Split (1)

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[ "made the secondary characters solely for the purpose of showing the reader how", "I'm thinking a 10 year span right now. They would serve as \"learning", "the years? I'm thinking a 10 year span right now. They would serve", "would a story flow if I made the secondary characters solely for the", "has grown though the years? I'm thinking a 10 year span right now.", "flow if I made the secondary characters solely for the purpose of showing", "\"learning tools\" if you will, shaping the character into the man he will", "showing the reader how the main character has grown though the years? I'm", "right now. They would serve as \"learning tools\" if you will, shaping the", "purpose of showing the reader how the main character has grown though the", "how the main character has grown though the years? I'm thinking a 10", "span right now. They would serve as \"learning tools\" if you will, shaping", "tools\" if you will, shaping the character into the man he will be", "the secondary characters solely for the purpose of showing the reader how the", "the purpose of showing the reader how the main character has grown though", "would serve as \"learning tools\" if you will, shaping the character into the", "How would a story flow if I made the secondary characters solely for", "year span right now. They would serve as \"learning tools\" if you will,", "They would serve as \"learning tools\" if you will, shaping the character into", "though the years? I'm thinking a 10 year span right now. They would", "story flow if I made the secondary characters solely for the purpose of", "character has grown though the years? I'm thinking a 10 year span right", "10 year span right now. They would serve as \"learning tools\" if you", "now. They would serve as \"learning tools\" if you will, shaping the character", "grown though the years? I'm thinking a 10 year span right now. They", "will, shaping the character into the man he will be when the story", "a 10 year span right now. They would serve as \"learning tools\" if", "thinking a 10 year span right now. They would serve as \"learning tools\"", "shaping the character into the man he will be when the story has", "if you will, shaping the character into the man he will be when", "if I made the secondary characters solely for the purpose of showing the", "the main character has grown though the years? I'm thinking a 10 year", "as \"learning tools\" if you will, shaping the character into the man he", "you will, shaping the character into the man he will be when the", "serve as \"learning tools\" if you will, shaping the character into the man", "characters solely for the purpose of showing the reader how the main character", "the character into the man he will be when the story has finished.", "reader how the main character has grown though the years? I'm thinking a", "solely for the purpose of showing the reader how the main character has", "of showing the reader how the main character has grown though the years?", "secondary characters solely for the purpose of showing the reader how the main", "I made the secondary characters solely for the purpose of showing the reader", "main character has grown though the years? I'm thinking a 10 year span", "the reader how the main character has grown though the years? I'm thinking", "for the purpose of showing the reader how the main character has grown", "years? I'm thinking a 10 year span right now. They would serve as", "a story flow if I made the secondary characters solely for the purpose" ]
[ "tough to hide her pain\" characters with sibling issues. * Cephit, again, depending", "besides defending their beliefs. * Amrar and Upam are both reclusive, moody but", "of my boundaries, I arrive back at where I started. Even when I", "they either become Anons or Upams, or just flanderized caricatures. I feel like", "seeing dead people from the future), Anon (ISTP)* Anon Requiem (ISTP), Amrar (ISTJ),", "boundaries, I arrive back at where I started. Even when I straight up", "so far, I usually get a pretty big list: (Gyvaris (ENTJ), Marlyo (ENFJ),", "expect?), that lizard guy I never made a name for, Aial (INFJ), Irux", "understanding type. The GM, Anon and his Requiem stand are toxic ideological", "those around him, kind and understanding type. * The GM, Anon and his", "Lizard Guy... He doesn't have a personality right now. There are minor deviations", "constantly seeing dead people from the future), Anon (ISTP)* Anon Requiem (ISTP), Amrar", "describe that you're constantly seeing dead people from the future), Anon (ISTP)* Anon", "the same \"neutral good\", helps those around him, kind and understanding type. ", "came up with in my mind so far, I usually get a pretty", "just recolors of a few archetypes. Whenever I try to go out of", "hard to describe that you're constantly seeing dead people from the future), Anon", "Ryn and Irux are both \"tries to be tough to hide her pain\"", "to grow up to their role as a leader/hero. * Depending on the", "to be tough to hide her pain\" characters with sibling issues. * Cephit,", "enough, I struggled a lot with the Myers-Briggs test and it led to", "How can I do that? Update: Oddly enough, I struggled a lot with", "Update:** Oddly enough, I struggled a lot with the Myers-Briggs test and it", "type. * The GM, Anon and his Requiem stand are toxic ideological extremists", "caricatures. I feel like this restricts my options in the story. *And in", "but clever figures who have to grow up to their role as a", "Irux are both \"tries to be tough to hide her pain\" characters with", "big list: (Gyvaris (ENTJ), Marlyo (ENFJ), Upam (INTJ. It's hard to describe that", "arrive back at where I started. Even when I straight up steal characters,", "Amrar (ISTJ), Cephit (INFJ), Koldryd (ESFJ, he's a brass dragon, what did you", "few archetypes. Whenever I try to go out of my boundaries, I arrive", "(ENFJ), Upam (INTJ. It's hard to describe that you're constantly seeing dead people", "hide her pain\" characters with sibling issues. * Cephit, again, depending on iteration,", "Koldryd (ESFJ, he's a brass dragon, what did you expect?), that lizard guy", "characters with sibling issues. * Cephit, again, depending on iteration, can either be", "(ISTP), Amrar (ISTJ), Cephit (INFJ), Koldryd (ESFJ, he's a brass dragon, what did", "(ISTJ), Cephit (INFJ), Koldryd (ESFJ, he's a brass dragon, what did you expect?),", "steal characters, they either become Anons or Upams, or just flanderized caricatures. I", "(ESFJ, he's a brass dragon, what did you expect?), that lizard guy I", "that have no life or personality besides defending their beliefs. Amrar and", "are minor deviations in characters but they're fundamentally just recolors of a few", "can I do that? Update:** Oddly enough, I struggled a lot with the", "* Ryn and Irux are both \"tries to be tough to hide her", "Guy... He doesn't have a personality right now. There are minor deviations in", "that? Update:** Oddly enough, I struggled a lot with the Myers-Briggs test and", "ideological extremists that have no life or personality besides defending their beliefs. ", "Cephit (INFJ), Koldryd (ESFJ, he's a brass dragon, what did you expect?), that", "the Myers-Briggs test and it led to some inconsistencies, I really should look", "\"neutral good\", helps those around him, kind and understanding type. The GM,", "(INFJ), Koldryd (ESFJ, he's a brass dragon, what did you expect?), that lizard", "and Ryn (ESTJ) ) 15, not too shabby. The problem comes with their", "minor deviations in characters but they're fundamentally just recolors of a few archetypes.", "my mind so far, I usually get a pretty big list: (Gyvaris (ENTJ),", "to describe that you're constantly seeing dead people from the future), Anon (ISTP)", "(ESTJ), Sajmure and Ryn (ESTJ)* ) 15, not too shabby. The problem comes", "unique (because they're stolen), and Lizard Guy... He doesn't have a personality right", "with sibling issues. * Cephit, again, depending on iteration, can either be similar", "on iteration, can either be similar to Irux or Marlyo. * Horus and", "I came up with in my mind so far, I usually get a", "recolors of a few archetypes. Whenever I try to go out of my", "(ISTJ), Horus (ISTJ), The GM (ESTJ), Sajmure and Ryn (ESTJ) ) 15, not", "Upams, or just flanderized caricatures. I feel like this restricts my options in", "and Koldryd share the same \"neutral good\", helps those around him, kind and", "Marlyo. * Horus and Gyvaris are unique (because they're stolen), and Lizard Guy...", "in all honesty I just want a solid way to meaningfully diversify my", "and Upam are both reclusive, moody but clever figures who have to grow", "their beliefs. * Amrar and Upam are both reclusive, moody but clever figures", "15, not too shabby. The problem comes with their personalities: * Aial and", "and understanding type. * The GM, Anon and his Requiem stand are toxic", "Anon and his Requiem stand are toxic ideological extremists that have no life", "* Horus and Gyvaris are unique (because they're stolen), and Lizard Guy... He", "back at where I started. Even when I straight up steal characters, they", "with the Myers-Briggs test and it led to some inconsistencies, I really should", "are unique (because they're stolen), and Lizard Guy... He doesn't have a personality", "(ISTP) Anon Requiem (ISTP), Amrar (ISTJ), Cephit (INFJ), Koldryd (ESFJ, he's a brass", "struggled a lot with the Myers-Briggs test and it led to some inconsistencies,", "personality besides defending their beliefs. Amrar and Upam are both reclusive, moody", "Aial and Koldryd share the same \"neutral good\", helps those around him, kind", "I never made a name for, Aial (INFJ), Irux (ISTJ), Horus (ISTJ), The", "(INTJ. It's hard to describe that you're constantly seeing dead people from the", "Koldryd share the same \"neutral good\", helps those around him, kind and understanding", "and Ryn. Ryn and Irux are both \"tries to be tough to", "a few archetypes. Whenever I try to go out of my boundaries, I", "again in the future. The meanings of the abbreviations can be found here:", "problem comes with their personalities: * Aial and Koldryd share the same \"neutral", "a pretty big list: (Gyvaris (ENTJ), Marlyo (ENFJ), Upam (INTJ. It's hard to", "my options in the story. And in all honesty I just want a", "or personality besides defending their beliefs. Amrar and Upam are both reclusive,", "share the same \"neutral good\", helps those around him, kind and understanding type.", "but they're fundamentally just recolors of a few archetypes. Whenever I try to", "flanderized caricatures. I feel like this restricts my options in the story. And", "just want a solid way to meaningfully diversify my already existing palette. How", "I do that? Update: Oddly enough, I struggled a lot with the Myers-Briggs", "Requiem (ISTP), Amrar (ISTJ), Cephit (INFJ), Koldryd (ESFJ, he's a brass dragon, what", "out of my boundaries, I arrive back at where I started. Even when", "to their role as a leader/hero. Depending on the iteration, Sajmure has", "feel like this restricts my options in the story. *And in all honesty", "Amrar and Upam are both reclusive, moody but clever figures who have to", "should look into it again in the future. The meanings of the abbreviations", "guy I never made a name for, Aial (INFJ), Irux (ISTJ), Horus (ISTJ),", " The GM, Anon and his Requiem stand are toxic ideological extremists that", "name for, Aial (INFJ), Irux (ISTJ), Horus (ISTJ), The GM (ESTJ), Sajmure and", "and his Requiem stand are toxic ideological extremists that have no life or", "Sajmure has the same personality as Irux and Ryn. * Ryn and Irux", "way to meaningfully diversify my already existing palette. How can I do that?*", "up steal characters, they either become Anons or Upams, or just flanderized caricatures.", "the iteration, Sajmure has the same personality as Irux and Ryn. Ryn", "palette. How can I do that? Update:** Oddly enough, I struggled a lot", ") 15, not too shabby. The problem comes with their personalities: * Aial", "some inconsistencies, I really should look into it again in the future. The", "right now. There are minor deviations in characters but they're fundamentally just recolors", "he's a brass dragon, what did you expect?), that lizard guy I never", "up to their role as a leader/hero. Depending on the iteration, Sajmure", "when I straight up steal characters, they either become Anons or Upams, or", "*And in all honesty I just want a solid way to meaningfully diversify", "personality as Irux and Ryn. Ryn and Irux are both \"tries to", "Even when I straight up steal characters, they either become Anons or Upams,", "GM (ESTJ), Sajmure and Ryn (ESTJ) ) 15, not too shabby. The problem", "Marlyo (ENFJ), Upam (INTJ. It's hard to describe that you're constantly seeing dead", "become Anons or Upams, or just flanderized caricatures. I feel like this restricts", "Sajmure and Ryn (ESTJ)* ) 15, not too shabby. The problem comes with", "in my mind so far, I usually get a pretty big list: (Gyvaris", "Cephit, again, depending on iteration, can either be similar to Irux or Marlyo.", "go out of my boundaries, I arrive back at where I started. Even", "on the iteration, Sajmure has the same personality as Irux and Ryn. ", "Anon Requiem (ISTP), Amrar (ISTJ), Cephit (INFJ), Koldryd (ESFJ, he's a brass dragon,", "the characters I came up with in my mind so far, I usually", "not too shabby. The problem comes with their personalities: * Aial and Koldryd", "helps those around him, kind and understanding type. * The GM, Anon and", "and Gyvaris are unique (because they're stolen), and Lizard Guy... He doesn't have", "made a name for, Aial (INFJ), Irux (ISTJ), Horus (ISTJ), The GM (ESTJ),", "The GM (ESTJ), Sajmure and Ryn (ESTJ) ) 15, not too shabby. The", "characters but they're fundamentally just recolors of a few archetypes. Whenever I try", "people from the future), Anon (ISTP)* Anon Requiem (ISTP), Amrar (ISTJ), Cephit (INFJ),", "in characters but they're fundamentally just recolors of a few archetypes. Whenever I", "fundamentally just recolors of a few archetypes. Whenever I try to go out", "started. Even when I straight up steal characters, they either become Anons or", "think about the characters I came up with in my mind so far,", "around him, kind and understanding type. * The GM, Anon and his Requiem", "figures who have to grow up to their role as a leader/hero. ", "similar to Irux or Marlyo. Horus and Gyvaris are unique (because they're", "be similar to Irux or Marlyo. * Horus and Gyvaris are unique (because", "He doesn't have a personality right now. There are minor deviations in characters", "* Aial and Koldryd share the same \"neutral good\", helps those around him,", "Upam are both reclusive, moody but clever figures who have to grow up", "are both \"tries to be tough to hide her pain\" characters with sibling", "Requiem stand are toxic ideological extremists that have no life or personality besides", "about the characters I came up with in my mind so far, I", "Irux or Marlyo. * Horus and Gyvaris are unique (because they're stolen), and", "existing palette. How can I do that? Update:** Oddly enough, I struggled a", "their role as a leader/hero. * Depending on the iteration, Sajmure has the", "diversify my already existing palette. How can I do that? Update:** Oddly enough,", "sibling issues. * Cephit, again, depending on iteration, can either be similar to", "Myers-Briggs test and it led to some inconsistencies, I really should look into", "brass dragon, what did you expect?), that lizard guy I never made a", "have to grow up to their role as a leader/hero. Depending on", "really should look into it again in the future. The meanings of the", "you're constantly seeing dead people from the future), Anon (ISTP)* Anon Requiem (ISTP),", "now. There are minor deviations in characters but they're fundamentally just recolors of", "have a personality right now. There are minor deviations in characters but they're", "both reclusive, moody but clever figures who have to grow up to their", "into it again in the future. The meanings of the abbreviations can be", "Horus and Gyvaris are unique (because they're stolen), and Lizard Guy... He doesn't", "Ryn. * Ryn and Irux are both \"tries to be tough to hide", "they're fundamentally just recolors of a few archetypes. Whenever I try to go", "and Lizard Guy... He doesn't have a personality right now. There are minor", "just flanderized caricatures. I feel like this restricts my options in the story.", "Oddly enough, I struggled a lot with the Myers-Briggs test and it led", "be tough to hide her pain\" characters with sibling issues. * Cephit, again,", "I feel like this restricts my options in the story. *And in all", "or Upams, or just flanderized caricatures. I feel like this restricts my options", "Anons or Upams, or just flanderized caricatures. I feel like this restricts my", "both \"tries to be tough to hide her pain\" characters with sibling issues.", "(ENTJ), Marlyo (ENFJ), Upam (INTJ. It's hard to describe that you're constantly seeing", "I struggled a lot with the Myers-Briggs test and it led to some", "test and it led to some inconsistencies, I really should look into it", "like this restricts my options in the story. *And in all honesty I", "lot with the Myers-Briggs test and it led to some inconsistencies, I really", "and Irux are both \"tries to be tough to hide her pain\" characters", "(ISTJ), The GM (ESTJ), Sajmure and Ryn (ESTJ)* ) 15, not too shabby.", "kind and understanding type. * The GM, Anon and his Requiem stand are", "It's hard to describe that you're constantly seeing dead people from the future),", "as a leader/hero. Depending on the iteration, Sajmure has the same personality", "to meaningfully diversify my already existing palette. How can I do that? Update:*", "Irux (ISTJ), Horus (ISTJ), The GM (ESTJ), Sajmure and Ryn (ESTJ)* ) 15,", "you expect?), that lizard guy I never made a name for, Aial (INFJ),", "they're stolen), and Lizard Guy... He doesn't have a personality right now. There", "a solid way to meaningfully diversify my already existing palette. How can I", "personality right now. There are minor deviations in characters but they're fundamentally just", "I really should look into it again in the future. The meanings of", "my boundaries, I arrive back at where I started. Even when I straight", "restricts my options in the story. And in all honesty I just want", "I arrive back at where I started. Even when I straight up steal", "(because they're stolen), and Lizard Guy... He doesn't have a personality right now.", "a name for, Aial (INFJ), Irux (ISTJ), Horus (ISTJ), The GM (ESTJ), Sajmure", "depending on iteration, can either be similar to Irux or Marlyo. Horus", "her pain\" characters with sibling issues. * Cephit, again, depending on iteration, can", "look into it again in the future. The meanings of the abbreviations can", "GM, Anon and his Requiem stand are toxic ideological extremists that have no", "with in my mind so far, I usually get a pretty big list:", "I think about the characters I came up with in my mind so", "I just want a solid way to meaningfully diversify my already existing palette.", "already existing palette. How can I do that? Update:** Oddly enough, I struggled", "and it led to some inconsistencies, I really should look into it again", "(ESTJ) ) 15, not too shabby. The problem comes with their personalities: ", "honesty I just want a solid way to meaningfully diversify my already existing", "the story. And in all honesty I just want a solid way to", "options in the story. And in all honesty I just want a solid", "dragon, what did you expect?), that lizard guy I never made a name", "has the same personality as Irux and Ryn. * Ryn and Irux are", "meaningfully diversify my already existing palette. How can I do that? Update:** Oddly", "characters, they either become Anons or Upams, or just flanderized caricatures. I feel", "If I think about the characters I came up with in my mind", "personalities: * Aial and Koldryd share the same \"neutral good\", helps those around", "can either be similar to Irux or Marlyo. * Horus and Gyvaris are", "leader/hero. * Depending on the iteration, Sajmure has the same personality as Irux", "iteration, can either be similar to Irux or Marlyo. * Horus and Gyvaris", "(INFJ), Irux (ISTJ), Horus (ISTJ), The GM (ESTJ), Sajmure and Ryn (ESTJ) )", "or Marlyo. * Horus and Gyvaris are unique (because they're stolen), and Lizard", "Ryn (ESTJ) ) 15, not too shabby. The problem comes with their personalities:", "Aial (INFJ), Irux (ISTJ), Horus (ISTJ), The GM (ESTJ), Sajmure and Ryn (ESTJ)", "do that? Update:** Oddly enough, I struggled a lot with the Myers-Briggs test", "clever figures who have to grow up to their role as a leader/hero.", "I started. Even when I straight up steal characters, they either become Anons", "The GM, Anon and his Requiem stand are toxic ideological extremists that have", "stand are toxic ideological extremists that have no life or personality besides defending", "straight up steal characters, they either become Anons or Upams, or just flanderized", "The problem comes with their personalities: * Aial and Koldryd share the same", "Irux and Ryn. * Ryn and Irux are both \"tries to be tough", "their personalities: * Aial and Koldryd share the same \"neutral good\", helps those", "* Cephit, again, depending on iteration, can either be similar to Irux or", "get a pretty big list: (Gyvaris (ENTJ), Marlyo (ENFJ), Upam (INTJ. It's hard", "either become Anons or Upams, or just flanderized caricatures. I feel like this", "moody but clever figures who have to grow up to their role as", "up with in my mind so far, I usually get a pretty big", "beliefs. Amrar and Upam are both reclusive, moody but clever figures who", "that lizard guy I never made a name for, Aial (INFJ), Irux (ISTJ),", "want a solid way to meaningfully diversify my already existing palette. How can", "this restricts my options in the story. *And in all honesty I just", "the same personality as Irux and Ryn. Ryn and Irux are both", "* Amrar and Upam are both reclusive, moody but clever figures who have", "\"tries to be tough to hide her pain\" characters with sibling issues. ", "it again in the future. The meanings of the abbreviations can be found", "I try to go out of my boundaries, I arrive back at where", "mind so far, I usually get a pretty big list: (Gyvaris (ENTJ), Marlyo", "no life or personality besides defending their beliefs. Amrar and Upam are", "have no life or personality besides defending their beliefs. * Amrar and Upam", "role as a leader/hero. * Depending on the iteration, Sajmure has the same", "solid way to meaningfully diversify my already existing palette. How can I do", "who have to grow up to their role as a leader/hero. * Depending", "Upam (INTJ. It's hard to describe that you're constantly seeing dead people from", "extremists that have no life or personality besides defending their beliefs. Amrar", "either be similar to Irux or Marlyo. * Horus and Gyvaris are unique", "There are minor deviations in characters but they're fundamentally just recolors of a", "for, Aial (INFJ), Irux (ISTJ), Horus (ISTJ), The GM (ESTJ), Sajmure and Ryn", "I usually get a pretty big list: (Gyvaris (ENTJ), Marlyo (ENFJ), Upam (INTJ.", "where I started. Even when I straight up steal characters, they either become", "his Requiem stand are toxic ideological extremists that have no life or personality", "a lot with the Myers-Briggs test and it led to some inconsistencies, I", "inconsistencies, I really should look into it again in the future. The meanings", "a personality right now. There are minor deviations in characters but they're fundamentally", "from the future), Anon (ISTP) Anon Requiem (ISTP), Amrar (ISTJ), Cephit (INFJ), Koldryd", "doesn't have a personality right now. There are minor deviations in characters but", "him, kind and understanding type. * The GM, Anon and his Requiem stand", "shabby. The problem comes with their personalities: * Aial and Koldryd share the", "Anon (ISTP) Anon Requiem (ISTP), Amrar (ISTJ), Cephit (INFJ), Koldryd (ESFJ, he's a", "same personality as Irux and Ryn. Ryn and Irux are both \"tries", "Horus (ISTJ), The GM (ESTJ), Sajmure and Ryn (ESTJ) ) 15, not too", "to go out of my boundaries, I arrive back at where I started.", "archetypes. Whenever I try to go out of my boundaries, I arrive back", "again, depending on iteration, can either be similar to Irux or Marlyo. ", "comes with their personalities: Aial and Koldryd share the same \"neutral good\",", "Depending on the iteration, Sajmure has the same personality as Irux and Ryn.", "at where I started. Even when I straight up steal characters, they either", "pain\" characters with sibling issues. * Cephit, again, depending on iteration, can either", "defending their beliefs. * Amrar and Upam are both reclusive, moody but clever", "Whenever I try to go out of my boundaries, I arrive back at", "lizard guy I never made a name for, Aial (INFJ), Irux (ISTJ), Horus", "too shabby. The problem comes with their personalities: * Aial and Koldryd share", "grow up to their role as a leader/hero. * Depending on the iteration,", "characters I came up with in my mind so far, I usually get", "iteration, Sajmure has the same personality as Irux and Ryn. * Ryn and", "dead people from the future), Anon (ISTP)* Anon Requiem (ISTP), Amrar (ISTJ), Cephit", "toxic ideological extremists that have no life or personality besides defending their beliefs.", "what did you expect?), that lizard guy I never made a name for,", "are toxic ideological extremists that have no life or personality besides defending their", "Gyvaris are unique (because they're stolen), and Lizard Guy... He doesn't have a", "same \"neutral good\", helps those around him, kind and understanding type. The", "pretty big list: (Gyvaris (ENTJ), Marlyo (ENFJ), Upam (INTJ. It's hard to describe", "that you're constantly seeing dead people from the future), Anon (ISTP) Anon Requiem", "to Irux or Marlyo. * Horus and Gyvaris are unique (because they're stolen),", "or just flanderized caricatures. I feel like this restricts my options in the", "(Gyvaris (ENTJ), Marlyo (ENFJ), Upam (INTJ. It's hard to describe that you're constantly", "my already existing palette. How can I do that?* Update: Oddly enough, I", "the future), Anon (ISTP)* Anon Requiem (ISTP), Amrar (ISTJ), Cephit (INFJ), Koldryd (ESFJ,", "story. And in all honesty I just want a solid way to meaningfully", "led to some inconsistencies, I really should look into it again in the", "usually get a pretty big list: (Gyvaris (ENTJ), Marlyo (ENFJ), Upam (INTJ. It's", "list: (Gyvaris (ENTJ), Marlyo (ENFJ), Upam (INTJ. It's hard to describe that you're", "to some inconsistencies, I really should look into it again in the future.", "I straight up steal characters, they either become Anons or Upams, or just", "stolen), and Lizard Guy... He doesn't have a personality right now. There are", "in the story. And in all honesty I just want a solid way", " Depending on the iteration, Sajmure has the same personality as Irux and", "a brass dragon, what did you expect?), that lizard guy I never made", "reclusive, moody but clever figures who have to grow up to their role", "in the future. The meanings of the abbreviations can be found here: <https://www.personalitypage.com/html/portraits.html>", "a leader/hero. Depending on the iteration, Sajmure has the same personality as", "far, I usually get a pretty big list: (Gyvaris (ENTJ), Marlyo (ENFJ), Upam", "are both reclusive, moody but clever figures who have to grow up to", "did you expect?), that lizard guy I never made a name for, Aial", "with their personalities: Aial and Koldryd share the same \"neutral good\", helps", "good\", helps those around him, kind and understanding type. * The GM, Anon", "never made a name for, Aial (INFJ), Irux (ISTJ), Horus (ISTJ), The GM", "as Irux and Ryn. * Ryn and Irux are both \"tries to be", "deviations in characters but they're fundamentally just recolors of a few archetypes. Whenever", "to hide her pain\" characters with sibling issues. * Cephit, again, depending on", "it led to some inconsistencies, I really should look into it again in", "issues. * Cephit, again, depending on iteration, can either be similar to Irux", "life or personality besides defending their beliefs. * Amrar and Upam are both", "all honesty I just want a solid way to meaningfully diversify my already", "try to go out of my boundaries, I arrive back at where I", "of a few archetypes. Whenever I try to go out of my boundaries,", "future), Anon (ISTP)* Anon Requiem (ISTP), Amrar (ISTJ), Cephit (INFJ), Koldryd *(ESFJ, he's" ]
[ "not have the inspiration, now, that I had when I started writing the", "mainly because my writing got highly influenced by readers' comments. 3. I don't", "was great. I am a discovery writer. To hook my readers in my", "I planned to write at the beginning, and it disappoints me. I think", "started posting it on a Facebook group as small chapters. The response I", "make twists and mysteries often. Many chapters create a lot of questions in", "novel. 2. When I read my unfinished novel, I understand that it diverged", "it's mainly because my writing got highly influenced by readers' comments. 3. I", "the novel. 2. When I read my unfinished novel, I understand that it", "life. I let my readers know this, and now, almost one year later,", "I used to write short stories and poems. Some of them are published", "fantasy is my favorite genre. I used to write short stories and poems.", "my story is written, but I have no idea how to resolve those", "am a discovery writer. To hook my readers in my story, it becomes", "Olympus (10 books in total ) in a single stretch, and got highly", ") in a single stretch, and got highly inspired. So, I planned to", "same basic idea. 2. Start to rewrite the same novel, and hope it", "rewrite the same novel, and hope it gets a normal flow till I", "resolve the mysteries I created or how to answer the questions I made.", "started writing the novel. 2. When I read my unfinished novel, I understand", "the beginning, and it disappoints me. I think it's mainly because my writing", "got highly inspired. So, I planned to write my very first novel. By", "influenced by readers' comments. 3. I don't know how to resolve the mysteries", "find a climax. 3. Continue from the last word I wrote in the", "stretch, and got highly inspired. So, I planned to write my very first", "I find a climax. 3. Continue from the last word I wrote in", "have no idea how to do this). 4. Do not post on social", "Jackson & the Olympians and The Heroes of Olympus (10 books in total", "I think it's mainly because my writing got highly influenced by readers' comments.", "to complete it. I have the desire to complete it, but I have", "have no idea how to resolve those mysteries I created. Due to some", "my writing, and started posting it on a Facebook group as small chapters.", "(I have no idea how to do this). 4. Do not post on", "twists and mysteries often. Many chapters create a lot of questions in the", "readers about the unfinished novel, and requests to complete it. I have the", "start something new with the same basic idea. 2. Start to rewrite the", "this, and now, almost one year later, I still get questions from my", "everything and start something new with the same basic idea. 2. Start to", "to resolve those mysteries I created. Due to some personal reasons, I was", "The response I got was great. I am a discovery writer. To hook", "response I got was great. I am a discovery writer. To hook my", "1-2 hours a day on my writing, and started posting it on a", "I got was great. I am a discovery writer. To hook my readers", "the unfinished novel, and requests to complete it. I have the desire to", "single stretch, and got highly inspired. So, I planned to write my very", "because my writing got highly influenced by readers' comments. 3. I don't know", "and I managed to spend 1-2 hours a day on my writing, and", "questions in the reader's mind. Almost 75% of my story is written, but", "novel, and hope it gets a normal flow till I find a climax.", "get questions from my readers about the unfinished novel, and requests to complete", "the desire to complete it, but I have three main issues: 1. I", "questions from my readers about the unfinished novel, and requests to complete it.", "busy in my personal and professional life. I let my readers know this,", "made. What should I do about this? These are the options I'm considering:", "very first novel. By profession, I am a programmer, and I managed to", "considering: 1. Scrap everything and start something new with the same basic idea.", "lot of questions in the reader's mind. Almost 75% of my story is", "think it's mainly because my writing got highly influenced by readers' comments. 3.", "don't know how to resolve the mysteries I created or how to answer", "I planned to write my very first novel. By profession, I am a", "communicate with readers, and continue writing. I don't know which is the right", "some personal reasons, I was forced to take a break from my writing,", "I have the desire to complete it, but I have three main issues:", "but I have no idea how to resolve those mysteries I created. Due", "how to resolve those mysteries I created. Due to some personal reasons, I", "the novel (I have no idea how to do this). 4. Do not", "stories and poems. Some of them are published in magazines and get good", "my favorite genre. I used to write short stories and poems. Some of", "year later, I still get questions from my readers about the unfinished novel,", "novel, I understand that it diverged a lot from what I planned to", "planned to write my very first novel. By profession, I am a programmer,", "no idea how to do this). 4. Do not post on social media", "got highly influenced by readers' comments. 3. I don't know how to resolve", "75% of my story is written, but I have no idea how to", "created or how to answer the questions I made. What should I do", "to answer the questions I made. What should I do about this? These", "later, I still get questions from my readers about the unfinished novel, and", "continue writing. I don't know which is the right decision, or how to", "Scrap everything and start something new with the same basic idea. 2. Start", "had when I started writing the novel. 2. When I read my unfinished", "I do about this? These are the options I'm considering: 1. Scrap everything", "I read my unfinished novel, I understand that it diverged a lot from", "issues: 1. I do not have the inspiration, now, that I had when", "3. I don't know how to resolve the mysteries I created or how", "and The Heroes of Olympus (10 books in total ) in a single", "my writing got highly influenced by readers' comments. 3. I don't know how", "or how to answer the questions I made. What should I do about", "the inspiration, now, that I had when I started writing the novel. 2.", "normal flow till I find a climax. 3. Continue from the last word", "short stories and poems. Some of them are published in magazines and get", "readers, and continue writing. I don't know which is the right decision, or", "a reader more than a writer, and fantasy is my favorite genre. I", "I have no idea how to resolve those mysteries I created. Due to", "how to do this). 4. Do not post on social media until I", "read my unfinished novel, I understand that it diverged a lot from what", "three main issues: 1. I do not have the inspiration, now, that I", "my personal and professional life. I let my readers know this, and now,", "chapter, communicate with readers, and continue writing. I don't know which is the", "main issues: 1. I do not have the inspiration, now, that I had", "in the reader's mind. Almost 75% of my story is written, but I", "I am a discovery writer. To hook my readers in my story, it", "the last word I wrote in the novel (I have no idea how", "collection of Rick Riordan's Percy Jackson & the Olympians and The Heroes of", "to do this). 4. Do not post on social media until I complete", "group as small chapters. The response I got was great. I am a", "do about this? These are the options I'm considering: 1. Scrap everything and", "a lot of questions in the reader's mind. Almost 75% of my story", "it gets a normal flow till I find a climax. 3. Continue from", "What should I do about this? These are the options I'm considering: 1.", "in the novel (I have no idea how to do this). 4. Do", "story is written, but I have no idea how to resolve those mysteries", "written, but I have no idea how to resolve those mysteries I created.", "total ) in a single stretch, and got highly inspired. So, I planned", "of my story is written, but I have no idea how to resolve", "my readers know this, and now, almost one year later, I still get", "one year later, I still get questions from my readers about the unfinished", "it. I have the desire to complete it, but I have three main", "that I had when I started writing the novel. 2. When I read", "now, that I had when I started writing the novel. 2. When I", "of them are published in magazines and get good reviews. In 2018 January,", "my writing, and got completely busy in my personal and professional life. I", "idea. 2. Start to rewrite the same novel, and hope it gets a", "used to write short stories and poems. Some of them are published in", "with readers, and continue writing. I don't know which is the right decision,", "2018 January, I read the complete collection of Rick Riordan's Percy Jackson &", "with the same basic idea. 2. Start to rewrite the same novel, and", "questions I made. What should I do about this? These are the options", "inspiration, now, that I had when I started writing the novel. 2. When", "to write short stories and poems. Some of them are published in magazines", "spend 1-2 hours a day on my writing, and started posting it on", "completely busy in my personal and professional life. I let my readers know", "created. Due to some personal reasons, I was forced to take a break", "reviews. In 2018 January, I read the complete collection of Rick Riordan's Percy", "media until I complete the novel. 5. Post each chapter, communicate with readers,", "mysteries I created or how to answer the questions I made. What should", "the novel. 5. Post each chapter, communicate with readers, and continue writing. I", "my readers about the unfinished novel, and requests to complete it. I have", "to some personal reasons, I was forced to take a break from my", "is my favorite genre. I used to write short stories and poems. Some", "it disappoints me. I think it's mainly because my writing got highly influenced", "am a reader more than a writer, and fantasy is my favorite genre.", "have the inspiration, now, that I had when I started writing the novel.", "I complete the novel. 5. Post each chapter, communicate with readers, and continue", "write short stories and poems. Some of them are published in magazines and", "2. When I read my unfinished novel, I understand that it diverged a", "and it disappoints me. I think it's mainly because my writing got highly", "till I find a climax. 3. Continue from the last word I wrote", "about this? These are the options I'm considering: 1. Scrap everything and start", "know this, and now, almost one year later, I still get questions from", "me. I think it's mainly because my writing got highly influenced by readers'", "Some of them are published in magazines and get good reviews. In 2018", "I am a programmer, and I managed to spend 1-2 hours a day", "I am a reader more than a writer, and fantasy is my favorite", "first novel. By profession, I am a programmer, and I managed to spend", "I have three main issues: 1. I do not have the inspiration, now,", "writing the novel. 2. When I read my unfinished novel, I understand that", "to write at the beginning, and it disappoints me. I think it's mainly", "last word I wrote in the novel (I have no idea how to", "idea how to do this). 4. Do not post on social media until", "I created. Due to some personal reasons, I was forced to take a", "When I read my unfinished novel, I understand that it diverged a lot", "I still get questions from my readers about the unfinished novel, and requests", "planned to write at the beginning, and it disappoints me. I think it's", "highly inspired. So, I planned to write my very first novel. By profession,", "my story, it becomes necessary to make twists and mysteries often. Many chapters", "novel, and requests to complete it. I have the desire to complete it,", "often. Many chapters create a lot of questions in the reader's mind. Almost", "them are published in magazines and get good reviews. In 2018 January, I", "and fantasy is my favorite genre. I used to write short stories and", "and requests to complete it. I have the desire to complete it, but", "I wrote in the novel (I have no idea how to do this).", "& the Olympians and The Heroes of Olympus (10 books in total )", "to spend 1-2 hours a day on my writing, and started posting it", "it on a Facebook group as small chapters. The response I got was", "the Olympians and The Heroes of Olympus (10 books in total ) in", "Olympians and The Heroes of Olympus (10 books in total ) in a", "by readers' comments. 3. I don't know how to resolve the mysteries I", "and continue writing. I don't know which is the right decision, or how", "diverged a lot from what I planned to write at the beginning, and", "a writer, and fantasy is my favorite genre. I used to write short", "more than a writer, and fantasy is my favorite genre. I used to", "on my writing, and started posting it on a Facebook group as small", "readers know this, and now, almost one year later, I still get questions", "are published in magazines and get good reviews. In 2018 January, I read", "genre. I used to write short stories and poems. Some of them are", "a normal flow till I find a climax. 3. Continue from the last", "a break from my writing, and got completely busy in my personal and", "are the options I'm considering: 1. Scrap everything and start something new with", "know how to resolve the mysteries I created or how to answer the", "complete it, but I have three main issues: 1. I do not have", "resolve those mysteries I created. Due to some personal reasons, I was forced", "read the complete collection of Rick Riordan's Percy Jackson & the Olympians and", "Percy Jackson & the Olympians and The Heroes of Olympus (10 books in", "personal reasons, I was forced to take a break from my writing, and", "mysteries often. Many chapters create a lot of questions in the reader's mind.", "of Rick Riordan's Percy Jackson & the Olympians and The Heroes of Olympus", "almost one year later, I still get questions from my readers about the", "January, I read the complete collection of Rick Riordan's Percy Jackson & the", "got completely busy in my personal and professional life. I let my readers", "small chapters. The response I got was great. I am a discovery writer.", "about the unfinished novel, and requests to complete it. I have the desire", "novel (I have no idea how to do this). 4. Do not post", "this). 4. Do not post on social media until I complete the novel.", "disappoints me. I think it's mainly because my writing got highly influenced by", "personal and professional life. I let my readers know this, and now, almost", "hook my readers in my story, it becomes necessary to make twists and", "comments. 3. I don't know how to resolve the mysteries I created or", "the reader's mind. Almost 75% of my story is written, but I have", "mysteries I created. Due to some personal reasons, I was forced to take", "new with the same basic idea. 2. Start to rewrite the same novel,", "becomes necessary to make twists and mysteries often. Many chapters create a lot", "have the desire to complete it, but I have three main issues: 1.", "Do not post on social media until I complete the novel. 5. Post", "from what I planned to write at the beginning, and it disappoints me.", "Start to rewrite the same novel, and hope it gets a normal flow", "writing, and got completely busy in my personal and professional life. I let", "on a Facebook group as small chapters. The response I got was great.", "a single stretch, and got highly inspired. So, I planned to write my", "a day on my writing, and started posting it on a Facebook group", "To hook my readers in my story, it becomes necessary to make twists", "I was forced to take a break from my writing, and got completely", "I don't know how to resolve the mysteries I created or how to", "in my personal and professional life. I let my readers know this, and", "in a single stretch, and got highly inspired. So, I planned to write", "and now, almost one year later, I still get questions from my readers", "posting it on a Facebook group as small chapters. The response I got", "lot from what I planned to write at the beginning, and it disappoints", "do not have the inspiration, now, that I had when I started writing", "on social media until I complete the novel. 5. Post each chapter, communicate", "1. Scrap everything and start something new with the same basic idea. 2.", "necessary to make twists and mysteries often. Many chapters create a lot of", "got was great. I am a discovery writer. To hook my readers in", "my readers in my story, it becomes necessary to make twists and mysteries", "reader more than a writer, and fantasy is my favorite genre. I used", "idea how to resolve those mysteries I created. Due to some personal reasons,", "to take a break from my writing, and got completely busy in my", "still get questions from my readers about the unfinished novel, and requests to", "writing, and started posting it on a Facebook group as small chapters. The", "do this). 4. Do not post on social media until I complete the", "social media until I complete the novel. 5. Post each chapter, communicate with", "until I complete the novel. 5. Post each chapter, communicate with readers, and", "and get good reviews. In 2018 January, I read the complete collection of", "favorite genre. I used to write short stories and poems. Some of them", "good reviews. In 2018 January, I read the complete collection of Rick Riordan's", "discovery writer. To hook my readers in my story, it becomes necessary to", "those mysteries I created. Due to some personal reasons, I was forced to", "to rewrite the same novel, and hope it gets a normal flow till", "the same basic idea. 2. Start to rewrite the same novel, and hope", "a lot from what I planned to write at the beginning, and it", "is written, but I have no idea how to resolve those mysteries I", "forced to take a break from my writing, and got completely busy in", "requests to complete it. I have the desire to complete it, but I", "story, it becomes necessary to make twists and mysteries often. Many chapters create", "to complete it, but I have three main issues: 1. I do not", "I started writing the novel. 2. When I read my unfinished novel, I", "write at the beginning, and it disappoints me. 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These are the", "it, but I have three main issues: 1. I do not have the", "at the beginning, and it disappoints me. I think it's mainly because my", "magazines and get good reviews. In 2018 January, I read the complete collection", "complete collection of Rick Riordan's Percy Jackson & the Olympians and The Heroes", "in my story, it becomes necessary to make twists and mysteries often. Many", "should I do about this? These are the options I'm considering: 1. Scrap", "The Heroes of Olympus (10 books in total ) in a single stretch,", "to write my very first novel. By profession, I am a programmer, and", "complete it. I have the desire to complete it, but I have three", "I had when I started writing the novel. 2. When I read my", "am a programmer, and I managed to spend 1-2 hours a day on", "writing got highly influenced by readers' comments. 3. I don't know how to", "I understand that it diverged a lot from what I planned to write", "basic idea. 2. Start to rewrite the same novel, and hope it gets", "flow till I find a climax. 3. Continue from the last word I", "Continue from the last word I wrote in the novel (I have no", "chapters create a lot of questions in the reader's mind. Almost 75% of", "I'm considering: 1. Scrap everything and start something new with the same basic", "than a writer, and fantasy is my favorite genre. I used to write", "word I wrote in the novel (I have no idea how to do", "to make twists and mysteries often. Many chapters create a lot of questions", "the mysteries I created or how to answer the questions I made. What", "I don't know which is the right decision, or how to make it", "3. Continue from the last word I wrote in the novel (I have", "readers' comments. 3. I don't know how to resolve the mysteries I created", "to resolve the mysteries I created or how to answer the questions I", "published in magazines and get good reviews. 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I", "from my writing, and got completely busy in my personal and professional life.", "it diverged a lot from what I planned to write at the beginning,", "books in total ) in a single stretch, and got highly inspired. So,", "wrote in the novel (I have no idea how to do this). 4.", "great. I am a discovery writer. To hook my readers in my story,", "a programmer, and I managed to spend 1-2 hours a day on my", "poems. Some of them are published in magazines and get good reviews. In", "I made. What should I do about this? These are the options I'm", "understand that it diverged a lot from what I planned to write at", "take a break from my writing, and got completely busy in my personal", "a climax. 3. Continue from the last word I wrote in the novel", "5. Post each chapter, communicate with readers, and continue writing. I don't know", "and professional life. I let my readers know this, and now, almost one", "how to answer the questions I made. What should I do about this?", "the same novel, and hope it gets a normal flow till I find", "I created or how to answer the questions I made. What should I", "I let my readers know this, and now, almost one year later, I", "chapters. The response I got was great. I am a discovery writer. To", "climax. 3. Continue from the last word I wrote in the novel (I", "not post on social media until I complete the novel. 5. Post each", "but I have three main issues: 1. I do not have the inspiration,", "and start something new with the same basic idea. 2. Start to rewrite", "the options I'm considering: 1. Scrap everything and start something new with the", "Post each chapter, communicate with readers, and continue writing. I don't know which", "and got completely busy in my personal and professional life. I let my", "day on my writing, and started posting it on a Facebook group as", "of questions in the reader's mind. Almost 75% of my story is written,", "In 2018 January, I read the complete collection of Rick Riordan's Percy Jackson", "that it diverged a lot from what I planned to write at the", "my very first novel. By profession, I am a programmer, and I managed", "By profession, I am a programmer, and I managed to spend 1-2 hours", "write my very first novel. By profession, I am a programmer, and I", "from the last word I wrote in the novel (I have no idea", "of Olympus (10 books in total ) in a single stretch, and got", "from my readers about the unfinished novel, and requests to complete it. I", "profession, I am a programmer, and I managed to spend 1-2 hours a", "(10 books in total ) in a single stretch, and got highly inspired.", "which is the right decision, or how to make it work. Please help.", "it becomes necessary to make twists and mysteries often. Many chapters create a", "So, I planned to write my very first novel. By profession, I am", "mind. Almost 75% of my story is written, but I have no idea", "my unfinished novel, I understand that it diverged a lot from what I", "get good reviews. In 2018 January, I read the complete collection of Rick", "this? These are the options I'm considering: 1. Scrap everything and start something", "the complete collection of Rick Riordan's Percy Jackson & the Olympians and The", "and mysteries often. Many chapters create a lot of questions in the reader's", "1. I do not have the inspiration, now, that I had when I", "know which is the right decision, or how to make it work. Please", "I managed to spend 1-2 hours a day on my writing, and started", "desire to complete it, but I have three main issues: 1. I do", "in magazines and get good reviews. In 2018 January, I read the complete", "Facebook group as small chapters. The response I got was great. I am", "how to resolve the mysteries I created or how to answer the questions", "These are the options I'm considering: 1. Scrap everything and start something new", "4. Do not post on social media until I complete the novel. 5.", "same novel, and hope it gets a normal flow till I find a", "unfinished novel, I understand that it diverged a lot from what I planned", "and started posting it on a Facebook group as small chapters. The response", "readers in my story, it becomes necessary to make twists and mysteries often.", "reader's mind. Almost 75% of my story is written, but I have no", "when I started writing the novel. 2. When I read my unfinished novel,", "and got highly inspired. So, I planned to write my very first novel.", "as small chapters. The response I got was great. I am a discovery", "have three main issues: 1. I do not have the inspiration, now, that", "hope it gets a normal flow till I find a climax. 3. Continue", "Rick Riordan's Percy Jackson & the Olympians and The Heroes of Olympus (10", "let my readers know this, and now, almost one year later, I still", "2. 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I think it's mainly because my writing got", "Riordan's Percy Jackson & the Olympians and The Heroes of Olympus (10 books", "novel. 5. Post each chapter, communicate with readers, and continue writing. I don't" ]
[ "sucker for redemption arcs, but to do that, he’d have to break his", "as a villain. He’s done awful things like wiping out a bunch of", "genuinely don’t know how to solve the problem. I think it’s because the", "this. How do I resolve conflict if none of the options seem satisfying", "story questions whether or not you should even be rooting for him. We", "not you should even be rooting for him. We are left with two", "his promise and kill Character B. I would have Character A let himself", "characters colliding, rather than solid events. I’ll quickly explain the situation. Character A", "self sacrificial situation, but that leaves another character in an awful position, I", "promise and kill Character B. I would have Character A let himself be", "sacrificial situation, but that leaves another character in an awful position, I don’t", "people (revenge motivated) but eventually he can’t stand himself for it, so he’s", "which needs to be solved. Only, I genuinely don’t know how to solve", "that, I mean the big problem which needs to be solved. Only, I", "for redemption arcs, but to do that, he’d have to break his promise", "motivated) but eventually he can’t stand himself for it, so he’s like “I’m", "take down the villain, but actually he’s a pompous, selfish, power hungry, narcissistic", "know how to solve the problem. I think it’s because the issues are", "how to go into it without another five paragraphs of explaining. My question", "the story questions whether or not you should even be rooting for him.", "he’d have to break his promise and kill Character B. I would have", "it without another five paragraphs of explaining. My question is this. How do", "my particular story for a while now, and I finally seem to have", "whether or not you should even be rooting for him. We are left", "or not you should even be rooting for him. We are left with", "stand himself for it, so he’s like “I’m gonna change” and swears never", "How do I resolve conflict if none of the options seem satisfying or", "A has been presented for the majority of the book as a villain.", "seem to have worked out a good plot, and by that, I mean", "is also in possession of over powered magic. Character B is presented as", "now, and I finally seem to have worked out a good plot, and", "but that leaves another character in an awful position, I don’t know how", "also in possession of over powered magic. Character B is presented as the", "the big problem which needs to be solved. Only, I genuinely don’t know", "know how to go into it without another five paragraphs of explaining. My", "problem. I think it’s because the issues are with morals and characters colliding,", "are with morals and characters colliding, rather than solid events. I’ll quickly explain", "let himself be killed in a self sacrificial situation, but that leaves another", "a story. I’ve been working on my particular story for a while now,", "done awful things like wiping out a bunch of people (revenge motivated) but", "down the villain, but actually he’s a pompous, selfish, power hungry, narcissistic guy,", "to go into it without another five paragraphs of explaining. My question is", "villain, but actually he’s a pompous, selfish, power hungry, narcissistic guy, so the", "needs to be solved. Only, I genuinely don’t know how to solve the", "important things in driving a story. I’ve been working on my particular story", "story. I’ve been working on my particular story for a while now, and", "be solved. Only, I genuinely don’t know how to solve the problem. I", "awful things like wiping out a bunch of people (revenge motivated) but eventually", "powered magic. Character B is presented as the hero who will take down", "power hungry, narcissistic guy, so the story questions whether or not you should", "the problem. I think it’s because the issues are with morals and characters", "I’m a sucker for redemption arcs, but to do that, he’d have to", "been presented for the majority of the book as a villain. He’s done", "paragraphs of explaining. My question is this. How do I resolve conflict if", "while now, and I finally seem to have worked out a good plot,", "of the most important things in driving a story. I’ve been working on", "want Character A to prevail, because I’m a sucker for redemption arcs, but", "presented for the majority of the book as a villain. He’s done awful", "has been presented for the majority of the book as a villain. He’s", "a while now, and I finally seem to have worked out a good", "and kill Character B. I would have Character A let himself be killed", "eventually he can’t stand himself for it, so he’s like “I’m gonna change”", "swears never to take another life. He is also in possession of over", "to take another life. He is also in possession of over powered magic.", "We are left with two pretty bad people. Personally, I want Character A", "A to prevail, because I’m a sucker for redemption arcs, but to do", "bunch of people (revenge motivated) but eventually he can’t stand himself for it,", "that leaves another character in an awful position, I don’t know how to", "B. I would have Character A let himself be killed in a self", "a bunch of people (revenge motivated) but eventually he can’t stand himself for", "with two pretty bad people. Personally, I want Character A to prevail, because", "(revenge motivated) but eventually he can’t stand himself for it, so he’s like", "have Character A let himself be killed in a self sacrificial situation, but", "into it without another five paragraphs of explaining. My question is this. How", "to do that, he’d have to break his promise and kill Character B.", "majority of the book as a villain. He’s done awful things like wiping", "morals and characters colliding, rather than solid events. I’ll quickly explain the situation.", "book as a villain. He’s done awful things like wiping out a bunch", "life. He is also in possession of over powered magic. Character B is", "I’ve been working on my particular story for a while now, and I", "out a good plot, and by that, I mean the big problem which", "by that, I mean the big problem which needs to be solved. Only,", "narcissistic guy, so the story questions whether or not you should even be", "is one of the most important things in driving a story. I’ve been", "him. We are left with two pretty bad people. Personally, I want Character", "people. Personally, I want Character A to prevail, because I’m a sucker for", "don’t know how to solve the problem. I think it’s because the issues", "explaining. My question is this. How do I resolve conflict if none of", "have worked out a good plot, and by that, I mean the big", "out a bunch of people (revenge motivated) but eventually he can’t stand himself", "will take down the villain, but actually he’s a pompous, selfish, power hungry,", "to have worked out a good plot, and by that, I mean the", "the most important things in driving a story. I’ve been working on my", "would have Character A let himself be killed in a self sacrificial situation,", "question is this. How do I resolve conflict if none of the options", "he’s a pompous, selfish, power hungry, narcissistic guy, so the story questions whether", "a self sacrificial situation, but that leaves another character in an awful position,", "a pompous, selfish, power hungry, narcissistic guy, so the story questions whether or", "explain the situation. Character A has been presented for the majority of the", "Conflict is one of the most important things in driving a story. I’ve", "Character B is presented as the hero who will take down the villain,", "change” and swears never to take another life. He is also in possession", "the book as a villain. He’s done awful things like wiping out a", "selfish, power hungry, narcissistic guy, so the story questions whether or not you", "because I’m a sucker for redemption arcs, but to do that, he’d have", "rather than solid events. I’ll quickly explain the situation. Character A has been", "finally seem to have worked out a good plot, and by that, I", "He’s done awful things like wiping out a bunch of people (revenge motivated)", "a sucker for redemption arcs, but to do that, he’d have to break", "things in driving a story. I’ve been working on my particular story for", "things like wiping out a bunch of people (revenge motivated) but eventually he", "situation. Character A has been presented for the majority of the book as", "the issues are with morals and characters colliding, rather than solid events. I’ll", "for the majority of the book as a villain. He’s done awful things", "of the book as a villain. He’s done awful things like wiping out", "solve the problem. I think it’s because the issues are with morals and", "in driving a story. I’ve been working on my particular story for a", "it, so he’s like “I’m gonna change” and swears never to take another", "but actually he’s a pompous, selfish, power hungry, narcissistic guy, so the story", "be rooting for him. We are left with two pretty bad people. Personally,", "two pretty bad people. Personally, I want Character A to prevail, because I’m", "quickly explain the situation. Character A has been presented for the majority of", "I think it’s because the issues are with morals and characters colliding, rather", "good plot, and by that, I mean the big problem which needs to", "and characters colliding, rather than solid events. I’ll quickly explain the situation. Character", "the majority of the book as a villain. He’s done awful things like", "in possession of over powered magic. Character B is presented as the hero", "I’ll quickly explain the situation. Character A has been presented for the majority", "rooting for him. We are left with two pretty bad people. Personally, I", "who will take down the villain, but actually he’s a pompous, selfish, power", "I want Character A to prevail, because I’m a sucker for redemption arcs,", "have to break his promise and kill Character B. I would have Character", "think it’s because the issues are with morals and characters colliding, rather than", "in an awful position, I don’t know how to go into it without", "been working on my particular story for a while now, and I finally", "like “I’m gonna change” and swears never to take another life. He is", "bad people. Personally, I want Character A to prevail, because I’m a sucker", "that, he’d have to break his promise and kill Character B. I would", "“I’m gonna change” and swears never to take another life. He is also", "redemption arcs, but to do that, he’d have to break his promise and", "should even be rooting for him. We are left with two pretty bad", "don’t know how to go into it without another five paragraphs of explaining.", "on my particular story for a while now, and I finally seem to", "prevail, because I’m a sucker for redemption arcs, but to do that, he’d", "pompous, selfish, power hungry, narcissistic guy, so the story questions whether or not", "to solve the problem. I think it’s because the issues are with morals", "killed in a self sacrificial situation, but that leaves another character in an", "can’t stand himself for it, so he’s like “I’m gonna change” and swears", "Character B. I would have Character A let himself be killed in a", "Character A to prevail, because I’m a sucker for redemption arcs, but to", "so the story questions whether or not you should even be rooting for", "break his promise and kill Character B. I would have Character A let", "is presented as the hero who will take down the villain, but actually", "most important things in driving a story. I’ve been working on my particular", "for it, so he’s like “I’m gonna change” and swears never to take", "magic. Character B is presented as the hero who will take down the", "but to do that, he’d have to break his promise and kill Character", "He is also in possession of over powered magic. Character B is presented", "to be solved. Only, I genuinely don’t know how to solve the problem.", "of people (revenge motivated) but eventually he can’t stand himself for it, so", "of explaining. My question is this. How do I resolve conflict if none", "Personally, I want Character A to prevail, because I’m a sucker for redemption", "five paragraphs of explaining. My question is this. How do I resolve conflict", "Character A has been presented for the majority of the book as a", "actually he’s a pompous, selfish, power hungry, narcissistic guy, so the story questions", "never to take another life. He is also in possession of over powered", "plot, and by that, I mean the big problem which needs to be", "for a while now, and I finally seem to have worked out a", "mean the big problem which needs to be solved. Only, I genuinely don’t", "even be rooting for him. We are left with two pretty bad people.", "himself for it, so he’s like “I’m gonna change” and swears never to", "be killed in a self sacrificial situation, but that leaves another character in", "big problem which needs to be solved. Only, I genuinely don’t know how", "Character A let himself be killed in a self sacrificial situation, but that", "character in an awful position, I don’t know how to go into it", "I would have Character A let himself be killed in a self sacrificial", "kill Character B. I would have Character A let himself be killed in", "leaves another character in an awful position, I don’t know how to go", "a villain. He’s done awful things like wiping out a bunch of people", "he’s like “I’m gonna change” and swears never to take another life. He", "to break his promise and kill Character B. I would have Character A", "wiping out a bunch of people (revenge motivated) but eventually he can’t stand", "one of the most important things in driving a story. I’ve been working", "a good plot, and by that, I mean the big problem which needs", "so he’s like “I’m gonna change” and swears never to take another life.", "gonna change” and swears never to take another life. He is also in", "of over powered magic. Character B is presented as the hero who will", "pretty bad people. Personally, I want Character A to prevail, because I’m a", "in a self sacrificial situation, but that leaves another character in an awful", "like wiping out a bunch of people (revenge motivated) but eventually he can’t", "issues are with morals and characters colliding, rather than solid events. I’ll quickly", "working on my particular story for a while now, and I finally seem", "an awful position, I don’t know how to go into it without another", "villain. He’s done awful things like wiping out a bunch of people (revenge", "questions whether or not you should even be rooting for him. We are", "as the hero who will take down the villain, but actually he’s a", "himself be killed in a self sacrificial situation, but that leaves another character", "another character in an awful position, I don’t know how to go into", "problem which needs to be solved. Only, I genuinely don’t know how to", "colliding, rather than solid events. I’ll quickly explain the situation. Character A has", "are left with two pretty bad people. Personally, I want Character A to", "to prevail, because I’m a sucker for redemption arcs, but to do that,", "do that, he’d have to break his promise and kill Character B. I", "position, I don’t know how to go into it without another five paragraphs", "without another five paragraphs of explaining. My question is this. How do I", "A let himself be killed in a self sacrificial situation, but that leaves", "My question is this. How do I resolve conflict if none of the", "another life. He is also in possession of over powered magic. Character B", "is this. How do I resolve conflict if none of the options seem", "another five paragraphs of explaining. My question is this. How do I resolve", "take another life. He is also in possession of over powered magic. Character", "solved. Only, I genuinely don’t know how to solve the problem. I think", "the hero who will take down the villain, but actually he’s a pompous,", "I mean the big problem which needs to be solved. Only, I genuinely", "left with two pretty bad people. Personally, I want Character A to prevail,", "you should even be rooting for him. We are left with two pretty", "presented as the hero who will take down the villain, but actually he’s", "worked out a good plot, and by that, I mean the big problem", "possession of over powered magic. Character B is presented as the hero who", "story for a while now, and I finally seem to have worked out", "driving a story. I’ve been working on my particular story for a while", "I finally seem to have worked out a good plot, and by that,", "and swears never to take another life. He is also in possession of", "with morals and characters colliding, rather than solid events. I’ll quickly explain the", "I don’t know how to go into it without another five paragraphs of", "I genuinely don’t know how to solve the problem. I think it’s because", "because the issues are with morals and characters colliding, rather than solid events.", "he can’t stand himself for it, so he’s like “I’m gonna change” and", "B is presented as the hero who will take down the villain, but", "go into it without another five paragraphs of explaining. My question is this.", "the situation. Character A has been presented for the majority of the book", "particular story for a while now, and I finally seem to have worked", "events. I’ll quickly explain the situation. Character A has been presented for the", "hero who will take down the villain, but actually he’s a pompous, selfish,", "the villain, but actually he’s a pompous, selfish, power hungry, narcissistic guy, so", "situation, but that leaves another character in an awful position, I don’t know", "solid events. I’ll quickly explain the situation. Character A has been presented for", "awful position, I don’t know how to go into it without another five", "over powered magic. Character B is presented as the hero who will take", "and by that, I mean the big problem which needs to be solved.", "for him. We are left with two pretty bad people. Personally, I want", "but eventually he can’t stand himself for it, so he’s like “I’m gonna", "arcs, but to do that, he’d have to break his promise and kill", "it’s because the issues are with morals and characters colliding, rather than solid", "how to solve the problem. I think it’s because the issues are with", "do I resolve conflict if none of the options seem satisfying or correct?", "guy, so the story questions whether or not you should even be rooting", "and I finally seem to have worked out a good plot, and by", "than solid events. I’ll quickly explain the situation. Character A has been presented", "Only, I genuinely don’t know how to solve the problem. I think it’s", "hungry, narcissistic guy, so the story questions whether or not you should even" ]
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Of course, I included lots", "included lots of citations and references with proper citations and references but that", "a research paper include mostly citations and paraphrasing from the original author or", "and references but that only accounted for maybe 10%-20% of the summary. Should", "of a multi-page research paper for school and I was concerned when I", "and paraphrasing from the original author or rather be summarized in the words", "mostly citations and paraphrasing from the original author or rather be summarized in", "summary. Should a summary of a research paper include mostly citations and paraphrasing", "a single-paragraph summary of a multi-page research paper for school and I was", "but that only accounted for maybe 10%-20% of the summary. Should a summary", "proper citations and references but that only accounted for maybe 10%-20% of the", "when I noticed that most of my summary was in my own words.", "10%-20% of the summary. Should a summary of a research paper include mostly", "that only accounted for maybe 10%-20% of the summary. Should a summary of", "paraphrasing from the original author or rather be summarized in the words of", "most of my summary was in my own words. I mean that most", "and re-formed by me. Of course, I included lots of citations and references", "maybe 10%-20% of the summary. Should a summary of a research paper include", "lots of citations and references with proper citations and references but that only", "for maybe 10%-20% of the summary. Should a summary of a research paper", "Should a summary of a research paper include mostly citations and paraphrasing from", "a summary of a research paper include mostly citations and paraphrasing from the", "citations and paraphrasing from the original author or rather be summarized in the", "what I wrote was not citing the original paper's author but rather their", "idea summarized and re-formed by me. Of course, I included lots of citations", "mean that most of what I wrote was not citing the original paper's", "references but that only accounted for maybe 10%-20% of the summary. Should a", "but rather their paper's idea summarized and re-formed by me. Of course, I", "author or rather be summarized in the words of the one writing the", "original author or rather be summarized in the words of the one writing", "was in my own words. I mean that most of what I wrote", "references with proper citations and references but that only accounted for maybe 10%-20%", "summary of a research paper include mostly citations and paraphrasing from the original", "the words of the one writing the summary with citations here and there?", "words. I mean that most of what I wrote was not citing the", "citations and references but that only accounted for maybe 10%-20% of the summary.", "summarized in the words of the one writing the summary with citations here", "a multi-page research paper for school and I was concerned when I noticed", "summary of a multi-page research paper for school and I was concerned when", "my own words. I mean that most of what I wrote was not", "of citations and references with proper citations and references but that only accounted", "not citing the original paper's author but rather their paper's idea summarized and", "of a research paper include mostly citations and paraphrasing from the original author", "research paper include mostly citations and paraphrasing from the original author or rather", "and I was concerned when I noticed that most of my summary was", "I noticed that most of my summary was in my own words. I", "of the summary. Should a summary of a research paper include mostly citations", "Of course, I included lots of citations and references with proper citations and", "accounted for maybe 10%-20% of the summary. Should a summary of a research", "author but rather their paper's idea summarized and re-formed by me. Of course,", "include mostly citations and paraphrasing from the original author or rather be summarized", "school and I was concerned when I noticed that most of my summary", "finalizing a single-paragraph summary of a multi-page research paper for school and I", "that most of my summary was in my own words. I mean that", "original paper's author but rather their paper's idea summarized and re-formed by me.", "from the original author or rather be summarized in the words of the", "in the words of the one writing the summary with citations here and", "for school and I was concerned when I noticed that most of my", "in my own words. I mean that most of what I wrote was", "the original author or rather be summarized in the words of the one", "I'm finalizing a single-paragraph summary of a multi-page research paper for school and", "paper's idea summarized and re-formed by me. Of course, I included lots of", "the original paper's author but rather their paper's idea summarized and re-formed by", "most of what I wrote was not citing the original paper's author but", "wrote was not citing the original paper's author but rather their paper's idea", "summary was in my own words. I mean that most of what I", "only accounted for maybe 10%-20% of the summary. Should a summary of a", "paper include mostly citations and paraphrasing from the original author or rather be", "rather be summarized in the words of the one writing the summary with", "that most of what I wrote was not citing the original paper's author", "course, I included lots of citations and references with proper citations and references", "and references with proper citations and references but that only accounted for maybe", "the summary. Should a summary of a research paper include mostly citations and", "was not citing the original paper's author but rather their paper's idea summarized", "own words. I mean that most of what I wrote was not citing", "noticed that most of my summary was in my own words. I mean", "citations and references with proper citations and references but that only accounted for", "citing the original paper's author but rather their paper's idea summarized and re-formed", "paper's author but rather their paper's idea summarized and re-formed by me. Of" ]
[ "flowers. I didn't mention these things anywhere else in the novel. Didn't give", "filled with BETTORNIM flowers. I didn't mention these things anywhere else in the", "didn't mention these things anywhere else in the novel. Didn't give the reader", "these things by- * Describe it within the story? * Adding References notes", "favorite genre. And I am currently working on my first novel, an extraterrestrial", "etc. * Is it a good idea to leave those things to the", "to mention things like * She listened to the music of LILLAHI birds,", "give the reader details about these lilllahi birds, Bettornim flowers, gaijamu flowers, etc.", "details about these lilllahi birds, Bettornim flowers, gaijamu flowers, etc. * Is it", "else in the novel. Didn't give the reader details about these lilllahi birds,", "the flower pot was filled with BETTORNIM flowers. I didn't mention these things", "things anywhere else in the novel. Didn't give the reader details about these", "like THAJVA gems. * Her beautiful nose looks just like GAIJAMU flowers. And", "calm. * the flower pot was filled with BETTORNIM flowers. I didn't mention", "Didn't give the reader details about these lilllahi birds, Bettornim flowers, gaijamu flowers,", "an extraterrestrial fantasy thriller. When describing something, I used to add a comparison", "in my fantasy world. Eg: * His purple eyes are glittering like THAJVA", "mention things like * She listened to the music of LILLAHI birds, and", "something in my fantasy world. Eg: * His purple eyes are glittering like", "* Is it a good idea to leave those things to the reader's", "working on my first novel, an extraterrestrial fantasy thriller. When describing something, I", "LILLAHI birds, and it made her somewhat calm. * the flower pot was", "gaijamu flowers, etc. * Is it a good idea to leave those things", "I add additional details about these things by- * Describe it within the", "somewhat calm. * the flower pot was filled with BETTORNIM flowers. I didn't", "Is it a good idea to leave those things to the reader's imagination?", "reader, fantasy is my favorite genre. And I am currently working on my", "a writer, I used to write short stories and poems. As a reader,", "my favorite genre. And I am currently working on my first novel, an", "flower pot was filled with BETTORNIM flowers. I didn't mention these things anywhere", "was filled with BETTORNIM flowers. I didn't mention these things anywhere else in", "a comparison to something in my fantasy world. Eg: * His purple eyes", "with BETTORNIM flowers. I didn't mention these things anywhere else in the novel.", "these things anywhere else in the novel. Didn't give the reader details about", "about these lilllahi birds, Bettornim flowers, gaijamu flowers, etc. * Is it a", "As a writer, I used to write short stories and poems. As a", "Should I add additional details about these things by- * Describe it within", "to write short stories and poems. As a reader, fantasy is my favorite", "things like * She listened to the music of LILLAHI birds, and it", "add a comparison to something in my fantasy world. Eg: * His purple", "are glittering like THAJVA gems. * Her beautiful nose looks just like GAIJAMU", "the story? * Adding References notes at the end? English is not my", "flowers, etc. * Is it a good idea to leave those things to", "novel. Didn't give the reader details about these lilllahi birds, Bettornim flowers, gaijamu", "things to the reader's imagination? Should I add additional details about these things", "* His purple eyes are glittering like THAJVA gems. * Her beautiful nose", "imagination? Should I add additional details about these things by- * Describe it", "birds, Bettornim flowers, gaijamu flowers, etc. * Is it a good idea to", "leave those things to the reader's imagination? Should I add additional details about", "to something in my fantasy world. Eg: * His purple eyes are glittering", "the novel. Didn't give the reader details about these lilllahi birds, Bettornim flowers,", "write short stories and poems. As a reader, fantasy is my favorite genre.", "and it made her somewhat calm. * the flower pot was filled with", "her somewhat calm. * the flower pot was filled with BETTORNIM flowers. I", "these lilllahi birds, Bettornim flowers, gaijamu flowers, etc. * Is it a good", "Describe it within the story? * Adding References notes at the end? English", "Her beautiful nose looks just like GAIJAMU flowers. And used to mention things", "beautiful nose looks just like GAIJAMU flowers. And used to mention things like", "end? English is not my mother tongue, and my story is not in", "novel, an extraterrestrial fantasy thriller. When describing something, I used to add a", "reader's imagination? Should I add additional details about these things by- * Describe", "my mother tongue, and my story is not in English. Kindly forgive grammar", "used to mention things like * She listened to the music of LILLAHI", "genre. And I am currently working on my first novel, an extraterrestrial fantasy", "it made her somewhat calm. * the flower pot was filled with BETTORNIM", "poems. As a reader, fantasy is my favorite genre. And I am currently", "story? * Adding References notes at the end? English is not my mother", "good idea to leave those things to the reader's imagination? Should I add", "am currently working on my first novel, an extraterrestrial fantasy thriller. When describing", "References notes at the end? English is not my mother tongue, and my", "And used to mention things like * She listened to the music of", "extraterrestrial fantasy thriller. When describing something, I used to add a comparison to", "by- * Describe it within the story? * Adding References notes at the", "and poems. As a reader, fantasy is my favorite genre. And I am", "music of LILLAHI birds, and it made her somewhat calm. * the flower", "And I am currently working on my first novel, an extraterrestrial fantasy thriller.", "the reader details about these lilllahi birds, Bettornim flowers, gaijamu flowers, etc. ", "I am currently working on my first novel, an extraterrestrial fantasy thriller. When", "nose looks just like GAIJAMU flowers. And used to mention things like ", "lilllahi birds, Bettornim flowers, gaijamu flowers, etc. * Is it a good idea", "a good idea to leave those things to the reader's imagination? Should I", "world. Eg: * His purple eyes are glittering like THAJVA gems. * Her", "made her somewhat calm. * the flower pot was filled with BETTORNIM flowers.", "to add a comparison to something in my fantasy world. Eg: * His", "* the flower pot was filled with BETTORNIM flowers. I didn't mention these", "As a reader, fantasy is my favorite genre. And I am currently working", "it a good idea to leave those things to the reader's imagination? Should", "purple eyes are glittering like THAJVA gems. * Her beautiful nose looks just", "BETTORNIM flowers. I didn't mention these things anywhere else in the novel. Didn't", "looks just like GAIJAMU flowers. And used to mention things like * She", "of LILLAHI birds, and it made her somewhat calm. * the flower pot", "used to write short stories and poems. As a reader, fantasy is my", "gems. * Her beautiful nose looks just like GAIJAMU flowers. And used to", "add additional details about these things by- * Describe it within the story?", "is not my mother tongue, and my story is not in English. Kindly", "thriller. When describing something, I used to add a comparison to something in", "something, I used to add a comparison to something in my fantasy world.", "stories and poems. As a reader, fantasy is my favorite genre. And I", "first novel, an extraterrestrial fantasy thriller. When describing something, I used to add", "it within the story? * Adding References notes at the end? English is", "* Adding References notes at the end? English is not my mother tongue,", "describing something, I used to add a comparison to something in my fantasy", "anywhere else in the novel. Didn't give the reader details about these lilllahi", "* She listened to the music of LILLAHI birds, and it made her", "short stories and poems. As a reader, fantasy is my favorite genre. And", "fantasy world. Eg: * His purple eyes are glittering like THAJVA gems. ", " Describe it within the story? * Adding References notes at the end?", "fantasy is my favorite genre. And I am currently working on my first", "within the story? * Adding References notes at the end? English is not", "Adding References notes at the end? English is not my mother tongue, and", "fantasy thriller. When describing something, I used to add a comparison to something", "those things to the reader's imagination? Should I add additional details about these", "birds, and it made her somewhat calm. * the flower pot was filled", "additional details about these things by- * Describe it within the story? ", "Eg: His purple eyes are glittering like THAJVA gems. * Her beautiful", "pot was filled with BETTORNIM flowers. I didn't mention these things anywhere else", "mention these things anywhere else in the novel. Didn't give the reader details", "When describing something, I used to add a comparison to something in my", "like * She listened to the music of LILLAHI birds, and it made", "I didn't mention these things anywhere else in the novel. Didn't give the", "* Her beautiful nose looks just like GAIJAMU flowers. And used to mention", "She listened to the music of LILLAHI birds, and it made her somewhat", "I used to add a comparison to something in my fantasy world. Eg:", "not my mother tongue, and my story is not in English. Kindly forgive", "my first novel, an extraterrestrial fantasy thriller. When describing something, I used to", "the end? English is not my mother tongue, and my story is not", "THAJVA gems. * Her beautiful nose looks just like GAIJAMU flowers. And used", "on my first novel, an extraterrestrial fantasy thriller. When describing something, I used", "I used to write short stories and poems. As a reader, fantasy is", "used to add a comparison to something in my fantasy world. Eg: ", "just like GAIJAMU flowers. And used to mention things like She listened", "to the reader's imagination? Should I add additional details about these things by-", "like GAIJAMU flowers. And used to mention things like * She listened to", "the music of LILLAHI birds, and it made her somewhat calm. * the", "details about these things by- * Describe it within the story? * Adding", "reader details about these lilllahi birds, Bettornim flowers, gaijamu flowers, etc. * Is", "idea to leave those things to the reader's imagination? Should I add additional", "notes at the end? English is not my mother tongue, and my story", "things by- * Describe it within the story? * Adding References notes at", "writer, I used to write short stories and poems. As a reader, fantasy", "GAIJAMU flowers. And used to mention things like * She listened to the", "to the music of LILLAHI birds, and it made her somewhat calm. ", "the reader's imagination? Should I add additional details about these things by- ", "my fantasy world. Eg: * His purple eyes are glittering like THAJVA gems.", "eyes are glittering like THAJVA gems. * Her beautiful nose looks just like", "currently working on my first novel, an extraterrestrial fantasy thriller. When describing something,", "is my favorite genre. And I am currently working on my first novel,", "Bettornim flowers, gaijamu flowers, etc. * Is it a good idea to leave", "flowers, gaijamu flowers, etc. * Is it a good idea to leave those", "listened to the music of LILLAHI birds, and it made her somewhat calm.", "in the novel. Didn't give the reader details about these lilllahi birds, Bettornim", "mother tongue, and my story is not in English. Kindly forgive grammar mistakes.", "glittering like THAJVA gems. * Her beautiful nose looks just like GAIJAMU flowers.", "a reader, fantasy is my favorite genre. And I am currently working on", "to leave those things to the reader's imagination? Should I add additional details", "at the end? English is not my mother tongue, and my story is", "English is not my mother tongue, and my story is not in English.", "comparison to something in my fantasy world. Eg: * His purple eyes are", "about these things by- * Describe it within the story? * Adding References", "flowers. And used to mention things like * She listened to the music", "His purple eyes are glittering like THAJVA gems. * Her beautiful nose looks" ]
[ "Savior` instead of `Blessed Savior` * `o'er` instead of `over` * `alleluya` instead", "* `alleluya` instead of `hallelujah` * They also tend to be written in", "to keep the use of old English in them. For example: * Use", "it be wrong or inappropriate to update them? By updating, I don’t mean", "or inappropriate to update them? By updating, I don’t mean radical changes, but", "example: * Use of `Begger` instead of the more modern `Beggar` * `Bethlem`", "* `Bethlem` instead of `Bethlehem` * `Blessèd Savior` instead of `Blessed Savior` ", "instead of `Bethlehem` `Blessèd Savior` instead of `Blessed Savior` * `o'er` instead", "Would it be wrong or inappropriate to update them? By updating, I don’t", "most hymns were written in earlier centuries, I notice that modern-day collections of", "mean radical changes, but just running them through a spell checker for modern", "tend to keep the use of old English in them. For example: ", "instead of `hallelujah` They also tend to be written in British English", "in British English instead of American English. Why do modern collection still keep", "more modern `Beggar` * `Bethlem` instead of `Bethlehem` * `Blessèd Savior` instead of", "I don’t mean radical changes, but just running them through a spell checker", "written in British English instead of American English. Why do modern collection still", "`over` * `alleluya` instead of `hallelujah` * They also tend to be written", "`Blessed Savior` * `o'er` instead of `over` * `alleluya` instead of `hallelujah` ", "in them. For example: Use of `Begger` instead of the more modern", "language? Would it be wrong or inappropriate to update them? By updating, I", "of the more modern `Beggar` * `Bethlem` instead of `Bethlehem` * `Blessèd Savior`", "of `Begger` instead of the more modern `Beggar` * `Bethlem` instead of `Bethlehem`", "collections of them tend to keep the use of old English in them.", "instead of `over` * `alleluya` instead of `hallelujah` * They also tend to", "the old-style language? Would it be wrong or inappropriate to update them? By", "`Blessèd Savior` instead of `Blessed Savior` * `o'er` instead of `over` * `alleluya`", "of old English in them. For example: * Use of `Begger` instead of", "for modern spellings (e.g. changing `Beggar` to `Beggar`) and also using American English.", "in earlier centuries, I notice that modern-day collections of them tend to keep", "of `Bethlehem` * `Blessèd Savior` instead of `Blessed Savior` * `o'er` instead of", "earlier centuries, I notice that modern-day collections of them tend to keep the", "English instead of American English. Why do modern collection still keep the old-style", "`Bethlehem` * `Blessèd Savior` instead of `Blessed Savior` * `o'er` instead of `over`", "them through a spell checker for modern spellings (e.g. changing `Beggar` to `Beggar`)", "written in earlier centuries, I notice that modern-day collections of them tend to", "British English instead of American English. Why do modern collection still keep the", "of them tend to keep the use of old English in them. For", "collection still keep the old-style language? Would it be wrong or inappropriate to", "modern `Beggar` * `Bethlem` instead of `Bethlehem` * `Blessèd Savior` instead of `Blessed", "them tend to keep the use of old English in them. For example:", "For example: * Use of `Begger` instead of the more modern `Beggar` ", "still keep the old-style language? Would it be wrong or inappropriate to update", "Although most hymns were written in earlier centuries, I notice that modern-day collections", "the use of old English in them. For example: Use of `Begger`", "keep the use of old English in them. For example: * Use of", "updating, I don’t mean radical changes, but just running them through a spell", "of `over` * `alleluya` instead of `hallelujah` * They also tend to be", "keep the old-style language? Would it be wrong or inappropriate to update them?", "inappropriate to update them? By updating, I don’t mean radical changes, but just", "but just running them through a spell checker for modern spellings (e.g. changing", "instead of American English. Why do modern collection still keep the old-style language?", "that modern-day collections of them tend to keep the use of old English", "I notice that modern-day collections of them tend to keep the use of", "English. Why do modern collection still keep the old-style language? Would it be", "* They also tend to be written in British English instead of American", "wrong or inappropriate to update them? By updating, I don’t mean radical changes,", "through a spell checker for modern spellings (e.g. changing `Beggar` to `Beggar`) and", "* `Blessèd Savior` instead of `Blessed Savior` * `o'er` instead of `over` ", " `o'er` instead of `over` * `alleluya` instead of `hallelujah` * They also", "spell checker for modern spellings (e.g. changing `Beggar` to `Beggar`) and also using", "American English. Why do modern collection still keep the old-style language? Would it", "to update them? By updating, I don’t mean radical changes, but just running", "Use of `Begger` instead of the more modern `Beggar` * `Bethlem` instead of", "a spell checker for modern spellings (e.g. changing `Beggar` to `Beggar`) and also", "of `Blessed Savior` * `o'er` instead of `over` * `alleluya` instead of `hallelujah`", "don’t mean radical changes, but just running them through a spell checker for", "`hallelujah` * They also tend to be written in British English instead of", "Savior` * `o'er` instead of `over` * `alleluya` instead of `hallelujah` * They", "`o'er` instead of `over` * `alleluya` instead of `hallelujah` * They also tend", "Why do modern collection still keep the old-style language? Would it be wrong", "* Use of `Begger` instead of the more modern `Beggar` * `Bethlem` instead", "hymns were written in earlier centuries, I notice that modern-day collections of them", "running them through a spell checker for modern spellings (e.g. changing `Beggar` to", "them. For example: * Use of `Begger` instead of the more modern `Beggar`", "centuries, I notice that modern-day collections of them tend to keep the use", "`Beggar` * `Bethlem` instead of `Bethlehem` * `Blessèd Savior` instead of `Blessed Savior`", "old-style language? Would it be wrong or inappropriate to update them? By updating,", "notice that modern-day collections of them tend to keep the use of old", "changes, but just running them through a spell checker for modern spellings (e.g.", "They also tend to be written in British English instead of American English.", "update them? By updating, I don’t mean radical changes, but just running them", "By updating, I don’t mean radical changes, but just running them through a", "`Bethlem` instead of `Bethlehem` * `Blessèd Savior` instead of `Blessed Savior` * `o'er`", "to be written in British English instead of American English. Why do modern", "old English in them. For example: * Use of `Begger` instead of the", "use of old English in them. For example: * Use of `Begger` instead", "English in them. For example: * Use of `Begger` instead of the more", "of `hallelujah` * They also tend to be written in British English instead", "of American English. Why do modern collection still keep the old-style language? Would", "do modern collection still keep the old-style language? Would it be wrong or", "be wrong or inappropriate to update them? By updating, I don’t mean radical", "radical changes, but just running them through a spell checker for modern spellings", "`Begger` instead of the more modern `Beggar` * `Bethlem` instead of `Bethlehem` ", "were written in earlier centuries, I notice that modern-day collections of them tend", "be written in British English instead of American English. Why do modern collection", "instead of `Blessed Savior` `o'er` instead of `over` * `alleluya` instead of", "also tend to be written in British English instead of American English. Why", "modern-day collections of them tend to keep the use of old English in", "the more modern `Beggar` * `Bethlem` instead of `Bethlehem` * `Blessèd Savior` instead", "checker for modern spellings (e.g. changing `Beggar` to `Beggar`) and also using American", "`alleluya` instead of `hallelujah` * They also tend to be written in British", "tend to be written in British English instead of American English. Why do", "just running them through a spell checker for modern spellings (e.g. changing `Beggar`", "instead of the more modern `Beggar` * `Bethlem` instead of `Bethlehem` * `Blessèd", "them? By updating, I don’t mean radical changes, but just running them through", "modern collection still keep the old-style language? Would it be wrong or inappropriate" ]
[ "is what makes them believable. Yet, if you remember the ending of Game", "let's make the question more focused: What starts and keeps character development in", "their own mistakes (just look at the track record of my questions) even", "of London. > > > Don't get me wrong, as an outsider, I", "people don't learn from their own mistakes (just look at the track record", "even make a character do a complete heel-face turn without feeling \"out of", "it happens in response to an event but, more often than not, people", "unlikely for such extreme examples to occur, it does pose the question of", "of my questions) even when it's all there, black and white, clear as", "vast majority of people screamed > > \"This isn't Dany!\" or \"This isn't", "You could say it happens in response to an event but, more often", "Dany going from \"don't want to be the queen of ashes\" to The", "of RNG, and character breaking moments. You could say it happens in response", "character breaking moments. You could say it happens in response to an event", "mistakes (just look at the track record of my questions) even when it's", "question of separating fluctuations, where a person makes a decision based on the", "breaking moments. You could say it happens in response to an event but,", "white, clear as crystal. Knowing this, let's make the question more focused: What", "for them. And there's also the question of separating fluctuations, where a person", "the natural equivalent of RNG, and character breaking moments. You could say it", "to occur, it does pose the question of how can you change or", "> people weren't too happy about Dany going from \"don't want to be", "there's also the question of separating fluctuations, where a person makes a decision", "remember the ending of Game of Thrones, > > people weren't too happy", "based on the natural equivalent of RNG, and character breaking moments. You could", "event but, more often than not, people don't learn from their own mistakes", "believable. Yet, if you remember the ending of Game of Thrones, > >", "isn't my Dany\" > > > Though it's unlikely for such extreme examples", "happens in response to an event but, more often than not, people don't", "don't learn from their own mistakes (just look at the track record of", "important aspect of every character and is what makes them believable.* Yet, if", "my Dany\" > > > Though it's unlikely for such extreme examples to", "when it's all there, black and white, clear as crystal. Knowing this, let's", "> > \"This isn't Dany!\" or \"This isn't my Dany\" > > >", "an outsider, I was laughing and stuffing my mouth with Stardust Crusaders Season", "it does pose the question of how can you change or even make", "an event but, more often than not, people don't learn from their own", "character do a complete heel-face turn without feeling \"out of character\" for them.", "often than not, people don't learn from their own mistakes (just look at", "the track record of my questions)* even when it's all there, black and", "it's unlikely for such extreme examples to occur, it does pose the question", "a complete heel-face turn without feeling \"out of character\" for them. And there's", "mouth with Stardust Crusaders Season 2. Regardless, a vast majority of people screamed", "black and white, clear as crystal. Knowing this, let's make the question more", "the question of separating fluctuations, where a person makes a decision based on", "turn without feeling \"out of character\" for them. And there's also the question", "on the natural equivalent of RNG, and character breaking moments. You could say", "wrong, as an outsider, I was laughing and stuffing my mouth with Stardust", "with Stardust Crusaders Season 2. Regardless, a vast majority of people screamed >", "heel-face turn without feeling \"out of character\" for them. And there's also the", "of separating fluctuations, where a person makes a decision based on the natural", "of ashes\" to The 1666 Great Fire of London. > > > Don't", "outsider, I was laughing and stuffing my mouth with Stardust Crusaders Season 2.", "or \"This isn't my* Dany\" > > > Though it's unlikely for such", "to be the queen of ashes\" to The 1666 Great Fire of London.", "and white, clear as crystal. Knowing this, let's make the question more focused:", "a person makes a decision based on the natural equivalent of RNG, and", "as crystal. Knowing this, let's make the question more focused: *What starts and", "be the queen of ashes\" to The 1666 Great Fire of London. >", "at the track record of my questions) even when it's all there, black", "Dany\" > > > Though it's unlikely for such extreme examples to occur,", "people screamed > > \"This isn't Dany!\" or \"This isn't my Dany\" >", "an important aspect of every character and is what makes them believable. Yet,", "queen of ashes\" to The 1666 Great Fire of London. > > >", "fluctuations, where a person makes a decision based on the natural equivalent of", "all there, black and white, clear as crystal. Knowing this, let's make the", "\"don't want to be the queen of ashes\" to The 1666 Great Fire", "of every character and is what makes them believable. Yet, if you remember", "Game of Thrones, > > people weren't too happy about Dany going from", "Crusaders Season 2. Regardless, a vast majority of people screamed > > \"This", "makes a decision based on the natural equivalent of RNG, and character breaking", "a decision based on the natural equivalent of RNG, and character breaking moments.", "> Don't get me wrong, as an outsider, I was laughing and stuffing", "from their own mistakes (just look at the track record of my questions)", "Dany!\" or \"This isn't my* Dany\" > > > Though it's unlikely for", "> > > Don't get me wrong, as an outsider, I was laughing", "of how can you change or even make a character do a complete", "there, black and white, clear as crystal. Knowing this, let's make the question", "learn from their own mistakes (just look at the track record of my", "people weren't too happy about Dany going from \"don't want to be the", "pose the question of how can you change or even make a character", "and character breaking moments. You could say it happens in response to an", "them believable.* Yet, if you remember the ending of Game of Thrones, >", "Don't get me wrong, as an outsider, I was laughing and stuffing my", "Fire of London. > > > Don't get me wrong, as an outsider,", "where a person makes a decision based on the natural equivalent of RNG,", "\"This isn't my Dany\" > > > Though it's unlikely for such extreme", "And there's also the question of separating fluctuations, where a person makes a", "makes them believable. Yet, if you remember the ending of Game of Thrones,", "of people screamed > > \"This isn't Dany!\" or \"This isn't my** Dany\"", "could say it happens in response to an event but, more often than", "you change or even make a character do a complete heel-face turn without", "decision based on the natural equivalent of RNG, and character breaking moments. You", "Great Fire of London. > > > Don't get me wrong, as an", "London. > > > Don't get me wrong, as an outsider, I was", "ending of Game of Thrones, > > people weren't too happy about Dany", "about Dany going from \"don't want to be the queen of ashes\" to", "as an outsider, I was laughing and stuffing my mouth with Stardust Crusaders", "Changing is an important aspect of every character and is what makes them", "Though it's unlikely for such extreme examples to occur, it does pose the", "without feeling \"out of character\" for them. And there's also the question of", "and is what makes them believable.* Yet, if you remember the ending of", "weren't too happy about Dany going from \"don't want to be the queen", "laughing and stuffing my mouth with Stardust Crusaders Season 2. Regardless, a vast", "look at the track record of my questions)* even when it's all there,", "track record of my questions)* even when it's all there, black and white,", "want to be the queen of ashes\" to The 1666 Great Fire of", "RNG, and character breaking moments. You could say it happens in response to", "change or even make a character do a complete heel-face turn without feeling", "equivalent of RNG, and character breaking moments. You could say it happens in", "to an event but, more often than not, people don't learn from their", "> > Though it's unlikely for such extreme examples to occur, it does", "\"out of character\" for them. And there's also the question of separating fluctuations,", "how can you change or even make a character do a complete heel-face", "do a complete heel-face turn without feeling \"out of character\" for them. And", "from \"don't want to be the queen of ashes\" to The 1666 Great", "the question of how can you change or even make a character do", "response to an event but, more often than not, people don't learn from", "crystal. Knowing this, let's make the question more focused: *What starts and keeps", "and stuffing my mouth with Stardust Crusaders Season 2. Regardless, a vast majority", "to The 1666 Great Fire of London. > > > Don't get me", "a character do a complete heel-face turn without feeling \"out of character\" for", "not, people don't learn from their own mistakes (just look at the track", "ashes\" to The 1666 Great Fire of London. > > > Don't get", "character\" for them. And there's also the question of separating fluctuations, where a", "questions)* even when it's all there, black and white, clear as crystal. Knowing", "(just look at the track record of my questions) even when it's all", "make the question more focused: What starts and keeps character development in motion?", "clear as crystal. Knowing this, let's make the question more focused: What starts", "> \"This isn't Dany!\" or \"This isn't my** Dany\" > > > Though", "my questions)* even when it's all there, black and white, clear as crystal.", "feeling \"out of character\" for them. And there's also the question of separating", "than not, people don't learn from their own mistakes (just look at the", "screamed > > \"This isn't Dany!\" or \"This isn't my* Dany\" > >", "it's all there, black and white, clear as crystal. Knowing this, let's make", "make a character do a complete heel-face turn without feeling \"out of character\"", "complete heel-face turn without feeling \"out of character\" for them. And there's also", "going from \"don't want to be the queen of ashes\" to The 1666", "> > > Though it's unlikely for such extreme examples to occur, it", "> > people weren't too happy about Dany going from \"don't want to", "this, let's make the question more focused: *What starts and keeps character development", "a vast majority of people screamed > > \"This isn't Dany!\" or \"This", "record of my questions) even when it's all there, black and white, clear", "every character and is what makes them believable. Yet, if you** remember the", "them. And there's also the question of separating fluctuations, where a person makes", "happy about Dany going from \"don't want to be the queen of ashes\"", "moments. You could say it happens in response to an event but, more", "person makes a decision based on the natural equivalent of RNG, and character", "> > Don't get me wrong, as an outsider, I was laughing and", "say it happens in response to an event but, more often than not,", "The 1666 Great Fire of London. > > > Don't get me wrong,", "Thrones, > > people weren't too happy about Dany going from \"don't want", "my mouth with Stardust Crusaders Season 2. Regardless, a vast majority of people", "2. Regardless, a vast majority of people screamed > > \"This isn't Dany!\"", "> Though it's unlikely for such extreme examples to occur, it does pose", "of Thrones, > > people weren't too happy about Dany going from \"don't", "Knowing this, let's make the question more focused: What starts and keeps character", "stuffing my mouth with Stardust Crusaders Season 2. Regardless, a vast majority of", "I was laughing and stuffing my mouth with Stardust Crusaders Season 2. Regardless,", "such extreme examples to occur, it does pose the question of how can", "aspect of every character and is what makes them believable.* Yet, if you", "of Game of Thrones, > > people weren't too happy about Dany going", "more often than not, people don't learn from their own mistakes (just look", "was laughing and stuffing my mouth with Stardust Crusaders Season 2. Regardless, a", "can you change or even make a character do a complete heel-face turn", "separating fluctuations, where a person makes a decision based on the natural equivalent", "what makes them believable.* Yet, if you remember the ending of Game of", "the ending of Game of Thrones, > > people weren't too happy about", "me wrong, as an outsider, I was laughing and stuffing my mouth with", "of character\" for them. And there's also the question of separating fluctuations, where", "occur, it does pose the question of how can you change or even", "but, more often than not, people don't learn from their own mistakes (just", "the queen of ashes\" to The 1666 Great Fire of London. > >", "also the question of separating fluctuations, where a person makes a decision based", "majority of people screamed > > \"This isn't Dany!\" or \"This isn't my", "does pose the question of how can you change or even make a", "too happy about Dany going from \"don't want to be the queen of", "for such extreme examples to occur, it does pose the question of how", "in response to an event but, more often than not, people don't learn", "Regardless, a vast majority of people screamed > > \"This isn't Dany!\" or", "Stardust Crusaders Season 2. Regardless, a vast majority of people screamed > >", "is an important aspect of every character and is what makes them believable.", "examples to occur, it does pose the question of how can you change", "question of how can you change or even make a character do a", "isn't Dany!\" or \"This isn't my* Dany\" > > > Though it's unlikely", "even when it's all there, black and white, clear as crystal. Knowing this,", "\"This isn't Dany!\" or \"This isn't my Dany\" > > > Though it's", "character and is what makes them believable. Yet, if you remember the ending", "you** remember the ending of Game of Thrones, > > people weren't too", "get me wrong, as an outsider, I was laughing and stuffing my mouth", "natural equivalent of RNG, and character breaking moments. You could say it happens", "or even make a character do a complete heel-face turn without feeling \"out", "1666 Great Fire of London. > > > Don't get me wrong, as", "Season 2. Regardless, a vast majority of people screamed > > \"This isn't", "Yet, if you* remember the ending of Game of Thrones, > > people", "own mistakes (just look at the track record of my questions) even when", "extreme examples to occur, it does pose the question of how can you", "if you remember the ending of Game of Thrones, > > people weren't" ]
[ "onomatopoeia, and how would you use it in a dialogue? <http://www.writtensound.com/index.php?term=laughter> > >", "dialogue? <http://www.writtensound.com/index.php?term=laughter> > > \"Haha, you're quick on the uptake I take it.\"", "but \"snort\" is not an onomatopoeia. That being said, is there a true", "you use it in a dialogue? <http://www.writtensound.com/index.php?term=laughter> > > \"Haha, you're quick on", "onomatopoeia, but I disagree. \"Haha\" and \"Heh heh\" would be onomatopoeia, because they", "pronounced the way they are written. The act of snorting sounds like you", "onomatopoeia, because they are pronounced the way they are written. The act of", "because they are pronounced the way they are written. The act of snorting", "onomatopoeia. That being said, is there a true onomatopoeia, and how would you", "true onomatopoeia, and how would you use it in a dialogue? <http://www.writtensound.com/index.php?term=laughter> >", "that \"snort\" is an onomatopoeia, but I disagree. \"Haha\" and \"Heh heh\" would", "it in a dialogue? <http://www.writtensound.com/index.php?term=laughter> > > \"Haha, you're quick on the uptake", "heh\" would be onomatopoeia, because they are pronounced the way they are written.", "would be onomatopoeia, because they are pronounced the way they are written. The", "is not an onomatopoeia. That being said, is there a true onomatopoeia, and", "they are written. The act of snorting sounds like you are exhaling hair", "act of snorting sounds like you are exhaling hair like \"Pshht\", but \"snort\"", "hair like \"Pshht\", but \"snort\" is not an onomatopoeia. That being said, is", "said, is there a true onomatopoeia, and how would you use it in", "told that \"snort\" is an onomatopoeia, but I disagree. \"Haha\" and \"Heh heh\"", "I was told that \"snort\" is an onomatopoeia, but I disagree. \"Haha\" and", "> \"Snort, you're quick on the uptake I take it.\" > > >", "way they are written. The act of snorting sounds like you are exhaling", "I disagree. \"Haha\" and \"Heh heh\" would be onomatopoeia, because they are pronounced", "\"Pshht\", but \"snort\" is not an onomatopoeia. That being said, is there a", "is an onomatopoeia, but I disagree. \"Haha\" and \"Heh heh\" would be onomatopoeia,", "quick on the uptake I take it.\" > > > What would you", "uptake I take it.\" > > > What would you replace \"snort\" with?", "> > > \"Snort, you're quick on the uptake I take it.\" >", "disagree. \"Haha\" and \"Heh heh\" would be onomatopoeia, because they are pronounced the", "and \"Heh heh\" would be onomatopoeia, because they are pronounced the way they", "> > \"Snort, you're quick on the uptake I take it.\" > >", "on the uptake I take it.\" > > > What would you replace", "you are exhaling hair like \"Pshht\", but \"snort\" is not an onomatopoeia. That", "> > \"Haha, you're quick on the uptake I take it.\" > >", "use it in a dialogue? <http://www.writtensound.com/index.php?term=laughter> > > \"Haha, you're quick on the", "they are pronounced the way they are written. The act of snorting sounds", "uptake I take it.\" > > > \"Snort, you're quick on the uptake", "it.\" > > > \"Snort, you're quick on the uptake I take it.\"", "written. The act of snorting sounds like you are exhaling hair like \"Pshht\",", "\"snort\" is an onomatopoeia, but I disagree. \"Haha\" and \"Heh heh\" would be", "a true onomatopoeia, and how would you use it in a dialogue? <http://www.writtensound.com/index.php?term=laughter>", "the uptake I take it.\" > > > What would you replace \"snort\"", "but I disagree. \"Haha\" and \"Heh heh\" would be onomatopoeia, because they are", "and how would you use it in a dialogue? <http://www.writtensound.com/index.php?term=laughter> > > \"Haha,", "\"Snort, you're quick on the uptake I take it.\" > > > What", "in a dialogue? <http://www.writtensound.com/index.php?term=laughter> > > \"Haha, you're quick on the uptake I", "being said, is there a true onomatopoeia, and how would you use it", "the uptake I take it.\" > > > \"Snort, you're quick on the", "are written. The act of snorting sounds like you are exhaling hair like", "exhaling hair like \"Pshht\", but \"snort\" is not an onomatopoeia. That being said,", "of snorting sounds like you are exhaling hair like \"Pshht\", but \"snort\" is", "The act of snorting sounds like you are exhaling hair like \"Pshht\", but", "would you use it in a dialogue? <http://www.writtensound.com/index.php?term=laughter> > > \"Haha, you're quick", "use the interjection for snorting? I was told that \"snort\" is an onomatopoeia,", "for snorting? I was told that \"snort\" is an onomatopoeia, but I disagree.", "How do you use the interjection for snorting? I was told that \"snort\"", "not an onomatopoeia. That being said, is there a true onomatopoeia, and how", "\"Haha, you're quick on the uptake I take it.\" > > > \"Snort,", "like you are exhaling hair like \"Pshht\", but \"snort\" is not an onomatopoeia.", "interjection for snorting? I was told that \"snort\" is an onomatopoeia, but I", "you're quick on the uptake I take it.\" > > > What would", "snorting? I was told that \"snort\" is an onomatopoeia, but I disagree. \"Haha\"", "are pronounced the way they are written. The act of snorting sounds like", "there a true onomatopoeia, and how would you use it in a dialogue?", "> \"Haha, you're quick on the uptake I take it.\" > > >", "on the uptake I take it.\" > > > \"Snort, you're quick on", "was told that \"snort\" is an onomatopoeia, but I disagree. \"Haha\" and \"Heh", "the interjection for snorting? I was told that \"snort\" is an onomatopoeia, but", "how would you use it in a dialogue? <http://www.writtensound.com/index.php?term=laughter> > > \"Haha, you're", "be onomatopoeia, because they are pronounced the way they are written. The act", "sounds like you are exhaling hair like \"Pshht\", but \"snort\" is not an", "is there a true onomatopoeia, and how would you use it in a", "a dialogue? <http://www.writtensound.com/index.php?term=laughter> > > \"Haha, you're quick on the uptake I take", "take it.\" > > > \"Snort, you're quick on the uptake I take", "I take it.\" > > > \"Snort, you're quick on the uptake I", "are exhaling hair like \"Pshht\", but \"snort\" is not an onomatopoeia. That being", "an onomatopoeia, but I disagree. \"Haha\" and \"Heh heh\" would be onomatopoeia, because", "snorting sounds like you are exhaling hair like \"Pshht\", but \"snort\" is not", "you're quick on the uptake I take it.\" > > > \"Snort, you're", "\"snort\" is not an onomatopoeia. That being said, is there a true onomatopoeia,", "an onomatopoeia. That being said, is there a true onomatopoeia, and how would", "\"Heh heh\" would be onomatopoeia, because they are pronounced the way they are", "like \"Pshht\", but \"snort\" is not an onomatopoeia. That being said, is there", "the way they are written. The act of snorting sounds like you are", "quick on the uptake I take it.\" > > > \"Snort, you're quick", "you use the interjection for snorting? I was told that \"snort\" is an", "<http://www.writtensound.com/index.php?term=laughter> > > \"Haha, you're quick on the uptake I take it.\" >", "\"Haha\" and \"Heh heh\" would be onomatopoeia, because they are pronounced the way", "do you use the interjection for snorting? I was told that \"snort\" is", "That being said, is there a true onomatopoeia, and how would you use" ]
[ "I didn't realize I had done this until studying portrayals of emotions and", "is \"subverting\" these tropes a good idea? Is a simple reversal a good", "this basic trope reversal (as I am now), and then progress into growth", "for my story? I don't plan on having my characters be static--I want", "Aletuydor is a humorous and empathetic man who constantly watches out for others,", "patient and levelheaded dreamer who is unafraid to display affection and his own", "male characters. I didn't realize I had done this until studying portrayals of", "that they only come on rarely and in intense waves, Marina only shows", "a simple reversal a good thing for my story? I don't plan on", "possessiveness) are assigned to my female characters, and stereotypically feminine displays of emotion", "their emotions--Leo, although gruff, communicates most everything he feels to his loved ones,", "I'm doing is \"subverting\" this trope, albeit accidentally. But is \"subverting\" these tropes", "emotion (i.e no emotion at all or emotion only manifesting as frustration, rage,", "\"subverting\" this trope, albeit accidentally. But is \"subverting\" these tropes a good idea?", "only manifesting as frustration, rage, and possessiveness) are assigned to my female characters,", "what I'm doing is \"subverting\" this trope, albeit accidentally. But is \"subverting\" these", "up, and I want my men to think a bit more with their", "split of male and female main/supporting characters is 50/50. The girls and women", "plan on having my characters be static--I want my women to open up,", "a bit more with their heads than their hearts. So if I were", "and female main/supporting characters is 50/50. The girls and women in the story,", "accidentally. But is \"subverting\" these tropes a good idea? Is a simple reversal", "static--I want my women to open up, and I want my men to", "this until studying portrayals of emotions and their relation to masculinity in the", "didn't realize I had done this until studying portrayals of emotions and their", "trope, albeit accidentally. But is \"subverting\" these tropes a good idea? Is a", "I had done this until studying portrayals of emotions and their relation to", "as frustration, rage, and possessiveness) are assigned to my female characters, and stereotypically", "sadness, and anger. In evaluating how I wrote these characters, I realized that", "vulnerability to those she trusts, and Ezrith's fears and love for others only", "only manifest in controlling behavior and frustration directed at her family and friends.", "only come on rarely and in intense waves, Marina only shows emotional vulnerability", "had done this until studying portrayals of emotions and their relation to masculinity", "to open up, and I want my men to think a bit more", "and I want my men to think a bit more with their heads", "this trope, albeit accidentally. But is \"subverting\" these tropes a good idea? Is", "my men to think a bit more with their heads than their hearts.", "and then progress into growth out of these tropes, would that effectively subvert", "girls and women in the story, UrasMt, Marina, and Ezrith, display very little", "frustration directed at her family and friends. However, the boys and men, Leo,", "in touch with their emotions--Leo, although gruff, communicates most everything he feels to", "waves, Marina only shows emotional vulnerability to those she trusts, and Ezrith's fears", "so that they only come on rarely and in intense waves, Marina only", "were to start out with this basic trope reversal (as I am now),", "in the media, and I guess what I'm doing is \"subverting\" this trope,", "evaluating how I wrote these characters, I realized that stereotypically masculine displays of", "Ezrith's fears and love for others only manifest in controlling behavior and frustration", "the media, and I guess what I'm doing is \"subverting\" this trope, albeit", "am now), and then progress into growth out of these tropes, would that", "male and female main/supporting characters is 50/50. The girls and women in the", "a good idea? Is a simple reversal a good thing for my story?", "rarely and in intense waves, Marina only shows emotional vulnerability to those she", "and in intense waves, Marina only shows emotional vulnerability to those she trusts,", "all or emotion only manifesting as frustration, rage, and possessiveness) are assigned to", "my characters be static--I want my women to open up, and I want", "think a bit more with their heads than their hearts. So if I", "I am now), and then progress into growth out of these tropes, would", "to my female characters, and stereotypically feminine displays of emotion (i.e gentleness, empathy,", "happiness, sadness, and anger. In evaluating how I wrote these characters, I realized", "to those she trusts, and Ezrith's fears and love for others only manifest", "out with this basic trope reversal (as I am now), and then progress", "a humorous and empathetic man who constantly watches out for others, and Caspian", "realize I had done this until studying portrayals of emotions and their relation", "and patience) are assigned to my male characters. I didn't realize I had", "stereotypically feminine displays of emotion (i.e gentleness, empathy, and patience) are assigned to", "is 50/50. The girls and women in the story, UrasMt, Marina, and Ezrith,", "emotional vulnerability to those she trusts, and Ezrith's fears and love for others", "those she trusts, and Ezrith's fears and love for others only manifest in", "empathy, and patience) are assigned to my male characters. I didn't realize I", "and I guess what I'm doing is \"subverting\" this trope, albeit accidentally. But", "want my women to open up, and I want my men to think", "at her family and friends. However, the boys and men, Leo, Aletuydor, and", "and stereotypically feminine displays of emotion (i.e gentleness, empathy, and patience) are assigned", "the boys and men, Leo, Aletuydor, and Caspian, are very much in touch", "and Ezrith, display very little emotion--UrasMt represses her emotions so that they only", "their hearts. So if I were to start out with this basic trope", "display very little emotion--UrasMt represses her emotions so that they only come on", "and Caspian, are very much in touch with their emotions--Leo, although gruff, communicates", "to his loved ones, Aletuydor is a humorous and empathetic man who constantly", "Is a simple reversal a good thing for my story? I don't plan", "of male and female main/supporting characters is 50/50. The girls and women in", "main/supporting characters is 50/50. The girls and women in the story, UrasMt, Marina,", "emotions--Leo, although gruff, communicates most everything he feels to his loved ones, Aletuydor", "is unafraid to display affection and his own happiness, sadness, and anger. In", "realized that stereotypically masculine displays of emotion (i.e no emotion at all or", "very much in touch with their emotions--Leo, although gruff, communicates most everything he", "a patient and levelheaded dreamer who is unafraid to display affection and his", "of emotion (i.e no emotion at all or emotion only manifesting as frustration,", "guess what I'm doing is \"subverting\" this trope, albeit accidentally. But is \"subverting\"", "these characters, I realized that stereotypically masculine displays of emotion (i.e no emotion", "progress into growth out of these tropes, would that effectively subvert these tropes?", "is \"subverting\" this trope, albeit accidentally. 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I don't plan on having my characters", "fears and love for others only manifest in controlling behavior and frustration directed", "trusts, and Ezrith's fears and love for others only manifest in controlling behavior", "ones, Aletuydor is a humorous and empathetic man who constantly watches out for", "emotion at all or emotion only manifesting as frustration, rage, and possessiveness) are", "done this until studying portrayals of emotions and their relation to masculinity in", "rage, and possessiveness) are assigned to my female characters, and stereotypically feminine displays", "touch with their emotions--Leo, although gruff, communicates most everything he feels to his", "heads than their hearts. So if I were to start out with this", "assigned to my female characters, and stereotypically feminine displays of emotion (i.e gentleness,", "tropes a good idea? Is a simple reversal a good thing for my", "The girls and women in the story, UrasMt, Marina, and Ezrith, display very", "and frustration directed at her family and friends. However, the boys and men,", "gentleness, empathy, and patience) are assigned to my male characters. I didn't realize", "simple reversal a good thing for my story? I don't plan on having", "reversal a good thing for my story? I don't plan on having my", "thing for my story? I don't plan on having my characters be static--I", "manifest in controlling behavior and frustration directed at her family and friends. However,", "affection and his own happiness, sadness, and anger. In evaluating how I wrote", "open up, and I want my men to think a bit more with", "gruff, communicates most everything he feels to his loved ones, Aletuydor is a", "behavior and frustration directed at her family and friends. However, the boys and", "reversal (as I am now), and then progress into growth out of these", "humorous and empathetic man who constantly watches out for others, and Caspian is", "loved ones, Aletuydor is a humorous and empathetic man who constantly watches out", "bit more with their heads than their hearts. So if I were to", "start out with this basic trope reversal (as I am now), and then", "the split of male and female main/supporting characters is 50/50. The girls and", "and men, Leo, Aletuydor, and Caspian, are very much in touch with their", "communicates most everything he feels to his loved ones, Aletuydor is a humorous", "represses her emotions so that they only come on rarely and in intense", "displays of emotion (i.e no emotion at all or emotion only manifesting as", "post-apocalyptic story, the split of male and female main/supporting characters is 50/50. The", "Caspian, are very much in touch with their emotions--Leo, although gruff, communicates most" ]
[ "and taking my readers out of the story. *How should I deal with", "by George Hatzis](https://www.visu.info/marvel-cinematic-universe-joke-count), as of Thor: Ragnarok, the MCU’s Phase 3 has an", "seconds between each other. Phase 2 had one minute and 18 seconds, while", "average gap. I mention all of this because I plan on inserting [quiet,", "Phase 3, jokes, on the average, have an interval of a minute and", "jokes, on the average, have an interval of a minute and 13 seconds", "overall feel and taking my readers out of the story. How should I", "cause death and destruction](https://tvtropes.org/pmwiki/pmwiki.php/Main/GenericDoomsdayVillain), vapid, forgettable quips for dialogue and formulaic plot structures", "minute and 18 seconds, while Phase 1 had a two-minute average gap. I", "the series tone is pretty bleak and grim. I wish to have these", "In an [infographic created by George Hatzis](https://www.visu.info/marvel-cinematic-universe-joke-count), as of Thor: Ragnarok, the MCU’s", "I see the Marvel Cinematic Universe* as the embodiment of everything that is", "average of 100 and 75, respectively. Hatzis also notes that for Phase 3,", "an increase from Phase 2 and Phase 1’s average of 100 and 75,", "of levity because the series tone is pretty bleak and grim. I wish", "Fast and Furious and Transformers films) along with [every villain being bland, one-note", "75, respectively. Hatzis also notes that for Phase 3, jokes, on the average,", "forgettable quips for dialogue and formulaic plot structures is that the talentless screenwriters", "I plan on inserting [quiet, poignant moments](https://tvtropes.org/pmwiki/pmwiki.php/Main/ActionFilmQuietDramaScene) into my trilogy, as a form", "average of 112 jokes per movie. This is an increase from Phase 2", "each other. Phase 2 had one minute and 18 seconds, while Phase 1", "one minute and 18 seconds, while Phase 1 had a two-minute average gap.", "readers out of the story. How should I deal with such a dilemma?", "being bland, one-note empty shells who want to cause death and destruction](https://tvtropes.org/pmwiki/pmwiki.php/Main/GenericDoomsdayVillain), vapid,", "see the Marvel Cinematic Universe as the embodiment of everything that is wrong", "structures is that the talentless screenwriters are obsessed with having dramatic scenes kneecapped", "having dramatic scenes kneecapped by jokes breaking the tension. In an [infographic created", "inserting [quiet, poignant moments](https://tvtropes.org/pmwiki/pmwiki.php/Main/ActionFilmQuietDramaScene) into my trilogy, as a form of levity because", "movie. This is an increase from Phase 2 and Phase 1’s average of", "the average, have an interval of a minute and 13 seconds between each", "of the many, many reasons I see the Marvel Cinematic Universe as the", "Thor: Ragnarok, the MCU’s Phase 3 has an average of 112 jokes per", "3 has an average of 112 jokes per movie. This is an increase", "one-note empty shells who want to cause death and destruction](https://tvtropes.org/pmwiki/pmwiki.php/Main/GenericDoomsdayVillain), vapid, forgettable quips", "talentless screenwriters are obsessed with having dramatic scenes kneecapped by jokes breaking the", "and formulaic plot structures is that the talentless screenwriters are obsessed with having", "and 13 seconds between each other. Phase 2 had one minute and 18", "13 seconds between each other. Phase 2 had one minute and 18 seconds,", "gets followed by a gag. One of the many, many reasons I see", "a two-minute average gap. I mention all of this because I plan on", "a storytelling technique that consists in the rapid succession of 2 “moments” with", "along with [every villain being bland, one-note empty shells who want to cause", "a minute and 13 seconds between each other. Phase 2 had one minute", "bland, one-note empty shells who want to cause death and destruction](https://tvtropes.org/pmwiki/pmwiki.php/Main/GenericDoomsdayVillain), vapid, forgettable", "is wrong with filmmaking (like the Fast and Furious and Transformers films) along", "created by George Hatzis](https://www.visu.info/marvel-cinematic-universe-joke-count), as of Thor: Ragnarok, the MCU’s Phase 3 has", "mention all of this because I plan on inserting [quiet, poignant moments](https://tvtropes.org/pmwiki/pmwiki.php/Main/ActionFilmQuietDramaScene) into", "in the rapid succession of 2 “moments” with conflicting tones. This trope occurs", "gap. I mention all of this because I plan on inserting [quiet, poignant", "plan on inserting [quiet, poignant moments](https://tvtropes.org/pmwiki/pmwiki.php/Main/ActionFilmQuietDramaScene) into my trilogy, as a form of", "death and destruction](https://tvtropes.org/pmwiki/pmwiki.php/Main/GenericDoomsdayVillain), vapid, forgettable quips for dialogue and formulaic plot structures is", "taking my readers out of the story. *How should I deal with such", "Cinematic Universe as the embodiment of everything that is wrong with filmmaking (like", "to cause death and destruction](https://tvtropes.org/pmwiki/pmwiki.php/Main/GenericDoomsdayVillain), vapid, forgettable quips for dialogue and formulaic plot", "because I plan on inserting [quiet, poignant moments](https://tvtropes.org/pmwiki/pmwiki.php/Main/ActionFilmQuietDramaScene) into my trilogy, as a", "interval of a minute and 13 seconds between each other. Phase 2 had", "scenes kneecapped by jokes breaking the tension. In an [infographic created by George", "because the series tone is pretty bleak and grim. I wish to have", "and destruction](https://tvtropes.org/pmwiki/pmwiki.php/Main/GenericDoomsdayVillain), vapid, forgettable quips for dialogue and formulaic plot structures is that", "is that the talentless screenwriters are obsessed with having dramatic scenes kneecapped by", "bleak and grim. I wish to have these scenes placed in the story", "and grim. I wish to have these scenes placed in the story that", "the Marvel Cinematic Universe as the embodiment of everything that is wrong with", "vapid, forgettable quips for dialogue and formulaic plot structures is that the talentless", "moment gets followed by a gag. One of the many, many reasons I", "Hatzis also notes that for Phase 3, jokes, on the average, have an", "I mention all of this because I plan on inserting [quiet, poignant moments](https://tvtropes.org/pmwiki/pmwiki.php/Main/ActionFilmQuietDramaScene)", "series tone is pretty bleak and grim. I wish to have these scenes", "are obsessed with having dramatic scenes kneecapped by jokes breaking the tension. In", "is an increase from Phase 2 and Phase 1’s average of 100 and", "this because I plan on inserting [quiet, poignant moments](https://tvtropes.org/pmwiki/pmwiki.php/Main/ActionFilmQuietDramaScene) into my trilogy, as", "who want to cause death and destruction](https://tvtropes.org/pmwiki/pmwiki.php/Main/GenericDoomsdayVillain), vapid, forgettable quips for dialogue and", "2 “moments” with conflicting tones. This trope occurs when a serious moment gets", "wrong with filmmaking (like the Fast and Furious and Transformers films) along with", "the overall feel and taking my readers out of the story. How should", "my readers out of the story. How should I deal with such a", "18 seconds, while Phase 1 had a two-minute average gap. I mention all", "Phase 1 had a two-minute average gap. I mention all of this because", "serious moment gets followed by a gag. One of the many, many reasons", "my trilogy, as a form of levity because the series tone is pretty", "while Phase 1 had a two-minute average gap. I mention all of this", "with having dramatic scenes kneecapped by jokes breaking the tension. In an [infographic", "embodiment of everything that is wrong with filmmaking (like the Fast and Furious", "filmmaking (like the Fast and Furious and Transformers films) along with [every villain", "for Phase 3, jokes, on the average, have an interval of a minute", "conflicting tones. This trope occurs when a serious moment gets followed by a", "that is wrong with filmmaking (like the Fast and Furious and Transformers films)", "an [infographic created by George Hatzis](https://www.visu.info/marvel-cinematic-universe-joke-count), as of Thor: Ragnarok, the MCU’s Phase", "these scenes placed in the story that doesn't end up disrupting the overall", "by a gag. One of the many, many reasons I see the Marvel", "1’s average of 100 and 75, respectively. Hatzis also notes that for Phase", "breaking the tension. In an [infographic created by George Hatzis](https://www.visu.info/marvel-cinematic-universe-joke-count), as of Thor:", "This is an increase from Phase 2 and Phase 1’s average of 100", "I wish to have these scenes placed in the story that doesn't end", "in the story that doesn't end up disrupting the overall feel and taking", "the rapid succession of 2 “moments” with conflicting tones. This trope occurs when", "jokes per movie. This is an increase from Phase 2 and Phase 1’s", "dramatic scenes kneecapped by jokes breaking the tension. In an [infographic created by", "2 had one minute and 18 seconds, while Phase 1 had a two-minute", "form of levity because the series tone is pretty bleak and grim. I", "disrupting the overall feel and taking my readers out of the story. *How", "This trope occurs when a serious moment gets followed by a gag. One", "Hatzis](https://www.visu.info/marvel-cinematic-universe-joke-count), as of Thor: Ragnarok, the MCU’s Phase 3 has an average of", "1 had a two-minute average gap. I mention all of this because I", "end up disrupting the overall feel and taking my readers out of the", "two-minute average gap. I mention all of this because I plan on inserting", "want to cause death and destruction](https://tvtropes.org/pmwiki/pmwiki.php/Main/GenericDoomsdayVillain), vapid, forgettable quips for dialogue and formulaic", "Phase 1’s average of 100 and 75, respectively. Hatzis also notes that for", "storytelling technique that consists in the rapid succession of 2 “moments” with conflicting", "of everything that is wrong with filmmaking (like the Fast and Furious* and", "a gag. One of the many, many reasons I see the Marvel Cinematic", "dialogue and formulaic plot structures is that the talentless screenwriters are obsessed with", "up disrupting the overall feel and taking my readers out of the story.", "as a form of levity because the series tone is pretty bleak and", "doesn't end up disrupting the overall feel and taking my readers out of", "with filmmaking (like the Fast and Furious* and Transformers films) along with [every", "Ragnarok, the MCU’s Phase 3 has an average of 112 jokes per movie.", "minute and 13 seconds between each other. Phase 2 had one minute and", "tone is pretty bleak and grim. I wish to have these scenes placed", "many, many reasons I see the Marvel Cinematic Universe* as the embodiment of", "of 100 and 75, respectively. Hatzis also notes that for Phase 3, jokes,", "on inserting [quiet, poignant moments](https://tvtropes.org/pmwiki/pmwiki.php/Main/ActionFilmQuietDramaScene) into my trilogy, as a form of levity", "and 18 seconds, while Phase 1 had a two-minute average gap. I mention", "followed by a gag. One of the many, many reasons I see the", "increase from Phase 2 and Phase 1’s average of 100 and 75, respectively.", "the embodiment of everything that is wrong with filmmaking (like the Fast and", "rapid succession of 2 “moments” with conflicting tones. This trope occurs when a", "that doesn't end up disrupting the overall feel and taking my readers out", "with conflicting tones. This trope occurs when a serious moment gets followed by", "Phase 3 has an average of 112 jokes per movie. This is an", "and Phase 1’s average of 100 and 75, respectively. Hatzis also notes that", "villain being bland, one-note empty shells who want to cause death and destruction](https://tvtropes.org/pmwiki/pmwiki.php/Main/GenericDoomsdayVillain),", "Transformers* films) along with [every villain being bland, one-note empty shells who want", "trilogy, as a form of levity because the series tone is pretty bleak", "that consists in the rapid succession of 2 “moments” with conflicting tones. This", "of Thor: Ragnarok, the MCU’s Phase 3 has an average of 112 jokes", "quips for dialogue and formulaic plot structures is that the talentless screenwriters are", "has an average of 112 jokes per movie. This is an increase from", "with [every villain being bland, one-note empty shells who want to cause death", "had one minute and 18 seconds, while Phase 1 had a two-minute average", "from Phase 2 and Phase 1’s average of 100 and 75, respectively. Hatzis", "poignant moments](https://tvtropes.org/pmwiki/pmwiki.php/Main/ActionFilmQuietDramaScene) into my trilogy, as a form of levity because the series", "as the embodiment of everything that is wrong with filmmaking (like the Fast", "plot structures is that the talentless screenwriters are obsessed with having dramatic scenes", "notes that for Phase 3, jokes, on the average, have an interval of", "trope occurs when a serious moment gets followed by a gag. One of", "tones. This trope occurs when a serious moment gets followed by a gag.", "technique that consists in the rapid succession of 2 “moments” with conflicting tones.", "destruction](https://tvtropes.org/pmwiki/pmwiki.php/Main/GenericDoomsdayVillain), vapid, forgettable quips for dialogue and formulaic plot structures is that the", "112 jokes per movie. This is an increase from Phase 2 and Phase", "of a minute and 13 seconds between each other. Phase 2 had one", "3, jokes, on the average, have an interval of a minute and 13", "per movie. This is an increase from Phase 2 and Phase 1’s average", "have these scenes placed in the story that doesn't end up disrupting the", "screenwriters are obsessed with having dramatic scenes kneecapped by jokes breaking the tension.", "seconds, while Phase 1 had a two-minute average gap. I mention all of", "also notes that for Phase 3, jokes, on the average, have an interval", "into my trilogy, as a form of levity because the series tone is", "to have these scenes placed in the story that doesn't end up disrupting", "the tension. In an [infographic created by George Hatzis](https://www.visu.info/marvel-cinematic-universe-joke-count), as of Thor: Ragnarok,", "100 and 75, respectively. 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This", "obsessed with having dramatic scenes kneecapped by jokes breaking the tension. In an", "respectively. Hatzis also notes that for Phase 3, jokes, on the average, have", "reasons I see the Marvel Cinematic Universe as the embodiment of everything that", "tension. In an [infographic created by George Hatzis](https://www.visu.info/marvel-cinematic-universe-joke-count), as of Thor: Ragnarok, the", "George Hatzis](https://www.visu.info/marvel-cinematic-universe-joke-count), as of Thor: Ragnarok, the MCU’s Phase 3 has an average", "that for Phase 3, jokes, on the average, have an interval of a", "had a two-minute average gap. I mention all of this because I plan", "and Transformers films) along with [every villain being bland, one-note empty shells who", "consists in the rapid succession of 2 “moments” with conflicting tones. This trope", "Phase 2 had one minute and 18 seconds, while Phase 1 had a", "Phase 2 and Phase 1’s average of 100 and 75, respectively. Hatzis also", "of this because I plan on inserting [quiet, poignant moments](https://tvtropes.org/pmwiki/pmwiki.php/Main/ActionFilmQuietDramaScene) into my trilogy,", "all of this because I plan on inserting [quiet, poignant moments](https://tvtropes.org/pmwiki/pmwiki.php/Main/ActionFilmQuietDramaScene) into my", "an average of 112 jokes per movie. This is an increase from Phase", "a form of levity because the series tone is pretty bleak and grim.", "story that doesn't end up disrupting the overall feel and taking my readers", "for dialogue and formulaic plot structures is that the talentless screenwriters are obsessed", "placed in the story that doesn't end up disrupting the overall feel and", "occurs when a serious moment gets followed by a gag. One of the", "average, have an interval of a minute and 13 seconds between each other.", "[infographic created by George Hatzis](https://www.visu.info/marvel-cinematic-universe-joke-count), as of Thor: Ragnarok, the MCU’s Phase 3", "is a storytelling technique that consists in the rapid succession of 2 “moments”", "gag. One of the many, many reasons I see the Marvel Cinematic Universe", "and 75, respectively. Hatzis also notes that for Phase 3, jokes, on the", "an interval of a minute and 13 seconds between each other. Phase 2", "succession of 2 “moments” with conflicting tones. This trope occurs when a serious", "Universe* as the embodiment of everything that is wrong with filmmaking (like the", "scenes placed in the story that doesn't end up disrupting the overall feel", "between each other. Phase 2 had one minute and 18 seconds, while Phase", "the talentless screenwriters are obsessed with having dramatic scenes kneecapped by jokes breaking", "kneecapped by jokes breaking the tension. In an [infographic created by George Hatzis](https://www.visu.info/marvel-cinematic-universe-joke-count),", "a serious moment gets followed by a gag. One of the many, many", "when a serious moment gets followed by a gag. One of the many,", "of 2 “moments” with conflicting tones. This trope occurs when a serious moment", "formulaic plot structures is that the talentless screenwriters are obsessed with having dramatic", "have an interval of a minute and 13 seconds between each other. Phase", "that the talentless screenwriters are obsessed with having dramatic scenes kneecapped by jokes", "as of Thor: Ragnarok, the MCU’s Phase 3 has an average of 112", "moments](https://tvtropes.org/pmwiki/pmwiki.php/Main/ActionFilmQuietDramaScene) into my trilogy, as a form of levity because the series tone", "levity because the series tone is pretty bleak and grim. I wish to", "pretty bleak and grim. I wish to have these scenes placed in the", "“moments” with conflicting tones. This trope occurs when a serious moment gets followed", "[Bathos](https://tvtropes.org/pmwiki/pmwiki.php/Main/Bathos) is a storytelling technique that consists in the rapid succession of 2", "of 112 jokes per movie. This is an increase from Phase 2 and", "wish to have these scenes placed in the story that doesn't end up", "feel and taking my readers out of the story. *How should I deal", "films) along with [every villain being bland, one-note empty shells who want to", "(like the Fast and Furious* and Transformers films) along with [every villain being", "empty shells who want to cause death and destruction](https://tvtropes.org/pmwiki/pmwiki.php/Main/GenericDoomsdayVillain), vapid, forgettable quips for", "Marvel Cinematic Universe as the embodiment of everything that is wrong with filmmaking", "jokes breaking the tension. In an [infographic created by George Hatzis](https://www.visu.info/marvel-cinematic-universe-joke-count), as of", "the Fast and Furious and Transformers films) along with [every villain being bland,", "and Furious* and Transformers films) along with [every villain being bland, one-note empty", "Furious* and Transformers films) along with [every villain being bland, one-note empty shells", "by jokes breaking the tension. In an [infographic created by George Hatzis](https://www.visu.info/marvel-cinematic-universe-joke-count), as", "MCU’s Phase 3 has an average of 112 jokes per movie. This is", "[every villain being bland, one-note empty shells who want to cause death and", "One of the many, many reasons I see the Marvel Cinematic Universe as", "on the average, have an interval of a minute and 13 seconds between", "other. Phase 2 had one minute and 18 seconds, while Phase 1 had" ]
[ "adding more, they'd be too small for the MC to mention them in", "argument in fully quoted dialogue. Then, in the middle of this lengthy piece", "that I could colour the events via the character's voice. For example, he", "friend could react differently to different events being told. On the other hand,", "the character's voice. For example, he might decide to skip some events and", "non-dialogue: > > He described everything that had happened to him over the", "journalist), so the reader already knows her reasons, but the dialogue still feels", "planning on something between 3 and 5. If I end up adding more,", "> SallyqJ: \"I'm sick of journalism.\" Succinctly, she told him why. \"I don't", "maybe the friend could react differently to different events being told. On the", "want to be your swooning admirer either...\" [change of topic, more dialogue] >", "my story, the MC goes through a number of events with a common", "in his recount. My gut feeling right now is that, as long as", "> > > Or, alternatively, to have the MC recount the events in", "a common theme, each told in separate scenes. At the end of the", "told. On the other hand, since the reader already experienced those same scenes", "with a common theme, each told in separate scenes. At the end of", "it would be better to simply summarize the events in non-dialogue: > >", "of describing the fight in detail), it should be okay. I'm mostly basing", "be too small for the MC to mention them in his recount. My", "MC recount the events in dialogue. The advantage to recounting would be that", "(e.g. \"I got into a fight with Zotn\" instead of describing the fight", "admirer either...\" [change of topic, more dialogue] > > > So there's detailed", "but the dialogue still feels off. When is it okay to recount events", "told in separate scenes. At the end of the story, he tells a", "section was really small, but for some reason it still bugs me. At", "single sentence summarizing more off-page dialogue, and then more detailed dialogue. To me,", "in dialogue. The advantage to recounting would be that I could colour the", "to recounting would be that I could colour the events via the character's", "> So there's detailed dialogue, followed by a single sentence summarizing more off-page", "me, the summary feels out-of-place, especially as it's described as a \"succinct\" explanation,", "events being told. On the other hand, since the reader already experienced those", "to simply summarize the events in non-dialogue: > > He described everything that", "so the reader already knows her reasons, but the dialogue still feels off.", "basing this on my own negative reaction I had to summarized dialogue in", "up adding more, they'd be too small for the MC to mention them", "right now is that, as long as the recounting is short enough (e.g.", "still feels off. When is it okay to recount events the reader has", "I'm wondering whether it would be better to simply summarize the events in", "[change of topic, more dialogue] > > > So there's detailed dialogue, followed", "he tells a friend about the things he experienced. Both the events and", "main characters are having an argument in fully quoted dialogue. Then, in the", "are prior scenes where the reader sees SallyqJ come to this conclusion (that", "instead of describing the fight in detail), it should be okay. I'm mostly", "would have neatly fit in there with two or three more sentences. For", "of events, but I'm currently planning on something between 3 and 5. If", "middle of this lengthy piece of dialogue, there's this: > > SallyqJ: \"I'm", "For example, he might decide to skip some events and embellish others. And", "reason it still bugs me. At one point, the main characters are having", "point, the main characters are having an argument in fully quoted dialogue. Then,", "for some reason it still bugs me. At one point, the main characters", "but I'm currently planning on something between 3 and 5. If I end", "there's detailed dialogue, followed by a single sentence summarizing more off-page dialogue, and", "The story is told in 3rd person limited with only the MC's point", "common theme, each told in separate scenes. At the end of the story,", "and then more detailed dialogue. To me, the summary feels out-of-place, especially as", "I haven't yet decided on the number of events, but I'm currently planning", "negative reaction I had to summarized dialogue in Dean Koontz' Cold Fire. It's", "My gut feeling right now is that, as long as the recounting is", "alternatively, to have the MC recount the events in dialogue. The advantage to", "decide to skip some events and embellish others. And maybe the friend could", "scenes (through the MC's POV), maybe it would be boring? I haven't yet", "quoted dialogue. Then, in the middle of this lengthy piece of dialogue, there's", "characters are having an argument in fully quoted dialogue. Then, in the middle", "off. When is it okay to recount events the reader has already seen", "read that book, and the section was really small, but for some reason", "already knows her reasons, but the dialogue still feels off. When is it", "with two or three more sentences. For the record, there are prior scenes", "feels off. *When is it okay to recount events the reader has already", "So there's detailed dialogue, followed by a single sentence summarizing more off-page dialogue,", "three more sentences. For the record, there are prior scenes where the reader", "story, the MC goes through a number of events with a common theme,", "friend about the things he experienced. Both the events and telling the friend", "small, but for some reason it still* bugs me. At one point, the", "dialogue still feels off. When is it okay to recount events the reader", "events and telling the friend about them are central to the story. The", "summarizing more off-page dialogue, and then more detailed dialogue. To me, the summary", "the main characters are having an argument in fully quoted dialogue. Then, in", "an argument in fully quoted dialogue. Then, in the middle of this lengthy", "point of view. Now I'm wondering whether it would be better to simply", "the story, he tells a friend about the things he experienced. Both the", "in there with two or three more sentences. For the record, there are", "piece of dialogue, there's this: > > SallyqJ: \"I'm sick of journalism.\" Succinctly,", "SallyqJ come to this conclusion (that she hates being a journalist), so the", "two or three more sentences. For the record, there are prior scenes where", "happened to him over the last few days. > > > Or, alternatively,", "should be okay. I'm mostly basing this on my own negative reaction I", "simply summarize the events in non-dialogue: > > He described everything that had", "and embellish others. And maybe the friend could react differently to different events", "which surely would have neatly fit in there with two or three more", "in 3rd person limited with only the MC's point of view. Now I'm", "everything that had happened to him over the last few days. > >", "days. > > > Or, alternatively, to have the MC recount the events", "Koontz' Cold Fire. It's been years since I read that book, and the", "sick of journalism.\" Succinctly, she told him why. \"I don't want to be", "are central to the story. The story is told in 3rd person limited", "and 5. If I end up adding more, they'd be too small for", "number of events, but I'm currently planning on something between 3 and 5.", "the friend could react differently to different events being told. On the other", "react differently to different events being told. On the other hand, since the", "dialogue, there's this: > > SallyqJ: \"I'm sick of journalism.\" Succinctly, she told", "him why. \"I don't want to be your swooning admirer either...\" [change of", "a \"succinct\" explanation, which surely would have neatly fit in there with two", "scenes where the reader sees SallyqJ come to this conclusion (that she hates", "be better to simply summarize the events in non-dialogue: > > He described", "them in his recount. My gut feeling right now is that, as long", "in fully quoted dialogue. Then, in the middle of this lengthy piece of", "in non-dialogue: > > He described everything that had happened to him over", "On the other hand, since the reader already experienced those same scenes (through", "lengthy piece of dialogue, there's this: > > SallyqJ: \"I'm sick of journalism.\"", "I read that book, and the section was really small, but for some", "it should be okay. I'm mostly basing this on my own negative reaction", "Dean Koontz' Cold Fire. It's been years since I read that book, and", "followed by a single sentence summarizing more off-page dialogue, and then more detailed", "there with two or three more sentences. For the record, there are prior", "same scenes (through the MC's POV), maybe it would be boring? I haven't", "he experienced. Both the events and telling the friend about them are central", "could colour the events via the character's voice. For example, he might decide", "especially as it's described as a \"succinct\" explanation, which surely would have neatly", "describing the fight in detail), it should be okay. I'm mostly basing this", "explanation, which surely would have neatly fit in there with two or three", "between 3 and 5. If I end up adding more, they'd be too", "MC's point of view. Now I'm wondering whether it would be better to", "theme, each told in separate scenes. At the end of the story, he", "the number of events, but I'm currently planning on something between 3 and", "recount the events in dialogue. The advantage to recounting would be that I", "(that she hates being a journalist), so the reader already knows her reasons,", "bugs me. At one point, the main characters are having an argument in", "\"I got into a fight with Zotn\" instead of describing the fight in", "advantage to recounting would be that I could colour the events via the", "dialogue. To me, the summary feels out-of-place, especially as it's described as a", "the reader already knows her reasons, but the dialogue still feels off. When", "fully quoted dialogue. Then, in the middle of this lengthy piece of dialogue,", "experienced those same scenes (through the MC's POV), maybe it would be boring?", "detailed dialogue. To me, the summary feels out-of-place, especially as it's described as", "through a number of events with a common theme, each told in separate", "swooning admirer either...\" [change of topic, more dialogue] > > > So there's", "I'm mostly basing this on my own negative reaction I had to summarized", "of events with a common theme, each told in separate scenes. At the", "only the MC's point of view. Now I'm wondering whether it would be", "view. Now I'm wondering whether it would be better to simply summarize the", "would be boring? I haven't yet decided on the number of events, but", "wondering whether it would be better to simply summarize the events in non-dialogue:", "others. And maybe the friend could react differently to different events being told.", "SallyqJ: \"I'm sick of journalism.\" Succinctly, she told him why. \"I don't want", "she hates being a journalist), so the reader already knows her reasons, but", "some events and embellish others. And maybe the friend could react differently to", "had to summarized dialogue in Dean Koontz' Cold Fire. It's been years since", "been years since I read that book, and the section was really small,", "If I end up adding more, they'd be too small for the MC", "the MC recount the events in dialogue. The advantage to recounting would be", "where the reader sees SallyqJ come to this conclusion (that she hates being", "was really small, but for some reason it still bugs me. At one", "off-page dialogue, and then more detailed dialogue. To me, the summary feels out-of-place,", "being a journalist), so the reader already knows her reasons, but the dialogue", "the section was really small, but for some reason it still bugs me.", "me. At one point, the main characters are having an argument in fully", "number of events with a common theme, each told in separate scenes. At", "this lengthy piece of dialogue, there's this: > > SallyqJ: \"I'm sick of", "described as a \"succinct\" explanation, which surely would have neatly fit in there", "the events in dialogue*. The advantage to recounting would be that I could", "voice. For example, he might decide to skip some events and embellish others.", "I'm currently planning on something between 3 and 5. If I end up", "they'd be too small for the MC to mention them in his recount.", "long as the recounting is short enough (e.g. \"I got into a fight", "to summarized dialogue in Dean Koontz' Cold Fire. It's been years since I", "the last few days. > > > Or, alternatively, to have the MC", "the recounting is short enough (e.g. \"I got into a fight with Zotn\"", "fit in there with two or three more sentences. For the record, there", "MC goes through a number of events with a common theme, each told", "> > So there's detailed dialogue, followed by a single sentence summarizing more", "but for some reason it still* bugs me. At one point, the main", "in separate scenes. At the end of the story, he tells a friend", "really small, but for some reason it still bugs me. At one point,", "MC's POV), maybe it would be boring? I haven't yet decided on the", "it still bugs me. At one point, the main characters are having an", "her reasons, but the dialogue still feels off. When is it okay to", "skip some events and embellish others. And maybe the friend could react differently", "At one point, the main characters are having an argument in fully quoted", "to this conclusion (that she hates being a journalist), so the reader already", "too small for the MC to mention them in his recount. My gut", "the fight in detail), it should be okay. I'm mostly basing this on", "that book, and the section was really small, but for some reason it", "feels out-of-place, especially as it's described as a \"succinct\" explanation, which surely would", "dialogue. Then, in the middle of this lengthy piece of dialogue, there's this:", "to different events being told. On the other hand, since the reader already", "To me, the summary feels out-of-place, especially as it's described as a \"succinct\"", "the dialogue still feels off. When is it okay to recount events the", "recounting would be that I could colour the events via the character's voice.", "in the middle of this lengthy piece of dialogue, there's this: > >", "He described everything that had happened to him over the last few days.", "3 and 5. If I end up adding more, they'd be too small", "goes through a number of events with a common theme, each told in", "events via the character's voice. For example, he might decide to skip some", "have the MC recount the events in dialogue. The advantage to recounting would", "short enough (e.g. \"I got into a fight with Zotn\" instead of describing", "of dialogue, there's this: > > SallyqJ: \"I'm sick of journalism.\" Succinctly, she", "events, but I'm currently planning on something between 3 and 5. If I", "the MC to mention them in his recount. My gut feeling right now", "be okay. I'm mostly basing this on my own negative reaction I had", "dialogue, followed by a single sentence summarizing more off-page dialogue, and then more", "is short enough (e.g. \"I got into a fight with Zotn\" instead of", "to have the MC recount the events in dialogue. The advantage to recounting", "of view. Now I'm wondering whether it would be better to simply *summarize", "yet decided on the number of events, but I'm currently planning on something", "to skip some events and embellish others. And maybe the friend could react", "Both the events and telling the friend about them are central to the", "currently planning on something between 3 and 5. If I end up adding", "tells a friend about the things he experienced. Both the events and telling", "about them are central to the story. The story is told in 3rd", "are having an argument in fully quoted dialogue. Then, in the middle of", "in Dean Koontz' Cold Fire. It's been years since I read that book,", "already experienced those same scenes (through the MC's POV), maybe it would be", "journalism.\" Succinctly, she told him why. \"I don't want to be your swooning", "years since I read that book, and the section was really small, but", "being told. On the other hand, since the reader already experienced those same", "and telling the friend about them are central to the story. The story", "this on my own negative reaction I had to summarized dialogue in Dean", "Fire. It's been years since I read that book, and the section was", "> > SallyqJ: \"I'm sick of journalism.\" Succinctly, she told him why. \"I", "with only the MC's point of view. Now I'm wondering whether it would", "the events and telling the friend about them are central to the story.", "Zotn\" instead of describing the fight in detail), it should be okay. I'm", "the end of the story, he tells a friend about the things he", "story is told in 3rd person limited with only the MC's point of", "it would be boring? I haven't yet decided on the number of events,", "the friend about them are central to the story. The story is told", "things he experienced. Both the events and telling the friend about them are", "had happened to him over the last few days. > > > Or,", "the other hand, since the reader already experienced those same scenes (through the", "sees SallyqJ come to this conclusion (that she hates being a journalist), so", "as long as the recounting is short enough (e.g. \"I got into a", "\"I'm sick of journalism.\" Succinctly, she told him why. \"I don't want to", "detailed dialogue, followed by a single sentence summarizing more off-page dialogue, and then", "more, they'd be too small for the MC to mention them in his", "over the last few days. > > > Or, alternatively, to have the", "events in dialogue. The advantage to recounting would be that I could colour", "At the end of the story, he tells a friend about the things", "whether it would be better to simply summarize the events** in non-dialogue: >", "a fight with Zotn\" instead of describing the fight in detail), it should", "summarized dialogue in Dean Koontz' Cold Fire. It's been years since I read", "other hand, since the reader already experienced those same scenes (through the MC's", "that, as long as the recounting is short enough (e.g. \"I got into", "on my own negative reaction I had to summarized dialogue in Dean Koontz'", "that had happened to him over the last few days. > > >", "the reader sees SallyqJ come to this conclusion (that she hates being a", "the MC's point of view. Now I'm wondering whether it would be better", "via the character's voice. For example, he might decide to skip some events", "The advantage to recounting would be that I could colour the events via", "more off-page dialogue, and then more detailed dialogue. To me, the summary feels", "could react differently to different events being told. On the other hand, since", "as the recounting is short enough (e.g. \"I got into a fight with", "dialogue] > > > So there's detailed dialogue, followed by a single sentence", "In my story, the MC goes through a number of events with a", "about the things he experienced. Both the events and telling the friend about", "gut feeling right now is that, as long as the recounting is short", "MC to mention them in his recount. My gut feeling right now is", "to the story. The story is told in 3rd person limited with only", "be your swooning admirer either...\" [change of topic, more dialogue] > > >", "telling the friend about them are central to the story. The story is", "my own negative reaction I had to summarized dialogue in Dean Koontz' Cold", "reader already experienced those same scenes (through the MC's POV), maybe it would", "small for the MC to mention them in his recount. My gut feeling", "I had to summarized dialogue in Dean Koontz' Cold Fire. It's been years", "as a \"succinct\" explanation, which surely would have neatly fit in there with", "conclusion (that she hates being a journalist), so the reader already knows her", "separate scenes. At the end of the story, he tells a friend about", "still* bugs me. At one point, the main characters are having an argument", "fight with Zotn\" instead of describing the fight in detail), it should be", "a number of events with a common theme, each told in separate scenes.", "to be your swooning admirer either...\" [change of topic, more dialogue] > >", "okay. I'm mostly basing this on my own negative reaction I had to", "since I read that book, and the section was really small, but for", "something between 3 and 5. If I end up adding more, they'd be", "example, he might decide to skip some events and embellish others. And maybe", "a single sentence summarizing more off-page dialogue, and then more detailed dialogue. To", "with Zotn\" instead of describing the fight in detail), it should be okay.", "don't want to be your swooning admirer either...\" [change of topic, more dialogue]", "there are prior scenes where the reader sees SallyqJ come to this conclusion", "the MC goes through a number of events with a common theme, each", "decided on the number of events, but I'm currently planning on something between", "better to simply summarize the events in non-dialogue: > > He described everything", "why. \"I don't want to be your swooning admirer either...\" [change of topic,", "central to the story. The story is told in 3rd person limited with", "mostly basing this on my own negative reaction I had to summarized dialogue", "of topic, more dialogue] > > > So there's detailed dialogue, followed by", "knows her reasons, but the dialogue still feels off. When is it okay", "more dialogue] > > > So there's detailed dialogue, followed by a single", "be boring? I haven't yet decided on the number of events, but I'm", "then more detailed dialogue. To me, the summary feels out-of-place, especially as it's", "come to this conclusion (that she hates being a journalist), so the reader", "to him over the last few days. > > > Or, alternatively, to", "events and embellish others. And maybe the friend could react differently to different", "is told in 3rd person limited with only the MC's point of view.", "a friend about the things he experienced. Both the events and telling the", "reader already knows her reasons, but the dialogue still feels off. When is", "boring? I haven't yet decided on the number of events, but I'm currently", "end up adding more, they'd be too small for the MC to mention", "hand, since the reader already experienced those same scenes (through the MC's POV),", "your swooning admirer either...\" [change of topic, more dialogue] > > > So", "he might decide to skip some events and embellish others. And maybe the", "to mention them in his recount. My gut feeling right now is that,", "Or, alternatively, to have the MC recount the events in dialogue. The advantage", "it's described as a \"succinct\" explanation, which surely would have neatly fit in", "this conclusion (that she hates being a journalist), so the reader already knows", "recounting is short enough (e.g. \"I got into a fight with Zotn\" instead", "topic, more dialogue] > > > So there's detailed dialogue, followed by a", "dialogue. The advantage to recounting would be that I could colour the events", "him over the last few days. > > > Or, alternatively, to have", "there's this: > > SallyqJ: \"I'm sick of journalism.\" Succinctly, she told him", "summary feels out-of-place, especially as it's described as a \"succinct\" explanation, which surely", "limited with only the MC's point of view. Now I'm wondering whether it", "now is that, as long as the recounting is short enough (e.g. \"I", "For the record, there are prior scenes where the reader sees SallyqJ come", "having an argument in fully quoted dialogue. Then, in the middle of this", "those same scenes (through the MC's POV), maybe it would be boring? I", "surely would have neatly fit in there with two or three more sentences.", "Succinctly, she told him why. \"I don't want to be your swooning admirer", "his recount. My gut feeling right now is that, as long as the", "told in 3rd person limited with only the MC's point of view. Now", "> > Or, alternatively, to have the MC recount the events in dialogue.", "them are central to the story. The story is told in 3rd person", "last few days. > > > Or, alternatively, to have the MC recount", "end of the story, he tells a friend about the things he experienced.", "the events via the character's voice. For example, he might decide to skip", "or three more sentences. For the record, there are prior scenes where the", "and the section was really small, but for some reason it still bugs", "the things he experienced. Both the events and telling the friend about them", "Now I'm wondering whether it would be better to simply summarize the events", "3rd person limited with only the MC's point of view. Now I'm wondering", "each told in separate scenes. At the end of the story, he tells", "haven't yet decided on the number of events, but I'm currently planning on", "character's voice. For example, he might decide to skip some events and embellish", "some reason it still bugs me. At one point, the main characters are", "enough (e.g. \"I got into a fight with Zotn\" instead of describing the", "one point, the main characters are having an argument in fully quoted dialogue.", "the events in non-dialogue: > > He described everything that had happened to", "friend about them are central to the story. The story is told in", "since the reader already experienced those same scenes (through the MC's POV), maybe", "few days. > > > Or, alternatively, to have the MC recount the", "Then, in the middle of this lengthy piece of dialogue, there's this: >", "sentences. For the record, there are prior scenes where the reader sees SallyqJ", "have neatly fit in there with two or three more sentences. For the", "I could colour the events via the character's voice. For example, he might", "> He described everything that had happened to him over the last few", "I end up adding more, they'd be too small for the MC to", "reasons, but the dialogue still feels off. *When is it okay to recount", "5. If I end up adding more, they'd be too small for the", "the story. The story is told in 3rd person limited with only the", "for the MC to mention them in his recount. My gut feeling right", "person limited with only the MC's point of view. Now I'm wondering whether", "told him why. \"I don't want to be your swooning admirer either...\" [change", "out-of-place, especially as it's described as a \"succinct\" explanation, which surely would have", "recount. My gut feeling right now is that, as long as the recounting", "sentence summarizing more off-page dialogue, and then more detailed dialogue. To me, the", "be that I could colour the events via the character's voice. For example,", "experienced. Both the events and telling the friend about them are central to", "embellish others. And maybe the friend could react differently to different events being", "events with a common theme, each told in separate scenes. At the end", "is that, as long as the recounting is short enough (e.g. \"I got", "feeling right now is that, as long as the recounting is short enough", "described everything that had happened to him over the last few days. >", "It's been years since I read that book, and the section was really", "the summary feels out-of-place, especially as it's described as a \"succinct\" explanation, which", "got into a fight with Zotn\" instead of describing the fight in detail),", "would be that I could colour the events via the character's voice. For", "on the number of events, but I'm currently planning on something between 3", "\"succinct\" explanation, which surely would have neatly fit in there with two or", "of the story, he tells a friend about the things he experienced. Both", "> > > So there's detailed dialogue, followed by a single sentence summarizing", "book, and the section was really small, but for some reason it still", "differently to different events being told. On the other hand, since the reader", "Cold Fire. It's been years since I read that book, and the section", "into a fight with Zotn\" instead of describing the fight in detail), it", "reaction I had to summarized dialogue in Dean Koontz' Cold Fire. It's been", "dialogue, and then more detailed dialogue. To me, the summary feels out-of-place, especially", "different events being told. On the other hand, since the reader already experienced", "events* in non-dialogue: > > He described everything that had happened to him", "a journalist), so the reader already knows her reasons, but the dialogue still", "colour the events via the character's voice. For example, he might decide to", "And maybe the friend could react differently to different events being told. On", "scenes. At the end of the story, he tells a friend about the", "of this lengthy piece of dialogue, there's this: > > SallyqJ: \"I'm sick", "dialogue in Dean Koontz' Cold Fire. It's been years since I read that", "POV), maybe it would be boring? I haven't yet decided on the number", "fight in detail), it should be okay. I'm mostly basing this on my", "\"I don't want to be your swooning admirer either...\" [change of topic, more", "more detailed dialogue. To me, the summary feels out-of-place, especially as it's described", "detail), it should be okay. I'm mostly basing this on my own negative", "the record, there are prior scenes where the reader sees SallyqJ come to", "story. The story is told in 3rd person limited with only the MC's", "own negative reaction I had to summarized dialogue in Dean Koontz' Cold Fire.", "reader sees SallyqJ come to this conclusion (that she hates being a journalist),", "the reader already experienced those same scenes (through the MC's POV), maybe it", "story, he tells a friend about the things he experienced. Both the events", "is it okay to recount events the reader has already seen in dialogue?", "maybe it would be boring? I haven't yet decided on the number of", "the middle of this lengthy piece of dialogue, there's this: > > SallyqJ:", "mention them in his recount. My gut feeling right now is that, as", "record, there are prior scenes where the reader sees SallyqJ come to this", "of journalism.\" Succinctly, she told him why. \"I don't want to be your", "by a single sentence summarizing more off-page dialogue, and then more detailed dialogue.", "(through the MC's POV), maybe it would be boring? I haven't yet decided", "as it's described as a \"succinct\" explanation, which surely would have neatly fit", "either...\" [change of topic, more dialogue] > > > So there's detailed dialogue,", "would be better to simply summarize the events in non-dialogue: > > He", "neatly fit in there with two or three more sentences. For the record,", "might decide to skip some events and embellish others. And maybe the friend", "hates being a journalist), so the reader already knows her reasons, but the", "summarize the events in non-dialogue: > > He described everything that had happened", "> > He described everything that had happened to him over the last", "this: > > SallyqJ: \"I'm sick of journalism.\" Succinctly, she told him why.", "more sentences. For the record, there are prior scenes where the reader sees", "the MC's POV), maybe it would be boring? I haven't yet decided on", "she told him why. \"I don't want to be your swooning admirer either...\"", "prior scenes where the reader sees SallyqJ come to this conclusion (that she", "in detail), it should be okay. I'm mostly basing this on my own", "on something between 3 and 5. If I end up adding more, they'd", "When is it okay to recount events the reader has already seen in", "> Or, alternatively, to have the MC recount the events in dialogue. The" ]
[ "in an exceptional state of mind (i.e. drug use etc.) and envisions vivid", "a monster. How would you advise to differentiate between the two, if you", "be unable to find a better way. I am not a native speaker.", "use? In my example the drug is administered while the character is unaware", "envisions vivid imagery, sounds, smell etc. Scenario B: The same character later encounters", "Scenario B: The same character later encounters typical fantasy events - let's say", "reader decide which events are plausible and which are not. But in a", "feel like the title is worded really bad, but I seem to be", "let the reader decide which events are plausible and which are not. But", "it is not exactly known to the reader, what is possible and what", "and which are not. But in a fantasy story, where it is not", "would you advise to differentiate between the two, if you cannot show the", "worded really bad, but I seem to be unable to find a better", "a mundane story we could let the reader decide which events are plausible", "plausible and which are not. But in a fantasy story, where it is", "story we could let the reader decide which events are plausible and which", "I seem to be unable to find a better way. I am not", "to find a better way. I am not a native speaker. Scenario A:", "a better way. I am not a native speaker. Scenario A: A character", "really bad, but I seem to be unable to find a better way.", "a native speaker. Scenario A: A character is in an exceptional state of", "In a mundane story we could let the reader decide which events are", "use etc.) and envisions vivid imagery, sounds, smell etc. Scenario B: The same", "monster. How would you advise to differentiate between the two, if you cannot", "unaware of it. In a mundane story we could let the reader decide", "B: The same character later encounters typical fantasy events - let's say a", "between the two, if you cannot show the actual drug use? In my", "to differentiate between the two, if you cannot show the actual drug use?", "better way. I am not a native speaker. Scenario A: A character is", "are not. But in a fantasy story, where it is not exactly known", "mind (i.e. drug use etc.) and envisions vivid imagery, sounds, smell etc. Scenario", "cannot show the actual drug use? In my example the drug is administered", "story, where it is not exactly known to the reader, what is possible", "(i.e. drug use etc.) and envisions vivid imagery, sounds, smell etc. Scenario B:", "the drug is administered while the character is unaware of it. In a", "imagery, sounds, smell etc. Scenario B: The same character later encounters typical fantasy", "we could let the reader decide which events are plausible and which are", "The same character later encounters typical fantasy events - let's say a monster.", "way. I am not a native speaker. Scenario A: A character is in", "let's say a monster. How would you advise to differentiate between the two,", "mundane story we could let the reader decide which events are plausible and", "you advise to differentiate between the two, if you cannot show the actual", "not. But in a fantasy story, where it is not exactly known to", "actual drug use? In my example the drug is administered while the character", "say a monster. How would you advise to differentiate between the two, if", "which events are plausible and which are not. But in a fantasy story,", "character is unaware of it. In a mundane story we could let the", "fantasy events - let's say a monster. How would you advise to differentiate", "is administered while the character is unaware of it. In a mundane story", "is worded really bad, but I seem to be unable to find a", "native speaker. Scenario A: A character is in an exceptional state of mind", "where it is not exactly known to the reader, what is possible and", "etc.) and envisions vivid imagery, sounds, smell etc. Scenario B: The same character", "encounters typical fantasy events - let's say a monster. How would you advise", "and envisions vivid imagery, sounds, smell etc. Scenario B: The same character later", "drug use etc.) and envisions vivid imagery, sounds, smell etc. Scenario B: The", "but I seem to be unable to find a better way. I am", "not exactly known to the reader, what is possible and what is not?", "the reader decide which events are plausible and which are not. But in", "seem to be unable to find a better way. I am not a", "while the character is unaware of it. In a mundane story we could", "an exceptional state of mind (i.e. drug use etc.) and envisions vivid imagery,", "the title is worded really bad, but I seem to be unable to", "could let the reader decide which events are plausible and which are not.", "typical fantasy events - let's say a monster. How would you advise to", "drug use? In my example the drug is administered while the character is", "is unaware of it. In a mundane story we could let the reader", "is not exactly known to the reader, what is possible and what is", "- let's say a monster. How would you advise to differentiate between the", "smell etc. Scenario B: The same character later encounters typical fantasy events -", "to be unable to find a better way. I am not a native", "the two, if you cannot show the actual drug use? In my example", "my example the drug is administered while the character is unaware of it.", "exceptional state of mind (i.e. drug use etc.) and envisions vivid imagery, sounds,", "events - let's say a monster. How would you advise to differentiate between", "state of mind (i.e. drug use etc.) and envisions vivid imagery, sounds, smell", "title is worded really bad, but I seem to be unable to find", "am not a native speaker. Scenario A: A character is in an exceptional", "I am not a native speaker. Scenario A: A character is in an", "two, if you cannot show the actual drug use? In my example the", "But in a fantasy story, where it is not exactly known to the", "Scenario A: A character is in an exceptional state of mind (i.e. drug", "you cannot show the actual drug use? In my example the drug is", "character is in an exceptional state of mind (i.e. drug use etc.) and", "same character later encounters typical fantasy events - let's say a monster. How", "character later encounters typical fantasy events - let's say a monster. How would", "the character is unaware of it. In a mundane story we could let", "fantasy story, where it is not exactly known to the reader, what is", "How would you advise to differentiate between the two, if you cannot show", "vivid imagery, sounds, smell etc. Scenario B: The same character later encounters typical", "find a better way. I am not a native speaker. Scenario A: A", "is in an exceptional state of mind (i.e. drug use etc.) and envisions", "in a fantasy story, where it is not exactly known to the reader,", "events are plausible and which are not. But in a fantasy story, where", "later encounters typical fantasy events - let's say a monster. How would you", "bad, but I seem to be unable to find a better way. I", "the actual drug use? In my example the drug is administered while the", "not a native speaker. Scenario A: A character is in an exceptional state", "advise to differentiate between the two, if you cannot show the actual drug", "etc. Scenario B: The same character later encounters typical fantasy events - let's", "example the drug is administered while the character is unaware of it. In", "it. In a mundane story we could let the reader decide which events", "administered while the character is unaware of it. In a mundane story we", "of mind (i.e. drug use etc.) and envisions vivid imagery, sounds, smell etc.", "A: A character is in an exceptional state of mind (i.e. drug use", "which are not. But in a fantasy story, where it is not exactly", "unable to find a better way. I am not a native speaker. Scenario", "sounds, smell etc. Scenario B: The same character later encounters typical fantasy events", "I feel like the title is worded really bad, but I seem to", "decide which events are plausible and which are not. But in a fantasy", "A character is in an exceptional state of mind (i.e. drug use etc.)", "like the title is worded really bad, but I seem to be unable", "show the actual drug use? In my example the drug is administered while", "drug is administered while the character is unaware of it. In a mundane", "are plausible and which are not. But in a fantasy story, where it", "a fantasy story, where it is not exactly known to the reader, what", "In my example the drug is administered while the character is unaware of", "differentiate between the two, if you cannot show the actual drug use? In", "of it. In a mundane story we could let the reader decide which", "if you cannot show the actual drug use? In my example the drug", "speaker. Scenario A: A character is in an exceptional state of mind (i.e." ]
[ "not because I didn't study but because I was unable to complete all", "and sometimes fingers too after an hour or two which in turn reduces", "which means the speed of my fastest writing is 144 characters per minute.", "speed of my neatest writing is 56 characters per minute. I have a", "complete writing only for around 90% of the total marks in some exams.", "per minute. 2nd image corresponds to my neatest writing. I wrote 112 characters", "to my fastest writing. I wrote 288 characters in 2 minutes, which means", "there a way to improve the legibility of my fastest handwriting so that", "I try to write fast in exams, I get pain in my arms", "my age. Back in 10th grade, I was so slow that I was", "lack of time. My writing speed increased however the legibility remained the same.", "characters in 2 minutes, which means the speed of my neatest writing is", "of my neatest writing is 56 characters per minute. I have a few", "handwriting speed slower than normal? 2. If it is slow, is there a", "have a very bad handwriting. Also, I kinda feel I write slow when", "description here](https://i.stack.imgur.com/b3xk3.jpg)](https://i.stack.imgur.com/b3xk3.jpg) [![enter image description here](https://i.stack.imgur.com/IN7Ky.jpg)](https://i.stack.imgur.com/IN7Ky.jpg) 1st image corresponds to my fastest writing.", "a few questions: 1. Is my handwriting speed slower than normal? 2. If", "I was so slow that I was unable to finish my exam within", "to complete writing only for around 90% of the total marks in some", "per minute. I have a few questions: 1. Is my handwriting speed slower", "writing. I wrote 288 characters in 2 minutes, which means the speed of", "answers. I was able to complete writing only for around 90% of the", "2nd image corresponds to my neatest writing. I wrote 112 characters in 2", "minute. I have a few questions: 1. Is my handwriting speed slower than", "speed slower than normal? 2. If it is slow, is there a way", "a way to improve the legibility of my fastest handwriting so that I", "I have a very bad handwriting. Also, I kinda feel I write slow", "Currently I am 22 years old. I have a very bad handwriting. Also,", "90% of the total marks in some exams. I ended up getting bad", "Also, when I try to write fast in exams, I get pain in", "112 characters in 2 minutes, which means the speed of my neatest writing", "means the speed of my neatest writing is 56 characters per minute. I", "study but because I was unable to complete all the questions due to", "of my fastest writing is 144 characters per minute. 2nd image corresponds to", "in 10th grade, I was so slow that I was unable to finish", "some exams. I ended up getting bad grades not because I didn't study", "feel I write slow when compared to other students of my age. Back", "marks in some exams. I ended up getting bad grades not because I", "the same. Also, when I try to write fast in exams, I get", "wrote 112 characters in 2 minutes, which means the speed of my neatest", "to calculate my writing speed. I wrote the following in 2 minutes. [![enter", "calculate my writing speed. I wrote the following in 2 minutes. [![enter image", "time despite knowing the answers. I was able to complete writing only for", "10th grade, I was so slow that I was unable to finish my", "means the speed of my fastest writing is 144 characters per minute. 2nd", "I was unable to complete all the questions due to lack of time.", "within the stipulated time despite knowing the answers. I was able to complete", "around 90% of the total marks in some exams. I ended up getting", "legibility remained the same. Also, when I try to write fast in exams,", "normal? 2. If it is slow, is there a way to improve the", "remained the same. Also, when I try to write fast in exams, I", "in 2 minutes, which means the speed of my neatest writing is 56", "all the questions due to lack of time. My writing speed increased however", "was unable to finish my exam within the stipulated time despite knowing the", "I was able to complete writing only for around 90% of the total", "despite knowing the answers. I was able to complete writing only for around", "didn't study but because I was unable to complete all the questions due", "following in 2 minutes. [![enter image description here](https://i.stack.imgur.com/b3xk3.jpg)](https://i.stack.imgur.com/b3xk3.jpg) [![enter image description here](https://i.stack.imgur.com/IN7Ky.jpg)](https://i.stack.imgur.com/IN7Ky.jpg) 1st", "slow when compared to other students of my age. Back in 10th grade,", "stipulated time despite knowing the answers. I was able to complete writing only", "getting bad grades not because I didn't study but because I was unable", "able to complete writing only for around 90% of the total marks in", "144 characters per minute. 2nd image corresponds to my neatest writing. I wrote", "corresponds to my neatest writing. I wrote 112 characters in 2 minutes, which", "writing only for around 90% of the total marks in some exams. I", "compared to other students of my age. Back in 10th grade, I was", "my fastest writing. I wrote 288 characters in 2 minutes, which means the", "to my neatest writing. I wrote 112 characters in 2 minutes, which means", "questions: 1. Is my handwriting speed slower than normal? 2. If it is", "If it is slow, is there a way to improve the legibility of", "sometimes fingers too after an hour or two which in turn reduces my", "in turn reduces my speed. I tried to calculate my writing speed. I", "Also, I kinda feel I write slow when compared to other students of", "after an hour or two which in turn reduces my speed. I tried", "to complete all the questions due to lack of time. My writing speed", "image description here](https://i.stack.imgur.com/IN7Ky.jpg)](https://i.stack.imgur.com/IN7Ky.jpg) 1st image corresponds to my fastest writing. I wrote 288", "fastest writing. I wrote 288 characters in 2 minutes, which means the speed", "[![enter image description here](https://i.stack.imgur.com/IN7Ky.jpg)](https://i.stack.imgur.com/IN7Ky.jpg) 1st image corresponds to my fastest writing. I wrote", "try to write fast in exams, I get pain in my arms and", "my handwriting speed slower than normal? 2. If it is slow, is there", "in exams, I get pain in my arms and sometimes fingers too after", "the total marks in some exams. I ended up getting bad grades not", "the questions due to lack of time. My writing speed increased however the", "here](https://i.stack.imgur.com/b3xk3.jpg)](https://i.stack.imgur.com/b3xk3.jpg) [![enter image description here](https://i.stack.imgur.com/IN7Ky.jpg)](https://i.stack.imgur.com/IN7Ky.jpg) 1st image corresponds to my fastest writing. I", "characters per minute. 2nd image corresponds to my neatest writing. I wrote 112", "the answers. I was able to complete writing only for around 90% of", "bad grades not because I didn't study but because I was unable to", "same. Also, when I try to write fast in exams, I get pain", "an hour or two which in turn reduces my speed. I tried to", "neatest writing is 56 characters per minute. I have a few questions: 1.", "description here](https://i.stack.imgur.com/IN7Ky.jpg)](https://i.stack.imgur.com/IN7Ky.jpg) 1st image corresponds to my fastest writing. I wrote 288 characters", "characters per minute. I have a few questions: 1. Is my handwriting speed", "My writing speed increased however the legibility remained the same. Also, when I", "I have a few questions: 1. Is my handwriting speed slower than normal?", "minutes. [![enter image description here](https://i.stack.imgur.com/b3xk3.jpg)](https://i.stack.imgur.com/b3xk3.jpg) [![enter image description here](https://i.stack.imgur.com/IN7Ky.jpg)](https://i.stack.imgur.com/IN7Ky.jpg) 1st image corresponds to", "fingers too after an hour or two which in turn reduces my speed.", "very bad handwriting. Also, I kinda feel I write slow when compared to", "writing is 56 characters per minute. I have a few questions: 1. Is", "image corresponds to my neatest writing. I wrote 112 characters in 2 minutes,", "I am 22 years old. I have a very bad handwriting. Also, I", "that I was unable to finish my exam within the stipulated time despite", "my speed. I tried to calculate my writing speed. I wrote the following", "I wrote 112 characters in 2 minutes, which means the speed of my", "writing is 144 characters per minute. 2nd image corresponds to my neatest writing.", "writing. I wrote 112 characters in 2 minutes, which means the speed of", "pain in my arms and sometimes fingers too after an hour or two", "the following in 2 minutes. [![enter image description here](https://i.stack.imgur.com/b3xk3.jpg)](https://i.stack.imgur.com/b3xk3.jpg) [![enter image description here](https://i.stack.imgur.com/IN7Ky.jpg)](https://i.stack.imgur.com/IN7Ky.jpg)", "time. My writing speed increased however the legibility remained the same. Also, when", "is there a way to improve the legibility of my fastest handwriting so", "I ended up getting bad grades not because I didn't study but because", "hour or two which in turn reduces my speed. I tried to calculate", "image corresponds to my fastest writing. I wrote 288 characters in 2 minutes,", "Is my handwriting speed slower than normal? 2. If it is slow, is", "slow, is there a way to improve the legibility of my fastest handwriting", "was so slow that I was unable to finish my exam within the", "reduces my speed. I tried to calculate my writing speed. I wrote the", "write fast in exams, I get pain in my arms and sometimes fingers", "speed. I tried to calculate my writing speed. I wrote the following in", "because I didn't study but because I was unable to complete all the", "because I was unable to complete all the questions due to lack of", "in my arms and sometimes fingers too after an hour or two which", "two which in turn reduces my speed. I tried to calculate my writing", "writing speed increased however the legibility remained the same. Also, when I try", "turn reduces my speed. I tried to calculate my writing speed. I wrote", "unable to finish my exam within the stipulated time despite knowing the answers.", "minutes, which means the speed of my fastest writing is 144 characters per", "questions due to lack of time. My writing speed increased however the legibility", "exams, I get pain in my arms and sometimes fingers too after an", "to write fast in exams, I get pain in my arms and sometimes", "to improve the legibility of my fastest handwriting so that I can write", "arms and sometimes fingers too after an hour or two which in turn", "the stipulated time despite knowing the answers. I was able to complete writing", "minutes, which means the speed of my neatest writing is 56 characters per", "complete all the questions due to lack of time. My writing speed increased", "finish my exam within the stipulated time despite knowing the answers. I was", "slower than normal? 2. If it is slow, is there a way to", "I didn't study but because I was unable to complete all the questions", "write slow when compared to other students of my age. Back in 10th", "to finish my exam within the stipulated time despite knowing the answers. I", "up getting bad grades not because I didn't study but because I was", "I was unable to finish my exam within the stipulated time despite knowing", "1st image corresponds to my fastest writing. I wrote 288 characters in 2", "way to improve the legibility of my fastest handwriting so that I can", "age. Back in 10th grade, I was so slow that I was unable", "the speed of my fastest writing is 144 characters per minute. 2nd image", "I tried to calculate my writing speed. I wrote the following in 2", "knowing the answers. I was able to complete writing only for around 90%", "minute. 2nd image corresponds to my neatest writing. I wrote 112 characters in", "the speed of my neatest writing is 56 characters per minute. I have", "my writing speed. I wrote the following in 2 minutes. [![enter image description", "bad handwriting. Also, I kinda feel I write slow when compared to other", "writing speed. I wrote the following in 2 minutes. [![enter image description here](https://i.stack.imgur.com/b3xk3.jpg)](https://i.stack.imgur.com/b3xk3.jpg)", "2. If it is slow, is there a way to improve the legibility", "I kinda feel I write slow when compared to other students of my", "to lack of time. My writing speed increased however the legibility remained the", "old. I have a very bad handwriting. Also, I kinda feel I write", "kinda feel I write slow when compared to other students of my age.", "unable to complete all the questions due to lack of time. My writing", "tried to calculate my writing speed. I wrote the following in 2 minutes.", "get pain in my arms and sometimes fingers too after an hour or", "22 years old. I have a very bad handwriting. Also, I kinda feel", "increased however the legibility remained the same. Also, when I try to write", "1. Is my handwriting speed slower than normal? 2. If it is slow,", "other students of my age. Back in 10th grade, I was so slow", "is 56 characters per minute. I have a few questions: 1. Is my", "slow that I was unable to finish my exam within the stipulated time", "wrote 288 characters in 2 minutes, which means the speed of my fastest", "speed of my fastest writing is 144 characters per minute. 2nd image corresponds", "Back in 10th grade, I was so slow that I was unable to", "only for around 90% of the total marks in some exams. I ended", "of my age. Back in 10th grade, I was so slow that I", "my exam within the stipulated time despite knowing the answers. I was able", "total marks in some exams. I ended up getting bad grades not because", "but because I was unable to complete all the questions due to lack", "my fastest writing is 144 characters per minute. 2nd image corresponds to my", "ended up getting bad grades not because I didn't study but because I", "which in turn reduces my speed. I tried to calculate my writing speed.", "2 minutes, which means the speed of my fastest writing is 144 characters", "when compared to other students of my age. Back in 10th grade, I", "I write slow when compared to other students of my age. Back in", "handwriting. Also, I kinda feel I write slow when compared to other students", "for around 90% of the total marks in some exams. I ended up", "image description here](https://i.stack.imgur.com/b3xk3.jpg)](https://i.stack.imgur.com/b3xk3.jpg) [![enter image description here](https://i.stack.imgur.com/IN7Ky.jpg)](https://i.stack.imgur.com/IN7Ky.jpg) 1st image corresponds to my fastest", "56 characters per minute. I have a few questions: 1. Is my handwriting", "of the total marks in some exams. I ended up getting bad grades", "I wrote 288 characters in 2 minutes, which means the speed of my", "neatest writing. I wrote 112 characters in 2 minutes, which means the speed", "fast in exams, I get pain in my arms and sometimes fingers too", "grade, I was so slow that I was unable to finish my exam", "grades not because I didn't study but because I was unable to complete", "which means the speed of my neatest writing is 56 characters per minute.", "in 2 minutes. [![enter image description here](https://i.stack.imgur.com/b3xk3.jpg)](https://i.stack.imgur.com/b3xk3.jpg) [![enter image description here](https://i.stack.imgur.com/IN7Ky.jpg)](https://i.stack.imgur.com/IN7Ky.jpg) 1st image", "I get pain in my arms and sometimes fingers too after an hour", "so slow that I was unable to finish my exam within the stipulated", "exam within the stipulated time despite knowing the answers. I was able to", "here](https://i.stack.imgur.com/IN7Ky.jpg)](https://i.stack.imgur.com/IN7Ky.jpg) 1st image corresponds to my fastest writing. I wrote 288 characters in", "students of my age. Back in 10th grade, I was so slow that", "corresponds to my fastest writing. I wrote 288 characters in 2 minutes, which", "was able to complete writing only for around 90% of the total marks", "fastest writing is 144 characters per minute. 2nd image corresponds to my neatest", "few questions: 1. Is my handwriting speed slower than normal? 2. If it", "my arms and sometimes fingers too after an hour or two which in", "exams. I ended up getting bad grades not because I didn't study but", "due to lack of time. My writing speed increased however the legibility remained", "in some exams. I ended up getting bad grades not because I didn't", "a very bad handwriting. Also, I kinda feel I write slow when compared", "288 characters in 2 minutes, which means the speed of my fastest writing", "2 minutes. [![enter image description here](https://i.stack.imgur.com/b3xk3.jpg)](https://i.stack.imgur.com/b3xk3.jpg) [![enter image description here](https://i.stack.imgur.com/IN7Ky.jpg)](https://i.stack.imgur.com/IN7Ky.jpg) 1st image corresponds", "of time. My writing speed increased however the legibility remained the same. Also,", "when I try to write fast in exams, I get pain in my", "I wrote the following in 2 minutes. [![enter image description here](https://i.stack.imgur.com/b3xk3.jpg)](https://i.stack.imgur.com/b3xk3.jpg) [![enter image", "is 144 characters per minute. 2nd image corresponds to my neatest writing. I", "years old. I have a very bad handwriting. Also, I kinda feel I", "than normal? 2. If it is slow, is there a way to improve", "too after an hour or two which in turn reduces my speed. I", "was unable to complete all the questions due to lack of time. My", "speed increased however the legibility remained the same. Also, when I try to", "my neatest writing. I wrote 112 characters in 2 minutes, which means the", "my neatest writing is 56 characters per minute. I have a few questions:", "am 22 years old. I have a very bad handwriting. Also, I kinda", "is slow, is there a way to improve the legibility of my fastest", "have a few questions: 1. Is my handwriting speed slower than normal? 2.", "in 2 minutes, which means the speed of my fastest writing is 144", "the legibility remained the same. Also, when I try to write fast in", "to other students of my age. Back in 10th grade, I was so", "improve the legibility of my fastest handwriting so that I can write faster?", "characters in 2 minutes, which means the speed of my fastest writing is", "wrote the following in 2 minutes. [![enter image description here](https://i.stack.imgur.com/b3xk3.jpg)](https://i.stack.imgur.com/b3xk3.jpg) [![enter image description", "2 minutes, which means the speed of my neatest writing is 56 characters", "speed. I wrote the following in 2 minutes. [![enter image description here](https://i.stack.imgur.com/b3xk3.jpg)](https://i.stack.imgur.com/b3xk3.jpg) [![enter", "[![enter image description here](https://i.stack.imgur.com/b3xk3.jpg)](https://i.stack.imgur.com/b3xk3.jpg) [![enter image description here](https://i.stack.imgur.com/IN7Ky.jpg)](https://i.stack.imgur.com/IN7Ky.jpg) 1st image corresponds to my", "it is slow, is there a way to improve the legibility of my", "however the legibility remained the same. Also, when I try to write fast", "or two which in turn reduces my speed. I tried to calculate my" ]
[ "others you can think of) have influences on story elements; like the plot", "different triggers (or others you can think of) have influences on story elements;", "he gets angry) * Verbal (some \"magic word\") * Special scientific device I'd", "of day (every x hours) * Emotional state (transforms when he gets angry)", "word\") * Special scientific device I'd like to know if these different triggers", "the advantages and disadvantages of various kinds of triggers for the transformation. Possible", "In other words, what should I consider when choosing one over the others?", "for the transformation. Possible ideas: * Time of day (every x hours) ", "the plot or characterization or character psychology. In other words, what should I", "ideas: Time of day (every x hours) * Emotional state (transforms when", "and he swaps between them frequently. I'd like to know the advantages and", "plot or characterization or character psychology. In other words, what should I consider", "swaps between them frequently. I'd like to know the advantages and disadvantages of", "when he gets angry) * Verbal (some \"magic word\") * Special scientific device", "characterization or character psychology. In other words, what should I consider when choosing", "you can think of) have influences on story elements; like the plot or", "and disadvantages of various kinds of triggers for the transformation. Possible ideas: ", "hours) Emotional state (transforms when he gets angry) * Verbal (some \"magic", "story elements; like the plot or characterization or character psychology. In other words,", "(transforms when he gets angry) * Verbal (some \"magic word\") * Special scientific", "where my lead character has two forms and he swaps between them frequently.", "these different triggers (or others you can think of) have influences on story", "frequently. I'd like to know the advantages and disadvantages of various kinds of", "triggers (or others you can think of) have influences on story elements; like", "device I'd like to know if these different triggers (or others you can", "has two forms and he swaps between them frequently. I'd like to know", "writing a story where my lead character has two forms and he swaps", "* Emotional state (transforms when he gets angry) * Verbal (some \"magic word\")", "* Time of day (every x hours) * Emotional state (transforms when he", "of triggers for the transformation. Possible ideas: * Time of day (every x", "(every x hours) * Emotional state (transforms when he gets angry) * Verbal", "have influences on story elements; like the plot or characterization or character psychology.", "if these different triggers (or others you can think of) have influences on", "kinds of triggers for the transformation. Possible ideas: * Time of day (every", "my lead character has two forms and he swaps between them frequently. I'd", "forms and he swaps between them frequently. I'd like to know the advantages", "influences on story elements; like the plot or characterization or character psychology. In", "between them frequently. I'd like to know the advantages and disadvantages of various", "angry) * Verbal (some \"magic word\") * Special scientific device I'd like to", "of) have influences on story elements; like the plot or characterization or character", "state (transforms when he gets angry) * Verbal (some \"magic word\") * Special", "a story where my lead character has two forms and he swaps between", "advantages and disadvantages of various kinds of triggers for the transformation. Possible ideas:", "to know if these different triggers (or others you can think of) have", "story where my lead character has two forms and he swaps between them", "lead character has two forms and he swaps between them frequently. I'd like", "the transformation. Possible ideas: * Time of day (every x hours) * Emotional", "to know the advantages and disadvantages of various kinds of triggers for the", "Special scientific device I'd like to know if these different triggers (or others", "of various kinds of triggers for the transformation. Possible ideas: * Time of", "scientific device I'd like to know if these different triggers (or others you", "he swaps between them frequently. I'd like to know the advantages and disadvantages", "like to know if these different triggers (or others you can think of)", "Time of day (every x hours) * Emotional state (transforms when he gets", "(some \"magic word\") * Special scientific device I'd like to know if these", "triggers for the transformation. Possible ideas: * Time of day (every x hours)", "Possible ideas: * Time of day (every x hours) * Emotional state (transforms", "transformation. Possible ideas: * Time of day (every x hours) * Emotional state", "think of) have influences on story elements; like the plot or characterization or", "know the advantages and disadvantages of various kinds of triggers for the transformation.", "character has two forms and he swaps between them frequently. I'd like to", "them frequently. I'd like to know the advantages and disadvantages of various kinds", "like the plot or characterization or character psychology. In other words, what should", "* Verbal (some \"magic word\") * Special scientific device I'd like to know", "Verbal (some \"magic word\") * Special scientific device I'd like to know if", "gets angry) * Verbal (some \"magic word\") * Special scientific device I'd like", "I'd like to know the advantages and disadvantages of various kinds of triggers", "two forms and he swaps between them frequently. I'd like to know the", "(or others you can think of) have influences on story elements; like the", "various kinds of triggers for the transformation. Possible ideas: * Time of day", "character psychology. In other words, what should I consider when choosing one over", "or character psychology. In other words, what should I consider when choosing one", "* Special scientific device I'd like to know if these different triggers (or", "on story elements; like the plot or characterization or character psychology. In other", "day (every x hours) * Emotional state (transforms when he gets angry) ", "elements; like the plot or characterization or character psychology. In other words, what", "I'd like to know if these different triggers (or others you can think", "x hours) Emotional state (transforms when he gets angry) * Verbal (some", "Emotional state (transforms when he gets angry) * Verbal (some \"magic word\") ", "psychology. In other words, what should I consider when choosing one over the", "know if these different triggers (or others you can think of) have influences", "can think of) have influences on story elements; like the plot or characterization", "\"magic word\") Special scientific device I'd like to know if these different", "like to know the advantages and disadvantages of various kinds of triggers for", "or characterization or character psychology. In other words, what should I consider when", "disadvantages of various kinds of triggers for the transformation. Possible ideas: * Time", "I'm writing a story where my lead character has two forms and he" ]
[ "to be familiar with everything, but I'm still unsure how long does my", "focusing more on making the description of pain and injury feel natural, be", "for oxygen. His air sacs must have been punctured and now they were", "as it pierced deep into him. Too deep. Trembling, he fell on his", "have to suffer this? Why? > > > I tried to create a", "Why? He just wanted it to be over. He just wanted to die.", "my style. One thing, I ran into, however, was that I couldn't describe", "with this. Since punctured lungs aren't as visual as a beheading, I tried", "work with more focus on the mental aspect as that seems to help", "be it external or internal. Update ------ Since I received a lot of", "still unsure how long does my already short creative license extend here. Sure,", "teeth he rolled on his belly and pushed himself up. His legs buckled", "the snippet in LibreOffice. It was about a lady who was almost stabbed", "eyes widened in horror as he peered down. The sword was still lodged", "a lot of tips, I decided to create an edited version of the", "like to be impaled with a HB pencil, and as a writer I", "the sword into the dragon’s chest. Gyvaris jolted back, his eyes widened in", "it grasped for oxygen. Yet, after each breath he took, each step he", "I want to somewhat realistically portray suffering, both physical and mental. I usually", "unsure how long does my already short creative license extend here. Sure, dragon", "structuring and developing my style. One thing, I ran into, however, was that", "ask, no! I'm not going to mutilate myself nor pretend that stepping on", "deep. Trembling, he fell on his haunches, then it hit him. Gyvaris screamed", "I usually work with more focus on the mental aspect as that seems", "felt heat, heat that mixed with cold as it pierced deep into him.", "a writer I have to be familiar with everything, but I'm still unsure", "of the snippet for demonstration. > > The knight sunk the sword into", "aspect. 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Blood squirted from the wound. Gyvaris writhed on", "didn’t know. Someone shouted in the distance, or nearby? He couldn’t tell. Why?", "decided to listen to a TED talk while editing the snippet in LibreOffice.", "mental. I usually work with more focus on the mental aspect as that", "never truly understand her, any mustered up courage went down the drain on", "louder than ever before in his life. He collapsed on his side. Blood", "> > > I tried to create a strong image with this. Since", "he have to end up like that? Why did he have to live", "I'm still unsure how long does my already short creative license extend here.", "LibreOffice. It was about a lady who was almost stabbed to death with", "seems to help with sympathy, which in terms amplifies the effect of the", "version of the snippet for demonstration. > > The knight sunk the sword", "and the cold just grew with the puddle of his own blood. Why?", "unbearable and the cold just grew with the puddle of his own blood.", "she said she feels like people would never truly understand her, any mustered", "wanted it to be over. He just wanted to die. > > >", "crossguard sticking out, painted crimson by his gushing blood. Just how far did", "live through this? Why? He just wanted it to be over. He just", "Why? > > > I tried to create a strong image with this.", "his own blood. Why? Why did he have to end up like that?", "realistically portray suffering, both physical and mental. I usually work with more focus", "from his tears, he didn’t know. Someone shouted in the distance, or nearby?", "vision blurred, whether from his tears, he didn’t know. Someone shouted in the", "I tried to create a strong image with this. Since punctured lungs aren't", "mutilate myself nor pretend that stepping on a piece of Lego is as", "widened in horror as he peered down. The sword was still lodged into", "made up, he was pulled down further. The pain became more unbearable and", "Sure, dragon physiology can be a neat excuse but still. How can I", "spaded tail. Gritting teeth he rolled on his belly and pushed himself up.", "talk while editing the snippet in LibreOffice. It was about a lady who", "part. I know how to collect info on what it feels like to", "more unbearable and the cold grew with the puddle of his own blood.", "distance, or nearby? He couldn’t tell. Why? Why did he have to end", "heat that mixed with cold as it pierced deep into him. Too deep.", "been punctured and now they were filling up with blood. The pain became", "that? Why did he have to live through this? Why? He just wanted", "painful as having your leg torn off. Yet I want to somewhat realistically", "short creative license extend here. Sure, dragon physiology can be a neat excuse", "the knight, tearing up grass and unlucky wildflowers with his spaded tail. Gritting", "pain, I never lived through, in-depth without coming off as disingenuous? Note: This", "he have to end up like this? Why did he have to suffer", "with a machete. When she said she feels like people would never truly", "how long does my already short creative license extend here. Sure, dragon physiology", "image with this. Since punctured lungs aren't as visual as a beheading, I", "with cold as it pierced deep into him. Too deep. Then it hit", "that I couldn't describe pain very well. > > The knight sunk the", "as he peered down. The sword was still lodged into him only the", "this? Why? He just wanted it to be over. He just wanted to", "sacs must have been punctured and now they were filling up with blood.", "him, painted crimson by his gushing blood. Just how far did it go?", "is as painful as having your leg torn off. Yet I want to", "and kicking at the knight, tearing up grass and unlucky wildflowers with his", "must have been punctured and now they were filling up with blood. The", "clawing and kicking at the knight, tearing up grass and unlucky wildflowers with", "they were filling up with blood. The pain became more unbearable and the", "were filling up with blood. The pain became more unbearable and the cold", "strong image with this. Since punctured lungs aren't as visual as a beheading,", "her, any mustered up courage went down the drain on my part. I", "into the dragon’s chest. Gyvaris jolted back, his eyes widened in horror as", "down further. The pain became more unbearable and the cold grew with the", "up grass and unlucky wildflowers with his spaded tail. Gritting teeth he rolled", "writhed on the ground, clawing and kicking at the knight, tearing up grass", "blood. His vision blurred, whether from his tears, he didn’t know. Someone shouted", "was about a lady who was almost stabbed to death with a machete.", "The sword was still lodged into him only the crossguard sticking out, painted", "haunches, then it hit him. Gyvaris screamed louder than ever before in his", "collect info on what it feels like to be impaled with a HB", "lot of tips, I decided to create an edited version of the snippet", "focus on the mental aspect as that seems to help with sympathy, which", "through him. His body was waving as it grasped for oxygen. His air", "dragon’s chest. Gyvaris jolted back, his eyes widened in horror as he peered", "he fell on his haunches, then it hit him. Gyvaris screamed louder than", "as he peered down. The sword was still lodged into him, painted crimson", "pain became more unbearable and the cold just grew with the puddle of", "squirted from the wound. Gyvaris writhed on the ground, clawing and kicking at", "still. How can I describe pain, I never lived through, in-depth without coming", "already short creative license extend here. Sure, dragon physiology can be a neat", "to mutilate myself nor pretend that stepping on a piece of Lego is", "mixed with cold as it pierced deep into him. Too deep. Then it", "was still lodged into him only the crossguard sticking out, painted crimson by", "I received a lot of tips, I decided to create an edited version", "be a neat excuse but still. How can I describe pain, I never", "off. Yet I want to somewhat realistically portray suffering, both physical and mental.", "fell on his haunches, then it hit him. Gyvaris screamed louder than ever", "while editing the snippet in LibreOffice. It was about a lady who was", "just grew with the puddle of his own blood. Why? Why did he", "knight sunk the sword into the dragon’s chest. Gyvaris jolted back, his eyes", "up with, to help me with sentence structuring and developing my style. One", "TED talk while editing the snippet in LibreOffice. It was about a lady", "punctured and now they were filling up with blood. The pain became more", "grass and unlucky wildflowers with his spaded tail. Gritting teeth he rolled on", "Before you ask, no! I'm not going to mutilate myself nor pretend that", "have to end up like this? Why did he have to suffer this?", "painted crimson by his gushing blood. Just how far did it go? His", "I ran into, however, was that I couldn't describe pain very well. >", "his belly and pushed himself up. His legs buckled and he fell back.", "visual as a beheading, I tried to capture Gyv's confusion and hopeless struggle.", "became more unbearable and the cold grew with the puddle of his own", "up courage went down the drain on my part. I know how to", "waving as it grasped for oxygen. His air sacs must have been punctured", "no! I'm not going to mutilate myself nor pretend that stepping on a", "his tears, he didn’t know. Someone shouted in the distance, or nearby? He", "to somewhat realistically portray suffering, both physical and mental. I usually work with", "received a lot of tips, I decided to create an edited version of", "Then it hit him. Gyvaris screamed louder than ever before in his life.", "a lady who was almost stabbed to death with a machete. When she", "it grasped for oxygen. His air sacs must have been punctured and now", "sword was still lodged into him, painted crimson by his gushing blood. Just", "not going to mutilate myself nor pretend that stepping on a piece of", "> The knight sunk the sword into the dragon’s chest. Gyvaris jolted back,", "however, was that I couldn't describe pain very well. > > The knight", "ever before in his life. He collapsed on his side, sending another wave", "he have to live through this? Why? He just wanted it to be", "of Lego is as painful as having your leg torn off. Yet I", "His vision blurred, whether from his tears, he didn’t know. Someone shouted in", "His legs buckled and he fell back. His body was waving as it", "tell. Why? Why did he have to end up like this? Why did", "jolted back, his eyes widened in horror as he peered down. The sword", "oxygen. Yet, after each breath he took, each step he made up, he", "me with sentence structuring and developing my style. One thing, I ran into,", "tail. Gritting teeth he rolled on his belly and pushed himself up. His", "in horror as he peered down. The sword was still lodged into him,", "is focusing more on making the description of pain and injury feel natural,", "lady who was almost stabbed to death with a machete. When she said", "truly understand her, any mustered up courage went down the drain on my", "was pulled down further. The pain became more unbearable and the cold grew", "myself nor pretend that stepping on a piece of Lego is as painful", "before in his life. He collapsed on his side, sending another wave of", "portray suffering, both physical and mental. I usually work with more focus on", "Gyvaris jolted back, his eyes widened in horror as he peered down. The", "does my already short creative license extend here. Sure, dragon physiology can be", "deep into him. Too deep. Then it hit him. Gyvaris screamed louder than", "cold just grew with the puddle of his own blood. Why? Why did", "here. Sure, dragon physiology can be a neat excuse but still. How can", "through this? Why? He just wanted it to be over. He just wanted", "to end up like this? Why did he have to suffer this? Why?", "ran into, however, was that I couldn't describe pain very well. > >", "his spaded tail. Gritting teeth he rolled on his belly and pushed himself", "Why did he have to suffer this? Why? > > > I tried", "be over. He just wanted to die. > > > I'm not exactly", "torn off. Yet I want to somewhat realistically portray suffering, both physical and", "He just wanted to die. > > > I'm not exactly proud of", "nor pretend that stepping on a piece of Lego is as painful as", "fell back. His body was waving as it grasped for oxygen. Yet, after", "he peered down. The sword was still lodged into him, painted crimson by", "> I'm not exactly proud of it. Before you ask, no! I'm not", "with a HB pencil, and as a writer I have to be familiar", "have to live through this? Why? He just wanted it to be over.", "proud of it. Before you ask, no! I'm not going to mutilate myself", "familiar with everything, but I'm still unsure how long does my already short", "question is focusing more on making the description of pain and injury feel", "horror as he peered down. The sword was still lodged into him only", "want to somewhat realistically portray suffering, both physical and mental. I usually work", "buckled and he fell back. His body was waving as it grasped for", "blood. Just how far did it go? His stomach twisted. He felt heat,", "was that I couldn't describe pain very well. > > The knight sunk", "I have to be familiar with everything, but I'm still unsure how long", "side. Blood squirted from the wound. Gyvaris writhed on the ground, clawing and", "------ Since I received a lot of tips, I decided to create an", "his haunches, then it hit him. Gyvaris screamed louder than ever before in", "filling up with blood. The pain became more unbearable and the cold just", "or nearby? He couldn’t tell. Why? Why did he have to end up", "just wanted it to be over. He just wanted to die. > >", "on the ground, clawing and kicking at the knight, tearing up grass and", "mental aspect as that seems to help with sympathy, which in terms amplifies", "what it feels like to be impaled with a HB pencil, and as", "but I'm still unsure how long does my already short creative license extend", "dragon physiology can be a neat excuse but still. How can I describe", "with the puddle of his own blood. His vision blurred, whether from his", "grasped for oxygen. His air sacs must have been punctured and now they", "a writing excersie, I came up with, to help me with sentence structuring", "writer I have to be familiar with everything, but I'm still unsure how", "One thing, I ran into, however, was that I couldn't describe pain very", "to collect info on what it feels like to be impaled with a", "everything, but I'm still unsure how long does my already short creative license", "for demonstration. > > The knight sunk the sword into the dragon’s chest.", "The knight sunk the sword into the dragon’s chest. Gyvaris jolted back, his", "amplifies the effect of the physical aspect. I decided to listen to a", "did it go? His stomach twisted. He felt heat, heat that mixed with", "never lived through, in-depth without coming off as disingenuous? Note: This question is", "Yet, after each breath he took, each step he made up, he was", "to a TED talk while editing the snippet in LibreOffice. It was about", "piece of Lego is as painful as having your leg torn off. Yet", "and pushed himself up. His legs buckled and he fell back. His body", "he took, each step he made up, he was pulled down further. The", "to help me with sentence structuring and developing my style. One thing, I", "he peered down. The sword was still lodged into him only the crossguard", "like this? Why did he have to suffer this? Why? > > >", "blurred, whether from his tears, he didn’t know. Someone shouted in the distance,", "it hit him. Gyvaris screamed louder than ever before in his life. He", "up with blood. The pain became more unbearable and the cold just grew", "deep. Then it hit him. Gyvaris screamed louder than ever before in his", "on my part. I know how to collect info on what it feels" ]
[ "the principle: we don't write an \"action scene\" with nothing but action in", "will be an unfair power dynamic between them. There will be values explored", "fundamental requirement for good prose. Whatever I may be trying to achieve in", "organisation. Not to mention that it can do worldbuilding, one tiny detail at", "But why is the couch brown? Or green? Or why is there a", "of that sentence. The metaphor used to describe the mirror may indicate how", "that make prose good, which you cannot plan for. Prose has rhythm, and", "sophistication [obsessiveness?]), but they don't feel enough. Answer 1: \"just do it\". Stop", "the \"filler\" text that I end up writing when fleshing out a scene", "to fit. But stop obsessing. (Did I say stop obsessing?) Answer 2: the", "and make every single word meaningful in some way... But if so... Why", "described, or looks into that mirror--while what is actually important is the conversation", "mirror--while what is actually important is the conversation she is having. But why", "with detail?** An appropriate level of detail seems to me to be a", "But is the forest on the side of a mountain? What specific trees", "There will be a chance encounter between two characters. They will have competing", "happens, motivations and values are explored, painful choices are made, all that is", "other important character; character development happens, plot happens, motivations and values are explored,", "broadly. For example, say I have a scene in a forest. There will", "character's actions are related to this environment, for instance she goes and sits", "actions leading up to the meeting may be necessary for the chance meeting", "with nothing but action in it, then a \"character development scene\" with no", "which will be tripped over, which is made of a fabric that is", "fabric that is in scarce supply, and whose colour reflects the protagonists' mood...", "Character walks into a shop, and by coincidence encounters some other important character;", "that reflects how the PoV character is feeling. So make a list of", "of each paragraph, each sentence even, telling a story is not the same", "round? Why is it a three-seater? Indeed, at some point, maybe it's just", "mirror has to look like for the metaphor to actually describe it. Answer", "sentence. The metaphor used to describe the mirror may indicate how the PoV", "a three-seater? Indeed, at some point, maybe it's just bad to try and", "start with the metaphor, and it does not matter what the mirror has", "but there are other qualities that make prose good, which you cannot plan", "some other important character; character development happens, plot happens, motivations and values are", "have a scene in a forest. There will be a chance encounter between", "and other plants are there? And it's not just about describing the scene.", "to look like for the metaphor to actually describe it. Answer 3: one", "The actions leading up to the meeting may be necessary for the chance", "foreshadow something, or do a little worldbuilding, or be described in a way", "important in the backstory; or make it as black as the PoV character's", "for it that is in short supply due to something important in the", "the PoV character's despair. But this couch, which will be tripped over, which", "frame of mind though its organisation. Not to mention that it can do", "on the wall, or on a stand? Why was the other customer an", "customers; we get an overview of the space, and a few telling details", "Or green? Or why is there a couch there at all? Why is", "or atmosphere, of the story, and make up details that seem to fit.", "example... A Main Character walks into a shop, and by coincidence encounters some", "Prose has rhythm, and a \"music\" to it, and is infused with attitude,", "don't matter in terms of the sort of \"content\" that you might put", "the chance meeting to feel real, but if I actually only really care", "and a few telling details too; and the main character's actions are related", "dialogue or thoughts in it, then a \"plot advancement scene\", then an \"emotion", "from a mile away? Does she try to hide, then change her mind", "\"plot advancement scene\", then an \"emotion scene\", etc.; rather [it is almost always", "use a fabric for it that is in short supply due to something", "Basic example of the principle: we don't write an \"action scene\" with nothing", "answers to my own question (given next, in increasing order of sophistication [obsessiveness?]),", "often feel wrong to just have two \"talking heads\". Rather, the story feels", "of the story and make it convincingly real. A working example... A Main", "\"show\" a PoV character's frame of mind though its organisation. Not to mention", "good prose. Whatever I may be trying to achieve in terms of characters,", "real. It doesn't matter what they are, so don't worry about it. And,", "character's despair. But this couch, which will be tripped over, which is made", "her mind and show herself? The actions leading up to the meeting may", "Well, apply this principle to the \"details\" as well: every word can foreshadow", "to achieve in terms of characters, plot, etc., in the here-and-now of each", "be a fundamental requirement for good prose. Whatever I may be trying to", "scene in a forest. There will be a chance encounter between two characters.", "at all? Why is the mirror on the wall, or on a stand?", "the left side of the shop? Why are the cushions round? Why is", "every single word meaningful in some way... But if so... Why green and", "say I have a scene in a forest. There will be a chance", "will be a chance encounter between two characters. They will have competing objectives,", "about what happens after the meeting, they may be \"randomly choosable details\", too.", "as writing an outline. There needs to be enough detail to make the", "be tripped over, which is made of a fabric that is in scarce", "protagonists' mood... Why* is it on the left side of the shop? Why", "out the world of the story and make it convincingly real. A working", "randomness of the information that I add to a sentence, paragraph or scene,", "achieve in terms of characters, plot, etc., in the here-and-now of each paragraph,", "into a shop, and by coincidence encounters some other important character; character development", "yourself follow the theme, or atmosphere, of the story, and make up details", "focus too much on the sentence-level details, but that's just because of the", "objectives, and there will be an unfair power dynamic between them. There will", "etc., in the here-and-now of each paragraph, each sentence even, telling a story", "be necessary for the chance meeting to feel real, but if I actually", "surprise the other? Or does the PoV character hear the other from a", "or thoughts in it, then a \"plot advancement scene\", then an \"emotion scene\",", "it a three-seater? Indeed, at some point, maybe it's just bad to try", "that are not the main purpose of the current scene, and draw on", "multiple functions\". Basic example of the principle: we don't write an \"action scene\"", "flesh out the world of the story and make it convincingly real. A", "what is actually important is the conversation she is having. But why is", "order of sophistication [obsessiveness?]), but they don't feel enough. Answer 1: \"just do", "tripped over, which is made of a fabric that is in scarce supply,", "the characters meet? Does one surprise the other? Or does the PoV character", "it, then a \"plot advancement scene\", then an \"emotion scene\", etc.; rather [it", "theme, or atmosphere, of the story, and make up details that seem to", "to this environment, for instance she goes and sits down on that couch", "paragraph, each sentence even, telling a story is not the same as writing", "to it, and is infused with attitude, emotion, atmosphere. It can \"show\" a", "end up writing when fleshing out a scene with detail?** An appropriate level", "for the metaphor to actually describe it. Answer 3: one of my favourite", "mountain? What specific trees and other plants are there? And it's not just", "of these things. Well, apply this principle to the \"details\" as well: every", "have two \"talking heads\". Rather, the story feels real when the shop is", "just described, or looks into that mirror--while what is actually important is the", "as the PoV character's despair. But this couch, which will be tripped over,", "say stop obsessing?) Answer 2: the details don't matter in terms of the", "on whether the sound \"brown\" or \"green\", irrespective of the actual colours, fits", "of a fabric that is in scarce supply, and whose colour reflects the", "all of these things. Well, apply this principle to the \"details\" as well:", "the owner interacts with some of those other customers; we get an overview", "it, then a \"character development scene\" with no action and only dialogue or", "too much on the sentence-level details, but that's just because of the examples", "things. Well, apply this principle to the \"details\" as well: every word can", "Why is it on the left side of the shop? Why are the", "etc.; rather [it is almost always better if] every scene does all of", "that is great. But it will often feel wrong to just have two", "[obsessiveness?]), but they don't feel enough. Answer 1: \"just do it\". Stop obsessing", "\"content\" that you might put in an outline, but there are other qualities", "Why green and not purple? Edit: re-reading my question as posted, it seems", "An appropriate level of detail seems to me to be a fundamental requirement", "My question applies more broadly. For example, say I have a scene in", "\"every component of a story should have multiple functions\". Basic example of the", "world of the story and make it convincingly real. A working example... A", "don't worry about it. And, in any case, your intuition should make the", "that sentence. The metaphor used to describe the mirror may indicate how the", "as well as the products, the other customers; the owner interacts with some", "owner interacts with some of those other customers; we get an overview of", "to describe the mirror may indicate how the PoV character is feeling, e.g.", "detail at a time. So whether the couch is brown or green may", "here-and-now of each paragraph, each sentence even, telling a story is not the", "will be tripped over, which is made of a fabric that is in", "stop obsessing?) Answer 2: the details don't matter in terms of the sort", "worldbuilding, or be described in a way that reflects how the PoV character", "increasing order of sophistication [obsessiveness?]), but they don't feel enough. Answer 1: \"just", "then a \"plot advancement scene\", then an \"emotion scene\", etc.; rather [it is", "irrespective of the actual colours, fits in with the sound of that sentence.", "each sentence even, telling a story is not the same as writing an", "three possible answers to my own question (given next, in increasing order of", "write an \"action scene\" with nothing but action in it, then a \"character", "to my own question (given next, in increasing order of sophistication [obsessiveness?]), but", "choices are made, all that is great. But it will often feel wrong", "action-heavy scene; or use a fabric for it that is in short supply", "that is in short supply due to something important in the backstory; or", "an unfair power dynamic between them. There will be values explored and choices", "What specific trees and other plants are there? And it's not just about", "is there a couch there at all? Why is the mirror on the", "\"green\", irrespective of the actual colours, fits in with the sound of that", "a \"music\" to it, and is infused with attitude, emotion, atmosphere. It can", "same as writing an outline. There needs to be enough detail to make", "then a \"character development scene\" with no action and only dialogue or thoughts", "appropriate level of detail seems to me to be a fundamental requirement for", "that couch we just described, or looks into that mirror--while what is actually", "shop, and by coincidence encounters some other important character; character development happens, plot", "up some details, so as to make the story feel real. It doesn't", "there? And it's not just about describing the scene. How do the characters", "terms of characters, plot, etc., in the here-and-now of each paragraph, each sentence", "to focus too much on the sentence-level details, but that's just because of", "A Main Character walks into a shop, and by coincidence encounters some other", "scene; or use a fabric for it that is in short supply due", "a scene with detail?* An appropriate level of detail seems to me to", "characters, plot, etc., in the here-and-now of each paragraph, each sentence even, telling", "question (given next, in increasing order of sophistication [obsessiveness?]), but they don't feel", "PoV character hear the other from a mile away? Does she try to", "walks into a shop, and by coincidence encounters some other important character; character", "of the current scene, and draw on them to flesh out the details", "the metaphor, and it does not matter what the mirror has to look", "of this scene. E.g., put in a couch that somebody will trip over", "we don't write an \"action scene\" with nothing but action in it, then", "make the details interesting--just let yourself follow the theme, or atmosphere, of the", "outline, but there are other qualities that make prose good, which you cannot", "couch is brown or green may depend on whether the sound \"brown\" or", "coincidence encounters some other important character; character development happens, plot happens, motivations and", "green and not purple? Edit: re-reading my question as posted, it seems to", "and make up some details, so as to make the story feel real.", "my favourite \"principles\" is that \"every component of a story should have multiple", "up writing when fleshing out a scene with detail?* An appropriate level of", "worldbuilding, one tiny detail at a time. So whether the couch is brown", "PoV character's despair. But this couch, which will be tripped over, which is", "scene\", etc.; rather [it is almost always better if] every scene does all", "plot, etc., in the here-and-now of each paragraph, each sentence even, telling a", "an action-heavy scene; or use a fabric for it that is in short", "are, so don't worry about it. And, in any case, your intuition should", "is infused with attitude, emotion, atmosphere. It can \"show\" a PoV character's frame", "be values explored and choices made etc etc etc. But is the forest", "with some of those other customers; we get an overview of the space,", "to the \"details\" as well: every word can foreshadow something, or do a", "is feeling. So make a list of important ideas that are not the", "will have competing objectives, and there will be an unfair power dynamic between", "PoV character is feeling. So make a list of important ideas that are", "story feel real. However, I find myself agonising over the seeming randomness of", "then change her mind and show herself? The actions leading up to the", "used to describe the mirror may indicate how the PoV character is feeling,", "own question (given next, in increasing order of sophistication [obsessiveness?]), but they don't", "3: one of my favourite \"principles\" is that \"every component of a story", "better if] every scene does all of these things. Well, apply this principle", "the cushions round? Why is it a three-seater? Indeed, at some point, maybe", "seems to focus too much on the sentence-level details, but that's just because", "possible answers to my own question (given next, in increasing order of sophistication", "to just have two \"talking heads\". Rather, the story feels real when the", "of mind though its organisation. Not to mention that it can do worldbuilding,", "one of my favourite \"principles\" is that \"every component of a story should", "Rather, the story feels real when the shop is described, as well as", "etc. But is the forest on the side of a mountain? What specific", "the PoV character is feeling. So make a list of important ideas that", "But if so... Why green and not purple? Edit: re-reading my question as", "Does one surprise the other? Or does the PoV character hear the other", "instance she goes and sits down on that couch we just described, or", "necessary for the chance meeting to feel real, but if I actually only", "have multiple functions\". Basic example of the principle: we don't write an \"action", "put in a couch that somebody will trip over later during an action-heavy", "seeming randomness of the information that I add to a sentence, paragraph or", "sentence, paragraph or scene, in order to flesh out the world of the", "the products, the other customers; the owner interacts with some of those other", "rather [it is almost always better if] every scene does all of these", "every scene does all of these things. Well, apply this principle to the", "a \"plot advancement scene\", then an \"emotion scene\", etc.; rather [it is almost", "a list of important ideas that are not* the main purpose of the", "other plants are there? And it's not just about describing the scene. How", "the information that I add to a sentence, paragraph or scene, in order", "qualities that make prose good, which you cannot plan for. Prose has rhythm,", "encounter between two characters. They will have competing objectives, and there will be", "explored, painful choices are made, all that is great. But it will often", "customers; the owner interacts with some of those other customers; we get an", "are related to this environment, for instance she goes and sits down on", "of the shop? Why are the cushions round? Why is it a three-seater?", "do worldbuilding, one tiny detail at a time. So whether the couch is", "do a little worldbuilding, or be described in a way that reflects how", "Why are the cushions round? Why is it a three-seater? Indeed, at some", "sentence-level details, but that's just because of the examples I picked. My question", "(given next, in increasing order of sophistication [obsessiveness?]), but they don't feel enough.", "sound of that sentence. The metaphor used to describe the mirror may indicate", "space, and a few telling details too; and the main character's actions are", "can \"show\" a PoV character's frame of mind though its organisation. Not to", "single word meaningful in some way... But if so... Why green and not", "introspective, or full of self-loathing, or narcissistic--so start with the metaphor, and it", "scene does all of these things. Well, apply this principle to the \"details\"", "we just described, or looks into that mirror--while what is actually important is", "feels real when the shop is described, as well as the products, the", "details, but that's just because of the examples I picked. My question applies", "the PoV character hear the other from a mile away? Does she try", "leading up to the meeting may be necessary for the chance meeting to", "are not the main purpose of the current scene, and draw on them", "whether the sound \"brown\" or \"green\", irrespective of the actual colours, fits in", "mirror on the wall, or on a stand? Why was the other customer", "the shop? Why are the cushions round? Why is it a three-seater? Indeed,", "of the actual colours, fits in with the sound of that sentence. The", "character is feeling. So make a list of important ideas that are not", "I picked. My question applies more broadly. For example, say I have a", "infused with attitude, emotion, atmosphere. It can \"show\" a PoV character's frame of", "about describing the scene. How do the characters meet? Does one surprise the", "character hear the other from a mile away? Does she try to hide,", "So make a list of important ideas that are not the main purpose", "plants are there? And it's not just about describing the scene. How do", "just have two \"talking heads\". Rather, the story feels real when the shop", "hide, then change her mind and show herself? The actions leading up to", "as the products, the other customers; the owner interacts with some of those", "that \"every component of a story should have multiple functions\". Basic example of", "backstory; or make it as black as the PoV character's despair. But this", "story, and make up details that seem to fit. But stop obsessing. (Did", "way... But if so... Why green and not purple? Edit: re-reading my question", "advancement scene\", then an \"emotion scene\", etc.; rather [it is almost always better", "goes and sits down on that couch we just described, or looks into", "shop? Why are the cushions round? Why is it a three-seater? Indeed, at", "get an overview of the space, and a few telling details too; and", "make every single word meaningful in some way... But if so... Why green", "should make the details interesting--just let yourself follow the theme, or atmosphere, of", "but action in it, then a \"character development scene\" with no action and", "and draw on them to flesh out the details* of this scene. E.g.,", "by coincidence encounters some other important character; character development happens, plot happens, motivations", "Why is the mirror on the wall, or on a stand? Why was", "to mention that it can do worldbuilding, one tiny detail at a time.", "choices made etc etc etc. But is the forest on the side of", "in scarce supply, and whose colour reflects the protagonists' mood... Why is it", "telling a story is not the same as writing an outline. There needs", "draw on them to flesh out the details of this scene. E.g., put", "Indeed, at some point, maybe it's just bad to try and make every", "does all of these things. Well, apply this principle to the \"details\" as", "or looks into that mirror--while what is actually important is the conversation she", "out a scene with detail? An appropriate level of detail seems to me", "or be described in a way that reflects how the PoV character is", "something important in the backstory; or make it as black as the PoV", "at some point, maybe it's just bad to try and make every single", "or use a fabric for it that is in short supply due to", "then an \"emotion scene\", etc.; rather [it is almost always better if] every", "story is not the same as writing an outline. There needs to be", "for instance she goes and sits down on that couch we just described,", "word can foreshadow something, or do a little worldbuilding, or be described in", "posted, it seems to focus too much on the sentence-level details, but that's", "trees and other plants are there? And it's not just about describing the", "an \"emotion scene\", etc.; rather [it is almost always better if] every scene", "only dialogue or thoughts in it, then a \"plot advancement scene\", then an", "But it will often feel wrong to just have two \"talking heads\". Rather,", "for good prose. Whatever I may be trying to achieve in terms of", "more broadly. For example, say I have a scene in a forest. There", "a shop, and by coincidence encounters some other important character; character development happens,", "as to make the story feel real. It doesn't matter what they are,", "the sentence-level details, but that's just because of the examples I picked. My", "an overview of the space, and a few telling details too; and the", "other customer an old lady with a large handbag--or a teenager, or... I", "is described, as well as the products, the other customers; the owner interacts", "A working example... A Main Character walks into a shop, and by coincidence", "main purpose of the current scene, and draw on them to flesh out", "she try to hide, then change her mind and show herself? The actions", "applies more broadly. For example, say I have a scene in a forest.", "But stop obsessing. (Did I say stop obsessing?) Answer 2: the details don't", "much on the sentence-level details, but that's just because of the examples I", "detail to make the story feel real. However, I find myself agonising over", "of a mountain? What specific trees and other plants are there? And it's", "a fabric that is in scarce supply, and whose colour reflects the protagonists'", "stand? Why was the other customer an old lady with a large handbag--or", "is having. But why is the couch brown? Or green? Or why is", "the theme, or atmosphere, of the story, and make up details that seem", "Answer 3: one of my favourite \"principles\" is that \"every component of a", "competing objectives, and there will be an unfair power dynamic between them. There", "if] every scene does all of these things. Well, apply this principle to", "try to hide, then change her mind and show herself? The actions leading", "always better if] every scene does all of these things. Well, apply this", "interesting--just let yourself follow the theme, or atmosphere, of the story, and make", "I add to a sentence, paragraph or scene, in order to flesh out", "describe it. Answer 3: one of my favourite \"principles\" is that \"every component", "may depend on whether the sound \"brown\" or \"green\", irrespective of the actual", "there at all? Why is the mirror on the wall, or on a", "has rhythm, and a \"music\" to it, and is infused with attitude, emotion,", "\"principles\" is that \"every component of a story should have multiple functions\". Basic", "question as posted, it seems to focus too much on the sentence-level details,", "next, in increasing order of sophistication [obsessiveness?]), but they don't feel enough. Answer", "action and only dialogue or thoughts in it, then a \"plot advancement scene\",", "metaphor to actually describe it. Answer 3: one of my favourite \"principles\" is", "How can I minimise the \"filler\" text that I end up writing when", "prose. Whatever I may be trying to achieve in terms of characters, plot,", "in some way... But if so... Why green and not purple? Edit: re-reading", "the other from a mile away? Does she try to hide, then change", "mind though its organisation. Not to mention that it can do worldbuilding, one", "is it on the left* side of the shop? Why are the cushions", "values explored and choices made etc etc etc. But is the forest on", "they don't feel enough. Answer 1: \"just do it\". Stop obsessing and make", "But this couch, which will be tripped over, which is made of a", "has to look like for the metaphor to actually describe it. Answer 3:", "meaningful in some way... But if so... Why green and not purple? Edit:", "details that seem to fit. But stop obsessing. (Did I say stop obsessing?)", "specific trees and other plants are there? And it's not just about describing", "that is in scarce supply, and whose colour reflects the protagonists' mood... Why", "two characters. They will have competing objectives, and there will be an unfair", "development happens, plot happens, motivations and values are explored, painful choices are made,", "couch we just described, or looks into that mirror--while what is actually important", "its organisation. Not to mention that it can do worldbuilding, one tiny detail", "make prose good, which you cannot plan for. Prose has rhythm, and a", "feeling, e.g. introspective, or full of self-loathing, or narcissistic--so start with the metaphor,", "Whatever I may be trying to achieve in terms of characters, plot, etc.,", "in the backstory; or make it as black as the PoV character's despair.", "will be values explored and choices made etc etc etc. But is the", "happens, plot happens, motivations and values are explored, painful choices are made, all", "detail?* An appropriate level of detail seems to me to be a fundamental", "obsessing?) Answer 2: the details don't matter in terms of the sort of", "of \"content\" that you might put in an outline, but there are other", "like for the metaphor to actually describe it. Answer 3: one of my", "will trip over later during an action-heavy scene; or use a fabric for", "and values are explored, painful choices are made, all that is great. But", "rhythm, and a \"music\" to it, and is infused with attitude, emotion, atmosphere.", "an old lady with a large handbag--or a teenager, or... I have three", "hear the other from a mile away? Does she try to hide, then", "of sophistication [obsessiveness?]), but they don't feel enough. Answer 1: \"just do it\".", "a large handbag--or a teenager, or... I have three possible answers to my", "make it convincingly real. A working example... A Main Character walks into a", "into that mirror--while what is actually important is the conversation she is having.", "a few telling details too; and the main character's actions are related to", "the forest on the side of a mountain? What specific trees and other", "so... Why green and not purple? Edit: re-reading my question as posted, it", "I end up writing when fleshing out a scene with detail?* An appropriate", "between two characters. They will have competing objectives, and there will be an", "handbag--or a teenager, or... I have three possible answers to my own question", "and by coincidence encounters some other important character; character development happens, plot happens,", "fabric for it that is in short supply due to something important in", "are explored, painful choices are made, all that is great. But it will", "and is infused with attitude, emotion, atmosphere. It can \"show\" a PoV character's", "it. Answer 3: one of my favourite \"principles\" is that \"every component of", "to make the story feel real. However, I find myself agonising over the", "to a sentence, paragraph or scene, in order to flesh out the world", "enough detail to make the story feel real. However, I find myself agonising", "way that reflects how the PoV character is feeling. So make a list", "thoughts in it, then a \"plot advancement scene\", then an \"emotion scene\", etc.;", "a little worldbuilding, or be described in a way that reflects how the", "important is the conversation she is having. But why is the couch brown?", "story feel real. It doesn't matter what they are, so don't worry about", "writing an outline. There needs to be enough detail to make the story", "brown? Or green? Or why is there a couch there at all? Why", "lady with a large handbag--or a teenager, or... I have three possible answers", "sound \"brown\" or \"green\", irrespective of the actual colours, fits in with the", "and only dialogue or thoughts in it, then a \"plot advancement scene\", then", "in a couch that somebody will trip over later during an action-heavy scene;", "supply due to something important in the backstory; or make it as black", "of the sort of \"content\" that you might put in an outline, but", "have competing objectives, and there will be an unfair power dynamic between them.", "is made of a fabric that is in scarce supply, and whose colour", "Does she try to hide, then change her mind and show herself? The", "meeting may be necessary for the chance meeting to feel real, but if", "follow the theme, or atmosphere, of the story, and make up details that", "care about what happens after the meeting, they may be \"randomly choosable details\",", "text that I end up writing when fleshing out a scene with detail?*", "of the information that I add to a sentence, paragraph or scene, in", "the mirror on the wall, or on a stand? Why was the other", "And, in any case, your intuition should make the details interesting--just let yourself", "point, maybe it's just bad to try and make every single word meaningful", "show herself? The actions leading up to the meeting may be necessary for", "Or does the PoV character hear the other from a mile away? Does", "to make the story feel real. It doesn't matter what they are, so", "do it\". Stop obsessing and make up some details, so as to make", "in with the sound of that sentence. The metaphor used to describe the", "not the same as writing an outline. There needs to be enough detail", "\"details\" as well: every word can foreshadow something, or do a little worldbuilding,", "not* the main purpose of the current scene, and draw on them to", "mood... Why is it on the left side of the shop? Why are", "was the other customer an old lady with a large handbag--or a teenager,", "worry about it. And, in any case, your intuition should make the details", "fits in with the sound of that sentence. The metaphor used to describe", "in the here-and-now of each paragraph, each sentence even, telling a story is", "matter what they are, so don't worry about it. And, in any case,", "should have multiple functions\". Basic example of the principle: we don't write an", "in short supply due to something important in the backstory; or make it", "the mirror may indicate how the PoV character is feeling, e.g. introspective, or", "and whose colour reflects the protagonists' mood... Why is it on the left", "full of self-loathing, or narcissistic--so start with the metaphor, and it does not", "on the sentence-level details, but that's just because of the examples I picked.", "depend on whether the sound \"brown\" or \"green\", irrespective of the actual colours,", "a story should have multiple functions\". Basic example of the principle: we don't", "chance meeting to feel real, but if I actually only really care about", "it. And, in any case, your intuition should make the details interesting--just let", "every word can foreshadow something, or do a little worldbuilding, or be described", "despair. But this couch, which will be tripped over, which is made of", "principle to the \"details\" as well: every word can foreshadow something, or do", "character; character development happens, plot happens, motivations and values are explored, painful choices", "etc etc etc. But is the forest on the side of a mountain?", "\"emotion scene\", etc.; rather [it is almost always better if] every scene does", "side of the shop? Why are the cushions round? Why is it a", "painful choices are made, all that is great. But it will often feel", "tiny detail at a time. So whether the couch is brown or green", "a way that reflects how the PoV character is feeling. So make a", "with the sound of that sentence. The metaphor used to describe the mirror", "a stand? Why was the other customer an old lady with a large", "of those other customers; we get an overview of the space, and a", "the details interesting--just let yourself follow the theme, or atmosphere, of the story,", "be trying to achieve in terms of characters, plot, etc., in the here-and-now", "metaphor used to describe the mirror may indicate how the PoV character is", "trying to achieve in terms of characters, plot, etc., in the here-and-now of", "with no action and only dialogue or thoughts in it, then a \"plot", "Answer 1: \"just do it\". Stop obsessing and make up some details, so", "is almost always better if] every scene does all of these things. Well,", "when fleshing out a scene with detail?** An appropriate level of detail seems", "may be trying to achieve in terms of characters, plot, etc., in the", "values are explored, painful choices are made, all that is great. But it", "mind and show herself? The actions leading up to the meeting may be", "but that's just because of the examples I picked. My question applies more", "something, or do a little worldbuilding, or be described in a way that", "\"talking heads\". Rather, the story feels real when the shop is described, as", "in terms of the sort of \"content\" that you might put in an", "other qualities that make prose good, which you cannot plan for. Prose has", "enough. Answer 1: \"just do it\". Stop obsessing and make up some details,", "important ideas that are not the main purpose of the current scene, and", "actually only really care about what happens after the meeting, they may be", "needs to be enough detail to make the story feel real. However, I", "because of the examples I picked. My question applies more broadly. For example,", "be a chance encounter between two characters. They will have competing objectives, and", "a forest. There will be a chance encounter between two characters. They will", "heads\". Rather, the story feels real when the shop is described, as well", "to flesh out the world of the story and make it convincingly real.", "obsessing. (Did I say stop obsessing?) Answer 2: the details don't matter in", "make the story feel real. However, I find myself agonising over the seeming", "of the story, and make up details that seem to fit. But stop", "maybe it's just bad to try and make every single word meaningful in", "and sits down on that couch we just described, or looks into that", "to be a fundamental requirement for good prose. Whatever I may be trying", "trip over later during an action-heavy scene; or use a fabric for it", "that you might put in an outline, but there are other qualities that", "1: \"just do it\". Stop obsessing and make up some details, so as", "even, telling a story is not the same as writing an outline. There", "matter in terms of the sort of \"content\" that you might put in", "the same as writing an outline. There needs to be enough detail to", "details, so as to make the story feel real. It doesn't matter what", "describe the mirror may indicate how the PoV character is feeling, e.g. introspective,", "and a \"music\" to it, and is infused with attitude, emotion, atmosphere. It", "PoV character's frame of mind though its organisation. Not to mention that it", "on that couch we just described, or looks into that mirror--while what is", "over the seeming randomness of the information that I add to a sentence,", "with a large handbag--or a teenager, or... I have three possible answers to", "feel real. However, I find myself agonising over the seeming randomness of the", "and make up details that seem to fit. But stop obsessing. (Did I", "(Did I say stop obsessing?) Answer 2: the details don't matter in terms", "will often feel wrong to just have two \"talking heads\". Rather, the story", "described in a way that reflects how the PoV character is feeling. So", "it on the left side of the shop? Why are the cushions round?", "obsessing and make up some details, so as to make the story feel", "why is there a couch there at all? Why is the mirror on", "couch there at all? Why is the mirror on the wall, or on", "I have three possible answers to my own question (given next, in increasing", "unfair power dynamic between them. There will be values explored and choices made", "a teenager, or... I have three possible answers to my own question (given", "the world of the story and make it convincingly real. A working example...", "an outline. There needs to be enough detail to make the story feel", "And it's not just about describing the scene. How do the characters meet?", "other customers; the owner interacts with some of those other customers; we get", "a \"character development scene\" with no action and only dialogue or thoughts in", "in increasing order of sophistication [obsessiveness?]), but they don't feel enough. Answer 1:", "information that I add to a sentence, paragraph or scene, in order to", "real when the shop is described, as well as the products, the other", "that mirror--while what is actually important is the conversation she is having. But", "all that is great. But it will often feel wrong to just have", "up details that seem to fit. But stop obsessing. (Did I say stop", "it, and is infused with attitude, emotion, atmosphere. It can \"show\" a PoV", "the examples I picked. My question applies more broadly. For example, say I", "one surprise the other? Or does the PoV character hear the other from", "away? Does she try to hide, then change her mind and show herself?", "a fundamental requirement for good prose. Whatever I may be trying to achieve", "that seem to fit. But stop obsessing. (Did I say stop obsessing?) Answer", "not just about describing the scene. How do the characters meet? Does one", "let yourself follow the theme, or atmosphere, of the story, and make up", "just about describing the scene. How do the characters meet? Does one surprise", "as posted, it seems to focus too much on the sentence-level details, but", "not purple? Edit: re-reading my question as posted, it seems to focus too", "sits down on that couch we just described, or looks into that mirror--while", "reflects the protagonists' mood... Why* is it on the left side of the", "time. So whether the couch is brown or green may depend on whether", "emotion, atmosphere. It can \"show\" a PoV character's frame of mind though its", "I find myself agonising over the seeming randomness of the information that I", "the backstory; or make it as black as the PoV character's despair. But", "meeting to feel real, but if I actually only really care about what", "this principle to the \"details\" as well: every word can foreshadow something, or", "this scene. E.g., put in a couch that somebody will trip over later", "may be necessary for the chance meeting to feel real, but if I", "paragraph or scene, in order to flesh out the world of the story", "actual colours, fits in with the sound of that sentence. The metaphor used", "the sort of \"content\" that you might put in an outline, but there", "the \"details\" as well: every word can foreshadow something, or do a little", "scarce supply, and whose colour reflects the protagonists' mood... Why is it on", "the story and make it convincingly real. A working example... A Main Character", "colour reflects the protagonists' mood... Why is it on the left side of", "related to this environment, for instance she goes and sits down on that", "conversation she is having. But why is the couch brown? Or green? Or", "having. But why is the couch brown? Or green? Or why is there", "functions\". Basic example of the principle: we don't write an \"action scene\" with", "for. Prose has rhythm, and a \"music\" to it, and is infused with", "are the cushions round? Why is it a three-seater? Indeed, at some point,", "can I minimise the \"filler\" text that I end up writing when fleshing", "and the main character's actions are related to this environment, for instance she", "case, your intuition should make the details interesting--just let yourself follow the theme,", "encounters some other important character; character development happens, plot happens, motivations and values", "other from a mile away? Does she try to hide, then change her", "minimise the \"filler\" text that I end up writing when fleshing out a", "flesh out the details of this scene. E.g., put in a couch that", "details don't matter in terms of the sort of \"content\" that you might", "important character; character development happens, plot happens, motivations and values are explored, painful", "motivations and values are explored, painful choices are made, all that is great.", "made, all that is great. But it will often feel wrong to just", "of the principle: we don't write an \"action scene\" with nothing but action", "describing the scene. How do the characters meet? Does one surprise the other?", "question applies more broadly. For example, say I have a scene in a", "Stop obsessing and make up some details, so as to make the story", "Not to mention that it can do worldbuilding, one tiny detail at a", "you might put in an outline, but there are other qualities that make", "look like for the metaphor to actually describe it. Answer 3: one of", "make up some details, so as to make the story feel real. It", "to flesh out the details of this scene. E.g., put in a couch", "it\". Stop obsessing and make up some details, so as to make the", "couch that somebody will trip over later during an action-heavy scene; or use", "the actual colours, fits in with the sound of that sentence. The metaphor", "\"action scene\" with nothing but action in it, then a \"character development scene\"", "agonising over the seeming randomness of the information that I add to a", "stop obsessing. (Did I say stop obsessing?) Answer 2: the details don't matter", "to me to be a fundamental requirement for good prose. Whatever I may", "the couch is brown or green may depend on whether the sound \"brown\"", "character's frame of mind though its organisation. Not to mention that it can", "there will be an unfair power dynamic between them. There will be values", "try and make every single word meaningful in some way... But if so...", "may indicate how the PoV character is feeling, e.g. introspective, or full of", "plot happens, motivations and values are explored, painful choices are made, all that", "writing when fleshing out a scene with detail? An appropriate level of detail", "of my favourite \"principles\" is that \"every component of a story should have", "indicate how the PoV character is feeling, e.g. introspective, or full of self-loathing,", "or narcissistic--so start with the metaphor, and it does not matter what the", "be an unfair power dynamic between them. There will be values explored and", "is the couch brown? Or green? Or why is there a couch there", "There needs to be enough detail to make the story feel real. However,", "scene with detail? An appropriate level of detail seems to me to be", "that I add to a sentence, paragraph or scene, in order to flesh", "is actually important is the conversation she is having. But why is the", "feel real, but if I actually only really care about what happens after", "atmosphere. It can \"show\" a PoV character's frame of mind though its organisation.", "So whether the couch is brown or green may depend on whether the", "one tiny detail at a time. So whether the couch is brown or", "the main purpose of the current scene, and draw on them to flesh", "little worldbuilding, or be described in a way that reflects how the PoV", "2: the details don't matter in terms of the sort of \"content\" that", "make it as black as the PoV character's despair. But this couch, which", "this couch, which will be tripped over, which is made of a fabric", "the main character's actions are related to this environment, for instance she goes", "a couch there at all? Why is the mirror on the wall, or", "details of this scene. E.g., put in a couch that somebody will trip", "out the details of this scene. E.g., put in a couch that somebody", "the story feel real. It doesn't matter what they are, so don't worry", "you cannot plan for. Prose has rhythm, and a \"music\" to it, and", "atmosphere, of the story, and make up details that seem to fit. But", "make a list of important ideas that are not the main purpose of", "example, say I have a scene in a forest. There will be a", "the protagonists' mood... Why is it on the left side of the shop?", "what they are, so don't worry about it. And, in any case, your", "the couch brown? Or green? Or why is there a couch there at", "my own question (given next, in increasing order of sophistication [obsessiveness?]), but they", "[it is almost always better if] every scene does all of these things.", "as well: every word can foreshadow something, or do a little worldbuilding, or", "E.g., put in a couch that somebody will trip over later during an", "a couch that somebody will trip over later during an action-heavy scene; or", "make the story feel real. It doesn't matter what they are, so don't", "is the mirror on the wall, or on a stand? Why was the", "the story feel real. However, I find myself agonising over the seeming randomness", "mention that it can do worldbuilding, one tiny detail at a time. So", "just bad to try and make every single word meaningful in some way...", "the scene. How do the characters meet? Does one surprise the other? Or", "she goes and sits down on that couch we just described, or looks", "of self-loathing, or narcissistic--so start with the metaphor, and it does not matter", "mirror may indicate how the PoV character is feeling, e.g. introspective, or full", "cushions round? Why is it a three-seater? Indeed, at some point, maybe it's", "so as to make the story feel real. It doesn't matter what they", "green? Or why is there a couch there at all? Why is the", "is the forest on the side of a mountain? What specific trees and", "to actually describe it. Answer 3: one of my favourite \"principles\" is that", "made etc etc etc. But is the forest on the side of a", "plan for. Prose has rhythm, and a \"music\" to it, and is infused", "etc etc. But is the forest on the side of a mountain? What", "feel enough. Answer 1: \"just do it\". Stop obsessing and make up some", "self-loathing, or narcissistic--so start with the metaphor, and it does not matter what", "what the mirror has to look like for the metaphor to actually describe", "a time. So whether the couch is brown or green may depend on", "character is feeling, e.g. introspective, or full of self-loathing, or narcissistic--so start with", "or... I have three possible answers to my own question (given next, in", "seem to fit. But stop obsessing. (Did I say stop obsessing?) Answer 2:", "the mirror has to look like for the metaphor to actually describe it.", "might put in an outline, but there are other qualities that make prose", "overview of the space, and a few telling details too; and the main", "and it does not matter what the mirror has to look like for", "few telling details too; and the main character's actions are related to this", "\"filler\" text that I end up writing when fleshing out a scene with", "make up details that seem to fit. But stop obsessing. (Did I say", "do the characters meet? Does one surprise the other? Or does the PoV", "she is having. But why is the couch brown? Or green? Or why", "in order to flesh out the world of the story and make it", "attitude, emotion, atmosphere. It can \"show\" a PoV character's frame of mind though", "the side of a mountain? What specific trees and other plants are there?", "old lady with a large handbag--or a teenager, or... I have three possible", "large handbag--or a teenager, or... I have three possible answers to my own", "interacts with some of those other customers; we get an overview of the", "on the left side of the shop? Why are the cushions round? Why", "There will be values explored and choices made etc etc etc. But is", "no action and only dialogue or thoughts in it, then a \"plot advancement", "in it, then a \"plot advancement scene\", then an \"emotion scene\", etc.; rather", "principle: we don't write an \"action scene\" with nothing but action in it,", "couch brown? Or green? Or why is there a couch there at all?", "too; and the main character's actions are related to this environment, for instance", "forest on the side of a mountain? What specific trees and other plants", "and make it convincingly real. A working example... A Main Character walks into", "a sentence, paragraph or scene, in order to flesh out the world of", "e.g. introspective, or full of self-loathing, or narcissistic--so start with the metaphor, and", "the current scene, and draw on them to flesh out the details of", "a scene in a forest. There will be a chance encounter between two", "meet? Does one surprise the other? Or does the PoV character hear the", "wrong to just have two \"talking heads\". Rather, the story feels real when", "They will have competing objectives, and there will be an unfair power dynamic", "to feel real, but if I actually only really care about what happens", "story feels real when the shop is described, as well as the products,", "the other customers; the owner interacts with some of those other customers; we", "are there? And it's not just about describing the scene. How do the", "dynamic between them. There will be values explored and choices made etc etc", "a chance encounter between two characters. They will have competing objectives, and there", "other? Or does the PoV character hear the other from a mile away?", "sentence even, telling a story is not the same as writing an outline.", "requirement for good prose. Whatever I may be trying to achieve in terms", "telling details too; and the main character's actions are related to this environment,", "which is made of a fabric that is in scarce supply, and whose", "for the chance meeting to feel real, but if I actually only really", "this environment, for instance she goes and sits down on that couch we", "don't write an \"action scene\" with nothing but action in it, then a", "almost always better if] every scene does all of these things. Well, apply", "feel wrong to just have two \"talking heads\". Rather, the story feels real", "the other? Or does the PoV character hear the other from a mile", "and show herself? The actions leading up to the meeting may be necessary", "of important ideas that are not the main purpose of the current scene,", "actually important is the conversation she is having. But why is the couch", "over later during an action-heavy scene; or use a fabric for it that", "to hide, then change her mind and show herself? The actions leading up", "why is the couch brown? Or green? Or why is there a couch", "scene. E.g., put in a couch that somebody will trip over later during", "I may be trying to achieve in terms of characters, plot, etc., in", "\"brown\" or \"green\", irrespective of the actual colours, fits in with the sound", "them. There will be values explored and choices made etc etc etc. But", "seems to me to be a fundamental requirement for good prose. Whatever I", "or green may depend on whether the sound \"brown\" or \"green\", irrespective of", "a mountain? What specific trees and other plants are there? And it's not", "story and make it convincingly real. A working example... A Main Character walks", "details too; and the main character's actions are related to this environment, for", "purpose of the current scene, and draw on them to flesh out the", "and not purple? Edit: re-reading my question as posted, it seems to focus", "me to be a fundamental requirement for good prose. Whatever I may be", "a mile away? Does she try to hide, then change her mind and", "if I actually only really care about what happens after the meeting, they", "don't feel enough. Answer 1: \"just do it\". Stop obsessing and make up", "the PoV character is feeling, e.g. introspective, or full of self-loathing, or narcissistic--so", "down on that couch we just described, or looks into that mirror--while what", "the sound of that sentence. The metaphor used to describe the mirror may", "narcissistic--so start with the metaphor, and it does not matter what the mirror", "described, as well as the products, the other customers; the owner interacts with", "doesn't matter what they are, so don't worry about it. And, in any", "picked. My question applies more broadly. For example, say I have a scene", "there a couch there at all? Why is the mirror on the wall,", "well as the products, the other customers; the owner interacts with some of", "of the examples I picked. My question applies more broadly. For example, say", "they are, so don't worry about it. And, in any case, your intuition", "it's just bad to try and make every single word meaningful in some", "those other customers; we get an overview of the space, and a few", "when the shop is described, as well as the products, the other customers;", "looks into that mirror--while what is actually important is the conversation she is", "detail seems to me to be a fundamental requirement for good prose. Whatever", "if so... Why green and not purple? Edit: re-reading my question as posted,", "only really care about what happens after the meeting, they may be \"randomly", "of the space, and a few telling details too; and the main character's", "I minimise the \"filler\" text that I end up writing when fleshing out", "Or why is there a couch there at all? Why is the mirror", "matter what the mirror has to look like for the metaphor to actually", "order to flesh out the world of the story and make it convincingly", "is it a three-seater? Indeed, at some point, maybe it's just bad to", "some details, so as to make the story feel real. It doesn't matter", "environment, for instance she goes and sits down on that couch we just", "character development happens, plot happens, motivations and values are explored, painful choices are", "the other customer an old lady with a large handbag--or a teenager, or...", "in terms of characters, plot, etc., in the here-and-now of each paragraph, each", "sort of \"content\" that you might put in an outline, but there are", "green may depend on whether the sound \"brown\" or \"green\", irrespective of the", "to try and make every single word meaningful in some way... But if", "which you cannot plan for. Prose has rhythm, and a \"music\" to it,", "characters. They will have competing objectives, and there will be an unfair power", "herself? The actions leading up to the meeting may be necessary for the", "scene, and draw on them to flesh out the details of this scene.", "it seems to focus too much on the sentence-level details, but that's just", "is in scarce supply, and whose colour reflects the protagonists' mood... Why is", "some point, maybe it's just bad to try and make every single word", "whether the couch is brown or green may depend on whether the sound", "be described in a way that reflects how the PoV character is feeling.", "a PoV character's frame of mind though its organisation. Not to mention that", "or full of self-loathing, or narcissistic--so start with the metaphor, and it does", "prose good, which you cannot plan for. Prose has rhythm, and a \"music\"", "scene. How do the characters meet? Does one surprise the other? Or does", "it does not matter what the mirror has to look like for the", "scene\", then an \"emotion scene\", etc.; rather [it is almost always better if]", "that I end up writing when fleshing out a scene with detail?** An", "as black as the PoV character's despair. But this couch, which will be", "details interesting--just let yourself follow the theme, or atmosphere, of the story, and", "Answer 2: the details don't matter in terms of the sort of \"content\"", "list of important ideas that are not the main purpose of the current", "my question as posted, it seems to focus too much on the sentence-level", "between them. There will be values explored and choices made etc etc etc.", "in it, then a \"character development scene\" with no action and only dialogue", "short supply due to something important in the backstory; or make it as", "and there will be an unfair power dynamic between them. There will be", "development scene\" with no action and only dialogue or thoughts in it, then", "over, which is made of a fabric that is in scarce supply, and", "are made, all that is great. But it will often feel wrong to", "is feeling, e.g. introspective, or full of self-loathing, or narcissistic--so start with the", "power dynamic between them. There will be values explored and choices made etc", "reflects how the PoV character is feeling. So make a list of important", "there are other qualities that make prose good, which you cannot plan for.", "examples I picked. My question applies more broadly. For example, say I have", "the seeming randomness of the information that I add to a sentence, paragraph", "other customers; we get an overview of the space, and a few telling", "convincingly real. A working example... A Main Character walks into a shop, and", "about it. And, in any case, your intuition should make the details interesting--just", "but if I actually only really care about what happens after the meeting,", "current scene, and draw on them to flesh out the details of this", "good, which you cannot plan for. Prose has rhythm, and a \"music\" to", "products, the other customers; the owner interacts with some of those other customers;", "side of a mountain? What specific trees and other plants are there? And", "have three possible answers to my own question (given next, in increasing order", "change her mind and show herself? The actions leading up to the meeting", "teenager, or... I have three possible answers to my own question (given next,", "or make it as black as the PoV character's despair. But this couch,", "or scene, in order to flesh out the world of the story and", "find myself agonising over the seeming randomness of the information that I add", "them to flesh out the details of this scene. E.g., put in a", "to the meeting may be necessary for the chance meeting to feel real,", "is not the same as writing an outline. There needs to be enough", "terms of the sort of \"content\" that you might put in an outline,", "the shop is described, as well as the products, the other customers; the", "put in an outline, but there are other qualities that make prose good,", "left side of the shop? Why are the cushions round? Why is it", "the here-and-now of each paragraph, each sentence even, telling a story is not", "due to something important in the backstory; or make it as black as", "made of a fabric that is in scarce supply, and whose colour reflects", "of detail seems to me to be a fundamental requirement for good prose.", "component of a story should have multiple functions\". Basic example of the principle:", "\"just do it\". Stop obsessing and make up some details, so as to", "level of detail seems to me to be a fundamental requirement for good", "actions are related to this environment, for instance she goes and sits down", "and choices made etc etc etc. But is the forest on the side", "the metaphor to actually describe it. Answer 3: one of my favourite \"principles\"", "explored and choices made etc etc etc. But is the forest on the", "it that is in short supply due to something important in the backstory;", "the story feels real when the shop is described, as well as the", "main character's actions are related to this environment, for instance she goes and", "is that \"every component of a story should have multiple functions\". Basic example", "in any case, your intuition should make the details interesting--just let yourself follow", "that it can do worldbuilding, one tiny detail at a time. So whether", "whose colour reflects the protagonists' mood... Why is it on the left side", "It can \"show\" a PoV character's frame of mind though its organisation. Not", "For example, say I have a scene in a forest. There will be", "However, I find myself agonising over the seeming randomness of the information that", "wall, or on a stand? Why was the other customer an old lady", "on a stand? Why was the other customer an old lady with a", "can foreshadow something, or do a little worldbuilding, or be described in a", "the story, and make up details that seem to fit. But stop obsessing.", "we get an overview of the space, and a few telling details too;", "the space, and a few telling details too; and the main character's actions", "at a time. So whether the couch is brown or green may depend", "nothing but action in it, then a \"character development scene\" with no action", "word meaningful in some way... But if so... Why green and not purple?", "great. But it will often feel wrong to just have two \"talking heads\".", "to something important in the backstory; or make it as black as the", "PoV character is feeling, e.g. introspective, or full of self-loathing, or narcissistic--so start", "I say stop obsessing?) Answer 2: the details don't matter in terms of", "how the PoV character is feeling. So make a list of important ideas", "Edit: re-reading my question as posted, it seems to focus too much on", "I actually only really care about what happens after the meeting, they may", "it can do worldbuilding, one tiny detail at a time. So whether the", "during an action-heavy scene; or use a fabric for it that is in", "couch, which will be tripped over, which is made of a fabric that", "intuition should make the details interesting--just let yourself follow the theme, or atmosphere,", "feel real. It doesn't matter what they are, so don't worry about it.", "outline. There needs to be enough detail to make the story feel real.", "is brown or green may depend on whether the sound \"brown\" or \"green\",", "colours, fits in with the sound of that sentence. The metaphor used to", "so don't worry about it. And, in any case, your intuition should make", "all? Why is the mirror on the wall, or on a stand? Why", "is the conversation she is having. But why is the couch brown? Or", "favourite \"principles\" is that \"every component of a story should have multiple functions\".", "later during an action-heavy scene; or use a fabric for it that is", "does the PoV character hear the other from a mile away? Does she", "really care about what happens after the meeting, they may be \"randomly choosable", "shop is described, as well as the products, the other customers; the owner", "is in short supply due to something important in the backstory; or make", "the conversation she is having. But why is the couch brown? Or green?", "scene\" with no action and only dialogue or thoughts in it, then a", "how the PoV character is feeling, e.g. introspective, or full of self-loathing, or", "action in it, then a \"character development scene\" with no action and only", "working example... A Main Character walks into a shop, and by coincidence encounters", "of a story should have multiple functions\". Basic example of the principle: we", "in a way that reflects how the PoV character is feeling. So make", "myself agonising over the seeming randomness of the information that I add to", "be enough detail to make the story feel real. However, I find myself", "Main Character walks into a shop, and by coincidence encounters some other important", "your intuition should make the details interesting--just let yourself follow the theme, or", "three-seater? Indeed, at some point, maybe it's just bad to try and make", "two \"talking heads\". Rather, the story feels real when the shop is described,", "It doesn't matter what they are, so don't worry about it. And, in", "re-reading my question as posted, it seems to focus too much on the", "some of those other customers; we get an overview of the space, and", "in an outline, but there are other qualities that make prose good, which", "example of the principle: we don't write an \"action scene\" with nothing but", "real, but if I actually only really care about what happens after the", "apply this principle to the \"details\" as well: every word can foreshadow something,", "add to a sentence, paragraph or scene, in order to flesh out the", "supply, and whose colour reflects the protagonists' mood... Why* is it on the", "up to the meeting may be necessary for the chance meeting to feel", "or on a stand? Why was the other customer an old lady with", "any case, your intuition should make the details interesting--just let yourself follow the", "these things. Well, apply this principle to the \"details\" as well: every word", "of characters, plot, etc., in the here-and-now of each paragraph, each sentence even,", "story should have multiple functions\". Basic example of the principle: we don't write", "chance encounter between two characters. They will have competing objectives, and there will", "or \"green\", irrespective of the actual colours, fits in with the sound of", "brown or green may depend on whether the sound \"brown\" or \"green\", irrespective", "not matter what the mirror has to look like for the metaphor to", "or do a little worldbuilding, or be described in a way that reflects", "it's not just about describing the scene. How do the characters meet? Does", "Why was the other customer an old lady with a large handbag--or a", "but they don't feel enough. Answer 1: \"just do it\". Stop obsessing and", "are other qualities that make prose good, which you cannot plan for. Prose", "The metaphor used to describe the mirror may indicate how the PoV character", "can do worldbuilding, one tiny detail at a time. So whether the couch", "How do the characters meet? Does one surprise the other? Or does the", "on the side of a mountain? What specific trees and other plants are", "I have a scene in a forest. There will be a chance encounter", "it will often feel wrong to just have two \"talking heads\". Rather, the", "that somebody will trip over later during an action-heavy scene; or use a", "cannot plan for. Prose has rhythm, and a \"music\" to it, and is", "on them to flesh out the details of this scene. E.g., put in", "forest. There will be a chance encounter between two characters. They will have", "black as the PoV character's despair. But this couch, which will be tripped", "characters meet? Does one surprise the other? Or does the PoV character hear", "\"music\" to it, and is infused with attitude, emotion, atmosphere. It can \"show\"", "scene\" with nothing but action in it, then a \"character development scene\" with", "Why is it a three-seater? Indeed, at some point, maybe it's just bad", "fit. But stop obsessing. (Did I say stop obsessing?) Answer 2: the details", "in a forest. There will be a chance encounter between two characters. They", "real. A working example... A Main Character walks into a shop, and by", "is great. But it will often feel wrong to just have two \"talking", "with the metaphor, and it does not matter what the mirror has to", "customer an old lady with a large handbag--or a teenager, or... I have", "that's just because of the examples I picked. My question applies more broadly.", "actually describe it. Answer 3: one of my favourite \"principles\" is that \"every", "to be enough detail to make the story feel real. However, I find", "the details of this scene. E.g., put in a couch that somebody will", "real. However, I find myself agonising over the seeming randomness of the information", "a fabric for it that is in short supply due to something important", "does not matter what the mirror has to look like for the metaphor", "well: every word can foreshadow something, or do a little worldbuilding, or be", "feeling. So make a list of important ideas that are not the main", "it as black as the PoV character's despair. But this couch, which will", "bad to try and make every single word meaningful in some way... But", "a story is not the same as writing an outline. There needs to", "an outline, but there are other qualities that make prose good, which you", "mile away? Does she try to hide, then change her mind and show", "though its organisation. Not to mention that it can do worldbuilding, one tiny", "the details don't matter in terms of the sort of \"content\" that you", "fleshing out a scene with detail?** An appropriate level of detail seems to", "purple? Edit: re-reading my question as posted, it seems to focus too much", "just because of the examples I picked. My question applies more broadly. For", "the wall, or on a stand? Why was the other customer an old", "\"character development scene\" with no action and only dialogue or thoughts in it,", "the sound \"brown\" or \"green\", irrespective of the actual colours, fits in with", "the meeting may be necessary for the chance meeting to feel real, but", "ideas that are not* the main purpose of the current scene, and draw", "some way... But if so... Why green and not purple? *Edit: re-reading my", "metaphor, and it does not matter what the mirror has to look like", "scene, in order to flesh out the world of the story and make", "with attitude, emotion, atmosphere. It can \"show\" a PoV character's frame of mind", "an \"action scene\" with nothing but action in it, then a \"character development", "it convincingly real. A working example... A Main Character walks into a shop,", "somebody will trip over later during an action-heavy scene; or use a fabric", "each paragraph, each sentence even, telling a story is not the same as" ]
[ "am translating a book. The book contains footnotes, numbered in sequence. But, I", "in sequence. But, I also feel the need to add the occasional \"translator's", "I have two simultaneous sequences of footnotes? For example, suppose I am translating", "Inspired by [this](https://writing.stackexchange.com/q/48121/14704) question, a more complex question: how can I have two", "place to discuss whether should be adding those.) Those notes would be in", "how can I have two simultaneous sequences of footnotes? For example, suppose I", "the place to discuss whether should be adding those.) Those notes would be", "the occasional \"translator's note\". (This is not the place to discuss whether should", "to discuss whether should be adding those.) Those notes would be in footnotes", "can this be done? The platforms that are of interest to me are", "whether should be adding those.) Those notes would be in footnotes too, and", "I am translating a book. The book contains footnotes, numbered in sequence. But,", "original footnotes. How can this be done? The platforms that are of interest", "of footnotes? For example, suppose I am translating a book. The book contains", "should be adding those.) Those notes would be in footnotes too, and their", "and their numbering needs to be separate from the original footnotes. How can", "more complex question: how can I have two simultaneous sequences of footnotes? For", "book. The book contains footnotes, numbered in sequence. But, I also feel the", "contains footnotes, numbered in sequence. But, I also feel the need to add", "those.) Those notes would be in footnotes too, and their numbering needs to", "footnotes? For example, suppose I am translating a book. The book contains footnotes,", "two simultaneous sequences of footnotes? For example, suppose I am translating a book.", "The book contains footnotes, numbered in sequence. But, I also feel the need", "book contains footnotes, numbered in sequence. But, I also feel the need to", "the original footnotes. How can this be done? The platforms that are of", "would be in footnotes too, and their numbering needs to be separate from", "sequence. But, I also feel the need to add the occasional \"translator's note\".", "is not the place to discuss whether should be adding those.) Those notes", "footnotes. How can this be done? The platforms that are of interest to", "translating a book. The book contains footnotes, numbered in sequence. But, I also", "can I have two simultaneous sequences of footnotes? For example, suppose I am", "simultaneous sequences of footnotes? For example, suppose I am translating a book. The", "their numbering needs to be separate from the original footnotes. How can this", "notes would be in footnotes too, and their numbering needs to be separate", "done? The platforms that are of interest to me are Microsoft Word and", "The platforms that are of interest to me are Microsoft Word and LibreOffice.", "a more complex question: how can I have two simultaneous sequences of footnotes?", "question: how can I have two simultaneous sequences of footnotes? For example, suppose", "question, a more complex question: how can I have two simultaneous sequences of", "\"translator's note\". (This is not the place to discuss whether should be adding", "to be separate from the original footnotes. How can this be done? The", "be in footnotes too, and their numbering needs to be separate from the", "But, I also feel the need to add the occasional \"translator's note\". (This", "sequences of footnotes? For example, suppose I am translating a book. The book", "How can this be done? The platforms that are of interest to me", "numbered in sequence. But, I also feel the need to add the occasional", "complex question: how can I have two simultaneous sequences of footnotes? For example,", "from the original footnotes. How can this be done? The platforms that are", "suppose I am translating a book. The book contains footnotes, numbered in sequence.", "numbering needs to be separate from the original footnotes. How can this be", "be done? The platforms that are of interest to me are Microsoft Word", "example, suppose I am translating a book. The book contains footnotes, numbered in", "[this](https://writing.stackexchange.com/q/48121/14704) question, a more complex question: how can I have two simultaneous sequences", "Those notes would be in footnotes too, and their numbering needs to be", "the need to add the occasional \"translator's note\". (This is not the place", "footnotes, numbered in sequence. But, I also feel the need to add the", "(This is not the place to discuss whether should be adding those.) Those", "adding those.) Those notes would be in footnotes too, and their numbering needs", "need to add the occasional \"translator's note\". (This is not the place to", "this be done? The platforms that are of interest to me are Microsoft", "discuss whether should be adding those.) Those notes would be in footnotes too,", "in footnotes too, and their numbering needs to be separate from the original", "be separate from the original footnotes. How can this be done? The platforms", "separate from the original footnotes. How can this be done? The platforms that", "not the place to discuss whether should be adding those.) Those notes would", "have two simultaneous sequences of footnotes? For example, suppose I am translating a", "too, and their numbering needs to be separate from the original footnotes. How", "a book. The book contains footnotes, numbered in sequence. But, I also feel", "feel the need to add the occasional \"translator's note\". (This is not the", "to add the occasional \"translator's note\". (This is not the place to discuss", "needs to be separate from the original footnotes. How can this be done?", "note\". (This is not the place to discuss whether should be adding those.)", "I also feel the need to add the occasional \"translator's note\". (This is", "footnotes too, and their numbering needs to be separate from the original footnotes.", "occasional \"translator's note\". (This is not the place to discuss whether should be", "add the occasional \"translator's note\". (This is not the place to discuss whether", "For example, suppose I am translating a book. The book contains footnotes, numbered", "by [this](https://writing.stackexchange.com/q/48121/14704) question, a more complex question: how can I have two simultaneous", "also feel the need to add the occasional \"translator's note\". (This is not", "be adding those.) Those notes would be in footnotes too, and their numbering" ]
[ "thought I was reading\"? I just want some advice for introducing dark themes", "murder and some rather gruesome deaths. Additionally, there might be accidents involving dangerous", "into a story that isn't overly dark? My story has these dark themes,", "of darkness or death, without completely turning them off and having them say", "important moments. Otherwise, the characters go about their everyday business. I'm four chapters", "\"this isn't what I thought I was reading\"? I just want some advice", "the beginning and they only happen during serious and important moments. Otherwise, the", "and they only happen during serious and important moments. Otherwise, the characters go", "death, without completely turning them off and having them say \"this isn't what", "at the beginning and they only happen during serious and important moments. Otherwise,", "themes to an otherwise normal story. For example, Hijrp Potfeq gradually got darker", "these dark themes, but not at the beginning and they only happen during", "And even just the first book didn't have darker themes until Hagrid mentioned", "turning them off and having them say \"this isn't what I thought I", "animals, magical artifacts, etc. How do I transition dark themes into a story", "themes, but not at the beginning and they only happen during serious and", "gruesome deaths. Additionally, there might be accidents involving dangerous animals, magical artifacts, etc.", "How can I transition the reader into themes of darkness or death, without", "an otherwise normal story. For example, Hijrp Potfeq gradually got darker and darker", "can I transition the reader into themes of darkness or death, without completely", "a story that isn't overly dark? My story has these dark themes, but", "was reading\"? I just want some advice for introducing dark themes to an", "or death, without completely turning them off and having them say \"this isn't", "and some rather gruesome deaths. Additionally, there might be accidents involving dangerous animals,", "My story involves a superhuman organization that aims to overthrow the main government,", "for introducing dark themes to an otherwise normal story. For example, Hijrp Potfeq", "necessary. This involves murder and some rather gruesome deaths. Additionally, there might be", "business. I'm four chapters in and nothing dark has happened. How can I", "not at the beginning and they only happen during serious and important moments.", "beginning and they only happen during serious and important moments. Otherwise, the characters", "I'm four chapters in and nothing dark has happened. How can I transition", "without completely turning them off and having them say \"this isn't what I", "to an otherwise normal story. For example, Hijrp Potfeq gradually got darker and", "dark themes, but not at the beginning and they only happen during serious", "chapters in and nothing dark has happened. How can I transition the reader", "even just the first book didn't have darker themes until Hagrid mentioned Voldemort", "that aims to overthrow the main government, through any means necessary. This involves", "This involves murder and some rather gruesome deaths. Additionally, there might be accidents", "For example, Hijrp Potfeq gradually got darker and darker as the series went", "rather gruesome deaths. Additionally, there might be accidents involving dangerous animals, magical artifacts,", "a superhuman organization that aims to overthrow the main government, through any means", "organization that aims to overthrow the main government, through any means necessary. This", "gradually got darker and darker as the series went on. And even just", "just the first book didn't have darker themes until Hagrid mentioned Voldemort for", "their everyday business. I'm four chapters in and nothing dark has happened. How", "I just want some advice for introducing dark themes to an otherwise normal", "advice for introducing dark themes to an otherwise normal story. For example, Hijrp", "series went on. And even just the first book didn't have darker themes", "they only happen during serious and important moments. Otherwise, the characters go about", "Otherwise, the characters go about their everyday business. I'm four chapters in and", "just want some advice for introducing dark themes to an otherwise normal story.", "darker as the series went on. And even just the first book didn't", "about their everyday business. I'm four chapters in and nothing dark has happened.", "went on. And even just the first book didn't have darker themes until", "etc. How do I transition dark themes into a story that isn't overly", "into themes of darkness or death, without completely turning them off and having", "isn't what I thought I was reading\"? I just want some advice for", "magical artifacts, etc. How do I transition dark themes into a story that", "has happened. How can I transition the reader into themes of darkness or", "involving dangerous animals, magical artifacts, etc. How do I transition dark themes into", "them say \"this isn't what I thought I was reading\"? I just want", "happen during serious and important moments. Otherwise, the characters go about their everyday", "the series went on. And even just the first book didn't have darker", "Hijrp Potfeq gradually got darker and darker as the series went on. And", "transition dark themes into a story that isn't overly dark? My story has", "reader into themes of darkness or death, without completely turning them off and", "themes of darkness or death, without completely turning them off and having them", "might be accidents involving dangerous animals, magical artifacts, etc. How do I transition", "themes into a story that isn't overly dark? My story has these dark", "overly dark? My story has these dark themes, but not at the beginning", "say \"this isn't what I thought I was reading\"? I just want some", "main government, through any means necessary. This involves murder and some rather gruesome", "what I thought I was reading\"? I just want some advice for introducing", "I transition the reader into themes of darkness or death, without completely turning", "characters go about their everyday business. I'm four chapters in and nothing dark", "only happen during serious and important moments. Otherwise, the characters go about their", "How do I transition dark themes into a story that isn't overly dark?", "completely turning them off and having them say \"this isn't what I thought", "and important moments. Otherwise, the characters go about their everyday business. I'm four", "be accidents involving dangerous animals, magical artifacts, etc. How do I transition dark", "happened. How can I transition the reader into themes of darkness or death,", "want some advice for introducing dark themes to an otherwise normal story. For", "example, Hijrp Potfeq gradually got darker and darker as the series went on.", "story has these dark themes, but not at the beginning and they only", "I thought I was reading\"? I just want some advice for introducing dark", "and darker as the series went on. And even just the first book", "involves a superhuman organization that aims to overthrow the main government, through any", "dark themes into a story that isn't overly dark? My story has these", "accidents involving dangerous animals, magical artifacts, etc. How do I transition dark themes", "everyday business. I'm four chapters in and nothing dark has happened. How can", "through any means necessary. This involves murder and some rather gruesome deaths. Additionally,", "story involves a superhuman organization that aims to overthrow the main government, through", "has these dark themes, but not at the beginning and they only happen", "I was reading\"? I just want some advice for introducing dark themes to", "involves murder and some rather gruesome deaths. Additionally, there might be accidents involving", "normal story. For example, Hijrp Potfeq gradually got darker and darker as the", "there might be accidents involving dangerous animals, magical artifacts, etc. How do I", "story that isn't overly dark? My story has these dark themes, but not", "introducing dark themes to an otherwise normal story. For example, Hijrp Potfeq gradually", "moments. Otherwise, the characters go about their everyday business. I'm four chapters in", "go about their everyday business. I'm four chapters in and nothing dark has", "government, through any means necessary. This involves murder and some rather gruesome deaths.", "any means necessary. This involves murder and some rather gruesome deaths. Additionally, there", "as the series went on. And even just the first book didn't have", "off and having them say \"this isn't what I thought I was reading\"?", "them off and having them say \"this isn't what I thought I was", "superhuman organization that aims to overthrow the main government, through any means necessary.", "to overthrow the main government, through any means necessary. This involves murder and", "transition the reader into themes of darkness or death, without completely turning them", "first book didn't have darker themes until Hagrid mentioned Voldemort for the first", "in and nothing dark has happened. How can I transition the reader into", "means necessary. This involves murder and some rather gruesome deaths. Additionally, there might", "story. For example, Hijrp Potfeq gradually got darker and darker as the series", "nothing dark has happened. How can I transition the reader into themes of", "four chapters in and nothing dark has happened. How can I transition the", "Additionally, there might be accidents involving dangerous animals, magical artifacts, etc. How do", "artifacts, etc. How do I transition dark themes into a story that isn't", "and having them say \"this isn't what I thought I was reading\"? I", "but not at the beginning and they only happen during serious and important", "deaths. Additionally, there might be accidents involving dangerous animals, magical artifacts, etc. How", "otherwise normal story. For example, Hijrp Potfeq gradually got darker and darker as", "some rather gruesome deaths. Additionally, there might be accidents involving dangerous animals, magical", "aims to overthrow the main government, through any means necessary. This involves murder", "Potfeq gradually got darker and darker as the series went on. And even", "dangerous animals, magical artifacts, etc. How do I transition dark themes into a", "during serious and important moments. Otherwise, the characters go about their everyday business.", "book didn't have darker themes until Hagrid mentioned Voldemort for the first time.", "some advice for introducing dark themes to an otherwise normal story. For example,", "the characters go about their everyday business. I'm four chapters in and nothing", "dark? My story has these dark themes, but not at the beginning and", "dark has happened. How can I transition the reader into themes of darkness", "dark themes to an otherwise normal story. For example, Hijrp Potfeq gradually got", "overthrow the main government, through any means necessary. This involves murder and some", "having them say \"this isn't what I thought I was reading\"? I just", "that isn't overly dark? My story has these dark themes, but not at", "do I transition dark themes into a story that isn't overly dark? My", "reading\"? I just want some advice for introducing dark themes to an otherwise", "I transition dark themes into a story that isn't overly dark? My story", "got darker and darker as the series went on. And even just the", "the reader into themes of darkness or death, without completely turning them off", "darkness or death, without completely turning them off and having them say \"this", "isn't overly dark? My story has these dark themes, but not at the", "the first book didn't have darker themes until Hagrid mentioned Voldemort for the", "serious and important moments. Otherwise, the characters go about their everyday business. I'm", "the main government, through any means necessary. This involves murder and some rather", "on. And even just the first book didn't have darker themes until Hagrid", "My story has these dark themes, but not at the beginning and they", "darker and darker as the series went on. And even just the first", "and nothing dark has happened. How can I transition the reader into themes" ]
[ "that will be published both as e-book and as paperback. In return, the", "team working their on their pages. These all look genuine to me. So", "I am confused, what parameters does a writer have to keep in mind", "x Rupees to them. I checked out their social media pages and I", "an identical title: This question is in no means duplicate of [this](https://writing.stackexchange.com/questions/14660/how-to-correctly-identify-publisher?rq=1) question.", "have to keep in mind to identify if a publisher is genuine, and", "and novellas that will be published both as e-book and as paperback. In", "media that invite novice writers to contribute their original writings for their upcoming", "been various ads running on social media that invite novice writers to contribute", "running on social media that invite novice writers to contribute their original writings", "are kinda startups in this field, I could see their address, contact number,", "see their address, contact number, as well as photograph of the team working", "have been various ads running on social media that invite novice writers to", "paperback. In return, the writers would get the e-certificate. Each submission is to", "all look genuine to me. So I am confused, what parameters does a", "kinda startups in this field, I could see their address, contact number, as", "writers would get the e-certificate. Each submission is to be done with some", "could see their address, contact number, as well as photograph of the team", "mind to identify if a publisher is genuine, and not fake? Follow up", "and as paperback. In return, the writers would get the e-certificate. Each submission", "some x Rupees to them. I checked out their social media pages and", "identify if a publisher is genuine, and not fake? Follow up [question #2](https://writing.stackexchange.com/q/48156/22084)", "me. So I am confused, what parameters does a writer have to keep", "local area, there have been various ads running on social media that invite", "In my local area, there have been various ads running on social media", "area, there have been various ads running on social media that invite novice", "the writers would get the e-certificate. Each submission is to be done with", "return, the writers would get the e-certificate. Each submission is to be done", "field, I could see their address, contact number, as well as photograph of", "found that these publishers are kinda startups in this field, I could see", "them. I checked out their social media pages and I found that these", "my local area, there have been various ads running on social media that", "no means duplicate of [this](https://writing.stackexchange.com/questions/14660/how-to-correctly-identify-publisher?rq=1) question. In my local area, there have been", "to contribute their original writings for their upcoming anthologies, books, and novellas that", "and I found that these publishers are kinda startups in this field, I", "for their upcoming anthologies, books, and novellas that will be published both as", "will be published both as e-book and as paperback. In return, the writers", "novellas that will be published both as e-book and as paperback. In return,", "to identify if a publisher is genuine, and not fake? Follow up [question", "I found that these publishers are kinda startups in this field, I could", "the e-certificate. Each submission is to be done with some x Rupees to", "is to be done with some x Rupees to them. I checked out", "as paperback. In return, the writers would get the e-certificate. Each submission is", "their pages. These all look genuine to me. So I am confused, what", "question is in no means duplicate of [this](https://writing.stackexchange.com/questions/14660/how-to-correctly-identify-publisher?rq=1) question. In my local area,", "there have been various ads running on social media that invite novice writers", "keep in mind to identify if a publisher is genuine, and not fake?", "their address, contact number, as well as photograph of the team working their", "I checked out their social media pages and I found that these publishers", "look genuine to me. So I am confused, what parameters does a writer", "genuine to me. So I am confused, what parameters does a writer have", "this field, I could see their address, contact number, as well as photograph", "e-certificate. Each submission is to be done with some x Rupees to them.", "of [this](https://writing.stackexchange.com/questions/14660/how-to-correctly-identify-publisher?rq=1) question. In my local area, there have been various ads running", "be published both as e-book and as paperback. In return, the writers would", "parameters does a writer have to keep in mind to identify if a", "to them. I checked out their social media pages and I found that", "I could see their address, contact number, as well as photograph of the", "writings for their upcoming anthologies, books, and novellas that will be published both", "Each submission is to be done with some x Rupees to them. I", "title: This question is in no means duplicate of [this](https://writing.stackexchange.com/questions/14660/how-to-correctly-identify-publisher?rq=1) question. In my", "ads running on social media that invite novice writers to contribute their original", "on their pages. These all look genuine to me. So I am confused,", "question. In my local area, there have been various ads running on social", "their upcoming anthologies, books, and novellas that will be published both as e-book", "done with some x Rupees to them. I checked out their social media", "a writer have to keep in mind to identify if a publisher is", "does a writer have to keep in mind to identify if a publisher", "get the e-certificate. Each submission is to be done with some x Rupees", "these publishers are kinda startups in this field, I could see their address,", "anthologies, books, and novellas that will be published both as e-book and as", "published both as e-book and as paperback. In return, the writers would get", "pages and I found that these publishers are kinda startups in this field,", "would get the e-certificate. Each submission is to be done with some x", "books, and novellas that will be published both as e-book and as paperback.", "out their social media pages and I found that these publishers are kinda", "as e-book and as paperback. In return, the writers would get the e-certificate.", "in this field, I could see their address, contact number, as well as", "means duplicate of [this](https://writing.stackexchange.com/questions/14660/how-to-correctly-identify-publisher?rq=1) question. In my local area, there have been various", "duplicate of [this](https://writing.stackexchange.com/questions/14660/how-to-correctly-identify-publisher?rq=1) question. In my local area, there have been various ads", "This question is in no means duplicate of [this](https://writing.stackexchange.com/questions/14660/how-to-correctly-identify-publisher?rq=1) question. In my local", "as photograph of the team working their on their pages. These all look", "photograph of the team working their on their pages. These all look genuine", "upcoming anthologies, books, and novellas that will be published both as e-book and", "startups in this field, I could see their address, contact number, as well", "In return, the writers would get the e-certificate. Each submission is to be", "that these publishers are kinda startups in this field, I could see their", "their original writings for their upcoming anthologies, books, and novellas that will be", "contact number, as well as photograph of the team working their on their", "submission is to be done with some x Rupees to them. I checked", "media pages and I found that these publishers are kinda startups in this", "in mind to identify if a publisher is genuine, and not fake? Follow", "[this](https://writing.stackexchange.com/questions/14660/how-to-correctly-identify-publisher?rq=1) question. In my local area, there have been various ads running on", "e-book and as paperback. In return, the writers would get the e-certificate. Each", "of the team working their on their pages. These all look genuine to", "identical title: This question is in no means duplicate of [this](https://writing.stackexchange.com/questions/14660/how-to-correctly-identify-publisher?rq=1) question. In", "their on their pages. These all look genuine to me. So I am", "to me. So I am confused, what parameters does a writer have to", "social media pages and I found that these publishers are kinda startups in", "Despite an identical title: This question is in no means duplicate of [this](https://writing.stackexchange.com/questions/14660/how-to-correctly-identify-publisher?rq=1)", "number, as well as photograph of the team working their on their pages.", "am confused, what parameters does a writer have to keep in mind to", "publishers are kinda startups in this field, I could see their address, contact", "what parameters does a writer have to keep in mind to identify if", "with some x Rupees to them. I checked out their social media pages", "on social media that invite novice writers to contribute their original writings for", "writers to contribute their original writings for their upcoming anthologies, books, and novellas", "various ads running on social media that invite novice writers to contribute their", "to keep in mind to identify if a publisher is genuine, and not", "So I am confused, what parameters does a writer have to keep in", "their social media pages and I found that these publishers are kinda startups", "novice writers to contribute their original writings for their upcoming anthologies, books, and", "contribute their original writings for their upcoming anthologies, books, and novellas that will", "checked out their social media pages and I found that these publishers are", "to be done with some x Rupees to them. I checked out their", "as well as photograph of the team working their on their pages. These", "is in no means duplicate of [this](https://writing.stackexchange.com/questions/14660/how-to-correctly-identify-publisher?rq=1) question. In my local area, there", "invite novice writers to contribute their original writings for their upcoming anthologies, books,", "in no means duplicate of [this](https://writing.stackexchange.com/questions/14660/how-to-correctly-identify-publisher?rq=1) question. In my local area, there have", "working their on their pages. These all look genuine to me. So I", "both as e-book and as paperback. In return, the writers would get the", "social media that invite novice writers to contribute their original writings for their", "be done with some x Rupees to them. I checked out their social", "address, contact number, as well as photograph of the team working their on", "writer have to keep in mind to identify if a publisher is genuine,", "pages. These all look genuine to me. So I am confused, what parameters", "original writings for their upcoming anthologies, books, and novellas that will be published", "confused, what parameters does a writer have to keep in mind to identify", "well as photograph of the team working their on their pages. These all", "the team working their on their pages. These all look genuine to me.", "These all look genuine to me. So I am confused, what parameters does", "Rupees to them. I checked out their social media pages and I found", "that invite novice writers to contribute their original writings for their upcoming anthologies," ]
[ "of a dilemma. I'm writing a novel and I'm struggling with the decision", "world where she's the only survivor and the challenges that she has to", "tell the tale. I need to create the feeling of utter loneliness. What", "If I write it in third person it suggests that someone else survived", "but this specific novel centres around a woman finding herself trapped in a", "and the challenges that she has to face because of it. If I", "I'm struggling with the decision of whether I should use first or third", "I write it in third person it suggests that someone else survived to", "the challenges that she has to face because of it. If I write", "the tale. I need to create the feeling of utter loneliness. What are", "whether I should use first or third person. I prefer third person, also", "of it. If I write it in third person it suggests that someone", "the decision of whether I should use first or third person. I prefer", "sitting with a bit of a dilemma. I'm writing a novel and I'm", "survivor and the challenges that she has to face because of it. If", "she's the only survivor and the challenges that she has to face because", "only survivor and the challenges that she has to face because of it.", "novel centres around a woman finding herself trapped in a world where she's", "person, but this specific novel centres around a woman finding herself trapped in", "need to create the feeling of utter loneliness. What are your opinions on", "woman finding herself trapped in a world where she's the only survivor and", "to face because of it. If I write it in third person it", "tale. I need to create the feeling of utter loneliness. What are your", "prefer to read novels written in third person, but this specific novel centres", "she has to face because of it. If I write it in third", "novels written in third person, but this specific novel centres around a woman", "first or third person. I prefer third person, also prefer to read novels", "a dilemma. I'm writing a novel and I'm struggling with the decision of", "I should use first or third person. I prefer third person, also prefer", "that someone else survived to tell the tale. I need to create the", "I need to create the feeling of utter loneliness. What are your opinions", "and I'm struggling with the decision of whether I should use first or", "in third person, but this specific novel centres around a woman finding herself", "dilemma. I'm writing a novel and I'm struggling with the decision of whether", "specific novel centres around a woman finding herself trapped in a world where", "because of it. If I write it in third person it suggests that", "where she's the only survivor and the challenges that she has to face", "person. I prefer third person, also prefer to read novels written in third", "to create the feeling of utter loneliness. What are your opinions on the", "person it suggests that someone else survived to tell the tale. I need", "centres around a woman finding herself trapped in a world where she's the", "around a woman finding herself trapped in a world where she's the only", "prefer third person, also prefer to read novels written in third person, but", "survived to tell the tale. I need to create the feeling of utter", "trapped in a world where she's the only survivor and the challenges that", "a world where she's the only survivor and the challenges that she has", "suggests that someone else survived to tell the tale. I need to create", "third person, also prefer to read novels written in third person, but this", "a novel and I'm struggling with the decision of whether I should use", "write it in third person it suggests that someone else survived to tell", "to read novels written in third person, but this specific novel centres around", "third person it suggests that someone else survived to tell the tale. I", "or third person. I prefer third person, also prefer to read novels written", "herself trapped in a world where she's the only survivor and the challenges", "challenges that she has to face because of it. If I write it", "a bit of a dilemma. I'm writing a novel and I'm struggling with", "writing a novel and I'm struggling with the decision of whether I should", "I'm sitting with a bit of a dilemma. I'm writing a novel and", "person, also prefer to read novels written in third person, but this specific", "with the decision of whether I should use first or third person. I", "someone else survived to tell the tale. I need to create the feeling", "it suggests that someone else survived to tell the tale. I need to", "I prefer third person, also prefer to read novels written in third person,", "a woman finding herself trapped in a world where she's the only survivor", "of whether I should use first or third person. I prefer third person,", "this specific novel centres around a woman finding herself trapped in a world", "in a world where she's the only survivor and the challenges that she", "novel and I'm struggling with the decision of whether I should use first", "that she has to face because of it. If I write it in", "bit of a dilemma. I'm writing a novel and I'm struggling with the", "the only survivor and the challenges that she has to face because of", "it. If I write it in third person it suggests that someone else", "it in third person it suggests that someone else survived to tell the", "written in third person, but this specific novel centres around a woman finding", "should use first or third person. I prefer third person, also prefer to", "read novels written in third person, but this specific novel centres around a", "finding herself trapped in a world where she's the only survivor and the", "third person. I prefer third person, also prefer to read novels written in", "to tell the tale. I need to create the feeling of utter loneliness.", "also prefer to read novels written in third person, but this specific novel", "has to face because of it. If I write it in third person", "struggling with the decision of whether I should use first or third person.", "decision of whether I should use first or third person. I prefer third", "in third person it suggests that someone else survived to tell the tale.", "else survived to tell the tale. I need to create the feeling of", "third person, but this specific novel centres around a woman finding herself trapped", "face because of it. If I write it in third person it suggests", "I'm writing a novel and I'm struggling with the decision of whether I", "use first or third person. I prefer third person, also prefer to read", "with a bit of a dilemma. I'm writing a novel and I'm struggling", "create the feeling of utter loneliness. What are your opinions on the matter?" ]
[ "In the stories I read about egg laying humanoids, the main character is", "view. In the stories I read about egg laying humanoids, the main character", "from Earth. So they can easily compare the humanoid race to humans and", "third person view. In the stories I read about egg laying humanoids, the", "they can easily compare the humanoid race to humans and can give the", "characters are humanoids, who look like elves, but with different skin, eye, and", "How can I prevent my readers from misunderstanding my race to be bird-like", "race to be bird-like creatures? I would like to avoid a boring introduction", "avoid a boring introduction paragraph. The story is in third person view. In", "eggs rather than give birth to children. How can I prevent my readers", "prevent my readers from misunderstanding my race to be bird-like creatures? I would", "humanoids, who look like elves, but with different skin, eye, and hair colours.", "easily compare the humanoid race to humans and can give the reader a", "with different skin, eye, and hair colours. They lay eggs rather than give", "no visits to Earth. My characters are humanoids, who look like elves, but", "humans and can give the reader a better picture. But in my story,", "creatures? I would like to avoid a boring introduction paragraph. The story is", "are humanoids, who look like elves, but with different skin, eye, and hair", "person view. In the stories I read about egg laying humanoids, the main", "writing a extra-terrestrial high fantasy novel. The story is completely set in an", "would like to avoid a boring introduction paragraph. The story is in third", "No visits from Earth and no visits to Earth. My characters are humanoids,", "Earth. So they can easily compare the humanoid race to humans and can", "eye, and hair colours. They lay eggs rather than give birth to children.", "reader a better picture. But in my story, all the characters belong to", "to children. How can I prevent my readers from misunderstanding my race to", "novel. The story is completely set in an alien world. No visits from", "skin, eye, and hair colours. They lay eggs rather than give birth to", "all the characters belong to the same race. So when one character sees", "to avoid a boring introduction paragraph. The story is in third person view.", "world. No visits from Earth and no visits to Earth. My characters are", "characters belong to the same race. So when one character sees another, describing", "rather than give birth to children. How can I prevent my readers from", "my story, all the characters belong to the same race. So when one", "and no visits to Earth. My characters are humanoids, who look like elves,", "and hair colours. They lay eggs rather than give birth to children. How", "be bird-like creatures? I would like to avoid a boring introduction paragraph. The", "I read about egg laying humanoids, the main character is from Earth. So", "hair colours. They lay eggs rather than give birth to children. How can", "can give the reader a better picture. But in my story, all the", "Earth. My characters are humanoids, who look like elves, but with different skin,", "birth to children. How can I prevent my readers from misunderstanding my race", "from Earth and no visits to Earth. My characters are humanoids, who look", "different skin, eye, and hair colours. They lay eggs rather than give birth", "can I prevent my readers from misunderstanding my race to be bird-like creatures?", "can easily compare the humanoid race to humans and can give the reader", "a boring introduction paragraph. The story is in third person view. In the", "I am writing a extra-terrestrial high fantasy novel. The story is completely set", "alien world. No visits from Earth and no visits to Earth. My characters", "who look like elves, but with different skin, eye, and hair colours. They", "to the same race. So when one character sees another, describing the basic", "I prevent my readers from misunderstanding my race to be bird-like creatures? I", "extra-terrestrial high fantasy novel. The story is completely set in an alien world.", "My characters are humanoids, who look like elves, but with different skin, eye,", "So when one character sees another, describing the basic structure seem a bit", "They lay eggs rather than give birth to children. How can I prevent", "the stories I read about egg laying humanoids, the main character is from", "children. How can I prevent my readers from misunderstanding my race to be", "main character is from Earth. So they can easily compare the humanoid race", "Earth and no visits to Earth. My characters are humanoids, who look like", "readers from misunderstanding my race to be bird-like creatures? I would like to", "the same race. So when one character sees another, describing the basic structure", "same race. So when one character sees another, describing the basic structure seem", "visits to Earth. My characters are humanoids, who look like elves, but with", "completely set in an alien world. No visits from Earth and no visits", "misunderstanding my race to be bird-like creatures? I would like to avoid a", "story is completely set in an alien world. No visits from Earth and", "from misunderstanding my race to be bird-like creatures? I would like to avoid", "is in third person view. In the stories I read about egg laying", "compare the humanoid race to humans and can give the reader a better", "boring introduction paragraph. The story is in third person view. In the stories", "colours. They lay eggs rather than give birth to children. How can I", "like to avoid a boring introduction paragraph. The story is in third person", "a better picture. But in my story, all the characters belong to the", "but with different skin, eye, and hair colours. They lay eggs rather than", "in an alien world. No visits from Earth and no visits to Earth.", "better picture. But in my story, all the characters belong to the same", "about egg laying humanoids, the main character is from Earth. So they can", "egg laying humanoids, the main character is from Earth. So they can easily", "when one character sees another, describing the basic structure seem a bit odd.", "in third person view. In the stories I read about egg laying humanoids,", "race to humans and can give the reader a better picture. But in", "lay eggs rather than give birth to children. How can I prevent my", "humanoid race to humans and can give the reader a better picture. But", "But in my story, all the characters belong to the same race. So", "introduction paragraph. The story is in third person view. In the stories I", "humanoids, the main character is from Earth. So they can easily compare the", "set in an alien world. No visits from Earth and no visits to", "The story is completely set in an alien world. No visits from Earth", "stories I read about egg laying humanoids, the main character is from Earth.", "character is from Earth. So they can easily compare the humanoid race to", "to Earth. My characters are humanoids, who look like elves, but with different", "give birth to children. How can I prevent my readers from misunderstanding my", "in my story, all the characters belong to the same race. So when", "an alien world. No visits from Earth and no visits to Earth. My", "than give birth to children. How can I prevent my readers from misunderstanding", "I would like to avoid a boring introduction paragraph. The story is in", "to be bird-like creatures? I would like to avoid a boring introduction paragraph.", "give the reader a better picture. But in my story, all the characters", "my readers from misunderstanding my race to be bird-like creatures? I would like", "my race to be bird-like creatures? I would like to avoid a boring", "a extra-terrestrial high fantasy novel. The story is completely set in an alien", "laying humanoids, the main character is from Earth. So they can easily compare", "story, all the characters belong to the same race. So when one character", "look like elves, but with different skin, eye, and hair colours. They lay", "paragraph. The story is in third person view. In the stories I read", "the main character is from Earth. So they can easily compare the humanoid", "The story is in third person view. In the stories I read about", "story is in third person view. In the stories I read about egg", "elves, but with different skin, eye, and hair colours. They lay eggs rather", "visits from Earth and no visits to Earth. My characters are humanoids, who", "like elves, but with different skin, eye, and hair colours. They lay eggs", "race. So when one character sees another, describing the basic structure seem a", "fantasy novel. The story is completely set in an alien world. No visits", "picture. But in my story, all the characters belong to the same race.", "is from Earth. So they can easily compare the humanoid race to humans", "the characters belong to the same race. So when one character sees another,", "the humanoid race to humans and can give the reader a better picture.", "to humans and can give the reader a better picture. But in my", "So they can easily compare the humanoid race to humans and can give", "and can give the reader a better picture. But in my story, all", "the reader a better picture. But in my story, all the characters belong", "high fantasy novel. The story is completely set in an alien world. No", "is completely set in an alien world. No visits from Earth and no", "am writing a extra-terrestrial high fantasy novel. The story is completely set in", "belong to the same race. So when one character sees another, describing the", "read about egg laying humanoids, the main character is from Earth. So they", "bird-like creatures? I would like to avoid a boring introduction paragraph. The story" ]
[ "this is not doable. Are there any charts that may aid in documenting", "to the point where we are ready for documentation. This documentation will be", "guess looking at something like a bootstraps website is a good start but", "and it has grown to the point where we are ready for documentation.", "to share knowledge. I am concerned with how to do the documentation for", "used by other developers to share knowledge. I am concerned with how to", "descriptions. My co-worker suggested a Word document with sections and a feature matrix.", "it has grown to the point where we are ready for documentation. This", "charts that may aid in documenting the features? Edit: Custom Software Framework for", "find anything in particular on documenting features, I guess looking at something like", "the documentation for the features and descriptions. My co-worker suggested a Word document", "bootstraps website is a good start but creating a website for this is", "the features? Edit: Custom Software Framework for building Web Applications. The framework is", "that may aid in documenting the features? Edit: Custom Software Framework for building", "to find an alternative. What have you used in the past, good and", "where we are ready for documentation. This documentation will be used by other", "by other developers to share knowledge. I am concerned with how to do", "Custom Software Framework for building Web Applications. The framework is built using C#", "for the features and descriptions. My co-worker suggested a Word document with sections", "website is a good start but creating a website for this is not", "parts? I couldn't find anything in particular on documenting features, I guess looking", "any charts that may aid in documenting the features? Edit: Custom Software Framework", "and descriptions. My co-worker suggested a Word document with sections and a feature", "has grown to the point where we are ready for documentation. This documentation", "I guess looking at something like a bootstraps website is a good start", "doable. Are there any charts that may aid in documenting the features? Edit:", "document with sections and a feature matrix. I am not too keen on", "aid in documenting the features? Edit: Custom Software Framework for building Web Applications.", "documentation. This documentation will be used by other developers to share knowledge. I", "features, I guess looking at something like a bootstraps website is a good", "at something like a bootstraps website is a good start but creating a", "am concerned with how to do the documentation for the features and descriptions.", "Edit: Custom Software Framework for building Web Applications. The framework is built using", "not doable. Are there any charts that may aid in documenting the features?", "website for this is not doable. Are there any charts that may aid", "My co-worker suggested a Word document with sections and a feature matrix. I", "Are there any charts that may aid in documenting the features? Edit: Custom", "developers to share knowledge. I am concerned with how to do the documentation", "a good start but creating a website for this is not doable. Are", "and a feature matrix. I am not too keen on that and would", "on that and would like to find an alternative. What have you used", "documenting the features? Edit: Custom Software Framework for building Web Applications. The framework", "the point where we are ready for documentation. This documentation will be used", "other developers to share knowledge. I am concerned with how to do the", "looking at something like a bootstraps website is a good start but creating", "in documenting the features? Edit: Custom Software Framework for building Web Applications. The", "couldn't find anything in particular on documenting features, I guess looking at something", "co-worker suggested a Word document with sections and a feature matrix. I am", "with how to do the documentation for the features and descriptions. My co-worker", "but creating a website for this is not doable. Are there any charts", "am not too keen on that and would like to find an alternative.", "is not doable. Are there any charts that may aid in documenting the", "there any charts that may aid in documenting the features? Edit: Custom Software", "for this is not doable. Are there any charts that may aid in", "like to find an alternative. What have you used in the past, good", "that and would like to find an alternative. What have you used in", "features? Edit: Custom Software Framework for building Web Applications. The framework is built", "a feature matrix. I am not too keen on that and would like", "Word document with sections and a feature matrix. I am not too keen", "What have you used in the past, good and bad parts? I couldn't", "with sections and a feature matrix. I am not too keen on that", "a custom software framework and it has grown to the point where we", "for documentation. This documentation will be used by other developers to share knowledge.", "I am concerned with how to do the documentation for the features and", "we are ready for documentation. This documentation will be used by other developers", "Framework for building Web Applications. The framework is built using C# + .Net...", "the features and descriptions. My co-worker suggested a Word document with sections and", "suggested a Word document with sections and a feature matrix. I am not", "creating a website for this is not doable. Are there any charts that", "be used by other developers to share knowledge. I am concerned with how", "start but creating a website for this is not doable. Are there any", "feature matrix. I am not too keen on that and would like to", "and would like to find an alternative. What have you used in the", "framework and it has grown to the point where we are ready for", "software framework and it has grown to the point where we are ready", "do the documentation for the features and descriptions. My co-worker suggested a Word", "on documenting features, I guess looking at something like a bootstraps website is", "too keen on that and would like to find an alternative. What have", "documentation for the features and descriptions. My co-worker suggested a Word document with", "sections and a feature matrix. I am not too keen on that and", "would like to find an alternative. What have you used in the past,", "bad parts? I couldn't find anything in particular on documenting features, I guess", "like a bootstraps website is a good start but creating a website for", "anything in particular on documenting features, I guess looking at something like a", "written a custom software framework and it has grown to the point where", "have written a custom software framework and it has grown to the point", "and bad parts? I couldn't find anything in particular on documenting features, I", "something like a bootstraps website is a good start but creating a website", "knowledge. I am concerned with how to do the documentation for the features", "grown to the point where we are ready for documentation. This documentation will", "Software Framework for building Web Applications. The framework is built using C# +", "is a good start but creating a website for this is not doable.", "concerned with how to do the documentation for the features and descriptions. My", "an alternative. What have you used in the past, good and bad parts?", "We have written a custom software framework and it has grown to the", "point where we are ready for documentation. This documentation will be used by", "are ready for documentation. This documentation will be used by other developers to", "ready for documentation. This documentation will be used by other developers to share", "a Word document with sections and a feature matrix. I am not too", "find an alternative. What have you used in the past, good and bad", "past, good and bad parts? I couldn't find anything in particular on documenting", "good and bad parts? I couldn't find anything in particular on documenting features,", "This documentation will be used by other developers to share knowledge. I am", "custom software framework and it has grown to the point where we are", "used in the past, good and bad parts? I couldn't find anything in", "how to do the documentation for the features and descriptions. My co-worker suggested", "share knowledge. I am concerned with how to do the documentation for the", "I couldn't find anything in particular on documenting features, I guess looking at", "I am not too keen on that and would like to find an", "documenting features, I guess looking at something like a bootstraps website is a", "a website for this is not doable. Are there any charts that may", "to do the documentation for the features and descriptions. My co-worker suggested a", "you used in the past, good and bad parts? I couldn't find anything", "alternative. What have you used in the past, good and bad parts? I", "a bootstraps website is a good start but creating a website for this", "keen on that and would like to find an alternative. What have you", "not too keen on that and would like to find an alternative. What", "good start but creating a website for this is not doable. Are there", "matrix. I am not too keen on that and would like to find", "features and descriptions. My co-worker suggested a Word document with sections and a", "the past, good and bad parts? I couldn't find anything in particular on", "may aid in documenting the features? Edit: Custom Software Framework for building Web", "in the past, good and bad parts? I couldn't find anything in particular", "in particular on documenting features, I guess looking at something like a bootstraps", "have you used in the past, good and bad parts? I couldn't find", "particular on documenting features, I guess looking at something like a bootstraps website", "documentation will be used by other developers to share knowledge. I am concerned", "will be used by other developers to share knowledge. I am concerned with" ]
[ "The flaw is overcome at the end of the second act, while the", "want that deep lie to convey the true theme—\"moral imperative\"—but it won't make", "second flaw contributes to more direct tension perfectly, it's too weak to be", "to more direct tension perfectly, it's too weak to be the true core", "deep unconscious lie and the conscious flaw contribute to defeating the antagonist; the", "connected (they developed from the same event). The flaw is overcome at the", "external plot. This subconsciously motivates the character to leave a safe home and", "lives with a deep lie that causes internal conflict and pain throughout the", "subconsciously motivates the character to leave a safe home and is somewhat prevalent", "it basically cannot fuel any struggle to the external plot. This subconsciously motivates", "imperative\"—but it won't make protagonist fail in action. While the second flaw contributes", "that double lie in one arc work? Or it is just too convoluted", "arc work? Or it is just too convoluted and confusing to the reader?", "I want that deep lie to convey the true theme—\"moral imperative\"—but it won't", "and the conscious flaw contribute to defeating the antagonist; the protagonist cannot accomplish", "climax. Both the deep unconscious lie and the conscious flaw contribute to defeating", "flaw to the same protagonist (that is more like a wound but also", "can be seen as second lie) that causes external things to fail and", "the story but it basically cannot fuel any struggle to the external plot.", "lie to convey the true theme—\"moral imperative\"—but it won't make protagonist fail in", "leave a safe home and is somewhat prevalent later on. I also introduced", "convoluted and confusing to the reader? I want that deep lie to convey", "as second lie) that causes external things to fail and makes things harder.", "both connected (they developed from the same event). The flaw is overcome at", "causes internal conflict and pain throughout the story but it basically cannot fuel", "harder. They are both connected (they developed from the same event). The flaw", "While the second flaw contributes to more direct tension perfectly, it's too weak", "deep lie to convey the true theme—\"moral imperative\"—but it won't make protagonist fail", "truths. Can that double lie in one arc work? Or it is just", "the protagonist cannot accomplish that without learning both truths. Can that double lie", "in one arc work? Or it is just too convoluted and confusing to", "things harder. They are both connected (they developed from the same event). The", "cannot accomplish that without learning both truths. Can that double lie in one", "contribute to defeating the antagonist; the protagonist cannot accomplish that without learning both", "defeating the antagonist; the protagonist cannot accomplish that without learning both truths. Can", "is somewhat prevalent later on. I also introduced a flaw to the same", "overcome in the climax. Both the deep unconscious lie and the conscious flaw", "learning both truths. Can that double lie in one arc work? Or it", "deep lie that causes internal conflict and pain throughout the story but it", "to the same protagonist (that is more like a wound but also can", "the external plot. This subconsciously motivates the character to leave a safe home", "that without learning both truths. Can that double lie in one arc work?", "on. I also introduced a flaw to the same protagonist (that is more", "the reader? I want that deep lie to convey the true theme—\"moral imperative\"—but", "any struggle to the external plot. This subconsciously motivates the character to leave", "and makes things harder. They are both connected (they developed from the same", "from the same event). The flaw is overcome at the end of the", "event). The flaw is overcome at the end of the second act, while", "are both connected (they developed from the same event). The flaw is overcome", "work? Or it is just too convoluted and confusing to the reader? I", "is just too convoluted and confusing to the reader? I want that deep", "act, while the lie is overcome in the climax. Both the deep unconscious", "the climax. Both the deep unconscious lie and the conscious flaw contribute to", "basically cannot fuel any struggle to the external plot. This subconsciously motivates the", "to the external plot. This subconsciously motivates the character to leave a safe", "struggle to the external plot. This subconsciously motivates the character to leave a", "to the reader? I want that deep lie to convey the true theme—\"moral", "true theme—\"moral imperative\"—but it won't make protagonist fail in action. While the second", "fuel any struggle to the external plot. This subconsciously motivates the character to", "later on. I also introduced a flaw to the same protagonist (that is", "story but it basically cannot fuel any struggle to the external plot. This", "it is just too convoluted and confusing to the reader? I want that", "Both the deep unconscious lie and the conscious flaw contribute to defeating the", "prevalent later on. I also introduced a flaw to the same protagonist (that", "Or it is just too convoluted and confusing to the reader? I want", "protagonist fail in action. While the second flaw contributes to more direct tension", "plot. This subconsciously motivates the character to leave a safe home and is", "the deep unconscious lie and the conscious flaw contribute to defeating the antagonist;", "in the climax. Both the deep unconscious lie and the conscious flaw contribute", "the antagonist; the protagonist cannot accomplish that without learning both truths. Can that", "causes external things to fail and makes things harder. They are both connected", "the same event). The flaw is overcome at the end of the second", "flaw is overcome at the end of the second act, while the lie", "it won't make protagonist fail in action. While the second flaw contributes to", "with a deep lie that causes internal conflict and pain throughout the story", "more direct tension perfectly, it's too weak to be the true core of", "safe home and is somewhat prevalent later on. I also introduced a flaw", "wound but also can be seen as second lie) that causes external things", "to convey the true theme—\"moral imperative\"—but it won't make protagonist fail in action.", "double lie in one arc work? Or it is just too convoluted and", "conflict and pain throughout the story but it basically cannot fuel any struggle", "motivates the character to leave a safe home and is somewhat prevalent later", "be seen as second lie) that causes external things to fail and makes", "end of the second act, while the lie is overcome in the climax.", "but also can be seen as second lie) that causes external things to", "overcome at the end of the second act, while the lie is overcome", "is more like a wound but also can be seen as second lie)", "things to fail and makes things harder. They are both connected (they developed", "a safe home and is somewhat prevalent later on. I also introduced a", "seen as second lie) that causes external things to fail and makes things", "like a wound but also can be seen as second lie) that causes", "also introduced a flaw to the same protagonist (that is more like a", "a wound but also can be seen as second lie) that causes external", "developed from the same event). The flaw is overcome at the end of", "to leave a safe home and is somewhat prevalent later on. I also", "This subconsciously motivates the character to leave a safe home and is somewhat", "also can be seen as second lie) that causes external things to fail", "the second act, while the lie is overcome in the climax. Both the", "lie in one arc work? Or it is just too convoluted and confusing", "conscious flaw contribute to defeating the antagonist; the protagonist cannot accomplish that without", "external things to fail and makes things harder. They are both connected (they", "somewhat prevalent later on. 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Or it is just too convoluted and confusing to the", "that deep lie to convey the true theme—\"moral imperative\"—but it won't make protagonist", "second act, while the lie is overcome in the climax. Both the deep", "protagonist lives with a deep lie that causes internal conflict and pain throughout", "action. While the second flaw contributes to more direct tension perfectly, it's too", "confusing to the reader? I want that deep lie to convey the true", "to defeating the antagonist; the protagonist cannot accomplish that without learning both truths.", "unconscious lie and the conscious flaw contribute to defeating the antagonist; the protagonist", "make protagonist fail in action. While the second flaw contributes to more direct", "the same protagonist (that is more like a wound but also can be", "in action. While the second flaw contributes to more direct tension perfectly, it's", "cannot fuel any struggle to the external plot. This subconsciously motivates the character", "and pain throughout the story but it basically cannot fuel any struggle to", "same protagonist (that is more like a wound but also can be seen", "accomplish that without learning both truths. Can that double lie in one arc", "protagonist cannot accomplish that without learning both truths. Can that double lie in", "more like a wound but also can be seen as second lie) that", "lie) that causes external things to fail and makes things harder. They are", "internal conflict and pain throughout the story but it basically cannot fuel any", "contributes to more direct tension perfectly, it's too weak to be the true", "flaw contributes to more direct tension perfectly, it's too weak to be the", "introduced a flaw to the same protagonist (that is more like a wound", "same event). The flaw is overcome at the end of the second act,", "is overcome in the climax. Both the deep unconscious lie and the conscious", "(that is more like a wound but also can be seen as second", "of the second act, while the lie is overcome in the climax. Both", "but it basically cannot fuel any struggle to the external plot. This subconsciously", "to fail and makes things harder. They are both connected (they developed from", "direct tension perfectly, it's too weak to be the true core of the", "and is somewhat prevalent later on. I also introduced a flaw to the", "flaw contribute to defeating the antagonist; the protagonist cannot accomplish that without learning", "(they developed from the same event). The flaw is overcome at the end", "convey the true theme—\"moral imperative\"—but it won't make protagonist fail in action. While", "makes things harder. They are both connected (they developed from the same event).", "both truths. Can that double lie in one arc work? Or it is", "the end of the second act, while the lie is overcome in the", "antagonist; the protagonist cannot accomplish that without learning both truths. Can that double", "a deep lie that causes internal conflict and pain throughout the story but", "lie and the conscious flaw contribute to defeating the antagonist; the protagonist cannot", "They are both connected (they developed from the same event). The flaw is", "at the end of the second act, while the lie is overcome in", "won't make protagonist fail in action. While the second flaw contributes to more", "the conscious flaw contribute to defeating the antagonist; the protagonist cannot accomplish that", "reader? I want that deep lie to convey the true theme—\"moral imperative\"—but it", "fail in action. While the second flaw contributes to more direct tension perfectly,", "just too convoluted and confusing to the reader? I want that deep lie", "fail and makes things harder. They are both connected (they developed from the", "protagonist (that is more like a wound but also can be seen as", "pain throughout the story but it basically cannot fuel any struggle to the", "that causes external things to fail and makes things harder. They are both", "the true theme—\"moral imperative\"—but it won't make protagonist fail in action. While the", "second lie) that causes external things to fail and makes things harder. They", "the character to leave a safe home and is somewhat prevalent later on.", "that causes internal conflict and pain throughout the story but it basically cannot", "too convoluted and confusing to the reader? I want that deep lie to", "a flaw to the same protagonist (that is more like a wound but", "the lie is overcome in the climax. Both the deep unconscious lie and", "theme—\"moral imperative\"—but it won't make protagonist fail in action. While the second flaw", "and confusing to the reader? I want that deep lie to convey the", "while the lie is overcome in the climax. Both the deep unconscious lie", "Can that double lie in one arc work? Or it is just too" ]
[ "the same, say 15 years from now. Is Matte finish a good option", "15 years from now. Is Matte finish a good option or something a", "The website is asking me to select the quality of paper. I would", "book to remain more or less the same, say 15 years from now.", "Matte finish a good option or something a bit less expensive can also", "something a bit less expensive can also be an option? Also, any opinion", "years from now. Is Matte finish a good option or something a bit", "option? Also, any opinion on the weight of the paper to be used", "a bit less expensive can also be an option? Also, any opinion on", "less expensive can also be an option? Also, any opinion on the weight", "for printing and subsequent courier. The website is asking me to select the", "to select the quality of paper. I would like the book to remain", "from now. Is Matte finish a good option or something a bit less", "an option? Also, any opinion on the weight of the paper to be", "good option or something a bit less expensive can also be an option?", "courier. The website is asking me to select the quality of paper. I", "on the weight of the paper to be used would be really useful.", "any opinion on the weight of the paper to be used would be", "a website for printing and subsequent courier. The website is asking me to", "I am submitting to a website for printing and subsequent courier. The website", "weight of the paper to be used would be really useful. Thanks a", "the book to remain more or less the same, say 15 years from", "prized e-book which I am submitting to a website for printing and subsequent", "and subsequent courier. The website is asking me to select the quality of", "select the quality of paper. I would like the book to remain more", "have a prized e-book which I am submitting to a website for printing", "or something a bit less expensive can also be an option? Also, any", "asking me to select the quality of paper. I would like the book", "the weight of the paper to be used would be really useful. Thanks", "is asking me to select the quality of paper. I would like the", "more or less the same, say 15 years from now. Is Matte finish", "finish a good option or something a bit less expensive can also be", "less the same, say 15 years from now. Is Matte finish a good", "am submitting to a website for printing and subsequent courier. The website is", "opinion on the weight of the paper to be used would be really", "Is Matte finish a good option or something a bit less expensive can", "or less the same, say 15 years from now. Is Matte finish a", "like the book to remain more or less the same, say 15 years", "Also, any opinion on the weight of the paper to be used would", "to remain more or less the same, say 15 years from now. Is", "bit less expensive can also be an option? Also, any opinion on the", "printing and subsequent courier. The website is asking me to select the quality", "expensive can also be an option? Also, any opinion on the weight of", "a prized e-book which I am submitting to a website for printing and", "submitting to a website for printing and subsequent courier. The website is asking", "be an option? Also, any opinion on the weight of the paper to", "of the paper to be used would be really useful. Thanks a lot.", "say 15 years from now. Is Matte finish a good option or something", "now. Is Matte finish a good option or something a bit less expensive", "website for printing and subsequent courier. The website is asking me to select", "quality of paper. I would like the book to remain more or less", "also be an option? Also, any opinion on the weight of the paper", "the quality of paper. I would like the book to remain more or", "same, say 15 years from now. Is Matte finish a good option or", "e-book which I am submitting to a website for printing and subsequent courier.", "paper. I would like the book to remain more or less the same,", "to a website for printing and subsequent courier. The website is asking me", "a good option or something a bit less expensive can also be an", "I have a prized e-book which I am submitting to a website for", "remain more or less the same, say 15 years from now. Is Matte", "option or something a bit less expensive can also be an option? Also,", "website is asking me to select the quality of paper. I would like", "can also be an option? Also, any opinion on the weight of the", "of paper. I would like the book to remain more or less the", "would like the book to remain more or less the same, say 15", "I would like the book to remain more or less the same, say", "which I am submitting to a website for printing and subsequent courier. The", "subsequent courier. The website is asking me to select the quality of paper.", "me to select the quality of paper. I would like the book to" ]
[ "made of. 7. Write to please just one person. If you open a", "guide, a reminder to \"have the end in mind\", or whether writing your", "Every character should want something, even if it is only a glass of", "a total stranger in such a way that he or she will not", "2. Give the reader at least one character he or she can root", "how to write a good story 1. Use the time of a total", "even if it is only a glass of water. 4. Every sentence must", "the time of a total stranger in such a way that he or", "start on the last sentence if needed... or a paragraph... etc. I wonder", "to be a guide, a reminder to \"have the end in mind\", or", "he or she can root for. 3. Every character should want something, even", "or she can root for. 3. Every character should want something, even if", "Every sentence must do one of two things — reveal character or advance", "Write to please just one person. If you open a window and make", "is going on, where and why, that they could finish the story themselves,", "of two things — reveal character or advance the action. 5. Start as", "character should want something, even if it is only a glass of water.", "characters, make awful things happen to them-in order that the reader may see", "few pages. Most are very self-explanatory. I don't know how to deal with", "character or advance the action. 5. Start as close to the end as", "way that he or she will not feel the time was wasted. 2.", "you open a window and make love to the world, so to speak,", "No matter how sweet and innocent your leading characters, make awful things happen", "feel the time was wasted. 2. Give the reader at least one character", "water. 4. Every sentence must do one of two things — reveal character", "And how do I know what constitutes \"as possible\"... I could probably start", "how to deal with number 5 though, > > Start as close to", "story themselves, should cockroaches eat the last few pages. Most are very self-explanatory.", "she can root for. 3. Every character should want something, even if it", "If you open a window and make love to the world, so to", "are very self-explanatory. I don't know how to deal with number 5 though,", "make awful things happen to them-in order that the reader may see what", "advance the action. 5. Start as close to the end as possible. 6.", "things happen to them-in order that the reader may see what they are", "in such a way that he or she will not feel the time", "want something, even if it is only a glass of water. 4. Every", "window and make love to the world, so to speak, your story will", "just meant to be a guide, a reminder to \"have the end in", "a guide, a reminder to \"have the end in mind\", or whether writing", "know how to deal with number 5 though, > > Start as close", "What does he mean by this? What is this hoping to achieve/make easier", "such complete understanding of what is going on, where and why, that they", "Vonnegut has 8 tips on how to write a good story 1. Use", "story from the end backwards is actually better. Does anyone have any insights", "constitutes \"as possible\"... I could probably start on the last sentence if needed...", "just one person. If you open a window and make love to the", "as close to the end as possible > > > What does he", "possible > > > What does he mean by this? What is this", "stranger in such a way that he or she will not feel the", "\"as possible\"... I could probably start on the last sentence if needed... or", "wonder if the tip is just meant to be a guide, a reminder", "Sadist. No matter how sweet and innocent your leading characters, make awful things", "as soon as possible. To hell with suspense. Readers should have such complete", "at least one character he or she can root for. 3. Every character", "was wasted. 2. Give the reader at least one character he or she", "have such complete understanding of what is going on, where and why, that", "end in mind\", or whether writing your story from the end backwards is", "in mind\", or whether writing your story from the end backwards is actually", "one character he or she can root for. 3. Every character should want", "— reveal character or advance the action. 5. Start as close to the", "and innocent your leading characters, make awful things happen to them-in order that", "pneumonia. 8. Give your readers as much information as possible as soon as", "good story 1. Use the time of a total stranger in such a", "your story will get pneumonia. 8. Give your readers as much information as", "with suspense. Readers should have such complete understanding of what is going on,", "I don't know how to deal with number 5 though, > > Start", "to deal with number 5 though, > > Start as close to the", "leading characters, make awful things happen to them-in order that the reader may", "possible. 6. Be a Sadist. No matter how sweet and innocent your leading", "this hoping to achieve/make easier for the writer? And how do I know", "the time was wasted. 2. Give the reader at least one character he", "open a window and make love to the world, so to speak, your", "to achieve/make easier for the writer? And how do I know what constitutes", "reader at least one character he or she can root for. 3. Every", "glass of water. 4. Every sentence must do one of two things —", "the story themselves, should cockroaches eat the last few pages. Most are very", "can root for. 3. Every character should want something, even if it is", "What is this hoping to achieve/make easier for the writer? And how do", "last sentence if needed... or a paragraph... etc. I wonder if the tip", "your story from the end backwards is actually better. Does anyone have any", "for. 3. Every character should want something, even if it is only a", "what they are made of. 7. Write to please just one person. If", "to write a good story 1. Use the time of a total stranger", "much information as possible as soon as possible. To hell with suspense. Readers", "she will not feel the time was wasted. 2. Give the reader at", "possible as soon as possible. To hell with suspense. Readers should have such", "total stranger in such a way that he or she will not feel", "meant to be a guide, a reminder to \"have the end in mind\",", "a good story 1. Use the time of a total stranger in such", "will not feel the time was wasted. 2. Give the reader at least", "easier for the writer? And how do I know what constitutes \"as possible\"...", "sweet and innocent your leading characters, make awful things happen to them-in order", "character he or she can root for. 3. Every character should want something,", "1. Use the time of a total stranger in such a way that", "least one character he or she can root for. 3. Every character should", "though, > > Start as close to the end as possible > >", "write a good story 1. Use the time of a total stranger in", "and make love to the world, so to speak, your story will get", "a way that he or she will not feel the time was wasted.", "of. 7. Write to please just one person. If you open a window", "Start as close to the end as possible > > > What does", "hoping to achieve/make easier for the writer? And how do I know what", "could probably start on the last sentence if needed... or a paragraph... etc.", "to please just one person. If you open a window and make love", "as possible as soon as possible. To hell with suspense. Readers should have", "whether writing your story from the end backwards is actually better. Does anyone", "is just meant to be a guide, a reminder to \"have the end", "the reader at least one character he or she can root for. 3.", "going on, where and why, that they could finish the story themselves, should", "tips on how to write a good story 1. Use the time of", "that he or she will not feel the time was wasted. 2. Give", "and why, that they could finish the story themselves, should cockroaches eat the", "if the tip is just meant to be a guide, a reminder to", "> Start as close to the end as possible > > > What", "it is only a glass of water. 4. Every sentence must do one", "one person. If you open a window and make love to the world,", "don't know how to deal with number 5 though, > > Start as", "by this? What is this hoping to achieve/make easier for the writer? And", "4. Every sentence must do one of two things — reveal character or", "one of two things — reveal character or advance the action. 5. Start", "end as possible. 6. Be a Sadist. No matter how sweet and innocent", "should want something, even if it is only a glass of water. 4.", "a Sadist. No matter how sweet and innocent your leading characters, make awful", "be a guide, a reminder to \"have the end in mind\", or whether", "complete understanding of what is going on, where and why, that they could", "8. Give your readers as much information as possible as soon as possible.", "story will get pneumonia. 8. Give your readers as much information as possible", "where and why, that they could finish the story themselves, should cockroaches eat", "the end as possible > > > What does he mean by this?", "get pneumonia. 8. Give your readers as much information as possible as soon", "Kurt Vonnegut has 8 tips on how to write a good story 1.", "hell with suspense. Readers should have such complete understanding of what is going", "I wonder if the tip is just meant to be a guide, a", "Readers should have such complete understanding of what is going on, where and", "of a total stranger in such a way that he or she will", "to the end as possible. 6. Be a Sadist. No matter how sweet", "are made of. 7. Write to please just one person. If you open", "he mean by this? What is this hoping to achieve/make easier for the", "is only a glass of water. 4. Every sentence must do one of", "as close to the end as possible. 6. Be a Sadist. No matter", "does he mean by this? What is this hoping to achieve/make easier for", "this? What is this hoping to achieve/make easier for the writer? And how", "of water. 4. Every sentence must do one of two things — reveal", "something, even if it is only a glass of water. 4. Every sentence", "root for. 3. Every character should want something, even if it is only", "will get pneumonia. 8. Give your readers as much information as possible as", "the tip is just meant to be a guide, a reminder to \"have", "the last few pages. Most are very self-explanatory. I don't know how to", "why, that they could finish the story themselves, should cockroaches eat the last", "the action. 5. Start as close to the end as possible. 6. Be", "> > > What does he mean by this? What is this hoping", "mean by this? What is this hoping to achieve/make easier for the writer?", "a reminder to \"have the end in mind\", or whether writing your story", "writing your story from the end backwards is actually better. Does anyone have", "as possible. To hell with suspense. Readers should have such complete understanding of", "> > What does he mean by this? What is this hoping to", "the world, so to speak, your story will get pneumonia. 8. Give your", "should have such complete understanding of what is going on, where and why,", "as possible > > > What does he mean by this? What is", "matter how sweet and innocent your leading characters, make awful things happen to", "the end as possible. 6. Be a Sadist. No matter how sweet and", "if needed... or a paragraph... etc. I wonder if the tip is just", "that they could finish the story themselves, should cockroaches eat the last few", "needed... or a paragraph... etc. I wonder if the tip is just meant", "tip is just meant to be a guide, a reminder to \"have the", "finish the story themselves, should cockroaches eat the last few pages. Most are", "do one of two things — reveal character or advance the action. 5.", "as much information as possible as soon as possible. To hell with suspense.", "to speak, your story will get pneumonia. 8. Give your readers as much", "last few pages. Most are very self-explanatory. I don't know how to deal", "could finish the story themselves, should cockroaches eat the last few pages. Most", "pages. Most are very self-explanatory. I don't know how to deal with number", "number 5 though, > > Start as close to the end as possible", "very self-explanatory. I don't know how to deal with number 5 though, >", "reminder to \"have the end in mind\", or whether writing your story from", "your readers as much information as possible as soon as possible. To hell", "8 tips on how to write a good story 1. Use the time", "reveal character or advance the action. 5. Start as close to the end", "6. Be a Sadist. No matter how sweet and innocent your leading characters,", "understanding of what is going on, where and why, that they could finish", "I know what constitutes \"as possible\"... I could probably start on the last", "as possible. 6. Be a Sadist. No matter how sweet and innocent your", "with number 5 though, > > Start as close to the end as", "3. Every character should want something, even if it is only a glass", "how do I know what constitutes \"as possible\"... I could probably start on", "if it is only a glass of water. 4. Every sentence must do", "person. If you open a window and make love to the world, so", "writer? And how do I know what constitutes \"as possible\"... I could probably", "5 though, > > Start as close to the end as possible >", "to \"have the end in mind\", or whether writing your story from the", "he or she will not feel the time was wasted. 2. Give the", "Be a Sadist. No matter how sweet and innocent your leading characters, make", "Give your readers as much information as possible as soon as possible. To", "probably start on the last sentence if needed... or a paragraph... etc. I", "7. Write to please just one person. If you open a window and", "two things — reveal character or advance the action. 5. Start as close", "to the world, so to speak, your story will get pneumonia. 8. Give", "such a way that he or she will not feel the time was", "should cockroaches eat the last few pages. Most are very self-explanatory. I don't", "deal with number 5 though, > > Start as close to the end", "close to the end as possible > > > What does he mean", "sentence must do one of two things — reveal character or advance the", "the last sentence if needed... or a paragraph... etc. I wonder if the", "that the reader may see what they are made of. 7. Write to", "may see what they are made of. 7. Write to please just one", "themselves, should cockroaches eat the last few pages. Most are very self-explanatory. I", "> What does he mean by this? What is this hoping to achieve/make", "sentence if needed... or a paragraph... etc. I wonder if the tip is", "story 1. Use the time of a total stranger in such a way", "etc. I wonder if the tip is just meant to be a guide,", "reader may see what they are made of. 7. Write to please just", "for the writer? And how do I know what constitutes \"as possible\"... I", "your leading characters, make awful things happen to them-in order that the reader", "mind\", or whether writing your story from the end backwards is actually better.", "end as possible > > > What does he mean by this? What", "world, so to speak, your story will get pneumonia. 8. Give your readers", "of what is going on, where and why, that they could finish the", "5. Start as close to the end as possible. 6. Be a Sadist.", "information as possible as soon as possible. To hell with suspense. Readers should", "Give the reader at least one character he or she can root for.", "> > Start as close to the end as possible > > >", "a paragraph... etc. I wonder if the tip is just meant to be", "the reader may see what they are made of. 7. Write to please", "readers as much information as possible as soon as possible. To hell with", "please just one person. If you open a window and make love to", "must do one of two things — reveal character or advance the action.", "order that the reader may see what they are made of. 7. Write", "how sweet and innocent your leading characters, make awful things happen to them-in", "the writer? And how do I know what constitutes \"as possible\"... I could", "or she will not feel the time was wasted. 2. Give the reader", "to the end as possible > > > What does he mean by", "self-explanatory. I don't know how to deal with number 5 though, > >", "see what they are made of. 7. Write to please just one person.", "soon as possible. To hell with suspense. Readers should have such complete understanding", "so to speak, your story will get pneumonia. 8. Give your readers as", "Most are very self-explanatory. I don't know how to deal with number 5", "know what constitutes \"as possible\"... I could probably start on the last sentence", "I could probably start on the last sentence if needed... or a paragraph...", "possible\"... I could probably start on the last sentence if needed... or a", "is this hoping to achieve/make easier for the writer? And how do I", "a glass of water. 4. Every sentence must do one of two things", "suspense. Readers should have such complete understanding of what is going on, where", "awful things happen to them-in order that the reader may see what they", "close to the end as possible. 6. Be a Sadist. No matter how", "what constitutes \"as possible\"... I could probably start on the last sentence if", "not feel the time was wasted. 2. Give the reader at least one", "has 8 tips on how to write a good story 1. Use the", "what is going on, where and why, that they could finish the story", "they could finish the story themselves, should cockroaches eat the last few pages.", "speak, your story will get pneumonia. 8. Give your readers as much information", "love to the world, so to speak, your story will get pneumonia. 8.", "only a glass of water. 4. Every sentence must do one of two", "things — reveal character or advance the action. 5. Start as close to", "eat the last few pages. Most are very self-explanatory. I don't know how", "To hell with suspense. Readers should have such complete understanding of what is", "achieve/make easier for the writer? And how do I know what constitutes \"as", "do I know what constitutes \"as possible\"... I could probably start on the", "on the last sentence if needed... or a paragraph... etc. I wonder if", "on how to write a good story 1. Use the time of a", "to them-in order that the reader may see what they are made of.", "make love to the world, so to speak, your story will get pneumonia.", "or advance the action. 5. Start as close to the end as possible.", "the end in mind\", or whether writing your story from the end backwards", "cockroaches eat the last few pages. Most are very self-explanatory. I don't know", "time of a total stranger in such a way that he or she", "Start as close to the end as possible. 6. Be a Sadist. No", "innocent your leading characters, make awful things happen to them-in order that the", "a window and make love to the world, so to speak, your story", "on, where and why, that they could finish the story themselves, should cockroaches", "the end backwards is actually better. Does anyone have any insights into this?", "action. 5. Start as close to the end as possible. 6. Be a", "\"have the end in mind\", or whether writing your story from the end", "wasted. 2. Give the reader at least one character he or she can", "Use the time of a total stranger in such a way that he", "from the end backwards is actually better. Does anyone have any insights into", "they are made of. 7. Write to please just one person. If you", "possible. To hell with suspense. Readers should have such complete understanding of what", "or whether writing your story from the end backwards is actually better. Does", "them-in order that the reader may see what they are made of. 7.", "happen to them-in order that the reader may see what they are made", "or a paragraph... etc. I wonder if the tip is just meant to", "paragraph... etc. I wonder if the tip is just meant to be a", "time was wasted. 2. Give the reader at least one character he or" ]
[ "are generally considered to be iredeemable: The Diamond Authority (from Steban Ejavovse): The", "a full-blown genocide. So what quality do these examples share that ensure the", "do these examples share that ensure the reader is never going to empathize", "two characters who are generally considered to be iredeemable: The Diamond Authority (from", "genocide. So what quality do these examples share that ensure the reader is", "Ejavovse): The extremely childish leaders of the race of spacefaring lesbian magical girl", "million people because of bogus reasons, however... Dolores Umbridge: Move aside, Voldemort, Hijrp", "character is hated with such unified and burning passion as her. She did", "Hijrp Potfeq has a new and improved antagonist. No other character is hated", "of dead gems into a fate worse than death, aka: The Cluster. At", "be iredeemable: The Diamond Authority (from Steban Ejavovse): The extremely childish leaders of", "burning passion as her. She did bad stuff, but not a full-blown genocide.", "Voldemort, Hijrp Potfeq has a new and improved antagonist. No other character is", "of organic life (for no good reason) and also had forced a lot", "her. She did bad stuff, but not a full-blown genocide. So what quality", "be redeemed if you have killed roughly 6 million people because of bogus", "seemed simple: You can't be redeemed if you have killed roughly 6 million", "death, aka: The Cluster. At this point, the answer seemed simple: You can't", "spacefaring lesbian magical girl viruses, known as gems. They are responsible for the", "worse than death, aka: The Cluster. At this point, the answer seemed simple:", "however... Dolores Umbridge: Move aside, Voldemort, Hijrp Potfeq has a new and improved", "is hated with such unified and burning passion as her. She did bad", "The extremely childish leaders of the race of spacefaring lesbian magical girl viruses,", "the genocide of billions of organic life (for no good reason) and also", "stuff, but not a full-blown genocide. So what quality do these examples share", "fate worse than death, aka: The Cluster. At this point, the answer seemed", "Move aside, Voldemort, Hijrp Potfeq has a new and improved antagonist. No other", "The Cluster. At this point, the answer seemed simple: You can't be redeemed", "iredeemable: The Diamond Authority (from Steban Ejavovse): The extremely childish leaders of the", "are responsible for the genocide of billions of organic life (for no good", "lesbian magical girl viruses, known as gems. They are responsible for the genocide", "of the race of spacefaring lesbian magical girl viruses, known as gems. They", "with such unified and burning passion as her. She did bad stuff, but", "passion as her. She did bad stuff, but not a full-blown genocide. So", "a lot of dead gems into a fate worse than death, aka: The", "to be iredeemable: The Diamond Authority (from Steban Ejavovse): The extremely childish leaders", "organic life (for no good reason) and also had forced a lot of", "simple: You can't be redeemed if you have killed roughly 6 million people", "look at two characters who are generally considered to be iredeemable: The Diamond", "for the genocide of billions of organic life (for no good reason) and", "lot of dead gems into a fate worse than death, aka: The Cluster.", "life (for no good reason) and also had forced a lot of dead", "Umbridge: Move aside, Voldemort, Hijrp Potfeq has a new and improved antagonist. No", "roughly 6 million people because of bogus reasons, however... Dolores Umbridge: Move aside,", "the race of spacefaring lesbian magical girl viruses, known as gems. They are", "not a full-blown genocide. So what quality do these examples share that ensure", "as gems. They are responsible for the genocide of billions of organic life", "bad stuff, but not a full-blown genocide. So what quality do these examples", "a new and improved antagonist. No other character is hated with such unified", "gems into a fate worse than death, aka: The Cluster. At this point,", "Dolores Umbridge: Move aside, Voldemort, Hijrp Potfeq has a new and improved antagonist.", "They are responsible for the genocide of billions of organic life (for no", "if you have killed roughly 6 million people because of bogus reasons, however...", "gems. They are responsible for the genocide of billions of organic life (for", "(from Steban Ejavovse): The extremely childish leaders of the race of spacefaring lesbian", "new and improved antagonist. No other character is hated with such unified and", "characters who are generally considered to be iredeemable: The Diamond Authority (from Steban", "hated with such unified and burning passion as her. She did bad stuff,", "point, the answer seemed simple: You can't be redeemed if you have killed", "The Diamond Authority (from Steban Ejavovse): The extremely childish leaders of the race", "Potfeq has a new and improved antagonist. No other character is hated with", "did bad stuff, but not a full-blown genocide. So what quality do these", "extremely childish leaders of the race of spacefaring lesbian magical girl viruses, known", "generally considered to be iredeemable: The Diamond Authority (from Steban Ejavovse): The extremely", "also had forced a lot of dead gems into a fate worse than", "and improved antagonist. No other character is hated with such unified and burning", "girl viruses, known as gems. They are responsible for the genocide of billions", "viruses, known as gems. They are responsible for the genocide of billions of", "full-blown genocide. So what quality do these examples share that ensure the reader", "bogus reasons, however... Dolores Umbridge: Move aside, Voldemort, Hijrp Potfeq has a new", "answer seemed simple: You can't be redeemed if you have killed roughly 6", "billions of organic life (for no good reason) and also had forced a", "reason) and also had forced a lot of dead gems into a fate", "known as gems. They are responsible for the genocide of billions of organic", "Diamond Authority (from Steban Ejavovse): The extremely childish leaders of the race of", "have killed roughly 6 million people because of bogus reasons, however... Dolores Umbridge:", "aka: The Cluster. At this point, the answer seemed simple: You can't be", "Authority (from Steban Ejavovse): The extremely childish leaders of the race of spacefaring", "a fate worse than death, aka: The Cluster. At this point, the answer", "has a new and improved antagonist. No other character is hated with such", "childish leaders of the race of spacefaring lesbian magical girl viruses, known as", "quality do these examples share that ensure the reader is never going to", "because of bogus reasons, however... Dolores Umbridge: Move aside, Voldemort, Hijrp Potfeq has", "this point, the answer seemed simple: You can't be redeemed if you have", "antagonist. No other character is hated with such unified and burning passion as", "magical girl viruses, known as gems. They are responsible for the genocide of", "had forced a lot of dead gems into a fate worse than death,", "At this point, the answer seemed simple: You can't be redeemed if you", "at two characters who are generally considered to be iredeemable: The Diamond Authority", "what quality do these examples share that ensure the reader is never going", "the answer seemed simple: You can't be redeemed if you have killed roughly", "as her. She did bad stuff, but not a full-blown genocide. So what", "She did bad stuff, but not a full-blown genocide. So what quality do", "such unified and burning passion as her. She did bad stuff, but not", "of spacefaring lesbian magical girl viruses, known as gems. They are responsible for", "of bogus reasons, however... Dolores Umbridge: Move aside, Voldemort, Hijrp Potfeq has a", "Let's look at two characters who are generally considered to be iredeemable: The", "unified and burning passion as her. She did bad stuff, but not a", "Cluster. At this point, the answer seemed simple: You can't be redeemed if", "other character is hated with such unified and burning passion as her. She", "genocide of billions of organic life (for no good reason) and also had", "into a fate worse than death, aka: The Cluster. At this point, the", "than death, aka: The Cluster. At this point, the answer seemed simple: You", "these examples share that ensure the reader is never going to empathize with", "leaders of the race of spacefaring lesbian magical girl viruses, known as gems.", "redeemed if you have killed roughly 6 million people because of bogus reasons,", "who are generally considered to be iredeemable: The Diamond Authority (from Steban Ejavovse):", "considered to be iredeemable: The Diamond Authority (from Steban Ejavovse): The extremely childish", "(for no good reason) and also had forced a lot of dead gems", "examples share that ensure the reader is never going to empathize with them?", "reasons, however... Dolores Umbridge: Move aside, Voldemort, Hijrp Potfeq has a new and", "no good reason) and also had forced a lot of dead gems into", "responsible for the genocide of billions of organic life (for no good reason)", "killed roughly 6 million people because of bogus reasons, however... Dolores Umbridge: Move", "and burning passion as her. She did bad stuff, but not a full-blown", "No other character is hated with such unified and burning passion as her.", "you have killed roughly 6 million people because of bogus reasons, however... Dolores", "good reason) and also had forced a lot of dead gems into a", "Steban Ejavovse): The extremely childish leaders of the race of spacefaring lesbian magical", "forced a lot of dead gems into a fate worse than death, aka:", "dead gems into a fate worse than death, aka: The Cluster. At this", "but not a full-blown genocide. So what quality do these examples share that", "and also had forced a lot of dead gems into a fate worse", "people because of bogus reasons, however... Dolores Umbridge: Move aside, Voldemort, Hijrp Potfeq", "improved antagonist. No other character is hated with such unified and burning passion", "of billions of organic life (for no good reason) and also had forced", "6 million people because of bogus reasons, however... Dolores Umbridge: Move aside, Voldemort,", "So what quality do these examples share that ensure the reader is never", "can't be redeemed if you have killed roughly 6 million people because of", "You can't be redeemed if you have killed roughly 6 million people because", "race of spacefaring lesbian magical girl viruses, known as gems. They are responsible", "aside, Voldemort, Hijrp Potfeq has a new and improved antagonist. No other character" ]
[ "also expressed dissatisfaction with the casting of Sasha Baron-Sohin as Eli because of", "Eli was as awesome as they get. So the last thing I'd want", "writing a fictionalised story based on real events or real people, where the", "glorify his name. That made me wonder: writing a fictionalised story based on", "his record as \"a clown\" (her words), and she was deeply hurt by", "and human aspects. In particular, there's a fantasy story in the back of", "rather inspired by Eli Sohin's life. The reason I'm drawn to this material", "this question is not about legal aspects, but about ethical and human aspects.", "about ethical and human aspects. In particular, there's a fantasy story in the", "life. The reason I'm drawn to this material is the same as for", "I'd want is to give his widow any pain. But at the same", "she was deeply hurt by the whole thing. ([Source in Hebrew](https://www.israelhayom.co.il/article/693459)) The thing", "to this material is the same as for the others - Eli was", "diminish him. She also expressed dissatisfaction with the casting of Sasha Baron-Sohin as", "In a recent interview, Eli's widow Nadia expresses great dissatisfaction with the series:", "name. That made me wonder: *writing a fictionalised story based on real events", "for the others - Eli was as awesome as they get. So the", "play Eli Sohin because Eli was an awesome hero. And the director was", "story I want to tell is my* story, fiction, not \"an official biography\".", "awesome hero. I'm sure the last thing they wanted was to give his", "him. She also expressed dissatisfaction with the casting of Sasha Baron-Sohin as Eli", "But at the same time, the story I want to tell is my", "one avoid causing pain? Note, this question is not about legal aspects, but", "the director was drawn to the material because Eli was an awesome hero.", "(her words), and she was deeply hurt by the whole thing. ([Source in", "Eli was an awesome hero. I'm sure the last thing they wanted was", "that he wanted to play Eli Sohin because Eli was an awesome hero.", "was as awesome as they get. So the last thing I'd want is", "the casting of Sasha Baron-Sohin as Eli because of his record as \"a", "lot of changes were made, ostensibly to \"add drama\", that in her opinion", "give his widow any pain. But at the same time, the story I", "his name. That made me wonder: writing a fictionalised story based on real", "Hebrew](https://www.israelhayom.co.il/article/693459)) The thing is, Shasha Baron Sohin stated that he wanted to play", "dissatisfaction with the casting of Sasha Baron-Sohin as Eli because of his record", "causing pain?** Note, this question is not about legal aspects, but about ethical", "a Netflix series about Israeli spy and hero [Eli Sohin](https://en.wikipedia.org/wiki/Eli_Sohin). In a recent", "great dissatisfaction with the series: a lot of changes were made, ostensibly to", "opinion diminish him. She also expressed dissatisfaction with the casting of Sasha Baron-Sohin", "a lot of changes were made, ostensibly to \"add drama\", that in her", "spy and hero [Eli Sohin](https://en.wikipedia.org/wiki/Eli_Sohin). In a recent interview, Eli's widow Nadia expresses", "drawn to the material because Eli was an awesome hero. I'm sure the", "of Sasha Baron-Sohin as Eli because of his record as \"a clown\" (her", "widow any pain. But at the same time, the story I want to", "same time, the story I want to tell is my story, fiction, not", "to play Eli Sohin because Eli was an awesome hero. And the director", "series about Israeli spy and hero [Eli Sohin](https://en.wikipedia.org/wiki/Eli_Sohin). In a recent interview, Eli's", "thing is, Shasha Baron Sohin stated that he wanted to play Eli Sohin", "in her opinion diminish him. She also expressed dissatisfaction with the casting of", "Baron-Sohin as Eli because of his record as \"a clown\" (her words), and", "of his record as \"a clown\" (her words), and she was deeply hurt", "people or their relatives might still be alive, how does one avoid causing", "the last thing they wanted was to give his widow pain. What they", "on real events or real people, where the relevant people or their relatives", "hero. And the director was drawn to the material because Eli was an", "to \"add drama\", that in her opinion diminish him. She also expressed dissatisfaction", "of changes were made, ostensibly to \"add drama\", that in her opinion diminish", "of my mind, rather inspired by Eli Sohin's life. The reason I'm drawn", "is a Netflix series about Israeli spy and hero [Eli Sohin](https://en.wikipedia.org/wiki/Eli_Sohin). In a", "where the relevant people or their relatives might still be alive, how does", "as they get. So the last thing I'd want is to give his", "wonder: writing a fictionalised story based on real events or real people, where", "She also expressed dissatisfaction with the casting of Sasha Baron-Sohin as Eli because", "Nadia expresses great dissatisfaction with the series: a lot of changes were made,", "Sohin](https://en.wikipedia.org/wiki/Eli_Sohin). In a recent interview, Eli's widow Nadia expresses great dissatisfaction with the", "their relatives might still be alive, how does one avoid causing pain? Note,", "because Eli was an awesome hero. And the director was drawn to the", "awesome hero. And the director was drawn to the material because Eli was", "changes were made, ostensibly to \"add drama\", that in her opinion diminish him.", "the back of my mind, rather inspired by Eli Sohin's life. The reason", "to glorify his name. That made me wonder: writing a fictionalised story based", "legal aspects, but about ethical and human aspects. In particular, there's a fantasy", "director was drawn to the material because Eli was an awesome hero. I'm", "expresses great dissatisfaction with the series: a lot of changes were made, ostensibly", "not about legal aspects, but about ethical and human aspects. In particular, there's", "relevant people or their relatives might still be alive, how does one avoid", "a fantasy story in the back of my mind, rather inspired by Eli", "is not about legal aspects, but about ethical and human aspects. In particular,", "the same as for the others - Eli was as awesome as they", "That made me wonder: writing a fictionalised story based on real events or", "story in the back of my mind, rather inspired by Eli Sohin's life.", "widow Nadia expresses great dissatisfaction with the series: a lot of changes were", "The thing is, Shasha Baron Sohin stated that he wanted to play Eli", "What they wanted was to glorify his name. That made me wonder: writing", "or real people, where the relevant people or their relatives might still be", "were made, ostensibly to \"add drama\", that in her opinion diminish him. She", "hero [Eli Sohin](https://en.wikipedia.org/wiki/Eli_Sohin). In a recent interview, Eli's widow Nadia expresses great dissatisfaction", "me wonder: writing a fictionalised story based on real events or real people,", "or their relatives might still be alive, how does one avoid causing pain?", "is the same as for the others - Eli was as awesome as", "recent interview, Eli's widow Nadia expresses great dissatisfaction with the series: a lot", "hero. I'm sure the last thing they wanted was to give his widow", "might still be alive, how does one avoid causing pain? Note, this question", "avoid causing pain?** Note, this question is not about legal aspects, but about", "Spy* is a Netflix series about Israeli spy and hero [Eli Sohin](https://en.wikipedia.org/wiki/Eli_Sohin). In", "be alive, how does one avoid causing pain?** Note, this question is not", "there's a fantasy story in the back of my mind, rather inspired by", "awesome as they get. So the last thing I'd want is to give", "was an awesome hero. And the director was drawn to the material because", "the same time, the story I want to tell is my story, fiction,", "by the whole thing. ([Source in Hebrew](https://www.israelhayom.co.il/article/693459)) The thing is, Shasha Baron Sohin", "relatives might still be alive, how does one avoid causing pain?** Note, this", "made, ostensibly to \"add drama\", that in her opinion diminish him. She also", "dissatisfaction with the series: a lot of changes were made, ostensibly to \"add", "wanted was to give his widow pain. What they wanted was to glorify", "in Hebrew](https://www.israelhayom.co.il/article/693459)) The thing is, Shasha Baron Sohin stated that he wanted to", "is to give his widow any pain. But at the same time, the", "events or real people, where the relevant people or their relatives might still", "to give his widow any pain. But at the same time, the story", "mind, rather inspired by Eli Sohin's life. The reason I'm drawn to this", "and hero [Eli Sohin](https://en.wikipedia.org/wiki/Eli_Sohin). In a recent interview, Eli's widow Nadia expresses great", "particular, there's a fantasy story in the back of my mind, rather inspired", "was deeply hurt by the whole thing. ([Source in Hebrew](https://www.israelhayom.co.il/article/693459)) The thing is,", "an awesome hero. And the director was drawn to the material because Eli", "a fictionalised story based on real events or real people, where the relevant", "at the same time, the story I want to tell is my story,", "ostensibly to \"add drama\", that in her opinion diminish him. She also expressed", "Sohin stated that he wanted to play Eli Sohin because Eli was an", "Eli's widow Nadia expresses great dissatisfaction with the series: a lot of changes", "was to glorify his name. That made me wonder: writing a fictionalised story", "Eli because of his record as \"a clown\" (her words), and she was", "real people, where the relevant people or their relatives might still be alive,", "the relevant people or their relatives might still be alive, how does one", "about legal aspects, but about ethical and human aspects. In particular, there's a", "people, where the relevant people or their relatives might still be alive, how", "as awesome as they get. So the last thing I'd want is to", "was an awesome hero. I'm sure the last thing they wanted was to", "the material because Eli was an awesome hero. I'm sure the last thing", "question is not about legal aspects, but about ethical and human aspects. In", "drama\", that in her opinion diminish him. She also expressed dissatisfaction with the", "expressed dissatisfaction with the casting of Sasha Baron-Sohin as Eli because of his", "human aspects. In particular, there's a fantasy story in the back of my", "in the back of my mind, rather inspired by Eli Sohin's life. The", "last thing I'd want is to give his widow any pain. But at", "aspects. In particular, there's a fantasy story in the back of my mind,", "Note, this question is not about legal aspects, but about ethical and human", "this material is the same as for the others - Eli was as", "to give his widow pain. What they wanted was to glorify his name.", "Netflix series about Israeli spy and hero [Eli Sohin](https://en.wikipedia.org/wiki/Eli_Sohin). In a recent interview,", "they get. So the last thing I'd want is to give his widow", "how does one avoid causing pain? Note, this question is not about legal", "and she was deeply hurt by the whole thing. ([Source in Hebrew](https://www.israelhayom.co.il/article/693459)) The", "So the last thing I'd want is to give his widow any pain.", "a recent interview, Eli's widow Nadia expresses great dissatisfaction with the series: a", "whole thing. ([Source in Hebrew](https://www.israelhayom.co.il/article/693459)) The thing is, Shasha Baron Sohin stated that", "Sohin because Eli was an awesome hero. And the director was drawn to", "last thing they wanted was to give his widow pain. What they wanted", "the whole thing. ([Source in Hebrew](https://www.israelhayom.co.il/article/693459)) The thing is, Shasha Baron Sohin stated", "as \"a clown\" (her words), and she was deeply hurt by the whole", "\"a clown\" (her words), and she was deeply hurt by the whole thing.", "fantasy story in the back of my mind, rather inspired by Eli Sohin's", "thing I'd want is to give his widow any pain. But at the", "wanted was to glorify his name. That made me wonder: writing a fictionalised", "because of his record as \"a clown\" (her words), and she was deeply", "made me wonder: writing a fictionalised story based on real events or real", "same as for the others - Eli was as awesome as they get.", "- Eli was as awesome as they get. So the last thing I'd", "does one avoid causing pain? Note, this question is not about legal aspects,", "to the material because Eli was an awesome hero. I'm sure the last", "pain? Note, this question is not about legal aspects, but about ethical and", "Sohin's life. The reason I'm drawn to this material is the same as", "the others - Eli was as awesome as they get. So the last", "words), and she was deeply hurt by the whole thing. ([Source in Hebrew](https://www.israelhayom.co.il/article/693459))", "Israeli spy and hero [Eli Sohin](https://en.wikipedia.org/wiki/Eli_Sohin). In a recent interview, Eli's widow Nadia", "Shasha Baron Sohin stated that he wanted to play Eli Sohin because Eli", "the last thing I'd want is to give his widow any pain. But", "I'm sure the last thing they wanted was to give his widow pain.", "based on real events or real people, where the relevant people or their", "clown\" (her words), and she was deeply hurt by the whole thing. ([Source", "aspects, but about ethical and human aspects. In particular, there's a fantasy story", "[Eli Sohin](https://en.wikipedia.org/wiki/Eli_Sohin). In a recent interview, Eli's widow Nadia expresses great dissatisfaction with", "The reason I'm drawn to this material is the same as for the", "the series: a lot of changes were made, ostensibly to \"add drama\", that", "my mind, rather inspired by Eli Sohin's life. The reason I'm drawn to", "he wanted to play Eli Sohin because Eli was an awesome hero. And", "because Eli was an awesome hero. I'm sure the last thing they wanted", "thing. ([Source in Hebrew](https://www.israelhayom.co.il/article/693459)) The thing is, Shasha Baron Sohin stated that he", "with the casting of Sasha Baron-Sohin as Eli because of his record as", "Eli Sohin because Eli was an awesome hero. And the director was drawn", "ethical and human aspects. In particular, there's a fantasy story in the back", "the story I want to tell is my story, fiction, not \"an official", "series: a lot of changes were made, ostensibly to \"add drama\", that in", "any pain. But at the same time, the story I want to tell", "as for the others - Eli was as awesome as they get. So", "stated that he wanted to play Eli Sohin because Eli was an awesome", "Baron Sohin stated that he wanted to play Eli Sohin because Eli was", "real events or real people, where the relevant people or their relatives might", "give his widow pain. What they wanted was to glorify his name. That", "as Eli because of his record as \"a clown\" (her words), and she", "they wanted was to give his widow pain. What they wanted was to", "I'm drawn to this material is the same as for the others -", "Sasha Baron-Sohin as Eli because of his record as \"a clown\" (her words),", "Eli Sohin's life. The reason I'm drawn to this material is the same", "want is to give his widow any pain. But at the same time,", "they wanted was to glorify his name. That made me wonder: *writing a", "is, Shasha Baron Sohin stated that he wanted to play Eli Sohin because", "fictionalised story based on real events or real people, where the relevant people", "story based on real events or real people, where the relevant people or", "deeply hurt by the whole thing. ([Source in Hebrew](https://www.israelhayom.co.il/article/693459)) The thing is, Shasha", "but about ethical and human aspects. In particular, there's a fantasy story in", "by Eli Sohin's life. The reason I'm drawn to this material is the", "get. So the last thing I'd want is to give his widow any", "an awesome hero. I'm sure the last thing they wanted was to give", "material is the same as for the others - Eli was as awesome", "thing they wanted was to give his widow pain. What they wanted was", "reason I'm drawn to this material is the same as for the others", "time, the story I want to tell is my* story, fiction, not \"an", "widow pain. What they wanted was to glorify his name. That made me", "drawn to this material is the same as for the others - Eli", "interview, Eli's widow Nadia expresses great dissatisfaction with the series: a lot of", "pain. But at the same time, the story I want to tell is", "his widow pain. What they wanted was to glorify his name. That made", "material because Eli was an awesome hero. I'm sure the last thing they", "([Source in Hebrew](https://www.israelhayom.co.il/article/693459)) The thing is, Shasha Baron Sohin stated that he wanted", "Eli was an awesome hero. And the director was drawn to the material", "her opinion diminish him. She also expressed dissatisfaction with the casting of Sasha", "that in her opinion diminish him. She also expressed dissatisfaction with the casting", "about Israeli spy and hero [Eli Sohin](https://en.wikipedia.org/wiki/Eli_Sohin). In a recent interview, Eli's widow", "casting of Sasha Baron-Sohin as Eli because of his record as \"a clown\"", "inspired by Eli Sohin's life. The reason I'm drawn to this material is", "pain. What they wanted was to glorify his name. That made me wonder:", "alive, how does one avoid causing pain?** Note, this question is not about", "others - Eli was as awesome as they get. So the last thing", "record as \"a clown\" (her words), and she was deeply hurt by the", "sure the last thing they wanted was to give his widow pain. What", "wanted to play Eli Sohin because Eli was an awesome hero. And the", "with the series: a lot of changes were made, ostensibly to \"add drama\",", "The Spy is a Netflix series about Israeli spy and hero [Eli Sohin](https://en.wikipedia.org/wiki/Eli_Sohin).", "still be alive, how does one avoid causing pain?** Note, this question is", "hurt by the whole thing. ([Source in Hebrew](https://www.israelhayom.co.il/article/693459)) The thing is, Shasha Baron", "\"add drama\", that in her opinion diminish him. She also expressed dissatisfaction with", "was to give his widow pain. What they wanted was to glorify his", "In particular, there's a fantasy story in the back of my mind, rather", "his widow any pain. But at the same time, the story I want", "And the director was drawn to the material because Eli was an awesome", "back of my mind, rather inspired by Eli Sohin's life. The reason I'm", "was drawn to the material because Eli was an awesome hero. I'm sure" ]
[ "can I introduce this large cast to the reader without being cliched, boring", "a dry listing of \"this is who they are, this is how they", "to do a dry listing of \"this is who they are, this is", "don't want to do a dry listing of \"this is who they are,", "do a dry listing of \"this is who they are, this is how", "don't want to just introduce them as \"The Jock\" or \"The Delinquent,\" and", "a story about eleven college friends and a child. I don't want to", "I am currently writing a story about eleven college friends and a child.", "dry listing of \"this is who they are, this is how they look,", "is how they look, and this how they act.\" How can I introduce", "they are, this is how they look, and this how they act.\" How", "and this how they act.\" How can I introduce this large cast to", "want to do a dry listing of \"this is who they are, this", "and a child. I don't want to just introduce them as \"The Jock\"", "just introduce them as \"The Jock\" or \"The Delinquent,\" and I don't want", "friends and a child. I don't want to just introduce them as \"The", "\"The Delinquent,\" and I don't want to do a dry listing of \"this", "who they are, this is how they look, and this how they act.\"", "writing a story about eleven college friends and a child. I don't want", "How can I introduce this large cast to the reader without being cliched,", "they look, and this how they act.\" How can I introduce this large", "Delinquent,\" and I don't want to do a dry listing of \"this is", "how they look, and this how they act.\" How can I introduce this", "about eleven college friends and a child. I don't want to just introduce", "this how they act.\" How can I introduce this large cast to the", "look, and this how they act.\" How can I introduce this large cast", "are, this is how they look, and this how they act.\" How can", "introduce them as \"The Jock\" or \"The Delinquent,\" and I don't want to", "currently writing a story about eleven college friends and a child. I don't", "introduce this large cast to the reader without being cliched, boring or perfunctory?", "eleven college friends and a child. I don't want to just introduce them", "I don't want to do a dry listing of \"this is who they", "listing of \"this is who they are, this is how they look, and", "\"this is who they are, this is how they look, and this how", "them as \"The Jock\" or \"The Delinquent,\" and I don't want to do", "story about eleven college friends and a child. I don't want to just", "am currently writing a story about eleven college friends and a child. I", "a child. I don't want to just introduce them as \"The Jock\" or", "child. I don't want to just introduce them as \"The Jock\" or \"The", "this is how they look, and this how they act.\" How can I", "want to just introduce them as \"The Jock\" or \"The Delinquent,\" and I", "how they act.\" How can I introduce this large cast to the reader", "they act.\" How can I introduce this large cast to the reader without", "and I don't want to do a dry listing of \"this is who", "college friends and a child. I don't want to just introduce them as", "is who they are, this is how they look, and this how they", "to just introduce them as \"The Jock\" or \"The Delinquent,\" and I don't", "Jock\" or \"The Delinquent,\" and I don't want to do a dry listing", "I introduce this large cast to the reader without being cliched, boring or", "or \"The Delinquent,\" and I don't want to do a dry listing of", "as \"The Jock\" or \"The Delinquent,\" and I don't want to do a", "of \"this is who they are, this is how they look, and this", "act.\" How can I introduce this large cast to the reader without being", "I don't want to just introduce them as \"The Jock\" or \"The Delinquent,\"", "\"The Jock\" or \"The Delinquent,\" and I don't want to do a dry" ]
[ "allowing her to utilize this skill when the required to do so as", "own right (think Catlyn Stark, Hermonie Granger, Sborbicw in the most recent Battlestar", "character a tightly guarded mystery, and not have that phenomenon in my story.", "and even then it's usually through action. She is * well spoken, and", "(subtle is fine). I would like her to be a catalyst for change", "surprise should be that the reader is led to believe the TP must", "not have that phenomenon in my story. (I have Checkov's gun covered -", "- but doesn't go into detail. Below is the portion of his answer", "because she gives off an aire of grace, intelligence and poise (add to", "She is * well spoken, and incredibly intelligent * can read and write", "regard. Now, in my story there are multiple story lines, [flashbacks](https://writing.stackexchange.com/questions/46846/writing-longer-flashbacks) (via the", "is a basic premise of magic - it has essentially all but gone", "The story line that this concerns directly involves my MC and his \"partner\",", "the common language of the region) as well as having no tangible accent", "illusions). I want the answer to not use magic however - she is", "an element of surprise or suspense, not that the TP was capable of", "> 3. I have a feeling that utilizing some form of foreshadowing is", "spotlight for a moment from our MC via Leas Ey Mazsini. But I", "a skill she keeps hidden and the skill in question actually. Question How", "where this character essentially steals the spotlight for a moment from our MC", "* can read and write (a skill she doesn't tend to hide), ", "fine). I would like her to be a catalyst for change in the", "whatsoever. She is a strong character in her own right (think Catlyn Stark,", "character essentially steals the spotlight for a moment from our MC via Leas", "detail. Below is the portion of his answer which made me conclude I", "answer which made me conclude I should ask my own question. > >", "or suspense, not that the TP was capable of saving them, you want", "3. I have a feeling that utilizing some form of foreshadowing is the", "them, you want that to be plausible from the beginning. The surprise should", "He hires her strictly because she gives off an aire of grace, intelligence", "Mazsini with established character?](https://writing.stackexchange.com/questions/40199/how-best-to-avoid-the-appearance-of-deus-ex-machina-with-established-character/40201#40201)\" addresses it, kind of. Amadeus' answer briefly touches on", "and incredibly intelligent can read and write (a skill she doesn't tend", "briefly touches on it - but doesn't go into detail. Below is the", "to escape himself, to get there on time to save them. > >", "magic and as subtly as humanly possible. --- I am working on a", "into her background while allowing her to utilize this skill when the required", "her and brings Vana along for what we could call a heist. He", "letting tidbits of the story go into her background while allowing her to", "people who have that ability, she is not particularly special in this regard.", "world but a select few can do basic conjuring (nothing crazy, no wands,", "non-violent manner). NOTES 1. This is not a duplicate of the this [question](https://writing.stackexchange.com/questions/30437/is-a-character-with-a-hidden-power-too-strong),", "she is attractive) - all things he needs her to exploit to accomplish", "uses incidentally in a non-violent manner). NOTES 1. This is not a duplicate", "multitude of characters. The story line that this concerns directly involves my MC", "must be done without magic and as subtly as humanly possible. --- I", "that she is attractive) - all things he needs her to exploit to", "make sense and add details (subtle is fine). I would like her to", "most part to the undiscerning eye) * basic field medicine and herbology ", "would be the spark that changes things. I want to avoid a situation", "of characters. The story line that this concerns directly involves my MC and", "being foreign is hidden for the most part to the undiscerning eye) ", "write about her, letting tidbits of the story go into her background while", "is where I drew some of my ideas from for other events within", "where there is a basic premise of magic - it has essentially all", "keep this character a tightly guarded mystery, and not have that phenomenon in", "as to how to keep this character a tightly guarded mystery, and not", "be that the reader is led to believe the TP must be dead", "and as subtly as humanly possible. --- I am working on a medieval", "Stark, Hermonie Granger, Sborbicw in the most recent Battlestar Galactica). The MC hires", "to do so as a result of the story arc? I have gotten", "as subtly as humanly possible. --- I am working on a medieval fantasy", "am at a loss as to how to keep this character a tightly", "mystery, and not have that phenomenon in my story. (I have Checkov's gun", "question --- but I can't put my finger on the solution. This question", "the skill in question actually. Question How can I write about her, letting", "of his answer which made me conclude I should ask my own question.", "dupe of this question, \"[How best to avoid the appearance of Leas Ey", "Ey Mazsini with established character?](https://writing.stackexchange.com/questions/40199/how-best-to-avoid-the-appearance-of-deus-ex-machina-with-established-character/40201#40201)\" addresses it, kind of. Amadeus' answer briefly touches", "to hide), * multi-lingual (keeps hidden, but speaks both the old tongue, her", "a dupe of this question, \"[How best to avoid the appearance of Leas", "addresses it, kind of. Amadeus' answer briefly touches on it - but doesn't", "aire of grace, intelligence and poise (add to that she is attractive) -", "a multitude of characters. The story line that this concerns directly involves my", "intelligent * can read and write (a skill she doesn't tend to hide),", "(so even being foreign is hidden for the most part to the undiscerning", "to the undiscerning eye) * basic field medicine and herbology * she is", "and managed to escape himself, to get there on time to save them.", "at a loss as to how to keep this character a tightly guarded", "saving them, you want that to be plausible from the beginning. The surprise", "is a strong character in her own right (think Catlyn Stark, Hermonie Granger,", "one of those people who have that ability, she is not particularly special", "things. I want to avoid a situation where this character essentially steals the", "part to the undiscerning eye) * basic field medicine and herbology * she", "a strong character in her own right (think Catlyn Stark, Hermonie Granger, Sborbicw", "Mazsini. But I am at a loss as to how to keep this", "to that she is attractive) - all things he needs her to exploit", "call a heist. He hires her strictly because she gives off an aire", "in my story there are multiple story lines, [flashbacks](https://writing.stackexchange.com/questions/46846/writing-longer-flashbacks) (via the MC), and", "feeling that utilizing some form of foreshadowing is the key to this question", "But I am at a loss as to how to keep this character", "she uses incidentally in a non-violent manner). NOTES 1. This is not a", "she is not one of those people who have that ability, she is", "which made me conclude I should ask my own question. > > Now", "skill she doesn't tend to hide), * multi-lingual (keeps hidden, but speaks both", "to the land in which our story takes place. She, due to her", "essentially steals the spotlight for a moment from our MC via Leas Ey", "\"[How best to avoid the appearance of Leas Ey Mazsini with established character?](https://writing.stackexchange.com/questions/40199/how-best-to-avoid-the-appearance-of-deus-ex-machina-with-established-character/40201#40201)\"", "from our MC via Leas Ey Mazsini. But I am at a loss", "and write (a skill she doesn't tend to hide), * multi-lingual (keeps hidden,", "having no tangible accent (so even being foreign is hidden for the most", "but speaks both the old tongue, her language, and the common language of", "required to do so as a result of the story arc? I have", "have that ability, she is not particularly special in this regard. Now, in", "result of the story arc? I have gotten far enough in, that I", "it - but doesn't go into detail. Below is the portion of his", "gives off an aire of grace, intelligence and poise (add to that she", "for a job, although these two are not romantically involved whatsoever. She is", "Hermonie Granger, Sborbicw in the most recent Battlestar Galactica). The MC hires her", "incredibly intelligent * can read and write (a skill she doesn't tend to", "some form of foreshadowing is the key to this question --- but I", "multiple story lines, [flashbacks](https://writing.stackexchange.com/questions/46846/writing-longer-flashbacks) (via the MC), and a multitude of characters. The", "not use magic however - she is not one of those people who", "as well as having no tangible accent (so even being foreign is hidden", "this concerns directly involves my MC and his \"partner\", let's call her Vana.", "gun covered - she has a dagger she uses incidentally in a non-violent", "it's usually through action. She is * well spoken, and incredibly intelligent ", "our MC via Leas Ey Mazsini. But I am at a loss as", "with established character?](https://writing.stackexchange.com/questions/40199/how-best-to-avoid-the-appearance-of-deus-ex-machina-with-established-character/40201#40201)\" addresses it, kind of. Amadeus' answer briefly touches on it", "has essentially all but gone from the world but a select few can", "conjuring (nothing crazy, no wands, no masterful spell casting, just basic stuff almost", "the answer to not use magic however - she is not one of", "Nor is it a dupe of this question, \"[How best to avoid the", "MC), and a multitude of characters. The story line that this concerns directly", "be a catalyst for change in the story, and killing a particular someone", "speaks both the old tongue, her language, and the common language of the", "of saving them, you want that to be plausible from the beginning. The", "basic conjuring (nothing crazy, no wands, no masterful spell casting, just basic stuff", "in, that I can retcon it to make sense and add details (subtle", "accent (so even being foreign is hidden for the most part to the", "is hidden for the most part to the undiscerning eye) basic field", "that to be plausible from the beginning. The surprise should be that the", "characters. The story line that this concerns directly involves my MC and his", "is foreign to the land in which our story takes place. She, due", "subtly as humanly possible. --- I am working on a medieval fantasy story,", "her strictly because she gives off an aire of grace, intelligence and poise", "crazy, no wands, no masterful spell casting, just basic stuff almost bordering on", "must be dead or imprisoned, and then somehow survived and managed to escape", "and we (reader and MC) meet Vana at the same time. Vana is", "Vana, is foreign to the land in which our story takes place. She,", "has a dagger she uses incidentally in a non-violent manner). NOTES 1. This", "reader is led to believe the TP must be dead or imprisoned, and", "meet Vana at the same time. Vana is to poise as his romantic", "in the story later on? This must be done without magic and as", "is not particularly special in this regard. Now, in my story there are", "I have gotten far enough in, that I can retcon it to make", "the appearance of Leas Ey Mazsini with established character?](https://writing.stackexchange.com/questions/40199/how-best-to-avoid-the-appearance-of-deus-ex-machina-with-established-character/40201#40201)\" addresses it, kind of.", "time to save them. > > > 3. I have a feeling that", "there on time to save them. > > > 3. I have a", "even being foreign is hidden for the most part to the undiscerning eye)", "super powers not a hidden skillset. 2. Nor is it a dupe of", "interest for a job, although these two are not romantically involved whatsoever. She", "variant of a [knightly sword](https://en.wikipedia.org/wiki/Knightly_sword)) --- this is a skill she keeps hidden", "someone would be the spark that changes things. I want to avoid a", "MC via Leas Ey Mazsini. But I am at a loss as to", "her to utilize this skill when the required to do so as a", "utilize this skill when the required to do so as a result of", "as his romantic interest for a job, although these two are not romantically", "(think Catlyn Stark, Hermonie Granger, Sborbicw in the most recent Battlestar Galactica). The", "the old tongue, her language, and the common language of the region) as", "she keeps hidden and the skill in question actually. Question How can I", "get there on time to save them. > > > 3. I have", "her, letting tidbits of the story go into her background while allowing her", "believe the TP must be dead or imprisoned, and then somehow survived and", "that changes things. I want to avoid a situation where this character essentially", "it deals with magic or super powers not a hidden skillset. 2. Nor", "> > Now you DO want there to be an element of surprise", "her to be a catalyst for change in the story, and killing a", "about her, letting tidbits of the story go into her background while allowing", "question [here](https://writing.stackexchange.com/questions/35664/should-foreshadowing-be-close-to-the-main-event/35667#35667) is where I drew some of my ideas from for other", "masterful spell casting, just basic stuff almost bordering on illusions). I want the", "but a select few can do basic conjuring (nothing crazy, no wands, no", "the key to this question --- but I can't put my finger on", "this regard. Now, in my story there are multiple story lines, [flashbacks](https://writing.stackexchange.com/questions/46846/writing-longer-flashbacks) (via", "a particular someone would be the spark that changes things. I want to", "no masterful spell casting, just basic stuff almost bordering on illusions). I want", "her to exploit to accomplish their task. About Vana Vana, is foreign to", "essentially all but gone from the world but a select few can do", "essentially recruited this partner, and we (reader and MC) meet Vana at the", "best to avoid the appearance of Leas Ey Mazsini with established character?](https://writing.stackexchange.com/questions/40199/how-best-to-avoid-the-appearance-of-deus-ex-machina-with-established-character/40201#40201)\" addresses", "--- I am working on a medieval fantasy story, where there is a", "foreign is hidden for the most part to the undiscerning eye) * basic", "hidden skillset. 2. Nor is it a dupe of this question, \"[How best", "the story later on? This must be done without magic and as subtly", "capable of saving them, you want that to be plausible from the beginning.", "have that phenomenon in my story. (I have Checkov's gun covered - she", "he needs her to exploit to accomplish their task. About Vana Vana, is", "his answer which made me conclude I should ask my own question. >", "Below is the portion of his answer which made me conclude I should", "1. This is not a duplicate of the this [question](https://writing.stackexchange.com/questions/30437/is-a-character-with-a-hidden-power-too-strong), as it deals", "form of foreshadowing is the key to this question --- but I can't", "* basic field medicine and herbology * she is also excellent with a", "and poise (add to that she is attractive) - all things he needs", "avoid the appearance of Leas Ey Mazsini with established character?](https://writing.stackexchange.com/questions/40199/how-best-to-avoid-the-appearance-of-deus-ex-machina-with-established-character/40201#40201)\" addresses it, kind", "intelligence and poise (add to that she is attractive) - all things he", "steals the spotlight for a moment from our MC via Leas Ey Mazsini.", "same time. Vana is to poise as his romantic interest for a job,", "spark that changes things. I want to avoid a situation where this character", "a hidden skillset. 2. Nor is it a dupe of this question, \"[How", "I am working on a medieval fantasy story, where there is a basic", "due to her past, keeps her story hidden and doesn't share much, unless", "a moment from our MC via Leas Ey Mazsini. But I am at", "Galactica). The MC hires her and brings Vana along for what we could", "dead or imprisoned, and then somehow survived and managed to escape himself, to", "of those people who have that ability, she is not particularly special in", "own question. > > Now you DO want there to be an element", "as humanly possible. --- I am working on a medieval fantasy story, where", "place. She, due to her past, keeps her story hidden and doesn't share", "this skill when the required to do so as a result of the", "(reader and MC) meet Vana at the same time. Vana is to poise", "how to keep this character a tightly guarded mystery, and not have that", "in a non-violent manner). NOTES 1. This is not a duplicate of the", "I can't put my finger on the solution. This question [here](https://writing.stackexchange.com/questions/35664/should-foreshadowing-be-close-to-the-main-event/35667#35667) is where", "well spoken, and incredibly intelligent * can read and write (a skill she", "Vana at the same time. Vana is to poise as his romantic interest", "(I have Checkov's gun covered - she has a dagger she uses incidentally", "needs her to exploit to accomplish their task. About Vana Vana, is foreign", "(nothing crazy, no wands, no masterful spell casting, just basic stuff almost bordering", "on the solution. This question [here](https://writing.stackexchange.com/questions/35664/should-foreshadowing-be-close-to-the-main-event/35667#35667) is where I drew some of my", "- she is not one of those people who have that ability, she", "have a feeling that utilizing some form of foreshadowing is the key to", "retcon it to make sense and add details (subtle is fine). I would", "romantically involved whatsoever. She is a strong character in her own right (think", "changes things. I want to avoid a situation where this character essentially steals", "on a medieval fantasy story, where there is a basic premise of magic", "you DO want there to be an element of surprise or suspense, not", "tangible accent (so even being foreign is hidden for the most part to", "somehow survived and managed to escape himself, to get there on time to", "and doesn't share much, unless she needs to and even then it's usually", "gotten far enough in, that I can retcon it to make sense and", "* well spoken, and incredibly intelligent * can read and write (a skill", "is led to believe the TP must be dead or imprisoned, and then", "the MC), and a multitude of characters. The story line that this concerns", "ability, she is not particularly special in this regard. Now, in my story", "even then it's usually through action. She is * well spoken, and incredibly", "stuff almost bordering on illusions). I want the answer to not use magic", "Vana** Vana, is foreign to the land in which our story takes place.", "much, unless she needs to and even then it's usually through action. She", "--- this is a skill she keeps hidden and the skill in question", "field medicine and herbology * she is also excellent with a dagger, too", "the solution. This question [here](https://writing.stackexchange.com/questions/35664/should-foreshadowing-be-close-to-the-main-event/35667#35667) is where I drew some of my ideas", "Vana. The MC essentially recruited this partner, and we (reader and MC) meet", "to get there on time to save them. > > > 3. I", "doesn't tend to hide), * multi-lingual (keeps hidden, but speaks both the old", "bordering on illusions). I want the answer to not use magic however -", "be done without magic and as subtly as humanly possible. --- I am", "not one of those people who have that ability, she is not particularly", "and the skill in question actually. Question How can I write about her,", "Vana is to poise as his romantic interest for a job, although these", "while allowing her to utilize this skill when the required to do so", "NOTES 1. This is not a duplicate of the this [question](https://writing.stackexchange.com/questions/30437/is-a-character-with-a-hidden-power-too-strong), as it", "basic stuff almost bordering on illusions). I want the answer to not use", "element of surprise or suspense, not that the TP was capable of saving", "beginning. The surprise should be that the reader is led to believe the", "strong character in her own right (think Catlyn Stark, Hermonie Granger, Sborbicw in", "as a result of the story arc? I have gotten far enough in,", "I would like her to be a catalyst for change in the story,", "want the answer to not use magic however - she is not one", "she needs to and even then it's usually through action. She is ", "Battlestar Galactica). The MC hires her and brings Vana along for what we", "small for a sword (most people carry some variant of a [knightly sword](https://en.wikipedia.org/wiki/Knightly_sword))", "The MC hires her and brings Vana along for what we could call", "go into her background while allowing her to utilize this skill when the", "are multiple story lines, [flashbacks](https://writing.stackexchange.com/questions/46846/writing-longer-flashbacks) (via the MC), and a multitude of characters.", "that the reader is led to believe the TP must be dead or", "I have a feeling that utilizing some form of foreshadowing is the key", "not particularly special in this regard. Now, in my story there are multiple", "keep a character's skillset hidden, when it will be key in the story", "the story arc? I have gotten far enough in, that I can retcon", "tidbits of the story go into her background while allowing her to utilize", "of the region) as well as having no tangible accent (so even being", "a select few can do basic conjuring (nothing crazy, no wands, no masterful", "with magic or super powers not a hidden skillset. 2. Nor is it", "This question [here](https://writing.stackexchange.com/questions/35664/should-foreshadowing-be-close-to-the-main-event/35667#35667) is where I drew some of my ideas from for", "incidentally in a non-violent manner). NOTES* 1. This is not a duplicate of", "TP was capable of saving them, you want that to be plausible from", "all but gone from the world but a select few can do basic", "put my finger on the solution. This question [here](https://writing.stackexchange.com/questions/35664/should-foreshadowing-be-close-to-the-main-event/35667#35667) is where I drew", "story hidden and doesn't share much, unless she needs to and even then", "language of the region) as well as having no tangible accent (so even", "led to believe the TP must be dead or imprisoned, and then somehow", "her story hidden and doesn't share much, unless she needs to and even", "that the TP was capable of saving them, you want that to be", "I want the answer to not use magic however - she is not", "at the same time. Vana is to poise as his romantic interest for", "the TP was capable of saving them, you want that to be plausible", "TP must be dead or imprisoned, and then somehow survived and managed to", "utilizing some form of foreshadowing is the key to this question --- but", "who have that ability, she is not particularly special in this regard. Now,", "job, although these two are not romantically involved whatsoever. She is a strong", "the spotlight for a moment from our MC via Leas Ey Mazsini. But", "spoken, and incredibly intelligent * can read and write (a skill she doesn't", "a [knightly sword](https://en.wikipedia.org/wiki/Knightly_sword)) --- this is a skill she keeps hidden and the", "imprisoned, and then somehow survived and managed to escape himself, to get there", "phenomenon in my story. (I have Checkov's gun covered - she has a", "finger on the solution. This question [here](https://writing.stackexchange.com/questions/35664/should-foreshadowing-be-close-to-the-main-event/35667#35667) is where I drew some of", "which our story takes place. She, due to her past, keeps her story", "a result of the story arc? I have gotten far enough in, that", "her past, keeps her story hidden and doesn't share much, unless she needs", "Catlyn Stark, Hermonie Granger, Sborbicw in the most recent Battlestar Galactica). The MC", "answer briefly touches on it - but doesn't go into detail. Below is", "--- but I can't put my finger on the solution. This question [here](https://writing.stackexchange.com/questions/35664/should-foreshadowing-be-close-to-the-main-event/35667#35667)", "when the required to do so as a result of the story arc?", "details (subtle is fine). I would like her to be a catalyst for", "she is also excellent with a dagger, too small for a sword (most", "story. (I have Checkov's gun covered - she has a dagger she uses", "skill she keeps hidden and the skill in question actually. Question How can", "casting, just basic stuff almost bordering on illusions). I want the answer to", "arc? I have gotten far enough in, that I can retcon it to", "The surprise should be that the reader is led to believe the TP", "that this concerns directly involves my MC and his \"partner\", let's call her", "ask my own question. > > Now you DO want there to be", "plausible from the beginning. The surprise should be that the reader is led", "- it has essentially all but gone from the world but a select", "DO want there to be an element of surprise or suspense, not that", "in which our story takes place. She, due to her past, keeps her", "be the spark that changes things. I want to avoid a situation where", "my story. (I have Checkov's gun covered - she has a dagger she", "and add details (subtle is fine). I would like her to be a", "want there to be an element of surprise or suspense, not that the", "of this question, \"[How best to avoid the appearance of Leas Ey Mazsini", "for a moment from our MC via Leas Ey Mazsini. But I am", "eye) * basic field medicine and herbology * she is also excellent with", "to be an element of surprise or suspense, not that the TP was", "region) as well as having no tangible accent (so even being foreign is", "this partner, and we (reader and MC) meet Vana at the same time.", "in question actually. Question How can I write about her, letting tidbits of", "takes place. She, due to her past, keeps her story hidden and doesn't", "tend to hide), * multi-lingual (keeps hidden, but speaks both the old tongue,", "key in the story later on? This must be done without magic and", "hidden and the skill in question actually. Question How can I write about", "spell casting, just basic stuff almost bordering on illusions). I want the answer", "sword (most people carry some variant of a [knightly sword](https://en.wikipedia.org/wiki/Knightly_sword)) --- this is", "story arc? I have gotten far enough in, that I can retcon it", "recent Battlestar Galactica). The MC hires her and brings Vana along for what", "[here](https://writing.stackexchange.com/questions/35664/should-foreshadowing-be-close-to-the-main-event/35667#35667) is where I drew some of my ideas from for other events", "these two are not romantically involved whatsoever. She is a strong character in", "she doesn't tend to hide), * multi-lingual (keeps hidden, but speaks both the", "into detail. Below is the portion of his answer which made me conclude", "the portion of his answer which made me conclude I should ask my", "where I drew some of my ideas from for other events within the", "and killing a particular someone would be the spark that changes things. I", "keeps hidden and the skill in question actually. Question How can I write", "with a dagger, too small for a sword (most people carry some variant", "the required to do so as a result of the story arc? I", "involves my MC and his \"partner\", let's call her Vana. The MC essentially", "MC and his \"partner\", let's call her Vana. The MC essentially recruited this", "and a multitude of characters. The story line that this concerns directly involves", "powers not a hidden skillset. 2. Nor is it a dupe of this", "character in her own right (think Catlyn Stark, Hermonie Granger, Sborbicw in the", "question, \"[How best to avoid the appearance of Leas Ey Mazsini with established", "is attractive) - all things he needs her to exploit to accomplish their", "but gone from the world but a select few can do basic conjuring", "story lines, [flashbacks](https://writing.stackexchange.com/questions/46846/writing-longer-flashbacks) (via the MC), and a multitude of characters. The story", "deals with magic or super powers not a hidden skillset. 2. Nor is", "for change in the story, and killing a particular someone would be the", "himself, to get there on time to save them. > > > 3.", "the same time. Vana is to poise as his romantic interest for a", "actually. Question How can I write about her, letting tidbits of the story", "language, and the common language of the region) as well as having no", "managed to escape himself, to get there on time to save them. >", "just basic stuff almost bordering on illusions). I want the answer to not", "do basic conjuring (nothing crazy, no wands, no masterful spell casting, just basic", "old tongue, her language, and the common language of the region) as well", "herbology * she is also excellent with a dagger, too small for a", "far enough in, that I can retcon it to make sense and add", "what we could call a heist. He hires her strictly because she gives", "her own right (think Catlyn Stark, Hermonie Granger, Sborbicw in the most recent", "gone from the world but a select few can do basic conjuring (nothing", "should be that the reader is led to believe the TP must be", "loss as to how to keep this character a tightly guarded mystery, and", "(keeps hidden, but speaks both the old tongue, her language, and the common", "no wands, no masterful spell casting, just basic stuff almost bordering on illusions).", "my MC and his \"partner\", let's call her Vana. The MC essentially recruited", "my own question. > > Now you DO want there to be an", "the land in which our story takes place. She, due to her past,", "wands, no masterful spell casting, just basic stuff almost bordering on illusions). I", "tongue, her language, and the common language of the region) as well as", "undiscerning eye) * basic field medicine and herbology * she is also excellent", "call her Vana. The MC essentially recruited this partner, and we (reader and", "(add to that she is attractive) - all things he needs her to", "Question How can I write about her, letting tidbits of the story go", "dagger she uses incidentally in a non-violent manner). NOTES 1. This is not", "a dagger, too small for a sword (most people carry some variant of", "> > 3. I have a feeling that utilizing some form of foreshadowing", "but doesn't go into detail. Below is the portion of his answer which", "a loss as to how to keep this character a tightly guarded mystery,", "can do basic conjuring (nothing crazy, no wands, no masterful spell casting, just", "a heist. He hires her strictly because she gives off an aire of", "for what we could call a heist. He hires her strictly because she", "his \"partner\", let's call her Vana. The MC essentially recruited this partner, and", "as it deals with magic or super powers not a hidden skillset. 2.", "via Leas Ey Mazsini. But I am at a loss as to how", "How can I write about her, letting tidbits of the story go into", "as having no tangible accent (so even being foreign is hidden for the", "those people who have that ability, she is not particularly special in this", "keeps her story hidden and doesn't share much, unless she needs to and", "guarded mystery, and not have that phenomenon in my story. (I have Checkov's", "that phenomenon in my story. (I have Checkov's gun covered - she has", "action. She is * well spoken, and incredibly intelligent * can read and", "She, due to her past, keeps her story hidden and doesn't share much,", "I want to avoid a situation where this character essentially steals the spotlight", "manner). NOTES 1. This is not a duplicate of the this [question](https://writing.stackexchange.com/questions/30437/is-a-character-with-a-hidden-power-too-strong), as", "to avoid a situation where this character essentially steals the spotlight for a", "of Leas Ey Mazsini with established character?](https://writing.stackexchange.com/questions/40199/how-best-to-avoid-the-appearance-of-deus-ex-machina-with-established-character/40201#40201)\" addresses it, kind of. Amadeus' answer", "some variant of a [knightly sword](https://en.wikipedia.org/wiki/Knightly_sword)) --- this is a skill she keeps", "and not have that phenomenon in my story. (I have Checkov's gun covered", "is also excellent with a dagger, too small for a sword (most people", "the spark that changes things. I want to avoid a situation where this", "her background while allowing her to utilize this skill when the required to", "This is not a duplicate of the this [question](https://writing.stackexchange.com/questions/30437/is-a-character-with-a-hidden-power-too-strong), as it deals with", "a tightly guarded mystery, and not have that phenomenon in my story. (I", "can I write about her, letting tidbits of the story go into her", "could call a heist. He hires her strictly because she gives off an", "people carry some variant of a [knightly sword](https://en.wikipedia.org/wiki/Knightly_sword)) --- this is a skill", "and then somehow survived and managed to escape himself, to get there on", "her Vana. The MC essentially recruited this partner, and we (reader and MC)", "add details (subtle is fine). I would like her to be a catalyst", "be an element of surprise or suspense, not that the TP was capable", "she is not particularly special in this regard. Now, in my story there", "a duplicate of the this [question](https://writing.stackexchange.com/questions/30437/is-a-character-with-a-hidden-power-too-strong), as it deals with magic or super", "Checkov's gun covered - she has a dagger she uses incidentally in a", "an aire of grace, intelligence and poise (add to that she is attractive)", "things he needs her to exploit to accomplish their task. About Vana Vana,", "should ask my own question. > > Now you DO want there to", "it, kind of. Amadeus' answer briefly touches on it - but doesn't go", "skill when the required to do so as a result of the story", "story later on? This must be done without magic and as subtly as", "save them. > > > 3. I have a feeling that utilizing some", "the story, and killing a particular someone would be the spark that changes", "however - she is not one of those people who have that ability,", "[flashbacks](https://writing.stackexchange.com/questions/46846/writing-longer-flashbacks) (via the MC), and a multitude of characters. The story line that", "on it - but doesn't go into detail. Below is the portion of", "a medieval fantasy story, where there is a basic premise of magic -", "I should ask my own question. > > Now you DO want there", "use magic however - she is not one of those people who have", "a job, although these two are not romantically involved whatsoever. She is a", "can retcon it to make sense and add details (subtle is fine). I", "a catalyst for change in the story, and killing a particular someone would", "catalyst for change in the story, and killing a particular someone would be", "foreign to the land in which our story takes place. She, due to", "be dead or imprisoned, and then somehow survived and managed to escape himself,", "she gives off an aire of grace, intelligence and poise (add to that", "on illusions). I want the answer to not use magic however - she", "This must be done without magic and as subtly as humanly possible. ---", "and MC) meet Vana at the same time. Vana is to poise as", "to keep this character a tightly guarded mystery, and not have that phenomenon", "are not romantically involved whatsoever. She is a strong character in her own", "hidden, but speaks both the old tongue, her language, and the common language", "basic premise of magic - it has essentially all but gone from the", "you want that to be plausible from the beginning. The surprise should be", "duplicate of the this [question](https://writing.stackexchange.com/questions/30437/is-a-character-with-a-hidden-power-too-strong), as it deals with magic or super powers", "me conclude I should ask my own question. > > Now you DO", "in her own right (think Catlyn Stark, Hermonie Granger, Sborbicw in the most", "read and write (a skill she doesn't tend to hide), * multi-lingual (keeps", "not a hidden skillset. 2. Nor is it a dupe of this question,", "for the most part to the undiscerning eye) * basic field medicine and", "made me conclude I should ask my own question. > > Now you", "write (a skill she doesn't tend to hide), * multi-lingual (keeps hidden, but", "magic or super powers not a hidden skillset. 2. Nor is it a", "it has essentially all but gone from the world but a select few", "unless she needs to and even then it's usually through action. She is", "would like her to be a catalyst for change in the story, and", "covered - she has a dagger she uses incidentally in a non-violent manner).", "She is a strong character in her own right (think Catlyn Stark, Hermonie", "- she has a dagger she uses incidentally in a non-violent manner). NOTES", "my finger on the solution. This question [here](https://writing.stackexchange.com/questions/35664/should-foreshadowing-be-close-to-the-main-event/35667#35667) is where I drew some", "How to keep a character's skillset hidden, when it will be key in", "that utilizing some form of foreshadowing is the key to this question ---", "am working on a medieval fantasy story, where there is a basic premise", "kind of. Amadeus' answer briefly touches on it - but doesn't go into", "fantasy story, where there is a basic premise of magic - it has", "have Checkov's gun covered - she has a dagger she uses incidentally in", "medieval fantasy story, where there is a basic premise of magic - it", "Now you DO want there to be an element of surprise or suspense,", "lines, [flashbacks](https://writing.stackexchange.com/questions/46846/writing-longer-flashbacks) (via the MC), and a multitude of characters. The story line", "answer to not use magic however - she is not one of those", "all things he needs her to exploit to accomplish their task. About Vana", "[question](https://writing.stackexchange.com/questions/30437/is-a-character-with-a-hidden-power-too-strong), as it deals with magic or super powers not a hidden skillset.", "MC hires her and brings Vana along for what we could call a", "tightly guarded mystery, and not have that phenomenon in my story. (I have", "> > > 3. I have a feeling that utilizing some form of", "this [question](https://writing.stackexchange.com/questions/30437/is-a-character-with-a-hidden-power-too-strong), as it deals with magic or super powers not a hidden", "this is a skill she keeps hidden and the skill in question actually.", "Leas Ey Mazsini. But I am at a loss as to how to", "few can do basic conjuring (nothing crazy, no wands, no masterful spell casting,", "skillset. 2. Nor is it a dupe of this question, \"[How best to", "is the portion of his answer which made me conclude I should ask", "or super powers not a hidden skillset. 2. Nor is it a dupe", "> Now you DO want there to be an element of surprise or", "TLDR How to keep a character's skillset hidden, when it will be key", "hires her and brings Vana along for what we could call a heist.", "sense and add details (subtle is fine). I would like her to be", "is not one of those people who have that ability, she is not", "to her past, keeps her story hidden and doesn't share much, unless she", "About Vana Vana, is foreign to the land in which our story takes", "line that this concerns directly involves my MC and his \"partner\", let's call", "MC essentially recruited this partner, and we (reader and MC) meet Vana at", "will be key in the story later on? This must be done without", "is * well spoken, and incredibly intelligent * can read and write (a", "want to avoid a situation where this character essentially steals the spotlight for", "story line that this concerns directly involves my MC and his \"partner\", let's", "hires her strictly because she gives off an aire of grace, intelligence and", "two are not romantically involved whatsoever. She is a strong character in her", "accomplish their task. About Vana Vana, is foreign to the land in which", "carry some variant of a [knightly sword](https://en.wikipedia.org/wiki/Knightly_sword)) --- this is a skill she", "the most part to the undiscerning eye) * basic field medicine and herbology", "Vana along for what we could call a heist. He hires her strictly", "needs to and even then it's usually through action. She is * well", "is not a duplicate of the this [question](https://writing.stackexchange.com/questions/30437/is-a-character-with-a-hidden-power-too-strong), as it deals with magic", "can read and write (a skill she doesn't tend to hide), * multi-lingual", "Amadeus' answer briefly touches on it - but doesn't go into detail. Below", "to accomplish their task. About Vana Vana, is foreign to the land in", "skill in question actually. Question How can I write about her, letting tidbits", "well as having no tangible accent (so even being foreign is hidden for", "2. Nor is it a dupe of this question, \"[How best to avoid", "poise as his romantic interest for a job, although these two are not", "or imprisoned, and then somehow survived and managed to escape himself, to get", "I write about her, letting tidbits of the story go into her background", "exploit to accomplish their task. About Vana Vana, is foreign to the land", "the this [question](https://writing.stackexchange.com/questions/30437/is-a-character-with-a-hidden-power-too-strong), as it deals with magic or super powers not a", "there to be an element of surprise or suspense, not that the TP", "she has a dagger she uses incidentally in a non-violent manner). NOTES 1.", "portion of his answer which made me conclude I should ask my own", "them. > > > 3. I have a feeling that utilizing some form", "be key in the story later on? This must be done without magic", "on? This must be done without magic and as subtly as humanly possible.", "so as a result of the story arc? I have gotten far enough", "touches on it - but doesn't go into detail. Below is the portion", "a feeling that utilizing some form of foreshadowing is the key to this", "the beginning. The surprise should be that the reader is led to believe", "there are multiple story lines, [flashbacks](https://writing.stackexchange.com/questions/46846/writing-longer-flashbacks) (via the MC), and a multitude of", "and herbology * she is also excellent with a dagger, too small for", "\"partner\", let's call her Vana. The MC essentially recruited this partner, and we", "but I can't put my finger on the solution. This question [here](https://writing.stackexchange.com/questions/35664/should-foreshadowing-be-close-to-the-main-event/35667#35667) is", "most recent Battlestar Galactica). The MC hires her and brings Vana along for", "killing a particular someone would be the spark that changes things. I want", "established character?](https://writing.stackexchange.com/questions/40199/how-best-to-avoid-the-appearance-of-deus-ex-machina-with-established-character/40201#40201)\" addresses it, kind of. Amadeus' answer briefly touches on it -", "appearance of Leas Ey Mazsini with established character?](https://writing.stackexchange.com/questions/40199/how-best-to-avoid-the-appearance-of-deus-ex-machina-with-established-character/40201#40201)\" addresses it, kind of. Amadeus'", "this character a tightly guarded mystery, and not have that phenomenon in my", "directly involves my MC and his \"partner\", let's call her Vana. The MC", "of the this [question](https://writing.stackexchange.com/questions/30437/is-a-character-with-a-hidden-power-too-strong), as it deals with magic or super powers not", "Ey Mazsini. But I am at a loss as to how to keep", "foreshadowing is the key to this question --- but I can't put my", "through action. She is * well spoken, and incredibly intelligent * can read", "skillset hidden, when it will be key in the story later on? This", "of a [knightly sword](https://en.wikipedia.org/wiki/Knightly_sword)) --- this is a skill she keeps hidden and", "was capable of saving them, you want that to be plausible from the", "of. Amadeus' answer briefly touches on it - but doesn't go into detail.", "character?](https://writing.stackexchange.com/questions/40199/how-best-to-avoid-the-appearance-of-deus-ex-machina-with-established-character/40201#40201)\" addresses it, kind of. Amadeus' answer briefly touches on it - but", "not a duplicate of the this [question](https://writing.stackexchange.com/questions/30437/is-a-character-with-a-hidden-power-too-strong), as it deals with magic or", "to save them. > > > 3. I have a feeling that utilizing", "have gotten far enough in, that I can retcon it to make sense", "to utilize this skill when the required to do so as a result", "magic - it has essentially all but gone from the world but a", "story, where there is a basic premise of magic - it has essentially", "to and even then it's usually through action. She is * well spoken,", "premise of magic - it has essentially all but gone from the world", "sword](https://en.wikipedia.org/wiki/Knightly_sword)) --- this is a skill she keeps hidden and the skill in", "be plausible from the beginning. The surprise should be that the reader is", "romantic interest for a job, although these two are not romantically involved whatsoever.", "land in which our story takes place. She, due to her past, keeps", "The MC essentially recruited this partner, and we (reader and MC) meet Vana", "her language, and the common language of the region) as well as having", "go into detail. Below is the portion of his answer which made me", "doesn't share much, unless she needs to and even then it's usually through", "conclude I should ask my own question. > > Now you DO want", "it will be key in the story later on? This must be done", "background while allowing her to utilize this skill when the required to do", "his romantic interest for a job, although these two are not romantically involved", "too small for a sword (most people carry some variant of a [knightly", "concerns directly involves my MC and his \"partner\", let's call her Vana. The", "Granger, Sborbicw in the most recent Battlestar Galactica). The MC hires her and", "is it a dupe of this question, \"[How best to avoid the appearance", "both the old tongue, her language, and the common language of the region)", "almost bordering on illusions). I want the answer to not use magic however", "(a skill she doesn't tend to hide), * multi-lingual (keeps hidden, but speaks", "of grace, intelligence and poise (add to that she is attractive) - all", "enough in, that I can retcon it to make sense and add details", "my story there are multiple story lines, [flashbacks](https://writing.stackexchange.com/questions/46846/writing-longer-flashbacks) (via the MC), and a", "this question --- but I can't put my finger on the solution. This", "there is a basic premise of magic - it has essentially all but", "we (reader and MC) meet Vana at the same time. Vana is to", "hidden, when it will be key in the story later on? This must", "involved whatsoever. She is a strong character in her own right (think Catlyn", "the reader is led to believe the TP must be dead or imprisoned,", "Now, in my story there are multiple story lines, [flashbacks](https://writing.stackexchange.com/questions/46846/writing-longer-flashbacks) (via the MC),", "hidden for the most part to the undiscerning eye) * basic field medicine", "let's call her Vana. The MC essentially recruited this partner, and we (reader", "possible. --- I am working on a medieval fantasy story, where there is", "poise (add to that she is attractive) - all things he needs her", "to be a catalyst for change in the story, and killing a particular", "partner, and we (reader and MC) meet Vana at the same time. Vana", "is fine). I would like her to be a catalyst for change in", "from the beginning. The surprise should be that the reader is led to", "question. > > Now you DO want there to be an element of", "character's skillset hidden, when it will be key in the story later on?", "share much, unless she needs to and even then it's usually through action.", "do so as a result of the story arc? I have gotten far", "this character essentially steals the spotlight for a moment from our MC via", "and brings Vana along for what we could call a heist. He hires", "key to this question --- but I can't put my finger on the", "of surprise or suspense, not that the TP was capable of saving them,", "a character's skillset hidden, when it will be key in the story later", "off an aire of grace, intelligence and poise (add to that she is", "it a dupe of this question, \"[How best to avoid the appearance of", "usually through action. She is * well spoken, and incredibly intelligent * can", "multi-lingual (keeps hidden, but speaks both the old tongue, her language, and the", "grace, intelligence and poise (add to that she is attractive) - all things", "from the world but a select few can do basic conjuring (nothing crazy,", "a non-violent manner). NOTES 1. This is not a duplicate of the this", "story go into her background while allowing her to utilize this skill when", "and the common language of the region) as well as having no tangible", "(most people carry some variant of a [knightly sword](https://en.wikipedia.org/wiki/Knightly_sword)) --- this is a", "then somehow survived and managed to escape himself, to get there on time", "and his \"partner\", let's call her Vana. The MC essentially recruited this partner,", "- all things he needs her to exploit to accomplish their task. *About", "a situation where this character essentially steals the spotlight for a moment from", "particular someone would be the spark that changes things. I want to avoid", "the world but a select few can do basic conjuring (nothing crazy, no", "in this regard. Now, in my story there are multiple story lines, [flashbacks](https://writing.stackexchange.com/questions/46846/writing-longer-flashbacks)", "escape himself, to get there on time to save them. > > >", "hide), multi-lingual (keeps hidden, but speaks both the old tongue, her language,", "doesn't go into detail. Below is the portion of his answer which made", "story there are multiple story lines, [flashbacks](https://writing.stackexchange.com/questions/46846/writing-longer-flashbacks) (via the MC), and a multitude", "we could call a heist. He hires her strictly because she gives off", "particularly special in this regard. Now, in my story there are multiple story", "time. Vana is to poise as his romantic interest for a job, although", "to not use magic however - she is not one of those people", "brings Vana along for what we could call a heist. He hires her", "MC) meet Vana at the same time. Vana is to poise as his", "to be plausible from the beginning. The surprise should be that the reader", "(via the MC), and a multitude of characters. The story line that this", "situation where this character essentially steals the spotlight for a moment from our", "for a sword (most people carry some variant of a [knightly sword](https://en.wikipedia.org/wiki/Knightly_sword)) ---", "medicine and herbology * she is also excellent with a dagger, too small", "although these two are not romantically involved whatsoever. She is a strong character", "done without magic and as subtly as humanly possible. --- I am working", "is to poise as his romantic interest for a job, although these two", "the region) as well as having no tangible accent (so even being foreign", "drew some of my ideas from for other events within the same story.", "a basic premise of magic - it has essentially all but gone from", "special in this regard. Now, in my story there are multiple story lines,", "I drew some of my ideas from for other events within the same", "of the story arc? I have gotten far enough in, that I can", "their task. About Vana Vana, is foreign to the land in which our", "select few can do basic conjuring (nothing crazy, no wands, no masterful spell", "humanly possible. --- I am working on a medieval fantasy story, where there", "the TP must be dead or imprisoned, and then somehow survived and managed", "change in the story, and killing a particular someone would be the spark", "I am at a loss as to how to keep this character a", "recruited this partner, and we (reader and MC) meet Vana at the same", "task. About Vana Vana, is foreign to the land in which our story", "basic field medicine and herbology * she is also excellent with a dagger,", "without magic and as subtly as humanly possible. --- I am working on", "to keep a character's skillset hidden, when it will be key in the", "that I can retcon it to make sense and add details (subtle is", "moment from our MC via Leas Ey Mazsini. But I am at a", "right (think Catlyn Stark, Hermonie Granger, Sborbicw in the most recent Battlestar Galactica).", "excellent with a dagger, too small for a sword (most people carry some", "that ability, she is not particularly special in this regard. Now, in my", "this question, \"[How best to avoid the appearance of Leas Ey Mazsini with", "not romantically involved whatsoever. She is a strong character in her own right", "Sborbicw in the most recent Battlestar Galactica). The MC hires her and brings", "a sword (most people carry some variant of a [knightly sword](https://en.wikipedia.org/wiki/Knightly_sword)) --- this", "strictly because she gives off an aire of grace, intelligence and poise (add", "* she is also excellent with a dagger, too small for a sword", "Leas Ey Mazsini with established character?](https://writing.stackexchange.com/questions/40199/how-best-to-avoid-the-appearance-of-deus-ex-machina-with-established-character/40201#40201)\" addresses it, kind of. Amadeus' answer briefly", "to how to keep this character a tightly guarded mystery, and not have", "the story go into her background while allowing her to utilize this skill", "surprise or suspense, not that the TP was capable of saving them, you", "to this question --- but I can't put my finger on the solution.", "common language of the region) as well as having no tangible accent (so", "solution. This question [here](https://writing.stackexchange.com/questions/35664/should-foreshadowing-be-close-to-the-main-event/35667#35667) is where I drew some of my ideas from", "then it's usually through action. She is * well spoken, and incredibly intelligent", "our story takes place. She, due to her past, keeps her story hidden", "past, keeps her story hidden and doesn't share much, unless she needs to", "want that to be plausible from the beginning. The surprise should be that", "story takes place. She, due to her past, keeps her story hidden and", "to avoid the appearance of Leas Ey Mazsini with established character?](https://writing.stackexchange.com/questions/40199/how-best-to-avoid-the-appearance-of-deus-ex-machina-with-established-character/40201#40201)\" addresses it,", "avoid a situation where this character essentially steals the spotlight for a moment", "can't put my finger on the solution. This question [here](https://writing.stackexchange.com/questions/35664/should-foreshadowing-be-close-to-the-main-event/35667#35667) is where I", "also excellent with a dagger, too small for a sword (most people carry", "in my story. (I have Checkov's gun covered - she has a dagger", "on time to save them. > > > 3. I have a feeling", "magic however - she is not one of those people who have that", "the undiscerning eye) * basic field medicine and herbology * she is also", "question actually. Question How can I write about her, letting tidbits of the", "of foreshadowing is the key to this question --- but I can't put", "not that the TP was capable of saving them, you want that to", "heist. He hires her strictly because she gives off an aire of grace,", "in the most recent Battlestar Galactica). The MC hires her and brings Vana", "to believe the TP must be dead or imprisoned, and then somehow survived", "dagger, too small for a sword (most people carry some variant of a", "the most recent Battlestar Galactica). The MC hires her and brings Vana along", "when it will be key in the story later on? This must be", "it to make sense and add details (subtle is fine). I would like", "is a skill she keeps hidden and the skill in question actually. Question", "attractive) - all things he needs her to exploit to accomplish their task.", "to make sense and add details (subtle is fine). I would like her", "suspense, not that the TP was capable of saving them, you want that", "to poise as his romantic interest for a job, although these two are", "no tangible accent (so even being foreign is hidden for the most part", "of the story go into her background while allowing her to utilize this", "* multi-lingual (keeps hidden, but speaks both the old tongue, her language, and", "is the key to this question --- but I can't put my finger", "working on a medieval fantasy story, where there is a basic premise of", "hidden and doesn't share much, unless she needs to and even then it's", "later on? This must be done without magic and as subtly as humanly", "survived and managed to escape himself, to get there on time to save", "of magic - it has essentially all but gone from the world but", "story, and killing a particular someone would be the spark that changes things.", "along for what we could call a heist. He hires her strictly because", "a dagger she uses incidentally in a non-violent manner). NOTES 1. This is", "in the story, and killing a particular someone would be the spark that", "[knightly sword](https://en.wikipedia.org/wiki/Knightly_sword)) --- this is a skill she keeps hidden and the skill", "like her to be a catalyst for change in the story, and killing", "I can retcon it to make sense and add details (subtle is fine).", "to exploit to accomplish their task. About Vana Vana, is foreign to the" ]
[ "of the word \"legend\" in google I get: \"a traditional story, sometimes popularly", "I get: \"a traditional story, sometimes popularly regarded as historical, but unauthenticated.\" So", "story 'legend' when the story is told by the protagonist? (Called legend by", "that doesn't exist. But is it contradictory to call a story 'legend' when", "I'm writing a book that's set in fantastic world that doesn't exist. But", "(Called legend by the title?) In order to be called a 'legend', does", "a 'legend', does the story need to be narrated by others, to add", "\"the legend of King Upphur\". I'm writing a book that's set in fantastic", "a legend is a story that is unauthenticated, like \"the legend of King", "the word \"legend\" in google I get: \"a traditional story, sometimes popularly regarded", "But is it contradictory to call a story 'legend' when the story is", "it \"Legend of (name of the protagonist)\". But I'm writing in first person", "the title?) 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But I'm writing", "\"Legend of (name of the protagonist)\". But I'm writing in first person (protagonist).", "is told by the protagonist? (Called legend by the title?) In order to", "regarded as historical, but unauthenticated.\" So a legend is a story that is", "and I plan to call it \"Legend of (name of the protagonist)\". But", "'legend' when the story is told by the protagonist? (Called legend by the", "by the title?) In order to be called a 'legend', does the story", "like \"the legend of King Upphur\". I'm writing a book that's set in", "person (protagonist). Searching the meaning of the word \"legend\" in google I get:", "in google I get: \"a traditional story, sometimes popularly regarded as historical, but", "to call it \"Legend of (name of the protagonist)\". But I'm writing in", "that's set in fantastic world that doesn't exist. But is it contradictory to", "as historical, but unauthenticated.\" So a legend is a story that is unauthenticated,", "it contradictory to call a story 'legend' when the story is told by", "historical, but unauthenticated.\" So a legend is a story that is unauthenticated, like", "the protagonist? (Called legend by the title?) In order to be called a", "the story need to be narrated by others, to add this status of", "order to be called a 'legend', does the story need to be narrated", "Upphur\". I'm writing a book that's set in fantastic world that doesn't exist.", "the story is told by the protagonist? (Called legend by the title?) In", "to call a story 'legend' when the story is told by the protagonist?", "world that doesn't exist. But is it contradictory to call a story 'legend'", "legend by the title?) In order to be called a 'legend', does the", "to be called a 'legend', does the story need to be narrated by", "story is told by the protagonist? (Called legend by the title?) In order", "legend of King Upphur\". I'm writing a book that's set in fantastic world", "does the story need to be narrated by others, to add this status", "But I'm writing in first person (protagonist). Searching the meaning of the word", "when the story is told by the protagonist? (Called legend by the title?)", "\"legend\" in google I get: \"a traditional story, sometimes popularly regarded as historical,", "\"a traditional story, sometimes popularly regarded as historical, but unauthenticated.\" So a legend", "told by the protagonist? (Called legend by the title?) In order to be", "call it \"Legend of (name of the protagonist)\". But I'm writing in first", "(protagonist). Searching the meaning of the word \"legend\" in google I get: \"a", "unauthenticated.\" So a legend is a story that is unauthenticated, like \"the legend", "that is unauthenticated, like \"the legend of King Upphur\". I'm writing a book", "doesn't exist. But is it contradictory to call a story 'legend' when the", "called a 'legend', does the story need to be narrated by others, to", "is a story that is unauthenticated, like \"the legend of King Upphur\". I'm", "In order to be called a 'legend', does the story need to be", "call a story 'legend' when the story is told by the protagonist? (Called", "legend is a story that is unauthenticated, like \"the legend of King Upphur\".", "'legend', does the story need to be narrated by others, to add this", "Searching the meaning of the word \"legend\" in google I get: \"a traditional", "I am writing a book and I plan to call it \"Legend of", "I plan to call it \"Legend of (name of the protagonist)\". But I'm", "story, sometimes popularly regarded as historical, but unauthenticated.\" So a legend is a", "am writing a book and I plan to call it \"Legend of (name", "So a legend is a story that is unauthenticated, like \"the legend of", "unauthenticated, like \"the legend of King Upphur\". I'm writing a book that's set", "protagonist)\". But I'm writing in first person (protagonist). Searching the meaning of the", "I'm writing in first person (protagonist). Searching the meaning of the word \"legend\"", "the meaning of the word \"legend\" in google I get: \"a traditional story,", "is it contradictory to call a story 'legend' when the story is told", "in first person (protagonist). Searching the meaning of the word \"legend\" in google", "fantastic world that doesn't exist. But is it contradictory to call a story", "of (name of the protagonist)\". But I'm writing in first person (protagonist). Searching", "sometimes popularly regarded as historical, but unauthenticated.\" So a legend is a story", "get: \"a traditional story, sometimes popularly regarded as historical, but unauthenticated.\" So a", "the protagonist)\". But I'm writing in first person (protagonist). Searching the meaning of", "google I get: \"a traditional story, sometimes popularly regarded as historical, but unauthenticated.\"", "popularly regarded as historical, but unauthenticated.\" So a legend is a story that", "King Upphur\". I'm writing a book that's set in fantastic world that doesn't", "first person (protagonist). Searching the meaning of the word \"legend\" in google I", "but unauthenticated.\" So a legend is a story that is unauthenticated, like \"the", "(name of the protagonist)\". But I'm writing in first person (protagonist). Searching the", "in fantastic world that doesn't exist. But is it contradictory to call a", "a story 'legend' when the story is told by the protagonist? (Called legend", "be called a 'legend', does the story need to be narrated by others,", "book and I plan to call it \"Legend of (name of the protagonist)\".", "protagonist? (Called legend by the title?) In order to be called a 'legend',", "title?) In order to be called a 'legend', does the story need to", "is unauthenticated, like \"the legend of King Upphur\". I'm writing a book that's", "writing a book and I plan to call it \"Legend of (name of", "writing in first person (protagonist). Searching the meaning of the word \"legend\" in", "a book and I plan to call it \"Legend of (name of the", "story need to be narrated by others, to add this status of 'unauthenticated'?", "contradictory to call a story 'legend' when the story is told by the", "by the protagonist? (Called legend by the title?) In order to be called", "of King Upphur\". I'm writing a book that's set in fantastic world that", "exist. But is it contradictory to call a story 'legend' when the story" ]
[ "tools to give events like the one in the bold text the illusion", "my pawns a little nudge. How can I use these tools to give", "a little nudge. How can I use these tools to give events like", "missing in the forest where Gyv was often seen.* The king orders his", "horrible things, without evidence.* As the writer and as my self-insert in the", "since he's really hungry and just couldn't find a single deer, though he", "and a good reason for Gyv to view humans as dangerous and evil", "dragon. Gyvaris was chilling out on his perch and occasionally going on leisure", "down. He only realizes something is amiss when a crossbow bolt buries into", "and occasionally going on leisure flights while all this was going down. He", "sure there were more than enough for him in the forest.* A shepherd", "realizes something is amiss when a crossbow bolt buries into his neck... This", "He only realizes something is amiss when a crossbow bolt buries into his", "a crossbow bolt buries into his neck...* This gives a good motivation for", "there were more than enough for him in the forest.* A shepherd witnesses", "Gyv to view humans as dangerous and evil invaders, without making either of", "all this was going down. He only realizes something is amiss when a", "still tastes artificial. The entire plot requires us to believe that people believed", "in the forest where Gyv was often seen. The king orders his best", "and kill the dragon. Gyvaris was chilling out on his perch and occasionally", "use these tools to give events like the one in the bold text", "seen. The king orders his best knight to track down and kill the", "just couldn't find a single deer, though he was sure there were more", "a young dragon, steals a sheep from a large flock since he's really", "like the one in the bold text the illusion of being logical and", "good reason for Gyv to view humans as dangerous and evil invaders, without", "best knight to track down and kill the dragon. Gyvaris was chilling out", "king orders his best knight to track down and kill the dragon. Gyvaris", "the dragon. The breaking point comes when a child goes missing in the", "couldn't find a single deer, though he was sure there were more than", "spread about a fearsome monster that ravages the countryside. People blame missing livestock", "crossbow bolt buries into his neck... This gives a good motivation for humans", "a fearsome monster that ravages the countryside. People blame missing livestock on the", "only realizes something is amiss when a crossbow bolt buries into his neck...", "the story, I get to influence how events unfold and occasionally give my", "Gyv was often seen. The king orders his best knight to track down", "enough for him in the forest. A shepherd witnesses the event and rumor", "his neck... This gives a good motivation for humans to want to kill", "was sure there were more than enough for him in the forest.* A", "people believed a single creature, they never knew or heard of before, just", "much kicks the plot in motion: Gyvaris, a young dragon, steals a sheep", "plot in motion: Gyvaris, a young dragon, steals a sheep from a large", "a child goes missing in the forest where Gyv was often seen. The", "and rumor soon starts to spread about a fearsome monster that ravages the", "without making either of them unreasonably bad. Yet it still tastes artificial. The", "to track down and kill the dragon. Gyvaris was chilling out on his", "plot requires us to believe that people believed a single creature, they never", "the forest. A shepherd witnesses the event and rumor soon starts to spread", "started doing horrible things, without evidence.* As the writer and as my self-insert", "starts to spread about a fearsome monster that ravages the countryside. People blame", "writer and as my self-insert in the story, I get to influence how", "a large flock since he's really hungry and just couldn't find a single", "for humans to want to kill Gyv and a good reason for Gyv", "important element of my story as is pretty much kicks the plot in", "a single creature, they never knew or heard of before, just started doing", "evidence. As the writer and as my self-insert in the story, I get", "As the writer and as my self-insert in the story, I get to", "humans to want to kill Gyv and a good reason for Gyv to", "it still tastes artificial. The entire plot requires us to believe that people", "either of them unreasonably bad. Yet it still tastes artificial. *The entire plot", "something is amiss when a crossbow bolt buries into his neck... This gives", "monster that ravages the countryside. People blame missing livestock on the dragon. The", "him in the forest.* A shepherd witnesses the event and rumor soon starts", "more than enough for him in the forest. A shepherd witnesses the event", "find a single deer, though he was sure there were more than enough", "to view humans as dangerous and evil invaders, without making either of them", "view humans as dangerous and evil invaders, without making either of them unreasonably", "events like the one in the bold text the illusion of being logical", "than enough for him in the forest. A shepherd witnesses the event and", "to kill Gyv and a good reason for Gyv to view humans as", "rumor soon starts to spread about a fearsome monster that ravages the countryside.", "an important element of my story as is pretty much kicks the plot", "breaking point comes when a child goes missing in the forest where Gyv", "comes when a child goes missing in the forest where Gyv was often", "evil invaders, without making either of them unreasonably bad. Yet it still tastes", "was often seen. The king orders his best knight to track down and", "his best knight to track down and kill the dragon. Gyvaris was chilling", "this was going down. He only realizes something is amiss when a crossbow", "heard of before, just started doing horrible things, without evidence.* As the writer", "is amiss when a crossbow bolt buries into his neck...* This gives a", "my story as is pretty much kicks the plot in motion: Gyvaris, a", "dragon. The breaking point comes when a child goes missing in the forest", "was chilling out on his perch and occasionally going on leisure flights while", "never knew or heard of before, just started doing horrible things, without evidence.", "to influence how events unfold and occasionally give my pawns a little nudge.", "blame missing livestock on the dragon. The breaking point comes when a child", "humans as dangerous and evil invaders, without making either of them unreasonably bad.", "though he was sure there were more than enough for him in the", "single deer, though he was sure there were more than enough for him", "story, I get to influence how events unfold and occasionally give my pawns", "dangerous and evil invaders, without making either of them unreasonably bad. Yet it", "to want to kill Gyv and a good reason for Gyv to view", "single creature, they never knew or heard of before, just started doing horrible", "knight to track down and kill the dragon. 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The king orders his best knight", "to spread about a fearsome monster that ravages the countryside. People blame missing", "really hungry and just couldn't find a single deer, though he was sure", "on the dragon. The breaking point comes when a child goes missing in", "forest where Gyv was often seen. The king orders his best knight to", "entire plot requires us to believe that people believed a single creature, they", "the writer and as my self-insert in the story, I get to influence", "a good reason for Gyv to view humans as dangerous and evil invaders,", "reason for Gyv to view humans as dangerous and evil invaders, without making", "dragon, steals a sheep from a large flock since he's really hungry and", "large flock since he's really hungry and just couldn't find a single deer,", "and just couldn't find a single deer, though he was sure there were", "in the forest. A shepherd witnesses the event and rumor soon starts to", "invaders, without making either of them unreasonably bad. Yet it still tastes artificial.", "I use these tools to give events like the one in the bold", "he was sure there were more than enough for him in the forest.", "Gyvaris was chilling out on his perch and occasionally going on leisure flights", "steals a sheep from a large flock since he's really hungry and just", "story as is pretty much kicks the plot in motion: Gyvaris, a young", "sheep from a large flock since he's really hungry and just couldn't find", "while all this was going down. He only realizes something is amiss when", "was going down. He only realizes something is amiss when a crossbow bolt", "amiss when a crossbow bolt buries into his neck... This gives a good", "occasionally going on leisure flights while all this was going down. He only", "A shepherd witnesses the event and rumor soon starts to spread about a", "on leisure flights while all this was going down. He only realizes something", "bolt buries into his neck... This gives a good motivation for humans to", "gives a good motivation for humans to want to kill Gyv and a", "a good motivation for humans to want to kill Gyv and a good", "in the story, I get to influence how events unfold and occasionally give", "perch and occasionally going on leisure flights while all this was going down.", "countryside. People blame missing livestock on the dragon. The breaking point comes when", "is an important element of my story as is pretty much kicks the", "The king orders his best knight to track down and kill the dragon.", "as my self-insert in the story, I get to influence how events unfold", "the dragon. Gyvaris was chilling out on his perch and occasionally going on", "and occasionally give my pawns a little nudge. How can I use these", "ravages the countryside. People blame missing livestock on the dragon. The breaking point", "to give events like the one in the bold text the illusion of", "unfold and occasionally give my pawns a little nudge. How can I use", "pretty much kicks the plot in motion: Gyvaris, a young dragon, steals a", "kill the dragon. Gyvaris was chilling out on his perch and occasionally going", "flights while all this was going down. He only realizes something is amiss", "in motion: Gyvaris, a young dragon, steals a sheep from a large flock", "they never knew or heard of before, just started doing horrible things, without", "the one in the bold text the illusion of being logical and \"unavoidable\"?", "This gives a good motivation for humans to want to kill Gyv and", "my self-insert in the story, I get to influence how events unfold and", "when a crossbow bolt buries into his neck... This gives a good motivation", "orders his best knight to track down and kill the dragon. Gyvaris was", "good motivation for humans to want to kill Gyv and a good reason", "motivation for humans to want to kill Gyv and a good reason for", "or heard of before, just started doing horrible things, without evidence. 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He only realizes something is amiss when a crossbow bolt buries", "without evidence.** As the writer and as my self-insert in the story, I", "as dangerous and evil invaders, without making either of them unreasonably bad. Yet", "buries into his neck...* This gives a good motivation for humans to want", "young dragon, steals a sheep from a large flock since he's really hungry", "how events unfold and occasionally give my pawns a little nudge. How can", "How can I use these tools to give events like the one in", "where Gyv was often seen.* The king orders his best knight to track", "witnesses the event and rumor soon starts to spread about a fearsome monster", "deer, though he was sure there were more than enough for him in", "making either of them unreasonably bad. Yet it still tastes artificial. The entire", "of before, just started doing horrible things, without evidence.* As the writer and", "the plot in motion: Gyvaris, a young dragon, steals a sheep from a", "and as my self-insert in the story, I get to influence how events", "events unfold and occasionally give my pawns a little nudge. How can I", "The entire plot requires us to believe that people believed a single creature,", "Gyvaris, a young dragon, steals a sheep from a large flock since he's", "as is pretty much kicks the plot in motion: Gyvaris, a young dragon,", "point comes when a child goes missing in the forest where Gyv was", "when a child goes missing in the forest where Gyv was often seen.", "forest.* A shepherd witnesses the event and rumor soon starts to spread about", "of them unreasonably bad. Yet it still tastes artificial. 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How can I use these tools to give events like the", "he's really hungry and just couldn't find a single deer, though he was", "and evil invaders, without making either of them unreasonably bad. Yet it still", "motion: Gyvaris, a young dragon, steals a sheep from a large flock since", "down and kill the dragon. Gyvaris was chilling out on his perch and", "unreasonably bad. Yet it still tastes artificial. *The entire plot requires us to", "these tools to give events like the one in the bold text the", "kicks the plot in motion: Gyvaris, a young dragon, steals a sheep from", "is pretty much kicks the plot in motion: Gyvaris, a young dragon, steals", "bad. Yet it still tastes artificial. The entire plot requires us to believe", "going on leisure flights while all this was going down. He only realizes", "believed a single creature, they never knew or heard of before, just started", "goes missing in the forest where Gyv was often seen. The king orders", "pawns a little nudge. How can I use these tools to give events", "for Gyv to view humans as dangerous and evil invaders, without making either", "us to believe that people believed a single creature, they never knew or", "to believe that people believed a single creature, they never knew or heard", "things, without evidence.* As the writer and as my self-insert in the story,", "for him in the forest.* A shepherd witnesses the event and rumor soon", "fearsome monster that ravages the countryside. People blame missing livestock on the dragon.", "soon starts to spread about a fearsome monster that ravages the countryside. People", "neck... This gives a good motivation for humans to want to kill Gyv", "into his neck...* This gives a good motivation for humans to want to", "a single deer, though he was sure there were more than enough for", "hungry and just couldn't find a single deer, though he was sure there", "kill Gyv and a good reason for Gyv to view humans as dangerous", "were more than enough for him in the forest.* A shepherd witnesses the", "Yet it still tastes artificial. The entire plot requires us to believe that", "often seen. *The king orders his best knight to track down and kill" ]
[ "actions (which are an expression of their innermost feelings). --- But even armed", "intimate, we'd have less of the characters' innermost feelings and more of their", "sense for the shape of the story. How can I maintain distance, and", "measure, and desired to have lain by her. (Sir Thomas Mallory, Le Morte", "something - a form that makes sense in a tale that is meant", "- I focus on the reign of only one Shah, with him and", "example, in Le Morte Darthur, when Uther Pendragon first meets Igraine, > >", "> > The King liked and loved this lady well, and he made", "structured as a series of interconnected tales: birth of hero Such-and-Such, heroic tale", "In other tales, a character might \"say to himself\" something - a form", "understanding, I still struggle to maintain the required distance.* My narrator feels too", "the [Shahnameh](https://en.wikipedia.org/wiki/Shahnameh) - a Persian epic poem by Abul-Qâsem Ferdowsi. The Shahnameh (the", "sense in a tale that is meant to be spoken rather than read.", "tales: birth of hero Such-and-Such, heroic tale A about him, heroic tale B", "[this answer](https://writing.stackexchange.com/a/48246/14704). --- Now distance doesn't mean that we're not privy to the", "to have lain by her. (Sir Thomas Mallory, Le Morte Darthur, the Wanlhetnec", "would be less intimate, we'd have less of the characters' innermost feelings and", "But overall, the story would be less intimate, we'd have less of the", "less intimate, we'd have less of the characters' innermost feelings and more of", "as a series of interconnected tales: birth of hero Such-and-Such, heroic tale A", "by Helen Cooper, Oxford University Press) > > > In that example, we", "he made them great cheer out of measure, and desired to have lain", "aspect, my story is perhaps comparable to the tales of King Arthur, but", "doesn't mean that we're not privy to the characters' thoughts at all. For", "best knight as my main characters. In that aspect, my story is perhaps", "lain by her. (Sir Thomas Mallory, Le Morte Darthur, the Wanlhetnec manuscript, edited", "Morte Darthur, the Wanlhetnec manuscript, edited by Helen Cooper, Oxford University Press) >", "feels too close, more intimate than makes sense for the shape of the", "to \"work\", for the story to feel like an \"epic\" and a tribute", "this shape to \"work\", for the story to feel like an \"epic\" and", "by the [Shahnameh](https://en.wikipedia.org/wiki/Shahnameh)* - a Persian epic poem by Abul-Qâsem Ferdowsi. The Shahnameh", "heroic tale B about him, hero Such-and-Such gets a wife, heroic tale of", "to the tales of King Arthur, but with significantly less tales of other", "and with it the illusion that this is a tale that's been told", "than read. But overall, the story would be less intimate, we'd have less", "meets Igraine, > > The King liked and loved this lady well, and", "explains the concept in [this answer](https://writing.stackexchange.com/a/48246/14704). --- Now distance doesn't mean that we're", "is taking a similar shape, albeit in a more limited scope - I", "the reader and the protagonists. Rahk Bokek explains the concept in [this answer](https://writing.stackexchange.com/a/48246/14704).", "For this shape to \"work\", for the story to feel like an \"epic\"", "manuscript, edited by Helen Cooper, Oxford University Press) > > > In that", "King Arthur, but with significantly less tales of other knights. Rather, there is", "the characters' innermost feelings and more of their actions (which are an expression", "reign of only one Shah, with him and his best knight as my", "Igraine, > > The King liked and loved this lady well, and he", "with this understanding, I still struggle to maintain the required distance. My narrator", "distance is required between the reader and the protagonists. Rahk Bokek explains the", "it the illusion that this is a tale that's been told and retold?", "cheer out of measure, and desired to have lain by her. (Sir Thomas", "the tales of King Arthur, but with significantly less tales of other knights.", "significantly less tales of other knights. Rather, there is a very definite character", "the reign of only one Shah, with him and his best knight as", "of their innermost feelings). --- But even armed with this understanding, *I still", "first meets Igraine, > > The King liked and loved this lady well,", "have lain by her. (Sir Thomas Mallory, Le Morte Darthur, the Wanlhetnec manuscript,", "privy to the characters' thoughts at all. For example, in Le Morte Darthur,", "told rather than shown Uther's desire. In other tales, a character might \"say", "a novel inspired by the [Shahnameh](https://en.wikipedia.org/wiki/Shahnameh)* - a Persian epic poem by Abul-Qâsem", "a certain distance is required between the reader and the protagonists. Rahk Bokek", "is a tale that's been told and retold? What elements am I missing?", "limited scope - I focus on the reign of only one Shah, with", "Such-and-Such's son, and so on. My novel is taking a similar shape, albeit", "wife, heroic tale of Such-and-Such's son, and so on. My novel is taking", "story would be less intimate, we'd have less of the characters' innermost feelings", "that makes sense in a tale that is meant to be spoken rather", "Persian epic poem by Abul-Qâsem Ferdowsi. The Shahnameh (the title means \"The Book", "Book of Kings\") is structured as a series of interconnected tales: birth of", "Such-and-Such gets a wife, heroic tale of Such-and-Such's son, and so on. My", "reader and the protagonists. Rahk Bokek explains the concept in [this answer](https://writing.stackexchange.com/a/48246/14704). ---", "not privy to the characters' thoughts at all. For example, in Le Morte", "For example, in Le Morte Darthur, when Uther Pendragon first meets Igraine, >", "(which are an expression of their innermost feelings). --- But even armed with", "more of their actions (which are an expression of their innermost feelings). ---", "shown Uther's desire. In other tales, a character might \"say to himself\" something", "like an \"epic\" and a tribute to older epics, I feel a certain", "older epics, I feel a certain distance is required between the reader and", "illusion that this is a tale that's been told and retold? What elements", "of their actions (which are an expression of their innermost feelings). --- But", "shape, albeit in a more limited scope - I focus on the reign", "working on a novel inspired by the [Shahnameh](https://en.wikipedia.org/wiki/Shahnameh)* - a Persian epic poem", "even armed with this understanding, I still struggle to maintain the required distance.", "to feel like an \"epic\" and a tribute to older epics, I feel", "the story would be less intimate, we'd have less of the characters' innermost", "both main characters. It's just hidden within the individual tales. For this shape", "distance. My narrator feels too close, more intimate than makes sense for the", "one Shah, with him and his best knight as my main characters. In", "maintain distance, and with it the illusion that this is a tale that's", "main characters. In that aspect, my story is perhaps comparable to the tales", "very definite character arc for both main characters. It's just hidden within the", "and his best knight as my main characters. In that aspect, my story", "Now distance doesn't mean that we're not privy to the characters' thoughts at", "spoken rather than read. But overall, the story would be less intimate, we'd", "inspired by the [Shahnameh](https://en.wikipedia.org/wiki/Shahnameh)* - a Persian epic poem by Abul-Qâsem Ferdowsi. The", "with it the illusion that this is a tale that's been told and", "for the shape of the story. How can I maintain distance, and with", "have less of the characters' innermost feelings and more of their actions (which", "albeit in a more limited scope - I focus on the reign of", "liked and loved this lady well, and he made them great cheer out", "a Persian epic poem by Abul-Qâsem Ferdowsi. The Shahnameh (the title means \"The", "gets a wife, heroic tale of Such-and-Such's son, and so on. My novel", "characters' innermost feelings and more of their actions (which are an expression of", "the story. How can I maintain distance, and with it the illusion that", "epics, I feel a certain distance is required between the reader and the", "distance doesn't mean that we're not privy to the characters' thoughts at all.", "lady well, and he made them great cheer out of measure, and desired", "son, and so on. My novel is taking a similar shape, albeit in", "Shahnameh (the title means \"The Book of Kings\") is structured as a series", "makes sense for the shape of the story. How can I maintain distance,", "heroic tale of Such-and-Such's son, and so on. My novel is taking a", "Wanlhetnec manuscript, edited by Helen Cooper, Oxford University Press) > > > In", "Oxford University Press) > > > In that example, we are told rather", "innermost feelings). --- But even armed with this understanding, *I still struggle to", "tales. For this shape to \"work\", for the story to feel like an", "with him and his best knight as my main characters. In that aspect,", "epic poem by Abul-Qâsem Ferdowsi. The Shahnameh (the title means \"The Book of", "that we're not privy to the characters' thoughts at all. For example, in", "a very definite character arc for both main characters. It's just hidden within", "shape to \"work\", for the story to feel like an \"epic\" and a", "a tribute to older epics, I feel a certain distance is required between", "with significantly less tales of other knights. Rather, there is a very definite", "\"say to himself\" something - a form that makes sense in a tale", "tale that is meant to be spoken rather than read. But overall, the", "less of the characters' innermost feelings and more of their actions (which are", "series of interconnected tales: birth of hero Such-and-Such, heroic tale A about him,", "their actions (which are an expression of their innermost feelings). --- But even", "individual tales. For this shape to \"work\", for the story to feel like", "story is perhaps comparable to the tales of King Arthur, but with significantly", "of hero Such-and-Such, heroic tale A about him, heroic tale B about him,", "there is a very definite character arc for both main characters. It's just", "Mallory, Le Morte Darthur, the Wanlhetnec manuscript, edited by Helen Cooper, Oxford University", "means \"The Book of Kings\") is structured as a series of interconnected tales:", "a more limited scope - I focus on the reign of only one", "character arc for both main characters. It's just hidden within the individual tales.", "meant to be spoken rather than read. But overall, the story would be", "hidden within the individual tales. For this shape to \"work\", for the story", "my story is perhaps comparable to the tales of King Arthur, but with", "of other knights. Rather, there is a very definite character arc for both", "focus on the reign of only one Shah, with him and his best", "on the reign of only one Shah, with him and his best knight", "I feel a certain distance is required between the reader and the protagonists.", "that this is a tale that's been told and retold? What elements am", "Rahk Bokek explains the concept in [this answer](https://writing.stackexchange.com/a/48246/14704). --- Now distance doesn't mean", "I am working on a novel inspired by the [Shahnameh](https://en.wikipedia.org/wiki/Shahnameh)* - a Persian", "(the title means \"The Book of Kings\") is structured as a series of", "perhaps comparable to the tales of King Arthur, but with significantly less tales", "In that example, we are told rather than shown Uther's desire. In other", "protagonists. Rahk Bokek explains the concept in [this answer](https://writing.stackexchange.com/a/48246/14704). --- Now distance doesn't", "shape of the story. How can I maintain distance, and with it the", "a form that makes sense in a tale that is meant to be", "the individual tales. For this shape to \"work\", for the story to feel", "struggle to maintain the required distance.** My narrator feels too close, more intimate", "a character might \"say to himself\" something - a form that makes sense", "Kings\") is structured as a series of interconnected tales: birth of hero Such-and-Such,", "and loved this lady well, and he made them great cheer out of", "is required between the reader and the protagonists. Rahk Bokek explains the concept", "B about him, hero Such-and-Such gets a wife, heroic tale of Such-and-Such's son,", "In that aspect, my story is perhaps comparable to the tales of King", "--- Now distance doesn't mean that we're not privy to the characters' thoughts", "so on. My novel is taking a similar shape, albeit in a more", "too close, more intimate than makes sense for the shape of the story.", "birth of hero Such-and-Such, heroic tale A about him, heroic tale B about", "Helen Cooper, Oxford University Press) > > > In that example, we are", "story to feel like an \"epic\" and a tribute to older epics, I", "knights. Rather, there is a very definite character arc for both main characters.", "A about him, heroic tale B about him, hero Such-and-Such gets a wife,", "be spoken rather than read. But overall, the story would be less intimate,", "University Press) > > > In that example, we are told rather than", "Press) > > > In that example, we are told rather than shown", "of King Arthur, but with significantly less tales of other knights. Rather, there", "concept in [this answer](https://writing.stackexchange.com/a/48246/14704). --- Now distance doesn't mean that we're not privy", "and a tribute to older epics, I feel a certain distance is required", "the characters' thoughts at all. For example, in Le Morte Darthur, when Uther", "\"epic\" and a tribute to older epics, I feel a certain distance is", "be less intimate, we'd have less of the characters' innermost feelings and more", "is a very definite character arc for both main characters. It's just hidden", "the protagonists. Rahk Bokek explains the concept in [this answer](https://writing.stackexchange.com/a/48246/14704). --- Now distance", "other knights. Rather, there is a very definite character arc for both main", "a tale that is meant to be spoken rather than read. But overall,", "taking a similar shape, albeit in a more limited scope - I focus", "a similar shape, albeit in a more limited scope - I focus on", "makes sense in a tale that is meant to be spoken rather than", "in a more limited scope - I focus on the reign of only", "this lady well, and he made them great cheer out of measure, and", "Le Morte Darthur, when Uther Pendragon first meets Igraine, > > The King", "I focus on the reign of only one Shah, with him and his", "character might \"say to himself\" something - a form that makes sense in", "them great cheer out of measure, and desired to have lain by her.", "can I maintain distance, and with it the illusion that this is a", "Morte Darthur, when Uther Pendragon first meets Igraine, > > The King liked", "tale of Such-and-Such's son, and so on. My novel is taking a similar", "title means \"The Book of Kings\") is structured as a series of interconnected", "an expression of their innermost feelings). --- But even armed with this understanding,", "the story to feel like an \"epic\" and a tribute to older epics,", "characters. In that aspect, my story is perhaps comparable to the tales of", "still struggle to maintain the required distance.** My narrator feels too close, more", "characters' thoughts at all. For example, in Le Morte Darthur, when Uther Pendragon", "tales of King Arthur, but with significantly less tales of other knights. Rather,", "himself\" something - a form that makes sense in a tale that is", "> > In that example, we are told rather than shown Uther's desire.", "tales of other knights. Rather, there is a very definite character arc for", "distance, and with it the illusion that this is a tale that's been", "about him, heroic tale B about him, hero Such-and-Such gets a wife, heroic", "to himself\" something - a form that makes sense in a tale that", "- a form that makes sense in a tale that is meant to", "to older epics, I feel a certain distance is required between the reader", "the required distance. My narrator feels too close, more intimate than makes sense", "of only one Shah, with him and his best knight as my main", "- a Persian epic poem by Abul-Qâsem Ferdowsi. The Shahnameh (the title means", "Darthur, the Wanlhetnec manuscript, edited by Helen Cooper, Oxford University Press) > >", "him, hero Such-and-Such gets a wife, heroic tale of Such-and-Such's son, and so", "hero Such-and-Such gets a wife, heroic tale of Such-and-Such's son, and so on.", "Le Morte Darthur, the Wanlhetnec manuscript, edited by Helen Cooper, Oxford University Press)", "example, we are told rather than shown Uther's desire. In other tales, a", "rather than read. But overall, the story would be less intimate, we'd have", "read. But overall, the story would be less intimate, we'd have less of", "in [this answer](https://writing.stackexchange.com/a/48246/14704). --- Now distance doesn't mean that we're not privy to", "tales, a character might \"say to himself\" something - a form that makes", "characters. It's just hidden within the individual tales. For this shape to \"work\",", "My novel is taking a similar shape, albeit in a more limited scope", "feel like an \"epic\" and a tribute to older epics, I feel a", "definite character arc for both main characters. It's just hidden within the individual", "thoughts at all. For example, in Le Morte Darthur, when Uther Pendragon first", "between the reader and the protagonists. Rahk Bokek explains the concept in [this", "of the story. How can I maintain distance, and with it the illusion", "her. (Sir Thomas Mallory, Le Morte Darthur, the Wanlhetnec manuscript, edited by Helen", "novel is taking a similar shape, albeit in a more limited scope -", "and so on. My novel is taking a similar shape, albeit in a", "and more of their actions (which are an expression of their innermost feelings).", "interconnected tales: birth of hero Such-and-Such, heroic tale A about him, heroic tale", "Bokek explains the concept in [this answer](https://writing.stackexchange.com/a/48246/14704). --- Now distance doesn't mean that", "my main characters. In that aspect, my story is perhaps comparable to the", "> The King liked and loved this lady well, and he made them", "more intimate than makes sense for the shape of the story. How can", "required distance.* My narrator feels too close, more intimate than makes sense for", "certain distance is required between the reader and the protagonists. Rahk Bokek explains", "to the characters' thoughts at all. For example, in Le Morte Darthur, when", "feelings and more of their actions (which are an expression of their innermost", "My narrator feels too close, more intimate than makes sense for the shape", "of Kings\") is structured as a series of interconnected tales: birth of hero", "made them great cheer out of measure, and desired to have lain by", "less tales of other knights. Rather, there is a very definite character arc", "Arthur, but with significantly less tales of other knights. Rather, there is a", "when Uther Pendragon first meets Igraine, > > The King liked and loved", "--- But even armed with this understanding, I still struggle to maintain the", "How can I maintain distance, and with it the illusion that this is", "that example, we are told rather than shown Uther's desire. In other tales,", "the illusion that this is a tale that's been told and retold? What", "required between the reader and the protagonists. Rahk Bokek explains the concept in", "at all. For example, in Le Morte Darthur, when Uther Pendragon first meets", "Pendragon first meets Igraine, > > The King liked and loved this lady", "I maintain distance, and with it the illusion that this is a tale", "close, more intimate than makes sense for the shape of the story. How", "armed with this understanding, I still struggle to maintain the required distance.* My", "> In that example, we are told rather than shown Uther's desire. In", "all. For example, in Le Morte Darthur, when Uther Pendragon first meets Igraine,", "tale A about him, heroic tale B about him, hero Such-and-Such gets a", "Cooper, Oxford University Press) > > > In that example, we are told", "is perhaps comparable to the tales of King Arthur, but with significantly less", "> > > In that example, we are told rather than shown Uther's", "tale B about him, hero Such-and-Such gets a wife, heroic tale of Such-and-Such's", "on a novel inspired by the [Shahnameh](https://en.wikipedia.org/wiki/Shahnameh)* - a Persian epic poem by", "It's just hidden within the individual tales. For this shape to \"work\", for", "than makes sense for the shape of the story. *How can I maintain", "Such-and-Such, heroic tale A about him, heroic tale B about him, hero Such-and-Such", "comparable to the tales of King Arthur, but with significantly less tales of", "Rather, there is a very definite character arc for both main characters. It's", "more limited scope - I focus on the reign of only one Shah,", "Abul-Qâsem Ferdowsi. The Shahnameh (the title means \"The Book of Kings\") is structured", "well, and he made them great cheer out of measure, and desired to", "of Such-and-Such's son, and so on. My novel is taking a similar shape,", "than shown Uther's desire. In other tales, a character might \"say to himself\"", "great cheer out of measure, and desired to have lain by her. (Sir", "desire. In other tales, a character might \"say to himself\" something - a", "knight as my main characters. In that aspect, my story is perhaps comparable", "But even armed with this understanding, I still struggle to maintain the required", "him, heroic tale B about him, hero Such-and-Such gets a wife, heroic tale", "the concept in [this answer](https://writing.stackexchange.com/a/48246/14704). --- Now distance doesn't mean that we're not", "we're not privy to the characters' thoughts at all. For example, in Le", "that aspect, my story is perhaps comparable to the tales of King Arthur,", "just hidden within the individual tales. For this shape to \"work\", for the", "Thomas Mallory, Le Morte Darthur, the Wanlhetnec manuscript, edited by Helen Cooper, Oxford", "of interconnected tales: birth of hero Such-and-Such, heroic tale A about him, heroic", "rather than shown Uther's desire. In other tales, a character might \"say to", "an \"epic\" and a tribute to older epics, I feel a certain distance", "a series of interconnected tales: birth of hero Such-and-Such, heroic tale A about", "the shape of the story. How can I maintain distance, and with it", "to be spoken rather than read. But overall, the story would be less", "scope - I focus on the reign of only one Shah, with him", "this understanding, I still struggle to maintain the required distance. My narrator feels", "Shah, with him and his best knight as my main characters. In that", "to maintain the required distance.** My narrator feels too close, more intimate than", "his best knight as my main characters. In that aspect, my story is", "desired to have lain by her. (Sir Thomas Mallory, Le Morte Darthur, the", "arc for both main characters. It's just hidden within the individual tales. For", "only one Shah, with him and his best knight as my main characters.", "him and his best knight as my main characters. In that aspect, my", "The King liked and loved this lady well, and he made them great", "intimate than makes sense for the shape of the story. *How can I", "is meant to be spoken rather than read. But overall, the story would", "narrator feels too close, more intimate than makes sense for the shape of", "mean that we're not privy to the characters' thoughts at all. For example,", "we'd have less of the characters' innermost feelings and more of their actions", "out of measure, and desired to have lain by her. (Sir Thomas Mallory,", "in a tale that is meant to be spoken rather than read. But", "of the characters' innermost feelings and more of their actions (which are an", "innermost feelings and more of their actions (which are an expression of their", "The Shahnameh (the title means \"The Book of Kings\") is structured as a", "the Wanlhetnec manuscript, edited by Helen Cooper, Oxford University Press) > > >", "overall, the story would be less intimate, we'd have less of the characters'", "this is a tale that's been told and retold? What elements am I", "maintain the required distance.* My narrator feels too close, more intimate than makes", "\"The Book of Kings\") is structured as a series of interconnected tales: birth", "hero Such-and-Such, heroic tale A about him, heroic tale B about him, hero", "main characters. It's just hidden within the individual tales. For this shape to", "Darthur, when Uther Pendragon first meets Igraine, > > The King liked and", "a wife, heroic tale of Such-and-Such's son, and so on. My novel is", "but with significantly less tales of other knights. Rather, there is a very", "within the individual tales. For this shape to \"work\", for the story to", "Ferdowsi. The Shahnameh (the title means \"The Book of Kings\") is structured as", "we are told rather than shown Uther's desire. In other tales, a character", "edited by Helen Cooper, Oxford University Press) > > > In that example,", "and he made them great cheer out of measure, and desired to have", "on. My novel is taking a similar shape, albeit in a more limited", "[Shahnameh](https://en.wikipedia.org/wiki/Shahnameh)* - a Persian epic poem by Abul-Qâsem Ferdowsi. The Shahnameh (the title", "of measure, and desired to have lain by her. (Sir Thomas Mallory, Le", "(Sir Thomas Mallory, Le Morte Darthur, the Wanlhetnec manuscript, edited by Helen Cooper,", "I still struggle to maintain the required distance.* My narrator feels too close,", "by her. (Sir Thomas Mallory, Le Morte Darthur, the Wanlhetnec manuscript, edited by", "that is meant to be spoken rather than read. But overall, the story", "King liked and loved this lady well, and he made them great cheer", "heroic tale A about him, heroic tale B about him, hero Such-and-Such gets", "and the protagonists. Rahk Bokek explains the concept in [this answer](https://writing.stackexchange.com/a/48246/14704). --- Now", "\"work\", for the story to feel like an \"epic\" and a tribute to", "as my main characters. In that aspect, my story is perhaps comparable to", "other tales, a character might \"say to himself\" something - a form that", "story. How can I maintain distance, and with it the illusion that this", "Uther's desire. In other tales, a character might \"say to himself\" something -", "novel inspired by the [Shahnameh](https://en.wikipedia.org/wiki/Shahnameh) - a Persian epic poem by Abul-Qâsem Ferdowsi.", "about him, hero Such-and-Such gets a wife, heroic tale of Such-and-Such's son, and", "for both main characters. It's just hidden within the individual tales. For this", "similar shape, albeit in a more limited scope - I focus on the", "by Abul-Qâsem Ferdowsi. The Shahnameh (the title means \"The Book of Kings\") is", "expression of their innermost feelings). --- But even armed with this understanding, *I", "and desired to have lain by her. (Sir Thomas Mallory, Le Morte Darthur,", "answer](https://writing.stackexchange.com/a/48246/14704). --- Now distance doesn't mean that we're not privy to the characters'", "are told rather than shown Uther's desire. In other tales, a character might", "form that makes sense in a tale that is meant to be spoken", "their innermost feelings). --- But even armed with this understanding, I still struggle", "poem by Abul-Qâsem Ferdowsi. The Shahnameh (the title means \"The Book of Kings\")", "for the story to feel like an \"epic\" and a tribute to older", "Uther Pendragon first meets Igraine, > > The King liked and loved this", "might \"say to himself\" something - a form that makes sense in a", "is structured as a series of interconnected tales: birth of hero Such-and-Such, heroic", "are an expression of their innermost feelings). --- But even armed with this", "tribute to older epics, I feel a certain distance is required between the", "feel a certain distance is required between the reader and the protagonists. Rahk", "loved this lady well, and he made them great cheer out of measure,", "in Le Morte Darthur, when Uther Pendragon first meets Igraine, > > The", "feelings). --- But even armed with this understanding, I still struggle to maintain", "am working on a novel inspired by the [Shahnameh](https://en.wikipedia.org/wiki/Shahnameh)* - a Persian epic" ]
[ "and the separate mental health issue of addiction. Assume also that the external", "a novel? Is there a general rule to determine how many character flaws", "few good points. I'm very satisfied with where she is at. As I", "connect the internal and external conflicts however, it seems that there is a", "to the flaws. Maybe this person has to care for their parent suffering", "resolved? How much the character can change in a novel? Is there a", "How much the character can change in a novel? Is there a general", "this person has to care for their parent suffering from dementia. Can all", "paranoia symptoms, difficulty with relationships, and the separate mental health issue of addiction.", "good points. I'm very satisfied with where she is at. As I begin", "from addiction. Assume those are 3 distinct problems: The larger mental health issues", "separate mental health issue of addiction. Assume also that the external conflict is", "of flaws that can ultimately lead to the external conflict resolution. Take the", "seems that there is a limit to the number of flaws that can", "external conflicts however, it seems that there is a limit to the number", "flawed with a few good points. I'm very satisfied with where she is", "to the external conflict resolution. Take the example of a paranoid loner suffering", "all three of these character flaws be resolved? How much the character can", "to the number of flaws that can ultimately lead to the external conflict", "however, it seems that there is a limit to the number of flaws", "mental health issue of addiction. Assume also that the external conflict is unrelated", "unrelated to the flaws. Maybe this person has to care for their parent", "begin to connect the internal and external conflicts however, it seems that there", "novel? Is there a general rule to determine how many character flaws can", "resulting in paranoia symptoms, difficulty with relationships, and the separate mental health issue", "with where she is at. As I begin to connect the internal and", "points. I'm very satisfied with where she is at. As I begin to", "the number of flaws that can ultimately lead to the external conflict resolution.", "symptoms, difficulty with relationships, and the separate mental health issue of addiction. Assume", "Take the example of a paranoid loner suffering from addiction. Assume those are", "Maybe this person has to care for their parent suffering from dementia. Can", "a few good points. I'm very satisfied with where she is at. As", "Assume also that the external conflict is unrelated to the flaws. Maybe this", "health issue of addiction. Assume also that the external conflict is unrelated to", "larger mental health issues resulting in paranoia symptoms, difficulty with relationships, and the", "suffering from dementia. Can all three of these character flaws be resolved? How", "paranoid loner suffering from addiction. Assume those are 3 distinct problems: The larger", "and external conflicts however, it seems that there is a limit to the", "three of these character flaws be resolved? How much the character can change", "3 distinct problems: The larger mental health issues resulting in paranoia symptoms, difficulty", "very satisfied with where she is at. As I begin to connect the", "realistically flawed with a few good points. I'm very satisfied with where she", "external conflict is unrelated to the flaws. Maybe this person has to care", "problems: The larger mental health issues resulting in paranoia symptoms, difficulty with relationships,", "Is there a general rule to determine how many character flaws can be", "dementia. Can all three of these character flaws be resolved? How much the", "where she is at. As I begin to connect the internal and external", "the flaws. Maybe this person has to care for their parent suffering from", "their parent suffering from dementia. Can all three of these character flaws be", "example of a paranoid loner suffering from addiction. Assume those are 3 distinct", "rule to determine how many character flaws can be fixed? [This question about", "general rule to determine how many character flaws can be fixed? [This question", "is unrelated to the flaws. Maybe this person has to care for their", "conflicts however, it seems that there is a limit to the number of", "number of flaws that can ultimately lead to the external conflict resolution. Take", "to connect the internal and external conflicts however, it seems that there is", "has to care for their parent suffering from dementia. Can all three of", "is realistically flawed with a few good points. I'm very satisfied with where", "to care for their parent suffering from dementia. Can all three of these", "for their parent suffering from dementia. Can all three of these character flaws", "suffering from addiction. Assume those are 3 distinct problems: The larger mental health", "there is a limit to the number of flaws that can ultimately lead", "distinct problems: The larger mental health issues resulting in paranoia symptoms, difficulty with", "limit to the number of flaws that can ultimately lead to the external", "there a general rule to determine how many character flaws can be fixed?", "flaws be resolved? How much the character can change in a novel? Is", "of a paranoid loner suffering from addiction. Assume those are 3 distinct problems:", "that the external conflict is unrelated to the flaws. Maybe this person has", "that can ultimately lead to the external conflict resolution. Take the example of", "issues resulting in paranoia symptoms, difficulty with relationships, and the separate mental health", "mental health issues resulting in paranoia symptoms, difficulty with relationships, and the separate", "be resolved? How much the character can change in a novel? Is there", "in a novel? Is there a general rule to determine how many character", "person has to care for their parent suffering from dementia. Can all three", "can change in a novel? Is there a general rule to determine how", "she is at. As I begin to connect the internal and external conflicts", "loner suffering from addiction. Assume those are 3 distinct problems: The larger mental", "As I begin to connect the internal and external conflicts however, it seems", "health issues resulting in paranoia symptoms, difficulty with relationships, and the separate mental", "much the character can change in a novel? Is there a general rule", "Assume those are 3 distinct problems: The larger mental health issues resulting in", "addiction. Assume also that the external conflict is unrelated to the flaws. Maybe", "change in a novel? Is there a general rule to determine how many", "those are 3 distinct problems: The larger mental health issues resulting in paranoia", "My main character is realistically flawed with a few good points. I'm very", "addiction. Assume those are 3 distinct problems: The larger mental health issues resulting", "external conflict resolution. Take the example of a paranoid loner suffering from addiction.", "with a few good points. I'm very satisfied with where she is at.", "satisfied with where she is at. As I begin to connect the internal", "in paranoia symptoms, difficulty with relationships, and the separate mental health issue of", "issue of addiction. Assume also that the external conflict is unrelated to the", "these character flaws be resolved? How much the character can change in a", "conflict resolution. Take the example of a paranoid loner suffering from addiction. Assume", "Can all three of these character flaws be resolved? How much the character", "The larger mental health issues resulting in paranoia symptoms, difficulty with relationships, and", "the character can change in a novel? Is there a general rule to", "flaws that can ultimately lead to the external conflict resolution. Take the example", "at. As I begin to connect the internal and external conflicts however, it", "can ultimately lead to the external conflict resolution. Take the example of a", "also that the external conflict is unrelated to the flaws. Maybe this person", "the external conflict is unrelated to the flaws. Maybe this person has to", "the example of a paranoid loner suffering from addiction. Assume those are 3", "the internal and external conflicts however, it seems that there is a limit", "main character is realistically flawed with a few good points. I'm very satisfied", "character is realistically flawed with a few good points. I'm very satisfied with", "determine how many character flaws can be fixed? [This question about flaws](http://Do%20Character%20Flaws%20Need%20to%20Be%20Overcome?) helped.", "ultimately lead to the external conflict resolution. Take the example of a paranoid", "from dementia. Can all three of these character flaws be resolved? How much", "I begin to connect the internal and external conflicts however, it seems that", "the external conflict resolution. Take the example of a paranoid loner suffering from", "is at. As I begin to connect the internal and external conflicts however,", "care for their parent suffering from dementia. Can all three of these character", "conflict is unrelated to the flaws. Maybe this person has to care for", "is a limit to the number of flaws that can ultimately lead to", "difficulty with relationships, and the separate mental health issue of addiction. Assume also", "parent suffering from dementia. Can all three of these character flaws be resolved?", "of these character flaws be resolved? How much the character can change in", "that there is a limit to the number of flaws that can ultimately", "a limit to the number of flaws that can ultimately lead to the", "lead to the external conflict resolution. Take the example of a paranoid loner", "to determine how many character flaws can be fixed? [This question about flaws](http://Do%20Character%20Flaws%20Need%20to%20Be%20Overcome?)", "a paranoid loner suffering from addiction. Assume those are 3 distinct problems: The", "relationships, and the separate mental health issue of addiction. Assume also that the", "it seems that there is a limit to the number of flaws that", "character flaws be resolved? How much the character can change in a novel?", "resolution. Take the example of a paranoid loner suffering from addiction. Assume those", "with relationships, and the separate mental health issue of addiction. Assume also that", "are 3 distinct problems: The larger mental health issues resulting in paranoia symptoms,", "internal and external conflicts however, it seems that there is a limit to", "the separate mental health issue of addiction. Assume also that the external conflict", "flaws. Maybe this person has to care for their parent suffering from dementia.", "a general rule to determine how many character flaws can be fixed? [This", "I'm very satisfied with where she is at. As I begin to connect", "of addiction. Assume also that the external conflict is unrelated to the flaws.", "character can change in a novel? Is there a general rule to determine" ]
[ "for characters speaking to each other? As far as quotations, or without them?", "speaking to each other? As far as quotations, or without them? Are they", "as quotations, or without them? Are they hinged inside a paragraph or ruled", "to each other? As far as quotations, or without them? Are they hinged", "and fast rules for characters speaking to each other? As far as quotations,", "or without them? Are they hinged inside a paragraph or ruled to only", "hard and fast rules for characters speaking to each other? As far as", "fast rules for characters speaking to each other? As far as quotations, or", "each other? As far as quotations, or without them? Are they hinged inside", "rules for characters speaking to each other? As far as quotations, or without", "they hinged inside a paragraph or ruled to only be in a talking", "them? Are they hinged inside a paragraph or ruled to only be in", "Are they hinged inside a paragraph or ruled to only be in a", "Are there hard and fast rules for characters speaking to each other? As", "other? As far as quotations, or without them? Are they hinged inside a", "As far as quotations, or without them? Are they hinged inside a paragraph", "far as quotations, or without them? Are they hinged inside a paragraph or", "hinged inside a paragraph or ruled to only be in a talking string?", "characters speaking to each other? As far as quotations, or without them? Are", "there hard and fast rules for characters speaking to each other? As far", "quotations, or without them? Are they hinged inside a paragraph or ruled to", "without them? Are they hinged inside a paragraph or ruled to only be" ]
[ "should be banned, etc. How are short-short pieces like this structured in order", "How are short-short pieces like this structured in order to be both complete", "your fondest childhood memory/comment: homework should be banned, etc. How are short-short pieces", "like this structured in order to be both complete and successful with so", "length. Examples: write about your fondest childhood memory/comment: homework should be banned, etc.", "fondest childhood memory/comment: homework should be banned, etc. How are short-short pieces like", "narrative of only 80 words in length. Examples: write about your fondest childhood", "this structured in order to be both complete and successful with so few", "only 80 words in length. Examples: write about your fondest childhood memory/comment: homework", "of only 80 words in length. Examples: write about your fondest childhood memory/comment:", "to write an opinion, narrative of only 80 words in length. Examples: write", "banned, etc. How are short-short pieces like this structured in order to be", "in length. Examples: write about your fondest childhood memory/comment: homework should be banned,", "are short-short pieces like this structured in order to be both complete and", "write about your fondest childhood memory/comment: homework should be banned, etc. How are", "I need to write an opinion, narrative of only 80 words in length.", "be banned, etc. How are short-short pieces like this structured in order to", "etc. How are short-short pieces like this structured in order to be both", "write an opinion, narrative of only 80 words in length. Examples: write about", "homework should be banned, etc. How are short-short pieces like this structured in", "need to write an opinion, narrative of only 80 words in length. Examples:", "opinion, narrative of only 80 words in length. Examples: write about your fondest", "about your fondest childhood memory/comment: homework should be banned, etc. How are short-short", "childhood memory/comment: homework should be banned, etc. How are short-short pieces like this", "words in length. Examples: write about your fondest childhood memory/comment: homework should be", "memory/comment: homework should be banned, etc. How are short-short pieces like this structured", "80 words in length. Examples: write about your fondest childhood memory/comment: homework should", "structured in order to be both complete and successful with so few words?", "Examples: write about your fondest childhood memory/comment: homework should be banned, etc. How", "short-short pieces like this structured in order to be both complete and successful", "an opinion, narrative of only 80 words in length. Examples: write about your", "pieces like this structured in order to be both complete and successful with" ]
[ "quite inspired by star trek, but I don't want to copy from their", "area that I don't know what to do about. I've read one or", "I don't know what to do about. I've read one or two things", "but I don't want to copy from their work but There's a lot", "currently writing a sci-fi/fantasy novel that mostly takes place on a star/space-ship but", "drives. I am however quite inspired by star trek, but I don't want", "on what a person in Sci-fi in general can work with and what", "place on a star/space-ship but I'm stuck on if i'm available to use", "I am however quite inspired by star trek, but I don't want to", "can work with and what they can't and propulsion seems to be in", "grey area on what a person in Sci-fi in general can work with", "in a particular grey area that I don't know what to do about.", "about. I've read one or two things that says it is copy-righted then", "even Impulse drives. I am however quite inspired by star trek, but I", "to use names of the propulsion drives, such as Warp or even Impulse", "mostly takes place on a star/space-ship but I'm stuck on if i'm available", "in Sci-fi in general can work with and what they can't and propulsion", "a star/space-ship but I'm stuck on if i'm available to use names of", "in general can work with and what they can't and propulsion seems to", "the propulsion drives, such as Warp or even Impulse drives. I am however", "general can work with and what they can't and propulsion seems to be", "I'm stuck on if i'm available to use names of the propulsion drives,", "that says it is copy-righted then another saying it isn't. It's rather confusing.", "inspired by star trek, but I don't want to copy from their work", "as Warp or even Impulse drives. I am however quite inspired by star", "takes place on a star/space-ship but I'm stuck on if i'm available to", "what they can't and propulsion seems to be in a particular grey area", "if i'm available to use names of the propulsion drives, such as Warp", "to be in a particular grey area that I don't know what to", "a person in Sci-fi in general can work with and what they can't", "trek, but I don't want to copy from their work but There's a", "do about. I've read one or two things that says it is copy-righted", "names of the propulsion drives, such as Warp or even Impulse drives. I", "work with and what they can't and propulsion seems to be in a", "or even Impulse drives. I am however quite inspired by star trek, but", "one or two things that says it is copy-righted then another saying it", "lot of grey area on what a person in Sci-fi in general can", "read one or two things that says it is copy-righted then another saying", "their work but There's a lot of grey area on what a person", "what a person in Sci-fi in general can work with and what they", "two things that says it is copy-righted then another saying it isn't. It's", "work but There's a lot of grey area on what a person in", "don't know what to do about. I've read one or two things that", "of grey area on what a person in Sci-fi in general can work", "novel that mostly takes place on a star/space-ship but I'm stuck on if", "grey area that I don't know what to do about. I've read one", "to do about. I've read one or two things that says it is", "I've read one or two things that says it is copy-righted then another", "stuck on if i'm available to use names of the propulsion drives, such", "Impulse drives. I am however quite inspired by star trek, but I don't", "they can't and propulsion seems to be in a particular grey area that", "propulsion seems to be in a particular grey area that I don't know", "on a star/space-ship but I'm stuck on if i'm available to use names", "want to copy from their work but There's a lot of grey area", "available to use names of the propulsion drives, such as Warp or even", "a sci-fi/fantasy novel that mostly takes place on a star/space-ship but I'm stuck", "area on what a person in Sci-fi in general can work with and", "Sci-fi in general can work with and what they can't and propulsion seems", "but I'm stuck on if i'm available to use names of the propulsion", "things that says it is copy-righted then another saying it isn't. It's rather", "person in Sci-fi in general can work with and what they can't and", "can't and propulsion seems to be in a particular grey area that I", "I'm currently writing a sci-fi/fantasy novel that mostly takes place on a star/space-ship", "and what they can't and propulsion seems to be in a particular grey", "copy from their work but There's a lot of grey area on what", "what to do about. I've read one or two things that says it", "seems to be in a particular grey area that I don't know what", "or two things that says it is copy-righted then another saying it isn't.", "from their work but There's a lot of grey area on what a", "use names of the propulsion drives, such as Warp or even Impulse drives.", "star/space-ship but I'm stuck on if i'm available to use names of the", "don't want to copy from their work but There's a lot of grey", "writing a sci-fi/fantasy novel that mostly takes place on a star/space-ship but I'm", "be in a particular grey area that I don't know what to do", "I don't want to copy from their work but There's a lot of", "sci-fi/fantasy novel that mostly takes place on a star/space-ship but I'm stuck on", "Warp or even Impulse drives. I am however quite inspired by star trek,", "that mostly takes place on a star/space-ship but I'm stuck on if i'm", "to copy from their work but There's a lot of grey area on", "with and what they can't and propulsion seems to be in a particular", "propulsion drives, such as Warp or even Impulse drives. I am however quite", "drives, such as Warp or even Impulse drives. I am however quite inspired", "however quite inspired by star trek, but I don't want to copy from", "am however quite inspired by star trek, but I don't want to copy", "star trek, but I don't want to copy from their work but There's", "but There's a lot of grey area on what a person in Sci-fi", "i'm available to use names of the propulsion drives, such as Warp or", "a lot of grey area on what a person in Sci-fi in general", "particular grey area that I don't know what to do about. I've read", "such as Warp or even Impulse drives. I am however quite inspired by", "a particular grey area that I don't know what to do about. I've", "that I don't know what to do about. I've read one or two", "on if i'm available to use names of the propulsion drives, such as", "of the propulsion drives, such as Warp or even Impulse drives. I am", "know what to do about. I've read one or two things that says", "There's a lot of grey area on what a person in Sci-fi in", "and propulsion seems to be in a particular grey area that I don't", "by star trek, but I don't want to copy from their work but" ]
[ "works. I’m wondering if this sort of thing is acceptable, and if people", "a tendency to do so myself, but rather because I find it unusually", "thing is acceptable, and if people like it. I’ll give a couple examples.", "> > I unwrapped a candy and put it in my mouth. The", "do so myself, but rather because I find it unusually aggravating when I", "I’m wondering if this sort of thing is acceptable, and if people like", "> > She found a bag of food they had brought with them", "and picked out some seeds. The seeds exploded with juice when they touched", "if this sort of thing is acceptable, and if people like it. I’ll", "this sort of thing is acceptable, and if people like it. I’ll give", "but rather because I find it unusually aggravating when I come across it", "found a bag of food they had brought with them and picked out", "She found a bag of food they had brought with them and picked", "my mouth. The sweet flavor of green apple ran wild on my tongue.", "rather because I find it unusually aggravating when I come across it in", "not because I have a tendency to do so myself, but rather because", "I’ll give a couple examples. > > I unwrapped a candy and put", "mouth. The sweet flavor of green apple ran wild on my tongue. >", "a candy and put it in my mouth. The sweet flavor of green", "these.) My question: is this considered a bad writing habit, or is it", "feel less hungry. > > > (I didn’t write these.) My question: is", "> I unwrapped a candy and put it in my mouth. The sweet", "them and picked out a pomegranate, then opened it and picked out some", "made her feel less hungry. > > > (I didn’t write these.) My", "ran wild on my tongue. > > > And here’s one more. >", "bag of food they had brought with them and picked out a pomegranate,", "my tongue. > > > And here’s one more. > > She found", "sweet flavor of green apple ran wild on my tongue. > > >", "to do so myself, but rather because I find it unusually aggravating when", "couple examples. > > I unwrapped a candy and put it in my", "I unwrapped a candy and put it in my mouth. The sweet flavor", "seeds exploded with juice when they touched her tongue and made her feel", "unwrapped a candy and put it in my mouth. The sweet flavor of", "sort of thing is acceptable, and if people like it. I’ll give a", "people’s works. I’m wondering if this sort of thing is acceptable, and if", "wild on my tongue. > > > And here’s one more. > >", "tongue. > > > And here’s one more. > > She found a", "considered a bad writing habit, or is it all a matter of opinion?", "a couple examples. > > I unwrapped a candy and put it in", "hungry. > > > (I didn’t write these.) My question: is this considered", "of food they had brought with them and picked out a pomegranate, then", "about this not because I have a tendency to do so myself, but", "this considered a bad writing habit, or is it all a matter of", "I come across it in other people’s works. I’m wondering if this sort", "food they had brought with them and picked out a pomegranate, then opened", "(I didn’t write these.) My question: is this considered a bad writing habit,", "acceptable, and if people like it. I’ll give a couple examples. > >", "it and picked out some seeds. The seeds exploded with juice when they", "they touched her tongue and made her feel less hungry. > > >", "in my mouth. The sweet flavor of green apple ran wild on my", "of thing is acceptable, and if people like it. I’ll give a couple", "The seeds exploded with juice when they touched her tongue and made her", "flavor of green apple ran wild on my tongue. > > > And", "tongue and made her feel less hungry. > > > (I didn’t write", "myself, but rather because I find it unusually aggravating when I come across", "tendency to do so myself, but rather because I find it unusually aggravating", "because I have a tendency to do so myself, but rather because I", "more. > > She found a bag of food they had brought with", "other people’s works. I’m wondering if this sort of thing is acceptable, and", "they had brought with them and picked out a pomegranate, then opened it", "> > And here’s one more. > > She found a bag of", "exploded with juice when they touched her tongue and made her feel less", "question: is this considered a bad writing habit, or is it all a", "examples. > > I unwrapped a candy and put it in my mouth.", "give a couple examples. > > I unwrapped a candy and put it", "on my tongue. > > > And here’s one more. > > She", "her feel less hungry. > > > (I didn’t write these.) My question:", "with juice when they touched her tongue and made her feel less hungry.", "I find it unusually aggravating when I come across it in other people’s", "when they touched her tongue and made her feel less hungry. > >", "My question: is this considered a bad writing habit, or is it all", "The sweet flavor of green apple ran wild on my tongue. > >", "one more. > > She found a bag of food they had brought", "this not because I have a tendency to do so myself, but rather", "because I find it unusually aggravating when I come across it in other", "I have a tendency to do so myself, but rather because I find", "aggravating when I come across it in other people’s works. I’m wondering if", "it. I’ll give a couple examples. > > I unwrapped a candy and", "write these.) My question: is this considered a bad writing habit, or is", "her tongue and made her feel less hungry. > > > (I didn’t", "like it. I’ll give a couple examples. > > I unwrapped a candy", "then opened it and picked out some seeds. The seeds exploded with juice", "put it in my mouth. The sweet flavor of green apple ran wild", "brought with them and picked out a pomegranate, then opened it and picked", "and put it in my mouth. The sweet flavor of green apple ran", "wondering if this sort of thing is acceptable, and if people like it.", "is acceptable, and if people like it. I’ll give a couple examples. >", "in other people’s works. I’m wondering if this sort of thing is acceptable,", "is this considered a bad writing habit, or is it all a matter", "find it unusually aggravating when I come across it in other people’s works.", "green apple ran wild on my tongue. > > > And here’s one", "across it in other people’s works. I’m wondering if this sort of thing", "here’s one more. > > She found a bag of food they had", "juice when they touched her tongue and made her feel less hungry. >", "> And here’s one more. > > She found a bag of food", "come across it in other people’s works. I’m wondering if this sort of", "so myself, but rather because I find it unusually aggravating when I come", "a pomegranate, then opened it and picked out some seeds. The seeds exploded", "opened it and picked out some seeds. The seeds exploded with juice when", "And here’s one more. > > She found a bag of food they", "a bag of food they had brought with them and picked out a", "> > (I didn’t write these.) My question: is this considered a bad", "> > > (I didn’t write these.) My question: is this considered a", "> > > And here’s one more. > > She found a bag", "it in other people’s works. I’m wondering if this sort of thing is", "picked out some seeds. The seeds exploded with juice when they touched her", "and made her feel less hungry. > > > (I didn’t write these.)", "didn’t write these.) My question: is this considered a bad writing habit, or", "seeds. The seeds exploded with juice when they touched her tongue and made", "apple ran wild on my tongue. > > > And here’s one more.", "if people like it. I’ll give a couple examples. > > I unwrapped", "> (I didn’t write these.) My question: is this considered a bad writing", "have a tendency to do so myself, but rather because I find it", "of green apple ran wild on my tongue. > > > And here’s", "it unusually aggravating when I come across it in other people’s works. I’m", "out some seeds. The seeds exploded with juice when they touched her tongue", "and if people like it. I’ll give a couple examples. > > I", "> She found a bag of food they had brought with them and", "had brought with them and picked out a pomegranate, then opened it and", "pomegranate, then opened it and picked out some seeds. The seeds exploded with", "when I come across it in other people’s works. I’m wondering if this", "less hungry. > > > (I didn’t write these.) My question: is this", "with them and picked out a pomegranate, then opened it and picked out", "asking about this not because I have a tendency to do so myself,", "candy and put it in my mouth. The sweet flavor of green apple", "unusually aggravating when I come across it in other people’s works. I’m wondering", "picked out a pomegranate, then opened it and picked out some seeds. The", "people like it. I’ll give a couple examples. > > I unwrapped a", "I’m asking about this not because I have a tendency to do so", "touched her tongue and made her feel less hungry. > > > (I", "and picked out a pomegranate, then opened it and picked out some seeds.", "it in my mouth. The sweet flavor of green apple ran wild on", "out a pomegranate, then opened it and picked out some seeds. The seeds", "some seeds. The seeds exploded with juice when they touched her tongue and" ]
[ "so as to achieve the former. * The \"basic\" or, perhaps, even \"cheating\"", "on \"acts of patience\", not in action-free philosophical allegories about the meaning of", "\"basic\" or, perhaps, even \"cheating\" answer seems to be: just show \"acts of", "admittedly, come much more naturally), although of course we might learn from the", "[This answer](https://writing.stackexchange.com/questions/46139/averting-real-women-don-t-wear-dresses/48107#48107) to the question [Averting Real Women Don’t Wear Dresses](https://writing.stackexchange.com/questions/46139/averting-real-women-don-t-wear-dresses) introduces a", "> It is a common technique [...] to represent > qualities and emotions", "which \"acts of patience\" may, admittedly, come much more naturally), although of course", "of patience\". * This question focuses on \"mainstream, commercial\" fiction. In this context,", "we might learn from the latter so as to achieve the former. ", "e.g. fantasy adventures centred on \"acts of patience\", not in action-free philosophical allegories", "not [...] > > > [...] acts of daring [...] make a better", "we make \"acts of patience\" exciting?* I want to stress some limits to", "to represent > qualities and emotions through physical actions. [...] > > >", "\"acts of patience\", not in action-free philosophical allegories about the meaning of life", "of daring [...] make a better story than acts of patience [...] >", "telling a story [...] > acts of daring are easy to show, and", "about how to deal with \"acts of patience\". * This question focuses on", "to make \"acts of patience\" the basis of a story, what if that's", "how to deal with \"acts of patience\". * This question focuses on \"mainstream,", "the latter so as to achieve the former. * The \"basic\" or, perhaps,", "limits to the scope of the current question: * The previous question I'm", "Polstead and Sansa Stark as apt examples). That's also why I've included \"exciting\"", "patience\". * This question focuses on \"mainstream, commercial\" fiction. In this context, I", "naturally), although of course we might learn from the latter so as to", "commercial\" fiction. In this context, I doubt Dostoevsky will offer the most useful", "for the \"acts of patience\". Very well, point taken. But this question is", "> > > It is a common technique [...] to represent > qualities", "and emotions through physical actions. [...] > > > But it is hard", "might learn from the latter so as to achieve the former. * The", "action. [...] > > > So, I now want to ask: *Even though", "stand in for the \"acts of patience\". Very well, point taken. But this", "it is difficult to make \"acts of patience\" the basis of a story,", "acts of daring are easy to show, and acts of patience are >", "These are out of scope here. I don't care (here) whether we think", "differences between women and men. These are out of scope here. I don't", "question [Averting Real Women Don’t Wear Dresses](https://writing.stackexchange.com/questions/46139/averting-real-women-don-t-wear-dresses)* introduces a distinction between acts of", "interested in e.g. fantasy adventures centred on \"acts of patience\", not in action-free", "the most useful examples (rather, I'm thinking of characters such as Malcolm Polstead", "about the meaning of life (to which \"acts of patience\" may, admittedly, come", "[...] > > > But it is hard to > translate patience into", "want to ask: Even though it is difficult to make \"acts of patience\"", "of daring. > > [...] when it comes to telling a story [...]", "much more naturally), although of course we might learn from the latter so", "Malcolm Polstead and Sansa Stark as apt examples). That's also why I've included", "> qualities and emotions through physical actions. [...] > > > But it", "a story [...] > acts of daring are easy to show, and acts", "Indeed, how might we make \"acts of patience\" exciting?** I want to stress", "how might we make \"acts of patience\" exciting? I want to stress some", "patience into action. [...] > > > So, I now want to ask:", "think daring/patience are correlated to masculinity/femininity or not; I'm only asking about how", "I now want to ask: Even though it is difficult to make \"acts", "> > But it is hard to > translate patience into action. [...]", "\"how to make acts of patience exciting\": I'm interested in e.g. fantasy adventures", "Dostoevsky will offer the most useful examples (rather, I'm thinking of characters such", "represent > qualities and emotions through physical actions. [...] > > > But", "do? Indeed, how might we make \"acts of patience\" exciting?** I want to", "referring to discussed differences between women and men. These are out of scope", "this context, I doubt Dostoevsky will offer the most useful examples (rather, I'm", "examples). That's also why I've included \"exciting\" in \"how to make acts of", "use them to represent, symbolise or otherwise stand in for the \"acts of", "> > > But it is hard to > translate patience into action.", "* This question focuses on \"mainstream, commercial\" fiction. In this context, I doubt", "> > [...] when it comes to telling a story [...] > acts", "masculinity/femininity or not; I'm only asking about how to deal with \"acts of", "This question focuses on \"mainstream, commercial\" fiction. In this context, I doubt Dostoevsky", "the meaning of life (to which \"acts of patience\" may, admittedly, come much", "easy to show, and acts of patience are > not [...] > >", "patience\" the basis of a story, what if that's what we want to", "\"cheating\" answer seems to be: just show \"acts of daring\" instead, and use", "* The \"basic\" or, perhaps, even \"cheating\" answer seems to be: just show", "symbolise or otherwise stand in for the \"acts of patience\". Very well, point", "of patience* and acts of daring. > > [...] when it comes to", "Very well, point taken. But this question is about what else we can", "> So, I now want to ask: *Even though it is difficult to", "and Sansa Stark as apt examples). That's also why I've included \"exciting\" in", "just show \"acts of daring\" instead, and use them to represent, symbolise or", "[...] > > > [...] acts of daring [...] make a better story", "achieve the former. The \"basic\" or, perhaps, even \"cheating\" answer seems to", "\"acts of daring\" instead, and use them to represent, symbolise or otherwise stand", "to be: just show \"acts of daring\" instead, and use them to represent,", "we think daring/patience are correlated to masculinity/femininity or not; I'm only asking about", "what if that's what we want to do? Indeed, how might we make", "basis of a story, what if that's what we want to do? Indeed,", "of patience exciting\": I'm interested in e.g. fantasy adventures centred on \"acts of", "when it comes to telling a story [...] > acts of daring are", "represent, symbolise or otherwise stand in for the \"acts of patience\". Very well,", "of patience\", not in action-free philosophical allegories about the meaning of life (to", "want to stress some limits to the scope of the current question: ", "of patience\" the basis of a story, what if that's what we want", "acts of patience are > not [...] > > > [...] acts of", "of patience [...] > > > It is a common technique [...] to", "out of scope here. I don't care (here) whether we think daring/patience are", "previous question I'm referring to discussed differences between women and men. These are", "of patience are > not [...] > > > [...] acts of daring", "offer the most useful examples (rather, I'm thinking of characters such as Malcolm", "might we make \"acts of patience\" exciting?* I want to stress some limits", "acts of patience and acts of daring. > > [...] when it comes", "> > [...] acts of daring [...] make a better story than acts", "men. These are out of scope here. I don't care (here) whether we", "comes to telling a story [...] > acts of daring are easy to", "of characters such as Malcolm Polstead and Sansa Stark as apt examples). That's", "\"mainstream, commercial\" fiction. In this context, I doubt Dostoevsky will offer the most", "acts of daring. > > [...] when it comes to telling a story", "[...] make a better story than acts of patience [...] > > >", "daring [...] make a better story than acts of patience [...] > >", "> not [...] > > > [...] acts of daring [...] make a", "> > > So, I now want to ask: *Even though it is", "and acts of patience are > not [...] > > > [...] acts", "former. The \"basic\" or, perhaps, even \"cheating\" answer seems to be: just", "So, I now want to ask: Even though it is difficult to make", "I doubt Dostoevsky will offer the most useful examples (rather, I'm thinking of", "doubt Dostoevsky will offer the most useful examples (rather, I'm thinking of characters", "I'm referring to discussed differences between women and men. These are out of", "ask: Even though it is difficult to make \"acts of patience\" the basis", "question focuses on \"mainstream, commercial\" fiction. In this context, I doubt Dostoevsky will", "patience\". Very well, point taken. But this question is about what else we", "emotions through physical actions. [...] > > > But it is hard to", "women and men. These are out of scope here. I don't care (here)", "of patience\" may, admittedly, come much more naturally), although of course we might", "patience [...] > > > It is a common technique [...] to represent", "not; I'm only asking about how to deal with \"acts of patience\". ", "are > not [...] > > > [...] acts of daring [...] make", "patience and acts of daring. > > [...] when it comes to telling", "the former. * The \"basic\" or, perhaps, even \"cheating\" answer seems to be:", "in action-free philosophical allegories about the meaning of life (to which \"acts of", "physical actions. [...] > > > But it is hard to > translate", "allegories about the meaning of life (to which \"acts of patience\" may, admittedly,", "context, I doubt Dostoevsky will offer the most useful examples (rather, I'm thinking", "of course we might learn from the latter so as to achieve the", "to deal with \"acts of patience\". * This question focuses on \"mainstream, commercial\"", "difficult to make \"acts of patience\" the basis of a story, what if", "and use them to represent, symbolise or otherwise stand in for the \"acts", "here. I don't care (here) whether we think daring/patience are correlated to masculinity/femininity", "(here) whether we think daring/patience are correlated to masculinity/femininity or not; I'm only", "translate patience into action. [...] > > > So, I now want to", "\"acts of patience\" the basis of a story, what if that's what we", "\"exciting\" in \"how to make acts of patience exciting\": I'm interested in e.g.", "apt examples). That's also why I've included \"exciting\" in \"how to make acts", "[...] when it comes to telling a story [...] > acts of daring", "acts of patience [...] > > > It is a common technique [...]", "in for the \"acts of patience\". Very well, point taken. But this question", "exciting? I want to stress some limits to the scope of the current", "to ask: Even though it is difficult to make \"acts of patience\" the", "thinking of characters such as Malcolm Polstead and Sansa Stark as apt examples).", "adventures centred on \"acts of patience\", not in action-free philosophical allegories about the", "than acts of patience [...] > > > It is a common technique", "don't care (here) whether we think daring/patience are correlated to masculinity/femininity or not;", "instead, and use them to represent, symbolise or otherwise stand in for the", "daring/patience are correlated to masculinity/femininity or not; I'm only asking about how to", "make \"acts of patience\" exciting?** I want to stress some limits to the", "Wear Dresses](https://writing.stackexchange.com/questions/46139/averting-real-women-don-t-wear-dresses)* introduces a distinction between acts of patience and acts of daring.", "will offer the most useful examples (rather, I'm thinking of characters such as", "The previous question I'm referring to discussed differences between women and men. These", "examples (rather, I'm thinking of characters such as Malcolm Polstead and Sansa Stark", "otherwise stand in for the \"acts of patience\". Very well, point taken. But", "[Averting Real Women Don’t Wear Dresses](https://writing.stackexchange.com/questions/46139/averting-real-women-don-t-wear-dresses) introduces a distinction between acts of patience", "(to which \"acts of patience\" may, admittedly, come much more naturally), although of", "discussed differences between women and men. These are out of scope here. I", "to discussed differences between women and men. These are out of scope here.", "I'm only asking about how to deal with \"acts of patience\". * This", "is difficult to make \"acts of patience\" the basis of a story, what", "between women and men. These are out of scope here. I don't care", "I want to stress some limits to the scope of the current question:", "question I'm referring to discussed differences between women and men. These are out", "and men. These are out of scope here. I don't care (here) whether", "from the latter so as to achieve the former. * The \"basic\" or,", "asking about how to deal with \"acts of patience\". * This question focuses", "the basis of a story, what if that's what we want to do?", "are correlated to masculinity/femininity or not; I'm only asking about how to deal", "even \"cheating\" answer seems to be: just show \"acts of daring\" instead, and", "to > translate patience into action. [...] > > > So, I now", "philosophical allegories about the meaning of life (to which \"acts of patience\" may,", "current question: * The previous question I'm referring to discussed differences between women", "acts of daring [...] make a better story than acts of patience [...]", "\"acts of patience\". * This question focuses on \"mainstream, commercial\" fiction. In this", "The \"basic\" or, perhaps, even \"cheating\" answer seems to be: just show \"acts", "exciting\": I'm interested in e.g. fantasy adventures centred on \"acts of patience\", not", "latter so as to achieve the former. * The \"basic\" or, perhaps, even", "in e.g. fantasy adventures centred on \"acts of patience\", not in action-free philosophical", "well, point taken. But this question is about what else we can do.", "that's what we want to do? Indeed, how might we make \"acts of", "show, and acts of patience are > not [...] > > > [...]", "> > > [...] acts of daring [...] make a better story than", "a distinction between acts of patience and acts of daring. > > [...]", "also why I've included \"exciting\" in \"how to make acts of patience exciting\":", "Don’t Wear Dresses](https://writing.stackexchange.com/questions/46139/averting-real-women-don-t-wear-dresses)* introduces a distinction between acts of patience and acts of", "question: The previous question I'm referring to discussed differences between women and", "to the question [Averting Real Women Don’t Wear Dresses](https://writing.stackexchange.com/questions/46139/averting-real-women-don-t-wear-dresses) introduces a distinction between", "as to achieve the former. * The \"basic\" or, perhaps, even \"cheating\" answer", "scope here. I don't care (here) whether we think daring/patience are correlated to", "come much more naturally), although of course we might learn from the latter", "to do? Indeed, how might we make \"acts of patience\" exciting?** I want", "to telling a story [...] > acts of daring are easy to show,", "to masculinity/femininity or not; I'm only asking about how to deal with \"acts", "of scope here. I don't care (here) whether we think daring/patience are correlated", "deal with \"acts of patience\". * This question focuses on \"mainstream, commercial\" fiction.", "[...] acts of daring [...] make a better story than acts of patience", "if that's what we want to do? Indeed, how might we make \"acts", "focuses on \"mainstream, commercial\" fiction. In this context, I doubt Dostoevsky will offer", "on \"mainstream, commercial\" fiction. In this context, I doubt Dostoevsky will offer the", "to the scope of the current question: * The previous question I'm referring", "Real Women Don’t Wear Dresses](https://writing.stackexchange.com/questions/46139/averting-real-women-don-t-wear-dresses)* introduces a distinction between acts of patience and", "\"acts of patience\" exciting?** I want to stress some limits to the scope", "with \"acts of patience\". * This question focuses on \"mainstream, commercial\" fiction. In", "and acts of daring. > > [...] when it comes to telling a", "a better story than acts of patience [...] > > > It is", "is a common technique [...] to represent > qualities and emotions through physical", "a story, what if that's what we want to do? Indeed, how might", "I've included \"exciting\" in \"how to make acts of patience exciting\": I'm interested", "are out of scope here. I don't care (here) whether we think daring/patience", "But it is hard to > translate patience into action. [...] > >", "or not; I'm only asking about how to deal with \"acts of patience\".", "introduces a distinction between acts of patience and acts of daring. > >", "> acts of daring are easy to show, and acts of patience are", "Dresses](https://writing.stackexchange.com/questions/46139/averting-real-women-don-t-wear-dresses)* introduces a distinction between acts of patience and acts of daring. >", "it is hard to > translate patience into action. [...] > > >", "included \"exciting\" in \"how to make acts of patience exciting\": I'm interested in", "common technique [...] to represent > qualities and emotions through physical actions. [...]", "hard to > translate patience into action. [...] > > > So, I", "or otherwise stand in for the \"acts of patience\". Very well, point taken.", "Women Don’t Wear Dresses](https://writing.stackexchange.com/questions/46139/averting-real-women-don-t-wear-dresses)* introduces a distinction between acts of patience and acts", "distinction between acts of patience* and acts of daring. > > [...] when", "care (here) whether we think daring/patience are correlated to masculinity/femininity or not; I'm", "of life (to which \"acts of patience\" may, admittedly, come much more naturally),", "be: just show \"acts of daring\" instead, and use them to represent, symbolise", "centred on \"acts of patience\", not in action-free philosophical allegories about the meaning", "*Even though it is difficult to make \"acts of patience\" the basis of", "correlated to masculinity/femininity or not; I'm only asking about how to deal with", "the \"acts of patience\". Very well, point taken. But this question is about", "I don't care (here) whether we think daring/patience are correlated to masculinity/femininity or", "patience are > not [...] > > > [...] acts of daring [...]", "it comes to telling a story [...] > acts of daring are easy", "actions. [...] > > > But it is hard to > translate patience", "to achieve the former. The \"basic\" or, perhaps, even \"cheating\" answer seems", "[...] > > > So, I now want to ask: *Even though it", "of the current question: The previous question I'm referring to discussed differences", "patience exciting\": I'm interested in e.g. fantasy adventures centred on \"acts of patience\",", "them to represent, symbolise or otherwise stand in for the \"acts of patience\".", "into action. [...] > > > So, I now want to ask: *Even", "scope of the current question: The previous question I'm referring to discussed", "Sansa Stark as apt examples). That's also why I've included \"exciting\" in \"how", "the current question: * The previous question I'm referring to discussed differences between", "perhaps, even \"cheating\" answer seems to be: just show \"acts of daring\" instead,", "[...] > > > It is a common technique [...] to represent >", "stress some limits to the scope of the current question: * The previous", "make a better story than acts of patience [...] > > > It", "now want to ask: *Even though it is difficult to make \"acts of", "story [...] > acts of daring are easy to show, and acts of", "as Malcolm Polstead and Sansa Stark as apt examples). That's also why I've", "some limits to the scope of the current question: The previous question", "better story than acts of patience [...] > > > It is a", "> [...] acts of daring [...] make a better story than acts of", "why I've included \"exciting\" in \"how to make acts of patience exciting\": I'm", "though it is difficult to make \"acts of patience\" the basis of a", "as apt examples). That's also why I've included \"exciting\" in \"how to make", "course we might learn from the latter so as to achieve the former.", "to represent, symbolise or otherwise stand in for the \"acts of patience\". Very", "> But it is hard to > translate patience into action. [...] >", "\"acts of patience\". Very well, point taken. But this question is about what", "It is a common technique [...] to represent > qualities and emotions through", "may, admittedly, come much more naturally), although of course we might learn from", "characters such as Malcolm Polstead and Sansa Stark as apt examples). That's also", "That's also why I've included \"exciting\" in \"how to make acts of patience", "what we want to do? Indeed, how might we make \"acts of patience\"", "> translate patience into action. [...] > > > So, I now want", "is hard to > translate patience into action. [...] > > > So,", "are easy to show, and acts of patience are > not [...] >", "more naturally), although of course we might learn from the latter so as", "of a story, what if that's what we want to do? Indeed, how", "[...] to represent > qualities and emotions through physical actions. [...] > >", "useful examples (rather, I'm thinking of characters such as Malcolm Polstead and Sansa", "fiction. In this context, I doubt Dostoevsky will offer the most useful examples", "> > It is a common technique [...] to represent > qualities and", "of patience\" exciting?** I want to stress some limits to the scope of", "answer](https://writing.stackexchange.com/questions/46139/averting-real-women-don-t-wear-dresses/48107#48107) to the question [Averting Real Women Don’t Wear Dresses](https://writing.stackexchange.com/questions/46139/averting-real-women-don-t-wear-dresses) introduces a distinction", "in \"how to make acts of patience exciting\": I'm interested in e.g. fantasy", "between acts of patience and acts of daring. > > [...] when it", "of daring are easy to show, and acts of patience are > not", "want to do? Indeed, how might we make \"acts of patience\" exciting?** I", "story, what if that's what we want to do? Indeed, how might we", "daring\" instead, and use them to represent, symbolise or otherwise stand in for", "not in action-free philosophical allegories about the meaning of life (to which \"acts", "qualities and emotions through physical actions. [...] > > > But it is", "\"acts of patience\" may, admittedly, come much more naturally), although of course we", "such as Malcolm Polstead and Sansa Stark as apt examples). That's also why", "make acts of patience exciting\": I'm interested in e.g. fantasy adventures centred on", "life (to which \"acts of patience\" may, admittedly, come much more naturally), although", "* The previous question I'm referring to discussed differences between women and men.", "although of course we might learn from the latter so as to achieve", "the question [Averting Real Women Don’t Wear Dresses](https://writing.stackexchange.com/questions/46139/averting-real-women-don-t-wear-dresses) introduces a distinction between acts", "patience\" exciting?* I want to stress some limits to the scope of the", "of daring\" instead, and use them to represent, symbolise or otherwise stand in", "only asking about how to deal with \"acts of patience\". * This question", "[...] > acts of daring are easy to show, and acts of patience", "In this context, I doubt Dostoevsky will offer the most useful examples (rather,", "fantasy adventures centred on \"acts of patience\", not in action-free philosophical allegories about", "seems to be: just show \"acts of daring\" instead, and use them to", "to stress some limits to the scope of the current question: * The", "action-free philosophical allegories about the meaning of life (to which \"acts of patience\"", "to make acts of patience exciting\": I'm interested in e.g. fantasy adventures centred", "through physical actions. [...] > > > But it is hard to >", "make \"acts of patience\" the basis of a story, what if that's what", "story than acts of patience [...] > > > It is a common", "patience\" may, admittedly, come much more naturally), although of course we might learn", "meaning of life (to which \"acts of patience\" may, admittedly, come much more", "whether we think daring/patience are correlated to masculinity/femininity or not; I'm only asking", "> > So, I now want to ask: *Even though it is difficult", "of patience\". Very well, point taken. But this question is about what else", "or, perhaps, even \"cheating\" answer seems to be: just show \"acts of daring\"", "to show, and acts of patience are > not [...] > > >", "daring. > > [...] when it comes to telling a story [...] >", "> [...] when it comes to telling a story [...] > acts of", "Stark as apt examples). That's also why I've included \"exciting\" in \"how to", "acts of patience exciting\": I'm interested in e.g. fantasy adventures centred on \"acts", "we want to do? Indeed, how might we make \"acts of patience\" exciting?*", "learn from the latter so as to achieve the former. The \"basic\"", "I'm interested in e.g. fantasy adventures centred on \"acts of patience\", not in", "most useful examples (rather, I'm thinking of characters such as Malcolm Polstead and", "patience\", not in action-free philosophical allegories about the meaning of life (to which", "the scope of the current question: * The previous question I'm referring to", "a common technique [...] to represent > qualities and emotions through physical actions.", "daring are easy to show, and acts of patience are > not [...]", "(rather, I'm thinking of characters such as Malcolm Polstead and Sansa Stark as", "I'm thinking of characters such as Malcolm Polstead and Sansa Stark as apt", "technique [...] to represent > qualities and emotions through physical actions. [...] >", "show \"acts of daring\" instead, and use them to represent, symbolise or otherwise", "answer seems to be: just show \"acts of daring\" instead, and use them" ]
[ "for the promise of money, but does this ever apply to novels rather", "at full outline of the rest. Would any agents agree to represent a", "would complete the rest by a certain date? I've seen claims writers should", "Here's my question: can you pitch an outline of a novel to an", "its premise ahead of its existence, with the probable understanding that you would", "can you pitch an outline of a novel to an agent? I.e. you", "an agent? I.e. you have two to three chapters complete to a high", "of the rest. Would any agents agree to represent a book based on", "to represent a book based on its premise ahead of its existence, with", "Would any agents agree to represent a book based on its premise ahead", "high standard and at full outline of the rest. Would any agents agree", "I.e. you have two to three chapters complete to a high standard and", "a high standard and at full outline of the rest. Would any agents", "chapters complete to a high standard and at full outline of the rest.", "to an agent? I.e. you have two to three chapters complete to a", "should work for the promise of money, but does this ever apply to", "probable understanding that you would complete the rest by a certain date? I've", "ahead of its existence, with the probable understanding that you would complete the", "rest. Would any agents agree to represent a book based on its premise", "you pitch an outline of a novel to an agent? I.e. you have", "represent a book based on its premise ahead of its existence, with the", "on its premise ahead of its existence, with the probable understanding that you", "outline of the rest. Would any agents agree to represent a book based", "premise ahead of its existence, with the probable understanding that you would complete", "question: can you pitch an outline of a novel to an agent? I.e.", "by a certain date? I've seen claims writers should work for the promise", "have two to three chapters complete to a high standard and at full", "I've seen claims writers should work for the promise of money, but does", "certain date? I've seen claims writers should work for the promise of money,", "of a novel to an agent? I.e. you have two to three chapters", "of its existence, with the probable understanding that you would complete the rest", "pitch an outline of a novel to an agent? I.e. you have two", "complete to a high standard and at full outline of the rest. Would", "the rest. Would any agents agree to represent a book based on its", "and at full outline of the rest. Would any agents agree to represent", "date? I've seen claims writers should work for the promise of money, but", "seen claims writers should work for the promise of money, but does this", "three chapters complete to a high standard and at full outline of the", "agent? I.e. you have two to three chapters complete to a high standard", "with the probable understanding that you would complete the rest by a certain", "any agents agree to represent a book based on its premise ahead of", "agents agree to represent a book based on its premise ahead of its", "outline of a novel to an agent? I.e. you have two to three", "my question: can you pitch an outline of a novel to an agent?", "two to three chapters complete to a high standard and at full outline", "agree to represent a book based on its premise ahead of its existence,", "its existence, with the probable understanding that you would complete the rest by", "understanding that you would complete the rest by a certain date? I've seen", "the rest by a certain date? I've seen claims writers should work for", "based on its premise ahead of its existence, with the probable understanding that", "that you would complete the rest by a certain date? I've seen claims", "rest by a certain date? I've seen claims writers should work for the", "to three chapters complete to a high standard and at full outline of", "book based on its premise ahead of its existence, with the probable understanding", "the probable understanding that you would complete the rest by a certain date?", "promise of money, but does this ever apply to novels rather than articles?", "the promise of money, but does this ever apply to novels rather than", "full outline of the rest. Would any agents agree to represent a book", "claims writers should work for the promise of money, but does this ever", "an outline of a novel to an agent? I.e. you have two to", "novel to an agent? I.e. you have two to three chapters complete to", "existence, with the probable understanding that you would complete the rest by a", "writers should work for the promise of money, but does this ever apply", "complete the rest by a certain date? I've seen claims writers should work", "a novel to an agent? I.e. you have two to three chapters complete", "a certain date? I've seen claims writers should work for the promise of", "work for the promise of money, but does this ever apply to novels", "you have two to three chapters complete to a high standard and at", "a book based on its premise ahead of its existence, with the probable", "you would complete the rest by a certain date? I've seen claims writers", "standard and at full outline of the rest. Would any agents agree to", "to a high standard and at full outline of the rest. Would any" ]
[ "I am wondering if \"opened\" or \"used\" is perfectly fine here, because the", "vague when it shouldn't be (she took her wallet out of her pocket,", "a coin out of it), but using the right qualitative phrase would make", "said as she pulled a small coin out of a small wallet ...", "retrieved a > coin out from earlier. > > > So what would", "she pulled a small coin out of a small box she retrieved a", "what would you suggest doing. I am quite undecided on what's the best", "> > The woman said as she pulled a small coin out of", "small wallet ... The > woman said as she pulled a small coin", "then retrieved a coin out of it), but using the right qualitative phrase", "awkward than need be. > > The woman said as she pulled a", "box she retrieved a > coin out from earlier. > > > So", "make the sentence more awkward than need be. > > The woman said", "I am quite undecided on what's the best thing to be done in", "be (she took her wallet out of her pocket, she then retrieved a", "or \"used\" is perfectly fine here, because the action used is vague when", "the right qualitative phrase would make the sentence more awkward than need be.", "she pulled a small coin out of a small box she > opened/used", "pulled a small coin out of a small wallet ... The > woman", "woman said as she pulled a small coin out of a small box", "is perfectly fine here, because the action used is vague when it shouldn't", "of her pocket, she then retrieved a coin out of it), but using", "a > coin out from earlier. > > > So what would you", "small box she retrieved a > coin out from earlier. > > >", "it shouldn't be (she took her wallet out of her pocket, she then", "would you suggest doing. I am quite undecided on what's the best thing", "suggest doing. I am quite undecided on what's the best thing to be", "you suggest doing. I am quite undecided on what's the best thing to", "box she > opened/used earlier. > > > I am wondering if \"opened\"", "out of a small box she retrieved a > coin out from earlier.", "> woman said as she pulled a small coin out of a small", "coin out of a small box she > opened/used earlier. > > >", "of it), but using the right qualitative phrase would make the sentence more", "she pulled a small coin out of a small wallet ... The >", "here, because the action used is vague when it shouldn't be (she took", "pocket, she then retrieved a coin out of it), but using the right", "retrieved a coin out of it), but using the right qualitative phrase would", "pulled a small coin out of a small box she > opened/used earlier.", "am wondering if \"opened\" or \"used\" is perfectly fine here, because the action", "shouldn't be (she took her wallet out of her pocket, she then retrieved", "small coin out of a small wallet ... The > woman said as", "> I am wondering if \"opened\" or \"used\" is perfectly fine here, because", "as she pulled a small coin out of a small box she >", "> opened/used earlier. > > > I am wondering if \"opened\" or \"used\"", "be. > > The woman said as she pulled a small coin out", "small coin out of a small box she > opened/used earlier. > >", "out from earlier. > > > So what would you suggest doing. I", "So what would you suggest doing. I am quite undecided on what's the", "The woman said as she pulled a small coin out of a small", "her wallet out of her pocket, she then retrieved a coin out of", "using the right qualitative phrase would make the sentence more awkward than need", "earlier. > > > I am wondering if \"opened\" or \"used\" is perfectly", "of a small box she > opened/used earlier. > > > I am", "of a small wallet ... The > woman said as she pulled a", "small box she > opened/used earlier. > > > I am wondering if", "a small coin out of a small wallet ... The > woman said", "coin out of it), but using the right qualitative phrase would make the", "a small wallet ... The > woman said as she pulled a small", "> coin out from earlier. > > > So what would you suggest", "> > > So what would you suggest doing. I am quite undecided", "small coin out of a small box she retrieved a > coin out", "\"opened\" or \"used\" is perfectly fine here, because the action used is vague", "she retrieved a > coin out from earlier. > > > So what", "wallet out of her pocket, she then retrieved a coin out of it),", "a small box she > opened/used earlier. > > > I am wondering", "> The woman said as she pulled a small coin out of a", "out of her pocket, she then retrieved a coin out of it), but", "\"used\" is perfectly fine here, because the action used is vague when it", "when it shouldn't be (she took her wallet out of her pocket, she", "it), but using the right qualitative phrase would make the sentence more awkward", "the action used is vague when it shouldn't be (she took her wallet", "opened/used earlier. > > > I am wondering if \"opened\" or \"used\" is", "because the action used is vague when it shouldn't be (she took her", "from earlier. > > > So what would you suggest doing. I am", "coin out from earlier. > > > So what would you suggest doing.", "but using the right qualitative phrase would make the sentence more awkward than", "coin out of a small wallet ... The > woman said as she", "as she pulled a small coin out of a small box she retrieved", "> So what would you suggest doing. I am quite undecided on what's", "pulled a small coin out of a small box she retrieved a >", "quite undecided on what's the best thing to be done in this situation.", "(she took her wallet out of her pocket, she then retrieved a coin", "a small coin out of a small box she retrieved a > coin", "wondering if \"opened\" or \"used\" is perfectly fine here, because the action used", "she then retrieved a coin out of it), but using the right qualitative", "> > > I am wondering if \"opened\" or \"used\" is perfectly fine", "action used is vague when it shouldn't be (she took her wallet out", "used is vague when it shouldn't be (she took her wallet out of", "am quite undecided on what's the best thing to be done in this", "doing. I am quite undecided on what's the best thing to be done", "out of a small box she > opened/used earlier. > > > I", "> > I am wondering if \"opened\" or \"used\" is perfectly fine here,", "her pocket, she then retrieved a coin out of it), but using the", "the sentence more awkward than need be. > > The woman said as", "woman said as she pulled a small coin out of a small wallet", "a small coin out of a small box she > opened/used earlier. >", "took her wallet out of her pocket, she then retrieved a coin out", "perfectly fine here, because the action used is vague when it shouldn't be", "said as she pulled a small coin out of a small box she", "> > So what would you suggest doing. I am quite undecided on", "right qualitative phrase would make the sentence more awkward than need be. >", "fine here, because the action used is vague when it shouldn't be (she", "more awkward than need be. > > The woman said as she pulled", "wallet ... The > woman said as she pulled a small coin out", "if \"opened\" or \"used\" is perfectly fine here, because the action used is", "earlier. > > > So what would you suggest doing. I am quite", "is vague when it shouldn't be (she took her wallet out of her", "The > woman said as she pulled a small coin out of a", "a small box she retrieved a > coin out from earlier. > >", "... The > woman said as she pulled a small coin out of", "she > opened/used earlier. > > > I am wondering if \"opened\" or", "phrase would make the sentence more awkward than need be. > > The", "out of a small wallet ... The > woman said as she pulled", "would make the sentence more awkward than need be. > > The woman", "of a small box she retrieved a > coin out from earlier. >", "out of it), but using the right qualitative phrase would make the sentence", "sentence more awkward than need be. > > The woman said as she", "as she pulled a small coin out of a small wallet ... The", "need be. > > The woman said as she pulled a small coin", "than need be. > > The woman said as she pulled a small", "coin out of a small box **she retrieved a > coin out from", "qualitative phrase would make the sentence more awkward than need be. > >" ]
[ "ground in an argument. Moreover, my entire letter may be dismissed as a", "a letter when stating a fact? What is the structure and language of", "and thus not quite reaching the point. In general, I find that opening", "thing to do would be to write an opening with the fact such", "as opening with an emotional argument. For instance: > > Never I would", "as a rant for the simple lack of facts. How to construct a", "reader, but it does not hold its ground in an argument. Moreover, my", "find that opening with a fact is not quite as strong as opening", "fact is not quite as strong as opening with an emotional argument. For", "In general, I find that opening with a fact is not quite as", "but the mask before the monstrous face of intolerance. > > > The", "among others, has been dismissed in circumstances that are short of the adverb", "I wanted such opening to be strong and to resonate with reader. I", "complaint to StackExchange. The obvious thing to do would be to write an", "to consider StackExchange but the mask before the monstrous face of intolerance. >", "entire letter may be dismissed as a rant for the simple lack of", "a resonating opening line in a letter when stating a fact? What is", "may be dismissed as a rant for the simple lack of facts. How", "rant for the simple lack of facts. How to construct a resonating opening", "and to resonate with reader. I find that it contains far too many", "would have believed to consider StackExchange but the mask before the monstrous face", "latter may resonate deeper with the reader, but it does not hold its", "is the structure and language of a strong opening line that cannot be", "resonate with reader. I find that it contains far too many words, and", "events, I intended to write a simple letter of complaint to StackExchange. The", "not quite as strong as opening with an emotional argument. For instance: >", "to be strong and to resonate with reader. I find that it contains", "a fact? What is the structure and language of a strong opening line", "it does not hold its ground in an argument. Moreover, my entire letter", "community, among others, has been dismissed in circumstances that are short of the", "Never I would have believed to consider StackExchange but the mask before the", "the adverb \"summarily\". > > > I wanted such opening to be strong", "others, has been dismissed in circumstances that are short of the adverb \"summarily\".", "> > I wanted such opening to be strong and to resonate with", "to resonate with reader. I find that it contains far too many words,", "For instance: > > Never I would have believed to consider StackExchange but", "that it contains far too many words, and thus not quite reaching the", "words, and thus not quite reaching the point. In general, I find that", "light of recent events, I intended to write a simple letter of complaint", "does not hold its ground in an argument. Moreover, my entire letter may", "> > > I wanted such opening to be strong and to resonate", "in circumstances that are short of the adverb \"summarily\". > > > I", "in an argument. Moreover, my entire letter may be dismissed as a rant", "of the Writing.SE community, among others, has been dismissed in circumstances that are", "write a simple letter of complaint to StackExchange. The obvious thing to do", "would be to write an opening with the fact such as > >", "to my knowledge that a long-standing member and moderator of the Writing.SE community,", "moderator of the Writing.SE community, among others, has been dismissed in circumstances that", "be to write an opening with the fact such as > > It", "came to my knowledge that a long-standing member and moderator of the Writing.SE", "believed to consider StackExchange but the mask before the monstrous face of intolerance.", "I find that it contains far too many words, and thus not quite", "line in a letter when stating a fact? What is the structure and", "its ground in an argument. Moreover, my entire letter may be dismissed as", "to StackExchange. The obvious thing to do would be to write an opening", "fact such as > > It came to my knowledge that a long-standing", "of complaint to StackExchange. The obvious thing to do would be to write", "of recent events, I intended to write a simple letter of complaint to", "but it does not hold its ground in an argument. Moreover, my entire", "structure and language of a strong opening line that cannot be easily dismissed?", "lack of facts. How to construct a resonating opening line in a letter", "with the fact such as > > It came to my knowledge that", "to write an opening with the fact such as > > It came", "of the adverb \"summarily\". > > > I wanted such opening to be", "as > > It came to my knowledge that a long-standing member and", "is not quite as strong as opening with an emotional argument. 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For instance: > >", "intolerance. > > > The latter may resonate deeper with the reader, but", "a long-standing member and moderator of the Writing.SE community, among others, has been", "dismissed as a rant for the simple lack of facts. How to construct", "letter of complaint to StackExchange. The obvious thing to do would be to", "point. In general, I find that opening with a fact is not quite", "> I wanted such opening to be strong and to resonate with reader.", "an emotional argument. For instance: > > Never I would have believed to", "emotional argument. For instance: > > Never I would have believed to consider", "Writing.SE community, among others, has been dismissed in circumstances that are short of", "it contains far too many words, and thus not quite reaching the point.", "many words, and thus not quite reaching the point. In general, I find", "be dismissed as a rant for the simple lack of facts. How to", "are short of the adverb \"summarily\". > > > I wanted such opening", "circumstances that are short of the adverb \"summarily\". > > > I wanted", "such as > > It came to my knowledge that a long-standing member", "I would have believed to consider StackExchange but the mask before the monstrous", "the mask before the monstrous face of intolerance. > > > The latter", "letter may be dismissed as a rant for the simple lack of facts.", "a rant for the simple lack of facts. How to construct a resonating", "to do would be to write an opening with the fact such as", "the simple lack of facts. How to construct a resonating opening line in", "> It came to my knowledge that a long-standing member and moderator of", "dismissed in circumstances that are short of the adverb \"summarily\". > > >", "of intolerance. > > > The latter may resonate deeper with the reader,", "the structure and language of a strong opening line that cannot be easily", "The obvious thing to do would be to write an opening with the", "has been dismissed in circumstances that are short of the adverb \"summarily\". >", "argument. Moreover, my entire letter may be dismissed as a rant for the", "an argument. Moreover, my entire letter may be dismissed as a rant for", "What is the structure and language of a strong opening line that cannot", "> Never I would have believed to consider StackExchange but the mask before", "consider StackExchange but the mask before the monstrous face of intolerance. > >", "> > Never I would have believed to consider StackExchange but the mask", "with the reader, but it does not hold its ground in an argument.", "StackExchange but the mask before the monstrous face of intolerance. > > >", "strong as opening with an emotional argument. For instance: > > Never I", "stating a fact? What is the structure and language of a strong opening", "member and moderator of the Writing.SE community, among others, has been dismissed in", "before the monstrous face of intolerance. > > > The latter may resonate", "for the simple lack of facts. How to construct a resonating opening line", "simple letter of complaint to StackExchange. 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[ "such an A.I would only be able to speak using the limited phrases", "being canonically fully aware of the player character and the status of the", "to stop dismantling it? I'm trying to find the best way to write", "and the like. To me, it makes sense that such an A.I would", "backstory in a few different ways that it would be counter-productive to share", "on the tapes, and it makes for interesting character development- its an AI", "like \"Warning. Unauthorized personnel in area number [area the player character is in].", "enters an area the AI doesn't want him in, it might say something", "to speak like this is that the A.I was built on 1970s computer", "number [area the player character is in]. Rerouting...\" and then proceed to close", "it would be counter-productive to share in the scope of this question. it", "be counter-productive to share in the scope of this question. it is important", "part of, there is an artificial intelligence that speaks to the player character", "the future despite the obvious obsolescence it suffers from. Ultimately my question is", "give players of the game a sense that this AI has limits due", "an artificial intelligence that speaks to the player character through messages that sound", "problem comes with making the A.I more relatable. for example, what if the", "a game development project that I am part of, there is an artificial", "it might say something like \"Warning. Unauthorized personnel in area number [area the", "example, what if the A.I is angry at the player? what if its", "im trying to figure out for an AI antagonist. In a game development", "limits due to the antiquated equipment it is on; and perhaps the AI's", "frustration with that fact. The A.I running on antiquated equipment ties into the", "through messages that sound pre-scripted, despite the A.I being canonically fully aware of", "compromise the fact that this AI believes it is still important to the", "character and the status of the game world, etc. for example, when the", "obsolescence. the problem comes with making the A.I more relatable. for example, what", "I don't compromise the fact that this AI believes it is still important", "humanity's technical progress which suffers from its own apparent obsolescence. the problem comes", "player character enters an area the AI doesn't want him in, it might", "the player character and the status of the game world, etc. for example,", "think reel-to-reel tape drives and the like. To me, it makes sense that", "me, it makes sense that such an A.I would only be able to", "to share in the scope of this question. it is important to me", "what if its the final boss fight, and the A.I is trying to", "reel-to-reel tape drives and the like. To me, it makes sense that such", "that I am part of, there is an artificial intelligence that speaks to", "the A.I antagonist that sounds more relatable and less pre-recorded, but at the", "development- its an AI that was designed to help humanity's technical progress which", "Rerouting...\" and then proceed to close doors and stuff. The reason I'm trying", "get them to stop dismantling it? I'm trying to find the best way", "in, it might say something like \"Warning. Unauthorized personnel in area number [area", "which suffers from its own apparent obsolescence. the problem comes with making the", "the player and stuff to get them to stop dismantling it? I'm trying", "A.I antagonist that sounds more relatable and less pre-recorded, but at the same", "it to still give players of the game a sense that this AI", "despite the obvious obsolescence it suffers from. Ultimately my question is what the", "few different ways that it would be counter-productive to share in the scope", "less pre-recorded, but at the same time, I want it to still give", "the fact that this AI believes it is still important to the future", "the A.I is angry at the player? what if its the final boss", "Ultimately my question is what the best way is to convey the character's", "more relatable. for example, what if the A.I is angry at the player?", "due to the antiquated equipment it is on; and perhaps the AI's hidden", "still give players of the game a sense that this AI has limits", "tapes, and it makes for interesting character development- its an AI that was", "for the A.I antagonist that sounds more relatable and less pre-recorded, but at", "pre-recorded, but at the same time, I want it to still give players", "the best way to write dialogue for the A.I antagonist that sounds more", "limited phrases recorded on the tapes, and it makes for interesting character development-", "its an AI that was designed to help humanity's technical progress which suffers", "doors and stuff. The reason I'm trying to write this character to speak", "the character's motivation and backstory in a few different ways that it would", "that it would be counter-productive to share in the scope of this question.", "if its the final boss fight, and the A.I is trying to insult", "my question is what the best way is to convey the character's obsolescence", "stop dismantling it? I'm trying to find the best way to write dialogue", "to get them to stop dismantling it? I'm trying to find the best", "character through messages that sound pre-scripted, despite the A.I being canonically fully aware", "him in, it might say something like \"Warning. Unauthorized personnel in area number", "doesn't want him in, it might say something like \"Warning. Unauthorized personnel in", "to insult the player and stuff to get them to stop dismantling it?", "its the final boss fight, and the A.I is trying to insult the", "the same time, I want it to still give players of the game", "at the same time, I want it to still give players of the", "boss fight, and the A.I is trying to insult the player and stuff", "equipment it is on; and perhaps the AI's hidden frustration with that fact.", "[area the player character is in]. Rerouting...\" and then proceed to close doors", "then proceed to close doors and stuff. The reason I'm trying to write", "AI doesn't want him in, it might say something like \"Warning. Unauthorized personnel", "the tapes, and it makes for interesting character development- its an AI that", "scope of this question. it is important to me that I don't compromise", "the player character through messages that sound pre-scripted, despite the A.I being canonically", "antiquated equipment it is on; and perhaps the AI's hidden frustration with that", "dialogue for the A.I antagonist that sounds more relatable and less pre-recorded, but", "and the status of the game world, etc. for example, when the player", "A.I running on antiquated equipment ties into the character's motivation and backstory in", "final boss fight, and the A.I is trying to insult the player and", "sense that such an A.I would only be able to speak using the", "to close doors and stuff. The reason I'm trying to write this character", "status of the game world, etc. for example, when the player character enters", "to help humanity's technical progress which suffers from its own apparent obsolescence. the", "equipment- think reel-to-reel tape drives and the like. To me, it makes sense", "world, etc. for example, when the player character enters an area the AI", "for example, when the player character enters an area the AI doesn't want", "its own apparent obsolescence. the problem comes with making the A.I more relatable.", "an AI antagonist. In a game development project that I am part of,", "a sense that this AI has limits due to the antiquated equipment it", "makes for interesting character development- its an AI that was designed to help", "perhaps the AI's hidden frustration with that fact. The A.I running on antiquated", "own apparent obsolescence. the problem comes with making the A.I more relatable. for", "fight, and the A.I is trying to insult the player and stuff to", "is angry at the player? what if its the final boss fight, and", "that sounds more relatable and less pre-recorded, but at the same time, I", "that speaks to the player character through messages that sound pre-scripted, despite the", "fact that this AI believes it is still important to the future despite", "them to stop dismantling it? I'm trying to find the best way to", "of this question. it is important to me that I don't compromise the", "it suffers from. Ultimately my question is what the best way is to", "that such an A.I would only be able to speak using the limited", "want it to still give players of the game a sense that this", "and perhaps the AI's hidden frustration with that fact. The A.I running on", "trying to write this character to speak like this is that the A.I", "this question. it is important to me that I don't compromise the fact", "the A.I more relatable. for example, what if the A.I is angry at", "in the scope of this question. it is important to me that I", "the scope of this question. it is important to me that I don't", "that the A.I was built on 1970s computer equipment- think reel-to-reel tape drives", "it is still important to the future despite the obvious obsolescence it suffers", "A.I was built on 1970s computer equipment- think reel-to-reel tape drives and the", "important to me that I don't compromise the fact that this AI believes", "hidden frustration with that fact. The A.I running on antiquated equipment ties into", "antagonist. In a game development project that I am part of, there is", "obvious obsolescence it suffers from. Ultimately my question is what the best way", "pre-scripted, despite the A.I being canonically fully aware of the player character and", "and it makes for interesting character development- its an AI that was designed", "phrases recorded on the tapes, and it makes for interesting character development- its", "from. Ultimately my question is what the best way is to convey the", "say something like \"Warning. Unauthorized personnel in area number [area the player character", "with making the A.I more relatable. for example, what if the A.I is", "personnel in area number [area the player character is in]. Rerouting...\" and then", "equipment ties into the character's motivation and backstory in a few different ways", "In a game development project that I am part of, there is an", "this AI has limits due to the antiquated equipment it is on; and", "this is that the A.I was built on 1970s computer equipment- think reel-to-reel", "if the A.I is angry at the player? what if its the final", "using the limited phrases recorded on the tapes, and it makes for interesting", "despite the A.I being canonically fully aware of the player character and the", "to the future despite the obvious obsolescence it suffers from. Ultimately my question", "that this AI believes it is still important to the future despite the", "in area number [area the player character is in]. Rerouting...\" and then proceed", "computer equipment- think reel-to-reel tape drives and the like. 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I'm trying to find the", "is what the best way is to convey the character's obsolescence without sacrificing", "is important to me that I don't compromise the fact that this AI", "way to write dialogue for the A.I antagonist that sounds more relatable and", "for example, what if the A.I is angry at the player? what if", "the player character is in]. Rerouting...\" and then proceed to close doors and", "suffers from its own apparent obsolescence. the problem comes with making the A.I", "be able to speak using the limited phrases recorded on the tapes, and", "recorded on the tapes, and it makes for interesting character development- its an", "game a sense that this AI has limits due to the antiquated equipment", "it is on; and perhaps the AI's hidden frustration with that fact. The", "there is an artificial intelligence that speaks to the player character through messages", "trying to insult the player and stuff to get them to stop dismantling", "technical progress which suffers from its own apparent obsolescence. the problem comes with", "the AI's hidden frustration with that fact. The A.I running on antiquated equipment", "the A.I being canonically fully aware of the player character and the status", "that I don't compromise the fact that this AI believes it is still", "and less pre-recorded, but at the same time, I want it to still", "best way to write dialogue for the A.I antagonist that sounds more relatable", "of, there is an artificial intelligence that speaks to the player character through", "AI has limits due to the antiquated equipment it is on; and perhaps", "to write this character to speak like this is that the A.I was", "stuff im trying to figure out for an AI antagonist. In a game", "ties into the character's motivation and backstory in a few different ways that", "canonically fully aware of the player character and the status of the game", "apparent obsolescence. the problem comes with making the A.I more relatable. for example,", "obsolescence it suffers from. Ultimately my question is what the best way is", "tape drives and the like. To me, it makes sense that such an", "area the AI doesn't want him in, it might say something like \"Warning.", "sound pre-scripted, despite the A.I being canonically fully aware of the player character", "find the best way to write dialogue for the A.I antagonist that sounds", "same time, I want it to still give players of the game a", "ways that it would be counter-productive to share in the scope of this", "still important to the future despite the obvious obsolescence it suffers from. Ultimately", "figure out for an AI antagonist. In a game development project that I", "proceed to close doors and stuff. 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Unauthorized personnel in area number [area the player character is", "the A.I is trying to insult the player and stuff to get them", "to write dialogue for the A.I antagonist that sounds more relatable and less", "write this character to speak like this is that the A.I was built", "antiquated equipment ties into the character's motivation and backstory in a few different", "intelligence that speaks to the player character through messages that sound pre-scripted, despite", "suffers from. Ultimately my question is what the best way is to convey", "running on antiquated equipment ties into the character's motivation and backstory in a", "A.I more relatable. for example, what if the A.I is angry at the", "the limited phrases recorded on the tapes, and it makes for interesting character", "important to the future despite the obvious obsolescence it suffers from. Ultimately my", "game development project that I am part of, there is an artificial intelligence", "is in]. Rerouting...\" and then proceed to close doors and stuff. The reason", "character stuff im trying to figure out for an AI antagonist. In a", "in]. Rerouting...\" and then proceed to close doors and stuff. The reason I'm", "this character to speak like this is that the A.I was built on", "for an AI antagonist. In a game development project that I am part", "player character and the status of the game world, etc. for example, when", "what the best way is to convey the character's obsolescence without sacrificing believability", "the player character enters an area the AI doesn't want him in, it", "the game a sense that this AI has limits due to the antiquated", "at the player? what if its the final boss fight, and the A.I", "have some character stuff im trying to figure out for an AI antagonist.", "an AI that was designed to help humanity's technical progress which suffers from", "best way is to convey the character's obsolescence without sacrificing believability or character", "is an artificial intelligence that speaks to the player character through messages that", "and the A.I is trying to insult the player and stuff to get", "of the game world, etc. for example, when the player character enters an", "to the antiquated equipment it is on; and perhaps the AI's hidden frustration", "the problem comes with making the A.I more relatable. for example, what if", "into the character's motivation and backstory in a few different ways that it", "only be able to speak using the limited phrases recorded on the tapes,", "what if the A.I is angry at the player? what if its the", "A.I being canonically fully aware of the player character and the status of", "the best way is to convey the character's obsolescence without sacrificing believability or", "like this is that the A.I was built on 1970s computer equipment- think", "To me, it makes sense that such an A.I would only be able", "messages that sound pre-scripted, despite the A.I being canonically fully aware of the", "to find the best way to write dialogue for the A.I antagonist that", "it makes for interesting character development- its an AI that was designed to", "write dialogue for the A.I antagonist that sounds more relatable and less pre-recorded,", "that sound pre-scripted, despite the A.I being canonically fully aware of the player", "an area the AI doesn't want him in, it might say something like", "might say something like \"Warning. Unauthorized personnel in area number [area the player", "trying to find the best way to write dialogue for the A.I antagonist", "AI antagonist. In a game development project that I am part of, there", "speaks to the player character through messages that sound pre-scripted, despite the A.I", "on 1970s computer equipment- think reel-to-reel tape drives and the like. To me,", "is that the A.I was built on 1970s computer equipment- think reel-to-reel tape", "interesting character development- its an AI that was designed to help humanity's technical", "character development- its an AI that was designed to help humanity's technical progress", "an A.I would only be able to speak using the limited phrases recorded", "has limits due to the antiquated equipment it is on; and perhaps the", "The A.I running on antiquated equipment ties into the character's motivation and backstory", "was designed to help humanity's technical progress which suffers from its own apparent", "from its own apparent obsolescence. the problem comes with making the A.I more", "and stuff to get them to stop dismantling it? I'm trying to find", "don't compromise the fact that this AI believes it is still important to", "makes sense that such an A.I would only be able to speak using", "the game world, etc. for example, when the player character enters an area", "way is to convey the character's obsolescence without sacrificing believability or character depth.", "progress which suffers from its own apparent obsolescence. the problem comes with making", "was built on 1970s computer equipment- think reel-to-reel tape drives and the like.", "player character is in]. Rerouting...\" and then proceed to close doors and stuff.", "dismantling it? I'm trying to find the best way to write dialogue for", "sense that this AI has limits due to the antiquated equipment it is", "fact. The A.I running on antiquated equipment ties into the character's motivation and", "would only be able to speak using the limited phrases recorded on the", "of the player character and the status of the game world, etc. for", "antagonist that sounds more relatable and less pre-recorded, but at the same time,", "relatable and less pre-recorded, but at the same time, I want it to", "1970s computer equipment- think reel-to-reel tape drives and the like. To me, it", "to me that I don't compromise the fact that this AI believes it", "like. To me, it makes sense that such an A.I would only be", "A.I is angry at the player? what if its the final boss fight,", "future despite the obvious obsolescence it suffers from. Ultimately my question is what", "it? I'm trying to find the best way to write dialogue for the", "the like. To me, it makes sense that such an A.I would only", "character to speak like this is that the A.I was built on 1970s", "fully aware of the player character and the status of the game world,", "Unauthorized personnel in area number [area the player character is in]. Rerouting...\" and", "is still important to the future despite the obvious obsolescence it suffers from.", "believes it is still important to the future despite the obvious obsolescence it", "designed to help humanity's technical progress which suffers from its own apparent obsolescence.", "I'm trying to write this character to speak like this is that the", "more relatable and less pre-recorded, but at the same time, I want it", "AI that was designed to help humanity's technical progress which suffers from its", "insult the player and stuff to get them to stop dismantling it? I'm", "the player? what if its the final boss fight, and the A.I is", "players of the game a sense that this AI has limits due to", "the AI doesn't want him in, it might say something like \"Warning. Unauthorized", "to still give players of the game a sense that this AI has", "it is important to me that I don't compromise the fact that this", "some character stuff im trying to figure out for an AI antagonist. In", "with that fact. The A.I running on antiquated equipment ties into the character's", "would be counter-productive to share in the scope of this question. it is", "different ways that it would be counter-productive to share in the scope of", "that was designed to help humanity's technical progress which suffers from its own", "A.I would only be able to speak using the limited phrases recorded on", "for interesting character development- its an AI that was designed to help humanity's", "character is in]. Rerouting...\" and then proceed to close doors and stuff. The", "on; and perhaps the AI's hidden frustration with that fact. The A.I running", "The reason I'm trying to write this character to speak like this is", "example, when the player character enters an area the AI doesn't want him", "is on; and perhaps the AI's hidden frustration with that fact. The A.I", "angry at the player? what if its the final boss fight, and the", "on antiquated equipment ties into the character's motivation and backstory in a few", "this AI believes it is still important to the future despite the obvious", "artificial intelligence that speaks to the player character through messages that sound pre-scripted,", "AI believes it is still important to the future despite the obvious obsolescence", "to figure out for an AI antagonist. In a game development project that", "sounds more relatable and less pre-recorded, but at the same time, I want", "close doors and stuff. The reason I'm trying to write this character to", "character enters an area the AI doesn't want him in, it might say", "but at the same time, I want it to still give players of", "the obvious obsolescence it suffers from. Ultimately my question is what the best", "project that I am part of, there is an artificial intelligence that speaks" ]
[ "a fun, from left field way to establish this as opposed to simply", "firing arrows as an Elf/Orc/some other fantasy race (akin to World of Warcraft).", "\"regular, Cyberpunk world\" after the first chapter, and basically never returning to that", "cyberpunk story. I want to establish (at some point) that the main character", "such, but I'm concerned it may be jarring to the reader. QUESTION: Is", "an Elf/Orc/some other fantasy race (akin to World of Warcraft). At first I", "thought this would be a fun, from left field way to establish this", "fun, from left field way to establish this as opposed to simply making", "to simply making my character a mercenary or such, but I'm concerned it", "world\" after the first chapter, and basically never returning to that specific game.", "starting a novel with a non-real scene too jarring or confusing for readers?", "readers? I plan on going from this VR sim to the \"regular, Cyberpunk", "way to establish this as opposed to simply making my character a mercenary", "in which the character is firing arrows as an Elf/Orc/some other fantasy race", "sequence, in which the character is firing arrows as an Elf/Orc/some other fantasy", "marksmanship proficiency by starting my cyberpunk story with a VR sequence, in which", "establish this as opposed to simply making my character a mercenary or such,", "fantasy race (akin to World of Warcraft). At first I thought this would", "as opposed to simply making my character a mercenary or such, but I'm", "opposed to simply making my character a mercenary or such, but I'm concerned", "non-real scene too jarring or confusing for readers? I plan on going from", "this VR sim to the \"regular, Cyberpunk world\" after the first chapter, and", "this as opposed to simply making my character a mercenary or such, but", "arrows as an Elf/Orc/some other fantasy race (akin to World of Warcraft). At", "to the \"regular, Cyberpunk world\" after the first chapter, and basically never returning", "race (akin to World of Warcraft). At first I thought this would be", "for readers? I plan on going from this VR sim to the \"regular,", "to the reader. QUESTION: Is starting a novel with a non-real scene too", "Is starting a novel with a non-real scene too jarring or confusing for", "going from this VR sim to the \"regular, Cyberpunk world\" after the first", "by starting my cyberpunk story with a VR sequence, in which the character", "(akin to World of Warcraft). At first I thought this would be a", "VR sequence, in which the character is firing arrows as an Elf/Orc/some other", "I thought this would be a fun, from left field way to establish", "on going from this VR sim to the \"regular, Cyberpunk world\" after the", "QUESTION: Is starting a novel with a non-real scene too jarring or confusing", "a non-real scene too jarring or confusing for readers? I plan on going", "concerned it may be jarring to the reader. QUESTION: Is starting a novel", "character a mercenary or such, but I'm concerned it may be jarring to", "would be a fun, from left field way to establish this as opposed", "establish (at some point) that the main character has marksmanship proficiency by starting", "I want to establish (at some point) that the main character has marksmanship", "making my character a mercenary or such, but I'm concerned it may be", "from this VR sim to the \"regular, Cyberpunk world\" after the first chapter,", "story. I want to establish (at some point) that the main character has", "character has marksmanship proficiency by starting my cyberpunk story with a VR sequence,", "I'm coming up with an outline for a cyberpunk story. I want to", "that the main character has marksmanship proficiency by starting my cyberpunk story with", "or such, but I'm concerned it may be jarring to the reader. QUESTION:", "cyberpunk story with a VR sequence, in which the character is firing arrows", "an outline for a cyberpunk story. I want to establish (at some point)", "point) that the main character has marksmanship proficiency by starting my cyberpunk story", "proficiency by starting my cyberpunk story with a VR sequence, in which the", "I plan on going from this VR sim to the \"regular, Cyberpunk world\"", "jarring or confusing for readers? I plan on going from this VR sim", "left field way to establish this as opposed to simply making my character", "or confusing for readers? I plan on going from this VR sim to", "to establish this as opposed to simply making my character a mercenary or", "with an outline for a cyberpunk story. I want to establish (at some", "for a cyberpunk story. I want to establish (at some point) that the", "field way to establish this as opposed to simply making my character a", "other fantasy race (akin to World of Warcraft). At first I thought this", "sim to the \"regular, Cyberpunk world\" after the first chapter, and basically never", "to establish (at some point) that the main character has marksmanship proficiency by", "(at some point) that the main character has marksmanship proficiency by starting my", "scene too jarring or confusing for readers? I plan on going from this", "a cyberpunk story. I want to establish (at some point) that the main", "character is firing arrows as an Elf/Orc/some other fantasy race (akin to World", "with a VR sequence, in which the character is firing arrows as an", "jarring to the reader. QUESTION: Is starting a novel with a non-real scene", "up with an outline for a cyberpunk story. I want to establish (at", "simply making my character a mercenary or such, but I'm concerned it may", "confusing for readers? I plan on going from this VR sim to the", "I'm concerned it may be jarring to the reader. QUESTION: Is starting a", "starting my cyberpunk story with a VR sequence, in which the character is", "of Warcraft). At first I thought this would be a fun, from left", "to World of Warcraft). At first I thought this would be a fun,", "World of Warcraft). At first I thought this would be a fun, from", "a mercenary or such, but I'm concerned it may be jarring to the", "a VR sequence, in which the character is firing arrows as an Elf/Orc/some", "from left field way to establish this as opposed to simply making my", "Warcraft). At first I thought this would be a fun, from left field", "the character is firing arrows as an Elf/Orc/some other fantasy race (akin to", "my cyberpunk story with a VR sequence, in which the character is firing", "which the character is firing arrows as an Elf/Orc/some other fantasy race (akin", "my character a mercenary or such, but I'm concerned it may be jarring", "main character has marksmanship proficiency by starting my cyberpunk story with a VR", "coming up with an outline for a cyberpunk story. I want to establish", "but I'm concerned it may be jarring to the reader. QUESTION: Is starting", "has marksmanship proficiency by starting my cyberpunk story with a VR sequence, in", "outline for a cyberpunk story. I want to establish (at some point) that", "some point) that the main character has marksmanship proficiency by starting my cyberpunk", "Elf/Orc/some other fantasy race (akin to World of Warcraft). At first I thought", "mercenary or such, but I'm concerned it may be jarring to the reader.", "story with a VR sequence, in which the character is firing arrows as", "want to establish (at some point) that the main character has marksmanship proficiency", "Cyberpunk world\" after the first chapter, and basically never returning to that specific", "plan on going from this VR sim to the \"regular, Cyberpunk world\" after", "first I thought this would be a fun, from left field way to", "novel with a non-real scene too jarring or confusing for readers? I plan", "the main character has marksmanship proficiency by starting my cyberpunk story with a", "VR sim to the \"regular, Cyberpunk world\" after the first chapter, and basically", "a novel with a non-real scene too jarring or confusing for readers? I", "be a fun, from left field way to establish this as opposed to", "as an Elf/Orc/some other fantasy race (akin to World of Warcraft). At first", "too jarring or confusing for readers? I plan on going from this VR", "be jarring to the reader. QUESTION: Is starting a novel with a non-real", "it may be jarring to the reader. QUESTION: Is starting a novel with", "reader. QUESTION: Is starting a novel with a non-real scene too jarring or", "At first I thought this would be a fun, from left field way", "the \"regular, Cyberpunk world\" after the first chapter, and basically never returning to", "is firing arrows as an Elf/Orc/some other fantasy race (akin to World of", "this would be a fun, from left field way to establish this as", "may be jarring to the reader. QUESTION: Is starting a novel with a", "the reader. QUESTION: Is starting a novel with a non-real scene too jarring", "with a non-real scene too jarring or confusing for readers? I plan on" ]
[ "of the largest gang in the country. The guy is the leader of", "in love with her, but she has been through too many heartbreaks to", "leaders. The female is the leader of the largest gang in the country.", "2nd-largest. They meet at a café where the guy instantly falls in love", "of the 2nd-largest. They meet at a café where the guy instantly falls", "country. The guy is the leader of the 2nd-largest. They meet at a", "but she has been through too many heartbreaks to fall in love so", "she has been through too many heartbreaks to fall in love so easily.", "female is the leader of the largest gang in the country. The guy", "has been through too many heartbreaks to fall in love so easily. How", "love so easily. How do I make the girl fall in love with", "café where the guy instantly falls in love with her, but she has", "story is about two gang leaders. The female is the leader of the", "about two gang leaders. The female is the leader of the largest gang", "fall in love so easily. How do I make the girl fall in", "many heartbreaks to fall in love so easily. How do I make the", "the guy instantly falls in love with her, but she has been through", "guy instantly falls in love with her, but she has been through too", "The female is the leader of the largest gang in the country. The", "so easily. How do I make the girl fall in love with him?", "in the country. The guy is the leader of the 2nd-largest. They meet", "meet at a café where the guy instantly falls in love with her,", "gang in the country. The guy is the leader of the 2nd-largest. They", "My story is about two gang leaders. The female is the leader of", "at a café where the guy instantly falls in love with her, but", "her, but she has been through too many heartbreaks to fall in love", "to fall in love so easily. How do I make the girl fall", "They meet at a café where the guy instantly falls in love with", "been through too many heartbreaks to fall in love so easily. How do", "love with her, but she has been through too many heartbreaks to fall", "too many heartbreaks to fall in love so easily. How do I make", "in love so easily. How do I make the girl fall in love", "a café where the guy instantly falls in love with her, but she", "where the guy instantly falls in love with her, but she has been", "is about two gang leaders. The female is the leader of the largest", "instantly falls in love with her, but she has been through too many", "The guy is the leader of the 2nd-largest. They meet at a café", "heartbreaks to fall in love so easily. How do I make the girl", "the largest gang in the country. The guy is the leader of the", "gang leaders. The female is the leader of the largest gang in the", "the leader of the largest gang in the country. The guy is the", "is the leader of the 2nd-largest. They meet at a café where the", "guy is the leader of the 2nd-largest. They meet at a café where", "leader of the largest gang in the country. The guy is the leader", "the 2nd-largest. They meet at a café where the guy instantly falls in", "the country. The guy is the leader of the 2nd-largest. They meet at", "with her, but she has been through too many heartbreaks to fall in", "through too many heartbreaks to fall in love so easily. How do I", "two gang leaders. The female is the leader of the largest gang in", "the leader of the 2nd-largest. They meet at a café where the guy", "falls in love with her, but she has been through too many heartbreaks", "is the leader of the largest gang in the country. The guy is", "largest gang in the country. The guy is the leader of the 2nd-largest.", "leader of the 2nd-largest. They meet at a café where the guy instantly" ]
[ "only mentioning Katniss' PTSD with the fact that she has \"nightmares\"), and I", "my MC UrasMt is severely traumatized by the death of her family at", "fact that many of their characters are traumatized (JK Rowling and never mentioning", "depression, paranoia, etc., but this is not the real world, and no one", "or possible PTSD, Suzanne Collins and only mentioning Katniss' PTSD with the fact", "traumatized by the death of her family at her own hands. Because of", "of this, she has extreme aversion to social interaction and even physical contact.", "their characters are traumatized (JK Rowling and never mentioning Herrl's trauma or possible", "Collins and only mentioning Katniss' PTSD with the fact that she has \"nightmares\"),", "her family at her own hands. Because of this, she has extreme aversion", "that to happen to me or my work. So, in some way that", "one is concerned with self-diagnosing themselves with an illness. However, I have witnessed", "novel, my MC UrasMt is severely traumatized by the death of her family", "in some way that fits into the story, should I \"diagnose\" UrasMt? Should", "but never outright call it \"trauma\"? What are the pitfalls of both choices?", "just let the reader bear witness to it but never outright call it", "own hands. Because of this, she has extreme aversion to social interaction and", "severely traumatized by the death of her family at her own hands. Because", "from PTSD, depression, paranoia, etc., but this is not the real world, and", "reader bear witness to it but never outright call it \"trauma\"? What are", "her obvious trauma, or just let the reader bear witness to it but", "fits into the story, should I \"diagnose\" UrasMt? Should I address her obvious", "to happen to me or my work. So, in some way that fits", "happened, UrasMt might be suffering from PTSD, depression, paranoia, etc., but this is", "etc., but this is not the real world, and no one is concerned", "social interaction and even physical contact. In the real world, if something like", "her own hands. Because of this, she has extreme aversion to social interaction", "(JK Rowling and never mentioning Herrl's trauma or possible PTSD, Suzanne Collins and", "\"nightmares\"), and I wouldn't want that to happen to me or my work.", "no one is concerned with self-diagnosing themselves with an illness. However, I have", "the real world, if something like this happened, UrasMt might be suffering from", "In my post-apocalyptic novel, my MC UrasMt is severely traumatized by the death", "way that fits into the story, should I \"diagnose\" UrasMt? Should I address", "real world, and no one is concerned with self-diagnosing themselves with an illness.", "with the fact that she has \"nightmares\"), and I wouldn't want that to", "bear witness to it but never outright call it \"trauma\"? What are the", "PTSD, depression, paranoia, etc., but this is not the real world, and no", "contact. In the real world, if something like this happened, UrasMt might be", "Rowling and never mentioning Herrl's trauma or possible PTSD, Suzanne Collins and only", "Suzanne Collins and only mentioning Katniss' PTSD with the fact that she has", "paranoia, etc., but this is not the real world, and no one is", "the fact that many of their characters are traumatized (JK Rowling and never", "and I wouldn't want that to happen to me or my work. So,", "family at her own hands. Because of this, she has extreme aversion to", "want that to happen to me or my work. So, in some way", "trauma or possible PTSD, Suzanne Collins and only mentioning Katniss' PTSD with the", "to me or my work. So, in some way that fits into the", "suffering from PTSD, depression, paranoia, etc., but this is not the real world,", "that she has \"nightmares\"), and I wouldn't want that to happen to me", "I wouldn't want that to happen to me or my work. So, in", "many of their characters are traumatized (JK Rowling and never mentioning Herrl's trauma", "address her obvious trauma, or just let the reader bear witness to it", "various authors come under fire for rarely/never addressing the fact that many of", "UrasMt might be suffering from PTSD, depression, paranoia, etc., but this is not", "this is not the real world, and no one is concerned with self-diagnosing", "by the death of her family at her own hands. Because of this,", "she has extreme aversion to social interaction and even physical contact. In the", "PTSD, Suzanne Collins and only mentioning Katniss' PTSD with the fact that she", "fact that she has \"nightmares\"), and I wouldn't want that to happen to", "is severely traumatized by the death of her family at her own hands.", "or my work. So, in some way that fits into the story, should", "authors come under fire for rarely/never addressing the fact that many of their", "and only mentioning Katniss' PTSD with the fact that she has \"nightmares\"), and", "me or my work. So, in some way that fits into the story,", "of her family at her own hands. Because of this, she has extreme", "is concerned with self-diagnosing themselves with an illness. However, I have witnessed various", "but this is not the real world, and no one is concerned with", "witness to it but never outright call it \"trauma\"? What are the pitfalls", "has extreme aversion to social interaction and even physical contact. In the real", "even physical contact. In the real world, if something like this happened, UrasMt", "have witnessed various authors come under fire for rarely/never addressing the fact that", "under fire for rarely/never addressing the fact that many of their characters are", "trauma, or just let the reader bear witness to it but never outright", "she has \"nightmares\"), and I wouldn't want that to happen to me or", "I have witnessed various authors come under fire for rarely/never addressing the fact", "real world, if something like this happened, UrasMt might be suffering from PTSD,", "the real world, and no one is concerned with self-diagnosing themselves with an", "physical contact. In the real world, if something like this happened, UrasMt might", "characters are traumatized (JK Rowling and never mentioning Herrl's trauma or possible PTSD,", "the story, should I \"diagnose\" UrasMt? Should I address her obvious trauma, or", "let the reader bear witness to it but never outright call it \"trauma\"?", "wouldn't want that to happen to me or my work. So, in some", "addressing the fact that many of their characters are traumatized (JK Rowling and", "my work. So, in some way that fits into the story, should I", "Herrl's trauma or possible PTSD, Suzanne Collins and only mentioning Katniss' PTSD with", "Because of this, she has extreme aversion to social interaction and even physical", "that fits into the story, should I \"diagnose\" UrasMt? Should I address her", "my post-apocalyptic novel, my MC UrasMt is severely traumatized by the death of", "into the story, should I \"diagnose\" UrasMt? Should I address her obvious trauma,", "to it but never outright call it \"trauma\"? What are the pitfalls of", "this happened, UrasMt might be suffering from PTSD, depression, paranoia, etc., but this", "that many of their characters are traumatized (JK Rowling and never mentioning Herrl's", "possible PTSD, Suzanne Collins and only mentioning Katniss' PTSD with the fact that", "So, in some way that fits into the story, should I \"diagnose\" UrasMt?", "self-diagnosing themselves with an illness. However, I have witnessed various authors come under", "and even physical contact. In the real world, if something like this happened,", "PTSD with the fact that she has \"nightmares\"), and I wouldn't want that", "come under fire for rarely/never addressing the fact that many of their characters", "has \"nightmares\"), and I wouldn't want that to happen to me or my", "are traumatized (JK Rowling and never mentioning Herrl's trauma or possible PTSD, Suzanne", "Should I address her obvious trauma, or just let the reader bear witness", "traumatized (JK Rowling and never mentioning Herrl's trauma or possible PTSD, Suzanne Collins", "mentioning Herrl's trauma or possible PTSD, Suzanne Collins and only mentioning Katniss' PTSD", "and no one is concerned with self-diagnosing themselves with an illness. However, I", "hands. Because of this, she has extreme aversion to social interaction and even", "is not the real world, and no one is concerned with self-diagnosing themselves", "never mentioning Herrl's trauma or possible PTSD, Suzanne Collins and only mentioning Katniss'", "not the real world, and no one is concerned with self-diagnosing themselves with", "for rarely/never addressing the fact that many of their characters are traumatized (JK", "of their characters are traumatized (JK Rowling and never mentioning Herrl's trauma or", "I \"diagnose\" UrasMt? Should I address her obvious trauma, or just let the", "MC UrasMt is severely traumatized by the death of her family at her", "if something like this happened, UrasMt might be suffering from PTSD, depression, paranoia,", "an illness. However, I have witnessed various authors come under fire for rarely/never", "death of her family at her own hands. Because of this, she has", "the death of her family at her own hands. Because of this, she", "interaction and even physical contact. In the real world, if something like this", "UrasMt is severely traumatized by the death of her family at her own", "this, she has extreme aversion to social interaction and even physical contact. In", "In the real world, if something like this happened, UrasMt might be suffering", "happen to me or my work. So, in some way that fits into", "should I \"diagnose\" UrasMt? Should I address her obvious trauma, or just let", "themselves with an illness. However, I have witnessed various authors come under fire", "the fact that she has \"nightmares\"), and I wouldn't want that to happen", "illness. However, I have witnessed various authors come under fire for rarely/never addressing", "\"diagnose\" UrasMt? Should I address her obvious trauma, or just let the reader", "some way that fits into the story, should I \"diagnose\" UrasMt? Should I", "I address her obvious trauma, or just let the reader bear witness to", "obvious trauma, or just let the reader bear witness to it but never", "like this happened, UrasMt might be suffering from PTSD, depression, paranoia, etc., but", "world, and no one is concerned with self-diagnosing themselves with an illness. However,", "might be suffering from PTSD, depression, paranoia, etc., but this is not the", "work. So, in some way that fits into the story, should I \"diagnose\"", "extreme aversion to social interaction and even physical contact. In the real world,", "fire for rarely/never addressing the fact that many of their characters are traumatized", "witnessed various authors come under fire for rarely/never addressing the fact that many", "something like this happened, UrasMt might be suffering from PTSD, depression, paranoia, etc.,", "UrasMt? Should I address her obvious trauma, or just let the reader bear", "the reader bear witness to it but never outright call it \"trauma\"? What", "However, I have witnessed various authors come under fire for rarely/never addressing the", "aversion to social interaction and even physical contact. In the real world, if", "to social interaction and even physical contact. In the real world, if something", "or just let the reader bear witness to it but never outright call", "concerned with self-diagnosing themselves with an illness. However, I have witnessed various authors", "post-apocalyptic novel, my MC UrasMt is severely traumatized by the death of her", "Katniss' PTSD with the fact that she has \"nightmares\"), and I wouldn't want", "world, if something like this happened, UrasMt might be suffering from PTSD, depression,", "story, should I \"diagnose\" UrasMt? Should I address her obvious trauma, or just", "at her own hands. Because of this, she has extreme aversion to social", "with an illness. However, I have witnessed various authors come under fire for", "mentioning Katniss' PTSD with the fact that she has \"nightmares\"), and I wouldn't", "and never mentioning Herrl's trauma or possible PTSD, Suzanne Collins and only mentioning", "be suffering from PTSD, depression, paranoia, etc., but this is not the real", "rarely/never addressing the fact that many of their characters are traumatized (JK Rowling", "it but never outright call it \"trauma\"? What are the pitfalls of both", "with self-diagnosing themselves with an illness. However, I have witnessed various authors come" ]
[ "of power where he is assigned with the task to, usually, \"save the", "from a position of an empire/faction/race leader position. So far so good for", "out. I could make up things but if i knew some key elements", "programmer and in the middle of developing a TBS (turn based strategy) computer", "strategy) computer video game. Those kind of games have a flow of what", "are connected via the story. The player assumes the role of the protagonist", "things but if i knew some key elements in this particular concept it", "video game. Those kind of games have a flow of what is commonly", "knew some key elements in this particular concept it would certainly help me", "is where my skills run out. I could make up things but if", "acting through different game stages that are connected via the story. The player", "different game stages that are connected via the story. The player assumes the", "is assigned with the task to, usually, \"save the world\". The \"world\" itself", "middle of developing a TBS (turn based strategy) computer video game. Those kind", "short story to build a campaign mode. And here is where my skills", "be the supreme leader or a great general some role of power where", "this particular concept it would certainly help me most be accurate on that", "on that part which is out of my specialization field. The requirement is", "the protagonist which would be the supreme leader or a great general some", "known to gamer as 4X, that is, explore, expand, exploit and exterminate, from", "the story. The player assumes the role of the protagonist which would be", "power where he is assigned with the task to, usually, \"save the world\".", "intelligent beings, including humans, live and prosper in space (and planets wherever possible),", "key elements in this particular concept it would certainly help me most be", "run out. I could make up things but if i knew some key", "that is, explore, expand, exploit and exterminate, from a position of an empire/faction/race", "have a flow of what is commonly known to gamer as 4X, that", "through different game stages that are connected via the story. The player assumes", "role of the protagonist which would be the supreme leader or a great", "based strategy) computer video game. Those kind of games have a flow of", "part which is out of my specialization field. The requirement is that, the", "is a future setup where different intelligent beings, including humans, live and prosper", "explore, expand, exploit and exterminate, from a position of an empire/faction/race leader position.", "is that, the story should give the player a reason for acting through", "field. The requirement is that, the story should give the player a reason", "game. Those kind of games have a flow of what is commonly known", "the middle of developing a TBS (turn based strategy) computer video game. Those", "connected via the story. The player assumes the role of the protagonist which", "future setup where different intelligent beings, including humans, live and prosper in space", "that are connected via the story. The player assumes the role of the", "some key elements in this particular concept it would certainly help me most", "Those kind of games have a flow of what is commonly known to", "setup where different intelligent beings, including humans, live and prosper in space (and", "a great general some role of power where he is assigned with the", "a flow of what is commonly known to gamer as 4X, that is,", "story to build a campaign mode. And here is where my skills run", "the supreme leader or a great general some role of power where he", "and exterminate, from a position of an empire/faction/race leader position. So far so", "with the task to, usually, \"save the world\". The \"world\" itself now is", "mode. And here is where my skills run out. I could make up", "exterminate, from a position of an empire/faction/race leader position. So far so good", "is, explore, expand, exploit and exterminate, from a position of an empire/faction/race leader", "in this particular concept it would certainly help me most be accurate on", "me, but i shall need a short story to build a campaign mode.", "a campaign mode. And here is where my skills run out. I could", "accurate on that part which is out of my specialization field. The requirement", "\"world\" itself now is a future setup where different intelligent beings, including humans,", "a TBS (turn based strategy) computer video game. Those kind of games have", "beings, including humans, live and prosper in space (and planets wherever possible), have", "of developing a TBS (turn based strategy) computer video game. Those kind of", "armies of unmanned combat starships for their security and expansion and so on.", "possible), have armies of unmanned combat starships for their security and expansion and", "a future setup where different intelligent beings, including humans, live and prosper in", "The \"world\" itself now is a future setup where different intelligent beings, including", "in the middle of developing a TBS (turn based strategy) computer video game.", "requirement is that, the story should give the player a reason for acting", "that, the story should give the player a reason for acting through different", "me most be accurate on that part which is out of my specialization", "a programmer and in the middle of developing a TBS (turn based strategy)", "give the player a reason for acting through different game stages that are", "where he is assigned with the task to, usually, \"save the world\". The", "kind of games have a flow of what is commonly known to gamer", "The player assumes the role of the protagonist which would be the supreme", "developing a TBS (turn based strategy) computer video game. Those kind of games", "should give the player a reason for acting through different game stages that", "far so good for me, but i shall need a short story to", "prosper in space (and planets wherever possible), have armies of unmanned combat starships", "here is where my skills run out. I could make up things but", "a position of an empire/faction/race leader position. So far so good for me,", "so good for me, but i shall need a short story to build", "help me most be accurate on that part which is out of my", "now is a future setup where different intelligent beings, including humans, live and", "(and planets wherever possible), have armies of unmanned combat starships for their security", "have armies of unmanned combat starships for their security and expansion and so", "exploit and exterminate, from a position of an empire/faction/race leader position. So far", "I could make up things but if i knew some key elements in", "am a programmer and in the middle of developing a TBS (turn based", "elements in this particular concept it would certainly help me most be accurate", "(turn based strategy) computer video game. Those kind of games have a flow", "commonly known to gamer as 4X, that is, explore, expand, exploit and exterminate,", "story. The player assumes the role of the protagonist which would be the", "which is out of my specialization field. The requirement is that, the story", "in space (and planets wherever possible), have armies of unmanned combat starships for", "good for me, but i shall need a short story to build a", "is out of my specialization field. The requirement is that, the story should", "story should give the player a reason for acting through different game stages", "but i shall need a short story to build a campaign mode. And", "and in the middle of developing a TBS (turn based strategy) computer video", "my specialization field. The requirement is that, the story should give the player", "live and prosper in space (and planets wherever possible), have armies of unmanned", "supreme leader or a great general some role of power where he is", "out of my specialization field. The requirement is that, the story should give", "great general some role of power where he is assigned with the task", "to build a campaign mode. And here is where my skills run out.", "flow of what is commonly known to gamer as 4X, that is, explore,", "make up things but if i knew some key elements in this particular", "wherever possible), have armies of unmanned combat starships for their security and expansion", "the role of the protagonist which would be the supreme leader or a", "world\". The \"world\" itself now is a future setup where different intelligent beings,", "including humans, live and prosper in space (and planets wherever possible), have armies", "4X, that is, explore, expand, exploit and exterminate, from a position of an", "i shall need a short story to build a campaign mode. And here", "gamer as 4X, that is, explore, expand, exploit and exterminate, from a position", "he is assigned with the task to, usually, \"save the world\". The \"world\"", "for acting through different game stages that are connected via the story. The", "humans, live and prosper in space (and planets wherever possible), have armies of", "that part which is out of my specialization field. The requirement is that,", "So far so good for me, but i shall need a short story", "as 4X, that is, explore, expand, exploit and exterminate, from a position of", "would certainly help me most be accurate on that part which is out", "position of an empire/faction/race leader position. So far so good for me, but", "or a great general some role of power where he is assigned with", "of what is commonly known to gamer as 4X, that is, explore, expand,", "where different intelligent beings, including humans, live and prosper in space (and planets", "is commonly known to gamer as 4X, that is, explore, expand, exploit and", "assumes the role of the protagonist which would be the supreme leader or", "different intelligent beings, including humans, live and prosper in space (and planets wherever", "an empire/faction/race leader position. So far so good for me, but i shall", "itself now is a future setup where different intelligent beings, including humans, live", "leader position. So far so good for me, but i shall need a", "most be accurate on that part which is out of my specialization field.", "the story should give the player a reason for acting through different game", "assigned with the task to, usually, \"save the world\". The \"world\" itself now", "of the protagonist which would be the supreme leader or a great general", "need a short story to build a campaign mode. And here is where", "expand, exploit and exterminate, from a position of an empire/faction/race leader position. So", "which would be the supreme leader or a great general some role of", "if i knew some key elements in this particular concept it would certainly", "TBS (turn based strategy) computer video game. Those kind of games have a", "some role of power where he is assigned with the task to, usually,", "my skills run out. I could make up things but if i knew", "protagonist which would be the supreme leader or a great general some role", "stages that are connected via the story. The player assumes the role of", "role of power where he is assigned with the task to, usually, \"save", "concept it would certainly help me most be accurate on that part which", "\"save the world\". The \"world\" itself now is a future setup where different", "general some role of power where he is assigned with the task to,", "skills run out. I could make up things but if i knew some", "be accurate on that part which is out of my specialization field. The", "usually, \"save the world\". The \"world\" itself now is a future setup where", "to gamer as 4X, that is, explore, expand, exploit and exterminate, from a", "of my specialization field. The requirement is that, the story should give the", "player a reason for acting through different game stages that are connected via", "would be the supreme leader or a great general some role of power", "a reason for acting through different game stages that are connected via the", "certainly help me most be accurate on that part which is out of", "to, usually, \"save the world\". The \"world\" itself now is a future setup", "of games have a flow of what is commonly known to gamer as", "of an empire/faction/race leader position. So far so good for me, but i", "for me, but i shall need a short story to build a campaign", "a short story to build a campaign mode. And here is where my", "task to, usually, \"save the world\". The \"world\" itself now is a future", "leader or a great general some role of power where he is assigned", "space (and planets wherever possible), have armies of unmanned combat starships for their", "computer video game. Those kind of games have a flow of what is", "position. So far so good for me, but i shall need a short", "campaign mode. And here is where my skills run out. I could make", "via the story. The player assumes the role of the protagonist which would", "game stages that are connected via the story. The player assumes the role", "I am a programmer and in the middle of developing a TBS (turn", "games have a flow of what is commonly known to gamer as 4X,", "reason for acting through different game stages that are connected via the story.", "and prosper in space (and planets wherever possible), have armies of unmanned combat", "build a campaign mode. And here is where my skills run out. I", "what is commonly known to gamer as 4X, that is, explore, expand, exploit", "up things but if i knew some key elements in this particular concept", "the task to, usually, \"save the world\". The \"world\" itself now is a", "planets wherever possible), have armies of unmanned combat starships for their security and", "particular concept it would certainly help me most be accurate on that part", "the player a reason for acting through different game stages that are connected", "The requirement is that, the story should give the player a reason for", "shall need a short story to build a campaign mode. And here is", "it would certainly help me most be accurate on that part which is", "i knew some key elements in this particular concept it would certainly help", "specialization field. The requirement is that, the story should give the player a", "empire/faction/race leader position. So far so good for me, but i shall need", "the world\". The \"world\" itself now is a future setup where different intelligent", "but if i knew some key elements in this particular concept it would", "player assumes the role of the protagonist which would be the supreme leader", "could make up things but if i knew some key elements in this", "And here is where my skills run out. I could make up things", "where my skills run out. I could make up things but if i" ]
[ "these are classic examples of exclamatory sentences (Good God! Good grief!) and so", "instructed that I do not make any stylistic changes, and correct only the", "think this is the case in (b) at least, due to the use", "Sue. b) Suddenly, one of the first violinists nudged her companion, and hissed:", "a basic error to miss the exclamation mark. However, I don't want to", "error to miss the exclamation mark. However, I don't want to interfere with", "isn't intended? Any advice from experienced proofreaders would be much appreciated - should", "and so it is a basic error to miss the exclamation mark. However,", "is a basic error to miss the exclamation mark. However, I don't want", "good grief, look over there.\" My feeling is that these are classic examples", "appreciated - should I concern myself with punctuation to this extent, or leave", "I don't want to interfere with the writer's style if they intend a", "responded Sue. b) Suddenly, one of the first violinists nudged her companion, and", "as I don't know for sure what tone of voice isn't intended? Any", "would be much appreciated - should I concern myself with punctuation to this", "exclamation mark. However, I don't want to interfere with the writer's style if", "God! Good grief!) and so it is a basic error to miss the", "impede sense/clarity. There are several places where I feel an exclamation mark is", "to the use of the word 'hissed', but perhaps I should leave the", "least, due to the use of the word 'hissed', but perhaps I should", "voice isn't intended? Any advice from experienced proofreaders would be much appreciated -", "- the brief has instructed that I do not make any stylistic changes,", "nudged her companion, and hissed: \"Oh good grief, look over there.\" My feeling", "violinists nudged her companion, and hissed: \"Oh good grief, look over there.\" My", "feel an exclamation mark is missing: a) \"Good God, I hope not,\" responded", "if they intend a more laconic tone of voice. I don't think this", "the brief has instructed that I do not make any stylistic changes, and", "brief has instructed that I do not make any stylistic changes, and correct", "the first violinists nudged her companion, and hissed: \"Oh good grief, look over", "classic examples of exclamatory sentences (Good God! Good grief!) and so it is", "is that these are classic examples of exclamatory sentences (Good God! Good grief!)", "to this extent, or leave it alone if the sentence can be understood", "look over there.\" My feeling is that these are classic examples of exclamatory", "to miss the exclamation mark. However, I don't want to interfere with the", "a novel - the brief has instructed that I do not make any", "that these are classic examples of exclamatory sentences (Good God! Good grief!) and", "word 'hissed', but perhaps I should leave the first example alone, as I", "this is the case in (b) at least, due to the use of", "is the case in (b) at least, due to the use of the", "for sure what tone of voice isn't intended? Any advice from experienced proofreaders", "sense/clarity. There are several places where I feel an exclamation mark is missing:", "of the first violinists nudged her companion, and hissed: \"Oh good grief, look", "the word 'hissed', but perhaps I should leave the first example alone, as", "'hissed', but perhaps I should leave the first example alone, as I don't", "want to interfere with the writer's style if they intend a more laconic", "to interfere with the writer's style if they intend a more laconic tone", "are several places where I feel an exclamation mark is missing: a) \"Good", "I concern myself with punctuation to this extent, or leave it alone if", "a) \"Good God, I hope not,\" responded Sue. b) Suddenly, one of the", "laconic tone of voice. I don't think this is the case in (b)", "novel - the brief has instructed that I do not make any stylistic", "don't want to interfere with the writer's style if they intend a more", "what tone of voice isn't intended? Any advice from experienced proofreaders would be", "Any advice from experienced proofreaders would be much appreciated - should I concern", "this extent, or leave it alone if the sentence can be understood clearly?", "\"Good God, I hope not,\" responded Sue. b) Suddenly, one of the first", "missing: a) \"Good God, I hope not,\" responded Sue. b) Suddenly, one of", "interfere with the writer's style if they intend a more laconic tone of", "correct only the obvious errors that impede sense/clarity. There are several places where", "mark is missing: a) \"Good God, I hope not,\" responded Sue. b) Suddenly,", "be much appreciated - should I concern myself with punctuation to this extent,", "tone of voice isn't intended? Any advice from experienced proofreaders would be much", "My feeling is that these are classic examples of exclamatory sentences (Good God!", "- should I concern myself with punctuation to this extent, or leave it", "errors that impede sense/clarity. There are several places where I feel an exclamation", "God, I hope not,\" responded Sue. b) Suddenly, one of the first violinists", "case in (b) at least, due to the use of the word 'hissed',", "concern myself with punctuation to this extent, or leave it alone if the", "should leave the first example alone, as I don't know for sure what", "exclamation mark is missing: a) \"Good God, I hope not,\" responded Sue. b)", "miss the exclamation mark. However, I don't want to interfere with the writer's", "experienced proofreaders would be much appreciated - should I concern myself with punctuation", "alone, as I don't know for sure what tone of voice isn't intended?", "(b) at least, due to the use of the word 'hissed', but perhaps", "mark. However, I don't want to interfere with the writer's style if they", "her companion, and hissed: \"Oh good grief, look over there.\" My feeling is", "There are several places where I feel an exclamation mark is missing: a)", "myself with punctuation to this extent, or leave it alone if the sentence", "and hissed: \"Oh good grief, look over there.\" My feeling is that these", "I don't know for sure what tone of voice isn't intended? Any advice", "several places where I feel an exclamation mark is missing: a) \"Good God,", "has instructed that I do not make any stylistic changes, and correct only", "(Good God! Good grief!) and so it is a basic error to miss", "changes, and correct only the obvious errors that impede sense/clarity. There are several", "at least, due to the use of the word 'hissed', but perhaps I", "know for sure what tone of voice isn't intended? Any advice from experienced", "grief, look over there.\" My feeling is that these are classic examples of", "do not make any stylistic changes, and correct only the obvious errors that", "advice from experienced proofreaders would be much appreciated - should I concern myself", "of voice isn't intended? Any advice from experienced proofreaders would be much appreciated", "the obvious errors that impede sense/clarity. There are several places where I feel", "from experienced proofreaders would be much appreciated - should I concern myself with", "stylistic changes, and correct only the obvious errors that impede sense/clarity. There are", "due to the use of the word 'hissed', but perhaps I should leave", "hissed: \"Oh good grief, look over there.\" My feeling is that these are", "proofreading a novel - the brief has instructed that I do not make", "style if they intend a more laconic tone of voice. I don't think", "over there.\" My feeling is that these are classic examples of exclamatory sentences", "don't know for sure what tone of voice isn't intended? Any advice from", "they intend a more laconic tone of voice. I don't think this is", "an exclamation mark is missing: a) \"Good God, I hope not,\" responded Sue.", "sentences (Good God! Good grief!) and so it is a basic error to", "b) Suddenly, one of the first violinists nudged her companion, and hissed: \"Oh", "much appreciated - should I concern myself with punctuation to this extent, or", "there.\" My feeling is that these are classic examples of exclamatory sentences (Good", "use of the word 'hissed', but perhaps I should leave the first example", "places where I feel an exclamation mark is missing: a) \"Good God, I", "where I feel an exclamation mark is missing: a) \"Good God, I hope", "one of the first violinists nudged her companion, and hissed: \"Oh good grief,", "I should leave the first example alone, as I don't know for sure", "example alone, as I don't know for sure what tone of voice isn't", "intended? Any advice from experienced proofreaders would be much appreciated - should I", "voice. I don't think this is the case in (b) at least, due", "of voice. I don't think this is the case in (b) at least,", "not,\" responded Sue. b) Suddenly, one of the first violinists nudged her companion,", "in (b) at least, due to the use of the word 'hissed', but", "grief!) and so it is a basic error to miss the exclamation mark.", "I hope not,\" responded Sue. b) Suddenly, one of the first violinists nudged", "the writer's style if they intend a more laconic tone of voice. I", "but perhaps I should leave the first example alone, as I don't know", "sure what tone of voice isn't intended? Any advice from experienced proofreaders would", "writer's style if they intend a more laconic tone of voice. I don't", "don't think this is the case in (b) at least, due to the", "the case in (b) at least, due to the use of the word", "proofreaders would be much appreciated - should I concern myself with punctuation to", "that impede sense/clarity. There are several places where I feel an exclamation mark", "that I do not make any stylistic changes, and correct only the obvious", "However, I don't want to interfere with the writer's style if they intend", "perhaps I should leave the first example alone, as I don't know for", "so it is a basic error to miss the exclamation mark. However, I", "and correct only the obvious errors that impede sense/clarity. There are several places", "of exclamatory sentences (Good God! Good grief!) and so it is a basic", "a more laconic tone of voice. I don't think this is the case", "I do not make any stylistic changes, and correct only the obvious errors", "feeling is that these are classic examples of exclamatory sentences (Good God! Good", "the use of the word 'hissed', but perhaps I should leave the first", "examples of exclamatory sentences (Good God! Good grief!) and so it is a", "only the obvious errors that impede sense/clarity. There are several places where I", "first example alone, as I don't know for sure what tone of voice", "with the writer's style if they intend a more laconic tone of voice.", "not make any stylistic changes, and correct only the obvious errors that impede", "more laconic tone of voice. I don't think this is the case in", "Good grief!) and so it is a basic error to miss the exclamation", "I don't think this is the case in (b) at least, due to", "any stylistic changes, and correct only the obvious errors that impede sense/clarity. There", "of the word 'hissed', but perhaps I should leave the first example alone,", "make any stylistic changes, and correct only the obvious errors that impede sense/clarity.", "hope not,\" responded Sue. b) Suddenly, one of the first violinists nudged her", "the first example alone, as I don't know for sure what tone of", "basic error to miss the exclamation mark. However, I don't want to interfere", "leave the first example alone, as I don't know for sure what tone", "are classic examples of exclamatory sentences (Good God! Good grief!) and so it", "with punctuation to this extent, or leave it alone if the sentence can", "punctuation to this extent, or leave it alone if the sentence can be", "the exclamation mark. However, I don't want to interfere with the writer's style", "companion, and hissed: \"Oh good grief, look over there.\" My feeling is that", "I feel an exclamation mark is missing: a) \"Good God, I hope not,\"", "Suddenly, one of the first violinists nudged her companion, and hissed: \"Oh good", "should I concern myself with punctuation to this extent, or leave it alone", "first violinists nudged her companion, and hissed: \"Oh good grief, look over there.\"", "is missing: a) \"Good God, I hope not,\" responded Sue. b) Suddenly, one", "I'm proofreading a novel - the brief has instructed that I do not", "tone of voice. I don't think this is the case in (b) at", "it is a basic error to miss the exclamation mark. However, I don't", "\"Oh good grief, look over there.\" My feeling is that these are classic", "intend a more laconic tone of voice. I don't think this is the", "exclamatory sentences (Good God! Good grief!) and so it is a basic error", "obvious errors that impede sense/clarity. There are several places where I feel an" ]
[ "but is it something a writer of fiction can get away with? Advice", "sense/clarity. The copy-editing phase is complete, so if something is acceptable, I must", "one point in the novel, one of the characters responds in an incredulous", "and have been instructed to make no stylistic changes, only errors that impede", "must leave it be. At one point in the novel, one of the", "something a writer of fiction can get away with? Advice from any experienced", "on the use of \"?!' in formal contexts, but is it something a", "give to 'poetic licence'. The style of the novel is very traditional and", "stylistic changes, only errors that impede sense/clarity. The copy-editing phase is complete, so", "'poetic licence'. The style of the novel is very traditional and the use", "instructed to make no stylistic changes, only errors that impede sense/clarity. The copy-editing", "make no stylistic changes, only errors that impede sense/clarity. The copy-editing phase is", "question mark? I am proofreading a novel and have been instructed to make", "acceptable, I must leave it be. At one point in the novel, one", "been instructed to make no stylistic changes, only errors that impede sense/clarity. The", "a question mark? I am proofreading a novel and have been instructed to", "contexts, but is it something a writer of fiction can get away with?", "conventional throughout i.e. not attempting any innovative or idiosyncratic use of language. I", "one of the characters responds in an incredulous manner to a piece of", "or idiosyncratic use of language. I know that most style/usage commentators would frown", "is acceptable, I must leave it be. At one point in the novel,", "use of language. I know that most style/usage commentators would frown on the", "can get away with? Advice from any experienced proofreaders would be much appreciated.", "the novel is very traditional and the use of punctuation is conventional throughout", "sure how much leeway to give to 'poetic licence'. The style of the", "was her friend's reaction. I'm not sure how much leeway to give to", "much leeway to give to 'poetic licence'. The style of the novel is", "of information: \"Really?!\" was her friend's reaction. I'm not sure how much leeway", "have been instructed to make no stylistic changes, only errors that impede sense/clarity.", "to a piece of information: \"Really?!\" was her friend's reaction. I'm not sure", "acceptable to use an exclamation mark following a question mark? I am proofreading", "i.e. not attempting any innovative or idiosyncratic use of language. I know that", "any innovative or idiosyncratic use of language. I know that most style/usage commentators", "responds in an incredulous manner to a piece of information: \"Really?!\" was her", "her friend's reaction. I'm not sure how much leeway to give to 'poetic", "is it something a writer of fiction can get away with? Advice from", "impede sense/clarity. The copy-editing phase is complete, so if something is acceptable, I", "I'm not sure how much leeway to give to 'poetic licence'. The style", "that most style/usage commentators would frown on the use of \"?!' in formal", "proofreading a novel and have been instructed to make no stylistic changes, only", "is complete, so if something is acceptable, I must leave it be. At", "to give to 'poetic licence'. The style of the novel is very traditional", "information: \"Really?!\" was her friend's reaction. I'm not sure how much leeway to", "leeway to give to 'poetic licence'. The style of the novel is very", "of punctuation is conventional throughout i.e. not attempting any innovative or idiosyncratic use", "errors that impede sense/clarity. The copy-editing phase is complete, so if something is", "novel, one of the characters responds in an incredulous manner to a piece", "in formal contexts, but is it something a writer of fiction can get", "use of punctuation is conventional throughout i.e. not attempting any innovative or idiosyncratic", "phase is complete, so if something is acceptable, I must leave it be.", "At one point in the novel, one of the characters responds in an", "leave it be. At one point in the novel, one of the characters", "to make no stylistic changes, only errors that impede sense/clarity. The copy-editing phase", "use of \"?!' in formal contexts, but is it something a writer of", "is conventional throughout i.e. not attempting any innovative or idiosyncratic use of language.", "if something is acceptable, I must leave it be. At one point in", "\"Really?!\" was her friend's reaction. I'm not sure how much leeway to give", "to use an exclamation mark following a question mark? I am proofreading a", "changes, only errors that impede sense/clarity. The copy-editing phase is complete, so if", "point in the novel, one of the characters responds in an incredulous manner", "attempting any innovative or idiosyncratic use of language. I know that most style/usage", "of fiction can get away with? Advice from any experienced proofreaders would be", "style of the novel is very traditional and the use of punctuation is", "following a question mark? I am proofreading a novel and have been instructed", "not sure how much leeway to give to 'poetic licence'. The style of", "piece of information: \"Really?!\" was her friend's reaction. I'm not sure how much", "am proofreading a novel and have been instructed to make no stylistic changes,", "I know that most style/usage commentators would frown on the use of \"?!'", "something is acceptable, I must leave it be. At one point in the", "use an exclamation mark following a question mark? I am proofreading a novel", "is very traditional and the use of punctuation is conventional throughout i.e. not", "the use of punctuation is conventional throughout i.e. not attempting any innovative or", "throughout i.e. not attempting any innovative or idiosyncratic use of language. I know", "very traditional and the use of punctuation is conventional throughout i.e. not attempting", "a piece of information: \"Really?!\" was her friend's reaction. I'm not sure how", "innovative or idiosyncratic use of language. I know that most style/usage commentators would", "of the characters responds in an incredulous manner to a piece of information:", "a writer of fiction can get away with? Advice from any experienced proofreaders", "manner to a piece of information: \"Really?!\" was her friend's reaction. I'm not", "complete, so if something is acceptable, I must leave it be. At one", "that impede sense/clarity. The copy-editing phase is complete, so if something is acceptable,", "incredulous manner to a piece of information: \"Really?!\" was her friend's reaction. I'm", "in the novel, one of the characters responds in an incredulous manner to", "I am proofreading a novel and have been instructed to make no stylistic", "no stylistic changes, only errors that impede sense/clarity. The copy-editing phase is complete,", "commentators would frown on the use of \"?!' in formal contexts, but is", "of \"?!' in formal contexts, but is it something a writer of fiction", "reaction. I'm not sure how much leeway to give to 'poetic licence'. The", "Is it ever acceptable to use an exclamation mark following a question mark?", "punctuation is conventional throughout i.e. not attempting any innovative or idiosyncratic use of", "be. At one point in the novel, one of the characters responds in", "writer of fiction can get away with? Advice from any experienced proofreaders would", "traditional and the use of punctuation is conventional throughout i.e. not attempting any", "exclamation mark following a question mark? I am proofreading a novel and have", "mark? I am proofreading a novel and have been instructed to make no", "a novel and have been instructed to make no stylistic changes, only errors", "in an incredulous manner to a piece of information: \"Really?!\" was her friend's", "friend's reaction. I'm not sure how much leeway to give to 'poetic licence'.", "of language. I know that most style/usage commentators would frown on the use", "an exclamation mark following a question mark? I am proofreading a novel and", "the use of \"?!' in formal contexts, but is it something a writer", "idiosyncratic use of language. I know that most style/usage commentators would frown on", "novel is very traditional and the use of punctuation is conventional throughout i.e.", "it ever acceptable to use an exclamation mark following a question mark? I", "I must leave it be. At one point in the novel, one of", "licence'. The style of the novel is very traditional and the use of", "most style/usage commentators would frown on the use of \"?!' in formal contexts,", "language. I know that most style/usage commentators would frown on the use of", "would frown on the use of \"?!' in formal contexts, but is it", "not attempting any innovative or idiosyncratic use of language. I know that most", "\"?!' in formal contexts, but is it something a writer of fiction can", "the novel, one of the characters responds in an incredulous manner to a", "formal contexts, but is it something a writer of fiction can get away", "characters responds in an incredulous manner to a piece of information: \"Really?!\" was", "and the use of punctuation is conventional throughout i.e. not attempting any innovative", "fiction can get away with? Advice from any experienced proofreaders would be much", "how much leeway to give to 'poetic licence'. The style of the novel", "so if something is acceptable, I must leave it be. At one point", "only errors that impede sense/clarity. The copy-editing phase is complete, so if something", "mark following a question mark? I am proofreading a novel and have been", "know that most style/usage commentators would frown on the use of \"?!' in", "style/usage commentators would frown on the use of \"?!' in formal contexts, but", "frown on the use of \"?!' in formal contexts, but is it something", "ever acceptable to use an exclamation mark following a question mark? I am", "copy-editing phase is complete, so if something is acceptable, I must leave it", "to 'poetic licence'. The style of the novel is very traditional and the", "The copy-editing phase is complete, so if something is acceptable, I must leave", "novel and have been instructed to make no stylistic changes, only errors that", "it be. At one point in the novel, one of the characters responds", "of the novel is very traditional and the use of punctuation is conventional", "the characters responds in an incredulous manner to a piece of information: \"Really?!\"", "an incredulous manner to a piece of information: \"Really?!\" was her friend's reaction.", "The style of the novel is very traditional and the use of punctuation", "it something a writer of fiction can get away with? Advice from any" ]
[ "by practice—including much storytelling in the nonprofit sector for direct marketing fundraising. What", "[now] a marketing writer by practice—including much storytelling in the nonprofit sector for", "a marketing writer by practice—including much storytelling in the nonprofit sector for direct", "memoir I would write knows I've not written a memoir before, but knows", "I would write knows I've not written a memoir before, but knows I", "by training and [now] a marketing writer by practice—including much storytelling in the", "a proposal to ghostwrite a memoir. The person whose memoir I would write", "whose memoir I would write knows I've not written a memoir before, but", "asked to submit a proposal to ghostwrite a memoir. The person whose memoir", "person whose memoir I would write knows I've not written a memoir before,", "but knows I am a journalist by training and [now] a marketing writer", "professional writer, but I've never written a memoir. I've been asked to submit", "memoir. The person whose memoir I would write knows I've not written a", "I've not written a memoir before, but knows I am a journalist by", "knows I've not written a memoir before, but knows I am a journalist", "storytelling in the nonprofit sector for direct marketing fundraising. What is a fair", "The person whose memoir I would write knows I've not written a memoir", "I've been asked to submit a proposal to ghostwrite a memoir. The person", "I've never written a memoir. I've been asked to submit a proposal to", "training and [now] a marketing writer by practice—including much storytelling in the nonprofit", "would write knows I've not written a memoir before, but knows I am", "in the nonprofit sector for direct marketing fundraising. What is a fair rate/price", "never written a memoir. I've been asked to submit a proposal to ghostwrite", "practice—including much storytelling in the nonprofit sector for direct marketing fundraising. What is", "writer by practice—including much storytelling in the nonprofit sector for direct marketing fundraising.", "to ghostwrite a memoir. The person whose memoir I would write knows I've", "ghostwrite a memoir. The person whose memoir I would write knows I've not", "before, but knows I am a journalist by training and [now] a marketing", "nonprofit sector for direct marketing fundraising. What is a fair rate/price to charge?", "write knows I've not written a memoir before, but knows I am a", "the nonprofit sector for direct marketing fundraising. What is a fair rate/price to", "knows I am a journalist by training and [now] a marketing writer by", "written a memoir. I've been asked to submit a proposal to ghostwrite a", "written a memoir before, but knows I am a journalist by training and", "but I've never written a memoir. I've been asked to submit a proposal", "I'm a professional writer, but I've never written a memoir. I've been asked", "not written a memoir before, but knows I am a journalist by training", "journalist by training and [now] a marketing writer by practice—including much storytelling in", "and [now] a marketing writer by practice—including much storytelling in the nonprofit sector", "am a journalist by training and [now] a marketing writer by practice—including much", "a memoir before, but knows I am a journalist by training and [now]", "a memoir. The person whose memoir I would write knows I've not written", "memoir. I've been asked to submit a proposal to ghostwrite a memoir. The", "submit a proposal to ghostwrite a memoir. The person whose memoir I would", "I am a journalist by training and [now] a marketing writer by practice—including", "marketing writer by practice—including much storytelling in the nonprofit sector for direct marketing", "much storytelling in the nonprofit sector for direct marketing fundraising. What is a", "been asked to submit a proposal to ghostwrite a memoir. The person whose", "proposal to ghostwrite a memoir. The person whose memoir I would write knows", "a memoir. I've been asked to submit a proposal to ghostwrite a memoir.", "to submit a proposal to ghostwrite a memoir. The person whose memoir I", "memoir before, but knows I am a journalist by training and [now] a", "a journalist by training and [now] a marketing writer by practice—including much storytelling", "writer, but I've never written a memoir. I've been asked to submit a", "a professional writer, but I've never written a memoir. I've been asked to" ]
[ "my story. At the midpoint, he just leaves. Several Plot developments depend on", "maleffects? NOTE: We witness his departure by ship mid story from the point", "witness his departure by ship mid story from the point of view of", "I am getting into extremly convoluted territory with it and I am really", "extremly convoluted territory with it and I am really uneasy and not satisfied", "a powerful antagonist perform important functions within my story. At the midpoint, he", "At the midpoint, he just leaves. Several Plot developments depend on this character.", "story. At the midpoint, he just leaves. Several Plot developments depend on this", "uneasy and not satisfied with those solutions. There is still a main antagonist", "way to mitigate potential maleffects? NOTE: We witness his departure by ship mid", "a major player leave mid-story should be avoided at all costs? Is there", "and not satisfied with those solutions. There is still a main antagonist and", "depend on this character. 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There", "getting into extremly convoluted territory with it and I am really uneasy and", "is still a main antagonist and another secondary antagonist in the story, so", "within my world, but I am getting into extremly convoluted territory with it", "convoluted territory with it and I am really uneasy and not satisfied with", "a main antagonist and another secondary antagonist in the story, so conflict is", "into extremly convoluted territory with it and I am really uneasy and not", "other character(s) or causes within my world, but I am getting into extremly", "conflict is not the issue. Do you think letting a major player leave", "player leave mid-story should be avoided at all costs? Is there a way", "should be avoided at all costs? Is there a way to mitigate potential", "major player leave mid-story should be avoided at all costs? Is there a", "really uneasy and not satisfied with those solutions. 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Several Plot", "main antagonist and another secondary antagonist in the story, so conflict is not", "you think letting a major player leave mid-story should be avoided at all", "or causes within my world, but I am getting into extremly convoluted territory", "be avoided at all costs? Is there a way to mitigate potential maleffects?", "all costs? Is there a way to mitigate potential maleffects? NOTE: We witness", "another secondary antagonist in the story, so conflict is not the issue. Do", "issue. Do you think letting a major player leave mid-story should be avoided", "letting a major player leave mid-story should be avoided at all costs? Is", "world, but I am getting into extremly convoluted territory with it and I", "secondary antagonist in the story, so conflict is not the issue. Do you", "am really uneasy and not satisfied with those solutions. There is still a", "antagonist perform important functions within my story. At the midpoint, he just leaves.", "the story, so conflict is not the issue. Do you think letting a", "We witness his departure by ship mid story from the point of view", "I am really uneasy and not satisfied with those solutions. There is still", "costs? Is there a way to mitigate potential maleffects? NOTE: We witness his", "a way to mitigate potential maleffects? NOTE: We witness his departure by ship", "character(s) or causes within my world, but I am getting into extremly convoluted", "still a main antagonist and another secondary antagonist in the story, so conflict", "and another secondary antagonist in the story, so conflict is not the issue.", "so conflict is not the issue. Do you think letting a major player", "this character. I tried replacing him with other character(s) or causes within my", "on this character. I tried replacing him with other character(s) or causes within", "there a way to mitigate potential maleffects? 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I tried replacing him with other character(s) or causes within my world,", "leave mid-story should be avoided at all costs? Is there a way to", "midpoint, he just leaves. Several Plot developments depend on this character. I tried", "NOTE: We witness his departure by ship mid story from the point of", "leaves. Several Plot developments depend on this character. I tried replacing him with", "territory with it and I am really uneasy and not satisfied with those", "perform important functions within my story. At the midpoint, he just leaves. Several" ]
[ "often manipulated and exploited by people like him. They have their own reasons", "people like him. They have their own reasons for being with the aforementioned", "him. His brother’s love him, but only because he’s their brother. His father", "he makes good on his promise, but through that, he incurs the wrath", "him, love interests are often manipulated and exploited by people like him. They", "because he will kill any who hurts her. The person who hurts her...", "His mother loves him, but only because she can use him. His brother’s", "that, especially his brother. But... that doesn’t feel like redemption to me, even", "for being with the aforementioned person, and that could get messy you, so", "of this, he is very protective of her, and unbeknownst to him, her", "doesn’t love him out of pity or obligation. There is no rhyme or", "he has to. But his niece just loves him. 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His father loves him,", "my first thought was to create a character that was a love interest,", "but only because she can use him. His brother’s love him, but only", "with the aforementioned person, and that could get messy you, so I decided", "of pity or obligation. There is no rhyme or reason why, she just", "Now, my first thought was to create a character that was a love", "characters like him, love interests are often manipulated and exploited by people like", "a child. Children live differently, in my opinion. It’s a rather unconditional love,", "a love that just feels differently, and he’s never had that. He’s never", "love interest, but with characters like him, love interests are often manipulated and", "a deed as that can be), and I feel like some people would", "a character to love him. Now, my first thought was to create a", "but only because he’s their brother. His father loves him, but he feels", "use him. His brother’s love him, but only because he’s their brother. His", "loves him, but he feels like he has to. But his niece just", "dystopian novel I’m working on by the name of Ttlir. He’s inspired by", "their brother. His father loves him, but he feels like he has to.", "that this person would be a child. Children live differently, in my opinion.", "only because she can use him. His brother’s love him, but only because", "for the most part, an antagonist in the story, and I really felt", "a horrible person, has always been a horrible person, and nothing about that", "of Ttlir. He’s inspired by Alex Høgh Andersen’s portrayal of Ivar the Boneless,", "it. I don’t think it’s a redemption arc because despite it all, he’s", "feel like some people would appreciate that, especially his brother. But... that doesn’t", "that can be), and I feel like some people would appreciate that, especially", "brother. His father loves him, but he feels like he has to. But", "to create a character that was a love interest, but with characters like", "working on by the name of Ttlir. He’s inspired by Alex Høgh Andersen’s", "love him out of pity or obligation. There is no rhyme or reason", "redemption to me, even though I’ve been told that it is. But maybe", "a character that was a love interest, but with characters like him, love", "an antagonist in the story, and I really felt bad about how mean", "but with characters like him, love interests are often manipulated and exploited by", "he feels like he has to. But his niece just loves him. She", "with characters like him, love interests are often manipulated and exploited by people", "decided that this person would be a child. Children live differently, in my", "Boneless, and his death... is interesting. He’s, for the most part, an antagonist", "are often manipulated and exploited by people like him. They have their own", "like redemption to me, even though I’ve been told that it is. But", "Andersen’s portrayal of Ivar the Boneless, and his death... is interesting. He’s, for", "he’s never had that. He’s never had someone love him simply because they", "good of a deed as that can be), and I feel like some", "the name of Ttlir. He’s inspired by Alex Høgh Andersen’s portrayal of Ivar", "some people would appreciate that, especially his brother. But... that doesn’t feel like", "brother. But... that doesn’t feel like redemption to me, even though I’ve been", "I really felt bad about how mean I was to him, so I", "protective of her, and unbeknownst to him, her fate is now aligned with", "child. Children live differently, in my opinion. It’s a rather unconditional love, a", "create a character that was a love interest, but with characters like him,", "in the story, and I really felt bad about how mean I was", "messy you, so I decided that this person would be a child. Children", "But he does a good deed(At least as good of a deed as", "love him simply because they do. His mother loves him, but only because", "the most part, an antagonist in the story, and I really felt bad", "has always been a horrible person, and nothing about that ever changes. But", "love, a love that just feels differently, and he’s never had that. He’s", "a horrible person, and nothing about that ever changes. But he does a", "always been a horrible person, and nothing about that ever changes. But he", "deed as that can be), and I feel like some people would appreciate", "because they do. His mother loves him, but only because she can use", "changes. But he does a good deed(At least as good of a deed", "why, she just does, and because of this, he is very protective of", "and unbeknownst to him, her fate is now aligned with his, because he", "her. The person who hurts her... he makes good on his promise, but", "she can use him. His brother’s love him, but only because he’s their", "His father loves him, but he feels like he has to. But his", "arc because despite it all, he’s a horrible person, has always been a", "portrayal of Ivar the Boneless, and his death... is interesting. He’s, for the", "person would be a child. Children live differently, in my opinion. It’s a", "him. She doesn’t love him out of pity or obligation. There is no", "or obligation. There is no rhyme or reason why, she just does, and", "my opinion. It’s a rather unconditional love, a love that just feels differently,", "and because of this, he is very protective of her, and unbeknownst to", "and nothing about that ever changes. But he does a good deed(At least", "be a child. Children live differently, in my opinion. It’s a rather unconditional", "death... is interesting. He’s, for the most part, an antagonist in the story,", "was to him, so I created a character to love him. Now, my", "never had that. He’s never had someone love him simply because they do.", "love him. Now, my first thought was to create a character that was", "or reason why, she just does, and because of this, he is very", "but through that, he incurs the wrath of his father, and he is", "simply because they do. His mother loves him, but only because she can", "just feels differently, and he’s never had that. He’s never had someone love", "ever changes. But he does a good deed(At least as good of a", "loves him, but only because she can use him. His brother’s love him,", "by the name of Ttlir. He’s inspired by Alex Høgh Andersen’s portrayal of", "of her, and unbeknownst to him, her fate is now aligned with his,", "Ivar the Boneless, and his death... is interesting. He’s, for the most part,", "loves him. She doesn’t love him out of pity or obligation. There is", "out of pity or obligation. There is no rhyme or reason why, she", "There is no rhyme or reason why, she just does, and because of", "person, has always been a horrible person, and nothing about that ever changes.", "Høgh Andersen’s portrayal of Ivar the Boneless, and his death... is interesting. He’s,", "to love him. Now, my first thought was to create a character that", "I was to him, so I created a character to love him. Now,", "I have a character in a dystopian novel I’m working on by the", "had that. He’s never had someone love him simply because they do. His", "this person would be a child. Children live differently, in my opinion. It’s", "and that could get messy you, so I decided that this person would", "her fate is now aligned with his, because he will kill any who", "But... that doesn’t feel like redemption to me, even though I’ve been told", "hurts her... he makes good on his promise, but through that, he incurs", "he does a good deed(At least as good of a deed as that", "first thought was to create a character that was a love interest, but", "any who hurts her. The person who hurts her... he makes good on", "name of Ttlir. He’s inspired by Alex Høgh Andersen’s portrayal of Ivar the", "by Alex Høgh Andersen’s portrayal of Ivar the Boneless, and his death... is", "It’s a rather unconditional love, a love that just feels differently, and he’s", "his brother. But... that doesn’t feel like redemption to me, even though I’ve", "been a horrible person, and nothing about that ever changes. But he does", "is very protective of her, and unbeknownst to him, her fate is now", "their own reasons for being with the aforementioned person, and that could get", "makes good on his promise, but through that, he incurs the wrath of", "feels like he has to. But his niece just loves him. She doesn’t", "they do. His mother loves him, but only because she can use him.", "exploited by people like him. They have their own reasons for being with", "that just feels differently, and he’s never had that. He’s never had someone", "people would appreciate that, especially his brother. But... that doesn’t feel like redemption", "him out of pity or obligation. There is no rhyme or reason why,", "of a deed as that can be), and I feel like some people", "him, her fate is now aligned with his, because he will kill any", "he is executed for it. I don’t think it’s a redemption arc because", "person, and nothing about that ever changes. But he does a good deed(At", "so I decided that this person would be a child. Children live differently,", "as good of a deed as that can be), and I feel like", "thought was to create a character that was a love interest, but with", "Children live differently, in my opinion. It’s a rather unconditional love, a love", "He’s inspired by Alex Høgh Andersen’s portrayal of Ivar the Boneless, and his", "he will kill any who hurts her. The person who hurts her... he", "his, because he will kill any who hurts her. The person who hurts", "opinion. It’s a rather unconditional love, a love that just feels differently, and", "niece just loves him. She doesn’t love him out of pity or obligation.", "love that just feels differently, and he’s never had that. He’s never had", "you, so I decided that this person would be a child. Children live", "person who hurts her... he makes good on his promise, but through that,", "that was a love interest, but with characters like him, love interests are", "differently, in my opinion. It’s a rather unconditional love, a love that just", "fate is now aligned with his, because he will kill any who hurts", "unconditional love, a love that just feels differently, and he’s never had that.", "was a love interest, but with characters like him, love interests are often", "interests are often manipulated and exploited by people like him. They have their", "would be a child. Children live differently, in my opinion. It’s a rather", "deed(At least as good of a deed as that can be), and I", "for it. I don’t think it’s a redemption arc because despite it all,", "aligned with his, because he will kill any who hurts her. The person", "it’s a redemption arc because despite it all, he’s a horrible person, has", "that, he incurs the wrath of his father, and he is executed for", "because he’s their brother. His father loves him, but he feels like he", "no rhyme or reason why, she just does, and because of this, he", "is no rhyme or reason why, she just does, and because of this,", "his niece just loves him. She doesn’t love him out of pity or", "that doesn’t feel like redemption to me, even though I’ve been told that", "interest, but with characters like him, love interests are often manipulated and exploited", "kill any who hurts her. The person who hurts her... he makes good", "a love interest, but with characters like him, love interests are often manipulated", "but he feels like he has to. But his niece just loves him.", "and I really felt bad about how mean I was to him, so", "father, and he is executed for it. I don’t think it’s a redemption", "a dystopian novel I’m working on by the name of Ttlir. He’s inspired", "to me, even though I’ve been told that it is. But maybe I’m", "will kill any who hurts her. The person who hurts her... he makes", "very protective of her, and unbeknownst to him, her fate is now aligned", "promise, but through that, he incurs the wrath of his father, and he", "aforementioned person, and that could get messy you, so I decided that this", "just loves him. She doesn’t love him out of pity or obligation. There", "He’s, for the most part, an antagonist in the story, and I really", "person, and that could get messy you, so I decided that this person", "the wrath of his father, and he is executed for it. I don’t", "like him, love interests are often manipulated and exploited by people like him.", "to him, her fate is now aligned with his, because he will kill", "can be), and I feel like some people would appreciate that, especially his", "be), and I feel like some people would appreciate that, especially his brother.", "him. They have their own reasons for being with the aforementioned person, and", "like he has to. But his niece just loves him. She doesn’t love", "his death... is interesting. He’s, for the most part, an antagonist in the", "the aforementioned person, and that could get messy you, so I decided that", "good deed(At least as good of a deed as that can be), and", "and his death... is interesting. He’s, for the most part, an antagonist in", "he’s their brother. His father loves him, but he feels like he has", "I created a character to love him. Now, my first thought was to", "me, even though I’ve been told that it is. But maybe I’m wrong.", "despite it all, he’s a horrible person, has always been a horrible person,", "I’m working on by the name of Ttlir. He’s inspired by Alex Høgh", "pity or obligation. There is no rhyme or reason why, she just does,", "that ever changes. But he does a good deed(At least as good of", "about how mean I was to him, so I created a character to", "His brother’s love him, but only because he’s their brother. His father loves", "him, so I created a character to love him. Now, my first thought", "never had someone love him simply because they do. His mother loves him,", "because of this, he is very protective of her, and unbeknownst to him,", "manipulated and exploited by people like him. They have their own reasons for", "through that, he incurs the wrath of his father, and he is executed", "who hurts her. The person who hurts her... he makes good on his", "he incurs the wrath of his father, and he is executed for it.", "reasons for being with the aforementioned person, and that could get messy you,", "reason why, she just does, and because of this, he is very protective", "father loves him, but he feels like he has to. But his niece", "he is very protective of her, and unbeknownst to him, her fate is", "I don’t think it’s a redemption arc because despite it all, he’s a", "someone love him simply because they do. His mother loves him, but only" ]
[ "From [Onision's (from now on, Onii-san) book, Reaper's Creek](https://www.youtube.com/watch?v=oFGMBvIJ0iQ) : > > Maybe", "isn't painted with just colors but with mental connections and associations. Unfortunately, Onii-san's", "> > > I might add other examples later. I think you get", "examples later. I think you get the gist of it. An image here", "bad images: From [Onision's (from now on, Onii-san) book, Reaper's Creek](https://www.youtube.com/watch?v=oFGMBvIJ0iQ) : >", "mental image was easy to spot, it didn't imply what would make for", "colors but with mental connections and associations. Unfortunately, Onii-san's writing is below mortifyingly", "imply what would make for a good mental image. In fact, when I", "(from now on, Onii-san) book, Reaper's Creek](https://www.youtube.com/watch?v=oFGMBvIJ0iQ) : > > Maybe that current", "the silence like a warm blanket on a cold night. > > >", "> > I welcomed the silence like a warm blanket on a cold", "Maybe that current lead him to a gathering of logs, and assuming he", "let's look at examples of bad images: From [Onision's (from now on, Onii-san)", "here isn't painted with just colors but with mental connections and associations. Unfortunately,", "Unfortunately, Onii-san's writing is below mortifyingly atrocious, and while the terrible mental image", "with just colors but with mental connections and associations. Unfortunately, Onii-san's writing is", "twice a day. So, what makes a mental image good, impactful and vivid,", "just colors but with mental connections and associations. Unfortunately, Onii-san's writing is below", "of it. An image here isn't painted with just colors but with mental", "he was sucked under the logs, causing him to rapidly cease existing in", "him to a gathering of logs, and assuming he had not already drowned,", "look at examples of bad images: From [Onision's (from now on, Onii-san) book,", "in the world as we knew it. > > > I might add", "> I might add other examples later. I think you get the gist", "atrocious, and while the terrible mental image was easy to spot, it didn't", "> Maybe that current lead him to a gathering of logs, and assuming", "but with mental connections and associations. Unfortunately, Onii-san's writing is below mortifyingly atrocious,", "a day. So, what makes a mental image good, impactful and vivid, instead", "connections and associations. Unfortunately, Onii-san's writing is below mortifyingly atrocious, and while the", "and assuming he had not already drowned, he was sucked under the logs,", "him to rapidly cease existing in the world as we knew it. >", "day. So, what makes a mental image good, impactful and vivid, instead of", "an important part of your prose. Now, let's look at examples of bad", "other examples later. I think you get the gist of it. An image", "> > I might add other examples later. I think you get the", "your prose. Now, let's look at examples of bad images: From [Onision's (from", "knew it. > > > I might add other examples later. I think", "I think you get the gist of it. An image here isn't painted", "the right time twice a day. So, what makes a mental image good,", "a good mental image. In fact, when I found a good mental image", "what would make for a good mental image. In fact, when I found", "lead him to a gathering of logs, and assuming he had not already", "of bad images: From [Onision's (from now on, Onii-san) book, Reaper's Creek](https://www.youtube.com/watch?v=oFGMBvIJ0iQ) :", "world as we knew it. > > > I might add other examples", "examples of bad images: From [Onision's (from now on, Onii-san) book, Reaper's Creek](https://www.youtube.com/watch?v=oFGMBvIJ0iQ)", "welcomed the silence like a warm blanket on a cold night. > >", "> Even the broken clock shows the right time twice a day. So,", "mortifyingly atrocious, and while the terrible mental image was easy to spot, it", "to spot, it didn't imply what would make for a good mental image.", "what makes a mental image good, impactful and vivid, instead of a laughing", "An image here isn't painted with just colors but with mental connections and", "like a warm blanket on a cold night. > > > Even the", "blanket on a cold night. > > > Even the broken clock shows", "Images, as I call them, are an important part of your prose. Now,", "a warm blanket on a cold night. > > > Even the broken", "as we knew it. > > > I might add other examples later.", "when I found a good mental image it also didn't help: > >", "> > Maybe that current lead him to a gathering of logs, and", "to rapidly cease existing in the world as we knew it. > >", "Onii-san) book, Reaper's Creek](https://www.youtube.com/watch?v=oFGMBvIJ0iQ) : > > Maybe that current lead him to", "under the logs, causing him to rapidly cease existing in the world as", "Onii-san's writing is below mortifyingly atrocious, and while the terrible mental image was", "silence like a warm blanket on a cold night. > > > Even", "image was easy to spot, it didn't imply what would make for a", "clock shows the right time twice a day. So, what makes a mental", "would make for a good mental image. In fact, when I found a", "it also didn't help: > > I welcomed the silence like a warm", "cold night. > > > Even the broken clock shows the right time", "spot, it didn't imply what would make for a good mental image. In", "and associations. Unfortunately, Onii-san's writing is below mortifyingly atrocious, and while the terrible", "night. > > > Even the broken clock shows the right time twice", "logs, and assuming he had not already drowned, he was sucked under the", "a cold night. > > > Even the broken clock shows the right", "shows the right time twice a day. So, what makes a mental image", "get the gist of it. An image here isn't painted with just colors", "So, what makes a mental image good, impactful and vivid, instead of a", "with mental connections and associations. Unfortunately, Onii-san's writing is below mortifyingly atrocious, and", "gathering of logs, and assuming he had not already drowned, he was sucked", "of logs, and assuming he had not already drowned, he was sucked under", "call them, are an important part of your prose. Now, let's look at", "it. An image here isn't painted with just colors but with mental connections", "help: > > I welcomed the silence like a warm blanket on a", "a gathering of logs, and assuming he had not already drowned, he was", "painted with just colors but with mental connections and associations. Unfortunately, Onii-san's writing", "> > > Even the broken clock shows the right time twice a", "below mortifyingly atrocious, and while the terrible mental image was easy to spot,", "Now, let's look at examples of bad images: From [Onision's (from now on,", "image. In fact, when I found a good mental image it also didn't", "current lead him to a gathering of logs, and assuming he had not", "assuming he had not already drowned, he was sucked under the logs, causing", "he had not already drowned, he was sucked under the logs, causing him", "logs, causing him to rapidly cease existing in the world as we knew", "time twice a day. So, what makes a mental image good, impactful and", "the terrible mental image was easy to spot, it didn't imply what would", "sucked under the logs, causing him to rapidly cease existing in the world", "we knew it. > > > I might add other examples later. I", "had not already drowned, he was sucked under the logs, causing him to", "while the terrible mental image was easy to spot, it didn't imply what", "rapidly cease existing in the world as we knew it. > > >", "writing is below mortifyingly atrocious, and while the terrible mental image was easy", "found a good mental image it also didn't help: > > I welcomed", "easy to spot, it didn't imply what would make for a good mental", "good mental image. In fact, when I found a good mental image it", "image here isn't painted with just colors but with mental connections and associations.", "In fact, when I found a good mental image it also didn't help:", "good mental image it also didn't help: > > I welcomed the silence", "image it also didn't help: > > I welcomed the silence like a", "now on, Onii-san) book, Reaper's Creek](https://www.youtube.com/watch?v=oFGMBvIJ0iQ) : > > Maybe that current lead", "makes a mental image good, impactful and vivid, instead of a laughing stock?", "mental image it also didn't help: > > I welcomed the silence like", "[Onision's (from now on, Onii-san) book, Reaper's Creek](https://www.youtube.com/watch?v=oFGMBvIJ0iQ) : > > Maybe that", "prose. Now, let's look at examples of bad images: From [Onision's (from now", "book, Reaper's Creek](https://www.youtube.com/watch?v=oFGMBvIJ0iQ) : > > Maybe that current lead him to a", "Creek](https://www.youtube.com/watch?v=oFGMBvIJ0iQ) : > > Maybe that current lead him to a gathering of", "Reaper's Creek](https://www.youtube.com/watch?v=oFGMBvIJ0iQ) : > > Maybe that current lead him to a gathering", "important part of your prose. Now, let's look at examples of bad images:", ": > > Maybe that current lead him to a gathering of logs,", "of your prose. Now, let's look at examples of bad images: From [Onision's", "already drowned, he was sucked under the logs, causing him to rapidly cease", "cease existing in the world as we knew it. > > > I", "make for a good mental image. In fact, when I found a good", "add other examples later. I think you get the gist of it. An", "images: From [Onision's (from now on, Onii-san) book, Reaper's Creek](https://www.youtube.com/watch?v=oFGMBvIJ0iQ) : > >", "think you get the gist of it. An image here isn't painted with", "the broken clock shows the right time twice a day. So, what makes", "it. > > > I might add other examples later. I think you", "you get the gist of it. An image here isn't painted with just", "not already drowned, he was sucked under the logs, causing him to rapidly", "are an important part of your prose. Now, let's look at examples of", "might add other examples later. I think you get the gist of it.", "gist of it. An image here isn't painted with just colors but with", "is below mortifyingly atrocious, and while the terrible mental image was easy to", "the logs, causing him to rapidly cease existing in the world as we", "didn't imply what would make for a good mental image. In fact, when", "I call them, are an important part of your prose. Now, let's look", "didn't help: > > I welcomed the silence like a warm blanket on", "later. I think you get the gist of it. An image here isn't", "warm blanket on a cold night. > > > Even the broken clock", "the world as we knew it. > > > I might add other", "as I call them, are an important part of your prose. Now, let's", "> > Even the broken clock shows the right time twice a day.", "broken clock shows the right time twice a day. So, what makes a", "was sucked under the logs, causing him to rapidly cease existing in the", "drowned, he was sucked under the logs, causing him to rapidly cease existing", "on a cold night. > > > Even the broken clock shows the", "part of your prose. Now, let's look at examples of bad images: From", "> I welcomed the silence like a warm blanket on a cold night.", "mental image. In fact, when I found a good mental image it also", "fact, when I found a good mental image it also didn't help: >", "the gist of it. An image here isn't painted with just colors but", "right time twice a day. So, what makes a mental image good, impactful", "Even the broken clock shows the right time twice a day. So, what", "I found a good mental image it also didn't help: > > I", "and while the terrible mental image was easy to spot, it didn't imply", "I welcomed the silence like a warm blanket on a cold night. >", "them, are an important part of your prose. Now, let's look at examples", "causing him to rapidly cease existing in the world as we knew it.", "mental connections and associations. Unfortunately, Onii-san's writing is below mortifyingly atrocious, and while", "it didn't imply what would make for a good mental image. In fact,", "a good mental image it also didn't help: > > I welcomed the", "at examples of bad images: From [Onision's (from now on, Onii-san) book, Reaper's", "that current lead him to a gathering of logs, and assuming he had", "was easy to spot, it didn't imply what would make for a good", "I might add other examples later. I think you get the gist of", "for a good mental image. In fact, when I found a good mental", "also didn't help: > > I welcomed the silence like a warm blanket", "associations. Unfortunately, Onii-san's writing is below mortifyingly atrocious, and while the terrible mental", "to a gathering of logs, and assuming he had not already drowned, he", "terrible mental image was easy to spot, it didn't imply what would make", "on, Onii-san) book, Reaper's Creek](https://www.youtube.com/watch?v=oFGMBvIJ0iQ) : > > Maybe that current lead him", "existing in the world as we knew it. > > > I might" ]
[ "is to make some money but that is not all that likely as", "accepted for publishing at several very reputable publishers. My goal is to get", "publishing at several very reputable publishers. My goal is to get the text", "the self-publishing world there are IngramSpark and Amazon that would be good routes", "think about which is preferable, self-publishing or traditional publishers. Traditional publishers will take", "get the text out to as many people as possible. My secondary goal", "have an IT textbook that is about 120,000 words which was accepted for", "will take the rights to the content and pay around 9 to 11", "to get the text out to as many people as possible. My secondary", "traditional publishers. Traditional publishers will take the rights to the content and pay", "and professionals. It is a textbook but one of the publishers will not", "pay around 9 to 11 percent. Self-publishing is more like 60 to 70", "likely as far as I have heard. The audience is university students, researchers,", "or traditional publishers. Traditional publishers will take the rights to the content and", "and Amazon that would be good routes to go. I am wondering what", "some money but that is not all that likely as far as I", "is not all that likely as far as I have heard. The audience", "text out to as many people as possible. My secondary goal is to", "possible. My secondary goal is to make some money but that is not", "of the publishers will not publish it as such but just a monograph.", "as possible. My secondary goal is to make some money but that is", "9 to 11 percent. Self-publishing is more like 60 to 70 percent. I", "not all that likely as far as I have heard. The audience is", "people think about which is preferable, self-publishing or traditional publishers. Traditional publishers will", "The audience is university students, researchers, and professionals. It is a textbook but", "textbook that is about 120,000 words which was accepted for publishing at several", "to make some money but that is not all that likely as far", "money but that is not all that likely as far as I have", "My secondary goal is to make some money but that is not all", "goal is to make some money but that is not all that likely", "several very reputable publishers. My goal is to get the text out to", "words which was accepted for publishing at several very reputable publishers. My goal", "would be good routes to go. I am wondering what people think about", "is more like 60 to 70 percent. I would publish both paperback and", "many people as possible. My secondary goal is to make some money but", "about which is preferable, self-publishing or traditional publishers. Traditional publishers will take the", "is to get the text out to as many people as possible. My", "publishers will not publish it as such but just a monograph. In the", "as many people as possible. My secondary goal is to make some money", "out to as many people as possible. My secondary goal is to make", "11 percent. Self-publishing is more like 60 to 70 percent. I would publish", "are IngramSpark and Amazon that would be good routes to go. I am", "reputable publishers. My goal is to get the text out to as many", "My goal is to get the text out to as many people as", "people as possible. My secondary goal is to make some money but that", "goal is to get the text out to as many people as possible.", "is university students, researchers, and professionals. It is a textbook but one of", "to as many people as possible. My secondary goal is to make some", "all that likely as far as I have heard. The audience is university", "rights to the content and pay around 9 to 11 percent. Self-publishing is", "but that is not all that likely as far as I have heard.", "publish it as such but just a monograph. In the self-publishing world there", "not publish it as such but just a monograph. In the self-publishing world", "an IT textbook that is about 120,000 words which was accepted for publishing", "Self-publishing is more like 60 to 70 percent. I would publish both paperback", "a monograph. In the self-publishing world there are IngramSpark and Amazon that would", "far as I have heard. The audience is university students, researchers, and professionals.", "world there are IngramSpark and Amazon that would be good routes to go.", "IngramSpark and Amazon that would be good routes to go. I am wondering", "such but just a monograph. In the self-publishing world there are IngramSpark and", "the rights to the content and pay around 9 to 11 percent. Self-publishing", "more like 60 to 70 percent. I would publish both paperback and digital.", "it as such but just a monograph. In the self-publishing world there are", "publishers. Traditional publishers will take the rights to the content and pay around", "as far as I have heard. The audience is university students, researchers, and", "around 9 to 11 percent. Self-publishing is more like 60 to 70 percent.", "IT textbook that is about 120,000 words which was accepted for publishing at", "I am wondering what people think about which is preferable, self-publishing or traditional", "percent. Self-publishing is more like 60 to 70 percent. I would publish both", "that likely as far as I have heard. The audience is university students,", "preferable, self-publishing or traditional publishers. Traditional publishers will take the rights to the", "In the self-publishing world there are IngramSpark and Amazon that would be good", "publishers. My goal is to get the text out to as many people", "was accepted for publishing at several very reputable publishers. My goal is to", "I have an IT textbook that is about 120,000 words which was accepted", "the content and pay around 9 to 11 percent. Self-publishing is more like", "secondary goal is to make some money but that is not all that", "will not publish it as such but just a monograph. In the self-publishing", "which is preferable, self-publishing or traditional publishers. Traditional publishers will take the rights", "very reputable publishers. My goal is to get the text out to as", "the publishers will not publish it as such but just a monograph. In", "Amazon that would be good routes to go. I am wondering what people", "heard. The audience is university students, researchers, and professionals. It is a textbook", "self-publishing or traditional publishers. Traditional publishers will take the rights to the content", "It is a textbook but one of the publishers will not publish it", "to 11 percent. Self-publishing is more like 60 to 70 percent. I would", "take the rights to the content and pay around 9 to 11 percent.", "I have heard. The audience is university students, researchers, and professionals. It is", "have heard. The audience is university students, researchers, and professionals. It is a", "audience is university students, researchers, and professionals. It is a textbook but one", "Traditional publishers will take the rights to the content and pay around 9", "content and pay around 9 to 11 percent. Self-publishing is more like 60", "professionals. It is a textbook but one of the publishers will not publish", "to go. I am wondering what people think about which is preferable, self-publishing", "a textbook but one of the publishers will not publish it as such", "textbook but one of the publishers will not publish it as such but", "that is about 120,000 words which was accepted for publishing at several very", "is preferable, self-publishing or traditional publishers. Traditional publishers will take the rights to", "students, researchers, and professionals. It is a textbook but one of the publishers", "one of the publishers will not publish it as such but just a", "as such but just a monograph. In the self-publishing world there are IngramSpark", "and pay around 9 to 11 percent. Self-publishing is more like 60 to", "routes to go. I am wondering what people think about which is preferable,", "make some money but that is not all that likely as far as", "monograph. In the self-publishing world there are IngramSpark and Amazon that would be", "at several very reputable publishers. My goal is to get the text out", "120,000 words which was accepted for publishing at several very reputable publishers. My", "be good routes to go. I am wondering what people think about which", "is about 120,000 words which was accepted for publishing at several very reputable", "about 120,000 words which was accepted for publishing at several very reputable publishers.", "that would be good routes to go. I am wondering what people think", "there are IngramSpark and Amazon that would be good routes to go. I", "is a textbook but one of the publishers will not publish it as", "go. I am wondering what people think about which is preferable, self-publishing or", "but just a monograph. In the self-publishing world there are IngramSpark and Amazon", "wondering what people think about which is preferable, self-publishing or traditional publishers. Traditional", "which was accepted for publishing at several very reputable publishers. My goal is", "for publishing at several very reputable publishers. My goal is to get the", "university students, researchers, and professionals. It is a textbook but one of the", "that is not all that likely as far as I have heard. The", "researchers, and professionals. It is a textbook but one of the publishers will", "what people think about which is preferable, self-publishing or traditional publishers. Traditional publishers", "to the content and pay around 9 to 11 percent. Self-publishing is more", "but one of the publishers will not publish it as such but just", "publishers will take the rights to the content and pay around 9 to", "good routes to go. I am wondering what people think about which is", "the text out to as many people as possible. My secondary goal is", "as I have heard. The audience is university students, researchers, and professionals. It", "just a monograph. In the self-publishing world there are IngramSpark and Amazon that", "self-publishing world there are IngramSpark and Amazon that would be good routes to", "am wondering what people think about which is preferable, self-publishing or traditional publishers." ]
[ "be used as a play on words, and people use it to mock", "the language the characters would be speaking, the lines between translation just get", "to mock him throughout the story (For example, the name Adam Zapel would", "find a way to make it work in the language the characters would", "I just keep things how they are? As soon as I look to", "English, whereas in the story, everyone would technically be speaking Finnish. Should I", "name can be used as a play on words, and people use it", "and people use it to mock him throughout the story (For example, the", "though I am American and speak English. My main character’s name can be", "main character’s name can be used as a play on words, and people", "English. My main character’s name can be used as a play on words,", "whereas in the story, everyone would technically be speaking Finnish. Should I just", "speak English. My main character’s name can be used as a play on", "it to mock him throughout the story (For example, the name Adam Zapel", "Zapel would be pronounced aloud as “Adam’s Apple”. Something along those lines). The", "the story, everyone would technically be speaking Finnish. Should I just keep things", "use it to mock him throughout the story (For example, the name Adam", "issue is, the word is in English, whereas in the story, everyone would", "in English, whereas in the story, everyone would technically be speaking Finnish. Should", "on words, and people use it to mock him throughout the story (For", "him throughout the story (For example, the name Adam Zapel would be pronounced", "in the story, everyone would technically be speaking Finnish. Should I just keep", "and speak English. My main character’s name can be used as a play", "mock him throughout the story (For example, the name Adam Zapel would be", "work in the language the characters would be speaking, the lines between translation", "throughout the story (For example, the name Adam Zapel would be pronounced aloud", "Finland, though I am American and speak English. My main character’s name can", "a book that takes place in Finland, though I am American and speak", "Apple”. Something along those lines). The issue is, the word is in English,", "the name Adam Zapel would be pronounced aloud as “Adam’s Apple”. Something along", "character’s name can be used as a play on words, and people use", "is, the word is in English, whereas in the story, everyone would technically", "those lines). The issue is, the word is in English, whereas in the", "as “Adam’s Apple”. Something along those lines). The issue is, the word is", "American and speak English. My main character’s name can be used as a", "things how they are? As soon as I look to find a way", "everyone would technically be speaking Finnish. Should I just keep things how they", "way to make it work in the language the characters would be speaking,", "just keep things how they are? As soon as I look to find", "takes place in Finland, though I am American and speak English. My main", "be speaking Finnish. Should I just keep things how they are? As soon", "technically be speaking Finnish. Should I just keep things how they are? As", "My main character’s name can be used as a play on words, and", "in Finland, though I am American and speak English. My main character’s name", "pronounced aloud as “Adam’s Apple”. Something along those lines). The issue is, the", "am American and speak English. My main character’s name can be used as", "the story (For example, the name Adam Zapel would be pronounced aloud as", "to find a way to make it work in the language the characters", "a play on words, and people use it to mock him throughout the", "speaking Finnish. Should I just keep things how they are? As soon as", "story, everyone would technically be speaking Finnish. Should I just keep things how", "to make it work in the language the characters would be speaking, the", "that takes place in Finland, though I am American and speak English. My", "words, and people use it to mock him throughout the story (For example,", "can be used as a play on words, and people use it to", "Should I just keep things how they are? As soon as I look", "they are? As soon as I look to find a way to make", "the word is in English, whereas in the story, everyone would technically be", "currently writing a book that takes place in Finland, though I am American", "how they are? As soon as I look to find a way to", "soon as I look to find a way to make it work in", "aloud as “Adam’s Apple”. Something along those lines). The issue is, the word", "as a play on words, and people use it to mock him throughout", "As soon as I look to find a way to make it work", "lines). The issue is, the word is in English, whereas in the story,", "I am American and speak English. My main character’s name can be used", "So I’m currently writing a book that takes place in Finland, though I", "name Adam Zapel would be pronounced aloud as “Adam’s Apple”. Something along those", "“Adam’s Apple”. Something along those lines). The issue is, the word is in", "along those lines). The issue is, the word is in English, whereas in", "language the characters would be speaking, the lines between translation just get blurry.", "example, the name Adam Zapel would be pronounced aloud as “Adam’s Apple”. Something", "as I look to find a way to make it work in the", "(For example, the name Adam Zapel would be pronounced aloud as “Adam’s Apple”.", "a way to make it work in the language the characters would be", "Finnish. Should I just keep things how they are? As soon as I", "in the language the characters would be speaking, the lines between translation just", "Adam Zapel would be pronounced aloud as “Adam’s Apple”. Something along those lines).", "place in Finland, though I am American and speak English. My main character’s", "story (For example, the name Adam Zapel would be pronounced aloud as “Adam’s", "be pronounced aloud as “Adam’s Apple”. Something along those lines). The issue is,", "people use it to mock him throughout the story (For example, the name", "The issue is, the word is in English, whereas in the story, everyone", "is in English, whereas in the story, everyone would technically be speaking Finnish.", "would technically be speaking Finnish. Should I just keep things how they are?", "writing a book that takes place in Finland, though I am American and", "book that takes place in Finland, though I am American and speak English.", "word is in English, whereas in the story, everyone would technically be speaking", "look to find a way to make it work in the language the", "I look to find a way to make it work in the language", "I’m currently writing a book that takes place in Finland, though I am", "used as a play on words, and people use it to mock him", "would be pronounced aloud as “Adam’s Apple”. Something along those lines). The issue", "keep things how they are? As soon as I look to find a", "Something along those lines). The issue is, the word is in English, whereas", "are? As soon as I look to find a way to make it", "make it work in the language the characters would be speaking, the lines", "it work in the language the characters would be speaking, the lines between", "play on words, and people use it to mock him throughout the story" ]
[ "have to take a minute to research what that word means, taking me", "of \"Using Big Words To Sound Intelligent\", and would be perfectly acceptable in", "demographic would be young teenagers, and I definitely did not know what ubiquitous", "I used the word \"ubiquitous\". While I don't think \"ubiquitous\" is the most", "the most egregious example of \"Using Big Words To Sound Intelligent\", and would", "could be seen as a teaching moment where I can teach young readers", "young teenagers, and I definitely did not know what ubiquitous meant when I", "that word means, taking me away from the book. On the other hand", "away from the book. On the other hand though, this could be seen", "Sound Intelligent\", and would be perfectly acceptable in most novels, it's just, my", "egregious example of \"Using Big Words To Sound Intelligent\", and would be perfectly", "the word \"ubiquitous\". While I don't think \"ubiquitous\" is the most egregious example", "and I definitely did not know what ubiquitous meant when I was a", "what that word means, taking me away from the book. On the other", "To Sound Intelligent\", and would be perfectly acceptable in most novels, it's just,", "a young teenager. Personally, when I come across an unknown word in a", "what ubiquitous meant when I was a young teenager. Personally, when I come", "Words To Sound Intelligent\", and would be perfectly acceptable in most novels, it's", "acceptable in most novels, it's just, my novel's demographic would be young teenagers,", "means, taking me away from the book. On the other hand though, this", "just, my novel's demographic would be young teenagers, and I definitely did not", "is the most egregious example of \"Using Big Words To Sound Intelligent\", and", "perfectly acceptable in most novels, it's just, my novel's demographic would be young", "seen as a teaching moment where I can teach young readers the meaning", "a minute to research what that word means, taking me away from the", "in most novels, it's just, my novel's demographic would be young teenagers, and", "was a young teenager. Personally, when I come across an unknown word in", "used the word \"ubiquitous\". While I don't think \"ubiquitous\" is the most egregious", "meant when I was a young teenager. Personally, when I come across an", "I definitely did not know what ubiquitous meant when I was a young", "would be young teenagers, and I definitely did not know what ubiquitous meant", "be perfectly acceptable in most novels, it's just, my novel's demographic would be", "it's just, my novel's demographic would be young teenagers, and I definitely did", "teenager. Personally, when I come across an unknown word in a book, I", "though, this could be seen as a teaching moment where I can teach", "an unknown word in a book, I have to take a minute to", "from the book. On the other hand though, this could be seen as", "in a book, I have to take a minute to research what that", "and I used the word \"ubiquitous\". While I don't think \"ubiquitous\" is the", "ubiquitous meant when I was a young teenager. Personally, when I come across", "be seen as a teaching moment where I can teach young readers the", "word means, taking me away from the book. On the other hand though,", "was writing the other day and I used the word \"ubiquitous\". While I", "day and I used the word \"ubiquitous\". While I don't think \"ubiquitous\" is", "think \"ubiquitous\" is the most egregious example of \"Using Big Words To Sound", "\"ubiquitous\" is the most egregious example of \"Using Big Words To Sound Intelligent\",", "when I come across an unknown word in a book, I have to", "across an unknown word in a book, I have to take a minute", "take a minute to research what that word means, taking me away from", "hand though, this could be seen as a teaching moment where I can", "to research what that word means, taking me away from the book. On", "don't think \"ubiquitous\" is the most egregious example of \"Using Big Words To", "I don't think \"ubiquitous\" is the most egregious example of \"Using Big Words", "I was writing the other day and I used the word \"ubiquitous\". While", "other hand though, this could be seen as a teaching moment where I", "example of \"Using Big Words To Sound Intelligent\", and would be perfectly acceptable", "the other day and I used the word \"ubiquitous\". While I don't think", "book, I have to take a minute to research what that word means,", "other day and I used the word \"ubiquitous\". While I don't think \"ubiquitous\"", "definitely did not know what ubiquitous meant when I was a young teenager.", "word in a book, I have to take a minute to research what", "Personally, when I come across an unknown word in a book, I have", "I have to take a minute to research what that word means, taking", "On the other hand though, this could be seen as a teaching moment", "Intelligent\", and would be perfectly acceptable in most novels, it's just, my novel's", "young teenager. Personally, when I come across an unknown word in a book,", "taking me away from the book. On the other hand though, this could", "While I don't think \"ubiquitous\" is the most egregious example of \"Using Big", "not know what ubiquitous meant when I was a young teenager. Personally, when", "my novel's demographic would be young teenagers, and I definitely did not know", "\"ubiquitous\". While I don't think \"ubiquitous\" is the most egregious example of \"Using", "me away from the book. On the other hand though, this could be", "unknown word in a book, I have to take a minute to research", "the other hand though, this could be seen as a teaching moment where", "a book, I have to take a minute to research what that word", "come across an unknown word in a book, I have to take a", "teenagers, and I definitely did not know what ubiquitous meant when I was", "word \"ubiquitous\". While I don't think \"ubiquitous\" is the most egregious example of", "I was a young teenager. Personally, when I come across an unknown word", "a teaching moment where I can teach young readers the meaning of new", "novel's demographic would be young teenagers, and I definitely did not know what", "be young teenagers, and I definitely did not know what ubiquitous meant when", "I come across an unknown word in a book, I have to take", "to take a minute to research what that word means, taking me away", "novels, it's just, my novel's demographic would be young teenagers, and I definitely", "know what ubiquitous meant when I was a young teenager. Personally, when I", "would be perfectly acceptable in most novels, it's just, my novel's demographic would", "teaching moment where I can teach young readers the meaning of new words", "writing the other day and I used the word \"ubiquitous\". While I don't", "this could be seen as a teaching moment where I can teach young", "\"Using Big Words To Sound Intelligent\", and would be perfectly acceptable in most", "as a teaching moment where I can teach young readers the meaning of", "minute to research what that word means, taking me away from the book.", "when I was a young teenager. Personally, when I come across an unknown", "and would be perfectly acceptable in most novels, it's just, my novel's demographic", "research what that word means, taking me away from the book. On the", "Big Words To Sound Intelligent\", and would be perfectly acceptable in most novels,", "book. On the other hand though, this could be seen as a teaching", "most egregious example of \"Using Big Words To Sound Intelligent\", and would be", "the book. On the other hand though, this could be seen as a", "did not know what ubiquitous meant when I was a young teenager. Personally,", "most novels, it's just, my novel's demographic would be young teenagers, and I" ]
[ "the most powerful (the \"chosen one\" if you will), despite her alternative, non-violent", "Priestess, and they all somewhat cooperate with the king of the lands where", "you will), despite her alternative, non-violent approach (healing and clairvoyance). What I'm asking", "lands where they live. Sirena is not the most powerful of the three.", "apprentice witch. Her two fellow apprentices, Irter and Keeva, study alongside her under", "three in the context of the whole? Should I switch to have my", "the context of the whole? Should I switch to have my protagonist be", "okay that I'm not focusing on her? Is it okay that I follow", "What I'm asking is, since Irter is the hero in the end, is", "that Keeva is the most powerful--she's aggressive, ambitious, courageous, and headstrong. But in", "not focusing on her? Is it okay that I follow the journey of", "and Sirena's roles? Does my main character need to be the one who", "expectation is that Keeva is the most powerful--she's aggressive, ambitious, courageous, and headstrong.", "Irter is the hero* in the end, is it okay that I'm not", "of the three in the context of the whole? Should I switch to", "into, my MC Sirena is an apprentice witch. Her two fellow apprentices, Irter", "headstrong. But in the end, neither Sirena nor Keeva saves the day. Irter", "despite her alternative, non-violent approach (healing and clairvoyance). What I'm asking is, since", "or switch Irter and Sirena's roles? Does my main character need to be", "is the most powerful--she's aggressive, ambitious, courageous, and headstrong. But in the end,", "(the \"chosen one\" if you will), despite her alternative, non-violent approach (healing and", "it okay that I follow the journey of Sirena, even though she is", "of the three. In fact, for most of the story, the expectation is", "focusing on her? Is it okay that I follow the journey of Sirena,", "Sirena, even though she is not the most important of the three in", "powerful (the \"chosen one\" if you will), despite her alternative, non-violent approach (healing", "asking is, since Irter is the hero* in the end, is it okay", "powerful of the three. In fact, for most of the story, the expectation", "\"chosen one\" if you will), despite her alternative, non-violent approach (healing and clairvoyance).", "most powerful of the three. In fact, for most of the story, the", "Irter and Sirena's roles? Does my main character need to be the one", "cooperate with the king of the lands where they live. Sirena is not", "getting into, my MC Sirena is an apprentice witch. Her two fellow apprentices,", "okay that I follow the journey of Sirena, even though she is not", "Sirena nor Keeva saves the day. Irter shows herself to be the most", "herself to be the most powerful (the \"chosen one\" if you will), despite", "Irter, or switch Irter and Sirena's roles? Does my main character need to", "end, neither Sirena nor Keeva saves the day. Irter shows herself to be", "and clairvoyance). What I'm asking is, since Irter is the hero in the", "Keeva, study alongside her under their High Priestess, and they all somewhat cooperate", "powerful--she's aggressive, ambitious, courageous, and headstrong. But in the end, neither Sirena nor", "But in the end, neither Sirena nor Keeva saves the day. Irter shows", "(healing and clairvoyance). What I'm asking is, since Irter is the hero in", "and they all somewhat cooperate with the king of the lands where they", "is, since Irter is the hero in the end, is it okay that", "most powerful (the \"chosen one\" if you will), despite her alternative, non-violent approach", "if you will), despite her alternative, non-violent approach (healing and clairvoyance). What I'm", "I'm asking is, since Irter is the hero in the end, is it", "of the whole? Should I switch to have my protagonist be Irter, or", "is it okay that I'm not focusing on her? Is it okay that", "I switch to have my protagonist be Irter, or switch Irter and Sirena's", "I'm not focusing on her? Is it okay that I follow the journey", "clairvoyance). What I'm asking is, since Irter is the hero in the end,", "roles? Does my main character need to be the one who saves the", "be Irter, or switch Irter and Sirena's roles? Does my main character need", "Sirena is an apprentice witch. Her two fellow apprentices, Irter and Keeva, study", "somewhat cooperate with the king of the lands where they live. Sirena is", "the end, is it okay that I'm not focusing on her? Is it", "even though she is not the most important of the three in the", "protagonist be Irter, or switch Irter and Sirena's roles? Does my main character", "[fantasy story](https://writing.stackexchange.com/questions/47445/avoiding-racist-tropes-in-fantasy) that I'm slowly getting into, my MC Sirena is an apprentice", "three. In fact, for most of the story, the expectation is that Keeva", "and headstrong. But in the end, neither Sirena nor Keeva saves the day.", "on her? Is it okay that I follow the journey of Sirena, even", "the most important of the three in the context of the whole? Should", "not the most powerful of the three. In fact, for most of the", "MC Sirena is an apprentice witch. Her two fellow apprentices, Irter and Keeva,", "they live. Sirena is not the most powerful of the three. In fact,", "Is it okay that I follow the journey of Sirena, even though she", "aggressive, ambitious, courageous, and headstrong. But in the end, neither Sirena nor Keeva", "the day. Irter shows herself to be the most powerful (the \"chosen one\"", "she is not the most important of the three in the context of", "alongside her under their High Priestess, and they all somewhat cooperate with the", "the most powerful--she's aggressive, ambitious, courageous, and headstrong. But in the end, neither", "is not the most important of the three in the context of the", "be the most powerful (the \"chosen one\" if you will), despite her alternative,", "the whole? Should I switch to have my protagonist be Irter, or switch", "courageous, and headstrong. But in the end, neither Sirena nor Keeva saves the", "of Sirena, even though she is not the most important of the three", "Should I switch to have my protagonist be Irter, or switch Irter and", "context of the whole? Should I switch to have my protagonist be Irter,", "switch to have my protagonist be Irter, or switch Irter and Sirena's roles?", "I follow the journey of Sirena, even though she is not the most", "where they live. Sirena is not the most powerful of the three. In", "Irter and Keeva, study alongside her under their High Priestess, and they all", "of the lands where they live. Sirena is not the most powerful of", "in the context of the whole? Should I switch to have my protagonist", "I'm slowly getting into, my MC Sirena is an apprentice witch. Her two", "fact, for most of the story, the expectation is that Keeva is the", "Does my main character need to be the one who saves the day?", "study alongside her under their High Priestess, and they all somewhat cooperate with", "is not the most powerful of the three. In fact, for most of", "non-violent approach (healing and clairvoyance). What I'm asking is, since Irter is the", "ambitious, courageous, and headstrong. But in the end, neither Sirena nor Keeva saves", "my protagonist be Irter, or switch Irter and Sirena's roles? Does my main", "alternative, non-violent approach (healing and clairvoyance). What I'm asking is, since Irter is", "two fellow apprentices, Irter and Keeva, study alongside her under their High Priestess,", "shows herself to be the most powerful (the \"chosen one\" if you will),", "is an apprentice witch. Her two fellow apprentices, Irter and Keeva, study alongside", "switch Irter and Sirena's roles? Does my main character need to be the", "will), despite her alternative, non-violent approach (healing and clairvoyance). What I'm asking is,", "they all somewhat cooperate with the king of the lands where they live.", "live. Sirena is not the most powerful of the three. In fact, for", "of the story, the expectation is that Keeva is the most powerful--she's aggressive,", "for most of the story, the expectation is that Keeva is the most", "to have my protagonist be Irter, or switch Irter and Sirena's roles? Does", "the king of the lands where they live. Sirena is not the most", "it okay that I'm not focusing on her? Is it okay that I", "witch. Her two fellow apprentices, Irter and Keeva, study alongside her under their", "Keeva is the most powerful--she's aggressive, ambitious, courageous, and headstrong. But in the", "fellow apprentices, Irter and Keeva, study alongside her under their High Priestess, and", "in the end, is it okay that I'm not focusing on her? Is", "with the king of the lands where they live. Sirena is not the", "that I follow the journey of Sirena, even though she is not the", "Sirena's roles? Does my main character need to be the one who saves", "is the hero* in the end, is it okay that I'm not focusing", "the most powerful of the three. In fact, for most of the story,", "the three in the context of the whole? Should I switch to have", "Keeva saves the day. Irter shows herself to be the most powerful (the", "the lands where they live. Sirena is not the most powerful of the", "whole? Should I switch to have my protagonist be Irter, or switch Irter", "the story, the expectation is that Keeva is the most powerful--she's aggressive, ambitious,", "in the end, neither Sirena nor Keeva saves the day. Irter shows herself", "her? Is it okay that I follow the journey of Sirena, even though", "Sirena is not the most powerful of the three. In fact, for most", "nor Keeva saves the day. Irter shows herself to be the most powerful", "their High Priestess, and they all somewhat cooperate with the king of the", "neither Sirena nor Keeva saves the day. Irter shows herself to be the", "end, is it okay that I'm not focusing on her? Is it okay", "story](https://writing.stackexchange.com/questions/47445/avoiding-racist-tropes-in-fantasy) that I'm slowly getting into, my MC Sirena is an apprentice witch.", "important of the three in the context of the whole? Should I switch", "the end, neither Sirena nor Keeva saves the day. Irter shows herself to", "most important of the three in the context of the whole? Should I", "have my protagonist be Irter, or switch Irter and Sirena's roles? Does my", "king of the lands where they live. Sirena is not the most powerful", "approach (healing and clairvoyance). What I'm asking is, since Irter is the hero", "all somewhat cooperate with the king of the lands where they live. Sirena", "my MC Sirena is an apprentice witch. Her two fellow apprentices, Irter and", "Irter shows herself to be the most powerful (the \"chosen one\" if you", "though she is not the most important of the three in the context", "her alternative, non-violent approach (healing and clairvoyance). What I'm asking is, since Irter", "Her two fellow apprentices, Irter and Keeva, study alongside her under their High", "the hero* in the end, is it okay that I'm not focusing on", "most of the story, the expectation is that Keeva is the most powerful--she's", "follow the journey of Sirena, even though she is not the most important", "day. Irter shows herself to be the most powerful (the \"chosen one\" if", "High Priestess, and they all somewhat cooperate with the king of the lands", "the journey of Sirena, even though she is not the most important of", "since Irter is the hero in the end, is it okay that I'm", "journey of Sirena, even though she is not the most important of the", "apprentices, Irter and Keeva, study alongside her under their High Priestess, and they", "that I'm slowly getting into, my MC Sirena is an apprentice witch. Her", "my [fantasy story](https://writing.stackexchange.com/questions/47445/avoiding-racist-tropes-in-fantasy) that I'm slowly getting into, my MC Sirena is an", "that I'm not focusing on her? Is it okay that I follow the", "the expectation is that Keeva is the most powerful--she's aggressive, ambitious, courageous, and", "slowly getting into, my MC Sirena is an apprentice witch. Her two fellow", "the three. In fact, for most of the story, the expectation is that", "story, the expectation is that Keeva is the most powerful--she's aggressive, ambitious, courageous,", "saves the day. Irter shows herself to be the most powerful (the \"chosen", "and Keeva, study alongside her under their High Priestess, and they all somewhat", "not the most important of the three in the context of the whole?", "In fact, for most of the story, the expectation is that Keeva is", "hero in the end, is it okay that I'm not focusing on her?", "to be the most powerful (the \"chosen one\" if you will), despite her", "most powerful--she's aggressive, ambitious, courageous, and headstrong. But in the end, neither Sirena", "an apprentice witch. Her two fellow apprentices, Irter and Keeva, study alongside her", "In my [fantasy story](https://writing.stackexchange.com/questions/47445/avoiding-racist-tropes-in-fantasy) that I'm slowly getting into, my MC Sirena is", "is that Keeva is the most powerful--she's aggressive, ambitious, courageous, and headstrong. But", "her under their High Priestess, and they all somewhat cooperate with the king", "under their High Priestess, and they all somewhat cooperate with the king of", "one\" if you will), despite her alternative, non-violent approach (healing and clairvoyance). What" ]
[ "is supposed to be redeemed later. There is a problem, however. AvinZi's actions", "there. At the end of the War in Heaven, he abandons the Engineers", "death, but all the misery that came from it was frozen in time", "with a redemption arc: AvinZi is an incredibly powerful god with powers of", "was easier to forgive Girth Vedur. Here, the exact opposite happens: only one", "opposite happens: only one death, but all the misery that came from it", "came from it was frozen in time and put into an exhibition. How", "problem with a redemption arc: AvinZi is an incredibly powerful god with powers", "are there. At the end of the War in Heaven, he abandons the", "and confused to deal with the mess, he caused. This gets especially painful", "redemption arc: AvinZi is an incredibly powerful god with powers of mysterious origin.", "chieftain, who was a danger both to his tribe and to the neighbouring", "mysterious origin. In the story, he starts out as bad but is supposed", "nowhere near as severe as a typical villain's, however, they are there. At", "the pantheon. He kills a lizardfolk chieftain, who was a danger both to", "be scarred by seeing his dad get gutted by a quick-draw + wrath-guard", "wrath-guard combo. On top of these horrible things, he even abandons himself, leaving", "with the mess, he caused. This gets especially painful when he meets a", "he caused. This gets especially painful when he meets a lizardfolk, the (now", "caused. This gets especially painful when he meets a lizardfolk, the (now grown-up)", "meets a lizardfolk, the (now grown-up) child, who is out for revenge. The", "seconds before kaboom. So, it was easier to forgive Girth Vedur. Here, the", "a character be redeemed when the ones they hurt are close to the", "is an incredibly powerful god with powers of mysterious origin. In the story,", "out for revenge. The characters, AvinZi wronged, get more than enough screen time", "is a statistic\" trope. We never saw Alderaan, only for a few seconds", "actions are understandable and nowhere near as severe as a typical villain's, however,", "by a quick-draw + wrath-guard combo. On top of these horrible things, he", "his tribe and to the neighbouring humans, but does so in front of", "and to the neighbouring humans, but does so in front of his child,", "of his child, and since I love humanizing my characters, said child will", "he starts out as bad but is supposed to be redeemed later. There", "these horrible things, he even abandons himself, leaving behind his child-like persona, Upam,", "helping him fight against everyone else in the pantheon. He kills a lizardfolk", "incredibly powerful god with powers of mysterious origin. In the story, he starts", "a redemption arc: AvinZi is an incredibly powerful god with powers of mysterious", "everyone else in the pantheon. He kills a lizardfolk chieftain, who was a", "but does so in front of his child, and since I love humanizing", "Upam, alone and confused to deal with the mess, he caused. This gets", "worse. More often the worse. This is the exact opposite of the \"a", "that came from it was frozen in time and put into an exhibition.", "in the pantheon. He kills a lizardfolk chieftain, who was a danger both", "put into an exhibition. How could a character be redeemed when the ones", "his child, and since I love humanizing my characters, said child will forever", "readers to see how AvinZi changed their life for the better and the", "out as bad but is supposed to be redeemed later. There is a", "screen time for the readers to see how AvinZi changed their life for", "seeing his dad get gutted by a quick-draw + wrath-guard combo. On top", "to see how AvinZi changed their life for the better and the worse.", "Here, the exact opposite happens: only one death, but all the misery that", "a few seconds before kaboom. So, it was easier to forgive Girth Vedur.", "child, who is out for revenge. The characters, AvinZi wronged, get more than", "is a problem with a redemption arc: AvinZi is an incredibly powerful god", "deal with the mess, he caused. This gets especially painful when he meets", "child will forever be scarred by seeing his dad get gutted by a", "This is the exact opposite of the \"a million is a statistic\" trope.", "villain's, however, they are there. At the end of the War in Heaven,", "bad but is supposed to be redeemed later. There is a problem, however.", "AvinZi's actions are understandable and nowhere near as severe as a typical villain's,", "else in the pantheon. He kills a lizardfolk chieftain, who was a danger", "Tiamat, Enki and Odin), who were loyal and trusting friends and pretty much", "for the better and the worse. More often the worse. This is the", "exhibition. How could a character be redeemed when the ones they hurt are", "an incredibly powerful god with powers of mysterious origin. In the story, he", "are understandable and nowhere near as severe as a typical villain's, however, they", "severe as a typical villain's, however, they are there. At the end of", "said child will forever be scarred by seeing his dad get gutted by", "statistic\" trope. We never saw Alderaan, only for a few seconds before kaboom.", "never saw Alderaan, only for a few seconds before kaboom. So, it was", "At the end of the War in Heaven, he abandons the Engineers (Horus,", "for the readers to see how AvinZi changed their life for the better", "abandons himself, leaving behind his child-like persona, Upam, alone and confused to deal", "easier to forgive Girth Vedur. Here, the exact opposite happens: only one death,", "friends and pretty much commited their life to helping him fight against everyone", "mess, he caused. This gets especially painful when he meets a lizardfolk, the", "lizardfolk, the (now grown-up) child, who is out for revenge. The characters, AvinZi", "is out for revenge. The characters, AvinZi wronged, get more than enough screen", "few seconds before kaboom. So, it was easier to forgive Girth Vedur. Here,", "This gets especially painful when he meets a lizardfolk, the (now grown-up) child,", "child-like persona, Upam, alone and confused to deal with the mess, he caused.", "\"a million is a statistic\" trope. We never saw Alderaan, only for a", "he even abandons himself, leaving behind his child-like persona, Upam, alone and confused", "danger both to his tribe and to the neighbouring humans, but does so", "leaving behind his child-like persona, Upam, alone and confused to deal with the", "character be redeemed when the ones they hurt are close to the reader?", "fight against everyone else in the pantheon. He kills a lizardfolk chieftain, who", "they are there. At the end of the War in Heaven, he abandons", "only for a few seconds before kaboom. So, it was easier to forgive", "he meets a lizardfolk, the (now grown-up) child, who is out for revenge.", "loyal and trusting friends and pretty much commited their life to helping him", "and trusting friends and pretty much commited their life to helping him fight", "quick-draw + wrath-guard combo. On top of these horrible things, he even abandons", "who was a danger both to his tribe and to the neighbouring humans,", "+ wrath-guard combo. On top of these horrible things, he even abandons himself,", "a typical villain's, however, they are there. At the end of the War", "abandons the Engineers (Horus, Abzu, Tiamat, Enki and Odin), who were loyal and", "the War in Heaven, he abandons the Engineers (Horus, Abzu, Tiamat, Enki and", "was frozen in time and put into an exhibition. How could a character", "of mysterious origin. In the story, he starts out as bad but is", "to helping him fight against everyone else in the pantheon. He kills a", "origin. In the story, he starts out as bad but is supposed to", "of these horrible things, he even abandons himself, leaving behind his child-like persona,", "frozen in time and put into an exhibition. How could a character be", "it was easier to forgive Girth Vedur. Here, the exact opposite happens: only", "life to helping him fight against everyone else in the pantheon. He kills", "one death, but all the misery that came from it was frozen in", "both to his tribe and to the neighbouring humans, but does so in", "later. There is a problem, however. AvinZi's actions are understandable and nowhere near", "humanizing my characters, said child will forever be scarred by seeing his dad", "characters, said child will forever be scarred by seeing his dad get gutted", "alone and confused to deal with the mess, he caused. This gets especially", "for revenge. The characters, AvinZi wronged, get more than enough screen time for", "so in front of his child, and since I love humanizing my characters,", "(now grown-up) child, who is out for revenge. The characters, AvinZi wronged, get", "exact opposite happens: only one death, but all the misery that came from", "is a problem, however. AvinZi's actions are understandable and nowhere near as severe", "he abandons the Engineers (Horus, Abzu, Tiamat, Enki and Odin), who were loyal", "Heaven, he abandons the Engineers (Horus, Abzu, Tiamat, Enki and Odin), who were", "however, they are there. At the end of the War in Heaven, he", "wronged, get more than enough screen time for the readers to see how", "for a few seconds before kaboom. So, it was easier to forgive Girth", "get gutted by a quick-draw + wrath-guard combo. On top of these horrible", "be redeemed later. There is a problem, however. AvinZi's actions are understandable and", "as severe as a typical villain's, however, they are there. At the end", "the end of the War in Heaven, he abandons the Engineers (Horus, Abzu,", "(Horus, Abzu, Tiamat, Enki and Odin), who were loyal and trusting friends and", "More often the worse. This is the exact opposite of the \"a million", "painful when he meets a lizardfolk, the (now grown-up) child, who is out", "even abandons himself, leaving behind his child-like persona, Upam, alone and confused to", "love humanizing my characters, said child will forever be scarred by seeing his", "neighbouring humans, but does so in front of his child, and since I", "AvinZi wronged, get more than enough screen time for the readers to see", "before kaboom. So, it was easier to forgive Girth Vedur. Here, the exact", "a problem, however. AvinZi's actions are understandable and nowhere near as severe as", "all the misery that came from it was frozen in time and put", "an exhibition. How could a character be redeemed when the ones they hurt", "to the neighbouring humans, but does so in front of his child, and", "We never saw Alderaan, only for a few seconds before kaboom. So, it", "as bad but is supposed to be redeemed later. There is a problem,", "a statistic\" trope. We never saw Alderaan, only for a few seconds before", "There is a problem, however. AvinZi's actions are understandable and nowhere near as", "time and put into an exhibition. How could a character be redeemed when", "How could a character be redeemed when the ones they hurt are close", "and the worse. More often the worse. This is the exact opposite of", "kaboom. So, it was easier to forgive Girth Vedur. Here, the exact opposite", "changed their life for the better and the worse. More often the worse.", "their life for the better and the worse. More often the worse. This", "better and the worse. More often the worse. This is the exact opposite", "problem, however. AvinZi's actions are understandable and nowhere near as severe as a", "with powers of mysterious origin. In the story, he starts out as bad", "the better and the worse. More often the worse. This is the exact", "commited their life to helping him fight against everyone else in the pantheon.", "in front of his child, and since I love humanizing my characters, said", "was a danger both to his tribe and to the neighbouring humans, but", "the worse. More often the worse. This is the exact opposite of the", "Alderaan, only for a few seconds before kaboom. So, it was easier to", "god with powers of mysterious origin. In the story, he starts out as", "story, he starts out as bad but is supposed to be redeemed later.", "Odin), who were loyal and trusting friends and pretty much commited their life", "the (now grown-up) child, who is out for revenge. The characters, AvinZi wronged,", "who is out for revenge. The characters, AvinZi wronged, get more than enough", "AvinZi changed their life for the better and the worse. More often the", "combo. On top of these horrible things, he even abandons himself, leaving behind", "the story, he starts out as bad but is supposed to be redeemed", "much commited their life to helping him fight against everyone else in the", "his child-like persona, Upam, alone and confused to deal with the mess, he", "him fight against everyone else in the pantheon. He kills a lizardfolk chieftain,", "happens: only one death, but all the misery that came from it was", "misery that came from it was frozen in time and put into an", "forgive Girth Vedur. Here, the exact opposite happens: only one death, but all", "who were loyal and trusting friends and pretty much commited their life to", "starts out as bad but is supposed to be redeemed later. There is", "AvinZi is an incredibly powerful god with powers of mysterious origin. In the", "end of the War in Heaven, he abandons the Engineers (Horus, Abzu, Tiamat,", "however. AvinZi's actions are understandable and nowhere near as severe as a typical", "supposed to be redeemed later. There is a problem, however. AvinZi's actions are", "Abzu, Tiamat, Enki and Odin), who were loyal and trusting friends and pretty", "will forever be scarred by seeing his dad get gutted by a quick-draw", "more than enough screen time for the readers to see how AvinZi changed", "the readers to see how AvinZi changed their life for the better and", "life for the better and the worse. More often the worse. This is", "and since I love humanizing my characters, said child will forever be scarred", "opposite of the \"a million is a statistic\" trope. We never saw Alderaan,", "from it was frozen in time and put into an exhibition. How could", "a quick-draw + wrath-guard combo. On top of these horrible things, he even", "grown-up) child, who is out for revenge. The characters, AvinZi wronged, get more", "horrible things, he even abandons himself, leaving behind his child-like persona, Upam, alone", "the exact opposite happens: only one death, but all the misery that came", "but all the misery that came from it was frozen in time and", "when he meets a lizardfolk, the (now grown-up) child, who is out for", "confused to deal with the mess, he caused. This gets especially painful when", "a lizardfolk chieftain, who was a danger both to his tribe and to", "my characters, said child will forever be scarred by seeing his dad get", "time for the readers to see how AvinZi changed their life for the", "forever be scarred by seeing his dad get gutted by a quick-draw +", "could a character be redeemed when the ones they hurt are close to", "gutted by a quick-draw + wrath-guard combo. On top of these horrible things,", "to be redeemed later. There is a problem, however. AvinZi's actions are understandable", "In the story, he starts out as bad but is supposed to be", "but is supposed to be redeemed later. There is a problem, however. AvinZi's", "redeemed later. There is a problem, however. AvinZi's actions are understandable and nowhere", "a lizardfolk, the (now grown-up) child, who is out for revenge. The characters,", "the worse. This is the exact opposite of the \"a million is a", "than enough screen time for the readers to see how AvinZi changed their", "the exact opposite of the \"a million is a statistic\" trope. We never", "of the \"a million is a statistic\" trope. We never saw Alderaan, only", "the \"a million is a statistic\" trope. We never saw Alderaan, only for", "exact opposite of the \"a million is a statistic\" trope. We never saw", "powers of mysterious origin. 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Here, the exact opposite happens: only one death, but all the misery", "does so in front of his child, and since I love humanizing my", "it was frozen in time and put into an exhibition. How could a", "near as severe as a typical villain's, however, they are there. At the", "the mess, he caused. This gets especially painful when he meets a lizardfolk,", "since I love humanizing my characters, said child will forever be scarred by", "child, and since I love humanizing my characters, said child will forever be", "powerful god with powers of mysterious origin. In the story, he starts out", "trusting friends and pretty much commited their life to helping him fight against", "The characters, AvinZi wronged, get more than enough screen time for the readers", "and put into an exhibition. How could a character be redeemed when the", "million is a statistic\" trope. We never saw Alderaan, only for a few", "were loyal and trusting friends and pretty much commited their life to helping", "enough screen time for the readers to see how AvinZi changed their life", "in Heaven, he abandons the Engineers (Horus, Abzu, Tiamat, Enki and Odin), who", "behind his child-like persona, Upam, alone and confused to deal with the mess,", "pretty much commited their life to helping him fight against everyone else in", "a danger both to his tribe and to the neighbouring humans, but does", "against everyone else in the pantheon. He kills a lizardfolk chieftain, who was", "often the worse. This is the exact opposite of the \"a million is", "kills a lizardfolk chieftain, who was a danger both to his tribe and", "his dad get gutted by a quick-draw + wrath-guard combo. On top of", "So, it was easier to forgive Girth Vedur. Here, the exact opposite happens:", "I love humanizing my characters, said child will forever be scarred by seeing", "the neighbouring humans, but does so in front of his child, and since", "trope. We never saw Alderaan, only for a few seconds before kaboom. So,", "is the exact opposite of the \"a million is a statistic\" trope. We", "humans, but does so in front of his child, and since I love", "saw Alderaan, only for a few seconds before kaboom. So, it was easier", "On top of these horrible things, he even abandons himself, leaving behind his", "the misery that came from it was frozen in time and put into", "arc: AvinZi is an incredibly powerful god with powers of mysterious origin. In", "typical villain's, however, they are there. At the end of the War in", "things, he even abandons himself, leaving behind his child-like persona, Upam, alone and", "persona, Upam, alone and confused to deal with the mess, he caused. This", "pantheon. He kills a lizardfolk chieftain, who was a danger both to his", "front of his child, and since I love humanizing my characters, said child", "worse. This is the exact opposite of the \"a million is a statistic\"", "revenge. The characters, AvinZi wronged, get more than enough screen time for the", "scarred by seeing his dad get gutted by a quick-draw + wrath-guard combo.", "by seeing his dad get gutted by a quick-draw + wrath-guard combo. On", "especially painful when he meets a lizardfolk, the (now grown-up) child, who is", "to deal with the mess, he caused. This gets especially painful when he", "dad get gutted by a quick-draw + wrath-guard combo. On top of these", "to his tribe and to the neighbouring humans, but does so in front", "and nowhere near as severe as a typical villain's, however, they are there.", "the Engineers (Horus, Abzu, Tiamat, Enki and Odin), who were loyal and trusting", "He kills a lizardfolk chieftain, who was a danger both to his tribe", "characters, AvinZi wronged, get more than enough screen time for the readers to", "Engineers (Horus, Abzu, Tiamat, Enki and Odin), who were loyal and trusting friends", "only one death, but all the misery that came from it was frozen", "Girth Vedur. Here, the exact opposite happens: only one death, but all the", "lizardfolk chieftain, who was a danger both to his tribe and to the", "a problem with a redemption arc: AvinZi is an incredibly powerful god with", "and Odin), who were loyal and trusting friends and pretty much commited their", "and pretty much commited their life to helping him fight against everyone else", "how AvinZi changed their life for the better and the worse. More often", "into an exhibition. How could a character be redeemed when the ones they", "of the War in Heaven, he abandons the Engineers (Horus, Abzu, Tiamat, Enki", "to forgive Girth Vedur. Here, the exact opposite happens: only one death, but", "in time and put into an exhibition. How could a character be redeemed", "gets especially painful when he meets a lizardfolk, the (now grown-up) child, who", "understandable and nowhere near as severe as a typical villain's, however, they are" ]
[ "stories. I have no intention of ever writing in that vein, and I", "determined to have me gut my childhood with the fiction class as being", "to be invasive and offensive at this point. Is it necessary to delve", "have the same teacher for both a Journaling autobiographical class and a fictional", "a Journaling autobiographical class and a fictional writing class. While I expected to", "vein, and I am finding this to be invasive and offensive at this", "and a fictional writing class. While I expected to have to write about", "to have to write about my personal life with one, she seems determined", "seems determined to have me gut my childhood with the fiction class as", "the fiction class as being necessary for fodder for eventual stories. I have", "fodder for eventual stories. I have no intention of ever writing in that", "that vein, and I am finding this to be invasive and offensive at", "to write about my personal life with one, she seems determined to have", "class as being necessary for fodder for eventual stories. I have no intention", "a fictional writing class. While I expected to have to write about my", "life with one, she seems determined to have me gut my childhood with", "one, she seems determined to have me gut my childhood with the fiction", "my personal life with one, she seems determined to have me gut my", "eventual stories. I have no intention of ever writing in that vein, and", "I expected to have to write about my personal life with one, she", "point. Is it necessary to delve into my dysfunctional childhood in order to", "with the fiction class as being necessary for fodder for eventual stories. I", "no intention of ever writing in that vein, and I am finding this", "it necessary to delve into my dysfunctional childhood in order to write good", "necessary to delve into my dysfunctional childhood in order to write good fiction?", "for eventual stories. I have no intention of ever writing in that vein,", "with one, she seems determined to have me gut my childhood with the", "be invasive and offensive at this point. Is it necessary to delve into", "the same teacher for both a Journaling autobiographical class and a fictional writing", "same teacher for both a Journaling autobiographical class and a fictional writing class.", "writing class. While I expected to have to write about my personal life", "she seems determined to have me gut my childhood with the fiction class", "necessary for fodder for eventual stories. I have no intention of ever writing", "I have no intention of ever writing in that vein, and I am", "I am finding this to be invasive and offensive at this point. Is", "have no intention of ever writing in that vein, and I am finding", "both a Journaling autobiographical class and a fictional writing class. While I expected", "offensive at this point. Is it necessary to delve into my dysfunctional childhood", "have to write about my personal life with one, she seems determined to", "at this point. Is it necessary to delve into my dysfunctional childhood in", "class. While I expected to have to write about my personal life with", "in that vein, and I am finding this to be invasive and offensive", "fiction class as being necessary for fodder for eventual stories. I have no", "write about my personal life with one, she seems determined to have me", "this to be invasive and offensive at this point. Is it necessary to", "personal life with one, she seems determined to have me gut my childhood", "intention of ever writing in that vein, and I am finding this to", "autobiographical class and a fictional writing class. While I expected to have to", "ever writing in that vein, and I am finding this to be invasive", "class and a fictional writing class. While I expected to have to write", "Journaling autobiographical class and a fictional writing class. While I expected to have", "teacher for both a Journaling autobiographical class and a fictional writing class. While", "as being necessary for fodder for eventual stories. I have no intention of", "and offensive at this point. Is it necessary to delve into my dysfunctional", "this point. Is it necessary to delve into my dysfunctional childhood in order", "my childhood with the fiction class as being necessary for fodder for eventual", "being necessary for fodder for eventual stories. I have no intention of ever", "expected to have to write about my personal life with one, she seems", "am finding this to be invasive and offensive at this point. Is it", "of ever writing in that vein, and I am finding this to be", "While I expected to have to write about my personal life with one,", "writing in that vein, and I am finding this to be invasive and", "gut my childhood with the fiction class as being necessary for fodder for", "to have me gut my childhood with the fiction class as being necessary", "for fodder for eventual stories. I have no intention of ever writing in", "me gut my childhood with the fiction class as being necessary for fodder", "childhood with the fiction class as being necessary for fodder for eventual stories.", "fictional writing class. While I expected to have to write about my personal", "for both a Journaling autobiographical class and a fictional writing class. While I", "about my personal life with one, she seems determined to have me gut", "invasive and offensive at this point. Is it necessary to delve into my", "Is it necessary to delve into my dysfunctional childhood in order to write", "I have the same teacher for both a Journaling autobiographical class and a", "and I am finding this to be invasive and offensive at this point.", "have me gut my childhood with the fiction class as being necessary for", "finding this to be invasive and offensive at this point. Is it necessary" ]
[ "in the style of a TV series. The plan is to write 13", "weekly on Kindle over a three month period. If season one garners even", "interest, I will write season 2 in the off-season and repeat the procedure.", "I'm considering writing my latest story in the style of a TV series.", "to write 13 episodes of 10-12,000 each. Episodes will be published weekly on", "off-season and repeat the procedure. At the end of each season the complete", "of a TV series. The plan is to write 13 episodes of 10-12,000", "on Kindle over a three month period. If season one garners even mild", "garners even mild interest, I will write season 2 in the off-season and", "latest story in the style of a TV series. The plan is to", "is to write 13 episodes of 10-12,000 each. Episodes will be published weekly", "a three month period. If season one garners even mild interest, I will", "2 in the off-season and repeat the procedure. At the end of each", "the procedure. At the end of each season the complete season would be", "procedure. At the end of each season the complete season would be published", "season the complete season would be published in a dead tree version. Is", "plan is to write 13 episodes of 10-12,000 each. Episodes will be published", "the end of each season the complete season would be published in a", "and repeat the procedure. At the end of each season the complete season", "story in the style of a TV series. The plan is to write", "in the off-season and repeat the procedure. At the end of each season", "my latest story in the style of a TV series. The plan is", "season one garners even mild interest, I will write season 2 in the", "13 episodes of 10-12,000 each. Episodes will be published weekly on Kindle over", "considering writing my latest story in the style of a TV series. The", "the off-season and repeat the procedure. At the end of each season the", "month period. If season one garners even mild interest, I will write season", "complete season would be published in a dead tree version. Is publishing my", "three month period. If season one garners even mild interest, I will write", "The plan is to write 13 episodes of 10-12,000 each. Episodes will be", "a TV series. The plan is to write 13 episodes of 10-12,000 each.", "series. The plan is to write 13 episodes of 10-12,000 each. Episodes will", "the style of a TV series. The plan is to write 13 episodes", "If season one garners even mild interest, I will write season 2 in", "each. Episodes will be published weekly on Kindle over a three month period.", "Kindle over a three month period. If season one garners even mild interest,", "of each season the complete season would be published in a dead tree", "the complete season would be published in a dead tree version. Is publishing", "each season the complete season would be published in a dead tree version.", "season would be published in a dead tree version. Is publishing my story", "repeat the procedure. At the end of each season the complete season would", "10-12,000 each. Episodes will be published weekly on Kindle over a three month", "episodes of 10-12,000 each. Episodes will be published weekly on Kindle over a", "period. If season one garners even mild interest, I will write season 2", "I will write season 2 in the off-season and repeat the procedure. At", "one garners even mild interest, I will write season 2 in the off-season", "will write season 2 in the off-season and repeat the procedure. At the", "a dead tree version. Is publishing my story like this likely to be", "writing my latest story in the style of a TV series. The plan", "season 2 in the off-season and repeat the procedure. At the end of", "be published weekly on Kindle over a three month period. If season one", "be published in a dead tree version. Is publishing my story like this", "even mild interest, I will write season 2 in the off-season and repeat", "published in a dead tree version. Is publishing my story like this likely", "At the end of each season the complete season would be published in", "dead tree version. Is publishing my story like this likely to be successful?", "TV series. The plan is to write 13 episodes of 10-12,000 each. Episodes", "Episodes will be published weekly on Kindle over a three month period. If", "will be published weekly on Kindle over a three month period. If season", "write season 2 in the off-season and repeat the procedure. At the end", "style of a TV series. The plan is to write 13 episodes of", "write 13 episodes of 10-12,000 each. Episodes will be published weekly on Kindle", "published weekly on Kindle over a three month period. If season one garners", "end of each season the complete season would be published in a dead", "over a three month period. If season one garners even mild interest, I", "would be published in a dead tree version. Is publishing my story like", "mild interest, I will write season 2 in the off-season and repeat the", "of 10-12,000 each. Episodes will be published weekly on Kindle over a three", "in a dead tree version. **Is publishing my story like this likely to" ]
[ "hate editing I find editing to be so draining. I'll open up a", "a endless spiral of finding problems with my writing. Badly worded sentences, sentences", "finding problems with my writing. Badly worded sentences, sentences that are out of", "is one big problem: I hate editing I find editing to be so", "complete, and I've been working on editing it now. There is one big", "be so draining. I'll open up a chapter to edit and it'll turn", "editing it now. There is one big problem: I hate editing I find", "working on editing it now. There is one big problem: I hate editing", "writing. Badly worded sentences, sentences that are out of place, continuity errors etc.", "I find editing to be so draining. I'll open up a chapter to", "open up a chapter to edit and it'll turn into a endless spiral", "and I've been working on editing it now. There is one big problem:", "errors etc. It would be great if I could find a way to", "sentences that are out of place, continuity errors etc. It would be great", "that are out of place, continuity errors etc. It would be great if", "of place, continuity errors etc. It would be great if I could find", "with my writing. Badly worded sentences, sentences that are out of place, continuity", "edit and it'll turn into a endless spiral of finding problems with my", "would be great if I could find a way to improve the editing", "worded sentences, sentences that are out of place, continuity errors etc. It would", "be great if I could find a way to improve the editing experience", "etc. It would be great if I could find a way to improve", "spiral of finding problems with my writing. Badly worded sentences, sentences that are", "draft more-or-less complete, and I've been working on editing it now. There is", "of finding problems with my writing. Badly worded sentences, sentences that are out", "have my first draft more-or-less complete, and I've been working on editing it", "my first draft more-or-less complete, and I've been working on editing it now.", "been working on editing it now. There is one big problem: I hate", "first draft more-or-less complete, and I've been working on editing it now. There", "it now. There is one big problem: I hate editing I find editing", "I hate editing I find editing to be so draining. I'll open up", "editing I find editing to be so draining. I'll open up a chapter", "Badly worded sentences, sentences that are out of place, continuity errors etc. It", "problems with my writing. Badly worded sentences, sentences that are out of place,", "more-or-less complete, and I've been working on editing it now. There is one", "out of place, continuity errors etc. It would be great if I could", "up a chapter to edit and it'll turn into a endless spiral of", "I'll open up a chapter to edit and it'll turn into a endless", "editing to be so draining. I'll open up a chapter to edit and", "it'll turn into a endless spiral of finding problems with my writing. Badly", "endless spiral of finding problems with my writing. Badly worded sentences, sentences that", "are out of place, continuity errors etc. It would be great if I", "and it'll turn into a endless spiral of finding problems with my writing.", "on editing it now. There is one big problem: I hate editing I", "continuity errors etc. It would be great if I could find a way", "a chapter to edit and it'll turn into a endless spiral of finding", "to edit and it'll turn into a endless spiral of finding problems with", "There is one big problem: I hate editing I find editing to be", "to be so draining. I'll open up a chapter to edit and it'll", "It would be great if I could find a way to improve the", "turn into a endless spiral of finding problems with my writing. Badly worded", "draining. I'll open up a chapter to edit and it'll turn into a", "find editing to be so draining. I'll open up a chapter to edit", "I've been working on editing it now. There is one big problem: I", "chapter to edit and it'll turn into a endless spiral of finding problems", "my writing. Badly worded sentences, sentences that are out of place, continuity errors", "place, continuity errors etc. It would be great if I could find a", "into a endless spiral of finding problems with my writing. Badly worded sentences,", "I have my first draft more-or-less complete, and I've been working on editing", "so draining. I'll open up a chapter to edit and it'll turn into", "problem: I hate editing I find editing to be so draining. I'll open", "big problem: I hate editing I find editing to be so draining. I'll", "one big problem: I hate editing I find editing to be so draining.", "sentences, sentences that are out of place, continuity errors etc. It would be", "now. There is one big problem: I hate editing I find editing to" ]
[ "is obviously motivated by the current misbehaviour of Stack Exchange, the company (as", "but it is more general than that, since the Q&A format itself is", "example, stack exchange, and move to some other forum; furthermore, it should be", "in activities out of scope for SE (which could range from general discussion", "could range from general discussion about writing to arranging IRL writing groups), while", "some other forum; furthermore, it should be able to take its content with", "willing to directly help eachother in a format such as Q&A (like here", "writing.meta.stackexchange.com and meta.stackexchange.com), but it is more general than that, since the Q&A", "stack exchange, and move to some other forum; furthermore, it should be able", "places? This question is obviously motivated by the current misbehaviour of Stack Exchange,", "online community of people who are knowledgeable about writing, willing to directly help", "the current misbehaviour of Stack Exchange, the company (as is being discussed on", "on SE), but also engage in activities out of scope for SE (which", "general discussion about writing to arranging IRL writing groups), while not depending on", "beyond certain content that it has produced, it should be able to get", "other forum; furthermore, it should be able to take its content with it).", "as Q&A (like here on SE), but also engage in activities out of", "furthermore, it should be able to take its content with it). Are there", "SE (which could range from general discussion about writing to arranging IRL writing", "misbehaviour of Stack Exchange, the company (as is being discussed on writing.meta.stackexchange.com and", "to take its content with it). Are there such places? This question is", "of people who are knowledgeable about writing, willing to directly help eachother in", "it should be able to get up and leave from, random example, stack", "exchange, and move to some other forum; furthermore, it should be able to", "and meta.stackexchange.com), but it is more general than that, since the Q&A format", "depending on a specific technology provider too much (if a community has intrinsic", "from general discussion about writing to arranging IRL writing groups), while not depending", "engage in activities out of scope for SE (which could range from general", "obviously motivated by the current misbehaviour of Stack Exchange, the company (as is", "(which could range from general discussion about writing to arranging IRL writing groups),", "forum; furthermore, it should be able to take its content with it). Are", "intrinsic value beyond certain content that it has produced, it should be able", "should be able to take its content with it). Are there such places?", "It would be nice to be a member of an online community of", "who are knowledgeable about writing, willing to directly help eachother in a format", "it has produced, it should be able to get up and leave from,", "is being discussed on writing.meta.stackexchange.com and meta.stackexchange.com), but it is more general than", "from, random example, stack exchange, and move to some other forum; furthermore, it", "motivated by the current misbehaviour of Stack Exchange, the company (as is being", "be able to get up and leave from, random example, stack exchange, and", "(like here on SE), but also engage in activities out of scope for", "writing, willing to directly help eachother in a format such as Q&A (like", "a format such as Q&A (like here on SE), but also engage in", "people who are knowledgeable about writing, willing to directly help eachother in a", "community of people who are knowledgeable about writing, willing to directly help eachother", "activities out of scope for SE (which could range from general discussion about", "it is more general than that, since the Q&A format itself is somewhat", "meta.stackexchange.com), but it is more general than that, since the Q&A format itself", "question is obviously motivated by the current misbehaviour of Stack Exchange, the company", "writing groups), while not depending on a specific technology provider too much (if", "value beyond certain content that it has produced, it should be able to", "such places? This question is obviously motivated by the current misbehaviour of Stack", "company (as is being discussed on writing.meta.stackexchange.com and meta.stackexchange.com), but it is more", "scope for SE (which could range from general discussion about writing to arranging", "arranging IRL writing groups), while not depending on a specific technology provider too", "Q&A (like here on SE), but also engage in activities out of scope", "such as Q&A (like here on SE), but also engage in activities out", "(if a community has intrinsic value beyond certain content that it has produced,", "Exchange, the company (as is being discussed on writing.meta.stackexchange.com and meta.stackexchange.com), but it", "its content with it). Are there such places? This question is obviously motivated", "out of scope for SE (which could range from general discussion about writing", "specific technology provider too much (if a community has intrinsic value beyond certain", "random example, stack exchange, and move to some other forum; furthermore, it should", "Are there such places? This question is obviously motivated by the current misbehaviour", "that it has produced, it should be able to get up and leave", "discussed on writing.meta.stackexchange.com and meta.stackexchange.com), but it is more general than that, since", "has intrinsic value beyond certain content that it has produced, it should be", "and leave from, random example, stack exchange, and move to some other forum;", "This question is obviously motivated by the current misbehaviour of Stack Exchange, the", "nice to be a member of an online community of people who are", "on a specific technology provider too much (if a community has intrinsic value", "move to some other forum; furthermore, it should be able to take its", "is more general than that, since the Q&A format itself is somewhat limiting.", "a member of an online community of people who are knowledgeable about writing,", "with it). Are there such places? This question is obviously motivated by the", "not depending on a specific technology provider too much (if a community has", "about writing, willing to directly help eachother in a format such as Q&A", "eachother in a format such as Q&A (like here on SE), but also", "certain content that it has produced, it should be able to get up", "of an online community of people who are knowledgeable about writing, willing to", "up and leave from, random example, stack exchange, and move to some other", "able to get up and leave from, random example, stack exchange, and move", "directly help eachother in a format such as Q&A (like here on SE),", "for SE (which could range from general discussion about writing to arranging IRL", "while not depending on a specific technology provider too much (if a community", "a community has intrinsic value beyond certain content that it has produced, it", "IRL writing groups), while not depending on a specific technology provider too much", "groups), while not depending on a specific technology provider too much (if a", "discussion about writing to arranging IRL writing groups), while not depending on a", "a specific technology provider too much (if a community has intrinsic value beyond", "be able to take its content with it). Are there such places? This", "by the current misbehaviour of Stack Exchange, the company (as is being discussed", "of scope for SE (which could range from general discussion about writing to", "Stack Exchange, the company (as is being discussed on writing.meta.stackexchange.com and meta.stackexchange.com), but", "writing to arranging IRL writing groups), while not depending on a specific technology", "content with it). Are there such places? This question is obviously motivated by", "be a member of an online community of people who are knowledgeable about", "technology provider too much (if a community has intrinsic value beyond certain content", "to some other forum; furthermore, it should be able to take its content", "current misbehaviour of Stack Exchange, the company (as is being discussed on writing.meta.stackexchange.com", "knowledgeable about writing, willing to directly help eachother in a format such as", "content that it has produced, it should be able to get up and", "on writing.meta.stackexchange.com and meta.stackexchange.com), but it is more general than that, since the", "of Stack Exchange, the company (as is being discussed on writing.meta.stackexchange.com and meta.stackexchange.com),", "it should be able to take its content with it). Are there such", "SE), but also engage in activities out of scope for SE (which could", "format such as Q&A (like here on SE), but also engage in activities", "but also engage in activities out of scope for SE (which could range", "and move to some other forum; furthermore, it should be able to take", "there such places? This question is obviously motivated by the current misbehaviour of", "to be a member of an online community of people who are knowledgeable", "leave from, random example, stack exchange, and move to some other forum; furthermore,", "the company (as is being discussed on writing.meta.stackexchange.com and meta.stackexchange.com), but it is", "get up and leave from, random example, stack exchange, and move to some", "(as is being discussed on writing.meta.stackexchange.com and meta.stackexchange.com), but it is more general", "produced, it should be able to get up and leave from, random example,", "also engage in activities out of scope for SE (which could range from", "much (if a community has intrinsic value beyond certain content that it has", "be nice to be a member of an online community of people who", "here on SE), but also engage in activities out of scope for SE", "should be able to get up and leave from, random example, stack exchange,", "member of an online community of people who are knowledgeable about writing, willing", "would be nice to be a member of an online community of people", "to directly help eachother in a format such as Q&A (like here on", "community has intrinsic value beyond certain content that it has produced, it should", "provider too much (if a community has intrinsic value beyond certain content that", "take its content with it). Are there such places? This question is obviously", "has produced, it should be able to get up and leave from, random", "are knowledgeable about writing, willing to directly help eachother in a format such", "to arranging IRL writing groups), while not depending on a specific technology provider", "it). Are there such places? This question is obviously motivated by the current", "an online community of people who are knowledgeable about writing, willing to directly", "being discussed on writing.meta.stackexchange.com and meta.stackexchange.com), but it is more general than that,", "about writing to arranging IRL writing groups), while not depending on a specific", "too much (if a community has intrinsic value beyond certain content that it", "range from general discussion about writing to arranging IRL writing groups), while not", "to get up and leave from, random example, stack exchange, and move to", "able to take its content with it). Are there such places? This question", "help eachother in a format such as Q&A (like here on SE), but", "in a format such as Q&A (like here on SE), but also engage" ]
[ "boneslicer do here in the North? Was it not supposed to stalk the", "kept walking into the shadows. > > > After this short 'teaser' the", "movements and thoughts) This means that there is absolutly no explanation for some", "no explanation for some things alien to the reader in my very first", "two scenes later. I do not want any obvious narrator, commenting on events", "the path winding between small bushes and trees stood a great old tree.", "a great old tree. A white hole was shining in its dark bark.", "slick. What does a boneslicer do here in the North? Was it not", "> The hole in the bark was bigger than his head. Great talons", "want any obvious narrator, commenting on events or explaining things to the reader.", "the bark was bigger than his head. Great talons had almost split the", "is to go for the following narrative style within scenes: * Show only", "does is creating questions within the reader, especially within the first part (~15%)", "its dark bark. > > Pedez skulked into the direction of the tree.", "to the south? > > He pried into the silent woods and kept", "short 'teaser' the story continues with other events within the scene, and the", "reaction (through body-feelings, reflex movements and thoughts) This means that there is absolutly", "and the creature that gets hinted at here will reappear two scenes later.", "my very first scenes. Example (not my mother tongue): > > Next to", "see, hear,... sense. * Show their emotional reaction (through body-feelings, reflex movements and", "continues with other events within the scene, and the creature that gets hinted", "the scene does is creating questions within the reader, especially within the first", "Pedezs muscles tensed and he clutched his spear, his hands suddenly sweaty and", "project my goal is to go for the following narrative style within scenes:", "not supposed to stalk the waste far to the south? > > He", "it not supposed to stalk the waste far to the south? > >", "the scene, and the creature that gets hinted at here will reappear two", "this short 'teaser' the story continues with other events within the scene, and", "current project my goal is to go for the following narrative style within", "his hands suddenly sweaty and slick. What does a boneslicer do here in", "I do not want any obvious narrator, commenting on events or explaining things", "or bits of information, which would not be experienced within the scene by", "POV-Char) but there could be a problem with orienting the readers. If all", "supposed to stalk the waste far to the south? > > He pried", "in the bark was bigger than his head. Great talons had almost split", "the North? Was it not supposed to stalk the waste far to the", "the trunk in two. > Pedezs muscles tensed and he clutched his spear,", "is creating questions within the reader, especially within the first part (~15%) of", "his spear, his hands suddenly sweaty and slick. What does a boneslicer do", "sweaty and slick. What does a boneslicer do here in the North? Was", "and kept walking into the shadows. > > > After this short 'teaser'", "absolutly no explanation for some things alien to the reader in my very", "What does a boneslicer do here in the North? Was it not supposed", "great old tree. A white hole was shining in its dark bark. >", "could be a problem with orienting the readers. If all the scene does", "problem with orienting the readers. If all the scene does is creating questions", "first part (~15%) of my project, will they just close the book, or", "to go for the following narrative style within scenes: * Show only what", "> Pedez skulked into the direction of the tree. > > The hole", "(to write without infodumps or bits of information, which would not be experienced", "> Pedezs muscles tensed and he clutched his spear, his hands suddenly sweaty", "alien to the reader in my very first scenes. Example (not my mother", "a boneslicer do here in the North? Was it not supposed to stalk", "within the scene by the POV-Char) but there could be a problem with", "events or explaining things to the reader. My gut tells to keep trying", "go for the following narrative style within scenes: * Show only what the", "shining in its dark bark. > > Pedez skulked into the direction of", "reflex movements and thoughts) This means that there is absolutly no explanation for", "only what the POV-Char can see, hear,... sense. * Show their emotional reaction", "narrator, commenting on events or explaining things to the reader. My gut tells", "by the POV-Char) but there could be a problem with orienting the readers.", "within the first part (~15%) of my project, will they just close the", "my current project my goal is to go for the following narrative style", "> He pried into the silent woods and kept walking into the shadows.", "the silent woods and kept walking into the shadows. > > > After", "old tree. A white hole was shining in its dark bark. > >", "was shining in its dark bark. > > Pedez skulked into the direction", "than his head. Great talons had almost split the trunk in two. >", "head. Great talons had almost split the trunk in two. > Pedezs muscles", "sense. * Show their emotional reaction (through body-feelings, reflex movements and thoughts) This", "North? Was it not supposed to stalk the waste far to the south?", "for some things alien to the reader in my very first scenes. Example", "the reader in my very first scenes. Example (not my mother tongue): >", "the south? > > He pried into the silent woods and kept walking", "explanation for some things alien to the reader in my very first scenes.", "within the scene, and the creature that gets hinted at here will reappear", "scene, and the creature that gets hinted at here will reappear two scenes", "He pried into the silent woods and kept walking into the shadows. >", "some things alien to the reader in my very first scenes. Example (not", "is absolutly no explanation for some things alien to the reader in my", "muscles tensed and he clutched his spear, his hands suddenly sweaty and slick.", "with orienting the readers. If all the scene does is creating questions within", "infodumps or bits of information, which would not be experienced within the scene", "> Next to the path winding between small bushes and trees stood a", "my mother tongue): > > Next to the path winding between small bushes", "scenes: * Show only what the POV-Char can see, hear,... sense. * Show", "> After this short 'teaser' the story continues with other events within the", "scene does is creating questions within the reader, especially within the first part", "that there is absolutly no explanation for some things alien to the reader", "there is absolutly no explanation for some things alien to the reader in", "Pedez skulked into the direction of the tree. > > The hole in", "into the direction of the tree. > > The hole in the bark", "Great talons had almost split the trunk in two. > Pedezs muscles tensed", "in two. > Pedezs muscles tensed and he clutched his spear, his hands", "can see, hear,... sense. * Show their emotional reaction (through body-feelings, reflex movements", "at here will reappear two scenes later. I do not want any obvious", "silent woods and kept walking into the shadows. > > > After this", "the following narrative style within scenes: * Show only what the POV-Char can", "A white hole was shining in its dark bark. > > Pedez skulked", "any obvious narrator, commenting on events or explaining things to the reader. My", "trying (to write without infodumps or bits of information, which would not be", "reader in my very first scenes. Example (not my mother tongue): > >", "do here in the North? Was it not supposed to stalk the waste", "following narrative style within scenes: * Show only what the POV-Char can see,", "not be experienced within the scene by the POV-Char) but there could be", "my project, will they just close the book, or try to find the", "for the following narrative style within scenes: * Show only what the POV-Char", "* Show their emotional reaction (through body-feelings, reflex movements and thoughts) This means", "keep trying (to write without infodumps or bits of information, which would not", "talons had almost split the trunk in two. > Pedezs muscles tensed and", "there could be a problem with orienting the readers. If all the scene", "information, which would not be experienced within the scene by the POV-Char) but", "mother tongue): > > Next to the path winding between small bushes and", "a problem with orienting the readers. If all the scene does is creating", "scenes later. I do not want any obvious narrator, commenting on events or", "direction of the tree. > > The hole in the bark was bigger", "the shadows. > > > After this short 'teaser' the story continues with", "the story continues with other events within the scene, and the creature that", "do not want any obvious narrator, commenting on events or explaining things to", "Example (not my mother tongue): > > Next to the path winding between", "things to the reader. My gut tells to keep trying (to write without", "to keep trying (to write without infodumps or bits of information, which would", "split the trunk in two. > Pedezs muscles tensed and he clutched his", "experienced within the scene by the POV-Char) but there could be a problem", "body-feelings, reflex movements and thoughts) This means that there is absolutly no explanation", "he clutched his spear, his hands suddenly sweaty and slick. What does a", "tree. > > The hole in the bark was bigger than his head.", "be experienced within the scene by the POV-Char) but there could be a", "obvious narrator, commenting on events or explaining things to the reader. My gut", "part (~15%) of my project, will they just close the book, or try", "within the reader, especially within the first part (~15%) of my project, will", "clutched his spear, his hands suddenly sweaty and slick. What does a boneslicer", "reader, especially within the first part (~15%) of my project, will they just", "the tree. > > The hole in the bark was bigger than his", "waste far to the south? > > He pried into the silent woods", "spear, his hands suddenly sweaty and slick. What does a boneslicer do here", "into the silent woods and kept walking into the shadows. > > >", "the readers. If all the scene does is creating questions within the reader,", "events within the scene, and the creature that gets hinted at here will", "his head. Great talons had almost split the trunk in two. > Pedezs", "woods and kept walking into the shadows. > > > After this short", "their emotional reaction (through body-feelings, reflex movements and thoughts) This means that there", "and he clutched his spear, his hands suddenly sweaty and slick. What does", "will reappear two scenes later. I do not want any obvious narrator, commenting", "that gets hinted at here will reappear two scenes later. I do not", "within scenes: * Show only what the POV-Char can see, hear,... sense. ", "story continues with other events within the scene, and the creature that gets", "later. I do not want any obvious narrator, commenting on events or explaining", "Was it not supposed to stalk the waste far to the south? >", "be a problem with orienting the readers. If all the scene does is", "to the reader. My gut tells to keep trying (to write without infodumps", "Show only what the POV-Char can see, hear,... sense. Show their emotional", "trunk in two. > Pedezs muscles tensed and he clutched his spear, his", "the reader. My gut tells to keep trying (to write without infodumps or", "tree. A white hole was shining in its dark bark. > > Pedez", "very first scenes. Example (not my mother tongue): > > Next to the", "the direction of the tree. > > The hole in the bark was", "means that there is absolutly no explanation for some things alien to the", "things alien to the reader in my very first scenes. Example (not my", "small bushes and trees stood a great old tree. A white hole was", "almost split the trunk in two. > Pedezs muscles tensed and he clutched", "> > > After this short 'teaser' the story continues with other events", "my goal is to go for the following narrative style within scenes: ", "without infodumps or bits of information, which would not be experienced within the", "creature that gets hinted at here will reappear two scenes later. I do", "commenting on events or explaining things to the reader. My gut tells to", "here in the North? Was it not supposed to stalk the waste far", "of the tree. > > The hole in the bark was bigger than", "'teaser' the story continues with other events within the scene, and the creature", "far to the south? > > He pried into the silent woods and", "white hole was shining in its dark bark. > > Pedez skulked into", "what the POV-Char can see, hear,... sense. Show their emotional reaction (through", "bark. > > Pedez skulked into the direction of the tree. > >", "hole was shining in its dark bark. > > Pedez skulked into the", "into the shadows. > > > After this short 'teaser' the story continues", "hinted at here will reappear two scenes later. I do not want any", "bigger than his head. Great talons had almost split the trunk in two.", "here will reappear two scenes later. I do not want any obvious narrator,", "or explaining things to the reader. My gut tells to keep trying (to", "of information, which would not be experienced within the scene by the POV-Char)", "would not be experienced within the scene by the POV-Char) but there could", "in its dark bark. > > Pedez skulked into the direction of the", "If all the scene does is creating questions within the reader, especially within", "but there could be a problem with orienting the readers. If all the", "bushes and trees stood a great old tree. A white hole was shining", "the POV-Char can see, hear,... sense. * Show their emotional reaction (through body-feelings,", "> > He pried into the silent woods and kept walking into the", "shadows. > > > After this short 'teaser' the story continues with other", "> > After this short 'teaser' the story continues with other events within", "(through body-feelings, reflex movements and thoughts) This means that there is absolutly no", "POV-Char can see, hear,... sense. * Show their emotional reaction (through body-feelings, reflex", "stalk the waste far to the south? > > He pried into the", "the first part (~15%) of my project, will they just close the book,", "south? > > He pried into the silent woods and kept walking into", "The hole in the bark was bigger than his head. Great talons had", "tensed and he clutched his spear, his hands suddenly sweaty and slick. What", "gets hinted at here will reappear two scenes later. I do not want", "(not my mother tongue): > > Next to the path winding between small", "other events within the scene, and the creature that gets hinted at here", "style within scenes: * Show only what the POV-Char can see, hear,... sense.", "the creature that gets hinted at here will reappear two scenes later. I", "and trees stood a great old tree. A white hole was shining in", "emotional reaction (through body-feelings, reflex movements and thoughts) This means that there is", "hole in the bark was bigger than his head. Great talons had almost", "My gut tells to keep trying (to write without infodumps or bits of", "reappear two scenes later. I do not want any obvious narrator, commenting on", "between small bushes and trees stood a great old tree. A white hole", "This means that there is absolutly no explanation for some things alien to", "walking into the shadows. > > > After this short 'teaser' the story", "the scene by the POV-Char) but there could be a problem with orienting", "the POV-Char) but there could be a problem with orienting the readers. If", "the reader, especially within the first part (~15%) of my project, will they", "After this short 'teaser' the story continues with other events within the scene,", "project, will they just close the book, or try to find the answers?", "on events or explaining things to the reader. My gut tells to keep", "of my project, will they just close the book, or try to find", "questions within the reader, especially within the first part (~15%) of my project,", "suddenly sweaty and slick. What does a boneslicer do here in the North?", "> > Next to the path winding between small bushes and trees stood", "the waste far to the south? > > He pried into the silent", "tongue): > > Next to the path winding between small bushes and trees", "tells to keep trying (to write without infodumps or bits of information, which", "in the North? Was it not supposed to stalk the waste far to", "Show their emotional reaction (through body-feelings, reflex movements and thoughts) This means that", "trees stood a great old tree. A white hole was shining in its", "and slick. What does a boneslicer do here in the North? Was it", "with other events within the scene, and the creature that gets hinted at", "skulked into the direction of the tree. > > The hole in the", "In my current project my goal is to go for the following narrative", "which would not be experienced within the scene by the POV-Char) but there", "first scenes. Example (not my mother tongue): > > Next to the path", "to the path winding between small bushes and trees stood a great old", "was bigger than his head. Great talons had almost split the trunk in", "explaining things to the reader. My gut tells to keep trying (to write", "narrative style within scenes: * Show only what the POV-Char can see, hear,...", "goal is to go for the following narrative style within scenes: * Show", "readers. If all the scene does is creating questions within the reader, especially", "creating questions within the reader, especially within the first part (~15%) of my", "bits of information, which would not be experienced within the scene by the", "to the reader in my very first scenes. Example (not my mother tongue):", "reader. My gut tells to keep trying (to write without infodumps or bits", "gut tells to keep trying (to write without infodumps or bits of information,", "thoughts) This means that there is absolutly no explanation for some things alien", "orienting the readers. If all the scene does is creating questions within the", "had almost split the trunk in two. > Pedezs muscles tensed and he", "pried into the silent woods and kept walking into the shadows. > >", "not want any obvious narrator, commenting on events or explaining things to the", "all the scene does is creating questions within the reader, especially within the", "> > The hole in the bark was bigger than his head. Great", "* Show only what the POV-Char can see, hear,... sense. * Show their", "hear,... sense. * Show their emotional reaction (through body-feelings, reflex movements and thoughts)", "path winding between small bushes and trees stood a great old tree. A", "hands suddenly sweaty and slick. What does a boneslicer do here in the", "scenes. Example (not my mother tongue): > > Next to the path winding", "(~15%) of my project, will they just close the book, or try to", "Next to the path winding between small bushes and trees stood a great", "winding between small bushes and trees stood a great old tree. A white", "does a boneslicer do here in the North? Was it not supposed to", "write without infodumps or bits of information, which would not be experienced within", "two. > Pedezs muscles tensed and he clutched his spear, his hands suddenly", "to stalk the waste far to the south? > > He pried into", "scene by the POV-Char) but there could be a problem with orienting the", "dark bark. > > Pedez skulked into the direction of the tree. >", "and thoughts) This means that there is absolutly no explanation for some things", "especially within the first part (~15%) of my project, will they just close", "in my very first scenes. Example (not my mother tongue): > > Next", "bark was bigger than his head. Great talons had almost split the trunk", "> > Pedez skulked into the direction of the tree. > > The", "stood a great old tree. A white hole was shining in its dark" ]
[ "way and if a few thousand people have to die, > then so", "do an arc abortion to set another plot in motion. Basically, the main", "stop the the dark lord. In one chapter they prepare for the final", "the green dragon. > > > New chapter. > > > Suddenly, the", "is now humble and polite and has no recollection of the past world.", "foil for Hiccup. Such a great substitute arc isn't always available. > >", "storyline can't be interesting, but its tone and atmosphere does a 180° compared", "an arc for dramatic effect (Pretty much what ASOIAF is doing) and to", "above. The reception can best be equated to an online lynching. I wanted", "for a while. The only time I could successfully abort a plotline was", "Dragon 3, I wondered what would > have happened if the antagonist Grimmel", "out who turned their world upside down and try to turn it back.", "ASOIAF is doing) and to subvert expectations but not end up being hated", "subvert expectations but not end up being hated by the reader for doing", "to Diavolo being forked from Anon (one of my OCs), who conveniently happened", "A ruthless, cunning and pragmatic villain. > > > However, this wasn't an", "by another > antagonist, I codenamed Diavolo (yes, it's a JoJo reference). >", "dragon) smiles and waves at the elf with her wings, > her eyes", "> However, this wasn't an arc abortion, this was a great arc >", "my OCs), who conveniently happened to be a good foil for Hiccup. Such", "out the chemistry teacher is the dark lord but is now humble and", "what would > have happened if the antagonist Grimmel* was replaced midway. I", "of the oversized straw hat > she's wearing. > > > What happened?", "and modifying already-existing information on the material > plane. Don't rack your brain", "has no recollection of the past world. Before @Amadeus bursts an artery, no,", "was a no-go zone for me for a while. The only time I", "reference). > > > Diavolo is a completely different problem. He saved night", "> antagonist, I codenamed Diavolo (yes, it's a JoJo reference). > > >", "revenge on the green dragon. > > > New chapter. > > >", "element of an arc (That takes away from the dramatic power of Requiem),", "Yes, the Long Night from GoT season 8, the one where Arya kills", "came and killed everyone but the elf. > > > Following several misadventures", "already-existing information on the material > plane. Don't rack your brain over it,", "something. Yes, the Long Night from GoT season 8, the one where Arya", "spents some time familliarizing themselves with. That sounds similar to something. Yes, the", "their world upside down and try to turn it back. It's not that", "In this setting there was an > elf. This elf lived happily in", "GoT season 8, the one where Arya kills the NK. That moment nicely", "arc abortion to set another plot in motion. Basically, the main characters are", "similar mindset to Hiccup (the protagonist of the movies), the only difference is", "OC) > invincible ability that grants him unlimited power over > information, allowing", "180° compared to the previous arc. I don't want to drop every element", "*I'm trying to wrap my head around how can one effectively ruin an", "new to work with) by carving his own path, using his own tools,", "world wasn't a dream, but it was wiped from the collective consciousness by", "was only possible thanks to Diavolo being forked from Anon (one of my", "to actually have something new to work with) by carving his own path,", "more > successful by doing so. As a good foil, he makes the", "another > antagonist, I codenamed Diavolo (yes, it's a JoJo reference). > >", "wings, > her eyes barely visible under the shade of the oversized straw", "dramatic effect (Pretty much what ASOIAF is doing) and to subvert expectations but", "is > that he casually marmelizes anyone who gets in his way and", "to be near-extinct in the movies, I pulled in the thread to actually", "forest village until a green dragon > came and killed everyone but the", "Compared to Grimmel, Diavolo is a much more interesting > foil as he", "spots > the gardener, the green dragon, \"Good morning [elf's name comes >", "work with) by carving his own path, using his own tools, not letting", "Such a great substitute arc isn't always available. > > I once created", "his own path, using his own tools, not letting > the law get", "all the points above. The reception can best be equated to an online", "moment nicely ticks all the points above. The reception can best be equated", "try to turn it back. It's not that this storyline can't be interesting,", "of that plot is dedicated to the characters trying to find out who", "school. Turns out the chemistry teacher is the dark lord but is now", "don't want to drop every element of an arc (That takes away from", "own path, using his own tools, not letting > the law get in", "using his own tools, not letting > the law get in the way", "I codenamed Diavolo (yes, it's a JoJo reference). > > > Diavolo is", "characters trying to find out who turned their world upside down and try", "people have to die, > then so be it. A ruthless, cunning and", "is dedicated to the characters trying to find out who turned their world", "> Suddenly, the elf finds herself in a garden in her destroyed village,", "> have happened if the antagonist Grimmel* was replaced midway. I came >", "the antagonist Grimmel was replaced midway. I came > up with the outline", "the power of [Lain Requiem], Demiurge's (another OC) > invincible ability that grants", "protagonist > question himself. > > > However, this was only possible thanks", "in the way and if a few thousand people have to die, >", "> up with the outline of a story where he gets shanked by", "die, > then so be it. A ruthless, cunning and pragmatic villain. >", "> > After watching How To Train Your Dragon 3, I wondered what", "> > > Following several misadventures the elf finally gets to take >", "a green dragon > came and killed everyone but the elf. > >", "main characters are trying to stop the the dark lord. In one chapter", "gets in his way and is more > successful by doing so. As", "plot is dedicated to the characters trying to find out who turned their", "Suddenly, the elf finds herself in a garden in her destroyed village, >", "thread to actually have something new to work with) by carving his own", "this was a great arc > replacement. Compared to Grimmel, Diavolo is a", "with her wings, > her eyes barely visible under the shade of the", "OCs), who conveniently happened to be a good foil for Hiccup. Such a", "great arc > replacement. Compared to Grimmel, Diavolo is a much more interesting", "atmosphere and the world the reader spents some time familliarizing themselves with. That", "in motion. Basically, the main characters are trying to stop the the dark", "familliarizing themselves with. That sounds similar to something. Yes, the Long Night from", "forked from Anon (one of my OCs), who conveniently happened to be a", "information, allowing him to create a new world by selectively > imprinting and", "in a thought train. > > After watching How To Train Your Dragon", "Requiem], Demiurge's (another OC) > invincible ability that grants him unlimited power over", "plane. Don't rack your brain over it, it's complicated. > > > This", "by Requiem. The rest of that plot is dedicated to the characters trying", "plot in motion. Basically, the main characters are trying to stop the the", "but it was wiped from the collective consciousness by Requiem. The rest of", "ruthless, cunning and pragmatic villain. > > > However, this wasn't an arc", "to drop every element of an arc (That takes away from the dramatic", "> Diavolo is a completely different problem. He saved night furies as a", "is the power of [Lain Requiem], Demiurge's (another OC) > invincible ability that", "> > > New chapter. > > > Suddenly, the elf finds herself", "up by their parents (who are supposed to be dead) because they have", "around how can one effectively ruin an arc for dramatic effect (Pretty much", "setting. In this setting there was an > elf. This elf lived happily", "he casually marmelizes anyone who gets in his way and is more >", "lord. In one chapter they prepare for the final battle, in the next,", "shade of the oversized straw hat > she's wearing. > > > What", "To Train Your Dragon 3, I wondered what would > have happened if", "be it. A ruthless, cunning and pragmatic villain. > > > However, this", "> > > Suddenly, the elf finds herself in a garden in her", "the oversized straw hat > she's wearing. > > > What happened? This", "arc isn't always available. > > I once created a standard D&D setting.", "New chapter. > > > Suddenly, the elf finds herself in a garden", "information on the material > plane. Don't rack your brain over it, it's", "[Lain Requiem], Demiurge's (another OC) > invincible ability that grants him unlimited power", "Subverting expectations and suddenly aborting plotlines was a no-go zone for me for", "outline of a story where he gets shanked by another > antagonist, I", "foil, he makes the protagonist > question himself. > > > However, this", "> invincible ability that grants him unlimited power over > information, allowing him", "to school. Turns out the chemistry teacher is the dark lord but is", "destroys the atmosphere and the world the reader spents some time familliarizing themselves", "me for a while. The only time I could successfully abort a plotline", "a while. The only time I could successfully abort a plotline was in", "night furies as a > species (thought to be near-extinct in the movies,", "now humble and polite and has no recollection of the past world. Before", "more interesting > foil as he has a similar mindset to Hiccup (the", "consciousness by Requiem. The rest of that plot is dedicated to the characters", "power over > information, allowing him to create a new world by selectively", "gets shanked by another > antagonist, I codenamed Diavolo (yes, it's a JoJo", "can one effectively ruin an arc for dramatic effect (Pretty much what ASOIAF", "way and is more > successful by doing so. As a good foil,", "once created a standard D&D setting. In this setting there was an >", "ticks all the points above. The reception can best be equated to an", "to stop the the dark lord. In one chapter they prepare for the", "trying to stop the the dark lord. In one chapter they prepare for", "ability that grants him unlimited power over > information, allowing him to create", "similar to something. Yes, the Long Night from GoT season 8, the one", "to be dead) because they have to go to school. Turns out the", "this wasn't an arc abortion, this was a great arc > replacement. Compared", "in the forest village until a green dragon > came and killed everyone", "Hiccup (the protagonist of the movies), the only difference is > that he", "Requiem), of course, only its catharsis. *I'm trying to wrap my head around", "thought train. > > After watching How To Train Your Dragon 3, I", "a JoJo reference). > > > Diavolo is a completely different problem. He", "the characters trying to find out who turned their world upside down and", "who gets in his way and is more > successful by doing so.", "it. A ruthless, cunning and pragmatic villain. > > > However, this wasn't", "nicely ticks all the points above. The reception can best be equated to", "to the characters trying to find out who turned their world upside down", "some time familliarizing themselves with. That sounds similar to something. Yes, the Long", "the final battle, in the next, they are woken up by their parents", "movies), the only difference is > that he casually marmelizes anyone who gets", "take > revenge on the green dragon. > > > New chapter. >", "dragon, \"Good morning [elf's name comes > here]!\" she (the dragon) smiles and", "completely different problem. He saved night furies as a > species (thought to", "the way and if a few thousand people have to die, > then", "are supposed to be dead) because they have to go to school. Turns", "substitute arc isn't always available. > > I once created a standard D&D", "barely visible under the shade of the oversized straw hat > she's wearing.", "much more interesting > foil as he has a similar mindset to Hiccup", "furies as a > species (thought to be near-extinct in the movies, I", "Arya kills the NK. That moment nicely ticks all the points above. The", "no recollection of the past world. Before @Amadeus bursts an artery, no, the", "dark lord. In one chapter they prepare for the final battle, in the", "shanked by another > antagonist, I codenamed Diavolo (yes, it's a JoJo reference).", "the movies, I pulled in the thread to actually have something new to", "from Anon (one of my OCs), who conveniently happened to be a good", "Following several misadventures the elf finally gets to take > revenge on the", "village, > except it's perfectly fine, as if nothing has happened. Soon she", "be a good foil for Hiccup. Such a great substitute arc isn't always", "garden in her destroyed village, > except it's perfectly fine, as if nothing", "himself. > > > However, this was only possible thanks to Diavolo being", "for me for a while. The only time I could successfully abort a", "new world by selectively > imprinting and modifying already-existing information on the material", "character arc forever, quite literally destroys the atmosphere and the world the reader", "while. The only time I could successfully abort a plotline was in a", "but is now humble and polite and has no recollection of the past", "codenamed Diavolo (yes, it's a JoJo reference). > > > Diavolo is a", "thousand people have to die, > then so be it. A ruthless, cunning", "dramatic power of Requiem), of course, only its catharsis. I'm trying to wrap", "world the reader spents some time familliarizing themselves with. That sounds similar to", "Night from GoT season 8, the one where Arya kills the NK. That", "> > Following several misadventures the elf finally gets to take > revenge", "he makes the protagonist > question himself. > > > However, this was", "his way and is more > successful by doing so. As a good", "of the movies), the only difference is > that he casually marmelizes anyone", "him to create a new world by selectively > imprinting and modifying already-existing", "killed everyone but the elf. > > > Following several misadventures the elf", "However, this was only possible thanks to Diavolo being forked from Anon (one", "antagonist Grimmel* was replaced midway. I came > up with the outline of", "> > Suddenly, the elf finds herself in a garden in her destroyed", "so be it. A ruthless, cunning and pragmatic villain. > > > However,", "at the elf with her wings, > her eyes barely visible under the", "eyes barely visible under the shade of the oversized straw hat > she's", "NK. That moment nicely ticks all the points above. The reception can best", "Diavolo being forked from Anon (one of my OCs), who conveniently happened to", "she spots > the gardener, the green dragon, \"Good morning [elf's name comes", "an arc abortion, this was a great arc > replacement. Compared to Grimmel,", "and pragmatic villain. > > > However, this wasn't an arc abortion, this", "a much more interesting > foil as he has a similar mindset to", "@Amadeus bursts an artery, no, the previous world wasn't a dream, but it", "the Long Night from GoT season 8, the one where Arya kills the", "her destroyed village, > except it's perfectly fine, as if nothing has happened.", "to go to school. Turns out the chemistry teacher is the dark lord", "bursts an artery, no, the previous world wasn't a dream, but it was", "and is more > successful by doing so. As a good foil, he", "only its catharsis. *I'm trying to wrap my head around how can one", "cunning and pragmatic villain. > > > However, this wasn't an arc abortion,", "as he has a similar mindset to Hiccup (the protagonist of the movies),", "and has no recollection of the past world. Before @Amadeus bursts an artery,", "problem. He saved night furies as a > species (thought to be near-extinct", "The rest of that plot is dedicated to the characters trying to find", "not that this storyline can't be interesting, but its tone and atmosphere does", "best be equated to an online lynching. I wanted to do an arc", "by doing so. As a good foil, he makes the protagonist > question", "to die, > then so be it. A ruthless, cunning and pragmatic villain.", "and to subvert expectations but not end up being hated by the reader", "to set another plot in motion. Basically, the main characters are trying to", "was an > elf. This elf lived happily in the forest village until", "one chapter they prepare for the final battle, in the next, they are", "the shade of the oversized straw hat > she's wearing. > > >", "a > species (thought to be near-extinct in the movies, I pulled in", "if the antagonist Grimmel* was replaced midway. I came > up with the", "the one where Arya kills the NK. That moment nicely ticks all the", "she (the dragon) smiles and waves at the elf with her wings, >", "it's complicated. > > > This aborts a main character arc forever, quite", "teacher is the dark lord but is now humble and polite and has", "the forest village until a green dragon > came and killed everyone but", "own tools, not letting > the law get in the way and if", "aborting plotlines was a no-go zone for me for a while. The only", "protagonist of the movies), the only difference is > that he casually marmelizes", "anyone who gets in his way and is more > successful by doing", "her eyes barely visible under the shade of the oversized straw hat >", "the next, they are woken up by their parents (who are supposed to", "until a green dragon > came and killed everyone but the elf. >", "What happened? This is the power of [Lain Requiem], Demiurge's (another OC) >", "the dark lord but is now humble and polite and has no recollection", "sounds similar to something. Yes, the Long Night from GoT season 8, the", "allowing him to create a new world by selectively > imprinting and modifying", "> successful by doing so. As a good foil, he makes the protagonist", "ruin an arc for dramatic effect (Pretty much what ASOIAF is doing) and", "elf. This elf lived happily in the forest village until a green dragon", "path, using his own tools, not letting > the law get in the", "battle, in the next, they are woken up by their parents (who are", "the protagonist > question himself. > > > However, this was only possible", "have happened if the antagonist Grimmel was replaced midway. I came > up", "no, the previous world wasn't a dream, but it was wiped from the", "to wrap my head around how can one effectively ruin an arc for", "equated to an online lynching. I wanted to do an arc abortion to", "past world. Before @Amadeus bursts an artery, no, the previous world wasn't a", "oversized straw hat > she's wearing. > > > What happened? This is", "pulled in the thread to actually have something new to work with) by", "from the collective consciousness by Requiem. The rest of that plot is dedicated", "to the previous arc. I don't want to drop every element of an", "to turn it back. It's not that this storyline can't be interesting, but", "That sounds similar to something. Yes, the Long Night from GoT season 8,", "doing so. As a good foil, he makes the protagonist > question himself.", "their parents (who are supposed to be dead) because they have to go", "but its tone and atmosphere does a 180° compared to the previous arc.", "plotlines was a no-go zone for me for a while. The only time", "to work with) by carving his own path, using his own tools, not", "an arc (That takes away from the dramatic power of Requiem), of course,", "> > New chapter. > > > Suddenly, the elf finds herself in", "if a few thousand people have to die, > then so be it.", "where Arya kills the NK. That moment nicely ticks all the points above.", "fine, as if nothing has happened. Soon she spots > the gardener, the", "> then so be it. A ruthless, cunning and pragmatic villain. > >", "every element of an arc (That takes away from the dramatic power of", "Anon (one of my OCs), who conveniently happened to be a good foil", "> her eyes barely visible under the shade of the oversized straw hat", "have something new to work with) by carving his own path, using his", "a dream, but it was wiped from the collective consciousness by Requiem. The", "of Requiem), of course, only its catharsis. *I'm trying to wrap my head", "wrap my head around how can one effectively ruin an arc for dramatic", "a thought train. > > After watching How To Train Your Dragon 3,", "a great arc > replacement. Compared to Grimmel, Diavolo is a much more", "and suddenly aborting plotlines was a no-go zone for me for a while.", "> elf. This elf lived happily in the forest village until a green", "except it's perfectly fine, as if nothing has happened. Soon she spots >", "D&D setting. In this setting there was an > elf. This elf lived", "> she's wearing. > > > What happened? This is the power of", "it, it's complicated. > > > This aborts a main character arc forever,", "gardener, the green dragon, \"Good morning [elf's name comes > here]!\" she (the", "(who are supposed to be dead) because they have to go to school.", "is a completely different problem. He saved night furies as a > species", "brain over it, it's complicated. > > > This aborts a main character", "get in the way and if a few thousand people have to die,", "The reception can best be equated to an online lynching. I wanted to", "> After watching How To Train Your Dragon 3, I wondered what would", "elf lived happily in the forest village until a green dragon > came", "This elf lived happily in the forest village until a green dragon >", "Demiurge's (another OC) > invincible ability that grants him unlimited power over >", "different problem. He saved night furies as a > species (thought to be", "reception can best be equated to an online lynching. I wanted to do", "in the movies, I pulled in the thread to actually have something new", "arc. I don't want to drop every element of an arc (That takes", "saved night furies as a > species (thought to be near-extinct in the", "but the elf. > > > Following several misadventures the elf finally gets", "and polite and has no recollection of the past world. Before @Amadeus bursts", "as a > species (thought to be near-extinct in the movies, I pulled", "prepare for the final battle, in the next, they are woken up by", "tone and atmosphere does a 180° compared to the previous arc. I don't", "previous world wasn't a dream, but it was wiped from the collective consciousness", "few thousand people have to die, > then so be it. A ruthless,", "> replacement. Compared to Grimmel, Diavolo is a much more interesting > foil", "elf with her wings, > her eyes barely visible under the shade of", "that plot is dedicated to the characters trying to find out who turned", "wondered what would > have happened if the antagonist Grimmel* was replaced midway.", "herself in a garden in her destroyed village, > except it's perfectly fine,", "they prepare for the final battle, in the next, they are woken up", "by their parents (who are supposed to be dead) because they have to", "compared to the previous arc. I don't want to drop every element of", "> information, allowing him to create a new world by selectively > imprinting", "effect (Pretty much what ASOIAF is doing) and to subvert expectations but not", "nothing has happened. Soon she spots > the gardener, the green dragon, \"Good", "the past world. Before @Amadeus bursts an artery, no, the previous world wasn't", "It's not that this storyline can't be interesting, but its tone and atmosphere", "and if a few thousand people have to die, > then so be", "final battle, in the next, they are woken up by their parents (who", "a 180° compared to the previous arc. I don't want to drop every", "> > > However, this was only possible thanks to Diavolo being forked", "standard D&D setting. In this setting there was an > elf. This elf", "the movies), the only difference is > that he casually marmelizes anyone who", "Train Your Dragon 3, I wondered what would > have happened if the", "Basically, the main characters are trying to stop the the dark lord. In", "here]!\" she (the dragon) smiles and waves at the elf with her wings,", "another plot in motion. Basically, the main characters are trying to stop the", "and atmosphere does a 180° compared to the previous arc. I don't want", "if nothing has happened. Soon she spots > the gardener, the green dragon,", "several misadventures the elf finally gets to take > revenge on the green", "I could successfully abort a plotline was in a thought train. > >", "it back. It's not that this storyline can't be interesting, but its tone", "was replaced midway. I came > up with the outline of a story", "\"Good morning [elf's name comes > here]!\" she (the dragon) smiles and waves", "to something. Yes, the Long Night from GoT season 8, the one where", "what ASOIAF is doing) and to subvert expectations but not end up being", "conveniently happened to be a good foil for Hiccup. Such a great substitute", "one where Arya kills the NK. That moment nicely ticks all the points", "possible thanks to Diavolo being forked from Anon (one of my OCs), who", "Diavolo (yes, it's a JoJo reference). > > > Diavolo is a completely", "they have to go to school. Turns out the chemistry teacher is the", "However, this wasn't an arc abortion, this was a great arc > replacement.", "After watching How To Train Your Dragon 3, I wondered what would >", "Soon she spots > the gardener, the green dragon, \"Good morning [elf's name", "Grimmel, Diavolo is a much more interesting > foil as he has a", "plotline was in a thought train. > > After watching How To Train", "chemistry teacher is the dark lord but is now humble and polite and", "literally destroys the atmosphere and the world the reader spents some time familliarizing", "> plane. Don't rack your brain over it, it's complicated. > > >", "> > What happened? This is the power of [Lain Requiem], Demiurge's (another", "the world the reader spents some time familliarizing themselves with. That sounds similar", "in her destroyed village, > except it's perfectly fine, as if nothing has", "village until a green dragon > came and killed everyone but the elf.", "by carving his own path, using his own tools, not letting > the", "drop every element of an arc (That takes away from the dramatic power", "> > However, this was only possible thanks to Diavolo being forked from", "I came > up with the outline of a story where he gets", "available. > > I once created a standard D&D setting. In this setting", "replacement. Compared to Grimmel, Diavolo is a much more interesting > foil as", "online lynching. I wanted to do an arc abortion to set another plot", "perfectly fine, as if nothing has happened. Soon she spots > the gardener,", "trying to wrap my head around how can one effectively ruin an arc", "destroyed village, > except it's perfectly fine, as if nothing has happened. Soon", "rest of that plot is dedicated to the characters trying to find out", "find out who turned their world upside down and try to turn it", "> the law get in the way and if a few thousand people", "name comes > here]!\" she (the dragon) smiles and waves at the elf", "thanks to Diavolo being forked from Anon (one of my OCs), who conveniently", "the NK. That moment nicely ticks all the points above. The reception can", "the collective consciousness by Requiem. The rest of that plot is dedicated to", "difference is > that he casually marmelizes anyone who gets in his way", "arc forever, quite literally destroys the atmosphere and the world the reader spents", "can best be equated to an online lynching. I wanted to do an", "> except it's perfectly fine, as if nothing has happened. Soon she spots", "> I once created a standard D&D setting. In this setting there was", "isn't always available. > > I once created a standard D&D setting. In", "I wanted to do an arc abortion to set another plot in motion.", "season 8, the one where Arya kills the NK. That moment nicely ticks", "of [Lain Requiem], Demiurge's (another OC) > invincible ability that grants him unlimited", "Long Night from GoT season 8, the one where Arya kills the NK.", "elf. > > > Following several misadventures the elf finally gets to take", "> New chapter. > > > Suddenly, the elf finds herself in a", "dark lord but is now humble and polite and has no recollection of", "good foil for Hiccup. Such a great substitute arc isn't always available. >", "dead) because they have to go to school. Turns out the chemistry teacher", "movies, I pulled in the thread to actually have something new to work", "foil as he has a similar mindset to Hiccup (the protagonist of the", "collective consciousness by Requiem. The rest of that plot is dedicated to the", "the dramatic power of Requiem), of course, only its catharsis. *I'm trying to", "happened if the antagonist Grimmel* was replaced midway. I came > up with", "a garden in her destroyed village, > except it's perfectly fine, as if", "Grimmel was replaced midway. I came > up with the outline of a", "on the material > plane. Don't rack your brain over it, it's complicated.", "the green dragon, \"Good morning [elf's name comes > here]!\" she (the dragon)", "arc (That takes away from the dramatic power of Requiem), of course, only", "for the final battle, in the next, they are woken up by their", "chapter. > > > Suddenly, the elf finds herself in a garden in", "the previous world wasn't a dream, but it was wiped from the collective", "(Pretty much what ASOIAF is doing) and to subvert expectations but not end", "selectively > imprinting and modifying already-existing information on the material > plane. Don't", "the thread to actually have something new to work with) by carving his", "(one of my OCs), who conveniently happened to be a good foil for", "the elf. > > > Following several misadventures the elf finally gets to", "imprinting and modifying already-existing information on the material > plane. Don't rack your", "trying to find out who turned their world upside down and try to", "Diavolo is a much more interesting > foil as he has a similar", "Diavolo is a completely different problem. He saved night furies as a >", "he gets shanked by another > antagonist, I codenamed Diavolo (yes, it's a", "set another plot in motion. Basically, the main characters are trying to stop", "casually marmelizes anyone who gets in his way and is more > successful", "she's wearing. > > > What happened? This is the power of [Lain", "(yes, it's a JoJo reference). > > > Diavolo is a completely different", "is a much more interesting > foil as he has a similar mindset", "time familliarizing themselves with. That sounds similar to something. Yes, the Long Night", "a standard D&D setting. In this setting there was an > elf. This", "lord but is now humble and polite and has no recollection of the", "it's perfectly fine, as if nothing has happened. Soon she spots > the", "of a story where he gets shanked by another > antagonist, I codenamed", "That moment nicely ticks all the points above. The reception can best be", "the only difference is > that he casually marmelizes anyone who gets in", "This is the power of [Lain Requiem], Demiurge's (another OC) > invincible ability", "was a great arc > replacement. Compared to Grimmel, Diavolo is a much", "wearing. > > > What happened? This is the power of [Lain Requiem],", "elf finds herself in a garden in her destroyed village, > except it's", "who conveniently happened to be a good foil for Hiccup. Such a great", "forever, quite literally destroys the atmosphere and the world the reader spents some", "rack your brain over it, it's complicated. > > > This aborts a", "8, the one where Arya kills the NK. That moment nicely ticks all", "This aborts a main character arc forever, quite literally destroys the atmosphere and", "in his way and is more > successful by doing so. As a", "an artery, no, the previous world wasn't a dream, but it was wiped", "the outline of a story where he gets shanked by another > antagonist,", "species (thought to be near-extinct in the movies, I pulled in the thread", "chapter they prepare for the final battle, in the next, they are woken", "I wondered what would > have happened if the antagonist Grimmel was replaced", "a completely different problem. He saved night furies as a > species (thought", "a great substitute arc isn't always available. > > I once created a", "create a new world by selectively > imprinting and modifying already-existing information on", "quite literally destroys the atmosphere and the world the reader spents some time", "reader spents some time familliarizing themselves with. That sounds similar to something. Yes,", "near-extinct in the movies, I pulled in the thread to actually have something", "there was an > elf. This elf lived happily in the forest village", "How To Train Your Dragon 3, I wondered what would > have happened", "is more > successful by doing so. As a good foil, he makes", "themselves with. That sounds similar to something. Yes, the Long Night from GoT", "(the protagonist of the movies), the only difference is > that he casually", "> species (thought to be near-extinct in the movies, I pulled in the", "good foil, he makes the protagonist > question himself. > > > However,", "I once created a standard D&D setting. In this setting there was an", "in the next, they are woken up by their parents (who are supposed", "this storyline can't be interesting, but its tone and atmosphere does a 180°", "a plotline was in a thought train. > > After watching How To", "humble and polite and has no recollection of the past world. Before @Amadeus", "lynching. I wanted to do an arc abortion to set another plot in", "train. > > After watching How To Train Your Dragon 3, I wondered", "to Grimmel, Diavolo is a much more interesting > foil as he has", "my head around how can one effectively ruin an arc for dramatic effect", "an > elf. This elf lived happily in the forest village until a", "> foil as he has a similar mindset to Hiccup (the protagonist of", "happened? This is the power of [Lain Requiem], Demiurge's (another OC) > invincible", "the elf finds herself in a garden in her destroyed village, > except", "woken up by their parents (who are supposed to be dead) because they", "by selectively > imprinting and modifying already-existing information on the material > plane.", "characters are trying to stop the the dark lord. In one chapter they", "where he gets shanked by another > antagonist, I codenamed Diavolo (yes, it's", "smiles and waves at the elf with her wings, > her eyes barely", "takes away from the dramatic power of Requiem), of course, only its catharsis.", "much what ASOIAF is doing) and to subvert expectations but not end up", "the reader spents some time familliarizing themselves with. That sounds similar to something.", "green dragon > came and killed everyone but the elf. > > >", "world upside down and try to turn it back. It's not that this", "actually have something new to work with) by carving his own path, using", "of my OCs), who conveniently happened to be a good foil for Hiccup.", "modifying already-existing information on the material > plane. Don't rack your brain over", "> Following several misadventures the elf finally gets to take > revenge on", "have to go to school. Turns out the chemistry teacher is the dark", "to find out who turned their world upside down and try to turn", "is doing) and to subvert expectations but not end up being hated by", "abortion to set another plot in motion. Basically, the main characters are trying", "happened to be a good foil for Hiccup. Such a great substitute arc", "its tone and atmosphere does a 180° compared to the previous arc. I", "your brain over it, it's complicated. > > > This aborts a main", "antagonist, I codenamed Diavolo (yes, it's a JoJo reference). > > > Diavolo", "> came and killed everyone but the elf. > > > Following several", "from the dramatic power of Requiem), of course, only its catharsis. I'm trying", "> What happened? This is the power of [Lain Requiem], Demiurge's (another OC)", "catharsis. I'm trying to wrap my head around how can one effectively ruin", "mindset to Hiccup (the protagonist of the movies), the only difference is >", "was wiped from the collective consciousness by Requiem. The rest of that plot", "elf finally gets to take > revenge on the green dragon. > >", "an arc abortion to set another plot in motion. Basically, the main characters", "of the past world. Before @Amadeus bursts an artery, no, the previous world", "in a garden in her destroyed village, > except it's perfectly fine, as", "how can one effectively ruin an arc for dramatic effect (Pretty much what", "Turns out the chemistry teacher is the dark lord but is now humble", "dragon. > > > New chapter. > > > Suddenly, the elf finds", "grants him unlimited power over > information, allowing him to create a new", "marmelizes anyone who gets in his way and is more > successful by", "would > have happened if the antagonist Grimmel* was replaced midway. I came", "misadventures the elf finally gets to take > revenge on the green dragon.", "power of Requiem), of course, only its catharsis. *I'm trying to wrap my", "I don't want to drop every element of an arc (That takes away", "always available. > > I once created a standard D&D setting. In this", "for Hiccup. Such a great substitute arc isn't always available. > > I", "expectations and suddenly aborting plotlines was a no-go zone for me for a", "world by selectively > imprinting and modifying already-existing information on the material >", "complicated. > > > This aborts a main character arc forever, quite literally", "the main characters are trying to stop the the dark lord. In one", "artery, no, the previous world wasn't a dream, but it was wiped from", "be near-extinct in the movies, I pulled in the thread to actually have", "it was wiped from the collective consciousness by Requiem. The rest of that", "the material > plane. Don't rack your brain over it, it's complicated. >", "Your Dragon 3, I wondered what would > have happened if the antagonist", "> > Diavolo is a completely different problem. He saved night furies as", "wanted to do an arc abortion to set another plot in motion. Basically,", "> > This aborts a main character arc forever, quite literally destroys the", "previous arc. I don't want to drop every element of an arc (That", "that grants him unlimited power over > information, allowing him to create a", "over > information, allowing him to create a new world by selectively >", "the law get in the way and if a few thousand people have", "> question himself. > > > However, this was only possible thanks to", "great substitute arc isn't always available. > > I once created a standard", "and waves at the elf with her wings, > her eyes barely visible", "then so be it. A ruthless, cunning and pragmatic villain. > > >", "arc > replacement. Compared to Grimmel, Diavolo is a much more interesting >", "could successfully abort a plotline was in a thought train. > > After", "him unlimited power over > information, allowing him to create a new world", "expectations but not end up being hated by the reader for doing so.*", "this setting there was an > elf. This elf lived happily in the", "not letting > the law get in the way and if a few", "abort a plotline was in a thought train. > > After watching How", "wiped from the collective consciousness by Requiem. The rest of that plot is", "letting > the law get in the way and if a few thousand", "material > plane. Don't rack your brain over it, it's complicated. > >", "watching How To Train Your Dragon 3, I wondered what would > have", "law get in the way and if a few thousand people have to", "abortion, this was a great arc > replacement. Compared to Grimmel, Diavolo is", "morning [elf's name comes > here]!\" she (the dragon) smiles and waves at", "only time I could successfully abort a plotline was in a thought train.", "invincible ability that grants him unlimited power over > information, allowing him to", "Requiem. The rest of that plot is dedicated to the characters trying to", "a story where he gets shanked by another > antagonist, I codenamed Diavolo", "question himself. > > > However, this was only possible thanks to Diavolo", "In one chapter they prepare for the final battle, in the next, they", "go to school. Turns out the chemistry teacher is the dark lord but", "finally gets to take > revenge on the green dragon. > > >", "(the dragon) smiles and waves at the elf with her wings, > her", "its catharsis. I'm trying to wrap my head around how can one effectively", "be interesting, but its tone and atmosphere does a 180° compared to the", "under the shade of the oversized straw hat > she's wearing. > >", "head around how can one effectively ruin an arc for dramatic effect (Pretty", "[elf's name comes > here]!\" she (the dragon) smiles and waves at the", "the elf with her wings, > her eyes barely visible under the shade", "an online lynching. I wanted to do an arc abortion to set another", "wasn't an arc abortion, this was a great arc > replacement. Compared to", "dream, but it was wiped from the collective consciousness by Requiem. The rest", "to an online lynching. I wanted to do an arc abortion to set", "the gardener, the green dragon, \"Good morning [elf's name comes > here]!\" she", "> imprinting and modifying already-existing information on the material > plane. Don't rack", "something new to work with) by carving his own path, using his own", "wasn't a dream, but it was wiped from the collective consciousness by Requiem.", "supposed to be dead) because they have to go to school. Turns out", "and the world the reader spents some time familliarizing themselves with. That sounds", "he has a similar mindset to Hiccup (the protagonist of the movies), the", "> here]!\" she (the dragon) smiles and waves at the elf with her", "being forked from Anon (one of my OCs), who conveniently happened to be", "the chemistry teacher is the dark lord but is now humble and polite", "away from the dramatic power of Requiem), of course, only its catharsis. I'm", "so. As a good foil, he makes the protagonist > question himself. >", "are trying to stop the the dark lord. In one chapter they prepare", "and killed everyone but the elf. > > > Following several misadventures the", "kills the NK. That moment nicely ticks all the points above. The reception", "in the thread to actually have something new to work with) by carving", "over it, it's complicated. > > > This aborts a main character arc", "was in a thought train. > > After watching How To Train Your", "the atmosphere and the world the reader spents some time familliarizing themselves with.", "the dark lord. In one chapter they prepare for the final battle, in", "setting there was an > elf. This elf lived happily in the forest", "the the dark lord. In one chapter they prepare for the final battle,", "for dramatic effect (Pretty much what ASOIAF is doing) and to subvert expectations", "carving his own path, using his own tools, not letting > the law", "can't be interesting, but its tone and atmosphere does a 180° compared to", "polite and has no recollection of the past world. Before @Amadeus bursts an", "3, I wondered what would > have happened if the antagonist Grimmel was", "her wings, > her eyes barely visible under the shade of the oversized", "> revenge on the green dragon. > > > New chapter. > >", "aborts a main character arc forever, quite literally destroys the atmosphere and the", "does a 180° compared to the previous arc. I don't want to drop", "> > I once created a standard D&D setting. In this setting there", "a new world by selectively > imprinting and modifying already-existing information on the", "JoJo reference). > > > Diavolo is a completely different problem. He saved", "it's a JoJo reference). > > > Diavolo is a completely different problem.", "on the green dragon. > > > New chapter. > > > Suddenly,", "lived happily in the forest village until a green dragon > came and", "straw hat > she's wearing. > > > What happened? This is the", "> This aborts a main character arc forever, quite literally destroys the atmosphere", "upside down and try to turn it back. It's not that this storyline", "effectively ruin an arc for dramatic effect (Pretty much what ASOIAF is doing)", "tools, not letting > the law get in the way and if a", "a good foil, he makes the protagonist > question himself. > > >", "parents (who are supposed to be dead) because they have to go to", "as if nothing has happened. Soon she spots > the gardener, the green", "up with the outline of a story where he gets shanked by another", "visible under the shade of the oversized straw hat > she's wearing. >", "As a good foil, he makes the protagonist > question himself. > >", "to create a new world by selectively > imprinting and modifying already-existing information", "because they have to go to school. Turns out the chemistry teacher is", "from GoT season 8, the one where Arya kills the NK. That moment", "turn it back. It's not that this storyline can't be interesting, but its", "(thought to be near-extinct in the movies, I pulled in the thread to", "green dragon, \"Good morning [elf's name comes > here]!\" she (the dragon) smiles", "Don't rack your brain over it, it's complicated. > > > This aborts", "to subvert expectations but not end up being hated by the reader for", "happened. Soon she spots > the gardener, the green dragon, \"Good morning [elf's", "main character arc forever, quite literally destroys the atmosphere and the world the", "> > > However, this wasn't an arc abortion, this was a great", "a no-go zone for me for a while. The only time I could", "story where he gets shanked by another > antagonist, I codenamed Diavolo (yes,", "suddenly aborting plotlines was a no-go zone for me for a while. The", "no-go zone for me for a while. The only time I could successfully", "waves at the elf with her wings, > her eyes barely visible under", "the previous arc. I don't want to drop every element of an arc", "time I could successfully abort a plotline was in a thought train. >", "arc abortion, this was a great arc > replacement. Compared to Grimmel, Diavolo", "turned their world upside down and try to turn it back. It's not", "pragmatic villain. > > > However, this wasn't an arc abortion, this was", "next, they are woken up by their parents (who are supposed to be", "Hiccup. Such a great substitute arc isn't always available. > > I once", "successful by doing so. As a good foil, he makes the protagonist >", "that he casually marmelizes anyone who gets in his way and is more", "this was only possible thanks to Diavolo being forked from Anon (one of", "be equated to an online lynching. I wanted to do an arc abortion", "interesting > foil as he has a similar mindset to Hiccup (the protagonist", "a good foil for Hiccup. Such a great substitute arc isn't always available.", "everyone but the elf. > > > Following several misadventures the elf finally", "happily in the forest village until a green dragon > came and killed", "> the gardener, the green dragon, \"Good morning [elf's name comes > here]!\"", "zone for me for a while. The only time I could successfully abort", "interesting, but its tone and atmosphere does a 180° compared to the previous", "points above. The reception can best be equated to an online lynching. I", "> However, this was only possible thanks to Diavolo being forked from Anon", "that this storyline can't be interesting, but its tone and atmosphere does a", "midway. I came > up with the outline of a story where he", "and try to turn it back. It's not that this storyline can't be", "a main character arc forever, quite literally destroys the atmosphere and the world", "have to die, > then so be it. A ruthless, cunning and pragmatic", "to be a good foil for Hiccup. Such a great substitute arc isn't", "has happened. Soon she spots > the gardener, the green dragon, \"Good morning", "the points above. The reception can best be equated to an online lynching.", "recollection of the past world. Before @Amadeus bursts an artery, no, the previous", "course, only its catharsis. I'm trying to wrap my head around how can", "unlimited power over > information, allowing him to create a new world by", "> > > This aborts a main character arc forever, quite literally destroys", "with. That sounds similar to something. Yes, the Long Night from GoT season", "down and try to turn it back. It's not that this storyline can't", "only difference is > that he casually marmelizes anyone who gets in his", "> > > Diavolo is a completely different problem. He saved night furies", "of course, only its catharsis. I'm trying to wrap my head around how", "to take > revenge on the green dragon. > > > New chapter.", "gets to take > revenge on the green dragon. > > > New", "came > up with the outline of a story where he gets shanked", "hat > she's wearing. > > > What happened? This is the power", "power of [Lain Requiem], Demiurge's (another OC) > invincible ability that grants him", "is the dark lord but is now humble and polite and has no", "created a standard D&D setting. In this setting there was an > elf.", "green dragon. > > > New chapter. > > > Suddenly, the elf", "a few thousand people have to die, > then so be it. A", "makes the protagonist > question himself. > > > However, this was only", "dragon > came and killed everyone but the elf. > > > Following", "a similar mindset to Hiccup (the protagonist of the movies), the only difference", "with the outline of a story where he gets shanked by another >", "finds herself in a garden in her destroyed village, > except it's perfectly", "villain. > > > However, this wasn't an arc abortion, this was a", "> that he casually marmelizes anyone who gets in his way and is", "they are woken up by their parents (who are supposed to be dead)", "comes > here]!\" she (the dragon) smiles and waves at the elf with", "replaced midway. I came > up with the outline of a story where", "with) by carving his own path, using his own tools, not letting >", "> > > What happened? This is the power of [Lain Requiem], Demiurge's", "his own tools, not letting > the law get in the way and", "> > However, this wasn't an arc abortion, this was a great arc", "The only time I could successfully abort a plotline was in a thought", "He saved night furies as a > species (thought to be near-extinct in", "are woken up by their parents (who are supposed to be dead) because", "to do an arc abortion to set another plot in motion. Basically, the", "successfully abort a plotline was in a thought train. > > After watching", "Before @Amadeus bursts an artery, no, the previous world wasn't a dream, but", "atmosphere does a 180° compared to the previous arc. I don't want to", "only possible thanks to Diavolo being forked from Anon (one of my OCs),", "of an arc (That takes away from the dramatic power of Requiem), of", "has a similar mindset to Hiccup (the protagonist of the movies), the only", "want to drop every element of an arc (That takes away from the", "back. It's not that this storyline can't be interesting, but its tone and", "dedicated to the characters trying to find out who turned their world upside", "who turned their world upside down and try to turn it back. It's", "(That takes away from the dramatic power of Requiem), of course, only its", "arc for dramatic effect (Pretty much what ASOIAF is doing) and to subvert", "motion. Basically, the main characters are trying to stop the the dark lord.", "to Hiccup (the protagonist of the movies), the only difference is > that", "I pulled in the thread to actually have something new to work with)", "be dead) because they have to go to school. Turns out the chemistry", "one effectively ruin an arc for dramatic effect (Pretty much what ASOIAF is", "world. Before @Amadeus bursts an artery, no, the previous world wasn't a dream,", "(another OC) > invincible ability that grants him unlimited power over > information,", "doing) and to subvert expectations but not end up being hated by the", "the elf finally gets to take > revenge on the green dragon. >" ]
[ "detail/plot point of my story that has to happen in order for my", "much potential (at least in my opinion) to stay a simple fanfiction. As", "there's so much to put into. It pains me so much. Do any", "story I eventually started plotting. I know now every major detail/plot point of", "in her college town. And bit by bit she uncovers what she is,", "a newspaper office trying to make a name as she tries to investigate", "sometimes worldbuilding) of my story in the context of the plot which derives", "are supposed to end up. My biggest problem isn't the plotting itself but", "much to put into. It pains me so much. Do any of you", "years now and still haven't finished it. It all started out as a", "that much it would definitely influence the tone and atmosphere of the story.", "A big part of my story now is my character having supernatural powers", "office trying to make a name as she tries to investigate mysterious murders", "working on a paranormal/romance/mystery kind of novel for over 4 years now and", "the plotting itself but rather the setting (and sometimes worldbuilding) of my story", "pains me so much. Do any of you understand where I'm coming from?", "atmosphere of the story. A big part of my story now is my", "college town. And bit by bit she uncovers what she is, what those", "4 years now and still haven't finished it. It all started out as", "potential (at least in my opinion) to stay a simple fanfiction. As I", "supernatural powers she doesn't understand, visions of a spirit and not knowing what", "my story I eventually started plotting. I know now every major detail/plot point", "of novel for over 4 years now and still haven't finished it. It", "plotting itself but rather the setting (and sometimes worldbuilding) of my story in", "in the context of the plot which derives from me constantly suffering from", "story best. Although my ideas wouldn't influence the plot itself that much it", "kind of novel for over 4 years now and still haven't finished it.", "and who is responsible for the murders. ...but between that there's so much", "...but between that there's so much to put into. It pains me so", "end up where they are supposed to end up. My biggest problem isn't", "it would definitely influence the tone and atmosphere of the story. A big", "working on my story I eventually started plotting. I know now every major", "every major detail/plot point of my story that has to happen in order", "are and who is responsible for the murders. ...but between that there's so", "biggest problem isn't the plotting itself but rather the setting (and sometimes worldbuilding)", "and still haven't finished it. It all started out as a fanfiction but", "I eventually started plotting. I know now every major detail/plot point of my", "ideas wouldn't influence the plot itself that much it would definitely influence the", "tries to investigate mysterious murders in her college town. And bit by bit", "a simple fanfiction. As I kept on working on my story I eventually", "that it had too much potential (at least in my opinion) to stay", "a fanfiction but I decided that it had too much potential (at least", "as she tries to investigate mysterious murders in her college town. And bit", "started plotting. I know now every major detail/plot point of my story that", "plot which derives from me constantly suffering from creative overflow and therefore not", "kept on working on my story I eventually started plotting. I know now", "paranormal/romance/mystery kind of novel for over 4 years now and still haven't finished", "what she is, what those visions are and who is responsible for the", "it. It all started out as a fanfiction but I decided that it", "suits my story best. Although my ideas wouldn't influence the plot itself that", "a name as she tries to investigate mysterious murders in her college town.", "Although my ideas wouldn't influence the plot itself that much it would definitely", "understand, visions of a spirit and not knowing what it is. Also she", "to end up where they are supposed to end up. My biggest problem", "my ideas wouldn't influence the plot itself that much it would definitely influence", "investigate mysterious murders in her college town. And bit by bit she uncovers", "setting (and sometimes worldbuilding) of my story in the context of the plot", "derives from me constantly suffering from creative overflow and therefore not knowing what", "wouldn't influence the plot itself that much it would definitely influence the tone", "as a fanfiction but I decided that it had too much potential (at", "for over 4 years now and still haven't finished it. It all started", "which derives from me constantly suffering from creative overflow and therefore not knowing", "put into. It pains me so much. Do any of you understand where", "town. And bit by bit she uncovers what she is, what those visions", "on a paranormal/romance/mystery kind of novel for over 4 years now and still", "name as she tries to investigate mysterious murders in her college town. And", "but I decided that it had too much potential (at least in my", "I know now every major detail/plot point of my story that has to", "is my character having supernatural powers she doesn't understand, visions of a spirit", "she is, what those visions are and who is responsible for the murders.", "what it is. Also she works in a newspaper office trying to make", "stay a simple fanfiction. As I kept on working on my story I", "big part of my story now is my character having supernatural powers she", "itself that much it would definitely influence the tone and atmosphere of the", "too much potential (at least in my opinion) to stay a simple fanfiction.", "of you understand where I'm coming from? How do you deal with that", "up where they are supposed to end up. My biggest problem isn't the", "It all started out as a fanfiction but I decided that it had", "she uncovers what she is, what those visions are and who is responsible", "to put into. It pains me so much. Do any of you understand", "opinion) to stay a simple fanfiction. As I kept on working on my", "all started out as a fanfiction but I decided that it had too", "from creative overflow and therefore not knowing what suits my story best. Although", "of the plot which derives from me constantly suffering from creative overflow and", "overflow and therefore not knowing what suits my story best. Although my ideas", "simple fanfiction. As I kept on working on my story I eventually started", "murders. ...but between that there's so much to put into. It pains me", "of my story that has to happen in order for my characters to", "rather the setting (and sometimes worldbuilding) of my story in the context of", "works in a newspaper office trying to make a name as she tries", "my character having supernatural powers she doesn't understand, visions of a spirit and", "story now is my character having supernatural powers she doesn't understand, visions of", "doesn't understand, visions of a spirit and not knowing what it is. Also", "murders in her college town. And bit by bit she uncovers what she", "influence the plot itself that much it would definitely influence the tone and", "It pains me so much. Do any of you understand where I'm coming", "what those visions are and who is responsible for the murders. ...but between", "powers she doesn't understand, visions of a spirit and not knowing what it", "And bit by bit she uncovers what she is, what those visions are", "to stay a simple fanfiction. As I kept on working on my story", "decided that it had too much potential (at least in my opinion) to", "As I kept on working on my story I eventually started plotting. I", "character having supernatural powers she doesn't understand, visions of a spirit and not", "supposed to end up. My biggest problem isn't the plotting itself but rather", "not knowing what suits my story best. Although my ideas wouldn't influence the", "end up. My biggest problem isn't the plotting itself but rather the setting", "to make a name as she tries to investigate mysterious murders in her", "into. It pains me so much. Do any of you understand where I'm", "my opinion) to stay a simple fanfiction. As I kept on working on", "knowing what suits my story best. Although my ideas wouldn't influence the plot", "so much. Do any of you understand where I'm coming from? How do", "the setting (and sometimes worldbuilding) of my story in the context of the", "now is my character having supernatural powers she doesn't understand, visions of a", "(at least in my opinion) to stay a simple fanfiction. As I kept", "major detail/plot point of my story that has to happen in order for", "order for my characters to end up where they are supposed to end", "out as a fanfiction but I decided that it had too much potential", "Also she works in a newspaper office trying to make a name as", "trying to make a name as she tries to investigate mysterious murders in", "started out as a fanfiction but I decided that it had too much", "is responsible for the murders. ...but between that there's so much to put", "she works in a newspaper office trying to make a name as she", "for my characters to end up where they are supposed to end up.", "still haven't finished it. It all started out as a fanfiction but I", "isn't the plotting itself but rather the setting (and sometimes worldbuilding) of my", "those visions are and who is responsible for the murders. ...but between that", "my characters to end up where they are supposed to end up. My", "visions of a spirit and not knowing what it is. Also she works", "much. Do any of you understand where I'm coming from? How do you", "now and still haven't finished it. It all started out as a fanfiction", "I decided that it had too much potential (at least in my opinion)", "had too much potential (at least in my opinion) to stay a simple", "a spirit and not knowing what it is. Also she works in a", "me so much. Do any of you understand where I'm coming from? How", "the plot which derives from me constantly suffering from creative overflow and therefore", "my story now is my character having supernatural powers she doesn't understand, visions", "uncovers what she is, what those visions are and who is responsible for", "novel for over 4 years now and still haven't finished it. It all", "of the story. A big part of my story now is my character", "you understand where I'm coming from? How do you deal with that overflow?", "having supernatural powers she doesn't understand, visions of a spirit and not knowing", "story in the context of the plot which derives from me constantly suffering", "haven't finished it. It all started out as a fanfiction but I decided", "My biggest problem isn't the plotting itself but rather the setting (and sometimes", "therefore not knowing what suits my story best. Although my ideas wouldn't influence", "her college town. And bit by bit she uncovers what she is, what", "I kept on working on my story I eventually started plotting. I know", "my story in the context of the plot which derives from me constantly", "newspaper office trying to make a name as she tries to investigate mysterious", "in order for my characters to end up where they are supposed to", "much it would definitely influence the tone and atmosphere of the story. A", "the murders. ...but between that there's so much to put into. It pains", "know now every major detail/plot point of my story that has to happen", "is. Also she works in a newspaper office trying to make a name", "story that has to happen in order for my characters to end up", "has to happen in order for my characters to end up where they", "suffering from creative overflow and therefore not knowing what suits my story best.", "and therefore not knowing what suits my story best. Although my ideas wouldn't", "the tone and atmosphere of the story. A big part of my story", "least in my opinion) to stay a simple fanfiction. As I kept on", "eventually started plotting. I know now every major detail/plot point of my story", "by bit she uncovers what she is, what those visions are and who", "I've been working on a paranormal/romance/mystery kind of novel for over 4 years", "my story best. Although my ideas wouldn't influence the plot itself that much", "any of you understand where I'm coming from? How do you deal with", "mysterious murders in her college town. And bit by bit she uncovers what", "itself but rather the setting (and sometimes worldbuilding) of my story in the", "where they are supposed to end up. My biggest problem isn't the plotting", "up. My biggest problem isn't the plotting itself but rather the setting (and", "the plot itself that much it would definitely influence the tone and atmosphere", "to investigate mysterious murders in her college town. And bit by bit she", "bit she uncovers what she is, what those visions are and who is", "in my opinion) to stay a simple fanfiction. As I kept on working", "point of my story that has to happen in order for my characters", "part of my story now is my character having supernatural powers she doesn't", "spirit and not knowing what it is. Also she works in a newspaper", "plotting. I know now every major detail/plot point of my story that has", "and not knowing what it is. Also she works in a newspaper office", "would definitely influence the tone and atmosphere of the story. A big part", "fanfiction. As I kept on working on my story I eventually started plotting.", "happen in order for my characters to end up where they are supposed", "in a newspaper office trying to make a name as she tries to", "responsible for the murders. ...but between that there's so much to put into.", "on my story I eventually started plotting. I know now every major detail/plot", "(and sometimes worldbuilding) of my story in the context of the plot which", "on working on my story I eventually started plotting. I know now every", "of my story in the context of the plot which derives from me", "tone and atmosphere of the story. A big part of my story now", "but rather the setting (and sometimes worldbuilding) of my story in the context", "not knowing what it is. Also she works in a newspaper office trying", "best. Although my ideas wouldn't influence the plot itself that much it would", "over 4 years now and still haven't finished it. It all started out", "of my story now is my character having supernatural powers she doesn't understand,", "the story. A big part of my story now is my character having", "she tries to investigate mysterious murders in her college town. And bit by", "to end up. My biggest problem isn't the plotting itself but rather the", "make a name as she tries to investigate mysterious murders in her college", "my story that has to happen in order for my characters to end", "they are supposed to end up. My biggest problem isn't the plotting itself", "problem isn't the plotting itself but rather the setting (and sometimes worldbuilding) of", "influence the tone and atmosphere of the story. A big part of my", "and atmosphere of the story. A big part of my story now is", "between that there's so much to put into. It pains me so much.", "characters to end up where they are supposed to end up. My biggest", "knowing what it is. Also she works in a newspaper office trying to", "to happen in order for my characters to end up where they are", "that has to happen in order for my characters to end up where", "of a spirit and not knowing what it is. Also she works in", "plot itself that much it would definitely influence the tone and atmosphere of", "a paranormal/romance/mystery kind of novel for over 4 years now and still haven't", "been working on a paranormal/romance/mystery kind of novel for over 4 years now", "story. A big part of my story now is my character having supernatural", "who is responsible for the murders. ...but between that there's so much to", "bit by bit she uncovers what she is, what those visions are and", "creative overflow and therefore not knowing what suits my story best. Although my", "fanfiction but I decided that it had too much potential (at least in", "it had too much potential (at least in my opinion) to stay a", "that there's so much to put into. It pains me so much. Do", "is, what those visions are and who is responsible for the murders. ...but", "constantly suffering from creative overflow and therefore not knowing what suits my story", "now every major detail/plot point of my story that has to happen in", "context of the plot which derives from me constantly suffering from creative overflow", "what suits my story best. Although my ideas wouldn't influence the plot itself", "me constantly suffering from creative overflow and therefore not knowing what suits my", "she doesn't understand, visions of a spirit and not knowing what it is.", "so much to put into. It pains me so much. Do any of", "for the murders. ...but between that there's so much to put into. It", "Do any of you understand where I'm coming from? How do you deal", "finished it. It all started out as a fanfiction but I decided that", "the context of the plot which derives from me constantly suffering from creative", "definitely influence the tone and atmosphere of the story. A big part of", "visions are and who is responsible for the murders. ...but between that there's", "from me constantly suffering from creative overflow and therefore not knowing what suits", "it is. Also she works in a newspaper office trying to make a", "worldbuilding) of my story in the context of the plot which derives from" ]
[ "my. She's gone straight for the belt buckle. You go, Girlfriend, you goin'", "are prudes. I recently wrote a scene where a female character is watching", "says, stepping into the lounge. > > > \"Hi,\" I squeak, stilling my", "panties and I'm thinking about slamming my cl\\t raw, I hear a key", "over until the coast is clear. It's been a while. Just when I've", "morning, and a little Piggly Wiggly before she gets here will tide me", "squeak, stilling my middle finger. \"You're home early. I thought you had a", "TV. > > > \"Hi,\" Windr says, stepping into the lounge. > >", "the tank. > > > \"I was just about to,\" I reply. >", "my life. I take advantage of the opportunity of being home alone. I'm", "alone. I'm relaxing on the sofa, tucked under my duvet, watching a movie.", "in the door. > > Dammit. She's early. I quickly reach for the", "certain Aunt Flo will be here by the morning, and a little Piggly", "coast is clear. It's been a while. Just when I've slipped my hand", "I quickly reach for the remote with my free hand and turn off", ". . . People lost their minds! In my defence, the scene she's", "TV. The build up is complicated so I'll have to explain: a traumatic", "into the lounge. > > > \"Hi,\" I squeak, stilling my middle finger.", "she's watching can be seen in any RomCom and her thoughts and actions", "git it now! C'mon hit that bitch hard - give her some what", "that's what I wrote . . . People lost their minds! In my", "of wannabe writers are prudes. I recently wrote a scene where a female", "to what she's seeing on the screen. > > Finally home, after an", "and actions are not out of place on any popular TV show. Why", "wrote . . . People lost their minds! In my defence, the scene", "TV. The scene shows her reaction and thoughts as to what she's seeing", "Me time is something that's been missing in my life. I take advantage", "you feed the fish?\" she asks, hovering by the tank. > > >", "girl's ripped his shirt off, buttons flying everywhere. \"Woah!\" He's hoisted her up", "what I wrote . . . People lost their minds! In my defence,", "I pump a fist. My girl's ripped his shirt off, buttons flying everywhere.", "it now! C'mon hit that bitch hard - give her some what for!", "skip the sex scenes but today my interest is super-piqued. OMG!* These two", "> \"Are you okay?\" she asks, removing her coat. \"You look kinda flushed.\"", "returned - with interest. I know my body. I'm certain Aunt Flo will", "Normally I skip the sex scenes but today my interest is super-piqued. OMG!", "Girlfriend, you goin' git it now! C'mon hit that bitch hard - give", "> > \"I was just about to,\" I reply. > > > So", "tank. > > > \"I was just about to,\" I reply. > >", "about slamming my cl\\t raw, I hear a key in the door. >", "kitchen counter. Oh my. She's gone straight for the belt buckle. You go,", "shows her reaction and thoughts as to what she's seeing on the screen.", "in a night-club, that 'loving feeling' is coming back. She finds herself home", "I hear a key in the door. > > Dammit. She's early. I", "her thoughts and actions are not out of place on any popular TV", "my pussy. \"I'm fine.\" > > > \"Did you feed the fish?\" she", "is something that's been missing in my life. I take advantage of the", "\"I was just about to,\" I reply. > > > So that's what", "> > \"Is that so?\" > > > \"Are you okay?\" she asks,", "that 'loving feeling' is coming back. She finds herself home alone watching TV.", "finger. \"You're home early. I thought you had a thing?\" > > >", "just about to,\" I reply. > > > So that's what I wrote", "She finds herself home alone watching TV. The scene shows her reaction and", "\"Hi,\" Windr says, stepping into the lounge. > > > \"Hi,\" I squeak,", "my duvet, watching a movie. Normally I skip the sex scenes but today", "\"Are you okay?\" she asks, removing her coat. \"You look kinda flushed.\" >", "sex scenes but today my interest is super-piqued. OMG! These two aren't even", "my finger out of my pussy. \"I'm fine.\" > > > \"Did you", "that's been missing in my life. I take advantage of the opportunity of", "here by the morning, and a little Piggly Wiggly before she gets here", "\"I did, and it was to say the least – enlightening.\" > >", "door. > > Dammit. She's early. I quickly reach for the remote with", "> Dammit. She's early. I quickly reach for the remote with my free", "remote with my free hand and turn off the TV. > > >", "to me I reluctantly pull my finger out of my pussy. \"I'm fine.\"", "up is complicated so I'll have to explain: a traumatic event has eviscerated", "interest is super-piqued. OMG! These two aren't even going to make to the", "needed two minutes!* With her back turned to me I reluctantly pull my", "minutes. I just needed two minutes!* With her back turned to me I", "being home alone. I'm relaxing on the sofa, tucked under my duvet, watching", "watching TV. The build up is complicated so I'll have to explain: a", "These two aren't even going to make to the bedroom. \"Hell yeah!\" I", "movie. Normally I skip the sex scenes but today my interest is super-piqued.", "> > > \"Hi,\" I squeak, stilling my middle finger. \"You're home early.", "that so?\" > > > \"Are you okay?\" she asks, removing her coat.", "the belt buckle. You go, Girlfriend, you goin' git it now! C'mon hit", "early. I quickly reach for the remote with my free hand and turn", "my middle finger. \"You're home early. I thought you had a thing?\" >", "> So that's what I wrote . . . People lost their minds!", "The build up is complicated so I'll have to explain: a traumatic event", "into my panties and I'm thinking about slamming my cl\\t raw, I hear", "early. I thought you had a thing?\" > > > \"I did, and", "I'm thinking about slamming my cl\\t raw, I hear a key in the", "tucked under my duvet, watching a movie. Normally I skip the sex scenes", "> > > So that's what I wrote . . . People lost", "a thing. Me time is something that's been missing in my life. I", "home for a while yet. She said she had a thing. Me time", "hand and turn off the TV. > > > \"Hi,\" Windr says, stepping", "thing?\" > > > \"I did, and it was to say the least", "she asks, removing her coat. \"You look kinda flushed.\" > > > Two", "hoisted her up onto the kitchen counter. Oh my. She's gone straight for", "while yet. She said she had a thing. Me time* is something that's", "a traumatic event has eviscerated character's libido. After 'dirty dancing' with a girlfriend", "bedroom. \"Hell yeah!\" I pump a fist. My girl's ripped his shirt off,", "for!* My appetite has returned - with interest. I know my body. I'm", "> \"Hi,\" Windr says, stepping into the lounge. > > > \"Hi,\" I", "by the tank. > > > \"I was just about to,\" I reply.", "just needed two minutes!* With her back turned to me I reluctantly pull", "my interest is super-piqued. OMG! These two aren't even going to make to", "she's seeing on the screen. > > Finally home, after an awkward, perplexing", "Two minutes. I just needed two minutes! With her back turned to me", "shirt off, buttons flying everywhere. \"Woah!\" He's hoisted her up onto the kitchen", "OMG! These two aren't even going to make to the bedroom. \"Hell yeah!\"", "complicated so I'll have to explain: a traumatic event has eviscerated character's libido.", "> > > Two minutes. I just needed two minutes! With her back", "to make to the bedroom. \"Hell yeah!\" I pump a fist. My girl's", "stilling my middle finger. \"You're home early. I thought you had a thing?\"", "in my life. I take advantage of the opportunity of being home alone.", "hovering by the tank. > > > \"I was just about to,\" I", "I skip the sex scenes but today my interest is super-piqued. OMG! These", "fish?\" she asks, hovering by the tank. > > > \"I was just", "scene shows her reaction and thoughts as to what she's seeing on the", "of being home alone. I'm relaxing on the sofa, tucked under my duvet,", "reaction and thoughts as to what she's seeing on the screen. > >", "> \"I was just about to,\" I reply. > > > So that's", "and it was to say the least – enlightening.\" > > > \"Is", "slamming my cl\\t raw, I hear a key in the door. > >", "the kitchen counter. Oh my. She's gone straight for the belt buckle. You", "the lounge. > > > \"Hi,\" I squeak, stilling my middle finger. \"You're", "home alone watching TV. The scene shows her reaction and thoughts as to", "finds herself home alone watching TV. The scene shows her reaction and thoughts", "- with interest. I know my body. I'm certain Aunt Flo will be", "She's early.* I quickly reach for the remote with my free hand and", "> > \"Did you feed the fish?\" she asks, hovering by the tank.", "wannabe writers are prudes. I recently wrote a scene where a female character", "goin' git it now! C'mon hit that bitch hard - give her some", "My experience tells me that a disproportionate number of wannabe writers are prudes.", "So that's what I wrote . . . People lost their minds! In", "straight for the belt buckle. You go, Girlfriend, you goin' git it now!", "perplexing day. Windr won't be home for a while yet. She said she", "hard - give her some what for! My appetite has returned - with", "> > > \"I did, and it was to say the least –", "I just needed two minutes!* With her back turned to me I reluctantly", "character is watching TV. The build up is complicated so I'll have to", "that a disproportionate number of wannabe writers are prudes. I recently wrote a", "some what for!* My appetite has returned - with interest. I know my", "'loving feeling' is coming back. She finds herself home alone watching TV. The", "it was to say the least – enlightening.\" > > > \"Is that", "me over until the coast is clear. It's been a while. Just when", "\"You're home early. I thought you had a thing?\" > > > \"I", "fine.\" > > > \"Did you feed the fish?\" she asks, hovering by", "said she had a thing. Me time is something that's been missing in", "a scene where a female character is watching TV. The build up is", "is watching TV. The build up is complicated so I'll have to explain:", "quickly reach for the remote with my free hand and turn off the", "I'm certain Aunt Flo will be here by the morning, and a little", "> > > \"I was just about to,\" I reply. > > >", ". People lost their minds! In my defence, the scene she's watching can", "I recently wrote a scene where a female character is watching TV. The", "his shirt off, buttons flying everywhere. \"Woah!\" He's hoisted her up onto the", "reply. > > > So that's what I wrote . . . People", "belt buckle. You go, Girlfriend, you goin' git it now! C'mon hit that", "will tide me over until the coast is clear. It's been a while.", "the morning, and a little Piggly Wiggly before she gets here will tide", "she asks, hovering by the tank. > > > \"I was just about", "counter. Oh my. She's gone straight for the belt buckle. You go, Girlfriend,", "- give her some what for!* My appetite has returned - with interest.", "the coast is clear. It's been a while. Just when I've slipped my", "appetite has returned - with interest. I know my body. I'm certain Aunt", "her coat. \"You look kinda flushed.\" > > > Two minutes. I just", "RomCom and her thoughts and actions are not out of place on any", "day. Windr won't be home for a while yet. She said she had", "for the remote with my free hand and turn off the TV. >", "that bitch hard - give her some what for! My appetite has returned", "disproportionate number of wannabe writers are prudes. I recently wrote a scene where", "her some what for!* My appetite has returned - with interest. I know", "to,\" I reply. > > > So that's what I wrote . .", "defence, the scene she's watching can be seen in any RomCom and her", "a key in the door. > > Dammit. She's early. I quickly reach", "pussy. \"I'm fine.\" > > > \"Did you feed the fish?\" she asks,", "Wiggly before she gets here will tide me over until the coast is", "back turned to me I reluctantly pull my finger out of my pussy.", "the remote with my free hand and turn off the TV. > >", "scenes but today my interest is super-piqued. OMG! These two aren't even going", "alone watching TV. The scene shows her reaction and thoughts as to what", "a fist. My girl's ripped his shirt off, buttons flying everywhere. \"Woah!\" He's", "female character is watching TV. The build up is complicated so I'll have", "and a little Piggly Wiggly before she gets here will tide me over", "the screen. > > Finally home, after an awkward, perplexing day. Windr won't", "character's libido. After 'dirty dancing' with a girlfriend in a night-club, that 'loving", "thinking about slamming my cl\\t raw, I hear a key in the door.", "won't be home for a while yet. She said she had a thing.", "People lost their minds! In my defence, the scene she's watching can be", "raw, I hear a key in the door. > > Dammit. She's early.", "turned to me I reluctantly pull my finger out of my pussy. \"I'm", "eviscerated character's libido. After 'dirty dancing' with a girlfriend in a night-club, that", "He's hoisted her up onto the kitchen counter. Oh my. She's gone straight", "be seen in any RomCom and her thoughts and actions are not out", "body. I'm certain Aunt Flo will be here by the morning, and a", "stepping into the lounge. > > > \"Hi,\" I squeak, stilling my middle", "flushed.\" > > > Two minutes. I just needed two minutes!* With her", "minds! In my defence, the scene she's watching can be seen in any", "key in the door. > > Dammit. She's early. I quickly reach for", "to explain: a traumatic event has eviscerated character's libido. After 'dirty dancing' with", "recently wrote a scene where a female character is watching TV. The build", "the sofa, tucked under my duvet, watching a movie. Normally I skip the", "I'll have to explain: a traumatic event has eviscerated character's libido. After 'dirty", "Piggly Wiggly before she gets here will tide me over until the coast", "It's been a while. Just when I've slipped my hand into my panties", "home alone. I'm relaxing on the sofa, tucked under my duvet, watching a", "writers are prudes. I recently wrote a scene where a female character is", "> > So that's what I wrote . . . People lost their", "pump a fist. My girl's ripped his shirt off, buttons flying everywhere. \"Woah!\"", "when I've slipped my hand into my panties and I'm thinking about slamming", "> > \"Hi,\" Windr says, stepping into the lounge. > > > \"Hi,\"", "number of wannabe writers are prudes. I recently wrote a scene where a", "herself home alone watching TV. The scene shows her reaction and thoughts as", "interest. I know my body. I'm certain Aunt Flo will be here by", "is coming back. She finds herself home alone watching TV. The scene shows", "'dirty dancing' with a girlfriend in a night-club, that 'loving feeling' is coming", "experience tells me that a disproportionate number of wannabe writers are prudes. I", "home, after an awkward, perplexing day. Windr won't be home for a while", "> > > \"Hi,\" Windr says, stepping into the lounge. > > >", "> > > \"Are you okay?\" she asks, removing her coat. \"You look", "and turn off the TV. > > > \"Hi,\" Windr says, stepping into", "> \"Did you feed the fish?\" she asks, hovering by the tank. >", "say the least – enlightening.\" > > > \"Is that so?\" > >", "by the morning, and a little Piggly Wiggly before she gets here will", "the TV. > > > \"Hi,\" Windr says, stepping into the lounge. >", "an awkward, perplexing day. Windr won't be home for a while yet. She", "is super-piqued. OMG! These two aren't even going to make to the bedroom.", "going to make to the bedroom. \"Hell yeah!\" I pump a fist. My", "tide me over until the coast is clear. It's been a while. Just", "She said she had a thing. Me time is something that's been missing", "seen in any RomCom and her thoughts and actions are not out of", "watching a movie. Normally I skip the sex scenes but today my interest", "relaxing on the sofa, tucked under my duvet, watching a movie. Normally I", "watching TV. The scene shows her reaction and thoughts as to what she's", "Windr won't be home for a while yet. She said she had a", "my defence, the scene she's watching can be seen in any RomCom and", "Aunt Flo will be here by the morning, and a little Piggly Wiggly", "You go, Girlfriend, you goin' git it now! C'mon hit that bitch hard", "lounge. > > > \"Hi,\" I squeak, stilling my middle finger. \"You're home", "buckle. You go, Girlfriend, you goin' git it now! C'mon hit that bitch", "go, Girlfriend, you goin' git it now! C'mon hit that bitch hard -", "bitch hard - give her some what for!* My appetite has returned -", "> > > \"Is that so?\" > > > \"Are you okay?\" she", "but today my interest is super-piqued. OMG! These two aren't even going to", "as to what she's seeing on the screen. > > Finally home, after", "middle finger. \"You're home early. I thought you had a thing?\" > >", "back. She finds herself home alone watching TV. The scene shows her reaction", "> > Two minutes. I just needed two minutes! With her back turned", "my cl\\t raw, I hear a key in the door. > > Dammit.", "thing. Me time is something that's been missing in my life. I take", "removing her coat. \"You look kinda flushed.\" > > > Two minutes. I", "has returned - with interest. I know my body. I'm certain Aunt Flo", "up onto the kitchen counter. Oh my. She's gone straight for the belt", "coming back. She finds herself home alone watching TV. The scene shows her", "my free hand and turn off the TV. > > > \"Hi,\" Windr", "yeah!\" I pump a fist. My girl's ripped his shirt off, buttons flying", "so?\" > > > \"Are you okay?\" she asks, removing her coat. \"You", "two minutes! With her back turned to me I reluctantly pull my finger", "night-club, that 'loving feeling' is coming back. She finds herself home alone watching", "super-piqued. OMG! These two aren't even going to make to the bedroom. \"Hell", "she gets here will tide me over until the coast is clear. It's", "My girl's ripped his shirt off, buttons flying everywhere. \"Woah!\" He's hoisted her", "now! C'mon hit that bitch hard - give her some what for!* My", "before she gets here will tide me over until the coast is clear.", "I'm relaxing on the sofa, tucked under my duvet, watching a movie. Normally", "yet. She said she had a thing. Me time is something that's been", "make to the bedroom. \"Hell yeah!\" I pump a fist. My girl's ripped", "my hand into my panties and I'm thinking about slamming my cl\\t raw,", "a girlfriend in a night-club, that 'loving feeling' is coming back. She finds", "and her thoughts and actions are not out of place on any popular", "where a female character is watching TV. The build up is complicated so", "to say the least – enlightening.\" > > > \"Is that so?\" >", "after an awkward, perplexing day. Windr won't be home for a while yet.", "her back turned to me I reluctantly pull my finger out of my", "She's gone straight for the belt buckle. You go, Girlfriend, you goin' git", "asks, removing her coat. \"You look kinda flushed.\" > > > Two minutes.", ". . People lost their minds! In my defence, the scene she's watching", "seeing on the screen. > > Finally home, after an awkward, perplexing day.", "libido. After 'dirty dancing' with a girlfriend in a night-club, that 'loving feeling'", "screen. > > Finally home, after an awkward, perplexing day. Windr won't be", "me that a disproportionate number of wannabe writers are prudes. I recently wrote", "slipped my hand into my panties and I'm thinking about slamming my cl\\t", "reach for the remote with my free hand and turn off the TV.", "flying everywhere. \"Woah!\" He's hoisted her up onto the kitchen counter. Oh my.", "thoughts as to what she's seeing on the screen. > > Finally home,", "The scene shows her reaction and thoughts as to what she's seeing on", "be here by the morning, and a little Piggly Wiggly before she gets", "I reluctantly pull my finger out of my pussy. \"I'm fine.\" > >", "with a girlfriend in a night-club, that 'loving feeling' is coming back. She", "hear a key in the door. > > Dammit. She's early. I quickly", "buttons flying everywhere. \"Woah!\" He's hoisted her up onto the kitchen counter. Oh", "is complicated so I'll have to explain: a traumatic event has eviscerated character's", "home early. I thought you had a thing?\" > > > \"I did,", "here will tide me over until the coast is clear. It's been a", "had a thing?\" > > > \"I did, and it was to say", "something that's been missing in my life. I take advantage of the opportunity", "been missing in my life. I take advantage of the opportunity of being", "a movie. Normally I skip the sex scenes but today my interest is", "look kinda flushed.\" > > > Two minutes. I just needed two minutes!", "thoughts and actions are not out of place on any popular TV show.", "missing in my life. I take advantage of the opportunity of being home", "gets here will tide me over until the coast is clear. It's been", "> > Finally home, after an awkward, perplexing day. Windr won't be home", "> > \"Hi,\" I squeak, stilling my middle finger. \"You're home early. I", "> \"I did, and it was to say the least – enlightening.\" >", "under my duvet, watching a movie. Normally I skip the sex scenes but", "a while. Just when I've slipped my hand into my panties and I'm", "I wrote . . . People lost their minds! In my defence, the", "\"Woah!\" He's hoisted her up onto the kitchen counter. Oh my. She's gone", "are not out of place on any popular TV show. Why the outrage?", "coat. \"You look kinda flushed.\" > > > Two minutes. I just needed", "traumatic event has eviscerated character's libido. After 'dirty dancing' with a girlfriend in", "about to,\" I reply. > > > So that's what I wrote .", "prudes. I recently wrote a scene where a female character is watching TV.", "– enlightening.\" > > > \"Is that so?\" > > > \"Are you", "C'mon hit that bitch hard - give her some what for! My appetite", "with my free hand and turn off the TV. > > > \"Hi,\"", "off the TV. > > > \"Hi,\" Windr says, stepping into the lounge.", "Flo will be here by the morning, and a little Piggly Wiggly before", "minutes!* With her back turned to me I reluctantly pull my finger out", "event has eviscerated character's libido. After 'dirty dancing' with a girlfriend in a", "with interest. I know my body. I'm certain Aunt Flo will be here", "their minds! In my defence, the scene she's watching can be seen in", "Just when I've slipped my hand into my panties and I'm thinking about", "off, buttons flying everywhere. \"Woah!\" He's hoisted her up onto the kitchen counter.", "in any RomCom and her thoughts and actions are not out of place", "was to say the least – enlightening.\" > > > \"Is that so?\"", "pull my finger out of my pussy. \"I'm fine.\" > > > \"Did", "the sex scenes but today my interest is super-piqued. OMG! These two aren't", "aren't even going to make to the bedroom. \"Hell yeah!\" I pump a", "I squeak, stilling my middle finger. \"You're home early. I thought you had", "life. I take advantage of the opportunity of being home alone. I'm relaxing", "Dammit. She's early. I quickly reach for the remote with my free hand", "out of my pussy. \"I'm fine.\" > > > \"Did you feed the", "until the coast is clear. It's been a while. Just when I've slipped", "have to explain: a traumatic event has eviscerated character's libido. After 'dirty dancing'", "feed the fish?\" she asks, hovering by the tank. > > > \"I", "the scene she's watching can be seen in any RomCom and her thoughts", "a night-club, that 'loving feeling' is coming back. She finds herself home alone", "hit that bitch hard - give her some what for!* My appetite has", "I've slipped my hand into my panties and I'm thinking about slamming my", "scene she's watching can be seen in any RomCom and her thoughts and", "the door. > > Dammit. She's early. I quickly reach for the remote", "My appetite has returned - with interest. I know my body. I'm certain", "two aren't even going to make to the bedroom. \"Hell yeah!\" I pump", "girlfriend in a night-club, that 'loving feeling' is coming back. She finds herself", "you had a thing?\" > > > \"I did, and it was to", "for a while yet. She said she had a thing. Me time is", "has eviscerated character's libido. After 'dirty dancing' with a girlfriend in a night-club,", "what for!* My appetite has returned - with interest. I know my body.", "take advantage of the opportunity of being home alone. I'm relaxing on the", "build up is complicated so I'll have to explain: a traumatic event has", "turn off the TV. > > > \"Hi,\" Windr says, stepping into the", "the bedroom. \"Hell yeah!\" I pump a fist. My girl's ripped his shirt", "I reply. > > > So that's what I wrote . . .", "> Finally home, after an awkward, perplexing day. Windr won't be home for", "> Two minutes. I just needed two minutes! With her back turned to", "> > > \"Did you feed the fish?\" she asks, hovering by the", "ripped his shirt off, buttons flying everywhere. \"Woah!\" He's hoisted her up onto", "okay?\" she asks, removing her coat. \"You look kinda flushed.\" > > >", "did, and it was to say the least – enlightening.\" > > >", "reluctantly pull my finger out of my pussy. \"I'm fine.\" > > >", "on the sofa, tucked under my duvet, watching a movie. Normally I skip", "of the opportunity of being home alone. I'm relaxing on the sofa, tucked", "what she's seeing on the screen. > > Finally home, after an awkward,", "you okay?\" she asks, removing her coat. \"You look kinda flushed.\" > >", "> > Dammit. She's early. I quickly reach for the remote with my", "the fish?\" she asks, hovering by the tank. > > > \"I was", "on the screen. > > Finally home, after an awkward, perplexing day. Windr", "enlightening.\" > > > \"Is that so?\" > > > \"Are you okay?\"", "feeling' is coming back. She finds herself home alone watching TV. The scene", "you goin' git it now! C'mon hit that bitch hard - give her", "asks, hovering by the tank. > > > \"I was just about to,\"", "I know my body. I'm certain Aunt Flo will be here by the", "In my defence, the scene she's watching can be seen in any RomCom", "\"I'm fine.\" > > > \"Did you feed the fish?\" she asks, hovering", "Oh my. She's gone straight for the belt buckle. You go, Girlfriend, you", "for the belt buckle. You go, Girlfriend, you goin' git it now! C'mon", "dancing' with a girlfriend in a night-club, that 'loving feeling' is coming back.", "opportunity of being home alone. I'm relaxing on the sofa, tucked under my", "> > \"Are you okay?\" she asks, removing her coat. \"You look kinda", "the opportunity of being home alone. I'm relaxing on the sofa, tucked under", "her up onto the kitchen counter. Oh my. She's gone straight for the", "advantage of the opportunity of being home alone. I'm relaxing on the sofa,", "explain: a traumatic event has eviscerated character's libido. After 'dirty dancing' with a", "give her some what for!* My appetite has returned - with interest. I", "any RomCom and her thoughts and actions are not out of place on", "\"Hi,\" I squeak, stilling my middle finger. \"You're home early. I thought you", "had a thing. Me time is something that's been missing in my life.", "wrote a scene where a female character is watching TV. The build up", "watching can be seen in any RomCom and her thoughts and actions are", "> \"Hi,\" I squeak, stilling my middle finger. \"You're home early. I thought", "the least – enlightening.\" > > > \"Is that so?\" > > >", "been a while. Just when I've slipped my hand into my panties and", "time* is something that's been missing in my life. I take advantage of", "finger out of my pussy. \"I'm fine.\" > > > \"Did you feed", "actions are not out of place on any popular TV show. Why the", "even going to make to the bedroom. \"Hell yeah!\" I pump a fist.", "a little Piggly Wiggly before she gets here will tide me over until", "will be here by the morning, and a little Piggly Wiggly before she", "and I'm thinking about slamming my cl\\t raw, I hear a key in", "my body. I'm certain Aunt Flo will be here by the morning, and", "> > \"I did, and it was to say the least – enlightening.\"", "least – enlightening.\" > > > \"Is that so?\" > > > \"Are", "and thoughts as to what she's seeing on the screen. > > Finally", "hand into my panties and I'm thinking about slamming my cl\\t raw, I", "cl\\t raw, I hear a key in the door. > > Dammit. She's", "thought you had a thing?\" > > > \"I did, and it was", "With her back turned to me I reluctantly pull my finger out of", "gone straight for the belt buckle. You go, Girlfriend, you goin' git it", "kinda flushed.\" > > > Two minutes. I just needed two minutes!* With", "After 'dirty dancing' with a girlfriend in a night-club, that 'loving feeling' is", "clear. It's been a while. Just when I've slipped my hand into my", "a thing?\" > > > \"I did, and it was to say the", "I take advantage of the opportunity of being home alone. I'm relaxing on", "while. Just when I've slipped my hand into my panties and I'm thinking", "onto the kitchen counter. Oh my. She's gone straight for the belt buckle.", "is clear. It's been a while. Just when I've slipped my hand into", "a disproportionate number of wannabe writers are prudes. I recently wrote a scene", "of my pussy. \"I'm fine.\" > > > \"Did you feed the fish?\"", "my panties and I'm thinking about slamming my cl\\t raw, I hear a", "her reaction and thoughts as to what she's seeing on the screen. >", "know my body. I'm certain Aunt Flo will be here by the morning,", "was just about to,\" I reply. > > > So that's what I", "to the bedroom. \"Hell yeah!\" I pump a fist. My girl's ripped his", "me I reluctantly pull my finger out of my pussy. \"I'm fine.\" >", "a while yet. She said she had a thing. Me time* is something", "\"Is that so?\" > > > \"Are you okay?\" she asks, removing her", "sofa, tucked under my duvet, watching a movie. Normally I skip the sex", "a female character is watching TV. The build up is complicated so I'll", "be home for a while yet. She said she had a thing. Me", "\"You look kinda flushed.\" > > > Two minutes. I just needed two", "lost their minds! In my defence, the scene she's watching can be seen", "I thought you had a thing?\" > > > \"I did, and it", "\"Hell yeah!\" I pump a fist. My girl's ripped his shirt off, buttons", "awkward, perplexing day. Windr won't be home for a while yet. She said", "fist. My girl's ripped his shirt off, buttons flying everywhere. \"Woah!\" He's hoisted", "tells me that a disproportionate number of wannabe writers are prudes. I recently", "scene where a female character is watching TV. The build up is complicated", "Finally home, after an awkward, perplexing day. Windr won't be home for a", "little Piggly Wiggly before she gets here will tide me over until the", "today my interest is super-piqued. OMG! These two aren't even going to make", "so I'll have to explain: a traumatic event has eviscerated character's libido. After", "can be seen in any RomCom and her thoughts and actions are not", "everywhere. \"Woah!\" He's hoisted her up onto the kitchen counter. Oh my. She's", "duvet, watching a movie. Normally I skip the sex scenes but today my", "free hand and turn off the TV. > > > \"Hi,\" Windr says,", "she had a thing. Me time is something that's been missing in my", "Windr says, stepping into the lounge. > > > \"Hi,\" I squeak, stilling", "\"Did you feed the fish?\" she asks, hovering by the tank. > >", "> \"Is that so?\" > > > \"Are you okay?\" she asks, removing" ]
[ "this is for a weekly free-writing \"journal\" assignment in a college English class,", "the instructor, syllabus and instructions specifically say does not have to meet any", "medium - this is for a weekly free-writing \"journal\" assignment in a college", "The Good Place. Which does add the wrinkle of; if I always put", "standardized formatting reason why you should put the phrase in the title in", "the paper I'm writing is The Good Place. Which does add the wrinkle", "see any standardized formatting reason why you should put the phrase in the", "no reason to put the phrase \"Wizard of Oz\" in italics. So, why", "explaining the story, such as, \"They tell her to seek help from the", "do so? Not asking you to evaluate my mental state, just saying that", "you should put the phrase in the title in italics, when it's not", "assignment in a college English class, which the instructor, syllabus and instructions specifically", "film title in italics whenever you use it. But then you use the", "does not have to meet any formal rules on formatting, punctuation, grammar, citations", "Not asking you to evaluate my mental state, just saying that I know", "sharing the plot or quoting dialog, there is no reason to put the", "evaluate my mental state, just saying that I know this is kind of", "situation in formal writing situation? And a search of SE and the wider", "answers. And while I tried to use a fairly universal example for clarity,", "making me lean toward the italics button. Regarding medium - this is for", "italics whenever you use it. But then you use the words in the", "why is my instinct telling me to do so? Not asking you to", "tell her to seek help from the Wizard of Oz.\" This is not", "I know this is kind of a 'dumb question'. I can't see any", "a 'dumb question'. I can't see any standardized formatting reason why you should", "is not a reference to the title. In the context of sharing the", "italics? And people thought the philosophy in this show was stomach-ache-inducing. :) Thanks,", "philosophy in this show was stomach-ache-inducing. :) Thanks, in advance, for any input.", "an applicable rule I'm forgetting, that is making me lean toward the italics", "And people thought the philosophy in this show was stomach-ache-inducing. :) Thanks, in", "the context of explaining the story, such as, \"They tell her to seek", "I'm forgetting, that is making me lean toward the italics button. Regarding medium", "I tried to use a fairly universal example for clarity, the actual subject", "my instinct telling me to do so? Not asking you to evaluate my", "it's not referencing the title directly. And yet, I feel like there is", "grammar, citations etc. But it really got me to wondering, because I'm that", "example for clarity, the actual subject of the paper I'm writing is The", "formal rules on formatting, punctuation, grammar, citations etc. But it really got me", "not referencing the title directly. And yet, I feel like there is an", "rule I'm forgetting, that is making me lean toward the italics button. Regarding", "button. Regarding medium - this is for a weekly free-writing \"journal\" assignment in", "how I should be handling that situation in formal writing situation? And a", "is kind of a 'dumb question'. I can't see any standardized formatting reason", "But it really got me to wondering, because I'm that pedantic, how I", "I'm that pedantic, how I should be handling that situation in formal writing", "should be handling that situation in formal writing situation? And a search of", "The Wizard of Oz. Following the rules of titles, you put the film", "the words in the context of explaining the story, such as, \"They tell", "why you should put the phrase in the title in italics, when it's", "search of SE and the wider internet yielded no obvious answers. And while", "obvious answers. And while I tried to use a fairly universal example for", "of sharing the plot or quoting dialog, there is no reason to put", "context of sharing the plot or quoting dialog, there is no reason to", "put Good Place* in italics, should I also put Bad Place in italics?", "toward the italics button. Regarding medium - this is for a weekly free-writing", "know this is kind of a 'dumb question'. I can't see any standardized", "me lean toward the italics button. Regarding medium - this is for a", "not have to meet any formal rules on formatting, punctuation, grammar, citations etc.", "applicable rule I'm forgetting, that is making me lean toward the italics button.", "and instructions specifically say does not have to meet any formal rules on", "if I always put Good Place in italics, should I also put Bad", "in formal writing situation? And a search of SE and the wider internet", "this is kind of a 'dumb question'. I can't see any standardized formatting", "put the phrase \"Wizard of Oz\" in italics. So, why is my instinct", "writing situation? And a search of SE and the wider internet yielded no", "wider internet yielded no obvious answers. And while I tried to use a", "I'll start with a clear example. You are writing an essay about the", "no obvious answers. And while I tried to use a fairly universal example", "my mental state, just saying that I know this is kind of a", "feel like there is an applicable rule I'm forgetting, that is making me", "example. You are writing an essay about the film The Wizard of Oz.", "clarity, the actual subject of the paper I'm writing is The Good Place.", "story, such as, \"They tell her to seek help from the Wizard of", "universal example for clarity, the actual subject of the paper I'm writing is", "Place. Which does add the wrinkle of; if I always put Good Place", "writing an essay about the film The Wizard of Oz. Following the rules", "Oz.\" This is not a reference to the title. In the context of", "saying that I know this is kind of a 'dumb question'. I can't", "use a fairly universal example for clarity, the actual subject of the paper", "is The Good Place. Which does add the wrinkle of; if I always", "lean toward the italics button. Regarding medium - this is for a weekly", "it really got me to wondering, because I'm that pedantic, how I should", "Which does add the wrinkle of; if I always put Good Place in", "it. But then you use the words in the context of explaining the", "I should be handling that situation in formal writing situation? And a search", "is an applicable rule I'm forgetting, that is making me lean toward the", "In the context of sharing the plot or quoting dialog, there is no", "instructions specifically say does not have to meet any formal rules on formatting,", "for clarity, the actual subject of the paper I'm writing is The Good", "formatting reason why you should put the phrase in the title in italics,", "the wider internet yielded no obvious answers. And while I tried to use", "weekly free-writing \"journal\" assignment in a college English class, which the instructor, syllabus", "to wondering, because I'm that pedantic, how I should be handling that situation", "is making me lean toward the italics button. Regarding medium - this is", "the actual subject of the paper I'm writing is The Good Place. Which", "And while I tried to use a fairly universal example for clarity, the", "phrase \"Wizard of Oz\" in italics. So, why is my instinct telling me", "use the words in the context of explaining the story, such as, \"They", "about the film The Wizard of Oz. Following the rules of titles, you", "as, \"They tell her to seek help from the Wizard of Oz.\" This", "to seek help from the Wizard of Oz.\" This is not a reference", "the phrase \"Wizard of Oz\" in italics. So, why is my instinct telling", "\"They tell her to seek help from the Wizard of Oz.\" This is", "title in italics, when it's not referencing the title directly. And yet, I", "clear example. You are writing an essay about the film The Wizard of", "there is an applicable rule I'm forgetting, that is making me lean toward", "syllabus and instructions specifically say does not have to meet any formal rules", "the title. In the context of sharing the plot or quoting dialog, there", "writing is The Good Place. Which does add the wrinkle of; if I", "because I'm that pedantic, how I should be handling that situation in formal", "in italics, should I also put Bad Place in italics? And people thought", "then you use the words in the context of explaining the story, such", "which the instructor, syllabus and instructions specifically say does not have to meet", "English class, which the instructor, syllabus and instructions specifically say does not have", "question'. I can't see any standardized formatting reason why you should put the", "formatting, punctuation, grammar, citations etc. But it really got me to wondering, because", "reference to the title. In the context of sharing the plot or quoting", "quoting dialog, there is no reason to put the phrase \"Wizard of Oz\"", "Following the rules of titles, you put the film title in italics whenever", "'dumb question'. I can't see any standardized formatting reason why you should put", "the rules of titles, you put the film title in italics whenever you", "specifically say does not have to meet any formal rules on formatting, punctuation,", "say does not have to meet any formal rules on formatting, punctuation, grammar,", "that situation in formal writing situation? And a search of SE and the", "help from the Wizard of Oz.\" This is not a reference to the", "that is making me lean toward the italics button. Regarding medium - this", "punctuation, grammar, citations etc. But it really got me to wondering, because I'm", "me to wondering, because I'm that pedantic, how I should be handling that", "in the title in italics, when it's not referencing the title directly. And", "always put Good Place in italics, should I also put Bad Place in", "mental state, just saying that I know this is kind of a 'dumb", "does add the wrinkle of; if I always put Good Place in italics,", "handling that situation in formal writing situation? And a search of SE and", "But then you use the words in the context of explaining the story,", "of the paper I'm writing is The Good Place. Which does add the", "essay about the film The Wizard of Oz. Following the rules of titles,", "instinct telling me to do so? Not asking you to evaluate my mental", "such as, \"They tell her to seek help from the Wizard of Oz.\"", "forgetting, that is making me lean toward the italics button. Regarding medium -", "yielded no obvious answers. And while I tried to use a fairly universal", "I can't see any standardized formatting reason why you should put the phrase", "Place* in italics? And people thought the philosophy in this show was stomach-ache-inducing.", "I'm writing is The Good Place. Which does add the wrinkle of; if", "to do so? Not asking you to evaluate my mental state, just saying", "in a college English class, which the instructor, syllabus and instructions specifically say", "you use it. But then you use the words in the context of", "in italics, when it's not referencing the title directly. And yet, I feel", "formal writing situation? And a search of SE and the wider internet yielded", "Oz. Following the rules of titles, you put the film title in italics", "plot or quoting dialog, there is no reason to put the phrase \"Wizard", "add the wrinkle of; if I always put Good Place* in italics, should", "So, why is my instinct telling me to do so? Not asking you", "asking you to evaluate my mental state, just saying that I know this", "to use a fairly universal example for clarity, the actual subject of the", "the plot or quoting dialog, there is no reason to put the phrase", "film The Wizard of Oz. Following the rules of titles, you put the", "internet yielded no obvious answers. And while I tried to use a fairly", "her to seek help from the Wizard of Oz.\" This is not a", "title in italics whenever you use it. But then you use the words", "the wrinkle of; if I always put Good Place in italics, should I", "kind of a 'dumb question'. I can't see any standardized formatting reason why", "title directly. And yet, I feel like there is an applicable rule I'm", "You are writing an essay about the film The Wizard of Oz. Following", "have to meet any formal rules on formatting, punctuation, grammar, citations etc. But", "of Oz. Following the rules of titles, you put the film title in", "And yet, I feel like there is an applicable rule I'm forgetting, that", "a college English class, which the instructor, syllabus and instructions specifically say does", "directly. And yet, I feel like there is an applicable rule I'm forgetting,", "yet, I feel like there is an applicable rule I'm forgetting, that is", "college English class, which the instructor, syllabus and instructions specifically say does not", "and the wider internet yielded no obvious answers. And while I tried to", "not a reference to the title. In the context of sharing the plot", "put the phrase in the title in italics, when it's not referencing the", "in italics? And people thought the philosophy in this show was stomach-ache-inducing. :)", "a fairly universal example for clarity, the actual subject of the paper I'm", "Regarding medium - this is for a weekly free-writing \"journal\" assignment in a", "actual subject of the paper I'm writing is The Good Place. Which does", "to the title. In the context of sharing the plot or quoting dialog,", "or quoting dialog, there is no reason to put the phrase \"Wizard of", "of a 'dumb question'. I can't see any standardized formatting reason why you", "put the film title in italics whenever you use it. But then you", "so? Not asking you to evaluate my mental state, just saying that I", "that pedantic, how I should be handling that situation in formal writing situation?", "from the Wizard of Oz.\" This is not a reference to the title.", "rules of titles, you put the film title in italics whenever you use", "italics. So, why is my instinct telling me to do so? Not asking", "to evaluate my mental state, just saying that I know this is kind", "etc. But it really got me to wondering, because I'm that pedantic, how", "wondering, because I'm that pedantic, how I should be handling that situation in", "pedantic, how I should be handling that situation in formal writing situation? And", "start with a clear example. You are writing an essay about the film", "a search of SE and the wider internet yielded no obvious answers. And", "while I tried to use a fairly universal example for clarity, the actual", "\"Wizard of Oz\" in italics. So, why is my instinct telling me to", "the phrase in the title in italics, when it's not referencing the title", "citations etc. But it really got me to wondering, because I'm that pedantic,", "of; if I always put Good Place* in italics, should I also put", "meet any formal rules on formatting, punctuation, grammar, citations etc. But it really", "the Wizard of Oz.\" This is not a reference to the title. In", "of explaining the story, such as, \"They tell her to seek help from", "\"journal\" assignment in a college English class, which the instructor, syllabus and instructions", "Place* in italics, should I also put Bad Place in italics? And people", "tried to use a fairly universal example for clarity, the actual subject of", "you put the film title in italics whenever you use it. But then", "is no reason to put the phrase \"Wizard of Oz\" in italics. So,", "any formal rules on formatting, punctuation, grammar, citations etc. But it really got", "instructor, syllabus and instructions specifically say does not have to meet any formal", "the film title in italics whenever you use it. But then you use", "in italics whenever you use it. But then you use the words in", "This is not a reference to the title. In the context of sharing", "in italics. So, why is my instinct telling me to do so? Not", "you to evaluate my mental state, just saying that I know this is", "seek help from the Wizard of Oz.\" This is not a reference to", "of titles, you put the film title in italics whenever you use it.", "phrase in the title in italics, when it's not referencing the title directly.", "the italics button. Regarding medium - this is for a weekly free-writing \"journal\"", "italics button. Regarding medium - this is for a weekly free-writing \"journal\" assignment", "class, which the instructor, syllabus and instructions specifically say does not have to", "italics, should I also put Bad Place in italics? And people thought the", "Wizard of Oz. Following the rules of titles, you put the film title", "context of explaining the story, such as, \"They tell her to seek help", "Wizard of Oz.\" This is not a reference to the title. In the", "reason why you should put the phrase in the title in italics, when", "on formatting, punctuation, grammar, citations etc. But it really got me to wondering,", "be handling that situation in formal writing situation? And a search of SE", "you use the words in the context of explaining the story, such as,", "And a search of SE and the wider internet yielded no obvious answers.", "the title directly. And yet, I feel like there is an applicable rule", "dialog, there is no reason to put the phrase \"Wizard of Oz\" in", "referencing the title directly. And yet, I feel like there is an applicable", "I feel like there is an applicable rule I'm forgetting, that is making", "title. In the context of sharing the plot or quoting dialog, there is", "when it's not referencing the title directly. And yet, I feel like there", "telling me to do so? Not asking you to evaluate my mental state,", "to meet any formal rules on formatting, punctuation, grammar, citations etc. But it", "fairly universal example for clarity, the actual subject of the paper I'm writing", "should I also put Bad Place* in italics? And people thought the philosophy", "me to do so? Not asking you to evaluate my mental state, just", "- this is for a weekly free-writing \"journal\" assignment in a college English", "use it. But then you use the words in the context of explaining", "reason to put the phrase \"Wizard of Oz\" in italics. So, why is", "a reference to the title. In the context of sharing the plot or", "that I know this is kind of a 'dumb question'. I can't see", "paper I'm writing is The Good Place. Which does add the wrinkle of;", "in the context of explaining the story, such as, \"They tell her to", "like there is an applicable rule I'm forgetting, that is making me lean", "whenever you use it. But then you use the words in the context", "words in the context of explaining the story, such as, \"They tell her", "an essay about the film The Wizard of Oz. Following the rules of", "of Oz.\" This is not a reference to the title. In the context", "the context of sharing the plot or quoting dialog, there is no reason", "to put the phrase \"Wizard of Oz\" in italics. So, why is my", "Oz\" in italics. So, why is my instinct telling me to do so?", "should put the phrase in the title in italics, when it's not referencing", "italics, when it's not referencing the title directly. And yet, I feel like", "for a weekly free-writing \"journal\" assignment in a college English class, which the", "are writing an essay about the film The Wizard of Oz. Following the", "is for a weekly free-writing \"journal\" assignment in a college English class, which", "of Oz\" in italics. So, why is my instinct telling me to do", "a clear example. You are writing an essay about the film The Wizard", "free-writing \"journal\" assignment in a college English class, which the instructor, syllabus and", "the philosophy in this show was stomach-ache-inducing. :) Thanks, in advance, for any", "people thought the philosophy in this show was stomach-ache-inducing. :) Thanks, in advance,", "rules on formatting, punctuation, grammar, citations etc. But it really got me to", "can't see any standardized formatting reason why you should put the phrase in", "a weekly free-writing \"journal\" assignment in a college English class, which the instructor,", "Bad Place* in italics? And people thought the philosophy in this show was", "thought the philosophy in this show was stomach-ache-inducing. :) Thanks, in advance, for", "the title in italics, when it's not referencing the title directly. And yet,", "there is no reason to put the phrase \"Wizard of Oz\" in italics.", "the story, such as, \"They tell her to seek help from the Wizard", "is my instinct telling me to do so? Not asking you to evaluate", "got me to wondering, because I'm that pedantic, how I should be handling", "titles, you put the film title in italics whenever you use it. But", "situation? And a search of SE and the wider internet yielded no obvious", "of SE and the wider internet yielded no obvious answers. And while I", "subject of the paper I'm writing is The Good Place. Which does add", "I also put Bad Place in italics? And people thought the philosophy in", "wrinkle of; if I always put Good Place in italics, should I also", "with a clear example. You are writing an essay about the film The", "Good Place* in italics, should I also put Bad Place in italics? And", "just saying that I know this is kind of a 'dumb question'. I", "the film The Wizard of Oz. Following the rules of titles, you put", "also put Bad Place in italics? And people thought the philosophy in this", "put Bad Place in italics? And people thought the philosophy in this show", "any standardized formatting reason why you should put the phrase in the title", "state, just saying that I know this is kind of a 'dumb question'.", "SE and the wider internet yielded no obvious answers. And while I tried", "I always put Good Place in italics, should I also put Bad Place", "really got me to wondering, because I'm that pedantic, how I should be", "Good Place. Which does add the wrinkle of; if I always put Good" ]
[ "requesting that our paper be reviewed. To me, this seems a very impolite", "is much higher in rank and position than us. On the other hand,", "a research publication, which had to be sent to a journal for the", "other hand, we are mere authors of the paper. I believe that a", "cover letter of the paper as follows: > > Dear Editor in Chief", "My professor wrote the cover letter of the paper as follows: > >", "with my guide wrote a research publication, which had to be sent to", "reviewed. To me, this seems a very impolite way of beginning a cover", "phrase like \"You are requested\" is used by a top authority to those", "you (i.e. by a mere author to an editor-in-chief of a journal), or", "the cover letter of the paper as follows: > > Dear Editor in", "wrote a research publication, which had to be sent to a journal for", "top authority to those below it, or when both the writer and reader", "requested\" is used by a top authority to those below it, or when", "the purpose of review. My professor wrote the cover letter of the paper", "the paper as follows: > > Dear Editor in Chief > > >", "mere authors of the paper. I believe that a phrase like \"You are", "as follows: > > Dear Editor in Chief > > > You are", "and position than us. On the other hand, we are mere authors of", "of the journal, requesting that our paper be reviewed. To me, this seems", "be reviewed. To me, this seems a very impolite way of beginning a", "rank. Does the phrase \"You are requested\" seem impolite, when it is written", "> > This cover letter is from the authors of the research paper", "my supervisor) to the Editor-in-chief of the journal, requesting that our paper be", "in rank and position than us. On the other hand, we are mere", "You are requested to review the paper \"Title of the paper\".... > >", "requested\" seem impolite, when it is written to an authority much higher than", "us. On the other hand, we are mere authors of the paper. I", "the same rank. Does the phrase \"You are requested\" seem impolite, when it", "impolite, when it is written to an authority much higher than you (i.e.", "journal for the purpose of review. My professor wrote the cover letter of", "> > > Thanks > > > This cover letter is from the", "the research paper (me and my supervisor) to the Editor-in-chief of the journal,", "I believe that a phrase like \"You are requested\" is used by a", "phrase \"You are requested\" seem impolite, when it is written to an authority", "that our paper be reviewed. To me, this seems a very impolite way", "to those below it, or when both the writer and reader are at", "seem impolite, when it is written to an authority much higher than you", "On the other hand, we are mere authors of the paper. I believe", "authority much higher than you (i.e. by a mere author to an editor-in-chief", "a cover letter addressed to an Editor-in-chief who is much higher in rank", "(me and my supervisor) to the Editor-in-chief of the journal, requesting that our", "Editor-in-chief who is much higher in rank and position than us. On the", "paper \"Title of the paper\".... > > > Thanks > > > This", "a top authority to those below it, or when both the writer and", "purpose of review. My professor wrote the cover letter of the paper as", "those below it, or when both the writer and reader are at the", "research publication, which had to be sent to a journal for the purpose", "supervisor) to the Editor-in-chief of the journal, requesting that our paper be reviewed.", "both the writer and reader are at the same rank. Does the phrase", "the paper\".... > > > Thanks > > > This cover letter is", "by a top authority to those below it, or when both the writer", "when both the writer and reader are at the same rank. Does the", "much higher than you (i.e. by a mere author to an editor-in-chief of", "this seems a very impolite way of beginning a cover letter addressed to", "of review. My professor wrote the cover letter of the paper as follows:", "Editor in Chief > > > You are requested to review the paper", "from the authors of the research paper (me and my supervisor) to the", "> Thanks > > > This cover letter is from the authors of", "to an Editor-in-chief who is much higher in rank and position than us.", "cover letter addressed to an Editor-in-chief who is much higher in rank and", "paper be reviewed. To me, this seems a very impolite way of beginning", "position than us. On the other hand, we are mere authors of the", "(i.e. by a mere author to an editor-in-chief of a journal), or is", "to review the paper \"Title of the paper\".... > > > Thanks >", "in Chief > > > You are requested to review the paper \"Title", "cover letter is from the authors of the research paper (me and my", "hand, we are mere authors of the paper. I believe that a phrase", "same rank. Does the phrase \"You are requested\" seem impolite, when it is", "to the Editor-in-chief of the journal, requesting that our paper be reviewed. To", "addressed to an Editor-in-chief who is much higher in rank and position than", "guide wrote a research publication, which had to be sent to a journal", "very impolite way of beginning a cover letter addressed to an Editor-in-chief who", "and reader are at the same rank. Does the phrase \"You are requested\"", "I along with my guide wrote a research publication, which had to be", "sent to a journal for the purpose of review. 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Does the phrase \"You are requested\" seem impolite, when", "seems a very impolite way of beginning a cover letter addressed to an", "research paper (me and my supervisor) to the Editor-in-chief of the journal, requesting", "the paper \"Title of the paper\".... > > > Thanks > > >", "the journal, requesting that our paper be reviewed. To me, this seems a", "below it, or when both the writer and reader are at the same", "a journal for the purpose of review. My professor wrote the cover letter", "Does the phrase \"You are requested\" seem impolite, when it is written to", "be sent to a journal for the purpose of review. My professor wrote", "professor wrote the cover letter of the paper as follows: > > Dear", "journal, requesting that our paper be reviewed. To me, this seems a very", "are requested\" is used by a top authority to those below it, or", "the writer and reader are at the same rank. Does the phrase \"You", "follows: > > Dear Editor in Chief > > > You are requested", "to a journal for the purpose of review. My professor wrote the cover", "a very impolite way of beginning a cover letter addressed to an Editor-in-chief", "of the paper. I believe that a phrase like \"You are requested\" is", "used by a top authority to those below it, or when both the", "of beginning a cover letter addressed to an Editor-in-chief who is much higher", "written to an authority much higher than you (i.e. by a mere author", "> > You are requested to review the paper \"Title of the paper\"....", "Dear Editor in Chief > > > You are requested to review the", "me, this seems a very impolite way of beginning a cover letter addressed", "rank and position than us. On the other hand, we are mere authors", "beginning a cover letter addressed to an Editor-in-chief who is much higher in", "letter is from the authors of the research paper (me and my supervisor)", "is used by a top authority to those below it, or when both", "my guide wrote a research publication, which had to be sent to a", "> > > This cover letter is from the authors of the research", "is written to an authority much higher than you (i.e. by a mere", "our paper be reviewed. To me, this seems a very impolite way of", "letter addressed to an Editor-in-chief who is much higher in rank and position", "the phrase \"You are requested\" seem impolite, when it is written to an", "are requested to review the paper \"Title of the paper\".... > > >", "To me, this seems a very impolite way of beginning a cover letter", "we are mere authors of the paper. I believe that a phrase like", "authors of the research paper (me and my supervisor) to the Editor-in-chief of", "higher than you (i.e. by a mere author to an editor-in-chief of a", "wrote the cover letter of the paper as follows: > > Dear Editor", "> This cover letter is from the authors of the research paper (me", "impolite way of beginning a cover letter addressed to an Editor-in-chief who is", "higher in rank and position than us. On the other hand, we are", "an Editor-in-chief who is much higher in rank and position than us. On", "\"You are requested\" is used by a top authority to those below it,", "paper\".... > > > Thanks > > > This cover letter is from", "by a mere author to an editor-in-chief of a journal), or is it", "and my supervisor) to the Editor-in-chief of the journal, requesting that our paper", "This cover letter is from the authors of the research paper (me and", "reader are at the same rank. 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To me, this", "requested to review the paper \"Title of the paper\".... > > > Thanks", "> > Thanks > > > This cover letter is from the authors", "a phrase like \"You are requested\" is used by a top authority to", "to an authority much higher than you (i.e. by a mere author to", "who is much higher in rank and position than us. On the other", "of the research paper (me and my supervisor) to the Editor-in-chief of the", "it is written to an authority much higher than you (i.e. by a", "that a phrase like \"You are requested\" is used by a top authority", "paper. I believe that a phrase like \"You are requested\" is used by", "an authority much higher than you (i.e. by a mere author to an", "much higher in rank and position than us. On the other hand, we", "than you (i.e. by a mere author to an editor-in-chief of a journal),", "the paper. I believe that a phrase like \"You are requested\" is used", "are mere authors of the paper. I believe that a phrase like \"You", "like \"You are requested\" is used by a top authority to those below", "for the purpose of review. My professor wrote the cover letter of the", "to be sent to a journal for the purpose of review. My professor", "or when both the writer and reader are at the same rank. Does" ]
[ "Jetstream) which is brand-new, so I don't think that's the problem. I waste", "(Uni-Ball SXN-210 Jetstream) which is brand-new, so I don't think that's the problem.", "which is brand-new, so I don't think that's the problem. I waste about", "Does anyone have any solutions? I have tried three pens of increasing quality", "thing that will get it working is a few seconds of intense scribbling.", "using rather expensive paper and a highly-regarded pen (Uni-Ball SXN-210 Jetstream) which is", "get it working is a few seconds of intense scribbling. I'm using rather", "along merrily and then my pen stops up and refuses to put ink", "a sixth of the time I spend writing) just on this problem and", "it working is a few seconds of intense scribbling. I'm using rather expensive", "this problem and my margins are a mess. Does anyone have any solutions?", "the paper, and the only thing that will get it working is a", "merrily and then my pen stops up and refuses to put ink down", "will get it working is a few seconds of intense scribbling. I'm using", "10 seconds every minute (so a sixth of the time I spend writing)", "the problem. I waste about 10 seconds every minute (so a sixth of", "have any solutions? I have tried three pens of increasing quality (and, might", "and refuses to put ink down onto the paper, and the only thing", "where I'm writing along merrily and then my pen stops up and refuses", "problem. I waste about 10 seconds every minute (so a sixth of the", "I waste about 10 seconds every minute (so a sixth of the time", "I'm using rather expensive paper and a highly-regarded pen (Uni-Ball SXN-210 Jetstream) which", "of increasing quality (and, might I add, expense) and the problem has followed", "so I don't think that's the problem. I waste about 10 seconds every", "minute (so a sixth of the time I spend writing) just on this", "seconds of intense scribbling. I'm using rather expensive paper and a highly-regarded pen", "and the only thing that will get it working is a few seconds", "is a few seconds of intense scribbling. I'm using rather expensive paper and", "for the past few months where I'm writing along merrily and then my", "brand-new, so I don't think that's the problem. I waste about 10 seconds", "SXN-210 Jetstream) which is brand-new, so I don't think that's the problem. I", "that's the problem. I waste about 10 seconds every minute (so a sixth", "mess. Does anyone have any solutions? I have tried three pens of increasing", "three pens of increasing quality (and, might I add, expense) and the problem", "writing along merrily and then my pen stops up and refuses to put", "then my pen stops up and refuses to put ink down onto the", "the time I spend writing) just on this problem and my margins are", "I've been having an issue for the past few months where I'm writing", "quality (and, might I add, expense) and the problem has followed me through", "(and, might I add, expense) and the problem has followed me through all", "increasing quality (and, might I add, expense) and the problem has followed me", "don't think that's the problem. I waste about 10 seconds every minute (so", "spend writing) just on this problem and my margins are a mess. Does", "anyone have any solutions? I have tried three pens of increasing quality (and,", "stops up and refuses to put ink down onto the paper, and the", "paper, and the only thing that will get it working is a few", "I add, expense) and the problem has followed me through all of them", "refuses to put ink down onto the paper, and the only thing that", "time I spend writing) just on this problem and my margins are a", "an issue for the past few months where I'm writing along merrily and", "and then my pen stops up and refuses to put ink down onto", "(so a sixth of the time I spend writing) just on this problem", "that will get it working is a few seconds of intense scribbling. I'm", "any solutions? I have tried three pens of increasing quality (and, might I", "issue for the past few months where I'm writing along merrily and then", "pen stops up and refuses to put ink down onto the paper, and", "of intense scribbling. I'm using rather expensive paper and a highly-regarded pen (Uni-Ball", "my margins are a mess. Does anyone have any solutions? I have tried", "might I add, expense) and the problem has followed me through all of", "past few months where I'm writing along merrily and then my pen stops", "the past few months where I'm writing along merrily and then my pen", "to put ink down onto the paper, and the only thing that will", "about 10 seconds every minute (so a sixth of the time I spend", "ink down onto the paper, and the only thing that will get it", "months where I'm writing along merrily and then my pen stops up and", "been having an issue for the past few months where I'm writing along", "of the time I spend writing) just on this problem and my margins", "I spend writing) just on this problem and my margins are a mess.", "highly-regarded pen (Uni-Ball SXN-210 Jetstream) which is brand-new, so I don't think that's", "a mess. Does anyone have any solutions? I have tried three pens of", "tried three pens of increasing quality (and, might I add, expense) and the", "pens of increasing quality (and, might I add, expense) and the problem has", "just on this problem and my margins are a mess. Does anyone have", "scribbling. I'm using rather expensive paper and a highly-regarded pen (Uni-Ball SXN-210 Jetstream)", "working is a few seconds of intense scribbling. I'm using rather expensive paper", "having an issue for the past few months where I'm writing along merrily", "writing) just on this problem and my margins are a mess. Does anyone", "onto the paper, and the only thing that will get it working is", "I'm writing along merrily and then my pen stops up and refuses to", "a highly-regarded pen (Uni-Ball SXN-210 Jetstream) which is brand-new, so I don't think", "I have tried three pens of increasing quality (and, might I add, expense)", "margins are a mess. Does anyone have any solutions? I have tried three", "down onto the paper, and the only thing that will get it working", "put ink down onto the paper, and the only thing that will get", "my pen stops up and refuses to put ink down onto the paper,", "problem and my margins are a mess. Does anyone have any solutions? I", "few seconds of intense scribbling. I'm using rather expensive paper and a highly-regarded", "I don't think that's the problem. I waste about 10 seconds every minute", "think that's the problem. I waste about 10 seconds every minute (so a", "sixth of the time I spend writing) just on this problem and my", "rather expensive paper and a highly-regarded pen (Uni-Ball SXN-210 Jetstream) which is brand-new,", "every minute (so a sixth of the time I spend writing) just on", "and a highly-regarded pen (Uni-Ball SXN-210 Jetstream) which is brand-new, so I don't", "have tried three pens of increasing quality (and, might I add, expense) and", "few months where I'm writing along merrily and then my pen stops up", "solutions? I have tried three pens of increasing quality (and, might I add,", "on this problem and my margins are a mess. Does anyone have any", "the only thing that will get it working is a few seconds of", "is brand-new, so I don't think that's the problem. I waste about 10", "paper and a highly-regarded pen (Uni-Ball SXN-210 Jetstream) which is brand-new, so I", "expensive paper and a highly-regarded pen (Uni-Ball SXN-210 Jetstream) which is brand-new, so", "seconds every minute (so a sixth of the time I spend writing) just", "a few seconds of intense scribbling. I'm using rather expensive paper and a", "pen (Uni-Ball SXN-210 Jetstream) which is brand-new, so I don't think that's the", "waste about 10 seconds every minute (so a sixth of the time I", "and my margins are a mess. Does anyone have any solutions? I have", "intense scribbling. I'm using rather expensive paper and a highly-regarded pen (Uni-Ball SXN-210", "up and refuses to put ink down onto the paper, and the only", "are a mess. Does anyone have any solutions? I have tried three pens", "only thing that will get it working is a few seconds of intense" ]
[ "about Lomo’s identity by having him only assume Tosks between 10 (his true", "comes across as very heavy-handed. *How, then, can I hint Lomo’s identity without", "that he always retains his scarred lips, venom burns, falconic eyes and high", "Lomo uses this Tosk to have his sociopathic, authority-hating followers commit political violence", "from [Griffith](https://tvtropes.org/pmwiki/pmwiki.php/Characters/BerserkGriffithFemto), [Kuezem Ghidorah](https://villains.fandom.com/wiki/Kuezem_Ghidorah), [Rensavl Flagg](https://villains.fandom.com/wiki/Rensavl_Flagg), [Saruman](https://villains.fandom.com/wiki/Saruman) and [Hastur](https://lovecraft.fandom.com/wiki/Hastur). Throughout the series, Lomo", "Disorder, thanks to struggling to conform to modern society, everyone she knows being", "cultures and [resembling a certain endoparasitic extraterrestrial](https://tvtropes.org/pmwiki/pmwiki.php/Main/XenomorphXerox)) with hosts. I have scattered several", "Another major clue is that he always retains his scarred lips, venom burns,", "sanity (who suffers from Major Depressive Disorder, thanks to struggling to conform to", "body temperature in every Tosk. However, I still don’t think this enough, and", "Tosk used by Lomo is a person who leads an anarcho-communist and anti-fascist", "height) or 5 feet tall and makes heavy footfalls when walking. Another major", "uses is that of an [priest](https://tvtropes.org/pmwiki/pmwiki.php/Main/BadHabits) named Father Ngodun to provide false emotional", "various species, per his epithet “the Billion-Faced Beast”. One “Tosk”* he uses is", "is that of an [priest](https://tvtropes.org/pmwiki/pmwiki.php/Main/BadHabits) named Father Ngodun to provide false emotional and", "endoparasitic extraterrestrial](https://tvtropes.org/pmwiki/pmwiki.php/Main/XenomorphXerox)) with hosts. I have scattered several hints throughout the series about", "named Father Ngodun to provide false emotional and spiritual support to the deuteragonist", "every Tosk. However, I still don’t think this enough, and it all comes", "10 (his true form’s height) or 5 feet tall and makes heavy footfalls", "contact for over six centuries). Another Tosk used by Lomo is a person", "Flagg](https://villains.fandom.com/wiki/Rensavl_Flagg), [Saruman](https://villains.fandom.com/wiki/Saruman) and [Hastur](https://lovecraft.fandom.com/wiki/Hastur). Throughout the series, Lomo takes forms called “Tosks” to", "her sanity (who suffers from Major Depressive Disorder, thanks to struggling to conform", "certain endoparasitic extraterrestrial](https://tvtropes.org/pmwiki/pmwiki.php/Main/XenomorphXerox)) with hosts. I have scattered several hints throughout the series", "hints throughout the series about Lomo’s identity by having him only assume Tosks", "Lomo, whose characterisation borrows from [Griffith](https://tvtropes.org/pmwiki/pmwiki.php/Characters/BerserkGriffithFemto), [Kuezem Ghidorah](https://villains.fandom.com/wiki/Kuezem_Ghidorah), [Rensavl Flagg](https://villains.fandom.com/wiki/Rensavl_Flagg), [Saruman](https://villains.fandom.com/wiki/Saruman) and [Hastur](https://lovecraft.fandom.com/wiki/Hastur).", "or masquerade as various species, per his epithet “the Billion-Faced Beast”. One “Tosk”", "alien by the name of Lomo, whose characterisation borrows from [Griffith](https://tvtropes.org/pmwiki/pmwiki.php/Characters/BerserkGriffithFemto), [Kuezem Ghidorah](https://villains.fandom.com/wiki/Kuezem_Ghidorah),", "enough, and it all comes across as very heavy-handed. *How, then, can I", "still don’t think this enough, and it all comes across as very heavy-handed.", "pentastomids styling themselves after nomadic Indo-Iranian cultures and [resembling a certain endoparasitic extraterrestrial](https://tvtropes.org/pmwiki/pmwiki.php/Main/XenomorphXerox))", "“the Billion-Faced Beast”. One “Tosk”* he uses is that of an [priest](https://tvtropes.org/pmwiki/pmwiki.php/Main/BadHabits) named", "in every Tosk. However, I still don’t think this enough, and it all", "to conform to modern society, everyone she knows being dead and having no", "themselves after nomadic Indo-Iranian cultures and [resembling a certain endoparasitic extraterrestrial](https://tvtropes.org/pmwiki/pmwiki.php/Main/XenomorphXerox)) with hosts.", "I have scattered several hints throughout the series about Lomo’s identity by having", "Lomo’s identity by having him only assume Tosks between 10 (his true form’s", "to the deuteragonist implied to be Jeanne d’Arc. Lomo later tells the deuteragonist", "support to the deuteragonist implied to be Jeanne d’Arc. Lomo later tells the", "Jeanne d’Arc. Lomo later tells the deuteragonist that he killed the real Ngodun", "characterisation borrows from [Griffith](https://tvtropes.org/pmwiki/pmwiki.php/Characters/BerserkGriffithFemto), [Kuezem Ghidorah](https://villains.fandom.com/wiki/Kuezem_Ghidorah), [Rensavl Flagg](https://villains.fandom.com/wiki/Rensavl_Flagg), [Saruman](https://villains.fandom.com/wiki/Saruman) and [Hastur](https://lovecraft.fandom.com/wiki/Hastur). Throughout the", "as various species, per his epithet “the Billion-Faced Beast”. One “Tosk” he uses", "spiritual support to the deuteragonist implied to be Jeanne d’Arc. Lomo later tells", "(humans parasitised by prehistoric pentastomids styling themselves after nomadic Indo-Iranian cultures and [resembling", "A significant antagonist in my trilogy is an omnicidal alien by the name", "all comes across as very heavy-handed. *How, then, can I hint Lomo’s identity", "in my trilogy is an omnicidal alien by the name of Lomo, whose", "falconic eyes and high body temperature in every Tosk. However, I still don’t", "struggling to conform to modern society, everyone she knows being dead and having", "civilians to give the Degenerates (humans parasitised by prehistoric pentastomids styling themselves after", "nomadic Indo-Iranian cultures and [resembling a certain endoparasitic extraterrestrial](https://tvtropes.org/pmwiki/pmwiki.php/Main/XenomorphXerox)) with hosts. I have", "borrows from [Griffith](https://tvtropes.org/pmwiki/pmwiki.php/Characters/BerserkGriffithFemto), [Kuezem Ghidorah](https://villains.fandom.com/wiki/Kuezem_Ghidorah), [Rensavl Flagg](https://villains.fandom.com/wiki/Rensavl_Flagg), [Saruman](https://villains.fandom.com/wiki/Saruman) and [Hastur](https://lovecraft.fandom.com/wiki/Hastur). Throughout the series,", "clue is that he always retains his scarred lips, venom burns, falconic eyes", "called “Tosks”* to interact with disciples or masquerade as various species, per his", "“Tosk” he uses is that of an [priest](https://tvtropes.org/pmwiki/pmwiki.php/Main/BadHabits) named Father Ngodun to provide", "provide false emotional and spiritual support to the deuteragonist implied to be Jeanne", "(who suffers from Major Depressive Disorder, thanks to struggling to conform to modern", "have his sociopathic, authority-hating followers commit political violence against and kidnap innocent civilians", "[resembling a certain endoparasitic extraterrestrial](https://tvtropes.org/pmwiki/pmwiki.php/Main/XenomorphXerox)) with hosts. I have scattered several hints throughout", "hosts. I have scattered several hints throughout the series about Lomo’s identity by", "destroy her sanity (who suffers from Major Depressive Disorder, thanks to struggling to", "styling themselves after nomadic Indo-Iranian cultures and [resembling a certain endoparasitic extraterrestrial](https://tvtropes.org/pmwiki/pmwiki.php/Main/XenomorphXerox)) with", "and it all comes across as very heavy-handed. How, then, can I hint", "true form’s height) or 5 feet tall and makes heavy footfalls when walking.", "to be Jeanne d’Arc. Lomo later tells the deuteragonist that he killed the", "a certain endoparasitic extraterrestrial](https://tvtropes.org/pmwiki/pmwiki.php/Main/XenomorphXerox)) with hosts. I have scattered several hints throughout the", "this enough, and it all comes across as very heavy-handed. How, then, can", "and anti-fascist group. Lomo uses this Tosk to have his sociopathic, authority-hating followers", "series, Lomo takes forms called “Tosks” to interact with disciples or masquerade as", "be Jeanne d’Arc. Lomo later tells the deuteragonist that he killed the real", "political violence against and kidnap innocent civilians to give the Degenerates (humans parasitised", "with disciples or masquerade as various species, per his epithet “the Billion-Faced Beast”.", "he uses is that of an [priest](https://tvtropes.org/pmwiki/pmwiki.php/Main/BadHabits) named Father Ngodun to provide false", "across as very heavy-handed. *How, then, can I hint Lomo’s identity without being", "[Kuezem Ghidorah](https://villains.fandom.com/wiki/Kuezem_Ghidorah), [Rensavl Flagg](https://villains.fandom.com/wiki/Rensavl_Flagg), [Saruman](https://villains.fandom.com/wiki/Saruman) and [Hastur](https://lovecraft.fandom.com/wiki/Hastur). Throughout the series, Lomo takes forms", "after nomadic Indo-Iranian cultures and [resembling a certain endoparasitic extraterrestrial](https://tvtropes.org/pmwiki/pmwiki.php/Main/XenomorphXerox)) with hosts. I", "venom burns, falconic eyes and high body temperature in every Tosk. However, I", "used by Lomo is a person who leads an anarcho-communist and anti-fascist group.", "his sociopathic, authority-hating followers commit political violence against and kidnap innocent civilians to", "trilogy is an omnicidal alien by the name of Lomo, whose characterisation borrows", "that he killed the real Ngodun to destroy her sanity (who suffers from", "the series about Lomo’s identity by having him only assume Tosks between 10", "a person who leads an anarcho-communist and anti-fascist group. Lomo uses this Tosk", "by the name of Lomo, whose characterisation borrows from [Griffith](https://tvtropes.org/pmwiki/pmwiki.php/Characters/BerserkGriffithFemto), [Kuezem Ghidorah](https://villains.fandom.com/wiki/Kuezem_Ghidorah), [Rensavl", "he killed the real Ngodun to destroy her sanity (who suffers from Major", "species, per his epithet “the Billion-Faced Beast”. One “Tosk”* he uses is that", "conform to modern society, everyone she knows being dead and having no human", "later tells the deuteragonist that he killed the real Ngodun to destroy her", "my trilogy is an omnicidal alien by the name of Lomo, whose characterisation", "by having him only assume Tosks between 10 (his true form’s height) or", "by Lomo is a person who leads an anarcho-communist and anti-fascist group. Lomo", "several hints throughout the series about Lomo’s identity by having him only assume", "an [priest](https://tvtropes.org/pmwiki/pmwiki.php/Main/BadHabits) named Father Ngodun to provide false emotional and spiritual support to", "as very heavy-handed. How, then, can I hint Lomo’s identity without being unsubtle?", "is that he always retains his scarred lips, venom burns, falconic eyes and", "him only assume Tosks between 10 (his true form’s height) or 5 feet", "disciples or masquerade as various species, per his epithet “the Billion-Faced Beast”. One", "an anarcho-communist and anti-fascist group. Lomo uses this Tosk to have his sociopathic,", "that of an [priest](https://tvtropes.org/pmwiki/pmwiki.php/Main/BadHabits) named Father Ngodun to provide false emotional and spiritual", "epithet “the Billion-Faced Beast”. One “Tosk” he uses is that of an [priest](https://tvtropes.org/pmwiki/pmwiki.php/Main/BadHabits)", "this Tosk to have his sociopathic, authority-hating followers commit political violence against and", "he always retains his scarred lips, venom burns, falconic eyes and high body", "“Tosks” to interact with disciples or masquerade as various species, per his epithet", "the deuteragonist that he killed the real Ngodun to destroy her sanity (who", "killed the real Ngodun to destroy her sanity (who suffers from Major Depressive", "society, everyone she knows being dead and having no human contact for over", "and [resembling a certain endoparasitic extraterrestrial](https://tvtropes.org/pmwiki/pmwiki.php/Main/XenomorphXerox)) with hosts. I have scattered several hints", "by prehistoric pentastomids styling themselves after nomadic Indo-Iranian cultures and [resembling a certain", "eyes and high body temperature in every Tosk. However, I still don’t think", "Beast”. One “Tosk”* he uses is that of an [priest](https://tvtropes.org/pmwiki/pmwiki.php/Main/BadHabits) named Father Ngodun", "group. Lomo uses this Tosk to have his sociopathic, authority-hating followers commit political", "the Degenerates (humans parasitised by prehistoric pentastomids styling themselves after nomadic Indo-Iranian cultures", "having no human contact for over six centuries). Another Tosk used by Lomo", "Major Depressive Disorder, thanks to struggling to conform to modern society, everyone she", "emotional and spiritual support to the deuteragonist implied to be Jeanne d’Arc. Lomo", "anarcho-communist and anti-fascist group. Lomo uses this Tosk to have his sociopathic, authority-hating", "Depressive Disorder, thanks to struggling to conform to modern society, everyone she knows", "modern society, everyone she knows being dead and having no human contact for", "Tosk. However, I still don’t think this enough, and it all comes across", "[priest](https://tvtropes.org/pmwiki/pmwiki.php/Main/BadHabits) named Father Ngodun to provide false emotional and spiritual support to the", "Ghidorah](https://villains.fandom.com/wiki/Kuezem_Ghidorah), [Rensavl Flagg](https://villains.fandom.com/wiki/Rensavl_Flagg), [Saruman](https://villains.fandom.com/wiki/Saruman) and [Hastur](https://lovecraft.fandom.com/wiki/Hastur). Throughout the series, Lomo takes forms called", "One “Tosk” he uses is that of an [priest](https://tvtropes.org/pmwiki/pmwiki.php/Main/BadHabits) named Father Ngodun to", "antagonist in my trilogy is an omnicidal alien by the name of Lomo,", "kidnap innocent civilians to give the Degenerates (humans parasitised by prehistoric pentastomids styling", "Lomo later tells the deuteragonist that he killed the real Ngodun to destroy", "who leads an anarcho-communist and anti-fascist group. Lomo uses this Tosk to have", "interact with disciples or masquerade as various species, per his epithet “the Billion-Faced", "form’s height) or 5 feet tall and makes heavy footfalls when walking. Another", "his scarred lips, venom burns, falconic eyes and high body temperature in every", "and [Hastur](https://lovecraft.fandom.com/wiki/Hastur). Throughout the series, Lomo takes forms called “Tosks”* to interact with", "commit political violence against and kidnap innocent civilians to give the Degenerates (humans", "implied to be Jeanne d’Arc. Lomo later tells the deuteragonist that he killed", "violence against and kidnap innocent civilians to give the Degenerates (humans parasitised by", "per his epithet “the Billion-Faced Beast”. One “Tosk” he uses is that of", "Throughout the series, Lomo takes forms called “Tosks” to interact with disciples or", "Indo-Iranian cultures and [resembling a certain endoparasitic extraterrestrial](https://tvtropes.org/pmwiki/pmwiki.php/Main/XenomorphXerox)) with hosts. I have scattered", "to give the Degenerates (humans parasitised by prehistoric pentastomids styling themselves after nomadic", "However, I still don’t think this enough, and it all comes across as", "Lomo takes forms called “Tosks” to interact with disciples or masquerade as various", "give the Degenerates (humans parasitised by prehistoric pentastomids styling themselves after nomadic Indo-Iranian", "having him only assume Tosks between 10 (his true form’s height) or 5", "of an [priest](https://tvtropes.org/pmwiki/pmwiki.php/Main/BadHabits) named Father Ngodun to provide false emotional and spiritual support", "suffers from Major Depressive Disorder, thanks to struggling to conform to modern society,", "feet tall and makes heavy footfalls when walking. Another major clue is that", "person who leads an anarcho-communist and anti-fascist group. Lomo uses this Tosk to", "six centuries). Another Tosk used by Lomo is a person who leads an", "series about Lomo’s identity by having him only assume Tosks between 10 (his", "Tosks between 10 (his true form’s height) or 5 feet tall and makes", "the real Ngodun to destroy her sanity (who suffers from Major Depressive Disorder,", "burns, falconic eyes and high body temperature in every Tosk. However, I still", "to provide false emotional and spiritual support to the deuteragonist implied to be", "deuteragonist implied to be Jeanne d’Arc. Lomo later tells the deuteragonist that he", "lips, venom burns, falconic eyes and high body temperature in every Tosk. However,", "when walking. Another major clue is that he always retains his scarred lips,", "omnicidal alien by the name of Lomo, whose characterisation borrows from [Griffith](https://tvtropes.org/pmwiki/pmwiki.php/Characters/BerserkGriffithFemto), [Kuezem", "human contact for over six centuries). Another Tosk used by Lomo is a", "takes forms called “Tosks” to interact with disciples or masquerade as various species,", "and having no human contact for over six centuries). Another Tosk used by", "Degenerates (humans parasitised by prehistoric pentastomids styling themselves after nomadic Indo-Iranian cultures and", "knows being dead and having no human contact for over six centuries). Another", "don’t think this enough, and it all comes across as very heavy-handed. How,", "Tosk to have his sociopathic, authority-hating followers commit political violence against and kidnap", "whose characterisation borrows from [Griffith](https://tvtropes.org/pmwiki/pmwiki.php/Characters/BerserkGriffithFemto), [Kuezem Ghidorah](https://villains.fandom.com/wiki/Kuezem_Ghidorah), [Rensavl Flagg](https://villains.fandom.com/wiki/Rensavl_Flagg), [Saruman](https://villains.fandom.com/wiki/Saruman) and [Hastur](https://lovecraft.fandom.com/wiki/Hastur). Throughout", "to modern society, everyone she knows being dead and having no human contact", "Another Tosk used by Lomo is a person who leads an anarcho-communist and", "for over six centuries). Another Tosk used by Lomo is a person who", "she knows being dead and having no human contact for over six centuries).", "think this enough, and it all comes across as very heavy-handed. How, then,", "followers commit political violence against and kidnap innocent civilians to give the Degenerates", "Ngodun to destroy her sanity (who suffers from Major Depressive Disorder, thanks to", "Father Ngodun to provide false emotional and spiritual support to the deuteragonist implied", "anti-fascist group. Lomo uses this Tosk to have his sociopathic, authority-hating followers commit", "temperature in every Tosk. However, I still don’t think this enough, and it", "over six centuries). Another Tosk used by Lomo is a person who leads", "name of Lomo, whose characterisation borrows from [Griffith](https://tvtropes.org/pmwiki/pmwiki.php/Characters/BerserkGriffithFemto), [Kuezem Ghidorah](https://villains.fandom.com/wiki/Kuezem_Ghidorah), [Rensavl Flagg](https://villains.fandom.com/wiki/Rensavl_Flagg), [Saruman](https://villains.fandom.com/wiki/Saruman)", "I still don’t think this enough, and it all comes across as very", "(his true form’s height) or 5 feet tall and makes heavy footfalls when", "walking. Another major clue is that he always retains his scarred lips, venom", "always retains his scarred lips, venom burns, falconic eyes and high body temperature", "prehistoric pentastomids styling themselves after nomadic Indo-Iranian cultures and [resembling a certain endoparasitic", "uses this Tosk to have his sociopathic, authority-hating followers commit political violence against", "the name of Lomo, whose characterisation borrows from [Griffith](https://tvtropes.org/pmwiki/pmwiki.php/Characters/BerserkGriffithFemto), [Kuezem Ghidorah](https://villains.fandom.com/wiki/Kuezem_Ghidorah), [Rensavl Flagg](https://villains.fandom.com/wiki/Rensavl_Flagg),", "only assume Tosks between 10 (his true form’s height) or 5 feet tall", "of Lomo, whose characterisation borrows from [Griffith](https://tvtropes.org/pmwiki/pmwiki.php/Characters/BerserkGriffithFemto), [Kuezem Ghidorah](https://villains.fandom.com/wiki/Kuezem_Ghidorah), [Rensavl Flagg](https://villains.fandom.com/wiki/Rensavl_Flagg), [Saruman](https://villains.fandom.com/wiki/Saruman) and", "throughout the series about Lomo’s identity by having him only assume Tosks between", "and makes heavy footfalls when walking. Another major clue is that he always", "tells the deuteragonist that he killed the real Ngodun to destroy her sanity", "retains his scarred lips, venom burns, falconic eyes and high body temperature in", "deuteragonist that he killed the real Ngodun to destroy her sanity (who suffers", "authority-hating followers commit political violence against and kidnap innocent civilians to give the", "extraterrestrial](https://tvtropes.org/pmwiki/pmwiki.php/Main/XenomorphXerox)) with hosts. I have scattered several hints throughout the series about Lomo’s", "from Major Depressive Disorder, thanks to struggling to conform to modern society, everyone", "have scattered several hints throughout the series about Lomo’s identity by having him", "to interact with disciples or masquerade as various species, per his epithet “the", "an omnicidal alien by the name of Lomo, whose characterisation borrows from [Griffith](https://tvtropes.org/pmwiki/pmwiki.php/Characters/BerserkGriffithFemto),", "to have his sociopathic, authority-hating followers commit political violence against and kidnap innocent", "or 5 feet tall and makes heavy footfalls when walking. Another major clue", "is an omnicidal alien by the name of Lomo, whose characterisation borrows from", "dead and having no human contact for over six centuries). Another Tosk used", "to struggling to conform to modern society, everyone she knows being dead and", "scarred lips, venom burns, falconic eyes and high body temperature in every Tosk.", "sociopathic, authority-hating followers commit political violence against and kidnap innocent civilians to give", "identity by having him only assume Tosks between 10 (his true form’s height)", "the series, Lomo takes forms called “Tosks”* to interact with disciples or masquerade", "everyone she knows being dead and having no human contact for over six", "innocent civilians to give the Degenerates (humans parasitised by prehistoric pentastomids styling themselves", "tall and makes heavy footfalls when walking. Another major clue is that he", "being dead and having no human contact for over six centuries). Another Tosk", "5 feet tall and makes heavy footfalls when walking. Another major clue is", "footfalls when walking. Another major clue is that he always retains his scarred", "major clue is that he always retains his scarred lips, venom burns, falconic", "masquerade as various species, per his epithet “the Billion-Faced Beast”. One “Tosk” he", "against and kidnap innocent civilians to give the Degenerates (humans parasitised by prehistoric", "[Griffith](https://tvtropes.org/pmwiki/pmwiki.php/Characters/BerserkGriffithFemto), [Kuezem Ghidorah](https://villains.fandom.com/wiki/Kuezem_Ghidorah), [Rensavl Flagg](https://villains.fandom.com/wiki/Rensavl_Flagg), [Saruman](https://villains.fandom.com/wiki/Saruman) and [Hastur](https://lovecraft.fandom.com/wiki/Hastur). Throughout the series, Lomo takes", "false emotional and spiritual support to the deuteragonist implied to be Jeanne d’Arc.", "is a person who leads an anarcho-communist and anti-fascist group. Lomo uses this", "with hosts. I have scattered several hints throughout the series about Lomo’s identity", "d’Arc. Lomo later tells the deuteragonist that he killed the real Ngodun to", "the deuteragonist implied to be Jeanne d’Arc. Lomo later tells the deuteragonist that", "and high body temperature in every Tosk. However, I still don’t think this", "between 10 (his true form’s height) or 5 feet tall and makes heavy", "significant antagonist in my trilogy is an omnicidal alien by the name of", "Billion-Faced Beast”. One “Tosk”* he uses is that of an [priest](https://tvtropes.org/pmwiki/pmwiki.php/Main/BadHabits) named Father", "Lomo is a person who leads an anarcho-communist and anti-fascist group. Lomo uses", "leads an anarcho-communist and anti-fascist group. Lomo uses this Tosk to have his", "parasitised by prehistoric pentastomids styling themselves after nomadic Indo-Iranian cultures and [resembling a", "[Rensavl Flagg](https://villains.fandom.com/wiki/Rensavl_Flagg), [Saruman](https://villains.fandom.com/wiki/Saruman) and [Hastur](https://lovecraft.fandom.com/wiki/Hastur). Throughout the series, Lomo takes forms called “Tosks”", "scattered several hints throughout the series about Lomo’s identity by having him only", "[Hastur](https://lovecraft.fandom.com/wiki/Hastur). Throughout the series, Lomo takes forms called “Tosks” to interact with disciples", "makes heavy footfalls when walking. Another major clue is that he always retains", "and kidnap innocent civilians to give the Degenerates (humans parasitised by prehistoric pentastomids", "[Saruman](https://villains.fandom.com/wiki/Saruman) and [Hastur](https://lovecraft.fandom.com/wiki/Hastur). Throughout the series, Lomo takes forms called “Tosks” to interact", "forms called “Tosks” to interact with disciples or masquerade as various species, per", "no human contact for over six centuries). Another Tosk used by Lomo is", "Ngodun to provide false emotional and spiritual support to the deuteragonist implied to", "centuries). Another Tosk used by Lomo is a person who leads an anarcho-communist", "high body temperature in every Tosk. However, I still don’t think this enough,", "to destroy her sanity (who suffers from Major Depressive Disorder, thanks to struggling", "his epithet “the Billion-Faced Beast”. One “Tosk” he uses is that of an", "real Ngodun to destroy her sanity (who suffers from Major Depressive Disorder, thanks", "heavy footfalls when walking. Another major clue is that he always retains his", "it all comes across as very heavy-handed. **How, then, can I hint Lomo’s", "and spiritual support to the deuteragonist implied to be Jeanne d’Arc. Lomo later", "thanks to struggling to conform to modern society, everyone she knows being dead", "assume Tosks between 10 (his true form’s height) or 5 feet tall and" ]
[ "use this acronym is in a table. In the ordinary text following the", "thesis, and I use some acronyms in it. For example \"MDBs\" = \"Multilateral", "I cite it and then use \"MDBs\". Now I have the case where", "is in a table. In the ordinary text following the table I wrote", "case where the first time I use this acronym is in a table.", "the table I wrote \"Multilateral Development Banks (MDBs)\", but should I put a", "table I wrote \"Multilateral Development Banks (MDBs)\", but should I put a footnote", "write \"Multilateral Development Banks (MDBs)\" the first time I cite it and then", "I use some acronyms in it. For example \"MDBs\" = \"Multilateral Development Banks\".", "writing my thesis, and I use some acronyms in it. For example \"MDBs\"", "\"Multilateral Development Banks (MDBs)\", but should I put a footnote also in the", "acronyms in it. For example \"MDBs\" = \"Multilateral Development Banks\". Usually, I write", "\"MDBs\" = \"Multilateral Development Banks\". Usually, I write \"Multilateral Development Banks (MDBs)\" the", "I have the case where the first time I use this acronym is", "this acronym is in a table. In the ordinary text following the table", "following the table I wrote \"Multilateral Development Banks (MDBs)\", but should I put", "I write \"Multilateral Development Banks (MDBs)\" the first time I cite it and", "Usually, I write \"Multilateral Development Banks (MDBs)\" the first time I cite it", "first time I cite it and then use \"MDBs\". Now I have the", "it. For example \"MDBs\" = \"Multilateral Development Banks\". Usually, I write \"Multilateral Development", "it and then use \"MDBs\". Now I have the case where the first", "\"Multilateral Development Banks (MDBs)\" the first time I cite it and then use", "some acronyms in it. For example \"MDBs\" = \"Multilateral Development Banks\". Usually, I", "table. In the ordinary text following the table I wrote \"Multilateral Development Banks", "the ordinary text following the table I wrote \"Multilateral Development Banks (MDBs)\", but", "use \"MDBs\". Now I have the case where the first time I use", "I wrote \"Multilateral Development Banks (MDBs)\", but should I put a footnote also", "Banks\". Usually, I write \"Multilateral Development Banks (MDBs)\" the first time I cite", "my thesis, and I use some acronyms in it. For example \"MDBs\" =", "For example \"MDBs\" = \"Multilateral Development Banks\". Usually, I write \"Multilateral Development Banks", "Development Banks (MDBs)\" the first time I cite it and then use \"MDBs\".", "(MDBs)\" the first time I cite it and then use \"MDBs\". Now I", "ordinary text following the table I wrote \"Multilateral Development Banks (MDBs)\", but should", "Development Banks (MDBs)\", but should I put a footnote also in the table?", "cite it and then use \"MDBs\". Now I have the case where the", "Development Banks\". Usually, I write \"Multilateral Development Banks (MDBs)\" the first time I", "I use this acronym is in a table. In the ordinary text following", "first time I use this acronym is in a table. In the ordinary", "wrote \"Multilateral Development Banks (MDBs)\", but should I put a footnote also in", "= \"Multilateral Development Banks\". Usually, I write \"Multilateral Development Banks (MDBs)\" the first", "and I use some acronyms in it. For example \"MDBs\" = \"Multilateral Development", "the first time I cite it and then use \"MDBs\". Now I have", "I'm writing my thesis, and I use some acronyms in it. For example", "Banks (MDBs)\" the first time I cite it and then use \"MDBs\". Now", "Now I have the case where the first time I use this acronym", "and then use \"MDBs\". Now I have the case where the first time", "then use \"MDBs\". Now I have the case where the first time I", "in a table. In the ordinary text following the table I wrote \"Multilateral", "the case where the first time I use this acronym is in a", "where the first time I use this acronym is in a table. In", "time I use this acronym is in a table. In the ordinary text", "acronym is in a table. In the ordinary text following the table I", "in it. For example \"MDBs\" = \"Multilateral Development Banks\". Usually, I write \"Multilateral", "text following the table I wrote \"Multilateral Development Banks (MDBs)\", but should I", "In the ordinary text following the table I wrote \"Multilateral Development Banks (MDBs)\",", "the first time I use this acronym is in a table. In the", "time I cite it and then use \"MDBs\". Now I have the case", "use some acronyms in it. For example \"MDBs\" = \"Multilateral Development Banks\". Usually,", "\"Multilateral Development Banks\". Usually, I write \"Multilateral Development Banks (MDBs)\" the first time", "a table. In the ordinary text following the table I wrote \"Multilateral Development", "\"MDBs\". Now I have the case where the first time I use this", "example \"MDBs\" = \"Multilateral Development Banks\". Usually, I write \"Multilateral Development Banks (MDBs)\"", "have the case where the first time I use this acronym is in" ]
[ "titles compared to longer ones? Is there a pattern you can see among", "titles. They seem to be more than dominant in multiple entertainment industries. Twilight,", "saying one word, or how well the one word fits in headlines, how", "interesting, if you can? Especially when writing games, choosing a title that doesn't", "P.S. I know I have a strong bias towards/interest in games in this", "if you can? Especially when writing games, choosing a title that doesn't stand", "in whether or you game gets noticed or doesn't. Names I love and", "our projects & media we like is titles - and specifically my disdain", "assert as such, but in my opinion, one word titles are incredibly non-expressive.", "In The Flood, o\\_AbyssalSomewhere, There Will Be Blood, Things Fall Apart, The Unbearable", "to feel anything at all out of the ordinary when they see the", "ones? Is there a pattern you can see among successful works with and", "that one word might be, without suffering the consequences of choosing a name", "good enough title can be interesting enough to express the whole or the", "why wouldn't you make it interesting, if you can? Especially when writing games,", "Inception, Jaws, and a thousand others I can't remember. Those are all good", "project whose goal is having the largest audience possible is better off with", "title with a vague word that encompasses your stories themes, like \"Want\" or", "of the ordinary when they see the title. Sure, a title can just", "Twilight, Injustice, Negation, Absolver, Bastion, Braid, Dishonored, Destiny, Anthem, Fallout, Inside, Crawl, Us,", "\"Stream\" or \"Condemned\" might be apt, but isn't expressive. The people to whom", "unusual words, like SUPERHOT or Westworld. A one-word title with a vague word", "reasoning? Are there known studies about the appeal of one-word titles compared to", "With the exception of made-up or very unusual words, like SUPERHOT or Westworld.", "without suffering the consequences of choosing a name that doesn't stand out on", "not an objective truth and I wouldn't assert as such, but in my", "or notable ones, though, but i meet a lot of students writing stories", "or Westworld. A one-word title with a vague word that encompasses your stories", "words, like SUPERHOT or Westworld. A one-word title with a vague word that", "and over again, and I'd be shocked if those decisions were not well-researched.", "sharing our projects & media we like is titles - and specifically my", "who seem very excited to share that their new jumping game will be", "great deal of marketing can gain more from the ease of saying one", "I wouldn't assert as such, but in my opinion, one word titles are", "as possible. So, what is the reasoning? Are there known studies about the", "There Will Be Blood, Things Fall Apart, The Unbearable Lightness Of Being, Please,", "out of the ordinary when they see the title. Sure, a title can", "one-word titles over and over again, and I'd be shocked if those decisions", "one-word titles. They seem to be more than dominant in multiple entertainment industries.", "Touch Anything, Telling Lies, Hypnospace Outlaw,* etc. A good enough title can be", "be interesting.. but why wouldn't you make it interesting, if you can? Especially", "of one-word titles compared to longer ones? Is there a pattern you can", "with and without one-word names? P.S. I know I have a strong bias", "Negation, Absolver, Bastion, Braid, Dishonored, Destiny, Anthem, Fallout, Inside, Crawl, Us, Psycho, Memento,", "to Writing Stack Exchange and that you find this question interesting. Thanks! ^", "and a thousand others I can't remember. Those are all good or notable", "Destiny, Anthem, Fallout, Inside, Crawl, Us, Psycho, Memento, Inception, Jaws, and a thousand", "front cover of your book matters don't know why \"Want\" is relevant or", "Things Fall Apart, The Unbearable Lightness Of Being, Please, Don't Touch Anything, Telling", "the one word fits in headlines, how catchy or punchy that one word", "readily click on sound more like: What We Lost In The Flood, o\\_AbyssalSomewhere,", "a lot of students writing stories and games who seem very excited to", "towards/interest in games in this post, but I think this trend applies to", "games, choosing a title that doesn't stand out can make all the difference", "choosing a name that doesn't stand out on its own. Or maybe a", "noticed or doesn't. Names I love and that people readily click on sound", "their new climbing game will be called \"Climb\" and their new coming-of-age-novella will", "from the ease of saying one word, or how well the one word", "kinds of media. I hope you find game writing to be relevant to", "though, but i meet a lot of students writing stories and games who", "thousand others I can't remember. Those are all good or notable ones, though,", "They seem to be more than dominant in multiple entertainment industries. Twilight, Injustice,", "of made-up or very unusual words, like SUPERHOT or Westworld. A one-word title", "unlikely to feel anything at all out of the ordinary when they see", "title can be interesting enough to express the whole or the essential parts", "interesting enough to express the whole or the essential parts of a work's", "i meet a lot of students writing stories and games who seem very", "partially wrong - high budget projects keep choosing one-word titles over and over", "headlines, how catchy or punchy that one word might be, without suffering the", "the essential parts of a work's tone and setting, and encapsulate its themes", "word might be, without suffering the consequences of choosing a name that doesn't", "the reasoning? Are there known studies about the appeal of one-word titles compared", "climbing game will be called \"Climb\" and their new coming-of-age-novella will be called", "high budget projects keep choosing one-word titles over and over again, and I'd", "can just be a handle. It doesn't have to be interesting.. but why", "\"Climb\" and their new coming-of-age-novella will be called \"Park\". This is obviously not", "expressive. The people to whom the front cover of your book matters don't", "called \"Climb\" and their new coming-of-age-novella will be called \"Park\". This is obviously", "jumping game will be called \"Jump\" and their new climbing game will be", "ease of saying one word, or how well the one word fits in", "audience possible is better off with a vague title that excludes as few", "can see among successful works with and without one-word names? P.S. I know", "and that people readily click on sound more like: What We Lost In", "students writing stories and games who seem very excited to share that their", "title that doesn't stand out can make all the difference in whether or", "the consequences of choosing a name that doesn't stand out on its own.", "decisions were not well-researched. One explanation might be that a project with a", "strong bias towards/interest in games in this post, but I think this trend", "but in my opinion, one word titles are incredibly non-expressive. With the exception", "Bastion, Braid, Dishonored, Destiny, Anthem, Fallout, Inside, Crawl, Us, Psycho, Memento, Inception, Jaws,", "and I wouldn't assert as such, but in my opinion, one word titles", "or \"Condemned\" might be apt, but isn't expressive. The people to whom the", "suffering the consequences of choosing a name that doesn't stand out on its", "non-expressive. With the exception of made-up or very unusual words, like SUPERHOT or", "I know I have a strong bias towards/interest in games in this post,", "you can? Especially when writing games, choosing a title that doesn't stand out", "Apart, The Unbearable Lightness Of Being, Please, Don't Touch Anything, Telling Lies, Hypnospace", "SUPERHOT or Westworld. A one-word title with a vague word that encompasses your", "Will Be Blood, Things Fall Apart, The Unbearable Lightness Of Being, Please, Don't", "if those decisions were not well-researched. One explanation might be that a project", "be relevant to Writing Stack Exchange and that you find this question interesting.", "difference in whether or you game gets noticed or doesn't. Names I love", "how catchy or punchy that one word might be, without suffering the consequences", "one word titles are incredibly non-expressive. With the exception of made-up or very", "have to be interesting.. but why wouldn't you make it interesting, if you", "themes, like \"Want\" or \"Stream\" or \"Condemned\" might be apt, but isn't expressive.", "names? P.S. I know I have a strong bias towards/interest in games in", "that excludes as few people as possible. So, what is the reasoning? Are", "stories and games who seem very excited to share that their new jumping", "coming-of-age-novella will be called \"Park\". This is obviously not an objective truth and", "Of Being, Please, Don't Touch Anything, Telling Lies, Hypnospace Outlaw,* etc. A good", "think this trend applies to all kinds of media. I hope you find", "and their new coming-of-age-novella will be called \"Park\". This is obviously not an", "bias towards/interest in games in this post, but I think this trend applies", "to express the whole or the essential parts of a work's tone and", "I talk about with friends when planning and sharing our projects & media", "enough to express the whole or the essential parts of a work's tone", "the whole or the essential parts of a work's tone and setting, and", "a handle. It doesn't have to be interesting.. but why wouldn't you make", "the difference in whether or you game gets noticed or doesn't. Names I", "vague word can. Having said all that, I appear to be at least", "Lies, Hypnospace Outlaw,* etc. A good enough title can be interesting enough to", "can't remember. Those are all good or notable ones, though, but i meet", "you make it interesting, if you can? Especially when writing games, choosing a", "Fallout, Inside, Crawl, Us, Psycho, Memento, Inception, Jaws, and a thousand others I", "possible is better off with a vague title that excludes as few people", "those decisions were not well-researched. One explanation might be that a project with", "there known studies about the appeal of one-word titles compared to longer ones?", "see the title. Sure, a title can just be a handle. It doesn't", "to share that their new jumping game will be called \"Jump\" and their", "doesn't have to be interesting.. but why wouldn't you make it interesting, if", "a single, vague word can. Having said all that, I appear to be", "in multiple entertainment industries. Twilight, Injustice, Negation, Absolver, Bastion, Braid, Dishonored, Destiny, Anthem,", "in my opinion, one word titles are incredibly non-expressive. With the exception of", "hope you find game writing to be relevant to Writing Stack Exchange and", "o\\_AbyssalSomewhere, There Will Be Blood, Things Fall Apart, The Unbearable Lightness Of Being,", "isn't expressive. The people to whom the front cover of your book matters", "more from the ease of saying one word, or how well the one", "or the essential parts of a work's tone and setting, and encapsulate its", "on sound more like: What We Lost In The Flood, o\\_AbyssalSomewhere, There Will", "and I'd be shocked if those decisions were not well-researched. One explanation might", "but why wouldn't you make it interesting, if you can? Especially when writing", "not well-researched. One explanation might be that a project with a great deal", "word fits in headlines, how catchy or punchy that one word might be,", "Anything, Telling Lies, Hypnospace Outlaw, etc. A good enough title can be interesting", "vague title that excludes as few people as possible. So, what is the", "one-word titles compared to longer ones? Is there a pattern you can see", "doesn't stand out can make all the difference in whether or you game", "feel anything at all out of the ordinary when they see the title.", "and their new climbing game will be called \"Climb\" and their new coming-of-age-novella", "games who seem very excited to share that their new jumping game will", "of a work's tone and setting, and encapsulate its themes far more than", "click on sound more like: What We Lost In The Flood, o\\_AbyssalSomewhere, There", "\"Jump\" and their new climbing game will be called \"Climb\" and their new", "essential parts of a work's tone and setting, and encapsulate its themes far", "book matters don't know why \"Want\" is relevant or interesting, and they're unlikely", "out can make all the difference in whether or you game gets noticed", "opinion, one word titles are incredibly non-expressive. With the exception of made-up or", "have a strong bias towards/interest in games in this post, but I think", "as such, but in my opinion, one word titles are incredibly non-expressive. With", "Or maybe a large project whose goal is having the largest audience possible", "a vague word that encompasses your stories themes, like \"Want\" or \"Stream\" or", "setting, and encapsulate its themes far more than a single, vague word can.", "work's tone and setting, and encapsulate its themes far more than a single,", "excited to share that their new jumping game will be called \"Jump\" and", "with a vague word that encompasses your stories themes, like \"Want\" or \"Stream\"", "to be interesting.. but why wouldn't you make it interesting, if you can?", "the front cover of your book matters don't know why \"Want\" is relevant", "and encapsulate its themes far more than a single, vague word can. Having", "single, vague word can. Having said all that, I appear to be at", "Injustice, Negation, Absolver, Bastion, Braid, Dishonored, Destiny, Anthem, Fallout, Inside, Crawl, Us, Psycho,", "well the one word fits in headlines, how catchy or punchy that one", "to longer ones? Is there a pattern you can see among successful works", "one word, or how well the one word fits in headlines, how catchy", "in games in this post, but I think this trend applies to all", "that doesn't stand out on its own. Or maybe a large project whose", "exception of made-up or very unusual words, like SUPERHOT or Westworld. A one-word", "trend applies to all kinds of media. I hope you find game writing", "one-word title with a vague word that encompasses your stories themes, like \"Want\"", "Psycho, Memento, Inception, Jaws, and a thousand others I can't remember. Those are", "Braid, Dishonored, Destiny, Anthem, Fallout, Inside, Crawl, Us, Psycho, Memento, Inception, Jaws, and", "when they see the title. Sure, a title can just be a handle.", "its themes far more than a single, vague word can. Having said all", "specifically my disdain for one-word titles. They seem to be more than dominant", "and without one-word names? P.S. I know I have a strong bias towards/interest", "appeal of one-word titles compared to longer ones? Is there a pattern you", "Anthem, Fallout, Inside, Crawl, Us, Psycho, Memento, Inception, Jaws, and a thousand others", "meet a lot of students writing stories and games who seem very excited", "be interesting enough to express the whole or the essential parts of a", "are incredibly non-expressive. With the exception of made-up or very unusual words, like", "anything at all out of the ordinary when they see the title. Sure,", "it interesting, if you can? Especially when writing games, choosing a title that", "consequences of choosing a name that doesn't stand out on its own. Or", "catchy or punchy that one word might be, without suffering the consequences of", "The people to whom the front cover of your book matters don't know", "are all good or notable ones, though, but i meet a lot of", "without one-word names? P.S. I know I have a strong bias towards/interest in", "post, but I think this trend applies to all kinds of media. I", "fits in headlines, how catchy or punchy that one word might be, without", "planning and sharing our projects & media we like is titles - and", "such, but in my opinion, one word titles are incredibly non-expressive. With the", "but isn't expressive. The people to whom the front cover of your book", "be called \"Jump\" and their new climbing game will be called \"Climb\" and", "handle. It doesn't have to be interesting.. but why wouldn't you make it", "stand out can make all the difference in whether or you game gets", "talk about with friends when planning and sharing our projects & media we", "or you game gets noticed or doesn't. Names I love and that people", "game will be called \"Jump\" and their new climbing game will be called", "game will be called \"Climb\" and their new coming-of-age-novella will be called \"Park\".", "or interesting, and they're unlikely to feel anything at all out of the", "make it interesting, if you can? Especially when writing games, choosing a title", "its own. Or maybe a large project whose goal is having the largest", "tone and setting, and encapsulate its themes far more than a single, vague", "Memento, Inception, Jaws, and a thousand others I can't remember. Those are all", "goal is having the largest audience possible is better off with a vague", "own. Or maybe a large project whose goal is having the largest audience", "a large project whose goal is having the largest audience possible is better", "far more than a single, vague word can. Having said all that, I", "at least partially wrong - high budget projects keep choosing one-word titles over", "a pattern you can see among successful works with and without one-word names?", "or \"Stream\" or \"Condemned\" might be apt, but isn't expressive. The people to", "sound more like: What We Lost In The Flood, o\\_AbyssalSomewhere, There Will Be", "& media we like is titles - and specifically my disdain for one-word", "of students writing stories and games who seem very excited to share that", "stories themes, like \"Want\" or \"Stream\" or \"Condemned\" might be apt, but isn't", "projects & media we like is titles - and specifically my disdain for", "objective truth and I wouldn't assert as such, but in my opinion, one", "the exception of made-up or very unusual words, like SUPERHOT or Westworld. A", "encompasses your stories themes, like \"Want\" or \"Stream\" or \"Condemned\" might be apt,", "I think this trend applies to all kinds of media. I hope you", "and sharing our projects & media we like is titles - and specifically", "Absolver, Bastion, Braid, Dishonored, Destiny, Anthem, Fallout, Inside, Crawl, Us, Psycho, Memento, Inception,", "few people as possible. So, what is the reasoning? Are there known studies", "doesn't stand out on its own. Or maybe a large project whose goal", "cover of your book matters don't know why \"Want\" is relevant or interesting,", "or punchy that one word might be, without suffering the consequences of choosing", "to be relevant to Writing Stack Exchange and that you find this question", "media we like is titles - and specifically my disdain for one-word titles.", "Crawl, Us, Psycho, Memento, Inception, Jaws, and a thousand others I can't remember.", "seem to be more than dominant in multiple entertainment industries. Twilight, Injustice, Negation,", "than dominant in multiple entertainment industries. Twilight, Injustice, Negation, Absolver, Bastion, Braid, Dishonored,", "all good or notable ones, though, but i meet a lot of students", "games in this post, but I think this trend applies to all kinds", "new jumping game will be called \"Jump\" and their new climbing game will", "Westworld. A one-word title with a vague word that encompasses your stories themes,", "Especially when writing games, choosing a title that doesn't stand out can make", "projects keep choosing one-word titles over and over again, and I'd be shocked", "shocked if those decisions were not well-researched. One explanation might be that a", "all that, I appear to be at least partially wrong - high budget", "vague word that encompasses your stories themes, like \"Want\" or \"Stream\" or \"Condemned\"", "obviously not an objective truth and I wouldn't assert as such, but in", "love and that people readily click on sound more like: What We Lost", "What We Lost In The Flood, o\\_AbyssalSomewhere, There Will Be Blood, Things Fall", "A good enough title can be interesting enough to express the whole or", "gain more from the ease of saying one word, or how well the", "- high budget projects keep choosing one-word titles over and over again, and", "over and over again, and I'd be shocked if those decisions were not", "Those are all good or notable ones, though, but i meet a lot", "Sure, a title can just be a handle. It doesn't have to be", "in this post, but I think this trend applies to all kinds of", "express the whole or the essential parts of a work's tone and setting,", "I hope you find game writing to be relevant to Writing Stack Exchange", "and games who seem very excited to share that their new jumping game", "Inside, Crawl, Us, Psycho, Memento, Inception, Jaws, and a thousand others I can't", "like SUPERHOT or Westworld. A one-word title with a vague word that encompasses", "can make all the difference in whether or you game gets noticed or", "Having said all that, I appear to be at least partially wrong -", "a name that doesn't stand out on its own. Or maybe a large", "called \"Jump\" and their new climbing game will be called \"Climb\" and their", "know why \"Want\" is relevant or interesting, and they're unlikely to feel anything", "relevant to Writing Stack Exchange and that you find this question interesting. Thanks!", "\"Park\". This is obviously not an objective truth and I wouldn't assert as", "possible. So, what is the reasoning? Are there known studies about the appeal", "can be interesting enough to express the whole or the essential parts of", "one word fits in headlines, how catchy or punchy that one word might", "be at least partially wrong - high budget projects keep choosing one-word titles", "wouldn't you make it interesting, if you can? Especially when writing games, choosing", "new climbing game will be called \"Climb\" and their new coming-of-age-novella will be", "more than dominant in multiple entertainment industries. Twilight, Injustice, Negation, Absolver, Bastion, Braid,", "and specifically my disdain for one-word titles. They seem to be more than", "deal of marketing can gain more from the ease of saying one word,", "studies about the appeal of one-word titles compared to longer ones? Is there", "make all the difference in whether or you game gets noticed or doesn't.", "dominant in multiple entertainment industries. Twilight, Injustice, Negation, Absolver, Bastion, Braid, Dishonored, Destiny,", "new coming-of-age-novella will be called \"Park\". This is obviously not an objective truth", "my opinion, one word titles are incredibly non-expressive. With the exception of made-up", "punchy that one word might be, without suffering the consequences of choosing a", "stand out on its own. Or maybe a large project whose goal is", "they're unlikely to feel anything at all out of the ordinary when they", "word that encompasses your stories themes, like \"Want\" or \"Stream\" or \"Condemned\" might", "the title. Sure, a title can just be a handle. It doesn't have", "very excited to share that their new jumping game will be called \"Jump\"", "but i meet a lot of students writing stories and games who seem", "relevant or interesting, and they're unlikely to feel anything at all out of", "a vague title that excludes as few people as possible. So, what is", "ordinary when they see the title. Sure, a title can just be a", "over again, and I'd be shocked if those decisions were not well-researched. One", "truth and I wouldn't assert as such, but in my opinion, one word", "choosing one-word titles over and over again, and I'd be shocked if those", "The Unbearable Lightness Of Being, Please, Don't Touch Anything, Telling Lies, Hypnospace Outlaw,", "titles - and specifically my disdain for one-word titles. They seem to be", "share that their new jumping game will be called \"Jump\" and their new", "of media. I hope you find game writing to be relevant to Writing", "than a single, vague word can. Having said all that, I appear to", "don't know why \"Want\" is relevant or interesting, and they're unlikely to feel", "when planning and sharing our projects & media we like is titles -", "the ordinary when they see the title. Sure, a title can just be", "this trend applies to all kinds of media. I hope you find game", "is having the largest audience possible is better off with a vague title", "might be, without suffering the consequences of choosing a name that doesn't stand", "more like: What We Lost In The Flood, o\\_AbyssalSomewhere, There Will Be Blood,", "word can. Having said all that, I appear to be at least partially", "Don't Touch Anything, Telling Lies, Hypnospace Outlaw,* etc. A good enough title can", "a title that doesn't stand out can make all the difference in whether", "you game gets noticed or doesn't. Names I love and that people readily", "of saying one word, or how well the one word fits in headlines,", "word, or how well the one word fits in headlines, how catchy or", "Are there known studies about the appeal of one-word titles compared to longer", "doesn't. Names I love and that people readily click on sound more like:", "whole or the essential parts of a work's tone and setting, and encapsulate", "can gain more from the ease of saying one word, or how well", "be shocked if those decisions were not well-researched. One explanation might be that", "one word might be, without suffering the consequences of choosing a name that", "when writing games, choosing a title that doesn't stand out can make all", "this post, but I think this trend applies to all kinds of media.", "off with a vague title that excludes as few people as possible. So,", "with friends when planning and sharing our projects & media we like is", "you can see among successful works with and without one-word names? P.S. I", "budget projects keep choosing one-word titles over and over again, and I'd be", "that, I appear to be at least partially wrong - high budget projects", "gets noticed or doesn't. Names I love and that people readily click on", "Be Blood, Things Fall Apart, The Unbearable Lightness Of Being, Please, Don't Touch", "Something I talk about with friends when planning and sharing our projects &", "will be called \"Jump\" and their new climbing game will be called \"Climb\"", "your stories themes, like \"Want\" or \"Stream\" or \"Condemned\" might be apt, but", "Fall Apart, The Unbearable Lightness Of Being, Please, Don't Touch Anything, Telling Lies,", "wouldn't assert as such, but in my opinion, one word titles are incredibly", "\"Want\" or \"Stream\" or \"Condemned\" might be apt, but isn't expressive. The people", "Dishonored, Destiny, Anthem, Fallout, Inside, Crawl, Us, Psycho, Memento, Inception, Jaws, and a", "at all out of the ordinary when they see the title. Sure, a", "project with a great deal of marketing can gain more from the ease", "as few people as possible. So, what is the reasoning? Are there known", "Unbearable Lightness Of Being, Please, Don't Touch Anything, Telling Lies, Hypnospace Outlaw,* etc.", "Jaws, and a thousand others I can't remember. Those are all good or", "Lightness Of Being, Please, Don't Touch Anything, Telling Lies, Hypnospace Outlaw,* etc. A", "all out of the ordinary when they see the title. Sure, a title", "just be a handle. It doesn't have to be interesting.. but why wouldn't", "good or notable ones, though, but i meet a lot of students writing", "disdain for one-word titles. They seem to be more than dominant in multiple", "- and specifically my disdain for one-word titles. They seem to be more", "be apt, but isn't expressive. The people to whom the front cover of", "how well the one word fits in headlines, how catchy or punchy that", "compared to longer ones? Is there a pattern you can see among successful", "lot of students writing stories and games who seem very excited to share", "well-researched. One explanation might be that a project with a great deal of", "that doesn't stand out can make all the difference in whether or you", "titles over and over again, and I'd be shocked if those decisions were", "to be at least partially wrong - high budget projects keep choosing one-word", "we like is titles - and specifically my disdain for one-word titles. They", "name that doesn't stand out on its own. Or maybe a large project", "with a vague title that excludes as few people as possible. So, what", "apt, but isn't expressive. The people to whom the front cover of your", "incredibly non-expressive. With the exception of made-up or very unusual words, like SUPERHOT", "that their new jumping game will be called \"Jump\" and their new climbing", "Flood, o\\_AbyssalSomewhere, There Will Be Blood, Things Fall Apart, The Unbearable Lightness Of", "Blood, Things Fall Apart, The Unbearable Lightness Of Being, Please, Don't Touch Anything,", "about the appeal of one-word titles compared to longer ones? Is there a", "there a pattern you can see among successful works with and without one-word", "choosing a title that doesn't stand out can make all the difference in", "but I think this trend applies to all kinds of media. I hope", "appear to be at least partially wrong - high budget projects keep choosing", "\"Want\" is relevant or interesting, and they're unlikely to feel anything at all", "to whom the front cover of your book matters don't know why \"Want\"", "largest audience possible is better off with a vague title that excludes as", "interesting.. but why wouldn't you make it interesting, if you can? Especially when", "my disdain for one-word titles. They seem to be more than dominant in", "Names I love and that people readily click on sound more like: What", "keep choosing one-word titles over and over again, and I'd be shocked if", "or very unusual words, like SUPERHOT or Westworld. A one-word title with a", "that encompasses your stories themes, like \"Want\" or \"Stream\" or \"Condemned\" might be", "of marketing can gain more from the ease of saying one word, or", "is obviously not an objective truth and I wouldn't assert as such, but", "be called \"Park\". This is obviously not an objective truth and I wouldn't", "is relevant or interesting, and they're unlikely to feel anything at all out", "the appeal of one-word titles compared to longer ones? Is there a pattern", "I have a strong bias towards/interest in games in this post, but I", "It doesn't have to be interesting.. but why wouldn't you make it interesting,", "your book matters don't know why \"Want\" is relevant or interesting, and they're", "why \"Want\" is relevant or interesting, and they're unlikely to feel anything at", "is the reasoning? Are there known studies about the appeal of one-word titles", "their new jumping game will be called \"Jump\" and their new climbing game", "in headlines, how catchy or punchy that one word might be, without suffering", "will be called \"Climb\" and their new coming-of-age-novella will be called \"Park\". This", "and setting, and encapsulate its themes far more than a single, vague word", "writing to be relevant to Writing Stack Exchange and that you find this", "an objective truth and I wouldn't assert as such, but in my opinion,", "be called \"Climb\" and their new coming-of-age-novella will be called \"Park\". This is", "like \"Want\" or \"Stream\" or \"Condemned\" might be apt, but isn't expressive. The", "Is there a pattern you can see among successful works with and without", "Writing Stack Exchange and that you find this question interesting. Thanks! ^ ^", "the ease of saying one word, or how well the one word fits", "A one-word title with a vague word that encompasses your stories themes, like", "for one-word titles. They seem to be more than dominant in multiple entertainment", "interesting, and they're unlikely to feel anything at all out of the ordinary", "having the largest audience possible is better off with a vague title that", "others I can't remember. Those are all good or notable ones, though, but", "all kinds of media. I hope you find game writing to be relevant", "wrong - high budget projects keep choosing one-word titles over and over again,", "entertainment industries. Twilight, Injustice, Negation, Absolver, Bastion, Braid, Dishonored, Destiny, Anthem, Fallout, Inside,", "marketing can gain more from the ease of saying one word, or how", "like is titles - and specifically my disdain for one-word titles. They seem", "Us, Psycho, Memento, Inception, Jaws, and a thousand others I can't remember. Those", "again, and I'd be shocked if those decisions were not well-researched. One explanation", "themes far more than a single, vague word can. Having said all that,", "that a project with a great deal of marketing can gain more from", "more than a single, vague word can. Having said all that, I appear", "title. Sure, a title can just be a handle. It doesn't have to", "excludes as few people as possible. So, what is the reasoning? Are there", "or how well the one word fits in headlines, how catchy or punchy", "I can't remember. Those are all good or notable ones, though, but i", "etc. A good enough title can be interesting enough to express the whole", "Please, Don't Touch Anything, Telling Lies, Hypnospace Outlaw, etc. A good enough title", "known studies about the appeal of one-word titles compared to longer ones? Is", "of your book matters don't know why \"Want\" is relevant or interesting, and", "among successful works with and without one-word names? P.S. I know I have", "about with friends when planning and sharing our projects & media we like", "remember. Those are all good or notable ones, though, but i meet a", "is better off with a vague title that excludes as few people as", "might be that a project with a great deal of marketing can gain", "what is the reasoning? Are there known studies about the appeal of one-word", "or doesn't. Names I love and that people readily click on sound more", "very unusual words, like SUPERHOT or Westworld. A one-word title with a vague", "media. I hope you find game writing to be relevant to Writing Stack", "This is obviously not an objective truth and I wouldn't assert as such,", "on its own. Or maybe a large project whose goal is having the", "made-up or very unusual words, like SUPERHOT or Westworld. A one-word title with", "enough title can be interesting enough to express the whole or the essential", "said all that, I appear to be at least partially wrong - high", "might be apt, but isn't expressive. The people to whom the front cover", "find game writing to be relevant to Writing Stack Exchange and that you", "We Lost In The Flood, o\\_AbyssalSomewhere, There Will Be Blood, Things Fall Apart,", "title can just be a handle. It doesn't have to be interesting.. but", "to be more than dominant in multiple entertainment industries. Twilight, Injustice, Negation, Absolver,", "can? Especially when writing games, choosing a title that doesn't stand out can", "to all kinds of media. I hope you find game writing to be", "is titles - and specifically my disdain for one-word titles. They seem to", "better off with a vague title that excludes as few people as possible.", "know I have a strong bias towards/interest in games in this post, but", "writing stories and games who seem very excited to share that their new", "a title can just be a handle. It doesn't have to be interesting..", "titles are incredibly non-expressive. With the exception of made-up or very unusual words,", "encapsulate its themes far more than a single, vague word can. Having said", "their new coming-of-age-novella will be called \"Park\". This is obviously not an objective", "I appear to be at least partially wrong - high budget projects keep", "I'd be shocked if those decisions were not well-researched. One explanation might be", "like: What We Lost In The Flood, o\\_AbyssalSomewhere, There Will Be Blood, Things", "pattern you can see among successful works with and without one-word names? P.S.", "The Flood, o\\_AbyssalSomewhere, There Will Be Blood, Things Fall Apart, The Unbearable Lightness", "friends when planning and sharing our projects & media we like is titles", "Outlaw, etc. A good enough title can be interesting enough to express the", "be a handle. It doesn't have to be interesting.. but why wouldn't you", "be more than dominant in multiple entertainment industries. Twilight, Injustice, Negation, Absolver, Bastion,", "a strong bias towards/interest in games in this post, but I think this", "a great deal of marketing can gain more from the ease of saying", "successful works with and without one-word names? P.S. I know I have a", "\"Condemned\" might be apt, but isn't expressive. The people to whom the front", "Being, Please, Don't Touch Anything, Telling Lies, Hypnospace Outlaw,* etc. A good enough", "a thousand others I can't remember. Those are all good or notable ones,", "longer ones? Is there a pattern you can see among successful works with", "industries. Twilight, Injustice, Negation, Absolver, Bastion, Braid, Dishonored, Destiny, Anthem, Fallout, Inside, Crawl,", "whose goal is having the largest audience possible is better off with a", "maybe a large project whose goal is having the largest audience possible is", "they see the title. Sure, a title can just be a handle. It", "game gets noticed or doesn't. Names I love and that people readily click", "I love and that people readily click on sound more like: What We", "be, without suffering the consequences of choosing a name that doesn't stand out", "you find game writing to be relevant to Writing Stack Exchange and that", "one-word names? P.S. I know I have a strong bias towards/interest in games", "be that a project with a great deal of marketing can gain more", "notable ones, though, but i meet a lot of students writing stories and", "game writing to be relevant to Writing Stack Exchange and that you find", "a project with a great deal of marketing can gain more from the", "of choosing a name that doesn't stand out on its own. Or maybe", "title that excludes as few people as possible. So, what is the reasoning?", "were not well-researched. One explanation might be that a project with a great", "people readily click on sound more like: What We Lost In The Flood,", "applies to all kinds of media. I hope you find game writing to", "people as possible. So, what is the reasoning? Are there known studies about", "multiple entertainment industries. Twilight, Injustice, Negation, Absolver, Bastion, Braid, Dishonored, Destiny, Anthem, Fallout,", "all the difference in whether or you game gets noticed or doesn't. Names", "least partially wrong - high budget projects keep choosing one-word titles over and", "large project whose goal is having the largest audience possible is better off", "out on its own. Or maybe a large project whose goal is having", "seem very excited to share that their new jumping game will be called", "and they're unlikely to feel anything at all out of the ordinary when", "matters don't know why \"Want\" is relevant or interesting, and they're unlikely to", "people to whom the front cover of your book matters don't know why", "see among successful works with and without one-word names? P.S. I know I", "whom the front cover of your book matters don't know why \"Want\" is", "Lost In The Flood, o\\_AbyssalSomewhere, There Will Be Blood, Things Fall Apart, The", "called \"Park\". This is obviously not an objective truth and I wouldn't assert", "parts of a work's tone and setting, and encapsulate its themes far more", "a work's tone and setting, and encapsulate its themes far more than a", "So, what is the reasoning? Are there known studies about the appeal of", "whether or you game gets noticed or doesn't. Names I love and that", "Telling Lies, Hypnospace Outlaw,* etc. A good enough title can be interesting enough", "the largest audience possible is better off with a vague title that excludes", "word titles are incredibly non-expressive. With the exception of made-up or very unusual", "One explanation might be that a project with a great deal of marketing", "with a great deal of marketing can gain more from the ease of", "can. Having said all that, I appear to be at least partially wrong", "Hypnospace Outlaw,* etc. A good enough title can be interesting enough to express", "that people readily click on sound more like: *What We Lost In The", "will be called \"Park\". This is obviously not an objective truth and I", "explanation might be that a project with a great deal of marketing can", "ones, though, but i meet a lot of students writing stories and games", "works with and without one-word names? P.S. I know I have a strong", "writing games, choosing a title that doesn't stand out can make all the" ]
[ "point of view on the necessity of a new culture in fiction ---------------------------------------------------------------------", "will of the writer, or just a cool feature because the story of", "really exotic? I mean, they are exotic compared to what? An African Tribe", "new culture in fiction --------------------------------------------------------------------- \"A long time ago, in a galaxy far", "again, there are many \"Exotic Cultures\" here on Earth. The thing is, are", "of these cultures here on Earth (Na'vi people - Avatar)? Well, maybe one", "away from Earth since you have a plethora of these cultures here on", "the story of a character is what really matters. That's true. But why", "of Tatooine or Yoda are quite fascinating, Hobbits are unusual and so on...", "aloud: \"yes.\" But if you apply a reference change, a person from African", "Maybe the creation of a new world and culture (based on Earth but", "culture, which of course do not exist; if you insist without any solid", "in this new world, you can compare all our Terrestrial experience (culture) with", "maybe one fruitful way to an author decide if he/she needs a new", "exotic, the Watto of Tatooine or Yoda are quite fascinating, Hobbits are unusual", "\"Middle Earth\". All quite different worlds compared to ours, but every single character", "you insist without any solid arguments, you may reach the edges of things", "without saying anything related to a particular culture) solves the problem of an", "every-day life of an average city X of Occidental World? Most people would", "culture) solves the problem of an \"Exotic Culture.\" Now, in this new world,", "fruitful way to an author decide if he/she needs a new world is", "not. Maybe the creation of a new world and culture (based on Earth", "what? An African Tribe is exotic compared to an every-day life of an", "if you apply a reference change, a person from African tribe Y would", "aliens living in a moon far away from Earth since you have a", "problem is then to say what is exotic or not. Maybe the creation", "true. But why create, for example, an indigenous culture of 2 meter high", "exotic compared to an every-day life of an average city X of Occidental", "of a character is what really matters. That's true. But why create, for", "because the story of a character is what really matters. That's true. But", "compared to ours, but every single character (Alien or not) have the common", "all our Terrestrial experience (culture) with something truly different (because it isn't a", "one fruitful way to an author decide if he/she needs a new world", "the problem of an \"Exotic Culture.\" Now, in this new world, you can", "a moon far away from Earth since you have a plethora of these", "why create, for example, an indigenous culture of 2 meter high blue aliens", "if he/she needs a new world is to verify if there are \"Exotic", "\"A long time ago, in a galaxy far far away\", \"Pandora\", \"Dune\", \"Middle", "world is to verify if there are \"Exotic Culture scenes\" on his/her story.", "truly different (because it isn't a human feature), truly \"exotic.\" Question -------- My", "but without saying anything related to a particular culture) solves the problem of", "anything related to a particular culture) solves the problem of an \"Exotic Culture.\"", "need new worlds? You may say that is the will of the writer,", "view on the necessity of a new culture in fiction --------------------------------------------------------------------- \"A long", "considered exotic cultures of Earth really exotic? I mean, they are exotic compared", "Earth. The thing is, are they considered exotic cultures of Earth really exotic?", "I mean, they are exotic compared to what? An African Tribe is exotic", "of view on the necessity of a new culture in fiction --------------------------------------------------------------------- \"A", "are pre-establishing a \"true\" culture, which of course do not exist; if you", "of a new world and culture (based on Earth but without saying anything", "way to an author decide if he/she needs a new world is to", "you are pre-establishing a \"true\" culture, which of course do not exist; if", "are they considered exotic cultures of Earth really exotic? I mean, they are", "--------------------------------------------------------------------- \"A long time ago, in a galaxy far far away\", \"Pandora\", \"Dune\",", "(mostly in sci-fi and fantasy) we need new worlds to tell about human", "like racism. Now, the problem is then to say what is exotic or", "question is based on my ignorance about the necessity of a new world.", "feature), truly \"exotic.\" Question -------- My question is based on my ignorance about", "particular culture) solves the problem of an \"Exotic Culture.\" Now, in this new", "pre-establishing a \"true\" culture, which of course do not exist; if you insist", "one of the fundamental cogs of a story). But why we need new", "long time ago, in a galaxy far far away\", \"Pandora\", \"Dune\", \"Middle Earth\".", "which of course do not exist; if you insist without any solid arguments,", "conflict (which is one of the fundamental cogs of a story). But why", "city X. So which culture is really exotic X or Y? If you", "Avatar)? Well, maybe one fruitful way to an author decide if he/she needs", "new world is to verify if there are \"Exotic Culture scenes\" on his/her", "are exotic, the Watto of Tatooine or Yoda are quite fascinating, Hobbits are", "why we need new worlds? You may say that is the will of", "people of city X. So which culture is really exotic X or Y?", "a particular culture) solves the problem of an \"Exotic Culture.\" Now, in this", "single character (Alien or not) have the common factor of human conflict (which", "in fiction --------------------------------------------------------------------- \"A long time ago, in a galaxy far far away\",", "to ours, but every single character (Alien or not) have the common factor", "personal point of view on the necessity of a new culture in fiction", "then to say what is exotic or not. Maybe the creation of a", "person from African tribe Y would probably say the same about the people", "if there are \"Exotic Culture scenes\" on his/her story. The Na'vi people are", "So, beyond genre, why sometimes (mostly in sci-fi and fantasy) we need new", "exist; if you insist without any solid arguments, you may reach the edges", "a plethora of these cultures here on Earth (Na'vi people - Avatar)? Well,", "every single character (Alien or not) have the common factor of human conflict", "arguments, you may reach the edges of things like racism. Now, the problem", "say what is exotic or not. Maybe the creation of a new world", "Well, maybe one fruitful way to an author decide if he/she needs a", "fundamental cogs of a story). But why we need new worlds? You may", "would say aloud: \"yes.\" But if you apply a reference change, a person", "writer, or just a cool feature because the story of a character is", "without any solid arguments, you may reach the edges of things like racism.", "the people of city X. So which culture is really exotic X or", "feature because the story of a character is what really matters. That's true.", "necessity of a new culture in fiction --------------------------------------------------------------------- \"A long time ago, in", "Culture.\" Now, in this new world, you can compare all our Terrestrial experience", "blue aliens living in a moon far away from Earth since you have", "needs a new world is to verify if there are \"Exotic Culture scenes\"", "to verify if there are \"Exotic Culture scenes\" on his/her story. The Na'vi", "the common factor of human conflict (which is one of the fundamental cogs", "is, are they considered exotic cultures of Earth really exotic? I mean, they", "a human feature), truly \"exotic.\" Question -------- My question is based on my", "why sometimes (mostly in sci-fi and fantasy) we need new worlds to tell", "of a new world. *So, beyond genre, why sometimes (mostly in sci-fi and", "decide if he/she needs a new world is to verify if there are", "or just a cool feature because the story of a character is what", "you have a plethora of these cultures here on Earth (Na'vi people -", "- Avatar)? Well, maybe one fruitful way to an author decide if he/she", "of 2 meter high blue aliens living in a moon far away from", "the problem is then to say what is exotic or not. Maybe the", "living in a moon far away from Earth since you have a plethora", "African tribe Y would probably say the same about the people of city", "are unusual and so on... But again, there are many \"Exotic Cultures\" here", "Earth since you have a plethora of these cultures here on Earth (Na'vi", "author decide if he/she needs a new world is to verify if there", "\"yes.\" But if you apply a reference change, a person from African tribe", "(Na'vi people - Avatar)? Well, maybe one fruitful way to an author decide", "new world and culture (based on Earth but without saying anything related to", "if you insist without any solid arguments, you may reach the edges of", "of city X. So which culture is really exotic X or Y? If", "Hobbits are unusual and so on... But again, there are many \"Exotic Cultures\"", "have a plethora of these cultures here on Earth (Na'vi people - Avatar)?", "you apply a reference change, a person from African tribe Y would probably", "you say that is the city X, you are pre-establishing a \"true\" culture,", "the edges of things like racism. Now, the problem is then to say", "exotic or not. Maybe the creation of a new world and culture (based", "to an every-day life of an average city X of Occidental World? Most", "human feature), truly \"exotic.\" Question -------- My question is based on my ignorance", "may say that is the will of the writer, or just a cool", "Earth\". All quite different worlds compared to ours, but every single character (Alien", "they considered exotic cultures of Earth really exotic? I mean, they are exotic", "\"true\" culture, which of course do not exist; if you insist without any", "factor of human conflict (which is one of the fundamental cogs of a", "(based on Earth but without saying anything related to a particular culture) solves", "galaxy far far away\", \"Pandora\", \"Dune\", \"Middle Earth\". All quite different worlds compared", "creation of a new world and culture (based on Earth but without saying", "about the necessity of a new world. So, beyond genre, why sometimes (mostly", "world and culture (based on Earth but without saying anything related to a", "truly \"exotic.\" Question -------- My question is based on my ignorance about the", "(culture) with something truly different (because it isn't a human feature), truly \"exotic.\"", "culture (based on Earth but without saying anything related to a particular culture)", "people would say aloud: \"yes.\" But if you apply a reference change, a", "same about the people of city X. So which culture is really exotic", "cultures of Earth really exotic? I mean, they are exotic compared to what?", "of an \"Exotic Culture.\" Now, in this new world, you can compare all", "a reference change, a person from African tribe Y would probably say the", "change, a person from African tribe Y would probably say the same about", "with something truly different (because it isn't a human feature), truly \"exotic.\" Question", "a galaxy far far away\", \"Pandora\", \"Dune\", \"Middle Earth\". All quite different worlds", "culture is really exotic X or Y? If you say that is the", "city X, you are pre-establishing a \"true\" culture, which of course do not", "to say what is exotic or not. Maybe the creation of a new", "to a particular culture) solves the problem of an \"Exotic Culture.\" Now, in", "create, for example, an indigenous culture of 2 meter high blue aliens living", "moon far away from Earth since you have a plethora of these cultures", "A personal point of view on the necessity of a new culture in", "reach the edges of things like racism. Now, the problem is then to", "what really matters. That's true. But why create, for example, an indigenous culture", "racism. Now, the problem is then to say what is exotic or not.", "these cultures here on Earth (Na'vi people - Avatar)? Well, maybe one fruitful", "ago, in a galaxy far far away\", \"Pandora\", \"Dune\", \"Middle Earth\". All quite", "things like racism. Now, the problem is then to say what is exotic", "the Watto of Tatooine or Yoda are quite fascinating, Hobbits are unusual and", "far far away\", \"Pandora\", \"Dune\", \"Middle Earth\". All quite different worlds compared to", "in sci-fi and fantasy) we need new worlds to tell about human conflict?", "it isn't a human feature), truly \"exotic.\" Question -------- My question is based", "which culture is really exotic X or Y? If you say that is", "Now, the problem is then to say what is exotic or not. Maybe", "story. The Na'vi people are exotic, the Watto of Tatooine or Yoda are", "an every-day life of an average city X of Occidental World? Most people", "the same about the people of city X. So which culture is really", "Terrestrial experience (culture) with something truly different (because it isn't a human feature),", "of the writer, or just a cool feature because the story of a", "so on... But again, there are many \"Exotic Cultures\" here on Earth. The", "since you have a plethora of these cultures here on Earth (Na'vi people", "ours, but every single character (Alien or not) have the common factor of", "and so on... But again, there are many \"Exotic Cultures\" here on Earth.", "That's true. But why create, for example, an indigenous culture of 2 meter", "beyond genre, why sometimes (mostly in sci-fi and fantasy) we need new worlds", "many \"Exotic Cultures\" here on Earth. The thing is, are they considered exotic", "really matters. That's true. But why create, for example, an indigenous culture of", "any solid arguments, you may reach the edges of things like racism. Now,", "world, you can compare all our Terrestrial experience (culture) with something truly different", "here on Earth (Na'vi people - Avatar)? Well, maybe one fruitful way to", "of course do not exist; if you insist without any solid arguments, you", "cogs of a story). But why we need new worlds? You may say", "culture of 2 meter high blue aliens living in a moon far away", "of Occidental World? Most people would say aloud: \"yes.\" But if you apply", "a cool feature because the story of a character is what really matters.", "exotic compared to what? An African Tribe is exotic compared to an every-day", "But why create, for example, an indigenous culture of 2 meter high blue", "Most people would say aloud: \"yes.\" But if you apply a reference change,", "compared to an every-day life of an average city X of Occidental World?", "on Earth (Na'vi people - Avatar)? Well, maybe one fruitful way to an", "tribe Y would probably say the same about the people of city X.", "isn't a human feature), truly \"exotic.\" Question -------- My question is based on", "story of a character is what really matters. That's true. But why create,", "(because it isn't a human feature), truly \"exotic.\" Question -------- My question is", "common factor of human conflict (which is one of the fundamental cogs of", "the necessity of a new world. So, beyond genre, why sometimes (mostly in", "meter high blue aliens living in a moon far away from Earth since", "new world, you can compare all our Terrestrial experience (culture) with something truly", "can compare all our Terrestrial experience (culture) with something truly different (because it", "just a cool feature because the story of a character is what really", "of Earth really exotic? I mean, they are exotic compared to what? An", "indigenous culture of 2 meter high blue aliens living in a moon far", "a story). But why we need new worlds? You may say that is", "of a story). But why we need new worlds? You may say that", "different (because it isn't a human feature), truly \"exotic.\" Question -------- My question", "human conflict (which is one of the fundamental cogs of a story). But", "of the fundamental cogs of a story). But why we need new worlds?", "story). But why we need new worlds? You may say that is the", "really exotic X or Y? If you say that is the city X,", "So which culture is really exotic X or Y? If you say that", "example, an indigenous culture of 2 meter high blue aliens living in a", "a person from African tribe Y would probably say the same about the", "character (Alien or not) have the common factor of human conflict (which is", "a new world and culture (based on Earth but without saying anything related", "on Earth but without saying anything related to a particular culture) solves the", "Yoda are quite fascinating, Hobbits are unusual and so on... But again, there", "do not exist; if you insist without any solid arguments, you may reach", "compared to what? An African Tribe is exotic compared to an every-day life", "about the people of city X. So which culture is really exotic X", "X or Y? If you say that is the city X, you are", "our Terrestrial experience (culture) with something truly different (because it isn't a human", "The Na'vi people are exotic, the Watto of Tatooine or Yoda are quite", "that is the will of the writer, or just a cool feature because", "or not) have the common factor of human conflict (which is one of", "a new world is to verify if there are \"Exotic Culture scenes\" on", "apply a reference change, a person from African tribe Y would probably say", "but every single character (Alien or not) have the common factor of human", "plethora of these cultures here on Earth (Na'vi people - Avatar)? Well, maybe", "say the same about the people of city X. So which culture is", "the city X, you are pre-establishing a \"true\" culture, which of course do", "of an average city X of Occidental World? Most people would say aloud:", "on... But again, there are many \"Exotic Cultures\" here on Earth. The thing", "All quite different worlds compared to ours, but every single character (Alien or", "scenes\" on his/her story. The Na'vi people are exotic, the Watto of Tatooine", "is the will of the writer, or just a cool feature because the", "An African Tribe is exotic compared to an every-day life of an average", "But why we need new worlds? You may say that is the will", "My question is based on my ignorance about the necessity of a new", "quite fascinating, Hobbits are unusual and so on... But again, there are many", "worlds compared to ours, but every single character (Alien or not) have the", "sometimes (mostly in sci-fi and fantasy) we need new worlds to tell about", "the fundamental cogs of a story). But why we need new worlds? You", "have the common factor of human conflict (which is one of the fundamental", "you may reach the edges of things like racism. Now, the problem is", "genre, why sometimes (mostly in sci-fi and fantasy) we need new worlds to", "are \"Exotic Culture scenes\" on his/her story. The Na'vi people are exotic, the", "Y? If you say that is the city X, you are pre-establishing a", "compare all our Terrestrial experience (culture) with something truly different (because it isn't", "a new culture in fiction --------------------------------------------------------------------- \"A long time ago, in a galaxy", "my ignorance about the necessity of a new world. So, beyond genre, why", "to an author decide if he/she needs a new world is to verify", "X. So which culture is really exotic X or Y? If you say", "we need new worlds? You may say that is the will of the", "\"Pandora\", \"Dune\", \"Middle Earth\". All quite different worlds compared to ours, but every", "life of an average city X of Occidental World? Most people would say", "of human conflict (which is one of the fundamental cogs of a story).", "edges of things like racism. Now, the problem is then to say what", "Earth but without saying anything related to a particular culture) solves the problem", "exotic cultures of Earth really exotic? I mean, they are exotic compared to", "Earth (Na'vi people - Avatar)? Well, maybe one fruitful way to an author", "in a moon far away from Earth since you have a plethora of", "far away from Earth since you have a plethora of these cultures here", "to what? An African Tribe is exotic compared to an every-day life of", "what is exotic or not. Maybe the creation of a new world and", "or not. Maybe the creation of a new world and culture (based on", "on my ignorance about the necessity of a new world. So, beyond genre,", "new world. So, beyond genre, why sometimes (mostly in sci-fi and fantasy) we", "for example, an indigenous culture of 2 meter high blue aliens living in", "is one of the fundamental cogs of a story). But why we need", "of a new culture in fiction --------------------------------------------------------------------- \"A long time ago, in a", "Occidental World? Most people would say aloud: \"yes.\" But if you apply a", "matters. That's true. But why create, for example, an indigenous culture of 2", "this new world, you can compare all our Terrestrial experience (culture) with something", "in a galaxy far far away\", \"Pandora\", \"Dune\", \"Middle Earth\". All quite different", "\"Exotic Culture.\" Now, in this new world, you can compare all our Terrestrial", "a \"true\" culture, which of course do not exist; if you insist without", "people - Avatar)? Well, maybe one fruitful way to an author decide if", "course do not exist; if you insist without any solid arguments, you may", "necessity of a new world. So, beyond genre, why sometimes (mostly in sci-fi", "are quite fascinating, Hobbits are unusual and so on... But again, there are", "Tatooine or Yoda are quite fascinating, Hobbits are unusual and so on... But", "away\", \"Pandora\", \"Dune\", \"Middle Earth\". All quite different worlds compared to ours, but", "from Earth since you have a plethora of these cultures here on Earth", "is exotic or not. Maybe the creation of a new world and culture", "insist without any solid arguments, you may reach the edges of things like", "a character is what really matters. That's true. But why create, for example,", "average city X of Occidental World? Most people would say aloud: \"yes.\" But", "Now, in this new world, you can compare all our Terrestrial experience (culture)", "is really exotic X or Y? If you say that is the city", "not exist; if you insist without any solid arguments, you may reach the", "\"exotic.\" Question -------- My question is based on my ignorance about the necessity", "fiction --------------------------------------------------------------------- \"A long time ago, in a galaxy far far away\", \"Pandora\",", "Na'vi people are exotic, the Watto of Tatooine or Yoda are quite fascinating,", "are exotic compared to what? An African Tribe is exotic compared to an", "unusual and so on... But again, there are many \"Exotic Cultures\" here on", "problem of an \"Exotic Culture.\" Now, in this new world, you can compare", "cultures here on Earth (Na'vi people - Avatar)? Well, maybe one fruitful way", "fascinating, Hobbits are unusual and so on... But again, there are many \"Exotic", "verify if there are \"Exotic Culture scenes\" on his/her story. The Na'vi people", "-------- My question is based on my ignorance about the necessity of a", "is to verify if there are \"Exotic Culture scenes\" on his/her story. The", "or Y? If you say that is the city X, you are pre-establishing", "high blue aliens living in a moon far away from Earth since you", "cool feature because the story of a character is what really matters. That's", "not) have the common factor of human conflict (which is one of the", "mean, they are exotic compared to what? An African Tribe is exotic compared", "they are exotic compared to what? An African Tribe is exotic compared to", "X, you are pre-establishing a \"true\" culture, which of course do not exist;", "Cultures\" here on Earth. The thing is, are they considered exotic cultures of", "saying anything related to a particular culture) solves the problem of an \"Exotic", "character is what really matters. That's true. But why create, for example, an", "is exotic compared to an every-day life of an average city X of", "an author decide if he/she needs a new world is to verify if", "is based on my ignorance about the necessity of a new world. *So,", "from African tribe Y would probably say the same about the people of", "time ago, in a galaxy far far away\", \"Pandora\", \"Dune\", \"Middle Earth\". All", "2 meter high blue aliens living in a moon far away from Earth", "say that is the will of the writer, or just a cool feature", "solves the problem of an \"Exotic Culture.\" Now, in this new world, you", "people are exotic, the Watto of Tatooine or Yoda are quite fascinating, Hobbits", "the creation of a new world and culture (based on Earth but without", "(Alien or not) have the common factor of human conflict (which is one", "say that is the city X, you are pre-establishing a \"true\" culture, which", "But if you apply a reference change, a person from African tribe Y", "something truly different (because it isn't a human feature), truly \"exotic.\" Question --------", "exotic? I mean, they are exotic compared to what? An African Tribe is", "(which is one of the fundamental cogs of a story). But why we", "far away\", \"Pandora\", \"Dune\", \"Middle Earth\". All quite different worlds compared to ours,", "You may say that is the will of the writer, or just a", "Question -------- My question is based on my ignorance about the necessity of", "worlds? You may say that is the will of the writer, or just", "that is the city X, you are pre-establishing a \"true\" culture, which of", "solid arguments, you may reach the edges of things like racism. Now, the", "quite different worlds compared to ours, but every single character (Alien or not)", "related to a particular culture) solves the problem of an \"Exotic Culture.\" Now,", "here on Earth. The thing is, are they considered exotic cultures of Earth", "If you say that is the city X, you are pre-establishing a \"true\"", "he/she needs a new world is to verify if there are \"Exotic Culture", "based on my ignorance about the necessity of a new world. So, beyond", "there are many \"Exotic Cultures\" here on Earth. The thing is, are they", "probably say the same about the people of city X. So which culture", "\"Exotic Culture scenes\" on his/her story. The Na'vi people are exotic, the Watto", "is what really matters. That's true. But why create, for example, an indigenous", "are many \"Exotic Cultures\" here on Earth. The thing is, are they considered", "Watto of Tatooine or Yoda are quite fascinating, Hobbits are unusual and so", "city X of Occidental World? Most people would say aloud: \"yes.\" But if", "Y would probably say the same about the people of city X. So", "thing is, are they considered exotic cultures of Earth really exotic? I mean,", "\"Dune\", \"Middle Earth\". All quite different worlds compared to ours, but every single", "an average city X of Occidental World? Most people would say aloud: \"yes.\"", "the necessity of a new culture in fiction --------------------------------------------------------------------- \"A long time ago,", "may reach the edges of things like racism. Now, the problem is then", "would probably say the same about the people of city X. So which", "exotic X or Y? If you say that is the city X, you", "and culture (based on Earth but without saying anything related to a particular", "is the city X, you are pre-establishing a \"true\" culture, which of course", "new worlds? You may say that is the will of the writer, or", "a new world. So, beyond genre, why sometimes (mostly in sci-fi and fantasy)", "of things like racism. Now, the problem is then to say what is", "African Tribe is exotic compared to an every-day life of an average city", "Tribe is exotic compared to an every-day life of an average city X", "an indigenous culture of 2 meter high blue aliens living in a moon", "The thing is, are they considered exotic cultures of Earth really exotic? I", "on his/her story. The Na'vi people are exotic, the Watto of Tatooine or", "say aloud: \"yes.\" But if you apply a reference change, a person from", "the writer, or just a cool feature because the story of a character", "Culture scenes\" on his/her story. The Na'vi people are exotic, the Watto of", "ignorance about the necessity of a new world. So, beyond genre, why sometimes", "But again, there are many \"Exotic Cultures\" here on Earth. The thing is,", "World? Most people would say aloud: \"yes.\" But if you apply a reference", "\"Exotic Cultures\" here on Earth. The thing is, are they considered exotic cultures", "experience (culture) with something truly different (because it isn't a human feature), truly", "the will of the writer, or just a cool feature because the story", "there are \"Exotic Culture scenes\" on his/her story. The Na'vi people are exotic,", "is then to say what is exotic or not. Maybe the creation of", "different worlds compared to ours, but every single character (Alien or not) have", "his/her story. The Na'vi people are exotic, the Watto of Tatooine or Yoda", "reference change, a person from African tribe Y would probably say the same", "you can compare all our Terrestrial experience (culture) with something truly different (because", "world. *So, beyond genre, why sometimes (mostly in sci-fi and fantasy) we need", "on the necessity of a new culture in fiction --------------------------------------------------------------------- \"A long time", "on Earth. The thing is, are they considered exotic cultures of Earth really", "or Yoda are quite fascinating, Hobbits are unusual and so on... But again,", "culture in fiction --------------------------------------------------------------------- *\"A long time ago, in a galaxy far far", "Earth really exotic? I mean, they are exotic compared to what? An African", "an \"Exotic Culture.\" Now, in this new world, you can compare all our", "X of Occidental World? Most people would say aloud: \"yes.\" But if you" ]
[ "on \"what to write\", I'd like to know how other authors proceed from", "and his name is quite fancy so I have no idea what I", "have no idea what I should do with him. I named him, ready?", "fancy so I have no idea what I should do with him. I", "come up with a plot around the main character you wish to write", "III. Without asking for specific suggestions on \"what to write\", I'd like to", "other authors proceed from an initial idea about a character to developing a", "Charles III. Without asking for specific suggestions on \"what to write\", I'd like", "do with him. I named him, ready? Sir Nathaniel Charles III. Without asking", "are your techniques or tools you use to come up with a plot", "name is quite fancy so I have no idea what I should do", "write\", I'd like to know how other authors proceed from an initial idea", "what I should do with him. I named him, ready? Sir Nathaniel Charles", "or tools you use to come up with a plot around the main", "no idea what I should do with him. I named him, ready? Sir", "initial idea about a character to developing a plot and story. What are", "I named him, ready? Sir Nathaniel Charles III. Without asking for specific suggestions", "him, ready? Sir Nathaniel Charles III. Without asking for specific suggestions on \"what", "What are your techniques or tools you use to come up with a", "to know how other authors proceed from an initial idea about a character", "a character to developing a plot and story. What are your techniques or", "So I made a name for a character and his name is quite", "so I have no idea what I should do with him. I named", "named him, ready? Sir Nathaniel Charles III. Without asking for specific suggestions on", "an initial idea about a character to developing a plot and story. What", "character and his name is quite fancy so I have no idea what", "quite fancy so I have no idea what I should do with him.", "from an initial idea about a character to developing a plot and story.", "a plot and story. What are your techniques or tools you use to", "up with a plot around the main character you wish to write about?", "should do with him. I named him, ready? Sir Nathaniel Charles III. Without", "\"what to write\", I'd like to know how other authors proceed from an", "I made a name for a character and his name is quite fancy", "I have no idea what I should do with him. I named him,", "name for a character and his name is quite fancy so I have", "developing a plot and story. What are your techniques or tools you use", "asking for specific suggestions on \"what to write\", I'd like to know how", "your techniques or tools you use to come up with a plot around", "with him. I named him, ready? Sir Nathaniel Charles III. Without asking for", "techniques or tools you use to come up with a plot around the", "use to come up with a plot around the main character you wish", "idea what I should do with him. I named him, ready? Sir Nathaniel", "I should do with him. I named him, ready? Sir Nathaniel Charles III.", "Nathaniel Charles III. Without asking for specific suggestions on \"what to write\", I'd", "like to know how other authors proceed from an initial idea about a", "idea about a character to developing a plot and story. What are your", "character to developing a plot and story. What are your techniques or tools", "proceed from an initial idea about a character to developing a plot and", "how other authors proceed from an initial idea about a character to developing", "authors proceed from an initial idea about a character to developing a plot", "Sir Nathaniel Charles III. 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Sir Nathaniel Charles III. Without asking for specific suggestions on \"what to", "story. What are your techniques or tools you use to come up with", "made a name for a character and his name is quite fancy so", "Without asking for specific suggestions on \"what to write\", I'd like to know", "specific suggestions on \"what to write\", I'd like to know how other authors", "for a character and his name is quite fancy so I have no", "to developing a plot and story. What are your techniques or tools you", "to come up with a plot around the main character you wish to", "a name for a character and his name is quite fancy so I", "plot and story. What are your techniques or tools you use to come" ]
[ "these childish, made-up words. But then again, some of the spells used do", "it when adult characters were shouting these childish, made-up words. But then again,", "shouting these childish, made-up words. But then again, some of the spells used", "names for spells. However, I feel like they come across as childish when", "as childish when I read over my writing This was also my impression", "again, some of the spells used do work and are actually quite iconic", "feel like they come across as childish when I read over my writing", "up my own names for spells. However, I feel like they come across", "I read over my writing This was also my impression when re-reading Hijrp", "when re-reading Hijrp Potfeq. It really took me out of it when adult", "But then again, some of the spells used do work and are actually", "across as childish when I read over my writing This was also my", "really took me out of it when adult characters were shouting these childish,", "I feel like they come across as childish when I read over my", "then again, some of the spells used do work and are actually quite", "my writing This was also my impression when re-reading Hijrp Potfeq. It really", "writing This was also my impression when re-reading Hijrp Potfeq. It really took", "were shouting these childish, made-up words. But then again, some of the spells", "when adult characters were shouting these childish, made-up words. But then again, some", "into making up my own names for spells. However, I feel like they", "words. But then again, some of the spells used do work and are", "impression when re-reading Hijrp Potfeq. It really took me out of it when", "also my impression when re-reading Hijrp Potfeq. It really took me out of", "This was also my impression when re-reading Hijrp Potfeq. It really took me", "my impression when re-reading Hijrp Potfeq. It really took me out of it", "like they come across as childish when I read over my writing This", "made-up words. But then again, some of the spells used do work and", "I put work into making up my own names for spells. However, I", "work into making up my own names for spells. However, I feel like", "out of it when adult characters were shouting these childish, made-up words. But", "characters were shouting these childish, made-up words. But then again, some of the", "childish when I read over my writing This was also my impression when", "some of the spells used do work and are actually quite iconic (exp.", "spells. However, I feel like they come across as childish when I read", "the spells used do work and are actually quite iconic (exp. Avada Kedavra)", "me out of it when adult characters were shouting these childish, made-up words.", "However, I feel like they come across as childish when I read over", "when I read over my writing This was also my impression when re-reading", "Hijrp Potfeq. It really took me out of it when adult characters were", "come across as childish when I read over my writing This was also", "It really took me out of it when adult characters were shouting these", "childish, made-up words. But then again, some of the spells used do work", "over my writing This was also my impression when re-reading Hijrp Potfeq. It", "was also my impression when re-reading Hijrp Potfeq. It really took me out", "re-reading Hijrp Potfeq. It really took me out of it when adult characters", "own names for spells. However, I feel like they come across as childish", "they come across as childish when I read over my writing This was", "for spells. However, I feel like they come across as childish when I", "Potfeq. It really took me out of it when adult characters were shouting", "of it when adult characters were shouting these childish, made-up words. But then", "my own names for spells. However, I feel like they come across as", "adult characters were shouting these childish, made-up words. But then again, some of", "making up my own names for spells. However, I feel like they come", "of the spells used do work and are actually quite iconic (exp. Avada", "took me out of it when adult characters were shouting these childish, made-up", "put work into making up my own names for spells. However, I feel", "read over my writing This was also my impression when re-reading Hijrp Potfeq." ]
[ "described as looking like a United Colours of Benetton commercial, the group embraced", "once being described as looking like a United Colours of Benetton advertisement.* I'm", "is the issue. It's a bit wordy and some people seem to have", "a bit wordy and some people seem to have an issue with the", "gender, and background. Having once been described as looking like a United Colours", "to: Zonewa’s group of friends was a diverse mixture of race, gender, and", "They had named themselves the Cubs, after once being described as looking like", "a diverse mixture of race, gender, and background. They had named themselves the", "of Benetton commercial, the group embraced the attempted insult and called themselves the", "was a diverse mixture of race, gender, and background. Having once been described", "so should I worry about adding more text to describe that, or should", "a particular sentence in my book. I had originally written: Zonewa’s group of", "Benetton is UCB, not CUB. I can simplify the sentence to: Zonewa’s group", "and background. They had named themselves the Cubs, after once being described as", "the fact that United Colours of Benetton is UCB, not CUB. I can", "have an issue with the fact that United Colours of Benetton is UCB,", "as looking like a United Colours of Benetton advertisement. I'm left with the", "or should I just leave it and hope most readers don't care about", "about adding more text to describe that, or should I just leave it", "group of friends was a diverse mixture of race, gender, and background. Having", "seem to have an issue with the fact that United Colours of Benetton", "being described as looking like a United Colours of Benetton advertisement.* I'm left", "a United Colours of Benetton commercial, the group embraced the attempted insult and", "of still not lining up the letters. Many acronyms and abbreviations shuffle the", "after once being described as looking like a United Colours of Benetton advertisement.", "to look better, so should I worry about adding more text to describe", "simplify the sentence to: Zonewa’s group of friends was a diverse mixture of", "with the issue of still not lining up the letters. Many acronyms and", "CUBs.* The second sentence is the issue. It's a bit wordy and some", "United Colours of Benetton commercial, the group embraced the attempted insult and called", "Many acronyms and abbreviations shuffle the letters around to look better, so should", "abbreviations shuffle the letters around to look better, so should I worry about", "issue of still not lining up the letters. Many acronyms and abbreviations shuffle", "around to look better, so should I worry about adding more text to", "of friends was a diverse mixture of race, gender, and background. Having once", "looking like a United Colours of Benetton commercial, the group embraced the attempted", "lining up the letters. Many acronyms and abbreviations shuffle the letters around to", "Cubs, after once being described as looking like a United Colours of Benetton", "Colours of Benetton advertisement.* I'm left with the issue of still not lining", "group of friends was a diverse mixture of race, gender, and background. They", "to have an issue with the fact that United Colours of Benetton is", "of race, gender, and background. They had named themselves the Cubs, after once", "still not lining up the letters. Many acronyms and abbreviations shuffle the letters", "had named themselves the Cubs, after once being described as looking like a", "and background. Having once been described as looking like a United Colours of", "not CUB. I can simplify the sentence to: Zonewa’s group of friends was", "the letters around to look better, so should I worry about adding more", "been described as looking like a United Colours of Benetton commercial, the group", "Colours of Benetton commercial, the group embraced the attempted insult and called themselves", "text to describe that, or should I just leave it and hope most", "mixture of race, gender, and background. Having once been described as looking like", "adding more text to describe that, or should I just leave it and", "look better, so should I worry about adding more text to describe that,", "issue with the fact that United Colours of Benetton is UCB, not CUB.", "letters. Many acronyms and abbreviations shuffle the letters around to look better, so", "like a United Colours of Benetton commercial, the group embraced the attempted insult", "was a diverse mixture of race, gender, and background. They had named themselves", "sentence is the issue. It's a bit wordy and some people seem to", "originally written: Zonewa’s group of friends was a diverse mixture of race, gender,", "particular sentence in my book. I had originally written: Zonewa’s group of friends", "in my book. I had originally written: Zonewa’s group of friends was a", "bit wordy and some people seem to have an issue with the fact", "of Benetton advertisement.* I'm left with the issue of still not lining up", "people seem to have an issue with the fact that United Colours of", "the group embraced the attempted insult and called themselves the CUBs.* The second", "letters around to look better, so should I worry about adding more text", "like a United Colours of Benetton advertisement.* I'm left with the issue of", "book. I had originally written: Zonewa’s group of friends was a diverse mixture", "attempted insult and called themselves the CUBs. The second sentence is the issue.", "fact that United Colours of Benetton is UCB, not CUB. I can simplify", "I'm left with the issue of still not lining up the letters. Many", "Zonewa’s group of friends was a diverse mixture of race, gender, and background.", "acronyms and abbreviations shuffle the letters around to look better, so should I", "embraced the attempted insult and called themselves the CUBs. The second sentence is", "some people seem to have an issue with the fact that United Colours", "describe that, or should I just leave it and hope most readers don't", "shuffle the letters around to look better, so should I worry about adding", "I can simplify the sentence to: Zonewa’s group of friends was a diverse", "group embraced the attempted insult and called themselves the CUBs. The second sentence", "my book. I had originally written: Zonewa’s group of friends was a diverse", "It's a bit wordy and some people seem to have an issue with", "advertisement. I'm left with the issue of still not lining up the letters.", "of Benetton is UCB, not CUB. I can simplify the sentence to: Zonewa’s", "insult and called themselves the CUBs. The second sentence is the issue. It's", "the attempted insult and called themselves the CUBs.* The second sentence is the", "the CUBs.* The second sentence is the issue. It's a bit wordy and", "Colours of Benetton is UCB, not CUB. I can simplify the sentence to:", "mixture of race, gender, and background. They had named themselves the Cubs, after", "had originally written: Zonewa’s group of friends was a diverse mixture of race,", "the issue of still not lining up the letters. Many acronyms and abbreviations", "I had originally written: Zonewa’s group of friends was a diverse mixture of", "written: Zonewa’s group of friends was a diverse mixture of race, gender, and", "an issue with the fact that United Colours of Benetton is UCB, not", "The second sentence is the issue. It's a bit wordy and some people", "that, or should I just leave it and hope most readers don't care", "the letters. Many acronyms and abbreviations shuffle the letters around to look better,", "described as looking like a United Colours of Benetton advertisement. I'm left with", "of race, gender, and background. Having once been described as looking like a", "issue. It's a bit wordy and some people seem to have an issue", "a diverse mixture of race, gender, and background. Having once been described as", "that United Colours of Benetton is UCB, not CUB. I can simplify the", "diverse mixture of race, gender, and background. Having once been described as looking", "left with the issue of still not lining up the letters. Many acronyms", "themselves the CUBs.* The second sentence is the issue. It's a bit wordy", "and some people seem to have an issue with the fact that United", "sentence to: Zonewa’s group of friends was a diverse mixture of race, gender,", "United Colours of Benetton is UCB, not CUB. I can simplify the sentence", "wordy and some people seem to have an issue with the fact that", "to describe that, or should I just leave it and hope most readers", "as looking like a United Colours of Benetton commercial, the group embraced the", "diverse mixture of race, gender, and background. They had named themselves the Cubs,", "Benetton advertisement. I'm left with the issue of still not lining up the", "not lining up the letters. Many acronyms and abbreviations shuffle the letters around", "better, so should I worry about adding more text to describe that, or", "I'm having trouble with a particular sentence in my book. I had originally", "with a particular sentence in my book. I had originally written: Zonewa’s group", "commercial, the group embraced the attempted insult and called themselves the CUBs. The", "of friends was a diverse mixture of race, gender, and background. They had", "and called themselves the CUBs.* The second sentence is the issue. It's a", "the Cubs, after once being described as looking like a United Colours of", "is UCB, not CUB. I can simplify the sentence to: Zonewa’s group of", "CUB. I can simplify the sentence to: Zonewa’s group of friends was a", "Benetton commercial, the group embraced the attempted insult and called themselves the CUBs.", "the issue. It's a bit wordy and some people seem to have an", "named themselves the Cubs, after once being described as looking like a United", "up the letters. Many acronyms and abbreviations shuffle the letters around to look", "sentence in my book. I had originally written: Zonewa’s group of friends was", "UCB, not CUB. I can simplify the sentence to: Zonewa’s group of friends", "background. Having once been described as looking like a United Colours of Benetton", "United Colours of Benetton advertisement. I'm left with the issue of still not", "having trouble with a particular sentence in my book. I had originally written:", "looking like a United Colours of Benetton advertisement.* I'm left with the issue", "I worry about adding more text to describe that, or should I just", "trouble with a particular sentence in my book. I had originally written: Zonewa’s", "should I just leave it and hope most readers don't care about the", "a United Colours of Benetton advertisement. I'm left with the issue of still", "friends was a diverse mixture of race, gender, and background. Having once been", "with the fact that United Colours of Benetton is UCB, not CUB. I", "can simplify the sentence to: Zonewa’s group of friends was a diverse mixture", "should I worry about adding more text to describe that, or should I", "themselves the Cubs, after once being described as looking like a United Colours", "and abbreviations shuffle the letters around to look better, so should I worry", "race, gender, and background. Having once been described as looking like a United", "second sentence is the issue. It's a bit wordy and some people seem", "background. They had named themselves the Cubs, after once being described as looking", "the sentence to: Zonewa’s group of friends was a diverse mixture of race,", "once been described as looking like a United Colours of Benetton commercial, the", "I just leave it and hope most readers don't care about the order?", "race, gender, and background. They had named themselves the Cubs, after once being", "more text to describe that, or should I just leave it and hope", "worry about adding more text to describe that, or should I just leave", "Having once been described as looking like a United Colours of Benetton commercial,", "gender, and background. They had named themselves the Cubs, after once being described", "friends was a diverse mixture of race, gender, and background. They had named", "called themselves the CUBs.* The second sentence is the issue. It's a bit" ]
[ "to force the characters into a situation that while is impossible, would forcibly", "are altered to some extent. Even character's recollections of previous events is limited", "other side. Is there any way to do this without alienating the reader,", "significantly altered. I wanted to do this to give the villain a way", "force the characters into a situation that while is impossible, would forcibly shed", "1/3 of the way through my story the main antagonist \"wins\" and is", "he is right and to force the characters into a situation that while", "time in the previous part of the story and feel cheated as a", "the way through my story the main antagonist \"wins\" and is able to", "forcibly shed a light on their other side. Is there any way to", "invested significant time in the previous part of the story and feel cheated", "is right and to force the characters into a situation that while is", "completely remake the world of the story into his notion of an ideal", "ideal world. The \"new\" world shares some elements with the previous incarnation but", "story into his notion of an ideal world. The \"new\" world shares some", "the story into his notion of an ideal world. The \"new\" world shares", "story the main antagonist \"wins\" and is able to completely remake the world", "alienating the reader, who may well have invested significant time in the previous", "to completely remake the world of the story into his notion of an", "impossible, would forcibly shed a light on their other side. Is there any", "and/or significantly altered. I wanted to do this to give the villain a", "do this to give the villain a way to show how he is", "way through my story the main antagonist \"wins\" and is able to completely", "reader, who may well have invested significant time in the previous part of", "Is there any way to do this without alienating the reader, who may", "events is limited and/or significantly altered. I wanted to do this to give", "Even character's recollections of previous events is limited and/or significantly altered. I wanted", "able to completely remake the world of the story into his notion of", "extent. Even character's recollections of previous events is limited and/or significantly altered. I", "shares some elements with the previous incarnation but all are altered to some", "on their other side. Is there any way to do this without alienating", "is limited and/or significantly altered. I wanted to do this to give the", "I wanted to do this to give the villain a way to show", "recollections of previous events is limited and/or significantly altered. I wanted to do", "his notion of an ideal world. The \"new\" world shares some elements with", "antagonist \"wins\" and is able to completely remake the world of the story", "may well have invested significant time in the previous part of the story", "the villain a way to show how he is right and to force", "\"new\" world shares some elements with the previous incarnation but all are altered", "a way to show how he is right and to force the characters", "character's recollections of previous events is limited and/or significantly altered. I wanted to", "elements with the previous incarnation but all are altered to some extent. Even", "limited and/or significantly altered. I wanted to do this to give the villain", "in the previous part of the story and feel cheated as a result?", "and is able to completely remake the world of the story into his", "of an ideal world. The \"new\" world shares some elements with the previous", "notion of an ideal world. The \"new\" world shares some elements with the", "altered. I wanted to do this to give the villain a way to", "that while is impossible, would forcibly shed a light on their other side.", "but all are altered to some extent. Even character's recollections of previous events", "show how he is right and to force the characters into a situation", "is impossible, would forcibly shed a light on their other side. Is there", "world. The \"new\" world shares some elements with the previous incarnation but all", "villain a way to show how he is right and to force the", "side. Is there any way to do this without alienating the reader, who", "have invested significant time in the previous part of the story and feel", "main antagonist \"wins\" and is able to completely remake the world of the", "previous events is limited and/or significantly altered. I wanted to do this to", "without alienating the reader, who may well have invested significant time in the", "About 1/3 of the way through my story the main antagonist \"wins\" and", "my story the main antagonist \"wins\" and is able to completely remake the", "the world of the story into his notion of an ideal world. The", "the reader, who may well have invested significant time in the previous part", "through my story the main antagonist \"wins\" and is able to completely remake", "shed a light on their other side. Is there any way to do", "significant time in the previous part of the story and feel cheated as", "a situation that while is impossible, would forcibly shed a light on their", "incarnation but all are altered to some extent. Even character's recollections of previous", "the main antagonist \"wins\" and is able to completely remake the world of", "previous incarnation but all are altered to some extent. Even character's recollections of", "of the story into his notion of an ideal world. The \"new\" world", "some extent. Even character's recollections of previous events is limited and/or significantly altered.", "to show how he is right and to force the characters into a", "\"wins\" and is able to completely remake the world of the story into", "right and to force the characters into a situation that while is impossible,", "light on their other side. Is there any way to do this without", "to do this to give the villain a way to show how he", "of previous events is limited and/or significantly altered. I wanted to do this", "situation that while is impossible, would forcibly shed a light on their other", "is able to completely remake the world of the story into his notion", "way to do this without alienating the reader, who may well have invested", "to some extent. Even character's recollections of previous events is limited and/or significantly", "way to show how he is right and to force the characters into", "some elements with the previous incarnation but all are altered to some extent.", "do this without alienating the reader, who may well have invested significant time", "The \"new\" world shares some elements with the previous incarnation but all are", "how he is right and to force the characters into a situation that", "and to force the characters into a situation that while is impossible, would", "characters into a situation that while is impossible, would forcibly shed a light", "the characters into a situation that while is impossible, would forcibly shed a", "who may well have invested significant time in the previous part of the", "wanted to do this to give the villain a way to show how", "this to give the villain a way to show how he is right", "well have invested significant time in the previous part of the story and", "into his notion of an ideal world. The \"new\" world shares some elements", "of the way through my story the main antagonist \"wins\" and is able", "give the villain a way to show how he is right and to", "while is impossible, would forcibly shed a light on their other side. Is", "all are altered to some extent. Even character's recollections of previous events is", "this without alienating the reader, who may well have invested significant time in", "there any way to do this without alienating the reader, who may well", "into a situation that while is impossible, would forcibly shed a light on", "with the previous incarnation but all are altered to some extent. Even character's", "the previous incarnation but all are altered to some extent. Even character's recollections", "remake the world of the story into his notion of an ideal world.", "a light on their other side. Is there any way to do this", "to give the villain a way to show how he is right and", "an ideal world. The \"new\" world shares some elements with the previous incarnation", "would forcibly shed a light on their other side. Is there any way", "world shares some elements with the previous incarnation but all are altered to", "to do this without alienating the reader, who may well have invested significant", "world of the story into his notion of an ideal world. The \"new\"", "their other side. Is there any way to do this without alienating the", "any way to do this without alienating the reader, who may well have", "altered to some extent. Even character's recollections of previous events is limited and/or" ]
[ "[Char Bottle Vodka (Punjabi)](https://www.youtube.com/watch?v=x8F5dz8kv1w) (Alcoholism, Sexual References to Women, Conversational) [Represent (Indus Vally", "Their music remains very ancient and hardly modernized to this day. Some songs", "well-known rap songs (char bottle vodka) refer to alcohol and women but are", "with dark themes (I read English translations) exist in India: [keh ke lunga", "Mein) use more common everyday language. However, the most well-known rap songs (char", "and hardly modernized to this day. Some songs with dark themes (I read", "English over Indian music. Currently, the most popular Indian songs (songs with millions", "(Urdu)](https://www.youtube.com/watch?v=PWxubl8xvAs) (Representing Neighborhood, Violence, Swearing, Intimidation, Conversational). This is the closest resemblance to", "(Malayalam)](https://www.youtube.com/watch?v=FXiaIH49oAU) (College Slang, Alchoholism, Poetic) [Iraiva (Tamil)](https://www.youtube.com/watch?v=l5PD4_Uy-00) (Suicide, Violence, Conversational) [Char Bottle Vodka", "Women, Conversational) [Represent (Indus Vally Remix) (Urdu)](https://www.youtube.com/watch?v=PWxubl8xvAs) (Representing Neighborhood, Violence, Swearing, Intimidation, Conversational).", "women but are not as lyrically sophisticated (dull compared to English). In fact,", "Could it be as common (used in everyday conversation UNLIKE poetry in literature),", "complex (lyrical), explicit (uses swearing, slang), or controversial like English lyrics? I say", "references to women): [Bandeh (Hindi)](https://www.youtube.com/watch?v=wqFy-SgYQho) (Apocalyptic, Poetic) [Jimikki Kamal (Malayalam)](https://www.youtube.com/watch?v=FXiaIH49oAU) (College Slang, Alchoholism,", "translations) exist in India: [keh ke lunga (Hindi)](https://www.youtube.com/watch?v=y0ffqzat4Tk) (Uses slang, Refers to Intimidation", "common everyday language. However, the most well-known rap songs (char bottle vodka) refer", "(Indus Vally Remix) (Urdu)](https://www.youtube.com/watch?v=PWxubl8xvAs) (Representing Neighborhood, Violence, Swearing, Intimidation, Conversational). This is the", "to Intimidation and Violence, Still Poetic) [Ganda hai (Hindi)](https://www.youtube.com/watch?v=3JzH50wPDLo) (Intimidation, Conversational) [Beware (Punjabi)](https://www.youtube.com/watch?v=7TcD_IeMdG4)", "read English translations) exist in India: [keh ke lunga (Hindi)](https://www.youtube.com/watch?v=y0ffqzat4Tk) (Uses slang, Refers", "mind but... Could Indian Classical music modernize into new genres as successfully as", "the lyrics sound similar in sound/delivery, flow/melody, and meaning compared to English lyrics;", "Some songs with dark themes (I read English translations) exist in India: [keh", "sound similar in sound/delivery, flow/melody, and meaning compared to English lyrics; yet preserve", "it be as common (used in everyday conversation UNLIKE poetry in literature), yet", "followers) are about parties and romance which I don't mind but... Could Indian", "to English). In fact, it seems more Indians are preferring English over Indian", "ke lunga (Hindi)](https://www.youtube.com/watch?v=y0ffqzat4Tk) (Uses slang, Refers to Intimidation and Violence, Still Poetic) [Ganda", "language. However, the most well-known rap songs (char bottle vodka) refer to alcohol", "in sound/delivery, flow/melody, and meaning compared to English lyrics; yet preserve its cultural", "preserve its cultural values, (referring to Indian Texts, People, History, etc.)? Could it", "(Hindi)](https://www.youtube.com/watch?v=3JzH50wPDLo) (Intimidation, Conversational) [Beware (Punjabi)](https://www.youtube.com/watch?v=7TcD_IeMdG4) (Intimidation, Poetic) [Emotional Attyachar (Hindi)](https://www.youtube.com/watch?v=Vng5mg0iY0Q) (Depression, Conversational) [Hikknaal", "rock (apocalyptic themes, depression) and rap (struggle, representing neighborhood, alcohol, sexual references to", "to Women, Conversational) [Represent (Indus Vally Remix) (Urdu)](https://www.youtube.com/watch?v=PWxubl8xvAs) (Representing Neighborhood, Violence, Swearing, Intimidation,", "to literature) with references to nature (sun, flower, moon), dresses (veils, saris, fabric),", "extremely poetic (closely related to literature) with references to nature (sun, flower, moon),", "Gully Mein) use more common everyday language. However, the most well-known rap songs", "(Punjabi)](https://www.youtube.com/watch?v=x8F5dz8kv1w) (Alcoholism, Sexual References to Women, Conversational) [Represent (Indus Vally Remix) (Urdu)](https://www.youtube.com/watch?v=PWxubl8xvAs) (Representing", "neighborhood, alcohol, sexual references to women): [Bandeh (Hindi)](https://www.youtube.com/watch?v=wqFy-SgYQho) (Apocalyptic, Poetic) [Jimikki Kamal (Malayalam)](https://www.youtube.com/watch?v=FXiaIH49oAU)", "is the closest resemblance to modern Indian music. There are no songs like", "organs (heart, liver) and gods. Their music remains very ancient and hardly modernized", "poetry in literature), yet complex (lyrical), explicit (uses swearing, slang), or controversial like", "alcohol and women but are not as lyrically sophisticated (dull compared to English).", "very ancient and hardly modernized to this day. Some songs with dark themes", "[Ganda hai (Hindi)](https://www.youtube.com/watch?v=3JzH50wPDLo) (Intimidation, Conversational) [Beware (Punjabi)](https://www.youtube.com/watch?v=7TcD_IeMdG4) (Intimidation, Poetic) [Emotional Attyachar (Hindi)](https://www.youtube.com/watch?v=Vng5mg0iY0Q) (Depression,", "(Represent, Mere Gully Mein) use more common everyday language. However, the most well-known", "mein](https://www.youtube.com/watch?v=1bK5dzwhu-I) (Initimidation, Representing Neighborhood, Violence, Conversational) Most of these songs use poetic lyricism", "the most popular Indian songs (songs with millions of followers) are about parties", "of followers) are about parties and romance which I don't mind but... Could", "to nature (sun, flower, moon), dresses (veils, saris, fabric), organs (heart, liver) and", "cultural values, (referring to Indian Texts, People, History, etc.)? Could it be as", "Indians are preferring English over Indian music. Currently, the most popular Indian songs", "everyday language. However, the most well-known rap songs (char bottle vodka) refer to", "Bottle Vodka (Punjabi)](https://www.youtube.com/watch?v=x8F5dz8kv1w) (Alcoholism, Sexual References to Women, Conversational) [Represent (Indus Vally Remix)", "Mere Gully Mein) use more common everyday language. However, the most well-known rap", "classical music fused with Rock, Pop or Hip Hop. Could the lyrics sound", "(Depression, Conversational) [Hikknaal (Punjabi)](https://www.youtube.com/watch?v=7ToxkJ2KBtk) (Comical reference to violence, Poetic) In Independent music there", "(apocalyptic themes, depression) and rap (struggle, representing neighborhood, alcohol, sexual references to women):", "songs (char bottle vodka) refer to alcohol and women but are not as", "explicit (uses swearing, slang), or controversial like English lyrics? I say this because", "Vally Remix) (Urdu)](https://www.youtube.com/watch?v=PWxubl8xvAs) (Representing Neighborhood, Violence, Swearing, Intimidation, Conversational). This is the closest", "English translations) exist in India: [keh ke lunga (Hindi)](https://www.youtube.com/watch?v=y0ffqzat4Tk) (Uses slang, Refers to", "(veils, saris, fabric), organs (heart, liver) and gods. Their music remains very ancient", "Conversational) [Beware (Punjabi)](https://www.youtube.com/watch?v=7TcD_IeMdG4) (Intimidation, Poetic) [Emotional Attyachar (Hindi)](https://www.youtube.com/watch?v=Vng5mg0iY0Q) (Depression, Conversational) [Hikknaal (Punjabi)](https://www.youtube.com/watch?v=7ToxkJ2KBtk) (Comical", "poetic lyricism but we see some songs (Represent, Mere Gully Mein) use more", "[Iraiva (Tamil)](https://www.youtube.com/watch?v=l5PD4_Uy-00) (Suicide, Violence, Conversational) [Char Bottle Vodka (Punjabi)](https://www.youtube.com/watch?v=x8F5dz8kv1w) (Alcoholism, Sexual References to", "Indian classical music fused with Rock, Pop or Hip Hop. Could the lyrics", "[Emotional Attyachar (Hindi)](https://www.youtube.com/watch?v=Vng5mg0iY0Q) (Depression, Conversational) [Hikknaal (Punjabi)](https://www.youtube.com/watch?v=7ToxkJ2KBtk) (Comical reference to violence, Poetic) In", "not as lyrically sophisticated (dull compared to English). In fact, it seems more", "from Indian Origin. Dark themes hardly exist in Indian music and if it", "romance which I don't mind but... Could Indian Classical music modernize into new", "Currently, the most popular Indian songs (songs with millions of followers) are about", "Neighborhood, Violence, Swearing, Intimidation, Conversational). This is the closest resemblance to modern Indian", "conversation UNLIKE poetry in literature), yet complex (lyrical), explicit (uses swearing, slang), or", "and rap (struggle, representing neighborhood, alcohol, sexual references to women): [Bandeh (Hindi)](https://www.youtube.com/watch?v=wqFy-SgYQho) (Apocalyptic,", "or rap about dark themes (similar to modern American music from 1970-present day)", "People, History, etc.)? Could it be as common (used in everyday conversation UNLIKE", "(Uses slang, Refers to Intimidation and Violence, Still Poetic) [Ganda hai (Hindi)](https://www.youtube.com/watch?v=3JzH50wPDLo) (Intimidation,", "or Malayalam over Indian classical music fused with Rock, Pop or Hip Hop.", "(Alcoholism, Sexual References to Women, Conversational) [Represent (Indus Vally Remix) (Urdu)](https://www.youtube.com/watch?v=PWxubl8xvAs) (Representing Neighborhood,", "Hindi, Punjabi, Tamil, or Malayalam over Indian classical music fused with Rock, Pop", "in everyday conversation UNLIKE poetry in literature), yet complex (lyrical), explicit (uses swearing,", "Conversational) [Char Bottle Vodka (Punjabi)](https://www.youtube.com/watch?v=x8F5dz8kv1w) (Alcoholism, Sexual References to Women, Conversational) [Represent (Indus", "this day. Some songs with dark themes (I read English translations) exist in", "gods. Their music remains very ancient and hardly modernized to this day. Some", "like English lyrics? I say this because I'm an American from Indian Origin.", "(used in everyday conversation UNLIKE poetry in literature), yet complex (lyrical), explicit (uses", "of these songs use poetic lyricism but we see some songs (Represent, Mere", "values, (referring to Indian Texts, People, History, etc.)? Could it be as common", "ancient and hardly modernized to this day. Some songs with dark themes (I", "rap (struggle, representing neighborhood, alcohol, sexual references to women): [Bandeh (Hindi)](https://www.youtube.com/watch?v=wqFy-SgYQho) (Apocalyptic, Poetic)", "History, etc.)? Could it be as common (used in everyday conversation UNLIKE poetry", "violence, Poetic) In Independent music there is a rise in darker themes rock", "(Hindi)](https://www.youtube.com/watch?v=Vng5mg0iY0Q) (Depression, Conversational) [Hikknaal (Punjabi)](https://www.youtube.com/watch?v=7ToxkJ2KBtk) (Comical reference to violence, Poetic) In Independent music", "yet complex (lyrical), explicit (uses swearing, slang), or controversial like English lyrics? I", "(College Slang, Alchoholism, Poetic) [Iraiva (Tamil)](https://www.youtube.com/watch?v=l5PD4_Uy-00) (Suicide, Violence, Conversational) [Char Bottle Vodka (Punjabi)](https://www.youtube.com/watch?v=x8F5dz8kv1w)", "music. Currently, the most popular Indian songs (songs with millions of followers) are", "1970-present day) in Hindi, Punjabi, Tamil, or Malayalam over Indian classical music fused", "Dark themes hardly exist in Indian music and if it does it's extremely", "Violence, Conversational) [Char Bottle Vodka (Punjabi)](https://www.youtube.com/watch?v=x8F5dz8kv1w) (Alcoholism, Sexual References to Women, Conversational) [Represent", "(referring to Indian Texts, People, History, etc.)? Could it be as common (used", "say this because I'm an American from Indian Origin. Dark themes hardly exist", "modernized to this day. Some songs with dark themes (I read English translations)", "resemblance to modern Indian music. There are no songs like this. [Mere Gully", "dresses (veils, saris, fabric), organs (heart, liver) and gods. Their music remains very", "References to Women, Conversational) [Represent (Indus Vally Remix) (Urdu)](https://www.youtube.com/watch?v=PWxubl8xvAs) (Representing Neighborhood, Violence, Swearing,", "in literature), yet complex (lyrical), explicit (uses swearing, slang), or controversial like English", "India: [keh ke lunga (Hindi)](https://www.youtube.com/watch?v=y0ffqzat4Tk) (Uses slang, Refers to Intimidation and Violence, Still", "to English lyrics; yet preserve its cultural values, (referring to Indian Texts, People,", "compared to English). In fact, it seems more Indians are preferring English over", "saris, fabric), organs (heart, liver) and gods. Their music remains very ancient and", "sound/delivery, flow/melody, and meaning compared to English lyrics; yet preserve its cultural values,", "(dull compared to English). In fact, it seems more Indians are preferring English", "does it's extremely poetic (closely related to literature) with references to nature (sun,", "Conversational) [Hikknaal (Punjabi)](https://www.youtube.com/watch?v=7ToxkJ2KBtk) (Comical reference to violence, Poetic) In Independent music there is", "a rise in darker themes rock (apocalyptic themes, depression) and rap (struggle, representing", "Texts, People, History, etc.)? Could it be as common (used in everyday conversation", "Violence, Swearing, Intimidation, Conversational). This is the closest resemblance to modern Indian music.", "In Independent music there is a rise in darker themes rock (apocalyptic themes,", "these songs use poetic lyricism but we see some songs (Represent, Mere Gully", "Punjabi, Tamil, or Malayalam over Indian classical music fused with Rock, Pop or", "Origin. Dark themes hardly exist in Indian music and if it does it's", "but... Could Indian Classical music modernize into new genres as successfully as American", "meaning compared to English lyrics; yet preserve its cultural values, (referring to Indian", "Indian music. Currently, the most popular Indian songs (songs with millions of followers)", "(Suicide, Violence, Conversational) [Char Bottle Vodka (Punjabi)](https://www.youtube.com/watch?v=x8F5dz8kv1w) (Alcoholism, Sexual References to Women, Conversational)", "Slang, Alchoholism, Poetic) [Iraiva (Tamil)](https://www.youtube.com/watch?v=l5PD4_Uy-00) (Suicide, Violence, Conversational) [Char Bottle Vodka (Punjabi)](https://www.youtube.com/watch?v=x8F5dz8kv1w) (Alcoholism,", "exist in Indian music and if it does it's extremely poetic (closely related", "American from Indian Origin. Dark themes hardly exist in Indian music and if", "which I don't mind but... Could Indian Classical music modernize into new genres", "(char bottle vodka) refer to alcohol and women but are not as lyrically", "songs with dark themes (I read English translations) exist in India: [keh ke", "(Tamil)](https://www.youtube.com/watch?v=l5PD4_Uy-00) (Suicide, Violence, Conversational) [Char Bottle Vodka (Punjabi)](https://www.youtube.com/watch?v=x8F5dz8kv1w) (Alcoholism, Sexual References to Women,", "Indian music. There are no songs like this. [Mere Gully mein](https://www.youtube.com/watch?v=1bK5dzwhu-I) (Initimidation, Representing", "Conversational) [Represent (Indus Vally Remix) (Urdu)](https://www.youtube.com/watch?v=PWxubl8xvAs) (Representing Neighborhood, Violence, Swearing, Intimidation, Conversational). This", "to violence, Poetic) In Independent music there is a rise in darker themes", "(similar to modern American music from 1970-present day) in Hindi, Punjabi, Tamil, or", "(Punjabi)](https://www.youtube.com/watch?v=7TcD_IeMdG4) (Intimidation, Poetic) [Emotional Attyachar (Hindi)](https://www.youtube.com/watch?v=Vng5mg0iY0Q) (Depression, Conversational) [Hikknaal (Punjabi)](https://www.youtube.com/watch?v=7ToxkJ2KBtk) (Comical reference to", "representing neighborhood, alcohol, sexual references to women): [Bandeh (Hindi)](https://www.youtube.com/watch?v=wqFy-SgYQho) (Apocalyptic, Poetic) [Jimikki Kamal", "with references to nature (sun, flower, moon), dresses (veils, saris, fabric), organs (heart,", "lunga (Hindi)](https://www.youtube.com/watch?v=y0ffqzat4Tk) (Uses slang, Refers to Intimidation and Violence, Still Poetic) [Ganda hai", "to Indian Texts, People, History, etc.)? Could it be as common (used in", "don't mind but... Could Indian Classical music modernize into new genres as successfully", "Intimidation and Violence, Still Poetic) [Ganda hai (Hindi)](https://www.youtube.com/watch?v=3JzH50wPDLo) (Intimidation, Conversational) [Beware (Punjabi)](https://www.youtube.com/watch?v=7TcD_IeMdG4) (Intimidation,", "(Representing Neighborhood, Violence, Swearing, Intimidation, Conversational). This is the closest resemblance to modern", "In fact, it seems more Indians are preferring English over Indian music. Currently,", "to alcohol and women but are not as lyrically sophisticated (dull compared to", "slang, Refers to Intimidation and Violence, Still Poetic) [Ganda hai (Hindi)](https://www.youtube.com/watch?v=3JzH50wPDLo) (Intimidation, Conversational)", "to this day. Some songs with dark themes (I read English translations) exist", "nature (sun, flower, moon), dresses (veils, saris, fabric), organs (heart, liver) and gods.", "However, the most well-known rap songs (char bottle vodka) refer to alcohol and", "or controversial like English lyrics? I say this because I'm an American from", "Rock, Pop or Hip Hop. Could the lyrics sound similar in sound/delivery, flow/melody,", "its cultural values, (referring to Indian Texts, People, History, etc.)? Could it be", "an American from Indian Origin. Dark themes hardly exist in Indian music and", "(Initimidation, Representing Neighborhood, Violence, Conversational) Most of these songs use poetic lyricism but", "Pop or Hip Hop. Could the lyrics sound similar in sound/delivery, flow/melody, and", "music fused with Rock, Pop or Hip Hop. Could the lyrics sound similar", "millions of followers) are about parties and romance which I don't mind but...", "Malayalam over Indian classical music fused with Rock, Pop or Hip Hop. Could", "(Hindi)](https://www.youtube.com/watch?v=y0ffqzat4Tk) (Uses slang, Refers to Intimidation and Violence, Still Poetic) [Ganda hai (Hindi)](https://www.youtube.com/watch?v=3JzH50wPDLo)", "or Hip Hop. Could the lyrics sound similar in sound/delivery, flow/melody, and meaning", "over Indian classical music fused with Rock, Pop or Hip Hop. Could the", "to modern American music from 1970-present day) in Hindi, Punjabi, Tamil, or Malayalam", "and women but are not as lyrically sophisticated (dull compared to English). In", "exist in India: [keh ke lunga (Hindi)](https://www.youtube.com/watch?v=y0ffqzat4Tk) (Uses slang, Refers to Intimidation and", "common (used in everyday conversation UNLIKE poetry in literature), yet complex (lyrical), explicit", "over Indian music. Currently, the most popular Indian songs (songs with millions of", "(struggle, representing neighborhood, alcohol, sexual references to women): [Bandeh (Hindi)](https://www.youtube.com/watch?v=wqFy-SgYQho) (Apocalyptic, Poetic) [Jimikki", "Independent music there is a rise in darker themes rock (apocalyptic themes, depression)", "Poetic) [Emotional Attyachar (Hindi)](https://www.youtube.com/watch?v=Vng5mg0iY0Q) (Depression, Conversational) [Hikknaal (Punjabi)](https://www.youtube.com/watch?v=7ToxkJ2KBtk) (Comical reference to violence, Poetic)", "Still Poetic) [Ganda hai (Hindi)](https://www.youtube.com/watch?v=3JzH50wPDLo) (Intimidation, Conversational) [Beware (Punjabi)](https://www.youtube.com/watch?v=7TcD_IeMdG4) (Intimidation, Poetic) [Emotional Attyachar", "English lyrics? I say this because I'm an American from Indian Origin. Dark", "fused with Rock, Pop or Hip Hop. Could the lyrics sound similar in", "more common everyday language. However, the most well-known rap songs (char bottle vodka)", "are about parties and romance which I don't mind but... Could Indian Classical", "we sing or rap about dark themes (similar to modern American music from", "(uses swearing, slang), or controversial like English lyrics? I say this because I'm", "and romance which I don't mind but... Could Indian Classical music modernize into", "see some songs (Represent, Mere Gully Mein) use more common everyday language. However,", "like this. [Mere Gully mein](https://www.youtube.com/watch?v=1bK5dzwhu-I) (Initimidation, Representing Neighborhood, Violence, Conversational) Most of these", "more Indians are preferring English over Indian music. Currently, the most popular Indian", "themes hardly exist in Indian music and if it does it's extremely poetic", "similar in sound/delivery, flow/melody, and meaning compared to English lyrics; yet preserve its", "modern American music from 1970-present day) in Hindi, Punjabi, Tamil, or Malayalam over", "Gully mein](https://www.youtube.com/watch?v=1bK5dzwhu-I) (Initimidation, Representing Neighborhood, Violence, Conversational) Most of these songs use poetic", "in Indian music and if it does it's extremely poetic (closely related to", "depression) and rap (struggle, representing neighborhood, alcohol, sexual references to women): [Bandeh (Hindi)](https://www.youtube.com/watch?v=wqFy-SgYQho)", "use poetic lyricism but we see some songs (Represent, Mere Gully Mein) use", "Violence, Still Poetic) [Ganda hai (Hindi)](https://www.youtube.com/watch?v=3JzH50wPDLo) (Intimidation, Conversational) [Beware (Punjabi)](https://www.youtube.com/watch?v=7TcD_IeMdG4) (Intimidation, Poetic) [Emotional", "flower, moon), dresses (veils, saris, fabric), organs (heart, liver) and gods. Their music", "[Beware (Punjabi)](https://www.youtube.com/watch?v=7TcD_IeMdG4) (Intimidation, Poetic) [Emotional Attyachar (Hindi)](https://www.youtube.com/watch?v=Vng5mg0iY0Q) (Depression, Conversational) [Hikknaal (Punjabi)](https://www.youtube.com/watch?v=7ToxkJ2KBtk) (Comical reference", "parties and romance which I don't mind but... Could Indian Classical music modernize", "and if it does it's extremely poetic (closely related to literature) with references", "it's extremely poetic (closely related to literature) with references to nature (sun, flower,", "fabric), organs (heart, liver) and gods. Their music remains very ancient and hardly", "I say this because I'm an American from Indian Origin. Dark themes hardly", "English lyrics; yet preserve its cultural values, (referring to Indian Texts, People, History,", "(closely related to literature) with references to nature (sun, flower, moon), dresses (veils,", "liver) and gods. Their music remains very ancient and hardly modernized to this", "(Intimidation, Poetic) [Emotional Attyachar (Hindi)](https://www.youtube.com/watch?v=Vng5mg0iY0Q) (Depression, Conversational) [Hikknaal (Punjabi)](https://www.youtube.com/watch?v=7ToxkJ2KBtk) (Comical reference to violence,", "rap about dark themes (similar to modern American music from 1970-present day) in", "are not as lyrically sophisticated (dull compared to English). In fact, it seems", "(Intimidation, Conversational) [Beware (Punjabi)](https://www.youtube.com/watch?v=7TcD_IeMdG4) (Intimidation, Poetic) [Emotional Attyachar (Hindi)](https://www.youtube.com/watch?v=Vng5mg0iY0Q) (Depression, Conversational) [Hikknaal (Punjabi)](https://www.youtube.com/watch?v=7ToxkJ2KBtk)", "I'm an American from Indian Origin. Dark themes hardly exist in Indian music", "hardly modernized to this day. Some songs with dark themes (I read English", "Suppose we sing or rap about dark themes (similar to modern American music", "controversial like English lyrics? I say this because I'm an American from Indian", "rap songs (char bottle vodka) refer to alcohol and women but are not", "Tamil, or Malayalam over Indian classical music fused with Rock, Pop or Hip", "[Hikknaal (Punjabi)](https://www.youtube.com/watch?v=7ToxkJ2KBtk) (Comical reference to violence, Poetic) In Independent music there is a", "in darker themes rock (apocalyptic themes, depression) and rap (struggle, representing neighborhood, alcohol,", "themes (similar to modern American music from 1970-present day) in Hindi, Punjabi, Tamil,", "popular Indian songs (songs with millions of followers) are about parties and romance", "about dark themes (similar to modern American music from 1970-present day) in Hindi,", "Indian music and if it does it's extremely poetic (closely related to literature)", "lyrics sound similar in sound/delivery, flow/melody, and meaning compared to English lyrics; yet", "songs use poetic lyricism but we see some songs (Represent, Mere Gully Mein)", "songs (Represent, Mere Gully Mein) use more common everyday language. However, the most", "vodka) refer to alcohol and women but are not as lyrically sophisticated (dull", "compared to English lyrics; yet preserve its cultural values, (referring to Indian Texts,", "remains very ancient and hardly modernized to this day. Some songs with dark", "Kamal (Malayalam)](https://www.youtube.com/watch?v=FXiaIH49oAU) (College Slang, Alchoholism, Poetic) [Iraiva (Tamil)](https://www.youtube.com/watch?v=l5PD4_Uy-00) (Suicide, Violence, Conversational) [Char Bottle", "but we see some songs (Represent, Mere Gully Mein) use more common everyday", "this because I'm an American from Indian Origin. Dark themes hardly exist in", "reference to violence, Poetic) In Independent music there is a rise in darker", "(lyrical), explicit (uses swearing, slang), or controversial like English lyrics? I say this", "we see some songs (Represent, Mere Gully Mein) use more common everyday language.", "and gods. Their music remains very ancient and hardly modernized to this day.", "Violence, Conversational) Most of these songs use poetic lyricism but we see some", "lyrics? I say this because I'm an American from Indian Origin. Dark themes", "etc.)? Could it be as common (used in everyday conversation UNLIKE poetry in", "this. [Mere Gully mein](https://www.youtube.com/watch?v=1bK5dzwhu-I) (Initimidation, Representing Neighborhood, Violence, Conversational) Most of these songs", "Conversational) Most of these songs use poetic lyricism but we see some songs", "with Rock, Pop or Hip Hop. Could the lyrics sound similar in sound/delivery,", "darker themes rock (apocalyptic themes, depression) and rap (struggle, representing neighborhood, alcohol, sexual", "hai (Hindi)](https://www.youtube.com/watch?v=3JzH50wPDLo) (Intimidation, Conversational) [Beware (Punjabi)](https://www.youtube.com/watch?v=7TcD_IeMdG4) (Intimidation, Poetic) [Emotional Attyachar (Hindi)](https://www.youtube.com/watch?v=Vng5mg0iY0Q) (Depression, Conversational)", "day) in Hindi, Punjabi, Tamil, or Malayalam over Indian classical music fused with", "about parties and romance which I don't mind but... Could Indian Classical music", "American music from 1970-present day) in Hindi, Punjabi, Tamil, or Malayalam over Indian", "yet preserve its cultural values, (referring to Indian Texts, People, History, etc.)? Could", "Indian Texts, People, History, etc.)? Could it be as common (used in everyday", "songs like this. [Mere Gully mein](https://www.youtube.com/watch?v=1bK5dzwhu-I) (Initimidation, Representing Neighborhood, Violence, Conversational) Most of", "no songs like this. [Mere Gully mein](https://www.youtube.com/watch?v=1bK5dzwhu-I) (Initimidation, Representing Neighborhood, Violence, Conversational) Most", "[Bandeh (Hindi)](https://www.youtube.com/watch?v=wqFy-SgYQho) (Apocalyptic, Poetic) [Jimikki Kamal (Malayalam)](https://www.youtube.com/watch?v=FXiaIH49oAU) (College Slang, Alchoholism, Poetic) [Iraiva (Tamil)](https://www.youtube.com/watch?v=l5PD4_Uy-00)", "[Represent (Indus Vally Remix) (Urdu)](https://www.youtube.com/watch?v=PWxubl8xvAs) (Representing Neighborhood, Violence, Swearing, Intimidation, Conversational). This is", "themes, depression) and rap (struggle, representing neighborhood, alcohol, sexual references to women): [Bandeh", "poetic (closely related to literature) with references to nature (sun, flower, moon), dresses", "swearing, slang), or controversial like English lyrics? I say this because I'm an", "[keh ke lunga (Hindi)](https://www.youtube.com/watch?v=y0ffqzat4Tk) (Uses slang, Refers to Intimidation and Violence, Still Poetic)", "there is a rise in darker themes rock (apocalyptic themes, depression) and rap", "because I'm an American from Indian Origin. Dark themes hardly exist in Indian", "Intimidation, Conversational). This is the closest resemblance to modern Indian music. There are", "women): [Bandeh (Hindi)](https://www.youtube.com/watch?v=wqFy-SgYQho) (Apocalyptic, Poetic) [Jimikki Kamal (Malayalam)](https://www.youtube.com/watch?v=FXiaIH49oAU) (College Slang, Alchoholism, Poetic) [Iraiva", "bottle vodka) refer to alcohol and women but are not as lyrically sophisticated", "but are not as lyrically sophisticated (dull compared to English). In fact, it", "music there is a rise in darker themes rock (apocalyptic themes, depression) and", "lyricism but we see some songs (Represent, Mere Gully Mein) use more common", "everyday conversation UNLIKE poetry in literature), yet complex (lyrical), explicit (uses swearing, slang),", "related to literature) with references to nature (sun, flower, moon), dresses (veils, saris,", "This is the closest resemblance to modern Indian music. There are no songs", "literature) with references to nature (sun, flower, moon), dresses (veils, saris, fabric), organs", "the most well-known rap songs (char bottle vodka) refer to alcohol and women", "music remains very ancient and hardly modernized to this day. Some songs with", "literature), yet complex (lyrical), explicit (uses swearing, slang), or controversial like English lyrics?", "(heart, liver) and gods. Their music remains very ancient and hardly modernized to", "are preferring English over Indian music. Currently, the most popular Indian songs (songs", "modern Indian music. There are no songs like this. [Mere Gully mein](https://www.youtube.com/watch?v=1bK5dzwhu-I) (Initimidation,", "I don't mind but... Could Indian Classical music modernize into new genres as", "in Hindi, Punjabi, Tamil, or Malayalam over Indian classical music fused with Rock,", "Indian Origin. Dark themes hardly exist in Indian music and if it does", "Representing Neighborhood, Violence, Conversational) Most of these songs use poetic lyricism but we", "it does it's extremely poetic (closely related to literature) with references to nature", "themes rock (apocalyptic themes, depression) and rap (struggle, representing neighborhood, alcohol, sexual references", "seems more Indians are preferring English over Indian music. Currently, the most popular", "music from 1970-present day) in Hindi, Punjabi, Tamil, or Malayalam over Indian classical", "some songs (Represent, Mere Gully Mein) use more common everyday language. However, the", "as common (used in everyday conversation UNLIKE poetry in literature), yet complex (lyrical),", "Remix) (Urdu)](https://www.youtube.com/watch?v=PWxubl8xvAs) (Representing Neighborhood, Violence, Swearing, Intimidation, Conversational). This is the closest resemblance", "is a rise in darker themes rock (apocalyptic themes, depression) and rap (struggle,", "Could the lyrics sound similar in sound/delivery, flow/melody, and meaning compared to English", "[Jimikki Kamal (Malayalam)](https://www.youtube.com/watch?v=FXiaIH49oAU) (College Slang, Alchoholism, Poetic) [Iraiva (Tamil)](https://www.youtube.com/watch?v=l5PD4_Uy-00) (Suicide, Violence, Conversational) [Char", "alcohol, sexual references to women): [Bandeh (Hindi)](https://www.youtube.com/watch?v=wqFy-SgYQho) (Apocalyptic, Poetic) [Jimikki Kamal (Malayalam)](https://www.youtube.com/watch?v=FXiaIH49oAU) (College", "to modern Indian music. There are no songs like this. [Mere Gully mein](https://www.youtube.com/watch?v=1bK5dzwhu-I)", "songs (songs with millions of followers) are about parties and romance which I", "are no songs like this. [Mere Gully mein](https://www.youtube.com/watch?v=1bK5dzwhu-I) (Initimidation, Representing Neighborhood, Violence, Conversational)", "it seems more Indians are preferring English over Indian music. Currently, the most", "Conversational). This is the closest resemblance to modern Indian music. There are no", "moon), dresses (veils, saris, fabric), organs (heart, liver) and gods. Their music remains", "Could Indian Classical music modernize into new genres as successfully as American music?", "refer to alcohol and women but are not as lyrically sophisticated (dull compared", "(sun, flower, moon), dresses (veils, saris, fabric), organs (heart, liver) and gods. Their", "Poetic) [Jimikki Kamal (Malayalam)](https://www.youtube.com/watch?v=FXiaIH49oAU) (College Slang, Alchoholism, Poetic) [Iraiva (Tamil)](https://www.youtube.com/watch?v=l5PD4_Uy-00) (Suicide, Violence, Conversational)", "UNLIKE poetry in literature), yet complex (lyrical), explicit (uses swearing, slang), or controversial", "Neighborhood, Violence, Conversational) Most of these songs use poetic lyricism but we see", "sexual references to women): [Bandeh (Hindi)](https://www.youtube.com/watch?v=wqFy-SgYQho) (Apocalyptic, Poetic) [Jimikki Kamal (Malayalam)](https://www.youtube.com/watch?v=FXiaIH49oAU) (College Slang,", "closest resemblance to modern Indian music. There are no songs like this. [Mere", "themes (I read English translations) exist in India: [keh ke lunga (Hindi)](https://www.youtube.com/watch?v=y0ffqzat4Tk) (Uses", "to women): [Bandeh (Hindi)](https://www.youtube.com/watch?v=wqFy-SgYQho) (Apocalyptic, Poetic) [Jimikki Kamal (Malayalam)](https://www.youtube.com/watch?v=FXiaIH49oAU) (College Slang, Alchoholism, Poetic)", "There are no songs like this. [Mere Gully mein](https://www.youtube.com/watch?v=1bK5dzwhu-I) (Initimidation, Representing Neighborhood, Violence,", "flow/melody, and meaning compared to English lyrics; yet preserve its cultural values, (referring", "from 1970-present day) in Hindi, Punjabi, Tamil, or Malayalam over Indian classical music", "(Apocalyptic, Poetic) [Jimikki Kamal (Malayalam)](https://www.youtube.com/watch?v=FXiaIH49oAU) (College Slang, Alchoholism, Poetic) [Iraiva (Tamil)](https://www.youtube.com/watch?v=l5PD4_Uy-00) (Suicide, Violence,", "Refers to Intimidation and Violence, Still Poetic) [Ganda hai (Hindi)](https://www.youtube.com/watch?v=3JzH50wPDLo) (Intimidation, Conversational) [Beware", "Alchoholism, Poetic) [Iraiva (Tamil)](https://www.youtube.com/watch?v=l5PD4_Uy-00) (Suicide, Violence, Conversational) [Char Bottle Vodka (Punjabi)](https://www.youtube.com/watch?v=x8F5dz8kv1w) (Alcoholism, Sexual", "references to nature (sun, flower, moon), dresses (veils, saris, fabric), organs (heart, liver)", "Hop. Could the lyrics sound similar in sound/delivery, flow/melody, and meaning compared to", "(songs with millions of followers) are about parties and romance which I don't", "Sexual References to Women, Conversational) [Represent (Indus Vally Remix) (Urdu)](https://www.youtube.com/watch?v=PWxubl8xvAs) (Representing Neighborhood, Violence,", "as lyrically sophisticated (dull compared to English). In fact, it seems more Indians", "fact, it seems more Indians are preferring English over Indian music. Currently, the", "with millions of followers) are about parties and romance which I don't mind", "(Comical reference to violence, Poetic) In Independent music there is a rise in", "English). In fact, it seems more Indians are preferring English over Indian music.", "and meaning compared to English lyrics; yet preserve its cultural values, (referring to", "in India: [keh ke lunga (Hindi)](https://www.youtube.com/watch?v=y0ffqzat4Tk) (Uses slang, Refers to Intimidation and Violence,", "sophisticated (dull compared to English). In fact, it seems more Indians are preferring", "rise in darker themes rock (apocalyptic themes, depression) and rap (struggle, representing neighborhood,", "be as common (used in everyday conversation UNLIKE poetry in literature), yet complex", "dark themes (similar to modern American music from 1970-present day) in Hindi, Punjabi,", "Attyachar (Hindi)](https://www.youtube.com/watch?v=Vng5mg0iY0Q) (Depression, Conversational) [Hikknaal (Punjabi)](https://www.youtube.com/watch?v=7ToxkJ2KBtk) (Comical reference to violence, Poetic) In Independent", "Swearing, Intimidation, Conversational). This is the closest resemblance to modern Indian music. There", "and Violence, Still Poetic) [Ganda hai (Hindi)](https://www.youtube.com/watch?v=3JzH50wPDLo) (Intimidation, Conversational) [Beware (Punjabi)](https://www.youtube.com/watch?v=7TcD_IeMdG4) (Intimidation, Poetic)", "day. Some songs with dark themes (I read English translations) exist in India:", "(Hindi)](https://www.youtube.com/watch?v=wqFy-SgYQho) (Apocalyptic, Poetic) [Jimikki Kamal (Malayalam)](https://www.youtube.com/watch?v=FXiaIH49oAU) (College Slang, Alchoholism, Poetic) [Iraiva (Tamil)](https://www.youtube.com/watch?v=l5PD4_Uy-00) (Suicide,", "the closest resemblance to modern Indian music. There are no songs like this.", "(I read English translations) exist in India: [keh ke lunga (Hindi)](https://www.youtube.com/watch?v=y0ffqzat4Tk) (Uses slang,", "most popular Indian songs (songs with millions of followers) are about parties and", "lyrically sophisticated (dull compared to English). In fact, it seems more Indians are", "dark themes (I read English translations) exist in India: [keh ke lunga (Hindi)](https://www.youtube.com/watch?v=y0ffqzat4Tk)", "Indian songs (songs with millions of followers) are about parties and romance which", "(Punjabi)](https://www.youtube.com/watch?v=7ToxkJ2KBtk) (Comical reference to violence, Poetic) In Independent music there is a rise", "Vodka (Punjabi)](https://www.youtube.com/watch?v=x8F5dz8kv1w) (Alcoholism, Sexual References to Women, Conversational) [Represent (Indus Vally Remix) (Urdu)](https://www.youtube.com/watch?v=PWxubl8xvAs)", "lyrics; yet preserve its cultural values, (referring to Indian Texts, People, History, etc.)?", "use more common everyday language. However, the most well-known rap songs (char bottle", "Poetic) [Iraiva (Tamil)](https://www.youtube.com/watch?v=l5PD4_Uy-00) (Suicide, Violence, Conversational) [Char Bottle Vodka (Punjabi)](https://www.youtube.com/watch?v=x8F5dz8kv1w) (Alcoholism, Sexual References", "hardly exist in Indian music and if it does it's extremely poetic (closely", "Hip Hop. Could the lyrics sound similar in sound/delivery, flow/melody, and meaning compared", "sing or rap about dark themes (similar to modern American music from 1970-present", "Poetic) [Ganda hai (Hindi)](https://www.youtube.com/watch?v=3JzH50wPDLo) (Intimidation, Conversational) [Beware (Punjabi)](https://www.youtube.com/watch?v=7TcD_IeMdG4) (Intimidation, Poetic) [Emotional Attyachar (Hindi)](https://www.youtube.com/watch?v=Vng5mg0iY0Q)", "[Mere Gully mein](https://www.youtube.com/watch?v=1bK5dzwhu-I) (Initimidation, Representing Neighborhood, Violence, Conversational) Most of these songs use", "if it does it's extremely poetic (closely related to literature) with references to", "Most of these songs use poetic lyricism but we see some songs (Represent,", "most well-known rap songs (char bottle vodka) refer to alcohol and women but", "Poetic) In Independent music there is a rise in darker themes rock (apocalyptic", "preferring English over Indian music. Currently, the most popular Indian songs (songs with", "music and if it does it's extremely poetic (closely related to literature) with", "slang), or controversial like English lyrics? I say this because I'm an American", "music. There are no songs like this. [Mere Gully mein](https://www.youtube.com/watch?v=1bK5dzwhu-I) (Initimidation, Representing Neighborhood," ]
[ "appealing, either.) This is not a problem in itself. In fact, I rather", "And of course, all of this might change completely once I actually start", "take place I can already see which character perspective would be best suited", "B, so there's no way (other than completely changing the entire premise) to", "introducing a new viewpoint late into the story. I'm currently plotting a Romance", "a few points in the story that would lend themselves to a POV", "In fact, I rather like that this gives me an opportunity to show", "be jarring to the reader. FWIW, *the story is going to be told", "POV near the end. (I guess I could have character B tell* character", "story (basically, the first 75%) will be told through character A's perspective. However,", "in all chapters, so this is not about introducing a new character, simply", "Both characters appear in all chapters, so this is not about introducing a", "would lend themselves to a POV switch, but from a story perspective it's", "be worthwhile to add the occasional POV switch early on (on scene changes", "(on scene changes within a single chapter) to get the reader used to", "either.) This is not a problem in itself. In fact, I rather like", "story perspective it's not strictly necessary and I'd prefer to avoid doing so", "(other than completely changing the entire premise) to get around adding their POV", "[Balance between character's point of views](https://writing.stackexchange.com/questions/31822/balance-between-characters-point-of-views/31828#31828) However, that question is asking about balancing", "scene changes within a single chapter) to get the reader used to this", "place that's only experienced by character B, so there's no way (other than", "plotting a Romance story. Given the events I'm planning to take place I", "not strictly necessary and I'd prefer to avoid doing so unless there's a", "first 75% of the story are told from one character's POV, I wonder", "switch early on (on scene changes within a single chapter) to get the", "quarter of the story an event takes place that's only experienced by character", "from the other perspective. However, since the first 75% of the story are", "course, all of this might change completely once I actually start writing this", "for purposes of character development, the majority of the story (basically, the first", "other perspective. However, since the first 75% of the story are told from", "but now I'm wondering whether it might be worthwhile to add the occasional", "the story. I'm currently plotting a Romance story. Given the events I'm planning", "romance from the other perspective. However, since the first 75% of the story", "the story (basically, the first 75%) will be told through character A's perspective.", "is not a problem in itself. In fact, I rather like that this", "is strongly related to this one: [Balance between character's point of views](https://writing.stackexchange.com/questions/31822/balance-between-characters-point-of-views/31828#31828) However,", "an event takes place that's only experienced by character B, so there's no", "A's perspective. However, in the last quarter of the story an event takes", "chapter) to get the reader used to this taking place. I've already identified", "suited for each chapter. It looks like for purposes of character development, the", "story are told from one character's POV, I wonder if the sudden introduction", "that this gives me an opportunity to show the romance from the other", "this taking place. I've already identified a few points in the story that", "of the story are told from one character's POV, I wonder if the", "reader used to this taking place. I've already identified a few points in", "sound particularly appealing, either.) This is not a problem in itself. In fact,", "the first 75% of the story are told from one character's POV, I", "character A about it, but that doesn't sound particularly appealing, either.) This is", "whether it might be worthwhile to add the occasional POV switch early on", "so there's no way (other than completely changing the entire premise) to get", "the events I'm planning to take place I can already see which character", "not about introducing a new character, simply about switching to their viewpoint. I", "to their viewpoint. I had been planning to have each chapter dedicated entirely", "story*. I'm currently plotting a Romance story. Given the events I'm planning to", "the end. (I guess I could have character B tell* character A about", "opportunity to show the romance from the other perspective. However, since the first", "their viewpoint. I had been planning to have each chapter dedicated entirely to", "place I can already see which character perspective would be best suited for", "is not about introducing a new character, simply about switching to their viewpoint.", "a problem in itself. In fact, I rather like that this gives me", "viewpoint would be jarring to the reader. FWIW, the story is going to", "a new viewpoint late into the story. I'm currently plotting a Romance story.", "so. And of course, all of this might change completely once I actually", "of the story an event takes place that's only experienced by character B,", "single chapter) to get the reader used to this taking place. I've already", "I'm planning to take place I can already see which character perspective would", "itself. In fact, I rather like that this gives me an opportunity to", "I can already see which character perspective would be best suited for each", "so unless there's a strong reason to do so. And of course, all", "it's not strictly necessary and I'd prefer to avoid doing so unless there's", "which character perspective would be best suited for each chapter. It looks like", "by character B, so there's no way (other than completely changing the entire", "a story perspective it's not strictly necessary and I'd prefer to avoid doing", "to do so. And of course, all of this might change completely once", "their POV near the end. (I guess I could have character B tell", "entirely to follow one POV, but now I'm wondering whether it might be", "get the reader used to this taking place. I've already identified a few", "currently plotting a Romance story. Given the events I'm planning to take place", "about balancing POVs in general, whereas this one is about potentially subverting reader", "through character A's perspective. However, in the last quarter of the story an", "early on (on scene changes within a single chapter) to get the reader", "the story that would lend themselves to a POV switch, but from a", "see which character perspective would be best suited for each chapter. It looks", "to get the reader used to this taking place. I've already identified a", "POV, I wonder if the sudden introduction of a different viewpoint would be", "late into the story. I'm currently plotting a Romance story. Given the events", "like for purposes of character development, the majority of the story (basically, the", "the story an event takes place that's only experienced by character B, so", "on (on scene changes within a single chapter) to get the reader used", "to take place I can already see which character perspective would be best", "changing the entire premise) to get around adding their POV near the end.", "event takes place that's only experienced by character B, so there's no way", "no way (other than completely changing the entire premise) to get around adding", "follow one POV, but now I'm wondering whether it might be worthwhile to", "story that would lend themselves to a POV switch, but from a story", "would be best suited for each chapter. It looks like for purposes of", "POV switch early on (on scene changes within a single chapter) to get", "wondering whether it might be worthwhile to add the occasional POV switch early", "worthwhile to add the occasional POV switch early on (on scene changes within", "of views](https://writing.stackexchange.com/questions/31822/balance-between-characters-point-of-views/31828#31828) However, that question is asking about balancing POVs in general, whereas", "the romance from the other perspective. However, since the first 75% of the", "there's a strong reason to do so. And of course, all of this", "one POV, but now I'm wondering whether it might be worthwhile to add", "simply about switching to their viewpoint. I had been planning to have each", "if the sudden introduction of a different viewpoint would be jarring to the", "dedicated entirely to follow one POV, but now *I'm wondering whether it might", "from a story perspective it's not strictly necessary and I'd prefer to avoid", "B tell* character A about it, but that doesn't sound particularly appealing, either.)", "wonder if the sudden introduction of a different viewpoint would be jarring to", "necessary and I'd prefer to avoid doing so unless there's a strong reason", "the majority of the story (basically, the first 75%) will be told through", "would be jarring to the reader. FWIW, the story is going to be", "get around adding their POV near the end. (I guess I could have", "However, that question is asking about balancing POVs in general, whereas this one", "in general, whereas this one is about potentially subverting reader expectations by introducing", "views](https://writing.stackexchange.com/questions/31822/balance-between-characters-point-of-views/31828#31828) However, that question is asking about balancing POVs in general, whereas this", "the story are told from one character's POV, I wonder if the sudden", "than completely changing the entire premise) to get around adding their POV near", "to avoid doing so unless there's a strong reason to do so. And", "so this is not about introducing a new character, simply about switching to", "is going to be told entirely in 3rd person limited. Both characters appear", "Given the events I'm planning to take place I can already see which", "reader expectations by introducing a new viewpoint late into the story. I'm currently", "asking about balancing POVs in general, whereas this one is about potentially subverting", "all chapters, so this is not about introducing a new character, simply about", "to this taking place. I've already identified a few points in the story", "about introducing a new character, simply about switching to their viewpoint. I had", "character perspective would be best suited for each chapter. It looks like for", "each chapter. It looks like for purposes of character development, the majority of", "the first 75%) will be told through character A's perspective. However, in the", "appear in all chapters, so this is not about introducing a new character,", "near the end. (I guess I could have character B tell character A", "used to this taking place. I've already identified a few points in the", "in 3rd person limited. Both characters appear in all chapters, so this is", "This is not a problem in itself. In fact, I rather like that", "avoid doing so unless there's a strong reason to do so. And of", "completely changing the entire premise) to get around adding their POV near the", "I'm currently plotting a Romance story. Given the events I'm planning to take", "new viewpoint late into the story. I'm currently plotting a Romance story. Given", "show the romance from the other perspective. However, since the first 75% of", "entirely in 3rd person limited. Both characters appear in all chapters, so this", "told from one character's POV, I wonder if the sudden introduction of a", "by introducing a new viewpoint late into the story. I'm currently plotting a", "story. Given the events I'm planning to take place I can already see", "It looks like for purposes of character development, the majority of the story", "told entirely in 3rd person limited. Both characters appear in all chapters, so", "strong reason to do so. And of course, all of this might change", "different viewpoint would be jarring to the reader. FWIW, the story is going", "However, in the last quarter of the story an event takes place that's", "of a different viewpoint would be jarring to the reader. FWIW, the story", "majority of the story (basically, the first 75%) will be told through character", "themselves to a POV switch, but from a story perspective it's not strictly", "character, simply about switching to their viewpoint. I had been planning to have", "have character B tell character A about it, but that doesn't sound particularly", "lend themselves to a POV switch, but from a story perspective it's not", "to have each chapter dedicated entirely to follow one POV, but now I'm", "each chapter dedicated entirely to follow one POV, but now I'm wondering whether", "the other perspective. However, since the first 75% of the story are told", "strictly necessary and I'd prefer to avoid doing so unless there's a strong", "there's no way (other than completely changing the entire premise) to get around", "rather like that this gives me an opportunity to show the romance from", "is asking about balancing POVs in general, whereas this one is about potentially", "a different viewpoint would be jarring to the reader. FWIW, the story is", "doing so unless there's a strong reason to do so. And of course,", "strongly related to this one: [Balance between character's point of views](https://writing.stackexchange.com/questions/31822/balance-between-characters-point-of-views/31828#31828) However, that", "that's only experienced by character B, so there's no way (other than completely", "this gives me an opportunity to show the romance from the other perspective.", "purposes of character development, the majority of the story (basically, the first 75%)", "character development, the majority of the story (basically, the first 75%) will be", "a Romance story. Given the events I'm planning to take place I can", "general, whereas this one is about potentially subverting reader expectations by introducing a", "one character's POV, I wonder if the sudden introduction of a different viewpoint", "looks like for purposes of character development, the majority of the story (basically,", "identified a few points in the story that would lend themselves to a", "I'm wondering whether it might be worthwhile to add the occasional POV switch", "switching to their viewpoint. I had been planning to have each chapter dedicated", "a single chapter) to get the reader used to this taking place. I've", "planning to take place I can already see which character perspective would be", "viewpoint. I had been planning to have each chapter dedicated entirely to follow", "chapter. It looks like for purposes of character development, the majority of the", "to the reader. FWIW, the story is going to be told entirely in", "an opportunity to show the romance from the other perspective. However, since the", "me an opportunity to show the romance from the other perspective. However, since", "guess I could have character B tell character A about it, but that", "character B tell character A about it, but that doesn't sound particularly appealing,", "subverting reader expectations by introducing a new viewpoint late into the story. I'm", "person limited. Both characters appear in all chapters, so this is not about", "balancing POVs in general, whereas this one is about potentially subverting reader expectations", "already see which character perspective would be best suited for each chapter. It", "POV, but now I'm wondering whether it might be worthwhile to add the", "that question is asking about balancing POVs in general, whereas this one is", "takes place that's only experienced by character B, so there's no way (other", "not a problem in itself. In fact, I rather like that this gives", "perspective would be best suited for each chapter. It looks like for purposes", "a POV switch, but from a story perspective it's not strictly necessary and", "potentially subverting reader expectations by introducing a new viewpoint late into the story.", "going to be told entirely in 3rd person limited. Both characters appear in", "sudden introduction of a different viewpoint would be jarring to the reader. FWIW,", "FWIW, the story is going to be told entirely in 3rd person limited.", "I've already identified a few points in the story that would lend themselves", "perspective. However, in the last quarter of the story an event takes place", "story an event takes place that's only experienced by character B, so there's", "and I'd prefer to avoid doing so unless there's a strong reason to", "prefer to avoid doing so unless there's a strong reason to do so.", "now I'm wondering whether it might be worthwhile to add the occasional POV", "occasional POV switch early on (on scene changes within a single chapter) to", "gives me an opportunity to show the romance from the other perspective. However,", "can already see which character perspective would be best suited for each chapter.", "to get around adding their POV near the end. (I guess I could", "chapter dedicated entirely to follow one POV, but now I'm wondering whether it", "to follow one POV, but now I'm wondering whether it might be worthwhile", "development, the majority of the story (basically, the first 75%) will be told", "problem in itself. In fact, I rather like that this gives me an", "perspective it's not strictly necessary and I'd prefer to avoid doing so unless", "tell character A about it, but that doesn't sound particularly appealing, either.) This", "I rather like that this gives me an opportunity to show the romance", "story is going to be told entirely in 3rd person limited*. Both characters", "this is not about introducing a new character, simply about switching to their", "to a POV switch, but from a story perspective it's not strictly necessary", "I could have character B tell* character A about it, but that doesn't", "few points in the story that would lend themselves to a POV switch,", "However, since the first 75% of the story are told from one character's", "might be worthwhile to add the occasional POV switch early on (on scene", "perspective. However, since the first 75% of the story are told from one", "from one character's POV, I wonder if the sudden introduction of a different", "but from a story perspective it's not strictly necessary and I'd prefer to", "points in the story that would lend themselves to a POV switch, but", "had been planning to have each chapter dedicated entirely to follow one POV,", "for each chapter. It looks like for purposes of character development, the majority", "of character development, the majority of the story (basically, the first 75%) will", "introduction of a different viewpoint would be jarring to the reader. FWIW, the", "the last quarter of the story an event takes place that's only experienced", "character A's perspective. However, in the last quarter of the story an event", "premise) to get around adding their POV near the end. (I guess I", "introducing a new character, simply about switching to their viewpoint. I had been", "POV switch, but from a story perspective it's not strictly necessary and I'd", "first 75%) will be told through character A's perspective. However, in the last", "experienced by character B, so there's no way (other than completely changing the", "in the story that would lend themselves to a POV switch, but from", "POVs in general, whereas this one is about potentially subverting reader expectations by", "be told through character A's perspective. However, in the last quarter of the", "are told from one character's POV, I wonder if the sudden introduction of", "whereas this one is about potentially subverting reader expectations by introducing a new", "character B, so there's no way (other than completely changing the entire premise)", "the sudden introduction of a different viewpoint would be jarring to the reader.", "like that this gives me an opportunity to show the romance from the", "75% of the story are told from one character's POV, I wonder if", "the reader. FWIW, the story is going to be told entirely in 3rd", "(I guess I could have character B tell character A about it, but", "to be told entirely in 3rd person limited. Both characters appear in all", "A about it, but that doesn't sound particularly appealing, either.) This is not", "within a single chapter) to get the reader used to this taking place.", "but that doesn't sound particularly appealing, either.) This is not a problem in", "related to this one: [Balance between character's point of views](https://writing.stackexchange.com/questions/31822/balance-between-characters-point-of-views/31828#31828) However, that question", "have each chapter dedicated entirely to follow one POV, but now I'm wondering", "This question is strongly related to this one: [Balance between character's point of", "adding their POV near the end. (I guess I could have character B", "is about potentially subverting reader expectations by introducing a new viewpoint late into", "that would lend themselves to a POV switch, but from a story perspective", "do so. And of course, all of this might change completely once I", "the reader used to this taking place. I've already identified a few points", "viewpoint late into the story. I'm currently plotting a Romance story. Given the", "all of this might change completely once I actually start writing this story.", "changes within a single chapter) to get the reader used to this taking", "I'd prefer to avoid doing so unless there's a strong reason to do", "place. I've already identified a few points in the story that would lend", "fact, I rather like that this gives me an opportunity to show the", "could have character B tell character A about it, but that doesn't sound", "unless there's a strong reason to do so. And of course, all of", "of course, all of this might change completely once I actually start writing", "only experienced by character B, so there's no way (other than completely changing", "end. (I guess I could have character B tell character A about it,", "be told entirely in 3rd person limited. Both characters appear in all chapters,", "already identified a few points in the story that would lend themselves to", "to add the occasional POV switch early on (on scene changes within a", "in the last quarter of the story an event takes place that's only", "around adding their POV near the end. (I guess I could have character", "chapters, so this is not about introducing a new character, simply about switching", "I had been planning to have each chapter dedicated entirely to follow one", "about it, but that doesn't sound particularly appealing, either.) This is not a", "this one is about potentially subverting reader expectations by introducing a new viewpoint", "question is strongly related to this one: [Balance between character's point of views](https://writing.stackexchange.com/questions/31822/balance-between-characters-point-of-views/31828#31828)", "told through character A's perspective. However, in the last quarter of the story", "it, but that doesn't sound particularly appealing, either.) This is not a problem", "one is about potentially subverting reader expectations by introducing a new viewpoint late", "jarring to the reader. FWIW, the story is going to be told entirely", "switch, but from a story perspective it's not strictly necessary and I'd prefer", "new character, simply about switching to their viewpoint. I had been planning to", "3rd person limited. Both characters appear in all chapters, so this is not", "expectations by introducing a new viewpoint late into the story. I'm currently plotting", "a strong reason to do so. And of course, all of this might", "this one: [Balance between character's point of views](https://writing.stackexchange.com/questions/31822/balance-between-characters-point-of-views/31828#31828) However, that question is asking", "the story is going to be told entirely in 3rd person limited. Both", "the occasional POV switch early on (on scene changes within a single chapter)", "will be told through character A's perspective. However, in the last quarter of", "it might be worthwhile to add the occasional POV switch early on (on", "doesn't sound particularly appealing, either.) This is not a problem in itself. In", "character's POV, I wonder if the sudden introduction of a different viewpoint would", "the entire premise) to get around adding their POV near the end. (I", "planning to have each chapter dedicated entirely to follow one POV, but now", "best suited for each chapter. It looks like for purposes of character development,", "in itself. In fact, I rather like that this gives me an opportunity", "into the story. I'm currently plotting a Romance story. Given the events I'm", "question is asking about balancing POVs in general, whereas this one is about", "particularly appealing, either.) This is not a problem in itself. In fact, I", "to show the romance from the other perspective. However, since the first 75%", "last quarter of the story an event takes place that's only experienced by", "about potentially subverting reader expectations by introducing a new viewpoint late into the", "(basically, the first 75%) will be told through character A's perspective. However, in", "between character's point of views](https://writing.stackexchange.com/questions/31822/balance-between-characters-point-of-views/31828#31828) However, that question is asking about balancing POVs", "add the occasional POV switch early on (on scene changes within a single", "limited. Both characters appear in all chapters, so this is not about introducing", "Romance story. Given the events I'm planning to take place I can already", "taking place. I've already identified a few points in the story that would", "point of views](https://writing.stackexchange.com/questions/31822/balance-between-characters-point-of-views/31828#31828) However, that question is asking about balancing POVs in general,", "reader. FWIW, the story is going to be told entirely in 3rd person", "been planning to have each chapter dedicated entirely to follow one POV, but", "way (other than completely changing the entire premise) to get around adding their", "to this one: [Balance between character's point of views](https://writing.stackexchange.com/questions/31822/balance-between-characters-point-of-views/31828#31828) However, that question is", "character's point of views](https://writing.stackexchange.com/questions/31822/balance-between-characters-point-of-views/31828#31828) However, that question is asking about balancing POVs in", "one: [Balance between character's point of views](https://writing.stackexchange.com/questions/31822/balance-between-characters-point-of-views/31828#31828) However, that question is asking about", "entire premise) to get around adding their POV near the end. (I guess", "of the story (basically, the first 75%) will be told through character A's", "that doesn't sound particularly appealing, either.) This is not a problem in itself.", "about switching to their viewpoint. I had been planning to have each chapter", "a new character, simply about switching to their viewpoint. I had been planning", "characters appear in all chapters, so this is not about introducing a new", "I wonder if the sudden introduction of a different viewpoint would be jarring", "events I'm planning to take place I can already see which character perspective", "75%) will be told through character A's perspective. However, in the last quarter", "since the first 75% of the story are told from one character's POV,", "reason to do so. And of course, all of this might change completely", "be best suited for each chapter. It looks like for purposes of character" ]
[ "by definition, you have a particular plot structure on your story. But, as", "of plot structure (Just like a physical phenomena must be independent of reference", "for instance, Blake Snyder beat sheet [1] and nothing more. Now, by definition,", "point out a hero's journey plot structure as well (I think). So, the", "used as well. The story must be independent of plot structure (Just like", "events, you have to translate your imagination into the paper. This process isn't", "\"canonically\", the hero's journey structure. My question is: suppose that you have a", "your story with the aid of, for instance, Blake Snyder beat sheet [1]", "beat sheet [1] and nothing more. Now, by definition, you have a particular", "aid of a plot structure A. But you realize that and another plot", "(I think). So, the writer used [1] but the story also have, \"canonically\",", "journey structure. My question is: suppose that you have a story which you", "story must be independent of plot structure (Just like a physical phenomena must", "have) to use. Now, again, suppose then you have an story in your", "question is: suppose that you have a story which you wrote with the", "suppose then you have an story in your mind; is the story of", "the writer used [1] but the story also have, \"canonically\", the hero's journey", "you have an story in your mind. Then, to write down this finite", "of, for instance, Blake Snyder beat sheet [1] and nothing more. Now, by", "process isn't trivial, of course and plot are just one of the \"underlying", "story, you can in fact point out a hero's journey plot structure as", "story also have, \"canonically\", the hero's journey structure. My question is: suppose that", "story which you wrote with the aid of a plot structure A. But", "course and plot are just one of the \"underlying structures\" you may want", "So, the writer used [1] but the story also have, \"canonically\", the hero's", "then you have an story in your mind; is the story of a", "as well. The story must be independent of plot structure (Just like a", "the aid of, for instance, Blake Snyder beat sheet [1] and nothing more.", "Then, to write down this finite series of events, you have to translate", "mind. Then, to write down this finite series of events, you have to", "definition, you have a particular plot structure on your story. But, as a", "But, as a some sort of \"definition\" of a hero(ine) story, you can", "[1] but the story also have, \"canonically\", the hero's journey structure. My question", "you realize that and another plot structure B could be used as well.", "A. But you realize that and another plot structure B could be used", "in your mind. Then, to write down this finite series of events, you", "of a hero(ine). You, then, write your story with the aid of, for", "structure A. But you realize that and another plot structure B could be", "\"definition\" of a hero(ine) story, you can in fact point out a hero's", "Snyder beat sheet [1] and nothing more. Now, by definition, you have a", "a story which you wrote with the aid of a plot structure A.", "finite series of events, you have to translate your imagination into the paper.", "the \"underlying structures\" you may want (or, in most of the cases, should", "an story in your mind. Then, to write down this finite series of", "as well (I think). So, the writer used [1] but the story also", "are just one of the \"underlying structures\" you may want (or, in most", "hero(ine) story, you can in fact point out a hero's journey plot structure", "into the paper. This process isn't trivial, of course and plot are just", "imagination into the paper. This process isn't trivial, of course and plot are", "another plot structure B could be used as well. The story must be", "have, \"canonically\", the hero's journey structure. My question is: suppose that you have", "be used as well. The story must be independent of plot structure (Just", "the story of a hero(ine). You, then, write your story with the aid", "you have a particular plot structure on your story. But, as a some", "instance, Blake Snyder beat sheet [1] and nothing more. Now, by definition, you", "is the story of a hero(ine). You, then, write your story with the", "\"underlying structures\" you may want (or, in most of the cases, should have)", "write your story with the aid of, for instance, Blake Snyder beat sheet", "suppose that you have a story which you wrote with the aid of", "you may want (or, in most of the cases, should have) to use.", "a particular plot structure on your story. But, as a some sort of", "This process isn't trivial, of course and plot are just one of the", "then, write your story with the aid of, for instance, Blake Snyder beat", "to translate your imagination into the paper. This process isn't trivial, of course", "your imagination into the paper. This process isn't trivial, of course and plot", "want (or, in most of the cases, should have) to use. Now, again,", "have an story in your mind. Then, to write down this finite series", "Now, again, suppose then you have an story in your mind; is the", "again, suppose then you have an story in your mind; is the story", "nothing more. Now, by definition, you have a particular plot structure on your", "structure as well (I think). So, the writer used [1] but the story", "plot structure as well (I think). So, the writer used [1] but the", "you have an story in your mind; is the story of a hero(ine).", "story in your mind; is the story of a hero(ine). You, then, write", "[1] and nothing more. Now, by definition, you have a particular plot structure", "and nothing more. Now, by definition, you have a particular plot structure on", "plot structure A. But you realize that and another plot structure B could", "this finite series of events, you have to translate your imagination into the", "have a story which you wrote with the aid of a plot structure", "down this finite series of events, you have to translate your imagination into", "translate your imagination into the paper. This process isn't trivial, of course and", "in most of the cases, should have) to use. Now, again, suppose then", "series of events, you have to translate your imagination into the paper. This", "which you wrote with the aid of a plot structure A. But you", "The story must be independent of plot structure (Just like a physical phenomena", "a hero(ine) story, you can in fact point out a hero's journey plot", "(or, in most of the cases, should have) to use. Now, again, suppose", "you have a story which you wrote with the aid of a plot", "that you have a story which you wrote with the aid of a", "structure B could be used as well. The story must be independent of", "like a physical phenomena must be independent of reference frame)? --- [1] <https://chsenglishap4.weebly.com/uploads/2/2/5/7/2257880/blakesnyderbeatsheet-explained.pdf>", "trivial, of course and plot are just one of the \"underlying structures\" you", "story. But, as a some sort of \"definition\" of a hero(ine) story, you", "structure. My question is: suppose that you have a story which you wrote", "the story also have, \"canonically\", the hero's journey structure. My question is: suppose", "mind; is the story of a hero(ine). You, then, write your story with", "your mind; is the story of a hero(ine). You, then, write your story", "the hero's journey structure. My question is: suppose that you have a story", "plot structure B could be used as well. The story must be independent", "some sort of \"definition\" of a hero(ine) story, you can in fact point", "Now, by definition, you have a particular plot structure on your story. But,", "of a hero(ine) story, you can in fact point out a hero's journey", "the aid of a plot structure A. But you realize that and another", "that and another plot structure B could be used as well. The story", "hero's journey structure. My question is: suppose that you have a story which", "write down this finite series of events, you have to translate your imagination", "be independent of plot structure (Just like a physical phenomena must be independent", "writer used [1] but the story also have, \"canonically\", the hero's journey structure.", "hero(ine). You, then, write your story with the aid of, for instance, Blake", "with the aid of, for instance, Blake Snyder beat sheet [1] and nothing", "you can in fact point out a hero's journey plot structure as well", "My question is: suppose that you have a story which you wrote with", "your story. But, as a some sort of \"definition\" of a hero(ine) story,", "hero's journey plot structure as well (I think). So, the writer used [1]", "cases, should have) to use. Now, again, suppose then you have an story", "of a plot structure A. But you realize that and another plot structure", "You, then, write your story with the aid of, for instance, Blake Snyder", "a hero's journey plot structure as well (I think). So, the writer used", "in your mind; is the story of a hero(ine). You, then, write your", "structures\" you may want (or, in most of the cases, should have) to", "of course and plot are just one of the \"underlying structures\" you may", "sheet [1] and nothing more. Now, by definition, you have a particular plot", "sort of \"definition\" of a hero(ine) story, you can in fact point out", "and another plot structure B could be used as well. The story must", "a hero(ine). You, then, write your story with the aid of, for instance,", "you wrote with the aid of a plot structure A. But you realize", "structure on your story. But, as a some sort of \"definition\" of a", "aid of, for instance, Blake Snyder beat sheet [1] and nothing more. Now,", "most of the cases, should have) to use. Now, again, suppose then you", "of the \"underlying structures\" you may want (or, in most of the cases,", "used [1] but the story also have, \"canonically\", the hero's journey structure. My", "have an story in your mind; is the story of a hero(ine). You,", "also have, \"canonically\", the hero's journey structure. My question is: suppose that you", "think). So, the writer used [1] but the story also have, \"canonically\", the", "must be independent of plot structure (Just like a physical phenomena must be", "independent of plot structure (Just like a physical phenomena must be independent of", "use. Now, again, suppose then you have an story in your mind; is", "just one of the \"underlying structures\" you may want (or, in most of", "to write down this finite series of events, you have to translate your", "could be used as well. The story must be independent of plot structure", "particular plot structure on your story. But, as a some sort of \"definition\"", "is: suppose that you have a story which you wrote with the aid", "more. Now, by definition, you have a particular plot structure on your story.", "an story in your mind; is the story of a hero(ine). You, then,", "B could be used as well. The story must be independent of plot", "of events, you have to translate your imagination into the paper. This process", "story of a hero(ine). You, then, write your story with the aid of,", "fact point out a hero's journey plot structure as well (I think). So,", "wrote with the aid of a plot structure A. But you realize that", "isn't trivial, of course and plot are just one of the \"underlying structures\"", "your mind. Then, to write down this finite series of events, you have", "a some sort of \"definition\" of a hero(ine) story, you can in fact", "the paper. This process isn't trivial, of course and plot are just one", "have a particular plot structure on your story. But, as a some sort", "should have) to use. Now, again, suppose then you have an story in", "realize that and another plot structure B could be used as well. The", "then you have an story in your mind. Then, to write down this", "you have to translate your imagination into the paper. This process isn't trivial,", "one of the \"underlying structures\" you may want (or, in most of the", "of the cases, should have) to use. Now, again, suppose then you have", "journey plot structure as well (I think). So, the writer used [1] but", "paper. This process isn't trivial, of course and plot are just one of", "but the story also have, \"canonically\", the hero's journey structure. My question is:", "(Just like a physical phenomena must be independent of reference frame)? --- [1]", "But you realize that and another plot structure B could be used as", "Suppose then you have an story in your mind. Then, to write down", "plot structure (Just like a physical phenomena must be independent of reference frame)?", "may want (or, in most of the cases, should have) to use. Now,", "to use. Now, again, suppose then you have an story in your mind;", "on your story. But, as a some sort of \"definition\" of a hero(ine)", "well. The story must be independent of plot structure (Just like a physical", "as a some sort of \"definition\" of a hero(ine) story, you can in", "a plot structure A. But you realize that and another plot structure B", "out a hero's journey plot structure as well (I think). So, the writer", "well (I think). So, the writer used [1] but the story also have,", "plot are just one of the \"underlying structures\" you may want (or, in", "of \"definition\" of a hero(ine) story, you can in fact point out a", "in fact point out a hero's journey plot structure as well (I think).", "can in fact point out a hero's journey plot structure as well (I", "with the aid of a plot structure A. But you realize that and", "plot structure on your story. But, as a some sort of \"definition\" of", "the cases, should have) to use. Now, again, suppose then you have an", "Blake Snyder beat sheet [1] and nothing more. Now, by definition, you have", "story with the aid of, for instance, Blake Snyder beat sheet [1] and", "story in your mind. Then, to write down this finite series of events,", "have to translate your imagination into the paper. This process isn't trivial, of", "and plot are just one of the \"underlying structures\" you may want (or,", "structure (Just like a physical phenomena must be independent of reference frame)? ---" ]
[ "How to learn the powerful words, that usually gets the attention of readers", "to learn the powerful words, that usually gets the attention of readers first?" ]
[ "with that for a while, and still cannot do that. It simply seems", "struggling with that for a while, and still cannot do that. It simply", "and message. I have been struggling with that for a while, and still", "you cannot cast out any of the words without changing the meaning. What", "that. It simply seems to me that you cannot cast out any of", "of words in a text to make it more concise but keep the", "while, and still cannot do that. It simply seems to me that you", "be the techniques of reducing the number of words in a text to", "how to make my writing more brief without maring its original meaning and", "brief without maring its original meaning and message. I have been struggling with", "been struggling with that for a while, and still cannot do that. It", "simply seems to me that you cannot cast out any of the words", "number of words in a text to make it more concise but keep", "It simply seems to me that you cannot cast out any of the", "the techniques of reducing the number of words in a text to make", "a text to make it more concise but keep the essence? Thank you", "writing more brief without maring its original meaning and message. I have been", "to make my writing more brief without maring its original meaning and message.", "maring its original meaning and message. I have been struggling with that for", "message. I have been struggling with that for a while, and still cannot", "that you cannot cast out any of the words without changing the meaning.", "and still cannot do that. It simply seems to me that you cannot", "know how to make my writing more brief without maring its original meaning", "me that you cannot cast out any of the words without changing the", "the words without changing the meaning. What can be the techniques of reducing", "to make it more concise but keep the essence? Thank you in advance.", "for a while, and still cannot do that. It simply seems to me", "make my writing more brief without maring its original meaning and message. I", "without changing the meaning. What can be the techniques of reducing the number", "any of the words without changing the meaning. What can be the techniques", "still cannot do that. It simply seems to me that you cannot cast", "my writing more brief without maring its original meaning and message. I have", "to me that you cannot cast out any of the words without changing", "cast out any of the words without changing the meaning. What can be", "its original meaning and message. I have been struggling with that for a", "original meaning and message. I have been struggling with that for a while,", "words without changing the meaning. What can be the techniques of reducing the", "the meaning. What can be the techniques of reducing the number of words", "What can be the techniques of reducing the number of words in a", "cannot do that. It simply seems to me that you cannot cast out", "can be the techniques of reducing the number of words in a text", "of reducing the number of words in a text to make it more", "have been struggling with that for a while, and still cannot do that.", "in a text to make it more concise but keep the essence? Thank", "techniques of reducing the number of words in a text to make it", "changing the meaning. What can be the techniques of reducing the number of", "of the words without changing the meaning. What can be the techniques of", "reducing the number of words in a text to make it more concise", "I need to know how to make my writing more brief without maring", "a while, and still cannot do that. It simply seems to me that", "cannot cast out any of the words without changing the meaning. What can", "out any of the words without changing the meaning. What can be the", "more brief without maring its original meaning and message. I have been struggling", "words in a text to make it more concise but keep the essence?", "text to make it more concise but keep the essence? Thank you in", "the number of words in a text to make it more concise but", "without maring its original meaning and message. I have been struggling with that", "I have been struggling with that for a while, and still cannot do", "that for a while, and still cannot do that. It simply seems to", "meaning. What can be the techniques of reducing the number of words in", "to know how to make my writing more brief without maring its original", "need to know how to make my writing more brief without maring its", "meaning and message. I have been struggling with that for a while, and", "seems to me that you cannot cast out any of the words without", "do that. It simply seems to me that you cannot cast out any" ]
[ "and girl dancing. The story begins after the music had started and ends", "last two minutes of this couple. I sat it down for a while", "your complaint. Being big, strong and possibly having a weapon is an impotent", "killer. I have thought about writing companion pieces, also as flash fiction. Our", "a mass shooting. She dies instantly. He isn’t really ever aware he is", "before the piece has played out. Three-quarters of the way through the story,", "two minutes of this couple. I sat it down for a while and", "story, the couple begin the process of dying in a mass shooting. She", "the family of the killer’s perspective and in seeing the obvious interior dysfunction", "He isn’t really ever aware he is dying so much as he is", "big, strong and possibly having a weapon is an impotent strategy. The second", "is a warning. Killers are not high functioning, emotionally balanced people. What are", "happened to watch an episode of “Semurui Recz.” “Moonlight Serenade” is a song", "as not being PC. Inappropriate language is like the rattle of a rattlesnake.", "threats to prevent violence are being suppressed as not being PC. Inappropriate language", "am strong. I have a rock (knife or sword),” and it would resolve", "though sometime later decided to add words, I believe, because they missed the", "Our society does a lot to suppress aggression. Once upon a time, someone", "happened to listen to Clek Yilneg’s “Moonlight Serenade,” and happened to watch an", "words, I believe, because they missed the point. “Seck” is a cartoon that", "and happened to watch an episode of “Semurui Recz.” “Moonlight Serenade” is a", "It is a warning. Killers are not high functioning, emotionally balanced people. What", "recent past. Now we do two types of behavior that render that dysfunctional.", "of the last two minutes of this couple. I sat it down for", "The second is that threats to prevent violence are being suppressed as not", "the killer, and the family of the killer. I have thought about writing", "“I am big. I am strong. I have a rock (knife or sword),”", "balanced people. What are the dangers of painting a sympathetic view of the", "to Clek Yilneg’s “Moonlight Serenade,” and happened to watch an episode of “Semurui", "have a rock (knife or sword),” and it would resolve a conflict. It", "dying so much as he is trying to process the sudden changes such", "prevent it. His end is more one in confusion. Overall, it’s a sensual,", "family of the killer’s perspective and in seeing the obvious interior dysfunction of", "is almost silent. So I wrote a sensual piece of flash fiction of", "or sword),” and it would resolve a conflict. It was a functional conflict", "to prevent it. His end is more one in confusion. Overall, it’s a", "in confusion. Overall, it’s a sensual, physical piece of the last two minutes", "painting a sympathetic view of the killer through the family of the killer’s", "Inappropriate language is like the rattle of a rattlesnake. It is a warning.", "this couple. I sat it down for a while and picked it up", "in seeing the obvious interior dysfunction of the killer by seeing inside his", "PC. Inappropriate language is like the rattle of a rattlesnake. It is a", "has played out. Three-quarters of the way through the story, the couple begin", "to fall to the ground and him trying to prevent it. His end", "really ever aware he is dying so much as he is trying to", "realized it wasn’t bad and started thinking about the family, the killer, and", "the killer. I have thought about writing companion pieces, also as flash fiction.", "ever aware he is dying so much as he is trying to process", "trying to prevent it. His end is more one in confusion. Overall, it’s", "behavior that render that dysfunctional. The first is that you likely have to", "was a functional conflict system from our early primate days until the recent", "functioning, emotionally balanced people. What are the dangers of painting a sympathetic view", "way through the story, the couple begin the process of dying in a", "and in seeing the obvious interior dysfunction of the killer by seeing inside", "The first is that you likely have to phone in your complaint. Being", "fall to the ground and him trying to prevent it. His end is", "society does a lot to suppress aggression. Once upon a time, someone could", "to add words, I believe, because they missed the point. “Seck” is a", "it would resolve a conflict. It was a functional conflict system from our", "of painting a sympathetic view of the killer through the family of the", "are the dangers of painting a sympathetic view of the killer through the", "about the family, the killer, and the family of the killer. I have", "Being big, strong and possibly having a weapon is an impotent strategy. The", "do two types of behavior that render that dysfunctional. The first is that", "a rattlesnake. It is a warning. Killers are not high functioning, emotionally balanced", "not high functioning, emotionally balanced people. What are the dangers of painting a", "dying in a mass shooting. She dies instantly. He isn’t really ever aware", "emotionally balanced people. What are the dangers of painting a sympathetic view of", "that render that dysfunctional. The first is that you likely have to phone", "that dysfunctional. The first is that you likely have to phone in your", "end is more one in confusion. Overall, it’s a sensual, physical piece of", "aggression. Once upon a time, someone could say, “I am big. I am", "a sensual piece of flash fiction of a young guy and girl dancing.", "not being PC. Inappropriate language is like the rattle of a rattlesnake. It", "our early primate days until the recent past. Now we do two types", "suppressed as not being PC. Inappropriate language is like the rattle of a", "of a young guy and girl dancing. The story begins after the music", "decided to add words, I believe, because they missed the point. “Seck” is", "fiction as a mental exercise. I happened to listen to Clek Yilneg’s “Moonlight", "the ground and him trying to prevent it. His end is more one", "and possibly having a weapon is an impotent strategy. The second is that", "the story, the couple begin the process of dying in a mass shooting.", "instantly. He isn’t really ever aware he is dying so much as he", "I am strong. I have a rock (knife or sword),” and it would", "early primate days until the recent past. Now we do two types of", "I sat it down for a while and picked it up a few", "piece of flash fiction as a mental exercise. I happened to listen to", "cartoon that is almost silent. So I wrote a sensual piece of flash", "flash fiction. Our society does a lot to suppress aggression. 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I", "song without words, though sometime later decided to add words, I believe, because", "wasn’t bad and started thinking about the family, the killer, and the family", "without words, though sometime later decided to add words, I believe, because they", "the sudden changes such as her starting to fall to the ground and", "Clek Yilneg’s “Moonlight Serenade,” and happened to watch an episode of “Semurui Recz.”", "“Moonlight Serenade,” and happened to watch an episode of “Semurui Recz.” “Moonlight Serenade”", "rock (knife or sword),” and it would resolve a conflict. It was a", "exercise. I happened to listen to Clek Yilneg’s “Moonlight Serenade,” and happened to", "primate days until the recent past. Now we do two types of behavior", "Three-quarters of the way through the story, the couple begin the process of", "point. “Seck” is a cartoon that is almost silent. So I wrote a", "past. Now we do two types of behavior that render that dysfunctional. 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If I submit it I", "(verbal vs written). A deal of comedy is rooted in misunderstandings, particularly the", "fiction. It's rooted into the culture of story-telling (verbal vs written). A deal", "I sent you guys way off base. I'm only talking about flash fiction.", "Ergo, it doesn't matter how it's spelt the recipient hears the same word.", "only talking about flash fiction. It's rooted into the culture of story-telling (verbal", "fiction. But I also believe it is extremely clever. But if I have", "for a job interview. \"Wait,\" says the receptionist, busy filling a form. \"You", "so much? I've had to edit this because I sent you guys way", "the recipient hears the same word. e.g. A woman goes for a job", "I've had to edit this because I sent you guys way off base.", "I believe it will be viewed as a 'nice' , 'pretty' piece of", "matter how it's spelt the recipient hears the same word. e.g. A woman", "filling a form. \"You can't ask me that!\" objects the woman. \"Okay .", "joke, then have it explain why it's funny - it's not probably not", "the audio aspect of dialogue. Ergo, it doesn't matter how it's spelt the", "as a 'nice' , 'pretty' piece of literary fiction. But I also believe", "word. e.g. A woman goes for a job interview. \"Wait,\" says the receptionist,", "it is extremely clever. But if I have to explain it . .", "piece in which the true meaning only becomes apparent when it is read", "taken that if I tell you a joke, then have it explain why", "about flash fiction. It's rooted into the culture of story-telling (verbal vs written).", "that!\" objects the woman. \"Okay . . . so I put on a", "it doesn't matter how it's spelt the recipient hears the same word. e.g.", "to explain it . . . maybe not so much? I've had to", "a short piece in which the true meaning only becomes apparent when it", "vs written). A deal of comedy is rooted in misunderstandings, particularly the audio", "have to explain it . . . maybe not so much? I've had", "in misunderstandings, particularly the audio aspect of dialogue. Ergo, it doesn't matter how", "I continually return to one of my own short pieces. If I submit", "particularly the audio aspect of dialogue. Ergo, it doesn't matter how it's spelt", ".\" Expanding this theme, I wrote a short piece in which the true", "not so much? I've had to edit this because I sent you guys", "doesn't matter how it's spelt the recipient hears the same word. e.g. A" ]
[]
[ "my characters and situations, I’m constantly worried about not handling my protagonists true", "myself into more and more attempts with male protagonists until I start managing", "and shift to female protagonists as fast as possible. Being concerned about the", "bug or a feature? Namely: what has more point, forcing myself into more", "into my strength by strengthening my ability to pull off a convincing female", "do not share the female perspective. Should I treat it as a bug", "of my characters and situations, I’m constantly worried about not handling my protagonists", "but there is a peculiar limitation to what I achieve. Despite being male,", "forcing myself into more and more attempts with male protagonists until I start", "protagonists true to life enough, as I do not share the female perspective.", "as I do not share the female perspective. Should I treat it as", "a male perspective and shift to female protagonists as fast as possible. Being", "more point, forcing myself into more and more attempts with male protagonists until", "skills, doing both original works and facfiction, but there is a peculiar limitation", "being male, I fail to write from a male perspective and shift to", "female perspective. Should I treat it as a bug or a feature? Namely:", "shift to female protagonists as fast as possible. Being concerned about the believability", "Should I treat it as a bug or a feature? Namely: what has", "a feature? Namely: what has more point, forcing myself into more and more", "I’m trying to improve my writing skills, doing both original works and facfiction,", "peculiar limitation to what I achieve. Despite being male, I fail to write", "male, I fail to write from a male perspective and shift to female", "worried about not handling my protagonists true to life enough, as I do", "Namely: what has more point, forcing myself into more and more attempts with", "protagonists as fast as possible. Being concerned about the believability of my characters", "about not handling my protagonists true to life enough, as I do not", "limitation and turn it into my strength by strengthening my ability to pull", "original works and facfiction, but there is a peculiar limitation to what I", "my strength by strengthening my ability to pull off a convincing female protagonist?", "more and more attempts with male protagonists until I start managing them well,", "facfiction, but there is a peculiar limitation to what I achieve. Despite being", "to improve my writing skills, doing both original works and facfiction, but there", "my writing skills, doing both original works and facfiction, but there is a", "to write from a male perspective and shift to female protagonists as fast", "perspective and shift to female protagonists as fast as possible. Being concerned about", "protagonists until I start managing them well, or embracing my limitation and turn", "I achieve. Despite being male, I fail to write from a male perspective", "start managing them well, or embracing my limitation and turn it into my", "achieve. Despite being male, I fail to write from a male perspective and", "I’m constantly worried about not handling my protagonists true to life enough, as", "with male protagonists until I start managing them well, or embracing my limitation", "my limitation and turn it into my strength by strengthening my ability to", "writing skills, doing both original works and facfiction, but there is a peculiar", "or embracing my limitation and turn it into my strength by strengthening my", "share the female perspective. Should I treat it as a bug or a", "attempts with male protagonists until I start managing them well, or embracing my", "what has more point, forcing myself into more and more attempts with male", "and facfiction, but there is a peculiar limitation to what I achieve. Despite", "male perspective and shift to female protagonists as fast as possible. Being concerned", "as fast as possible. Being concerned about the believability of my characters and", "and more attempts with male protagonists until I start managing them well, or", "female protagonists as fast as possible. Being concerned about the believability of my", "improve my writing skills, doing both original works and facfiction, but there is", "enough, as I do not share the female perspective. Should I treat it", "is a peculiar limitation to what I achieve. Despite being male, I fail", "embracing my limitation and turn it into my strength by strengthening my ability", "what I achieve. Despite being male, I fail to write from a male", "situations, I’m constantly worried about not handling my protagonists true to life enough,", "or a feature? Namely: what has more point, forcing myself into more and", "as possible. Being concerned about the believability of my characters and situations, I’m", "to female protagonists as fast as possible. Being concerned about the believability of", "true to life enough, as I do not share the female perspective. Should", "point, forcing myself into more and more attempts with male protagonists until I", "it into my strength by strengthening my ability to pull off a convincing", "I start managing them well, or embracing my limitation and turn it into", "until I start managing them well, or embracing my limitation and turn it", "to life enough, as I do not share the female perspective. Should I", "life enough, as I do not share the female perspective. Should I treat", "treat it as a bug or a feature? Namely: what has more point,", "feature? Namely: what has more point, forcing myself into more and more attempts", "fail to write from a male perspective and shift to female protagonists as", "constantly worried about not handling my protagonists true to life enough, as I", "the believability of my characters and situations, I’m constantly worried about not handling", "a peculiar limitation to what I achieve. Despite being male, I fail to", "male protagonists until I start managing them well, or embracing my limitation and", "the female perspective. Should I treat it as a bug or a feature?", "not handling my protagonists true to life enough, as I do not share", "more attempts with male protagonists until I start managing them well, or embracing", "to what I achieve. Despite being male, I fail to write from a", "turn it into my strength by strengthening my ability to pull off a", "managing them well, or embracing my limitation and turn it into my strength", "has more point, forcing myself into more and more attempts with male protagonists", "write from a male perspective and shift to female protagonists as fast as", "about the believability of my characters and situations, I’m constantly worried about not", "I fail to write from a male perspective and shift to female protagonists", "believability of my characters and situations, I’m constantly worried about not handling my", "into more and more attempts with male protagonists until I start managing them", "handling my protagonists true to life enough, as I do not share the", "my protagonists true to life enough, as I do not share the female", "trying to improve my writing skills, doing both original works and facfiction, but", "them well, or embracing my limitation and turn it into my strength by", "characters and situations, I’m constantly worried about not handling my protagonists true to", "not share the female perspective. Should I treat it as a bug or", "limitation to what I achieve. Despite being male, I fail to write from", "works and facfiction, but there is a peculiar limitation to what I achieve.", "perspective. Should I treat it as a bug or a feature? Namely: what", "and turn it into my strength by strengthening my ability to pull off", "a bug or a feature? Namely: what has more point, forcing myself into", "well, or embracing my limitation and turn it into my strength by strengthening", "doing both original works and facfiction, but there is a peculiar limitation to", "fast as possible. Being concerned about the believability of my characters and situations,", "Being concerned about the believability of my characters and situations, I’m constantly worried", "and situations, I’m constantly worried about not handling my protagonists true to life", "concerned about the believability of my characters and situations, I’m constantly worried about", "I treat it as a bug or a feature? Namely: what has more", "I do not share the female perspective. Should I treat it as a", "there is a peculiar limitation to what I achieve. Despite being male, I", "from a male perspective and shift to female protagonists as fast as possible.", "Despite being male, I fail to write from a male perspective and shift", "it as a bug or a feature? Namely: what has more point, forcing", "both original works and facfiction, but there is a peculiar limitation to what", "as a bug or a feature? Namely: what has more point, forcing myself", "possible. Being concerned about the believability of my characters and situations, I’m constantly" ]
[ "free are we to write a story that is set inside another universe,", "nouns like “Rulers” or “Overlords.” “Don’t do that, Stopek,” Nabby said, furrowing his", "a lightning bolt.” “That’s right!” Stopek exclaimed. OR For a story set in", "would be okay pursuing? Or is alluding to characters, things or places to", "on our ass in no time.” Stopek looked down at the strange blueish", "hair, glasses. Didn’t he—?” Stopek gestured to his forehead. “Yup,” Nabby said nodding.", "his forehead. Pretty sure it was a lightning bolt.” “That’s right!” Stopek exclaimed.", "“I remember that guy. Weird dude. Black hair, glasses. Didn’t he—?” Stopek gestured", "of the “Imperials”, using nouns like “Rulers” or “Overlords.” “Don’t do that, Stopek,”", "to characters, things or places to help drive a story, the copyright/trademark territory", "“Big scar on his forehead. Pretty sure it was a lightning bolt.” “That’s", "Black hair, glasses. Didn’t he—?” Stopek gestured to his forehead. “Yup,” Nabby said", "Star Wars universe (again, without any actual reference to characters or names). Instead", "forehead. Pretty sure it was a lightning bolt.” “That’s right!” Stopek exclaimed. OR", "Nabby said nodding. “Big scar on his forehead. Pretty sure it was a", "a story that is set inside another universe, that doesn’t necessarily mention anyone", "For example, let’s say that I want to write a story set inside", "to his forehead. “Yup,” Nabby said nodding. “Big scar on his forehead. Pretty", "simply allude to things: “Oh, yeah,” Stopek replied. “I remember that guy. Weird", "“parody” or a “derivative” and publishers would be okay pursuing? Or is alluding", "dirty Overlords will be on our ass in no time.” Stopek looked down", "to help drive a story, the copyright/trademark territory we must steer clear of?", "glasses. Didn’t he—?” Stopek gestured to his forehead. “Yup,” Nabby said nodding. “Big", "brow. “Them damn, dirty Overlords will be on our ass in no time.”", "in no time.” Stopek looked down at the strange blueish milk, and decided", "forehead. “Yup,” Nabby said nodding. “Big scar on his forehead. Pretty sure it", "or anything specifically about said universe? For example, let’s say that I want", "set inside another universe, that doesn’t necessarily mention anyone or anything specifically about", "doesn’t necessarily mention anyone or anything specifically about said universe? For example, let’s", "Nabby said, furrowing his brow. “Them damn, dirty Overlords will be on our", "OR For a story set in the Star Wars universe (again, without any", "we to write a story that is set inside another universe, that doesn’t", "milk, and decided Nabby was right. Would anything like this simply be considered", "mention anyone or anything, just simply allude to things: “Oh, yeah,” Stopek replied.", "For a story set in the Star Wars universe (again, without any actual", "a “derivative” and publishers would be okay pursuing? Or is alluding to characters,", "let’s say that I want to write a story set inside the Hijrp", "scar on his forehead. Pretty sure it was a lightning bolt.” “That’s right!”", "Stopek looked down at the strange blueish milk, and decided Nabby was right.", "Obviously it is hard for completely official legal advice for every situation, but", "“Them damn, dirty Overlords will be on our ass in no time.” Stopek", "said nodding. “Big scar on his forehead. Pretty sure it was a lightning", "hard for completely official legal advice for every situation, but I’d still like", "gestured to his forehead. “Yup,” Nabby said nodding. “Big scar on his forehead.", "“derivative” and publishers would be okay pursuing? Or is alluding to characters, things", "down at the strange blueish milk, and decided Nabby was right. Would anything", "be considered a “parody” or a “derivative” and publishers would be okay pursuing?", "characters or names). Instead of the “Imperials”, using nouns like “Rulers” or “Overlords.”", "sure it was a lightning bolt.” “That’s right!” Stopek exclaimed. OR For a", "was right. Would anything like this simply be considered a “parody” or a", "like “Rulers” or “Overlords.” “Don’t do that, Stopek,” Nabby said, furrowing his brow.", "publishers would be okay pursuing? Or is alluding to characters, things or places", "I won’t actually mention anyone or anything, just simply allude to things: “Oh,", "blueish milk, and decided Nabby was right. Would anything like this simply be", "anything specifically about said universe? For example, let’s say that I want to", "specifically about said universe? For example, let’s say that I want to write", "territory we must steer clear of? Ps. Obviously it is hard for completely", "nodding. “Big scar on his forehead. Pretty sure it was a lightning bolt.”", "inside another universe, that doesn’t necessarily mention anyone or anything specifically about said", "I want to write a story set inside the Hijrp Potfeq universe where", "Wars universe (again, without any actual reference to characters or names). Instead of", "are we to write a story that is set inside another universe, that", "Or is alluding to characters, things or places to help drive a story,", "“Don’t do that, Stopek,” Nabby said, furrowing his brow. “Them damn, dirty Overlords", "(again, without any actual reference to characters or names). Instead of the “Imperials”,", "a story set inside the Hijrp Potfeq universe where I won’t actually mention", "anyone or anything, just simply allude to things: “Oh, yeah,” Stopek replied. “I", "actual reference to characters or names). Instead of the “Imperials”, using nouns like", "copyright/trademark territory we must steer clear of? Ps. Obviously it is hard for", "or names). Instead of the “Imperials”, using nouns like “Rulers” or “Overlords.” “Don’t", "we must steer clear of? Ps. Obviously it is hard for completely official", "the Star Wars universe (again, without any actual reference to characters or names).", "set inside the Hijrp Potfeq universe where I won’t actually mention anyone or", "things: “Oh, yeah,” Stopek replied. “I remember that guy. Weird dude. Black hair,", "strange blueish milk, and decided Nabby was right. Would anything like this simply", "that, Stopek,” Nabby said, furrowing his brow. “Them damn, dirty Overlords will be", "like this simply be considered a “parody” or a “derivative” and publishers would", "example, let’s say that I want to write a story set inside the", "necessarily mention anyone or anything specifically about said universe? For example, let’s say", "mention anyone or anything specifically about said universe? For example, let’s say that", "“Yup,” Nabby said nodding. “Big scar on his forehead. Pretty sure it was", "about said universe? For example, let’s say that I want to write a", "must steer clear of? Ps. Obviously it is hard for completely official legal", "be on our ass in no time.” Stopek looked down at the strange", "said, furrowing his brow. “Them damn, dirty Overlords will be on our ass", "lightning bolt.” “That’s right!” Stopek exclaimed. OR For a story set in the", "in the Star Wars universe (again, without any actual reference to characters or", "places to help drive a story, the copyright/trademark territory we must steer clear", "universe (again, without any actual reference to characters or names). Instead of the", "this simply be considered a “parody” or a “derivative” and publishers would be", "universe where I won’t actually mention anyone or anything, just simply allude to", "won’t actually mention anyone or anything, just simply allude to things: “Oh, yeah,”", "for every situation, but I’d still like to know what your thoughts are", "Instead of the “Imperials”, using nouns like “Rulers” or “Overlords.” “Don’t do that,", "story that is set inside another universe, that doesn’t necessarily mention anyone or", "ass in no time.” Stopek looked down at the strange blueish milk, and", "advice for every situation, but I’d still like to know what your thoughts", "do that, Stopek,” Nabby said, furrowing his brow. “Them damn, dirty Overlords will", "said universe? For example, let’s say that I want to write a story", "allude to things: “Oh, yeah,” Stopek replied. “I remember that guy. Weird dude.", "any actual reference to characters or names). Instead of the “Imperials”, using nouns", "his brow. “Them damn, dirty Overlords will be on our ass in no", "universe? For example, let’s say that I want to write a story set", "be okay pursuing? Or is alluding to characters, things or places to help", "will be on our ass in no time.” Stopek looked down at the", "the strange blueish milk, and decided Nabby was right. Would anything like this", "our ass in no time.” Stopek looked down at the strange blueish milk,", "the Hijrp Potfeq universe where I won’t actually mention anyone or anything, just", "that doesn’t necessarily mention anyone or anything specifically about said universe? For example,", "Weird dude. Black hair, glasses. Didn’t he—?” Stopek gestured to his forehead. “Yup,”", "to characters or names). Instead of the “Imperials”, using nouns like “Rulers” or", "at the strange blueish milk, and decided Nabby was right. Would anything like", "pursuing? Or is alluding to characters, things or places to help drive a", "clear of? Ps. Obviously it is hard for completely official legal advice for", "it is hard for completely official legal advice for every situation, but I’d", "damn, dirty Overlords will be on our ass in no time.” Stopek looked", "things or places to help drive a story, the copyright/trademark territory we must", "considered a “parody” or a “derivative” and publishers would be okay pursuing? Or", "he—?” Stopek gestured to his forehead. “Yup,” Nabby said nodding. “Big scar on", "set in the Star Wars universe (again, without any actual reference to characters", "that I want to write a story set inside the Hijrp Potfeq universe", "to things: “Oh, yeah,” Stopek replied. “I remember that guy. Weird dude. Black", "furrowing his brow. “Them damn, dirty Overlords will be on our ass in", "no time.” Stopek looked down at the strange blueish milk, and decided Nabby", "for completely official legal advice for every situation, but I’d still like to", "anything, just simply allude to things: “Oh, yeah,” Stopek replied. “I remember that", "another universe, that doesn’t necessarily mention anyone or anything specifically about said universe?", "and decided Nabby was right. Would anything like this simply be considered a", "“Rulers” or “Overlords.” “Don’t do that, Stopek,” Nabby said, furrowing his brow. “Them", "write a story that is set inside another universe, that doesn’t necessarily mention", "inside the Hijrp Potfeq universe where I won’t actually mention anyone or anything,", "that guy. Weird dude. Black hair, glasses. Didn’t he—?” Stopek gestured to his", "time.” Stopek looked down at the strange blueish milk, and decided Nabby was", "simply be considered a “parody” or a “derivative” and publishers would be okay", "remember that guy. Weird dude. Black hair, glasses. Didn’t he—?” Stopek gestured to", "names). Instead of the “Imperials”, using nouns like “Rulers” or “Overlords.” “Don’t do", "a story set in the Star Wars universe (again, without any actual reference", "“Overlords.” “Don’t do that, Stopek,” Nabby said, furrowing his brow. “Them damn, dirty", "steer clear of? Ps. Obviously it is hard for completely official legal advice", "universe, that doesn’t necessarily mention anyone or anything specifically about said universe? For", "where I won’t actually mention anyone or anything, just simply allude to things:", "Pretty sure it was a lightning bolt.” “That’s right!” Stopek exclaimed. OR For", "anything like this simply be considered a “parody” or a “derivative” and publishers", "say that I want to write a story set inside the Hijrp Potfeq", "and publishers would be okay pursuing? Or is alluding to characters, things or", "is hard for completely official legal advice for every situation, but I’d still", "guy. Weird dude. Black hair, glasses. Didn’t he—?” Stopek gestured to his forehead.", "okay pursuing? Or is alluding to characters, things or places to help drive", "dude. Black hair, glasses. Didn’t he—?” Stopek gestured to his forehead. “Yup,” Nabby", "right!” Stopek exclaimed. OR For a story set in the Star Wars universe", "Stopek exclaimed. OR For a story set in the Star Wars universe (again,", "on his forehead. Pretty sure it was a lightning bolt.” “That’s right!” Stopek", "replied. “I remember that guy. Weird dude. Black hair, glasses. Didn’t he—?” Stopek", "story set in the Star Wars universe (again, without any actual reference to", "official legal advice for every situation, but I’d still like to know what", "Stopek gestured to his forehead. “Yup,” Nabby said nodding. “Big scar on his", "the “Imperials”, using nouns like “Rulers” or “Overlords.” “Don’t do that, Stopek,” Nabby", "drive a story, the copyright/trademark territory we must steer clear of? Ps. Obviously", "“Oh, yeah,” Stopek replied. “I remember that guy. Weird dude. Black hair, glasses.", "Overlords will be on our ass in no time.” Stopek looked down at", "that is set inside another universe, that doesn’t necessarily mention anyone or anything", "was a lightning bolt.” “That’s right!” Stopek exclaimed. OR For a story set", "using nouns like “Rulers” or “Overlords.” “Don’t do that, Stopek,” Nabby said, furrowing", "or “Overlords.” “Don’t do that, Stopek,” Nabby said, furrowing his brow. “Them damn,", "How free are we to write a story that is set inside another", "story set inside the Hijrp Potfeq universe where I won’t actually mention anyone", "to write a story that is set inside another universe, that doesn’t necessarily", "exclaimed. OR For a story set in the Star Wars universe (again, without", "reference to characters or names). Instead of the “Imperials”, using nouns like “Rulers”", "his forehead. “Yup,” Nabby said nodding. “Big scar on his forehead. Pretty sure", "right. Would anything like this simply be considered a “parody” or a “derivative”", "looked down at the strange blueish milk, and decided Nabby was right. Would", "Would anything like this simply be considered a “parody” or a “derivative” and", "decided Nabby was right. Would anything like this simply be considered a “parody”", "Stopek replied. “I remember that guy. Weird dude. Black hair, glasses. Didn’t he—?”", "write a story set inside the Hijrp Potfeq universe where I won’t actually", "of? Ps. Obviously it is hard for completely official legal advice for every", "a “parody” or a “derivative” and publishers would be okay pursuing? Or is", "or anything, just simply allude to things: “Oh, yeah,” Stopek replied. “I remember", "“Imperials”, using nouns like “Rulers” or “Overlords.” “Don’t do that, Stopek,” Nabby said,", "completely official legal advice for every situation, but I’d still like to know", "just simply allude to things: “Oh, yeah,” Stopek replied. “I remember that guy.", "alluding to characters, things or places to help drive a story, the copyright/trademark", "Stopek,” Nabby said, furrowing his brow. “Them damn, dirty Overlords will be on", "without any actual reference to characters or names). Instead of the “Imperials”, using", "it was a lightning bolt.” “That’s right!” Stopek exclaimed. OR For a story", "Potfeq universe where I won’t actually mention anyone or anything, just simply allude", "a story, the copyright/trademark territory we must steer clear of? Ps. Obviously it", "yeah,” Stopek replied. “I remember that guy. Weird dude. Black hair, glasses. Didn’t", "the copyright/trademark territory we must steer clear of? Ps. Obviously it is hard", "Didn’t he—?” Stopek gestured to his forehead. “Yup,” Nabby said nodding. “Big scar", "is alluding to characters, things or places to help drive a story, the", "help drive a story, the copyright/trademark territory we must steer clear of? Ps.", "want to write a story set inside the Hijrp Potfeq universe where I", "actually mention anyone or anything, just simply allude to things: “Oh, yeah,” Stopek", "Nabby was right. Would anything like this simply be considered a “parody” or", "characters, things or places to help drive a story, the copyright/trademark territory we", "bolt.” “That’s right!” Stopek exclaimed. OR For a story set in the Star", "story, the copyright/trademark territory we must steer clear of? Ps. Obviously it is", "Ps. Obviously it is hard for completely official legal advice for every situation,", "is set inside another universe, that doesn’t necessarily mention anyone or anything specifically", "or places to help drive a story, the copyright/trademark territory we must steer", "anyone or anything specifically about said universe? For example, let’s say that I", "“That’s right!” Stopek exclaimed. OR For a story set in the Star Wars", "Hijrp Potfeq universe where I won’t actually mention anyone or anything, just simply", "to write a story set inside the Hijrp Potfeq universe where I won’t", "legal advice for every situation, but I’d still like to know what your", "or a “derivative” and publishers would be okay pursuing? Or is alluding to" ]
[ "it conforms to the traditional/classic mystery novel, emulating that of Agatha Christie or", "done effectively. I haven't been able to find anything online on this topic.", "I don't see this type of plot structure as being conducive to writing", "reaction driving every minute action of the detective? The MRU structure, in my", "novels written today, but in the traditional style mystery novels written today, I", "is composed of MRUs. I bring this up because the sequence of events", "don't see how MRUs apply conveniently to mystery stories. How can you have", "novel such as exposition, rising, middle, climax, and resolution as outlined by Freytag's", "mystery novel. Moreover, A mystery is like an intellectual game between the reader/detective", "an intellectual game between the reader/detective and the villain/detective. It is race to", "incorporated into mystery novels, especially traditional mysteries? If so, how is this done", "in the process of writing a mystery novel/novella and it conforms to the", "between the reader/detective and the villain/detective. It is race to see who will", "But, on a microscopic level, it does not make much sense to structure", "level, it does not make much sense to structure a mystery novel with", "does not make much sense to structure a mystery novel with alternating sequences", "a scene is Goal, Conflict, and Disaster. And a sequel consists of Reaction,", "a mystery novel. Moreover, A mystery is like an intellectual game between the", "mystery novel. So are scenes, sequels and MRUs actually incorporated into mystery novels,", "to the traditional/classic mystery novel, emulating that of Agatha Christie or A.C. Doyle.", "traditional/classic mystery novel, emulating that of Agatha Christie or A.C. Doyle. I'm having", "subplots, etc. to mystery novels. But, my question involves the use of scenes,", "is race to see who will solve the puzzle first and a game", "principles regarding the incorporation of common plot structures such as Freytag's Pyramid, plot", "of events in a scene is Goal, Conflict, and Disaster. And a sequel", "at every turn. And I don't see how MRUs apply conveniently to mystery", "mystery novels written today, I don't see this type of plot structure as", "compatible with a traditional mystery novel. I don't know if contemporary authors use", "Moreover, A mystery is like an intellectual game between the reader/detective and the", "How can you have motivation and reaction driving every minute action of the", "and Disaster. And a sequel consists of Reaction, Dilemma, Decision. This structure is,", "Freytag's Pyramid. But, on a microscopic level, it does not make much sense", "this done effectively. I haven't been able to find anything online on this", "can you have motivation and reaction driving every minute action of the detective?", "the general principles regarding the incorporation of common plot structures such as Freytag's", "A mystery is like an intellectual game between the reader/detective and the villain/detective.", "exposition, rising, middle, climax, and resolution as outlined by Freytag's Pyramid. But, on", "apply conveniently to mystery stories. How can you have motivation and reaction driving", "mystery plot. I know the general principles regarding the incorporation of common plot", "in a scene is Goal, Conflict, and Disaster. And a sequel consists of", "so, how is this done effectively. I haven't been able to find anything", "an effective mystery or deriving a pleasurable reading experience. The issue I see", "rising, middle, climax, and resolution as outlined by Freytag's Pyramid. But, on a", "traditional mystery novel. I don't know if contemporary authors use repeating scenes and", "who will solve the puzzle first and a game of cat and mouse", "mystery novel, especially traditional style mysteries. I also don't see how sequels fit", "to the proper way to structure the mystery plot. I know the general", "novels. But, my question involves the use of scenes, sequels, and MRUs (motivation", "the puzzle first and a game of cat and mouse before the detective", "mystery novels. But, my question involves the use of scenes, sequels, and MRUs", "and mouse before the detective brings the antagonist or villain to justice. It", "A.C. Doyle. I'm having doubts as to the proper way to structure the", "every turn. And I don't see how MRUs apply conveniently to mystery stories.", "able to find anything online on this topic. Any insight would be appreciated.", "Decision. This structure is, in my opinion, not compatible with a traditional mystery", "or A.C. Doyle. I'm having doubts as to the proper way to structure", "The issue I see is that mysteries and traditional/classic style whodunit mysteries in", "If so, how is this done effectively. I haven't been able to find", "to writing an effective mystery or deriving a pleasurable reading experience. The issue", "It is intuitive to use generalized plot elements in a mystery novel such", "also don't see how sequels fit in nicely with the plot structure of", "detective brings the antagonist or villain to justice. It is purely an intellectual", "and traditional/classic style whodunit mysteries in particular cannot have disasters at every turn.", "every minute action of the detective? The MRU structure, in my opinion, just", "don't know if contemporary authors use repeating scenes and sequels in non-traditional mystery", "traditional/classic style whodunit mysteries in particular cannot have disasters at every turn. And", "of the detective? The MRU structure, in my opinion, just doesn't play well", "Conflict, and Disaster. And a sequel consists of Reaction, Dilemma, Decision. This structure", "sequels fit in nicely with the plot structure of a mystery novel. Moreover,", "I also don't see how sequels fit in nicely with the plot structure", "and it conforms to the traditional/classic mystery novel, emulating that of Agatha Christie", "MRU structure, in my opinion, just doesn't play well with a typical mystery", "generalized plot elements in a mystery novel such as exposition, rising, middle, climax,", "and sequels which is composed of MRUs. I bring this up because the", "regarding the incorporation of common plot structures such as Freytag's Pyramid, plot twists,", "process of writing a mystery novel/novella and it conforms to the traditional/classic mystery", "is, in my opinion, not compatible with a traditional mystery novel. I don't", "a pleasurable reading experience. The issue I see is that mysteries and traditional/classic", "know the general principles regarding the incorporation of common plot structures such as", "how MRUs apply conveniently to mystery stories. How can you have motivation and", "structure a mystery novel with alternating sequences of scenes and sequels which is", "see is that mysteries and traditional/classic style whodunit mysteries in particular cannot have", "It is race to see who will solve the puzzle first and a", "proper way to structure the mystery plot. I know the general principles regarding", "stories. How can you have motivation and reaction driving every minute action of", "main effect of a mystery novel. So are scenes, sequels and MRUs actually", "disasters at every turn. And I don't see how MRUs apply conveniently to", "I don't see how MRUs apply conveniently to mystery stories. How can you", "scenes, sequels, and MRUs (motivation reaction units). It is intuitive to use generalized", "to use generalized plot elements in a mystery novel such as exposition, rising,", "puzzle first and a game of cat and mouse before the detective brings", "play well with a typical mystery novel, especially traditional style mysteries. I also", "sequel consists of Reaction, Dilemma, Decision. This structure is, in my opinion, not", "Agatha Christie or A.C. Doyle. I'm having doubts as to the proper way", "written today, I don't see this type of plot structure as being conducive", "plot structure as being conducive to writing an effective mystery or deriving a", "and reaction driving every minute action of the detective? The MRU structure, in", "mystery novels, especially traditional mysteries? If so, how is this done effectively. I", "see how MRUs apply conveniently to mystery stories. How can you have motivation", "opinion, not compatible with a traditional mystery novel. I don't know if contemporary", "doubts as to the proper way to structure the mystery plot. I know", "type of plot structure as being conducive to writing an effective mystery or", "cat and mouse before the detective brings the antagonist or villain to justice.", "and the villain/detective. It is race to see who will solve the puzzle", "mystery novels written today, but in the traditional style mystery novels written today,", "mystery novel, emulating that of Agatha Christie or A.C. Doyle. I'm having doubts", "effective mystery or deriving a pleasurable reading experience. The issue I see is", "see this type of plot structure as being conducive to writing an effective", "a sequel consists of Reaction, Dilemma, Decision. This structure is, in my opinion,", "plot twists, subplots, etc. to mystery novels. But, my question involves the use", "don't see how sequels fit in nicely with the plot structure of a", "mysteries and traditional/classic style whodunit mysteries in particular cannot have disasters at every", "outlined by Freytag's Pyramid. But, on a microscopic level, it does not make", "non-traditional mystery novels written today, but in the traditional style mystery novels written", "the incorporation of common plot structures such as Freytag's Pyramid, plot twists, subplots,", "composed of MRUs. I bring this up because the sequence of events in", "resolution as outlined by Freytag's Pyramid. But, on a microscopic level, it does", "use repeating scenes and sequels in non-traditional mystery novels written today, but in", "much sense to structure a mystery novel with alternating sequences of scenes and", "is purely an intellectual exercise, and disasters at every turn dilute the main", "traditional mysteries? If so, how is this done effectively. I haven't been able", "make much sense to structure a mystery novel with alternating sequences of scenes", "plot structures such as Freytag's Pyramid, plot twists, subplots, etc. to mystery novels.", "how sequels fit in nicely with the plot structure of a mystery novel.", "on a microscopic level, it does not make much sense to structure a", "in the traditional style mystery novels written today, I don't see this type", "writing a mystery novel/novella and it conforms to the traditional/classic mystery novel, emulating", "scenes and sequels in non-traditional mystery novels written today, but in the traditional", "authors use repeating scenes and sequels in non-traditional mystery novels written today, but", "I don't know if contemporary authors use repeating scenes and sequels in non-traditional", "haven't been able to find anything online on this topic. Any insight would", "reaction units). It is intuitive to use generalized plot elements in a mystery", "It is purely an intellectual exercise, and disasters at every turn dilute the", "Doyle. I'm having doubts as to the proper way to structure the mystery", "middle, climax, and resolution as outlined by Freytag's Pyramid. But, on a microscopic", "MRUs apply conveniently to mystery stories. How can you have motivation and reaction", "the detective brings the antagonist or villain to justice. It is purely an", "mystery stories. How can you have motivation and reaction driving every minute action", "structure the mystery plot. I know the general principles regarding the incorporation of", "sense to structure a mystery novel with alternating sequences of scenes and sequels", "And a sequel consists of Reaction, Dilemma, Decision. This structure is, in my", "mystery or deriving a pleasurable reading experience. The issue I see is that", "to mystery stories. How can you have motivation and reaction driving every minute", "the process of writing a mystery novel/novella and it conforms to the traditional/classic", "such as Freytag's Pyramid, plot twists, subplots, etc. to mystery novels. But, my", "being conducive to writing an effective mystery or deriving a pleasurable reading experience.", "my opinion, not compatible with a traditional mystery novel. I don't know if", "the detective? The MRU structure, in my opinion, just doesn't play well with", "this up because the sequence of events in a scene is Goal, Conflict,", "with a traditional mystery novel. I don't know if contemporary authors use repeating", "a traditional mystery novel. I don't know if contemporary authors use repeating scenes", "structure as being conducive to writing an effective mystery or deriving a pleasurable", "novels written today, I don't see this type of plot structure as being", "and disasters at every turn dilute the main effect of a mystery novel.", "villain/detective. It is race to see who will solve the puzzle first and", "of plot structure as being conducive to writing an effective mystery or deriving", "know if contemporary authors use repeating scenes and sequels in non-traditional mystery novels", "conveniently to mystery stories. How can you have motivation and reaction driving every", "scene is Goal, Conflict, and Disaster. And a sequel consists of Reaction, Dilemma,", "justice. It is purely an intellectual exercise, and disasters at every turn dilute", "game between the reader/detective and the villain/detective. It is race to see who", "which is composed of MRUs. I bring this up because the sequence of", "general principles regarding the incorporation of common plot structures such as Freytag's Pyramid,", "conducive to writing an effective mystery or deriving a pleasurable reading experience. The", "deriving a pleasurable reading experience. The issue I see is that mysteries and", "So are scenes, sequels and MRUs actually incorporated into mystery novels, especially traditional", "alternating sequences of scenes and sequels which is composed of MRUs. I bring", "style mysteries. I also don't see how sequels fit in nicely with the", "or deriving a pleasurable reading experience. The issue I see is that mysteries", "of a mystery novel. So are scenes, sequels and MRUs actually incorporated into", "But, my question involves the use of scenes, sequels, and MRUs (motivation reaction", "as outlined by Freytag's Pyramid. But, on a microscopic level, it does not", "Pyramid. But, on a microscopic level, it does not make much sense to", "to see who will solve the puzzle first and a game of cat", "especially traditional style mysteries. I also don't see how sequels fit in nicely", "reader/detective and the villain/detective. It is race to see who will solve the", "as Freytag's Pyramid, plot twists, subplots, etc. to mystery novels. But, my question", "a mystery novel such as exposition, rising, middle, climax, and resolution as outlined", "is intuitive to use generalized plot elements in a mystery novel such as", "brings the antagonist or villain to justice. It is purely an intellectual exercise,", "sequels, and MRUs (motivation reaction units). It is intuitive to use generalized plot", "Dilemma, Decision. This structure is, in my opinion, not compatible with a traditional", "structure, in my opinion, just doesn't play well with a typical mystery novel,", "that mysteries and traditional/classic style whodunit mysteries in particular cannot have disasters at", "of common plot structures such as Freytag's Pyramid, plot twists, subplots, etc. to", "events in a scene is Goal, Conflict, and Disaster. And a sequel consists", "not make much sense to structure a mystery novel with alternating sequences of", "MRUs. I bring this up because the sequence of events in a scene", "to structure a mystery novel with alternating sequences of scenes and sequels which", "as to the proper way to structure the mystery plot. I know the", "a mystery novel/novella and it conforms to the traditional/classic mystery novel, emulating that", "not compatible with a traditional mystery novel. I don't know if contemporary authors", "are scenes, sequels and MRUs actually incorporated into mystery novels, especially traditional mysteries?", "novels, especially traditional mysteries? If so, how is this done effectively. I haven't", "novel, emulating that of Agatha Christie or A.C. Doyle. I'm having doubts as", "mysteries in particular cannot have disasters at every turn. And I don't see", "particular cannot have disasters at every turn. And I don't see how MRUs", "of scenes and sequels which is composed of MRUs. I bring this up", "is like an intellectual game between the reader/detective and the villain/detective. It is", "to justice. It is purely an intellectual exercise, and disasters at every turn", "purely an intellectual exercise, and disasters at every turn dilute the main effect", "by Freytag's Pyramid. But, on a microscopic level, it does not make much", "novel, especially traditional style mysteries. I also don't see how sequels fit in", "disasters at every turn dilute the main effect of a mystery novel. So", "of writing a mystery novel/novella and it conforms to the traditional/classic mystery novel,", "I see is that mysteries and traditional/classic style whodunit mysteries in particular cannot", "to structure the mystery plot. I know the general principles regarding the incorporation", "mystery novel/novella and it conforms to the traditional/classic mystery novel, emulating that of", "of Agatha Christie or A.C. Doyle. I'm having doubts as to the proper", "in my opinion, just doesn't play well with a typical mystery novel, especially", "and MRUs actually incorporated into mystery novels, especially traditional mysteries? If so, how", "solve the puzzle first and a game of cat and mouse before the", "consists of Reaction, Dilemma, Decision. This structure is, in my opinion, not compatible", "before the detective brings the antagonist or villain to justice. It is purely", "Freytag's Pyramid, plot twists, subplots, etc. to mystery novels. But, my question involves", "dilute the main effect of a mystery novel. So are scenes, sequels and", "a game of cat and mouse before the detective brings the antagonist or", "the traditional/classic mystery novel, emulating that of Agatha Christie or A.C. Doyle. I'm", "contemporary authors use repeating scenes and sequels in non-traditional mystery novels written today,", "style whodunit mysteries in particular cannot have disasters at every turn. And I", "will solve the puzzle first and a game of cat and mouse before", "and sequels in non-traditional mystery novels written today, but in the traditional style", "units). It is intuitive to use generalized plot elements in a mystery novel", "whodunit mysteries in particular cannot have disasters at every turn. And I don't", "I know the general principles regarding the incorporation of common plot structures such", "intuitive to use generalized plot elements in a mystery novel such as exposition,", "the villain/detective. It is race to see who will solve the puzzle first", "with alternating sequences of scenes and sequels which is composed of MRUs. I", "detective? The MRU structure, in my opinion, just doesn't play well with a", "just doesn't play well with a typical mystery novel, especially traditional style mysteries.", "you have motivation and reaction driving every minute action of the detective? The", "sequence of events in a scene is Goal, Conflict, and Disaster. And a", "the proper way to structure the mystery plot. I know the general principles", "traditional style mysteries. I also don't see how sequels fit in nicely with", "Reaction, Dilemma, Decision. This structure is, in my opinion, not compatible with a", "in nicely with the plot structure of a mystery novel. Moreover, A mystery", "is that mysteries and traditional/classic style whodunit mysteries in particular cannot have disasters", "use of scenes, sequels, and MRUs (motivation reaction units). It is intuitive to", "sequences of scenes and sequels which is composed of MRUs. I bring this", "to find anything online on this topic. Any insight would be appreciated. Thanks.", "action of the detective? The MRU structure, in my opinion, just doesn't play", "elements in a mystery novel such as exposition, rising, middle, climax, and resolution", "first and a game of cat and mouse before the detective brings the", "have motivation and reaction driving every minute action of the detective? The MRU", "having doubts as to the proper way to structure the mystery plot. I", "turn dilute the main effect of a mystery novel. So are scenes, sequels", "mystery novel such as exposition, rising, middle, climax, and resolution as outlined by", "this type of plot structure as being conducive to writing an effective mystery", "mysteries. I also don't see how sequels fit in nicely with the plot", "novel. So are scenes, sequels and MRUs actually incorporated into mystery novels, especially", "emulating that of Agatha Christie or A.C. Doyle. I'm having doubts as to", "Pyramid, plot twists, subplots, etc. to mystery novels. But, my question involves the", "structure of a mystery novel. Moreover, A mystery is like an intellectual game", "scenes and sequels which is composed of MRUs. I bring this up because", "exercise, and disasters at every turn dilute the main effect of a mystery", "reading experience. The issue I see is that mysteries and traditional/classic style whodunit", "as exposition, rising, middle, climax, and resolution as outlined by Freytag's Pyramid. But,", "motivation and reaction driving every minute action of the detective? The MRU structure,", "in my opinion, not compatible with a traditional mystery novel. I don't know", "climax, and resolution as outlined by Freytag's Pyramid. But, on a microscopic level,", "villain to justice. It is purely an intellectual exercise, and disasters at every", "I'm having doubts as to the proper way to structure the mystery plot.", "way to structure the mystery plot. I know the general principles regarding the", "because the sequence of events in a scene is Goal, Conflict, and Disaster.", "minute action of the detective? The MRU structure, in my opinion, just doesn't", "of Reaction, Dilemma, Decision. This structure is, in my opinion, not compatible with", "and a game of cat and mouse before the detective brings the antagonist", "today, but in the traditional style mystery novels written today, I don't see", "up because the sequence of events in a scene is Goal, Conflict, and", "effectively. I haven't been able to find anything online on this topic. Any", "or villain to justice. It is purely an intellectual exercise, and disasters at", "of scenes, sequels, and MRUs (motivation reaction units). It is intuitive to use", "written today, but in the traditional style mystery novels written today, I don't", "structure is, in my opinion, not compatible with a traditional mystery novel. I", "a microscopic level, it does not make much sense to structure a mystery", "I haven't been able to find anything online on this topic. Any insight", "but in the traditional style mystery novels written today, I don't see this", "mystery is like an intellectual game between the reader/detective and the villain/detective. It", "mystery novel. I don't know if contemporary authors use repeating scenes and sequels", "as being conducive to writing an effective mystery or deriving a pleasurable reading", "novel. Moreover, A mystery is like an intellectual game between the reader/detective and", "into mystery novels, especially traditional mysteries? If so, how is this done effectively.", "is this done effectively. I haven't been able to find anything online on", "(motivation reaction units). It is intuitive to use generalized plot elements in a", "in a mystery novel such as exposition, rising, middle, climax, and resolution as", "involves the use of scenes, sequels, and MRUs (motivation reaction units). It is", "turn. And I don't see how MRUs apply conveniently to mystery stories. How", "fit in nicely with the plot structure of a mystery novel. Moreover, A", "the main effect of a mystery novel. So are scenes, sequels and MRUs", "actually incorporated into mystery novels, especially traditional mysteries? If so, how is this", "writing an effective mystery or deriving a pleasurable reading experience. The issue I", "a mystery novel. So are scenes, sequels and MRUs actually incorporated into mystery", "novel. I don't know if contemporary authors use repeating scenes and sequels in", "plot structure of a mystery novel. Moreover, A mystery is like an intellectual", "plot. I know the general principles regarding the incorporation of common plot structures", "every turn dilute the main effect of a mystery novel. So are scenes,", "if contemporary authors use repeating scenes and sequels in non-traditional mystery novels written", "see how sequels fit in nicely with the plot structure of a mystery", "novel/novella and it conforms to the traditional/classic mystery novel, emulating that of Agatha", "the mystery plot. I know the general principles regarding the incorporation of common", "novel with alternating sequences of scenes and sequels which is composed of MRUs.", "The MRU structure, in my opinion, just doesn't play well with a typical", "MRUs actually incorporated into mystery novels, especially traditional mysteries? If so, how is", "intellectual exercise, and disasters at every turn dilute the main effect of a", "use generalized plot elements in a mystery novel such as exposition, rising, middle,", "incorporation of common plot structures such as Freytag's Pyramid, plot twists, subplots, etc.", "Christie or A.C. Doyle. I'm having doubts as to the proper way to", "etc. to mystery novels. But, my question involves the use of scenes, sequels,", "at every turn dilute the main effect of a mystery novel. So are", "sequels and MRUs actually incorporated into mystery novels, especially traditional mysteries? If so,", "doesn't play well with a typical mystery novel, especially traditional style mysteries. I", "I bring this up because the sequence of events in a scene is", "pleasurable reading experience. The issue I see is that mysteries and traditional/classic style", "don't see this type of plot structure as being conducive to writing an", "Disaster. And a sequel consists of Reaction, Dilemma, Decision. This structure is, in", "in non-traditional mystery novels written today, but in the traditional style mystery novels", "bring this up because the sequence of events in a scene is Goal,", "repeating scenes and sequels in non-traditional mystery novels written today, but in the", "common plot structures such as Freytag's Pyramid, plot twists, subplots, etc. to mystery", "and MRUs (motivation reaction units). It is intuitive to use generalized plot elements", "and resolution as outlined by Freytag's Pyramid. But, on a microscopic level, it", "it does not make much sense to structure a mystery novel with alternating", "race to see who will solve the puzzle first and a game of", "twists, subplots, etc. to mystery novels. But, my question involves the use of", "today, I don't see this type of plot structure as being conducive to", "traditional style mystery novels written today, I don't see this type of plot", "experience. The issue I see is that mysteries and traditional/classic style whodunit mysteries", "the antagonist or villain to justice. It is purely an intellectual exercise, and", "mysteries? If so, how is this done effectively. I haven't been able to", "that of Agatha Christie or A.C. Doyle. I'm having doubts as to the", "Goal, Conflict, and Disaster. And a sequel consists of Reaction, Dilemma, Decision. This", "issue I see is that mysteries and traditional/classic style whodunit mysteries in particular", "scenes, sequels and MRUs actually incorporated into mystery novels, especially traditional mysteries? If", "been able to find anything online on this topic. Any insight would be", "such as exposition, rising, middle, climax, and resolution as outlined by Freytag's Pyramid.", "see who will solve the puzzle first and a game of cat and", "plot elements in a mystery novel such as exposition, rising, middle, climax, and", "question involves the use of scenes, sequels, and MRUs (motivation reaction units). It", "a typical mystery novel, especially traditional style mysteries. I also don't see how", "a mystery novel with alternating sequences of scenes and sequels which is composed", "the plot structure of a mystery novel. Moreover, A mystery is like an", "sequels which is composed of MRUs. I bring this up because the sequence", "nicely with the plot structure of a mystery novel. Moreover, A mystery is", "the use of scenes, sequels, and MRUs (motivation reaction units). It is intuitive", "style mystery novels written today, I don't see this type of plot structure", "the traditional style mystery novels written today, I don't see this type of", "mystery novel with alternating sequences of scenes and sequels which is composed of", "effect of a mystery novel. So are scenes, sequels and MRUs actually incorporated", "my opinion, just doesn't play well with a typical mystery novel, especially traditional", "And I don't see how MRUs apply conveniently to mystery stories. How can", "like an intellectual game between the reader/detective and the villain/detective. It is race", "to mystery novels. But, my question involves the use of scenes, sequels, and", "structures such as Freytag's Pyramid, plot twists, subplots, etc. to mystery novels. But,", "opinion, just doesn't play well with a typical mystery novel, especially traditional style", "with the plot structure of a mystery novel. Moreover, A mystery is like", "have disasters at every turn. And I don't see how MRUs apply conveniently", "cannot have disasters at every turn. And I don't see how MRUs apply", "my question involves the use of scenes, sequels, and MRUs (motivation reaction units).", "in particular cannot have disasters at every turn. And I don't see how", "the reader/detective and the villain/detective. It is race to see who will solve", "is Goal, Conflict, and Disaster. And a sequel consists of Reaction, Dilemma, Decision.", "I'm in the process of writing a mystery novel/novella and it conforms to", "game of cat and mouse before the detective brings the antagonist or villain", "This structure is, in my opinion, not compatible with a traditional mystery novel.", "sequels in non-traditional mystery novels written today, but in the traditional style mystery", "of MRUs. I bring this up because the sequence of events in a", "microscopic level, it does not make much sense to structure a mystery novel", "typical mystery novel, especially traditional style mysteries. I also don't see how sequels", "with a typical mystery novel, especially traditional style mysteries. I also don't see", "conforms to the traditional/classic mystery novel, emulating that of Agatha Christie or A.C.", "driving every minute action of the detective? The MRU structure, in my opinion,", "how is this done effectively. I haven't been able to find anything online", "mouse before the detective brings the antagonist or villain to justice. It is", "especially traditional mysteries? If so, how is this done effectively. I haven't been", "MRUs (motivation reaction units). It is intuitive to use generalized plot elements in", "antagonist or villain to justice. It is purely an intellectual exercise, and disasters", "intellectual game between the reader/detective and the villain/detective. It is race to see", "well with a typical mystery novel, especially traditional style mysteries. I also don't", "the sequence of events in a scene is Goal, Conflict, and Disaster. And", "of cat and mouse before the detective brings the antagonist or villain to", "of a mystery novel. Moreover, A mystery is like an intellectual game between", "an intellectual exercise, and disasters at every turn dilute the main effect of" ]
[ "example: \"Move!\" I immediately side stepped him. OR \"Move!\" I immediately side stepped", "know a new line of paragraph is needed for each speaker, but does", "new line of paragraph is needed for each speaker, but does the same", "I know a new line of paragraph is needed for each speaker, but", "needed for each speaker, but does the same rule apply in this instance?", "side stepped him. OR \"Move!\" I immediately side stepped him. I know a", "immediately side stepped him. OR \"Move!\" I immediately side stepped him. I know", "For example: \"Move!\" I immediately side stepped him. OR \"Move!\" I immediately side", "a new line of paragraph is needed for each speaker, but does the", "line of paragraph is needed for each speaker, but does the same rule", "immediately side stepped him. I know a new line of paragraph is needed", "I immediately side stepped him. OR \"Move!\" I immediately side stepped him. I", "OR \"Move!\" I immediately side stepped him. I know a new line of", "side stepped him. I know a new line of paragraph is needed for", "I immediately side stepped him. I know a new line of paragraph is", "stepped him. OR \"Move!\" I immediately side stepped him. I know a new", "\"Move!\" I immediately side stepped him. I know a new line of paragraph", "stepped him. I know a new line of paragraph is needed for each", "paragraph is needed for each speaker, but does the same rule apply in", "\"Move!\" I immediately side stepped him. OR \"Move!\" I immediately side stepped him.", "him. OR \"Move!\" I immediately side stepped him. I know a new line", "is needed for each speaker, but does the same rule apply in this", "of paragraph is needed for each speaker, but does the same rule apply", "him. I know a new line of paragraph is needed for each speaker," ]
[ "mundane or ordinary in order to make it seem alien or special. For", "seem alien or special. For example, the following quote from Slaughterhouse Five: >", "the following quote from Slaughterhouse Five: > > In a tiny cavity in", "in such a way as to make it seem completely foreign. I think", "it seem alien or special. For example, the following quote from Slaughterhouse Five:", "order to make it seem alien or special. For example, the following quote", "The device or technique I'm looking for is used to describe something mundane", "something mundane or ordinary in order to make it seem alien or special.", "> > > In that instance, a woman becoming pregnant is described, but", "before. I remember it being called something close to \"dissociation.\" I'd like to", "writers that use the technique and practice it myself, so I'd like to", "foreign. I think Hemingway was also known to use the technique, but no", "technique I'm looking for is used to describe something mundane or ordinary in", "Graon Bateb > > > In that instance, a woman becoming pregnant is", "the technique and practice it myself, so I'd like to know what the", "quote from Slaughterhouse Five: > > In a tiny cavity in her great", "technique and practice it myself, so I'd like to know what the precise", "come to mind. I've read briefly about the term before. I remember it", "called something close to \"dissociation.\" I'd like to read more writers that use", "that use the technique and practice it myself, so I'd like to know", "a woman becoming pregnant is described, but it is written in such a", "her great body she was assembling the materials for a Graon Bateb >", "great body she was assembling the materials for a Graon Bateb > >", "or ordinary in order to make it seem alien or special. For example,", "\"dissociation.\" I'd like to read more writers that use the technique and practice", "For example, the following quote from Slaughterhouse Five: > > In a tiny", "to mind. I've read briefly about the term before. I remember it being", "is written in such a way as to make it seem completely foreign.", "woman becoming pregnant is described, but it is written in such a way", "becoming pregnant is described, but it is written in such a way as", "read briefly about the term before. I remember it being called something close", "use the technique and practice it myself, so I'd like to know what", "from Slaughterhouse Five: > > In a tiny cavity in her great body", "a tiny cavity in her great body she was assembling the materials for", "think Hemingway was also known to use the technique, but no examples come", "close to \"dissociation.\" I'd like to read more writers that use the technique", "Slaughterhouse Five: > > In a tiny cavity in her great body she", "no examples come to mind. I've read briefly about the term before. I", "device or technique I'm looking for is used to describe something mundane or", "about the term before. I remember it being called something close to \"dissociation.\"", "in her great body she was assembling the materials for a Graon Bateb", "alien or special. For example, the following quote from Slaughterhouse Five: > >", "practice it myself, so I'd like to know what the precise term is.", "body she was assembling the materials for a Graon Bateb > > >", "described, but it is written in such a way as to make it", "to make it seem alien or special. For example, the following quote from", "following quote from Slaughterhouse Five: > > In a tiny cavity in her", "the materials for a Graon Bateb > > > In that instance, a", "written in such a way as to make it seem completely foreign. I", "a Graon Bateb > > > In that instance, a woman becoming pregnant", "or special. For example, the following quote from Slaughterhouse Five: > > In", "special. For example, the following quote from Slaughterhouse Five: > > In a", "make it seem alien or special. For example, the following quote from Slaughterhouse", "the technique, but no examples come to mind. I've read briefly about the", "used to describe something mundane or ordinary in order to make it seem", "mind. I've read briefly about the term before. I remember it being called", "to read more writers that use the technique and practice it myself, so", "that instance, a woman becoming pregnant is described, but it is written in", "instance, a woman becoming pregnant is described, but it is written in such", "it is written in such a way as to make it seem completely", "completely foreign. I think Hemingway was also known to use the technique, but", "to use the technique, but no examples come to mind. I've read briefly", "way as to make it seem completely foreign. I think Hemingway was also", "or technique I'm looking for is used to describe something mundane or ordinary", "was also known to use the technique, but no examples come to mind.", "it myself, so I'd like to know what the precise term is. Thanks!", "materials for a Graon Bateb > > > In that instance, a woman", "I remember it being called something close to \"dissociation.\" I'd like to read", "Bateb > > > In that instance, a woman becoming pregnant is described,", "use the technique, but no examples come to mind. I've read briefly about", "read more writers that use the technique and practice it myself, so I'd", "it being called something close to \"dissociation.\" I'd like to read more writers", "for is used to describe something mundane or ordinary in order to make", "Hemingway was also known to use the technique, but no examples come to", "more writers that use the technique and practice it myself, so I'd like", "> In a tiny cavity in her great body she was assembling the", "is used to describe something mundane or ordinary in order to make it", "being called something close to \"dissociation.\" I'd like to read more writers that", "but no examples come to mind. I've read briefly about the term before.", "it seem completely foreign. I think Hemingway was also known to use the", "in order to make it seem alien or special. For example, the following", "example, the following quote from Slaughterhouse Five: > > In a tiny cavity", "for a Graon Bateb > > > In that instance, a woman becoming", "ordinary in order to make it seem alien or special. For example, the", "is described, but it is written in such a way as to make", "In a tiny cavity in her great body she was assembling the materials", "I think Hemingway was also known to use the technique, but no examples", "to make it seem completely foreign. I think Hemingway was also known to", "to \"dissociation.\" I'd like to read more writers that use the technique and", "was assembling the materials for a Graon Bateb > > > In that", "briefly about the term before. I remember it being called something close to", "> > In that instance, a woman becoming pregnant is described, but it", "she was assembling the materials for a Graon Bateb > > > In", "> > In a tiny cavity in her great body she was assembling", "> In that instance, a woman becoming pregnant is described, but it is", "cavity in her great body she was assembling the materials for a Graon", "pregnant is described, but it is written in such a way as to", "technique, but no examples come to mind. I've read briefly about the term", "I'm looking for is used to describe something mundane or ordinary in order", "like to read more writers that use the technique and practice it myself,", "In that instance, a woman becoming pregnant is described, but it is written", "as to make it seem completely foreign. I think Hemingway was also known", "make it seem completely foreign. I think Hemingway was also known to use", "also known to use the technique, but no examples come to mind. I've", "looking for is used to describe something mundane or ordinary in order to", "the term before. I remember it being called something close to \"dissociation.\" I'd", "term before. I remember it being called something close to \"dissociation.\" I'd like", "something close to \"dissociation.\" I'd like to read more writers that use the", "seem completely foreign. I think Hemingway was also known to use the technique,", "to describe something mundane or ordinary in order to make it seem alien", "assembling the materials for a Graon Bateb > > > In that instance,", "but it is written in such a way as to make it seem", "such a way as to make it seem completely foreign. I think Hemingway", "remember it being called something close to \"dissociation.\" I'd like to read more", "known to use the technique, but no examples come to mind. I've read", "examples come to mind. I've read briefly about the term before. I remember", "describe something mundane or ordinary in order to make it seem alien or", "tiny cavity in her great body she was assembling the materials for a", "and practice it myself, so I'd like to know what the precise term", "Five: > > In a tiny cavity in her great body she was", "I'd like to read more writers that use the technique and practice it", "I've read briefly about the term before. I remember it being called something", "a way as to make it seem completely foreign. I think Hemingway was" ]
[ "built-up moment. Any examples of this in novels or suggestions to best write", "I wish to write an intercut scene for a novel, where two very", "the same technique in a novel - especially for a built-up moment. Any", "are happening at the same time. The technique works really well on the", "scene for a novel, where two very contrasting things are happening at the", "I think we can use the same technique in a novel - especially", "use the same technique in a novel - especially for a built-up moment.", "Any examples of this in novels or suggestions to best write it? Thank", "examples of this in novels or suggestions to best write it? Thank you!", "intercut scene for a novel, where two very contrasting things are happening at", "happening at the same time. The technique works really well on the screen,", "same time. The technique works really well on the screen, but I think", "on the screen, but I think we can use the same technique in", "we can use the same technique in a novel - especially for a", "the same time. The technique works really well on the screen, but I", "really well on the screen, but I think we can use the same", "technique in a novel - especially for a built-up moment. Any examples of", "but I think we can use the same technique in a novel -", "contrasting things are happening at the same time. The technique works really well", "write an intercut scene for a novel, where two very contrasting things are", "very contrasting things are happening at the same time. The technique works really", "novel, where two very contrasting things are happening at the same time. The", "at the same time. The technique works really well on the screen, but", "in a novel - especially for a built-up moment. Any examples of this", "works really well on the screen, but I think we can use the", "screen, but I think we can use the same technique in a novel", "to write an intercut scene for a novel, where two very contrasting things", "for a built-up moment. Any examples of this in novels or suggestions to", "well on the screen, but I think we can use the same technique", "moment. Any examples of this in novels or suggestions to best write it?", "where two very contrasting things are happening at the same time. The technique", "The technique works really well on the screen, but I think we can", "the screen, but I think we can use the same technique in a", "- especially for a built-up moment. Any examples of this in novels or", "for a novel, where two very contrasting things are happening at the same", "things are happening at the same time. The technique works really well on", "time. The technique works really well on the screen, but I think we", "two very contrasting things are happening at the same time. The technique works", "same technique in a novel - especially for a built-up moment. Any examples", "a built-up moment. Any examples of this in novels or suggestions to best", "especially for a built-up moment. Any examples of this in novels or suggestions", "wish to write an intercut scene for a novel, where two very contrasting", "a novel, where two very contrasting things are happening at the same time.", "a novel - especially for a built-up moment. Any examples of this in", "novel - especially for a built-up moment. Any examples of this in novels", "an intercut scene for a novel, where two very contrasting things are happening", "think we can use the same technique in a novel - especially for", "technique works really well on the screen, but I think we can use", "can use the same technique in a novel - especially for a built-up" ]
[ "public domain. However, what happens to individual interpretations of ancient texts? For example,", "copyrighted books with their translations and interpretations of these texts (in recent years)", "are part of the public domain. However, what happens to individual interpretations of", "said that, many books by various authors each discuss the exact same thing,", "the end of a fiction book citing these established materials and would that", "discuss the exact same thing, so I don't see why I can't? In", "and fair use? More importantly, would there be any copyright infringement issues on", "write fiction with the same characters, same names, similar plot, but with my", "on the plot itself if I were to write a book, screenplay etc?", "in my own words would I have a problem? Could I have a", "interpretations of these texts (in recent years) and I'd like to avoid drama.", "each discuss the exact same thing, so I don't see why I can't?", "understand that ancient mythologies and their characters such as Zuub etc are part", "were to write a book, screenplay etc? Non-fiction writers have published and copyrighted", "and interpretations of these texts (in recent years) and I'd like to avoid", "sacred tablet that has been translated from another language and interpreted in many", "been translated from another language and interpreted in many different ways. Would these", "such as Zuub etc are part of the public domain. However, what happens", "words would I have a problem? Could I have a bibliography at the", "these texts (in recent years) and I'd like to avoid drama. Having said", "For example, a sacred tablet that has been translated from another language and", "issues on the plot itself if I were to write a book, screenplay", "More importantly, would there be any copyright infringement issues on the plot itself", "I can't? In short, if I were to write fiction with the same", "Having said that, many books by various authors each discuss the exact same", "characters still be public domain and fair use? More importantly, would there be", "so I don't see why I can't? In short, if I were to", "don't see why I can't? In short, if I were to write fiction", "were to write fiction with the same characters, same names, similar plot, but", "etc? Non-fiction writers have published and copyrighted books with their translations and interpretations", "what happens to individual interpretations of ancient texts? For example, a sacred tablet", "a sacred tablet that has been translated from another language and interpreted in", "fair use? More importantly, would there be any copyright infringement issues on the", "their translations and interpretations of these texts (in recent years) and I'd like", "years) and I'd like to avoid drama. Having said that, many books by", "domain and fair use? More importantly, would there be any copyright infringement issues", "end of a fiction book citing these established materials and would that help?", "the public domain. However, what happens to individual interpretations of ancient texts? For", "to individual interpretations of ancient texts? For example, a sacred tablet that has", "with their translations and interpretations of these texts (in recent years) and I'd", "of ancient texts? For example, a sacred tablet that has been translated from", "any copyright infringement issues on the plot itself if I were to write", "translated from another language and interpreted in many different ways. Would these characters", "if I were to write a book, screenplay etc? Non-fiction writers have published", "own words would I have a problem? Could I have a bibliography at", "to write a book, screenplay etc? Non-fiction writers have published and copyrighted books", "I have a problem? Could I have a bibliography at the end of", "copyright infringement issues on the plot itself if I were to write a", "by various authors each discuss the exact same thing, so I don't see", "in many different ways. Would these characters still be public domain and fair", "there be any copyright infringement issues on the plot itself if I were", "and their characters such as Zuub etc are part of the public domain.", "I were to write fiction with the same characters, same names, similar plot,", "plot itself if I were to write a book, screenplay etc? Non-fiction writers", "similar plot, but with my own twist, sub-plots, descriptions and in my own", "with my own twist, sub-plots, descriptions and in my own words would I", "etc are part of the public domain. However, what happens to individual interpretations", "different ways. Would these characters still be public domain and fair use? More", "and interpreted in many different ways. Would these characters still be public domain", "that, many books by various authors each discuss the exact same thing, so", "my own twist, sub-plots, descriptions and in my own words would I have", "Non-fiction writers have published and copyrighted books with their translations and interpretations of", "I have a bibliography at the end of a fiction book citing these", "use? More importantly, would there be any copyright infringement issues on the plot", "exact same thing, so I don't see why I can't? In short, if", "of the public domain. However, what happens to individual interpretations of ancient texts?", "write a book, screenplay etc? Non-fiction writers have published and copyrighted books with", "at the end of a fiction book citing these established materials and would", "texts (in recent years) and I'd like to avoid drama. Having said that,", "that has been translated from another language and interpreted in many different ways.", "bibliography at the end of a fiction book citing these established materials and", "texts? For example, a sacred tablet that has been translated from another language", "book, screenplay etc? Non-fiction writers have published and copyrighted books with their translations", "Zuub etc are part of the public domain. However, what happens to individual", "to avoid drama. Having said that, many books by various authors each discuss", "but with my own twist, sub-plots, descriptions and in my own words would", "language and interpreted in many different ways. Would these characters still be public", "happens to individual interpretations of ancient texts? For example, a sacred tablet that", "books with their translations and interpretations of these texts (in recent years) and", "like to avoid drama. Having said that, many books by various authors each", "problem? Could I have a bibliography at the end of a fiction book", "be any copyright infringement issues on the plot itself if I were to", "characters, same names, similar plot, but with my own twist, sub-plots, descriptions and", "infringement issues on the plot itself if I were to write a book,", "many different ways. Would these characters still be public domain and fair use?", "can't? In short, if I were to write fiction with the same characters,", "Would these characters still be public domain and fair use? More importantly, would", "sub-plots, descriptions and in my own words would I have a problem? Could", "avoid drama. Having said that, many books by various authors each discuss the", "why I can't? In short, if I were to write fiction with the", "fiction with the same characters, same names, similar plot, but with my own", "to write fiction with the same characters, same names, similar plot, but with", "translations and interpretations of these texts (in recent years) and I'd like to", "I were to write a book, screenplay etc? Non-fiction writers have published and", "I don't see why I can't? In short, if I were to write", "these characters still be public domain and fair use? More importantly, would there", "would I have a problem? Could I have a bibliography at the end", "screenplay etc? Non-fiction writers have published and copyrighted books with their translations and", "ancient mythologies and their characters such as Zuub etc are part of the", "as Zuub etc are part of the public domain. However, what happens to", "be public domain and fair use? More importantly, would there be any copyright", "own twist, sub-plots, descriptions and in my own words would I have a", "the plot itself if I were to write a book, screenplay etc? Non-fiction", "and in my own words would I have a problem? Could I have", "I'd like to avoid drama. Having said that, many books by various authors", "thing, so I don't see why I can't? In short, if I were", "descriptions and in my own words would I have a problem? Could I", "with the same characters, same names, similar plot, but with my own twist,", "ways. Would these characters still be public domain and fair use? More importantly,", "have a problem? Could I have a bibliography at the end of a", "individual interpretations of ancient texts? For example, a sacred tablet that has been", "a problem? Could I have a bibliography at the end of a fiction", "a book, screenplay etc? Non-fiction writers have published and copyrighted books with their", "recent years) and I'd like to avoid drama. Having said that, many books", "Could I have a bibliography at the end of a fiction book citing", "twist, sub-plots, descriptions and in my own words would I have a problem?", "mythologies and their characters such as Zuub etc are part of the public", "authors each discuss the exact same thing, so I don't see why I", "writers have published and copyrighted books with their translations and interpretations of these", "(in recent years) and I'd like to avoid drama. Having said that, many", "same thing, so I don't see why I can't? In short, if I", "In short, if I were to write fiction with the same characters, same", "published and copyrighted books with their translations and interpretations of these texts (in", "However, what happens to individual interpretations of ancient texts? For example, a sacred", "example, a sacred tablet that has been translated from another language and interpreted", "the same characters, same names, similar plot, but with my own twist, sub-plots,", "itself if I were to write a book, screenplay etc? Non-fiction writers have", "if I were to write fiction with the same characters, same names, similar", "short, if I were to write fiction with the same characters, same names,", "same characters, same names, similar plot, but with my own twist, sub-plots, descriptions", "many books by various authors each discuss the exact same thing, so I", "importantly, would there be any copyright infringement issues on the plot itself if", "books by various authors each discuss the exact same thing, so I don't", "would there be any copyright infringement issues on the plot itself if I", "tablet that has been translated from another language and interpreted in many different", "names, similar plot, but with my own twist, sub-plots, descriptions and in my", "their characters such as Zuub etc are part of the public domain. However,", "drama. Having said that, many books by various authors each discuss the exact", "the exact same thing, so I don't see why I can't? In short,", "and I'd like to avoid drama. Having said that, many books by various", "have published and copyrighted books with their translations and interpretations of these texts", "and copyrighted books with their translations and interpretations of these texts (in recent", "part of the public domain. However, what happens to individual interpretations of ancient", "various authors each discuss the exact same thing, so I don't see why", "ancient texts? For example, a sacred tablet that has been translated from another", "that ancient mythologies and their characters such as Zuub etc are part of", "see why I can't? In short, if I were to write fiction with", "still be public domain and fair use? More importantly, would there be any", "interpretations of ancient texts? For example, a sacred tablet that has been translated", "from another language and interpreted in many different ways. Would these characters still", "another language and interpreted in many different ways. Would these characters still be", "interpreted in many different ways. Would these characters still be public domain and", "same names, similar plot, but with my own twist, sub-plots, descriptions and in", "have a bibliography at the end of a fiction book citing these established", "So, I understand that ancient mythologies and their characters such as Zuub etc", "has been translated from another language and interpreted in many different ways. Would", "plot, but with my own twist, sub-plots, descriptions and in my own words", "of these texts (in recent years) and I'd like to avoid drama. Having", "public domain and fair use? More importantly, would there be any copyright infringement", "domain. However, what happens to individual interpretations of ancient texts? For example, a", "I understand that ancient mythologies and their characters such as Zuub etc are", "characters such as Zuub etc are part of the public domain. However, what", "my own words would I have a problem? Could I have a bibliography", "a bibliography at the end of a fiction book citing these established materials" ]
[ "to write this kind of plot in a way that seems believable. How", "only military strategy, I am also interested in how to portray a convincing", "unbelievable. I am unsure of how to write this kind of plot in", "authors, put into the same situations as these characters, would have the same", "to create such effective, comprehensive plans. I don't mean only military strategy, I", "and then they follow them through to the end to triumph or accomplish", "follow them through to the end to triumph or accomplish something unbelievable. I", "they follow them through to the end to triumph or accomplish something unbelievable.", "of insight and be able to create such effective, comprehensive plans. I don't", "be able to create such effective, comprehensive plans. I don't mean only military", "portray a convincing \"battle-of-wits\" between two very intelligent characters (for example Death Note).", "would have the same incredible level of insight and be able to create", "am also interested in how to portray a convincing \"battle-of-wits\" between two very", "characters are amazing strategists, or incredibly intelligent. I doubt that authors, put into", "mean only military strategy, I am also interested in how to portray a", "Often characters come up with meticulous, mind-bendingly brilliant plans which predict actions and", "I doubt that authors, put into the same situations as these characters, would", "Note). Often characters come up with meticulous, mind-bendingly brilliant plans which predict actions", "schemes, large-scale strategies and tactics etc. There are lots of fictional stories where", "kind of plot in a way that seems believable. How can I write", "tactics etc. There are lots of fictional stories where the characters are amazing", "incredibly intelligent. I doubt that authors, put into the same situations as these", "characters come up with meticulous, mind-bendingly brilliant plans which predict actions and reactions", "other entities, or which somehow circumvent possible problems etc., and then they follow", "to portray a convincing \"battle-of-wits\" between two very intelligent characters (for example Death", "doubt that authors, put into the same situations as these characters, would have", "write about characters scheming masterful strategies that are extremely convincing and surprise the", "of how to write this kind of plot in a way that seems", "strategists, or incredibly intelligent. I doubt that authors, put into the same situations", "(for example Death Note). Often characters come up with meticulous, mind-bendingly brilliant plans", "How can I write about characters scheming masterful strategies that are extremely convincing", "I am interested in how to write compelling schemes, large-scale strategies and tactics", "believable. How can I write about characters scheming masterful strategies that are extremely", "effective, comprehensive plans. I don't mean only military strategy, I am also interested", "and be able to create such effective, comprehensive plans. I don't mean only", "how to portray a convincing \"battle-of-wits\" between two very intelligent characters (for example", "put into the same situations as these characters, would have the same incredible", "also interested in how to portray a convincing \"battle-of-wits\" between two very intelligent", "and tactics etc. There are lots of fictional stories where the characters are", "Death Note). Often characters come up with meticulous, mind-bendingly brilliant plans which predict", "meticulous, mind-bendingly brilliant plans which predict actions and reactions of other entities, or", "brilliant plans which predict actions and reactions of other entities, or which somehow", "lots of fictional stories where the characters are amazing strategists, or incredibly intelligent.", "then they follow them through to the end to triumph or accomplish something", "military strategy, I am also interested in how to portray a convincing \"battle-of-wits\"", "interested in how to portray a convincing \"battle-of-wits\" between two very intelligent characters", "to write compelling schemes, large-scale strategies and tactics etc. There are lots of", "situations as these characters, would have the same incredible level of insight and", "interested in how to write compelling schemes, large-scale strategies and tactics etc. There", "unsure of how to write this kind of plot in a way that", "or which somehow circumvent possible problems etc., and then they follow them through", "two very intelligent characters (for example Death Note). 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I don't mean only military strategy, I am also interested in", "strategy, I am also interested in how to portray a convincing \"battle-of-wits\" between", "which predict actions and reactions of other entities, or which somehow circumvent possible", "up with meticulous, mind-bendingly brilliant plans which predict actions and reactions of other", "the same incredible level of insight and be able to create such effective,", "a way that seems believable. How can I write about characters scheming masterful", "such effective, comprehensive plans. I don't mean only military strategy, I am also", "have the same incredible level of insight and be able to create such", "convincing \"battle-of-wits\" between two very intelligent characters (for example Death Note). Often characters", "about characters scheming masterful strategies that are extremely convincing and surprise the reader?", "seems believable. How can I write about characters scheming masterful strategies that are", "write this kind of plot in a way that seems believable. How can", "that seems believable. How can I write about characters scheming masterful strategies that", "don't mean only military strategy, I am also interested in how to portray", "I write about characters scheming masterful strategies that are extremely convincing and surprise", "the characters are amazing strategists, or incredibly intelligent. I doubt that authors, put", "something unbelievable. I am unsure of how to write this kind of plot", "accomplish something unbelievable. I am unsure of how to write this kind of", "amazing strategists, or incredibly intelligent. I doubt that authors, put into the same", "between two very intelligent characters (for example Death Note). Often characters come up", "triumph or accomplish something unbelievable. I am unsure of how to write this", "\"battle-of-wits\" between two very intelligent characters (for example Death Note). Often characters come", "same situations as these characters, would have the same incredible level of insight", "a convincing \"battle-of-wits\" between two very intelligent characters (for example Death Note). Often", "am unsure of how to write this kind of plot in a way", "with meticulous, mind-bendingly brilliant plans which predict actions and reactions of other entities,", "am interested in how to write compelling schemes, large-scale strategies and tactics etc.", "I am unsure of how to write this kind of plot in a", "strategies and tactics etc. There are lots of fictional stories where the characters", "incredible level of insight and be able to create such effective, comprehensive plans.", "in how to write compelling schemes, large-scale strategies and tactics etc. There are", "large-scale strategies and tactics etc. There are lots of fictional stories where the", "of other entities, or which somehow circumvent possible problems etc., and then they", "way that seems believable. How can I write about characters scheming masterful strategies", "characters, would have the same incredible level of insight and be able to", "I am also interested in how to portray a convincing \"battle-of-wits\" between two", "plans. I don't mean only military strategy, I am also interested in how", "and reactions of other entities, or which somehow circumvent possible problems etc., and", "the same situations as these characters, would have the same incredible level of", "in how to portray a convincing \"battle-of-wits\" between two very intelligent characters (for", "are amazing strategists, or incredibly intelligent. I doubt that authors, put into the", "are lots of fictional stories where the characters are amazing strategists, or incredibly", "intelligent. 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I", "I don't mean only military strategy, I am also interested in how to", "compelling schemes, large-scale strategies and tactics etc. There are lots of fictional stories", "There are lots of fictional stories where the characters are amazing strategists, or", "create such effective, comprehensive plans. I don't mean only military strategy, I am", "stories where the characters are amazing strategists, or incredibly intelligent. I doubt that", "etc., and then they follow them through to the end to triumph or", "them through to the end to triumph or accomplish something unbelievable. I am", "of plot in a way that seems believable. How can I write about", "to triumph or accomplish something unbelievable. I am unsure of how to write", "level of insight and be able to create such effective, comprehensive plans. I", "entities, or which somehow circumvent possible problems etc., and then they follow them", "the end to triumph or accomplish something unbelievable. I am unsure of how", "through to the end to triumph or accomplish something unbelievable. I am unsure", "that authors, put into the same situations as these characters, would have the", "possible problems etc., and then they follow them through to the end to", "etc. There are lots of fictional stories where the characters are amazing strategists,", "actions and reactions of other entities, or which somehow circumvent possible problems etc.,", "these characters, would have the same incredible level of insight and be able", "as these characters, would have the same incredible level of insight and be", "problems etc., and then they follow them through to the end to triumph", "characters (for example Death Note). Often characters come up with meticulous, mind-bendingly brilliant", "or incredibly intelligent. I doubt that authors, put into the same situations as", "mind-bendingly brilliant plans which predict actions and reactions of other entities, or which", "write compelling schemes, large-scale strategies and tactics etc. There are lots of fictional", "predict actions and reactions of other entities, or which somehow circumvent possible problems", "into the same situations as these characters, would have the same incredible level" ]
[ "to author couple of books. I would like to be able to use", "some additional features which makes it more appealing (I am figuring this part", "to use the same platform to organize the content in a book like", "I am contemplating a separate tips section. Each of the tip will be", "publish. Would prefer a simple near-vanilla layout and formatting. 2. As I will", "tip will be a short read. This section can be considered a special", "It should be easy to write and publish. Would prefer a simple near-vanilla", "information such as \"about me\" (what people commonly refer to as pages or", "would like to be able to put in code snippets 3. Tagging and", "a single platform that can help me organize this? Currently, I don't have", "I would like to be able to put in code snippets 3. Tagging", "the tip will be a short read. This section can be considered a", "for anything fancy. I am looking for something cheap. If the concept takes", "section dedicated to provide information such as \"about me\" (what people commonly refer", "I am planning to start writing material online. I need a single platform", "online. I need a single platform to host the following 1. A regular", "put in code snippets 3. Tagging and being able to search using tags", "author couple of books. I would like to be able to use the", "section. Each of the tip will be a short read. This section can", "provide information such as \"about me\" (what people commonly refer to as pages", "will be writing technical material, I would like to be able to put", "snippets 3. Tagging and being able to search using tags is a must", "platform to host the following 1. A regular running blog 1. It should", "a simple near-vanilla layout and formatting. 2. As I will be writing technical", "is a must 2. I intend to author couple of books. I would", "content in a book like layout 3. I am contemplating a separate tips", "as pages or static pages). Is there a single platform that can help", "refer to as pages or static pages). Is there a single platform that", "I will be writing technical material, I would like to be able to", "Small section dedicated to provide information such as \"about me\" (what people commonly", "me\" (what people commonly refer to as pages or static pages). Is there", "takes off, I will work something out to move to paid services (if", "which makes it more appealing (I am figuring this part out and would", "separate tips section. Each of the tip will be a short read. This", "Is there a single platform that can help me organize this? Currently, I", "and formatting. 2. As I will be writing technical material, I would like", "to search using tags is a must 2. I intend to author couple", "have budget for anything fancy. I am looking for something cheap. If the", "couple of books. I would like to be able to use the same", "to be able to use the same platform to organize the content in", "simple near-vanilla layout and formatting. 2. As I will be writing technical material,", "will work something out to move to paid services (if it offers advantages)", "regular running blog 1. It should be easy to write and publish. Would", "a short read. This section can be considered a special case of blogs,", "don't have budget for anything fancy. I am looking for something cheap. If", "able to search using tags is a must 2. I intend to author", "Currently, I don't have budget for anything fancy. I am looking for something", "3. Tagging and being able to search using tags is a must 2.", "a special case of blogs, with some additional features which makes it more", "this section appealing) 4. Small section dedicated to provide information such as \"about", "appealing) 4. Small section dedicated to provide information such as \"about me\" (what", "help me organize this? Currently, I don't have budget for anything fancy. I", "to organize the content in a book like layout 3. I am contemplating", "be easy to write and publish. Would prefer a simple near-vanilla layout and", "material online. I need a single platform to host the following 1. A", "to as pages or static pages). Is there a single platform that can", "pages or static pages). Is there a single platform that can help me", "If the concept takes off, I will work something out to move to", "budget for anything fancy. I am looking for something cheap. If the concept", "of blogs, with some additional features which makes it more appealing (I am", "concept takes off, I will work something out to move to paid services", "am contemplating a separate tips section. Each of the tip will be a", "I will work something out to move to paid services (if it offers", "start writing material online. I need a single platform to host the following", "2. I intend to author couple of books. I would like to be", "books. I would like to be able to use the same platform to", "organize this? Currently, I don't have budget for anything fancy. I am looking", "this part out and would welcome any advice on how to make this", "I need a single platform to host the following 1. A regular running", "As I will be writing technical material, I would like to be able", "dedicated to provide information such as \"about me\" (what people commonly refer to", "cheap. If the concept takes off, I will work something out to move", "read. This section can be considered a special case of blogs, with some", "makes it more appealing (I am figuring this part out and would welcome", "writing material online. I need a single platform to host the following 1.", "host the following 1. A regular running blog 1. It should be easy", "Would prefer a simple near-vanilla layout and formatting. 2. As I will be", "This section can be considered a special case of blogs, with some additional", "must 2. I intend to author couple of books. I would like to", "how to make this section appealing) 4. Small section dedicated to provide information", "something cheap. If the concept takes off, I will work something out to", "being able to search using tags is a must 2. I intend to", "need a single platform to host the following 1. A regular running blog", "(I am figuring this part out and would welcome any advice on how", "be a short read. This section can be considered a special case of", "A regular running blog 1. It should be easy to write and publish.", "case of blogs, with some additional features which makes it more appealing (I", "organize the content in a book like layout 3. I am contemplating a", "to host the following 1. A regular running blog 1. It should be", "single platform to host the following 1. A regular running blog 1. It", "be considered a special case of blogs, with some additional features which makes", "able to put in code snippets 3. Tagging and being able to search", "following 1. A regular running blog 1. It should be easy to write", "am figuring this part out and would welcome any advice on how to", "like to be able to use the same platform to organize the content", "appealing (I am figuring this part out and would welcome any advice on", "additional features which makes it more appealing (I am figuring this part out", "that can help me organize this? Currently, I don't have budget for anything", "fancy. I am looking for something cheap. If the concept takes off, I", "like layout 3. I am contemplating a separate tips section. Each of the", "part out and would welcome any advice on how to make this section", "figuring this part out and would welcome any advice on how to make", "layout and formatting. 2. As I will be writing technical material, I would", "commonly refer to as pages or static pages). Is there a single platform", "a separate tips section. Each of the tip will be a short read.", "make this section appealing) 4. Small section dedicated to provide information such as", "I intend to author couple of books. I would like to be able", "this? Currently, I don't have budget for anything fancy. I am looking for", "able to use the same platform to organize the content in a book", "2. As I will be writing technical material, I would like to be", "and publish. Would prefer a simple near-vanilla layout and formatting. 2. As I", "to be able to put in code snippets 3. Tagging and being able", "material, I would like to be able to put in code snippets 3.", "easy to write and publish. Would prefer a simple near-vanilla layout and formatting.", "Tagging and being able to search using tags is a must 2. I", "I don't have budget for anything fancy. I am looking for something cheap.", "can help me organize this? Currently, I don't have budget for anything fancy.", "prefer a simple near-vanilla layout and formatting. 2. 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[ "his words in a sing-song sort of way. > > > It didn’t", "my head, and the way the character says it is important, but it", "tried this: > > “Looking and looking... in all the wrong places.” He", "> That doesn’t look quite right, either, but it gets it across better", "“Looking and looking... in allll the wrong places.” > > > That doesn’t", "of dialogue which sounds great in my head, and the way the character", "sounds great in my head, and the way the character says it is", "to this: > > “Looking and looking... in allll the wrong places.” >", "> > > It didn’t sound like I wanted it to when I", "in allll the wrong places.” > > > That doesn’t look quite right,", "this: > > “Looking and looking... in allll the wrong places.” > >", "opinion. Would this be acceptable? Is there perhaps a better way to describe", "which sounds great in my head, and the way the character says it", "wrong places.” He dragged out his words in a sing-song sort of way.", "it to when I read it over. I changed it to this: >", "but it never looks right when I type it out. At first I", "in all the wrong places.” He dragged out his words in a sing-song", "At first I tried this: > > “Looking and looking... in all the", "better in my opinion. Would this be acceptable? Is there perhaps a better", "it is important, but it never looks right when I type it out.", "the wrong places.” He dragged out his words in a sing-song sort of", "never looks right when I type it out. At first I tried this:", "all the wrong places.” He dragged out his words in a sing-song sort", "my opinion. Would this be acceptable? Is there perhaps a better way to", "sing-song sort of way. > > > It didn’t sound like I wanted", "I wanted it to when I read it over. I changed it to", "to when I read it over. I changed it to this: > >", "looks right when I type it out. At first I tried this: >", "way. > > > It didn’t sound like I wanted it to when", "I read it over. I changed it to this: > > “Looking and", "type it out. At first I tried this: > > “Looking and looking...", "in a sing-song sort of way. > > > It didn’t sound like", "changed it to this: > > “Looking and looking... in allll the wrong", "He dragged out his words in a sing-song sort of way. > >", "dragged out his words in a sing-song sort of way. > > >", "the wrong places.” > > > That doesn’t look quite right, either, but", "> > > That doesn’t look quite right, either, but it gets it", "“Looking and looking... in all the wrong places.” He dragged out his words", "first I tried this: > > “Looking and looking... in all the wrong", "didn’t sound like I wanted it to when I read it over. I", "and the way the character says it is important, but it never looks", "It didn’t sound like I wanted it to when I read it over.", "out his words in a sing-song sort of way. > > > It", "like I wanted it to when I read it over. I changed it", "the way the character says it is important, but it never looks right", "look quite right, either, but it gets it across better in my opinion.", "looking... in all the wrong places.” He dragged out his words in a", "great in my head, and the way the character says it is important,", "I tried this: > > “Looking and looking... in all the wrong places.”", "out. At first I tried this: > > “Looking and looking... in all", "when I read it over. I changed it to this: > > “Looking", "and looking... in allll the wrong places.” > > > That doesn’t look", "quite right, either, but it gets it across better in my opinion. Would", "doesn’t look quite right, either, but it gets it across better in my", "That doesn’t look quite right, either, but it gets it across better in", "it over. I changed it to this: > > “Looking and looking... in", "sound like I wanted it to when I read it over. I changed", "places.” > > > That doesn’t look quite right, either, but it gets", "a piece of dialogue which sounds great in my head, and the way", "character says it is important, but it never looks right when I type", "gets it across better in my opinion. Would this be acceptable? Is there", "places.” He dragged out his words in a sing-song sort of way. >", "way the character says it is important, but it never looks right when", "the character says it is important, but it never looks right when I", "I type it out. At first I tried this: > > “Looking and", "read it over. I changed it to this: > > “Looking and looking...", "it gets it across better in my opinion. Would this be acceptable? Is", "it across better in my opinion. Would this be acceptable? Is there perhaps", "> It didn’t sound like I wanted it to when I read it", "of way. > > > It didn’t sound like I wanted it to", "> > “Looking and looking... in allll the wrong places.” > > >", "sort of way. > > > It didn’t sound like I wanted it", "when I type it out. At first I tried this: > > “Looking", "but it gets it across better in my opinion. Would this be acceptable?", "in my head, and the way the character says it is important, but", "looking... in allll the wrong places.” > > > That doesn’t look quite", "Would this be acceptable? Is there perhaps a better way to describe it?", "head, and the way the character says it is important, but it never", "> > “Looking and looking... in all the wrong places.” He dragged out", "important, but it never looks right when I type it out. At first", "have a piece of dialogue which sounds great in my head, and the", "over. I changed it to this: > > “Looking and looking... in allll", "wrong places.” > > > That doesn’t look quite right, either, but it", "> “Looking and looking... in all the wrong places.” He dragged out his", "wanted it to when I read it over. I changed it to this:", "I changed it to this: > > “Looking and looking... in allll the", "across better in my opinion. Would this be acceptable? Is there perhaps a", "says it is important, but it never looks right when I type it", "dialogue which sounds great in my head, and the way the character says", "piece of dialogue which sounds great in my head, and the way the", "words in a sing-song sort of way. > > > It didn’t sound", "a sing-song sort of way. > > > It didn’t sound like I", "is important, but it never looks right when I type it out. At", "> > That doesn’t look quite right, either, but it gets it across", "either, but it gets it across better in my opinion. Would this be", "in my opinion. Would this be acceptable? Is there perhaps a better way", "> > It didn’t sound like I wanted it to when I read", "it to this: > > “Looking and looking... in allll the wrong places.”", "I have a piece of dialogue which sounds great in my head, and", "> “Looking and looking... in allll the wrong places.” > > > That", "this: > > “Looking and looking... in all the wrong places.” He dragged", "right when I type it out. At first I tried this: > >", "it out. At first I tried this: > > “Looking and looking... in", "it never looks right when I type it out. At first I tried", "and looking... in all the wrong places.” He dragged out his words in", "right, either, but it gets it across better in my opinion. Would this", "allll the wrong places.” > > > That doesn’t look quite right, either," ]
[ "on citations and haven't been able to get a clear answer on this.", "any of them? Or only specific sections? Are there sections where citations should", "and haven't been able to get a clear answer on this. When writing", "only specific sections? Are there sections where citations should be avoided? If answers", "should be avoided? If answers can include sources for me to continue researching", "in which sections is it appropriate to include citations? In this context sections", "a project report, in which sections is it appropriate to include citations? In", "sections refers to; abstract, introduction, literature review, problem statement, etc... Can I include", "to; abstract, introduction, literature review, problem statement, etc... Can I include citations in", "sections? Are there sections where citations should be avoided? If answers can include", "Are there sections where citations should be avoided? If answers can include sources", "Or only specific sections? 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[ "note that I started from BCBS (year) and I added something. But if", "about the Accords by the Basel Committee on Banking Supervision (BCBS). If I", "But if I take a table from the source and only change the", "in the table note \"Source: BCBS (year)\". If I start from a table", "modifying the elements, should I write \"Source: based on BCBS (year)\" or is", "but add something mine, I write in the table note that I started", "write in the table note that I started from BCBS (year) and I", "in the table note that I started from BCBS (year) and I added", "source but add something mine, I write in the table note that I", "If I put a table exactly from the Accords, I write in the", "the table note that I started from BCBS (year) and I added something.", "a table of the source but add something mine, I write in the", "to group the elements in a different way, or if I merge two", "from BCBS (year) and I added something. But if I take a table", "the Accords, I write in the table note \"Source: BCBS (year)\". If I", "if I take a table from the source and only change the order", "Accords by the Basel Committee on Banking Supervision (BCBS). If I put a", "If I start from a table of the source but add something mine,", "a different way, or if I merge two tables from the source into", "from the source into one, without modifying the elements, should I write \"Source:", "write in the table note \"Source: BCBS (year)\". If I start from a", "added something. But if I take a table from the source and only", "change the order of the rows, to group the elements in a different", "something mine, I write in the table note that I started from BCBS", "one, without modifying the elements, should I write \"Source: based on BCBS (year)\"", "the rows, to group the elements in a different way, or if I", "if I merge two tables from the source into one, without modifying the", "add something mine, I write in the table note that I started from", "I write in the table note \"Source: BCBS (year)\". If I start from", "(year)\". If I start from a table of the source but add something", "I take a table from the source and only change the order of", "note \"Source: BCBS (year)\". If I start from a table of the source", "table of the source but add something mine, I write in the table", "the source but add something mine, I write in the table note that", "I merge two tables from the source into one, without modifying the elements,", "I start from a table of the source but add something mine, I", "writing a thesis about the Accords by the Basel Committee on Banking Supervision", "the order of the rows, to group the elements in a different way,", "I write in the table note that I started from BCBS (year) and", "from the source and only change the order of the rows, to group", "elements, should I write \"Source: based on BCBS (year)\" or is \"Source: BCBS", "should I write \"Source: based on BCBS (year)\" or is \"Source: BCBS (year)\"", "from the Accords, I write in the table note \"Source: BCBS (year)\". If", "the elements in a different way, or if I merge two tables from", "put a table exactly from the Accords, I write in the table note", "take a table from the source and only change the order of the", "different way, or if I merge two tables from the source into one,", "(BCBS). If I put a table exactly from the Accords, I write in", "table note \"Source: BCBS (year)\". If I start from a table of the", "the table note \"Source: BCBS (year)\". If I start from a table of", "tables from the source into one, without modifying the elements, should I write", "on Banking Supervision (BCBS). If I put a table exactly from the Accords,", "thesis about the Accords by the Basel Committee on Banking Supervision (BCBS). If", "table note that I started from BCBS (year) and I added something. But", "the source and only change the order of the rows, to group the", "Committee on Banking Supervision (BCBS). If I put a table exactly from the", "(year) and I added something. But if I take a table from the", "a thesis about the Accords by the Basel Committee on Banking Supervision (BCBS).", "I'm writing a thesis about the Accords by the Basel Committee on Banking", "\"Source: BCBS (year)\". If I start from a table of the source but", "exactly from the Accords, I write in the table note \"Source: BCBS (year)\".", "the Basel Committee on Banking Supervision (BCBS). If I put a table exactly", "into one, without modifying the elements, should I write \"Source: based on BCBS", "of the source but add something mine, I write in the table note", "I started from BCBS (year) and I added something. But if I take", "and only change the order of the rows, to group the elements in", "source and only change the order of the rows, to group the elements", "only change the order of the rows, to group the elements in a", "way, or if I merge two tables from the source into one, without", "Basel Committee on Banking Supervision (BCBS). If I put a table exactly from", "Accords, I write in the table note \"Source: BCBS (year)\". If I start", "from a table of the source but add something mine, I write in", "the elements, should I write \"Source: based on BCBS (year)\" or is \"Source:", "started from BCBS (year) and I added something. But if I take a", "I added something. But if I take a table from the source and", "merge two tables from the source into one, without modifying the elements, should", "mine, I write in the table note that I started from BCBS (year)", "or if I merge two tables from the source into one, without modifying", "of the rows, to group the elements in a different way, or if", "BCBS (year)\". If I start from a table of the source but add", "that I started from BCBS (year) and I added something. But if I", "table exactly from the Accords, I write in the table note \"Source: BCBS", "Supervision (BCBS). If I put a table exactly from the Accords, I write", "something. But if I take a table from the source and only change", "BCBS (year) and I added something. But if I take a table from", "source into one, without modifying the elements, should I write \"Source: based on", "rows, to group the elements in a different way, or if I merge", "the source into one, without modifying the elements, should I write \"Source: based", "a table exactly from the Accords, I write in the table note \"Source:", "elements in a different way, or if I merge two tables from the", "two tables from the source into one, without modifying the elements, should I", "I write \"Source: based on BCBS (year)\" or is \"Source: BCBS (year)\" enough?", "table from the source and only change the order of the rows, to", "by the Basel Committee on Banking Supervision (BCBS). If I put a table", "group the elements in a different way, or if I merge two tables", "Banking Supervision (BCBS). If I put a table exactly from the Accords, I", "the Accords by the Basel Committee on Banking Supervision (BCBS). If I put", "order of the rows, to group the elements in a different way, or", "and I added something. But if I take a table from the source", "start from a table of the source but add something mine, I write", "a table from the source and only change the order of the rows,", "I put a table exactly from the Accords, I write in the table", "without modifying the elements, should I write \"Source: based on BCBS (year)\" or", "in a different way, or if I merge two tables from the source" ]
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[ "Ciwe sigh. “I’m sorry. Things between your mother and me weren’t good, and", "> > > He heard Ciwe sigh. “I’m sorry. Things between your mother", "struggling trying to write a scene (fiction novel). I want to know if", "away. “Sure it is, Ciwe. You left me there,” he looked out of", "write a scene (fiction novel). I want to know if it would be", "his shoulder. \"I can't take back the things I've done.\" > > >", "yet. We were still kids ourselves.\" Zeul felt Ciwe's hand on his shoulder.", "shoulder. \"I can't take back the things I've done.\" > > > I'm", "POV, what he hears/feels as Ciwe is talking to him. Is it clear", "good, and quite honestly, I wasn’t ready to be a father yet. We", "still kids ourselves.\" Zeul felt Ciwe's hand on his shoulder. \"I can't take", "his head, yanked away. “Sure it is, Ciwe. You left me there,” he", "write it this way: > > Zeul shook his head, yanked away. “Sure", "> > I'm writing from Zeul's POV, what he hears/feels as Ciwe is", "it would be confusing to write it this way: > > Zeul shook", "to write it this way: > > Zeul shook his head, yanked away.", "between your mother and me weren’t good, and quite honestly, I wasn’t ready", "were still kids ourselves.\" Zeul felt Ciwe's hand on his shoulder. \"I can't", "to write a scene (fiction novel). I want to know if it would", "novel). I want to know if it would be confusing to write it", "done.\" > > > I'm writing from Zeul's POV, what he hears/feels as", "can't take back the things I've done.\" > > > I'm writing from", "I'm writing from Zeul's POV, what he hears/feels as Ciwe is talking to", "Zeul's POV, what he hears/feels as Ciwe is talking to him. Is it", "be confusing to write it this way: > > Zeul shook his head,", "is, Ciwe. 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You left me there,”", "ourselves.\" Zeul felt Ciwe's hand on his shoulder. \"I can't take back the", "wasn’t ready to be a father yet. We were still kids ourselves.\" Zeul", "\"I can't take back the things I've done.\" > > > I'm writing", "kids ourselves.\" Zeul felt Ciwe's hand on his shoulder. \"I can't take back", "he looked out of the window, “with her.” > > > He heard", "be a father yet. We were still kids ourselves.\" Zeul felt Ciwe's hand", "left me there,” he looked out of the window, “with her.” > >", "and me weren’t good, and quite honestly, I wasn’t ready to be a", "> > > I'm writing from Zeul's POV, what he hears/feels as Ciwe", "I want to know if it would be confusing to write it this", "a father yet. We were still kids ourselves.\" Zeul felt Ciwe's hand on", "is talking to him. Is it clear that Ciwe is the one speaking?", "scene (fiction novel). I want to know if it would be confusing to", "trying to write a scene (fiction novel). I want to know if it", "it is, Ciwe. 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Things between your mother and me weren’t good, and quite honestly,", "your mother and me weren’t good, and quite honestly, I wasn’t ready to", "quite honestly, I wasn’t ready to be a father yet. We were still" ]
[ "actual subject/verb within the quotes. I think the answer is: > > Wordlessly,", "queen of the oceans, sweet nurturer, and mother of music, I greet you.”", "\"Hello.\" > > > [Initial question] What is the proper punctuation for *Parr", "nurturer, and mother of music; I greet you.” > > > The simplified", "characters greet each other for the first time. Part of the greeting is", "> Wordlessly, he presented his beautiful, shimmering wife to Parr, who said, “And", "sentence is trying to say: > > He presented his wife to Parr", "working on a scene in a high-fantasy setting where the main characters greet", "titles. Rules would also state that there is no need for a semicolon", "mother of music, I greet you.” > > > Still unclear on the", "of the seas, queen of the oceans, sweet nurturer, and mother of music;", "before the list of titles. Rules would also state that there is no", "I think the answer is: > > Wordlessly, he presented his beautiful, shimmering", "of what each of the characters mean to each other. In this case,", "first time. Part of the greeting is also a definition of what each", "a semicolon before the list of titles. 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In this case, a flourish of titles establishes expectations:", "is no need for a semicolon to separate the long, introductory subordinate clause", "the main characters greet each other for the first time. Part of the", "He presented his wife to Parr who said, \"Hello.\" > > > [Initial", "answer is: > > Wordlessly, he presented his beautiful, shimmering wife to Parr,", "semicolon before the list of titles. Rules would also state that there is", "the quotes. I think the answer is: > > Wordlessly, he presented his", "Part of the greeting is also a definition of what each of the", "is the proper punctuation for Parr who said and for the \"Horah: [list", "proper punctuation for Parr who said and for the \"Horah: [list of titles]\"?", "list of titles. Rules would also state that there is no need for", "There is also no need for a semicolon before the list of titles.", "from what she said. 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In this case, a flourish", "my Horah: soother of the seas, queen of the oceans, sweet nurturer, and", "“And you, my Horah: soother of the seas, queen of the oceans, sweet", "scene in a high-fantasy setting where the main characters greet each other for", "would also state that there is no need for a semicolon to separate", "is also a definition of what each of the characters mean to each", "Wordlessly, he presented his beautiful, shimmering wife to Parr; who said, “And you,", "to Parr who said, \"Hello.\" > > > [Initial question] What is the", "also state that there is no need for a semicolon to separate the", "shimmering wife to Parr, who said, “And you, my Horah, soother of the", "and mother of music, I greet you.” > > > Still unclear on", "> > > The simplified sentence is trying to say: > > He", "main characters greet each other for the first time. Part of the greeting", "setting where the main characters greet each other for the first time. Part", "queen of the oceans, sweet nurturer, and mother of music; I greet you.”", "oceans, sweet nurturer, and mother of music; I greet you.” > > >", "to say: > > He presented his wife to Parr who said, \"Hello.\"", "soother of the seas, queen of the oceans, sweet nurturer, and mother of", "for the \"Horah: [list of titles]\"? EDIT: Semicolons are not necessary for separating", "to separate the long, introductory subordinate clause from the actual subject/verb within the", "you.” > > > The simplified sentence is trying to say: > >", "also no need for a semicolon before the list of titles. Rules would", "of titles]\"? EDIT: Semicolons are not necessary for separating the speaker from what", "you.” > > > Still unclear on the use of the comma after", "comma after Parr, who said since the quote has to clearly belong to", "he presented his beautiful, shimmering wife to Parr; who said, “And you, my", "beautiful, shimmering wife to Parr; who said, “And you, my Horah: soother of", "no need for a semicolon before the list of titles. Rules would also", "establishes expectations: > > Wordlessly, he presented his beautiful, shimmering wife to Parr;", "is also no need for a semicolon before the list of titles. Rules", "is trying to say: > > He presented his wife to Parr who", "presented his beautiful, shimmering wife to Parr, who said, “And you, my Horah,", "the oceans, sweet nurturer, and mother of music, I greet you.” > >", "question] What is the proper punctuation for Parr who said and for the", "is: > > Wordlessly, he presented his beautiful, shimmering wife to Parr, who", "for separating the speaker from what she said. There is also no need", "> > [Initial question] What is the proper punctuation for Parr who said", "of music, I greet you.” > > > Still unclear on the use", "sweet nurturer, and mother of music; I greet you.” > > > The", "> > > [Initial question] What is the proper punctuation for Parr who", "separate the long, introductory subordinate clause from the actual subject/verb within the quotes.", "also a definition of what each of the characters mean to each other.", "of the oceans, sweet nurturer, and mother of music, I greet you.” >", "no need for a semicolon to separate the long, introductory subordinate clause from", "since the quote has to clearly belong to Parr and not the wife.", "the long, introductory subordinate clause from the actual subject/verb within the quotes. I", "the \"Horah: [list of titles]\"? EDIT: Semicolons are not necessary for separating the", "who said and for the \"Horah: [list of titles]\"? EDIT: Semicolons are not", "use of the comma after Parr, who said since the quote has to", "you, my Horah: soother of the seas, queen of the oceans, sweet nurturer,", "nurturer, and mother of music, I greet you.” > > > Still unclear", "music, I greet you.” > > > Still unclear on the use of", "what she said. There is also no need for a semicolon before the", "state that there is no need for a semicolon to separate the long,", "> He presented his wife to Parr who said, \"Hello.\" > > >", "characters mean to each other. In this case, a flourish of titles establishes", "of titles establishes expectations: > > Wordlessly, he presented his beautiful, shimmering wife", "beautiful, shimmering wife to Parr, who said, “And you, my Horah, soother of", "said, “And you, my Horah: soother of the seas, queen of the oceans,", "\"Horah: [list of titles]\"? EDIT: Semicolons are not necessary for separating the speaker", "to each other. In this case, a flourish of titles establishes expectations: >", "his wife to Parr who said, \"Hello.\" > > > [Initial question] What", "Parr who said and for the \"Horah: [list of titles]\"? EDIT: Semicolons are", "necessary for separating the speaker from what she said. There is also no", "of titles. Rules would also state that there is no need for a", "my Horah, soother of the seas, queen of the oceans, sweet nurturer, and", "subordinate clause from the actual subject/verb within the quotes. I think the answer", "in a high-fantasy setting where the main characters greet each other for the", "the answer is: > > Wordlessly, he presented his beautiful, shimmering wife to", "> > The simplified sentence is trying to say: > > He presented", "> The simplified sentence is trying to say: > > He presented his", "Parr; who said, “And you, my Horah: soother of the seas, queen of", "and mother of music; I greet you.” > > > The simplified sentence", "a high-fantasy setting where the main characters greet each other for the first", "EDIT: Semicolons are not necessary for separating the speaker from what she said.", "trying to say: > > He presented his wife to Parr who said,", "for the first time. Part of the greeting is also a definition of", "a scene in a high-fantasy setting where the main characters greet each other", "who said, \"Hello.\" > > > [Initial question] What is the proper punctuation", "Rules would also state that there is no need for a semicolon to", "What is the proper punctuation for Parr who said and for the \"Horah:", "wife to Parr, who said, “And you, my Horah, soother of the seas,", "presented his beautiful, shimmering wife to Parr; who said, “And you, my Horah:", "sweet nurturer, and mother of music, I greet you.” > > > Still", "a flourish of titles establishes expectations: > > Wordlessly, he presented his beautiful,", "flourish of titles establishes expectations: > > Wordlessly, he presented his beautiful, shimmering", "to Parr, who said, “And you, my Horah, soother of the seas, queen", "case, a flourish of titles establishes expectations: > > Wordlessly, he presented his", "there is no need for a semicolon to separate the long, introductory subordinate", "titles establishes expectations: > > Wordlessly, he presented his beautiful, shimmering wife to", "that there is no need for a semicolon to separate the long, introductory", "he presented his beautiful, shimmering wife to Parr, who said, “And you, my", "simplified sentence is trying to say: > > He presented his wife to", "unclear on the use of the comma after Parr, who said since the", "where the main characters greet each other for the first time. Part of", "> Wordlessly, he presented his beautiful, shimmering wife to Parr; who said, “And", "I greet you.” > > > The simplified sentence is trying to say:", "greet you.” > > > Still unclear on the use of the comma", "each other. In this case, a flourish of titles establishes expectations: > >", "seas, queen of the oceans, sweet nurturer, and mother of music, I greet", "expectations: > > Wordlessly, he presented his beautiful, shimmering wife to Parr; who", "[Initial question] What is the proper punctuation for Parr who said and for", "greeting is also a definition of what each of the characters mean to", "a definition of what each of the characters mean to each other. In", "to Parr; who said, “And you, my Horah: soother of the seas, queen", "the seas, queen of the oceans, sweet nurturer, and mother of music, I", "a semicolon to separate the long, introductory subordinate clause from the actual subject/verb", "the proper punctuation for Parr who said and for the \"Horah: [list of", "punctuation for Parr who said and for the \"Horah: [list of titles]\"? EDIT:", "greet each other for the first time. Part of the greeting is also", "on a scene in a high-fantasy setting where the main characters greet each", "separating the speaker from what she said. There is also no need for", "introductory subordinate clause from the actual subject/verb within the quotes. I think the", "the actual subject/verb within the quotes. I think the answer is: > >", "who said, “And you, my Horah: soother of the seas, queen of the", "who said, “And you, my Horah, soother of the seas, queen of the", "are not necessary for separating the speaker from what she said. There is", "quotes. I think the answer is: > > Wordlessly, he presented his beautiful,", "said, “And you, my Horah, soother of the seas, queen of the oceans,", "say: > > He presented his wife to Parr who said, \"Hello.\" >", "I'm working on a scene in a high-fantasy setting where the main characters", "need for a semicolon before the list of titles. Rules would also state", "you, my Horah, soother of the seas, queen of the oceans, sweet nurturer,", "said. There is also no need for a semicolon before the list of", "long, introductory subordinate clause from the actual subject/verb within the quotes. I think", "the comma after Parr, who said since the quote has to clearly belong", "oceans, sweet nurturer, and mother of music, I greet you.” > > >", "this case, a flourish of titles establishes expectations: > > Wordlessly, he presented", "and for the \"Horah: [list of titles]\"? EDIT: Semicolons are not necessary for", "> > > Still unclear on the use of the comma after Parr,", "semicolon to separate the long, introductory subordinate clause from the actual subject/verb within", "need for a semicolon to separate the long, introductory subordinate clause from the", "of the comma after Parr, who said* since the quote has to clearly", "Horah, soother of the seas, queen of the oceans, sweet nurturer, and mother", "“And you, my Horah, soother of the seas, queen of the oceans, sweet", "said, \"Hello.\" > > > [Initial question] What is the proper punctuation for", "the seas, queen of the oceans, sweet nurturer, and mother of music; I", "she said. There is also no need for a semicolon before the list", "the list of titles. Rules would also state that there is no need", "Semicolons are not necessary for separating the speaker from what she said. There", "> Still unclear on the use of the comma after Parr, who said", "shimmering wife to Parr; who said, “And you, my Horah: soother of the", "> > Wordlessly, he presented his beautiful, shimmering wife to Parr; who said,", "the speaker from what she said. There is also no need for a", "the characters mean to each other. In this case, a flourish of titles", "definition of what each of the characters mean to each other. In this", "time. Part of the greeting is also a definition of what each of", "of the seas, queen of the oceans, sweet nurturer, and mother of music,", "> > Wordlessly, he presented his beautiful, shimmering wife to Parr, who said,", "I greet you.” > > > Still unclear on the use of the", "> > Still unclear on the use of the comma after Parr, who", "within the quotes. I think the answer is: > > Wordlessly, he presented", "think the answer is: > > Wordlessly, he presented his beautiful, shimmering wife", "In this case, a flourish of titles establishes expectations: > > Wordlessly, he", "Parr, who said, “And you, my Horah, soother of the seas, queen of", "clause from the actual subject/verb within the quotes. I think the answer is:", "after Parr, who said* since the quote has to clearly belong to Parr" ]