "without too much description? I want it to cut-cut-cut without using \"--\" too", "me if it falls flat or short or confusing. > > Breathe— >", "What—exhale— too bright, too fucking bright—can’t—can’t see— > > Falling. > > Falling", "falls flat or short or confusing. > > Breathe— > > Breathebreathebreathebreathebreathe >", "feel the pain in their screams. He lies on the ground, feeling agony", "I convey that without an obnoxious onomatopoeia? I can imagine it clearly in", "scene from a movie but dang action scenes are difficult for me. But", "> > He can hear the fear in their hearts, and feel the", "white for about 5 seconds and then some after images. How do I", "> > Everything is spinning. > > What the—what’s hap— > > Stop—stop,", "loss of balance without too much description? I want it to cut-cut-cut without", "hard. > > It hurts. > > Everything is spinning. > > What", "agony like a faraway dream. > > And even though it hurts, his", "My character has super-senses, so anything that we feel, see, hear, etc. are", "we feel, see, hear, etc. are heightened for him. So much so that", "in their hearts, and feel the pain in their screams. He lies on", "far too fast to fail him. > > He doesn’t know what to", "> > > He can hear the fear in their hearts, and feel", "> > There are feet running past him. > > > (Running into", "as if it was a scene from a movie but dang action scenes", "by this. Symptoms are loss of balance (b/c it affects the ears), a", "(Running into him, digging into his flesh, hurting, hurting, hurting—) > > >", "though it hurts, his body is healing far too fast to fail him.", "flat or short or confusing. > > Breathe— > > Breathebreathebreathebreathebreathe > >", "> > He can see things, but he doesn’t quite understand why it’s", "it was a scene from a movie but dang action scenes are difficult", "of balance without too much description? I want it to cut-cut-cut without using", "of balance (b/c it affects the ears), a ringing? sound, and only seeing", "heightened for him. So much so that when a flash bomb is set", "dream. > > And even though it hurts, his body is healing far", "action scenes are difficult for me. But I couldn't avoid it and so", "was a scene from a movie but dang action scenes are difficult for", "hurting, hurting—) > > > He can hear the fear in their hearts,", "then some after images. How do I convey the loss of balance without", "some after images. How do I convey the loss of balance without too", "> A deafening ring resounds. > > > “…ter—stand up, get up, please!”", "in my head as if it was a scene from a movie but", "> > > There are feet running past him. > > > (Running", "get up, please!” > > > There are feet running past him. >", "He can hear the fear in their hearts, and feel the pain in", "> > Stop—stop, it hurts, fuckfuckfuck— > > > A deafening ring resounds.", "from a movie but dang action scenes are difficult for me. But I", "body is healing far too fast to fail him. > > He doesn’t", "he is greatly affected by this. Symptoms are loss of balance (b/c it", "example for one of my drafts. Forgive me if it falls flat or", "There are feet running past him. > > > (Running into him, digging", "He doesn’t know what to do. > > He can see things, but", "see, hear, etc. are heightened for him. So much so that when a", "sound, and only seeing white for about 5 seconds and then some after", "too much description? I want it to cut-cut-cut without using \"--\" too much.", "it to cut-cut-cut without using \"--\" too much. The ringing as well. How", "about 5 seconds and then some after images. How do I convey the", "doesn’t know what to do. > > He can see things, but he", "is healing far too fast to fail him. > > He doesn’t know", "Forgive me if it falls flat or short or confusing. > > Breathe—", "He lies on the ground, feeling agony like a faraway dream. > >", "after images. How do I convey the loss of balance without too much", "even though it hurts, his body is healing far too fast to fail", "> > > “…ter—stand up, get up, please!” > > > There are", "see— > > Falling. > > Falling deep. > > Falling hard. >", "bomb is set a few meters from him, he is greatly affected by", "feet running past him. > > > (Running into him, digging into his", "ringing as well. How do I convey that without an obnoxious onomatopoeia? I", "> > > A deafening ring resounds. > > > “…ter—stand up, get", "5 seconds and then some after images. How do I convey the loss", "obnoxious onomatopoeia? I can imagine it clearly in my head as if it", "clearly in my head as if it was a scene from a movie", "anything that we feel, see, hear, etc. are heightened for him. So much", "him. So much so that when a flash bomb is set a few", "I want it to cut-cut-cut without using \"--\" too much. The ringing as", "Breathebreathebreathebreathebreathe > > FUCK! > > What—exhale— too bright, too fucking bright—can’t—can’t see—", "the—what’s hap— > > Stop—stop, it hurts, fuckfuckfuck— > > > A deafening", "if it falls flat or short or confusing. > > Breathe— > >", "> And even though it hurts, his body is healing far too fast", "avoid it and so here. Also, here's an example for one of my", "fast to fail him. > > He doesn’t know what to do. >", "a few meters from him, he is greatly affected by this. Symptoms are", "want it to cut-cut-cut without using \"--\" too much. The ringing as well.", "and so here. Also, here's an example for one of my drafts. Forgive", "can hear the fear in their hearts, and feel the pain in their", "a faraway dream. > > And even though it hurts, his body is", "Falling hard. > > It hurts. > > Everything is spinning. > >", "or short or confusing. > > Breathe— > > Breathebreathebreathebreathebreathe > > FUCK!", "Falling. > > Falling deep. > > Falling hard. > > It hurts.", "a ringing? sound, and only seeing white for about 5 seconds and then", "hurting, hurting, hurting—) > > > He can hear the fear in their", "what to do. > > He can see things, but he doesn’t quite", "images. How do I convey the loss of balance without too much description?", "dang action scenes are difficult for me. But I couldn't avoid it and", "> What—exhale— too bright, too fucking bright—can’t—can’t see— > > Falling. > >", "are feet running past him. > > > (Running into him, digging into", "convey the loss of balance without too much description? I want it to", "difficult for me. But I couldn't avoid it and so here. Also, here's", "seeing white for about 5 seconds and then some after images. How do", "it and so here. Also, here's an example for one of my drafts.", "> Falling. > > Falling deep. > > Falling hard. > > It", "balance (b/c it affects the ears), a ringing? sound, and only seeing white", "the ears), a ringing? sound, and only seeing white for about 5 seconds", "> > It hurts. > > Everything is spinning. > > What the—what’s", "hurting—) > > > He can hear the fear in their hearts, and", "healing far too fast to fail him. > > He doesn’t know what", "from him, he is greatly affected by this. Symptoms are loss of balance", "affected by this. Symptoms are loss of balance (b/c it affects the ears),", "as well. How do I convey that without an obnoxious onomatopoeia? I can", "Falling deep. > > Falling hard. > > It hurts. > > Everything", "How do I convey the loss of balance without too much description? I", "hearts, and feel the pain in their screams. He lies on the ground,", "cut-cut-cut without using \"--\" too much. The ringing as well. How do I", "using \"--\" too much. The ringing as well. How do I convey that", "screams. He lies on the ground, feeling agony like a faraway dream. >", "are heightened for him. So much so that when a flash bomb is", "> FUCK! > > What—exhale— too bright, too fucking bright—can’t—can’t see— > >", "here. Also, here's an example for one of my drafts. Forgive me if", "past him. > > > (Running into him, digging into his flesh, hurting,", "hurts, his body is healing far too fast to fail him. > >", "for me. But I couldn't avoid it and so here. Also, here's an", "few meters from him, he is greatly affected by this. Symptoms are loss", "> > Falling. > > Falling deep. > > Falling hard. > >", "lies on the ground, feeling agony like a faraway dream. > > And", "fear in their hearts, and feel the pain in their screams. He lies", "affects the ears), a ringing? sound, and only seeing white for about 5", "> > He doesn’t know what to do. > > He can see", "well. How do I convey that without an obnoxious onomatopoeia? I can imagine", "> > What the—what’s hap— > > Stop—stop, it hurts, fuckfuckfuck— > >", "an example for one of my drafts. Forgive me if it falls flat", "an obnoxious onomatopoeia? I can imagine it clearly in my head as if", "confusing. > > Breathe— > > Breathebreathebreathebreathebreathe > > FUCK! > > What—exhale—", "a movie but dang action scenes are difficult for me. But I couldn't", "> It hurts. > > Everything is spinning. > > What the—what’s hap—", "my head as if it was a scene from a movie but dang", "are difficult for me. But I couldn't avoid it and so here. Also,", "deafening ring resounds. > > > “…ter—stand up, get up, please!” > >", "> He doesn’t know what to do. > > He can see things,", "much. The ringing as well. How do I convey that without an obnoxious", "much description? I want it to cut-cut-cut without using \"--\" too much. The", "that without an obnoxious onomatopoeia? I can imagine it clearly in my head", "a scene from a movie but dang action scenes are difficult for me.", "me. But I couldn't avoid it and so here. Also, here's an example", "hurts. > > Everything is spinning. > > What the—what’s hap— > >", "here's an example for one of my drafts. Forgive me if it falls", "He can see things, but he doesn’t quite understand why it’s happening. >", "scenes are difficult for me. But I couldn't avoid it and so here.", "him. > > He doesn’t know what to do. > > He can", "that we feel, see, hear, etc. are heightened for him. So much so", "> Breathe— > > Breathebreathebreathebreathebreathe > > FUCK! > > What—exhale— too bright,", "> There are feet running past him. > > > (Running into him,", "couldn't avoid it and so here. Also, here's an example for one of", "digging into his flesh, hurting, hurting, hurting—) > > > He can hear", "running past him. > > > (Running into him, digging into his flesh,", "flesh, hurting, hurting, hurting—) > > > He can hear the fear in", "or confusing. > > Breathe— > > Breathebreathebreathebreathebreathe > > FUCK! > >", "> > FUCK! > > What—exhale— too bright, too fucking bright—can’t—can’t see— >", "> > > (Running into him, digging into his flesh, hurting, hurting, hurting—)", "ringing? sound, and only seeing white for about 5 seconds and then some", "seconds and then some after images. How do I convey the loss of", "so here. Also, here's an example for one of my drafts. Forgive me", "Also, here's an example for one of my drafts. Forgive me if it", "is set a few meters from him, he is greatly affected by this.", "head as if it was a scene from a movie but dang action", "it hurts, fuckfuckfuck— > > > A deafening ring resounds. > > >", "for about 5 seconds and then some after images. How do I convey", "> (Running into him, digging into his flesh, hurting, hurting, hurting—) > >", "if it was a scene from a movie but dang action scenes are", "fail him. > > He doesn’t know what to do. > > He", "movie but dang action scenes are difficult for me. But I couldn't avoid", "pain in their screams. He lies on the ground, feeling agony like a", "greatly affected by this. Symptoms are loss of balance (b/c it affects the", "convey that without an obnoxious onomatopoeia? I can imagine it clearly in my", "imagine it clearly in my head as if it was a scene from", "It hurts. > > Everything is spinning. > > What the—what’s hap— >", "the fear in their hearts, and feel the pain in their screams. He", "like a faraway dream. > > And even though it hurts, his body", "Everything is spinning. > > What the—what’s hap— > > Stop—stop, it hurts,", "to fail him. > > He doesn’t know what to do. > >", "> Falling hard. > > It hurts. > > Everything is spinning. >", "too bright, too fucking bright—can’t—can’t see— > > Falling. > > Falling deep.", "it hurts, his body is healing far too fast to fail him. >", "of my drafts. Forgive me if it falls flat or short or confusing.", "So much so that when a flash bomb is set a few meters", "faraway dream. > > And even though it hurts, his body is healing", "hurts, fuckfuckfuck— > > > A deafening ring resounds. > > > “…ter—stand", "loss of balance (b/c it affects the ears), a ringing? sound, and only", "too fucking bright—can’t—can’t see— > > Falling. > > Falling deep. > >", "set a few meters from him, he is greatly affected by this. Symptoms", "etc. are heightened for him. So much so that when a flash bomb", "it clearly in my head as if it was a scene from a", "their screams. He lies on the ground, feeling agony like a faraway dream.", "ground, feeling agony like a faraway dream. > > And even though it", "Symptoms are loss of balance (b/c it affects the ears), a ringing? sound,", "and feel the pain in their screams. He lies on the ground, feeling", "his flesh, hurting, hurting, hurting—) > > > He can hear the fear", "> > Breathebreathebreathebreathebreathe > > FUCK! > > What—exhale— too bright, too fucking", "up, please!” > > > There are feet running past him. > >", "it falls flat or short or confusing. > > Breathe— > > Breathebreathebreathebreathebreathe", "hear, etc. are heightened for him. So much so that when a flash", "that when a flash bomb is set a few meters from him, he", "> > What—exhale— too bright, too fucking bright—can’t—can’t see— > > Falling. >", "flash bomb is set a few meters from him, he is greatly affected", "are loss of balance (b/c it affects the ears), a ringing? sound, and", "(b/c it affects the ears), a ringing? sound, and only seeing white for", "> > “…ter—stand up, get up, please!” > > > There are feet", "> He can hear the fear in their hearts, and feel the pain", "do I convey the loss of balance without too much description? I want", "> Stop—stop, it hurts, fuckfuckfuck— > > > A deafening ring resounds. >", "him, digging into his flesh, hurting, hurting, hurting—) > > > He can", "> > Breathe— > > Breathebreathebreathebreathebreathe > > FUCK! > > What—exhale— too", "> What the—what’s hap— > > Stop—stop, it hurts, fuckfuckfuck— > > >", "How do I convey that without an obnoxious onomatopoeia? I can imagine it", "ring resounds. > > > “…ter—stand up, get up, please!” > > >", "to do. > > He can see things, but he doesn’t quite understand", "balance without too much description? I want it to cut-cut-cut without using \"--\"", "in their screams. He lies on the ground, feeling agony like a faraway", "super-senses, so anything that we feel, see, hear, etc. are heightened for him.", "when a flash bomb is set a few meters from him, he is", "for him. So much so that when a flash bomb is set a", "FUCK! > > What—exhale— too bright, too fucking bright—can’t—can’t see— > > Falling.", "> “…ter—stand up, get up, please!” > > > There are feet running", "things, but he doesn’t quite understand why it’s happening. > > > etc.", "deep. > > Falling hard. > > It hurts. > > Everything is", "character has super-senses, so anything that we feel, see, hear, etc. are heightened", "Breathe— > > Breathebreathebreathebreathebreathe > > FUCK! > > What—exhale— too bright, too", "feel, see, hear, etc. are heightened for him. So much so that when", "know what to do. > > He can see things, but he doesn’t", "feeling agony like a faraway dream. > > And even though it hurts,", "What the—what’s hap— > > Stop—stop, it hurts, fuckfuckfuck— > > > A", "drafts. Forgive me if it falls flat or short or confusing. > >", "to cut-cut-cut without using \"--\" too much. The ringing as well. How do", "can imagine it clearly in my head as if it was a scene", "> > (Running into him, digging into his flesh, hurting, hurting, hurting—) >" ]
[ "by its villain. 1984 personifies its villain by adding a representative of the", "but in my story, there can be no such person. With this in", "With this in mind, can I build out the world and reality as", "story, there can be no such person. With this in mind, can I", "adding a representative of the oppressor, but in my story, there can be", "is in some ways defined by its villain. 1984 personifies its villain by", "rather, the world and reality are up against her. A good story is", "ways defined by its villain. 1984 personifies its villain by adding a representative", "of the oppressor, but in my story, there can be no such person.", "reality are up against her. A good story is in some ways defined", "representative of the oppressor, but in my story, there can be no such", "main character is up against the world, or, rather, the world and reality", "personifies its villain by adding a representative of the oppressor, but in my", "defined by its villain. 1984 personifies its villain by adding a representative of", "some ways defined by its villain. 1984 personifies its villain by adding a", "villain. 1984 personifies its villain by adding a representative of the oppressor, but", "by adding a representative of the oppressor, but in my story, there can", "its villain. 1984 personifies its villain by adding a representative of the oppressor,", "are up against her. A good story is in some ways defined by", "a representative of the oppressor, but in my story, there can be no", "against the world, or, rather, the world and reality are up against her.", "there can be no such person. With this in mind, can I build", "world, or, rather, the world and reality are up against her. A good", "such person. With this in mind, can I build out the world and", "this in mind, can I build out the world and reality as a", "and reality are up against her. A good story is in some ways", "1984 personifies its villain by adding a representative of the oppressor, but in", "against her. A good story is in some ways defined by its villain.", "person. With this in mind, can I build out the world and reality", "in mind, can I build out the world and reality as a good", "oppressor, but in my story, there can be no such person. With this", "mind, can I build out the world and reality as a good villain?", "her. A good story is in some ways defined by its villain. 1984", "world and reality are up against her. A good story is in some", "its villain by adding a representative of the oppressor, but in my story,", "A good story is in some ways defined by its villain. 1984 personifies", "the world and reality are up against her. A good story is in", "the world, or, rather, the world and reality are up against her. A", "up against the world, or, rather, the world and reality are up against", "can be no such person. With this in mind, can I build out", "be no such person. With this in mind, can I build out the", "My main character is up against the world, or, rather, the world and", "villain by adding a representative of the oppressor, but in my story, there", "is up against the world, or, rather, the world and reality are up", "character is up against the world, or, rather, the world and reality are", "no such person. With this in mind, can I build out the world", "the oppressor, but in my story, there can be no such person. With", "good story is in some ways defined by its villain. 1984 personifies its", "story is in some ways defined by its villain. 1984 personifies its villain", "in some ways defined by its villain. 1984 personifies its villain by adding", "my story, there can be no such person. With this in mind, can", "up against her. A good story is in some ways defined by its", "in my story, there can be no such person. With this in mind,", "or, rather, the world and reality are up against her. A good story" ]
[ "of these in particular) Recently I got an idea for another book—and I", "don’t think that’s a bad thing, I like a break from my other", "and those around me. (I’m working hard to finish one of these in", "putting it on the page, all of the characters I had thought up", "I used to throw out characters and they would have instant chemistry. What", "other story sometimes—and I was super interested in this certain character idea. But...", "I have maybe three or four unfinished projects which house characters whom I", "love, and they’re like little pieces of me and those around me. (I’m", "those around me. (I’m working hard to finish one of these in particular)", "(I’m working hard to finish one of these in particular) Recently I got", "What can I do when this happens with my characters? Perhaps I just", "this happens with my characters? Perhaps I just hit a bad idea and", "pieces of me and those around me. (I’m working hard to finish one", "characters, and for me it’s been the joy of writing for however long", "seemed super unnatural and even unlikeable. I don’t understand why it’s not working.", "with my characters? Perhaps I just hit a bad idea and should throw", "out characters and they would have instant chemistry. What can I do when", "of the characters I had thought up seemed super unnatural and even unlikeable.", "which house characters whom I love, and they’re like little pieces of me", "bad idea and should throw it away? Thanks to anyone who answers or", "characters I had thought up seemed super unnatural and even unlikeable. I don’t", "used to throw out characters and they would have instant chemistry. What can", "and they would have instant chemistry. What can I do when this happens", "long I’ve been doing it. I have maybe three or four unfinished projects", "whom I love, and they’re like little pieces of me and those around", "the joy of writing for however long I’ve been doing it. I have", "all of the characters I had thought up seemed super unnatural and even", "can I do when this happens with my characters? Perhaps I just hit", "I’ve been doing it. I have maybe three or four unfinished projects which", "do when this happens with my characters? Perhaps I just hit a bad", "around me. (I’m working hard to finish one of these in particular) Recently", "idea. But... once I tried putting it on the page, all of the", "it on the page, all of the characters I had thought up seemed", "I tried putting it on the page, all of the characters I had", "don’t understand why it’s not working. I used to throw out characters and", "an idea for another book—and I don’t think that’s a bad thing, I", "in particular) Recently I got an idea for another book—and I don’t think", "I got an idea for another book—and I don’t think that’s a bad", "character idea. But... once I tried putting it on the page, all of", "characters and they would have instant chemistry. What can I do when this", "another book—and I don’t think that’s a bad thing, I like a break", "to finish one of these in particular) Recently I got an idea for", "one of these in particular) Recently I got an idea for another book—and", "story sometimes—and I was super interested in this certain character idea. But... once", "it’s been the joy of writing for however long I’ve been doing it.", "the page, all of the characters I had thought up seemed super unnatural", "they would have instant chemistry. What can I do when this happens with", "little pieces of me and those around me. (I’m working hard to finish", "house characters whom I love, and they’re like little pieces of me and", "super interested in this certain character idea. But... once I tried putting it", "these in particular) Recently I got an idea for another book—and I don’t", "of me and those around me. (I’m working hard to finish one of", "had thought up seemed super unnatural and even unlikeable. I don’t understand why", "tried putting it on the page, all of the characters I had thought", "just hit a bad idea and should throw it away? Thanks to anyone", "me and those around me. (I’m working hard to finish one of these", "once I tried putting it on the page, all of the characters I", "they’re like little pieces of me and those around me. (I’m working hard", "four unfinished projects which house characters whom I love, and they’re like little", "instant chemistry. What can I do when this happens with my characters? Perhaps", "characters? Perhaps I just hit a bad idea and should throw it away?", "writing for however long I’ve been doing it. I have maybe three or", "chemistry. What can I do when this happens with my characters? Perhaps I", "why it’s not working. I used to throw out characters and they would", "understand why it’s not working. I used to throw out characters and they", "unfinished projects which house characters whom I love, and they’re like little pieces", "joy of writing for however long I’ve been doing it. I have maybe", "for however long I’ve been doing it. I have maybe three or four", "Perhaps I just hit a bad idea and should throw it away? Thanks", "from my other story sometimes—and I was super interested in this certain character", "however long I’ve been doing it. I have maybe three or four unfinished", "the characters I had thought up seemed super unnatural and even unlikeable. I", "have maybe three or four unfinished projects which house characters whom I love,", "particular) Recently I got an idea for another book—and I don’t think that’s", "certain character idea. But... once I tried putting it on the page, all", "unlikeable. I don’t understand why it’s not working. I used to throw out", "idea for another book—and I don’t think that’s a bad thing, I like", "would have instant chemistry. What can I do when this happens with my", "or four unfinished projects which house characters whom I love, and they’re like", "interested in this certain character idea. But... once I tried putting it on", "unnatural and even unlikeable. I don’t understand why it’s not working. I used", "three or four unfinished projects which house characters whom I love, and they’re", "and for me it’s been the joy of writing for however long I’ve", "finish one of these in particular) Recently I got an idea for another", "not working. I used to throw out characters and they would have instant", "working. I used to throw out characters and they would have instant chemistry.", "throw out characters and they would have instant chemistry. What can I do", "for another book—and I don’t think that’s a bad thing, I like a", "working hard to finish one of these in particular) Recently I got an", "thing, I like a break from my other story sometimes—and I was super", "been the joy of writing for however long I’ve been doing it. I", "a break from my other story sometimes—and I was super interested in this", "and they’re like little pieces of me and those around me. (I’m working", "I don’t think that’s a bad thing, I like a break from my", "book—and I don’t think that’s a bad thing, I like a break from", "happens with my characters? Perhaps I just hit a bad idea and should", "love creating characters, and for me it’s been the joy of writing for", "even unlikeable. I don’t understand why it’s not working. I used to throw", "I don’t understand why it’s not working. I used to throw out characters", "this certain character idea. But... once I tried putting it on the page,", "think that’s a bad thing, I like a break from my other story", "a bad thing, I like a break from my other story sometimes—and I", "I like a break from my other story sometimes—and I was super interested", "a bad idea and should throw it away? Thanks to anyone who answers", "was super interested in this certain character idea. But... once I tried putting", "been doing it. I have maybe three or four unfinished projects which house", "like little pieces of me and those around me. (I’m working hard to", "page, all of the characters I had thought up seemed super unnatural and", "super unnatural and even unlikeable. I don’t understand why it’s not working. I", "But... once I tried putting it on the page, all of the characters", "projects which house characters whom I love, and they’re like little pieces of", "break from my other story sometimes—and I was super interested in this certain", "I do when this happens with my characters? Perhaps I just hit a", "I had thought up seemed super unnatural and even unlikeable. I don’t understand", "I love creating characters, and for me it’s been the joy of writing", "it. I have maybe three or four unfinished projects which house characters whom", "bad thing, I like a break from my other story sometimes—and I was", "have instant chemistry. What can I do when this happens with my characters?", "hit a bad idea and should throw it away? Thanks to anyone who", "I just hit a bad idea and should throw it away? Thanks to", "when this happens with my characters? Perhaps I just hit a bad idea", "in this certain character idea. But... once I tried putting it on the", "thought up seemed super unnatural and even unlikeable. I don’t understand why it’s", "on the page, all of the characters I had thought up seemed super", "up seemed super unnatural and even unlikeable. I don’t understand why it’s not", "creating characters, and for me it’s been the joy of writing for however", "that’s a bad thing, I like a break from my other story sometimes—and", "of writing for however long I’ve been doing it. I have maybe three", "hard to finish one of these in particular) Recently I got an idea", "I was super interested in this certain character idea. But... once I tried", "characters whom I love, and they’re like little pieces of me and those", "it’s not working. I used to throw out characters and they would have", "like a break from my other story sometimes—and I was super interested in", "sometimes—and I was super interested in this certain character idea. But... once I", "got an idea for another book—and I don’t think that’s a bad thing,", "doing it. I have maybe three or four unfinished projects which house characters", "me it’s been the joy of writing for however long I’ve been doing", "maybe three or four unfinished projects which house characters whom I love, and", "me. (I’m working hard to finish one of these in particular) Recently I", "to throw out characters and they would have instant chemistry. What can I", "Recently I got an idea for another book—and I don’t think that’s a", "for me it’s been the joy of writing for however long I’ve been", "idea and should throw it away? Thanks to anyone who answers or comments.", "I love, and they’re like little pieces of me and those around me.", "my characters? Perhaps I just hit a bad idea and should throw it", "and even unlikeable. I don’t understand why it’s not working. I used to", "my other story sometimes—and I was super interested in this certain character idea." ]
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In my story—so far—I only reveal to the reader", "include those scenes with other characters actions that the child can't see, and", "place the reader in a car parked outside an apartment to show two", "the child is having a phone conversation with his dad. But when he", "after the kid leaves the room and the character sets down the phone", "point of view is it if I never do that? On another note:", "reader what the main character, a child, can see/hear. Not often, but at", "it one?). I might also want to extend scene after the kid leaves", "I have to find some way (which is very contrived at this point)", "the child walking in the building. I would only show their dialogue and", "outside). What is the point of view if I talk about what he", "down any road. So far, there is no scene outside the child’s vision.", "there were only 1 or 2 of these moments, but what if I", "child can’t hear. Or, for another example, place the reader in a car", "about with another character. If I do this, what might be a technique", "(when is it one?). I might also want to extend scene after the", "another example, place the reader in a car parked outside an apartment to", "the only child and hear and see, that of course is possible, and", "road. So far, there is no scene outside the child’s vision. I had", "he talked about with another character. If I do this, what might be", "to be in the child’s head to know these things (maybe “noticed” could", "character. If I do this, what might be a technique for doing this", "a car parked outside an apartment to show two other characters noticing the", "my story—so far—I only reveal to the reader what the main character, a", "to give that additional conversation info to the reader. If I can continue", "the child can’t hear. Or, for another example, place the reader in a", "scene after the kid leaves the room and the character sets down the", "and what is it if I never do? (And just to be sure", "that of course is possible, and could be interesting, but, it’s severely limiting.", "if I talk about what he wondered or thought or what something looked", "do it more often (but still not very often)? Example: In one scene", "other character’s heads. What point of view is this if I include those", "2 of these moments, but what if I want to do it more", "to him, and what point of view is it if I never do", "understand, what is the point of view if at times, I include what", "the conversation, that would be helpful, but I don’t want to make a", "him like”… In these cases I would have to be in the child’s", "in the child’s head to know these things (maybe “noticed” could be ascertained", "things (maybe “noticed” could be ascertained from the outside). What is the point", "far, there is no scene outside the child’s vision. I had a couple", "if I never do? (And just to be sure I understand, what is", "I stick to describing scenes that the only child and hear and see,", "at no time would I get into any other character’s heads. What point", "I've been reading about it online, but still can't seem to apply it", "write that the child “wondered” or he “noticed” or “they looked to him", "that the child “wondered” or he “noticed” or “they looked to him like”…", "phone back to another character, it would be convenient to keep hearing the", "down the phone and discusses what he talked about with another character. If", "scene outside the child’s vision. I had a couple but I cut them", "to know these things (maybe “noticed” could be ascertained from the outside). What", "examples? I really appreciate the clarification as I've been reading about it online,", "If I do this, what might be a technique for doing this effectively", "had a couple but I cut them on the advice that it might", "or “they looked to him like”… In these cases I would have to", "I would only show their dialogue and actions, but at no time would", "have to be in the child’s head to know these things (maybe “noticed”", "to figure this out before I go too far down any road. So", "sets down the phone and discusses what he talked about with another character.", "if there were only 1 or 2 of these moments, but what if", "a phone conversation that the child can’t hear. Or, for another example, place", "describing scenes that the only child and hear and see, that of course", "phone conversation with his dad. But when he hands the phone back to", "however, where it would be expedient to show what’s going on in, for", "like”… In these cases I would have to be in the child’s head", "just to be sure I understand, what is the point of view if", "that the child can't see, and what is it if I never do?", "or he “noticed” or “they looked to him like”… In these cases I", "“wondered” or he “noticed” or “they looked to him like”… In these cases", "the reader. If I can continue with the conversation, that would be helpful,", "this point) to give that additional conversation info to the reader. If I", "never do? (And just to be sure I understand, what is the point", "apartment to show two other characters noticing the child walking in the building.", "thinking?) If I stick to describing scenes that the only child and hear", "trying to figure this out before I go too far down any road.", "I can continue with the conversation, that would be helpful, but I don’t", "him, and what point of view is it if I never do that?", "this if I include those scenes with other characters actions that the child", "the reader what the main character, a child, can see/hear. Not often, but", "I get into any other character’s heads. What point of view is this", "Or, for another example, place the reader in a car parked outside an", "scenes that the only child and hear and see, that of course is", "walking in the building. I would only show their dialogue and actions, but", "in, for example, a phone conversation that the child can’t hear. Or, for", "any road. So far, there is no scene outside the child’s vision. I", "do that? On another note: There are occasional points in the story, however,", "phone and discusses what he talked about with another character. If I do", "no scene outside the child’s vision. I had a couple but I cut", "moments, but what if I want to do it more often (but still", "view. In my story—so far—I only reveal to the reader what the main", "left the room). If I stick to only the child’s point of view,", "of view if I talk about what he wondered or thought or what", "those scenes with other characters actions that the child can't see, and what", "I write that the child “wondered” or he “noticed” or “they looked to", "often)? Example: In one scene the child is having a phone conversation with", "reader in a car parked outside an apartment to show two other characters", "what is the point of view if at times, I include what another", "to the reader. If I can continue with the conversation, that would be", "go too far down any road. So far, there is no scene outside", "is no scene outside the child’s vision. I had a couple but I", "(maybe “noticed” could be ascertained from the outside). What is the point of", "to make a POV mistake (when is it one?). I might also want", "with another character. If I do this, what might be a technique for", "where it would be expedient to show what’s going on in, for example,", "the point of view if at times, I include what another character is", "I’m confused about point of view. In my story—so far—I only reveal to", "to keep hearing the conversation between the dad and the other character (but", "what if I want to do it more often (but still not very", "far down any road. So far, there is no scene outside the child’s", "and discusses what he talked about with another character. If I do this,", "stick to only the child’s point of view, then I can't show this", "the point of view if I talk about what he wondered or thought", "too far down any road. So far, there is no scene outside the", "cases I would have to be in the child’s head to know these", "I had a couple but I cut them on the advice that it", "include what another character is thinking?) If I stick to describing scenes that", "appreciate the clarification as I've been reading about it online, but still can't", "would only show their dialogue and actions, but at no time would I", "and do you have examples? I really appreciate the clarification as I've been", "times, I include what another character is thinking?) If I stick to describing", "and could be interesting, but, it’s severely limiting. So I’m stuck trying to", "the other character (but the child can’t hear any it because he left", "view if I talk about what he wondered or thought or what something", "hear any it because he left the room). If I stick to only", "child’s head to know these things (maybe “noticed” could be ascertained from the", "building. I would only show their dialogue and actions, but at no time", "get into any other character’s heads. What point of view is this if", "often, but at times, I write that the child “wondered” or he “noticed”", "it because he left the room). If I stick to only the child’s", "effectively and do you have examples? I really appreciate the clarification as I've", "from the outside). What is the point of view if I talk about", "it would be convenient to keep hearing the conversation between the dad and", "If I can continue with the conversation, that would be helpful, but I" ]
[ "expressions. Someone joked that I had no shame in paraphrasing. Is this poor", "author's quote and I do like expressions. Someone joked that I had no", "a situation will suit a well known author's quote and I do like", "I had no shame in paraphrasing. Is this poor form and if so", "do like expressions. Someone joked that I had no shame in paraphrasing. Is", "will suit a well known author's quote and I do like expressions. Someone", "situation will suit a well known author's quote and I do like expressions.", "had no shame in paraphrasing. Is this poor form and if so why?", "Someone joked that I had no shame in paraphrasing. Is this poor form", "known author's quote and I do like expressions. Someone joked that I had", "suit a well known author's quote and I do like expressions. Someone joked", "quote and I do like expressions. Someone joked that I had no shame", "well known author's quote and I do like expressions. Someone joked that I", "I do like expressions. Someone joked that I had no shame in paraphrasing.", "joked that I had no shame in paraphrasing. Is this poor form and", "like expressions. Someone joked that I had no shame in paraphrasing. Is this", "that I had no shame in paraphrasing. Is this poor form and if", "and I do like expressions. Someone joked that I had no shame in", "Sometimes a situation will suit a well known author's quote and I do", "a well known author's quote and I do like expressions. Someone joked that" ]
[ "dialogue to tell a story. Without a plot I have been criticized of", "not make sense. I do not use much dialogue in the stories, but", "I have been criticized of not having written a story, but something that", "not having written a story, but something that does not make sense. I", "characters in the story and they do exchange words. These stories are between", "of not having written a story, but something that does not make sense.", "Without a plot I have been criticized of not having written a story,", "to use conventions such as plot or dialogue to tell a story. Without", "such as plot or dialogue to tell a story. Without a plot I", "want people to understand what I write, but I do not want to", "that does not make sense. I do not use much dialogue in the", "plot or dialogue to tell a story. Without a plot I have been", "to tell a story. Without a plot I have been criticized of not", "plot I have been criticized of not having written a story, but something", "as plot or dialogue to tell a story. Without a plot I have", "there are characters in the story and they do exchange words. These stories", "what I write, but I do not want to use conventions such as", "story, but something that does not make sense. I do not use much", "in the story and they do exchange words. These stories are between 400", "story and they do exchange words. These stories are between 400 - 1200", "I do not want to use conventions such as plot or dialogue to", "I do not use much dialogue in the stories, but there are characters", "or dialogue to tell a story. Without a plot I have been criticized", "write, but I do not want to use conventions such as plot or", "in the stories, but there are characters in the story and they do", "conventions such as plot or dialogue to tell a story. Without a plot", "the stories, but there are characters in the story and they do exchange", "criticized of not having written a story, but something that does not make", "not want to use conventions such as plot or dialogue to tell a", "does not make sense. I do not use much dialogue in the stories,", "been criticized of not having written a story, but something that does not", "a story, but something that does not make sense. I do not use", "much dialogue in the stories, but there are characters in the story and", "story. Without a plot I have been criticized of not having written a", "I want people to understand what I write, but I do not want", "a plot I have been criticized of not having written a story, but", "use conventions such as plot or dialogue to tell a story. Without a", "not use much dialogue in the stories, but there are characters in the", "something that does not make sense. I do not use much dialogue in", "use much dialogue in the stories, but there are characters in the story", "the story and they do exchange words. These stories are between 400 -", "and they do exchange words. These stories are between 400 - 1200 words.", "want to use conventions such as plot or dialogue to tell a story.", "but there are characters in the story and they do exchange words. These", "having written a story, but something that does not make sense. I do", "dialogue in the stories, but there are characters in the story and they", "tell a story. Without a plot I have been criticized of not having", "understand what I write, but I do not want to use conventions such", "do not use much dialogue in the stories, but there are characters in", "are characters in the story and they do exchange words. These stories are", "to understand what I write, but I do not want to use conventions", "people to understand what I write, but I do not want to use", "I write, but I do not want to use conventions such as plot", "sense. I do not use much dialogue in the stories, but there are", "stories, but there are characters in the story and they do exchange words.", "a story. Without a plot I have been criticized of not having written", "written a story, but something that does not make sense. I do not", "but something that does not make sense. I do not use much dialogue", "make sense. I do not use much dialogue in the stories, but there", "but I do not want to use conventions such as plot or dialogue", "do not want to use conventions such as plot or dialogue to tell", "have been criticized of not having written a story, but something that does" ]
[ "actual writing, and I'm wondering if that's because I chose to develop my", "in my head, developing their personalities, mapping out their interpersonal relationships, and, my", "them in my head, developing their personalities, mapping out their interpersonal relationships, and,", "versa. What I'm asking is, is crafting characters before plot a bad choice?", "had a loose idea of plot, I began sculpting my characters before writing", "personal favorite, searching for people on Google images who look exactly like the", "are all essential parts of how I develop my characters. However, I'm having", "chose to develop my characters before my storyline, and, as consequence, I am", "I am molding my plot to fit my characters, not vice versa. What", "my characters before writing anything. Creating images of them in my head, developing", "I'm wondering if that's because I chose to develop my characters before my", "their interpersonal relationships, and, my personal favorite, searching for people on Google images", "and although I had a loose idea of plot, I began sculpting my", "my characters, not vice versa. What I'm asking is, is crafting characters before", "if that's because I chose to develop my characters before my storyline, and,", "develop my characters before my storyline, and, as consequence, I am molding my", "fantasy story, and although I had a loose idea of plot, I began", "who look exactly like the person in my head, are all essential parts", "of plot, I began sculpting my characters before writing anything. Creating images of", "writing anything. Creating images of them in my head, developing their personalities, mapping", "before writing anything. Creating images of them in my head, developing their personalities,", "anything. Creating images of them in my head, developing their personalities, mapping out", "exactly like the person in my head, are all essential parts of how", "head, developing their personalities, mapping out their interpersonal relationships, and, my personal favorite,", "developing their personalities, mapping out their interpersonal relationships, and, my personal favorite, searching", "Which one is usually created first, and which one is most objectively better", "look exactly like the person in my head, are all essential parts of", "idea of plot, I began sculpting my characters before writing anything. Creating images", "asking is, is crafting characters before plot a bad choice? Which one is", "of trouble getting started in the actual writing, and I'm wondering if that's", "because I chose to develop my characters before my storyline, and, as consequence,", "and, as consequence, I am molding my plot to fit my characters, not", "However, I'm having a bit of trouble getting started in the actual writing,", "usually created first, and which one is most objectively better to start with?", "favorite, searching for people on Google images who look exactly like the person", "head, are all essential parts of how I develop my characters. However, I'm", "that's because I chose to develop my characters before my storyline, and, as", "interpersonal relationships, and, my personal favorite, searching for people on Google images who", "fit my characters, not vice versa. What I'm asking is, is crafting characters", "all essential parts of how I develop my characters. However, I'm having a", "my characters. However, I'm having a bit of trouble getting started in the", "my personal favorite, searching for people on Google images who look exactly like", "people on Google images who look exactly like the person in my head,", "personalities, mapping out their interpersonal relationships, and, my personal favorite, searching for people", "and I'm wondering if that's because I chose to develop my characters before", "searching for people on Google images who look exactly like the person in", "for people on Google images who look exactly like the person in my", "in my head, are all essential parts of how I develop my characters.", "person in my head, are all essential parts of how I develop my", "started in the actual writing, and I'm wondering if that's because I chose", "plot a bad choice? Which one is usually created first, and which one", "new fantasy story, and although I had a loose idea of plot, I", "is usually created first, and which one is most objectively better to start", "Google images who look exactly like the person in my head, are all", "am molding my plot to fit my characters, not vice versa. What I'm", "before plot a bad choice? Which one is usually created first, and which", "to fit my characters, not vice versa. What I'm asking is, is crafting", "the person in my head, are all essential parts of how I develop", "characters before writing anything. Creating images of them in my head, developing their", "molding my plot to fit my characters, not vice versa. What I'm asking", "starting a new fantasy story, and although I had a loose idea of", "of how I develop my characters. However, I'm having a bit of trouble", "not vice versa. What I'm asking is, is crafting characters before plot a", "mapping out their interpersonal relationships, and, my personal favorite, searching for people on", "I chose to develop my characters before my storyline, and, as consequence, I", "choice? Which one is usually created first, and which one is most objectively", "their personalities, mapping out their interpersonal relationships, and, my personal favorite, searching for", "my characters before my storyline, and, as consequence, I am molding my plot", "a bit of trouble getting started in the actual writing, and I'm wondering", "I had a loose idea of plot, I began sculpting my characters before", "on Google images who look exactly like the person in my head, are", "trouble getting started in the actual writing, and I'm wondering if that's because", "one is usually created first, and which one is most objectively better to", "I'm having a bit of trouble getting started in the actual writing, and", "loose idea of plot, I began sculpting my characters before writing anything. Creating", "of them in my head, developing their personalities, mapping out their interpersonal relationships,", "although I had a loose idea of plot, I began sculpting my characters", "a bad choice? Which one is usually created first, and which one is", "is, is crafting characters before plot a bad choice? Which one is usually", "like the person in my head, are all essential parts of how I", "essential parts of how I develop my characters. However, I'm having a bit", "plot to fit my characters, not vice versa. What I'm asking is, is", "having a bit of trouble getting started in the actual writing, and I'm", "to develop my characters before my storyline, and, as consequence, I am molding", "characters before plot a bad choice? Which one is usually created first, and", "my storyline, and, as consequence, I am molding my plot to fit my", "and, my personal favorite, searching for people on Google images who look exactly", "writing, and I'm wondering if that's because I chose to develop my characters", "the actual writing, and I'm wondering if that's because I chose to develop", "consequence, I am molding my plot to fit my characters, not vice versa.", "sculpting my characters before writing anything. Creating images of them in my head,", "began sculpting my characters before writing anything. Creating images of them in my", "What I'm asking is, is crafting characters before plot a bad choice? Which", "story, and although I had a loose idea of plot, I began sculpting", "I began sculpting my characters before writing anything. Creating images of them in", "storyline, and, as consequence, I am molding my plot to fit my characters,", "Creating images of them in my head, developing their personalities, mapping out their", "a new fantasy story, and although I had a loose idea of plot,", "my plot to fit my characters, not vice versa. What I'm asking is,", "a loose idea of plot, I began sculpting my characters before writing anything.", "plot, I began sculpting my characters before writing anything. Creating images of them", "I'm starting a new fantasy story, and although I had a loose idea", "I'm asking is, is crafting characters before plot a bad choice? Which one", "how I develop my characters. However, I'm having a bit of trouble getting", "wondering if that's because I chose to develop my characters before my storyline,", "before my storyline, and, as consequence, I am molding my plot to fit", "as consequence, I am molding my plot to fit my characters, not vice", "bad choice? Which one is usually created first, and which one is most", "parts of how I develop my characters. However, I'm having a bit of", "characters. However, I'm having a bit of trouble getting started in the actual", "images who look exactly like the person in my head, are all essential", "getting started in the actual writing, and I'm wondering if that's because I", "my head, are all essential parts of how I develop my characters. However,", "in the actual writing, and I'm wondering if that's because I chose to", "develop my characters. However, I'm having a bit of trouble getting started in", "crafting characters before plot a bad choice? Which one is usually created first,", "characters before my storyline, and, as consequence, I am molding my plot to", "my head, developing their personalities, mapping out their interpersonal relationships, and, my personal", "out their interpersonal relationships, and, my personal favorite, searching for people on Google", "relationships, and, my personal favorite, searching for people on Google images who look", "vice versa. What I'm asking is, is crafting characters before plot a bad", "I develop my characters. However, I'm having a bit of trouble getting started", "characters, not vice versa. What I'm asking is, is crafting characters before plot", "is crafting characters before plot a bad choice? Which one is usually created", "bit of trouble getting started in the actual writing, and I'm wondering if", "images of them in my head, developing their personalities, mapping out their interpersonal" ]
[ "2. I mention that my country's army has \"some connections with Japan\" and", "shoots up Mongolian illegal immigrants at the border. Edit: To clarify, I do", "the border. Edit: To clarify, I do not have intentions of insulting countries,", "cut a part of China, so it is located between Russia, Mongolia and", "border. Edit: To clarify, I do not have intentions of insulting countries, just", "the question so it will sound like this: Can I assign fictional slightly", "not have intentions of insulting countries, just want to write what would be", "Can I assign fictional slightly negative traits to countries from real world in", "cases have been bothering me and I'm not sure if it's legal to", "3. I mention that my country's army shoots up Mongolian illegal immigrants at", "me and I'm not sure if it's legal to write this because it", "I mention that my country's army shoots up Mongolian illegal immigrants at the", "immigrants at the border. Edit: To clarify, I do not have intentions of", "have been bothering me and I'm not sure if it's legal to write", "of insulting countries, just want to write what would be suitable for my", "am writing a visual novel and use a fictional country in \"real-world\" setting.", "located between Russia, Mongolia and China. 2. I mention that my country's army", "had to cut a part of China, so it is located between Russia,", "live in Russia. Edit: I can rephrase the question so it will sound", "use a fictional country in \"real-world\" setting. Some cases have been bothering me", "suits. Also I live in Russia. Edit: I can rephrase the question so", "if it's legal to write this because it might be insulting(?): 1. To", "part of China, so it is located between Russia, Mongolia and China. 2.", "bothering me and I'm not sure if it's legal to write this because", "mention that my country's army shoots up Mongolian illegal immigrants at the border.", "in \"real-world\" setting. Some cases have been bothering me and I'm not sure", "to write what would be suitable for my story and am afraid of", "would be suitable for my story and am afraid of law suits. Also", "write what would be suitable for my story and am afraid of law", "afraid of law suits. Also I live in Russia. Edit: I can rephrase", "it's legal to write this because it might be insulting(?): 1. To place", "a part of China, so it is located between Russia, Mongolia and China.", "fictional country in \"real-world\" setting. Some cases have been bothering me and I'm", "Edit: To clarify, I do not have intentions of insulting countries, just want", "Edit: I can rephrase the question so it will sound like this: Can", "this because it might be insulting(?): 1. To place my country I had", "might be insulting(?): 1. To place my country I had to cut a", "be suitable for my story and am afraid of law suits. Also I", "this: Can I assign fictional slightly negative traits to countries from real world", "and China. 2. I mention that my country's army has \"some connections with", "connections with Japan\" and recruits children from there. 3. I mention that my", "be insulting(?): 1. To place my country I had to cut a part", "want to write what would be suitable for my story and am afraid", "am afraid of law suits. Also I live in Russia. Edit: I can", "up Mongolian illegal immigrants at the border. Edit: To clarify, I do not", "is located between Russia, Mongolia and China. 2. I mention that my country's", "setting. Some cases have been bothering me and I'm not sure if it's", "I am writing a visual novel and use a fictional country in \"real-world\"", "story and am afraid of law suits. Also I live in Russia. Edit:", "my country's army shoots up Mongolian illegal immigrants at the border. Edit: To", "has \"some connections with Japan\" and recruits children from there. 3. I mention", "army has \"some connections with Japan\" and recruits children from there. 3. I", "rephrase the question so it will sound like this: Can I assign fictional", "law suits. Also I live in Russia. Edit: I can rephrase the question", "of China, so it is located between Russia, Mongolia and China. 2. I", "it is located between Russia, Mongolia and China. 2. I mention that my", "so it will sound like this: Can I assign fictional slightly negative traits", "just want to write what would be suitable for my story and am", "Russia. Edit: I can rephrase the question so it will sound like this:", "writing a visual novel and use a fictional country in \"real-world\" setting. Some", "visual novel and use a fictional country in \"real-world\" setting. Some cases have", "for my story and am afraid of law suits. Also I live in", "children from there. 3. I mention that my country's army shoots up Mongolian", "do not have intentions of insulting countries, just want to write what would", "1. To place my country I had to cut a part of China,", "to write this because it might be insulting(?): 1. To place my country", "and am afraid of law suits. Also I live in Russia. Edit: I", "country I had to cut a part of China, so it is located", "clarify, I do not have intentions of insulting countries, just want to write", "China, so it is located between Russia, Mongolia and China. 2. I mention", "my country I had to cut a part of China, so it is", "write this because it might be insulting(?): 1. To place my country I", "sure if it's legal to write this because it might be insulting(?): 1.", "insulting countries, just want to write what would be suitable for my story", "a fictional country in \"real-world\" setting. Some cases have been bothering me and", "and use a fictional country in \"real-world\" setting. Some cases have been bothering", "To place my country I had to cut a part of China, so", "intentions of insulting countries, just want to write what would be suitable for", "countries, just want to write what would be suitable for my story and", "like this: Can I assign fictional slightly negative traits to countries from real", "insulting(?): 1. To place my country I had to cut a part of", "place my country I had to cut a part of China, so it", "what would be suitable for my story and am afraid of law suits.", "Russia, Mongolia and China. 2. I mention that my country's army has \"some", "sound like this: Can I assign fictional slightly negative traits to countries from", "suitable for my story and am afraid of law suits. Also I live", "been bothering me and I'm not sure if it's legal to write this", "assign fictional slightly negative traits to countries from real world in my fictional", "country's army shoots up Mongolian illegal immigrants at the border. Edit: To clarify,", "\"some connections with Japan\" and recruits children from there. 3. I mention that", "mention that my country's army has \"some connections with Japan\" and recruits children", "illegal immigrants at the border. Edit: To clarify, I do not have intentions", "and recruits children from there. 3. I mention that my country's army shoots", "Japan\" and recruits children from there. 3. I mention that my country's army", "there. 3. I mention that my country's army shoots up Mongolian illegal immigrants", "my story and am afraid of law suits. Also I live in Russia.", "country's army has \"some connections with Japan\" and recruits children from there. 3.", "army shoots up Mongolian illegal immigrants at the border. Edit: To clarify, I", "Some cases have been bothering me and I'm not sure if it's legal", "I live in Russia. Edit: I can rephrase the question so it will", "between Russia, Mongolia and China. 2. I mention that my country's army has", "To clarify, I do not have intentions of insulting countries, just want to", "and I'm not sure if it's legal to write this because it might", "can rephrase the question so it will sound like this: Can I assign", "fictional slightly negative traits to countries from real world in my fictional world?", "Mongolian illegal immigrants at the border. Edit: To clarify, I do not have", "at the border. Edit: To clarify, I do not have intentions of insulting", "I mention that my country's army has \"some connections with Japan\" and recruits", "I can rephrase the question so it will sound like this: Can I", "to cut a part of China, so it is located between Russia, Mongolia", "novel and use a fictional country in \"real-world\" setting. Some cases have been", "not sure if it's legal to write this because it might be insulting(?):", "I assign fictional slightly negative traits to countries from real world in my", "it will sound like this: Can I assign fictional slightly negative traits to", "because it might be insulting(?): 1. To place my country I had to", "I do not have intentions of insulting countries, just want to write what", "so it is located between Russia, Mongolia and China. 2. I mention that", "my country's army has \"some connections with Japan\" and recruits children from there.", "that my country's army has \"some connections with Japan\" and recruits children from", "Also I live in Russia. Edit: I can rephrase the question so it", "have intentions of insulting countries, just want to write what would be suitable", "from there. 3. I mention that my country's army shoots up Mongolian illegal", "that my country's army shoots up Mongolian illegal immigrants at the border. Edit:", "legal to write this because it might be insulting(?): 1. To place my", "of law suits. Also I live in Russia. Edit: I can rephrase the", "China. 2. I mention that my country's army has \"some connections with Japan\"", "recruits children from there. 3. I mention that my country's army shoots up", "country in \"real-world\" setting. Some cases have been bothering me and I'm not", "\"real-world\" setting. Some cases have been bothering me and I'm not sure if", "with Japan\" and recruits children from there. 3. I mention that my country's", "Mongolia and China. 2. I mention that my country's army has \"some connections", "it might be insulting(?): 1. To place my country I had to cut", "question so it will sound like this: Can I assign fictional slightly negative", "in Russia. Edit: I can rephrase the question so it will sound like", "I had to cut a part of China, so it is located between", "I'm not sure if it's legal to write this because it might be", "will sound like this: Can I assign fictional slightly negative traits to countries", "a visual novel and use a fictional country in \"real-world\" setting. Some cases" ]
[ "terminology to use. My main character is in the equivalent of 7th grade", "call it Year 8, which might be confusing to my directed audience. Should", "to use. My main character is in the equivalent of 7th grade but", "don't know what terminology to use. My main character is in the equivalent", "the equivalent of 7th grade but in England they would call it Year", "am writing a book that is set in England, but because I would", "which might be confusing to my directed audience. Should I stick with American", "the book published in America I don't know what terminology to use. My", "book published in America I don't know what terminology to use. My main", "of 7th grade but in England they would call it Year 8, which", "would get the book published in America I don't know what terminology to", "in America I don't know what terminology to use. My main character is", "is in the equivalent of 7th grade but in England they would call", "might be confusing to my directed audience. Should I stick with American terminology", "be confusing to my directed audience. Should I stick with American terminology or", "in the equivalent of 7th grade but in England they would call it", "in England, but because I would get the book published in America I", "My main character is in the equivalent of 7th grade but in England", "because I would get the book published in America I don't know what", "confusing to my directed audience. Should I stick with American terminology or use", "use. My main character is in the equivalent of 7th grade but in", "8, which might be confusing to my directed audience. Should I stick with", "it Year 8, which might be confusing to my directed audience. Should I", "main character is in the equivalent of 7th grade but in England they", "to my directed audience. Should I stick with American terminology or use English", "7th grade but in England they would call it Year 8, which might", "know what terminology to use. My main character is in the equivalent of", "England, but because I would get the book published in America I don't", "character is in the equivalent of 7th grade but in England they would", "a book that is set in England, but because I would get the", "they would call it Year 8, which might be confusing to my directed", "grade but in England they would call it Year 8, which might be", "England they would call it Year 8, which might be confusing to my", "is set in England, but because I would get the book published in", "America I don't know what terminology to use. My main character is in", "I am writing a book that is set in England, but because I", "my directed audience. Should I stick with American terminology or use English ones?", "but in England they would call it Year 8, which might be confusing", "Year 8, which might be confusing to my directed audience. Should I stick", "that is set in England, but because I would get the book published", "get the book published in America I don't know what terminology to use.", "published in America I don't know what terminology to use. My main character", "book that is set in England, but because I would get the book", "in England they would call it Year 8, which might be confusing to", "would call it Year 8, which might be confusing to my directed audience.", "writing a book that is set in England, but because I would get", "equivalent of 7th grade but in England they would call it Year 8,", "set in England, but because I would get the book published in America", "what terminology to use. My main character is in the equivalent of 7th", "but because I would get the book published in America I don't know", "I would get the book published in America I don't know what terminology", "I don't know what terminology to use. My main character is in the" ]
[ "appropriate to claim this endeavor as an autobiography of an inanimate object, when", "an inanimate object, when it seems like a first-person perspective of the same?", "discussing the life story (fictional/non-fictional) of an inanimate object (like a brick not", "claim this endeavor as an autobiography of an inanimate object, when it seems", "story (fictional/non-fictional) of an inanimate object (like a brick not AI), is it", "AI), is it appropriate to claim this endeavor as an autobiography of an", "endeavor as an autobiography of an inanimate object, when it seems like a", "of an inanimate object (like a brick not AI), is it appropriate to", "an inanimate object (like a brick not AI), is it appropriate to claim", "this endeavor as an autobiography of an inanimate object, when it seems like", "is it appropriate to claim this endeavor as an autobiography of an inanimate", "the life story (fictional/non-fictional) of an inanimate object (like a brick not AI),", "(like a brick not AI), is it appropriate to claim this endeavor as", "a brick not AI), is it appropriate to claim this endeavor as an", "it appropriate to claim this endeavor as an autobiography of an inanimate object,", "as an autobiography of an inanimate object, when it seems like a first-person", "When discussing the life story (fictional/non-fictional) of an inanimate object (like a brick", "not AI), is it appropriate to claim this endeavor as an autobiography of", "of an inanimate object, when it seems like a first-person perspective of the", "(fictional/non-fictional) of an inanimate object (like a brick not AI), is it appropriate", "to claim this endeavor as an autobiography of an inanimate object, when it", "object (like a brick not AI), is it appropriate to claim this endeavor", "brick not AI), is it appropriate to claim this endeavor as an autobiography", "an autobiography of an inanimate object, when it seems like a first-person perspective", "autobiography of an inanimate object, when it seems like a first-person perspective of", "life story (fictional/non-fictional) of an inanimate object (like a brick not AI), is", "inanimate object (like a brick not AI), is it appropriate to claim this" ]
[ "topic or have the right of it. Socrates, I believe, recommended hearing opposing", "everyone in our path. Most of us don't want to offend people -", "people - that's as it should be. But suppose I have a story", "have a story element in mind. To what extent should I make sure", "there some sort of balance? I have my own answer to this, but", "offense? Obviously, I do not argue here that we should deliberately hurt everyone", "it even be a priority - making it inoffensive? Suppose it does offend", "extent should we fear giving offense with what we write? To what extent", "give offense? Obviously, I do not argue here that we should deliberately hurt", "I do not argue here that we should deliberately hurt everyone in our", "deliberately hurt everyone in our path. Most of us don't want to offend", "story element in mind. To what extent should I make sure it doesn't", "fear giving offense with what we write? To what extent should we, as", "have sparked some measure of disagreement, which is what I wanted to examine", "is what I wanted to examine here. To what extent should we fear", "should deliberately hurt everyone in our path. Most of us don't want to", "I fully understand the topic or have the right of it. Socrates, I", "argue here that we should deliberately hurt everyone in our path. Most of", "wanted to examine here. To what extent should we fear giving offense with", "as writers, actively seek not to give offense? Obviously, I do not argue", "us don't want to offend people - that's as it should be. But", "Obviously, I do not argue here that we should deliberately hurt everyone in", "it mean I have to change that story element? Is there some sort", "own answer to this, but I'm curious what others think. For one thing,", "even be a priority - making it inoffensive? Suppose it does offend someone", "For one thing, I'm not sure I fully understand the topic or have", "not sure I fully understand the topic or have the right of it.", "want to offend people - that's as it should be. But suppose I", "have to change that story element? Is there some sort of balance? I", "mind. To what extent should I make sure it doesn't offend anyone? To", "Recently we have seen multiple questions on various aspects of political correctness. They", "have the right of it. Socrates, I believe, recommended hearing opposing arguments for", "to give offense? Obviously, I do not argue here that we should deliberately", "write? To what extent should we, as writers, actively seek not to give", "examine here. To what extent should we fear giving offense with what we", "the topic or have the right of it. Socrates, I believe, recommended hearing", "as it should be. But suppose I have a story element in mind.", "which is what I wanted to examine here. To what extent should we", "Socrates, I believe, recommended hearing opposing arguments for the purpose of finding truth.", "responsibility? To what extent should it even be a priority - making it", "it does offend someone - does it mean I have to change that", "should we, as writers, actively seek not to give offense? Obviously, I do", "I'm curious what others think. For one thing, I'm not sure I fully", "offend someone - does it mean I have to change that story element?", "To what extent should we fear giving offense with what we write? To", "it inoffensive? Suppose it does offend someone - does it mean I have", "I have my own answer to this, but I'm curious what others think.", "making it inoffensive? Suppose it does offend someone - does it mean I", "of it. Socrates, I believe, recommended hearing opposing arguments for the purpose of", "balance? I have my own answer to this, but I'm curious what others", "others think. For one thing, I'm not sure I fully understand the topic", "seek not to give offense? Obviously, I do not argue here that we", "or have the right of it. Socrates, I believe, recommended hearing opposing arguments", "to examine here. To what extent should we fear giving offense with what", "is it my responsibility? To what extent should it even be a priority", "on various aspects of political correctness. They have sparked some measure of disagreement,", "do not argue here that we should deliberately hurt everyone in our path.", "I have to change that story element? Is there some sort of balance?", "questions on various aspects of political correctness. They have sparked some measure of", "think. For one thing, I'm not sure I fully understand the topic or", "it my responsibility? To what extent should it even be a priority -", "what I wanted to examine here. To what extent should we fear giving", "measure of disagreement, which is what I wanted to examine here. To what", "element? Is there some sort of balance? I have my own answer to", "should be. But suppose I have a story element in mind. To what", "correctness. They have sparked some measure of disagreement, which is what I wanted", "should we fear giving offense with what we write? To what extent should", "should I make sure it doesn't offend anyone? To what extent is it", "mean I have to change that story element? Is there some sort of", "- making it inoffensive? Suppose it does offend someone - does it mean", "I wanted to examine here. To what extent should we fear giving offense", "don't want to offend people - that's as it should be. But suppose", "what we write? To what extent should we, as writers, actively seek not", "it. Socrates, I believe, recommended hearing opposing arguments for the purpose of finding", "sort of balance? I have my own answer to this, but I'm curious", "understand the topic or have the right of it. Socrates, I believe, recommended", "right of it. Socrates, I believe, recommended hearing opposing arguments for the purpose", "extent should it even be a priority - making it inoffensive? Suppose it", "offense with what we write? To what extent should we, as writers, actively", "- does it mean I have to change that story element? Is there", "sure it doesn't offend anyone? To what extent is it my responsibility? To", "it should be. But suppose I have a story element in mind. To", "my responsibility? To what extent should it even be a priority - making", "Suppose it does offend someone - does it mean I have to change", "in our path. Most of us don't want to offend people - that's", "make sure it doesn't offend anyone? To what extent is it my responsibility?", "not argue here that we should deliberately hurt everyone in our path. Most", "that story element? Is there some sort of balance? I have my own", "offend people - that's as it should be. But suppose I have a", "what extent should we fear giving offense with what we write? To what", "we should deliberately hurt everyone in our path. Most of us don't want", "But suppose I have a story element in mind. To what extent should", "it doesn't offend anyone? To what extent is it my responsibility? To what", "sure I fully understand the topic or have the right of it. Socrates,", "the right of it. Socrates, I believe, recommended hearing opposing arguments for the", "have my own answer to this, but I'm curious what others think. For", "but I'm curious what others think. For one thing, I'm not sure I", "anyone? To what extent is it my responsibility? To what extent should it", "I'm not sure I fully understand the topic or have the right of", "actively seek not to give offense? Obviously, I do not argue here that", "some measure of disagreement, which is what I wanted to examine here. To", "To what extent should we, as writers, actively seek not to give offense?", "priority - making it inoffensive? Suppose it does offend someone - does it", "of disagreement, which is what I wanted to examine here. To what extent", "someone - does it mean I have to change that story element? Is", "should it even be a priority - making it inoffensive? Suppose it does", "to offend people - that's as it should be. But suppose I have", "seen multiple questions on various aspects of political correctness. They have sparked some", "a priority - making it inoffensive? Suppose it does offend someone - does", "I have a story element in mind. To what extent should I make", "Most of us don't want to offend people - that's as it should", "have seen multiple questions on various aspects of political correctness. They have sparked", "my own answer to this, but I'm curious what others think. For one", "not to give offense? Obviously, I do not argue here that we should", "multiple questions on various aspects of political correctness. They have sparked some measure", "inoffensive? Suppose it does offend someone - does it mean I have to", "this, but I'm curious what others think. For one thing, I'm not sure", "to change that story element? Is there some sort of balance? I have", "to this, but I'm curious what others think. For one thing, I'm not", "what extent should we, as writers, actively seek not to give offense? Obviously,", "answer to this, but I'm curious what others think. For one thing, I'm", "Is there some sort of balance? I have my own answer to this,", "here. To what extent should we fear giving offense with what we write?", "we have seen multiple questions on various aspects of political correctness. They have", "one thing, I'm not sure I fully understand the topic or have the", "some sort of balance? I have my own answer to this, but I'm", "political correctness. They have sparked some measure of disagreement, which is what I", "suppose I have a story element in mind. To what extent should I", "offend anyone? To what extent is it my responsibility? To what extent should", "- that's as it should be. But suppose I have a story element", "of political correctness. They have sparked some measure of disagreement, which is what", "various aspects of political correctness. They have sparked some measure of disagreement, which", "writers, actively seek not to give offense? Obviously, I do not argue here", "To what extent is it my responsibility? To what extent should it even", "sparked some measure of disagreement, which is what I wanted to examine here.", "change that story element? Is there some sort of balance? I have my", "what extent should it even be a priority - making it inoffensive? Suppose", "hurt everyone in our path. Most of us don't want to offend people", "does offend someone - does it mean I have to change that story", "thing, I'm not sure I fully understand the topic or have the right", "a story element in mind. To what extent should I make sure it", "what others think. For one thing, I'm not sure I fully understand the", "here that we should deliberately hurt everyone in our path. Most of us", "path. Most of us don't want to offend people - that's as it", "disagreement, which is what I wanted to examine here. To what extent should", "fully understand the topic or have the right of it. Socrates, I believe,", "of us don't want to offend people - that's as it should be.", "element in mind. To what extent should I make sure it doesn't offend", "of balance? I have my own answer to this, but I'm curious what", "giving offense with what we write? To what extent should we, as writers,", "be a priority - making it inoffensive? Suppose it does offend someone -", "aspects of political correctness. They have sparked some measure of disagreement, which is", "we, as writers, actively seek not to give offense? Obviously, I do not", "They have sparked some measure of disagreement, which is what I wanted to", "extent is it my responsibility? To what extent should it even be a", "curious what others think. For one thing, I'm not sure I fully understand", "that's as it should be. But suppose I have a story element in", "what extent is it my responsibility? To what extent should it even be", "that we should deliberately hurt everyone in our path. Most of us don't", "be. But suppose I have a story element in mind. To what extent", "extent should we, as writers, actively seek not to give offense? Obviously, I", "what extent should I make sure it doesn't offend anyone? To what extent", "in mind. To what extent should I make sure it doesn't offend anyone?", "extent should I make sure it doesn't offend anyone? To what extent is", "doesn't offend anyone? To what extent is it my responsibility? To what extent", "To what extent should I make sure it doesn't offend anyone? To what", "story element? Is there some sort of balance? I have my own answer", "we fear giving offense with what we write? To what extent should we,", "I make sure it doesn't offend anyone? To what extent is it my", "To what extent should it even be a priority - making it inoffensive?", "with what we write? To what extent should we, as writers, actively seek", "we write? To what extent should we, as writers, actively seek not to", "does it mean I have to change that story element? Is there some", "our path. Most of us don't want to offend people - that's as" ]
[ "(a fox and a rabbit) were in a relationship, would that be really", "as an example. If the main characters (a fox and a rabbit) were", "give much thought to it. I’ll use Zootopia as an example. If the", "weird or if people wouldn’t give much thought to it. I’ll use Zootopia", "wouldn’t give much thought to it. I’ll use Zootopia as an example. If", "an example. If the main characters (a fox and a rabbit) were in", "or if people wouldn’t give much thought to it. I’ll use Zootopia as", "much thought to it. I’ll use Zootopia as an example. If the main", "example. If the main characters (a fox and a rabbit) were in a", "to it. I’ll use Zootopia as an example. If the main characters (a", "I’m wondering whether it’s totally weird or if people wouldn’t give much thought", "Zootopia as an example. If the main characters (a fox and a rabbit)", "whether it’s totally weird or if people wouldn’t give much thought to it.", "characters (a fox and a rabbit) were in a relationship, would that be", "main characters (a fox and a rabbit) were in a relationship, would that", "the main characters (a fox and a rabbit) were in a relationship, would", "fox and a rabbit) were in a relationship, would that be really off", "if people wouldn’t give much thought to it. I’ll use Zootopia as an", "If the main characters (a fox and a rabbit) were in a relationship,", "wondering whether it’s totally weird or if people wouldn’t give much thought to", "totally weird or if people wouldn’t give much thought to it. I’ll use", "people wouldn’t give much thought to it. I’ll use Zootopia as an example.", "it’s totally weird or if people wouldn’t give much thought to it. I’ll", "use Zootopia as an example. If the main characters (a fox and a", "thought to it. I’ll use Zootopia as an example. If the main characters", "Basically I’m wondering whether it’s totally weird or if people wouldn’t give much", "it. I’ll use Zootopia as an example. If the main characters (a fox", "and a rabbit) were in a relationship, would that be really off putting?", "I’ll use Zootopia as an example. If the main characters (a fox and" ]
[ "their names, they remember how the world works and retain their physical skills,", "to (accidentally) cause the amnesia in the protagonist and his allies, and that's", "a bad cliché used to avoid some of the background work of creating", "I feel amnesia in fiction is usually a bad cliché used to avoid", "is a real problem that real people have to deal with, but this", "involved. I intend for all of the amnesiacs to have fully realized histories", "but I don't have those histories created yet. On realism and offense: This", "the typical trope - the characters might remember their names, they remember how", "something interesting and engaging for your audience? How do you avoid making your", "this same \"interesting vs cliché\" problem. How do you make the character's amnesia", "I intend for all of the amnesiacs to have fully realized histories that", "to avoid some of the background work of creating a character's family, friends,", "more interested in plot considerations than character considerations. Examples of successful properties are", "avoid making your audience groan? What kind of problems do you throw at", "up down the road, but I don't have those histories created yet. On", "\"interesting vs cliché\" problem. How do you make the character's amnesia something interesting", "may recover it over time, but may not) I am not overly concerned", "audience? How do you avoid making your audience groan? What kind of problems", "and is more aimed at entertainment than education. I do not intend to", "an amnesiac character before, and struggled with this same \"interesting vs cliché\" problem.", "amnesia according to the typical trope - the characters might remember their names,", "deal with, but this story is not about that, and is more aimed", "How do you avoid making your audience groan? What kind of problems do", "heroes? I'm more interested in plot considerations than character considerations. Examples of successful", "have to deal with, but this story is not about that, and is", "character before, and struggled with this same \"interesting vs cliché\" problem. How do", "vs cliché\" problem. How do you make the character's amnesia something interesting and", "names, they remember how the world works and retain their physical skills, but", "(accidentally) cause the amnesia in the protagonist and his allies, and that's what", "amnesia something interesting and engaging for your audience? How do you avoid making", "I'm more interested in plot considerations than character considerations. Examples of successful properties", "than education. I do not intend to offend anyone - I'm just not", "cause the amnesia in the protagonist and his allies, and that's what causes", "works and retain their physical skills, but they don't remember their past. (They", "and retain their physical skills, but they don't remember their past. (They may", "the background work of creating a character's family, friends, hometown, career, etc. Ideally,", "recover it over time, but may not) I am not overly concerned with", "not) I am not overly concerned with medical accuracy - this is magic,", "How do you make the character's amnesia something interesting and engaging for your", "that I feel amnesia in fiction is usually a bad cliché used to", "of successful properties are appreciated. Why I'm using amnesia: My big bad has", "that may or may not come up down the road, but I don't", "interesting and engaging for your audience? How do you avoid making your audience", "groan? What kind of problems do you throw at your heroes? I'm more", "retrograde amnesia according to the typical trope - the characters might remember their", "with medical accuracy - this is magic, after all. I am aware that", "with, but this story is not about that, and is more aimed at", "and that's what causes them to become involved. I intend for all of", "is magically-induced retrograde amnesia according to the typical trope - the characters might", "I'm writing for an amnesiac protagonist, in spite of the fact that I", "before, and struggled with this same \"interesting vs cliché\" problem. How do you", "hometown, career, etc. Ideally, I'd like to hear an answer from someone who", "This is magically-induced retrograde amnesia according to the typical trope - the characters", "avoid some of the background work of creating a character's family, friends, hometown,", "his allies, and that's what causes them to become involved. I intend for", "may or may not come up down the road, but I don't have", "an amnesiac protagonist, in spite of the fact that I feel amnesia in", "they remember how the world works and retain their physical skills, but they", "remember their past. (They may recover it over time, but may not) I", "do you throw at your heroes? I'm more interested in plot considerations than", "over time, but may not) I am not overly concerned with medical accuracy", "do you avoid making your audience groan? What kind of problems do you", "the protagonist and his allies, and that's what causes them to become involved.", "not overly concerned with medical accuracy - this is magic, after all. I", "problem. How do you make the character's amnesia something interesting and engaging for", "a real problem that real people have to deal with, but this story", "their physical skills, but they don't remember their past. (They may recover it", "someone who has written an amnesiac character before, and struggled with this same", "and offense: This is magically-induced retrograde amnesia according to the typical trope -", "cliché\" problem. How do you make the character's amnesia something interesting and engaging", "magic to (accidentally) cause the amnesia in the protagonist and his allies, and", "but they don't remember their past. (They may recover it over time, but", "people have to deal with, but this story is not about that, and", "have fully realized histories that may or may not come up down the", "same \"interesting vs cliché\" problem. How do you make the character's amnesia something", "protagonist and his allies, and that's what causes them to become involved. I", "causes them to become involved. I intend for all of the amnesiacs to", "intend for all of the amnesiacs to have fully realized histories that may", "more aimed at entertainment than education. I do not intend to offend anyone", "problems do you throw at your heroes? I'm more interested in plot considerations", "realized histories that may or may not come up down the road, but", "Examples of successful properties are appreciated. Why I'm using amnesia: My big bad", "What kind of problems do you throw at your heroes? I'm more interested", "that's what causes them to become involved. I intend for all of the", "they don't remember their past. (They may recover it over time, but may", "the character's amnesia something interesting and engaging for your audience? How do you", "feel amnesia in fiction is usually a bad cliché used to avoid some", "is not about that, and is more aimed at entertainment than education. I", "usually a bad cliché used to avoid some of the background work of", "in fiction is usually a bad cliché used to avoid some of the", "all. I am aware that amnesia is a real problem that real people", "at entertainment than education. I do not intend to offend anyone - I'm", "yet. On realism and offense: This is magically-induced retrograde amnesia according to the", "with this same \"interesting vs cliché\" problem. How do you make the character's", "after all. I am aware that amnesia is a real problem that real", "character's amnesia something interesting and engaging for your audience? How do you avoid", "I'm using amnesia: My big bad has used magic to (accidentally) cause the", "problem that real people have to deal with, but this story is not", "writing for an amnesiac protagonist, in spite of the fact that I feel", "background work of creating a character's family, friends, hometown, career, etc. Ideally, I'd", "I am not overly concerned with medical accuracy - this is magic, after", "real problem that real people have to deal with, but this story is", "to offend anyone - I'm just not aiming for that kind of depth", "family, friends, hometown, career, etc. Ideally, I'd like to hear an answer from", "amnesia in fiction is usually a bad cliché used to avoid some of", "considerations. Examples of successful properties are appreciated. Why I'm using amnesia: My big", "has used magic to (accidentally) cause the amnesia in the protagonist and his", "become involved. I intend for all of the amnesiacs to have fully realized", "entertainment than education. I do not intend to offend anyone - I'm just", "some of the background work of creating a character's family, friends, hometown, career,", "what causes them to become involved. I intend for all of the amnesiacs", "creating a character's family, friends, hometown, career, etc. Ideally, I'd like to hear", "the characters might remember their names, they remember how the world works and", "properties are appreciated. Why I'm using amnesia: My big bad has used magic", "- this is magic, after all. I am aware that amnesia is a", "of the fact that I feel amnesia in fiction is usually a bad", "amnesiac protagonist, in spite of the fact that I feel amnesia in fiction", "throw at your heroes? I'm more interested in plot considerations than character considerations.", "your audience? How do you avoid making your audience groan? What kind of", "your heroes? I'm more interested in plot considerations than character considerations. Examples of", "to the typical trope - the characters might remember their names, they remember", "and his allies, and that's what causes them to become involved. I intend", "histories that may or may not come up down the road, but I", "not about that, and is more aimed at entertainment than education. I do", "at your heroes? I'm more interested in plot considerations than character considerations. Examples", "of the amnesiacs to have fully realized histories that may or may not", "My big bad has used magic to (accidentally) cause the amnesia in the", "all of the amnesiacs to have fully realized histories that may or may", "realism and offense: This is magically-induced retrograde amnesia according to the typical trope", "retain their physical skills, but they don't remember their past. (They may recover", "kind of problems do you throw at your heroes? I'm more interested in", "- the characters might remember their names, they remember how the world works", "that amnesia is a real problem that real people have to deal with,", "story is not about that, and is more aimed at entertainment than education.", "trope - the characters might remember their names, they remember how the world", "this story is not about that, and is more aimed at entertainment than", "bad cliché used to avoid some of the background work of creating a", "overly concerned with medical accuracy - this is magic, after all. I am", "for all of the amnesiacs to have fully realized histories that may or", "how the world works and retain their physical skills, but they don't remember", "you avoid making your audience groan? What kind of problems do you throw", "aimed at entertainment than education. I do not intend to offend anyone -", "magically-induced retrograde amnesia according to the typical trope - the characters might remember", "not intend to offend anyone - I'm just not aiming for that kind", "amnesiac character before, and struggled with this same \"interesting vs cliché\" problem. How", "that real people have to deal with, but this story is not about", "you throw at your heroes? I'm more interested in plot considerations than character", "fully realized histories that may or may not come up down the road,", "Ideally, I'd like to hear an answer from someone who has written an", "remember their names, they remember how the world works and retain their physical", "from someone who has written an amnesiac character before, and struggled with this", "the amnesia in the protagonist and his allies, and that's what causes them", "in the protagonist and his allies, and that's what causes them to become", "audience groan? What kind of problems do you throw at your heroes? I'm", "fiction is usually a bad cliché used to avoid some of the background", "used to avoid some of the background work of creating a character's family,", "etc. Ideally, I'd like to hear an answer from someone who has written", "are appreciated. Why I'm using amnesia: My big bad has used magic to", "the road, but I don't have those histories created yet. On realism and", "their past. (They may recover it over time, but may not) I am", "successful properties are appreciated. Why I'm using amnesia: My big bad has used", "characters might remember their names, they remember how the world works and retain", "about that, and is more aimed at entertainment than education. I do not", "(They may recover it over time, but may not) I am not overly", "intend to offend anyone - I'm just not aiming for that kind of", "for an amnesiac protagonist, in spite of the fact that I feel amnesia", "histories created yet. On realism and offense: This is magically-induced retrograde amnesia according", "the fact that I feel amnesia in fiction is usually a bad cliché", "physical skills, but they don't remember their past. (They may recover it over", "may not come up down the road, but I don't have those histories", "don't have those histories created yet. On realism and offense: This is magically-induced", "is usually a bad cliché used to avoid some of the background work", "than character considerations. Examples of successful properties are appreciated. Why I'm using amnesia:", "using amnesia: My big bad has used magic to (accidentally) cause the amnesia", "I don't have those histories created yet. On realism and offense: This is", "hear an answer from someone who has written an amnesiac character before, and", "is magic, after all. I am aware that amnesia is a real problem", "am aware that amnesia is a real problem that real people have to", "of the background work of creating a character's family, friends, hometown, career, etc.", "written an amnesiac character before, and struggled with this same \"interesting vs cliché\"", "but this story is not about that, and is more aimed at entertainment", "an answer from someone who has written an amnesiac character before, and struggled", "skills, but they don't remember their past. (They may recover it over time,", "in spite of the fact that I feel amnesia in fiction is usually", "have those histories created yet. On realism and offense: This is magically-induced retrograde", "struggled with this same \"interesting vs cliché\" problem. How do you make the", "I do not intend to offend anyone - I'm just not aiming for", "you make the character's amnesia something interesting and engaging for your audience? How", "offend anyone - I'm just not aiming for that kind of depth here.", "magic, after all. I am aware that amnesia is a real problem that", "medical accuracy - this is magic, after all. I am aware that amnesia", "concerned with medical accuracy - this is magic, after all. I am aware", "plot considerations than character considerations. Examples of successful properties are appreciated. Why I'm", "offense: This is magically-induced retrograde amnesia according to the typical trope - the", "of creating a character's family, friends, hometown, career, etc. Ideally, I'd like to", "a character's family, friends, hometown, career, etc. Ideally, I'd like to hear an", "On realism and offense: This is magically-induced retrograde amnesia according to the typical", "it over time, but may not) I am not overly concerned with medical", "making your audience groan? What kind of problems do you throw at your", "accuracy - this is magic, after all. I am aware that amnesia is", "do you make the character's amnesia something interesting and engaging for your audience?", "fact that I feel amnesia in fiction is usually a bad cliché used", "friends, hometown, career, etc. Ideally, I'd like to hear an answer from someone", "for your audience? How do you avoid making your audience groan? What kind", "road, but I don't have those histories created yet. On realism and offense:", "world works and retain their physical skills, but they don't remember their past.", "am not overly concerned with medical accuracy - this is magic, after all.", "I am aware that amnesia is a real problem that real people have", "real people have to deal with, but this story is not about that,", "cliché used to avoid some of the background work of creating a character's", "in plot considerations than character considerations. Examples of successful properties are appreciated. Why", "and struggled with this same \"interesting vs cliché\" problem. How do you make", "come up down the road, but I don't have those histories created yet.", "and engaging for your audience? How do you avoid making your audience groan?", "interested in plot considerations than character considerations. Examples of successful properties are appreciated.", "allies, and that's what causes them to become involved. I intend for all", "created yet. On realism and offense: This is magically-induced retrograde amnesia according to", "according to the typical trope - the characters might remember their names, they", "but may not) I am not overly concerned with medical accuracy - this", "amnesiacs to have fully realized histories that may or may not come up", "might remember their names, they remember how the world works and retain their", "make the character's amnesia something interesting and engaging for your audience? How do", "to have fully realized histories that may or may not come up down", "this is magic, after all. I am aware that amnesia is a real", "down the road, but I don't have those histories created yet. On realism", "may not) I am not overly concerned with medical accuracy - this is", "career, etc. Ideally, I'd like to hear an answer from someone who has", "time, but may not) I am not overly concerned with medical accuracy -", "to deal with, but this story is not about that, and is more", "that, and is more aimed at entertainment than education. I do not intend", "I'd like to hear an answer from someone who has written an amnesiac", "considerations than character considerations. Examples of successful properties are appreciated. Why I'm using", "appreciated. Why I'm using amnesia: My big bad has used magic to (accidentally)", "amnesia in the protagonist and his allies, and that's what causes them to", "to become involved. I intend for all of the amnesiacs to have fully", "who has written an amnesiac character before, and struggled with this same \"interesting", "the amnesiacs to have fully realized histories that may or may not come", "typical trope - the characters might remember their names, they remember how the", "education. I do not intend to offend anyone - I'm just not aiming", "bad has used magic to (accidentally) cause the amnesia in the protagonist and", "big bad has used magic to (accidentally) cause the amnesia in the protagonist", "is more aimed at entertainment than education. I do not intend to offend", "used magic to (accidentally) cause the amnesia in the protagonist and his allies,", "don't remember their past. (They may recover it over time, but may not)", "or may not come up down the road, but I don't have those", "amnesia is a real problem that real people have to deal with, but", "not come up down the road, but I don't have those histories created", "remember how the world works and retain their physical skills, but they don't", "work of creating a character's family, friends, hometown, career, etc. Ideally, I'd like", "spite of the fact that I feel amnesia in fiction is usually a", "has written an amnesiac character before, and struggled with this same \"interesting vs", "Why I'm using amnesia: My big bad has used magic to (accidentally) cause", "past. (They may recover it over time, but may not) I am not", "of problems do you throw at your heroes? I'm more interested in plot", "aware that amnesia is a real problem that real people have to deal", "those histories created yet. On realism and offense: This is magically-induced retrograde amnesia", "your audience groan? What kind of problems do you throw at your heroes?", "amnesia: My big bad has used magic to (accidentally) cause the amnesia in", "them to become involved. I intend for all of the amnesiacs to have", "do not intend to offend anyone - I'm just not aiming for that", "answer from someone who has written an amnesiac character before, and struggled with", "the world works and retain their physical skills, but they don't remember their", "engaging for your audience? How do you avoid making your audience groan? What", "to hear an answer from someone who has written an amnesiac character before,", "character's family, friends, hometown, career, etc. Ideally, I'd like to hear an answer", "protagonist, in spite of the fact that I feel amnesia in fiction is", "character considerations. Examples of successful properties are appreciated. Why I'm using amnesia: My", "like to hear an answer from someone who has written an amnesiac character" ]
[ "that I know the real definitions, I'm averse to using these words. I", "look up the exact definition for \"pyromancy\" or \"necromancy\" they refer to divination", "If you look up the exact definition for \"pyromancy\" or \"necromancy\" they refer", "use something to the effect of \"pyromagus\" and \"necromagus\". But I'm afraid of", "\"Hey wait. That's not the right word. The right word is pyromancy! Not", "their brain will go \"Hey wait. That's not the right word. The right", "to the effect of \"pyromagus\" and \"necromagus\". But I'm afraid of creating a", "I would use something to the effect of \"pyromagus\" and \"necromagus\". But I'm", "magic\" and \"death magic\". I'm considering including these magics in my books. Except,", "those words mean, they would simply say \"fire magic\" and \"death magic\". I'm", "to ask a layperson what those words mean, they would simply say \"fire", "refer to divination using fire and the dead, respectively. However, if you were", "mean, they would simply say \"fire magic\" and \"death magic\". I'm considering including", "\"pyromagus\" and their brain will go \"Hey wait. That's not the right word.", "books. Except, now that I know the real definitions, I'm averse to using", "magic\". I'm considering including these magics in my books. Except, now that I", "would use something to the effect of \"pyromagus\" and \"necromagus\". But I'm afraid", "or \"necromancy\" they refer to divination using fire and the dead, respectively. However,", "right word. The right word is pyromancy! Not pyromagus.\" I'm just conflicted as", "definition for \"pyromancy\" or \"necromancy\" they refer to divination using fire and the", "\"necromagus\". But I'm afraid of creating a disconnect with the reader. They might", "I'm considering including these magics in my books. Except, now that I know", "word is pyromancy! Not pyromagus.\" I'm just conflicted as to whether I should", "a layperson what those words mean, they would simply say \"fire magic\" and", "pyromancy! Not pyromagus.\" I'm just conflicted as to whether I should use my", "considering including these magics in my books. Except, now that I know the", "pyromagus.\" I'm just conflicted as to whether I should use my own words,", "But I'm afraid of creating a disconnect with the reader. They might read", "effect of \"pyromagus\" and \"necromagus\". But I'm afraid of creating a disconnect with", "afraid of creating a disconnect with the reader. They might read the word", "words. I would use something to the effect of \"pyromagus\" and \"necromagus\". But", "I know the real definitions, I'm averse to using these words. I would", "the exact definition for \"pyromancy\" or \"necromancy\" they refer to divination using fire", "simply say \"fire magic\" and \"death magic\". I'm considering including these magics in", "I'm just conflicted as to whether I should use my own words, or", "ask a layperson what those words mean, they would simply say \"fire magic\"", "will go \"Hey wait. That's not the right word. The right word is", "you look up the exact definition for \"pyromancy\" or \"necromancy\" they refer to", "and \"death magic\". I'm considering including these magics in my books. Except, now", "using these words. I would use something to the effect of \"pyromagus\" and", "dead, respectively. However, if you were to ask a layperson what those words", "words mean, they would simply say \"fire magic\" and \"death magic\". I'm considering", "I'm averse to using these words. I would use something to the effect", "a disconnect with the reader. They might read the word \"pyromagus\" and their", "the effect of \"pyromagus\" and \"necromagus\". But I'm afraid of creating a disconnect", "and their brain will go \"Hey wait. That's not the right word. The", "divination using fire and the dead, respectively. However, if you were to ask", "in my books. Except, now that I know the real definitions, I'm averse", "including these magics in my books. Except, now that I know the real", "up the exact definition for \"pyromancy\" or \"necromancy\" they refer to divination using", "they refer to divination using fire and the dead, respectively. However, if you", "say \"fire magic\" and \"death magic\". I'm considering including these magics in my", "of \"pyromagus\" and \"necromagus\". But I'm afraid of creating a disconnect with the", "word \"pyromagus\" and their brain will go \"Hey wait. That's not the right", "conflicted as to whether I should use my own words, or stick to", "would simply say \"fire magic\" and \"death magic\". I'm considering including these magics", "not the right word. The right word is pyromancy! Not pyromagus.\" I'm just", "know the real definitions, I'm averse to using these words. I would use", "\"death magic\". I'm considering including these magics in my books. Except, now that", "definitions, I'm averse to using these words. I would use something to the", "to divination using fire and the dead, respectively. However, if you were to", "The right word is pyromancy! Not pyromagus.\" I'm just conflicted as to whether", "they would simply say \"fire magic\" and \"death magic\". I'm considering including these", "disconnect with the reader. They might read the word \"pyromagus\" and their brain", "to using these words. I would use something to the effect of \"pyromagus\"", "\"pyromancy\" or \"necromancy\" they refer to divination using fire and the dead, respectively.", "They might read the word \"pyromagus\" and their brain will go \"Hey wait.", "brain will go \"Hey wait. That's not the right word. The right word", "to whether I should use my own words, or stick to the traditional", "fire and the dead, respectively. However, if you were to ask a layperson", "my books. Except, now that I know the real definitions, I'm averse to", "\"fire magic\" and \"death magic\". I'm considering including these magics in my books.", "the real definitions, I'm averse to using these words. I would use something", "read the word \"pyromagus\" and their brain will go \"Hey wait. That's not", "Except, now that I know the real definitions, I'm averse to using these", "now that I know the real definitions, I'm averse to using these words.", "wait. That's not the right word. The right word is pyromancy! Not pyromagus.\"", "something to the effect of \"pyromagus\" and \"necromagus\". But I'm afraid of creating", "for \"pyromancy\" or \"necromancy\" they refer to divination using fire and the dead,", "real definitions, I'm averse to using these words. I would use something to", "whether I should use my own words, or stick to the traditional words.", "using fire and the dead, respectively. However, if you were to ask a", "averse to using these words. I would use something to the effect of", "layperson what those words mean, they would simply say \"fire magic\" and \"death", "I'm afraid of creating a disconnect with the reader. They might read the", "and the dead, respectively. However, if you were to ask a layperson what", "However, if you were to ask a layperson what those words mean, they", "\"pyromagus\" and \"necromagus\". But I'm afraid of creating a disconnect with the reader.", "That's not the right word. The right word is pyromancy! Not pyromagus.\" I'm", "if you were to ask a layperson what those words mean, they would", "these words. I would use something to the effect of \"pyromagus\" and \"necromagus\".", "magics in my books. Except, now that I know the real definitions, I'm", "you were to ask a layperson what those words mean, they would simply", "were to ask a layperson what those words mean, they would simply say", "the right word. The right word is pyromancy! Not pyromagus.\" I'm just conflicted", "the dead, respectively. However, if you were to ask a layperson what those", "just conflicted as to whether I should use my own words, or stick", "reader. They might read the word \"pyromagus\" and their brain will go \"Hey", "creating a disconnect with the reader. They might read the word \"pyromagus\" and", "might read the word \"pyromagus\" and their brain will go \"Hey wait. That's", "Not pyromagus.\" I'm just conflicted as to whether I should use my own", "the word \"pyromagus\" and their brain will go \"Hey wait. That's not the", "of creating a disconnect with the reader. They might read the word \"pyromagus\"", "with the reader. They might read the word \"pyromagus\" and their brain will", "as to whether I should use my own words, or stick to the", "\"necromancy\" they refer to divination using fire and the dead, respectively. However, if", "exact definition for \"pyromancy\" or \"necromancy\" they refer to divination using fire and", "what those words mean, they would simply say \"fire magic\" and \"death magic\".", "right word is pyromancy! Not pyromagus.\" I'm just conflicted as to whether I", "respectively. However, if you were to ask a layperson what those words mean,", "and \"necromagus\". But I'm afraid of creating a disconnect with the reader. They", "these magics in my books. Except, now that I know the real definitions,", "is pyromancy! Not pyromagus.\" I'm just conflicted as to whether I should use", "word. The right word is pyromancy! Not pyromagus.\" I'm just conflicted as to", "go \"Hey wait. That's not the right word. The right word is pyromancy!", "the reader. They might read the word \"pyromagus\" and their brain will go" ]
[ "a definition about what is an event and what is a beat. A", "is both a point of life's character and something that causes change: after", "Plot Structure\" and so on. With this point of view in mind, is", "process). --- [1] MCKEE.R. Story. Itbooks, New York, 1997. [2] <https://en.wikipedia.org/wiki/Boan_(filmmaking)> (\\) Then", "point of view in mind, is almost like beat and event are synonyms", "with character (like an cup of glass fell from the top of an", "Itbooks, New York, 1997. [2] <https://en.wikipedia.org/wiki/Boan_(filmmaking)> (\\) Then we have the notion of", "[1]. But, the definition of \"beat\" given by [1] maybe can causing me", "event are synonyms or an event is a more heuristic concept. So, what", "New York, 1997. [2] <https://en.wikipedia.org/wiki/Boan_(filmmaking)> (\\) Then we have the notion of a", "structure: \"Stories are divided into Acts, Acts into Sequences, Sequences into Scenes, and", "a Story event: the one which deals specifically with the character and an", "manual is [1]. But, the definition of \"beat\" given by [1] maybe can", "glass fell from the top of an table and smashed to the ground).", "a point of life's character and something that causes change: after an event", "is something that catalyzes the conflict (external or internal) between the character and", "are divided into Acts, Acts into Sequences, Sequences into Scenes, and Scenes into", "A beat is something that catalyzes the conflict (external or internal) between the", "character and something that causes change: after an event occurrence the character's life", "are synonyms or an event is a more heuristic concept. So, what is", "beat. A event is something which, naively speaking, is both a point of", "event\" (or just an event) that do not deals with character (like an", "between and Boan and an Event?( In particular on BOOK AND SHORT STORY", "A beat is something that compose an Scene: Events+beats = scenes. A beat", "Then we have the notion of a Story event: the one which deals", "definition of \"beat\" given by [1] maybe can causing me some confusion. In", "York, 1997. [2] <https://en.wikipedia.org/wiki/Boan_(filmmaking)> (\\) Then we have the notion of a Story", "(\\) Then we have the notion of a Story event: the one which", "channels gives us something similar like videos entitled \"The Boan Plot Structure\" and", "a \"fine tuning\" (i.e. you can add beats to introduce,for example, tension into", "an Event?( In particular on BOOK AND SHORT STORY writing process). --- [1]", "which deals specifically with the character and an \"trivial event\" (or just an", "and so on. With this point of view in mind, is almost like", "the character's life is changed (\\). A beat is something that compose an", "to introduce,for example, tension into an not-so-interesting original scene) for the great change", "compose an Scene: Events+beats = scenes. A beat is something that catalyzes the", "tuning\" (i.e. you can add beats to introduce,for example, tension into an not-so-interesting", "\"Stories are divided into Acts, Acts into Sequences, Sequences into Scenes, and Scenes", "some confusion. In [1] we have a definition about what is an event", "like videos entitled \"The Boan Plot Structure\" and so on. With this point", "an event is a more heuristic concept. So, what is the difference between", "can add beats to introduce,for example, tension into an not-so-interesting original scene) for", "an event) that do not deals with character (like an cup of glass", "something that compose an Scene: Events+beats = scenes. A beat is something that", "the definition of \"beat\" given by [1] maybe can causing me some confusion.", "the conflict (external or internal) between the character and the world. Futhermore a", "do not deals with character (like an cup of glass fell from the", "one which deals specifically with the character and an \"trivial event\" (or just", "gives us something similar like videos entitled \"The Boan Plot Structure\" and so", "the one which deals specifically with the character and an \"trivial event\" (or", "an \"trivial event\" (or just an event) that do not deals with character", "for the great change of the scene. But accordingly to source [2] the", "something that gives you a \"fine tuning\" (i.e. you can add beats to", "Story. Itbooks, New York, 1997. [2] <https://en.wikipedia.org/wiki/Boan_(filmmaking)> (\\) Then we have the notion", "into Scenes, and Scenes into Boans\" And also some youtube channels gives us", "some youtube channels gives us something similar like videos entitled \"The Boan Plot", "on. With this point of view in mind, is almost like beat and", "the character and an \"trivial event\" (or just an event) that do not", "My main source of research about storytelling/screenwriting/how-to-write-a-book manual is [1]. But, the definition", "into Acts, Acts into Sequences, Sequences into Scenes, and Scenes into Boans\" And", "both a point of life's character and something that causes change: after an", "--- [1] MCKEE.R. Story. Itbooks, New York, 1997. [2] <https://en.wikipedia.org/wiki/Boan_(filmmaking)> (\\) Then we", "But accordingly to source [2] the author gives us an slightly different point", "youtube channels gives us something similar like videos entitled \"The Boan Plot Structure\"", "an cup of glass fell from the top of an table and smashed", "[1] MCKEE.R. Story. Itbooks, New York, 1997. [2] <https://en.wikipedia.org/wiki/Boan_(filmmaking)> (\\) Then we have", "the scene. But accordingly to source [2] the author gives us an slightly", "Sequences into Scenes, and Scenes into Boans\" And also some youtube channels gives", "(i.e. you can add beats to introduce,for example, tension into an not-so-interesting original", "this point of view in mind, is almost like beat and event are", "we have the notion of a Story event: the one which deals specifically", "mind, is almost like beat and event are synonyms or an event is", "cup of glass fell from the top of an table and smashed to", "deals specifically with the character and an \"trivial event\" (or just an event)", "maybe can causing me some confusion. In [1] we have a definition about", "original scene) for the great change of the scene. But accordingly to source", "or internal) between the character and the world. Futhermore a beat is something", "writing process). --- [1] MCKEE.R. Story. Itbooks, New York, 1997. [2] <https://en.wikipedia.org/wiki/Boan_(filmmaking)> (\\)", "is something that compose an Scene: Events+beats = scenes. A beat is something", "can causing me some confusion. In [1] we have a definition about what", "a beat. A event is something which, naively speaking, is both a point", "which, naively speaking, is both a point of life's character and something that", "and event are synonyms or an event is a more heuristic concept. So,", "character (like an cup of glass fell from the top of an table", "And also some youtube channels gives us something similar like videos entitled \"The", "a beat is something that gives you a \"fine tuning\" (i.e. you can", "you can add beats to introduce,for example, tension into an not-so-interesting original scene)", "author gives us an slightly different point of view of structure: \"Stories are", "to source [2] the author gives us an slightly different point of view", "the world. Futhermore a beat is something that gives you a \"fine tuning\"", "introduce,for example, tension into an not-so-interesting original scene) for the great change of", "something that causes change: after an event occurrence the character's life is changed", "deals with character (like an cup of glass fell from the top of", "[2] the author gives us an slightly different point of view of structure:", "an Scene: Events+beats = scenes. A beat is something that catalyzes the conflict", "and an \"trivial event\" (or just an event) that do not deals with", "= scenes. A beat is something that catalyzes the conflict (external or internal)", "into Sequences, Sequences into Scenes, and Scenes into Boans\" And also some youtube", "internal) between the character and the world. Futhermore a beat is something that", "have a definition about what is an event and what is a beat.", "slightly different point of view of structure: \"Stories are divided into Acts, Acts", "change of the scene. But accordingly to source [2] the author gives us", "into an not-so-interesting original scene) for the great change of the scene. But", "main source of research about storytelling/screenwriting/how-to-write-a-book manual is [1]. But, the definition of", "MCKEE.R. Story. Itbooks, New York, 1997. [2] <https://en.wikipedia.org/wiki/Boan_(filmmaking)> (\\) Then we have the", "Scenes into Boans\" And also some youtube channels gives us something similar like", "Scene: Events+beats = scenes. A beat is something that catalyzes the conflict (external", "something which, naively speaking, is both a point of life's character and something", "of \"beat\" given by [1] maybe can causing me some confusion. In [1]", "and what is a beat. A event is something which, naively speaking, is", "is almost like beat and event are synonyms or an event is a", "naively speaking, is both a point of life's character and something that causes", "scene) for the great change of the scene. But accordingly to source [2]", "similar like videos entitled \"The Boan Plot Structure\" and so on. With this", "notion of a Story event: the one which deals specifically with the character", "and Scenes into Boans\" And also some youtube channels gives us something similar", "Structure\" and so on. With this point of view in mind, is almost", "not deals with character (like an cup of glass fell from the top", "<https://en.wikipedia.org/wiki/Boan_(filmmaking)> (\\) Then we have the notion of a Story event: the one", "confusion. In [1] we have a definition about what is an event and", "of a Story event: the one which deals specifically with the character and", "an event and what is a beat. A event is something which, naively", "what is an event and what is a beat. A event is something", "of view in mind, is almost like beat and event are synonyms or", "just an event) that do not deals with character (like an cup of", "almost like beat and event are synonyms or an event is a more", "event) that do not deals with character (like an cup of glass fell", "not-so-interesting original scene) for the great change of the scene. But accordingly to", "an slightly different point of view of structure: \"Stories are divided into Acts,", "occurrence the character's life is changed (\\). A beat is something that compose", "beats to introduce,for example, tension into an not-so-interesting original scene) for the great", "is something that gives you a \"fine tuning\" (i.e. you can add beats", "Boans\" And also some youtube channels gives us something similar like videos entitled", "also some youtube channels gives us something similar like videos entitled \"The Boan", "heuristic concept. So, what is the difference between and Boan and an Event?(", "synonyms or an event is a more heuristic concept. So, what is the", "beat is something that catalyzes the conflict (external or internal) between the character", "Boan Plot Structure\" and so on. With this point of view in mind,", "life's character and something that causes change: after an event occurrence the character's", "source [2] the author gives us an slightly different point of view of", "In particular on BOOK AND SHORT STORY writing process). --- [1] MCKEE.R. Story.", "we have a definition about what is an event and what is a", "example, tension into an not-so-interesting original scene) for the great change of the", "after an event occurrence the character's life is changed (\\). A beat is", "STORY writing process). --- [1] MCKEE.R. Story. Itbooks, New York, 1997. [2] <https://en.wikipedia.org/wiki/Boan_(filmmaking)>", "you a \"fine tuning\" (i.e. you can add beats to introduce,for example, tension", "the character and the world. Futhermore a beat is something that gives you", "beat is something that gives you a \"fine tuning\" (i.e. you can add", "accordingly to source [2] the author gives us an slightly different point of", "Events+beats = scenes. A beat is something that catalyzes the conflict (external or", "tension into an not-so-interesting original scene) for the great change of the scene.", "So, what is the difference between and Boan and an Event?( In particular", "about what is an event and what is a beat. A event is", "Futhermore a beat is something that gives you a \"fine tuning\" (i.e. you", "\"The Boan Plot Structure\" and so on. With this point of view in", "is changed (\\). A beat is something that compose an Scene: Events+beats =", "that gives you a \"fine tuning\" (i.e. you can add beats to introduce,for", "research about storytelling/screenwriting/how-to-write-a-book manual is [1]. But, the definition of \"beat\" given by", "storytelling/screenwriting/how-to-write-a-book manual is [1]. But, the definition of \"beat\" given by [1] maybe", "event and what is a beat. A event is something which, naively speaking,", "between the character and the world. Futhermore a beat is something that gives", "change: after an event occurrence the character's life is changed (\\). A beat", "In [1] we have a definition about what is an event and what", "With this point of view in mind, is almost like beat and event", "gives you a \"fine tuning\" (i.e. you can add beats to introduce,for example,", "source of research about storytelling/screenwriting/how-to-write-a-book manual is [1]. But, the definition of \"beat\"", "beat and event are synonyms or an event is a more heuristic concept.", "that compose an Scene: Events+beats = scenes. A beat is something that catalyzes", "about storytelling/screenwriting/how-to-write-a-book manual is [1]. But, the definition of \"beat\" given by [1]", "catalyzes the conflict (external or internal) between the character and the world. Futhermore", "view of structure: \"Stories are divided into Acts, Acts into Sequences, Sequences into", "Acts into Sequences, Sequences into Scenes, and Scenes into Boans\" And also some", "us an slightly different point of view of structure: \"Stories are divided into", "what is the difference between and Boan and an Event?( In particular on", "is something which, naively speaking, is both a point of life's character and", "changed (\\). A beat is something that compose an Scene: Events+beats = scenes.", "given by [1] maybe can causing me some confusion. In [1] we have", "point of view of structure: \"Stories are divided into Acts, Acts into Sequences,", "is a beat. A event is something which, naively speaking, is both a", "something similar like videos entitled \"The Boan Plot Structure\" and so on. With", "like beat and event are synonyms or an event is a more heuristic", "(or just an event) that do not deals with character (like an cup", "life is changed (\\). A beat is something that compose an Scene: Events+beats", "causing me some confusion. In [1] we have a definition about what is", "event is something which, naively speaking, is both a point of life's character", "of research about storytelling/screenwriting/how-to-write-a-book manual is [1]. But, the definition of \"beat\" given", "BOOK AND SHORT STORY writing process). --- [1] MCKEE.R. Story. Itbooks, New York,", "character and an \"trivial event\" (or just an event) that do not deals", "on BOOK AND SHORT STORY writing process). --- [1] MCKEE.R. Story. Itbooks, New", "particular on BOOK AND SHORT STORY writing process). --- [1] MCKEE.R. Story. Itbooks,", "the notion of a Story event: the one which deals specifically with the", "entitled \"The Boan Plot Structure\" and so on. With this point of view", "point of life's character and something that causes change: after an event occurrence", "character and the world. Futhermore a beat is something that gives you a", "and Boan and an Event?( In particular on BOOK AND SHORT STORY writing", "definition about what is an event and what is a beat. A event", "speaking, is both a point of life's character and something that causes change:", "me some confusion. In [1] we have a definition about what is an", "Event?( In particular on BOOK AND SHORT STORY writing process). --- [1] MCKEE.R.", "something that catalyzes the conflict (external or internal) between the character and the", "of life's character and something that causes change: after an event occurrence the", "Sequences, Sequences into Scenes, and Scenes into Boans\" And also some youtube channels", "what is a beat. A event is something which, naively speaking, is both", "or an event is a more heuristic concept. So, what is the difference", "into Boans\" And also some youtube channels gives us something similar like videos", "more heuristic concept. So, what is the difference between and Boan and an", "by [1] maybe can causing me some confusion. In [1] we have a", "[2] <https://en.wikipedia.org/wiki/Boan_(filmmaking)> (\\) Then we have the notion of a Story event: the", "But, the definition of \"beat\" given by [1] maybe can causing me some", "us something similar like videos entitled \"The Boan Plot Structure\" and so on.", "\"beat\" given by [1] maybe can causing me some confusion. In [1] we", "Story event: the one which deals specifically with the character and an \"trivial", "that causes change: after an event occurrence the character's life is changed (\\).", "1997. [2] <https://en.wikipedia.org/wiki/Boan_(filmmaking)> (\\) Then we have the notion of a Story event:", "divided into Acts, Acts into Sequences, Sequences into Scenes, and Scenes into Boans\"", "AND SHORT STORY writing process). --- [1] MCKEE.R. Story. Itbooks, New York, 1997.", "\"trivial event\" (or just an event) that do not deals with character (like", "videos entitled \"The Boan Plot Structure\" and so on. With this point of", "the author gives us an slightly different point of view of structure: \"Stories", "in mind, is almost like beat and event are synonyms or an event", "(like an cup of glass fell from the top of an table and", "is [1]. But, the definition of \"beat\" given by [1] maybe can causing", "beat is something that compose an Scene: Events+beats = scenes. A beat is", "is a more heuristic concept. So, what is the difference between and Boan", "difference between and Boan and an Event?( In particular on BOOK AND SHORT", "an event occurrence the character's life is changed (\\). A beat is something", "causes change: after an event occurrence the character's life is changed (\\). A", "scene. But accordingly to source [2] the author gives us an slightly different", "the great change of the scene. But accordingly to source [2] the author", "[1] we have a definition about what is an event and what is", "add beats to introduce,for example, tension into an not-so-interesting original scene) for the", "a more heuristic concept. So, what is the difference between and Boan and", "event occurrence the character's life is changed (\\). A beat is something that", "and something that causes change: after an event occurrence the character's life is", "that do not deals with character (like an cup of glass fell from", "A event is something which, naively speaking, is both a point of life's", "and the world. Futhermore a beat is something that gives you a \"fine", "Acts, Acts into Sequences, Sequences into Scenes, and Scenes into Boans\" And also", "world. Futhermore a beat is something that gives you a \"fine tuning\" (i.e.", "\"fine tuning\" (i.e. you can add beats to introduce,for example, tension into an", "event is a more heuristic concept. So, what is the difference between and", "(\\). A beat is something that compose an Scene: Events+beats = scenes. A", "gives us an slightly different point of view of structure: \"Stories are divided", "the difference between and Boan and an Event?( In particular on BOOK AND", "have the notion of a Story event: the one which deals specifically with", "of structure: \"Stories are divided into Acts, Acts into Sequences, Sequences into Scenes,", "great change of the scene. But accordingly to source [2] the author gives", "is an event and what is a beat. A event is something which,", "character's life is changed (\\). A beat is something that compose an Scene:", "(external or internal) between the character and the world. Futhermore a beat is", "SHORT STORY writing process). --- [1] MCKEE.R. Story. Itbooks, New York, 1997. [2]", "[1] maybe can causing me some confusion. In [1] we have a definition", "an not-so-interesting original scene) for the great change of the scene. But accordingly", "of view of structure: \"Stories are divided into Acts, Acts into Sequences, Sequences", "with the character and an \"trivial event\" (or just an event) that do", "specifically with the character and an \"trivial event\" (or just an event) that", "of the scene. But accordingly to source [2] the author gives us an", "and an Event?( In particular on BOOK AND SHORT STORY writing process). ---", "that catalyzes the conflict (external or internal) between the character and the world.", "is the difference between and Boan and an Event?( In particular on BOOK", "so on. With this point of view in mind, is almost like beat", "Scenes, and Scenes into Boans\" And also some youtube channels gives us something", "event: the one which deals specifically with the character and an \"trivial event\"", "scenes. A beat is something that catalyzes the conflict (external or internal) between", "view in mind, is almost like beat and event are synonyms or an", "different point of view of structure: \"Stories are divided into Acts, Acts into", "conflict (external or internal) between the character and the world. Futhermore a beat", "Boan and an Event?( In particular on BOOK AND SHORT STORY writing process).", "concept. So, what is the difference between and Boan and an Event?( In", "of glass fell from the top of an table and smashed to the" ]
[ "these notes into a book? Should I be in a hurry and write", "I need to write notes and then put them together to make a", "I take too long, am I at risk of losing my memories and", "start turning these notes into a book? Should I be in a hurry", "different books, so when should I start turning these notes into a book?", "long, am I at risk of losing my memories and motivation to write", "then put them together to make a book, but I'm writing notes from", "write a non-fiction book I need to write notes and then put them", "to write a non-fiction book I need to write notes and then put", "I start turning these notes into a book? Should I be in a", "a book? Should I be in a hurry and write as soon as", "completely different books, so when should I start turning these notes into a", "write as soon as possible, even with poor quality? If I take too", "If I take too long, am I at risk of losing my memories", "possible 4 completely different books, so when should I start turning these notes", "make a book, but I'm writing notes from possible 4 completely different books,", "I'm writing notes from possible 4 completely different books, so when should I", "I be in a hurry and write as soon as possible, even with", "hurry and write as soon as possible, even with poor quality? If I", "heard that in order to write a non-fiction book I need to write", "write notes and then put them together to make a book, but I'm", "a non-fiction book I need to write notes and then put them together", "should I start turning these notes into a book? Should I be in", "I at risk of losing my memories and motivation to write these books?", "put them together to make a book, but I'm writing notes from possible", "a book, but I'm writing notes from possible 4 completely different books, so", "notes and then put them together to make a book, but I'm writing", "am I at risk of losing my memories and motivation to write these", "when should I start turning these notes into a book? Should I be", "a hurry and write as soon as possible, even with poor quality? If", "that in order to write a non-fiction book I need to write notes", "together to make a book, but I'm writing notes from possible 4 completely", "book, but I'm writing notes from possible 4 completely different books, so when", "order to write a non-fiction book I need to write notes and then", "them together to make a book, but I'm writing notes from possible 4", "to write notes and then put them together to make a book, but", "too long, am I at risk of losing my memories and motivation to", "with poor quality? If I take too long, am I at risk of", "quality? If I take too long, am I at risk of losing my", "take too long, am I at risk of losing my memories and motivation", "I've heard that in order to write a non-fiction book I need to", "4 completely different books, so when should I start turning these notes into", "book I need to write notes and then put them together to make", "books, so when should I start turning these notes into a book? Should", "even with poor quality? If I take too long, am I at risk", "poor quality? If I take too long, am I at risk of losing", "and write as soon as possible, even with poor quality? If I take", "as possible, even with poor quality? If I take too long, am I", "from possible 4 completely different books, so when should I start turning these", "Should I be in a hurry and write as soon as possible, even", "writing notes from possible 4 completely different books, so when should I start", "turning these notes into a book? Should I be in a hurry and", "notes from possible 4 completely different books, so when should I start turning", "but I'm writing notes from possible 4 completely different books, so when should", "notes into a book? Should I be in a hurry and write as", "be in a hurry and write as soon as possible, even with poor", "into a book? Should I be in a hurry and write as soon", "in a hurry and write as soon as possible, even with poor quality?", "soon as possible, even with poor quality? If I take too long, am", "book? Should I be in a hurry and write as soon as possible,", "as soon as possible, even with poor quality? If I take too long,", "non-fiction book I need to write notes and then put them together to", "in order to write a non-fiction book I need to write notes and", "so when should I start turning these notes into a book? Should I", "and then put them together to make a book, but I'm writing notes", "possible, even with poor quality? If I take too long, am I at", "need to write notes and then put them together to make a book,", "to make a book, but I'm writing notes from possible 4 completely different" ]
[ "the story being accepted by a magazine)? How can I know if my", "story being accepted by a magazine)? How can I know if my metaphors", "metaphors a bad thing in a short story (for the purposes of the", "in a short story (for the purposes of the story being accepted by", "the purposes of the story being accepted by a magazine)? How can I", "bad thing in a short story (for the purposes of the story being", "short story (for the purposes of the story being accepted by a magazine)?", "of the story being accepted by a magazine)? How can I know if", "accepted by a magazine)? How can I know if my metaphors are too", "a short story (for the purposes of the story being accepted by a", "Is having elaborate metaphors a bad thing in a short story (for the", "story (for the purposes of the story being accepted by a magazine)? How", "elaborate metaphors a bad thing in a short story (for the purposes of", "(for the purposes of the story being accepted by a magazine)? How can", "thing in a short story (for the purposes of the story being accepted", "being accepted by a magazine)? How can I know if my metaphors are", "purposes of the story being accepted by a magazine)? How can I know", "a bad thing in a short story (for the purposes of the story", "having elaborate metaphors a bad thing in a short story (for the purposes", "by a magazine)? How can I know if my metaphors are too elaborate?" ]
[ "\"chicken,\" words that are terrible slurs to one population but totally normal to", "relatively good grasp of how to portray anger in third person, rational or", "completely do I need to evoke the same anger in the reader that", "though the trigger is irrational, the narrator's justification sounds like something a character", "'s answer because the examples made everything more clear to me. Even though", "but totally normal to others, overreactions due to mental illnesses, etc. I feel", "the same journey of becoming angry. How do I show the internal monologue", "or irrational. Readers are used to other people reacting differently than they would,", "character is consistent. However, if the writing is in first-person it seems that", "I chose @Stilez 's answer because the examples made everything more clear to", "and the word \"chicken,\" words that are terrible slurs to one population but", "character feels? Edit: @Rand Al'Thor, @Galastel, and @wordsworth all have excellent answers, but", "that might not make sense to the outside observer: Marny MsDfy and the", "they would, as long as the character is consistent. However, if the writing", "to evoke the same anger in the reader that the character feels? Edit:", "have excellent answers, but I chose @Stilez 's answer because the examples made", "like I have a relatively good grasp of how to portray anger in", "sense to the outside observer: Marny MsDfy and the word \"chicken,\" words that", "totally normal to others, overreactions due to mental illnesses, etc. I feel like", "is in first-person it seems that I need to take the reader.on the", "that I need to take the reader.on the same journey of becoming angry.", "I feel like I have a relatively good grasp of how to portray", "However, if the writing is in first-person it seems that I need to", "as long as the character is consistent. However, if the writing is in", "word \"chicken,\" words that are terrible slurs to one population but totally normal", "show the internal monologue of a character becoming angry? How completely do I", "I need to take the reader.on the same journey of becoming angry. How", "all have excellent answers, but I chose @Stilez 's answer because the examples", "others, overreactions due to mental illnesses, etc. I feel like I have a", "excellent answers, but I chose @Stilez 's answer because the examples made everything", "character becoming angry? How completely do I need to evoke the same anger", "the examples made everything more clear to me. Even though the trigger is", "Characters (and people) get angry at all sorts of things that might not", "@Galastel, and @wordsworth all have excellent answers, but I chose @Stilez 's answer", "me. Even though the trigger is irrational, the narrator's justification sounds like something", "feel like I have a relatively good grasp of how to portray anger", "of becoming angry. How do I show the internal monologue of a character", "first-person it seems that I need to take the reader.on the same journey", "other people reacting differently than they would, as long as the character is", "overreactions due to mental illnesses, etc. I feel like I have a relatively", "portray anger in third person, rational or irrational. Readers are used to other", "the writing is in first-person it seems that I need to take the", "because the examples made everything more clear to me. Even though the trigger", "the reader.on the same journey of becoming angry. How do I show the", "mental illnesses, etc. I feel like I have a relatively good grasp of", "take the reader.on the same journey of becoming angry. How do I show", "the reader that the character feels? Edit: @Rand Al'Thor, @Galastel, and @wordsworth all", "the character is consistent. However, if the writing is in first-person it seems", "one population but totally normal to others, overreactions due to mental illnesses, etc.", "if the writing is in first-person it seems that I need to take", "observer: Marny MsDfy and the word \"chicken,\" words that are terrible slurs to", "to portray anger in third person, rational or irrational. Readers are used to", "I have a relatively good grasp of how to portray anger in third", "justification sounds like something a character would say for rational anger as well.", "the narrator's justification sounds like something a character would say for rational anger", "chose @Stilez 's answer because the examples made everything more clear to me.", "(and people) get angry at all sorts of things that might not make", "slurs to one population but totally normal to others, overreactions due to mental", "the internal monologue of a character becoming angry? How completely do I need", "of things that might not make sense to the outside observer: Marny MsDfy", "the character feels? Edit: @Rand Al'Thor, @Galastel, and @wordsworth all have excellent answers,", "I show the internal monologue of a character becoming angry? How completely do", "need to evoke the same anger in the reader that the character feels?", "@wordsworth all have excellent answers, but I chose @Stilez 's answer because the", "in first-person it seems that I need to take the reader.on the same", "do I show the internal monologue of a character becoming angry? How completely", "people) get angry at all sorts of things that might not make sense", "angry. How do I show the internal monologue of a character becoming angry?", "becoming angry. How do I show the internal monologue of a character becoming", "trigger is irrational, the narrator's justification sounds like something a character would say", "Marny MsDfy and the word \"chicken,\" words that are terrible slurs to one", "I need to evoke the same anger in the reader that the character", "the word \"chicken,\" words that are terrible slurs to one population but totally", "How completely do I need to evoke the same anger in the reader", "in the reader that the character feels? Edit: @Rand Al'Thor, @Galastel, and @wordsworth", "but I chose @Stilez 's answer because the examples made everything more clear", "make sense to the outside observer: Marny MsDfy and the word \"chicken,\" words", "normal to others, overreactions due to mental illnesses, etc. I feel like I", "to others, overreactions due to mental illnesses, etc. I feel like I have", "reacting differently than they would, as long as the character is consistent. However,", "becoming angry? How completely do I need to evoke the same anger in", "anger in the reader that the character feels? Edit: @Rand Al'Thor, @Galastel, and", "differently than they would, as long as the character is consistent. However, if", "person, rational or irrational. Readers are used to other people reacting differently than", "all sorts of things that might not make sense to the outside observer:", "to the outside observer: Marny MsDfy and the word \"chicken,\" words that are", "is irrational, the narrator's justification sounds like something a character would say for", "not make sense to the outside observer: Marny MsDfy and the word \"chicken,\"", "examples made everything more clear to me. Even though the trigger is irrational,", "of how to portray anger in third person, rational or irrational. Readers are", "to take the reader.on the same journey of becoming angry. How do I", "MsDfy and the word \"chicken,\" words that are terrible slurs to one population", "people reacting differently than they would, as long as the character is consistent.", "feels? Edit: @Rand Al'Thor, @Galastel, and @wordsworth all have excellent answers, but I", "things that might not make sense to the outside observer: Marny MsDfy and", "irrational. Readers are used to other people reacting differently than they would, as", "outside observer: Marny MsDfy and the word \"chicken,\" words that are terrible slurs", "good grasp of how to portray anger in third person, rational or irrational.", "@Stilez 's answer because the examples made everything more clear to me. Even", "grasp of how to portray anger in third person, rational or irrational. Readers", "the outside observer: Marny MsDfy and the word \"chicken,\" words that are terrible", "the same anger in the reader that the character feels? Edit: @Rand Al'Thor,", "Edit: @Rand Al'Thor, @Galastel, and @wordsworth all have excellent answers, but I chose", "as the character is consistent. However, if the writing is in first-person it", "a relatively good grasp of how to portray anger in third person, rational", "to mental illnesses, etc. I feel like I have a relatively good grasp", "is consistent. However, if the writing is in first-person it seems that I", "than they would, as long as the character is consistent. However, if the", "that the character feels? Edit: @Rand Al'Thor, @Galastel, and @wordsworth all have excellent", "Even though the trigger is irrational, the narrator's justification sounds like something a", "more clear to me. Even though the trigger is irrational, the narrator's justification", "irrational, the narrator's justification sounds like something a character would say for rational", "evoke the same anger in the reader that the character feels? Edit: @Rand", "are terrible slurs to one population but totally normal to others, overreactions due", "rational or irrational. Readers are used to other people reacting differently than they", "are used to other people reacting differently than they would, as long as", "reader that the character feels? Edit: @Rand Al'Thor, @Galastel, and @wordsworth all have", "same anger in the reader that the character feels? Edit: @Rand Al'Thor, @Galastel,", "it seems that I need to take the reader.on the same journey of", "writing is in first-person it seems that I need to take the reader.on", "words that are terrible slurs to one population but totally normal to others,", "population but totally normal to others, overreactions due to mental illnesses, etc. I", "and @wordsworth all have excellent answers, but I chose @Stilez 's answer because", "of a character becoming angry? How completely do I need to evoke the", "monologue of a character becoming angry? How completely do I need to evoke", "at all sorts of things that might not make sense to the outside", "everything more clear to me. Even though the trigger is irrational, the narrator's", "that are terrible slurs to one population but totally normal to others, overreactions", "to other people reacting differently than they would, as long as the character", "same journey of becoming angry. How do I show the internal monologue of", "internal monologue of a character becoming angry? How completely do I need to", "third person, rational or irrational. Readers are used to other people reacting differently", "made everything more clear to me. Even though the trigger is irrational, the", "the trigger is irrational, the narrator's justification sounds like something a character would", "used to other people reacting differently than they would, as long as the", "etc. I feel like I have a relatively good grasp of how to", "to one population but totally normal to others, overreactions due to mental illnesses,", "sorts of things that might not make sense to the outside observer: Marny", "have a relatively good grasp of how to portray anger in third person,", "might not make sense to the outside observer: Marny MsDfy and the word", "Readers are used to other people reacting differently than they would, as long", "in third person, rational or irrational. Readers are used to other people reacting", "how to portray anger in third person, rational or irrational. Readers are used", "would, as long as the character is consistent. However, if the writing is", "long as the character is consistent. However, if the writing is in first-person", "angry? How completely do I need to evoke the same anger in the", "narrator's justification sounds like something a character would say for rational anger as", "get angry at all sorts of things that might not make sense to", "terrible slurs to one population but totally normal to others, overreactions due to", "How do I show the internal monologue of a character becoming angry? How", "Al'Thor, @Galastel, and @wordsworth all have excellent answers, but I chose @Stilez 's", "journey of becoming angry. How do I show the internal monologue of a", "answers, but I chose @Stilez 's answer because the examples made everything more", "need to take the reader.on the same journey of becoming angry. How do", "illnesses, etc. I feel like I have a relatively good grasp of how", "consistent. However, if the writing is in first-person it seems that I need", "anger in third person, rational or irrational. Readers are used to other people", "angry at all sorts of things that might not make sense to the", "seems that I need to take the reader.on the same journey of becoming", "reader.on the same journey of becoming angry. How do I show the internal", "@Rand Al'Thor, @Galastel, and @wordsworth all have excellent answers, but I chose @Stilez", "due to mental illnesses, etc. I feel like I have a relatively good", "clear to me. Even though the trigger is irrational, the narrator's justification sounds", "to me. Even though the trigger is irrational, the narrator's justification sounds like", "answer because the examples made everything more clear to me. Even though the", "do I need to evoke the same anger in the reader that the", "a character becoming angry? How completely do I need to evoke the same" ]
[ "it possible to introduce evil characters (be identified as evil) before the action", "possible to introduce evil characters (be identified as evil) before the action (the", "to introduce evil characters (be identified as evil) before the action (the crimes", "identified as evil) before the action (the crimes committed by the characters) takes", "Is it possible to introduce evil characters (be identified as evil) before the", "as evil) before the action (the crimes committed by the characters) takes place?", "characters (be identified as evil) before the action (the crimes committed by the", "introduce evil characters (be identified as evil) before the action (the crimes committed", "evil characters (be identified as evil) before the action (the crimes committed by", "(be identified as evil) before the action (the crimes committed by the characters)" ]
[ "rank in the secret society of Primus. Do I need to change the", "name Primus and Primes for my book and these are from the transformers", "transformers universe. My concept is totally different. Is this a copyright infringement? I", "my book I also included that the Prime is the superior rank in", "the secret society of Primus. Do I need to change the names before", "infringement? I introduced a secret society named \"The Primus\" in my book. In", "the Prime is the superior rank in the secret society of Primus. Do", "the superior rank in the secret society of Primus. Do I need to", "superior rank in the secret society of Primus. Do I need to change", "Primes* for my book and these are from the transformers universe. My concept", "totally different. Is this a copyright infringement? I introduced a secret society named", "concept is totally different. Is this a copyright infringement? I introduced a secret", "these are from the transformers universe. My concept is totally different. Is this", "Is this a copyright infringement? I introduced a secret society named \"The Primus\"", "created Autobots. In my book I also included that the Prime is the", "secret society of Primus. Do I need to change the names before publication?", "this a copyright infringement? I introduced a secret society named \"The Primus\" in", "for my book and these are from the transformers universe. My concept is", "transformers universe, Primus is the entity that created Autobots. In my book I", "different. Is this a copyright infringement? I introduced a secret society named \"The", "my book. In the transformers universe, Primus is the entity that created Autobots.", "the name Primus and Primes for my book and these are from the", "society named \"The Primus\" in my book. In the transformers universe, Primus is", "In the transformers universe, Primus is the entity that created Autobots. In my", "the transformers universe, Primus is the entity that created Autobots. In my book", "the transformers universe. My concept is totally different. Is this a copyright infringement?", "is totally different. Is this a copyright infringement? I introduced a secret society", "Primus is the entity that created Autobots. In my book I also included", "and these are from the transformers universe. My concept is totally different. Is", "copyright infringement? I introduced a secret society named \"The Primus\" in my book.", "Autobots. In my book I also included that the Prime is the superior", "a secret society named \"The Primus\" in my book. In the transformers universe,", "that the Prime is the superior rank in the secret society of Primus.", "book. In the transformers universe, Primus is the entity that created Autobots. In", "secret society named \"The Primus\" in my book. In the transformers universe, Primus", "book and these are from the transformers universe. My concept is totally different.", "I also included that the Prime is the superior rank in the secret", "Prime is the superior rank in the secret society of Primus. Do I", "from the transformers universe. My concept is totally different. Is this a copyright", "and Primes* for my book and these are from the transformers universe. My", "that created Autobots. In my book I also included that the Prime is", "\"The Primus\" in my book. In the transformers universe, Primus is the entity", "are from the transformers universe. My concept is totally different. Is this a", "named \"The Primus\" in my book. In the transformers universe, Primus is the", "entity that created Autobots. In my book I also included that the Prime", "introduced a secret society named \"The Primus\" in my book. In the transformers", "I introduced a secret society named \"The Primus\" in my book. In the", "is the superior rank in the secret society of Primus. Do I need", "also included that the Prime is the superior rank in the secret society", "Primus\" in my book. In the transformers universe, Primus is the entity that", "In my book I also included that the Prime is the superior rank", "included that the Prime is the superior rank in the secret society of", "my book and these are from the transformers universe. My concept is totally", "universe. My concept is totally different. Is this a copyright infringement? I introduced", "My concept is totally different. Is this a copyright infringement? I introduced a", "a copyright infringement? I introduced a secret society named \"The Primus\" in my", "the entity that created Autobots. In my book I also included that the", "book I also included that the Prime is the superior rank in the", "I used the name Primus and Primes for my book and these are", "in my book. In the transformers universe, Primus is the entity that created", "in the secret society of Primus. Do I need to change the names", "is the entity that created Autobots. In my book I also included that", "universe, Primus is the entity that created Autobots. In my book I also", "used the name Primus and Primes for my book and these are from", "Primus and Primes for my book and these are from the transformers universe." ]
[ "the chapter. Hundreds of broad-headed, short-stemmed, wide-branched oaks, which had witnessed perhaps the", "a few times, most notably when characters are travelling across vast natural landscapes,", "of silvan solitude. > > > [from Ivanohe] > > > I think", "the reader a moment to breathe. Ideally it should come across as a", "> > > I think that these passages might have worked in the", "arms over a thick carpet of the most delicious green sward; in some", "artsy info-dumps on the setting, with the drawback that the characters are not", "were intermingled with beeches, hollies, and copsewood of various descriptions, so closely as", "vast natural landscapes, or when they gaze at the stars at night. Quite", "most delicious green sward; in some places they were intermingled with beeches, hollies,", "of the struggle, but instead I find myself skipping over paragraphs of someone", "> > I think that these passages might have worked in the past,", "my novel it happens a few times, most notably when characters are travelling", "of various descriptions, so closely as totally to intercept the level beams of", "to breathe. Ideally it should come across as a short pause in the", "they receded from each other, forming those long sweeping vistas, in the intricacy", "setting. On the other hand, the goal of the passage is to break", "solitude. > > > [from Ivanohe] > > > I think that these", "purpose, they introduce no themes to the story, nor to the plot, and", "no purpose, they introduce no themes to the story, nor to the plot,", "the characters are not going to engage with these particular elements of the", "vistas, in the intricacy of which the eye delights to lose itself, while", "a much more renowned author, my passages could be considered uglier versions of", "dull, and not particularly engaging. I wished to convey peace and show a", "the beginning of the chapter. Hundreds of broad-headed, short-stemmed, wide-branched oaks, which had", "oaks, which had witnessed perhaps the stately march of the Roman soldiery, flung", "the narration, shift the viewpoint, and give the reader a moment to breathe.", "the Roman soldiery, flung their gnarled arms over a thick carpet of the", "most notably when characters are travelling across vast natural landscapes, or when they", "delights to lose itself, while imagination considers them as the paths to yet", "forest, which we have mentioned in the beginning of the chapter. Hundreds of", "On the other hand, the goal of the passage is to break the", "The sun was setting upon one of the rich grassy glades of that", "could be mistaken as artsy info-dumps on the setting, with the drawback that", "for deletion. I find them dull, and not particularly engaging. I wished to", "trick with this description?' passage. How can I reach the goal while making", "as totally to intercept the level beams of the sinking sun; in others", "amidst all the chaos. In my novel it happens a few times, most", "of a novel, one may wish to show a moment of peace amidst", "engaging enough. They look like they serve no purpose, they introduce no themes", "worked in the past, but for today's literature they are not engaging enough.", "nor to the plot, and they could be mistaken as artsy info-dumps on", "the struggle, but instead I find myself skipping over paragraphs of someone dozing", "carpet of the most delicious green sward; in some places they were intermingled", "on the setting, with the drawback that the characters are not going to", "the fast-paced tone of the narration, shift the viewpoint, and give the reader", "beginning of the chapter. Hundreds of broad-headed, short-stemmed, wide-branched oaks, which had witnessed", "of the sinking sun; in others they receded from each other, forming those", "hollies, and copsewood of various descriptions, so closely as totally to intercept the", "no themes to the story, nor to the plot, and they could be", "closely as totally to intercept the level beams of the sinking sun; in", "the stately march of the Roman soldiery, flung their gnarled arms over a", "sweeping vistas, in the intricacy of which the eye delights to lose itself,", "the trick with this description?' passage. How can I reach the goal while", "the plot, and they could be mistaken as artsy info-dumps on the setting,", "let go of the struggle, but instead I find myself skipping over paragraphs", "when they gaze at the stars at night. Quite often, during a revision,", "of broad-headed, short-stemmed, wide-branched oaks, which had witnessed perhaps the stately march of", "renowned author, my passages could be considered uglier versions of > > The", "could be considered uglier versions of > > The sun was setting upon", "instead I find myself skipping over paragraphs of someone dozing off while contemplating", "during a revision, I mark all these passages for deletion. I find them", "imagination considers them as the paths to yet wilder scenes of silvan solitude.", "the paths to yet wilder scenes of silvan solitude. > > > [from", "receded from each other, forming those long sweeping vistas, in the intricacy of", "they serve no purpose, they introduce no themes to the story, nor to", "the drawback that the characters are not going to engage with these particular", "[from Ivanohe] > > > I think that these passages might have worked", "have worked in the past, but for today's literature they are not engaging", "scenes of silvan solitude. > > > [from Ivanohe] > > > I", "the sinking sun; in others they receded from each other, forming those long", "across vast natural landscapes, or when they gaze at the stars at night.", "rich grassy glades of that forest, which we have mentioned in the beginning", "them dull, and not particularly engaging. I wished to convey peace and show", "come across as a short pause in the narration, rather than a 'ok,", "intricacy of which the eye delights to lose itself, while imagination considers them", "while imagination considers them as the paths to yet wilder scenes of silvan", "gnarled arms over a thick carpet of the most delicious green sward; in", "an example from a much more renowned author, my passages could be considered", "have mentioned in the beginning of the chapter. Hundreds of broad-headed, short-stemmed, wide-branched", "green sward; in some places they were intermingled with beeches, hollies, and copsewood", "gaze at the stars at night. Quite often, during a revision, I mark", "places they were intermingled with beeches, hollies, and copsewood of various descriptions, so", "> > The sun was setting upon one of the rich grassy glades", "can I reach the goal while making these passages more intriguing and engaging", "of which the eye delights to lose itself, while imagination considers them as", "in the beginning of the chapter. Hundreds of broad-headed, short-stemmed, wide-branched oaks, which", "wished to convey peace and show a moment in which characters let go", "the setting, with the drawback that the characters are not going to engage", "a short pause in the narration, rather than a 'ok, what's the trick", "flung their gnarled arms over a thick carpet of the most delicious green", "drawback that the characters are not going to engage with these particular elements", "broad-headed, short-stemmed, wide-branched oaks, which had witnessed perhaps the stately march of the", "mistaken as artsy info-dumps on the setting, with the drawback that the characters", "as artsy info-dumps on the setting, with the drawback that the characters are", "ever swinging tone of a novel, one may wish to show a moment", "info-dumps on the setting, with the drawback that the characters are not going", "'ok, what's the trick with this description?' passage. How can I reach the", "break the fast-paced tone of the narration, shift the viewpoint, and give the", "literature they are not engaging enough. They look like they serve no purpose,", "setting upon one of the rich grassy glades of that forest, which we", "the level beams of the sinking sun; in others they receded from each", "or when they gaze at the stars at night. Quite often, during a", "their gnarled arms over a thick carpet of the most delicious green sward;", "of the Roman soldiery, flung their gnarled arms over a thick carpet of", "intermingled with beeches, hollies, and copsewood of various descriptions, so closely as totally", "To give an example from a much more renowned author, my passages could", "> > > [from Ivanohe] > > > I think that these passages", "Hundreds of broad-headed, short-stemmed, wide-branched oaks, which had witnessed perhaps the stately march", "elements of the setting. On the other hand, the goal of the passage", "was setting upon one of the rich grassy glades of that forest, which", "yet wilder scenes of silvan solitude. > > > [from Ivanohe] > >", "fast-paced tone of the narration, shift the viewpoint, and give the reader a", "struggle, but instead I find myself skipping over paragraphs of someone dozing off", "them as the paths to yet wilder scenes of silvan solitude. > >", "hand, the goal of the passage is to break the fast-paced tone of", "swinging tone of a novel, one may wish to show a moment of", "I wished to convey peace and show a moment in which characters let", "all these passages for deletion. I find them dull, and not particularly engaging.", "narration, shift the viewpoint, and give the reader a moment to breathe. Ideally", "show a moment of peace amidst all the chaos. In my novel it", "forming those long sweeping vistas, in the intricacy of which the eye delights", "perhaps the stately march of the Roman soldiery, flung their gnarled arms over", "the past, but for today's literature they are not engaging enough. They look", "with the drawback that the characters are not going to engage with these", "much more renowned author, my passages could be considered uglier versions of >", "those long sweeping vistas, in the intricacy of which the eye delights to", "moment of peace amidst all the chaos. In my novel it happens a", "to the plot, and they could be mistaken as artsy info-dumps on the", "the passage is to break the fast-paced tone of the narration, shift the", "sinking sun; in others they receded from each other, forming those long sweeping", "natural landscapes, or when they gaze at the stars at night. Quite often,", "they could be mistaken as artsy info-dumps on the setting, with the drawback", "the eye delights to lose itself, while imagination considers them as the paths", "they are not engaging enough. They look like they serve no purpose, they", "In the ever swinging tone of a novel, one may wish to show", "characters are not going to engage with these particular elements of the setting.", "example from a much more renowned author, my passages could be considered uglier", "to the story, nor to the plot, and they could be mistaken as", "the most delicious green sward; in some places they were intermingled with beeches,", "they gaze at the stars at night. Quite often, during a revision, I", "with these particular elements of the setting. On the other hand, the goal", "mark all these passages for deletion. I find them dull, and not particularly", "find them dull, and not particularly engaging. I wished to convey peace and", "a moment of peace amidst all the chaos. In my novel it happens", "a 'ok, what's the trick with this description?' passage. How can I reach", "> > [from Ivanohe] > > > I think that these passages might", "sun was setting upon one of the rich grassy glades of that forest,", "they were intermingled with beeches, hollies, and copsewood of various descriptions, so closely", "considers them as the paths to yet wilder scenes of silvan solitude. >", "are not engaging enough. They look like they serve no purpose, they introduce", "travelling across vast natural landscapes, or when they gaze at the stars at", "totally to intercept the level beams of the sinking sun; in others they", "novel, one may wish to show a moment of peace amidst all the", "to show a moment of peace amidst all the chaos. In my novel", "are not going to engage with these particular elements of the setting. On", "think that these passages might have worked in the past, but for today's", "peace amidst all the chaos. In my novel it happens a few times,", "revision, I mark all these passages for deletion. I find them dull, and", "passages for deletion. I find them dull, and not particularly engaging. I wished", "a moment to breathe. Ideally it should come across as a short pause", "passage is to break the fast-paced tone of the narration, shift the viewpoint,", "dozing off while contemplating the beauty of nature. To give an example from", "the ever swinging tone of a novel, one may wish to show a", "today's literature they are not engaging enough. They look like they serve no", "the viewpoint, and give the reader a moment to breathe. Ideally it should", "as the paths to yet wilder scenes of silvan solitude. > > >", "stately march of the Roman soldiery, flung their gnarled arms over a thick", "which characters let go of the struggle, but instead I find myself skipping", "all the chaos. In my novel it happens a few times, most notably", "to lose itself, while imagination considers them as the paths to yet wilder", "serve no purpose, they introduce no themes to the story, nor to the", "these passages might have worked in the past, but for today's literature they", "> [from Ivanohe] > > > I think that these passages might have", "particular elements of the setting. On the other hand, the goal of the", "soldiery, flung their gnarled arms over a thick carpet of the most delicious", "at the stars at night. Quite often, during a revision, I mark all", "from a much more renowned author, my passages could be considered uglier versions", "landscapes, or when they gaze at the stars at night. Quite often, during", "of the rich grassy glades of that forest, which we have mentioned in", "level beams of the sinking sun; in others they receded from each other,", "not going to engage with these particular elements of the setting. On the", "story, nor to the plot, and they could be mistaken as artsy info-dumps", "of the most delicious green sward; in some places they were intermingled with", "engage with these particular elements of the setting. On the other hand, the", "Quite often, during a revision, I mark all these passages for deletion. I", "the setting. On the other hand, the goal of the passage is to", "so closely as totally to intercept the level beams of the sinking sun;", "show a moment in which characters let go of the struggle, but instead", "witnessed perhaps the stately march of the Roman soldiery, flung their gnarled arms", "various descriptions, so closely as totally to intercept the level beams of the", "these passages for deletion. I find them dull, and not particularly engaging. I", "enough. They look like they serve no purpose, they introduce no themes to", "than a 'ok, what's the trick with this description?' passage. How can I", "I reach the goal while making these passages more intriguing and engaging for", "description?' passage. How can I reach the goal while making these passages more", "give an example from a much more renowned author, my passages could be", "tone of the narration, shift the viewpoint, and give the reader a moment", "they introduce no themes to the story, nor to the plot, and they", "of someone dozing off while contemplating the beauty of nature. To give an", "had witnessed perhaps the stately march of the Roman soldiery, flung their gnarled", "short-stemmed, wide-branched oaks, which had witnessed perhaps the stately march of the Roman", "while contemplating the beauty of nature. To give an example from a much", "my passages could be considered uglier versions of > > The sun was", "a thick carpet of the most delicious green sward; in some places they", "thick carpet of the most delicious green sward; in some places they were", "other, forming those long sweeping vistas, in the intricacy of which the eye", "peace and show a moment in which characters let go of the struggle,", "for today's literature they are not engaging enough. They look like they serve", "the other hand, the goal of the passage is to break the fast-paced", "is to break the fast-paced tone of the narration, shift the viewpoint, and", "be considered uglier versions of > > The sun was setting upon one", "deletion. I find them dull, and not particularly engaging. I wished to convey", "long sweeping vistas, in the intricacy of which the eye delights to lose", "descriptions, so closely as totally to intercept the level beams of the sinking", "In my novel it happens a few times, most notably when characters are", "pause in the narration, rather than a 'ok, what's the trick with this", "Roman soldiery, flung their gnarled arms over a thick carpet of the most", "passage. How can I reach the goal while making these passages more intriguing", "eye delights to lose itself, while imagination considers them as the paths to", "off while contemplating the beauty of nature. To give an example from a", "tone of a novel, one may wish to show a moment of peace", "should come across as a short pause in the narration, rather than a", "characters are travelling across vast natural landscapes, or when they gaze at the", "few times, most notably when characters are travelling across vast natural landscapes, or", "I find myself skipping over paragraphs of someone dozing off while contemplating the", "short pause in the narration, rather than a 'ok, what's the trick with", "and not particularly engaging. I wished to convey peace and show a moment", "someone dozing off while contemplating the beauty of nature. To give an example", "grassy glades of that forest, which we have mentioned in the beginning of", "passages could be considered uglier versions of > > The sun was setting", "Ivanohe] > > > I think that these passages might have worked in", "and copsewood of various descriptions, so closely as totally to intercept the level", "intercept the level beams of the sinking sun; in others they receded from", "narration, rather than a 'ok, what's the trick with this description?' passage. How", "wish to show a moment of peace amidst all the chaos. In my", "moment in which characters let go of the struggle, but instead I find", "to intercept the level beams of the sinking sun; in others they receded", "beauty of nature. To give an example from a much more renowned author,", "that the characters are not going to engage with these particular elements of", "the chaos. In my novel it happens a few times, most notably when", "stars at night. Quite often, during a revision, I mark all these passages", "> I think that these passages might have worked in the past, but", "the goal of the passage is to break the fast-paced tone of the", "sun; in others they receded from each other, forming those long sweeping vistas,", "contemplating the beauty of nature. To give an example from a much more", "reach the goal while making these passages more intriguing and engaging for the", "go of the struggle, but instead I find myself skipping over paragraphs of", "times, most notably when characters are travelling across vast natural landscapes, or when", "I think that these passages might have worked in the past, but for", "look like they serve no purpose, they introduce no themes to the story,", "some places they were intermingled with beeches, hollies, and copsewood of various descriptions,", "author, my passages could be considered uglier versions of > > The sun", "to convey peace and show a moment in which characters let go of", "with beeches, hollies, and copsewood of various descriptions, so closely as totally to", "wide-branched oaks, which had witnessed perhaps the stately march of the Roman soldiery,", "the goal while making these passages more intriguing and engaging for the reader?", "themes to the story, nor to the plot, and they could be mistaken", "at night. Quite often, during a revision, I mark all these passages for", "glades of that forest, which we have mentioned in the beginning of the", "in which characters let go of the struggle, but instead I find myself", "goal of the passage is to break the fast-paced tone of the narration,", "a moment in which characters let go of the struggle, but instead I", "I find them dull, and not particularly engaging. I wished to convey peace", "and show a moment in which characters let go of the struggle, but", "breathe. Ideally it should come across as a short pause in the narration,", "but for today's literature they are not engaging enough. They look like they", "to engage with these particular elements of the setting. On the other hand,", "this description?' passage. How can I reach the goal while making these passages", "and they could be mistaken as artsy info-dumps on the setting, with the", "but instead I find myself skipping over paragraphs of someone dozing off while", "paths to yet wilder scenes of silvan solitude. > > > [from Ivanohe]", "of peace amidst all the chaos. In my novel it happens a few", "it happens a few times, most notably when characters are travelling across vast", "what's the trick with this description?' passage. How can I reach the goal", "with this description?' passage. How can I reach the goal while making these", "it should come across as a short pause in the narration, rather than", "as a short pause in the narration, rather than a 'ok, what's the", "in the intricacy of which the eye delights to lose itself, while imagination", "a revision, I mark all these passages for deletion. I find them dull,", "wilder scenes of silvan solitude. > > > [from Ivanohe] > > >", "more renowned author, my passages could be considered uglier versions of > >", "happens a few times, most notably when characters are travelling across vast natural", "nature. To give an example from a much more renowned author, my passages", "not particularly engaging. I wished to convey peace and show a moment in", "considered uglier versions of > > The sun was setting upon one of", "of the chapter. Hundreds of broad-headed, short-stemmed, wide-branched oaks, which had witnessed perhaps", "that these passages might have worked in the past, but for today's literature", "not engaging enough. They look like they serve no purpose, they introduce no", "the intricacy of which the eye delights to lose itself, while imagination considers", "of the narration, shift the viewpoint, and give the reader a moment to", "to break the fast-paced tone of the narration, shift the viewpoint, and give", "beeches, hollies, and copsewood of various descriptions, so closely as totally to intercept", "in others they receded from each other, forming those long sweeping vistas, in", "others they receded from each other, forming those long sweeping vistas, in the", "over paragraphs of someone dozing off while contemplating the beauty of nature. To", "which the eye delights to lose itself, while imagination considers them as the", "of the setting. On the other hand, the goal of the passage is", "chapter. Hundreds of broad-headed, short-stemmed, wide-branched oaks, which had witnessed perhaps the stately", "setting, with the drawback that the characters are not going to engage with", "passages might have worked in the past, but for today's literature they are", "How can I reach the goal while making these passages more intriguing and", "past, but for today's literature they are not engaging enough. They look like", "upon one of the rich grassy glades of that forest, which we have", "They look like they serve no purpose, they introduce no themes to the", "when characters are travelling across vast natural landscapes, or when they gaze at", "of nature. To give an example from a much more renowned author, my", "the rich grassy glades of that forest, which we have mentioned in the", "in some places they were intermingled with beeches, hollies, and copsewood of various", "notably when characters are travelling across vast natural landscapes, or when they gaze", "from each other, forming those long sweeping vistas, in the intricacy of which", "which had witnessed perhaps the stately march of the Roman soldiery, flung their", "over a thick carpet of the most delicious green sward; in some places", "uglier versions of > > The sun was setting upon one of the", "shift the viewpoint, and give the reader a moment to breathe. Ideally it", "reader a moment to breathe. Ideally it should come across as a short", "like they serve no purpose, they introduce no themes to the story, nor", "> The sun was setting upon one of the rich grassy glades of", "of > > The sun was setting upon one of the rich grassy", "in the past, but for today's literature they are not engaging enough. They", "going to engage with these particular elements of the setting. On the other", "viewpoint, and give the reader a moment to breathe. Ideally it should come", "chaos. In my novel it happens a few times, most notably when characters", "to yet wilder scenes of silvan solitude. > > > [from Ivanohe] >", "skipping over paragraphs of someone dozing off while contemplating the beauty of nature.", "moment to breathe. Ideally it should come across as a short pause in", "other hand, the goal of the passage is to break the fast-paced tone", "silvan solitude. > > > [from Ivanohe] > > > I think that", "paragraphs of someone dozing off while contemplating the beauty of nature. To give", "the beauty of nature. To give an example from a much more renowned", "the stars at night. Quite often, during a revision, I mark all these", "itself, while imagination considers them as the paths to yet wilder scenes of", "rather than a 'ok, what's the trick with this description?' passage. How can", "particularly engaging. I wished to convey peace and show a moment in which", "delicious green sward; in some places they were intermingled with beeches, hollies, and", "convey peace and show a moment in which characters let go of the", "each other, forming those long sweeping vistas, in the intricacy of which the", "characters let go of the struggle, but instead I find myself skipping over", "Ideally it should come across as a short pause in the narration, rather", "introduce no themes to the story, nor to the plot, and they could", "one may wish to show a moment of peace amidst all the chaos.", "lose itself, while imagination considers them as the paths to yet wilder scenes", "are travelling across vast natural landscapes, or when they gaze at the stars", "night. Quite often, during a revision, I mark all these passages for deletion.", "often, during a revision, I mark all these passages for deletion. I find", "novel it happens a few times, most notably when characters are travelling across", "of that forest, which we have mentioned in the beginning of the chapter.", "of the passage is to break the fast-paced tone of the narration, shift", "might have worked in the past, but for today's literature they are not", "mentioned in the beginning of the chapter. Hundreds of broad-headed, short-stemmed, wide-branched oaks,", "copsewood of various descriptions, so closely as totally to intercept the level beams", "that forest, which we have mentioned in the beginning of the chapter. Hundreds", "engaging. I wished to convey peace and show a moment in which characters", "across as a short pause in the narration, rather than a 'ok, what's", "may wish to show a moment of peace amidst all the chaos. In", "a novel, one may wish to show a moment of peace amidst all", "versions of > > The sun was setting upon one of the rich", "in the narration, rather than a 'ok, what's the trick with this description?'", "find myself skipping over paragraphs of someone dozing off while contemplating the beauty", "one of the rich grassy glades of that forest, which we have mentioned", "sward; in some places they were intermingled with beeches, hollies, and copsewood of", "plot, and they could be mistaken as artsy info-dumps on the setting, with", "I mark all these passages for deletion. I find them dull, and not", "the narration, rather than a 'ok, what's the trick with this description?' passage.", "be mistaken as artsy info-dumps on the setting, with the drawback that the", "beams of the sinking sun; in others they receded from each other, forming", "we have mentioned in the beginning of the chapter. Hundreds of broad-headed, short-stemmed,", "give the reader a moment to breathe. Ideally it should come across as", "these particular elements of the setting. On the other hand, the goal of", "the story, nor to the plot, and they could be mistaken as artsy", "march of the Roman soldiery, flung their gnarled arms over a thick carpet", "which we have mentioned in the beginning of the chapter. Hundreds of broad-headed,", "myself skipping over paragraphs of someone dozing off while contemplating the beauty of", "and give the reader a moment to breathe. Ideally it should come across" ]
[ "like publishers would regard trilogies as a safer bet than a long-winded series,", "it be better to plan out my series as a trilogy, leaving room", "is). It's very optimistic, I know. But I'm just wondering: Would it be", "would regard trilogies as a safer bet than a long-winded series, but then", "out my series as a trilogy, leaving room to expand if the series", "again, I don't know much about the publishing world. My background: I have", "than a long-winded series, but then again, I don't know much about the", "feel like publishers would regard trilogies as a safer bet than a long-winded", "a safer bet than a long-winded series, but then again, I don't know", "much about the publishing world. My background: I have not published any novels", "It's very optimistic, I know. But I'm just wondering: Would it be better", "plan out my series as a trilogy, leaving room to expand if the", "long-winded series, but then again, I don't know much about the publishing world.", "long series (more than five books as is). It's very optimistic, I know.", "(more than five books as is). It's very optimistic, I know. But I'm", "as is). It's very optimistic, I know. But I'm just wondering: Would it", "trilogy, leaving room to expand if the series is successful? I feel like", "I don't know much about the publishing world. My background: I have not", "series, but then again, I don't know much about the publishing world. My", "just wondering: Would it be better to plan out my series as a", "the series is successful? I feel like publishers would regard trilogies as a", "as a trilogy, leaving room to expand if the series is successful? I", "if the series is successful? I feel like publishers would regard trilogies as", "safer bet than a long-winded series, but then again, I don't know much", "my series as a trilogy, leaving room to expand if the series is", "to expand if the series is successful? I feel like publishers would regard", "then again, I don't know much about the publishing world. My background: I", "than five books as is). It's very optimistic, I know. But I'm just", "But I'm just wondering: Would it be better to plan out my series", "be better to plan out my series as a trilogy, leaving room to", "very optimistic, I know. But I'm just wondering: Would it be better to", "about the publishing world. My background: I have not published any novels so", "five books as is). It's very optimistic, I know. But I'm just wondering:", "leaving room to expand if the series is successful? I feel like publishers", "a trilogy, leaving room to expand if the series is successful? I feel", "successful? I feel like publishers would regard trilogies as a safer bet than", "as a safer bet than a long-winded series, but then again, I don't", "regard trilogies as a safer bet than a long-winded series, but then again,", "I'm just wondering: Would it be better to plan out my series as", "know much about the publishing world. My background: I have not published any", "wondering: Would it be better to plan out my series as a trilogy,", "bet than a long-winded series, but then again, I don't know much about", "I have not published any novels so far. If successful, these would be", "have not published any novels so far. If successful, these would be my", "I'm planning out a long series (more than five books as is). It's", "better to plan out my series as a trilogy, leaving room to expand", "series as a trilogy, leaving room to expand if the series is successful?", "a long series (more than five books as is). It's very optimistic, I", "out a long series (more than five books as is). It's very optimistic,", "the publishing world. My background: I have not published any novels so far.", "books as is). It's very optimistic, I know. But I'm just wondering: Would", "expand if the series is successful? I feel like publishers would regard trilogies", "publishers would regard trilogies as a safer bet than a long-winded series, but", "publishing world. My background: I have not published any novels so far. If", "series (more than five books as is). It's very optimistic, I know. But", "not published any novels so far. If successful, these would be my first.", "series is successful? I feel like publishers would regard trilogies as a safer", "know. But I'm just wondering: Would it be better to plan out my", "planning out a long series (more than five books as is). It's very", "don't know much about the publishing world. My background: I have not published", "world. My background: I have not published any novels so far. If successful,", "to plan out my series as a trilogy, leaving room to expand if", "I feel like publishers would regard trilogies as a safer bet than a", "I know. But I'm just wondering: Would it be better to plan out", "room to expand if the series is successful? I feel like publishers would", "is successful? I feel like publishers would regard trilogies as a safer bet", "My background: I have not published any novels so far. If successful, these", "background: I have not published any novels so far. If successful, these would", "a long-winded series, but then again, I don't know much about the publishing", "but then again, I don't know much about the publishing world. My background:", "optimistic, I know. But I'm just wondering: Would it be better to plan", "Would it be better to plan out my series as a trilogy, leaving", "trilogies as a safer bet than a long-winded series, but then again, I" ]
[ "Herrl is actually the least interesting character in the whole work. The most", "backs that up, in regards to character focus. That even though the MC's", "regards to character focus. That even though the MC's character and development is", "With side characters, there is less familiarity/more mysticism, and less predictability. More wonder,", "in Prison Break. Of course, they are not a critic, and furthermore, my", "the MC. And I believe \"literary science\" backs that up, in regards to", "even though the MC's character and development is very good, it is harmed", "mainstream entertainment. I've also heard a lot of people favor all the side", "lot of people favor all the side characters in The Walking Dead over", "for the rest\". But it might be that most audience members do like", "films). I have been told by many that Herrl is actually the least", "focus. That even though the MC's character and development is very good, it", "it applies to some/all people I know/have observed, it is true for the", "Micheod Spemielx, the MC in Prison Break. Of course, they are not a", "whole work. The most boring character, and perhaps more boring MC in all", "Or maybe, MCs tend to simply be written worse? More boring and standard.", "been told by many that Herrl is actually the least interesting character in", "love Micheod Spemielx, the MC in Prison Break. Of course, they are not", "are the main character, who usually gets the most focus, development and generally", "the books or seen the films). I have been told by many that", "Dead* over Pick Rrahus. Conversely, speaking to a family member, they said they", "the great focus on them, due to the audience becoming too familiar with", "it is true for the rest\". But it might be that most audience", "That even though the MC's character and development is very good, it is", "it might be that most audience members do like the MC the most,", "like the MC the most, as one would assume considering they are the", "be written worse? More boring and standard. That seems to be the case", "to simply be written worse? More boring and standard. That seems to be", "favor all the side characters in The Walking Dead over Pick Rrahus. Conversely,", "is less familiarity/more mysticism, and less predictability. More wonder, perhaps? Or maybe, MCs", "to character focus. That even though the MC's character and development is very", "little by the great focus on them, due to the audience becoming too", "in favoring the side characters more than the MC. And I believe \"literary", "the side characters more than the MC. And I believe \"literary science\" backs", "side characters more than the MC. And I believe \"literary science\" backs that", "on them, due to the audience becoming too familiar with them, and therefore", "there is less familiarity/more mysticism, and less predictability. More wonder, perhaps? Or maybe,", "to be the case with Hijrp Potfeq (never read the books or seen", "to a family member, they said they absolutely love Micheod Spemielx, the MC", "(never read the books or seen the films). I have been told by", "whole question is spawned by the fallacious argument that \"because it applies to", "side characters, there is less familiarity/more mysticism, and less predictability. More wonder, perhaps?", "And I believe \"literary science\" backs that up, in regards to character focus.", "though the MC's character and development is very good, it is harmed a", "due to the audience becoming too familiar with them, and therefore bored. With", "the films). I have been told by many that Herrl is actually the", "written worse? More boring and standard. That seems to be the case with", "is very good, it is harmed a little by the great focus on", "the side characters in The Walking Dead over Pick Rrahus. Conversely, speaking to", "member, they said they absolutely love Micheod Spemielx, the MC in Prison Break.", "Spemielx, the MC in Prison Break. Of course, they are not a critic,", "absolutely love Micheod Spemielx, the MC in Prison Break. Of course, they are", "actually the least interesting character in the whole work. The most boring character,", "is actually the least interesting character in the whole work. The most boring", "the least interesting character in the whole work. The most boring character, and", "MC in Prison Break. Of course, they are not a critic, and furthermore,", "and development is very good, it is harmed a little by the great", "seen the films). I have been told by many that Herrl is actually", "MC's character and development is very good, it is harmed a little by", "books or seen the films). I have been told by many that Herrl", "than the MC. And I believe \"literary science\" backs that up, in regards", "That seems to be the case with Hijrp Potfeq (never read the books", "familiarity/more mysticism, and less predictability. More wonder, perhaps? Or maybe, MCs tend to", "be the case with Hijrp Potfeq (never read the books or seen the", "character, and perhaps more boring MC in all of mainstream entertainment. I've also", "by the fallacious argument that \"because it applies to some/all people I know/have", "MCs tend to simply be written worse? More boring and standard. That seems", "focus, development and generally care that is needed to create a compelling character.", "science\" backs that up, in regards to character focus. That even though the", "by the great focus on them, due to the audience becoming too familiar", "the audience becoming too familiar with them, and therefore bored. With side characters,", "\"literary science\" backs that up, in regards to character focus. That even though", "know/have observed, it is true for the rest\". But it might be that", "therefore bored. With side characters, there is less familiarity/more mysticism, and less predictability.", "Conversely, speaking to a family member, they said they absolutely love Micheod Spemielx,", "good, it is harmed a little by the great focus on them, due", "characters, there is less familiarity/more mysticism, and less predictability. More wonder, perhaps? Or", "maybe, MCs tend to simply be written worse? More boring and standard. That", "up, in regards to character focus. That even though the MC's character and", "family member, they said they absolutely love Micheod Spemielx, the MC in Prison", "in regards to character focus. That even though the MC's character and development", "told by many that Herrl is actually the least interesting character in the", "with Hijrp Potfeq (never read the books or seen the films). I have", "of people favor all the side characters in The Walking Dead* over Pick", "considering they are the main character, who usually gets the most focus, development", "perhaps more boring MC in all of mainstream entertainment. I've also heard a", "they are the main character, who usually gets the most focus, development and", "rest\". But it might be that most audience members do like the MC", "the fallacious argument that \"because it applies to some/all people I know/have observed,", "mysticism, and less predictability. More wonder, perhaps? Or maybe, MCs tend to simply", "work. The most boring character, and perhaps more boring MC in all of", "More boring and standard. That seems to be the case with Hijrp Potfeq", "Of course, they are not a critic, and furthermore, my whole question is", "character, who usually gets the most focus, development and generally care that is", "and therefore bored. With side characters, there is less familiarity/more mysticism, and less", "true for the rest\". But it might be that most audience members do", "The Walking Dead over Pick Rrahus. Conversely, speaking to a family member, they", "very good, it is harmed a little by the great focus on them,", "Walking Dead* over Pick Rrahus. Conversely, speaking to a family member, they said", "a little by the great focus on them, due to the audience becoming", "a critic, and furthermore, my whole question is spawned by the fallacious argument", "favoring the side characters more than the MC. And I believe \"literary science\"", "the case with Hijrp Potfeq (never read the books or seen the films).", "boring character, and perhaps more boring MC in all of mainstream entertainment. I've", "character and development is very good, it is harmed a little by the", "more boring MC in all of mainstream entertainment. I've also heard a lot", "critic, and furthermore, my whole question is spawned by the fallacious argument that", "would assume considering they are the main character, who usually gets the most", "audience members do like the MC the most, as one would assume considering", "I feel there is a common audience trend in favoring the side characters", "and perhaps more boring MC in all of mainstream entertainment. I've also heard", "a lot of people favor all the side characters in The Walking Dead", "some/all people I know/have observed, it is true for the rest\". But it", "familiar with them, and therefore bored. With side characters, there is less familiarity/more", "Potfeq (never read the books or seen the films). I have been told", "in The Walking Dead over Pick Rrahus. Conversely, speaking to a family member,", "the main character, who usually gets the most focus, development and generally care", "I know/have observed, it is true for the rest\". But it might be", "tend to simply be written worse? More boring and standard. That seems to", "the whole work. The most boring character, and perhaps more boring MC in", "they absolutely love Micheod Spemielx, the MC in Prison Break. Of course, they", "harmed a little by the great focus on them, due to the audience", "a common audience trend in favoring the side characters more than the MC.", "members do like the MC the most, as one would assume considering they", "I believe \"literary science\" backs that up, in regards to character focus. That", "gets the most focus, development and generally care that is needed to create", "characters more than the MC. And I believe \"literary science\" backs that up,", "least interesting character in the whole work. The most boring character, and perhaps", "great focus on them, due to the audience becoming too familiar with them,", "focus on them, due to the audience becoming too familiar with them, and", "furthermore, my whole question is spawned by the fallacious argument that \"because it", "to some/all people I know/have observed, it is true for the rest\". But", "side characters in The Walking Dead over Pick Rrahus. Conversely, speaking to a", "argument that \"because it applies to some/all people I know/have observed, it is", "Rrahus. Conversely, speaking to a family member, they said they absolutely love Micheod", "the MC in Prison Break. Of course, they are not a critic, and", "bored. With side characters, there is less familiarity/more mysticism, and less predictability. More", "characters in The Walking Dead over Pick Rrahus. Conversely, speaking to a family", "people I know/have observed, it is true for the rest\". But it might", "The most boring character, and perhaps more boring MC in all of mainstream", "most audience members do like the MC the most, as one would assume", "boring and standard. That seems to be the case with Hijrp Potfeq (never", "one would assume considering they are the main character, who usually gets the", "wonder, perhaps? Or maybe, MCs tend to simply be written worse? More boring", "over Pick Rrahus. Conversely, speaking to a family member, they said they absolutely", "that most audience members do like the MC the most, as one would", "believe \"literary science\" backs that up, in regards to character focus. That even", "read the books or seen the films). I have been told by many", "the most focus, development and generally care that is needed to create a", "perhaps? Or maybe, MCs tend to simply be written worse? More boring and", "But it might be that most audience members do like the MC the", "that \"because it applies to some/all people I know/have observed, it is true", "boring MC in all of mainstream entertainment. I've also heard a lot of", "that up, in regards to character focus. That even though the MC's character", "speaking to a family member, they said they absolutely love Micheod Spemielx, the", "are not a critic, and furthermore, my whole question is spawned by the", "who usually gets the most focus, development and generally care that is needed", "seems to be the case with Hijrp Potfeq (never read the books or", "that Herrl is actually the least interesting character in the whole work. The", "the rest\". But it might be that most audience members do like the", "most, as one would assume considering they are the main character, who usually", "character focus. That even though the MC's character and development is very good,", "character in the whole work. The most boring character, and perhaps more boring", "fallacious argument that \"because it applies to some/all people I know/have observed, it", "MC in all of mainstream entertainment. I've also heard a lot of people", "interesting character in the whole work. The most boring character, and perhaps more", "I have been told by many that Herrl is actually the least interesting", "a family member, they said they absolutely love Micheod Spemielx, the MC in", "them, due to the audience becoming too familiar with them, and therefore bored.", "is true for the rest\". But it might be that most audience members", "not a critic, and furthermore, my whole question is spawned by the fallacious", "they are not a critic, and furthermore, my whole question is spawned by", "and furthermore, my whole question is spawned by the fallacious argument that \"because", "Prison Break. Of course, they are not a critic, and furthermore, my whole", "MC the most, as one would assume considering they are the main character,", "case with Hijrp Potfeq (never read the books or seen the films). I", "to the audience becoming too familiar with them, and therefore bored. With side", "is harmed a little by the great focus on them, due to the", "usually gets the most focus, development and generally care that is needed to", "and standard. That seems to be the case with Hijrp Potfeq (never read", "main character, who usually gets the most focus, development and generally care that", "is spawned by the fallacious argument that \"because it applies to some/all people", "audience becoming too familiar with them, and therefore bored. With side characters, there", "heard a lot of people favor all the side characters in The Walking", "is a common audience trend in favoring the side characters more than the", "too familiar with them, and therefore bored. With side characters, there is less", "them, and therefore bored. With side characters, there is less familiarity/more mysticism, and", "more than the MC. And I believe \"literary science\" backs that up, in", "trend in favoring the side characters more than the MC. And I believe", "many that Herrl is actually the least interesting character in the whole work.", "all of mainstream* entertainment. I've also heard a lot of people favor all", "predictability. More wonder, perhaps? Or maybe, MCs tend to simply be written worse?", "be that most audience members do like the MC the most, as one", "observed, it is true for the rest\". But it might be that most", "worse? More boring and standard. That seems to be the case with Hijrp", "Hijrp Potfeq (never read the books or seen the films). I have been", "in the whole work. The most boring character, and perhaps more boring MC", "by many that Herrl is actually the least interesting character in the whole", "it is harmed a little by the great focus on them, due to", "applies to some/all people I know/have observed, it is true for the rest\".", "said they absolutely love Micheod Spemielx, the MC in Prison Break. Of course,", "most focus, development and generally care that is needed to create a compelling", "becoming too familiar with them, and therefore bored. With side characters, there is", "the MC the most, as one would assume considering they are the main", "do like the MC the most, as one would assume considering they are", "or seen the films). I have been told by many that Herrl is", "all the side characters in The Walking Dead over Pick Rrahus. Conversely, speaking", "spawned by the fallacious argument that \"because it applies to some/all people I", "there is a common audience trend in favoring the side characters more than", "MC. And I believe \"literary science\" backs that up, in regards to character", "the MC's character and development is very good, it is harmed a little", "More wonder, perhaps? Or maybe, MCs tend to simply be written worse? More", "assume considering they are the main character, who usually gets the most focus,", "most boring character, and perhaps more boring MC in all of mainstream entertainment.", "feel there is a common audience trend in favoring the side characters more", "of mainstream entertainment. I've also heard a lot of people favor all the", "question is spawned by the fallacious argument that \"because it applies to some/all", "Break. Of course, they are not a critic, and furthermore, my whole question", "development is very good, it is harmed a little by the great focus", "simply be written worse? More boring and standard. That seems to be the", "my whole question is spawned by the fallacious argument that \"because it applies", "entertainment. I've also heard a lot of people favor all the side characters", "have been told by many that Herrl is actually the least interesting character", "\"because it applies to some/all people I know/have observed, it is true for", "less predictability. More wonder, perhaps? Or maybe, MCs tend to simply be written", "as one would assume considering they are the main character, who usually gets", "people favor all the side characters in The Walking Dead* over Pick Rrahus.", "less familiarity/more mysticism, and less predictability. More wonder, perhaps? Or maybe, MCs tend", "course, they are not a critic, and furthermore, my whole question is spawned", "common audience trend in favoring the side characters more than the MC. And", "Pick Rrahus. Conversely, speaking to a family member, they said they absolutely love", "I've also heard a lot of people favor all the side characters in", "might be that most audience members do like the MC the most, as", "in all of mainstream entertainment. I've also heard a lot of people favor", "they said they absolutely love Micheod Spemielx, the MC in Prison Break. Of", "standard. That seems to be the case with Hijrp Potfeq (never read the", "the most, as one would assume considering they are the main character, who", "also heard a lot of people favor all the side characters in *The", "with them, and therefore bored. With side characters, there is less familiarity/more mysticism,", "audience trend in favoring the side characters more than the MC. And I", "and less predictability. More wonder, perhaps? Or maybe, MCs tend to simply be" ]
[ "the jump while reading. At first I thought that if the stakes are", "Chorkia on a chatroom. They are both using some random usernames. > >", "go from scene A to scene B, jumping over how that could possibly", "Bob surprises Chorkia by knocking at his door. > > > How did", "it is going to end. However, at my first attempt the high stakes", "the robbers who invaded her home. > > > Scene B: Parr is", "free herself without the robbers noticing? And where did she get the phone", "fool a wide audience to such an extent that they would not notice", "B, jumping over how that could possibly happen. Some examples, to give a", "my first attempt the high stakes resulted in a higher bar for consequentiality", "And where did she get the phone from? 3. > > Scene A:", "not notice the jump while reading. At first I thought that if the", "higher bar for consequentiality and my two beta readers spotted that it was", "given him any personal information, Bob surprises Chorkia by knocking at his door.", "I simply foreshadow it, e.g. \" 'On the internet no one knows where", "online? The question thus remains: how to smoothly fool a wide audience to", "door is blocked under the snow. > > > Scene B: Sisaq is", "wrong, but this sounds like an unrealistic gimmick to me: who is taking", "invaded her home. > > > Scene B: Parr is running outside while", "reasonable in terms of physics or logic. The obvious solution would be to", "that could possibly happen. Some examples, to give a reference: 1. > >", "noticing? And where did she get the phone from? 3. > > Scene", "the reader the fact that I am skipping some steps. Worse, perhaps, I", "that the door is blocked under the snow. > > > Scene B:", "Perhaps focusing on one character during one scene, and on the other in", "out of the chalet, across a wall of snow? These are scene jumps", "I may be wrong, but this sounds like an unrealistic gimmick to me:", "I am skipping some steps. Worse, perhaps, I don't want to show them,", "or logic. The obvious solution would be to edit the text to give", "am instead interested in pushing the suspension of disbelief, and would like to", "at my first attempt the high stakes resulted in a higher bar for", "of POV. Perhaps focusing on one character during one scene, and on the", "tied up by the robbers who invaded her home. > > > Scene", "snowfall so heavy that the door is blocked under the snow. > >", "they may not reflect anything reasonable in terms of physics or logic. The", "is not what I am looking for. I am instead interested in pushing", "steps should go: I simply want to go from scene A to scene", "of how the feat was achieved, or how it could be possible. This", "feat was achieved, or how it could be possible. This is not what", "> > > How did Bob figure out it was Chorkia? And how", "other scene can ease the transition. Or should I simply foreshadow it, e.g.", "jumps that serve the plot, but they may not reflect anything reasonable in", "running outside while calling the police from her mobile phone. > > >", "usernames. > > > Scene B: Despite not having given him any personal", "through to see how it is going to end. However, at my first", "while calling the police from her mobile phone. > > > How did", "> > > How did she free herself without the robbers noticing? And", "\" 'On the internet no one knows where you truly are.' thought Chorkia.", "hint of how the feat was achieved, or how it could be possible.", "was achieved, or how it could be possible. This is not what I", "robbers who invaded her home. > > > Scene B: Parr is running", "having given him any personal information, Bob surprises Chorkia by knocking at his", "and would like to find a writing device such that the reader will", "an unrealistic gimmick to me: who is taking their time to think that", "perhaps, I don't want to show them, and I may have no clue", "clue or intention of figuring out how these steps should go: I simply", "wall of snow? These are scene jumps that serve the plot, but they", "taking their time to think that while chatting online? The question thus remains:", "could be possible. This is not what I am looking for. I am", "> Scene A: Parr is tied up by the robbers who invaded her", "B: Sisaq is crossing the frozen lake by foot. > > > How", "did she get out of the chalet, across a wall of snow? These", "> Scene B: Despite not having given him any personal information, Bob surprises", "thus remains: how to smoothly fool a wide audience to such an extent", "her mobile phone. > > > How did she free herself without the", "that while chatting online? The question thus remains: how to smoothly fool a", "a reference: 1. > > Scene A: Bob meets Chorkia on a chatroom.", "the snow. > > > Scene B: Sisaq is crossing the frozen lake", "are both using some random usernames. > > > Scene B: Despite not", "How did she get out of the chalet, across a wall of snow?", "simply want to go from scene A to scene B, jumping over how", "to see how it is going to end. However, at my first attempt", "suspension of disbelief, and would like to find a writing device such that", "obvious solution would be to edit the text to give the reader a", "clear how Bob managed to get to Chorkia's hideout. I wonder if it", "his door. > > > How did Bob figure out it was Chorkia?", "Parr is tied up by the robbers who invaded her home. > >", "the transition. Or should I simply foreshadow it, e.g. \" 'On the internet", "you truly are.' thought Chorkia. \". I may be wrong, but this sounds", "disbelief, and would like to find a writing device such that the reader", "chatroom. They are both using some random usernames. > > > Scene B:", "truly are.' thought Chorkia. \". I may be wrong, but this sounds like", "over how that could possibly happen. Some examples, to give a reference: 1.", "it was Chorkia? And how did he find the address? 2. > >", "physics or logic. The obvious solution would be to edit the text to", "Scene A: Parr is tied up by the robbers who invaded her home.", "> How did she free herself without the robbers noticing? And where did", "the feat was achieved, or how it could be possible. This is not", "the suspension of disbelief, and would like to find a writing device such", "of disbelief, and would like to find a writing device such that the", "the cabin under a snowfall so heavy that the door is blocked under", "2. > > Scene A: Parr is tied up by the robbers who", "> > > Scene B: Sisaq is crossing the frozen lake by foot.", "out how these steps should go: I simply want to go from scene", "I don't want to show them, and I may have no clue or", "Axel and Sisaq are stuck in the cabin under a snowfall so heavy", "the robbers noticing? And where did she get the phone from? 3. >", "how Bob managed to get to Chorkia's hideout. I wonder if it is", "under the snow. > > > Scene B: Sisaq is crossing the frozen", "possibly happen. Some examples, to give a reference: 1. > > Scene A:", "while chatting online? The question thus remains: how to smoothly fool a wide", "are high enough one may just read through to see how it is", "in a higher bar for consequentiality and my two beta readers spotted that", "find a writing device such that the reader will not notice the jump", "that if the stakes are high enough one may just read through to", "them, and I may have no clue or intention of figuring out how", "I wonder if it is an issue of POV. Perhaps focusing on one", "a snowfall so heavy that the door is blocked under the snow. >", "be wrong, but this sounds like an unrealistic gimmick to me: who is", "stuck in the cabin under a snowfall so heavy that the door is", "jump while reading. At first I thought that if the stakes are high", "is tied up by the robbers who invaded her home. > > >", "the internet no one knows where you truly are.' thought Chorkia. \". I", "she get the phone from? 3. > > Scene A: Axel and Sisaq", "give the reader a hint of how the feat was achieved, or how", "a chatroom. They are both using some random usernames. > > > Scene", "a hint of how the feat was achieved, or how it could be", "and my two beta readers spotted that it was not clear how Bob", "high stakes resulted in a higher bar for consequentiality and my two beta", "but this sounds like an unrealistic gimmick to me: who is taking their", "looking for. I am instead interested in pushing the suspension of disbelief, and", "at his door. > > > How did Bob figure out it was", "thought Chorkia. \". I may be wrong, but this sounds like an unrealistic", "3. > > Scene A: Axel and Sisaq are stuck in the cabin", "give a reference: 1. > > Scene A: Bob meets Chorkia on a", "> > > Scene B: Despite not having given him any personal information,", "no clue or intention of figuring out how these steps should go: I", "They are both using some random usernames. > > > Scene B: Despite", "> > Scene B: Parr is running outside while calling the police from", "Scene B: Parr is running outside while calling the police from her mobile", "the chalet, across a wall of snow? These are scene jumps that serve", "question is about hiding from the reader the fact that I am skipping", "hiding from the reader the fact that I am skipping some steps. Worse,", "is an issue of POV. Perhaps focusing on one character during one scene,", "want to show them, and I may have no clue or intention of", "> Scene B: Parr is running outside while calling the police from her", "the plot, but they may not reflect anything reasonable in terms of physics", "reference: 1. > > Scene A: Bob meets Chorkia on a chatroom. They", "while reading. At first I thought that if the stakes are high enough", "such an extent that they would not notice an unexplainable step occurring between", "on a chatroom. They are both using some random usernames. > > >", "However, at my first attempt the high stakes resulted in a higher bar", "> > > Scene B: Parr is running outside while calling the police", "device such that the reader will not notice the jump while reading. At", "is going to end. However, at my first attempt the high stakes resulted", "How did she free herself without the robbers noticing? And where did she", "find the address? 2. > > Scene A: Parr is tied up by", "to go from scene A to scene B, jumping over how that could", "gimmick to me: who is taking their time to think that while chatting", "like to find a writing device such that the reader will not notice", "serve the plot, but they may not reflect anything reasonable in terms of", "in the cabin under a snowfall so heavy that the door is blocked", "would like to find a writing device such that the reader will not", "from the reader the fact that I am skipping some steps. Worse, perhaps,", "from? 3. > > Scene A: Axel and Sisaq are stuck in the", "and on the other in the other scene can ease the transition. Or", "a higher bar for consequentiality and my two beta readers spotted that it", "issue of POV. Perhaps focusing on one character during one scene, and on", "police from her mobile phone. > > > How did she free herself", "internet no one knows where you truly are.' thought Chorkia. \". I may", "him any personal information, Bob surprises Chorkia by knocking at his door. >", "wonder if it is an issue of POV. Perhaps focusing on one character", "how to smoothly fool a wide audience to such an extent that they", "think that while chatting online? The question thus remains: how to smoothly fool", "it, e.g. \" 'On the internet no one knows where you truly are.'", "> > How did she free herself without the robbers noticing? And where", "to show them, and I may have no clue or intention of figuring", "And how did he find the address? 2. > > Scene A: Parr", "terms of physics or logic. The obvious solution would be to edit the", "reader the fact that I am skipping some steps. Worse, perhaps, I don't", "interested in pushing the suspension of disbelief, and would like to find a", "logic. The obvious solution would be to edit the text to give the", "is about hiding from the reader the fact that I am skipping some", "sounds like an unrealistic gimmick to me: who is taking their time to", "like an unrealistic gimmick to me: who is taking their time to think", "1. > > Scene A: Bob meets Chorkia on a chatroom. They are", "meets Chorkia on a chatroom. They are both using some random usernames. >", "and Sisaq are stuck in the cabin under a snowfall so heavy that", "> > Scene A: Bob meets Chorkia on a chatroom. They are both", "or how it could be possible. This is not what I am looking", "I am looking for. I am instead interested in pushing the suspension of", "The question thus remains: how to smoothly fool a wide audience to such", "should I simply foreshadow it, e.g. \" 'On the internet no one knows", "> Scene A: Bob meets Chorkia on a chatroom. They are both using", "that serve the plot, but they may not reflect anything reasonable in terms", "the door is blocked under the snow. > > > Scene B: Sisaq", "reading. At first I thought that if the stakes are high enough one", "one knows where you truly are.' thought Chorkia. \". I may be wrong,", "first attempt the high stakes resulted in a higher bar for consequentiality and", "bar for consequentiality and my two beta readers spotted that it was not", "home. > > > Scene B: Parr is running outside while calling the", "one scene, and on the other in the other scene can ease the", "not what I am looking for. I am instead interested in pushing the", "may just read through to see how it is going to end. However,", "time to think that while chatting online? The question thus remains: how to", "am skipping some steps. Worse, perhaps, I don't want to show them, and", "knows where you truly are.' thought Chorkia. \". I may be wrong, but", "scene can ease the transition. Or should I simply foreshadow it, e.g. \"", "happen. Some examples, to give a reference: 1. > > Scene A: Bob", "> > Scene B: Sisaq is crossing the frozen lake by foot. >", "if the stakes are high enough one may just read through to see", "heavy that the door is blocked under the snow. > > > Scene", "to me: who is taking their time to think that while chatting online?", "intention of figuring out how these steps should go: I simply want to", "to give a reference: 1. > > Scene A: Bob meets Chorkia on", "knocking at his door. > > > How did Bob figure out it", "snow. > > > Scene B: Sisaq is crossing the frozen lake by", "how did he find the address? 2. > > Scene A: Parr is", "in pushing the suspension of disbelief, and would like to find a writing", "to find a writing device such that the reader will not notice the", "personal information, Bob surprises Chorkia by knocking at his door. > > >", "remains: how to smoothly fool a wide audience to such an extent that", "and I may have no clue or intention of figuring out how these", "are.' thought Chorkia. \". I may be wrong, but this sounds like an", "Scene B: Sisaq is crossing the frozen lake by foot. > > >", "to edit the text to give the reader a hint of how the", "high enough one may just read through to see how it is going", "foreshadow it, e.g. \" 'On the internet no one knows where you truly", "any personal information, Bob surprises Chorkia by knocking at his door. > >", "reader will not notice the jump while reading. At first I thought that", "out it was Chorkia? And how did he find the address? 2. >", "of the chalet, across a wall of snow? These are scene jumps that", "not reflect anything reasonable in terms of physics or logic. The obvious solution", "under a snowfall so heavy that the door is blocked under the snow.", "> > Scene A: Axel and Sisaq are stuck in the cabin under", "Chorkia. \". I may be wrong, but this sounds like an unrealistic gimmick", "address? 2. > > Scene A: Parr is tied up by the robbers", "Scene A: Bob meets Chorkia on a chatroom. They are both using some", "see how it is going to end. However, at my first attempt the", "was not clear how Bob managed to get to Chorkia's hideout. I wonder", "A to scene B, jumping over how that could possibly happen. Some examples,", "the police from her mobile phone. > > > How did she free", "solution would be to edit the text to give the reader a hint", "consequentiality and my two beta readers spotted that it was not clear how", "about hiding from the reader the fact that I am skipping some steps.", "was Chorkia? And how did he find the address? 2. > > Scene", "a wide audience to such an extent that they would not notice an", "The obvious solution would be to edit the text to give the reader", "may be wrong, but this sounds like an unrealistic gimmick to me: who", "how it could be possible. This is not what I am looking for.", "in terms of physics or logic. The obvious solution would be to edit", "A: Bob meets Chorkia on a chatroom. They are both using some random", "snow? These are scene jumps that serve the plot, but they may not", "A: Axel and Sisaq are stuck in the cabin under a snowfall so", "to scene B, jumping over how that could possibly happen. Some examples, to", "be possible. This is not what I am looking for. I am instead", "is blocked under the snow. > > > Scene B: Sisaq is crossing", "show them, and I may have no clue or intention of figuring out", "herself without the robbers noticing? And where did she get the phone from?", "> > Scene A: Parr is tied up by the robbers who invaded", "no one knows where you truly are.' thought Chorkia. \". I may be", "to such an extent that they would not notice an unexplainable step occurring", "not having given him any personal information, Bob surprises Chorkia by knocking at", "it could be possible. This is not what I am looking for. I", "from her mobile phone. > > > How did she free herself without", "her home. > > > Scene B: Parr is running outside while calling", "the text to give the reader a hint of how the feat was", "these steps should go: I simply want to go from scene A to", "examples, to give a reference: 1. > > Scene A: Bob meets Chorkia", "scene jumps that serve the plot, but they may not reflect anything reasonable", "but they may not reflect anything reasonable in terms of physics or logic.", "managed to get to Chorkia's hideout. I wonder if it is an issue", "Parr is running outside while calling the police from her mobile phone. >", "door. > > > How did Bob figure out it was Chorkia? And", "to smoothly fool a wide audience to such an extent that they would", "scene A to scene B, jumping over how that could possibly happen. Some", "how the feat was achieved, or how it could be possible. This is", "both using some random usernames. > > > Scene B: Despite not having", "going to end. However, at my first attempt the high stakes resulted in", "who invaded her home. > > > Scene B: Parr is running outside", "cabin under a snowfall so heavy that the door is blocked under the", "in the other scene can ease the transition. Or should I simply foreshadow", "smoothly fool a wide audience to such an extent that they would not", "Scene B: Despite not having given him any personal information, Bob surprises Chorkia", "frozen lake by foot. > > > How did she get out of", "a wall of snow? These are scene jumps that serve the plot, but", "for. I am instead interested in pushing the suspension of disbelief, and would", "transition. Or should I simply foreshadow it, e.g. \" 'On the internet no", "the frozen lake by foot. > > > How did she get out", "my two beta readers spotted that it was not clear how Bob managed", "stakes are high enough one may just read through to see how it", "this sounds like an unrealistic gimmick to me: who is taking their time", "hideout. I wonder if it is an issue of POV. Perhaps focusing on", "by the robbers who invaded her home. > > > Scene B: Parr", "outside while calling the police from her mobile phone. > > > How", "Or should I simply foreshadow it, e.g. \" 'On the internet no one", "anything reasonable in terms of physics or logic. The obvious solution would be", "B: Parr is running outside while calling the police from her mobile phone.", "question thus remains: how to smoothly fool a wide audience to such an", "robbers noticing? And where did she get the phone from? 3. > >", "may not reflect anything reasonable in terms of physics or logic. The obvious", "the reader a hint of how the feat was achieved, or how it", "random usernames. > > > Scene B: Despite not having given him any", "be to edit the text to give the reader a hint of how", "notice the jump while reading. At first I thought that if the stakes", "surprises Chorkia by knocking at his door. > > > How did Bob", "one may just read through to see how it is going to end.", "Chorkia? And how did he find the address? 2. > > Scene A:", "achieved, or how it could be possible. This is not what I am", "wide audience to such an extent that they would not notice an unexplainable", "get to Chorkia's hideout. I wonder if it is an issue of POV.", "calling the police from her mobile phone. > > > How did she", "on one character during one scene, and on the other in the other", "I thought that if the stakes are high enough one may just read", "attempt the high stakes resulted in a higher bar for consequentiality and my", "are stuck in the cabin under a snowfall so heavy that the door", "lake by foot. > > > How did she get out of the", "crossing the frozen lake by foot. > > > How did she get", "'On the internet no one knows where you truly are.' thought Chorkia. \".", "without the robbers noticing? And where did she get the phone from? 3.", "to Chorkia's hideout. I wonder if it is an issue of POV. Perhaps", "have no clue or intention of figuring out how these steps should go:", "is crossing the frozen lake by foot. > > > How did she", "of snow? These are scene jumps that serve the plot, but they may", "first I thought that if the stakes are high enough one may just", "readers spotted that it was not clear how Bob managed to get to", "can ease the transition. Or should I simply foreshadow it, e.g. \" 'On", "the other scene can ease the transition. Or should I simply foreshadow it,", "scene, and on the other in the other scene can ease the transition.", "one character during one scene, and on the other in the other scene", "that it was not clear how Bob managed to get to Chorkia's hideout.", "who is taking their time to think that while chatting online? The question", "how it is going to end. However, at my first attempt the high", "simply foreshadow it, e.g. \" 'On the internet no one knows where you", "get the phone from? 3. > > Scene A: Axel and Sisaq are", "> Scene A: Axel and Sisaq are stuck in the cabin under a", "edit the text to give the reader a hint of how the feat", "How did Bob figure out it was Chorkia? And how did he find", "These are scene jumps that serve the plot, but they may not reflect", "resulted in a higher bar for consequentiality and my two beta readers spotted", "to get to Chorkia's hideout. I wonder if it is an issue of", "Scene A: Axel and Sisaq are stuck in the cabin under a snowfall", "the stakes are high enough one may just read through to see how", "by foot. > > > How did she get out of the chalet,", "Despite not having given him any personal information, Bob surprises Chorkia by knocking", "he find the address? 2. > > Scene A: Parr is tied up", "an issue of POV. Perhaps focusing on one character during one scene, and", "audience to such an extent that they would not notice an unexplainable step", "foot. > > > How did she get out of the chalet, across", "instead interested in pushing the suspension of disbelief, and would like to find", "would be to edit the text to give the reader a hint of", "such that the reader will not notice the jump while reading. At first", "it was not clear how Bob managed to get to Chorkia's hideout. I", "am looking for. I am instead interested in pushing the suspension of disbelief,", "> Scene B: Sisaq is crossing the frozen lake by foot. > >", "the reader will not notice the jump while reading. At first I thought", "scene B, jumping over how that could possibly happen. Some examples, to give", "by knocking at his door. > > > How did Bob figure out", "phone. > > > How did she free herself without the robbers noticing?", "enough one may just read through to see how it is going to", "beta readers spotted that it was not clear how Bob managed to get", "Chorkia's hideout. I wonder if it is an issue of POV. Perhaps focusing", "a writing device such that the reader will not notice the jump while", "Bob meets Chorkia on a chatroom. They are both using some random usernames.", "I am instead interested in pushing the suspension of disbelief, and would like", "I simply want to go from scene A to scene B, jumping over", "just read through to see how it is going to end. However, at", "fact that I am skipping some steps. Worse, perhaps, I don't want to", "> > Scene B: Despite not having given him any personal information, Bob", "to end. However, at my first attempt the high stakes resulted in a", "\". I may be wrong, but this sounds like an unrealistic gimmick to", "that I am skipping some steps. Worse, perhaps, I don't want to show", "up by the robbers who invaded her home. > > > Scene B:", "are scene jumps that serve the plot, but they may not reflect anything", "did Bob figure out it was Chorkia? And how did he find the", "me: who is taking their time to think that while chatting online? The", "she free herself without the robbers noticing? And where did she get the", "is taking their time to think that while chatting online? The question thus", "This is not what I am looking for. I am instead interested in", "across a wall of snow? These are scene jumps that serve the plot,", "not clear how Bob managed to get to Chorkia's hideout. I wonder if", "Bob figure out it was Chorkia? And how did he find the address?", "text to give the reader a hint of how the feat was achieved,", "> How did she get out of the chalet, across a wall of", "how that could possibly happen. Some examples, to give a reference: 1. >", "mobile phone. > > > How did she free herself without the robbers", "the phone from? 3. > > Scene A: Axel and Sisaq are stuck", "should go: I simply want to go from scene A to scene B,", "from scene A to scene B, jumping over how that could possibly happen.", "during one scene, and on the other in the other scene can ease", "other in the other scene can ease the transition. Or should I simply", "did she free herself without the robbers noticing? And where did she get", "is running outside while calling the police from her mobile phone. > >", "the other in the other scene can ease the transition. Or should I", "where you truly are.' thought Chorkia. \". I may be wrong, but this", "an extent that they would not notice an unexplainable step occurring between scenes?", "so heavy that the door is blocked under the snow. > > >", "end. However, at my first attempt the high stakes resulted in a higher", "Worse, perhaps, I don't want to show them, and I may have no", "At first I thought that if the stakes are high enough one may", "> How did Bob figure out it was Chorkia? And how did he", "writing device such that the reader will not notice the jump while reading.", "figuring out how these steps should go: I simply want to go from", "where did she get the phone from? 3. > > Scene A: Axel", "for consequentiality and my two beta readers spotted that it was not clear", "their time to think that while chatting online? The question thus remains: how", "the fact that I am skipping some steps. Worse, perhaps, I don't want", "Some examples, to give a reference: 1. > > Scene A: Bob meets", "of physics or logic. 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These are scene", "want to go from scene A to scene B, jumping over how that", "spotted that it was not clear how Bob managed to get to Chorkia's", "could possibly happen. Some examples, to give a reference: 1. > > Scene", "on the other in the other scene can ease the transition. Or should", "Chorkia by knocking at his door. > > > How did Bob figure", "don't want to show them, and I may have no clue or intention", "skipping some steps. Worse, perhaps, I don't want to show them, and I", "steps. Worse, perhaps, I don't want to show them, and I may have", "possible. This is not what I am looking for. I am instead interested", "phone from? 3. > > Scene A: Axel and Sisaq are stuck in", "ease the transition. Or should I simply foreshadow it, e.g. \" 'On the", "thought that if the stakes are high enough one may just read through", "did she get the phone from? 3. > > Scene A: Axel and", "did he find the address? 2. > > Scene A: Parr is tied", "jumping over how that could possibly happen. Some examples, to give a reference:", "it is an issue of POV. Perhaps focusing on one character during one", "B: Despite not having given him any personal information, Bob surprises Chorkia by", "This question is about hiding from the reader the fact that I am", "pushing the suspension of disbelief, and would like to find a writing device", "Bob managed to get to Chorkia's hideout. I wonder if it is an", "POV. Perhaps focusing on one character during one scene, and on the other", "> > > How did she get out of the chalet, across a", "to think that while chatting online? The question thus remains: how to smoothly", "to give the reader a hint of how the feat was achieved, or", "chatting online? The question thus remains: how to smoothly fool a wide audience", "focusing on one character during one scene, and on the other in the", "plot, but they may not reflect anything reasonable in terms of physics or", "read through to see how it is going to end. However, at my", "using some random usernames. > > > Scene B: Despite not having given", "will not notice the jump while reading. At first I thought that if", "if it is an issue of POV. Perhaps focusing on one character during", "blocked under the snow. > > > Scene B: Sisaq is crossing the", "chalet, across a wall of snow? These are scene jumps that serve the", "unrealistic gimmick to me: who is taking their time to think that while", "I may have no clue or intention of figuring out how these steps", "e.g. \" 'On the internet no one knows where you truly are.' thought", "may have no clue or intention of figuring out how these steps should", "the address? 2. > > Scene A: Parr is tied up by the", "two beta readers spotted that it was not clear how Bob managed to", "some steps. Worse, perhaps, I don't want to show them, and I may", "the high stakes resulted in a higher bar for consequentiality and my two", "information, Bob surprises Chorkia by knocking at his door. > > > How", "what I am looking for. I am instead interested in pushing the suspension", "how these steps should go: I simply want to go from scene A", "some random usernames. > > > Scene B: Despite not having given him", "of figuring out how these steps should go: I simply want to go", "Sisaq is crossing the frozen lake by foot. > > > How did" ]
[ "does a person get an entry on Britannica, Encyclopedia.com etc. ? The person", "person get an entry on Britannica, Encyclopedia.com etc. ? The person has a", "on Britannica, Encyclopedia.com etc. ? The person has a Wikipedia page and news", "How does a person get an entry on Britannica, Encyclopedia.com etc. ? The", "entry on Britannica, Encyclopedia.com etc. ? The person has a Wikipedia page and", "get an entry on Britannica, Encyclopedia.com etc. ? The person has a Wikipedia", "an entry on Britannica, Encyclopedia.com etc. ? The person has a Wikipedia page", "Encyclopedia.com etc. ? The person has a Wikipedia page and news references. Thanks!", "Britannica, Encyclopedia.com etc. ? The person has a Wikipedia page and news references.", "a person get an entry on Britannica, Encyclopedia.com etc. ? The person has" ]
[ "and floors are literally moving There's been many more times when an author", "more active and definite, and I don't think anyones going to think that", "active and definite, and I don't think anyones going to think that the", "used the word \"seem\" and it's irked me. The word just feels kind", "author has used the word \"seem\" and it's irked me. The word just", "and hit my head. I got back up. The walls and floors started", "be moving > > > That struck me as wrong; because since the", "preference, or if there is some popular wisdom regarding the word. A quick", "is experiencing it, for them the walls don't seem to be moving, they", "There's been many more times when an author has used the word \"seem\"", "The word just feels kind of vague I'm just wondering if this is", "got back up. The walls and floors seemed to be moving > >", "like that passage above would be much better if it was rewrote as", "my head. I got back up. The walls and floors seemed to be", "and hit my head. I got back up. The walls and floors seemed", "it, for them the walls don't seem to be moving, they are moving.", "I feel like that passage above would be much better if it was", "if there is some popular wisdom regarding the word. A quick google didn't", "walls and floors started to move > > > It feels more active", "definite, and I don't think anyones going to think that the walls and", "and definite, and I don't think anyones going to think that the walls", "an author has used the word \"seem\" and it's irked me. The word", "in books. Something about it rubs me the wrong way. For example, I", "the wrong way. For example, I read a book where the following happened", "word just feels kind of vague I'm just wondering if this is just", "me as wrong; because since the character is experiencing it, for them the", "example, I read a book where the following happened > > I stumbled", "head. I got back up. The walls and floors started to move >", "to move > > > It feels more active and definite, and I", "feels kind of vague I'm just wondering if this is just personal preference,", "walls and floors seemed to be moving > > > That struck me", "passage above would be much better if it was rewrote as > >", "ground and hit my head. I got back up. The walls and floors", "walls don't seem to be moving, they are moving. I feel like that", "since the character is experiencing it, for them the walls don't seem to", "just wondering if this is just personal preference, or if there is some", "That struck me as wrong; because since the character is experiencing it, for", "lot in books. Something about it rubs me the wrong way. For example,", "moving There's been many more times when an author has used the word", "where the following happened > > I stumbled to the ground and hit", "up. The walls and floors seemed to be moving > > > That", "going to think that the walls and floors are literally moving There's been", "to think that the walls and floors are literally moving There's been many", "when an author has used the word \"seem\" and it's irked me. The", "of vague I'm just wondering if this is just personal preference, or if", "are moving. I feel like that passage above would be much better if", "> > It feels more active and definite, and I don't think anyones", "irked me. The word just feels kind of vague I'm just wondering if", "started to move > > > It feels more active and definite, and", "vague I'm just wondering if this is just personal preference, or if there", "and floors started to move > > > It feels more active and", "it was rewrote as > > I stumbled to the ground and hit", "about it rubs me the wrong way. For example, I read a book", "walls and floors are literally moving There's been many more times when an", "there is some popular wisdom regarding the word. A quick google didn't bring", "For example, I read a book where the following happened > > I", "think that the walls and floors are literally moving There's been many more", "this is just personal preference, or if there is some popular wisdom regarding", "to be moving, they are moving. I feel like that passage above would", "them the walls don't seem to be moving, they are moving. I feel", "just started noticing this word a lot in books. Something about it rubs", "book where the following happened > > I stumbled to the ground and", "Something about it rubs me the wrong way. For example, I read a", "think anyones going to think that the walls and floors are literally moving", "kind of vague I'm just wondering if this is just personal preference, or", "The walls and floors seemed to be moving > > > That struck", "because since the character is experiencing it, for them the walls don't seem", "don't seem to be moving, they are moving. I feel like that passage", "that passage above would be much better if it was rewrote as >", "more times when an author has used the word \"seem\" and it's irked", "I read a book where the following happened > > I stumbled to", "and I don't think anyones going to think that the walls and floors", "they are moving. I feel like that passage above would be much better", "is some popular wisdom regarding the word. A quick google didn't bring up", "the word \"seem\" and it's irked me. The word just feels kind of", "character is experiencing it, for them the walls don't seem to be moving,", "experiencing it, for them the walls don't seem to be moving, they are", "just personal preference, or if there is some popular wisdom regarding the word.", "is just personal preference, or if there is some popular wisdom regarding the", "I got back up. The walls and floors seemed to be moving >", "if this is just personal preference, or if there is some popular wisdom", "head. I got back up. The walls and floors seemed to be moving", "just feels kind of vague I'm just wondering if this is just personal", "started noticing this word a lot in books. Something about it rubs me", "moving, they are moving. I feel like that passage above would be much", "and it's irked me. The word just feels kind of vague I'm just", "this word a lot in books. Something about it rubs me the wrong", "read a book where the following happened > > I stumbled to the", "seem to be moving, they are moving. I feel like that passage above", "floors started to move > > > It feels more active and definite,", "> That struck me as wrong; because since the character is experiencing it,", "I've just started noticing this word a lot in books. Something about it", "the walls don't seem to be moving, they are moving. I feel like", "back up. The walls and floors seemed to be moving > > >", "better if it was rewrote as > > I stumbled to the ground", "seemed to be moving > > > That struck me as wrong; because", "> > I stumbled to the ground and hit my head. I got", "noticing this word a lot in books. Something about it rubs me the", "be moving, they are moving. I feel like that passage above would be", "are literally moving There's been many more times when an author has used", "or if there is some popular wisdom regarding the word. A quick google", "wrong; because since the character is experiencing it, for them the walls don't", "the ground and hit my head. I got back up. The walls and", "if it was rewrote as > > I stumbled to the ground and", "It feels more active and definite, and I don't think anyones going to", "floors are literally moving There's been many more times when an author has", "way. For example, I read a book where the following happened > >", "be much better if it was rewrote as > > I stumbled to", "me the wrong way. For example, I read a book where the following", "as wrong; because since the character is experiencing it, for them the walls", "a lot in books. Something about it rubs me the wrong way. For", "above would be much better if it was rewrote as > > I", "struck me as wrong; because since the character is experiencing it, for them", "my head. I got back up. The walls and floors started to move", "> I stumbled to the ground and hit my head. I got back", "\"seem\" and it's irked me. The word just feels kind of vague I'm", "move > > > It feels more active and definite, and I don't", "books. Something about it rubs me the wrong way. For example, I read", "the walls and floors are literally moving There's been many more times when", "times when an author has used the word \"seem\" and it's irked me.", "anyones going to think that the walls and floors are literally moving There's", "a book where the following happened > > I stumbled to the ground", "has used the word \"seem\" and it's irked me. The word just feels", "following happened > > I stumbled to the ground and hit my head.", "the character is experiencing it, for them the walls don't seem to be", "it rubs me the wrong way. For example, I read a book where", "back up. The walls and floors started to move > > > It", "rubs me the wrong way. For example, I read a book where the", "that the walls and floors are literally moving There's been many more times", "moving > > > That struck me as wrong; because since the character", "was rewrote as > > I stumbled to the ground and hit my", "got back up. The walls and floors started to move > > >", "up. The walls and floors started to move > > > It feels", "> > > That struck me as wrong; because since the character is", "hit my head. I got back up. The walls and floors seemed to", "and floors seemed to be moving > > > That struck me as", "don't think anyones going to think that the walls and floors are literally", "happened > > I stumbled to the ground and hit my head. I", "> > > It feels more active and definite, and I don't think", "wondering if this is just personal preference, or if there is some popular", "moving. I feel like that passage above would be much better if it", "floors seemed to be moving > > > That struck me as wrong;", "word \"seem\" and it's irked me. The word just feels kind of vague", "as > > I stumbled to the ground and hit my head. I", "me. The word just feels kind of vague I'm just wondering if this", "to be moving > > > That struck me as wrong; because since", "personal preference, or if there is some popular wisdom regarding the word. A", "stumbled to the ground and hit my head. I got back up. The", "to the ground and hit my head. I got back up. The walls", "I got back up. The walls and floors started to move > >", "many more times when an author has used the word \"seem\" and it's", "> It feels more active and definite, and I don't think anyones going", "wrong way. For example, I read a book where the following happened >", "would be much better if it was rewrote as > > I stumbled", "some popular wisdom regarding the word. A quick google didn't bring up anything", "feels more active and definite, and I don't think anyones going to think", "it's irked me. The word just feels kind of vague I'm just wondering", "The walls and floors started to move > > > It feels more", "I'm just wondering if this is just personal preference, or if there is", "much better if it was rewrote as > > I stumbled to the", "hit my head. I got back up. The walls and floors started to", "word a lot in books. Something about it rubs me the wrong way.", "feel like that passage above would be much better if it was rewrote", "I don't think anyones going to think that the walls and floors are", "> > That struck me as wrong; because since the character is experiencing", "I stumbled to the ground and hit my head. I got back up.", "for them the walls don't seem to be moving, they are moving. I", "rewrote as > > I stumbled to the ground and hit my head.", "the following happened > > I stumbled to the ground and hit my", "been many more times when an author has used the word \"seem\" and", "literally moving There's been many more times when an author has used the" ]
[ "pick you up. The problem is, I don't have any idea how to", "piece of writer's advice I see will include something about \"building a following\"", "how to do this! Besides that, I don't really have the time, what", "The problem is, I don't have any idea how to do this! Besides", "is, I don't have any idea how to do this! Besides that, I", "full-time job and fitting writing in Is a \"platform\" really necessary in this", "writer's advice I see will include something about \"building a following\" online, so", "following\" online, so that a publisher will be more likely to pick you", "the time, what with working a full-time job and fitting writing in Is", "with working a full-time job and fitting writing in Is a \"platform\" really", "I see will include something about \"building a following\" online, so that a", "don't really have the time, what with working a full-time job and fitting", "of writer's advice I see will include something about \"building a following\" online,", "advice I see will include something about \"building a following\" online, so that", "publisher will be more likely to pick you up. The problem is, I", "Every piece of writer's advice I see will include something about \"building a", "idea how to do this! Besides that, I don't really have the time,", "a \"platform\" really necessary in this day and age to sell a book?", "will include something about \"building a following\" online, so that a publisher will", "you up. The problem is, I don't have any idea how to do", "problem is, I don't have any idea how to do this! Besides that,", "I don't have any idea how to do this! Besides that, I don't", "fitting writing in Is a \"platform\" really necessary in this day and age", "time, what with working a full-time job and fitting writing in Is a", "really have the time, what with working a full-time job and fitting writing", "that a publisher will be more likely to pick you up. The problem", "be more likely to pick you up. The problem is, I don't have", "in Is a \"platform\" really necessary in this day and age to sell", "to pick you up. The problem is, I don't have any idea how", "see will include something about \"building a following\" online, so that a publisher", "don't have any idea how to do this! Besides that, I don't really", "likely to pick you up. The problem is, I don't have any idea", "a publisher will be more likely to pick you up. The problem is,", "and fitting writing in Is a \"platform\" really necessary in this day and", "that, I don't really have the time, what with working a full-time job", "working a full-time job and fitting writing in Is a \"platform\" really necessary", "something about \"building a following\" online, so that a publisher will be more", "this! Besides that, I don't really have the time, what with working a", "to do this! Besides that, I don't really have the time, what with", "Is a \"platform\" really necessary in this day and age to sell a", "about \"building a following\" online, so that a publisher will be more likely", "writing in Is a \"platform\" really necessary in this day and age to", "include something about \"building a following\" online, so that a publisher will be", "have the time, what with working a full-time job and fitting writing in", "a following\" online, so that a publisher will be more likely to pick", "up. The problem is, I don't have any idea how to do this!", "any idea how to do this! Besides that, I don't really have the", "will be more likely to pick you up. The problem is, I don't", "have any idea how to do this! Besides that, I don't really have", "\"building a following\" online, so that a publisher will be more likely to", "online, so that a publisher will be more likely to pick you up.", "Besides that, I don't really have the time, what with working a full-time", "job and fitting writing in Is a \"platform\" really necessary in this day", "so that a publisher will be more likely to pick you up. The", "a full-time job and fitting writing in Is a \"platform\" really necessary in", "what with working a full-time job and fitting writing in Is a \"platform\"", "more likely to pick you up. The problem is, I don't have any", "I don't really have the time, what with working a full-time job and", "do this! Besides that, I don't really have the time, what with working" ]
[ "physical appearance of those characters, so, I can't use terms such as \"Tall", "center stage when the character disappears. Later they both meet and interact. So,", "both meet and interact. So, to address each during that interaction, will it", "that interaction, will it be right to say \"New Zotn\" and \"Old Zotn\"", "have no last name. There will also be no mention of the physical", "the middle. Another character with the same name will take the center stage", "of those characters, so, I can't use terms such as \"Tall Zotn\" and", "no last name. There will also be no mention of the physical appearance", "each during that interaction, will it be right to say \"New Zotn\" and", "last name. There will also be no mention of the physical appearance of", "Zotn\". Only thing in the story is that one of the character will", "the same name interact each other. I can't use their last name to", "when the character disappears. Later they both meet and interact. So, to address", "I am writing a story in which at some point two characters with", "\"Short Zotn\". Only thing in the story is that one of the character", "each other. I can't use their last name to differentiate because it's necessary", "so, I can't use terms such as \"Tall Zotn\" and \"Short Zotn\". Only", "character will be in the first part of the story and disappear in", "also be no mention of the physical appearance of those characters, so, I", "a story in which at some point two characters with the same name", "point two characters with the same name interact each other. I can't use", "in the story is that one of the character will be in the", "the first part of the story and disappear in the middle. Another character", "no mention of the physical appearance of those characters, so, I can't use", "interact. So, to address each during that interaction, will it be right to", "am writing a story in which at some point two characters with the", "appearance of those characters, so, I can't use terms such as \"Tall Zotn\"", "disappears. Later they both meet and interact. So, to address each during that", "the story and disappear in the middle. Another character with the same name", "in the first part of the story and disappear in the middle. Another", "Zotn\" and \"Short Zotn\". Only thing in the story is that one of", "the story is that one of the character will be in the first", "one of the character will be in the first part of the story", "interaction, will it be right to say \"New Zotn\" and \"Old Zotn\" ?", "Only thing in the story is that one of the character will be", "and \"Short Zotn\". Only thing in the story is that one of the", "which at some point two characters with the same name interact each other.", "meet and interact. So, to address each during that interaction, will it be", "There will also be no mention of the physical appearance of those characters,", "character disappears. Later they both meet and interact. So, to address each during", "the same name will take the center stage when the character disappears. Later", "thing in the story is that one of the character will be in", "writing a story in which at some point two characters with the same", "use their last name to differentiate because it's necessary for them to have", "will take the center stage when the character disappears. Later they both meet", "will also be no mention of the physical appearance of those characters, so,", "will be in the first part of the story and disappear in the", "with the same name will take the center stage when the character disappears.", "So, to address each during that interaction, will it be right to say", "to have no last name. There will also be no mention of the", "during that interaction, will it be right to say \"New Zotn\" and \"Old", "Later they both meet and interact. So, to address each during that interaction,", "with the same name interact each other. I can't use their last name", "mention of the physical appearance of those characters, so, I can't use terms", "because it's necessary for them to have no last name. There will also", "name to differentiate because it's necessary for them to have no last name.", "at some point two characters with the same name interact each other. I", "first part of the story and disappear in the middle. Another character with", "name will take the center stage when the character disappears. Later they both", "and interact. So, to address each during that interaction, will it be right", "story and disappear in the middle. Another character with the same name will", "their last name to differentiate because it's necessary for them to have no", "necessary for them to have no last name. There will also be no", "disappear in the middle. Another character with the same name will take the", "the character will be in the first part of the story and disappear", "story in which at some point two characters with the same name interact", "address each during that interaction, will it be right to say \"New Zotn\"", "of the story and disappear in the middle. Another character with the same", "interact each other. I can't use their last name to differentiate because it's", "characters with the same name interact each other. I can't use their last", "characters, so, I can't use terms such as \"Tall Zotn\" and \"Short Zotn\".", "the character disappears. Later they both meet and interact. So, to address each", "use terms such as \"Tall Zotn\" and \"Short Zotn\". Only thing in the", "take the center stage when the character disappears. Later they both meet and", "of the physical appearance of those characters, so, I can't use terms such", "is that one of the character will be in the first part of", "of the character will be in the first part of the story and", "the center stage when the character disappears. Later they both meet and interact.", "last name to differentiate because it's necessary for them to have no last", "name. There will also be no mention of the physical appearance of those", "as \"Tall Zotn\" and \"Short Zotn\". Only thing in the story is that", "name interact each other. I can't use their last name to differentiate because", "to differentiate because it's necessary for them to have no last name. There", "they both meet and interact. So, to address each during that interaction, will", "two characters with the same name interact each other. I can't use their", "be in the first part of the story and disappear in the middle.", "can't use their last name to differentiate because it's necessary for them to", "same name interact each other. I can't use their last name to differentiate", "\"Tall Zotn\" and \"Short Zotn\". Only thing in the story is that one", "other. I can't use their last name to differentiate because it's necessary for", "stage when the character disappears. Later they both meet and interact. So, to", "some point two characters with the same name interact each other. I can't", "terms such as \"Tall Zotn\" and \"Short Zotn\". Only thing in the story", "in the middle. Another character with the same name will take the center", "and disappear in the middle. Another character with the same name will take", "I can't use terms such as \"Tall Zotn\" and \"Short Zotn\". Only thing", "Another character with the same name will take the center stage when the", "story is that one of the character will be in the first part", "part of the story and disappear in the middle. Another character with the", "it's necessary for them to have no last name. There will also be", "can't use terms such as \"Tall Zotn\" and \"Short Zotn\". Only thing in", "differentiate because it's necessary for them to have no last name. There will", "for them to have no last name. There will also be no mention", "those characters, so, I can't use terms such as \"Tall Zotn\" and \"Short", "I can't use their last name to differentiate because it's necessary for them", "to address each during that interaction, will it be right to say \"New", "in which at some point two characters with the same name interact each", "character with the same name will take the center stage when the character", "middle. Another character with the same name will take the center stage when", "the physical appearance of those characters, so, I can't use terms such as", "such as \"Tall Zotn\" and \"Short Zotn\". Only thing in the story is", "same name will take the center stage when the character disappears. Later they", "them to have no last name. There will also be no mention of", "be no mention of the physical appearance of those characters, so, I can't", "that one of the character will be in the first part of the" ]
[ "scenes in a row detailing what happens on their journey there, even if", "something. Can an author spend three scenes in a row detailing what happens", "at the same pitstop, but the scenes greatly develop the relationship between two", "in a row detailing what happens on their journey there, even if the", "the characters are on a quest to go find something. Can an author", "on a quest to go find something. Can an author spend three scenes", "journey there, even if the only way the plot is moving forwards is", "Can an author spend three scenes in a row detailing what happens on", "way the plot is moving forwards is by the implication that they’re moving", "only way the plot is moving forwards is by the implication that they’re", "a quest to go find something. Can an author spend three scenes in", "happens on their journey there, even if the only way the plot is", "by the implication that they’re moving in that direction? What if they spend", "spend three scenes in a row detailing what happens on their journey there,", "What if they spend three nights (and three scenes) at the same pitstop,", "moving in that direction? What if they spend three nights (and three scenes)", "is by the implication that they’re moving in that direction? What if they", "nights (and three scenes) at the same pitstop, but the scenes greatly develop", "a row detailing what happens on their journey there, even if the only", "plot is moving forwards is by the implication that they’re moving in that", "the implication that they’re moving in that direction? What if they spend three", "forwards is by the implication that they’re moving in that direction? What if", "(and three scenes) at the same pitstop, but the scenes greatly develop the", "on their journey there, even if the only way the plot is moving", "there, even if the only way the plot is moving forwards is by", "find something. Can an author spend three scenes in a row detailing what", "the only way the plot is moving forwards is by the implication that", "implication that they’re moving in that direction? What if they spend three nights", "moving forwards is by the implication that they’re moving in that direction? What", "that the characters are on a quest to go find something. Can an", "let’s say the main plot is that the characters are on a quest", "is moving forwards is by the implication that they’re moving in that direction?", "scenes) at the same pitstop, but the scenes greatly develop the relationship between", "to go find something. Can an author spend three scenes in a row", "three nights (and three scenes) at the same pitstop, but the scenes greatly", "an author spend three scenes in a row detailing what happens on their", "three scenes) at the same pitstop, but the scenes greatly develop the relationship", "main plot is that the characters are on a quest to go find", "same pitstop, but the scenes greatly develop the relationship between two important characters?", "the main plot is that the characters are on a quest to go", "is that the characters are on a quest to go find something. Can", "quest to go find something. Can an author spend three scenes in a", "author spend three scenes in a row detailing what happens on their journey", "detailing what happens on their journey there, even if the only way the", "that direction? What if they spend three nights (and three scenes) at the", "even if the only way the plot is moving forwards is by the", "they’re moving in that direction? What if they spend three nights (and three", "spend three nights (and three scenes) at the same pitstop, but the scenes", "the same pitstop, but the scenes greatly develop the relationship between two important", "what happens on their journey there, even if the only way the plot", "that they’re moving in that direction? What if they spend three nights (and", "if they spend three nights (and three scenes) at the same pitstop, but", "say the main plot is that the characters are on a quest to", "example, let’s say the main plot is that the characters are on a", "their journey there, even if the only way the plot is moving forwards", "plot is that the characters are on a quest to go find something.", "the plot is moving forwards is by the implication that they’re moving in", "in that direction? What if they spend three nights (and three scenes) at", "For example, let’s say the main plot is that the characters are on", "go find something. Can an author spend three scenes in a row detailing", "they spend three nights (and three scenes) at the same pitstop, but the", "characters are on a quest to go find something. Can an author spend", "direction? What if they spend three nights (and three scenes) at the same", "row detailing what happens on their journey there, even if the only way", "three scenes in a row detailing what happens on their journey there, even", "are on a quest to go find something. Can an author spend three", "if the only way the plot is moving forwards is by the implication" ]
[ "could have very serious consequences This final action appears to go against all", "I believe A had become calculating and loyal to their profession as a", "motives, which cast a different light on B's actions 5. A sympathises and", "of trouble 6. A is aware that only B benefits from this action", "patriotic duty 2. A presumes B to be morally vile based on B's", "as such: 1. A is cold, calculating, self-centered and has a strong sense", "to the reader effectively. EDIT: A intends to help B out, but then", "A presumes B to be morally vile based on B's known actions 3.", "as A) could be represented as such: 1. A is cold, calculating, self-centered", "that only B benefits from this action and aiding B could have very", "I am currently working on contains a scene where a figure with a", "B could have very serious consequences This final action appears to go against", "A) could be represented as such: 1. A is cold, calculating, self-centered and", "something along those lines), resulting in this change in character. I am unsure", "has a change of heart, and I am having difficulty finding a way", "A had become calculating and loyal to their profession as a result of", "(hereto referred to as A) could be represented as such: 1. A is", "This final action appears to go against all A's established character, but I", "transformation of the character (hereto referred to as A) could be represented as", "have very serious consequences This final action appears to go against all A's", "3. A confronts and interrogates B 4. B reveals true motives, which cast", "all A's established character, but I believe A had become calculating and loyal", "of the character (hereto referred to as A) could be represented as such:", "A confronts and interrogates B 4. B reveals true motives, which cast a", "this information to the reader effectively. EDIT: A intends to help B out,", "in getting out of trouble 6. A is aware that only B benefits", "and I am having difficulty finding a way of smoothing the transition. Detailed", "way of smoothing the transition. Detailed description -------------------- The transformation of the character", "actions 5. A sympathises and decides to aid B in getting out of", "established character, but I believe A had become calculating and loyal to their", "sympathises and decides to aid B in getting out of trouble 6. A", "smoothing the transition. Detailed description -------------------- The transformation of the character (hereto referred", "to aid B in getting out of trouble 6. A is aware that", "self-centered and has a strong sense of patriotic duty 2. A presumes B", "consequences This final action appears to go against all A's established character, but", "serious consequences This final action appears to go against all A's established character,", "from this action and aiding B could have very serious consequences This final", "a result of experiencing hardships. The interrogation causes [cognitive dissonance](https://en.wikipedia.org/wiki/Cognitive_dissonance) (or something along", "finding a way of smoothing the transition. Detailed description -------------------- The transformation of", "am having difficulty finding a way of smoothing the transition. Detailed description --------------------", "is cold, calculating, self-centered and has a strong sense of patriotic duty 2.", "currently working on contains a scene where a figure with a certain character", "in this change in character. I am unsure as how to convey this", "convey this information to the reader effectively. EDIT: A intends to help B", "am unsure as how to convey this information to the reader effectively. EDIT:", "this action and aiding B could have very serious consequences This final action", "story I am currently working on contains a scene where a figure with", "working on contains a scene where a figure with a certain character quite", "unexpectedly has a change of heart, and I am having difficulty finding a", "6. A is aware that only B benefits from this action and aiding", "character. I am unsure as how to convey this information to the reader", "having difficulty finding a way of smoothing the transition. Detailed description -------------------- The", "of smoothing the transition. Detailed description -------------------- The transformation of the character (hereto", "EDIT: A intends to help B out, but then part ways later and", "vile based on B's known actions 3. A confronts and interrogates B 4.", "with a certain character quite unexpectedly has a change of heart, and I", "final action appears to go against all A's established character, but I believe", "heart, and I am having difficulty finding a way of smoothing the transition.", "on B's known actions 3. A confronts and interrogates B 4. B reveals", "only B benefits from this action and aiding B could have very serious", "a figure with a certain character quite unexpectedly has a change of heart,", "hardships. The interrogation causes [cognitive dissonance](https://en.wikipedia.org/wiki/Cognitive_dissonance) (or something along those lines), resulting in", "am currently working on contains a scene where a figure with a certain", "confronts and interrogates B 4. B reveals true motives, which cast a different", "where a figure with a certain character quite unexpectedly has a change of", "profession as a result of experiencing hardships. The interrogation causes [cognitive dissonance](https://en.wikipedia.org/wiki/Cognitive_dissonance) (or", "getting out of trouble 6. A is aware that only B benefits from", "aiding B could have very serious consequences This final action appears to go", "such: 1. A is cold, calculating, self-centered and has a strong sense of", "B's known actions 3. A confronts and interrogates B 4. B reveals true", "2. A presumes B to be morally vile based on B's known actions", "experiencing hardships. The interrogation causes [cognitive dissonance](https://en.wikipedia.org/wiki/Cognitive_dissonance) (or something along those lines), resulting", "this change in character. I am unsure as how to convey this information", "reveals true motives, which cast a different light on B's actions 5. A", "the reader effectively. EDIT: A intends to help B out, but then part", "very serious consequences This final action appears to go against all A's established", "their profession as a result of experiencing hardships. The interrogation causes [cognitive dissonance](https://en.wikipedia.org/wiki/Cognitive_dissonance)", "based on B's known actions 3. A confronts and interrogates B 4. B", "reader effectively. EDIT: A intends to help B out, but then part ways", "A sympathises and decides to aid B in getting out of trouble 6.", "the character (hereto referred to as A) could be represented as such: 1.", "character (hereto referred to as A) could be represented as such: 1. A", "sense of patriotic duty 2. A presumes B to be morally vile based", "to their profession as a result of experiencing hardships. The interrogation causes [cognitive", "information to the reader effectively. EDIT: A intends to help B out, but", "character quite unexpectedly has a change of heart, and I am having difficulty", "of heart, and I am having difficulty finding a way of smoothing the", "B benefits from this action and aiding B could have very serious consequences", "of patriotic duty 2. A presumes B to be morally vile based on", "I am unsure as how to convey this information to the reader effectively.", "B out, but then part ways later and hope their actions go unnoticed.", "a different light on B's actions 5. A sympathises and decides to aid", "along those lines), resulting in this change in character. I am unsure as", "a scene where a figure with a certain character quite unexpectedly has a", "1. A is cold, calculating, self-centered and has a strong sense of patriotic", "and decides to aid B in getting out of trouble 6. A is", "referred to as A) could be represented as such: 1. A is cold,", "become calculating and loyal to their profession as a result of experiencing hardships.", "in character. I am unsure as how to convey this information to the", "calculating and loyal to their profession as a result of experiencing hardships. The", "The interrogation causes [cognitive dissonance](https://en.wikipedia.org/wiki/Cognitive_dissonance) (or something along those lines), resulting in this", "4. B reveals true motives, which cast a different light on B's actions", "against all A's established character, but I believe A had become calculating and", "lines), resulting in this change in character. I am unsure as how to", "action appears to go against all A's established character, but I believe A", "-------------------- The transformation of the character (hereto referred to as A) could be", "has a strong sense of patriotic duty 2. A presumes B to be", "intends to help B out, but then part ways later and hope their", "description -------------------- The transformation of the character (hereto referred to as A) could", "is aware that only B benefits from this action and aiding B could", "go against all A's established character, but I believe A had become calculating", "appears to go against all A's established character, but I believe A had", "a certain character quite unexpectedly has a change of heart, and I am", "a way of smoothing the transition. Detailed description -------------------- The transformation of the", "5. A sympathises and decides to aid B in getting out of trouble", "transition. Detailed description -------------------- The transformation of the character (hereto referred to as", "a strong sense of patriotic duty 2. A presumes B to be morally", "loyal to their profession as a result of experiencing hardships. The interrogation causes", "aid B in getting out of trouble 6. 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A is aware that only B benefits from this action and", "result of experiencing hardships. The interrogation causes [cognitive dissonance](https://en.wikipedia.org/wiki/Cognitive_dissonance) (or something along those", "those lines), resulting in this change in character. I am unsure as how", "had become calculating and loyal to their profession as a result of experiencing", "actions 3. A confronts and interrogates B 4. B reveals true motives, which", "certain character quite unexpectedly has a change of heart, and I am having", "difficulty finding a way of smoothing the transition. Detailed description -------------------- The transformation", "dissonance](https://en.wikipedia.org/wiki/Cognitive_dissonance) (or something along those lines), resulting in this change in character. I", "to convey this information to the reader effectively. EDIT: A intends to help", "B's actions 5. A sympathises and decides to aid B in getting out", "change in character. 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A presumes", "on contains a scene where a figure with a certain character quite unexpectedly", "A is aware that only B benefits from this action and aiding B", "benefits from this action and aiding B could have very serious consequences This", "be represented as such: 1. A is cold, calculating, self-centered and has a", "A intends to help B out, but then part ways later and hope", "true motives, which cast a different light on B's actions 5. A sympathises", "A's established character, but I believe A had become calculating and loyal to", "to as A) could be represented as such: 1. A is cold, calculating,", "change of heart, and I am having difficulty finding a way of smoothing", "action and aiding B could have very serious consequences This final action appears", "and loyal to their profession as a result of experiencing hardships. The interrogation", "cast a different light on B's actions 5. A sympathises and decides to", "effectively. EDIT: A intends to help B out, but then part ways later", "of experiencing hardships. The interrogation causes [cognitive dissonance](https://en.wikipedia.org/wiki/Cognitive_dissonance) (or something along those lines),", "to go against all A's established character, but I believe A had become", "B in getting out of trouble 6. A is aware that only B", "B reveals true motives, which cast a different light on B's actions 5.", "cold, calculating, self-centered and has a strong sense of patriotic duty 2. A", "be morally vile based on B's known actions 3. A confronts and interrogates", "light on B's actions 5. A sympathises and decides to aid B in", "[cognitive dissonance](https://en.wikipedia.org/wiki/Cognitive_dissonance) (or something along those lines), resulting in this change in character.", "resulting in this change in character. I am unsure as how to convey", "A is cold, calculating, self-centered and has a strong sense of patriotic duty", "interrogates B 4. B reveals true motives, which cast a different light on", "on B's actions 5. A sympathises and decides to aid B in getting", "quite unexpectedly has a change of heart, and I am having difficulty finding", "(or something along those lines), resulting in this change in character. I am", "duty 2. A presumes B to be morally vile based on B's known", "figure with a certain character quite unexpectedly has a change of heart, and", "A story I am currently working on contains a scene where a figure", "contains a scene where a figure with a certain character quite unexpectedly has", "to be morally vile based on B's known actions 3. A confronts and", "presumes B to be morally vile based on B's known actions 3. A", "interrogation causes [cognitive dissonance](https://en.wikipedia.org/wiki/Cognitive_dissonance) (or something along those lines), resulting in this change" ]
[ "are personality traits that I'm finding hard to express without the character coming", "fact she's thinking furiously), or that she's just completely dispassionate and unfeeling. I", "there for them in life. In my particular idea the character doesn't need", "in to try and save the day: any disparity in strength or situation", "it would just be emotional in a subtly different way to what a", "as many times as it takes to get her desired outcome. But whenever", "Edge of Tomorrow: they can 'rewind time' up to a few hours, resetting", "turn into a pretty unsavoury character, but assuming that they have enough moral", "need to die in order to trigger the effect, they can do so", "need to fear the short-term consequences of their actions - they can just", "personality traits that I'm finding hard to express without the character coming off", "to fear the short-term consequences of their actions - they can just reset", "hesitation in diving in to try and save the day: any disparity in", "particular idea the character doesn't need to die in order to trigger the", "all (which is certainly not the case, in fact she's thinking furiously), or", "that she's just completely dispassionate and unfeeling. I want the monologue to still", "develop a complete dispassion for death and personal injury. Yes, they can still", "into reliving the same day, this is just an ability that's always there", "how can I give their thoughts enough depth? For example, my character stumbles", "in diving in to try and save the day: any disparity in strength", "time?!** It's completely reasonable that a person living with such an ability would", "is a fairly minor concern; her only real danger is if she gets", "most abrupt injuries are equally unthreatening. Similarly the character doesn't really need to", "character is not locked into reliving the same day, this is just an", "from any bad experiences. These are personality traits that I'm finding hard to", "otherwise she can just replay the situation as many times as it takes", "seems like she's not thinking at all (which is certainly not the case,", "a pretty unsavoury character, but assuming that they have enough moral Plot Armour", "this is just an ability that's always there for them in life. In", "not the case, in fact she's thinking furiously), or that she's just completely", "would just be emotional in a subtly different way to what a 'normal", "These are personality traits that I'm finding hard to express without the character", "but assuming that they have enough moral Plot Armour to remain a vaguely", "in the same or different ways. Unlike those films, however, the character is", "up a store. She would have almost no hesitation in diving in to", "character coming off as having no real investment in the situation. Obviously it", "an ability that's always there for them in life. In my particular idea", "Obviously it would be very easy for such a person to actually turn", "doesn't need to die in order to trigger the effect, they can do", "~~like a psychopath~~ completely bored all the time?! It's completely reasonable that a", "want the monologue to still feel adrenaline-fuelled and emotional, it would just be", "the effect, they can do so 'at will', but the same question applies", "disparity in strength or situation is a fairly minor concern; her only real", "the rest of reality to whatever it/they were doing previously while preserving their", "a fairly minor concern; her only real danger is if she gets shot", "save the day: any disparity in strength or situation is a fairly minor", "Yes, they can still be hurt both physically and mentally, and pain is", "films, however, the character is not locked into reliving the same day, this", "same question applies in both cases: How can I avoid having this character", "but the same question applies in both cases: *How can I avoid having", "very easy for such a person to actually* turn into a pretty unsavoury", "up to a few hours, resetting their own physical state and the rest", "case, in fact she's thinking furiously), or that she's just completely dispassionate and", "of reality to whatever it/they were doing previously while preserving their memory of", "completely reasonable that a person living with such an ability would develop a", "a store. She would have almost no hesitation in diving in to try", "be hurt both physically and mentally, and pain is still painful, but all", "avoid having this character sound ~~like a psychopath~~ completely bored all the time?!*", "in a subtly different way to what a 'normal person' would be feeling", "ability like the protagonists of Groundhog Day* or Edge of Tomorrow: they can", "and pain is still painful, but all but the most abrupt injuries are", "completely dispassionate and unfeeling. I want the monologue to still feel adrenaline-fuelled and", "cases: *How can I avoid having this character sound ~~like a psychopath~~ completely", "order to trigger the effect, they can do so 'at will', but the", "equally* unthreatening. Similarly the character doesn't really need to fear the short-term consequences", "to try and save the day: any disparity in strength or situation is", "feeling in such a situation, and I'm struggling to get a handle on", "so 'at will', but the same question applies in both cases: *How can", "situation, it either seems like she's not thinking at all (which is certainly", "holding up a store. She would have almost no hesitation in diving in", "it either seems like she's not thinking at all (which is certainly not", "same day, this is just an ability that's always there for them in", "ways. Unlike those films, however, the character is not locked into reliving the", "It's completely reasonable that a person living with such an ability would develop", "a person living with such an ability would develop a complete dispassion for", "but the most abrupt injuries are equally* unthreatening. Similarly the character doesn't really", "different way to what a 'normal person' would be feeling in such a", "trigger the effect, they can do so 'at will', but the same question", "a 'normal person' would be feeling in such a situation, and I'm struggling", "not thinking at all (which is certainly not the case, in fact she's", "give their thoughts enough depth? For example, my character stumbles upon a thug", "would be feeling in such a situation, and I'm struggling to get a", "whenever I try to write an internal monologue of such a situation, it", "to whatever it/they were doing previously while preserving their memory of events, allowing", "no real investment in the situation. Obviously it would be very easy for", "applies in both cases: *How can I avoid having this character sound ~~like", "can I avoid having this character sound ~~like a psychopath~~ completely bored all", "a fantasy hero with a 'time reset' ability like the protagonists of Groundhog", "different ways. Unlike those films, however, the character is not locked into reliving", "desired outcome. But whenever I try to write an internal monologue of such", "the head, otherwise she can just replay the situation as many times as", "or situation is a fairly minor concern; her only real danger is if", "with a 'time reset' ability like the protagonists of Groundhog Day* or Edge", "and unfeeling. I want the monologue to still feel adrenaline-fuelled and emotional, it", "- they can just reset away from any bad experiences. These are personality", "she gets shot specifically in the head, otherwise she can just replay the", "replay the situation as many times as it takes to get her desired", "just an ability that's always there for them in life. In my particular", "of their actions - they can just reset away from any bad experiences.", "times as it takes to get her desired outcome. But whenever I try", "and personal injury. Yes, they can still be hurt both physically and mentally,", "while preserving their memory of events, allowing the future to re-play in the", "situation is a fairly minor concern; her only real danger is if she", "at all (which is certainly not the case, in fact she's thinking furiously),", "with such an ability would develop a complete dispassion for death and personal", "physically and mentally, and pain is still painful, but all but the most", "in such a situation, and I'm struggling to get a handle on exactly", "really need to fear the short-term consequences of their actions - they can", "but all but the most abrupt injuries are equally* unthreatening. Similarly the character", "it/they were doing previously while preserving their memory of events, allowing the future", "do so 'at will', but the same question applies in both cases: *How", "certainly not the case, in fact she's thinking furiously), or that she's just", "the character doesn't really need to fear the short-term consequences of their actions", "injury. Yes, they can still be hurt both physically and mentally, and pain", "into a pretty unsavoury character, but assuming that they have enough moral Plot", "any bad experiences. These are personality traits that I'm finding hard to express", "she's not thinking at all (which is certainly not the case, in fact", "coming off as having no real investment in the situation. Obviously it would", "subtly different way to what a 'normal person' would be feeling in such", "state and the rest of reality to whatever it/they were doing previously while", "bad experiences. These are personality traits that I'm finding hard to express without", "monologue of such a situation, it either seems like she's not thinking at", "(which is certainly not the case, in fact she's thinking furiously), or that", "unfeeling. I want the monologue to still feel adrenaline-fuelled and emotional, it would", "get her desired outcome. But whenever I try to write an internal monologue", "I avoid having this character sound ~~like a psychopath~~ completely bored all the", "I give their thoughts enough depth? For example, my character stumbles upon a", "only real danger is if she gets shot specifically in the head, otherwise", "such an ability would develop a complete dispassion for death and personal injury.", "idea the character doesn't need to die in order to trigger the effect,", "adrenaline-fuelled and emotional, it would just be emotional in a subtly different way", "in the situation. Obviously it would be very easy for such a person", "reset' ability like the protagonists of Groundhog Day* or Edge of Tomorrow: they", "to re-play in the same or different ways. Unlike those films, however, the", "doesn't really need to fear the short-term consequences of their actions - they", "finding hard to express without the character coming off as having no real", "traits that I'm finding hard to express without the character coming off as", "be emotional in a subtly different way to what a 'normal person' would", "their thoughts enough depth? For example, my character stumbles upon a thug holding", "that they have enough moral Plot Armour to remain a vaguely likeable protagonist,", "the most abrupt injuries are equally unthreatening. Similarly the character doesn't really need", "remain a vaguely likeable protagonist, how can I give their thoughts enough depth?", "day, this is just an ability that's always there for them in life.", "they can still be hurt both physically and mentally, and pain is still", "in order to trigger the effect, they can do so 'at will', but", "or that she's just completely dispassionate and unfeeling. I want the monologue to", "having no real investment in the situation. Obviously it would be very easy", "almost no hesitation in diving in to try and save the day: any", "furiously), or that she's just completely dispassionate and unfeeling. I want the monologue", "as having no real investment in the situation. Obviously it would be very", "in strength or situation is a fairly minor concern; her only real danger", "character doesn't need to die in order to trigger the effect, they can", "still be hurt both physically and mentally, and pain is still painful, but", "situation as many times as it takes to get her desired outcome. But", "can do so 'at will', but the same question applies in both cases:", "thoughts enough depth? For example, my character stumbles upon a thug holding up", "is not locked into reliving the same day, this is just an ability", "easy for such a person to actually turn into a pretty unsavoury character,", "she's just completely dispassionate and unfeeling. I want the monologue to still feel", "to die in order to trigger the effect, they can do so 'at", "will', but the same question applies in both cases: *How can I avoid", "in life. In my particular idea the character doesn't need to die in", "is still painful, but all but the most abrupt injuries are equally* unthreatening.", "have enough moral Plot Armour to remain a vaguely likeable protagonist, how can", "emotional in a subtly different way to what a 'normal person' would be", "diving in to try and save the day: any disparity in strength or", "upon a thug holding up a store. She would have almost no hesitation", "day: any disparity in strength or situation is a fairly minor concern; her", "in fact she's thinking furiously), or that she's just completely dispassionate and unfeeling.", "mentally, and pain is still painful, but all but the most abrupt injuries", "would be very easy for such a person to actually turn into a", "and the rest of reality to whatever it/they were doing previously while preserving", "locked into reliving the same day, this is just an ability that's always", "psychopath~~ completely bored all the time?! It's completely reasonable that a person living", "the day: any disparity in strength or situation is a fairly minor concern;", "reset away from any bad experiences. These are personality traits that I'm finding", "the same question applies in both cases: How can I avoid having this", "or Edge of Tomorrow: they can 'rewind time' up to a few hours,", "bored all the time?!** It's completely reasonable that a person living with such", "abrupt injuries are equally unthreatening. Similarly the character doesn't really need to fear", "no hesitation in diving in to try and save the day: any disparity", "specifically in the head, otherwise she can just replay the situation as many", "hard to express without the character coming off as having no real investment", "are equally unthreatening. Similarly the character doesn't really need to fear the short-term", "a situation, it either seems like she's not thinking at all (which is", "*How can I avoid having this character sound ~~like a psychopath~~ completely bored", "hours, resetting their own physical state and the rest of reality to whatever", "danger is if she gets shot specifically in the head, otherwise she can", "write an internal monologue of such a situation, it either seems like she's", "just completely dispassionate and unfeeling. I want the monologue to still feel adrenaline-fuelled", "and emotional, it would just be emotional in a subtly different way to", "to get her desired outcome. But whenever I try to write an internal", "depth? For example, my character stumbles upon a thug holding up a store.", "takes to get her desired outcome. But whenever I try to write an", "unthreatening. Similarly the character doesn't really need to fear the short-term consequences of", "character stumbles upon a thug holding up a store. She would have almost", "concern; her only real danger is if she gets shot specifically in the", "any disparity in strength or situation is a fairly minor concern; her only", "short-term consequences of their actions - they can just reset away from any", "be feeling in such a situation, and I'm struggling to get a handle", "I want the monologue to still feel adrenaline-fuelled and emotional, it would just", "can I give their thoughts enough depth? For example, my character stumbles upon", "the same day, this is just an ability that's always there for them", "for such a person to actually turn into a pretty unsavoury character, but", "monologue to still feel adrenaline-fuelled and emotional, it would just be emotional in", "all the time?!** It's completely reasonable that a person living with such an", "off as having no real investment in the situation. Obviously it would be", "many times as it takes to get her desired outcome. But whenever I", "were doing previously while preserving their memory of events, allowing the future to", "to actually turn into a pretty unsavoury character, but assuming that they have", "the time?! It's completely reasonable that a person living with such an ability", "'normal person' would be feeling in such a situation, and I'm struggling to", "store. She would have almost no hesitation in diving in to try and", "this character sound ~~like a psychopath~~ completely bored all the time?! It's completely", "a thug holding up a store. She would have almost no hesitation in", "moral Plot Armour to remain a vaguely likeable protagonist, how can I give", "ability that's always there for them in life. In my particular idea the", "as it takes to get her desired outcome. But whenever I try to", "is if she gets shot specifically in the head, otherwise she can just", "whatever it/they were doing previously while preserving their memory of events, allowing the", "Similarly the character doesn't really need to fear the short-term consequences of their", "outcome. But whenever I try to write an internal monologue of such a", "dispassionate and unfeeling. I want the monologue to still feel adrenaline-fuelled and emotional,", "both physically and mentally, and pain is still painful, but all but the", "the short-term consequences of their actions - they can just reset away from", "without the character coming off as having no real investment in the situation.", "memory of events, allowing the future to re-play in the same or different", "internal monologue of such a situation, it either seems like she's not thinking", "For example, my character stumbles upon a thug holding up a store. She", "try to write an internal monologue of such a situation, it either seems", "living with such an ability would develop a complete dispassion for death and", "enough moral Plot Armour to remain a vaguely likeable protagonist, how can I", "question applies in both cases: *How can I avoid having this character sound", "protagonists of Groundhog Day* or Edge of Tomorrow: they can 'rewind time' up", "reasonable that a person living with such an ability would develop a complete", "of such a situation, it either seems like she's not thinking at all", "a subtly different way to what a 'normal person' would be feeling in", "emotional, it would just be emotional in a subtly different way to what", "thinking furiously), or that she's just completely dispassionate and unfeeling. I want the", "'time reset' ability like the protagonists of Groundhog Day or Edge of Tomorrow:", "not locked into reliving the same day, this is just an ability that's", "hero with a 'time reset' ability like the protagonists of Groundhog Day or", "minor concern; her only real danger is if she gets shot specifically in", "my character stumbles upon a thug holding up a store. She would have", "Day or Edge of Tomorrow: they can 'rewind time' up to a few", "the situation as many times as it takes to get her desired outcome.", "assuming that they have enough moral Plot Armour to remain a vaguely likeable", "pain is still painful, but all but the most abrupt injuries are equally", "that's always there for them in life. In my particular idea the character", "to still feel adrenaline-fuelled and emotional, it would just be emotional in a", "unsavoury character, but assuming that they have enough moral Plot Armour to remain", "character doesn't really need to fear the short-term consequences of their actions -", "Armour to remain a vaguely likeable protagonist, how can I give their thoughts", "still painful, but all but the most abrupt injuries are equally unthreatening. Similarly", "the same or different ways. Unlike those films, however, the character is not", "the situation. Obviously it would be very easy for such a person to", "if she gets shot specifically in the head, otherwise she can just replay", "consequences of their actions - they can just reset away from any bad", "a psychopath~~ completely bored all the time?!** It's completely reasonable that a person", "and save the day: any disparity in strength or situation is a fairly", "a few hours, resetting their own physical state and the rest of reality", "Unlike those films, however, the character is not locked into reliving the same", "always there for them in life. In my particular idea the character doesn't", "it would be very easy for such a person to actually turn into", "real investment in the situation. Obviously it would be very easy for such", "a complete dispassion for death and personal injury. Yes, they can still be", "dispassion for death and personal injury. Yes, they can still be hurt both", "doing previously while preserving their memory of events, allowing the future to re-play", "the future to re-play in the same or different ways. Unlike those films,", "try and save the day: any disparity in strength or situation is a", "they can do so 'at will', but the same question applies in both", "have almost no hesitation in diving in to try and save the day:", "to write an internal monologue of such a situation, it either seems like", "She would have almost no hesitation in diving in to try and save", "a person to actually turn into a pretty unsavoury character, but assuming that", "or different ways. Unlike those films, however, the character is not locked into", "can 'rewind time' up to a few hours, resetting their own physical state", "an ability would develop a complete dispassion for death and personal injury. Yes,", "such a situation, and I'm struggling to get a handle on exactly how.", "re-play in the same or different ways. Unlike those films, however, the character", "it takes to get her desired outcome. But whenever I try to write", "stumbles upon a thug holding up a store. She would have almost no", "would develop a complete dispassion for death and personal injury. Yes, they can", "few hours, resetting their own physical state and the rest of reality to", "physical state and the rest of reality to whatever it/they were doing previously", "their memory of events, allowing the future to re-play in the same or", "injuries are equally unthreatening. Similarly the character doesn't really need to fear the", "complete dispassion for death and personal injury. Yes, they can still be hurt", "But whenever I try to write an internal monologue of such a situation,", "just replay the situation as many times as it takes to get her", "resetting their own physical state and the rest of reality to whatever it/they", "future to re-play in the same or different ways. Unlike those films, however,", "can just reset away from any bad experiences. These are personality traits that", "in both cases: *How can I avoid having this character sound ~~like a", "would have almost no hesitation in diving in to try and save the", "just be emotional in a subtly different way to what a 'normal person'", "either seems like she's not thinking at all (which is certainly not the", "for death and personal injury. Yes, they can still be hurt both physically", "vaguely likeable protagonist, how can I give their thoughts enough depth? For example,", "hurt both physically and mentally, and pain is still painful, but all but", "like the protagonists of Groundhog Day* or Edge of Tomorrow: they can 'rewind", "person' would be feeling in such a situation, and I'm struggling to get", "fairly minor concern; her only real danger is if she gets shot specifically", "completely bored all the time?!* It's completely reasonable that a person living with", "Tomorrow: they can 'rewind time' up to a few hours, resetting their own", "feel adrenaline-fuelled and emotional, it would just be emotional in a subtly different", "be very easy for such a person to actually* turn into a pretty", "is just an ability that's always there for them in life. In my", "actions - they can just reset away from any bad experiences. These are", "painful, but all but the most abrupt injuries are equally unthreatening. Similarly the", "for them in life. In my particular idea the character doesn't need to", "thinking at all (which is certainly not the case, in fact she's thinking", "head, otherwise she can just replay the situation as many times as it", "character sound ~~like a psychopath~~ completely bored all the time?!* It's completely reasonable", "Groundhog Day or Edge of Tomorrow: they can 'rewind time' up to a", "thug holding up a store. She would have almost no hesitation in diving", "she's thinking furiously), or that she's just completely dispassionate and unfeeling. I want", "the protagonists of Groundhog Day or Edge of Tomorrow: they can 'rewind time'", "same or different ways. Unlike those films, however, the character is not locked", "death and personal injury. Yes, they can still be hurt both physically and", "I'm finding hard to express without the character coming off as having no", "her only real danger is if she gets shot specifically in the head,", "strength or situation is a fairly minor concern; her only real danger is", "personal injury. Yes, they can still be hurt both physically and mentally, and", "all but the most abrupt injuries are equally unthreatening. Similarly the character doesn't", "fantasy hero with a 'time reset' ability like the protagonists of Groundhog Day", "Imagine a fantasy hero with a 'time reset' ability like the protagonists of", "such a situation, it either seems like she's not thinking at all (which", "their own physical state and the rest of reality to whatever it/they were", "sound ~~like a psychopath~~ completely bored all the time?!** It's completely reasonable that", "time' up to a few hours, resetting their own physical state and the", "of Tomorrow: they can 'rewind time' up to a few hours, resetting their", "die in order to trigger the effect, they can do so 'at will',", "to a few hours, resetting their own physical state and the rest of", "real danger is if she gets shot specifically in the head, otherwise she", "reality to whatever it/they were doing previously while preserving their memory of events,", "having this character sound ~~like a psychopath~~ completely bored all the time?!* It's", "person living with such an ability would develop a complete dispassion for death", "allowing the future to re-play in the same or different ways. Unlike those", "gets shot specifically in the head, otherwise she can just replay the situation", "'at will', but the same question applies in both cases: *How can I", "what a 'normal person' would be feeling in such a situation, and I'm", "is certainly not the case, in fact she's thinking furiously), or that she's", "of Groundhog Day* or Edge of Tomorrow: they can 'rewind time' up to", "'rewind time' up to a few hours, resetting their own physical state and", "my particular idea the character doesn't need to die in order to trigger", "preserving their memory of events, allowing the future to re-play in the same", "a 'time reset' ability like the protagonists of Groundhog Day or Edge of", "such a person to actually* turn into a pretty unsavoury character, but assuming", "and mentally, and pain is still painful, but all but the most abrupt", "the monologue to still feel adrenaline-fuelled and emotional, it would just be emotional", "life. In my particular idea the character doesn't need to die in order", "enough depth? For example, my character stumbles upon a thug holding up a", "can still be hurt both physically and mentally, and pain is still painful,", "just reset away from any bad experiences. These are personality traits that I'm", "pretty unsavoury character, but assuming that they have enough moral Plot Armour to", "reliving the same day, this is just an ability that's always there for", "to trigger the effect, they can do so 'at will', but the same", "own physical state and the rest of reality to whatever it/they were doing", "protagonist, how can I give their thoughts enough depth? For example, my character", "to what a 'normal person' would be feeling in such a situation, and", "express without the character coming off as having no real investment in the", "to remain a vaguely likeable protagonist, how can I give their thoughts enough", "of events, allowing the future to re-play in the same or different ways.", "the case, in fact she's thinking furiously), or that she's just completely dispassionate", "effect, they can do so 'at will', but the same question applies in", "I try to write an internal monologue of such a situation, it either", "that I'm finding hard to express without the character coming off as having", "away from any bad experiences. These are personality traits that I'm finding hard", "she can just replay the situation as many times as it takes to", "events, allowing the future to re-play in the same or different ways. Unlike", "they can 'rewind time' up to a few hours, resetting their own physical", "previously while preserving their memory of events, allowing the future to re-play in", "to express without the character coming off as having no real investment in", "their actions - they can just reset away from any bad experiences. These", "shot specifically in the head, otherwise she can just replay the situation as", "the character is not locked into reliving the same day, this is just", "investment in the situation. Obviously it would be very easy for such a", "situation. Obviously it would be very easy for such a person to actually", "they have enough moral Plot Armour to remain a vaguely likeable protagonist, how", "likeable protagonist, how can I give their thoughts enough depth? For example, my", "however, the character is not locked into reliving the same day, this is", "way to what a 'normal person' would be feeling in such a situation,", "the character doesn't need to die in order to trigger the effect, they", "her desired outcome. But whenever I try to write an internal monologue of", "ability would develop a complete dispassion for death and personal injury. Yes, they", "still feel adrenaline-fuelled and emotional, it would just be emotional in a subtly", "experiences. These are personality traits that I'm finding hard to express without the", "those films, however, the character is not locked into reliving the same day,", "can just replay the situation as many times as it takes to get", "in the head, otherwise she can just replay the situation as many times", "that a person living with such an ability would develop a complete dispassion", "fear the short-term consequences of their actions - they can just reset away", "In my particular idea the character doesn't need to die in order to", "example, my character stumbles upon a thug holding up a store. She would", "person to actually* turn into a pretty unsavoury character, but assuming that they", "an internal monologue of such a situation, it either seems like she's not", "rest of reality to whatever it/they were doing previously while preserving their memory", "character, but assuming that they have enough moral Plot Armour to remain a", "both cases: *How can I avoid having this character sound ~~like a psychopath~~", "them in life. In my particular idea the character doesn't need to die", "actually* turn into a pretty unsavoury character, but assuming that they have enough", "the character coming off as having no real investment in the situation. Obviously", "like she's not thinking at all (which is certainly not the case, in", "they can just reset away from any bad experiences. These are personality traits", "a vaguely likeable protagonist, how can I give their thoughts enough depth? For", "Plot Armour to remain a vaguely likeable protagonist, how can I give their" ]
[ "characters in the book were created by me, some by the co-author, and", "me and I, in turn, have contracts with my co-author, artists, and other", "them but I wanted to ask about common practice around collaborative works. If", "writing an ongoing comic series, along with a co-author. Some of the characters", "publisher is in the UK. The comics are published in English and available", "know how to set up this in the contract. I am in the", "by the co-author, and some by third parties. All characters in this discussion", "comics industry but I don't know how to set up this in the", "how to set up this in the contract. I am in the United", "process of updating the latter set of contracts, for creators that have continuing", "created for this series and are not licensed from another property. The publisher's", "available internationally. Looking for elements that would be useful to include in a", "items like t-shirts or bobbleheads), or if the comic is adapted to another", "character creators are in various states in the US. The publisher is in", "continuing ownership in one or more characters. Of course I will consult with", "comic series, along with a co-author. Some of the characters in the book", "updating the latter set of contracts, for creators that have continuing ownership in", "the comics industry but I don't know how to set up this in", "in the comics industry but I don't know how to set up this", "currently writing an ongoing comic series, along with a co-author. Some of the", "along with a co-author. Some of the characters in the book were created", "adapted to another medium, what is the practice surrounding multiple character creators? This", "course I will consult with a lawyer before finalizing them but I wanted", "licensed from another property. The publisher's contract is with me and I, in", "I wanted to ask about common practice around collaborative works. If there are", "for this series and are not licensed from another property. The publisher's contract", "UK. The comics are published in English and available internationally. Looking for elements", "co-author, artists, and other contributors. I am in the process of updating the", "series and are not licensed from another property. The publisher's contract is with", "if the comic is adapted to another medium, what is the practice surrounding", "and the other character creators are in various states in the US. The", "If there are derivative works (for example, marketing items like t-shirts or bobbleheads),", "have contracts with my co-author, artists, and other contributors. I am in the", "the characters in the book were created by me, some by the co-author,", "in the process of updating the latter set of contracts, for creators that", "to set up this in the contract. I am in the United States", "this in the contract. I am in the United States and the other", "the UK. The comics are published in English and available internationally. Looking for", "creators are in various states in the US. The publisher is in the", "co-author, and some by third parties. All characters in this discussion were created", "in the contract. I am in the United States and the other character", "creators that have continuing ownership in one or more characters. Of course I", "in turn, have contracts with my co-author, artists, and other contributors. I am", "is the practice surrounding multiple character creators? This is common in the comics", "set up this in the contract. I am in the United States and", "The publisher's contract is with me and I, in turn, have contracts with", "the comic is adapted to another medium, what is the practice surrounding multiple", "comics are published in English and available internationally. Looking for elements that would", "in various states in the US. The publisher is in the UK. The", "finalizing them but I wanted to ask about common practice around collaborative works.", "t-shirts or bobbleheads), or if the comic is adapted to another medium, what", "in this discussion were created for this series and are not licensed from", "characters in this discussion were created for this series and are not licensed", "I am in the United States and the other character creators are in", "is in the UK. The comics are published in English and available internationally.", "I don't know how to set up this in the contract. I am", "US. The publisher is in the UK. The comics are published in English", "Of course I will consult with a lawyer before finalizing them but I", "contract. I am in the United States and the other character creators are", "The comics are published in English and available internationally. Looking for elements that", "and are not licensed from another property. The publisher's contract is with me", "I, in turn, have contracts with my co-author, artists, and other contributors. I", "what is the practice surrounding multiple character creators? This is common in the", "States and the other character creators are in various states in the US.", "other character creators are in various states in the US. The publisher is", "are in various states in the US. The publisher is in the UK.", "am currently writing an ongoing comic series, along with a co-author. Some of", "discussion were created for this series and are not licensed from another property.", "characters. Of course I will consult with a lawyer before finalizing them but", "published in English and available internationally. Looking for elements that would be useful", "in English and available internationally. Looking for elements that would be useful to", "various states in the US. The publisher is in the UK. The comics", "The publisher is in the UK. The comics are published in English and", "character creators? This is common in the comics industry but I don't know", "English and available internationally. Looking for elements that would be useful to include", "some by the co-author, and some by third parties. All characters in this", "industry but I don't know how to set up this in the contract.", "me, some by the co-author, and some by third parties. All characters in", "the co-author, and some by third parties. All characters in this discussion were", "ongoing comic series, along with a co-author. Some of the characters in the", "of the characters in the book were created by me, some by the", "common practice around collaborative works. If there are derivative works (for example, marketing", "creators? This is common in the comics industry but I don't know how", "by third parties. All characters in this discussion were created for this series", "in the book were created by me, some by the co-author, and some", "created by me, some by the co-author, and some by third parties. All", "a co-author. Some of the characters in the book were created by me,", "co-author. Some of the characters in the book were created by me, some", "with a co-author. Some of the characters in the book were created by", "that have continuing ownership in one or more characters. Of course I will", "this series and are not licensed from another property. The publisher's contract is", "or if the comic is adapted to another medium, what is the practice", "multiple character creators? This is common in the comics industry but I don't", "derivative works (for example, marketing items like t-shirts or bobbleheads), or if the", "in the US. The publisher is in the UK. The comics are published", "contracts with my co-author, artists, and other contributors. I am in the process", "the book were created by me, some by the co-author, and some by", "the contract. I am in the United States and the other character creators", "and some by third parties. All characters in this discussion were created for", "some by third parties. All characters in this discussion were created for this", "of contracts, for creators that have continuing ownership in one or more characters.", "the latter set of contracts, for creators that have continuing ownership in one", "works. If there are derivative works (for example, marketing items like t-shirts or", "in the United States and the other character creators are in various states", "set of contracts, for creators that have continuing ownership in one or more", "around collaborative works. If there are derivative works (for example, marketing items like", "other contributors. I am in the process of updating the latter set of", "there are derivative works (for example, marketing items like t-shirts or bobbleheads), or", "ask about common practice around collaborative works. If there are derivative works (for", "surrounding multiple character creators? This is common in the comics industry but I", "is with me and I, in turn, have contracts with my co-author, artists,", "I am currently writing an ongoing comic series, along with a co-author. Some", "is adapted to another medium, what is the practice surrounding multiple character creators?", "with a lawyer before finalizing them but I wanted to ask about common", "or more characters. Of course I will consult with a lawyer before finalizing", "third parties. All characters in this discussion were created for this series and", "the US. The publisher is in the UK. The comics are published in", "collaborative works. If there are derivative works (for example, marketing items like t-shirts", "marketing items like t-shirts or bobbleheads), or if the comic is adapted to", "to ask about common practice around collaborative works. If there are derivative works", "by me, some by the co-author, and some by third parties. All characters", "were created for this series and are not licensed from another property. The", "contributors. I am in the process of updating the latter set of contracts,", "is common in the comics industry but I don't know how to set", "the United States and the other character creators are in various states in", "an ongoing comic series, along with a co-author. Some of the characters in", "in the UK. The comics are published in English and available internationally. Looking", "don't know how to set up this in the contract. I am in", "in one or more characters. Of course I will consult with a lawyer", "wanted to ask about common practice around collaborative works. If there are derivative", "I will consult with a lawyer before finalizing them but I wanted to", "about common practice around collaborative works. If there are derivative works (for example,", "publisher's contract is with me and I, in turn, have contracts with my", "contracts, for creators that have continuing ownership in one or more characters. Of", "have continuing ownership in one or more characters. Of course I will consult", "consult with a lawyer before finalizing them but I wanted to ask about", "will consult with a lawyer before finalizing them but I wanted to ask", "I am in the process of updating the latter set of contracts, for", "with my co-author, artists, and other contributors. I am in the process of", "another medium, what is the practice surrounding multiple character creators? This is common", "my co-author, artists, and other contributors. I am in the process of updating", "like t-shirts or bobbleheads), or if the comic is adapted to another medium,", "are not licensed from another property. The publisher's contract is with me and", "parties. All characters in this discussion were created for this series and are", "and I, in turn, have contracts with my co-author, artists, and other contributors.", "series, along with a co-author. Some of the characters in the book were", "internationally. Looking for elements that would be useful to include in a contract.", "latter set of contracts, for creators that have continuing ownership in one or", "or bobbleheads), or if the comic is adapted to another medium, what is", "the practice surrounding multiple character creators? This is common in the comics industry", "book were created by me, some by the co-author, and some by third", "one or more characters. Of course I will consult with a lawyer before", "before finalizing them but I wanted to ask about common practice around collaborative", "but I wanted to ask about common practice around collaborative works. If there", "for creators that have continuing ownership in one or more characters. Of course", "states in the US. The publisher is in the UK. The comics are", "comic is adapted to another medium, what is the practice surrounding multiple character", "to another medium, what is the practice surrounding multiple character creators? This is", "am in the process of updating the latter set of contracts, for creators", "are derivative works (for example, marketing items like t-shirts or bobbleheads), or if", "practice around collaborative works. If there are derivative works (for example, marketing items", "and available internationally. Looking for elements that would be useful to include in", "from another property. The publisher's contract is with me and I, in turn,", "lawyer before finalizing them but I wanted to ask about common practice around", "were created by me, some by the co-author, and some by third parties.", "practice surrounding multiple character creators? This is common in the comics industry but", "common in the comics industry but I don't know how to set up", "turn, have contracts with my co-author, artists, and other contributors. I am in", "and other contributors. I am in the process of updating the latter set", "are published in English and available internationally. Looking for elements that would be", "ownership in one or more characters. Of course I will consult with a", "the process of updating the latter set of contracts, for creators that have", "This is common in the comics industry but I don't know how to", "am in the United States and the other character creators are in various", "(for example, marketing items like t-shirts or bobbleheads), or if the comic is", "this discussion were created for this series and are not licensed from another", "example, marketing items like t-shirts or bobbleheads), or if the comic is adapted", "contract is with me and I, in turn, have contracts with my co-author,", "medium, what is the practice surrounding multiple character creators? This is common in", "more characters. Of course I will consult with a lawyer before finalizing them", "property. The publisher's contract is with me and I, in turn, have contracts", "United States and the other character creators are in various states in the", "of updating the latter set of contracts, for creators that have continuing ownership", "up this in the contract. I am in the United States and the", "the other character creators are in various states in the US. The publisher", "works (for example, marketing items like t-shirts or bobbleheads), or if the comic", "Some of the characters in the book were created by me, some by", "another property. The publisher's contract is with me and I, in turn, have", "but I don't know how to set up this in the contract. I", "a lawyer before finalizing them but I wanted to ask about common practice", "artists, and other contributors. I am in the process of updating the latter", "bobbleheads), or if the comic is adapted to another medium, what is the", "not licensed from another property. The publisher's contract is with me and I,", "with me and I, in turn, have contracts with my co-author, artists, and", "All characters in this discussion were created for this series and are not" ]
[ "a god. In the ensuing dialogue, this god has a more archaic way", "While the god's speech is usually on a separate line, occasionally it's interspersed", "the same paragraph? (FWIW, in my current draft I'm using a difference of", "speech. I think part of the reason is that since this is essentially", "to do this? EDIT: Since it was raised in a comment and I", "I didn't think about it before: While the god's speech is usually on", "usual visual cues (gestures, facial expressions, etc) to highlight who is speaking. I", "of capitalized text hard to read, and I'm already using italics for thoughts", "same paragraph? (FWIW, in my current draft I'm using a difference of 2", "emphasis. Since the story is going to be published online, I can't rely", "paragraph? 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Since the story is going", "I've played around with increasing the size a bit and I think it", "I'm wondering if it might be a good idea to visually distinguish the", "published online, I can't rely on displaying the text in an actually different", "Would it be problematic to have different sizes in the same paragraph? (FWIW,", "already using italics for thoughts and emphasis. Since the story is going to", "to read, and I'm already using italics for thoughts and emphasis. Since the", "is usually on a separate line, occasionally it's interspersed with speech tags and", "tags and descriptions. Would it be problematic to have different sizes in the", "capitalize everything as I find long stretches of capitalized text hard to read,", "different sizes in the same paragraph? (FWIW, in my current draft I'm using", "is that since this is essentially a disembodied voice talking, I can't use", "reason is that since this is essentially a disembodied voice talking, I can't", "wondering if it might be a good idea to visually distinguish the god's", "don't want to capitalize everything as I find long stretches of capitalized text", "from the other characters' speech. I think part of the reason is that", "essentially a disembodied voice talking, I can't use the usual visual cues (gestures,", "way of speaking, but even so, I'm wondering if it might be a", "find long stretches of capitalized text hard to read, and I'm already using", "In the ensuing dialogue, this god has a more archaic way of speaking,", "didn't think about it before: While the god's speech is usually on a", "on a separate line, occasionally it's interspersed with speech tags and descriptions. Would", "addressed by a god. In the ensuing dialogue, this god has a more", "highlight who is speaking. I don't want to capitalize everything as I find", "if it might be a good idea to visually distinguish the god's speech", "for thoughts and emphasis. Since the story is going to be published online,", "around with increasing the size a bit and I think it looks okay.", "and I didn't think about it before: While the god's speech is usually", "in my story, the characters are addressed by a god. In the ensuing", "about it before: While the god's speech is usually on a separate line,", "do this? EDIT: Since it was raised in a comment and I didn't", "good idea to visually distinguish the god's speech from the other characters' speech.", "However, I've played around with increasing the size a bit and I think", "the other characters' speech. I think part of the reason is that since", "has a more archaic way of speaking, but even so, I'm wondering if", "capitalized text hard to read, and I'm already using italics for thoughts and", "to be published online, I can't rely on displaying the text in an", "characters are addressed by a god. In the ensuing dialogue, this god has", "At one point in my story, the characters are addressed by a god.", "looks okay. But are there any reasons not to do this? EDIT: Since", "facial expressions, etc) to highlight who is speaking. I don't want to capitalize", "interspersed with speech tags and descriptions. Would it be problematic to have different", "this god has a more archaic way of speaking, but even so, I'm", "speech tags and descriptions. Would it be problematic to have different sizes in", "story is going to be published online, I can't rely on displaying the", "and emphasis. 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EDIT: Since it was raised in", "to visually distinguish the god's speech from the other characters' speech. I think", "with speech tags and descriptions. Would it be problematic to have different sizes", "to highlight who is speaking. I don't want to capitalize everything as I", "the reason is that since this is essentially a disembodied voice talking, I", "the story is going to be published online, I can't rely on displaying", "can't rely on displaying the text in an actually different font, either. However,", "god. In the ensuing dialogue, this god has a more archaic way of", "dialogue, this god has a more archaic way of speaking, but even so,", "it's interspersed with speech tags and descriptions. Would it be problematic to have", "separate line, occasionally it's interspersed with speech tags and descriptions. Would it be", "comment and I didn't think about it before: While the god's speech is", "by a god. In the ensuing dialogue, this god has a more archaic", "I find long stretches of capitalized text hard to read, and I'm already", "I think part of the reason is that since this is essentially a", "is speaking. I don't want to capitalize everything as I find long stretches", "the size a bit and I think it looks okay. But are there", "to have different sizes in the same paragraph? (FWIW, in my current draft", "are there any reasons not to do this? EDIT: Since it was raised", "archaic way of speaking, but even so, I'm wondering if it might be", "speech from the other characters' speech. I think part of the reason is", "think about it before: While the god's speech is usually on a separate", "as I find long stretches of capitalized text hard to read, and I'm", "expressions, etc) to highlight who is speaking. I don't want to capitalize everything", "speaking, but even so, I'm wondering if it might be a good idea", "in an actually different font, either. However, I've played around with increasing the", "disembodied voice talking, I can't use the usual visual cues (gestures, facial expressions,", "usually on a separate line, occasionally it's interspersed with speech tags and descriptions.", "a separate line, occasionally it's interspersed with speech tags and descriptions. Would it", "Since it was raised in a comment and I didn't think about it", "speaking. I don't want to capitalize everything as I find long stretches of", "speech is usually on a separate line, occasionally it's interspersed with speech tags", "point in my story, the characters are addressed by a god. In the", "god's speech from the other characters' speech. I think part of the reason", "can't use the usual visual cues (gestures, facial expressions, etc) to highlight who", "problematic to have different sizes in the same paragraph? 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However, I've played around with increasing the size a bit", "visual cues (gestures, facial expressions, etc) to highlight who is speaking. I don't", "the god's speech from the other characters' speech. I think part of the", "a disembodied voice talking, I can't use the usual visual cues (gestures, facial", "font, either. However, I've played around with increasing the size a bit and", "raised in a comment and I didn't think about it before: While the", "this is essentially a disembodied voice talking, I can't use the usual visual", "part of the reason is that since this is essentially a disembodied voice", "not to do this? EDIT: Since it was raised in a comment and", "since this is essentially a disembodied voice talking, I can't use the usual", "so, I'm wondering if it might be a good idea to visually distinguish", "I think it looks okay. But are there any reasons not to do", "italics for thoughts and emphasis. 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In the ensuing dialogue, this god", "everything as I find long stretches of capitalized text hard to read, and", "going to be published online, I can't rely on displaying the text in", "a comment and I didn't think about it before: While the god's speech", "in the same paragraph? (FWIW, in my current draft I'm using a difference", "that since this is essentially a disembodied voice talking, I can't use the", "to capitalize everything as I find long stretches of capitalized text hard to", "(gestures, facial expressions, etc) to highlight who is speaking. I don't want to", "long stretches of capitalized text hard to read, and I'm already using italics", "god has a more archaic way of speaking, but even so, I'm wondering", "(FWIW, in my current draft I'm using a difference of 2 size points.)", "of the reason is that since this is essentially a disembodied voice talking,", "think it looks okay. But are there any reasons not to do this?", "either. However, I've played around with increasing the size a bit and I", "Since the story is going to be published online, I can't rely on", "actually different font, either. However, I've played around with increasing the size a", "it before: While the god's speech is usually on a separate line, occasionally", "are addressed by a god. In the ensuing dialogue, this god has a", "idea to visually distinguish the god's speech from the other characters' speech. I", "etc) to highlight who is speaking. I don't want to capitalize everything as", "be published online, I can't rely on displaying the text in an actually", "one point in my story, the characters are addressed by a god. In", "is going to be published online, I can't rely on displaying the text", "increasing the size a bit and I think it looks okay. But are", "rely on displaying the text in an actually different font, either. However, I've", "But are there any reasons not to do this? EDIT: Since it was", "god's speech is usually on a separate line, occasionally it's interspersed with speech", "it looks okay. But are there any reasons not to do this? EDIT:", "I can't use the usual visual cues (gestures, facial expressions, etc) to highlight", "other characters' speech. I think part of the reason is that since this" ]
[ "has an interesting, but confusing, point of view about how she created a", "how she created a particular character. She said that for some characters she", "character must have some sort of \"independent will, against the mind of their", "they're saying that your character must have some sort of \"independent will, against", "hers; but rather about this \"phenomena\" that you (you as a writer, as", "Of course developing a character is quite an intimate process. But still, like", "that moment\". My question isn't about the particular process of hers; but rather", "She has an interesting, but confusing, point of view about how she created", "curious: \"I didn't know that character X was violent until that moment\". My", "a book or consume some reference on how to develop a character and", "you know something about her/his life (the character \"tells you about him/herself). It", "that when you read a book or consume some reference on how to", "character X was violent until that moment\". My question isn't about the particular", "some reference on how to develop a character and the author says something", "life (the character \"tells you about him/herself). It seems that you have something", "your character must have some sort of \"independent will, against the mind of", "Rhimes. She has an interesting, but confusing, point of view about how she", "was violent until that moment\". My question isn't about the particular process of", "\"tells you about him/herself). It seems that you have something \"alive\" in your", "about her/his life (the character \"tells you about him/herself). It seems that you", "as a human being) can carry a character in your mind and suddenly", "X was violent until that moment\". My question isn't about the particular process", "\"You must put your characters in situations to discover more about them\", they're", "can in fact have some tools that give you some sort of axiomatic", "suddenly you know something about her/his life (the character \"tells you about him/herself).", "do something that you don't imagine? 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She said that for some characters she knows everything about their", "develop a character and the author says something like \"You must put your", "There is a TV writer named Shonda Rhimes. She has an interesting, but", "question isn't about the particular process of hers; but rather about this \"phenomena\"", "characters in situations to discover more about them\", they're saying that your character", "situations to discover more about them\", they're saying that your character must have", "character) do something that you don't imagine? I suppose that when you read", "a writer, as a human being) can carry a character in your mind", "imagine? I suppose that when you read a book or consume some reference", "have something \"alive\" in your mind. Now, how can a creation of your", "your mind. 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[ "Ring, otherwise it will consume and destroy him. The difference is that if", "first season of 24, you have basic personal stakes. Seck needs to stop", "mind, there are two levels of stakes (not to be confused with the", "will eventually continue. There's nothing saying or even suggesting that he won't. While", "outliner, meaning I develop and plan every aspect of my writing before actually", "for my characters? I will be glad to provide more details if necessary.", "Frodo fails, he will, in some form, be incomplete and be unable to", "the world of the novel could lose). --- In my mind, there are", "could lose). --- In my mind, there are two levels of stakes (not", "consume and destroy him. The difference is that if Frodo fails, he will,", "personal stakes for my characters? I will be glad to provide more details", "the kinds of stakes): basic and deep. Example: In the first season of", "meaning I develop and plan every aspect of my writing before actually writing", "That approach does not work for me. Problem: I am currently trying to", "Note: This question deals exclusively with personal stakes (what the character could lose).", "In 24, we can assume that if Seck fails to rescue his daughter,", "an outliner, meaning I develop and plan every aspect of my writing before", "stakes (what the character could lose). It does not deal with public stakes", "fails to rescue his daughter, he will be seriously messed up, but we", "and deep. Example: In the first season of 24, you have basic personal", "any. Just lots of information on how to make basic stakes and raise", "personal stakes in my characters. Deep personal stakes boil down to a need", "cannot continue in some form (due to being incomplete). I have tried looking", "show me a process by which I can create deep personal stakes for", "know about deep personal stakes. For this reason, LotR is the best example", "assume that if Seck fails to rescue his daughter, he will be seriously", "he will, in some form, be incomplete and be unable to continue (again,", "have basic personal stakes. Seck needs to stop the terrorists to rescue his", "trying to create a process by which I can generate deep personal stakes", "In my mind, there are two levels of stakes (not to be confused", "by which I can generate deep personal stakes in my characters. Deep personal", "form (due to being incomplete). I have tried looking up examples of stakes,", "work in certain scenarios, they always only seem to be enough. Call me", "boil down to a need without which a character is incomplete in some", "in some form, be incomplete and be unable to continue (again, in some", "to continue (again, in some form). In 24, we can assume that if", "couldn't find any. Just lots of information on how to make basic stakes", "writing before actually writing it. I operate almost entirely off of formulas and", "two levels of stakes (not to be confused with the kinds of stakes):", "lots of information on how to make basic stakes and raise them. No", "cannot sit down and 'simply write'. That approach does not work for me.", "which I can create deep personal stakes for my characters? I will be", "personal stakes boil down to a need without which a character is incomplete", "one seems to even know about deep personal stakes. For this reason, LotR", "to be enough. Call me a perfectionist, but I don't want enough. I", "the best example of deep personal stakes which comes to mind. Question: Can", "I operate almost entirely off of formulas and step-by-step processes. I cannot sit", "you show me a process by which I can create deep personal stakes", "which a character is incomplete in some form, and cannot continue in some", "process by which I can generate deep personal stakes in my characters. Deep", "basic and deep. Example: In the first season of 24, you have basic", "terrorists to rescue his daughter. In LotR, you have deep personal stakes. Frodo", "LotR, you have deep personal stakes. Frodo needs to destroy the Ring, otherwise", "stakes. Seck needs to stop the terrorists to rescue his daughter. In LotR,", "my characters. Deep personal stakes boil down to a need without which a", "Problem: I am currently trying to create a process by which I can", "be incomplete and be unable to continue (again, in some form). In 24,", "that if Seck fails to rescue his daughter, he will be seriously messed", "generate deep personal stakes in my characters. Deep personal stakes boil down to", "continue in some form (due to being incomplete). I have tried looking up", "with the kinds of stakes): basic and deep. Example: In the first season", "enough. Call me a perfectionist, but I don't want enough. I want the", "Can you show me a process by which I can create deep personal", "(what the character could lose). It does not deal with public stakes (what", "examples of stakes, but surprisingly, I couldn't find any. Just lots of information", "destroy him. The difference is that if Frodo fails, he will, in some", "season of 24, you have basic personal stakes. Seck needs to stop the", "stakes in my characters. Deep personal stakes boil down to a need without", "his daughter. In LotR, you have deep personal stakes. Frodo needs to destroy", "is that if Frodo fails, he will, in some form, be incomplete and", "maximum. Background: I am an outliner, meaning I develop and plan every aspect", "surprisingly, I couldn't find any. Just lots of information on how to make", "create a process by which I can generate deep personal stakes in my", "with personal stakes (what the character could lose). It does not deal with", "personal stakes (what the character could lose). It does not deal with public", "formulas and step-by-step processes. I cannot sit down and 'simply write'. That approach", "form). In 24, we can assume that if Seck fails to rescue his", "have tried looking up examples of stakes, but surprisingly, I couldn't find any.", "assume that he will eventually continue. There's nothing saying or even suggesting that", "don't want enough. I want the maximum. Background: I am an outliner, meaning", "how to make basic stakes and raise them. No one seems to even", "with public stakes (what the world of the novel could lose). --- In", "but we can also assume that he will eventually continue. There's nothing saying", "I can create deep personal stakes for my characters? I will be glad", "am an outliner, meaning I develop and plan every aspect of my writing", "to stop the terrorists to rescue his daughter. In LotR, you have deep", "almost entirely off of formulas and step-by-step processes. I cannot sit down and", "deals exclusively with personal stakes (what the character could lose). It does not", "and plan every aspect of my writing before actually writing it. I operate", "seriously messed up, but we can also assume that he will eventually continue.", "this reason, LotR is the best example of deep personal stakes which comes", "I couldn't find any. Just lots of information on how to make basic", "This question deals exclusively with personal stakes (what the character could lose). It", "I want the maximum. Background: I am an outliner, meaning I develop and", "The difference is that if Frodo fails, he will, in some form, be", "messed up, but we can also assume that he will eventually continue. There's", "currently trying to create a process by which I can generate deep personal", "stakes): basic and deep. Example: In the first season of 24, you have", "In the first season of 24, you have basic personal stakes. Seck needs", "stakes (what the world of the novel could lose). --- In my mind,", "develop and plan every aspect of my writing before actually writing it. I", "I recognize that basic stakes can work in certain scenarios, they always only", "off of formulas and step-by-step processes. I cannot sit down and 'simply write'.", "I cannot sit down and 'simply write'. That approach does not work for", "by which I can create deep personal stakes for my characters? I will", "and be unable to continue (again, in some form). In 24, we can", "me a perfectionist, but I don't want enough. I want the maximum. Background:", "question deals exclusively with personal stakes (what the character could lose). It does", "a perfectionist, but I don't want enough. I want the maximum. Background: I", "in some form, and cannot continue in some form (due to being incomplete).", "It does not deal with public stakes (what the world of the novel", "rescue his daughter. In LotR, you have deep personal stakes. Frodo needs to", "be seriously messed up, but we can also assume that he will eventually", "even suggesting that he won't. While I recognize that basic stakes can work", "kinds of stakes): basic and deep. Example: In the first season of 24,", "saying or even suggesting that he won't. While I recognize that basic stakes", "deal with public stakes (what the world of the novel could lose). ---", "to a need without which a character is incomplete in some form, and", "processes. I cannot sit down and 'simply write'. That approach does not work", "stakes which comes to mind. Question: Can you show me a process by", "not work for me. Problem: I am currently trying to create a process", "Deep personal stakes boil down to a need without which a character is", "to rescue his daughter. In LotR, you have deep personal stakes. Frodo needs", "Question: Can you show me a process by which I can create deep", "want enough. I want the maximum. Background: I am an outliner, meaning I", "Just lots of information on how to make basic stakes and raise them.", "aspect of my writing before actually writing it. I operate almost entirely off", "you have basic personal stakes. Seck needs to stop the terrorists to rescue", "nothing saying or even suggesting that he won't. While I recognize that basic", "There's nothing saying or even suggesting that he won't. While I recognize that", "approach does not work for me. Problem: I am currently trying to create", "novel could lose). --- In my mind, there are two levels of stakes", "have deep personal stakes. Frodo needs to destroy the Ring, otherwise it will", "find any. Just lots of information on how to make basic stakes and", "stakes, but surprisingly, I couldn't find any. Just lots of information on how", "but I don't want enough. I want the maximum. Background: I am an", "seem to be enough. Call me a perfectionist, but I don't want enough.", "the Ring, otherwise it will consume and destroy him. The difference is that", "me. Problem: I am currently trying to create a process by which I", "stakes. For this reason, LotR is the best example of deep personal stakes", "and cannot continue in some form (due to being incomplete). I have tried", "to rescue his daughter, he will be seriously messed up, but we can", "--- In my mind, there are two levels of stakes (not to be", "mind. Question: Can you show me a process by which I can create", "he won't. While I recognize that basic stakes can work in certain scenarios,", "it will consume and destroy him. The difference is that if Frodo fails,", "a need without which a character is incomplete in some form, and cannot", "fails, he will, in some form, be incomplete and be unable to continue", "could lose). It does not deal with public stakes (what the world of", "some form, and cannot continue in some form (due to being incomplete). I", "of stakes, but surprisingly, I couldn't find any. Just lots of information on", "need without which a character is incomplete in some form, and cannot continue", "seems to even know about deep personal stakes. For this reason, LotR is", "can generate deep personal stakes in my characters. Deep personal stakes boil down", "'simply write'. That approach does not work for me. Problem: I am currently", "if Frodo fails, he will, in some form, be incomplete and be unable", "also assume that he will eventually continue. There's nothing saying or even suggesting", "lose). --- In my mind, there are two levels of stakes (not to", "will, in some form, be incomplete and be unable to continue (again, in", "stakes. Frodo needs to destroy the Ring, otherwise it will consume and destroy", "of my writing before actually writing it. I operate almost entirely off of", "of deep personal stakes which comes to mind. Question: Can you show me", "be confused with the kinds of stakes): basic and deep. Example: In the", "to create a process by which I can generate deep personal stakes in", "down to a need without which a character is incomplete in some form,", "not deal with public stakes (what the world of the novel could lose).", "of 24, you have basic personal stakes. Seck needs to stop the terrorists", "For this reason, LotR is the best example of deep personal stakes which", "Seck fails to rescue his daughter, he will be seriously messed up, but", "can assume that if Seck fails to rescue his daughter, he will be", "basic stakes can work in certain scenarios, they always only seem to be", "stakes can work in certain scenarios, they always only seem to be enough.", "that he will eventually continue. There's nothing saying or even suggesting that he", "can work in certain scenarios, they always only seem to be enough. Call", "of the novel could lose). --- In my mind, there are two levels", "to make basic stakes and raise them. No one seems to even know", "without which a character is incomplete in some form, and cannot continue in", "(due to being incomplete). I have tried looking up examples of stakes, but", "operate almost entirely off of formulas and step-by-step processes. I cannot sit down", "be enough. Call me a perfectionist, but I don't want enough. I want", "to be confused with the kinds of stakes): basic and deep. Example: In", "that basic stakes can work in certain scenarios, they always only seem to", "want the maximum. Background: I am an outliner, meaning I develop and plan", "only seem to be enough. Call me a perfectionist, but I don't want", "every aspect of my writing before actually writing it. I operate almost entirely", "which I can generate deep personal stakes in my characters. Deep personal stakes", "is incomplete in some form, and cannot continue in some form (due to", "deep personal stakes. For this reason, LotR is the best example of deep", "deep personal stakes. Frodo needs to destroy the Ring, otherwise it will consume", "does not deal with public stakes (what the world of the novel could", "incomplete in some form, and cannot continue in some form (due to being", "Frodo needs to destroy the Ring, otherwise it will consume and destroy him.", "some form). In 24, we can assume that if Seck fails to rescue", "of formulas and step-by-step processes. I cannot sit down and 'simply write'. That", "is the best example of deep personal stakes which comes to mind. Question:", "raise them. No one seems to even know about deep personal stakes. For", "always only seem to be enough. Call me a perfectionist, but I don't", "24, we can assume that if Seck fails to rescue his daughter, he", "character could lose). It does not deal with public stakes (what the world", "public stakes (what the world of the novel could lose). --- In my", "stakes and raise them. No one seems to even know about deep personal", "for me. Problem: I am currently trying to create a process by which", "a process by which I can create deep personal stakes for my characters?", "are two levels of stakes (not to be confused with the kinds of", "suggesting that he won't. While I recognize that basic stakes can work in", "up examples of stakes, but surprisingly, I couldn't find any. Just lots of", "it. I operate almost entirely off of formulas and step-by-step processes. I cannot", "step-by-step processes. I cannot sit down and 'simply write'. That approach does not", "he will be seriously messed up, but we can also assume that he", "Seck needs to stop the terrorists to rescue his daughter. In LotR, you", "incomplete). I have tried looking up examples of stakes, but surprisingly, I couldn't", "I am currently trying to create a process by which I can generate", "confused with the kinds of stakes): basic and deep. Example: In the first", "LotR is the best example of deep personal stakes which comes to mind.", "will be seriously messed up, but we can also assume that he will", "will consume and destroy him. The difference is that if Frodo fails, he", "reason, LotR is the best example of deep personal stakes which comes to", "I am an outliner, meaning I develop and plan every aspect of my", "the novel could lose). --- In my mind, there are two levels of", "stop the terrorists to rescue his daughter. In LotR, you have deep personal", "won't. While I recognize that basic stakes can work in certain scenarios, they", "deep personal stakes in my characters. Deep personal stakes boil down to a", "Call me a perfectionist, but I don't want enough. I want the maximum.", "I can generate deep personal stakes in my characters. Deep personal stakes boil", "that he won't. While I recognize that basic stakes can work in certain", "enough. I want the maximum. Background: I am an outliner, meaning I develop", "can create deep personal stakes for my characters? I will be glad to", "deep. Example: In the first season of 24, you have basic personal stakes.", "unable to continue (again, in some form). In 24, we can assume that", "can also assume that he will eventually continue. There's nothing saying or even", "personal stakes. Seck needs to stop the terrorists to rescue his daughter. In", "needs to stop the terrorists to rescue his daughter. In LotR, you have", "we can assume that if Seck fails to rescue his daughter, he will", "recognize that basic stakes can work in certain scenarios, they always only seem", "daughter, he will be seriously messed up, but we can also assume that", "sit down and 'simply write'. That approach does not work for me. Problem:", "entirely off of formulas and step-by-step processes. I cannot sit down and 'simply", "perfectionist, but I don't want enough. I want the maximum. Background: I am", "24, you have basic personal stakes. Seck needs to stop the terrorists to", "looking up examples of stakes, but surprisingly, I couldn't find any. Just lots", "Background: I am an outliner, meaning I develop and plan every aspect of", "form, be incomplete and be unable to continue (again, in some form). In", "if Seck fails to rescue his daughter, he will be seriously messed up,", "they always only seem to be enough. Call me a perfectionist, but I", "eventually continue. There's nothing saying or even suggesting that he won't. While I", "his daughter, he will be seriously messed up, but we can also assume", "or even suggesting that he won't. While I recognize that basic stakes can", "you have deep personal stakes. Frodo needs to destroy the Ring, otherwise it", "process by which I can create deep personal stakes for my characters? I", "difference is that if Frodo fails, he will, in some form, be incomplete", "my writing before actually writing it. I operate almost entirely off of formulas", "up, but we can also assume that he will eventually continue. There's nothing", "(what the world of the novel could lose). --- In my mind, there", "a character is incomplete in some form, and cannot continue in some form", "to being incomplete). I have tried looking up examples of stakes, but surprisingly,", "exclusively with personal stakes (what the character could lose). It does not deal", "I develop and plan every aspect of my writing before actually writing it.", "create deep personal stakes for my characters? I will be glad to provide", "stakes (not to be confused with the kinds of stakes): basic and deep.", "to destroy the Ring, otherwise it will consume and destroy him. The difference", "the character could lose). It does not deal with public stakes (what the", "certain scenarios, they always only seem to be enough. Call me a perfectionist,", "of stakes): basic and deep. Example: In the first season of 24, you", "and 'simply write'. That approach does not work for me. Problem: I am", "needs to destroy the Ring, otherwise it will consume and destroy him. The", "actually writing it. I operate almost entirely off of formulas and step-by-step processes.", "basic personal stakes. Seck needs to stop the terrorists to rescue his daughter.", "writing it. I operate almost entirely off of formulas and step-by-step processes. I", "personal stakes. For this reason, LotR is the best example of deep personal", "that if Frodo fails, he will, in some form, be incomplete and be", "in my characters. Deep personal stakes boil down to a need without which", "continue (again, in some form). In 24, we can assume that if Seck", "write'. That approach does not work for me. Problem: I am currently trying", "personal stakes which comes to mind. Question: Can you show me a process", "down and 'simply write'. That approach does not work for me. Problem: I", "lose). It does not deal with public stakes (what the world of the", "scenarios, they always only seem to be enough. Call me a perfectionist, but", "rescue his daughter, he will be seriously messed up, but we can also", "comes to mind. Question: Can you show me a process by which I", "and raise them. No one seems to even know about deep personal stakes.", "being incomplete). I have tried looking up examples of stakes, but surprisingly, I", "basic stakes and raise them. No one seems to even know about deep", "them. No one seems to even know about deep personal stakes. For this", "world of the novel could lose). --- In my mind, there are two", "stakes for my characters? I will be glad to provide more details if", "otherwise it will consume and destroy him. The difference is that if Frodo", "of stakes (not to be confused with the kinds of stakes): basic and", "on how to make basic stakes and raise them. No one seems to", "information on how to make basic stakes and raise them. No one seems", "him. The difference is that if Frodo fails, he will, in some form,", "me a process by which I can create deep personal stakes for my", "the maximum. Background: I am an outliner, meaning I develop and plan every", "in some form (due to being incomplete). I have tried looking up examples", "stakes boil down to a need without which a character is incomplete in", "make basic stakes and raise them. No one seems to even know about", "the first season of 24, you have basic personal stakes. Seck needs to", "(again, in some form). In 24, we can assume that if Seck fails", "example of deep personal stakes which comes to mind. Question: Can you show", "which comes to mind. Question: Can you show me a process by which", "form, and cannot continue in some form (due to being incomplete). I have", "even know about deep personal stakes. For this reason, LotR is the best", "destroy the Ring, otherwise it will consume and destroy him. The difference is", "No one seems to even know about deep personal stakes. For this reason,", "incomplete and be unable to continue (again, in some form). In 24, we", "some form (due to being incomplete). I have tried looking up examples of", "to even know about deep personal stakes. For this reason, LotR is the", "we can also assume that he will eventually continue. There's nothing saying or", "he will eventually continue. There's nothing saying or even suggesting that he won't.", "Example: In the first season of 24, you have basic personal stakes. Seck", "daughter. In LotR, you have deep personal stakes. Frodo needs to destroy the", "before actually writing it. I operate almost entirely off of formulas and step-by-step", "(not to be confused with the kinds of stakes): basic and deep. Example:", "levels of stakes (not to be confused with the kinds of stakes): basic", "In LotR, you have deep personal stakes. Frodo needs to destroy the Ring,", "my mind, there are two levels of stakes (not to be confused with", "and destroy him. The difference is that if Frodo fails, he will, in", "tried looking up examples of stakes, but surprisingly, I couldn't find any. Just", "While I recognize that basic stakes can work in certain scenarios, they always", "work for me. Problem: I am currently trying to create a process by", "but surprisingly, I couldn't find any. Just lots of information on how to", "does not work for me. Problem: I am currently trying to create a", "and step-by-step processes. I cannot sit down and 'simply write'. That approach does", "be unable to continue (again, in some form). In 24, we can assume", "I don't want enough. I want the maximum. Background: I am an outliner,", "deep personal stakes for my characters? I will be glad to provide more", "a process by which I can generate deep personal stakes in my characters.", "character is incomplete in some form, and cannot continue in some form (due", "am currently trying to create a process by which I can generate deep", "personal stakes. Frodo needs to destroy the Ring, otherwise it will consume and", "in some form). In 24, we can assume that if Seck fails to", "there are two levels of stakes (not to be confused with the kinds", "to mind. Question: Can you show me a process by which I can", "best example of deep personal stakes which comes to mind. Question: Can you", "characters. Deep personal stakes boil down to a need without which a character", "in certain scenarios, they always only seem to be enough. Call me a", "of information on how to make basic stakes and raise them. No one", "some form, be incomplete and be unable to continue (again, in some form).", "deep personal stakes which comes to mind. Question: Can you show me a", "plan every aspect of my writing before actually writing it. I operate almost", "I have tried looking up examples of stakes, but surprisingly, I couldn't find", "about deep personal stakes. For this reason, LotR is the best example of", "continue. There's nothing saying or even suggesting that he won't. While I recognize", "the terrorists to rescue his daughter. In LotR, you have deep personal stakes." ]
[ "is something that I imagined, I mean, is my mind. How can I", "deny a help and say no; my character choosed to help. But the", "urgent situaton. Then I \"observe\" my character actions and I conclude that this", "character creation](https://writing.stackexchange.com/questions/47733/doubt-about-a-particular-point-of-view-on-how-to-do-character-creation) ): I would like to know more about how to \"know\"", "a person asking for help, because this person needs to find a public", "Then I \"observe\" my character actions and I conclude that this character helped", "and what is an action did by them. I'll give you an feeble", "by them. I'll give you an feeble example: A character walking down the", "this character helped indeed this person. This example illustrates, at some level, what", "what means \"put your character in a situation\". I gived my character the", "that my character's choose was a some sort of \"independent thought\" if I've", "a public telephone to talk about a urgent situaton. Then I \"observe\" my", "at some level, what means \"put your character in a situation\". I gived", "choosed to help. But the outcome of this situation is something that I", "feeble example: A character walking down the street sees a person asking for", "them. I'll give you an feeble example: A character walking down the street", "a situation\". I gived my character the possibility to deny a help and", "you an feeble example: A character walking down the street sees a person", "one will find a particular point of view that is tricky, I mean,", "(on [Doubt about a particular point of view on how to do character", "street sees a person asking for help, because this person needs to find", "know that my character's choose was a some sort of \"independent thought\" if", "character actions and I conclude that this character helped indeed this person. This", "I gived my character the possibility to deny a help and say no;", "is my mind. How can I know that my character's choose was a", "that I imagined, I mean, is my mind. How can I know that", "a little bit, the one will find a particular point of view that", "the street sees a person asking for help, because this person needs to", "know more about how to \"know\" more about a true alived character. Now,", "for an character and what is an action did by them. I'll give", "of this situation is something that I imagined, I mean, is my mind.", "character walking down the street sees a person asking for help, because this", "character helped indeed this person. This example illustrates, at some level, what means", "actions and I conclude that this character helped indeed this person. This example", "a particular point of view on how to do character creation](https://writing.stackexchange.com/questions/47733/doubt-about-a-particular-point-of-view-on-how-to-do-character-creation) ): I", "is an action did by them. I'll give you an feeble example: A", "public telephone to talk about a urgent situaton. Then I \"observe\" my character", "example: A character walking down the street sees a person asking for help,", "help, because this person needs to find a public telephone to talk about", "some level, what means \"put your character in a situation\". I gived my", "level, what means \"put your character in a situation\". I gived my character", "possibility to deny a help and say no; my character choosed to help.", "to help. But the outcome of this situation is something that I imagined,", "a urgent situaton. Then I \"observe\" my character actions and I conclude that", "more about how to \"know\" more about a true alived character. Now, if", "sure what is an action wrote for an character and what is an", "think a little bit, the one will find a particular point of view", "\"know\" more about a true alived character. Now, if you think a little", "an action wrote for an character and what is an action did by", "that is tricky, I mean, say for sure what is an action wrote", "alived character. Now, if you think a little bit, the one will find", "creation](https://writing.stackexchange.com/questions/47733/doubt-about-a-particular-point-of-view-on-how-to-do-character-creation) ): I would like to know more about how to \"know\" more", "little bit, the one will find a particular point of view that is", "say no; my character choosed to help. But the outcome of this situation", "would like to know more about how to \"know\" more about a true", "action did by them. I'll give you an feeble example: A character walking", "and my comment (on [Doubt about a particular point of view on how", "helped indeed this person. This example illustrates, at some level, what means \"put", "A character walking down the street sees a person asking for help, because", "bit, the one will find a particular point of view that is tricky,", "choose was a some sort of \"independent thought\" if I've imagined that outcome?", "the answer of @Cyn and my comment (on [Doubt about a particular point", "about a particular point of view on how to do character creation](https://writing.stackexchange.com/questions/47733/doubt-about-a-particular-point-of-view-on-how-to-do-character-creation) ):", "person asking for help, because this person needs to find a public telephone", "talk about a urgent situaton. Then I \"observe\" my character actions and I", "my mind. How can I know that my character's choose was a some", "how to \"know\" more about a true alived character. Now, if you think", "give you an feeble example: A character walking down the street sees a", "your character in a situation\". I gived my character the possibility to deny", "Now, if you think a little bit, the one will find a particular", "view that is tricky, I mean, say for sure what is an action", "for help, because this person needs to find a public telephone to talk", "my comment (on [Doubt about a particular point of view on how to", "down the street sees a person asking for help, because this person needs", "wrote for an character and what is an action did by them. I'll", "I'll give you an feeble example: A character walking down the street sees", "the possibility to deny a help and say no; my character choosed to", "indeed this person. This example illustrates, at some level, what means \"put your", "situaton. Then I \"observe\" my character actions and I conclude that this character", "\"put your character in a situation\". I gived my character the possibility to", "to deny a help and say no; my character choosed to help. But", "about a true alived character. Now, if you think a little bit, the", "an action did by them. I'll give you an feeble example: A character", "help and say no; my character choosed to help. But the outcome of", "and say no; my character choosed to help. But the outcome of this", "Following the answer of @Cyn and my comment (on [Doubt about a particular", "gived my character the possibility to deny a help and say no; my", "outcome of this situation is something that I imagined, I mean, is my", "How can I know that my character's choose was a some sort of", "I would like to know more about how to \"know\" more about a", "character's choose was a some sort of \"independent thought\" if I've imagined that", "character in a situation\". I gived my character the possibility to deny a", "what is an action did by them. I'll give you an feeble example:", "conclude that this character helped indeed this person. This example illustrates, at some", "an character and what is an action did by them. I'll give you", "a particular point of view that is tricky, I mean, say for sure", "say for sure what is an action wrote for an character and what", "what is an action wrote for an character and what is an action", "particular point of view that is tricky, I mean, say for sure what", "did by them. I'll give you an feeble example: A character walking down", "I conclude that this character helped indeed this person. This example illustrates, at", "like to know more about how to \"know\" more about a true alived", "point of view on how to do character creation](https://writing.stackexchange.com/questions/47733/doubt-about-a-particular-point-of-view-on-how-to-do-character-creation) ): I would like", "my character's choose was a some sort of \"independent thought\" if I've imagined", "character choosed to help. But the outcome of this situation is something that", "I \"observe\" my character actions and I conclude that this character helped indeed", "particular point of view on how to do character creation](https://writing.stackexchange.com/questions/47733/doubt-about-a-particular-point-of-view-on-how-to-do-character-creation) ): I would", "action wrote for an character and what is an action did by them.", "to know more about how to \"know\" more about a true alived character.", "in a situation\". I gived my character the possibility to deny a help", "do character creation](https://writing.stackexchange.com/questions/47733/doubt-about-a-particular-point-of-view-on-how-to-do-character-creation) ): I would like to know more about how to", "this situation is something that I imagined, I mean, is my mind. How", "will find a particular point of view that is tricky, I mean, say", "example illustrates, at some level, what means \"put your character in a situation\".", "my character actions and I conclude that this character helped indeed this person.", "you think a little bit, the one will find a particular point of", "walking down the street sees a person asking for help, because this person", "asking for help, because this person needs to find a public telephone to", "to find a public telephone to talk about a urgent situaton. Then I", "help. But the outcome of this situation is something that I imagined, I", "an feeble example: A character walking down the street sees a person asking", "about a urgent situaton. Then I \"observe\" my character actions and I conclude", "true alived character. Now, if you think a little bit, the one will", "is an action wrote for an character and what is an action did", "character and what is an action did by them. I'll give you an", "this person. This example illustrates, at some level, what means \"put your character", "can I know that my character's choose was a some sort of \"independent", "person needs to find a public telephone to talk about a urgent situaton.", "my character the possibility to deny a help and say no; my character", "how to do character creation](https://writing.stackexchange.com/questions/47733/doubt-about-a-particular-point-of-view-on-how-to-do-character-creation) ): I would like to know more about", "imagined, I mean, is my mind. How can I know that my character's", "mind. How can I know that my character's choose was a some sort", "person. This example illustrates, at some level, what means \"put your character in", "I know that my character's choose was a some sort of \"independent thought\"", "the one will find a particular point of view that is tricky, I", "is tricky, I mean, say for sure what is an action wrote for", "answer of @Cyn and my comment (on [Doubt about a particular point of", "to talk about a urgent situaton. Then I \"observe\" my character actions and", "situation\". I gived my character the possibility to deny a help and say", "of @Cyn and my comment (on [Doubt about a particular point of view", "more about a true alived character. Now, if you think a little bit,", "situation is something that I imagined, I mean, is my mind. How can", "to do character creation](https://writing.stackexchange.com/questions/47733/doubt-about-a-particular-point-of-view-on-how-to-do-character-creation) ): I would like to know more about how", "I imagined, I mean, is my mind. How can I know that my", "find a public telephone to talk about a urgent situaton. Then I \"observe\"", "view on how to do character creation](https://writing.stackexchange.com/questions/47733/doubt-about-a-particular-point-of-view-on-how-to-do-character-creation) ): I would like to know", "I mean, is my mind. How can I know that my character's choose", "character. Now, if you think a little bit, the one will find a", "This example illustrates, at some level, what means \"put your character in a", "a help and say no; my character choosed to help. But the outcome", "point of view that is tricky, I mean, say for sure what is", "on how to do character creation](https://writing.stackexchange.com/questions/47733/doubt-about-a-particular-point-of-view-on-how-to-do-character-creation) ): I would like to know more", "to \"know\" more about a true alived character. Now, if you think a", "this person needs to find a public telephone to talk about a urgent", "@Cyn and my comment (on [Doubt about a particular point of view on", "that this character helped indeed this person. This example illustrates, at some level,", "mean, is my mind. How can I know that my character's choose was", "about how to \"know\" more about a true alived character. Now, if you", "means \"put your character in a situation\". I gived my character the possibility", "because this person needs to find a public telephone to talk about a", "my character choosed to help. But the outcome of this situation is something", "find a particular point of view that is tricky, I mean, say for", "character the possibility to deny a help and say no; my character choosed", "and I conclude that this character helped indeed this person. This example illustrates,", "I mean, say for sure what is an action wrote for an character", "no; my character choosed to help. But the outcome of this situation is", "for sure what is an action wrote for an character and what is", "But the outcome of this situation is something that I imagined, I mean,", "): I would like to know more about how to \"know\" more about", "of view on how to do character creation](https://writing.stackexchange.com/questions/47733/doubt-about-a-particular-point-of-view-on-how-to-do-character-creation) ): I would like to", "comment (on [Doubt about a particular point of view on how to do", "sees a person asking for help, because this person needs to find a", "tricky, I mean, say for sure what is an action wrote for an", "illustrates, at some level, what means \"put your character in a situation\". I", "the outcome of this situation is something that I imagined, I mean, is", "if you think a little bit, the one will find a particular point", "[Doubt about a particular point of view on how to do character creation](https://writing.stackexchange.com/questions/47733/doubt-about-a-particular-point-of-view-on-how-to-do-character-creation)", "of view that is tricky, I mean, say for sure what is an", "mean, say for sure what is an action wrote for an character and", "telephone to talk about a urgent situaton. Then I \"observe\" my character actions", "something that I imagined, I mean, is my mind. How can I know", "needs to find a public telephone to talk about a urgent situaton. Then", "a true alived character. Now, if you think a little bit, the one", "\"observe\" my character actions and I conclude that this character helped indeed this" ]
[ "til today. What I want to know, for example, I write about the", "allowed in this type of book? Would including any personal knowledge or experiences", "any personal knowledge or experiences be OK? The book will be non fiction.", "I want to know, for example, I write about the change in food", "about airline food I had or would that be considered a personal opinion", "This will include the changes from the earliest airlines and airports til today.", "be considered a personal opinion and not allowed in this type of book?", "of book? Would including any personal knowledge or experiences be OK? The book", "some of my memories about airline food I had or would that be", "to include some of my memories about airline food I had or would", "Would including any personal knowledge or experiences be OK? The book will be", "write about the change in food they were serving to include some of", "to know, for example, I write about the change in food they were", "my local airport. This will include the changes from the earliest airlines and", "example, I write about the change in food they were serving to include", "memories about airline food I had or would that be considered a personal", "local airport. This will include the changes from the earliest airlines and airports", "had or would that be considered a personal opinion and not allowed in", "am writing a book mostly about the history of my local airport. This", "the changes from the earliest airlines and airports til today. What I want", "food they were serving to include some of my memories about airline food", "personal opinion and not allowed in this type of book? Would including any", "and airports til today. What I want to know, for example, I write", "changes from the earliest airlines and airports til today. What I want to", "earliest airlines and airports til today. What I want to know, for example,", "including any personal knowledge or experiences be OK? The book will be non", "What I want to know, for example, I write about the change in", "they were serving to include some of my memories about airline food I", "or would that be considered a personal opinion and not allowed in this", "today. What I want to know, for example, I write about the change", "in food they were serving to include some of my memories about airline", "I write about the change in food they were serving to include some", "from the earliest airlines and airports til today. What I want to know,", "will include the changes from the earliest airlines and airports til today. What", "for example, I write about the change in food they were serving to", "food I had or would that be considered a personal opinion and not", "were serving to include some of my memories about airline food I had", "would that be considered a personal opinion and not allowed in this type", "this type of book? Would including any personal knowledge or experiences be OK?", "of my local airport. This will include the changes from the earliest airlines", "want to know, for example, I write about the change in food they", "the change in food they were serving to include some of my memories", "considered a personal opinion and not allowed in this type of book? Would", "type of book? Would including any personal knowledge or experiences be OK? The", "opinion and not allowed in this type of book? Would including any personal", "that be considered a personal opinion and not allowed in this type of", "airports til today. What I want to know, for example, I write about", "airport. This will include the changes from the earliest airlines and airports til", "I am writing a book mostly about the history of my local airport.", "the earliest airlines and airports til today. What I want to know, for", "include the changes from the earliest airlines and airports til today. What I", "about the history of my local airport. This will include the changes from", "the history of my local airport. This will include the changes from the", "book mostly about the history of my local airport. This will include the", "mostly about the history of my local airport. This will include the changes", "know, for example, I write about the change in food they were serving", "about the change in food they were serving to include some of my", "serving to include some of my memories about airline food I had or", "and not allowed in this type of book? Would including any personal knowledge", "writing a book mostly about the history of my local airport. This will", "change in food they were serving to include some of my memories about", "not allowed in this type of book? Would including any personal knowledge or", "a book mostly about the history of my local airport. This will include", "airlines and airports til today. What I want to know, for example, I", "I had or would that be considered a personal opinion and not allowed", "include some of my memories about airline food I had or would that", "in this type of book? Would including any personal knowledge or experiences be", "airline food I had or would that be considered a personal opinion and", "of my memories about airline food I had or would that be considered", "history of my local airport. This will include the changes from the earliest", "book? Would including any personal knowledge or experiences be OK? The book will", "a personal opinion and not allowed in this type of book? Would including", "my memories about airline food I had or would that be considered a" ]
[ "the personality of A to exemplify the nature of B. What is another", "I want to say that the author uses Character A's \"character development\" to", "to say that the author uses Character A's \"character development\" to explore Character", "author uses Character A's \"character development\" to explore Character B. In other words,", "\"character development\" to explore Character B. In other words, the author builds on", "B. What is another word that replaces \"character development\" in the context above?", "the author uses Character A's \"character development\" to explore Character B. In other", "development\" to explore Character B. In other words, the author builds on the", "Character A's \"character development\" to explore Character B. In other words, the author", "words, the author builds on the personality of A to exemplify the nature", "uses Character A's \"character development\" to explore Character B. In other words, the", "builds on the personality of A to exemplify the nature of B. What", "author builds on the personality of A to exemplify the nature of B.", "to explore Character B. In other words, the author builds on the personality", "explore Character B. In other words, the author builds on the personality of", "the author builds on the personality of A to exemplify the nature of", "the nature of B. What is another word that replaces \"character development\" in", "want to say that the author uses Character A's \"character development\" to explore", "nature of B. What is another word that replaces \"character development\" in the", "other words, the author builds on the personality of A to exemplify the", "on the personality of A to exemplify the nature of B. What is", "A's \"character development\" to explore Character B. In other words, the author builds", "A to exemplify the nature of B. What is another word that replaces", "that the author uses Character A's \"character development\" to explore Character B. In", "of A to exemplify the nature of B. What is another word that", "exemplify the nature of B. What is another word that replaces \"character development\"", "to exemplify the nature of B. What is another word that replaces \"character", "B. In other words, the author builds on the personality of A to", "Character B. In other words, the author builds on the personality of A", "In other words, the author builds on the personality of A to exemplify", "say that the author uses Character A's \"character development\" to explore Character B.", "personality of A to exemplify the nature of B. What is another word", "of B. What is another word that replaces \"character development\" in the context" ]
[ "goodbye, and then he sipped his cup of coffee while > looking towards", "describing his psychological state or inner thoughts? > > He waved her goodbye,", "his psychological state or inner thoughts. The character doesn't do any action and", "a way to end a description properly, especially one that's at the very", "idea what you can do after that without describing his psychological state or", "to end a description properly, especially one that's at the very end of", "he sipped his cup of coffee while > looking towards the window. When", "elevator rang, he looked back at > her with a smile to send", "going inside the head of the character and describing his psychological state or", "her off. > > > I have no idea what you can do", "can do, especially when the description just describes a set of actions taken", "doesn't do any action and I don't want to describe his psychological state", "lines feels way too short, I am trying to add like 3-4 additional", "state or inner thoughts, because the character is extremely unimportant to the story.", "the character is extremely unimportant to the story. Two lines feels way too", "the description just describes a set of actions taken by a character? Is", "Two lines feels way too short, I am trying to add like 3-4", "a set of actions taken by a character? Is there a way of", "character is extremely unimportant to the story. Two lines feels way too short,", "> > > I have no idea what you can do after that", "that without describing his psychological state or inner thoughts. The character doesn't do", "story. Two lines feels way too short, I am trying to add like", "with a smile to send her off. > > > I have no", "no idea what you can do after that without describing his psychological state", "up with a way to end a description properly, especially one that's at", "way of doing this without going inside the head of the character and", "at > her with a smile to send her off. > > >", "or inner thoughts. The character doesn't do any action and I don't want", "a chapter. What are some of the things you can do, especially when", "her goodbye, and then he sipped his cup of coffee while > looking", "smile to send her off. > > > I have no idea what", "coming up with a way to end a description properly, especially one that's", "sipped his cup of coffee while > looking towards the window. When the", "his cup of coffee while > looking towards the window. When the elevator", "state or inner thoughts? > > He waved her goodbye, and then he", "at the very end of a chapter. What are some of the things", "set of actions taken by a character? Is there a way of doing", "do any action and I don't want to describe his psychological state or", "to the story. Two lines feels way too short, I am trying to", "then he sipped his cup of coffee while > looking towards the window.", "are some of the things you can do, especially when the description just", "Sometimes, I have trouble coming up with a way to end a description", "The character doesn't do any action and I don't want to describe his", "inner thoughts? > > He waved her goodbye, and then he sipped his", "I have trouble coming up with a way to end a description properly,", "with a way to end a description properly, especially one that's at the", "the story. Two lines feels way too short, I am trying to add", "the things you can do, especially when the description just describes a set", "of actions taken by a character? Is there a way of doing this", "psychological state or inner thoughts, because the character is extremely unimportant to the", "without going inside the head of the character and describing his psychological state", "the character and describing his psychological state or inner thoughts? > > He", "looking towards the window. When the elevator rang, he looked back at >", "without describing his psychological state or inner thoughts. The character doesn't do any", "do after that without describing his psychological state or inner thoughts. The character", "inside the head of the character and describing his psychological state or inner", "to send her off. > > > I have no idea what you", "this without going inside the head of the character and describing his psychological", "the head of the character and describing his psychological state or inner thoughts?", "describe his psychological state or inner thoughts, because the character is extremely unimportant", "things you can do, especially when the description just describes a set of", "do, especially when the description just describes a set of actions taken by", "unimportant to the story. Two lines feels way too short, I am trying", "by a character? Is there a way of doing this without going inside", "taken by a character? Is there a way of doing this without going", "you can do after that without describing his psychological state or inner thoughts.", "of the character and describing his psychological state or inner thoughts? > >", "to describe his psychological state or inner thoughts, because the character is extremely", "describing his psychological state or inner thoughts. The character doesn't do any action", "while > looking towards the window. When the elevator rang, he looked back", "don't want to describe his psychological state or inner thoughts, because the character", "one that's at the very end of a chapter. What are some of", "and describing his psychological state or inner thoughts? > > He waved her", "when the description just describes a set of actions taken by a character?", "end a description properly, especially one that's at the very end of a", "back at > her with a smile to send her off. > >", "and then he sipped his cup of coffee while > looking towards the", "thoughts. The character doesn't do any action and I don't want to describe", "doing this without going inside the head of the character and describing his", "> looking towards the window. When the elevator rang, he looked back at", "trouble coming up with a way to end a description properly, especially one", "a character? Is there a way of doing this without going inside the", "of the things you can do, especially when the description just describes a", "action and I don't want to describe his psychological state or inner thoughts,", "> > He waved her goodbye, and then he sipped his cup of", "extremely unimportant to the story. Two lines feels way too short, I am", "feels way too short, I am trying to add like 3-4 additional lines.", "looked back at > her with a smile to send her off. >", "> > I have no idea what you can do after that without", "way to end a description properly, especially one that's at the very end", "a smile to send her off. > > > I have no idea", "just describes a set of actions taken by a character? Is there a", "coffee while > looking towards the window. When the elevator rang, he looked", "What are some of the things you can do, especially when the description", "character and describing his psychological state or inner thoughts? > > He waved", "thoughts, because the character is extremely unimportant to the story. Two lines feels", "the very end of a chapter. What are some of the things you", "he looked back at > her with a smile to send her off.", "you can do, especially when the description just describes a set of actions", "a way of doing this without going inside the head of the character", "that's at the very end of a chapter. What are some of the", "his psychological state or inner thoughts? > > He waved her goodbye, and", "of a chapter. What are some of the things you can do, especially", "the window. When the elevator rang, he looked back at > her with", "I don't want to describe his psychological state or inner thoughts, because the", "inner thoughts, because the character is extremely unimportant to the story. Two lines", "window. When the elevator rang, he looked back at > her with a", "properly, especially one that's at the very end of a chapter. What are", "very end of a chapter. What are some of the things you can", "there a way of doing this without going inside the head of the", "is extremely unimportant to the story. Two lines feels way too short, I", "inner thoughts. The character doesn't do any action and I don't want to", "any action and I don't want to describe his psychological state or inner", "rang, he looked back at > her with a smile to send her", "> her with a smile to send her off. > > > I", "Is there a way of doing this without going inside the head of", "He waved her goodbye, and then he sipped his cup of coffee while", "some of the things you can do, especially when the description just describes", "especially one that's at the very end of a chapter. What are some", "head of the character and describing his psychological state or inner thoughts? >", "thoughts? > > He waved her goodbye, and then he sipped his cup", "of coffee while > looking towards the window. When the elevator rang, he", "psychological state or inner thoughts? > > He waved her goodbye, and then", "have trouble coming up with a way to end a description properly, especially", "character doesn't do any action and I don't want to describe his psychological", "towards the window. When the elevator rang, he looked back at > her", "the elevator rang, he looked back at > her with a smile to", "what you can do after that without describing his psychological state or inner", "especially when the description just describes a set of actions taken by a", "actions taken by a character? Is there a way of doing this without", "> He waved her goodbye, and then he sipped his cup of coffee", "character? Is there a way of doing this without going inside the head", "off. > > > I have no idea what you can do after", "cup of coffee while > looking towards the window. When the elevator rang,", "want to describe his psychological state or inner thoughts, because the character is", "his psychological state or inner thoughts, because the character is extremely unimportant to", "waved her goodbye, and then he sipped his cup of coffee while >", "because the character is extremely unimportant to the story. Two lines feels way", "> I have no idea what you can do after that without describing", "state or inner thoughts. The character doesn't do any action and I don't", "end of a chapter. What are some of the things you can do,", "and I don't want to describe his psychological state or inner thoughts, because", "chapter. What are some of the things you can do, especially when the", "description just describes a set of actions taken by a character? Is there", "a description properly, especially one that's at the very end of a chapter.", "When the elevator rang, he looked back at > her with a smile", "or inner thoughts? > > He waved her goodbye, and then he sipped", "her with a smile to send her off. > > > I have", "description properly, especially one that's at the very end of a chapter. What", "I have no idea what you can do after that without describing his", "send her off. > > > I have no idea what you can", "can do after that without describing his psychological state or inner thoughts. The", "after that without describing his psychological state or inner thoughts. The character doesn't", "have no idea what you can do after that without describing his psychological", "psychological state or inner thoughts. The character doesn't do any action and I", "of doing this without going inside the head of the character and describing", "describes a set of actions taken by a character? Is there a way", "or inner thoughts, because the character is extremely unimportant to the story. Two" ]
[ "the neighborhood if you need me. I > might have to leave by", "Cya! > > > I am not sure, but laughing and then saying", "neighborhood if you need me. I > might have to leave by the", "the Bat Signal into the sky. > > > Haha, yeah right. I'll", "sure the dialogue I write doesn't sound off. Here's a small excerpt of", "it doesn't feel unnatural, but aside from that, I am not sure if", "shine the Bat Signal into the sky. > > > Haha, yeah right.", "if it sounds natural. I try to keep dialogue super simple so that", "Signal into the sky. > > > Haha, yeah right. I'll be around", "around the neighborhood if you need me. I > might have to leave", "unnatural, but the exchange is 2 pages long so I felt the need", "I try to keep dialogue super simple so that it doesn't feel unnatural,", "need to cut it short, but it sounds unnatural a bit I feel", "month, so call me if you want to > hang out. Cya! >", "you need me. I > might have to leave by the end of", "doesn't feel unnatural, but aside from that, I am not sure if there's", "small excerpt of what I wrote recently. > > ... > > >", "to cut it short, but it sounds unnatural a bit I feel like.", "pages long so I felt the need to cut it short, but it", "am not sure if it sounds natural. I try to keep dialogue super", "I am not sure if it sounds natural. I try to keep dialogue", "that it doesn't feel unnatural, but aside from that, I am not sure", "aside from that, I am not sure if there's any golden rule I", "wrote recently. > > ... > > > Then I would have to", "me. I > might have to leave by the end of the month,", "so I felt the need to cut it short, but it sounds unnatural", "sure, but laughing and then saying goodbye immediately sounds unnatural, but the exchange", "not sure if it sounds natural. I try to keep dialogue super simple", "that, I am not sure if there's any golden rule I can follow", "sounds unnatural, but the exchange is 2 pages long so I felt the", "of what I wrote recently. > > ... > > > Then I", "felt the need to cut it short, but it sounds unnatural a bit", "unnatural a bit I feel like. Sounds almost like a dialogue from The", "I would have to shine the Bat Signal into the sky. > >", "> > ... > > > Then I would have to shine the", "bit I feel like. Sounds almost like a dialogue from The Room (2003).", "the exchange is 2 pages long so I felt the need to cut", "to make sure the dialogue I write doesn't sound off. Here's a small", "if you need me. I > might have to leave by the end", "> > Then I would have to shine the Bat Signal into the", "any golden rule I can follow to make sure the dialogue I write", "to > hang out. Cya! > > > I am not sure, but", "> > > Then I would have to shine the Bat Signal into", "if you want to > hang out. Cya! > > > I am", "... > > > Then I would have to shine the Bat Signal", "sound off. Here's a small excerpt of what I wrote recently. > >", "follow to make sure the dialogue I write doesn't sound off. Here's a", "try to keep dialogue super simple so that it doesn't feel unnatural, but", "the month, so call me if you want to > hang out. Cya!", "call me if you want to > hang out. Cya! > > >", "golden rule I can follow to make sure the dialogue I write doesn't", "then saying goodbye immediately sounds unnatural, but the exchange is 2 pages long", "of the month, so call me if you want to > hang out.", "need me. I > might have to leave by the end of the", "I am not sure, but laughing and then saying goodbye immediately sounds unnatural,", "sky. > > > Haha, yeah right. I'll be around the neighborhood if", "Bat Signal into the sky. > > > Haha, yeah right. I'll be", "immediately sounds unnatural, but the exchange is 2 pages long so I felt", "write doesn't sound off. Here's a small excerpt of what I wrote recently.", "have to leave by the end of the month, so call me if", "but aside from that, I am not sure if there's any golden rule", "> Haha, yeah right. I'll be around the neighborhood if you need me.", "natural. I try to keep dialogue super simple so that it doesn't feel", "laughing and then saying goodbye immediately sounds unnatural, but the exchange is 2", "am not sure, but laughing and then saying goodbye immediately sounds unnatural, but", "and then saying goodbye immediately sounds unnatural, but the exchange is 2 pages", "wrote a dialogue, but I am not sure if it sounds natural. I", "I can follow to make sure the dialogue I write doesn't sound off.", "> > I am not sure, but laughing and then saying goodbye immediately", "a bit I feel like. Sounds almost like a dialogue from The Room", "sure if it sounds natural. I try to keep dialogue super simple so", "super simple so that it doesn't feel unnatural, but aside from that, I", "into the sky. > > > Haha, yeah right. I'll be around the", "the dialogue I write doesn't sound off. Here's a small excerpt of what", "but laughing and then saying goodbye immediately sounds unnatural, but the exchange is", "long so I felt the need to cut it short, but it sounds", "make sure the dialogue I write doesn't sound off. Here's a small excerpt", "sounds natural. I try to keep dialogue super simple so that it doesn't", "out. Cya! > > > I am not sure, but laughing and then", "so call me if you want to > hang out. Cya! > >", "from that, I am not sure if there's any golden rule I can", "by the end of the month, so call me if you want to", "hang out. Cya! > > > I am not sure, but laughing and", "dialogue I write doesn't sound off. Here's a small excerpt of what I", "yeah right. I'll be around the neighborhood if you need me. I >", "leave by the end of the month, so call me if you want", "> Then I would have to shine the Bat Signal into the sky.", "> hang out. Cya! > > > I am not sure, but laughing", "short, but it sounds unnatural a bit I feel like. Sounds almost like", "Here's a small excerpt of what I wrote recently. > > ... >", "want to > hang out. Cya! > > > I am not sure,", "> might have to leave by the end of the month, so call", "a dialogue, but I am not sure if it sounds natural. I try", "exchange is 2 pages long so I felt the need to cut it", "it short, but it sounds unnatural a bit I feel like. Sounds almost", "is 2 pages long so I felt the need to cut it short,", "Haha, yeah right. I'll be around the neighborhood if you need me. I", "I write doesn't sound off. Here's a small excerpt of what I wrote", "goodbye immediately sounds unnatural, but the exchange is 2 pages long so I", "but it sounds unnatural a bit I feel like. Sounds almost like a", "the sky. > > > Haha, yeah right. I'll be around the neighborhood", "it sounds natural. I try to keep dialogue super simple so that it", "what I wrote recently. > > ... > > > Then I would", "rule I can follow to make sure the dialogue I write doesn't sound", "you want to > hang out. Cya! > > > I am not", "would have to shine the Bat Signal into the sky. > > >", "right. I'll be around the neighborhood if you need me. I > might", "dialogue super simple so that it doesn't feel unnatural, but aside from that,", "I > might have to leave by the end of the month, so", "doesn't sound off. Here's a small excerpt of what I wrote recently. >", "it sounds unnatural a bit I feel like. Sounds almost like a dialogue", "off. Here's a small excerpt of what I wrote recently. > > ...", "excerpt of what I wrote recently. > > ... > > > Then", "cut it short, but it sounds unnatural a bit I feel like. Sounds", "saying goodbye immediately sounds unnatural, but the exchange is 2 pages long so", "I wrote recently. > > ... > > > Then I would have", "unnatural, but aside from that, I am not sure if there's any golden", "simple so that it doesn't feel unnatural, but aside from that, I am", "to shine the Bat Signal into the sky. > > > Haha, yeah", "Then I would have to shine the Bat Signal into the sky. >", "> > Haha, yeah right. I'll be around the neighborhood if you need", "I wrote a dialogue, but I am not sure if it sounds natural.", "me if you want to > hang out. Cya! > > > I", "I felt the need to cut it short, but it sounds unnatural a", "so that it doesn't feel unnatural, but aside from that, I am not", "feel unnatural, but aside from that, I am not sure if there's any", "if there's any golden rule I can follow to make sure the dialogue", "dialogue, but I am not sure if it sounds natural. I try to", "not sure, but laughing and then saying goodbye immediately sounds unnatural, but the", "a small excerpt of what I wrote recently. > > ... > >", "to keep dialogue super simple so that it doesn't feel unnatural, but aside", "> > > Haha, yeah right. I'll be around the neighborhood if you", "not sure if there's any golden rule I can follow to make sure", "can follow to make sure the dialogue I write doesn't sound off. Here's", "> > > I am not sure, but laughing and then saying goodbye", "am not sure if there's any golden rule I can follow to make", "2 pages long so I felt the need to cut it short, but", "> ... > > > Then I would have to shine the Bat", "keep dialogue super simple so that it doesn't feel unnatural, but aside from", "there's any golden rule I can follow to make sure the dialogue I", "sounds unnatural a bit I feel like. Sounds almost like a dialogue from", "sure if there's any golden rule I can follow to make sure the", "I'll be around the neighborhood if you need me. I > might have", "the need to cut it short, but it sounds unnatural a bit I", "I am not sure if there's any golden rule I can follow to", "have to shine the Bat Signal into the sky. > > > Haha,", "be around the neighborhood if you need me. I > might have to", "the end of the month, so call me if you want to >", "> I am not sure, but laughing and then saying goodbye immediately sounds", "recently. > > ... > > > Then I would have to shine", "end of the month, so call me if you want to > hang", "but the exchange is 2 pages long so I felt the need to", "to leave by the end of the month, so call me if you", "might have to leave by the end of the month, so call me", "but I am not sure if it sounds natural. I try to keep" ]
[ "would effectively read it up. How to tackle this standoff? What I tried?", "in UI and in logic. While writing this out, the document often tends", "happened? 1. Creating powerpoint presentation and explaining stuff to team worked initially however,", "few time intervals there was nothing official on hand with us that could", "needless or redundant points get added in the document. I also ensure proper", "and I can't keep the lengthy document because no-one would effectively read it", "information/requirement. Maintaining the powerpoint was more cumbersome than the document. Plus, I had", "I had to write the document as well for official housekeeping and exchange", "housekeeping and exchange amongst stakeholders. So it increased my time. 2. Some changes/features", "a standoff because I can't reduce the length of my document just because", "same time, I need to include everything that is required. And here I", "create powerpoint presentation to showcase the changes and notifying all the changes verbally", "tends to get big (mostly 1000-4000 words - 5 to 7 pages of", "nothing extra, needless or redundant points get added in the document. I also", "powerpoint presentation to showcase the changes and notifying all the changes verbally using", "powerpoint in the meeting. 2. I tried to divide the internal requirements into", "and notifying all the changes verbally using that powerpoint in the meeting. 2.", "standoff? What I tried? 1. I create powerpoint presentation to showcase the changes", "logic. While writing this out, the document often tends to get big (mostly", "it lengthier, and I can't keep the lengthy document because no-one would effectively", "also ensure proper formatting of the document for easy skimming and parsing of", "with suitable visual aids, hyperlinks and supported citations (for further references). Still, what's", "aids, hyperlinks and supported citations (for further references). Still, what's required is required", "suitable visual aids, hyperlinks and supported citations (for further references). Still, what's required", "references). Still, what's required is required and I can't omit out the important", "I can't reduce the length of my document just because the end-readers feel", "- 5 to 7 pages of MS word). I make sure that nothing", "And here I feel a standoff because I can't reduce the length of", "than the document. Plus, I had to write the document as well for", "document. I also ensure proper formatting of the document for easy skimming and", "of my document just because the end-readers feel it lengthier, and I can't", "presentation and explaining stuff to team worked initially however, after a few time", "I need to include the quoted requirements descriptively, the impacted modules, the changes", "while writing a software requirement/change-request documentation, I need to include the quoted requirements", "a few time intervals there was nothing official on hand with us that", "well for official housekeeping and exchange amongst stakeholders. So it increased my time.", "I tried? 1. I create powerpoint presentation to showcase the changes and notifying", "is required. And here I feel a standoff because I can't reduce the", "Often while writing a software requirement/change-request documentation, I need to include the quoted", "document because no-one would effectively read it up. How to tackle this standoff?", "worked initially however, after a few time intervals there was nothing official on", "changes/features are big intrinsically and isn't possible to divide in sub-modules. So this", "separate documents. What happened? 1. Creating powerpoint presentation and explaining stuff to team", "more cumbersome than the document. Plus, I had to write the document as", "changes provided both in UI and in logic. While writing this out, the", "verbally using that powerpoint in the meeting. 2. I tried to divide the", "read it up. How to tackle this standoff? What I tried? 1. I", "omit out the important details out of it. I need to be concise", "time intervals there was nothing official on hand with us that could re-state", "was more cumbersome than the document. Plus, I had to write the document", "parsing of the reader with suitable visual aids, hyperlinks and supported citations (for", "as well for official housekeeping and exchange amongst stakeholders. So it increased my", "hand with us that could re-state the information/requirement. Maintaining the powerpoint was more", "cumbersome than the document. Plus, I had to write the document as well", "it. I need to be concise but at the same time, I need", "or redundant points get added in the document. I also ensure proper formatting", "big intrinsically and isn't possible to divide in sub-modules. So this doesn't work", "the document. I also ensure proper formatting of the document for easy skimming", "in the meeting. 2. I tried to divide the internal requirements into phases", "sure that nothing extra, needless or redundant points get added in the document.", "lengthy document because no-one would effectively read it up. How to tackle this", "skimming and parsing of the reader with suitable visual aids, hyperlinks and supported", "the meeting. 2. I tried to divide the internal requirements into phases and", "So it increased my time. 2. Some changes/features are big intrinsically and isn't", "increased my time. 2. Some changes/features are big intrinsically and isn't possible to", "effectively read it up. How to tackle this standoff? What I tried? 1.", "them, created separate documents. What happened? 1. Creating powerpoint presentation and explaining stuff", "to team worked initially however, after a few time intervals there was nothing", "important details out of it. I need to be concise but at the", "the changes and notifying all the changes verbally using that powerpoint in the", "tackle this standoff? What I tried? 1. I create powerpoint presentation to showcase", "and in logic. While writing this out, the document often tends to get", "required is required and I can't omit out the important details out of", "team worked initially however, after a few time intervals there was nothing official", "I create powerpoint presentation to showcase the changes and notifying all the changes", "citations (for further references). Still, what's required is required and I can't omit", "be concise but at the same time, I need to include everything that", "quoted requirements descriptively, the impacted modules, the changes provided both in UI and", "using that powerpoint in the meeting. 2. I tried to divide the internal", "and explaining stuff to team worked initially however, after a few time intervals", "official on hand with us that could re-state the information/requirement. Maintaining the powerpoint", "nothing official on hand with us that could re-state the information/requirement. Maintaining the", "I need to include everything that is required. And here I feel a", "the document. Plus, I had to write the document as well for official", "While writing this out, the document often tends to get big (mostly 1000-4000", "to include everything that is required. And here I feel a standoff because", "lengthier, and I can't keep the lengthy document because no-one would effectively read", "to write the document as well for official housekeeping and exchange amongst stakeholders.", "can't reduce the length of my document just because the end-readers feel it", "1000-4000 words - 5 to 7 pages of MS word). I make sure", "showcase the changes and notifying all the changes verbally using that powerpoint in", "the end-readers feel it lengthier, and I can't keep the lengthy document because", "re-state the information/requirement. Maintaining the powerpoint was more cumbersome than the document. Plus,", "redundant points get added in the document. I also ensure proper formatting of", "but at the same time, I need to include everything that is required.", "presentation to showcase the changes and notifying all the changes verbally using that", "because the end-readers feel it lengthier, and I can't keep the lengthy document", "to showcase the changes and notifying all the changes verbally using that powerpoint", "each of them, created separate documents. What happened? 1. Creating powerpoint presentation and", "can't omit out the important details out of it. I need to be", "the document as well for official housekeeping and exchange amongst stakeholders. So it", "feel it lengthier, and I can't keep the lengthy document because no-one would", "could re-state the information/requirement. Maintaining the powerpoint was more cumbersome than the document.", "meeting. 2. I tried to divide the internal requirements into phases and modules", "the internal requirements into phases and modules and for each of them, created", "requirements into phases and modules and for each of them, created separate documents.", "extra, needless or redundant points get added in the document. I also ensure", "added in the document. I also ensure proper formatting of the document for", "provided both in UI and in logic. While writing this out, the document", "to get big (mostly 1000-4000 words - 5 to 7 pages of MS", "and I can't omit out the important details out of it. I need", "I need to be concise but at the same time, I need to", "easy skimming and parsing of the reader with suitable visual aids, hyperlinks and", "the length of my document just because the end-readers feel it lengthier, and", "just because the end-readers feel it lengthier, and I can't keep the lengthy", "the lengthy document because no-one would effectively read it up. How to tackle", "(mostly 1000-4000 words - 5 to 7 pages of MS word). I make", "however, after a few time intervals there was nothing official on hand with", "my document just because the end-readers feel it lengthier, and I can't keep", "software requirement/change-request documentation, I need to include the quoted requirements descriptively, the impacted", "reader with suitable visual aids, hyperlinks and supported citations (for further references). Still,", "Some changes/features are big intrinsically and isn't possible to divide in sub-modules. So", "phases and modules and for each of them, created separate documents. What happened?", "can't keep the lengthy document because no-one would effectively read it up. How", "to 7 pages of MS word). I make sure that nothing extra, needless", "official housekeeping and exchange amongst stakeholders. So it increased my time. 2. Some", "no-one would effectively read it up. How to tackle this standoff? What I", "document. Plus, I had to write the document as well for official housekeeping", "and exchange amongst stakeholders. So it increased my time. 2. Some changes/features are", "supported citations (for further references). Still, what's required is required and I can't", "I can't keep the lengthy document because no-one would effectively read it up.", "get big (mostly 1000-4000 words - 5 to 7 pages of MS word).", "in logic. While writing this out, the document often tends to get big", "(for further references). Still, what's required is required and I can't omit out", "explaining stuff to team worked initially however, after a few time intervals there", "impacted modules, the changes provided both in UI and in logic. While writing", "the important details out of it. I need to be concise but at", "of them, created separate documents. What happened? 1. Creating powerpoint presentation and explaining", "all the changes verbally using that powerpoint in the meeting. 2. I tried", "the quoted requirements descriptively, the impacted modules, the changes provided both in UI", "the changes verbally using that powerpoint in the meeting. 2. I tried to", "of it. I need to be concise but at the same time, I", "writing a software requirement/change-request documentation, I need to include the quoted requirements descriptively,", "need to include the quoted requirements descriptively, the impacted modules, the changes provided", "the document often tends to get big (mostly 1000-4000 words - 5 to", "it up. How to tackle this standoff? What I tried? 1. I create", "get added in the document. I also ensure proper formatting of the document", "to tackle this standoff? What I tried? 1. I create powerpoint presentation to", "powerpoint presentation and explaining stuff to team worked initially however, after a few", "the information/requirement. Maintaining the powerpoint was more cumbersome than the document. Plus, I", "7 pages of MS word). I make sure that nothing extra, needless or", "that nothing extra, needless or redundant points get added in the document. I", "words - 5 to 7 pages of MS word). I make sure that", "to be concise but at the same time, I need to include everything", "and modules and for each of them, created separate documents. What happened? 1.", "on hand with us that could re-state the information/requirement. Maintaining the powerpoint was", "in the document. I also ensure proper formatting of the document for easy", "the impacted modules, the changes provided both in UI and in logic. While", "stuff to team worked initially however, after a few time intervals there was", "intervals there was nothing official on hand with us that could re-state the", "I make sure that nothing extra, needless or redundant points get added in", "details out of it. I need to be concise but at the same", "5 to 7 pages of MS word). I make sure that nothing extra,", "initially however, after a few time intervals there was nothing official on hand", "2. Some changes/features are big intrinsically and isn't possible to divide in sub-modules.", "Plus, I had to write the document as well for official housekeeping and", "created separate documents. What happened? 1. Creating powerpoint presentation and explaining stuff to", "document as well for official housekeeping and exchange amongst stakeholders. So it increased", "end-readers feel it lengthier, and I can't keep the lengthy document because no-one", "internal requirements into phases and modules and for each of them, created separate", "word). I make sure that nothing extra, needless or redundant points get added", "the reader with suitable visual aids, hyperlinks and supported citations (for further references).", "was nothing official on hand with us that could re-state the information/requirement. Maintaining", "to include the quoted requirements descriptively, the impacted modules, the changes provided both", "Creating powerpoint presentation and explaining stuff to team worked initially however, after a", "that powerpoint in the meeting. 2. I tried to divide the internal requirements", "time. 2. Some changes/features are big intrinsically and isn't possible to divide in", "include the quoted requirements descriptively, the impacted modules, the changes provided both in", "UI and in logic. While writing this out, the document often tends to", "formatting of the document for easy skimming and parsing of the reader with", "because I can't reduce the length of my document just because the end-readers", "document just because the end-readers feel it lengthier, and I can't keep the", "to divide the internal requirements into phases and modules and for each of", "points get added in the document. I also ensure proper formatting of the", "I can't omit out the important details out of it. I need to", "write the document as well for official housekeeping and exchange amongst stakeholders. So", "powerpoint was more cumbersome than the document. Plus, I had to write the", "amongst stakeholders. So it increased my time. 2. Some changes/features are big intrinsically", "documentation, I need to include the quoted requirements descriptively, the impacted modules, the", "because no-one would effectively read it up. How to tackle this standoff? What", "us that could re-state the information/requirement. Maintaining the powerpoint was more cumbersome than", "out, the document often tends to get big (mostly 1000-4000 words - 5", "and supported citations (for further references). Still, what's required is required and I", "need to include everything that is required. And here I feel a standoff", "for easy skimming and parsing of the reader with suitable visual aids, hyperlinks", "What happened? 1. Creating powerpoint presentation and explaining stuff to team worked initially", "1. I create powerpoint presentation to showcase the changes and notifying all the", "after a few time intervals there was nothing official on hand with us", "requirement/change-request documentation, I need to include the quoted requirements descriptively, the impacted modules,", "out the important details out of it. I need to be concise but", "concise but at the same time, I need to include everything that is", "often tends to get big (mostly 1000-4000 words - 5 to 7 pages", "changes and notifying all the changes verbally using that powerpoint in the meeting.", "and parsing of the reader with suitable visual aids, hyperlinks and supported citations", "tried to divide the internal requirements into phases and modules and for each", "visual aids, hyperlinks and supported citations (for further references). Still, what's required is", "stakeholders. So it increased my time. 2. Some changes/features are big intrinsically and", "and isn't possible to divide in sub-modules. So this doesn't work as well.", "of MS word). I make sure that nothing extra, needless or redundant points", "What I tried? 1. I create powerpoint presentation to showcase the changes and", "at the same time, I need to include everything that is required. And", "my time. 2. Some changes/features are big intrinsically and isn't possible to divide", "ensure proper formatting of the document for easy skimming and parsing of the", "here I feel a standoff because I can't reduce the length of my", "further references). Still, what's required is required and I can't omit out the", "the changes provided both in UI and in logic. While writing this out,", "proper formatting of the document for easy skimming and parsing of the reader", "into phases and modules and for each of them, created separate documents. What", "I also ensure proper formatting of the document for easy skimming and parsing", "big (mostly 1000-4000 words - 5 to 7 pages of MS word). I", "tried? 1. I create powerpoint presentation to showcase the changes and notifying all", "with us that could re-state the information/requirement. Maintaining the powerpoint was more cumbersome", "reduce the length of my document just because the end-readers feel it lengthier,", "divide the internal requirements into phases and modules and for each of them,", "How to tackle this standoff? What I tried? 1. I create powerpoint presentation", "it increased my time. 2. Some changes/features are big intrinsically and isn't possible", "up. How to tackle this standoff? What I tried? 1. I create powerpoint", "are big intrinsically and isn't possible to divide in sub-modules. So this doesn't", "I feel a standoff because I can't reduce the length of my document", "Still, what's required is required and I can't omit out the important details", "required. And here I feel a standoff because I can't reduce the length", "writing this out, the document often tends to get big (mostly 1000-4000 words", "this out, the document often tends to get big (mostly 1000-4000 words -", "of the reader with suitable visual aids, hyperlinks and supported citations (for further", "modules, the changes provided both in UI and in logic. While writing this", "everything that is required. And here I feel a standoff because I can't", "changes verbally using that powerpoint in the meeting. 2. I tried to divide", "and for each of them, created separate documents. What happened? 1. Creating powerpoint", "make sure that nothing extra, needless or redundant points get added in the", "had to write the document as well for official housekeeping and exchange amongst", "document often tends to get big (mostly 1000-4000 words - 5 to 7", "both in UI and in logic. While writing this out, the document often", "the document for easy skimming and parsing of the reader with suitable visual", "2. I tried to divide the internal requirements into phases and modules and", "keep the lengthy document because no-one would effectively read it up. How to", "for official housekeeping and exchange amongst stakeholders. So it increased my time. 2.", "standoff because I can't reduce the length of my document just because the", "include everything that is required. And here I feel a standoff because I", "1. Creating powerpoint presentation and explaining stuff to team worked initially however, after", "time, I need to include everything that is required. And here I feel", "hyperlinks and supported citations (for further references). Still, what's required is required and", "pages of MS word). I make sure that nothing extra, needless or redundant", "for each of them, created separate documents. What happened? 1. Creating powerpoint presentation", "MS word). I make sure that nothing extra, needless or redundant points get", "what's required is required and I can't omit out the important details out", "the same time, I need to include everything that is required. And here", "the powerpoint was more cumbersome than the document. Plus, I had to write", "is required and I can't omit out the important details out of it.", "Maintaining the powerpoint was more cumbersome than the document. Plus, I had to", "descriptively, the impacted modules, the changes provided both in UI and in logic.", "a software requirement/change-request documentation, I need to include the quoted requirements descriptively, the", "I tried to divide the internal requirements into phases and modules and for", "document for easy skimming and parsing of the reader with suitable visual aids,", "intrinsically and isn't possible to divide in sub-modules. So this doesn't work as", "length of my document just because the end-readers feel it lengthier, and I", "exchange amongst stakeholders. So it increased my time. 2. Some changes/features are big", "documents. What happened? 1. Creating powerpoint presentation and explaining stuff to team worked", "of the document for easy skimming and parsing of the reader with suitable", "there was nothing official on hand with us that could re-state the information/requirement.", "that could re-state the information/requirement. Maintaining the powerpoint was more cumbersome than the", "modules and for each of them, created separate documents. What happened? 1. Creating", "need to be concise but at the same time, I need to include", "out of it. I need to be concise but at the same time,", "that is required. And here I feel a standoff because I can't reduce", "required and I can't omit out the important details out of it. I", "this standoff? What I tried? 1. I create powerpoint presentation to showcase the", "notifying all the changes verbally using that powerpoint in the meeting. 2. I", "feel a standoff because I can't reduce the length of my document just", "requirements descriptively, the impacted modules, the changes provided both in UI and in" ]
[ "not without sweat - my second draft. While I'm satisfied with the overall", "in a professional editor before querying?](https://writing.stackexchange.com/questions/47770/should-one-invest-in-a-professional-editor-before-querying) I've finished - not without sweat -", "perceived flaws. This bias is one reason why I'm skeptical of going into", "reading the same scenes. Of course, I'm no way special and I suppose", "they are perceived flaws. This bias is one reason why I'm skeptical of", "are shallow. As the author, I feel like I'm a little shortsighted right", "the same scenes. Of course, I'm no way special and I suppose the", "invest in a professional editor before querying?](https://writing.stackexchange.com/questions/47770/should-one-invest-in-a-professional-editor-before-querying) I've finished - not without sweat", "something is not quite right with my novel. Maybe it came out a", "situation. So, would it be a good idea to call a professional editor", "get sick of reading the same scenes. Of course, I'm no way special", "editor before querying?](https://writing.stackexchange.com/questions/47770/should-one-invest-in-a-professional-editor-before-querying) I've finished - not without sweat - my second draft.", "little childish, maybe there are useless repetitions of themes, or maybe, again, some", "shortsighted right now. I can't point out the flaws exactly, or how to", "special and I suppose the same could be said for a lot of", "bias is one reason why I'm skeptical of going into a third, lone", "or they are perceived flaws. This bias is one reason why I'm skeptical", "or maybe, again, some characters are shallow. As the author, I feel like", "I'm not sure if they are actual flaws or they are perceived flaws.", "with the overall result, I can't shake the feeling that something is not", "they are actual flaws or they are perceived flaws. This bias is one", "Of course, I'm no way special and I suppose the same could be", "without sweat - my second draft. While I'm satisfied with the overall result,", "out the flaws exactly, or how to fix them; moreover, I'm not sure", "latest question: [Should one invest in a professional editor before querying?](https://writing.stackexchange.com/questions/47770/should-one-invest-in-a-professional-editor-before-querying) I've finished", "and I suppose the same could be said for a lot of author", "again, some characters are shallow. As the author, I feel like I'm a", "a little shortsighted right now. I can't point out the flaws exactly, or", "I can't point out the flaws exactly, or how to fix them; moreover,", "like I'm a little shortsighted right now. I can't point out the flaws", "right now. I can't point out the flaws exactly, or how to fix", "a third, lone draft. The other reason is that I've worked almost nonstop", "quite right with my novel. Maybe it came out a little childish, maybe", "for a lot of author in my situation. So, would it be a", "I'm satisfied with the overall result, I can't shake the feeling that something", "it came out a little childish, maybe there are useless repetitions of themes,", "way special and I suppose the same could be said for a lot", "actual flaws or they are perceived flaws. This bias is one reason why", "same could be said for a lot of author in my situation. So,", "that I've worked almost nonstop on the novel in the last year, and", "my situation. So, would it be a good idea to call a professional", "my novel. Maybe it came out a little childish, maybe there are useless", "overall result, I can't shake the feeling that something is not quite right", "characters are shallow. As the author, I feel like I'm a little shortsighted", "I'm skeptical of going into a third, lone draft. The other reason is", "other reason is that I've worked almost nonstop on the novel in the", "on the novel in the last year, and I'm starting to get sick", "skeptical of going into a third, lone draft. The other reason is that", "same scenes. Of course, I'm no way special and I suppose the same", "and I'm starting to get sick of reading the same scenes. Of course,", "suppose the same could be said for a lot of author in my", "out a little childish, maybe there are useless repetitions of themes, or maybe,", "now. I can't point out the flaws exactly, or how to fix them;", "maybe there are useless repetitions of themes, or maybe, again, some characters are", "a little childish, maybe there are useless repetitions of themes, or maybe, again,", "them; moreover, I'm not sure if they are actual flaws or they are", "the last year, and I'm starting to get sick of reading the same", "useless repetitions of themes, or maybe, again, some characters are shallow. As the", "Maybe it came out a little childish, maybe there are useless repetitions of", "the author, I feel like I'm a little shortsighted right now. I can't", "draft. While I'm satisfied with the overall result, I can't shake the feeling", "why I'm skeptical of going into a third, lone draft. The other reason", "novel in the last year, and I'm starting to get sick of reading", "worked almost nonstop on the novel in the last year, and I'm starting", "the flaws exactly, or how to fix them; moreover, I'm not sure if", "with my novel. Maybe it came out a little childish, maybe there are", "can't shake the feeling that something is not quite right with my novel.", "is one reason why I'm skeptical of going into a third, lone draft.", "in my situation. So, would it be a good idea to call a", "[Should one invest in a professional editor before querying?](https://writing.stackexchange.com/questions/47770/should-one-invest-in-a-professional-editor-before-querying) I've finished - not", "themes, or maybe, again, some characters are shallow. As the author, I feel", "are perceived flaws. This bias is one reason why I'm skeptical of going", "I'm no way special and I suppose the same could be said for", "lot of author in my situation. So, would it be a good idea", "my latest question: [Should one invest in a professional editor before querying?](https://writing.stackexchange.com/questions/47770/should-one-invest-in-a-professional-editor-before-querying) I've", "is not quite right with my novel. Maybe it came out a little", "year, and I'm starting to get sick of reading the same scenes. Of", "I've finished - not without sweat - my second draft. While I'm satisfied", "that something is not quite right with my novel. Maybe it came out", "sure if they are actual flaws or they are perceived flaws. This bias", "question: [Should one invest in a professional editor before querying?](https://writing.stackexchange.com/questions/47770/should-one-invest-in-a-professional-editor-before-querying) I've finished -", "of author in my situation. So, would it be a good idea to", "draft. The other reason is that I've worked almost nonstop on the novel", "fix them; moreover, I'm not sure if they are actual flaws or they", "author, I feel like I'm a little shortsighted right now. I can't point", "be said for a lot of author in my situation. So, would it", "flaws or they are perceived flaws. This bias is one reason why I'm", "are actual flaws or they are perceived flaws. This bias is one reason", "can't point out the flaws exactly, or how to fix them; moreover, I'm", "of going into a third, lone draft. The other reason is that I've", "childish, maybe there are useless repetitions of themes, or maybe, again, some characters", "reason is that I've worked almost nonstop on the novel in the last", "reason why I'm skeptical of going into a third, lone draft. The other", "shallow. As the author, I feel like I'm a little shortsighted right now.", "of themes, or maybe, again, some characters are shallow. As the author, I", "Losely related with my latest question: [Should one invest in a professional editor", "feel like I'm a little shortsighted right now. I can't point out the", "moreover, I'm not sure if they are actual flaws or they are perceived", "I feel like I'm a little shortsighted right now. I can't point out", "it be a good idea to call a professional editor after the second", "before querying?](https://writing.stackexchange.com/questions/47770/should-one-invest-in-a-professional-editor-before-querying) I've finished - not without sweat - my second draft. While", "right with my novel. Maybe it came out a little childish, maybe there", "are useless repetitions of themes, or maybe, again, some characters are shallow. As", "This bias is one reason why I'm skeptical of going into a third,", "- not without sweat - my second draft. While I'm satisfied with the", "So, would it be a good idea to call a professional editor after", "my second draft. While I'm satisfied with the overall result, I can't shake", "author in my situation. So, would it be a good idea to call", "not quite right with my novel. Maybe it came out a little childish,", "or how to fix them; moreover, I'm not sure if they are actual", "with my latest question: [Should one invest in a professional editor before querying?](https://writing.stackexchange.com/questions/47770/should-one-invest-in-a-professional-editor-before-querying)", "the overall result, I can't shake the feeling that something is not quite", "flaws exactly, or how to fix them; moreover, I'm not sure if they", "The other reason is that I've worked almost nonstop on the novel in", "how to fix them; moreover, I'm not sure if they are actual flaws", "professional editor before querying?](https://writing.stackexchange.com/questions/47770/should-one-invest-in-a-professional-editor-before-querying) I've finished - not without sweat - my second", "a good idea to call a professional editor after the second draft? ---------------------------------------------------------------------------------", "said for a lot of author in my situation. So, would it be", "nonstop on the novel in the last year, and I'm starting to get", "a professional editor before querying?](https://writing.stackexchange.com/questions/47770/should-one-invest-in-a-professional-editor-before-querying) I've finished - not without sweat - my", "in the last year, and I'm starting to get sick of reading the", "came out a little childish, maybe there are useless repetitions of themes, or", "there are useless repetitions of themes, or maybe, again, some characters are shallow.", "no way special and I suppose the same could be said for a", "if they are actual flaws or they are perceived flaws. This bias is", "sweat - my second draft. While I'm satisfied with the overall result, I", "would it be a good idea to call a professional editor after the", "into a third, lone draft. The other reason is that I've worked almost", "little shortsighted right now. I can't point out the flaws exactly, or how", "lone draft. The other reason is that I've worked almost nonstop on the", "third, lone draft. The other reason is that I've worked almost nonstop on", "shake the feeling that something is not quite right with my novel. Maybe", "one invest in a professional editor before querying?](https://writing.stackexchange.com/questions/47770/should-one-invest-in-a-professional-editor-before-querying) I've finished - not without", "could be said for a lot of author in my situation. So, would", "not sure if they are actual flaws or they are perceived flaws. This", "the same could be said for a lot of author in my situation.", "of reading the same scenes. Of course, I'm no way special and I", "starting to get sick of reading the same scenes. Of course, I'm no", "I'm starting to get sick of reading the same scenes. Of course, I'm", "some characters are shallow. As the author, I feel like I'm a little", "last year, and I'm starting to get sick of reading the same scenes.", "I suppose the same could be said for a lot of author in", "I've worked almost nonstop on the novel in the last year, and I'm", "the feeling that something is not quite right with my novel. Maybe it", "result, I can't shake the feeling that something is not quite right with", "repetitions of themes, or maybe, again, some characters are shallow. As the author,", "sick of reading the same scenes. Of course, I'm no way special and", "While I'm satisfied with the overall result, I can't shake the feeling that", "exactly, or how to fix them; moreover, I'm not sure if they are", "As the author, I feel like I'm a little shortsighted right now. I", "one reason why I'm skeptical of going into a third, lone draft. The", "to get sick of reading the same scenes. Of course, I'm no way", "scenes. Of course, I'm no way special and I suppose the same could", "finished - not without sweat - my second draft. While I'm satisfied with", "a lot of author in my situation. So, would it be a good", "is that I've worked almost nonstop on the novel in the last year,", "point out the flaws exactly, or how to fix them; moreover, I'm not", "course, I'm no way special and I suppose the same could be said", "I can't shake the feeling that something is not quite right with my", "flaws. This bias is one reason why I'm skeptical of going into a", "maybe, again, some characters are shallow. As the author, I feel like I'm", "querying?](https://writing.stackexchange.com/questions/47770/should-one-invest-in-a-professional-editor-before-querying) I've finished - not without sweat - my second draft. While I'm", "novel. Maybe it came out a little childish, maybe there are useless repetitions", "- my second draft. While I'm satisfied with the overall result, I can't", "I'm a little shortsighted right now. I can't point out the flaws exactly,", "the novel in the last year, and I'm starting to get sick of", "going into a third, lone draft. The other reason is that I've worked", "satisfied with the overall result, I can't shake the feeling that something is", "related with my latest question: [Should one invest in a professional editor before", "to fix them; moreover, I'm not sure if they are actual flaws or", "be a good idea to call a professional editor after the second draft?", "almost nonstop on the novel in the last year, and I'm starting to", "feeling that something is not quite right with my novel. Maybe it came", "second draft. While I'm satisfied with the overall result, I can't shake the" ]
[ "I am writing on my thesis, containing a lot of implementations. Due to", "them like this: ``` A. General Methods A.1. def foo A.2. def bar", "lot of implementations. Due to readability, I locate all my source code in", "on my thesis, containing a lot of implementations. Due to readability, I locate", "source code in the Appendix. Is there a style guide on how to", "the Appendix. Is there a style guide on how to name these sections", "like this: ``` A. General Methods A.1. def foo A.2. def bar B.", "B. Specific Methods B.1. def ... C. Further Methods ``` However, this looks", "name these sections in the Appendix? Currently, my approach is to structure them", "Due to readability, I locate all my source code in the Appendix. Is", "this: ``` A. General Methods A.1. def foo A.2. def bar B. Specific", "in my ToC, is there any style guide on how to name sections", "a style guide on how to name these sections in the Appendix? Currently,", "containing a lot of implementations. Due to readability, I locate all my source", "ToC, is there any style guide on how to name sections only containing", "there a style guide on how to name these sections in the Appendix?", "bar B. Specific Methods B.1. def ... C. Further Methods ``` However, this", "``` A. General Methods A.1. def foo A.2. def bar B. Specific Methods", "in the Appendix? Currently, my approach is to structure them like this: ```", "Methods ``` However, this looks kinda strange in my ToC, is there any", "I locate all my source code in the Appendix. Is there a style", "Appendix? Currently, my approach is to structure them like this: ``` A. General", "A.1. def foo A.2. def bar B. Specific Methods B.1. def ... C.", "Appendix. Is there a style guide on how to name these sections in", "Methods A.1. def foo A.2. def bar B. Specific Methods B.1. def ...", "foo A.2. def bar B. Specific Methods B.1. def ... C. Further Methods", "looks kinda strange in my ToC, is there any style guide on how", "kinda strange in my ToC, is there any style guide on how to", "guide on how to name these sections in the Appendix? Currently, my approach", "A. General Methods A.1. def foo A.2. def bar B. Specific Methods B.1.", "sections in the Appendix? Currently, my approach is to structure them like this:", "style guide on how to name these sections in the Appendix? Currently, my", "a lot of implementations. Due to readability, I locate all my source code", "the Appendix? Currently, my approach is to structure them like this: ``` A.", "B.1. def ... C. Further Methods ``` However, this looks kinda strange in", "my ToC, is there any style guide on how to name sections only", "writing on my thesis, containing a lot of implementations. Due to readability, I", "implementations. Due to readability, I locate all my source code in the Appendix.", "is there any style guide on how to name sections only containing source", "to readability, I locate all my source code in the Appendix. Is there", "to name these sections in the Appendix? Currently, my approach is to structure", "am writing on my thesis, containing a lot of implementations. Due to readability,", "C. Further Methods ``` However, this looks kinda strange in my ToC, is", "my thesis, containing a lot of implementations. Due to readability, I locate all", "readability, I locate all my source code in the Appendix. Is there a", "in the Appendix. Is there a style guide on how to name these", "def foo A.2. def bar B. Specific Methods B.1. def ... C. Further", "... C. Further Methods ``` However, this looks kinda strange in my ToC,", "Is there a style guide on how to name these sections in the", "how to name these sections in the Appendix? Currently, my approach is to", "there any style guide on how to name sections only containing source code?", "``` However, this looks kinda strange in my ToC, is there any style", "thesis, containing a lot of implementations. Due to readability, I locate all my", "def bar B. Specific Methods B.1. def ... C. Further Methods ``` However,", "Further Methods ``` However, this looks kinda strange in my ToC, is there", "to structure them like this: ``` A. General Methods A.1. def foo A.2.", "Methods B.1. def ... C. Further Methods ``` However, this looks kinda strange", "all my source code in the Appendix. Is there a style guide on", "code in the Appendix. Is there a style guide on how to name", "my approach is to structure them like this: ``` A. General Methods A.1.", "on how to name these sections in the Appendix? Currently, my approach is", "However, this looks kinda strange in my ToC, is there any style guide", "this looks kinda strange in my ToC, is there any style guide on", "these sections in the Appendix? Currently, my approach is to structure them like", "approach is to structure them like this: ``` A. General Methods A.1. def", "A.2. def bar B. Specific Methods B.1. def ... C. Further Methods ```", "of implementations. Due to readability, I locate all my source code in the", "locate all my source code in the Appendix. Is there a style guide", "General Methods A.1. def foo A.2. def bar B. Specific Methods B.1. def", "Specific Methods B.1. def ... C. Further Methods ``` However, this looks kinda", "def ... C. Further Methods ``` However, this looks kinda strange in my", "Currently, my approach is to structure them like this: ``` A. General Methods", "is to structure them like this: ``` A. General Methods A.1. def foo", "structure them like this: ``` A. General Methods A.1. def foo A.2. def", "strange in my ToC, is there any style guide on how to name", "my source code in the Appendix. Is there a style guide on how" ]
[ "he became sad from the way he spoke after telling him > that", "as if he became sad from the way he spoke after telling him", "the way he spoke after telling him > that I would go with", "he spoke after telling him > that I would go with her. >", "> I sensed as if he became sad from the way he spoke", "For example: > > I sensed as if he became sad from the", "from the way he spoke after telling him > that I would go", "example: > > I sensed as if he became sad from the way", "after telling him > that I would go with her. > > >", "sad from the way he spoke after telling him > that I would", "spoke after telling him > that I would go with her. > >", "if he became sad from the way he spoke after telling him >", "way he spoke after telling him > that I would go with her.", "sensed as if he became sad from the way he spoke after telling", "> > I sensed as if he became sad from the way he", "became sad from the way he spoke after telling him > that I", "I sensed as if he became sad from the way he spoke after" ]
[ "see it, having an alias online is great because nobody is going to", "know my real name, I'd prefer them to be able to shout over,", "next to the comment box and refrain from posting anything - even if", "being confused. Secondly, because I'm using my alias for all aspects of my", "I have a few issues that make me uncomfortable with using it. This", "and create social profiles / email addresses to suit that alias. But I", "here\", without people who know me as my alias being confused. Secondly, because", "confused. Secondly, because I'm using my alias for all aspects of my life,", "have a few issues that make me uncomfortable with using it. This is", "like a childrens author who also writes erotic novels, or a garden/cooking blogger", "find all of my comments, interests, group activity, forum participation, etc, etc -", "it. This is mainly due to the fact that it's quite unique, and", "or public web page, as much as I want to comment on things", "or more main areas of expertise, like a childrens author who also writes", "my first name + an alias surname? The way I see it, having", "social network or public web page, as much as I want to comment", "things is to write under a pen name or alias, and create social", "of my writing, I aim to get myself out there and write about", "Secondly, because I'm using my alias for all aspects of my life, as", "what brings you here\", without people who know me as my alias being", "all aspects of my life, as I would my own name, it's likely", "knows me, a completely unique alias is fine, but if I'm going to", "you have 2 or more main areas of expertise, like a childrens author", "nobody knows me, a completely unique alias is fine, but if I'm going", "a pen name or alias, and create social profiles / email addresses to", "name, or should I have my first name + an alias surname? The", "and write about things I see and do, and people I meet. Now", "alias. But I have a few problems: Primarlily, should my alias be completely", "take long for people to find all of my comments, interests, group activity,", "will find all of my comments, interests, group activity, forum participation, etc, etc", "as I want to comment on things and get involved, I see my", "if the comment is completely harmless or innocent. So I decided that the", "things and get involved, I see my name next to the comment box", "as I would my own name, it's likely that sooner or later I'm", "way to go about things is to write under a pen name or", "my comments, interests, group activity, forum participation, etc, etc - As in the", "more main areas of expertise, like a childrens author who also writes erotic", "create social profiles / email addresses to suit that alias. But I have", "from posting anything - even if the comment is completely harmless or innocent.", "pen name or alias, and create social profiles / email addresses to suit", "people I meet. Now if nobody knows me, a completely unique alias is", "also owns a mens magazine. Any advice on how I should go about", "fact that it's quite unique, and while that is an advantage, it also", "a completely unique alias is fine, but if I'm going to be intorducing", "web page, as much as I want to comment on things and get", "erotic novels, or a garden/cooking blogger who also owns a mens magazine. Any", "people searching for that alias online will find all of my comments, interests,", "all of my comments, interests, group activity, forum participation, etc, etc. It means", "is to write under a pen name or alias, and create social profiles", "me, a completely unique alias is fine, but if I'm going to be", "see and do, and people I meet. Now if nobody knows me, a", "real name, I'd prefer them to be able to shout over, \"hey (name),", "fine, but if I'm going to be intorducing myself in places where people", "people who know me as my alias being confused. Secondly, because I'm using", "activity, forum participation, etc, etc. It means that whenever I'm on a social", "my alias for all aspects of my life, as I would my own", "become known as my alias, and therefore people searching for that alias online", "and get involved, I see my name next to the comment box and", "unique alias is fine, but if I'm going to be intorducing myself in", "or a garden/cooking blogger who also owns a mens magazine. Any advice on", "forum participation, etc, etc. It means that whenever I'm on a social network", "the beginning. I guess aliasses are great if you have 2 or more", "also means that it doesn't take long for people to find all of", "much as I want to comment on things and get involved, I see", "my alias, and therefore people searching for that alias online will find all", "way I see it, having an alias online is great because nobody is", "of my life, as I would my own name, it's likely that sooner", "first name + an alias surname? The way I see it, having an", "prefer them to be able to shout over, \"hey (name), what brings you", "(name), what brings you here\", without people who know me as my alias", "in the beginning. I guess aliasses are great if you have 2 or", "writes erotic novels, or a garden/cooking blogger who also owns a mens magazine.", "a childrens author who also writes erotic novels, or a garden/cooking blogger who", "alias online will find all of my comments, interests, group activity, forum participation,", "means that it doesn't take long for people to find all of my", "that it's quite unique, and while that is an advantage, it also means", "nobody is going to meet you, but because of the nature of my", "Primarlily, should my alias be completely unique from my real name, or should", "the best way to go about things is to write under a pen", "my life, as I would my own name, it's likely that sooner or", "on things and get involved, I see my name next to the comment", "is great because nobody is going to meet you, but because of the", "writing, I aim to get myself out there and write about things I", "public web page, as much as I want to comment on things and", "having an alias online is great because nobody is going to meet you,", "doesn't take long for people to find all of my comments, interests, group", "that sooner or later I'm going to become known as my alias, and", "that alias. But I have a few problems: Primarlily, should my alias be", "group activity, forum participation, etc, etc - As in the beginning. I guess", "and while that is an advantage, it also means that it doesn't take", "be able to shout over, \"hey (name), what brings you here\", without people", "you here\", without people who know me as my alias being confused. Secondly,", "of my comments, interests, group activity, forum participation, etc, etc. It means that", "make me uncomfortable with using it. This is mainly due to the fact", "me as my alias being confused. Secondly, because I'm using my alias for", "that alias online will find all of my comments, interests, group activity, forum", "it's quite unique, and while that is an advantage, it also means that", "to the comment box and refrain from posting anything - even if the", "online is great because nobody is going to meet you, but because of", "few issues that make me uncomfortable with using it. This is mainly due", "get involved, I see my name next to the comment box and refrain", "/ email addresses to suit that alias. But I have a few problems:", "that is an advantage, it also means that it doesn't take long for", "\"hey (name), what brings you here\", without people who know me as my", "so much that I dislike my real name, but I have a few", "myself in places where people may actually know my real name, I'd prefer", "Now if nobody knows me, a completely unique alias is fine, but if", "guess aliasses are great if you have 2 or more main areas of", "are great if you have 2 or more main areas of expertise, like", "alias surname? The way I see it, having an alias online is great", "that make me uncomfortable with using it. This is mainly due to the", "that I dislike my real name, but I have a few issues that", "likely that sooner or later I'm going to become known as my alias,", "know me as my alias being confused. Secondly, because I'm using my alias", "participation, etc, etc - As in the beginning. I guess aliasses are great", "As in the beginning. I guess aliasses are great if you have 2", "going to become known as my alias, and therefore people searching for that", "meet. Now if nobody knows me, a completely unique alias is fine, but", "alias be completely unique from my real name, or should I have my", "alias being confused. Secondly, because I'm using my alias for all aspects of", "from my real name, or should I have my first name + an", "because nobody is going to meet you, but because of the nature of", "It means that whenever I'm on a social network or public web page,", "whenever I'm on a social network or public web page, as much as", "be intorducing myself in places where people may actually know my real name,", "I'm using my alias for all aspects of my life, as I would", "about things I see and do, and people I meet. Now if nobody", "is an advantage, it also means that it doesn't take long for people", "nature of my writing, I aim to get myself out there and write", "in places where people may actually know my real name, I'd prefer them", "participation, etc, etc. It means that whenever I'm on a social network or", "there and write about things I see and do, and people I meet.", "myself out there and write about things I see and do, and people", "name next to the comment box and refrain from posting anything - even", "page, as much as I want to comment on things and get involved,", "I would my own name, it's likely that sooner or later I'm going", "should my alias be completely unique from my real name, or should I", "to comment on things and get involved, I see my name next to", "aliasses are great if you have 2 or more main areas of expertise,", "long for people to find all of my comments, interests, group activity, forum", "beginning. I guess aliasses are great if you have 2 or more main", "completely harmless or innocent. So I decided that the best way to go", "places where people may actually know my real name, I'd prefer them to", "my real name, or should I have my first name + an alias", "I aim to get myself out there and write about things I see", "as much as I want to comment on things and get involved, I", "quite unique, and while that is an advantage, it also means that it", "using my alias for all aspects of my life, as I would my", "blogger who also owns a mens magazine. Any advice on how I should", "brings you here\", without people who know me as my alias being confused.", "problems: Primarlily, should my alias be completely unique from my real name, or", "it, having an alias online is great because nobody is going to meet", "This is mainly due to the fact that it's quite unique, and while", "issues that make me uncomfortable with using it. This is mainly due to", "my writing, I aim to get myself out there and write about things", "but because of the nature of my writing, I aim to get myself", "aspects of my life, as I would my own name, it's likely that", "box and refrain from posting anything - even if the comment is completely", "etc, etc. It means that whenever I'm on a social network or public", "to go about things is to write under a pen name or alias,", "I'm going to become known as my alias, and therefore people searching for", "who also owns a mens magazine. Any advice on how I should go", "if you have 2 or more main areas of expertise, like a childrens", "due to the fact that it's quite unique, and while that is an", "have a few problems: Primarlily, should my alias be completely unique from my", "interests, group activity, forum participation, etc, etc - As in the beginning. I", "would my own name, it's likely that sooner or later I'm going to", "an alias surname? The way I see it, having an alias online is", "the nature of my writing, I aim to get myself out there and", "who know me as my alias being confused. Secondly, because I'm using my", "uncomfortable with using it. This is mainly due to the fact that it's", "etc - As in the beginning. I guess aliasses are great if you", "anything - even if the comment is completely harmless or innocent. So I", "later I'm going to become known as my alias, and therefore people searching", "my comments, interests, group activity, forum participation, etc, etc. It means that whenever", "to find all of my comments, interests, group activity, forum participation, etc, etc.", "the comment is completely harmless or innocent. So I decided that the best", "completely unique from my real name, or should I have my first name", "meet you, but because of the nature of my writing, I aim to", "few problems: Primarlily, should my alias be completely unique from my real name,", "be completely unique from my real name, or should I have my first", "harmless or innocent. So I decided that the best way to go about", "with using it. This is mainly due to the fact that it's quite", "network or public web page, as much as I want to comment on", "I see and do, and people I meet. Now if nobody knows me,", "real name, or should I have my first name + an alias surname?", "I want to comment on things and get involved, I see my name", "to suit that alias. But I have a few problems: Primarlily, should my", "for people to find all of my comments, interests, group activity, forum participation,", "over, \"hey (name), what brings you here\", without people who know me as", "therefore people searching for that alias online will find all of my comments,", "name, I'd prefer them to be able to shout over, \"hey (name), what", "etc. It means that whenever I'm on a social network or public web", "name + an alias surname? The way I see it, having an alias", "garden/cooking blogger who also owns a mens magazine. Any advice on how I", "the fact that it's quite unique, and while that is an advantage, it", "social profiles / email addresses to suit that alias. But I have a", "as my alias being confused. Secondly, because I'm using my alias for all", "of my comments, interests, group activity, forum participation, etc, etc - As in", "- even if the comment is completely harmless or innocent. So I decided", "surname? The way I see it, having an alias online is great because", "sooner or later I'm going to become known as my alias, and therefore", "to be able to shout over, \"hey (name), what brings you here\", without", "great because nobody is going to meet you, but because of the nature", "or innocent. So I decided that the best way to go about things", "shout over, \"hey (name), what brings you here\", without people who know me", "on a social network or public web page, as much as I want", "get myself out there and write about things I see and do, and", "forum participation, etc, etc - As in the beginning. I guess aliasses are", "using it. This is mainly due to the fact that it's quite unique,", "people may actually know my real name, I'd prefer them to be able", "I see it, having an alias online is great because nobody is going", "write under a pen name or alias, and create social profiles / email", "have 2 or more main areas of expertise, like a childrens author who", "to shout over, \"hey (name), what brings you here\", without people who know", "is fine, but if I'm going to be intorducing myself in places where", "but if I'm going to be intorducing myself in places where people may", "completely unique alias is fine, but if I'm going to be intorducing myself", "main areas of expertise, like a childrens author who also writes erotic novels,", "refrain from posting anything - even if the comment is completely harmless or", "innocent. So I decided that the best way to go about things is", "life, as I would my own name, it's likely that sooner or later", "or alias, and create social profiles / email addresses to suit that alias.", "It's not so much that I dislike my real name, but I have", "if I'm going to be intorducing myself in places where people may actually", "comment box and refrain from posting anything - even if the comment is", "see my name next to the comment box and refrain from posting anything", "to write under a pen name or alias, and create social profiles /", "may actually know my real name, I'd prefer them to be able to", "it doesn't take long for people to find all of my comments, interests,", "that the best way to go about things is to write under a", "actually know my real name, I'd prefer them to be able to shout", "an advantage, it also means that it doesn't take long for people to", "if nobody knows me, a completely unique alias is fine, but if I'm", "author who also writes erotic novels, or a garden/cooking blogger who also owns", "to the fact that it's quite unique, and while that is an advantage,", "I'd prefer them to be able to shout over, \"hey (name), what brings", "without people who know me as my alias being confused. Secondly, because I'm", "So I decided that the best way to go about things is to", "that it doesn't take long for people to find all of my comments,", "suit that alias. But I have a few problems: Primarlily, should my alias", "a few problems: Primarlily, should my alias be completely unique from my real", "comments, interests, group activity, forum participation, etc, etc - As in the beginning.", "I meet. Now if nobody knows me, a completely unique alias is fine,", "going to meet you, but because of the nature of my writing, I", "areas of expertise, like a childrens author who also writes erotic novels, or", "of the nature of my writing, I aim to get myself out there", "because of the nature of my writing, I aim to get myself out", "decided that the best way to go about things is to write under", "to become known as my alias, and therefore people searching for that alias", "posting anything - even if the comment is completely harmless or innocent. So", "should I have my first name + an alias surname? The way I", "is going to meet you, but because of the nature of my writing,", "it also means that it doesn't take long for people to find all", "out there and write about things I see and do, and people I", "that whenever I'm on a social network or public web page, as much", "I decided that the best way to go about things is to write", "and therefore people searching for that alias online will find all of my", "means that whenever I'm on a social network or public web page, as", "interests, group activity, forum participation, etc, etc. It means that whenever I'm on", "group activity, forum participation, etc, etc. It means that whenever I'm on a", "much that I dislike my real name, but I have a few issues", "unique, and while that is an advantage, it also means that it doesn't", "want to comment on things and get involved, I see my name next", "I have my first name + an alias surname? The way I see", "comment on things and get involved, I see my name next to the", "great if you have 2 or more main areas of expertise, like a", "dislike my real name, but I have a few issues that make me", "the comment box and refrain from posting anything - even if the comment", "novels, or a garden/cooking blogger who also owns a mens magazine. Any advice", "2 or more main areas of expertise, like a childrens author who also", "for that alias online will find all of my comments, interests, group activity,", "I'm on a social network or public web page, as much as I", "alias for all aspects of my life, as I would my own name,", "I'm going to be intorducing myself in places where people may actually know", "name, but I have a few issues that make me uncomfortable with using", "alias, and create social profiles / email addresses to suit that alias. But", "where people may actually know my real name, I'd prefer them to be", "to meet you, but because of the nature of my writing, I aim", "go about things is to write under a pen name or alias, and", "I guess aliasses are great if you have 2 or more main areas", "expertise, like a childrens author who also writes erotic novels, or a garden/cooking", "but I have a few issues that make me uncomfortable with using it.", "known as my alias, and therefore people searching for that alias online will", "and people I meet. Now if nobody knows me, a completely unique alias", "unique from my real name, or should I have my first name +", "real name, but I have a few issues that make me uncomfortable with", "my real name, but I have a few issues that make me uncomfortable", "a social network or public web page, as much as I want to", "or should I have my first name + an alias surname? The way", "write about things I see and do, and people I meet. Now if", "them to be able to shout over, \"hey (name), what brings you here\",", "name, it's likely that sooner or later I'm going to become known as", "while that is an advantage, it also means that it doesn't take long", "my alias being confused. Secondly, because I'm using my alias for all aspects", "for all aspects of my life, as I would my own name, it's", "able to shout over, \"hey (name), what brings you here\", without people who", "childrens author who also writes erotic novels, or a garden/cooking blogger who also", "people to find all of my comments, interests, group activity, forum participation, etc,", "own name, it's likely that sooner or later I'm going to become known", "activity, forum participation, etc, etc - As in the beginning. I guess aliasses", "is mainly due to the fact that it's quite unique, and while that", "my name next to the comment box and refrain from posting anything -", "alias online is great because nobody is going to meet you, but because", "owns a mens magazine. Any advice on how I should go about things?", "my alias be completely unique from my real name, or should I have", "me uncomfortable with using it. This is mainly due to the fact that", "find all of my comments, interests, group activity, forum participation, etc, etc. It", "alias is fine, but if I'm going to be intorducing myself in places", "involved, I see my name next to the comment box and refrain from", "a garden/cooking blogger who also owns a mens magazine. Any advice on how", "comments, interests, group activity, forum participation, etc, etc. It means that whenever I'm", "name or alias, and create social profiles / email addresses to suit that", "and do, and people I meet. Now if nobody knows me, a completely", "profiles / email addresses to suit that alias. But I have a few", "going to be intorducing myself in places where people may actually know my", "as my alias, and therefore people searching for that alias online will find", "advantage, it also means that it doesn't take long for people to find", "also writes erotic novels, or a garden/cooking blogger who also owns a mens", "I see my name next to the comment box and refrain from posting", "comment is completely harmless or innocent. So I decided that the best way", "addresses to suit that alias. But I have a few problems: Primarlily, should", "all of my comments, interests, group activity, forum participation, etc, etc - As", "alias, and therefore people searching for that alias online will find all of", "do, and people I meet. Now if nobody knows me, a completely unique", "it's likely that sooner or later I'm going to become known as my", "to get myself out there and write about things I see and do,", "my real name, I'd prefer them to be able to shout over, \"hey", "about things is to write under a pen name or alias, and create", "not so much that I dislike my real name, but I have a", "I dislike my real name, but I have a few issues that make", "a few issues that make me uncomfortable with using it. This is mainly", "online will find all of my comments, interests, group activity, forum participation, etc,", "aim to get myself out there and write about things I see and", "mainly due to the fact that it's quite unique, and while that is", "email addresses to suit that alias. But I have a few problems: Primarlily,", "searching for that alias online will find all of my comments, interests, group", "is completely harmless or innocent. So I decided that the best way to", "etc, etc - As in the beginning. I guess aliasses are great if", "because I'm using my alias for all aspects of my life, as I", "+ an alias surname? The way I see it, having an alias online", "have my first name + an alias surname? The way I see it,", "- As in the beginning. I guess aliasses are great if you have", "even if the comment is completely harmless or innocent. So I decided that", "intorducing myself in places where people may actually know my real name, I'd", "you, but because of the nature of my writing, I aim to get", "But I have a few problems: Primarlily, should my alias be completely unique", "or later I'm going to become known as my alias, and therefore people", "of expertise, like a childrens author who also writes erotic novels, or a", "an alias online is great because nobody is going to meet you, but", "who also writes erotic novels, or a garden/cooking blogger who also owns a", "best way to go about things is to write under a pen name", "to be intorducing myself in places where people may actually know my real", "things I see and do, and people I meet. Now if nobody knows", "under a pen name or alias, and create social profiles / email addresses", "and refrain from posting anything - even if the comment is completely harmless", "The way I see it, having an alias online is great because nobody", "I have a few problems: Primarlily, should my alias be completely unique from", "my own name, it's likely that sooner or later I'm going to become" ]
[ "Brazilian Portuguese speaker. It bothers me how repetitive and ambiguous pronouns can be.", "Marua is a well known character by the reader. Of course I can", "speaker. The only examples I found in English were archaic. Example: > >", "years, and thought that he > (Marua, not Zotn) lost a lot of", "but I'm not a native. I’m a Brazilian Portuguese speaker. It bothers me", "well known character by the reader. Of course I can use Marua again,", "writing a story in English but I'm not a native. I’m a Brazilian", "It’s less usual, but still sounds natural. But I don’t know how it", "usual, but still sounds natural. But I don’t know how it sounds to", "> I wonder that something like ‘the guy’ could be used instead of", "if Marua is a well known character by the reader. Of course I", "weird if I write instead: > > Zotn saw Marua again after three", "would not sound good if Marua is a well known character by the", "again after three years, and thought that this one > lost a lot", "guy’ could be used instead of ‘Marua’, but it would not sound good", "that he > (Marua, not Zotn) lost a lot of weight. > >", "language we can use the equivalent to ‘this one’ instead of he/she/it etc.", "it would not sound good if Marua is a well known character by", "be used instead of ‘Marua’, but it would not sound good if Marua", "if I write instead: > > Zotn saw Marua again after three years,", "a story in English but I'm not a native. I’m a Brazilian Portuguese", "know how it sounds to a native English speaker. The only examples I", "Of course I can use Marua again, but it doesn't work well in", "my language we can use the equivalent to ‘this one’ instead of he/she/it", "archaic. Example: > > Zotn saw Marua again after three years, and thought", "course I can use Marua again, but it doesn't work well in the", "> > Zotn saw Marua again after three years, and thought that this", "reader. Of course I can use Marua again, but it doesn't work well", "native. I’m a Brazilian Portuguese speaker. It bothers me how repetitive and ambiguous", "‘the guy’ could be used instead of ‘Marua’, but it would not sound", "sounds natural. But I don’t know how it sounds to a native English", "‘Marua’, but it would not sound good if Marua is a well known", "after three years, and thought that this one > lost a lot of", "be. In my language we can use the equivalent to ‘this one’ instead", "> > > Does it sound weird if I write instead: > >", "pronouns can be. In my language we can use the equivalent to ‘this", "instead of ‘Marua’, but it would not sound good if Marua is a", "equivalent to ‘this one’ instead of he/she/it etc. It’s less usual, but still", "I can use Marua again, but it doesn't work well in the sentence", "I write instead: > > Zotn saw Marua again after three years, and", "it sounds to a native English speaker. The only examples I found in", "> Zotn saw Marua again after three years, and thought that he >", "English were archaic. Example: > > Zotn saw Marua again after three years,", "still sounds natural. But I don’t know how it sounds to a native", "don’t know how it sounds to a native English speaker. The only examples", "Zotn saw Marua again after three years, and thought that he > (Marua,", "I found in English were archaic. Example: > > Zotn saw Marua again", "> (Marua, not Zotn) lost a lot of weight. > > > Does", "sound weird if I write instead: > > Zotn saw Marua again after", "the equivalent to ‘this one’ instead of he/she/it etc. It’s less usual, but", "Zotn) lost a lot of weight. > > > Does it sound weird", "to ‘this one’ instead of he/she/it etc. It’s less usual, but still sounds", "known character by the reader. Of course I can use Marua again, but", "we can use the equivalent to ‘this one’ instead of he/she/it etc. It’s", "write instead: > > Zotn saw Marua again after three years, and thought", "weight. > > > I wonder that something like ‘the guy’ could be", "three years, and thought that he > (Marua, not Zotn) lost a lot", "how it sounds to a native English speaker. The only examples I found", "weight. > > > Does it sound weird if I write instead: >", "use the equivalent to ‘this one’ instead of he/she/it etc. It’s less usual,", "sound good if Marua is a well known character by the reader. Of", "a native English speaker. The only examples I found in English were archaic.", "can use Marua again, but it doesn't work well in the sentence that", "like ‘the guy’ could be used instead of ‘Marua’, but it would not", "by the reader. Of course I can use Marua again, but it doesn't", "can be. In my language we can use the equivalent to ‘this one’", "the reader. Of course I can use Marua again, but it doesn't work", "only examples I found in English were archaic. Example: > > Zotn saw", "thought that he > (Marua, not Zotn) lost a lot of weight. >", "he/she/it etc. It’s less usual, but still sounds natural. But I don’t know", "Zotn saw Marua again after three years, and thought that this one >", "one > lost a lot of weight. > > > I wonder that", "The only examples I found in English were archaic. Example: > > Zotn", "less usual, but still sounds natural. But I don’t know how it sounds", "English but I'm not a native. I’m a Brazilian Portuguese speaker. It bothers", "in English were archaic. Example: > > Zotn saw Marua again after three", "Marua again after three years, and thought that this one > lost a", "> > Does it sound weird if I write instead: > > Zotn", "but still sounds natural. But I don’t know how it sounds to a", "three years, and thought that this one > lost a lot of weight.", "English speaker. The only examples I found in English were archaic. Example: >", "lost a lot of weight. > > > I wonder that something like", "In my language we can use the equivalent to ‘this one’ instead of", "to a native English speaker. The only examples I found in English were", "a well known character by the reader. Of course I can use Marua", "a lot of weight. > > > Does it sound weird if I", "> > I wonder that something like ‘the guy’ could be used instead", "speaker. It bothers me how repetitive and ambiguous pronouns can be. In my", "after three years, and thought that he > (Marua, not Zotn) lost a", "used instead of ‘Marua’, but it would not sound good if Marua is", "in English but I'm not a native. I’m a Brazilian Portuguese speaker. It", "me how repetitive and ambiguous pronouns can be. In my language we can", "Does it sound weird if I write instead: > > Zotn saw Marua", "were archaic. Example: > > Zotn saw Marua again after three years, and", "this one > lost a lot of weight. > > > I wonder", "again after three years, and thought that he > (Marua, not Zotn) lost", "not Zotn) lost a lot of weight. > > > Does it sound", "something like ‘the guy’ could be used instead of ‘Marua’, but it would", "how repetitive and ambiguous pronouns can be. In my language we can use", "he > (Marua, not Zotn) lost a lot of weight. > > >", "of weight. > > > I wonder that something like ‘the guy’ could", "instead of he/she/it etc. It’s less usual, but still sounds natural. But I", "I'm not a native. I’m a Brazilian Portuguese speaker. It bothers me how", "But I don’t know how it sounds to a native English speaker. The", "lot of weight. > > > Does it sound weird if I write", "of weight. > > > Does it sound weird if I write instead:", "lot of weight. > > > I wonder that something like ‘the guy’", "bothers me how repetitive and ambiguous pronouns can be. In my language we", "a native. I’m a Brazilian Portuguese speaker. It bothers me how repetitive and", "> > > I wonder that something like ‘the guy’ could be used", "is a well known character by the reader. Of course I can use", "It bothers me how repetitive and ambiguous pronouns can be. In my language", "etc. It’s less usual, but still sounds natural. But I don’t know how", "and thought that this one > lost a lot of weight. > >", "I wonder that something like ‘the guy’ could be used instead of ‘Marua’,", "use Marua again, but it doesn't work well in the sentence that concerns", "and thought that he > (Marua, not Zotn) lost a lot of weight.", "Marua again, but it doesn't work well in the sentence that concerns me.", "I don’t know how it sounds to a native English speaker. The only", "that something like ‘the guy’ could be used instead of ‘Marua’, but it", "Marua again after three years, and thought that he > (Marua, not Zotn)", "lost a lot of weight. > > > Does it sound weird if", "and ambiguous pronouns can be. In my language we can use the equivalent", "> Does it sound weird if I write instead: > > Zotn saw", "I’m a Brazilian Portuguese speaker. It bothers me how repetitive and ambiguous pronouns", "character by the reader. Of course I can use Marua again, but it", "not sound good if Marua is a well known character by the reader.", "wonder that something like ‘the guy’ could be used instead of ‘Marua’, but", "can use the equivalent to ‘this one’ instead of he/she/it etc. It’s less", "one’ instead of he/she/it etc. It’s less usual, but still sounds natural. But", "a Brazilian Portuguese speaker. It bothers me how repetitive and ambiguous pronouns can", "native English speaker. The only examples I found in English were archaic. Example:", "story in English but I'm not a native. I’m a Brazilian Portuguese speaker.", "examples I found in English were archaic. Example: > > Zotn saw Marua", "ambiguous pronouns can be. In my language we can use the equivalent to", "years, and thought that this one > lost a lot of weight. >", "> Zotn saw Marua again after three years, and thought that this one", "it sound weird if I write instead: > > Zotn saw Marua again", "but it would not sound good if Marua is a well known character", "not a native. I’m a Brazilian Portuguese speaker. It bothers me how repetitive", "(Marua, not Zotn) lost a lot of weight. > > > Does it", "I'm writing a story in English but I'm not a native. I’m a", "‘this one’ instead of he/she/it etc. It’s less usual, but still sounds natural.", "saw Marua again after three years, and thought that this one > lost", "that this one > lost a lot of weight. > > > I", "good if Marua is a well known character by the reader. Of course", "of he/she/it etc. It’s less usual, but still sounds natural. But I don’t", "found in English were archaic. Example: > > Zotn saw Marua again after", "could be used instead of ‘Marua’, but it would not sound good if", "Portuguese speaker. It bothers me how repetitive and ambiguous pronouns can be. In", "instead: > > Zotn saw Marua again after three years, and thought that", "> > Zotn saw Marua again after three years, and thought that he", "> lost a lot of weight. > > > I wonder that something", "natural. But I don’t know how it sounds to a native English speaker.", "Example: > > Zotn saw Marua again after three years, and thought that", "thought that this one > lost a lot of weight. > > >", "a lot of weight. > > > I wonder that something like ‘the", "sounds to a native English speaker. The only examples I found in English", "saw Marua again after three years, and thought that he > (Marua, not", "of ‘Marua’, but it would not sound good if Marua is a well", "repetitive and ambiguous pronouns can be. In my language we can use the" ]
[ "patronisingly at them > > > And > > He had a patronising", "a patronising smile on his face > > > Is the second option", "He had a patronising smile on his face > > > Is the", "them > > > And > > He had a patronising smile on", "around the whole \"Adverbs are the devil\" rule. Is there any difference between", "Is there any difference between these two lines in regards to writing quality:", "in regards to writing quality: > > He smiled patronisingly at them >", "two lines in regards to writing quality: > > He smiled patronisingly at", "are the devil\" rule. Is there any difference between these two lines in", "these two lines in regards to writing quality: > > He smiled patronisingly", "to writing quality: > > He smiled patronisingly at them > > >", "> And > > He had a patronising smile on his face >", "> He had a patronising smile on his face > > > Is", "had a patronising smile on his face > > > Is the second", "patronising smile on his face > > > Is the second option better", "> > He smiled patronisingly at them > > > And > >", "trying to work around the whole \"Adverbs are the devil\" rule. Is there", "And > > He had a patronising smile on his face > >", "rule. Is there any difference between these two lines in regards to writing", "smile on his face > > > Is the second option better than", "> > And > > He had a patronising smile on his face", "the whole \"Adverbs are the devil\" rule. Is there any difference between these", "smiled patronisingly at them > > > And > > He had a", "I'm just trying to work around the whole \"Adverbs are the devil\" rule.", "any difference between these two lines in regards to writing quality: > >", "difference between these two lines in regards to writing quality: > > He", "devil\" rule. Is there any difference between these two lines in regards to", "to work around the whole \"Adverbs are the devil\" rule. Is there any", "face > > > Is the second option better than the first one?", "on his face > > > Is the second option better than the", "his face > > > Is the second option better than the first", "\"Adverbs are the devil\" rule. Is there any difference between these two lines", "He smiled patronisingly at them > > > And > > He had", "> He smiled patronisingly at them > > > And > > He", "> > > And > > He had a patronising smile on his", "just trying to work around the whole \"Adverbs are the devil\" rule. Is", "whole \"Adverbs are the devil\" rule. Is there any difference between these two", "there any difference between these two lines in regards to writing quality: >", "lines in regards to writing quality: > > He smiled patronisingly at them", "regards to writing quality: > > He smiled patronisingly at them > >", "quality: > > He smiled patronisingly at them > > > And >", "> > He had a patronising smile on his face > > >", "writing quality: > > He smiled patronisingly at them > > > And", "at them > > > And > > He had a patronising smile", "work around the whole \"Adverbs are the devil\" rule. Is there any difference", "between these two lines in regards to writing quality: > > He smiled", "the devil\" rule. Is there any difference between these two lines in regards" ]
[ "to influence small portions of the story, but I just want to know", "some characters, this is what can change different parts of the story. Thing", "know how one goes about drafting something like that. The interactivity feature allows", "visual novel with partial interactivity that allows the player to influence small portions", "that. The interactivity feature allows you to build a relationship with some characters,", "of the story. Thing is that I have several other characters whose growth", "linear visual novel with partial interactivity that allows the player to influence small", "several other characters whose growth I would like to cover, but don’t know", "The interactivity feature allows you to build a relationship with some characters, this", "with partial interactivity that allows the player to influence small portions of the", "allows the player to influence small portions of the story, but I just", "what can change different parts of the story. Thing is that I have", "partial interactivity that allows the player to influence small portions of the story,", "influence small portions of the story, but I just want to know how", "this is what can change different parts of the story. Thing is that", "something like that. The interactivity feature allows you to build a relationship with", "other characters whose growth I would like to cover, but don’t know how.", "I just want to know how one goes about drafting something like that.", "want to know how one goes about drafting something like that. The interactivity", "making a linear visual novel with partial interactivity that allows the player to", "but I just want to know how one goes about drafting something like", "feature allows you to build a relationship with some characters, this is what", "a linear visual novel with partial interactivity that allows the player to influence", "interactivity feature allows you to build a relationship with some characters, this is", "a relationship with some characters, this is what can change different parts of", "the story. Thing is that I have several other characters whose growth I", "drafting something like that. The interactivity feature allows you to build a relationship", "novel with partial interactivity that allows the player to influence small portions of", "about drafting something like that. The interactivity feature allows you to build a", "characters, this is what can change different parts of the story. Thing is", "the story, but I just want to know how one goes about drafting", "allows you to build a relationship with some characters, this is what can", "player to influence small portions of the story, but I just want to", "like that. The interactivity feature allows you to build a relationship with some", "to build a relationship with some characters, this is what can change different", "can change different parts of the story. Thing is that I have several", "have several other characters whose growth I would like to cover, but don’t", "goes about drafting something like that. The interactivity feature allows you to build", "portions of the story, but I just want to know how one goes", "the player to influence small portions of the story, but I just want", "relationship with some characters, this is what can change different parts of the", "I have several other characters whose growth I would like to cover, but", "story. Thing is that I have several other characters whose growth I would", "with some characters, this is what can change different parts of the story.", "that I have several other characters whose growth I would like to cover,", "one goes about drafting something like that. The interactivity feature allows you to", "just want to know how one goes about drafting something like that. The", "small portions of the story, but I just want to know how one", "build a relationship with some characters, this is what can change different parts", "Thing is that I have several other characters whose growth I would like", "is that I have several other characters whose growth I would like to", "that allows the player to influence small portions of the story, but I", "how one goes about drafting something like that. The interactivity feature allows you", "different parts of the story. Thing is that I have several other characters", "story, but I just want to know how one goes about drafting something", "to know how one goes about drafting something like that. The interactivity feature", "change different parts of the story. Thing is that I have several other", "I’m making a linear visual novel with partial interactivity that allows the player", "you to build a relationship with some characters, this is what can change", "is what can change different parts of the story. Thing is that I", "of the story, but I just want to know how one goes about", "parts of the story. Thing is that I have several other characters whose", "interactivity that allows the player to influence small portions of the story, but" ]
[ "with this variation is that the first part of the novel would be", "in my mind there is this disparity and I need to overcome it", "can have sex for her first time, the progess of their relationship is", "supportive relationship during the evolving thriller plot I attempted to describe the desire", "more or less sex*. So very likely the true questions behind my difficulty", "about those related questions made me realize that my question is less about", "young adult man and woman fall in love. It is the woman's first", "decide, but the answers don't help me because I have done what the", "but the answers don't help me because I have done what the accepted", "those related questions made me realize that my question is less about deciding", "before they can have sex for her first time, the progess of their", "and I need to overcome it because the doubt hampers me. 3. love", "have been struggling with this decision for weeks while outlining all three plots", "and sanity of the two characters. This is the original variant of the", "done what the accepted answer suggests and not been able to come to", "first part of the novel would be an erotic story and the second", "and dangerous A young adult man and woman fall in love. It is", "relationship is interrupted by spy thriller complications. Lots of action and a scyfyish", "sure if the two parts fit together. I could write this and see", "write them all. My question is which variation would be more attractive to", "to current psychosocial developments, but difficult to write and easy to fail as", "sanity of the two characters. This is the original variant of the story.", "to describe the desire of the man and woman for each other in", "have her first sex, and solve the thriller plot. This is the variation", "write and easy to fail as well as hard to publish. 2. erotic", "me because I have done what the accepted answer suggests and not been", "to each other, slowly tease and approach each other, but before they can", "the progess of their relationship is interrupted by spy thriller complications. Lots of", "weeks while outlining all three plots in parallel. How can I decide? ---", "decide? --- I found two related questions on this site that don't answer", "the end is too risqué (involving massive sexual abuse and rape). I think", "turning into a spy thriller A young man and woman are sexually attracted", "I have been struggling with this decision for weeks while outlining all three", "of the sexualized first part and the turn to a more loving and", "variant of the story. I abandoned it because the end is too risqué", "beginning. Could be marketed as YA. To solve the disparity of the sexualized", "protagonists. As the couple discover the woman's sexuality, they find more and more", "the thriller plot. This is the variation I had decided to write instead", "if the two parts fit together. I could write this and see how", "dark and disturbing needs that eventually threaten the life and sanity of the", "than about deciding between variations with more or less sex. So very likely", "and incite the action more quickly, moving the focus away from the relationship", "writing and publishing all variations, which is not what I want to do.", "write only one. And the answers to that question do not deal with", "her first time, the progess of their relationship is interrupted by spy thriller", "to overcome it because the doubt hampers me. 3. love story turning into", "as YA. To solve the disparity of the sexualized first part and the", "to write instead of the original one. But the problem with this variation", "question is which variation would be more attractive to agents, publishers, and the", "less sex. So very likely the true questions behind my difficulty to decide", "the two characters. This is the original variant of the story. I abandoned", "is interrupted by spy thriller complications. Lots of action and a scyfyish plot", "from the story's beginning and I would have to condense it and incite", "story turning into a spy thriller A young man and woman are sexually", "great story with intriguing character development and some relevance to current psychosocial developments,", "plot I attempted to describe the desire of the man and woman for", "write instead of the original one. But the problem with this variation is", "me. 3. love story turning into a spy thriller The same story as", "2. erotic story turning into a spy thriller A young man and woman", "the relationship and to the thriller plot. I like all three variations of", "variations, which is not what I want to do. I do want to", "is which variation would be more attractive to agents, publishers, and the reading", "woman's sexuality, they find more and more dark and disturbing needs that eventually", "love story turning into a spy thriller The same story as no. 2", "on the sexual feelings and desires of the protagonists. As the couple discover", "help me because I have done what the accepted answer suggests and not", "are sexually attracted to each other, slowly tease and approach each other, but", "of the two characters. This is the original variant of the story. I", "the narrative focusses on the sexual feelings and desires of the protagonists. As", "action and a scyfyish plot turn almost destroy their love, but they overcome", "they overcome their emotional difficulties, reconcile, have her first sex, and solve the", "sexually attracted to each other, slowly tease and approach each other, but before", "the evolving thriller plot I attempted to describe the desire of the man", "solve the disparity of the sexualized first part and the turn to a", "deciding between variations with more or less sex. So very likely the true", "do not deal with how to decide between variations so they apply to", "decision. But thinking about those related questions made me realize that my question", "with more or less sex*. So very likely the true questions behind my", "love, but they overcome their emotional difficulties, reconcile, have her first sex, and", "asks about writing and publishing all variations, which is not what I want", "relationship and to the thriller plot. I like all three variations of the", "between variations so they apply to my present problem. [The second question](https://writing.stackexchange.com/questions/21884/what-are-some-techniques-for-deciding-which-of-two-or-more-plot-directions-to-go) does", "out, but in my mind there is this disparity and I need to", "And the answers to that question do not deal with how to decide", "first questions](https://writing.stackexchange.com/questions/28094/variations-of-the-same-story) asks about writing and publishing all variations, which is not what", "thriller with love story, and I'm not sure if the two parts fit", "and the narrative focusses on the sexual feelings and desires of the protagonists.", "solve the thriller plot. This is the variation I had decided to write", "and more dark and disturbing needs that eventually threaten the life and sanity", "and a scyfyish plot turn almost destroy their love, but they overcome their", "spy thriller The same story as no. 2 but without the more sexual", "moving the focus away from the relationship and to the thriller plot. I", "turning dark and dangerous A young adult man and woman fall in love.", "relevance to current psychosocial developments, but difficult to write and easy to fail", "current psychosocial developments, but difficult to write and easy to fail as well", "a more loving and supportive relationship during the evolving thriller plot I attempted", "first part and the turn to a more loving and supportive relationship during", "I'm not sure if the two parts fit together. I could write this", "my question. [The first questions](https://writing.stackexchange.com/questions/28094/variations-of-the-same-story) asks about writing and publishing all variations, which", "with how to decide, but the answers don't help me because I have", "story's beginning and I would have to condense it and incite the action", "have sex, and the narrative focusses on the sexual feelings and desires of", "would be an erotic story and the second a thriller with love story,", "second a thriller with love story, and I'm not sure if the two", "the turn to a more loving and supportive relationship during the evolving thriller", "erotic spy thriller, or the YA love thriller? I have been struggling with", "it and incite the action more quickly, moving the focus away from the", "this removes all the exitement from the story's beginning and I would have", "development and some relevance to current psychosocial developments, but difficult to write and", "a thriller with love story, and I'm not sure if the two parts", "the first part of the novel would be an erotic story and the", "the protagonists. As the couple discover the woman's sexuality, they find more and", "and the turn to a more loving and supportive relationship during the evolving", "parts fit together. I could write this and see how it turns out,", "decide and write only one. And the answers to that question do not", "between equal* variations than about deciding between *variations with more or less sex.", "variations would sell best? The erotic novel, the erotic spy thriller, or the", "each other, but before they can have sex for her first time, the", "I could write this and see how it turns out, but in my", "the problem with this variation is that the first part of the novel", "the focus away from the relationship and to the thriller plot. I like", "question is less about deciding between equal* variations than about deciding between **variations", "sexual feelings and desires of the protagonists. As the couple discover the woman's", "Lots of action and a scyfyish plot turn almost destroy their love, but", "I have done what the accepted answer suggests and not been able to", "love. It is the woman's first time to have sex, and the narrative", "variations of the same storyline and cannot decide which one I want to", "be marketed as YA. To solve the disparity of the sexualized first part", "disparity and I need to overcome it because the doubt hampers me. 3.", "other in more romantic, Young Adult terms, but this removes all the exitement", "realize that my question is less about deciding between equal* variations than about", "with how to decide between variations so they apply to my present problem.", "together. I could write this and see how it turns out, but in", "woman for each other in more romantic, Young Adult terms, but this removes", "As the couple discover the woman's sexuality, they find more and more dark", "beginning and I would have to condense it and incite the action more", "Young Adult terms, but this removes all the exitement from the story's beginning", "first sex, and solve the thriller plot. This is the variation I had", "because the end is too risqué (involving massive sexual abuse and rape). I", "to condense it and incite the action more quickly, moving the focus away", "I found two related questions on this site that don't answer my question.", "need to overcome it because the doubt hampers me. 3. love story turning", "the couple discover the woman's sexuality, they find more and more dark and", "part of the novel would be an erotic story and the second a", "approach each other, but before they can have sex for her first time,", "a spy thriller A young man and woman are sexually attracted to each", "I attempted to describe the desire of the man and woman for each", "original variant of the story. I abandoned it because the end is too", "This is the variation I had decided to write instead of the original", "sex, and solve the thriller plot. This is the variation I had decided", "attempted to describe the desire of the man and woman for each other", "intriguing character development and some relevance to current psychosocial developments, but difficult to", "had decided to write instead of the original one. But the problem with", "without the more sexual tension at the beginning. Could be marketed as YA.", "thriller The same story as no. 2 but without the more sexual tension", "attracted to each other, slowly tease and approach each other, but before they", "first time to have sex, and the narrative focusses on the sexual feelings", "publish. 2. erotic story turning into a spy thriller A young man and", "original one. But the problem with this variation is that the first part", "for each other in more romantic, Young Adult terms, but this removes all", "not been able to come to a decision. But thinking about those related", "variations so they apply to my present problem. [The second question](https://writing.stackexchange.com/questions/21884/what-are-some-techniques-for-deciding-which-of-two-or-more-plot-directions-to-go) does deal", "feelings and desires of the protagonists. As the couple discover the woman's sexuality,", "of the protagonists. As the couple discover the woman's sexuality, they find more", "abandoned it because the end is too risqué (involving massive sexual abuse and", "sell best? The erotic novel, the erotic spy thriller, or the YA love", "a scyfyish plot turn almost destroy their love, but they overcome their emotional", "made me realize that my question is less about deciding between equal variations", "terms, but this removes all the exitement from the story's beginning and I", "three variations of the same storyline and cannot decide which one I want", "storyline and cannot decide which one I want to write: 1. erotic story", "It is the woman's first time to have sex, and the narrative focusses", "it because the doubt hampers me. 3. love story turning into a spy", "they can have sex for her first time, the progess of their relationship", "the accepted answer suggests and not been able to come to a decision.", "(involving massive sexual abuse and rape). I think it is a great story", "I think it is a great story with intriguing character development and some", "woman are sexually attracted to each other, slowly tease and approach each other,", "narrative focusses on the sexual feelings and desires of the protagonists. As the", "Could be marketed as YA. To solve the disparity of the sexualized first", "man and woman fall in love. It is the woman's first time to", "and the reading public? That is, which variations would sell best? The erotic", "more loving and supportive relationship during the evolving thriller plot I attempted to", "with intriguing character development and some relevance to current psychosocial developments, but difficult", "would sell best? The erotic novel, the erotic spy thriller, or the YA", "problem. [The second question](https://writing.stackexchange.com/questions/21884/what-are-some-techniques-for-deciding-which-of-two-or-more-plot-directions-to-go) does deal with how to decide, but the answers", "that eventually threaten the life and sanity of the two characters. This is", "able to come to a decision. But thinking about those related questions made", "of the original one. But the problem with this variation is that the", "which is not what I want to do. I do want to decide", "is less about deciding between equal variations than about deciding between *variations with", "spy thriller A young man and woman are sexually attracted to each other,", "think it is a great story with intriguing character development and some relevance", "tease and approach each other, but before they can have sex for her", "focus away from the relationship and to the thriller plot. I like all", "to publish. 2. erotic story turning into a spy thriller A young man", "Adult terms, but this removes all the exitement from the story's beginning and", "and approach each other, but before they can have sex for her first", "all three variations of the story and would be equally exited to write", "one I want to write: 1. erotic story turning dark and dangerous A", "the answers don't help me because I have done what the accepted answer", "story and would be equally exited to write them all. My question is", "more quickly, moving the focus away from the relationship and to the thriller", "the story. I abandoned it because the end is too risqué (involving massive", "behind my difficulty to decide are: How much sex can I write if", "in love. It is the woman's first time to have sex, and the", "for her first time, the progess of their relationship is interrupted by spy", "same story as no. 2 but without the more sexual tension at the", "because I have done what the accepted answer suggests and not been able", "one. But the problem with this variation is that the first part of", "I have three variations of the same storyline and cannot decide which one", "more dark and disturbing needs that eventually threaten the life and sanity of", "one. And the answers to that question do not deal with how to", "turning into a spy thriller The same story as no. 2 but without", "turns out, but in my mind there is this disparity and I need", "sexual tension at the beginning. Could be marketed as YA. To solve the", "removes all the exitement from the story's beginning and I would have to", "sexualized first part and the turn to a more loving and supportive relationship", "instead of the original one. But the problem with this variation is that", "focusses on the sexual feelings and desires of the protagonists. As the couple", "questions](https://writing.stackexchange.com/questions/28094/variations-of-the-same-story) asks about writing and publishing all variations, which is not what I", "story and the second a thriller with love story, and I'm not sure", "into a spy thriller The same story as no. 2 but without the", "to write them all. My question is which variation would be more attractive", "been struggling with this decision for weeks while outlining all three plots in", "answers to that question do not deal with how to decide between variations", "But thinking about those related questions made me realize that my question is", "incite the action more quickly, moving the focus away from the relationship and", "life and sanity of the two characters. This is the original variant of", "agents, publishers, and the reading public? That is, which variations would sell best?", "the novel would be an erotic story and the second a thriller with", "problem with this variation is that the first part of the novel would", "woman's first time to have sex, and the narrative focusses on the sexual", "can I decide? --- I found two related questions on this site that", "a decision. But thinking about those related questions made me realize that my", "variations of the story and would be equally exited to write them all.", "thinking about those related questions made me realize that my question is less", "of the story. I abandoned it because the end is too risqué (involving", "destroy their love, but they overcome their emotional difficulties, reconcile, have her first", "for weeks while outlining all three plots in parallel. How can I decide?", "each other in more romantic, Young Adult terms, but this removes all the", "to the thriller plot. I like all three variations of the story and", "questions behind my difficulty to decide are: How much sex can I write", "is not what I want to do. I do want to decide and", "is too risqué (involving massive sexual abuse and rape). I think it is", "struggling with this decision for weeks while outlining all three plots in parallel.", "and cannot decide which one I want to write: 1. erotic story turning", "discover the woman's sexuality, they find more and more dark and disturbing needs", "three variations of the story and would be equally exited to write them", "needs that eventually threaten the life and sanity of the two characters. This", "the desire of the man and woman for each other in more romantic,", "love story, and I'm not sure if the two parts fit together. I", "I had decided to write instead of the original one. But the problem", "or the YA love thriller? I have been struggling with this decision for", "decision for weeks while outlining all three plots in parallel. How can I", "and woman are sexually attracted to each other, slowly tease and approach each", "about deciding between variations with more or less sex*. So very likely the", "very likely the true questions behind my difficulty to decide are: How much", "My question is which variation would be more attractive to agents, publishers, and", "That is, which variations would sell best? The erotic novel, the erotic spy", "don't help me because I have done what the accepted answer suggests and", "psychosocial developments, but difficult to write and easy to fail as well as", "The erotic novel, the erotic spy thriller, or the YA love thriller? I", "their love, but they overcome their emotional difficulties, reconcile, have her first sex,", "sexual abuse and rape). I think it is a great story with intriguing", "their emotional difficulties, reconcile, have her first sex, and solve the thriller plot.", "marketed as YA. To solve the disparity of the sexualized first part and", "desires of the protagonists. As the couple discover the woman's sexuality, they find", "the beginning. Could be marketed as YA. To solve the disparity of the", "so they apply to my present problem. [The second question](https://writing.stackexchange.com/questions/21884/what-are-some-techniques-for-deciding-which-of-two-or-more-plot-directions-to-go) does deal with", "into a spy thriller A young man and woman are sexually attracted to", "How can I decide? --- I found two related questions on this site", "three plots in parallel. How can I decide? --- I found two related", "well as hard to publish. 2. erotic story turning into a spy thriller", "is this disparity and I need to overcome it because the doubt hampers", "deciding between equal* variations than about deciding between **variations with more or less", "the more sexual tension at the beginning. Could be marketed as YA. To", "what I want to do. I do want to decide and write only", "only one. And the answers to that question do not deal with how", "would have to condense it and incite the action more quickly, moving the", "while outlining all three plots in parallel. How can I decide? --- I", "first time, the progess of their relationship is interrupted by spy thriller complications.", "which one I want to write: 1. erotic story turning dark and dangerous", "This is the original variant of the story. I abandoned it because the", "to decide between variations so they apply to my present problem. [The second", "story, and I'm not sure if the two parts fit together. I could", "I need to overcome it because the doubt hampers me. 3. love story", "about deciding between equal* variations than about deciding between **variations with more or", "that don't answer my question. [The first questions](https://writing.stackexchange.com/questions/28094/variations-of-the-same-story) asks about writing and publishing", "likely the true questions behind my difficulty to decide are: How much sex", "doubt hampers me. 3. love story turning into a spy thriller The same", "the woman's first time to have sex, and the narrative focusses on the", "and solve the thriller plot. This is the variation I had decided to", "outlining all three plots in parallel. How can I decide? --- I found", "disturbing needs that eventually threaten the life and sanity of the two characters.", "of the story and would be equally exited to write them all. My", "decided to write instead of the original one. But the problem with this", "So very likely the true questions behind my difficulty to decide are: How", "they find more and more dark and disturbing needs that eventually threaten the", "thriller plot. This is the variation I had decided to write instead of", "more romantic, Young Adult terms, but this removes all the exitement from the", "two parts fit together. I could write this and see how it turns", "as hard to publish. 2. erotic story turning into a spy thriller A", "the action more quickly, moving the focus away from the relationship and to", "about writing and publishing all variations, which is not what I want to", "scyfyish plot turn almost destroy their love, but they overcome their emotional difficulties,", "I decide? --- I found two related questions on this site that don't", "deal with how to decide between variations so they apply to my present", "do. I do want to decide and write only one. And the answers", "want to do. I do want to decide and write only one. And", "my present problem. [The second question](https://writing.stackexchange.com/questions/21884/what-are-some-techniques-for-deciding-which-of-two-or-more-plot-directions-to-go) does deal with how to decide, but", "would be equally exited to write them all. My question is which variation", "action more quickly, moving the focus away from the relationship and to the", "is, which variations would sell best? The erotic novel, the erotic spy thriller,", "not sure if the two parts fit together. I could write this and", "questions on this site that don't answer my question. [The first questions](https://writing.stackexchange.com/questions/28094/variations-of-the-same-story) asks", "not what I want to do. I do want to decide and write", "and write only one. And the answers to that question do not deal", "all the exitement from the story's beginning and I would have to condense", "cannot decide which one I want to write: 1. erotic story turning dark", "almost destroy their love, but they overcome their emotional difficulties, reconcile, have her", "novel would be an erotic story and the second a thriller with love", "man and woman for each other in more romantic, Young Adult terms, but", "how to decide, but the answers don't help me because I have done", "I want to write: 1. erotic story turning dark and dangerous A young", "is the woman's first time to have sex, and the narrative focusses on", "want to decide and write only one. And the answers to that question", "decide are: How much sex can I write if I'm after mainstream success?", "my question is less about deciding between equal* variations than about deciding between", "I do want to decide and write only one. And the answers to", "question](https://writing.stackexchange.com/questions/21884/what-are-some-techniques-for-deciding-which-of-two-or-more-plot-directions-to-go) does deal with how to decide, but the answers don't help me", "no. 2 but without the more sexual tension at the beginning. Could be", "To solve the disparity of the sexualized first part and the turn to", "the variation I had decided to write instead of the original one. But", "other, slowly tease and approach each other, but before they can have sex", "variation is that the first part of the novel would be an erotic", "two characters. This is the original variant of the story. I abandoned it", "with love story, and I'm not sure if the two parts fit together.", "a great story with intriguing character development and some relevance to current psychosocial", "write this and see how it turns out, but in my mind there", "is a great story with intriguing character development and some relevance to current", "exitement from the story's beginning and I would have to condense it and", "have three variations of the same storyline and cannot decide which one I", "more attractive to agents, publishers, and the reading public? That is, which variations", "which variations would sell best? The erotic novel, the erotic spy thriller, or", "question do not deal with how to decide between variations so they apply", "and see how it turns out, but in my mind there is this", "the original one. But the problem with this variation is that the first", "to fail as well as hard to publish. 2. erotic story turning into", "suggests and not been able to come to a decision. But thinking about", "massive sexual abuse and rape). I think it is a great story with", "but in my mind there is this disparity and I need to overcome", "of the man and woman for each other in more romantic, Young Adult", "easy to fail as well as hard to publish. 2. erotic story turning", "variations than about deciding between *variations with more or less sex. So very", "sex, and the narrative focusses on the sexual feelings and desires of the", "and to the thriller plot. I like all three variations of the story", "risqué (involving massive sexual abuse and rape). I think it is a great", "I want to do. I do want to decide and write only one.", "from the relationship and to the thriller plot. I like all three variations", "equal* variations than about deciding between *variations with more or less sex. So", "as no. 2 but without the more sexual tension at the beginning. Could", "loving and supportive relationship during the evolving thriller plot I attempted to describe", "come to a decision. But thinking about those related questions made me realize", "1. erotic story turning dark and dangerous A young adult man and woman", "the sexual feelings and desires of the protagonists. As the couple discover the", "a spy thriller The same story as no. 2 but without the more", "I like all three variations of the story and would be equally exited", "questions made me realize that my question is less about deciding between equal", "does deal with how to decide, but the answers don't help me because", "adult man and woman fall in love. It is the woman's first time", "the YA love thriller? I have been struggling with this decision for weeks", "away from the relationship and to the thriller plot. I like all three", "story turning into a spy thriller The same story as no. 2 but", "the story and would be equally exited to write them all. My question", "and disturbing needs that eventually threaten the life and sanity of the two", "the sexualized first part and the turn to a more loving and supportive", "developments, but difficult to write and easy to fail as well as hard", "progess of their relationship is interrupted by spy thriller complications. Lots of action", "condense it and incite the action more quickly, moving the focus away from", "sex for her first time, the progess of their relationship is interrupted by", "thriller plot I attempted to describe the desire of the man and woman", "and would be equally exited to write them all. My question is which", "to do. I do want to decide and write only one. And the", "the thriller plot. I like all three variations of the story and would", "by spy thriller complications. Lots of action and a scyfyish plot turn almost", "thriller complications. Lots of action and a scyfyish plot turn almost destroy their", "public? That is, which variations would sell best? The erotic novel, the erotic", "fall in love. It is the woman's first time to have sex, and", "difficult to write and easy to fail as well as hard to publish.", "equally exited to write them all. My question is which variation would be", "the story's beginning and I would have to condense it and incite the", "YA love thriller? I have been struggling with this decision for weeks while", "slowly tease and approach each other, but before they can have sex for", "A young adult man and woman fall in love. It is the woman's", "love thriller? I have been struggling with this decision for weeks while outlining", "--- I found two related questions on this site that don't answer my", "[The second question](https://writing.stackexchange.com/questions/21884/what-are-some-techniques-for-deciding-which-of-two-or-more-plot-directions-to-go) does deal with how to decide, but the answers don't", "with this decision for weeks while outlining all three plots in parallel. How", "other, but before they can have sex for her first time, the progess", "desire of the man and woman for each other in more romantic, Young", "true questions behind my difficulty to decide are: How much sex can I", "their relationship is interrupted by spy thriller complications. Lots of action and a", "how it turns out, but in my mind there is this disparity and", "all. My question is which variation would be more attractive to agents, publishers,", "novel, the erotic spy thriller, or the YA love thriller? I have been", "related questions on this site that don't answer my question. [The first questions](https://writing.stackexchange.com/questions/28094/variations-of-the-same-story)", "deal with how to decide, but the answers don't help me because I", "question. [The first questions](https://writing.stackexchange.com/questions/28094/variations-of-the-same-story) asks about writing and publishing all variations, which is", "difficulties, reconcile, have her first sex, and solve the thriller plot. This is", "story with intriguing character development and some relevance to current psychosocial developments, but", "tension at the beginning. Could be marketed as YA. To solve the disparity", "the exitement from the story's beginning and I would have to condense it", "and woman for each other in more romantic, Young Adult terms, but this", "variations with more or less sex. So very likely the true questions behind", "during the evolving thriller plot I attempted to describe the desire of the", "the disparity of the sexualized first part and the turn to a more", "publishers, and the reading public? That is, which variations would sell best? The", "the same storyline and cannot decide which one I want to write: 1.", "mind there is this disparity and I need to overcome it because the", "the second a thriller with love story, and I'm not sure if the", "this site that don't answer my question. [The first questions](https://writing.stackexchange.com/questions/28094/variations-of-the-same-story) asks about writing", "erotic story and the second a thriller with love story, and I'm not", "the life and sanity of the two characters. This is the original variant", "[The first questions](https://writing.stackexchange.com/questions/28094/variations-of-the-same-story) asks about writing and publishing all variations, which is not", "all variations, which is not what I want to do. I do want", "and woman fall in love. It is the woman's first time to have", "overcome it because the doubt hampers me. 3. love story turning into a", "my mind there is this disparity and I need to overcome it because", "the erotic spy thriller, or the YA love thriller? I have been struggling", "or less sex*. So very likely the true questions behind my difficulty to", "dark and dangerous A young adult man and woman fall in love. It", "overcome their emotional difficulties, reconcile, have her first sex, and solve the thriller", "the answers to that question do not deal with how to decide between", "thriller A young man and woman are sexually attracted to each other, slowly", "thriller, or the YA love thriller? I have been struggling with this decision", "decide between variations so they apply to my present problem. [The second question](https://writing.stackexchange.com/questions/21884/what-are-some-techniques-for-deciding-which-of-two-or-more-plot-directions-to-go)", "the doubt hampers me. 3. love story turning into a spy thriller The", "and the second a thriller with love story, and I'm not sure if", "character development and some relevance to current psychosocial developments, but difficult to write", "each other, slowly tease and approach each other, but before they can have", "decide which one I want to write: 1. erotic story turning dark and", "to come to a decision. But thinking about those related questions made me", "at the beginning. Could be marketed as YA. To solve the disparity of", "and not been able to come to a decision. But thinking about those", "find more and more dark and disturbing needs that eventually threaten the life", "erotic story turning into a spy thriller A young man and woman are", "young man and woman are sexually attracted to each other, slowly tease and", "part and the turn to a more loving and supportive relationship during the", "present problem. [The second question](https://writing.stackexchange.com/questions/21884/what-are-some-techniques-for-deciding-which-of-two-or-more-plot-directions-to-go) does deal with how to decide, but the", "difficulty to decide are: How much sex can I write if I'm after", "woman fall in love. It is the woman's first time to have sex,", "but difficult to write and easy to fail as well as hard to", "variation I had decided to write instead of the original one. But the", "plot turn almost destroy their love, but they overcome their emotional difficulties, reconcile,", "there is this disparity and I need to overcome it because the doubt", "found two related questions on this site that don't answer my question. [The", "to decide and write only one. And the answers to that question do", "A young man and woman are sexually attracted to each other, slowly tease", "to a decision. But thinking about those related questions made me realize that", "thriller plot. I like all three variations of the story and would be", "the two parts fit together. I could write this and see how it", "YA. To solve the disparity of the sexualized first part and the turn", "3. love story turning into a spy thriller The same story as no.", "quickly, moving the focus away from the relationship and to the thriller plot.", "site that don't answer my question. [The first questions](https://writing.stackexchange.com/questions/28094/variations-of-the-same-story) asks about writing and", "I would have to condense it and incite the action more quickly, moving", "too risqué (involving massive sexual abuse and rape). I think it is a", "which variation would be more attractive to agents, publishers, and the reading public?", "that question do not deal with how to decide between variations so they", "because the doubt hampers me. 3. love story turning into a spy thriller", "to a more loving and supportive relationship during the evolving thriller plot I", "man and woman are sexually attracted to each other, slowly tease and approach", "time, the progess of their relationship is interrupted by spy thriller complications. Lots", "write: 1. erotic story turning dark and dangerous A young adult man and", "of the same storyline and cannot decide which one I want to write:", "this disparity and I need to overcome it because the doubt hampers me.", "of action and a scyfyish plot turn almost destroy their love, but they", "sexuality, they find more and more dark and disturbing needs that eventually threaten", "and easy to fail as well as hard to publish. 2. erotic story", "The same story as no. 2 but without the more sexual tension at", "turn to a more loving and supportive relationship during the evolving thriller plot", "but this removes all the exitement from the story's beginning and I would", "reconcile, have her first sex, and solve the thriller plot. This is the", "it because the end is too risqué (involving massive sexual abuse and rape).", "time to have sex, and the narrative focusses on the sexual feelings and", "of their relationship is interrupted by spy thriller complications. Lots of action and", "do want to decide and write only one. And the answers to that", "story. I abandoned it because the end is too risqué (involving massive sexual", "thriller? I have been struggling with this decision for weeks while outlining all", "hard to publish. 2. erotic story turning into a spy thriller A young", "the original variant of the story. I abandoned it because the end is", "see how it turns out, but in my mind there is this disparity", "publishing all variations, which is not what I want to do. I do", "and rape). I think it is a great story with intriguing character development", "this and see how it turns out, but in my mind there is", "this decision for weeks while outlining all three plots in parallel. How can", "exited to write them all. My question is which variation would be more", "her first sex, and solve the thriller plot. This is the variation I", "rape). I think it is a great story with intriguing character development and", "story as no. 2 but without the more sexual tension at the beginning.", "how to decide between variations so they apply to my present problem. [The", "in more romantic, Young Adult terms, but this removes all the exitement from", "be more attractive to agents, publishers, and the reading public? That is, which", "to write and easy to fail as well as hard to publish. 2.", "two related questions on this site that don't answer my question. [The first", "parallel. How can I decide? --- I found two related questions on this", "and publishing all variations, which is not what I want to do. I", "I abandoned it because the end is too risqué (involving massive sexual abuse", "complications. Lots of action and a scyfyish plot turn almost destroy their love,", "evolving thriller plot I attempted to describe the desire of the man and", "plot. I like all three variations of the story and would be equally", "erotic story turning dark and dangerous A young adult man and woman fall", "some relevance to current psychosocial developments, but difficult to write and easy to", "second question](https://writing.stackexchange.com/questions/21884/what-are-some-techniques-for-deciding-which-of-two-or-more-plot-directions-to-go) does deal with how to decide, but the answers don't help", "less about deciding between equal* variations than about deciding between *variations with more", "be an erotic story and the second a thriller with love story, and", "but without the more sexual tension at the beginning. Could be marketed as", "end is too risqué (involving massive sexual abuse and rape). I think it", "and supportive relationship during the evolving thriller plot I attempted to describe the", "my difficulty to decide are: How much sex can I write if I'm", "is the original variant of the story. I abandoned it because the end", "But the problem with this variation is that the first part of the", "and I'm not sure if the two parts fit together. I could write", "and some relevance to current psychosocial developments, but difficult to write and easy", "them all. My question is which variation would be more attractive to agents,", "between variations with more or less sex. So very likely the true questions", "the woman's sexuality, they find more and more dark and disturbing needs that", "the man and woman for each other in more romantic, Young Adult terms,", "best? The erotic novel, the erotic spy thriller, or the YA love thriller?", "been able to come to a decision. But thinking about those related questions", "be equally exited to write them all. My question is which variation would", "threaten the life and sanity of the two characters. This is the original", "couple discover the woman's sexuality, they find more and more dark and disturbing", "characters. This is the original variant of the story. I abandoned it because", "hampers me. 3. love story turning into a spy thriller The same story", "dangerous A young adult man and woman fall in love. It is the", "it turns out, but in my mind there is this disparity and I", "reading public? That is, which variations would sell best? The erotic novel, the", "it is a great story with intriguing character development and some relevance to", "disparity of the sexualized first part and the turn to a more loving", "and desires of the protagonists. As the couple discover the woman's sexuality, they", "have to condense it and incite the action more quickly, moving the focus", "the true questions behind my difficulty to decide are: How much sex can", "related questions made me realize that my question is less about deciding between", "to write: 1. erotic story turning dark and dangerous A young adult man", "don't answer my question. [The first questions](https://writing.stackexchange.com/questions/28094/variations-of-the-same-story) asks about writing and publishing all", "2 but without the more sexual tension at the beginning. Could be marketed", "plots in parallel. How can I decide? --- I found two related questions", "on this site that don't answer my question. [The first questions](https://writing.stackexchange.com/questions/28094/variations-of-the-same-story) asks about", "as well as hard to publish. 2. erotic story turning into a spy", "describe the desire of the man and woman for each other in more", "accepted answer suggests and not been able to come to a decision. But", "sex. So very likely the true questions behind my difficulty to decide are:", "same storyline and cannot decide which one I want to write: 1. erotic", "like all three variations of the story and would be equally exited to", "and I would have to condense it and incite the action more quickly,", "answer suggests and not been able to come to a decision. But thinking", "of the novel would be an erotic story and the second a thriller", "but before they can have sex for her first time, the progess of", "story turning dark and dangerous A young adult man and woman fall in", "to decide are: How much sex can I write if I'm after mainstream", "is that the first part of the novel would be an erotic story", "more and more dark and disturbing needs that eventually threaten the life and", "romantic, Young Adult terms, but this removes all the exitement from the story's", "would be more attractive to agents, publishers, and the reading public? That is,", "interrupted by spy thriller complications. Lots of action and a scyfyish plot turn", "plot. This is the variation I had decided to write instead of the", "relationship during the evolving thriller plot I attempted to describe the desire of", "is the variation I had decided to write instead of the original one.", "they apply to my present problem. [The second question](https://writing.stackexchange.com/questions/21884/what-are-some-techniques-for-deciding-which-of-two-or-more-plot-directions-to-go) does deal with how", "fit together. I could write this and see how it turns out, but", "all three plots in parallel. How can I decide? --- I found two", "answer my question. [The first questions](https://writing.stackexchange.com/questions/28094/variations-of-the-same-story) asks about writing and publishing all variations,", "to have sex, and the narrative focusses on the sexual feelings and desires", "more sexual tension at the beginning. Could be marketed as YA. To solve", "to agents, publishers, and the reading public? That is, which variations would sell", "the reading public? That is, which variations would sell best? The erotic novel,", "eventually threaten the life and sanity of the two characters. This is the", "but they overcome their emotional difficulties, reconcile, have her first sex, and solve", "variation would be more attractive to agents, publishers, and the reading public? That", "abuse and rape). I think it is a great story with intriguing character", "want to write: 1. erotic story turning dark and dangerous A young adult", "spy thriller, or the YA love thriller? I have been struggling with this", "me realize that my question is less about deciding between equal* variations than", "have sex for her first time, the progess of their relationship is interrupted", "attractive to agents, publishers, and the reading public? That is, which variations would", "apply to my present problem. [The second question](https://writing.stackexchange.com/questions/21884/what-are-some-techniques-for-deciding-which-of-two-or-more-plot-directions-to-go) does deal with how to", "what the accepted answer suggests and not been able to come to a", "spy thriller complications. Lots of action and a scyfyish plot turn almost destroy", "could write this and see how it turns out, but in my mind", "emotional difficulties, reconcile, have her first sex, and solve the thriller plot. This", "have done what the accepted answer suggests and not been able to come", "to my present problem. [The second question](https://writing.stackexchange.com/questions/21884/what-are-some-techniques-for-deciding-which-of-two-or-more-plot-directions-to-go) does deal with how to decide,", "this variation is that the first part of the novel would be an", "answers don't help me because I have done what the accepted answer suggests", "to that question do not deal with how to decide between variations so", "not deal with how to decide between variations so they apply to my", "in parallel. How can I decide? --- I found two related questions on", "turn almost destroy their love, but they overcome their emotional difficulties, reconcile, have", "fail as well as hard to publish. 2. erotic story turning into a", "to decide, but the answers don't help me because I have done what", "that my question is less about deciding between equal variations than about deciding", "that the first part of the novel would be an erotic story and", "an erotic story and the second a thriller with love story, and I'm", "erotic novel, the erotic spy thriller, or the YA love thriller? I have" ]
[ "female body has been considered offensive by the predominant culture and mostly eradicated", "men still lust over female physiology. Is it possible to narrate that experience", "the predominant culture and mostly eradicated from contemporary mainstream literature. But men still", "women, and bestselling erotica is narrated from a female point of view. The", "mainstream literature. But men still lust over female physiology. Is it possible to", "view. The \"male pornographic gaze\" that sexualizes the female body has been considered", "Most erotica today is written by and for women, and bestselling erotica is", "by the predominant culture and mostly eradicated from contemporary mainstream literature. But men", "over female physiology. Is it possible to narrate that experience of male sexual", "still lust over female physiology. Is it possible to narrate that experience of", "has been considered offensive by the predominant culture and mostly eradicated from contemporary", "from a female point of view. The \"male pornographic gaze\" that sexualizes the", "female point of view. The \"male pornographic gaze\" that sexualizes the female body", "eradicated from contemporary mainstream literature. But men still lust over female physiology. Is", "female physiology. Is it possible to narrate that experience of male sexual lust", "it possible to narrate that experience of male sexual lust without offending female", "to narrate that experience of male sexual lust without offending female readers? How?", "bestselling erotica is narrated from a female point of view. The \"male pornographic", "written by and for women, and bestselling erotica is narrated from a female", "Is it possible to narrate that experience of male sexual lust without offending", "is written by and for women, and bestselling erotica is narrated from a", "today is written by and for women, and bestselling erotica is narrated from", "narrated from a female point of view. The \"male pornographic gaze\" that sexualizes", "culture and mostly eradicated from contemporary mainstream literature. But men still lust over", "pornographic gaze\" that sexualizes the female body has been considered offensive by the", "contemporary mainstream literature. But men still lust over female physiology. Is it possible", "and bestselling erotica is narrated from a female point of view. The \"male", "from contemporary mainstream literature. But men still lust over female physiology. Is it", "erotica is narrated from a female point of view. The \"male pornographic gaze\"", "But men still lust over female physiology. Is it possible to narrate that", "point of view. The \"male pornographic gaze\" that sexualizes the female body has", "of view. The \"male pornographic gaze\" that sexualizes the female body has been", "the female body has been considered offensive by the predominant culture and mostly", "by and for women, and bestselling erotica is narrated from a female point", "that sexualizes the female body has been considered offensive by the predominant culture", "gaze\" that sexualizes the female body has been considered offensive by the predominant", "is narrated from a female point of view. The \"male pornographic gaze\" that", "considered offensive by the predominant culture and mostly eradicated from contemporary mainstream literature.", "The \"male pornographic gaze\" that sexualizes the female body has been considered offensive", "erotica today is written by and for women, and bestselling erotica is narrated", "offensive by the predominant culture and mostly eradicated from contemporary mainstream literature. But", "and mostly eradicated from contemporary mainstream literature. But men still lust over female", "mostly eradicated from contemporary mainstream literature. But men still lust over female physiology.", "\"male pornographic gaze\" that sexualizes the female body has been considered offensive by", "literature. But men still lust over female physiology. Is it possible to narrate", "possible to narrate that experience of male sexual lust without offending female readers?", "a female point of view. The \"male pornographic gaze\" that sexualizes the female", "body has been considered offensive by the predominant culture and mostly eradicated from", "for women, and bestselling erotica is narrated from a female point of view.", "predominant culture and mostly eradicated from contemporary mainstream literature. But men still lust", "been considered offensive by the predominant culture and mostly eradicated from contemporary mainstream", "and for women, and bestselling erotica is narrated from a female point of", "lust over female physiology. Is it possible to narrate that experience of male", "sexualizes the female body has been considered offensive by the predominant culture and", "physiology. Is it possible to narrate that experience of male sexual lust without" ]
[ "something. I don't want to reveal anything to the audience, but I want", "even real? My short story is about identity. My main character is being", "they are actually the same person or that the friend isn't real? How", "of my character's imagination, so she can cope with whatever struggles she has", "cope with whatever struggles she has experienced. What clues can i use to", "so she can cope with whatever struggles she has experienced. What clues can", "story is about identity. My main character is being pressured by a friend", "could suggest that the friend isn't even real, just a figment of my", "imagination, so she can cope with whatever struggles she has experienced. What clues", "the audience, but I want to have like clues that could suggest that", "being pressured by a friend to do something. I don't want to reveal", "struggles she has experienced. What clues can i use to suggest they are", "character is being pressured by a friend to do something. I don't want", "reveal anything to the audience, but I want to have like clues that", "that the friend isn't real? How can I make the audience question if", "My main character is being pressured by a friend to do something. I", "like clues that could suggest that the friend isn't even real, just a", "actually the same person or that the friend isn't real? How can I", "is being pressured by a friend to do something. I don't want to", "to reveal anything to the audience, but I want to have like clues", "so the audience is unsure if she's even real? My short story is", "My short story is about identity. My main character is being pressured by", "tangibility open to interpretations so the audience is unsure if she's even real?", "pressured by a friend to do something. I don't want to reveal anything", "friend isn't even real, just a figment of my character's imagination, so she", "clues that could suggest that the friend isn't even real, just a figment", "by a friend to do something. I don't want to reveal anything to", "interpretations so the audience is unsure if she's even real? My short story", "even real, just a figment of my character's imagination, so she can cope", "experienced. What clues can i use to suggest they are actually the same", "can i use to suggest they are actually the same person or that", "side character's tangibility open to interpretations so the audience is unsure if she's", "short story is about identity. My main character is being pressured by a", "are actually the same person or that the friend isn't real? How can", "want to have like clues that could suggest that the friend isn't even", "want to reveal anything to the audience, but I want to have like", "identity. My main character is being pressured by a friend to do something.", "have like clues that could suggest that the friend isn't even real, just", "don't want to reveal anything to the audience, but I want to have", "friend isn't real? How can I make the audience question if the character", "with whatever struggles she has experienced. What clues can i use to suggest", "main character is being pressured by a friend to do something. I don't", "to suggest they are actually the same person or that the friend isn't", "has experienced. What clues can i use to suggest they are actually the", "just a figment of my character's imagination, so she can cope with whatever", "audience is unsure if she's even real? My short story is about identity.", "suggest they are actually the same person or that the friend isn't real?", "audience, but I want to have like clues that could suggest that the", "isn't real? How can I make the audience question if the character is", "a side character's tangibility open to interpretations so the audience is unsure if", "the friend isn't even real, just a figment of my character's imagination, so", "friend to do something. I don't want to reveal anything to the audience,", "make a side character's tangibility open to interpretations so the audience is unsure", "How can I make the audience question if the character is even real?", "person or that the friend isn't real? How can I make the audience", "can cope with whatever struggles she has experienced. What clues can i use", "How can I make a side character's tangibility open to interpretations so the", "figment of my character's imagination, so she can cope with whatever struggles she", "the audience is unsure if she's even real? My short story is about", "she has experienced. What clues can i use to suggest they are actually", "unsure if she's even real? My short story is about identity. My main", "to interpretations so the audience is unsure if she's even real? My short", "What clues can i use to suggest they are actually the same person", "she's even real? My short story is about identity. My main character is", "a friend to do something. I don't want to reveal anything to the", "character's imagination, so she can cope with whatever struggles she has experienced. What", "I don't want to reveal anything to the audience, but I want to", "I want to have like clues that could suggest that the friend isn't", "suggest that the friend isn't even real, just a figment of my character's", "do something. I don't want to reveal anything to the audience, but I", "real? How can I make the audience question if the character is even", "can I make a side character's tangibility open to interpretations so the audience", "same person or that the friend isn't real? How can I make the", "i use to suggest they are actually the same person or that the", "is unsure if she's even real? My short story is about identity. My", "or that the friend isn't real? How can I make the audience question", "is about identity. My main character is being pressured by a friend to", "to do something. I don't want to reveal anything to the audience, but", "real, just a figment of my character's imagination, so she can cope with", "she can cope with whatever struggles she has experienced. What clues can i", "a figment of my character's imagination, so she can cope with whatever struggles", "open to interpretations so the audience is unsure if she's even real? My", "real? My short story is about identity. My main character is being pressured", "my character's imagination, so she can cope with whatever struggles she has experienced.", "the friend isn't real? How can I make the audience question if the", "to have like clues that could suggest that the friend isn't even real,", "that could suggest that the friend isn't even real, just a figment of", "if she's even real? My short story is about identity. My main character", "I make a side character's tangibility open to interpretations so the audience is", "clues can i use to suggest they are actually the same person or", "to the audience, but I want to have like clues that could suggest", "the same person or that the friend isn't real? How can I make", "about identity. My main character is being pressured by a friend to do", "use to suggest they are actually the same person or that the friend", "whatever struggles she has experienced. What clues can i use to suggest they", "that the friend isn't even real, just a figment of my character's imagination,", "character's tangibility open to interpretations so the audience is unsure if she's even", "isn't even real, just a figment of my character's imagination, so she can", "but I want to have like clues that could suggest that the friend", "anything to the audience, but I want to have like clues that could" ]
[ "need it to be \"happily ever after\"? I am sure we all have", "a story in which the heroine does something very wrong which causes several", "achieved a heavenly reward). Is that a happy ending? What about an ending", "about a \"satisfactory\" ending doesn't address this question. Let's take it as read", "something even worse from happening. Would you say that that is a happy", "it as read that books with unhappy endings can and do sell well", "Grey Havens. Frodo is not better off at the end than he was", "would certainly seem that the deck is stacked against them. The quintessential happy", "the end of the story than she was at the beginning. But what", "Given a story in which the heroine does something very wrong which causes", "after. Windr is clearly better off in every way at the end of", "far greater popularity compared to unhappy endings. This leads me to wonder, what", "This leads me to wonder, what exactly makes an ending \"happy\"? Before I", "Let us also take it as read that books with unhappy endings can", "can and do sell well sometimes. But it would certainly seem that the", "to a \"sad\" ending. Let us also take it as read that books", "is not better off at the end than he was at the beginning", "not better off at the end than he was at the beginning (except", "sense of having achieved a heavenly reward). Is that a happy ending? What", "assessing the market potential of a piece of fiction, defines a \"happy\" as", "which Sauron is defeated and the Hhere restored but Frodo is so crippled", "the story than she was at the beginning. But what about Lord of", "study that would define what \"happy ending\" means for the publishing industry and/or", "wrong which causes several deaths, but then makes a sacrifice that prevents something", "both happy ending and sad endings can be \"satisfactory\" or \"unsatisfactory\". My question", "opposed to a \"sad\" ending. Let us also take it as read that", "by his trials that he can never live happily in the Hhere again,", "Rings, in which Sauron is defeated and the Hhere restored but Frodo is", "but must pass over the sea from the Grey Havens. Frodo is not", "the beginning (except perhaps in the religious sense of having achieved a heavenly", "potential of a piece of fiction, defines a \"happy\" as opposed to a", "having achieved a heavenly reward). Is that a happy ending? What about an", "very wrong which causes several deaths, but then makes a sacrifice that prevents", "Amaheor makes the case for happy endings based on their far greater popularity", "case for happy endings based on their far greater popularity compared to unhappy", "happy ending? Given a story in which the heroine does something very wrong", "happening. Would you say that that is a happy ending? (This one is", "the sake of an example that is likely to be widely known). Is", "world (Vony Stuqf in End Game, for the sake of an example that", "stacked against them. The quintessential happy ending is Cinderella. Poor girl goes to", "marries prince, lives happily ever after. Windr is clearly better off in every", "endings based on their far greater popularity compared to unhappy endings. This leads", "is Cinderella. Poor girl goes to dance, marries prince, lives happily ever after.", "beginning. But what about Lord of the Rings, in which Sauron is defeated", "story than she was at the beginning. But what about Lord of the", "that he can never live happily in the Hhere again, but must pass", "Cinderella. Poor girl goes to dance, marries prince, lives happily ever after. Windr", "of having achieved a heavenly reward). Is that a happy ending? What about", "perhaps in the religious sense of having achieved a heavenly reward). Is that", "defines a \"happy\" as opposed to a \"sad\" ending. Let us also take", "say that that is a happy ending? (This one is personal for me.)", "Frodo is not better off at the end than he was at the", "then makes a sacrifice that prevents something even worse from happening. Would you", "also take it as read that books with unhappy endings can and do", "satisfactory endings, what, for purpose of assessing the market potential of a piece", "endings can and do sell well sometimes. But it would certainly seem that", "Sauron is defeated and the Hhere restored but Frodo is so crippled by", "reward). Is that a happy ending? What about an ending in which our", "the end than he was at the beginning (except perhaps in the religious", "the Hhere again, but must pass over the sea from the Grey Havens.", "girl goes to dance, marries prince, lives happily ever after. Windr is clearly", "purpose of assessing the market potential of a piece of fiction, defines a", "go further, though, let me say that talking about a \"satisfactory\" ending doesn't", "better off in every way at the end of the story than she", "his trials that he can never live happily in the Hhere again, but", "is so crippled by his trials that he can never live happily in", "against them. The quintessential happy ending is Cinderella. Poor girl goes to dance,", "heavenly reward). Is that a happy ending? What about an ending in which", "am sure we all have our personal preferences, but is there any psychological", "personal for me.) Or do we need it to be \"happily ever after\"?", "to unhappy endings. This leads me to wonder, what exactly makes an ending", "happy endings based on their far greater popularity compared to unhappy endings. This", "the heroine does something very wrong which causes several deaths, but then makes", "happy ending? (This one is personal for me.) Or do we need it", "popularity compared to unhappy endings. This leads me to wonder, what exactly makes", "question. Let's take it as read that both happy ending and sad endings", "is personal for me.) Or do we need it to be \"happily ever", "a sacrifice that prevents something even worse from happening. Would you say that", "off in every way at the end of the story than she was", "heroine does something very wrong which causes several deaths, but then makes a", "end of the story than she was at the beginning. But what about", "happy ending is Cinderella. Poor girl goes to dance, marries prince, lives happily", "is a happy ending? (This one is personal for me.) Or do we", "What about an ending in which our hero dies saving the world (Vony", "greater popularity compared to unhappy endings. This leads me to wonder, what exactly", "commercial theory or study that would define what \"happy ending\" means for the", "in every way at the end of the story than she was at", "sure we all have our personal preferences, but is there any psychological or", "the Hhere restored but Frodo is so crippled by his trials that he", "endings, what, for purpose of assessing the market potential of a piece of", "Let's take it as read that both happy ending and sad endings can", "sake of an example that is likely to be widely known). Is that", "it would certainly seem that the deck is stacked against them. The quintessential", "endings. This leads me to wonder, what exactly makes an ending \"happy\"? Before", "But it would certainly seem that the deck is stacked against them. The", "happily ever after. Windr is clearly better off in every way at the", "it to be \"happily ever after\"? I am sure we all have our", "prince, lives happily ever after. Windr is clearly better off in every way", "market potential of a piece of fiction, defines a \"happy\" as opposed to", "live happily in the Hhere again, but must pass over the sea from", "is there any psychological or commercial theory or study that would define what", "a happy ending? What about an ending in which our hero dies saving", "seem that the deck is stacked against them. The quintessential happy ending is", "any ending in which the protagonist experiences a moral triumph, regardless of their", "can be \"satisfactory\" or \"unsatisfactory\". My question is, among satisfactory endings, what, for", "at the end than he was at the beginning (except perhaps in the", "ending? What about an ending in which our hero dies saving the world", "lives happily ever after. Windr is clearly better off in every way at", "what exactly makes an ending \"happy\"? Before I go further, though, let me", "\"happy\"? Before I go further, though, let me say that talking about a", "ending \"happy\"? Before I go further, though, let me say that talking about", "protagonist experiences a moral triumph, regardless of their physical or emotional circumstances an", "of the Rings, in which Sauron is defeated and the Hhere restored but", "clearly better off in every way at the end of the story than", "and the Hhere restored but Frodo is so crippled by his trials that", "in which our hero dies saving the world (Vony Stuqf in End Game,", "\"unsatisfactory\". My question is, among satisfactory endings, what, for purpose of assessing the", "there any psychological or commercial theory or study that would define what \"happy", "this question. Let's take it as read that both happy ending and sad", "circumstances an happy ending? Given a story in which the heroine does something", "well sometimes. But it would certainly seem that the deck is stacked against", "unhappy endings can and do sell well sometimes. But it would certainly seem", "even worse from happening. Would you say that that is a happy ending?", "is stacked against them. The quintessential happy ending is Cinderella. Poor girl goes", "than she was at the beginning. But what about Lord of the Rings,", "physical or emotional circumstances an happy ending? Given a story in which the", "talking about a \"satisfactory\" ending doesn't address this question. Let's take it as", "but is there any psychological or commercial theory or study that would define", "on their far greater popularity compared to unhappy endings. This leads me to", "in the Hhere again, but must pass over the sea from the Grey", "an ending \"happy\"? Before I go further, though, let me say that talking", "he was at the beginning (except perhaps in the religious sense of having", "likely to be widely known). Is that a happy ending? Is any ending", "an happy ending? Given a story in which the heroine does something very", "ending? Is any ending in which the protagonist experiences a moral triumph, regardless", "Poor girl goes to dance, marries prince, lives happily ever after. Windr is", "say that talking about a \"satisfactory\" ending doesn't address this question. Let's take", "though, let me say that talking about a \"satisfactory\" ending doesn't address this", "personal preferences, but is there any psychological or commercial theory or study that", "that would define what \"happy ending\" means for the publishing industry and/or the", "\"satisfactory\" or \"unsatisfactory\". My question is, among satisfactory endings, what, for purpose of", "or commercial theory or study that would define what \"happy ending\" means for", "of fiction, defines a \"happy\" as opposed to a \"sad\" ending. Let us", "way at the end of the story than she was at the beginning.", "for happy endings based on their far greater popularity compared to unhappy endings.", "Hhere again, but must pass over the sea from the Grey Havens. Frodo", "regardless of their physical or emotional circumstances an happy ending? Given a story", "that talking about a \"satisfactory\" ending doesn't address this question. Let's take it", "something very wrong which causes several deaths, but then makes a sacrifice that", "in End Game, for the sake of an example that is likely to", "is clearly better off in every way at the end of the story", "define what \"happy ending\" means for the publishing industry and/or the reading public.", "theory or study that would define what \"happy ending\" means for the publishing", "in which Sauron is defeated and the Hhere restored but Frodo is so", "be \"satisfactory\" or \"unsatisfactory\". My question is, among satisfactory endings, what, for purpose", "ending doesn't address this question. Let's take it as read that both happy", "what, for purpose of assessing the market potential of a piece of fiction,", "worse from happening. Would you say that that is a happy ending? (This", "In [this answer](https://writing.stackexchange.com/a/47836/16226), Amaheor makes the case for happy endings based on their", "\"satisfactory\" ending doesn't address this question. Let's take it as read that both", "based on their far greater popularity compared to unhappy endings. This leads me", "a \"happy\" as opposed to a \"sad\" ending. Let us also take it", "\"sad\" ending. Let us also take it as read that books with unhappy", "any psychological or commercial theory or study that would define what \"happy ending\"", "their physical or emotional circumstances an happy ending? Given a story in which", "ending? Given a story in which the heroine does something very wrong which", "at the beginning. But what about Lord of the Rings, in which Sauron", "after\"? I am sure we all have our personal preferences, but is there", "is likely to be widely known). Is that a happy ending? Is any", "hero dies saving the world (Vony Stuqf in End Game, for the sake", "which the protagonist experiences a moral triumph, regardless of their physical or emotional", "them. The quintessential happy ending is Cinderella. Poor girl goes to dance, marries", "every way at the end of the story than she was at the", "to wonder, what exactly makes an ending \"happy\"? Before I go further, though,", "me.) Or do we need it to be \"happily ever after\"? I am", "of assessing the market potential of a piece of fiction, defines a \"happy\"", "a happy ending? (This one is personal for me.) Or do we need", "our personal preferences, but is there any psychological or commercial theory or study", "makes a sacrifice that prevents something even worse from happening. Would you say", "and sad endings can be \"satisfactory\" or \"unsatisfactory\". My question is, among satisfactory", "ending is Cinderella. Poor girl goes to dance, marries prince, lives happily ever", "the sea from the Grey Havens. Frodo is not better off at the", "sell well sometimes. But it would certainly seem that the deck is stacked", "Havens. Frodo is not better off at the end than he was at", "which our hero dies saving the world (Vony Stuqf in End Game, for", "end than he was at the beginning (except perhaps in the religious sense", "[this answer](https://writing.stackexchange.com/a/47836/16226), Amaheor makes the case for happy endings based on their far", "of their physical or emotional circumstances an happy ending? Given a story in", "a happy ending? Is any ending in which the protagonist experiences a moral", "\"happy\" as opposed to a \"sad\" ending. Let us also take it as", "several deaths, but then makes a sacrifice that prevents something even worse from", "ever after. Windr is clearly better off in every way at the end", "among satisfactory endings, what, for purpose of assessing the market potential of a", "the beginning. But what about Lord of the Rings, in which Sauron is", "Hhere restored but Frodo is so crippled by his trials that he can", "saving the world (Vony Stuqf in End Game, for the sake of an", "widely known). Is that a happy ending? Is any ending in which the", "or study that would define what \"happy ending\" means for the publishing industry", "a \"sad\" ending. Let us also take it as read that books with", "from the Grey Havens. Frodo is not better off at the end than", "of the story than she was at the beginning. But what about Lord", "me to wonder, what exactly makes an ending \"happy\"? Before I go further,", "deck is stacked against them. The quintessential happy ending is Cinderella. Poor girl", "to dance, marries prince, lives happily ever after. Windr is clearly better off", "makes an ending \"happy\"? Before I go further, though, let me say that", "their far greater popularity compared to unhappy endings. This leads me to wonder,", "with unhappy endings can and do sell well sometimes. But it would certainly", "endings can be \"satisfactory\" or \"unsatisfactory\". My question is, among satisfactory endings, what,", "that a happy ending? Is any ending in which the protagonist experiences a", "was at the beginning (except perhaps in the religious sense of having achieved", "quintessential happy ending is Cinderella. Poor girl goes to dance, marries prince, lives", "of a piece of fiction, defines a \"happy\" as opposed to a \"sad\"", "be widely known). Is that a happy ending? Is any ending in which", "we need it to be \"happily ever after\"? I am sure we all", "the market potential of a piece of fiction, defines a \"happy\" as opposed", "goes to dance, marries prince, lives happily ever after. Windr is clearly better", "me say that talking about a \"satisfactory\" ending doesn't address this question. Let's", "deaths, but then makes a sacrifice that prevents something even worse from happening.", "piece of fiction, defines a \"happy\" as opposed to a \"sad\" ending. Let", "sad endings can be \"satisfactory\" or \"unsatisfactory\". My question is, among satisfactory endings,", "must pass over the sea from the Grey Havens. Frodo is not better", "prevents something even worse from happening. Would you say that that is a", "address this question. Let's take it as read that both happy ending and", "Frodo is so crippled by his trials that he can never live happily", "further, though, let me say that talking about a \"satisfactory\" ending doesn't address", "I am sure we all have our personal preferences, but is there any", "a \"satisfactory\" ending doesn't address this question. Let's take it as read that", "ever after\"? I am sure we all have our personal preferences, but is", "pass over the sea from the Grey Havens. Frodo is not better off", "causes several deaths, but then makes a sacrifice that prevents something even worse", "that that is a happy ending? (This one is personal for me.) Or", "read that books with unhappy endings can and do sell well sometimes. But", "Game, for the sake of an example that is likely to be widely", "books with unhappy endings can and do sell well sometimes. But it would", "she was at the beginning. But what about Lord of the Rings, in", "Windr is clearly better off in every way at the end of the", "as read that both happy ending and sad endings can be \"satisfactory\" or", "ending and sad endings can be \"satisfactory\" or \"unsatisfactory\". My question is, among", "Before I go further, though, let me say that talking about a \"satisfactory\"", "ending. Let us also take it as read that books with unhappy endings", "that is likely to be widely known). Is that a happy ending? Is", "an example that is likely to be widely known). Is that a happy", "triumph, regardless of their physical or emotional circumstances an happy ending? Given a", "what about Lord of the Rings, in which Sauron is defeated and the", "fiction, defines a \"happy\" as opposed to a \"sad\" ending. Let us also", "can never live happily in the Hhere again, but must pass over the", "or \"unsatisfactory\". My question is, among satisfactory endings, what, for purpose of assessing", "ending in which our hero dies saving the world (Vony Stuqf in End", "doesn't address this question. Let's take it as read that both happy ending", "in which the heroine does something very wrong which causes several deaths, but", "from happening. Would you say that that is a happy ending? (This one", "let me say that talking about a \"satisfactory\" ending doesn't address this question.", "be \"happily ever after\"? I am sure we all have our personal preferences,", "happily in the Hhere again, but must pass over the sea from the", "better off at the end than he was at the beginning (except perhaps", "a piece of fiction, defines a \"happy\" as opposed to a \"sad\" ending.", "never live happily in the Hhere again, but must pass over the sea", "religious sense of having achieved a heavenly reward). Is that a happy ending?", "the case for happy endings based on their far greater popularity compared to", "compared to unhappy endings. This leads me to wonder, what exactly makes an", "but then makes a sacrifice that prevents something even worse from happening. Would", "as read that books with unhappy endings can and do sell well sometimes.", "psychological or commercial theory or study that would define what \"happy ending\" means", "off at the end than he was at the beginning (except perhaps in", "My question is, among satisfactory endings, what, for purpose of assessing the market", "ending in which the protagonist experiences a moral triumph, regardless of their physical", "Is any ending in which the protagonist experiences a moral triumph, regardless of", "certainly seem that the deck is stacked against them. The quintessential happy ending", "to be \"happily ever after\"? I am sure we all have our personal", "about Lord of the Rings, in which Sauron is defeated and the Hhere", "one is personal for me.) Or do we need it to be \"happily", "emotional circumstances an happy ending? Given a story in which the heroine does", "an ending in which our hero dies saving the world (Vony Stuqf in", "or emotional circumstances an happy ending? Given a story in which the heroine", "restored but Frodo is so crippled by his trials that he can never", "question is, among satisfactory endings, what, for purpose of assessing the market potential", "sea from the Grey Havens. Frodo is not better off at the end", "the deck is stacked against them. The quintessential happy ending is Cinderella. Poor", "Lord of the Rings, in which Sauron is defeated and the Hhere restored", "take it as read that both happy ending and sad endings can be", "was at the beginning. But what about Lord of the Rings, in which", "Is that a happy ending? What about an ending in which our hero", "that the deck is stacked against them. The quintessential happy ending is Cinderella.", "that both happy ending and sad endings can be \"satisfactory\" or \"unsatisfactory\". My", "do we need it to be \"happily ever after\"? I am sure we", "a heavenly reward). Is that a happy ending? What about an ending in", "the Grey Havens. Frodo is not better off at the end than he", "The quintessential happy ending is Cinderella. Poor girl goes to dance, marries prince,", "to be widely known). Is that a happy ending? Is any ending in", "but Frodo is so crippled by his trials that he can never live", "for purpose of assessing the market potential of a piece of fiction, defines", "do sell well sometimes. But it would certainly seem that the deck is", "that prevents something even worse from happening. Would you say that that is", "than he was at the beginning (except perhaps in the religious sense of", "experiences a moral triumph, regardless of their physical or emotional circumstances an happy", "\"happily ever after\"? I am sure we all have our personal preferences, but", "over the sea from the Grey Havens. Frodo is not better off at", "for the sake of an example that is likely to be widely known).", "we all have our personal preferences, but is there any psychological or commercial", "leads me to wonder, what exactly makes an ending \"happy\"? Before I go", "wonder, what exactly makes an ending \"happy\"? Before I go further, though, let", "crippled by his trials that he can never live happily in the Hhere", "you say that that is a happy ending? (This one is personal for", "take it as read that books with unhappy endings can and do sell", "known). Is that a happy ending? Is any ending in which the protagonist", "he can never live happily in the Hhere again, but must pass over", "story in which the heroine does something very wrong which causes several deaths,", "happy ending and sad endings can be \"satisfactory\" or \"unsatisfactory\". My question is,", "which causes several deaths, but then makes a sacrifice that prevents something even", "does something very wrong which causes several deaths, but then makes a sacrifice", "and do sell well sometimes. But it would certainly seem that the deck", "in the religious sense of having achieved a heavenly reward). Is that a", "which the heroine does something very wrong which causes several deaths, but then", "makes the case for happy endings based on their far greater popularity compared", "unhappy endings. This leads me to wonder, what exactly makes an ending \"happy\"?", "Or do we need it to be \"happily ever after\"? I am sure", "defeated and the Hhere restored but Frodo is so crippled by his trials", "is, among satisfactory endings, what, for purpose of assessing the market potential of", "Is that a happy ending? Is any ending in which the protagonist experiences", "the Rings, in which Sauron is defeated and the Hhere restored but Frodo", "moral triumph, regardless of their physical or emotional circumstances an happy ending? Given", "again, but must pass over the sea from the Grey Havens. Frodo is", "that is a happy ending? (This one is personal for me.) Or do", "it as read that both happy ending and sad endings can be \"satisfactory\"", "for me.) Or do we need it to be \"happily ever after\"? I", "Stuqf in End Game, for the sake of an example that is likely", "in which the protagonist experiences a moral triumph, regardless of their physical or", "our hero dies saving the world (Vony Stuqf in End Game, for the", "us also take it as read that books with unhappy endings can and", "the protagonist experiences a moral triumph, regardless of their physical or emotional circumstances", "read that both happy ending and sad endings can be \"satisfactory\" or \"unsatisfactory\".", "the religious sense of having achieved a heavenly reward). Is that a happy", "(Vony Stuqf in End Game, for the sake of an example that is", "have our personal preferences, but is there any psychological or commercial theory or", "preferences, but is there any psychological or commercial theory or study that would", "as opposed to a \"sad\" ending. Let us also take it as read", "all have our personal preferences, but is there any psychological or commercial theory", "is defeated and the Hhere restored but Frodo is so crippled by his", "sacrifice that prevents something even worse from happening. Would you say that that", "ending? (This one is personal for me.) Or do we need it to", "of an example that is likely to be widely known). Is that a", "dies saving the world (Vony Stuqf in End Game, for the sake of", "example that is likely to be widely known). Is that a happy ending?", "exactly makes an ending \"happy\"? Before I go further, though, let me say", "(except perhaps in the religious sense of having achieved a heavenly reward). Is", "happy ending? What about an ending in which our hero dies saving the", "answer](https://writing.stackexchange.com/a/47836/16226), Amaheor makes the case for happy endings based on their far greater", "beginning (except perhaps in the religious sense of having achieved a heavenly reward).", "End Game, for the sake of an example that is likely to be", "(This one is personal for me.) Or do we need it to be", "so crippled by his trials that he can never live happily in the", "I go further, though, let me say that talking about a \"satisfactory\" ending", "at the end of the story than she was at the beginning. But", "would define what \"happy ending\" means for the publishing industry and/or the reading", "trials that he can never live happily in the Hhere again, but must", "sometimes. But it would certainly seem that the deck is stacked against them.", "that a happy ending? What about an ending in which our hero dies", "that books with unhappy endings can and do sell well sometimes. But it", "a moral triumph, regardless of their physical or emotional circumstances an happy ending?", "happy ending? Is any ending in which the protagonist experiences a moral triumph,", "about an ending in which our hero dies saving the world (Vony Stuqf", "dance, marries prince, lives happily ever after. Windr is clearly better off in", "But what about Lord of the Rings, in which Sauron is defeated and", "at the beginning (except perhaps in the religious sense of having achieved a", "Would you say that that is a happy ending? (This one is personal", "the world (Vony Stuqf in End Game, for the sake of an example" ]
[ "actually good and actually not too disturbing to the point where it's actually", "careful with. Like horror authors need to make sure that the horror stories", "aspiring artists about how certain types of art actually works. So if any", "the point where it's hard to watch. Like I said, that really does", "really does sound like an objectively bad mistake that all writers (as well", "in mind that I'm not saying no horror stories should have any unhappy", "watch and how I can try my very best to tame them all,", "in every way with your own writing piece. You ruined said piece forever.", "I would highly thank you for your great advice because I know that", "with. Like horror authors need to make sure that the horror stories they're", "blame me? If I ever do decide to become a writer, I really", "avoid at all costs. I know art itself is subjective and all but", "any blood or gore or anything. I'm not saying that at all. I'm", "said, that really does seem like the kind of tone you're trying to", "should attempt to avoid at all costs. I know art itself is subjective", "actually hard to watch. I know I may be sounding all concerned about", "general) should attempt to avoid at all costs. I know art itself is", "hard to watch but when you make something hard to watch, that really", "don't know that while writing horror, what's going way too far and what's", "horror, what's going way too far and what's crossing the line. What I'm", "horror story is trying to be scary, but I think the only tone", "doesn't seem like a very easy genre to write. It really does seem", "horror authors need to make sure that the horror stories they're writing (whether", "really does seem like a very difficult and delicate genre of speculative fiction", "best to tame them all, that would be extremely awesome. I would highly", "all costs. I know art itself is subjective and all but there really", "been one thing on my mind that's been bothering me a lot about", "Like horror authors need to make sure that the horror stories they're writing", "to make it actually good and teach aspiring artists about how certain types", "should have any unhappy endings, any innocents getting killed or any blood or", "that really does that sound like you ultimately failed in every way with", "that all authors need to be careful with. Like horror authors need to", "really wanna know how I can make those things scary but not too", "stories they're writing (whether it be for movies, TV shows, video games, etc.)", "it's actually hard to watch. I know I may be sounding all concerned", "a lot about horror. I don't know that while writing horror, what's going", "I know I may be sounding all concerned about this but can you", "story is trying to be scary, but I think the only tone it's", "like an objectively bad mistake that all writers (as well as all artists", "be careful with. Like horror authors need to make sure that the horror", "crossing the line. What I'm mainly saying is that horror to me personally", "that I'm not saying no horror stories should have any unhappy endings, any", "and all but there really are some objective rules about all of it", "hard to watch, that really does that sound like you ultimately failed in", "writing horror, what's going way too far and what's crossing the line. What", "when you make something hard to watch, that really does that sound like", "know I may be sounding all concerned about this but can you really", "but I think the only tone it's supposed to avoid is being hard", "sound like you ultimately failed in every way with your own writing piece.", "wanna create something that's hard to watch but when you make something hard", "some objective rules about all of it in order to make it actually", "to avoid is being hard to watch. I really do think there's a", "the line. What I'm mainly saying is that horror to me personally doesn't", "killed or any blood or gore or anything. I'm not saying that at", "too disturbing to the point where it's actually hard to watch. I know", "try my very best to tame them all, that would be extremely awesome.", "to the point where it's actually hard to watch. I know I may", "too far and what's crossing the line. What I'm mainly saying is that", "be sounding all concerned about this but can you really blame me? If", "difference between both tones. Please keep in mind that I'm not saying no", "works so that maybe I myself can write good horror. But there's been", "and trying to learn how all of the genre works so that maybe", "failed in every way with your own writing piece. You ruined said piece", "horror lately and trying to learn how all of the genre works so", "make those things scary but not too scary to the point where it's", "hard to watch. I really do think there's a difference between both tones.", "about this but can you really blame me? If I ever do decide", "on my mind that's been bothering me a lot about horror. I don't", "or gore or anything. I'm not saying that at all. I'm just saying", "myself can write good horror. But there's been one thing on my mind", "like you ultimately failed in every way with your own writing piece. You", "objective rules about all of it in order to make it actually good", "good horror. But there's been one thing on my mind that's been bothering", "learn how all of the genre works so that maybe I myself can", "far and what's crossing the line. What I'm mainly saying is that horror", "is trying to be scary, but I think the only tone it's supposed", "getting into horror lately and trying to learn how all of the genre", "hard to watch. I know I may be sounding all concerned about this", "not saying that at all. I'm just saying that I really wanna know", "to be careful with. Like horror authors need to make sure that the", "to make sure that the horror stories they're writing (whether it be for", "well as all artists in general) should attempt to avoid at all costs.", "to watch and how I can try my very best to tame them", "any unhappy endings, any innocents getting killed or any blood or gore or", "no horror stories should have any unhappy endings, any innocents getting killed or", "would be extremely awesome. I would highly thank you for your great advice", "artists about how certain types of art actually works. So if any of", "are some of the things that do in fact make any type of", "how I can try my very best to tame them all, that would", "about all of it in order to make it actually good and teach", "while writing horror, what's going way too far and what's crossing the line.", "tone you're trying to avoid when writing good horror. If any horror experts", "way with your own writing piece. You ruined said piece forever. It really", "politely ask me what are some of the things that do in fact", "for movies, TV shows, video games, etc.) are actually good and actually not", "all writers (as well as all artists in general) should attempt to avoid", "is subjective and all but there really are some objective rules about all", "innocents getting killed or any blood or gore or anything. I'm not saying", "a horror story is trying to be scary, but I think the only", "being hard to watch. I really do think there's a difference between both", "line. What I'm mainly saying is that horror to me personally doesn't seem", "thing on my mind that's been bothering me a lot about horror. I", "saying is that horror to me personally doesn't seem like a very easy", "the only tone it's supposed to avoid is being hard to watch. I", "the kind of tone you're trying to avoid when writing good horror. If", "does seem like a very difficult and delicate genre of speculative fiction that", "of it in order to make it actually good and teach aspiring artists", "sound like an objectively bad mistake that all writers (as well as all", "all of it in order to make it actually good and teach aspiring", "would politely ask me what are some of the things that do in", "every way with your own writing piece. You ruined said piece forever. It", "artists in general) should attempt to avoid at all costs. I know art", "subjective and all but there really are some objective rules about all of", "watch, that really does that sound like you ultimately failed in every way", "really do think there's a difference between both tones. Please keep in mind", "video games, etc.) are actually good and actually not too disturbing to the", "You ruined said piece forever. It really does sound like an objectively bad", "really blame me? If I ever do decide to become a writer, I", "Like I said, that really does seem like the kind of tone you're", "So if any of you would politely ask me what are some of", "fact make any type of horror story hard to watch and how I", "trying to learn how all of the genre works so that maybe I", "but there really are some objective rules about all of it in order", "me what are some of the things that do in fact make any", "awesome. I would highly thank you for your great advice because I know", "there can give some good advice on writing horror itself then that would", "I really wanna know how I can make those things scary but not", "kind of tone you're trying to avoid when writing good horror. If any", "like the kind of tone you're trying to avoid when writing good horror.", "of the genre works so that maybe I myself can write good horror.", "some of the things that do in fact make any type of horror", "can try my very best to tame them all, that would be extremely", "etc.) are actually good and actually not too disturbing to the point where", "all of the genre works so that maybe I myself can write good", "good horror. If any horror experts out there can give some good advice", "it be for movies, TV shows, video games, etc.) are actually good and", "not too disturbing to the point where it's actually hard to watch. I", "to become a writer, I really don't wanna create something that's hard to", "your own writing piece. You ruined said piece forever. It really does sound", "really are some objective rules about all of it in order to make", "scary but not too scary to the point where it's hard to watch.", "of horror story hard to watch and how I can try my very", "what's crossing the line. What I'm mainly saying is that horror to me", "become a writer, I really don't wanna create something that's hard to watch", "can write good horror. But there's been one thing on my mind that's", "delicate genre of speculative fiction that all authors need to be careful with.", "may be sounding all concerned about this but can you really blame me?", "only tone it's supposed to avoid is being hard to watch. I really", "what's going way too far and what's crossing the line. What I'm mainly", "writing (whether it be for movies, TV shows, video games, etc.) are actually", "certain types of art actually works. So if any of you would politely", "if any of you would politely ask me what are some of the", "make it actually good and teach aspiring artists about how certain types of", "saying that I really wanna know how I can make those things scary", "and delicate genre of speculative fiction that all authors need to be careful", "costs. I know art itself is subjective and all but there really are", "the point where it's actually hard to watch. I know I may be", "I can make those things scary but not too scary to the point", "(whether it be for movies, TV shows, video games, etc.) are actually good", "own writing piece. You ruined said piece forever. It really does sound like", "I said, that really does seem like the kind of tone you're trying", "If any horror experts out there can give some good advice on writing", "how all of the genre works so that maybe I myself can write", "mind that I'm not saying no horror stories should have any unhappy endings,", "horror stories should have any unhappy endings, any innocents getting killed or any", "in fact make any type of horror story hard to watch and how", "how certain types of art actually works. So if any of you would", "ask me what are some of the things that do in fact make", "any type of horror story hard to watch and how I can try", "horror experts out there can give some good advice on writing horror itself", "but when you make something hard to watch, that really does that sound", "actually works. So if any of you would politely ask me what are", "and what's crossing the line. What I'm mainly saying is that horror to", "personally doesn't seem like a very easy genre to write. It really does", "TV shows, video games, etc.) are actually good and actually not too disturbing", "to write. It really does seem like a very difficult and delicate genre", "tame them all, that would be extremely awesome. I would highly thank you", "but not too scary to the point where it's hard to watch. Like", "avoid when writing good horror. If any horror experts out there can give", "sure that the horror stories they're writing (whether it be for movies, TV", "both tones. Please keep in mind that I'm not saying no horror stories", "to tame them all, that would be extremely awesome. I would highly thank", "types of art actually works. So if any of you would politely ask", "not saying no horror stories should have any unhappy endings, any innocents getting", "know that while writing horror, what's going way too far and what's crossing", "very easy genre to write. It really does seem like a very difficult", "you make something hard to watch, that really does that sound like you", "It really does sound like an objectively bad mistake that all writers (as", "of you would politely ask me what are some of the things that", "at all. I'm just saying that I really wanna know how I can", "not too scary to the point where it's hard to watch. Like I", "I don't know that while writing horror, what's going way too far and", "just saying that I really wanna know how I can make those things", "If I ever do decide to become a writer, I really don't wanna", "give some good advice on writing horror itself then that would be awesome!", "that while writing horror, what's going way too far and what's crossing the", "speculative fiction that all authors need to be careful with. Like horror authors", "decide to become a writer, I really don't wanna create something that's hard", "extremely awesome. I would highly thank you for your great advice because I", "games, etc.) are actually good and actually not too disturbing to the point", "be extremely awesome. I would highly thank you for your great advice because", "write good horror. But there's been one thing on my mind that's been", "seem like a very difficult and delicate genre of speculative fiction that all", "order to make it actually good and teach aspiring artists about how certain", "me? If I ever do decide to become a writer, I really don't", "I may be sounding all concerned about this but can you really blame", "teach aspiring artists about how certain types of art actually works. So if", "or anything. I'm not saying that at all. I'm just saying that I", "stories should have any unhappy endings, any innocents getting killed or any blood", "ever do decide to become a writer, I really don't wanna create something", "writing good horror. If any horror experts out there can give some good", "gore or anything. I'm not saying that at all. I'm just saying that", "so that maybe I myself can write good horror. But there's been one", "do decide to become a writer, I really don't wanna create something that's", "it actually good and teach aspiring artists about how certain types of art", "lot about horror. I don't know that while writing horror, what's going way", "very best to tame them all, that would be extremely awesome. I would", "recently started getting into horror lately and trying to learn how all of", "the genre works so that maybe I myself can write good horror. But", "to learn how all of the genre works so that maybe I myself", "mistake that all writers (as well as all artists in general) should attempt", "easy genre to write. It really does seem like a very difficult and", "piece forever. It really does sound like an objectively bad mistake that all", "I really do think there's a difference between both tones. Please keep in", "that at all. I'm just saying that I really wanna know how I", "need to be careful with. Like horror authors need to make sure that", "lately and trying to learn how all of the genre works so that", "ultimately failed in every way with your own writing piece. You ruined said", "are actually good and actually not too disturbing to the point where it's", "I'm just saying that I really wanna know how I can make those", "you really blame me? If I ever do decide to become a writer,", "tones. Please keep in mind that I'm not saying no horror stories should", "watch. I really do think there's a difference between both tones. Please keep", "horror stories they're writing (whether it be for movies, TV shows, video games,", "does sound like an objectively bad mistake that all writers (as well as", "horror to me personally doesn't seem like a very easy genre to write.", "rules about all of it in order to make it actually good and", "it in order to make it actually good and teach aspiring artists about", "concerned about this but can you really blame me? If I ever do", "to watch but when you make something hard to watch, that really does", "unhappy endings, any innocents getting killed or any blood or gore or anything.", "authors need to make sure that the horror stories they're writing (whether it", "are some objective rules about all of it in order to make it", "this but can you really blame me? If I ever do decide to", "that maybe I myself can write good horror. But there's been one thing", "about how certain types of art actually works. So if any of you", "there's been one thing on my mind that's been bothering me a lot", "about horror. I don't know that while writing horror, what's going way too", "trying to be scary, but I think the only tone it's supposed to", "that all writers (as well as all artists in general) should attempt to", "can you really blame me? If I ever do decide to become a", "attempt to avoid at all costs. I know art itself is subjective and", "endings, any innocents getting killed or any blood or gore or anything. I'm", "mind that's been bothering me a lot about horror. I don't know that", "objectively bad mistake that all writers (as well as all artists in general)", "is being hard to watch. I really do think there's a difference between", "you would politely ask me what are some of the things that do", "started getting into horror lately and trying to learn how all of the", "think the only tone it's supposed to avoid is being hard to watch.", "writers (as well as all artists in general) should attempt to avoid at", "does that sound like you ultimately failed in every way with your own", "watch. I know I may be sounding all concerned about this but can", "shows, video games, etc.) are actually good and actually not too disturbing to", "and teach aspiring artists about how certain types of art actually works. So", "I ever do decide to become a writer, I really don't wanna create", "with your own writing piece. You ruined said piece forever. It really does", "you ultimately failed in every way with your own writing piece. You ruined", "as all artists in general) should attempt to avoid at all costs. I", "blood or gore or anything. I'm not saying that at all. I'm just", "horror. I don't know that while writing horror, what's going way too far", "there really are some objective rules about all of it in order to", "that's been bothering me a lot about horror. I don't know that while", "make something hard to watch, that really does that sound like you ultimately", "I've recently started getting into horror lately and trying to learn how all", "write. It really does seem like a very difficult and delicate genre of", "all but there really are some objective rules about all of it in", "really does that sound like you ultimately failed in every way with your", "need to make sure that the horror stories they're writing (whether it be", "a very difficult and delicate genre of speculative fiction that all authors need", "to avoid when writing good horror. If any horror experts out there can", "great advice because I know that a horror story is trying to be", "seem like a very easy genre to write. It really does seem like", "to avoid at all costs. I know art itself is subjective and all", "me personally doesn't seem like a very easy genre to write. It really", "anything. I'm not saying that at all. I'm just saying that I really", "create something that's hard to watch but when you make something hard to", "be for movies, TV shows, video games, etc.) are actually good and actually", "piece. You ruined said piece forever. It really does sound like an objectively", "that I really wanna know how I can make those things scary but", "all. I'm just saying that I really wanna know how I can make", "horror. But there's been one thing on my mind that's been bothering me", "Please keep in mind that I'm not saying no horror stories should have", "in order to make it actually good and teach aspiring artists about how", "saying no horror stories should have any unhappy endings, any innocents getting killed", "when writing good horror. If any horror experts out there can give some", "really does seem like the kind of tone you're trying to avoid when", "genre to write. It really does seem like a very difficult and delicate", "I know that a horror story is trying to be scary, but I", "you're trying to avoid when writing good horror. If any horror experts out", "any of you would politely ask me what are some of the things", "avoid is being hard to watch. I really do think there's a difference", "But there's been one thing on my mind that's been bothering me a", "one thing on my mind that's been bothering me a lot about horror.", "hard to watch. Like I said, that really does seem like the kind", "out there can give some good advice on writing horror itself then that", "those things scary but not too scary to the point where it's hard", "of speculative fiction that all authors need to be careful with. Like horror", "saying that at all. I'm just saying that I really wanna know how", "or any blood or gore or anything. I'm not saying that at all.", "but can you really blame me? If I ever do decide to become", "that do in fact make any type of horror story hard to watch", "I'm not saying that at all. I'm just saying that I really wanna", "horror. If any horror experts out there can give some good advice on", "forever. It really does sound like an objectively bad mistake that all writers", "think there's a difference between both tones. Please keep in mind that I'm", "genre of speculative fiction that all authors need to be careful with. Like", "to watch, that really does that sound like you ultimately failed in every", "seem like the kind of tone you're trying to avoid when writing good", "the horror stories they're writing (whether it be for movies, TV shows, video", "I can try my very best to tame them all, that would be", "horror story hard to watch and how I can try my very best", "good and actually not too disturbing to the point where it's actually hard", "all, that would be extremely awesome. I would highly thank you for your", "difficult and delicate genre of speculative fiction that all authors need to be", "very difficult and delicate genre of speculative fiction that all authors need to", "point where it's hard to watch. Like I said, that really does seem", "be scary, but I think the only tone it's supposed to avoid is", "that the horror stories they're writing (whether it be for movies, TV shows,", "to watch. I know I may be sounding all concerned about this but", "a very easy genre to write. It really does seem like a very", "how I can make those things scary but not too scary to the", "watch. Like I said, that really does seem like the kind of tone", "really don't wanna create something that's hard to watch but when you make", "all authors need to be careful with. Like horror authors need to make", "can give some good advice on writing horror itself then that would be", "good and teach aspiring artists about how certain types of art actually works.", "movies, TV shows, video games, etc.) are actually good and actually not too", "an objectively bad mistake that all writers (as well as all artists in", "things scary but not too scary to the point where it's hard to", "writer, I really don't wanna create something that's hard to watch but when", "itself is subjective and all but there really are some objective rules about", "actually not too disturbing to the point where it's actually hard to watch.", "fiction that all authors need to be careful with. Like horror authors need", "It really does seem like a very difficult and delicate genre of speculative", "art actually works. So if any of you would politely ask me what", "does seem like the kind of tone you're trying to avoid when writing", "can make those things scary but not too scary to the point where", "way too far and what's crossing the line. What I'm mainly saying is", "that would be extremely awesome. I would highly thank you for your great", "where it's hard to watch. Like I said, that really does seem like", "works. So if any of you would politely ask me what are some", "supposed to avoid is being hard to watch. I really do think there's", "going way too far and what's crossing the line. What I'm mainly saying", "that's hard to watch but when you make something hard to watch, that", "them all, that would be extremely awesome. I would highly thank you for", "there's a difference between both tones. Please keep in mind that I'm not", "between both tones. Please keep in mind that I'm not saying no horror", "me a lot about horror. I don't know that while writing horror, what's", "the things that do in fact make any type of horror story hard", "at all costs. I know art itself is subjective and all but there", "wanna know how I can make those things scary but not too scary", "something hard to watch, that really does that sound like you ultimately failed", "too scary to the point where it's hard to watch. Like I said,", "a difference between both tones. Please keep in mind that I'm not saying", "you for your great advice because I know that a horror story is", "maybe I myself can write good horror. But there's been one thing on", "of the things that do in fact make any type of horror story", "like a very difficult and delicate genre of speculative fiction that all authors", "I myself can write good horror. But there's been one thing on my", "know that a horror story is trying to be scary, but I think", "do think there's a difference between both tones. Please keep in mind that", "ruined said piece forever. It really does sound like an objectively bad mistake", "that sound like you ultimately failed in every way with your own writing", "know art itself is subjective and all but there really are some objective", "disturbing to the point where it's actually hard to watch. I know I", "it's hard to watch. Like I said, that really does seem like the", "to watch. Like I said, that really does seem like the kind of", "to watch. I really do think there's a difference between both tones. Please", "trying to avoid when writing good horror. If any horror experts out there", "watch but when you make something hard to watch, that really does that", "that really does seem like the kind of tone you're trying to avoid", "in general) should attempt to avoid at all costs. I know art itself", "tone it's supposed to avoid is being hard to watch. I really do", "keep in mind that I'm not saying no horror stories should have any", "said piece forever. It really does sound like an objectively bad mistake that", "make sure that the horror stories they're writing (whether it be for movies,", "sounding all concerned about this but can you really blame me? If I", "things that do in fact make any type of horror story hard to", "would highly thank you for your great advice because I know that a", "have any unhappy endings, any innocents getting killed or any blood or gore", "for your great advice because I know that a horror story is trying", "don't wanna create something that's hard to watch but when you make something", "make any type of horror story hard to watch and how I can", "any innocents getting killed or any blood or gore or anything. I'm not", "any horror experts out there can give some good advice on writing horror", "What I'm mainly saying is that horror to me personally doesn't seem like", "I think the only tone it's supposed to avoid is being hard to", "authors need to be careful with. Like horror authors need to make sure", "mainly saying is that horror to me personally doesn't seem like a very", "my very best to tame them all, that would be extremely awesome. I", "like a very easy genre to write. It really does seem like a", "your great advice because I know that a horror story is trying to", "to be scary, but I think the only tone it's supposed to avoid", "and actually not too disturbing to the point where it's actually hard to", "hard to watch and how I can try my very best to tame", "that a horror story is trying to be scary, but I think the", "writing piece. You ruined said piece forever. It really does sound like an", "art itself is subjective and all but there really are some objective rules", "what are some of the things that do in fact make any type", "thank you for your great advice because I know that a horror story", "something that's hard to watch but when you make something hard to watch,", "and how I can try my very best to tame them all, that", "to me personally doesn't seem like a very easy genre to write. It", "advice because I know that a horror story is trying to be scary,", "it's supposed to avoid is being hard to watch. I really do think", "into horror lately and trying to learn how all of the genre works", "to the point where it's hard to watch. Like I said, that really", "highly thank you for your great advice because I know that a horror", "where it's actually hard to watch. I know I may be sounding all", "been bothering me a lot about horror. I don't know that while writing", "of art actually works. So if any of you would politely ask me", "know how I can make those things scary but not too scary to", "I'm mainly saying is that horror to me personally doesn't seem like a", "experts out there can give some good advice on writing horror itself then", "I really don't wanna create something that's hard to watch but when you", "all concerned about this but can you really blame me? If I ever", "because I know that a horror story is trying to be scary, but", "scary, but I think the only tone it's supposed to avoid is being", "my mind that's been bothering me a lot about horror. I don't know", "story hard to watch and how I can try my very best to", "is that horror to me personally doesn't seem like a very easy genre", "scary to the point where it's hard to watch. Like I said, that", "all artists in general) should attempt to avoid at all costs. I know", "I know art itself is subjective and all but there really are some", "point where it's actually hard to watch. I know I may be sounding", "a writer, I really don't wanna create something that's hard to watch but", "(as well as all artists in general) should attempt to avoid at all", "of tone you're trying to avoid when writing good horror. If any horror", "do in fact make any type of horror story hard to watch and", "type of horror story hard to watch and how I can try my", "they're writing (whether it be for movies, TV shows, video games, etc.) are", "I'm not saying no horror stories should have any unhappy endings, any innocents", "bothering me a lot about horror. I don't know that while writing horror,", "bad mistake that all writers (as well as all artists in general) should", "genre works so that maybe I myself can write good horror. But there's", "that horror to me personally doesn't seem like a very easy genre to", "getting killed or any blood or gore or anything. I'm not saying that", "actually good and teach aspiring artists about how certain types of art actually" ]
[ "bit weird and unnatural, because people won't say \"National Aeronautics and Space Administration\"", "beginning and then use the acronym afterward, but that's a bit weird and", "the beginning and then use the acronym afterward, but that's a bit weird", "say \"NASA\", so what's the alternative way of doing this? For example: >", "of doing this? For example: > > \"The National Aeronautics and Space Administration", "and then use the acronym afterward, but that's a bit weird and unnatural,", "> \"The National Aeronautics and Space Administration decided to hire > several contractors", "> several contractors for the design of the module, but NASA haven't yet", "is to mention what the acronym stands for at the beginning and then", "we will wait a month before > beginning the design. In the meantime,", "way to introduce acronyms through a dialogue? One way of doing it, is", "design. In the meantime, you can contact NASA for > additional details on", "Aeronautics and Space Administration decided to hire > several contractors for the design", "will wait a month before > beginning the design. In the meantime, you", "it, is to mention what the acronym stands for at the beginning and", "For example: > > \"The National Aeronautics and Space Administration decided to hire", "at the beginning and then use the acronym afterward, but that's a bit", "alternative way of doing this? For example: > > \"The National Aeronautics and", "and Space Administration decided to hire > several contractors for the design of", "doing this? For example: > > \"The National Aeronautics and Space Administration decided", "to mention what the acronym stands for at the beginning and then use", "given all of the specifications yet, so we will wait a month before", "the module, but NASA haven't yet > given all of the specifications yet,", "for the design of the module, but NASA haven't yet > given all", "but NASA haven't yet > given all of the specifications yet, so we", "say \"National Aeronautics and Space Administration\" they will say \"NASA\", so what's the", "all of the specifications yet, so we will wait a month before >", "and Space Administration\" they will say \"NASA\", so what's the alternative way of", "way of doing this? For example: > > \"The National Aeronautics and Space", "acronym stands for at the beginning and then use the acronym afterward, but", "the acronym stands for at the beginning and then use the acronym afterward,", "afterward, but that's a bit weird and unnatural, because people won't say \"National", "doing it, is to mention what the acronym stands for at the beginning", "unnatural, because people won't say \"National Aeronautics and Space Administration\" they will say", "and unnatural, because people won't say \"National Aeronautics and Space Administration\" they will", "what the acronym stands for at the beginning and then use the acronym", "design of the module, but NASA haven't yet > given all of the", "\"National Aeronautics and Space Administration\" they will say \"NASA\", so what's the alternative", "haven't yet > given all of the specifications yet, so we will wait", "mention what the acronym stands for at the beginning and then use the", "but that's a bit weird and unnatural, because people won't say \"National Aeronautics", "of the module, but NASA haven't yet > given all of the specifications", "you can contact NASA for > additional details on the specifications that they", "they will say \"NASA\", so what's the alternative way of doing this? 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In the meantime, you can contact NASA for > additional", "Administration decided to hire > several contractors for the design of the module,", "yet, so we will wait a month before > beginning the design. In", "to introduce acronyms through a dialogue? One way of doing it, is to", "acronym afterward, but that's a bit weird and unnatural, because people won't say", "decided to hire > several contractors for the design of the module, but", "there a better way to introduce acronyms through a dialogue? One way of", "to hire > several contractors for the design of the module, but NASA", "meantime, you can contact NASA for > additional details on the specifications that", "way of doing it, is to mention what the acronym stands for at", "yet > given all of the specifications yet, so we will wait a", "a dialogue? One way of doing it, is to mention what the acronym", "so what's the alternative way of doing this? For example: > > \"The", "acronyms through a dialogue? One way of doing it, is to mention what", "the design of the module, but NASA haven't yet > given all of", "of the specifications yet, so we will wait a month before > beginning", "weird and unnatural, because people won't say \"National Aeronautics and Space Administration\" they", "NASA for > additional details on the specifications that they gave us.\" >", "wait a month before > beginning the design. In the meantime, you can", "because people won't say \"National Aeronautics and Space Administration\" they will say \"NASA\",", "the design. In the meantime, you can contact NASA for > additional details", "people won't say \"National Aeronautics and Space Administration\" they will say \"NASA\", so", "\"NASA\", so what's the alternative way of doing this? For example: > >", "example: > > \"The National Aeronautics and Space Administration decided to hire >", "National Aeronautics and Space Administration decided to hire > several contractors for the", "the specifications yet, so we will wait a month before > beginning the", "> beginning the design. In the meantime, you can contact NASA for >", "hire > several contractors for the design of the module, but NASA haven't", "for > additional details on the specifications that they gave us.\" > >", "won't say \"National Aeronautics and Space Administration\" they will say \"NASA\", so what's", "Space Administration decided to hire > several contractors for the design of the", "One way of doing it, is to mention what the acronym stands for", "better way to introduce acronyms through a dialogue? One way of doing it,", "what's the alternative way of doing this? For example: > > \"The National", "a month before > beginning the design. In the meantime, you can contact", "a bit weird and unnatural, because people won't say \"National Aeronautics and Space", "dialogue? One way of doing it, is to mention what the acronym stands", "the alternative way of doing this? For example: > > \"The National Aeronautics", "before > beginning the design. In the meantime, you can contact NASA for", "contractors for the design of the module, but NASA haven't yet > given", "stands for at the beginning and then use the acronym afterward, but that's", "a better way to introduce acronyms through a dialogue? One way of doing", "of doing it, is to mention what the acronym stands for at the", "the acronym afterward, but that's a bit weird and unnatural, because people won't", "use the acronym afterward, but that's a bit weird and unnatural, because people", "> additional details on the specifications that they gave us.\" > > >", "this? For example: > > \"The National Aeronautics and Space Administration decided to", "contact NASA for > additional details on the specifications that they gave us.\"", "so we will wait a month before > beginning the design. In the", "specifications yet, so we will wait a month before > beginning the design.", "> given all of the specifications yet, so we will wait a month", "the meantime, you can contact NASA for > additional details on the specifications", "several contractors for the design of the module, but NASA haven't yet >", "month before > beginning the design. In the meantime, you can contact NASA", "module, but NASA haven't yet > given all of the specifications yet, so", "> > \"The National Aeronautics and Space Administration decided to hire > several", "Is there a better way to introduce acronyms through a dialogue? One way", "introduce acronyms through a dialogue? One way of doing it, is to mention", "NASA haven't yet > given all of the specifications yet, so we will" ]
[ "is an adventure/fantasy webcomic and the other is a card battle webcomic (I", "webcomic and the other is a card battle webcomic (I draw a lot", "how to write webcomics. My main one is an adventure/fantasy webcomic and the", "an adventure/fantasy webcomic and the other is a card battle webcomic (I draw", "writer planning on learning how to write webcomics. My main one is an", "begin to learn more about writing (and drawing) this genre, and how to", "of inspiration from anime and manga if you couldn’t tell). How do I", "I begin to learn more about writing (and drawing) this genre, and how", "learn more about writing (and drawing) this genre, and how to analyze stories?", "planning on learning how to write webcomics. My main one is an adventure/fantasy", "(I draw a lot of inspiration from anime and manga if you couldn’t", "tell). How do I begin to learn more about writing (and drawing) this", "main one is an adventure/fantasy webcomic and the other is a card battle", "to write webcomics. My main one is an adventure/fantasy webcomic and the other", "adventure/fantasy webcomic and the other is a card battle webcomic (I draw a", "a lot of inspiration from anime and manga if you couldn’t tell). How", "draw a lot of inspiration from anime and manga if you couldn’t tell).", "and the other is a card battle webcomic (I draw a lot of", "manga if you couldn’t tell). How do I begin to learn more about", "inspiration from anime and manga if you couldn’t tell). How do I begin", "and manga if you couldn’t tell). How do I begin to learn more", "the other is a card battle webcomic (I draw a lot of inspiration", "battle webcomic (I draw a lot of inspiration from anime and manga if", "other is a card battle webcomic (I draw a lot of inspiration from", "on learning how to write webcomics. My main one is an adventure/fantasy webcomic", "beginner writer planning on learning how to write webcomics. My main one is", "if you couldn’t tell). How do I begin to learn more about writing", "to learn more about writing (and drawing) this genre, and how to analyze", "couldn’t tell). How do I begin to learn more about writing (and drawing)", "I’m a beginner writer planning on learning how to write webcomics. My main", "you couldn’t tell). How do I begin to learn more about writing (and", "write webcomics. My main one is an adventure/fantasy webcomic and the other is", "from anime and manga if you couldn’t tell). How do I begin to", "anime and manga if you couldn’t tell). How do I begin to learn", "webcomic (I draw a lot of inspiration from anime and manga if you", "do I begin to learn more about writing (and drawing) this genre, and", "webcomics. My main one is an adventure/fantasy webcomic and the other is a", "one is an adventure/fantasy webcomic and the other is a card battle webcomic", "learning how to write webcomics. My main one is an adventure/fantasy webcomic and", "My main one is an adventure/fantasy webcomic and the other is a card", "How do I begin to learn more about writing (and drawing) this genre,", "lot of inspiration from anime and manga if you couldn’t tell). How do", "a beginner writer planning on learning how to write webcomics. My main one", "is a card battle webcomic (I draw a lot of inspiration from anime", "card battle webcomic (I draw a lot of inspiration from anime and manga", "a card battle webcomic (I draw a lot of inspiration from anime and" ]
[ "least a basic grasp of what was studied here, and the reader should", "each chapter with one of those writings, which would inform the reader without", "this place is the main stay over the story, so I fear it", "need at least a basic grasp of what was studied here, and the", "the main characters enter a building, a really big laboratory of sorts. They", "be dull that someone just \"finds\" a piece of writing every chapter or", "the dark, which is not wanted by me. Are there best practices for", "thought about prefacing each chapter with one of those writings, which would inform", "enter a building, a really big laboratory of sorts. They don't know what", "one of those writings, which would inform the reader without disrupting the story,", "on, they need at least a basic grasp of what was studied here,", "here, and the reader should get some background as well. My question is", "it's been abandoned recently. But for the plot to move on, they need", "every chapter or so. I have thought about prefacing each chapter with one", "would be dull that someone just \"finds\" a piece of writing every chapter", "with one of those writings, which would inform the reader without disrupting the", "over the story, so I fear it would be dull that someone just", "no one is still there, it's been abandoned recently. But for the plot", "characters in the dark, which is not wanted by me. Are there best", "because no one is still there, it's been abandoned recently. But for the", "is not wanted by me. Are there best practices for this sort of", "being worked on here, because no one is still there, it's been abandoned", "the story? I envision this could take quite a number and this place", "is the main stay over the story, so I fear it would be", "My question is thus: How can I integrate letters of former members/scientists of", "story, so I fear it would be dull that someone just \"finds\" a", "on here, because no one is still there, it's been abandoned recently. But", "studied here, and the reader should get some background as well. My question", "stay over the story, so I fear it would be dull that someone", "and this place is the main stay over the story, so I fear", "chapter with one of those writings, which would inform the reader without disrupting", "thus: How can I integrate letters of former members/scientists of this Institution or", "abandoned recently. But for the plot to move on, they need at least", "of what was studied here, and the reader should get some background as", "should get some background as well. My question is thus: How can I", "a basic grasp of what was studied here, and the reader should get", "been abandoned recently. But for the plot to move on, they need at", "I fear it would be dull that someone just \"finds\" a piece of", "leave the characters in the dark, which is not wanted by me. Are", "dull that someone just \"finds\" a piece of writing every chapter or so.", "inform the reader without disrupting the story, but would leave the characters in", "big laboratory of sorts. They don't know what was being worked on here,", "plot to move on, they need at least a basic grasp of what", "main stay over the story, so I fear it would be dull that", "envision this could take quite a number and this place is the main", "So, let's say the main characters enter a building, a really big laboratory", "some background as well. My question is thus: How can I integrate letters", "it would be dull that someone just \"finds\" a piece of writing every", "what was studied here, and the reader should get some background as well.", "there, it's been abandoned recently. But for the plot to move on, they", "this could take quite a number and this place is the main stay", "the plot to move on, they need at least a basic grasp of", "fear it would be dull that someone just \"finds\" a piece of writing", "could take quite a number and this place is the main stay over", "former members/scientists of this Institution or book snippets on the matter as seamless", "what was being worked on here, because no one is still there, it's", "one is still there, it's been abandoned recently. But for the plot to", "let's say the main characters enter a building, a really big laboratory of", "just \"finds\" a piece of writing every chapter or so. I have thought", "characters enter a building, a really big laboratory of sorts. They don't know", "so. I have thought about prefacing each chapter with one of those writings,", "not wanted by me. Are there best practices for this sort of thing?", "members/scientists of this Institution or book snippets on the matter as seamless as", "into the story? I envision this could take quite a number and this", "take quite a number and this place is the main stay over the", "piece of writing every chapter or so. I have thought about prefacing each", "those writings, which would inform the reader without disrupting the story, but would", "the matter as seamless as possible into the story? I envision this could", "dark, which is not wanted by me. Are there best practices for this", "say the main characters enter a building, a really big laboratory of sorts.", "still there, it's been abandoned recently. But for the plot to move on,", "of this Institution or book snippets on the matter as seamless as possible", "book snippets on the matter as seamless as possible into the story? I", "to move on, they need at least a basic grasp of what was", "writing every chapter or so. I have thought about prefacing each chapter with", "disrupting the story, but would leave the characters in the dark, which is", "a number and this place is the main stay over the story, so", "recently. But for the plot to move on, they need at least a", "worked on here, because no one is still there, it's been abandoned recently.", "is still there, it's been abandoned recently. But for the plot to move", "laboratory of sorts. They don't know what was being worked on here, because", "sorts. They don't know what was being worked on here, because no one", "But for the plot to move on, they need at least a basic", "for the plot to move on, they need at least a basic grasp", "integrate letters of former members/scientists of this Institution or book snippets on the", "of writing every chapter or so. I have thought about prefacing each chapter", "so I fear it would be dull that someone just \"finds\" a piece", "grasp of what was studied here, and the reader should get some background", "can I integrate letters of former members/scientists of this Institution or book snippets", "reader should get some background as well. My question is thus: How can", "the characters in the dark, which is not wanted by me. Are there", "well. My question is thus: How can I integrate letters of former members/scientists", "quite a number and this place is the main stay over the story,", "\"finds\" a piece of writing every chapter or so. I have thought about", "a piece of writing every chapter or so. I have thought about prefacing", "the story, but would leave the characters in the dark, which is not", "They don't know what was being worked on here, because no one is", "move on, they need at least a basic grasp of what was studied", "story, but would leave the characters in the dark, which is not wanted", "in the dark, which is not wanted by me. Are there best practices", "chapter or so. I have thought about prefacing each chapter with one of", "of sorts. They don't know what was being worked on here, because no", "have thought about prefacing each chapter with one of those writings, which would", "I have thought about prefacing each chapter with one of those writings, which", "reader without disrupting the story, but would leave the characters in the dark,", "but would leave the characters in the dark, which is not wanted by", "possible into the story? I envision this could take quite a number and", "would leave the characters in the dark, which is not wanted by me.", "that someone just \"finds\" a piece of writing every chapter or so. I", "How can I integrate letters of former members/scientists of this Institution or book", "place is the main stay over the story, so I fear it would", "a really big laboratory of sorts. They don't know what was being worked", "Institution or book snippets on the matter as seamless as possible into the", "about prefacing each chapter with one of those writings, which would inform the", "I integrate letters of former members/scientists of this Institution or book snippets on", "matter as seamless as possible into the story? I envision this could take", "seamless as possible into the story? I envision this could take quite a", "was studied here, and the reader should get some background as well. My", "the reader without disrupting the story, but would leave the characters in the", "basic grasp of what was studied here, and the reader should get some", "or so. I have thought about prefacing each chapter with one of those", "without disrupting the story, but would leave the characters in the dark, which", "as well. My question is thus: How can I integrate letters of former", "as seamless as possible into the story? I envision this could take quite", "someone just \"finds\" a piece of writing every chapter or so. I have", "is thus: How can I integrate letters of former members/scientists of this Institution", "main characters enter a building, a really big laboratory of sorts. They don't", "on the matter as seamless as possible into the story? I envision this", "background as well. My question is thus: How can I integrate letters of", "and the reader should get some background as well. My question is thus:", "prefacing each chapter with one of those writings, which would inform the reader", "question is thus: How can I integrate letters of former members/scientists of this", "letters of former members/scientists of this Institution or book snippets on the matter", "or book snippets on the matter as seamless as possible into the story?", "here, because no one is still there, it's been abandoned recently. But for", "this Institution or book snippets on the matter as seamless as possible into", "was being worked on here, because no one is still there, it's been", "which would inform the reader without disrupting the story, but would leave the", "snippets on the matter as seamless as possible into the story? I envision", "which is not wanted by me. Are there best practices for this sort", "the reader should get some background as well. My question is thus: How", "the main stay over the story, so I fear it would be dull", "don't know what was being worked on here, because no one is still", "at least a basic grasp of what was studied here, and the reader", "get some background as well. My question is thus: How can I integrate", "the story, so I fear it would be dull that someone just \"finds\"", "really big laboratory of sorts. They don't know what was being worked on", "a building, a really big laboratory of sorts. They don't know what was", "as possible into the story? I envision this could take quite a number", "I envision this could take quite a number and this place is the", "of those writings, which would inform the reader without disrupting the story, but", "of former members/scientists of this Institution or book snippets on the matter as", "number and this place is the main stay over the story, so I", "would inform the reader without disrupting the story, but would leave the characters", "building, a really big laboratory of sorts. They don't know what was being", "they need at least a basic grasp of what was studied here, and", "story? I envision this could take quite a number and this place is", "know what was being worked on here, because no one is still there,", "writings, which would inform the reader without disrupting the story, but would leave" ]
[ "don't know the intent they had. So, is there a standard way of", "is there a standard way of making sure a book is interpreted correctly,", "by an author, because we don't know the intent they had. So, is", "making sure a book is interpreted correctly, instead of leaving it to the", "So, is there a standard way of making sure a book is interpreted", "told that there's no way of interpreting the true meaning of a book", "correctly? I have been told that there's no way of interpreting the true", "we don't know the intent they had. So, is there a standard way", "interpreted correctly? I have been told that there's no way of interpreting the", "so, how do we make sure our novel is interpreted correctly? I have", "interpreting the true meaning of a book written by an author, because we", "a book is interpreted correctly, instead of leaving it to the readers like", "book is interpreted correctly, instead of leaving it to the readers like most", "book written by an author, because we don't know the intent they had.", "because we don't know the intent they had. So, is there a standard", "is interpreted correctly, instead of leaving it to the readers like most people", "to the readers like most people seem to do? If not, what are", "sure our novel is interpreted correctly? I have been told that there's no", "of making sure a book is interpreted correctly, instead of leaving it to", "novel? If so, how do we make sure our novel is interpreted correctly?", "the intent they had. So, is there a standard way of making sure", "a book written by an author, because we don't know the intent they", "the readers like most people seem to do? If not, what are the", "way of making sure a book is interpreted correctly, instead of leaving it", "it to the readers like most people seem to do? If not, what", "there a \"right\" way to interpret a novel? If so, how do we", "know the intent they had. So, is there a standard way of making", "instead of leaving it to the readers like most people seem to do?", "there a standard way of making sure a book is interpreted correctly, instead", "an author, because we don't know the intent they had. So, is there", "have been told that there's no way of interpreting the true meaning of", "no way of interpreting the true meaning of a book written by an", "true meaning of a book written by an author, because we don't know", "that there's no way of interpreting the true meaning of a book written", "to interpret a novel? If so, how do we make sure our novel", "of leaving it to the readers like most people seem to do? If", "is interpreted correctly? I have been told that there's no way of interpreting", "they had. So, is there a standard way of making sure a book", "how do we make sure our novel is interpreted correctly? I have been", "If so, how do we make sure our novel is interpreted correctly? I", "of a book written by an author, because we don't know the intent", "novel is interpreted correctly? I have been told that there's no way of", "interpret a novel? If so, how do we make sure our novel is", "the true meaning of a book written by an author, because we don't", "written by an author, because we don't know the intent they had. So,", "standard way of making sure a book is interpreted correctly, instead of leaving", "a novel? If so, how do we make sure our novel is interpreted", "there's no way of interpreting the true meaning of a book written by", "correctly, instead of leaving it to the readers like most people seem to", "interpreted correctly, instead of leaving it to the readers like most people seem", "I have been told that there's no way of interpreting the true meaning", "meaning of a book written by an author, because we don't know the", "been told that there's no way of interpreting the true meaning of a", "make sure our novel is interpreted correctly? I have been told that there's", "we make sure our novel is interpreted correctly? I have been told that", "author, because we don't know the intent they had. So, is there a", "a standard way of making sure a book is interpreted correctly, instead of", "Is there a \"right\" way to interpret a novel? If so, how do", "sure a book is interpreted correctly, instead of leaving it to the readers", "leaving it to the readers like most people seem to do? If not,", "of interpreting the true meaning of a book written by an author, because", "a \"right\" way to interpret a novel? If so, how do we make", "\"right\" way to interpret a novel? If so, how do we make sure", "way of interpreting the true meaning of a book written by an author,", "intent they had. So, is there a standard way of making sure a", "do we make sure our novel is interpreted correctly? I have been told", "readers like most people seem to do? If not, what are the alternatives?", "had. So, is there a standard way of making sure a book is", "way to interpret a novel? If so, how do we make sure our", "our novel is interpreted correctly? I have been told that there's no way" ]
[ "And how do you make sure that your readers interpret the apple as", "how do you make sure that your readers interpret the apple as having", "you as an author give an object like the apple your own meaning?", "object like the apple your own meaning? And how do you make sure", "and sin. The book itself gave the apple a symbolic meaning. How can", "your own meaning? And how do you make sure that your readers interpret", "an object like the apple your own meaning? And how do you make", "apple as having your own particular meaning instead of the \"usual\" biblical meaning?", "a symbolic meaning. How can you as an author give an object like", "a symbol for knowledge, immortality, temptation, the fall of man and sin. The", "Bible, the apple is a symbol for knowledge, immortality, temptation, the fall of", "like the apple your own meaning? And how do you make sure that", "you make sure that your readers interpret the apple as having your own", "make sure that your readers interpret the apple as having your own particular", "man and sin. The book itself gave the apple a symbolic meaning. How", "meaning? And how do you make sure that your readers interpret the apple", "immortality, temptation, the fall of man and sin. The book itself gave the", "temptation, the fall of man and sin. The book itself gave the apple", "In the Bible, the apple is a symbol for knowledge, immortality, temptation, the", "sin. The book itself gave the apple a symbolic meaning. How can you", "apple a symbolic meaning. How can you as an author give an object", "knowledge, immortality, temptation, the fall of man and sin. The book itself gave", "How can you as an author give an object like the apple your", "interpret the apple as having your own particular meaning instead of the \"usual\"", "book itself gave the apple a symbolic meaning. How can you as an", "the apple is a symbol for knowledge, immortality, temptation, the fall of man", "meaning. How can you as an author give an object like the apple", "of man and sin. The book itself gave the apple a symbolic meaning.", "can you as an author give an object like the apple your own", "that your readers interpret the apple as having your own particular meaning instead", "as an author give an object like the apple your own meaning? And", "give an object like the apple your own meaning? And how do you", "gave the apple a symbolic meaning. How can you as an author give", "author give an object like the apple your own meaning? And how do", "apple is a symbol for knowledge, immortality, temptation, the fall of man and", "is a symbol for knowledge, immortality, temptation, the fall of man and sin.", "symbolic meaning. How can you as an author give an object like the", "sure that your readers interpret the apple as having your own particular meaning", "itself gave the apple a symbolic meaning. How can you as an author", "symbol for knowledge, immortality, temptation, the fall of man and sin. The book", "readers interpret the apple as having your own particular meaning instead of the", "apple your own meaning? And how do you make sure that your readers", "the apple a symbolic meaning. How can you as an author give an", "the fall of man and sin. The book itself gave the apple a", "for knowledge, immortality, temptation, the fall of man and sin. The book itself", "an author give an object like the apple your own meaning? And how", "fall of man and sin. The book itself gave the apple a symbolic", "do you make sure that your readers interpret the apple as having your", "the apple as having your own particular meaning instead of the \"usual\" biblical", "The book itself gave the apple a symbolic meaning. How can you as", "your readers interpret the apple as having your own particular meaning instead of", "the Bible, the apple is a symbol for knowledge, immortality, temptation, the fall", "the apple your own meaning? And how do you make sure that your", "own meaning? And how do you make sure that your readers interpret the" ]
[ "lead the Jedi order to a new future according to one individual but", "by the adversary, similar to how Jisis is tempted by the devil in", "it. However, people hated those movies for various reasons, and felt that the", "by the devil in the desert. However, he ultimately succumbs to his human", "is that there are no chosen ones, and that gods are susceptible to", "it, the savior sent by God is tempted by the adversary, similar to", "and felt that the payoff wasn't adequate enough. How should this fall from", "and betrays his purpose, becoming subservient to this devil-like figure. The rest of", "it is successfully hijacked by Satan. The point of the tale is that", "gods are susceptible to the same failings as their creations. This is similar", "succumbs to his human weaknesses and betrays his purpose, becoming subservient to this", "in a similar way, with him gathering apostles to spread the corrupted word,", "are no chosen ones, and that gods are susceptible to the same failings", "the devil in the desert. However, he ultimately succumbs to his human weaknesses", "with him gathering apostles to spread the corrupted word, and then disciples ti", "corrupted word, and then disciples ti further that cause, leading to a darker", "was destined to lead the Jedi order to a new future according to", "to one individual but wound up destroying it. However, people hated those movies", "of the Christian faith, as it is successfully hijacked by Satan. The point", "of the Christian tale in the bible. In it, the savior sent by", "story plays out in a similar way, with him gathering apostles to spread", "tempted by the devil in the desert. However, he ultimately succumbs to his", "the Christian faith, as it is successfully hijacked by Satan. The point of", "susceptible to the same failings as their creations. This is similar to what", "to how Jisis is tempted by the devil in the desert. However, he", "do a story revolving around the inverse of the Christian tale in the", "that gods are susceptible to the same failings as their creations. This is", "cause, leading to a darker portrayal of the Christian faith, as it is", "devil-like figure. The rest of the story plays out in a similar way,", "figure. The rest of the story plays out in a similar way, with", "that cause, leading to a darker portrayal of the Christian faith, as it", "point of the tale is that there are no chosen ones, and that", "to the same failings as their creations. This is similar to what the", "Anakin Skywalker, a messianic powerhouse who was destined to lead the Jedi order", "wound up destroying it. However, people hated those movies for various reasons, and", "this devil-like figure. The rest of the story plays out in a similar", "the bible. In it, the savior sent by God is tempted by the", "devil in the desert. However, he ultimately succumbs to his human weaknesses and", "similar to what the prequels tried to do for an Anakin Skywalker, a", "sent by God is tempted by the adversary, similar to how Jisis is", "revolving around the inverse of the Christian tale in the bible. In it,", "Jisis is tempted by the devil in the desert. However, he ultimately succumbs", "The rest of the story plays out in a similar way, with him", "successfully hijacked by Satan. The point of the tale is that there are", "betrays his purpose, becoming subservient to this devil-like figure. The rest of the", "felt that the payoff wasn't adequate enough. How should this fall from grace", "and that gods are susceptible to the same failings as their creations. This", "the savior sent by God is tempted by the adversary, similar to how", "the tale is that there are no chosen ones, and that gods are", "payoff wasn't adequate enough. How should this fall from grace be represented and", "failings as their creations. This is similar to what the prequels tried to", "chosen ones, and that gods are susceptible to the same failings as their", "those movies for various reasons, and felt that the payoff wasn't adequate enough.", "around the inverse of the Christian tale in the bible. In it, the", "an Anakin Skywalker, a messianic powerhouse who was destined to lead the Jedi", "to do a story revolving around the inverse of the Christian tale in", "human weaknesses and betrays his purpose, becoming subservient to this devil-like figure. The", "there are no chosen ones, and that gods are susceptible to the same", "inverse of the Christian tale in the bible. In it, the savior sent", "prequels tried to do for an Anakin Skywalker, a messianic powerhouse who was", "I want to do a story revolving around the inverse of the Christian", "that there are no chosen ones, and that gods are susceptible to the", "the Jedi order to a new future according to one individual but wound", "becoming subservient to this devil-like figure. The rest of the story plays out", "hijacked by Satan. The point of the tale is that there are no", "want to do a story revolving around the inverse of the Christian tale", "a new future according to one individual but wound up destroying it. However,", "one individual but wound up destroying it. However, people hated those movies for", "darker portrayal of the Christian faith, as it is successfully hijacked by Satan.", "the desert. However, he ultimately succumbs to his human weaknesses and betrays his", "Christian faith, as it is successfully hijacked by Satan. The point of the", "who was destined to lead the Jedi order to a new future according", "individual but wound up destroying it. However, people hated those movies for various", "Skywalker, a messianic powerhouse who was destined to lead the Jedi order to", "to a new future according to one individual but wound up destroying it.", "for an Anakin Skywalker, a messianic powerhouse who was destined to lead the", "by God is tempted by the adversary, similar to how Jisis is tempted", "then disciples ti further that cause, leading to a darker portrayal of the", "creations. This is similar to what the prequels tried to do for an", "savior sent by God is tempted by the adversary, similar to how Jisis", "as their creations. This is similar to what the prequels tried to do", "the Christian tale in the bible. In it, the savior sent by God", "his human weaknesses and betrays his purpose, becoming subservient to this devil-like figure.", "is tempted by the devil in the desert. However, he ultimately succumbs to", "of the story plays out in a similar way, with him gathering apostles", "according to one individual but wound up destroying it. However, people hated those", "the adversary, similar to how Jisis is tempted by the devil in the", "ti further that cause, leading to a darker portrayal of the Christian faith,", "tried to do for an Anakin Skywalker, a messianic powerhouse who was destined", "adequate enough. How should this fall from grace be represented and done better?", "messianic powerhouse who was destined to lead the Jedi order to a new", "tempted by the adversary, similar to how Jisis is tempted by the devil", "similar to how Jisis is tempted by the devil in the desert. However,", "him gathering apostles to spread the corrupted word, and then disciples ti further", "people hated those movies for various reasons, and felt that the payoff wasn't", "his purpose, becoming subservient to this devil-like figure. The rest of the story", "However, he ultimately succumbs to his human weaknesses and betrays his purpose, becoming", "adversary, similar to how Jisis is tempted by the devil in the desert.", "story revolving around the inverse of the Christian tale in the bible. In", "faith, as it is successfully hijacked by Satan. The point of the tale", "gathering apostles to spread the corrupted word, and then disciples ti further that", "to a darker portrayal of the Christian faith, as it is successfully hijacked", "are susceptible to the same failings as their creations. This is similar to", "in the desert. However, he ultimately succumbs to his human weaknesses and betrays", "Jedi order to a new future according to one individual but wound up", "the prequels tried to do for an Anakin Skywalker, a messianic powerhouse who", "a messianic powerhouse who was destined to lead the Jedi order to a", "for various reasons, and felt that the payoff wasn't adequate enough. How should", "Satan. The point of the tale is that there are no chosen ones,", "portrayal of the Christian faith, as it is successfully hijacked by Satan. The", "weaknesses and betrays his purpose, becoming subservient to this devil-like figure. The rest", "tale is that there are no chosen ones, and that gods are susceptible", "The point of the tale is that there are no chosen ones, and", "apostles to spread the corrupted word, and then disciples ti further that cause,", "that the payoff wasn't adequate enough. How should this fall from grace be", "the inverse of the Christian tale in the bible. In it, the savior", "However, people hated those movies for various reasons, and felt that the payoff", "to lead the Jedi order to a new future according to one individual", "powerhouse who was destined to lead the Jedi order to a new future", "to his human weaknesses and betrays his purpose, becoming subservient to this devil-like", "further that cause, leading to a darker portrayal of the Christian faith, as", "is successfully hijacked by Satan. The point of the tale is that there", "to this devil-like figure. The rest of the story plays out in a", "ones, and that gods are susceptible to the same failings as their creations.", "hated those movies for various reasons, and felt that the payoff wasn't adequate", "rest of the story plays out in a similar way, with him gathering", "reasons, and felt that the payoff wasn't adequate enough. How should this fall", "bible. In it, the savior sent by God is tempted by the adversary,", "the payoff wasn't adequate enough. How should this fall from grace be represented", "he ultimately succumbs to his human weaknesses and betrays his purpose, becoming subservient", "out in a similar way, with him gathering apostles to spread the corrupted", "ultimately succumbs to his human weaknesses and betrays his purpose, becoming subservient to", "is tempted by the adversary, similar to how Jisis is tempted by the", "the same failings as their creations. This is similar to what the prequels", "future according to one individual but wound up destroying it. However, people hated", "similar way, with him gathering apostles to spread the corrupted word, and then", "In it, the savior sent by God is tempted by the adversary, similar", "by Satan. The point of the tale is that there are no chosen", "of the tale is that there are no chosen ones, and that gods", "This is similar to what the prequels tried to do for an Anakin", "purpose, becoming subservient to this devil-like figure. The rest of the story plays", "to spread the corrupted word, and then disciples ti further that cause, leading", "the story plays out in a similar way, with him gathering apostles to", "same failings as their creations. This is similar to what the prequels tried", "is similar to what the prequels tried to do for an Anakin Skywalker,", "new future according to one individual but wound up destroying it. However, people", "order to a new future according to one individual but wound up destroying", "plays out in a similar way, with him gathering apostles to spread the", "but wound up destroying it. However, people hated those movies for various reasons,", "up destroying it. However, people hated those movies for various reasons, and felt", "desert. However, he ultimately succumbs to his human weaknesses and betrays his purpose,", "a story revolving around the inverse of the Christian tale in the bible.", "God is tempted by the adversary, similar to how Jisis is tempted by", "word, and then disciples ti further that cause, leading to a darker portrayal", "in the bible. In it, the savior sent by God is tempted by", "leading to a darker portrayal of the Christian faith, as it is successfully", "as it is successfully hijacked by Satan. The point of the tale is", "to do for an Anakin Skywalker, a messianic powerhouse who was destined to", "what the prequels tried to do for an Anakin Skywalker, a messianic powerhouse", "wasn't adequate enough. How should this fall from grace be represented and done", "subservient to this devil-like figure. The rest of the story plays out in", "how Jisis is tempted by the devil in the desert. However, he ultimately", "tale in the bible. In it, the savior sent by God is tempted", "and then disciples ti further that cause, leading to a darker portrayal of", "way, with him gathering apostles to spread the corrupted word, and then disciples", "to what the prequels tried to do for an Anakin Skywalker, a messianic", "disciples ti further that cause, leading to a darker portrayal of the Christian", "a darker portrayal of the Christian faith, as it is successfully hijacked by", "no chosen ones, and that gods are susceptible to the same failings as", "Christian tale in the bible. In it, the savior sent by God is", "a similar way, with him gathering apostles to spread the corrupted word, and", "various reasons, and felt that the payoff wasn't adequate enough. How should this", "do for an Anakin Skywalker, a messianic powerhouse who was destined to lead", "destroying it. However, people hated those movies for various reasons, and felt that", "movies for various reasons, and felt that the payoff wasn't adequate enough. How", "their creations. This is similar to what the prequels tried to do for", "spread the corrupted word, and then disciples ti further that cause, leading to", "the corrupted word, and then disciples ti further that cause, leading to a", "destined to lead the Jedi order to a new future according to one" ]
[ "a lava stream? Gyvaris might have been a red dragon, but as embarrassing", "one he later > choose to settle in. His parents rarely ever went", "later > choose to settle in. His parents rarely ever went beyond its", "character and establish that he has holes in his lexical knowledge despite his", "It's still well in WIP, but I didn't plan for this on the", "contradictions in other characters later. This is a useful thing but how can", "my sixtieth or so first draft. And I noticed a small thing: >", "sheet, it just came randomly and I just added > > \"Gyvaris spent", "parents rarely ever went beyond its borders after he was born, and they", "after he was born, and they never really explained why.\" > > >", "WIP, but I didn't plan for this on the character sheet, it just", "just came randomly and I just added > > \"Gyvaris spent his early", "sky became a river of orange and gold. Maybe like a lava stream?", "for this on the character sheet, it just came randomly and I just", "I didn't plan for this on the character sheet, it just came randomly", "lava stream? Gyvaris might have been a red dragon, but as embarrassing it", "it was from his mother, the rest was left up to the wyrmling’s", "This is a useful thing but how can I prevent it from leading", "like a lava stream? Gyvaris might have been a red dragon, but as", "sixtieth or so first draft. And I noticed a small thing: > >", "I noticed a small thing: > > As sunset came the sky became", "holes in his lexical knowledge despite his intelligence and resolve. But I'm still", "despite his intelligence and resolve. But I'm still afraid that this will lead", "of orange and gold. Maybe like a lava stream? Gyvaris might have been", "left up to the wyrmling’s imagination. > > > It's still well in", "years in a large forest, much like the one he later > choose", "or so first draft. And I noticed a small thing: > > As", "was left up to the wyrmling’s imagination. > > > It's still well", "gold. Maybe like a lava stream? Gyvaris might have been a red dragon,", "resolve. But I'm still afraid that this will lead to contradictions in other", "came the sky became a river of orange and gold. Maybe like a", "> It's still well in WIP, but I didn't plan for this on", "the wyrmling’s imagination. > > > It's still well in WIP, but I", "he later > choose to settle in. His parents rarely ever went beyond", "orange and gold. Maybe like a lava stream? Gyvaris might have been a", "draft. And I noticed a small thing: > > As sunset came the", "imagination. > > > It's still well in WIP, but I didn't plan", "he has holes in his lexical knowledge despite his intelligence and resolve. But", "beyond its borders after he was born, and they never really explained why.\"", "and resolve. But I'm still afraid that this will lead to contradictions in", "finally began writing my sixtieth or so first draft. And I noticed a", "why.\" > > > This did help develop Gyv as a character and", "only time he heard about it was from his mother, the rest was", "a character and establish that he has holes in his lexical knowledge despite", "it was, he never saw actual lava in his life. The only time", "ever went beyond its borders after he was born, and they never really", "actual lava in his life. The only time he heard about it was", "in his life. The only time he heard about it was from his", "other characters later. This is a useful thing but how can I prevent", "the sky became a river of orange and gold. Maybe like a lava", "rarely ever went beyond its borders after he was born, and they never", "river of orange and gold. Maybe like a lava stream? Gyvaris might have", "> As sunset came the sky became a river of orange and gold.", "dragon, but as embarrassing it was, he never saw actual lava in his", "well in WIP, but I didn't plan for this on the character sheet,", "thing: > > As sunset came the sky became a river of orange", "spent his early years in a large forest, much like the one he", "forest, much like the one he later > choose to settle in. His", "his lexical knowledge despite his intelligence and resolve. But I'm still afraid that", "characters later. This is a useful thing but how can I prevent it", "they never really explained why.\" > > > This did help develop Gyv", "a large forest, much like the one he later > choose to settle", "lead to contradictions in other characters later. This is a useful thing but", "this will lead to contradictions in other characters later. This is a useful", "later. This is a useful thing but how can I prevent it from", "so first draft. And I noticed a small thing: > > As sunset", "was, he never saw actual lava in his life. The only time he", "early years in a large forest, much like the one he later >", "\"Gyvaris spent his early years in a large forest, much like the one", "> \"Gyvaris spent his early years in a large forest, much like the", "lava in his life. The only time he heard about it was from", "life. The only time he heard about it was from his mother, the", "And I noticed a small thing: > > As sunset came the sky", "as a character and establish that he has holes in his lexical knowledge", "his life. The only time he heard about it was from his mother,", "borders after he was born, and they never really explained why.\" > >", "> > > It's still well in WIP, but I didn't plan for", "plan for this on the character sheet, it just came randomly and I", "on the character sheet, it just came randomly and I just added >", "in his lexical knowledge despite his intelligence and resolve. But I'm still afraid", "> > As sunset came the sky became a river of orange and", "> > \"Gyvaris spent his early years in a large forest, much like", "afraid that this will lead to contradictions in other characters later. This is", "Gyvaris might have been a red dragon, but as embarrassing it was, he", "but as embarrassing it was, he never saw actual lava in his life.", "saw actual lava in his life. The only time he heard about it", "in. His parents rarely ever went beyond its borders after he was born,", "his early years in a large forest, much like the one he later", "that he has holes in his lexical knowledge despite his intelligence and resolve.", "just added > > \"Gyvaris spent his early years in a large forest,", "will lead to contradictions in other characters later. This is a useful thing", "explained why.\" > > > This did help develop Gyv as a character", "the character sheet, it just came randomly and I just added > >", "and establish that he has holes in his lexical knowledge despite his intelligence", "never really explained why.\" > > > This did help develop Gyv as", "a useful thing but how can I prevent it from leading to contradictions", "first draft. And I noticed a small thing: > > As sunset came", "Maybe like a lava stream? Gyvaris might have been a red dragon, but", "But I'm still afraid that this will lead to contradictions in other characters", "the one he later > choose to settle in. His parents rarely ever", "was from his mother, the rest was left up to the wyrmling’s imagination.", "rest was left up to the wyrmling’s imagination. > > > It's still", "time he heard about it was from his mother, the rest was left", "he never saw actual lava in his life. The only time he heard", "this on the character sheet, it just came randomly and I just added", "the rest was left up to the wyrmling’s imagination. > > > It's", "he was born, and they never really explained why.\" > > > This", "that this will lead to contradictions in other characters later. This is a", "choose to settle in. His parents rarely ever went beyond its borders after", "been a red dragon, but as embarrassing it was, he never saw actual", "wyrmling’s imagination. > > > It's still well in WIP, but I didn't", "still well in WIP, but I didn't plan for this on the character", "This did help develop Gyv as a character and establish that he has", "> choose to settle in. His parents rarely ever went beyond its borders", "lexical knowledge despite his intelligence and resolve. But I'm still afraid that this", "a red dragon, but as embarrassing it was, he never saw actual lava", "he heard about it was from his mother, the rest was left up", "but I didn't plan for this on the character sheet, it just came", "> > It's still well in WIP, but I didn't plan for this", "his mother, the rest was left up to the wyrmling’s imagination. > >", "> > > This did help develop Gyv as a character and establish", "in WIP, but I didn't plan for this on the character sheet, it", "is a useful thing but how can I prevent it from leading to", "and gold. Maybe like a lava stream? Gyvaris might have been a red", "embarrassing it was, he never saw actual lava in his life. The only", "mother, the rest was left up to the wyrmling’s imagination. > > >", "randomly and I just added > > \"Gyvaris spent his early years in", "I just added > > \"Gyvaris spent his early years in a large", "a small thing: > > As sunset came the sky became a river", "large forest, much like the one he later > choose to settle in.", "went beyond its borders after he was born, and they never really explained", "in other characters later. This is a useful thing but how can I", "from his mother, the rest was left up to the wyrmling’s imagination. >", "became a river of orange and gold. Maybe like a lava stream? Gyvaris", "it just came randomly and I just added > > \"Gyvaris spent his", "much like the one he later > choose to settle in. His parents", "sunset came the sky became a river of orange and gold. Maybe like", "knowledge despite his intelligence and resolve. But I'm still afraid that this will", "intelligence and resolve. But I'm still afraid that this will lead to contradictions", "his intelligence and resolve. But I'm still afraid that this will lead to", "its borders after he was born, and they never really explained why.\" >", "came randomly and I just added > > \"Gyvaris spent his early years", "born, and they never really explained why.\" > > > This did help", "noticed a small thing: > > As sunset came the sky became a", "> This did help develop Gyv as a character and establish that he", "I'm still afraid that this will lead to contradictions in other characters later.", "His parents rarely ever went beyond its borders after he was born, and", "still afraid that this will lead to contradictions in other characters later. This", "up to the wyrmling’s imagination. > > > It's still well in WIP,", "and they never really explained why.\" > > > This did help develop", "heard about it was from his mother, the rest was left up to", "in a large forest, much like the one he later > choose to", "as embarrassing it was, he never saw actual lava in his life. The", "I finally began writing my sixtieth or so first draft. And I noticed", "So, I finally began writing my sixtieth or so first draft. And I", "help develop Gyv as a character and establish that he has holes in", "As sunset came the sky became a river of orange and gold. Maybe", "have been a red dragon, but as embarrassing it was, he never saw", "might have been a red dragon, but as embarrassing it was, he never", "began writing my sixtieth or so first draft. And I noticed a small", "stream? Gyvaris might have been a red dragon, but as embarrassing it was,", "and I just added > > \"Gyvaris spent his early years in a", "to contradictions in other characters later. This is a useful thing but how", "added > > \"Gyvaris spent his early years in a large forest, much", "writing my sixtieth or so first draft. And I noticed a small thing:", "like the one he later > choose to settle in. His parents rarely", "develop Gyv as a character and establish that he has holes in his", "Gyv as a character and establish that he has holes in his lexical", "to settle in. His parents rarely ever went beyond its borders after he", "a river of orange and gold. Maybe like a lava stream? Gyvaris might", "really explained why.\" > > > This did help develop Gyv as a", "didn't plan for this on the character sheet, it just came randomly and", "establish that he has holes in his lexical knowledge despite his intelligence and", "to the wyrmling’s imagination. > > > It's still well in WIP, but", "red dragon, but as embarrassing it was, he never saw actual lava in", "was born, and they never really explained why.\" > > > This did", "> > This did help develop Gyv as a character and establish that", "useful thing but how can I prevent it from leading to contradictions later?", "settle in. His parents rarely ever went beyond its borders after he was", "did help develop Gyv as a character and establish that he has holes", "small thing: > > As sunset came the sky became a river of", "never saw actual lava in his life. The only time he heard about", "about it was from his mother, the rest was left up to the", "The only time he heard about it was from his mother, the rest", "has holes in his lexical knowledge despite his intelligence and resolve. But I'm", "character sheet, it just came randomly and I just added > > \"Gyvaris" ]
[ "strange (and I would hope the reader would understand once I set up", "once I set up this device), but it's a moot point because I'm", "this point. But even if I could, I'd still have to footnote every", "the actual foreign language, but I cannot reveal the language at this point.", "same sentence. I thought about writing the foreign language in italics, but the", "frequent switching between languages, sometimes in the same sentence. I thought about writing", "I want to do something like this, where the italics would represent the", "would be confusing. Underline looks strange and color is not possible. Example: I", "looks a bit strange (and I would hope the reader would understand once", "set up this device), but it's a moot point because I'm using italics", "English, even if it looks a bit strange (and I would hope the", "this device), but it's a moot point because I'm using italics for emphasis", "seems to read the best, as it's all in English, even if it", "other language in the actual foreign language, but I cannot reveal the language", "to footnote every sentence, which is also cumbersome and makes the readability difficult.", "possible. Example: I want to do something like this, where the italics would", "stinking advice! This seems to read the best, as it's all in English,", "for emphasis, so it's not consistent and would be confusing. Underline looks strange", "the reader would understand once I set up this device), but it's a", "the readability difficult. Are there a tried and true techniques to do this?", "this, where the italics would represent the non-English language and non-italics represents English.", "I thought about writing the other language in the actual foreign language, but", "device), but it's a moot point because I'm using italics for emphasis elsewhere", "language, but I cannot reveal the language at this point. But even if", "footnote every sentence, which is also cumbersome and makes the readability difficult. Are", "Underline looks strange and color is not possible. Example: I want to do", "it looks a bit strange (and I would hope the reader would understand", "even if it looks a bit strange (and I would hope the reader", "finally listened to my* stinking advice! This seems to read the best, as", "But even if I could, I'd still have to footnote every sentence, which", "problem is that I already use italics for emphasis, so it's not consistent", "already use italics for emphasis, so it's not consistent and would be confusing.", "writing a story which requires frequent switching between languages, sometimes in the same", "the same sentence. I thought about writing the foreign language in italics, but", "the other language in the actual foreign language, but I cannot reveal the", "non-italics represents English. Wow! You finally listened to my stinking advice! This seems", "and color is not possible. Example: I want to do something like this,", "is that I already use italics for emphasis, so it's not consistent and", "(and I would hope the reader would understand once I set up this", "the language at this point. But even if I could, I'd still have", "like this, where the italics would represent the non-English language and non-italics represents", "up this device), but it's a moot point because I'm using italics for", "actual foreign language, but I cannot reveal the language at this point. But", "looks strange and color is not possible. Example: I want to do something", "thought about writing the foreign language in italics, but the problem is that", "English. Wow! You finally listened to my stinking advice! This seems to read", "to read the best, as it's all in English, even if it looks", "not possible. Example: I want to do something like this, where the italics", "and would be confusing. Underline looks strange and color is not possible. Example:", "it's not consistent and would be confusing. Underline looks strange and color is", "I'm using italics for emphasis elsewhere already. I thought about writing the other", "foreign language, but I cannot reveal the language at this point. But even", "all in English, even if it looks a bit strange (and I would", "something like this, where the italics would represent the non-English language and non-italics", "I could, I'd still have to footnote every sentence, which is also cumbersome", "reader would understand once I set up this device), but it's a moot", "hope the reader would understand once I set up this device), but it's", "that I already use italics for emphasis, so it's not consistent and would", "thought about writing the other language in the actual foreign language, but I", "is also cumbersome and makes the readability difficult. Are there a tried and", "and makes the readability difficult. Are there a tried and true techniques to", "which requires frequent switching between languages, sometimes in the same sentence. I thought", "do something like this, where the italics would represent the non-English language and", "is not possible. Example: I want to do something like this, where the", "in italics, but the problem is that I already use italics for emphasis,", "still have to footnote every sentence, which is also cumbersome and makes the", "switching between languages, sometimes in the same sentence. I thought about writing the", "which is also cumbersome and makes the readability difficult. Are there a tried", "about writing the foreign language in italics, but the problem is that I", "language and non-italics represents English. Wow! You finally listened to my stinking advice!", "would hope the reader would understand once I set up this device), but", "italics would represent the non-English language and non-italics represents English. Wow! You finally", "non-English language and non-italics represents English. Wow! You finally listened to my* stinking", "emphasis, so it's not consistent and would be confusing. Underline looks strange and", "the non-English language and non-italics represents English. Wow! You finally listened to my", "point because I'm using italics for emphasis elsewhere already. I thought about writing", "understand once I set up this device), but it's a moot point because", "makes the readability difficult. Are there a tried and true techniques to do", "This seems to read the best, as it's all in English, even if", "at this point. But even if I could, I'd still have to footnote", "would understand once I set up this device), but it's a moot point", "in English, even if it looks a bit strange (and I would hope", "it's all in English, even if it looks a bit strange (and I", "I would hope the reader would understand once I set up this device),", "where the italics would represent the non-English language and non-italics represents English. Wow!", "a moot point because I'm using italics for emphasis elsewhere already. I thought", "cumbersome and makes the readability difficult. Are there a tried and true techniques", "as it's all in English, even if it looks a bit strange (and", "emphasis elsewhere already. I thought about writing the other language in the actual", "consistent and would be confusing. Underline looks strange and color is not possible.", "use italics for emphasis, so it's not consistent and would be confusing. Underline", "Wow! You finally listened to my stinking advice! This seems to read the", "moot point because I'm using italics for emphasis elsewhere already. I thought about", "the best, as it's all in English, even if it looks a bit", "languages, sometimes in the same sentence. I thought about writing the foreign language", "listened to my* stinking advice! This seems to read the best, as it's", "italics, but the problem is that I already use italics for emphasis, so", "story which requires frequent switching between languages, sometimes in the same sentence. I", "if it looks a bit strange (and I would hope the reader would", "requires frequent switching between languages, sometimes in the same sentence. I thought about", "could, I'd still have to footnote every sentence, which is also cumbersome and", "color is not possible. Example: I want to do something like this, where", "it's a moot point because I'm using italics for emphasis elsewhere already. I", "using italics for emphasis elsewhere already. I thought about writing the other language", "foreign language in italics, but the problem is that I already use italics", "I'd still have to footnote every sentence, which is also cumbersome and makes", "because I'm using italics for emphasis elsewhere already. I thought about writing the", "want to do something like this, where the italics would represent the non-English", "be confusing. Underline looks strange and color is not possible. Example: I want", "represent the non-English language and non-italics represents English. Wow! You finally listened to", "Example: I want to do something like this, where the italics would represent", "to do something like this, where the italics would represent the non-English language", "bit strange (and I would hope the reader would understand once I set", "elsewhere already. I thought about writing the other language in the actual foreign", "but it's a moot point because I'm using italics for emphasis elsewhere already.", "language at this point. But even if I could, I'd still have to", "to my stinking advice! This seems to read the best, as it's all", "represents English. Wow! You finally listened to my stinking advice! This seems to", "strange and color is not possible. Example: I want to do something like", "You finally listened to my stinking advice! This seems to read the best,", "point. But even if I could, I'd still have to footnote every sentence,", "I already use italics for emphasis, so it's not consistent and would be", "about writing the other language in the actual foreign language, but I cannot", "cannot reveal the language at this point. But even if I could, I'd", "also cumbersome and makes the readability difficult. Are there a tried and true", "not consistent and would be confusing. Underline looks strange and color is not", "if I could, I'd still have to footnote every sentence, which is also", "between languages, sometimes in the same sentence. I thought about writing the foreign", "best, as it's all in English, even if it looks a bit strange", "sentence, which is also cumbersome and makes the readability difficult. Are there a", "the italics would represent the non-English language and non-italics represents English. Wow! You", "for emphasis elsewhere already. I thought about writing the other language in the", "in the actual foreign language, but I cannot reveal the language at this", "sentence. I thought about writing the foreign language in italics, but the problem", "confusing. Underline looks strange and color is not possible. Example: I want to", "read the best, as it's all in English, even if it looks a", "have to footnote every sentence, which is also cumbersome and makes the readability", "italics for emphasis elsewhere already. I thought about writing the other language in", "in the same sentence. I thought about writing the foreign language in italics,", "already. I thought about writing the other language in the actual foreign language,", "a bit strange (and I would hope the reader would understand once I", "the problem is that I already use italics for emphasis, so it's not", "I cannot reveal the language at this point. But even if I could,", "writing the foreign language in italics, but the problem is that I already", "language in italics, but the problem is that I already use italics for", "I'm writing a story which requires frequent switching between languages, sometimes in the", "even if I could, I'd still have to footnote every sentence, which is", "italics for emphasis, so it's not consistent and would be confusing. Underline looks", "would represent the non-English language and non-italics represents English. Wow! You finally listened", "my* stinking advice! This seems to read the best, as it's all in", "a story which requires frequent switching between languages, sometimes in the same sentence.", "sometimes in the same sentence. I thought about writing the foreign language in", "so it's not consistent and would be confusing. Underline looks strange and color", "but the problem is that I already use italics for emphasis, so it's", "language in the actual foreign language, but I cannot reveal the language at", "I set up this device), but it's a moot point because I'm using", "I thought about writing the foreign language in italics, but the problem is", "but I cannot reveal the language at this point. But even if I", "advice! This seems to read the best, as it's all in English, even", "every sentence, which is also cumbersome and makes the readability difficult. Are there", "and non-italics represents English. Wow! You finally listened to my stinking advice! This", "the foreign language in italics, but the problem is that I already use", "writing the other language in the actual foreign language, but I cannot reveal", "reveal the language at this point. But even if I could, I'd still" ]
[ "\"deeper things\" like emotion, and then the scene 2 could occur after the", "the correct path. Plot is the writer's choice of events and their design", "3 will occur after scene 2. But also could mean something that deals", "definition of Plot as: > > To PLOT mean to navigate through the", "> > > So, here, plot means that \"organization of events\" in a", "in time. > > > So, here, plot means that \"organization of events\"", "scene 3 will occur after scene 2. But also could mean something that", "mean something that deals with \"deeper things\" like emotion, and then the scene", "their design in time. > > > So, here, plot means that \"organization", "of events\" in a structural sense: for instance, scene 3 will occur after", "something that deals with \"deeper things\" like emotion, and then the scene 2", "emotion, and then the scene 2 could occur after the scene 3 just", "story and when confronted by a dozen branching possibilities to choose the correct", "\"emotional time-line\" of a character. So how to use the concept of plot", "concept of \"plot\" given by [1] I, maybe, understood two different, but complementary,", "gives us a definition of Plot as: > > To PLOT mean to", "to navigate through the dangerous terrain of story and when confronted by a", "by a dozen branching possibilities to choose the correct path. Plot is the", "different, but complementary, concepts of plot. Mckee gives us a definition of Plot", "scene 2 could occur after the scene 3 just because something about scene", "scene 3 just because something about scene 2 fits better concerning the \"emotional", "a definition of Plot as: > > To PLOT mean to navigate through", "structural sense: for instance, scene 3 will occur after scene 2. But also", "Plot as: > > To PLOT mean to navigate through the dangerous terrain", "given by [1] I, maybe, understood two different, but complementary, concepts of plot.", "So, here, plot means that \"organization of events\" in a structural sense: for", "as: > > To PLOT mean to navigate through the dangerous terrain of", "events\" in a structural sense: for instance, scene 3 will occur after scene", "In the first discussion of the concept of \"plot\" given by [1] I,", "the \"emotional time-line\" of a character. So how to use the concept of", "fits better concerning the \"emotional time-line\" of a character. So how to use", "instance, scene 3 will occur after scene 2. But also could mean something", "could mean something that deals with \"deeper things\" like emotion, and then the", "time-line\" of a character. So how to use the concept of plot in", "of \"plot\" given by [1] I, maybe, understood two different, but complementary, concepts", "path. Plot is the writer's choice of events and their design in time.", "[1] I, maybe, understood two different, but complementary, concepts of plot. Mckee gives", "concept of plot in writing? --- [1] MCKEE.R. Story. Itbooks, New York, 1997.", "concepts of plot. Mckee gives us a definition of Plot as: > >", "> So, here, plot means that \"organization of events\" in a structural sense:", "like emotion, and then the scene 2 could occur after the scene 3", "just because something about scene 2 fits better concerning the \"emotional time-line\" of", "means that \"organization of events\" in a structural sense: for instance, scene 3", "occur after scene 2. But also could mean something that deals with \"deeper", "scene 2 fits better concerning the \"emotional time-line\" of a character. So how", "design in time. > > > So, here, plot means that \"organization of", "with \"deeper things\" like emotion, and then the scene 2 could occur after", "So how to use the concept of plot in writing? --- [1] MCKEE.R.", "also could mean something that deals with \"deeper things\" like emotion, and then", "maybe, understood two different, but complementary, concepts of plot. Mckee gives us a", "but complementary, concepts of plot. Mckee gives us a definition of Plot as:", "\"plot\" given by [1] I, maybe, understood two different, but complementary, concepts of", "two different, but complementary, concepts of plot. Mckee gives us a definition of", "by [1] I, maybe, understood two different, but complementary, concepts of plot. Mckee", "the concept of plot in writing? --- [1] MCKEE.R. Story. Itbooks, New York,", "after scene 2. But also could mean something that deals with \"deeper things\"", "is the writer's choice of events and their design in time. > >", "dozen branching possibilities to choose the correct path. Plot is the writer's choice", "things\" like emotion, and then the scene 2 could occur after the scene", "for instance, scene 3 will occur after scene 2. But also could mean", "through the dangerous terrain of story and when confronted by a dozen branching", "But also could mean something that deals with \"deeper things\" like emotion, and", "a structural sense: for instance, scene 3 will occur after scene 2. But", "and their design in time. > > > So, here, plot means that", "of the concept of \"plot\" given by [1] I, maybe, understood two different,", "I, maybe, understood two different, but complementary, concepts of plot. Mckee gives us", "of plot. Mckee gives us a definition of Plot as: > > To", "scene 2. But also could mean something that deals with \"deeper things\" like", "events and their design in time. > > > So, here, plot means", "better concerning the \"emotional time-line\" of a character. So how to use the", "time. > > > So, here, plot means that \"organization of events\" in", "possibilities to choose the correct path. Plot is the writer's choice of events", "the writer's choice of events and their design in time. > > >", "concerning the \"emotional time-line\" of a character. So how to use the concept", "plot. Mckee gives us a definition of Plot as: > > To PLOT", "Plot is the writer's choice of events and their design in time. >", "that deals with \"deeper things\" like emotion, and then the scene 2 could", "sense: for instance, scene 3 will occur after scene 2. But also could", "of Plot as: > > To PLOT mean to navigate through the dangerous", "3 just because something about scene 2 fits better concerning the \"emotional time-line\"", "PLOT mean to navigate through the dangerous terrain of story and when confronted", "To PLOT mean to navigate through the dangerous terrain of story and when", "correct path. Plot is the writer's choice of events and their design in", "navigate through the dangerous terrain of story and when confronted by a dozen", "the concept of \"plot\" given by [1] I, maybe, understood two different, but", "and when confronted by a dozen branching possibilities to choose the correct path.", "discussion of the concept of \"plot\" given by [1] I, maybe, understood two", "the scene 3 just because something about scene 2 fits better concerning the", "2. But also could mean something that deals with \"deeper things\" like emotion,", "choose the correct path. Plot is the writer's choice of events and their", "choice of events and their design in time. > > > So, here,", "deals with \"deeper things\" like emotion, and then the scene 2 could occur", "the scene 2 could occur after the scene 3 just because something about", "use the concept of plot in writing? --- [1] MCKEE.R. Story. Itbooks, New", "after the scene 3 just because something about scene 2 fits better concerning", "us a definition of Plot as: > > To PLOT mean to navigate", "2 could occur after the scene 3 just because something about scene 2", "here, plot means that \"organization of events\" in a structural sense: for instance,", "how to use the concept of plot in writing? --- [1] MCKEE.R. Story.", "a dozen branching possibilities to choose the correct path. Plot is the writer's", "and then the scene 2 could occur after the scene 3 just because", "because something about scene 2 fits better concerning the \"emotional time-line\" of a", "> > So, here, plot means that \"organization of events\" in a structural", "to use the concept of plot in writing? --- [1] MCKEE.R. Story. Itbooks,", "about scene 2 fits better concerning the \"emotional time-line\" of a character. So", "branching possibilities to choose the correct path. Plot is the writer's choice of", "then the scene 2 could occur after the scene 3 just because something", "> To PLOT mean to navigate through the dangerous terrain of story and", "dangerous terrain of story and when confronted by a dozen branching possibilities to", "could occur after the scene 3 just because something about scene 2 fits", "mean to navigate through the dangerous terrain of story and when confronted by", "understood two different, but complementary, concepts of plot. Mckee gives us a definition", "the dangerous terrain of story and when confronted by a dozen branching possibilities", "of a character. So how to use the concept of plot in writing?", "to choose the correct path. Plot is the writer's choice of events and", "character. So how to use the concept of plot in writing? --- [1]", "of events and their design in time. > > > So, here, plot", "confronted by a dozen branching possibilities to choose the correct path. Plot is", "of story and when confronted by a dozen branching possibilities to choose the", "occur after the scene 3 just because something about scene 2 fits better", "writer's choice of events and their design in time. > > > So,", "first discussion of the concept of \"plot\" given by [1] I, maybe, understood", "\"organization of events\" in a structural sense: for instance, scene 3 will occur", "Mckee gives us a definition of Plot as: > > To PLOT mean", "terrain of story and when confronted by a dozen branching possibilities to choose", "a character. So how to use the concept of plot in writing? ---", "the first discussion of the concept of \"plot\" given by [1] I, maybe,", "plot means that \"organization of events\" in a structural sense: for instance, scene", "something about scene 2 fits better concerning the \"emotional time-line\" of a character.", "complementary, concepts of plot. Mckee gives us a definition of Plot as: >", "2 fits better concerning the \"emotional time-line\" of a character. So how to", "that \"organization of events\" in a structural sense: for instance, scene 3 will", "when confronted by a dozen branching possibilities to choose the correct path. Plot", "in a structural sense: for instance, scene 3 will occur after scene 2.", "> > To PLOT mean to navigate through the dangerous terrain of story", "will occur after scene 2. But also could mean something that deals with" ]
[ "book called How to Jump High which I would like to translate into", "into Ukrainian. I expect to sell 1000 copies of this translation. I know", "print it and sell translated copies, how much should I propose to pay", "is a book called How to Jump High which I would like to", "High* which I would like to translate into Ukrainian. I expect to sell", "publisher. If I want to translate a book, print it and sell translated", "to sell 1000 copies of this translation. I know that one can buy", "translate into Ukrainian. I expect to sell 1000 copies of this translation. I", "the copyright holder? Is there some acceptable percentage of book price at Amazon", "Amazon to start with? Here is an example: Suppose there is a book", "sell 1000 copies of this translation. I know that one can buy it", "that one can buy it for $100 on the Internet. How much should", "which I would like to translate into Ukrainian. I expect to sell 1000", "buy it for $100 on the Internet. How much should I propose to", "pay to the copyright holder? Is there some acceptable percentage of book price", "to translate a book, print it and sell translated copies, how much should", "acceptable percentage of book price at Amazon to start with? Here is an", "I would like to translate into Ukrainian. I expect to sell 1000 copies", "copies of this translation. I know that one can buy it for $100", "copies, how much should I propose to pay to the copyright holder? Is", "expect to sell 1000 copies of this translation. I know that one can", "copyright holder? Is there some acceptable percentage of book price at Amazon to", "a book called How to Jump High which I would like to translate", "there is a book called How to Jump High which I would like", "I expect to sell 1000 copies of this translation. I know that one", "should I propose to pay to the copyright holder? Is there some acceptable", "example: Suppose there is a book called How to Jump High which I", "of book price at Amazon to start with? Here is an example: Suppose", "$100 on the Internet. How much should I propose to the copyright holder", "there some acceptable percentage of book price at Amazon to start with? Here", "it and sell translated copies, how much should I propose to pay to", "with? Here is an example: Suppose there is a book called How to", "Internet. How much should I propose to the copyright holder for such a", "to start with? Here is an example: Suppose there is a book called", "start with? Here is an example: Suppose there is a book called How", "it for $100 on the Internet. How much should I propose to the", "translation. I know that one can buy it for $100 on the Internet.", "is an example: Suppose there is a book called How to Jump High", "an example: Suppose there is a book called How to Jump High which", "the Internet. How much should I propose to the copyright holder for such", "translate a book, print it and sell translated copies, how much should I", "to Jump High* which I would like to translate into Ukrainian. I expect", "propose to pay to the copyright holder? Is there some acceptable percentage of", "holder? Is there some acceptable percentage of book price at Amazon to start", "to pay to the copyright holder? Is there some acceptable percentage of book", "Here is an example: Suppose there is a book called How to Jump", "price at Amazon to start with? Here is an example: Suppose there is", "sell translated copies, how much should I propose to pay to the copyright", "much should I propose to pay to the copyright holder? Is there some", "book, print it and sell translated copies, how much should I propose to", "would like to translate into Ukrainian. I expect to sell 1000 copies of", "want to translate a book, print it and sell translated copies, how much", "a book, print it and sell translated copies, how much should I propose", "book price at Amazon to start with? Here is an example: Suppose there", "I propose to pay to the copyright holder? Is there some acceptable percentage", "translated copies, how much should I propose to pay to the copyright holder?", "a local publisher. If I want to translate a book, print it and", "like to translate into Ukrainian. I expect to sell 1000 copies of this", "How much should I propose to the copyright holder for such a license?", "at Amazon to start with? Here is an example: Suppose there is a", "Suppose there is a book called How to Jump High* which I would", "one can buy it for $100 on the Internet. How much should I", "for $100 on the Internet. How much should I propose to the copyright", "percentage of book price at Amazon to start with? Here is an example:", "this translation. I know that one can buy it for $100 on the", "to the copyright holder? Is there some acceptable percentage of book price at", "Ukrainian. I expect to sell 1000 copies of this translation. I know that", "1000 copies of this translation. I know that one can buy it for", "some acceptable percentage of book price at Amazon to start with? Here is", "Suppose I'm a local publisher. If I want to translate a book, print", "If I want to translate a book, print it and sell translated copies,", "called How to Jump High which I would like to translate into Ukrainian.", "local publisher. If I want to translate a book, print it and sell", "of this translation. I know that one can buy it for $100 on", "on the Internet. How much should I propose to the copyright holder for", "I want to translate a book, print it and sell translated copies, how", "How to Jump High which I would like to translate into Ukrainian. I", "I know that one can buy it for $100 on the Internet. How", "Is there some acceptable percentage of book price at Amazon to start with?", "to translate into Ukrainian. I expect to sell 1000 copies of this translation.", "know that one can buy it for $100 on the Internet. How much", "how much should I propose to pay to the copyright holder? Is there", "I'm a local publisher. If I want to translate a book, print it", "and sell translated copies, how much should I propose to pay to the", "can buy it for $100 on the Internet. How much should I propose", "Jump High* which I would like to translate into Ukrainian. I expect to" ]
[ "problem as stories progress (especially in never-ending web novels) where the cast of", "in never-ending web novels) where the cast of characters keep growing. Some webnovels", "(especially in never-ending web novels) where the cast of characters keep growing. Some", "follow are in the hundreds! Is there a technique for authors to keep", "as stories progress (especially in never-ending web novels) where the cast of characters", "are in the hundreds! Is there a technique for authors to keep track", "where the cast of characters keep growing. Some webnovels I follow are in", "there a technique for authors to keep track of their cast of characters?", "cast of characters keep growing. Some webnovels I follow are in the hundreds!", "There is a problem as stories progress (especially in never-ending web novels) where", "stories progress (especially in never-ending web novels) where the cast of characters keep", "web novels) where the cast of characters keep growing. Some webnovels I follow", "Some webnovels I follow are in the hundreds! Is there a technique for", "in the hundreds! Is there a technique for authors to keep track of", "a problem as stories progress (especially in never-ending web novels) where the cast", "novels) where the cast of characters keep growing. Some webnovels I follow are", "the hundreds! Is there a technique for authors to keep track of their", "Is there a technique for authors to keep track of their cast of", "I follow are in the hundreds! Is there a technique for authors to", "webnovels I follow are in the hundreds! Is there a technique for authors", "progress (especially in never-ending web novels) where the cast of characters keep growing.", "characters keep growing. Some webnovels I follow are in the hundreds! Is there", "hundreds! Is there a technique for authors to keep track of their cast", "of characters keep growing. Some webnovels I follow are in the hundreds! Is", "is a problem as stories progress (especially in never-ending web novels) where the", "the cast of characters keep growing. Some webnovels I follow are in the", "growing. Some webnovels I follow are in the hundreds! Is there a technique", "keep growing. Some webnovels I follow are in the hundreds! Is there a", "never-ending web novels) where the cast of characters keep growing. Some webnovels I" ]
[ "go into hiding. But if I had actually found real love and that", "is writing a love interest for the hero so widely ridiculed? My issue", "is where my characters' motives come from. However, I see the complaints so", "ridiculed? My issue is I enjoy those stories, they seem more realistic to", "buzz phrases being stuff like \"manic pixie dreamgirl,\" \"hero's reward,\" \"nerd wish fulfillment,\"", "so widely ridiculed? My issue is I enjoy those stories, they seem more", "that was snatched from me I would move heaven and earth attempting to", "being stuff like \"manic pixie dreamgirl,\" \"hero's reward,\" \"nerd wish fulfillment,\" \"women in", "point of the hero. How can I write a story with a love", "seem more realistic to me from the point of the hero. How can", "dragon, Mob boss, evil corporation, or a demon from the 7 circles of", "demon from the 7 circles of hell or dystopian dictator, etc, it's not", "etc, it's not going to be to rescue my buddy Herxeck, or cousin", "earth attempting to save her. So that is where my characters' motives come", "hell or dystopian dictator, etc, it's not going to be to rescue my", "often now, buzz phrases being stuff like \"manic pixie dreamgirl,\" \"hero's reward,\" \"nerd", "breath as I go into hiding. But if I had actually found real", "can I write a story with a love interest without running into this", "muttered under my breath as I go into hiding. But if I had", "hero so widely ridiculed? My issue is I enjoy those stories, they seem", "the hero so widely ridiculed? My issue is I enjoy those stories, they", "I write a story with a love interest without running into this kind", "to face down a dragon, Mob boss, evil corporation, or a demon from", "to me from the point of the hero. How can I write a", "had actually found real love and that was snatched from me I would", "My issue is I enjoy those stories, they seem more realistic to me", "fulfillment,\" \"women in the fridge,\" etc, etc.... Why is writing a love interest", "I go into hiding. But if I had actually found real love and", "How can I write a story with a love interest without running into", "Herxeck, or cousin Dommy. The best they are going to get are my", "Why is writing a love interest for the hero so widely ridiculed? My", "if I had actually found real love and that was snatched from me", "those stories, they seem more realistic to me from the point of the", "a love interest for the hero so widely ridiculed? My issue is I", "me I would move heaven and earth attempting to save her. So that", "boss, evil corporation, or a demon from the 7 circles of hell or", "like \"manic pixie dreamgirl,\" \"hero's reward,\" \"nerd wish fulfillment,\" \"women in the fridge,\"", "under my breath as I go into hiding. But if I had actually", "are my harsh words and heavy disapproval muttered under my breath as I", "widely ridiculed? My issue is I enjoy those stories, they seem more realistic", "it's not going to be to rescue my buddy Herxeck, or cousin Dommy.", "for the hero so widely ridiculed? My issue is I enjoy those stories,", "to get are my harsh words and heavy disapproval muttered under my breath", "the point of the hero. How can I write a story with a", "Mob boss, evil corporation, or a demon from the 7 circles of hell", "I would move heaven and earth attempting to save her. So that is", "move heaven and earth attempting to save her. So that is where my", "I enjoy those stories, they seem more realistic to me from the point", "evil corporation, or a demon from the 7 circles of hell or dystopian", "that is where my characters' motives come from. However, I see the complaints", "\"hero's reward,\" \"nerd wish fulfillment,\" \"women in the fridge,\" etc, etc.... Why is", "my buddy Herxeck, or cousin Dommy. The best they are going to get", "in the fridge,\" etc, etc.... Why is writing a love interest for the", "of the hero. How can I write a story with a love interest", "a demon from the 7 circles of hell or dystopian dictator, etc, it's", "going to get are my harsh words and heavy disapproval muttered under my", "see the complaints so often now, buzz phrases being stuff like \"manic pixie", "write a story with a love interest without running into this kind of", "or a demon from the 7 circles of hell or dystopian dictator, etc,", "more realistic to me from the point of the hero. How can I", "or cousin Dommy. The best they are going to get are my harsh", "me from the point of the hero. How can I write a story", "not going to be to rescue my buddy Herxeck, or cousin Dommy. The", "The best they are going to get are my harsh words and heavy", "7 circles of hell or dystopian dictator, etc, it's not going to be", "of hell or dystopian dictator, etc, it's not going to be to rescue", "the fridge,\" etc, etc.... Why is writing a love interest for the hero", "love and that was snatched from me I would move heaven and earth", "pixie dreamgirl,\" \"hero's reward,\" \"nerd wish fulfillment,\" \"women in the fridge,\" etc, etc....", "complaints so often now, buzz phrases being stuff like \"manic pixie dreamgirl,\" \"hero's", "stuff like \"manic pixie dreamgirl,\" \"hero's reward,\" \"nerd wish fulfillment,\" \"women in the", "her. So that is where my characters' motives come from. However, I see", "wish fulfillment,\" \"women in the fridge,\" etc, etc.... Why is writing a love", "now, buzz phrases being stuff like \"manic pixie dreamgirl,\" \"hero's reward,\" \"nerd wish", "enjoy those stories, they seem more realistic to me from the point of", "\"manic pixie dreamgirl,\" \"hero's reward,\" \"nerd wish fulfillment,\" \"women in the fridge,\" etc,", "get are my harsh words and heavy disapproval muttered under my breath as", "interest for the hero so widely ridiculed? My issue is I enjoy those", "characters' motives come from. However, I see the complaints so often now, buzz", "found real love and that was snatched from me I would move heaven", "heavy disapproval muttered under my breath as I go into hiding. But if", "the 7 circles of hell or dystopian dictator, etc, it's not going to", "into hiding. But if I had actually found real love and that was", "be to rescue my buddy Herxeck, or cousin Dommy. The best they are", "the hero. How can I write a story with a love interest without", "dictator, etc, it's not going to be to rescue my buddy Herxeck, or", "where my characters' motives come from. However, I see the complaints so often", "hiding. But if I had actually found real love and that was snatched", "\"nerd wish fulfillment,\" \"women in the fridge,\" etc, etc.... Why is writing a", "buddy Herxeck, or cousin Dommy. The best they are going to get are", "and heavy disapproval muttered under my breath as I go into hiding. But", "to save her. So that is where my characters' motives come from. However,", "come from. However, I see the complaints so often now, buzz phrases being", "my characters' motives come from. However, I see the complaints so often now,", "reward,\" \"nerd wish fulfillment,\" \"women in the fridge,\" etc, etc.... Why is writing", "a dragon, Mob boss, evil corporation, or a demon from the 7 circles", "writing a love interest for the hero so widely ridiculed? My issue is", "dystopian dictator, etc, it's not going to be to rescue my buddy Herxeck,", "actually found real love and that was snatched from me I would move", "was snatched from me I would move heaven and earth attempting to save", "corporation, or a demon from the 7 circles of hell or dystopian dictator,", "issue is I enjoy those stories, they seem more realistic to me from", "rescue my buddy Herxeck, or cousin Dommy. The best they are going to", "going to face down a dragon, Mob boss, evil corporation, or a demon", "down a dragon, Mob boss, evil corporation, or a demon from the 7", "from the point of the hero. How can I write a story with", "they seem more realistic to me from the point of the hero. How", "phrases being stuff like \"manic pixie dreamgirl,\" \"hero's reward,\" \"nerd wish fulfillment,\" \"women", "face down a dragon, Mob boss, evil corporation, or a demon from the", "from me I would move heaven and earth attempting to save her. So", "heaven and earth attempting to save her. So that is where my characters'", "etc.... Why is writing a love interest for the hero so widely ridiculed?", "to rescue my buddy Herxeck, or cousin Dommy. The best they are going", "my harsh words and heavy disapproval muttered under my breath as I go", "However, I see the complaints so often now, buzz phrases being stuff like", "to be to rescue my buddy Herxeck, or cousin Dommy. The best they", "and earth attempting to save her. So that is where my characters' motives", "So that is where my characters' motives come from. However, I see the", "is I enjoy those stories, they seem more realistic to me from the", "realistic to me from the point of the hero. How can I write", "my breath as I go into hiding. But if I had actually found", "going to be to rescue my buddy Herxeck, or cousin Dommy. The best", "attempting to save her. So that is where my characters' motives come from.", "love interest for the hero so widely ridiculed? My issue is I enjoy", "real love and that was snatched from me I would move heaven and", "etc, etc.... Why is writing a love interest for the hero so widely", "I see the complaints so often now, buzz phrases being stuff like \"manic", "and that was snatched from me I would move heaven and earth attempting", "circles of hell or dystopian dictator, etc, it's not going to be to", "harsh words and heavy disapproval muttered under my breath as I go into", "dreamgirl,\" \"hero's reward,\" \"nerd wish fulfillment,\" \"women in the fridge,\" etc, etc.... Why", "words and heavy disapproval muttered under my breath as I go into hiding.", "\"women in the fridge,\" etc, etc.... Why is writing a love interest for", "Dommy. The best they are going to get are my harsh words and", "cousin Dommy. The best they are going to get are my harsh words", "they are going to get are my harsh words and heavy disapproval muttered", "hero. How can I write a story with a love interest without running", "save her. So that is where my characters' motives come from. However, I", "If I'm going to face down a dragon, Mob boss, evil corporation, or", "are going to get are my harsh words and heavy disapproval muttered under", "But if I had actually found real love and that was snatched from", "or dystopian dictator, etc, it's not going to be to rescue my buddy", "so often now, buzz phrases being stuff like \"manic pixie dreamgirl,\" \"hero's reward,\"", "snatched from me I would move heaven and earth attempting to save her.", "I had actually found real love and that was snatched from me I", "would move heaven and earth attempting to save her. So that is where", "stories, they seem more realistic to me from the point of the hero.", "from. However, I see the complaints so often now, buzz phrases being stuff", "I'm going to face down a dragon, Mob boss, evil corporation, or a", "a story with a love interest without running into this kind of criticism?", "best they are going to get are my harsh words and heavy disapproval", "motives come from. However, I see the complaints so often now, buzz phrases", "fridge,\" etc, etc.... Why is writing a love interest for the hero so", "from the 7 circles of hell or dystopian dictator, etc, it's not going", "as I go into hiding. But if I had actually found real love", "the complaints so often now, buzz phrases being stuff like \"manic pixie dreamgirl,\"", "disapproval muttered under my breath as I go into hiding. But if I" ]
[ "by Gendy ~~Tarantino~~ Tartakovsky. It takes the rule of cool, prevalent in the", "and the characters for the sake of logic. But there's a breaking point", "much of the story and the characters for the sake of logic. But", "O'Nella, and Ms. Frizzle overtake the series. They abuse Grievous with 7W laserpointers", "makes no sense!\" The other is with an idea of mine: Essentially the", "those who thought Holdo's driving skills are what ruined SW's worldbuilding. *But what", "the series. They abuse Grievous with 7W laserpointers and flashbangs, blow Durge up", "destroy an army of 200+ droids with a blaster, a GoPro, a smartphone", "serious and logic is a cornerstone of its premise but it could get", "up and only his head remains, he says MC (main character) stands taller", "head remains, he says MC (main character) stands taller as a warrior than", "funny love letter to those who thought Holdo's driving skills are what ruined", "won't harm the story's overall tone as a funny love letter to those", "up with IEDs and destroy an army of 200+ droids with a blaster,", "of logic. But there's a breaking point where everyone goes \"That makes no", "blows up and only his head remains, he says MC (main character) stands", "takes the rule of cool, prevalent in the series, exploits and abridges it", "levels of jackhammering on the trigger. There's silly stuff like when G blows", "a blaster, a GoPro, a smartphone and Osu Kissing the Tears* levels of", "the end of the world, and that I shouldn't sacrifice too much of", "rule of cool, prevalent in the series, exploits and abridges it when Styropyro,", "the trigger. There's silly stuff like when G blows up and only his", "does. Nonetheless this idea's essence is practicality > literally Semurui Recz but with", "everyone goes \"That makes no sense!\" The other is with an idea of", "mine: Essentially the parody of the 2003 Clone Wars miniseries by Gendy ~~Tarantino~~", "a warrior than he does. Nonetheless this idea's essence is practicality > literally", "goes \"That makes no sense!\" The other is with an idea of mine:", "trigger. There's silly stuff like when G blows up and only his head", "Nonetheless this idea's essence is *practicality > literally Semurui Recz but with laser", "harm the story's overall tone as a funny love letter to those who", "and Osu Kissing the Tears* levels of jackhammering on the trigger. There's silly", "series. They abuse Grievous with 7W laserpointers and flashbangs, blow Durge up with", "only his head remains, he says MC (main character) stands taller as a", "Clone Wars miniseries by Gendy ~~Tarantino~~ Tartakovsky. It takes the rule of cool,", "with a blaster, a GoPro, a smartphone and Osu Kissing the Tears levels", "with 7W laserpointers and flashbangs, blow Durge up with IEDs and destroy an", "Wars miniseries by Gendy ~~Tarantino~~ Tartakovsky. It takes the rule of cool, prevalent", "Gendy ~~Tarantino~~ Tartakovsky. It takes the rule of cool, prevalent in the series,", "I shouldn't sacrifice too much of the story and the characters for the", "point where everyone goes \"That makes no sense!\" The other is with an", "world, and that I shouldn't sacrifice too much of the story and the", "end of the world, and that I shouldn't sacrifice too much of the", "GoPro, a smartphone and Osu Kissing the Tears levels of jackhammering on the", "literally Semurui Recz but with laser swords One could argue that such moments", "such moments won't harm the story's overall tone as a funny love letter", "SW's worldbuilding. But what should I do when the story is actually serious", "They abuse Grievous with 7W laserpointers and flashbangs, blow Durge up with IEDs", "MC (main character) stands taller as a warrior than he does. Nonetheless this", "of its premise but it could get in the way of other stuff?*", "is actually serious and logic is a cornerstone of its premise but it", "a breaking point where everyone goes \"That makes no sense!\" The other is", "with an idea of mine: Essentially the parody of the 2003 Clone Wars", "the Tears levels of jackhammering on the trigger. There's silly stuff like when", "should I do when the story is actually serious and logic is a", "there's a breaking point where everyone goes \"That makes no sense!\" The other", "do when the story is actually serious and logic is a cornerstone of", "2003 Clone Wars miniseries by Gendy ~~Tarantino~~ Tartakovsky. It takes the rule of", "this idea's essence is practicality > literally Semurui Recz but with laser swords", "laser swords One could argue that such moments won't harm the story's overall", "[Metk mentioned in his answer](https://writing.stackexchange.com/a/47928/32946) that plotholes aren't usually the end of the", "the 2003 Clone Wars miniseries by Gendy ~~Tarantino~~ Tartakovsky. It takes the rule", "is a cornerstone of its premise but it could get in the way", "who thought Holdo's driving skills are what ruined SW's worldbuilding. But what should", "cornerstone of its premise but it could get in the way of other", "Frizzle overtake the series. They abuse Grievous with 7W laserpointers and flashbangs, blow", "idea of mine: Essentially the parody of the 2003 Clone Wars miniseries by", "of cool, prevalent in the series, exploits and abridges it when Styropyro, Szertár,", "But there's a breaking point where everyone goes \"That makes no sense!\" The", "in the series, exploits and abridges it when Styropyro, Szertár, Sam O'Nella, and", "is practicality > literally Semurui Recz but with laser swords One could argue", "and flashbangs, blow Durge up with IEDs and destroy an army of 200+", "idea's essence is practicality > literally Semurui Recz but with laser swords One", "what should I do when the story is actually serious and logic is", "Recz but with laser swords One could argue that such moments won't harm", "Holdo's driving skills are what ruined SW's worldbuilding. But what should I do", "stuff like when G blows up and only his head remains, he says", "jackhammering on the trigger. There's silly stuff like when G blows up and", "he does. Nonetheless this idea's essence is practicality > literally Semurui Recz but", "of mine: Essentially the parody of the 2003 Clone Wars miniseries by Gendy", "mentioned in his answer](https://writing.stackexchange.com/a/47928/32946) that plotholes aren't usually the end of the world,", "laserpointers and flashbangs, blow Durge up with IEDs and destroy an army of", "and only his head remains, he says MC (main character) stands taller as", "to those who thought Holdo's driving skills are what ruined SW's worldbuilding. But", "story and the characters for the sake of logic. But there's a breaking", "\"That makes no sense!\" The other is with an idea of mine: Essentially", "what ruined SW's worldbuilding. But what should I do when the story is", "his answer](https://writing.stackexchange.com/a/47928/32946) that plotholes aren't usually the end of the world, and that", "7W laserpointers and flashbangs, blow Durge up with IEDs and destroy an army", "and destroy an army of 200+ droids with a blaster, a GoPro, a", "of jackhammering on the trigger. There's silly stuff like when G blows up", "characters for the sake of logic. But there's a breaking point where everyone", "warrior than he does. Nonetheless this idea's essence is practicality > literally Semurui", "Szertár, Sam O'Nella, and Ms. Frizzle overtake the series. They abuse Grievous with", "200+ droids with a blaster, a GoPro, a smartphone and Osu Kissing the", "too much of the story and the characters for the sake of logic.", "as a warrior than he does. Nonetheless this idea's essence is practicality >", "story's overall tone as a funny love letter to those who thought Holdo's", "swords* One could argue that such moments won't harm the story's overall tone", "> literally Semurui Recz but with laser swords One could argue that such", "could argue that such moments won't harm the story's overall tone as a", "It takes the rule of cool, prevalent in the series, exploits and abridges", "and logic is a cornerstone of its premise but it could get in", "Sam O'Nella, and Ms. Frizzle overtake the series. 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But there's a breaking point where everyone goes", "of the story and the characters for the sake of logic. But there's", "smartphone and Osu Kissing the Tears levels of jackhammering on the trigger. There's", "The other is with an idea of mine: Essentially the parody of the", "answer](https://writing.stackexchange.com/a/47928/32946) that plotholes aren't usually the end of the world, and that I", "the parody of the 2003 Clone Wars miniseries by Gendy ~~Tarantino~~ Tartakovsky. It", "of the world, and that I shouldn't sacrifice too much of the story", "sacrifice too much of the story and the characters for the sake of", "he says MC (main character) stands taller as a warrior than he does.", "driving skills are what ruined SW's worldbuilding. But what should I do when", "parody of the 2003 Clone Wars miniseries by Gendy ~~Tarantino~~ Tartakovsky. It takes", "when the story is actually serious and logic is a cornerstone of its", "it when Styropyro, Szertár, Sam O'Nella, and Ms. Frizzle overtake the series. They", "ruined SW's worldbuilding. But what should I do when the story is actually", "*But what should I do when the story is actually serious and logic", "stands taller as a warrior than he does. Nonetheless this idea's essence is", "is with an idea of mine: Essentially the parody of the 2003 Clone", "droids with a blaster, a GoPro, a smartphone and Osu Kissing the Tears", "Tartakovsky. It takes the rule of cool, prevalent in the series, exploits and", "like when G blows up and only his head remains, he says MC", "taller as a warrior than he does. Nonetheless this idea's essence is practicality", "on the trigger. There's silly stuff like when G blows up and only", "character) stands taller as a warrior than he does. 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Nonetheless this idea's", "prevalent in the series, exploits and abridges it when Styropyro, Szertár, Sam O'Nella,", "actually serious and logic is a cornerstone of its premise but it could", "that I shouldn't sacrifice too much of the story and the characters for", "abuse Grievous with 7W laserpointers and flashbangs, blow Durge up with IEDs and", "miniseries by Gendy ~~Tarantino~~ Tartakovsky. It takes the rule of cool, prevalent in", "worldbuilding. *But what should I do when the story is actually serious and", "blaster, a GoPro, a smartphone and Osu Kissing the Tears* levels of jackhammering", "sake of logic. 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Nonetheless", "a GoPro, a smartphone and Osu Kissing the Tears levels of jackhammering on", "the sake of logic. But there's a breaking point where everyone goes \"That", "overtake the series. They abuse Grievous with 7W laserpointers and flashbangs, blow Durge", "but with laser swords One could argue that such moments won't harm the", "Durge up with IEDs and destroy an army of 200+ droids with a", "where everyone goes \"That makes no sense!\" The other is with an idea", "overall tone as a funny love letter to those who thought Holdo's driving", "aren't usually the end of the world, and that I shouldn't sacrifice too", "and abridges it when Styropyro, Szertár, Sam O'Nella, and Ms. Frizzle overtake the", "the characters for the sake of logic. But there's a breaking point where", "skills are what ruined SW's worldbuilding. But what should I do when the", "series, exploits and abridges it when Styropyro, Szertár, Sam O'Nella, and Ms. Frizzle", "practicality > literally Semurui Recz but with laser swords One could argue that", "shouldn't sacrifice too much of the story and the characters for the sake", "army of 200+ droids with a blaster, a GoPro, a smartphone and Osu", "of the 2003 Clone Wars miniseries by Gendy ~~Tarantino~~ Tartakovsky. It takes the", "other is with an idea of mine: Essentially the parody of the 2003", "love letter to those who thought Holdo's driving skills are what ruined SW's", "with IEDs and destroy an army of 200+ droids with a blaster, a", "~~Tarantino~~ Tartakovsky. It takes the rule of cool, prevalent in the series, exploits", "the rule of cool, prevalent in the series, exploits and abridges it when", "a funny love letter to those who thought Holdo's driving skills are what", "his head remains, he says MC (main character) stands taller as a warrior", "the story and the characters for the sake of logic. But there's a", "and Ms. Frizzle overtake the series. They abuse Grievous with 7W laserpointers and", "exploits and abridges it when Styropyro, Szertár, Sam O'Nella, and Ms. Frizzle overtake", "Grievous with 7W laserpointers and flashbangs, blow Durge up with IEDs and destroy", "One could argue that such moments won't harm the story's overall tone as", "cool, prevalent in the series, exploits and abridges it when Styropyro, Szertár, Sam", "Essentially the parody of the 2003 Clone Wars miniseries by Gendy ~~Tarantino~~ Tartakovsky.", "no sense!\" The other is with an idea of mine: Essentially the parody", "than he does. Nonetheless this idea's essence is **practicality > literally Semurui Recz", "when G blows up and only his head remains, he says MC (main", "moments won't harm the story's overall tone as a funny love letter to", "flashbangs, blow Durge up with IEDs and destroy an army of 200+ droids" ]
[ "become inconvenient, with the justification that the situation made it necessary. Now, I", "torture (both mental and physical torture) or otherwise discard people who are of", "goal, but a side-effect of her tactic to remain popular and to not", "the readers - at least until the end - the detail that this", "at pretending to care, yet when circumstances allow, she can revel in her", "whose character arc runs from spoilt rich girl, to a refugee in the", "to remain popular and to not be regarded as someone who is dangerous", "that this character is in fact a sociopath. In the end, I am", "about the people around her, but she is highly intelligent and self-disciplined, perhaps", "them and disposes of them in non-lethal ways - whenever she can justify", "isn't her goal, but a side-effect of her tactic to remain popular and", "situation made it necessary. Now, I have the idea to conceal from the", "a better state because of her presence, that isn't her goal, but a", "she joins gives her the opportunity to act more as she chooses than", "and then captain of a pirate spacecraft, and ultimately to empress of all", "unusually for sociopaths, and is good at pretending to care, yet when circumstances", "care even slightly about the people around her, but she is highly intelligent", "knowledge that this character is a successful sociopath. She doesn't care even slightly", "to crewmember and then captain of a pirate spacecraft, and ultimately to empress", "character whose character arc runs from spoilt rich girl, to a refugee in", "ends up in a better state because of her presence, that isn't her", "gritty style, and she is no saint. She kills people - or uses", "to kill, maim, torture (both mental and physical torture) or otherwise discard people", "In the end, I am writing about the first Empress of Mankind in", "ability to kill, maim, torture (both mental and physical torture) or otherwise discard", "this character is a successful sociopath. She doesn't care even slightly about the", "about others in order to gain sympathy and co-operation... and should I want", "a pirate spacecraft, and ultimately to empress of all mankind. Running through all", "in order to gain sympathy and co-operation... and should I want to conceal", "in her ability to kill, maim, torture (both mental and physical torture) or", "allow, she can revel in her ability to kill, maim, torture (both mental", "of this, I have the knowledge that this character is a successful sociopath.", "even slightly about the people around her, but she is highly intelligent and", "but she is highly intelligent and self-disciplined, perhaps unusually for sociopaths, and is", "an anti-heroic sci-fi character whose character arc runs from spoilt rich girl, to", "to care, yet when circumstances allow, she can revel in her ability to", "persona that she tries to project, that of a \"nice girl\" when amongst", "the people around her, but she is highly intelligent and self-disciplined, perhaps unusually", "so according to the persona that she tries to project, that of a", "slightly about the people around her, but she is highly intelligent and self-disciplined,", "physical torture) or otherwise discard people who are of no further use to", "saint. She kills people - or uses them and disposes of them in", "her tactic to remain popular and to not be regarded as someone who", "but a side-effect of her tactic to remain popular and to not be", "because of her presence, that isn't her goal, but a side-effect of her", "spoilt rich girl, to a refugee in the rubble of human civilisation after", "detail that this character is in fact a sociopath. In the end, I", "and who should be avoided or eliminated. How could I best write about", "the knowledge that this character is a successful sociopath. She doesn't care even", "she can when amongst law-abiding people. While ultimately mankind ends up in a", "all mankind. Running through all of this, I have the knowledge that this", "state because of her presence, that isn't her goal, but a side-effect of", "eliminated. How could I best write about this protagonist without giving away the", "fairly realistic, gritty style, and she is no saint. She kills people -", "order to gain sympathy and co-operation... and should I want to conceal this", "She doesn't care even slightly about the people around her, but she is", "to her or who have become inconvenient, with the justification that the situation", "to not be regarded as someone who is dangerous and who should be", "tactic to remain popular and to not be regarded as someone who is", "pretending to care, yet when circumstances allow, she can revel in her ability", "she tries to project, that of a \"nice girl\" when amongst regular people.", "pretends to care about others in order to gain sympathy and co-operation... and", "or who have become inconvenient, with the justification that the situation made it", "in a better state because of her presence, that isn't her goal, but", "perhaps unusually for sociopaths, and is good at pretending to care, yet when", "care, yet when circumstances allow, she can revel in her ability to kill,", "further use to her or who have become inconvenient, with the justification that", "to care about others in order to gain sympathy and co-operation... and should", "While ultimately mankind ends up in a better state because of her presence,", "and is good at pretending to care, yet when circumstances allow, she can", "joins gives her the opportunity to act more as she chooses than she", "protagonist without giving away the fact that she is a sociopath, and only", "without giving away the fact that she is a sociopath, and only ever", "her the opportunity to act more as she chooses than she can when", "character is in fact a sociopath. In the end, I am writing about", "can revel in her ability to kill, maim, torture (both mental and physical", "(both mental and physical torture) or otherwise discard people who are of no", "she is a sociopath, and only ever pretends to care about others in", "when amongst law-abiding people. While ultimately mankind ends up in a better state", "this protagonist without giving away the fact that she is a sociopath, and", "write about this protagonist without giving away the fact that she is a", "of them in non-lethal ways - whenever she can justify doing so according", "writing about the first Empress of Mankind in a fairly realistic, gritty style,", "or eliminated. How could I best write about this protagonist without giving away", "kills people - or uses them and disposes of them in non-lethal ways", "until the end - the detail that this character is in fact a", "whenever she can justify doing so according to the persona that she tries", "is good at pretending to care, yet when circumstances allow, she can revel", "The pirate crew she joins gives her the opportunity to act more as", "regular people. The pirate crew she joins gives her the opportunity to act", "people around her, but she is highly intelligent and self-disciplined, perhaps unusually for", "to gain sympathy and co-operation... and should I want to conceal this fact?", "fact that she is a sociopath, and only ever pretends to care about", "as she chooses than she can when amongst law-abiding people. While ultimately mankind", "have an idea for an anti-heroic sci-fi character whose character arc runs from", "sci-fi character whose character arc runs from spoilt rich girl, to a refugee", "empress of all mankind. Running through all of this, I have the knowledge", "mankind ends up in a better state because of her presence, that isn't", "an alien invasion, to crewmember and then captain of a pirate spacecraft, and", "this, I have the knowledge that this character is a successful sociopath. She", "all of this, I have the knowledge that this character is a successful", "are of no further use to her or who have become inconvenient, with", "of human civilisation after an alien invasion, to crewmember and then captain of", "should be avoided or eliminated. How could I best write about this protagonist", "a refugee in the rubble of human civilisation after an alien invasion, to", "is no saint. She kills people - or uses them and disposes of", "and self-disciplined, perhaps unusually for sociopaths, and is good at pretending to care,", "a sociopath, and only ever pretends to care about others in order to", "remain popular and to not be regarded as someone who is dangerous and", "ever pretends to care about others in order to gain sympathy and co-operation...", "sociopaths, and is good at pretending to care, yet when circumstances allow, she", "the detail that this character is in fact a sociopath. In the end,", "successful sociopath. She doesn't care even slightly about the people around her, but", "use to her or who have become inconvenient, with the justification that the", "of no further use to her or who have become inconvenient, with the", "who is dangerous and who should be avoided or eliminated. How could I", "of Mankind in a fairly realistic, gritty style, and she is no saint.", "who are of no further use to her or who have become inconvenient,", "doesn't care even slightly about the people around her, but she is highly", "that of a \"nice girl\" when amongst regular people. The pirate crew she", "not be regarded as someone who is dangerous and who should be avoided", "of her tactic to remain popular and to not be regarded as someone", "act more as she chooses than she can when amongst law-abiding people. While", "a successful sociopath. She doesn't care even slightly about the people around her,", "have become inconvenient, with the justification that the situation made it necessary. Now,", "made it necessary. Now, I have the idea to conceal from the readers", "to project, that of a \"nice girl\" when amongst regular people. The pirate", "idea for an anti-heroic sci-fi character whose character arc runs from spoilt rich", "runs from spoilt rich girl, to a refugee in the rubble of human", "around her, but she is highly intelligent and self-disciplined, perhaps unusually for sociopaths,", "this character is in fact a sociopath. In the end, I am writing", "chooses than she can when amongst law-abiding people. While ultimately mankind ends up", "that this character is a successful sociopath. She doesn't care even slightly about", "can when amongst law-abiding people. While ultimately mankind ends up in a better", "yet when circumstances allow, she can revel in her ability to kill, maim,", "sociopath. In the end, I am writing about the first Empress of Mankind", "amongst regular people. The pirate crew she joins gives her the opportunity to", "I have an idea for an anti-heroic sci-fi character whose character arc runs", "then captain of a pirate spacecraft, and ultimately to empress of all mankind.", "highly intelligent and self-disciplined, perhaps unusually for sociopaths, and is good at pretending", "in fact a sociopath. In the end, I am writing about the first", "the fact that she is a sociopath, and only ever pretends to care", "to a refugee in the rubble of human civilisation after an alien invasion,", "can justify doing so according to the persona that she tries to project,", "better state because of her presence, that isn't her goal, but a side-effect", "inconvenient, with the justification that the situation made it necessary. Now, I have", "or otherwise discard people who are of no further use to her or", "of a pirate spacecraft, and ultimately to empress of all mankind. Running through", "about the first Empress of Mankind in a fairly realistic, gritty style, and", "presence, that isn't her goal, but a side-effect of her tactic to remain", "uses them and disposes of them in non-lethal ways - whenever she can", "justification that the situation made it necessary. Now, I have the idea to", "her or who have become inconvenient, with the justification that the situation made", "end - the detail that this character is in fact a sociopath. In", "when amongst regular people. The pirate crew she joins gives her the opportunity", "she can revel in her ability to kill, maim, torture (both mental and", "style, and she is no saint. She kills people - or uses them", "them in non-lethal ways - whenever she can justify doing so according to", "least until the end - the detail that this character is in fact", "only ever pretends to care about others in order to gain sympathy and", "to conceal from the readers - at least until the end - the", "I best write about this protagonist without giving away the fact that she", "sociopath. She doesn't care even slightly about the people around her, but she", "avoided or eliminated. How could I best write about this protagonist without giving", "she can justify doing so according to the persona that she tries to", "in the rubble of human civilisation after an alien invasion, to crewmember and", "care about others in order to gain sympathy and co-operation... and should I", "sociopath, and only ever pretends to care about others in order to gain", "mankind. Running through all of this, I have the knowledge that this character", "who have become inconvenient, with the justification that the situation made it necessary.", "in a fairly realistic, gritty style, and she is no saint. She kills", "from the readers - at least until the end - the detail that", "popular and to not be regarded as someone who is dangerous and who", "How could I best write about this protagonist without giving away the fact", "through all of this, I have the knowledge that this character is a", "am writing about the first Empress of Mankind in a fairly realistic, gritty", "who should be avoided or eliminated. How could I best write about this", "Now, I have the idea to conceal from the readers - at least", "disposes of them in non-lethal ways - whenever she can justify doing so", "no saint. She kills people - or uses them and disposes of them", "she is highly intelligent and self-disciplined, perhaps unusually for sociopaths, and is good", "crewmember and then captain of a pirate spacecraft, and ultimately to empress of", "- or uses them and disposes of them in non-lethal ways - whenever", "law-abiding people. While ultimately mankind ends up in a better state because of", "maim, torture (both mental and physical torture) or otherwise discard people who are", "non-lethal ways - whenever she can justify doing so according to the persona", "her goal, but a side-effect of her tactic to remain popular and to", "the opportunity to act more as she chooses than she can when amongst", "rich girl, to a refugee in the rubble of human civilisation after an", "invasion, to crewmember and then captain of a pirate spacecraft, and ultimately to", "as someone who is dangerous and who should be avoided or eliminated. How", "from spoilt rich girl, to a refugee in the rubble of human civilisation", "discard people who are of no further use to her or who have", "dangerous and who should be avoided or eliminated. How could I best write", "doing so according to the persona that she tries to project, that of", "readers - at least until the end - the detail that this character", "with the justification that the situation made it necessary. Now, I have the", "people - or uses them and disposes of them in non-lethal ways -", "the end - the detail that this character is in fact a sociopath.", "- whenever she can justify doing so according to the persona that she", "realistic, gritty style, and she is no saint. She kills people - or", "pirate crew she joins gives her the opportunity to act more as she", "a sociopath. In the end, I am writing about the first Empress of", "Running through all of this, I have the knowledge that this character is", "Empress of Mankind in a fairly realistic, gritty style, and she is no", "according to the persona that she tries to project, that of a \"nice", "gives her the opportunity to act more as she chooses than she can", "is highly intelligent and self-disciplined, perhaps unusually for sociopaths, and is good at", "opportunity to act more as she chooses than she can when amongst law-abiding", "than she can when amongst law-abiding people. While ultimately mankind ends up in", "people. The pirate crew she joins gives her the opportunity to act more", "- the detail that this character is in fact a sociopath. In the", "justify doing so according to the persona that she tries to project, that", "fact a sociopath. In the end, I am writing about the first Empress", "girl\" when amongst regular people. The pirate crew she joins gives her the", "that she tries to project, that of a \"nice girl\" when amongst regular", "more as she chooses than she can when amongst law-abiding people. While ultimately", "girl, to a refugee in the rubble of human civilisation after an alien", "a fairly realistic, gritty style, and she is no saint. She kills people", "giving away the fact that she is a sociopath, and only ever pretends", "necessary. Now, I have the idea to conceal from the readers - at", "at least until the end - the detail that this character is in", "circumstances allow, she can revel in her ability to kill, maim, torture (both", "to empress of all mankind. Running through all of this, I have the", "to act more as she chooses than she can when amongst law-abiding people.", "she is no saint. She kills people - or uses them and disposes", "ways - whenever she can justify doing so according to the persona that", "idea to conceal from the readers - at least until the end -", "rubble of human civilisation after an alien invasion, to crewmember and then captain", "captain of a pirate spacecraft, and ultimately to empress of all mankind. Running", "be regarded as someone who is dangerous and who should be avoided or", "for sociopaths, and is good at pretending to care, yet when circumstances allow,", "a \"nice girl\" when amongst regular people. The pirate crew she joins gives", "her ability to kill, maim, torture (both mental and physical torture) or otherwise", "tries to project, that of a \"nice girl\" when amongst regular people. The", "that isn't her goal, but a side-effect of her tactic to remain popular", "be avoided or eliminated. How could I best write about this protagonist without", "the justification that the situation made it necessary. Now, I have the idea", "a side-effect of her tactic to remain popular and to not be regarded", "and only ever pretends to care about others in order to gain sympathy", "is in fact a sociopath. In the end, I am writing about the", "of a \"nice girl\" when amongst regular people. The pirate crew she joins", "have the knowledge that this character is a successful sociopath. She doesn't care", "self-disciplined, perhaps unusually for sociopaths, and is good at pretending to care, yet", "arc runs from spoilt rich girl, to a refugee in the rubble of", "the end, I am writing about the first Empress of Mankind in a", "she chooses than she can when amongst law-abiding people. While ultimately mankind ends", "She kills people - or uses them and disposes of them in non-lethal", "her presence, that isn't her goal, but a side-effect of her tactic to", "and ultimately to empress of all mankind. Running through all of this, I", "conceal from the readers - at least until the end - the detail", "or uses them and disposes of them in non-lethal ways - whenever she", "the situation made it necessary. Now, I have the idea to conceal from", "intelligent and self-disciplined, perhaps unusually for sociopaths, and is good at pretending to", "her, but she is highly intelligent and self-disciplined, perhaps unusually for sociopaths, and", "ultimately to empress of all mankind. Running through all of this, I have", "anti-heroic sci-fi character whose character arc runs from spoilt rich girl, to a", "when circumstances allow, she can revel in her ability to kill, maim, torture", "no further use to her or who have become inconvenient, with the justification", "of all mankind. Running through all of this, I have the knowledge that", "the idea to conceal from the readers - at least until the end", "up in a better state because of her presence, that isn't her goal,", "side-effect of her tactic to remain popular and to not be regarded as", "could I best write about this protagonist without giving away the fact that", "best write about this protagonist without giving away the fact that she is", "it necessary. Now, I have the idea to conceal from the readers -", "and she is no saint. She kills people - or uses them and", "I am writing about the first Empress of Mankind in a fairly realistic,", "spacecraft, and ultimately to empress of all mankind. Running through all of this,", "alien invasion, to crewmember and then captain of a pirate spacecraft, and ultimately", "project, that of a \"nice girl\" when amongst regular people. The pirate crew", "otherwise discard people who are of no further use to her or who", "after an alien invasion, to crewmember and then captain of a pirate spacecraft,", "crew she joins gives her the opportunity to act more as she chooses", "amongst law-abiding people. While ultimately mankind ends up in a better state because", "good at pretending to care, yet when circumstances allow, she can revel in", "\"nice girl\" when amongst regular people. The pirate crew she joins gives her", "Mankind in a fairly realistic, gritty style, and she is no saint. She", "I have the knowledge that this character is a successful sociopath. She doesn't", "ultimately mankind ends up in a better state because of her presence, that", "in non-lethal ways - whenever she can justify doing so according to the", "the persona that she tries to project, that of a \"nice girl\" when", "end, I am writing about the first Empress of Mankind in a fairly", "civilisation after an alien invasion, to crewmember and then captain of a pirate", "of her presence, that isn't her goal, but a side-effect of her tactic", "away the fact that she is a sociopath, and only ever pretends to", "and physical torture) or otherwise discard people who are of no further use", "refugee in the rubble of human civilisation after an alien invasion, to crewmember", "kill, maim, torture (both mental and physical torture) or otherwise discard people who", "pirate spacecraft, and ultimately to empress of all mankind. Running through all of", "- at least until the end - the detail that this character is", "torture) or otherwise discard people who are of no further use to her", "people. While ultimately mankind ends up in a better state because of her", "mental and physical torture) or otherwise discard people who are of no further", "human civilisation after an alien invasion, to crewmember and then captain of a", "others in order to gain sympathy and co-operation... and should I want to", "and disposes of them in non-lethal ways - whenever she can justify doing", "about this protagonist without giving away the fact that she is a sociopath,", "character arc runs from spoilt rich girl, to a refugee in the rubble", "someone who is dangerous and who should be avoided or eliminated. How could", "that she is a sociopath, and only ever pretends to care about others", "an idea for an anti-heroic sci-fi character whose character arc runs from spoilt", "for an anti-heroic sci-fi character whose character arc runs from spoilt rich girl,", "that the situation made it necessary. Now, I have the idea to conceal", "to the persona that she tries to project, that of a \"nice girl\"", "I have the idea to conceal from the readers - at least until", "revel in her ability to kill, maim, torture (both mental and physical torture)", "is dangerous and who should be avoided or eliminated. How could I best", "is a successful sociopath. She doesn't care even slightly about the people around", "people who are of no further use to her or who have become", "the rubble of human civilisation after an alien invasion, to crewmember and then", "first Empress of Mankind in a fairly realistic, gritty style, and she is", "regarded as someone who is dangerous and who should be avoided or eliminated.", "character is a successful sociopath. She doesn't care even slightly about the people", "and to not be regarded as someone who is dangerous and who should", "the first Empress of Mankind in a fairly realistic, gritty style, and she", "is a sociopath, and only ever pretends to care about others in order", "have the idea to conceal from the readers - at least until the" ]
[ "semi-colons? For example: > > \"You need to record every action you make", "she recommended. > > > \"You need to record every action you make", "you only use colons and full stops in dialogues? I thought about using", "it almost in a way nonsensical to use semi-colons in dialogues. What do", "you make from now on. Otherwise, the > federal agents will arrest you", "to use semi-colons in dialogues. What do most authors tend to do concerning", "tend to do concerning semi-colons? Is it ok to replace semi-colons with full", "in one of my dialogues, but I had second thought about it, because", "Otherwise, the > federal agents will arrest you for questioning.\" she recommended. >", "on; otherwise, the > federal agents will arrest you for questioning.\" she recommended.", "do concerning semi-colons? Is it ok to replace semi-colons with full stops? When", "questioning.\" she recommended. > > > \"You need to record every action you", "one of my dialogues, but I had second thought about it, because when", "Should you only use colons and full stops in dialogues? I thought about", "nonsensical to use semi-colons in dialogues. What do most authors tend to do", "dialogues. What do most authors tend to do concerning semi-colons? Is it ok", "only use colons and full stops in dialogues? I thought about using a", "it, because when we talk, we don't really differentiate semi-colons from colons, so", "will arrest you for questioning.\" she recommended. > > > \"You need to", "every action you make from now on; otherwise, the > federal agents will", "federal agents will arrest you for questioning.\" she recommended. > > > \"You", "action you make from now on. Otherwise, the > federal agents will arrest", "I had second thought about it, because when we talk, we don't really", "\"You need to record every action you make from now on. Otherwise, the", "don't really differentiate semi-colons from colons, so it almost in a way nonsensical", "differentiate semi-colons from colons, so it almost in a way nonsensical to use", "for questioning.\" she recommended. > > > \"You need to record every action", "thought about using a semi-colon in one of my dialogues, but I had", "otherwise, the > federal agents will arrest you for questioning.\" she recommended. >", "recommended. > > > \"You need to record every action you make from", "you personally use semi-colons? For example: > > \"You need to record every", "almost in a way nonsensical to use semi-colons in dialogues. What do most", "record every action you make from now on; otherwise, the > federal agents", "from now on. Otherwise, the > federal agents will arrest you for questioning.\"", "in dialogues? I thought about using a semi-colon in one of my dialogues,", "a way nonsensical to use semi-colons in dialogues. What do most authors tend", "need to record every action you make from now on. Otherwise, the >", "> \"You need to record every action you make from now on. Otherwise,", "do most authors tend to do concerning semi-colons? Is it ok to replace", "talk, we don't really differentiate semi-colons from colons, so it almost in a", "semi-colons with full stops? When would you personally use semi-colons? For example: >", "had second thought about it, because when we talk, we don't really differentiate", "authors tend to do concerning semi-colons? Is it ok to replace semi-colons with", "because when we talk, we don't really differentiate semi-colons from colons, so it", "a semi-colon in one of my dialogues, but I had second thought about", "and full stops in dialogues? I thought about using a semi-colon in one", "to record every action you make from now on. Otherwise, the > federal", "I thought about using a semi-colon in one of my dialogues, but I", "use semi-colons? For example: > > \"You need to record every action you", "Is it ok to replace semi-colons with full stops? When would you personally", "we don't really differentiate semi-colons from colons, so it almost in a way", "make from now on. Otherwise, the > federal agents will arrest you for", "but I had second thought about it, because when we talk, we don't", "> \"You need to record every action you make from now on; otherwise,", "For example: > > \"You need to record every action you make from", "personally use semi-colons? For example: > > \"You need to record every action", "concerning semi-colons? Is it ok to replace semi-colons with full stops? When would", "full stops? When would you personally use semi-colons? For example: > > \"You", "make from now on; otherwise, the > federal agents will arrest you for", "to do concerning semi-colons? Is it ok to replace semi-colons with full stops?", "use semi-colons in dialogues. What do most authors tend to do concerning semi-colons?", "we talk, we don't really differentiate semi-colons from colons, so it almost in", "way nonsensical to use semi-colons in dialogues. What do most authors tend to", "> > \"You need to record every action you make from now on.", "semi-colons from colons, so it almost in a way nonsensical to use semi-colons", "What do most authors tend to do concerning semi-colons? Is it ok to", "thought about it, because when we talk, we don't really differentiate semi-colons from", "ok to replace semi-colons with full stops? When would you personally use semi-colons?", "you make from now on; otherwise, the > federal agents will arrest you", "> > > \"You need to record every action you make from now", "stops? When would you personally use semi-colons? For example: > > \"You need", "replace semi-colons with full stops? When would you personally use semi-colons? For example:", "when we talk, we don't really differentiate semi-colons from colons, so it almost", "really differentiate semi-colons from colons, so it almost in a way nonsensical to", "so it almost in a way nonsensical to use semi-colons in dialogues. What", "semi-colons in dialogues. What do most authors tend to do concerning semi-colons? Is", "of my dialogues, but I had second thought about it, because when we", "now on; otherwise, the > federal agents will arrest you for questioning.\" she", "> federal agents will arrest you for questioning.\" she recommended. > > >", "dialogues, but I had second thought about it, because when we talk, we", "about it, because when we talk, we don't really differentiate semi-colons from colons,", "dialogues? I thought about using a semi-colon in one of my dialogues, but", "example: > > \"You need to record every action you make from now", "using a semi-colon in one of my dialogues, but I had second thought", "record every action you make from now on. Otherwise, the > federal agents", "it ok to replace semi-colons with full stops? When would you personally use", "in a way nonsensical to use semi-colons in dialogues. What do most authors", "about using a semi-colon in one of my dialogues, but I had second", "you for questioning.\" she recommended. > > > \"You need to record every", "action you make from now on; otherwise, the > federal agents will arrest", "When would you personally use semi-colons? For example: > > \"You need to", "semi-colon in one of my dialogues, but I had second thought about it,", "arrest you for questioning.\" she recommended. > > > \"You need to record", "semi-colons? Is it ok to replace semi-colons with full stops? When would you", "\"You need to record every action you make from now on; otherwise, the", "now on. Otherwise, the > federal agents will arrest you for questioning.\" she", "from now on; otherwise, the > federal agents will arrest you for questioning.\"", "second thought about it, because when we talk, we don't really differentiate semi-colons", "with full stops? When would you personally use semi-colons? For example: > >", "every action you make from now on. Otherwise, the > federal agents will", "the > federal agents will arrest you for questioning.\" she recommended. > >", "colons and full stops in dialogues? I thought about using a semi-colon in", "my dialogues, but I had second thought about it, because when we talk,", "need to record every action you make from now on; otherwise, the >", "> > \"You need to record every action you make from now on;", "agents will arrest you for questioning.\" she recommended. > > > \"You need", "use colons and full stops in dialogues? I thought about using a semi-colon", "in dialogues. What do most authors tend to do concerning semi-colons? Is it", "full stops in dialogues? I thought about using a semi-colon in one of", "would you personally use semi-colons? For example: > > \"You need to record", "most authors tend to do concerning semi-colons? Is it ok to replace semi-colons", "stops in dialogues? I thought about using a semi-colon in one of my", "to record every action you make from now on; otherwise, the > federal", "to replace semi-colons with full stops? When would you personally use semi-colons? For", "from colons, so it almost in a way nonsensical to use semi-colons in", "colons, so it almost in a way nonsensical to use semi-colons in dialogues.", "on. Otherwise, the > federal agents will arrest you for questioning.\" she recommended." ]
[ "New Jersey) less than 5 years in the future, which is recovering from", "paedophilia - while he should have known better, she initiated the inappropriate relationship.", "though under-age, to enjoy herself. How do I show the reader that this", "scene... and elsewhere in the story I have done just that with other", "not. Part of her story arc is that while under-age (she's between 14", "years old at the time), she - on her own initiative - engages", "the inappropriate relationship. Since these relationships involve an under-aged girl initiating, engaging in", "under-age, to enjoy herself. How do I show the reader that this character", "in and enjoying sexual relations, in the first case with a boy who", "out that which she later turned against her clients. If all the characters", "is a sociopath, prepared to do things that normal people would not. Part", "relations, and that her accusations of rape were false, even if her relationship", "relationship has ended, and to let the other school boys to whom she", "person over 18 engaging in sexual relations with a person below the age", "even if her relationship with the older man was legally paedophilia - while", "insanity - and should I?](https://writing.stackexchange.com/q/47941/40449) is that she is a sociopath, prepared to", "man, in order to get the funds to obtain a piece of equipment", "other adult characters, but how do I show what I need to show", "in the second case with a man old enough that he ought to", "to the authorities in order to fend off an accusation that she is", "that he ought to have known better than to have participated, I am", "my main character from [Can I conceal an antihero's insanity - and should", "of rape were false, even if her relationship with the older man was", "the case of one school boy who does not accept that their relationship", "as is a person over 18 engaging in sexual relations with a person", "boy who does not accept that their relationship has ended, and to let", "she was sufficiently mature, even though under-age, to enjoy herself. How do I", "and elsewhere in the story I have done just that with other adult", "which is recovering from a disastrous alien attack some years before that had", "her story arc is that while under-age (she's between 14 and 15 years", "is a person over 18 engaging in sexual relations with a person below", "with a man old enough that he ought to have known better than", "this is occurring in a slightly post-modern-day USA, (in either New York state", "enough that he ought to have known better than to have participated, I", "from these relationships, she ends them, but in the case of one school", "boys to whom she was prostituting herself know that the consequences of going", "few boys who attend school with her, as well as with an older", "ended, and to let the other school boys to whom she was prostituting", "adult characters, but how do I show what I need to show in", "even though under-age, to enjoy herself. How do I show the reader that", "their relationship has ended, and to let the other school boys to whom", "under-age (she's between 14 and 15 years old at the time), she -", "relationships, she ends them, but in the case of one school boy who", "have participated, I am somewhat at a loss as to how to portray", "that her accusations of rape were false, even if her relationship with the", "at a loss as to how to portray this. I don't personally condone", "on her own initiative - engages in prostitution, with a few boys who", "well as with an older man, in order to get the funds to", "is that she is a sociopath, prepared to do things that normal people", "prove vital for the later parts of the story. When she has what", "clients. If all the characters were consenting and of legal age, I would", "not accept that their relationship has ended, and to let the other school", "she ends them, but in the case of one school boy who does", "is recovering from a disastrous alien attack some years before that had significantly", "prostitute. In case it matters, this is occurring in a slightly post-modern-day USA,", "and enjoying sexual relations, in the first case with a boy who is", "a slightly post-modern-day USA, (in either New York state or New Jersey) less", "character deliberately sought out that which she later turned against her clients. If", "have done just that with other adult characters, but how do I show", "between 14 and 15 years old at the time), she - on her", "to show that my main character deliberately sought out that which she later", "old enough that he ought to have known better than to have participated,", "the reality of the situation is that not only did she initiate these", "- engaging in prostitution is still illegal, as is a person over 18", "this character not only initiated but enjoyed these relations, and that her accusations", "sexual relations, in the first case with a boy who is also under-age,", "man, she reports him to the authorities in order to fend off an", "he ought to have known better than to have participated, I am somewhat", "her clients. If all the characters were consenting and of legal age, I", "prostitution is still illegal, as is a person over 18 engaging in sexual", "show that my main character deliberately sought out that which she later turned", "funds to obtain a piece of equipment that will prove vital for the", "the characters have done, but I also need to show that my main", "the consequences of going against her will will be dire, she reports them", "have known better, she initiated the inappropriate relationship. Since these relationships involve an", "things are slowly returning to normal. Laws are pretty much unchanged, at least", "I am somewhat at a loss as to how to portray this. I", "that will prove vital for the later parts of the story. When she", "this area - engaging in prostitution is still illegal, as is a person", "of equipment that will prove vital for the later parts of the story.", "engaging in prostitution is still illegal, as is a person over 18 engaging", "at the time this occurs, things are slowly returning to normal. Laws are", "New York state or New Jersey) less than 5 years in the future,", "do I show the reader that this character not only initiated but enjoyed", "participated, I am somewhat at a loss as to how to portray this.", "sex scene... and elsewhere in the story I have done just that with", "arc is that while under-age (she's between 14 and 15 years old at", "of the character arc for my main character from [Can I conceal an", "the other school boys to whom she was prostituting herself know that the", "or New Jersey) less than 5 years in the future, which is recovering", "against her will will be dire, she reports them to the authorities, accuses", "Laws are pretty much unchanged, at least in this area - engaging in", "dire, she reports them to the authorities, accuses them of rape, and they", "under-age, and in the second case with a man old enough that he", "any of the characters have done, but I also need to show that", "she was prostituting herself know that the consequences of going against her will", "in the future, which is recovering from a disastrous alien attack some years", "5 years in the future, which is recovering from a disastrous alien attack", "had significantly disrupted everyday life, though at the time this occurs, things are", "loss as to how to portray this. I don't personally condone what any", "I?](https://writing.stackexchange.com/q/47941/40449) is that she is a sociopath, prepared to do things that normal", "order to fend off an accusation that she is a prostitute. In case", "a few boys who attend school with her, as well as with an", "older man was legally paedophilia - while he should have known better, she", "include a sex scene... and elsewhere in the story I have done just", "that not only did she initiate these relationships, she was sufficiently mature, even", "equipment that will prove vital for the later parts of the story. When", "involve an under-aged girl initiating, engaging in and enjoying sexual relations, in the", "that she is a prostitute. In case it matters, this is occurring in", "still illegal, as is a person over 18 engaging in sexual relations with", "USA, (in either New York state or New Jersey) less than 5 years", "18 engaging in sexual relations with a person below the age of consent.", "story. When she has what she wants from these relationships, she ends them,", "some years before that had significantly disrupted everyday life, though at the time", "the authorities in order to fend off an accusation that she is a", "with a boy who is also under-age, and in the second case with", "somewhat at a loss as to how to portray this. I don't personally", "she initiate these relationships, she was sufficiently mature, even though under-age, to enjoy", "herself. How do I show the reader that this character not only initiated", "to normal. Laws are pretty much unchanged, at least in this area -", "[Can I conceal an antihero's insanity - and should I?](https://writing.stackexchange.com/q/47941/40449) is that she", "man was legally paedophilia - while he should have known better, she initiated", "In the case of the older man, she reports him to the authorities", "known better, she initiated the inappropriate relationship. Since these relationships involve an under-aged", "time), she - on her own initiative - engages in prostitution, with a", "at the time), she - on her own initiative - engages in prostitution,", "How do I show the reader that this character not only initiated but", "man old enough that he ought to have known better than to have", "case of one school boy who does not accept that their relationship has", "only did she initiate these relationships, she was sufficiently mature, even though under-age,", "in order to fend off an accusation that she is a prostitute. In", "in this area - engaging in prostitution is still illegal, as is a", "these relationships involve an under-aged girl initiating, engaging in and enjoying sexual relations,", "in prostitution, with a few boys who attend school with her, as well", "unchanged, at least in this area - engaging in prostitution is still illegal,", "but enjoyed these relations, and that her accusations of rape were false, even", "story arc is that while under-age (she's between 14 and 15 years old", "I show the reader that this character not only initiated but enjoyed these", "recovering from a disastrous alien attack some years before that had significantly disrupted", "and they are convicted. In the case of the older man, she reports", "and that her accusations of rape were false, even if her relationship with", "with a few boys who attend school with her, as well as with", "will prove vital for the later parts of the story. When she has", "did she initiate these relationships, she was sufficiently mature, even though under-age, to", "relationships involve an under-aged girl initiating, engaging in and enjoying sexual relations, in", "her accusations of rape were false, even if her relationship with the older", "reality of the situation is that not only did she initiate these relationships,", "as with an older man, in order to get the funds to obtain", "does not accept that their relationship has ended, and to let the other", "a sociopath, prepared to do things that normal people would not. Part of", "accusation that she is a prostitute. In case it matters, this is occurring", "the second case with a man old enough that he ought to have", "at least in this area - engaging in prostitution is still illegal, as", "below the age of consent. However the reality of the situation is that", "characters were consenting and of legal age, I would just include a sex", "these relations, and that her accusations of rape were false, even if her", "are convicted. In the case of the older man, she reports him to", "with a person below the age of consent. However the reality of the", "If all the characters were consenting and of legal age, I would just", "vital for the later parts of the story. When she has what she", "which she later turned against her clients. If all the characters were consenting", "off an accusation that she is a prostitute. In case it matters, this", "wants from these relationships, she ends them, but in the case of one", "characters, but how do I show what I need to show in this", "and of legal age, I would just include a sex scene... and elsewhere", "the situation is that not only did she initiate these relationships, she was", "accept that their relationship has ended, and to let the other school boys", "initiative - engages in prostitution, with a few boys who attend school with", "Part of the character arc for my main character from [Can I conceal", "be dire, she reports them to the authorities, accuses them of rape, and", "him to the authorities in order to fend off an accusation that she", "them of rape, and they are convicted. In the case of the older", "is that while under-age (she's between 14 and 15 years old at the", "relations with a person below the age of consent. However the reality of", "an accusation that she is a prostitute. In case it matters, this is", "do things that normal people would not. Part of her story arc is", "of the story. When she has what she wants from these relationships, she", "better than to have participated, I am somewhat at a loss as to", "the reader that this character not only initiated but enjoyed these relations, and", "personally condone what any of the characters have done, but I also need", "- and should I?](https://writing.stackexchange.com/q/47941/40449) is that she is a sociopath, prepared to do", "her will will be dire, she reports them to the authorities, accuses them", "turned against her clients. If all the characters were consenting and of legal", "portray this. I don't personally condone what any of the characters have done,", "reports him to the authorities in order to fend off an accusation that", "as well as with an older man, in order to get the funds", "legally paedophilia - while he should have known better, she initiated the inappropriate", "case it matters, this is occurring in a slightly post-modern-day USA, (in either", "not only did she initiate these relationships, she was sufficiently mature, even though", "a person over 18 engaging in sexual relations with a person below the", "engaging in and enjoying sexual relations, in the first case with a boy", "first case with a boy who is also under-age, and in the second", "a disastrous alien attack some years before that had significantly disrupted everyday life,", "and in the second case with a man old enough that he ought", "know that the consequences of going against her will will be dire, she", "show the reader that this character not only initiated but enjoyed these relations,", "will be dire, she reports them to the authorities, accuses them of rape,", "also under-age, and in the second case with a man old enough that", "them to the authorities, accuses them of rape, and they are convicted. In", "is occurring in a slightly post-modern-day USA, (in either New York state or", "When she has what she wants from these relationships, she ends them, but", "who is also under-age, and in the second case with a man old", "the older man was legally paedophilia - while he should have known better,", "have known better than to have participated, I am somewhat at a loss", "he should have known better, she initiated the inappropriate relationship. Since these relationships", "is also under-age, and in the second case with a man old enough", "all the characters were consenting and of legal age, I would just include", "that normal people would not. Part of her story arc is that while", "everyday life, though at the time this occurs, things are slowly returning to", "case with a man old enough that he ought to have known better", "I also need to show that my main character deliberately sought out that", "to whom she was prostituting herself know that the consequences of going against", "initiating, engaging in and enjoying sexual relations, in the first case with a", "boy who is also under-age, and in the second case with a man", "though at the time this occurs, things are slowly returning to normal. Laws", "her relationship with the older man was legally paedophilia - while he should", "a loss as to how to portray this. I don't personally condone what", "the authorities, accuses them of rape, and they are convicted. In the case", "while he should have known better, she initiated the inappropriate relationship. Since these", "case of the older man, she reports him to the authorities in order", "15 years old at the time), she - on her own initiative -", "with her, as well as with an older man, in order to get", "going against her will will be dire, she reports them to the authorities,", "in the story I have done just that with other adult characters, but", "initiated but enjoyed these relations, and that her accusations of rape were false,", "mature, even though under-age, to enjoy herself. How do I show the reader", "normal people would not. Part of her story arc is that while under-age", "is still illegal, as is a person over 18 engaging in sexual relations", "least in this area - engaging in prostitution is still illegal, as is", "her, as well as with an older man, in order to get the", "area - engaging in prostitution is still illegal, as is a person over", "done, but I also need to show that my main character deliberately sought", "to the authorities, accuses them of rape, and they are convicted. In the", "slightly post-modern-day USA, (in either New York state or New Jersey) less than", "for my main character from [Can I conceal an antihero's insanity - and", "a piece of equipment that will prove vital for the later parts of", "future, which is recovering from a disastrous alien attack some years before that", "main character from [Can I conceal an antihero's insanity - and should I?](https://writing.stackexchange.com/q/47941/40449)", "the case of the older man, she reports him to the authorities in", "prostituting herself know that the consequences of going against her will will be", "character not only initiated but enjoyed these relations, and that her accusations of", "with other adult characters, but how do I show what I need to", "Part of her story arc is that while under-age (she's between 14 and", "life, though at the time this occurs, things are slowly returning to normal.", "than 5 years in the future, which is recovering from a disastrous alien", "done just that with other adult characters, but how do I show what", "a person below the age of consent. However the reality of the situation", "enjoying sexual relations, in the first case with a boy who is also", "not only initiated but enjoyed these relations, and that her accusations of rape", "an antihero's insanity - and should I?](https://writing.stackexchange.com/q/47941/40449) is that she is a sociopath,", "deliberately sought out that which she later turned against her clients. If all", "before that had significantly disrupted everyday life, though at the time this occurs,", "and 15 years old at the time), she - on her own initiative", "that my main character deliberately sought out that which she later turned against", "was prostituting herself know that the consequences of going against her will will", "she initiated the inappropriate relationship. Since these relationships involve an under-aged girl initiating,", "that with other adult characters, but how do I show what I need", "things that normal people would not. Part of her story arc is that", "character arc for my main character from [Can I conceal an antihero's insanity", "has ended, and to let the other school boys to whom she was", "of the situation is that not only did she initiate these relationships, she", "will will be dire, she reports them to the authorities, accuses them of", "matters, this is occurring in a slightly post-modern-day USA, (in either New York", "piece of equipment that will prove vital for the later parts of the", "who does not accept that their relationship has ended, and to let the", "these relationships, she was sufficiently mature, even though under-age, to enjoy herself. How", "they are convicted. In the case of the older man, she reports him", "sexual relations with a person below the age of consent. However the reality", "the time this occurs, things are slowly returning to normal. Laws are pretty", "disrupted everyday life, though at the time this occurs, things are slowly returning", "convicted. In the case of the older man, she reports him to the", "engaging in sexual relations with a person below the age of consent. However", "the later parts of the story. When she has what she wants from", "initiated the inappropriate relationship. Since these relationships involve an under-aged girl initiating, engaging", "school with her, as well as with an older man, in order to", "relationships, she was sufficiently mature, even though under-age, to enjoy herself. How do", "need to show that my main character deliberately sought out that which she", "she is a prostitute. In case it matters, this is occurring in a", "consent. However the reality of the situation is that not only did she", "- on her own initiative - engages in prostitution, with a few boys", "obtain a piece of equipment that will prove vital for the later parts", "- engages in prostitution, with a few boys who attend school with her,", "of the older man, she reports him to the authorities in order to", "boys who attend school with her, as well as with an older man,", "to obtain a piece of equipment that will prove vital for the later", "of one school boy who does not accept that their relationship has ended,", "accusations of rape were false, even if her relationship with the older man", "a man old enough that he ought to have known better than to", "school boys to whom she was prostituting herself know that the consequences of", "of her story arc is that while under-age (she's between 14 and 15", "were consenting and of legal age, I would just include a sex scene...", "years in the future, which is recovering from a disastrous alien attack some", "the characters were consenting and of legal age, I would just include a", "the first case with a boy who is also under-age, and in the", "to let the other school boys to whom she was prostituting herself know", "that the consequences of going against her will will be dire, she reports", "pretty much unchanged, at least in this area - engaging in prostitution is", "significantly disrupted everyday life, though at the time this occurs, things are slowly", "she is a sociopath, prepared to do things that normal people would not.", "she wants from these relationships, she ends them, but in the case of", "disastrous alien attack some years before that had significantly disrupted everyday life, though", "enjoyed these relations, and that her accusations of rape were false, even if", "better, she initiated the inappropriate relationship. Since these relationships involve an under-aged girl", "in the case of one school boy who does not accept that their", "to have participated, I am somewhat at a loss as to how to", "but I also need to show that my main character deliberately sought out", "initiate these relationships, she was sufficiently mature, even though under-age, to enjoy herself.", "in prostitution is still illegal, as is a person over 18 engaging in", "the story. When she has what she wants from these relationships, she ends", "girl initiating, engaging in and enjoying sexual relations, in the first case with", "in sexual relations with a person below the age of consent. However the", "that this character not only initiated but enjoyed these relations, and that her", "of the characters have done, but I also need to show that my", "- while he should have known better, she initiated the inappropriate relationship. Since", "older man, in order to get the funds to obtain a piece of", "in the first case with a boy who is also under-age, and in", "accuses them of rape, and they are convicted. In the case of the", "normal. Laws are pretty much unchanged, at least in this area - engaging", "are slowly returning to normal. Laws are pretty much unchanged, at least in", "these relationships, she ends them, but in the case of one school boy", "this. I don't personally condone what any of the characters have done, but", "person below the age of consent. However the reality of the situation is", "situation is that not only did she initiate these relationships, she was sufficiently", "sought out that which she later turned against her clients. If all the", "attend school with her, as well as with an older man, in order", "the age of consent. However the reality of the situation is that not", "she later turned against her clients. If all the characters were consenting and", "against her clients. If all the characters were consenting and of legal age,", "years before that had significantly disrupted everyday life, though at the time this", "authorities in order to fend off an accusation that she is a prostitute.", "arc for my main character from [Can I conceal an antihero's insanity -", "ought to have known better than to have participated, I am somewhat at", "attack some years before that had significantly disrupted everyday life, though at the", "it matters, this is occurring in a slightly post-modern-day USA, (in either New", "for the later parts of the story. When she has what she wants", "time this occurs, things are slowly returning to normal. Laws are pretty much", "would just include a sex scene... and elsewhere in the story I have", "than to have participated, I am somewhat at a loss as to how", "later turned against her clients. If all the characters were consenting and of", "either New York state or New Jersey) less than 5 years in the", "one school boy who does not accept that their relationship has ended, and", "would not. Part of her story arc is that while under-age (she's between", "other school boys to whom she was prostituting herself know that the consequences", "herself know that the consequences of going against her will will be dire,", "let the other school boys to whom she was prostituting herself know that", "people would not. Part of her story arc is that while under-age (she's", "the older man, she reports him to the authorities in order to fend", "second case with a man old enough that he ought to have known", "just that with other adult characters, but how do I show what I", "her own initiative - engages in prostitution, with a few boys who attend", "and to let the other school boys to whom she was prostituting herself", "that which she later turned against her clients. If all the characters were", "in a slightly post-modern-day USA, (in either New York state or New Jersey)", "she reports him to the authorities in order to fend off an accusation", "character from [Can I conceal an antihero's insanity - and should I?](https://writing.stackexchange.com/q/47941/40449) is", "consequences of going against her will will be dire, she reports them to", "occurring in a slightly post-modern-day USA, (in either New York state or New", "just include a sex scene... and elsewhere in the story I have done", "relationship. Since these relationships involve an under-aged girl initiating, engaging in and enjoying", "(she's between 14 and 15 years old at the time), she - on", "consenting and of legal age, I would just include a sex scene... and", "also need to show that my main character deliberately sought out that which", "prepared to do things that normal people would not. Part of her story", "she has what she wants from these relationships, she ends them, but in", "this occurs, things are slowly returning to normal. Laws are pretty much unchanged,", "but in the case of one school boy who does not accept that", "of going against her will will be dire, she reports them to the", "of consent. However the reality of the situation is that not only did", "Since these relationships involve an under-aged girl initiating, engaging in and enjoying sexual", "are pretty much unchanged, at least in this area - engaging in prostitution", "14 and 15 years old at the time), she - on her own", "the time), she - on her own initiative - engages in prostitution, with", "the funds to obtain a piece of equipment that will prove vital for", "the future, which is recovering from a disastrous alien attack some years before", "to enjoy herself. How do I show the reader that this character not", "antihero's insanity - and should I?](https://writing.stackexchange.com/q/47941/40449) is that she is a sociopath, prepared", "York state or New Jersey) less than 5 years in the future, which", "from [Can I conceal an antihero's insanity - and should I?](https://writing.stackexchange.com/q/47941/40449) is that", "main character deliberately sought out that which she later turned against her clients.", "who attend school with her, as well as with an older man, in", "conceal an antihero's insanity - and should I?](https://writing.stackexchange.com/q/47941/40449) is that she is a", "relations, in the first case with a boy who is also under-age, and", "to fend off an accusation that she is a prostitute. In case it", "she - on her own initiative - engages in prostitution, with a few", "them, but in the case of one school boy who does not accept", "was legally paedophilia - while he should have known better, she initiated the", "I have done just that with other adult characters, but how do I", "with an older man, in order to get the funds to obtain a", "condone what any of the characters have done, but I also need to", "reader that this character not only initiated but enjoyed these relations, and that", "what she wants from these relationships, she ends them, but in the case", "school boy who does not accept that their relationship has ended, and to", "post-modern-day USA, (in either New York state or New Jersey) less than 5", "the character arc for my main character from [Can I conceal an antihero's", "to have known better than to have participated, I am somewhat at a", "age, I would just include a sex scene... and elsewhere in the story", "state or New Jersey) less than 5 years in the future, which is", "my main character deliberately sought out that which she later turned against her", "an under-aged girl initiating, engaging in and enjoying sexual relations, in the first", "from a disastrous alien attack some years before that had significantly disrupted everyday", "occurs, things are slowly returning to normal. Laws are pretty much unchanged, at", "the story I have done just that with other adult characters, but how", "prostitution, with a few boys who attend school with her, as well as", "relationship with the older man was legally paedophilia - while he should have", "should have known better, she initiated the inappropriate relationship. Since these relationships involve", "get the funds to obtain a piece of equipment that will prove vital", "case with a boy who is also under-age, and in the second case", "if her relationship with the older man was legally paedophilia - while he", "only initiated but enjoyed these relations, and that her accusations of rape were", "has what she wants from these relationships, she ends them, but in the", "should I?](https://writing.stackexchange.com/q/47941/40449) is that she is a sociopath, prepared to do things that", "in order to get the funds to obtain a piece of equipment that", "inappropriate relationship. Since these relationships involve an under-aged girl initiating, engaging in and", "of legal age, I would just include a sex scene... and elsewhere in", "but how do I show what I need to show in this case?", "that while under-age (she's between 14 and 15 years old at the time),", "while under-age (she's between 14 and 15 years old at the time), she", "is that not only did she initiate these relationships, she was sufficiently mature,", "rape, and they are convicted. In the case of the older man, she", "age of consent. However the reality of the situation is that not only", "to how to portray this. I don't personally condone what any of the", "Jersey) less than 5 years in the future, which is recovering from a", "is a prostitute. In case it matters, this is occurring in a slightly", "much unchanged, at least in this area - engaging in prostitution is still", "less than 5 years in the future, which is recovering from a disastrous", "old at the time), she - on her own initiative - engages in", "enjoy herself. How do I show the reader that this character not only", "(in either New York state or New Jersey) less than 5 years in", "and should I?](https://writing.stackexchange.com/q/47941/40449) is that she is a sociopath, prepared to do things", "with the older man was legally paedophilia - while he should have known", "slowly returning to normal. Laws are pretty much unchanged, at least in this", "how to portray this. I don't personally condone what any of the characters", "I would just include a sex scene... and elsewhere in the story I", "she reports them to the authorities, accuses them of rape, and they are", "known better than to have participated, I am somewhat at a loss as", "as to how to portray this. I don't personally condone what any of", "characters have done, but I also need to show that my main character", "rape were false, even if her relationship with the older man was legally", "sufficiently mature, even though under-age, to enjoy herself. How do I show the", "reports them to the authorities, accuses them of rape, and they are convicted.", "However the reality of the situation is that not only did she initiate", "over 18 engaging in sexual relations with a person below the age of", "ends them, but in the case of one school boy who does not", "engages in prostitution, with a few boys who attend school with her, as", "story I have done just that with other adult characters, but how do", "to portray this. I don't personally condone what any of the characters have", "don't personally condone what any of the characters have done, but I also", "false, even if her relationship with the older man was legally paedophilia -", "fend off an accusation that she is a prostitute. In case it matters,", "illegal, as is a person over 18 engaging in sexual relations with a", "a sex scene... and elsewhere in the story I have done just that", "of rape, and they are convicted. In the case of the older man,", "elsewhere in the story I have done just that with other adult characters,", "that she is a sociopath, prepared to do things that normal people would", "whom she was prostituting herself know that the consequences of going against her", "that their relationship has ended, and to let the other school boys to", "to get the funds to obtain a piece of equipment that will prove", "authorities, accuses them of rape, and they are convicted. In the case of", "older man, she reports him to the authorities in order to fend off", "returning to normal. Laws are pretty much unchanged, at least in this area", "I don't personally condone what any of the characters have done, but I", "what any of the characters have done, but I also need to show", "I conceal an antihero's insanity - and should I?](https://writing.stackexchange.com/q/47941/40449) is that she is", "In case it matters, this is occurring in a slightly post-modern-day USA, (in", "own initiative - engages in prostitution, with a few boys who attend school", "that had significantly disrupted everyday life, though at the time this occurs, things", "sociopath, prepared to do things that normal people would not. Part of her", "order to get the funds to obtain a piece of equipment that will", "a boy who is also under-age, and in the second case with a", "under-aged girl initiating, engaging in and enjoying sexual relations, in the first case", "to do things that normal people would not. Part of her story arc", "legal age, I would just include a sex scene... and elsewhere in the", "parts of the story. When she has what she wants from these relationships,", "was sufficiently mature, even though under-age, to enjoy herself. How do I show", "a prostitute. In case it matters, this is occurring in a slightly post-modern-day", "were false, even if her relationship with the older man was legally paedophilia", "am somewhat at a loss as to how to portray this. I don't", "have done, but I also need to show that my main character deliberately", "later parts of the story. When she has what she wants from these", "alien attack some years before that had significantly disrupted everyday life, though at", "an older man, in order to get the funds to obtain a piece" ]
[ "so basically I'd like to be able to get a custom notebook with", "all the pages of the notebook, not just the cover. Is there a", "custom notebook with an arbitrary greyscale basis (whether lined, or with e.g. some", "notebooks with custom layout, so basically I'd like to be able to get", "able to get a custom notebook with an arbitrary greyscale basis (whether lined,", "between the lines (8mm). I would like to have very tiny spacing (3", "have very tiny spacing (3 or even 2mm). I haven't been able to", "store that will print notebooks based on your custom design? (In the UK)", "I have only been able to find lined notebooks with big spacing between", "them. Also, I'd like to design my own notebooks with custom layout, so", "the corner). To be clear I am talking about this being on all", "to find them. Also, I'd like to design my own notebooks with custom", "own notebooks with custom layout, so basically I'd like to be able to", "spacing between the lines (8mm). I would like to have very tiny spacing", "a good online store that will print notebooks based on your custom design?", "have only been able to find lined notebooks with big spacing between the", "good online store that will print notebooks based on your custom design? (In", "am talking about this being on all the pages of the notebook, not", "I am talking about this being on all the pages of the notebook,", "to be able to get a custom notebook with an arbitrary greyscale basis", "cover. Is there a good online store that will print notebooks based on", "basically I'd like to be able to get a custom notebook with an", "very tiny spacing (3 or even 2mm). I haven't been able to find", "would like to have very tiny spacing (3 or even 2mm). I haven't", "Is there a good online store that will print notebooks based on your", "design my own notebooks with custom layout, so basically I'd like to be", "2mm). I haven't been able to find them. Also, I'd like to design", "with an arbitrary greyscale basis (whether lined, or with e.g. some text in", "custom layout, so basically I'd like to be able to get a custom", "talking about this being on all the pages of the notebook, not just", "even 2mm). I haven't been able to find them. Also, I'd like to", "(8mm). I would like to have very tiny spacing (3 or even 2mm).", "in the corner). To be clear I am talking about this being on", "text in the corner). To be clear I am talking about this being", "(3 or even 2mm). I haven't been able to find them. Also, I'd", "with e.g. some text in the corner). To be clear I am talking", "or with e.g. some text in the corner). To be clear I am", "greyscale basis (whether lined, or with e.g. some text in the corner). To", "the notebook, not just the cover. Is there a good online store that", "to design my own notebooks with custom layout, so basically I'd like to", "lined notebooks with big spacing between the lines (8mm). I would like to", "there a good online store that will print notebooks based on your custom", "(whether lined, or with e.g. some text in the corner). To be clear", "I haven't been able to find them. Also, I'd like to design my", "been able to find them. Also, I'd like to design my own notebooks", "to have very tiny spacing (3 or even 2mm). I haven't been able", "I'd like to be able to get a custom notebook with an arbitrary", "notebook with an arbitrary greyscale basis (whether lined, or with e.g. some text", "find them. Also, I'd like to design my own notebooks with custom layout,", "big spacing between the lines (8mm). I would like to have very tiny", "like to design my own notebooks with custom layout, so basically I'd like", "lined, or with e.g. some text in the corner). To be clear I", "corner). To be clear I am talking about this being on all the", "the cover. Is there a good online store that will print notebooks based", "pages of the notebook, not just the cover. Is there a good online", "the pages of the notebook, not just the cover. Is there a good", "be able to get a custom notebook with an arbitrary greyscale basis (whether", "just the cover. Is there a good online store that will print notebooks", "to find lined notebooks with big spacing between the lines (8mm). I would", "an arbitrary greyscale basis (whether lined, or with e.g. some text in the", "find lined notebooks with big spacing between the lines (8mm). I would like", "of the notebook, not just the cover. Is there a good online store", "arbitrary greyscale basis (whether lined, or with e.g. some text in the corner).", "with custom layout, so basically I'd like to be able to get a", "get a custom notebook with an arbitrary greyscale basis (whether lined, or with", "this being on all the pages of the notebook, not just the cover.", "e.g. some text in the corner). To be clear I am talking about", "or even 2mm). I haven't been able to find them. Also, I'd like", "been able to find lined notebooks with big spacing between the lines (8mm).", "some text in the corner). To be clear I am talking about this", "notebooks with big spacing between the lines (8mm). I would like to have", "a custom notebook with an arbitrary greyscale basis (whether lined, or with e.g.", "spacing (3 or even 2mm). I haven't been able to find them. Also,", "able to find them. Also, I'd like to design my own notebooks with", "layout, so basically I'd like to be able to get a custom notebook", "tiny spacing (3 or even 2mm). I haven't been able to find them.", "not just the cover. Is there a good online store that will print", "like to be able to get a custom notebook with an arbitrary greyscale", "Also, I'd like to design my own notebooks with custom layout, so basically", "with big spacing between the lines (8mm). I would like to have very", "the lines (8mm). I would like to have very tiny spacing (3 or", "like to have very tiny spacing (3 or even 2mm). I haven't been", "on all the pages of the notebook, not just the cover. Is there", "my own notebooks with custom layout, so basically I'd like to be able", "basis (whether lined, or with e.g. some text in the corner). To be", "lines (8mm). I would like to have very tiny spacing (3 or even", "about this being on all the pages of the notebook, not just the", "be clear I am talking about this being on all the pages of", "clear I am talking about this being on all the pages of the", "notebook, not just the cover. Is there a good online store that will", "only been able to find lined notebooks with big spacing between the lines", "To be clear I am talking about this being on all the pages", "online store that will print notebooks based on your custom design? (In the", "I would like to have very tiny spacing (3 or even 2mm). I", "I'd like to design my own notebooks with custom layout, so basically I'd", "being on all the pages of the notebook, not just the cover. Is", "able to find lined notebooks with big spacing between the lines (8mm). I", "haven't been able to find them. Also, I'd like to design my own", "to get a custom notebook with an arbitrary greyscale basis (whether lined, or" ]
[ "plain stupid: The classic case when you look back and ask: \"What was", "stupid: The classic case when you look back and ask: \"What was I", "not every action is logical or \"right\". There are two types of this:", "have moments of stupidity, that might or might not drive the plot forward,", "case when you look back and ask: \"What was I thinking?\" Sometimes there's", "vital information, making their choices a gamble. Characters being plain stupid: The classic", "Writing, not every action is logical or \"right\". There are two types of", "Imperfect information: The character(s) lack vital information, making their choices a gamble. Characters", "wrong with charaters being stupid, other times it turns out terribly, for example,", "lack vital information, making their choices a gamble. Characters being plain stupid: The", "back and ask: \"What was I thinking?\" Sometimes there's nothing wrong with charaters", "information, making their choices a gamble. Characters being plain stupid: The classic case", "or \"right\". There are two types of this: Imperfect information: The character(s) lack", "As much as I would like it, both in Worldbuilding and Writing, not", "didn't know what they were doing. That leaves us the question: How do", "might or might not drive the plot forward, without feeling like they were", "there's nothing wrong with charaters being stupid, other times it turns out terribly,", "scene from [Babel](https://en.wikipedia.org/wiki/Babel_(film)) where 2 characters were shooting with a hunting rifle at", "The character(s) lack vital information, making their choices a gamble. Characters being plain", "do I have intelligent or normal characters have moments of stupidity, that might", "in Worldbuilding and Writing, not every action is logical or \"right\". There are", "hunting rifle at vehicles to see if its range really is 3 kilometers.", "classic case when you look back and ask: \"What was I thinking?\" Sometimes", "really is 3 kilometers. It felt absolutely disgraceful, dumb, disgusting and upsetting, yet", "are two types of this: Imperfect information: The character(s) lack vital information, making", "some could argue that they really didn't know what they were doing. That", "2 characters were shooting with a hunting rifle at vehicles to see if", "you look back and ask: \"What was I thinking?\" Sometimes there's nothing wrong", "action is logical or \"right\". There are two types of this: Imperfect information:", "at vehicles to see if its range really is 3 kilometers. It felt", "like it, both in Worldbuilding and Writing, not every action is logical or", "intelligent or normal characters have moments of stupidity, that might or might not", "that scene from [Babel](https://en.wikipedia.org/wiki/Babel_(film)) where 2 characters were shooting with a hunting rifle", "types of this: Imperfect information: The character(s) lack vital information, making their choices", "the question: How do I have intelligent or normal characters have moments of", "plot forward, without feeling like they were possessed by the writer or just", "Sometimes there's nothing wrong with charaters being stupid, other times it turns out", "the plot forward, without feeling like they were possessed by the writer or", "\"right\". There are two types of this: Imperfect information: The character(s) lack vital", "stupid, other times it turns out terribly, for example, I hated that scene", "moments of stupidity, that might or might not drive the plot forward, without", "a hunting rifle at vehicles to see if its range really is 3", "really didn't know what they were doing. That leaves us the question: How", "with a hunting rifle at vehicles to see if its range really is", "know what they were doing. That leaves us the question: How do I", "How do I have intelligent or normal characters have moments of stupidity, that", "were shooting with a hunting rifle at vehicles to see if its range", "leaves us the question: How do I have intelligent or normal characters have", "from [Babel](https://en.wikipedia.org/wiki/Babel_(film)) where 2 characters were shooting with a hunting rifle at vehicles", "doing. That leaves us the question: How do I have intelligent or normal", "characters were shooting with a hunting rifle at vehicles to see if its", "without feeling like they were possessed by the writer or just breaking character", "argue that they really didn't know what they were doing. That leaves us", "being stupid, other times it turns out terribly, for example, I hated that", "charaters being stupid, other times it turns out terribly, for example, I hated", "were doing. That leaves us the question: How do I have intelligent or", "when you look back and ask: \"What was I thinking?\" Sometimes there's nothing", "with charaters being stupid, other times it turns out terribly, for example, I", "if its range really is 3 kilometers. It felt absolutely disgraceful, dumb, disgusting", "would like it, both in Worldbuilding and Writing, not every action is logical", "The classic case when you look back and ask: \"What was I thinking?\"", "making their choices a gamble. Characters being plain stupid: The classic case when", "question: How do I have intelligent or normal characters have moments of stupidity,", "\"What was I thinking?\" Sometimes there's nothing wrong with charaters being stupid, other", "example, I hated that scene from [Babel](https://en.wikipedia.org/wiki/Babel_(film)) where 2 characters were shooting with", "two types of this: Imperfect information: The character(s) lack vital information, making their", "see if its range really is 3 kilometers. It felt absolutely disgraceful, dumb,", "as I would like it, both in Worldbuilding and Writing, not every action", "characters have moments of stupidity, that might or might not drive the plot", "much as I would like it, both in Worldbuilding and Writing, not every", "us the question: How do I have intelligent or normal characters have moments", "both in Worldbuilding and Writing, not every action is logical or \"right\". There", "gamble. Characters being plain stupid: The classic case when you look back and", "information: The character(s) lack vital information, making their choices a gamble. Characters being", "I have intelligent or normal characters have moments of stupidity, that might or", "they were doing. That leaves us the question: How do I have intelligent", "choices a gamble. Characters being plain stupid: The classic case when you look", "a gamble. Characters being plain stupid: The classic case when you look back", "that might or might not drive the plot forward, without feeling like they", "times it turns out terribly, for example, I hated that scene from [Babel](https://en.wikipedia.org/wiki/Babel_(film))", "for example, I hated that scene from [Babel](https://en.wikipedia.org/wiki/Babel_(film)) where 2 characters were shooting", "I would like it, both in Worldbuilding and Writing, not every action is", "disgusting and upsetting, yet some could argue that they really didn't know what", "[Babel](https://en.wikipedia.org/wiki/Babel_(film)) where 2 characters were shooting with a hunting rifle at vehicles to", "being plain stupid: The classic case when you look back and ask: \"What", "hated that scene from [Babel](https://en.wikipedia.org/wiki/Babel_(film)) where 2 characters were shooting with a hunting", "absolutely disgraceful, dumb, disgusting and upsetting, yet some could argue that they really", "yet some could argue that they really didn't know what they were doing.", "and Writing, not every action is logical or \"right\". There are two types", "was I thinking?\" Sometimes there's nothing wrong with charaters being stupid, other times", "kilometers. It felt absolutely disgraceful, dumb, disgusting and upsetting, yet some could argue", "forward, without feeling like they were possessed by the writer or just breaking", "Characters being plain stupid: The classic case when you look back and ask:", "I thinking?\" Sometimes there's nothing wrong with charaters being stupid, other times it", "or normal characters have moments of stupidity, that might or might not drive", "is logical or \"right\". There are two types of this: Imperfect information: The", "logical or \"right\". There are two types of this: Imperfect information: The character(s)", "normal characters have moments of stupidity, that might or might not drive the", "could argue that they really didn't know what they were doing. That leaves", "drive the plot forward, without feeling like they were possessed by the writer", "shooting with a hunting rifle at vehicles to see if its range really", "it, both in Worldbuilding and Writing, not every action is logical or \"right\".", "not drive the plot forward, without feeling like they were possessed by the", "ask: \"What was I thinking?\" Sometimes there's nothing wrong with charaters being stupid,", "and ask: \"What was I thinking?\" Sometimes there's nothing wrong with charaters being", "upsetting, yet some could argue that they really didn't know what they were", "other times it turns out terribly, for example, I hated that scene from", "out terribly, for example, I hated that scene from [Babel](https://en.wikipedia.org/wiki/Babel_(film)) where 2 characters", "where 2 characters were shooting with a hunting rifle at vehicles to see", "this: Imperfect information: The character(s) lack vital information, making their choices a gamble.", "dumb, disgusting and upsetting, yet some could argue that they really didn't know", "they really didn't know what they were doing. That leaves us the question:", "and upsetting, yet some could argue that they really didn't know what they", "it turns out terribly, for example, I hated that scene from [Babel](https://en.wikipedia.org/wiki/Babel_(film)) where", "felt absolutely disgraceful, dumb, disgusting and upsetting, yet some could argue that they", "vehicles to see if its range really is 3 kilometers. It felt absolutely", "its range really is 3 kilometers. It felt absolutely disgraceful, dumb, disgusting and", "what they were doing. That leaves us the question: How do I have", "3 kilometers. It felt absolutely disgraceful, dumb, disgusting and upsetting, yet some could", "might not drive the plot forward, without feeling like they were possessed by", "or might not drive the plot forward, without feeling like they were possessed", "of this: Imperfect information: The character(s) lack vital information, making their choices a", "rifle at vehicles to see if its range really is 3 kilometers. It", "I hated that scene from [Babel](https://en.wikipedia.org/wiki/Babel_(film)) where 2 characters were shooting with a", "thinking?\" Sometimes there's nothing wrong with charaters being stupid, other times it turns", "That leaves us the question: How do I have intelligent or normal characters", "stupidity, that might or might not drive the plot forward, without feeling like", "It felt absolutely disgraceful, dumb, disgusting and upsetting, yet some could argue that", "There are two types of this: Imperfect information: The character(s) lack vital information,", "their choices a gamble. Characters being plain stupid: The classic case when you", "like they were possessed by the writer or just breaking character in general?", "range really is 3 kilometers. It felt absolutely disgraceful, dumb, disgusting and upsetting,", "have intelligent or normal characters have moments of stupidity, that might or might", "of stupidity, that might or might not drive the plot forward, without feeling", "turns out terribly, for example, I hated that scene from [Babel](https://en.wikipedia.org/wiki/Babel_(film)) where 2", "Worldbuilding and Writing, not every action is logical or \"right\". There are two", "nothing wrong with charaters being stupid, other times it turns out terribly, for", "character(s) lack vital information, making their choices a gamble. Characters being plain stupid:", "look back and ask: \"What was I thinking?\" Sometimes there's nothing wrong with", "disgraceful, dumb, disgusting and upsetting, yet some could argue that they really didn't", "to see if its range really is 3 kilometers. It felt absolutely disgraceful,", "every action is logical or \"right\". There are two types of this: Imperfect", "feeling like they were possessed by the writer or just breaking character in", "is 3 kilometers. It felt absolutely disgraceful, dumb, disgusting and upsetting, yet some", "terribly, for example, I hated that scene from [Babel](https://en.wikipedia.org/wiki/Babel_(film)) where 2 characters were", "that they really didn't know what they were doing. That leaves us the" ]
[ "his premonitions. Saying 'Poor A, he unwittingly pushes everyone away from himself\" without", "special ability that allowed him to see premonitions of his and his loved", "stare and begins screaming, only to calm down later and refuse to tell", "do that is disingenuous and is considered poor writing. I don't want to", "him reclusive, and neurotic. He became obsessed with fate and thinks it's out", "antics, regardless that they can actually see his premonitions. Saying 'Poor A, he", "A's mental health, making him reclusive, and neurotic. He became obsessed with fate", "the reader would get tired of A's antics, regardless that they can actually", "new information comes in. While the ability is incredibly powerful, watching artistic renditions", "natural order\". A could rarely ever tell others about his ability as it", "I ensure that characters like A don't get tiring in the long run?", "of his and his loved ones' future in the form of still images.", "ability as it could change the premonition in unexpected ways. From the outsiders'", "see his premonitions. Saying 'Poor A, he unwittingly pushes everyone away from himself\"", "rarely ever tell others about his ability as it could change the premonition", "ever seeing him do that is disingenuous and is considered poor writing. I", "not his fault, I'm still afraid the reader would get tired of A's", "actual book. How can I ensure that characters like A don't get tiring", "sometimes just gets the Thousand-yard stare and begins screaming, only to calm down", "afraid the reader would get tired of A's antics, regardless that they can", "watching artistic renditions of his many possible deaths took a toll on A's", "screaming, only to calm down later and refuse to tell why he freaked", "order\". A could rarely ever tell others about his ability as it could", "his many possible deaths took a toll on A's mental health, making him", "pushes everyone away from himself\" without ever seeing him do that is disingenuous", "him do that is disingenuous and is considered poor writing. I don't want", "to calm down later and refuse to tell why he freaked out. Though", "on A's mental health, making him reclusive, and neurotic. He became obsessed with", "actually see his premonitions. Saying 'Poor A, he unwittingly pushes everyone away from", "begins screaming, only to calm down later and refuse to tell why he", "gets the Thousand-yard stare and begins screaming, only to calm down later and", "comes in. While the ability is incredibly powerful, watching artistic renditions of his", "you don't want it to be too annoying in the actual book. How", "others about his ability as it could change the premonition in unexpected ways.", "While the ability is incredibly powerful, watching artistic renditions of his many possible", "get tired of A's antics, regardless that they can actually see his premonitions.", "ability upsets the natural order\". A could rarely ever tell others about his", "that is disingenuous and is considered poor writing. I don't want to change", "information comes in. While the ability is incredibly powerful, watching artistic renditions of", "to see premonitions of his and his loved ones' future in the form", "special snowflake, though for all the wrong reasons. You see, he was born", "without ever seeing him do that is disingenuous and is considered poor writing.", "and is considered poor writing. I don't want to change how his charcter", "reclusive, and neurotic. He became obsessed with fate and thinks it's out to", "the form of still images. Of course, future here isn't immutable, and premonitions", "future here isn't immutable, and premonitions change as new information comes in. While", "many possible deaths took a toll on A's mental health, making him reclusive,", "became obsessed with fate and thinks it's out to get him \"because his", "all the wrong reasons. You see, he was born with a special ability", "course, future here isn't immutable, and premonitions change as new information comes in.", "obsessed with fate and thinks it's out to get him \"because his ability", "is rather annoying in-universe but you don't want it to be too annoying", "This can be an issue with other characters where their behavior is rather", "form of still images. Of course, future here isn't immutable, and premonitions change", "how his charcter is, only how it's presented. This can be an issue", "the natural order\". A could rarely ever tell others about his ability as", "poor writing. I don't want to change how his charcter is, only how", "out to get him \"because his ability upsets the natural order\". A could", "about his ability as it could change the premonition in unexpected ways. From", "it's not his fault, I'm still afraid the reader would get tired of", "is considered poor writing. I don't want to change how his charcter is,", "want to change how his charcter is, only how it's presented. This can", "it to be too annoying in the actual book. How can I ensure", "a toll on A's mental health, making him reclusive, and neurotic. He became", "is incredibly powerful, watching artistic renditions of his many possible deaths took a", "can actually see his premonitions. Saying 'Poor A, he unwittingly pushes everyone away", "would get tired of A's antics, regardless that they can actually see his", "as new information comes in. While the ability is incredibly powerful, watching artistic", "with other characters where their behavior is rather annoying in-universe but you don't", "be an issue with other characters where their behavior is rather annoying in-universe", "his charcter is, only how it's presented. This can be an issue with", "fate and thinks it's out to get him \"because his ability upsets the", "unexpected ways. From the outsiders' perspective, he sometimes just gets the Thousand-yard stare", "and thinks it's out to get him \"because his ability upsets the natural", "could change the premonition in unexpected ways. From the outsiders' perspective, he sometimes", "him \"because his ability upsets the natural order\". A could rarely ever tell", "away from himself\" without ever seeing him do that is disingenuous and is", "it's presented. This can be an issue with other characters where their behavior", "their behavior is rather annoying in-universe but you don't want it to be", "future in the form of still images. Of course, future here isn't immutable,", "still afraid the reader would get tired of A's antics, regardless that they", "that they can actually see his premonitions. Saying 'Poor A, he unwittingly pushes", "to change how his charcter is, only how it's presented. This can be", "other characters where their behavior is rather annoying in-universe but you don't want", "thinks it's out to get him \"because his ability upsets the natural order\".", "be too annoying in the actual book. How can I ensure that characters", "possible deaths took a toll on A's mental health, making him reclusive, and", "refuse to tell why he freaked out. Though it's not his fault, I'm", "in the form of still images. Of course, future here isn't immutable, and", "with fate and thinks it's out to get him \"because his ability upsets", "later and refuse to tell why he freaked out. Though it's not his", "immutable, and premonitions change as new information comes in. While the ability is", "toll on A's mental health, making him reclusive, and neurotic. He became obsessed", "Though it's not his fault, I'm still afraid the reader would get tired", "I don't want to change how his charcter is, only how it's presented.", "ability is incredibly powerful, watching artistic renditions of his many possible deaths took", "freaked out. Though it's not his fault, I'm still afraid the reader would", "ways. From the outsiders' perspective, he sometimes just gets the Thousand-yard stare and", "to get him \"because his ability upsets the natural order\". A could rarely", "annoying in-universe but you don't want it to be too annoying in the", "renditions of his many possible deaths took a toll on A's mental health,", "calm down later and refuse to tell why he freaked out. Though it's", "want it to be too annoying in the actual book. How can I", "incredibly powerful, watching artistic renditions of his many possible deaths took a toll", "behavior is rather annoying in-universe but you don't want it to be too", "deaths took a toll on A's mental health, making him reclusive, and neurotic.", "ability that allowed him to see premonitions of his and his loved ones'", "he freaked out. Though it's not his fault, I'm still afraid the reader", "only how it's presented. This can be an issue with other characters where", "just gets the Thousand-yard stare and begins screaming, only to calm down later", "tell why he freaked out. Though it's not his fault, I'm still afraid", "regardless that they can actually see his premonitions. Saying 'Poor A, he unwittingly", "the outsiders' perspective, he sometimes just gets the Thousand-yard stare and begins screaming,", "Saying 'Poor A, he unwittingly pushes everyone away from himself\" without ever seeing", "reasons. You see, he was born with a special ability that allowed him", "out. Though it's not his fault, I'm still afraid the reader would get", "he unwittingly pushes everyone away from himself\" without ever seeing him do that", "it could change the premonition in unexpected ways. From the outsiders' perspective, he", "and premonitions change as new information comes in. While the ability is incredibly", "himself\" without ever seeing him do that is disingenuous and is considered poor", "in-universe but you don't want it to be too annoying in the actual", "his loved ones' future in the form of still images. Of course, future", "A is a special snowflake, though for all the wrong reasons. You see,", "and begins screaming, only to calm down later and refuse to tell why", "only to calm down later and refuse to tell why he freaked out.", "born with a special ability that allowed him to see premonitions of his", "is disingenuous and is considered poor writing. I don't want to change how", "here isn't immutable, and premonitions change as new information comes in. While the", "characters where their behavior is rather annoying in-universe but you don't want it", "see premonitions of his and his loved ones' future in the form of", "'Poor A, he unwittingly pushes everyone away from himself\" without ever seeing him", "health, making him reclusive, and neurotic. He became obsessed with fate and thinks", "why he freaked out. Though it's not his fault, I'm still afraid the", "don't want it to be too annoying in the actual book. How can", "mental health, making him reclusive, and neurotic. He became obsessed with fate and", "it's out to get him \"because his ability upsets the natural order\". A", "I'm still afraid the reader would get tired of A's antics, regardless that", "from himself\" without ever seeing him do that is disingenuous and is considered", "presented. This can be an issue with other characters where their behavior is", "of A's antics, regardless that they can actually see his premonitions. Saying 'Poor", "loved ones' future in the form of still images. Of course, future here", "artistic renditions of his many possible deaths took a toll on A's mental", "to be too annoying in the actual book. How can I ensure that", "and refuse to tell why he freaked out. Though it's not his fault,", "making him reclusive, and neurotic. He became obsessed with fate and thinks it's", "could rarely ever tell others about his ability as it could change the", "can I ensure that characters like A don't get tiring in the long", "the actual book. How can I ensure that characters like A don't get", "\"because his ability upsets the natural order\". A could rarely ever tell others", "for all the wrong reasons. You see, he was born with a special", "that allowed him to see premonitions of his and his loved ones' future", "From the outsiders' perspective, he sometimes just gets the Thousand-yard stare and begins", "a special ability that allowed him to see premonitions of his and his", "He became obsessed with fate and thinks it's out to get him \"because", "A could rarely ever tell others about his ability as it could change", "is a special snowflake, though for all the wrong reasons. You see, he", "allowed him to see premonitions of his and his loved ones' future in", "an issue with other characters where their behavior is rather annoying in-universe but", "seeing him do that is disingenuous and is considered poor writing. I don't", "neurotic. He became obsessed with fate and thinks it's out to get him", "and neurotic. He became obsessed with fate and thinks it's out to get", "writing. I don't want to change how his charcter is, only how it's", "unwittingly pushes everyone away from himself\" without ever seeing him do that is", "How can I ensure that characters like A don't get tiring in the", "snowflake, though for all the wrong reasons. You see, he was born with", "in. While the ability is incredibly powerful, watching artistic renditions of his many", "down later and refuse to tell why he freaked out. Though it's not", "he was born with a special ability that allowed him to see premonitions", "ones' future in the form of still images. Of course, future here isn't", "to tell why he freaked out. Though it's not his fault, I'm still", "everyone away from himself\" without ever seeing him do that is disingenuous and", "annoying in the actual book. How can I ensure that characters like A", "too annoying in the actual book. How can I ensure that characters like", "of still images. Of course, future here isn't immutable, and premonitions change as", "change as new information comes in. While the ability is incredibly powerful, watching", "see, he was born with a special ability that allowed him to see", "tell others about his ability as it could change the premonition in unexpected", "A, he unwittingly pushes everyone away from himself\" without ever seeing him do", "premonitions of his and his loved ones' future in the form of still", "though for all the wrong reasons. You see, he was born with a", "in unexpected ways. From the outsiders' perspective, he sometimes just gets the Thousand-yard", "book. How can I ensure that characters like A don't get tiring in", "premonitions change as new information comes in. While the ability is incredibly powerful,", "wrong reasons. You see, he was born with a special ability that allowed", "don't want to change how his charcter is, only how it's presented. This", "change the premonition in unexpected ways. From the outsiders' perspective, he sometimes just", "the premonition in unexpected ways. From the outsiders' perspective, he sometimes just gets", "get him \"because his ability upsets the natural order\". A could rarely ever", "the wrong reasons. You see, he was born with a special ability that", "where their behavior is rather annoying in-universe but you don't want it to", "fault, I'm still afraid the reader would get tired of A's antics, regardless", "change how his charcter is, only how it's presented. This can be an", "outsiders' perspective, he sometimes just gets the Thousand-yard stare and begins screaming, only", "premonitions. Saying 'Poor A, he unwittingly pushes everyone away from himself\" without ever", "his fault, I'm still afraid the reader would get tired of A's antics,", "his ability as it could change the premonition in unexpected ways. From the", "images. Of course, future here isn't immutable, and premonitions change as new information", "Of course, future here isn't immutable, and premonitions change as new information comes", "ever tell others about his ability as it could change the premonition in", "they can actually see his premonitions. Saying 'Poor A, he unwittingly pushes everyone", "his and his loved ones' future in the form of still images. Of", "the Thousand-yard stare and begins screaming, only to calm down later and refuse", "as it could change the premonition in unexpected ways. From the outsiders' perspective,", "a special snowflake, though for all the wrong reasons. You see, he was", "he sometimes just gets the Thousand-yard stare and begins screaming, only to calm", "rather annoying in-universe but you don't want it to be too annoying in", "the ability is incredibly powerful, watching artistic renditions of his many possible deaths", "You see, he was born with a special ability that allowed him to", "perspective, he sometimes just gets the Thousand-yard stare and begins screaming, only to", "is, only how it's presented. This can be an issue with other characters", "considered poor writing. I don't want to change how his charcter is, only", "still images. Of course, future here isn't immutable, and premonitions change as new", "of his many possible deaths took a toll on A's mental health, making", "but you don't want it to be too annoying in the actual book.", "in the actual book. How can I ensure that characters like A don't", "how it's presented. This can be an issue with other characters where their", "and his loved ones' future in the form of still images. Of course,", "disingenuous and is considered poor writing. I don't want to change how his", "reader would get tired of A's antics, regardless that they can actually see", "with a special ability that allowed him to see premonitions of his and", "A's antics, regardless that they can actually see his premonitions. Saying 'Poor A,", "issue with other characters where their behavior is rather annoying in-universe but you", "Thousand-yard stare and begins screaming, only to calm down later and refuse to", "his ability upsets the natural order\". A could rarely ever tell others about", "powerful, watching artistic renditions of his many possible deaths took a toll on", "was born with a special ability that allowed him to see premonitions of", "isn't immutable, and premonitions change as new information comes in. While the ability", "upsets the natural order\". A could rarely ever tell others about his ability", "can be an issue with other characters where their behavior is rather annoying", "premonition in unexpected ways. From the outsiders' perspective, he sometimes just gets the", "took a toll on A's mental health, making him reclusive, and neurotic. He", "charcter is, only how it's presented. This can be an issue with other", "him to see premonitions of his and his loved ones' future in the", "tired of A's antics, regardless that they can actually see his premonitions. Saying" ]
[ "am trying to write a non-fiction book about summarizing core computer science concepts.", "computer science I am curious what is the correct way to cite the", "I plan to self publish this book through the Amazon Kindle Direct Publishing", "learn more about computer science I am curious what is the correct way", "main body of their text, > > ADHD has a prevalence of around", "general public interested to learn more about computer science I am curious what", "audience includes 1. undergrad freshmen 2. business managers working in a tech industry", "of their text, > > ADHD has a prevalence of around 5% among", "among adults (Someoneelse, 2007). > > > For authors who adopted IEEE style,", "put the numbering e.g [1] in the main text. So is it okay", "to adopt the IEEE or APA reference style? I understand how the APA/IEEE", "has a prevalence of around 5% among children (Someone, 2013) and 2.5% among", "understand how the APA/IEEE style is used (e.g I used them in my", "in a tech industry but have little or no technical knowledge 3. general", "style? I understand how the APA/IEEE style is used (e.g I used them", "core computer science concepts. I plan to self publish this book through the", "science I am curious what is the correct way to cite the sources", "science concepts. I plan to self publish this book through the Amazon Kindle", "IEEE or APA reference style? I understand how the APA/IEEE style is used", "computer science concepts. I plan to self publish this book through the Amazon", "don't really see non-fiction book putting the references like this in the main", "> > For authors who adopted IEEE style, they also don't usually put", "body of their text, > > ADHD has a prevalence of around 5%", "book putting the references like this in the main body of their text,", "2. business managers working in a tech industry but have little or no", "how the APA/IEEE style is used (e.g I used them in my school's", "I am trying to write a non-fiction book about summarizing core computer science", "to cite the sources if I were to adopt the IEEE or APA", "used them in my school's reports) Thing is, I don't really see non-fiction", "or no technical knowledge 3. general public interested to learn more about computer", "reports) Thing is, I don't really see non-fiction book putting the references like", "is used (e.g I used them in my school's reports) Thing is, I", "the APA/IEEE style is used (e.g I used them in my school's reports)", "adopted IEEE style, they also don't usually put the numbering e.g [1] in", "[1] in the main text. So is it okay if I just leave", "IEEE style, they also don't usually put the numbering e.g [1] in the", "the correct way to cite the sources if I were to adopt the", "3. general public interested to learn more about computer science I am curious", "cite the sources if I were to adopt the IEEE or APA reference", "I understand how the APA/IEEE style is used (e.g I used them in", "used (e.g I used them in my school's reports) Thing is, I don't", "of around 5% among children (Someone, 2013) and 2.5% among adults (Someoneelse, 2007).", "e.g [1] in the main text. So is it okay if I just", "curious what is the correct way to cite the sources if I were", "Publishing program. My target audience includes 1. undergrad freshmen 2. business managers working", "reference style? I understand how the APA/IEEE style is used (e.g I used", "book through the Amazon Kindle Direct Publishing program. My target audience includes 1.", "industry but have little or no technical knowledge 3. general public interested to", "non-fiction book putting the references like this in the main body of their", "technical knowledge 3. general public interested to learn more about computer science I", "school's reports) Thing is, I don't really see non-fiction book putting the references", "the sources if I were to adopt the IEEE or APA reference style?", "around 5% among children (Someone, 2013) and 2.5% among adults (Someoneelse, 2007). >", "am curious what is the correct way to cite the sources if I", "the IEEE or APA reference style? I understand how the APA/IEEE style is", "2007). > > > For authors who adopted IEEE style, they also don't", "concepts. I plan to self publish this book through the Amazon Kindle Direct", "tech industry but have little or no technical knowledge 3. general public interested", "is, I don't really see non-fiction book putting the references like this in", "to self publish this book through the Amazon Kindle Direct Publishing program. My", "2.5% among adults (Someoneelse, 2007). > > > For authors who adopted IEEE", "I am curious what is the correct way to cite the sources if", "working in a tech industry but have little or no technical knowledge 3.", "knowledge 3. general public interested to learn more about computer science I am", "a non-fiction book about summarizing core computer science concepts. I plan to self", "a prevalence of around 5% among children (Someone, 2013) and 2.5% among adults", "sources if I were to adopt the IEEE or APA reference style? I", "what is the correct way to cite the sources if I were to", "the main text. So is it okay if I just leave the references", "> For authors who adopted IEEE style, they also don't usually put the", "numbering e.g [1] in the main text. So is it okay if I", "who adopted IEEE style, they also don't usually put the numbering e.g [1]", "the main body of their text, > > ADHD has a prevalence of", "they also don't usually put the numbering e.g [1] in the main text.", "(e.g I used them in my school's reports) Thing is, I don't really", "my school's reports) Thing is, I don't really see non-fiction book putting the", "way to cite the sources if I were to adopt the IEEE or", "references like this in the main body of their text, > > ADHD", "it okay if I just leave the references at the end of the", "if I were to adopt the IEEE or APA reference style? I understand", "style, they also don't usually put the numbering e.g [1] in the main", "freshmen 2. business managers working in a tech industry but have little or", "text. 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So is it okay if I just leave the references at", "self publish this book through the Amazon Kindle Direct Publishing program. My target", "okay if I just leave the references at the end of the book?", "public interested to learn more about computer science I am curious what is" ]