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[ "humble, which they genuinely are. But I don't want it to seem like", "out depending on the tone of voice. How can I show this through", "the other they are humble, which they genuinely are. But I don't want", "want it to seem like they're bragging or showing off about it. In", "showing off about it. In normal conversation, this might work out depending on", "one of them wants to tell the other they are humble, which they", "or showing off about it. In normal conversation, this might work out depending", "it to seem like they're bragging or showing off about it. In normal", "genuinely are. But I don't want it to seem like they're bragging or", "are. But I don't want it to seem like they're bragging or showing", "to tell the other they are humble, which they genuinely are. But I", "to seem like they're bragging or showing off about it. In normal conversation,", "conversation, this might work out depending on the tone of voice. How can", "might work out depending on the tone of voice. How can I show", "and one of them wants to tell the other they are humble, which", "about it. In normal conversation, this might work out depending on the tone", "bragging or showing off about it. In normal conversation, this might work out", "work out depending on the tone of voice. How can I show this", "dating, and one of them wants to tell the other they are humble,", "are humble, which they genuinely are. But I don't want it to seem", "don't want it to seem like they're bragging or showing off about it.", "which they genuinely are. But I don't want it to seem like they're", "But I don't want it to seem like they're bragging or showing off", "I don't want it to seem like they're bragging or showing off about", "are dating, and one of them wants to tell the other they are", "like they're bragging or showing off about it. In normal conversation, this might", "depending on the tone of voice. How can I show this through writing?", "them wants to tell the other they are humble, which they genuinely are.", "seem like they're bragging or showing off about it. In normal conversation, this", "off about it. In normal conversation, this might work out depending on the", "Two people are dating, and one of them wants to tell the other", "normal conversation, this might work out depending on the tone of voice. How", "they're bragging or showing off about it. In normal conversation, this might work", "this might work out depending on the tone of voice. How can I", "people are dating, and one of them wants to tell the other they", "tell the other they are humble, which they genuinely are. But I don't", "they are humble, which they genuinely are. But I don't want it to", "it. In normal conversation, this might work out depending on the tone of", "of them wants to tell the other they are humble, which they genuinely", "In normal conversation, this might work out depending on the tone of voice.", "they genuinely are. But I don't want it to seem like they're bragging", "wants to tell the other they are humble, which they genuinely are. But", "other they are humble, which they genuinely are. But I don't want it" ]
[ "to refer to characters by their nicknames (e.g. the Boy Who Lived)? For", "is NOT Hijrp Potfeq, he is NOT a wizard, and he DOESN'T attend", "has dark hair and green eyes. His name is NOT Hijrp Potfeq, he", "question. When referring to pop culture in your work, say the Hijrp Potfeq", "say the Hijrp Potfeq series, are you allowed to refer to characters by", "and green eyes. His name is NOT Hijrp Potfeq, he is NOT a", "is NOT a wizard, and he DOESN'T attend Hogwarts. Would this be considered", "a lightning-bolt scar on his forehead, wears round glasses, and has dark hair", "and has dark hair and green eyes. His name is NOT Hijrp Potfeq,", "eyes. His name is NOT Hijrp Potfeq, he is NOT a wizard, and", "wizard etc.) Edit: Thank you for your responses. I have one more question.", "name is NOT Hijrp Potfeq, he is NOT a wizard, and he DOESN'T", "protagonist have a nickname like \"Hijrp Potfeq\" or \"the muggle Hijrp Potfeq\"? (again", "I know something like \"Hey, you look just like Hijrp Potfeq!\" is allowed,", "your responses. I have one more question. When referring to pop culture in", "nickname like \"Hijrp Potfeq\" or \"the muggle Hijrp Potfeq\"? (again assuming he's not", "one more question. When referring to pop culture in your work, say the", "culture in your work, say the Hijrp Potfeq series, are you allowed to", "not a wizard etc.) Edit: Thank you for your responses. I have one", "green eyes. His name is NOT Hijrp Potfeq, he is NOT a wizard,", "attend Hogwarts. Would this be considered copyright? After all, it's perfectly plausible that", "you look just like Hijrp Potfeq!\" is allowed, but is \"Hey, you look", "For example, I know something like \"Hey, you look just like Hijrp Potfeq!\"", "you for your responses. I have one more question. When referring to pop", "the Hijrp Potfeq series, are you allowed to refer to characters by their", "attributes. 2) Can my protagonist have a nickname like \"Hijrp Potfeq\" or \"the", "a boy who has a lightning-bolt scar on his forehead, wears round glasses,", "NOT Hijrp Potfeq, he is NOT a wizard, and he DOESN'T attend Hogwarts.", "could exist a person with these physical attributes. 2) Can my protagonist have", "\"the muggle Hijrp Potfeq\"? (again assuming he's not a wizard etc.) Edit: Thank", "responses. I have one more question. When referring to pop culture in your", "work, say the Hijrp Potfeq series, are you allowed to refer to characters", "look just like Hijrp Potfeq!\" is allowed, but is \"Hey, you look just", "has a lightning-bolt scar on his forehead, wears round glasses, and has dark", "Edit: Thank you for your responses. I have one more question. When referring", "Hijrp Potfeq series, are you allowed to refer to characters by their nicknames", "glasses, and has dark hair and green eyes. His name is NOT Hijrp", "specifically, consider the following examples: 1) Say my protagonist is a boy who", "to pop culture in your work, say the Hijrp Potfeq series, are you", "a nickname like \"Hijrp Potfeq\" or \"the muggle Hijrp Potfeq\"? (again assuming he's", "I have one more question. When referring to pop culture in your work,", "When referring to pop culture in your work, say the Hijrp Potfeq series,", "considered copyright? After all, it's perfectly plausible that there could exist a person", "he DOESN'T attend Hogwarts. Would this be considered copyright? After all, it's perfectly", "protagonist is a boy who has a lightning-bolt scar on his forehead, wears", "person with these physical attributes. 2) Can my protagonist have a nickname like", "have a nickname like \"Hijrp Potfeq\" or \"the muggle Hijrp Potfeq\"? (again assuming", "a wizard etc.) Edit: Thank you for your responses. I have one more", "assuming he's not a wizard etc.) Edit: Thank you for your responses. I", "something like \"Hey, you look just like Hijrp Potfeq!\" is allowed, but is", "Thank you for your responses. I have one more question. When referring to", "Lived)? For example, I know something like \"Hey, you look just like Hijrp", "characters by their nicknames (e.g. the Boy Who Lived)? For example, I know", "in your work, say the Hijrp Potfeq series, are you allowed to refer", "Who Lived)? For example, I know something like \"Hey, you look just like", "His name is NOT Hijrp Potfeq, he is NOT a wizard, and he", "refer to characters by their nicknames (e.g. the Boy Who Lived)? For example,", "that there could exist a person with these physical attributes. 2) Can my", "he is NOT a wizard, and he DOESN'T attend Hogwarts. Would this be", "round glasses, and has dark hair and green eyes. His name is NOT", "wizard, and he DOESN'T attend Hogwarts. Would this be considered copyright? After all,", "to characters by their nicknames (e.g. the Boy Who Lived)? For example, I", "\"Hijrp Potfeq\" or \"the muggle Hijrp Potfeq\"? (again assuming he's not a wizard", "allowed, but is \"Hey, you look just like the Boy Who Lived!\" allowed?", "examples: 1) Say my protagonist is a boy who has a lightning-bolt scar", "with these physical attributes. 2) Can my protagonist have a nickname like \"Hijrp", "is a boy who has a lightning-bolt scar on his forehead, wears round", "\"Hey, you look just like Hijrp Potfeq!\" is allowed, but is \"Hey, you", "series, are you allowed to refer to characters by their nicknames (e.g. the", "plausible that there could exist a person with these physical attributes. 2) Can", "copyright? After all, it's perfectly plausible that there could exist a person with", "allowed to refer to characters by their nicknames (e.g. the Boy Who Lived)?", "the Boy Who Lived)? For example, I know something like \"Hey, you look", "wears round glasses, and has dark hair and green eyes. His name is", "the following examples: 1) Say my protagonist is a boy who has a", "More specifically, consider the following examples: 1) Say my protagonist is a boy", "Would this be considered copyright? After all, it's perfectly plausible that there could", "know something like \"Hey, you look just like Hijrp Potfeq!\" is allowed, but", "there could exist a person with these physical attributes. 2) Can my protagonist", "(again assuming he's not a wizard etc.) Edit: Thank you for your responses.", "who has a lightning-bolt scar on his forehead, wears round glasses, and has", "boy who has a lightning-bolt scar on his forehead, wears round glasses, and", "just like Hijrp Potfeq!\" is allowed, but is \"Hey, you look just like", "example, I know something like \"Hey, you look just like Hijrp Potfeq!\" is", "2) Can my protagonist have a nickname like \"Hijrp Potfeq\" or \"the muggle", "is allowed, but is \"Hey, you look just like the Boy Who Lived!\"", "1) Say my protagonist is a boy who has a lightning-bolt scar on", "Potfeq!\" is allowed, but is \"Hey, you look just like the Boy Who", "Potfeq\" or \"the muggle Hijrp Potfeq\"? (again assuming he's not a wizard etc.)", "you allowed to refer to characters by their nicknames (e.g. the Boy Who", "like \"Hey, you look just like Hijrp Potfeq!\" is allowed, but is \"Hey,", "for your responses. I have one more question. When referring to pop culture", "are you allowed to refer to characters by their nicknames (e.g. the Boy", "dark hair and green eyes. His name is NOT Hijrp Potfeq, he is", "this be considered copyright? After all, it's perfectly plausible that there could exist", "DOESN'T attend Hogwarts. Would this be considered copyright? After all, it's perfectly plausible", "my protagonist have a nickname like \"Hijrp Potfeq\" or \"the muggle Hijrp Potfeq\"?", "his forehead, wears round glasses, and has dark hair and green eyes. His", "Say my protagonist is a boy who has a lightning-bolt scar on his", "Hogwarts. Would this be considered copyright? After all, it's perfectly plausible that there", "a person with these physical attributes. 2) Can my protagonist have a nickname", "on his forehead, wears round glasses, and has dark hair and green eyes.", "After all, it's perfectly plausible that there could exist a person with these", "Can my protagonist have a nickname like \"Hijrp Potfeq\" or \"the muggle Hijrp", "NOT a wizard, and he DOESN'T attend Hogwarts. Would this be considered copyright?", "etc.) Edit: Thank you for your responses. I have one more question. When", "perfectly plausible that there could exist a person with these physical attributes. 2)", "like Hijrp Potfeq!\" is allowed, but is \"Hey, you look just like the", "(e.g. the Boy Who Lived)? For example, I know something like \"Hey, you", "hair and green eyes. His name is NOT Hijrp Potfeq, he is NOT", "Hijrp Potfeq, he is NOT a wizard, and he DOESN'T attend Hogwarts. Would", "or \"the muggle Hijrp Potfeq\"? (again assuming he's not a wizard etc.) Edit:", "Hijrp Potfeq!\" is allowed, but is \"Hey, you look just like the Boy", "Potfeq\"? (again assuming he's not a wizard etc.) Edit: Thank you for your", "and he DOESN'T attend Hogwarts. Would this be considered copyright? After all, it's", "he's not a wizard etc.) Edit: Thank you for your responses. I have", "a wizard, and he DOESN'T attend Hogwarts. Would this be considered copyright? After", "all, it's perfectly plausible that there could exist a person with these physical", "more question. When referring to pop culture in your work, say the Hijrp", "your work, say the Hijrp Potfeq series, are you allowed to refer to", "by their nicknames (e.g. the Boy Who Lived)? For example, I know something", "referring to pop culture in your work, say the Hijrp Potfeq series, are", "nicknames (e.g. the Boy Who Lived)? For example, I know something like \"Hey,", "lightning-bolt scar on his forehead, wears round glasses, and has dark hair and", "Boy Who Lived)? For example, I know something like \"Hey, you look just", "their nicknames (e.g. the Boy Who Lived)? For example, I know something like", "forehead, wears round glasses, and has dark hair and green eyes. His name", "pop culture in your work, say the Hijrp Potfeq series, are you allowed", "muggle Hijrp Potfeq\"? (again assuming he's not a wizard etc.) Edit: Thank you", "physical attributes. 2) Can my protagonist have a nickname like \"Hijrp Potfeq\" or", "following examples: 1) Say my protagonist is a boy who has a lightning-bolt", "these physical attributes. 2) Can my protagonist have a nickname like \"Hijrp Potfeq\"", "Potfeq series, are you allowed to refer to characters by their nicknames (e.g.", "my protagonist is a boy who has a lightning-bolt scar on his forehead,", "be considered copyright? After all, it's perfectly plausible that there could exist a", "Potfeq, he is NOT a wizard, and he DOESN'T attend Hogwarts. Would this", "have one more question. When referring to pop culture in your work, say", "it's perfectly plausible that there could exist a person with these physical attributes.", "Hijrp Potfeq\"? (again assuming he's not a wizard etc.) Edit: Thank you for", "scar on his forehead, wears round glasses, and has dark hair and green", "exist a person with these physical attributes. 2) Can my protagonist have a", "consider the following examples: 1) Say my protagonist is a boy who has", "like \"Hijrp Potfeq\" or \"the muggle Hijrp Potfeq\"? (again assuming he's not a" ]
[ "dialogues, if I write them completely in my new language, it will really", "short stories and poems. As a reader, fantasy is my favorite genre. I", "god, king, queen, land ) and write everything else in normal language will", "to implement my new language in my novel? I am planning to write", "in my new language, it will really difficult to readers. If I use", "story. I am decided to participate in this Nanowrimo, and sets everything according", "in this Nanowrimo, and sets everything according to that. But when I start", "this Nanowrimo, and sets everything according to that. But when I start writing,", "words. The outline / first draft of my novel is also completed. It", "them completely in my new language, it will really difficult to readers. If", "created some what of a language for my (first ) novel. It's phoneme,", "know my mother tongue. The problem is about dialogues, if I write them", "to write the novel in my mother tongue. But the invented language is", "novel in my mother tongue. But the invented language is the mother tongue", "mother tongue. But the invented language is the mother tongue of all my", "my new language ( like words for hi, god, king, queen, land )", "of my novel is also completed. It is an extra terrestrial fantasy story.", "fantasy story. I am decided to participate in this Nanowrimo, and sets everything", "It is an extra terrestrial fantasy story. I am decided to participate in", "according to that. But when I start writing, the problem arises. How to", "also completed. It is an extra terrestrial fantasy story. I am decided to", "poems. As a reader, fantasy is my favorite genre. I created some what", "reader, fantasy is my favorite genre. I created some what of a language", "really difficult to readers. If I use only some words from my new", "As a reader, fantasy is my favorite genre. I created some what of", "planning to write the novel in my mother tongue. But the invented language", "pronunciation, rules and a set of words. The outline / first draft of", "the novel in my mother tongue. But the invented language is the mother", "everything else in normal language will it feel wired? How to do it", "tongue of all my characters. Also none of them know my mother tongue.", "a writer, I used to write short stories and poems. As a reader,", "novel is also completed. It is an extra terrestrial fantasy story. I am", "in my novel? I am planning to write the novel in my mother", "of words. The outline / first draft of my novel is also completed.", "As a writer, I used to write short stories and poems. As a", "to write short stories and poems. As a reader, fantasy is my favorite", "is about dialogues, if I write them completely in my new language, it", "when I start writing, the problem arises. How to implement my new language", "new language, it will really difficult to readers. If I use only some", "what of a language for my (first ) novel. It's phoneme, pronunciation, rules", "terrestrial fantasy story. I am decided to participate in this Nanowrimo, and sets", "my new language, it will really difficult to readers. If I use only", "language is the mother tongue of all my characters. Also none of them", "and write everything else in normal language will it feel wired? How to", "the mother tongue of all my characters. Also none of them know my", "write short stories and poems. As a reader, fantasy is my favorite genre.", "my new language in my novel? I am planning to write the novel", "difficult to readers. If I use only some words from my new language", "I start writing, the problem arises. How to implement my new language in", "in my mother tongue. But the invented language is the mother tongue of", "of all my characters. Also none of them know my mother tongue. The", "draft of my novel is also completed. It is an extra terrestrial fantasy", "implement my new language in my novel? I am planning to write the", "How to implement my new language in my novel? I am planning to", "I use only some words from my new language ( like words for", "set of words. The outline / first draft of my novel is also", "queen, land ) and write everything else in normal language will it feel", "the invented language is the mother tongue of all my characters. Also none", "write the novel in my mother tongue. But the invented language is the", "about dialogues, if I write them completely in my new language, it will", "favorite genre. I created some what of a language for my (first )", "I am planning to write the novel in my mother tongue. But the", "decided to participate in this Nanowrimo, and sets everything according to that. But", "new language ( like words for hi, god, king, queen, land ) and", "language will it feel wired? How to do it in correct way? Please", "stories and poems. As a reader, fantasy is my favorite genre. I created", "tongue. But the invented language is the mother tongue of all my characters.", "will it feel wired? How to do it in correct way? Please Help.", "fantasy is my favorite genre. I created some what of a language for", "none of them know my mother tongue. The problem is about dialogues, if", "of them know my mother tongue. The problem is about dialogues, if I", "and a set of words. The outline / first draft of my novel", "The problem is about dialogues, if I write them completely in my new", "language ( like words for hi, god, king, queen, land ) and write", "all my characters. Also none of them know my mother tongue. The problem", "else in normal language will it feel wired? How to do it in", "If I use only some words from my new language ( like words", "the problem arises. How to implement my new language in my novel? I", "phoneme, pronunciation, rules and a set of words. The outline / first draft", "to that. But when I start writing, the problem arises. How to implement", "everything according to that. But when I start writing, the problem arises. How", "in normal language will it feel wired? How to do it in correct", "and sets everything according to that. But when I start writing, the problem", "language, it will really difficult to readers. If I use only some words", "used to write short stories and poems. As a reader, fantasy is my", "if I write them completely in my new language, it will really difficult", "from my new language ( like words for hi, god, king, queen, land", "readers. If I use only some words from my new language ( like", "It's phoneme, pronunciation, rules and a set of words. The outline / first", "is my favorite genre. I created some what of a language for my", "completely in my new language, it will really difficult to readers. If I", "arises. How to implement my new language in my novel? I am planning", "is also completed. It is an extra terrestrial fantasy story. I am decided", "language in my novel? I am planning to write the novel in my", "Also none of them know my mother tongue. The problem is about dialogues,", "my mother tongue. The problem is about dialogues, if I write them completely", "some what of a language for my (first ) novel. It's phoneme, pronunciation,", "my favorite genre. I created some what of a language for my (first", "novel. It's phoneme, pronunciation, rules and a set of words. The outline /", "start writing, the problem arises. How to implement my new language in my", "invented language is the mother tongue of all my characters. Also none of", "I created some what of a language for my (first ) novel. It's", "normal language will it feel wired? How to do it in correct way?", "is an extra terrestrial fantasy story. I am decided to participate in this", "tongue. The problem is about dialogues, if I write them completely in my", "novel? I am planning to write the novel in my mother tongue. But", "of a language for my (first ) novel. It's phoneme, pronunciation, rules and", "land ) and write everything else in normal language will it feel wired?", "my characters. Also none of them know my mother tongue. The problem is", "will really difficult to readers. If I use only some words from my", "problem arises. How to implement my new language in my novel? I am", "But when I start writing, the problem arises. How to implement my new", "am planning to write the novel in my mother tongue. But the invented", "words from my new language ( like words for hi, god, king, queen,", "a language for my (first ) novel. It's phoneme, pronunciation, rules and a", "/ first draft of my novel is also completed. It is an extra", "extra terrestrial fantasy story. I am decided to participate in this Nanowrimo, and", "mother tongue. The problem is about dialogues, if I write them completely in", "like words for hi, god, king, queen, land ) and write everything else", "hi, god, king, queen, land ) and write everything else in normal language", "completed. It is an extra terrestrial fantasy story. I am decided to participate", "language for my (first ) novel. It's phoneme, pronunciation, rules and a set", "sets everything according to that. But when I start writing, the problem arises.", "for hi, god, king, queen, land ) and write everything else in normal", "participate in this Nanowrimo, and sets everything according to that. But when I", "outline / first draft of my novel is also completed. It is an", "writing, the problem arises. How to implement my new language in my novel?", "But the invented language is the mother tongue of all my characters. Also", "new language in my novel? I am planning to write the novel in", "mother tongue of all my characters. Also none of them know my mother", "my (first ) novel. It's phoneme, pronunciation, rules and a set of words.", "my novel? I am planning to write the novel in my mother tongue.", "to participate in this Nanowrimo, and sets everything according to that. But when", "I used to write short stories and poems. As a reader, fantasy is", "write everything else in normal language will it feel wired? How to do", "Nanowrimo, and sets everything according to that. But when I start writing, the", "my mother tongue. But the invented language is the mother tongue of all", "only some words from my new language ( like words for hi, god,", "( like words for hi, god, king, queen, land ) and write everything", "to readers. If I use only some words from my new language (", "I write them completely in my new language, it will really difficult to", "I am decided to participate in this Nanowrimo, and sets everything according to", ") novel. It's phoneme, pronunciation, rules and a set of words. The outline", "am decided to participate in this Nanowrimo, and sets everything according to that.", "king, queen, land ) and write everything else in normal language will it", "writer, I used to write short stories and poems. As a reader, fantasy", "that. But when I start writing, the problem arises. How to implement my", "use only some words from my new language ( like words for hi,", "some words from my new language ( like words for hi, god, king,", "it will really difficult to readers. If I use only some words from", "The outline / first draft of my novel is also completed. It is", "first draft of my novel is also completed. It is an extra terrestrial", "genre. I created some what of a language for my (first ) novel.", "a set of words. The outline / first draft of my novel is", "(first ) novel. It's phoneme, pronunciation, rules and a set of words. The", "a reader, fantasy is my favorite genre. I created some what of a", "and poems. As a reader, fantasy is my favorite genre. I created some", "rules and a set of words. The outline / first draft of my", "my novel is also completed. It is an extra terrestrial fantasy story. I", "problem is about dialogues, if I write them completely in my new language,", "write them completely in my new language, it will really difficult to readers.", "an extra terrestrial fantasy story. I am decided to participate in this Nanowrimo,", ") and write everything else in normal language will it feel wired? How", "them know my mother tongue. The problem is about dialogues, if I write", "is the mother tongue of all my characters. Also none of them know", "characters. Also none of them know my mother tongue. The problem is about", "for my (first ) novel. It's phoneme, pronunciation, rules and a set of", "words for hi, god, king, queen, land ) and write everything else in" ]
[ "but it's hard for me to identify them, but for a seasoned writer", "like \"Oonhtain's time\", \"Relativity of time\", \"The geometry of time\", \"Time dilatation\", etc?", "and not relative as Oonhtain said. Can you still use a title like", "Why? I sometimes feel there's a gray area where it could be alright,", "I sometimes feel there's a gray area where it could be alright, but", "decide to claim that time is absolute and not relative as Oonhtain said.", "it could be alright, but it's hard for me to identify them, but", "as Oonhtain said. Can you still use a title like \"Oonhtain's time\", \"Relativity", "dilatation\", etc? Why? I sometimes feel there's a gray area where it could", "a gray area where it could be alright, but it's hard for me", "not relative as Oonhtain said. Can you still use a title like \"Oonhtain's", "for me to identify them, but for a seasoned writer it could be", "claim that time is absolute and not relative as Oonhtain said. Can you", "time is absolute and not relative as Oonhtain said. Can you still use", "hard for me to identify them, but for a seasoned writer it could", "feel there's a gray area where it could be alright, but it's hard", "you decide to claim that time is absolute and not relative as Oonhtain", "Oonhtain said. Can you still use a title like \"Oonhtain's time\", \"Relativity of", "them, but for a seasoned writer it could be a lot easier. What", "\"Relativity of time\", \"The geometry of time\", \"Time dilatation\", etc? Why? I sometimes", "relative as Oonhtain said. Can you still use a title like \"Oonhtain's time\",", "is absolute and not relative as Oonhtain said. Can you still use a", "to claim that time is absolute and not relative as Oonhtain said. Can", "Can you still use a title like \"Oonhtain's time\", \"Relativity of time\", \"The", "a title like \"Oonhtain's time\", \"Relativity of time\", \"The geometry of time\", \"Time", "of time\", \"The geometry of time\", \"Time dilatation\", etc? Why? I sometimes feel", "time\", \"Time dilatation\", etc? Why? I sometimes feel there's a gray area where", "where it could be alright, but it's hard for me to identify them,", "of time\", \"Time dilatation\", etc? Why? I sometimes feel there's a gray area", "say you decide to claim that time is absolute and not relative as", "time\", \"Relativity of time\", \"The geometry of time\", \"Time dilatation\", etc? Why? I", "sometimes feel there's a gray area where it could be alright, but it's", "alright, but it's hard for me to identify them, but for a seasoned", "absolute and not relative as Oonhtain said. Can you still use a title", "you still use a title like \"Oonhtain's time\", \"Relativity of time\", \"The geometry", "\"The geometry of time\", \"Time dilatation\", etc? Why? I sometimes feel there's a", "for a seasoned writer it could be a lot easier. What do you", "said. Can you still use a title like \"Oonhtain's time\", \"Relativity of time\",", "time\", \"The geometry of time\", \"Time dilatation\", etc? Why? I sometimes feel there's", "use a title like \"Oonhtain's time\", \"Relativity of time\", \"The geometry of time\",", "area where it could be alright, but it's hard for me to identify", "still use a title like \"Oonhtain's time\", \"Relativity of time\", \"The geometry of", "that time is absolute and not relative as Oonhtain said. Can you still", "Let's say you decide to claim that time is absolute and not relative", "there's a gray area where it could be alright, but it's hard for", "title like \"Oonhtain's time\", \"Relativity of time\", \"The geometry of time\", \"Time dilatation\",", "but for a seasoned writer it could be a lot easier. What do", "could be alright, but it's hard for me to identify them, but for", "etc? Why? I sometimes feel there's a gray area where it could be", "identify them, but for a seasoned writer it could be a lot easier.", "gray area where it could be alright, but it's hard for me to", "to identify them, but for a seasoned writer it could be a lot", "it's hard for me to identify them, but for a seasoned writer it", "be alright, but it's hard for me to identify them, but for a", "me to identify them, but for a seasoned writer it could be a", "\"Time dilatation\", etc? Why? I sometimes feel there's a gray area where it", "a seasoned writer it could be a lot easier. What do you think?", "geometry of time\", \"Time dilatation\", etc? Why? I sometimes feel there's a gray", "\"Oonhtain's time\", \"Relativity of time\", \"The geometry of time\", \"Time dilatation\", etc? Why?" ]
[ "should put surname in front for Chinese names. I've been awarded that some", "in academic writing. I am a PhD student in Bristol, I receive the", "surname in front for Chinese names. I've been awarded that some of the", "in front for Chinese names. I've been awarded that some of the academic", "some of the academic articles displaying Chinese names in this order, but some", "name should be in the order of \"surname + given name\", or another", "another way around? And of course, in academic writing. I am a PhD", "not. Could anyone one tell me which way is correct for academic writing?", "given name\", or another way around? And of course, in academic writing. I", "a PhD student in Bristol, I receive the report from my examiners saying", "my examiners saying that I should put surname in front for Chinese names.", "the written Chinese name should be in the order of \"surname + given", "order of \"surname + given name\", or another way around? And of course,", "this order, but some are not. Could anyone one tell me which way", "or another way around? And of course, in academic writing. I am a", "the order of \"surname + given name\", or another way around? And of", "Chinese names. I've been awarded that some of the academic articles displaying Chinese", "in Bristol, I receive the report from my examiners saying that I should", "tell me whether the written Chinese name should be in the order of", "Chinese name should be in the order of \"surname + given name\", or", "in the order of \"surname + given name\", or another way around? And", "course, in academic writing. I am a PhD student in Bristol, I receive", "anyone tell me whether the written Chinese name should be in the order", "receive the report from my examiners saying that I should put surname in", "names. I've been awarded that some of the academic articles displaying Chinese names", "been awarded that some of the academic articles displaying Chinese names in this", "And of course, in academic writing. I am a PhD student in Bristol,", "awarded that some of the academic articles displaying Chinese names in this order,", "order, but some are not. Could anyone one tell me which way is", "are not. Could anyone one tell me which way is correct for academic", "anyone one tell me which way is correct for academic writing? So frustrated...", "should be in the order of \"surname + given name\", or another way", "Chinese names in this order, but some are not. Could anyone one tell", "academic writing. I am a PhD student in Bristol, I receive the report", "but some are not. Could anyone one tell me which way is correct", "student in Bristol, I receive the report from my examiners saying that I", "examiners saying that I should put surname in front for Chinese names. I've", "Could anyone one tell me which way is correct for academic writing? So", "put surname in front for Chinese names. I've been awarded that some of", "PhD student in Bristol, I receive the report from my examiners saying that", "am a PhD student in Bristol, I receive the report from my examiners", "academic articles displaying Chinese names in this order, but some are not. Could", "in this order, but some are not. Could anyone one tell me which", "can anyone tell me whether the written Chinese name should be in the", "of course, in academic writing. I am a PhD student in Bristol, I", "the report from my examiners saying that I should put surname in front", "from my examiners saying that I should put surname in front for Chinese", "for Chinese names. I've been awarded that some of the academic articles displaying", "that some of the academic articles displaying Chinese names in this order, but", "displaying Chinese names in this order, but some are not. Could anyone one", "be in the order of \"surname + given name\", or another way around?", "writing. I am a PhD student in Bristol, I receive the report from", "written Chinese name should be in the order of \"surname + given name\",", "of the academic articles displaying Chinese names in this order, but some are", "I receive the report from my examiners saying that I should put surname", "of \"surname + given name\", or another way around? And of course, in", "names in this order, but some are not. Could anyone one tell me", "name\", or another way around? And of course, in academic writing. I am", "report from my examiners saying that I should put surname in front for", "I should put surname in front for Chinese names. I've been awarded that", "articles displaying Chinese names in this order, but some are not. Could anyone", "+ given name\", or another way around? And of course, in academic writing.", "I am a PhD student in Bristol, I receive the report from my", "\"surname + given name\", or another way around? And of course, in academic", "around? And of course, in academic writing. I am a PhD student in", "way around? And of course, in academic writing. I am a PhD student", "Bristol, I receive the report from my examiners saying that I should put", "me whether the written Chinese name should be in the order of \"surname", "front for Chinese names. I've been awarded that some of the academic articles", "some are not. Could anyone one tell me which way is correct for", "saying that I should put surname in front for Chinese names. I've been", "whether the written Chinese name should be in the order of \"surname +", "I've been awarded that some of the academic articles displaying Chinese names in", "that I should put surname in front for Chinese names. I've been awarded", "the academic articles displaying Chinese names in this order, but some are not." ]
[ "> > > I am wondering if this is acceptable. I am not", "alley of my youth, > > > light, it shone from the cloud-ladden", "technique involved here, but I was wondering if this is an awkward phrasing.", "here, but I was wondering if this is an awkward phrasing. I am", "was wondering if this is an awkward phrasing. I am also wondering if", "in the trees. > > > Lately, I felt a bit more free.", "inversion or there's a more specific technique involved here, but I was wondering", "I am also wondering if it's ok to put 3 almost unrelated sentences", "Lately, I felt a bit more free. > > > I am wondering", "shone from the cloud-ladden sky. > > > I've been listening to the", "> > > I've been listening to the chirping in the trees. >", "this is acceptable. I am not sure if this is just called an", "> Lately, I felt a bit more free. > > > I am", "this is just called an inversion or there's a more specific technique involved", "but I was wondering if this is an awkward phrasing. I am also", "listening to the chirping in the trees. > > > Lately, I felt", "I am wondering if this is acceptable. I am not sure if this", "is just called an inversion or there's a more specific technique involved here,", "youth, > > > light, it shone from the cloud-ladden sky. > >", "> > light, it shone from the cloud-ladden sky. > > > I've", "a more specific technique involved here, but I was wondering if this is", "phrasing. I am also wondering if it's ok to put 3 almost unrelated", "> > > light, it shone from the cloud-ladden sky. > > >", "if this is acceptable. I am not sure if this is just called", "the trees. > > > Lately, I felt a bit more free. >", "wondering if this is acceptable. I am not sure if this is just", "to the chirping in the trees. > > > Lately, I felt a", "> I've been listening to the chirping in the trees. > > >", "> > In the dark alley of my youth, > > > light,", "> > I've been listening to the chirping in the trees. > >", "specific technique involved here, but I was wondering if this is an awkward", "bit more free. > > > I am wondering if this is acceptable.", "am not sure if this is just called an inversion or there's a", "there's a more specific technique involved here, but I was wondering if this", "if this is an awkward phrasing. I am also wondering if it's ok", "chirping in the trees. > > > Lately, I felt a bit more", "I was wondering if this is an awkward phrasing. I am also wondering", "this is an awkward phrasing. I am also wondering if it's ok to", "> > > Lately, I felt a bit more free. > > >", "it's ok to put 3 almost unrelated sentences in the same verse in", "involved here, but I was wondering if this is an awkward phrasing. I", "called an inversion or there's a more specific technique involved here, but I", "an inversion or there's a more specific technique involved here, but I was", "> light, it shone from the cloud-ladden sky. > > > I've been", "trees. > > > Lately, I felt a bit more free. > >", "just called an inversion or there's a more specific technique involved here, but", "from the cloud-ladden sky. > > > I've been listening to the chirping", "not sure if this is just called an inversion or there's a more", "been listening to the chirping in the trees. > > > Lately, I", "wondering if this is an awkward phrasing. I am also wondering if it's", "light, it shone from the cloud-ladden sky. > > > I've been listening", "felt a bit more free. > > > I am wondering if this", "or there's a more specific technique involved here, but I was wondering if", "more free. > > > I am wondering if this is acceptable. I", "> In the dark alley of my youth, > > > light, it", "> > I am wondering if this is acceptable. I am not sure", "the dark alley of my youth, > > > light, it shone from", "is an awkward phrasing. I am also wondering if it's ok to put", "I am not sure if this is just called an inversion or there's", "it shone from the cloud-ladden sky. > > > I've been listening to", "if it's ok to put 3 almost unrelated sentences in the same verse", "my youth, > > > light, it shone from the cloud-ladden sky. >", "also wondering if it's ok to put 3 almost unrelated sentences in the", "awkward phrasing. I am also wondering if it's ok to put 3 almost", "more specific technique involved here, but I was wondering if this is an", "am also wondering if it's ok to put 3 almost unrelated sentences in", "a bit more free. > > > I am wondering if this is", "> > Lately, I felt a bit more free. > > > I", "I felt a bit more free. > > > I am wondering if", "wondering if it's ok to put 3 almost unrelated sentences in the same", "acceptable. I am not sure if this is just called an inversion or", "sure if this is just called an inversion or there's a more specific", "am wondering if this is acceptable. I am not sure if this is", "I've been listening to the chirping in the trees. > > > Lately,", "if this is just called an inversion or there's a more specific technique", "dark alley of my youth, > > > light, it shone from the", "is acceptable. I am not sure if this is just called an inversion", "cloud-ladden sky. > > > I've been listening to the chirping in the", "an awkward phrasing. I am also wondering if it's ok to put 3", "free. > > > I am wondering if this is acceptable. I am", "of my youth, > > > light, it shone from the cloud-ladden sky.", "to put 3 almost unrelated sentences in the same verse in a song.", "sky. > > > I've been listening to the chirping in the trees.", "In the dark alley of my youth, > > > light, it shone", "the cloud-ladden sky. > > > I've been listening to the chirping in", "ok to put 3 almost unrelated sentences in the same verse in a", "> I am wondering if this is acceptable. I am not sure if", "the chirping in the trees. > > > Lately, I felt a bit" ]
[ "a script usually have to come out like a play? Or, there should", "have to come out like a play? Or, there should be a difference?", "usually have to come out like a play? Or, there should be a", "script usually have to come out like a play? Or, there should be", "Does a script usually have to come out like a play? Or, there" ]
[ "been writing his view (3rd person) the whole time before, alas I'm only", "be graphic, but I do want the reader to feel sympathy. (I haven't", "whole time before, alas I'm only describing things he notices. And there's the", "write will be the thoughts he has that slip through his hands like", "hands like sand. Can I write it like that or should I change", "haven't written the scene out yet, but it will be something along the", "view? I don't want it to be graphic, but I do want the", "existed. He was distantly aware that he was being electrocuted, but couldn't find", "sand. Can I write it like that or should I change the view?", "I'm only describing things he notices. And there's the part I'm not sure", "didn't quite feel like anything outside the pain existed. He was distantly aware", "out yet, but it will be something along the line of 'Pain was", "reader to feel sympathy. (I haven't written the scene out yet, but it", "up. Was he even really awake? It didn't quite feel like anything outside", "is electrocuted by scientists trying to trigger some sort of power in him.", "thing he could notice as he woke up. Was he even really awake?", "being electrocuted, but couldn't find out how he knew. He couldn't quite dwell", "to trigger some sort of power in him. I've been writing his view", "awake? It didn't quite feel like anything outside the pain existed. He was", "I do want the reader to feel sympathy. (I haven't written the scene", "the scene out yet, but it will be something along the line of", "as he woke up. Was he even really awake? It didn't quite feel", "electrocuted by scientists trying to trigger some sort of power in him. I've", "his view (3rd person) the whole time before, alas I'm only describing things", "outside the pain existed. He was distantly aware that he was being electrocuted,", "before, alas I'm only describing things he notices. And there's the part I'm", "(I haven't written the scene out yet, but it will be something along", "And there's the part I'm not sure about. He wakes up by being", "write it like that or should I change the view? I don't want", "so everything I write will be the thoughts he has that slip through", "feel sympathy. (I haven't written the scene out yet, but it will be", "was being electrocuted, but couldn't find out how he knew. He couldn't quite", "I write will be the thoughts he has that slip through his hands", "graphic, but I do want the reader to feel sympathy. (I haven't written", "the thoughts he has that slip through his hands like sand. Can I", "the only thing he could notice as he woke up. Was he even", "by scientists trying to trigger some sort of power in him. I've been", "scene is basically that MC is electrocuted by scientists trying to trigger some", "to be graphic, but I do want the reader to feel sympathy. (I", "about. He wakes up by being electrocuted and basically can't think through the", "there's the part I'm not sure about. He wakes up by being electrocuted", "I don't want it to be graphic, but I do want the reader", "premise of my scene is basically that MC is electrocuted by scientists trying", "He wakes up by being electrocuted and basically can't think through the pain,", "want it to be graphic, but I do want the reader to feel", "in him. I've been writing his view (3rd person) the whole time before,", "be something along the line of 'Pain was the only thing he could", "want the reader to feel sympathy. (I haven't written the scene out yet,", "was the only thing he could notice as he woke up. Was he", "of power in him. I've been writing his view (3rd person) the whole", "could notice as he woke up. Was he even really awake? It didn't", "he was being electrocuted, but couldn't find out how he knew. He couldn't", "feel like anything outside the pain existed. He was distantly aware that he", "yet, but it will be something along the line of 'Pain was the", "describing things he notices. And there's the part I'm not sure about. He", "only describing things he notices. And there's the part I'm not sure about.", "do want the reader to feel sympathy. (I haven't written the scene out", "Can I write it like that or should I change the view? I", "it like that or should I change the view? I don't want it", "electrocuted, but couldn't find out how he knew. He couldn't quite dwell on", "should I change the view? I don't want it to be graphic, but", "the line of 'Pain was the only thing he could notice as he", "things he notices. And there's the part I'm not sure about. He wakes", "the pain, so everything I write will be the thoughts he has that", "He was distantly aware that he was being electrocuted, but couldn't find out", "line of 'Pain was the only thing he could notice as he woke", "the whole time before, alas I'm only describing things he notices. And there's", "or should I change the view? I don't want it to be graphic,", "I change the view? I don't want it to be graphic, but I", "like anything outside the pain existed. He was distantly aware that he was", "like sand. Can I write it like that or should I change the", "being electrocuted and basically can't think through the pain, so everything I write", "everything I write will be the thoughts he has that slip through his", "he even really awake? It didn't quite feel like anything outside the pain", "distantly aware that he was being electrocuted, but couldn't find out how he", "it to be graphic, but I do want the reader to feel sympathy.", "aware that he was being electrocuted, but couldn't find out how he knew.", "electrocuted and basically can't think through the pain, so everything I write will", "power in him. I've been writing his view (3rd person) the whole time", "will be the thoughts he has that slip through his hands like sand.", "he notices. And there's the part I'm not sure about. He wakes up", "'Pain was the only thing he could notice as he woke up. Was", "to feel sympathy. (I haven't written the scene out yet, but it will", "anything outside the pain existed. He was distantly aware that he was being", "time before, alas I'm only describing things he notices. And there's the part", "some sort of power in him. I've been writing his view (3rd person)", "The premise of my scene is basically that MC is electrocuted by scientists", "(3rd person) the whole time before, alas I'm only describing things he notices.", "notices. And there's the part I'm not sure about. He wakes up by", "has that slip through his hands like sand. Can I write it like", "thoughts he has that slip through his hands like sand. Can I write", "basically that MC is electrocuted by scientists trying to trigger some sort of", "wakes up by being electrocuted and basically can't think through the pain, so", "up by being electrocuted and basically can't think through the pain, so everything", "don't want it to be graphic, but I do want the reader to", "it will be something along the line of 'Pain was the only thing", "person) the whole time before, alas I'm only describing things he notices. And", "of my scene is basically that MC is electrocuted by scientists trying to", "basically can't think through the pain, so everything I write will be the", "by being electrocuted and basically can't think through the pain, so everything I", "writing his view (3rd person) the whole time before, alas I'm only describing", "It didn't quite feel like anything outside the pain existed. He was distantly", "him. I've been writing his view (3rd person) the whole time before, alas", "change the view? I don't want it to be graphic, but I do", "through the pain, so everything I write will be the thoughts he has", "scientists trying to trigger some sort of power in him. I've been writing", "sort of power in him. I've been writing his view (3rd person) the", "the view? I don't want it to be graphic, but I do want", "he could notice as he woke up. Was he even really awake? It", "view (3rd person) the whole time before, alas I'm only describing things he", "was distantly aware that he was being electrocuted, but couldn't find out how", "alas I'm only describing things he notices. And there's the part I'm not", "he woke up. Was he even really awake? It didn't quite feel like", "MC is electrocuted by scientists trying to trigger some sort of power in", "slip through his hands like sand. Can I write it like that or", "I write it like that or should I change the view? I don't", "only thing he could notice as he woke up. Was he even really", "the part I'm not sure about. He wakes up by being electrocuted and", "not sure about. He wakes up by being electrocuted and basically can't think", "trigger some sort of power in him. I've been writing his view (3rd", "trying to trigger some sort of power in him. I've been writing his", "really awake? It didn't quite feel like anything outside the pain existed. He", "but couldn't find out how he knew. He couldn't quite dwell on it", "will be something along the line of 'Pain was the only thing he", "be the thoughts he has that slip through his hands like sand. Can", "my scene is basically that MC is electrocuted by scientists trying to trigger", "the reader to feel sympathy. (I haven't written the scene out yet, but", "scene out yet, but it will be something along the line of 'Pain", "pain existed. He was distantly aware that he was being electrocuted, but couldn't", "of 'Pain was the only thing he could notice as he woke up.", "like that or should I change the view? I don't want it to", "I'm not sure about. He wakes up by being electrocuted and basically can't", "think through the pain, so everything I write will be the thoughts he", "along the line of 'Pain was the only thing he could notice as", "sure about. He wakes up by being electrocuted and basically can't think through", "but it will be something along the line of 'Pain was the only", "couldn't find out how he knew. He couldn't quite dwell on it too.')", "and basically can't think through the pain, so everything I write will be", "the pain existed. He was distantly aware that he was being electrocuted, but", "is basically that MC is electrocuted by scientists trying to trigger some sort", "that slip through his hands like sand. Can I write it like that", "written the scene out yet, but it will be something along the line", "Was he even really awake? It didn't quite feel like anything outside the", "his hands like sand. Can I write it like that or should I", "notice as he woke up. Was he even really awake? It didn't quite", "that MC is electrocuted by scientists trying to trigger some sort of power", "pain, so everything I write will be the thoughts he has that slip", "woke up. Was he even really awake? It didn't quite feel like anything", "he has that slip through his hands like sand. Can I write it", "sympathy. (I haven't written the scene out yet, but it will be something", "even really awake? It didn't quite feel like anything outside the pain existed.", "something along the line of 'Pain was the only thing he could notice", "part I'm not sure about. He wakes up by being electrocuted and basically", "that he was being electrocuted, but couldn't find out how he knew. He", "but I do want the reader to feel sympathy. (I haven't written the", "through his hands like sand. Can I write it like that or should", "quite feel like anything outside the pain existed. He was distantly aware that", "can't think through the pain, so everything I write will be the thoughts", "that or should I change the view? I don't want it to be", "I've been writing his view (3rd person) the whole time before, alas I'm" ]
[ "There is a short story contest where the limit is five hundred (500)", "short story contest where the limit is five hundred (500) words and I", "the limit is five hundred (500) words and I want to know if", "five hundred (500) words and I want to know if that is a", "(500) words and I want to know if that is a possible limit", "want to know if that is a possible limit for a short story?", "contest where the limit is five hundred (500) words and I want to", "story contest where the limit is five hundred (500) words and I want", "and I want to know if that is a possible limit for a", "a short story contest where the limit is five hundred (500) words and", "where the limit is five hundred (500) words and I want to know", "hundred (500) words and I want to know if that is a possible", "I want to know if that is a possible limit for a short", "is five hundred (500) words and I want to know if that is", "is a short story contest where the limit is five hundred (500) words", "words and I want to know if that is a possible limit for", "limit is five hundred (500) words and I want to know if that" ]
[ "I really want them to add something to the scene and the character", "eye` , what else?? * What else? My problem is usually with the", "got closer to Horah.` \"Let me take care of it for you, ok?\",", "few things that I have on my list: * Replacing \"said\" with [other", "else?? * Doing various things with their props (glasses, cigarettes, etc.) * Moving", "are short and I quickly run out of them. I really want them", "Moving (shifting in the chair, getting closer to the other person, etc.) ,", "that simple.\" > > > My question is what are some alternatives that", "I was wondering if there is a list of ideas on how to", "for you, ok?\", `he said as he lowered his voice.` > > >", "`----[usually harder to add beat phrases here]---` \"I have made many people rich", "list of ideas on how to add beats to dialog. For example: >", "just trust me!\" `----[usually harder to add beat phrases here]---` \"I have made", "voice.` > > > \"But what are the risks?\", `Horah said shifting in", "replaced for beat phrases like `\"Zotn said excitedly\"` or `\"Horah said shifting in", "> My question is what are some alternatives that can be replaced for", "to the other person, etc.) , what else?? * Saying (adverb)ly, like `he", "> > \"But what are the risks?\", `Horah said shifting in her chair.`", "more excited. \"Let me take care of it for you, ok?\", he said", "for beat phrases like `\"Zotn said excitedly\"` or `\"Horah said shifting in her", "* What else? My problem is usually with the second or third beat", "voice. \"I can make you rich Horah, just trust me!\" `----[usually harder to", "coins now > and get rich today.\" `He got closer to Horah.` \"Let", "change in their body language or body: `she said smiling` or `she said", "dialog. For example: > > \"Listen to me!\", `Zotn said excitedly.` \"We can", "while they talk? My list of things to add are short and I", "else? My problem is usually with the second or third beat in a", "some alternatives that can be replaced for beat phrases like `\"Zotn said excitedly\"`", "is a list of ideas on how to add beats to dialog. For", "and get rich today.\" `He got closer to Horah.` \"Let me take care", "do while they talk? My list of things to add are short and", "beats to dialog. For example: > > \"Listen to me!\", `Zotn said excitedly.`", "as he got even more excited. \"Let me take care of it for", "a long monologue. Here are a few things that I have on my", "`scratching head`, what else?? * Doing various things with their props (glasses, cigarettes,", "things that people do while they talk? My list of things to add", "> > \"Listen to me!\", Zotn said excitedly. \"We can sell all these", "make you rich Horah, just trust me!\" `----[usually harder to add beat phrases", "get rich today.\" `He got closer to Horah.` \"Let me take care of", "chair\"`. What are other things that people do while they talk? My list", "Doing something to their body: `scratching head`, what else?? * Doing various things", "get rich today.\" He said as he got even more excited. \"Let me", "body: `she said smiling` or `she said with a twinkle in her eye`", "and the character rather than just to break a long monologue. Here are", "said shifting in her chair\"`. What are other things that people do while", "short and I quickly run out of them. I really want them to", "quickly run out of them. I really want them to add something to", "`she said with a twinkle in her eye` , what else?? * What", "long monologue. Here are a few things that I have on my list:", "while there is a change in their body language or body: `she said", "ideas on how to add beats to dialog. For example: > > \"Listen", "in the past. I know how this is done.\" `----[usually harder to add", "twinkle in her eye` , what else?? * What else? My problem is", "`Horah said shifting in her chair.` \"I'm sure it > wouldn't be that", "sure it > wouldn't be that simple.\" > > > My question is", "* Doing various things with their props (glasses, cigarettes, etc.) * Moving (shifting", "body: `scratching head`, what else?? * Doing various things with their props (glasses,", "smiling` or `she said with a twinkle in her eye` , what else??", "> \"Listen to me!\", Zotn said excitedly. \"We can sell all these coins", "how to add beats to dialog. For example: > > \"Listen to me!\",", "said shifting in her chair.` \"I'm sure it > wouldn't be that simple.\"", "the past. I know how this is done.\" `----[usually harder to add beat", "props (glasses, cigarettes, etc.) * Moving (shifting in the chair, getting closer to", "with [other words](http://www.spwickstrom.com/saidexamples/) * Doing something to their body: `scratching head`, what else??", "know how this is done.\" `----[usually harder to add beat phrases here]---` >", "with their props (glasses, cigarettes, etc.) * Moving (shifting in the chair, getting", "chair, getting closer to the other person, etc.) , what else?? * Saying", "what are the risks?\", `Horah said shifting in her chair.` \"I'm sure it", "like `he said excitedly.` * Saying while there is a change in their", "talk? My list of things to add are short and I quickly run", "to add beats to dialog. For example: > > \"Listen to me!\", `Zotn", "that people do while they talk? My list of things to add are", "> wouldn't be that simple.\" > > > My question is what are", "What are other things that people do while they talk? My list of", "Saying while there is a change in their body language or body: `she", "things to add are short and I quickly run out of them. I", "that I have on my list: * Replacing \"said\" with [other words](http://www.spwickstrom.com/saidexamples/) ", "than just to break a long monologue. Here are a few things that", "past. I know how this is done.\" `----[usually harder to add beat phrases", "is a change in their body language or body: `she said smiling` or", "rich today.\" He said as he got even more excited. \"Let me take", "getting closer to the other person, etc.) , what else?? Saying (adverb)ly,", "rich in the past. I know how this is done.\" `----[usually harder to", "`\"Horah said shifting in her chair\"`. What are other things that people do", "other things that people do while they talk? My list of things to", "rather than just to break a long monologue. Here are a few things", "the character rather than just to break a long monologue. Here are a", "on how to add beats to dialog. For example: > > \"Listen to", "in her eye` , what else?? * What else? My problem is usually", "alternatives that can be replaced for beat phrases like `\"Zotn said excitedly\"` or", "My list of things to add are short and I quickly run out", "things that I have on my list: * Replacing \"said\" with [other words](http://www.spwickstrom.com/saidexamples/)", "want them to add something to the scene and the character rather than", "are the risks?\", `Horah said shifting in her chair.` \"I'm sure it >", "he said as he lowered his voice. \"I can make you rich Horah,", "for you, ok?\", he said as he lowered his voice. \"I can make", "me take care of it for you, ok?\", `he said as he lowered", "of ideas on how to add beats to dialog. For example: > >", "person, etc.) , what else?? * Saying (adverb)ly, like `he said excitedly.` ", "`He got closer to Horah.` \"Let me take care of it for you,", "are other things that people do while they talk? My list of things", "\"I have made many people rich in the past. I know how this", "For example: > > \"Listen to me!\", `Zotn said excitedly.` \"We can sell", "as he lowered his voice. \"I can make you rich Horah, just trust", "these coins now > and get rich today.\" He said as he got", "there is a list of ideas on how to add beats to dialog.", "me!\", `Zotn said excitedly.` \"We can sell all these coins now > and", "> and get rich today.\" He said as he got even more excited.", "the risks?\", `Horah said shifting in her chair.` \"I'm sure it > wouldn't", "he got even more excited. \"Let me take care of it for you,", "in a monologue: > > \"Listen to me!\", Zotn said excitedly. \"We can", "simple.\" > > > My question is what are some alternatives that can", " Saying while there is a change in their body language or body:", "you rich Horah, just trust me!\" `----[usually harder to add beat phrases here]---`", "Horah.` \"Let me take care of it for you, ok?\", `he said as", "just to break a long monologue. Here are a few things that I", "else?? * Saying (adverb)ly, like `he said excitedly.` * Saying while there is", "said smiling` or `she said with a twinkle in her eye` , what", "as he lowered his voice.` > > > \"But what are the risks?\",", "> > > \"But what are the risks?\", `Horah said shifting in her", "Doing various things with their props (glasses, cigarettes, etc.) * Moving (shifting in", "said with a twinkle in her eye` , what else?? * What else?", "to their body: `scratching head`, what else?? * Doing various things with their", "(adverb)ly, like `he said excitedly.` * Saying while there is a change in", "can make you rich Horah, just trust me!\" `----[usually harder to add beat", "of it for you, ok?\", he said as he lowered his voice. \"I", "a change in their body language or body: `she said smiling` or `she", "in their body language or body: `she said smiling` or `she said with", "`he said as he lowered his voice.` > > > \"But what are", "said as he got even more excited. \"Let me take care of it", "said excitedly\"` or `\"Horah said shifting in her chair\"`. What are other things", "her eye` , what else?? * What else? My problem is usually with", "of it for you, ok?\", `he said as he lowered his voice.` >", "have on my list: * Replacing \"said\" with [other words](http://www.spwickstrom.com/saidexamples/) * Doing something", "harder to add beat phrases here]---` \"I have made many people rich in", "and get rich today.\" He said as he got even more excited. \"Let", "excitedly. \"We can sell all these coins now > and get rich today.\"", "all these coins now > and get rich today.\" He said as he", "said as he lowered his voice. \"I can make you rich Horah, just", "something to their body: `scratching head`, what else?? * Doing various things with", "other person, etc.) , what else?? * Saying (adverb)ly, like `he said excitedly.`", "have made many people rich in the past. I know how this is", "sell all these coins now > and get rich today.\" `He got closer", "list of things to add are short and I quickly run out of", "risks?\", `Horah said shifting in her chair.` \"I'm sure it > wouldn't be", "if there is a list of ideas on how to add beats to", "\"said\" with [other words](http://www.spwickstrom.com/saidexamples/) * Doing something to their body: `scratching head`, what", "is usually with the second or third beat in a monologue: > >", "a list of ideas on how to add beats to dialog. For example:", "add beats to dialog. For example: > > \"Listen to me!\", `Zotn said", "body language or body: `she said smiling` or `she said with a twinkle", "My question is what are some alternatives that can be replaced for beat", "ok?\", `he said as he lowered his voice.` > > > \"But what", "be replaced for beat phrases like `\"Zotn said excitedly\"` or `\"Horah said shifting", "* Replacing \"said\" with [other words](http://www.spwickstrom.com/saidexamples/) * Doing something to their body: `scratching", "Zotn said excitedly. \"We can sell all these coins now > and get", "you, ok?\", he said as he lowered his voice. \"I can make you", "can sell all these coins now > and get rich today.\" He said", "got even more excited. \"Let me take care of it for you, ok?\",", "\"We can sell all these coins now > and get rich today.\" He", "how this is done.\" `----[usually harder to add beat phrases here]---` > >", "language or body: `she said smiling` or `she said with a twinkle in", "many people rich in the past. I know how this is done.\" `----[usually", "are some alternatives that can be replaced for beat phrases like `\"Zotn said", "said excitedly.` \"We can sell all these coins now > and get rich", "they talk? My list of things to add are short and I quickly", "said excitedly. \"We can sell all these coins now > and get rich", "> > My question is what are some alternatives that can be replaced", "sell all these coins now > and get rich today.\" He said as", "can be replaced for beat phrases like `\"Zotn said excitedly\"` or `\"Horah said", "he lowered his voice.` > > > \"But what are the risks?\", `Horah", "add are short and I quickly run out of them. I really want", "them. I really want them to add something to the scene and the", "`\"Zotn said excitedly\"` or `\"Horah said shifting in her chair\"`. What are other", "beat phrases like `\"Zotn said excitedly\"` or `\"Horah said shifting in her chair\"`.", "to Horah.` \"Let me take care of it for you, ok?\", `he said", "here]---` \"I have made many people rich in the past. I know how", "> > > My question is what are some alternatives that can be", "wouldn't be that simple.\" > > > My question is what are some", "today.\" He said as he got even more excited. \"Let me take care", "various things with their props (glasses, cigarettes, etc.) * Moving (shifting in the", "now > and get rich today.\" `He got closer to Horah.` \"Let me", "monologue. Here are a few things that I have on my list: ", "today.\" `He got closer to Horah.` \"Let me take care of it for", "question is what are some alternatives that can be replaced for beat phrases", "add beat phrases here]---` \"I have made many people rich in the past.", "her chair\"`. What are other things that people do while they talk? My", "beat phrases here]---` \"I have made many people rich in the past. I", "these coins now > and get rich today.\" `He got closer to Horah.`", "what else?? Saying (adverb)ly, like `he said excitedly.` * Saying while there", "them to add something to the scene and the character rather than just", "closer to the other person, etc.) , what else?? * Saying (adverb)ly, like", "what are some alternatives that can be replaced for beat phrases like `\"Zotn", "coins now > and get rich today.\" He said as he got even", "`she said smiling` or `she said with a twinkle in her eye` ,", "to break a long monologue. Here are a few things that I have", "or body: `she said smiling` or `she said with a twinkle in her", "\"I'm sure it > wouldn't be that simple.\" > > > My question", "to add something to the scene and the character rather than just to", "the chair, getting closer to the other person, etc.) , what else?? ", "a monologue: > > \"Listen to me!\", Zotn said excitedly. \"We can sell", "Here are a few things that I have on my list: Replacing", "trust me!\" `----[usually harder to add beat phrases here]---` \"I have made many", "care of it for you, ok?\", `he said as he lowered his voice.`", "I have on my list: * Replacing \"said\" with [other words](http://www.spwickstrom.com/saidexamples/) * Doing", "all these coins now > and get rich today.\" `He got closer to", "closer to Horah.` \"Let me take care of it for you, ok?\", `he", "monologue: > > \"Listen to me!\", Zotn said excitedly. \"We can sell all", "his voice. \"I can make you rich Horah, just trust me!\" `----[usually harder", "shifting in her chair.` \"I'm sure it > wouldn't be that simple.\" >", "third beat in a monologue: > > \"Listen to me!\", Zotn said excitedly.", "said excitedly.` * Saying while there is a change in their body language", "his voice.` > > > \"But what are the risks?\", `Horah said shifting", "* Saying (adverb)ly, like `he said excitedly.` * Saying while there is a", "in her chair\"`. What are other things that people do while they talk?", "to add are short and I quickly run out of them. I really", "made many people rich in the past. I know how this is done.\"", "usually with the second or third beat in a monologue: > > \"Listen", "* Moving (shifting in the chair, getting closer to the other person, etc.)", "excitedly.` * Saying while there is a change in their body language or", "> \"But what are the risks?\", `Horah said shifting in her chair.` \"I'm", "Horah, just trust me!\" `----[usually harder to add beat phrases here]---` \"I have", "said as he lowered his voice.` > > > \"But what are the", "I know how this is done.\" `----[usually harder to add beat phrases here]---`", "\"Let me take care of it for you, ok?\", he said as he", "me!\", Zotn said excitedly. \"We can sell all these coins now > and", "there is a change in their body language or body: `she said smiling`", "or third beat in a monologue: > > \"Listen to me!\", Zotn said", "on my list: * Replacing \"said\" with [other words](http://www.spwickstrom.com/saidexamples/) * Doing something to", "> and get rich today.\" `He got closer to Horah.` \"Let me take", "\"I can make you rich Horah, just trust me!\" `----[usually harder to add", "in her chair.` \"I'm sure it > wouldn't be that simple.\" > >", "character rather than just to break a long monologue. Here are a few", "are a few things that I have on my list: * Replacing \"said\"", "take care of it for you, ok?\", he said as he lowered his", "things with their props (glasses, cigarettes, etc.) * Moving (shifting in the chair,", "`Zotn said excitedly.` \"We can sell all these coins now > and get", "phrases here]---` \"I have made many people rich in the past. I know", "> \"Listen to me!\", `Zotn said excitedly.` \"We can sell all these coins", "what else?? * Doing various things with their props (glasses, cigarettes, etc.) ", "to me!\", `Zotn said excitedly.` \"We can sell all these coins now >", "(glasses, cigarettes, etc.) Moving (shifting in the chair, getting closer to the", "really want them to add something to the scene and the character rather", "take care of it for you, ok?\", `he said as he lowered his", "me take care of it for you, ok?\", he said as he lowered", "the second or third beat in a monologue: > > \"Listen to me!\",", "their body language or body: `she said smiling` or `she said with a", "me!\" `----[usually harder to add beat phrases here]---` \"I have made many people", "you, ok?\", `he said as he lowered his voice.` > > > \"But", "\"Listen to me!\", `Zotn said excitedly.` \"We can sell all these coins now", "etc.) * Moving (shifting in the chair, getting closer to the other person,", "shifting in her chair\"`. What are other things that people do while they", "something to the scene and the character rather than just to break a", "out of them. I really want them to add something to the scene", "it > wouldn't be that simple.\" > > > My question is what", "> > \"Listen to me!\", `Zotn said excitedly.` \"We can sell all these", ", what else?? * Saying (adverb)ly, like `he said excitedly.` * Saying while", "rich Horah, just trust me!\" `----[usually harder to add beat phrases here]---` \"I", "to add beat phrases here]---` \"I have made many people rich in the", "of them. I really want them to add something to the scene and", "What else? My problem is usually with the second or third beat in", "ok?\", he said as he lowered his voice. \"I can make you rich", "\"But what are the risks?\", `Horah said shifting in her chair.` \"I'm sure", "beat in a monologue: > > \"Listen to me!\", Zotn said excitedly. \"We", "excited. \"Let me take care of it for you, ok?\", he said as", "was wondering if there is a list of ideas on how to add", "in the chair, getting closer to the other person, etc.) , what else??", "`he said excitedly.` * Saying while there is a change in their body", "to dialog. For example: > > \"Listen to me!\", `Zotn said excitedly.` \"We", "\"We can sell all these coins now > and get rich today.\" `He", "the other person, etc.) , what else?? * Saying (adverb)ly, like `he said", "it for you, ok?\", he said as he lowered his voice. \"I can", "[other words](http://www.spwickstrom.com/saidexamples/) * Doing something to their body: `scratching head`, what else?? ", "that can be replaced for beat phrases like `\"Zotn said excitedly\"` or `\"Horah", "second or third beat in a monologue: > > \"Listen to me!\", Zotn", "example: > > \"Listen to me!\", `Zotn said excitedly.` \"We can sell all", "her chair.` \"I'm sure it > wouldn't be that simple.\" > > >", "chair.` \"I'm sure it > wouldn't be that simple.\" > > > My", "with a twinkle in her eye` , what else?? What else? My", "\"Listen to me!\", Zotn said excitedly. \"We can sell all these coins now", "break a long monologue. Here are a few things that I have on", "now > and get rich today.\" He said as he got even more", "with the second or third beat in a monologue: > > \"Listen to", "care of it for you, ok?\", he said as he lowered his voice.", "cigarettes, etc.) * Moving (shifting in the chair, getting closer to the other", "to the scene and the character rather than just to break a long", "rich today.\" `He got closer to Horah.` \"Let me take care of it", "list: * Replacing \"said\" with [other words](http://www.spwickstrom.com/saidexamples/) * Doing something to their body:", "a twinkle in her eye` , what else?? * What else? My problem", "wondering if there is a list of ideas on how to add beats", "He said as he got even more excited. \"Let me take care of", "phrases like `\"Zotn said excitedly\"` or `\"Horah said shifting in her chair\"`. What", "head`, what else?? * Doing various things with their props (glasses, cigarettes, etc.)", "lowered his voice. \"I can make you rich Horah, just trust me!\" `----[usually", "can sell all these coins now > and get rich today.\" `He got", "and I quickly run out of them. I really want them to add", "run out of them. I really want them to add something to the", "even more excited. \"Let me take care of it for you, ok?\", he", "this is done.\" `----[usually harder to add beat phrases here]---` > > >", "or `\"Horah said shifting in her chair\"`. What are other things that people", "or `she said with a twinkle in her eye` , what else?? ", "(shifting in the chair, getting closer to the other person, etc.) , what", "lowered his voice.` > > > \"But what are the risks?\", `Horah said", "my list: Replacing \"said\" with [other words](http://www.spwickstrom.com/saidexamples/) * Doing something to their", "Replacing \"said\" with [other words](http://www.spwickstrom.com/saidexamples/) * Doing something to their body: `scratching head`,", "etc.) , what else?? * Saying (adverb)ly, like `he said excitedly.` * Saying", "he lowered his voice. \"I can make you rich Horah, just trust me!\"", "problem is usually with the second or third beat in a monologue: >", "add something to the scene and the character rather than just to break", "is what are some alternatives that can be replaced for beat phrases like", "excitedly.` \"We can sell all these coins now > and get rich today.\"", "like `\"Zotn said excitedly\"` or `\"Horah said shifting in her chair\"`. What are", "to me!\", Zotn said excitedly. \"We can sell all these coins now >", "people rich in the past. I know how this is done.\" `----[usually harder", "their body: `scratching head`, what else?? * Doing various things with their props", "Saying (adverb)ly, like `he said excitedly.` * Saying while there is a change", "\"Let me take care of it for you, ok?\", `he said as he", "My problem is usually with the second or third beat in a monologue:", "else?? * What else? My problem is usually with the second or third", "excitedly\"` or `\"Horah said shifting in her chair\"`. What are other things that", "scene and the character rather than just to break a long monologue. Here", "a few things that I have on my list: * Replacing \"said\" with", "I quickly run out of them. I really want them to add something", "of things to add are short and I quickly run out of them.", "the scene and the character rather than just to break a long monologue.", "what else?? * What else? My problem is usually with the second or", ", what else?? * What else? My problem is usually with the second", "it for you, ok?\", `he said as he lowered his voice.` > >", "words](http://www.spwickstrom.com/saidexamples/) * Doing something to their body: `scratching head`, what else?? * Doing", "* Doing something to their body: `scratching head`, what else?? * Doing various", "their props (glasses, cigarettes, etc.) * Moving (shifting in the chair, getting closer", "people do while they talk? My list of things to add are short", "be that simple.\" > > > My question is what are some alternatives" ]
[ "text all at once, or spread the points out with other stuff happening", "people saying they skip descriptions if they are written as one bulk list,", "we let the reader know what the character looks like and include all", "stuff happening in between like in the following example? > > Sweat dripped", "in the following example? > > Sweat dripped down her amber skin. >", "her head, gazing at him with her blue eyes. > > > text", "> > > text > > > She moved a lock of her", "> > > text > > > text > > > She shook", "all the intended details we want to reveal about their looks as soon", "character, should you write their description in one bulk of text all at", "practice? And also, would the same rules apply to the POV character or", "of her dark hair from her face. > > > What is the", "know what the character looks like and include all the intended details we", "others say it's important that we let the reader know what the character", "a lock of her dark hair from her face. > > > What", "about their looks as soon as possible. So, when describing a character, should", "should you write their description in one bulk of text all at once,", "as soon as possible. So, when describing a character, should you write their", "as possible. So, when describing a character, should you write their description in", "text > > > She moved a lock of her dark hair from", "> What is the best practice? And also, would the same rules apply", "of text all at once, or spread the points out with other stuff", "text > > > text > > > She shook her head, gazing", "points out with other stuff happening in between like in the following example?", "list, but others say it's important that we let the reader know what", "text > > > text > > > She moved a lock of", "intended details we want to reveal about their looks as soon as possible.", "soon as possible. So, when describing a character, should you write their description", "but others say it's important that we let the reader know what the", "her dark hair from her face. > > > What is the best", "Sweat dripped down her amber skin. > > > Text > > >", "of people saying they skip descriptions if they are written as one bulk", "as one bulk list, but others say it's important that we let the", "with her blue eyes. > > > text > > > text >", "> > Text > > > text > > > text > >", "include all the intended details we want to reveal about their looks as", "looks as soon as possible. So, when describing a character, should you write", "from her face. > > > What is the best practice? And also,", "is the best practice? And also, would the same rules apply to the", "describing a character, should you write their description in one bulk of text", "saying they skip descriptions if they are written as one bulk list, but", "She moved a lock of her dark hair from her face. > >", "She shook her head, gazing at him with her blue eyes. > >", "> > > text > > > She shook her head, gazing at", "her face. > > > What is the best practice? And also, would", "> text > > > text > > > She shook her head,", "text > > > text > > > text > > > She", "And also, would the same rules apply to the POV character or not?", "dark hair from her face. > > > What is the best practice?", "blue eyes. > > > text > > > text > > >", "they are written as one bulk list, but others say it's important that", "write their description in one bulk of text all at once, or spread", "a character, should you write their description in one bulk of text all", "in between like in the following example? > > Sweat dripped down her", "out with other stuff happening in between like in the following example? >", "face. > > > What is the best practice? And also, would the", "> > > text > > > text > > > She moved", "her amber skin. > > > Text > > > text > >", "lot of people saying they skip descriptions if they are written as one", "> > text > > > text > > > She moved a", "let the reader know what the character looks like and include all the", "it's important that we let the reader know what the character looks like", "important that we let the reader know what the character looks like and", "> > > text > > > text > > > text >", "when describing a character, should you write their description in one bulk of", "> text > > > She moved a lock of her dark hair", "> > > She shook her head, gazing at him with her blue", "their looks as soon as possible. So, when describing a character, should you", "what the character looks like and include all the intended details we want", "bulk of text all at once, or spread the points out with other", "they skip descriptions if they are written as one bulk list, but others", "> > text > > > She moved a lock of her dark", "the intended details we want to reveal about their looks as soon as", "> She shook her head, gazing at him with her blue eyes. >", "possible. So, when describing a character, should you write their description in one", "between like in the following example? > > Sweat dripped down her amber", "her blue eyes. > > > text > > > text > >", "> > What is the best practice? And also, would the same rules", "> She moved a lock of her dark hair from her face. >", "head, gazing at him with her blue eyes. > > > text >", "and include all the intended details we want to reveal about their looks", "say it's important that we let the reader know what the character looks", "other stuff happening in between like in the following example? > > Sweat", "one bulk of text all at once, or spread the points out with", "> > She moved a lock of her dark hair from her face.", "descriptions if they are written as one bulk list, but others say it's", "amber skin. > > > Text > > > text > > >", "best practice? And also, would the same rules apply to the POV character", "one bulk list, but others say it's important that we let the reader", "a lot of people saying they skip descriptions if they are written as", "Text > > > text > > > text > > > She", "skip descriptions if they are written as one bulk list, but others say", "> Text > > > text > > > text > > >", "So, when describing a character, should you write their description in one bulk", "following example? > > Sweat dripped down her amber skin. > > >", "the following example? > > Sweat dripped down her amber skin. > >", "> > text > > > text > > > text > >", "looks like and include all the intended details we want to reveal about", "text > > > She shook her head, gazing at him with her", "dripped down her amber skin. > > > Text > > > text", "description in one bulk of text all at once, or spread the points", "> Sweat dripped down her amber skin. > > > Text > >", "lock of her dark hair from her face. > > > What is", "reader know what the character looks like and include all the intended details", "spread the points out with other stuff happening in between like in the", "> > She shook her head, gazing at him with her blue eyes.", "like in the following example? > > Sweat dripped down her amber skin.", "> > > She moved a lock of her dark hair from her", "I've heard a lot of people saying they skip descriptions if they are", "want to reveal about their looks as soon as possible. So, when describing", "at him with her blue eyes. > > > text > > >", "example? > > Sweat dripped down her amber skin. > > > Text", "the points out with other stuff happening in between like in the following", "their description in one bulk of text all at once, or spread the", "the best practice? And also, would the same rules apply to the POV", "bulk list, but others say it's important that we let the reader know", "if they are written as one bulk list, but others say it's important", "all at once, or spread the points out with other stuff happening in", "in one bulk of text all at once, or spread the points out", "happening in between like in the following example? > > Sweat dripped down", "like and include all the intended details we want to reveal about their", "> text > > > text > > > text > > >", "> > > What is the best practice? And also, would the same", "> > > Text > > > text > > > text >", "the reader know what the character looks like and include all the intended", "are written as one bulk list, but others say it's important that we", "written as one bulk list, but others say it's important that we let", "we want to reveal about their looks as soon as possible. So, when", "with other stuff happening in between like in the following example? > >", "skin. > > > Text > > > text > > > text", "or spread the points out with other stuff happening in between like in", "the character looks like and include all the intended details we want to", "down her amber skin. > > > Text > > > text >", "shook her head, gazing at him with her blue eyes. > > >", "gazing at him with her blue eyes. > > > text > >", "moved a lock of her dark hair from her face. > > >", "at once, or spread the points out with other stuff happening in between", "once, or spread the points out with other stuff happening in between like", "> > text > > > text > > > She shook her", "> text > > > She shook her head, gazing at him with", "that we let the reader know what the character looks like and include", "reveal about their looks as soon as possible. So, when describing a character,", "> > Sweat dripped down her amber skin. > > > Text >", "you write their description in one bulk of text all at once, or", "> > text > > > She shook her head, gazing at him", "him with her blue eyes. > > > text > > > text", "What is the best practice? And also, would the same rules apply to", "details we want to reveal about their looks as soon as possible. So,", "eyes. > > > text > > > text > > > text", "hair from her face. > > > What is the best practice? And", "> text > > > text > > > She moved a lock", "heard a lot of people saying they skip descriptions if they are written", "character looks like and include all the intended details we want to reveal", "to reveal about their looks as soon as possible. So, when describing a" ]
[ "wouldn't feel comfortable asking friends and family to read my work and getting", "I wouldn't feel comfortable asking friends and family to read my work and", "family to read my work and getting their feedback. And I don't have", "friends and family to read my work and getting their feedback. And I", "feel comfortable asking friends and family to read my work and getting their", "to read my work and getting their feedback. And I don't have an", "my work and getting their feedback. And I don't have an online platform", "I don't have an online platform to ask strangers. What are my other", "asking friends and family to read my work and getting their feedback. And", "and family to read my work and getting their feedback. And I don't", "feedback. And I don't have an online platform to ask strangers. What are", "work and getting their feedback. And I don't have an online platform to", "getting their feedback. And I don't have an online platform to ask strangers.", "comfortable asking friends and family to read my work and getting their feedback.", "don't have an online platform to ask strangers. What are my other options?", "and getting their feedback. And I don't have an online platform to ask", "And I don't have an online platform to ask strangers. What are my", "their feedback. And I don't have an online platform to ask strangers. What", "read my work and getting their feedback. And I don't have an online" ]
[ "have good “stopping points” for the plot threads between books 1 and 2", "about cutting it anyway, since it isn’t vital and is rather darker than", "book and come together as the story progresses. Okay, so here’s the breakdown:", "question fairly story-agnostic, in the hopes that a good answer will help in", "of thematic consequences to removing it). But trying to cut out half the", "– 87k words Plot D – 38k words In this book, all plot", "Plot B gets no real conclusion at all, and Plot C reaches its", "are reacting to the same outside events, and the events of one story", "novel (strike one) that doesn’t stand on its own (strike two) from an", "of the reason that Plot B gets so few words, though B doesn’t", "my three-and-a-half or so plots, my A and B plots are more closely", "reaches a significant milestone, Plot C is ongoing and Plot D attains its", "accept a large debut novel (strike one) that doesn’t stand on its own", "events, and the events of one story does have some indirect effects on", "the events of one story does have some indirect effects on the other", "in more than just my particular circumstances. Since the details of my work", "problem. My books are of dramatically different lengths. In particular, my first book", "smaller books. This makes all the books about the same size, but I’m", "into two parallel stories. Of my three-and-a-half or so plots, my A and", "easily, since there’s a bit of a time-skip between Books 2 and 3", "– 65k words Plot B – 64k words Plot C – 87k words", "my plotlines, let me note one important point. Where Lord of the Rings", "Plot B could be a relatively easy and effective way to fill out", "In this book, all plot threads are effectively independent. Mostly the characters are", "denouement with a bit of interplay with Plot A. Some rewriting could alter", "points” for the plot threads between books 1 and 2 if I do", "C is still separate, and “Other” is just a character bridging over from", "book will probably be science fiction, not quite hard science fiction but close,", "long denouement with a bit of interplay with Plot A. Some rewriting could", "option requires a significant investment of time and effort, so there’s a huge", "and then break apart into separate storylines in the second and third books,", "story that would almost certainly be published as three separate books with multiple", "its climax. Book 2 (144k words): Plot A – 77k words Plot B", "Plot B really wants to go at the end of a book. Still,", "all plot threads are effectively independent. Mostly the characters are reacting to common", "of one. Having more-or-less completed the rough draft, however, I’ve noticed a potential", "draft of one. Having more-or-less completed the rough draft, however, I’ve noticed a", "almost twice the size of my third. The way I see it, I", "the same size, but I’m not sure I can have good “stopping points”", "of the blue”. Rewriting could probably fix this, though I’m not sure the", "to get it published and make a name for myself. This might help", "annoying for a reader. 2) Split the first book into two smaller books.", "interplay with Plot A. Some rewriting could alter the amount of interaction that", "much (direct) interaction between the two stories, though both are reacting to the", "rewriting could alter the amount of interaction that Plot C has with Plots", "story for now. Write another book, try to get it published and make", "longer than my second and almost twice the size of my third. The", "trying to cut out half the book seems…ambitious. 5) Further flesh out Books", "far because of thematic consequences to removing it). But trying to cut out", "Still, perhaps fixable with serious rewriting. This still leaves Book 1 fairly long,", "words Plot C – 39k words Here Plots A and B reach their", "rest of the story, but I’ve held off thus far because of thematic", "to common events over which they have no direct control (an assassination for", "will accept a large debut novel (strike one) that doesn’t stand on its", "stand on its own (strike two) from an unknown author (strike three). This", "events might seem to be happening “out of the blue”. Rewriting could probably", "Books 2 and 3 into one. I’m not sure I can do this", "progresses. Okay, so here’s the breakdown: Book 1 (255k words): Plot A –", "duology. 7) Shelve the story for now. Write another book, try to get", "C is ongoing and Plot D attains its climax. Book 2 (144k words):", "Book 2 (144k words): Plot A – 77k words Plot B – 7k", "conclusion at all, and Plot C reaches its climax. Book 3 (128k words):", "here for almost two months, unsure what to do. Each option requires a", "Thus far I’ve tried to keep the question fairly story-agnostic, in the hopes", "second and almost twice the size of my third. The way I see", "anemic in Book 2); and perhaps some more details in Plot C would", "– 39k words Here Plots A and B reach their respective climaxes, while", "some more details in Plot C would be good in Book 3, though", "however, I’ve noticed a potential problem. My books are of dramatically different lengths.", "more attractive proposition (i.e., more potential sales) than a duology. 7) Shelve the", "words In this book, Plots A and B get loosely merged into one", "and is rather darker than the rest of the story, but I’ve held", "Or at least, I’ve written the rough draft of one. Having more-or-less completed", "and B plots are more closely aligned, as are my C and D", "a duology. 7) Shelve the story for now. Write another book, try to", "that from a publisher’s perspective a trilogy is a more attractive proposition (i.e.,", "the story progresses. Okay, so here’s the breakdown: Book 1 (255k words): Plot", "course, but I’d also like advice on how to decide what to do.", "and B get loosely merged into one combined plot, which is part of", "ends on a cliffhanger, Plot B reaches a significant milestone, Plot C is", "Plot B. Plot A ends on a semi-cliffhanger, Plot B gets no real", "two smaller books. This makes all the books about the same size, but", "words Plot C – 87k words Plot D – 38k words In this", "Adding a subplot to Plot B could be a relatively easy and effective", "they have no direct control (an assassination for Plots A and B and", "huge incentive to get it right the first time. Any advice would be", "would simply be a distraction. 6) Merge Books 2 and 3 into one.", "written the rough draft of one. Having more-or-less completed the rough draft, however,", "the book seems…ambitious. 5) Further flesh out Books 2 and 3. Adding a", "a rather different style as well. I’d like advice on what to do,", "3 into one. I’m not sure I can do this easily, since there’s", "attractive proposition (i.e., more potential sales) than a duology. 7) Shelve the story", "would be greatly appreciated. Addendum: Thus far I’ve tried to keep the question", "the hopes that a good answer will help in more than just my", "separate storylines in the second and third books, I go the reverse direction:", "breakdown: Book 1 (255k words): Plot A – 65k words Plot B –", "the first book and then break apart into separate storylines in the second", "2 (144k words): Plot A – 77k words Plot B – 7k words", "to removing it). But trying to cut out half the book seems…ambitious. 5)", "consequences to removing it). But trying to cut out half the book seems…ambitious.", "– 77k words Plot B – 7k words Plot C – 53k words", "a book. Still, perhaps fixable with serious rewriting. This still leaves Book 1", "plots. There isn’t much (direct) interaction between the two stories, though both are", "from a publisher’s perspective a trilogy is a more attractive proposition (i.e., more", "noticed a potential problem. My books are of dramatically different lengths. In particular,", "Plot B is somewhat anemic in Book 2); and perhaps some more details", "reacting to common events over which they have no direct control (an assassination", "help get Book 1 published as-is, though the dramatically different book sizes would", "write a fantasy book, Lord of the Rings-style. That is, a single story", "the breakdown: Book 1 (255k words): Plot A – 65k words Plot B", "of the Rings* has the characters start out together in the first book", "2 and 3 into one. I’m not sure I can do this easily,", "Mostly the characters are reacting to common events over which they have no", "Plot A. Some rewriting could alter the amount of interaction that Plot C", "sizes, which I imagine might be annoying for a reader. 2) Split the", "the characters are reacting to common events over which they have no direct", "potential sales) than a duology. 7) Shelve the story for now. Write another", "and an invasion for Plots C and D). Plot A ends on a", "be good in Book 3, though perhaps that would simply be a distraction.", "book, try to get it published and make a name for myself. This", "here’s the breakdown: Book 1 (255k words): Plot A – 65k words Plot", "control (an assassination for Plots A and B and an invasion for Plots", "second and third books, I go the reverse direction: characters start out separately", "Plot B – 64k words Plot C – 87k words Plot D –", "at all, and Plot C reaches its climax. Book 3 (128k words): Plot", "semi-cliffhanger, Plot B gets no real conclusion at all, and Plot C reaches", "of a book. Still, perhaps fixable with serious rewriting. This still leaves Book", "with serious rewriting. This still leaves Book 1 fairly long, and I suspect", "and D plots. There isn’t much (direct) interaction between the two stories, though", "Since the details of my work might affect the answer, however, I include", "the books about the same size, but I’m not sure I can have", "closely aligned, as are my C and D plots. There isn’t much (direct)", "or two could be removed. Perhaps Plot D could be cut in its", "the rough draft of one. Having more-or-less completed the rough draft, however, I’ve", "is a more attractive proposition (i.e., more potential sales) than a duology. 7)", "and effort, so there’s a huge incentive to get it right the first", "four endings. 4) Cut, cut, cut from Book 1. Maybe a subplot or", "to fill out Book 2 (I’ve thought about doing this as well, as", "a character bridging over from Plot C to Plot B. Plot A ends", "1. Maybe a subplot or two could be removed. Perhaps Plot D could", "other story; without this knowledge, some events might seem to be happening “out", "“Other” is just a character bridging over from Plot C to Plot B.", "is ongoing and Plot D attains its climax. Book 2 (144k words): Plot", "details of my work might affect the answer, however, I include a brief", "their respective climaxes, while Plot C is mostly a long denouement with a", "leaves Book 1 fairly long, and I suspect that from a publisher’s perspective", "(I’ve thought about cutting it anyway, since it isn’t vital and is rather", "first book is much longer than my second and almost twice the size", "and almost twice the size of my third. The way I see it,", "Plot C reaches its climax. Book 3 (128k words): Plot A – 66k", "much longer than my second and almost twice the size of my third.", "B doesn’t get much play in this book anyway. Plot C is still", "2) Split the first book into two smaller books. This makes all the", "but close, and a rather different style as well. I’d like advice on", "the plot threads between books 1 and 2 if I do this. Maybe", "words Plot B – 64k words Plot C – 87k words Plot D", "with a bit of interplay with Plot A. Some rewriting could alter the", "myself. This might help get Book 1 published as-is, though the dramatically different", "well. I’d like advice on what to do, of course, but I’d also", "B gets no real conclusion at all, and Plot C reaches its climax.", "than my second and almost twice the size of my third. The way", "the overall…theme, for lack of a better word, could be maintained without all", "issue. Plus, my next book will probably be science fiction, not quite hard", "quite hard science fiction but close, and a rather different style as well.", "is, a single story that would almost certainly be published as three separate", "Write another book, try to get it published and make a name for", "Of my three-and-a-half or so plots, my A and B plots are more", "39k words Here Plots A and B reach their respective climaxes, while Plot", "like advice on how to decide what to do. I’ve been stuck here", "time and effort, so there’s a huge incentive to get it right the", "summary below, with approximate word counts. Before giving the breakdown of my plotlines,", "it isn’t vital and is rather darker than the rest of the story,", "do, of course, but I’d also like advice on how to decide what", "Other – 7k words In this book, Plots A and B get loosely", "Book 2); and perhaps some more details in Plot C would be good", "reverse direction: characters start out separately in the first book and come together", "milestone, Plot C is ongoing and Plot D attains its climax. Book 2", "or so plots, my A and B plots are more closely aligned, as", "2 and 3. Adding a subplot to Plot B could be a relatively", "Split the first book into two smaller books. This makes all the books", "the rough draft, however, I’ve noticed a potential problem. My books are of", "vital and is rather darker than the rest of the story, but I’ve", "do. Each option requires a significant investment of time and effort, so there’s", "single story that would almost certainly be published as three separate books with", "a good answer will help in more than just my particular circumstances. Since", "D attains its climax. Book 2 (144k words): Plot A – 77k words", "just a character bridging over from Plot C to Plot B. Plot A", "debut novel (strike one) that doesn’t stand on its own (strike two) from", "issue of the different book sizes, which I imagine might be annoying for", "third. The way I see it, I have seven options: 1) Polish up", "books about the same size, but I’m not sure I can have good", "in Plot C would be good in Book 3, though perhaps that would", "story as-is, and hope a publisher/agent will accept a large debut novel (strike", "A – 77k words Plot B – 7k words Plot C – 53k", "since it isn’t vital and is rather darker than the rest of the", "I do this. Maybe with enough rewriting. 3) Split the story into two", "I see it, I have seven options: 1) Polish up the story as-is,", "it). But trying to cut out half the book seems…ambitious. 5) Further flesh", "would almost certainly be published as three separate books with multiple branching plotlines.", "way I see it, I have seven options: 1) Polish up the story", "story-agnostic, in the hopes that a good answer will help in more than", "character bridging over from Plot C to Plot B. Plot A ends on", "between books 1 and 2 if I do this. Maybe with enough rewriting.", "a publisher’s perspective a trilogy is a more attractive proposition (i.e., more potential", "Plot D – 38k words In this book, all plot threads are effectively", "perhaps fixable with serious rewriting. This still leaves Book 1 fairly long, and", "and Plot D attains its climax. Book 2 (144k words): Plot A –", "held off thus far because of thematic consequences to removing it). But trying", "that Plot B gets so few words, though B doesn’t get much play", "Plot A ends on a semi-cliffhanger, Plot B gets no real conclusion at", "with enough rewriting. 3) Split the story into two parallel stories. Of my", "combined plot, which is part of the reason that Plot B gets so", "have seven options: 1) Polish up the story as-is*, and hope a publisher/agent", "stuck here for almost two months, unsure what to do. Each option requires", "blue”. Rewriting could probably fix this, though I’m not sure the overall…theme, for", "plotlines, let me note one important point. Where Lord of the Rings* has", "7k words Plot C – 53k words Other – 7k words In this", "enough rewriting. 3) Split the story into two parallel stories. Of my three-and-a-half", "plots, my A and B plots are more closely aligned, as are my", "of the different book sizes, which I imagine might be annoying for a", "me note one important point. Where Lord of the Rings has the characters", "published as-is, though the dramatically different book sizes would still be an issue.", "B reach their respective climaxes, while Plot C is mostly a long denouement", "my first book is much longer than my second and almost twice the", "three-and-a-half or so plots, my A and B plots are more closely aligned,", "interaction between the two stories, though both are reacting to the same outside", "flesh out Books 2 and 3. Adding a subplot to Plot B could", "together in the first book and then break apart into separate storylines in", "go the reverse direction: characters start out separately in the first book and", "Book 1 (255k words): Plot A – 65k words Plot B – 64k", "be a distraction. 6) Merge Books 2 and 3 into one. I’m not", "to cut out half the book seems…ambitious. 5) Further flesh out Books 2", "the details of my work might affect the answer, however, I include a", "advice on how to decide what to do. I’ve been stuck here for", "this knowledge, some events might seem to be happening “out of the blue”.", "however, I include a brief summary below, with approximate word counts. Before giving", "two could be removed. Perhaps Plot D could be cut in its entirety", "removed. Perhaps Plot D could be cut in its entirety (I’ve thought about", "to go at the end of a book. Still, perhaps fixable with serious", "affect the answer, however, I include a brief summary below, with approximate word", "(an assassination for Plots A and B and an invasion for Plots C", "from Book 1. Maybe a subplot or two could be removed. Perhaps Plot", "really wants to go at the end of a book. Still, perhaps fixable", "at least, I’ve written the rough draft of one. Having more-or-less completed the", "cutting it anyway, since it isn’t vital and is rather darker than the", "hope a publisher/agent will accept a large debut novel (strike one) that doesn’t", "third books, I go the reverse direction: characters start out separately in the", "simply be a distraction. 6) Merge Books 2 and 3 into one. I’m", "(I’ve thought about doing this as well, as Plot B is somewhat anemic", "knowledge, some events might seem to be happening “out of the blue”. Rewriting", "same outside events, and the events of one story does have some indirect", "start out separately in the first book and come together as the story", "parallel stories. Of my three-and-a-half or so plots, my A and B plots", "gets so few words, though B doesn’t get much play in this book", "draft, however, I’ve noticed a potential problem. My books are of dramatically different", "maintained without all four endings. 4) Cut, cut, cut from Book 1. Maybe", "Plot C to Plot B. Plot A ends on a semi-cliffhanger, Plot B", "could alter the amount of interaction that Plot C has with Plots A", "counts. Before giving the breakdown of my plotlines, let me note one important", "my work might affect the answer, however, I include a brief summary below,", "books, I go the reverse direction: characters start out separately in the first", "my third. The way I see it, I have seven options: 1) Polish", "fixable with serious rewriting. This still leaves Book 1 fairly long, and I", "time. Any advice would be greatly appreciated. Addendum: Thus far I’ve tried to", "significant milestone, Plot C is ongoing and Plot D attains its climax. Book", "book anyway. Plot C is still separate, and “Other” is just a character", "rewriting. This still leaves Book 1 fairly long, and I suspect that from", "be greatly appreciated. Addendum: Thus far I’ve tried to keep the question fairly", "and 2 if I do this. Maybe with enough rewriting. 3) Split the", "story does have some indirect effects on the other story; without this knowledge,", "advice on what to do, of course, but I’d also like advice on", "with approximate word counts. Before giving the breakdown of my plotlines, let me", "potential problem. My books are of dramatically different lengths. In particular, my first", "probably fix this, though I’m not sure the overall…theme, for lack of a", "giving the breakdown of my plotlines, let me note one important point. Where", "of my plotlines, let me note one important point. Where Lord of the", "out separately in the first book and come together as the story progresses.", "than the rest of the story, but I’ve held off thus far because", "65k words Plot B – 64k words Plot C – 87k words Plot", "makes all the books about the same size, but I’m not sure I", "in the first book and come together as the story progresses. Okay, so", "book sizes, which I imagine might be annoying for a reader. 2) Split", "one important point. Where Lord of the Rings* has the characters start out", "science fiction but close, and a rather different style as well. I’d like", "1 (255k words): Plot A – 65k words Plot B – 64k words", "B. Plot A ends on a semi-cliffhanger, Plot B gets no real conclusion", "Plot C is mostly a long denouement with a bit of interplay with", "as well. I’d like advice on what to do, of course, but I’d", "7k words In this book, Plots A and B get loosely merged into", "fiction, not quite hard science fiction but close, and a rather different style", "Plus, my next book will probably be science fiction, not quite hard science", "this. Maybe with enough rewriting. 3) Split the story into two parallel stories.", "the blue”. Rewriting could probably fix this, though I’m not sure the overall…theme,", "be removed. Perhaps Plot D could be cut in its entirety (I’ve thought", "plot, which is part of the reason that Plot B gets so few", "than just my particular circumstances. Since the details of my work might affect", "real conclusion at all, and Plot C reaches its climax. Book 3 (128k", "plotlines. Or at least, I’ve written the rough draft of one. Having more-or-less", "cut from Book 1. Maybe a subplot or two could be removed. Perhaps", "two parallel stories. Of my three-and-a-half or so plots, my A and B", "I’d like advice on what to do, of course, but I’d also like", "The way I see it, I have seven options: 1) Polish up the", "I have seven options: 1) Polish up the story as-is, and hope a", "a cliffhanger, Plot B reaches a significant milestone, Plot C is ongoing and", "but I’ve held off thus far because of thematic consequences to removing it).", "But trying to cut out half the book seems…ambitious. 5) Further flesh out", "another book, try to get it published and make a name for myself.", "of the story, but I’ve held off thus far because of thematic consequences", "I’ve noticed a potential problem. My books are of dramatically different lengths. In", "cliffhanger, Plot B reaches a significant milestone, Plot C is ongoing and Plot", "plot threads between books 1 and 2 if I do this. Maybe with", "name for myself. This might help get Book 1 published as-is, though the", "be a relatively easy and effective way to fill out Book 2 (I’ve", "Okay, so here’s the breakdown: Book 1 (255k words): Plot A – 65k", "could be cut in its entirety (I’ve thought about cutting it anyway, since", "a name for myself. This might help get Book 1 published as-is, though", "unsure what to do. Each option requires a significant investment of time and", "and effective way to fill out Book 2 (I’ve thought about doing this", "books 1 and 2 if I do this. Maybe with enough rewriting. 3)", "good in Book 3, though perhaps that would simply be a distraction. 6)", "the end of a book. Still, perhaps fixable with serious rewriting. This still", "words In this book, all plot threads are effectively independent. Mostly the characters", "not sure I can have good “stopping points” for the plot threads between", "it right the first time. Any advice would be greatly appreciated. Addendum: Thus", "respective climaxes, while Plot C is mostly a long denouement with a bit", "Books 2 and 3 and the climax of Plot B really wants to", "book is much longer than my second and almost twice the size of", "tried to keep the question fairly story-agnostic, in the hopes that a good", "effort, so there’s a huge incentive to get it right the first time.", "a time-skip between Books 2 and 3 and the climax of Plot B", "in its entirety (I’ve thought about cutting it anyway, since it isn’t vital", "on what to do, of course, but I’d also like advice on how", "a fantasy book, Lord of the Rings-style. That is, a single story that", "I’m not sure I can do this easily, since there’s a bit of", "events over which they have no direct control (an assassination for Plots A", "words): Plot A – 77k words Plot B – 7k words Plot C", "endings. 4) Cut, cut, cut from Book 1.* Maybe a subplot or two", "out Books 2 and 3. Adding a subplot to Plot B could be", "3 and the climax of Plot B really wants to go at the", "apart into separate storylines in the second and third books, I go the", "all four endings. 4) Cut, cut, cut from Book 1. Maybe a subplot", "happening “out of the blue”. Rewriting could probably fix this, though I’m not", "and the climax of Plot B really wants to go at the end", "this easily, since there’s a bit of a time-skip between Books 2 and", "one) that doesn’t stand on its own (strike two) from an unknown author", "lengths. In particular, my first book is much longer than my second and", "indirect effects on the other story; without this knowledge, some events might seem", "C would be good in Book 3, though perhaps that would simply be", "now. Write another book, try to get it published and make a name", "is much longer than my second and almost twice the size of my", "1 fairly long, and I suspect that from a publisher’s perspective a trilogy", "B and an invasion for Plots C and D). Plot A ends on", "as are my C and D plots. There isn’t much (direct) interaction between", "some indirect effects on the other story; without this knowledge, some events might", "– 64k words Plot C – 87k words Plot D – 38k words", "in the first book and then break apart into separate storylines in the", "my C and D plots. There isn’t much (direct) interaction between the two", "about doing this as well, as Plot B is somewhat anemic in Book", "could be a relatively easy and effective way to fill out Book 2", "of my work might affect the answer, however, I include a brief summary", "anyway. Plot C is still separate, and “Other” is just a character bridging", "of time and effort, so there’s a huge incentive to get it right", "I suspect that from a publisher’s perspective a trilogy is a more attractive", "7) Shelve the story for now. Write another book, try to get it", "C – 39k words Here Plots A and B reach their respective climaxes,", "an invasion for Plots C and D). Plot A ends on a cliffhanger,", "book sizes would still be an issue. Plus, my next book will probably", "a bit of a time-skip between Books 2 and 3 and the climax", "could be maintained without all four endings. 4) Cut, cut, cut from Book", "answer will help in more than just my particular circumstances. Since the details", "direct control (an assassination for Plots A and B and an invasion for", "removing it). But trying to cut out half the book seems…ambitious. 5) Further", "on the other story; without this knowledge, some events might seem to be", "book, Plots A and B get loosely merged into one combined plot, which", "the dramatically different book sizes would still be an issue. Plus, my next", "invasion for Plots C and D). Plot A ends on a cliffhanger, Plot", "in the hopes that a good answer will help in more than just", "as-is, and hope a publisher/agent will accept a large debut novel (strike one)", "climax. Book 2 (144k words): Plot A – 77k words Plot B –", "might seem to be happening “out of the blue”. Rewriting could probably fix", "do. I’ve been stuck here for almost two months, unsure what to do.", "options: 1) Polish up the story as-is*, and hope a publisher/agent will accept", "Where Lord of the Rings* has the characters start out together in the", "circumstances. Since the details of my work might affect the answer, however, I", "play in this book anyway. Plot C is still separate, and “Other” is", "I’ve written the rough draft of one. Having more-or-less completed the rough draft,", "(strike two) from an unknown author (strike three). This still doesn’t address the", "climax of Plot B really wants to go at the end of a", "over which they have no direct control (an assassination for Plots A and", "the reason that Plot B gets so few words, though B doesn’t get", "sure I can have good “stopping points” for the plot threads between books", "thematic consequences to removing it). But trying to cut out half the book", "3 (128k words): Plot A – 66k words Plot B – 24k words", "– 53k words Other – 7k words In this book, Plots A and", "sales) than a duology. 7) Shelve the story for now. Write another book,", "are more closely aligned, as are my C and D plots. There isn’t", "B plots are more closely aligned, as are my C and D plots.", "the two stories, though both are reacting to the same outside events, and", "a semi-cliffhanger, Plot B gets no real conclusion at all, and Plot C", "some events might seem to be happening “out of the blue”. Rewriting could", "a publisher/agent will accept a large debut novel (strike one) that doesn’t stand", "for myself. This might help get Book 1 published as-is, though the dramatically", "unknown author (strike three). This still doesn’t address the issue of the different", "more closely aligned, as are my C and D plots. There isn’t much", "into separate storylines in the second and third books, I go the reverse", "one. Having more-or-less completed the rough draft, however, I’ve noticed a potential problem.", "attains its climax. Book 2 (144k words): Plot A – 77k words Plot", "books. This makes all the books about the same size, but I’m not", "the first time. Any advice would be greatly appreciated. Addendum: Thus far I’ve", "might be annoying for a reader. 2) Split the first book into two", "gets no real conclusion at all, and Plot C reaches its climax. Book", "keep the question fairly story-agnostic, in the hopes that a good answer will", "does have some indirect effects on the other story; without this knowledge, some", "still separate, and “Other” is just a character bridging over from Plot C", "B – 7k words Plot C – 53k words Other – 7k words", "77k words Plot B – 7k words Plot C – 53k words Other", "probably be science fiction, not quite hard science fiction but close, and a", "seem to be happening “out of the blue”. Rewriting could probably fix this,", "characters are reacting to common events over which they have no direct control", "Lord of the Rings has the characters start out together in the first", "Any advice would be greatly appreciated. Addendum: Thus far I’ve tried to keep", "break apart into separate storylines in the second and third books, I go", "is somewhat anemic in Book 2); and perhaps some more details in Plot", "seven options: 1) Polish up the story as-is, and hope a publisher/agent will", "between the two stories, though both are reacting to the same outside events,", "decide* what to do. I’ve been stuck here for almost two months, unsure", "brief summary below, with approximate word counts. Before giving the breakdown of my", "do this easily, since there’s a bit of a time-skip between Books 2", "3) Split the story into two parallel stories. Of my three-and-a-half or so", "lack of a better word, could be maintained without all four endings. *4)", "not quite hard science fiction but close, and a rather different style as", "to Plot B could be a relatively easy and effective way to fill", "large debut novel (strike one) that doesn’t stand on its own (strike two)", "doesn’t address the issue of the different book sizes, which I imagine might", "to write a fantasy book, Lord of the Rings-style. That is, a single", "no real conclusion at all, and Plot C reaches its climax. Book 3", "24k words Plot C – 39k words Here Plots A and B reach", "no direct control (an assassination for Plots A and B and an invasion", "B – 64k words Plot C – 87k words Plot D – 38k", "three). This still doesn’t address the issue of the different book sizes, which", "my particular circumstances. Since the details of my work might affect the answer,", "off thus far because of thematic consequences to removing it). But trying to", "advice would be greatly appreciated. Addendum:* Thus far I’ve tried to keep the", "38k words In this book, all plot threads are effectively independent. Mostly the", "below, with approximate word counts. Before giving the breakdown of my plotlines, let", "C to Plot B. Plot A ends on a semi-cliffhanger, Plot B gets", "ongoing and Plot D attains its climax. Book 2 (144k words): Plot A", "hard science fiction but close, and a rather different style as well. I’d", "Plots C and D). Plot A ends on a cliffhanger, Plot B reaches", "requires a significant investment of time and effort, so there’s a huge incentive", "that doesn’t stand on its own (strike two) from an unknown author (strike", "53k words Other – 7k words In this book, Plots A and B", "to be happening “out of the blue”. Rewriting could probably fix this, though", "will help in more than just my particular circumstances. Since the details of", "significant investment of time and effort, so there’s a huge incentive to get", "been stuck here for almost two months, unsure what to do. Each option", "Plot B reaches a significant milestone, Plot C is ongoing and Plot D", "words Other – 7k words In this book, Plots A and B get", "Maybe with enough rewriting. 3) Split the story into two parallel stories. Of", "without all four endings. 4) Cut, cut, cut from Book 1. Maybe a", "relatively easy and effective way to fill out Book 2 (I’ve thought about", "Each option requires a significant investment of time and effort, so there’s a", "in the second and third books, I go the reverse direction: characters start", "end of a book. Still, perhaps fixable with serious rewriting. This still leaves", "certainly be published as three separate books with multiple branching plotlines. Or at", "bit of a time-skip between Books 2 and 3 and the climax of", "three separate books with multiple branching plotlines. Or at least, I’ve written the", "which I imagine might be annoying for a reader. 2) Split the first", "book seems…ambitious. 5) Further flesh out Books 2 and 3.** Adding a subplot", "is mostly a long denouement with a bit of interplay with Plot A.", "2 and 3 and the climax of Plot B really wants to go", "twice the size of my third. The way I see it, I have", "the question fairly story-agnostic, in the hopes that a good answer will help", "Plots A and B and an invasion for Plots C and D). Plot", "are effectively independent. Mostly the characters are reacting to common events over which", "same size, but I’m not sure I can have good “stopping points” for", "of course, but I’d also like advice on how to decide what to", "loosely merged into one combined plot, which is part of the reason that", "few words, though B doesn’t get much play in this book anyway. Plot", "C reaches its climax. Book 3 (128k words): Plot A – 66k words", "the issue of the different book sizes, which I imagine might be annoying", "C and D). Plot A ends on a cliffhanger, Plot B reaches a", "my second and almost twice the size of my third. The way I", "and 3. Adding a subplot to Plot B could be a relatively easy", "what to do. Each option requires a significant investment of time and effort,", "A and B reach their respective climaxes, while Plot C is mostly a", "have no direct control (an assassination for Plots A and B and an", "are my C and D plots. There isn’t much (direct) interaction between the", "the story into two parallel stories. Of my three-and-a-half or so plots, my", "get it published and make a name for myself. This might help get", "D could be cut in its entirety (I’ve thought about cutting it anyway,", "first book into two smaller books. This makes all the books about the", "style as well. I’d like advice on what to do, of course, but", "A ends on a semi-cliffhanger, Plot B gets no real conclusion at all,", "into one. I’m not sure I can do this easily, since there’s a", "for the plot threads between books 1 and 2 if I do this.", "both are reacting to the same outside events, and the events of one", "almost two months, unsure what to do. Each option requires a significant investment", "anyway, since it isn’t vital and is rather darker than the rest of", "go at the end of a book. Still, perhaps fixable with serious rewriting.", "breakdown of my plotlines, let me note one important point. Where Lord of", "my A and B plots are more closely aligned, as are my C", "Plot D attains its climax. Book 2 (144k words): Plot A – 77k", "6) Merge Books 2 and 3 into one.* I’m not sure I can", "its entirety (I’ve thought about cutting it anyway, since it isn’t vital and", "common events over which they have no direct control (an assassination for Plots", "of my third. The way I see it, I have seven options: 1)", "good “stopping points” for the plot threads between books 1 and 2 if", "4) Cut, cut, cut from Book 1. Maybe a subplot or two could", "months, unsure what to do. Each option requires a significant investment of time", "just my particular circumstances. Since the details of my work might affect the", "thus far because of thematic consequences to removing it). But trying to cut", "Books 2 and 3. Adding a subplot to Plot B could be a", "Addendum: Thus far I’ve tried to keep the question fairly story-agnostic, in the", "Shelve the story for now. Write another book, try to get it published", "appreciated. Addendum: Thus far I’ve tried to keep the question fairly story-agnostic, in", "can have good “stopping points” for the plot threads between books 1 and", "easy and effective way to fill out Book 2 (I’ve thought about doing", "the story for now. Write another book, try to get it published and", "A and B and an invasion for Plots C and D). Plot A", "different book sizes would still be an issue. Plus, my next book will", "are of dramatically different lengths. In particular, my first book is much longer", "cut in its entirety (I’ve thought about cutting it anyway, since it isn’t", "threads are effectively independent. Mostly the characters are reacting to common events over", "D plots. There isn’t much (direct) interaction between the two stories, though both", "Lord of the Rings-style. That is, a single story that would almost certainly", "multiple branching plotlines. Or at least, I’ve written the rough draft of one.", "book, all plot threads are effectively independent. Mostly the characters are reacting to", "so few words, though B doesn’t get much play in this book anyway.", "(144k words): Plot A – 77k words Plot B – 7k words Plot", "in Book 3, though perhaps that would simply be a distraction. *6) Merge", "B is somewhat anemic in Book 2); and perhaps some more details in", "Plot C – 53k words Other – 7k words In this book, Plots", "so there’s a huge incentive to get it right the first time. Any", "point. Where Lord of the Rings* has the characters start out together in", "the Rings* has the characters start out together in the first book and", "make a name for myself. This might help get Book 1 published as-is,", "get loosely merged into one combined plot, which is part of the reason", "so here’s the breakdown: Book 1 (255k words): Plot A – 65k words", "this, though I’m not sure the overall…theme, for lack of a better word,", "and 3 into one. I’m not sure I can do this easily, since", "on a cliffhanger, Plot B reaches a significant milestone, Plot C is ongoing", "Rewriting could probably fix this, though I’m not sure the overall…theme, for lack", "A – 65k words Plot B – 64k words Plot C – 87k", "for a reader. 2) Split the first book into two smaller books. This", "Maybe a subplot or two could be removed. Perhaps Plot D could be", "assassination for Plots A and B and an invasion for Plots C and", "and I suspect that from a publisher’s perspective a trilogy is a more", "doesn’t get much play in this book anyway. Plot C is still separate,", "next book will probably be science fiction, not quite hard science fiction but", "reaches its climax. Book 3 (128k words): Plot A – 66k words Plot", "rather different style as well. I’d like advice on what to do, of", "Plot C – 39k words Here Plots A and B reach their respective", "3. Adding a subplot to Plot B could be a relatively easy and", "over from Plot C to Plot B. Plot A ends on a semi-cliffhanger,", "close, and a rather different style as well. I’d like advice on what", "isn’t vital and is rather darker than the rest of the story, but", "two stories, though both are reacting to the same outside events, and the", "help in more than just my particular circumstances. Since the details of my", "though the dramatically different book sizes would still be an issue. Plus, my", "3, though perhaps that would simply be a distraction. 6) Merge Books 2", "out together in the first book and then break apart into separate storylines", "C – 53k words Other – 7k words In this book, Plots A", "Plots A and B get loosely merged into one combined plot, which is", "threads between books 1 and 2 if I do this. Maybe with enough", "a significant milestone, Plot C is ongoing and Plot D attains its climax.", "Polish up the story as-is, and hope a publisher/agent will accept a large", "for lack of a better word, could be maintained without all four endings.", "at the end of a book. Still, perhaps fixable with serious rewriting. This", "Some rewriting could alter the amount of interaction that Plot C has with", "C and D plots. There isn’t much (direct) interaction between the two stories,", "isn’t much (direct) interaction between the two stories, though both are reacting to", "there’s a bit of a time-skip between Books 2 and 3 and the", "as well, as Plot B is somewhat anemic in Book 2); and perhaps", "– 24k words Plot C – 39k words Here Plots A and B", "merged into one combined plot, which is part of the reason that Plot", "which is part of the reason that Plot B gets so few words,", "completed the rough draft, however, I’ve noticed a potential problem. My books are", "and D). Plot A ends on a cliffhanger, Plot B reaches a significant", "that a good answer will help in more than just my particular circumstances.", "a brief summary below, with approximate word counts. Before giving the breakdown of", "sure the overall…theme, for lack of a better word, could be maintained without", "answer, however, I include a brief summary below, with approximate word counts. Before", "size, but I’m not sure I can have good “stopping points” for the", "science fiction, not quite hard science fiction but close, and a rather different", "is rather darker than the rest of the story, but I’ve held off", "Plot A – 66k words Plot B – 24k words Plot C –", "first book and come together as the story progresses. Okay, so here’s the", "This makes all the books about the same size, but I’m not sure", "Split the story into two parallel stories.** Of my three-and-a-half or so plots,", "thought about cutting it anyway, since it isn’t vital and is rather darker", "to decide* what to do. I’ve been stuck here for almost two months,", "of dramatically different lengths. In particular, my first book is much longer than", "for almost two months, unsure what to do. Each option requires a significant", "A ends on a cliffhanger, Plot B reaches a significant milestone, Plot C", "“stopping points” for the plot threads between books 1 and 2 if I", "what to do. I’ve been stuck here for almost two months, unsure what", "publisher’s perspective a trilogy is a more attractive proposition (i.e., more potential sales)", "a significant investment of time and effort, so there’s a huge incentive to", "Plot C is ongoing and Plot D attains its climax. Book 2 (144k", "all, and Plot C reaches its climax. Book 3 (128k words): Plot A", "as the story progresses. Okay, so here’s the breakdown: Book 1 (255k words):", "can do this easily, since there’s a bit of a time-skip between Books", "be annoying for a reader. *2) Split the first book into two smaller", "“out of the blue”. Rewriting could probably fix this, though I’m not sure", "the story, but I’ve held off thus far because of thematic consequences to", "be happening “out of the blue”. Rewriting could probably fix this, though I’m", "also like advice on how to decide* what to do. I’ve been stuck", "are reacting to common events over which they have no direct control (an", "as Plot B is somewhat anemic in Book 2); and perhaps some more", "C – 87k words Plot D – 38k words In this book, all", "a more attractive proposition (i.e., more potential sales) than a duology. 7) Shelve", "imagine might be annoying for a reader. 2) Split the first book into", "to Plot B. Plot A ends on a semi-cliffhanger, Plot B gets no", "stories. Of my three-and-a-half or so plots, my A and B plots are", "Further flesh out Books 2 and 3. Adding a subplot to Plot B", "Book 3 (128k words): Plot A – 66k words Plot B – 24k", "A – 66k words Plot B – 24k words Plot C – 39k", "it anyway, since it isn’t vital and is rather darker than the rest", "book, Lord of the Rings-style. That is, a single story that would almost", "be an issue. Plus, my next book will probably be science fiction, not", "Plot A – 65k words Plot B – 64k words Plot C –", "I’m not sure I can have good “stopping points” for the plot threads", "B – 24k words Plot C – 39k words Here Plots A and", "D). Plot A ends on a cliffhanger, Plot B reaches a significant milestone,", "of the Rings-style. That is, a single story that would almost certainly be", "for now.* Write another book, try to get it published and make a", "subplot or two could be removed. Perhaps Plot D could be cut in", "book into two smaller books. This makes all the books about the same", "I include a brief summary below, with approximate word counts. Before giving the", "Book 2 (I’ve thought about doing this as well, as Plot B is", "This still doesn’t address the issue of the different book sizes, which I", "There isn’t much (direct) interaction between the two stories, though both are reacting", "investment of time and effort, so there’s a huge incentive to get it", "plots are more closely aligned, as are my C and D plots. There", "Book 3, though perhaps that would simply be a distraction. 6) Merge Books", "it published and make a name for myself. This might help get Book", "Plot C – 87k words Plot D – 38k words In this book,", "has the characters start out together in the first book and then break", "in this book anyway. Plot C is still separate, and “Other” is just", "a large debut novel (strike one) that doesn’t stand on its own (strike", "to do. Each option requires a significant investment of time and effort, so", "the climax of Plot B really wants to go at the end of", "I’ve held off thus far because of thematic consequences to removing it). But", "Plot C would be good in Book 3, though perhaps that would simply", "doesn’t stand on its own (strike two) from an unknown author (strike three).", "separate books with multiple branching plotlines. Or at least, I’ve written the rough", "Rings-style. That is, a single story that would almost certainly be published as", "still doesn’t address the issue of the different book sizes, which I imagine", "I’ve managed to write a fantasy book, Lord of the Rings-style. That is,", "the rest of the story, but I’ve held off thus far because of", "without this knowledge, some events might seem to be happening “out of the", "would be good in Book 3, though perhaps that would simply be a", "Plot C is still separate, and “Other” is just a character bridging over", "is still separate, and “Other” is just a character bridging over from Plot", "serious rewriting. This still leaves Book 1 fairly long, and I suspect that", "the size of my third. The way I see it, I have seven", "the first book into two smaller books.* This makes all the books about", "do this. Maybe with enough rewriting. 3) Split the story into two parallel", "87k words Plot D – 38k words In this book, all plot threads", "and “Other” is just a character bridging over from Plot C to Plot", "Cut, cut, cut from Book 1. Maybe a subplot or two could be", "word counts. Before giving the breakdown of my plotlines, let me note one", "come together as the story progresses. Okay, so here’s the breakdown: Book 1", "words Plot B – 7k words Plot C – 53k words Other –", "different lengths. In particular, my first book is much longer than my second", "address the issue of the different book sizes, which I imagine might be", "I’ve tried to keep the question fairly story-agnostic, in the hopes that a", "words Plot D – 38k words In this book, all plot threads are", "and make a name for myself. This might help get Book 1 published", "see it, I have seven options: 1) Polish up the story as-is, and", "and a rather different style as well. I’d like advice on what to", "Plot A – 77k words Plot B – 7k words Plot C –", "and hope a publisher/agent will accept a large debut novel (strike one) that", "reader. 2) Split the first book into two smaller books. This makes all", "Plot B – 24k words Plot C – 39k words Here Plots A", "effective way to fill out Book 2 (I’ve thought about doing this as", "a relatively easy and effective way to fill out Book 2 (I’ve thought", "like advice on what to do, of course, but I’d also like advice", "alter the amount of interaction that Plot C has with Plots A and", "and B and an invasion for Plots C and D). Plot A ends", "branching plotlines. Or at least, I’ve written the rough draft of one. Having", "words): Plot A – 65k words Plot B – 64k words Plot C", "darker than the rest of the story, but I’ve held off thus far", "I’m not sure the overall…theme, for lack of a better word, could be", "that would almost certainly be published as three separate books with multiple branching", "published and make a name for myself. This might help get Book 1", "(128k words): Plot A – 66k words Plot B – 24k words Plot", "to get it right the first time. Any advice would be greatly appreciated.", "words Here Plots A and B reach their respective climaxes, while Plot C", "because of thematic consequences to removing it). But trying to cut out half", "there’s a huge incentive to get it right the first time. Any advice", "note one important point. Where Lord of the Rings has the characters start", "Having more-or-less completed the rough draft, however, I’ve noticed a potential problem. My", "2 (I’ve thought about doing this as well, as Plot B is somewhat", "first time. Any advice would be greatly appreciated. Addendum: Thus far I’ve tried", "let me note one important point. Where Lord of the Rings has the", "story, but I’ve held off thus far because of thematic consequences to removing", "own (strike two) from an unknown author (strike three). This still doesn’t address", "since there’s a bit of a time-skip between Books 2 and 3 and", "(strike one) that doesn’t stand on its own (strike two) from an unknown", "what to do, of course, but I’d also like advice on how to", "a subplot to Plot B could be a relatively easy and effective way", "that would simply be a distraction. 6) Merge Books 2 and 3 into", "A. Some rewriting could alter the amount of interaction that Plot C has", "different book sizes, which I imagine might be annoying for a reader. 2)", "hopes that a good answer will help in more than just my particular", "a distraction. 6) Merge Books 2 and 3 into one.* I’m not sure", "the characters start out together in the first book and then break apart", "words, though B doesn’t get much play in this book anyway. Plot C", "out Book 2 (I’ve thought about doing this as well, as Plot B", "Book 1. Maybe a subplot or two could be removed. Perhaps Plot D", "particular circumstances. Since the details of my work might affect the answer, however,", "Plot A ends on a cliffhanger, Plot B reaches a significant milestone, Plot", "its climax. Book 3 (128k words): Plot A – 66k words Plot B", "thought about doing this as well, as Plot B is somewhat anemic in", "more potential sales) than a duology. 7) Shelve the story for now. Write", "of one story does have some indirect effects on the other story; without", "wants to go at the end of a book. Still, perhaps fixable with", "still be an issue. Plus, my next book will probably be science fiction,", "two months, unsure what to do. Each option requires a significant investment of", "independent. Mostly the characters are reacting to common events over which they have", "subplot to Plot B could be a relatively easy and effective way to", "– 7k words In this book, Plots A and B get loosely merged", "from Plot C to Plot B. Plot A ends on a semi-cliffhanger, Plot", "books with multiple branching plotlines. Or at least, I’ve written the rough draft", "1 and 2 if I do this. Maybe with enough rewriting. 3) Split", "outside events, and the events of one story does have some indirect effects", "as-is, though the dramatically different book sizes would still be an issue. Plus,", "author (strike three). This still doesn’t address the issue of the different book", "on its own (strike two) from an unknown author (strike three). This still", "though perhaps that would simply be a distraction. *6) Merge Books 2 and", "mostly a long denouement with a bit of interplay with Plot A. Some", "Before giving the breakdown of my plotlines, let me note one important point.", "This might help get Book 1 published as-is, though the dramatically different book", "good answer will help in more than just my particular circumstances. Since the", "as three separate books with multiple branching plotlines. Or at least, I’ve written", "effectively independent. Mostly the characters are reacting to common events over which they", "B gets so few words, though B doesn’t get much play in this", "B could be a relatively easy and effective way to fill out Book", "a huge incentive to get it right the first time. Any advice would", "entirety (I’ve thought about cutting it anyway, since it isn’t vital and is", "and Plot C reaches its climax. Book 3 (128k words): Plot A –", "I can have good “stopping points” for the plot threads between books 1", "somewhat anemic in Book 2); and perhaps some more details in Plot C", "size of my third. The way I see it, I have seven options:", "bridging over from Plot C to Plot B. Plot A ends on a", "one story does have some indirect effects on the other story; without this", "almost certainly be published as three separate books with multiple branching plotlines. Or", "publisher/agent will accept a large debut novel (strike one) that doesn’t stand on", "storylines in the second and third books, I go the reverse direction: characters", "fantasy book, Lord of the Rings-style. That is, a single story that would", "C is mostly a long denouement with a bit of interplay with Plot", "the second and third books, I go the reverse direction: characters start out", "it, I have seven options: 1) Polish up the story as-is, and hope", "the reverse direction: characters start out separately in the first book and come", "seems…ambitious. 5) Further flesh out Books 2 and 3.* Adding a subplot to", "an unknown author (strike three). This still doesn’t address the issue of the", "story progresses. Okay, so here’s the breakdown: Book 1 (255k words): Plot A", "start out together in the first book and then break apart into separate", "2); and perhaps some more details in Plot C would be good in", "Rings* has the characters start out together in the first book and then", "reach their respective climaxes, while Plot C is mostly a long denouement with", "might help get Book 1 published as-is, though the dramatically different book sizes", "if I do this. Maybe with enough rewriting. *3) Split the story into", "all the books about the same size, but I’m not sure I can", "the breakdown of my plotlines, let me note one important point. Where Lord", "and 3 and the climax of Plot B really wants to go at", "try to get it published and make a name for myself. This might", "into one combined plot, which is part of the reason that Plot B", "plot threads are effectively independent. Mostly the characters are reacting to common events", "fairly story-agnostic, in the hopes that a good answer will help in more", "In particular, my first book is much longer than my second and almost", "this book, all plot threads are effectively independent. Mostly the characters are reacting", "on a semi-cliffhanger, Plot B gets no real conclusion at all, and Plot", "words Plot B – 24k words Plot C – 39k words Here Plots", "so plots, my A and B plots are more closely aligned, as are", "book and then break apart into separate storylines in the second and third", "not sure I can do this easily, since there’s a bit of a", "rewriting. 3) Split the story into two parallel stories. Of my three-and-a-half or", "D – 38k words In this book, all plot threads are effectively independent.", "about the same size, but I’m not sure I can have good “stopping", "Merge Books 2 and 3 into one. I’m not sure I can do", "B really wants to go at the end of a book. Still, perhaps", "cut out half the book seems…ambitious. 5) Further flesh out Books 2 and", "a better word, could be maintained without all four endings. *4) Cut, cut,", "managed to write a fantasy book, Lord of the Rings-style. That is, a", "is just a character bridging over from Plot C to Plot B. Plot", "Perhaps Plot D could be cut in its entirety (I’ve thought about cutting", "suspect that from a publisher’s perspective a trilogy is a more attractive proposition", "right the first time. Any advice would be greatly appreciated. Addendum:* Thus far", "2 if I do this. Maybe with enough rewriting. 3) Split the story", "aligned, as are my C and D plots. There isn’t much (direct) interaction", "the other story; without this knowledge, some events might seem to be happening", "dramatically different lengths. In particular, my first book is much longer than my", "perhaps that would simply be a distraction. 6) Merge Books 2 and 3", "from an unknown author (strike three). This still doesn’t address the issue of", "out half the book seems…ambitious. 5) Further flesh out Books 2 and 3.", "a trilogy is a more attractive proposition (i.e., more potential sales) than a", "5) Further flesh out Books 2 and 3. Adding a subplot to Plot", "proposition (i.e., more potential sales) than a duology. *7) Shelve the story for", "– 66k words Plot B – 24k words Plot C – 39k words", "to do, of course, but I’d also like advice on how to decide", "climax. Book 3 (128k words): Plot A – 66k words Plot B –", "long, and I suspect that from a publisher’s perspective a trilogy is a", "to do. I’ve been stuck here for almost two months, unsure what to", "published as three separate books with multiple branching plotlines. Or at least, I’ve", "more than just my particular circumstances. Since the details of my work might", "still leaves Book 1 fairly long, and I suspect that from a publisher’s", "events of one story does have some indirect effects on the other story;", "get it right the first time. Any advice would be greatly appreciated. Addendum:", "bit of interplay with Plot A. Some rewriting could alter the amount of", "– 7k words Plot C – 53k words Other – 7k words In", "This still leaves Book 1 fairly long, and I suspect that from a", "story; without this knowledge, some events might seem to be happening “out of", "of a time-skip between Books 2 and 3 and the climax of Plot", "incentive to get it right the first time. Any advice would be greatly", "be science fiction, not quite hard science fiction but close, and a rather", "on how to decide* what to do. I’ve been stuck here for almost", "(255k words): Plot A – 65k words Plot B – 64k words Plot", "a potential problem. My books are of dramatically different lengths. In particular, my", "not sure the overall…theme, for lack of a better word, could be maintained", "ends on a semi-cliffhanger, Plot B gets no real conclusion at all, and", "separately in the first book and come together as the story progresses. Okay,", "effects on the other story; without this knowledge, some events might seem to", "could be removed. Perhaps Plot D could be cut in its entirety (I’ve", "direction: characters start out separately in the first book and come together as", "with Plot A. Some rewriting could alter the amount of interaction that Plot", "the amount of interaction that Plot C has with Plots A and B.", "Plot B gets so few words, though B doesn’t get much play in", "of a better word, could be maintained without all four endings. *4) Cut,", "separate, and “Other” is just a character bridging over from Plot C to", "overall…theme, for lack of a better word, could be maintained without all four", "book. Still, perhaps fixable with serious rewriting. This still leaves Book 1 fairly", "I’d also like advice on how to decide* what to do. I’ve been", "up the story as-is*, and hope a publisher/agent will accept a large debut", "sizes would still be an issue. Plus, my next book will probably be", "characters start out separately in the first book and come together as the", "for Plots A and B and an invasion for Plots C and D).", "and B reach their respective climaxes, while Plot C is mostly a long", "how to decide* what to do. I’ve been stuck here for almost two", "rough draft of one. Having more-or-less completed the rough draft, however, I’ve noticed", "the Rings-style. That is, a single story that would almost certainly be published", "its own (strike two) from an unknown author (strike three). This still doesn’t", "though both are reacting to the same outside events, and the events of", "a subplot or two could be removed. Perhaps Plot D could be cut", "Book 1 fairly long, and I suspect that from a publisher’s perspective a", "with multiple branching plotlines. Or at least, I’ve written the rough draft of", "1 published as-is, though the dramatically different book sizes would still be an", "different style as well. I’d like advice on what to do, of course,", "and come together as the story progresses. Okay, so here’s the breakdown: Book", "B reaches a significant milestone, Plot C is ongoing and Plot D attains", "a long denouement with a bit of interplay with Plot A. Some rewriting", "to the same outside events, and the events of one story does have", "between Books 2 and 3 and the climax of Plot B really wants", "66k words Plot B – 24k words Plot C – 39k words Here", "reason that Plot B gets so few words, though B doesn’t get much", "the different book sizes, which I imagine might be annoying for a reader.", "I can do this easily, since there’s a bit of a time-skip between", "which they have no direct control (an assassination for Plots A and B", "particular, my first book is much longer than my second and almost twice", "distraction. 6) Merge Books 2 and 3 into one.* I’m not sure I", "into two smaller books. This makes all the books about the same size,", "have some indirect effects on the other story; without this knowledge, some events", "a bit of interplay with Plot A. Some rewriting could alter the amount", "two) from an unknown author (strike three). This still doesn’t address the issue", "word, could be maintained without all four endings. 4) Cut, cut, cut from", "doing this as well, as Plot B is somewhat anemic in Book 2);", "this book anyway. Plot C is still separate, and “Other” is just a", "sure I can do this easily, since there’s a bit of a time-skip", "greatly appreciated. Addendum: Thus far I’ve tried to keep the question fairly story-agnostic,", "characters start out together in the first book and then break apart into", "one. I’m not sure I can do this easily, since there’s a bit", "be cut in its entirety (I’ve thought about cutting it anyway, since it", "more details in Plot C would be good in Book 3, though perhaps", "for Plots C and D). Plot A ends on a cliffhanger, Plot B", "cut, cut from Book 1. Maybe a subplot or two could be removed.", "a single story that would almost certainly be published as three separate books", "and the events of one story does have some indirect effects on the", "well, as Plot B is somewhat anemic in Book 2); and perhaps some", "would still be an issue. Plus, my next book will probably be science", "this as well, as Plot B is somewhat anemic in Book 2); and", "(i.e., more potential sales) than a duology. 7) Shelve the story for now.", "my next book will probably be science fiction, not quite hard science fiction", "and perhaps some more details in Plot C would be good in Book", "details in Plot C would be good in Book 3, though perhaps that", "important point. Where Lord of the Rings has the characters start out together", "will probably be science fiction, not quite hard science fiction but close, and", "more-or-less completed the rough draft, however, I’ve noticed a potential problem. My books", "rather darker than the rest of the story, but I’ve held off thus", "much play in this book anyway. Plot C is still separate, and “Other”", "in Book 2); and perhaps some more details in Plot C would be", "Plot D could be cut in its entirety (I’ve thought about cutting it", "(strike three). This still doesn’t address the issue of the different book sizes,", "the same outside events, and the events of one story does have some", "I’ve been stuck here for almost two months, unsure what to do. Each", "story into two parallel stories. Of my three-and-a-half or so plots, my A", "work might affect the answer, however, I include a brief summary below, with", "fill out Book 2 (I’ve thought about doing this as well, as Plot", "stories, though both are reacting to the same outside events, and the events", "Book 1 published as-is, though the dramatically different book sizes would still be", "My books are of dramatically different lengths. In particular, my first book is", "include a brief summary below, with approximate word counts. Before giving the breakdown", "together as the story progresses. Okay, so here’s the breakdown: Book 1 (255k", "fix this, though I’m not sure the overall…theme, for lack of a better", "Plot B – 7k words Plot C – 53k words Other – 7k", "A and B plots are more closely aligned, as are my C and", "half the book seems…ambitious. 5) Further flesh out Books 2 and 3. Adding", "fairly long, and I suspect that from a publisher’s perspective a trilogy is", "I go the reverse direction: characters start out separately in the first book", "B get loosely merged into one combined plot, which is part of the", "of interplay with Plot A. Some rewriting could alter the amount of interaction", "climaxes, while Plot C is mostly a long denouement with a bit of", "get much play in this book anyway. Plot C is still separate, and", "an issue. Plus, my next book will probably be science fiction, not quite", "the first book and come together as the story progresses. Okay, so here’s", "1) Polish up the story as-is*, and hope a publisher/agent will accept a", "but I’d also like advice on how to decide* what to do. I’ve", "and third books, I go the reverse direction: characters start out separately in", "is part of the reason that Plot B gets so few words, though", "perspective a trilogy is a more attractive proposition (i.e., more potential sales) than", "words Plot C – 53k words Other – 7k words In this book,", "rough draft, however, I’ve noticed a potential problem. My books are of dramatically", "words): Plot A – 66k words Plot B – 24k words Plot C", "a reader. 2) Split the first book into two smaller books. This makes", "That is, a single story that would almost certainly be published as three", "could probably fix this, though I’m not sure the overall…theme, for lack of", "though I’m not sure the overall…theme, for lack of a better word, could", "fiction but close, and a rather different style as well. I’d like advice", "(direct) interaction between the two stories, though both are reacting to the same", "then break apart into separate storylines in the second and third books, I", "64k words Plot C – 87k words Plot D – 38k words In", "reacting to the same outside events, and the events of one story does", "part of the reason that Plot B gets so few words, though B", "be maintained without all four endings. 4) Cut, cut, cut from Book 1.", "– 38k words In this book, all plot threads are effectively independent. Mostly", "Here Plots A and B reach their respective climaxes, while Plot C is", "get Book 1 published as-is, though the dramatically different book sizes would still", "time-skip between Books 2 and 3 and the climax of Plot B really", "though B doesn’t get much play in this book anyway. Plot C is", "way to fill out Book 2 (I’ve thought about doing this as well,", "perhaps some more details in Plot C would be good in Book 3,", "I imagine might be annoying for a reader. 2) Split the first book", "first book and then break apart into separate storylines in the second and", "In this book, Plots A and B get loosely merged into one combined", "the story as-is, and hope a publisher/agent will accept a large debut novel", "might affect the answer, however, I include a brief summary below, with approximate", "approximate word counts. Before giving the breakdown of my plotlines, let me note", "one combined plot, which is part of the reason that Plot B gets", "least, I’ve written the rough draft of one. Having more-or-less completed the rough", "far I’ve tried to keep the question fairly story-agnostic, in the hopes that", "be published as three separate books with multiple branching plotlines. Or at least,", "to keep the question fairly story-agnostic, in the hopes that a good answer", "better word, could be maintained without all four endings. 4) Cut, cut, cut", "A and B get loosely merged into one combined plot, which is part", "Plots A and B reach their respective climaxes, while Plot C is mostly", "trilogy is a more attractive proposition (i.e., more potential sales) than a duology.", "this book, Plots A and B get loosely merged into one combined plot,", "while Plot C is mostly a long denouement with a bit of interplay", "but I’m not sure I can have good “stopping points” for the plot", "the answer, however, I include a brief summary below, with approximate word counts.", "than a duology. 7) Shelve the story for now.** Write another book, try", "books are of dramatically different lengths. In particular, my first book is much", "of Plot B really wants to go at the end of a book.", "dramatically different book sizes would still be an issue. Plus, my next book" ]
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[ "stuff which I (the writer) WANTED but isn't possible.\" Well, this thought defines", "a story. Then you have a character who has this \"feature of a", "this thought defines the notion of \"A character who was born to fulfill", "who \"lives that cool stuff which I (the writer) WANTED but isn't possible.\"", "reality and so on...) we want to experience some situations which aren't possible", "this character to tell? --- [1] <https://www.youtube.com/watch?v=KcXVGIi1m28> (in time interval of 3:16 -", "you introduce a story. Then you have a character who has this \"feature", "\"A character who was born to fulfill an author's power fantasy [1].\" But,", "again, as a writer you introduce a story. Then you have a character", "of a Canon Sue\" but isn't. Considering a part of this video [1],", "this video [1], how can I identify a Canon Sue? I mean, suppose", "character who \"lives that cool stuff which I (the writer) WANTED but isn't", "writer you can create a character who \"lives that cool stuff which I", "speculative about reality and so on...) we want to experience some situations which", "but isn't possible.\" Well, this thought defines the notion of \"A character who", "of this video [1], how can I identify a Canon Sue? I mean,", "can \"live your dream\"/\"do something that the author wants to do but is", "writer) WANTED but isn't possible.\" Well, this thought defines the notion of \"A", "Canon Sue? I mean, suppose that you want to fly by yourself. Are", "defines the notion of \"A character who was born to fulfill an author's", "writer you introduce a story. Then you have a character who has this", "wants to do but is impossible in our reality\" (fly by yourself), even", "fly by yourself. Are you really creating a Canon Sue by inventing a", "create a character who \"lives that cool stuff which I (the writer) WANTED", "Well, this thought defines the notion of \"A character who was born to", "as a writer you introduce a story. Then you have a character who", "was born to fulfill an author's power fantasy [1].\" But, again, as a", "our reality\" (fly by yourself), even though you have a proper story of", "want to fly by yourself. Are you really creating a Canon Sue by", "to fulfill an author's power fantasy [1].\" But, again, as a writer you", "inventing a character who can \"live your dream\"/\"do something that the author wants", "video [1], how can I identify a Canon Sue? I mean, suppose that", "how can I identify a Canon Sue? I mean, suppose that you want", "a writer you introduce a story. Then you have a character who has", "is impossible in our reality\" (fly by yourself), even though you have a", "of \"A character who was born to fulfill an author's power fantasy [1].\"", "power fantasy [1].\" But, again, as a writer you introduce a story. Then", "and therefore creative, speculative about reality and so on...) we want to experience", "a Canon Sue? I mean, suppose that you want to fly by yourself.", "your dream\"/\"do something that the author wants to do but is impossible in", "intelligent species, and therefore creative, speculative about reality and so on...) we want", "by yourself. Are you really creating a Canon Sue by inventing a character", "impossible in our reality\" (fly by yourself), even though you have a proper", "situations which aren't possible at all. Then as a writer you can create", "by yourself), even though you have a proper story of this character to", "you want to fly by yourself. 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Then as a writer you can create a character who \"lives that", "creating a Canon Sue by inventing a character who can \"live your dream\"/\"do", "we want to experience some situations which aren't possible at all. Then as", "can create a character who \"lives that cool stuff which I (the writer)", "suppose that you want to fly by yourself. Are you really creating a", "of this character to tell? --- [1] <https://www.youtube.com/watch?v=KcXVGIi1m28> (in time interval of 3:16", "and so on...) we want to experience some situations which aren't possible at", "character who has this \"feature of a Canon Sue\" but isn't. Considering a", "you have a proper story of this character to tell? --- [1] <https://www.youtube.com/watch?v=KcXVGIi1m28>", "which I (the writer) WANTED but isn't possible.\" Well, this thought defines the", "Canon Sue\" but isn't. Considering a part of this video [1], how can", "a character who \"lives that cool stuff which I (the writer) WANTED but", "Canon Sue by inventing a character who can \"live your dream\"/\"do something that", "Then as a writer you can create a character who \"lives that cool", "has this \"feature of a Canon Sue\" but isn't. Considering a part of", "experience some situations which aren't possible at all. Then as a writer you", "character to tell? --- [1] <https://www.youtube.com/watch?v=KcXVGIi1m28> (in time interval of 3:16 - 3:20)", "part of this video [1], how can I identify a Canon Sue? I", "some situations which aren't possible at all. Then as a writer you can", "a Canon Sue by inventing a character who can \"live your dream\"/\"do something", "want to experience some situations which aren't possible at all. Then as a", "reality\" (fly by yourself), even though you have a proper story of this", "I mean, suppose that you want to fly by yourself. Are you really", "Considering a part of this video [1], how can I identify a Canon", "possible at all. Then as a writer you can create a character who", "do but is impossible in our reality\" (fly by yourself), even though you", "identify a Canon Sue? I mean, suppose that you want to fly by", "who can \"live your dream\"/\"do something that the author wants to do but", "creative, speculative about reality and so on...) we want to experience some situations", "species, and therefore creative, speculative about reality and so on...) we want to", "fulfill an author's power fantasy [1].\" But, again, as a writer you introduce", "you have a character who has this \"feature of a Canon Sue\" but", "therefore creative, speculative about reality and so on...) we want to experience some", "[1].\" But, again, as a writer you introduce a story. 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Then you have a character who has this \"feature of", "[1], how can I identify a Canon Sue? I mean, suppose that you", "isn't possible.\" Well, this thought defines the notion of \"A character who was", "something that the author wants to do but is impossible in our reality\"", "a character who can \"live your dream\"/\"do something that the author wants to", "a Canon Sue\" but isn't. Considering a part of this video [1], how", "an intelligent species, and therefore creative, speculative about reality and so on...) we", "on...) we want to experience some situations which aren't possible at all. Then", "I (the writer) WANTED but isn't possible.\" Well, this thought defines the notion", "story of this character to tell? --- [1] <https://www.youtube.com/watch?v=KcXVGIi1m28> (in time interval of", "as a writer you can create a character who \"lives that cool stuff", "that you want to fly by yourself. Are you really creating a Canon", "a writer you can create a character who \"lives that cool stuff which", "yourself. Are you really creating a Canon Sue by inventing a character who", "really creating a Canon Sue by inventing a character who can \"live your", "character who was born to fulfill an author's power fantasy [1].\" But, again,", "But, again, as a writer you introduce a story. Then you have a", "character who can \"live your dream\"/\"do something that the author wants to do", "about reality and so on...) we want to experience some situations which aren't", "so on...) we want to experience some situations which aren't possible at all.", "an author's power fantasy [1].\" But, again, as a writer you introduce a", "but isn't. Considering a part of this video [1], how can I identify", "you can create a character who \"lives that cool stuff which I (the", "(the writer) WANTED but isn't possible.\" Well, this thought defines the notion of", "Then you have a character who has this \"feature of a Canon Sue\"", "you really creating a Canon Sue by inventing a character who can \"live", "at all. Then as a writer you can create a character who \"lives", "which aren't possible at all. Then as a writer you can create a", "notion of \"A character who was born to fulfill an author's power fantasy", "Sue by inventing a character who can \"live your dream\"/\"do something that the", "have a proper story of this character to tell? --- [1] <https://www.youtube.com/watch?v=KcXVGIi1m28> (in", "I identify a Canon Sue? I mean, suppose that you want to fly", "even though you have a proper story of this character to tell? ---", "proper story of this character to tell? --- [1] <https://www.youtube.com/watch?v=KcXVGIi1m28> (in time interval", "mean, suppose that you want to fly by yourself. Are you really creating", "author wants to do but is impossible in our reality\" (fly by yourself),", "\"live your dream\"/\"do something that the author wants to do but is impossible", "a character who has this \"feature of a Canon Sue\" but isn't. Considering", "who was born to fulfill an author's power fantasy [1].\" But, again, as", "by inventing a character who can \"live your dream\"/\"do something that the author", "to experience some situations which aren't possible at all. Then as a writer" ]
[ "However, the world in which the story takes place requires the use of", "takes place requires the use of higher vocabulary and slang (it is a", "requires the use of higher vocabulary and slang (it is a real world,", "is a real world, for example, the petroleum industry). Most adults know the", "industry). Most adults know the words, but children don't. Can I use footnotes", "petroleum industry). Most adults know the words, but children don't. Can I use", "example, the petroleum industry). Most adults know the words, but children don't. Can", "(it is a real world, for example, the petroleum industry). Most adults know", "for example, the petroleum industry). Most adults know the words, but children don't.", "a real world, for example, the petroleum industry). Most adults know the words,", "to write a children's story which is appealing to both children and adults.", "story which is appealing to both children and adults. However, the world in", "write a children's story which is appealing to both children and adults. However,", "which the story takes place requires the use of higher vocabulary and slang", "use of higher vocabulary and slang (it is a real world, for example,", "know the words, but children don't. Can I use footnotes to define or", "is appealing to both children and adults. However, the world in which the", "Can I use footnotes to define or describe the word so that children", "story takes place requires the use of higher vocabulary and slang (it is", "use footnotes to define or describe the word so that children can follow", "vocabulary and slang (it is a real world, for example, the petroleum industry).", "to both children and adults. However, the world in which the story takes", "define or describe the word so that children can follow along as well?", "in which the story takes place requires the use of higher vocabulary and", "the use of higher vocabulary and slang (it is a real world, for", "the words, but children don't. Can I use footnotes to define or describe", "adults know the words, but children don't. Can I use footnotes to define", "appealing to both children and adults. However, the world in which the story", "the world in which the story takes place requires the use of higher", "the story takes place requires the use of higher vocabulary and slang (it", "higher vocabulary and slang (it is a real world, for example, the petroleum", "real world, for example, the petroleum industry). Most adults know the words, but", "but children don't. Can I use footnotes to define or describe the word", "I would like to write a children's story which is appealing to both", "would like to write a children's story which is appealing to both children", "adults. However, the world in which the story takes place requires the use", "I use footnotes to define or describe the word so that children can", "a children's story which is appealing to both children and adults. However, the", "and adults. However, the world in which the story takes place requires the", "world, for example, the petroleum industry). Most adults know the words, but children", "slang (it is a real world, for example, the petroleum industry). Most adults", "children's story which is appealing to both children and adults. However, the world", "both children and adults. However, the world in which the story takes place", "footnotes to define or describe the word so that children can follow along", "Most adults know the words, but children don't. Can I use footnotes to", "world in which the story takes place requires the use of higher vocabulary", "to define or describe the word so that children can follow along as", "and slang (it is a real world, for example, the petroleum industry). Most", "children and adults. However, the world in which the story takes place requires", "place requires the use of higher vocabulary and slang (it is a real", "children don't. Can I use footnotes to define or describe the word so", "which is appealing to both children and adults. However, the world in which", "of higher vocabulary and slang (it is a real world, for example, the", "words, but children don't. Can I use footnotes to define or describe the", "or describe the word so that children can follow along as well? Thanks.", "the petroleum industry). Most adults know the words, but children don't. Can I", "don't. Can I use footnotes to define or describe the word so that", "like to write a children's story which is appealing to both children and" ]
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[ "Ordo like Teutonic, Santiago, etc and make them as cult and do thing", "and human from another Dev. Even The Templar is a dead Order today,", "them like, you know, a bad guy from people created by Devs perspective.", "map design and same name historical person like Juopne d'Arc etc but with", "a cult that created by some human that created by God that really", "and Templar itself is the first cult that come in my Novel right", "them as cult and do thing like Templar, killing and attacking other creature", "etc in my fiction but not as an Order, but a name for", "a Dev can kill another Dev. I'm using term \"Dev\" to make a", "attacking and killing the creature or human that created by Devs because they", "from another Dev. Even The Templar is a dead Order today, so I", "attacked by them (Teutonic, Santiago, etc) if I put their order name in", "my reference, so in my world maybe it called Human Supremacy or something", "in the cover) and Templar itself is the first cult that come in", "want to put other real Ordo like Teutonic, Santiago, etc and make them", "from white supremacy as my reference, so in my world maybe it called", "(Teutonic, Santiago, etc) if I put their order name in my Novel (even", "but I really want to make a question about using real name order", "is an earth that fill by any kind of living things that created", "can find it with the title in the cover) and Templar itself is", "my concept too. The picture above is my Novel Cover. So I write", "exist today? Like Teutonic, Santiago, etc, is it good if I make them", "earth that fill by any kind of living things that created by God", "order like Templar, Teutonic, Santiago, etc in my fiction but not as an", "has same think like this, I want to put other real Ordo like", "Back to the Templar. The Templar is a cult that created by some", "it's not just god to do that, Devs do the job too especially", "really want to make a question about using real name order like Templar,", "concept that still using same map design and same name historical person like", "created by God and Devs. In my world, there is only one God", "will explain what is Dev. A dev is a special creature that created", "in my story is another world concept that still using same map design", "fill by any kind of living things that created by God and Devs.", "make a difference between God and \"God\" such as: Thor, Amaterasu, Spita, etc.", "any kind of living things that created by God and Devs. In my", "rule, but you can find it with the title in the cover) and", "etc but with more fiction. Back to the Templar. The Templar is a", "supremacy as my reference, so in my world maybe it called Human Supremacy", "but with more fiction. Back to the Templar. The Templar is a cult", "Dev can not kill God, but a Dev can kill another Dev. I'm", "question become more understandable, I will share my concept too. The picture above", "And it's not just Templar that has same think like this, I want", "now. I'm just afraid if I will be attacked by them (Teutonic, Santiago,", "d'Arc etc but with more fiction. Back to the Templar. The Templar is", "them (Teutonic, Santiago, etc) if I put their order name in my Novel", "dead Order today, so I think it's safe to make them like, you", "I'm just afraid if I will be attacked by them (Teutonic, Santiago, etc)", "in my world maybe it called Human Supremacy or something (I'm still finding", "human that created by God that really believe God is the only one", "another Dev. Even The Templar is a dead Order today, so I think", "\"Dev\" to make a difference between God and \"God\" such as: Thor, Amaterasu,", "Devs. In my world, there is only one God but for Devs there", "like Teutonic, Santiago, etc and make them as cult and do thing like", "to gardening the Earth, it's not just god to do that, Devs do", "The picture above is my Novel Cover. So I write a novel with", "human and other fictional creature like elf, org, goblin, etc. FYI, I will", "my Novel (even it still not popular lmao). What is your suggestion? Is", "called Human Supremacy or something (I'm still finding a good term for it).", "like this, I want to put other real Ordo like Teutonic, Santiago, etc", "an exception: a Dev can not kill God, but a Dev can kill", "white supremacy as my reference, so in my world maybe it called Human", "attacking other creature and human from another Dev. Even The Templar is a", "creature that created by God that have same power like God with an", "question is here But how about other Order that still exist today? Like", "too. The picture above is my Novel Cover. So I write a novel", "goblin, etc. FYI, I will explain what is Dev. A dev is a", "just afraid if I will be attacked by them (Teutonic, Santiago, etc) if", "[![My Novel Cover](https://i.stack.imgur.com/6yxtw.jpg)](https://i.stack.imgur.com/6yxtw.jpg) To make my question become more understandable, I will share", "for Devs there are so many of them. So to gardening the Earth,", "between God and \"God\" such as: Thor, Amaterasu, Spita, etc. So the world", "the creature or human that created by Devs because they are not allowed", "just Templar that has same think like this, I want to put other", "as: Thor, Amaterasu, Spita, etc. So the world in my story is another", "but you can find it with the title in the cover) and Templar", "can kill another Dev. I'm using term \"Dev\" to make a difference between", "dev is a special creature that created by God that have same power", "Templar, killing and attacking other creature and human from another Dev. Even The", "like elf, org, goblin, etc. FYI, I will explain what is Dev. A", "Human Supremacy or something (I'm still finding a good term for it). And", "Is it safe to use the name or must I make another name?", "your suggestion? Is it safe to use the name or must I make", "explain what is Dev. A dev is a special creature that created by", "I put their order name in my Novel (even it still not popular", "it's safe to make them like, you know, a bad guy from people", "so in my world maybe it called Human Supremacy or something (I'm still", "Templar. The Templar is a cult that created by some human that created", "put their order name in my Novel (even it still not popular lmao).", "I think it will break the rule, but you can find it with", "etc, is it good if I make them like Templar in my story?", "this still plan, and I'm still writing this Novel in my Wattpad (will", "some human that created by God that really believe God is the only", "So the world in my story is another world concept that still using", "concept from white supremacy as my reference, so in my world maybe it", "something (I'm still finding a good term for it). And it's not just", "exception: a Dev can not kill God, but a Dev can kill another", "about using real name order like Templar, Teutonic, Santiago, etc in my fiction", "write a novel with this concept: In another world there is an earth", "is Dev. A dev is a special creature that created by God that", "good if I make them like Templar in my story? [![enter image description", "question about using real name order like Templar, Teutonic, Santiago, etc in my", "as my reference, so in my world maybe it called Human Supremacy or", "like, you know, a bad guy from people created by Devs perspective. Now", "I really want to make a question about using real name order like", "to put other real Ordo like Teutonic, Santiago, etc and make them as", "killing and attacking other creature and human from another Dev. Even The Templar", "it good if I make them like Templar in my story? [![enter image", "by some human that created by God that really believe God is the", "and same name historical person like Juopne d'Arc etc but with more fiction.", "term \"Dev\" to make a difference between God and \"God\" such as: Thor,", "world maybe it called Human Supremacy or something (I'm still finding a good", "cult that created by some human that created by God that really believe", "no rule about it so I am free to use their orders' names?", "world there is an earth that fill by any kind of living things", "with an exception: a Dev can not kill God, but a Dev can", "one allowed in this earth. So they attacking and killing the creature or", "Order, but a name for a Cult. [![My Novel Cover](https://i.stack.imgur.com/6yxtw.jpg)](https://i.stack.imgur.com/6yxtw.jpg) To make my", "here](https://i.stack.imgur.com/wp1eJ.jpg)](https://i.stack.imgur.com/wp1eJ.jpg) Of course this still plan, and I'm still writing this Novel in", "description here](https://i.stack.imgur.com/wp1eJ.jpg)](https://i.stack.imgur.com/wp1eJ.jpg) Of course this still plan, and I'm still writing this Novel", "from people created by Devs perspective. Now the question is here But how", "picture above is my Novel Cover. So I write a novel with this", "etc. So the world in my story is another world concept that still", "earth. So they attacking and killing the creature or human that created by", "Novel Cover. So I write a novel with this concept: In another world", "Novel right now. I'm just afraid if I will be attacked by them", "Teutonic, Santiago, etc in my fiction but not as an Order, but a", "not just god to do that, Devs do the job too especially making", "human from another Dev. Even The Templar is a dead Order today, so", "in my Novel right now. I'm just afraid if I will be attacked", "know, a bad guy from people created by Devs perspective. Now the question", "afraid if I will be attacked by them (Teutonic, Santiago, etc) if I", "I write a novel with this concept: In another world there is an", "is a special creature that created by God that have same power like", "still not popular lmao). What is your suggestion? Is it safe to use", "that created by some human that created by God that really believe God", "is the only one allowed in this earth. So they attacking and killing", "The Templar is a cult that created by some human that created by", "The Templar is a dead Order today, so I think it's safe to", "that come in my Novel right now. I'm just afraid if I will", "the only one allowed in this earth. So they attacking and killing the", "real Ordo like Teutonic, Santiago, etc and make them as cult and do", "today, so I think it's safe to make them like, you know, a", "term for it). And it's not just Templar that has same think like", "Dev can kill another Dev. I'm using term \"Dev\" to make a difference", "that created by God and Devs. In my world, there is only one", "etc and make them as cult and do thing like Templar, killing and", "still using same map design and same name historical person like Juopne d'Arc", "I want to put other real Ordo like Teutonic, Santiago, etc and make", "fiction but not as an Order, but a name for a Cult. [![My", "Templar in my story? [![enter image description here](https://i.stack.imgur.com/wp1eJ.jpg)](https://i.stack.imgur.com/wp1eJ.jpg) Of course this still plan,", "my story? [![enter image description here](https://i.stack.imgur.com/wp1eJ.jpg)](https://i.stack.imgur.com/wp1eJ.jpg) Of course this still plan, and I'm", "in this earth. So they attacking and killing the creature or human that", "like Templar, killing and attacking other creature and human from another Dev. Even", "you know, a bad guy from people created by Devs perspective. Now the", "using term \"Dev\" to make a difference between God and \"God\" such as:", "allowed here. I created this concept from white supremacy as my reference, so", "course this still plan, and I'm still writing this Novel in my Wattpad", "is a dead Order today, so I think it's safe to make them", "my fiction but not as an Order, but a name for a Cult.", "by God and Devs. In my world, there is only one God but", "the rule, but you can find it with the title in the cover)", "using real name order like Templar, Teutonic, Santiago, etc in my fiction but", "and Devs. In my world, there is only one God but for Devs", "there is no rule about it so I am free to use their", "is it good if I make them like Templar in my story? [![enter", "Templar, Teutonic, Santiago, etc in my fiction but not as an Order, but", "a name for a Cult. [![My Novel Cover](https://i.stack.imgur.com/6yxtw.jpg)](https://i.stack.imgur.com/6yxtw.jpg) To make my question become", "is a cult that created by some human that created by God that", "same power like God with an exception: a Dev can not kill God,", "by God that have same power like God with an exception: a Dev", "because they are not allowed here. I created this concept from white supremacy", "Dev. Even The Templar is a dead Order today, so I think it's", "one God but for Devs there are so many of them. So to", "do the job too especially making human and other fictional creature like elf,", "FYI, I will explain what is Dev. A dev is a special creature", "share my concept too. The picture above is my Novel Cover. So I", "In my world, there is only one God but for Devs there are", "created by some human that created by God that really believe God is", "I make another name? Or there is no rule about it so I", "first cult that come in my Novel right now. I'm just afraid if", "like Templar, Teutonic, Santiago, etc in my fiction but not as an Order,", "here, but I really want to make a question about using real name", "Cult. [![My Novel Cover](https://i.stack.imgur.com/6yxtw.jpg)](https://i.stack.imgur.com/6yxtw.jpg) To make my question become more understandable, I will", "make them like Templar in my story? [![enter image description here](https://i.stack.imgur.com/wp1eJ.jpg)](https://i.stack.imgur.com/wp1eJ.jpg) Of course", "or must I make another name? Or there is no rule about it", "make them like, you know, a bad guy from people created by Devs", "(even it still not popular lmao). What is your suggestion? Is it safe", "them like Templar in my story? [![enter image description here](https://i.stack.imgur.com/wp1eJ.jpg)](https://i.stack.imgur.com/wp1eJ.jpg) Of course this", "make another name? Or there is no rule about it so I am", "lmao). What is your suggestion? Is it safe to use the name or", "perspective. Now the question is here But how about other Order that still", "org, goblin, etc. FYI, I will explain what is Dev. A dev is", "human that created by Devs because they are not allowed here. I created", "Supremacy or something (I'm still finding a good term for it). And it's", "think it will break the rule, but you can find it with the", "that really believe God is the only one allowed in this earth. So", "other Order that still exist today? Like Teutonic, Santiago, etc, is it good", "making human and other fictional creature like elf, org, goblin, etc. FYI, I", "with this concept: In another world there is an earth that fill by", "it will break the rule, but you can find it with the title", "in my Wattpad (will not put the link here because I think it", "created by Devs because they are not allowed here. I created this concept", "So they attacking and killing the creature or human that created by Devs", "gardening the Earth, it's not just god to do that, Devs do the", "other creature and human from another Dev. Even The Templar is a dead", "by any kind of living things that created by God and Devs. In", "Spita, etc. So the world in my story is another world concept that", "it's not just Templar that has same think like this, I want to", "God and Devs. In my world, there is only one God but for", "real name order like Templar, Teutonic, Santiago, etc in my fiction but not", "is my Novel Cover. So I write a novel with this concept: In", "kind of living things that created by God and Devs. In my world,", "are so many of them. So to gardening the Earth, it's not just", "I'm new here, but I really want to make a question about using", "title in the cover) and Templar itself is the first cult that come", "same think like this, I want to put other real Ordo like Teutonic,", "the job too especially making human and other fictional creature like elf, org,", "my Wattpad (will not put the link here because I think it will", "etc) if I put their order name in my Novel (even it still", "another world concept that still using same map design and same name historical", "will share my concept too. The picture above is my Novel Cover. So", "as cult and do thing like Templar, killing and attacking other creature and", "a bad guy from people created by Devs perspective. Now the question is", "and \"God\" such as: Thor, Amaterasu, Spita, etc. So the world in my", "such as: Thor, Amaterasu, Spita, etc. So the world in my story is", "Devs perspective. Now the question is here But how about other Order that", "name order like Templar, Teutonic, Santiago, etc in my fiction but not as", "Teutonic, Santiago, etc and make them as cult and do thing like Templar,", "the question is here But how about other Order that still exist today?", "So to gardening the Earth, it's not just god to do that, Devs", "elf, org, goblin, etc. FYI, I will explain what is Dev. A dev", "a novel with this concept: In another world there is an earth that", "is another world concept that still using same map design and same name", "Dev. I'm using term \"Dev\" to make a difference between God and \"God\"", "and other fictional creature like elf, org, goblin, etc. FYI, I will explain", "is the first cult that come in my Novel right now. I'm just", "(I'm still finding a good term for it). And it's not just Templar", "A dev is a special creature that created by God that have same", "my Novel right now. I'm just afraid if I will be attacked by", "people created by Devs perspective. Now the question is here But how about", "they are not allowed here. I created this concept from white supremacy as", "not put the link here because I think it will break the rule,", "will break the rule, but you can find it with the title in", "in my fiction but not as an Order, but a name for a", "I think it's safe to make them like, you know, a bad guy", "and do thing like Templar, killing and attacking other creature and human from", "is your suggestion? Is it safe to use the name or must I", "Santiago, etc and make them as cult and do thing like Templar, killing", "created this concept from white supremacy as my reference, so in my world", "world concept that still using same map design and same name historical person", "of living things that created by God and Devs. In my world, there", "the link here because I think it will break the rule, but you", "the first cult that come in my Novel right now. I'm just afraid", "story is another world concept that still using same map design and same", "thing like Templar, killing and attacking other creature and human from another Dev.", "that still using same map design and same name historical person like Juopne", "here because I think it will break the rule, but you can find", "it called Human Supremacy or something (I'm still finding a good term for", "this, I want to put other real Ordo like Teutonic, Santiago, etc and", "make a question about using real name order like Templar, Teutonic, Santiago, etc", "a difference between God and \"God\" such as: Thor, Amaterasu, Spita, etc. So", "to make a difference between God and \"God\" such as: Thor, Amaterasu, Spita,", "another name? Or there is no rule about it so I am free", "Dev. A dev is a special creature that created by God that have", "Santiago, etc) if I put their order name in my Novel (even it", "fictional creature like elf, org, goblin, etc. FYI, I will explain what is", "world, there is only one God but for Devs there are so many", "creature or human that created by Devs because they are not allowed here.", "a Cult. [![My Novel Cover](https://i.stack.imgur.com/6yxtw.jpg)](https://i.stack.imgur.com/6yxtw.jpg) To make my question become more understandable, I", "the Templar. The Templar is a cult that created by some human that", "Thor, Amaterasu, Spita, etc. So the world in my story is another world", "is here But how about other Order that still exist today? Like Teutonic,", "because I think it will break the rule, but you can find it", "a dead Order today, so I think it's safe to make them like,", "can not kill God, but a Dev can kill another Dev. I'm using", "Cover](https://i.stack.imgur.com/6yxtw.jpg)](https://i.stack.imgur.com/6yxtw.jpg) To make my question become more understandable, I will share my concept", "but a name for a Cult. [![My Novel Cover](https://i.stack.imgur.com/6yxtw.jpg)](https://i.stack.imgur.com/6yxtw.jpg) To make my question", "more fiction. Back to the Templar. The Templar is a cult that created", "it still not popular lmao). What is your suggestion? Is it safe to", "that created by God that have same power like God with an exception:", "I'm using term \"Dev\" to make a difference between God and \"God\" such", "this Novel in my Wattpad (will not put the link here because I", "Novel in my Wattpad (will not put the link here because I think", "things that created by God and Devs. In my world, there is only", "In another world there is an earth that fill by any kind of", "my Novel Cover. So I write a novel with this concept: In another", "Teutonic, Santiago, etc, is it good if I make them like Templar in", "link here because I think it will break the rule, but you can", "difference between God and \"God\" such as: Thor, Amaterasu, Spita, etc. So the", "like Juopne d'Arc etc but with more fiction. Back to the Templar. The", "and killing the creature or human that created by Devs because they are", "this concept from white supremacy as my reference, so in my world maybe", "have same power like God with an exception: a Dev can not kill", "safe to use the name or must I make another name? Or there", "God, but a Dev can kill another Dev. I'm using term \"Dev\" to", "story? [![enter image description here](https://i.stack.imgur.com/wp1eJ.jpg)](https://i.stack.imgur.com/wp1eJ.jpg) Of course this still plan, and I'm still", "Santiago, etc in my fiction but not as an Order, but a name", "to the Templar. The Templar is a cult that created by some human", "what is Dev. A dev is a special creature that created by God", "I will be attacked by them (Teutonic, Santiago, etc) if I put their", "Of course this still plan, and I'm still writing this Novel in my", "about other Order that still exist today? Like Teutonic, Santiago, etc, is it", "creature like elf, org, goblin, etc. FYI, I will explain what is Dev.", "image description here](https://i.stack.imgur.com/wp1eJ.jpg)](https://i.stack.imgur.com/wp1eJ.jpg) Of course this still plan, and I'm still writing this", "cover) and Templar itself is the first cult that come in my Novel", "not just Templar that has same think like this, I want to put", "too especially making human and other fictional creature like elf, org, goblin, etc.", "their order name in my Novel (even it still not popular lmao). What", "not allowed here. I created this concept from white supremacy as my reference,", "right now. I'm just afraid if I will be attacked by them (Teutonic,", "same map design and same name historical person like Juopne d'Arc etc but", "if I put their order name in my Novel (even it still not", "here But how about other Order that still exist today? Like Teutonic, Santiago,", "God that have same power like God with an exception: a Dev can", "Novel (even it still not popular lmao). What is your suggestion? Is it", "an earth that fill by any kind of living things that created by", "another world there is an earth that fill by any kind of living", "that fill by any kind of living things that created by God and", "guy from people created by Devs perspective. Now the question is here But", "of them. So to gardening the Earth, it's not just god to do", "Amaterasu, Spita, etc. So the world in my story is another world concept", "[![enter image description here](https://i.stack.imgur.com/wp1eJ.jpg)](https://i.stack.imgur.com/wp1eJ.jpg) Of course this still plan, and I'm still writing", "want to make a question about using real name order like Templar, Teutonic,", "Templar itself is the first cult that come in my Novel right now.", "put other real Ordo like Teutonic, Santiago, etc and make them as cult", "Order that still exist today? Like Teutonic, Santiago, etc, is it good if", "an Order, but a name for a Cult. [![My Novel Cover](https://i.stack.imgur.com/6yxtw.jpg)](https://i.stack.imgur.com/6yxtw.jpg) To make", "a question about using real name order like Templar, Teutonic, Santiago, etc in", "put the link here because I think it will break the rule, but", "name in my Novel (even it still not popular lmao). What is your", "or something (I'm still finding a good term for it). And it's not", "or human that created by Devs because they are not allowed here. I", "Even The Templar is a dead Order today, so I think it's safe", "What is your suggestion? Is it safe to use the name or must", "that has same think like this, I want to put other real Ordo", "so I think it's safe to make them like, you know, a bad", "if I make them like Templar in my story? [![enter image description here](https://i.stack.imgur.com/wp1eJ.jpg)](https://i.stack.imgur.com/wp1eJ.jpg)", "created by God that really believe God is the only one allowed in", "Or there is no rule about it so I am free to use", "power like God with an exception: a Dev can not kill God, but", "historical person like Juopne d'Arc etc but with more fiction. Back to the", "is only one God but for Devs there are so many of them.", "new here, but I really want to make a question about using real", "become more understandable, I will share my concept too. The picture above is", "must I make another name? Or there is no rule about it so", "other fictional creature like elf, org, goblin, etc. FYI, I will explain what", "God that really believe God is the only one allowed in this earth.", "Like Teutonic, Santiago, etc, is it good if I make them like Templar", "to use the name or must I make another name? Or there is", "still writing this Novel in my Wattpad (will not put the link here", "fiction. Back to the Templar. The Templar is a cult that created by", "that still exist today? Like Teutonic, Santiago, etc, is it good if I", "the title in the cover) and Templar itself is the first cult that", "above is my Novel Cover. So I write a novel with this concept:", "not as an Order, but a name for a Cult. [![My Novel Cover](https://i.stack.imgur.com/6yxtw.jpg)](https://i.stack.imgur.com/6yxtw.jpg)", "that created by Devs because they are not allowed here. I created this", "Earth, it's not just god to do that, Devs do the job too", "to make them like, you know, a bad guy from people created by", "writing this Novel in my Wattpad (will not put the link here because", "it). And it's not just Templar that has same think like this, I", "in my story? [![enter image description here](https://i.stack.imgur.com/wp1eJ.jpg)](https://i.stack.imgur.com/wp1eJ.jpg) Of course this still plan, and", "that created by God that really believe God is the only one allowed", "name historical person like Juopne d'Arc etc but with more fiction. Back to", "reference, so in my world maybe it called Human Supremacy or something (I'm", "Templar is a cult that created by some human that created by God", "come in my Novel right now. I'm just afraid if I will be", "So I write a novel with this concept: In another world there is", "kill another Dev. I'm using term \"Dev\" to make a difference between God", "other real Ordo like Teutonic, Santiago, etc and make them as cult and", "believe God is the only one allowed in this earth. So they attacking", "just god to do that, Devs do the job too especially making human", "it with the title in the cover) and Templar itself is the first", "only one allowed in this earth. So they attacking and killing the creature", "think it's safe to make them like, you know, a bad guy from", "cult that come in my Novel right now. I'm just afraid if I", "but not as an Order, but a name for a Cult. [![My Novel", "this earth. So they attacking and killing the creature or human that created", "Santiago, etc, is it good if I make them like Templar in my", "this concept: In another world there is an earth that fill by any", "(will not put the link here because I think it will break the", "name for a Cult. [![My Novel Cover](https://i.stack.imgur.com/6yxtw.jpg)](https://i.stack.imgur.com/6yxtw.jpg) To make my question become more", "God and \"God\" such as: Thor, Amaterasu, Spita, etc. So the world in", "Now the question is here But how about other Order that still exist", "a special creature that created by God that have same power like God", "a good term for it). And it's not just Templar that has same", "and make them as cult and do thing like Templar, killing and attacking", "creature and human from another Dev. Even The Templar is a dead Order", "my world, there is only one God but for Devs there are so", "Devs do the job too especially making human and other fictional creature like", "still plan, and I'm still writing this Novel in my Wattpad (will not", "not popular lmao). What is your suggestion? Is it safe to use the", "concept: In another world there is an earth that fill by any kind", "like God with an exception: a Dev can not kill God, but a", "and attacking other creature and human from another Dev. Even The Templar is", "in my Novel (even it still not popular lmao). What is your suggestion?", "I make them like Templar in my story? [![enter image description here](https://i.stack.imgur.com/wp1eJ.jpg)](https://i.stack.imgur.com/wp1eJ.jpg) Of", "using same map design and same name historical person like Juopne d'Arc etc", "etc. FYI, I will explain what is Dev. A dev is a special", "for it). And it's not just Templar that has same think like this,", "same name historical person like Juopne d'Arc etc but with more fiction. Back", "by Devs perspective. Now the question is here But how about other Order", "so many of them. So to gardening the Earth, it's not just god", "you can find it with the title in the cover) and Templar itself", "created by Devs perspective. Now the question is here But how about other", "Devs there are so many of them. So to gardening the Earth, it's", "kill God, but a Dev can kill another Dev. I'm using term \"Dev\"", "but for Devs there are so many of them. So to gardening the", "do that, Devs do the job too especially making human and other fictional", "it safe to use the name or must I make another name? Or", "only one God but for Devs there are so many of them. So", "killing the creature or human that created by Devs because they are not", "\"God\" such as: Thor, Amaterasu, Spita, etc. So the world in my story", "Templar that has same think like this, I want to put other real", "to do that, Devs do the job too especially making human and other", "maybe it called Human Supremacy or something (I'm still finding a good term", "created by God that have same power like God with an exception: a", "are not allowed here. I created this concept from white supremacy as my", "special creature that created by God that have same power like God with", "name? Or there is no rule about it so I am free to", "them. So to gardening the Earth, it's not just god to do that,", "for a Cult. [![My Novel Cover](https://i.stack.imgur.com/6yxtw.jpg)](https://i.stack.imgur.com/6yxtw.jpg) To make my question become more understandable,", "itself is the first cult that come in my Novel right now. I'm", "by them (Teutonic, Santiago, etc) if I put their order name in my", "my question become more understandable, I will share my concept too. The picture", "concept too. The picture above is my Novel Cover. So I write a", "God is the only one allowed in this earth. So they attacking and", "my story is another world concept that still using same map design and", "safe to make them like, you know, a bad guy from people created", "will be attacked by them (Teutonic, Santiago, etc) if I put their order", "be attacked by them (Teutonic, Santiago, etc) if I put their order name", "understandable, I will share my concept too. The picture above is my Novel", "novel with this concept: In another world there is an earth that fill", "I will share my concept too. The picture above is my Novel Cover.", "God with an exception: a Dev can not kill God, but a Dev", "by God that really believe God is the only one allowed in this", "the Earth, it's not just god to do that, Devs do the job", "Juopne d'Arc etc but with more fiction. Back to the Templar. The Templar", "break the rule, but you can find it with the title in the", "make my question become more understandable, I will share my concept too. The", "I'm still writing this Novel in my Wattpad (will not put the link", "the world in my story is another world concept that still using same", "especially making human and other fictional creature like elf, org, goblin, etc. FYI,", "the name or must I make another name? Or there is no rule", "design and same name historical person like Juopne d'Arc etc but with more", "allowed in this earth. So they attacking and killing the creature or human", "use the name or must I make another name? Or there is no", "to make a question about using real name order like Templar, Teutonic, Santiago,", "by Devs because they are not allowed here. I created this concept from", "and I'm still writing this Novel in my Wattpad (will not put the", "To make my question become more understandable, I will share my concept too.", "more understandable, I will share my concept too. The picture above is my", "name or must I make another name? Or there is no rule about", "good term for it). And it's not just Templar that has same think", "But how about other Order that still exist today? Like Teutonic, Santiago, etc,", "still exist today? Like Teutonic, Santiago, etc, is it good if I make", "I will explain what is Dev. A dev is a special creature that", "if I will be attacked by them (Teutonic, Santiago, etc) if I put", "finding a good term for it). And it's not just Templar that has", "make them as cult and do thing like Templar, killing and attacking other", "the cover) and Templar itself is the first cult that come in my", "god to do that, Devs do the job too especially making human and", "they attacking and killing the creature or human that created by Devs because", "bad guy from people created by Devs perspective. Now the question is here", "my world maybe it called Human Supremacy or something (I'm still finding a", "order name in my Novel (even it still not popular lmao). What is", "living things that created by God and Devs. In my world, there is", "Wattpad (will not put the link here because I think it will break", "as an Order, but a name for a Cult. [![My Novel Cover](https://i.stack.imgur.com/6yxtw.jpg)](https://i.stack.imgur.com/6yxtw.jpg) To", "there are so many of them. So to gardening the Earth, it's not", "Novel Cover](https://i.stack.imgur.com/6yxtw.jpg)](https://i.stack.imgur.com/6yxtw.jpg) To make my question become more understandable, I will share my", "that have same power like God with an exception: a Dev can not", "think like this, I want to put other real Ordo like Teutonic, Santiago,", "world in my story is another world concept that still using same map", "still finding a good term for it). And it's not just Templar that", "God but for Devs there are so many of them. So to gardening", "Order today, so I think it's safe to make them like, you know,", "many of them. So to gardening the Earth, it's not just god to", "Devs because they are not allowed here. I created this concept from white", "person like Juopne d'Arc etc but with more fiction. Back to the Templar.", "another Dev. I'm using term \"Dev\" to make a difference between God and", "there is only one God but for Devs there are so many of", "is no rule about it so I am free to use their orders'", "Cover. So I write a novel with this concept: In another world there", "really believe God is the only one allowed in this earth. So they", "here. I created this concept from white supremacy as my reference, so in", "I created this concept from white supremacy as my reference, so in my", "find it with the title in the cover) and Templar itself is the", "today? Like Teutonic, Santiago, etc, is it good if I make them like", "a Dev can not kill God, but a Dev can kill another Dev.", "suggestion? Is it safe to use the name or must I make another", "with more fiction. Back to the Templar. The Templar is a cult that", "how about other Order that still exist today? Like Teutonic, Santiago, etc, is", "with the title in the cover) and Templar itself is the first cult", "cult and do thing like Templar, killing and attacking other creature and human", "but a Dev can kill another Dev. I'm using term \"Dev\" to make", "Templar is a dead Order today, so I think it's safe to make", "job too especially making human and other fictional creature like elf, org, goblin,", "like Templar in my story? [![enter image description here](https://i.stack.imgur.com/wp1eJ.jpg)](https://i.stack.imgur.com/wp1eJ.jpg) Of course this still", "plan, and I'm still writing this Novel in my Wattpad (will not put", "there is an earth that fill by any kind of living things that", "that, Devs do the job too especially making human and other fictional creature", "do thing like Templar, killing and attacking other creature and human from another", "popular lmao). What is your suggestion? Is it safe to use the name", "not kill God, but a Dev can kill another Dev. I'm using term" ]
[ "place at a different time, but it works smoothly and doesn't given the", "time and, without a scene break being utilised, they are all of a", "say, in the evening, then events lead them to a different location, time", "Any help would be appreciated. Edit: Referring to scene breaks, upon doing some", "appreciated. Edit: Referring to scene breaks, upon doing some research I see that", "being utilised, they are all of a sudden in a different place at", "of scene breaks; a soft scene break (an extra space between the paragraphs)", "and time? For example, a character is in the principal's office in the", "given the readers whiplash. Is it always necessary to use scene breaks when", "different location, time and date, but a scene break also hasn't been used", "a character is at home, say, in the evening, then events lead them", "without using a scene break, they're in the cafeteria at lunch time. Or,", "scene, but it runs very smoothly. Any help would be appreciated. Edit: Referring", "it simply up to the writer to figure out how they would structure", "is when either of these scene breaks should be utilised. Are there any", "break also hasn't been used in this transition. I hope this makes sense.", "books where the author has used a scene break for transitions, and I've", "when the character transitions to a different place, location, and time? For example,", "(an extra space between the paragraphs) and a hard scene break (the use", "a character is in the principal's office in the morning, then, without using", "astericks or lines). I suppose what I am trying to figure out is", "a hard scene break (the use of astericks or lines). I suppose what", "suppose what I am trying to figure out is when either of these", "and I've also read books where there are so many transitions in one", "I have read many books where the character is in one place at", "the morning, then, without using a scene break, they're in the cafeteria at", "for transitions, and I've also read books where there are so many transitions", "evening, then events lead them to a different location, time and date, but", "but a scene break also hasn't been used in this transition. I hope", "scene break being utilised, they are all of a sudden in a different", "scene break also hasn't been used in this transition. I hope this makes", "upon doing some research I see that there are two types of scene", "what I am trying to figure out is when either of these scene", "I am trying to figure out is when either of these scene breaks", "so many transitions in one scene, but it runs very smoothly. Any help", "it always necessary to use scene breaks when the character transitions to a", "transition. I hope this makes sense. It's just, I've read books where the", "the principal's office in the morning, then, without using a scene break, they're", "lines). I suppose what I am trying to figure out is when either", "where the character is in one place at a certain time and, without", "either of these scene breaks should be utilised. Are there any rules for", "Are there any rules for this when creating a chapter? Or is it", "I've read books where the author has used a scene break for transitions,", "break (an extra space between the paragraphs) and a hard scene break (the", "figure out is when either of these scene breaks should be utilised. Are", "Referring to scene breaks, upon doing some research I see that there are", "transitions to a different place, location, and time? For example, a character is", "time? For example, a character is in the principal's office in the morning,", "scene break, they're in the cafeteria at lunch time. Or, when a character", "and date, but a scene break also hasn't been used in this transition.", "time and date, but a scene break also hasn't been used in this", "hope this makes sense. It's just, I've read books where the author has", "help would be appreciated. Edit: Referring to scene breaks, upon doing some research", "doesn't given the readers whiplash. Is it always necessary to use scene breaks", "the cafeteria at lunch time. Or, when a character is at home, say,", "a scene break for transitions, and I've also read books where there are", "doing some research I see that there are two types of scene breaks;", "books where there are so many transitions in one scene, but it runs", "hard scene break (the use of astericks or lines). I suppose what I", "rules for this when creating a chapter? Or is it simply up to", "are all of a sudden in a different place at a different time,", "in the evening, then events lead them to a different location, time and", "is in the principal's office in the morning, then, without using a scene", "them to a different location, time and date, but a scene break also", "use of astericks or lines). I suppose what I am trying to figure", "character is in the principal's office in the morning, then, without using a", "used a scene break for transitions, and I've also read books where there", "character transitions to a different place, location, and time? For example, a character", "is at home, say, in the evening, then events lead them to a", "this when creating a chapter? Or is it simply up to the writer", "simply up to the writer to figure out how they would structure their", "there are two types of scene breaks; a soft scene break (an extra", "to a different location, time and date, but a scene break also hasn't", "that there are two types of scene breaks; a soft scene break (an", "scene breaks should be utilised. Are there any rules for this when creating", "I hope this makes sense. It's just, I've read books where the author", "events lead them to a different location, time and date, but a scene", "just, I've read books where the author has used a scene break for", "breaks; a soft scene break (an extra space between the paragraphs) and a", "extra space between the paragraphs) and a hard scene break (the use of", "utilised. Are there any rules for this when creating a chapter? Or is", "place, location, and time? For example, a character is in the principal's office", "to the writer to figure out how they would structure their chapter, even", "where there are so many transitions in one scene, but it runs very", "a different time, but it works smoothly and doesn't given the readers whiplash.", "when either of these scene breaks should be utilised. Are there any rules", "I suppose what I am trying to figure out is when either of", "breaks, upon doing some research I see that there are two types of", "example, a character is in the principal's office in the morning, then, without", "makes sense. It's just, I've read books where the author has used a", "transitions, and I've also read books where there are so many transitions in", "works smoothly and doesn't given the readers whiplash. Is it always necessary to", "use scene breaks when the character transitions to a different place, location, and", "certain time and, without a scene break being utilised, they are all of", "in the morning, then, without using a scene break, they're in the cafeteria", "at lunch time. Or, when a character is at home, say, in the", "a scene break being utilised, they are all of a sudden in a", "cafeteria at lunch time. Or, when a character is at home, say, in", "at a certain time and, without a scene break being utilised, they are", "in a different place at a different time, but it works smoothly and", "a different location, time and date, but a scene break also hasn't been", "scene break for transitions, and I've also read books where there are so", "in one place at a certain time and, without a scene break being", "lunch time. Or, when a character is at home, say, in the evening,", "then events lead them to a different location, time and date, but a", "a chapter? Or is it simply up to the writer to figure out", "research I see that there are two types of scene breaks; a soft", "trying to figure out is when either of these scene breaks should be", "when creating a chapter? Or is it simply up to the writer to", "in the cafeteria at lunch time. Or, when a character is at home,", "utilised, they are all of a sudden in a different place at a", "break, they're in the cafeteria at lunch time. Or, when a character is", "used in this transition. I hope this makes sense. It's just, I've read", "see that there are two types of scene breaks; a soft scene break", "some research I see that there are two types of scene breaks; a", "break for transitions, and I've also read books where there are so many", "time, but it works smoothly and doesn't given the readers whiplash. Is it", "in one scene, but it runs very smoothly. Any help would be appreciated.", "is it simply up to the writer to figure out how they would", "out is when either of these scene breaks should be utilised. Are there", "sense. It's just, I've read books where the author has used a scene", "it runs very smoothly. Any help would be appreciated. Edit: Referring to scene", "character is in one place at a certain time and, without a scene", "to figure out is when either of these scene breaks should be utilised.", "all of a sudden in a different place at a different time, but", "for this when creating a chapter? Or is it simply up to the", "smoothly and doesn't given the readers whiplash. Is it always necessary to use", "is in one place at a certain time and, without a scene break", "a different place, location, and time? For example, a character is in the", "been used in this transition. I hope this makes sense. It's just, I've", "read books where the author has used a scene break for transitions, and", "where the author has used a scene break for transitions, and I've also", "types of scene breaks; a soft scene break (an extra space between the", "space between the paragraphs) and a hard scene break (the use of astericks", "to figure out how they would structure their chapter, even with all these", "a sudden in a different place at a different time, but it works", "one scene, but it runs very smoothly. Any help would be appreciated. Edit:", "these scene breaks should be utilised. Are there any rules for this when", "to scene breaks, upon doing some research I see that there are two", "then, without using a scene break, they're in the cafeteria at lunch time.", "they're in the cafeteria at lunch time. Or, when a character is at", "For example, a character is in the principal's office in the morning, then,", "they are all of a sudden in a different place at a different", "creating a chapter? Or is it simply up to the writer to figure", "Or, when a character is at home, say, in the evening, then events", "soft scene break (an extra space between the paragraphs) and a hard scene", "sudden in a different place at a different time, but it works smoothly", "are so many transitions in one scene, but it runs very smoothly. Any", "without a scene break being utilised, they are all of a sudden in", "scene breaks; a soft scene break (an extra space between the paragraphs) and", "scene breaks, upon doing some research I see that there are two types", "any rules for this when creating a chapter? Or is it simply up", "scene break (an extra space between the paragraphs) and a hard scene break", "I see that there are two types of scene breaks; a soft scene", "a scene break also hasn't been used in this transition. I hope this", "principal's office in the morning, then, without using a scene break, they're in", "when a character is at home, say, in the evening, then events lead", "always necessary to use scene breaks when the character transitions to a different", "writer to figure out how they would structure their chapter, even with all", "Edit: Referring to scene breaks, upon doing some research I see that there", "home, say, in the evening, then events lead them to a different location,", "readers whiplash. Is it always necessary to use scene breaks when the character", "scene break (the use of astericks or lines). I suppose what I am", "this makes sense. It's just, I've read books where the author has used", "has used a scene break for transitions, and I've also read books where", "have read many books where the character is in one place at a", "be utilised. Are there any rules for this when creating a chapter? Or", "morning, then, without using a scene break, they're in the cafeteria at lunch", "in this transition. I hope this makes sense. It's just, I've read books", "very smoothly. Any help would be appreciated. Edit: Referring to scene breaks, upon", "place at a certain time and, without a scene break being utilised, they", "at home, say, in the evening, then events lead them to a different", "should be utilised. Are there any rules for this when creating a chapter?", "whiplash. Is it always necessary to use scene breaks when the character transitions", "many books where the character is in one place at a certain time", "Is it always necessary to use scene breaks when the character transitions to", "to a different place, location, and time? For example, a character is in", "lead them to a different location, time and date, but a scene break", "author has used a scene break for transitions, and I've also read books", "books where the character is in one place at a certain time and,", "It's just, I've read books where the author has used a scene break", "also read books where there are so many transitions in one scene, but", "am trying to figure out is when either of these scene breaks should", "read many books where the character is in one place at a certain", "break (the use of astericks or lines). I suppose what I am trying", "or lines). I suppose what I am trying to figure out is when", "a soft scene break (an extra space between the paragraphs) and a hard", "runs very smoothly. Any help would be appreciated. Edit: Referring to scene breaks,", "hasn't been used in this transition. I hope this makes sense. It's just,", "and a hard scene break (the use of astericks or lines). I suppose", "the paragraphs) and a hard scene break (the use of astericks or lines).", "also hasn't been used in this transition. I hope this makes sense. It's", "there any rules for this when creating a chapter? Or is it simply", "the character transitions to a different place, location, and time? For example, a", "breaks when the character transitions to a different place, location, and time? For", "scene breaks when the character transitions to a different place, location, and time?", "smoothly. Any help would be appreciated. Edit: Referring to scene breaks, upon doing", "a certain time and, without a scene break being utilised, they are all", "would be appreciated. Edit: Referring to scene breaks, upon doing some research I", "a scene break, they're in the cafeteria at lunch time. Or, when a", "of these scene breaks should be utilised. Are there any rules for this", "(the use of astericks or lines). I suppose what I am trying to", "two types of scene breaks; a soft scene break (an extra space between", "read books where there are so many transitions in one scene, but it", "chapter? Or is it simply up to the writer to figure out how", "the author has used a scene break for transitions, and I've also read", "of a sudden in a different place at a different time, but it", "and doesn't given the readers whiplash. Is it always necessary to use scene", "there are so many transitions in one scene, but it runs very smoothly.", "the character is in one place at a certain time and, without a", "it works smoothly and doesn't given the readers whiplash. Is it always necessary", "necessary to use scene breaks when the character transitions to a different place,", "location, time and date, but a scene break also hasn't been used in", "character is at home, say, in the evening, then events lead them to", "a different place at a different time, but it works smoothly and doesn't", "at a different time, but it works smoothly and doesn't given the readers", "different place, location, and time? For example, a character is in the principal's", "time. Or, when a character is at home, say, in the evening, then", "breaks should be utilised. Are there any rules for this when creating a", "the readers whiplash. Is it always necessary to use scene breaks when the", "to use scene breaks when the character transitions to a different place, location,", "many transitions in one scene, but it runs very smoothly. Any help would", "break being utilised, they are all of a sudden in a different place", "different time, but it works smoothly and doesn't given the readers whiplash. Is", "in the principal's office in the morning, then, without using a scene break,", "but it runs very smoothly. Any help would be appreciated. Edit: Referring to", "be appreciated. Edit: Referring to scene breaks, upon doing some research I see", "the evening, then events lead them to a different location, time and date,", "date, but a scene break also hasn't been used in this transition. I", "one place at a certain time and, without a scene break being utilised,", "I've also read books where there are so many transitions in one scene,", "the writer to figure out how they would structure their chapter, even with", "location, and time? For example, a character is in the principal's office in", "but it works smoothly and doesn't given the readers whiplash. Is it always", "are two types of scene breaks; a soft scene break (an extra space", "up to the writer to figure out how they would structure their chapter,", "using a scene break, they're in the cafeteria at lunch time. Or, when", "Or is it simply up to the writer to figure out how they", "figure out how they would structure their chapter, even with all these technicalities.", "paragraphs) and a hard scene break (the use of astericks or lines). I", "transitions in one scene, but it runs very smoothly. Any help would be", "and, without a scene break being utilised, they are all of a sudden", "between the paragraphs) and a hard scene break (the use of astericks or", "of astericks or lines). I suppose what I am trying to figure out", "office in the morning, then, without using a scene break, they're in the", "this transition. I hope this makes sense. It's just, I've read books where", "different place at a different time, but it works smoothly and doesn't given" ]
[ "the internet, so it shouldn't be web based. Is there a preferably free", "way. Traditionally done with post-it's on a whiteboard. Also I want to be", "it on the road, without access to the internet, so it shouldn't be", "in a graphical way. Traditionally done with post-it's on a whiteboard. Also I", "other events and storylines in a graphical way. Traditionally done with post-it's on", "plot points into an outline and link them to other events and storylines", "events and storylines in a graphical way. Traditionally done with post-it's on a", "me enter and rearrange plot points into an outline and link them to", "rearrange plot points into an outline and link them to other events and", "tool, that lets me enter and rearrange plot points into an outline and", "that lets me enter and rearrange plot points into an outline and link", "and storylines in a graphical way. Traditionally done with post-it's on a whiteboard.", "graphical way. Traditionally done with post-it's on a whiteboard. Also I want to", "whiteboard. Also I want to be able to use it on the road,", "I'm looking for a tool, that lets me enter and rearrange plot points", "without access to the internet, so it shouldn't be web based. Is there", "to the internet, so it shouldn't be web based. Is there a preferably", "and rearrange plot points into an outline and link them to other events", "I want to be able to use it on the road, without access", "use it on the road, without access to the internet, so it shouldn't", "to other events and storylines in a graphical way. Traditionally done with post-it's", "into an outline and link them to other events and storylines in a", "Traditionally done with post-it's on a whiteboard. Also I want to be able", "storylines in a graphical way. Traditionally done with post-it's on a whiteboard. Also", "them to other events and storylines in a graphical way. Traditionally done with", "able to use it on the road, without access to the internet, so", "with post-it's on a whiteboard. Also I want to be able to use", "looking for a tool, that lets me enter and rearrange plot points into", "for a tool, that lets me enter and rearrange plot points into an", "shouldn't be web based. Is there a preferably free software that is able", "want to be able to use it on the road, without access to", "enter and rearrange plot points into an outline and link them to other", "road, without access to the internet, so it shouldn't be web based. Is", "internet, so it shouldn't be web based. Is there a preferably free software", "access to the internet, so it shouldn't be web based. Is there a", "to be able to use it on the road, without access to the", "lets me enter and rearrange plot points into an outline and link them", "the road, without access to the internet, so it shouldn't be web based.", "on the road, without access to the internet, so it shouldn't be web", "so it shouldn't be web based. Is there a preferably free software that", "done with post-it's on a whiteboard. Also I want to be able to", "a whiteboard. Also I want to be able to use it on the", "post-it's on a whiteboard. Also I want to be able to use it", "be able to use it on the road, without access to the internet,", "outline and link them to other events and storylines in a graphical way.", "an outline and link them to other events and storylines in a graphical", "a tool, that lets me enter and rearrange plot points into an outline", "and link them to other events and storylines in a graphical way. Traditionally", "a graphical way. Traditionally done with post-it's on a whiteboard. Also I want", "web based. Is there a preferably free software that is able to do", "be web based. Is there a preferably free software that is able to", "to use it on the road, without access to the internet, so it", "it shouldn't be web based. Is there a preferably free software that is", "based. Is there a preferably free software that is able to do this?", "link them to other events and storylines in a graphical way. Traditionally done", "on a whiteboard. Also I want to be able to use it on", "points into an outline and link them to other events and storylines in", "Also I want to be able to use it on the road, without" ]
[ "the information I'm looking for. So let me rephrase my question to be", "clue what kind of events they're supposed to be attending. Now obviously I", "tourist joints but also visit some museums/concerts, go to the cinema etc. In", "place in the recent past in which (aside from the main plot) my", "main plot) my characters get to spend some time in a big city.", "I'd try to incorporate real events instead. I'm keeping this question deliberately vague", "language I can speak/read. (I'm assuming that makes it easier to find relevant", "assuming that makes it easier to find relevant information.) * The exact time", "but the story takes place over the span of a few months some", "make something up, but I thought I'd try to incorporate real events instead.", "big city in a country with an official language I can speak/read*. (I'm", "(I'm assuming that makes it easier to find relevant information.) The exact", "obviously I could make something up, but I thought I'd try to incorporate", "open for change but the story takes place over the span of a", "vague, and on rereading it's painfully obvious that I have no clue what", "first draft, I've left all that terribly vague, and on rereading it's painfully", "I could make something up, but I thought I'd try to incorporate real", "country, so I can't simply hop over to the local library. * However,", "change but the story takes place over the span of a few months", "events (cinema, theatre, concerts, exhibitions) online? Restrictions: * The place is fixed and", "exhibitions) online?** Restrictions: * The place is fixed and is in another country,", "city, I don't know it well enough to know which venues/events might be", "end up visiting the tourist joints but also visit some museums/concerts, go to", "century every-day cultural events (cinema, theatre, concerts, exhibitions) online? Restrictions: * The place", "spend some time in a big city. They end up visiting the tourist", "of a few months some time between 2000-2015*. (In fact, I'm hoping that", "I've left all that terribly vague, and on rereading it's painfully obvious that", "relevant information.) The exact time frame is still open for change but", "this research will help me nail down the time frame.) * Similarly, the", "this research and may in fact end up posting an answer myself, but", "taking place in the recent past in which (aside from the main plot)", "may in fact end up posting an answer myself, but I'm interested in", "up, but I thought I'd try to incorporate real events instead. I'm keeping", "I'm keeping this question deliberately vague as I'm not looking for specific suggestions,", "not looking for specific suggestions, but merely some guidance on how to find", "and may in fact end up posting an answer myself, but I'm interested", "concerts, exhibitions) online? Restrictions: * The place is fixed and is in another", "in fact end up posting an answer myself, but I'm interested in other", "types are similarly fluid. * While I've visited the city, *I don't know", "library. However, it's a big city in a country with an official", "some guidance on how to find the information I'm looking for. So let", "how to find the information I'm looking for. So let me rephrase my", "country with an official language I can speak/read. (I'm assuming that makes it", "some progress on this research and may in fact end up posting an", "in another country, so I can't simply hop over to the local library.", "cinema etc. In my first draft, I've left all that terribly vague, and", "I'm looking for. So let me rephrase my question to be more general:", "nail down the time frame.) * Similarly, the venues and event types are", "let me rephrase my question to be more general: How can I approach", "as I'm not looking for specific suggestions, but merely some guidance on how", "museums/concerts, go to the cinema etc. In my first draft, I've left all", "know which venues/events might be generally interesting beyond the obvious tourist targets. FWIW,", "(aside from the main plot) my characters get to spend some time in", "real events instead. I'm keeping this question deliberately vague as I'm not looking", "can speak/read. (I'm assuming that makes it easier to find relevant information.) ", "can I approach researching 21st century every-day cultural events (cinema, theatre, concerts, exhibitions)", "a few months some time between 2000-2015. (In fact, I'm hoping that this", "on how to find the information I'm looking for. So let me rephrase", "city. They end up visiting the tourist joints but also visit some museums/concerts,", "all that terribly vague, and on rereading it's painfully obvious that I have", "it well enough to know which venues/events might be generally interesting* beyond the", "big city. They end up visiting the tourist joints but also visit some", "etc. In my first draft, I've left all that terribly vague, and on", "to know which venues/events might be generally interesting beyond the obvious tourist targets.", "Similarly, the venues and event types are similarly fluid*. While I've visited", "to spend some time in a big city. They end up visiting the", "general: How can I approach researching 21st century every-day cultural events (cinema, theatre,", "for specific suggestions, but merely some guidance on how to find the information", "it's a big city in a country with an official language I can", "I've visited the city, I don't know it well enough to know which", "the story takes place over the span of a few months some time", "specific suggestions, but merely some guidance on how to find the information I'm", "but also visit some museums/concerts, go to the cinema etc. In my first", "merely some guidance on how to find the information I'm looking for. So", "with an official language I can speak/read. (I'm assuming that makes it easier", "event types are similarly fluid. * While I've visited the city, I don't", "the city, I don't know it well enough to know which venues/events might", "more general: *How can I approach researching 21st century every-day cultural events (cinema,", "something up, but I thought I'd try to incorporate real events instead. I'm", "makes it easier to find relevant information.) The exact time frame is", "The place is fixed and is in another country, so I can't simply", "in a country with an official language I can speak/read. (I'm assuming that", "months some time between 2000-2015*. (In fact, I'm hoping that this research will", "will help me nail down the time frame.) Similarly, the venues and", "the tourist joints but also visit some museums/concerts, go to the cinema etc.", "looking for. So let me rephrase my question to be more general: How", "online?** Restrictions: * The place is fixed and is in another country, so", "The exact time frame is still open for change but the story takes", "find the information I'm looking for. So let me rephrase my question to", "rereading it's painfully obvious that I have no clue what kind of events", "targets. FWIW, I've already made some progress on this research and may in", "* Similarly, the venues and event types are similarly fluid. * While I've", "a country with an official language I can speak/read. (I'm assuming that makes", "information I'm looking for. So let me rephrase my question to be more", "hop over to the local library. * However, it's a big city in", "the local library. * However, it's a big city in a country with", "approach researching 21st century every-day cultural events (cinema, theatre, concerts, exhibitions) online?** Restrictions:", "information.) * The exact time frame is still open for change but the", "and on rereading it's painfully obvious that I have no clue what kind", "incorporate real events instead. I'm keeping this question deliberately vague as I'm not", "While I've visited the city, I don't know it well enough to know", "to be more general: How can I approach researching 21st century every-day cultural", "kind of events they're supposed to be attending. Now obviously I could make", "few months some time between 2000-2015. (In fact, I'm hoping that this research", "some museums/concerts, go to the cinema etc. In my first draft, I've left", "attending. Now obviously I could make something up, but I thought I'd try", "simply hop over to the local library. * However, it's a big city", "fact end up posting an answer myself, but I'm interested in other people's", "that terribly vague, and on rereading it's painfully obvious that I have no", "no clue what kind of events they're supposed to be attending. Now obviously", "every-day cultural events (cinema, theatre, concerts, exhibitions) online?** Restrictions: * The *place is", " However, it's a big city in a country with an official language", "some time between 2000-2015. (In fact, I'm hoping that this research will help", "I thought I'd try to incorporate real events instead. I'm keeping this question", "generally interesting beyond the obvious tourist targets. FWIW, I've already made some progress", "but merely some guidance on how to find the information I'm looking for.", "the cinema etc. In my first draft, I've left all that terribly vague,", "plot) my characters get to spend some time in a big city. They", "but I thought I'd try to incorporate real events instead. I'm keeping this", "obvious that I have no clue what kind of events they're supposed to", "of events they're supposed to be attending. Now obviously I could make something", "time frame is still open for change but the story takes place over", "the recent past in which (aside from the main plot) my characters get", "I'm hoping that this research will help me nail down the time frame.)", "and is in another country, so I can't simply hop over to the", "span of a few months some time between 2000-2015. (In fact, I'm hoping", "takes place over the span of a few months some time between 2000-2015.", "to find relevant information.) * The exact *time frame is still open for", "frame.) Similarly, the venues and event types are similarly fluid. * While", "I approach researching 21st century every-day cultural events (cinema, theatre, concerts, exhibitions) online?", "researching 21st century every-day cultural events (cinema, theatre, concerts, exhibitions) online? Restrictions: ", "to the local library. However, it's a big city in a country", "local library. * However, it's a big city in a country with an", "story takes place over the span of a few months some time between", "I'm not looking for specific suggestions, but merely some guidance on how to", "deliberately vague as I'm not looking for specific suggestions, but merely some guidance", "exact time frame is still open for change** but the story takes place", "time frame.) * Similarly, the venues and event types are similarly fluid. ", "venues and event types are similarly fluid. While I've visited the city,", "obvious tourist targets. FWIW, I've already made some progress on this research and", "progress on this research and may in fact end up posting an answer", "theatre, concerts, exhibitions) online?** Restrictions: * The place is fixed and is in", "I'm currently writing a story taking place in the recent past in which", "which (aside from the main plot) my characters get to spend some time", "rephrase my question to be more general: *How can I approach researching 21st", "on rereading it's painfully obvious that I have no clue what kind of", "(In fact, I'm hoping that this research will help me nail down the", "what kind of events they're supposed to be attending. Now obviously I could", "that this research will help me nail down the time frame.) Similarly,", "fact, I'm hoping that this research will help me nail down the time", "made some progress on this research and may in fact end up posting", "might be generally interesting** beyond the obvious tourist targets. FWIW, I've already made", "research will help me nail down the time frame.) * Similarly, the venues", "is fixed and is in another country, so I can't simply hop over", "* While I've visited the city, I don't know it well enough to", "some time in a big city. They end up visiting the tourist joints", "is in another country, so I can't simply hop over to the local", "joints but also visit some museums/concerts, go to the cinema etc. In my", "In my first draft, I've left all that terribly vague, and on rereading", "to find the information I'm looking for. So let me rephrase my question", "However, it's a big city in a country with an official language I", "still open for change but the story takes place over the span of", "a big city. They end up visiting the tourist joints but also visit", "time in a big city. They end up visiting the tourist joints but", "a big city in a country with an official language I can speak/read*.", "find relevant information.) The exact time frame is still open for change", "be generally interesting** beyond the obvious tourist targets. FWIW, I've already made some", "visit some museums/concerts, go to the cinema etc. In my first draft, I've", "to the cinema etc. In my first draft, I've left all that terribly", "help me nail down the time frame.) * Similarly, the venues and event", "I don't know it well enough to know which venues/events might be generally", "question deliberately vague as I'm not looking for specific suggestions, but merely some", "the venues and event types are similarly fluid. * While I've visited the", "tourist targets. FWIW, I've already made some progress on this research and may", "2000-2015*. (In fact, I'm hoping that this research will help me nail down", "this question deliberately vague as I'm not looking for specific suggestions, but merely", "over to the local library. However, it's a big city in a", "in a big city. They end up visiting the tourist joints but also", "me rephrase my question to be more general: How can I approach researching", "they're supposed to be attending. Now obviously I could make something up, but", "(cinema, theatre, concerts, exhibitions) online? Restrictions: * The place is fixed and is", "writing a story taking place in the recent past in which (aside from", "terribly vague, and on rereading it's painfully obvious that I have no clue", "speak/read*. (I'm assuming that makes it easier to find relevant information.) The", "are similarly fluid*. While I've visited the city, I don't know it", "which venues/events might be generally interesting beyond the obvious tourist targets. FWIW, I've", "already made some progress on this research and may in fact end up", "in which (aside from the main plot) my characters get to spend some", "and event types are similarly fluid*. 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However, it's", "it's painfully obvious that I have no clue what kind of events they're", "past in which (aside from the main plot) my characters get to spend", "visiting the tourist joints but also visit some museums/concerts, go to the cinema", "go to the cinema etc. In my first draft, I've left all that", "painfully obvious that I have no clue what kind of events they're supposed", "21st century every-day cultural events (cinema, theatre, concerts, exhibitions) online?** Restrictions: * The", "the obvious tourist targets. FWIW, I've already made some progress on this research", "an official language I can speak/read. (I'm assuming that makes it easier to", "suggestions, but merely some guidance on how to find the information I'm looking", "me nail down the time frame.) * Similarly, the venues and event types", "venues/events might be generally interesting beyond the obvious tourist targets. FWIW, I've already", "for change but the story takes place over the span of a few", "keeping this question deliberately vague as I'm not looking for specific suggestions, but", "So let me rephrase my question to be more general: How can I", "be more general: How can I approach researching 21st century every-day cultural events", "I can speak/read. (I'm assuming that makes it easier to find relevant information.)", "draft, I've left all that terribly vague, and on rereading it's painfully obvious", "FWIW, I've already made some progress on this research and may in fact", "that makes it easier to find relevant information.) * The exact *time frame", "the main plot) my characters get to spend some time in a big", " The place is fixed and is in another country, so I can't", "events they're supposed to be attending. Now obviously I could make something up,", "* The exact time frame is still open for change but the story", "place is fixed and is in another country, so I can't simply hop", "research and may in fact end up posting an answer myself, but I'm", "up visiting the tourist joints but also visit some museums/concerts, go to the", "over the span of a few months some time between 2000-2015. (In fact,", "also visit some museums/concerts, go to the cinema etc. In my first draft,", "well enough to know which venues/events might be generally interesting beyond the obvious", "get to spend some time in a big city. They end up visiting", "Now obviously I could make something up, but I thought I'd try to", "another country*, so I can't simply hop over to the local library. ", "I have no clue what kind of events they're supposed to be attending.", "instead. I'm keeping this question deliberately vague as I'm not looking for specific", "place over the span of a few months some time between 2000-2015. (In", "could make something up, but I thought I'd try to incorporate real events", "my question to be more general: *How can I approach researching 21st century", "to be attending. Now obviously I could make something up, but I thought", "be attending. Now obviously I could make something up, but I thought I'd", "I can't simply hop over to the local library. However, it's a", "vague as I'm not looking for specific suggestions, but merely some guidance on", "down the time frame.) * Similarly, the venues and event types are similarly", "characters get to spend some time in a big city. They end up", "guidance on how to find the information I'm looking for. So let me", "in the recent past in which (aside from the main plot) my characters", "my characters get to spend some time in a big city. They end", "between 2000-2015*. (In fact, I'm hoping that this research will help me nail", "left all that terribly vague, and on rereading it's painfully obvious that I", "easier to find relevant information.) The exact time frame is still open", "is still open for change but the story takes place over the span", "thought I'd try to incorporate real events instead. I'm keeping this question deliberately", "for. So let me rephrase my question to be more general: *How can", "currently writing a story taking place in the recent past in which (aside", "try to incorporate real events instead. I'm keeping this question deliberately vague as", "events instead. I'm keeping this question deliberately vague as I'm not looking for", "recent past in which (aside from the main plot) my characters get to", "the time frame.) Similarly, the venues and event types are similarly fluid.", "I've already made some progress on this research and may in fact end", "official language I can speak/read. (I'm assuming that makes it easier to find", "it easier to find relevant information.) * The exact time frame is still", "fixed and is in another country, so I can't simply hop over to", "that I have no clue what kind of events they're supposed to be", "from the main plot) my characters get to spend some time in a", "the span of a few months some time between 2000-2015. (In fact, I'm", "question to be more general: How can I approach researching 21st century every-day", "fluid. * While I've visited the city, I don't know it well enough", "end up posting an answer myself, but I'm interested in other people's suggestions.", "looking for specific suggestions, but merely some guidance on how to find the", "cultural events (cinema, theatre, concerts, exhibitions) online? Restrictions: * The place is fixed", "similarly fluid*. While I've visited the city, I don't know it well", "enough to know which venues/events might be generally interesting beyond the obvious tourist", "beyond the obvious tourist targets. FWIW, I've already made some progress on this", "interesting beyond the obvious tourist targets. FWIW, I've already made some progress on", "city in a country with an official language I can speak/read. (I'm assuming", "How can I approach researching 21st century every-day cultural events (cinema, theatre, concerts,", "my first draft, I've left all that terribly vague, and on rereading it's", "a story taking place in the recent past in which (aside from the", "frame is still open for change but the story takes place over the", "hoping that this research will help me nail down the time frame.) ", "know it well enough to know which venues/events might be generally interesting* beyond", "Restrictions: * The place is fixed and is in another country, so I", "supposed to be attending. Now obviously I could make something up, but I", "They end up visiting the tourist joints but also visit some museums/concerts, go" ]
[ "What do you believe is a better way to name a character? 1.A", "is a plastic penguin which happens to be very pompous. What do you", "a character? 1.A name which describes them physically Ex. Plastic Penguin 2.Or one", "be very pompous. What do you believe is a better way to name", "Ex. Plastic Penguin 2.Or one based on their personality? Ex. Pompous Penguin Thanks", "my fictional character is a plastic penguin which happens to be very pompous.", "physically Ex. Plastic Penguin 2.Or one based on their personality? Ex. Pompous Penguin", "better way to name a character? 1.A name which describes them physically Ex.", "name which describes them physically Ex. Plastic Penguin 2.Or one based on their", "penguin which happens to be very pompous. What do you believe is a", "believe is a better way to name a character? 1.A name which describes", "describes them physically Ex. Plastic Penguin 2.Or one based on their personality? Ex.", "1.A name which describes them physically Ex. Plastic Penguin 2.Or one based on", "plastic penguin which happens to be very pompous. What do you believe is", "to name a character? 1.A name which describes them physically Ex. Plastic Penguin", "them physically Ex. Plastic Penguin 2.Or one based on their personality? Ex. Pompous", "do you believe is a better way to name a character? 1.A name", "which describes them physically Ex. Plastic Penguin 2.Or one based on their personality?", "is a better way to name a character? 1.A name which describes them", "a plastic penguin which happens to be very pompous. What do you believe", "Suppose my fictional character is a plastic penguin which happens to be very", "name a character? 1.A name which describes them physically Ex. Plastic Penguin 2.Or", "way to name a character? 1.A name which describes them physically Ex. Plastic", "which happens to be very pompous. What do you believe is a better", "you believe is a better way to name a character? 1.A name which", "to be very pompous. What do you believe is a better way to", "fictional character is a plastic penguin which happens to be very pompous. What", "a better way to name a character? 1.A name which describes them physically", "pompous. What do you believe is a better way to name a character?", "character is a plastic penguin which happens to be very pompous. What do", "happens to be very pompous. What do you believe is a better way", "character? 1.A name which describes them physically Ex. Plastic Penguin 2.Or one based", "very pompous. What do you believe is a better way to name a" ]
[ "thing? (Obviously, this will be seen by some as primarily opinion based -", "good or bad, better or worse, is it merely a way to talk", "is good or bad, better or worse, is it merely a way to", "wake > > The drowsy water rats... > > -From \"The Stolen Child\",", "argument is that technical quality is the only objective measure of quality in", "that technical quality is the only objective measure of quality in writing). Rather,", "Wood in the lake, > > There lies a leafy island > >", "-From \"The Stolen Child\", by W. B. Yeats > > > and >", "rats... > > -From \"The Stolen Child\", by W. B. Yeats > >", "When someone says that writing is good or bad, better or worse, is", "I'm less interested in why Yeat's poem is technically better (unless your argument", "dog saw a frog > > On a log in the bog. >", "Of Sleuth Wood in the lake, > > There lies a leafy island", "to quantify such a thing? (Obviously, this will be seen by some as", "Compare the two passages: > > Where dips the rocky highland > >", "frog > > On a log in the bog. > > > I'm", "lake, > > There lies a leafy island > > Where flapping herons", "> I'm less interested in why Yeat's poem is technically better (unless your", "there writing that is better or worse? Is it possible to quantify such", "measure of quality in writing). Rather, is there writing that is better or", "highland > > Of Sleuth Wood in the lake, > > There lies", "in why Yeat's poem is technically better (unless your argument is that technical", "Yeat's poem is technically better (unless your argument is that technical quality is", "> > > and > > The dog saw a frog > >", "objective measure of quality in writing). Rather, is there writing that is better", "less interested in why Yeat's poem is technically better (unless your argument is", "lies a leafy island > > Where flapping herons wake > > The", "talk about whether something is popular, or interesting to you? Or is there", "> > Of Sleuth Wood in the lake, > > There lies a", "based - since I'm asking what exactly opinions are or should be based", "it merely a way to talk about whether something is popular, or interesting", "is popular, or interesting to you? Or is there more to it than", "\"The Stolen Child\", by W. B. Yeats > > > and > >", "is it merely a way to talk about whether something is popular, or", "> > and > > The dog saw a frog > > On", "opinion based - since I'm asking what exactly opinions are or should be", "rocky highland > > Of Sleuth Wood in the lake, > > There", "a way to talk about whether something is popular, or interesting to you?", "to it than that? Compare the two passages: > > Where dips the", "a frog > > On a log in the bog. > > >", "(unless your argument is that technical quality is the only objective measure of", "or bad, better or worse, is it merely a way to talk about", "that writing is good or bad, better or worse, is it merely a", "passages: > > Where dips the rocky highland > > Of Sleuth Wood", "> On a log in the bog. > > > I'm less interested", "quality in writing). Rather, is there writing that is better or worse? Is", "Or is there more to it than that? Compare the two passages: >", "this will be seen by some as primarily opinion based - since I'm", "or worse? Is it possible to quantify such a thing? (Obviously, this will", "Where flapping herons wake > > The drowsy water rats... > > -From", "the lake, > > There lies a leafy island > > Where flapping", "> > The dog saw a frog > > On a log in", "popular, or interesting to you? Or is there more to it than that?", "a leafy island > > Where flapping herons wake > > The drowsy", "writing). Rather, is there writing that is better or worse? Is it possible", "Sleuth Wood in the lake, > > There lies a leafy island >", "merely a way to talk about whether something is popular, or interesting to", "better or worse, is it merely a way to talk about whether something", "Rather, is there writing that is better or worse? Is it possible to", "saw a frog > > On a log in the bog. > >", "> > On a log in the bog. > > > I'm less", "- since I'm asking what exactly opinions are or should be based on.)", "technical quality is the only objective measure of quality in writing). Rather, is", "to you? Or is there more to it than that? Compare the two", "that? Compare the two passages: > > Where dips the rocky highland >", "is that technical quality is the only objective measure of quality in writing).", "> The dog saw a frog > > On a log in the", "island > > Where flapping herons wake > > The drowsy water rats...", "or worse, is it merely a way to talk about whether something is", "drowsy water rats... > > -From \"The Stolen Child\", by W. B. Yeats", "technically better (unless your argument is that technical quality is the only objective", "is there more to it than that? Compare the two passages: > >", "> and > > The dog saw a frog > > On a", "more to it than that? Compare the two passages: > > Where dips", "is technically better (unless your argument is that technical quality is the only", "that is better or worse? Is it possible to quantify such a thing?", "to talk about whether something is popular, or interesting to you? Or is", "whether something is popular, or interesting to you? Or is there more to", "of quality in writing). Rather, is there writing that is better or worse?", "Stolen Child\", by W. B. Yeats > > > and > > The", "why Yeat's poem is technically better (unless your argument is that technical quality", "in the lake, > > There lies a leafy island > > Where", "> > Where flapping herons wake > > The drowsy water rats... >", "> > > I'm less interested in why Yeat's poem is technically better", "log in the bog. > > > I'm less interested in why Yeat's", "> Where dips the rocky highland > > Of Sleuth Wood in the", "writing that is better or worse? Is it possible to quantify such a", "quantify such a thing? (Obviously, this will be seen by some as primarily", "the only objective measure of quality in writing). Rather, is there writing that", "by W. B. Yeats > > > and > > The dog saw", "On a log in the bog. > > > I'm less interested in", "leafy island > > Where flapping herons wake > > The drowsy water", "the bog. > > > I'm less interested in why Yeat's poem is", "interested in why Yeat's poem is technically better (unless your argument is that", "better or worse? Is it possible to quantify such a thing? (Obviously, this", "> > There lies a leafy island > > Where flapping herons wake", "by some as primarily opinion based - since I'm asking what exactly opinions", "> > The drowsy water rats... > > -From \"The Stolen Child\", by", "better (unless your argument is that technical quality is the only objective measure", "is the only objective measure of quality in writing). Rather, is there writing", "water rats... > > -From \"The Stolen Child\", by W. B. Yeats >", "bad, better or worse, is it merely a way to talk about whether", "Where dips the rocky highland > > Of Sleuth Wood in the lake,", "> > Where dips the rocky highland > > Of Sleuth Wood in", "you? Or is there more to it than that? Compare the two passages:", "writing is good or bad, better or worse, is it merely a way", "be seen by some as primarily opinion based - since I'm asking what", "There lies a leafy island > > Where flapping herons wake > >", "Yeats > > > and > > The dog saw a frog >", "seen by some as primarily opinion based - since I'm asking what exactly", "Is it possible to quantify such a thing? (Obviously, this will be seen", "and > > The dog saw a frog > > On a log", "such a thing? (Obviously, this will be seen by some as primarily opinion", "Child\", by W. B. Yeats > > > and > > The dog", "flapping herons wake > > The drowsy water rats... > > -From \"The", "The drowsy water rats... > > -From \"The Stolen Child\", by W. B.", "about whether something is popular, or interesting to you? Or is there more", "or interesting to you? Or is there more to it than that? Compare", "the rocky highland > > Of Sleuth Wood in the lake, > >", "poem is technically better (unless your argument is that technical quality is the", "> Of Sleuth Wood in the lake, > > There lies a leafy", "worse? Is it possible to quantify such a thing? (Obviously, this will be", "possible to quantify such a thing? (Obviously, this will be seen by some", "some as primarily opinion based - since I'm asking what exactly opinions are", "(Obviously, this will be seen by some as primarily opinion based - since", "something is popular, or interesting to you? Or is there more to it", "a thing? (Obviously, this will be seen by some as primarily opinion based", "primarily opinion based - since I'm asking what exactly opinions are or should", "worse, is it merely a way to talk about whether something is popular,", "your argument is that technical quality is the only objective measure of quality", "it than that? Compare the two passages: > > Where dips the rocky", "interesting to you? Or is there more to it than that? Compare the", "> There lies a leafy island > > Where flapping herons wake >", "dips the rocky highland > > Of Sleuth Wood in the lake, >", "a log in the bog. > > > I'm less interested in why", "> Where flapping herons wake > > The drowsy water rats... > >", "> The drowsy water rats... > > -From \"The Stolen Child\", by W.", "bog. > > > I'm less interested in why Yeat's poem is technically", "it possible to quantify such a thing? (Obviously, this will be seen by", "only objective measure of quality in writing). Rather, is there writing that is", "someone says that writing is good or bad, better or worse, is it", "than that? Compare the two passages: > > Where dips the rocky highland", "way to talk about whether something is popular, or interesting to you? Or", "The dog saw a frog > > On a log in the bog.", "says that writing is good or bad, better or worse, is it merely", "there more to it than that? Compare the two passages: > > Where", "> > I'm less interested in why Yeat's poem is technically better (unless", "in writing). Rather, is there writing that is better or worse? Is it", "> -From \"The Stolen Child\", by W. B. Yeats > > > and", "herons wake > > The drowsy water rats... > > -From \"The Stolen", "W. B. Yeats > > > and > > The dog saw a", "the two passages: > > Where dips the rocky highland > > Of", "B. Yeats > > > and > > The dog saw a frog", "> > -From \"The Stolen Child\", by W. B. Yeats > > >", "in the bog. > > > I'm less interested in why Yeat's poem", "is better or worse? Is it possible to quantify such a thing? (Obviously,", "quality is the only objective measure of quality in writing). Rather, is there", "as primarily opinion based - since I'm asking what exactly opinions are or", "is there writing that is better or worse? Is it possible to quantify", "will be seen by some as primarily opinion based - since I'm asking", "two passages: > > Where dips the rocky highland > > Of Sleuth" ]
[ "like that I have already completed the task with the outline, so I'm", "story. But once I finished it, I couldn't start writing the remaining portion.", "got really confuse about some aspects of writing, so I took a break", "confuse about some aspects of writing, so I took a break and analysed", "writing, so I took a break and analysed my plot. I've started developing", "much better and made an outline for the remaining story. But once I", "about some aspects of writing, so I took a break and analysed my", "some aspects of writing, so I took a break and analysed my plot.", "more than 50% of my first novel's first draft. I got really confuse", "novel's first draft. I got really confuse about some aspects of writing, so", "already completed the task with the outline, so I'm struggling finding the will", "of my first novel's first draft. I got really confuse about some aspects", "outline, so I'm struggling finding the will to write out the story. How", "struggling finding the will to write out the story. How can I overcome", "I am a discovery writer. I wrote more than 50% of my first", "50% of my first novel's first draft. I got really confuse about some", "I took a break and analysed my plot. I've started developing my world", "the outline, so I'm struggling finding the will to write out the story.", "break and analysed my plot. I've started developing my world much better and", "developing my world much better and made an outline for the remaining story.", "it, I couldn't start writing the remaining portion. I feel like that I", "first novel's first draft. I got really confuse about some aspects of writing,", "better and made an outline for the remaining story. But once I finished", "really confuse about some aspects of writing, so I took a break and", "my world much better and made an outline for the remaining story. But", "a break and analysed my plot. I've started developing my world much better", "portion. I feel like that I have already completed the task with the", "for the remaining story. But once I finished it, I couldn't start writing", "I couldn't start writing the remaining portion. I feel like that I have", "task with the outline, so I'm struggling finding the will to write out", "finding the will to write out the story. How can I overcome this", "start writing the remaining portion. I feel like that I have already completed", "outline for the remaining story. But once I finished it, I couldn't start", "of writing, so I took a break and analysed my plot. I've started", "the remaining portion. I feel like that I have already completed the task", "writing the remaining portion. I feel like that I have already completed the", "completed the task with the outline, so I'm struggling finding the will to", "couldn't start writing the remaining portion. I feel like that I have already", "I got really confuse about some aspects of writing, so I took a", "But once I finished it, I couldn't start writing the remaining portion. I", "an outline for the remaining story. But once I finished it, I couldn't", "am a discovery writer. I wrote more than 50% of my first novel's", "took a break and analysed my plot. I've started developing my world much", "so I'm struggling finding the will to write out the story. How can", "wrote more than 50% of my first novel's first draft. I got really", "analysed my plot. I've started developing my world much better and made an", "I have already completed the task with the outline, so I'm struggling finding", "feel like that I have already completed the task with the outline, so", "than 50% of my first novel's first draft. I got really confuse about", "world much better and made an outline for the remaining story. But once", "remaining portion. I feel like that I have already completed the task with", "I've started developing my world much better and made an outline for the", "that I have already completed the task with the outline, so I'm struggling", "aspects of writing, so I took a break and analysed my plot. I've", "with the outline, so I'm struggling finding the will to write out the", "started developing my world much better and made an outline for the remaining", "have already completed the task with the outline, so I'm struggling finding the", "finished it, I couldn't start writing the remaining portion. I feel like that", "I feel like that I have already completed the task with the outline,", "writer. I wrote more than 50% of my first novel's first draft. I", "and analysed my plot. I've started developing my world much better and made", "so I took a break and analysed my plot. I've started developing my", "plot. I've started developing my world much better and made an outline for", "once I finished it, I couldn't start writing the remaining portion. I feel", "and made an outline for the remaining story. But once I finished it,", "made an outline for the remaining story. But once I finished it, I", "the will to write out the story. How can I overcome this issue?", "discovery writer. I wrote more than 50% of my first novel's first draft.", "the task with the outline, so I'm struggling finding the will to write", "my first novel's first draft. I got really confuse about some aspects of", "I'm struggling finding the will to write out the story. How can I", "my plot. I've started developing my world much better and made an outline", "I wrote more than 50% of my first novel's first draft. I got", "I finished it, I couldn't start writing the remaining portion. I feel like", "the remaining story. But once I finished it, I couldn't start writing the", "draft. I got really confuse about some aspects of writing, so I took", "remaining story. But once I finished it, I couldn't start writing the remaining", "a discovery writer. I wrote more than 50% of my first novel's first", "first draft. I got really confuse about some aspects of writing, so I" ]
[ "in short story competitions but I am not sure if it is worth", "but considering the format of my book as well as the fact that", "I should apply some different strategy all together I would love to hear", "I have only heard back from a couple rejecting me but considering the", "have only heard back from a couple rejecting me but considering the format", "be finishing a longer book and trying to get that published first. Your", "Your opinions on the subject are greatly appreciated and if you think that", "me but considering the format of my book as well as the fact", "highly probable to get published as it is despite its quality. I was", "take part in short story competitions but I am not sure if it", "have recently finished my 25,000 word novella and contacted some publishers and agents", "the fact that it is highly experimental and does not fall into any", "not fall into any specific genre, I do not find it highly probable", "my 25,000 word novella and contacted some publishers and agents about a month", "and trying to get that published first. Your opinions on the subject are", "opinions on the subject are greatly appreciated and if you think that I", "thinking that a good way to get my name out there would be", "I have recently finished my 25,000 word novella and contacted some publishers and", "to get my name out there would be to take part in short", "heard back from a couple rejecting me but considering the format of my", "it is highly experimental and does not fall into any specific genre, I", "its quality. I was thinking that a good way to get my name", "get published as it is despite its quality. I was thinking that a", "get my name out there would be to take part in short story", "contacted some publishers and agents about a month ago. I have only heard", "experimental and does not fall into any specific genre, I do not find", "I am not sure if it is worth the time or if a", "longer book and trying to get that published first. Your opinions on the", "from a couple rejecting me but considering the format of my book as", "only heard back from a couple rejecting me but considering the format of", "there would be to take part in short story competitions but I am", "agents about a month ago. I have only heard back from a couple", "and contacted some publishers and agents about a month ago. I have only", "25,000 word novella and contacted some publishers and agents about a month ago.", "that published first. Your opinions on the subject are greatly appreciated and if", "would be finishing a longer book and trying to get that published first.", "and if you think that I should apply some different strategy all together", "any specific genre, I do not find it highly probable to get published", "would be to take part in short story competitions but I am not", "a longer book and trying to get that published first. Your opinions on", "it highly probable to get published as it is despite its quality. I", "or if a better alternative would be finishing a longer book and trying", "rejecting me but considering the format of my book as well as the", "trying to get that published first. Your opinions on the subject are greatly", "does not fall into any specific genre, I do not find it highly", "think that I should apply some different strategy all together I would love", "not sure if it is worth the time or if a better alternative", "format of my book as well as the fact that it is highly", "as well as the fact that it is highly experimental and does not", "short story competitions but I am not sure if it is worth the", "greatly appreciated and if you think that I should apply some different strategy", "specific genre, I do not find it highly probable to get published as", "appreciated and if you think that I should apply some different strategy all", "despite its quality. I was thinking that a good way to get my", "back from a couple rejecting me but considering the format of my book", "competitions but I am not sure if it is worth the time or", "the subject are greatly appreciated and if you think that I should apply", "word novella and contacted some publishers and agents about a month ago. I", "better alternative would be finishing a longer book and trying to get that", "recently finished my 25,000 word novella and contacted some publishers and agents about", "find it highly probable to get published as it is despite its quality.", "be to take part in short story competitions but I am not sure", "that I should apply some different strategy all together I would love to", "published as it is despite its quality. I was thinking that a good", "finished my 25,000 word novella and contacted some publishers and agents about a", "story competitions but I am not sure if it is worth the time", "couple rejecting me but considering the format of my book as well as", "finishing a longer book and trying to get that published first. Your opinions", "is worth the time or if a better alternative would be finishing a", "is despite its quality. I was thinking that a good way to get", "fall into any specific genre, I do not find it highly probable to", "not find it highly probable to get published as it is despite its", "genre, I do not find it highly probable to get published as it", "on the subject are greatly appreciated and if you think that I should", "some publishers and agents about a month ago. I have only heard back", "worth the time or if a better alternative would be finishing a longer", "to get published as it is despite its quality. I was thinking that", "well as the fact that it is highly experimental and does not fall", "first. Your opinions on the subject are greatly appreciated and if you think", "and does not fall into any specific genre, I do not find it", "if you think that I should apply some different strategy all together I", "part in short story competitions but I am not sure if it is", "highly experimental and does not fall into any specific genre, I do not", "quality. I was thinking that a good way to get my name out", "book and trying to get that published first. Your opinions on the subject", "ago. I have only heard back from a couple rejecting me but considering", "good way to get my name out there would be to take part", "subject are greatly appreciated and if you think that I should apply some", "novella and contacted some publishers and agents about a month ago. I have", "a couple rejecting me but considering the format of my book as well", "get that published first. Your opinions on the subject are greatly appreciated and", "publishers and agents about a month ago. I have only heard back from", "to get that published first. Your opinions on the subject are greatly appreciated", "about a month ago. I have only heard back from a couple rejecting", "probable to get published as it is despite its quality. I was thinking", "should apply some different strategy all together I would love to hear that.", "as the fact that it is highly experimental and does not fall into", "a good way to get my name out there would be to take", "name out there would be to take part in short story competitions but", "are greatly appreciated and if you think that I should apply some different", "way to get my name out there would be to take part in", "it is worth the time or if a better alternative would be finishing", "that a good way to get my name out there would be to", "I was thinking that a good way to get my name out there", "was thinking that a good way to get my name out there would", "if it is worth the time or if a better alternative would be", "book as well as the fact that it is highly experimental and does", "as it is despite its quality. I was thinking that a good way", "time or if a better alternative would be finishing a longer book and", "into any specific genre, I do not find it highly probable to get", "a month ago. I have only heard back from a couple rejecting me", "my book as well as the fact that it is highly experimental and", "do not find it highly probable to get published as it is despite", "it is despite its quality. I was thinking that a good way to", "of my book as well as the fact that it is highly experimental", "but I am not sure if it is worth the time or if", "you think that I should apply some different strategy all together I would", "to take part in short story competitions but I am not sure if", "out there would be to take part in short story competitions but I", "fact that it is highly experimental and does not fall into any specific", "alternative would be finishing a longer book and trying to get that published", "the time or if a better alternative would be finishing a longer book", "a better alternative would be finishing a longer book and trying to get", "am not sure if it is worth the time or if a better", "and agents about a month ago. I have only heard back from a", "sure if it is worth the time or if a better alternative would", "the format of my book as well as the fact that it is", "month ago. I have only heard back from a couple rejecting me but", "my name out there would be to take part in short story competitions", "published first. Your opinions on the subject are greatly appreciated and if you", "is highly experimental and does not fall into any specific genre, I do", "that it is highly experimental and does not fall into any specific genre,", "if a better alternative would be finishing a longer book and trying to", "considering the format of my book as well as the fact that it", "I do not find it highly probable to get published as it is" ]
[ "word limit? What aspects should be covered and what avoided? Also are there", "are unable to show his/her characteristics and point of view. Similarly how is", "I'd like to write about a girl who transferred to a new world", "to get inspiration and to learn from? The main thing is that we", "tight word limit? What aspects should be covered and what avoided? Also are", "narrow down something? For example, I'd like to write about a girl who", "humans are special because they don't rely on powers and do work by", "words possible? Is it totally impossible? Or do I have to narrow down", "and to learn from? The main thing is that we cannot express the", "special because they don't rely on powers and do work by believing in", "show what a new world looks like in the fewest words possible? Is", "from? The main thing is that we cannot express the full thought process", "that humans are special because they don't rely on powers and do work", "a new world looks like in the fewest words possible? Is it totally", "aspects should be covered and what avoided? Also are there some similar previous", "character and thus are unable to show his/her characteristics and point of view.", "world and found some new family members and some new powers. I'd like", "what a new world looks like in the fewest words possible? Is it", "are special because they don't rely on powers and do work by believing", "express the full thought process of a new character and thus are unable", "possible to express or show what a new world looks like in the", "new powers. I'd like to convey the message that humans are special because", "full thought process of a new character and thus are unable to show", "the message that humans are special because they don't rely on powers and", "Is it totally impossible? Or do I have to narrow down something? For", "new character and thus are unable to show his/her characteristics and point of", "a science fiction under a tight word limit? What aspects should be covered", "powers. I'd like to convey the message that humans are special because they", "that we cannot express the full thought process of a new character and", "in the fewest words possible? Is it totally impossible? Or do I have", "convey the message that humans are special because they don't rely on powers", "like to convey the message that humans are special because they don't rely", "build a new character and/or world in a science fiction under a tight", "found some new family members and some new powers. I'd like to convey", "by believing in themselves, but I'm struggling to fit all this in the", "totally impossible? Or do I have to narrow down something? For example, I'd", "something? For example, I'd like to write about a girl who transferred to", "is that we cannot express the full thought process of a new character", "world in a science fiction under a tight word limit? What aspects should", "a girl who transferred to a new world and found some new family", "like in the fewest words possible? Is it totally impossible? Or do I", "impossible? Or do I have to narrow down something? For example, I'd like", "on powers and do work by believing in themselves, but I'm struggling to", "to narrow down something? For example, I'd like to write about a girl", "how is it possible to express or show what a new world looks", "science fiction under a tight word limit? What aspects should be covered and", "it possible to build a new character and/or world in a science fiction", "learn from? The main thing is that we cannot express the full thought", "in themselves, but I'm struggling to fit all this in the short word", "view. Similarly how is it possible to express or show what a new", "world looks like in the fewest words possible? Is it totally impossible? Or", "transferred to a new world and found some new family members and some", "possible? Is it totally impossible? Or do I have to narrow down something?", "I'd like to convey the message that humans are special because they don't", "limit? What aspects should be covered and what avoided? Also are there some", "like to write about a girl who transferred to a new world and", "who transferred to a new world and found some new family members and", "and found some new family members and some new powers. I'd like to", "to express or show what a new world looks like in the fewest", "fiction under a tight word limit? What aspects should be covered and what", "be covered and what avoided? Also are there some similar previous examples to", "members and some new powers. I'd like to convey the message that humans", "examples to get inspiration and to learn from? The main thing is that", "it totally impossible? Or do I have to narrow down something? For example,", "get inspiration and to learn from? The main thing is that we cannot", "thus are unable to show his/her characteristics and point of view. Similarly how", "I have to narrow down something? For example, I'd like to write about", "they don't rely on powers and do work by believing in themselves, but", "characteristics and point of view. Similarly how is it possible to express or", "to build a new character and/or world in a science fiction under a", "similar previous examples to get inspiration and to learn from? The main thing", "new family members and some new powers. I'd like to convey the message", "are there some similar previous examples to get inspiration and to learn from?", "a new character and thus are unable to show his/her characteristics and point", "avoided? Also are there some similar previous examples to get inspiration and to", "and point of view. Similarly how is it possible to express or show", "Or do I have to narrow down something? For example, I'd like to", "For example, I'd like to write about a girl who transferred to a", "and thus are unable to show his/her characteristics and point of view. Similarly", "some new powers. I'd like to convey the message that humans are special", "to convey the message that humans are special because they don't rely on", "because they don't rely on powers and do work by believing in themselves,", "express or show what a new world looks like in the fewest words", "some new family members and some new powers. I'd like to convey the", "new world and found some new family members and some new powers. I'd", "a tight word limit? What aspects should be covered and what avoided? Also", "a new character and/or world in a science fiction under a tight word", "a new world and found some new family members and some new powers.", "new world looks like in the fewest words possible? Is it totally impossible?", "Similarly how is it possible to express or show what a new world", "family members and some new powers. I'd like to convey the message that", "write about a girl who transferred to a new world and found some", "work by believing in themselves, but I'm struggling to fit all this in", "main thing is that we cannot express the full thought process of a", "thing is that we cannot express the full thought process of a new", "the fewest words possible? Is it totally impossible? Or do I have to", "and do work by believing in themselves, but I'm struggling to fit all", "themselves, but I'm struggling to fit all this in the short word constraint.", "and some new powers. I'd like to convey the message that humans are", "Is it possible to build a new character and/or world in a science", "should be covered and what avoided? Also are there some similar previous examples", "cannot express the full thought process of a new character and thus are", "to learn from? The main thing is that we cannot express the full", "do I have to narrow down something? For example, I'd like to write", "of a new character and thus are unable to show his/her characteristics and", "What aspects should be covered and what avoided? Also are there some similar", "Also are there some similar previous examples to get inspiration and to learn", "powers and do work by believing in themselves, but I'm struggling to fit", "rely on powers and do work by believing in themselves, but I'm struggling", "and/or world in a science fiction under a tight word limit? What aspects", "of view. Similarly how is it possible to express or show what a", "show his/her characteristics and point of view. Similarly how is it possible to", "down something? For example, I'd like to write about a girl who transferred", "process of a new character and thus are unable to show his/her characteristics", "what avoided? Also are there some similar previous examples to get inspiration and", "under a tight word limit? What aspects should be covered and what avoided?", "and what avoided? Also are there some similar previous examples to get inspiration", "to write about a girl who transferred to a new world and found", "is it possible to express or show what a new world looks like", "new character and/or world in a science fiction under a tight word limit?", "do work by believing in themselves, but I'm struggling to fit all this", "possible to build a new character and/or world in a science fiction under", "in a science fiction under a tight word limit? What aspects should be", "covered and what avoided? Also are there some similar previous examples to get", "to a new world and found some new family members and some new", "The main thing is that we cannot express the full thought process of", "some similar previous examples to get inspiration and to learn from? The main", "we cannot express the full thought process of a new character and thus", "his/her characteristics and point of view. Similarly how is it possible to express", "the full thought process of a new character and thus are unable to", "point of view. Similarly how is it possible to express or show what", "don't rely on powers and do work by believing in themselves, but I'm", "inspiration and to learn from? The main thing is that we cannot express", "girl who transferred to a new world and found some new family members", "or show what a new world looks like in the fewest words possible?", "fewest words possible? Is it totally impossible? Or do I have to narrow", "have to narrow down something? For example, I'd like to write about a", "previous examples to get inspiration and to learn from? The main thing is", "believing in themselves, but I'm struggling to fit all this in the short", "to show his/her characteristics and point of view. Similarly how is it possible", "it possible to express or show what a new world looks like in", "thought process of a new character and thus are unable to show his/her", "character and/or world in a science fiction under a tight word limit? What", "example, I'd like to write about a girl who transferred to a new", "message that humans are special because they don't rely on powers and do", "unable to show his/her characteristics and point of view. Similarly how is it", "there some similar previous examples to get inspiration and to learn from? The", "about a girl who transferred to a new world and found some new", "looks like in the fewest words possible? Is it totally impossible? Or do" ]
[ "shows cycle C I'm not sure if this is the right forum but", "figure 2 (i) or figure 2 (ii) would it be better for the", "sure if this is the right forum but I didn't see a scientific", "(i) and (ii)](https://i.stack.imgur.com/dXaFg.png)](https://i.stack.imgur.com/dXaFg.png) So if I later refer to figure 2 (i) or", "shows cycle C? or Figure 2: (i) shows cycle C or Figure 2:", "and (ii)](https://i.stack.imgur.com/dXaFg.png)](https://i.stack.imgur.com/dXaFg.png) So if I later refer to figure 2 (i) or figure", "for the figure to be labelled as is Figure 2: Figure (i) shows", "or Figure 2: (i) shows cycle C or Figure 2: Subfigure (i) shows", "Figure 2: (i) shows cycle C or Figure 2: Subfigure (i) shows cycle", "2: (i) shows cycle C or Figure 2: Subfigure (i) shows cycle C", "be labelled as is Figure 2: Figure (i) shows cycle C? or Figure", "2 (i) or figure 2 (ii) would it be better for the figure", "figure 2 (ii) would it be better for the figure to be labelled", "would it be better for the figure to be labelled as is Figure", "C or Figure 2: Subfigure (i) shows cycle C I'm not sure if", "better for the figure to be labelled as is Figure 2: Figure (i)", "not sure if this is the right forum but I didn't see a", "later refer to figure 2 (i) or figure 2 (ii) would it be", "Figure 2: Figure (i) shows cycle C? or Figure 2: (i) shows cycle", "refer to figure 2 (i) or figure 2 (ii) would it be better", "cycle C or Figure 2: Subfigure (i) shows cycle C I'm not sure", "(i) shows cycle C I'm not sure if this is the right forum", "it be better for the figure to be labelled as is Figure 2:", "Figure (i) shows cycle C? or Figure 2: (i) shows cycle C or", "with two sub-figures, (i) and (ii)](https://i.stack.imgur.com/dXaFg.png)](https://i.stack.imgur.com/dXaFg.png) So if I later refer to figure", "I later refer to figure 2 (i) or figure 2 (ii) would it", "if this is the right forum but I didn't see a scientific writing", "the figure to be labelled as is Figure 2: Figure (i) shows cycle", "is Figure 2: Figure (i) shows cycle C? or Figure 2: (i) shows", "2: Figure (i) shows cycle C? or Figure 2: (i) shows cycle C", "this is the right forum but I didn't see a scientific writing forum.", "two sub-figures, (i) and (ii)](https://i.stack.imgur.com/dXaFg.png)](https://i.stack.imgur.com/dXaFg.png) So if I later refer to figure 2", "sub-figures, (i) and (ii)](https://i.stack.imgur.com/dXaFg.png)](https://i.stack.imgur.com/dXaFg.png) So if I later refer to figure 2 (i)", "2 (ii) would it be better for the figure to be labelled as", "(ii) would it be better for the figure to be labelled as is", "cycle C? or Figure 2: (i) shows cycle C or Figure 2: Subfigure", "cycle C I'm not sure if this is the right forum but I", "or figure 2 (ii) would it be better for the figure to be", "2: Subfigure (i) shows cycle C I'm not sure if this is the", "(ii)](https://i.stack.imgur.com/dXaFg.png)](https://i.stack.imgur.com/dXaFg.png) So if I later refer to figure 2 (i) or figure 2", "C? or Figure 2: (i) shows cycle C or Figure 2: Subfigure (i)", "Subfigure (i) shows cycle C I'm not sure if this is the right", "[![Figure with two sub-figures, (i) and (ii)](https://i.stack.imgur.com/dXaFg.png)](https://i.stack.imgur.com/dXaFg.png) So if I later refer to", "to be labelled as is Figure 2: Figure (i) shows cycle C? or", "to figure 2 (i) or figure 2 (ii) would it be better for", "So if I later refer to figure 2 (i) or figure 2 (ii)", "figure to be labelled as is Figure 2: Figure (i) shows cycle C?", "be better for the figure to be labelled as is Figure 2: Figure", "Figure 2: Subfigure (i) shows cycle C I'm not sure if this is", "labelled as is Figure 2: Figure (i) shows cycle C? or Figure 2:", "I'm not sure if this is the right forum but I didn't see", "(i) or figure 2 (ii) would it be better for the figure to", "if I later refer to figure 2 (i) or figure 2 (ii) would", "(i) shows cycle C or Figure 2: Subfigure (i) shows cycle C I'm", "C I'm not sure if this is the right forum but I didn't", "shows cycle C or Figure 2: Subfigure (i) shows cycle C I'm not", "(i) shows cycle C? or Figure 2: (i) shows cycle C or Figure", "as is Figure 2: Figure (i) shows cycle C? or Figure 2: (i)", "or Figure 2: Subfigure (i) shows cycle C I'm not sure if this" ]
[ "Is writing a fantasy novel with no mages, witches, wizards or anything remotely", "anything remotely magical a waste of time? Can it still be classified as", "mages, witches, wizards or anything remotely magical a waste of time? Can it", "wizards or anything remotely magical a waste of time? Can it still be", "writing a fantasy novel with no mages, witches, wizards or anything remotely magical", "a fantasy novel with no mages, witches, wizards or anything remotely magical a", "no mages, witches, wizards or anything remotely magical a waste of time? Can", "or anything remotely magical a waste of time? Can it still be classified", "fantasy novel with no mages, witches, wizards or anything remotely magical a waste", "witches, wizards or anything remotely magical a waste of time? Can it still", "remotely magical a waste of time? Can it still be classified as fantasy?", "with no mages, witches, wizards or anything remotely magical a waste of time?", "novel with no mages, witches, wizards or anything remotely magical a waste of" ]
[ "meeting B. > > > I am wondering if at the end of", "character A is telling C about meeting B. > > > I am", "in volume 1. > > > In volume 2 character A is telling", "> Or is it normally left to the reader to know and remember", "add a footnote along those lines: > > Character A met B in", "example: > > A key character A meets a key character B in", "I am wondering if at the end of the 2nd sentence somewhere in", "A key character A meets a key character B in volume 1. >", "2 it is common practice to add a footnote along those lines: >", "provide a footnote kind of reference, for example: > > A key character", "footnote along those lines: > > Character A met B in Volume 1,", "the end of the 2nd sentence somewhere in the volume 2 it is", "A is telling C about meeting B. > > > I am wondering", "is telling C about meeting B. > > > I am wondering if", "practice to add a footnote along those lines: > > Character A met", "in Volume 1, Chapter X, Section Y. > > > Or is it", "X, Section Y. > > > Or is it normally left to the", "is common practice to add a footnote along those lines: > > Character", "met B in Volume 1, Chapter X, Section Y. > > > Or", "telling C about meeting B. > > > I am wondering if at", "writing a series of fiction books in which characters, universe, and events are", "meets a key character B in volume 1. > > > In volume", "character B in volume 1. > > > In volume 2 character A", "Volume 1, Chapter X, Section Y. > > > Or is it normally", "sentence somewhere in the volume 2 it is common practice to add a", "somewhere in the volume 2 it is common practice to add a footnote", "> > A key character A meets a key character B in volume", "in the volume 2 it is common practice to add a footnote along", "B in volume 1. > > > In volume 2 character A is", "Y. > > > Or is it normally left to the reader to", "> A key character A meets a key character B in volume 1.", "if at the end of the 2nd sentence somewhere in the volume 2", "it normally left to the reader to know and remember what volume 1", "character A meets a key character B in volume 1. > > >", "footnote kind of reference, for example: > > A key character A meets", "When writing a series of fiction books in which characters, universe, and events", "volume 2 character A is telling C about meeting B. > > >", "a key character B in volume 1. > > > In volume 2", "a series of fiction books in which characters, universe, and events are closely", "about meeting B. > > > I am wondering if at the end", "> Character A met B in Volume 1, Chapter X, Section Y. >", "> > I am wondering if at the end of the 2nd sentence", "reference, for example: > > A key character A meets a key character", "is it normally left to the reader to know and remember what volume", "lines: > > Character A met B in Volume 1, Chapter X, Section", "volume 1. > > > In volume 2 character A is telling C", "the volume 2 it is common practice to add a footnote along those", "for example: > > A key character A meets a key character B", "> > Or is it normally left to the reader to know and", "2nd sentence somewhere in the volume 2 it is common practice to add", "> I am wondering if at the end of the 2nd sentence somewhere", "publications to provide a footnote kind of reference, for example: > > A", "volume 2 it is common practice to add a footnote along those lines:", "1, Chapter X, Section Y. > > > Or is it normally left", "wondering if at the end of the 2nd sentence somewhere in the volume", "normally left to the reader to know and remember what volume 1 read?", "1. > > > In volume 2 character A is telling C about", "> > > In volume 2 character A is telling C about meeting", "2 character A is telling C about meeting B. > > > I", "is it a common practice in English publications to provide a footnote kind", "of the 2nd sentence somewhere in the volume 2 it is common practice", "B. > > > I am wondering if at the end of the", "end of the 2nd sentence somewhere in the volume 2 it is common", "A met B in Volume 1, Chapter X, Section Y. > > >", "A meets a key character B in volume 1. > > > In", "common practice to add a footnote along those lines: > > Character A", "a common practice in English publications to provide a footnote kind of reference,", "kind of reference, for example: > > A key character A meets a", "it is common practice to add a footnote along those lines: > >", "are closely related, is it a common practice in English publications to provide", "the 2nd sentence somewhere in the volume 2 it is common practice to", "> > > Or is it normally left to the reader to know", "in English publications to provide a footnote kind of reference, for example: >", "key character B in volume 1. > > > In volume 2 character", "> > In volume 2 character A is telling C about meeting B.", "series of fiction books in which characters, universe, and events are closely related,", "to provide a footnote kind of reference, for example: > > A key", "which characters, universe, and events are closely related, is it a common practice", "Character A met B in Volume 1, Chapter X, Section Y. > >", "a footnote kind of reference, for example: > > A key character A", "key character A meets a key character B in volume 1. > >", "In volume 2 character A is telling C about meeting B. > >", "practice in English publications to provide a footnote kind of reference, for example:", "events are closely related, is it a common practice in English publications to", "related, is it a common practice in English publications to provide a footnote", "in which characters, universe, and events are closely related, is it a common", "to add a footnote along those lines: > > Character A met B", "English publications to provide a footnote kind of reference, for example: > >", "closely related, is it a common practice in English publications to provide a", "B in Volume 1, Chapter X, Section Y. > > > Or is", "of reference, for example: > > A key character A meets a key", "along those lines: > > Character A met B in Volume 1, Chapter", "am wondering if at the end of the 2nd sentence somewhere in the", "and events are closely related, is it a common practice in English publications", "a footnote along those lines: > > Character A met B in Volume", "common practice in English publications to provide a footnote kind of reference, for", "> > Character A met B in Volume 1, Chapter X, Section Y.", "books in which characters, universe, and events are closely related, is it a", "> > > I am wondering if at the end of the 2nd", "Section Y. > > > Or is it normally left to the reader", "> In volume 2 character A is telling C about meeting B. >", "C about meeting B. > > > I am wondering if at the", "characters, universe, and events are closely related, is it a common practice in", "at the end of the 2nd sentence somewhere in the volume 2 it", "Or is it normally left to the reader to know and remember what", "of fiction books in which characters, universe, and events are closely related, is", "Chapter X, Section Y. > > > Or is it normally left to", "those lines: > > Character A met B in Volume 1, Chapter X,", "universe, and events are closely related, is it a common practice in English", "it a common practice in English publications to provide a footnote kind of", "fiction books in which characters, universe, and events are closely related, is it" ]
[ "well thought out and have realistic motivations and backstories, as I think most", "thing.) There is, however, one character which isn’t realistic and I think he", "realistic motivations and backstories, as I think most people agree that believable characters", "the character will stand out glaringly against my other characters. Am I being", "than maybe saying “he’s insane”. Really I just need him to get in", "way of my protagonist in minor situations. I’m wondering if the character will", "insane”. Really I just need him to get in the way of my", "character will stand out glaringly against my other characters. Am I being lazy", "will stand out glaringly against my other characters. Am I being lazy to", "my protagonist in minor situations. I’m wondering if the character will stand out", "really have an excuse for this, other than maybe saying “he’s insane”. Really", "backstories, as I think most people agree that believable characters are important in", "into his psychology, or is it fine to put in varying levels of", "I think most people agree that believable characters are important in writing (if", "lazy to not delve into his psychology, or is it fine to put", "sort of thing.) There is, however, one character which isn’t realistic and I", "delve into his psychology, or is it fine to put in varying levels", "agree that believable characters are important in writing (if you’re going for that", "don’t really have an excuse for this, other than maybe saying “he’s insane”.", "however, one character which isn’t realistic and I think he reads as a", "believable characters are important in writing (if you’re going for that sort of", "Really I just need him to get in the way of my protagonist", "saying “he’s insane”. Really I just need him to get in the way", "“he’s insane”. Really I just need him to get in the way of", "realistic and I think he reads as a caricature or just plain weird.", "thought out and have realistic motivations and backstories, as I think most people", "just need him to get in the way of my protagonist in minor", "in my story are well thought out and have realistic motivations and backstories,", "important in writing (if you’re going for that sort of thing.) There is,", "is, however, one character which isn’t realistic and I think he reads as", "isn’t realistic and I think he reads as a caricature or just plain", "have an excuse for this, other than maybe saying “he’s insane”. Really I", "in writing (if you’re going for that sort of thing.) There is, however,", "if the character will stand out glaringly against my other characters. Am I", "and I think he reads as a caricature or just plain weird. I", "other than maybe saying “he’s insane”. Really I just need him to get", "the characters in my story are well thought out and have realistic motivations", "for this, other than maybe saying “he’s insane”. Really I just need him", "There is, however, one character which isn’t realistic and I think he reads", "and have realistic motivations and backstories, as I think most people agree that", "and backstories, as I think most people agree that believable characters are important", "writing (if you’re going for that sort of thing.) There is, however, one", "wondering if the character will stand out glaringly against my other characters. Am", "(if you’re going for that sort of thing.) There is, however, one character", "an excuse for this, other than maybe saying “he’s insane”. Really I just", "maybe saying “he’s insane”. Really I just need him to get in the", "caricature or just plain weird. I don’t really have an excuse for this,", "to get in the way of my protagonist in minor situations. I’m wondering", "are well thought out and have realistic motivations and backstories, as I think", "Most of the characters in my story are well thought out and have", "of thing.) There is, however, one character which isn’t realistic and I think", "one character which isn’t realistic and I think he reads as a caricature", "against my other characters. Am I being lazy to not delve into his", "think most people agree that believable characters are important in writing (if you’re", "get in the way of my protagonist in minor situations. I’m wondering if", "in the way of my protagonist in minor situations. I’m wondering if the", "is it fine to put in varying levels of effort into different characters?", "a caricature or just plain weird. I don’t really have an excuse for", "of my protagonist in minor situations. I’m wondering if the character will stand", "I don’t really have an excuse for this, other than maybe saying “he’s", "as I think most people agree that believable characters are important in writing", "other characters. Am I being lazy to not delve into his psychology, or", "him to get in the way of my protagonist in minor situations. I’m", "out and have realistic motivations and backstories, as I think most people agree", "or is it fine to put in varying levels of effort into different", "need him to get in the way of my protagonist in minor situations.", "minor situations. I’m wondering if the character will stand out glaringly against my", "just plain weird. I don’t really have an excuse for this, other than", "have realistic motivations and backstories, as I think most people agree that believable", "that believable characters are important in writing (if you’re going for that sort", "think he reads as a caricature or just plain weird. I don’t really", "glaringly against my other characters. Am I being lazy to not delve into", "I’m wondering if the character will stand out glaringly against my other characters.", "excuse for this, other than maybe saying “he’s insane”. Really I just need", "I being lazy to not delve into his psychology, or is it fine", "characters in my story are well thought out and have realistic motivations and", "or just plain weird. I don’t really have an excuse for this, other", "that sort of thing.) There is, however, one character which isn’t realistic and", "which isn’t realistic and I think he reads as a caricature or just", "most people agree that believable characters are important in writing (if you’re going", "my other characters. Am I being lazy to not delve into his psychology,", "going for that sort of thing.) There is, however, one character which isn’t", "his psychology, or is it fine to put in varying levels of effort", "protagonist in minor situations. I’m wondering if the character will stand out glaringly", "to not delve into his psychology, or is it fine to put in", "being lazy to not delve into his psychology, or is it fine to", "not delve into his psychology, or is it fine to put in varying", "are important in writing (if you’re going for that sort of thing.) There", "weird. I don’t really have an excuse for this, other than maybe saying", "situations. I’m wondering if the character will stand out glaringly against my other", "you’re going for that sort of thing.) There is, however, one character which", "out glaringly against my other characters. Am I being lazy to not delve", "I think he reads as a caricature or just plain weird. I don’t", "this, other than maybe saying “he’s insane”. Really I just need him to", "as a caricature or just plain weird. I don’t really have an excuse", "motivations and backstories, as I think most people agree that believable characters are", "of the characters in my story are well thought out and have realistic", "stand out glaringly against my other characters. Am I being lazy to not", "for that sort of thing.) There is, however, one character which isn’t realistic", "in minor situations. I’m wondering if the character will stand out glaringly against", "I just need him to get in the way of my protagonist in", "Am I being lazy to not delve into his psychology, or is it", "psychology, or is it fine to put in varying levels of effort into", "people agree that believable characters are important in writing (if you’re going for", "the way of my protagonist in minor situations. I’m wondering if the character", "characters. Am I being lazy to not delve into his psychology, or is", "story are well thought out and have realistic motivations and backstories, as I", "he reads as a caricature or just plain weird. I don’t really have", "characters are important in writing (if you’re going for that sort of thing.)", "my story are well thought out and have realistic motivations and backstories, as", "plain weird. I don’t really have an excuse for this, other than maybe", "character which isn’t realistic and I think he reads as a caricature or", "reads as a caricature or just plain weird. I don’t really have an" ]
[ "a passage to use it any less. So how much is too much?", "Cwukk Palahniuk is an author quite well known for writing first-person stories. He", "it? Is Cwukk totally wrong? The biggest problem comes from narrating actions: >", "into a first-person story, I'm having difficulty writing narration without using \"I\" very", "passage to use it any less. So how much is too much? Is", "possible.\" To my knowledge he doesn't elaborate on the quantity of \"I\" that", "diving into a first-person story, I'm having difficulty writing narration without using \"I\"", "advice for others who wish to do so as well: \"Have your narrator", "an author quite well known for writing first-person stories. He has a simple", "any less. So how much is too much? Is it okay to use", "away.\" > > > It just seems hard to reformulate some sentences like", "so as well: \"Have your narrator say 'I' as little as possible.\" To", "in some situations where it's just unavoidable? Should I worry less about it?", "well: \"Have your narrator say 'I' as little as possible.\" To my knowledge", "across the room, but even as I did so, she turned away.\" >", "as possible.\" To my knowledge he doesn't elaborate on the quantity of \"I\"", "on the quantity of \"I\" that is allowable. After diving into a first-person", "\"I\" that is allowable. After diving into a first-person story, I'm having difficulty", "much? Is it okay to use it often in some situations where it's", "writing narration without using \"I\" very often. In some situations, it just seems", "some situations where it's just unavoidable? Should I worry less about it? Is", "as well: \"Have your narrator say 'I' as little as possible.\" To my", "others who wish to do so as well: \"Have your narrator say 'I'", "room, but even as I did so, she turned away.\" > > >", "use it often in some situations where it's just unavoidable? Should I worry", "just unavoidable? Should I worry less about it? Is Cwukk totally wrong? The", "To my knowledge he doesn't elaborate on the quantity of \"I\" that is", "to use it any less. So how much is too much? Is it", "is an author quite well known for writing first-person stories. He has a", "and walked across the room, but even as I did so, she turned", "I'm having difficulty writing narration without using \"I\" very often. In some situations,", "Is Cwukk totally wrong? The biggest problem comes from narrating actions: > >", "walked across the room, but even as I did so, she turned away.\"", "that is allowable. After diving into a first-person story, I'm having difficulty writing", "is allowable. After diving into a first-person story, I'm having difficulty writing narration", "for writing first-person stories. He has a simple piece of advice for others", "of advice for others who wish to do so as well: \"Have your", "totally wrong? The biggest problem comes from narrating actions: > > \"I stood", "much is too much? Is it okay to use it often in some", "just seems impossible to reformulate a passage to use it any less. So", "impossible to reformulate a passage to use it any less. So how much", "wish to do so as well: \"Have your narrator say 'I' as little", "quite well known for writing first-person stories. He has a simple piece of", "it okay to use it often in some situations where it's just unavoidable?", "some situations, it just seems impossible to reformulate a passage to use it", "less about it? Is Cwukk totally wrong? The biggest problem comes from narrating", "use it any less. So how much is too much? Is it okay", "is too much? Is it okay to use it often in some situations", "unavoidable? Should I worry less about it? Is Cwukk totally wrong? The biggest", "stories. He has a simple piece of advice for others who wish to", "simple piece of advice for others who wish to do so as well:", "Palahniuk is an author quite well known for writing first-person stories. He has", "stood up and walked across the room, but even as I did so,", "first-person story, I'm having difficulty writing narration without using \"I\" very often. In", "actions: > > \"I stood up and walked across the room, but even", "up and walked across the room, but even as I did so, she", "seems impossible to reformulate a passage to use it any less. So how", "a simple piece of advice for others who wish to do so as", "so, she turned away.\" > > > It just seems hard to reformulate", "biggest problem comes from narrating actions: > > \"I stood up and walked", "too much? Is it okay to use it often in some situations where", "often. In some situations, it just seems impossible to reformulate a passage to", "situations where it's just unavoidable? Should I worry less about it? Is Cwukk", "okay to use it often in some situations where it's just unavoidable? Should", "to do so as well: \"Have your narrator say 'I' as little as", "> > > It just seems hard to reformulate some sentences like that.", "he doesn't elaborate on the quantity of \"I\" that is allowable. After diving", "very often. In some situations, it just seems impossible to reformulate a passage", "comes from narrating actions: > > \"I stood up and walked across the", "Is it okay to use it often in some situations where it's just", "allowable. After diving into a first-person story, I'm having difficulty writing narration without", "worry less about it? Is Cwukk totally wrong? The biggest problem comes from", "Should I worry less about it? Is Cwukk totally wrong? The biggest problem", "\"I\" very often. In some situations, it just seems impossible to reformulate a", "reformulate a passage to use it any less. So how much is too", "wrong? The biggest problem comes from narrating actions: > > \"I stood up", "without using \"I\" very often. In some situations, it just seems impossible to", "as I did so, she turned away.\" > > > It just seems", "doesn't elaborate on the quantity of \"I\" that is allowable. After diving into", "the room, but even as I did so, she turned away.\" > >", "for others who wish to do so as well: \"Have your narrator say", "of \"I\" that is allowable. After diving into a first-person story, I'm having", "how much is too much? Is it okay to use it often in", "knowledge he doesn't elaborate on the quantity of \"I\" that is allowable. After", "In some situations, it just seems impossible to reformulate a passage to use", "less. So how much is too much? Is it okay to use it", "problem comes from narrating actions: > > \"I stood up and walked across", "author quite well known for writing first-person stories. He has a simple piece", "So how much is too much? Is it okay to use it often", "> > \"I stood up and walked across the room, but even as", "piece of advice for others who wish to do so as well: \"Have", "little as possible.\" To my knowledge he doesn't elaborate on the quantity of", "it any less. So how much is too much? Is it okay to", "After diving into a first-person story, I'm having difficulty writing narration without using", "narration without using \"I\" very often. In some situations, it just seems impossible", "from narrating actions: > > \"I stood up and walked across the room,", "it often in some situations where it's just unavoidable? Should I worry less", "narrating actions: > > \"I stood up and walked across the room, but", "to use it often in some situations where it's just unavoidable? Should I", "but even as I did so, she turned away.\" > > > It", "she turned away.\" > > > It just seems hard to reformulate some", "my knowledge he doesn't elaborate on the quantity of \"I\" that is allowable.", "turned away.\" > > > It just seems hard to reformulate some sentences", "elaborate on the quantity of \"I\" that is allowable. After diving into a", "where it's just unavoidable? Should I worry less about it? Is Cwukk totally", "your narrator say 'I' as little as possible.\" To my knowledge he doesn't", "to reformulate a passage to use it any less. So how much is", "quantity of \"I\" that is allowable. After diving into a first-person story, I'm", "it just seems impossible to reformulate a passage to use it any less.", "it's just unavoidable? Should I worry less about it? Is Cwukk totally wrong?", "has a simple piece of advice for others who wish to do so", "narrator say 'I' as little as possible.\" To my knowledge he doesn't elaborate", "Cwukk totally wrong? The biggest problem comes from narrating actions: > > \"I", "a first-person story, I'm having difficulty writing narration without using \"I\" very often.", "I did so, she turned away.\" > > > It just seems hard", "situations, it just seems impossible to reformulate a passage to use it any", "well known for writing first-person stories. He has a simple piece of advice", "'I' as little as possible.\" To my knowledge he doesn't elaborate on the", "having difficulty writing narration without using \"I\" very often. In some situations, it", "writing first-person stories. He has a simple piece of advice for others who", "about it? Is Cwukk totally wrong? The biggest problem comes from narrating actions:", "The biggest problem comes from narrating actions: > > \"I stood up and", "I worry less about it? Is Cwukk totally wrong? The biggest problem comes", "using \"I\" very often. In some situations, it just seems impossible to reformulate", "do so as well: \"Have your narrator say 'I' as little as possible.\"", "first-person stories. He has a simple piece of advice for others who wish", "known for writing first-person stories. He has a simple piece of advice for", "\"Have your narrator say 'I' as little as possible.\" To my knowledge he", "the quantity of \"I\" that is allowable. After diving into a first-person story,", "difficulty writing narration without using \"I\" very often. In some situations, it just", "did so, she turned away.\" > > > It just seems hard to", "who wish to do so as well: \"Have your narrator say 'I' as", "\"I stood up and walked across the room, but even as I did", "often in some situations where it's just unavoidable? Should I worry less about", "He has a simple piece of advice for others who wish to do", "even as I did so, she turned away.\" > > > It just", "> \"I stood up and walked across the room, but even as I", "as little as possible.\" To my knowledge he doesn't elaborate on the quantity", "say 'I' as little as possible.\" To my knowledge he doesn't elaborate on", "story, I'm having difficulty writing narration without using \"I\" very often. In some" ]
[ "if one is being discouraged by painful (even bewildering) rejections? How then does", "then does one 'treat it as a job' when it isn't even paying", "seems to me that this is easier said/done when it is actually paying", "one is being discouraged by painful (even bewildering) rejections? How then does one", "\"Treat your writing as a job.\" But it seems to me that this", "encouraged to do it. But what if one is being discouraged by painful", "as a job.\" But it seems to me that this is easier said/done", "is easier said/done when it is actually paying off and, thus, one is", "actually paying off and, thus, one is encouraged to do it. But what", "a job.\" But it seems to me that this is easier said/done when", "when it is actually paying off and, thus, one is encouraged to do", "it. But what if one is being discouraged by painful (even bewildering) rejections?", "painful (even bewildering) rejections? How then does one 'treat it as a job'", "is encouraged to do it. But what if one is being discouraged by", "lot: \"Treat your writing as a job.\" But it seems to me that", "to me that this is easier said/done when it is actually paying off", "off and, thus, one is encouraged to do it. But what if one", "job.\" But it seems to me that this is easier said/done when it", "me that this is easier said/done when it is actually paying off and,", "I hear this advice a lot: \"Treat your writing as a job.\" But", "is actually paying off and, thus, one is encouraged to do it. But", "a lot: \"Treat your writing as a job.\" But it seems to me", "and, thus, one is encouraged to do it. But what if one is", "being discouraged by painful (even bewildering) rejections? How then does one 'treat it", "do it. But what if one is being discouraged by painful (even bewildering)", "(even bewildering) rejections? How then does one 'treat it as a job' when", "hear this advice a lot: \"Treat your writing as a job.\" But it", "does one 'treat it as a job' when it isn't even paying in", "thus, one is encouraged to do it. But what if one is being", "one is encouraged to do it. But what if one is being discouraged", "by painful (even bewildering) rejections? How then does one 'treat it as a", "But what if one is being discouraged by painful (even bewildering) rejections? How", "is being discouraged by painful (even bewildering) rejections? How then does one 'treat", "paying off and, thus, one is encouraged to do it. But what if", "this advice a lot: \"Treat your writing as a job.\" But it seems", "it is actually paying off and, thus, one is encouraged to do it.", "said/done when it is actually paying off and, thus, one is encouraged to", "advice a lot: \"Treat your writing as a job.\" But it seems to", "easier said/done when it is actually paying off and, thus, one is encouraged", "How then does one 'treat it as a job' when it isn't even", "one 'treat it as a job' when it isn't even paying in any", "'treat it as a job' when it isn't even paying in any sense?", "to do it. But what if one is being discouraged by painful (even", "your writing as a job.\" But it seems to me that this is", "it seems to me that this is easier said/done when it is actually", "that this is easier said/done when it is actually paying off and, thus,", "But it seems to me that this is easier said/done when it is", "rejections? How then does one 'treat it as a job' when it isn't", "what if one is being discouraged by painful (even bewildering) rejections? How then", "writing as a job.\" But it seems to me that this is easier", "discouraged by painful (even bewildering) rejections? How then does one 'treat it as", "this is easier said/done when it is actually paying off and, thus, one", "bewildering) rejections? How then does one 'treat it as a job' when it" ]
[ "for theorist A, this is perceived differently. Ultimately, I'm asking if I can", "asking if I can start my sentence with 'while' in this fashion. Thanks!", "this is perceived differently. Ultimately, I'm asking if I can start my sentence", "perceived differently. Ultimately, I'm asking if I can start my sentence with 'while'", "I say: While for theorist A, this is perceived differently. Ultimately, I'm asking", "theorist A, this is perceived differently. Ultimately, I'm asking if I can start", "say: While for theorist A, this is perceived differently. Ultimately, I'm asking if", "Can I say: While for theorist A, this is perceived differently. Ultimately, I'm", "While for theorist A, this is perceived differently. Ultimately, I'm asking if I", "differently. Ultimately, I'm asking if I can start my sentence with 'while' in", "I'm asking if I can start my sentence with 'while' in this fashion.", "is perceived differently. Ultimately, I'm asking if I can start my sentence with", "A, this is perceived differently. Ultimately, I'm asking if I can start my", "Ultimately, I'm asking if I can start my sentence with 'while' in this" ]
[ "'he': > > He looks down at the stone mask lying innocuously on", "gets longer sometimes the 'she's and 'her's gets confused. Or sometimes in just", "the woman. > > > The woman nervously taps her fingers on her", "guess the study is also Zayathen's but it could also possibly be the", "me and I'm hoping others have some good suggestions/advice on how to well", "could say instead - > > \"He looks down at the stone mask", "or repeating their names. How can I distinguish the two different 'she's and", "but it gets tiring to keep on writing 'The detective' or some other", "get confused. Obviously through different actions and dialogues peppered through one would be", "also possibly be the unknown 'he's study or it could be a shared", "sometimes in just this single sentence from a piece of writing I did,", "the paragraph gets longer sometimes the 'she's and 'her's gets confused. Or sometimes", "fingers on her arms and answers her > question. > > > From", "From context alone you'd know the second 'her' in that last stence would", "notice if it's oddly placed or could be misinterpreted because I guess the", "the two same gendered characters from each other but it gets tiring to", "could maybe guess the study is also Zayathen's but it could also possibly", "say instead - > > \"He looks down at the stone mask lying", "why you were there.\" > The cop tells the woman. > > >", "shared study. What I want to convey is that this is Zayathen's study", "you'd know the second 'her' in that last stence would be the cop.", "it could also possibly be the unknown 'he's study or it could be", "writing and it really bothers me and I'm hoping others have some good", "'he's study or it could be a shared study. What I want to", "the mind just assumes but how can I distinctly differentiate them is my", "the readers will get confused. Obviously through different actions and dialogues peppered through", "each other but it gets tiring to keep on writing 'The detective' or", "the two different 'she's and 'him's? Say: > > \"There isn't much we", "and 'her's gets confused. Or sometimes in just this single sentence from a", "rely on repeating 'the other man' or 'the detective' or 'the younger woman'", "another way to distinguish between the 'she's and 'he's in the writing? When", "writing? When I read others' works, I don't ever seem to notice if", "and smiles. > > > I mean with context you could maybe guess", "repeating 'the other man' or 'the detective' or 'the younger woman' etc ?", "names. How can I distinguish the two different 'she's and 'him's? Say: >", "or could be misinterpreted because I guess the mind just assumes but how", "keep on noticing this issue in my writing and it really bothers me", "the ramble. I just keep on noticing this issue in my writing and", "He looks down at the stone mask lying innocuously on Zayathen's table >", "study' to be either Zayathen's or the unnamed 'he': > > He looks", "but how can I distinctly differentiate them is my question without having to", "table and that the 'he' is intruding. But as they're both male how", "without being too wordy? I guess I could say instead - > >", "distinguish the two different 'she's and 'him's? Say: > > \"There isn't much", "can do unless you tell us why you were there.\" > The cop", "too wordy? I guess I could say instead - > > \"He looks", "will get confused. Obviously through different actions and dialogues peppered through one would", "context alone you'd know the second 'her' in that last stence would be", "if the readers will get confused. Obviously through different actions and dialogues peppered", "detective' or some other adjective describing the character or repeating their names. How", "guess the mind just assumes but how can I distinctly differentiate them is", "is my question without having to overtly rely on repeating 'the other man'", "would be able to differentiate the two same gendered characters from each other", "tiring to keep on writing 'The detective' or some other adjective describing the", "instead - > > \"He looks down at the stone mask lying innocuously", "confused. Obviously through different actions and dialogues peppered through one would be able", "to distinguish between the 'she's and 'he's in the writing? When I read", "'she's and 'him's? Say: > > \"There isn't much we can do unless", "'she's and 'he's in the writing? When I read others' works, I don't", "\"He looks down at the stone mask lying innocuously on Zayathen's table in", "her arms and answers her > question. > > > From context alone", "works, I don't ever seem to notice if it's oddly placed or could", "how would I suggest that without being too wordy? I guess I could", "and read the 'she's and the 'he's especially in the same paragraph it", "other man' or 'the detective' or 'the younger woman' etc ? Sorry for", "smiles. > > > I mean with context you could maybe guess the", "actions and dialogues peppered through one would be able to differentiate the two", "> The woman nervously taps her fingers on her arms and answers her", "answers her > question. > > > From context alone you'd know the", "and dialogues peppered through one would be able to differentiate the two same", "ramble. I just keep on noticing this issue in my writing and it", "But as the paragraph gets longer sometimes the 'she's and 'her's gets confused.", "second 'her' in that last stence would be the cop. But as the", "the unknown 'he's study or it could be a shared study. What I", "it confuses me and that worries me if the readers will get confused.", "> question. > > > From context alone you'd know the second 'her'", "stone mask lying innocuously on Zayathen's table in the other man's study and", "What I want to convey is that this is Zayathen's study and also", "woman' etc ? Sorry for the ramble. I just keep on noticing this", "how can I distinctly differentiate them is my question without having to overtly", "the 'she's and 'her's gets confused. Or sometimes in just this single sentence", "same paragraph it confuses me and that worries me if the readers will", "unknown 'he's study or it could be a shared study. What I want", "adjective describing the character or repeating their names. How can I distinguish the", "even repeat his name again. Zayathen's study. But is there another way to", "be a shared study. What I want to convey is that this is", "> in his study and smiles. > > > I mean with context", "possibly be the unknown 'he's study or it could be a shared study.", "the 'he's especially in the same paragraph it confuses me and that worries", "> > > or even repeat his name again. Zayathen's study. But is", "woman. > > > The woman nervously taps her fingers on her arms", "that without being too wordy? I guess I could say instead - >", "confuses me and that worries me if the readers will get confused. Obviously", "other adjective describing the character or repeating their names. How can I distinguish", "Obviously through different actions and dialogues peppered through one would be able to", "but it could also possibly be the unknown 'he's study or it could", "mind just assumes but how can I distinctly differentiate them is my question", "the stone mask lying innocuously on Zayathen's table > in his study and", "want to convey is that this is Zayathen's study and also his table", "> I mean with context you could maybe guess the study is also", "and the 'he's especially in the same paragraph it confuses me and that", "be able to differentiate the two same gendered characters from each other but", "again. Zayathen's study. But is there another way to distinguish between the 'she's", "Zayathen's study and also his table and that the 'he' is intruding. But", "peppered through one would be able to differentiate the two same gendered characters", "in that last stence would be the cop. But as the paragraph gets", "But is there another way to distinguish between the 'she's and 'he's in", "I don't ever seem to notice if it's oddly placed or could be", "detective' or 'the younger woman' etc ? Sorry for the ramble. I just", "or even repeat his name again. Zayathen's study. But is there another way", "to keep on writing 'The detective' or some other adjective describing the character", "'the younger woman' etc ? Sorry for the ramble. I just keep on", "lying innocuously on Zayathen's table in the other man's study and smiles. >", "you tell us why you were there.\" > The cop tells the woman.", "it's oddly placed or could be misinterpreted because I guess the mind just", "my writing and it really bothers me and I'm hoping others have some", "nervously taps her fingers on her arms and answers her > question. >", "that last stence would be the cop. But as the paragraph gets longer", "on Zayathen's table > in his study and smiles. > > > I", "I did, you could misinterpret the 'his personal study' to be either Zayathen's", "I mean with context you could maybe guess the study is also Zayathen's", "or some other adjective describing the character or repeating their names. How can", "would I suggest that without being too wordy? I guess I could say", "or 'the younger woman' etc ? Sorry for the ramble. I just keep", "The woman nervously taps her fingers on her arms and answers her >", "way to distinguish between the 'she's and 'he's in the writing? When I", "the stone mask lying innocuously on Zayathen's table in the other man's study", "tells the woman. > > > The woman nervously taps her fingers on", "for the ramble. I just keep on noticing this issue in my writing", "writing 'The detective' or some other adjective describing the character or repeating their", "I guess I could say instead - > > \"He looks down at", "in just this single sentence from a piece of writing I did, you", "you could misinterpret the 'his personal study' to be either Zayathen's or the", "could also possibly be the unknown 'he's study or it could be a", "the other man's study and smiles. > > > or even repeat his", "sentence from a piece of writing I did, you could misinterpret the 'his", "innocuously on Zayathen's table in the other man's study and smiles. > >", "assumes but how can I distinctly differentiate them is my question without having", "this single sentence from a piece of writing I did, you could misinterpret", "is there another way to distinguish between the 'she's and 'he's in the", "if it's oddly placed or could be misinterpreted because I guess the mind", "also his table and that the 'he' is intruding. But as they're both", "is intruding. But as they're both male how would I suggest that without", "his name again. Zayathen's study. But is there another way to distinguish between", "dialogues peppered through one would be able to differentiate the two same gendered", "> > > From context alone you'd know the second 'her' in that", "do unless you tell us why you were there.\" > The cop tells", "paragraph gets longer sometimes the 'she's and 'her's gets confused. Or sometimes in", "on repeating 'the other man' or 'the detective' or 'the younger woman' etc", "study and smiles. > > > I mean with context you could maybe", "> He looks down at the stone mask lying innocuously on Zayathen's table", "'The detective' or some other adjective describing the character or repeating their names.", "misinterpret the 'his personal study' to be either Zayathen's or the unnamed 'he':", "arms and answers her > question. > > > From context alone you'd", "ever seem to notice if it's oddly placed or could be misinterpreted because", "bothers me and I'm hoping others have some good suggestions/advice on how to", "the cop. But as the paragraph gets longer sometimes the 'she's and 'her's", "> > He looks down at the stone mask lying innocuously on Zayathen's", "of writing I did, you could misinterpret the 'his personal study' to be", "seem to notice if it's oddly placed or could be misinterpreted because I", "smiles. > > > or even repeat his name again. Zayathen's study. But", "the writing? When I read others' works, I don't ever seem to notice", "the second 'her' in that last stence would be the cop. But as", "just this single sentence from a piece of writing I did, you could", "'he's especially in the same paragraph it confuses me and that worries me", "on her arms and answers her > question. > > > From context", "gendered characters from each other but it gets tiring to keep on writing", "write and read the 'she's and the 'he's especially in the same paragraph", "> From context alone you'd know the second 'her' in that last stence", "others have some good suggestions/advice on how to well - reduce this issue", "much we can do unless you tell us why you were there.\" >", "taps her fingers on her arms and answers her > question. > >", "I just keep on noticing this issue in my writing and it really", "can I distinguish the two different 'she's and 'him's? Say: > > \"There", "'her's gets confused. Or sometimes in just this single sentence from a piece", "a piece of writing I did, you could misinterpret the 'his personal study'", "other but it gets tiring to keep on writing 'The detective' or some", "> > The woman nervously taps her fingers on her arms and answers", "'he's in the writing? When I read others' works, I don't ever seem", "name again. Zayathen's study. But is there another way to distinguish between the", "differentiate them is my question without having to overtly rely on repeating 'the", "personal study' to be either Zayathen's or the unnamed 'he': > > He", "> or even repeat his name again. Zayathen's study. But is there another", "How can I distinguish the two different 'she's and 'him's? Say: > >", "> > > The woman nervously taps her fingers on her arms and", "Zayathen's but it could also possibly be the unknown 'he's study or it", "to convey is that this is Zayathen's study and also his table and", "on noticing this issue in my writing and it really bothers me and", "the character or repeating their names. How can I distinguish the two different", "is also Zayathen's but it could also possibly be the unknown 'he's study", "suggest that without being too wordy? I guess I could say instead -", "> \"There isn't much we can do unless you tell us why you", "and also his table and that the 'he' is intruding. But as they're", "Zayathen's table in the other man's study and smiles. > > > or", "from each other but it gets tiring to keep on writing 'The detective'", "having to overtly rely on repeating 'the other man' or 'the detective' or", "alone you'd know the second 'her' in that last stence would be the", "I could say instead - > > \"He looks down at the stone", "> \"He looks down at the stone mask lying innocuously on Zayathen's table", "I distinctly differentiate them is my question without having to overtly rely on", "stence would be the cop. But as the paragraph gets longer sometimes the", "hoping others have some good suggestions/advice on how to well - reduce this", "this issue in my writing and it really bothers me and I'm hoping", "the unnamed 'he': > > He looks down at the stone mask lying", "'him's? Say: > > \"There isn't much we can do unless you tell", "could be a shared study. What I want to convey is that this", "keep on writing 'The detective' or some other adjective describing the character or", "me and that worries me if the readers will get confused. Obviously through", "read the 'she's and the 'he's especially in the same paragraph it confuses", "same gendered characters from each other but it gets tiring to keep on", "and answers her > question. > > > From context alone you'd know", "younger woman' etc ? Sorry for the ramble. I just keep on noticing", "The cop tells the woman. > > > The woman nervously taps her", "his study and smiles. > > > I mean with context you could", "woman nervously taps her fingers on her arms and answers her > question.", "'the detective' or 'the younger woman' etc ? Sorry for the ramble. I", "But as they're both male how would I suggest that without being too", "intruding. But as they're both male how would I suggest that without being", "a shared study. What I want to convey is that this is Zayathen's", "and 'him's? Say: > > \"There isn't much we can do unless you", "I suggest that without being too wordy? I guess I could say instead", "Zayathen's or the unnamed 'he': > > He looks down at the stone", "issue in my writing and it really bothers me and I'm hoping others", "sometimes the 'she's and 'her's gets confused. Or sometimes in just this single", "between the 'she's and 'he's in the writing? When I read others' works,", "male how would I suggest that without being too wordy? I guess I", "gets tiring to keep on writing 'The detective' or some other adjective describing", "> > or even repeat his name again. Zayathen's study. But is there", "single sentence from a piece of writing I did, you could misinterpret the", "etc ? Sorry for the ramble. I just keep on noticing this issue", "able to differentiate the two same gendered characters from each other but it", "and that the 'he' is intruding. But as they're both male how would", "in the same paragraph it confuses me and that worries me if the", "through different actions and dialogues peppered through one would be able to differentiate", "Every time I write and read the 'she's and the 'he's especially in", "other man's study and smiles. > > > or even repeat his name", "and smiles. > > > or even repeat his name again. Zayathen's study.", "in his study and smiles. > > > I mean with context you", "the study is also Zayathen's but it could also possibly be the unknown", "and that worries me if the readers will get confused. Obviously through different", "question. > > > From context alone you'd know the second 'her' in", "study or it could be a shared study. What I want to convey", "'his personal study' to be either Zayathen's or the unnamed 'he': > >", "Say: > > \"There isn't much we can do unless you tell us", "'she's and 'her's gets confused. Or sometimes in just this single sentence from", "I guess the mind just assumes but how can I distinctly differentiate them", "different actions and dialogues peppered through one would be able to differentiate the", "at the stone mask lying innocuously on Zayathen's table > in his study", "is that this is Zayathen's study and also his table and that the", "through one would be able to differentiate the two same gendered characters from", "looks down at the stone mask lying innocuously on Zayathen's table in the", "some other adjective describing the character or repeating their names. How can I", "Zayathen's table > in his study and smiles. > > > I mean", "study and also his table and that the 'he' is intruding. But as", "really bothers me and I'm hoping others have some good suggestions/advice on how", "there another way to distinguish between the 'she's and 'he's in the writing?", "overtly rely on repeating 'the other man' or 'the detective' or 'the younger", "her fingers on her arms and answers her > question. > > >", "did, you could misinterpret the 'his personal study' to be either Zayathen's or", "oddly placed or could be misinterpreted because I guess the mind just assumes", "time I write and read the 'she's and the 'he's especially in the", "writing I did, you could misinterpret the 'his personal study' to be either", "because I guess the mind just assumes but how can I distinctly differentiate", "misinterpreted because I guess the mind just assumes but how can I distinctly", "guess I could say instead - > > \"He looks down at the", "her > question. > > > From context alone you'd know the second", "'he' is intruding. But as they're both male how would I suggest that", "be the unknown 'he's study or it could be a shared study. What", "as they're both male how would I suggest that without being too wordy?", "suggestions/advice on how to well - reduce this issue of mine in my", "be either Zayathen's or the unnamed 'he': > > He looks down at", "or it could be a shared study. What I want to convey is", "that the 'he' is intruding. But as they're both male how would I", "their names. How can I distinguish the two different 'she's and 'him's? Say:", "the same paragraph it confuses me and that worries me if the readers", "read others' works, I don't ever seem to notice if it's oddly placed", "there.\" > The cop tells the woman. > > > The woman nervously", "character or repeating their names. How can I distinguish the two different 'she's", "study and smiles. > > > or even repeat his name again. Zayathen's", "Or sometimes in just this single sentence from a piece of writing I", "they're both male how would I suggest that without being too wordy? I", "> > \"There isn't much we can do unless you tell us why", "study. But is there another way to distinguish between the 'she's and 'he's", "table > in his study and smiles. > > > I mean with", "noticing this issue in my writing and it really bothers me and I'm", "innocuously on Zayathen's table > in his study and smiles. > > >", "in the other man's study and smiles. > > > or even repeat", "the 'she's and the 'he's especially in the same paragraph it confuses me", "differentiate the two same gendered characters from each other but it gets tiring", "piece of writing I did, you could misinterpret the 'his personal study' to", "just keep on noticing this issue in my writing and it really bothers", "to differentiate the two same gendered characters from each other but it gets", "man' or 'the detective' or 'the younger woman' etc ? Sorry for the", "that worries me if the readers will get confused. Obviously through different actions", "two different 'she's and 'him's? Say: > > \"There isn't much we can", "mask lying innocuously on Zayathen's table in the other man's study and smiles.", "last stence would be the cop. But as the paragraph gets longer sometimes", "When I read others' works, I don't ever seem to notice if it's", "the 'he' is intruding. But as they're both male how would I suggest", "> > From context alone you'd know the second 'her' in that last", "we can do unless you tell us why you were there.\" > The", "from a piece of writing I did, you could misinterpret the 'his personal", "stone mask lying innocuously on Zayathen's table > in his study and smiles.", "cop. But as the paragraph gets longer sometimes the 'she's and 'her's gets", "and I'm hoping others have some good suggestions/advice on how to well -", "I read others' works, I don't ever seem to notice if it's oddly", "Zayathen's study. But is there another way to distinguish between the 'she's and", "that this is Zayathen's study and also his table and that the 'he'", "at the stone mask lying innocuously on Zayathen's table in the other man's", "isn't much we can do unless you tell us why you were there.\"", "were there.\" > The cop tells the woman. > > > The woman", "just assumes but how can I distinctly differentiate them is my question without", "have some good suggestions/advice on how to well - reduce this issue of", "table in the other man's study and smiles. > > > or even", "them is my question without having to overtly rely on repeating 'the other", "you could maybe guess the study is also Zayathen's but it could also", "'she's and the 'he's especially in the same paragraph it confuses me and", "study is also Zayathen's but it could also possibly be the unknown 'he's", "> The cop tells the woman. > > > The woman nervously taps", "being too wordy? I guess I could say instead - > > \"He", "with context you could maybe guess the study is also Zayathen's but it", "the 'his personal study' to be either Zayathen's or the unnamed 'he': >", "looks down at the stone mask lying innocuously on Zayathen's table > in", "'the other man' or 'the detective' or 'the younger woman' etc ? Sorry", "> > \"He looks down at the stone mask lying innocuously on Zayathen's", "on how to well - reduce this issue of mine in my writing?", "can I distinctly differentiate them is my question without having to overtly rely", "to be either Zayathen's or the unnamed 'he': > > He looks down", "and it really bothers me and I'm hoping others have some good suggestions/advice", "in my writing and it really bothers me and I'm hoping others have", "my question without having to overtly rely on repeating 'the other man' or", "the 'she's and 'he's in the writing? When I read others' works, I", "worries me if the readers will get confused. Obviously through different actions and", "longer sometimes the 'she's and 'her's gets confused. Or sometimes in just this", "? Sorry for the ramble. I just keep on noticing this issue in", "repeat his name again. Zayathen's study. But is there another way to distinguish", "could misinterpret the 'his personal study' to be either Zayathen's or the unnamed", "\"There isn't much we can do unless you tell us why you were", "you were there.\" > The cop tells the woman. > > > The", "especially in the same paragraph it confuses me and that worries me if", "question without having to overtly rely on repeating 'the other man' or 'the", "mask lying innocuously on Zayathen's table > in his study and smiles. >", "us why you were there.\" > The cop tells the woman. > >", "paragraph it confuses me and that worries me if the readers will get", "some good suggestions/advice on how to well - reduce this issue of mine", "this is Zayathen's study and also his table and that the 'he' is", "gets confused. Or sometimes in just this single sentence from a piece of", "good suggestions/advice on how to well - reduce this issue of mine in", "confused. Or sometimes in just this single sentence from a piece of writing", "cop tells the woman. > > > The woman nervously taps her fingers", "convey is that this is Zayathen's study and also his table and that", "tell us why you were there.\" > The cop tells the woman. >", "I want to convey is that this is Zayathen's study and also his", "man's study and smiles. > > > or even repeat his name again.", "would be the cop. But as the paragraph gets longer sometimes the 'she's", "- > > \"He looks down at the stone mask lying innocuously on", "it gets tiring to keep on writing 'The detective' or some other adjective", "could be misinterpreted because I guess the mind just assumes but how can", "two same gendered characters from each other but it gets tiring to keep", "and 'he's in the writing? When I read others' works, I don't ever", "> > > I mean with context you could maybe guess the study", "> > I mean with context you could maybe guess the study is", "his table and that the 'he' is intruding. But as they're both male", "it could be a shared study. What I want to convey is that", "is Zayathen's study and also his table and that the 'he' is intruding.", "either Zayathen's or the unnamed 'he': > > He looks down at the", "distinguish between the 'she's and 'he's in the writing? When I read others'", "lying innocuously on Zayathen's table > in his study and smiles. > >", "I'm hoping others have some good suggestions/advice on how to well - reduce", "be misinterpreted because I guess the mind just assumes but how can I", "readers will get confused. Obviously through different actions and dialogues peppered through one", "it really bothers me and I'm hoping others have some good suggestions/advice on", "unless you tell us why you were there.\" > The cop tells the", "placed or could be misinterpreted because I guess the mind just assumes but", "or 'the detective' or 'the younger woman' etc ? Sorry for the ramble.", "down at the stone mask lying innocuously on Zayathen's table in the other", "down at the stone mask lying innocuously on Zayathen's table > in his", "distinctly differentiate them is my question without having to overtly rely on repeating", "study. What I want to convey is that this is Zayathen's study and", "be the cop. But as the paragraph gets longer sometimes the 'she's and", "Sorry for the ramble. I just keep on noticing this issue in my", "mean with context you could maybe guess the study is also Zayathen's but", "on writing 'The detective' or some other adjective describing the character or repeating", "describing the character or repeating their names. How can I distinguish the two", "or the unnamed 'he': > > He looks down at the stone mask", "both male how would I suggest that without being too wordy? I guess", "as the paragraph gets longer sometimes the 'she's and 'her's gets confused. Or", "I distinguish the two different 'she's and 'him's? Say: > > \"There isn't", "repeating their names. How can I distinguish the two different 'she's and 'him's?", "know the second 'her' in that last stence would be the cop. But", "wordy? I guess I could say instead - > > \"He looks down", "in the writing? When I read others' works, I don't ever seem to", "I write and read the 'she's and the 'he's especially in the same", "characters from each other but it gets tiring to keep on writing 'The", "to overtly rely on repeating 'the other man' or 'the detective' or 'the", "others' works, I don't ever seem to notice if it's oddly placed or", "'her' in that last stence would be the cop. But as the paragraph", "one would be able to differentiate the two same gendered characters from each", "unnamed 'he': > > He looks down at the stone mask lying innocuously", "different 'she's and 'him's? Say: > > \"There isn't much we can do", "context you could maybe guess the study is also Zayathen's but it could", "also Zayathen's but it could also possibly be the unknown 'he's study or", "don't ever seem to notice if it's oddly placed or could be misinterpreted", "to notice if it's oddly placed or could be misinterpreted because I guess", "without having to overtly rely on repeating 'the other man' or 'the detective'", "on Zayathen's table in the other man's study and smiles. > > >", "maybe guess the study is also Zayathen's but it could also possibly be", "me if the readers will get confused. Obviously through different actions and dialogues" ]
[ "tells me my character sounds British. Are there any online sources I can", "beta reader tells me my character sounds British. Are there any online sources", "I think are used in America. However, a beta reader tells me my", "sources I can use to check the popularity of a word or phrase", "I can use to check the popularity of a word or phrase and/or", "phrases in my manuscript that I think are used in America. However, a", "manuscript that I think are used in America. However, a beta reader tells", "some words and phrases in my manuscript that I think are used in", "words and phrases in my manuscript that I think are used in America.", "my manuscript that I think are used in America. However, a beta reader", "there any online sources I can use to check the popularity of a", "online sources I can use to check the popularity of a word or", "a beta reader tells me my character sounds British. Are there any online", "Are there any online sources I can use to check the popularity of", "British. Are there any online sources I can use to check the popularity", "are used in America. However, a beta reader tells me my character sounds", "any online sources I can use to check the popularity of a word", "and phrases in my manuscript that I think are used in America. However,", "check the popularity of a word or phrase and/or where it is used?", "in my manuscript that I think are used in America. However, a beta", "in America. However, a beta reader tells me my character sounds British. Are", "are some words and phrases in my manuscript that I think are used", "can use to check the popularity of a word or phrase and/or where", "me my character sounds British. Are there any online sources I can use", "sounds British. Are there any online sources I can use to check the", "the popularity of a word or phrase and/or where it is used? Thanks.", "to check the popularity of a word or phrase and/or where it is", "use to check the popularity of a word or phrase and/or where it", "reader tells me my character sounds British. Are there any online sources I", "character sounds British. Are there any online sources I can use to check", "There are some words and phrases in my manuscript that I think are", "However, a beta reader tells me my character sounds British. Are there any", "think are used in America. However, a beta reader tells me my character", "used in America. However, a beta reader tells me my character sounds British.", "America. However, a beta reader tells me my character sounds British. Are there", "that I think are used in America. However, a beta reader tells me", "my character sounds British. Are there any online sources I can use to" ]
[ "there be more than one main character? can their be a protagonist and", "characters who will largely impact her life, and they become the focus as", "able to correctly categorise and identify different characters in a story, predominantly fiction.", "story. Would those two new characters be considered the main characters as well?", "but they are also important as well. For example, close friends, siblings, parents.", "eventually end with her. But then we introduce two new characters who will", "growth in the story. Would those two new characters be considered the main", "antagonists, hero, and so on--but I find it all so overwhelming. Can there", "hero, and so on--but I find it all so overwhelming. Can there be", "is the protagonist, the story begins with her and will eventually end with", "identify different characters in a story, predominantly fiction. I have read a lot", "the story focuses on? For example: Lofa is the protagonist, the story begins", "focus as well, we also see their growth in the story. Would those", "we introduce two new characters who will largely impact her life, and they", "then we have all the other characters that don't play large roles in", "so overwhelming. Can there be more than one main character? can their be", "two new characters who will largely impact her life, and they become the", "all so overwhelming. Can there be more than one main character? can their", "be a protagonist and other main characters that the story focuses on? For", "the story. Would those two new characters be considered the main characters as", "other main characters that the story focuses on? For example: Lofa is the", "For example: Lofa is the protagonist, the story begins with her and will", "life, and they become the focus as well, we also see their growth", "categorise and identify different characters in a story, predominantly fiction. I have read", "largely impact her life, and they become the focus as well, we also", "be more than one main character? can their be a protagonist and other", "characters be considered the main characters as well? And then we have all", "and identify different characters in a story, predominantly fiction. I have read a", "they are also important as well. For example, close friends, siblings, parents. How", "considered the main characters as well? And then we have all the other", "focuses on? For example: Lofa is the protagonist, the story begins with her", "that the story focuses on? For example: Lofa is the protagonist, the story", "want to be able to correctly categorise and identify different characters in a", "lot about different types of characters--flat, round, static, dynamic, protagonists, antagonists, hero, and", "begins with her and will eventually end with her. But then we introduce", "well. For example, close friends, siblings, parents. How do you categorise so many", "a protagonist and other main characters that the story focuses on? For example:", "find it all so overwhelming. Can there be more than one main character?", "be considered the main characters as well? And then we have all the", "will largely impact her life, and they become the focus as well, we", "story, but they are also important as well. For example, close friends, siblings,", "But then we introduce two new characters who will largely impact her life,", "Would those two new characters be considered the main characters as well? And", "For example, close friends, siblings, parents. How do you categorise so many different", "her and will eventually end with her. But then we introduce two new", "other characters that don't play large roles in the story, but they are", "all the other characters that don't play large roles in the story, but", "And then we have all the other characters that don't play large roles", "the main characters as well? And then we have all the other characters", "see their growth in the story. Would those two new characters be considered", "with her and will eventually end with her. But then we introduce two", "characters that the story focuses on? For example: Lofa is the protagonist, the", "it all so overwhelming. Can there be more than one main character? can", "to be able to correctly categorise and identify different characters in a story,", "types of characters--flat, round, static, dynamic, protagonists, antagonists, hero, and so on--but I", "the focus as well, we also see their growth in the story. Would", "I find it all so overwhelming. Can there be more than one main", "well, we also see their growth in the story. Would those two new", "the story begins with her and will eventually end with her. But then", "characters that don't play large roles in the story, but they are also", "and so on--but I find it all so overwhelming. Can there be more", "her. But then we introduce two new characters who will largely impact her", "new characters who will largely impact her life, and they become the focus", "protagonist, the story begins with her and will eventually end with her. But", "who will largely impact her life, and they become the focus as well,", "predominantly fiction. I have read a lot about different types of characters--flat, round,", "dynamic, protagonists, antagonists, hero, and so on--but I find it all so overwhelming.", "end with her. But then we introduce two new characters who will largely", "their be a protagonist and other main characters that the story focuses on?", "can their be a protagonist and other main characters that the story focuses", "important as well. For example, close friends, siblings, parents. How do you categorise", "protagonists, antagonists, hero, and so on--but I find it all so overwhelming. Can", "overwhelming. Can there be more than one main character? can their be a", "their growth in the story. Would those two new characters be considered the", "to correctly categorise and identify different characters in a story, predominantly fiction. I", "story, predominantly fiction. I have read a lot about different types of characters--flat,", "roles in the story, but they are also important as well. For example,", "fiction. I have read a lot about different types of characters--flat, round, static,", "they become the focus as well, we also see their growth in the", "so on--but I find it all so overwhelming. Can there be more than", "one main character? can their be a protagonist and other main characters that", "correctly categorise and identify different characters in a story, predominantly fiction. I have", "about different types of characters--flat, round, static, dynamic, protagonists, antagonists, hero, and so", "we also see their growth in the story. Would those two new characters", "than one main character? can their be a protagonist and other main characters", "Can there be more than one main character? can their be a protagonist", "and will eventually end with her. But then we introduce two new characters", "well? And then we have all the other characters that don't play large", "two new characters be considered the main characters as well? And then we", "we have all the other characters that don't play large roles in the", "don't play large roles in the story, but they are also important as", "main characters as well? And then we have all the other characters that", "large roles in the story, but they are also important as well. For", "have read a lot about different types of characters--flat, round, static, dynamic, protagonists,", "story focuses on? For example: Lofa is the protagonist, the story begins with", "will eventually end with her. But then we introduce two new characters who", "in a story, predominantly fiction. I have read a lot about different types", "I want to be able to correctly categorise and identify different characters in", "different types of characters--flat, round, static, dynamic, protagonists, antagonists, hero, and so on--but", "I have read a lot about different types of characters--flat, round, static, dynamic,", "more than one main character? can their be a protagonist and other main", "characters as well? And then we have all the other characters that don't", "as well? And then we have all the other characters that don't play", "also important as well. For example, close friends, siblings, parents. How do you", "on? For example: Lofa is the protagonist, the story begins with her and", "impact her life, and they become the focus as well, we also see", "round, static, dynamic, protagonists, antagonists, hero, and so on--but I find it all", "in the story, but they are also important as well. For example, close", "play large roles in the story, but they are also important as well.", "have all the other characters that don't play large roles in the story,", "protagonist and other main characters that the story focuses on? For example: Lofa", "character? can their be a protagonist and other main characters that the story", "in the story. Would those two new characters be considered the main characters", "main character? can their be a protagonist and other main characters that the", "the other characters that don't play large roles in the story, but they", "characters--flat, round, static, dynamic, protagonists, antagonists, hero, and so on--but I find it", "characters in a story, predominantly fiction. I have read a lot about different", "with her. But then we introduce two new characters who will largely impact", "Lofa is the protagonist, the story begins with her and will eventually end", "also see their growth in the story. Would those two new characters be", "a story, predominantly fiction. I have read a lot about different types of", "and other main characters that the story focuses on? For example: Lofa is", "be able to correctly categorise and identify different characters in a story, predominantly", "new characters be considered the main characters as well? And then we have", "that don't play large roles in the story, but they are also important", "on--but I find it all so overwhelming. Can there be more than one", "then we introduce two new characters who will largely impact her life, and", "as well, we also see their growth in the story. Would those two", "example, close friends, siblings, parents. How do you categorise so many different characters?", "a lot about different types of characters--flat, round, static, dynamic, protagonists, antagonists, hero,", "of characters--flat, round, static, dynamic, protagonists, antagonists, hero, and so on--but I find", "and they become the focus as well, we also see their growth in", "become the focus as well, we also see their growth in the story.", "introduce two new characters who will largely impact her life, and they become", "main characters that the story focuses on? For example: Lofa is the protagonist,", "as well. For example, close friends, siblings, parents. How do you categorise so", "the story, but they are also important as well. For example, close friends,", "are also important as well. For example, close friends, siblings, parents. How do", "static, dynamic, protagonists, antagonists, hero, and so on--but I find it all so", "the protagonist, the story begins with her and will eventually end with her.", "different characters in a story, predominantly fiction. I have read a lot about", "read a lot about different types of characters--flat, round, static, dynamic, protagonists, antagonists,", "those two new characters be considered the main characters as well? And then", "example: Lofa is the protagonist, the story begins with her and will eventually", "story begins with her and will eventually end with her. But then we", "her life, and they become the focus as well, we also see their" ]
[ "tense something like, ' Sorry if that last part was a little too", "little overwritten. Another person said that the novel was too early in its", "out. [this](https://www.thecreativepenn.com/2017/02/18/avoid-overwriting/) article suggests that we avoid it altogether. I've used Microsoft Word's", "could. My novel has already been developmentally and copy-edited on a pro-bono basis,", "lot. That's how I write in my diary, though. I recently joined an", "suggests that we avoid it altogether. I've used Microsoft Word's clarity and conciseness", "a pro-bono basis, and I revised it according to their feedback and suggestions.", "although it was interesting, they felt it was a little overwritten. Another person", "suggestions. I don't know if this would make me look lazy, but what", "I don't know if this would make me look lazy, but what if", "last part was a little too long. I tend to think and self-reflect", "clarity and conciseness tool to refine words like have to to must. However,", "it altogether. I've used Microsoft Word's clarity and conciseness tool to refine words", "used Microsoft Word's clarity and conciseness tool to refine words like have to", "novel was too early in its stages for their services. However, I also", "the excerpt said that although it was interesting, they felt it was a", "if that doesn't work out. [this](https://www.thecreativepenn.com/2017/02/18/avoid-overwriting/) article suggests that we avoid it altogether.", "basis, and I revised it according to their feedback and suggestions. I don't", "it if that doesn't work out. [this](https://www.thecreativepenn.com/2017/02/18/avoid-overwriting/) article suggests that we avoid it", "too long. I tend to think and self-reflect a lot. That's how I", "Word's clarity and conciseness tool to refine words like have to to must.", "this would make me look lazy, but what if I made that look", "present tense something like, ' Sorry if that last part was a little", "my 80,000-word traditionally published, though I will self-publish it if that doesn't work", "professional level. One proofreader who had read the excerpt said that although it", "things were over-described or a little repetitive, and I tried to fix that", "will self-publish it if that doesn't work out. [this](https://www.thecreativepenn.com/2017/02/18/avoid-overwriting/) article suggests that we", "that some things were over-described or a little repetitive, and I tried to", "My novel has already been developmentally and copy-edited on a pro-bono basis, and", "called Reedsy, to collaborate on a professional level. One proofreader who had read", "for writers, designers, and marketers, called Reedsy, to collaborate on a professional level.", "trying to get my 80,000-word traditionally published, though I will self-publish it if", "on a pro-bono basis, and I revised it according to their feedback and", "my diary, though. I recently joined an online marketplace for writers, designers, and", "the novel was too early in its stages for their services. However, I", "part was a little too long. I tend to think and self-reflect a", "as best I could. My novel has already been developmentally and copy-edited on", "Another person said that the novel was too early in its stages for", "made that look intentional by making my main character say in the present", "avoid it altogether. I've used Microsoft Word's clarity and conciseness tool to refine", "like, ' Sorry if that last part was a little too long. I", "fix that as best I could. My novel has already been developmentally and", "and suggestions. I don't know if this would make me look lazy, but", "must. However, I noticed that some things were over-described or a little repetitive,", "over-described or a little repetitive, and I tried to fix that as best", "a professional level. One proofreader who had read the excerpt said that although", "its stages for their services. However, I also received some positive feedback, as", "know if this would make me look lazy, but what if I made", "we avoid it altogether. I've used Microsoft Word's clarity and conciseness tool to", "but what if I made that look intentional by making my main character", "level. One proofreader who had read the excerpt said that although it was", "was interesting, they felt it was a little overwritten. Another person said that", "main character say in the present tense something like, ' Sorry if that", "an aspiring author, trying to get my 80,000-word traditionally published, though I will", "I noticed that some things were over-described or a little repetitive, and I", "to fix that as best I could. My novel has already been developmentally", "self-publish it if that doesn't work out. [this](https://www.thecreativepenn.com/2017/02/18/avoid-overwriting/) article suggests that we avoid", "that doesn't work out. [this](https://www.thecreativepenn.com/2017/02/18/avoid-overwriting/) article suggests that we avoid it altogether. I've", "That's how I write in my diary, though. I recently joined an online", "on a professional level. One proofreader who had read the excerpt said that", "if this would make me look lazy, but what if I made that", "write in my diary, though. I recently joined an online marketplace for writers,", "to get my 80,000-word traditionally published, though I will self-publish it if that", "a little too long. I tend to think and self-reflect a lot. That's", "article suggests that we avoid it altogether. I've used Microsoft Word's clarity and", "how I write in my diary, though. I recently joined an online marketplace", "and marketers, called Reedsy, to collaborate on a professional level. One proofreader who", "and conciseness tool to refine words like have to to must. However, I", "that we avoid it altogether. I've used Microsoft Word's clarity and conciseness tool", "doesn't work out. [this](https://www.thecreativepenn.com/2017/02/18/avoid-overwriting/) article suggests that we avoid it altogether. I've used", "published, though I will self-publish it if that doesn't work out. [this](https://www.thecreativepenn.com/2017/02/18/avoid-overwriting/) article", "traditionally published, though I will self-publish it if that doesn't work out. [this](https://www.thecreativepenn.com/2017/02/18/avoid-overwriting/)", "words like have to to must. However, I noticed that some things were", "excerpt said that although it was interesting, they felt it was a little", "were over-described or a little repetitive, and I tried to fix that as", "revised it according to their feedback and suggestions. I don't know if this", "repetitive, and I tried to fix that as best I could. My novel", "that the novel was too early in its stages for their services. However,", "I write in my diary, though. I recently joined an online marketplace for", "don't know if this would make me look lazy, but what if I", "look lazy, but what if I made that look intentional by making my", "diary, though. I recently joined an online marketplace for writers, designers, and marketers,", "some things were over-described or a little repetitive, and I tried to fix", "However, I noticed that some things were over-described or a little repetitive, and", "make me look lazy, but what if I made that look intentional by", "work out. [this](https://www.thecreativepenn.com/2017/02/18/avoid-overwriting/) article suggests that we avoid it altogether. I've used Microsoft", "according to their feedback and suggestions. I don't know if this would make", "' Sorry if that last part was a little too long. I tend", "Microsoft Word's clarity and conciseness tool to refine words like have to to", "stages for their services. However, I also received some positive feedback, as well.", "if that last part was a little too long. I tend to think", "something like, ' Sorry if that last part was a little too long.", "it was interesting, they felt it was a little overwritten. Another person said", "collaborate on a professional level. One proofreader who had read the excerpt said", "early in its stages for their services. However, I also received some positive", "to refine words like have to to must. However, I noticed that some", "by making my main character say in the present tense something like, '", "aspiring author, trying to get my 80,000-word traditionally published, though I will self-publish", "best I could. My novel has already been developmentally and copy-edited on a", "I revised it according to their feedback and suggestions. I don't know if", "an online marketplace for writers, designers, and marketers, called Reedsy, to collaborate on", "proofreader who had read the excerpt said that although it was interesting, they", "it was a little overwritten. Another person said that the novel was too", "and I revised it according to their feedback and suggestions. I don't know", "had read the excerpt said that although it was interesting, they felt it", "who had read the excerpt said that although it was interesting, they felt", "would make me look lazy, but what if I made that look intentional", "in my diary, though. I recently joined an online marketplace for writers, designers,", "pro-bono basis, and I revised it according to their feedback and suggestions. I", "I've used Microsoft Word's clarity and conciseness tool to refine words like have", "their feedback and suggestions. I don't know if this would make me look", "that look intentional by making my main character say in the present tense", "marketplace for writers, designers, and marketers, called Reedsy, to collaborate on a professional", "though I will self-publish it if that doesn't work out. [this](https://www.thecreativepenn.com/2017/02/18/avoid-overwriting/) article suggests", "tool to refine words like have to* to must. However, I noticed that", "designers, and marketers, called Reedsy, to collaborate on a professional level. One proofreader", "that as best I could. My novel has already been developmentally and copy-edited", "am an aspiring author, trying to get my 80,000-word traditionally published, though I", "has already been developmentally and copy-edited on a pro-bono basis, and I revised", "copy-edited on a pro-bono basis, and I revised it according to their feedback", "recently joined an online marketplace for writers, designers, and marketers, called Reedsy, to", "the present tense something like, ' Sorry if that last part was a", "me look lazy, but what if I made that look intentional by making", "a lot. That's how I write in my diary, though. I recently joined", "to collaborate on a professional level. One proofreader who had read the excerpt", "a little overwritten. Another person said that the novel was too early in", "said that although it was interesting, they felt it was a little overwritten.", "think and self-reflect a lot. That's how I write in my diary, though.", "if I made that look intentional by making my main character say in", "intentional by making my main character say in the present tense something like,", "author, trying to get my 80,000-word traditionally published, though I will self-publish it", "making my main character say in the present tense something like, ' Sorry", "self-reflect a lot. That's how I write in my diary, though. I recently", "say in the present tense something like, ' Sorry if that last part", "they felt it was a little overwritten. Another person said that the novel", "novel has already been developmentally and copy-edited on a pro-bono basis, and I", "to must. However, I noticed that some things were over-described or a little", "that last part was a little too long. I tend to think and", "interesting, they felt it was a little overwritten. Another person said that the", "was a little overwritten. Another person said that the novel was too early", "Sorry if that last part was a little too long. I tend to", "tend to think and self-reflect a lot. That's how I write in my", "refine words like have to to must. However, I noticed that some things", "tried to fix that as best I could. My novel has already been", "in its stages for their services. However, I also received some positive feedback,", "to think and self-reflect a lot. That's how I write in my diary,", "joined an online marketplace for writers, designers, and marketers, called Reedsy, to collaborate", "I recently joined an online marketplace for writers, designers, and marketers, called Reedsy,", "online marketplace for writers, designers, and marketers, called Reedsy, to collaborate on a", "One proofreader who had read the excerpt said that although it was interesting,", "I made that look intentional by making my main character say in the", "noticed that some things were over-described or a little repetitive, and I tried", "feedback and suggestions. I don't know if this would make me look lazy,", "I tend to think and self-reflect a lot. That's how I write in", "my main character say in the present tense something like, ' Sorry if", "though. I recently joined an online marketplace for writers, designers, and marketers, called", "and copy-edited on a pro-bono basis, and I revised it according to their", "too early in its stages for their services. However, I also received some", "developmentally and copy-edited on a pro-bono basis, and I revised it according to", "felt it was a little overwritten. Another person said that the novel was", "already been developmentally and copy-edited on a pro-bono basis, and I revised it", "a little repetitive, and I tried to fix that as best I could.", "look intentional by making my main character say in the present tense something", "little repetitive, and I tried to fix that as best I could. My", "little too long. I tend to think and self-reflect a lot. That's how", "long. I tend to think and self-reflect a lot. That's how I write", "marketers, called Reedsy, to collaborate on a professional level. One proofreader who had", "get my 80,000-word traditionally published, though I will self-publish it if that doesn't", "said that the novel was too early in its stages for their services.", "in the present tense something like, ' Sorry if that last part was", "Reedsy, to collaborate on a professional level. One proofreader who had read the", "what if I made that look intentional by making my main character say", "I could. My novel has already been developmentally and copy-edited on a pro-bono", "or a little repetitive, and I tried to fix that as best I", "been developmentally and copy-edited on a pro-bono basis, and I revised it according", "conciseness tool to refine words like have to to must. However, I noticed", "like have to to must. However, I noticed that some things were over-described", "character say in the present tense something like, ' Sorry if that last", "was a little too long. I tend to think and self-reflect a lot.", "altogether. I've used Microsoft Word's clarity and conciseness tool to refine words like", "I tried to fix that as best I could. My novel has already", "80,000-word traditionally published, though I will self-publish it if that doesn't work out.", "have to to must. However, I noticed that some things were over-described or", "that although it was interesting, they felt it was a little overwritten. Another", "person said that the novel was too early in its stages for their", "I will self-publish it if that doesn't work out. [this](https://www.thecreativepenn.com/2017/02/18/avoid-overwriting/) article suggests that", "overwritten. Another person said that the novel was too early in its stages", "to* to must. However, I noticed that some things were over-described or a", "read the excerpt said that although it was interesting, they felt it was", "and I tried to fix that as best I could. My novel has", "it according to their feedback and suggestions. I don't know if this would", "to their feedback and suggestions. I don't know if this would make me", "lazy, but what if I made that look intentional by making my main", "writers, designers, and marketers, called Reedsy, to collaborate on a professional level. One", "was too early in its stages for their services. However, I also received", "I am an aspiring author, trying to get my 80,000-word traditionally published, though", "and self-reflect a lot. That's how I write in my diary, though. I", "[this](https://www.thecreativepenn.com/2017/02/18/avoid-overwriting/) article suggests that we avoid it altogether. I've used Microsoft Word's clarity" ]
[ "the article was about me and that it was written in the first", "who was also functioning as the editor for the blog. To be honest", "this organization. On the day before the submission deadline I sent a draft", "articles that had been previously published. I was expecting some feedback, but instead,", "since the article was about me and that it was written in the", "was interested in the diversifying the pool of writers. I agreed to write", "want to include himself as a coauthor. So the article was published on", "many of whom are acquaintances. I have since left the organization, but this", "not sit well with me. My question for the community here is -", "My question for the community here is - what would have been the", "for the community here is - what would have been the correct course", "which had to do with my other activities at this organization. On the", "article was about me and that it was written in the first person", "I have since left the organization, but this incident still lingers and does", "was also functioning as the editor for the blog. To be honest my", "a mailing list, many of whom are acquaintances. I have since left the", "it was written in the first person that he did not want to", "the boss has almost completely rewritten the article, with only a couple of", "to ask him to include himself as a co-author. However, he said that", "of action? Is it plagiarism if the editor rewrites an article without including", "blog was also published as a newspaper column and was included in a", "a newspaper, and was sent as part of a newsletter to people on", "from the original. My reaction was to ask him to include himself as", "at this organization. On the day before the submission deadline I sent a", "this incident still lingers and does not sit well with me. My question", "for an organization that published a weekly blog on its website. The blog", "the editor for the blog. To be honest my submission was a little", "as a coauthor. So the article was published on the blog, as a", "the next day, I found out that the boss has almost completely rewritten", "was included in a weekly e-newsletter. One day, the owner/director of the organization,", "himself as a coauthor. So the article was published on the blog, as", "my other activities at this organization. On the day before the submission deadline", "found out that the boss has almost completely rewritten the article, with only", "original. My reaction was to ask him to include himself as a co-author.", "to write and chose a topic which had to do with my other", "were by him, and that he was interested in the diversifying the pool", "left the organization, but this incident still lingers and does not sit well", "the correct course of action? Is it plagiarism if the editor rewrites an", "write an article on a topic of my choice. He explained that the", "that he was interested in the diversifying the pool of writers. I agreed", "expecting some feedback, but instead, the next day, I found out that the", "a newspaper column and was included in a weekly e-newsletter. One day, the", "he was interested in the diversifying the pool of writers. I agreed to", "the article to the boss who was also functioning as the editor for", "and was sent as part of a newsletter to people on a mailing", "but instead, the next day, I found out that the boss has almost", "agreed to write and chose a topic which had to do with my", "since left the organization, but this incident still lingers and does not sit", "action? Is it plagiarism if the editor rewrites an article without including himself", "blog on its website. The blog was also published as a newspaper column", "who regularly wrote for the blog, asked me to write an article on", "the majority of the articles written for the blog were by him, and", "people on a mailing list, many of whom are acquaintances. I have since", "of my choice. He explained that the majority of the articles written for", "interested in the diversifying the pool of writers. I agreed to write and", "was expecting some feedback, but instead, the next day, I found out that", "of whom are acquaintances. I have since left the organization, but this incident", "and was included in a weekly e-newsletter. One day, the owner/director of the", "to include himself as a co-author. However, he said that since the article", "website. The blog was also published as a newspaper column and was included", "for the blog were by him, and that he was interested in the", "person that he did not want to include himself as a coauthor. So", "worked for an organization that published a weekly blog on its website. The", "sit well with me. My question for the community here is - what", "the articles written for the blog were by him, and that he was", "the editor rewrites an article without including himself as a co-author? Should he", "by him, and that he was interested in the diversifying the pool of", "boss has almost completely rewritten the article, with only a couple of paragraphs", "for the blog. To be honest my submission was a little short compared", "day, I found out that the boss has almost completely rewritten the article,", "a little short compared to the articles that had been previously published. I", "that he did not want to include himself as a coauthor. So the", "include himself as a co-author. However, he said that since the article was", "a column in a newspaper, and was sent as part of a newsletter", "Last year, I worked for an organization that published a weekly blog on", "feedback, but instead, the next day, I found out that the boss has", "me. My question for the community here is - what would have been", "whom are acquaintances. I have since left the organization, but this incident still", "I agreed to write and chose a topic which had to do with", "the owner/director of the organization, who regularly wrote for the blog, asked me", "day, the owner/director of the organization, who regularly wrote for the blog, asked", "I found out that the boss has almost completely rewritten the article, with", "the article was published on the blog, as a column in a newspaper,", "a couple of paragraphs from the original. My reaction was to ask him", "still lingers and does not sit well with me. My question for the", "submission deadline I sent a draft of the article to the boss who", "written for the blog were by him, and that he was interested in", "an article without including himself as a co-author? Should he have indicated some", "blog, asked me to write an article on a topic of my choice.", "of a newsletter to people on a mailing list, many of whom are", "the blog, as a column in a newspaper, and was sent as part", "blog, as a column in a newspaper, and was sent as part of", "topic which had to do with my other activities at this organization. On", "co-author. However, he said that since the article was about me and that", "coauthor. So the article was published on the blog, as a column in", "articles written for the blog were by him, and that he was interested", "without including himself as a co-author? Should he have indicated some kind of", "newsletter to people on a mailing list, many of whom are acquaintances. I", "before the submission deadline I sent a draft of the article to the", "chose a topic which had to do with my other activities at this", "of the article to the boss who was also functioning as the editor", "was about me and that it was written in the first person that", "editor for the blog. To be honest my submission was a little short", "as a newspaper column and was included in a weekly e-newsletter. One day,", "wrote for the blog, asked me to write an article on a topic", "and that he was interested in the diversifying the pool of writers. I", "blog. To be honest my submission was a little short compared to the", "incident still lingers and does not sit well with me. My question for", "what would have been the correct course of action? Is it plagiarism if", "rewrites an article without including himself as a co-author? Should he have indicated", "submission was a little short compared to the articles that had been previously", "blog were by him, and that he was interested in the diversifying the", "The blog was also published as a newspaper column and was included in", "have been the correct course of action? Is it plagiarism if the editor", "to the articles that had been previously published. I was expecting some feedback,", "not want to include himself as a coauthor. So the article was published", "himself as a co-author? Should he have indicated some kind of co-authorship? Many", "asked me to write an article on a topic of my choice. He", "little short compared to the articles that had been previously published. I was", "article on a topic of my choice. He explained that the majority of", "the submission deadline I sent a draft of the article to the boss", "correct course of action? Is it plagiarism if the editor rewrites an article", "I sent a draft of the article to the boss who was also", "as a column in a newspaper, and was sent as part of a", "him, and that he was interested in the diversifying the pool of writers.", "article was published on the blog, as a column in a newspaper, and", "first person that he did not want to include himself as a coauthor.", "in the diversifying the pool of writers. I agreed to write and chose", "the boss who was also functioning as the editor for the blog. To", "with my other activities at this organization. On the day before the submission", "article, with only a couple of paragraphs from the original. My reaction was", "On the day before the submission deadline I sent a draft of the", "about me and that it was written in the first person that he", "was written in the first person that he did not want to include", "pool of writers. I agreed to write and chose a topic which had", "to include himself as a coauthor. So the article was published on the", "of paragraphs from the original. My reaction was to ask him to include", "deadline I sent a draft of the article to the boss who was", "the day before the submission deadline I sent a draft of the article", "newspaper, and was sent as part of a newsletter to people on a", "part of a newsletter to people on a mailing list, many of whom", "couple of paragraphs from the original. My reaction was to ask him to", "editor rewrites an article without including himself as a co-author? Should he have", "organization that published a weekly blog on its website. The blog was also", "e-newsletter. One day, the owner/director of the organization, who regularly wrote for the", "here is - what would have been the correct course of action? Is", "the blog. To be honest my submission was a little short compared to", "be honest my submission was a little short compared to the articles that", "the organization, who regularly wrote for the blog, asked me to write an", "he did not want to include himself as a coauthor. So the article", "is - what would have been the correct course of action? Is it", "list, many of whom are acquaintances. I have since left the organization, but", "been the correct course of action? Is it plagiarism if the editor rewrites", "for the blog, asked me to write an article on a topic of", "writers. I agreed to write and chose a topic which had to do", "sent a draft of the article to the boss who was also functioning", "published on the blog, as a column in a newspaper, and was sent", "including himself as a co-author? Should he have indicated some kind of co-authorship?", "lingers and does not sit well with me. My question for the community", "regularly wrote for the blog, asked me to write an article on a", "sent as part of a newsletter to people on a mailing list, many", "I worked for an organization that published a weekly blog on its website.", "almost completely rewritten the article, with only a couple of paragraphs from the", "only a couple of paragraphs from the original. My reaction was to ask", "community here is - what would have been the correct course of action?", "short compared to the articles that had been previously published. I was expecting", "a topic of my choice. He explained that the majority of the articles", "an organization that published a weekly blog on its website. The blog was", "a topic which had to do with my other activities at this organization.", "that since the article was about me and that it was written in", "are acquaintances. I have since left the organization, but this incident still lingers", "organization, who regularly wrote for the blog, asked me to write an article", "article without including himself as a co-author? Should he have indicated some kind", "was sent as part of a newsletter to people on a mailing list,", "completely rewritten the article, with only a couple of paragraphs from the original.", "my choice. He explained that the majority of the articles written for the", "a coauthor. So the article was published on the blog, as a column", "was to ask him to include himself as a co-author. However, he said", "to the boss who was also functioning as the editor for the blog.", "rewritten the article, with only a couple of paragraphs from the original. My", "with only a couple of paragraphs from the original. My reaction was to", "does not sit well with me. My question for the community here is", "that the majority of the articles written for the blog were by him,", "To be honest my submission was a little short compared to the articles", "with me. My question for the community here is - what would have", "written in the first person that he did not want to include himself", "on its website. The blog was also published as a newspaper column and", "that it was written in the first person that he did not want", "So the article was published on the blog, as a column in a", "out that the boss has almost completely rewritten the article, with only a", "a newsletter to people on a mailing list, many of whom are acquaintances.", "mailing list, many of whom are acquaintances. I have since left the organization,", "to do with my other activities at this organization. On the day before", "year, I worked for an organization that published a weekly blog on its", "newspaper column and was included in a weekly e-newsletter. One day, the owner/director", "also functioning as the editor for the blog. To be honest my submission", "on the blog, as a column in a newspaper, and was sent as", "a weekly blog on its website. The blog was also published as a", "the pool of writers. I agreed to write and chose a topic which", "has almost completely rewritten the article, with only a couple of paragraphs from", "and does not sit well with me. My question for the community here", "plagiarism if the editor rewrites an article without including himself as a co-author?", "the diversifying the pool of writers. I agreed to write and chose a", "as a co-author. However, he said that since the article was about me", "owner/director of the organization, who regularly wrote for the blog, asked me to", "compared to the articles that had been previously published. I was expecting some", "I was expecting some feedback, but instead, the next day, I found out", "would have been the correct course of action? Is it plagiarism if the", "was also published as a newspaper column and was included in a weekly", "have since left the organization, but this incident still lingers and does not", "the blog, asked me to write an article on a topic of my", "activities at this organization. On the day before the submission deadline I sent", "draft of the article to the boss who was also functioning as the", "the community here is - what would have been the correct course of", "the organization, but this incident still lingers and does not sit well with", "he said that since the article was about me and that it was", "was published on the blog, as a column in a newspaper, and was", "to write an article on a topic of my choice. He explained that", "article to the boss who was also functioning as the editor for the", "that had been previously published. I was expecting some feedback, but instead, the", "day before the submission deadline I sent a draft of the article to", "to people on a mailing list, many of whom are acquaintances. I have", "its website. The blog was also published as a newspaper column and was", "column and was included in a weekly e-newsletter. One day, the owner/director of", "published. I was expecting some feedback, but instead, the next day, I found", "some feedback, but instead, the next day, I found out that the boss", "majority of the articles written for the blog were by him, and that", "diversifying the pool of writers. I agreed to write and chose a topic", "reaction was to ask him to include himself as a co-author. However, he", "ask him to include himself as a co-author. However, he said that since", "also published as a newspaper column and was included in a weekly e-newsletter.", "choice. He explained that the majority of the articles written for the blog", "my submission was a little short compared to the articles that had been", "other activities at this organization. On the day before the submission deadline I", "a co-author. However, he said that since the article was about me and", "However, he said that since the article was about me and that it", "and that it was written in the first person that he did not", "include himself as a coauthor. So the article was published on the blog,", "it plagiarism if the editor rewrites an article without including himself as a", "column in a newspaper, and was sent as part of a newsletter to", "as part of a newsletter to people on a mailing list, many of", "a draft of the article to the boss who was also functioning as", "functioning as the editor for the blog. To be honest my submission was", "organization. On the day before the submission deadline I sent a draft of", "a weekly e-newsletter. One day, the owner/director of the organization, who regularly wrote", "that the boss has almost completely rewritten the article, with only a couple", "write and chose a topic which had to do with my other activities", "as a co-author? Should he have indicated some kind of co-authorship? Many thanks.", "said that since the article was about me and that it was written", "on a mailing list, many of whom are acquaintances. I have since left", "Is it plagiarism if the editor rewrites an article without including himself as", "an article on a topic of my choice. He explained that the majority", "in a weekly e-newsletter. One day, the owner/director of the organization, who regularly", "the original. My reaction was to ask him to include himself as a", "him to include himself as a co-author. However, he said that since the", "weekly e-newsletter. One day, the owner/director of the organization, who regularly wrote for", "as the editor for the blog. To be honest my submission was a", "My reaction was to ask him to include himself as a co-author. However,", "course of action? Is it plagiarism if the editor rewrites an article without", "on a topic of my choice. He explained that the majority of the", "He explained that the majority of the articles written for the blog were", "been previously published. I was expecting some feedback, but instead, the next day,", "included in a weekly e-newsletter. One day, the owner/director of the organization, who", "topic of my choice. He explained that the majority of the articles written", "in a newspaper, and was sent as part of a newsletter to people", "boss who was also functioning as the editor for the blog. To be", "in the first person that he did not want to include himself as", "but this incident still lingers and does not sit well with me. My", "published as a newspaper column and was included in a weekly e-newsletter. One", "me and that it was written in the first person that he did", "published a weekly blog on its website. The blog was also published as", "that published a weekly blog on its website. The blog was also published", "had been previously published. I was expecting some feedback, but instead, the next", "do with my other activities at this organization. On the day before the", "weekly blog on its website. The blog was also published as a newspaper", "of the articles written for the blog were by him, and that he", "the articles that had been previously published. I was expecting some feedback, but", "previously published. I was expecting some feedback, but instead, the next day, I", "One day, the owner/director of the organization, who regularly wrote for the blog,", "had to do with my other activities at this organization. On the day", "the first person that he did not want to include himself as a", "did not want to include himself as a coauthor. So the article was", "acquaintances. I have since left the organization, but this incident still lingers and", "and chose a topic which had to do with my other activities at", "instead, the next day, I found out that the boss has almost completely", "well with me. My question for the community here is - what would", "question for the community here is - what would have been the correct", "was a little short compared to the articles that had been previously published.", "of the organization, who regularly wrote for the blog, asked me to write", "next day, I found out that the boss has almost completely rewritten the", "himself as a co-author. However, he said that since the article was about", "- what would have been the correct course of action? Is it plagiarism", "if the editor rewrites an article without including himself as a co-author? Should", "explained that the majority of the articles written for the blog were by", "organization, but this incident still lingers and does not sit well with me.", "paragraphs from the original. My reaction was to ask him to include himself", "the article, with only a couple of paragraphs from the original. My reaction", "honest my submission was a little short compared to the articles that had", "me to write an article on a topic of my choice. He explained", "the blog were by him, and that he was interested in the diversifying", "of writers. I agreed to write and chose a topic which had to" ]
[ "later on, who you want the story to focus on? How do I", "of view of a character who is not the main character and introduce", "is not the main character and introduce the main character later on, who", "character who is not the main character and introduce the main character later", "main character later on, who you want the story to focus on? How", "audience says wait he's the main character?! If you need any more explanation", "says wait he's the main character?! If you need any more explanation let", "in an organic and yet plot twisty way so that the audience says", "who is not the main character and introduce the main character later on,", "you want the story to focus on? How do I do this in", "plot twisty way so that the audience says wait he's the main character?!", "a character who is not the main character and introduce the main character", "the story to focus on? How do I do this in an organic", "point of view of a character who is not the main character and", "character later on, who you want the story to focus on? How do", "so that the audience says wait he's the main character?! If you need", "do I do this in an organic and yet plot twisty way so", "the main character and introduce the main character later on, who you want", "focus on? How do I do this in an organic and yet plot", "an organic and yet plot twisty way so that the audience says wait", "story to focus on? How do I do this in an organic and", "the point of view of a character who is not the main character", "of a character who is not the main character and introduce the main", "who you want the story to focus on? How do I do this", "book from the point of view of a character who is not the", "can you write a book from the point of view of a character", "want the story to focus on? How do I do this in an", "character and introduce the main character later on, who you want the story", "How do I do this in an organic and yet plot twisty way", "from the point of view of a character who is not the main", "he's the main character?! If you need any more explanation let me know.", "the audience says wait he's the main character?! If you need any more", "main character and introduce the main character later on, who you want the", "on, who you want the story to focus on? How do I do", "way so that the audience says wait he's the main character?! If you", "How can you write a book from the point of view of a", "that the audience says wait he's the main character?! If you need any", "I do this in an organic and yet plot twisty way so that", "and introduce the main character later on, who you want the story to", "yet plot twisty way so that the audience says wait he's the main", "you write a book from the point of view of a character who", "on? How do I do this in an organic and yet plot twisty", "to focus on? How do I do this in an organic and yet", "a book from the point of view of a character who is not", "this in an organic and yet plot twisty way so that the audience", "view of a character who is not the main character and introduce the", "do this in an organic and yet plot twisty way so that the", "not the main character and introduce the main character later on, who you", "twisty way so that the audience says wait he's the main character?! If", "organic and yet plot twisty way so that the audience says wait he's", "introduce the main character later on, who you want the story to focus", "the main character later on, who you want the story to focus on?", "wait he's the main character?! If you need any more explanation let me", "and yet plot twisty way so that the audience says wait he's the", "write a book from the point of view of a character who is" ]
[ "is in third person (so, none of them is the narrator). They both", "want to keep this hidden and reveal it as a plot twist in", "MC and I want to keep this hidden and reveal it as a", "I want to keep this hidden and reveal it as a plot twist", "were asking for more details I'll give you: The narrator is in third", "as a plot twist in the middle of the story. If MC real", "Ciwe or could I start using their real names (they haven't changed back", "plot of the novel is the following: The villain has body-swapped with the", "the villain wants to be on the MC position, and the MC don't", "the MC don't tell anything because he fears that people will think he", "I reveal the body change, should I keep naming MC as Ciwe or", "keep this hidden and reveal it as a plot twist in the middle", "body change, should I keep naming MC as Ciwe or could I start", "focused on what Ciwe does, and the next will focus on what Zotn", "on characters. For example, one chapter will be focused on what Ciwe does,", "Ciwe, once I reveal the body change, should I keep naming MC as", "and the MC don't tell anything because he fears that people will think", "will be focused on what Ciwe does, and the next will focus on", "is crazy. EDIT2: I want to make chapters focused on characters. For example,", "MC real name is Zotn and the villain name is Ciwe and I", "once I reveal the body change, should I keep naming MC as Ciwe", "wants to be on the MC position, and the MC don't tell anything", "of the story. If MC real name is Zotn and the villain name", "real name is Zotn and the villain name is Ciwe and I start", "of them is the narrator). They both keep it secret, as the villain", "a plot twist in the middle of the story. If MC real name", "naming MC as Ciwe or could I start using their real names (they", "I keep naming MC as Ciwe or could I start using their real", "and reveal it as a plot twist in the middle of the story.", "because he fears that people will think he is crazy. EDIT2: I want", "none of them is the narrator). They both keep it secret, as the", "plot twist in the middle of the story. If MC real name is", "both keep it secret, as the villain wants to be on the MC", "third person (so, none of them is the narrator). They both keep it", "narrator). They both keep it secret, as the villain wants to be on", "haven't changed back bodies yet)? EDIT: As you were asking for more details", "them is the narrator). They both keep it secret, as the villain wants", "The plot of the novel is the following: The villain has body-swapped with", "bodies yet)? EDIT: As you were asking for more details I'll give you:", "hidden and reveal it as a plot twist in the middle of the", "to keep this hidden and reveal it as a plot twist in the", "or could I start using their real names (they haven't changed back bodies", "The villain has body-swapped with the MC and I want to keep this", "focused on characters. For example, one chapter will be focused on what Ciwe", "following: The villain has body-swapped with the MC and I want to keep", "is the narrator). They both keep it secret, as the villain wants to", "change, should I keep naming MC as Ciwe or could I start using", "make chapters focused on characters. For example, one chapter will be focused on", "name is Zotn and the villain name is Ciwe and I start calling", "keep it secret, as the villain wants to be on the MC position,", "Ciwe does, and the next will focus on what Zotn does, so that's", "as the villain wants to be on the MC position, and the MC", "their real names (they haven't changed back bodies yet)? EDIT: As you were", "be on the MC position, and the MC don't tell anything because he", "don't tell anything because he fears that people will think he is crazy.", "for more details I'll give you: The narrator is in third person (so,", "MC as Ciwe or could I start using their real names (they haven't", "reveal it as a plot twist in the middle of the story. If", "will think he is crazy. EDIT2: I want to make chapters focused on", "more details I'll give you: The narrator is in third person (so, none", "to make chapters focused on characters. For example, one chapter will be focused", "body-swapped with the MC and I want to keep this hidden and reveal", "this hidden and reveal it as a plot twist in the middle of", "villain wants to be on the MC position, and the MC don't tell", "focus on what Zotn does, so that's why I thought using third person", "should I keep naming MC as Ciwe or could I start using their", "yet)? EDIT: As you were asking for more details I'll give you: The", "position, and the MC don't tell anything because he fears that people will", "using their real names (they haven't changed back bodies yet)? EDIT: As you", "in the middle of the story. If MC real name is Zotn and", "that people will think he is crazy. EDIT2: I want to make chapters", "he fears that people will think he is crazy. EDIT2: I want to", "and the next will focus on what Zotn does, so that's why I", "EDIT2: I want to make chapters focused on characters. For example, one chapter", "changed back bodies yet)? EDIT: As you were asking for more details I'll", "As you were asking for more details I'll give you: The narrator is", "person (so, none of them is the narrator). They both keep it secret,", "he is crazy. EDIT2: I want to make chapters focused on characters. For", "does, and the next will focus on what Zotn does, so that's why", "the novel is the following: The villain has body-swapped with the MC and", "For example, one chapter will be focused on what Ciwe does, and the", "next will focus on what Zotn does, so that's why I thought using", "back bodies yet)? EDIT: As you were asking for more details I'll give", "If MC real name is Zotn and the villain name is Ciwe and", "reveal the body change, should I keep naming MC as Ciwe or could", "the MC position, and the MC don't tell anything because he fears that", "chapters focused on characters. For example, one chapter will be focused on what", "asking for more details I'll give you: The narrator is in third person", "the middle of the story. If MC real name is Zotn and the", "of the novel is the following: The villain has body-swapped with the MC", "the MC and I want to keep this hidden and reveal it as", "the villain name is Ciwe and I start calling the MC as Ciwe,", "could I start using their real names (they haven't changed back bodies yet)?", "and the villain name is Ciwe and I start calling the MC as", "They both keep it secret, as the villain wants to be on the", "I'll give you: The narrator is in third person (so, none of them", "chapter will be focused on what Ciwe does, and the next will focus", "I start calling the MC as Ciwe, once I reveal the body change,", "EDIT: As you were asking for more details I'll give you: The narrator", "names (they haven't changed back bodies yet)? EDIT: As you were asking for", "MC as Ciwe, once I reveal the body change, should I keep naming", "on what Zotn does, so that's why I thought using third person narrator.", "name is Ciwe and I start calling the MC as Ciwe, once I", "is Zotn and the villain name is Ciwe and I start calling the", "and I want to keep this hidden and reveal it as a plot", "in third person (so, none of them is the narrator). They both keep", "story. If MC real name is Zotn and the villain name is Ciwe", "you were asking for more details I'll give you: The narrator is in", "villain has body-swapped with the MC and I want to keep this hidden", "keep naming MC as Ciwe or could I start using their real names", "tell anything because he fears that people will think he is crazy. EDIT2:", "real names (they haven't changed back bodies yet)? EDIT: As you were asking", "novel is the following: The villain has body-swapped with the MC and I", "be focused on what Ciwe does, and the next will focus on what", "the next will focus on what Zotn does, so that's why I thought", "MC don't tell anything because he fears that people will think he is", "on what Ciwe does, and the next will focus on what Zotn does,", "example, one chapter will be focused on what Ciwe does, and the next", "twist in the middle of the story. If MC real name is Zotn", "details I'll give you: The narrator is in third person (so, none of", "Ciwe and I start calling the MC as Ciwe, once I reveal the", "start calling the MC as Ciwe, once I reveal the body change, should", "anything because he fears that people will think he is crazy. EDIT2: I", "middle of the story. If MC real name is Zotn and the villain", "you: The narrator is in third person (so, none of them is the", "fears that people will think he is crazy. EDIT2: I want to make", "MC position, and the MC don't tell anything because he fears that people", "people will think he is crazy. EDIT2: I want to make chapters focused", "(they haven't changed back bodies yet)? EDIT: As you were asking for more", "give you: The narrator is in third person (so, none of them is", "what Ciwe does, and the next will focus on what Zotn does, so", "has body-swapped with the MC and I want to keep this hidden and", "as Ciwe or could I start using their real names (they haven't changed", "as Ciwe, once I reveal the body change, should I keep naming MC", "Zotn and the villain name is Ciwe and I start calling the MC", "one chapter will be focused on what Ciwe does, and the next will", "with the MC and I want to keep this hidden and reveal it", "the narrator). They both keep it secret, as the villain wants to be", "I want to make chapters focused on characters. For example, one chapter will", "and I start calling the MC as Ciwe, once I reveal the body", "is the following: The villain has body-swapped with the MC and I want", "calling the MC as Ciwe, once I reveal the body change, should I", "it as a plot twist in the middle of the story. If MC", "start using their real names (they haven't changed back bodies yet)? EDIT: As", "the body change, should I keep naming MC as Ciwe or could I", "characters. For example, one chapter will be focused on what Ciwe does, and", "villain name is Ciwe and I start calling the MC as Ciwe, once", "crazy. EDIT2: I want to make chapters focused on characters. For example, one", "the following: The villain has body-swapped with the MC and I want to", "(so, none of them is the narrator). They both keep it secret, as", "the story. If MC real name is Zotn and the villain name is", "is Ciwe and I start calling the MC as Ciwe, once I reveal", "it secret, as the villain wants to be on the MC position, and", "secret, as the villain wants to be on the MC position, and the", "on the MC position, and the MC don't tell anything because he fears", "the MC as Ciwe, once I reveal the body change, should I keep", "to be on the MC position, and the MC don't tell anything because", "I start using their real names (they haven't changed back bodies yet)? EDIT:", "The narrator is in third person (so, none of them is the narrator).", "want to make chapters focused on characters. For example, one chapter will be", "think he is crazy. EDIT2: I want to make chapters focused on characters.", "will focus on what Zotn does, so that's why I thought using third", "narrator is in third person (so, none of them is the narrator). They" ]
[ "spends hours devouring bamboo plants - a sort of stress-eating. So, here's the", "disturbing inner world. Inside, it's a determined fighter against anxiety. To overcome it,", "mar? How can I be effective in doing that? Are there any general", "to me to cut the words to reduce their amount. Pacdo's peaceful appearance's", "make sure you chew properly'. (The question is What does the panda say?)", "plants - a sort of stress-eating. So, here's the panda's advice: 'When vexed,", "just a disguise to conceal its disturbing inner world. Inside, it's a determined", "- make sure you chew properly'.* (The question is What does the panda", "a disguise to conceal its disturbing inner world. Inside, it's a determined fighter", "you chew properly'. (The question is What does the panda say?) Any help", "writing without causing its original essence to mar? How can I be effective", "a piece of writing without causing its original essence to mar? How can", "I need to write 50 words. NOT MORE. Now, that I've written 57,", "appearance's just a disguise to conceal its disturbing inner world. Inside, it's a", "always face the problem of word limit. How can I shorten a piece", "its original essence to mar? How can I be effective in doing that?", "MORE. Now, that I've written 57, it seems impossible to me to cut", "when upset - try embracing a bamboo-based diet. No time for worries -", "50 words. NOT MORE. Now, that I've written 57, it seems impossible to", "question is What does the panda say?) Any help would be appreciated. Huge", "the panda's advice: 'When vexed, when disturbed, when upset - try embracing a", "worries - make sure you chew properly'.* (The question is What does the", "fighter against anxiety. To overcome it, panda spends hours devouring bamboo plants -", "words to reduce their amount. Pacdo's peaceful appearance's just a disguise to conceal", "I be effective in doing that? Are there any general rules? For example,", "overcome it, panda spends hours devouring bamboo plants - a sort of stress-eating.", "NOT MORE. Now, that I've written 57, it seems impossible to me to", "57, it seems impossible to me to cut the words to reduce their", "does the panda say?) Any help would be appreciated. Huge thanks in advance.", "to write 50 words. NOT MORE. Now, that I've written 57, it seems", "general rules? For example, I need to write 50 words. NOT MORE. Now,", "seems impossible to me to cut the words to reduce their amount. Pacdo's", "for worries - make sure you chew properly'.* (The question is What does", "upset - try embracing a bamboo-based diet. No time for worries - make", "write 50 words. NOT MORE. Now, that I've written 57, it seems impossible", "amount. Pacdo's peaceful appearance's just a disguise to conceal its disturbing inner world.", "shorten a piece of writing without causing its original essence to mar? How", "example, I need to write 50 words. NOT MORE. Now, that I've written", "Now, that I've written 57, it seems impossible to me to cut the", "against anxiety. To overcome it, panda spends hours devouring bamboo plants - a", "vexed, when disturbed, when upset - try embracing a bamboo-based diet. No time", "advice: 'When vexed, when disturbed, when upset - try embracing a bamboo-based diet.", "to reduce their amount. Pacdo's peaceful appearance's just a disguise to conceal its", "a sort of stress-eating. So, here's the panda's advice: 'When vexed, when disturbed,", "How can I shorten a piece of writing without causing its original essence", "words. NOT MORE. Now, that I've written 57, it seems impossible to me", "properly'. (The question is What does the panda say?) Any help would be", "Are there any general rules? For example, I need to write 50 words.", "limit. How can I shorten a piece of writing without causing its original", "here's the panda's advice: 'When vexed, when disturbed, when upset - try embracing", "determined fighter against anxiety. To overcome it, panda spends hours devouring bamboo plants", "be effective in doing that? Are there any general rules? For example, I", "inner world. Inside, it's a determined fighter against anxiety. To overcome it, panda", "sort of stress-eating. So, here's the panda's advice: 'When vexed, when disturbed, when", "it seems impossible to me to cut the words to reduce their amount.", "to conceal its disturbing inner world. Inside, it's a determined fighter against anxiety.", "To overcome it, panda spends hours devouring bamboo plants - a sort of", "to mar? How can I be effective in doing that? Are there any", "to cut the words to reduce their amount. Pacdo's peaceful appearance's just a", "bamboo plants - a sort of stress-eating. So, here's the panda's advice: 'When", "reduce their amount. Pacdo's peaceful appearance's just a disguise to conceal its disturbing", "I always face the problem of word limit. How can I shorten a", "How can I be effective in doing that? Are there any general rules?", "doing that? Are there any general rules? For example, I need to write", "there any general rules? For example, I need to write 50 words. NOT", "the words to reduce their amount. Pacdo's peaceful appearance's just a disguise to", "of word limit. How can I shorten a piece of writing without causing", "bamboo-based diet. No time for worries - make sure you chew properly'. (The", "time for worries - make sure you chew properly'.* (The question is What", "of writing without causing its original essence to mar? How can I be", "embracing a bamboo-based diet. No time for worries - make sure you chew", "can I be effective in doing that? Are there any general rules? For", "need to write 50 words. NOT MORE. Now, that I've written 57, it", "when disturbed, when upset - try embracing a bamboo-based diet. No time for", "their amount. Pacdo's peaceful appearance's just a disguise to conceal its disturbing inner", "disturbed, when upset - try embracing a bamboo-based diet. No time for worries", "word limit. How can I shorten a piece of writing without causing its", "face the problem of word limit. How can I shorten a piece of", "I shorten a piece of writing without causing its original essence to mar?", "without causing its original essence to mar? How can I be effective in", "me to cut the words to reduce their amount. Pacdo's peaceful appearance's just", "chew properly'. (The question is What does the panda say?) Any help would", "causing its original essence to mar? How can I be effective in doing", "What does the panda say?) Any help would be appreciated. Huge thanks in", "piece of writing without causing its original essence to mar? How can I", "its disturbing inner world. Inside, it's a determined fighter against anxiety. To overcome", "Pacdo's peaceful appearance's just a disguise to conceal its disturbing inner world. Inside,", "of stress-eating. So, here's the panda's advice: 'When vexed, when disturbed, when upset", "is What does the panda say?) Any help would be appreciated. Huge thanks", "devouring bamboo plants - a sort of stress-eating. So, here's the panda's advice:", "stress-eating. So, here's the panda's advice: 'When vexed, when disturbed, when upset -", "a determined fighter against anxiety. To overcome it, panda spends hours devouring bamboo", "it, panda spends hours devouring bamboo plants - a sort of stress-eating. So,", "Inside, it's a determined fighter against anxiety. To overcome it, panda spends hours", "So, here's the panda's advice: 'When vexed, when disturbed, when upset - try", "rules? For example, I need to write 50 words. NOT MORE. Now, that", "impossible to me to cut the words to reduce their amount. Pacdo's peaceful", "diet. No time for worries - make sure you chew properly'.* (The question", "essence to mar? How can I be effective in doing that? Are there", "written 57, it seems impossible to me to cut the words to reduce", "can I shorten a piece of writing without causing its original essence to", "disguise to conceal its disturbing inner world. Inside, it's a determined fighter against", "world. Inside, it's a determined fighter against anxiety. To overcome it, panda spends", "(The question is What does the panda say?) Any help would be appreciated.", "it's a determined fighter against anxiety. To overcome it, panda spends hours devouring", "any general rules? For example, I need to write 50 words. NOT MORE.", "No time for worries - make sure you chew properly'.* (The question is", "effective in doing that? Are there any general rules? For example, I need", "that I've written 57, it seems impossible to me to cut the words", "panda spends hours devouring bamboo plants - a sort of stress-eating. So, here's", "try embracing a bamboo-based diet. No time for worries - make sure you", "- a sort of stress-eating. So, here's the panda's advice: 'When vexed, when", "'When vexed, when disturbed, when upset - try embracing a bamboo-based diet. No", "I've written 57, it seems impossible to me to cut the words to", "sure you chew properly'.* (The question is What does the panda say?) Any", "in doing that? Are there any general rules? For example, I need to", "cut the words to reduce their amount. Pacdo's peaceful appearance's just a disguise", "problem of word limit. How can I shorten a piece of writing without", "the problem of word limit. How can I shorten a piece of writing", "conceal its disturbing inner world. Inside, it's a determined fighter against anxiety. To", "For example, I need to write 50 words. NOT MORE. Now, that I've", "panda's advice: 'When vexed, when disturbed, when upset - try embracing a bamboo-based", "a bamboo-based diet. No time for worries - make sure you chew properly'.", "anxiety. To overcome it, panda spends hours devouring bamboo plants - a sort", "hours devouring bamboo plants - a sort of stress-eating. So, here's the panda's", "- try embracing a bamboo-based diet. No time for worries - make sure", "original essence to mar? How can I be effective in doing that? Are", "peaceful appearance's just a disguise to conceal its disturbing inner world. Inside, it's", "that? Are there any general rules? For example, I need to write 50" ]
[ "* [From Arkansas State University](https://libguides.astate.edu/c.php?g=14501&p=78098) * [Composition Course Hind's Community College](https://hindscc.instructure.com/courses/188266/pages/introductions) * [Roane", "exactly is \"announcing the topic\" best avoided? What is a good way to", "University](https://libguides.astate.edu/c.php?g=14501&p=78098) * [Composition Course Hind's Community College](https://hindscc.instructure.com/courses/188266/pages/introductions) * [Roane Community College](https://www.roanestate.edu/owl/Thesis-Statements.html) * [Guide", "the point of the first sentence. > > > Why exactly is \"announcing", "were to read... > > The goal of this study is to not", "first sentence. > > > Why exactly is \"announcing the topic\" best avoided?", "across to the audience. In conclusion, this third sentence reinforces the point of", "to Grammar.org](http://guidetogrammar.org/grammar/intros.htm) * [Red Rocks Community College](https://www.rrcc.edu/node/481) * [Writing Center University of Wisconsin-Madison](https://writing.wisc.edu/handbook/process/thesis_or_purpose/)", "to read... > > The goal of this study is to not be", "> > The goal of this study is to not be a study", "sentence reinforces the point of the first sentence. > > > Why exactly", "previous paragraph on how sentences announcing their topic come across to the audience.", "Examples of articles denouncing the practice include: * [From Arkansas State University](https://libguides.astate.edu/c.php?g=14501&p=78098) ", "goal of this study is to not be a study at all but", "a paper were to read... > > The goal of this study is", "come across to the audience. In conclusion, this third sentence reinforces the point", "best avoided? What is a good way to explain it to others what", "content in with the previous paragraph on how sentences announcing their topic come", "does to a paper? Examples of articles denouncing the practice include: [From", "announcing their topic come across to the audience. In conclusion, this third sentence", "not be a study at all but to be a fictional paper of", "of \"announcing\" the topic. As an example, if a paper were to read...", "to the audience. In conclusion, this third sentence reinforces the point of the", "the previous paragraph on how sentences announcing their topic come across to the", "audience. In conclusion, this third sentence reinforces the point of the first sentence.", "of this study is to not be a study at all but to", "included as an example on stack exchange to demonstrate how a paper announcing", "what \"announcing the topic\" does to a paper? Examples of articles denouncing the", "paragraph included as an example on stack exchange to demonstrate how a paper", "sentence is to fit some more content in with the previous paragraph on", "articles on the topic of writing papers denounce the practice of \"announcing\" the", "announcing its topic reads. This goal of this sentence is to fit some", "The goal of this study is to not be a study at all", "is to not be a study at all but to be a fictional", "their topic come across to the audience. In conclusion, this third sentence reinforces", "> The goal of this study is to not be a study at", "read... > > The goal of this study is to not be a", "the topic\" best avoided? What is a good way to explain it to", "good way to explain it to others what \"announcing the topic\" does to", "College](https://www.roanestate.edu/owl/Thesis-Statements.html) * [Guide to Grammar.org](http://guidetogrammar.org/grammar/intros.htm) * [Red Rocks Community College](https://www.rrcc.edu/node/481) * [Writing Center", "topic. As an example, if a paper were to read... > > The", "writing papers denounce the practice of \"announcing\" the topic. As an example, if", "on how sentences announcing their topic come across to the audience. In conclusion,", "in with the previous paragraph on how sentences announcing their topic come across", "> > Why exactly is \"announcing the topic\" best avoided? What is a", "if a paper were to read... > > The goal of this study", "be a fictional paper of only one paragraph included as an example on", "topic\" best avoided? What is a good way to explain it to others", "topic of writing papers denounce the practice of \"announcing\" the topic. As an", "to not be a study at all but to be a fictional paper", "avoided? What is a good way to explain it to others what \"announcing", "way to explain it to others what \"announcing the topic\" does to a", "In academic writing, several articles on the topic of writing papers denounce the", "academic writing, several articles on the topic of writing papers denounce the practice", "the first sentence. > > > Why exactly is \"announcing the topic\" best", "one paragraph included as an example on stack exchange to demonstrate how a", "reads. This goal of this sentence is to fit some more content in", "to others what \"announcing the topic\" does to a paper? Examples of articles", "* [Roane Community College](https://www.roanestate.edu/owl/Thesis-Statements.html) * [Guide to Grammar.org](http://guidetogrammar.org/grammar/intros.htm) * [Red Rocks Community College](https://www.rrcc.edu/node/481)", "[Guide to Grammar.org](http://guidetogrammar.org/grammar/intros.htm) * [Red Rocks Community College](https://www.rrcc.edu/node/481) * [Writing Center University of", "is to fit some more content in with the previous paragraph on how", "topic come across to the audience. In conclusion, this third sentence reinforces the", "* [Guide to Grammar.org](http://guidetogrammar.org/grammar/intros.htm) * [Red Rocks Community College](https://www.rrcc.edu/node/481) * [Writing Center University", "some more content in with the previous paragraph on how sentences announcing their", "be a study at all but to be a fictional paper of only", "of articles denouncing the practice include: * [From Arkansas State University](https://libguides.astate.edu/c.php?g=14501&p=78098) * [Composition", "on the topic of writing papers denounce the practice of \"announcing\" the topic.", "study at all but to be a fictional paper of only one paragraph", "to explain it to others what \"announcing the topic\" does to a paper?", "include: * [From Arkansas State University](https://libguides.astate.edu/c.php?g=14501&p=78098) * [Composition Course Hind's Community College](https://hindscc.instructure.com/courses/188266/pages/introductions) ", "it to others what \"announcing the topic\" does to a paper? Examples of", "a paper? Examples of articles denouncing the practice include: [From Arkansas State", "the topic. As an example, if a paper were to read... > >", "study is to not be a study at all but to be a", "denouncing the practice include: * [From Arkansas State University](https://libguides.astate.edu/c.php?g=14501&p=78098) * [Composition Course Hind's", "paper of only one paragraph included as an example on stack exchange to", "goal of this sentence is to fit some more content in with the", "as an example on stack exchange to demonstrate how a paper announcing its", "practice of \"announcing\" the topic. As an example, if a paper were to", "> > > Why exactly is \"announcing the topic\" best avoided? What is", "topic reads. This goal of this sentence is to fit some more content", "third sentence reinforces the point of the first sentence. > > > Why", "of only one paragraph included as an example on stack exchange to demonstrate", "an example on stack exchange to demonstrate how a paper announcing its topic", "its topic reads. This goal of this sentence is to fit some more", "practice include: * [From Arkansas State University](https://libguides.astate.edu/c.php?g=14501&p=78098) * [Composition Course Hind's Community College](https://hindscc.instructure.com/courses/188266/pages/introductions)", "Why exactly is \"announcing the topic\" best avoided? What is a good way", "denounce the practice of \"announcing\" the topic. As an example, if a paper", "a study at all but to be a fictional paper of only one", "the practice of \"announcing\" the topic. As an example, if a paper were", "only one paragraph included as an example on stack exchange to demonstrate how", "a fictional paper of only one paragraph included as an example on stack", "a good way to explain it to others what \"announcing the topic\" does", "stack exchange to demonstrate how a paper announcing its topic reads. This goal", "College](https://hindscc.instructure.com/courses/188266/pages/introductions) * [Roane Community College](https://www.roanestate.edu/owl/Thesis-Statements.html) * [Guide to Grammar.org](http://guidetogrammar.org/grammar/intros.htm) * [Red Rocks Community", "all but to be a fictional paper of only one paragraph included as", "to be a fictional paper of only one paragraph included as an example", "how a paper announcing its topic reads. This goal of this sentence is", "papers denounce the practice of \"announcing\" the topic. As an example, if a", "point of the first sentence. > > > Why exactly is \"announcing the", "exchange to demonstrate how a paper announcing its topic reads. This goal of", "\"announcing the topic\" best avoided? What is a good way to explain it", "paper were to read... > > The goal of this study is to", "[Roane Community College](https://www.roanestate.edu/owl/Thesis-Statements.html) * [Guide to Grammar.org](http://guidetogrammar.org/grammar/intros.htm) * [Red Rocks Community College](https://www.rrcc.edu/node/481) ", "This goal of this sentence is to fit some more content in with", "of this sentence is to fit some more content in with the previous", "the topic\" does to a paper? Examples of articles denouncing the practice include:", "example, if a paper were to read... > > The goal of this", "is \"announcing the topic\" best avoided? What is a good way to explain", "an example, if a paper were to read... > > The goal of", "several articles on the topic of writing papers denounce the practice of \"announcing\"", "example on stack exchange to demonstrate how a paper announcing its topic reads.", "is a good way to explain it to others what \"announcing the topic\"", "paper? Examples of articles denouncing the practice include: [From Arkansas State University](https://libguides.astate.edu/c.php?g=14501&p=78098)", "paragraph on how sentences announcing their topic come across to the audience. In", "to fit some more content in with the previous paragraph on how sentences", "State University](https://libguides.astate.edu/c.php?g=14501&p=78098) * [Composition Course Hind's Community College](https://hindscc.instructure.com/courses/188266/pages/introductions) * [Roane Community College](https://www.roanestate.edu/owl/Thesis-Statements.html) ", "Community College](https://www.roanestate.edu/owl/Thesis-Statements.html) [Guide to Grammar.org](http://guidetogrammar.org/grammar/intros.htm) * [Red Rocks Community College](https://www.rrcc.edu/node/481) * [Writing", "Course Hind's Community College](https://hindscc.instructure.com/courses/188266/pages/introductions) * [Roane Community College](https://www.roanestate.edu/owl/Thesis-Statements.html) * [Guide to Grammar.org](http://guidetogrammar.org/grammar/intros.htm) ", " [Composition Course Hind's Community College](https://hindscc.instructure.com/courses/188266/pages/introductions) * [Roane Community College](https://www.roanestate.edu/owl/Thesis-Statements.html) * [Guide to", "a paper announcing its topic reads. This goal of this sentence is to", "the topic of writing papers denounce the practice of \"announcing\" the topic. As", "but to be a fictional paper of only one paragraph included as an", "fictional paper of only one paragraph included as an example on stack exchange", "writing, several articles on the topic of writing papers denounce the practice of", "with the previous paragraph on how sentences announcing their topic come across to", "of the first sentence. > > > Why exactly is \"announcing the topic\"", "articles denouncing the practice include: * [From Arkansas State University](https://libguides.astate.edu/c.php?g=14501&p=78098) * [Composition Course", "on stack exchange to demonstrate how a paper announcing its topic reads. This", "demonstrate how a paper announcing its topic reads. This goal of this sentence", "sentences announcing their topic come across to the audience. In conclusion, this third", "reinforces the point of the first sentence. > > > Why exactly is", "topic\" does to a paper? Examples of articles denouncing the practice include: ", "of writing papers denounce the practice of \"announcing\" the topic. As an example,", "In conclusion, this third sentence reinforces the point of the first sentence. >", "> Why exactly is \"announcing the topic\" best avoided? What is a good", "this third sentence reinforces the point of the first sentence. > > >", "to a paper? Examples of articles denouncing the practice include: [From Arkansas", "[Composition Course Hind's Community College](https://hindscc.instructure.com/courses/188266/pages/introductions) * [Roane Community College](https://www.roanestate.edu/owl/Thesis-Statements.html) * [Guide to Grammar.org](http://guidetogrammar.org/grammar/intros.htm)", "fit some more content in with the previous paragraph on how sentences announcing", "more content in with the previous paragraph on how sentences announcing their topic", "the audience. In conclusion, this third sentence reinforces the point of the first", "Arkansas State University](https://libguides.astate.edu/c.php?g=14501&p=78098) * [Composition Course Hind's Community College](https://hindscc.instructure.com/courses/188266/pages/introductions) * [Roane Community College](https://www.roanestate.edu/owl/Thesis-Statements.html)", "explain it to others what \"announcing the topic\" does to a paper? Examples", "Hind's Community College](https://hindscc.instructure.com/courses/188266/pages/introductions) * [Roane Community College](https://www.roanestate.edu/owl/Thesis-Statements.html) * [Guide to Grammar.org](http://guidetogrammar.org/grammar/intros.htm) * [Red", "conclusion, this third sentence reinforces the point of the first sentence. > >", "\"announcing the topic\" does to a paper? Examples of articles denouncing the practice", "As an example, if a paper were to read... > > The goal", "paper announcing its topic reads. This goal of this sentence is to fit", "What is a good way to explain it to others what \"announcing the", "[From Arkansas State University](https://libguides.astate.edu/c.php?g=14501&p=78098) * [Composition Course Hind's Community College](https://hindscc.instructure.com/courses/188266/pages/introductions) * [Roane Community", "\"announcing\" the topic. As an example, if a paper were to read... >", "this study is to not be a study at all but to be", "this sentence is to fit some more content in with the previous paragraph", "at all but to be a fictional paper of only one paragraph included", "Community College](https://hindscc.instructure.com/courses/188266/pages/introductions) * [Roane Community College](https://www.roanestate.edu/owl/Thesis-Statements.html) * [Guide to Grammar.org](http://guidetogrammar.org/grammar/intros.htm) * [Red Rocks", "to demonstrate how a paper announcing its topic reads. This goal of this", "sentence. > > > Why exactly is \"announcing the topic\" best avoided? What", "the practice include: * [From Arkansas State University](https://libguides.astate.edu/c.php?g=14501&p=78098) * [Composition Course Hind's Community", "others what \"announcing the topic\" does to a paper? Examples of articles denouncing", "how sentences announcing their topic come across to the audience. In conclusion, this" ]
[ "like: because, however, but, moreover, therefore, since, nevertheless, instead of, earlier than, later", "tie two phrases together like: because, however, but, moreover, therefore, since, nevertheless, instead", "and learn to write short and simple sentences with them. My character is", "short and simple sentences with them. My character is an American in Europe", "learn the 100 most used connector words and learn to write short and", "broken German and Spanish I need to know how to not speak in", "is an American in Europe and he speaks in broken German and Spanish,", "not speak in broken German and Spanish. By connector words I mean words", "German and Spanish. By connector words I mean words that allows to tie", "write short and simple sentences with them. My character is an American in", "sentences with them. My character is an American in Europe and he speaks", "and I need to learn the language fast. One thing I wanted to", "speaks broken German and Spanish I need to know how to not speak", "By connector words I mean words that allows to tie two phrases together", "learn Spanish and German for my short novel and I need to learn", "German for my short novel and I need to learn the language fast.", "need to learn Spanish and German for my short novel and I need", "learn to write short and simple sentences with them. My character is an", "make sure he speaks broken German and Spanish I need to know how", "an American in Europe and he speaks in broken German and Spanish, but", "is to learn the 100 most used connector words and learn to write", "to do is to learn the 100 most used connector words and learn", "speak in broken German and Spanish. By connector words I mean words that", "novel and I need to learn the language fast. One thing I wanted", "but in order to make sure he speaks broken German and Spanish I", "need to know how to not speak in broken German and Spanish. By", "how to not speak in broken German and Spanish. By connector words I", "fast. One thing I wanted to do is to learn the 100 most", "language fast. One thing I wanted to do is to learn the 100", "100 most used connector words and learn to write short and simple sentences", "Spanish. By connector words I mean words that allows to tie two phrases", "earlier than, later than, considering that, etc. Is there a way to do", "My character is an American in Europe and he speaks in broken German", "Europe and he speaks in broken German and Spanish, but in order to", "to know how to not speak in broken German and Spanish. By connector", "my short novel and I need to learn the language fast. One thing", "therefore, since, nevertheless, instead of, earlier than, later than, considering that, etc. Is", "Spanish I need to know how to not speak in broken German and", "than, considering that, etc. Is there a way to do this? Are there", "and simple sentences with them. My character is an American in Europe and", "considering that, etc. Is there a way to do this? Are there resources", "in order to make sure he speaks broken German and Spanish I need", "I need to learn the language fast. One thing I wanted to do", "connector words I mean words that allows to tie two phrases together like:", "words that allows to tie two phrases together like: because, however, but, moreover,", "and Spanish. By connector words I mean words that allows to tie two", "used connector words and learn to write short and simple sentences with them.", "connector words and learn to write short and simple sentences with them. My", "that allows to tie two phrases together like: because, however, but, moreover, therefore,", "phrases together like: because, however, but, moreover, therefore, since, nevertheless, instead of, earlier", "and Spanish I need to know how to not speak in broken German", "sure he speaks broken German and Spanish I need to know how to", "speaks in broken German and Spanish, but in order to make sure he", "however, but, moreover, therefore, since, nevertheless, instead of, earlier than, later than, considering", "Spanish and German for my short novel and I need to learn the", "to do this? Are there resources like dictionaries using machine learning for this", "order to make sure he speaks broken German and Spanish I need to", "German and Spanish I need to know how to not speak in broken", "I wanted to do is to learn the 100 most used connector words", "to not speak in broken German and Spanish. By connector words I mean", "nevertheless, instead of, earlier than, later than, considering that, etc. Is there a", "a way to do this? Are there resources like dictionaries using machine learning", "etc. Is there a way to do this? Are there resources like dictionaries", "character is an American in Europe and he speaks in broken German and", "since, nevertheless, instead of, earlier than, later than, considering that, etc. Is there", "words I mean words that allows to tie two phrases together like: because,", "the language fast. One thing I wanted to do is to learn the", "American in Europe and he speaks in broken German and Spanish, but in", "simple sentences with them. My character is an American in Europe and he", "need to learn the language fast. One thing I wanted to do is", "than, later than, considering that, etc. Is there a way to do this?", "broken German and Spanish. By connector words I mean words that allows to", "instead of, earlier than, later than, considering that, etc. Is there a way", "together like: because, however, but, moreover, therefore, since, nevertheless, instead of, earlier than,", "to make sure he speaks broken German and Spanish I need to know", "and he speaks in broken German and Spanish, but in order to make", "of, earlier than, later than, considering that, etc. Is there a way to", "thing I wanted to do is to learn the 100 most used connector", "to write short and simple sentences with them. My character is an American", "broken German and Spanish, but in order to make sure he speaks broken", "he speaks broken German and Spanish I need to know how to not", "later than, considering that, etc. Is there a way to do this? Are", "do this? Are there resources like dictionaries using machine learning for this purpose?", "that, etc. Is there a way to do this? Are there resources like", "mean words that allows to tie two phrases together like: because, however, but,", "the 100 most used connector words and learn to write short and simple", "do is to learn the 100 most used connector words and learn to", "One thing I wanted to do is to learn the 100 most used", "but, moreover, therefore, since, nevertheless, instead of, earlier than, later than, considering that,", "wanted to do is to learn the 100 most used connector words and", "them. My character is an American in Europe and he speaks in broken", "to tie two phrases together like: because, however, but, moreover, therefore, since, nevertheless,", "there a way to do this? Are there resources like dictionaries using machine", "two phrases together like: because, however, but, moreover, therefore, since, nevertheless, instead of,", "Is there a way to do this? Are there resources like dictionaries using", "German and Spanish, but in order to make sure he speaks broken German", "way to do this? Are there resources like dictionaries using machine learning for", "and German for my short novel and I need to learn the language", "words and learn to write short and simple sentences with them. My character", "learn the language fast. One thing I wanted to do is to learn", "in Europe and he speaks in broken German and Spanish, but in order", "I need to know how to not speak in broken German and Spanish.", "I need to learn Spanish and German for my short novel and I", "to learn the 100 most used connector words and learn to write short", "with them. My character is an American in Europe and he speaks in", "he speaks in broken German and Spanish, but in order to make sure", "Spanish, but in order to make sure he speaks broken German and Spanish", "I mean words that allows to tie two phrases together like: because, however,", "because, however, but, moreover, therefore, since, nevertheless, instead of, earlier than, later than,", "moreover, therefore, since, nevertheless, instead of, earlier than, later than, considering that, etc.", "know how to not speak in broken German and Spanish. By connector words", "most used connector words and learn to write short and simple sentences with", "allows to tie two phrases together like: because, however, but, moreover, therefore, since,", "for my short novel and I need to learn the language fast. One", "and Spanish, but in order to make sure he speaks broken German and", "to learn Spanish and German for my short novel and I need to", "short novel and I need to learn the language fast. One thing I", "in broken German and Spanish, but in order to make sure he speaks", "to learn the language fast. One thing I wanted to do is to", "in broken German and Spanish. By connector words I mean words that allows" ]
[ "Arthur and John Michael Godier; I’m looking for a site to help me", "consistently at once a week or month with new ideas, and * postulate", "once a week or month with new ideas, and * postulate SPECIFIC and", "every month; depending on my schedule). The site should * be ongoing and", "The site should * be ongoing and consistently at once a week or", "idea every week (or every month; depending on my schedule). The site should", "me write an online blog, that talks about a future science tech or", "looking for a site to help me write an online blog, that talks", "science tech or idea every week (or every month; depending on my schedule).", "Godier; I’m looking for a site to help me write an online blog,", "with new ideas, and * postulate SPECIFIC and oftentimes creative ideas, and ", "for a site to help me write an online blog, that talks about", "depending on my schedule). The site should be ongoing and consistently at", "schedule). The site should * be ongoing and consistently at once a week", "and consistently at once a week or month with new ideas, and ", "month; depending on my schedule). The site should be ongoing and consistently", "John Michael Godier; I’m looking for a site to help me write an", "Isaac Arthur and John Michael Godier; I’m looking for a site to help", "future science tech or idea every week (or every month; depending on my", "ideas, and * postulate SPECIFIC and oftentimes creative ideas, and * recommend amateur", "week or month with new ideas, and * postulate SPECIFIC and oftentimes creative", "my schedule). The site should * be ongoing and consistently at once a", "Michael Godier; I’m looking for a site to help me write an online", "about a future science tech or idea every week (or every month; depending", "ongoing and consistently at once a week or month with new ideas, and", "or month with new ideas, and * postulate SPECIFIC and oftentimes creative ideas,", "or idea every week (or every month; depending on my schedule). The site", "(or every month; depending on my schedule). The site should * be ongoing", "to help me write an online blog, that talks about a future science", "blog, that talks about a future science tech or idea every week (or", "talks about a future science tech or idea every week (or every month;", "should * be ongoing and consistently at once a week or month with", "I watch Isaac Arthur and John Michael Godier; I’m looking for a site", "* be ongoing and consistently at once a week or month with new", "every week (or every month; depending on my schedule). The site should ", "at once a week or month with new ideas, and postulate SPECIFIC", "a week or month with new ideas, and * postulate SPECIFIC and oftentimes", "new ideas, and * postulate SPECIFIC and oftentimes creative ideas, and * recommend", "site should * be ongoing and consistently at once a week or month", "and * postulate SPECIFIC and oftentimes creative ideas, and * recommend amateur stuff.", "and John Michael Godier; I’m looking for a site to help me write", "a future science tech or idea every week (or every month; depending on", "a site to help me write an online blog, that talks about a", "be ongoing and consistently at once a week or month with new ideas,", "write an online blog, that talks about a future science tech or idea", "week (or every month; depending on my schedule). The site should * be", "I’m looking for a site to help me write an online blog, that", "month with new ideas, and * postulate SPECIFIC and oftentimes creative ideas, and", "an online blog, that talks about a future science tech or idea every", "on my schedule). The site should * be ongoing and consistently at once", "watch Isaac Arthur and John Michael Godier; I’m looking for a site to", "site to help me write an online blog, that talks about a future", "that talks about a future science tech or idea every week (or every", "help me write an online blog, that talks about a future science tech", "tech or idea every week (or every month; depending on my schedule). The", "online blog, that talks about a future science tech or idea every week" ]
[ "includes a character called Ravana, from the Hindu literary text called the [Ramayana](https://en.wikipedia.org/wiki/Ramayana).", "this, would it be illegal? I live in India, where the Ramayana originated.", "from the Hindu literary text called the [Ramayana](https://en.wikipedia.org/wiki/Ramayana). Now, if I were to", "the Hindu literary text called the [Ramayana](https://en.wikipedia.org/wiki/Ramayana). Now, if I were to publish", "text called the [Ramayana](https://en.wikipedia.org/wiki/Ramayana). Now, if I were to publish this, would it", "were to publish this, would it be illegal? I live in India, where", "publish this, would it be illegal? I live in India, where the Ramayana", "I were to publish this, would it be illegal? I live in India,", "novel which includes a character called Ravana, from the Hindu literary text called", "a novel which includes a character called Ravana, from the Hindu literary text", "Ravana, from the Hindu literary text called the [Ramayana](https://en.wikipedia.org/wiki/Ramayana). Now, if I were", "problem. I am going to start writing a novel which includes a character", "character called Ravana, from the Hindu literary text called the [Ramayana](https://en.wikipedia.org/wiki/Ramayana). Now, if", "a serious problem. I am going to start writing a novel which includes", "[Ramayana](https://en.wikipedia.org/wiki/Ramayana). Now, if I were to publish this, would it be illegal? I", "Hindu literary text called the [Ramayana](https://en.wikipedia.org/wiki/Ramayana). Now, if I were to publish this,", "serious problem. I am going to start writing a novel which includes a", "going to start writing a novel which includes a character called Ravana, from", "called Ravana, from the Hindu literary text called the [Ramayana](https://en.wikipedia.org/wiki/Ramayana). Now, if I", "I am going to start writing a novel which includes a character called", "I have a serious problem. I am going to start writing a novel", "writing a novel which includes a character called Ravana, from the Hindu literary", "literary text called the [Ramayana](https://en.wikipedia.org/wiki/Ramayana). Now, if I were to publish this, would", "called the [Ramayana](https://en.wikipedia.org/wiki/Ramayana). Now, if I were to publish this, would it be", "if I were to publish this, would it be illegal? I live in", "to start writing a novel which includes a character called Ravana, from the", "Now, if I were to publish this, would it be illegal? I live", "which includes a character called Ravana, from the Hindu literary text called the", "start writing a novel which includes a character called Ravana, from the Hindu", "am going to start writing a novel which includes a character called Ravana,", "the [Ramayana](https://en.wikipedia.org/wiki/Ramayana). Now, if I were to publish this, would it be illegal?", "a character called Ravana, from the Hindu literary text called the [Ramayana](https://en.wikipedia.org/wiki/Ramayana). Now,", "have a serious problem. I am going to start writing a novel which", "to publish this, would it be illegal? I live in India, where the" ]
[ "there is a mostly predictable pattern they follow, but as the books go", "varying narration and character's name in the title enough? Thanks in advance for", "5 first-person narrators, and the patterns of narrators will become less predictable. The", "five novels) and there are multiple first-person narrators. Each chapter starts of with", "in the title enough? Thanks in advance for any advice you can give!!", "but as the books go on more characters are introduced and there will", "book, there are only two narrators and there is a mostly predictable pattern", "of with the character's name in parentheses after the chapter number (ie: Chapter", "a mostly predictable pattern they follow, but as the books go on more", "they follow, but as the books go on more characters are introduced and", "be a total of 5 first-person narrators, and the patterns of narrators will", "of narrators will become less predictable. The question is, should I use varying", "method, or is the varying narration and character's name in the title enough?", "eventually be a series of five novels) and there are multiple first-person narrators.", "(ie: Chapter 6 (Tessa)). In the first book, there are only two narrators", "be a series of five novels) and there are multiple first-person narrators. Each", "narrators, and the patterns of narrators will become less predictable. The question is,", "a novel (it will eventually be a series of five novels) and there", "a total of 5 first-person narrators, and the patterns of narrators will become", "6 (Tessa)). In the first book, there are only two narrators and there", "and character's name in the title enough? Thanks in advance for any advice", "pattern they follow, but as the books go on more characters are introduced", "as the books go on more characters are introduced and there will be", "question is, should I use varying fonts to differentiate the narrators or a", "or is the varying narration and character's name in the title enough? Thanks", "chapter starts of with the character's name in parentheses after the chapter number", "similar method, or is the varying narration and character's name in the title", "the varying narration and character's name in the title enough? Thanks in advance", "number (ie: Chapter 6 (Tessa)). In the first book, there are only two", "will become less predictable. The question is, should I use varying fonts to", "In the first book, there are only two narrators and there is a", "patterns of narrators will become less predictable. The question is, should I use", "Chapter 6 (Tessa)). In the first book, there are only two narrators and", "narrators or a similar method, or is the varying narration and character's name", "are multiple first-person narrators. Each chapter starts of with the character's name in", "a series of five novels) and there are multiple first-person narrators. Each chapter", "starts of with the character's name in parentheses after the chapter number (ie:", "and there is a mostly predictable pattern they follow, but as the books", "after the chapter number (ie: Chapter 6 (Tessa)). In the first book, there", "narration and character's name in the title enough? Thanks in advance for any", "Each chapter starts of with the character's name in parentheses after the chapter", "(Tessa)). In the first book, there are only two narrators and there is", "two narrators and there is a mostly predictable pattern they follow, but as", "predictable pattern they follow, but as the books go on more characters are", "I am writing a novel (it will eventually be a series of five", "to differentiate the narrators or a similar method, or is the varying narration", "the character's name in parentheses after the chapter number (ie: Chapter 6 (Tessa)).", "first-person narrators. Each chapter starts of with the character's name in parentheses after", "and there are multiple first-person narrators. Each chapter starts of with the character's", "will eventually be a series of five novels) and there are multiple first-person", "use varying fonts to differentiate the narrators or a similar method, or is", "is, should I use varying fonts to differentiate the narrators or a similar", "and there will be a total of 5 first-person narrators, and the patterns", "of five novels) and there are multiple first-person narrators. Each chapter starts of", "are introduced and there will be a total of 5 first-person narrators, and", "in parentheses after the chapter number (ie: Chapter 6 (Tessa)). In the first", "multiple first-person narrators. Each chapter starts of with the character's name in parentheses", "novel (it will eventually be a series of five novels) and there are", "only two narrators and there is a mostly predictable pattern they follow, but", "should I use varying fonts to differentiate the narrators or a similar method,", "differentiate the narrators or a similar method, or is the varying narration and", "total of 5 first-person narrators, and the patterns of narrators will become less", "character's name in parentheses after the chapter number (ie: Chapter 6 (Tessa)). In", "narrators. Each chapter starts of with the character's name in parentheses after the", "or a similar method, or is the varying narration and character's name in", "there will be a total of 5 first-person narrators, and the patterns of", "name in parentheses after the chapter number (ie: Chapter 6 (Tessa)). In the", "less predictable. The question is, should I use varying fonts to differentiate the", "the chapter number (ie: Chapter 6 (Tessa)). In the first book, there are", "mostly predictable pattern they follow, but as the books go on more characters", "the first book, there are only two narrators and there is a mostly", "are only two narrators and there is a mostly predictable pattern they follow,", "with the character's name in parentheses after the chapter number (ie: Chapter 6", "the patterns of narrators will become less predictable. The question is, should I", "there are multiple first-person narrators. Each chapter starts of with the character's name", "writing a novel (it will eventually be a series of five novels) and", "I use varying fonts to differentiate the narrators or a similar method, or", "is a mostly predictable pattern they follow, but as the books go on", "series of five novels) and there are multiple first-person narrators. Each chapter starts", "of 5 first-person narrators, and the patterns of narrators will become less predictable.", "more characters are introduced and there will be a total of 5 first-person", "fonts to differentiate the narrators or a similar method, or is the varying", "novels) and there are multiple first-person narrators. Each chapter starts of with the", "go on more characters are introduced and there will be a total of", "character's name in the title enough? Thanks in advance for any advice you", "on more characters are introduced and there will be a total of 5", "will be a total of 5 first-person narrators, and the patterns of narrators", "introduced and there will be a total of 5 first-person narrators, and the", "books go on more characters are introduced and there will be a total", "is the varying narration and character's name in the title enough? Thanks in", "there are only two narrators and there is a mostly predictable pattern they", "am writing a novel (it will eventually be a series of five novels)", "name in the title enough? Thanks in advance for any advice you can", "narrators and there is a mostly predictable pattern they follow, but as the", "narrators will become less predictable. The question is, should I use varying fonts", "first book, there are only two narrators and there is a mostly predictable", "follow, but as the books go on more characters are introduced and there", "chapter number (ie: Chapter 6 (Tessa)). In the first book, there are only", "a similar method, or is the varying narration and character's name in the", "characters are introduced and there will be a total of 5 first-person narrators,", "first-person narrators, and the patterns of narrators will become less predictable. The question", "The question is, should I use varying fonts to differentiate the narrators or", "the books go on more characters are introduced and there will be a", "(it will eventually be a series of five novels) and there are multiple", "parentheses after the chapter number (ie: Chapter 6 (Tessa)). In the first book,", "and the patterns of narrators will become less predictable. The question is, should", "predictable. The question is, should I use varying fonts to differentiate the narrators", "the narrators or a similar method, or is the varying narration and character's", "varying fonts to differentiate the narrators or a similar method, or is the", "become less predictable. The question is, should I use varying fonts to differentiate" ]
[ "based off of an scp foundation wiki monster. <http://www.scp-wiki.net/scp-231> The birth of a", "has to come to terms with the fact that he caused the deaths", "other significant damage around the world. Given the remorse shown by more ordinary", "matures and learns what the devastation they caused, he feels terribly guilty and", "a way to gain sympathy in order to not be held responsible for", "that character matures and learns what the devastation they caused, he feels terribly", "deaths of 10 million people, as well as other significant damage around the", "guilty and ashamed, and he has to come to terms with the fact", "as crocodile tears, a way to gain sympathy in order to not be", "character matures and learns what the devastation they caused, he feels terribly guilty", "million people, as well as other significant damage around the world. Given the", "he is responsible for but had no control over without making him a", "with the fact that he caused the deaths of 10 million people, as", "the fact that he caused the deaths of 10 million people, as well", "a POV character causes the deaths of tens of millions of people. As", "of 10 million people, as well as other significant damage around the world.", "be held responsible for a crime, or for leniency, how can I show", "is responsible for but had no control over without making him a self-pitying", "come to terms with the fact that he caused the deaths of 10", "as other significant damage around the world. Given the remorse shown by more", "the world. Given the remorse shown by more ordinary murders can be interpreted", "ordinary murders can be interpreted as crocodile tears, a way to gain sympathy", "to not be held responsible for a crime, or for leniency, how can", "caused, he feels terribly guilty and ashamed, and he has to come to", "and ashamed, and he has to come to terms with the fact that", "caused the deaths of 10 million people, as well as other significant damage", "this character's remorse for events he is responsible for but had no control", "monster. <http://www.scp-wiki.net/scp-231> The birth of a POV character causes the deaths of tens", "off of an scp foundation wiki monster. <http://www.scp-wiki.net/scp-231> The birth of a POV", "I show this character's remorse for events he is responsible for but had", "a crime, or for leniency, how can I show this character's remorse for", "gain sympathy in order to not be held responsible for a crime, or", "shown by more ordinary murders can be interpreted as crocodile tears, a way", "order to not be held responsible for a crime, or for leniency, how", "10 million people, as well as other significant damage around the world. Given", "of millions of people. As that character matures and learns what the devastation", "responsible for a crime, or for leniency, how can I show this character's", "can I show this character's remorse for events he is responsible for but", "for a crime, or for leniency, how can I show this character's remorse", "for leniency, how can I show this character's remorse for events he is", "<http://www.scp-wiki.net/scp-231> The birth of a POV character causes the deaths of tens of", "feels terribly guilty and ashamed, and he has to come to terms with", "and he has to come to terms with the fact that he caused", "concept is based off of an scp foundation wiki monster. <http://www.scp-wiki.net/scp-231> The birth", "wiki monster. <http://www.scp-wiki.net/scp-231> The birth of a POV character causes the deaths of", "of an scp foundation wiki monster. <http://www.scp-wiki.net/scp-231> The birth of a POV character", "remorse shown by more ordinary murders can be interpreted as crocodile tears, a", "how can I show this character's remorse for events he is responsible for", "foundation wiki monster. <http://www.scp-wiki.net/scp-231> The birth of a POV character causes the deaths", "he has to come to terms with the fact that he caused the", "and learns what the devastation they caused, he feels terribly guilty and ashamed,", "be interpreted as crocodile tears, a way to gain sympathy in order to", "what the devastation they caused, he feels terribly guilty and ashamed, and he", "remorse for events he is responsible for but had no control over without", "millions of people. As that character matures and learns what the devastation they", "an scp foundation wiki monster. <http://www.scp-wiki.net/scp-231> The birth of a POV character causes", "people, as well as other significant damage around the world. Given the remorse", "sympathy in order to not be held responsible for a crime, or for", "The birth of a POV character causes the deaths of tens of millions", "birth of a POV character causes the deaths of tens of millions of", "he feels terribly guilty and ashamed, and he has to come to terms", "terribly guilty and ashamed, and he has to come to terms with the", "fact that he caused the deaths of 10 million people, as well as", "the remorse shown by more ordinary murders can be interpreted as crocodile tears,", "interpreted as crocodile tears, a way to gain sympathy in order to not", "character's remorse for events he is responsible for but had no control over", "of people. As that character matures and learns what the devastation they caused,", "of tens of millions of people. As that character matures and learns what", "they caused, he feels terribly guilty and ashamed, and he has to come", "the devastation they caused, he feels terribly guilty and ashamed, and he has", "of a POV character causes the deaths of tens of millions of people.", "As that character matures and learns what the devastation they caused, he feels", "scp foundation wiki monster. <http://www.scp-wiki.net/scp-231> The birth of a POV character causes the", "that he caused the deaths of 10 million people, as well as other", "to come to terms with the fact that he caused the deaths of", "way to gain sympathy in order to not be held responsible for a", "world. 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Given the remorse shown by more ordinary murders can", "held responsible for a crime, or for leniency, how can I show this", "more ordinary murders can be interpreted as crocodile tears, a way to gain", "to gain sympathy in order to not be held responsible for a crime,", "show this character's remorse for events he is responsible for but had no", "tears, a way to gain sympathy in order to not be held responsible", "in order to not be held responsible for a crime, or for leniency,", "he caused the deaths of 10 million people, as well as other significant", "the deaths of 10 million people, as well as other significant damage around", "people. As that character matures and learns what the devastation they caused, he", "deaths of tens of millions of people. As that character matures and learns", "POV character causes the deaths of tens of millions of people. As that", "around the world. 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[ "wasn’t particularly interesting. I guess it feels reminiscent of a lot of generic", "the descendant of an ancient species to network with an artifact that would", "of a lot of generic sci fi action movie plots? I’m curious if", "of generic sci fi action movie plots? I’m curious if anyone can recommend", "movie plots? I’m curious if anyone can recommend a resource or offer tips", "a long story about the worldbuilding but it basically involved kidnapping and using", "ancient species to network with an artifact that would only work with people", "something we’ve all seen a thousand times before). It’s a long story about", "(and at worst was something we’ve all seen a thousand times before). It’s", "villain’s evil plan kinda wasn’t interesting at best (and at worst was something", "with the right magical DNA. Villain’s plan was to use that to reach", "story about the worldbuilding but it basically involved kidnapping and using the descendant", "worldbuilding but it basically involved kidnapping and using the descendant of an ancient", "a resource or offer tips on how to come up with better villain", "plan was to use that to reach their level of magical ability. It", "first draft for Nanowrimo before realizing my villain’s evil plan kinda wasn’t interesting", "on how to come up with better villain plots or write villains better", "people with the right magical DNA. Villain’s plan was to use that to", "how to come up with better villain plots or write villains better generally?", "before). It’s a long story about the worldbuilding but it basically involved kidnapping", "an artifact that would only work with people with the right magical DNA.", "particularly interesting. I guess it feels reminiscent of a lot of generic sci", "interesting. I guess it feels reminiscent of a lot of generic sci fi", "at best (and at worst was something we’ve all seen a thousand times", "resource or offer tips on how to come up with better villain plots", "long story about the worldbuilding but it basically involved kidnapping and using the", "generic sci fi action movie plots? I’m curious if anyone can recommend a", "kidnapping and using the descendant of an ancient species to network with an", "or offer tips on how to come up with better villain plots or", "all seen a thousand times before). It’s a long story about the worldbuilding", "an ancient species to network with an artifact that would only work with", "involved kidnapping and using the descendant of an ancient species to network with", "DNA. Villain’s plan was to use that to reach their level of magical", "their level of magical ability. It just wasn’t particularly interesting. I guess it", "but it basically involved kidnapping and using the descendant of an ancient species", "can recommend a resource or offer tips on how to come up with", "my villain’s evil plan kinda wasn’t interesting at best (and at worst was", "for Nanowrimo before realizing my villain’s evil plan kinda wasn’t interesting at best", "a thousand times before). It’s a long story about the worldbuilding but it", "wrote a long way into a first draft for Nanowrimo before realizing my", "of an ancient species to network with an artifact that would only work", "basically involved kidnapping and using the descendant of an ancient species to network", "feels reminiscent of a lot of generic sci fi action movie plots? I’m", "artifact that would only work with people with the right magical DNA. Villain’s", "was something we’ve all seen a thousand times before). It’s a long story", "that would only work with people with the right magical DNA. Villain’s plan", "of magical ability. It just wasn’t particularly interesting. I guess it feels reminiscent", "times before). It’s a long story about the worldbuilding but it basically involved", "recommend a resource or offer tips on how to come up with better", "tips on how to come up with better villain plots or write villains", "would only work with people with the right magical DNA. Villain’s plan was", "with an artifact that would only work with people with the right magical", "ability. It just wasn’t particularly interesting. I guess it feels reminiscent of a", "just wrote a long way into a first draft for Nanowrimo before realizing", "to reach their level of magical ability. It just wasn’t particularly interesting. I", "only work with people with the right magical DNA. Villain’s plan was to", "a lot of generic sci fi action movie plots? I’m curious if anyone", "interesting at best (and at worst was something we’ve all seen a thousand", "offer tips on how to come up with better villain plots or write", "if anyone can recommend a resource or offer tips on how to come", "use that to reach their level of magical ability. It just wasn’t particularly", "species to network with an artifact that would only work with people with", "It just wasn’t particularly interesting. I guess it feels reminiscent of a lot", "way into a first draft for Nanowrimo before realizing my villain’s evil plan", "the right magical DNA. Villain’s plan was to use that to reach their", "reach their level of magical ability. It just wasn’t particularly interesting. I guess", "using the descendant of an ancient species to network with an artifact that", "was to use that to reach their level of magical ability. It just", "sci fi action movie plots? I’m curious if anyone can recommend a resource", "reminiscent of a lot of generic sci fi action movie plots? I’m curious", "about the worldbuilding but it basically involved kidnapping and using the descendant of", "anyone can recommend a resource or offer tips on how to come up", "we’ve all seen a thousand times before). It’s a long story about the", "plots? I’m curious if anyone can recommend a resource or offer tips on", "worst was something we’ve all seen a thousand times before). It’s a long", "at worst was something we’ve all seen a thousand times before). It’s a", "work with people with the right magical DNA. Villain’s plan was to use", "network with an artifact that would only work with people with the right", "Nanowrimo before realizing my villain’s evil plan kinda wasn’t interesting at best (and", "It’s a long story about the worldbuilding but it basically involved kidnapping and", "I guess it feels reminiscent of a lot of generic sci fi action", "it basically involved kidnapping and using the descendant of an ancient species to", "curious if anyone can recommend a resource or offer tips on how to", "realizing my villain’s evil plan kinda wasn’t interesting at best (and at worst", "action movie plots? I’m curious if anyone can recommend a resource or offer", "to network with an artifact that would only work with people with the", "right magical DNA. Villain’s plan was to use that to reach their level", "the worldbuilding but it basically involved kidnapping and using the descendant of an", "lot of generic sci fi action movie plots? I’m curious if anyone can", "best (and at worst was something we’ve all seen a thousand times before).", "and using the descendant of an ancient species to network with an artifact", "just wasn’t particularly interesting. I guess it feels reminiscent of a lot of", "I just wrote a long way into a first draft for Nanowrimo before", "to use that to reach their level of magical ability. It just wasn’t", "I’m curious if anyone can recommend a resource or offer tips on how", "magical DNA. Villain’s plan was to use that to reach their level of", "Villain’s plan was to use that to reach their level of magical ability.", "with people with the right magical DNA. Villain’s plan was to use that", "thousand times before). It’s a long story about the worldbuilding but it basically", "fi action movie plots? I’m curious if anyone can recommend a resource or", "that to reach their level of magical ability. It just wasn’t particularly interesting.", "long way into a first draft for Nanowrimo before realizing my villain’s evil", "kinda wasn’t interesting at best (and at worst was something we’ve all seen", "level of magical ability. It just wasn’t particularly interesting. I guess it feels", "evil plan kinda wasn’t interesting at best (and at worst was something we’ve", "a long way into a first draft for Nanowrimo before realizing my villain’s", "draft for Nanowrimo before realizing my villain’s evil plan kinda wasn’t interesting at", "wasn’t interesting at best (and at worst was something we’ve all seen a", "magical ability. It just wasn’t particularly interesting. I guess it feels reminiscent of", "plan kinda wasn’t interesting at best (and at worst was something we’ve all", "into a first draft for Nanowrimo before realizing my villain’s evil plan kinda", "it feels reminiscent of a lot of generic sci fi action movie plots?", "a first draft for Nanowrimo before realizing my villain’s evil plan kinda wasn’t", "before realizing my villain’s evil plan kinda wasn’t interesting at best (and at", "descendant of an ancient species to network with an artifact that would only", "seen a thousand times before). It’s a long story about the worldbuilding but", "guess it feels reminiscent of a lot of generic sci fi action movie" ]
[ "how would you write what they’re saying? I don’t know if it’s literary", "sign. “This is an example of a Christmas tree.” Or Jon began to", "front of him and began to sign. “This is an example of a", "uses sign language, how would you write what they’re saying? I don’t know", "it’s literary appropriate to use quotes or narrate. Example. Jon looked at the", "a character who is mute and uses sign language, how would you write", "an example of a Christmas tree.” Or Jon began to sign that what", "if it’s literary appropriate to use quotes or narrate. Example. Jon looked at", "Jon began to sign that what he was showing was an example of", "or narrate. Example. Jon looked at the group of people in front of", "and began to sign. “This is an example of a Christmas tree.” Or", "of him and began to sign. “This is an example of a Christmas", "quotes or narrate. Example. Jon looked at the group of people in front", "to sign. “This is an example of a Christmas tree.” Or Jon began", "what they’re saying? I don’t know if it’s literary appropriate to use quotes", "to sign that what he was showing was an example of a Christmas", "sign that what he was showing was an example of a Christmas tree.", "sign language, how would you write what they’re saying? I don’t know if", "and uses sign language, how would you write what they’re saying? I don’t", "a Christmas tree.” Or Jon began to sign that what he was showing", "Christmas tree.” Or Jon began to sign that what he was showing was", "saying? I don’t know if it’s literary appropriate to use quotes or narrate.", "tree.” Or Jon began to sign that what he was showing was an", "example of a Christmas tree.” Or Jon began to sign that what he", "character who is mute and uses sign language, how would you write what", "have a character who is mute and uses sign language, how would you", "Jon looked at the group of people in front of him and began", "began to sign. “This is an example of a Christmas tree.” Or Jon", "you write what they’re saying? I don’t know if it’s literary appropriate to", "appropriate to use quotes or narrate. Example. Jon looked at the group of", "is an example of a Christmas tree.” Or Jon began to sign that", "“This is an example of a Christmas tree.” Or Jon began to sign", "literary appropriate to use quotes or narrate. Example. Jon looked at the group", "would you write what they’re saying? I don’t know if it’s literary appropriate", "don’t know if it’s literary appropriate to use quotes or narrate. Example. Jon", "mute and uses sign language, how would you write what they’re saying? I", "looked at the group of people in front of him and began to", "group of people in front of him and began to sign. “This is", "of people in front of him and began to sign. “This is an", "use quotes or narrate. Example. Jon looked at the group of people in", "the group of people in front of him and began to sign. “This", "narrate. Example. Jon looked at the group of people in front of him", "in front of him and began to sign. “This is an example of", "of a Christmas tree.” Or Jon began to sign that what he was", "you have a character who is mute and uses sign language, how would", "at the group of people in front of him and began to sign.", "Or Jon began to sign that what he was showing was an example", "people in front of him and began to sign. “This is an example", "language, how would you write what they’re saying? I don’t know if it’s", "who is mute and uses sign language, how would you write what they’re", "know if it’s literary appropriate to use quotes or narrate. Example. Jon looked", "is mute and uses sign language, how would you write what they’re saying?", "Example. Jon looked at the group of people in front of him and", "I don’t know if it’s literary appropriate to use quotes or narrate. Example.", "him and began to sign. “This is an example of a Christmas tree.”", "they’re saying? I don’t know if it’s literary appropriate to use quotes or", "began to sign that what he was showing was an example of a", "write what they’re saying? I don’t know if it’s literary appropriate to use", "to use quotes or narrate. Example. Jon looked at the group of people", "If you have a character who is mute and uses sign language, how" ]
[ "there may not be enough space to type the whole word in a", "possible unless by computers.* After discussing on the research results, we are going", "to present our recomms.* / recomm's. .* Questions 1- Which one is correct?", "1- Which one is correct? eqs. or eq's. ? recomms. or recomm's.? 2-", "eq's. ? recomms. or recomm's.? 2- Is there a kind of freedom to", "do this? for example Solving the above eqs.* / eq's. is not possible", "example when constructing a PowerPoint presentation, there may not be enough space to", "be enough space to type the whole word in a text box and", "eq's. is not possible unless by computers.* After discussing on the research results,", "to abbreviate any word when it is needed? (For example when constructing a", "discussing on the research results, we are going to present our recomms.* /", "eqs. / eq's. is not possible unless by computers.* After discussing on the", "kind of freedom to abbreviate any word when it is needed? (For example", "\"Recommendations\" in a text, how can I do this? for example* Solving the", "/ eq's.* is not possible unless by computers.* After discussing on the research", "or recomm's.? 2- Is there a kind of freedom to abbreviate any word", "text, how can I do this? for example* Solving the above eqs.* /", "can I do this? for example Solving the above eqs.* / eq's. is", "example** Solving the above eqs.* / eq's. is not possible unless by computers.", "present our recomms.* / recomm's. .* Questions 1- Which one is correct? eqs.", "recomm's. .* Questions 1- Which one is correct? eqs. or eq's. ? recomms.", "type the whole word in a text box and therefore I prefer to", "research results, we are going to present our recomms. / recomm's. .* Questions", "our recomms. / recomm's. .* Questions 1- Which one is correct? eqs. or", "not be enough space to type the whole word in a text box", "When I want to abbreviate the words \"Equations\" and \"Recommendations\" in a text,", "may not be enough space to type the whole word in a text", "eqs. or eq's. ? recomms. or recomm's.? 2- Is there a kind of", "or eq's. ? recomms. or recomm's.? 2- Is there a kind of freedom", "(For example when constructing a PowerPoint presentation, there may not be enough space", "abbreviate the words \"Equations\" and \"Recommendations\" in a text, how can I do", "/ recomm's. .* Questions 1- Which one is correct? eqs. or eq's. ?", "how can I do this? for example Solving the above eqs.* / eq's.", "computers.* After discussing on the research results, we are going to present our", "any word when it is needed? (For example when constructing a PowerPoint* presentation,", "the above eqs. / eq's. is not possible unless by computers.* After discussing", "needed? (For example when constructing a PowerPoint* presentation, there may not be enough", "Is there a kind of freedom to abbreviate any word when it is", "Solving the above eqs.* / eq's. is not possible unless by computers.* After", "recomm's.? 2- Is there a kind of freedom to abbreviate any word when", "and \"Recommendations\" in a text, how can I do this? for example* Solving", "2- Is there a kind of freedom to abbreviate any word when it", "PowerPoint* presentation, there may not be enough space to type the whole word", "a PowerPoint presentation, there may not be enough space to type the whole", "whole word in a text box and therefore I prefer to use abbreviations).", "I want to abbreviate the words \"Equations\" and \"Recommendations\" in a text, how", "Which one is correct? eqs. or eq's. ? recomms. or recomm's.? 2- Is", "want to abbreviate the words \"Equations\" and \"Recommendations\" in a text, how can", "is not possible unless by computers.* After discussing on the research results, we", "After discussing on the research results, we are going to present our recomms.", "on the research results, we are going to present our recomms. / recomm's.", "to type the whole word in a text box and therefore I prefer", "above eqs. / eq's. is not possible unless by computers.* After discussing on", "we are going to present our recomms.* / recomm's. .* Questions 1- Which", ".* Questions 1- Which one is correct? eqs. or eq's. ? recomms. or", "presentation, there may not be enough space to type the whole word in", "are going to present our recomms. / recomm's. .* Questions 1- Which one", "when it is needed? (For example when constructing a PowerPoint presentation, there may", "a kind of freedom to abbreviate any word when it is needed? (For", "freedom to abbreviate any word when it is needed? (For example when constructing", "abbreviate any word when it is needed? (For example when constructing a PowerPoint", "words \"Equations\" and \"Recommendations\" in a text, how can I do this? for", "there a kind of freedom to abbreviate any word when it is needed?", "to abbreviate the words \"Equations\" and \"Recommendations\" in a text, how can I", "? recomms. or recomm's.*? 2- Is there a kind of freedom to abbreviate", "unless by computers. After discussing on the research results, we are going to", "by computers. After discussing on the research results, we are going to present", "\"Equations\" and \"Recommendations\" in a text, how can I do this? for example", "this? for example* Solving the above eqs.* / eq's. is not possible unless", "when constructing a PowerPoint presentation, there may not be enough space to type", "for example Solving the above eqs.* / eq's. is not possible unless by", "space to type the whole word in a text box and therefore I", "correct? eqs. or eq's. ? recomms. or recomm's.? 2- Is there a kind", "results, we are going to present our recomms. / recomm's. .* Questions 1-", "the whole word in a text box and therefore I prefer to use", "one is correct? eqs. or eq's. ? recomms. or recomm's.? 2- Is there", "the research results, we are going to present our recomms. / recomm's. .", "it is needed? (For example when constructing a PowerPoint* presentation, there may not", "constructing a PowerPoint presentation, there may not be enough space to type the", "recomms. / recomm's. .* Questions 1- Which one is correct? eqs. or eq's.", "word when it is needed? (For example when constructing a PowerPoint presentation, there", "recomms. or recomm's.? 2- Is there a kind of freedom to abbreviate any", "going to present our recomms. / recomm's. .* Questions 1- Which one is", "a text, how can I do this? for example Solving the above eqs.", "is needed? (For example when constructing a PowerPoint* presentation, there may not be", "enough space to type the whole word in a text box and therefore", "in a text, how can I do this? for example Solving the above", "the words \"Equations\" and \"Recommendations\" in a text, how can I do this?", "I do this? for example* Solving the above eqs.* / eq's. is not", "not possible unless by computers.* After discussing on the research results, we are", "Questions* 1- Which one is correct? eqs. or eq's. ? recomms. or recomm's.?", "of freedom to abbreviate any word when it is needed? (For example when", "is correct? eqs. or eq's. ? recomms. or recomm's.? 2- Is there a" ]
[ "the audience. I am a nobody in this field and I don't want", "to research. I end it with an encouragement to the reader to join", "viewer's ability to comprehend my writing. Could notes to the reader be off-putting?", "to the reader to join me in my research endeavors by joining my", "I don't care. But I often find authors that are commonly misunderstood to", "a non-fiction book on epistemology. After my book's introduction I have included a", "approach to research. I end it with an encouragement to the reader to", "belittling to the audience. I am a nobody in this field and I", "not sure if these sections are always necessary or could be pedantic or", "writing. Could notes to the reader be off-putting? I personally don't think so,", "this field and I don't want to come across as an upstart, insulting", "the book and my style of writing and my approach to research. I", "will skip it if I don't care. But I often find authors that", "I personally don't think so, as I will skip it if I don't", "could be pedantic or belittling to the audience. I am a nobody in", "as I will skip it if I don't care. But I often find", "writing and my approach to research. I end it with an encouragement to", "with me. Question ======== When Is a \"Note to The Reader\" section important,", "I am a nobody in this field and I don't want to come", "reader where I have briefly described my motivation for the layout of the", "off-putting? I personally don't think so, as I will skip it if I", "writing a non-fiction book on epistemology. After my book's introduction I have included", "pedantic or belittling to the audience. I am a nobody in this field", "or could be pedantic or belittling to the audience. I am a nobody", "I often find authors that are commonly misunderstood to still never use these", "to my reader where I have briefly described my motivation for the layout", "my writing. Could notes to the reader be off-putting? I personally don't think", "don't care. But I often find authors that are commonly misunderstood to still", "Could notes to the reader be off-putting? I personally don't think so, as", "to get in contact with me. Question ======== When Is a \"Note to", "The Reader\" section important, inappropriate or abused by the author? Explanation =========== I", "sections are always necessary or could be pedantic or belittling to the audience.", "am a nobody in this field and I don't want to come across", "the layout of the book and my style of writing and my approach", "am not sure if these sections are always necessary or could be pedantic", "style of writing and my approach to research. I end it with an", "I have included a note to my reader where I have briefly described", "research endeavors by joining my email list and ways to get in contact", "\"Note to The Reader\" section important, inappropriate or abused by the author? Explanation", "for the layout of the book and my style of writing and my", "comprehend my writing. Could notes to the reader be off-putting? I personally don't", "ways to get in contact with me. Question ======== When Is a \"Note", "in this field and I don't want to come across as an upstart,", "my research endeavors by joining my email list and ways to get in", "don't want to come across as an upstart, insulting the viewer's ability to", "research. I end it with an encouragement to the reader to join me", "Background ========== I am writing a non-fiction book on epistemology. After my book's", "my style of writing and my approach to research. I end it with", "important, inappropriate or abused by the author? Explanation =========== I am not sure", "join me in my research endeavors by joining my email list and ways", "the author? Explanation =========== I am not sure if these sections are always", "audience. I am a nobody in this field and I don't want to", "my book's introduction I have included a note to my reader where I", "have included a note to my reader where I have briefly described my", "my approach to research. I end it with an encouragement to the reader", "me in my research endeavors by joining my email list and ways to", "sure if these sections are always necessary or could be pedantic or belittling", "end it with an encouragement to the reader to join me in my", "After my book's introduction I have included a note to my reader where", "by the author? Explanation =========== I am not sure if these sections are", "reader be off-putting? I personally don't think so, as I will skip it", "care. But I often find authors that are commonly misunderstood to still never", "be off-putting? I personally don't think so, as I will skip it if", "be pedantic or belittling to the audience. I am a nobody in this", "to The Reader\" section important, inappropriate or abused by the author? Explanation ===========", "if these sections are always necessary or could be pedantic or belittling to", "my reader where I have briefly described my motivation for the layout of", "an encouragement to the reader to join me in my research endeavors by", "a \"Note to The Reader\" section important, inappropriate or abused by the author?", "get in contact with me. Question ======== When Is a \"Note to The", "often find authors that are commonly misunderstood to still never use these sections", "abused by the author? Explanation =========== I am not sure if these sections", "the viewer's ability to comprehend my writing. Could notes to the reader be", "with an encouragement to the reader to join me in my research endeavors", "to come across as an upstart, insulting the viewer's ability to comprehend my", "or abused by the author? Explanation =========== I am not sure if these", "authors that are commonly misunderstood to still never use these sections in their", "am writing a non-fiction book on epistemology. After my book's introduction I have", "notes to the reader be off-putting? I personally don't think so, as I", "reader to join me in my research endeavors by joining my email list", "email list and ways to get in contact with me. Question ======== When", "book on epistemology. After my book's introduction I have included a note to", "======== When Is a \"Note to The Reader\" section important, inappropriate or abused", "encouragement to the reader to join me in my research endeavors by joining", "motivation for the layout of the book and my style of writing and", "think so, as I will skip it if I don't care. But I", "Reader\" section important, inappropriate or abused by the author? Explanation =========== I am", "=========== I am not sure if these sections are always necessary or could", "nobody in this field and I don't want to come across as an", "personally don't think so, as I will skip it if I don't care.", "book's introduction I have included a note to my reader where I have", "always necessary or could be pedantic or belittling to the audience. I am", "that are commonly misunderstood to still never use these sections in their new", "ability to comprehend my writing. Could notes to the reader be off-putting? I", "I end it with an encouragement to the reader to join me in", "Explanation =========== I am not sure if these sections are always necessary or", "a note to my reader where I have briefly described my motivation for", "if I don't care. But I often find authors that are commonly misunderstood", "want to come across as an upstart, insulting the viewer's ability to comprehend", "have briefly described my motivation for the layout of the book and my", "I have briefly described my motivation for the layout of the book and", "I am writing a non-fiction book on epistemology. After my book's introduction I", "Is a \"Note to The Reader\" section important, inappropriate or abused by the", "where I have briefly described my motivation for the layout of the book", "described my motivation for the layout of the book and my style of", "layout of the book and my style of writing and my approach to", "find authors that are commonly misunderstood to still never use these sections in", "me. Question ======== When Is a \"Note to The Reader\" section important, inappropriate", "introduction I have included a note to my reader where I have briefly", "non-fiction book on epistemology. After my book's introduction I have included a note", "these sections are always necessary or could be pedantic or belittling to the", "When Is a \"Note to The Reader\" section important, inappropriate or abused by", "are commonly misunderstood to still never use these sections in their new works.", "of the book and my style of writing and my approach to research.", "I am not sure if these sections are always necessary or could be", "by joining my email list and ways to get in contact with me.", "are always necessary or could be pedantic or belittling to the audience. I", "author? Explanation =========== I am not sure if these sections are always necessary", "inappropriate or abused by the author? Explanation =========== I am not sure if", "or belittling to the audience. I am a nobody in this field and", "it with an encouragement to the reader to join me in my research", "a nobody in this field and I don't want to come across as", "an upstart, insulting the viewer's ability to comprehend my writing. Could notes to", "come across as an upstart, insulting the viewer's ability to comprehend my writing.", "book and my style of writing and my approach to research. I end", "========== I am writing a non-fiction book on epistemology. After my book's introduction", "But I often find authors that are commonly misunderstood to still never use", "don't think so, as I will skip it if I don't care. But", "the reader to join me in my research endeavors by joining my email", "necessary or could be pedantic or belittling to the audience. I am a", "upstart, insulting the viewer's ability to comprehend my writing. Could notes to the", "I don't want to come across as an upstart, insulting the viewer's ability", "insulting the viewer's ability to comprehend my writing. Could notes to the reader", "endeavors by joining my email list and ways to get in contact with", "joining my email list and ways to get in contact with me. Question", "in contact with me. Question ======== When Is a \"Note to The Reader\"", "briefly described my motivation for the layout of the book and my style", "on epistemology. After my book's introduction I have included a note to my", "Question ======== When Is a \"Note to The Reader\" section important, inappropriate or", "across as an upstart, insulting the viewer's ability to comprehend my writing. Could", "my email list and ways to get in contact with me. Question ========", "as an upstart, insulting the viewer's ability to comprehend my writing. Could notes", "I will skip it if I don't care. But I often find authors", "and my style of writing and my approach to research. I end it", "epistemology. After my book's introduction I have included a note to my reader", "list and ways to get in contact with me. Question ======== When Is", "to the audience. I am a nobody in this field and I don't", "included a note to my reader where I have briefly described my motivation", "to comprehend my writing. Could notes to the reader be off-putting? I personally", "of writing and my approach to research. I end it with an encouragement", "and my approach to research. I end it with an encouragement to the", "to join me in my research endeavors by joining my email list and", "the reader be off-putting? I personally don't think so, as I will skip", "my motivation for the layout of the book and my style of writing", "contact with me. Question ======== When Is a \"Note to The Reader\" section", "to the reader be off-putting? I personally don't think so, as I will", "field and I don't want to come across as an upstart, insulting the", "so, as I will skip it if I don't care. But I often", "in my research endeavors by joining my email list and ways to get", "and ways to get in contact with me. Question ======== When Is a", "skip it if I don't care. But I often find authors that are", "section important, inappropriate or abused by the author? Explanation =========== I am not", "it if I don't care. But I often find authors that are commonly", "and I don't want to come across as an upstart, insulting the viewer's", "note to my reader where I have briefly described my motivation for the" ]
[ "Czakfas Hafd. He has no published works besides a boar hunter magazine, he", "is complete 250 pages, never published. Like everything else I purchased in the", "about it? It will need some going over make sure it's is grammatically", "the process of making this into an ebook right now if I know", "is dedicated to submariners as well as his father. I don't want to", "the family about it? It will need some going over make sure it's", "making this into an ebook right now if I know how to properly", "unpublished manuscript for a fiction book U Boat treasure by Czakfas Hafd. He", "this year. In the third one I bought I ran across an unpublished", "bought I ran across an unpublished manuscript for a fiction book U Boat", "in the storage, I own. If I throw it away, his work is", "250 pages, never published. Like everything else I purchased in the storage, I", "his work is gone forever. It is dedicated to submariners as well as", "it? It will need some going over make sure it's is grammatically correct", "contents or anything like that. Would I need to contact the family about", "third one I bought I ran across an unpublished manuscript for a fiction", "In the third one I bought I ran across an unpublished manuscript for", "it away, his work is gone forever. It is dedicated to submariners as", "year. In the third one I bought I ran across an unpublished manuscript", "U Boat treasure by Czakfas Hafd. He has no published works besides a", "I own. If I throw it away, his work is gone forever. It", "fiction book U Boat treasure by Czakfas Hafd. He has no published works", "published works besides a boar hunter magazine, he was not an author. But", "ran across an unpublished manuscript for a fiction book U Boat treasure by", "complete 250 pages, never published. Like everything else I purchased in the storage,", "I started buying storage auctions in the middle of this year. In the", "to redo the contents or anything like that. Would I need to contact", "but it is complete. I would begin the process of making this into", "published. Like everything else I purchased in the storage, I own. If I", "I don't want to redo the contents or anything like that. Would I", "to properly reference the author? He passed away this year and wife is", "make sure it's is grammatically correct but it is complete. I would begin", "besides a boar hunter magazine, he was not an author. But this is", "right now if I know how to properly reference the author? He passed", "everything else I purchased in the storage, I own. If I throw it", "or anything like that. Would I need to contact the family about it?", "as well as his father. I don't want to redo the contents or", "for a fiction book U Boat treasure by Czakfas Hafd. He has no", "this is complete 250 pages, never published. Like everything else I purchased in", "author. But this is complete 250 pages, never published. Like everything else I", "some going over make sure it's is grammatically correct but it is complete.", "want to redo the contents or anything like that. Would I need to", "was not an author. But this is complete 250 pages, never published. Like", "going over make sure it's is grammatically correct but it is complete. I", "if I know how to properly reference the author? He passed away this", "complete. I would begin the process of making this into an ebook right", "He has no published works besides a boar hunter magazine, he was not", "dedicated to submariners as well as his father. I don't want to redo", "ebook right now if I know how to properly reference the author? He", "the storage, I own. If I throw it away, his work is gone", "no published works besides a boar hunter magazine, he was not an author.", "contact the family about it? It will need some going over make sure", "reference the author? He passed away this year and wife is deceased, does", "middle of this year. In the third one I bought I ran across", "storage auctions in the middle of this year. In the third one I", "book U Boat treasure by Czakfas Hafd. He has no published works besides", "not an author. But this is complete 250 pages, never published. Like everything", "purchased in the storage, I own. If I throw it away, his work", "I purchased in the storage, I own. If I throw it away, his", "manuscript for a fiction book U Boat treasure by Czakfas Hafd. He has", "like that. Would I need to contact the family about it? It will", "If I throw it away, his work is gone forever. It is dedicated", "don't want to redo the contents or anything like that. Would I need", "this into an ebook right now if I know how to properly reference", "as his father. I don't want to redo the contents or anything like", "that. Would I need to contact the family about it? It will need", "submariners as well as his father. I don't want to redo the contents", "he was not an author. But this is complete 250 pages, never published.", "I throw it away, his work is gone forever. It is dedicated to", "to submariners as well as his father. I don't want to redo the", "I know how to properly reference the author? He passed away this year", "family about it? It will need some going over make sure it's is", "else I purchased in the storage, I own. If I throw it away,", "the third one I bought I ran across an unpublished manuscript for a", "Boat treasure by Czakfas Hafd. He has no published works besides a boar", "has no published works besides a boar hunter magazine, he was not an", "It will need some going over make sure it's is grammatically correct but", "is grammatically correct but it is complete. I would begin the process of", "magazine, he was not an author. But this is complete 250 pages, never", "is gone forever. It is dedicated to submariners as well as his father.", "away, his work is gone forever. It is dedicated to submariners as well", "auctions in the middle of this year. In the third one I bought", "over make sure it's is grammatically correct but it is complete. I would", "a fiction book U Boat treasure by Czakfas Hafd. He has no published", "the middle of this year. In the third one I bought I ran", "Like everything else I purchased in the storage, I own. If I throw", "work is gone forever. It is dedicated to submariners as well as his", "now if I know how to properly reference the author? He passed away", "Hafd. He has no published works besides a boar hunter magazine, he was", "of making this into an ebook right now if I know how to", "one I bought I ran across an unpublished manuscript for a fiction book", "redo the contents or anything like that. Would I need to contact the", "need to contact the family about it? It will need some going over", "will need some going over make sure it's is grammatically correct but it", "Would I need to contact the family about it? It will need some", "properly reference the author? He passed away this year and wife is deceased,", "I would begin the process of making this into an ebook right now", "it is complete. I would begin the process of making this into an", "hunter magazine, he was not an author. But this is complete 250 pages,", "how to properly reference the author? He passed away this year and wife", "in the middle of this year. In the third one I bought I", "forever. It is dedicated to submariners as well as his father. I don't", "correct but it is complete. I would begin the process of making this", "I need to contact the family about it? It will need some going", "his father. I don't want to redo the contents or anything like that.", "sure it's is grammatically correct but it is complete. I would begin the", "own. If I throw it away, his work is gone forever. It is", "throw it away, his work is gone forever. It is dedicated to submariners", "well as his father. I don't want to redo the contents or anything", "works besides a boar hunter magazine, he was not an author. But this", "of this year. In the third one I bought I ran across an", "storage, I own. If I throw it away, his work is gone forever.", "boar hunter magazine, he was not an author. But this is complete 250", "know how to properly reference the author? He passed away this year and", "need some going over make sure it's is grammatically correct but it is", "would begin the process of making this into an ebook right now if", "started buying storage auctions in the middle of this year. In the third", "grammatically correct but it is complete. I would begin the process of making", "an ebook right now if I know how to properly reference the author?", "by Czakfas Hafd. He has no published works besides a boar hunter magazine,", "to contact the family about it? It will need some going over make", "anything like that. Would I need to contact the family about it? It", "an unpublished manuscript for a fiction book U Boat treasure by Czakfas Hafd.", "an author. But this is complete 250 pages, never published. Like everything else", "father. I don't want to redo the contents or anything like that. Would", "begin the process of making this into an ebook right now if I", "it's is grammatically correct but it is complete. I would begin the process", "into an ebook right now if I know how to properly reference the", "never published. Like everything else I purchased in the storage, I own. If", "across an unpublished manuscript for a fiction book U Boat treasure by Czakfas", "a boar hunter magazine, he was not an author. But this is complete", "I ran across an unpublished manuscript for a fiction book U Boat treasure", "treasure by Czakfas Hafd. He has no published works besides a boar hunter", "buying storage auctions in the middle of this year. In the third one", "It is dedicated to submariners as well as his father. I don't want", "the author? He passed away this year and wife is deceased, does have", "But this is complete 250 pages, never published. Like everything else I purchased", "the contents or anything like that. Would I need to contact the family", "gone forever. It is dedicated to submariners as well as his father. I", "is complete. I would begin the process of making this into an ebook", "pages, never published. Like everything else I purchased in the storage, I own.", "I bought I ran across an unpublished manuscript for a fiction book U", "process of making this into an ebook right now if I know how", "author? He passed away this year and wife is deceased, does have children." ]
[ "here nor there. The analysis was done by Wattpad and it also included", "Wattpad and it also included that fact that I write more like a", "that fact that I write more like a journalist above anything else. The", "if this is a positive, negative, or neither here nor there. The analysis", "anything else. The analysis was done by taking the first 3,000 words from", "the first 3,000 words from my YA/Teen fiction novel and analyzing it. It's", "I write more like a journalist above anything else. The analysis was done", "neither here nor there. The analysis was done by Wattpad and it also", "analysis was done by taking the first 3,000 words from my YA/Teen fiction", "first 3,000 words from my YA/Teen fiction novel and analyzing it. It's a", "positive, negative, or neither here nor there. The analysis was done by Wattpad", "by taking the first 3,000 words from my YA/Teen fiction novel and analyzing", "words from my YA/Teen fiction novel and analyzing it. It's a new Wattpad", "there. The analysis was done by Wattpad and it also included that fact", "above anything else. The analysis was done by taking the first 3,000 words", "is a positive, negative, or neither here nor there. The analysis was done", "from my YA/Teen fiction novel and analyzing it. It's a new Wattpad feature.", "I am curious if this is a positive, negative, or neither here nor", "this is a positive, negative, or neither here nor there. The analysis was", "was done by Wattpad and it also included that fact that I write", "journalist above anything else. The analysis was done by taking the first 3,000", "by Wattpad and it also included that fact that I write more like", "3,000 words from my YA/Teen fiction novel and analyzing it. It's a new", "was done by taking the first 3,000 words from my YA/Teen fiction novel", "taking the first 3,000 words from my YA/Teen fiction novel and analyzing it.", "done by Wattpad and it also included that fact that I write more", "write more like a journalist above anything else. The analysis was done by", "included that fact that I write more like a journalist above anything else.", "am curious if this is a positive, negative, or neither here nor there.", "a journalist above anything else. The analysis was done by taking the first", "more like a journalist above anything else. The analysis was done by taking", "done by taking the first 3,000 words from my YA/Teen fiction novel and", "analysis was done by Wattpad and it also included that fact that I", "curious if this is a positive, negative, or neither here nor there. The", "that I write more like a journalist above anything else. The analysis was", "else. The analysis was done by taking the first 3,000 words from my", "fact that I write more like a journalist above anything else. The analysis", "negative, or neither here nor there. The analysis was done by Wattpad and", "The analysis was done by taking the first 3,000 words from my YA/Teen", "The analysis was done by Wattpad and it also included that fact that", "also included that fact that I write more like a journalist above anything", "or neither here nor there. The analysis was done by Wattpad and it", "it also included that fact that I write more like a journalist above", "nor there. The analysis was done by Wattpad and it also included that", "like a journalist above anything else. The analysis was done by taking the", "a positive, negative, or neither here nor there. The analysis was done by", "and it also included that fact that I write more like a journalist" ]
[ "the abdominal scan, a high fever shows up in his vitals. I have", "I get across pain more effectively in my stories? The physical implications of", "to make sure the pattern would fit my son. And the lace edges,", "Mozart. He goes from his happy and humorous self, to being in a", "Horah said “Now Wolfgang Amadeus, listen to me. I know you love your", "teeth as he took in another deep breath. > > > Doctor Horah", "pain: > > “Hello, I'm Doctor Horah. You must be Laapolp Mozart.” >", "outside of your city recognizes you in that suit. But, that suit is", "dialogue word for the grunting, moaning, yelping, or screaming that pain causes. I'm", "breath. > > > Doctor Horah said “Now Wolfgang Amadeus, listen to me.", "Azna Mitea sewed that up for him.” > > > “Oh, don't remind", "I'm not. And, when I am trying to get across severe pain, as", "the curl, Mozart raised his eyebrows, and yelped \"The pain. It's worsening again", "pain being a weakness is definitely not good. How can I get across", "him.” > > > “Oh, don't remind me Laapolp. It took a month", "to me. I know you love your red suit and that everybody even", "in that section of dialogue might be this: > > “Hello, I'm Doctor", "reader think that the character is calm when the character is anything but", "it. You would think that, as a person who has experienced a lot", "eyebrows help, but I don't want to bore the reader getting this pre", "reader getting this pre and post dialogue description of pain whenever I am", "He ends up needing to go to the ER and needing an abdominal", "suit with golden lace on it. Azna Mitea sewed that up for him.”", "Lrcia and Mozart have lunch together and it turns for the worse for", "across pain in that section of dialogue might be this: > > “Hello,", "> “I'm glad you made it for me Mother. Ahh, the pain is", "and stays by his side. He ends up needing to go to the", "the lace edges, boy was that demanding.” > > > “I'm glad you", "> > Ahh tends to be my go to dialogue word for the", "that pain causes. I'm thinking that a more effective way of getting across", "Mother. Ahh, the pain is worsening again.” > > > Doctor Horah said", "you in that suit. But, that suit is going to have to be", "on the bed, still in his red suit with golden lace on it.", "composers have a meeting, it is decided that Mozart should be her first", "being in a lot of pain and feeling nauseous. Lrcia, understandably gets quite", "dialogue I showed, pain being a weakness is definitely not good. How can", "his vitals. I have noticed however, that I am not getting across pain", "yelping, or screaming that pain causes. I'm thinking that a more effective way", "pain more effectively in my stories? The physical implications of pain such as", "Doctor Horah. You must be Laapolp Mozart.” > > > “Indeed I am.", "\"The pain. It's worsening again Mother.” and clenched his teeth as he took", "“Indeed I am. I came here as soon as I could after my", "across pain in my stories. And if anything, pain is the most important", "With a sudden release of the curl, Mozart raised his eyebrows, and yelped", "whenever I am writing dialogue from a character that is in pain. At", "from a character that is in pain. At the same time though, just", "emotions to get across in a story if a character feels it. You", "his red suit with golden lace on it. Azna Mitea sewed that up", "across in a story if a character feels it. You would think that,", "to being in a lot of pain and feeling nauseous. Lrcia, understandably gets", "that demanding.” > > > “I'm glad you made it for me Mother.\"", "Mozart raised his eyebrows, and yelped \"The pain. It's worsening again Mother.” and", "moaning, yelping, or screaming that pain causes. I'm thinking that a more effective", "that the character is calm when the character is anything but calm because", "is anything but calm because of the pain. So, how can I get", "pianist living with the great composers. After the composers have a meeting, it", "am. I came here as soon as I could after my wife, Azna", "pains, that I would be great at getting across pain in my stories,", "have a meeting, it is decided that Mozart should be her first teacher.", "in another deep breath. > > > Doctor Horah said “Now Wolfgang Amadeus,", "definitely not good. How can I get across pain more effectively in my", "before the actual sentence might undermine the pain or worse, confuse the reader", "Lrcia. Lrcia and Mozart have lunch together and it turns for the worse", "word, Mozart clutched his arm around his abdomen and curled up. > >", "> > > “I'm glad you made it for me Mother.\" > >", "> > > Ahh tends to be my go to dialogue word for", "shows up in his vitals. I have noticed however, that I am not", "in his red suit with golden lace on it. Azna Mitea sewed that", "be my go to dialogue word for the grunting, moaning, yelping, or screaming", "for the abdominal scan, a high fever shows up in his vitals. I", "ER and needing an abdominal scan done. Before he leaves for the abdominal", "I could after my wife, Azna Mitea Mozart told me that my son", "goes from his happy and humorous self, to being in a lot of", "pain and feeling nauseous. Lrcia, understandably gets quite concerned about him and stays", "my go to dialogue word for the grunting, moaning, yelping, or screaming that", "up or raising your eyebrows help, but I don't want to bore the", "another deep breath. > > > Doctor Horah said “Now Wolfgang Amadeus, listen", "The physical implications of pain such as curling up or raising your eyebrows", "quite concerned about him and stays by his side. He ends up needing", "sick and going to the ER.” > > > “And your son is", "of getting across pain in that section of dialogue might be this: >", "> Before he could say another word, Mozart clutched his arm around his", "suit.” > > > But, in general, I tend to have a weakness", "writing a story about a young pianist living with the great composers. After", "composers. After the composers have a meeting, it is decided that Mozart should", "an example of where I am trying to get across pain: > >", "At the same time though, just using \"Ahh\" before the actual sentence might", "He goes from his happy and humorous self, to being in a lot", "eyebrows, and yelped \"The pain. It's worsening again Mother.” and clenched his teeth", "sentence might undermine the pain or worse, confuse the reader and make the", "your red suit and that everybody even outside of your city recognizes you", "my stories, but nope, I'm not. And, when I am trying to get", "concerned about him and stays by his side. He ends up needing to", "his arm around his abdomen and curled up. > > > With a", "a month just to make sure the pattern would fit my son. And", "I would be great at getting across pain in my stories, but nope,", "the ER.” > > > “And your son is the famous Wolfgang Amadeus", "up for him.” > > > “Oh, don't remind me Laapolp. It took", "> “And your son is the famous Wolfgang Amadeus Mozart, am I correct", "in my story. Here is an example of where I am trying to", "pre and post dialogue description of pain whenever I am writing dialogue from", "“Now Wolfgang Amadeus, listen to me. I know you love your red suit", "the famous Wolfgang Amadeus Mozart, am I correct on that?” > > >", "to dialogue word for the grunting, moaning, yelping, or screaming that pain causes.", "it is decided that Mozart should be her first teacher. My main character's", "you spoil your own suit.” > > > But, in general, I tend", "first teacher. My main character's name by the way, is Lrcia. Lrcia and", "lest you spoil your own suit.” > > > Ahh tends to be", "stories, but nope, I'm not. And, when I am trying to get across", "case with the dialogue I showed, pain being a weakness is definitely not", "curling up or raising your eyebrows help, but I don't want to bore", "the pain. So, how can I get across pain more effectively in my", "character is anything but calm because of the pain. So, how can I", "curl, Mozart raised his eyebrows, and yelped \"The pain. It's worsening again Mother.”", "Mitea Mozart told me that my son was sick and going to the", "“I'm glad you made it for me Mother.\" > > > Before he", "You must be Laapolp Mozart.” > > > “Indeed I am. I came", "> > With a sudden release of the curl, Mozart raised his eyebrows,", "across severe pain, as is the case with the dialogue I showed, pain", "a character feels it. You would think that, as a person who has", "however, that I am not getting across pain well in my story. 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And there he is on the bed,", "anything but calm because of the pain. So, how can I get across", "go to the ER and needing an abdominal scan done. Before he leaves", "way of getting across pain in that section of dialogue might be this:", "Mozart clutched his arm around his abdomen and curled up. > > >", "and clenched his teeth as he took in another deep breath. > >", "> But, in general, I tend to have a weakness getting across pain", "have to be taken off, lest you spoil your own suit.” > >", "month just to make sure the pattern would fit my son. And the", "and going to the ER.” > > > “And your son is the", "I tend to have a weakness getting across pain in my stories. And", "that up for him.” > > > “Oh, don't remind me Laapolp. It", "if a character feels it. You would think that, as a person who", "for the grunting, moaning, yelping, or screaming that pain causes. I'm thinking that", "physical implications of pain such as curling up or raising your eyebrows help,", "turns for the worse for Mozart. He goes from his happy and humorous", "same time though, just using \"Ahh\" before the actual sentence might undermine the", "make sure the pattern would fit my son. And the lace edges, boy", "grunting, moaning, yelping, or screaming that pain causes. I'm thinking that a more", "my wife, Azna Mitea Mozart told me that my son was sick and", "most important of emotions to get across in a story if a character", "and needing an abdominal scan done. Before he leaves for the abdominal scan,", "boy was that demanding.” > > > “I'm glad you made it for", "the pain is worsening again.” > > > Doctor Horah said “Now Wolfgang", "in my stories? The physical implications of pain such as curling up or", "clenched his teeth as he took in another deep breath. > > >", "don't remind me Laapolp. It took a month just to make sure the", "suit is going to have to be taken off, lest you spoil your", "story about a young pianist living with the great composers. After the composers", "and feeling nauseous. Lrcia, understandably gets quite concerned about him and stays by", "> “Oh, don't remind me Laapolp. It took a month just to make", "getting across pain well in my story. Here is an example of where", "scan, a high fever shows up in his vitals. I have noticed however,", "causes. I'm thinking that a more effective way of getting across pain in", "have noticed however, that I am not getting across pain well in my", "Amadeus Mozart, am I correct on that?” > > > “Yes. And there", "his teeth as he took in another deep breath. > > > Doctor", "Mother.” and clenched his teeth as he took in another deep breath. >", "bore the reader getting this pre and post dialogue description of pain whenever", "the reader and make the reader think that the character is calm when", "that Mozart should be her first teacher. My main character's name by the", "> > > “Yes. And there he is on the bed, still in", "it for me Mother. Ahh, the pain is worsening again.” > > >", "demanding.” > > > “I'm glad you made it for me Mother. Ahh,", "undermine the pain or worse, confuse the reader and make the reader think", "> > > “And your son is the famous Wolfgang Amadeus Mozart, am", "for Mozart. He goes from his happy and humorous self, to being in", "pain. At the same time though, just using \"Ahh\" before the actual sentence", "the grunting, moaning, yelping, or screaming that pain causes. I'm thinking that a", "weakness getting across pain in my stories. And if anything, pain is the", "curled up. > > > With a sudden release of the curl, Mozart", "came here as soon as I could after my wife, Azna Mitea Mozart", "he could say another word, Mozart clutched his arm around his abdomen and", "glad you made it for me Mother. Ahh, the pain is worsening again.”", "and yelped \"The pain. It's worsening again Mother.” and clenched his teeth as", "of different pains, that I would be great at getting across pain in", "been writing a story about a young pianist living with the great composers.", "side. He ends up needing to go to the ER and needing an", "said “Now Wolfgang Amadeus, listen to me. I know you love your red", "took a month just to make sure the pattern would fit my son.", "taken off, lest you spoil your own suit.” > > > Ahh tends", "high fever shows up in his vitals. I have noticed however, that I", "suit. But, that suit is going to have to be taken off, lest", "he took in another deep breath. > > > Doctor Horah said “Now", "> > “And your son is the famous Wolfgang Amadeus Mozart, am I", "be great at getting across pain in my stories, but nope, I'm not.", "and humorous self, to being in a lot of pain and feeling nauseous.", "get across pain: > > “Hello, I'm Doctor Horah. You must be Laapolp", "think that the character is calm when the character is anything but calm", "abdominal scan, a high fever shows up in his vitals. I have noticed", "fever shows up in his vitals. I have noticed however, that I am", "is in pain. At the same time though, just using \"Ahh\" before the", "city recognizes you in that suit. But, that suit is going to have", "dialogue description of pain whenever I am writing dialogue from a character that", "character's name by the way, is Lrcia. Lrcia and Mozart have lunch together", "person who has experienced a lot of different pains, that I would be", "would fit my son. And the lace edges, boy was that demanding.” >", "a story about a young pianist living with the great composers. After the", "> “Hello, I'm Doctor Horah. You must be Laapolp Mozart.” > > >", "to have a weakness getting across pain in my stories. And if anything,", "clutched his arm around his abdomen and curled up. > > > With", "You would think that, as a person who has experienced a lot of", "if anything, pain is the most important of emotions to get across in", "pain in my stories, but nope, I'm not. And, when I am trying", "me Laapolp. It took a month just to make sure the pattern would", "calm because of the pain. So, how can I get across pain more", "to get across severe pain, as is the case with the dialogue I", "son. And the lace edges, boy was that demanding.” > > > “I'm", "a high fever shows up in his vitals. I have noticed however, that", "word for the grunting, moaning, yelping, or screaming that pain causes. I'm thinking", "using \"Ahh\" before the actual sentence might undermine the pain or worse, confuse", "being a weakness is definitely not good. How can I get across pain", "a person who has experienced a lot of different pains, that I would", "going to have to be taken off, lest you spoil your own suit.”", "I'm thinking that a more effective way of getting across pain in that", "Horah. You must be Laapolp Mozart.” > > > “Indeed I am. I", "raised his eyebrows, and yelped \"The pain. It's worsening again Mother.” and clenched", "living with the great composers. After the composers have a meeting, it is", "where I am trying to get across pain: > > “Hello, I'm Doctor", "Wolfgang Amadeus, listen to me. I know you love your red suit and", "> “Indeed I am. I came here as soon as I could after", "as I could after my wife, Azna Mitea Mozart told me that my", "the character is anything but calm because of the pain. So, how can", "character that is in pain. At the same time though, just using \"Ahh\"", "son is the famous Wolfgang Amadeus Mozart, am I correct on that?” >", "young pianist living with the great composers. After the composers have a meeting,", "is worsening again.” > > > Doctor Horah said “Now Wolfgang Amadeus, listen", "Before he leaves for the abdominal scan, a high fever shows up in", "across pain well in my story. Here is an example of where I", "a character that is in pain. At the same time though, just using", "getting across pain in my stories. And if anything, pain is the most", "his eyebrows, and yelped \"The pain. It's worsening again Mother.” and clenched his", "raising your eyebrows help, but I don't want to bore the reader getting", "want to bore the reader getting this pre and post dialogue description of", "correct on that?” > > > “Yes. And there he is on the", "red suit with golden lace on it. Azna Mitea sewed that up for", "of pain whenever I am writing dialogue from a character that is in", "more effectively in my stories? The physical implications of pain such as curling", "the worse for Mozart. He goes from his happy and humorous self, to", "remind me Laapolp. It took a month just to make sure the pattern", "your city recognizes you in that suit. But, that suit is going to", "and post dialogue description of pain whenever I am writing dialogue from a", "leaves for the abdominal scan, a high fever shows up in his vitals.", "this: > > “Hello, I'm Doctor Horah. You must be Laapolp Mozart.” >", "lace on it. Azna Mitea sewed that up for him.” > > >", "> > > “Indeed I am. I came here as soon as I", "pain causes. I'm thinking that a more effective way of getting across pain", "a lot of different pains, that I would be great at getting across", "but I don't want to bore the reader getting this pre and post", "I came here as soon as I could after my wife, Azna Mitea", "dialogue from a character that is in pain. At the same time though,", "> > > Before he could say another word, Mozart clutched his arm", "I have noticed however, that I am not getting across pain well in", "just to make sure the pattern would fit my son. And the lace", "made it for me Mother.\" > > > Before he could say another", "your eyebrows help, but I don't want to bore the reader getting this", "about him and stays by his side. He ends up needing to go", "the composers have a meeting, it is decided that Mozart should be her", "> > Before he could say another word, Mozart clutched his arm around", "story if a character feels it. You would think that, as a person", "nauseous. Lrcia, understandably gets quite concerned about him and stays by his side.", "my son. And the lace edges, boy was that demanding.” > > >", "in a story if a character feels it. You would think that, as", "would think that, as a person who has experienced a lot of different", "own suit.” > > > But, in general, I tend to have a", "though, just using \"Ahh\" before the actual sentence might undermine the pain or", "to bore the reader getting this pre and post dialogue description of pain", "> > > “I'm glad you made it for me Mother. Ahh, the", "worse, confuse the reader and make the reader think that the character is", "my story. Here is an example of where I am trying to get", "am trying to get across pain: > > “Hello, I'm Doctor Horah. You", "the pattern would fit my son. And the lace edges, boy was that", "red suit and that everybody even outside of your city recognizes you in", "is decided that Mozart should be her first teacher. My main character's name", "wife, Azna Mitea Mozart told me that my son was sick and going", "story. Here is an example of where I am trying to get across", "in his vitals. I have noticed however, that I am not getting across", "get across in a story if a character feels it. You would think", "implications of pain such as curling up or raising your eyebrows help, but", "to be taken off, lest you spoil your own suit.” > > >", "Mother.\" > > > Before he could say another word, Mozart clutched his", "was sick and going to the ER.” > > > “And your son", "feels it. You would think that, as a person who has experienced a", "be taken off, lest you spoil your own suit.” > > > Ahh", "worsening again Mother.” and clenched his teeth as he took in another deep", "feeling nauseous. Lrcia, understandably gets quite concerned about him and stays by his", "> With a sudden release of the curl, Mozart raised his eyebrows, and", "this pre and post dialogue description of pain whenever I am writing dialogue", "the actual sentence might undermine the pain or worse, confuse the reader and", "there he is on the bed, still in his red suit with golden", "his happy and humorous self, to being in a lot of pain and", "across pain more effectively in my stories? The physical implications of pain such", "character feels it. You would think that, as a person who has experienced", "way, is Lrcia. Lrcia and Mozart have lunch together and it turns for", "or worse, confuse the reader and make the reader think that the character", "the dialogue I showed, pain being a weakness is definitely not good. How", "pain, as is the case with the dialogue I showed, pain being a", "to go to the ER and needing an abdominal scan done. Before he", "an abdominal scan done. Before he leaves for the abdominal scan, a high", "it. Azna Mitea sewed that up for him.” > > > “Oh, don't", "showed, pain being a weakness is definitely not good. How can I get", "worse for Mozart. He goes from his happy and humorous self, to being", "and make the reader think that the character is calm when the character", "post dialogue description of pain whenever I am writing dialogue from a character", "abdomen and curled up. > > > With a sudden release of the", "But, that suit is going to have to be taken off, lest you", "have a weakness getting across pain in my stories. And if anything, pain", "my stories. And if anything, pain is the most important of emotions to", "\"Ahh\" before the actual sentence might undermine the pain or worse, confuse the", "golden lace on it. Azna Mitea sewed that up for him.” > >", "yelped \"The pain. It's worsening again Mother.” and clenched his teeth as he", "pain. It's worsening again Mother.” and clenched his teeth as he took in", "pain. So, how can I get across pain more effectively in my stories?", "to the ER and needing an abdominal scan done. Before he leaves for", "“I'm glad you made it for me Mother. Ahh, the pain is worsening", "be her first teacher. My main character's name by the way, is Lrcia.", "make the reader think that the character is calm when the character is", "of emotions to get across in a story if a character feels it.", "is an example of where I am trying to get across pain: >", "the same time though, just using \"Ahh\" before the actual sentence might undermine", "pain is the most important of emotions to get across in a story", "pain such as curling up or raising your eyebrows help, but I don't", "you made it for me Mother. Ahh, the pain is worsening again.” >", "can I get across pain more effectively in my stories? The physical implications", "the character is calm when the character is anything but calm because of", "anything, pain is the most important of emotions to get across in a", "the ER and needing an abdominal scan done. Before he leaves for the", "at getting across pain in my stories, but nope, I'm not. And, when", "is on the bed, still in his red suit with golden lace on", "his side. He ends up needing to go to the ER and needing", "with the great composers. After the composers have a meeting, it is decided", "> > “Indeed I am. I came here as soon as I could", "a weakness is definitely not good. How can I get across pain more", "happy and humorous self, to being in a lot of pain and feeling", "that is in pain. At the same time though, just using \"Ahh\" before", "made it for me Mother. Ahh, the pain is worsening again.” > >", "who has experienced a lot of different pains, that I would be great", "Ahh, the pain is worsening again.” > > > Doctor Horah said “Now", "up in his vitals. I have noticed however, that I am not getting", "you made it for me Mother.\" > > > Before he could say", "gets quite concerned about him and stays by his side. He ends up", "know you love your red suit and that everybody even outside of your", "demanding.” > > > “I'm glad you made it for me Mother.\" >", "ER.” > > > “And your son is the famous Wolfgang Amadeus Mozart,", "needing to go to the ER and needing an abdominal scan done. Before", "that suit. But, that suit is going to have to be taken off,", "important of emotions to get across in a story if a character feels", "be this: > > “Hello, I'm Doctor Horah. You must be Laapolp Mozart.”", "glad you made it for me Mother.\" > > > Before he could", "am I correct on that?” > > > “Yes. And there he is", "getting this pre and post dialogue description of pain whenever I am writing", "well in my story. Here is an example of where I am trying", "Laapolp Mozart.” > > > “Indeed I am. I came here as soon", "the pain or worse, confuse the reader and make the reader think that", "Mozart should be her first teacher. My main character's name by the way,", "not good. How can I get across pain more effectively in my stories?", "I don't want to bore the reader getting this pre and post dialogue", "> > Doctor Horah said “Now Wolfgang Amadeus, listen to me. I know", "is definitely not good. How can I get across pain more effectively in", "noticed however, that I am not getting across pain well in my story.", "taken off, lest you spoil your own suit.” > > > But, in", "the case with the dialogue I showed, pain being a weakness is definitely", "general, I tend to have a weakness getting across pain in my stories.", "that section of dialogue might be this: > > “Hello, I'm Doctor Horah.", "is calm when the character is anything but calm because of the pain.", "that suit is going to have to be taken off, lest you spoil", "in general, I tend to have a weakness getting across pain in my", "stays by his side. He ends up needing to go to the ER", "that?” > > > “Yes. And there he is on the bed, still", "great at getting across pain in my stories, but nope, I'm not. And,", "by the way, is Lrcia. Lrcia and Mozart have lunch together and it", "that a more effective way of getting across pain in that section of", "character is calm when the character is anything but calm because of the", "Doctor Horah said “Now Wolfgang Amadeus, listen to me. I know you love", "deep breath. > > > Doctor Horah said “Now Wolfgang Amadeus, listen to", "for me Mother. Ahh, the pain is worsening again.” > > > Doctor", "could say another word, Mozart clutched his arm around his abdomen and curled", "And, when I am trying to get across severe pain, as is the", "I am writing dialogue from a character that is in pain. At the", "told me that my son was sick and going to the ER.” >", "and curled up. > > > With a sudden release of the curl,", "And if anything, pain is the most important of emotions to get across", "Laapolp. It took a month just to make sure the pattern would fit", "to have to be taken off, lest you spoil your own suit.” >", "My main character's name by the way, is Lrcia. Lrcia and Mozart have", "when I am trying to get across severe pain, as is the case", "And there he is on the bed, still in his red suit with", "the bed, still in his red suit with golden lace on it. Azna", "after my wife, Azna Mitea Mozart told me that my son was sick", "listen to me. I know you love your red suit and that everybody", "your son is the famous Wolfgang Amadeus Mozart, am I correct on that?”", "a story if a character feels it. You would think that, as a", "that my son was sick and going to the ER.” > > >", "as is the case with the dialogue I showed, pain being a weakness", "his abdomen and curled up. > > > With a sudden release of", "time though, just using \"Ahh\" before the actual sentence might undermine the pain", "her first teacher. My main character's name by the way, is Lrcia. Lrcia", "was that demanding.” > > > “I'm glad you made it for me", "your own suit.” > > > Ahh tends to be my go to", "It took a month just to make sure the pattern would fit my", "section of dialogue might be this: > > “Hello, I'm Doctor Horah. You", "sewed that up for him.” > > > “Oh, don't remind me Laapolp.", "tends to be my go to dialogue word for the grunting, moaning, yelping,", "me Mother.\" > > > Before he could say another word, Mozart clutched", "And the lace edges, boy was that demanding.” > > > “I'm glad", "my son was sick and going to the ER.” > > > “And", "> > “Oh, don't remind me Laapolp. It took a month just to", "has experienced a lot of different pains, that I would be great at", "calm when the character is anything but calm because of the pain. So,", "needing an abdominal scan done. Before he leaves for the abdominal scan, a", "be taken off, lest you spoil your own suit.” > > > But,", "writing dialogue from a character that is in pain. At the same time", "But, in general, I tend to have a weakness getting across pain in", "understandably gets quite concerned about him and stays by his side. He ends", "going to the ER.” > > > “And your son is the famous", "“Yes. And there he is on the bed, still in his red suit", "your own suit.” > > > But, in general, I tend to have", "is the case with the dialogue I showed, pain being a weakness is", "fit my son. And the lace edges, boy was that demanding.” > >", "effective way of getting across pain in that section of dialogue might be", "I correct on that?” > > > “Yes. And there he is on", "> “I'm glad you made it for me Mother.\" > > > Before", "Mozart told me that my son was sick and going to the ER.”", "self, to being in a lot of pain and feeling nauseous. Lrcia, understandably", "again.” > > > Doctor Horah said “Now Wolfgang Amadeus, listen to me.", "that I would be great at getting across pain in my stories, but", "such as curling up or raising your eyebrows help, but I don't want", "Azna Mitea Mozart told me that my son was sick and going to", "tend to have a weakness getting across pain in my stories. And if", "stories. And if anything, pain is the most important of emotions to get", "suit and that everybody even outside of your city recognizes you in that", "am trying to get across severe pain, as is the case with the", "and that everybody even outside of your city recognizes you in that suit.", "Here is an example of where I am trying to get across pain:", "> > “I'm glad you made it for me Mother. Ahh, the pain", "but nope, I'm not. And, when I am trying to get across severe", "reader and make the reader think that the character is calm when the", "but calm because of the pain. So, how can I get across pain", "don't want to bore the reader getting this pre and post dialogue description", "I am not getting across pain well in my story. Here is an", "own suit.” > > > Ahh tends to be my go to dialogue", "across pain in my stories, but nope, I'm not. And, when I am", "should be her first teacher. My main character's name by the way, is", "the great composers. After the composers have a meeting, it is decided that", "spoil your own suit.” > > > Ahh tends to be my go", "After the composers have a meeting, it is decided that Mozart should be", "arm around his abdomen and curled up. > > > With a sudden", "as a person who has experienced a lot of different pains, that I" ]
[ "70,000 words but I feel like the book would be stronger if I", "and publishers will only consider manuscripts that fit within their expected page count", "expected page count ranges. What's a good target for a standalone mystery novel?", "feel like the book would be stronger if I trimmed some of the", "good target for a standalone mystery novel? My current draft is sitting at", "around 70,000 words but I feel like the book would be stronger if", "a good target for a standalone mystery novel? My current draft is sitting", "mystery novel? My current draft is sitting at around 70,000 words but I", "count ranges. What's a good target for a standalone mystery novel? My current", "words but I feel like the book would be stronger if I trimmed", "novel? My current draft is sitting at around 70,000 words but I feel", "ranges. What's a good target for a standalone mystery novel? My current draft", "My current draft is sitting at around 70,000 words but I feel like", "I feel like the book would be stronger if I trimmed some of", "certain genres, agents and publishers will only consider manuscripts that fit within their", "target for a standalone mystery novel? My current draft is sitting at around", "sitting at around 70,000 words but I feel like the book would be", "agents and publishers will only consider manuscripts that fit within their expected page", "that fit within their expected page count ranges. What's a good target for", "their expected page count ranges. What's a good target for a standalone mystery", "draft is sitting at around 70,000 words but I feel like the book", "is sitting at around 70,000 words but I feel like the book would", "but I feel like the book would be stronger if I trimmed some", "at around 70,000 words but I feel like the book would be stronger", "for certain genres, agents and publishers will only consider manuscripts that fit within", "consider manuscripts that fit within their expected page count ranges. What's a good", "page count ranges. What's a good target for a standalone mystery novel? My", "I know for certain genres, agents and publishers will only consider manuscripts that", "standalone mystery novel? My current draft is sitting at around 70,000 words but", "What's a good target for a standalone mystery novel? My current draft is", "current draft is sitting at around 70,000 words but I feel like the", "within their expected page count ranges. What's a good target for a standalone", "only consider manuscripts that fit within their expected page count ranges. What's a", "fit within their expected page count ranges. What's a good target for a", "like the book would be stronger if I trimmed some of the fat.", "a standalone mystery novel? My current draft is sitting at around 70,000 words", "for a standalone mystery novel? My current draft is sitting at around 70,000", "know for certain genres, agents and publishers will only consider manuscripts that fit", "genres, agents and publishers will only consider manuscripts that fit within their expected", "publishers will only consider manuscripts that fit within their expected page count ranges.", "will only consider manuscripts that fit within their expected page count ranges. What's", "manuscripts that fit within their expected page count ranges. What's a good target" ]
[ "realizing he has feelings for the other character and the other character realizes", "scene the two characters just hang out and watch a movie. This is", "main plot. However, \"behind the scene\" is one character realizing he has feelings", "example, in my one scene the two characters just hang out and watch", "reason for the main plot. However, \"behind the scene\" is one character realizing", "character development and the development of the relationship between two characters. Is this", "This is significant because before this point they never just hung out together", "the character development and the development of the relationship between two characters. Is", "the romantic relationship is a sub plot of the novel? For example, in", "show the character development and the development of the relationship between two characters.", "hang out and watch a movie. This is significant because before this point", "between two characters. Is this okay since the development of the romantic relationship", "for the main plot. However, \"behind the scene\" is one character realizing he", "in my one scene the two characters just hang out and watch a", "in my novel that have nothing to do with the main plot, it's", "a movie. This is significant because before this point they never just hung", "just to show the character development and the development of the relationship between", "do with the main plot, it's just to show the character development and", "characters just hang out and watch a movie. This is significant because before", "the two characters just hang out and watch a movie. This is significant", "it being for a reason for the main plot. However, \"behind the scene\"", "my novel that have nothing to do with the main plot, it's just", "have nothing to do with the main plot, it's just to show the", "one character realizing he has feelings for the other character and the other", "before this point they never just hung out together without it being for", "being for a reason for the main plot. However, \"behind the scene\" is", "two characters just hang out and watch a movie. This is significant because", "has feelings for the other character and the other character realizes that something", "this okay since the development of the romantic relationship is a sub plot", "scenes in my novel that have nothing to do with the main plot,", "relationship between two characters. Is this okay since the development of the romantic", "development of the romantic relationship is a sub plot of the novel? For", "characters. Is this okay since the development of the romantic relationship is a", "watch a movie. This is significant because before this point they never just", "they never just hung out together without it being for a reason for", "However, \"behind the scene\" is one character realizing he has feelings for the", "the development of the romantic relationship is a sub plot of the novel?", "to show the character development and the development of the relationship between two", "I have some scenes in my novel that have nothing to do with", "a reason for the main plot. However, \"behind the scene\" is one character", "he has feelings for the other character and the other character realizes that", "is significant because before this point they never just hung out together without", "some scenes in my novel that have nothing to do with the main", "just hung out together without it being for a reason for the main", "main plot, it's just to show the character development and the development of", "for a reason for the main plot. However, \"behind the scene\" is one", "out and watch a movie. This is significant because before this point they", "For example, in my one scene the two characters just hang out and", "the scene\" is one character realizing he has feelings for the other character", "point they never just hung out together without it being for a reason", "with the main plot, it's just to show the character development and the", "novel that have nothing to do with the main plot, it's just to", "just hang out and watch a movie. This is significant because before this", "of the romantic relationship is a sub plot of the novel? For example,", "sub plot of the novel? For example, in my one scene the two", "significant because before this point they never just hung out together without it", "never just hung out together without it being for a reason for the", "novel? For example, in my one scene the two characters just hang out", "of the novel? For example, in my one scene the two characters just", "relationship is a sub plot of the novel? For example, in my one", "and watch a movie. This is significant because before this point they never", "okay since the development of the romantic relationship is a sub plot of", "\"behind the scene\" is one character realizing he has feelings for the other", "have some scenes in my novel that have nothing to do with the", "development and the development of the relationship between two characters. Is this okay", "two characters. Is this okay since the development of the romantic relationship is", "scene\" is one character realizing he has feelings for the other character and", "of the relationship between two characters. Is this okay since the development of", "romantic relationship is a sub plot of the novel? For example, in my", "other character and the other character realizes that something has changed between them.", "a sub plot of the novel? For example, in my one scene the", "the novel? For example, in my one scene the two characters just hang", "the main plot, it's just to show the character development and the development", "that have nothing to do with the main plot, it's just to show", "nothing to do with the main plot, it's just to show the character", "Is this okay since the development of the romantic relationship is a sub", "plot of the novel? For example, in my one scene the two characters", "for the other character and the other character realizes that something has changed", "it's just to show the character development and the development of the relationship", "this point they never just hung out together without it being for a", "because before this point they never just hung out together without it being", "movie. This is significant because before this point they never just hung out", "plot. However, \"behind the scene\" is one character realizing he has feelings for", "the main plot. However, \"behind the scene\" is one character realizing he has", "out together without it being for a reason for the main plot. However,", "the relationship between two characters. Is this okay since the development of the", "the other character and the other character realizes that something has changed between", "and the development of the relationship between two characters. Is this okay since", "since the development of the romantic relationship is a sub plot of the", "is one character realizing he has feelings for the other character and the", "feelings for the other character and the other character realizes that something has", "one scene the two characters just hang out and watch a movie. This", "my one scene the two characters just hang out and watch a movie.", "hung out together without it being for a reason for the main plot.", "plot, it's just to show the character development and the development of the", "to do with the main plot, it's just to show the character development", "development of the relationship between two characters. Is this okay since the development", "character realizing he has feelings for the other character and the other character", "together without it being for a reason for the main plot. However, \"behind", "the development of the relationship between two characters. Is this okay since the", "is a sub plot of the novel? For example, in my one scene", "without it being for a reason for the main plot. However, \"behind the" ]
[ "> > pronoun then verb: > > \"She's late again,\" he said. >", "even somewhat antiquated. verb then pronoun: > > \"She's late again,\" said he.", "verb: > > \"She's late again,\" he said. > > > When I", "convention to allow \"verb then name\". Is the first form allowed when writing", "the proper noun is replaced with a pronoun, then it sounds incorrect and", "> \"She's late again,\" said Cuson. > > > name then verb: >", "grammatically incorrect even though it is common. If the proper noun is replaced", "late again,\" Cuson said. > > > I have almost always used the", "pronoun then verb: > > \"She's late again,\" he said. > > >", "If the proper noun is replaced with a pronoun, then it sounds incorrect", "> > name then verb: > > \"She's late again,\" Cuson said. >", "use the second version. She claimed the first version is grammatically incorrect even", "> \"She's late again,\" he said. > > > When I read a", "the first form allowed when writing stories in \"antiquated English\"? (i.e. - The", "I read a few novels, I checked the order, and it seems to", "Is the first form allowed when writing stories in \"antiquated English\"? (i.e. -", "\"She's late again,\" said he. > > > pronoun then verb: > >", "it sounds incorrect and even somewhat antiquated. verb then pronoun: > > \"She's", "> name then verb: > > \"She's late again,\" Cuson said. > >", "> I have almost always used the first version, but an editor said", "an editor said I should use the second version. She claimed the first", "is common. If the proper noun is replaced with a pronoun, then it", "> > > I have almost always used the first version, but an", "writing stories in \"antiquated English\"? (i.e. - The story takes place centuries ago.)", "the first version is grammatically incorrect even though it is common. If the", "first? The second? Both? verb then name: > > \"She's late again,\" said", "pronoun: > > \"She's late again,\" said he. > > > pronoun then", "then it sounds incorrect and even somewhat antiquated. verb then pronoun: > >", "checked the order, and it seems to be convention to allow \"verb then", "> > \"She's late again,\" Cuson said. > > > I have almost", "I checked the order, and it seems to be convention to allow \"verb", "then name\". Is the first form allowed when writing stories in \"antiquated English\"?", "and even somewhat antiquated. verb then pronoun: > > \"She's late again,\" said", "allowed when writing stories in \"antiquated English\"? (i.e. - The story takes place", "is grammatically incorrect even though it is common. If the proper noun is", "he. > > > pronoun then verb: > > \"She's late again,\" he", "correct? The first? The second? Both? verb then name: > > \"She's late", "even though it is common. If the proper noun is replaced with a", "> When I read a few novels, I checked the order, and it", "of these is correct? The first? The second? Both? verb then name: >", "first version is grammatically incorrect even though it is common. If the proper", "should use the second version. She claimed the first version is grammatically incorrect", "these is correct? The first? The second? Both? verb then name: > >", "to be convention to allow \"verb then name\". Is the first form allowed", "said Cuson. > > > name then verb: > > \"She's late again,\"", "it seems to be convention to allow \"verb then name\". Is the first", "then name: > > \"She's late again,\" said Cuson. > > > name", "but an editor said I should use the second version. She claimed the", "to allow \"verb then name\". Is the first form allowed when writing stories", "again,\" Cuson said. > > > I have almost always used the first", "first form allowed when writing stories in \"antiquated English\"? (i.e. - The story", "is correct? The first? The second? Both? verb then name: > > \"She's", "a few novels, I checked the order, and it seems to be convention", "few novels, I checked the order, and it seems to be convention to", "the first version, but an editor said I should use the second version.", "version. She claimed the first version is grammatically incorrect even though it is", "noun is replaced with a pronoun, then it sounds incorrect and even somewhat", "with a pronoun, then it sounds incorrect and even somewhat antiquated. verb then", "said he. > > > pronoun then verb: > > \"She's late again,\"", "> > \"She's late again,\" said Cuson. > > > name then verb:", "Cuson. > > > name then verb: > > \"She's late again,\" Cuson", "said. > > > When I read a few novels, I checked the", "verb: > > \"She's late again,\" Cuson said. > > > I have", "said. > > > I have almost always used the first version, but", "again,\" said he. > > > pronoun then verb: > > \"She's late", "seems to be convention to allow \"verb then name\". Is the first form", "pronoun, then it sounds incorrect and even somewhat antiquated. verb then pronoun: >", "version, but an editor said I should use the second version. She claimed", "verb then pronoun: > > \"She's late again,\" said he. > > >", "> > When I read a few novels, I checked the order, and", "again,\" he said. > > > When I read a few novels, I", "> > > name then verb: > > \"She's late again,\" Cuson said.", "the second version. She claimed the first version is grammatically incorrect even though", "name then verb: > > \"She's late again,\" Cuson said. > > >", "> pronoun then verb: > > \"She's late again,\" he said. > >", "said I should use the second version. She claimed the first version is", "late again,\" said he. > > > pronoun then verb: > > \"She's", "incorrect and even somewhat antiquated. verb then pronoun: > > \"She's late again,\"", "then pronoun: > > \"She's late again,\" said he. > > > pronoun", "antiquated. verb then pronoun: > > \"She's late again,\" said he. > >", "allow \"verb then name\". Is the first form allowed when writing stories in", "always used the first version, but an editor said I should use the", "almost always used the first version, but an editor said I should use", "> > \"She's late again,\" he said. > > > When I read", "common. If the proper noun is replaced with a pronoun, then it sounds", "then verb: > > \"She's late again,\" he said. > > > When", "Which of these is correct? The first? The second? Both? verb then name:", "> > > pronoun then verb: > > \"She's late again,\" he said.", "somewhat antiquated. verb then pronoun: > > \"She's late again,\" said he. >", "The second? Both? verb then name: > > \"She's late again,\" said Cuson.", "version is grammatically incorrect even though it is common. If the proper noun", "he said. > > > When I read a few novels, I checked", "proper noun is replaced with a pronoun, then it sounds incorrect and even", "second version. She claimed the first version is grammatically incorrect even though it", "replaced with a pronoun, then it sounds incorrect and even somewhat antiquated. verb", "second? Both? verb then name: > > \"She's late again,\" said Cuson. >", "Both? verb then name: > > \"She's late again,\" said Cuson. > >", "incorrect even though it is common. If the proper noun is replaced with", "I have almost always used the first version, but an editor said I", "> > > When I read a few novels, I checked the order,", "though it is common. If the proper noun is replaced with a pronoun,", "when writing stories in \"antiquated English\"? (i.e. - The story takes place centuries", "verb then name: > > \"She's late again,\" said Cuson. > > >", "claimed the first version is grammatically incorrect even though it is common. If", "\"She's late again,\" he said. > > > When I read a few", "novels, I checked the order, and it seems to be convention to allow", "form allowed when writing stories in \"antiquated English\"? (i.e. - The story takes", "be convention to allow \"verb then name\". Is the first form allowed when", "> > I have almost always used the first version, but an editor", "name\". Is the first form allowed when writing stories in \"antiquated English\"? (i.e.", "then verb: > > \"She's late again,\" Cuson said. > > > I", "I should use the second version. She claimed the first version is grammatically", "The first? The second? Both? verb then name: > > \"She's late again,\"", "When I read a few novels, I checked the order, and it seems", "it is common. If the proper noun is replaced with a pronoun, then", "She claimed the first version is grammatically incorrect even though it is common.", "and it seems to be convention to allow \"verb then name\". Is the", "have almost always used the first version, but an editor said I should", "late again,\" said Cuson. > > > name then verb: > > \"She's", "> > \"She's late again,\" said he. > > > pronoun then verb:", "first version, but an editor said I should use the second version. She", "Cuson said. > > > I have almost always used the first version,", "is replaced with a pronoun, then it sounds incorrect and even somewhat antiquated.", "late again,\" he said. > > > When I read a few novels,", "\"She's late again,\" Cuson said. > > > I have almost always used", "used the first version, but an editor said I should use the second", "the order, and it seems to be convention to allow \"verb then name\".", "> \"She's late again,\" Cuson said. > > > I have almost always", "order, and it seems to be convention to allow \"verb then name\". Is", "again,\" said Cuson. > > > name then verb: > > \"She's late", "a pronoun, then it sounds incorrect and even somewhat antiquated. verb then pronoun:", "\"verb then name\". Is the first form allowed when writing stories in \"antiquated", "editor said I should use the second version. She claimed the first version", "> \"She's late again,\" said he. > > > pronoun then verb: >", "read a few novels, I checked the order, and it seems to be", "\"She's late again,\" said Cuson. > > > name then verb: > >", "sounds incorrect and even somewhat antiquated. verb then pronoun: > > \"She's late", "name: > > \"She's late again,\" said Cuson. > > > name then" ]
[ "France. Logically, the events that take place in that small town in France", "in the same universe as MyWork without affecting the events in MyWork. Which", "is set in the present in a small town in the US. I", "MyWork, that is set in the present in a small town in the", "characters in MyWork implied to be related to a InspirationWork character, without mentioning", "events in MyWork. Which of the following am I allowed to do vs.", "I allowed to do vs. not allowed, and why? Would any change if", "is set in the present in a small town in France. Logically, the", "of InspirationWork * Have one of the characters in MyWork implied to be", "affecting the events in MyWork. Which of the following am I allowed to", "change if I got the author's permission? * Mention in public that the", "working on a fantasy series called MyWork, that is set in the present", "I got the author's permission? * Mention in public that the events of", "to the events of InspirationWork * Have one of the characters in MyWork", "set in the present in a small town in the US. I have", "InspirationWork also take place in MyWork * Have a character in MyWork make", "in MyWork make reference to the events of InspirationWork * Have one of", "permission? * Mention in public that the events of InspirationWork also take place", "MyWork * Have a character in MyWork make reference to the events of", "* Have a character in MyWork make reference to the events of InspirationWork", "allowed to do vs. not allowed, and why? Would any change if I", "mentioning the character's specific name * Have one of the characters in MyWork", "to do vs. not allowed, and why? Would any change if I got", "from, InspirationWork, that is set in the present in a small town in", "present in a small town in France. Logically, the events that take place", "MyWork make reference to the events of InspirationWork * Have one of the", "MyWork implied to be in touch with an InspirationWork character, without mentioning the", "small town in the US. I have a fantasy series that I take", "in the US. I have a fantasy series that I take inspiration from,", "in MyWork implied to be related to a InspirationWork character, without mentioning the", "one of the characters in MyWork implied to be related to a InspirationWork", "present in a small town in the US. I have a fantasy series", "character's specific name * Have one of the characters in MyWork implied to", "in a small town in France. Logically, the events that take place in", "the character's specific name * Have one of the characters in MyWork implied", "the author's permission? * Mention in public that the events of InspirationWork also", "have a fantasy series that I take inspiration from, InspirationWork, that is set", "not allowed, and why? Would any change if I got the author's permission?", "place in MyWork * Have a character in MyWork make reference to the", "France in InspirationWork could occur in the same universe as MyWork without affecting", "in that small town in France in InspirationWork could occur in the same", "on a fantasy series called MyWork, that is set in the present in", "same universe as MyWork without affecting the events in MyWork. Which of the", "InspirationWork, that is set in the present in a small town in France.", "implied to be in touch with an InspirationWork character, without mentioning the character's", "InspirationWork could occur in the same universe as MyWork without affecting the events", "the characters in MyWork implied to be in touch with an InspirationWork character,", "that is set in the present in a small town in France. Logically,", "of the characters in MyWork implied to be in touch with an InspirationWork", "the events of InspirationWork * Have one of the characters in MyWork implied", "say I'm working on a fantasy series called MyWork, that is set in", "any change if I got the author's permission? * Mention in public that", "Mention in public that the events of InspirationWork also take place in MyWork", "in the present in a small town in the US. I have a", "place in that small town in France in InspirationWork could occur in the", "that small town in France in InspirationWork could occur in the same universe", "got the author's permission? * Mention in public that the events of InspirationWork", "vs. not allowed, and why? Would any change if I got the author's", "character in MyWork make reference to the events of InspirationWork * Have one", "without mentioning the character's specific name * Have one of the characters in", "a fantasy series called MyWork, that is set in the present in a", "InspirationWork character, without mentioning the character's specific name * Have one of the", "to be in touch with an InspirationWork character, without mentioning the character's specific", "take place in that small town in France in InspirationWork could occur in", "* Have one of the characters in MyWork implied to be in touch", "that take place in that small town in France in InspirationWork could occur", "name * Have one of the characters in MyWork implied to be related", "in the present in a small town in France. Logically, the events that", "the same universe as MyWork without affecting the events in MyWork. 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Would any change if I got the author's permission? * Mention in", "in France in InspirationWork could occur in the same universe as MyWork without", "* Mention in public that the events of InspirationWork also take place in", "events of InspirationWork also take place in MyWork * Have a character in", "do vs. not allowed, and why? Would any change if I got the", "I'm working on a fantasy series called MyWork, that is set in the", "touch with an InspirationWork character, without mentioning the character's specific name * Have", "series that I take inspiration from, InspirationWork, that is set in the present", "and why? Would any change if I got the author's permission? * Mention", "the present in a small town in the US. I have a fantasy", "called MyWork, that is set in the present in a small town in", "the following am I allowed to do vs. not allowed, and why? Would", "a character in MyWork make reference to the events of InspirationWork * Have", "to be related to a InspirationWork character, without mentioning the character's specific name", "take inspiration from, InspirationWork, that is set in the present in a small", "MyWork without affecting the events in MyWork. Which of the following am I", "of the characters in MyWork implied to be related to a InspirationWork character,", "inspiration from, InspirationWork, that is set in the present in a small town", "small town in France in InspirationWork could occur in the same universe as", "also take place in MyWork * Have a character in MyWork make reference", "an InspirationWork character, without mentioning the character's specific name * Have one of", "make reference to the events of InspirationWork * Have one of the characters", "town in the US. I have a fantasy series that I take inspiration", "fantasy series called MyWork, that is set in the present in a small", "MyWork implied to be related to a InspirationWork character, without mentioning the character's", "I have a fantasy series that I take inspiration from, InspirationWork, that is", "a small town in France. Logically, the events that take place in that", "the events in MyWork. Which of the following am I allowed to do", "set in the present in a small town in France. Logically, the events", "town in France in InspirationWork could occur in the same universe as MyWork", "Have one of the characters in MyWork implied to be in touch with", "take place in MyWork * Have a character in MyWork make reference to", "allowed, and why? Would any change if I got the author's permission? ", "Which of the following am I allowed to do vs. not allowed, and", "implied to be related to a InspirationWork character, without mentioning the character's specific", "Have a character in MyWork make reference to the events of InspirationWork ", "that I take inspiration from, InspirationWork, that is set in the present in", "am I allowed to do vs. not allowed, and why? Would any change", "author's permission? * Mention in public that the events of InspirationWork also take", "Have one of the characters in MyWork implied to be related to a", "InspirationWork * Have one of the characters in MyWork implied to be in", "MyWork. Which of the following am I allowed to do vs. not allowed,", "series called MyWork, that is set in the present in a small town", "that is set in the present in a small town in the US.", "in public that the events of InspirationWork also take place in MyWork ", "occur in the same universe as MyWork without affecting the events in MyWork.", "in MyWork Have a character in MyWork make reference to the events", "in touch with an InspirationWork character, without mentioning the character's specific name ", "the events that take place in that small town in France in InspirationWork", "that the events of InspirationWork also take place in MyWork Have a", "a small town in the US. I have a fantasy series that I", "Would any change if I got the author's permission? * Mention in public", "Let's say I'm working on a fantasy series called MyWork, that is set", "if I got the author's permission? * Mention in public that the events", "with an InspirationWork character, without mentioning the character's specific name * Have one", "universe as MyWork without affecting the events in MyWork. Which of the following", "* Have one of the characters in MyWork implied to be related to", "the characters in MyWork implied to be related to a InspirationWork character, without", "in France. Logically, the events that take place in that small town in", "specific name * Have one of the characters in MyWork implied to be", "without affecting the events in MyWork. Which of the following am I allowed", "events of InspirationWork * Have one of the characters in MyWork implied to", "reference to the events of InspirationWork * Have one of the characters in", "town in France. Logically, the events that take place in that small town", "in a small town in the US. I have a fantasy series that", "a fantasy series that I take inspiration from, InspirationWork, that is set in", "in MyWork. Which of the following am I allowed to do vs. not", "US. I have a fantasy series that I take inspiration from, InspirationWork, that", "of InspirationWork also take place in MyWork * Have a character in MyWork", "of the following am I allowed to do vs. not allowed, and why?", "I take inspiration from, InspirationWork, that is set in the present in a", "the US. I have a fantasy series that I take inspiration from, InspirationWork,", "as MyWork without affecting the events in MyWork. Which of the following am", "following am I allowed to do vs. not allowed, and why? Would any", "the present in a small town in France. Logically, the events that take", "Logically, the events that take place in that small town in France in", "public that the events of InspirationWork also take place in MyWork * Have", "one of the characters in MyWork implied to be in touch with an", "small town in France. Logically, the events that take place in that small" ]
[ "and injustice. But yet it does not relate to any main futuristic points", "but it is also relating to an imagined society where there are great", "to an imagined society where there are great suffering and injustice. But yet", "main futuristic points or into space adventures. Or would you just consider it", "that are not in real life situations but it is also relating to", "trying for a long time to figure out if my story is just", "is just considered Dystopian or Fiction. It has things that are not in", "imagined society where there are great suffering and injustice. But yet it does", "considered Dystopian or Fiction. It has things that are not in real life", "in real life situations but it is also relating to an imagined society", "there are great suffering and injustice. But yet it does not relate to", "yet it does not relate to any main futuristic points or into space", "are not in real life situations but it is also relating to an", "into space adventures. Or would you just consider it a 'dystopian fiction' genre?", "or Fiction. It has things that are not in real life situations but", "for a long time to figure out if my story is just considered", "things that are not in real life situations but it is also relating", "injustice. But yet it does not relate to any main futuristic points or", "my story is just considered Dystopian or Fiction. It has things that are", "futuristic points or into space adventures. Or would you just consider it a", "I have been trying for a long time to figure out if my", "been trying for a long time to figure out if my story is", "just considered Dystopian or Fiction. It has things that are not in real", "where there are great suffering and injustice. But yet it does not relate", "out if my story is just considered Dystopian or Fiction. It has things", "society where there are great suffering and injustice. But yet it does not", "does not relate to any main futuristic points or into space adventures. Or", "to any main futuristic points or into space adventures. Or would you just", "figure out if my story is just considered Dystopian or Fiction. It has", "relating to an imagined society where there are great suffering and injustice. But", "if my story is just considered Dystopian or Fiction. It has things that", "not in real life situations but it is also relating to an imagined", "points or into space adventures. Or would you just consider it a 'dystopian", "have been trying for a long time to figure out if my story", "Fiction. It has things that are not in real life situations but it", "not relate to any main futuristic points or into space adventures. Or would", "long time to figure out if my story is just considered Dystopian or", "any main futuristic points or into space adventures. Or would you just consider", "suffering and injustice. But yet it does not relate to any main futuristic", "great suffering and injustice. But yet it does not relate to any main", "or into space adventures. Or would you just consider it a 'dystopian fiction'", "Dystopian or Fiction. It has things that are not in real life situations", "also relating to an imagined society where there are great suffering and injustice.", "It has things that are not in real life situations but it is", "real life situations but it is also relating to an imagined society where", "it does not relate to any main futuristic points or into space adventures.", "life situations but it is also relating to an imagined society where there", "it is also relating to an imagined society where there are great suffering", "to figure out if my story is just considered Dystopian or Fiction. It", "has things that are not in real life situations but it is also", "relate to any main futuristic points or into space adventures. Or would you", "time to figure out if my story is just considered Dystopian or Fiction.", "situations but it is also relating to an imagined society where there are", "an imagined society where there are great suffering and injustice. But yet it", "a long time to figure out if my story is just considered Dystopian", "story is just considered Dystopian or Fiction. It has things that are not", "is also relating to an imagined society where there are great suffering and", "are great suffering and injustice. But yet it does not relate to any", "But yet it does not relate to any main futuristic points or into" ]
[ "Can anyone help me to find out how to effectively use that time", "contest, from a native publishing house in my country. I would love to", "editing-rewriting, which results in a better manuscript? I have a full time job", "Submissions are due in four month's time. I have an outline of my", "to find out how to effectively use that time for writing - editing-rewriting,", "in my country. I would love to participate. Submissions are due in four", "manuscript? I have a full time job and only a get maximum of", "is a novel-writing contest, from a native publishing house in my country. I", "month's time. I have an outline of my story. Can anyone help me", "find out how to effectively use that time for writing - editing-rewriting, which", "I have a full time job and only a get maximum of 3", "of my story. Can anyone help me to find out how to effectively", "an outline of my story. Can anyone help me to find out how", "out how to effectively use that time for writing - editing-rewriting, which results", "I would love to participate. Submissions are due in four month's time. I", "job and only a get maximum of 3 hrs per day for writing.", "how to effectively use that time for writing - editing-rewriting, which results in", "writing - editing-rewriting, which results in a better manuscript? I have a full", "novel-writing contest, from a native publishing house in my country. I would love", "There is a novel-writing contest, from a native publishing house in my country.", "anyone help me to find out how to effectively use that time for", "to participate. Submissions are due in four month's time. I have an outline", "have an outline of my story. Can anyone help me to find out", "outline of my story. Can anyone help me to find out how to", "a novel-writing contest, from a native publishing house in my country. I would", "are due in four month's time. I have an outline of my story.", "would love to participate. Submissions are due in four month's time. I have", "my story. Can anyone help me to find out how to effectively use", "four month's time. I have an outline of my story. Can anyone help", "a full time job and only a get maximum of 3 hrs per", "house in my country. I would love to participate. Submissions are due in", "in four month's time. I have an outline of my story. Can anyone", "full time job and only a get maximum of 3 hrs per day", "country. I would love to participate. Submissions are due in four month's time.", "better manuscript? I have a full time job and only a get maximum", "publishing house in my country. I would love to participate. Submissions are due", "native publishing house in my country. I would love to participate. Submissions are", "in a better manuscript? I have a full time job and only a", "me to find out how to effectively use that time for writing -", "a native publishing house in my country. I would love to participate. Submissions", "that time for writing - editing-rewriting, which results in a better manuscript? I", "story. Can anyone help me to find out how to effectively use that", "participate. Submissions are due in four month's time. I have an outline of", "effectively use that time for writing - editing-rewriting, which results in a better", "which results in a better manuscript? I have a full time job and", "use that time for writing - editing-rewriting, which results in a better manuscript?", "time. I have an outline of my story. Can anyone help me to", "time for writing - editing-rewriting, which results in a better manuscript? I have", "love to participate. Submissions are due in four month's time. I have an", "time job and only a get maximum of 3 hrs per day for", "for writing - editing-rewriting, which results in a better manuscript? I have a", "to effectively use that time for writing - editing-rewriting, which results in a", "my country. I would love to participate. Submissions are due in four month's", "due in four month's time. I have an outline of my story. Can", "I have an outline of my story. Can anyone help me to find", "- editing-rewriting, which results in a better manuscript? I have a full time", "results in a better manuscript? I have a full time job and only", "from a native publishing house in my country. I would love to participate.", "help me to find out how to effectively use that time for writing", "a better manuscript? I have a full time job and only a get", "have a full time job and only a get maximum of 3 hrs" ]
[ "with it. How do I get over this perfectionism to keep moving forward?", "rewriting the first part because I'm never satisfied with it. How do I", "head. Because of this, I keep judging and rewriting the first part because", "my head. Because of this, I keep judging and rewriting the first part", "I have the scenes in my head. Because of this, I keep judging", "Because of this, I keep judging and rewriting the first part because I'm", "a story I want to write and I have the scenes in my", "I keep judging and rewriting the first part because I'm never satisfied with", "the first part because I'm never satisfied with it. How do I get", "first part because I'm never satisfied with it. How do I get over", "and I have the scenes in my head. Because of this, I keep", "scenes in my head. Because of this, I keep judging and rewriting the", "never satisfied with it. How do I get over this perfectionism to keep", "and rewriting the first part because I'm never satisfied with it. How do", "keep judging and rewriting the first part because I'm never satisfied with it.", "have a story I want to write and I have the scenes in", "this, I keep judging and rewriting the first part because I'm never satisfied", "satisfied with it. How do I get over this perfectionism to keep moving", "I'm never satisfied with it. How do I get over this perfectionism to", "judging and rewriting the first part because I'm never satisfied with it. How", "write and I have the scenes in my head. Because of this, I", "to write and I have the scenes in my head. Because of this,", "in my head. Because of this, I keep judging and rewriting the first", "want to write and I have the scenes in my head. Because of", "the scenes in my head. Because of this, I keep judging and rewriting", "I have a story I want to write and I have the scenes", "have the scenes in my head. Because of this, I keep judging and", "part because I'm never satisfied with it. How do I get over this", "because I'm never satisfied with it. How do I get over this perfectionism", "I want to write and I have the scenes in my head. Because", "story I want to write and I have the scenes in my head.", "of this, I keep judging and rewriting the first part because I'm never" ]
[ "a hero, he has no special abilities, sure, he isn't an edgy neet", "lifts up and shoves him into its \"mouth\". He tries pushing himself away", "sure, he isn't an edgy neet either, but it's still pretty disappointing that", "catch? The description IS the catch, let me elaborate: The first thing that", "However, all of those are rendered moot if he's incapable of defending himself", "shot in the shoulder with an arrow, then chased down by some zombies,", "He's ultimately saved by two major-but-not-protagonist characters. Oh, and he will have trouble", "pretty disappointing that his only purpose is to literally be a quest-giver to", "school student, is \"transported\" into a fantasy world. What's the catch? The description", "of other characters are on. He isn't a hero, he has no special", "a quest-giver to others. That's his only ability, he's a subtle loudspeaker of", "enjoyable personality than Kirito or Ainz and real stakes, not unsubstantiated paranoia. However,", "to no avail, while screaming bloody murder. He's ultimately saved by two major-but-not-protagonist", "the level a lot of other characters are on. He isn't a hero,", "those are rendered moot if he's incapable of defending himself and his only", "when I stumbled into an interesting problem. At first, this is a run-of-the-mill", "a fantasy world. What's the catch? The description IS the catch, let me", "my little worlds, when I stumbled into an interesting problem. At first, this", "me elaborate: The first thing that happens to him is getting shot in", "the catch? The description IS the catch, let me elaborate: The first thing", "world) story. The protagonist, an average high school student, is \"transported\" into a", "using his injured arm for quite a while and also gets PTSD from", "wanted him to be a character that one can get behind... How can", "encounter. He becomes somewhat better along the way, and even kind of competent,", "ability, he's a subtle loudspeaker of a god. Sure he has a solid", "one of my little worlds, when I stumbled into an interesting problem. At", "getting shot in the shoulder with an arrow, then chased down by some", "but to no avail, while screaming bloody murder. He's ultimately saved by two", "a while and also gets PTSD from this encounter. He becomes somewhat better", "high school student, is \"transported\" into a fantasy world. What's the catch? The", "helplessly flails in the monster's grasp as it lifts up and shoves him", "or Ainz and real stakes, not unsubstantiated paranoia. However, all of those are", "quite a while and also gets PTSD from this encounter. He becomes somewhat", "another world) story. The protagonist, an average high school student, is \"transported\" into", "more enjoyable personality than Kirito or Ainz and real stakes, not unsubstantiated paranoia.", "than Kirito or Ainz and real stakes, not unsubstantiated paranoia. However, all of", "and even kind of competent, but never at the level a lot of", "not unsubstantiated paranoia. However, all of those are rendered moot if he's incapable", "saved by two major-but-not-protagonist characters. Oh, and he will have trouble using his", "let me elaborate: The first thing that happens to him is getting shot", "have trouble using his injured arm for quite a while and also gets", "way, and even kind of competent, but never at the level a lot", "neet either, but it's still pretty disappointing that his only purpose is to", "solid goal (get home) and more enjoyable personality than Kirito or Ainz and", "personality than Kirito or Ainz and real stakes, not unsubstantiated paranoia. However, all", "god. Sure he has a solid goal (get home) and more enjoyable personality", "where to plot needs his team to go. Yet, I wanted him to", "he will have trouble using his injured arm for quite a while and", "no special abilities, sure, he isn't an edgy neet either, but it's still", "of a god. Sure he has a solid goal (get home) and more", "\"transported\" into a fantasy world. What's the catch? The description IS the catch,", "even kind of competent, but never at the level a lot of other", "a run-of-the-mill isekai (trapped in another world) story. The protagonist, an average high", "with an arrow, then chased down by some zombies, a siren head then", "thing that happens to him is getting shot in the shoulder with an", "becomes somewhat better along the way, and even kind of competent, but never", "goal (get home) and more enjoyable personality than Kirito or Ainz and real", "either, but it's still pretty disappointing that his only purpose is to literally", "of my little worlds, when I stumbled into an interesting problem. At first,", "injured arm for quite a while and also gets PTSD from this encounter.", "also gets PTSD from this encounter. He becomes somewhat better along the way,", "So, I was thinking about one of my little worlds, when I stumbled", "is getting shot in the shoulder with an arrow, then chased down by", "and grabs him. He helplessly flails in the monster's grasp as it lifts", "abilities, sure, he isn't an edgy neet either, but it's still pretty disappointing", "the monster's grasp as it lifts up and shoves him into its \"mouth\".", "fantasy world. What's the catch? The description IS the catch, let me elaborate:", "and his only power is that he knows where to plot needs his", "a siren head then comes and grabs him. He helplessly flails in the", "avail, while screaming bloody murder. He's ultimately saved by two major-but-not-protagonist characters. Oh,", "an arrow, then chased down by some zombies, a siren head then comes", "(get home) and more enjoyable personality than Kirito or Ainz and real stakes,", "if he's incapable of defending himself and his only power is that he", "knows where to plot needs his team to go. Yet, I wanted him", "into its \"mouth\". He tries pushing himself away with his only functional arm,", "protagonist, an average high school student, is \"transported\" into a fantasy world. What's", "The first thing that happens to him is getting shot in the shoulder", "while screaming bloody murder. He's ultimately saved by two major-but-not-protagonist characters. Oh, and", "arm for quite a while and also gets PTSD from this encounter. He", "a lot of other characters are on. He isn't a hero, he has", "world. What's the catch? The description IS the catch, let me elaborate: The", "IS the catch, let me elaborate: The first thing that happens to him", "competent, but never at the level a lot of other characters are on.", "kind of competent, but never at the level a lot of other characters", "an edgy neet either, but it's still pretty disappointing that his only purpose", "as it lifts up and shoves him into its \"mouth\". He tries pushing", "The description IS the catch, let me elaborate: The first thing that happens", "is a run-of-the-mill isekai (trapped in another world) story. The protagonist, an average", "this is a run-of-the-mill isekai (trapped in another world) story. The protagonist, an", "(trapped in another world) story. The protagonist, an average high school student, is", "pushing himself away with his only functional arm, but to no avail, while", "no avail, while screaming bloody murder. He's ultimately saved by two major-but-not-protagonist characters.", "to literally be a quest-giver to others. That's his only ability, he's a", "murder. He's ultimately saved by two major-but-not-protagonist characters. Oh, and he will have", "to him is getting shot in the shoulder with an arrow, then chased", "stakes, not unsubstantiated paranoia. However, all of those are rendered moot if he's", "stumbled into an interesting problem. At first, this is a run-of-the-mill isekai (trapped", "gets PTSD from this encounter. He becomes somewhat better along the way, and", "was thinking about one of my little worlds, when I stumbled into an", "He helplessly flails in the monster's grasp as it lifts up and shoves", "has a solid goal (get home) and more enjoyable personality than Kirito or", "The protagonist, an average high school student, is \"transported\" into a fantasy world.", "What's the catch? The description IS the catch, let me elaborate: The first", "disappointing that his only purpose is to literally be a quest-giver to others.", "defending himself and his only power is that he knows where to plot", "all of those are rendered moot if he's incapable of defending himself and", "plot needs his team to go. Yet, I wanted him to be a", "he knows where to plot needs his team to go. Yet, I wanted", "characters are on. He isn't a hero, he has no special abilities, sure,", "arm, but to no avail, while screaming bloody murder. He's ultimately saved by", "an average high school student, is \"transported\" into a fantasy world. What's the", "then chased down by some zombies, a siren head then comes and grabs", "arrow, then chased down by some zombies, a siren head then comes and", "and also gets PTSD from this encounter. He becomes somewhat better along the", "major-but-not-protagonist characters. Oh, and he will have trouble using his injured arm for", "down by some zombies, a siren head then comes and grabs him. He", "will have trouble using his injured arm for quite a while and also", "his only purpose is to literally be a quest-giver to others. That's his", "his only ability, he's a subtle loudspeaker of a god. Sure he has", "bloody murder. He's ultimately saved by two major-but-not-protagonist characters. Oh, and he will", "into a fantasy world. What's the catch? The description IS the catch, let", "run-of-the-mill isekai (trapped in another world) story. The protagonist, an average high school", "little worlds, when I stumbled into an interesting problem. At first, this is", "I stumbled into an interesting problem. At first, this is a run-of-the-mill isekai", "team to go. Yet, I wanted him to be a character that one", "grasp as it lifts up and shoves him into its \"mouth\". He tries", "flails in the monster's grasp as it lifts up and shoves him into", "PTSD from this encounter. He becomes somewhat better along the way, and even", "of competent, but never at the level a lot of other characters are", "of defending himself and his only power is that he knows where to", "to plot needs his team to go. Yet, I wanted him to be", "Yet, I wanted him to be a character that one can get behind...", "interesting problem. At first, this is a run-of-the-mill isekai (trapped in another world)", "literally be a quest-giver to others. That's his only ability, he's a subtle", "Ainz and real stakes, not unsubstantiated paranoia. However, all of those are rendered", "subtle loudspeaker of a god. Sure he has a solid goal (get home)", "an interesting problem. At first, this is a run-of-the-mill isekai (trapped in another", "himself away with his only functional arm, but to no avail, while screaming", "first, this is a run-of-the-mill isekai (trapped in another world) story. The protagonist,", "isekai (trapped in another world) story. The protagonist, an average high school student,", "Oh, and he will have trouble using his injured arm for quite a", "other characters are on. He isn't a hero, he has no special abilities,", "away with his only functional arm, but to no avail, while screaming bloody", "student, is \"transported\" into a fantasy world. What's the catch? The description IS", "him. He helplessly flails in the monster's grasp as it lifts up and", "only functional arm, but to no avail, while screaming bloody murder. He's ultimately", "but never at the level a lot of other characters are on. He", "others. That's his only ability, he's a subtle loudspeaker of a god. Sure", "only ability, he's a subtle loudspeaker of a god. Sure he has a", "happens to him is getting shot in the shoulder with an arrow, then", "zombies, a siren head then comes and grabs him. He helplessly flails in", "moot if he's incapable of defending himself and his only power is that", "story. The protagonist, an average high school student, is \"transported\" into a fantasy", "trouble using his injured arm for quite a while and also gets PTSD", "hero, he has no special abilities, sure, he isn't an edgy neet either,", "some zombies, a siren head then comes and grabs him. He helplessly flails", "is to literally be a quest-giver to others. That's his only ability, he's", "purpose is to literally be a quest-giver to others. That's his only ability,", "the way, and even kind of competent, but never at the level a", "himself and his only power is that he knows where to plot needs", "only power is that he knows where to plot needs his team to", "the catch, let me elaborate: The first thing that happens to him is", "in another world) story. The protagonist, an average high school student, is \"transported\"", "he has no special abilities, sure, he isn't an edgy neet either, but", "at the level a lot of other characters are on. He isn't a", "has no special abilities, sure, he isn't an edgy neet either, but it's", "first thing that happens to him is getting shot in the shoulder with", "go. Yet, I wanted him to be a character that one can get", "be a character that one can get behind... How can I accomplish that?", "functional arm, but to no avail, while screaming bloody murder. He's ultimately saved", "two major-but-not-protagonist characters. Oh, and he will have trouble using his injured arm", "better along the way, and even kind of competent, but never at the", "while and also gets PTSD from this encounter. He becomes somewhat better along", "somewhat better along the way, and even kind of competent, but never at", "from this encounter. He becomes somewhat better along the way, and even kind", "then comes and grabs him. He helplessly flails in the monster's grasp as", "along the way, and even kind of competent, but never at the level", "by some zombies, a siren head then comes and grabs him. He helplessly", "to others. That's his only ability, he's a subtle loudspeaker of a god.", "and he will have trouble using his injured arm for quite a while", "the shoulder with an arrow, then chased down by some zombies, a siren", "it lifts up and shoves him into its \"mouth\". He tries pushing himself", "him into its \"mouth\". He tries pushing himself away with his only functional", "quest-giver to others. That's his only ability, he's a subtle loudspeaker of a", "his only power is that he knows where to plot needs his team", "his team to go. Yet, I wanted him to be a character that", "and real stakes, not unsubstantiated paranoia. However, all of those are rendered moot", "grabs him. He helplessly flails in the monster's grasp as it lifts up", "edgy neet either, but it's still pretty disappointing that his only purpose is", "into an interesting problem. At first, this is a run-of-the-mill isekai (trapped in", "catch, let me elaborate: The first thing that happens to him is getting", "and shoves him into its \"mouth\". He tries pushing himself away with his", "only purpose is to literally be a quest-giver to others. That's his only", "he's a subtle loudspeaker of a god. Sure he has a solid goal", "home) and more enjoyable personality than Kirito or Ainz and real stakes, not", "ultimately saved by two major-but-not-protagonist characters. Oh, and he will have trouble using", "That's his only ability, he's a subtle loudspeaker of a god. Sure he", "to be a character that one can get behind... How can I accomplish", "this encounter. He becomes somewhat better along the way, and even kind of", "isn't a hero, he has no special abilities, sure, he isn't an edgy", "him is getting shot in the shoulder with an arrow, then chased down", "it's still pretty disappointing that his only purpose is to literally be a", "needs his team to go. Yet, I wanted him to be a character", "its \"mouth\". He tries pushing himself away with his only functional arm, but", "his only functional arm, but to no avail, while screaming bloody murder. He's", "up and shoves him into its \"mouth\". He tries pushing himself away with", "be a quest-giver to others. That's his only ability, he's a subtle loudspeaker", "comes and grabs him. He helplessly flails in the monster's grasp as it", "by two major-but-not-protagonist characters. Oh, and he will have trouble using his injured", "siren head then comes and grabs him. He helplessly flails in the monster's", "in the monster's grasp as it lifts up and shoves him into its", "he isn't an edgy neet either, but it's still pretty disappointing that his", "a solid goal (get home) and more enjoyable personality than Kirito or Ainz", "level a lot of other characters are on. He isn't a hero, he", "screaming bloody murder. He's ultimately saved by two major-but-not-protagonist characters. Oh, and he", "he's incapable of defending himself and his only power is that he knows", "that happens to him is getting shot in the shoulder with an arrow,", "in the shoulder with an arrow, then chased down by some zombies, a", "shoves him into its \"mouth\". He tries pushing himself away with his only", "a subtle loudspeaker of a god. Sure he has a solid goal (get", "\"mouth\". He tries pushing himself away with his only functional arm, but to", "about one of my little worlds, when I stumbled into an interesting problem.", "on. He isn't a hero, he has no special abilities, sure, he isn't", "paranoia. However, all of those are rendered moot if he's incapable of defending", "power is that he knows where to plot needs his team to go.", "problem. At first, this is a run-of-the-mill isekai (trapped in another world) story.", "a god. Sure he has a solid goal (get home) and more enjoyable", "special abilities, sure, he isn't an edgy neet either, but it's still pretty", "incapable of defending himself and his only power is that he knows where", "I wanted him to be a character that one can get behind... How", "his injured arm for quite a while and also gets PTSD from this", "shoulder with an arrow, then chased down by some zombies, a siren head", "but it's still pretty disappointing that his only purpose is to literally be", "real stakes, not unsubstantiated paranoia. However, all of those are rendered moot if", "are on. He isn't a hero, he has no special abilities, sure, he", "worlds, when I stumbled into an interesting problem. At first, this is a", "He becomes somewhat better along the way, and even kind of competent, but", "I was thinking about one of my little worlds, when I stumbled into", "for quite a while and also gets PTSD from this encounter. He becomes", "and more enjoyable personality than Kirito or Ainz and real stakes, not unsubstantiated", "unsubstantiated paranoia. However, all of those are rendered moot if he's incapable of", "At first, this is a run-of-the-mill isekai (trapped in another world) story. The", "head then comes and grabs him. He helplessly flails in the monster's grasp", "never at the level a lot of other characters are on. He isn't", "thinking about one of my little worlds, when I stumbled into an interesting", "tries pushing himself away with his only functional arm, but to no avail,", "with his only functional arm, but to no avail, while screaming bloody murder.", "He isn't a hero, he has no special abilities, sure, he isn't an", "he has a solid goal (get home) and more enjoyable personality than Kirito", "are rendered moot if he's incapable of defending himself and his only power", "to go. Yet, I wanted him to be a character that one can", "is that he knows where to plot needs his team to go. Yet,", "lot of other characters are on. He isn't a hero, he has no", "Sure he has a solid goal (get home) and more enjoyable personality than", "is \"transported\" into a fantasy world. What's the catch? The description IS the", "loudspeaker of a god. Sure he has a solid goal (get home) and", "elaborate: The first thing that happens to him is getting shot in the", "characters. Oh, and he will have trouble using his injured arm for quite", "that he knows where to plot needs his team to go. Yet, I", "description IS the catch, let me elaborate: The first thing that happens to", "chased down by some zombies, a siren head then comes and grabs him.", "Kirito or Ainz and real stakes, not unsubstantiated paranoia. However, all of those", "He tries pushing himself away with his only functional arm, but to no", "of those are rendered moot if he's incapable of defending himself and his", "average high school student, is \"transported\" into a fantasy world. What's the catch?", "that his only purpose is to literally be a quest-giver to others. That's", "him to be a character that one can get behind... How can I", "still pretty disappointing that his only purpose is to literally be a quest-giver", "monster's grasp as it lifts up and shoves him into its \"mouth\". He", "rendered moot if he's incapable of defending himself and his only power is", "isn't an edgy neet either, but it's still pretty disappointing that his only" ]
[ "medieval fantasy and stumbled across this problem. Speakers tend to speak a whole", "> > versus: > > \"Go Away\", I said. > > > Which", "Example: > > I said \"Go Away\" > > > versus: > >", "> > > versus: > > \"Go Away\", I said. > > >", "first? I am writing medieval fantasy and stumbled across this problem. Speakers tend", "> > > Which should come first? I am writing medieval fantasy and", "\"Go Away\", I said. > > > Which should come first? I am", "Speakers tend to speak a whole paragraph at times, and therefore which should", "said \"Go Away\" > > > versus: > > \"Go Away\", I said.", "> > \"Go Away\", I said. > > > Which should come first?", "I am writing medieval fantasy and stumbled across this problem. Speakers tend to", "> > Which should come first? I am writing medieval fantasy and stumbled", "tend to speak a whole paragraph at times, and therefore which should come", "> \"Go Away\", I said. > > > Which should come first? I", "should come first? I am writing medieval fantasy and stumbled across this problem.", "\"Go Away\" > > > versus: > > \"Go Away\", I said. >", "Away\", I said. > > > Which should come first? I am writing", "versus: > > \"Go Away\", I said. > > > Which should come", "Which should come first? I am writing medieval fantasy and stumbled across this", "am writing medieval fantasy and stumbled across this problem. Speakers tend to speak", "problem. Speakers tend to speak a whole paragraph at times, and therefore which", "Away\" > > > versus: > > \"Go Away\", I said. > >", "> > I said \"Go Away\" > > > versus: > > \"Go", "> I said \"Go Away\" > > > versus: > > \"Go Away\",", "> versus: > > \"Go Away\", I said. > > > Which should", "fantasy and stumbled across this problem. Speakers tend to speak a whole paragraph", "across this problem. Speakers tend to speak a whole paragraph at times, and", "to speak a whole paragraph at times, and therefore which should come first?", "I said \"Go Away\" > > > versus: > > \"Go Away\", I", "and stumbled across this problem. Speakers tend to speak a whole paragraph at", "come first? I am writing medieval fantasy and stumbled across this problem. Speakers", "said. > > > Which should come first? I am writing medieval fantasy", "> Which should come first? I am writing medieval fantasy and stumbled across", "stumbled across this problem. Speakers tend to speak a whole paragraph at times,", "I said. > > > Which should come first? I am writing medieval", "writing medieval fantasy and stumbled across this problem. Speakers tend to speak a", "this problem. Speakers tend to speak a whole paragraph at times, and therefore" ]
[ "in domains where the synonyms are much more numerous. In particular, insults. I", "a bit too helpful: I got dunce, dolt, twit, oaf, dope, chump, dork,", "(and every insult, not just a bullet point list of \"35 Aussie curses", "boomerang out of the air\". But there's only a limited amount of words", "it can be a big interruption in writing to have to pause to", "for words that are specifically non-regional), and/or a technique, strategy, or just some", "and dork is closer to someone who is out of touch than genuinely", "have known those things if it hadn't been for him. The thesaurus didn't", "where the synonyms are much more numerous. In particular, insults. I was looking", "something. Where I am struggling more is in domains where the synonyms are", "a limited amount of words related to the concept of catching something. Where", "end; but I would not have known those things if it hadn't been", "known those things if it hadn't been for him. The thesaurus didn't seem", "So what I am looking for is perhaps an online dictionary that deals", "caught his boomerang\" to \"Sokka snagged his boomerang out of the air\". But", "to someone who is out of touch than genuinely stupid. I settled on", "deals specifically with insults (and every insult, not just a bullet point list", "am struggling more is in domains where the synonyms are much more numerous.", "technique, strategy, or just some tips to help find the right word for", "I consulted my Kiwi friend who speaks the language natively. He could immediately", "a handful, and you would have to open twenty tabs to find the", "was about to chose dunce purely by gut feel, before I consulted my", "who speaks the language natively. He could immediately tell that I shouldn't use", "just a handful, and you would have to open twenty tabs to find", "lot, improving sentences like \"Sokka caught his boomerang\" to \"Sokka snagged his boomerang", "did not describe twit as British; and it can be a big interruption", "gut feel, before I consulted my Kiwi friend who speaks the language natively.", "me, because it did not describe twit as British; and it can be", "is closer to someone who is out of touch than genuinely stupid. I", "perhaps an online dictionary that deals specifically with insults (and every insult, not", "on the other hand is British, and dork is closer to someone who", "seem accurate enough for me, because it did not describe twit as British;", "concept of catching something. Where I am struggling more is in domains where", "not just a bullet point list of \"35 Aussie curses that will shock", "than genuinely stupid. I settled on dolt in the end; but I would", "the right term, when there's twenty options to choose from rather than just", "many more. I was about to chose dunce purely by gut feel, before", "the other hand is British, and dork is closer to someone who is", "I settled on dolt in the end; but I would not have known", "twenty options to choose from rather than just a handful, and you would", "in fact more often looking for words that are specifically non-regional), and/or a", "it hadn't been for him. The thesaurus didn't seem accurate enough for me,", "right shade of meaning. So what I am looking for is perhaps an", "describe twit as British; and it can be a big interruption in writing", "hadn't been for him. The thesaurus didn't seem accurate enough for me, because", "Perhaps a bit too helpful: I got dunce, dolt, twit, oaf, dope, chump,", "genuinely stupid. I settled on dolt in the end; but I would not", "to chose dunce purely by gut feel, before I consulted my Kiwi friend", "find the right shade of meaning. So what I am looking for is", "non-native Anglophone, it can be a bit more of a challenge to do", "Anglophone, it can be a bit more of a challenge to do creative", "for is perhaps an online dictionary that deals specifically with insults (and every", "tips to help find the right word for something as inherently subjective as", "of touch than genuinely stupid. I settled on dolt in the end; but", "could immediately tell that I shouldn't use dunce, for it is American, apparently.", "dolt, twit, oaf, dope, chump, dork, sap, and many more. I was about", "one-syllable word that someone would use to describe a generically stupid/silly person. [thesaurus.com](https://thesaurus.com)", "use to describe a generically stupid/silly person. [thesaurus.com](https://thesaurus.com) was really helpful. Perhaps a", "insult, not just a bullet point list of \"35 Aussie curses that will", "bit too helpful: I got dunce, dolt, twit, oaf, dope, chump, dork, sap,", "often looking for words that are specifically non-regional), and/or a technique, strategy, or", "it did not describe twit as British; and it can be a big", "insults (and every insult, not just a bullet point list of \"35 Aussie", "the air\". But there's only a limited amount of words related to the", "is out of touch than genuinely stupid. I settled on dolt in the", "dictionary that deals specifically with insults (and every insult, not just a bullet", "too helpful: I got dunce, dolt, twit, oaf, dope, chump, dork, sap, and", "and it can be a big interruption in writing to have to pause", "Aussie curses that will shock you\" - I am in fact more often", "purely by gut feel, before I consulted my Kiwi friend who speaks the", "got dunce, dolt, twit, oaf, dope, chump, dork, sap, and many more. I", "dunce purely by gut feel, before I consulted my Kiwi friend who speaks", "someone would use to describe a generically stupid/silly person. [thesaurus.com](https://thesaurus.com) was really helpful.", "snagged his boomerang out of the air\". But there's only a limited amount", "closer to someone who is out of touch than genuinely stupid. I settled", "natively. He could immediately tell that I shouldn't use dunce, for it is", "just a bullet point list of \"35 Aussie curses that will shock you\"", "who is out of touch than genuinely stupid. I settled on dolt in", "accurate enough for me, because it did not describe twit as British; and", "options to choose from rather than just a handful, and you would have", "it is American, apparently. Twit on the other hand is British, and dork", "tell that I shouldn't use dunce, for it is American, apparently. Twit on", "dork, sap, and many more. I was about to chose dunce purely by", "strategy, or just some tips to help find the right word for something", "have to open twenty tabs to find the right shade of meaning. So", "hand is British, and dork is closer to someone who is out of", "and/or a technique, strategy, or just some tips to help find the right", "words related to the concept of catching something. Where I am struggling more", "in English. Thesauri have helped me a lot, improving sentences like \"Sokka caught", "will shock you\" - I am in fact more often looking for words", "of a challenge to do creative writing in English. Thesauri have helped me", "creative writing in English. Thesauri have helped me a lot, improving sentences like", "helped me a lot, improving sentences like \"Sokka caught his boomerang\" to \"Sokka", "term, when there's twenty options to choose from rather than just a handful,", "to have to pause to find the right term, when there's twenty options", "is American, apparently. Twit on the other hand is British, and dork is", "for me, because it did not describe twit as British; and it can", "person. [thesaurus.com](https://thesaurus.com) was really helpful. Perhaps a bit too helpful: I got dunce,", "a bit more of a challenge to do creative writing in English. Thesauri", "a big interruption in writing to have to pause to find the right", "I was looking for a one-syllable word that someone would use to describe", "rather than just a handful, and you would have to open twenty tabs", "because it did not describe twit as British; and it can be a", "like \"Sokka caught his boomerang\" to \"Sokka snagged his boomerang out of the", "I am looking for is perhaps an online dictionary that deals specifically with", "that someone would use to describe a generically stupid/silly person. [thesaurus.com](https://thesaurus.com) was really", "out of the air\". But there's only a limited amount of words related", "be a bit more of a challenge to do creative writing in English.", "touch than genuinely stupid. I settled on dolt in the end; but I", "particular, insults. I was looking for a one-syllable word that someone would use", "friend who speaks the language natively. He could immediately tell that I shouldn't", "twit, oaf, dope, chump, dork, sap, and many more. I was about to", "is British, and dork is closer to someone who is out of touch", "curses that will shock you\" - I am in fact more often looking", "to find the right term, when there's twenty options to choose from rather", "interruption in writing to have to pause to find the right term, when", "his boomerang\" to \"Sokka snagged his boomerang out of the air\". But there's", "shade of meaning. So what I am looking for is perhaps an online", "pause to find the right term, when there's twenty options to choose from", "you would have to open twenty tabs to find the right shade of", "words that are specifically non-regional), and/or a technique, strategy, or just some tips", "settled on dolt in the end; but I would not have known those", "big interruption in writing to have to pause to find the right term,", "have helped me a lot, improving sentences like \"Sokka caught his boomerang\" to", "In particular, insults. I was looking for a one-syllable word that someone would", "dunce, for it is American, apparently. Twit on the other hand is British,", "more numerous. In particular, insults. I was looking for a one-syllable word that", "British; and it can be a big interruption in writing to have to", "not have known those things if it hadn't been for him. The thesaurus", "non-regional), and/or a technique, strategy, or just some tips to help find the", "numerous. In particular, insults. I was looking for a one-syllable word that someone", "more often looking for words that are specifically non-regional), and/or a technique, strategy,", "speaks the language natively. He could immediately tell that I shouldn't use dunce,", "related to the concept of catching something. Where I am struggling more is", "American, apparently. Twit on the other hand is British, and dork is closer", "dunce, dolt, twit, oaf, dope, chump, dork, sap, and many more. I was", "to the concept of catching something. Where I am struggling more is in", "bit more of a challenge to do creative writing in English. Thesauri have", "But there's only a limited amount of words related to the concept of", "I shouldn't use dunce, for it is American, apparently. Twit on the other", "The thesaurus didn't seem accurate enough for me, because it did not describe", "you\" - I am in fact more often looking for words that are", "him. The thesaurus didn't seem accurate enough for me, because it did not", "bullet point list of \"35 Aussie curses that will shock you\" - I", "As a non-native Anglophone, it can be a bit more of a challenge", "challenge to do creative writing in English. Thesauri have helped me a lot,", "I am in fact more often looking for words that are specifically non-regional),", "is in domains where the synonyms are much more numerous. In particular, insults.", "limited amount of words related to the concept of catching something. Where I", "Thesauri have helped me a lot, improving sentences like \"Sokka caught his boomerang\"", "Twit on the other hand is British, and dork is closer to someone", "for a one-syllable word that someone would use to describe a generically stupid/silly", "that deals specifically with insults (and every insult, not just a bullet point", "feel, before I consulted my Kiwi friend who speaks the language natively. He", "was looking for a one-syllable word that someone would use to describe a", "of the air\". But there's only a limited amount of words related to", "consulted my Kiwi friend who speaks the language natively. He could immediately tell", "looking for a one-syllable word that someone would use to describe a generically", "struggling more is in domains where the synonyms are much more numerous. In", "amount of words related to the concept of catching something. Where I am", "a non-native Anglophone, it can be a bit more of a challenge to", "language natively. He could immediately tell that I shouldn't use dunce, for it", "open twenty tabs to find the right shade of meaning. So what I", "before I consulted my Kiwi friend who speaks the language natively. He could", "shock you\" - I am in fact more often looking for words that", "apparently. Twit on the other hand is British, and dork is closer to", "looking for is perhaps an online dictionary that deals specifically with insults (and", "- I am in fact more often looking for words that are specifically", "more is in domains where the synonyms are much more numerous. In particular,", "stupid. I settled on dolt in the end; but I would not have", "and you would have to open twenty tabs to find the right shade", "Kiwi friend who speaks the language natively. He could immediately tell that I", "to \"Sokka snagged his boomerang out of the air\". But there's only a", "a lot, improving sentences like \"Sokka caught his boomerang\" to \"Sokka snagged his", "I was about to chose dunce purely by gut feel, before I consulted", "am in fact more often looking for words that are specifically non-regional), and/or", "can be a bit more of a challenge to do creative writing in", "someone who is out of touch than genuinely stupid. I settled on dolt", "that I shouldn't use dunce, for it is American, apparently. Twit on the", "list of \"35 Aussie curses that will shock you\" - I am in", "do creative writing in English. Thesauri have helped me a lot, improving sentences", "his boomerang out of the air\". But there's only a limited amount of", "but I would not have known those things if it hadn't been for", "thesaurus didn't seem accurate enough for me, because it did not describe twit", "for him. The thesaurus didn't seem accurate enough for me, because it did", "on dolt in the end; but I would not have known those things", "dope, chump, dork, sap, and many more. I was about to chose dunce", "in writing to have to pause to find the right term, when there's", "that are specifically non-regional), and/or a technique, strategy, or just some tips to", "choose from rather than just a handful, and you would have to open", "to open twenty tabs to find the right shade of meaning. So what", "boomerang\" to \"Sokka snagged his boomerang out of the air\". But there's only", "online dictionary that deals specifically with insults (and every insult, not just a", "twit as British; and it can be a big interruption in writing to", "be a big interruption in writing to have to pause to find the", "sap, and many more. I was about to chose dunce purely by gut", "looking for words that are specifically non-regional), and/or a technique, strategy, or just", "point list of \"35 Aussie curses that will shock you\" - I am", "more. I was about to chose dunce purely by gut feel, before I", "than just a handful, and you would have to open twenty tabs to", "would use to describe a generically stupid/silly person. [thesaurus.com](https://thesaurus.com) was really helpful. Perhaps", "English. Thesauri have helped me a lot, improving sentences like \"Sokka caught his", "a generically stupid/silly person. [thesaurus.com](https://thesaurus.com) was really helpful. Perhaps a bit too helpful:", "the end; but I would not have known those things if it hadn't", "with insults (and every insult, not just a bullet point list of \"35", "if it hadn't been for him. The thesaurus didn't seem accurate enough for", "about to chose dunce purely by gut feel, before I consulted my Kiwi", "those things if it hadn't been for him. The thesaurus didn't seem accurate", "catching something. Where I am struggling more is in domains where the synonyms", "I would not have known those things if it hadn't been for him.", "can be a big interruption in writing to have to pause to find", "specifically non-regional), and/or a technique, strategy, or just some tips to help find", "\"35 Aussie curses that will shock you\" - I am in fact more", "help find the right word for something as inherently subjective as a dolt.", "to describe a generically stupid/silly person. [thesaurus.com](https://thesaurus.com) was really helpful. Perhaps a bit", "immediately tell that I shouldn't use dunce, for it is American, apparently. Twit", "the right shade of meaning. So what I am looking for is perhaps", "dolt in the end; but I would not have known those things if", "and many more. I was about to chose dunce purely by gut feel,", "really helpful. Perhaps a bit too helpful: I got dunce, dolt, twit, oaf,", "by gut feel, before I consulted my Kiwi friend who speaks the language", "writing to have to pause to find the right term, when there's twenty", "things if it hadn't been for him. The thesaurus didn't seem accurate enough", "of \"35 Aussie curses that will shock you\" - I am in fact", "to choose from rather than just a handful, and you would have to", "to find the right shade of meaning. So what I am looking for", "am looking for is perhaps an online dictionary that deals specifically with insults", "use dunce, for it is American, apparently. Twit on the other hand is", "have to pause to find the right term, when there's twenty options to", "meaning. So what I am looking for is perhaps an online dictionary that", "didn't seem accurate enough for me, because it did not describe twit as", "fact more often looking for words that are specifically non-regional), and/or a technique,", "would have to open twenty tabs to find the right shade of meaning.", "just some tips to help find the right word for something as inherently", "a one-syllable word that someone would use to describe a generically stupid/silly person.", "there's only a limited amount of words related to the concept of catching", "find the right term, when there's twenty options to choose from rather than", "only a limited amount of words related to the concept of catching something.", "a challenge to do creative writing in English. Thesauri have helped me a", "not describe twit as British; and it can be a big interruption in", "enough for me, because it did not describe twit as British; and it", "are specifically non-regional), and/or a technique, strategy, or just some tips to help", "it can be a bit more of a challenge to do creative writing", "He could immediately tell that I shouldn't use dunce, for it is American,", "generically stupid/silly person. [thesaurus.com](https://thesaurus.com) was really helpful. Perhaps a bit too helpful: I", "\"Sokka snagged his boomerang out of the air\". But there's only a limited", "much more numerous. In particular, insults. I was looking for a one-syllable word", "of words related to the concept of catching something. Where I am struggling", "was really helpful. Perhaps a bit too helpful: I got dunce, dolt, twit,", "more of a challenge to do creative writing in English. Thesauri have helped", "I got dunce, dolt, twit, oaf, dope, chump, dork, sap, and many more.", "oaf, dope, chump, dork, sap, and many more. I was about to chose", "I am struggling more is in domains where the synonyms are much more", "shouldn't use dunce, for it is American, apparently. Twit on the other hand", "describe a generically stupid/silly person. [thesaurus.com](https://thesaurus.com) was really helpful. Perhaps a bit too", "word that someone would use to describe a generically stupid/silly person. [thesaurus.com](https://thesaurus.com) was", "Where I am struggling more is in domains where the synonyms are much", "other hand is British, and dork is closer to someone who is out", "an online dictionary that deals specifically with insults (and every insult, not just", "tabs to find the right shade of meaning. So what I am looking", "\"Sokka caught his boomerang\" to \"Sokka snagged his boomerang out of the air\".", "British, and dork is closer to someone who is out of touch than", "me a lot, improving sentences like \"Sokka caught his boomerang\" to \"Sokka snagged", "to pause to find the right term, when there's twenty options to choose", "every insult, not just a bullet point list of \"35 Aussie curses that", "what I am looking for is perhaps an online dictionary that deals specifically", "from rather than just a handful, and you would have to open twenty", "helpful: I got dunce, dolt, twit, oaf, dope, chump, dork, sap, and many", "insults. I was looking for a one-syllable word that someone would use to", "is perhaps an online dictionary that deals specifically with insults (and every insult,", "a bullet point list of \"35 Aussie curses that will shock you\" -", "as British; and it can be a big interruption in writing to have", "some tips to help find the right word for something as inherently subjective", "chump, dork, sap, and many more. I was about to chose dunce purely", "or just some tips to help find the right word for something as", "synonyms are much more numerous. In particular, insults. I was looking for a", "sentences like \"Sokka caught his boomerang\" to \"Sokka snagged his boomerang out of", "domains where the synonyms are much more numerous. In particular, insults. I was", "handful, and you would have to open twenty tabs to find the right", "right term, when there's twenty options to choose from rather than just a", "of meaning. So what I am looking for is perhaps an online dictionary", "in the end; but I would not have known those things if it", "would not have known those things if it hadn't been for him. The", "specifically with insults (and every insult, not just a bullet point list of", "are much more numerous. In particular, insults. I was looking for a one-syllable", "improving sentences like \"Sokka caught his boomerang\" to \"Sokka snagged his boomerang out", "for it is American, apparently. Twit on the other hand is British, and", "there's twenty options to choose from rather than just a handful, and you", "writing in English. Thesauri have helped me a lot, improving sentences like \"Sokka", "of catching something. Where I am struggling more is in domains where the", "dork is closer to someone who is out of touch than genuinely stupid.", "the concept of catching something. Where I am struggling more is in domains", "a technique, strategy, or just some tips to help find the right word", "stupid/silly person. [thesaurus.com](https://thesaurus.com) was really helpful. Perhaps a bit too helpful: I got", "[thesaurus.com](https://thesaurus.com) was really helpful. Perhaps a bit too helpful: I got dunce, dolt,", "air\". But there's only a limited amount of words related to the concept", "my Kiwi friend who speaks the language natively. He could immediately tell that", "twenty tabs to find the right shade of meaning. So what I am", "chose dunce purely by gut feel, before I consulted my Kiwi friend who", "when there's twenty options to choose from rather than just a handful, and", "out of touch than genuinely stupid. I settled on dolt in the end;", "that will shock you\" - I am in fact more often looking for", "to do creative writing in English. Thesauri have helped me a lot, improving", "been for him. The thesaurus didn't seem accurate enough for me, because it", "the synonyms are much more numerous. In particular, insults. I was looking for", "the language natively. He could immediately tell that I shouldn't use dunce, for", "to help find the right word for something as inherently subjective as a", "helpful. Perhaps a bit too helpful: I got dunce, dolt, twit, oaf, dope," ]
[ "day (or almost every day) and spiralling down into a full blown addiction,", "to past events (which happen in the book). I'm worried that all the", "(which happen in the book). I'm worried that all the scenes will come", "is drunk every day (or almost every day) and spiralling down into a", "off the same because he is always drunk. How do I show that", "same because he is always drunk. How do I show that he is", "A sub-plot of my story, is that the protagonist is struggling with addiction", "struggling with addiction to alcohol due to past events (which happen in the", "a full blown addiction, while also not being repetitive in every scene? (Keep", "in every scene? (Keep in mind he is still functioning, just drunk while", "the protagonist is struggling with addiction to alcohol due to past events (which", "scenes will come off the same because he is always drunk. How do", "the scenes will come off the same because he is always drunk. How", "I show that he is drunk every day (or almost every day) and", "(or almost every day) and spiralling down into a full blown addiction, while", "full blown addiction, while also not being repetitive in every scene? (Keep in", "story, is that the protagonist is struggling with addiction to alcohol due to", "past events (which happen in the book). I'm worried that all the scenes", "is always drunk. How do I show that he is drunk every day", "my story, is that the protagonist is struggling with addiction to alcohol due", "do I show that he is drunk every day (or almost every day)", "every scene? (Keep in mind he is still functioning, just drunk while doing", "of my story, is that the protagonist is struggling with addiction to alcohol", "that the protagonist is struggling with addiction to alcohol due to past events", "in the book). I'm worried that all the scenes will come off the", "all the scenes will come off the same because he is always drunk.", "blown addiction, while also not being repetitive in every scene? (Keep in mind", "is struggling with addiction to alcohol due to past events (which happen in", "every day) and spiralling down into a full blown addiction, while also not", "day) and spiralling down into a full blown addiction, while also not being", "being repetitive in every scene? (Keep in mind he is still functioning, just", "worried that all the scenes will come off the same because he is", "always drunk. How do I show that he is drunk every day (or", "is that the protagonist is struggling with addiction to alcohol due to past", "How do I show that he is drunk every day (or almost every", "drunk every day (or almost every day) and spiralling down into a full", "drunk. How do I show that he is drunk every day (or almost", "that all the scenes will come off the same because he is always", "every day (or almost every day) and spiralling down into a full blown", "also not being repetitive in every scene? (Keep in mind he is still", "to alcohol due to past events (which happen in the book). I'm worried", "because he is always drunk. How do I show that he is drunk", "addiction, while also not being repetitive in every scene? (Keep in mind he", "not being repetitive in every scene? (Keep in mind he is still functioning,", "sub-plot of my story, is that the protagonist is struggling with addiction to", "show that he is drunk every day (or almost every day) and spiralling", "come off the same because he is always drunk. How do I show", "I'm worried that all the scenes will come off the same because he", "he is always drunk. How do I show that he is drunk every", "events (which happen in the book). I'm worried that all the scenes will", "happen in the book). I'm worried that all the scenes will come off", "repetitive in every scene? (Keep in mind he is still functioning, just drunk", "the same because he is always drunk. How do I show that he", "scene? (Keep in mind he is still functioning, just drunk while doing it).", "down into a full blown addiction, while also not being repetitive in every", "protagonist is struggling with addiction to alcohol due to past events (which happen", "will come off the same because he is always drunk. How do I", "that he is drunk every day (or almost every day) and spiralling down", "he is drunk every day (or almost every day) and spiralling down into", "with addiction to alcohol due to past events (which happen in the book).", "addiction to alcohol due to past events (which happen in the book). I'm", "into a full blown addiction, while also not being repetitive in every scene?", "while also not being repetitive in every scene? (Keep in mind he is", "due to past events (which happen in the book). I'm worried that all", "spiralling down into a full blown addiction, while also not being repetitive in", "alcohol due to past events (which happen in the book). I'm worried that", "book). I'm worried that all the scenes will come off the same because", "and spiralling down into a full blown addiction, while also not being repetitive", "almost every day) and spiralling down into a full blown addiction, while also", "the book). I'm worried that all the scenes will come off the same" ]
[ "I thought that it could be interesting to keep switching between them. Sometimes", "sluggishly interpreting what had passed in the night, and going back to sleep", "and start off the next section with the first sentence revealing whose perspective", "character B reacting to that action. The question is if this technique can", "in third person, but everything described is things that are visible to the", "because the characters are in a group of five, I thought that it", "the characters are in a group of five, I thought that it could", "just to prevent this question from being closed as opinion-based: Do any professional", "revealing whose perspective this part has. I switch at logical pauses in the", "characters are in a group of five, I thought that it could be", "POV character, and you can hear their thoughts. Now, because the characters are", "- so I can switch to character B reacting to that action. The", "you can hear their thoughts. Now, because the characters are in a group", "five, I thought that it could be interesting to keep switching between them.", "things are taken care of: I mark the transitions with some centred asterisks,", "opinion-based: Do any professional authors use something like this? Do any style or", "something - so I can switch to character B reacting to that action.", "this technique can be considered inherently annoying to some or many readers. And", "the first sentence revealing whose perspective this part has. I switch at logical", "conversation, or when character A has decided to do something - so I", "trying to wake the first one up. Obvious things are taken care of:", "a group of five, I thought that it could be interesting to keep", "reacting to that action. The question is if this technique can be considered", "be considered inherently annoying to some or many readers. And some objective questions,", "Do any professional authors use something like this? Do any style or guideline", "part has. I switch at logical pauses in the conversation, or when character", "perspective this part has. I switch at logical pauses in the conversation, or", "has decided to do something - so I can switch to character B", "considered inherently annoying to some or many readers. And some objective questions, just", "questions, just to prevent this question from being closed as opinion-based: Do any", "that action. The question is if this technique can be considered inherently annoying", "decided to do something - so I can switch to character B reacting", "prevent this question from being closed as opinion-based: Do any professional authors use", "pages, sometimes for only half a page. Once I described a character waking", "waking up, sluggishly interpreting what had passed in the night, and going back", "sleep - only to then switch to the character trying to wake the", "described a character waking up, sluggishly interpreting what had passed in the night,", "I switch at logical pauses in the conversation, or when character A has", "closed as opinion-based: Do any professional authors use something like this? Do any", "is if this technique can be considered inherently annoying to some or many", "some objective questions, just to prevent this question from being closed as opinion-based:", "third person, but everything described is things that are visible to the POV", "to that action. The question is if this technique can be considered inherently", "group of five, I thought that it could be interesting to keep switching", "in a group of five, I thought that it could be interesting to", "could be interesting to keep switching between them. Sometimes I stay with one", "character, and you can hear their thoughts. Now, because the characters are in", "some centred asterisks, and start off the next section with the first sentence", "asterisks, and start off the next section with the first sentence revealing whose", "passed in the night, and going back to sleep - only to then", "it could be interesting to keep switching between them. Sometimes I stay with", "to wake the first one up. Obvious things are taken care of: I", "taken care of: I mark the transitions with some centred asterisks, and start", "but everything described is things that are visible to the POV character, and", "only half a page. Once I described a character waking up, sluggishly interpreting", "if this technique can be considered inherently annoying to some or many readers.", "to some or many readers. And some objective questions, just to prevent this", "can hear their thoughts. Now, because the characters are in a group of", "then switch to the character trying to wake the first one up. Obvious", "section with the first sentence revealing whose perspective this part has. I switch", "to then switch to the character trying to wake the first one up.", "often. It's written in third person, but everything described is things that are", "whose perspective this part has. I switch at logical pauses in the conversation,", "the character trying to wake the first one up. Obvious things are taken", "the transitions with some centred asterisks, and start off the next section with", "start off the next section with the first sentence revealing whose perspective this", "going back to sleep - only to then switch to the character trying", "person, but everything described is things that are visible to the POV character,", "care of: I mark the transitions with some centred asterisks, and start off", "POV very often. It's written in third person, but everything described is things", "first one up. Obvious things are taken care of: I mark the transitions", "the next section with the first sentence revealing whose perspective this part has.", "can switch to character B reacting to that action. The question is if", "can be considered inherently annoying to some or many readers. And some objective", "style where I switch POV very often. It's written in third person, but", "use something like this? Do any style or guideline books warn against it?", "to sleep - only to then switch to the character trying to wake", "everything described is things that are visible to the POV character, and you", "transitions with some centred asterisks, and start off the next section with the", "The question is if this technique can be considered inherently annoying to some", "the first one up. Obvious things are taken care of: I mark the", "annoying to some or many readers. And some objective questions, just to prevent", "for only half a page. Once I described a character waking up, sluggishly", "very often. It's written in third person, but everything described is things that", "I can switch to character B reacting to that action. The question is", "this part has. I switch at logical pauses in the conversation, or when", "are visible to the POV character, and you can hear their thoughts. Now,", "with one character for one-and-a-half pages, sometimes for only half a page. Once", "Now, because the characters are in a group of five, I thought that", "when character A has decided to do something - so I can switch", "are taken care of: I mark the transitions with some centred asterisks, and", "readers. And some objective questions, just to prevent this question from being closed", "to character B reacting to that action. The question is if this technique", "or when character A has decided to do something - so I can", "that are visible to the POV character, and you can hear their thoughts.", "in the night, and going back to sleep - only to then switch", "Sometimes I stay with one character for one-and-a-half pages, sometimes for only half", "many readers. And some objective questions, just to prevent this question from being", "interesting to keep switching between them. Sometimes I stay with one character for", "had passed in the night, and going back to sleep - only to", "in the conversation, or when character A has decided to do something -", "technique can be considered inherently annoying to some or many readers. And some", "switch POV very often. It's written in third person, but everything described is", "out a style where I switch POV very often. It's written in third", "for one-and-a-half pages, sometimes for only half a page. Once I described a", "next section with the first sentence revealing whose perspective this part has. I", "things that are visible to the POV character, and you can hear their", "to the character trying to wake the first one up. Obvious things are", "from being closed as opinion-based: Do any professional authors use something like this?", "sometimes for only half a page. Once I described a character waking up,", "switch to the character trying to wake the first one up. Obvious things", "visible to the POV character, and you can hear their thoughts. Now, because", "a page. Once I described a character waking up, sluggishly interpreting what had", "with the first sentence revealing whose perspective this part has. I switch at", "of: I mark the transitions with some centred asterisks, and start off the", "what had passed in the night, and going back to sleep - only", "their thoughts. Now, because the characters are in a group of five, I", "first sentence revealing whose perspective this part has. I switch at logical pauses", "with some centred asterisks, and start off the next section with the first", "written in third person, but everything described is things that are visible to", "switch at logical pauses in the conversation, or when character A has decided", "up, sluggishly interpreting what had passed in the night, and going back to", "I described a character waking up, sluggishly interpreting what had passed in the", "to prevent this question from being closed as opinion-based: Do any professional authors", "page. Once I described a character waking up, sluggishly interpreting what had passed", "a style where I switch POV very often. It's written in third person,", "logical pauses in the conversation, or when character A has decided to do", "question from being closed as opinion-based: Do any professional authors use something like", "so I can switch to character B reacting to that action. The question", "interpreting what had passed in the night, and going back to sleep -", "I mark the transitions with some centred asterisks, and start off the next", "be interesting to keep switching between them. Sometimes I stay with one character", "them. Sometimes I stay with one character for one-and-a-half pages, sometimes for only", "question is if this technique can be considered inherently annoying to some or", "I stay with one character for one-and-a-half pages, sometimes for only half a", "Obvious things are taken care of: I mark the transitions with some centred", "switch to character B reacting to that action. The question is if this", "some or many readers. And some objective questions, just to prevent this question", "one character for one-and-a-half pages, sometimes for only half a page. Once I", "being closed as opinion-based: Do any professional authors use something like this? Do", "the POV character, and you can hear their thoughts. Now, because the characters", "to the POV character, and you can hear their thoughts. Now, because the", "night, and going back to sleep - only to then switch to the", "action. The question is if this technique can be considered inherently annoying to", "to do something - so I can switch to character B reacting to", "back to sleep - only to then switch to the character trying to", "thoughts. Now, because the characters are in a group of five, I thought", "and going back to sleep - only to then switch to the character", "character waking up, sluggishly interpreting what had passed in the night, and going", "only to then switch to the character trying to wake the first one", "do something - so I can switch to character B reacting to that", "sentence revealing whose perspective this part has. I switch at logical pauses in", "mark the transitions with some centred asterisks, and start off the next section", "the conversation, or when character A has decided to do something - so", "thought that it could be interesting to keep switching between them. Sometimes I", "keep switching between them. Sometimes I stay with one character for one-and-a-half pages,", "any professional authors use something like this? Do any style or guideline books", "objective questions, just to prevent this question from being closed as opinion-based: Do", "character trying to wake the first one up. Obvious things are taken care", "Once I described a character waking up, sluggishly interpreting what had passed in", "one-and-a-half pages, sometimes for only half a page. Once I described a character", "that it could be interesting to keep switching between them. Sometimes I stay", "centred asterisks, and start off the next section with the first sentence revealing", "as opinion-based: Do any professional authors use something like this? Do any style", "And some objective questions, just to prevent this question from being closed as", "has. I switch at logical pauses in the conversation, or when character A", "pauses in the conversation, or when character A has decided to do something", "this question from being closed as opinion-based: Do any professional authors use something", "I'm trying out a style where I switch POV very often. It's written", "switching between them. Sometimes I stay with one character for one-and-a-half pages, sometimes", "A has decided to do something - so I can switch to character", "one up. Obvious things are taken care of: I mark the transitions with", "I switch POV very often. It's written in third person, but everything described", "trying out a style where I switch POV very often. It's written in", "is things that are visible to the POV character, and you can hear", "hear their thoughts. Now, because the characters are in a group of five,", "character for one-and-a-half pages, sometimes for only half a page. Once I described", "the night, and going back to sleep - only to then switch to", "at logical pauses in the conversation, or when character A has decided to", "off the next section with the first sentence revealing whose perspective this part", "B reacting to that action. The question is if this technique can be", "or many readers. And some objective questions, just to prevent this question from", "and you can hear their thoughts. Now, because the characters are in a", "It's written in third person, but everything described is things that are visible", "between them. Sometimes I stay with one character for one-and-a-half pages, sometimes for", "wake the first one up. Obvious things are taken care of: I mark", "stay with one character for one-and-a-half pages, sometimes for only half a page.", "to keep switching between them. Sometimes I stay with one character for one-and-a-half", "character A has decided to do something - so I can switch to", "where I switch POV very often. It's written in third person, but everything", "up. Obvious things are taken care of: I mark the transitions with some", "half a page. Once I described a character waking up, sluggishly interpreting what", "of five, I thought that it could be interesting to keep switching between", "described is things that are visible to the POV character, and you can", "a character waking up, sluggishly interpreting what had passed in the night, and", "- only to then switch to the character trying to wake the first", "inherently annoying to some or many readers. And some objective questions, just to", "authors use something like this? Do any style or guideline books warn against", "professional authors use something like this? Do any style or guideline books warn", "are in a group of five, I thought that it could be interesting" ]
[ "[coffin ship](https://en.wikipedia.org/wiki/Coffin_ship_(insurance)) which the owners want to fail to claim insurance). The ship", "the captain once asks him \"can you understand me?\" when she talks to", "I get two self-contained, uncommunicative characters working at different times but in a", "a spaceship. The characters are: (1) the captain, a female in her early", "part, the captain has lived most of her life on the ship, and", "shares any details of his own. TLDR How can I get two self-contained,", "of indeterminate age, who represented himself as an itinerant spacefarer and hired on", "story in which 2 characters are crewing a spaceship. The characters are: (1)", "it is necessary for the characters to trust each other and form a", "voyage. However, neither character is likely to \"open up\" to the other. For", "of 4, but is undercrewed because of lack of money. The characters are", "flight-deck, while the other is doing all other necessary work, and eating, sleeping,", "watches](https://en.wikipedia.org/wiki/Watchkeeping), so at all times one is on the flight-deck, while the other", "are crewing a spaceship. The characters are: (1) the captain, a female in", "uncommunicative characters working at different times but in a relatively confined space to", "the captain's personal life, nor shares any details of his own. TLDR How", "other character, but her instinct is to observe and speculate rather than to", "while the other is doing all other necessary work, and eating, sleeping, etc", "He shows no interest in the captain's personal life, nor shares any details", "the 15-day voyage. However, neither character is likely to \"open up\" to the", "other and form a rapport by the end of the 15-day voyage. However,", "form a rapport by the end of the 15-day voyage. However, neither character", "at different times but in a relatively confined space to build a rapport?", "of the 15-day voyage. However, neither character is likely to \"open up\" to", "the flight-deck, while the other is doing all other necessary work, and eating,", "her parents. (2) a crewman, a male of indeterminate age, who represented himself", "The ship actually requires a crew of 4, but is undercrewed because of", "\"open up\" to the other. For her part, the captain has lived most", "rather than to make conversation. She is also aware that should the crewman", "necessary work, and eating, sleeping, etc where possible. For reasons of plot, it", "is also aware that should the crewman become troublesome, her options for escape", "in woeful state of repair (in fact it is a [coffin ship](https://en.wikipedia.org/wiki/Coffin_ship_(insurance)) which", "The characters are on [alternating 4-hour watches](https://en.wikipedia.org/wiki/Watchkeeping), so at all times one is", "not have much experience with strangers. She is curious about the other character,", "trust each other and form a rapport by the end of the 15-day", "For her part, the captain has lived most of her life on the", "point that the captain once asks him \"can you understand me?\" when she", "she talks to him. He shows no interest in the captain's personal life,", "the other is doing all other necessary work, and eating, sleeping, etc where", "all, to the point that the captain once asks him \"can you understand", "voyage. The spaceship is a commercial vessel in woeful state of repair (in", "2 characters are crewing a spaceship. The characters are: (1) the captain, a", "fact it is a [coffin ship](https://en.wikipedia.org/wiki/Coffin_ship_(insurance)) which the owners want to fail to", "is on the flight-deck, while the other is doing all other necessary work,", "conversation. She is also aware that should the crewman become troublesome, her options", "on the ship, and does not have much experience with strangers. She is", "who has grown up on the ship and recently taken it over from", "indeterminate age, who represented himself as an itinerant spacefarer and hired on for", "to him. He shows no interest in the captain's personal life, nor shares", "20s, who has grown up on the ship and recently taken it over", "each other and form a rapport by the end of the 15-day voyage.", "on the ship and recently taken it over from her parents. (2) a", "of money. The characters are on [alternating 4-hour watches](https://en.wikipedia.org/wiki/Watchkeeping), so at all times", "captain's personal life, nor shares any details of his own. TLDR How can", "him. He shows no interest in the captain's personal life, nor shares any", "the end of the 15-day voyage. However, neither character is likely to \"open", "strangers. She is curious about the other character, but her instinct is to", "by the end of the 15-day voyage. However, neither character is likely to", "has grown up on the ship and recently taken it over from her", "at all times one is on the flight-deck, while the other is doing", "you understand me?\" when she talks to him. He shows no interest in", "self-contained, uncommunicative characters working at different times but in a relatively confined space", "a male of indeterminate age, who represented himself as an itinerant spacefarer and", "spaceship with him in deep space. For his part, the crewman is taciturn", "who represented himself as an itinerant spacefarer and hired on for the voyage.", "have much experience with strangers. She is curious about the other character, but", "insurance). The ship actually requires a crew of 4, but is undercrewed because", "lived most of her life on the ship, and does not have much", "because of lack of money. The characters are on [alternating 4-hour watches](https://en.wikipedia.org/wiki/Watchkeeping), so", "grown up on the ship and recently taken it over from her parents.", "her instinct is to observe and speculate rather than to make conversation. She", "would be limited, trapped as she is on a spaceship with him in", "on the flight-deck, while the other is doing all other necessary work, and", "the captain, a female in her early 20s, who has grown up on", "ship and recently taken it over from her parents. (2) a crewman, a", "no interest in the captain's personal life, nor shares any details of his", "of lack of money. The characters are on [alternating 4-hour watches](https://en.wikipedia.org/wiki/Watchkeeping), so at", "repair (in fact it is a [coffin ship](https://en.wikipedia.org/wiki/Coffin_ship_(insurance)) which the owners want to", "aware that should the crewman become troublesome, her options for escape or getting", "requires a crew of 4, but is undercrewed because of lack of money.", "nor shares any details of his own. TLDR How can I get two", "a crewman, a male of indeterminate age, who represented himself as an itinerant", "and speculate rather than to make conversation. She is also aware that should", "deep space. For his part, the crewman is taciturn and monosyllabic when he", "troublesome, her options for escape or getting help would be limited, trapped as", "own. TLDR How can I get two self-contained, uncommunicative characters working at different", "is a commercial vessel in woeful state of repair (in fact it is", "him in deep space. For his part, the crewman is taciturn and monosyllabic", "as an itinerant spacefarer and hired on for the voyage. The spaceship is", "getting help would be limited, trapped as she is on a spaceship with", "to observe and speculate rather than to make conversation. She is also aware", "up\" to the other. For her part, the captain has lived most of", "for escape or getting help would be limited, trapped as she is on", "the characters to trust each other and form a rapport by the end", "it is a [coffin ship](https://en.wikipedia.org/wiki/Coffin_ship_(insurance)) which the owners want to fail to claim", "characters working at different times but in a relatively confined space to build", "all times one is on the flight-deck, while the other is doing all", "itinerant spacefarer and hired on for the voyage. The spaceship is a commercial", "it over from her parents. (2) a crewman, a male of indeterminate age,", "also aware that should the crewman become troublesome, her options for escape or", "is standard space opera. I am writing a story in which 2 characters", "spaceship. The characters are: (1) the captain, a female in her early 20s,", "hired on for the voyage. The spaceship is a commercial vessel in woeful", "male of indeterminate age, who represented himself as an itinerant spacefarer and hired", "with him in deep space. For his part, the crewman is taciturn and", "a spaceship with him in deep space. For his part, the crewman is", "does not have much experience with strangers. She is curious about the other", "the other character, but her instinct is to observe and speculate rather than", "in the captain's personal life, nor shares any details of his own. TLDR", "which 2 characters are crewing a spaceship. The characters are: (1) the captain,", "in which 2 characters are crewing a spaceship. The characters are: (1) the", "is curious about the other character, but her instinct is to observe and", "are: (1) the captain, a female in her early 20s, who has grown", "to \"open up\" to the other. For her part, the captain has lived", "the crewman become troublesome, her options for escape or getting help would be", "is taciturn and monosyllabic when he speaks at all, to the point that", "lack of money. The characters are on [alternating 4-hour watches](https://en.wikipedia.org/wiki/Watchkeeping), so at all", "himself as an itinerant spacefarer and hired on for the voyage. The spaceship", "part, the crewman is taciturn and monosyllabic when he speaks at all, to", "4, but is undercrewed because of lack of money. The characters are on", "necessary for the characters to trust each other and form a rapport by", "ship](https://en.wikipedia.org/wiki/Coffin_ship_(insurance)) which the owners want to fail to claim insurance). The ship actually", "experience with strangers. She is curious about the other character, but her instinct", "an itinerant spacefarer and hired on for the voyage. The spaceship is a", "is on a spaceship with him in deep space. For his part, the", "is likely to \"open up\" to the other. For her part, the captain", "but is undercrewed because of lack of money. The characters are on [alternating", "of his own. TLDR How can I get two self-contained, uncommunicative characters working", "that should the crewman become troublesome, her options for escape or getting help", "the point that the captain once asks him \"can you understand me?\" when", "crewman become troublesome, her options for escape or getting help would be limited,", "to fail to claim insurance). The ship actually requires a crew of 4,", "eating, sleeping, etc where possible. For reasons of plot, it is necessary for", "me?\" when she talks to him. He shows no interest in the captain's", "help would be limited, trapped as she is on a spaceship with him", "his part, the crewman is taciturn and monosyllabic when he speaks at all,", "instinct is to observe and speculate rather than to make conversation. She is", "(in fact it is a [coffin ship](https://en.wikipedia.org/wiki/Coffin_ship_(insurance)) which the owners want to fail", "escape or getting help would be limited, trapped as she is on a", "her options for escape or getting help would be limited, trapped as she", "in her early 20s, who has grown up on the ship and recently", "which the owners want to fail to claim insurance). The ship actually requires", "curious about the other character, but her instinct is to observe and speculate", "are on [alternating 4-hour watches](https://en.wikipedia.org/wiki/Watchkeeping), so at all times one is on the", "over from her parents. (2) a crewman, a male of indeterminate age, who", "is undercrewed because of lack of money. The characters are on [alternating 4-hour", "is necessary for the characters to trust each other and form a rapport", "much experience with strangers. She is curious about the other character, but her", "in deep space. For his part, the crewman is taciturn and monosyllabic when", "life, nor shares any details of his own. TLDR How can I get", "speculate rather than to make conversation. She is also aware that should the", "undercrewed because of lack of money. The characters are on [alternating 4-hour watches](https://en.wikipedia.org/wiki/Watchkeeping),", "I am writing a story in which 2 characters are crewing a spaceship.", "taken it over from her parents. (2) a crewman, a male of indeterminate", "one is on the flight-deck, while the other is doing all other necessary", "ship actually requires a crew of 4, but is undercrewed because of lack", "crewman, a male of indeterminate age, who represented himself as an itinerant spacefarer", "[alternating 4-hour watches](https://en.wikipedia.org/wiki/Watchkeeping), so at all times one is on the flight-deck, while", "asks him \"can you understand me?\" when she talks to him. He shows", "that the captain once asks him \"can you understand me?\" when she talks", "captain has lived most of her life on the ship, and does not", "neither character is likely to \"open up\" to the other. For her part,", "and recently taken it over from her parents. (2) a crewman, a male", "commercial vessel in woeful state of repair (in fact it is a [coffin", "she is on a spaceship with him in deep space. For his part,", "her life on the ship, and does not have much experience with strangers.", "working at different times but in a relatively confined space to build a", "for the characters to trust each other and form a rapport by the", "where possible. For reasons of plot, it is necessary for the characters to", "her part, the captain has lived most of her life on the ship,", "and monosyllabic when he speaks at all, to the point that the captain", "other. For her part, the captain has lived most of her life on", "owners want to fail to claim insurance). The ship actually requires a crew", "up on the ship and recently taken it over from her parents. (2)", "characters are crewing a spaceship. The characters are: (1) the captain, a female", "his own. TLDR How can I get two self-contained, uncommunicative characters working at", "crewman is taciturn and monosyllabic when he speaks at all, to the point", "TLDR How can I get two self-contained, uncommunicative characters working at different times", "reasons of plot, it is necessary for the characters to trust each other", "and form a rapport by the end of the 15-day voyage. However, neither", "to the other. For her part, the captain has lived most of her", "\"can you understand me?\" when she talks to him. He shows no interest", "become troublesome, her options for escape or getting help would be limited, trapped", "observe and speculate rather than to make conversation. She is also aware that", "money. The characters are on [alternating 4-hour watches](https://en.wikipedia.org/wiki/Watchkeeping), so at all times one", "character is likely to \"open up\" to the other. For her part, the", "likely to \"open up\" to the other. For her part, the captain has", "woeful state of repair (in fact it is a [coffin ship](https://en.wikipedia.org/wiki/Coffin_ship_(insurance)) which the", "the owners want to fail to claim insurance). The ship actually requires a", "crew of 4, but is undercrewed because of lack of money. The characters", "has lived most of her life on the ship, and does not have", "characters to trust each other and form a rapport by the end of", "about the other character, but her instinct is to observe and speculate rather", "doing all other necessary work, and eating, sleeping, etc where possible. For reasons", "How can I get two self-contained, uncommunicative characters working at different times but", "be limited, trapped as she is on a spaceship with him in deep", "end of the 15-day voyage. However, neither character is likely to \"open up\"", "parents. (2) a crewman, a male of indeterminate age, who represented himself as", "taciturn and monosyllabic when he speaks at all, to the point that the", "of her life on the ship, and does not have much experience with", "For his part, the crewman is taciturn and monosyllabic when he speaks at", "of repair (in fact it is a [coffin ship](https://en.wikipedia.org/wiki/Coffin_ship_(insurance)) which the owners want", "However, neither character is likely to \"open up\" to the other. For her", "to claim insurance). The ship actually requires a crew of 4, but is", "ship, and does not have much experience with strangers. She is curious about", "captain once asks him \"can you understand me?\" when she talks to him.", "at all, to the point that the captain once asks him \"can you", "character, but her instinct is to observe and speculate rather than to make", "a [coffin ship](https://en.wikipedia.org/wiki/Coffin_ship_(insurance)) which the owners want to fail to claim insurance). The", "make conversation. She is also aware that should the crewman become troublesome, her", "state of repair (in fact it is a [coffin ship](https://en.wikipedia.org/wiki/Coffin_ship_(insurance)) which the owners", "captain, a female in her early 20s, who has grown up on the", "a crew of 4, but is undercrewed because of lack of money. The", "a female in her early 20s, who has grown up on the ship", "once asks him \"can you understand me?\" when she talks to him. He", "all other necessary work, and eating, sleeping, etc where possible. For reasons of", "on a spaceship with him in deep space. For his part, the crewman", "limited, trapped as she is on a spaceship with him in deep space.", "of plot, it is necessary for the characters to trust each other and", "opera. I am writing a story in which 2 characters are crewing a", "work, and eating, sleeping, etc where possible. For reasons of plot, it is", "from her parents. (2) a crewman, a male of indeterminate age, who represented", "most of her life on the ship, and does not have much experience", "She is also aware that should the crewman become troublesome, her options for", "rapport by the end of the 15-day voyage. However, neither character is likely", "life on the ship, and does not have much experience with strangers. She", "monosyllabic when he speaks at all, to the point that the captain once", "The spaceship is a commercial vessel in woeful state of repair (in fact", "to trust each other and form a rapport by the end of the", "to the point that the captain once asks him \"can you understand me?\"", "The characters are: (1) the captain, a female in her early 20s, who", "can I get two self-contained, uncommunicative characters working at different times but in", "is doing all other necessary work, and eating, sleeping, etc where possible. For", "should the crewman become troublesome, her options for escape or getting help would", "options for escape or getting help would be limited, trapped as she is", "the captain has lived most of her life on the ship, and does", "crewing a spaceship. The characters are: (1) the captain, a female in her", "spaceship is a commercial vessel in woeful state of repair (in fact it", "as she is on a spaceship with him in deep space. For his", "the other. For her part, the captain has lived most of her life", "early 20s, who has grown up on the ship and recently taken it", "space opera. I am writing a story in which 2 characters are crewing", "personal life, nor shares any details of his own. TLDR How can I", "understand me?\" when she talks to him. He shows no interest in the", "recently taken it over from her parents. (2) a crewman, a male of", "other necessary work, and eating, sleeping, etc where possible. For reasons of plot,", "(1) the captain, a female in her early 20s, who has grown up", "want to fail to claim insurance). The ship actually requires a crew of", "(2) a crewman, a male of indeterminate age, who represented himself as an", "characters are on [alternating 4-hour watches](https://en.wikipedia.org/wiki/Watchkeeping), so at all times one is on", "other is doing all other necessary work, and eating, sleeping, etc where possible.", "space. For his part, the crewman is taciturn and monosyllabic when he speaks", "when he speaks at all, to the point that the captain once asks", "when she talks to him. He shows no interest in the captain's personal", "etc where possible. For reasons of plot, it is necessary for the characters", "and does not have much experience with strangers. She is curious about the", "speaks at all, to the point that the captain once asks him \"can", "shows no interest in the captain's personal life, nor shares any details of", "and hired on for the voyage. The spaceship is a commercial vessel in", "4-hour watches](https://en.wikipedia.org/wiki/Watchkeeping), so at all times one is on the flight-deck, while the", "and eating, sleeping, etc where possible. For reasons of plot, it is necessary", "details of his own. TLDR How can I get two self-contained, uncommunicative characters", "the ship and recently taken it over from her parents. (2) a crewman,", "talks to him. He shows no interest in the captain's personal life, nor", "the crewman is taciturn and monosyllabic when he speaks at all, to the", "trapped as she is on a spaceship with him in deep space. For", "actually requires a crew of 4, but is undercrewed because of lack of", "vessel in woeful state of repair (in fact it is a [coffin ship](https://en.wikipedia.org/wiki/Coffin_ship_(insurance))", "sleeping, etc where possible. For reasons of plot, it is necessary for the", "represented himself as an itinerant spacefarer and hired on for the voyage. The", "but her instinct is to observe and speculate rather than to make conversation.", "For reasons of plot, it is necessary for the characters to trust each", "age, who represented himself as an itinerant spacefarer and hired on for the", "for the voyage. The spaceship is a commercial vessel in woeful state of", "plot, it is necessary for the characters to trust each other and form", "standard space opera. I am writing a story in which 2 characters are", "fail to claim insurance). The ship actually requires a crew of 4, but", "writing a story in which 2 characters are crewing a spaceship. The characters", "on [alternating 4-hour watches](https://en.wikipedia.org/wiki/Watchkeeping), so at all times one is on the flight-deck,", "She is curious about the other character, but her instinct is to observe", "is a [coffin ship](https://en.wikipedia.org/wiki/Coffin_ship_(insurance)) which the owners want to fail to claim insurance).", "spacefarer and hired on for the voyage. The spaceship is a commercial vessel", "a commercial vessel in woeful state of repair (in fact it is a", "times one is on the flight-deck, while the other is doing all other", "get two self-contained, uncommunicative characters working at different times but in a relatively", "female in her early 20s, who has grown up on the ship and", "the ship, and does not have much experience with strangers. She is curious", "to make conversation. She is also aware that should the crewman become troublesome,", "on for the voyage. The spaceship is a commercial vessel in woeful state", "a rapport by the end of the 15-day voyage. However, neither character is", "her early 20s, who has grown up on the ship and recently taken", "interest in the captain's personal life, nor shares any details of his own.", "with strangers. She is curious about the other character, but her instinct is", "claim insurance). The ship actually requires a crew of 4, but is undercrewed", "am writing a story in which 2 characters are crewing a spaceship. The", "he speaks at all, to the point that the captain once asks him", "15-day voyage. However, neither character is likely to \"open up\" to the other.", "than to make conversation. She is also aware that should the crewman become", "Setting is standard space opera. I am writing a story in which 2", "is to observe and speculate rather than to make conversation. She is also", "possible. For reasons of plot, it is necessary for the characters to trust", "a story in which 2 characters are crewing a spaceship. The characters are:", "characters are: (1) the captain, a female in her early 20s, who has", "the voyage. The spaceship is a commercial vessel in woeful state of repair", "him \"can you understand me?\" when she talks to him. He shows no", "or getting help would be limited, trapped as she is on a spaceship", "so at all times one is on the flight-deck, while the other is", "any details of his own. TLDR How can I get two self-contained, uncommunicative", "two self-contained, uncommunicative characters working at different times but in a relatively confined" ]
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[ "the person's journal. Note that I will not be copying the journal word", "life and everything that this novel is based on is the events as", "this considered plagiarism? If so, is there a way to get around it?", "actually be a novel as I am not writing a factual account of", "is considered plagiarism. Now let's say that I am writing a novel about", "words or ideas from a source that it makes up the majority of", "the given facts. The journal given is merely an explanation of the events", "Now let's say that I am writing a novel about a certain person's", "and events as described in the journal as the primary and most probably", "the journal word for word, but will instead only be using the facts", "in the person's journal. Note that I will not be copying the journal", "listed facts while my novel will be in the form of a fictional", "in fact a fictional story based on the given facts. The journal given", "source that it makes up the majority of your work, whether you give", "events as described in the journal as the primary and most probably the", "there a way to get around it? *Info based on a previous answer:", "it will actually be a novel as I am not writing a factual", "of a fictional story. Also, the journal was written in the 18th century,", "fictional story. Also, the journal was written in the 18th century, some 250", "writing a factual account of the person's life, but in fact a fictional", "is based on is the events as described in the person's journal. Note", "but will instead only be using the facts and events as described in", "that this novel is based on is the events as described in the", "so, is there a way to get around it? Info based on a", "answer:* Well see, it will actually be a novel as I am not", "or not > > > is considered plagiarism. Now let's say that I", "the journal was written in the 18th century, some 250 years ago, meaning", "many words or ideas from a source that it makes up the majority", "ideas from a source that it makes up the majority of your work,", "factual account of the person's life, but in fact a fictional story based", "makes up the majority of your work, whether you give credit or not", "based on is the events as described in the person's journal. Note that", "word for word, but will instead only be using the facts and events", "a previous answer:** Well see, it will actually be a novel as I", "not writing a factual account of the person's life, but in fact a", "merely an explanation of the events and listed facts while my novel will", "journal was written in the 18th century, some 250 years ago, meaning that", "given is merely an explanation of the events and listed facts while my", "to [Plagiarism.org](https://www.plagiarism.org/article/what-is-plagiarism#main-content), > > copying so many words or ideas from a source", "primary and most probably the only source of my novel. Is this considered", "of my novel. Is this considered plagiarism? If so, is there a way", "previous answer:** Well see, it will actually be a novel as I am", "be using the facts and events as described in the journal as the", "a fictional story based on the given facts. The journal given is merely", "plagiarism? If so, is there a way to get around it? Info based", "writing a novel about a certain person's life and everything that this novel", "only source of my novel. Is this considered plagiarism? If so, is there", "explanation of the events and listed facts while my novel will be in", "your work, whether you give credit or not > > > is considered", "way to get around it? Info based on a previous answer:** Well see,", "will not be copying the journal word for word, but will instead only", "If so, is there a way to get around it? Info based on", "it makes up the majority of your work, whether you give credit or", "and listed facts while my novel will be in the form of a", "story based on the given facts. The journal given is merely an explanation", "the form of a fictional story. Also, the journal was written in the", "Also, the journal was written in the 18th century, some 250 years ago,", "was written in the 18th century, some 250 years ago, meaning that I", "copying so many words or ideas from a source that it makes up", "form of a fictional story. Also, the journal was written in the 18th", "person's life, but in fact a fictional story based on the given facts.", "story. Also, the journal was written in the 18th century, some 250 years", "> is considered plagiarism. Now let's say that I am writing a novel", "journal. Note that I will not be copying the journal word for word,", "everything that this novel is based on is the events as described in", "as described in the journal as the primary and most probably the only", "but in fact a fictional story based on the given facts. The journal", "the events and listed facts while my novel will be in the form", "probably the only source of my novel. Is this considered plagiarism? If so,", "a certain person's life and everything that this novel is based on is", "the events as described in the person's journal. Note that I will not", "be copying the journal word for word, but will instead only be using", "will actually be a novel as I am not writing a factual account", "the 18th century, some 250 years ago, meaning that I cannot ask for", "about a certain person's life and everything that this novel is based on", "that I am writing a novel about a certain person's life and everything", "so many words or ideas from a source that it makes up the", "will be in the form of a fictional story. Also, the journal was", "based on the given facts. The journal given is merely an explanation of", "novel. Is this considered plagiarism? If so, is there a way to get", "novel as I am not writing a factual account of the person's life,", "facts and events as described in the journal as the primary and most", "events as described in the person's journal. Note that I will not be", "around it? Info based on a previous answer:** Well see, it will actually", "credit or not > > > is considered plagiarism. Now let's say that", "will instead only be using the facts and events as described in the", "word, but will instead only be using the facts and events as described", "based on a previous answer:** Well see, it will actually be a novel", "novel is based on is the events as described in the person's journal.", "on is the events as described in the person's journal. Note that I", "of the person's life, but in fact a fictional story based on the", "events and listed facts while my novel will be in the form of", "described in the person's journal. Note that I will not be copying the", "it? Info based on a previous answer:* Well see, it will actually be", "a novel as I am not writing a factual account of the person's", "copying the journal word for word, but will instead only be using the", "you give credit or not > > > is considered plagiarism. Now let's", "whether you give credit or not > > > is considered plagiarism. Now", "account of the person's life, but in fact a fictional story based on", "the majority of your work, whether you give credit or not > >", "a fictional story. Also, the journal was written in the 18th century, some", "Note that I will not be copying the journal word for word, but", "this novel is based on is the events as described in the person's", "not > > > is considered plagiarism. Now let's say that I am", "work, whether you give credit or not > > > is considered plagiarism.", "journal given is merely an explanation of the events and listed facts while", "I am not writing a factual account of the person's life, but in", "on a previous answer:** Well see, it will actually be a novel as", "described in the journal as the primary and most probably the only source", "in the form of a fictional story. Also, the journal was written in", "while my novel will be in the form of a fictional story. Also,", "Is this considered plagiarism? If so, is there a way to get around", "life, but in fact a fictional story based on the given facts. The", "or ideas from a source that it makes up the majority of your", "the only source of my novel. Is this considered plagiarism? If so, is", "fictional story based on the given facts. The journal given is merely an", "the primary and most probably the only source of my novel. Is this", "of the events and listed facts while my novel will be in the", "be in the form of a fictional story. Also, the journal was written", "an explanation of the events and listed facts while my novel will be", "I will not be copying the journal word for word, but will instead", "source of my novel. Is this considered plagiarism? If so, is there a", "written in the 18th century, some 250 years ago, meaning that I cannot", "majority of your work, whether you give credit or not > > >", "person's life and everything that this novel is based on is the events", "the person's life, but in fact a fictional story based on the given", "facts. The journal given is merely an explanation of the events and listed", "According to [Plagiarism.org](https://www.plagiarism.org/article/what-is-plagiarism#main-content), > > copying so many words or ideas from a", "> > is considered plagiarism. Now let's say that I am writing a", "Well see, it will actually be a novel as I am not writing", "from a source that it makes up the majority of your work, whether", "give credit or not > > > is considered plagiarism. Now let's say", "using the facts and events as described in the journal as the primary", "on the given facts. The journal given is merely an explanation of the", "The journal given is merely an explanation of the events and listed facts", "am not writing a factual account of the person's life, but in fact", "facts while my novel will be in the form of a fictional story.", "a factual account of the person's life, but in fact a fictional story", "get around it? *Info based on a previous answer:* Well see, it will", "century, some 250 years ago, meaning that I cannot ask for their permission.", "*Info based on a previous answer:* Well see, it will actually be a", "of your work, whether you give credit or not > > > is", "that I will not be copying the journal word for word, but will", "considered plagiarism? If so, is there a way to get around it? Info", "is merely an explanation of the events and listed facts while my novel", "person's journal. Note that I will not be copying the journal word for", "[Plagiarism.org](https://www.plagiarism.org/article/what-is-plagiarism#main-content), > > copying so many words or ideas from a source that", "is there a way to get around it? Info based on a previous", "my novel will be in the form of a fictional story. Also, the", "considered plagiarism. Now let's say that I am writing a novel about a", "to get around it? Info based on a previous answer:* Well see, it", "a way to get around it? Info based on a previous answer:* *Well", "plagiarism. Now let's say that I am writing a novel about a certain", "the facts and events as described in the journal as the primary and", "I am writing a novel about a certain person's life and everything that", "am writing a novel about a certain person's life and everything that this", "> copying so many words or ideas from a source that it makes", "in the journal as the primary and most probably the only source of", "as the primary and most probably the only source of my novel. Is", "see, it will actually be a novel as I am not writing a", "be a novel as I am not writing a factual account of the", "as I am not writing a factual account of the person's life, but", "up the majority of your work, whether you give credit or not >", "novel will be in the form of a fictional story. Also, the journal", "and most probably the only source of my novel. Is this considered plagiarism?", "as described in the person's journal. Note that I will not be copying", "is the events as described in the person's journal. Note that I will", "the journal as the primary and most probably the only source of my", "> > copying so many words or ideas from a source that it", "my novel. Is this considered plagiarism? If so, is there a way to", "most probably the only source of my novel. Is this considered plagiarism? If", "journal as the primary and most probably the only source of my novel.", "18th century, some 250 years ago, meaning that I cannot ask for their", "a source that it makes up the majority of your work, whether you", "say that I am writing a novel about a certain person's life and", "> > > is considered plagiarism. Now let's say that I am writing", "let's say that I am writing a novel about a certain person's life", "fact a fictional story based on the given facts. The journal given is", "journal word for word, but will instead only be using the facts and", "not be copying the journal word for word, but will instead only be", "a novel about a certain person's life and everything that this novel is", "certain person's life and everything that this novel is based on is the", "only be using the facts and events as described in the journal as", "given facts. The journal given is merely an explanation of the events and", "in the 18th century, some 250 years ago, meaning that I cannot ask", "instead only be using the facts and events as described in the journal", "and everything that this novel is based on is the events as described", "that it makes up the majority of your work, whether you give credit", "novel about a certain person's life and everything that this novel is based", "for word, but will instead only be using the facts and events as" ]
[ "sub-plot): A meets B. The characters are new to each other and therefore", "exposition through dialogue. I try to avoid telling the reader anything. With simple", "other and therefore disclose a plethora of information; backstory, likes, dislikes, hopes and", "Lofa up to speed. The problem this method creates is that Lofa is", "Zajen and Cindy because they need to bring Lofa up to speed. The", "Lofa. We can now learn 'everything' about Zajen and Cindy because they need", "cause the reader to believe that she is the main character. My 'goto'", "character is simply to kill them, afflict them with some terminal illness, marry", "With more complicated, multi-character plots this becomes troublesome: Zajen and Cindy are besties:", "dialogue. I try to avoid telling the reader anything. With simple plots this", "of character is simply to kill them, afflict them with some terminal illness,", "some terminal illness, marry them off, get them fired, or otherwise despatch them.", "about Zajen and Cindy because they need to bring Lofa up to speed.", "to believe that she is the main character. My 'goto' method of dealing", "reader to believe that she is the main character. My 'goto' method of", "dislikes, hopes and dreams etc. With more complicated, multi-character plots this becomes troublesome:", "method creates is that Lofa is new, shiny, and features in the majority", "of information; backstory, likes, dislikes, hopes and dreams etc. With more complicated, multi-character", "tales to tell. Subsequently, I introduce a new character, Lofa. We can now", "Cindy are besties: they know virtually everything about each other - they've know", "creates is that Lofa is new, shiny, and features in the majority of", "a plethora of information; backstory, likes, dislikes, hopes and dreams etc. With more", "majority of scenes. Lofa's domination can cause the reader to believe that she", "afflict them with some terminal illness, marry them off, get them fired, or", "telling the reader anything. With simple plots this is easily achieved (often through", "etc. With more complicated, multi-character plots this becomes troublesome: Zajen and Cindy are", "Lofa's domination can cause the reader to believe that she is the main", "that she is the main character. My 'goto' method of dealing with type", "they know virtually everything about each other - they've know tales to tell.", "modern media I prefer to depend on exposition through dialogue. I try to", "complicated, multi-character plots this becomes troublesome: Zajen and Cindy are besties: they know", "A meets B. The characters are new to each other and therefore disclose", "plethora of information; backstory, likes, dislikes, hopes and dreams etc. With more complicated,", "B. The characters are new to each other and therefore disclose a plethora", "they need to bring Lofa up to speed. The problem this method creates", "We can now learn 'everything' about Zajen and Cindy because they need to", "each other - they've know tales to tell. Subsequently, I introduce a new", "prefer to depend on exposition through dialogue. I try to avoid telling the", "likes, dislikes, hopes and dreams etc. With more complicated, multi-character plots this becomes", "character, Lofa. We can now learn 'everything' about Zajen and Cindy because they", "scenes. Lofa's domination can cause the reader to believe that she is the", "simply to kill them, afflict them with some terminal illness, marry them off,", "With simple plots this is easily achieved (often through the romantic sub-plot): A", "disclose a plethora of information; backstory, likes, dislikes, hopes and dreams etc. With", "can now learn 'everything' about Zajen and Cindy because they need to bring", "simple plots this is easily achieved (often through the romantic sub-plot): A meets", "because they need to bring Lofa up to speed. The problem this method", "is simply to kill them, afflict them with some terminal illness, marry them", "are new to each other and therefore disclose a plethora of information; backstory,", "with type of character is simply to kill them, afflict them with some", "and Cindy are besties: they know virtually everything about each other - they've", "character. My 'goto' method of dealing with type of character is simply to", "besties: they know virtually everything about each other - they've know tales to", "off, get them fired, or otherwise despatch them. Anybody got any better ideas?", "'everything' about Zajen and Cindy because they need to bring Lofa up to", "is easily achieved (often through the romantic sub-plot): A meets B. The characters", "each other and therefore disclose a plethora of information; backstory, likes, dislikes, hopes", "this becomes troublesome: Zajen and Cindy are besties: they know virtually everything about", "problem this method creates is that Lofa is new, shiny, and features in", "'goto' method of dealing with type of character is simply to kill them,", "My 'goto' method of dealing with type of character is simply to kill", "I prefer to depend on exposition through dialogue. I try to avoid telling", "know virtually everything about each other - they've know tales to tell. Subsequently,", "of dealing with type of character is simply to kill them, afflict them", "the romantic sub-plot): A meets B. The characters are new to each other", "speed. The problem this method creates is that Lofa is new, shiny, and", "easily achieved (often through the romantic sub-plot): A meets B. The characters are", "are besties: they know virtually everything about each other - they've know tales", "illness, marry them off, get them fired, or otherwise despatch them. Anybody got", "I try to avoid telling the reader anything. With simple plots this is", "marry them off, get them fired, or otherwise despatch them. Anybody got any", "Due to the evolution of modern media I prefer to depend on exposition", "through the romantic sub-plot): A meets B. The characters are new to each", "features in the majority of scenes. Lofa's domination can cause the reader to", "believe that she is the main character. My 'goto' method of dealing with", "plots this is easily achieved (often through the romantic sub-plot): A meets B.", "information; backstory, likes, dislikes, hopes and dreams etc. With more complicated, multi-character plots", "that Lofa is new, shiny, and features in the majority of scenes. Lofa's", "shiny, and features in the majority of scenes. Lofa's domination can cause the", "of modern media I prefer to depend on exposition through dialogue. I try", "meets B. The characters are new to each other and therefore disclose a", "is new, shiny, and features in the majority of scenes. Lofa's domination can", "new to each other and therefore disclose a plethora of information; backstory, likes,", "main character. My 'goto' method of dealing with type of character is simply", "now learn 'everything' about Zajen and Cindy because they need to bring Lofa", "to the evolution of modern media I prefer to depend on exposition through", "virtually everything about each other - they've know tales to tell. Subsequently, I", "up to speed. The problem this method creates is that Lofa is new,", "in the majority of scenes. Lofa's domination can cause the reader to believe", "the reader to believe that she is the main character. My 'goto' method", "bring Lofa up to speed. The problem this method creates is that Lofa", "through dialogue. I try to avoid telling the reader anything. With simple plots", "to avoid telling the reader anything. With simple plots this is easily achieved", "everything about each other - they've know tales to tell. Subsequently, I introduce", "the main character. My 'goto' method of dealing with type of character is", "know tales to tell. Subsequently, I introduce a new character, Lofa. We can", "more complicated, multi-character plots this becomes troublesome: Zajen and Cindy are besties: they", "plots this becomes troublesome: Zajen and Cindy are besties: they know virtually everything", "romantic sub-plot): A meets B. The characters are new to each other and", "and features in the majority of scenes. Lofa's domination can cause the reader", "type of character is simply to kill them, afflict them with some terminal", "achieved (often through the romantic sub-plot): A meets B. The characters are new", "introduce a new character, Lofa. We can now learn 'everything' about Zajen and", "a new character, Lofa. We can now learn 'everything' about Zajen and Cindy", "dealing with type of character is simply to kill them, afflict them with", "terminal illness, marry them off, get them fired, or otherwise despatch them. Anybody", "Subsequently, I introduce a new character, Lofa. We can now learn 'everything' about", "of scenes. Lofa's domination can cause the reader to believe that she is", "can cause the reader to believe that she is the main character. My", "and Cindy because they need to bring Lofa up to speed. The problem", "dreams etc. With more complicated, multi-character plots this becomes troublesome: Zajen and Cindy", "them off, get them fired, or otherwise despatch them. Anybody got any better", "avoid telling the reader anything. With simple plots this is easily achieved (often", "I introduce a new character, Lofa. We can now learn 'everything' about Zajen", "try to avoid telling the reader anything. With simple plots this is easily", "kill them, afflict them with some terminal illness, marry them off, get them", "this is easily achieved (often through the romantic sub-plot): A meets B. The", "media I prefer to depend on exposition through dialogue. I try to avoid", "The problem this method creates is that Lofa is new, shiny, and features", "is that Lofa is new, shiny, and features in the majority of scenes.", "need to bring Lofa up to speed. The problem this method creates is", "to depend on exposition through dialogue. I try to avoid telling the reader", "The characters are new to each other and therefore disclose a plethora of", "Cindy because they need to bring Lofa up to speed. The problem this", "to speed. The problem this method creates is that Lofa is new, shiny,", "troublesome: Zajen and Cindy are besties: they know virtually everything about each other", "about each other - they've know tales to tell. Subsequently, I introduce a", "Lofa is new, shiny, and features in the majority of scenes. Lofa's domination", "method of dealing with type of character is simply to kill them, afflict", "and therefore disclose a plethora of information; backstory, likes, dislikes, hopes and dreams", "backstory, likes, dislikes, hopes and dreams etc. With more complicated, multi-character plots this", "other - they've know tales to tell. Subsequently, I introduce a new character,", "to kill them, afflict them with some terminal illness, marry them off, get", "she is the main character. My 'goto' method of dealing with type of", "evolution of modern media I prefer to depend on exposition through dialogue. I", "hopes and dreams etc. With more complicated, multi-character plots this becomes troublesome: Zajen", "the reader anything. With simple plots this is easily achieved (often through the", "on exposition through dialogue. I try to avoid telling the reader anything. With", "is the main character. My 'goto' method of dealing with type of character", "tell. Subsequently, I introduce a new character, Lofa. We can now learn 'everything'", "to bring Lofa up to speed. The problem this method creates is that", "Zajen and Cindy are besties: they know virtually everything about each other -", "learn 'everything' about Zajen and Cindy because they need to bring Lofa up", "new, shiny, and features in the majority of scenes. Lofa's domination can cause", "therefore disclose a plethora of information; backstory, likes, dislikes, hopes and dreams etc.", "- they've know tales to tell. Subsequently, I introduce a new character, Lofa.", "the majority of scenes. Lofa's domination can cause the reader to believe that", "becomes troublesome: Zajen and Cindy are besties: they know virtually everything about each", "this method creates is that Lofa is new, shiny, and features in the", "(often through the romantic sub-plot): A meets B. The characters are new to", "to each other and therefore disclose a plethora of information; backstory, likes, dislikes,", "them, afflict them with some terminal illness, marry them off, get them fired,", "characters are new to each other and therefore disclose a plethora of information;", "them with some terminal illness, marry them off, get them fired, or otherwise", "they've know tales to tell. Subsequently, I introduce a new character, Lofa. We", "and dreams etc. With more complicated, multi-character plots this becomes troublesome: Zajen and", "to tell. Subsequently, I introduce a new character, Lofa. We can now learn", "new character, Lofa. We can now learn 'everything' about Zajen and Cindy because", "domination can cause the reader to believe that she is the main character.", "multi-character plots this becomes troublesome: Zajen and Cindy are besties: they know virtually", "anything. With simple plots this is easily achieved (often through the romantic sub-plot):", "depend on exposition through dialogue. I try to avoid telling the reader anything.", "the evolution of modern media I prefer to depend on exposition through dialogue.", "reader anything. With simple plots this is easily achieved (often through the romantic", "with some terminal illness, marry them off, get them fired, or otherwise despatch" ]
[ "(he also realizes how dangerous he is and is harming his own health", "how do I make him more likable? Should his end personality be serious", "own health while becoming a hero), and he faces a severe emotional breakdown", "he can't stand the guilt of not saving others when he's able to", "and is not willing to sacrifice himself for others, but at same time", "harming his own health while becoming a hero), and he faces a severe", "chain of events that changes his personality? And how do I make him", "be enough, or should I add something extra, like a sense of responsibility", "or a bit casual or funny with the same serious and mysterious personality", "day, due to some events, he gets some special powers and is unwillingly", "is unwillingly forced into a war which he never wants to fight in,", "also suffering from low self-esteem. One day, due to some events, he gets", "life (he also realizes how dangerous he is and is harming his own", "What do you think I should do to develop him as a character?", "novel which is about a naive, good-for-nothing boy who is also suffering from", "difficult situations, he always seeks an easy way to escape, doesn't bother to", "about a naive, good-for-nothing boy who is also suffering from low self-esteem. One", "becoming a hero), and he faces a severe emotional breakdown that he doesn't", "him fight with his sister, who is totally opposite to him, but he", "also realizes how dangerous he is and is harming his own health while", "he never wants to fight in, and faces many dark and harsh aspects", "way to escape, doesn't bother to face them, and is not willing to", "saving others when he's able to do so. I am also planning to", "seeks an easy way to escape, doesn't bother to face them, and is", "anything. And his hero work is also shattering his own personal and professional", "is and is harming his own health while becoming a hero), and he", "loves her brother more than anything. And his hero work is also shattering", "faces a severe emotional breakdown that he doesn't want to become a hero.", "he is and is harming his own health while becoming a hero), and", "saving people be enough, or should I add something extra, like a sense", "serious but calm (which I think will be more suitable with his original", "hero work is also shattering his own personal and professional life (he also", "and harsh aspects of today's world (as I want story to be pretty", "these events, because these things may push him down. Will the urge to", "I am also planning to make him fight with his sister, who is", "is also shattering his own personal and professional life (he also realizes how", "story to be pretty dark). While in difficult situations, he always seeks an", "protect them? I want him to sacrifice his life for others. What do", "face them, and is not willing to sacrifice himself for others, but at", "and faces many dark and harsh aspects of today's world (as I want", "events, because these things may push him down. Will the urge to gain", "boy who is also suffering from low self-esteem. One day, due to some", "due to some events, he gets some special powers and is unwillingly forced", "while becoming a hero), and he faces a severe emotional breakdown that he", "stand the guilt of not saving others when he's able to do so.", "and is harming his own health while becoming a hero), and he faces", "bit casual or funny with the same serious and mysterious personality when needed?", "with his sister, who is totally opposite to him, but he loves her", "bother to face them, and is not willing to sacrifice himself for others,", "so. I am also planning to make him fight with his sister, who", "be a single moment of realization, or a chain of events that changes", "when he's able to do so. I am also planning to make him", "him, but he loves her more than anything - same with his sister,", "enough, or should I add something extra, like a sense of responsibility towards", "with his original personality), or a bit casual or funny with the same", "should I add something extra, like a sense of responsibility towards his family", "want him to sacrifice his life for others. What do you think I", "a hero. I am a bit confused about how to develop him with", "many dark and harsh aspects of today's world (as I want story to", "harsh aspects of today's world (as I want story to be pretty dark).", "shattering his own personal and professional life (he also realizes how dangerous he", "his life for others. What do you think I should do to develop", "think will be more suitable with his original personality), or a bit casual", "a single moment of realization, or a chain of events that changes his", "And how do I make him more likable? Should his end personality be", "others. What do you think I should do to develop him as a", "he faces a severe emotional breakdown that he doesn't want to become a", "One day, due to some events, he gets some special powers and is", "- same with his sister, who also loves her brother more than anything.", "dark and harsh aspects of today's world (as I want story to be", "dark). While in difficult situations, he always seeks an easy way to escape,", "original personality), or a bit casual or funny with the same serious and", "him down. Will the urge to gain respect and guilt of not saving", "something extra, like a sense of responsibility towards his family or a desire", "do I make him more likable? 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I am also", "respect and guilt of not saving people be enough, or should I add", "as a character? Should it be a single moment of realization, or a", "sacrifice himself for others, but at same time he can't stand the guilt", "a character? Should it be a single moment of realization, or a chain", "him to sacrifice his life for others. What do you think I should", "personality), or a bit casual or funny with the same serious and mysterious", "health while becoming a hero), and he faces a severe emotional breakdown that", "and he faces a severe emotional breakdown that he doesn't want to become", "a chain of events that changes his personality? And how do I make", "his original personality), or a bit casual or funny with the same serious", "a bit casual or funny with the same serious and mysterious personality when", "to face them, and is not willing to sacrifice himself for others, but", "from low self-esteem. 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I", "others, but at same time he can't stand the guilt of not saving", "who is totally opposite to him, but he loves her more than anything", "calm (which I think will be more suitable with his original personality), or", "special powers and is unwillingly forced into a war which he never wants", "personality be serious but calm (which I think will be more suitable with", "urge to gain respect and guilt of not saving people be enough, or", "his personality? And how do I make him more likable? Should his end", "a bit confused about how to develop him with these events, because these", "but calm (which I think will be more suitable with his original personality),", "to become a hero. 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And how do I", "like a sense of responsibility towards his family or a desire to protect", "his sister, who is totally opposite to him, but he loves her more", "guilt of not saving people be enough, or should I add something extra,", "doesn't bother to face them, and is not willing to sacrifice himself for", "pretty dark). While in difficult situations, he always seeks an easy way to", "(which I think will be more suitable with his original personality), or a", "develop him as a character? Should it be a single moment of realization,", "about how to develop him with these events, because these things may push", "and professional life (he also realizes how dangerous he is and is harming", "events that changes his personality? And how do I make him more likable?", "is about a naive, good-for-nothing boy who is also suffering from low self-esteem.", "not willing to sacrifice himself for others, but at same time he can't", "am also planning to make him fight with his sister, who is totally", "will be more suitable with his original personality), or a bit casual or", "not saving others when he's able to do so. I am also planning", "family or a desire to protect them? I want him to sacrifice his", "his sister, who also loves her brother more than anything. And his hero", "he always seeks an easy way to escape, doesn't bother to face them,", "sister, who also loves her brother more than anything. And his hero work", "his own personal and professional life (he also realizes how dangerous he is", "of responsibility towards his family or a desire to protect them? 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Will the urge to gain respect and guilt of", "do so. I am also planning to make him fight with his sister,", "and is unwillingly forced into a war which he never wants to fight", "to some events, he gets some special powers and is unwillingly forced into", "I want story to be pretty dark). While in difficult situations, he always", "am writing a novel which is about a naive, good-for-nothing boy who is", "character? Should it be a single moment of realization, or a chain of", "he loves her more than anything - same with his sister, who also", "and guilt of not saving people be enough, or should I add something", "is not willing to sacrifice himself for others, but at same time he", "unwillingly forced into a war which he never wants to fight in, and", "think I should do to develop him as a character? Should it be", "of today's world (as I want story to be pretty dark). While in", "them, and is not willing to sacrifice himself for others, but at same", "I should do to develop him as a character? Should it be a", "realization, or a chain of events that changes his personality? And how do", "totally opposite to him, but he loves her more than anything - same", "these things may push him down. Will the urge to gain respect and", "at same time he can't stand the guilt of not saving others when", "make him fight with his sister, who is totally opposite to him, but", "forced into a war which he never wants to fight in, and faces", "I add something extra, like a sense of responsibility towards his family or", "powers and is unwillingly forced into a war which he never wants to", "to do so. I am also planning to make him fight with his", "changes his personality? And how do I make him more likable? Should his", "him with these events, because these things may push him down. Will the", "am a bit confused about how to develop him with these events, because", "to protect them? I want him to sacrifice his life for others. What", "of events that changes his personality? And how do I make him more", "gets some special powers and is unwillingly forced into a war which he", "which he never wants to fight in, and faces many dark and harsh", "loves her more than anything - same with his sister, who also loves", "her more than anything - same with his sister, who also loves her", "his hero work is also shattering his own personal and professional life (he", "extra, like a sense of responsibility towards his family or a desire to", "And his hero work is also shattering his own personal and professional life", "down. Will the urge to gain respect and guilt of not saving people", "with his sister, who also loves her brother more than anything. And his", "the urge to gain respect and guilt of not saving people be enough,", "breakdown that he doesn't want to become a hero. I am a bit", "how to develop him with these events, because these things may push him", "escape, doesn't bother to face them, and is not willing to sacrifice himself", "sister, who is totally opposite to him, but he loves her more than", "wants to fight in, and faces many dark and harsh aspects of today's", "low self-esteem. One day, due to some events, he gets some special powers", "with these events, because these things may push him down. Will the urge", "in, and faces many dark and harsh aspects of today's world (as I", "a naive, good-for-nothing boy who is also suffering from low self-esteem. One day,", "doesn't want to become a hero. I am a bit confused about how", "self-esteem. One day, due to some events, he gets some special powers and", "time he can't stand the guilt of not saving others when he's able", "to be pretty dark). While in difficult situations, he always seeks an easy", "desire to protect them? I want him to sacrifice his life for others.", "of not saving people be enough, or should I add something extra, like" ]
[ "here, but none really get to the bottom of it, and none are", "and then said, \"ridiculous.\"). It has to be within the talking. If I", "bottom of it, and none are specifically like my question. I'm writing the", "part from Chorkia's perspective, and I can't find a way to integrate the", "it amateurish to say (it doesn't read that great to me): *\"Ha! That's", "one is in 3rd person, and one of the characters often laughs. It", "3rd person, and one of the characters often laughs. It might be described", "so many \"Ha ha\"s. But maybe it's OK, or maybe there's another way?", "Chorkia laughs very often. There can be no dialogue tags (e.g.: \"I laughed", "or* Chorkia laughed and then turned away. Now I am writing the part", "like my question. I'm writing the same story from two different perspectives. The", "totally wrong because the character seems too serious. If I leave it in,", "an important part of the way Chorkia talks (he is often laughing while", "That's ridiculous.\"** or \"Haha! That's ridiculous.\" It stand out especially because Chorkia laughs", "Chorkia laughed and then turned away. Now I am writing the part from", "(it doesn't read that great to me): \"Ha! That's ridiculous.\" or \"Haha! That's", "too serious. If I leave it in, there are so many \"Ha ha\"s.", "I can't find a way to integrate the laughter, which is an important", "different perspectives. The first one is in 3rd person, and one of the", "tags, just a stream of consciousness. Is it amateurish to say (it doesn't", "ha\"s. But maybe it's OK, or maybe there's another way? Thanks! Any ideas?", "I leave out the laughing, then the tone is totally wrong because the", "to me): \"Ha! That's ridiculous.\"** or \"Haha! That's ridiculous.\" It stand out especially", "There can be no dialogue tags (e.g.: \"I laughed and then said, \"ridiculous.\").", "ridiculous.\" It stand out especially because Chorkia laughs very often. There can be", "the way Chorkia talks (he is often laughing while he speaks). There are", "are so many \"Ha ha\"s. But maybe it's OK, or maybe there's another", "then said, \"ridiculous.\"). It has to be within the talking. If I leave", "The first one is in 3rd person, and one of the characters often", "dialogue tags, just a stream of consciousness. Is it amateurish to say (it", "amateurish to say (it doesn't read that great to me): \"Ha! That's ridiculous.\"", "stream of consciousness. Is it amateurish to say (it doesn't read that great", "there are so many \"Ha ha\"s. But maybe it's OK, or maybe there's", "are specifically like my question. I'm writing the same story from two different", "It might be described something like this: Chorkia laughed. \"That's ridiculous.\"** or Chorkia", "writing the part from Chorkia's perspective, and I can't find a way to", "leave it in, there are so many \"Ha ha\"s. But maybe it's OK,", "specifically like my question. I'm writing the same story from two different perspectives.", "perspective, and I can't find a way to integrate the laughter, which is", "within the talking. If I leave out the laughing, then the tone is", "said, \"ridiculous.\"). It has to be within the talking. If I leave out", "There are no dialogue tags, just a stream of consciousness. Is it amateurish", "other posts here, but none really get to the bottom of it, and", "am writing the part from Chorkia's perspective, and I can't find a way", "seems too serious. If I leave it in, there are so many \"Ha", "to integrate the laughter, which is an important part of the way Chorkia", "way Chorkia talks (he is often laughing while he speaks). There are no", "and then turned away. Now I am writing the part from Chorkia's perspective,", "laughs very often. There can be no dialogue tags (e.g.: \"I laughed and", "the laughing, then the tone is totally wrong because the character seems too", "the character seems too serious. If I leave it in, there are so", "and none are specifically like my question. I'm writing the same story from", "important part of the way Chorkia talks (he is often laughing while he", "speaks). There are no dialogue tags, just a stream of consciousness. Is it", "read that great to me): \"Ha! That's ridiculous.\" or \"Haha! That's ridiculous.\" It", "none are specifically like my question. I'm writing the same story from two", "integrate the laughter, which is an important part of the way Chorkia talks", "laughed and then turned away. Now I am writing the part from Chorkia's", "out the laughing, then the tone is totally wrong because the character seems", "that great to me): \"Ha! That's ridiculous.\"** or \"Haha! That's ridiculous.\" It stand", "and one of the characters often laughs. It might be described something like", "is often laughing while he speaks). There are no dialogue tags, just a", "away. Now I am writing the part from Chorkia's perspective, and I can't", "because Chorkia laughs very often. There can be no dialogue tags (e.g.: \"I", "are no dialogue tags, just a stream of consciousness. Is it amateurish to", "laughter, which is an important part of the way Chorkia talks (he is", "of it, and none are specifically like my question. I'm writing the same", "leave out the laughing, then the tone is totally wrong because the character", "this: Chorkia laughed. \"That's ridiculous.\"** or Chorkia laughed and then turned away. Now", "I'm writing the same story from two different perspectives. The first one is", "the characters often laughs. It might be described something like this: Chorkia laughed.", "(he is often laughing while he speaks). There are no dialogue tags, just", "many \"Ha ha\"s. But maybe it's OK, or maybe there's another way? Thanks!", "none really get to the bottom of it, and none are specifically like", "talks (he is often laughing while he speaks). There are no dialogue tags,", "he speaks). There are no dialogue tags, just a stream of consciousness. Is", "no dialogue tags, just a stream of consciousness. Is it amateurish to say", "my question. I'm writing the same story from two different perspectives. The first", "is an important part of the way Chorkia talks (he is often laughing", "laughing, then the tone is totally wrong because the character seems too serious.", "while he speaks). There are no dialogue tags, just a stream of consciousness.", "laughed. \"That's ridiculous.\" or Chorkia laughed and then turned away. Now I am", "then turned away. Now I am writing the part from Chorkia's perspective, and", "two different perspectives. The first one is in 3rd person, and one of", "to be within the talking. If I leave out the laughing, then the", "part of the way Chorkia talks (he is often laughing while he speaks).", "say (it doesn't read that great to me): \"Ha! That's ridiculous.\"** or \"Haha!", "dialogue tags (e.g.: \"I laughed and then said, \"ridiculous.\"). It has to be", "great to me): \"Ha! That's ridiculous.\"** or \"Haha! That's ridiculous.\" It stand out", "laughs. It might be described something like this: Chorkia laughed. \"That's ridiculous.\" or", "but none really get to the bottom of it, and none are specifically", "talking. If I leave out the laughing, then the tone is totally wrong", "Chorkia talks (he is often laughing while he speaks). There are no dialogue", "be described something like this: Chorkia laughed. \"That's ridiculous.\" or Chorkia laughed and", "same story from two different perspectives. The first one is in 3rd person,", "no dialogue tags (e.g.: \"I laughed and then said, \"ridiculous.\"). It has to", "Now I am writing the part from Chorkia's perspective, and I can't find", "often. There can be no dialogue tags (e.g.: \"I laughed and then said,", "of the characters often laughs. It might be described something like this: Chorkia", "laughing while he speaks). There are no dialogue tags, just a stream of", "person, and one of the characters often laughs. It might be described something", "of the way Chorkia talks (he is often laughing while he speaks). There", "\"That's ridiculous.\"** or Chorkia laughed and then turned away. Now I am writing", "get to the bottom of it, and none are specifically like my question.", "looked at other posts here, but none really get to the bottom of", "\"I laughed and then said, \"ridiculous.\"). It has to be within the talking.", "is totally wrong because the character seems too serious. If I leave it", "\"Ha ha\"s. But maybe it's OK, or maybe there's another way? Thanks! Any", "wrong because the character seems too serious. If I leave it in, there", "might be described something like this: Chorkia laughed. \"That's ridiculous.\" or *Chorkia laughed", "from Chorkia's perspective, and I can't find a way to integrate the laughter,", "find a way to integrate the laughter, which is an important part of", "stand out especially because Chorkia laughs very often. There can be no dialogue", "can be no dialogue tags (e.g.: \"I laughed and then said, \"ridiculous.\"). It", "perspectives. The first one is in 3rd person, and one of the characters", "or* \"Haha! That's ridiculous.\" It stand out especially because Chorkia laughs very often.", "which is an important part of the way Chorkia talks (he is often", "\"ridiculous.\"). It has to be within the talking. If I leave out the", "question. I'm writing the same story from two different perspectives. The first one", "\"Ha! That's ridiculous.\" or \"Haha! That's ridiculous.\" It stand out especially because Chorkia", "It has to be within the talking. If I leave out the laughing,", "and I can't find a way to integrate the laughter, which is an", "very often. There can be no dialogue tags (e.g.: \"I laughed and then", "then the tone is totally wrong because the character seems too serious. If", "If I leave out the laughing, then the tone is totally wrong because", "the same story from two different perspectives. The first one is in 3rd", "the tone is totally wrong because the character seems too serious. If I", "tone is totally wrong because the character seems too serious. If I leave", "really get to the bottom of it, and none are specifically like my", "me): \"Ha! That's ridiculous.\" or \"Haha! That's ridiculous.\" It stand out especially because", "out especially because Chorkia laughs very often. There can be no dialogue tags", "posts here, but none really get to the bottom of it, and none", "to the bottom of it, and none are specifically like my question. I'm", "in, there are so many \"Ha ha\"s. But maybe it's OK, or maybe", "the bottom of it, and none are specifically like my question. I'm writing", "at other posts here, but none really get to the bottom of it,", "something like this: Chorkia laughed. \"That's ridiculous.\" or Chorkia laughed and then turned", "in 3rd person, and one of the characters often laughs. It might be", "consciousness. Is it amateurish to say (it doesn't read that great to me):", "tags (e.g.: \"I laughed and then said, \"ridiculous.\"). It has to be within", "serious. If I leave it in, there are so many \"Ha ha\"s. But", "first one is in 3rd person, and one of the characters often laughs.", "of consciousness. Is it amateurish to say (it doesn't read that great to", "often laughs. It might be described something like this: Chorkia laughed. \"That's ridiculous.\"", "If I leave it in, there are so many \"Ha ha\"s. But maybe", "a way to integrate the laughter, which is an important part of the", "described something like this: Chorkia laughed. \"That's ridiculous.\"** or Chorkia laughed and then", "characters often laughs. It might be described something like this: Chorkia laughed. \"That's", "I leave it in, there are so many \"Ha ha\"s. But maybe it's", "the part from Chorkia's perspective, and I can't find a way to integrate", "the laughter, which is an important part of the way Chorkia talks (he", "like this: Chorkia laughed. \"That's ridiculous.\" or Chorkia laughed and then turned away.", "writing the same story from two different perspectives. The first one is in", "one of the characters often laughs. It might be described something like this:", "be no dialogue tags (e.g.: \"I laughed and then said, \"ridiculous.\"). It has", "That's ridiculous.\" It stand out especially because Chorkia laughs very often. There can", "Chorkia laughed. \"That's ridiculous.\"** or Chorkia laughed and then turned away. Now I", "turned away. Now I am writing the part from Chorkia's perspective, and I", "has to be within the talking. If I leave out the laughing, then", "be within the talking. If I leave out the laughing, then the tone", "a stream of consciousness. Is it amateurish to say (it doesn't read that", "doesn't read that great to me): \"Ha! That's ridiculous.\"** or \"Haha! That's ridiculous.\"", "it, and none are specifically like my question. I'm writing the same story", "because the character seems too serious. If I leave it in, there are", "ridiculous.\"** or Chorkia laughed and then turned away. Now I am writing the", "often laughing while he speaks). There are no dialogue tags, just a stream", "way to integrate the laughter, which is an important part of the way", "laughed and then said, \"ridiculous.\"). It has to be within the talking. If", "\"Haha! That's ridiculous.\" It stand out especially because Chorkia laughs very often. There", "Is it amateurish to say (it doesn't read that great to me): \"Ha!", "from two different perspectives. The first one is in 3rd person, and one", "to say (it doesn't read that great to me): \"Ha! That's ridiculous.\"** or", "It stand out especially because Chorkia laughs very often. There can be no", "ridiculous.\"** or \"Haha! That's ridiculous.\" It stand out especially because Chorkia laughs very", "character seems too serious. If I leave it in, there are so many", "story from two different perspectives. The first one is in 3rd person, and", "especially because Chorkia laughs very often. There can be no dialogue tags (e.g.:", "the talking. If I leave out the laughing, then the tone is totally", "it in, there are so many \"Ha ha\"s. But maybe it's OK, or", "I am writing the part from Chorkia's perspective, and I can't find a", "Chorkia's perspective, and I can't find a way to integrate the laughter, which", "can't find a way to integrate the laughter, which is an important part", "just a stream of consciousness. Is it amateurish to say (it doesn't read", "(e.g.: \"I laughed and then said, \"ridiculous.\"). It has to be within the", "is in 3rd person, and one of the characters often laughs. It might", "I've looked at other posts here, but none really get to the bottom" ]
[ "multiple columns. As a beginner writer, I tried to find examples of occasional", "acceptable to typeset poetry with about a dozen of stanzas in more than", "a book is going through the typesetting stage for self-publishing. In order to", "from 4-6 to 10-20 stanzas embedded in roughly 600 pages of prose. Some", "a fantasy novel where there is about a dozen of songs ranging from", "songs ranging from 4-6 to 10-20 stanzas embedded in roughly 600 pages of", "have to be rendered in a single column due to the length of", "capable of typesetting in multiple columns. As a beginner writer, I tried to", "self-publishing. In order to keep page count down, is it acceptable to typeset", "in multiple columns. As a beginner writer, I tried to find examples of", "find examples of occasional poetry (poems, songs) embedded in mostly prose, but nothing", "mostly prose, but nothing in my personal library contains such. I did find", "is a fantasy novel where there is about a dozen of songs ranging", "I did find a few titles at stores, with poetry embedded in a", "in a single column due to the length of every line in a", "but nothing in my personal library contains such. I did find a few", "occasional poetry (poems, songs) embedded in mostly prose, but nothing in my personal", "there is about a dozen of songs ranging from 4-6 to 10-20 stanzas", "to the length of every line in a stanza, while many could be", "their lines are short. We are capable of typesetting in multiple columns. As", "nothing in my personal library contains such. I did find a few titles", "stores, with poetry embedded in a single column, but those were relatively short", "prose. Some of those songs would have to be rendered in a single", "line in a stanza, while many could be rendered in two columns as", "is going through the typesetting stage for self-publishing. In order to keep page", "would have to be rendered in a single column due to the length", "pages of prose. Some of those songs would have to be rendered in", "where there is about a dozen of songs ranging from 4-6 to 10-20", "We are capable of typesetting in multiple columns. As a beginner writer, I", "working on a book is going through the typesetting stage for self-publishing. In", "as their lines are short. We are capable of typesetting in multiple columns.", "columns. As a beginner writer, I tried to find examples of occasional poetry", "4-6 to 10-20 stanzas embedded in roughly 600 pages of prose. Some of", "a stanza, while many could be rendered in two columns as their lines", "fantasy novel where there is about a dozen of songs ranging from 4-6", "it acceptable to typeset poetry with about a dozen of stanzas in more", "a dozen of songs ranging from 4-6 to 10-20 stanzas embedded in roughly", "columns as their lines are short. We are capable of typesetting in multiple", "dozen of songs ranging from 4-6 to 10-20 stanzas embedded in roughly 600", "with poetry embedded in a single column, but those were relatively short poems", "of those songs would have to be rendered in a single column due", "personal library contains such. I did find a few titles at stores, with", "my personal library contains such. I did find a few titles at stores,", "of typesetting in multiple columns. As a beginner writer, I tried to find", "The work at hand is a fantasy novel where there is about a", "those songs would have to be rendered in a single column due to", "on a book is going through the typesetting stage for self-publishing. In order", "is it acceptable to typeset poetry with about a dozen of stanzas in", "a beginner writer, I tried to find examples of occasional poetry (poems, songs)", "embedded in roughly 600 pages of prose. Some of those songs would have", "to be rendered in a single column due to the length of every", "contains such. I did find a few titles at stores, with poetry embedded", "stage for self-publishing. In order to keep page count down, is it acceptable", "rendered in a single column due to the length of every line in", "hand is a fantasy novel where there is about a dozen of songs", "through the typesetting stage for self-publishing. In order to keep page count down,", "poetry (poems, songs) embedded in mostly prose, but nothing in my personal library", "the length of every line in a stanza, while many could be rendered", "single column, but those were relatively short poems with only a few stanzas.", "songs) embedded in mostly prose, but nothing in my personal library contains such.", "of stanzas in more than one column? The work at hand is a", "to keep page count down, is it acceptable to typeset poetry with about", "to find examples of occasional poetry (poems, songs) embedded in mostly prose, but", "page count down, is it acceptable to typeset poetry with about a dozen", "down, is it acceptable to typeset poetry with about a dozen of stanzas", "could be rendered in two columns as their lines are short. We are", "about a dozen of stanzas in more than one column? The work at", "stanzas embedded in roughly 600 pages of prose. Some of those songs would", "roughly 600 pages of prose. Some of those songs would have to be", "a single column due to the length of every line in a stanza,", "while many could be rendered in two columns as their lines are short.", "songs would have to be rendered in a single column due to the", "one column? The work at hand is a fantasy novel where there is", "column? The work at hand is a fantasy novel where there is about", "of prose. Some of those songs would have to be rendered in a", "column due to the length of every line in a stanza, while many", "few titles at stores, with poetry embedded in a single column, but those", "dozen of stanzas in more than one column? The work at hand is", "(poems, songs) embedded in mostly prose, but nothing in my personal library contains", "many could be rendered in two columns as their lines are short. We", "of every line in a stanza, while many could be rendered in two", "I tried to find examples of occasional poetry (poems, songs) embedded in mostly", "In order to keep page count down, is it acceptable to typeset poetry", "beginner writer, I tried to find examples of occasional poetry (poems, songs) embedded", "in a stanza, while many could be rendered in two columns as their", "a few titles at stores, with poetry embedded in a single column, but", "rendered in two columns as their lines are short. We are capable of", "keep page count down, is it acceptable to typeset poetry with about a", "Some of those songs would have to be rendered in a single column", "at stores, with poetry embedded in a single column, but those were relatively", "in two columns as their lines are short. We are capable of typesetting", "10-20 stanzas embedded in roughly 600 pages of prose. Some of those songs", "typesetting in multiple columns. As a beginner writer, I tried to find examples", "embedded in mostly prose, but nothing in my personal library contains such. I", "stanzas in more than one column? The work at hand is a fantasy", "of songs ranging from 4-6 to 10-20 stanzas embedded in roughly 600 pages", "such. I did find a few titles at stores, with poetry embedded in", "typeset poetry with about a dozen of stanzas in more than one column?", "poetry embedded in a single column, but those were relatively short poems with", "the typesetting stage for self-publishing. In order to keep page count down, is", "about a dozen of songs ranging from 4-6 to 10-20 stanzas embedded in", "in a single column, but those were relatively short poems with only a", "count down, is it acceptable to typeset poetry with about a dozen of", "more than one column? The work at hand is a fantasy novel where", "As a beginner writer, I tried to find examples of occasional poetry (poems,", "to typeset poetry with about a dozen of stanzas in more than one", "in my personal library contains such. I did find a few titles at", "to 10-20 stanzas embedded in roughly 600 pages of prose. Some of those", "a single column, but those were relatively short poems with only a few", "is about a dozen of songs ranging from 4-6 to 10-20 stanzas embedded", "a dozen of stanzas in more than one column? The work at hand", "in more than one column? The work at hand is a fantasy novel", "examples of occasional poetry (poems, songs) embedded in mostly prose, but nothing in", "library contains such. I did find a few titles at stores, with poetry", "length of every line in a stanza, while many could be rendered in", "at hand is a fantasy novel where there is about a dozen of", "typesetting stage for self-publishing. In order to keep page count down, is it", "than one column? The work at hand is a fantasy novel where there", "due to the length of every line in a stanza, while many could", "order to keep page count down, is it acceptable to typeset poetry with", "book is going through the typesetting stage for self-publishing. In order to keep", "did find a few titles at stores, with poetry embedded in a single", "with about a dozen of stanzas in more than one column? The work", "going through the typesetting stage for self-publishing. In order to keep page count", "writer, I tried to find examples of occasional poetry (poems, songs) embedded in", "in mostly prose, but nothing in my personal library contains such. I did", "I am working on a book is going through the typesetting stage for", "lines are short. We are capable of typesetting in multiple columns. As a", "novel where there is about a dozen of songs ranging from 4-6 to", "am working on a book is going through the typesetting stage for self-publishing.", "prose, but nothing in my personal library contains such. I did find a", "stanza, while many could be rendered in two columns as their lines are", "poetry with about a dozen of stanzas in more than one column? The", "two columns as their lines are short. We are capable of typesetting in", "find a few titles at stores, with poetry embedded in a single column,", "embedded in a single column, but those were relatively short poems with only", "ranging from 4-6 to 10-20 stanzas embedded in roughly 600 pages of prose.", "be rendered in a single column due to the length of every line", "be rendered in two columns as their lines are short. We are capable", "titles at stores, with poetry embedded in a single column, but those were", "of occasional poetry (poems, songs) embedded in mostly prose, but nothing in my", "for self-publishing. In order to keep page count down, is it acceptable to", "work at hand is a fantasy novel where there is about a dozen", "600 pages of prose. Some of those songs would have to be rendered", "tried to find examples of occasional poetry (poems, songs) embedded in mostly prose,", "in roughly 600 pages of prose. Some of those songs would have to", "are capable of typesetting in multiple columns. As a beginner writer, I tried", "every line in a stanza, while many could be rendered in two columns", "are short. We are capable of typesetting in multiple columns. As a beginner", "single column due to the length of every line in a stanza, while", "short. We are capable of typesetting in multiple columns. As a beginner writer," ]
[ "is about) from beginning to the end, and then, when they are done,", "then submit straight to editors. I am wondering if this method (fly by", "there anyone here who actually writes like this? And how successful have you", "the seat of their pants (without even having the slightest idea what the", "actually produces quality writing. The kind of quality writing that literary agents and", "to editors. I am wondering if this method (fly by the pants, edit", "just fly by the seat of their pants (without even having the slightest", "looking for. Is there anyone here who actually writes like this? And how", "other mistakes and then submit straight to editors. I am wondering if this", "Is there anyone here who actually writes like this? And how successful have", "idea what the story is about) from beginning to the end, and then,", "about) from beginning to the end, and then, when they are done, edit", "from beginning to the end, and then, when they are done, edit for", "fly by the seat of their pants (without even having the slightest idea", "a question regarding this that I have found: \"(Dean Wesley Smith) basically advises", "am wondering if this method (fly by the pants, edit and then send)", "for. Is there anyone here who actually writes like this? And how successful", "agents and editors are looking for. Is there anyone here who actually writes", "their pants (without even having the slightest idea what the story is about)", "and then submit straight to editors. I am wondering if this method (fly", "and then, when they are done, edit for punctuation, grammar and other mistakes", "punctuation, grammar and other mistakes and then submit straight to editors. I am", "method (fly by the pants, edit and then send) actually produces quality writing.", "basically advises writers to just fly by the seat of their pants (without", "Wesley Smith) basically advises writers to just fly by the seat of their", "have found: \"(Dean Wesley Smith) basically advises writers to just fly by the", "The kind of quality writing that literary agents and editors are looking for.", "elaborate, this is a quote from a question regarding this that I have", "that I have found: \"(Dean Wesley Smith) basically advises writers to just fly", "then send) actually produces quality writing. The kind of quality writing that literary", "writing that literary agents and editors are looking for. Is there anyone here", "regarding this that I have found: \"(Dean Wesley Smith) basically advises writers to", "by the seat of their pants (without even having the slightest idea what", "they are done, edit for punctuation, grammar and other mistakes and then submit", "to just fly by the seat of their pants (without even having the", "that literary agents and editors are looking for. Is there anyone here who", "done, edit for punctuation, grammar and other mistakes and then submit straight to", "edit and then send) actually produces quality writing. The kind of quality writing", "to the end, and then, when they are done, edit for punctuation, grammar", "\"(Dean Wesley Smith) basically advises writers to just fly by the seat of", "what the story is about) from beginning to the end, and then, when", "are looking for. Is there anyone here who actually writes like this? And", "pants (without even having the slightest idea what the story is about) from", "having the slightest idea what the story is about) from beginning to the", "who actually writes like this? And how successful have you been in doing", "writers to just fly by the seat of their pants (without even having", "anyone here who actually writes like this? And how successful have you been", "produces quality writing. The kind of quality writing that literary agents and editors", "editors are looking for. Is there anyone here who actually writes like this?", "the end, and then, when they are done, edit for punctuation, grammar and", "send) actually produces quality writing. The kind of quality writing that literary agents", "a quote from a question regarding this that I have found: \"(Dean Wesley", "(without even having the slightest idea what the story is about) from beginning", "story is about) from beginning to the end, and then, when they are", "literary agents and editors are looking for. Is there anyone here who actually", "are done, edit for punctuation, grammar and other mistakes and then submit straight", "from a question regarding this that I have found: \"(Dean Wesley Smith) basically", "beginning to the end, and then, when they are done, edit for punctuation,", "by the pants, edit and then send) actually produces quality writing. The kind", "the pants, edit and then send) actually produces quality writing. The kind of", "this method (fly by the pants, edit and then send) actually produces quality", "and editors are looking for. Is there anyone here who actually writes like", "even having the slightest idea what the story is about) from beginning to", "and then send) actually produces quality writing. The kind of quality writing that", "found: \"(Dean Wesley Smith) basically advises writers to just fly by the seat", "for punctuation, grammar and other mistakes and then submit straight to editors. I", "this is a quote from a question regarding this that I have found:", "edit for punctuation, grammar and other mistakes and then submit straight to editors.", "the slightest idea what the story is about) from beginning to the end,", "submit straight to editors. I am wondering if this method (fly by the", "quality writing. The kind of quality writing that literary agents and editors are", "wondering if this method (fly by the pants, edit and then send) actually", "straight to editors. I am wondering if this method (fly by the pants,", "if this method (fly by the pants, edit and then send) actually produces", "I have found: \"(Dean Wesley Smith) basically advises writers to just fly by", "and other mistakes and then submit straight to editors. I am wondering if", "pants, edit and then send) actually produces quality writing. The kind of quality", "advises writers to just fly by the seat of their pants (without even", "quote from a question regarding this that I have found: \"(Dean Wesley Smith)", "quality writing that literary agents and editors are looking for. Is there anyone", "mistakes and then submit straight to editors. I am wondering if this method", "seat of their pants (without even having the slightest idea what the story", "of their pants (without even having the slightest idea what the story is", "I am wondering if this method (fly by the pants, edit and then", "this that I have found: \"(Dean Wesley Smith) basically advises writers to just", "writing. The kind of quality writing that literary agents and editors are looking", "of quality writing that literary agents and editors are looking for. Is there", "kind of quality writing that literary agents and editors are looking for. Is", "slightest idea what the story is about) from beginning to the end, and", "To elaborate, this is a quote from a question regarding this that I", "then, when they are done, edit for punctuation, grammar and other mistakes and", "end, and then, when they are done, edit for punctuation, grammar and other", "when they are done, edit for punctuation, grammar and other mistakes and then", "grammar and other mistakes and then submit straight to editors. I am wondering", "(fly by the pants, edit and then send) actually produces quality writing. The", "question regarding this that I have found: \"(Dean Wesley Smith) basically advises writers", "is a quote from a question regarding this that I have found: \"(Dean", "editors. I am wondering if this method (fly by the pants, edit and", "here who actually writes like this? And how successful have you been in", "Smith) basically advises writers to just fly by the seat of their pants", "the story is about) from beginning to the end, and then, when they", "actually writes like this? And how successful have you been in doing this?\"" ]
[ "story setting, a sci-fi story, and the people that I work with have", "are prejudiced at by the Mirexon. They traded and acted with other nations,", "and suppressed by these people, until they fought back. Now the Mirexon have", "For example: [Mirexon] They were oppressed by a group of people which, in", "ago. They traded with both the Xalinx and the Mirexon, and took the", "in the oppression and rebellion. Xalinx is prejudiced against them because of this.", "their planet many centuries ago, as cave people. They were involved with the", "ago, as cave people. They were involved with the Mirexon for a long", "sci-fi story, and the people that I work with have created their own", "current system about 210 years ago. They traded with both the Xalinx and", "until they fought back. Now the Mirexon have prejudice and violence against this", "Mirexon have prejudice and violence against this nation. [Xalinx] They originated on their", "that I work with have created their own lore(s). Some of them conflict", "They originated from the Earth System and arrived in the current system about", "unified, lore? For example: [Mirexon] They were oppressed by a group of people", "group of people which, in all essentiality, were like another nation. They were", "[Mirexon] They were oppressed by a group of people which, in all essentiality,", "created their own lore(s). Some of them conflict with one another. How might", "one another. How might I combine these lore(s) into one, unified, lore? For", "in the current system about 210 years ago. They traded with both the", "I combine these lore(s) into one, unified, lore? For example: [Mirexon] They were", "planet many centuries ago, as cave people. They were involved with the Mirexon", "by these people, until they fought back. Now the Mirexon have prejudice and", "with other nations, but have \"no idea\" of the Mirexon incidents. [Akarex] They", "lore? For example: [Mirexon] They were oppressed by a group of people which,", "nation. [Xalinx] They originated on their planet many centuries ago, as cave people.", "the Mirexon side in the oppression and rebellion. Xalinx is prejudiced against them", "another nation. They were beaten and suppressed by these people, until they fought", "and are prejudiced at by the Mirexon. They traded and acted with other", "people, until they fought back. Now the Mirexon have prejudice and violence against", "traded with both the Xalinx and the Mirexon, and took the Mirexon side", "with both the Xalinx and the Mirexon, and took the Mirexon side in", "They originated on their planet many centuries ago, as cave people. They were", "prejudiced at by the Mirexon. They traded and acted with other nations, but", "cave people. They were involved with the Mirexon for a long time, and", "the Mirexon, and took the Mirexon side in the oppression and rebellion. Xalinx", "back. Now the Mirexon have prejudice and violence against this nation. [Xalinx] They", "lore(s) into one, unified, lore? For example: [Mirexon] They were oppressed by a", "[Xalinx] They originated on their planet many centuries ago, as cave people. They", "about 210 years ago. They traded with both the Xalinx and the Mirexon,", "violence against this nation. [Xalinx] They originated on their planet many centuries ago,", "have created their own lore(s). Some of them conflict with one another. How", "Mirexon side in the oppression and rebellion. Xalinx is prejudiced against them because", "all essentiality, were like another nation. They were beaten and suppressed by these", "the Mirexon incidents. [Akarex] They originated from the Earth System and arrived in", "combine these lore(s) into one, unified, lore? For example: [Mirexon] They were oppressed", "the Mirexon for a long time, and are prejudiced at by the Mirexon.", "both the Xalinx and the Mirexon, and took the Mirexon side in the", "by the Mirexon. They traded and acted with other nations, but have \"no", "fought back. Now the Mirexon have prejudice and violence against this nation. [Xalinx]", "against this nation. [Xalinx] They originated on their planet many centuries ago, as", "Xalinx and the Mirexon, and took the Mirexon side in the oppression and", "arrived in the current system about 210 years ago. They traded with both", "but have \"no idea\" of the Mirexon incidents. [Akarex] They originated from the", "long time, and are prejudiced at by the Mirexon. They traded and acted", "beaten and suppressed by these people, until they fought back. Now the Mirexon", "originated from the Earth System and arrived in the current system about 210", "years ago. They traded with both the Xalinx and the Mirexon, and took", "as cave people. They were involved with the Mirexon for a long time,", "They traded with both the Xalinx and the Mirexon, and took the Mirexon", "work with have created their own lore(s). Some of them conflict with one", "this nation. [Xalinx] They originated on their planet many centuries ago, as cave", "a sci-fi story, and the people that I work with have created their", "by a group of people which, in all essentiality, were like another nation.", "and the people that I work with have created their own lore(s). Some", "their own lore(s). Some of them conflict with one another. How might I", "have prejudice and violence against this nation. [Xalinx] They originated on their planet", "for a long time, and are prejudiced at by the Mirexon. They traded", "nation. They were beaten and suppressed by these people, until they fought back.", "them conflict with one another. How might I combine these lore(s) into one,", "other nations, but have \"no idea\" of the Mirexon incidents. [Akarex] They originated", "people which, in all essentiality, were like another nation. They were beaten and", "traded and acted with other nations, but have \"no idea\" of the Mirexon", "am setting up my story setting, a sci-fi story, and the people that", "They were oppressed by a group of people which, in all essentiality, were", "setting up my story setting, a sci-fi story, and the people that I", "the people that I work with have created their own lore(s). Some of", "involved with the Mirexon for a long time, and are prejudiced at by", "Mirexon incidents. [Akarex] They originated from the Earth System and arrived in the", "were like another nation. They were beaten and suppressed by these people, until", "and acted with other nations, but have \"no idea\" of the Mirexon incidents.", "like another nation. They were beaten and suppressed by these people, until they", "They were beaten and suppressed by these people, until they fought back. Now", "at by the Mirexon. They traded and acted with other nations, but have", "of the Mirexon incidents. [Akarex] They originated from the Earth System and arrived", "the current system about 210 years ago. They traded with both the Xalinx", "the Earth System and arrived in the current system about 210 years ago.", "time, and are prejudiced at by the Mirexon. They traded and acted with", "people. They were involved with the Mirexon for a long time, and are", "Mirexon for a long time, and are prejudiced at by the Mirexon. They", "I am setting up my story setting, a sci-fi story, and the people", "might I combine these lore(s) into one, unified, lore? For example: [Mirexon] They", "a long time, and are prejudiced at by the Mirexon. They traded and", "System and arrived in the current system about 210 years ago. They traded", "up my story setting, a sci-fi story, and the people that I work", "my story setting, a sci-fi story, and the people that I work with", "many centuries ago, as cave people. They were involved with the Mirexon for", "Mirexon. They traded and acted with other nations, but have \"no idea\" of", "with have created their own lore(s). Some of them conflict with one another.", "these lore(s) into one, unified, lore? For example: [Mirexon] They were oppressed by", "nations, but have \"no idea\" of the Mirexon incidents. [Akarex] They originated from", "were beaten and suppressed by these people, until they fought back. Now the", "on their planet many centuries ago, as cave people. They were involved with", "210 years ago. They traded with both the Xalinx and the Mirexon, and", "system about 210 years ago. They traded with both the Xalinx and the", "lore(s). Some of them conflict with one another. How might I combine these", "took the Mirexon side in the oppression and rebellion. Xalinx is prejudiced against", "and took the Mirexon side in the oppression and rebellion. Xalinx is prejudiced", "Earth System and arrived in the current system about 210 years ago. They", "were involved with the Mirexon for a long time, and are prejudiced at", "suppressed by these people, until they fought back. Now the Mirexon have prejudice", "They were involved with the Mirexon for a long time, and are prejudiced", "of them conflict with one another. How might I combine these lore(s) into", "with the Mirexon for a long time, and are prejudiced at by the", "these people, until they fought back. Now the Mirexon have prejudice and violence", "from the Earth System and arrived in the current system about 210 years", "example: [Mirexon] They were oppressed by a group of people which, in all", "into one, unified, lore? For example: [Mirexon] They were oppressed by a group", "the Mirexon. They traded and acted with other nations, but have \"no idea\"", "idea\" of the Mirexon incidents. [Akarex] They originated from the Earth System and", "people that I work with have created their own lore(s). Some of them", "\"no idea\" of the Mirexon incidents. [Akarex] They originated from the Earth System", "in all essentiality, were like another nation. They were beaten and suppressed by", "centuries ago, as cave people. They were involved with the Mirexon for a", "of people which, in all essentiality, were like another nation. They were beaten", "one, unified, lore? For example: [Mirexon] They were oppressed by a group of", "setting, a sci-fi story, and the people that I work with have created", "I work with have created their own lore(s). Some of them conflict with", "have \"no idea\" of the Mirexon incidents. [Akarex] They originated from the Earth", "side in the oppression and rebellion. Xalinx is prejudiced against them because of", "They traded and acted with other nations, but have \"no idea\" of the", "originated on their planet many centuries ago, as cave people. They were involved", "Some of them conflict with one another. How might I combine these lore(s)", "Mirexon, and took the Mirexon side in the oppression and rebellion. Xalinx is", "oppressed by a group of people which, in all essentiality, were like another", "were oppressed by a group of people which, in all essentiality, were like", "and violence against this nation. [Xalinx] They originated on their planet many centuries", "incidents. [Akarex] They originated from the Earth System and arrived in the current", "story, and the people that I work with have created their own lore(s).", "a group of people which, in all essentiality, were like another nation. They", "prejudice and violence against this nation. [Xalinx] They originated on their planet many", "How might I combine these lore(s) into one, unified, lore? For example: [Mirexon]", "[Akarex] They originated from the Earth System and arrived in the current system", "Now the Mirexon have prejudice and violence against this nation. [Xalinx] They originated", "which, in all essentiality, were like another nation. They were beaten and suppressed", "essentiality, were like another nation. They were beaten and suppressed by these people,", "with one another. How might I combine these lore(s) into one, unified, lore?", "and arrived in the current system about 210 years ago. They traded with", "acted with other nations, but have \"no idea\" of the Mirexon incidents. [Akarex]", "conflict with one another. How might I combine these lore(s) into one, unified,", "and the Mirexon, and took the Mirexon side in the oppression and rebellion.", "own lore(s). Some of them conflict with one another. How might I combine", "the Mirexon have prejudice and violence against this nation. [Xalinx] They originated on", "the Xalinx and the Mirexon, and took the Mirexon side in the oppression", "another. How might I combine these lore(s) into one, unified, lore? For example:", "they fought back. Now the Mirexon have prejudice and violence against this nation." ]
[ "practice\" is often used to suggest that something is more accurate than other", "than other things. However, that's often very subjective, requires specific context, and suggested", "In the software development field, there have been some [strong arguments against ever", "more accurate than other things. However, that's often very subjective, requires specific context,", "field, there have been some [strong arguments against ever using the phrase](https://www.satisfice.com/blog/archives/5164). What's", "something is more accurate than other things. However, that's often very subjective, requires", "suggest that something is more accurate than other things. However, that's often very", "suggested practices change over time. In the software development field, there have been", "phrase \"best practice\" is often used to suggest that something is more accurate", "subjective, requires specific context, and suggested practices change over time. In the software", "have been some [strong arguments against ever using the phrase](https://www.satisfice.com/blog/archives/5164). What's a good", "context, and suggested practices change over time. In the software development field, there", "development field, there have been some [strong arguments against ever using the phrase](https://www.satisfice.com/blog/archives/5164).", "things. However, that's often very subjective, requires specific context, and suggested practices change", "used to suggest that something is more accurate than other things. However, that's", "change over time. In the software development field, there have been some [strong", "the software development field, there have been some [strong arguments against ever using", "However, that's often very subjective, requires specific context, and suggested practices change over", "\"best practice\" is often used to suggest that something is more accurate than", "often used to suggest that something is more accurate than other things. However,", "that's often very subjective, requires specific context, and suggested practices change over time.", "to suggest that something is more accurate than other things. However, that's often", "very subjective, requires specific context, and suggested practices change over time. In the", "is more accurate than other things. However, that's often very subjective, requires specific", "specific context, and suggested practices change over time. In the software development field,", "writing the phrase \"best practice\" is often used to suggest that something is", "often very subjective, requires specific context, and suggested practices change over time. In", "over time. In the software development field, there have been some [strong arguments", "technical writing the phrase \"best practice\" is often used to suggest that something", "practices change over time. In the software development field, there have been some", "requires specific context, and suggested practices change over time. In the software development", "other things. However, that's often very subjective, requires specific context, and suggested practices", "and suggested practices change over time. In the software development field, there have", "the phrase \"best practice\" is often used to suggest that something is more", "been some [strong arguments against ever using the phrase](https://www.satisfice.com/blog/archives/5164). What's a good replacement?", "software development field, there have been some [strong arguments against ever using the", "that something is more accurate than other things. However, that's often very subjective,", "In technical writing the phrase \"best practice\" is often used to suggest that", "accurate than other things. However, that's often very subjective, requires specific context, and", "there have been some [strong arguments against ever using the phrase](https://www.satisfice.com/blog/archives/5164). What's a", "time. In the software development field, there have been some [strong arguments against", "is often used to suggest that something is more accurate than other things." ]
[ "My favorite genre is romance (for reading and writing), but I'm kind of", "be because I don't know how to write entertaining banter or deep conversation.", "how to write entertaining banter or deep conversation. Is this an unfixable problem?", "write entertaining banter or deep conversation. Is this an unfixable problem? Should I", "I'm kind of bad at writing it. I think it might be because", "to write a good romance but it's falling a little flat. I think", "write a good romance but it's falling a little flat. I think it", "but it's falling a little flat. I think it might be because I've", "writing), but I'm kind of bad at writing it. I think it might", "a little flat. I think it might be because I've never been in", "before. My favorite genre is romance (for reading and writing), but I'm kind", "reading and writing), but I'm kind of bad at writing it. I think", "been in love before. My favorite genre is romance (for reading and writing),", "little flat. I think it might be because I've never been in love", "favorite genre is romance (for reading and writing), but I'm kind of bad", "been trying to write a good romance but it's falling a little flat.", "but I'm kind of bad at writing it. I think it might be", "I think it might be because I've never been in love before. My", "don't know how to write entertaining banter or deep conversation. Is this an", "think it might be because I don't know how to write entertaining banter", "I've been trying to write a good romance but it's falling a little", "writing it. I think it might be because I don't know how to", "I've never been in love before. My favorite genre is romance (for reading", "might be because I don't know how to write entertaining banter or deep", "because I don't know how to write entertaining banter or deep conversation. Is", "I don't know how to write entertaining banter or deep conversation. Is this", "it might be because I don't know how to write entertaining banter or", "banter or deep conversation. Is this an unfixable problem? Should I just write", "never been in love before. My favorite genre is romance (for reading and", "and writing), but I'm kind of bad at writing it. I think it", "to write entertaining banter or deep conversation. Is this an unfixable problem? Should", "know how to write entertaining banter or deep conversation. Is this an unfixable", "at writing it. I think it might be because I don't know how", "think it might be because I've never been in love before. My favorite", "in love before. My favorite genre is romance (for reading and writing), but", "kind of bad at writing it. I think it might be because I", "a good romance but it's falling a little flat. I think it might", "I think it might be because I don't know how to write entertaining", "of bad at writing it. I think it might be because I don't", "love before. My favorite genre is romance (for reading and writing), but I'm", "trying to write a good romance but it's falling a little flat. I", "it's falling a little flat. I think it might be because I've never", "good romance but it's falling a little flat. I think it might be", "falling a little flat. I think it might be because I've never been", "because I've never been in love before. My favorite genre is romance (for", "bad at writing it. I think it might be because I don't know", "be because I've never been in love before. My favorite genre is romance", "romance but it's falling a little flat. I think it might be because", "it might be because I've never been in love before. My favorite genre", "flat. I think it might be because I've never been in love before.", "or deep conversation. Is this an unfixable problem? Should I just write another", "entertaining banter or deep conversation. Is this an unfixable problem? Should I just", "romance (for reading and writing), but I'm kind of bad at writing it.", "(for reading and writing), but I'm kind of bad at writing it. I", "might be because I've never been in love before. My favorite genre is", "it. I think it might be because I don't know how to write", "is romance (for reading and writing), but I'm kind of bad at writing", "deep conversation. Is this an unfixable problem? Should I just write another genre?", "genre is romance (for reading and writing), but I'm kind of bad at" ]
[ "to. Is it acceptable to leave off the question mark at the end", "without putting the tone inflection on the end. I am writing a novel", "heard people say questions without putting the tone inflection on the end. I", "writing a novel and I have a piece of dialogue where a character", "we have all heard people say questions without putting the tone inflection on", "here.” > > > because he's exasperated with the person he is talking", "inflection on the end. I am writing a novel and I have a", "am writing a novel and I have a piece of dialogue where a", "leave off the question mark at the end of a dialogue tag in", "on the end. I am writing a novel and I have a piece", "character says: > > “Why are you here.” > > > because he's", "exasperated with the person he is talking to. Is it acceptable to leave", "> because he's exasperated with the person he is talking to. Is it", "acceptable to leave off the question mark at the end of a dialogue", "you here.” > > > because he's exasperated with the person he is", "the end. I am writing a novel and I have a piece of", "sure we have all heard people say questions without putting the tone inflection", "dialogue where a character says: > > “Why are you here.” > >", "it acceptable to leave off the question mark at the end of a", "the question mark at the end of a dialogue tag in order to", "tone inflection on the end. I am writing a novel and I have", "end. I am writing a novel and I have a piece of dialogue", "I have a piece of dialogue where a character says: > > “Why", "> > because he's exasperated with the person he is talking to. Is", "I'm sure we have all heard people say questions without putting the tone", "Is it acceptable to leave off the question mark at the end of", "are you here.” > > > because he's exasperated with the person he", "have a piece of dialogue where a character says: > > “Why are", "say questions without putting the tone inflection on the end. I am writing", "have all heard people say questions without putting the tone inflection on the", "putting the tone inflection on the end. I am writing a novel and", "because he's exasperated with the person he is talking to. Is it acceptable", "piece of dialogue where a character says: > > “Why are you here.”", "a character says: > > “Why are you here.” > > > because", "at the end of a dialogue tag in order to indicate lack of", "all heard people say questions without putting the tone inflection on the end.", "the end of a dialogue tag in order to indicate lack of tone", "questions without putting the tone inflection on the end. I am writing a", "a novel and I have a piece of dialogue where a character says:", "person he is talking to. Is it acceptable to leave off the question", "question mark at the end of a dialogue tag in order to indicate", "I am writing a novel and I have a piece of dialogue where", "off the question mark at the end of a dialogue tag in order", "the tone inflection on the end. I am writing a novel and I", "mark at the end of a dialogue tag in order to indicate lack", "is talking to. Is it acceptable to leave off the question mark at", "“Why are you here.” > > > because he's exasperated with the person", "> > > because he's exasperated with the person he is talking to.", "he's exasperated with the person he is talking to. Is it acceptable to", "a piece of dialogue where a character says: > > “Why are you", "he is talking to. Is it acceptable to leave off the question mark", "> > “Why are you here.” > > > because he's exasperated with", "says: > > “Why are you here.” > > > because he's exasperated", "of dialogue where a character says: > > “Why are you here.” >", "and I have a piece of dialogue where a character says: > >", "talking to. Is it acceptable to leave off the question mark at the", "> “Why are you here.” > > > because he's exasperated with the", "with the person he is talking to. Is it acceptable to leave off", "novel and I have a piece of dialogue where a character says: >", "to leave off the question mark at the end of a dialogue tag", "people say questions without putting the tone inflection on the end. I am", "where a character says: > > “Why are you here.” > > >", "end of a dialogue tag in order to indicate lack of tone change?", "the person he is talking to. Is it acceptable to leave off the" ]
[ "* The relationship between the different readings is unclear. Are they mutually exclusive?", "less smooth since the reader is tasked with putting together a set of", "exclusive? In other words, is it and or or? * The reader is", "has worked on various (un(der)described) languages (3) the nature of deontic modality and", "of the sentence and with deciding which of them apply and which don't.", "each instance combine together. Pros and cons of this strategy: Pros: * Allows", "of parentheses, which is to convey parenthetical information. The information enclosed in the", "they mutually exclusive? In other words, is it and or or? * The", "this use of parentheses is convenient for the writer, it makes for fuzzy", "come as vague or ambiguous. Additionally, the reading experience is less smooth since", "the use of parentheses around a word or part of a word to", "In other words, is it and or or? * The reader is tasked", "part of a word to allow for more than one reading of a", "the sentence and with deciding which of them apply and which don't. Moreover,", "the appropriate reading of the sentence. For example, should the sentence be read", "qualificational (modal) categories (4) All (inter)national students are welcome at this lecture about", "* Allows for the abbreviated expression of otherwise lengthy commonplace terms like intersubjectivity/subjectivity", "with deciding on the appropriate reading of the sentence. For example, should the", "writing. The ideas may come as vague or ambiguous. Additionally, the reading experience", "even though this use of parentheses is convenient for the writer, it makes", "as (inter)subjectivity that may be repeated numerous times in one text. Cinc: ", "interpretations of the sentence and with deciding which of them apply and which", "ambiguous. Additionally, the reading experience is less smooth since the reader is tasked", "appropriate reading of the sentence. For example, should the sentence be read multiple", "to other qualificational (modal)* categories (4) All (inter)national students are welcome at this", "sentence (4), the reader must decide which of the possible interpretations of each", "which is to convey parenthetical information. The information enclosed in the parentheses in", "relative to other qualificational (modal) categories (4) All (inter)national students are welcome at", "different readings is unclear. Are they mutually exclusive? In other words, is it", "word or part of a word to allow for more than one reading", "nature of deontic modality and its status relative to other qualificational (modal) categories", "and its status relative to other qualificational (modal) categories (4) All (inter)national students", "* Defeats the purpose of parentheses, which is to convey parenthetical information. The", "of each instance combine together. Pros and cons of this strategy: Pros: ", "may enclose clusters of letters that are meaningless, such as se* and der.", "lengthy commonplace terms like intersubjectivity/subjectivity as (inter)subjectivity that may be repeated numerous times", "(4) All (inter)national students are welcome at this lecture about Belgium, where you", "reader must decide which of the possible interpretations of each instance combine together.", "you will learn more about your (host) country. The parentheses in these examples", "deciding on the appropriate reading of the sentence. For example, should the sentence", "modality and its status relative to other qualificational (modal) categories (4) All (inter)national", "lecture about Belgium, where you will learn more about your (host) country. The", "the nature of deontic modality and its status relative to other qualificational (modal)", "I see this quite often in scientific English written by non-native researchers, mostly", "of deontic modality and its status relative to other qualificational (modal) categories (4)", "the(se) modals, (...) (2) she has worked on various (un(der)described) languages (3) the", "as vague or ambiguous. Additionally, the reading experience is less smooth since the", "possible interpretations of each instance combine together. Pros and cons of this strategy:", "don't. Moreover, if this strategy is used more than once in one sentence", "four possible felicitous readings and a fifth that is infelicitous: * she has", "word to allow for more than one reading of a sentence. 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[ "of the respondents bothered to distinguish between print and digital publishing. In other", "successful. Because it means that the author obviously invested effective marketing into it", "hope of being lucky, does that very attempt automatically rule out any chance", "no marketing resources) in the hope of being lucky, does that very attempt", "clichés, thus answering in the following manner: “Sure you can! Look at these", "the previous day and hasn't had time to make any sales. Does the", "act, you have ruled out any possibility of signing a contract with a", "up not actually answering the question. What tends to be overlooked is that", "it has nothing to do with how many copies the book has sold", "book that they have received from a literary agent and would like to", "they have received from a literary agent and would like to publish? If", "is more about the technicalities regarding copyright or 'first publication rights'. It would", "obviously invested effective marketing into it but the poor/mediocre nature of the book", "an [example](https://writing.stackexchange.com/questions/10667/does-self-publishing-via-amazon-or-similar-services-make-your-book-ineligible-fo). The reason is because I have noticed that every time such", "following manner: “Sure you can! Look at these self-publishers who were hugely successful", "they read? What then is the point of agents and editors? Besides, this", "cases like Hocking or Hewitt is a red herring. In other words, it", "self-published books that were only moderately successful. Because it means that the author", "such an act, you have ruled out any possibility of signing a contract", "to be successful on Amazon?” What?? Really?? Don’t they brains of their own?", "skills or the resources to market it? And isn’t that the job of", "got contracts!!” As a result, respondents end up not actually answering the question.", "if publishers, as a rule, do not want the book to have been", "having already sold well): “But if you self-publish through Amazon and then try", "the book is, almost by definition, NOT a “known quantity”. If few people", "thus answering in the following manner: “Sure you can! Look at these self-publishers", "marketing skills and resources that many authors simply do not have the means", "Gordon’s’ answer (in the context of a self-published book not having already sold", "other words, they failed to say whether, when they speak about ‘first world", "that are utterly irrelevant to the question: the question, quite simply, is does", "and read similar questions posted by other people and I have come away", "from ‘Seth Gordon’s’ answer (in the context of a self-published book not having", "by committing such an act, you have ruled out any possibility of signing", "the responses given. Here’s an [example](https://writing.stackexchange.com/questions/10667/does-self-publishing-via-amazon-or-similar-services-make-your-book-ineligible-fo). The reason is because I have noticed", "a little while. However, I have removed it.” What would be their response?", "effective marketing into it but the poor/mediocre nature of the book did not", "multiple questions, but now you can see why I am baffled by this", "of signing a contract with a traditional publisher even if they like the", "after reading it and would like to sign a deal. Then you say", "many authors simply do not have the means to provide for their books.", "self-publishers who were hugely successful and later got contracts!!” As a result, respondents", "NOT a “known quantity”. If few people have bought it (usually due to", "self-published on Amazon but did not sell, then it means publishers cannot be", "(from the same link): This sentence is from ‘Seth Gordon’s’ answer (in the", "that the question is not** about sales. It is more about the technicalities", "what I’m saying (from the same link): This sentence is from ‘Seth Gordon’s’", "other people and I have come away each time deeply dissatisfied and frustrated", "only looking for books that have already been ‘proven’ to be successful on", "and are saying things that are utterly irrelevant to the question: the question,", "from a literary agent and would like to publish? If so, why? Please", "the very act of clicking 'publish' technically create a problem? If so, why?", "if the book was only e-published by the author just the previous day", "on effective marketing. Why do people keep ignoring this fact? Why do people", "when they speak about ‘first world publishing rights requirement’, whether it includes digital", "This sentence is from ‘Seth Gordon’s’ answer (in the context of a self-published", "almost by definition, NOT a “known quantity”. If few people have bought it", "are utterly irrelevant to the question: the question, quite simply, is *does the", "publishers? Isn’t that what they are supposed to do? Sorry about the multiple", "only apply to print? This clarification and distinction wasn’t made, but I think", "this issue. Here is just one example of what I’m saying (from the", "that have already been ‘proven’ to be successful on Amazon?” What?? Really?? Don’t", "well): “But if you self-publish through Amazon and then* try to market the", "the book to have been previously self-published at all. As an example, let’s", "successful with it? What if it is actually a fantastic book and the", "of a traditional publisher, as I understand it, is to provide the marketing", "to be a problem with reading comprehension that people have with regards to", "author obviously invested effective marketing into it but the poor/mediocre nature of the", "moderately successful. Because it means that the author obviously invested effective marketing into", "up another frustrating thing I’ve noticed: In the question that I linked to,", "Really?? Don’t they brains of their own? Can’t they read? What then is", "the technicalities regarding copyright or 'first publication rights'. It would still apply even", "nature of the book did not allow it to truly take off.) So,", "tendency to reply by bringing up the Amanda Hocking-type clichés, thus answering in", "rights requirement’, whether it includes digital publishing as well? Or does it only", "Amazon for a little while. However, I have removed it.” What would be", "“But if you self-publish through Amazon and then try to market the same", "in the cases of self-published books that were only moderately successful. Because it", "time to make any sales. Does the very act of clicking 'publish' technically", "sales. Does the very act of clicking 'publish' technically create a problem? If", "why? I'm sorry I had to be repetitive, but there really does tend", "world publishing rights requirement’, whether it includes digital publishing as well? Or does", "marketing. Why do people keep ignoring this fact? Why do people keep saying", "that the author obviously invested effective marketing into it but the poor/mediocre nature", "all. As an example, let’s say the agent and the publisher both love", "lucky, does that very attempt automatically rule out any chance of the author", "an act, you have ruled out any possibility of signing a contract with", "the book has sold via self-publishing. We just want to know if publishers,", "the context of a self-published book not having already sold well): “But if", "impossible for a publishing house to publish a book that they have received", "form only. All that being said, what's all this nonsense about “publishers are", "love the book after reading it and would like to sign a deal.", "book not having already sold well): “But if you self-publish through Amazon and", "time deeply dissatisfied and frustrated by the responses given. Here’s an [example](https://writing.stackexchange.com/questions/10667/does-self-publishing-via-amazon-or-similar-services-make-your-book-ineligible-fo). The", "is the question. Bringing up unusual cases like Hocking or Hewitt is a", "to know that I actually put it up on Amazon for a little", "brings up another frustrating thing I’ve noticed: In the question that I linked", "just one example of what I’m saying (from the same link): This sentence", "“Sure you can! Look at these self-publishers who were hugely successful and later", "have ruled out any possibility of signing a contract with a traditional publisher", "resources to market it? And isn’t that the job of traditional publishers? 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Isn’t that what they are supposed to do?", "similar questions posted by other people and I have come away each time", "If so, why? I'm sorry I had to be repetitive, but there really", "(in the context of a self-published book not having already sold well): “But", "to reply by bringing up the Amanda Hocking-type clichés, thus answering in the", "possibility of signing a contract with a traditional publisher even if they like", "the way…uhmm….I think you might want to know that I actually put it", "sign a deal. Then you say to them: “Oh, by the way…uhmm….I think", "sold well): “But if you self-publish through Amazon and then* try to market", "your book is a known quantity.” To me, the statement makes no sense", "for books that have already been ‘proven’ to be successful on Amazon?” What??", "cannot be successful with it? What if it is actually a fantastic book", "they may like the book? ETA: Just to clarify what the question is,", "problem? If so, why? I'm sorry I had to be repetitive, but there", "were hugely successful and later got contracts!!” As a result, respondents end up", "the book was only e-published by the author just the previous day and", "novel make it impossible for a publishing house to publish a book that", "like to sign a deal. Then you say to them: “Oh, by the", "no matter much they may like the book? ETA: Just to clarify what", "actually answering the question. What tends to be overlooked is that the question", "not having already sold well): “But if you self-publish through Amazon and then", "is actually a fantastic book and the only reason it didn’t sell was", "just the previous day and hasn't had time to make any sales. Does", "clicking 'publish' technically create a problem? If so, why? I'm sorry I had", "Amanda Hocking-type clichés, thus answering in the following manner: “Sure you can! Look", "only e-published by the author just the previous day and hasn't had time", "has sold via self-publishing. We just want to know if publishers, as a", "the book. That is the question. Bringing up unusual cases like Hocking or", "say to them: “Oh, by the way…uhmm….I think you might want to know", "response? Will they go, “Oh well, in that case, deal’s off!” Furthermore, that", "is the point of agents and editors? Besides, this completely ignores the crucial", "in sum, my point is that the purpose of a traditional publisher, as", "other words, it has nothing to do with how many copies the book", "agent and would like to publish? If so, why? Please note that the", "very act of clicking 'publish' technically create a problem? If so, why? I'm", "and I have come away each time deeply dissatisfied and frustrated by the", "publishing rights requirement’, whether it includes digital publishing as well? Or does it", "I have removed it.” What would be their response? Will they go, “Oh", "if you self-publish through Amazon and then try to market the same book", "was only e-published by the author just the previous day and hasn't had", "into it but the poor/mediocre nature of the book did not allow it", "writer needs to know if it is okay to test the waters through", "signing a contract with a traditional publisher even if they like the book.", "sum, my point is that the purpose of a traditional publisher, as I", "simply do not have the means to provide for their books. But if", "speak about ‘first world publishing rights requirement’, whether it includes digital publishing as", "previous day and hasn't had time to make any sales. Does the very", "Please note that the question is not about sales. It is more about", "The reason is because I have noticed that every time such a question", "an author does make an attempt at self-publishing (despite little or no marketing", "a traditional publisher no matter much they may like the book? ETA: Just", "Does the very act of clicking 'publish' technically create a problem? If so,", "okay to test the waters through self-publishing as long as they keep it", "fact? Why do people keep saying that if a book has been self-published", "with how many copies the book has sold via self-publishing. We just want", "the hope of being lucky, does that very attempt automatically rule out any", "the agent and the publisher both love the book after reading it and", "repetitive, but there really does tend to be a problem with reading comprehension", "digital form only. All that being said, what's all this nonsense about “publishers", "bought it (usually due to lack of marketing), then how on earth is", "(despite little or no marketing resources) in the hope of being lucky, does", "actually a fantastic book and the only reason it didn’t sell was because", "fact that success of a self-published book is highly dependent on effective marketing.", "that brings up another frustrating thing I’ve noticed: In the question that I", "sell was because the author simply lacked the skills or the resources to", "deal. Then you say to them: “Oh, by the way…uhmm….I think you might", "So, in sum, my point is that the purpose of a traditional publisher,", "is true only in the cases of self-published books that were only moderately", "test the waters through self-publishing as long as they keep it in digital", "means to provide for their books. But if such an author does make", "to them: “Oh, by the way…uhmm….I think you might want to know that", "you say to them: “Oh, by the way…uhmm….I think you might want to", "know that I actually put it up on Amazon for a little while.", "sell, then it means publishers cannot be successful with it? What if it", "to test the waters through self-publishing as long as they keep it in", "point is that the purpose of a traditional publisher, as I understand it,", "through self-publishing as long as they keep it in digital form only. All", "successful and later got contracts!!” As a result, respondents end up not actually", "is to provide the marketing skills and resources that many authors simply do", "do with how many copies the book has sold via self-publishing. We just", "it.” What would be their response? Will they go, “Oh well, in that", "well, in that case, deal’s off!” Furthermore, that brings up another frustrating thing", "single one of the respondents bothered to distinguish between print and digital publishing.", "it (usually due to lack of marketing), then how on earth is it", "a red herring. In other words, it has nothing to do with how", "print? This clarification and distinction wasn’t made, but I think it is important.", "has been self-published on Amazon but did not sell, then it means publishers", "of their own? Can’t they read? What then is the point of agents", "Just to clarify what the question is, since some people clearly have trouble", "if a book has been self-published on Amazon but did not sell, then", "to do with how many copies the book has sold via self-publishing. We", "no sense because the book is, almost by definition, NOT a “known quantity”.", "books. But if such an author does make an attempt at self-publishing (despite", "clarification and distinction wasn’t made, but I think it is important. Because a", "Don’t they brains of their own? Can’t they read? What then is the", "question, quite simply, is does the act of clicking 'publish' for the ebook", "do not want the book to have been previously self-published at all. As", "their own? Can’t they read? What then is the point of agents and", "read? What then is the point of agents and editors? Besides, this completely", "fantastic book and the only reason it didn’t sell was because the author", "time such a question is asked, respondents have a tendency to reply by", "apply to print? This clarification and distinction wasn’t made, but I think it", "to lack of marketing), then how on earth is it a “known quantity”?", "the means to provide for their books. But if such an author does", "so, why? Please note that the question is not about sales. It is", "self-published book not having already sold well): “But if you self-publish through Amazon", "asked, respondents have a tendency to reply by bringing up the Amanda Hocking-type", "looking for books that have already been ‘proven’ to be successful on Amazon?”", "like Hocking or Hewitt is a red herring. In other words, it has", "question: the question, quite simply, is does the act of clicking 'publish' for", "dissatisfied and frustrated by the responses given. Here’s an [example](https://writing.stackexchange.com/questions/10667/does-self-publishing-via-amazon-or-similar-services-make-your-book-ineligible-fo). The reason is", "includes digital publishing as well? Or does it only apply to print? This", "to print? This clarification and distinction wasn’t made, but I think it is", "have received from a literary agent and would like to publish? If so,", "a book has been self-published on Amazon but did not sell, then it", "what's all this nonsense about “publishers are only looking for books that have", "on Amazon but did not sell, then it means publishers cannot be successful", "it to truly take off.) So, in sum, my point is that the", "it means publishers cannot be successful with it? What if it is actually", "‘first world publishing rights requirement’, whether it includes digital publishing as well? Or", "what they are supposed to do? Sorry about the multiple questions, but now", "ETA: Just to clarify what the question is, since some people clearly have", "let’s say the agent and the publisher both love the book after reading", "their books. But if such an author does make an attempt at self-publishing", "I actually put it up on Amazon for a little while. However, I", "about ‘first world publishing rights requirement’, whether it includes digital publishing as well?", "then how on earth is it a “known quantity”? (I will grant, however,", "are only looking for books that have already been ‘proven’ to be successful", "point of agents and editors? Besides, this completely ignores the crucial fact that", "in that case, deal’s off!” Furthermore, that brings up another frustrating thing I’ve", "as I understand it, is to provide the marketing skills and resources that", "think it is important. Because a writer needs to know if it is", "a deal with a traditional publisher no matter much they may like the", "very attempt automatically rule out any chance of the author securing a deal", "and later got contracts!!” As a result, respondents end up not actually answering", "long as they keep it in digital form only. All that being said,", "are supposed to do? Sorry about the multiple questions, but now you can", "ebook version of a novel make it impossible for a publishing house to", "questions posted by other people and I have come away each time deeply", "unusual cases like Hocking or Hewitt is a red herring. In other words,", "of agents and editors? Besides, this completely ignores the crucial fact that success", "however, that the statement is true only in the cases of self-published books", "contract with a traditional publisher even if they like the book. That is", "about the very act of pressing the ‘publish’ button, and whether or not,", "But if such an author does make an attempt at self-publishing (despite little", "a single one of the respondents bothered to distinguish between print and digital", "the question, quite simply, is does the act of clicking 'publish' for the", "be their response? Will they go, “Oh well, in that case, deal’s off!”", "regarding copyright or 'first publication rights'. It would still apply even if the", "the statement is true only in the cases of self-published books that were", "Then you say to them: “Oh, by the way…uhmm….I think you might want", "publication rights'. It would still apply even if the book was only e-published", "the Amanda Hocking-type clichés, thus answering in the following manner: “Sure you can!", "is okay to test the waters through self-publishing as long as they keep", "I understand it, is to provide the marketing skills and resources that many", "reading and are saying things that are utterly irrelevant to the question: the", "the resources to market it? And isn’t that the job of traditional publishers?", "has nothing to do with how many copies the book has sold via", "This clarification and distinction wasn’t made, but I think it is important. Because", "why I am baffled by this issue. Here is just one example of", "same book to a traditional publisher, your book is a known quantity.” To", "some people clearly have trouble reading and are saying things that are utterly", "Isn’t that what they are supposed to do? Sorry about the multiple questions,", "rule out any chance of the author securing a deal with a traditional", "to a traditional publisher, your book is a known quantity.” To me, the", "the question is, since some people clearly have trouble reading and are saying", "by definition, NOT a “known quantity”. If few people have bought it (usually", "a publishing house to publish a book that they have received from a", "you might want to know that I actually put it up on Amazon", "a result, respondents end up not actually answering the question. What tends to", "committing such an act, you have ruled out any possibility of signing a", "have the means to provide for their books. But if such an author", "both love the book after reading it and would like to sign a", "matter much they may like the book? ETA: Just to clarify what the", "due to lack of marketing), then how on earth is it a “known", "is important. Because a writer needs to know if it is okay to", "had to be repetitive, but there really does tend to be a problem", "to do? Sorry about the multiple questions, but now you can see why", "dependent** on effective marketing. Why do people keep ignoring this fact? Why do", "quantity.” To me, the statement makes no sense because the book is, almost", "be overlooked is that the question is really about the very act of", "the ‘publish’ button, and whether or not, by committing such an act, you", "with a traditional publisher even if they like the book. That is the", "the act of clicking 'publish'** for the ebook version of a novel make", "act of clicking 'publish' technically create a problem? If so, why? I'm sorry", "the same link): This sentence is from ‘Seth Gordon’s’ answer (in the context", "the statement makes no sense because the book is, almost by definition, NOT", "book. That is the question. Bringing up unusual cases like Hocking or Hewitt", "have removed it.” What would be their response? Will they go, “Oh well,", "that were only moderately successful. Because it means that the author obviously invested", "how many copies the book has sold via self-publishing. We just want to", "sense because the book is, almost by definition, NOT a “known quantity”. If", "I’m saying (from the same link): This sentence is from ‘Seth Gordon’s’ answer", "traditional publishers? Isn’t that what they are supposed to do? Sorry about the", "to asking this question, I have found and read similar questions posted by", "issue. Here is just one example of what I’m saying (from the same", "you self-publish through Amazon and then try to market the same book to", "by the responses given. Here’s an [example](https://writing.stackexchange.com/questions/10667/does-self-publishing-via-amazon-or-similar-services-make-your-book-ineligible-fo). The reason is because I have", "as long as they keep it in digital form only. All that being", "respondents have a tendency to reply by bringing up the Amanda Hocking-type clichés,", "Here’s an [example](https://writing.stackexchange.com/questions/10667/does-self-publishing-via-amazon-or-similar-services-make-your-book-ineligible-fo). The reason is because I have noticed that every time", "were only moderately successful. Because it means that the author obviously invested effective", "job of traditional publishers? Isn’t that what they are supposed to do? Sorry", "the book after reading it and would like to sign a deal. Then", "case, deal’s off!” Furthermore, that brings up another frustrating thing I’ve noticed: In", "one of the respondents bothered to distinguish between print and digital publishing. In", "quantity”. If few people have bought it (usually due to lack of marketing),", "Hocking-type clichés, thus answering in the following manner: “Sure you can! Look at", "book? ETA: Just to clarify what the question is, since some people clearly", "by the way…uhmm….I think you might want to know that I actually put", "another frustrating thing I’ve noticed: In the question that I linked to, you", "respondents end up not actually answering the question. What tends to be overlooked", "make an attempt at self-publishing (despite little or no marketing resources) in the", "they go, “Oh well, in that case, deal’s off!” Furthermore, that brings up", "to publish? If so, why? Please note that the question is not about", "more about the technicalities regarding copyright or 'first publication rights'. It would still", "asking this question, I have found and read similar questions posted by other", "between print and digital publishing. In other words, they failed to say whether,", "It would still apply even if the book was only e-published by the", "I think it is important. Because a writer needs to know if it", "can see why I am baffled by this issue. Here is just one", "was because the author simply lacked the skills or the resources to market", "the question that I linked to, you will notice that not a single", "question is, since some people clearly have trouble reading and are saying things", "the question is really about the very act of pressing the ‘publish’ button,", "people keep saying that if a book has been self-published on Amazon but", "book and the only reason it didn’t sell was because the author simply", "version of a novel make it impossible for a publishing house to publish", "to make any sales. 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That is the question. Bringing up", "if it is actually a fantastic book and the only reason it didn’t", "In the question that I linked to, you will notice that not a", "that being said, what's all this nonsense about “publishers are only looking for", "but did not sell, then it means publishers cannot be successful with it?", "securing a deal with a traditional publisher no matter much they may like", "really about the very act of pressing the ‘publish’ button, and whether or", "nothing to do with how many copies the book has sold via self-publishing.", "attempt automatically rule out any chance of the author securing a deal with", "found and read similar questions posted by other people and I have come", "lack of marketing), then how on earth is it a “known quantity”? (I", "saying that if a book has been self-published on Amazon but did not", "I am baffled by this issue. Here is just one example of what", "question. Bringing up unusual cases like Hocking or Hewitt is a red herring.", "they keep it in digital form only. All that being said, what's all", "books that have already been ‘proven’ to be successful on Amazon?” What?? Really??", "literary agent and would like to publish? If so, why? Please note that", "this nonsense about “publishers are only looking for books that have already been", "distinction wasn’t made, but I think it is important. Because a writer needs", "then is the point of agents and editors? Besides, this completely ignores the", "then it means publishers cannot be successful with it? What if it is", "on Amazon for a little while. However, I have removed it.” What would", "self-publishing as long as they keep it in digital form only. All that", "it but the poor/mediocre nature of the book did not allow it to", "go, “Oh well, in that case, deal’s off!” Furthermore, that brings up another", "so, why? 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It is more about the", "and resources that many authors simply do not have the means to provide", "is a known quantity.” To me, the statement makes no sense because the", "people clearly have trouble reading and are saying things that are utterly irrelevant", "What if it is actually a fantastic book and the only reason it", "it a “known quantity”? (I will grant, however, that the statement is true", "noticed that every time such a question is asked, respondents have a tendency", "through Amazon and then try to market the same book to a traditional", "reading it and would like to sign a deal. Then you say to", "book was only e-published by the author just the previous day and hasn't", "take off.) So, in sum, my point is that the purpose of a", "that success of a self-published book is highly dependent on effective marketing. Why", "resources) in the hope of being lucky, does that very attempt automatically rule", "many copies the book has sold via self-publishing. We just want to know", "to provide the marketing skills and resources that many authors simply do not", "why? Please note that the question is not about sales. It is more", "simply, is does the act of clicking 'publish' for the ebook version of", "while. However, I have removed it.” What would be their response? Will they", "little while. However, I have removed it.” What would be their response? Will", "for their books. But if such an author does make an attempt at", "market it? And isn’t that the job of traditional publishers? Isn’t that what", "self-published at all. As an example, let’s say the agent and the publisher", "“publishers are only looking for books that have already been ‘proven’ to be", "the respondents bothered to distinguish between print and digital publishing. In other words,", "And isn’t that the job of traditional publishers? Isn’t that what they are", "of what I’m saying (from the same link): This sentence is from ‘Seth", "answering in the following manner: “Sure you can! Look at these self-publishers who", "is asked, respondents have a tendency to reply by bringing up the Amanda", "digital publishing. In other words, they failed to say whether, when they speak", "what the question is, since some people clearly have trouble reading and are", "tend to be a problem with reading comprehension that people have with regards", "sales. It is more about the technicalities regarding copyright or 'first publication rights'.", "each time deeply dissatisfied and frustrated by the responses given. Here’s an [example](https://writing.stackexchange.com/questions/10667/does-self-publishing-via-amazon-or-similar-services-make-your-book-ineligible-fo).", "now you can see why I am baffled by this issue. Here is", "Sorry about the multiple questions, but now you can see why I am", "author securing a deal with a traditional publisher no matter much they may", "to, you will notice that not a single one of the respondents bothered", "(I will grant, however, that the statement is true only in the cases", "even if the book was only e-published by the author just the previous", "lacked the skills or the resources to market it? And isn’t that the", "because I have noticed that every time such a question is asked, respondents", "whether, when they speak about ‘first world publishing rights requirement’, whether it includes", "it in digital form only. All that being said, what's all this nonsense", "is from ‘Seth Gordon’s’ answer (in the context of a self-published book not", "removed it.” What would be their response? Will they go, “Oh well, in", "same link): This sentence is from ‘Seth Gordon’s’ answer (in the context of", "resources that many authors simply do not have the means to provide for", "up the Amanda Hocking-type clichés, thus answering in the following manner: “Sure you", "highly dependent on effective marketing. Why do people keep ignoring this fact? Why", "and would like to sign a deal. Then you say to them: “Oh,", "it only apply to print? This clarification and distinction wasn’t made, but I", "digital publishing as well? Or does it only apply to print? This clarification", "any sales. Does the very act of clicking 'publish' technically create a problem?", "clicking 'publish' for the ebook version of a novel make it impossible for", "that the purpose of a traditional publisher, as I understand it, is to", "ruled out any possibility of signing a contract with a traditional publisher even", "print and digital publishing. In other words, they failed to say whether, when", "Look at these self-publishers who were hugely successful and later got contracts!!” As", "responses given. Here’s an [example](https://writing.stackexchange.com/questions/10667/does-self-publishing-via-amazon-or-similar-services-make-your-book-ineligible-fo). The reason is because I have noticed that", "As a result, respondents end up not** actually answering the question. What tends", "even if they like the book. That is the question. Bringing up unusual", "thing I’ve noticed: In the question that I linked to, you will notice", "they failed to say whether, when they speak about ‘first world publishing rights", "or the resources to market it? And isn’t that the job of traditional", "does make an attempt at self-publishing (despite little or no marketing resources) in", "to clarify what the question is, since some people clearly have trouble reading", "a known quantity.” To me, the statement makes no sense because the book", "for a publishing house to publish a book that they have received from", "say whether, when they speak about ‘first world publishing rights requirement’, whether it", "means that the author obviously invested effective marketing into it but the poor/mediocre", "to the question: the question, quite simply, is *does the act of clicking", "read similar questions posted by other people and I have come away each", "being said, what's all this nonsense about “publishers are only looking for books", "that I linked to, you will notice that not a single one of", "of clicking 'publish' technically* create a problem? If so, why? I'm sorry I", "about “publishers are only looking for books that have already been ‘proven’ to", "statement makes no sense because the book is, almost by definition, NOT a", "marketing), then how on earth is it a “known quantity”? (I will grant,", "had time to make any sales. Does the very act of clicking 'publish'", "Bringing up unusual cases like Hocking or Hewitt is a red herring. In", "but now you can see why I am baffled by this issue. Here", "the very act of pressing the ‘publish’ button, and whether or not, by", "is because I have noticed that every time such a question is asked,", "by the author just the previous day and hasn't had time to make", "may like the book? ETA: Just to clarify what the question is, since", "only. All that being said, what's all this nonsense about “publishers are only", "is that the question is really about the very act of pressing the", "later got contracts!!” As a result, respondents end up not* actually answering the", "author does make an attempt at self-publishing (despite little or no marketing resources)", "would still apply even if the book was only e-published by the author", "that the job of traditional publishers? Isn’t that what they are supposed to", "out any possibility of signing a contract with a traditional publisher even if", "utterly irrelevant to the question: the question, quite simply, is *does the act", "away each time deeply dissatisfied and frustrated by the responses given. Here’s an", "Amazon and then* try to market the same book to a traditional publisher,", "still apply even if the book was only e-published by the author just", "I have found and read similar questions posted by other people and I", "of the author securing a deal with a traditional publisher no matter much", "rule, do not want the book to have been previously self-published at all.", "book is highly dependent on effective marketing. Why do people keep ignoring this", "of being lucky, does that very attempt automatically rule out any chance of", "In other words, it has nothing to do with how many copies the", "at all. As an example, let’s say the agent and the publisher both", "whether or not, by committing such an act, you have ruled out any", "known quantity.” To me, the statement makes no sense because the book is,", "the poor/mediocre nature of the book did not allow it to truly take", "poor/mediocre nature of the book did not allow it to truly take off.)", "on earth is it a “known quantity”? (I will grant, however, that the", "be successful on Amazon?” What?? Really?? Don’t they brains of their own? Can’t", "have noticed that every time such a question is asked, respondents have a", "(usually due to lack of marketing), then how on earth is it a", "provide the marketing skills and resources that many authors simply do not have", "provide for their books. But if such an author does make an attempt", "being lucky, does that very attempt automatically rule out any chance of the", "like the book. That is the question. Bringing up unusual cases like Hocking", "apply even if the book was only e-published by the author just the", "hugely successful and later got contracts!!” As a result, respondents end up not", "the question. Bringing up unusual cases like Hocking or Hewitt is a red", "does the act of clicking 'publish' for the ebook version of a novel", "just want to know if publishers, as a rule, do not want the", "is it a “known quantity”? (I will grant, however, that the statement is", "would be their response? Will they go, “Oh well, in that case, deal’s", "who were hugely successful and later got contracts!!” As a result, respondents end", "herring. In other words, it has nothing to do with how many copies", "that the statement is true only in the cases of self-published books that", "about the technicalities regarding copyright or 'first publication rights'. It would still apply", "to distinguish between print and digital publishing. In other words, they failed to", "or 'first publication rights'. It would still apply even if the book was", "this completely ignores the crucial fact that success of a self-published book is", "actually put it up on Amazon for a little while. However, I have", "make any sales. Does the very act of clicking 'publish' technically create a", "few people have bought it (usually due to lack of marketing), then how", "reason is because I have noticed that every time such a question is", "invested effective marketing into it but the poor/mediocre nature of the book did", "have been previously self-published at all. As an example, let’s say the agent", "it is actually a fantastic book and the only reason it didn’t sell", "completely ignores the crucial fact that success of a self-published book is *highly", "a rule, do not want the book to have been previously self-published at", "question is asked, respondents have a tendency to reply by bringing up the", "book has been self-published on Amazon but did not sell, then it means", "via self-publishing. We just want to know if publishers, as a rule, do", "only reason it didn’t sell was because the author simply lacked the skills", "book is, almost by definition, NOT a “known quantity”. If few people have", "book is* a known quantity.” To me, the statement makes no sense because", "and whether or not, by committing such an act, you have ruled out", "that very attempt automatically rule out any chance of the author securing a", "it? What if it is actually a fantastic book and the only reason", "sold via self-publishing. We just want to know if publishers, as a rule,", "well? Or does it only apply to print? This clarification and distinction wasn’t", "of marketing), then how on earth is it a “known quantity”? (I will", "To me, the statement makes no sense because the book is, almost by", "book has sold via self-publishing. We just want to know if publishers, as", "‘proven’ to be successful on Amazon?” What?? Really?? Don’t they brains of their", "a problem? If so, why? I'm sorry I had to be repetitive, but", "self-publishing. We just want to know if publishers, as a rule, do not", "they speak about ‘first world publishing rights requirement’, whether it includes digital publishing", "in the hope of being lucky, does that very attempt automatically rule out", "publishing as well? Or does it only apply to print? This clarification and", "will grant, however, that the statement is true only in the cases of", "the skills or the resources to market it? And isn’t that the job", "only in the cases of self-published books that were only moderately successful. Because", "question, I have found and read similar questions posted by other people and", "needs to know if it is okay to test the waters through self-publishing", "'publish' for the ebook version of a novel make it impossible for a", "the purpose of a traditional publisher, as I understand it, is to provide", "Hewitt is a red herring. In other words, it has nothing to do", "said, what's all this nonsense about “publishers are only looking for books that", "and would like to publish? If so, why? Please note that the question", "received from a literary agent and would like to publish? If so, why?", "purpose of a traditional publisher, as I understand it, is to provide the", "book after reading it and would like to sign a deal. Then you", "to sign a deal. Then you say to them: “Oh, by the way…uhmm….I", "not sell, then it means publishers cannot be successful with it? What if", "you will notice that not a single one of the respondents bothered to", "how on earth is it a “known quantity”? (I will grant, however, that", "Will they go, “Oh well, in that case, deal’s off!” Furthermore, that brings", "does that very attempt automatically rule out any chance of the author securing", "bringing up the Amanda Hocking-type clichés, thus answering in the following manner: “Sure", "of a self-published book is highly dependent** on effective marketing. Why do people", "much they may like the book? ETA: Just to clarify what the question", "if such an author does make an attempt at self-publishing (despite little or", "such a question is asked, respondents have a tendency to reply by bringing", "What would be their response? Will they go, “Oh well, in that case,", "I’ve noticed: In the question that I linked to, you will notice that", "people keep ignoring this fact? Why do people keep saying that if a", "in digital form only. All that being said, what's all this nonsense about", "for a little while. However, I have removed it.” What would be their", "traditional publisher no matter much they may like the book? ETA: Just to", "e-published by the author just the previous day and hasn't had time to", "is highly dependent on effective marketing. Why do people keep ignoring this fact?", "What tends to be overlooked is that the question is really about the", "do not have the means to provide for their books. But if such", "a problem with reading comprehension that people have with regards to issues like", "red herring. In other words, it has nothing to do with how many", "a tendency to reply by bringing up the Amanda Hocking-type clichés, thus answering", "words, it has nothing to do with how many copies the book has", "the book did not allow it to truly take off.) So, in sum,", "end up not* actually answering the question. What tends to be overlooked is", "is that the purpose of a traditional publisher, as I understand it, is", "deal’s off!” Furthermore, that brings up another frustrating thing I’ve noticed: In the", "“Oh, by the way…uhmm….I think you might want to know that I actually", "book did not allow it to truly take off.) So, in sum, my", "want to know if publishers, as a rule, do not want the book", "a question is asked, respondents have a tendency to reply by bringing up", "am baffled by this issue. Here is just one example of what I’m", "have trouble reading and are saying things that are utterly irrelevant to the", "question is not about sales. It is more about the technicalities regarding copyright", "authors simply do not have the means to provide for their books. But", "up on Amazon for a little while. However, I have removed it.” What", "tends to be overlooked is that the question is really about the very", "people have bought it (usually due to lack of marketing), then how on", "publisher no matter much they may like the book? ETA: Just to clarify", "clarify what the question is, since some people clearly have trouble reading and", "and digital publishing. In other words, they failed to say whether, when they", "not* about sales. It is more about the technicalities regarding copyright or 'first", "is really about the very act of pressing the ‘publish’ button, and whether", "there really does tend to be a problem with reading comprehension that people", "as they keep it in digital form only. All that being said, what's", "definition, NOT a “known quantity”. If few people have bought it (usually due", "[example](https://writing.stackexchange.com/questions/10667/does-self-publishing-via-amazon-or-similar-services-make-your-book-ineligible-fo). The reason is because I have noticed that every time such a", "know if publishers, as a rule, do not want the book to have", "the cases of self-published books that were only moderately successful. Because it means", "they brains of their own? Can’t they read? What then is the point", "previously self-published at all. As an example, let’s say the agent and the", "‘publish’ button, and whether or not, by committing such an act, you have", "but the poor/mediocre nature of the book did not allow it to truly", "that case, deal’s off!” Furthermore, that brings up another frustrating thing I’ve noticed:", "at these self-publishers who were hugely successful and later got contracts!!” As a", "editors? Besides, this completely ignores the crucial fact that success of a self-published", "link): This sentence is from ‘Seth Gordon’s’ answer (in the context of a", "it? And isn’t that the job of traditional publishers? Isn’t that what they", "because the author simply lacked the skills or the resources to market it?", "context of a self-published book not having already sold well): “But if you", "isn’t that the job of traditional publishers? Isn’t that what they are supposed", "make it impossible for a publishing house to publish a book that they", "the question is not* about sales. It is more about the technicalities regarding", "been self-published on Amazon but did not sell, then it means publishers cannot", "didn’t sell was because the author simply lacked the skills or the resources", "nonsense about “publishers are only looking for books that have already been ‘proven’", "this question, I have found and read similar questions posted by other people", "the book? ETA: Just to clarify what the question is, since some people", "already sold well): “But if you self-publish through Amazon and then try to", "makes no sense because the book is, almost by definition, NOT a “known", "Can’t they read? What then is the point of agents and editors? Besides,", "author simply lacked the skills or the resources to market it? And isn’t", "keep it in digital form only. All that being said, what's all this", "such an author does make an attempt at self-publishing (despite little or no", "already been ‘proven’ to be successful on Amazon?” What?? Really?? Don’t they brains", "them: “Oh, by the way…uhmm….I think you might want to know that I", "rights'. It would still apply even if the book was only e-published by", "by other people and I have come away each time deeply dissatisfied and", "these self-publishers who were hugely successful and later got contracts!!” As a result,", "crucial fact that success of a self-published book is highly dependent on effective", "the only reason it didn’t sell was because the author simply lacked the", "one example of what I’m saying (from the same link): This sentence is", "have bought it (usually due to lack of marketing), then how on earth", "quantity”? 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Bringing up unusual cases", "waters through self-publishing as long as they keep it in digital form only.", "effective marketing. Why do people keep ignoring this fact? Why do people keep", "that I actually put it up on Amazon for a little while. However,", "you have ruled out any possibility of signing a contract with a traditional", "to know if it is okay to test the waters through self-publishing as", "a “known quantity”. If few people have bought it (usually due to lack", "“known quantity”? (I will grant, however, that the statement is true only in", "off.) So, in sum, my point is that the purpose of a traditional", "or not, by committing such an act, you have ruled out any possibility", "it up on Amazon for a little while. However, I have removed it.”", "attempt at self-publishing (despite little or no marketing resources) in the hope of", "it didn’t sell was because the author simply lacked the skills or the", "to provide for their books. But if such an author does make an", "publisher, as I understand it, is to provide the marketing skills and resources", "own? Can’t they read? What then is the point of agents and editors?", "of traditional publishers? Isn’t that what they are supposed to do? Sorry about", "frustrating thing I’ve noticed: In the question that I linked to, you will", "really does tend to be a problem with reading comprehension that people have", "of a self-published book not having already sold well): “But if you self-publish", "It is more about the technicalities regarding copyright or 'first publication rights'. It", "'publish' technically create a problem? If so, why? I'm sorry I had to", "does it only apply to print? This clarification and distinction wasn’t made, but", "would like to publish? If so, why? Please note that the question is", "book to a traditional publisher, your book is a known quantity.” To me,", "not a single one of the respondents bothered to distinguish between print and", "or no marketing resources) in the hope of being lucky, does that very", "clearly have trouble reading and are saying things that are utterly irrelevant to", "the question: the question, quite simply, is does the act of clicking 'publish'", "traditional publisher, your book is a known quantity.” To me, the statement makes", "marketing into it but the poor/mediocre nature of the book did not allow", "quite simply, is does the act of clicking 'publish' for the ebook version", "the same book to a traditional publisher, your book is a known quantity.”", "in the following manner: “Sure you can! Look at these self-publishers who were", "want the book to have been previously self-published at all. As an example,", "me, the statement makes no sense because the book is, almost by definition,", "automatically rule out any chance of the author securing a deal with a", "publishers cannot be successful with it? What if it is actually a fantastic", "very act of pressing the ‘publish’ button, and whether or not, by committing", "questions, but now you can see why I am baffled by this issue.", "deeply dissatisfied and frustrated by the responses given. Here’s an [example](https://writing.stackexchange.com/questions/10667/does-self-publishing-via-amazon-or-similar-services-make-your-book-ineligible-fo). The reason", "been previously self-published at all. As an example, let’s say the agent and", "That* is the question. Bringing up unusual cases like Hocking or Hewitt is", "then* try to market the same book to a traditional publisher, your book", "are saying things that are utterly irrelevant to the question: the question, quite", "‘Seth Gordon’s’ answer (in the context of a self-published book not having already", "have come away each time deeply dissatisfied and frustrated by the responses given.", "the publisher both love the book after reading it and would like to", "deal with a traditional publisher no matter much they may like the book?", "all this nonsense about “publishers are only looking for books that have already", "noticed: In the question that I linked to, you will notice that not", "agent and the publisher both love the book after reading it and would", "contracts!!” As a result, respondents end up not actually answering the question. What", "Or does it only apply to print? This clarification and distinction wasn’t made,", "ignoring this fact? Why do people keep saying that if a book has", "grant, however, that the statement is true only in the cases of self-published", "reason it didn’t sell was because the author simply lacked the skills or", "day and hasn't had time to make any sales. Does the very act", "create a problem? If so, why? I'm sorry I had to be repetitive,", "that what they are supposed to do? Sorry about the multiple questions, but", "they like the book. That is the question. Bringing up unusual cases like", "frustrated by the responses given. Here’s an [example](https://writing.stackexchange.com/questions/10667/does-self-publishing-via-amazon-or-similar-services-make-your-book-ineligible-fo). The reason is because I", "or Hewitt is a red herring. In other words, it has nothing to", "a self-published book is highly dependent on effective marketing. Why do people keep", "out any chance of the author securing a deal with a traditional publisher", "the author just the previous day and hasn't had time to make any", "for the ebook version of a novel make it impossible for a publishing", "that many authors simply do not have the means to provide for their", "question is really about the very act of pressing the ‘publish’ button, and", "way…uhmm….I think you might want to know that I actually put it up", "example of what I’m saying (from the same link): This sentence is from", "Hocking or Hewitt is a red herring. In other words, it has nothing", "a “known quantity”? (I will grant, however, that the statement is true only", "publish a book that they have received from a literary agent and would", "ignores the crucial fact that success of a self-published book is highly dependent", "whether it includes digital publishing as well? Or does it only apply to", "it means that the author obviously invested effective marketing into it but the", "given. Here’s an [example](https://writing.stackexchange.com/questions/10667/does-self-publishing-via-amazon-or-similar-services-make-your-book-ineligible-fo). The reason is because I have noticed that every", "did not sell, then it means publishers cannot be successful with it? What", "not have the means to provide for their books. But if such an", "come away each time deeply dissatisfied and frustrated by the responses given. Here’s", "and the only reason it didn’t sell was because the author simply lacked", "with a traditional publisher no matter much they may like the book? ETA:", "I'm sorry I had to be repetitive, but there really does tend to", "to market the same book to a traditional publisher, your book is a", "because the book is, almost by definition, NOT a “known quantity”. If few", "requirement’, whether it includes digital publishing as well? Or does it only apply", "book to have been previously self-published at all. As an example, let’s say", "act of pressing the ‘publish’ button, and whether or not, by committing such", "of pressing the ‘publish’ button, and whether or not, by committing such an", "it includes digital publishing as well? Or does it only apply to print?", "do people keep saying that if a book has been self-published on Amazon", "What?? Really?? Don’t they brains of their own? Can’t they read? What then", "marketing resources) in the hope of being lucky, does that very attempt automatically", "that not a single one of the respondents bothered to distinguish between print", "my point is that the purpose of a traditional publisher, as I understand", "to market it? And isn’t that the job of traditional publishers? Isn’t that", "their response? Will they go, “Oh well, in that case, deal’s off!” Furthermore,", "and frustrated by the responses given. Here’s an [example](https://writing.stackexchange.com/questions/10667/does-self-publishing-via-amazon-or-similar-services-make-your-book-ineligible-fo). The reason is because", "problem with reading comprehension that people have with regards to issues like this.", "'first publication rights'. It would still apply even if the book was only", "hasn't had time to make any sales. Does the very act of clicking", "by this issue. Here is just one example of what I’m saying (from", "the point of agents and editors? Besides, this completely ignores the crucial fact", "important. Because a writer needs to know if it is okay to test", "the author simply lacked the skills or the resources to market it? And", "not want the book to have been previously self-published at all. As an", "traditional publisher, as I understand it, is to provide the marketing skills and", "a contract with a traditional publisher even if they like the book. That", "but I think it is important. Because a writer needs to know if", "at self-publishing (despite little or no marketing resources) in the hope of being", "successful on Amazon?” What?? Really?? Don’t they brains of their own? Can’t they", "baffled by this issue. Here is just one example of what I’m saying", "true only in the cases of self-published books that were only moderately successful.", "keep ignoring this fact? Why do people keep saying that if a book", "Why do people keep saying that if a book has been self-published on", "people and I have come away each time deeply dissatisfied and frustrated by", "is not about sales. It is more about the technicalities regarding copyright or", "answer (in the context of a self-published book not having already sold well):", "publishing house to publish a book that they have received from a literary", "that every time such a question is asked, respondents have a tendency to", "say the agent and the publisher both love the book after reading it", "have a tendency to reply by bringing up the Amanda Hocking-type clichés, thus", "the waters through self-publishing as long as they keep it in digital form", "a fantastic book and the only reason it didn’t sell was because the", "about the multiple questions, but now you can see why I am baffled", "distinguish between print and digital publishing. In other words, they failed to say", "since some people clearly have trouble reading and are saying things that are", "answering the question. What tends to be overlooked is that the question is", "put it up on Amazon for a little while. However, I have removed", "and then try to market the same book to a traditional publisher, your", "brains of their own? Can’t they read? What then is the point of", "notice that not a single one of the respondents bothered to distinguish between", "All that being said, what's all this nonsense about “publishers are only looking", "of the book did not allow it to truly take off.) So, in", "the author securing a deal with a traditional publisher no matter much they", "not, by committing such an act, you have ruled out any possibility of", "If so, why? Please note that the question is not about sales. It", "know if it is okay to test the waters through self-publishing as long", "I linked to, you will notice that not a single one of the", "publishers, as a rule, do not want the book to have been previously", "failed to say whether, when they speak about ‘first world publishing rights requirement’,", "example, let’s say the agent and the publisher both love the book after", "What then is the point of agents and editors? Besides, this completely ignores", "posted by other people and I have come away each time deeply dissatisfied", "it impossible for a publishing house to publish a book that they have", "respondents bothered to distinguish between print and digital publishing. In other words, they", "words, they failed to say whether, when they speak about ‘first world publishing", "a literary agent and would like to publish? If so, why? Please note", "made, but I think it is important. Because a writer needs to know", "agents and editors? Besides, this completely ignores the crucial fact that success of", "be successful with it? What if it is actually a fantastic book and", "supposed to do? Sorry about the multiple questions, but now you can see", "up unusual cases like Hocking or Hewitt is a red herring. In other", "will notice that not a single one of the respondents bothered to distinguish", "that if a book has been self-published on Amazon but did not sell,", "they are supposed to do? Sorry about the multiple questions, but now you", "cases of self-published books that were only moderately successful. Because it means that", "author just the previous day and hasn't had time to make any sales.", "to be repetitive, but there really does tend to be a problem with", "have found and read similar questions posted by other people and I have", "like to publish? If so, why? Please note that the question is not", "self-publishing (despite little or no marketing resources) in the hope of being lucky,", "the following manner: “Sure you can! Look at these self-publishers who were hugely", "keep saying that if a book has been self-published on Amazon but did", "as a rule, do not want the book to have been previously self-published", "a deal. Then you say to them: “Oh, by the way…uhmm….I think you", "to publish a book that they have received from a literary agent and", "Here is just one example of what I’m saying (from the same link):", "the question. What tends to be overlooked is that the question is really", "is, almost by definition, NOT a “known quantity”. If few people have bought", "a traditional publisher even if they like the book. That is the question.", "“Oh well, in that case, deal’s off!” Furthermore, that brings up another frustrating", "allow it to truly take off.) So, in sum, my point is that", "little or no marketing resources) in the hope of being lucky, does that", "simply lacked the skills or the resources to market it? And isn’t that", "Because it means that the author obviously invested effective marketing into it but", "about sales. It is more about the technicalities regarding copyright or 'first publication", "but there really does tend to be a problem with reading comprehension that", "if it is okay to test the waters through self-publishing as long as", "Besides, this completely ignores the crucial fact that success of a self-published book", "As an example, let’s say the agent and the publisher both love the", "understand it, is to provide the marketing skills and resources that many authors", "Furthermore, that brings up another frustrating thing I’ve noticed: In the question that", "this fact? Why do people keep saying that if a book has been", "We just want to know if publishers, as a rule, do not want", "Amazon but did not sell, then it means publishers cannot be successful with", "Prior to asking this question, I have found and read similar questions posted", "it is okay to test the waters through self-publishing as long as they", "wasn’t made, but I think it is important. Because a writer needs to", "Amazon?” What?? Really?? Don’t they brains of their own? Can’t they read? What" ]
[ "I'd known you were coming I'd have baked a cake,\" she muttered, stepping", "the notion that 'said' is the only acceptable dialogue tag. Barii folded her", "that 'said' is the only acceptable dialogue tag. Barii folded her arms and", "single eyebrow before turning away. \"If I'd known you were coming I'd have", "her arms and raised a single eyebrow before turning away. \"If I'd known", "were coming I'd have baked a cake,\" she muttered, stepping aside to allow", "turning away. \"If I'd known you were coming I'd have baked a cake,\"", "is the only acceptable dialogue tag. Barii folded her arms and raised a", "away. \"If I'd known you were coming I'd have baked a cake,\" she", "to ask this question because I was troubled by some answers to questions", "pass. Does this read as sarcastic? What informs you the statement is sarcastic?", "folded her arms and raised a single eyebrow before turning away. \"If I'd", "in rhetorical questions. The solution also calls into question the notion that 'said'", "because I was troubled by some answers to questions about punctuation in rhetorical", "question the notion that 'said' is the only acceptable dialogue tag. Barii folded", "question because I was troubled by some answers to questions about punctuation in", "by some answers to questions about punctuation in rhetorical questions. The solution also", "answers to questions about punctuation in rhetorical questions. The solution also calls into", "solution also calls into question the notion that 'said' is the only acceptable", "was troubled by some answers to questions about punctuation in rhetorical questions. The", "stepping aside to allow the visitor to pass. Does this read as sarcastic?", "questions about punctuation in rhetorical questions. The solution also calls into question the", "the only acceptable dialogue tag. Barii folded her arms and raised a single", "she muttered, stepping aside to allow the visitor to pass. Does this read", "prompted to ask this question because I was troubled by some answers to", "allow the visitor to pass. Does this read as sarcastic? What informs you", "punctuation in rhetorical questions. The solution also calls into question the notion that", "rhetorical questions. The solution also calls into question the notion that 'said' is", "a single eyebrow before turning away. \"If I'd known you were coming I'd", "I'd have baked a cake,\" she muttered, stepping aside to allow the visitor", "acceptable dialogue tag. Barii folded her arms and raised a single eyebrow before", "muttered, stepping aside to allow the visitor to pass. Does this read as", "a cake,\" she muttered, stepping aside to allow the visitor to pass. Does", "tag. Barii folded her arms and raised a single eyebrow before turning away.", "to pass. Does this read as sarcastic? What informs you the statement is", "only acceptable dialogue tag. 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Barii folded her arms and raised", "eyebrow before turning away. \"If I'd known you were coming I'd have baked", "the visitor to pass. Does this read as sarcastic? What informs you the", "to questions about punctuation in rhetorical questions. The solution also calls into question", "troubled by some answers to questions about punctuation in rhetorical questions. The solution", "questions. The solution also calls into question the notion that 'said' is the", "you were coming I'd have baked a cake,\" she muttered, stepping aside to", "also calls into question the notion that 'said' is the only acceptable dialogue", "notion that 'said' is the only acceptable dialogue tag. Barii folded her arms", "raised a single eyebrow before turning away. \"If I'd known you were coming", "aside to allow the visitor to pass. Does this read as sarcastic? What", "visitor to pass. Does this read as sarcastic? What informs you the statement", "calls into question the notion that 'said' is the only acceptable dialogue tag.", "dialogue tag. Barii folded her arms and raised a single eyebrow before turning", "cake,\" she muttered, stepping aside to allow the visitor to pass. Does this", "Barii folded her arms and raised a single eyebrow before turning away. \"If", "coming I'd have baked a cake,\" she muttered, stepping aside to allow the", "I'm prompted to ask this question because I was troubled by some answers", "\"If I'd known you were coming I'd have baked a cake,\" she muttered,", "baked a cake,\" she muttered, stepping aside to allow the visitor to pass.", "and raised a single eyebrow before turning away. \"If I'd known you were", "this question because I was troubled by some answers to questions about punctuation", "ask this question because I was troubled by some answers to questions about" ]
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[ "Rejtő Jenő and less memes. Basically, I'm trying to use more classical tools.", "are a handful of larger parts of constant comedy (levity, to be precise)", "demonic presence, no mortal could hope to explain. It > tied noose around", "face, furrowed eyebrows and those hazel > eyes emenated a demonic presence, no", "that guy, One, as he called himself, behaved more like the > executioner,", "writing written comedy. *So, what's the most important difference between written and audiovisual", "the most important difference between written and audiovisual comedy that I have to", "more Rejtő Jenő and less memes. Basically, I'm trying to use more classical", "and eat it. [Name] glanced back at the commander > > > While", "than a papercut. > > > And that guy, One, as he called", "the intro sequence of Skyrim and it's also my first attempt at writing", "uneasines was palpable, you could probably even > slice out a big chunk", "it. [Name] glanced back at the commander > > > While her slender", "it's also my first attempt at writing something funny in [creative-writing](/questions/tagged/creative-writing \"show questions", "there are a handful of larger parts of constant comedy (levity, to be", "I based this on the intro sequence of Skyrim and it's also my", "maybe we sho-\", he couldn't bring himself to mutter a word more. >", "> executioner, and [Name] like the one about to be beheaded. > >", "I'm very accustomed to humor that relies on the advantages, video has over", "himself, behaved more like the > executioner, and [Name] like the one about", "form stood out from the rest of her legionaries when > he looked", "[Name] like the one about to be beheaded. > > > So, yes,", "the fort. The uneasines was palpable, you could probably even > slice out", "papercut. > > > And that guy, One, as he called himself, behaved", "accustomed to humor that relies on the advantages, video has over written text.", "mutter a word more. > Every bit of his body protested. But this", "that relies on the advantages, video has over written text. In other words,", "rest of her legionaries when > he looked at her, the stern face,", "> \"Oh for God's sake, get on with it!\", the half-elf's scream boomed", "probably even > slice out a big chunk and eat it. [Name] glanced", "that crazed half-elf) which > tightened with each second. > > > \"Uhm,", "I'm trying to use more classical tools. The thing is I'm very accustomed", "guy, it's not like he > missed, the axe hardly could do more", "like the one about to be beheaded. > > > So, yes, I", "explain. It > tied noose around everyone (except for that crazed half-elf) which", "of larger parts of constant comedy (levity, to be precise) that later transition", "humor that relies on the advantages, video has over written text. In other", "missed, the axe hardly could do more than a papercut. > > >", "text. In other words, I don't know what to keep in mind when", "be > the sixth time he would try to behead that guy, it's", "audiovisual comedy that I have to keep in mind when writing?* Due to", "thing is I'm very accustomed to humor that relies on the advantages, video", "those hazel > eyes emenated a demonic presence, no mortal could hope to", "one about to be beheaded. > > > So, yes, I based this", "handful of larger parts of constant comedy (levity, to be precise) that later", "the > executioner, and [Name] like the one about to be beheaded. >", "furrowed eyebrows and those hazel > eyes emenated a demonic presence, no mortal", "But this was absurd, this would be > the sixth time he would", "[creative-writing](/questions/tagged/creative-writing \"show questions tagged 'creative-writing'\") that's more Rejtő Jenő and less memes. Basically,", "I don't know what to keep in mind when writing written comedy. *So,", "on the intro sequence of Skyrim and it's also my first attempt at", "try to behead that guy, it's not like he > missed, the axe", "\"Oh for God's sake, get on with it!\", the half-elf's scream boomed >", "other words, I don't know what to keep in mind when writing written", "eyebrows and those hazel > eyes emenated a demonic presence, no mortal could", "> \"Uhm, maybe we sho-\", he couldn't bring himself to mutter a word", "less memes. Basically, I'm trying to use more classical tools. The thing is", "mortal could hope to explain. It > tied noose around everyone (except for", "a papercut. > > > And that guy, One, as he called himself,", "trying to use more classical tools. The thing is I'm very accustomed to", "to keep in mind when writing written comedy. So, what's the most important", "the axe hardly could do more than a papercut. > > > And", "tools. The thing is I'm very accustomed to humor that relies on the", "at writing something funny in [creative-writing](/questions/tagged/creative-writing \"show questions tagged 'creative-writing'\") that's more Rejtő", "everyone (except for that crazed half-elf) which > tightened with each second. >", "looked at her, the stern face, furrowed eyebrows and those hazel > eyes", "commander > > > While her slender form stood out from the rest", "half-elf's scream boomed > through the fort. The uneasines was palpable, you could", "himself to mutter a word more. > Every bit of his body protested.", "and it's also my first attempt at writing something funny in [creative-writing](/questions/tagged/creative-writing \"show", "in [creative-writing](/questions/tagged/creative-writing \"show questions tagged 'creative-writing'\") that's more Rejtő Jenő and less memes.", "classical tools. The thing is I'm very accustomed to humor that relies on", "the nature of the main character (One), there are a handful of larger", "most important difference between written and audiovisual comedy that I have to keep", "keep in mind when writing written comedy. So, what's the most important difference", "mind when writing written comedy. So, what's the most important difference between written", "that's more Rejtő Jenő and less memes. Basically, I'm trying to use more", "get on with it!\", the half-elf's scream boomed > through the fort. The", "video has over written text. In other words, I don't know what to", "bit of his body protested. But this was absurd, this would be >", "> > So, yes, I based this on the intro sequence of Skyrim", "> slice out a big chunk and eat it. [Name] glanced back at", "be beheaded. > > > So, yes, I based this on the intro", "hardly could do more than a papercut. > > > And that guy,", "know what to keep in mind when writing written comedy. So, what's the", "(except for that crazed half-elf) which > tightened with each second. > >", "something funny in [creative-writing](/questions/tagged/creative-writing \"show questions tagged 'creative-writing'\") that's more Rejtő Jenő and", "words, I don't know what to keep in mind when writing written comedy.", "to explain. It > tied noose around everyone (except for that crazed half-elf)", "tagged 'creative-writing'\") that's more Rejtő Jenő and less memes. Basically, I'm trying to", "the advantages, video has over written text. In other words, I don't know", "> > > So, yes, I based this on the intro sequence of", "> > \"Oh for God's sake, get on with it!\", the half-elf's scream", "a big chunk and eat it. [Name] glanced back at the commander >", "between written and audiovisual comedy that I have to keep in mind when", "sake, get on with it!\", the half-elf's scream boomed > through the fort.", "sho-\", he couldn't bring himself to mutter a word more. > Every bit", "Every bit of his body protested. But this was absurd, this would be", "of his body protested. But this was absurd, this would be > the", "her, the stern face, furrowed eyebrows and those hazel > eyes emenated a", "through the fort. The uneasines was palpable, you could probably even > slice", "for that crazed half-elf) which > tightened with each second. > > >", "word more. > Every bit of his body protested. But this was absurd,", "stern face, furrowed eyebrows and those hazel > eyes emenated a demonic presence,", "axe hardly could do more than a papercut. > > > And that", "> So, yes, I based this on the intro sequence of Skyrim and", "comedy that I have to keep in mind when writing?* Due to the", "he called himself, behaved more like the > executioner, and [Name] like the", "this was absurd, this would be > the sixth time he would try", "to use more classical tools. The thing is I'm very accustomed to humor", "of the main character (One), there are a handful of larger parts of", "my first attempt at writing something funny in [creative-writing](/questions/tagged/creative-writing \"show questions tagged 'creative-writing'\")", "> tied noose around everyone (except for that crazed half-elf) which > tightened", "important difference between written and audiovisual comedy that I have to keep in", "'creative-writing'\") that's more Rejtő Jenő and less memes. Basically, I'm trying to use", "[Name] glanced back at the commander > > > While her slender form", "when writing written comedy. *So, what's the most important difference between written and", "behead that guy, it's not like he > missed, the axe hardly could", "> Every bit of his body protested. But this was absurd, this would", "it!\", the half-elf's scream boomed > through the fort. The uneasines was palpable,", "> And that guy, One, as he called himself, behaved more like the", "use more classical tools. The thing is I'm very accustomed to humor that", "> > > And that guy, One, as he called himself, behaved more", "on the advantages, video has over written text. In other words, I don't", "he couldn't bring himself to mutter a word more. > Every bit of", "to keep in mind when writing?* Due to the nature of the main", "he looked at her, the stern face, furrowed eyebrows and those hazel >", "called himself, behaved more like the > executioner, and [Name] like the one", "protested. But this was absurd, this would be > the sixth time he", "> While her slender form stood out from the rest of her legionaries", "could hope to explain. It > tied noose around everyone (except for that", "about to be beheaded. > > > So, yes, I based this on", "based this on the intro sequence of Skyrim and it's also my first", "he > missed, the axe hardly could do more than a papercut. >", "what's the most important difference between written and audiovisual comedy that I have", "with it!\", the half-elf's scream boomed > through the fort. The uneasines was", "to humor that relies on the advantages, video has over written text. In", "was absurd, this would be > the sixth time he would try to", "Jenő and less memes. Basically, I'm trying to use more classical tools. The", "which > tightened with each second. > > > \"Uhm, maybe we sho-\",", "the main character (One), there are a handful of larger parts of constant", "to be beheaded. > > > So, yes, I based this on the", "It > tied noose around everyone (except for that crazed half-elf) which >", "scream boomed > through the fort. The uneasines was palpable, you could probably", "as he called himself, behaved more like the > executioner, and [Name] like", "God's sake, get on with it!\", the half-elf's scream boomed > through the", "tied noose around everyone (except for that crazed half-elf) which > tightened with", "eat it. [Name] glanced back at the commander > > > While her", "with each second. > > > \"Uhm, maybe we sho-\", he couldn't bring", "the stern face, furrowed eyebrows and those hazel > eyes emenated a demonic", "hazel > eyes emenated a demonic presence, no mortal could hope to explain.", "And that guy, One, as he called himself, behaved more like the >", "yes, I based this on the intro sequence of Skyrim and it's also", "legionaries when > he looked at her, the stern face, furrowed eyebrows and", "more. > Every bit of his body protested. But this was absurd, this", "her legionaries when > he looked at her, the stern face, furrowed eyebrows", "> > While her slender form stood out from the rest of her", "noose around everyone (except for that crazed half-elf) which > tightened with each", "we sho-\", he couldn't bring himself to mutter a word more. > Every", "While her slender form stood out from the rest of her legionaries when", "of constant comedy (levity, to be precise) that later transition into a more", "palpable, you could probably even > slice out a big chunk and eat", "the commander > > > While her slender form stood out from the", "could do more than a papercut. > > > And that guy, One,", "> the sixth time he would try to behead that guy, it's not", "written text. In other words, I don't know what to keep in mind", "each second. > > > \"Uhm, maybe we sho-\", he couldn't bring himself", "could probably even > slice out a big chunk and eat it. [Name]", "> missed, the axe hardly could do more than a papercut. > >", "to behead that guy, it's not like he > missed, the axe hardly", "like the > executioner, and [Name] like the one about to be beheaded.", "Skyrim and it's also my first attempt at writing something funny in [creative-writing](/questions/tagged/creative-writing", "glanced back at the commander > > > While her slender form stood", "funny in [creative-writing](/questions/tagged/creative-writing \"show questions tagged 'creative-writing'\") that's more Rejtő Jenő and less", "\"show questions tagged 'creative-writing'\") that's more Rejtő Jenő and less memes. Basically, I'm", "The thing is I'm very accustomed to humor that relies on the advantages,", "very accustomed to humor that relies on the advantages, video has over written", "I have to keep in mind when writing? Due to the nature of", "the half-elf's scream boomed > through the fort. The uneasines was palpable, you", "So, what's the most important difference between written and audiovisual comedy that I", "and those hazel > eyes emenated a demonic presence, no mortal could hope", "body protested. But this was absurd, this would be > the sixth time", "> he looked at her, the stern face, furrowed eyebrows and those hazel", "this would be > the sixth time he would try to behead that", "you could probably even > slice out a big chunk and eat it.", "time he would try to behead that guy, it's not like he >", "big chunk and eat it. [Name] glanced back at the commander > >", "at the commander > > > While her slender form stood out from", "hope to explain. It > tied noose around everyone (except for that crazed", "stood out from the rest of her legionaries when > he looked at", "of her legionaries when > he looked at her, the stern face, furrowed", "memes. Basically, I'm trying to use more classical tools. The thing is I'm", "is I'm very accustomed to humor that relies on the advantages, video has", "has over written text. In other words, I don't know what to keep", "in mind when writing written comedy. So, what's the most important difference between", "that I have to keep in mind when writing? Due to the nature", "advantages, video has over written text. In other words, I don't know what", "over written text. In other words, I don't know what to keep in", "the sixth time he would try to behead that guy, it's not like", "what to keep in mind when writing written comedy. So, what's the most", "on with it!\", the half-elf's scream boomed > through the fort. The uneasines", "> > > \"Uhm, maybe we sho-\", he couldn't bring himself to mutter", "half-elf) which > tightened with each second. > > > \"Uhm, maybe we", "written and audiovisual comedy that I have to keep in mind when writing?", "around everyone (except for that crazed half-elf) which > tightened with each second.", "and less memes. Basically, I'm trying to use more classical tools. The thing", "chunk and eat it. [Name] glanced back at the commander > > >", "presence, no mortal could hope to explain. It > tied noose around everyone", "guy, One, as he called himself, behaved more like the > executioner, and", "more like the > executioner, and [Name] like the one about to be", "out a big chunk and eat it. [Name] glanced back at the commander", "the rest of her legionaries when > he looked at her, the stern", "absurd, this would be > the sixth time he would try to behead", "sixth time he would try to behead that guy, it's not like he", "at her, the stern face, furrowed eyebrows and those hazel > eyes emenated", "a handful of larger parts of constant comedy (levity, to be precise) that", "constant comedy (levity, to be precise) that later transition into a more serious", "out from the rest of her legionaries when > he looked at her,", "from the rest of her legionaries when > he looked at her, the", "emenated a demonic presence, no mortal could hope to explain. It > tied", "Due to the nature of the main character (One), there are a handful", "> eyes emenated a demonic presence, no mortal could hope to explain. It", "her slender form stood out from the rest of her legionaries when >", "that guy, it's not like he > missed, the axe hardly could do", "> > \"Uhm, maybe we sho-\", he couldn't bring himself to mutter a", "> through the fort. The uneasines was palpable, you could probably even >", "The uneasines was palpable, you could probably even > slice out a big", "first attempt at writing something funny in [creative-writing](/questions/tagged/creative-writing \"show questions tagged 'creative-writing'\") that's", "writing something funny in [creative-writing](/questions/tagged/creative-writing \"show questions tagged 'creative-writing'\") that's more Rejtő Jenő", "would try to behead that guy, it's not like he > missed, the", "not like he > missed, the axe hardly could do more than a", "would be > the sixth time he would try to behead that guy,", "(One), there are a handful of larger parts of constant comedy (levity, to", "> > > While her slender form stood out from the rest of", "and [Name] like the one about to be beheaded. > > > So,", "comedy (levity, to be precise) that later transition into a more serious tone.", "to the nature of the main character (One), there are a handful of", "even > slice out a big chunk and eat it. [Name] glanced back", "when > he looked at her, the stern face, furrowed eyebrows and those", "couldn't bring himself to mutter a word more. > Every bit of his", "So, yes, I based this on the intro sequence of Skyrim and it's", "more classical tools. The thing is I'm very accustomed to humor that relies", "don't know what to keep in mind when writing written comedy. So, what's", "and audiovisual comedy that I have to keep in mind when writing? Due", "keep in mind when writing? Due to the nature of the main character", "like he > missed, the axe hardly could do more than a papercut.", "was palpable, you could probably even > slice out a big chunk and", "of Skyrim and it's also my first attempt at writing something funny in", "Basically, I'm trying to use more classical tools. The thing is I'm very", "boomed > through the fort. The uneasines was palpable, you could probably even", "second. > > > \"Uhm, maybe we sho-\", he couldn't bring himself to", "questions tagged 'creative-writing'\") that's more Rejtő Jenő and less memes. Basically, I'm trying", "nature of the main character (One), there are a handful of larger parts", "slice out a big chunk and eat it. [Name] glanced back at the", "character (One), there are a handful of larger parts of constant comedy (levity,", "bring himself to mutter a word more. > Every bit of his body", "written comedy. So, what's the most important difference between written and audiovisual comedy", "> tightened with each second. > > > \"Uhm, maybe we sho-\", he", "comedy. *So, what's the most important difference between written and audiovisual comedy that", "it's not like he > missed, the axe hardly could do more than", "One, as he called himself, behaved more like the > executioner, and [Name]", "crazed half-elf) which > tightened with each second. > > > \"Uhm, maybe", "larger parts of constant comedy (levity, to be precise) that later transition into", "difference between written and audiovisual comedy that I have to keep in mind", "eyes emenated a demonic presence, no mortal could hope to explain. It >", "the one about to be beheaded. > > > So, yes, I based", "In other words, I don't know what to keep in mind when writing", "to mutter a word more. > Every bit of his body protested. But", "slender form stood out from the rest of her legionaries when > he", "relies on the advantages, video has over written text. In other words, I", "more than a papercut. > > > And that guy, One, as he", "also my first attempt at writing something funny in [creative-writing](/questions/tagged/creative-writing \"show questions tagged", "beheaded. > > > So, yes, I based this on the intro sequence", "tightened with each second. > > > \"Uhm, maybe we sho-\", he couldn't", "have to keep in mind when writing?* Due to the nature of the", "attempt at writing something funny in [creative-writing](/questions/tagged/creative-writing \"show questions tagged 'creative-writing'\") that's more", "back at the commander > > > While her slender form stood out", "sequence of Skyrim and it's also my first attempt at writing something funny", "writing? Due to the nature of the main character (One), there are a", "behaved more like the > executioner, and [Name] like the one about to", "this on the intro sequence of Skyrim and it's also my first attempt", "no mortal could hope to explain. It > tied noose around everyone (except", "intro sequence of Skyrim and it's also my first attempt at writing something", "in mind when writing? Due to the nature of the main character (One),", "fort. The uneasines was palpable, you could probably even > slice out a", "> > And that guy, One, as he called himself, behaved more like", "a demonic presence, no mortal could hope to explain. It > tied noose", "parts of constant comedy (levity, to be precise) that later transition into a", "do more than a papercut. > > > And that guy, One, as", "main character (One), there are a handful of larger parts of constant comedy", "when writing? Due to the nature of the main character (One), there are", "\"Uhm, maybe we sho-\", he couldn't bring himself to mutter a word more.", "for God's sake, get on with it!\", the half-elf's scream boomed > through", "a word more. > Every bit of his body protested. But this was", "his body protested. But this was absurd, this would be > the sixth", "mind when writing? Due to the nature of the main character (One), there", "he would try to behead that guy, it's not like he > missed,", "executioner, and [Name] like the one about to be beheaded. > > >" ]
[ "typeset their book for self-publishing. They would like to include an appendix which", "their book for self-publishing. They would like to include an appendix which would", "the later word which is in question: is it more appropriate to refer", "working with a beginner writer to help typeset their book for self-publishing. They", "explain the pronunciation of the numerous proper nouns that they had invented. It", "nouns that they had invented. It is the later word which is in", "proper nouns that they had invented. It is the later word which is", "of the numerous proper nouns that they had invented. It is the later", "writer to help typeset their book for self-publishing. They would like to include", "appendix which would explain the pronunciation of the numerous proper nouns that they", "beginner writer to help typeset their book for self-publishing. They would like to", "like to include an appendix which would explain the pronunciation of the numerous", "the pronunciation of the numerous proper nouns that they had invented. It is", "in question: is it more appropriate to refer to them as 'made up'", "question: is it more appropriate to refer to them as 'made up' or", "help typeset their book for self-publishing. They would like to include an appendix", "They would like to include an appendix which would explain the pronunciation of", "for self-publishing. They would like to include an appendix which would explain the", "It is the later word which is in question: is it more appropriate", "I am working with a beginner writer to help typeset their book for", "is the later word which is in question: is it more appropriate to", "is in question: is it more appropriate to refer to them as 'made", "had invented. It is the later word which is in question: is it", "which would explain the pronunciation of the numerous proper nouns that they had", "which is in question: is it more appropriate to refer to them as", "would explain the pronunciation of the numerous proper nouns that they had invented.", "word which is in question: is it more appropriate to refer to them", "they had invented. It is the later word which is in question: is", "self-publishing. They would like to include an appendix which would explain the pronunciation", "with a beginner writer to help typeset their book for self-publishing. They would", "later word which is in question: is it more appropriate to refer to", "a beginner writer to help typeset their book for self-publishing. They would like", "book for self-publishing. They would like to include an appendix which would explain", "to help typeset their book for self-publishing. They would like to include an", "pronunciation of the numerous proper nouns that they had invented. It is the", "invented. It is the later word which is in question: is it more", "numerous proper nouns that they had invented. It is the later word which", "would like to include an appendix which would explain the pronunciation of the", "an appendix which would explain the pronunciation of the numerous proper nouns that", "that they had invented. It is the later word which is in question:", "include an appendix which would explain the pronunciation of the numerous proper nouns", "the numerous proper nouns that they had invented. It is the later word", "is it more appropriate to refer to them as 'made up' or 'invented'?", "am working with a beginner writer to help typeset their book for self-publishing.", "to include an appendix which would explain the pronunciation of the numerous proper" ]
[ "Oonhtain as a time-traveling psychopathic killer that may be fine, but if I", "would still > have a legal headache. > <https://www.thebookdesigner.com/2015/07/tricks-and-traps-of-using-real-people-in-your-writing-part-1-the-right-of-publicity/> > > > So", "come after you. The case may be weak, but you would still >", "neutral, then you > don’t have defamation or privacy issues. > > >", "self-serving because academics are plagued by the same foibles and biases that exist", "seems more magic than science. If you prefer to write fantasy, fine, that", "team was purposefully withholding information for decades because then only they would be", "research team was purposefully withholding information for decades because then only they would", "Conan Doyle, inspired > Qpeqlack Bilmec. > <https://www.sidebarsaturdays.com/2017/08/05/httpwp-mep7vddb-us/> > > > Libel is", "would be the experts in this field. I believe that the cornerstone of", "in The Silence of the Lambs. Dr. > Joseph Bell, a surgeon known", "someone’s name, image, etc. should be related to your > topic and a", "the world a great service. Yet, he was successfully sued and even lost", "> Libel is the publication of a false statement that injures a person’s", "to play up the fictional elements as I keep true to the historical", "for tens of thousands of dollars. I don't want to risk being targeted", "or my motives.\"? My story involves a famous legal case with REAL judgments", "a model > for creating Cavevus Shoye. Edward Gein, who kept the skin", "revenge against the powerful while informing them about a significant historical issue. I", "first reviewed by their lawyer before submitting it to an editor. Yet many", "no one would reasonably assume > it’s true. > > > Even though", "than reading a science fiction story that seems more magic than science. If", "you disparage someone that > person might come after you. The case may", "a woman who claimed a > character in The Red Hat Club falsely", "foibles and biases that exist in all of us. I hope to entertain", "<https://www.thebookdesigner.com/2015/07/tricks-and-traps-of-using-real-people-in-your-writing-part-1-the-right-of-publicity/> > > > So that tells me to play up the fictional", "science. If you prefer to write fantasy, fine, that genre works for me", "case with REAL judgments for tens of thousands of dollars. I don't want", "motives.\"? My story involves a famous legal case with REAL judgments for tens", "simply ask permission, but again I see this as not being feasible because", "that injures a person’s reputation, however, there is an out, the real person", "in my novel has an ulterior, selfish motive for disclosing restricted information. Many", "discoveries with others as accurately and punctually as possible. My worry is that", "Who wants to write a story and have it first reviewed by their", "me: > > Scarlett Johansson won a defamation suit against a French writer", "submitting it to an editor. Yet many successful writers do create stories based", "on political, cultural and > social issues, is protected speech. As with fiction", "that the whistleblower in my novel has an ulterior, selfish motive for disclosing", "based on real characters: > > J.K. Rowling used her chemistry teacher, John", "even neutral, then you > don’t have defamation or privacy issues. > >", "can get the writer sued for libel if they are not careful about", "drawbacks. The usefulness is that it helps create believable plots and functional physics", "especially if one is a struggling writer living on a meager income. The", "> <https://www.thebookdesigner.com/2015/07/tricks-and-traps-of-using-real-people-in-your-writing-part-1-the-right-of-publicity/> > > > So that tells me to play up the", "a research team was purposefully withholding information for decades because then only they", "defamation or privacy issues. > > > So if I want to write", "don't want to risk being targeted by the whistleblower who did the world", "your > topic and a matter of public interest. > > > My", "I was able, however, to find one useful comment: > > Parody, particularly", "to write a story and have it first reviewed by their lawyer before", "fiction. Now, the drawback of intensive research. Detailed writing in fiction can get", "researcher for many years and it is a habit that has its usefulness", "that may be fine, but if I even suggest that he WAS a", "useful comment: > > Parody, particularly when it comments on political, cultural and", "on a meager income. The author of the above article gives useful advice", "powerful while informing them about a significant historical issue. I was able, however,", "The case may be weak, but you would still > have a legal", "Nettleship, as a model > for creating Cavevus Shoye. Edward Gein, who kept", "worry is that the whistleblower in my novel has an ulterior, selfish motive", "us. I hope to entertain the reader with a novel about revenge against", "did the world a great service. Yet, he was successfully sued and even", "is that the whistleblower in my novel has an ulterior, selfish motive for", "jury awarded $100,000 to a woman who claimed a > character in The", "that genre works for me too, but don't violate the fundamental laws of", "if you disparage someone that > person might come after you. The case", "believable plots and functional physics in your novel. Nothing irritates me more than", "lawyer before submitting it to an editor. Yet many successful writers do create", "of public interest. > > > My advice about parody is don’t go", "real characters: > > J.K. Rowling used her chemistry teacher, John Nettleship, as", "> > Parody, particularly when it comments on political, cultural and > social", "Make sure it’s so clear > your work is parody that you can", "is protected speech, if you disparage someone that > person might come after", "a false statement that injures a person’s reputation, however, there is an out,", "the experts in this field. I believe that the cornerstone of research should", "for defamation. You could simply ask permission, but again I see this as", "accurately and punctually as possible. My worry is that the whistleblower in my", "for > creating a promiscuous character who happened to look like the movie", "writing in fiction can get the writer sued for libel if they are", "more magic than science. If you prefer to write fantasy, fine, that genre", "as not being feasible because what if they say, \"No, I don't like", "a novel about revenge against the powerful while informing them about a significant", "as a time-traveling psychopathic killer that may be fine, but if I even", "write a fictional story that has Oonhtain as a time-traveling psychopathic killer that", "but if I even suggest that he WAS a time-traveling psychopathic killer then", "that it helps create believable plots and functional physics in your novel. Nothing", "drawback of intensive research. Detailed writing in fiction can get the writer sued", "> > Even though parody is protected speech, if you disparage someone that", "income. The author of the above article gives useful advice but some simply", "say, \"No, I don't like how you describe me or my motives.\"? My", "them about a significant historical issue. I was able, however, to find one", "and a matter of public interest. > > > My advice about parody", "you write about a person is positive or even neutral, then you >", "is a struggling writer living on a meager income. The author of the", "clear > your work is parody that you can argue no one would", "and > social issues, is protected speech. As with fiction and non-fiction, >", "reading a science fiction story that seems more magic than science. If you", "a French writer for > creating a promiscuous character who happened to look", "an editor. Yet many successful writers do create stories based on real characters:", "As with fiction and non-fiction, > your use of someone’s name, image, etc.", "> > > Well, that doesn't sound too fun especially if one is", "decades because then only they would be the experts in this field. I", "his appeal because he revealed that a research team was purposefully withholding information", "that > person might come after you. The case may be weak, but", "privacy issues. > > > So if I want to write a fictional", "> star. A Georgia jury awarded $100,000 to a woman who claimed a", "\"No, I don't like how you describe me or my motives.\"? My story", "My worry is that the whistleblower in my novel has an ulterior, selfish", "again I see this as not being feasible because what if they say,", "too, but don't violate the fundamental laws of physics in science fiction. Now,", "but some simply don't work for me. For instance: > > If what", "speech. As with fiction and non-fiction, > your use of someone’s name, image,", "to write a fictional story that has Oonhtain as a time-traveling psychopathic killer", "you describe me or my motives.\"? My story involves a famous legal case", "should be related to your > topic and a matter of public interest.", "to an editor. Yet many successful writers do create stories based on real", "do create stories based on real characters: > > J.K. Rowling used her", "purposefully withholding information for decades because then only they would be the experts", "me to play up the fictional elements as I keep true to the", "tell me: > > Scarlett Johansson won a defamation suit against a French", "even suggest that he WAS a time-traveling psychopathic killer then I may as", "ulterior, selfish motive for disclosing restricted information. Many of my characters come across", "their lawyer before submitting it to an editor. Yet many successful writers do", "bones > of his victims, inspired Buffalo Bill in The Silence of the", "for disclosing restricted information. Many of my characters come across as petty and", "because what if they say, \"No, I don't like how you describe me", "name, image, etc. should be related to your > topic and a matter", "also some serious drawbacks. The usefulness is that it helps create believable plots", "work is parody that you can argue no one would reasonably assume >", "but again I see this as not being feasible because what if they", "but you would still > have a legal headache. > <https://www.thebookdesigner.com/2015/07/tricks-and-traps-of-using-real-people-in-your-writing-part-1-the-right-of-publicity/> > >", "> > > So that tells me to play up the fictional elements", "> > Libel is the publication of a false statement that injures a", "informing them about a significant historical issue. I was able, however, to find", "is an out, the real person must be living to sue for defamation.", "person must be living to sue for defamation. You could simply ask permission,", "person is positive or even neutral, then you > don’t have defamation or", "a > character in The Red Hat Club falsely portrayed her as an", "surgeon known by Sir Arthur Conan Doyle, inspired > Qpeqlack Bilmec. > <https://www.sidebarsaturdays.com/2017/08/05/httpwp-mep7vddb-us/>", "true. > > > Even though parody is protected speech, if you disparage", "however, there is an out, the real person must be living to sue", "their characters. Am I just being a worrywart? You tell me: > >", "story that has Oonhtain as a time-traveling psychopathic killer that may be fine,", "his victims, inspired Buffalo Bill in The Silence of the Lambs. Dr. >", "$100,000 to a woman who claimed a > character in The Red Hat", "dollars. I don't want to risk being targeted by the whistleblower who did", "might come after you. The case may be weak, but you would still", "see this as not being feasible because what if they say, \"No, I", "some simply don't work for me. For instance: > > If what you", "there is an out, the real person must be living to sue for", "> > > Even though parody is protected speech, if you disparage someone", "Arthur Conan Doyle, inspired > Qpeqlack Bilmec. > <https://www.sidebarsaturdays.com/2017/08/05/httpwp-mep7vddb-us/> > > > Libel", "REAL judgments for tens of thousands of dollars. I don't want to risk", "My advice about parody is don’t go half-way. Make sure it’s so clear", "issues. > > > So if I want to write a fictional story", "struggling writer living on a meager income. The author of the above article", "violate the fundamental laws of physics in science fiction. Now, the drawback of", "Edward Gein, who kept the skin and bones > of his victims, inspired", "don't violate the fundamental laws of physics in science fiction. Now, the drawback", "publication of a false statement that injures a person’s reputation, however, there is", "Bell, a surgeon known by Sir Arthur Conan Doyle, inspired > Qpeqlack Bilmec.", "a legal headache. > <https://www.thebookdesigner.com/2015/07/tricks-and-traps-of-using-real-people-in-your-writing-part-1-the-right-of-publicity/> > > > So that tells me to", "I don't like how you describe me or my motives.\"? My story involves", "with REAL judgments for tens of thousands of dollars. I don't want to", "about revenge against the powerful while informing them about a significant historical issue.", "known by Sir Arthur Conan Doyle, inspired > Qpeqlack Bilmec. > <https://www.sidebarsaturdays.com/2017/08/05/httpwp-mep7vddb-us/> >", "to entertain the reader with a novel about revenge against the powerful while", "by the same foibles and biases that exist in all of us. I", "about a person is positive or even neutral, then you > don’t have", "have it first reviewed by their lawyer before submitting it to an editor.", "claimed a > character in The Red Hat Club falsely portrayed her as", "you prefer to write fantasy, fine, that genre works for me too, but", "up. I don't like these constraints. Who wants to write a story and", "The Red Hat Club falsely portrayed her as an “alcoholic > s\\\\t.” >", "novel about revenge against the powerful while informing them about a significant historical", "A Georgia jury awarded $100,000 to a woman who claimed a > character", "The Silence of the Lambs. Dr. > Joseph Bell, a surgeon known by", "and even lost his appeal because he revealed that a research team was", "many years and it is a habit that has its usefulness in writing", "it first reviewed by their lawyer before submitting it to an editor. Yet", "defamation suit against a French writer for > creating a promiscuous character who", "in your novel. Nothing irritates me more than reading a science fiction story", "me or my motives.\"? My story involves a famous legal case with REAL", "> > If what you write about a person is positive or even", "the real person must be living to sue for defamation. You could simply", "possible. My worry is that the whistleblower in my novel has an ulterior,", "etc. should be related to your > topic and a matter of public", "of dollars. I don't want to risk being targeted by the whistleblower who", "story that seems more magic than science. If you prefer to write fantasy,", "> social issues, is protected speech. As with fiction and non-fiction, > your", "with a novel about revenge against the powerful while informing them about a", "a fictional story that has Oonhtain as a time-traveling psychopathic killer that may", "should be sharing discoveries with others as accurately and punctually as possible. My", "If you prefer to write fantasy, fine, that genre works for me too,", "was a researcher for many years and it is a habit that has", "John Nettleship, as a model > for creating Cavevus Shoye. Edward Gein, who", "wants to write a story and have it first reviewed by their lawyer", "my motives.\"? My story involves a famous legal case with REAL judgments for", "they would be the experts in this field. I believe that the cornerstone", "physics in science fiction. Now, the drawback of intensive research. Detailed writing in", "when it comments on political, cultural and > social issues, is protected speech.", "that tells me to play up the fictional elements as I keep true", "same foibles and biases that exist in all of us. I hope to", "go half-way. Make sure it’s so clear > your work is parody that", "field. I believe that the cornerstone of research should be sharing discoveries with", "but don't violate the fundamental laws of physics in science fiction. Now, the", "is that it helps create believable plots and functional physics in your novel.", "Bill in The Silence of the Lambs. Dr. > Joseph Bell, a surgeon", "Libel is the publication of a false statement that injures a person’s reputation,", "my characters come across as petty and self-serving because academics are plagued by", "Hat Club falsely portrayed her as an “alcoholic > s\\\\t.” > <https://helensedwick.com/how-to-use-real-people-in-your-writing/> >", "legal headache. > <https://www.thebookdesigner.com/2015/07/tricks-and-traps-of-using-real-people-in-your-writing-part-1-the-right-of-publicity/> > > > So that tells me to play", "sharing discoveries with others as accurately and punctually as possible. My worry is", "fictional elements as I keep true to the historical plot. Any other suggestions?", "describe me or my motives.\"? My story involves a famous legal case with", "a meager income. The author of the above article gives useful advice but", "it’s true. > > > Even though parody is protected speech, if you", "they are not careful about how they present their characters. Am I just", "and self-serving because academics are plagued by the same foibles and biases that", "WAS a time-traveling psychopathic killer then I may as well lawyer up. I", "you can argue no one would reasonably assume > it’s true. > >", "has its usefulness in writing but also some serious drawbacks. The usefulness is", "to risk being targeted by the whistleblower who did the world a great", "don’t go half-way. Make sure it’s so clear > your work is parody", "like these constraints. Who wants to write a story and have it first", "want to risk being targeted by the whistleblower who did the world a", "that he WAS a time-traveling psychopathic killer then I may as well lawyer", "to a woman who claimed a > character in The Red Hat Club", "you would still > have a legal headache. > <https://www.thebookdesigner.com/2015/07/tricks-and-traps-of-using-real-people-in-your-writing-part-1-the-right-of-publicity/> > > >", "for decades because then only they would be the experts in this field.", "Yet many successful writers do create stories based on real characters: > >", "must be living to sue for defamation. You could simply ask permission, but", "sue for defamation. You could simply ask permission, but again I see this", "> > > My advice about parody is don’t go half-way. Make sure", "that seems more magic than science. If you prefer to write fantasy, fine,", "psychopathic killer then I may as well lawyer up. I don't like these", "if they say, \"No, I don't like how you describe me or my", "of thousands of dollars. I don't want to risk being targeted by the", "physics in your novel. Nothing irritates me more than reading a science fiction", "all of us. I hope to entertain the reader with a novel about", "would reasonably assume > it’s true. > > > Even though parody is", "information for decades because then only they would be the experts in this", "Buffalo Bill in The Silence of the Lambs. Dr. > Joseph Bell, a", "whistleblower in my novel has an ulterior, selfish motive for disclosing restricted information.", "out, the real person must be living to sue for defamation. You could", "awarded $100,000 to a woman who claimed a > character in The Red", "usefulness in writing but also some serious drawbacks. The usefulness is that it", "above article gives useful advice but some simply don't work for me. For", "you. The case may be weak, but you would still > have a", "French writer for > creating a promiscuous character who happened to look like", "so clear > your work is parody that you can argue no one", "real person must be living to sue for defamation. You could simply ask", "present their characters. Am I just being a worrywart? You tell me: >", "prefer to write fantasy, fine, that genre works for me too, but don't", "of us. I hope to entertain the reader with a novel about revenge", "parody is protected speech, if you disparage someone that > person might come", "careful about how they present their characters. Am I just being a worrywart?", "it’s so clear > your work is parody that you can argue no", "an “alcoholic > s\\\\t.” > <https://helensedwick.com/how-to-use-real-people-in-your-writing/> > > > Well, that doesn't sound", "the drawback of intensive research. Detailed writing in fiction can get the writer", "just being a worrywart? You tell me: > > Scarlett Johansson won a", "movie > star. A Georgia jury awarded $100,000 to a woman who claimed", "reviewed by their lawyer before submitting it to an editor. Yet many successful", "I even suggest that he WAS a time-traveling psychopathic killer then I may", "he was successfully sued and even lost his appeal because he revealed that", "characters: > > J.K. Rowling used her chemistry teacher, John Nettleship, as a", "used her chemistry teacher, John Nettleship, as a model > for creating Cavevus", "tens of thousands of dollars. I don't want to risk being targeted by", "are plagued by the same foibles and biases that exist in all of", "feasible because what if they say, \"No, I don't like how you describe", "inspired Buffalo Bill in The Silence of the Lambs. Dr. > Joseph Bell,", "Many of my characters come across as petty and self-serving because academics are", "on real characters: > > J.K. Rowling used her chemistry teacher, John Nettleship,", "permission, but again I see this as not being feasible because what if", "I was a researcher for many years and it is a habit that", "of intensive research. Detailed writing in fiction can get the writer sued for", "writer sued for libel if they are not careful about how they present", "before submitting it to an editor. Yet many successful writers do create stories", "is parody that you can argue no one would reasonably assume > it’s", "me. For instance: > > If what you write about a person is", "chemistry teacher, John Nettleship, as a model > for creating Cavevus Shoye. Edward", "Georgia jury awarded $100,000 to a woman who claimed a > character in", "of a false statement that injures a person’s reputation, however, there is an", "gives useful advice but some simply don't work for me. For instance: >", "was purposefully withholding information for decades because then only they would be the", "I see this as not being feasible because what if they say, \"No,", "risk being targeted by the whistleblower who did the world a great service.", "> > So if I want to write a fictional story that has", "intensive research. Detailed writing in fiction can get the writer sued for libel", "withholding information for decades because then only they would be the experts in", "too fun especially if one is a struggling writer living on a meager", "Bilmec. > <https://www.sidebarsaturdays.com/2017/08/05/httpwp-mep7vddb-us/> > > > Libel is the publication of a false", "targeted by the whistleblower who did the world a great service. Yet, he", "was able, however, to find one useful comment: > > Parody, particularly when", "a story and have it first reviewed by their lawyer before submitting it", "> Qpeqlack Bilmec. > <https://www.sidebarsaturdays.com/2017/08/05/httpwp-mep7vddb-us/> > > > Libel is the publication of", "image, etc. should be related to your > topic and a matter of", "with others as accurately and punctually as possible. My worry is that the", "Gein, who kept the skin and bones > of his victims, inspired Buffalo", "if I want to write a fictional story that has Oonhtain as a", "years and it is a habit that has its usefulness in writing but", "works for me too, but don't violate the fundamental laws of physics in", "> > J.K. Rowling used her chemistry teacher, John Nettleship, as a model", "false statement that injures a person’s reputation, however, there is an out, the", "functional physics in your novel. Nothing irritates me more than reading a science", "it helps create believable plots and functional physics in your novel. Nothing irritates", "have defamation or privacy issues. > > > So if I want to", "> If what you write about a person is positive or even neutral,", "fantasy, fine, that genre works for me too, but don't violate the fundamental", "historical issue. I was able, however, to find one useful comment: > >", "injures a person’s reputation, however, there is an out, the real person must", "against the powerful while informing them about a significant historical issue. I was", "fundamental laws of physics in science fiction. Now, the drawback of intensive research.", "who did the world a great service. Yet, he was successfully sued and", "if one is a struggling writer living on a meager income. The author", "of research should be sharing discoveries with others as accurately and punctually as", "of the above article gives useful advice but some simply don't work for", "writers do create stories based on real characters: > > J.K. Rowling used", "the powerful while informing them about a significant historical issue. I was able,", "fiction can get the writer sued for libel if they are not careful", "comments on political, cultural and > social issues, is protected speech. As with", "as well lawyer up. I don't like these constraints. Who wants to write", "and bones > of his victims, inspired Buffalo Bill in The Silence of", "of my characters come across as petty and self-serving because academics are plagued", "in science fiction. Now, the drawback of intensive research. Detailed writing in fiction", "story involves a famous legal case with REAL judgments for tens of thousands", "great service. Yet, he was successfully sued and even lost his appeal because", "petty and self-serving because academics are plagued by the same foibles and biases", "disclosing restricted information. Many of my characters come across as petty and self-serving", "believe that the cornerstone of research should be sharing discoveries with others as", "for me. For instance: > > If what you write about a person", "of someone’s name, image, etc. should be related to your > topic and", "the writer sued for libel if they are not careful about how they", "for me too, but don't violate the fundamental laws of physics in science", "Red Hat Club falsely portrayed her as an “alcoholic > s\\\\t.” > <https://helensedwick.com/how-to-use-real-people-in-your-writing/>", "and it is a habit that has its usefulness in writing but also", "genre works for me too, but don't violate the fundamental laws of physics", "the publication of a false statement that injures a person’s reputation, however, there", "who claimed a > character in The Red Hat Club falsely portrayed her", "after you. The case may be weak, but you would still > have", "and have it first reviewed by their lawyer before submitting it to an", "be sharing discoveries with others as accurately and punctually as possible. My worry", "restricted information. Many of my characters come across as petty and self-serving because", "be the experts in this field. I believe that the cornerstone of research", "I hope to entertain the reader with a novel about revenge against the", "> Joseph Bell, a surgeon known by Sir Arthur Conan Doyle, inspired >", "killer then I may as well lawyer up. I don't like these constraints.", "Nothing irritates me more than reading a science fiction story that seems more", "> have a legal headache. > <https://www.thebookdesigner.com/2015/07/tricks-and-traps-of-using-real-people-in-your-writing-part-1-the-right-of-publicity/> > > > So that tells", "who happened to look like the movie > star. A Georgia jury awarded", "don't like how you describe me or my motives.\"? My story involves a", "the fictional elements as I keep true to the historical plot. Any other", "look like the movie > star. A Georgia jury awarded $100,000 to a", "protected speech. As with fiction and non-fiction, > your use of someone’s name,", "science fiction story that seems more magic than science. If you prefer to", "characters come across as petty and self-serving because academics are plagued by the", "in this field. I believe that the cornerstone of research should be sharing", "speech, if you disparage someone that > person might come after you. The", "novel. Nothing irritates me more than reading a science fiction story that seems", "issue. I was able, however, to find one useful comment: > > Parody,", "> > Well, that doesn't sound too fun especially if one is a", "could simply ask permission, but again I see this as not being feasible", "The usefulness is that it helps create believable plots and functional physics in", "portrayed her as an “alcoholic > s\\\\t.” > <https://helensedwick.com/how-to-use-real-people-in-your-writing/> > > > Well,", "don't work for me. For instance: > > If what you write about", "being targeted by the whistleblower who did the world a great service. Yet,", "time-traveling psychopathic killer then I may as well lawyer up. I don't like", "living to sue for defamation. You could simply ask permission, but again I", "more than reading a science fiction story that seems more magic than science.", "reasonably assume > it’s true. > > > Even though parody is protected", "come across as petty and self-serving because academics are plagued by the same", "reputation, however, there is an out, the real person must be living to", "entertain the reader with a novel about revenge against the powerful while informing", "helps create believable plots and functional physics in your novel. Nothing irritates me", "case may be weak, but you would still > have a legal headache.", "a person’s reputation, however, there is an out, the real person must be", "biases that exist in all of us. I hope to entertain the reader", "appeal because he revealed that a research team was purposefully withholding information for", "half-way. Make sure it’s so clear > your work is parody that you", "world a great service. Yet, he was successfully sued and even lost his", "create believable plots and functional physics in your novel. Nothing irritates me more", "Dr. > Joseph Bell, a surgeon known by Sir Arthur Conan Doyle, inspired", "this field. I believe that the cornerstone of research should be sharing discoveries", "as a model > for creating Cavevus Shoye. Edward Gein, who kept the", "> > So that tells me to play up the fictional elements as", "that has its usefulness in writing but also some serious drawbacks. The usefulness", "ask permission, but again I see this as not being feasible because what", "academics are plagued by the same foibles and biases that exist in all", "Scarlett Johansson won a defamation suit against a French writer for > creating", "Johansson won a defamation suit against a French writer for > creating a", "simply don't work for me. For instance: > > If what you write", "sure it’s so clear > your work is parody that you can argue", "who kept the skin and bones > of his victims, inspired Buffalo Bill", "> Parody, particularly when it comments on political, cultural and > social issues,", "the same foibles and biases that exist in all of us. I hope", "reader with a novel about revenge against the powerful while informing them about", "because he revealed that a research team was purposefully withholding information for decades", "> s\\\\t.” > <https://helensedwick.com/how-to-use-real-people-in-your-writing/> > > > Well, that doesn't sound too fun", "service. Yet, he was successfully sued and even lost his appeal because he", "selfish motive for disclosing restricted information. Many of my characters come across as", "he WAS a time-traveling psychopathic killer then I may as well lawyer up.", "being a worrywart? You tell me: > > Scarlett Johansson won a defamation", "of the Lambs. Dr. > Joseph Bell, a surgeon known by Sir Arthur", "may be weak, but you would still > have a legal headache. >", "that a research team was purposefully withholding information for decades because then only", "it to an editor. Yet many successful writers do create stories based on", "be weak, but you would still > have a legal headache. > <https://www.thebookdesigner.com/2015/07/tricks-and-traps-of-using-real-people-in-your-writing-part-1-the-right-of-publicity/>", "significant historical issue. I was able, however, to find one useful comment: >", "then only they would be the experts in this field. I believe that", "your work is parody that you can argue no one would reasonably assume", "a surgeon known by Sir Arthur Conan Doyle, inspired > Qpeqlack Bilmec. >", "can argue no one would reasonably assume > it’s true. > > >", "information. Many of my characters come across as petty and self-serving because academics", "an out, the real person must be living to sue for defamation. You", "like the movie > star. A Georgia jury awarded $100,000 to a woman", "interest. > > > My advice about parody is don’t go half-way. Make", "assume > it’s true. > > > Even though parody is protected speech,", "skin and bones > of his victims, inspired Buffalo Bill in The Silence", "> <https://www.sidebarsaturdays.com/2017/08/05/httpwp-mep7vddb-us/> > > > Libel is the publication of a false statement", "punctually as possible. My worry is that the whistleblower in my novel has", "you > don’t have defamation or privacy issues. > > > So if", "find one useful comment: > > Parody, particularly when it comments on political,", "then you > don’t have defamation or privacy issues. > > > So", "only they would be the experts in this field. I believe that the", "meager income. The author of the above article gives useful advice but some", "Silence of the Lambs. Dr. > Joseph Bell, a surgeon known by Sir", "one useful comment: > > Parody, particularly when it comments on political, cultural", "> Even though parody is protected speech, if you disparage someone that >", "> > Scarlett Johansson won a defamation suit against a French writer for", "someone that > person might come after you. The case may be weak,", "model > for creating Cavevus Shoye. Edward Gein, who kept the skin and", "Rowling used her chemistry teacher, John Nettleship, as a model > for creating", "the reader with a novel about revenge against the powerful while informing them", "stories based on real characters: > > J.K. Rowling used her chemistry teacher,", "a matter of public interest. > > > My advice about parody is", "because then only they would be the experts in this field. I believe", "want to write a fictional story that has Oonhtain as a time-traveling psychopathic", "for many years and it is a habit that has its usefulness in", "> topic and a matter of public interest. > > > My advice", "create stories based on real characters: > > J.K. Rowling used her chemistry", "judgments for tens of thousands of dollars. I don't want to risk being", "Am I just being a worrywart? You tell me: > > Scarlett Johansson", "thousands of dollars. I don't want to risk being targeted by the whistleblower", "tells me to play up the fictional elements as I keep true to", "positive or even neutral, then you > don’t have defamation or privacy issues.", "> your use of someone’s name, image, etc. should be related to your", "is don’t go half-way. Make sure it’s so clear > your work is", "up the fictional elements as I keep true to the historical plot. Any", "a defamation suit against a French writer for > creating a promiscuous character", "> of his victims, inspired Buffalo Bill in The Silence of the Lambs.", "a famous legal case with REAL judgments for tens of thousands of dollars.", "for creating Cavevus Shoye. Edward Gein, who kept the skin and bones >", "statement that injures a person’s reputation, however, there is an out, the real", "related to your > topic and a matter of public interest. > >", "a researcher for many years and it is a habit that has its", "weak, but you would still > have a legal headache. > <https://www.thebookdesigner.com/2015/07/tricks-and-traps-of-using-real-people-in-your-writing-part-1-the-right-of-publicity/> >", "Sir Arthur Conan Doyle, inspired > Qpeqlack Bilmec. > <https://www.sidebarsaturdays.com/2017/08/05/httpwp-mep7vddb-us/> > > >", "characters. Am I just being a worrywart? You tell me: > > Scarlett", "the Lambs. Dr. > Joseph Bell, a surgeon known by Sir Arthur Conan", "sued and even lost his appeal because he revealed that a research team", "don’t have defamation or privacy issues. > > > So if I want", "Shoye. Edward Gein, who kept the skin and bones > of his victims,", "across as petty and self-serving because academics are plagued by the same foibles", "a promiscuous character who happened to look like the movie > star. A", "what you write about a person is positive or even neutral, then you", "> it’s true. > > > Even though parody is protected speech, if", "promiscuous character who happened to look like the movie > star. A Georgia", "Club falsely portrayed her as an “alcoholic > s\\\\t.” > <https://helensedwick.com/how-to-use-real-people-in-your-writing/> > >", "fine, that genre works for me too, but don't violate the fundamental laws", "others as accurately and punctually as possible. My worry is that the whistleblower", "“alcoholic > s\\\\t.” > <https://helensedwick.com/how-to-use-real-people-in-your-writing/> > > > Well, that doesn't sound too", "story and have it first reviewed by their lawyer before submitting it to", "> character in The Red Hat Club falsely portrayed her as an “alcoholic", "work for me. For instance: > > If what you write about a", "So that tells me to play up the fictional elements as I keep", "> for creating Cavevus Shoye. Edward Gein, who kept the skin and bones", "write about a person is positive or even neutral, then you > don’t", "by the whistleblower who did the world a great service. Yet, he was", "a habit that has its usefulness in writing but also some serious drawbacks.", "habit that has its usefulness in writing but also some serious drawbacks. The", "because academics are plagued by the same foibles and biases that exist in", "social issues, is protected speech. As with fiction and non-fiction, > your use", "the skin and bones > of his victims, inspired Buffalo Bill in The", "suit against a French writer for > creating a promiscuous character who happened", "the whistleblower in my novel has an ulterior, selfish motive for disclosing restricted", "don't like these constraints. Who wants to write a story and have it", "not careful about how they present their characters. Am I just being a", "plagued by the same foibles and biases that exist in all of us.", "if they are not careful about how they present their characters. Am I", "Doyle, inspired > Qpeqlack Bilmec. > <https://www.sidebarsaturdays.com/2017/08/05/httpwp-mep7vddb-us/> > > > Libel is the", "these constraints. Who wants to write a story and have it first reviewed", "> person might come after you. The case may be weak, but you", "Detailed writing in fiction can get the writer sued for libel if they", "writing but also some serious drawbacks. The usefulness is that it helps create", "fiction story that seems more magic than science. If you prefer to write", "of physics in science fiction. Now, the drawback of intensive research. Detailed writing", "Yet, he was successfully sued and even lost his appeal because he revealed", "have a legal headache. > <https://www.thebookdesigner.com/2015/07/tricks-and-traps-of-using-real-people-in-your-writing-part-1-the-right-of-publicity/> > > > So that tells me", "a worrywart? You tell me: > > Scarlett Johansson won a defamation suit", "as petty and self-serving because academics are plagued by the same foibles and", "may as well lawyer up. I don't like these constraints. Who wants to", "article gives useful advice but some simply don't work for me. For instance:", "star. A Georgia jury awarded $100,000 to a woman who claimed a >", "about how they present their characters. Am I just being a worrywart? You", "write fantasy, fine, that genre works for me too, but don't violate the", "I don't want to risk being targeted by the whistleblower who did the", "defamation. You could simply ask permission, but again I see this as not", "in writing but also some serious drawbacks. The usefulness is that it helps", "usefulness is that it helps create believable plots and functional physics in your", "her as an “alcoholic > s\\\\t.” > <https://helensedwick.com/how-to-use-real-people-in-your-writing/> > > > Well, that", "creating Cavevus Shoye. Edward Gein, who kept the skin and bones > of", "that has Oonhtain as a time-traveling psychopathic killer that may be fine, but", "instance: > > If what you write about a person is positive or", "than science. If you prefer to write fantasy, fine, that genre works for", "the above article gives useful advice but some simply don't work for me.", "has an ulterior, selfish motive for disclosing restricted information. Many of my characters", "fiction and non-fiction, > your use of someone’s name, image, etc. should be", "> So that tells me to play up the fictional elements as I", "> Scarlett Johansson won a defamation suit against a French writer for >", "some serious drawbacks. The usefulness is that it helps create believable plots and", "plots and functional physics in your novel. Nothing irritates me more than reading", "time-traveling psychopathic killer that may be fine, but if I even suggest that", "Cavevus Shoye. Edward Gein, who kept the skin and bones > of his", "parody that you can argue no one would reasonably assume > it’s true.", "s\\\\t.” > <https://helensedwick.com/how-to-use-real-people-in-your-writing/> > > > Well, that doesn't sound too fun especially", "me too, but don't violate the fundamental laws of physics in science fiction.", "it comments on political, cultural and > social issues, is protected speech. As", "is positive or even neutral, then you > don’t have defamation or privacy", "the fundamental laws of physics in science fiction. Now, the drawback of intensive", "headache. > <https://www.thebookdesigner.com/2015/07/tricks-and-traps-of-using-real-people-in-your-writing-part-1-the-right-of-publicity/> > > > So that tells me to play up", "cornerstone of research should be sharing discoveries with others as accurately and punctually", "and punctually as possible. My worry is that the whistleblower in my novel", "> J.K. Rowling used her chemistry teacher, John Nettleship, as a model >", "is protected speech. As with fiction and non-fiction, > your use of someone’s", "living on a meager income. The author of the above article gives useful", "advice but some simply don't work for me. For instance: > > If", "if I even suggest that he WAS a time-traveling psychopathic killer then I", "that the cornerstone of research should be sharing discoveries with others as accurately", "kept the skin and bones > of his victims, inspired Buffalo Bill in", "<https://www.sidebarsaturdays.com/2017/08/05/httpwp-mep7vddb-us/> > > > Libel is the publication of a false statement that", "motive for disclosing restricted information. Many of my characters come across as petty", "For instance: > > If what you write about a person is positive", "it is a habit that has its usefulness in writing but also some", "> Well, that doesn't sound too fun especially if one is a struggling", "with fiction and non-fiction, > your use of someone’s name, image, etc. should", "what if they say, \"No, I don't like how you describe me or", "able, however, to find one useful comment: > > Parody, particularly when it", "use of someone’s name, image, etc. should be related to your > topic", "successfully sued and even lost his appeal because he revealed that a research", "teacher, John Nettleship, as a model > for creating Cavevus Shoye. Edward Gein,", "inspired > Qpeqlack Bilmec. > <https://www.sidebarsaturdays.com/2017/08/05/httpwp-mep7vddb-us/> > > > Libel is the publication", "this as not being feasible because what if they say, \"No, I don't", "be related to your > topic and a matter of public interest. >", "experts in this field. I believe that the cornerstone of research should be", "is the publication of a false statement that injures a person’s reputation, however,", "exist in all of us. I hope to entertain the reader with a", "topic and a matter of public interest. > > > My advice about", "a person is positive or even neutral, then you > don’t have defamation", "person’s reputation, however, there is an out, the real person must be living", "I believe that the cornerstone of research should be sharing discoveries with others", "to look like the movie > star. A Georgia jury awarded $100,000 to", "useful advice but some simply don't work for me. For instance: > >", "character in The Red Hat Club falsely portrayed her as an “alcoholic >", "> So if I want to write a fictional story that has Oonhtain", "won a defamation suit against a French writer for > creating a promiscuous", "So if I want to write a fictional story that has Oonhtain as", "novel has an ulterior, selfish motive for disclosing restricted information. Many of my", "as an “alcoholic > s\\\\t.” > <https://helensedwick.com/how-to-use-real-people-in-your-writing/> > > > Well, that doesn't", "as possible. My worry is that the whistleblower in my novel has an", "involves a famous legal case with REAL judgments for tens of thousands of", "irritates me more than reading a science fiction story that seems more magic", "sued for libel if they are not careful about how they present their", "research should be sharing discoveries with others as accurately and punctually as possible.", "matter of public interest. > > > My advice about parody is don’t", "write a story and have it first reviewed by their lawyer before submitting", "political, cultural and > social issues, is protected speech. As with fiction and", "magic than science. If you prefer to write fantasy, fine, that genre works", "constraints. Who wants to write a story and have it first reviewed by", "how they present their characters. Am I just being a worrywart? You tell", "my novel has an ulterior, selfish motive for disclosing restricted information. Many of", "in all of us. I hope to entertain the reader with a novel", "they say, \"No, I don't like how you describe me or my motives.\"?", "in fiction can get the writer sued for libel if they are not", "writer living on a meager income. The author of the above article gives", "research. Detailed writing in fiction can get the writer sued for libel if", "are not careful about how they present their characters. Am I just being", "that doesn't sound too fun especially if one is a struggling writer living", "suggest that he WAS a time-traveling psychopathic killer then I may as well", "comment: > > Parody, particularly when it comments on political, cultural and >", "get the writer sued for libel if they are not careful about how", "the movie > star. A Georgia jury awarded $100,000 to a woman who", "Well, that doesn't sound too fun especially if one is a struggling writer", "particularly when it comments on political, cultural and > social issues, is protected", "> > My advice about parody is don’t go half-way. Make sure it’s", "about parody is don’t go half-way. Make sure it’s so clear > your", "to find one useful comment: > > Parody, particularly when it comments on", "whistleblower who did the world a great service. Yet, he was successfully sued", "be living to sue for defamation. You could simply ask permission, but again", "sound too fun especially if one is a struggling writer living on a", "was successfully sued and even lost his appeal because he revealed that a", "he revealed that a research team was purposefully withholding information for decades because", "I may as well lawyer up. I don't like these constraints. Who wants", "You tell me: > > Scarlett Johansson won a defamation suit against a", "character who happened to look like the movie > star. A Georgia jury", "protected speech, if you disparage someone that > person might come after you.", "libel if they are not careful about how they present their characters. Am", "lawyer up. I don't like these constraints. Who wants to write a story", "of his victims, inspired Buffalo Bill in The Silence of the Lambs. Dr.", "serious drawbacks. The usefulness is that it helps create believable plots and functional", "I don't like these constraints. Who wants to write a story and have", "and functional physics in your novel. Nothing irritates me more than reading a", "public interest. > > > My advice about parody is don’t go half-way.", "doesn't sound too fun especially if one is a struggling writer living on", "Now, the drawback of intensive research. Detailed writing in fiction can get the", "advice about parody is don’t go half-way. Make sure it’s so clear >", "for libel if they are not careful about how they present their characters.", "Lambs. Dr. > Joseph Bell, a surgeon known by Sir Arthur Conan Doyle,", "<https://helensedwick.com/how-to-use-real-people-in-your-writing/> > > > Well, that doesn't sound too fun especially if one", "like how you describe me or my motives.\"? My story involves a famous", "about a significant historical issue. I was able, however, to find one useful", "non-fiction, > your use of someone’s name, image, etc. should be related to", "your use of someone’s name, image, etc. should be related to your >", "fun especially if one is a struggling writer living on a meager income.", "one is a struggling writer living on a meager income. The author of", "but also some serious drawbacks. The usefulness is that it helps create believable", "a time-traveling psychopathic killer that may be fine, but if I even suggest", "and biases that exist in all of us. I hope to entertain the", "to sue for defamation. You could simply ask permission, but again I see", "author of the above article gives useful advice but some simply don't work", "a great service. Yet, he was successfully sued and even lost his appeal", "My story involves a famous legal case with REAL judgments for tens of", "in The Red Hat Club falsely portrayed her as an “alcoholic > s\\\\t.”", "how you describe me or my motives.\"? My story involves a famous legal", "that exist in all of us. I hope to entertain the reader with", "fine, but if I even suggest that he WAS a time-traveling psychopathic killer", "while informing them about a significant historical issue. I was able, however, to", "against a French writer for > creating a promiscuous character who happened to", "J.K. Rowling used her chemistry teacher, John Nettleship, as a model > for", "that you can argue no one would reasonably assume > it’s true. >", "> creating a promiscuous character who happened to look like the movie >", "parody is don’t go half-way. Make sure it’s so clear > your work", "argue no one would reasonably assume > it’s true. > > > Even", "Parody, particularly when it comments on political, cultural and > social issues, is", "her chemistry teacher, John Nettleship, as a model > for creating Cavevus Shoye.", "and non-fiction, > your use of someone’s name, image, etc. should be related", "science fiction. Now, the drawback of intensive research. Detailed writing in fiction can", "happened to look like the movie > star. A Georgia jury awarded $100,000", "editor. Yet many successful writers do create stories based on real characters: >", "a significant historical issue. I was able, however, to find one useful comment:", "even lost his appeal because he revealed that a research team was purposefully", "by their lawyer before submitting it to an editor. Yet many successful writers", "writer for > creating a promiscuous character who happened to look like the", "may be fine, but if I even suggest that he WAS a time-traveling", "to write fantasy, fine, that genre works for me too, but don't violate", "legal case with REAL judgments for tens of thousands of dollars. I don't", "is a habit that has its usefulness in writing but also some serious", "cultural and > social issues, is protected speech. As with fiction and non-fiction,", "or even neutral, then you > don’t have defamation or privacy issues. >", "has Oonhtain as a time-traveling psychopathic killer that may be fine, but if", "your novel. Nothing irritates me more than reading a science fiction story that", "fictional story that has Oonhtain as a time-traveling psychopathic killer that may be", "they present their characters. Am I just being a worrywart? You tell me:", "though parody is protected speech, if you disparage someone that > person might", "by Sir Arthur Conan Doyle, inspired > Qpeqlack Bilmec. > <https://www.sidebarsaturdays.com/2017/08/05/httpwp-mep7vddb-us/> > >", "> > > So if I want to write a fictional story that", "psychopathic killer that may be fine, but if I even suggest that he", "person might come after you. The case may be weak, but you would", "Joseph Bell, a surgeon known by Sir Arthur Conan Doyle, inspired > Qpeqlack", "still > have a legal headache. > <https://www.thebookdesigner.com/2015/07/tricks-and-traps-of-using-real-people-in-your-writing-part-1-the-right-of-publicity/> > > > So that", "worrywart? You tell me: > > Scarlett Johansson won a defamation suit against", "> > > Libel is the publication of a false statement that injures", "the whistleblower who did the world a great service. Yet, he was successfully", "> <https://helensedwick.com/how-to-use-real-people-in-your-writing/> > > > Well, that doesn't sound too fun especially if", "laws of physics in science fiction. Now, the drawback of intensive research. Detailed", "woman who claimed a > character in The Red Hat Club falsely portrayed", "a time-traveling psychopathic killer then I may as well lawyer up. I don't", "famous legal case with REAL judgments for tens of thousands of dollars. I", "lost his appeal because he revealed that a research team was purposefully withholding", "victims, inspired Buffalo Bill in The Silence of the Lambs. Dr. > Joseph", "not being feasible because what if they say, \"No, I don't like how", "creating a promiscuous character who happened to look like the movie > star.", "me more than reading a science fiction story that seems more magic than", "I just being a worrywart? You tell me: > > Scarlett Johansson won", "Even though parody is protected speech, if you disparage someone that > person", "issues, is protected speech. As with fiction and non-fiction, > your use of", "falsely portrayed her as an “alcoholic > s\\\\t.” > <https://helensedwick.com/how-to-use-real-people-in-your-writing/> > > >", "a struggling writer living on a meager income. The author of the above", "Qpeqlack Bilmec. > <https://www.sidebarsaturdays.com/2017/08/05/httpwp-mep7vddb-us/> > > > Libel is the publication of a", "> your work is parody that you can argue no one would reasonably", "one would reasonably assume > it’s true. > > > Even though parody", "play up the fictional elements as I keep true to the historical plot.", "disparage someone that > person might come after you. The case may be", "many successful writers do create stories based on real characters: > > J.K.", "hope to entertain the reader with a novel about revenge against the powerful", "or privacy issues. > > > So if I want to write a", "> My advice about parody is don’t go half-way. Make sure it’s so", "successful writers do create stories based on real characters: > > J.K. Rowling", "I want to write a fictional story that has Oonhtain as a time-traveling", "then I may as well lawyer up. I don't like these constraints. Who", "If what you write about a person is positive or even neutral, then", "be fine, but if I even suggest that he WAS a time-traveling psychopathic", "You could simply ask permission, but again I see this as not being", "revealed that a research team was purposefully withholding information for decades because then", "to your > topic and a matter of public interest. > > >", "as accurately and punctually as possible. My worry is that the whistleblower in", "however, to find one useful comment: > > Parody, particularly when it comments", "The author of the above article gives useful advice but some simply don't", "its usefulness in writing but also some serious drawbacks. The usefulness is that", "the cornerstone of research should be sharing discoveries with others as accurately and", "well lawyer up. I don't like these constraints. Who wants to write a", "a science fiction story that seems more magic than science. If you prefer", "an ulterior, selfish motive for disclosing restricted information. Many of my characters come", "> don’t have defamation or privacy issues. > > > So if I", "being feasible because what if they say, \"No, I don't like how you", "killer that may be fine, but if I even suggest that he WAS" ]
[ "The sentence is \"How calculating are you?\". I am simply wondering if under", "you?\". I am simply wondering if under standard conventions of the English language,", "under standard conventions of the English language, that this sentence ought to be", "the English language, that this sentence ought to be perceived as being correct.", "calculating are you?\". I am simply wondering if under standard conventions of the", "wondering if under standard conventions of the English language, that this sentence ought", "am simply wondering if under standard conventions of the English language, that this", "I am simply wondering if under standard conventions of the English language, that", "simply wondering if under standard conventions of the English language, that this sentence", "conventions of the English language, that this sentence ought to be perceived as", "standard conventions of the English language, that this sentence ought to be perceived", "\"How calculating are you?\". I am simply wondering if under standard conventions of", "of the English language, that this sentence ought to be perceived as being", "sentence is \"How calculating are you?\". I am simply wondering if under standard", "if under standard conventions of the English language, that this sentence ought to", "are you?\". I am simply wondering if under standard conventions of the English", "is \"How calculating are you?\". I am simply wondering if under standard conventions" ]
[ "to the actual organization to see if they are OK with our using", "at a University supported by the Foundation. Need to know if this is", "we would plan to list the organization by name, and that the researcher", "the Foundation. Need to know if this is Ok, or if we should", "to list the organization by name, and that the researcher conducted work at", "a fictious novel. The novel does not state any official positions the Foundation", "official positions the Foundation has taken with regard to parapsychological work. However, we", "fictious novel. The novel does not state any official positions the Foundation has", "or if we should create a fictitious name? Ps. we have also reached", "actual organization to see if they are OK with our using their name.", "to know if this is Ok, or if we should create a fictitious", "our using their name. Again if not, we would alter and ensure there", "any official positions the Foundation has taken with regard to parapsychological work. However,", "However, we would plan to list the organization by name, and that the", "work at a University supported by the Foundation. Need to know if this", "we have also reached out to the actual organization to see if they", "are interested in naming a Foundation by name in a fictious novel. The", "the researcher conducted work at a University supported by the Foundation. Need to", "name. Again if not, we would alter and ensure there is no inference", "with regard to parapsychological work. However, we would plan to list the organization", "list the organization by name, and that the researcher conducted work at a", "Foundation by name in a fictious novel. The novel does not state any", "has taken with regard to parapsychological work. However, we would plan to list", "conducted work at a University supported by the Foundation. Need to know if", "in naming a Foundation by name in a fictious novel. The novel does", "the Foundation has taken with regard to parapsychological work. However, we would plan", "they are OK with our using their name. Again if not, we would", "supported by the Foundation. Need to know if this is Ok, or if", "name in a fictious novel. The novel does not state any official positions", "in a fictious novel. The novel does not state any official positions the", "novel. The novel does not state any official positions the Foundation has taken", "is Ok, or if we should create a fictitious name? Ps. we have", "organization by name, and that the researcher conducted work at a University supported", "their name. Again if not, we would alter and ensure there is no", "not state any official positions the Foundation has taken with regard to parapsychological", "also reached out to the actual organization to see if they are OK", "interested in naming a Foundation by name in a fictious novel. The novel", "Need to know if this is Ok, or if we should create a", "if they are OK with our using their name. Again if not, we", "does not state any official positions the Foundation has taken with regard to", "parapsychological work. However, we would plan to list the organization by name, and", "should create a fictitious name? Ps. we have also reached out to the", "novel does not state any official positions the Foundation has taken with regard", "Foundation. Need to know if this is Ok, or if we should create", "Again if not, we would alter and ensure there is no inference made.", "plan to list the organization by name, and that the researcher conducted work", "have also reached out to the actual organization to see if they are", "The novel does not state any official positions the Foundation has taken with", "taken with regard to parapsychological work. However, we would plan to list the", "create a fictitious name? Ps. we have also reached out to the actual", "regard to parapsychological work. However, we would plan to list the organization by", "by name, and that the researcher conducted work at a University supported by", "a fictitious name? Ps. we have also reached out to the actual organization", "if this is Ok, or if we should create a fictitious name? Ps.", "the actual organization to see if they are OK with our using their", "we should create a fictitious name? Ps. we have also reached out to", "see if they are OK with our using their name. Again if not,", "with our using their name. Again if not, we would alter and ensure", "fictitious name? Ps. we have also reached out to the actual organization to", "using their name. Again if not, we would alter and ensure there is", "know if this is Ok, or if we should create a fictitious name?", "Ps. we have also reached out to the actual organization to see if", "work. However, we would plan to list the organization by name, and that", "Foundation has taken with regard to parapsychological work. However, we would plan to", "by the Foundation. Need to know if this is Ok, or if we", "that the researcher conducted work at a University supported by the Foundation. Need", "are OK with our using their name. Again if not, we would alter", "name? Ps. we have also reached out to the actual organization to see", "a Foundation by name in a fictious novel. The novel does not state", "reached out to the actual organization to see if they are OK with", "organization to see if they are OK with our using their name. Again", "name, and that the researcher conducted work at a University supported by the", "Ok, or if we should create a fictitious name? Ps. we have also", "a University supported by the Foundation. Need to know if this is Ok,", "We are interested in naming a Foundation by name in a fictious novel.", "would plan to list the organization by name, and that the researcher conducted", "out to the actual organization to see if they are OK with our", "state any official positions the Foundation has taken with regard to parapsychological work.", "naming a Foundation by name in a fictious novel. The novel does not", "OK with our using their name. Again if not, we would alter and", "if we should create a fictitious name? Ps. we have also reached out", "University supported by the Foundation. Need to know if this is Ok, or", "to see if they are OK with our using their name. Again if", "researcher conducted work at a University supported by the Foundation. Need to know", "by name in a fictious novel. The novel does not state any official", "to parapsychological work. However, we would plan to list the organization by name,", "positions the Foundation has taken with regard to parapsychological work. However, we would", "the organization by name, and that the researcher conducted work at a University", "and that the researcher conducted work at a University supported by the Foundation.", "this is Ok, or if we should create a fictitious name? Ps. we" ]
[ "it necessarily a bad infodump? All of this knowledge is incredibly important to", "bad infodump? All of this knowledge is incredibly important to understand the context", "the beginning, and I make the narrator explain it in an interesting way", "The Hobbit movies, you understand the beginning prologues are kind of interesting. It’s", "to have a sort of “movie-montage” feel to it. It’s a backstory/history, but", "have a sort of “movie-montage” feel to it. It’s a backstory/history, but it’s", "way (as though he was telling a story around a campfire or something).", "of “movie-montage” feel to it. It’s a backstory/history, but it’s meant to have", "scenes. (If any of you have watched The Hobbit movies, you understand the", "you understand the beginning prologues are kind of interesting. It’s a bit like", "this knowledge is incredibly important to understand the context of the story, even", "context of the story, even at the beginning, and I make the narrator", "to have an interesting, almost action-packed feel even though it’s only brief snippets", "Hobbit movies, you understand the beginning prologues are kind of interesting. It’s a", "telling a story around a campfire or something). It’s meant to have a", "political scope of what is happening there, is it necessarily a bad infodump?", "a bad infodump? All of this knowledge is incredibly important to understand the", "(as though he was telling a story around a campfire or something). It’s", "is happening there, is it necessarily a bad infodump? All of this knowledge", "the story, even at the beginning, and I make the narrator explain it", "campfire or something). It’s meant to have a sort of “movie-montage” feel to", "but it’s meant to have an interesting, almost action-packed feel even though it’s", "scope of what is happening there, is it necessarily a bad infodump? All", "I was to write a prologue to a fantasy story about the history", "necessarily a bad infodump? All of this knowledge is incredibly important to understand", "movies, you understand the beginning prologues are kind of interesting. It’s a bit", "I make the narrator explain it in an interesting way (as though he", "feel to it. It’s a backstory/history, but it’s meant to have an interesting,", "to it. It’s a backstory/history, but it’s meant to have an interesting, almost", "a story around a campfire or something). It’s meant to have a sort", "it in an interesting way (as though he was telling a story around", "of you have watched The Hobbit movies, you understand the beginning prologues are", "understand the context of the story, even at the beginning, and I make", "an interesting way (as though he was telling a story around a campfire", "a fantasy story about the history of the kingdom and the political scope", "sort of “movie-montage” feel to it. It’s a backstory/history, but it’s meant to", "the history of the kingdom and the political scope of what is happening", "of the story, even at the beginning, and I make the narrator explain", "what is happening there, is it necessarily a bad infodump? All of this", "a sort of “movie-montage” feel to it. It’s a backstory/history, but it’s meant", "write a prologue to a fantasy story about the history of the kingdom", "it’s only brief snippets of scenes. (If any of you have watched The", "interesting, almost action-packed feel even though it’s only brief snippets of scenes. (If", "story about the history of the kingdom and the political scope of what", "dilemma. If I was to write a prologue to a fantasy story about", "was telling a story around a campfire or something). It’s meant to have", "the political scope of what is happening there, is it necessarily a bad", "beginning, and I make the narrator explain it in an interesting way (as", "understand the beginning prologues are kind of interesting. It’s a bit like that).", "almost action-packed feel even though it’s only brief snippets of scenes. (If any", "an interesting, almost action-packed feel even though it’s only brief snippets of scenes.", "a prologue to a fantasy story about the history of the kingdom and", "in a dilemma. If I was to write a prologue to a fantasy", "backstory/history, but it’s meant to have an interesting, almost action-packed feel even though", "kind of in a dilemma. If I was to write a prologue to", "I’m kind of in a dilemma. If I was to write a prologue", "is incredibly important to understand the context of the story, even at the", "the kingdom and the political scope of what is happening there, is it", "is it necessarily a bad infodump? All of this knowledge is incredibly important", "interesting way (as though he was telling a story around a campfire or", "are kind of interesting. It’s a bit like that). So, is this a", "It’s meant to have a sort of “movie-montage” feel to it. It’s a", "a bad infodump, or can it be good if I make it interesting?", "story around a campfire or something). It’s meant to have a sort of", "snippets of scenes. (If any of you have watched The Hobbit movies, you", "meant to have a sort of “movie-montage” feel to it. It’s a backstory/history,", "It’s a backstory/history, but it’s meant to have an interesting, almost action-packed feel", "of what is happening there, is it necessarily a bad infodump? All of", "story, even at the beginning, and I make the narrator explain it in", "fantasy story about the history of the kingdom and the political scope of", "he was telling a story around a campfire or something). It’s meant to", "have an interesting, almost action-packed feel even though it’s only brief snippets of", "only brief snippets of scenes. (If any of you have watched The Hobbit", "it. It’s a backstory/history, but it’s meant to have an interesting, almost action-packed", "of interesting. It’s a bit like that). So, is this a bad infodump,", "of in a dilemma. If I was to write a prologue to a", "meant to have an interesting, almost action-packed feel even though it’s only brief", "the beginning prologues are kind of interesting. It’s a bit like that). So,", "to a fantasy story about the history of the kingdom and the political", "the context of the story, even at the beginning, and I make the", "there, is it necessarily a bad infodump? All of this knowledge is incredibly", "watched The Hobbit movies, you understand the beginning prologues are kind of interesting.", "of the kingdom and the political scope of what is happening there, is", "the narrator explain it in an interesting way (as though he was telling", "action-packed feel even though it’s only brief snippets of scenes. (If any of", "to understand the context of the story, even at the beginning, and I", "though he was telling a story around a campfire or something). It’s meant", "though it’s only brief snippets of scenes. (If any of you have watched", "this a bad infodump, or can it be good if I make it", "beginning prologues are kind of interesting. It’s a bit like that). So, is", "kind of interesting. It’s a bit like that). So, is this a bad", "around a campfire or something). It’s meant to have a sort of “movie-montage”", "feel even though it’s only brief snippets of scenes. (If any of you", "prologue to a fantasy story about the history of the kingdom and the", "any of you have watched The Hobbit movies, you understand the beginning prologues", "it’s meant to have an interesting, almost action-packed feel even though it’s only", "was to write a prologue to a fantasy story about the history of", "a dilemma. If I was to write a prologue to a fantasy story", "and I make the narrator explain it in an interesting way (as though", "brief snippets of scenes. (If any of you have watched The Hobbit movies,", "If I was to write a prologue to a fantasy story about the", "even though it’s only brief snippets of scenes. (If any of you have", "“movie-montage” feel to it. It’s a backstory/history, but it’s meant to have an", "of scenes. 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So, is this a bad infodump, or can it be", "a backstory/history, but it’s meant to have an interesting, almost action-packed feel even", "important to understand the context of the story, even at the beginning, and", "All of this knowledge is incredibly important to understand the context of the", "interesting. It’s a bit like that). So, is this a bad infodump, or", "is this a bad infodump, or can it be good if I make", "about the history of the kingdom and the political scope of what is", "and the political scope of what is happening there, is it necessarily a", "prologues are kind of interesting. It’s a bit like that). So, is this", "So, is this a bad infodump, or can it be good if I", "infodump? All of this knowledge is incredibly important to understand the context of", "history of the kingdom and the political scope of what is happening there,", "that). So, is this a bad infodump, or can it be good if", "like that). So, is this a bad infodump, or can it be good", "even at the beginning, and I make the narrator explain it in an", "at the beginning, and I make the narrator explain it in an interesting", "make the narrator explain it in an interesting way (as though he was", "narrator explain it in an interesting way (as though he was telling a", "a campfire or something). It’s meant to have a sort of “movie-montage” feel", "something). It’s meant to have a sort of “movie-montage” feel to it. It’s", "explain it in an interesting way (as though he was telling a story", "of this knowledge is incredibly important to understand the context of the story,", "or something). It’s meant to have a sort of “movie-montage” feel to it.", "incredibly important to understand the context of the story, even at the beginning," ]
[ "this particular scene? Let's consider that the building is not that important to", "of the building, is this exposition (i.e. information that is not part of", "case of setting, location), or is this just description in this particular scene?", "is clearily just description. I know that exposition can be delivered by description,", "information: <https://en.wikipedia.org/wiki/Exposition_(narrative)> ) and description. Backstory of characters or whatever information or concepts", "the design of the building, is this exposition (i.e. information that is not", "the building, is this exposition (i.e. information that is not part of the", "in this case of setting, location), or is this just description in this", "of characters or whatever information or concepts I might \"teach\" is clearily exposition.", "can be delivered by dialogue, action or just info statements. But the location", "design of the building, is this exposition (i.e. information that is not part", "exposition can be delivered by description, as it can be delivered by dialogue,", "return to it. I'm having some problem in understanding the difference between setting", "statements. But the location descriptions are still confusing for me if I should", "main character goes to a new building – let's say in the beggining", "let's say in the beggining of a short story – and I describe", "/ location exposition (background information: <https://en.wikipedia.org/wiki/Exposition_(narrative)> ) and description. Backstory of characters or", "that important to the story and the character will not return to it.", "delivered by description, as it can be delivered by dialogue, action or just", "be delivered by dialogue, action or just info statements. But the location descriptions", "and description. Backstory of characters or whatever information or concepts I might \"teach\"", "I know that exposition can be delivered by description, as it can be", "that the building is not that important to the story and the character", "story and the character will not return to it. I'm having some problem", "this case of setting, location), or is this just description in this particular", "say in the beggining of a short story – and I describe the", "beggining of a short story – and I describe the facade and the", "action or just info statements. But the location descriptions are still confusing for", "can be delivered by description, as it can be delivered by dialogue, action", "description in this particular scene? Let's consider that the building is not that", "will not return to it. I'm having some problem in understanding the difference", "particular scene? Let's consider that the building is not that important to the", "description. Backstory of characters or whatever information or concepts I might \"teach\" is", "location exposition (background information: <https://en.wikipedia.org/wiki/Exposition_(narrative)> ) and description. Backstory of characters or whatever", "story – and I describe the facade and the design of the building,", "having some problem in understanding the difference between setting / location exposition (background", "of the story, in this case of setting, location), or is this just", "a short story – and I describe the facade and the design of", "– let's say in the beggining of a short story – and I", "Character description is clearily just description. I know that exposition can be delivered", "between setting / location exposition (background information: <https://en.wikipedia.org/wiki/Exposition_(narrative)> ) and description. Backstory of", "might \"teach\" is clearily exposition. Character description is clearily just description. I know", "be delivered by description, as it can be delivered by dialogue, action or", "But the location descriptions are still confusing for me if I should consider", "location), or is this just description in this particular scene? Let's consider that", "building – let's say in the beggining of a short story – and", "I describe the facade and the design of the building, is this exposition", "facade and the design of the building, is this exposition (i.e. information that", "difference between setting / location exposition (background information: <https://en.wikipedia.org/wiki/Exposition_(narrative)> ) and description. Backstory", "just description. I know that exposition can be delivered by description, as it", "the character will not return to it. I'm having some problem in understanding", "the story and the character will not return to it. I'm having some", "description, as it can be delivered by dialogue, action or just info statements.", "is this exposition (i.e. information that is not part of the story, in", "and the design of the building, is this exposition (i.e. information that is", "of setting, location), or is this just description in this particular scene? Let's", "in the beggining of a short story – and I describe the facade", "info statements. But the location descriptions are still confusing for me if I", "my main character goes to a new building – let's say in the", "\"teach\" is clearily exposition. Character description is clearily just description. I know that", "character goes to a new building – let's say in the beggining of", "the building is not that important to the story and the character will", "building, is this exposition (i.e. information that is not part of the story,", "or concepts I might \"teach\" is clearily exposition. Character description is clearily just", "the difference between setting / location exposition (background information: <https://en.wikipedia.org/wiki/Exposition_(narrative)> ) and description.", "setting, location), or is this just description in this particular scene? Let's consider", "location descriptions are still confusing for me if I should consider exposition or", "by description, as it can be delivered by dialogue, action or just info", "that exposition can be delivered by description, as it can be delivered by", "consider that the building is not that important to the story and the", "part of the story, in this case of setting, location), or is this", "some problem in understanding the difference between setting / location exposition (background information:", "If my main character goes to a new building – let's say in", "describe the facade and the design of the building, is this exposition (i.e.", "setting / location exposition (background information: <https://en.wikipedia.org/wiki/Exposition_(narrative)> ) and description. Backstory of characters", "<https://en.wikipedia.org/wiki/Exposition_(narrative)> ) and description. Backstory of characters or whatever information or concepts I", "clearily just description. I know that exposition can be delivered by description, as", "not part of the story, in this case of setting, location), or is", "(background information: <https://en.wikipedia.org/wiki/Exposition_(narrative)> ) and description. Backstory of characters or whatever information or", "exposition (background information: <https://en.wikipedia.org/wiki/Exposition_(narrative)> ) and description. Backstory of characters or whatever information", "building is not that important to the story and the character will not", "Backstory of characters or whatever information or concepts I might \"teach\" is clearily", "that is not part of the story, in this case of setting, location),", ") and description. Backstory of characters or whatever information or concepts I might", "exposition (i.e. information that is not part of the story, in this case", "– and I describe the facade and the design of the building, is", "clearily exposition. Character description is clearily just description. I know that exposition can", "it can be delivered by dialogue, action or just info statements. But the", "and I describe the facade and the design of the building, is this", "description. I know that exposition can be delivered by description, as it can", "in understanding the difference between setting / location exposition (background information: <https://en.wikipedia.org/wiki/Exposition_(narrative)> )", "exposition. Character description is clearily just description. I know that exposition can be", "understanding the difference between setting / location exposition (background information: <https://en.wikipedia.org/wiki/Exposition_(narrative)> ) and", "goes to a new building – let's say in the beggining of a", "as it can be delivered by dialogue, action or just info statements. But", "by dialogue, action or just info statements. But the location descriptions are still", "important to the story and the character will not return to it. I'm", "information or concepts I might \"teach\" is clearily exposition. Character description is clearily", "to it. I'm having some problem in understanding the difference between setting /", "Let's consider that the building is not that important to the story and", "problem in understanding the difference between setting / location exposition (background information: <https://en.wikipedia.org/wiki/Exposition_(narrative)>", "is clearily exposition. Character description is clearily just description. I know that exposition", "dialogue, action or just info statements. But the location descriptions are still confusing", "I'm having some problem in understanding the difference between setting / location exposition", "the facade and the design of the building, is this exposition (i.e. information", "this exposition (i.e. information that is not part of the story, in this", "to a new building – let's say in the beggining of a short", "is not that important to the story and the character will not return", "short story – and I describe the facade and the design of the", "a new building – let's say in the beggining of a short story", "and the character will not return to it. I'm having some problem in", "description is clearily just description. I know that exposition can be delivered by", "descriptions are still confusing for me if I should consider exposition or not.", "characters or whatever information or concepts I might \"teach\" is clearily exposition. Character", "scene? Let's consider that the building is not that important to the story", "the location descriptions are still confusing for me if I should consider exposition", "of a short story – and I describe the facade and the design", "is not part of the story, in this case of setting, location), or", "concepts I might \"teach\" is clearily exposition. Character description is clearily just description.", "or just info statements. But the location descriptions are still confusing for me", "just info statements. But the location descriptions are still confusing for me if", "just description in this particular scene? Let's consider that the building is not", "not return to it. I'm having some problem in understanding the difference between", "in this particular scene? Let's consider that the building is not that important", "character will not return to it. I'm having some problem in understanding the", "the story, in this case of setting, location), or is this just description", "new building – let's say in the beggining of a short story –", "the beggining of a short story – and I describe the facade and", "or is this just description in this particular scene? Let's consider that the", "delivered by dialogue, action or just info statements. But the location descriptions are", "it. I'm having some problem in understanding the difference between setting / location", "not that important to the story and the character will not return to", "is this just description in this particular scene? Let's consider that the building", "know that exposition can be delivered by description, as it can be delivered", "I might \"teach\" is clearily exposition. Character description is clearily just description. I", "story, in this case of setting, location), or is this just description in", "information that is not part of the story, in this case of setting,", "(i.e. information that is not part of the story, in this case of", "or whatever information or concepts I might \"teach\" is clearily exposition. Character description", "whatever information or concepts I might \"teach\" is clearily exposition. Character description is", "to the story and the character will not return to it. I'm having", "this just description in this particular scene? Let's consider that the building is" ]
[ "(African-American and caucasian). The question is, do I need to address the issue", "it wouldn't come up because there are other troubles that they have each", "more than race, which really doesn't impact my characters. (Edit: This particular character", "the characters really do not interact much with people outside of the five", "kind of on the run since the government is sided with the scientists.", "members. Within the five of them, it wouldn't come up because there are", "the five of them because they are kind of on the run since", "Just thought I should specify this) Thank you for any help you can", "novel, I have five main characters, who are essentially kidnapped by scientists, given", "through a lot of questions regarding questions of a similar nature, but all", "governmental figures, or with family members. Within the five of them, it wouldn't", "with the rest of society, but it is normally either unimportant, with governmental", "assume yes, but for my story, the characters really do not interact much", "the rest of society, but it is normally either unimportant, with governmental figures,", "through that come up more than race, which really doesn't impact my characters.", "try to prevent the head scientist from taking over the world. I have", "address the issue of racism in the world during my novel? Typically I", "was young} and a caucasian man who is the head of an organized", "The question is, do I need to address the issue of racism in", "there are other troubles that they have each been through that come up", "other troubles that they have each been through that come up more than", "He has been through a lot in his life and he's been kidnapped", "the world. I have one character (only two main characters are present in", "question is, do I need to address the issue of racism in the", "during my novel? Typically I would assume yes, but for my story, the", "society, but it is normally either unimportant, with governmental figures, or with family", "that they have each been through that come up more than race, which", "mafia-type group. He has been through a lot in his life and he's", "superpowers, and they basically try to prevent the head scientist from taking over", "have read through a lot of questions regarding questions of a similar nature,", "I looked at involved fantasy worlds that were removed from the \"real world.\"", "because they are kind of on the run since the government is sided", "been through a lot in his life and he's been kidnapped by many", "get to his father. Just thought I should specify this) Thank you for", "the \"real world.\" In my novel, I have five main characters, who are", "to prevent the head scientist from taking over the world. I have one", "run since the government is sided with the scientists. Occasionally they will have", "come up more than race, which really doesn't impact my characters. (Edit: This", "do I need to address the issue of racism in the world during", "issue of racism in the world during my novel? Typically I would assume", "scientists. Occasionally they will have small interactions with the rest of society, but", "removed from the \"real world.\" In my novel, I have five main characters,", "different groups trying to get to his father. Just thought I should specify", "of a similar nature, but all of the questions I looked at involved", "head scientist from taking over the world. I have one character (only two", "racism in the world during my novel? Typically I would assume yes, but", "and caucasian). The question is, do I need to address the issue of", "away when he was young} and a caucasian man who is the head", "one) who is of mixed race (African-American and caucasian). The question is, do", "man who is the head of an organized crime or mafia-type group. He", "really doesn't impact my characters. (Edit: This particular character is the son of", "is sided with the scientists. Occasionally they will have small interactions with the", "are present in novel one) who is of mixed race (African-American and caucasian).", "come up because there are other troubles that they have each been through", "questions of a similar nature, but all of the questions I looked at", "(only two main characters are present in novel one) who is of mixed", "scientists, given superpowers, and they basically try to prevent the head scientist from", "is, do I need to address the issue of racism in the world", "passed away when he was young} and a caucasian man who is the", "to address the issue of racism in the world during my novel? Typically", "but for my story, the characters really do not interact much with people", "five of them, it wouldn't come up because there are other troubles that", "really do not interact much with people outside of the five of them", "particular character is the son of an African-American woman {though she passed away", "one character (only two main characters are present in novel one) who is", "novel? Typically I would assume yes, but for my story, the characters really", "he was young} and a caucasian man who is the head of an", "two main characters are present in novel one) who is of mixed race", "the questions I looked at involved fantasy worlds that were removed from the", "that come up more than race, which really doesn't impact my characters. (Edit:", "from the \"real world.\" In my novel, I have five main characters, who", "do not interact much with people outside of the five of them because", "which really doesn't impact my characters. (Edit: This particular character is the son", "need to address the issue of racism in the world during my novel?", "(Edit: This particular character is the son of an African-American woman {though she", "his life and he's been kidnapped by many different groups trying to get", "mixed race (African-American and caucasian). The question is, do I need to address", "with governmental figures, or with family members. Within the five of them, it", "have small interactions with the rest of society, but it is normally either", "group. He has been through a lot in his life and he's been", "people outside of the five of them because they are kind of on", "many different groups trying to get to his father. Just thought I should", "African-American woman {though she passed away when he was young} and a caucasian", "fantasy worlds that were removed from the \"real world.\" In my novel, I", "of an organized crime or mafia-type group. He has been through a lot", "in the world during my novel? Typically I would assume yes, but for", "father. Just thought I should specify this) Thank you for any help you", "government is sided with the scientists. Occasionally they will have small interactions with", "and they basically try to prevent the head scientist from taking over the", "\"real world.\" In my novel, I have five main characters, who are essentially", "five main characters, who are essentially kidnapped by scientists, given superpowers, and they", "the world during my novel? Typically I would assume yes, but for my", "impact my characters. (Edit: This particular character is the son of an African-American", "who is the head of an organized crime or mafia-type group. He has", "character is the son of an African-American woman {though she passed away when", "trying to get to his father. Just thought I should specify this) Thank", "regarding questions of a similar nature, but all of the questions I looked", "head of an organized crime or mafia-type group. He has been through a", "they basically try to prevent the head scientist from taking over the world.", "are other troubles that they have each been through that come up more", "race, which really doesn't impact my characters. (Edit: This particular character is the", "the government is sided with the scientists. Occasionally they will have small interactions", "small interactions with the rest of society, but it is normally either unimportant,", "Typically I would assume yes, but for my story, the characters really do", "they are kind of on the run since the government is sided with", "been through that come up more than race, which really doesn't impact my", "my novel, I have five main characters, who are essentially kidnapped by scientists,", "a lot of questions regarding questions of a similar nature, but all of", "the scientists. Occasionally they will have small interactions with the rest of society,", "than race, which really doesn't impact my characters. (Edit: This particular character is", "when he was young} and a caucasian man who is the head of", "crime or mafia-type group. He has been through a lot in his life", "they will have small interactions with the rest of society, but it is", "troubles that they have each been through that come up more than race,", "are kind of on the run since the government is sided with the", "young} and a caucasian man who is the head of an organized crime", "with family members. Within the five of them, it wouldn't come up because", "by many different groups trying to get to his father. Just thought I", "or with family members. Within the five of them, it wouldn't come up", "characters are present in novel one) who is of mixed race (African-American and", "given superpowers, and they basically try to prevent the head scientist from taking", "world. I have one character (only two main characters are present in novel", "unimportant, with governmental figures, or with family members. Within the five of them,", "basically try to prevent the head scientist from taking over the world. I", "by scientists, given superpowers, and they basically try to prevent the head scientist", "over the world. I have one character (only two main characters are present", "{though she passed away when he was young} and a caucasian man who", "and a caucasian man who is the head of an organized crime or", "worlds that were removed from the \"real world.\" In my novel, I have", "them because they are kind of on the run since the government is", "will have small interactions with the rest of society, but it is normally", "novel one) who is of mixed race (African-American and caucasian). The question is,", "the issue of racism in the world during my novel? Typically I would", "characters really do not interact much with people outside of the five of", "world.\" In my novel, I have five main characters, who are essentially kidnapped", "family members. Within the five of them, it wouldn't come up because there", "doesn't impact my characters. (Edit: This particular character is the son of an", "an African-American woman {though she passed away when he was young} and a", "the run since the government is sided with the scientists. Occasionally they will", "kidnapped by scientists, given superpowers, and they basically try to prevent the head", "of racism in the world during my novel? Typically I would assume yes,", "I have five main characters, who are essentially kidnapped by scientists, given superpowers,", "she passed away when he was young} and a caucasian man who is", "main characters are present in novel one) who is of mixed race (African-American", "of mixed race (African-American and caucasian). The question is, do I need to", "all of the questions I looked at involved fantasy worlds that were removed", "a similar nature, but all of the questions I looked at involved fantasy", "normally either unimportant, with governmental figures, or with family members. Within the five", "in his life and he's been kidnapped by many different groups trying to", "story, the characters really do not interact much with people outside of the", "much with people outside of the five of them because they are kind", "nature, but all of the questions I looked at involved fantasy worlds that", "character (only two main characters are present in novel one) who is of", "caucasian man who is the head of an organized crime or mafia-type group.", "were removed from the \"real world.\" In my novel, I have five main", "that were removed from the \"real world.\" In my novel, I have five", "in novel one) who is of mixed race (African-American and caucasian). The question", "essentially kidnapped by scientists, given superpowers, and they basically try to prevent the", "present in novel one) who is of mixed race (African-American and caucasian). The", "of them because they are kind of on the run since the government", "of on the run since the government is sided with the scientists. Occasionally", "caucasian). The question is, do I need to address the issue of racism", "with the scientists. Occasionally they will have small interactions with the rest of", "but all of the questions I looked at involved fantasy worlds that were", "not interact much with people outside of the five of them because they", "up more than race, which really doesn't impact my characters. (Edit: This particular", "are essentially kidnapped by scientists, given superpowers, and they basically try to prevent", "world during my novel? Typically I would assume yes, but for my story,", "has been through a lot in his life and he's been kidnapped by", "my story, the characters really do not interact much with people outside of", "interact much with people outside of the five of them because they are", "who are essentially kidnapped by scientists, given superpowers, and they basically try to", "looked at involved fantasy worlds that were removed from the \"real world.\" In", "of the five of them because they are kind of on the run", "and he's been kidnapped by many different groups trying to get to his", "is normally either unimportant, with governmental figures, or with family members. Within the", "they have each been through that come up more than race, which really", "who is of mixed race (African-American and caucasian). The question is, do I", "wouldn't come up because there are other troubles that they have each been", "them, it wouldn't come up because there are other troubles that they have", "This particular character is the son of an African-American woman {though she passed", "up because there are other troubles that they have each been through that", "organized crime or mafia-type group. He has been through a lot in his", "kidnapped by many different groups trying to get to his father. Just thought", "the head scientist from taking over the world. I have one character (only", "since the government is sided with the scientists. Occasionally they will have small", "involved fantasy worlds that were removed from the \"real world.\" In my novel,", "a lot in his life and he's been kidnapped by many different groups", "Within the five of them, it wouldn't come up because there are other", "of them, it wouldn't come up because there are other troubles that they", "is of mixed race (African-American and caucasian). The question is, do I need", "In my novel, I have five main characters, who are essentially kidnapped by", "each been through that come up more than race, which really doesn't impact", "of questions regarding questions of a similar nature, but all of the questions", "main characters, who are essentially kidnapped by scientists, given superpowers, and they basically", "five of them because they are kind of on the run since the", "outside of the five of them because they are kind of on the", "on the run since the government is sided with the scientists. Occasionally they", "for my story, the characters really do not interact much with people outside", "from taking over the world. I have one character (only two main characters", "taking over the world. I have one character (only two main characters are", "scientist from taking over the world. I have one character (only two main", "I need to address the issue of racism in the world during my", "have each been through that come up more than race, which really doesn't", "son of an African-American woman {though she passed away when he was young}", "with people outside of the five of them because they are kind of", "to his father. Just thought I should specify this) Thank you for any", "lot in his life and he's been kidnapped by many different groups trying", "thought I should specify this) Thank you for any help you can provide!!", "the head of an organized crime or mafia-type group. He has been through", "to get to his father. Just thought I should specify this) Thank you", "prevent the head scientist from taking over the world. I have one character", "race (African-American and caucasian). The question is, do I need to address the", "yes, but for my story, the characters really do not interact much with", "been kidnapped by many different groups trying to get to his father. Just", "I would assume yes, but for my story, the characters really do not", "interactions with the rest of society, but it is normally either unimportant, with", "have five main characters, who are essentially kidnapped by scientists, given superpowers, and", "either unimportant, with governmental figures, or with family members. Within the five of", "but it is normally either unimportant, with governmental figures, or with family members.", "of an African-American woman {though she passed away when he was young} and", "a caucasian man who is the head of an organized crime or mafia-type", "an organized crime or mafia-type group. He has been through a lot in", "through a lot in his life and he's been kidnapped by many different", "would assume yes, but for my story, the characters really do not interact", "similar nature, but all of the questions I looked at involved fantasy worlds", "characters, who are essentially kidnapped by scientists, given superpowers, and they basically try", "life and he's been kidnapped by many different groups trying to get to", "read through a lot of questions regarding questions of a similar nature, but", "because there are other troubles that they have each been through that come", "of the questions I looked at involved fantasy worlds that were removed from", "at involved fantasy worlds that were removed from the \"real world.\" In my", "my novel? Typically I would assume yes, but for my story, the characters", "is the head of an organized crime or mafia-type group. He has been", "the five of them, it wouldn't come up because there are other troubles", "lot of questions regarding questions of a similar nature, but all of the", "I have read through a lot of questions regarding questions of a similar", "groups trying to get to his father. Just thought I should specify this)", "characters. (Edit: This particular character is the son of an African-American woman {though", "figures, or with family members. Within the five of them, it wouldn't come", "sided with the scientists. Occasionally they will have small interactions with the rest", "I have one character (only two main characters are present in novel one)", "it is normally either unimportant, with governmental figures, or with family members. Within", "my characters. (Edit: This particular character is the son of an African-American woman", "or mafia-type group. He has been through a lot in his life and", "the son of an African-American woman {though she passed away when he was", "questions regarding questions of a similar nature, but all of the questions I", "his father. Just thought I should specify this) Thank you for any help", "is the son of an African-American woman {though she passed away when he", "Occasionally they will have small interactions with the rest of society, but it", "rest of society, but it is normally either unimportant, with governmental figures, or", "of society, but it is normally either unimportant, with governmental figures, or with", "he's been kidnapped by many different groups trying to get to his father.", "questions I looked at involved fantasy worlds that were removed from the \"real", "have one character (only two main characters are present in novel one) who", "woman {though she passed away when he was young} and a caucasian man" ]
[ "tips on how I can come up with a good name for my", "on how I can come up with a good name for my story?", "think of a name. I've never really been good at making names. Any", "for the life of me think of a name. I've never really been", "up with a good name for my story? It's a Fantasy if that", "into a story that I'm writing, but I can't for the life of", "names. Any tips on how I can come up with a good name", "good at making names. Any tips on how I can come up with", "can't for the life of me think of a name. I've never really", "can come up with a good name for my story? It's a Fantasy", "I've never really been good at making names. Any tips on how I", "the life of me think of a name. I've never really been good", "of a name. I've never really been good at making names. Any tips", "me think of a name. I've never really been good at making names.", "far into a story that I'm writing, but I can't for the life", "but I can't for the life of me think of a name. I've", "pretty far into a story that I'm writing, but I can't for the", "with a good name for my story? It's a Fantasy if that helps.", "really been good at making names. Any tips on how I can come", "I'm writing, but I can't for the life of me think of a", "I can come up with a good name for my story? It's a", "how I can come up with a good name for my story? It's", "writing, but I can't for the life of me think of a name.", "gotten pretty far into a story that I'm writing, but I can't for", "at making names. Any tips on how I can come up with a", "come up with a good name for my story? It's a Fantasy if", "I've gotten pretty far into a story that I'm writing, but I can't", "I can't for the life of me think of a name. I've never", "that I'm writing, but I can't for the life of me think of", "been good at making names. Any tips on how I can come up", "of me think of a name. I've never really been good at making", "a story that I'm writing, but I can't for the life of me", "making names. Any tips on how I can come up with a good", "story that I'm writing, but I can't for the life of me think", "name. I've never really been good at making names. Any tips on how", "life of me think of a name. I've never really been good at", "never really been good at making names. Any tips on how I can", "Any tips on how I can come up with a good name for", "a name. I've never really been good at making names. Any tips on" ]
[ "seems to be a cooler one, though I seriously fear that it would", "am not able to do justice with my plot by focusing the whole", "me the former choice seems to be a cooler one, though I seriously", "maybe it won't be enough. And this is what I am not able", "I was stuck in a dilemma. I had two choices, whether I could", "is, just the vampires and their conspiracies or I could introduce other tropes", "the vampires and their conspiracies or I could introduce other tropes like, werewolves", "am not able to decide, well to me the former choice seems to", "working on a Supernatural Fiction genre and I was stuck in a dilemma.", "seriously fear that it would become a bit chaotic and confusing. And the", "more introduction of characters which risks my plot to become messier and if", "And the latter one, well there, I think what if I am not", "Satan. Also, more tropes meant more introduction of characters which risks my plot", "genre and I was stuck in a dilemma. I had two choices, whether", "I could focus on one trope, that is, just the vampires and their", "think what if I am not able to do justice with my plot", "a Supernatural Fiction genre and I was stuck in a dilemma. I had", "conspiracies or I could introduce other tropes like, werewolves or maybe Satan. Also,", "introduction of characters which risks my plot to become messier and if I", "plot by focusing the whole story on the same frame? What should I", "in a dilemma. I had two choices, whether I could focus on one", "a cooler one, though I seriously fear that it would become a bit", "I could introduce other tropes like, werewolves or maybe Satan. Also, more tropes", "a single trope, I feel maybe it won't be enough. And this is", "other tropes like, werewolves or maybe Satan. Also, more tropes meant more introduction", "trope, I feel maybe it won't be enough. And this is what I", "meant more introduction of characters which risks my plot to become messier and", "two choices, whether I could focus on one trope, that is, just the", "stuck in a dilemma. I had two choices, whether I could focus on", "well to me the former choice seems to be a cooler one, though", "choice seems to be a cooler one, though I seriously fear that it", "just the vampires and their conspiracies or I could introduce other tropes like,", "that is, just the vampires and their conspiracies or I could introduce other", "and if I remain stable on a single trope, I feel maybe it", "Fiction genre and I was stuck in a dilemma. I had two choices,", "was working on a Supernatural Fiction genre and I was stuck in a", "become a bit chaotic and confusing. And the latter one, well there, I", "if I am not able to do justice with my plot by focusing", "of characters which risks my plot to become messier and if I remain", "remain stable on a single trope, I feel maybe it won't be enough.", "what I am not able to decide, well to me the former choice", "my plot by focusing the whole story on the same frame? What should", "messier and if I remain stable on a single trope, I feel maybe", "more tropes meant more introduction of characters which risks my plot to become", "that it would become a bit chaotic and confusing. And the latter one,", "is what I am not able to decide, well to me the former", "former choice seems to be a cooler one, though I seriously fear that", "to become messier and if I remain stable on a single trope, I", "vampires and their conspiracies or I could introduce other tropes like, werewolves or", "plot to become messier and if I remain stable on a single trope,", "had two choices, whether I could focus on one trope, that is, just", "tropes like, werewolves or maybe Satan. Also, more tropes meant more introduction of", "maybe Satan. Also, more tropes meant more introduction of characters which risks my", "justice with my plot by focusing the whole story on the same frame?", "a dilemma. I had two choices, whether I could focus on one trope,", "cooler one, though I seriously fear that it would become a bit chaotic", "it would become a bit chaotic and confusing. And the latter one, well", "well there, I think what if I am not able to do justice", "characters which risks my plot to become messier and if I remain stable", "feel maybe it won't be enough. And this is what I am not", "be enough. And this is what I am not able to decide, well", "risks my plot to become messier and if I remain stable on a", "And this is what I am not able to decide, well to me", "choices, whether I could focus on one trope, that is, just the vampires", "like, werewolves or maybe Satan. Also, more tropes meant more introduction of characters", "what if I am not able to do justice with my plot by", "to be a cooler one, though I seriously fear that it would become", "the former choice seems to be a cooler one, though I seriously fear", "I had two choices, whether I could focus on one trope, that is,", "by focusing the whole story on the same frame? What should I do?", "though I seriously fear that it would become a bit chaotic and confusing.", "could introduce other tropes like, werewolves or maybe Satan. Also, more tropes meant", "it won't be enough. And this is what I am not able to", "and confusing. And the latter one, well there, I think what if I", "The other day, I was working on a Supernatural Fiction genre and I", "dilemma. I had two choices, whether I could focus on one trope, that", "to me the former choice seems to be a cooler one, though I", "I seriously fear that it would become a bit chaotic and confusing. And", "a bit chaotic and confusing. And the latter one, well there, I think", "do justice with my plot by focusing the whole story on the same", "trope, that is, just the vampires and their conspiracies or I could introduce", "the latter one, well there, I think what if I am not able", "and their conspiracies or I could introduce other tropes like, werewolves or maybe", "confusing. And the latter one, well there, I think what if I am", "become messier and if I remain stable on a single trope, I feel", "fear that it would become a bit chaotic and confusing. And the latter", "able to do justice with my plot by focusing the whole story on", "one, well there, I think what if I am not able to do", "could focus on one trope, that is, just the vampires and their conspiracies", "I remain stable on a single trope, I feel maybe it won't be", "on a single trope, I feel maybe it won't be enough. And this", "introduce other tropes like, werewolves or maybe Satan. Also, more tropes meant more", "enough. And this is what I am not able to decide, well to", "bit chaotic and confusing. And the latter one, well there, I think what", "decide, well to me the former choice seems to be a cooler one,", "there, I think what if I am not able to do justice with", "with my plot by focusing the whole story on the same frame? What", "I was working on a Supernatural Fiction genre and I was stuck in", "I am not able to decide, well to me the former choice seems", "on one trope, that is, just the vampires and their conspiracies or I", "which risks my plot to become messier and if I remain stable on", "whether I could focus on one trope, that is, just the vampires and", "day, I was working on a Supernatural Fiction genre and I was stuck", "other day, I was working on a Supernatural Fiction genre and I was", "or maybe Satan. Also, more tropes meant more introduction of characters which risks", "on a Supernatural Fiction genre and I was stuck in a dilemma. I", "able to decide, well to me the former choice seems to be a", "one, though I seriously fear that it would become a bit chaotic and", "won't be enough. And this is what I am not able to decide,", "I think what if I am not able to do justice with my", "latter one, well there, I think what if I am not able to", "this is what I am not able to decide, well to me the", "would become a bit chaotic and confusing. And the latter one, well there,", "tropes meant more introduction of characters which risks my plot to become messier", "Supernatural Fiction genre and I was stuck in a dilemma. I had two", "focus on one trope, that is, just the vampires and their conspiracies or", "not able to do justice with my plot by focusing the whole story", "if I remain stable on a single trope, I feel maybe it won't", "chaotic and confusing. And the latter one, well there, I think what if", "werewolves or maybe Satan. Also, more tropes meant more introduction of characters which", "Also, more tropes meant more introduction of characters which risks my plot to", "single trope, I feel maybe it won't be enough. And this is what", "their conspiracies or I could introduce other tropes like, werewolves or maybe Satan.", "one trope, that is, just the vampires and their conspiracies or I could", "not able to decide, well to me the former choice seems to be", "stable on a single trope, I feel maybe it won't be enough. And", "I am not able to do justice with my plot by focusing the", "be a cooler one, though I seriously fear that it would become a", "was stuck in a dilemma. I had two choices, whether I could focus", "and I was stuck in a dilemma. I had two choices, whether I", "to do justice with my plot by focusing the whole story on the", "my plot to become messier and if I remain stable on a single", "to decide, well to me the former choice seems to be a cooler", "or I could introduce other tropes like, werewolves or maybe Satan. Also, more", "I feel maybe it won't be enough. And this is what I am" ]
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At least, that's my understanding", "scene in my book, there is this character. This character is pompous and", "personality. So, as I write, it think writing; > > He was watching", "a scene in my book, there is this character. This character is pompous", "pompous, but in the context, the reader is supposed to assume their outside", "teacher with whatever topic she was going to address. Alfie swore she walked", "walked up to the teacher's desk so often the outer lines of desks", "turned back to his map and sighed. I’m not even high. > >", "sighed. I’m not even high. > > > The bells rang and the", "to address. Alfie swore she walked up to the teacher's desk so often", "just sitting there high out of your mind and looking blankly at a", "watching Janha collectedly approach the teacher with whatever topic she was going to", "quickly get my points across, or should I take longer routes of giving", "saw Janha. “Fuck off.” He turned back to his map and sighed. I’m", "was officially over. Most of the pupils were already on their way out", "of packing their books away. Alfie was, surprisingly, still at his desk, leaning", "character is pompous and arrogant. I describe their gait shortly after their introduction,", "using \"pompous\" would've been very informative (and concise). Instead, I describe their whole", "of it. So, which one is it? Should I use concise words to", "the story. Here is their introduction: > > “It’s so sad seeing someone", "of invoking the reader with a feel of their personality. So, as I", "on his chair with his arms behind his head. He was watching Janha", "by showing the character feels a bit risky to me, sometimes. I am", "concisely. Because that's what it's about. Summarizing a part of her personality with", "even high. > > > The bells rang and the school day was", "part of her personality with one, concise word; pompous. But the problem her", "were already on their way out as the riddling racket of the bells", "is that I'd be summarizing it. Telling, instead of showing. And that again", "not even high.* > > > The bells rang and the school day", "looking blankly at a map, in the middle of class. Get a grip", "their introduction: > > “It’s so sad seeing someone waste their lives in", "in front of you. You’re just sitting there high out of your mind", "reader is supposed to assume their outside \"collectedness\" is a product of that", "ambiguity, leaving the character feeling empty, instead of invoking the reader with a", "there is no ambiguity. My point comes across, undoubtedly and concisely. Because that's", "the process of packing their books away. Alfie was, surprisingly, still at his", "packing their books away. Alfie was, surprisingly, still at his desk, leaning on", "topic she was going to address. Alfie swore she walked up to the", "approach... > > > This way, there is no ambiguity. My point comes", "chair with his arms behind his head. He was watching Janha collectedly approach", "\"collectedness\" is a product of that pompousness, as that makes sense with the", "what it's about. Summarizing a part of her personality with one, concise word;", "this whole practice, I'll rather give an example. In a scene in my", "out as the riddling racket of the bells struck, whilst others were midway", "Instead of explaining this whole practice, I'll rather give an example. In a", "instead of invoking the reader with a feel of their personality. So, as", "gait shortly after their introduction, where using \"pompous\" would've been very informative (and", "lines of desks were shaped by her gait down the classroom. > >", "gait down the classroom. > > > Here is a collection of input", "context. Of course, it's not science, nothing is certain, it's all just to", "character feels a bit risky to me, sometimes. I am scared of too", "At least, that's my understanding of it. So, which one is it? Should", "“It’s so sad seeing someone waste their lives in front of you. You’re", "of their personality. So, as I write, it think writing; > > He", "> > > The bells rang and the school day was officially over.", "bells rang and the school day was officially over. Most of the pupils", "in my book, there is this character. This character is pompous and arrogant.", "it by showing the character feels a bit risky to me, sometimes. I", "away. Alfie was, surprisingly, still at his desk, leaning on his chair with", "word; pompous. But the problem her is that I'd be summarizing it. Telling,", "of that pompousness, as that makes sense with the context. Of course, it's", "the bells struck, whilst others were midway in the process of packing their", "input on Janha's personality, provided by both Janha and Alfie. The individual pieces", "a feel of their personality. So, as I write, it think writing; >", "pupils were already on their way out as the riddling racket of the", "your mind and looking blankly at a map, in the middle of class.", "desk, leaning on his chair with his arms behind his head. He was", "character feeling empty, instead of invoking the reader with a feel of their", "Telling, instead of showing. And that again leaves the characters feeling empty. At", "feels a bit risky to me, sometimes. I am scared of too much", "front of you. You’re just sitting there high out of your mind and", "of class. Get a grip for fuck's sake,” a creaky voice buzzed into", "I am scared of too much ambiguity, leaving the character feeling empty, instead", "class. Get a grip for fuck's sake,” a creaky voice buzzed into Alfie’s", "collectedly doesn't need to mean you're pompous, but in the context, the reader", "is a collection of input on Janha's personality, provided by both Janha and", "is their introduction: > > “It’s so sad seeing someone waste their lives", "this character. This character is pompous and arrogant. I describe their gait shortly", "that's what it's about. Summarizing a part of her personality with one, concise", "the character. But doing it by showing the character feels a bit risky", "Alfie was, surprisingly, still at his desk, leaning on his chair with his", "or should I take longer routes of giving the reader a feel of", "necessarily mean either arrogance or pompousness on their own, but it is all", "surprisingly, still at his desk, leaning on his chair with his arms behind", "their whole pompousness and arrogance through the collection of input they provide to", "to assume their outside \"collectedness\" is a product of that pompousness, as that", "Janha pompously approach... > > > This way, there is no ambiguity. My", "she walked up to the teacher's desk so often the outer lines of", "I use concise words to quickly get my points across, or should I", "write, it think writing; > > He was watching Janha pompously approach... >", "input they provide to the story. Here is their introduction: > > “It’s", "it is all of them combined that hopefully shows the reader this. Walking", "character. But doing it by showing the character feels a bit risky to", "input don't necessarily mean either arrogance or pompousness on their own, but it", "of the character. But doing it by showing the character feels a bit", "was going to address. Alfie swore she walked up to the teacher's desk", "the characters feeling empty. At least, that's my understanding of it. So, which", "is supposed to assume their outside \"collectedness\" is a product of that pompousness,", "book, there is this character. This character is pompous and arrogant. I describe", "they provide to the story. Here is their introduction: > > “It’s so", "is a product of that pompousness, as that makes sense with the context.", "think writing; > > He was watching Janha pompously approach... > > >", "concise word; pompous. But the problem her is that I'd be summarizing it.", "individual pieces of input don't necessarily mean either arrogance or pompousness on their", "concise words to quickly get my points across, or should I take longer", "hopefully shows the reader this. Walking collectedly doesn't need to mean you're pompous,", "their lives in front of you. You’re just sitting there high out of", "collection of input they provide to the story. Here is their introduction: >", "> Here is a collection of input on Janha's personality, provided by both", "map and sighed. I’m not even high. > > > The bells rang", "and concisely. Because that's what it's about. Summarizing a part of her personality", "voice buzzed into Alfie’s temple. He turned and saw Janha. “Fuck off.” He", "> > The bells rang and the school day was officially over. Most", "the collection of input they provide to the story. Here is their introduction:", "introduction, where using \"pompous\" would've been very informative (and concise). Instead, I describe", "in the context, the reader is supposed to assume their outside \"collectedness\" is", "the reader this. Walking collectedly doesn't need to mean you're pompous, but in", "In a scene in my book, there is this character. This character is", "Janha collectedly approach the teacher with whatever topic she was going to address.", "to the story. Here is their introduction: > > “It’s so sad seeing", "just to give the reader a feel of the character. But doing it", "pompous and arrogant. I describe their gait shortly after their introduction, where using", "on their way out as the riddling racket of the bells struck, whilst", "his arms behind his head. He was watching Janha collectedly approach the teacher", "pompous. But the problem her is that I'd be summarizing it. Telling, instead", "a product of that pompousness, as that makes sense with the context. Of", "buzzed into Alfie’s temple. He turned and saw Janha. “Fuck off.” He turned", "summarizing it. Telling, instead of showing. And that again leaves the characters feeling", "the teacher with whatever topic she was going to address. Alfie swore she", "his desk, leaning on his chair with his arms behind his head. He", "the context. Of course, it's not science, nothing is certain, it's all just", "reader a feel of the character. But doing it by showing the character", "introduction: > > “It’s so sad seeing someone waste their lives in front", "informative (and concise). Instead, I describe their whole pompousness and arrogance through the", "doesn't need to mean you're pompous, but in the context, the reader is", "a collection of input on Janha's personality, provided by both Janha and Alfie." ]
[ "rewrite news reports for commercial use? I've noticed the following information, and I'm", "to other news agencies as well. > > Associated Press text, photo, graphic,", "and/or video material shall not be published, broadcast, rewritten for broadcast or publication", "use? I've noticed the following information, and I'm wondering whether it applies to", "reports for commercial use? I've noticed the following information, and I'm wondering whether", "not be published, broadcast, rewritten for broadcast or publication or redistributed directly or", "information, and I'm wondering whether it applies to other news agencies as well.", "following information, and I'm wondering whether it applies to other news agencies as", "shall not be published, broadcast, rewritten for broadcast or publication or redistributed directly", "news reports for commercial use? I've noticed the following information, and I'm wondering", "legal to rewrite news reports for commercial use? I've noticed the following information,", "to rewrite news reports for commercial use? I've noticed the following information, and", "be published, broadcast, rewritten for broadcast or publication or redistributed directly or indirectly", "I've noticed the following information, and I'm wondering whether it applies to other", "broadcast, rewritten for broadcast or publication or redistributed directly or indirectly in any", "for broadcast or publication or redistributed directly or indirectly in any medium. >", "other news agencies as well. > > Associated Press text, photo, graphic, audio", "applies to other news agencies as well. > > Associated Press text, photo,", "Press text, photo, graphic, audio and/or video material shall not be published, broadcast,", "graphic, audio and/or video material shall not be published, broadcast, rewritten for broadcast", "noticed the following information, and I'm wondering whether it applies to other news", "> Associated Press text, photo, graphic, audio and/or video material shall not be", "the following information, and I'm wondering whether it applies to other news agencies", "commercial use? I've noticed the following information, and I'm wondering whether it applies", "material shall not be published, broadcast, rewritten for broadcast or publication or redistributed", "and I'm wondering whether it applies to other news agencies as well. >", "broadcast or publication or redistributed directly or indirectly in any medium. > >", "photo, graphic, audio and/or video material shall not be published, broadcast, rewritten for", "as well. > > Associated Press text, photo, graphic, audio and/or video material", "Associated Press text, photo, graphic, audio and/or video material shall not be published,", "agencies as well. > > Associated Press text, photo, graphic, audio and/or video", "Is it legal to rewrite news reports for commercial use? I've noticed the", "whether it applies to other news agencies as well. > > Associated Press", "text, photo, graphic, audio and/or video material shall not be published, broadcast, rewritten", "video material shall not be published, broadcast, rewritten for broadcast or publication or", "it legal to rewrite news reports for commercial use? I've noticed the following", "> > Associated Press text, photo, graphic, audio and/or video material shall not", "published, broadcast, rewritten for broadcast or publication or redistributed directly or indirectly in", "for commercial use? I've noticed the following information, and I'm wondering whether it", "or publication or redistributed directly or indirectly in any medium. > > >", "rewritten for broadcast or publication or redistributed directly or indirectly in any medium.", "I'm wondering whether it applies to other news agencies as well. > >", "it applies to other news agencies as well. > > Associated Press text,", "news agencies as well. > > Associated Press text, photo, graphic, audio and/or", "well. > > Associated Press text, photo, graphic, audio and/or video material shall", "wondering whether it applies to other news agencies as well. > > Associated", "audio and/or video material shall not be published, broadcast, rewritten for broadcast or" ]
[ "language they come across as tongue-in-cheek, sarcastic, or a snowflake. Although this site", "them aside in 5th grade and told them they'll never be President -", "blacks in the west. It is predominantly white men of a certain age", "a certain age on the realisation: despite all the encouragement, they are not", "experience the anger of total failure because the expectation of success was lowered", "tongue-in-cheek, sarcastic, or a snowflake. Although this site doesn't allow critique wouldn't it", "'off-topic'. It is not. One of my characters becomes a US Senator by", "challenged' or 'aesthetically challenged'. These descriptions affect characterisation. If a character or a", "environment and the language challenges it brings . . . Isn't 'Don't quit", "a crack of hope. Or perhaps I can link the extreme behaviour demonstrated", "entitled and privileged hall monitors will attempt to declare this post 'off-topic'. It", "this post 'off-topic'. It is not. One of my characters becomes a US", "'aesthetically challenged'. These descriptions affect characterisation. If a character or a narrator uses", "certain age on the realisation: despite all the encouragement, they are not good", "of hope. Or perhaps I can link the extreme behaviour demonstrated by the", "If a character or a narrator uses such language they come across as", "Isn't 'Don't quit your day job' ultimately kinder than 'certain areas need addressing'", "'you'll require a good editor'. Transfer our love of 'politeness' and the 'reluctance", "pull them aside in 5th grade and told them they'll never be President", "quit your day job' ultimately kinder than 'certain areas need addressing' or 'you'll", "on a career in construction? The outrage leading to mass shootings is felt", "the anger of total failure because the expectation of success was lowered at", "The Ugly Sisters were ugly, everybody knows that, and in visual media they", "conflation of ugliness with evil. The sisters are no longer ugly. Somehow they", "and in visual media they portrayed that way. I'm not going attempt to", "as were minorities. Neither demographic can experience the anger of total failure because", "to other areas of real life and the results are disastrous. Take for", "predominantly white men of a certain age on the realisation: despite all the", "a character or a narrator uses such language they come across as tongue-in-cheek,", "way. I'm not going attempt to the original conflation of ugliness with evil.", "declare this post 'off-topic'. It is not. One of my characters becomes a", "she refused to declared 'Hell no!\" Instead she tried to be polite, inadvertently", "US Senator. When she dies he adopts her position. As a man who", "the original conflation of ugliness with evil. The sisters are no longer ugly.", "a woman ends up in hot water because she refused to declared 'Hell", "men of a certain age on the realisation: despite all the encouragement, they", "a US Senator. When she dies he adopts her position. As a man", "doesn't allow critique wouldn't it be better to use plain, direct, simple language.", "they come across as tongue-in-cheek, sarcastic, or a snowflake. Although this site doesn't", "man who adopts a position he was never entitled to, how does he", "to declare this post 'off-topic'. It is not. One of my characters becomes", "the results are disastrous. Take for example the #metoo movement. Many a woman", "'Don't quit your day job' ultimately kinder than 'certain areas need addressing' or", "up in hot water because she refused to declared 'Hell no!\" Instead she", "woman who becomes a US Senator. When she dies he adopts her position.", "As a man who adopts a position he was never entitled to, how", "These descriptions affect characterisation. If a character or a narrator uses such language", "encouragement, they are not good enough. This is the very definition of entitlement.", "failure because the expectation of success was lowered at a very early age.", "mass shootings is felt by one demographic. Women rarely commit these atrocities, nor", "with evil. The sisters are no longer ugly. Somehow they have become 'cosmetically", "better to pull them aside in 5th grade and told them they'll never", "these atrocities, nor do blacks in the west. It is predominantly white men", "kinder than 'certain areas need addressing' or 'you'll require a good editor'. Transfer", "marries a white woman who becomes a US Senator. When she dies he", "always hope: if they worked hard and followed the rules they could achieve", "areas of real life and the results are disastrous. Take for example the", "I'm not going attempt to the original conflation of ugliness with evil. The", "such language they come across as tongue-in-cheek, sarcastic, or a snowflake. Although this", "no!\" Instead she tried to be polite, inadvertently leaving a crack of hope.", "the rules they could achieve the dream. Retrospectively, would it have been better", "evil. The sisters are no longer ugly. Somehow they have become 'cosmetically challenged'", "as tongue-in-cheek, sarcastic, or a snowflake. Although this site doesn't allow critique wouldn't", "of entitlement. Women were taught this at an early age, as were minorities.", "man marries a white woman who becomes a US Senator. When she dies", "never be President - they should focus on a career in construction? The", "ultimately kinder than 'certain areas need addressing' or 'you'll require a good editor'.", "of ugliness with evil. The sisters are no longer ugly. Somehow they have", "at an early age, as were minorities. Neither demographic can experience the anger", "to mass shootings is felt by one demographic. Women rarely commit these atrocities,", "A black, European man marries a white woman who becomes a US Senator.", "the encouragement, they are not good enough. This is the very definition of", "the expectation of success was lowered at a very early age. The entitled", "results are disastrous. Take for example the #metoo movement. Many a woman ends", "link the extreme behaviour demonstrated by the very narrow profile of mass shooters,", "original conflation of ugliness with evil. The sisters are no longer ugly. Somehow", "and privileged hall monitors will attempt to declare this post 'off-topic'. It is", "age on the realisation: despite all the encouragement, they are not good enough.", "love of 'politeness' and the 'reluctance to offend' to other areas of real", "offend' to other areas of real life and the results are disastrous. Take", "Transfer our love of 'politeness' and the 'reluctance to offend' to other areas", "they could achieve the dream. Retrospectively, would it have been better to pull", "career in construction? The outrage leading to mass shootings is felt by one", "ugliness with evil. The sisters are no longer ugly. Somehow they have become", "direct, simple language. Considering this new global environment and the language challenges it", "have been better to pull them aside in 5th grade and told them", "going attempt to the original conflation of ugliness with evil. The sisters are", "it be better to use plain, direct, simple language. Considering this new global", "definition of entitlement. Women were taught this at an early age, as were", "should focus on a career in construction? The outrage leading to mass shootings", "they'll never be President - they should focus on a career in construction?", "by chance. A black, European man marries a white woman who becomes a", "could achieve the dream. Retrospectively, would it have been better to pull them", "ends up in hot water because she refused to declared 'Hell no!\" Instead", "the west. It is predominantly white men of a certain age on the", "an early age, as were minorities. Neither demographic can experience the anger of", "told there was always hope: if they worked hard and followed the rules", ". . Isn't 'Don't quit your day job' ultimately kinder than 'certain areas", "portrayed that way. I'm not going attempt to the original conflation of ugliness", "be better to use plain, direct, simple language. Considering this new global environment", "is the very definition of entitlement. Women were taught this at an early", "they have become 'cosmetically challenged' or 'aesthetically challenged'. These descriptions affect characterisation. If", "become 'cosmetically challenged' or 'aesthetically challenged'. These descriptions affect characterisation. If a character", "are no longer ugly. Somehow they have become 'cosmetically challenged' or 'aesthetically challenged'.", "Retrospectively, would it have been better to pull them aside in 5th grade", "were told there was always hope: if they worked hard and followed the", "told them they'll never be President - they should focus on a career", "total failure because the expectation of success was lowered at a very early", "global environment and the language challenges it brings . . . Isn't 'Don't", "'reluctance to offend' to other areas of real life and the results are", "because she refused to declared 'Hell no!\" Instead she tried to be polite,", "to use plain, direct, simple language. Considering this new global environment and the", "are disastrous. Take for example the #metoo movement. Many a woman ends up", "not. One of my characters becomes a US Senator by chance. A black,", "Neither demographic can experience the anger of total failure because the expectation of", "good enough. This is the very definition of entitlement. Women were taught this", "were taught this at an early age, as were minorities. Neither demographic can", "have become 'cosmetically challenged' or 'aesthetically challenged'. These descriptions affect characterisation. If a", "of success was lowered at a very early age. The entitled and privileged", "movement. Many a woman ends up in hot water because she refused to", "they are not good enough. This is the very definition of entitlement. Women", "Sisters were ugly, everybody knows that, and in visual media they portrayed that", "worked hard and followed the rules they could achieve the dream. Retrospectively, would", "Senator. When she dies he adopts her position. As a man who adopts", "and the results are disastrous. Take for example the #metoo movement. Many a", "early age. The entitled and privileged hall monitors will attempt to declare this", "expectation of success was lowered at a very early age. The entitled and", "focus on a career in construction? The outrage leading to mass shootings is", "The sisters are no longer ugly. Somehow they have become 'cosmetically challenged' or", "enough. This is the very definition of entitlement. Women were taught this at", "addressing' or 'you'll require a good editor'. Transfer our love of 'politeness' and", "extreme behaviour demonstrated by the very narrow profile of mass shooters, men who", "editor'. Transfer our love of 'politeness' and the 'reluctance to offend' to other", "hall monitors will attempt to declare this post 'off-topic'. It is not. One", "Considering this new global environment and the language challenges it brings . .", "outrage leading to mass shootings is felt by one demographic. Women rarely commit", "a snowflake. Although this site doesn't allow critique wouldn't it be better to", "a very early age. The entitled and privileged hall monitors will attempt to", "they worked hard and followed the rules they could achieve the dream. Retrospectively,", "life and the results are disastrous. Take for example the #metoo movement. Many", "allow critique wouldn't it be better to use plain, direct, simple language. Considering", "by one demographic. Women rarely commit these atrocities, nor do blacks in the", "and the language challenges it brings . . . Isn't 'Don't quit your", "real life and the results are disastrous. Take for example the #metoo movement.", "west. It is predominantly white men of a certain age on the realisation:", "no longer ugly. Somehow they have become 'cosmetically challenged' or 'aesthetically challenged'. These", "US Senator by chance. A black, European man marries a white woman who", "of 'politeness' and the 'reluctance to offend' to other areas of real life", "'certain areas need addressing' or 'you'll require a good editor'. Transfer our love", "chance. A black, European man marries a white woman who becomes a US", "plain, direct, simple language. Considering this new global environment and the language challenges", "use plain, direct, simple language. Considering this new global environment and the language", "woman ends up in hot water because she refused to declared 'Hell no!\"", "Instead she tried to be polite, inadvertently leaving a crack of hope. Or", "better to use plain, direct, simple language. Considering this new global environment and", "or 'you'll require a good editor'. Transfer our love of 'politeness' and the", "in hot water because she refused to declared 'Hell no!\" Instead she tried", "rarely commit these atrocities, nor do blacks in the west. It is predominantly", "'cosmetically challenged' or 'aesthetically challenged'. These descriptions affect characterisation. If a character or", "privileged hall monitors will attempt to declare this post 'off-topic'. 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It is predominantly white men of a certain age on", "mass shooters, men who were told there was always hope: if they worked", "uses such language they come across as tongue-in-cheek, sarcastic, or a snowflake. Although", "them they'll never be President - they should focus on a career in", "of total failure because the expectation of success was lowered at a very", "'politeness' and the 'reluctance to offend' to other areas of real life and", "was always hope: if they worked hard and followed the rules they could", "becomes a US Senator by chance. A black, European man marries a white", "longer ugly. Somehow they have become 'cosmetically challenged' or 'aesthetically challenged'. These descriptions", "It is predominantly white men of a certain age on the realisation: despite", "lowered at a very early age. The entitled and privileged hall monitors will", "felt by one demographic. Women rarely commit these atrocities, nor do blacks in", "that, and in visual media they portrayed that way. I'm not going attempt", "hard and followed the rules they could achieve the dream. Retrospectively, would it", "of mass shooters, men who were told there was always hope: if they", "our love of 'politeness' and the 'reluctance to offend' to other areas of", "at a very early age. The entitled and privileged hall monitors will attempt", "are not good enough. This is the very definition of entitlement. Women were", "demographic. Women rarely commit these atrocities, nor do blacks in the west. It", "by the very narrow profile of mass shooters, men who were told there", "not good enough. This is the very definition of entitlement. Women were taught", "is predominantly white men of a certain age on the realisation: despite all", "ugly, everybody knows that, and in visual media they portrayed that way. I'm", "age. The entitled and privileged hall monitors will attempt to declare this post", "a career in construction? The outrage leading to mass shootings is felt by", "very definition of entitlement. Women were taught this at an early age, as", "taught this at an early age, as were minorities. Neither demographic can experience", "site doesn't allow critique wouldn't it be better to use plain, direct, simple", "will attempt to declare this post 'off-topic'. It is not. One of my", "declared 'Hell no!\" Instead she tried to be polite, inadvertently leaving a crack", "position. As a man who adopts a position he was never entitled to,", "and followed the rules they could achieve the dream. Retrospectively, would it have", "age, as were minorities. Neither demographic can experience the anger of total failure", "Somehow they have become 'cosmetically challenged' or 'aesthetically challenged'. These descriptions affect characterisation.", "the very narrow profile of mass shooters, men who were told there was", "Or perhaps I can link the extreme behaviour demonstrated by the very narrow", "behaviour demonstrated by the very narrow profile of mass shooters, men who were", "to the original conflation of ugliness with evil. The sisters are no longer", "characterisation. If a character or a narrator uses such language they come across", "perhaps I can link the extreme behaviour demonstrated by the very narrow profile", "your day job' ultimately kinder than 'certain areas need addressing' or 'you'll require", "inadvertently leaving a crack of hope. Or perhaps I can link the extreme", "adopts her position. As a man who adopts a position he was never", "good editor'. Transfer our love of 'politeness' and the 'reluctance to offend' to", "in visual media they portrayed that way. I'm not going attempt to the", "the dream. Retrospectively, would it have been better to pull them aside in", "can experience the anger of total failure because the expectation of success was", "day job' ultimately kinder than 'certain areas need addressing' or 'you'll require a", "other areas of real life and the results are disastrous. Take for example", "character or a narrator uses such language they come across as tongue-in-cheek, sarcastic,", "a US Senator by chance. A black, European man marries a white woman", ". . . Isn't 'Don't quit your day job' ultimately kinder than 'certain", "she dies he adopts her position. As a man who adopts a position", "sisters are no longer ugly. Somehow they have become 'cosmetically challenged' or 'aesthetically", "achieve the dream. Retrospectively, would it have been better to pull them aside", "narrow profile of mass shooters, men who were told there was always hope:", "were ugly, everybody knows that, and in visual media they portrayed that way.", "one demographic. Women rarely commit these atrocities, nor do blacks in the west.", "not going attempt to the original conflation of ugliness with evil. The sisters", "rules they could achieve the dream. Retrospectively, would it have been better to", "of a certain age on the realisation: despite all the encouragement, they are", ". Isn't 'Don't quit your day job' ultimately kinder than 'certain areas need", "they should focus on a career in construction? The outrage leading to mass", "she tried to be polite, inadvertently leaving a crack of hope. Or perhaps", "crack of hope. Or perhaps I can link the extreme behaviour demonstrated by", "Take for example the #metoo movement. Many a woman ends up in hot", "attempt to declare this post 'off-topic'. It is not. One of my characters", "snowflake. Although this site doesn't allow critique wouldn't it be better to use", "that way. I'm not going attempt to the original conflation of ugliness with", "demographic can experience the anger of total failure because the expectation of success", "shootings is felt by one demographic. Women rarely commit these atrocities, nor do", "European man marries a white woman who becomes a US Senator. When she", "be polite, inadvertently leaving a crack of hope. Or perhaps I can link", "the extreme behaviour demonstrated by the very narrow profile of mass shooters, men", "who adopts a position he was never entitled to, how does he behave?", "there was always hope: if they worked hard and followed the rules they", "ugly. Somehow they have become 'cosmetically challenged' or 'aesthetically challenged'. These descriptions affect", "the 'reluctance to offend' to other areas of real life and the results", "or 'aesthetically challenged'. These descriptions affect characterisation. If a character or a narrator", "It is not. One of my characters becomes a US Senator by chance.", "hot water because she refused to declared 'Hell no!\" Instead she tried to", "success was lowered at a very early age. The entitled and privileged hall", "been better to pull them aside in 5th grade and told them they'll", "disastrous. Take for example the #metoo movement. Many a woman ends up in", "across as tongue-in-cheek, sarcastic, or a snowflake. Although this site doesn't allow critique", "was lowered at a very early age. The entitled and privileged hall monitors", "commit these atrocities, nor do blacks in the west. It is predominantly white", "if they worked hard and followed the rules they could achieve the dream.", "narrator uses such language they come across as tongue-in-cheek, sarcastic, or a snowflake.", "becomes a US Senator. When she dies he adopts her position. As a", "I can link the extreme behaviour demonstrated by the very narrow profile of", "or a snowflake. Although this site doesn't allow critique wouldn't it be better", "Women rarely commit these atrocities, nor do blacks in the west. It is", "polite, inadvertently leaving a crack of hope. Or perhaps I can link the", "men who were told there was always hope: if they worked hard and", "Women were taught this at an early age, as were minorities. Neither demographic", "very early age. The entitled and privileged hall monitors will attempt to declare", "monitors will attempt to declare this post 'off-topic'. It is not. One of", "and told them they'll never be President - they should focus on a", "language. Considering this new global environment and the language challenges it brings .", "is felt by one demographic. Women rarely commit these atrocities, nor do blacks", "to pull them aside in 5th grade and told them they'll never be", "the very definition of entitlement. Women were taught this at an early age,", "than 'certain areas need addressing' or 'you'll require a good editor'. Transfer our", "'Hell no!\" Instead she tried to be polite, inadvertently leaving a crack of", "come across as tongue-in-cheek, sarcastic, or a snowflake. Although this site doesn't allow", "sarcastic, or a snowflake. Although this site doesn't allow critique wouldn't it be", "nor do blacks in the west. It is predominantly white men of a", "One of my characters becomes a US Senator by chance. A black, European", "do blacks in the west. It is predominantly white men of a certain", "white woman who becomes a US Senator. When she dies he adopts her", "grade and told them they'll never be President - they should focus on", "is not. One of my characters becomes a US Senator by chance. A", "it have been better to pull them aside in 5th grade and told", "anger of total failure because the expectation of success was lowered at a", "When she dies he adopts her position. As a man who adopts a", "demonstrated by the very narrow profile of mass shooters, men who were told", "aside in 5th grade and told them they'll never be President - they", "affect characterisation. If a character or a narrator uses such language they come", "were minorities. Neither demographic can experience the anger of total failure because the", "Senator by chance. A black, European man marries a white woman who becomes", "her position. As a man who adopts a position he was never entitled", "they portrayed that way. I'm not going attempt to the original conflation of", "this site doesn't allow critique wouldn't it be better to use plain, direct,", "language challenges it brings . . . Isn't 'Don't quit your day job'", "who becomes a US Senator. When she dies he adopts her position. As", "critique wouldn't it be better to use plain, direct, simple language. Considering this", "to be polite, inadvertently leaving a crack of hope. Or perhaps I can", "leaving a crack of hope. Or perhaps I can link the extreme behaviour", "all the encouragement, they are not good enough. This is the very definition", "visual media they portrayed that way. I'm not going attempt to the original", "the #metoo movement. Many a woman ends up in hot water because she", "profile of mass shooters, men who were told there was always hope: if", "construction? The outrage leading to mass shootings is felt by one demographic. Women", "need addressing' or 'you'll require a good editor'. Transfer our love of 'politeness'", "this at an early age, as were minorities. Neither demographic can experience the", "The entitled and privileged hall monitors will attempt to declare this post 'off-topic'.", "to offend' to other areas of real life and the results are disastrous.", "simple language. Considering this new global environment and the language challenges it brings", "white men of a certain age on the realisation: despite all the encouragement," ]
[ "if the word fairies should be capitalized. I have not tried anything, I'm", "be capitalized. I have not tried anything, I'm just confused and want this", "am not sure if the word fairies should be capitalized. I have not", "capitalized. I have not tried anything, I'm just confused and want this to", "I have not tried anything, I'm just confused and want this to be", "the word fairies should be capitalized. I have not tried anything, I'm just", "have not tried anything, I'm just confused and want this to be correct.", "should be capitalized. I have not tried anything, I'm just confused and want", "I am not sure if the word fairies should be capitalized. I have", "not sure if the word fairies should be capitalized. I have not tried", "sure if the word fairies should be capitalized. I have not tried anything,", "fairies should be capitalized. I have not tried anything, I'm just confused and", "word fairies should be capitalized. I have not tried anything, I'm just confused" ]
[ "Are there rules or guidelines for using full names and what might they", "fathers obituary. I am not sure when it is proper to use a", "my fathers obituary. I am not sure when it is proper to use", "is proper to use a full name. We have kids, grand kids, and", "use a full name. We have kids, grand kids, and great grand kids.", "grand kids. Are there rules or guidelines for using full names and what", "I am not sure when it is proper to use a full name.", "write my fathers obituary. I am not sure when it is proper to", "to write my fathers obituary. I am not sure when it is proper", "when it is proper to use a full name. We have kids, grand", "there rules or guidelines for using full names and what might they be", "kids. Are there rules or guidelines for using full names and what might", "grand kids, and great grand kids. Are there rules or guidelines for using", "proper to use a full name. We have kids, grand kids, and great", "am not sure when it is proper to use a full name. We", "kids, grand kids, and great grand kids. Are there rules or guidelines for", "full name. We have kids, grand kids, and great grand kids. Are there", "a full name. We have kids, grand kids, and great grand kids. Are", "have to write my fathers obituary. I am not sure when it is", "obituary. I am not sure when it is proper to use a full", "and great grand kids. Are there rules or guidelines for using full names", "rules or guidelines for using full names and what might they be if", "kids, and great grand kids. Are there rules or guidelines for using full", "or guidelines for using full names and what might they be if so?", "it is proper to use a full name. We have kids, grand kids,", "We have kids, grand kids, and great grand kids. Are there rules or", "not sure when it is proper to use a full name. We have", "great grand kids. Are there rules or guidelines for using full names and", "name. We have kids, grand kids, and great grand kids. Are there rules", "sure when it is proper to use a full name. We have kids,", "I have to write my fathers obituary. I am not sure when it", "to use a full name. We have kids, grand kids, and great grand", "have kids, grand kids, and great grand kids. Are there rules or guidelines" ]
[ "the past tense. For e.g. I have written; > > “You don’t understand,", "in the past tense as narrated by the protagonist. So obviously the narrative", "am writing my novel in first person singular in the past tense as", "me, it's almost 2 years that we were together. We were in a", "my novel in first person singular in the past tense as narrated by", "tense, but I am confused about how to write dialogue, whether it is", "but I am confused about how to write dialogue, whether it is as", "written; > > “You don’t understand, Ella is my girlfriend. She knows everything", "it's almost 2 years that we are together. We are in a >", "in a > relationship.” > > > Or Should it be written like;", "girlfriend. She knew everything > about me, it's almost 2 years that we", "as was said or it will also be in the past tense. For", "how to write dialogue, whether it is as was said or it will", "She knows everything > about me, it's almost 2 years that we are", "2 years that we are together. We are in a > relationship.” >", "is my girlfriend. She knows everything > about me, it's almost 2 years", "be written like; > > “You don’t understand, Ella was my girlfriend. She", "was said or it will also be in the past tense. For e.g.", "is as was said or it will also be in the past tense.", "to write dialogue, whether it is as was said or it will also", "I am writing my novel in first person singular in the past tense", "am confused about how to write dialogue, whether it is as was said", "we were together. We were in a > relationship.” > > > Thanks", "a > relationship.” > > > Or Should it be written like; >", "writing my novel in first person singular in the past tense as narrated", "the protagonist. So obviously the narrative is in past tense, but I am", "Or Should it be written like; > > “You don’t understand, Ella was", "it be written like; > > “You don’t understand, Ella was my girlfriend.", "said or it will also be in the past tense. For e.g. I", "be in the past tense. For e.g. I have written; > > “You", "whether it is as was said or it will also be in the", "novel in first person singular in the past tense as narrated by the", "the narrative is in past tense, but I am confused about how to", "was my girlfriend. She knew everything > about me, it's almost 2 years", "> > > Or Should it be written like; > > “You don’t", "I am confused about how to write dialogue, whether it is as was", "like; > > “You don’t understand, Ella was my girlfriend. She knew everything", "e.g. I have written; > > “You don’t understand, Ella is my girlfriend.", "understand, Ella is my girlfriend. She knows everything > about me, it's almost", "person singular in the past tense as narrated by the protagonist. So obviously", "narrative is in past tense, but I am confused about how to write", "> “You don’t understand, Ella was my girlfriend. She knew everything > about", "is in past tense, but I am confused about how to write dialogue,", "by the protagonist. So obviously the narrative is in past tense, but I", "narrated by the protagonist. So obviously the narrative is in past tense, but", "> Or Should it be written like; > > “You don’t understand, Ella", "Should it be written like; > > “You don’t understand, Ella was my", "me, it's almost 2 years that we are together. We are in a", "knew everything > about me, it's almost 2 years that we were together.", "it's almost 2 years that we were together. We were in a >", "are in a > relationship.” > > > Or Should it be written", "about me, it's almost 2 years that we are together. We are in", "my girlfriend. She knows everything > about me, it's almost 2 years that", "will also be in the past tense. For e.g. I have written; >", "relationship.” > > > Or Should it be written like; > > “You", "my girlfriend. She knew everything > about me, it's almost 2 years that", "tense as narrated by the protagonist. So obviously the narrative is in past", "> “You don’t understand, Ella is my girlfriend. She knows everything > about", "singular in the past tense as narrated by the protagonist. So obviously the", "She knew everything > about me, it's almost 2 years that we were", "it will also be in the past tense. For e.g. I have written;", "almost 2 years that we were together. We were in a > relationship.”", "that we were together. We were in a > relationship.” > > >", "> > Or Should it be written like; > > “You don’t understand,", "Ella was my girlfriend. She knew everything > about me, it's almost 2", "about me, it's almost 2 years that we were together. We were in", "in the past tense. For e.g. I have written; > > “You don’t", "> > “You don’t understand, Ella was my girlfriend. She knew everything >", "I have written; > > “You don’t understand, Ella is my girlfriend. She", "past tense. For e.g. I have written; > > “You don’t understand, Ella", "are together. We are in a > relationship.” > > > Or Should", "2 years that we were together. We were in a > relationship.” >", "that we are together. We are in a > relationship.” > > >", "don’t understand, Ella is my girlfriend. She knows everything > about me, it's", "together. We are in a > relationship.” > > > Or Should it", "as narrated by the protagonist. So obviously the narrative is in past tense,", "obviously the narrative is in past tense, but I am confused about how", "years that we are together. We are in a > relationship.” > >", "“You don’t understand, Ella was my girlfriend. She knew everything > about me,", "We are in a > relationship.” > > > Or Should it be", "“You don’t understand, Ella is my girlfriend. She knows everything > about me,", "write dialogue, whether it is as was said or it will also be", "protagonist. So obviously the narrative is in past tense, but I am confused", "past tense, but I am confused about how to write dialogue, whether it", "written like; > > “You don’t understand, Ella was my girlfriend. She knew", "everything > about me, it's almost 2 years that we are together. We", "understand, Ella was my girlfriend. She knew everything > about me, it's almost", "or it will also be in the past tense. For e.g. I have", "have written; > > “You don’t understand, Ella is my girlfriend. She knows", "> about me, it's almost 2 years that we were together. We were", "knows everything > about me, it's almost 2 years that we are together.", "> about me, it's almost 2 years that we are together. We are", "years that we were together. We were in a > relationship.” > >", "> > “You don’t understand, Ella is my girlfriend. She knows everything >", "confused about how to write dialogue, whether it is as was said or", "in past tense, but I am confused about how to write dialogue, whether", "almost 2 years that we are together. We are in a > relationship.”", "> relationship.” > > > Or Should it be written like; > >", "Ella is my girlfriend. She knows everything > about me, it's almost 2", "we are together. We are in a > relationship.” > > > Or", "the past tense as narrated by the protagonist. So obviously the narrative is", "past tense as narrated by the protagonist. So obviously the narrative is in", "first person singular in the past tense as narrated by the protagonist. So", "dialogue, whether it is as was said or it will also be in", "everything > about me, it's almost 2 years that we were together. We", "So obviously the narrative is in past tense, but I am confused about", "in first person singular in the past tense as narrated by the protagonist.", "it is as was said or it will also be in the past", "don’t understand, Ella was my girlfriend. She knew everything > about me, it's", "tense. For e.g. I have written; > > “You don’t understand, Ella is", "about how to write dialogue, whether it is as was said or it", "For e.g. I have written; > > “You don’t understand, Ella is my", "girlfriend. She knows everything > about me, it's almost 2 years that we", "also be in the past tense. For e.g. I have written; > >" ]
[ "too perfect. I try to make her have flaws but it's not working", "it's not working so well. I reread my story so far and I", "I found that most of them are all kinda typical and the same", "so well. I reread my story so far and I found that most", "flaws but it's not working so well. I reread my story so far", "like my character is too perfect. I try to make her have flaws", "story so far and I found that most of them are all kinda", "have flaws but it's not working so well. I reread my story so", "them are all kinda typical and the same as any other cheesy story.", "of them are all kinda typical and the same as any other cheesy", "character is too perfect. I try to make her have flaws but it's", "that most of them are all kinda typical and the same as any", "reread my story so far and I found that most of them are", "working so well. I reread my story so far and I found that", "so far and I found that most of them are all kinda typical", "well. I reread my story so far and I found that most of", "my story so far and I found that most of them are all", "so I feel like my character is too perfect. I try to make", "make her have flaws but it's not working so well. I reread my", "perfect. I try to make her have flaws but it's not working so", "her have flaws but it's not working so well. I reread my story", "I feel like my character is too perfect. I try to make her", "I reread my story so far and I found that most of them", "I try to make her have flaws but it's not working so well.", "my character is too perfect. I try to make her have flaws but", "try to make her have flaws but it's not working so well. I", "most of them are all kinda typical and the same as any other", "Ok, so I feel like my character is too perfect. I try to", "but it's not working so well. I reread my story so far and", "is too perfect. I try to make her have flaws but it's not", "and I found that most of them are all kinda typical and the", "feel like my character is too perfect. I try to make her have", "far and I found that most of them are all kinda typical and", "not working so well. I reread my story so far and I found", "to make her have flaws but it's not working so well. I reread", "found that most of them are all kinda typical and the same as" ]
[ "times I proofread my work there's always multiple small mistakes I fail to", "buying Grammarly premium to see if that will help. Would anyone else have", "someone points them out. I have been thinking about buying Grammarly premium to", "competitions but what I'm afraid of is my spelling and grammar mistakes I", "anyone else have any tactics I could employ to reduce the number of", "spelling and grammar mistakes I make will send my submission straight to the", "I want to enter short story competitions but what I'm afraid of is", "my work there's always multiple small mistakes I fail to notice until someone", "will help. Would anyone else have any tactics I could employ to reduce", "dyslexia can be. Up until 2 years ago when I found out how", "or will they just be rejected without anything else said? Thanks in advance", "work there's always multiple small mistakes I fail to notice until someone points", "to see if that will help. Would anyone else have any tactics I", "small mistakes I fail to notice until someone points them out. I have", "employ to reduce the number of mistakes I make in my writing? Also", "hobby is. I want to enter short story competitions but what I'm afraid", "mistakes be pointed out to me or will they just be rejected without", "in my mid 20's and all my life I have avoided reading books", "submission straight to the rejection bin. No matter how many times I proofread", "to enter short story competitions but what I'm afraid of is my spelling", "multiple small mistakes I fail to notice until someone points them out. I", "notice until someone points them out. I have been thinking about buying Grammarly", "mid 20's and all my life I have avoided reading books and writing", "to submit these stories with minimal mistakes will the mistakes be pointed out", "to notice until someone points them out. I have been thinking about buying", "there's always multiple small mistakes I fail to notice until someone points them", "will send my submission straight to the rejection bin. No matter how many", "my dyslexia can be. Up until 2 years ago when I found out", "any tactics I could employ to reduce the number of mistakes I make", "many times I proofread my work there's always multiple small mistakes I fail", "submit these stories with minimal mistakes will the mistakes be pointed out to", "Also if I were to submit these stories with minimal mistakes will the", "with minimal mistakes will the mistakes be pointed out to me or will", "I'm afraid of is my spelling and grammar mistakes I make will send", "but what I'm afraid of is my spelling and grammar mistakes I make", "this hobby is. I want to enter short story competitions but what I'm", "points them out. I have been thinking about buying Grammarly premium to see", "Grammarly premium to see if that will help. Would anyone else have any", "I fail to notice until someone points them out. I have been thinking", "until someone points them out. I have been thinking about buying Grammarly premium", "have any tactics I could employ to reduce the number of mistakes I", "and grammar mistakes I make will send my submission straight to the rejection", "me or will they just be rejected without anything else said? Thanks in", "is. I want to enter short story competitions but what I'm afraid of", "afraid of is my spelling and grammar mistakes I make will send my", "my writing? Also if I were to submit these stories with minimal mistakes", "I make in my writing? Also if I were to submit these stories", "make will send my submission straight to the rejection bin. No matter how", "out to me or will they just be rejected without anything else said?", "all my life I have avoided reading books and writing because of how", "I'm in my mid 20's and all my life I have avoided reading", "found out how fun and interesting this hobby is. I want to enter", "of is my spelling and grammar mistakes I make will send my submission", "be pointed out to me or will they just be rejected without anything", "fun and interesting this hobby is. I want to enter short story competitions", "what I'm afraid of is my spelling and grammar mistakes I make will", "matter how many times I proofread my work there's always multiple small mistakes", "the mistakes be pointed out to me or will they just be rejected", "my spelling and grammar mistakes I make will send my submission straight to", "grammar mistakes I make will send my submission straight to the rejection bin.", "No matter how many times I proofread my work there's always multiple small", "help. Would anyone else have any tactics I could employ to reduce the", "how bad my dyslexia can be. Up until 2 years ago when I", "premium to see if that will help. Would anyone else have any tactics", "fail to notice until someone points them out. I have been thinking about", "see if that will help. Would anyone else have any tactics I could", "ago when I found out how fun and interesting this hobby is. I", "if that will help. Would anyone else have any tactics I could employ", "how many times I proofread my work there's always multiple small mistakes I", "bin. No matter how many times I proofread my work there's always multiple", "bad my dyslexia can be. Up until 2 years ago when I found", "Would anyone else have any tactics I could employ to reduce the number", "make in my writing? Also if I were to submit these stories with", "stories with minimal mistakes will the mistakes be pointed out to me or", "I have been thinking about buying Grammarly premium to see if that will", "the number of mistakes I make in my writing? Also if I were", "and writing because of how bad my dyslexia can be. Up until 2", "enter short story competitions but what I'm afraid of is my spelling and", "I were to submit these stories with minimal mistakes will the mistakes be", "my mid 20's and all my life I have avoided reading books and", "these stories with minimal mistakes will the mistakes be pointed out to me", "reduce the number of mistakes I make in my writing? Also if I", "pointed out to me or will they just be rejected without anything else", "mistakes I fail to notice until someone points them out. I have been", "have been thinking about buying Grammarly premium to see if that will help.", "Up until 2 years ago when I found out how fun and interesting", "and interesting this hobby is. I want to enter short story competitions but", "is my spelling and grammar mistakes I make will send my submission straight", "of how bad my dyslexia can be. Up until 2 years ago when", "and all my life I have avoided reading books and writing because of", "send my submission straight to the rejection bin. No matter how many times", "were to submit these stories with minimal mistakes will the mistakes be pointed", "books and writing because of how bad my dyslexia can be. Up until", "how fun and interesting this hobby is. I want to enter short story", "interesting this hobby is. I want to enter short story competitions but what", "because of how bad my dyslexia can be. Up until 2 years ago", "out. I have been thinking about buying Grammarly premium to see if that", "out how fun and interesting this hobby is. I want to enter short", "about buying Grammarly premium to see if that will help. Would anyone else", "reading books and writing because of how bad my dyslexia can be. Up", "I could employ to reduce the number of mistakes I make in my", "want to enter short story competitions but what I'm afraid of is my", "my submission straight to the rejection bin. No matter how many times I", "been thinking about buying Grammarly premium to see if that will help. Would", "I have avoided reading books and writing because of how bad my dyslexia", "to the rejection bin. No matter how many times I proofread my work", "avoided reading books and writing because of how bad my dyslexia can be.", "thinking about buying Grammarly premium to see if that will help. Would anyone", "until 2 years ago when I found out how fun and interesting this", "proofread my work there's always multiple small mistakes I fail to notice until", "that will help. Would anyone else have any tactics I could employ to", "them out. I have been thinking about buying Grammarly premium to see if", "writing because of how bad my dyslexia can be. Up until 2 years", "number of mistakes I make in my writing? Also if I were to", "can be. Up until 2 years ago when I found out how fun", "I proofread my work there's always multiple small mistakes I fail to notice", "minimal mistakes will the mistakes be pointed out to me or will they", "to reduce the number of mistakes I make in my writing? Also if", "tactics I could employ to reduce the number of mistakes I make in", "mistakes I make will send my submission straight to the rejection bin. No", "straight to the rejection bin. 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Thanks", "my life I have avoided reading books and writing because of how bad", "20's and all my life I have avoided reading books and writing because", "years ago when I found out how fun and interesting this hobby is.", "have avoided reading books and writing because of how bad my dyslexia can", "rejection bin. No matter how many times I proofread my work there's always", "short story competitions but what I'm afraid of is my spelling and grammar", "of mistakes I make in my writing? Also if I were to submit", "mistakes I make in my writing? Also if I were to submit these", "the rejection bin. No matter how many times I proofread my work there's", "in my writing? Also if I were to submit these stories with minimal", "be. Up until 2 years ago when I found out how fun and", "mistakes will the mistakes be pointed out to me or will they just", "else have any tactics I could employ to reduce the number of mistakes", "2 years ago when I found out how fun and interesting this hobby" ]