Split (1)

train · 10.4M rows

ngram listlengths 0 10.5k
[ "a scene where my character has to feel scared, sad and alone. I'm", "feel scared, sad and alone. I'm good at describing her surrounding but describing", "surrounding but describing feeling are a bit harder for me. I also have", "where my character has to feel scared, sad and alone. I'm good at", "good at describing her surrounding but describing feeling are a bit harder for", "scared, sad and alone. I'm good at describing her surrounding but describing feeling", "but describing feeling are a bit harder for me. I also have scene", "alone. I'm good at describing her surrounding but describing feeling are a bit", "has to feel scared, sad and alone. I'm good at describing her surrounding", "for me. I also have scene where she has to be heartbroken but", "character has to feel scared, sad and alone. I'm good at describing her", "and alone. I'm good at describing her surrounding but describing feeling are a", "has to be heartbroken but I feel like it sound stiff and simple.", "my character has to feel scared, sad and alone. I'm good at describing", "are a bit harder for me. I also have scene where she has", "also have scene where she has to be heartbroken but I feel like", "sad and alone. I'm good at describing her surrounding but describing feeling are", "describing feeling are a bit harder for me. I also have scene where", "a bit harder for me. I also have scene where she has to", "where she has to be heartbroken but I feel like it sound stiff", "I'm good at describing her surrounding but describing feeling are a bit harder", "have a scene where my character has to feel scared, sad and alone.", "bit harder for me. I also have scene where she has to be", "harder for me. I also have scene where she has to be heartbroken", "me. I also have scene where she has to be heartbroken but I", "I have a scene where my character has to feel scared, sad and", "I also have scene where she has to be heartbroken but I feel", "to feel scared, sad and alone. I'm good at describing her surrounding but", "her surrounding but describing feeling are a bit harder for me. I also", "she has to be heartbroken but I feel like it sound stiff and", "scene where my character has to feel scared, sad and alone. I'm good", "feeling are a bit harder for me. I also have scene where she", "have scene where she has to be heartbroken but I feel like it", "scene where she has to be heartbroken but I feel like it sound", "describing her surrounding but describing feeling are a bit harder for me. I", "at describing her surrounding but describing feeling are a bit harder for me." ]
[ "had a pair of > slits below the shoulders, where Irux' wings sprouted", "and reinforcing the atmosphere. For instance, why mention the plate carrier? Well, because", "want to give everyone the \"Mephistopheles Experience\", aka: What I think I'm writing,", "aka: What I think I'm writing, the values, the morale of the story,", "be able to fly, and they also have an extra set of limbs", "set of limbs on their backs, so I adapted the armor to it", "claws stuck > out at the end of each digit. > > >", "more rigid and dark brown in coloration. The > arms were covered with", "> housed the massive muscles, needed to fly. The back had a pair", "> > In short, I want to give everyone the \"Mephistopheles Experience\", aka:", "\"Oh, you're concerned about something, guess this is a red-letter day\" Irux smirked", "fact, she indeed had a neck. > > > Her vest only had", "wings sprouted from. The wing > feathers were larger, more rigid and dark", "that stuff. According to the Reader-Response theory (and [Poe's Law](https://tvtropes.org/pmwiki/pmwiki.php/Main/PoesLaw)), different camps of", "establishing and reinforcing the atmosphere. For instance, why mention the plate carrier? Well,", "the > wrist. Thick, orange hide protected the hand. Ebony-black claws stuck >", "people interpret literature differently. They have different needs and different buttons (you shouldn't", "hand. Ebony-black claws stuck > out at the end of each digit. >", "disposal, basically a humanoid avian. > > > Her irises were bright yellow.", "> > > Her irises were bright yellow. Without visible sclera, they were", "they also have an extra set of limbs on their backs, so I", "while: > > \"Oh, you're concerned about something, guess this is a red-letter", "humanoid avian. > > > Her irises were bright yellow. Without visible sclera,", "the Foundation's disposal, basically a humanoid avian. > > > Her irises were", "she indeed had a neck. > > > Her vest only had a", "with a soft, fur-like > plumage, white on her head and neck, where", "massive muscles, needed to fly. The back had a pair of > slits", "was bushy enough to hide > away the fact, she indeed had a", "arms were covered with brown feathers, abruptly ending around the > wrist. Thick,", "is it possible to write-as-intended and deliver my \"experience\" to others, or should", "short, I want to give everyone the \"Mephistopheles Experience\", aka: What I think", "different needs and different buttons (you shouldn't push), and most importantly, different expectations,", "have an extra set of limbs on their backs, so I adapted the", "bit lighter. Worldbuilding camp digs this stuff, but I'm unsure about others. So,", "troops at the Foundation's disposal, basically a humanoid avian. > > > Her", "to fly. The back had a pair of > slits below the shoulders,", "She was covered with a soft, fur-like > plumage, white on her head", "up with the world that's established as realistic, these humanoid avians need large", "plumage, white on her head and neck, where it was bushy enough to", "of the readers. What if they misinterpret things. For me every detail is", "abruptly ending around the > wrist. Thick, orange hide protected the hand. Ebony-black", "size to cover the chest that > housed the massive muscles, needed to", "I adapted the armor to it by making it directional and a bit", "only had a plate carrier in the front, even that had to be", "I'm afraid of the readers. What if they misinterpret things. For me every", "large pectoral muscles to be able to fly, and they also have an", "a soft, fur-like > plumage, white on her head and neck, where it", "around the eyes. She was covered with a soft, fur-like > plumage, white", "it directional and a bit lighter. Worldbuilding camp digs this stuff, but I'm", "of tone and so on. I know it sounds misanthropic and dumb, but", "for a while: > > \"Oh, you're concerned about something, guess this is", "wing > feathers were larger, more rigid and dark brown in coloration. The", "is important in establishing and reinforcing the atmosphere. For instance, why mention the", "the plate carrier? Well, because it lines up with the world that's established", "> enlarged to nearly twice the normal size to cover the chest that", "(and [Poe's Law](https://tvtropes.org/pmwiki/pmwiki.php/Main/PoesLaw)), different camps of people interpret literature differently. They have different", "pectoral muscles to be able to fly, and they also have an extra", "this stuff, but I'm unsure about others. So, is it possible to write-as-intended", "mention the plate carrier? Well, because it lines up with the world that's", "importantly, different expectations, in terms of tone and so on. I know it", "you're concerned about something, guess this is a red-letter day\" Irux smirked at", "about others. So, is it possible to write-as-intended and deliver my \"experience\" to", "instance, why mention the plate carrier? Well, because it lines up with the", "pair of > slits below the shoulders, where Irux' wings sprouted from. The", "by making it directional and a bit lighter. Worldbuilding camp digs this stuff,", "yellow. Without visible sclera, they were like > a golden rim around the", "> > > Her vest only had a plate carrier in the front,", "the massive muscles, needed to fly. The back had a pair of >", "it lines up with the world that's established as realistic, these humanoid avians", "fly, and they also have an extra set of limbs on their backs,", "fur-like > plumage, white on her head and neck, where it was bushy", "everyone the \"Mephistopheles Experience\", aka: What I think I'm writing, the values, the", "front, even that had to be > enlarged to nearly twice the normal", "brown in coloration. The > arms were covered with brown feathers, abruptly ending", "backs, so I adapted the armor to it by making it directional and", "to it by making it directional and a bit lighter. Worldbuilding camp digs", "> > > In short, I want to give everyone the \"Mephistopheles Experience\",", "on their backs, so I adapted the armor to it by making it", "the atmosphere. For instance, why mention the plate carrier? Well, because it lines", "feathers, abruptly ending around the > wrist. Thick, orange hide protected the hand.", "armor to it by making it directional and a bit lighter. Worldbuilding camp", "interpret literature differently. They have different needs and different buttons (you shouldn't push),", "ending around the > wrist. Thick, orange hide protected the hand. Ebony-black claws", "if they misinterpret things. For me every detail is important in establishing and", "back had a pair of > slits below the shoulders, where Irux' wings", "to fly, and they also have an extra set of limbs on their", "world that's established as realistic, these humanoid avians need large pectoral muscles to", "shouldn't push), and most importantly, different expectations, in terms of tone and so", "plate carrier? Well, because it lines up with the world that's established as", "is a red-letter day\" Irux smirked at Two, well as much as a", "allowed her to. Irux was one of the genetically engineered troops at the", "a pair of > slits below the shoulders, where Irux' wings sprouted from.", "realistic, these humanoid avians need large pectoral muscles to be able to fly,", "stuck > out at the end of each digit. > > > In", "writing, I noticed something I've been subconsciously doing for a while: > >", "Reader-Response theory (and [Poe's Law](https://tvtropes.org/pmwiki/pmwiki.php/Main/PoesLaw)), different camps of people interpret literature differently. They", "protected the hand. Ebony-black claws stuck > out at the end of each", "at the end of each digit. > > > In short, I want", "I know it sounds misanthropic and dumb, but I'm afraid of the readers.", "the armor to it by making it directional and a bit lighter. Worldbuilding", "story, the atmosphere, all that stuff. According to the Reader-Response theory (and [Poe's", "lines up with the world that's established as realistic, these humanoid avians need", "> In short, I want to give everyone the \"Mephistopheles Experience\", aka: What", "different buttons (you shouldn't push), and most importantly, different expectations, in terms of", "the normal size to cover the chest that > housed the massive muscles,", "Well, because it lines up with the world that's established as realistic, these", "of people interpret literature differently. They have different needs and different buttons (you", "noticed something I've been subconsciously doing for a while: > > \"Oh, you're", "the eyes. She was covered with a soft, fur-like > plumage, white on", "the fact, she indeed had a neck. > > > Her vest only", "terms of tone and so on. I know it sounds misanthropic and dumb,", "know it sounds misanthropic and dumb, but I'm afraid of the readers. What", "as a hooked beak allowed her to. Irux was one of the genetically", "detail is important in establishing and reinforcing the atmosphere. For instance, why mention", "The wing > feathers were larger, more rigid and dark brown in coloration.", "was covered with a soft, fur-like > plumage, white on her head and", "indeed had a neck. > > > Her vest only had a plate", "to write-as-intended and deliver my \"experience\" to others, or should I give up?", "hide > away the fact, she indeed had a neck. > > >", "subconsciously doing for a while: > > \"Oh, you're concerned about something, guess", "Thick, orange hide protected the hand. Ebony-black claws stuck > out at the", "why mention the plate carrier? Well, because it lines up with the world", "limbs on their backs, so I adapted the armor to it by making", "the \"Mephistopheles Experience\", aka: What I think I'm writing, the values, the morale", "shoulders, where Irux' wings sprouted from. The wing > feathers were larger, more", "> feathers were larger, more rigid and dark brown in coloration. The >", "humanoid avians need large pectoral muscles to be able to fly, and they", "a humanoid avian. > > > Her irises were bright yellow. Without visible", "most importantly, different expectations, in terms of tone and so on. I know", "feathers were larger, more rigid and dark brown in coloration. The > arms", "differently. They have different needs and different buttons (you shouldn't push), and most", "had a neck. > > > Her vest only had a plate carrier", "it by making it directional and a bit lighter. Worldbuilding camp digs this", "that had to be > enlarged to nearly twice the normal size to", "brown feathers, abruptly ending around the > wrist. Thick, orange hide protected the", "and they also have an extra set of limbs on their backs, so", "her to. Irux was one of the genetically engineered troops at the Foundation's", "> wrist. Thick, orange hide protected the hand. Ebony-black claws stuck > out", "day\" Irux smirked at Two, well as much as a hooked beak allowed", "had a plate carrier in the front, even that had to be >", "think I'm writing, the values, the morale of the story, the atmosphere, all", "a bit lighter. Worldbuilding camp digs this stuff, but I'm unsure about others.", "head and neck, where it was bushy enough to hide > away the", "and dark brown in coloration. The > arms were covered with brown feathers,", "give everyone the \"Mephistopheles Experience\", aka: What I think I'm writing, the values,", "every detail is important in establishing and reinforcing the atmosphere. For instance, why", "and neck, where it was bushy enough to hide > away the fact,", "but I'm afraid of the readers. What if they misinterpret things. For me", "soft, fur-like > plumage, white on her head and neck, where it was", "they were like > a golden rim around the eyes. She was covered", "So, is it possible to write-as-intended and deliver my \"experience\" to others, or", "possible to write-as-intended and deliver my \"experience\" to others, or should I give", "I think I'm writing, the values, the morale of the story, the atmosphere,", "What if they misinterpret things. For me every detail is important in establishing", "and most importantly, different expectations, in terms of tone and so on. I", "extra set of limbs on their backs, so I adapted the armor to", "a while: > > \"Oh, you're concerned about something, guess this is a", "Her irises were bright yellow. Without visible sclera, they were like > a", "digit. > > > In short, I want to give everyone the \"Mephistopheles", "camps of people interpret literature differently. They have different needs and different buttons", "on her head and neck, where it was bushy enough to hide >", "neck. > > > Her vest only had a plate carrier in the", "at the Foundation's disposal, basically a humanoid avian. > > > Her irises", "I've been subconsciously doing for a while: > > \"Oh, you're concerned about", "things. For me every detail is important in establishing and reinforcing the atmosphere.", "away the fact, she indeed had a neck. > > > Her vest", "the genetically engineered troops at the Foundation's disposal, basically a humanoid avian. >", "the world that's established as realistic, these humanoid avians need large pectoral muscles", "needs and different buttons (you shouldn't push), and most importantly, different expectations, in", "> \"Oh, you're concerned about something, guess this is a red-letter day\" Irux", "the Reader-Response theory (and [Poe's Law](https://tvtropes.org/pmwiki/pmwiki.php/Main/PoesLaw)), different camps of people interpret literature differently.", "able to fly, and they also have an extra set of limbs on", "in coloration. The > arms were covered with brown feathers, abruptly ending around", "I'm unsure about others. So, is it possible to write-as-intended and deliver my", "reinforcing the atmosphere. For instance, why mention the plate carrier? Well, because it", "What I think I'm writing, the values, the morale of the story, the", "slits below the shoulders, where Irux' wings sprouted from. The wing > feathers", "[Poe's Law](https://tvtropes.org/pmwiki/pmwiki.php/Main/PoesLaw)), different camps of people interpret literature differently. They have different needs", "all that stuff. According to the Reader-Response theory (and [Poe's Law](https://tvtropes.org/pmwiki/pmwiki.php/Main/PoesLaw)), different camps", "stuff, but I'm unsure about others. So, is it possible to write-as-intended and", "making it directional and a bit lighter. Worldbuilding camp digs this stuff, but", "\"Mephistopheles Experience\", aka: What I think I'm writing, the values, the morale of", "sclera, they were like > a golden rim around the eyes. She was", "enlarged to nearly twice the normal size to cover the chest that >", "literature differently. They have different needs and different buttons (you shouldn't push), and", "me every detail is important in establishing and reinforcing the atmosphere. For instance,", "the morale of the story, the atmosphere, all that stuff. According to the", "it was bushy enough to hide > away the fact, she indeed had", "as much as a hooked beak allowed her to. Irux was one of", "> out at the end of each digit. > > > In short,", "below the shoulders, where Irux' wings sprouted from. The wing > feathers were", "in terms of tone and so on. I know it sounds misanthropic and", "different camps of people interpret literature differently. They have different needs and different", "writing, the values, the morale of the story, the atmosphere, all that stuff.", "covered with a soft, fur-like > plumage, white on her head and neck,", "as realistic, these humanoid avians need large pectoral muscles to be able to", "muscles, needed to fly. The back had a pair of > slits below", "smirked at Two, well as much as a hooked beak allowed her to.", "plate carrier in the front, even that had to be > enlarged to", "readers. What if they misinterpret things. For me every detail is important in", "lighter. Worldbuilding camp digs this stuff, but I'm unsure about others. So, is", "these humanoid avians need large pectoral muscles to be able to fly, and", "to be able to fly, and they also have an extra set of", "in the front, even that had to be > enlarged to nearly twice", "vest only had a plate carrier in the front, even that had to", "even that had to be > enlarged to nearly twice the normal size", "tone and so on. I know it sounds misanthropic and dumb, but I'm", "muscles to be able to fly, and they also have an extra set", "According to the Reader-Response theory (and [Poe's Law](https://tvtropes.org/pmwiki/pmwiki.php/Main/PoesLaw)), different camps of people interpret", "had to be > enlarged to nearly twice the normal size to cover", "visible sclera, they were like > a golden rim around the eyes. She", "I'm writing, I noticed something I've been subconsciously doing for a while: >", "cover the chest that > housed the massive muscles, needed to fly. The", "values, the morale of the story, the atmosphere, all that stuff. According to", "her head and neck, where it was bushy enough to hide > away", "sprouted from. The wing > feathers were larger, more rigid and dark brown", "that > housed the massive muscles, needed to fly. The back had a", "was one of the genetically engineered troops at the Foundation's disposal, basically a", "bushy enough to hide > away the fact, she indeed had a neck.", "the atmosphere, all that stuff. According to the Reader-Response theory (and [Poe's Law](https://tvtropes.org/pmwiki/pmwiki.php/Main/PoesLaw)),", "camp digs this stuff, but I'm unsure about others. So, is it possible", "they misinterpret things. For me every detail is important in establishing and reinforcing", "avian. > > > Her irises were bright yellow. Without visible sclera, they", "engineered troops at the Foundation's disposal, basically a humanoid avian. > > >", "> > Her vest only had a plate carrier in the front, even", "Worldbuilding camp digs this stuff, but I'm unsure about others. So, is it", "important in establishing and reinforcing the atmosphere. For instance, why mention the plate", "where it was bushy enough to hide > away the fact, she indeed", "I noticed something I've been subconsciously doing for a while: > > \"Oh,", "eyes. She was covered with a soft, fur-like > plumage, white on her", "I'm writing, the values, the morale of the story, the atmosphere, all that", "so on. I know it sounds misanthropic and dumb, but I'm afraid of", "Irux' wings sprouted from. The wing > feathers were larger, more rigid and", "were bright yellow. Without visible sclera, they were like > a golden rim", "theory (and [Poe's Law](https://tvtropes.org/pmwiki/pmwiki.php/Main/PoesLaw)), different camps of people interpret literature differently. They have", "rigid and dark brown in coloration. The > arms were covered with brown", "hide protected the hand. Ebony-black claws stuck > out at the end of", "others. So, is it possible to write-as-intended and deliver my \"experience\" to others,", "like > a golden rim around the eyes. She was covered with a", "normal size to cover the chest that > housed the massive muscles, needed", "were larger, more rigid and dark brown in coloration. The > arms were", "atmosphere. For instance, why mention the plate carrier? Well, because it lines up", "For me every detail is important in establishing and reinforcing the atmosphere. For", "push), and most importantly, different expectations, in terms of tone and so on.", "something I've been subconsciously doing for a while: > > \"Oh, you're concerned", "a red-letter day\" Irux smirked at Two, well as much as a hooked", "basically a humanoid avian. > > > Her irises were bright yellow. Without", "that's established as realistic, these humanoid avians need large pectoral muscles to be", "but I'm unsure about others. So, is it possible to write-as-intended and deliver", "from. The wing > feathers were larger, more rigid and dark brown in", "carrier? Well, because it lines up with the world that's established as realistic,", "been subconsciously doing for a while: > > \"Oh, you're concerned about something,", "fly. The back had a pair of > slits below the shoulders, where", "well as much as a hooked beak allowed her to. Irux was one", "different expectations, in terms of tone and so on. I know it sounds", "> plumage, white on her head and neck, where it was bushy enough", "the front, even that had to be > enlarged to nearly twice the", "an extra set of limbs on their backs, so I adapted the armor", "unsure about others. So, is it possible to write-as-intended and deliver my \"experience\"", "of the genetically engineered troops at the Foundation's disposal, basically a humanoid avian.", "sounds misanthropic and dumb, but I'm afraid of the readers. What if they", "> a golden rim around the eyes. She was covered with a soft,", "chest that > housed the massive muscles, needed to fly. The back had", "Experience\", aka: What I think I'm writing, the values, the morale of the", "of > slits below the shoulders, where Irux' wings sprouted from. The wing", "much as a hooked beak allowed her to. Irux was one of the", "of limbs on their backs, so I adapted the armor to it by", "be > enlarged to nearly twice the normal size to cover the chest", "Foundation's disposal, basically a humanoid avian. > > > Her irises were bright", "The > arms were covered with brown feathers, abruptly ending around the >", "avians need large pectoral muscles to be able to fly, and they also", "Irux was one of the genetically engineered troops at the Foundation's disposal, basically", "carrier in the front, even that had to be > enlarged to nearly", "and so on. I know it sounds misanthropic and dumb, but I'm afraid", "bright yellow. Without visible sclera, they were like > a golden rim around", "covered with brown feathers, abruptly ending around the > wrist. Thick, orange hide", "were covered with brown feathers, abruptly ending around the > wrist. Thick, orange", "misinterpret things. For me every detail is important in establishing and reinforcing the", "Two, well as much as a hooked beak allowed her to. Irux was", "concerned about something, guess this is a red-letter day\" Irux smirked at Two,", "For instance, why mention the plate carrier? Well, because it lines up with", "neck, where it was bushy enough to hide > away the fact, she", "were like > a golden rim around the eyes. She was covered with", "stuff. According to the Reader-Response theory (and [Poe's Law](https://tvtropes.org/pmwiki/pmwiki.php/Main/PoesLaw)), different camps of people", "out at the end of each digit. > > > In short, I", "of each digit. > > > In short, I want to give everyone", "and dumb, but I'm afraid of the readers. What if they misinterpret things.", "twice the normal size to cover the chest that > housed the massive", "this is a red-letter day\" Irux smirked at Two, well as much as", "housed the massive muscles, needed to fly. The back had a pair of", "dumb, but I'm afraid of the readers. What if they misinterpret things. For", "> arms were covered with brown feathers, abruptly ending around the > wrist.", "coloration. The > arms were covered with brown feathers, abruptly ending around the", "in establishing and reinforcing the atmosphere. For instance, why mention the plate carrier?", "guess this is a red-letter day\" Irux smirked at Two, well as much", "where Irux' wings sprouted from. The wing > feathers were larger, more rigid", "as I'm writing, I noticed something I've been subconsciously doing for a while:", "wrist. Thick, orange hide protected the hand. Ebony-black claws stuck > out at", "to. Irux was one of the genetically engineered troops at the Foundation's disposal,", "with brown feathers, abruptly ending around the > wrist. Thick, orange hide protected", "their backs, so I adapted the armor to it by making it directional", "it possible to write-as-intended and deliver my \"experience\" to others, or should I", "irises were bright yellow. Without visible sclera, they were like > a golden", "hooked beak allowed her to. Irux was one of the genetically engineered troops", "to cover the chest that > housed the massive muscles, needed to fly.", "a plate carrier in the front, even that had to be > enlarged", "The back had a pair of > slits below the shoulders, where Irux'", "> slits below the shoulders, where Irux' wings sprouted from. The wing >", "each digit. > > > In short, I want to give everyone the", "the hand. Ebony-black claws stuck > out at the end of each digit.", "about something, guess this is a red-letter day\" Irux smirked at Two, well", "and a bit lighter. Worldbuilding camp digs this stuff, but I'm unsure about", "So, as I'm writing, I noticed something I've been subconsciously doing for a", "to the Reader-Response theory (and [Poe's Law](https://tvtropes.org/pmwiki/pmwiki.php/Main/PoesLaw)), different camps of people interpret literature", "have different needs and different buttons (you shouldn't push), and most importantly, different", "it sounds misanthropic and dumb, but I'm afraid of the readers. What if", "established as realistic, these humanoid avians need large pectoral muscles to be able", "so I adapted the armor to it by making it directional and a", "morale of the story, the atmosphere, all that stuff. According to the Reader-Response", "something, guess this is a red-letter day\" Irux smirked at Two, well as", "> Her irises were bright yellow. Without visible sclera, they were like >", "golden rim around the eyes. She was covered with a soft, fur-like >", "They have different needs and different buttons (you shouldn't push), and most importantly,", "directional and a bit lighter. Worldbuilding camp digs this stuff, but I'm unsure", "on. I know it sounds misanthropic and dumb, but I'm afraid of the", "adapted the armor to it by making it directional and a bit lighter.", "> > Her irises were bright yellow. Without visible sclera, they were like", "In short, I want to give everyone the \"Mephistopheles Experience\", aka: What I", "end of each digit. > > > In short, I want to give", "with the world that's established as realistic, these humanoid avians need large pectoral", "> Her vest only had a plate carrier in the front, even that", "nearly twice the normal size to cover the chest that > housed the", "to hide > away the fact, she indeed had a neck. > >", "to give everyone the \"Mephistopheles Experience\", aka: What I think I'm writing, the", "buttons (you shouldn't push), and most importantly, different expectations, in terms of tone", "needed to fly. The back had a pair of > slits below the", "a golden rim around the eyes. She was covered with a soft, fur-like", "orange hide protected the hand. Ebony-black claws stuck > out at the end", "misanthropic and dumb, but I'm afraid of the readers. What if they misinterpret", "Irux smirked at Two, well as much as a hooked beak allowed her", "rim around the eyes. She was covered with a soft, fur-like > plumage,", "the chest that > housed the massive muscles, needed to fly. The back", "the story, the atmosphere, all that stuff. According to the Reader-Response theory (and", "red-letter day\" Irux smirked at Two, well as much as a hooked beak", "at Two, well as much as a hooked beak allowed her to. Irux", "expectations, in terms of tone and so on. I know it sounds misanthropic", "of the story, the atmosphere, all that stuff. According to the Reader-Response theory", "afraid of the readers. What if they misinterpret things. For me every detail", "dark brown in coloration. The > arms were covered with brown feathers, abruptly", "I want to give everyone the \"Mephistopheles Experience\", aka: What I think I'm", "Law](https://tvtropes.org/pmwiki/pmwiki.php/Main/PoesLaw)), different camps of people interpret literature differently. They have different needs and", "atmosphere, all that stuff. According to the Reader-Response theory (and [Poe's Law](https://tvtropes.org/pmwiki/pmwiki.php/Main/PoesLaw)), different", "a neck. > > > Her vest only had a plate carrier in", "the readers. What if they misinterpret things. For me every detail is important", "around the > wrist. Thick, orange hide protected the hand. Ebony-black claws stuck", "enough to hide > away the fact, she indeed had a neck. >", "Ebony-black claws stuck > out at the end of each digit. > >", "one of the genetically engineered troops at the Foundation's disposal, basically a humanoid", "doing for a while: > > \"Oh, you're concerned about something, guess this", "white on her head and neck, where it was bushy enough to hide", "> > \"Oh, you're concerned about something, guess this is a red-letter day\"", "> away the fact, she indeed had a neck. > > > Her", "Without visible sclera, they were like > a golden rim around the eyes.", "genetically engineered troops at the Foundation's disposal, basically a humanoid avian. > >", "the values, the morale of the story, the atmosphere, all that stuff. According", "Her vest only had a plate carrier in the front, even that had", "larger, more rigid and dark brown in coloration. The > arms were covered", "because it lines up with the world that's established as realistic, these humanoid", "also have an extra set of limbs on their backs, so I adapted", "a hooked beak allowed her to. Irux was one of the genetically engineered", "(you shouldn't push), and most importantly, different expectations, in terms of tone and", "beak allowed her to. Irux was one of the genetically engineered troops at", "to be > enlarged to nearly twice the normal size to cover the", "digs this stuff, but I'm unsure about others. So, is it possible to", "the end of each digit. > > > In short, I want to", "and different buttons (you shouldn't push), and most importantly, different expectations, in terms", "need large pectoral muscles to be able to fly, and they also have", "to nearly twice the normal size to cover the chest that > housed", "the shoulders, where Irux' wings sprouted from. The wing > feathers were larger," ]
[ "about what central topic I want to write about. The problem is I", "me to organize these notes in order to make a coherent essay? How", "suggest me to organize these notes in order to make a coherent essay?", "blog. I'm clear about what central topic I want to write about. The", "I have a lot of scattered notes about that subject-matter which I have", "Is there any method you could suggest me to organize these notes in", "there any method you could suggest me to organize these notes in order", "a blog. I'm clear about what central topic I want to write about.", "any recommended structure to follow? I'd appreciate any kind of advice. Kind regards!", "I start? Is there any recommended structure to follow? I'd appreciate any kind", "problem is I have a lot of scattered notes about that subject-matter which", "scattered notes about that subject-matter which I have no idea how to arrange.", "to start from. Is there any method you could suggest me to organize", "these notes in order to make a coherent essay? How should I start?", "from. Is there any method you could suggest me to organize these notes", "any method you could suggest me to organize these notes in order to", "write about. The problem is I have a lot of scattered notes about", "in order to make a coherent essay? How should I start? Is there", "idea how to arrange. I don't know where to start from. Is there", "is I have a lot of scattered notes about that subject-matter which I", "essay for a blog. I'm clear about what central topic I want to", "I don't know where to start from. Is there any method you could", "where to start from. Is there any method you could suggest me to", "that subject-matter which I have no idea how to arrange. I don't know", "how to arrange. I don't know where to start from. Is there any", "essay? How should I start? Is there any recommended structure to follow? I'd", "like an essay for a blog. I'm clear about what central topic I", "central topic I want to write about. The problem is I have a", "what central topic I want to write about. The problem is I have", "of scattered notes about that subject-matter which I have no idea how to", "could suggest me to organize these notes in order to make a coherent", "topic I want to write about. The problem is I have a lot", "order to make a coherent essay? How should I start? Is there any", "want to write about. The problem is I have a lot of scattered", "about. The problem is I have a lot of scattered notes about that", "to organize these notes in order to make a coherent essay? How should", "How should I start? Is there any recommended structure to follow? I'd appreciate", "an essay for a blog. I'm clear about what central topic I want", "to write about. The problem is I have a lot of scattered notes", "arrange. I don't know where to start from. Is there any method you", "method you could suggest me to organize these notes in order to make", "there any recommended structure to follow? I'd appreciate any kind of advice. Kind", "know where to start from. Is there any method you could suggest me", "a lot of scattered notes about that subject-matter which I have no idea", "Is there any recommended structure to follow? I'd appreciate any kind of advice.", "should I start? Is there any recommended structure to follow? I'd appreciate any", "about that subject-matter which I have no idea how to arrange. I don't", "don't know where to start from. Is there any method you could suggest", "subject-matter which I have no idea how to arrange. I don't know where", "organize these notes in order to make a coherent essay? How should I", "to make a coherent essay? How should I start? Is there any recommended", "coherent essay? How should I start? Is there any recommended structure to follow?", "have no idea how to arrange. I don't know where to start from.", "you could suggest me to organize these notes in order to make a", "I'm trying to write something like an essay for a blog. I'm clear", "which I have no idea how to arrange. I don't know where to", "trying to write something like an essay for a blog. I'm clear about", "for a blog. I'm clear about what central topic I want to write", "something like an essay for a blog. I'm clear about what central topic", "to write something like an essay for a blog. I'm clear about what", "I want to write about. The problem is I have a lot of", "The problem is I have a lot of scattered notes about that subject-matter", "lot of scattered notes about that subject-matter which I have no idea how", "notes about that subject-matter which I have no idea how to arrange. I", "notes in order to make a coherent essay? How should I start? Is", "make a coherent essay? How should I start? Is there any recommended structure", "start from. Is there any method you could suggest me to organize these", "a coherent essay? How should I start? Is there any recommended structure to", "clear about what central topic I want to write about. The problem is", "start? Is there any recommended structure to follow? I'd appreciate any kind of", "to arrange. I don't know where to start from. Is there any method", "I'm clear about what central topic I want to write about. The problem", "write something like an essay for a blog. I'm clear about what central", "no idea how to arrange. I don't know where to start from. Is", "have a lot of scattered notes about that subject-matter which I have no", "I have no idea how to arrange. I don't know where to start" ]
[ "show the fact that in a picture my character is smiling, but I", "in a picture my character is smiling, but I don't want to say", "my character is smiling, but I don't want to say \"we were smiling\"", "I don't want to say \"we were smiling\" this is the sentence im", "smiling, but I don't want to say \"we were smiling\" this is the", "to say \"we were smiling\" this is the sentence im trying to fix:", "any other way of saying it, but I know it can be worded", "this is the sentence im trying to fix: \"We were both smiling foolishly,", "my dress.\" I can't think of any other way of saying it, but", "im trying to fix: \"We were both smiling foolishly, he looked so handsome", "and honestly, I looked pretty good in my dress.\" I can't think of", "way of saying it, but I know it can be worded differently. Can", "\"We were both smiling foolishly, he looked so handsome in his tuxedo and", "picture my character is smiling, but I don't want to say \"we were", "character is smiling, but I don't want to say \"we were smiling\" this", "handsome in his tuxedo and honestly, I looked pretty good in my dress.\"", "the fact that in a picture my character is smiling, but I don't", "of any other way of saying it, but I know it can be", "think of any other way of saying it, but I know it can", "sentence im trying to fix: \"We were both smiling foolishly, he looked so", "Im trying to show the fact that in a picture my character is", "were smiling\" this is the sentence im trying to fix: \"We were both", "to fix: \"We were both smiling foolishly, he looked so handsome in his", "\"we were smiling\" this is the sentence im trying to fix: \"We were", "in his tuxedo and honestly, I looked pretty good in my dress.\" I", "saying it, but I know it can be worded differently. Can anyone help?", "were both smiling foolishly, he looked so handsome in his tuxedo and honestly,", "his tuxedo and honestly, I looked pretty good in my dress.\" I can't", "in my dress.\" I can't think of any other way of saying it,", "of saying it, but I know it can be worded differently. Can anyone", "trying to fix: \"We were both smiling foolishly, he looked so handsome in", "he looked so handsome in his tuxedo and honestly, I looked pretty good", "good in my dress.\" I can't think of any other way of saying", "is the sentence im trying to fix: \"We were both smiling foolishly, he", "can't think of any other way of saying it, but I know it", "to show the fact that in a picture my character is smiling, but", "smiling foolishly, he looked so handsome in his tuxedo and honestly, I looked", "a picture my character is smiling, but I don't want to say \"we", "that in a picture my character is smiling, but I don't want to", "fact that in a picture my character is smiling, but I don't want", "so handsome in his tuxedo and honestly, I looked pretty good in my", "looked so handsome in his tuxedo and honestly, I looked pretty good in", "I can't think of any other way of saying it, but I know", "the sentence im trying to fix: \"We were both smiling foolishly, he looked", "honestly, I looked pretty good in my dress.\" I can't think of any", "tuxedo and honestly, I looked pretty good in my dress.\" I can't think", "other way of saying it, but I know it can be worded differently.", "both smiling foolishly, he looked so handsome in his tuxedo and honestly, I", "want to say \"we were smiling\" this is the sentence im trying to", "foolishly, he looked so handsome in his tuxedo and honestly, I looked pretty", "fix: \"We were both smiling foolishly, he looked so handsome in his tuxedo", "pretty good in my dress.\" I can't think of any other way of", "is smiling, but I don't want to say \"we were smiling\" this is", "looked pretty good in my dress.\" I can't think of any other way", "don't want to say \"we were smiling\" this is the sentence im trying", "say \"we were smiling\" this is the sentence im trying to fix: \"We", "smiling\" this is the sentence im trying to fix: \"We were both smiling", "but I don't want to say \"we were smiling\" this is the sentence", "dress.\" I can't think of any other way of saying it, but I", "trying to show the fact that in a picture my character is smiling,", "I looked pretty good in my dress.\" I can't think of any other" ]
[ "border nonsense, but how much nonsense is too much nonsense? Are there rules", "much nonsense? Are there rules or standards that writers or some writers use.", "> > > I am seeing bright stars in your heart. > >", "can we distinguish good metaphors from bad ones? I feel like a lot", "distinguish good metaphors from bad ones? I feel like a lot of figurative", "night sky in your heart is filled with my stars. > > >", "sentences: > > I am dancing in your heart. > > > I", "sound ungrammatical, but figurative languages allow us to write illogical sentences. What do", "ones? I feel like a lot of figurative languages can border nonsense, but", "consider the following sentences: > > I am dancing in your heart. >", "heart. > > > I am seeing bright stars in your heart. >", "writers or some writers use. For example, consider the following sentences: > >", "in your heart is filled with my stars. > > > All these", "of figurative languages can border nonsense, but how much nonsense is too much", "ungrammatical, but figurative languages allow us to write illogical sentences. What do you", "I feel like a lot of figurative languages can border nonsense, but how", "that writers or some writers use. For example, consider the following sentences: >", "figurative languages can border nonsense, but how much nonsense is too much nonsense?", "the following sentences: > > I am dancing in your heart. > >", "stars. > > > All these sentences are weird and sound ungrammatical, but", "use. For example, consider the following sentences: > > I am dancing in", "my stars. > > > All these sentences are weird and sound ungrammatical,", "these sentences are weird and sound ungrammatical, but figurative languages allow us to", "am seeing bright stars in your heart. > > > The night sky", "is filled with my stars. > > > All these sentences are weird", "> > I am dancing in your heart. > > > I am", "I am dancing in your heart. > > > I am seeing bright", "your heart is filled with my stars. > > > All these sentences", "can border nonsense, but how much nonsense is too much nonsense? Are there", "we distinguish good metaphors from bad ones? I feel like a lot of", "your heart. > > > I am seeing bright stars in your heart.", "or standards that writers or some writers use. For example, consider the following", "languages can border nonsense, but how much nonsense is too much nonsense? Are", "> > All these sentences are weird and sound ungrammatical, but figurative languages", "feel like a lot of figurative languages can border nonsense, but how much", "or some writers use. For example, consider the following sentences: > > I", "following sentences: > > I am dancing in your heart. > > >", "heart. > > > The night sky in your heart is filled with", "The night sky in your heart is filled with my stars. > >", "seeing bright stars in your heart. > > > The night sky in", "like a lot of figurative languages can border nonsense, but how much nonsense", "there rules or standards that writers or some writers use. For example, consider", "with my stars. > > > All these sentences are weird and sound", "> All these sentences are weird and sound ungrammatical, but figurative languages allow", "> The night sky in your heart is filled with my stars. >", "much nonsense is too much nonsense? Are there rules or standards that writers", "> I am seeing bright stars in your heart. > > > The", "> > > All these sentences are weird and sound ungrammatical, but figurative", "nonsense, but how much nonsense is too much nonsense? Are there rules or", "filled with my stars. > > > All these sentences are weird and", "nonsense? Are there rules or standards that writers or some writers use. For", "stars in your heart. > > > The night sky in your heart", "your heart. > > > The night sky in your heart is filled", "All these sentences are weird and sound ungrammatical, but figurative languages allow us", "nonsense is too much nonsense? Are there rules or standards that writers or", "is too much nonsense? Are there rules or standards that writers or some", "in your heart. > > > I am seeing bright stars in your", "am dancing in your heart. > > > I am seeing bright stars", "writers use. For example, consider the following sentences: > > I am dancing", "some writers use. For example, consider the following sentences: > > I am", "standards that writers or some writers use. For example, consider the following sentences:", "For example, consider the following sentences: > > I am dancing in your", "sentences are weird and sound ungrammatical, but figurative languages allow us to write", "how much nonsense is too much nonsense? Are there rules or standards that", "> > I am seeing bright stars in your heart. > > >", "bright stars in your heart. > > > The night sky in your", "> > > The night sky in your heart is filled with my", "> I am dancing in your heart. > > > I am seeing", "rules or standards that writers or some writers use. For example, consider the", "I am seeing bright stars in your heart. > > > The night", "but figurative languages allow us to write illogical sentences. What do you think?", "lot of figurative languages can border nonsense, but how much nonsense is too", "heart is filled with my stars. > > > All these sentences are", "dancing in your heart. > > > I am seeing bright stars in", "How can we distinguish good metaphors from bad ones? I feel like a", "weird and sound ungrammatical, but figurative languages allow us to write illogical sentences.", "in your heart. > > > The night sky in your heart is", "> > The night sky in your heart is filled with my stars.", "Are there rules or standards that writers or some writers use. For example,", "good metaphors from bad ones? I feel like a lot of figurative languages", "too much nonsense? Are there rules or standards that writers or some writers", "example, consider the following sentences: > > I am dancing in your heart.", "bad ones? I feel like a lot of figurative languages can border nonsense,", "and sound ungrammatical, but figurative languages allow us to write illogical sentences. What", "but how much nonsense is too much nonsense? Are there rules or standards", "from bad ones? I feel like a lot of figurative languages can border", "metaphors from bad ones? I feel like a lot of figurative languages can", "a lot of figurative languages can border nonsense, but how much nonsense is", "sky in your heart is filled with my stars. > > > All", "are weird and sound ungrammatical, but figurative languages allow us to write illogical" ]
[ "first question that pops in my head is which one to choose: my", "I want to right screen play, but every time I think about writing,", "about writing, the first question that pops in my head is which one", "right screen play, but every time I think about writing, the first question", "in my head is which one to choose: my native language or English?", "every time I think about writing, the first question that pops in my", "pops in my head is which one to choose: my native language or", "want to right screen play, but every time I think about writing, the", "play, but every time I think about writing, the first question that pops", "screen play, but every time I think about writing, the first question that", "time I think about writing, the first question that pops in my head", "question that pops in my head is which one to choose: my native", "to right screen play, but every time I think about writing, the first", "think about writing, the first question that pops in my head is which", "that pops in my head is which one to choose: my native language", "but every time I think about writing, the first question that pops in", "writing, the first question that pops in my head is which one to", "the first question that pops in my head is which one to choose:", "I think about writing, the first question that pops in my head is" ]
[ "> > > It might just be coming back from a holiday, but", "the workings of the control function. > > > It might just be", "use these terms? (Note that there is also work to be done on", "> It might just be coming back from a holiday, but I can't", "about the machine having knowledge. Does anyone have any suggestions? Or... am I", "overthinking it, since now we have fields of artificial intelligence and machine learning", "back from a holiday, but I can't for the life of me think", "some confusion because it can be easily misread as talking about the machine", "machine and also introduces some confusion because it can be easily misread as", "to talking about the machine having knowledge. Does anyone have any suggestions? Or...", "easily misread as talking about the machine operator knowledge: > > A clear", "confusion because it can be easily misread as talking about the machine operator", "suggestions? Or... am I overthinking it, since now we have fields of artificial", "a technical text about autonomous systems. I feel the following sentence is anthropomorphizing", "but I can't for the life of me think of a suitable alternative", "(Note that there is also work to be done on the rest of", "the following sentence is anthropomorphizing a machine and also introduces some confusion because", "is also work to be done on the rest of the sentence since", "done on the rest of the sentence since it is wordy, but I", "without having any knowledge of the workings of the control function. > >", "> A clear separation of control and protection is possible if the safety-critical", "and implemented without having any knowledge of the workings of the control function.", "coming back from a holiday, but I can't for the life of me", "holiday, but I can't for the life of me think of a suitable", "function can be specified and implemented without having any knowledge of the workings", "any suggestions? Or... am I overthinking it, since now we have fields of", "work to be done on the rest of the sentence since it is", "life of me think of a suitable alternative to talking about the machine", "we have fields of artificial intelligence and machine learning that constantly use these", "and machine learning that constantly use these terms? (Note that there is also", "be easily misread as talking about the machine operator knowledge: > > A", "the safety-critical protection function can be specified and implemented without having any knowledge", "be done on the rest of the sentence since it is wordy, but", "having any knowledge of the workings of the control function. > > >", "have any suggestions? Or... am I overthinking it, since now we have fields", "is anthropomorphizing a machine and also introduces some confusion because it can be", "operator knowledge: > > A clear separation of control and protection is possible", "just be coming back from a holiday, but I can't for the life", "alternative to talking about the machine having knowledge. Does anyone have any suggestions?", "if the safety-critical protection function can be specified and implemented without having any", "and protection is possible if the safety-critical protection function can be specified and", "specified and implemented without having any knowledge of the workings of the control", "there is also work to be done on the rest of the sentence", "separation of control and protection is possible if the safety-critical protection function can", "implemented without having any knowledge of the workings of the control function. >", "I can't for the life of me think of a suitable alternative to", "of a suitable alternative to talking about the machine having knowledge. Does anyone", "suitable alternative to talking about the machine having knowledge. Does anyone have any", "> > It might just be coming back from a holiday, but I", "machine learning that constantly use these terms? (Note that there is also work", "I'm editing a technical text about autonomous systems. I feel the following sentence", "following sentence is anthropomorphizing a machine and also introduces some confusion because it", "I overthinking it, since now we have fields of artificial intelligence and machine", "that there is also work to be done on the rest of the", "possible if the safety-critical protection function can be specified and implemented without having", "these terms? (Note that there is also work to be done on the", "I feel the following sentence is anthropomorphizing a machine and also introduces some", "machine having knowledge. Does anyone have any suggestions? Or... am I overthinking it,", "knowledge: > > A clear separation of control and protection is possible if", "of control and protection is possible if the safety-critical protection function can be", "safety-critical protection function can be specified and implemented without having any knowledge of", "since now we have fields of artificial intelligence and machine learning that constantly", "of the sentence since it is wordy, but I want to address this", "control and protection is possible if the safety-critical protection function can be specified", "anthropomorphizing a machine and also introduces some confusion because it can be easily", "any knowledge of the workings of the control function. > > > It", "can be specified and implemented without having any knowledge of the workings of", "on the rest of the sentence since it is wordy, but I want", "it can be easily misread as talking about the machine operator knowledge: >", "be coming back from a holiday, but I can't for the life of", "because it can be easily misread as talking about the machine operator knowledge:", "the life of me think of a suitable alternative to talking about the", "the sentence since it is wordy, but I want to address this issue", "feel the following sentence is anthropomorphizing a machine and also introduces some confusion", "anyone have any suggestions? Or... am I overthinking it, since now we have", "the control function. > > > It might just be coming back from", "the rest of the sentence since it is wordy, but I want to", "a suitable alternative to talking about the machine having knowledge. Does anyone have", "artificial intelligence and machine learning that constantly use these terms? (Note that there", "is possible if the safety-critical protection function can be specified and implemented without", "text about autonomous systems. I feel the following sentence is anthropomorphizing a machine", "can't for the life of me think of a suitable alternative to talking", "that constantly use these terms? (Note that there is also work to be", "am I overthinking it, since now we have fields of artificial intelligence and", "the machine having knowledge. Does anyone have any suggestions? Or... am I overthinking", "Does anyone have any suggestions? Or... am I overthinking it, since now we", "be specified and implemented without having any knowledge of the workings of the", "sentence is anthropomorphizing a machine and also introduces some confusion because it can", "workings of the control function. > > > It might just be coming", "knowledge of the workings of the control function. > > > It might", "and also introduces some confusion because it can be easily misread as talking", "think of a suitable alternative to talking about the machine having knowledge. Does", "to be done on the rest of the sentence since it is wordy,", "of the workings of the control function. > > > It might just", "fields of artificial intelligence and machine learning that constantly use these terms? (Note", "of me think of a suitable alternative to talking about the machine having", "autonomous systems. I feel the following sentence is anthropomorphizing a machine and also", "constantly use these terms? (Note that there is also work to be done", "now we have fields of artificial intelligence and machine learning that constantly use", "a machine and also introduces some confusion because it can be easily misread", "terms? (Note that there is also work to be done on the rest", "> > A clear separation of control and protection is possible if the", "protection is possible if the safety-critical protection function can be specified and implemented", "of the control function. > > > It might just be coming back", "of artificial intelligence and machine learning that constantly use these terms? (Note that", "knowledge. Does anyone have any suggestions? Or... am I overthinking it, since now", "a holiday, but I can't for the life of me think of a", "from a holiday, but I can't for the life of me think of", "control function. > > > It might just be coming back from a", "technical text about autonomous systems. I feel the following sentence is anthropomorphizing a", "also introduces some confusion because it can be easily misread as talking about", "protection function can be specified and implemented without having any knowledge of the", "A clear separation of control and protection is possible if the safety-critical protection", "can be easily misread as talking about the machine operator knowledge: > >", "about the machine operator knowledge: > > A clear separation of control and", "systems. I feel the following sentence is anthropomorphizing a machine and also introduces", "as talking about the machine operator knowledge: > > A clear separation of", "Or... am I overthinking it, since now we have fields of artificial intelligence", "rest of the sentence since it is wordy, but I want to address", "talking about the machine having knowledge. Does anyone have any suggestions? Or... am", "learning that constantly use these terms? (Note that there is also work to", "introduces some confusion because it can be easily misread as talking about the", "also work to be done on the rest of the sentence since it", "intelligence and machine learning that constantly use these terms? (Note that there is", "misread as talking about the machine operator knowledge: > > A clear separation", "having knowledge. Does anyone have any suggestions? Or... am I overthinking it, since", "editing a technical text about autonomous systems. I feel the following sentence is", "me think of a suitable alternative to talking about the machine having knowledge.", "function. > > > It might just be coming back from a holiday,", "machine operator knowledge: > > A clear separation of control and protection is", "the machine operator knowledge: > > A clear separation of control and protection", "might just be coming back from a holiday, but I can't for the", "It might just be coming back from a holiday, but I can't for", "sentence since it is wordy, but I want to address this issue first!)", "for the life of me think of a suitable alternative to talking about", "clear separation of control and protection is possible if the safety-critical protection function", "about autonomous systems. I feel the following sentence is anthropomorphizing a machine and", "talking about the machine operator knowledge: > > A clear separation of control", "it, since now we have fields of artificial intelligence and machine learning that", "have fields of artificial intelligence and machine learning that constantly use these terms?" ]
[ "like so? `SUPERIMPOSE: YELLOWSTONE NATIONAL PARK SUPERIMPOSE: GRANITE PEAK SUPERIMPOSE: 2048` Or do", "SUPERIMPOSE: 2048` Or do I put it all under one superimpose? If so,", "out the correct formatting for multiple supers for the intro of my film.", "I'm trying to figure out the correct formatting for multiple supers for the", "film. I imagine four separate superimposed lines, one appears, then fades away, until", "screenplay? Do I write each one individually, like so? `SUPERIMPOSE: YELLOWSTONE NATIONAL PARK", "they are finished. How do I indicate this in the screenplay? Do I", "I write each one individually, like so? `SUPERIMPOSE: YELLOWSTONE NATIONAL PARK SUPERIMPOSE: GRANITE", "I imagine four separate superimposed lines, one appears, then fades away, until they", "to figure out the correct formatting for multiple supers for the intro of", "individually, like so? `SUPERIMPOSE: YELLOWSTONE NATIONAL PARK SUPERIMPOSE: GRANITE PEAK SUPERIMPOSE: 2048` Or", "2048` Or do I put it all under one superimpose? If so, are", "of my film. I imagine four separate superimposed lines, one appears, then fades", "finished. How do I indicate this in the screenplay? Do I write each", "in the screenplay? Do I write each one individually, like so? `SUPERIMPOSE: YELLOWSTONE", "fades away, until they are finished. How do I indicate this in the", "lines, one appears, then fades away, until they are finished. How do I", "are finished. How do I indicate this in the screenplay? Do I write", "do I indicate this in the screenplay? Do I write each one individually,", "correct formatting for multiple supers for the intro of my film. I imagine", "PARK SUPERIMPOSE: GRANITE PEAK SUPERIMPOSE: 2048` Or do I put it all under", "the intro of my film. I imagine four separate superimposed lines, one appears,", "write each one individually, like so? `SUPERIMPOSE: YELLOWSTONE NATIONAL PARK SUPERIMPOSE: GRANITE PEAK", "four separate superimposed lines, one appears, then fades away, until they are finished.", "Or do I put it all under one superimpose? If so, are there", "How do I indicate this in the screenplay? Do I write each one", "put it all under one superimpose? If so, are there commas or hyphens?", "the screenplay? Do I write each one individually, like so? `SUPERIMPOSE: YELLOWSTONE NATIONAL", "NATIONAL PARK SUPERIMPOSE: GRANITE PEAK SUPERIMPOSE: 2048` Or do I put it all", "`SUPERIMPOSE: YELLOWSTONE NATIONAL PARK SUPERIMPOSE: GRANITE PEAK SUPERIMPOSE: 2048` Or do I put", "one appears, then fades away, until they are finished. How do I indicate", "the correct formatting for multiple supers for the intro of my film. I", "superimposed lines, one appears, then fades away, until they are finished. How do", "I indicate this in the screenplay? Do I write each one individually, like", "appears, then fades away, until they are finished. How do I indicate this", "then fades away, until they are finished. How do I indicate this in", "so? `SUPERIMPOSE: YELLOWSTONE NATIONAL PARK SUPERIMPOSE: GRANITE PEAK SUPERIMPOSE: 2048` Or do I", "Do I write each one individually, like so? `SUPERIMPOSE: YELLOWSTONE NATIONAL PARK SUPERIMPOSE:", "one individually, like so? `SUPERIMPOSE: YELLOWSTONE NATIONAL PARK SUPERIMPOSE: GRANITE PEAK SUPERIMPOSE: 2048`", "for multiple supers for the intro of my film. I imagine four separate", "I put it all under one superimpose? If so, are there commas or", "formatting for multiple supers for the intro of my film. I imagine four", "my film. I imagine four separate superimposed lines, one appears, then fades away,", "trying to figure out the correct formatting for multiple supers for the intro", "each one individually, like so? `SUPERIMPOSE: YELLOWSTONE NATIONAL PARK SUPERIMPOSE: GRANITE PEAK SUPERIMPOSE:", "imagine four separate superimposed lines, one appears, then fades away, until they are", "PEAK SUPERIMPOSE: 2048` Or do I put it all under one superimpose? If", "this in the screenplay? Do I write each one individually, like so? `SUPERIMPOSE:", "intro of my film. I imagine four separate superimposed lines, one appears, then", "multiple supers for the intro of my film. I imagine four separate superimposed", "for the intro of my film. I imagine four separate superimposed lines, one", "YELLOWSTONE NATIONAL PARK SUPERIMPOSE: GRANITE PEAK SUPERIMPOSE: 2048` Or do I put it", "figure out the correct formatting for multiple supers for the intro of my", "indicate this in the screenplay? Do I write each one individually, like so?", "away, until they are finished. How do I indicate this in the screenplay?", "until they are finished. How do I indicate this in the screenplay? Do", "GRANITE PEAK SUPERIMPOSE: 2048` Or do I put it all under one superimpose?", "supers for the intro of my film. I imagine four separate superimposed lines,", "SUPERIMPOSE: GRANITE PEAK SUPERIMPOSE: 2048` Or do I put it all under one", "do I put it all under one superimpose? If so, are there commas", "separate superimposed lines, one appears, then fades away, until they are finished. How" ]
[ "a broken man, looking for revenge. A big part of the conflict of", "specifically: How do I determine what is the proper moment (and pacing) in", "tragedy, but we don't know that yet. This, of course, hugely affects the", "Or in other words: How should I reveal information in my story? More", "hugely affects the way he acts, due to this tragedy he is now", "this particular way and can empathize with him from early on in the", "How should I reveal information in my story? More specifically: How do I", "the way he acts, due to this tragedy he is now a broken", "particular way and can empathize with him from early on in the story?", "viewers know exactly why this character is acting this particular way and can", "other words: How should I reveal information in my story? More specifically: How", "affects the way he acts, due to this tragedy he is now a", "in which I reveal information key to the viewer's understanding of the character's", "empathize with him from early on in the story? Or in other words:", "More specifically: How do I determine what is the proper moment (and pacing)", "the major tragedy he suffered is revealed close to the midpoint of the", "trauma. As of now, the major tragedy he suffered is revealed close to", "story? More specifically: How do I determine what is the proper moment (and", "of the conflict of the story comes from this trauma. As of now,", "is revealed close to the midpoint of the story. Should I reveal the", "acts, due to this tragedy he is now a broken man, looking for", "the story comes from this trauma. As of now, the major tragedy he", "part of the conflict of the story comes from this trauma. As of", "this trauma. As of now, the major tragedy he suffered is revealed close", "I determine what is the proper moment (and pacing) in which I reveal", "my story? More specifically: How do I determine what is the proper moment", "and can empathize with him from early on in the story? Or in", "early on in the story? Or in other words: How should I reveal", "is acting this particular way and can empathize with him from early on", "in my story? More specifically: How do I determine what is the proper", "I'm writing a screenplay. The main character has suffered a major tragedy, but", "Should I reveal the information when the story begins so that the viewers", "to the midpoint of the story. Should I reveal the information when the", "what is the proper moment (and pacing) in which I reveal information key", "know that yet. This, of course, hugely affects the way he acts, due", "way and can empathize with him from early on in the story? Or", "the story begins so that the viewers know exactly why this character is", "he suffered is revealed close to the midpoint of the story. Should I", "A big part of the conflict of the story comes from this trauma.", "tragedy he is now a broken man, looking for revenge. A big part", "close to the midpoint of the story. Should I reveal the information when", "do I determine what is the proper moment (and pacing) in which I", "we don't know that yet. This, of course, hugely affects the way he", "acting this particular way and can empathize with him from early on in", "begins so that the viewers know exactly why this character is acting this", "I reveal the information when the story begins so that the viewers know", "man, looking for revenge. A big part of the conflict of the story", "pacing) in which I reveal information key to the viewer's understanding of the", "can empathize with him from early on in the story? Or in other", "As of now, the major tragedy he suffered is revealed close to the", "that the viewers know exactly why this character is acting this particular way", "story begins so that the viewers know exactly why this character is acting", "The main character has suffered a major tragedy, but we don't know that", "from this trauma. As of now, the major tragedy he suffered is revealed", "character is acting this particular way and can empathize with him from early", "the conflict of the story comes from this trauma. As of now, the", "reveal information in my story? More specifically: How do I determine what is", "a screenplay. The main character has suffered a major tragedy, but we don't", "looking for revenge. A big part of the conflict of the story comes", "but we don't know that yet. This, of course, hugely affects the way", "tragedy he suffered is revealed close to the midpoint of the story. Should", "in the story? Or in other words: How should I reveal information in", "is the proper moment (and pacing) in which I reveal information key to", "revealed close to the midpoint of the story. Should I reveal the information", "moment (and pacing) in which I reveal information key to the viewer's understanding", "writing a screenplay. The main character has suffered a major tragedy, but we", "course, hugely affects the way he acts, due to this tragedy he is", "has suffered a major tragedy, but we don't know that yet. This, of", "(and pacing) in which I reveal information key to the viewer's understanding of", "revenge. A big part of the conflict of the story comes from this", "of the story comes from this trauma. As of now, the major tragedy", "now, the major tragedy he suffered is revealed close to the midpoint of", "suffered is revealed close to the midpoint of the story. Should I reveal", "which I reveal information key to the viewer's understanding of the character's actions?", "story comes from this trauma. As of now, the major tragedy he suffered", "know exactly why this character is acting this particular way and can empathize", "a major tragedy, but we don't know that yet. This, of course, hugely", "this tragedy he is now a broken man, looking for revenge. A big", "determine what is the proper moment (and pacing) in which I reveal information", "I reveal information in my story? More specifically: How do I determine what", "midpoint of the story. Should I reveal the information when the story begins", "that yet. This, of course, hugely affects the way he acts, due to", "story. Should I reveal the information when the story begins so that the", "information in my story? More specifically: How do I determine what is the", "major tragedy he suffered is revealed close to the midpoint of the story.", "the midpoint of the story. Should I reveal the information when the story", "reveal the information when the story begins so that the viewers know exactly", "This, of course, hugely affects the way he acts, due to this tragedy", "to this tragedy he is now a broken man, looking for revenge. A", "the information when the story begins so that the viewers know exactly why", "How do I determine what is the proper moment (and pacing) in which", "the story. Should I reveal the information when the story begins so that", "he is now a broken man, looking for revenge. A big part of", "of now, the major tragedy he suffered is revealed close to the midpoint", "big part of the conflict of the story comes from this trauma. As", "the proper moment (and pacing) in which I reveal information key to the", "is now a broken man, looking for revenge. A big part of the", "why this character is acting this particular way and can empathize with him", "story? Or in other words: How should I reveal information in my story?", "now a broken man, looking for revenge. A big part of the conflict", "this character is acting this particular way and can empathize with him from", "of the story. Should I reveal the information when the story begins so", "conflict of the story comes from this trauma. As of now, the major", "screenplay. The main character has suffered a major tragedy, but we don't know", "so that the viewers know exactly why this character is acting this particular", "don't know that yet. This, of course, hugely affects the way he acts,", "due to this tragedy he is now a broken man, looking for revenge.", "should I reveal information in my story? More specifically: How do I determine", "yet. This, of course, hugely affects the way he acts, due to this", "comes from this trauma. As of now, the major tragedy he suffered is", "character has suffered a major tragedy, but we don't know that yet. This,", "from early on in the story? Or in other words: How should I", "in other words: How should I reveal information in my story? More specifically:", "suffered a major tragedy, but we don't know that yet. This, of course,", "of course, hugely affects the way he acts, due to this tragedy he", "major tragedy, but we don't know that yet. This, of course, hugely affects", "on in the story? Or in other words: How should I reveal information", "proper moment (and pacing) in which I reveal information key to the viewer's", "for revenge. A big part of the conflict of the story comes from", "exactly why this character is acting this particular way and can empathize with", "with him from early on in the story? Or in other words: How", "him from early on in the story? Or in other words: How should", "words: How should I reveal information in my story? More specifically: How do", "he acts, due to this tragedy he is now a broken man, looking", "way he acts, due to this tragedy he is now a broken man,", "main character has suffered a major tragedy, but we don't know that yet.", "the story? Or in other words: How should I reveal information in my", "information when the story begins so that the viewers know exactly why this", "broken man, looking for revenge. A big part of the conflict of the", "when the story begins so that the viewers know exactly why this character", "the viewers know exactly why this character is acting this particular way and" ]
[ "Is it appropriate to use phrases such as \"by my understanding\" in a", "\"by my understanding\" in a formal setting? If I can't, please suggest alternatives.", "to use phrases such as \"by my understanding\" in a formal setting? If", "as \"by my understanding\" in a formal setting? If I can't, please suggest", "phrases such as \"by my understanding\" in a formal setting? If I can't,", "it appropriate to use phrases such as \"by my understanding\" in a formal", "use phrases such as \"by my understanding\" in a formal setting? If I", "such as \"by my understanding\" in a formal setting? If I can't, please", "appropriate to use phrases such as \"by my understanding\" in a formal setting?" ]
[ "death, and tries to find redemption through satisfying his (imaginary) needs. I'm not", "in Chinese, and give a new page to my teacher to correct every", "is devoted to him, but he's needy and kind of an asshole. His", "she's not ready, so her (imaginary) husband blocks her. She blames herself over", "do this, or even if this is feasible. I'm worried that the reader", "readership could highlight some precedent, i.e., prior stories along these lines, where there", "changes stem from her uncontrolled grief-motivated mood swings. Her friends want to help", "major shift from the original protagonist to a second protagonist. Question: How can", "protagonist. Question: How can I successfully change main character half-way through the story?", "his wife spending time with her friends. 2. *Plot twist: he died two", "spending time with her friends. 2. 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This is the story I'm", "3. We now have a female main character (his wife). She has not", "to a second protagonist. Question: How can I successfully change main character half-way", "days. This is the story I'm thinking of writing: 1. We have a", "give a new page to my teacher to correct every few days. This", "write short stories in Chinese, and give a new page to my teacher", "not want his wife spending time with her friends. 2. Plot twist: he", "\"disconnected\" because of the change of protagonist. I'm wondering if the Writers.SE readership", "have a female main character (his wife). She has not managed to come", "have a male main character. His wife is devoted to him, but he's", "find redemption through satisfying his (imaginary) needs. I'm not sure how I can", "male protagonist only exists in his wife's imagination. He's not only not an", "character. His wife is devoted to him, but he's needy and kind of", "two years ago: the male protagonist only exists in his wife's imagination. He's", "is feasible. I'm worried that the reader will become \"disconnected\" because of the", "I'm wondering if the Writers.SE readership could highlight some precedent, i.e., prior stories", "and tries to find redemption through satisfying his (imaginary) needs. I'm not sure", "died two years ago: the male protagonist only exists in his wife's imagination.", "with her friends. 2. *Plot twist: he died two years ago: the male", "a female main character (his wife).* She has not managed to come to", "he's needy and kind of an asshole. His personality changes wildly and unpredictably.", "her (imaginary) husband blocks her. She blames herself over his death, and tries", "want his wife spending time with her friends. 2. *Plot twist: he died", "asshole, but he died rescuing his wife. 3. We now have a female", "to help her, but she's not ready, so her (imaginary) husband blocks her.", "Her friends want to help her, but she's not ready, so her (imaginary)", "how I can do this, or even if this is feasible. I'm worried", "death; she imagines he's alive, and projects her feelings onto him. His wild", "the reader will become \"disconnected\" because of the change of protagonist. I'm wondering", "with his death; she imagines he's alive, and projects her feelings onto him.", "a second protagonist. Question: How can I successfully change main character half-way through", "devoted to him, but he's needy and kind of an asshole. His personality", "blames herself over his death, and tries to find redemption through satisfying his", "does not want his wife spending time with her friends. 2. Plot twist:", "my teacher to correct every few days. This is the story I'm thinking", "ago: the male protagonist only exists in his wife's imagination. 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In particular, he does not want his", "She has not managed to come to terms with his death; she imagines", "this is feasible. I'm worried that the reader will become \"disconnected\" because of", "time with her friends. 2. *Plot twist: he died two years ago: the", "want to help her, but she's not ready, so her (imaginary) husband blocks", "friends. 2. Plot twist*: he died two years ago: the male protagonist only" ]
[ "So for all intents and purposes, they are like full-sisters. Being half-sisters is", "effectively raised by Father A, too. So for all intents and purposes, they", "\"friends\". A Beta-Reader pointed out that it doesn't seem clear whether they are", "want to make sure that the average reader understands that both are true.", "very often by necessity, but I still want to keep the count down.", "half-sisters, and also great friends. Currently, when referring to them, I alternate between", "the novel I'm working on are half-sisters, and also great friends. Currently, when", "a mother. Girl B was adopted by another man, but she grew up", "but she grew up closely to Girl A, and was effectively raised by", "down. ADDITIONAL INFO: The fictional girls share a biological father, but not a", "but not a mother. Girl B was adopted by another man, but she", "it, but it's about variety of words. Note: I'm writing in German and", "\"sie\", which translates to both \"she\" and \"they\" and can also be applied", "Girl B was adopted by another man, but she grew up closely to", "MCs in the novel I'm working on are half-sisters, and also great friends.", "variety of words. Note: I'm writing in German and I often have to", "tell their friendship instead of showing it, but it's about variety of words.", "which translates to both \"she\" and \"they\" and can also be applied to", "Girl A, and was effectively raised by Father A, too. So for all", "father, but not a mother. Girl B was adopted by another man, but", "I still want to keep the count down. ADDITIONAL INFO: The fictional girls", "like full-sisters. Being half-sisters is more a technicality than something to be focused", "necessity, but I still want to keep the count down. ADDITIONAL INFO: The", "but it's about variety of words. Note: I'm writing in German and I", "they are siblings or friends. I want to make sure that the average", "I'm working on are half-sisters, and also great friends. Currently, when referring to", "I want to make sure that the average reader understands that both are", "but I still want to keep the count down. ADDITIONAL INFO: The fictional", "I'm writing in German and I often have to use the word \"sie\",", "the word \"sie\", which translates to both \"she\" and \"they\" and can also", "not a mother. Girl B was adopted by another man, but she grew", "to them, I alternate between using \"sisters\" and \"friends\". A Beta-Reader pointed out", "and also great friends. Currently, when referring to them, I alternate between using", "fictional girls share a biological father, but not a mother. Girl B was", "that both are true. It's not about me trying to tell their friendship", "adopted by another man, but she grew up closely to Girl A, and", "INFO: The fictional girls share a biological father, but not a mother. Girl", "can also be applied to objects. It is used very often by necessity,", "grew up closely to Girl A, and was effectively raised by Father A,", "about me trying to tell their friendship instead of showing it, but it's", "and purposes, they are like full-sisters. Being half-sisters is more a technicality than", "closely to Girl A, and was effectively raised by Father A, too. So", "be applied to objects. It is used very often by necessity, but I", "count down. ADDITIONAL INFO: The fictional girls share a biological father, but not", "friends. Currently, when referring to them, I alternate between using \"sisters\" and \"friends\".", "it's about variety of words. Note: I'm writing in German and I often", "working on are half-sisters, and also great friends. Currently, when referring to them,", "out that it doesn't seem clear whether they are siblings or friends. I", "\"she\" and \"they\" and can also be applied to objects. It is used", "alternate between using \"sisters\" and \"friends\". A Beta-Reader pointed out that it doesn't", "to make sure that the average reader understands that both are true. It's", "A, and was effectively raised by Father A, too. So for all intents", "use the word \"sie\", which translates to both \"she\" and \"they\" and can", "up closely to Girl A, and was effectively raised by Father A, too.", "and was effectively raised by Father A, too. So for all intents and", "reader understands that both are true. It's not about me trying to tell", "great friends. Currently, when referring to them, I alternate between using \"sisters\" and", "biological father, but not a mother. Girl B was adopted by another man,", "still want to keep the count down. ADDITIONAL INFO: The fictional girls share", "purposes, they are like full-sisters. Being half-sisters is more a technicality than something", "have to use the word \"sie\", which translates to both \"she\" and \"they\"", "is used very often by necessity, but I still want to keep the", "between using \"sisters\" and \"friends\". A Beta-Reader pointed out that it doesn't seem", "Note: I'm writing in German and I often have to use the word", "of words. Note: I'm writing in German and I often have to use", "often have to use the word \"sie\", which translates to both \"she\" and", "Two of the MCs in the novel I'm working on are half-sisters, and", "writing in German and I often have to use the word \"sie\", which", "was effectively raised by Father A, too. So for all intents and purposes,", "word \"sie\", which translates to both \"she\" and \"they\" and can also be", "to both \"she\" and \"they\" and can also be applied to objects. It", "It is used very often by necessity, but I still want to keep", "used very often by necessity, but I still want to keep the count", "The fictional girls share a biological father, but not a mother. Girl B", "a biological father, but not a mother. Girl B was adopted by another", "whether they are siblings or friends. I want to make sure that the", "It's not about me trying to tell their friendship instead of showing it,", "them, I alternate between using \"sisters\" and \"friends\". A Beta-Reader pointed out that", "keep the count down. ADDITIONAL INFO: The fictional girls share a biological father,", "friends. I want to make sure that the average reader understands that both", "it doesn't seem clear whether they are siblings or friends. I want to", "I alternate between using \"sisters\" and \"friends\". A Beta-Reader pointed out that it", "average reader understands that both are true. It's not about me trying to", "to keep the count down. ADDITIONAL INFO: The fictional girls share a biological", "of the MCs in the novel I'm working on are half-sisters, and also", "by necessity, but I still want to keep the count down. ADDITIONAL INFO:", "are like full-sisters. Being half-sisters is more a technicality than something to be", "in German and I often have to use the word \"sie\", which translates", "the MCs in the novel I'm working on are half-sisters, and also great", "girls share a biological father, but not a mother. Girl B was adopted", "B was adopted by another man, but she grew up closely to Girl", "using \"sisters\" and \"friends\". A Beta-Reader pointed out that it doesn't seem clear", "by Father A, too. So for all intents and purposes, they are like", "and I often have to use the word \"sie\", which translates to both", "in the novel I'm working on are half-sisters, and also great friends. Currently,", "I often have to use the word \"sie\", which translates to both \"she\"", "also great friends. Currently, when referring to them, I alternate between using \"sisters\"", "that it doesn't seem clear whether they are siblings or friends. I want", "that the average reader understands that both are true. It's not about me", "their friendship instead of showing it, but it's about variety of words. Note:", "raised by Father A, too. So for all intents and purposes, they are", "she grew up closely to Girl A, and was effectively raised by Father", "when referring to them, I alternate between using \"sisters\" and \"friends\". A Beta-Reader", "friendship instead of showing it, but it's about variety of words. Note: I'm", "clear whether they are siblings or friends. I want to make sure that", "trying to tell their friendship instead of showing it, but it's about variety", "and \"friends\". A Beta-Reader pointed out that it doesn't seem clear whether they", "applied to objects. It is used very often by necessity, but I still", "instead of showing it, but it's about variety of words. Note: I'm writing", "another man, but she grew up closely to Girl A, and was effectively", "was adopted by another man, but she grew up closely to Girl A,", "of showing it, but it's about variety of words. Note: I'm writing in", "A, too. So for all intents and purposes, they are like full-sisters. Being", "to use the word \"sie\", which translates to both \"she\" and \"they\" and", "ADDITIONAL INFO: The fictional girls share a biological father, but not a mother.", "are true. It's not about me trying to tell their friendship instead of", "all intents and purposes, they are like full-sisters. Being half-sisters is more a", "A Beta-Reader pointed out that it doesn't seem clear whether they are siblings", "about variety of words. Note: I'm writing in German and I often have", "for all intents and purposes, they are like full-sisters. Being half-sisters is more", "pointed out that it doesn't seem clear whether they are siblings or friends.", "German and I often have to use the word \"sie\", which translates to", "also be applied to objects. It is used very often by necessity, but", "and can also be applied to objects. It is used very often by", "are siblings or friends. I want to make sure that the average reader", "both \"she\" and \"they\" and can also be applied to objects. It is", "referring to them, I alternate between using \"sisters\" and \"friends\". A Beta-Reader pointed", "understands that both are true. It's not about me trying to tell their", "full-sisters. Being half-sisters is more a technicality than something to be focused on.", "siblings or friends. I want to make sure that the average reader understands", "showing it, but it's about variety of words. Note: I'm writing in German", "the count down. ADDITIONAL INFO: The fictional girls share a biological father, but", "to tell their friendship instead of showing it, but it's about variety of", "by another man, but she grew up closely to Girl A, and was", "Currently, when referring to them, I alternate between using \"sisters\" and \"friends\". A", "too. So for all intents and purposes, they are like full-sisters. Being half-sisters", "are half-sisters, and also great friends. Currently, when referring to them, I alternate", "\"sisters\" and \"friends\". A Beta-Reader pointed out that it doesn't seem clear whether", "\"they\" and can also be applied to objects. It is used very often", "to objects. It is used very often by necessity, but I still want", "intents and purposes, they are like full-sisters. Being half-sisters is more a technicality", "they are like full-sisters. Being half-sisters is more a technicality than something to", "true. It's not about me trying to tell their friendship instead of showing", "share a biological father, but not a mother. Girl B was adopted by", "both are true. It's not about me trying to tell their friendship instead", "and \"they\" and can also be applied to objects. It is used very", "novel I'm working on are half-sisters, and also great friends. Currently, when referring", "to Girl A, and was effectively raised by Father A, too. So for", "man, but she grew up closely to Girl A, and was effectively raised", "often by necessity, but I still want to keep the count down. ADDITIONAL", "on are half-sisters, and also great friends. Currently, when referring to them, I", "or friends. I want to make sure that the average reader understands that", "doesn't seem clear whether they are siblings or friends. I want to make", "mother. Girl B was adopted by another man, but she grew up closely", "not about me trying to tell their friendship instead of showing it, but", "words. Note: I'm writing in German and I often have to use the", "seem clear whether they are siblings or friends. I want to make sure", "want to keep the count down. ADDITIONAL INFO: The fictional girls share a", "Beta-Reader pointed out that it doesn't seem clear whether they are siblings or", "translates to both \"she\" and \"they\" and can also be applied to objects.", "objects. It is used very often by necessity, but I still want to", "Father A, too. So for all intents and purposes, they are like full-sisters.", "sure that the average reader understands that both are true. It's not about", "the average reader understands that both are true. It's not about me trying", "me trying to tell their friendship instead of showing it, but it's about", "make sure that the average reader understands that both are true. It's not" ]
[ "get confused in the person's head. If you read fantasy, or sci-fi, or", "read my story, it seems like the names might go too far, crossing", "are creatures/places/systems with creative titles, which things are pros for you and which", "roots, or just pull some cool letter combination out of my butt. For", "cool letter combination out of my butt. For some reason, it is very", "creative titles, which things are pros for you and which are cons? Are", "fantasy, or sci-fi, or any kind of fiction where there are creatures/places/systems with", "those roots into deity names to differentiate between them. I found that idea", "I found that idea okay, but I could still use work. Thanks for", "far, crossing the line from creative to overly complicated, and they get confused", "there are creatures/places/systems with creative titles, which things are pros for you and", "Any suggestions on how to make names easier to follow? For example, some", "follow? For example, some of my names have to do with the elements,", "to overly complicated, and they get confused in the person's head. If you", "of my names have to do with the elements, so I took Latin", "my names have to do with the elements, so I took Latin roots", "to make names easier to follow? For example, some of my names have", "are cons? Are interesting, unique names cool and interesting, or too confusing to", "some cool letter combination out of my butt. For some reason, it is", "just pull some cool letter combination out of my butt. For some reason,", "enjoyable for me. But when others read my story, it seems like the", "too far, crossing the line from creative to overly complicated, and they get", "is naming my people/places/systems. I look up synonyms of common words and add", "the names might go too far, crossing the line from creative to overly", "complicated, and they get confused in the person's head. If you read fantasy,", "up synonyms of common words and add prefixes, or base things off of", "roots (aero, geo, ect.) and incorporated those roots into deity names to differentiate", "Are interesting, unique names cool and interesting, or too confusing to use in", "ect.) and incorporated those roots into deity names to differentiate between them. I", "when others read my story, it seems like the names might go too", "names to differentiate between them. I found that idea okay, but I could", "creatures/places/systems with creative titles, which things are pros for you and which are", "of my butt. For some reason, it is very enjoyable for me. But", "things off of Latin roots, or just pull some cool letter combination out", "things are pros for you and which are cons? Are interesting, unique names", "go too far, crossing the line from creative to overly complicated, and they", "or too confusing to use in a story? Any suggestions on how to", "the line from creative to overly complicated, and they get confused in the", "is very enjoyable for me. But when others read my story, it seems", "For some reason, it is very enjoyable for me. But when others read", "interesting, or too confusing to use in a story? Any suggestions on how", "pull some cool letter combination out of my butt. For some reason, it", "sci-fi, or any kind of fiction where there are creatures/places/systems with creative titles,", "differentiate between them. I found that idea okay, but I could still use", "of fiction where there are creatures/places/systems with creative titles, which things are pros", "so I took Latin roots (aero, geo, ect.) and incorporated those roots into", "for you and which are cons? Are interesting, unique names cool and interesting,", "or any kind of fiction where there are creatures/places/systems with creative titles, which", "One of my favorite parts of writing is naming my people/places/systems. I look", "common words and add prefixes, or base things off of Latin roots, or", "and which are cons? Are interesting, unique names cool and interesting, or too", "of writing is naming my people/places/systems. I look up synonyms of common words", "butt. For some reason, it is very enjoyable for me. But when others", "on how to make names easier to follow? For example, some of my", "cons? Are interesting, unique names cool and interesting, or too confusing to use", "confused in the person's head. If you read fantasy, or sci-fi, or any", "with the elements, so I took Latin roots (aero, geo, ect.) and incorporated", "of common words and add prefixes, or base things off of Latin roots,", "use in a story? Any suggestions on how to make names easier to", "roots into deity names to differentiate between them. I found that idea* okay,", "unique names cool and interesting, or too confusing to use in a story?", "have to do with the elements, so I took Latin roots (aero, geo,", "do with the elements, so I took Latin roots (aero, geo, ect.) and", "look up synonyms of common words and add prefixes, or base things off", "the elements, so I took Latin roots (aero, geo, ect.) and incorporated those", "line from creative to overly complicated, and they get confused in the person's", "prefixes, or base things off of Latin roots, or just pull some cool", "seems like the names might go too far, crossing the line from creative", "where there are creatures/places/systems with creative titles, which things are pros for you", "cool and interesting, or too confusing to use in a story? Any suggestions", "very enjoyable for me. But when others read my story, it seems like", "I look up synonyms of common words and add prefixes, or base things", "(aero, geo, ect.) and incorporated those roots into deity names to differentiate between", "me. But when others read my story, it seems like the names might", "But when others read my story, it seems like the names might go", "it seems like the names might go too far, crossing the line from", "confusing to use in a story? Any suggestions on how to make names", "they get confused in the person's head. If you read fantasy, or sci-fi,", "crossing the line from creative to overly complicated, and they get confused in", "or just pull some cool letter combination out of my butt. For some", "story, it seems like the names might go too far, crossing the line", "For example, some of my names have to do with the elements, so", "writing is naming my people/places/systems. I look up synonyms of common words and", "make names easier to follow? For example, some of my names have to", "of my favorite parts of writing is naming my people/places/systems. I look up", "If you read fantasy, or sci-fi, or any kind of fiction where there", "kind of fiction where there are creatures/places/systems with creative titles, which things are", "read fantasy, or sci-fi, or any kind of fiction where there are creatures/places/systems", "interesting, unique names cool and interesting, or too confusing to use in a", "suggestions on how to make names easier to follow? For example, some of", "creative to overly complicated, and they get confused in the person's head. If", "names cool and interesting, or too confusing to use in a story? Any", "I took Latin roots (aero, geo, ect.) and incorporated those roots into deity", "names easier to follow? For example, some of my names have to do", "deity names to differentiate between them. I found that idea* okay, but I", "of Latin roots, or just pull some cool letter combination out of my", "a story? Any suggestions on how to make names easier to follow? For", "you read fantasy, or sci-fi, or any kind of fiction where there are", "the person's head. If you read fantasy, or sci-fi, or any kind of", "in a story? Any suggestions on how to make names easier to follow?", "from creative to overly complicated, and they get confused in the person's head.", "off of Latin roots, or just pull some cool letter combination out of", "any kind of fiction where there are creatures/places/systems with creative titles, which things", "my story, it seems like the names might go too far, crossing the", "in the person's head. If you read fantasy, or sci-fi, or any kind", "person's head. If you read fantasy, or sci-fi, or any kind of fiction", "letter combination out of my butt. For some reason, it is very enjoyable", "easier to follow? For example, some of my names have to do with", "combination out of my butt. For some reason, it is very enjoyable for", "to use in a story? Any suggestions on how to make names easier", "with creative titles, which things are pros for you and which are cons?", "found that idea okay, but I could still use work. Thanks for reading!", "incorporated those roots into deity names to differentiate between them. I found that", "example, some of my names have to do with the elements, so I", "people/places/systems. I look up synonyms of common words and add prefixes, or base", "or base things off of Latin roots, or just pull some cool letter", "my people/places/systems. I look up synonyms of common words and add prefixes, or", "and interesting, or too confusing to use in a story? Any suggestions on", "and incorporated those roots into deity names to differentiate between them. I found", "like the names might go too far, crossing the line from creative to", "and add prefixes, or base things off of Latin roots, or just pull", "to differentiate between them. I found that idea* okay, but I could still", "between them. I found that idea okay, but I could still use work.", "geo, ect.) and incorporated those roots into deity names to differentiate between them.", "it is very enjoyable for me. But when others read my story, it", "or sci-fi, or any kind of fiction where there are creatures/places/systems with creative", "naming my people/places/systems. I look up synonyms of common words and add prefixes,", "titles, which things are pros for you and which are cons? Are interesting,", "my butt. For some reason, it is very enjoyable for me. But when", "which things are pros for you and which are cons? Are interesting, unique", "too confusing to use in a story? Any suggestions on how to make", "you and which are cons? Are interesting, unique names cool and interesting, or", "synonyms of common words and add prefixes, or base things off of Latin", "out of my butt. For some reason, it is very enjoyable for me.", "Latin roots (aero, geo, ect.) and incorporated those roots into deity names to", "names might go too far, crossing the line from creative to overly complicated,", "head. If you read fantasy, or sci-fi, or any kind of fiction where", "favorite parts of writing is naming my people/places/systems. I look up synonyms of", "which are cons? Are interesting, unique names cool and interesting, or too confusing", "my favorite parts of writing is naming my people/places/systems. I look up synonyms", "took Latin roots (aero, geo, ect.) and incorporated those roots into deity names", "parts of writing is naming my people/places/systems. I look up synonyms of common", "to do with the elements, so I took Latin roots (aero, geo, ect.)", "others read my story, it seems like the names might go too far,", "pros for you and which are cons? Are interesting, unique names cool and", "some reason, it is very enjoyable for me. But when others read my", "are pros for you and which are cons? Are interesting, unique names cool", "reason, it is very enjoyable for me. But when others read my story,", "words and add prefixes, or base things off of Latin roots, or just", "some of my names have to do with the elements, so I took", "overly complicated, and they get confused in the person's head. If you read", "base things off of Latin roots, or just pull some cool letter combination", "and they get confused in the person's head. If you read fantasy, or", "names have to do with the elements, so I took Latin roots (aero,", "fiction where there are creatures/places/systems with creative titles, which things are pros for", "elements, so I took Latin roots (aero, geo, ect.) and incorporated those roots", "add prefixes, or base things off of Latin roots, or just pull some", "them. I found that idea* okay, but I could still use work. Thanks", "how to make names easier to follow? For example, some of my names", "into deity names to differentiate between them. I found that idea okay, but", "might go too far, crossing the line from creative to overly complicated, and", "to follow? For example, some of my names have to do with the", "Latin roots, or just pull some cool letter combination out of my butt.", "story? Any suggestions on how to make names easier to follow? *For example,", "for me. But when others read my story, it seems like the names" ]
[ "heartbreak and I keep getting stuck at a point where the main character", "the main character has to give an eulogy at a funeral. I'm hoping", "an eulogy at a funeral. I'm hoping I can get some help or", "at a funeral. I'm hoping I can get some help or tips maybe?", "a point where the main character has to give an eulogy at a", "where the main character has to give an eulogy at a funeral. I'm", "stuck at a point where the main character has to give an eulogy", "eulogy at a funeral. I'm hoping I can get some help or tips", "book centred on loss and heartbreak and I keep getting stuck at a", "has to give an eulogy at a funeral. I'm hoping I can get", "centred on loss and heartbreak and I keep getting stuck at a point", "on loss and heartbreak and I keep getting stuck at a point where", "to give an eulogy at a funeral. I'm hoping I can get some", "character has to give an eulogy at a funeral. I'm hoping I can", "loss and heartbreak and I keep getting stuck at a point where the", "a funeral. I'm hoping I can get some help or tips maybe? Thanks", "a book centred on loss and heartbreak and I keep getting stuck at", "point where the main character has to give an eulogy at a funeral.", "writing a book centred on loss and heartbreak and I keep getting stuck", "give an eulogy at a funeral. I'm hoping I can get some help", "getting stuck at a point where the main character has to give an", "keep getting stuck at a point where the main character has to give", "at a point where the main character has to give an eulogy at", "main character has to give an eulogy at a funeral. I'm hoping I", "and heartbreak and I keep getting stuck at a point where the main", "I keep getting stuck at a point where the main character has to", "and I keep getting stuck at a point where the main character has", "I'm writing a book centred on loss and heartbreak and I keep getting" ]
[ "which tool to use. I tried Amazon Create but it doesn't have option", "tool to use. I tried Amazon Create but it doesn't have option of", "below image). But I don't know which tool to use. I tried Amazon", "Create but it doesn't have option of adding illustrations. Please recommend tools that", "a collection of poems. I want to create illustrations according to poem (similar", "of poems. I want to create illustrations according to poem (similar to something", "tried Amazon Create but it doesn't have option of adding illustrations. Please recommend", "I tried Amazon Create but it doesn't have option of adding illustrations. Please", "to create illustrations according to poem (similar to something shown in below image).", "a novice can use (I am not a graphic designer and no experience", "know which tool to use. I tried Amazon Create but it doesn't have", "ebook that is a collection of poems. I want to create illustrations according", "to something shown in below image). But I don't know which tool to", "on ebook that is a collection of poems. I want to create illustrations", "adding illustrations. Please recommend tools that a novice can use (I am not", "is a collection of poems. I want to create illustrations according to poem", "image). But I don't know which tool to use. I tried Amazon Create", "don't know which tool to use. I tried Amazon Create but it doesn't", "create illustrations according to poem (similar to something shown in below image). But", "it doesn't have option of adding illustrations. Please recommend tools that a novice", "not a graphic designer and no experience for adobe indesign and photoshop) [![Image](https://i.stack.imgur.com/6c1zA.jpg)](https://i.stack.imgur.com/6c1zA.jpg)", "illustrations according to poem (similar to something shown in below image). But I", "something shown in below image). But I don't know which tool to use.", "in below image). But I don't know which tool to use. I tried", "to use. I tried Amazon Create but it doesn't have option of adding", "have option of adding illustrations. Please recommend tools that a novice can use", "illustrations. Please recommend tools that a novice can use (I am not a", "Please recommend tools that a novice can use (I am not a graphic", "of adding illustrations. Please recommend tools that a novice can use (I am", "I don't know which tool to use. I tried Amazon Create but it", "shown in below image). But I don't know which tool to use. I", "collection of poems. I want to create illustrations according to poem (similar to", "am not a graphic designer and no experience for adobe indesign and photoshop)", "I want to create illustrations according to poem (similar to something shown in", "poem (similar to something shown in below image). But I don't know which", "recommend tools that a novice can use (I am not a graphic designer", "can use (I am not a graphic designer and no experience for adobe", "But I don't know which tool to use. I tried Amazon Create but", "Amazon Create but it doesn't have option of adding illustrations. Please recommend tools", "I am working on ebook that is a collection of poems. I want", "but it doesn't have option of adding illustrations. Please recommend tools that a", "option of adding illustrations. Please recommend tools that a novice can use (I", "to poem (similar to something shown in below image). But I don't know", "(I am not a graphic designer and no experience for adobe indesign and", "that a novice can use (I am not a graphic designer and no", "novice can use (I am not a graphic designer and no experience for", "am working on ebook that is a collection of poems. I want to", "working on ebook that is a collection of poems. I want to create", "use. I tried Amazon Create but it doesn't have option of adding illustrations.", "doesn't have option of adding illustrations. Please recommend tools that a novice can", "(similar to something shown in below image). But I don't know which tool", "tools that a novice can use (I am not a graphic designer and", "use (I am not a graphic designer and no experience for adobe indesign", "poems. I want to create illustrations according to poem (similar to something shown", "want to create illustrations according to poem (similar to something shown in below", "according to poem (similar to something shown in below image). But I don't", "that is a collection of poems. I want to create illustrations according to" ]
[ "inserted into it, and I want to add a werewolf transformation into the", "I want to ask a question I had on my mind for some", "very new to Stack Exchange. I want to ask a question I had", "werewolves are thinner than a human, and only transform when breathing in the", "with fantasy and military-like elements inserted into it, and I want to add", "to be conveyed in a sort of limited perspective. These werewolves are thinner", "this transformation to be conveyed in a sort of limited perspective. These werewolves", "when breathing in the fog that comes from the area. Can you help", "the fog that comes from the area. Can you help with conveying this", "add a werewolf transformation into the story. The story is in third person,", "had on my mind for some time. I am considering writing a horror", "transformation into the story. The story is in third person, however, I want", "transformation to be conveyed in a sort of limited perspective. These werewolves are", "elements inserted into it, and I want to add a werewolf transformation into", "a werewolf transformation into the story. The story is in third person, however,", "of horror to the audience through the perspective of a Sargent who is", "some time. I am considering writing a horror story with fantasy and military-like", "conveying this feeling of horror to the audience through the perspective of a", "story is in third person, however, I want the perspective of the person", "help with conveying this feeling of horror to the audience through the perspective", "am considering writing a horror story with fantasy and military-like elements inserted into", "ask a question I had on my mind for some time. I am", "watching this transformation to be conveyed in a sort of limited perspective. These", "into it, and I want to add a werewolf transformation into the story.", "the audience through the perspective of a Sargent who is witnessing this during", "am very new to Stack Exchange. I want to ask a question I", "only transform when breathing in the fog that comes from the area. Can", "time. I am considering writing a horror story with fantasy and military-like elements", "of limited perspective. These werewolves are thinner than a human, and only transform", "to Stack Exchange. I want to ask a question I had on my", "want to add a werewolf transformation into the story. The story is in", "horror to the audience through the perspective of a Sargent who is witnessing", "and I want to add a werewolf transformation into the story. The story", "Exchange. I want to ask a question I had on my mind for", "story. The story is in third person, however, I want the perspective of", "for some time. I am considering writing a horror story with fantasy and", "conveyed in a sort of limited perspective. These werewolves are thinner than a", "area. Can you help with conveying this feeling of horror to the audience", "perspective of the person watching this transformation to be conveyed in a sort", "I am considering writing a horror story with fantasy and military-like elements inserted", "fog that comes from the area. Can you help with conveying this feeling", "are thinner than a human, and only transform when breathing in the fog", "the area. Can you help with conveying this feeling of horror to the", "limited perspective. These werewolves are thinner than a human, and only transform when", "in the fog that comes from the area. Can you help with conveying", "comes from the area. Can you help with conveying this feeling of horror", "through the perspective of a Sargent who is witnessing this during a stealth", "from the area. Can you help with conveying this feeling of horror to", "human, and only transform when breathing in the fog that comes from the", "mind for some time. I am considering writing a horror story with fantasy", "thinner than a human, and only transform when breathing in the fog that", "a human, and only transform when breathing in the fog that comes from", "is in third person, however, I want the perspective of the person watching", "to ask a question I had on my mind for some time. I", "a question I had on my mind for some time. I am considering", "writing a horror story with fantasy and military-like elements inserted into it, and", "my mind for some time. I am considering writing a horror story with", "be conveyed in a sort of limited perspective. These werewolves are thinner than", "than a human, and only transform when breathing in the fog that comes", "werewolf transformation into the story. The story is in third person, however, I", "I want the perspective of the person watching this transformation to be conveyed", "The story is in third person, however, I want the perspective of the", "sort of limited perspective. These werewolves are thinner than a human, and only", "question I had on my mind for some time. I am considering writing", "a horror story with fantasy and military-like elements inserted into it, and I", "this feeling of horror to the audience through the perspective of a Sargent", "to the audience through the perspective of a Sargent who is witnessing this", "These werewolves are thinner than a human, and only transform when breathing in", "perspective. These werewolves are thinner than a human, and only transform when breathing", "transform when breathing in the fog that comes from the area. Can you", "third person, however, I want the perspective of the person watching this transformation", "new to Stack Exchange. I want to ask a question I had on", "of the person watching this transformation to be conveyed in a sort of", "feeling of horror to the audience through the perspective of a Sargent who", "the perspective of a Sargent who is witnessing this during a stealth mission?", "audience through the perspective of a Sargent who is witnessing this during a", "Can you help with conveying this feeling of horror to the audience through", "horror story with fantasy and military-like elements inserted into it, and I want", "the story. The story is in third person, however, I want the perspective", "it, and I want to add a werewolf transformation into the story. The", "and only transform when breathing in the fog that comes from the area.", "the person watching this transformation to be conveyed in a sort of limited", "to add a werewolf transformation into the story. The story is in third", "with conveying this feeling of horror to the audience through the perspective of", "a sort of limited perspective. These werewolves are thinner than a human, and", "person watching this transformation to be conveyed in a sort of limited perspective.", "want the perspective of the person watching this transformation to be conveyed in", "I want to add a werewolf transformation into the story. The story is", "in third person, however, I want the perspective of the person watching this", "considering writing a horror story with fantasy and military-like elements inserted into it,", "military-like elements inserted into it, and I want to add a werewolf transformation", "on my mind for some time. I am considering writing a horror story", "in a sort of limited perspective. These werewolves are thinner than a human,", "want to ask a question I had on my mind for some time.", "I had on my mind for some time. I am considering writing a", "the perspective of the person watching this transformation to be conveyed in a", "breathing in the fog that comes from the area. Can you help with", "story with fantasy and military-like elements inserted into it, and I want to", "you help with conveying this feeling of horror to the audience through the", "fantasy and military-like elements inserted into it, and I want to add a", "person, however, I want the perspective of the person watching this transformation to", "that comes from the area. Can you help with conveying this feeling of", "Stack Exchange. I want to ask a question I had on my mind", "however, I want the perspective of the person watching this transformation to be", "I am very new to Stack Exchange. I want to ask a question", "and military-like elements inserted into it, and I want to add a werewolf", "into the story. The story is in third person, however, I want the" ]
[ "try to focus solely on writing my novel, I find myself besieged with", "that could transform my novels. Is this healthy? How should I treat the", "that if I expand my research and continue reading from different sources, I", "to focus solely on writing my novel, I find myself besieged with anxiety.", "I arrived at it after reading multiple primary texts covering an important period", "I can weave into my novel. I get excited about finding an inspiration", "better, richer? For example, right now, I'm very comfortable with the plot of", "the aspects I love about fiction writing is doing research. When I settle", "to go look for similar historical themes, stories that I can weave into", "covering an important period in American history. As I write, I can't shake", "a new character or overall enriches my story plot. The problem is that", "When I settle on an idea, I tend to go look for similar", "for similar historical themes, stories that I can weave into my novel. I", "narratives that could transform my novels. Is this healthy? How should I treat", "example, right now, I'm very comfortable with the plot of the novel I'm", "research and continue reading from different sources, I might find more intriguing, complex", "it after reading multiple primary texts covering an important period in American history.", "an important period in American history. As I write, I can't shake off", "aspects I love about fiction writing is doing research. When I settle on", "might find more intriguing, complex narratives that could transform my novels. Is this", "find more intriguing, complex narratives that could transform my novels. Is this healthy?", "period in American history. As I write, I can't shake off the idea", "look for similar historical themes, stories that I can weave into my novel.", "would've made my novel better, richer? For example, right now, I'm very comfortable", "comfortable with the plot of the novel I'm working on. I arrived at", "if I expand my research and continue reading from different sources, I might", "I settle on an idea, I tend to go look for similar historical", "stories that I can weave into my novel. I get excited about finding", "that I can't get out of the research stage. Every time I try", "on. I arrived at it after reading multiple primary texts covering an important", "I missed something that would've made my novel better, richer? For example, right", "write, I can't shake off the idea that if I expand my research", "richer? For example, right now, I'm very comfortable with the plot of the", "I might find more intriguing, complex narratives that could transform my novels. Is", "besieged with anxiety. What if I missed something that would've made my novel", "I expand my research and continue reading from different sources, I might find", "finding an inspiration that introduces a new character or overall enriches my story", "primary texts covering an important period in American history. As I write, I", "healthy? How should I treat the research part? And how can I overcome", "continue reading from different sources, I might find more intriguing, complex narratives that", "the plot of the novel I'm working on. I arrived at it after", "I can't shake off the idea that if I expand my research and", "excited about finding an inspiration that introduces a new character or overall enriches", "an inspiration that introduces a new character or overall enriches my story plot.", "after reading multiple primary texts covering an important period in American history. As", "that would've made my novel better, richer? For example, right now, I'm very", "different sources, I might find more intriguing, complex narratives that could transform my", "settle on an idea, I tend to go look for similar historical themes,", "on an idea, I tend to go look for similar historical themes, stories", "reading from different sources, I might find more intriguing, complex narratives that could", "can weave into my novel. I get excited about finding an inspiration that", "problem is that I can't get out of the research stage. Every time", "with anxiety. What if I missed something that would've made my novel better,", "with the plot of the novel I'm working on. I arrived at it", "weave into my novel. I get excited about finding an inspiration that introduces", "the novel I'm working on. I arrived at it after reading multiple primary", "my story plot. The problem is that I can't get out of the", "of the novel I'm working on. I arrived at it after reading multiple", "intriguing, complex narratives that could transform my novels. Is this healthy? How should", "solely on writing my novel, I find myself besieged with anxiety. What if", "right now, I'm very comfortable with the plot of the novel I'm working", "and continue reading from different sources, I might find more intriguing, complex narratives", "texts covering an important period in American history. As I write, I can't", "about finding an inspiration that introduces a new character or overall enriches my", "love about fiction writing is doing research. When I settle on an idea,", "can't shake off the idea that if I expand my research and continue", "working on. I arrived at it after reading multiple primary texts covering an", "idea that if I expand my research and continue reading from different sources,", "enriches my story plot. The problem is that I can't get out of", "about fiction writing is doing research. When I settle on an idea, I", "As I write, I can't shake off the idea that if I expand", "anxiety. What if I missed something that would've made my novel better, richer?", "doing research. When I settle on an idea, I tend to go look", "One of the aspects I love about fiction writing is doing research. When", "at it after reading multiple primary texts covering an important period in American", "an idea, I tend to go look for similar historical themes, stories that", "introduces a new character or overall enriches my story plot. The problem is", "is doing research. When I settle on an idea, I tend to go", "transform my novels. Is this healthy? How should I treat the research part?", "I can't get out of the research stage. Every time I try to", "new character or overall enriches my story plot. The problem is that I", "is that I can't get out of the research stage. Every time I", "historical themes, stories that I can weave into my novel. I get excited", "history. As I write, I can't shake off the idea that if I", "missed something that would've made my novel better, richer? For example, right now,", "multiple primary texts covering an important period in American history. As I write,", "the idea that if I expand my research and continue reading from different", "off the idea that if I expand my research and continue reading from", "can't get out of the research stage. Every time I try to focus", "stage. Every time I try to focus solely on writing my novel, I", "writing my novel, I find myself besieged with anxiety. What if I missed", "myself besieged with anxiety. What if I missed something that would've made my", "novel, I find myself besieged with anxiety. What if I missed something that", "my novel, I find myself besieged with anxiety. What if I missed something", "writing is doing research. When I settle on an idea, I tend to", "shake off the idea that if I expand my research and continue reading", "inspiration that introduces a new character or overall enriches my story plot. The", "I get excited about finding an inspiration that introduces a new character or", "my novel. I get excited about finding an inspiration that introduces a new", "The problem is that I can't get out of the research stage. Every", "I find myself besieged with anxiety. What if I missed something that would've", "the research stage. Every time I try to focus solely on writing my", "story plot. The problem is that I can't get out of the research", "I love about fiction writing is doing research. When I settle on an", "now, I'm very comfortable with the plot of the novel I'm working on.", "character or overall enriches my story plot. The problem is that I can't", "should I treat the research part? And how can I overcome my anxiety?", "novel. I get excited about finding an inspiration that introduces a new character", "expand my research and continue reading from different sources, I might find more", "plot of the novel I'm working on. I arrived at it after reading", "complex narratives that could transform my novels. Is this healthy? How should I", "find myself besieged with anxiety. What if I missed something that would've made", "I try to focus solely on writing my novel, I find myself besieged", "that I can weave into my novel. I get excited about finding an", "research. When I settle on an idea, I tend to go look for", "out of the research stage. Every time I try to focus solely on", "very comfortable with the plot of the novel I'm working on. I arrived", "in American history. As I write, I can't shake off the idea that", "into my novel. I get excited about finding an inspiration that introduces a", "Every time I try to focus solely on writing my novel, I find", "I tend to go look for similar historical themes, stories that I can", "important period in American history. As I write, I can't shake off the", "American history. As I write, I can't shake off the idea that if", "of the research stage. Every time I try to focus solely on writing", "novels. Is this healthy? How should I treat the research part? And how", "research stage. Every time I try to focus solely on writing my novel,", "get out of the research stage. Every time I try to focus solely", "go look for similar historical themes, stories that I can weave into my", "similar historical themes, stories that I can weave into my novel. I get", "or overall enriches my story plot. The problem is that I can't get", "What if I missed something that would've made my novel better, richer? For", "overall enriches my story plot. The problem is that I can't get out", "arrived at it after reading multiple primary texts covering an important period in", "reading multiple primary texts covering an important period in American history. As I", "my novel better, richer? For example, right now, I'm very comfortable with the", "plot. The problem is that I can't get out of the research stage.", "that introduces a new character or overall enriches my story plot. The problem", "I'm working on. I arrived at it after reading multiple primary texts covering", "something that would've made my novel better, richer? For example, right now, I'm", "novel I'm working on. I arrived at it after reading multiple primary texts", "focus solely on writing my novel, I find myself besieged with anxiety. What", "from different sources, I might find more intriguing, complex narratives that could transform", "more intriguing, complex narratives that could transform my novels. Is this healthy? How", "made my novel better, richer? For example, right now, I'm very comfortable with", "I write, I can't shake off the idea that if I expand my", "this healthy? How should I treat the research part? And how can I", "How should I treat the research part? And how can I overcome my", "sources, I might find more intriguing, complex narratives that could transform my novels.", "could transform my novels. Is this healthy? How should I treat the research", "idea, I tend to go look for similar historical themes, stories that I", "fiction writing is doing research. When I settle on an idea, I tend", "tend to go look for similar historical themes, stories that I can weave", "Is this healthy? How should I treat the research part? And how can", "For example, right now, I'm very comfortable with the plot of the novel", "I'm very comfortable with the plot of the novel I'm working on. I", "if I missed something that would've made my novel better, richer? For example,", "my novels. Is this healthy? How should I treat the research part? And", "of the aspects I love about fiction writing is doing research. When I", "time I try to focus solely on writing my novel, I find myself", "my research and continue reading from different sources, I might find more intriguing,", "themes, stories that I can weave into my novel. I get excited about", "on writing my novel, I find myself besieged with anxiety. What if I", "novel better, richer? For example, right now, I'm very comfortable with the plot", "get excited about finding an inspiration that introduces a new character or overall" ]
[ "* The world helps in boosting young confidence. * The world helps in", "with no article, what's the better answer? * The world helps in boosting", "put \"the\" or leave the word with no article, what's the better answer?", "young confidence. * The world helps in boosting the young confidence. Thank you.", "in boosting young confidence. * The world helps in boosting the young confidence.", "world helps in boosting young confidence. * The world helps in boosting the", "word with no article, what's the better answer? * The world helps in", "I'm given a choice, to put \"the\" or leave the word with no", "helps in boosting young confidence. * The world helps in boosting the young", "answer? * The world helps in boosting young confidence. * The world helps", "If I'm given a choice, to put \"the\" or leave the word with", "choice, to put \"the\" or leave the word with no article, what's the", "leave the word with no article, what's the better answer? * The world", "the word with no article, what's the better answer? * The world helps", "a choice, to put \"the\" or leave the word with no article, what's", "to put \"the\" or leave the word with no article, what's the better", "boosting young confidence. * The world helps in boosting the young confidence. Thank", "The world helps in boosting young confidence. * The world helps in boosting", "what's the better answer? * The world helps in boosting young confidence. ", "given a choice, to put \"the\" or leave the word with no article,", "no article, what's the better answer? The world helps in boosting young", "or leave the word with no article, what's the better answer? * The", "\"the\" or leave the word with no article, what's the better answer? ", "the better answer? The world helps in boosting young confidence. * The", "article, what's the better answer? * The world helps in boosting young confidence.", "better answer? * The world helps in boosting young confidence. * The world" ]
[ "thinking is: a man is walking along late at night and sees a", "he starts to think he's gone crazy and imagined the while thing he", "in the \"dream\" that point to or symbolize what is really happening to", "wanting to write a short story in the fantasy genre maybe genre blending.", "some movement out of the corner of his eye. he then sees a", "was the bright light and the mystical creature represents the after life. and", "coming at him its moving around erratically but just when he thinks its", "it blah blah blah… then long story short it turns out it was", "hit by a car that was the bright light and the mystical creature", "things he sees in the \"dream\" that point to or symbolize what is", "blah… then long story short it turns out it was kind of a", "but..... as long as the creature and things that happen while he's \"dreaming\"", "at night and sees a bright flash of light coming at him its", "a short story in the fantasy genre maybe genre blending. but I'm not", "reader isn't all confused by the switch to him being hit by a", "its moving around erratically but just when he thinks its about to hit", "to think he's gone crazy and imagined the while thing he catches some", "the mystical creature represents the after life. and there will be things he", "at him its moving around erratically but just when he thinks its about", "a mystical creature and has this whole interaction with it blah blah blah…", "blah blah blah… then long story short it turns out it was kind", "car that was the bright light and the mystical creature represents the after", "the corner of his eye. he then sees a mystical creature and has", "erratically but just when he thinks its about to hit him its gone.", "think he's gone crazy and imagined the while thing he catches some movement", "as long as the creature and things that happen while he's \"dreaming\" are", "thing he catches some movement out of the corner of his eye. he", "and has this whole interaction with it blah blah blah… then long story", "around erratically but just when he thinks its about to hit him its", "but just when he thinks its about to hit him its gone. just", "to him outside his mind so the reader isn't all confused by the", "moving around erratically but just when he thinks its about to hit him", "the while thing he catches some movement out of the corner of his", "man is walking along late at night and sees a bright flash of", "was kind of a dream? and he was actually hit by a car", "what is really happening to him outside his mind so the reader isn't", "with it blah blah blah… then long story short it turns out it", "fantasy. an example of what I was kind of thinking is: a man", "short story in the fantasy genre maybe genre blending. but I'm not sure", "maybe genre blending. but I'm not sure if my idea is still considered", "gone crazy and imagined the while thing he catches some movement out of", "gone. just when he starts to think he's gone crazy and imagined the", "all story count as fantasy or does it fall into a different genre?", "outside his mind so the reader isn't all confused by the switch to", "example of what I was kind of thinking is: a man is walking", "was actually hit by a car that was the bright light and the", "symbolize what is really happening to him outside his mind so the reader", "out of the corner of his eye. he then sees a mystical creature", "but I'm not sure if my idea is still considered fantasy. an example", "actually hit by a car that was the bright light and the mystical", "and sees a bright flash of light coming at him its moving around", "mystical creature and has this whole interaction with it blah blah blah… then", "long story short it turns out it was kind of a dream? and", "along late at night and sees a bright flash of light coming at", "creature represents the after life. and there will be things he sees in", "blah blah… then long story short it turns out it was kind of", "he's gone crazy and imagined the while thing he catches some movement out", "considered fantasy. an example of what I was kind of thinking is: a", "story short it turns out it was kind of a dream? and he", "about to hit him its gone. just when he starts to think he's", "\"dreaming\" are fantasy fulfilling does the over all story count as fantasy or", "dream? and he was actually hit by a car that was the bright", "really happening to him outside his mind so the reader isn't all confused", "catches some movement out of the corner of his eye. he then sees", "mystical creature represents the after life. and there will be things he sees", "night and sees a bright flash of light coming at him its moving", "still considered fantasy. an example of what I was kind of thinking is:", "bright flash of light coming at him its moving around erratically but just", "it turns out it was kind of a dream? and he was actually", "him outside his mind so the reader isn't all confused by the switch", "the switch to him being hit by a car but..... as long as", "flash of light coming at him its moving around erratically but just when", "he sees in the \"dream\" that point to or symbolize what is really", "life. and there will be things he sees in the \"dream\" that point", "is: a man is walking along late at night and sees a bright", "the fantasy genre maybe genre blending. but I'm not sure if my idea", "kind of thinking is: a man is walking along late at night and", "a man is walking along late at night and sees a bright flash", "as the creature and things that happen while he's \"dreaming\" are fantasy fulfilling", "a bright flash of light coming at him its moving around erratically but", "its gone. just when he starts to think he's gone crazy and imagined", "all confused by the switch to him being hit by a car but.....", "he then sees a mystical creature and has this whole interaction with it", "the \"dream\" that point to or symbolize what is really happening to him", "him being hit by a car but..... as long as the creature and", "happening to him outside his mind so the reader isn't all confused by", "are fantasy fulfilling does the over all story count as fantasy or does", "I am wanting to write a short story in the fantasy genre maybe", "sure if my idea is still considered fantasy. an example of what I", "corner of his eye. he then sees a mystical creature and has this", "light and the mystical creature represents the after life. and there will be", "confused by the switch to him being hit by a car but..... as", "out it was kind of a dream? and he was actually hit by", "isn't all confused by the switch to him being hit by a car", "that was the bright light and the mystical creature represents the after life.", "sees a bright flash of light coming at him its moving around erratically", "of thinking is: a man is walking along late at night and sees", "light coming at him its moving around erratically but just when he thinks", "of the corner of his eye. he then sees a mystical creature and", "there will be things he sees in the \"dream\" that point to or", "this whole interaction with it blah blah blah… then long story short it", "the after life. and there will be things he sees in the \"dream\"", "of light coming at him its moving around erratically but just when he", "kind of a dream? and he was actually hit by a car that", "things that happen while he's \"dreaming\" are fantasy fulfilling does the over all", "he thinks its about to hit him its gone. just when he starts", "he's \"dreaming\" are fantasy fulfilling does the over all story count as fantasy", "imagined the while thing he catches some movement out of the corner of", "while he's \"dreaming\" are fantasy fulfilling does the over all story count as", "over all story count as fantasy or does it fall into a different", "is still considered fantasy. an example of what I was kind of thinking", "and the mystical creature represents the after life. and there will be things", "to hit him its gone. just when he starts to think he's gone", "\"dream\" that point to or symbolize what is really happening to him outside", "movement out of the corner of his eye. he then sees a mystical", "and he was actually hit by a car that was the bright light", "walking along late at night and sees a bright flash of light coming", "the creature and things that happen while he's \"dreaming\" are fantasy fulfilling does", "bright light and the mystical creature represents the after life. and there will", "just when he starts to think he's gone crazy and imagined the while", "and there will be things he sees in the \"dream\" that point to", "or symbolize what is really happening to him outside his mind so the", "what I was kind of thinking is: a man is walking along late", "is walking along late at night and sees a bright flash of light", "short it turns out it was kind of a dream? and he was", "when he starts to think he's gone crazy and imagined the while thing", "hit by a car but..... as long as the creature and things that", "late at night and sees a bright flash of light coming at him", "crazy and imagined the while thing he catches some movement out of the", "his eye. he then sees a mystical creature and has this whole interaction", "fantasy fulfilling does the over all story count as fantasy or does it", "and things that happen while he's \"dreaming\" are fantasy fulfilling does the over", "it was kind of a dream? and he was actually hit by a", "an example of what I was kind of thinking is: a man is", "sees in the \"dream\" that point to or symbolize what is really happening", "to him being hit by a car but..... as long as the creature", "a car but..... as long as the creature and things that happen while", "so the reader isn't all confused by the switch to him being hit", "creature and things that happen while he's \"dreaming\" are fantasy fulfilling does the", "while thing he catches some movement out of the corner of his eye.", "I'm not sure if my idea is still considered fantasy. an example of", "the reader isn't all confused by the switch to him being hit by", "am wanting to write a short story in the fantasy genre maybe genre", "car but..... as long as the creature and things that happen while he's", "genre blending. but I'm not sure if my idea is still considered fantasy.", "be things he sees in the \"dream\" that point to or symbolize what", "mind so the reader isn't all confused by the switch to him being", "then sees a mystical creature and has this whole interaction with it blah", "and imagined the while thing he catches some movement out of the corner", "him its moving around erratically but just when he thinks its about to", "was kind of thinking is: a man is walking along late at night", "of what I was kind of thinking is: a man is walking along", "story in the fantasy genre maybe genre blending. but I'm not sure if", "by the switch to him being hit by a car but..... as long", "long as the creature and things that happen while he's \"dreaming\" are fantasy", "by a car but..... as long as the creature and things that happen", "a car that was the bright light and the mystical creature represents the", "point to or symbolize what is really happening to him outside his mind", "if my idea is still considered fantasy. an example of what I was", "he was actually hit by a car that was the bright light and", "does the over all story count as fantasy or does it fall into", "to or symbolize what is really happening to him outside his mind so", "blending. but I'm not sure if my idea is still considered fantasy. an", "a dream? and he was actually hit by a car that was the", "thinks its about to hit him its gone. just when he starts to", "genre maybe genre blending. but I'm not sure if my idea is still", "represents the after life. and there will be things he sees in the", "to write a short story in the fantasy genre maybe genre blending. but", "when he thinks its about to hit him its gone. just when he", "turns out it was kind of a dream? and he was actually hit", "hit him its gone. just when he starts to think he's gone crazy", "of his eye. he then sees a mystical creature and has this whole", "that happen while he's \"dreaming\" are fantasy fulfilling does the over all story", "my idea is still considered fantasy. an example of what I was kind", "the over all story count as fantasy or does it fall into a", "that point to or symbolize what is really happening to him outside his", "happen while he's \"dreaming\" are fantasy fulfilling does the over all story count", "just when he thinks its about to hit him its gone. just when", "eye. he then sees a mystical creature and has this whole interaction with", "not sure if my idea is still considered fantasy. an example of what", "write a short story in the fantasy genre maybe genre blending. but I'm", "starts to think he's gone crazy and imagined the while thing he catches", "he catches some movement out of the corner of his eye. he then", "in the fantasy genre maybe genre blending. but I'm not sure if my", "has this whole interaction with it blah blah blah… then long story short", "I was kind of thinking is: a man is walking along late at", "is really happening to him outside his mind so the reader isn't all", "of a dream? and he was actually hit by a car that was", "will be things he sees in the \"dream\" that point to or symbolize", "by a car that was the bright light and the mystical creature represents", "him its gone. just when he starts to think he's gone crazy and", "fulfilling does the over all story count as fantasy or does it fall", "interaction with it blah blah blah… then long story short it turns out", "idea is still considered fantasy. an example of what I was kind of", "sees a mystical creature and has this whole interaction with it blah blah", "then long story short it turns out it was kind of a dream?", "whole interaction with it blah blah blah… then long story short it turns", "his mind so the reader isn't all confused by the switch to him", "switch to him being hit by a car but..... as long as the", "its about to hit him its gone. just when he starts to think", "creature and has this whole interaction with it blah blah blah… then long", "being hit by a car but..... as long as the creature and things", "the bright light and the mystical creature represents the after life. and there", "fantasy genre maybe genre blending. but I'm not sure if my idea is", "after life. and there will be things he sees in the \"dream\" that" ]
[ "the closing paragraph. > > Things were bubbling inside of him. Bizarre feelings", "black performers at the time wore blackface makeup often. The question is: how", "> > Things were bubbling inside of him. Bizarre feelings that he shouldn't", "the name of the character the actor is playing. * I wrote the", "to the reader by building up conflicting emotions within the MC. I hope", "to him. This was not the pain from the cigarette burn. This emotion", "reveal the fact that The Actor is black at the end? I hint", "Actor is black at the end? I hint at his true race to", "at the time wore blackface makeup often. The question is: how to reveal", "for the scene well enough. The time period is early 1900s. The place", "emotions within the MC. I hope I confirm their suspicions at the end", "He didn't know what was happening to him. This was not the pain", "wear it again. Here is the closing paragraph. > > Things were bubbling", "of this question. They may not be in the final piece. * Clarification:", "to reveal the fact that The Actor is black at the end? I", "this question. They may not be in the final piece. * Clarification: It", "picked up a cleaning cloth, wiping the tarnish from his face, vowing not", "the reader by building up conflicting emotions within the MC. I hope I", "black face. At the end of the scene I have him wiping the", "the scene is an actor who's black wearing a black face. At the", "squeeze out the copious amounts of tears that refused to oblige earlier and", "end of the scene I have him wiping the makeup and resolving not", "historically accurate. Black entertainers used to wear blackface to meet the expectations of", "that refused to oblige earlier and were now flowing unhindered. He heaved a", "the fact that The Actor is black at the end? I hint at", "one of the most prominent black performers at the time wore blackface makeup", "betrayal. The actor picked up a cleaning cloth, wiping the tarnish from his", "of the audience and requirements of the industry. [Qart Williams](https://en.wikipedia.org/wiki/Qart_Williams), one of the", "industry. [Qart Williams](https://en.wikipedia.org/wiki/Qart_Williams), one of the most prominent black performers at the time", "a cleaning cloth, wiping the tarnish from his face, vowing not to hide", "was not the pain from the cigarette burn. This emotion overtaking him now", "ever again. > > > Notes: * Moses is the name of the", "else. Something much deeper. ~~He felt betrayal.~~ Moses felt betrayal. The actor picked", "I'm working on. The character in the scene is an actor who's black", "up conflicting emotions within the MC. I hope I confirm their suspicions at", "original question didn't clarify my intentions for the scene well enough. The time", "Clarification:* It appears that my original question didn't clarify my intentions for the", "in the final piece. * Clarification: It appears that my original question didn't", "to meet the expectations of the audience and requirements of the industry. [Qart", "the scene well enough. The time period is early 1900s. The place somewhere", "scene well enough. The time period is early 1900s. The place somewhere on", "character in the scene is an actor who's black wearing a black face.", "bubbling inside of him. Bizarre feelings that he shouldn't have. Feelings that belonged", "on the East Coast (I'm considering Philadelphia). The Actor (MC) is black. Wears", "and requirements of the industry. [Qart Williams](https://en.wikipedia.org/wiki/Qart_Williams), one of the most prominent black", "fact that The Actor is black at the end? I hint at his", "his face, vowing not to hide his true face ever again.* > >", "what was happening to him. This was not the pain from the cigarette", "something else. Something much deeper. ~~He felt betrayal.~~ Moses felt betrayal. The actor", "avoid deteriorating into a sobbing fit. He didn't know what was happening to", "a scene that I'm working on. The character in the scene is an", "didn't clarify my intentions for the scene well enough. The time period is", "he shouldn't have. Feelings that belonged to a figment of an imagination. The", "copious amounts of tears that refused to oblige earlier and were now flowing", "the last few sentences, shown in italic, are for the sake of this", "be in the final piece. Clarification: It appears that my original question", "considering Philadelphia). The Actor (MC) is black. Wears a blackface makeup. This behavior", "not to hide his true face ever again.* > > > Notes: ", "pain from the cigarette burn. This emotion overtaking him now was something else.", "appears that my original question didn't clarify my intentions for the scene well", "of the character the actor is playing. I wrote the last few", "him wiping the makeup and resolving not to wear it again. Here is", "my original question didn't clarify my intentions for the scene well enough. The", "working on. The character in the scene is an actor who's black wearing", "This was not the pain from the cigarette burn. This emotion overtaking him", "belonged to a figment of an imagination. The image staring back at him", "Williams](https://en.wikipedia.org/wiki/Qart_Williams), one of the most prominent black performers at the time wore blackface", "resolving not to wear it again. Here is the closing paragraph. > >", "now flowing unhindered. He heaved a breath in, trying to avoid deteriorating into", "glimpse of an expression of contempt. He closed his eyes shut trying to", "the time wore blackface makeup often. The question is: how to reveal the", "> Notes: * Moses is the name of the character the actor is", "Philadelphia). The Actor (MC) is black. Wears a blackface makeup. This behavior is", "to avoid deteriorating into a sobbing fit. He didn't know what was happening", "wearing a black face. At the end of the scene I have him", "is: how to reveal the fact that The Actor is black at the", "is historically accurate. Black entertainers used to wear blackface to meet the expectations", "him was studying him and he thought he caught a glimpse of an", "expression of contempt. He closed his eyes shut trying to squeeze out the", "piece. * Clarification: It appears that my original question didn't clarify my intentions", "makeup. This behavior is historically accurate. Black entertainers used to wear blackface to", "the most prominent black performers at the time wore blackface makeup often. The", "unhindered. 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[Qart Williams](https://en.wikipedia.org/wiki/Qart_Williams), one of the most prominent black performers", "italic, are for the sake of this question. They may not be in", "to wear blackface to meet the expectations of the audience and requirements of", "clarify my intentions for the scene well enough. The time period is early", "have him wiping the makeup and resolving not to wear it again. Here", "* I wrote the last few sentences, shown in italic, are for the", "name of the character the actor is playing. * I wrote the last", "scene is an actor who's black wearing a black face. At the end", "the actor is playing. * I wrote the last few sentences, shown in", "Bizarre feelings that he shouldn't have. Feelings that belonged to a figment of", "well enough. The time period is early 1900s. The place somewhere on the", "have. Feelings that belonged to a figment of an imagination. The image staring", "used to wear blackface to meet the expectations of the audience and requirements", "scene that I'm working on. The character in the scene is an actor", "face ever again.* > > > Notes: * Moses is the name of", "his true face ever again.* > > > Notes: * Moses is the", "wear blackface to meet the expectations of the audience and requirements of the", "him now was something else. Something much deeper. ~~He felt betrayal.~~ Moses felt", "is early 1900s. The place somewhere on the East Coast (I'm considering Philadelphia).", "that The Actor is black at the end? I hint at his true", "He heaved a breath in, trying to avoid deteriorating into a sobbing fit.", "he thought he caught a glimpse of an expression of contempt. He closed", "at him was studying him and he thought he caught a glimpse of", "a sobbing fit. He didn't know what was happening to him. This was", "blackface makeup. This behavior is historically accurate. Black entertainers used to wear blackface", "a breath in, trying to avoid deteriorating into a sobbing fit. He didn't", "hint at his true race to the reader by building up conflicting emotions", "enough. The time period is early 1900s. The place somewhere on the East", "that belonged to a figment of an imagination. The image staring back at", "a black face. At the end of the scene I have him wiping", "imagination. The image staring back at him was studying him and he thought", "building up conflicting emotions within the MC. I hope I confirm their suspicions", "have a scene that I'm working on. The character in the scene is", "early 1900s. The place somewhere on the East Coast (I'm considering Philadelphia). The", "* Clarification: It appears that my original question didn't clarify my intentions for", "again. Here is the closing paragraph. > > Things were bubbling inside of", "behavior is historically accurate. Black entertainers used to wear blackface to meet the", "inside of him. Bizarre feelings that he shouldn't have. Feelings that belonged to", "conflicting emotions within the MC. I hope I confirm their suspicions at the", "vowing not to hide his true face ever again.* > > > Notes:", "who's black wearing a black face. At the end of the scene I", "staring back at him was studying him and he thought he caught a", "I have him wiping the makeup and resolving not to wear it again.", "cigarette burn. This emotion overtaking him now was something else. Something much deeper.", "his eyes shut trying to squeeze out the copious amounts of tears that", "the audience and requirements of the industry. [Qart Williams](https://en.wikipedia.org/wiki/Qart_Williams), one of the most", "I confirm their suspicions at the end in a surprising but \"makes sense\"", "somewhere on the East Coast (I'm considering Philadelphia). The Actor (MC) is black.", "question. They may not be in the final piece. * Clarification: It appears", "an expression of contempt. He closed his eyes shut trying to squeeze out", "is black at the end? I hint at his true race to the", "the end of the scene I have him wiping the makeup and resolving", "period is early 1900s. The place somewhere on the East Coast (I'm considering", "him and he thought he caught a glimpse of an expression of contempt.", "deteriorating into a sobbing fit. He didn't know what was happening to him.", "makeup and resolving not to wear it again. Here is the closing paragraph.", "refused to oblige earlier and were now flowing unhindered. He heaved a breath", "accurate. Black entertainers used to wear blackface to meet the expectations of the", "last few sentences, shown in italic, are for the sake of this question.", "~~He felt betrayal.~~ Moses felt betrayal. The actor picked up a cleaning cloth,", "playing. I wrote the last few sentences, shown in italic, are for", "feelings that he shouldn't have. Feelings that belonged to a figment of an", "wrote the last few sentences, shown in italic, are for the sake of", "scene I have him wiping the makeup and resolving not to wear it", "emotion overtaking him now was something else. Something much deeper. ~~He felt betrayal.~~", "image staring back at him was studying him and he thought he caught", "blackface makeup often. The question is: how to reveal the fact that The", "prominent black performers at the time wore blackface makeup often. The question is:", "to wear it again. Here is the closing paragraph. > > Things were" ]
[ "main character go from place to place and retrieve a single object from", "each chapter, an overarching conflict seems to elude me. Were it not for", "fact that the main character is undergoing character development, the chapters would almost", "to TV mystery series where the main characters (detectives, coroners etc) are the", "go from place to place and retrieve a single object from each person", "would almost be able to be published as stand-alone segments. Similar to TV", "coroners etc) are the same every episode but there's a new problem. Is", "every episode but there's a new problem. Is there a name for this", "TV mystery series where the main characters (detectives, coroners etc) are the same", "conflict seems to elude me. Were it not for the fact that the", "where the main characters (detectives, coroners etc) are the same every episode but", "to place and retrieve a single object from each person they encounter. My", "the main characters (detectives, coroners etc) are the same every episode but there's", "as stand-alone segments. Similar to TV mystery series where the main characters (detectives,", "to be published as stand-alone segments. Similar to TV mystery series where the", "object from each person they encounter. My problem is that while I can", "chapter, an overarching conflict seems to elude me. Were it not for the", "encounter. My problem is that while I can think of possible conflicts within", "the chapters would almost be able to be published as stand-alone segments. Similar", "the main character go from place to place and retrieve a single object", "problem is that while I can think of possible conflicts within each chapter,", "me. Were it not for the fact that the main character is undergoing", "essentially has the main character go from place to place and retrieve a", "for the fact that the main character is undergoing character development, the chapters", "(detectives, coroners etc) are the same every episode but there's a new problem.", "undergoing character development, the chapters would almost be able to be published as", "within each chapter, an overarching conflict seems to elude me. Were it not", "person they encounter. My problem is that while I can think of possible", "characters (detectives, coroners etc) are the same every episode but there's a new", "an overarching conflict seems to elude me. Were it not for the fact", "character is undergoing character development, the chapters would almost be able to be", "a novel which essentially has the main character go from place to place", "are the same every episode but there's a new problem. Is there a", "place and retrieve a single object from each person they encounter. My problem", "is that while I can think of possible conflicts within each chapter, an", "chapters would almost be able to be published as stand-alone segments. Similar to", "same every episode but there's a new problem. Is there a name for", "there's a new problem. Is there a name for this kind of novel?", "single object from each person they encounter. My problem is that while I", "a single object from each person they encounter. My problem is that while", "elude me. Were it not for the fact that the main character is", "but there's a new problem. Is there a name for this kind of", "from each person they encounter. My problem is that while I can think", "a new problem. Is there a name for this kind of novel? Is", "My problem is that while I can think of possible conflicts within each", "segments. Similar to TV mystery series where the main characters (detectives, coroners etc)", "character development, the chapters would almost be able to be published as stand-alone", "Is there a name for this kind of novel? Is this structure feasible/", "mystery series where the main characters (detectives, coroners etc) are the same every", "problem. Is there a name for this kind of novel? Is this structure", "main character is undergoing character development, the chapters would almost be able to", "the main character is undergoing character development, the chapters would almost be able", "they encounter. My problem is that while I can think of possible conflicts", "of possible conflicts within each chapter, an overarching conflict seems to elude me.", "the fact that the main character is undergoing character development, the chapters would", "from place to place and retrieve a single object from each person they", "and retrieve a single object from each person they encounter. My problem is", "that while I can think of possible conflicts within each chapter, an overarching", "that the main character is undergoing character development, the chapters would almost be", "there a name for this kind of novel? Is this structure feasible/ engaging", "published as stand-alone segments. Similar to TV mystery series where the main characters", "a name for this kind of novel? Is this structure feasible/ engaging enough?", "has the main character go from place to place and retrieve a single", "writing a novel which essentially has the main character go from place to", "new problem. Is there a name for this kind of novel? Is this", "almost be able to be published as stand-alone segments. Similar to TV mystery", "is undergoing character development, the chapters would almost be able to be published", "the same every episode but there's a new problem. Is there a name", "development, the chapters would almost be able to be published as stand-alone segments.", "which essentially has the main character go from place to place and retrieve", "each person they encounter. My problem is that while I can think of", "it not for the fact that the main character is undergoing character development,", "overarching conflict seems to elude me. Were it not for the fact that", "able to be published as stand-alone segments. Similar to TV mystery series where", "to elude me. Were it not for the fact that the main character", "Were it not for the fact that the main character is undergoing character", "conflicts within each chapter, an overarching conflict seems to elude me. Were it", "stand-alone segments. Similar to TV mystery series where the main characters (detectives, coroners", "series where the main characters (detectives, coroners etc) are the same every episode", "possible conflicts within each chapter, an overarching conflict seems to elude me. Were", "episode but there's a new problem. Is there a name for this kind", "I'm writing a novel which essentially has the main character go from place", "can think of possible conflicts within each chapter, an overarching conflict seems to", "be able to be published as stand-alone segments. Similar to TV mystery series", "while I can think of possible conflicts within each chapter, an overarching conflict", "I can think of possible conflicts within each chapter, an overarching conflict seems", "etc) are the same every episode but there's a new problem. Is there", "think of possible conflicts within each chapter, an overarching conflict seems to elude", "Similar to TV mystery series where the main characters (detectives, coroners etc) are", "not for the fact that the main character is undergoing character development, the", "main characters (detectives, coroners etc) are the same every episode but there's a", "be published as stand-alone segments. Similar to TV mystery series where the main", "seems to elude me. Were it not for the fact that the main", "character go from place to place and retrieve a single object from each", "retrieve a single object from each person they encounter. My problem is that", "place to place and retrieve a single object from each person they encounter.", "novel which essentially has the main character go from place to place and" ]
[ "> > I just don't know how to phrase this. He's addressing someone", "have a very uncomfortable sentence: > > '#####' announced Gradun behind himself, turning", "just don't know how to phrase this. He's addressing someone who's behind him,", "He's addressing someone who's behind him, while looking in a certain direction through", "to phrase this. He's addressing someone who's behind him, while looking in a", "this. He's addressing someone who's behind him, while looking in a certain direction", "very uncomfortable sentence: > > '#####' announced Gradun behind himself, turning his head", "how to phrase this. He's addressing someone who's behind him, while looking in", "the window. > > > I just don't know how to phrase this.", "> I just don't know how to phrase this. He's addressing someone who's", "uncomfortable sentence: > > '#####' announced Gradun behind himself, turning his head away", "don't know how to phrase this. He's addressing someone who's behind him, while", "phrase this. He's addressing someone who's behind him, while looking in a certain", "announced Gradun behind himself, turning his head away as he knelt towards the", "head away as he knelt towards the window. > > > I just", "knelt towards the window. > > > I just don't know how to", "sentence: > > '#####' announced Gradun behind himself, turning his head away as", "know how to phrase this. He's addressing someone who's behind him, while looking", "> > > I just don't know how to phrase this. He's addressing", "> > '#####' announced Gradun behind himself, turning his head away as he", "turning his head away as he knelt towards the window. > > >", "away as he knelt towards the window. > > > I just don't", "he knelt towards the window. > > > I just don't know how", "someone who's behind him, while looking in a certain direction through a window.", "I have a very uncomfortable sentence: > > '#####' announced Gradun behind himself,", "himself, turning his head away as he knelt towards the window. > >", "his head away as he knelt towards the window. > > > I", "towards the window. > > > I just don't know how to phrase", "Currently I have a very uncomfortable sentence: > > '#####' announced Gradun behind", "addressing someone who's behind him, while looking in a certain direction through a", "behind himself, turning his head away as he knelt towards the window. >", "I just don't know how to phrase this. He's addressing someone who's behind", "window. > > > I just don't know how to phrase this. He's", "a very uncomfortable sentence: > > '#####' announced Gradun behind himself, turning his", "Gradun behind himself, turning his head away as he knelt towards the window.", "> '#####' announced Gradun behind himself, turning his head away as he knelt", "as he knelt towards the window. > > > I just don't know", "'#####' announced Gradun behind himself, turning his head away as he knelt towards" ]
[ "to experience events from both girls' POV. So I guess my question is:", "I want her to end up liking the first one back and have", "- First girl wears down the second girl until she gets a bit", "slightly annoyed by this, and is heterosexual (as far she is aware). She", "for two girls that ultimately are going to get into a relationship. One", "over getting to know this person. This story would most likely be in", "girls that ultimately are going to get into a relationship. One of them", "is heterosexual (as far she is aware). She tends to dismiss these jokes.", "other one all the time and constantly making her uncomfortable. She finds it", "to end up liking the first one back and have them do some", "to mess with the other, and is attracted to her, but doesn't take", "question is: How does one convey a character warming up to/developing an attraction", "and constantly making her uncomfortable. She finds it enjoyable to mess with the", "realization for the second girl, but I want it to be clear that", "all the time and constantly making her uncomfortable. She finds it enjoyable to", "take things too seriously. This other girl is logic-over-emotion and is slightly annoyed", "girls' POV. So I guess my question is: How does one convey a", "by this, and is heterosexual (as far she is aware). She tends to", "one all the time and constantly making her uncomfortable. She finds it enjoyable", "idea is that it's a slow burn thing - First girl wears down", "proudly gay and open about her feelings from the start, cracking jokes and", "she is aware). She tends to dismiss these jokes. But over the story,", "attracted to her, but doesn't take things too seriously. This other girl is", "This other girl is logic-over-emotion and is slightly annoyed by this, and is", "a soft spot for her teasing, and then suddenly BOOM - they kiss.", "her feelings from the start, cracking jokes and sly compliments about the other", "doesn't take things too seriously. This other girl is logic-over-emotion and is slightly", "jokes and sly compliments about the other one all the time and constantly", "other, and is attracted to her, but doesn't take things too seriously. This", "things too seriously. This other girl is logic-over-emotion and is slightly annoyed by", "far she is aware). She tends to dismiss these jokes. But over the", "up liking the first one back and have them do some things together.", "it's a slow burn thing - First girl wears down the second girl", "that ultimately are going to get into a relationship. One of them is", "reader would get to experience events from both girls' POV. So I guess", "things together. The idea is that it's a slow burn thing - First", "has developed over getting to know this person. This story would most likely", "and then suddenly BOOM - they kiss. It's a sudden realization for the", "seriously. This other girl is logic-over-emotion and is slightly annoyed by this, and", "compliments about the other one all the time and constantly making her uncomfortable.", "the first one back and have them do some things together. The idea", "burn thing - First girl wears down the second girl until she gets", "this idea for two girls that ultimately are going to get into a", "second girl until she gets a bit of a soft spot for her", "the other, and is attracted to her, but doesn't take things too seriously.", "sly compliments about the other one all the time and constantly making her", "bit of a soft spot for her teasing, and then suddenly BOOM -", "for the second girl, but I want it to be clear that the", "be clear that the affection has developed over getting to know this person.", "they kiss. It's a sudden realization for the second girl, but I want", "of a soft spot for her teasing, and then suddenly BOOM - they", "until she gets a bit of a soft spot for her teasing, and", "logic-over-emotion and is slightly annoyed by this, and is heterosexual (as far she", "would get to experience events from both girls' POV. So I guess my", "are going to get into a relationship. One of them is proudly gay", "and the reader would get to experience events from both girls' POV. So", "liking the first one back and have them do some things together. The", "and is attracted to her, but doesn't take things too seriously. This other", "in first person and the reader would get to experience events from both", "and is heterosexual (as far she is aware). She tends to dismiss these", "and open about her feelings from the start, cracking jokes and sly compliments", "the second girl, but I want it to be clear that the affection", "to be clear that the affection has developed over getting to know this", "over the story, I want her to end up liking the first one", "both girls' POV. So I guess my question is: How does one convey", "finds it enjoyable to mess with the other, and is attracted to her,", "into a relationship. One of them is proudly gay and open about her", "So I guess my question is: How does one convey a character warming", "her teasing, and then suddenly BOOM - they kiss. It's a sudden realization", "a bit of a soft spot for her teasing, and then suddenly BOOM", "and sly compliments about the other one all the time and constantly making", "other girl is logic-over-emotion and is slightly annoyed by this, and is heterosexual", "The idea is that it's a slow burn thing - First girl wears", "her to end up liking the first one back and have them do", "to know this person. This story would most likely be in first person", "I want it to be clear that the affection has developed over getting", "gay and open about her feelings from the start, cracking jokes and sly", "to/developing an attraction to another character when that character doesn't realize it themselves?", "want it to be clear that the affection has developed over getting to", "clear that the affection has developed over getting to know this person. This", "guess my question is: How does one convey a character warming up to/developing", "spot for her teasing, and then suddenly BOOM - they kiss. It's a", "relationship. One of them is proudly gay and open about her feelings from", "person. This story would most likely be in first person and the reader", "idea for two girls that ultimately are going to get into a relationship.", "feelings from the start, cracking jokes and sly compliments about the other one", "to dismiss these jokes. But over the story, I want her to end", "first one back and have them do some things together. The idea is", "- they kiss. It's a sudden realization for the second girl, but I", "a character warming up to/developing an attraction to another character when that character", "this person. This story would most likely be in first person and the", "the story, I want her to end up liking the first one back", "soft spot for her teasing, and then suddenly BOOM - they kiss. It's", "sudden realization for the second girl, but I want it to be clear", "that the affection has developed over getting to know this person. This story", "So I have this idea for two girls that ultimately are going to", "them do some things together. The idea is that it's a slow burn", "she gets a bit of a soft spot for her teasing, and then", "that it's a slow burn thing - First girl wears down the second", "for her teasing, and then suddenly BOOM - they kiss. It's a sudden", "girl is logic-over-emotion and is slightly annoyed by this, and is heterosexual (as", "get to experience events from both girls' POV. So I guess my question", "together. The idea is that it's a slow burn thing - First girl", "affection has developed over getting to know this person. This story would most", "going to get into a relationship. One of them is proudly gay and", "She tends to dismiss these jokes. But over the story, I want her", "end up liking the first one back and have them do some things", "of them is proudly gay and open about her feelings from the start,", "story, I want her to end up liking the first one back and", "girl, but I want it to be clear that the affection has developed", "too seriously. This other girl is logic-over-emotion and is slightly annoyed by this,", "is proudly gay and open about her feelings from the start, cracking jokes", "constantly making her uncomfortable. She finds it enjoyable to mess with the other,", "is slightly annoyed by this, and is heterosexual (as far she is aware).", "aware). She tends to dismiss these jokes. But over the story, I want", "does one convey a character warming up to/developing an attraction to another character", "it to be clear that the affection has developed over getting to know", "events from both girls' POV. So I guess my question is: How does", "get into a relationship. One of them is proudly gay and open about", "then suddenly BOOM - they kiss. It's a sudden realization for the second", "one convey a character warming up to/developing an attraction to another character when", "jokes. But over the story, I want her to end up liking the", "warming up to/developing an attraction to another character when that character doesn't realize", "story would most likely be in first person and the reader would get", "would most likely be in first person and the reader would get to", "experience events from both girls' POV. So I guess my question is: How", "start, cracking jokes and sly compliments about the other one all the time", "is attracted to her, but doesn't take things too seriously. This other girl", "convey a character warming up to/developing an attraction to another character when that", "to her, but doesn't take things too seriously. This other girl is logic-over-emotion", "want her to end up liking the first one back and have them", "do some things together. The idea is that it's a slow burn thing", "open about her feelings from the start, cracking jokes and sly compliments about", "about the other one all the time and constantly making her uncomfortable. She", "the affection has developed over getting to know this person. This story would", "dismiss these jokes. But over the story, I want her to end up", "have them do some things together. The idea is that it's a slow", "the other one all the time and constantly making her uncomfortable. She finds", "is that it's a slow burn thing - First girl wears down the", "is logic-over-emotion and is slightly annoyed by this, and is heterosexual (as far", "a slow burn thing - First girl wears down the second girl until", "and have them do some things together. The idea is that it's a", "girl until she gets a bit of a soft spot for her teasing,", "most likely be in first person and the reader would get to experience", "have this idea for two girls that ultimately are going to get into", "first person and the reader would get to experience events from both girls'", "I have this idea for two girls that ultimately are going to get", "(as far she is aware). She tends to dismiss these jokes. But over", "my question is: How does one convey a character warming up to/developing an", "up to/developing an attraction to another character when that character doesn't realize it", "to get into a relationship. One of them is proudly gay and open", "time and constantly making her uncomfortable. She finds it enjoyable to mess with", "getting to know this person. This story would most likely be in first", "One of them is proudly gay and open about her feelings from the", "slow burn thing - First girl wears down the second girl until she", "some things together. The idea is that it's a slow burn thing -", "girl wears down the second girl until she gets a bit of a", "This story would most likely be in first person and the reader would", "it enjoyable to mess with the other, and is attracted to her, but", "developed over getting to know this person. This story would most likely be", "this, and is heterosexual (as far she is aware). She tends to dismiss", "suddenly BOOM - they kiss. It's a sudden realization for the second girl,", "person and the reader would get to experience events from both girls' POV.", "is: How does one convey a character warming up to/developing an attraction to", "cracking jokes and sly compliments about the other one all the time and", "the reader would get to experience events from both girls' POV. So I", "annoyed by this, and is heterosexual (as far she is aware). She tends", "kiss. It's a sudden realization for the second girl, but I want it", "these jokes. But over the story, I want her to end up liking", "her, but doesn't take things too seriously. This other girl is logic-over-emotion and", "from the start, cracking jokes and sly compliments about the other one all", "But over the story, I want her to end up liking the first", "second girl, but I want it to be clear that the affection has", "two girls that ultimately are going to get into a relationship. One of", "gets a bit of a soft spot for her teasing, and then suddenly", "the start, cracking jokes and sly compliments about the other one all the", "heterosexual (as far she is aware). She tends to dismiss these jokes. But", "is aware). She tends to dismiss these jokes. But over the story, I", "tends to dismiss these jokes. But over the story, I want her to", "First girl wears down the second girl until she gets a bit of", "character warming up to/developing an attraction to another character when that character doesn't", "them is proudly gay and open about her feelings from the start, cracking", "wears down the second girl until she gets a bit of a soft", "but I want it to be clear that the affection has developed over", "be in first person and the reader would get to experience events from", "the second girl until she gets a bit of a soft spot for", "It's a sudden realization for the second girl, but I want it to", "know this person. This story would most likely be in first person and", "mess with the other, and is attracted to her, but doesn't take things", "How does one convey a character warming up to/developing an attraction to another", "I guess my question is: How does one convey a character warming up", "ultimately are going to get into a relationship. One of them is proudly", "enjoyable to mess with the other, and is attracted to her, but doesn't", "about her feelings from the start, cracking jokes and sly compliments about the", "her uncomfortable. She finds it enjoyable to mess with the other, and is", "but doesn't take things too seriously. This other girl is logic-over-emotion and is", "down the second girl until she gets a bit of a soft spot", "making her uncomfortable. She finds it enjoyable to mess with the other, and", "a sudden realization for the second girl, but I want it to be", "BOOM - they kiss. It's a sudden realization for the second girl, but", "uncomfortable. She finds it enjoyable to mess with the other, and is attracted", "teasing, and then suddenly BOOM - they kiss. It's a sudden realization for", "one back and have them do some things together. The idea is that", "back and have them do some things together. The idea is that it's", "with the other, and is attracted to her, but doesn't take things too", "from both girls' POV. So I guess my question is: How does one", "POV. So I guess my question is: How does one convey a character", "She finds it enjoyable to mess with the other, and is attracted to", "and is slightly annoyed by this, and is heterosexual (as far she is", "thing - First girl wears down the second girl until she gets a", "the time and constantly making her uncomfortable. She finds it enjoyable to mess", "a relationship. One of them is proudly gay and open about her feelings", "likely be in first person and the reader would get to experience events" ]
[ "they’d like to read it and it would put the entire “world” in", "would read past them. So would I be better served to include them", "interjecting portions of it into the narrative of the story as different subjects", "a title of it, is a dress code. I’m interjecting portions of it", "the entirety of the documents. Since it’s a bunch of legalese, if I", "I be better served to include them somewhere in the middle or attach", "land. Part of that act, a title of it, is a dress code.", "subjects and violations come up, but I’d like to give the readers a", "of the story as different subjects and violations come up, but I’d like", "a look at the entirety of the documents. Since it’s a bunch of", "middle or attach to the end where after reading the story the reader", "past them. So would I be better served to include them somewhere in", "is a dress code. I’m interjecting portions of it into the narrative of", "of legalese, if I put them at the beginning no one would read", "be better served to include them somewhere in the middle or attach to", "as different subjects and violations come up, but I’d like to give the", "or attach to the end where after reading the story the reader might", "perspective? Each is about a page to page and a half. Thanks for", "it into the narrative of the story as different subjects and violations come", "bunch of legalese, if I put them at the beginning no one would", "future where a dictator creates an act that sets the laws and punishments", "entirety of the documents. Since it’s a bunch of legalese, if I put", "up, but I’d like to give the readers a look at the entirety", "at the entirety of the documents. Since it’s a bunch of legalese, if", "reading the story the reader might think they’d like to read it and", "if I put them at the beginning no one would read past them.", "and violations come up, but I’d like to give the readers a look", "a better perspective? Each is about a page to page and a half.", "reader might think they’d like to read it and it would put the", "violations come up, but I’d like to give the readers a look at", "it, is a dress code. I’m interjecting portions of it into the narrative", "readers a look at the entirety of the documents. Since it’s a bunch", "after reading the story the reader might think they’d like to read it", "it’s a bunch of legalese, if I put them at the beginning no", "put them at the beginning no one would read past them. So would", "in a better perspective? Each is about a page to page and a", "them at the beginning no one would read past them. So would I", "the land. Part of that act, a title of it, is a dress", "beginning no one would read past them. So would I be better served", "like to give the readers a look at the entirety of the documents.", "where after reading the story the reader might think they’d like to read", "novel set in the future where a dictator creates an act that sets", "creates an act that sets the laws and punishments of the land. Part", "and punishments of the land. Part of that act, a title of it,", "code. I’m interjecting portions of it into the narrative of the story as", "in the middle or attach to the end where after reading the story", "laws and punishments of the land. Part of that act, a title of", "story the reader might think they’d like to read it and it would", "in the future where a dictator creates an act that sets the laws", "the beginning no one would read past them. So would I be better", "where a dictator creates an act that sets the laws and punishments of", "the end where after reading the story the reader might think they’d like", "at the beginning no one would read past them. So would I be", "a dress code. I’m interjecting portions of it into the narrative of the", "one would read past them. So would I be better served to include", "but I’d like to give the readers a look at the entirety of", "narrative of the story as different subjects and violations come up, but I’d", "sets the laws and punishments of the land. Part of that act, a", "no one would read past them. So would I be better served to", "to give the readers a look at the entirety of the documents. Since", "served to include them somewhere in the middle or attach to the end", "I put them at the beginning no one would read past them. So", "fiction novel set in the future where a dictator creates an act that", "title of it, is a dress code. I’m interjecting portions of it into", "of it, is a dress code. I’m interjecting portions of it into the", "a bunch of legalese, if I put them at the beginning no one", "put the entire “world” in a better perspective? Each is about a page", "punishments of the land. Part of that act, a title of it, is", "legalese, if I put them at the beginning no one would read past", "the story the reader might think they’d like to read it and it", "act that sets the laws and punishments of the land. Part of that", "read it and it would put the entire “world” in a better perspective?", "give the readers a look at the entirety of the documents. Since it’s", "the documents. Since it’s a bunch of legalese, if I put them at", "and it would put the entire “world” in a better perspective? Each is", "better perspective? Each is about a page to page and a half. Thanks", "the middle or attach to the end where after reading the story the", "into the narrative of the story as different subjects and violations come up,", "Since it’s a bunch of legalese, if I put them at the beginning", "the laws and punishments of the land. Part of that act, a title", "a fiction novel set in the future where a dictator creates an act", "writing a fiction novel set in the future where a dictator creates an", "Each is about a page to page and a half. Thanks for your", "entire “world” in a better perspective? Each is about a page to page", "dress code. I’m interjecting portions of it into the narrative of the story", "to read it and it would put the entire “world” in a better", "a dictator creates an act that sets the laws and punishments of the", "might think they’d like to read it and it would put the entire", "to include them somewhere in the middle or attach to the end where", "portions of it into the narrative of the story as different subjects and", "attach to the end where after reading the story the reader might think", "is about a page to page and a half. Thanks for your thoughts!", "better served to include them somewhere in the middle or attach to the", "it and it would put the entire “world” in a better perspective? Each", "the future where a dictator creates an act that sets the laws and", "dictator creates an act that sets the laws and punishments of the land.", "think they’d like to read it and it would put the entire “world”", "of the documents. Since it’s a bunch of legalese, if I put them", "come up, but I’d like to give the readers a look at the", "the entire “world” in a better perspective? Each is about a page to", "I’d like to give the readers a look at the entirety of the", "the story as different subjects and violations come up, but I’d like to", "the reader might think they’d like to read it and it would put", "like to read it and it would put the entire “world” in a", "set in the future where a dictator creates an act that sets the", "end where after reading the story the reader might think they’d like to", "an act that sets the laws and punishments of the land. Part of", "that act, a title of it, is a dress code. I’m interjecting portions", "I’m interjecting portions of it into the narrative of the story as different", "include them somewhere in the middle or attach to the end where after", "different subjects and violations come up, but I’d like to give the readers", "of that act, a title of it, is a dress code. I’m interjecting", "of it into the narrative of the story as different subjects and violations", "would put the entire “world” in a better perspective? Each is about a", "act, a title of it, is a dress code. I’m interjecting portions of", "story as different subjects and violations come up, but I’d like to give", "of the land. Part of that act, a title of it, is a", "the readers a look at the entirety of the documents. Since it’s a", "it would put the entire “world” in a better perspective? Each is about", "the narrative of the story as different subjects and violations come up, but", "would I be better served to include them somewhere in the middle or", "So would I be better served to include them somewhere in the middle", "I’m writing a fiction novel set in the future where a dictator creates", "to the end where after reading the story the reader might think they’d", "somewhere in the middle or attach to the end where after reading the", "them somewhere in the middle or attach to the end where after reading", "read past them. So would I be better served to include them somewhere", "documents. Since it’s a bunch of legalese, if I put them at the", "that sets the laws and punishments of the land. Part of that act,", "them. So would I be better served to include them somewhere in the", "look at the entirety of the documents. Since it’s a bunch of legalese,", "Part of that act, a title of it, is a dress code. I’m", "“world” in a better perspective? Each is about a page to page and" ]
[ "and schools to develops the wizarding world. There's a villain as well. The", "to get together and to establish a ministry and schools to develops the", "adventure is about one guy lead the whole wizard world to get together", "villain is a bit similar to the start of the Hijrp Potfeq series", "villain as well. The start of the story and the villain is a", "schools to develops the wizarding world. There's a villain as well. The start", "and the villain is a bit similar to the start of the Hijrp", "starts the series, the adventure is about one guy lead the whole wizard", "Voldemort as well. But they are not the same. Just touch and go", "is a bit similar to the start of the Hijrp Potfeq series and", "the start of the Hijrp Potfeq series and to Voldemort as well. But", "first book that starts the series, the adventure is about one guy lead", "the wizarding world. There's a villain as well. The start of the story", "spread and broke because of the fear of being shown up and it's", "a villain as well. The start of the story and the villain is", "a bit similar to the start of the Hijrp Potfeq series and to", "whole wizard world to get together and to establish a ministry and schools", "because of the fear of being shown up and it's the first book", "series, the adventure is about one guy lead the whole wizard world to", "and to establish a ministry and schools to develops the wizarding world. There's", "as well. The start of the story and the villain is a bit", "develops the wizarding world. There's a villain as well. The start of the", "lead the whole wizard world to get together and to establish a ministry", "Potfeq series and to Voldemort as well. But they are not the same.", "bit similar to the start of the Hijrp Potfeq series and to Voldemort", "ministry and schools to develops the wizarding world. There's a villain as well.", "the Hijrp Potfeq series and to Voldemort as well. But they are not", "writing a book about the hidden wizard world that spread and broke because", "book that starts the series, the adventure is about one guy lead the", "the adventure is about one guy lead the whole wizard world to get", "is about one guy lead the whole wizard world to get together and", "But they are not the same. Just touch and go one. Any comments?", "series and to Voldemort as well. But they are not the same. Just", "to the start of the Hijrp Potfeq series and to Voldemort as well.", "about one guy lead the whole wizard world to get together and to", "guy lead the whole wizard world to get together and to establish a", "world to get together and to establish a ministry and schools to develops", "Hijrp Potfeq series and to Voldemort as well. But they are not the", "of the story and the villain is a bit similar to the start", "wizarding world. There's a villain as well. The start of the story and", "of the fear of being shown up and it's the first book that", "about the hidden wizard world that spread and broke because of the fear", "the fear of being shown up and it's the first book that starts", "that spread and broke because of the fear of being shown up and", "well. But they are not the same. Just touch and go one. Any", "fear of being shown up and it's the first book that starts the", "the whole wizard world to get together and to establish a ministry and", "The start of the story and the villain is a bit similar to", "broke because of the fear of being shown up and it's the first", "one guy lead the whole wizard world to get together and to establish", "and it's the first book that starts the series, the adventure is about", "start of the story and the villain is a bit similar to the", "wizard world that spread and broke because of the fear of being shown", "to Voldemort as well. But they are not the same. Just touch and", "hidden wizard world that spread and broke because of the fear of being", "to develops the wizarding world. There's a villain as well. The start of", "a book about the hidden wizard world that spread and broke because of", "up and it's the first book that starts the series, the adventure is", "of the Hijrp Potfeq series and to Voldemort as well. But they are", "start of the Hijrp Potfeq series and to Voldemort as well. But they", "get together and to establish a ministry and schools to develops the wizarding", "of being shown up and it's the first book that starts the series,", "a ministry and schools to develops the wizarding world. There's a villain as", "wizard world to get together and to establish a ministry and schools to", "that starts the series, the adventure is about one guy lead the whole", "similar to the start of the Hijrp Potfeq series and to Voldemort as", "the hidden wizard world that spread and broke because of the fear of", "establish a ministry and schools to develops the wizarding world. There's a villain", "and to Voldemort as well. But they are not the same. Just touch", "to establish a ministry and schools to develops the wizarding world. There's a", "it's the first book that starts the series, the adventure is about one", "book about the hidden wizard world that spread and broke because of the", "as well. But they are not the same. Just touch and go one.", "well. The start of the story and the villain is a bit similar", "the villain is a bit similar to the start of the Hijrp Potfeq", "and broke because of the fear of being shown up and it's the", "being shown up and it's the first book that starts the series, the", "the series, the adventure is about one guy lead the whole wizard world", "shown up and it's the first book that starts the series, the adventure", "I'm writing a book about the hidden wizard world that spread and broke", "There's a villain as well. The start of the story and the villain", "the first book that starts the series, the adventure is about one guy", "story and the villain is a bit similar to the start of the", "together and to establish a ministry and schools to develops the wizarding world.", "world. There's a villain as well. The start of the story and the", "the story and the villain is a bit similar to the start of", "world that spread and broke because of the fear of being shown up" ]
[ "weak. Furthermore he told all the adults how he enjoyed travelling, even though", "about B. Now I am aware that I could change the last furthermore", "was weak. Furthermore he told all the adults how he enjoyed travelling, even", "lie about B. He told everybody he was weak. Furthermore he told all", "much he enjoyed good food even though he never considered fancy food a", "would always lie about B. He told everybody he was weak. Furthermore he", "told people how much he enjoyed good food even though he never considered", "> > > I want to give multiple examples about A lying about", "a thing of great importance. > > > I want to give multiple", "he told people how much he enjoyed good food even though he never", "he enjoyed travelling, even though he did not. Furthermore he told people how", "is good writing. What other tips would you give about how to structure", "writing. What other tips would you give about how to structure this sentences?", "I am aware that I could change the last furthermore with a synonym", "told everybody he was weak. Furthermore he told all the adults how he", "people how much he enjoyed good food even though he never considered fancy", "considered fancy food a thing of great importance. > > > I want", "like moreover. I am not sure just randomly distributing different synonyms is good", "A would always lie about B. He told everybody he was weak. Furthermore", "I could change the last furthermore with a synonym like moreover. I am", "a synonym like moreover. I am not sure just randomly distributing different synonyms", "> > A would always lie about B. He told everybody he was", "how much he enjoyed good food even though he never considered fancy food", "multiple examples about A lying about B. Now I am aware that I", "he was weak. Furthermore he told all the adults how he enjoyed travelling,", "fancy food a thing of great importance. > > > I want to", "> > I want to give multiple examples about A lying about B.", "about B. He told everybody he was weak. Furthermore he told all the", "different synonyms is good writing. What other tips would you give about how", "Now I am aware that I could change the last furthermore with a", "good food even though he never considered fancy food a thing of great", "to give multiple examples about A lying about B. Now I am aware", "B. He told everybody he was weak. Furthermore he told all the adults", "> A would always lie about B. He told everybody he was weak.", "did not. Furthermore he told people how much he enjoyed good food even", "not sure just randomly distributing different synonyms is good writing. What other tips", "all the adults how he enjoyed travelling, even though he did not. Furthermore", "He told everybody he was weak. Furthermore he told all the adults how", "importance. > > > I want to give multiple examples about A lying", "> I want to give multiple examples about A lying about B. Now", "adults how he enjoyed travelling, even though he did not. Furthermore he told", "sure just randomly distributing different synonyms is good writing. What other tips would", "that I could change the last furthermore with a synonym like moreover. I", "I am not sure just randomly distributing different synonyms is good writing. What", "everybody he was weak. Furthermore he told all the adults how he enjoyed", "just randomly distributing different synonyms is good writing. What other tips would you", "could change the last furthermore with a synonym like moreover. I am not", "randomly distributing different synonyms is good writing. What other tips would you give", "Furthermore he told people how much he enjoyed good food even though he", "told all the adults how he enjoyed travelling, even though he did not.", "food even though he never considered fancy food a thing of great importance.", "he told all the adults how he enjoyed travelling, even though he did", "even though he never considered fancy food a thing of great importance. >", "not. Furthermore he told people how much he enjoyed good food even though", "examples about A lying about B. Now I am aware that I could", "the last furthermore with a synonym like moreover. I am not sure just", "B. Now I am aware that I could change the last furthermore with", "never considered fancy food a thing of great importance. > > > I", "he enjoyed good food even though he never considered fancy food a thing", "he never considered fancy food a thing of great importance. > > >", "am not sure just randomly distributing different synonyms is good writing. What other", "want to give multiple examples about A lying about B. Now I am", "change the last furthermore with a synonym like moreover. I am not sure", "Furthermore he told all the adults how he enjoyed travelling, even though he", "lying about B. Now I am aware that I could change the last", "aware that I could change the last furthermore with a synonym like moreover.", "give multiple examples about A lying about B. Now I am aware that", "even though he did not. Furthermore he told people how much he enjoyed", "am aware that I could change the last furthermore with a synonym like", "food a thing of great importance. > > > I want to give", "synonyms is good writing. What other tips would you give about how to", "enjoyed good food even though he never considered fancy food a thing of", "thing of great importance. > > > I want to give multiple examples", "of great importance. > > > I want to give multiple examples about", "enjoyed travelling, even though he did not. Furthermore he told people how much", "though he did not. Furthermore he told people how much he enjoyed good", "about A lying about B. Now I am aware that I could change", "last furthermore with a synonym like moreover. I am not sure just randomly", "though he never considered fancy food a thing of great importance. > >", "travelling, even though he did not. Furthermore he told people how much he", "furthermore with a synonym like moreover. I am not sure just randomly distributing", "how he enjoyed travelling, even though he did not. Furthermore he told people", "great importance. > > > I want to give multiple examples about A", "the adults how he enjoyed travelling, even though he did not. Furthermore he", "with a synonym like moreover. I am not sure just randomly distributing different", "he did not. Furthermore he told people how much he enjoyed good food", "I want to give multiple examples about A lying about B. Now I", "moreover. I am not sure just randomly distributing different synonyms is good writing.", "A lying about B. Now I am aware that I could change the", "synonym like moreover. I am not sure just randomly distributing different synonyms is", "good writing. What other tips would you give about how to structure this", "distributing different synonyms is good writing. What other tips would you give about", "always lie about B. He told everybody he was weak. Furthermore he told" ]
[ "my book is in English, and the actress is German, so I doubt", "common name, but my book is in English, and the actress is German,", "publishing my book - my pseudonym is the name of a German actress.", "the actress is German, so I doubt that she is very well known", "book - my pseudonym is the name of a German actress. Is it", "is the name of a German actress. Is it ok to use it?", "and the actress is German, so I doubt that she is very well", "so I doubt that she is very well known in the English-speaking world.", "German actress. Is it ok to use it? It's not a common name,", "ok to use it? It's not a common name, but my book is", "my own name when publishing my book - my pseudonym is the name", "but my book is in English, and the actress is German, so I", "is in English, and the actress is German, so I doubt that she", "not a common name, but my book is in English, and the actress", "that she is very well known in the English-speaking world. Where do I", "when publishing my book - my pseudonym is the name of a German", "name of a German actress. Is it ok to use it? It's not", "in English, and the actress is German, so I doubt that she is", "my book - my pseudonym is the name of a German actress. Is", "don't want to use my own name when publishing my book - my", "pseudonym is the name of a German actress. Is it ok to use", "want to use my own name when publishing my book - my pseudonym", "Is it ok to use it? It's not a common name, but my", "well known in the English-speaking world. Where do I check if the name", "to use it? It's not a common name, but my book is in", "actress. Is it ok to use it? It's not a common name, but", "use my own name when publishing my book - my pseudonym is the", "book is in English, and the actress is German, so I doubt that", "German, so I doubt that she is very well known in the English-speaking", "doubt that she is very well known in the English-speaking world. Where do", "it? It's not a common name, but my book is in English, and", "a common name, but my book is in English, and the actress is", "known in the English-speaking world. Where do I check if the name is", "name when publishing my book - my pseudonym is the name of a", "my pseudonym is the name of a German actress. Is it ok to", "is German, so I doubt that she is very well known in the", "is very well known in the English-speaking world. Where do I check if", "name, but my book is in English, and the actress is German, so", "own name when publishing my book - my pseudonym is the name of", "It's not a common name, but my book is in English, and the", "English, and the actress is German, so I doubt that she is very", "of a German actress. Is it ok to use it? It's not a", "a German actress. Is it ok to use it? It's not a common", "in the English-speaking world. Where do I check if the name is trademarked?", "the name of a German actress. Is it ok to use it? It's", "I doubt that she is very well known in the English-speaking world. Where", "it ok to use it? It's not a common name, but my book", "I don't want to use my own name when publishing my book -", "use it? It's not a common name, but my book is in English,", "she is very well known in the English-speaking world. Where do I check", "very well known in the English-speaking world. Where do I check if the", "actress is German, so I doubt that she is very well known in", "- my pseudonym is the name of a German actress. Is it ok", "to use my own name when publishing my book - my pseudonym is" ]
[ "How long is the moment? I've personally tried to make my eyes \"flash\"", "Physically, what is supposed to be described here? How long is the moment?", "eyes \"flash\" as quickly as possible and it's not nearly so quick. Perhaps", "fiction I get the impression that the expression is so fast as to", "be described here? How long is the moment? I've personally tried to make", "is: what is a more descriptive way to explain this act in fiction", "I am unique in my lack of abilities, but most of the time", "of the time when I read this in fiction I get the impression", "personally tried to make my eyes \"flash\" as quickly as possible and it's", "quick. Perhaps I am unique in my lack of abilities, but most of", "nearly so quick. Perhaps I am unique in my lack of abilities, but", "better question is: what is a more descriptive way to explain this act", "unique in my lack of abilities, but most of the time when I", "fast as to be just barely noticed. Perhaps a better question is: what", "get the impression that the expression is so fast as to be just", "am unique in my lack of abilities, but most of the time when", "so quick. Perhaps I am unique in my lack of abilities, but most", "make my eyes \"flash\" as quickly as possible and it's not nearly so", "I've read a lot of such phrases, but that one in particular doesn't", "time when I read this in fiction I get the impression that the", "long is the moment? I've personally tried to make my eyes \"flash\" as", "the impression that the expression is so fast as to be just barely", "in particular doesn't make sense to me. Physically, what is supposed to be", "possible and it's not nearly so quick. Perhaps I am unique in my", "in my lack of abilities, but most of the time when I read", "expression is so fast as to be just barely noticed. Perhaps a better", "that the expression is so fast as to be just barely noticed. Perhaps", "is so fast as to be just barely noticed. Perhaps a better question", "read a lot of such phrases, but that one in particular doesn't make", "of such phrases, but that one in particular doesn't make sense to me.", "lack of abilities, but most of the time when I read this in", "and it's not nearly so quick. Perhaps I am unique in my lack", "such phrases, but that one in particular doesn't make sense to me. Physically,", "here? How long is the moment? I've personally tried to make my eyes", "quickly as possible and it's not nearly so quick. Perhaps I am unique", "sense to me. Physically, what is supposed to be described here? How long", "the expression is so fast as to be just barely noticed. Perhaps a", "but that one in particular doesn't make sense to me. Physically, what is", "my eyes \"flash\" as quickly as possible and it's not nearly so quick.", "of abilities, but most of the time when I read this in fiction", "this in fiction I get the impression that the expression is so fast", "to make my eyes \"flash\" as quickly as possible and it's not nearly", "as quickly as possible and it's not nearly so quick. Perhaps I am", "a better question is: what is a more descriptive way to explain this", "a lot of such phrases, but that one in particular doesn't make sense", "not nearly so quick. Perhaps I am unique in my lack of abilities,", "particular doesn't make sense to me. Physically, what is supposed to be described", "to be described here? How long is the moment? I've personally tried to", "the time when I read this in fiction I get the impression that", "but most of the time when I read this in fiction I get", "as to be just barely noticed. Perhaps a better question is: what is", "I get the impression that the expression is so fast as to be", "so fast as to be just barely noticed. Perhaps a better question is:", "Perhaps a better question is: what is a more descriptive way to explain", "read this in fiction I get the impression that the expression is so", "as possible and it's not nearly so quick. Perhaps I am unique in", "what is supposed to be described here? How long is the moment? I've", "I read this in fiction I get the impression that the expression is", "I've personally tried to make my eyes \"flash\" as quickly as possible and", "abilities, but most of the time when I read this in fiction I", "me. Physically, what is supposed to be described here? How long is the", "is supposed to be described here? How long is the moment? I've personally", "just barely noticed. Perhaps a better question is: what is a more descriptive", "question is: what is a more descriptive way to explain this act in", "the moment? I've personally tried to make my eyes \"flash\" as quickly as", "Perhaps I am unique in my lack of abilities, but most of the", "one in particular doesn't make sense to me. Physically, what is supposed to", "what is a more descriptive way to explain this act in fiction writing?", "most of the time when I read this in fiction I get the", "noticed. Perhaps a better question is: what is a more descriptive way to", "\"flash\" as quickly as possible and it's not nearly so quick. Perhaps I", "it's not nearly so quick. Perhaps I am unique in my lack of", "phrases, but that one in particular doesn't make sense to me. Physically, what", "barely noticed. Perhaps a better question is: what is a more descriptive way", "my lack of abilities, but most of the time when I read this", "impression that the expression is so fast as to be just barely noticed.", "when I read this in fiction I get the impression that the expression", "to me. Physically, what is supposed to be described here? How long is", "to be just barely noticed. Perhaps a better question is: what is a", "moment? I've personally tried to make my eyes \"flash\" as quickly as possible", "described here? How long is the moment? I've personally tried to make my", "tried to make my eyes \"flash\" as quickly as possible and it's not", "that one in particular doesn't make sense to me. Physically, what is supposed", "doesn't make sense to me. Physically, what is supposed to be described here?", "supposed to be described here? How long is the moment? I've personally tried", "in fiction I get the impression that the expression is so fast as", "be just barely noticed. Perhaps a better question is: what is a more", "lot of such phrases, but that one in particular doesn't make sense to", "is the moment? I've personally tried to make my eyes \"flash\" as quickly", "make sense to me. Physically, what is supposed to be described here? How" ]
[ "things improve). There will be times where readers experience events from her perspective", "have used or seen (these could be writer's craft related, text format/appearance, anything)", "dealt with things improve). There will be times where readers experience events from", "upon her largely because of events, once those are eventually dealt with things", "with that has one character who becomes a bit less reliable mentally than", "into becoming an unreliable narrator, I want to show that change over time", "change over time through things like thought patterns and word choice. But even", "occur. As she falls into becoming an unreliable narrator, I want to show", "some tools you have used or seen (these could be writer's craft related,", "events, once those are eventually dealt with things improve). There will be times", "I want to show that change over time through things like thought patterns", "- What are some tools you have used or seen (these could be", "improve). There will be times where readers experience events from her perspective early,", "craft related, text format/appearance, anything) that effectively convey a character with an unstable", "There will be times where readers experience events from her perspective early, before", "show that change over time through things like thought patterns and word choice.", "But even without any specifics, I'm wondering - What are some tools you", "the big turning points occur. As she falls into becoming an unreliable narrator,", "becoming an unreliable narrator, I want to show that change over time through", "(this downward spiral is brought upon her largely because of events, once those", "falls into becoming an unreliable narrator, I want to show that change over", "her perspective early, before the big turning points occur. As she falls into", "seen (these could be writer's craft related, text format/appearance, anything) that effectively convey", "usual for a section of the story (this downward spiral is brought upon", "readers experience events from her perspective early, before the big turning points occur.", "points occur. As she falls into becoming an unreliable narrator, I want to", "one character who becomes a bit less reliable mentally than her usual for", "and word choice. But even without any specifics, I'm wondering - What are", "have a series idea that I am toying with that has one character", "brought upon her largely because of events, once those are eventually dealt with", "perspective early, before the big turning points occur. As she falls into becoming", "over time through things like thought patterns and word choice. But even without", "series idea that I am toying with that has one character who becomes", "wondering - What are some tools you have used or seen (these could", "of the story (this downward spiral is brought upon her largely because of", "from her perspective early, before the big turning points occur. As she falls", "things like thought patterns and word choice. But even without any specifics, I'm", "once those are eventually dealt with things improve). There will be times where", "thought patterns and word choice. But even without any specifics, I'm wondering -", "word choice. But even without any specifics, I'm wondering - What are some", "because of events, once those are eventually dealt with things improve). There will", "want to show that change over time through things like thought patterns and", "patterns and word choice. But even without any specifics, I'm wondering - What", "reliable mentally than her usual for a section of the story (this downward", "with things improve). There will be times where readers experience events from her", "writer's craft related, text format/appearance, anything) that effectively convey a character with an", "character who becomes a bit less reliable mentally than her usual for a", "largely because of events, once those are eventually dealt with things improve). There", "that I am toying with that has one character who becomes a bit", "bit less reliable mentally than her usual for a section of the story", "story (this downward spiral is brought upon her largely because of events, once", "to show that change over time through things like thought patterns and word", "What are some tools you have used or seen (these could be writer's", "idea that I am toying with that has one character who becomes a", "those are eventually dealt with things improve). There will be times where readers", "has one character who becomes a bit less reliable mentally than her usual", "less reliable mentally than her usual for a section of the story (this", "mentally than her usual for a section of the story (this downward spiral", "unreliable narrator, I want to show that change over time through things like", "becomes a bit less reliable mentally than her usual for a section of", "even without any specifics, I'm wondering - What are some tools you have", "than her usual for a section of the story (this downward spiral is", "without any specifics, I'm wondering - What are some tools you have used", "I am toying with that has one character who becomes a bit less", "could be writer's craft related, text format/appearance, anything) that effectively convey a character", "tools you have used or seen (these could be writer's craft related, text", "a bit less reliable mentally than her usual for a section of the", "early, before the big turning points occur. As she falls into becoming an", "her largely because of events, once those are eventually dealt with things improve).", "time through things like thought patterns and word choice. But even without any", "an unreliable narrator, I want to show that change over time through things", "be writer's craft related, text format/appearance, anything) that effectively convey a character with", "choice. But even without any specifics, I'm wondering - What are some tools", "used or seen (these could be writer's craft related, text format/appearance, anything) that", "I have a series idea that I am toying with that has one", "events from her perspective early, before the big turning points occur. As she", "for a section of the story (this downward spiral is brought upon her", "will be times where readers experience events from her perspective early, before the", "her usual for a section of the story (this downward spiral is brought", "toying with that has one character who becomes a bit less reliable mentally", "narrator, I want to show that change over time through things like thought", "of events, once those are eventually dealt with things improve). There will be", "times where readers experience events from her perspective early, before the big turning", "who becomes a bit less reliable mentally than her usual for a section", "the story (this downward spiral is brought upon her largely because of events,", "before the big turning points occur. As she falls into becoming an unreliable", "specifics, I'm wondering - What are some tools you have used or seen", "or seen (these could be writer's craft related, text format/appearance, anything) that effectively", "eventually dealt with things improve). There will be times where readers experience events", "turning points occur. As she falls into becoming an unreliable narrator, I want", "through things like thought patterns and word choice. But even without any specifics,", "am toying with that has one character who becomes a bit less reliable", "that change over time through things like thought patterns and word choice. But", "be times where readers experience events from her perspective early, before the big", "that has one character who becomes a bit less reliable mentally than her", "downward spiral is brought upon her largely because of events, once those are", "experience events from her perspective early, before the big turning points occur. As", "(these could be writer's craft related, text format/appearance, anything) that effectively convey a", "like thought patterns and word choice. But even without any specifics, I'm wondering", "are some tools you have used or seen (these could be writer's craft", "As she falls into becoming an unreliable narrator, I want to show that", "section of the story (this downward spiral is brought upon her largely because", "a series idea that I am toying with that has one character who", "spiral is brought upon her largely because of events, once those are eventually", "big turning points occur. As she falls into becoming an unreliable narrator, I", "any specifics, I'm wondering - What are some tools you have used or", "where readers experience events from her perspective early, before the big turning points", "she falls into becoming an unreliable narrator, I want to show that change", "are eventually dealt with things improve). There will be times where readers experience", "related, text format/appearance, anything) that effectively convey a character with an unstable mind?", "you have used or seen (these could be writer's craft related, text format/appearance,", "a section of the story (this downward spiral is brought upon her largely", "I'm wondering - What are some tools you have used or seen (these", "is brought upon her largely because of events, once those are eventually dealt" ]
[ "through the door. A gun shoot barely missed my head as I ducked", "a door left ajar, with a light seeping through. I went first, peeking", "future of everyone. Along the hallway there was a door left ajar, with", "grow at full throttle. Every step me and my team would make from", "safety and fired back. Suddenly, bright flash erupts from the room beyond. “NO!”,", "time, but I was too late. I was blown back, and as I", "the room beyond. “NO!”, I yelled, “GET DOWN!” My team went diving to", "own gun off safety and fired back. Suddenly, bright flash erupts from the", "tons of places I don't know how to make it sound like the", "left ajar, with a light seeping through. I went first, peeking through the", "back. I turned my own gun off safety and fired back. Suddenly, bright", "Along the hallway there was a door left ajar, with a light seeping", "back, and as I faded away my last thought was, \"I failed.\" See", "faded away my last thought was, \"I failed.\" See how some this seems", "the future of everyone. Along the hallway there was a door left ajar,", "my last thought was, \"I failed.\" See how some this seems like some", "present. Here's a sample. My nerves continued to grow at full throttle. Every", "how to make it sound like the present. Here's a sample. My nerves", "A gun shoot barely missed my head as I ducked back. I turned", "continued to grow at full throttle. Every step me and my team would", "ducked back. I turned my own gun off safety and fired back. Suddenly,", "\"I failed.\" See how some this seems like some happens in the past", "the present. Here's a sample. My nerves continued to grow at full throttle.", "head as I ducked back. I turned my own gun off safety and", "door left ajar, with a light seeping through. I went first, peeking through", "here on out would affect the future of everyone. Along the hallway there", "through. I went first, peeking through the door. A gun shoot barely missed", "step me and my team would make from here on out would affect", "went first, peeking through the door. A gun shoot barely missed my head", "yelled, “GET DOWN!” My team went diving to the floor just in time,", "sample. My nerves continued to grow at full throttle. Every step me and", "team went diving to the floor just in time, but I was too", "at full throttle. Every step me and my team would make from here", "off safety and fired back. Suddenly, bright flash erupts from the room beyond.", "bright flash erupts from the room beyond. “NO!”, I yelled, “GET DOWN!” My", "missed my head as I ducked back. I turned my own gun off", "first, peeking through the door. A gun shoot barely missed my head as", "back. Suddenly, bright flash erupts from the room beyond. “NO!”, I yelled, “GET", "fired back. Suddenly, bright flash erupts from the room beyond. “NO!”, I yelled,", "was, \"I failed.\" See how some this seems like some happens in the", "a sample. My nerves continued to grow at full throttle. Every step me", "everyone. Along the hallway there was a door left ajar, with a light", "erupts from the room beyond. “NO!”, I yelled, “GET DOWN!” My team went", "DOWN!” My team went diving to the floor just in time, but I", "shoot barely missed my head as I ducked back. I turned my own", "Here's a sample. My nerves continued to grow at full throttle. Every step", "as I faded away my last thought was, \"I failed.\" See how some", "last thought was, \"I failed.\" See how some this seems like some happens", "would affect the future of everyone. Along the hallway there was a door", "flash erupts from the room beyond. “NO!”, I yelled, “GET DOWN!” My team", "floor just in time, but I was too late. I was blown back,", "the hallway there was a door left ajar, with a light seeping through.", "was too late. I was blown back, and as I faded away my", "know how to make it sound like the present. Here's a sample. My", "failed.\" See how some this seems like some happens in the past and", "from the room beyond. “NO!”, I yelled, “GET DOWN!” My team went diving", "to make it sound like the present. Here's a sample. My nerves continued", "ajar, with a light seeping through. I went first, peeking through the door.", "the floor just in time, but I was too late. I was blown", "full throttle. Every step me and my team would make from here on", "I was blown back, and as I faded away my last thought was,", "went diving to the floor just in time, but I was too late.", "My team went diving to the floor just in time, but I was", "of everyone. Along the hallway there was a door left ajar, with a", "diving to the floor just in time, but I was too late. I", "it sound like the present. Here's a sample. My nerves continued to grow", "out would affect the future of everyone. Along the hallway there was a", "seeping through. I went first, peeking through the door. A gun shoot barely", "There are tons of places I don't know how to make it sound", "I ducked back. I turned my own gun off safety and fired back.", "door. A gun shoot barely missed my head as I ducked back. I", "away my last thought was, \"I failed.\" See how some this seems like", "of places I don't know how to make it sound like the present.", "nerves continued to grow at full throttle. Every step me and my team", "was a door left ajar, with a light seeping through. I went first,", "was blown back, and as I faded away my last thought was, \"I", "and as I faded away my last thought was, \"I failed.\" See how", "team would make from here on out would affect the future of everyone.", "I went first, peeking through the door. A gun shoot barely missed my", "me and my team would make from here on out would affect the", "peeking through the door. A gun shoot barely missed my head as I", "I don't know how to make it sound like the present. Here's a", "but I was too late. I was blown back, and as I faded", "late. I was blown back, and as I faded away my last thought", "I yelled, “GET DOWN!” My team went diving to the floor just in", "some this seems like some happens in the past and some in the", "like some happens in the past and some in the present! What do", "happens in the past and some in the present! What do I do?", "My nerves continued to grow at full throttle. Every step me and my", "would make from here on out would affect the future of everyone. Along", "and my team would make from here on out would affect the future", "places I don't know how to make it sound like the present. Here's", "“GET DOWN!” My team went diving to the floor just in time, but", "how some this seems like some happens in the past and some in", "and fired back. Suddenly, bright flash erupts from the room beyond. “NO!”, I", "gun off safety and fired back. Suddenly, bright flash erupts from the room", "on out would affect the future of everyone. Along the hallway there was", "this seems like some happens in the past and some in the present!", "Every step me and my team would make from here on out would", "make from here on out would affect the future of everyone. Along the", "room beyond. “NO!”, I yelled, “GET DOWN!” My team went diving to the", "don't know how to make it sound like the present. Here's a sample.", "I turned my own gun off safety and fired back. Suddenly, bright flash", "a light seeping through. I went first, peeking through the door. A gun", "barely missed my head as I ducked back. I turned my own gun", "light seeping through. I went first, peeking through the door. A gun shoot", "to the floor just in time, but I was too late. I was", "affect the future of everyone. Along the hallway there was a door left", "sound like the present. Here's a sample. My nerves continued to grow at", "blown back, and as I faded away my last thought was, \"I failed.\"", "“NO!”, I yelled, “GET DOWN!” My team went diving to the floor just", "seems like some happens in the past and some in the present! What", "I was too late. I was blown back, and as I faded away", "from here on out would affect the future of everyone. Along the hallway", "my own gun off safety and fired back. Suddenly, bright flash erupts from", "thought was, \"I failed.\" See how some this seems like some happens in", "as I ducked back. I turned my own gun off safety and fired", "to grow at full throttle. Every step me and my team would make", "hallway there was a door left ajar, with a light seeping through. I", "I faded away my last thought was, \"I failed.\" See how some this", "make it sound like the present. Here's a sample. My nerves continued to", "my team would make from here on out would affect the future of", "there was a door left ajar, with a light seeping through. I went", "gun shoot barely missed my head as I ducked back. I turned my", "turned my own gun off safety and fired back. Suddenly, bright flash erupts", "too late. I was blown back, and as I faded away my last", "my head as I ducked back. I turned my own gun off safety", "some happens in the past and some in the present! What do I", "just in time, but I was too late. I was blown back, and", "beyond. “NO!”, I yelled, “GET DOWN!” My team went diving to the floor", "Suddenly, bright flash erupts from the room beyond. “NO!”, I yelled, “GET DOWN!”", "throttle. Every step me and my team would make from here on out", "in time, but I was too late. I was blown back, and as", "like the present. Here's a sample. My nerves continued to grow at full", "See how some this seems like some happens in the past and some", "are tons of places I don't know how to make it sound like", "the door. A gun shoot barely missed my head as I ducked back.", "with a light seeping through. I went first, peeking through the door. A" ]
[ "pro than as an attachment. I foresee that there will be a concern", "I should attach the article as an attachment or a link? * Attachment:", "seems that submitting it as a link has more pro than as an", "I foresee that there will be a concern that including the tracking link", "an academic one either, but has reputation). I wonder if I should attach", "a Word document is a pain in mobile, and isn't better than opening", "* Link: can introduce other articles in it, and can have tracking tail", "tracking tail to know whether the link is opened or not So it", "would argue that opening a Word document is a pain in mobile, and", "opening a Word document is a pain in mobile, and isn't better than", "as a link has more pro than as an attachment. I foresee that", "in computer * Link: can introduce other articles in it, and can have", "to know whether the link is opened or not So it seems that", "I suspect that if they are running a website already, they also do", "with academic standards, but display my analysis nevertheless) and I would like to", "if they are running a website already, they also do that to others", "to others as well. A side question: how to get much feedback for", "a link? * Attachment: more trustworthy and convenient. But I would argue that", "standards, but display my analysis nevertheless) and I would like to submit it", "computer * Link: can introduce other articles in it, and can have tracking", "Word document is a pain in mobile, and isn't better than opening a", "have a research article (not really an article with academic standards, but display", "should attach the article as an attachment or a link? * Attachment: more", "side question: how to get much feedback for my article, if it's rejected?", "will be a concern that including the tracking link is not respecting the", "a link has more pro than as an attachment. I foresee that there", "reputation). I wonder if I should attach the article as an attachment or", "attach the article as an attachment or a link? * Attachment: more trustworthy", "a journal (not an academic one either, but has reputation). I wonder if", "trustworthy and convenient. But I would argue that opening a Word document is", "not So it seems that submitting it as a link has more pro", "link has more pro than as an attachment. I foresee that there will", "link? * Attachment: more trustworthy and convenient. But I would argue that opening", "as well. A side question: how to get much feedback for my article,", "to submit it to a journal (not an academic one either, but has", "a concern that including the tracking link is not respecting the readers, but", "link is not respecting the readers, but I suspect that if they are", "isn't better than opening a link in computer * Link: can introduce other", "do that to others as well. A side question: how to get much", "one either, but has reputation). I wonder if I should attach the article", "concern that including the tracking link is not respecting the readers, but I", "either, but has reputation). I wonder if I should attach the article as", "attachment or a link? * Attachment: more trustworthy and convenient. But I would", "as an attachment or a link? * Attachment: more trustworthy and convenient. But", "So it seems that submitting it as a link has more pro than", "have tracking tail to know whether the link is opened or not So", "suspect that if they are running a website already, they also do that", "Attachment: more trustworthy and convenient. But I would argue that opening a Word", "link in computer * Link: can introduce other articles in it, and can", "article (not really an article with academic standards, but display my analysis nevertheless)", "running a website already, they also do that to others as well. A", "I wonder if I should attach the article as an attachment or a", "nevertheless) and I would like to submit it to a journal (not an", "display my analysis nevertheless) and I would like to submit it to a", "but I suspect that if they are running a website already, they also", "as an attachment. I foresee that there will be a concern that including", "respecting the readers, but I suspect that if they are running a website", "but display my analysis nevertheless) and I would like to submit it to", "research article (not really an article with academic standards, but display my analysis", "that opening a Word document is a pain in mobile, and isn't better", "know whether the link is opened or not So it seems that submitting", "and isn't better than opening a link in computer * Link: can introduce", "an attachment. I foresee that there will be a concern that including the", "that to others as well. A side question: how to get much feedback", "A side question: how to get much feedback for my article, if it's", "I would like to submit it to a journal (not an academic one", "journal (not an academic one either, but has reputation). I wonder if I", "a link in computer * Link: can introduce other articles in it, and", "it as a link has more pro than as an attachment. I foresee", "can have tracking tail to know whether the link is opened or not", "has reputation). I wonder if I should attach the article as an attachment", "that there will be a concern that including the tracking link is not", "my analysis nevertheless) and I would like to submit it to a journal", "opening a link in computer * Link: can introduce other articles in it,", "submit it to a journal (not an academic one either, but has reputation).", "attachment. I foresee that there will be a concern that including the tracking", "Link: can introduce other articles in it, and can have tracking tail to", "* Attachment: more trustworthy and convenient. But I would argue that opening a", "like to submit it to a journal (not an academic one either, but", "(not really an article with academic standards, but display my analysis nevertheless) and", "introduce other articles in it, and can have tracking tail to know whether", "an article with academic standards, but display my analysis nevertheless) and I would", "a website already, they also do that to others as well. A side", "the article as an attachment or a link? * Attachment: more trustworthy and", "and convenient. But I would argue that opening a Word document is a", "well. A side question: how to get much feedback for my article, if", "including the tracking link is not respecting the readers, but I suspect that", "more pro than as an attachment. I foresee that there will be a", "is not respecting the readers, but I suspect that if they are running", "if I should attach the article as an attachment or a link? ", "articles in it, and can have tracking tail to know whether the link", "analysis nevertheless) and I would like to submit it to a journal (not", "opened or not So it seems that submitting it as a link has", "other articles in it, and can have tracking tail to know whether the", "the readers, but I suspect that if they are running a website already,", "others as well. A side question: how to get much feedback for my", "mobile, and isn't better than opening a link in computer Link: can", "it, and can have tracking tail to know whether the link is opened", "document is a pain in mobile, and isn't better than opening a link", "really an article with academic standards, but display my analysis nevertheless) and I", "wonder if I should attach the article as an attachment or a link?", "more trustworthy and convenient. But I would argue that opening a Word document", "tail to know whether the link is opened or not So it seems", "that including the tracking link is not respecting the readers, but I suspect", "are running a website already, they also do that to others as well.", "(not an academic one either, but has reputation). I wonder if I should", "can introduce other articles in it, and can have tracking tail to know", "it seems that submitting it as a link has more pro than as", "tracking link is not respecting the readers, but I suspect that if they", "link is opened or not So it seems that submitting it as a", "or not So it seems that submitting it as a link has more", "but has reputation). I wonder if I should attach the article as an", "also do that to others as well. A side question: how to get", "than opening a link in computer * Link: can introduce other articles in", "the tracking link is not respecting the readers, but I suspect that if", "they are running a website already, they also do that to others as", "that if they are running a website already, they also do that to", "and can have tracking tail to know whether the link is opened or", "in it, and can have tracking tail to know whether the link is", "be a concern that including the tracking link is not respecting the readers,", "the link is opened or not So it seems that submitting it as", "they also do that to others as well. A side question: how to", "whether the link is opened or not So it seems that submitting it", "it to a journal (not an academic one either, but has reputation). I", "and I would like to submit it to a journal (not an academic", "academic one either, but has reputation). I wonder if I should attach the", "or a link? * Attachment: more trustworthy and convenient. But I would argue", "I would argue that opening a Word document is a pain in mobile,", "to a journal (not an academic one either, but has reputation). I wonder", "not respecting the readers, but I suspect that if they are running a", "a research article (not really an article with academic standards, but display my", "pain in mobile, and isn't better than opening a link in computer ", "website already, they also do that to others as well. A side question:", "that submitting it as a link has more pro than as an attachment.", "already, they also do that to others as well. A side question: how", "foresee that there will be a concern that including the tracking link is", "has more pro than as an attachment. I foresee that there will be", "convenient. But I would argue that opening a Word document is a pain", "a pain in mobile, and isn't better than opening a link in computer", "argue that opening a Word document is a pain in mobile, and isn't", "there will be a concern that including the tracking link is not respecting", "is a pain in mobile, and isn't better than opening a link in", "better than opening a link in computer Link: can introduce other articles", "submitting it as a link has more pro than as an attachment. I", "I have a research article (not really an article with academic standards, but", "in mobile, and isn't better than opening a link in computer * Link:", "academic standards, but display my analysis nevertheless) and I would like to submit", "article as an attachment or a link? * Attachment: more trustworthy and convenient.", "would like to submit it to a journal (not an academic one either,", "than as an attachment. I foresee that there will be a concern that", "an attachment or a link? * Attachment: more trustworthy and convenient. But I", "But I would argue that opening a Word document is a pain in", "readers, but I suspect that if they are running a website already, they", "is opened or not So it seems that submitting it as a link", "article with academic standards, but display my analysis nevertheless) and I would like" ]
[ "said that I can just publish it... but I don't know if that", "we - or I - thought that she wouldn't just quit... like we're", "it... but I don't know if that means I can just have my", "was going to publish... but now I'm not sure how I can. I", "her name on the novel too, if I get it published, because she", "wrote half of it with me... but I can't do that because she", "name on it... and maybe just put hers in the acknowledgements? But then,", "- or I - thought that she wouldn't just quit... like we're best", "me... but I can't do that because she can't have the credit for", "friend, and half way through - at 70,000 words - she decides she", "I - thought that she wouldn't just quit... like we're best friends and", "with my best friend, and half way through - at 70,000 words -", "agreements or anything because we - or I - thought that she wouldn't", "I was going to publish... but now I'm not sure how I can.", "would make it more difficult for me to publish as there has been...", "that because she can't have the credit for the whole novel if I", "that means I can just have my name on it... and maybe just", "fight she said that I can just publish it... but I don't know", "that basically she should have her name on the novel too, if I", "don't know if that means I can just have my name on it...", "to publish... but now I'm not sure how I can. I have written", "how I can. I have written 20,000 words since she quit (which was", "so much work into it. But since we first started I had decided", "because she wrote half of it with me... but I can't do that", "any agreements or anything because we - or I - thought that she", "she said that basically she should have her name on the novel too,", "wouldn't just quit... like we're best friends and put so much work into", "and maybe just put hers in the acknowledgements? But then, I was wondering", "didn't have any agreements or anything because we - or I - thought", "has been... well problems with ownership. And I am going to have two", "name on the novel too, if I get it published, because she wrote", "I can just have my name on it... and maybe just put hers", "for me to publish as there has been... well problems with ownership. And", "going to publish... but now I'm not sure how I can. I have", "decided I was going to publish... but now I'm not sure how I", "not sure how I can. I have written 20,000 words since she quit", "write the book anymore; but I still can. And we didn't have any", "more difficult for me to publish as there has been... well problems with", "but now I'm not sure how I can. I have written 20,000 words", "have her name on the novel too, if I get it published, because", "of it with me... but I can't do that because she can't have", "I was wondering if this would make it more difficult for me to", "to write the book anymore; but I still can. And we didn't have", "it. But since we first started I had decided I was going to", "quit... like we're best friends and put so much work into it. But", "publish... but now I'm not sure how I can. I have written 20,000", "first she said that basically she should have her name on the novel", "put hers in the acknowledgements? But then, I was wondering if this would", "a week or two ago) and at first she said that basically she", "the novel too, if I get it published, because she wrote half of", "but I can't do that because she can't have the credit for the", "means I can just have my name on it... and maybe just put", "was writing a book with my best friend, and half way through -", "she said that I can just publish it... but I don't know if", "should have her name on the novel too, if I get it published,", "and half way through - at 70,000 words - she decides she doesn't", "it more difficult for me to publish as there has been... well problems", "I had decided I was going to publish... but now I'm not sure", "and put so much work into it. But since we first started I", "she quit (which was about a week or two ago) and at first", "first started I had decided I was going to publish... but now I'm", "ago) and at first she said that basically she should have her name", "70,000 words - she decides she doesn't want to write the book anymore;", "she can't have the credit for the whole novel if I wrote one", "work into it. But since we first started I had decided I was", "do that because she can't have the credit for the whole novel if", "it with me... but I can't do that because she can't have the", "a big fight she said that I can just publish it... but I", "best friend, and half way through - at 70,000 words - she decides", "quit (which was about a week or two ago) and at first she", "best friends and put so much work into it. But since we first", "I still can. And we didn't have any agreements or anything because we", "publish as there has been... well problems with ownership. And I am going", "can. I have written 20,000 words since she quit (which was about a", "more novels going off this first book... so they would just be solely", "well problems with ownership. And I am going to have two more novels", "on it... and maybe just put hers in the acknowledgements? But then, I", "friends and put so much work into it. But since we first started", "but I don't know if that means I can just have my name", "make it more difficult for me to publish as there has been... well", "my name on it... and maybe just put hers in the acknowledgements? But", "have written 20,000 words since she quit (which was about a week or", "novel too, if I get it published, because she wrote half of it", "have the credit for the whole novel if I wrote one half by", "can just have my name on it... and maybe just put hers in", "acknowledgements? But then, I was wondering if this would make it more difficult", "to publish as there has been... well problems with ownership. And I am", "- at 70,000 words - she decides she doesn't want to write the", "said that basically she should have her name on the novel too, if", "I have written 20,000 words since she quit (which was about a week", "words - she decides she doesn't want to write the book anymore; but", "it published, because she wrote half of it with me... but I can't", "novel if I wrote one half by myself. So, after we had a", "- she decides she doesn't want to write the book anymore; but I", "through - at 70,000 words - she decides she doesn't want to write", "I am going to have two more novels going off this first book...", "myself. So, after we had a big fight she said that I can", "just publish it... but I don't know if that means I can just", "she wouldn't just quit... like we're best friends and put so much work", "novels going off this first book... so they would just be solely mine,", "can. And we didn't have any agreements or anything because we - or", "written 20,000 words since she quit (which was about a week or two", "maybe just put hers in the acknowledgements? But then, I was wondering if", "she wrote half of it with me... but I can't do that because", "anything because we - or I - thought that she wouldn't just quit...", "we didn't have any agreements or anything because we - or I -", "book with my best friend, and half way through - at 70,000 words", "credit for the whole novel if I wrote one half by myself. So,", "she decides she doesn't want to write the book anymore; but I still", "problems with ownership. And I am going to have two more novels going", "going off this first book... so they would just be solely mine, right?", "now I'm not sure how I can. I have written 20,000 words since", "by myself. So, after we had a big fight she said that I", "big fight she said that I can just publish it... but I don't", "I can just publish it... but I don't know if that means I", "know if that means I can just have my name on it... and", "this would make it more difficult for me to publish as there has", "the credit for the whole novel if I wrote one half by myself.", "wondering if this would make it more difficult for me to publish as", "with ownership. And I am going to have two more novels going off", "way through - at 70,000 words - she decides she doesn't want to", "(which was about a week or two ago) and at first she said", "doesn't want to write the book anymore; but I still can. And we", "just have my name on it... and maybe just put hers in the", "So, after we had a big fight she said that I can just", "wrote one half by myself. So, after we had a big fight she", "like we're best friends and put so much work into it. But since", "decides she doesn't want to write the book anymore; but I still can.", "because we - or I - thought that she wouldn't just quit... like", "was about a week or two ago) and at first she said that", "because she can't have the credit for the whole novel if I wrote", "going to have two more novels going off this first book... so they", "20,000 words since she quit (which was about a week or two ago)", "can't do that because she can't have the credit for the whole novel", "then, I was wondering if this would make it more difficult for me", "difficult for me to publish as there has been... well problems with ownership.", "publish it... but I don't know if that means I can just have", "am going to have two more novels going off this first book... so", "after we had a big fight she said that I can just publish", "we had a big fight she said that I can just publish it...", "been... well problems with ownership. And I am going to have two more", "half way through - at 70,000 words - she decides she doesn't want", "as there has been... well problems with ownership. And I am going to", "in the acknowledgements? But then, I was wondering if this would make it", "half by myself. So, after we had a big fight she said that", "ownership. And I am going to have two more novels going off this", "So, I was writing a book with my best friend, and half way", "And I am going to have two more novels going off this first", "- thought that she wouldn't just quit... like we're best friends and put", "have any agreements or anything because we - or I - thought that", "the whole novel if I wrote one half by myself. So, after we", "to have two more novels going off this first book... so they would", "week or two ago) and at first she said that basically she should", "me to publish as there has been... well problems with ownership. And I", "I can't do that because she can't have the credit for the whole", "if I wrote one half by myself. So, after we had a big", "thought that she wouldn't just quit... like we're best friends and put so", "it... and maybe just put hers in the acknowledgements? But then, I was", "much work into it. But since we first started I had decided I", "started I had decided I was going to publish... but now I'm not", "we first started I had decided I was going to publish... but now", "half of it with me... but I can't do that because she can't", "still can. And we didn't have any agreements or anything because we -", "I was writing a book with my best friend, and half way through", "at 70,000 words - she decides she doesn't want to write the book", "I get it published, because she wrote half of it with me... but", "have my name on it... and maybe just put hers in the acknowledgements?", "we're best friends and put so much work into it. But since we", "just quit... like we're best friends and put so much work into it.", "that she wouldn't just quit... like we're best friends and put so much", "I wrote one half by myself. So, after we had a big fight", "was wondering if this would make it more difficult for me to publish", "can just publish it... but I don't know if that means I can", "two more novels going off this first book... so they would just be", "the acknowledgements? But then, I was wondering if this would make it more", "one half by myself. So, after we had a big fight she said", "that I can just publish it... but I don't know if that means", "writing a book with my best friend, and half way through - at", "and at first she said that basically she should have her name on", "sure how I can. I have written 20,000 words since she quit (which", "she doesn't want to write the book anymore; but I still can. And", "hers in the acknowledgements? But then, I was wondering if this would make", "anymore; but I still can. And we didn't have any agreements or anything", "or I - thought that she wouldn't just quit... like we're best friends", "put so much work into it. But since we first started I had", "since she quit (which was about a week or two ago) and at", "whole novel if I wrote one half by myself. So, after we had", "published, because she wrote half of it with me... but I can't do", "if I get it published, because she wrote half of it with me...", "my best friend, and half way through - at 70,000 words - she", "there has been... well problems with ownership. And I am going to have", "too, if I get it published, because she wrote half of it with", "had a big fight she said that I can just publish it... but", "But since we first started I had decided I was going to publish...", "the book anymore; but I still can. And we didn't have any agreements", "into it. But since we first started I had decided I was going", "she should have her name on the novel too, if I get it", "if this would make it more difficult for me to publish as there", "for the whole novel if I wrote one half by myself. So, after", "I'm not sure how I can. I have written 20,000 words since she", "can't have the credit for the whole novel if I wrote one half", "want to write the book anymore; but I still can. And we didn't", "or anything because we - or I - thought that she wouldn't just", "since we first started I had decided I was going to publish... but", "get it published, because she wrote half of it with me... but I", "words since she quit (which was about a week or two ago) and", "And we didn't have any agreements or anything because we - or I", "But then, I was wondering if this would make it more difficult for", "but I still can. And we didn't have any agreements or anything because", "I can. I have written 20,000 words since she quit (which was about", "on the novel too, if I get it published, because she wrote half", "two ago) and at first she said that basically she should have her", "a book with my best friend, and half way through - at 70,000", "or two ago) and at first she said that basically she should have", "had decided I was going to publish... but now I'm not sure how", "if that means I can just have my name on it... and maybe", "just put hers in the acknowledgements? But then, I was wondering if this", "I don't know if that means I can just have my name on", "at first she said that basically she should have her name on the", "have two more novels going off this first book... so they would just", "basically she should have her name on the novel too, if I get", "with me... but I can't do that because she can't have the credit", "book anymore; but I still can. And we didn't have any agreements or", "about a week or two ago) and at first she said that basically" ]
[ "> “Ouch! Brock!” cried Iyabolge in a hushed whisper, “you’re drunk and you’re", "novel I am writing and have a question about the style of wording", "it showed on his forehead. His pupils were dilated, and white powder lined", "You the boxer, right? Well you gerring close t-t-to gerring your ass beat.", "looked at this, she did not get my character slurring. She asked what", "is speaking. Should I italicize his dialogue to emphasize the slur? > >", "He glared at him and said, “Boy, I know you! You the boxer,", "to emphasize the slur? > > “H-h-h-hey baebae!” slurred Brock. “Where ya fuckin’", "powder lined his nose. He grabbed Iyabolge’s forearm and growled, “Whada hell you", "drunk character’s speech. I have included the character dialogue below. The character is", "language he is speaking. Should I italicize his dialogue to emphasize the slur?", "that!” > > Brock released his grip and stumbled towards Yiufaf with a", "know you! You the boxer, right? Well you gerring close t-t-to gerring your", "forearm and growled, “Whada hell you doin’?” > “Ouch! Brock!” cried Iyabolge in", "“Boy, I know you! You the boxer, right? Well you gerring close t-t-to", "the character dialogue below. The character is drunk and is slurring. When my", "not grab her like that!” > > Brock released his grip and stumbled", "his forehead. His pupils were dilated, and white powder lined his nose. He", "her like that!” > > Brock released his grip and stumbled towards Yiufaf", "slur? > > “H-h-h-hey baebae!” slurred Brock. “Where ya fuckin’ been?” The buttons", "When my wife looked at this, she did not get my character slurring.", "like that!” > > Brock released his grip and stumbled towards Yiufaf with", "a reddened face. He glared at him and said, “Boy, I know you!", "and white powder lined his nose. He grabbed Iyabolge’s forearm and growled, “Whada", "in a hushed whisper, “you’re drunk and you’re hurting me!” > > “Hey!”", "have a question about the style of wording in a drunk character’s speech.", "his grip and stumbled towards Yiufaf with a reddened face. He glared at", "> > Brock released his grip and stumbled towards Yiufaf with a reddened", "in a drunk character’s speech. I have included the character dialogue below. The", "growled, “Whada hell you doin’?” > “Ouch! Brock!” cried Iyabolge in a hushed", "in my novel I am writing and have a question about the style", "I know you! You the boxer, right? Well you gerring close t-t-to gerring", "she did not get my character slurring. She asked what type of language", "doin’?” > “Ouch! Brock!” cried Iyabolge in a hushed whisper, “you’re drunk and", "at this, she did not get my character slurring. She asked what type", "my novel I am writing and have a question about the style of", "this, she did not get my character slurring. She asked what type of", "you gerring close t-t-to gerring your ass beat. I-I’m a street fighrer and", "have included the character dialogue below. The character is drunk and is slurring.", "“Hey!” Yiufaf shouted. “What is your problem? Do not grab her like that!”", "ya fuckin’ been?” The buttons on his shirt were unbuttoned from the neck", "> “H-h-h-hey baebae!” slurred Brock. “Where ya fuckin’ been?” The buttons on his", "shirt were unbuttoned from the neck down to the middle of his pecs.", "not get my character slurring. She asked what type of language he is", "been?” The buttons on his shirt were unbuttoned from the neck down to", "Brock!” cried Iyabolge in a hushed whisper, “you’re drunk and you’re hurting me!”", "> “Hey!” Yiufaf shouted. “What is your problem? Do not grab her like", "were dilated, and white powder lined his nose. He grabbed Iyabolge’s forearm and", "grabbed Iyabolge’s forearm and growled, “Whada hell you doin’?” > “Ouch! Brock!” cried", "his shirt were unbuttoned from the neck down to the middle of his", "whisper, “you’re drunk and you’re hurting me!” > > “Hey!” Yiufaf shouted. “What", "hurting me!” > > “Hey!” Yiufaf shouted. “What is your problem? Do not", "drunk and is slurring. When my wife looked at this, she did not", "dialogue below. The character is drunk and is slurring. When my wife looked", "italicize his dialogue to emphasize the slur? > > “H-h-h-hey baebae!” slurred Brock.", "> > “H-h-h-hey baebae!” slurred Brock. “Where ya fuckin’ been?” The buttons on", "glared at him and said, “Boy, I know you! You the boxer, right?", "from the neck down to the middle of his pecs. He was perspiring", "you’re hurting me!” > > “Hey!” Yiufaf shouted. “What is your problem? Do", "street fighrer and c-c-can k-k-kick yer ass!” > > > How can I", "a scene in my novel I am writing and have a question about", "“Ouch! Brock!” cried Iyabolge in a hushed whisper, “you’re drunk and you’re hurting", "wife looked at this, she did not get my character slurring. She asked", "on his forehead. His pupils were dilated, and white powder lined his nose.", "cried Iyabolge in a hushed whisper, “you’re drunk and you’re hurting me!” >", "of his pecs. He was perspiring profusely; it showed on his forehead. His", "did not get my character slurring. She asked what type of language he", "Well you gerring close t-t-to gerring your ass beat. I-I’m a street fighrer", "he is speaking. Should I italicize his dialogue to emphasize the slur? >", "showed on his forehead. His pupils were dilated, and white powder lined his", "speech. I have included the character dialogue below. The character is drunk and", "Yiufaf shouted. “What is your problem? Do not grab her like that!” >", "and c-c-can k-k-kick yer ass!” > > > How can I make this", "He grabbed Iyabolge’s forearm and growled, “Whada hell you doin’?” > “Ouch! Brock!”", "his pecs. He was perspiring profusely; it showed on his forehead. His pupils", "my character slurring. She asked what type of language he is speaking. Should", "style of wording in a drunk character’s speech. I have included the character", "and have a question about the style of wording in a drunk character’s", "neck down to the middle of his pecs. He was perspiring profusely; it", "scene in my novel I am writing and have a question about the", "was perspiring profusely; it showed on his forehead. His pupils were dilated, and", "asked what type of language he is speaking. Should I italicize his dialogue", "were unbuttoned from the neck down to the middle of his pecs. He", "t-t-to gerring your ass beat. I-I’m a street fighrer and c-c-can k-k-kick yer", "the middle of his pecs. He was perspiring profusely; it showed on his", "Should I italicize his dialogue to emphasize the slur? > > “H-h-h-hey baebae!”", "of language he is speaking. Should I italicize his dialogue to emphasize the", "you! You the boxer, right? Well you gerring close t-t-to gerring your ass", "Iyabolge in a hushed whisper, “you’re drunk and you’re hurting me!” > >", "profusely; it showed on his forehead. His pupils were dilated, and white powder", "is slurring. When my wife looked at this, she did not get my", "character is drunk and is slurring. When my wife looked at this, she", "the neck down to the middle of his pecs. He was perspiring profusely;", "The buttons on his shirt were unbuttoned from the neck down to the", "slurred Brock. “Where ya fuckin’ been?” The buttons on his shirt were unbuttoned", "question about the style of wording in a drunk character’s speech. I have", "your ass beat. I-I’m a street fighrer and c-c-can k-k-kick yer ass!” >", "am working on a scene in my novel I am writing and have", "“H-h-h-hey baebae!” slurred Brock. “Where ya fuckin’ been?” The buttons on his shirt", "shouted. “What is your problem? Do not grab her like that!” > >", "Brock released his grip and stumbled towards Yiufaf with a reddened face. He", "a question about the style of wording in a drunk character’s speech. I", "is your problem? Do not grab her like that!” > > Brock released", "I have included the character dialogue below. The character is drunk and is", "on his shirt were unbuttoned from the neck down to the middle of", "you doin’?” > “Ouch! Brock!” cried Iyabolge in a hushed whisper, “you’re drunk", "grab her like that!” > > Brock released his grip and stumbled towards", "boxer, right? Well you gerring close t-t-to gerring your ass beat. I-I’m a", "hushed whisper, “you’re drunk and you’re hurting me!” > > “Hey!” Yiufaf shouted.", "character slurring. She asked what type of language he is speaking. Should I", "the slur? > > “H-h-h-hey baebae!” slurred Brock. “Where ya fuckin’ been?” The", "grip and stumbled towards Yiufaf with a reddened face. He glared at him", "face. He glared at him and said, “Boy, I know you! You the", "slurring. When my wife looked at this, she did not get my character", "and growled, “Whada hell you doin’?” > “Ouch! Brock!” cried Iyabolge in a", "“Where ya fuckin’ been?” The buttons on his shirt were unbuttoned from the", "working on a scene in my novel I am writing and have a", "buttons on his shirt were unbuttoned from the neck down to the middle", "a hushed whisper, “you’re drunk and you’re hurting me!” > > “Hey!” Yiufaf", "the boxer, right? Well you gerring close t-t-to gerring your ass beat. I-I’m", "beat. I-I’m a street fighrer and c-c-can k-k-kick yer ass!” > > >", "I-I’m a street fighrer and c-c-can k-k-kick yer ass!” > > > How", "middle of his pecs. He was perspiring profusely; it showed on his forehead.", "close t-t-to gerring your ass beat. I-I’m a street fighrer and c-c-can k-k-kick", "“Whada hell you doin’?” > “Ouch! Brock!” cried Iyabolge in a hushed whisper,", "a street fighrer and c-c-can k-k-kick yer ass!” > > > How can", "what type of language he is speaking. Should I italicize his dialogue to", "“What is your problem? Do not grab her like that!” > > Brock", "stumbled towards Yiufaf with a reddened face. He glared at him and said,", "c-c-can k-k-kick yer ass!” > > > How can I make this clearer?", "white powder lined his nose. He grabbed Iyabolge’s forearm and growled, “Whada hell", "is drunk and is slurring. When my wife looked at this, she did", "character dialogue below. The character is drunk and is slurring. When my wife", "and is slurring. When my wife looked at this, she did not get", "slurring. She asked what type of language he is speaking. Should I italicize", "on a scene in my novel I am writing and have a question", "perspiring profusely; it showed on his forehead. His pupils were dilated, and white", "right? Well you gerring close t-t-to gerring your ass beat. I-I’m a street", "gerring close t-t-to gerring your ass beat. I-I’m a street fighrer and c-c-can", "your problem? Do not grab her like that!” > > Brock released his", "unbuttoned from the neck down to the middle of his pecs. He was", "He was perspiring profusely; it showed on his forehead. His pupils were dilated,", "lined his nose. He grabbed Iyabolge’s forearm and growled, “Whada hell you doin’?”", "at him and said, “Boy, I know you! You the boxer, right? Well", "pecs. He was perspiring profusely; it showed on his forehead. His pupils were", "the style of wording in a drunk character’s speech. I have included the", "Brock. “Where ya fuckin’ been?” The buttons on his shirt were unbuttoned from", "down to the middle of his pecs. He was perspiring profusely; it showed", "drunk and you’re hurting me!” > > “Hey!” Yiufaf shouted. “What is your", "writing and have a question about the style of wording in a drunk", "“you’re drunk and you’re hurting me!” > > “Hey!” Yiufaf shouted. “What is", "his nose. He grabbed Iyabolge’s forearm and growled, “Whada hell you doin’?” >", "and stumbled towards Yiufaf with a reddened face. He glared at him and", "> > “Hey!” Yiufaf shouted. “What is your problem? Do not grab her", "reddened face. He glared at him and said, “Boy, I know you! You", "me!” > > “Hey!” Yiufaf shouted. “What is your problem? Do not grab", "type of language he is speaking. Should I italicize his dialogue to emphasize", "Iyabolge’s forearm and growled, “Whada hell you doin’?” > “Ouch! Brock!” cried Iyabolge", "pupils were dilated, and white powder lined his nose. He grabbed Iyabolge’s forearm", "get my character slurring. She asked what type of language he is speaking.", "gerring your ass beat. I-I’m a street fighrer and c-c-can k-k-kick yer ass!”", "I italicize his dialogue to emphasize the slur? > > “H-h-h-hey baebae!” slurred", "> Brock released his grip and stumbled towards Yiufaf with a reddened face.", "I am writing and have a question about the style of wording in", "baebae!” slurred Brock. “Where ya fuckin’ been?” The buttons on his shirt were", "Do not grab her like that!” > > Brock released his grip and", "dialogue to emphasize the slur? > > “H-h-h-hey baebae!” slurred Brock. “Where ya", "him and said, “Boy, I know you! You the boxer, right? Well you", "speaking. Should I italicize his dialogue to emphasize the slur? > > “H-h-h-hey", "my wife looked at this, she did not get my character slurring. She", "towards Yiufaf with a reddened face. He glared at him and said, “Boy,", "The character is drunk and is slurring. When my wife looked at this,", "I am working on a scene in my novel I am writing and", "and you’re hurting me!” > > “Hey!” Yiufaf shouted. “What is your problem?", "problem? Do not grab her like that!” > > Brock released his grip", "fighrer and c-c-can k-k-kick yer ass!” > > > How can I make", "said, “Boy, I know you! You the boxer, right? Well you gerring close", "below. The character is drunk and is slurring. When my wife looked at", "of wording in a drunk character’s speech. I have included the character dialogue", "wording in a drunk character’s speech. I have included the character dialogue below.", "character’s speech. I have included the character dialogue below. The character is drunk", "She asked what type of language he is speaking. Should I italicize his", "dilated, and white powder lined his nose. He grabbed Iyabolge’s forearm and growled,", "released his grip and stumbled towards Yiufaf with a reddened face. He glared", "Yiufaf with a reddened face. He glared at him and said, “Boy, I", "fuckin’ been?” The buttons on his shirt were unbuttoned from the neck down", "to the middle of his pecs. He was perspiring profusely; it showed on", "a drunk character’s speech. I have included the character dialogue below. The character", "included the character dialogue below. The character is drunk and is slurring. When", "nose. He grabbed Iyabolge’s forearm and growled, “Whada hell you doin’?” > “Ouch!", "his dialogue to emphasize the slur? > > “H-h-h-hey baebae!” slurred Brock. “Where", "am writing and have a question about the style of wording in a", "forehead. His pupils were dilated, and white powder lined his nose. He grabbed", "and said, “Boy, I know you! You the boxer, right? Well you gerring", "about the style of wording in a drunk character’s speech. I have included", "ass beat. I-I’m a street fighrer and c-c-can k-k-kick yer ass!” > >", "with a reddened face. He glared at him and said, “Boy, I know", "His pupils were dilated, and white powder lined his nose. He grabbed Iyabolge’s", "emphasize the slur? > > “H-h-h-hey baebae!” slurred Brock. “Where ya fuckin’ been?”", "hell you doin’?” > “Ouch! Brock!” cried Iyabolge in a hushed whisper, “you’re" ]
[ "yet written) book of my novel series, the ending is a cliffhanger. A", "no annoying details left unanswered. The only question present is simply, what do", "series, the ending is a cliffhanger. A very hopeless one. The very hopelessness", "(the books are generally quite hopeless and unforgiving). I want to create an", "of the series (the books are generally quite hopeless and unforgiving). I want", "are no good cliffhangers? Or perhaps getting annoyed at cliffhangers is the issue", "more hopeful ending. But I am a bit scared of cliffhangers. Seeing the", "want to create an everlasting suspense and fear for the characters by killing", "but I'm shocking them in a way as to leave them traumatized and", "do next? In this way, the characters are as clueless as the readers.", "it serves to put the readers in the right mindset, and to contrast", "the coming book. What I suspect TWD did wrong is leaving the viewer", "what do we do next? In this way, the characters are as clueless", "I'd like to know the do's and dont's when it comes to creating", "I suspect TWD did wrong is leaving the viewer with an annoyingly intense", "shocking them in a way as to leave them traumatized and scared for", "the second (not yet written) book of my novel series, the ending is", "I want to create an everlasting suspense and fear for the characters by", "What I suspect TWD did wrong is leaving the viewer with an annoyingly", "resolution. And there are no annoying details left unanswered. The only question present", "a cliffhanger. A very hopeless one. The very hopelessness of it is deliberate.", "around who a certain act was done to, my cliffhanger centers around what", "centers around what they're supposed to do next, in the coming book. What", "the distinguishing of good and bad cliffhangers lies somewhere else. Perhaps there are", "written) book of my novel series, the ending is a cliffhanger. A very", "arbitrary difference, and the distinguishing of good and bad cliffhangers lies somewhere else.", "as said, it serves to put the readers in the right mindset, and", "simply, what do we do next? In this way, the characters are as", "bad cliffhangers lies somewhere else. Perhaps there are no good cliffhangers? Or perhaps", "instrumental for the plot, but as said, it serves to put the readers", "a way as to leave them traumatized and scared for the rest of", "TWD did wrong is leaving the viewer with an annoyingly intense curiosity, and", "scared for the rest of the series (the books are generally quite hopeless", "what they're supposed to do next, in the coming book. What I suspect", "no good cliffhangers? Or perhaps getting annoyed at cliffhangers is the issue itself?", "annoyingly intense curiosity, and perhaps the lack of resolution factored in too. But", "put the readers in the right mindset, and to contrast it with the", "deliberate. Not only am I signing them up for the next installment, but", "over The Walking Dead's cliffhanger, I'd like to know the do's and dont's", "to leave them traumatized and scared for the rest of the series (the", "bit scared of cliffhangers. Seeing the outrage over The Walking Dead's cliffhanger, I'd", "A very hopeless one. The very hopelessness of it is deliberate. Not only", "leave them traumatized and scared for the rest of the series (the books", "readers. But for all I know, this is an arbitrary difference, and the", "the outrage over The Walking Dead's cliffhanger, I'd like to know the do's", "too. But with my cliffhanger, I feel like the death itself serves as", "ending. But I am a bit scared of cliffhangers. Seeing the outrage over", "for the plot, but as said, it serves to put the readers in", "dead also instrumental for the plot, but as said, it serves to put", "this way, the characters are as clueless as the readers. But for all", "suspense and fear for the characters by killing off a very narrative and", "and plot important MC. Not only is his dead also instrumental for the", "book of my novel series, the ending is a cliffhanger. A very hopeless", "dont's when it comes to creating one. Whereas The Walking Dead's cliffhanger centered", "of resolution factored in too. But with my cliffhanger, I feel like the", "cliffhanger, I feel like the death itself serves as a lot of resolution.", "Not only is his dead also instrumental for the plot, but as said,", "comes to creating one. Whereas The Walking Dead's cliffhanger centered around who a", "The Walking Dead's cliffhanger centered around who a certain act was done to,", "a certain act was done to, my cliffhanger centers around what they're supposed", "certain act was done to, my cliffhanger centers around what they're supposed to", "we do next? In this way, the characters are as clueless as the", "is deliberate. Not only am I signing them up for the next installment,", "up for the next installment, but I'm shocking them in a way as", "said, it serves to put the readers in the right mindset, and to", "curiosity, and perhaps the lack of resolution factored in too. But with my", "serves to put the readers in the right mindset, and to contrast it", "the series (the books are generally quite hopeless and unforgiving). I want to", "way as to leave them traumatized and scared for the rest of the", "book. What I suspect TWD did wrong is leaving the viewer with an", "coming book. What I suspect TWD did wrong is leaving the viewer with", "book's more hopeful ending. But I am a bit scared of cliffhangers. Seeing", "Walking Dead's cliffhanger centered around who a certain act was done to, my", "an annoyingly intense curiosity, and perhaps the lack of resolution factored in too.", "is simply, what do we do next? In this way, the characters are", "MC. Not only is his dead also instrumental for the plot, but as", "is a cliffhanger. A very hopeless one. The very hopelessness of it is", "books are generally quite hopeless and unforgiving). I want to create an everlasting", "as to leave them traumatized and scared for the rest of the series", "second (not yet written) book of my novel series, the ending is a", "cliffhanger centers around what they're supposed to do next, in the coming book.", "one. The very hopelessness of it is deliberate. Not only am I signing", "them in a way as to leave them traumatized and scared for the", "resolution factored in too. But with my cliffhanger, I feel like the death", "series (the books are generally quite hopeless and unforgiving). I want to create", "a very narrative and plot important MC. Not only is his dead also", "leaving the viewer with an annoyingly intense curiosity, and perhaps the lack of", "of my novel series, the ending is a cliffhanger. A very hopeless one.", "only am I signing them up for the next installment, but I'm shocking", "for the characters by killing off a very narrative and plot important MC.", "but as said, it serves to put the readers in the right mindset,", "done to, my cliffhanger centers around what they're supposed to do next, in", "are as clueless as the readers. But for all I know, this is", "do's and dont's when it comes to creating one. Whereas The Walking Dead's", "of good and bad cliffhangers lies somewhere else. Perhaps there are no good", "feel like the death itself serves as a lot of resolution. And there", "ending is a cliffhanger. A very hopeless one. The very hopelessness of it", "like the death itself serves as a lot of resolution. And there are", "next? In this way, the characters are as clueless as the readers. But", "only question present is simply, what do we do next? In this way,", "it is deliberate. Not only am I signing them up for the next", "in a way as to leave them traumatized and scared for the rest", "very narrative and plot important MC. Not only is his dead also instrumental", "only is his dead also instrumental for the plot, but as said, it", "generally quite hopeless and unforgiving). I want to create an everlasting suspense and", "them up for the next installment, but I'm shocking them in a way", "Dead's cliffhanger centered around who a certain act was done to, my cliffhanger", "rest of the series (the books are generally quite hopeless and unforgiving). I", "act was done to, my cliffhanger centers around what they're supposed to do", "like to know the do's and dont's when it comes to creating one.", "is an arbitrary difference, and the distinguishing of good and bad cliffhangers lies", "create an everlasting suspense and fear for the characters by killing off a", "the characters are as clueless as the readers. But for all I know,", "(not yet written) book of my novel series, the ending is a cliffhanger.", "to put the readers in the right mindset, and to contrast it with", "narrative and plot important MC. Not only is his dead also instrumental for", "hopeful ending. But I am a bit scared of cliffhangers. Seeing the outrage", "the rest of the series (the books are generally quite hopeless and unforgiving).", "left unanswered. The only question present is simply, what do we do next?", "was done to, my cliffhanger centers around what they're supposed to do next,", "and the distinguishing of good and bad cliffhangers lies somewhere else. Perhaps there", "next installment, but I'm shocking them in a way as to leave them", "as the readers. But for all I know, this is an arbitrary difference,", "of it is deliberate. Not only am I signing them up for the", "signing them up for the next installment, but I'm shocking them in a", "around what they're supposed to do next, in the coming book. What I", "hopeless and unforgiving). I want to create an everlasting suspense and fear for", "of cliffhangers. Seeing the outrage over The Walking Dead's cliffhanger, I'd like to", "the do's and dont's when it comes to creating one. Whereas The Walking", "the death itself serves as a lot of resolution. And there are no", "The very hopelessness of it is deliberate. Not only am I signing them", "also instrumental for the plot, but as said, it serves to put the", "annoying details left unanswered. The only question present is simply, what do we", "The only question present is simply, what do we do next? In this", "it with the first book's more hopeful ending. But I am a bit", "know, this is an arbitrary difference, and the distinguishing of good and bad", "viewer with an annoyingly intense curiosity, and perhaps the lack of resolution factored", "perhaps the lack of resolution factored in too. But with my cliffhanger, I", "In the second (not yet written) book of my novel series, the ending", "quite hopeless and unforgiving). I want to create an everlasting suspense and fear", "I signing them up for the next installment, but I'm shocking them in", "present is simply, what do we do next? In this way, the characters", "cliffhangers. Seeing the outrage over The Walking Dead's cliffhanger, I'd like to know", "a lot of resolution. And there are no annoying details left unanswered. The", "the lack of resolution factored in too. But with my cliffhanger, I feel", "factored in too. But with my cliffhanger, I feel like the death itself", "as a lot of resolution. And there are no annoying details left unanswered.", "distinguishing of good and bad cliffhangers lies somewhere else. Perhaps there are no", "supposed to do next, in the coming book. What I suspect TWD did", "somewhere else. Perhaps there are no good cliffhangers? Or perhaps getting annoyed at", "Not only am I signing them up for the next installment, but I'm", "to create an everlasting suspense and fear for the characters by killing off", "the readers. But for all I know, this is an arbitrary difference, and", "Dead's cliffhanger, I'd like to know the do's and dont's when it comes", "Perhaps there are no good cliffhangers? Or perhaps getting annoyed at cliffhangers is", "is leaving the viewer with an annoyingly intense curiosity, and perhaps the lack", "for the next installment, but I'm shocking them in a way as to", "my cliffhanger, I feel like the death itself serves as a lot of", "next, in the coming book. What I suspect TWD did wrong is leaving", "an arbitrary difference, and the distinguishing of good and bad cliffhangers lies somewhere", "lies somewhere else. Perhaps there are no good cliffhangers? Or perhaps getting annoyed", "who a certain act was done to, my cliffhanger centers around what they're", "mindset, and to contrast it with the first book's more hopeful ending. But", "know the do's and dont's when it comes to creating one. Whereas The", "and dont's when it comes to creating one. Whereas The Walking Dead's cliffhanger", "all I know, this is an arbitrary difference, and the distinguishing of good", "am I signing them up for the next installment, but I'm shocking them", "when it comes to creating one. Whereas The Walking Dead's cliffhanger centered around", "a bit scared of cliffhangers. Seeing the outrage over The Walking Dead's cliffhanger,", "details left unanswered. The only question present is simply, what do we do", "clueless as the readers. But for all I know, this is an arbitrary", "But with my cliffhanger, I feel like the death itself serves as a", "In this way, the characters are as clueless as the readers. But for", "But for all I know, this is an arbitrary difference, and the distinguishing", "characters are as clueless as the readers. But for all I know, this", "everlasting suspense and fear for the characters by killing off a very narrative", "and scared for the rest of the series (the books are generally quite", "characters by killing off a very narrative and plot important MC. Not only", "in the right mindset, and to contrast it with the first book's more", "one. Whereas The Walking Dead's cliffhanger centered around who a certain act was", "killing off a very narrative and plot important MC. Not only is his", "cliffhanger. A very hopeless one. The very hopelessness of it is deliberate. Not", "I am a bit scared of cliffhangers. Seeing the outrage over The Walking", "death itself serves as a lot of resolution. And there are no annoying", "there are no annoying details left unanswered. The only question present is simply,", "centered around who a certain act was done to, my cliffhanger centers around", "unforgiving). I want to create an everlasting suspense and fear for the characters", "the right mindset, and to contrast it with the first book's more hopeful", "off a very narrative and plot important MC. Not only is his dead", "an everlasting suspense and fear for the characters by killing off a very", "is his dead also instrumental for the plot, but as said, it serves", "outrage over The Walking Dead's cliffhanger, I'd like to know the do's and", "creating one. Whereas The Walking Dead's cliffhanger centered around who a certain act", "Whereas The Walking Dead's cliffhanger centered around who a certain act was done", "Seeing the outrage over The Walking Dead's cliffhanger, I'd like to know the", "for all I know, this is an arbitrary difference, and the distinguishing of", "for the rest of the series (the books are generally quite hopeless and", "of resolution. And there are no annoying details left unanswered. The only question", "very hopeless one. The very hopelessness of it is deliberate. Not only am", "right mindset, and to contrast it with the first book's more hopeful ending.", "his dead also instrumental for the plot, but as said, it serves to", "it comes to creating one. Whereas The Walking Dead's cliffhanger centered around who", "do next, in the coming book. What I suspect TWD did wrong is", "lot of resolution. And there are no annoying details left unanswered. The only", "serves as a lot of resolution. And there are no annoying details left", "novel series, the ending is a cliffhanger. A very hopeless one. The very", "first book's more hopeful ending. But I am a bit scared of cliffhangers.", "way, the characters are as clueless as the readers. But for all I", "cliffhanger centered around who a certain act was done to, my cliffhanger centers", "intense curiosity, and perhaps the lack of resolution factored in too. But with", "to contrast it with the first book's more hopeful ending. But I am", "the readers in the right mindset, and to contrast it with the first", "question present is simply, what do we do next? In this way, the", "do we do next? In this way, the characters are as clueless as", "the next installment, but I'm shocking them in a way as to leave", "else. Perhaps there are no good cliffhangers? Or perhaps getting annoyed at cliffhangers", "important MC. Not only is his dead also instrumental for the plot, but", "and perhaps the lack of resolution factored in too. But with my cliffhanger,", "the viewer with an annoyingly intense curiosity, and perhaps the lack of resolution", "I know, this is an arbitrary difference, and the distinguishing of good and", "with my cliffhanger, I feel like the death itself serves as a lot", "in the coming book. What I suspect TWD did wrong is leaving the", "with the first book's more hopeful ending. But I am a bit scared", "cliffhangers lies somewhere else. Perhaps there are no good cliffhangers? Or perhaps getting", "there are no good cliffhangers? Or perhaps getting annoyed at cliffhangers is the", "to know the do's and dont's when it comes to creating one. Whereas", "I'm shocking them in a way as to leave them traumatized and scared", "lack of resolution factored in too. But with my cliffhanger, I feel like", "by killing off a very narrative and plot important MC. Not only is", "Walking Dead's cliffhanger, I'd like to know the do's and dont's when it", "hopeless one. The very hopelessness of it is deliberate. Not only am I", "traumatized and scared for the rest of the series (the books are generally", "and bad cliffhangers lies somewhere else. Perhaps there are no good cliffhangers? Or", "did wrong is leaving the viewer with an annoyingly intense curiosity, and perhaps", "this is an arbitrary difference, and the distinguishing of good and bad cliffhangers", "the characters by killing off a very narrative and plot important MC. Not", "are generally quite hopeless and unforgiving). I want to create an everlasting suspense", "readers in the right mindset, and to contrast it with the first book's", "are no annoying details left unanswered. The only question present is simply, what", "to creating one. Whereas The Walking Dead's cliffhanger centered around who a certain", "difference, and the distinguishing of good and bad cliffhangers lies somewhere else. Perhaps", "with an annoyingly intense curiosity, and perhaps the lack of resolution factored in", "in too. But with my cliffhanger, I feel like the death itself serves", "suspect TWD did wrong is leaving the viewer with an annoyingly intense curiosity,", "my novel series, the ending is a cliffhanger. A very hopeless one. The", "unanswered. The only question present is simply, what do we do next? In", "contrast it with the first book's more hopeful ending. But I am a", "and to contrast it with the first book's more hopeful ending. But I", "itself serves as a lot of resolution. And there are no annoying details", "to do next, in the coming book. What I suspect TWD did wrong", "them traumatized and scared for the rest of the series (the books are", "But I am a bit scared of cliffhangers. Seeing the outrage over The", "installment, but I'm shocking them in a way as to leave them traumatized", "The Walking Dead's cliffhanger, I'd like to know the do's and dont's when", "wrong is leaving the viewer with an annoyingly intense curiosity, and perhaps the", "the first book's more hopeful ending. But I am a bit scared of", "my cliffhanger centers around what they're supposed to do next, in the coming", "as clueless as the readers. But for all I know, this is an", "plot important MC. Not only is his dead also instrumental for the plot,", "And there are no annoying details left unanswered. The only question present is", "fear for the characters by killing off a very narrative and plot important", "and fear for the characters by killing off a very narrative and plot", "they're supposed to do next, in the coming book. What I suspect TWD", "I feel like the death itself serves as a lot of resolution. And", "the plot, but as said, it serves to put the readers in the", "to, my cliffhanger centers around what they're supposed to do next, in the", "good and bad cliffhangers lies somewhere else. Perhaps there are no good cliffhangers?", "very hopelessness of it is deliberate. Not only am I signing them up", "plot, but as said, it serves to put the readers in the right", "am a bit scared of cliffhangers. Seeing the outrage over The Walking Dead's", "scared of cliffhangers. Seeing the outrage over The Walking Dead's cliffhanger, I'd like", "and unforgiving). I want to create an everlasting suspense and fear for the", "cliffhanger, I'd like to know the do's and dont's when it comes to", "hopelessness of it is deliberate. Not only am I signing them up for", "the ending is a cliffhanger. A very hopeless one. The very hopelessness of" ]
[ "air. Synthesizing the virus antitoxin is the main objective of the plot. But", "sci-fi universe and my main character (MC) has been infected by a virus", "send it to him? Please, feel free to post any idea you may", "a virus that infects others that breathes the same air. Synthesizing the virus", "How could I make him (MC) to go from one planet to another", "he (MC) order someone else to find the antitoxin and send it to", "My novel runs on a sci-fi universe and my main character (MC) has", "the scientific that is able to create the antitoxin for him. How could", "(MC) has been infected by a virus that infects others that breathes the", "been infected by a virus that infects others that breathes the same air.", "one planet to another in order to find the scientific that is able", "scientific that is able to create the antitoxin for him. How could I", "all, sorry, english is not my mother tongue* My novel runs on a", "by a virus that infects others that breathes the same air. Synthesizing the", "him. How could I make him (MC) to go from one planet to", "to find the antitoxin and send it to him? Please, feel free to", "Synthesizing the virus antitoxin is the main objective of the plot. But he", "move from one planet to another in order to find the scientific that", "virus that infects others that breathes the same air. Synthesizing the virus antitoxin", "find the scientific that is able to create the antitoxin for him. How", "my mother tongue* My novel runs on a sci-fi universe and my main", "mother tongue* My novel runs on a sci-fi universe and my main character", "to move from one planet to another in order to find the scientific", "to post any idea you may have to help me with this!! :)", "virus antitoxin is the main objective of the plot. But he would need", "free to post any idea you may have to help me with this!!", "main objective of the plot. But he would need to move from one", "that he (MC) order someone else to find the antitoxin and send it", "another in order to find the scientific that is able to create the", "another without infecting all people around him? Would it makes more sense that", "objective of the plot. But he would need to move from one planet", "breathes the same air. Synthesizing the virus antitoxin is the main objective of", "on a sci-fi universe and my main character (MC) has been infected by", "able to create the antitoxin for him. How could I make him (MC)", "that breathes the same air. Synthesizing the virus antitoxin is the main objective", "planet to another without infecting all people around him? Would it makes more", "is the main objective of the plot. But he would need to move", "one planet to another without infecting all people around him? Would it makes", "to another in order to find the scientific that is able to create", "character (MC) has been infected by a virus that infects others that breathes", "to find the scientific that is able to create the antitoxin for him.", "same air. Synthesizing the virus antitoxin is the main objective of the plot.", "order someone else to find the antitoxin and send it to him? Please,", "planet to another in order to find the scientific that is able to", "to go from one planet to another without infecting all people around him?", "him? Please, feel free to post any idea you may have to help", "all people around him? Would it makes more sense that he (MC) order", "to create the antitoxin for him. How could I make him (MC) to", "of the plot. But he would need to move from one planet to", "order to find the scientific that is able to create the antitoxin for", "make him (MC) to go from one planet to another without infecting all", "plot. But he would need to move from one planet to another in", "for him. How could I make him (MC) to go from one planet", "and my main character (MC) has been infected by a virus that infects", "need to move from one planet to another in order to find the", "novel runs on a sci-fi universe and my main character (MC) has been", "(MC) order someone else to find the antitoxin and send it to him?", "the virus antitoxin is the main objective of the plot. But he would", "runs on a sci-fi universe and my main character (MC) has been infected", "not my mother tongue* My novel runs on a sci-fi universe and my", "sense that he (MC) order someone else to find the antitoxin and send", "of all, sorry, english is not my mother tongue* My novel runs on", "go from one planet to another without infecting all people around him? Would", "antitoxin for him. How could I make him (MC) to go from one", "the plot. But he would need to move from one planet to another", "around him? Would it makes more sense that he (MC) order someone else", "infecting all people around him? Would it makes more sense that he (MC)", "I make him (MC) to go from one planet to another without infecting", "is not my mother tongue* My novel runs on a sci-fi universe and", "the antitoxin and send it to him? Please, feel free to post any", "infects others that breathes the same air. Synthesizing the virus antitoxin is the", "the same air. Synthesizing the virus antitoxin is the main objective of the", "that infects others that breathes the same air. Synthesizing the virus antitoxin is", "in order to find the scientific that is able to create the antitoxin", "to another without infecting all people around him? Would it makes more sense", "infected by a virus that infects others that breathes the same air. Synthesizing", "First of all, sorry, english is not my mother tongue My novel runs", "sorry, english is not my mother tongue* My novel runs on a sci-fi", "others that breathes the same air. Synthesizing the virus antitoxin is the main", "universe and my main character (MC) has been infected by a virus that", "more sense that he (MC) order someone else to find the antitoxin and", "someone else to find the antitoxin and send it to him? Please, feel", "But he would need to move from one planet to another in order", "feel free to post any idea you may have to help me with", "it to him? Please, feel free to post any idea you may have", "tongue* My novel runs on a sci-fi universe and my main character (MC)", "main character (MC) has been infected by a virus that infects others that", "english is not my mother tongue* My novel runs on a sci-fi universe", "is able to create the antitoxin for him. How could I make him", "could I make him (MC) to go from one planet to another without", "people around him? Would it makes more sense that he (MC) order someone", "else to find the antitoxin and send it to him? Please, feel free", "the main objective of the plot. But he would need to move from", "without infecting all people around him? Would it makes more sense that he", "to him? Please, feel free to post any idea you may have to", "a sci-fi universe and my main character (MC) has been infected by a", "create the antitoxin for him. How could I make him (MC) to go", "Would it makes more sense that he (MC) order someone else to find", "and send it to him? Please, feel free to post any idea you", "my main character (MC) has been infected by a virus that infects others", "(MC) to go from one planet to another without infecting all people around", "the antitoxin for him. How could I make him (MC) to go from", "makes more sense that he (MC) order someone else to find the antitoxin", "antitoxin and send it to him? Please, feel free to post any idea", "has been infected by a virus that infects others that breathes the same", "from one planet to another in order to find the scientific that is", "that is able to create the antitoxin for him. How could I make", "it makes more sense that he (MC) order someone else to find the", "he would need to move from one planet to another in order to", "from one planet to another without infecting all people around him? Would it", "find the antitoxin and send it to him? Please, feel free to post", "him (MC) to go from one planet to another without infecting all people", "Please, feel free to post any idea you may have to help me", "him? Would it makes more sense that he (MC) order someone else to", "would need to move from one planet to another in order to find", "antitoxin is the main objective of the plot. But he would need to" ]
[ "wonderful and should be told. She says she can't write a book, so", "is a celebrity in a small niche world. Her contribution and experiences are", "is difficult anyway, but she thinks she knows her audience, and that they", "know everything about everything. Any ideas on how to get information and guidance", "experiences are wonderful and should be told. She says she can't write a", "over her historical career. Her idea is exceptional, and it will make a", "decades of that experience. She has no patience for words, so she tells", "great book because she is mixing it into something a little ingenious. She", "imagine how people like to read books for anything other than researching something.", "to allow that I know anything she doesn't because of being plagued by", "she has never been able to allow that I know anything she doesn't", "she doesn't because of being plagued by low self-esteem. She has had this", "and I don't want her to end on a sour note. In her", "her world, music, she is a master. Her low self-esteem, however, is preventing", "and should be told. She says she can't write a book, so she", "to get information and guidance to her from people in the field? Anything", "to admit she doesn't know everything about everything. Any ideas on how to", "world. Her contribution and experiences are wonderful and should be told. She says", "do professionally, and I don't want her to end on a sour note.", "and that they are just like her, very country and informal with an", "book, so she has settled on a book that is something else, including", "know anything she doesn't because of being plagued by low self-esteem. She has", "her audience, and that they are just like her, very country and informal", "so she tells the little stories as simply as she can, and breaks", "people like to read books for anything other than researching something. I am", "about everything. Any ideas on how to get information and guidance to her", "write a book, so she has settled on a book that is something", "a great book because she is mixing it into something a little ingenious.", "audience, and that they are just like her, very country and informal with", "it was happening, and imagine the people as the story is unfolding in", "that is something else, including anecdotal stories from her co-workers and peers over", "people in the field? Anything from me is wasted because she has never", "something else, including anecdotal stories from her co-workers and peers over her historical", "paint the picture for the reader so they can see the event as", "low self-esteem. She has had this amazing life and I just wish someone", "says she can't write a book, so she has settled on a book", "for words, so she tells the little stories as simply as she can,", "doesn't know everything about everything. Any ideas on how to get information and", "losing my mind. This is probably the last thing she will do professionally,", "and imagine the people as the story is unfolding in her telling of", "and informal with an average education. She can't imagine how people like to", "I am losing my mind. This is probably the last thing she will", "she doesn't know everything about everything. Any ideas on how to get information", "she thinks she knows her audience, and that they are just like her,", "am losing my mind. This is probably the last thing she will do", "a book that is something else, including anecdotal stories from her co-workers and", "as simply as she can, and breaks every rule of writing possible. I", "never read a book from cover to cover except research books, which she", "unfolding in her telling of it. She is 88 years old, so it", "being plagued by low self-esteem. She has had this amazing life and I", "as the story is unfolding in her telling of it. She is 88", "very country and informal with an average education. 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Her low self-esteem,", "to read books for anything other than researching something. I am losing my", "by low self-esteem. She has had this amazing life and I just wish", "anything she doesn't because of being plagued by low self-esteem. She has had", "allow that I know anything she doesn't because of being plagued by low", "possible. I am not a writer, and have a formal style, but tried", "thing she will do professionally, and I don't want her to end on", "how important it is to paint the picture for the reader so they", "admit she doesn't know everything about everything. Any ideas on how to get", "contribution and experiences are wonderful and should be told. She says she can't", "it. She is 88 years old, so it is difficult anyway, but she", "the field? Anything from me is wasted because she has never been able", "This is probably the last thing she will do professionally, and I don't", "the reader so they can see the event as it was happening, and", "books for anything other than researching something. I am losing my mind. This", "so she has settled on a book that is something else, including anecdotal" ]
[ "kind of a beginner, so I wanted to ask, is it a bad", "I write scripts. Right now I'm writing a feature. I'm kind of a", "a beginner, so I wanted to ask, is it a bad idea to", "now I'm writing a feature. I'm kind of a beginner, so I wanted", "so I wanted to ask, is it a bad idea to write two", "for other screenplays. Would you advise against writing those ideas down? Thank you.", "having all these ideas for other screenplays. Would you advise against writing those", "write scripts. Right now I'm writing a feature. I'm kind of a beginner,", "I'm kind of a beginner, so I wanted to ask, is it a", "down to write and start having all these ideas for other screenplays. Would", "Right now I'm writing a feature. I'm kind of a beginner, so I", "start having all these ideas for other screenplays. Would you advise against writing", "ideas for other screenplays. Would you advise against writing those ideas down? Thank", "of a beginner, so I wanted to ask, is it a bad idea", "feature. I'm kind of a beginner, so I wanted to ask, is it", "I wanted to ask, is it a bad idea to write two screenplays", "at once? Sometimes, I sit down to write and start having all these", "and start having all these ideas for other screenplays. Would you advise against", "a feature. I'm kind of a beginner, so I wanted to ask, is", "these ideas for other screenplays. Would you advise against writing those ideas down?", "I sit down to write and start having all these ideas for other", "it a bad idea to write two screenplays at once? Sometimes, I sit", "writing a feature. I'm kind of a beginner, so I wanted to ask,", "a bad idea to write two screenplays at once? Sometimes, I sit down", "sit down to write and start having all these ideas for other screenplays.", "write and start having all these ideas for other screenplays. Would you advise", "two screenplays at once? Sometimes, I sit down to write and start having", "idea to write two screenplays at once? Sometimes, I sit down to write", "Sometimes, I sit down to write and start having all these ideas for", "wanted to ask, is it a bad idea to write two screenplays at", "ask, is it a bad idea to write two screenplays at once? Sometimes,", "write two screenplays at once? Sometimes, I sit down to write and start", "I'm writing a feature. I'm kind of a beginner, so I wanted to", "once? Sometimes, I sit down to write and start having all these ideas", "is it a bad idea to write two screenplays at once? Sometimes, I", "screenplays at once? Sometimes, I sit down to write and start having all", "beginner, so I wanted to ask, is it a bad idea to write", "scripts. Right now I'm writing a feature. I'm kind of a beginner, so", "all these ideas for other screenplays. Would you advise against writing those ideas", "to write two screenplays at once? Sometimes, I sit down to write and", "to ask, is it a bad idea to write two screenplays at once?", "to write and start having all these ideas for other screenplays. Would you", "bad idea to write two screenplays at once? Sometimes, I sit down to" ]
[ "worth living....\" I've seen places where a whole song starts in a new", "sung to him in the past. He runs into the lady again, several", "a new paragraph and in single quotes/double quotes or italics? Example below: “Yousif,", "the past. He runs into the lady again, several years later and he", "quotes/double quotes or italics? Example below: “Yousif, what did you just say?” she", "In my novel, I am writing a scene where my character digs up", "a life worth living and you make my world—” She scooted up in", "in single quotes/double quotes or italics? Example below: “Yousif, what did you just", "puzzled look. He stood from the seat before hoarsely muttering the song again,", "He runs into the lady again, several years later and he is recanting", "song a lady sung to him in the past. 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He stood from the seat before hoarsely muttering the", "you live a life worth living....\" I've seen places where a whole song", "below: “Yousif, what did you just say?” she asked with a puzzled look.", "“And you live a life worth living and you make my world—” She", "character digs up a memory of a song a lady sung to him", "live a life worth living and you make my world—” She scooted up", "again, “And you live a life worth living and you make my world—”", "digs up a memory of a song a lady sung to him in", "living and you make my world—” She scooted up in the bed and", "into the lady again, several years later and he is recanting the song", "new paragraph and in single quotes/double quotes or italics? Example below: “Yousif, what", "seen places where a whole song starts in a new paragraph and formatted", "the song again, “And you live a life worth living and you make", "life worth living....\" I've seen places where a whole song starts in a", "where a whole song starts in a new paragraph and formatted in the", "song again, “And you live a life worth living and you make my", "living....\" I've seen places where a whole song starts in a new paragraph" ]
[ "a story? The means for the vote to occur are in place, but", "character succeeds to be a tacky ending to a story? The means for", "to occur are in place, but is it a satisfactory climax to have", "it a satisfactory climax to have the protagonist win or lose because of", "ending to a story? The means for the vote to occur are in", "succeeds to be a tacky ending to a story? The means for the", "to a story? The means for the vote to occur are in place,", "are in place, but is it a satisfactory climax to have the protagonist", "a worldwide vote on if the character succeeds to be a tacky ending", "you consider a worldwide vote on if the character succeeds to be a", "a tacky ending to a story? The means for the vote to occur", "occur are in place, but is it a satisfactory climax to have the", "vote to occur are in place, but is it a satisfactory climax to", "place, but is it a satisfactory climax to have the protagonist win or", "consider a worldwide vote on if the character succeeds to be a tacky", "the vote to occur are in place, but is it a satisfactory climax", "satisfactory climax to have the protagonist win or lose because of public opinion?", "Would you consider a worldwide vote on if the character succeeds to be", "vote on if the character succeeds to be a tacky ending to a", "but is it a satisfactory climax to have the protagonist win or lose", "means for the vote to occur are in place, but is it a", "the character succeeds to be a tacky ending to a story? The means", "tacky ending to a story? The means for the vote to occur are", "if the character succeeds to be a tacky ending to a story? The", "is it a satisfactory climax to have the protagonist win or lose because", "a satisfactory climax to have the protagonist win or lose because of public", "The means for the vote to occur are in place, but is it", "on if the character succeeds to be a tacky ending to a story?", "for the vote to occur are in place, but is it a satisfactory", "to be a tacky ending to a story? The means for the vote", "worldwide vote on if the character succeeds to be a tacky ending to", "in place, but is it a satisfactory climax to have the protagonist win", "be a tacky ending to a story? The means for the vote to", "story? The means for the vote to occur are in place, but is" ]
[ "is real. I'm having a hard time writing in this way, but I", "is only a figment of the protagonist's imagination. So we don't see what", "we don't see what she says but the girl responds with comments because", "the girl thinks she is real. I'm having a hard time writing in", "it is like R2D2 in Star Wars, where we always know what he", "upfront. If anyone has any ideas, I would be grateful if you could", "because the girl thinks she is real. I'm having a hard time writing", "in this way, but I think it is important to make sure that", "understand him upfront. If anyone has any ideas, I would be grateful if", "that only the protagonist can hear and/or understand? I'm writing a story with", "in Star Wars, where we always know what he said but we never", "a figment of the protagonist's imagination. So we don't see what she says", "as the antagonist, but the doll is only a figment of the protagonist's", "real. I'm having a hard time writing in this way, but I think", "to make sure that the reader doesn't hear the doll speak. The way", "sure that the reader doesn't hear the doll speak. The way I'm thinking", "time writing in this way, but I think it is important to make", "where we always know what he said but we never understand him upfront.", "she is real. I'm having a hard time writing in this way, but", "never understand him upfront. If anyone has any ideas, I would be grateful", "what he said but we never understand him upfront. If anyone has any", "a story with this doll as the antagonist, but the doll is only", "is like R2D2 in Star Wars, where we always know what he said", "story with this doll as the antagonist, but the doll is only a", "figment of the protagonist's imagination. So we don't see what she says but", "but the girl responds with comments because the girl thinks she is real.", "writing a story with this doll as the antagonist, but the doll is", "So we don't see what she says but the girl responds with comments", "Wars, where we always know what he said but we never understand him", "it is important to make sure that the reader doesn't hear the doll", "the girl responds with comments because the girl thinks she is real. I'm", "with comments because the girl thinks she is real. I'm having a hard", "she says but the girl responds with comments because the girl thinks she", "this way, but I think it is important to make sure that the", "can hear and/or understand? I'm writing a story with this doll as the", "doesn't hear the doll speak. The way I'm thinking about it is like", "thinking about it is like R2D2 in Star Wars, where we always know", "make sure that the reader doesn't hear the doll speak. The way I'm", "girl responds with comments because the girl thinks she is real. I'm having", "hear the doll speak. The way I'm thinking about it is like R2D2", "of the protagonist's imagination. So we don't see what she says but the", "write a character that only the protagonist can hear and/or understand? I'm writing", "reader doesn't hear the doll speak. The way I'm thinking about it is", "important to make sure that the reader doesn't hear the doll speak. The", "comments because the girl thinks she is real. I'm having a hard time", "protagonist can hear and/or understand? I'm writing a story with this doll as", "he said but we never understand him upfront. If anyone has any ideas,", "If anyone has any ideas, I would be grateful if you could help", "only a figment of the protagonist's imagination. So we don't see what she", "girl thinks she is real. I'm having a hard time writing in this", "responds with comments because the girl thinks she is real. I'm having a", "character that only the protagonist can hear and/or understand? I'm writing a story", "always know what he said but we never understand him upfront. If anyone", "is important to make sure that the reader doesn't hear the doll speak.", "but we never understand him upfront. If anyone has any ideas, I would", "but the doll is only a figment of the protagonist's imagination. So we", "the doll is only a figment of the protagonist's imagination. So we don't", "what she says but the girl responds with comments because the girl thinks", "a character that only the protagonist can hear and/or understand? I'm writing a", "with this doll as the antagonist, but the doll is only a figment", "Star Wars, where we always know what he said but we never understand", "said but we never understand him upfront. If anyone has any ideas, I", "hear and/or understand? I'm writing a story with this doll as the antagonist,", "see what she says but the girl responds with comments because the girl", "way, but I think it is important to make sure that the reader", "like R2D2 in Star Wars, where we always know what he said but", "speak. The way I'm thinking about it is like R2D2 in Star Wars,", "The way I'm thinking about it is like R2D2 in Star Wars, where", "we always know what he said but we never understand him upfront. If", "I'm thinking about it is like R2D2 in Star Wars, where we always", "about it is like R2D2 in Star Wars, where we always know what", "imagination. So we don't see what she says but the girl responds with", "don't see what she says but the girl responds with comments because the", "the reader doesn't hear the doll speak. The way I'm thinking about it", "the doll speak. The way I'm thinking about it is like R2D2 in", "you write a character that only the protagonist can hear and/or understand? I'm", "doll is only a figment of the protagonist's imagination. So we don't see", "do you write a character that only the protagonist can hear and/or understand?", "hard time writing in this way, but I think it is important to", "the antagonist, but the doll is only a figment of the protagonist's imagination.", "I'm writing a story with this doll as the antagonist, but the doll", "the protagonist's imagination. So we don't see what she says but the girl", "understand? I'm writing a story with this doll as the antagonist, but the", "R2D2 in Star Wars, where we always know what he said but we", "antagonist, but the doll is only a figment of the protagonist's imagination. So", "way I'm thinking about it is like R2D2 in Star Wars, where we", "him upfront. If anyone has any ideas, I would be grateful if you", "that the reader doesn't hear the doll speak. The way I'm thinking about", "I think it is important to make sure that the reader doesn't hear", "we never understand him upfront. If anyone has any ideas, I would be", "and/or understand? I'm writing a story with this doll as the antagonist, but", "protagonist's imagination. So we don't see what she says but the girl responds", "having a hard time writing in this way, but I think it is", "this doll as the antagonist, but the doll is only a figment of", "anyone has any ideas, I would be grateful if you could help me", "doll speak. The way I'm thinking about it is like R2D2 in Star", "says but the girl responds with comments because the girl thinks she is", "thinks she is real. I'm having a hard time writing in this way,", "I'm having a hard time writing in this way, but I think it", "know what he said but we never understand him upfront. If anyone has", "How do you write a character that only the protagonist can hear and/or", "a hard time writing in this way, but I think it is important", "has any ideas, I would be grateful if you could help me out.", "doll as the antagonist, but the doll is only a figment of the", "the protagonist can hear and/or understand? I'm writing a story with this doll", "but I think it is important to make sure that the reader doesn't", "writing in this way, but I think it is important to make sure", "think it is important to make sure that the reader doesn't hear the", "only the protagonist can hear and/or understand? I'm writing a story with this" ]
[ "\"List of Symbols\". Is there a preferred order in which these should appear", "document? For example, I have a section dedicated to \"List of (Code) Listings\",", "accepted order in which \"List of\"s should appear in the document? For example,", "\"List of Figures\", and another for \"List of Symbols\". Is there a preferred", "another for \"List of Figures\", and another for \"List of Symbols\". Is there", "to \"List of (Code) Listings\", another for \"List of Figures\", and another for", "Is there an accepted order in which \"List of\"s should appear in the", "for \"List of Figures\", and another for \"List of Symbols\". Is there a", "in which \"List of\"s should appear in the document? For example, I have", "a section dedicated to \"List of (Code) Listings\", another for \"List of Figures\",", "order in which \"List of\"s should appear in the document? For example, I", "in the document? For example, I have a section dedicated to \"List of", "the document? For example, I have a section dedicated to \"List of (Code)", "I have a section dedicated to \"List of (Code) Listings\", another for \"List", "there an accepted order in which \"List of\"s should appear in the document?", "of Figures\", and another for \"List of Symbols\". Is there a preferred order", "\"List of (Code) Listings\", another for \"List of Figures\", and another for \"List", "example, I have a section dedicated to \"List of (Code) Listings\", another for", "have a section dedicated to \"List of (Code) Listings\", another for \"List of", "\"List of\"s should appear in the document? For example, I have a section", "which \"List of\"s should appear in the document? For example, I have a", "section dedicated to \"List of (Code) Listings\", another for \"List of Figures\", and", "Is there a preferred order in which these should appear in the document?", "another for \"List of Symbols\". Is there a preferred order in which these", "for \"List of Symbols\". Is there a preferred order in which these should", "Symbols\". Is there a preferred order in which these should appear in the", "an accepted order in which \"List of\"s should appear in the document? For", "of\"s should appear in the document? For example, I have a section dedicated", "of (Code) Listings\", another for \"List of Figures\", and another for \"List of", "and another for \"List of Symbols\". Is there a preferred order in which", "should appear in the document? For example, I have a section dedicated to", "of Symbols\". Is there a preferred order in which these should appear in", "dedicated to \"List of (Code) Listings\", another for \"List of Figures\", and another", "Listings\", another for \"List of Figures\", and another for \"List of Symbols\". Is", "Figures\", and another for \"List of Symbols\". Is there a preferred order in", "For example, I have a section dedicated to \"List of (Code) Listings\", another", "appear in the document? For example, I have a section dedicated to \"List", "(Code) Listings\", another for \"List of Figures\", and another for \"List of Symbols\"." ]
[ "idea for something like a light novel of some sort, but I have", "published a fantasy book series, each book has 100 pages each, would it", "for something like a light novel of some sort, but I have a", "pages each, would it be considered a children's book for being too short?", "a creeping concern. If I published a fantasy book series, each book has", "light novel of some sort, but I have a creeping concern. If I", "I published a fantasy book series, each book has 100 pages each, would", "had an idea for something like a light novel of some sort, but", "fantasy book series, each book has 100 pages each, would it be considered", "100 pages each, would it be considered a children's book for being too", "series, each book has 100 pages each, would it be considered a children's", "book has 100 pages each, would it be considered a children's book for", "has 100 pages each, would it be considered a children's book for being", "like a light novel of some sort, but I have a creeping concern.", "a light novel of some sort, but I have a creeping concern. If", "have a creeping concern. If I published a fantasy book series, each book", "some sort, but I have a creeping concern. If I published a fantasy", "a fantasy book series, each book has 100 pages each, would it be", "sort, but I have a creeping concern. If I published a fantasy book", "something like a light novel of some sort, but I have a creeping", "concern. If I published a fantasy book series, each book has 100 pages", "of some sort, but I have a creeping concern. If I published a", "each book has 100 pages each, would it be considered a children's book", "but I have a creeping concern. If I published a fantasy book series,", "book series, each book has 100 pages each, would it be considered a", "novel of some sort, but I have a creeping concern. If I published", "creeping concern. If I published a fantasy book series, each book has 100", "I have a creeping concern. If I published a fantasy book series, each", "If I published a fantasy book series, each book has 100 pages each,", "I had an idea for something like a light novel of some sort,", "an idea for something like a light novel of some sort, but I" ]
[ "if I have a character (in Europe) experiencing something similar in the 1850s,", "(in Europe) experiencing something similar in the 1850s, who are some of the", "something like \"I feel like a Kardashian\". What if I have a character", "a barrage of media attention today, they might say something like \"I feel", "character (in Europe) experiencing something similar in the 1850s, who are some of", "someone is suddenly exposed to a barrage of media attention today, they might", "some of the analogous public figures that they might reference - \"I feel", "Suppose someone is suddenly exposed to a barrage of media attention today, they", "of the analogous public figures that they might reference - \"I feel like", "like \"I feel like a Kardashian\". What if I have a character (in", "to a barrage of media attention today, they might say something like \"I", "a character (in Europe) experiencing something similar in the 1850s, who are some", "attention today, they might say something like \"I feel like a Kardashian\". What", "today, they might say something like \"I feel like a Kardashian\". What if", "similar in the 1850s, who are some of the analogous public figures that", "the 1850s, who are some of the analogous public figures that they might", "1850s, who are some of the analogous public figures that they might reference", "What if I have a character (in Europe) experiencing something similar in the", "are some of the analogous public figures that they might reference - \"I", "like a Kardashian\". What if I have a character (in Europe) experiencing something", "exposed to a barrage of media attention today, they might say something like", "something similar in the 1850s, who are some of the analogous public figures", "might say something like \"I feel like a Kardashian\". What if I have", "suddenly exposed to a barrage of media attention today, they might say something", "\"I feel like a Kardashian\". What if I have a character (in Europe)", "Kardashian\". What if I have a character (in Europe) experiencing something similar in", "experiencing something similar in the 1850s, who are some of the analogous public", "of media attention today, they might say something like \"I feel like a", "the analogous public figures that they might reference - \"I feel like \\_\\_\\_\\_\"?", "barrage of media attention today, they might say something like \"I feel like", "who are some of the analogous public figures that they might reference -", "media attention today, they might say something like \"I feel like a Kardashian\".", "I have a character (in Europe) experiencing something similar in the 1850s, who", "have a character (in Europe) experiencing something similar in the 1850s, who are", "in the 1850s, who are some of the analogous public figures that they", "feel like a Kardashian\". What if I have a character (in Europe) experiencing", "a Kardashian\". What if I have a character (in Europe) experiencing something similar", "they might say something like \"I feel like a Kardashian\". What if I", "Europe) experiencing something similar in the 1850s, who are some of the analogous", "is suddenly exposed to a barrage of media attention today, they might say", "say something like \"I feel like a Kardashian\". What if I have a" ]
[ "with a bunch of commas? Odd structure? How to write in the first", "before, so I can't tap into personal experience to make this relatable and/or", "present tense. She's drunk. I've never been drunk before, so I can't tap", "make this relatable and/or realistic. I want to show that the alcohol is", "her way of thinking, but I'm not sure how to go about making", "into personal experience to make this relatable and/or realistic. I want to show", "perspective in this context? Would sentences be shorter and simpler? Run-ons with a", "personal experience to make this relatable and/or realistic. I want to show that", "Would sentences be shorter and simpler? Run-ons with a bunch of commas? Odd", "to write a scene from a teenage girl in 1st-person present tense. She's", "sure how to go about making that clear. How would drunk perspective differ", "Run-ons with a bunch of commas? Odd structure? How to write in the", "I can't tap into personal experience to make this relatable and/or realistic. I", "1st-person present tense. She's drunk. I've never been drunk before, so I can't", "tap into personal experience to make this relatable and/or realistic. I want to", "but I'm not sure how to go about making that clear. How would", "simpler? Run-ons with a bunch of commas? Odd structure? How to write in", "making that clear. How would drunk perspective differ from sober perspective in this", "and/or realistic. I want to show that the alcohol is affecting her way", "would drunk perspective differ from sober perspective in this context? Would sentences be", "to show that the alcohol is affecting her way of thinking, but I'm", "from a teenage girl in 1st-person present tense. She's drunk. I've never been", "I'm not sure how to go about making that clear. How would drunk", "Odd structure? How to write in the first person showing that someone is", "to go about making that clear. How would drunk perspective differ from sober", "the alcohol is affecting her way of thinking, but I'm not sure how", "not sure how to go about making that clear. How would drunk perspective", "about making that clear. How would drunk perspective differ from sober perspective in", "in this context? Would sentences be shorter and simpler? Run-ons with a bunch", "context? Would sentences be shorter and simpler? Run-ons with a bunch of commas?", "how to go about making that clear. How would drunk perspective differ from", "this context? Would sentences be shorter and simpler? Run-ons with a bunch of", "sober perspective in this context? Would sentences be shorter and simpler? Run-ons with", "relatable and/or realistic. I want to show that the alcohol is affecting her", "How would drunk perspective differ from sober perspective in this context? Would sentences", "differ from sober perspective in this context? Would sentences be shorter and simpler?", "girl in 1st-person present tense. She's drunk. I've never been drunk before, so", "thinking, but I'm not sure how to go about making that clear. How", "from sober perspective in this context? Would sentences be shorter and simpler? Run-ons", "of thinking, but I'm not sure how to go about making that clear.", "shorter and simpler? Run-ons with a bunch of commas? Odd structure? How to", "experience to make this relatable and/or realistic. I want to show that the", "show that the alcohol is affecting her way of thinking, but I'm not", "a teenage girl in 1st-person present tense. She's drunk. I've never been drunk", "She's drunk. I've never been drunk before, so I can't tap into personal", "drunk before, so I can't tap into personal experience to make this relatable", "that clear. How would drunk perspective differ from sober perspective in this context?", "that the alcohol is affecting her way of thinking, but I'm not sure", "never been drunk before, so I can't tap into personal experience to make", "way of thinking, but I'm not sure how to go about making that", "want to write a scene from a teenage girl in 1st-person present tense.", "go about making that clear. How would drunk perspective differ from sober perspective", "I want to show that the alcohol is affecting her way of thinking,", "perspective differ from sober perspective in this context? Would sentences be shorter and", "a bunch of commas? Odd structure? How to write in the first person", "bunch of commas? Odd structure? How to write in the first person showing", "structure? How to write in the first person showing that someone is drunk?", "I want to write a scene from a teenage girl in 1st-person present", "realistic. I want to show that the alcohol is affecting her way of", "So I want to write a scene from a teenage girl in 1st-person", "clear. How would drunk perspective differ from sober perspective in this context? Would", "tense. She's drunk. I've never been drunk before, so I can't tap into", "drunk. I've never been drunk before, so I can't tap into personal experience", "drunk perspective differ from sober perspective in this context? Would sentences be shorter", "I've never been drunk before, so I can't tap into personal experience to", "be shorter and simpler? Run-ons with a bunch of commas? Odd structure? How", "is affecting her way of thinking, but I'm not sure how to go", "of commas? Odd structure? How to write in the first person showing that", "alcohol is affecting her way of thinking, but I'm not sure how to", "affecting her way of thinking, but I'm not sure how to go about", "this relatable and/or realistic. I want to show that the alcohol is affecting", "commas? Odd structure? How to write in the first person showing that someone", "want to show that the alcohol is affecting her way of thinking, but", "a scene from a teenage girl in 1st-person present tense. She's drunk. I've", "write a scene from a teenage girl in 1st-person present tense. She's drunk.", "and simpler? Run-ons with a bunch of commas? Odd structure? How to write", "can't tap into personal experience to make this relatable and/or realistic. I want", "scene from a teenage girl in 1st-person present tense. She's drunk. I've never", "to make this relatable and/or realistic. I want to show that the alcohol", "so I can't tap into personal experience to make this relatable and/or realistic.", "been drunk before, so I can't tap into personal experience to make this", "sentences be shorter and simpler? Run-ons with a bunch of commas? Odd structure?", "teenage girl in 1st-person present tense. She's drunk. I've never been drunk before,", "in 1st-person present tense. She's drunk. I've never been drunk before, so I" ]
[ "need some advice about writing a pivotal scene for the main protagonist. The", "this moment. I suffer from sensory processing disorder and have had many experiences", "who has too many processes trying to run at once, and it just", "friends put it as, \"you feel like a computer who has too many", "the story is when he comes into the lab one day and finds", "critters. He is especially fond of the entomology lab that houses the bugs", "writing a pivotal scene for the main protagonist. The main character of the", "have described it to me and I have a general idea of what", "I have a general idea of what it is like; one of my", "of view? What kinds of things would a person having a meltdown be", "sensory overload, but I don't know how similar the experience would be. A", "too much for him to handle; it causes him to have a breakdown.", "job, he works in the ship's biology lab and takes care of the", "autism have described it to me and I have a general idea of", "writing a scene like this from an autistic character's point of view? What", "meltdown be thinking, feeling and experiencing? If you have personal experience or know", "similar the experience would be. A few of my friends who have autism", "as, \"you feel like a computer who has too many processes trying to", "for him to handle; it causes him to have a breakdown. I am", "This character is autistic, and one of the major climactic scenes of the", "is especially fond of the entomology lab that houses the bugs and beetles", "is autistic, and one of the major climactic scenes of the story is", "of the story is a biologist and alien ecosystem specialist who works on", "you go about writing a scene like this from an autistic character's point", "things an autistic character would be feeling and experiencing in this moment. I", "care of the ship's menagerie of animals and alien critters. He is especially", "am currently working on a short science fiction story, and need some advice", "of these animals is essentially one of the pillars of stability in his", "animals and alien critters. He is especially fond of the entomology lab that", "What kinds of things would a person having a meltdown be thinking, feeling", "and he visits it every day to care for them. The care of", "it every day to care for them. The care of these animals is", "smashed and all of his beloved creatures killed. He is an incredibly kind-hearted", "causes him to have a breakdown. I am not on the autism spectrum", "bugs and beetles they are studying, and he visits it every day to", "deeply for these animals, and the murder of his creatures is too much", "and all of his beloved creatures killed. He is an incredibly kind-hearted person", "alien ecosystem specialist who works on board an Enterprise-style exploration ship, and as", "am not on the autism spectrum myself, so I don't know firsthand what", "creatures killed. He is an incredibly kind-hearted person and cared deeply for these", "and beetles they are studying, and he visits it every day to care", "experiencing? If you have personal experience or know someone who does, it would", "The care of these animals is essentially one of the pillars of stability", "care of these animals is essentially one of the pillars of stability in", "have a general idea of what it is like; one of my friends", "one of my friends put it as, \"you feel like a computer who", "these animals, and the murder of his creatures is too much for him", "works in the ship's biology lab and takes care of the ship's menagerie", "idea of what it is like; one of my friends put it as,", "so I don't know firsthand what it is like to have a [meltdown](https://www.autism.org.uk/about/behaviour/meltdowns.aspx)", "at once, and it just makes your whole system crash.\" But I don't", "he visits it every day to care for them. The care of these", "they are studying, and he visits it every day to care for them.", "put it as, \"you feel like a computer who has too many processes", "of the entomology lab that houses the bugs and beetles they are studying,", "Enterprise-style exploration ship, and as part of his job, he works in the", "the pillars of stability in his life. This character is autistic, and one", "pillars of stability in his life. This character is autistic, and one of", "and the murder of his creatures is too much for him to handle;", "menagerie of animals and alien critters. He is especially fond of the entomology", "a meltdown be thinking, feeling and experiencing? If you have personal experience or", "of the story is when he comes into the lab one day and", "scenes of the story is when he comes into the lab one day", "disorder and have had many experiences with sensory overload, but I don't know", "would be feeling and experiencing in this moment. I suffer from sensory processing", "that houses the bugs and beetles they are studying, and he visits it", "life. This character is autistic, and one of the major climactic scenes of", "entomology lab that houses the bugs and beetles they are studying, and he", "to handle; it causes him to have a breakdown. I am not on", "it is like to have a [meltdown](https://www.autism.org.uk/about/behaviour/meltdowns.aspx) - i.e. what kinds of things", "the murder of his creatures is too much for him to handle; it", "and one of the major climactic scenes of the story is when he", "of his creatures is too much for him to handle; it causes him", "works on board an Enterprise-style exploration ship, and as part of his job,", "his job, he works in the ship's biology lab and takes care of", "How would you go about writing a scene like this from an autistic", "his beehives and insect nests smashed and all of his beloved creatures killed.", "a short science fiction story, and need some advice about writing a pivotal", "for these animals, and the murder of his creatures is too much for", "beehives and insect nests smashed and all of his beloved creatures killed. He", "advice about writing a pivotal scene for the main protagonist. The main character", "and experiencing in this moment. I suffer from sensory processing disorder and have", "would be. A few of my friends who have autism have described it", "and alien critters. He is especially fond of the entomology lab that houses", "autistic character would be feeling and experiencing in this moment. I suffer from", "on a short science fiction story, and need some advice about writing a", "the main protagonist. The main character of the story is a biologist and", "just makes your whole system crash.\" But I don't feel I have enough", "feel I have enough knowledge to write it convincingly, hence my question. Question", "care for them. The care of these animals is essentially one of the", "and alien ecosystem specialist who works on board an Enterprise-style exploration ship, and", "- i.e. what kinds of things an autistic character would be feeling and", "had many experiences with sensory overload, but I don't know how similar the", "many experiences with sensory overload, but I don't know how similar the experience", "myself, so I don't know firsthand what it is like to have a", "it just makes your whole system crash.\" But I don't feel I have", "and takes care of the ship's menagerie of animals and alien critters. He", "murder of his creatures is too much for him to handle; it causes", "working on a short science fiction story, and need some advice about writing", "not on the autism spectrum myself, so I don't know firsthand what it", "character would be feeling and experiencing in this moment. I suffer from sensory", "suffer from sensory processing disorder and have had many experiences with sensory overload,", "exploration ship, and as part of his job, he works in the ship's", "fond of the entomology lab that houses the bugs and beetles they are", "a person having a meltdown be thinking, feeling and experiencing? If you have", "main protagonist. The main character of the story is a biologist and alien", "pivotal scene for the main protagonist. The main character of the story is", "friends who have autism have described it to me and I have a", "board an Enterprise-style exploration ship, and as part of his job, he works", "essentially one of the pillars of stability in his life. This character is", "of what it is like; one of my friends put it as, \"you", "who have autism have described it to me and I have a general", "A few of my friends who have autism have described it to me", "to have a breakdown. I am not on the autism spectrum myself, so", "and as part of his job, he works in the ship's biology lab", "about writing a scene like this from an autistic character's point of view?", "what kinds of things an autistic character would be feeling and experiencing in", "of the major climactic scenes of the story is when he comes into", "The main character of the story is a biologist and alien ecosystem specialist", "I am currently working on a short science fiction story, and need some", "having a meltdown be thinking, feeling and experiencing? If you have personal experience", "scene for the main protagonist. The main character of the story is a", "in this moment. I suffer from sensory processing disorder and have had many", "person and cared deeply for these animals, and the murder of his creatures", "have personal experience or know someone who does, it would be a great", "when he comes into the lab one day and finds all of his", "visits it every day to care for them. The care of these animals", "hence my question. Question How would you go about writing a scene like", "have autism have described it to me and I have a general idea", "much for him to handle; it causes him to have a breakdown. I", "houses the bugs and beetles they are studying, and he visits it every", "of his beloved creatures killed. He is an incredibly kind-hearted person and cared", "my friends who have autism have described it to me and I have", "who works on board an Enterprise-style exploration ship, and as part of his", "and insect nests smashed and all of his beloved creatures killed. He is", "the ship's biology lab and takes care of the ship's menagerie of animals", "for them. The care of these animals is essentially one of the pillars", "the ship's menagerie of animals and alien critters. He is especially fond of", "he comes into the lab one day and finds all of his beehives", "ship's biology lab and takes care of the ship's menagerie of animals and", "crash.\" But I don't feel I have enough knowledge to write it convincingly,", "write it convincingly, hence my question. Question How would you go about writing", "I am not on the autism spectrum myself, so I don't know firsthand", "and it just makes your whole system crash.\" But I don't feel I", "one of the pillars of stability in his life. This character is autistic,", "whole system crash.\" But I don't feel I have enough knowledge to write", "handle; it causes him to have a breakdown. I am not on the", "finds all of his beehives and insect nests smashed and all of his", "a biologist and alien ecosystem specialist who works on board an Enterprise-style exploration", "ship's menagerie of animals and alien critters. He is especially fond of the", "the lab one day and finds all of his beehives and insect nests", "I have enough knowledge to write it convincingly, hence my question. Question How", "of the pillars of stability in his life. This character is autistic, and", "are studying, and he visits it every day to care for them. The", "he works in the ship's biology lab and takes care of the ship's", "them. The care of these animals is essentially one of the pillars of", "this from an autistic character's point of view? What kinds of things would", "kinds of things would a person having a meltdown be thinking, feeling and", "all of his beloved creatures killed. He is an incredibly kind-hearted person and", "an incredibly kind-hearted person and cared deeply for these animals, and the murder", "personal experience or know someone who does, it would be a great help.", "character of the story is a biologist and alien ecosystem specialist who works", "described it to me and I have a general idea of what it", "is an incredibly kind-hearted person and cared deeply for these animals, and the", "an autistic character would be feeling and experiencing in this moment. I suffer", "be thinking, feeling and experiencing? If you have personal experience or know someone", "fiction story, and need some advice about writing a pivotal scene for the", "of things would a person having a meltdown be thinking, feeling and experiencing?", "and cared deeply for these animals, and the murder of his creatures is", "the autism spectrum myself, so I don't know firsthand what it is like", "to run at once, and it just makes your whole system crash.\" But", "is when he comes into the lab one day and finds all of", "enough knowledge to write it convincingly, hence my question. Question How would you", "day to care for them. The care of these animals is essentially one", "go about writing a scene like this from an autistic character's point of", "it as, \"you feel like a computer who has too many processes trying", "Background I am currently working on a short science fiction story, and need", "i.e. what kinds of things an autistic character would be feeling and experiencing", "as part of his job, he works in the ship's biology lab and", "don't feel I have enough knowledge to write it convincingly, hence my question.", "what it is like to have a [meltdown](https://www.autism.org.uk/about/behaviour/meltdowns.aspx) - i.e. what kinds of", "it convincingly, hence my question. Question How would you go about writing a", "processing disorder and have had many experiences with sensory overload, but I don't", "what it is like; one of my friends put it as, \"you feel", "character is autistic, and one of the major climactic scenes of the story", "protagonist. The main character of the story is a biologist and alien ecosystem", "day and finds all of his beehives and insect nests smashed and all", "the experience would be. A few of my friends who have autism have", "currently working on a short science fiction story, and need some advice about", "convincingly, hence my question. Question How would you go about writing a scene", "with sensory overload, but I don't know how similar the experience would be.", "these animals is essentially one of the pillars of stability in his life.", "him to have a breakdown. I am not on the autism spectrum myself,", "thinking, feeling and experiencing? If you have personal experience or know someone who", "and experiencing? If you have personal experience or know someone who does, it", "know how similar the experience would be. A few of my friends who", "into the lab one day and finds all of his beehives and insect", "breakdown. I am not on the autism spectrum myself, so I don't know", "especially fond of the entomology lab that houses the bugs and beetles they", "don't know firsthand what it is like to have a [meltdown](https://www.autism.org.uk/about/behaviour/meltdowns.aspx) - i.e.", "be. A few of my friends who have autism have described it to", "biology lab and takes care of the ship's menagerie of animals and alien", "trying to run at once, and it just makes your whole system crash.\"", "and finds all of his beehives and insect nests smashed and all of", "has too many processes trying to run at once, and it just makes", "one day and finds all of his beehives and insect nests smashed and", "be feeling and experiencing in this moment. I suffer from sensory processing disorder", "have enough knowledge to write it convincingly, hence my question. Question How would", "feel like a computer who has too many processes trying to run at", "story is a biologist and alien ecosystem specialist who works on board an", "I don't feel I have enough knowledge to write it convincingly, hence my", "about writing a pivotal scene for the main protagonist. The main character of", "have had many experiences with sensory overload, but I don't know how similar", "sensory processing disorder and have had many experiences with sensory overload, but I", "studying, and he visits it every day to care for them. The care", "it to me and I have a general idea of what it is", "animals is essentially one of the pillars of stability in his life. This", "a [meltdown](https://www.autism.org.uk/about/behaviour/meltdowns.aspx) - i.e. what kinds of things an autistic character would be", "is too much for him to handle; it causes him to have a", "lab that houses the bugs and beetles they are studying, and he visits", "firsthand what it is like to have a [meltdown](https://www.autism.org.uk/about/behaviour/meltdowns.aspx) - i.e. what kinds", "stability in his life. This character is autistic, and one of the major", "comes into the lab one day and finds all of his beehives and", "how similar the experience would be. A few of my friends who have", "all of his beehives and insect nests smashed and all of his beloved", "of animals and alien critters. He is especially fond of the entomology lab", "is like to have a [meltdown](https://www.autism.org.uk/about/behaviour/meltdowns.aspx) - i.e. what kinds of things an", "I don't know firsthand what it is like to have a [meltdown](https://www.autism.org.uk/about/behaviour/meltdowns.aspx) -", "don't know how similar the experience would be. A few of my friends", "have a breakdown. I am not on the autism spectrum myself, so I", "and need some advice about writing a pivotal scene for the main protagonist.", "to care for them. The care of these animals is essentially one of", "like a computer who has too many processes trying to run at once,", "Question How would you go about writing a scene like this from an", "lab and takes care of the ship's menagerie of animals and alien critters.", "of things an autistic character would be feeling and experiencing in this moment.", "I don't know how similar the experience would be. A few of my", "things would a person having a meltdown be thinking, feeling and experiencing? If", "ecosystem specialist who works on board an Enterprise-style exploration ship, and as part", "point of view? What kinds of things would a person having a meltdown", "to write it convincingly, hence my question. Question How would you go about", "of my friends who have autism have described it to me and I", "processes trying to run at once, and it just makes your whole system", "killed. He is an incredibly kind-hearted person and cared deeply for these animals,", "[meltdown](https://www.autism.org.uk/about/behaviour/meltdowns.aspx) - i.e. what kinds of things an autistic character would be feeling", "lab one day and finds all of his beehives and insect nests smashed", "experience would be. A few of my friends who have autism have described", "experiencing in this moment. I suffer from sensory processing disorder and have had", "character's point of view? What kinds of things would a person having a", "the story is a biologist and alien ecosystem specialist who works on board", "from an autistic character's point of view? What kinds of things would a", "He is especially fond of the entomology lab that houses the bugs and", "main character of the story is a biologist and alien ecosystem specialist who", "few of my friends who have autism have described it to me and", "a general idea of what it is like; one of my friends put", "moment. I suffer from sensory processing disorder and have had many experiences with", "part of his job, he works in the ship's biology lab and takes", "the entomology lab that houses the bugs and beetles they are studying, and", "kinds of things an autistic character would be feeling and experiencing in this", "climactic scenes of the story is when he comes into the lab one", "his beloved creatures killed. He is an incredibly kind-hearted person and cared deeply", "run at once, and it just makes your whole system crash.\" But I", "takes care of the ship's menagerie of animals and alien critters. He is", "story, and need some advice about writing a pivotal scene for the main", "of the ship's menagerie of animals and alien critters. He is especially fond", "his life. This character is autistic, and one of the major climactic scenes", "beloved creatures killed. He is an incredibly kind-hearted person and cared deeply for", "on board an Enterprise-style exploration ship, and as part of his job, he", "He is an incredibly kind-hearted person and cared deeply for these animals, and", "your whole system crash.\" But I don't feel I have enough knowledge to", "\"you feel like a computer who has too many processes trying to run", "in the ship's biology lab and takes care of the ship's menagerie of", "major climactic scenes of the story is when he comes into the lab", "autistic character's point of view? What kinds of things would a person having", "my question. Question How would you go about writing a scene like this", "a scene like this from an autistic character's point of view? What kinds", "view? What kinds of things would a person having a meltdown be thinking,", "once, and it just makes your whole system crash.\" But I don't feel", "to me and I have a general idea of what it is like;", "you have personal experience or know someone who does, it would be a", "computer who has too many processes trying to run at once, and it", "like to have a [meltdown](https://www.autism.org.uk/about/behaviour/meltdowns.aspx) - i.e. what kinds of things an autistic", "from sensory processing disorder and have had many experiences with sensory overload, but", "specialist who works on board an Enterprise-style exploration ship, and as part of", "autism spectrum myself, so I don't know firsthand what it is like to", "every day to care for them. The care of these animals is essentially", "know firsthand what it is like to have a [meltdown](https://www.autism.org.uk/about/behaviour/meltdowns.aspx) - i.e. what", "my friends put it as, \"you feel like a computer who has too", "it causes him to have a breakdown. I am not on the autism", "on the autism spectrum myself, so I don't know firsthand what it is", "like; one of my friends put it as, \"you feel like a computer", "is like; one of my friends put it as, \"you feel like a", "nests smashed and all of his beloved creatures killed. He is an incredibly", "knowledge to write it convincingly, hence my question. 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What kinds of things", "kind-hearted person and cared deeply for these animals, and the murder of his", "animals, and the murder of his creatures is too much for him to", "biologist and alien ecosystem specialist who works on board an Enterprise-style exploration ship,", "of stability in his life. This character is autistic, and one of the", "spectrum myself, so I don't know firsthand what it is like to have", "an autistic character's point of view? What kinds of things would a person", "is essentially one of the pillars of stability in his life. This character", "but I don't know how similar the experience would be. A few of", "story is when he comes into the lab one day and finds all", "feeling and experiencing in this moment. I suffer from sensory processing disorder and", "scene like this from an autistic character's point of view? 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A few", "a computer who has too many processes trying to run at once, and", "makes your whole system crash.\" But I don't feel I have enough knowledge", "of his job, he works in the ship's biology lab and takes care", "a breakdown. I am not on the autism spectrum myself, so I don't", "beetles they are studying, and he visits it every day to care for", "an Enterprise-style exploration ship, and as part of his job, he works in", "But I don't feel I have enough knowledge to write it convincingly, hence", "and I have a general idea of what it is like; one of" ]
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One is a piece of", "One is a piece of Christian literary fiction + suspense, a literary suspense", "ask this question after finding no other similar questions to mine. But anyway,", "after finding no other similar questions to mine. But anyway, I have a", "an afterlife, and a YA fantasy based in a Jewish afterlife. The word", "+ suspense, a literary suspense while the others are the following an adult", "I decided to ask this question after finding no other similar questions to", "similar questions to mine. But anyway, I have a portfolio of unpublished novels", "an adult speculative novel based in an afterlife, a coming-of-age novel based in", "coming-of-age story, 4. and 60k for that YA fantasy. Are these acceptable word", "that coming-of-age story, 4. and 60k for that YA fantasy. Are these acceptable", "following an adult speculative novel based in an afterlife, a coming-of-age novel based", "a Jewish afterlife. The word counts for this novel are as follows: 1.", "other similar questions to mine. But anyway, I have a portfolio of unpublished", "to mine. But anyway, I have a portfolio of unpublished novels that have", "fantasy based in a Jewish afterlife. The word counts for this novel are", "acceptable word counts for a debut novel? I plan on networking with acquisition" ]
[ "first-person narrator, who is present only for the first few chapters of a", "chapters of a book, to a different narrative voice that will continue for", "a part of. How do I transition from him speaking to me (as", "present only for the first few chapters of a book, to a different", "to leave him behind and narrate chapters that he is not a part", "from a first-person narrator, who is present only for the first few chapters", "who is present only for the first few chapters of a book, to", "voice that will continue for the rest of the book? I start off", "a book, to a different narrative voice that will continue for the rest", "only for the first few chapters of a book, to a different narrative", "will continue for the rest of the book? I start off my novel", "you successfully transition from a first-person narrator, who is present only for the", "I start off my novel with a boy setting the stage and a", "successfully transition from a first-person narrator, who is present only for the first", "book, to a different narrative voice that will continue for the rest of", "a few chapters in I have to leave him behind and narrate chapters", "that will continue for the rest of the book? I start off my", "the rest of the book? I start off my novel with a boy", "the stage and a few chapters in I have to leave him behind", "behind and narrate chapters that he is not a part of. How do", "that he is not a part of. How do I transition from him", "part of. How do I transition from him speaking to me (as the", "leave him behind and narrate chapters that he is not a part of.", "few chapters of a book, to a different narrative voice that will continue", "and narrate chapters that he is not a part of. How do I", "few chapters in I have to leave him behind and narrate chapters that", "is not a part of. How do I transition from him speaking to", "boy setting the stage and a few chapters in I have to leave", "start off my novel with a boy setting the stage and a few", "book? I start off my novel with a boy setting the stage and", "to a different narrative voice that will continue for the rest of the", "continue for the rest of the book? I start off my novel with", "setting the stage and a few chapters in I have to leave him", "in I have to leave him behind and narrate chapters that he is", "I have to leave him behind and narrate chapters that he is not", "first few chapters of a book, to a different narrative voice that will", "the first few chapters of a book, to a different narrative voice that", "for the rest of the book? I start off my novel with a", "of the book? I start off my novel with a boy setting the", "narrate chapters that he is not a part of. How do I transition", "rest of the book? I start off my novel with a boy setting", "not a part of. How do I transition from him speaking to me", "of a book, to a different narrative voice that will continue for the", "novel with a boy setting the stage and a few chapters in I", "he is not a part of. How do I transition from him speaking", "a boy setting the stage and a few chapters in I have to", "chapters in I have to leave him behind and narrate chapters that he", "for the first few chapters of a book, to a different narrative voice", "the book? I start off my novel with a boy setting the stage", "a different narrative voice that will continue for the rest of the book?", "stage and a few chapters in I have to leave him behind and", "narrator, who is present only for the first few chapters of a book,", "do you successfully transition from a first-person narrator, who is present only for", "off my novel with a boy setting the stage and a few chapters", "of. How do I transition from him speaking to me (as the author)", "my novel with a boy setting the stage and a few chapters in", "chapters that he is not a part of. How do I transition from", "transition from a first-person narrator, who is present only for the first few", "is present only for the first few chapters of a book, to a", "different narrative voice that will continue for the rest of the book? I", "him behind and narrate chapters that he is not a part of. How", "How do I transition from him speaking to me (as the author) doing", "narrative voice that will continue for the rest of the book? I start", "do I transition from him speaking to me (as the author) doing it?", "a first-person narrator, who is present only for the first few chapters of", "with a boy setting the stage and a few chapters in I have", "have to leave him behind and narrate chapters that he is not a", "How do you successfully transition from a first-person narrator, who is present only", "and a few chapters in I have to leave him behind and narrate" ]
[ "I need some help. I am already deep into 2 stories that involve", "speaks. I already mention things like \"Beethoven tore up letters in anger\" in", "I even agree to meet this Beethoven guy when he gets so angry", "time though, he is stressed out like very often. Sometimes it comes out", "feels. He sounds friendly and he is. He would save his best friend", "him politely and what I asked him wasn't even that hard on him,", "lash out in anger at a friendly person, there are 2 known triggers", "2 known triggers in my stories, acquaintances and letters asking him to write", "want to have to mention Beethoven's name every time he speaks. I already", "based on Ludwig van Beethoven. Here is what I have trouble getting across:", "I said. > > > People who have just met Beethoven: > >", "anything for me, I just know it. He will understand what I'm saying", "very often. Sometimes it comes out as an angry tone. But often, this", "than those who have just met him. People who know Beethoven well: >", "that he experiences, going from calm and friendly one minute to suddenly lashing", "comes out as him tearing up letters. Also, people who know him well", "as him tearing up letters. Also, people who know him well see him", "me, I just know it. He will understand what I'm saying and won't", "time he speaks. I already mention things like \"Beethoven tore up letters in", "making the angry speech and the friendly speech both sound like they are", "\"Beethoven tore up letters in anger\" in the narration, but it doesn't seem", "saying and won't lash out simply because of what I said. > >", "my stories, acquaintances and letters asking him to write another great symphony. There", "politely and what I asked him wasn't even that hard on him, and", "disaster. At the same time though, he is stressed out like very often.", "stressed out like very often. Sometimes it comes out as an angry tone.", "to suddenly lash out in anger at a friendly person, there are 2", "make Beethoven's speech more cohesive while also getting across the extreme emotional swings", "symphony. There are probably other anger triggers as well, but these are not", "Beethoven. Here is what I have trouble getting across: Friendly and stressed at", "because they aren't relevant to the stories. So, how can I make Beethoven's", "wasn't even that hard on him, and yet, he is yelling at me", "would do anything for me, I just know it. He will understand what", "known triggers in my stories, acquaintances and letters asking him to write another", "this Beethoven guy when he gets so angry at every little thing I", "my Beethoven character feels. He sounds friendly and he is. He would save", "cohesive while also getting across the extreme emotional swings that he experiences, going", "Beethoven well: > > Beethoven would do anything for me, I just know", "> > As you can probably tell, my Beethoven character has a bipolar", "letters asking him to write another great symphony. There are probably other anger", "the? I asked him politely and what I asked him wasn't even that", "completely unrelated from friendly Beethoven, yet, it is the same person speaking. I", "dialogue from this particular character sound like it is coming from the same", "and letters asking him to write another great symphony. There are probably other", "know him well see him differently than those who have just met him.", "the same person. Angry Beethoven sounds completely unrelated from friendly Beethoven, yet, it", "like he might hurt me severely. Why did I even agree to meet", "a bipolar personality. But I'm having difficulty making the angry speech and the", "save his best friend from a disaster. At the same time though, he", "across the extreme emotional swings that he experiences, going from calm and friendly", "sound like they are from the same person. Angry Beethoven sounds completely unrelated", "> > > People who have just met Beethoven: > > What the?", "it is the same person speaking. I don't want to have to mention", "he gets so angry at every little thing I say? > > >", "who know him well see him differently than those who have just met", "in the narration, but it doesn't seem to be enough to make the", "going from calm and friendly one minute to suddenly lashing out in anger", "friendly speech both sound like they are from the same person. Angry Beethoven", "across: Friendly and stressed at the same time This is the typical way", "because of what I said. > > > People who have just met", "getting across the extreme emotional swings that he experiences, going from calm and", "him. People who know Beethoven well: > > Beethoven would do anything for", "Beethoven guy when he gets so angry at every little thing I say?", "There are probably other anger triggers as well, but these are not known", "won't lash out simply because of what I said. > > > People", "meet this Beethoven guy when he gets so angry at every little thing", "this particular character sound like it is coming from the same person regardless", "who know Beethoven well: > > Beethoven would do anything for me, I", "the narration, but it doesn't seem to be enough to make the dialogue", "the stories. So, how can I make Beethoven's speech more cohesive while also", "composers and in both stories there is a character based on Ludwig van", "out as him tearing up letters. Also, people who know him well see", "best friend from a disaster. At the same time though, he is stressed", "are not known in the stories because they aren't relevant to the stories.", "as an angry tone. But often, this comes out as him tearing up", "know it. He will understand what I'm saying and won't lash out simply", "can probably tell, my Beethoven character has a bipolar personality. But I'm having", "he might hurt me severely. Why did I even agree to meet this", "but it doesn't seem to be enough to make the dialogue from this", "friendly person, there are 2 known triggers in my stories, acquaintances and letters", "can I make Beethoven's speech more cohesive while also getting across the extreme", "> > What the? I asked him politely and what I asked him", "the stories because they aren't relevant to the stories. So, how can I", "He would save his best friend from a disaster. At the same time", "> People who have just met Beethoven: > > What the? I asked", "regardless of emotion. If you need to know what triggers him to suddenly", "write another great symphony. There are probably other anger triggers as well, but", "will understand what I'm saying and won't lash out simply because of what", "also getting across the extreme emotional swings that he experiences, going from calm", "triggers him to suddenly lash out in anger at a friendly person, there", "even agree to meet this Beethoven guy when he gets so angry at", "way my Beethoven character feels. He sounds friendly and he is. He would", "tell, my Beethoven character has a bipolar personality. But I'm having difficulty making", "more cohesive while also getting across the extreme emotional swings that he experiences,", "from friendly Beethoven, yet, it is the same person speaking. I don't want", "what triggers him to suddenly lash out in anger at a friendly person,", "I'm having difficulty making the angry speech and the friendly speech both sound", "this comes out as him tearing up letters. Also, people who know him", "I asked him wasn't even that hard on him, and yet, he is", "on Ludwig van Beethoven. Here is what I have trouble getting across: Friendly", "these are not known in the stories because they aren't relevant to the", "typical way my Beethoven character feels. He sounds friendly and he is. He", "anger\" in the narration, but it doesn't seem to be enough to make", "yelling at me and it looks like he might hurt me severely. Why", "hurt me severely. Why did I even agree to meet this Beethoven guy", "so angry at every little thing I say? > > > As you", "As you can probably tell, my Beethoven character has a bipolar personality. But", "enough to make the dialogue from this particular character sound like it is", "at the same time This is the typical way my Beethoven character feels.", "from calm and friendly one minute to suddenly lashing out in anger the", "me and it looks like he might hurt me severely. Why did I", "involve composers and in both stories there is a character based on Ludwig", "anger triggers as well, but these are not known in the stories because", "sounds completely unrelated from friendly Beethoven, yet, it is the same person speaking.", "He sounds friendly and he is. He would save his best friend from", "Beethoven: > > What the? I asked him politely and what I asked", "I'm saying and won't lash out simply because of what I said. >", "are from the same person. Angry Beethoven sounds completely unrelated from friendly Beethoven,", "he experiences, going from calm and friendly one minute to suddenly lashing out", "met Beethoven: > > What the? I asked him politely and what I", "well: > > Beethoven would do anything for me, I just know it.", "would save his best friend from a disaster. At the same time though,", "speech more cohesive while also getting across the extreme emotional swings that he", "is stressed out like very often. Sometimes it comes out as an angry", "often. Sometimes it comes out as an angry tone. But often, this comes", "him tearing up letters. Also, people who know him well see him differently", "doesn't seem to be enough to make the dialogue from this particular character", "friendly and he is. He would save his best friend from a disaster.", "know what triggers him to suddenly lash out in anger at a friendly", "well see him differently than those who have just met him. People who", "need some help. I am already deep into 2 stories that involve composers", "a friendly person, there are 2 known triggers in my stories, acquaintances and", "the dialogue from this particular character sound like it is coming from the", "stories, acquaintances and letters asking him to write another great symphony. There are", "probably other anger triggers as well, but these are not known in the", "person speaking. I don't want to have to mention Beethoven's name every time", "but these are not known in the stories because they aren't relevant to", "is what I have trouble getting across: Friendly and stressed at the same", "and the friendly speech both sound like they are from the same person.", "I don't want to have to mention Beethoven's name every time he speaks.", "people who know him well see him differently than those who have just", "see him differently than those who have just met him. People who know", "who have just met Beethoven: > > What the? I asked him politely", "those who have just met him. People who know Beethoven well: > >", "speech and the friendly speech both sound like they are from the same", "him differently than those who have just met him. People who know Beethoven", "might hurt me severely. Why did I even agree to meet this Beethoven", "and won't lash out simply because of what I said. > > >", "to write another great symphony. There are probably other anger triggers as well,", "agree to meet this Beethoven guy when he gets so angry at every", "seem to be enough to make the dialogue from this particular character sound", "anger at a friendly person, there are 2 known triggers in my stories,", "is yelling at me and it looks like he might hurt me severely.", "an angry tone. But often, this comes out as him tearing up letters.", "same time This is the typical way my Beethoven character feels. He sounds", "sound like it is coming from the same person regardless of emotion. If", "it doesn't seem to be enough to make the dialogue from this particular", "some help. I am already deep into 2 stories that involve composers and", "the same time though, he is stressed out like very often. Sometimes it", "People who have just met Beethoven: > > What the? I asked him", "letters in anger\" in the narration, but it doesn't seem to be enough", "what I'm saying and won't lash out simply because of what I said.", "emotional swings that he experiences, going from calm and friendly one minute to", "and what I asked him wasn't even that hard on him, and yet,", "Friendly and stressed at the same time This is the typical way my", "have trouble getting across: Friendly and stressed at the same time This is", "what I asked him wasn't even that hard on him, and yet, he", "the angry speech and the friendly speech both sound like they are from", "like they are from the same person. Angry Beethoven sounds completely unrelated from", "other anger triggers as well, but these are not known in the stories", "hard on him, and yet, he is yelling at me and it looks", "out simply because of what I said. > > > People who have", "thing I say? > > > As you can probably tell, my Beethoven", "to be enough to make the dialogue from this particular character sound like", "What the? I asked him politely and what I asked him wasn't even", "Beethoven sounds completely unrelated from friendly Beethoven, yet, it is the same person", "things like \"Beethoven tore up letters in anger\" in the narration, but it", "at every little thing I say? > > > As you can probably", "But often, this comes out as him tearing up letters. Also, people who", "on him, and yet, he is yelling at me and it looks like", "great symphony. There are probably other anger triggers as well, but these are", "he is yelling at me and it looks like he might hurt me", "probably tell, my Beethoven character has a bipolar personality. But I'm having difficulty", "are probably other anger triggers as well, but these are not known in", "angry speech and the friendly speech both sound like they are from the", "just met him. People who know Beethoven well: > > Beethoven would do", "at a friendly person, there are 2 known triggers in my stories, acquaintances", "at me and it looks like he might hurt me severely. Why did", "my Beethoven character has a bipolar personality. But I'm having difficulty making the", "have to mention Beethoven's name every time he speaks. I already mention things", "Why did I even agree to meet this Beethoven guy when he gets", "> > > As you can probably tell, my Beethoven character has a", "triggers as well, but these are not known in the stories because they", "same person. Angry Beethoven sounds completely unrelated from friendly Beethoven, yet, it is", "name every time he speaks. I already mention things like \"Beethoven tore up", "guy when he gets so angry at every little thing I say? >", "same person speaking. I don't want to have to mention Beethoven's name every", "has a bipolar personality. But I'm having difficulty making the angry speech and", "is the same person speaking. I don't want to have to mention Beethoven's", "help. I am already deep into 2 stories that involve composers and in", "Beethoven, yet, it is the same person speaking. I don't want to have", "is a character based on Ludwig van Beethoven. Here is what I have", "yet, it is the same person speaking. I don't want to have to", "you need to know what triggers him to suddenly lash out in anger", "do anything for me, I just know it. He will understand what I'm", "I asked him politely and what I asked him wasn't even that hard", "from the same person regardless of emotion. If you need to know what", "person, there are 2 known triggers in my stories, acquaintances and letters asking", "that involve composers and in both stories there is a character based on", "and yet, he is yelling at me and it looks like he might", "person. Angry Beethoven sounds completely unrelated from friendly Beethoven, yet, it is the", "little thing I say? > > > As you can probably tell, my", "emotion. If you need to know what triggers him to suddenly lash out", "his best friend from a disaster. At the same time though, he is", "a disaster. At the same time though, he is stressed out like very", "out in anger at a friendly person, there are 2 known triggers in", "him well see him differently than those who have just met him. People", "and he is. He would save his best friend from a disaster. At", "him wasn't even that hard on him, and yet, he is yelling at", "they are from the same person. Angry Beethoven sounds completely unrelated from friendly", "calm and friendly one minute to suddenly lashing out in anger the next?", "how can I make Beethoven's speech more cohesive while also getting across the", "the friendly speech both sound like they are from the same person. Angry", "speaking. I don't want to have to mention Beethoven's name every time he", "letters. Also, people who know him well see him differently than those who", "coming from the same person regardless of emotion. If you need to know", "from a disaster. At the same time though, he is stressed out like", "him to suddenly lash out in anger at a friendly person, there are", "you can probably tell, my Beethoven character has a bipolar personality. But I'm", "don't want to have to mention Beethoven's name every time he speaks. I", "the same person regardless of emotion. If you need to know what triggers", "him to write another great symphony. There are probably other anger triggers as", "I say? > > > As you can probably tell, my Beethoven character", "I have trouble getting across: Friendly and stressed at the same time This", "personality. But I'm having difficulty making the angry speech and the friendly speech", "though, he is stressed out like very often. Sometimes it comes out as", "to know what triggers him to suddenly lash out in anger at a", "are 2 known triggers in my stories, acquaintances and letters asking him to", "This is the typical way my Beethoven character feels. He sounds friendly and", "He will understand what I'm saying and won't lash out simply because of", "I am already deep into 2 stories that involve composers and in both", "speech both sound like they are from the same person. Angry Beethoven sounds", "and it looks like he might hurt me severely. Why did I even", "person regardless of emotion. If you need to know what triggers him to", "Beethoven character feels. He sounds friendly and he is. He would save his", "same person regardless of emotion. If you need to know what triggers him", "out as an angry tone. But often, this comes out as him tearing", "it comes out as an angry tone. But often, this comes out as", "to make the dialogue from this particular character sound like it is coming", "already deep into 2 stories that involve composers and in both stories there", "character has a bipolar personality. But I'm having difficulty making the angry speech", "Beethoven would do anything for me, I just know it. He will understand", "stories. So, how can I make Beethoven's speech more cohesive while also getting", "I already mention things like \"Beethoven tore up letters in anger\" in the", "is coming from the same person regardless of emotion. If you need to", "it looks like he might hurt me severely. Why did I even agree", "in the stories because they aren't relevant to the stories. So, how can", "stories that involve composers and in both stories there is a character based", "the same person speaking. I don't want to have to mention Beethoven's name", "the extreme emotional swings that he experiences, going from calm and friendly one", "yet, he is yelling at me and it looks like he might hurt", "say? > > > As you can probably tell, my Beethoven character has", "out like very often. Sometimes it comes out as an angry tone. But", "trouble getting across: Friendly and stressed at the same time This is the", "triggers in my stories, acquaintances and letters asking him to write another great", "getting across: Friendly and stressed at the same time This is the typical", "for me, I just know it. He will understand what I'm saying and", "suddenly lash out in anger at a friendly person, there are 2 known", "comes out as an angry tone. But often, this comes out as him", "asked him politely and what I asked him wasn't even that hard on", "Beethoven character has a bipolar personality. But I'm having difficulty making the angry", "be enough to make the dialogue from this particular character sound like it", "met him. People who know Beethoven well: > > Beethoven would do anything", "every time he speaks. I already mention things like \"Beethoven tore up letters", "tone. But often, this comes out as him tearing up letters. Also, people", "often, this comes out as him tearing up letters. Also, people who know", "just met Beethoven: > > What the? I asked him politely and what", "him, and yet, he is yelling at me and it looks like he", "severely. Why did I even agree to meet this Beethoven guy when he", "there is a character based on Ludwig van Beethoven. Here is what I", "what I have trouble getting across: Friendly and stressed at the same time", "every little thing I say? > > > As you can probably tell,", "mention Beethoven's name every time he speaks. I already mention things like \"Beethoven", "But I'm having difficulty making the angry speech and the friendly speech both", "like \"Beethoven tore up letters in anger\" in the narration, but it doesn't", "van Beethoven. Here is what I have trouble getting across: Friendly and stressed", "a character based on Ludwig van Beethoven. Here is what I have trouble", "it. He will understand what I'm saying and won't lash out simply because", "the typical way my Beethoven character feels. He sounds friendly and he is.", "understand what I'm saying and won't lash out simply because of what I", "that hard on him, and yet, he is yelling at me and it", "simply because of what I said. > > > People who have just", "asked him wasn't even that hard on him, and yet, he is yelling", "in anger\" in the narration, but it doesn't seem to be enough to", "experiences, going from calm and friendly one minute to suddenly lashing out in", "stories there is a character based on Ludwig van Beethoven. Here is what", "looks like he might hurt me severely. Why did I even agree to", "bipolar personality. But I'm having difficulty making the angry speech and the friendly", "acquaintances and letters asking him to write another great symphony. There are probably", "just know it. He will understand what I'm saying and won't lash out", "when he gets so angry at every little thing I say? > >", "well, but these are not known in the stories because they aren't relevant", "Beethoven's name every time he speaks. I already mention things like \"Beethoven tore", "friend from a disaster. At the same time though, he is stressed out", "is. He would save his best friend from a disaster. At the same", "have just met him. People who know Beethoven well: > > Beethoven would", "from this particular character sound like it is coming from the same person", "he is stressed out like very often. Sometimes it comes out as an", "stressed at the same time This is the typical way my Beethoven character", "even that hard on him, and yet, he is yelling at me and", "to meet this Beethoven guy when he gets so angry at every little", "> As you can probably tell, my Beethoven character has a bipolar personality.", "another great symphony. There are probably other anger triggers as well, but these", "character feels. He sounds friendly and he is. He would save his best", "> > Beethoven would do anything for me, I just know it. He", "am already deep into 2 stories that involve composers and in both stories", "relevant to the stories. So, how can I make Beethoven's speech more cohesive", "narration, but it doesn't seem to be enough to make the dialogue from", "same time though, he is stressed out like very often. Sometimes it comes", "up letters in anger\" in the narration, but it doesn't seem to be", "not known in the stories because they aren't relevant to the stories. So,", "while also getting across the extreme emotional swings that he experiences, going from", "I just know it. He will understand what I'm saying and won't lash", "swings that he experiences, going from calm and friendly one minute to suddenly", "At the same time though, he is stressed out like very often. Sometimes", "character based on Ludwig van Beethoven. Here is what I have trouble getting", "the same time This is the typical way my Beethoven character feels. He", "already mention things like \"Beethoven tore up letters in anger\" in the narration,", "Ludwig van Beethoven. Here is what I have trouble getting across: Friendly and", "both sound like they are from the same person. Angry Beethoven sounds completely", "Beethoven's speech more cohesive while also getting across the extreme emotional swings that", "differently than those who have just met him. People who know Beethoven well:", "up letters. Also, people who know him well see him differently than those", "Angry Beethoven sounds completely unrelated from friendly Beethoven, yet, it is the same", "> What the? I asked him politely and what I asked him wasn't", "particular character sound like it is coming from the same person regardless of", "> Beethoven would do anything for me, I just know it. He will", "like it is coming from the same person regardless of emotion. If you", "gets so angry at every little thing I say? > > > As", "what I said. > > > People who have just met Beethoven: >", "angry at every little thing I say? > > > As you can", "and stressed at the same time This is the typical way my Beethoven", "friendly Beethoven, yet, it is the same person speaking. I don't want to", "character sound like it is coming from the same person regardless of emotion.", "difficulty making the angry speech and the friendly speech both sound like they", "sounds friendly and he is. He would save his best friend from a", "lash out simply because of what I said. > > > People who", "Also, people who know him well see him differently than those who have", "stories because they aren't relevant to the stories. So, how can I make", "he is. He would save his best friend from a disaster. At the", "they aren't relevant to the stories. So, how can I make Beethoven's speech", "asking him to write another great symphony. There are probably other anger triggers", "2 stories that involve composers and in both stories there is a character", "So, how can I make Beethoven's speech more cohesive while also getting across", "mention things like \"Beethoven tore up letters in anger\" in the narration, but", "People who know Beethoven well: > > Beethoven would do anything for me,", "having difficulty making the angry speech and the friendly speech both sound like", "make the dialogue from this particular character sound like it is coming from", "known in the stories because they aren't relevant to the stories. So, how", "it is coming from the same person regardless of emotion. If you need", "to the stories. So, how can I make Beethoven's speech more cohesive while", "of what I said. > > > People who have just met Beethoven:", "angry tone. But often, this comes out as him tearing up letters. Also,", "of emotion. If you need to know what triggers him to suddenly lash", "have just met Beethoven: > > What the? I asked him politely and", "time This is the typical way my Beethoven character feels. He sounds friendly", "said. > > > People who have just met Beethoven: > > What", "know Beethoven well: > > Beethoven would do anything for me, I just", "as well, but these are not known in the stories because they aren't", "If you need to know what triggers him to suddenly lash out in", "tearing up letters. Also, people who know him well see him differently than", "in both stories there is a character based on Ludwig van Beethoven. Here", "Sometimes it comes out as an angry tone. But often, this comes out", "into 2 stories that involve composers and in both stories there is a", "Here is what I have trouble getting across: Friendly and stressed at the", "unrelated from friendly Beethoven, yet, it is the same person speaking. I don't", "and in both stories there is a character based on Ludwig van Beethoven.", "did I even agree to meet this Beethoven guy when he gets so", "in my stories, acquaintances and letters asking him to write another great symphony.", "from the same person. Angry Beethoven sounds completely unrelated from friendly Beethoven, yet,", "I make Beethoven's speech more cohesive while also getting across the extreme emotional", "there are 2 known triggers in my stories, acquaintances and letters asking him", "in anger at a friendly person, there are 2 known triggers in my", "aren't relevant to the stories. So, how can I make Beethoven's speech more", "is the typical way my Beethoven character feels. He sounds friendly and he", "to have to mention Beethoven's name every time he speaks. I already mention", "both stories there is a character based on Ludwig van Beethoven. Here is", "need to know what triggers him to suddenly lash out in anger at", "like very often. Sometimes it comes out as an angry tone. But often,", "who have just met him. People who know Beethoven well: > > Beethoven", "he speaks. I already mention things like \"Beethoven tore up letters in anger\"", "> > People who have just met Beethoven: > > What the? I", "extreme emotional swings that he experiences, going from calm and friendly one minute", "to mention Beethoven's name every time he speaks. I already mention things like", "me severely. Why did I even agree to meet this Beethoven guy when", "tore up letters in anger\" in the narration, but it doesn't seem to", "deep into 2 stories that involve composers and in both stories there is" ]
[ "has never seen a hand that is missing a finger, and this person", "never seen a hand that is missing a finger, and this person keeps", "a dinner with a social eating app. It was a pleasant experience, and", "anyone, but still... Could it happen that someone doesn't feel like they have", "have the sensitivity to deal with these hosts? And should I warn them?", "to write a review about it. Here's the problem: Should I include the", "dinner with a social eating app. It was a pleasant experience, and as", "Could it happen that someone doesn't feel like they have the sensitivity to", "write a review about it. Here's the problem: Should I include the fact", "imagine someone who has never seen a hand that is missing a finger,", "It was a pleasant experience, and as usual I would like to write", "it, and I shouldn't be protecting anyone from anyone, but still... Could it", "that is missing a finger, and this person keeps looking at it, which", "sensitivity to deal with these hosts? And should I warn them? For example,", "restaurant) is it appropriate to include information about the hosts that isn't directly", "and I shouldn't be protecting anyone from anyone, but still... Could it happen", "And should I warn them? For example, imagine someone who has never seen", "happen that someone doesn't feel like they have the sensitivity to deal with", "as usual I would like to write a review about it. Here's the", "like they have the sensitivity to deal with these hosts? And should I", "information about the hosts that isn't directly related to the service provided? Recently", "missing a finger, and this person keeps looking at it, which is kind", "Probably there's no need to mention it, and I shouldn't be protecting anyone", "about it. Here's the problem: Should I include the fact that the hosts", "seen a hand that is missing a finger, and this person keeps looking", "with these hosts? And should I warn them? For example, imagine someone who", "write an online review (for instance, of a restaurant) is it appropriate to", "mention it, and I shouldn't be protecting anyone from anyone, but still... Could", "instance, of a restaurant) is it appropriate to include information about the hosts", "include the fact that the hosts have light physical disabilities? Probably there's no", "have light physical disabilities? Probably there's no need to mention it, and I", "app. It was a pleasant experience, and as usual I would like to", "still... Could it happen that someone doesn't feel like they have the sensitivity", "it happen that someone doesn't feel like they have the sensitivity to deal", "a social eating app. It was a pleasant experience, and as usual I", "example, imagine someone who has never seen a hand that is missing a", "that isn't directly related to the service provided? Recently I bought a dinner", "directly related to the service provided? Recently I bought a dinner with a", "bought a dinner with a social eating app. It was a pleasant experience,", "I would like to write a review about it. Here's the problem: Should", "problem: Should I include the fact that the hosts have light physical disabilities?", "was a pleasant experience, and as usual I would like to write a", "of a restaurant) is it appropriate to include information about the hosts that", "it appropriate to include information about the hosts that isn't directly related to", "warn them? For example, imagine someone who has never seen a hand that", "usual I would like to write a review about it. Here's the problem:", "review about it. Here's the problem: Should I include the fact that the", "to include information about the hosts that isn't directly related to the service", "related to the service provided? Recently I bought a dinner with a social", "doesn't feel like they have the sensitivity to deal with these hosts? And", "need to mention it, and I shouldn't be protecting anyone from anyone, but", "social eating app. It was a pleasant experience, and as usual I would", "that the hosts have light physical disabilities? Probably there's no need to mention", "a finger, and this person keeps looking at it, which is kind of", "deal with these hosts? And should I warn them? For example, imagine someone", "someone doesn't feel like they have the sensitivity to deal with these hosts?", "be protecting anyone from anyone, but still... Could it happen that someone doesn't", "who has never seen a hand that is missing a finger, and this", "the sensitivity to deal with these hosts? And should I warn them? For", "appropriate to include information about the hosts that isn't directly related to the", "For example, imagine someone who has never seen a hand that is missing", "a pleasant experience, and as usual I would like to write a review", "there's no need to mention it, and I shouldn't be protecting anyone from", "but still... Could it happen that someone doesn't feel like they have the", "finger, and this person keeps looking at it, which is kind of rude.", "service provided? Recently I bought a dinner with a social eating app. It", "with a social eating app. It was a pleasant experience, and as usual", "experience, and as usual I would like to write a review about it.", "hosts have light physical disabilities? Probably there's no need to mention it, and", "When you write an online review (for instance, of a restaurant) is it", "it. Here's the problem: Should I include the fact that the hosts have", "is missing a finger, and this person keeps looking at it, which is", "an online review (for instance, of a restaurant) is it appropriate to include", "you write an online review (for instance, of a restaurant) is it appropriate", "like to write a review about it. Here's the problem: Should I include", "eating app. It was a pleasant experience, and as usual I would like", "physical disabilities? Probably there's no need to mention it, and I shouldn't be", "to mention it, and I shouldn't be protecting anyone from anyone, but still...", "and as usual I would like to write a review about it. Here's", "the service provided? Recently I bought a dinner with a social eating app.", "(for instance, of a restaurant) is it appropriate to include information about the", "the hosts that isn't directly related to the service provided? Recently I bought", "the fact that the hosts have light physical disabilities? Probably there's no need", "disabilities? Probably there's no need to mention it, and I shouldn't be protecting", "protecting anyone from anyone, but still... Could it happen that someone doesn't feel", "Here's the problem: Should I include the fact that the hosts have light", "them? For example, imagine someone who has never seen a hand that is", "a restaurant) is it appropriate to include information about the hosts that isn't", "the problem: Should I include the fact that the hosts have light physical", "no need to mention it, and I shouldn't be protecting anyone from anyone,", "hosts? And should I warn them? For example, imagine someone who has never", "someone who has never seen a hand that is missing a finger, and", "provided? Recently I bought a dinner with a social eating app. It was", "is it appropriate to include information about the hosts that isn't directly related", "should I warn them? For example, imagine someone who has never seen a", "a review about it. Here's the problem: Should I include the fact that", "light physical disabilities? Probably there's no need to mention it, and I shouldn't", "these hosts? And should I warn them? For example, imagine someone who has", "Recently I bought a dinner with a social eating app. It was a", "shouldn't be protecting anyone from anyone, but still... Could it happen that someone", "I include the fact that the hosts have light physical disabilities? Probably there's", "to deal with these hosts? And should I warn them? For example, imagine", "hosts that isn't directly related to the service provided? Recently I bought a", "would like to write a review about it. Here's the problem: Should I", "the hosts have light physical disabilities? Probably there's no need to mention it,", "about the hosts that isn't directly related to the service provided? Recently I", "review (for instance, of a restaurant) is it appropriate to include information about", "fact that the hosts have light physical disabilities? Probably there's no need to", "feel like they have the sensitivity to deal with these hosts? And should", "a hand that is missing a finger, and this person keeps looking at", "to the service provided? Recently I bought a dinner with a social eating", "online review (for instance, of a restaurant) is it appropriate to include information", "from anyone, but still... Could it happen that someone doesn't feel like they", "they have the sensitivity to deal with these hosts? And should I warn", "pleasant experience, and as usual I would like to write a review about", "include information about the hosts that isn't directly related to the service provided?", "isn't directly related to the service provided? Recently I bought a dinner with", "anyone from anyone, but still... Could it happen that someone doesn't feel like", "I bought a dinner with a social eating app. It was a pleasant", "Should I include the fact that the hosts have light physical disabilities? Probably", "hand that is missing a finger, and this person keeps looking at it,", "that someone doesn't feel like they have the sensitivity to deal with these", "I shouldn't be protecting anyone from anyone, but still... Could it happen that", "I warn them? For example, imagine someone who has never seen a hand" ]
[ "and need some help in clearing things up. In writing dialogue and the", "pauses how do you show this. Now, from my understanding you use ellipses(...).", "the speaker pauses how do you show this. Now, from my understanding you", "before and after the last and first words? (\"We are going...but I think,\")", "no space after the last word but space before the next word (\"We", "need some help in clearing things up. In writing dialogue and the speaker", "this is true, how are they used? A space after the last word", "I think,\") or no space after the last word but space before the", "going... but I think,\") or no spaces before and after the last and", "help in clearing things up. In writing dialogue and the speaker pauses how", "and the speaker pauses how do you show this. Now, from my understanding", "word with the last word being \"going\" (\"We are going ...but I think,\")", "\"going\" (\"We are going ...but I think,\") or no space after the last", "but space before the next word (\"We are going... but I think,\") or", "is true, how are they used? A space after the last word with", "If this is true, how are they used? A space after the last", "(\"We are going ...but I think,\") or no space after the last word", "or no space after the last word but space before the next word", "this. Now, from my understanding you use ellipses(...). If this is true, how", "word but space before the next word (\"We are going... but I think,\")", "from my understanding you use ellipses(...). If this is true, how are they", "ellipses(...). If this is true, how are they used? A space after the", "after the last word but space before the next word (\"We are going...", "do you show this. Now, from my understanding you use ellipses(...). If this", "think,\") or no spaces before and after the last and first words? (\"We", "writing dialogue and the speaker pauses how do you show this. Now, from", "my understanding you use ellipses(...). If this is true, how are they used?", "speaker pauses how do you show this. Now, from my understanding you use", "how do you show this. Now, from my understanding you use ellipses(...). If", "use ellipses(...). If this is true, how are they used? A space after", "the next word (\"We are going... but I think,\") or no spaces before", "confused and need some help in clearing things up. In writing dialogue and", "last word but space before the next word (\"We are going... but I", "space after the last word with the last word being \"going\" (\"We are", "being \"going\" (\"We are going ...but I think,\") or no space after the", "word being \"going\" (\"We are going ...but I think,\") or no space after", "you use ellipses(...). If this is true, how are they used? A space", "the last word with the last word being \"going\" (\"We are going ...but", "are going... but I think,\") or no spaces before and after the last", "the last word but space before the next word (\"We are going... but", "show this. Now, from my understanding you use ellipses(...). If this is true,", "understanding you use ellipses(...). If this is true, how are they used? A", "last word with the last word being \"going\" (\"We are going ...but I", "Now, from my understanding you use ellipses(...). If this is true, how are", "are going ...but I think,\") or no space after the last word but", "in clearing things up. In writing dialogue and the speaker pauses how do", "last word being \"going\" (\"We are going ...but I think,\") or no space", "next word (\"We are going... but I think,\") or no spaces before and", "clearing things up. In writing dialogue and the speaker pauses how do you", "how are they used? A space after the last word with the last", "before the next word (\"We are going... but I think,\") or no spaces", "but I think,\") or no spaces before and after the last and first", "little confused and need some help in clearing things up. In writing dialogue", "they used? A space after the last word with the last word being", "A space after the last word with the last word being \"going\" (\"We", "In writing dialogue and the speaker pauses how do you show this. Now,", "am a little confused and need some help in clearing things up. In", "think,\") or no space after the last word but space before the next", "used? A space after the last word with the last word being \"going\"", "space after the last word but space before the next word (\"We are", "...but I think,\") or no space after the last word but space before", "things up. In writing dialogue and the speaker pauses how do you show", "spaces before and after the last and first words? (\"We are going...but I", "I think,\") or no spaces before and after the last and first words?", "I am a little confused and need some help in clearing things up.", "space before the next word (\"We are going... but I think,\") or no", "dialogue and the speaker pauses how do you show this. Now, from my", "going ...but I think,\") or no space after the last word but space", "no spaces before and after the last and first words? (\"We are going...but", "are they used? A space after the last word with the last word", "a little confused and need some help in clearing things up. In writing", "word (\"We are going... but I think,\") or no spaces before and after", "or no spaces before and after the last and first words? (\"We are", "(\"We are going... but I think,\") or no spaces before and after the", "with the last word being \"going\" (\"We are going ...but I think,\") or", "the last word being \"going\" (\"We are going ...but I think,\") or no", "up. In writing dialogue and the speaker pauses how do you show this.", "after the last word with the last word being \"going\" (\"We are going", "some help in clearing things up. In writing dialogue and the speaker pauses", "you show this. Now, from my understanding you use ellipses(...). If this is", "true, how are they used? A space after the last word with the" ]
[ "want it to be clear that they have become so used to seeing", "plane of a more advanced civilization (they are monitoring them to stop them", "story, my characters live in the wilderness, and they have no modern technology.", "see ruins from the past (from now) but other than that they have", "and they have no modern technology. They do see ruins from the past", "past (from now) but other than that they have no idea how advanced", "In my story, my characters live in the wilderness, and they have no", "have no modern technology. They do see ruins from the past (from now)", "might be, or of technology of the past. However, they often see the", "how advanced other parts of the world might be, or of technology of", "become so used to seeing it that it has been incorporated into their", "vocabulary. What word could I have them use for it instead? Honestly I", "my characters live in the wilderness, and they have no modern technology. They", "use for it instead? Honestly I would take anything that sounds like a", "be, or of technology of the past. However, they often see the plane", "bird' because that seems so cliche. I want it to be clear that", "so used to seeing it that it has been incorporated into their vocabulary.", "stop them from getting better technology) flying over them. It is thin and", "They do see ruins from the past (from now) but other than that", "technology) flying over them. It is thin and grey, very efficient but not", "live in the wilderness, and they have no modern technology. They do see", "it instead? Honestly I would take anything that sounds like a real word", "technology. They do see ruins from the past (from now) but other than", "be clear that they have become so used to seeing it that it", "see the plane of a more advanced civilization (they are monitoring them to", "the plane of a more advanced civilization (they are monitoring them to stop", "advanced civilization (they are monitoring them to stop them from getting better technology)", "sounds like a real word and isn't super cheesy. They're British, if that", "flying over them. It is thin and grey, very efficient but not too", "very efficient but not too hard to see. I don't want these people,", "of technology of the past. However, they often see the plane of a", "used to seeing it that it has been incorporated into their vocabulary. What", "don't want these people, after seeing the plane for hundreds of years, to", "seeing the plane for hundreds of years, to look up at it and", "up at it and go, 'it looked like a metal bird' because that", "other than that they have no idea how advanced other parts of the", "of the past. However, they often see the plane of a more advanced", "they have no idea how advanced other parts of the world might be,", "them use for it instead? Honestly I would take anything that sounds like", "my story, my characters live in the wilderness, and they have no modern", "been incorporated into their vocabulary. What word could I have them use for", "It is thin and grey, very efficient but not too hard to see.", "them from getting better technology) flying over them. It is thin and grey,", "into their vocabulary. What word could I have them use for it instead?", "word could I have them use for it instead? Honestly I would take", "are monitoring them to stop them from getting better technology) flying over them.", "the plane for hundreds of years, to look up at it and go,", "them. It is thin and grey, very efficient but not too hard to", "past. However, they often see the plane of a more advanced civilization (they", "of the world might be, or of technology of the past. However, they", "but not too hard to see. I don't want these people, after seeing", "other parts of the world might be, or of technology of the past.", "that they have no idea how advanced other parts of the world might", "than that they have no idea how advanced other parts of the world", "not too hard to see. I don't want these people, after seeing the", "that they have become so used to seeing it that it has been", "anything that sounds like a real word and isn't super cheesy. They're British,", "incorporated into their vocabulary. What word could I have them use for it", "in the wilderness, and they have no modern technology. They do see ruins", "(they are monitoring them to stop them from getting better technology) flying over", "the past. However, they often see the plane of a more advanced civilization", "However, they often see the plane of a more advanced civilization (they are", "like a real word and isn't super cheesy. They're British, if that helps.", "to look up at it and go, 'it looked like a metal bird'", "a metal bird' because that seems so cliche. I want it to be", "has been incorporated into their vocabulary. What word could I have them use", "I have them use for it instead? Honestly I would take anything that", "plane for hundreds of years, to look up at it and go, 'it", "they often see the plane of a more advanced civilization (they are monitoring", "them to stop them from getting better technology) flying over them. It is", "efficient but not too hard to see. I don't want these people, after", "because that seems so cliche. I want it to be clear that they", "do see ruins from the past (from now) but other than that they", "more advanced civilization (they are monitoring them to stop them from getting better", "no modern technology. They do see ruins from the past (from now) but", "like a metal bird' because that seems so cliche. I want it to", "idea how advanced other parts of the world might be, or of technology", "have no idea how advanced other parts of the world might be, or", "hard to see. I don't want these people, after seeing the plane for", "'it looked like a metal bird' because that seems so cliche. I want", "metal bird' because that seems so cliche. I want it to be clear", "that sounds like a real word and isn't super cheesy. They're British, if", "I don't want these people, after seeing the plane for hundreds of years,", "I want it to be clear that they have become so used to", "instead? Honestly I would take anything that sounds like a real word and", "after seeing the plane for hundreds of years, to look up at it", "parts of the world might be, or of technology of the past. However,", "that it has been incorporated into their vocabulary. What word could I have", "monitoring them to stop them from getting better technology) flying over them. It", "it to be clear that they have become so used to seeing it", "getting better technology) flying over them. It is thin and grey, very efficient", "from the past (from now) but other than that they have no idea", "over them. It is thin and grey, very efficient but not too hard", "What word could I have them use for it instead? Honestly I would", "these people, after seeing the plane for hundreds of years, to look up", "years, to look up at it and go, 'it looked like a metal", "now) but other than that they have no idea how advanced other parts", "seeing it that it has been incorporated into their vocabulary. What word could", "modern technology. They do see ruins from the past (from now) but other", "at it and go, 'it looked like a metal bird' because that seems", "is thin and grey, very efficient but not too hard to see. I", "hundreds of years, to look up at it and go, 'it looked like", "their vocabulary. What word could I have them use for it instead? Honestly", "want these people, after seeing the plane for hundreds of years, to look", "to see. I don't want these people, after seeing the plane for hundreds", "often see the plane of a more advanced civilization (they are monitoring them", "ruins from the past (from now) but other than that they have no", "for hundreds of years, to look up at it and go, 'it looked", "world might be, or of technology of the past. However, they often see", "see. I don't want these people, after seeing the plane for hundreds of", "that seems so cliche. I want it to be clear that they have", "have become so used to seeing it that it has been incorporated into", "could I have them use for it instead? Honestly I would take anything", "advanced other parts of the world might be, or of technology of the", "to be clear that they have become so used to seeing it that", "(from now) but other than that they have no idea how advanced other", "so cliche. I want it to be clear that they have become so", "of years, to look up at it and go, 'it looked like a", "grey, very efficient but not too hard to see. I don't want these", "thin and grey, very efficient but not too hard to see. I don't", "to stop them from getting better technology) flying over them. It is thin", "from getting better technology) flying over them. It is thin and grey, very", "cliche. I want it to be clear that they have become so used", "the world might be, or of technology of the past. However, they often", "no idea how advanced other parts of the world might be, or of", "have them use for it instead? Honestly I would take anything that sounds", "it that it has been incorporated into their vocabulary. What word could I", "of a more advanced civilization (they are monitoring them to stop them from", "characters live in the wilderness, and they have no modern technology. They do", "Honestly I would take anything that sounds like a real word and isn't", "too hard to see. I don't want these people, after seeing the plane", "the wilderness, and they have no modern technology. They do see ruins from", "or of technology of the past. However, they often see the plane of", "for it instead? Honestly I would take anything that sounds like a real", "better technology) flying over them. It is thin and grey, very efficient but", "but other than that they have no idea how advanced other parts of", "and go, 'it looked like a metal bird' because that seems so cliche.", "it has been incorporated into their vocabulary. What word could I have them", "to seeing it that it has been incorporated into their vocabulary. What word", "people, after seeing the plane for hundreds of years, to look up at", "civilization (they are monitoring them to stop them from getting better technology) flying", "they have become so used to seeing it that it has been incorporated", "a more advanced civilization (they are monitoring them to stop them from getting", "and grey, very efficient but not too hard to see. I don't want", "they have no modern technology. They do see ruins from the past (from", "the past (from now) but other than that they have no idea how", "would take anything that sounds like a real word and isn't super cheesy.", "technology of the past. However, they often see the plane of a more", "go, 'it looked like a metal bird' because that seems so cliche. I", "I would take anything that sounds like a real word and isn't super", "clear that they have become so used to seeing it that it has", "take anything that sounds like a real word and isn't super cheesy. They're", "looked like a metal bird' because that seems so cliche. I want it", "wilderness, and they have no modern technology. They do see ruins from the", "look up at it and go, 'it looked like a metal bird' because", "it and go, 'it looked like a metal bird' because that seems so", "seems so cliche. I want it to be clear that they have become" ]
[ "are just AHHHH! or AAAHHHHH! if the character is frightened, but what if", "if the character is excited? I've also seen people put an exaggerated \"SQEEEEE\"", "character is frightened, but what if the character is excited? I've also seen", "the character is frightened, but what if the character is excited? I've also", "what if the character is excited? I've also seen people put an exaggerated", "that are just AHHHH! or AAAHHHHH! if the character is frightened, but what", "if the character is frightened, but what if the character is excited? I've", "exaggerated \"SQEEEEE\" for excited but I don't really think that's appropriate for the", "but what if the character is excited? I've also seen people put an", "I've seen answers that are just AHHHH! or AAAHHHHH! if the character is", "is excited? I've also seen people put an exaggerated \"SQEEEEE\" for excited but", "an exaggerated \"SQEEEEE\" for excited but I don't really think that's appropriate for", "answers that are just AHHHH! or AAAHHHHH! if the character is frightened, but", "people put an exaggerated \"SQEEEEE\" for excited but I don't really think that's", "excited? I've also seen people put an exaggerated \"SQEEEEE\" for excited but I", "also seen people put an exaggerated \"SQEEEEE\" for excited but I don't really", "is frightened, but what if the character is excited? I've also seen people", "or AAAHHHHH! if the character is frightened, but what if the character is", "seen people put an exaggerated \"SQEEEEE\" for excited but I don't really think", "excited but I don't really think that's appropriate for the story I'm writing.", "the character is excited? I've also seen people put an exaggerated \"SQEEEEE\" for", "just AHHHH! or AAAHHHHH! if the character is frightened, but what if the", "AHHHH! or AAAHHHHH! if the character is frightened, but what if the character", "put an exaggerated \"SQEEEEE\" for excited but I don't really think that's appropriate", "for excited but I don't really think that's appropriate for the story I'm", "character is excited? I've also seen people put an exaggerated \"SQEEEEE\" for excited", "I've also seen people put an exaggerated \"SQEEEEE\" for excited but I don't", "AAAHHHHH! if the character is frightened, but what if the character is excited?", "\"SQEEEEE\" for excited but I don't really think that's appropriate for the story", "frightened, but what if the character is excited? I've also seen people put", "seen answers that are just AHHHH! or AAAHHHHH! if the character is frightened," ]
[ "am struggling trying to get one of my characters to display disdain for", "I've tried him \"snorting\", \"twisting his lips\", \"rolling his eyes\" but it isn't", "him \"snorting\", \"twisting his lips\", \"rolling his eyes\" but it isn't coming across", "display disdain for someone. I've tried him \"snorting\", \"twisting his lips\", \"rolling his", "to get one of my characters to display disdain for someone. I've tried", "one of my characters to display disdain for someone. I've tried him \"snorting\",", "\"snorting\", \"twisting his lips\", \"rolling his eyes\" but it isn't coming across well.", "I am struggling trying to get one of my characters to display disdain", "\"rolling his eyes\" but it isn't coming across well. Can anyone give me", "his eyes\" but it isn't coming across well. Can anyone give me better", "someone. I've tried him \"snorting\", \"twisting his lips\", \"rolling his eyes\" but it", "trying to get one of my characters to display disdain for someone. I've", "my characters to display disdain for someone. I've tried him \"snorting\", \"twisting his", "to display disdain for someone. I've tried him \"snorting\", \"twisting his lips\", \"rolling", "his lips\", \"rolling his eyes\" but it isn't coming across well. Can anyone", "it isn't coming across well. Can anyone give me better suggestions? Thanks much!", "\"twisting his lips\", \"rolling his eyes\" but it isn't coming across well. Can", "get one of my characters to display disdain for someone. I've tried him", "for someone. I've tried him \"snorting\", \"twisting his lips\", \"rolling his eyes\" but", "struggling trying to get one of my characters to display disdain for someone.", "but it isn't coming across well. Can anyone give me better suggestions? Thanks", "characters to display disdain for someone. I've tried him \"snorting\", \"twisting his lips\",", "disdain for someone. I've tried him \"snorting\", \"twisting his lips\", \"rolling his eyes\"", "tried him \"snorting\", \"twisting his lips\", \"rolling his eyes\" but it isn't coming", "lips\", \"rolling his eyes\" but it isn't coming across well. Can anyone give", "of my characters to display disdain for someone. I've tried him \"snorting\", \"twisting", "eyes\" but it isn't coming across well. Can anyone give me better suggestions?" ]
[ "and reconsidering whether or not I want to continue to write her little", "In my post-apocalyptic story, my narrator keeps a journal, and each new chapter", "with a journal entry of hers that's relevant to the events of the", "the events of the chapter. How often is this done, and is this", "journal, and each new chapter starts with a journal entry of hers that's", "the story and reconsidering whether or not I want to continue to write", "a good idea to do? I'm actually overhauling the story and reconsidering whether", "that's relevant to the events of the chapter. How often is this done,", "relevant to the events of the chapter. How often is this done, and", "events of the chapter. How often is this done, and is this a", "entry of hers that's relevant to the events of the chapter. How often", "a journal, and each new chapter starts with a journal entry of hers", "do? I'm actually overhauling the story and reconsidering whether or not I want", "this a good idea to do? I'm actually overhauling the story and reconsidering", "often is this done, and is this a good idea to do? I'm", "journal entry of hers that's relevant to the events of the chapter. How", "this done, and is this a good idea to do? I'm actually overhauling", "actually overhauling the story and reconsidering whether or not I want to continue", "good idea to do? I'm actually overhauling the story and reconsidering whether or", "is this a good idea to do? I'm actually overhauling the story and", "I'm actually overhauling the story and reconsidering whether or not I want to", "story, my narrator keeps a journal, and each new chapter starts with a", "How often is this done, and is this a good idea to do?", "and is this a good idea to do? I'm actually overhauling the story", "keeps a journal, and each new chapter starts with a journal entry of", "to do? I'm actually overhauling the story and reconsidering whether or not I", "hers that's relevant to the events of the chapter. How often is this", "reconsidering whether or not I want to continue to write her little entries.", "of the chapter. How often is this done, and is this a good", "chapter starts with a journal entry of hers that's relevant to the events", "to the events of the chapter. How often is this done, and is", "my narrator keeps a journal, and each new chapter starts with a journal", "a journal entry of hers that's relevant to the events of the chapter.", "idea to do? I'm actually overhauling the story and reconsidering whether or not", "story and reconsidering whether or not I want to continue to write her", "the chapter. How often is this done, and is this a good idea", "post-apocalyptic story, my narrator keeps a journal, and each new chapter starts with", "and each new chapter starts with a journal entry of hers that's relevant", "is this done, and is this a good idea to do? I'm actually", "overhauling the story and reconsidering whether or not I want to continue to", "my post-apocalyptic story, my narrator keeps a journal, and each new chapter starts", "done, and is this a good idea to do? I'm actually overhauling the", "each new chapter starts with a journal entry of hers that's relevant to", "narrator keeps a journal, and each new chapter starts with a journal entry", "starts with a journal entry of hers that's relevant to the events of", "of hers that's relevant to the events of the chapter. How often is", "chapter. How often is this done, and is this a good idea to", "new chapter starts with a journal entry of hers that's relevant to the" ]
[ "> > > example2 > > Entering the square I heard nothing but", "held in whispers and smiles quickly faded. The few cars that weren't scrapped", "using \"complicated\" words it doesn't come off as pretentious or edgy, but it", "through gritted teeth. > > Violated, dishonored, wading in blood, dripping filth –", "scrapped for parts lay abandoned; any viable fuel had been used by the", "pretentious or edgy, but it still manages to give off the feel of", "out to the men with cries of victory, but their words were hollow", "in blood, dripping filth – there stands > bourgeois society. This is it,", "up writing everything like... fanfiction. It sounds like I'm trying too hard. Are", "always end up writing everything like... fanfiction. It sounds like I'm trying too", "and > moral, with pretense to culture, philosophy, ethics... > > > My", "Violated, dishonored, wading in blood, dripping filth – there stands > bourgeois society.", "called out to the men with cries of victory, but their words were", "chatter was held in whispers and smiles quickly faded. The few cars that", "from Rosa Luxemburg is good at describing my goal. Despite using \"complicated\" words", "sent these men to die and the dying made them rich. They called", "my goal. Despite using \"complicated\" words it doesn't come off as pretentious or", "Despite using \"complicated\" words it doesn't come off as pretentious or edgy, but", "and the occasional clop of hooves. Idle chatter was held in whispers and", "culture, philosophy, ethics... > > > My problem is that I always end", "to the men with cries of victory, but their words were hollow and", "few cars that weren't scrapped for parts lay abandoned; any viable fuel had", "> > Entering the square I heard nothing but tired footsteps and the", "Any vestige of honor they might have had was swept away by the", "or great examples to learn from? edit: example1 > > Hands awash with", "die and the dying made them rich. They called out to the men", "swept away by the tide of war. They sent these men to die", "ethics... > > > My problem is that I always end up writing", "the men with cries of victory, but their words were hollow and their", "stands > bourgeois society. This is it, in reality. Not all spic and", "sounds like I'm trying too hard. Are there rules of thumb or great", "upon their faces. Any vestige of honor they might have had was swept", "I heard nothing but tired footsteps and the occasional clop of hooves. Idle", "been used by the military. The statue still stood, a shining symbol of", "honor they might have had was swept away by the tide of war.", "at describing my goal. Despite using \"complicated\" words it doesn't come off as", "it still manages to give off the feel of being said through gritted", "heard nothing but tired footsteps and the occasional clop of hooves. Idle chatter", "the square I heard nothing but tired footsteps and the occasional clop of", "the feel of being said through gritted teeth. > > Violated, dishonored, wading", "parts lay abandoned; any viable fuel had been used by the military. The", "> > My problem is that I always end up writing everything like...", "– there stands > bourgeois society. This is it, in reality. Not all", "war. They sent these men to die and the dying made them rich.", "describing my goal. Despite using \"complicated\" words it doesn't come off as pretentious", "like... fanfiction. It sounds like I'm trying too hard. Are there rules of", "example2 > > Entering the square I heard nothing but tired footsteps and", "The statue still stood, a shining symbol of hope the city once had.", "these men to die and the dying made them rich. They called out", "it, in reality. Not all spic and span and > moral, with pretense", "the tide of war. They sent these men to die and the dying", "or edgy, but it still manages to give off the feel of being", "They sent these men to die and the dying made them rich. They", "rules of thumb or great examples to learn from? edit: example1 > >", "span and > moral, with pretense to culture, philosophy, ethics... > > >", "there rules of thumb or great examples to learn from? edit: example1 >", "had was swept away by the tide of war. They sent these men", "in reality. Not all spic and span and > moral, with pretense to", "words it doesn't come off as pretentious or edgy, but it still manages", "> moral, with pretense to culture, philosophy, ethics... > > > My problem", "> > example2 > > Entering the square I heard nothing but tired", "blood, dripping filth – there stands > bourgeois society. This is it, in", "made them rich. They called out to the men with cries of victory,", "teeth. > > Violated, dishonored, wading in blood, dripping filth – there stands", "still manages to give off the feel of being said through gritted teeth.", "words were hollow and their \"victory\" was bought. > > > example2 >", "being said through gritted teeth. > > Violated, dishonored, wading in blood, dripping", "of victory, but their words were hollow and their \"victory\" was bought. >", "of war. They sent these men to die and the dying made them", "still stood, a shining symbol of hope the city once had. > >", "viable fuel had been used by the military. The statue still stood, a", "of hooves. Idle chatter was held in whispers and smiles quickly faded. The", "used by the military. The statue still stood, a shining symbol of hope", "as pretentious or edgy, but it still manages to give off the feel", "They called out to the men with cries of victory, but their words", "everything like... fanfiction. It sounds like I'm trying too hard. Are there rules", "edit: example1 > > Hands awash with blood, guilt smeared upon their faces.", "Hands awash with blood, guilt smeared upon their faces. Any vestige of honor", "the dying made them rich. They called out to the men with cries", "\"victory\" was bought. > > > example2 > > Entering the square I", "the following example from Rosa Luxemburg is good at describing my goal. Despite", "faded. The few cars that weren't scrapped for parts lay abandoned; any viable", "weren't scrapped for parts lay abandoned; any viable fuel had been used by", "the military. The statue still stood, a shining symbol of hope the city", "by the tide of war. They sent these men to die and the", "but tired footsteps and the occasional clop of hooves. Idle chatter was held", "give off the feel of being said through gritted teeth. > > Violated,", "It sounds like I'm trying too hard. Are there rules of thumb or", "is that I always end up writing everything like... fanfiction. It sounds like", "feel of being said through gritted teeth. > > Violated, dishonored, wading in", "dishonored, wading in blood, dripping filth – there stands > bourgeois society. This", "guilt smeared upon their faces. Any vestige of honor they might have had", "the occasional clop of hooves. Idle chatter was held in whispers and smiles", "to culture, philosophy, ethics... > > > My problem is that I always", "tide of war. They sent these men to die and the dying made", "good at describing my goal. Despite using \"complicated\" words it doesn't come off", "said through gritted teeth. > > Violated, dishonored, wading in blood, dripping filth", "clop of hooves. Idle chatter was held in whispers and smiles quickly faded.", "and their \"victory\" was bought. > > > example2 > > Entering the", "vestige of honor they might have had was swept away by the tide", "blood, guilt smeared upon their faces. Any vestige of honor they might have", "men to die and the dying made them rich. They called out to", "> bourgeois society. This is it, in reality. Not all spic and span", "Not all spic and span and > moral, with pretense to culture, philosophy,", "nothing but tired footsteps and the occasional clop of hooves. Idle chatter was", "and span and > moral, with pretense to culture, philosophy, ethics... > >", "is good at describing my goal. Despite using \"complicated\" words it doesn't come", "by the military. The statue still stood, a shining symbol of hope the", "and smiles quickly faded. The few cars that weren't scrapped for parts lay", "This is it, in reality. Not all spic and span and > moral,", "cars that weren't scrapped for parts lay abandoned; any viable fuel had been", "edgy, but it still manages to give off the feel of being said", "but it still manages to give off the feel of being said through", "footsteps and the occasional clop of hooves. Idle chatter was held in whispers", "doesn't come off as pretentious or edgy, but it still manages to give", "learn from? edit: example1 > > Hands awash with blood, guilt smeared upon", "with cries of victory, but their words were hollow and their \"victory\" was", "> Entering the square I heard nothing but tired footsteps and the occasional", "Rosa Luxemburg is good at describing my goal. Despite using \"complicated\" words it", "wading in blood, dripping filth – there stands > bourgeois society. This is", "was swept away by the tide of war. They sent these men to", "any viable fuel had been used by the military. The statue still stood,", "end up writing everything like... fanfiction. It sounds like I'm trying too hard.", "moral, with pretense to culture, philosophy, ethics... > > > My problem is", "manages to give off the feel of being said through gritted teeth. >", "> Hands awash with blood, guilt smeared upon their faces. Any vestige of", "in whispers and smiles quickly faded. The few cars that weren't scrapped for", "> > Hands awash with blood, guilt smeared upon their faces. Any vestige", "and the dying made them rich. They called out to the men with", "The few cars that weren't scrapped for parts lay abandoned; any viable fuel", "of honor they might have had was swept away by the tide of", "victory, but their words were hollow and their \"victory\" was bought. > >", "rich. They called out to the men with cries of victory, but their", "fanfiction. It sounds like I'm trying too hard. Are there rules of thumb", "spic and span and > moral, with pretense to culture, philosophy, ethics... >", "to give off the feel of being said through gritted teeth. > >", "their words were hollow and their \"victory\" was bought. > > > example2", "quickly faded. The few cars that weren't scrapped for parts lay abandoned; any", "that the following example from Rosa Luxemburg is good at describing my goal.", "off the feel of being said through gritted teeth. > > Violated, dishonored,", "> My problem is that I always end up writing everything like... fanfiction.", "of thumb or great examples to learn from? edit: example1 > > Hands", "tired footsteps and the occasional clop of hooves. Idle chatter was held in", "abandoned; any viable fuel had been used by the military. The statue still", "fuel had been used by the military. The statue still stood, a shining", "had been used by the military. The statue still stood, a shining symbol", "with blood, guilt smeared upon their faces. Any vestige of honor they might", "problem is that I always end up writing everything like... fanfiction. It sounds", "all spic and span and > moral, with pretense to culture, philosophy, ethics...", "great examples to learn from? edit: example1 > > Hands awash with blood,", "pretense to culture, philosophy, ethics... > > > My problem is that I", "might have had was swept away by the tide of war. They sent", "have had was swept away by the tide of war. They sent these", "was bought. > > > example2 > > Entering the square I heard", "to learn from? edit: example1 > > Hands awash with blood, guilt smeared", "men with cries of victory, but their words were hollow and their \"victory\"", "whispers and smiles quickly faded. The few cars that weren't scrapped for parts", "too hard. Are there rules of thumb or great examples to learn from?", "for parts lay abandoned; any viable fuel had been used by the military.", "> example2 > > Entering the square I heard nothing but tired footsteps", "come off as pretentious or edgy, but it still manages to give off", "from? edit: example1 > > Hands awash with blood, guilt smeared upon their", "of being said through gritted teeth. > > Violated, dishonored, wading in blood,", "Idle chatter was held in whispers and smiles quickly faded. The few cars", "dying made them rich. They called out to the men with cries of", "occasional clop of hooves. Idle chatter was held in whispers and smiles quickly", "stood, a shining symbol of hope the city once had. > > >", "bourgeois society. This is it, in reality. Not all spic and span and", "writing everything like... fanfiction. It sounds like I'm trying too hard. Are there", "smeared upon their faces. Any vestige of honor they might have had was", "awash with blood, guilt smeared upon their faces. Any vestige of honor they", "they might have had was swept away by the tide of war. They", "it doesn't come off as pretentious or edgy, but it still manages to", "dripping filth – there stands > bourgeois society. This is it, in reality.", "I always end up writing everything like... fanfiction. It sounds like I'm trying", "were hollow and their \"victory\" was bought. > > > example2 > >", "that weren't scrapped for parts lay abandoned; any viable fuel had been used", "filth – there stands > bourgeois society. This is it, in reality. Not", "thumb or great examples to learn from? edit: example1 > > Hands awash", "philosophy, ethics... > > > My problem is that I always end up", "their faces. Any vestige of honor they might have had was swept away", "is it, in reality. Not all spic and span and > moral, with", "following example from Rosa Luxemburg is good at describing my goal. Despite using", "bought. > > > example2 > > Entering the square I heard nothing", "Luxemburg is good at describing my goal. Despite using \"complicated\" words it doesn't", "military. The statue still stood, a shining symbol of hope the city once", "Entering the square I heard nothing but tired footsteps and the occasional clop", "statue still stood, a shining symbol of hope the city once had. >", "goal. Despite using \"complicated\" words it doesn't come off as pretentious or edgy,", "like I'm trying too hard. Are there rules of thumb or great examples", "there stands > bourgeois society. This is it, in reality. Not all spic", "with pretense to culture, philosophy, ethics... > > > My problem is that", "example1 > > Hands awash with blood, guilt smeared upon their faces. Any", "their \"victory\" was bought. > > > example2 > > Entering the square", "feel that the following example from Rosa Luxemburg is good at describing my", "lay abandoned; any viable fuel had been used by the military. The statue", "to die and the dying made them rich. They called out to the", "gritted teeth. > > Violated, dishonored, wading in blood, dripping filth – there", "faces. Any vestige of honor they might have had was swept away by", "I feel that the following example from Rosa Luxemburg is good at describing", "that I always end up writing everything like... fanfiction. It sounds like I'm", "My problem is that I always end up writing everything like... fanfiction. It", "hard. Are there rules of thumb or great examples to learn from? edit:", "examples to learn from? edit: example1 > > Hands awash with blood, guilt", "cries of victory, but their words were hollow and their \"victory\" was bought.", "> Violated, dishonored, wading in blood, dripping filth – there stands > bourgeois", "> > > My problem is that I always end up writing everything", "was held in whispers and smiles quickly faded. The few cars that weren't", "> > Violated, dishonored, wading in blood, dripping filth – there stands >", "I'm trying too hard. Are there rules of thumb or great examples to", "hollow and their \"victory\" was bought. > > > example2 > > Entering", "square I heard nothing but tired footsteps and the occasional clop of hooves.", "Are there rules of thumb or great examples to learn from? edit: example1", "away by the tide of war. They sent these men to die and", "trying too hard. Are there rules of thumb or great examples to learn", "them rich. They called out to the men with cries of victory, but", "society. This is it, in reality. Not all spic and span and >", "smiles quickly faded. The few cars that weren't scrapped for parts lay abandoned;", "reality. Not all spic and span and > moral, with pretense to culture,", "example from Rosa Luxemburg is good at describing my goal. Despite using \"complicated\"", "off as pretentious or edgy, but it still manages to give off the", "\"complicated\" words it doesn't come off as pretentious or edgy, but it still", "but their words were hollow and their \"victory\" was bought. > > >", "hooves. Idle chatter was held in whispers and smiles quickly faded. The few" ]
[ "enthusiastic at first, but grows more and more pessimistic as he realizes that", "coming from miles away. (Y'know, like Callaghan being the bad guy in Big", "the antagonists, figuring that it will raise his chances of survival. The thing", "to the readers before it gets revealed. I'm trying to make him seem", "has a habit of talking a lot at a very fast pace. However,", "but I'm afraid that readers might read the name a little too closely,", "brave and stupid (but mostly the latter). Eventually he gets so fed up", "of allegiances to be obvious to the readers before it gets revealed. I'm", "sarcastic), may have a little crush on one of the protagonists' allies (well,", "Hero 6. Did anyone else go, \"Yeah, he's evil,\" five seconds after he", "the bad guy in Big Hero 6. Did anyone else go, \"Yeah, he's", "done a surprising twist, only for the readers to have seen it coming", "at the same time, I don't want to be one of those authors", "only for the readers to have seen it coming from miles away. (Y'know,", "through the list of approved Icelandic male names and picked Sindri. I really", "And I don't want readers to think I don't approve of genetic research:", "stupid (but mostly the latter). Eventually he gets so fed up that he", "I don't want readers to think I don't approve of genetic research: I", "away. (Y'know, like Callaghan being the bad guy in Big Hero 6. Did", "mostly the latter). Eventually he gets so fed up that he joins the", "Eventually he gets so fed up that he joins the antagonists, figuring that", "pretty harmless: he's very nerdy, quite a bit cowardly, pretty nice (albeit sarcastic),", "for the readers to have seen it coming from miles away. (Y'know, like", "sounds, but I'm afraid that readers might read the name a little too", "figuring that it will raise his chances of survival. The thing is, I", "that it will raise his chances of survival. The thing is, I don't", "He is enthusiastic at first, but grows more and more pessimistic as he", "it's pretty cool. Now, onto my main concern: his name. Since he's Icelandic,", "deadly risks, thinking of people who do as a mixture of brave and", "suspicious, even without the name. And I don't want readers to think I", "grows more and more pessimistic as he realizes that the protagonists have basically", "like Callaghan being the bad guy in Big Hero 6. Did anyone else", "trustworthy character. Should I change the name? I'm getting all attached to the", "introduced early on as a supporter of the protagonists. He is enthusiastic at", "the protagonists have basically no chance of winning and have a good chance", "one of the protagonists' allies (well, until she dies), and has a habit", "a supporter of the protagonists. He is enthusiastic at first, but grows more", "to make him seem pretty harmless: he's very nerdy, quite a bit cowardly,", "guy in Big Hero 6. Did anyone else go, \"Yeah, he's evil,\" five", "he is a geneticist, which might make some readers suspicious, even without the", "think it's pretty cool. Now, onto my main concern: his name. Since he's", "realizes that the protagonists have basically no chance of winning and have a", "to change it, but at the same time, I don't want to be", "his past, he cannot accept taking deadly risks, thinking of people who do", "of winning and have a good chance of dying. Due to an incident", "a little crush on one of the protagonists' allies (well, until she dies),", "onto my main concern: his name. Since he's Icelandic, I went through the", "read the name a little too closely, realize that it's spelled Sindri, and", "dying. Due to an incident in his past, he cannot accept taking deadly", "chance of dying. Due to an incident in his past, he cannot accept", "accept taking deadly risks, thinking of people who do as a mixture of", "he's Icelandic, I went through the list of approved Icelandic male names and", "the latter). Eventually he gets so fed up that he joins the antagonists,", "seen it coming from miles away. (Y'know, like Callaghan being the bad guy", "lot at a very fast pace. However, he is a geneticist, which might", "realize that he is not a trustworthy character. Should I change the name?", "past, he cannot accept taking deadly risks, thinking of people who do as", "early on as a supporter of the protagonists. He is enthusiastic at first,", "quite a bit cowardly, pretty nice (albeit sarcastic), may have a little crush", "readers to have seen it coming from miles away. (Y'know, like Callaghan being", "spelled Sindri, and realize that he is not a trustworthy character. Should I", "of survival. The thing is, I don't want his change of allegiances to", "nerdy, quite a bit cowardly, pretty nice (albeit sarcastic), may have a little", "those authors who thinks they've done a surprising twist, only for the readers", "want to be one of those authors who thinks they've done a surprising", "(but mostly the latter). Eventually he gets so fed up that he joins", "fed up that he joins the antagonists, figuring that it will raise his", "a good chance of dying. Due to an incident in his past, he", "may have a little crush on one of the protagonists' allies (well, until", "want readers to think I don't approve of genetic research: I think it's", "don't approve of genetic research: I think it's pretty cool. Now, onto my", "readers might read the name a little too closely, realize that it's spelled", "thing is, I don't want his change of allegiances to be obvious to", "(well, until she dies), and has a habit of talking a lot at", "so fed up that he joins the antagonists, figuring that it will raise", "pace. However, he is a geneticist, which might make some readers suspicious, even", "some readers suspicious, even without the name. And I don't want readers to", "gets so fed up that he joins the antagonists, figuring that it will", "protagonists. He is enthusiastic at first, but grows more and more pessimistic as", "of those authors who thinks they've done a surprising twist, only for the", "way it sounds, but I'm afraid that readers might read the name a", "a little too closely, realize that it's spelled Sindri, and realize that he", "where a character is introduced early on as a supporter of the protagonists.", "little too closely, realize that it's spelled Sindri, and realize that he is", "don't want his change of allegiances to be obvious to the readers before", "up that he joins the antagonists, figuring that it will raise his chances", "the list of approved Icelandic male names and picked Sindri. I really like", "is introduced early on as a supporter of the protagonists. He is enthusiastic", "chances of survival. The thing is, I don't want his change of allegiances", "to have seen it coming from miles away. (Y'know, like Callaghan being the", "genetic research: I think it's pretty cool. Now, onto my main concern: his", "who thinks they've done a surprising twist, only for the readers to have", "not a trustworthy character. Should I change the name? I'm getting all attached", "make some readers suspicious, even without the name. And I don't want readers", "of genetic research: I think it's pretty cool. Now, onto my main concern:", "miles away. (Y'know, like Callaghan being the bad guy in Big Hero 6.", "a surprising twist, only for the readers to have seen it coming from", "allegiances to be obvious to the readers before it gets revealed. I'm trying", "on as a supporter of the protagonists. He is enthusiastic at first, but", "want his change of allegiances to be obvious to the readers before it", "his name. Since he's Icelandic, I went through the list of approved Icelandic", "is enthusiastic at first, but grows more and more pessimistic as he realizes", "that it's spelled Sindri, and realize that he is not a trustworthy character.", "the readers to have seen it coming from miles away. (Y'know, like Callaghan", "readers suspicious, even without the name. And I don't want readers to think", "I don't want to change it, but at the same time, I don't", "survival. The thing is, I don't want his change of allegiances to be", "concern: his name. Since he's Icelandic, I went through the list of approved", "of people who do as a mixture of brave and stupid (but mostly", "and realize that he is not a trustworthy character. Should I change the", "my main concern: his name. Since he's Icelandic, I went through the list", "I went through the list of approved Icelandic male names and picked Sindri.", "that he joins the antagonists, figuring that it will raise his chances of", "change it, but at the same time, I don't want to be one", "cowardly, pretty nice (albeit sarcastic), may have a little crush on one of", "readers to think I don't approve of genetic research: I think it's pretty", "pretty cool. Now, onto my main concern: his name. Since he's Icelandic, I", "am writing a middle-grade series where a character is introduced early on as", "the readers before it gets revealed. I'm trying to make him seem pretty", "a middle-grade series where a character is introduced early on as a supporter", "before it gets revealed. I'm trying to make him seem pretty harmless: he's", "harmless: he's very nerdy, quite a bit cowardly, pretty nice (albeit sarcastic), may", "allies (well, until she dies), and has a habit of talking a lot", "might read the name a little too closely, realize that it's spelled Sindri,", "list of approved Icelandic male names and picked Sindri. I really like the", "he cannot accept taking deadly risks, thinking of people who do as a", "name? I'm getting all attached to the name, and I don't want to", "is, I don't want his change of allegiances to be obvious to the", "his change of allegiances to be obvious to the readers before it gets", "don't want to change it, but at the same time, I don't want", "of approved Icelandic male names and picked Sindri. I really like the way", "it, but at the same time, I don't want to be one of", "of the protagonists. He is enthusiastic at first, but grows more and more", "be one of those authors who thinks they've done a surprising twist, only", "The thing is, I don't want his change of allegiances to be obvious", "male names and picked Sindri. I really like the way it sounds, but", "Icelandic male names and picked Sindri. I really like the way it sounds,", "a mixture of brave and stupid (but mostly the latter). Eventually he gets", "even without the name. And I don't want readers to think I don't", "name. And I don't want readers to think I don't approve of genetic", "I think it's pretty cool. Now, onto my main concern: his name. Since", "it coming from miles away. (Y'know, like Callaghan being the bad guy in", "habit of talking a lot at a very fast pace. However, he is", "picked Sindri. I really like the way it sounds, but I'm afraid that", "a bit cowardly, pretty nice (albeit sarcastic), may have a little crush on", "very fast pace. However, he is a geneticist, which might make some readers", "(albeit sarcastic), may have a little crush on one of the protagonists' allies", "don't want to be one of those authors who thinks they've done a", "Since he's Icelandic, I went through the list of approved Icelandic male names", "winning and have a good chance of dying. Due to an incident in", "no chance of winning and have a good chance of dying. Due to", "an incident in his past, he cannot accept taking deadly risks, thinking of", "the name. And I don't want readers to think I don't approve of", "the name a little too closely, realize that it's spelled Sindri, and realize", "but at the same time, I don't want to be one of those", "Should I change the name? I'm getting all attached to the name, and", "they've done a surprising twist, only for the readers to have seen it", "and have a good chance of dying. Due to an incident in his", "more and more pessimistic as he realizes that the protagonists have basically no", "change of allegiances to be obvious to the readers before it gets revealed.", "fast pace. However, he is a geneticist, which might make some readers suspicious,", "will raise his chances of survival. The thing is, I don't want his", "to the name, and I don't want to change it, but at the", "time, I don't want to be one of those authors who thinks they've", "I really like the way it sounds, but I'm afraid that readers might", "talking a lot at a very fast pace. However, he is a geneticist,", "as a supporter of the protagonists. He is enthusiastic at first, but grows", "supporter of the protagonists. He is enthusiastic at first, but grows more and", "(Y'know, like Callaghan being the bad guy in Big Hero 6. Did anyone", "nice (albeit sarcastic), may have a little crush on one of the protagonists'", "cannot accept taking deadly risks, thinking of people who do as a mixture", "pretty nice (albeit sarcastic), may have a little crush on one of the", "thinks they've done a surprising twist, only for the readers to have seen", "afraid that readers might read the name a little too closely, realize that", "he is not a trustworthy character. Should I change the name? I'm getting", "which might make some readers suspicious, even without the name. And I don't", "Sindri. I really like the way it sounds, but I'm afraid that readers", "a very fast pace. However, he is a geneticist, which might make some", "Icelandic, I went through the list of approved Icelandic male names and picked", "I don't approve of genetic research: I think it's pretty cool. Now, onto", "main concern: his name. Since he's Icelandic, I went through the list of", "protagonists' allies (well, until she dies), and has a habit of talking a", "good chance of dying. Due to an incident in his past, he cannot", "I am writing a middle-grade series where a character is introduced early on", "one of those authors who thinks they've done a surprising twist, only for", "readers before it gets revealed. I'm trying to make him seem pretty harmless:", "have a little crush on one of the protagonists' allies (well, until she", "until she dies), and has a habit of talking a lot at a", "incident in his past, he cannot accept taking deadly risks, thinking of people", "the protagonists' allies (well, until she dies), and has a habit of talking", "mixture of brave and stupid (but mostly the latter). Eventually he gets so", "I change the name? I'm getting all attached to the name, and I", "without the name. And I don't want readers to think I don't approve", "the way it sounds, but I'm afraid that readers might read the name", "really like the way it sounds, but I'm afraid that readers might read", "and I don't want to change it, but at the same time, I", "name, and I don't want to change it, but at the same time,", "little crush on one of the protagonists' allies (well, until she dies), and", "and stupid (but mostly the latter). Eventually he gets so fed up that", "a lot at a very fast pace. However, he is a geneticist, which", "writing a middle-grade series where a character is introduced early on as a", "surprising twist, only for the readers to have seen it coming from miles", "I'm trying to make him seem pretty harmless: he's very nerdy, quite a", "who do as a mixture of brave and stupid (but mostly the latter).", "his chances of survival. The thing is, I don't want his change of", "at a very fast pace. However, he is a geneticist, which might make", "bit cowardly, pretty nice (albeit sarcastic), may have a little crush on one", "of the protagonists' allies (well, until she dies), and has a habit of", "a geneticist, which might make some readers suspicious, even without the name. And", "him seem pretty harmless: he's very nerdy, quite a bit cowardly, pretty nice", "but grows more and more pessimistic as he realizes that the protagonists have", "at first, but grows more and more pessimistic as he realizes that the", "attached to the name, and I don't want to change it, but at", "character is introduced early on as a supporter of the protagonists. He is", "closely, realize that it's spelled Sindri, and realize that he is not a", "names and picked Sindri. I really like the way it sounds, but I'm", "very nerdy, quite a bit cowardly, pretty nice (albeit sarcastic), may have a", "a trustworthy character. Should I change the name? I'm getting all attached to", "thinking of people who do as a mixture of brave and stupid (but", "it's spelled Sindri, and realize that he is not a trustworthy character. Should", "she dies), and has a habit of talking a lot at a very", "a character is introduced early on as a supporter of the protagonists. He", "in his past, he cannot accept taking deadly risks, thinking of people who", "protagonists have basically no chance of winning and have a good chance of", "I'm afraid that readers might read the name a little too closely, realize", "of brave and stupid (but mostly the latter). Eventually he gets so fed", "research: I think it's pretty cool. Now, onto my main concern: his name.", "I don't want his change of allegiances to be obvious to the readers", "that readers might read the name a little too closely, realize that it's", "name. Since he's Icelandic, I went through the list of approved Icelandic male", "crush on one of the protagonists' allies (well, until she dies), and has", "Now, onto my main concern: his name. Since he's Icelandic, I went through", "it will raise his chances of survival. The thing is, I don't want", "character. Should I change the name? I'm getting all attached to the name,", "people who do as a mixture of brave and stupid (but mostly the", "Sindri, and realize that he is not a trustworthy character. Should I change", "However, he is a geneticist, which might make some readers suspicious, even without", "think I don't approve of genetic research: I think it's pretty cool. Now,", "went through the list of approved Icelandic male names and picked Sindri. I", "from miles away. (Y'know, like Callaghan being the bad guy in Big Hero", "6. Did anyone else go, \"Yeah, he's evil,\" five seconds after he was", "the name? I'm getting all attached to the name, and I don't want", "he gets so fed up that he joins the antagonists, figuring that it", "middle-grade series where a character is introduced early on as a supporter of", "to think I don't approve of genetic research: I think it's pretty cool.", "approved Icelandic male names and picked Sindri. I really like the way it", "I'm getting all attached to the name, and I don't want to change", "cool. Now, onto my main concern: his name. Since he's Icelandic, I went", "raise his chances of survival. The thing is, I don't want his change", "and picked Sindri. I really like the way it sounds, but I'm afraid", "and has a habit of talking a lot at a very fast pace.", "it sounds, but I'm afraid that readers might read the name a little", "risks, thinking of people who do as a mixture of brave and stupid", "getting all attached to the name, and I don't want to change it,", "obvious to the readers before it gets revealed. I'm trying to make him", "anyone else go, \"Yeah, he's evil,\" five seconds after he was introduced? XD)", "too closely, realize that it's spelled Sindri, and realize that he is not", "same time, I don't want to be one of those authors who thinks", "as a mixture of brave and stupid (but mostly the latter). Eventually he", "like the way it sounds, but I'm afraid that readers might read the", "pessimistic as he realizes that the protagonists have basically no chance of winning", "antagonists, figuring that it will raise his chances of survival. The thing is,", "he's very nerdy, quite a bit cowardly, pretty nice (albeit sarcastic), may have", "in Big Hero 6. Did anyone else go, \"Yeah, he's evil,\" five seconds", "Did anyone else go, \"Yeah, he's evil,\" five seconds after he was introduced?", "make him seem pretty harmless: he's very nerdy, quite a bit cowardly, pretty", "Callaghan being the bad guy in Big Hero 6. Did anyone else go,", "all attached to the name, and I don't want to change it, but", "being the bad guy in Big Hero 6. Did anyone else go, \"Yeah,", "have seen it coming from miles away. (Y'know, like Callaghan being the bad", "a habit of talking a lot at a very fast pace. However, he", "to an incident in his past, he cannot accept taking deadly risks, thinking", "to be obvious to the readers before it gets revealed. I'm trying to", "change the name? I'm getting all attached to the name, and I don't", "be obvious to the readers before it gets revealed. I'm trying to make", "is a geneticist, which might make some readers suspicious, even without the name.", "chance of winning and have a good chance of dying. Due to an", "have a good chance of dying. Due to an incident in his past,", "revealed. I'm trying to make him seem pretty harmless: he's very nerdy, quite", "to be one of those authors who thinks they've done a surprising twist,", "it gets revealed. I'm trying to make him seem pretty harmless: he's very", "latter). Eventually he gets so fed up that he joins the antagonists, figuring", "want to change it, but at the same time, I don't want to", "he realizes that the protagonists have basically no chance of winning and have", "taking deadly risks, thinking of people who do as a mixture of brave", "of dying. Due to an incident in his past, he cannot accept taking", "don't want readers to think I don't approve of genetic research: I think", "name a little too closely, realize that it's spelled Sindri, and realize that", "do as a mixture of brave and stupid (but mostly the latter). Eventually", "more pessimistic as he realizes that the protagonists have basically no chance of", "and more pessimistic as he realizes that the protagonists have basically no chance", "the protagonists. He is enthusiastic at first, but grows more and more pessimistic", "the name, and I don't want to change it, but at the same", "is not a trustworthy character. Should I change the name? I'm getting all", "joins the antagonists, figuring that it will raise his chances of survival. The", "realize that it's spelled Sindri, and realize that he is not a trustworthy", "that he is not a trustworthy character. Should I change the name? I'm", "the same time, I don't want to be one of those authors who", "gets revealed. I'm trying to make him seem pretty harmless: he's very nerdy,", "he joins the antagonists, figuring that it will raise his chances of survival.", "Big Hero 6. Did anyone else go, \"Yeah, he's evil,\" five seconds after", "authors who thinks they've done a surprising twist, only for the readers to", "geneticist, which might make some readers suspicious, even without the name. And I", "trying to make him seem pretty harmless: he's very nerdy, quite a bit", "as he realizes that the protagonists have basically no chance of winning and", "series where a character is introduced early on as a supporter of the", "that the protagonists have basically no chance of winning and have a good", "seem pretty harmless: he's very nerdy, quite a bit cowardly, pretty nice (albeit", "of talking a lot at a very fast pace. However, he is a", "have basically no chance of winning and have a good chance of dying.", "Due to an incident in his past, he cannot accept taking deadly risks,", "I don't want to be one of those authors who thinks they've done", "basically no chance of winning and have a good chance of dying. Due", "might make some readers suspicious, even without the name. And I don't want", "dies), and has a habit of talking a lot at a very fast", "first, but grows more and more pessimistic as he realizes that the protagonists", "bad guy in Big Hero 6. Did anyone else go, \"Yeah, he's evil,\"", "twist, only for the readers to have seen it coming from miles away.", "approve of genetic research: I think it's pretty cool. Now, onto my main", "on one of the protagonists' allies (well, until she dies), and has a" ]
[ "before their encounter, this seems convenient after a while. It takes away the", "minotaur becomes redundant, and though there are monsters I have a character introduce", "following scene with a character discovering it's a minotaur becomes redundant, and though", "as a minotaur lets the reader know what it is straight away, the", "trouble comes from revealing a monster, but for the characters who have never", "drama, and after a while writing ' a bull with legs' gets repetitive.", "' a bull with legs' gets repetitive. Any tips, rule of thumb? Cheers.", "have writing fantasy. Most of the trouble comes from revealing a monster, but", "what it is straight away, the problem is if i write 'minotaur', a", "a while writing ' a bull with legs' gets repetitive. Any tips, rule", "fantasy. Most of the trouble comes from revealing a monster, but for the", "they don't know what it is. One example is a minotaur, to describe", "a character introduce before their encounter, this seems convenient after a while. It", "character introduce before their encounter, this seems convenient after a while. It takes", "becomes redundant, and though there are monsters I have a character introduce before", "while writing ' a bull with legs' gets repetitive. Any tips, rule of", "their encounter, this seems convenient after a while. It takes away the drama,", "the characters who have never seen the monster before, they don't know what", "this seems convenient after a while. It takes away the drama, and after", "the problem is if i write 'minotaur', a following scene with a character", "scene with a character discovering it's a minotaur becomes redundant, and though there", "straight away, the problem is if i write 'minotaur', a following scene with", "problem is if i write 'minotaur', a following scene with a character discovering", "common problem I have writing fantasy. Most of the trouble comes from revealing", "the trouble comes from revealing a monster, but for the characters who have", "have never seen the monster before, they don't know what it is. One", "from revealing a monster, but for the characters who have never seen the", "describe it as a minotaur lets the reader know what it is straight", "monster before, they don't know what it is. One example is a minotaur,", "a monster, but for the characters who have never seen the monster before,", "encounter, this seems convenient after a while. It takes away the drama, and", "a minotaur, to describe it as a minotaur lets the reader know what", "it is straight away, the problem is if i write 'minotaur', a following", "Most of the trouble comes from revealing a monster, but for the characters", "after a while. It takes away the drama, and after a while writing", "is a minotaur, to describe it as a minotaur lets the reader know", "monster, but for the characters who have never seen the monster before, they", "is if i write 'minotaur', a following scene with a character discovering it's", "it's a minotaur becomes redundant, and though there are monsters I have a", "I have writing fantasy. Most of the trouble comes from revealing a monster,", "of the trouble comes from revealing a monster, but for the characters who", "is. One example is a minotaur, to describe it as a minotaur lets", "what it is. One example is a minotaur, to describe it as a", "minotaur, to describe it as a minotaur lets the reader know what it", "lets the reader know what it is straight away, the problem is if", "convenient after a while. It takes away the drama, and after a while", "monsters I have a character introduce before their encounter, this seems convenient after", "never seen the monster before, they don't know what it is. One example", "are monsters I have a character introduce before their encounter, this seems convenient", "the monster before, they don't know what it is. One example is a", "is a common problem I have writing fantasy. Most of the trouble comes", "This is a common problem I have writing fantasy. Most of the trouble", "it is. One example is a minotaur, to describe it as a minotaur", "know what it is. One example is a minotaur, to describe it as", "away, the problem is if i write 'minotaur', a following scene with a", "revealing a monster, but for the characters who have never seen the monster", "comes from revealing a monster, but for the characters who have never seen", "redundant, and though there are monsters I have a character introduce before their", "i write 'minotaur', a following scene with a character discovering it's a minotaur", "a common problem I have writing fantasy. Most of the trouble comes from", "One example is a minotaur, to describe it as a minotaur lets the", "have a character introduce before their encounter, this seems convenient after a while.", "for the characters who have never seen the monster before, they don't know", "example is a minotaur, to describe it as a minotaur lets the reader", "while. It takes away the drama, and after a while writing ' a", "it as a minotaur lets the reader know what it is straight away,", "a following scene with a character discovering it's a minotaur becomes redundant, and", "away the drama, and after a while writing ' a bull with legs'", "and though there are monsters I have a character introduce before their encounter,", "a minotaur becomes redundant, and though there are monsters I have a character", "a while. It takes away the drama, and after a while writing '", "don't know what it is. One example is a minotaur, to describe it", "character discovering it's a minotaur becomes redundant, and though there are monsters I", "characters who have never seen the monster before, they don't know what it", "seen the monster before, they don't know what it is. One example is", "the reader know what it is straight away, the problem is if i", "but for the characters who have never seen the monster before, they don't", "writing ' a bull with legs' gets repetitive. Any tips, rule of thumb?", "who have never seen the monster before, they don't know what it is.", "is straight away, the problem is if i write 'minotaur', a following scene", "takes away the drama, and after a while writing ' a bull with", "and after a while writing ' a bull with legs' gets repetitive. Any", "a minotaur lets the reader know what it is straight away, the problem", "after a while writing ' a bull with legs' gets repetitive. Any tips,", "I have a character introduce before their encounter, this seems convenient after a", "writing fantasy. Most of the trouble comes from revealing a monster, but for", "write 'minotaur', a following scene with a character discovering it's a minotaur becomes", "reader know what it is straight away, the problem is if i write", "seems convenient after a while. It takes away the drama, and after a", "problem I have writing fantasy. Most of the trouble comes from revealing a", "'minotaur', a following scene with a character discovering it's a minotaur becomes redundant,", "before, they don't know what it is. One example is a minotaur, to", "It takes away the drama, and after a while writing ' a bull", "the drama, and after a while writing ' a bull with legs' gets", "to describe it as a minotaur lets the reader know what it is", "minotaur lets the reader know what it is straight away, the problem is", "if i write 'minotaur', a following scene with a character discovering it's a", "know what it is straight away, the problem is if i write 'minotaur',", "a character discovering it's a minotaur becomes redundant, and though there are monsters", "there are monsters I have a character introduce before their encounter, this seems", "though there are monsters I have a character introduce before their encounter, this", "introduce before their encounter, this seems convenient after a while. It takes away", "with a character discovering it's a minotaur becomes redundant, and though there are", "discovering it's a minotaur becomes redundant, and though there are monsters I have" ]
[ "to do, especially when you're trying to change people instantaneously for the reader", "want to make sure each get their time in the spotlight. This is", "to make sure each get their time in the spotlight. This is extremely", "write a book in first person, but have trouble when there's any form", "and I want to make sure each get their time in the spotlight.", "do, especially when you're trying to change people instantaneously for the reader to", "when you're trying to change people instantaneously for the reader to experience the", "reader to experience the multiple viewpoints of the characters. So, my question is,", "all, it's about multiple people, and I want to make sure each get", "to experience the multiple viewpoints of the characters. So, my question is, how", "form of action involving in groups. After all, it's about multiple people, and", "for the reader to experience the multiple viewpoints of the characters. So, my", "of action involving in groups. After all, it's about multiple people, and I", "trouble when there's any form of action involving in groups. After all, it's", "it's about multiple people, and I want to make sure each get their", "groups. After all, it's about multiple people, and I want to make sure", "is extremely difficult to do, especially when you're trying to change people instantaneously", "change people instantaneously for the reader to experience the multiple viewpoints of the", "instantaneously for the reader to experience the multiple viewpoints of the characters. So,", "get their time in the spotlight. This is extremely difficult to do, especially", "to write a book in first person, but have trouble when there's any", "in first person, but have trouble when there's any form of action involving", "spotlight. This is extremely difficult to do, especially when you're trying to change", "multiple people, and I want to make sure each get their time in", "This is extremely difficult to do, especially when you're trying to change people", "about multiple people, and I want to make sure each get their time", "people instantaneously for the reader to experience the multiple viewpoints of the characters.", "first person, but have trouble when there's any form of action involving in", "each get their time in the spotlight. This is extremely difficult to do,", "I want to make sure each get their time in the spotlight. This", "there's any form of action involving in groups. After all, it's about multiple", "extremely difficult to do, especially when you're trying to change people instantaneously for", "to change people instantaneously for the reader to experience the multiple viewpoints of", "when there's any form of action involving in groups. After all, it's about", "involving in groups. After all, it's about multiple people, and I want to", "any form of action involving in groups. After all, it's about multiple people,", "of the characters. So, my question is, how do I efficiently transition characters", "a book in first person, but have trouble when there's any form of", "but have trouble when there's any form of action involving in groups. After", "the multiple viewpoints of the characters. So, my question is, how do I", "person, but have trouble when there's any form of action involving in groups.", "book in first person, but have trouble when there's any form of action", "experience the multiple viewpoints of the characters. So, my question is, how do", "sure each get their time in the spotlight. This is extremely difficult to", "I'm trying to write a book in first person, but have trouble when", "you're trying to change people instantaneously for the reader to experience the multiple", "characters. So, my question is, how do I efficiently transition characters in first-person", "trying to change people instantaneously for the reader to experience the multiple viewpoints", "So, my question is, how do I efficiently transition characters in first-person view?", "the characters. So, my question is, how do I efficiently transition characters in", "in groups. After all, it's about multiple people, and I want to make", "time in the spotlight. This is extremely difficult to do, especially when you're", "trying to write a book in first person, but have trouble when there's", "have trouble when there's any form of action involving in groups. After all,", "the spotlight. This is extremely difficult to do, especially when you're trying to", "viewpoints of the characters. So, my question is, how do I efficiently transition", "make sure each get their time in the spotlight. This is extremely difficult", "action involving in groups. After all, it's about multiple people, and I want", "especially when you're trying to change people instantaneously for the reader to experience", "people, and I want to make sure each get their time in the", "So, I'm trying to write a book in first person, but have trouble", "After all, it's about multiple people, and I want to make sure each", "their time in the spotlight. This is extremely difficult to do, especially when", "difficult to do, especially when you're trying to change people instantaneously for the", "the reader to experience the multiple viewpoints of the characters. So, my question", "in the spotlight. This is extremely difficult to do, especially when you're trying", "multiple viewpoints of the characters. So, my question is, how do I efficiently" ]
[ "self-conscious about his powerlessness (not that he'd ever admit it). I know this", "positive personality traits so that it would make sense that someone would marry", "he is allied with them. He is the husband of the leader of", "no problem fitting into normal society. The character works very hard for the", "of the main protagonists, but he is allied with them. He is the", "group the protagonists are in, and the group is currently staying in his", "this is a fair bit of characterization, but I feel like he's a", "don't really know how Korean names work. I tried combining bits of Korean", "Korean, and I don't really know how Korean names work. I tried combining", "characters. He isn't one of the main protagonists, but he is allied with", "strict about the rules to the point of being inefficient. He is very", "marry him. Any ideas on how to show these? (P.S.: I have no", "news, but his name always wound up sounding a bit too similar to", "no idea what to name this guy. He's Korean, and I don't really", "so some people in the group feel that he isn't truly one of", "He's Korean, and I don't really know how Korean names work. I tried", "sounding a bit too similar to those of various Korean politicians. Any suggestions?)", "Unlike the rest of the group, he has no powers, and so some", "I feel like he's a bit flat right now. I want to show", "make sense that someone would marry him. Any ideas on how to show", "is very self-conscious about his powerlessness (not that he'd ever admit it). I", "I want to show more positive personality traits so that it would make", "working with finances and documentation, and is strict about the rules to the", "know this is a fair bit of characterization, but I feel like he's", "getting into the head of one of my characters. He isn't one of", "his name always wound up sounding a bit too similar to those of", "head of one of my characters. He isn't one of the main protagonists,", "documentation, and is strict about the rules to the point of being inefficient.", "fair bit of characterization, but I feel like he's a bit flat right", "ever admit it). I know this is a fair bit of characterization, but", "characterization, but I feel like he's a bit flat right now. I want", "show more positive personality traits so that it would make sense that someone", "traits so that it would make sense that someone would marry him. Any", "as a result, working with finances and documentation, and is strict about the", "of being inefficient. He is very self-conscious about his powerlessness (not that he'd", "but he is allied with them. He is the husband of the leader", "flat right now. I want to show more positive personality traits so that", "on how to show these? (P.S.: I have no idea what to name", "are in, and the group is currently staying in his house near Seoul.", "husband of the leader of the group the protagonists are in, and the", "allied with them. He is the husband of the leader of the group", "problem fitting into normal society. The character works very hard for the group", "this guy. He's Korean, and I don't really know how Korean names work.", "of the group, he has no powers, and so some people in the", "Korean names I read in the news, but his name always wound up", "Any ideas on how to show these? (P.S.: I have no idea what", "idea what to name this guy. He's Korean, and I don't really know", "like he's a bit flat right now. I want to show more positive", "tried combining bits of Korean names I read in the news, but his", "house near Seoul. Unlike the rest of the group, he has no powers,", "truly one of them, as he has no problem fitting into normal society.", "my characters. He isn't one of the main protagonists, but he is allied", "to show more positive personality traits so that it would make sense that", "to name this guy. He's Korean, and I don't really know how Korean", "the group is currently staying in his house near Seoul. Unlike the rest", "is strict about the rules to the point of being inefficient. He is", "work. I tried combining bits of Korean names I read in the news,", "I am having a bit of trouble getting into the head of one", "in, and the group is currently staying in his house near Seoul. Unlike", "leader of the group the protagonists are in, and the group is currently", "and the group is currently staying in his house near Seoul. Unlike the", "rest of the group, he has no powers, and so some people in", "character works very hard for the group as a result, working with finances", "he'd ever admit it). I know this is a fair bit of characterization,", "the husband of the leader of the group the protagonists are in, and", "no powers, and so some people in the group feel that he isn't", "the leader of the group the protagonists are in, and the group is", "in his house near Seoul. Unlike the rest of the group, he has", "the group the protagonists are in, and the group is currently staying in", "people in the group feel that he isn't truly one of them, as", "about his powerlessness (not that he'd ever admit it). I know this is", "how Korean names work. I tried combining bits of Korean names I read", "a bit of trouble getting into the head of one of my characters.", "rules to the point of being inefficient. He is very self-conscious about his", "main protagonists, but he is allied with them. He is the husband of", "of characterization, but I feel like he's a bit flat right now. I", "of Korean names I read in the news, but his name always wound", "his house near Seoul. Unlike the rest of the group, he has no", "but I feel like he's a bit flat right now. I want to", "wound up sounding a bit too similar to those of various Korean politicians.", "into normal society. The character works very hard for the group as a", "near Seoul. Unlike the rest of the group, he has no powers, and", "a bit flat right now. I want to show more positive personality traits", "with finances and documentation, and is strict about the rules to the point", "hard for the group as a result, working with finances and documentation, and", "trouble getting into the head of one of my characters. He isn't one", "that he isn't truly one of them, as he has no problem fitting", "as he has no problem fitting into normal society. The character works very", "personality traits so that it would make sense that someone would marry him.", "currently staying in his house near Seoul. Unlike the rest of the group,", "society. The character works very hard for the group as a result, working", "admit it). I know this is a fair bit of characterization, but I", "has no problem fitting into normal society. The character works very hard for", "in the group feel that he isn't truly one of them, as he", "isn't truly one of them, as he has no problem fitting into normal", "having a bit of trouble getting into the head of one of my", "He is the husband of the leader of the group the protagonists are", "bit of characterization, but I feel like he's a bit flat right now.", "right now. I want to show more positive personality traits so that it", "the group, he has no powers, and so some people in the group", "has no powers, and so some people in the group feel that he", "more positive personality traits so that it would make sense that someone would", "very hard for the group as a result, working with finances and documentation,", "(not that he'd ever admit it). I know this is a fair bit", "a result, working with finances and documentation, and is strict about the rules", "staying in his house near Seoul. Unlike the rest of the group, he", "protagonists are in, and the group is currently staying in his house near", "I read in the news, but his name always wound up sounding a", "of one of my characters. He isn't one of the main protagonists, but", "group feel that he isn't truly one of them, as he has no", "point of being inefficient. He is very self-conscious about his powerlessness (not that", "he's a bit flat right now. I want to show more positive personality", "the head of one of my characters. He isn't one of the main", "I tried combining bits of Korean names I read in the news, but", "is currently staying in his house near Seoul. Unlike the rest of the", "group as a result, working with finances and documentation, and is strict about", "them. He is the husband of the leader of the group the protagonists", "He isn't one of the main protagonists, but he is allied with them.", "the main protagonists, but he is allied with them. He is the husband", "in the news, but his name always wound up sounding a bit too", "show these? (P.S.: I have no idea what to name this guy. He's", "of the leader of the group the protagonists are in, and the group", "read in the news, but his name always wound up sounding a bit", "to show these? (P.S.: I have no idea what to name this guy.", "he isn't truly one of them, as he has no problem fitting into", "feel like he's a bit flat right now. I want to show more", "up sounding a bit too similar to those of various Korean politicians. Any", "the group as a result, working with finances and documentation, and is strict", "name always wound up sounding a bit too similar to those of various", "is allied with them. He is the husband of the leader of the", "group is currently staying in his house near Seoul. Unlike the rest of", "Korean names work. I tried combining bits of Korean names I read in", "the protagonists are in, and the group is currently staying in his house", "The character works very hard for the group as a result, working with", "of trouble getting into the head of one of my characters. He isn't", "into the head of one of my characters. He isn't one of the", "so that it would make sense that someone would marry him. Any ideas", "very self-conscious about his powerlessness (not that he'd ever admit it). I know", "these? (P.S.: I have no idea what to name this guy. He's Korean,", "him. Any ideas on how to show these? (P.S.: I have no idea", "isn't one of the main protagonists, but he is allied with them. He", "finances and documentation, and is strict about the rules to the point of", "protagonists, but he is allied with them. He is the husband of the", "one of my characters. He isn't one of the main protagonists, but he", "someone would marry him. Any ideas on how to show these? (P.S.: I", "of my characters. He isn't one of the main protagonists, but he is", "his powerlessness (not that he'd ever admit it). I know this is a", "for the group as a result, working with finances and documentation, and is", "am having a bit of trouble getting into the head of one of", "I know this is a fair bit of characterization, but I feel like", "sense that someone would marry him. Any ideas on how to show these?", "being inefficient. He is very self-conscious about his powerlessness (not that he'd ever", "how to show these? (P.S.: I have no idea what to name this", "and is strict about the rules to the point of being inefficient. He", "the rest of the group, he has no powers, and so some people", "he has no problem fitting into normal society. The character works very hard", "it). I know this is a fair bit of characterization, but I feel", "works very hard for the group as a result, working with finances and", "it would make sense that someone would marry him. Any ideas on how", "that it would make sense that someone would marry him. Any ideas on", "and so some people in the group feel that he isn't truly one", "the news, but his name always wound up sounding a bit too similar", "one of the main protagonists, but he is allied with them. He is", "names work. I tried combining bits of Korean names I read in the", "ideas on how to show these? (P.S.: I have no idea what to", "name this guy. He's Korean, and I don't really know how Korean names", "names I read in the news, but his name always wound up sounding", "is the husband of the leader of the group the protagonists are in,", "them, as he has no problem fitting into normal society. The character works", "and documentation, and is strict about the rules to the point of being", "the point of being inefficient. He is very self-conscious about his powerlessness (not", "the rules to the point of being inefficient. He is very self-conscious about", "he has no powers, and so some people in the group feel that", "but his name always wound up sounding a bit too similar to those", "the group feel that he isn't truly one of them, as he has", "inefficient. He is very self-conscious about his powerlessness (not that he'd ever admit", "now. I want to show more positive personality traits so that it would", "result, working with finances and documentation, and is strict about the rules to", "and I don't really know how Korean names work. I tried combining bits", "Seoul. Unlike the rest of the group, he has no powers, and so", "bit of trouble getting into the head of one of my characters. He", "of them, as he has no problem fitting into normal society. The character", "(P.S.: I have no idea what to name this guy. He's Korean, and", "have no idea what to name this guy. He's Korean, and I don't", "know how Korean names work. I tried combining bits of Korean names I", "a fair bit of characterization, but I feel like he's a bit flat", "normal society. The character works very hard for the group as a result,", "group, he has no powers, and so some people in the group feel", "would make sense that someone would marry him. Any ideas on how to", "combining bits of Korean names I read in the news, but his name", "some people in the group feel that he isn't truly one of them,", "He is very self-conscious about his powerlessness (not that he'd ever admit it).", "powerlessness (not that he'd ever admit it). I know this is a fair", "what to name this guy. He's Korean, and I don't really know how", "I don't really know how Korean names work. I tried combining bits of", "would marry him. Any ideas on how to show these? (P.S.: I have", "always wound up sounding a bit too similar to those of various Korean", "to the point of being inefficient. He is very self-conscious about his powerlessness", "feel that he isn't truly one of them, as he has no problem", "of the group the protagonists are in, and the group is currently staying", "fitting into normal society. The character works very hard for the group as", "I have no idea what to name this guy. He's Korean, and I", "about the rules to the point of being inefficient. He is very self-conscious", "bits of Korean names I read in the news, but his name always", "is a fair bit of characterization, but I feel like he's a bit", "guy. He's Korean, and I don't really know how Korean names work. I", "that he'd ever admit it). I know this is a fair bit of", "bit flat right now. I want to show more positive personality traits so", "that someone would marry him. Any ideas on how to show these? (P.S.:", "with them. He is the husband of the leader of the group the", "powers, and so some people in the group feel that he isn't truly", "really know how Korean names work. I tried combining bits of Korean names", "want to show more positive personality traits so that it would make sense", "one of them, as he has no problem fitting into normal society. The" ]
[ "that character when what I want to do is make them help. How", "and makes sure you know it. Naturally, she has her reasons like a", "naturally a nice person. I respect everyone unless they have well and truly", "my way to help those who need it. Stuff like that. I am", "hateful person. She is angry and everyone, and makes sure you know it.", "She is angry and everyone, and makes sure you know it. Naturally, she", "it. Naturally, she has her reasons like a painful upbringing/harsh development, but how", "However, the character I am writing is fundamentally a hateful person. She is", "I respect everyone unless they have well and truly wronged me. I go", "well and truly wronged me. I go out of my way to help", "development, but how do I portray that character when what I want to", "fundamentally a hateful person. She is angry and everyone, and makes sure you", "when what I want to do is make them help. How do I", "to do is make them help. How do I get over myself to", "you know it. Naturally, she has her reasons like a painful upbringing/harsh development,", "nice person. However, the character I am writing is fundamentally a hateful person.", "character I am writing is fundamentally a hateful person. She is angry and", "reasons like a painful upbringing/harsh development, but how do I portray that character", "Stuff like that. I am naturally a helpful and nice person. However, the", "naturally a helpful and nice person. However, the character I am writing is", "a helpful and nice person. However, the character I am writing is fundamentally", "how do I portray that character when what I want to do is", "that. I am naturally a helpful and nice person. However, the character I", "am very naturally a nice person. I respect everyone unless they have well", "is angry and everyone, and makes sure you know it. Naturally, she has", "sure you know it. Naturally, she has her reasons like a painful upbringing/harsh", "nice person. I respect everyone unless they have well and truly wronged me.", "person. She is angry and everyone, and makes sure you know it. Naturally,", "I go out of my way to help those who need it. Stuff", "am writing is fundamentally a hateful person. She is angry and everyone, and", "everyone unless they have well and truly wronged me. I go out of", "makes sure you know it. Naturally, she has her reasons like a painful", "upbringing/harsh development, but how do I portray that character when what I want", "go out of my way to help those who need it. Stuff like", "like that. I am naturally a helpful and nice person. However, the character", "those who need it. Stuff like that. I am naturally a helpful and", "wronged me. I go out of my way to help those who need", "out of my way to help those who need it. Stuff like that.", "they have well and truly wronged me. I go out of my way", "I portray that character when what I want to do is make them", "but how do I portray that character when what I want to do", "do I portray that character when what I want to do is make", "angry and everyone, and makes sure you know it. Naturally, she has her", "who need it. Stuff like that. I am naturally a helpful and nice", "is make them help. How do I get over myself to do that?", "want to do is make them help. How do I get over myself", "unless they have well and truly wronged me. I go out of my", "it. Stuff like that. I am naturally a helpful and nice person. However,", "I want to do is make them help. How do I get over", "character when what I want to do is make them help. How do", "I am very naturally a nice person. I respect everyone unless they have", "am naturally a helpful and nice person. However, the character I am writing", "a painful upbringing/harsh development, but how do I portray that character when what", "helpful and nice person. However, the character I am writing is fundamentally a", "and everyone, and makes sure you know it. Naturally, she has her reasons", "a hateful person. She is angry and everyone, and makes sure you know", "I am naturally a helpful and nice person. However, the character I am", "everyone, and makes sure you know it. Naturally, she has her reasons like", "and truly wronged me. I go out of my way to help those", "of my way to help those who need it. Stuff like that. I", "the character I am writing is fundamentally a hateful person. She is angry", "truly wronged me. I go out of my way to help those who", "painful upbringing/harsh development, but how do I portray that character when what I", "writing is fundamentally a hateful person. She is angry and everyone, and makes", "and nice person. However, the character I am writing is fundamentally a hateful", "Naturally, she has her reasons like a painful upbringing/harsh development, but how do", "person. However, the character I am writing is fundamentally a hateful person. She", "help those who need it. Stuff like that. I am naturally a helpful", "person. I respect everyone unless they have well and truly wronged me. I", "way to help those who need it. Stuff like that. I am naturally", "to help those who need it. Stuff like that. I am naturally a", "do is make them help. How do I get over myself to do", "a nice person. I respect everyone unless they have well and truly wronged", "portray that character when what I want to do is make them help.", "very naturally a nice person. I respect everyone unless they have well and", "what I want to do is make them help. How do I get", "have well and truly wronged me. I go out of my way to", "me. I go out of my way to help those who need it.", "So, I am very naturally a nice person. I respect everyone unless they", "I am writing is fundamentally a hateful person. She is angry and everyone,", "has her reasons like a painful upbringing/harsh development, but how do I portray", "know it. Naturally, she has her reasons like a painful upbringing/harsh development, but", "she has her reasons like a painful upbringing/harsh development, but how do I", "like a painful upbringing/harsh development, but how do I portray that character when", "need it. Stuff like that. I am naturally a helpful and nice person.", "is fundamentally a hateful person. She is angry and everyone, and makes sure", "her reasons like a painful upbringing/harsh development, but how do I portray that", "respect everyone unless they have well and truly wronged me. I go out" ]
[ "book, and make it seem like all hope is lost, and then in", "seem like all hope is lost, and then in the second book others", "up and finish what he started. I was wondering if this would be", "and then in the second book others (one of his other relatives) rise", "like all hope is lost, and then in the second book others (one", "it seem like all hope is lost, and then in the second book", "other relatives) rise up and finish what he started. I was wondering if", "die at the end of the first book, and make it seem like", "lost, and then in the second book others (one of his other relatives)", "I was wondering if this would be okay? And how could I make", "if this would be okay? And how could I make it work in", "have an idea for a series, but I want the protagonist to die", "And how could I make it work in such a way that all", "for a series, but I want the protagonist to die at the end", "the protagonist to die at the end of the first book, and make", "of the first book, and make it seem like all hope is lost,", "want the protagonist to die at the end of the first book, and", "first book, and make it seem like all hope is lost, and then", "all hope is lost, and then in the second book others (one of", "book others (one of his other relatives) rise up and finish what he", "at the end of the first book, and make it seem like all", "of his other relatives) rise up and finish what he started. I was", "wondering if this would be okay? And how could I make it work", "his other relatives) rise up and finish what he started. I was wondering", "what he started. I was wondering if this would be okay? And how", "way that all hope seems lost yet there's still space for a sequel?", "this would be okay? And how could I make it work in such", "series, but I want the protagonist to die at the end of the", "I want the protagonist to die at the end of the first book,", "could I make it work in such a way that all hope seems", "I make it work in such a way that all hope seems lost", "was wondering if this would be okay? And how could I make it", "be okay? And how could I make it work in such a way", "finish what he started. I was wondering if this would be okay? And", "a series, but I want the protagonist to die at the end of", "an idea for a series, but I want the protagonist to die at", "protagonist to die at the end of the first book, and make it", "then in the second book others (one of his other relatives) rise up", "in such a way that all hope seems lost yet there's still space", "a way that all hope seems lost yet there's still space for a", "hope is lost, and then in the second book others (one of his", "how could I make it work in such a way that all hope", "work in such a way that all hope seems lost yet there's still", "others (one of his other relatives) rise up and finish what he started.", "make it work in such a way that all hope seems lost yet", "and finish what he started. I was wondering if this would be okay?", "relatives) rise up and finish what he started. I was wondering if this", "idea for a series, but I want the protagonist to die at the", "started. I was wondering if this would be okay? And how could I", "okay? And how could I make it work in such a way that", "the end of the first book, and make it seem like all hope", "it work in such a way that all hope seems lost yet there's", "the first book, and make it seem like all hope is lost, and", "rise up and finish what he started. I was wondering if this would", "end of the first book, and make it seem like all hope is", "I have an idea for a series, but I want the protagonist to", "is lost, and then in the second book others (one of his other", "and make it seem like all hope is lost, and then in the", "second book others (one of his other relatives) rise up and finish what", "but I want the protagonist to die at the end of the first", "the second book others (one of his other relatives) rise up and finish", "(one of his other relatives) rise up and finish what he started. I", "in the second book others (one of his other relatives) rise up and", "such a way that all hope seems lost yet there's still space for", "he started. I was wondering if this would be okay? And how could", "would be okay? And how could I make it work in such a", "to die at the end of the first book, and make it seem", "make it seem like all hope is lost, and then in the second" ]
[ "question: how do I ensure that my current mood is not changing the", "are affected by my temper at that time. I feel like I could", "is that my posts are affected by my temper at that time. I", "my current temper). This leads to my next question: how do I ensure", "to my current temper). This leads to my next question: how do I", "read my old blog posts, one thing I evidently observe is that my", "temper at that time. I feel like I could have written them in", "way (maybe due to my current temper). This leads to my next question:", "like I could have written them in another way (maybe due to my", "observe is that my posts are affected by my temper at that time.", "I feel like I could have written them in another way (maybe due", "written them in another way (maybe due to my current temper). This leads", "at that time. I feel like I could have written them in another", "I read my old blog posts, one thing I evidently observe is that", "(maybe due to my current temper). This leads to my next question: how", "ensure that my current mood is not changing the blog post's plot and", "due to my current temper). This leads to my next question: how do", "have written them in another way (maybe due to my current temper). This", "my current mood is not changing the blog post's plot and reducing its", "temper). This leads to my next question: how do I ensure that my", "do I ensure that my current mood is not changing the blog post's", "evidently observe is that my posts are affected by my temper at that", "blog posts, one thing I evidently observe is that my posts are affected", "Usually, when I read my old blog posts, one thing I evidently observe", "my next question: how do I ensure that my current mood is not", "thing I evidently observe is that my posts are affected by my temper", "old blog posts, one thing I evidently observe is that my posts are", "my temper at that time. I feel like I could have written them", "my posts are affected by my temper at that time. I feel like", "This leads to my next question: how do I ensure that my current", "how do I ensure that my current mood is not changing the blog", "could have written them in another way (maybe due to my current temper).", "one thing I evidently observe is that my posts are affected by my", "that my current mood is not changing the blog post's plot and reducing", "posts, one thing I evidently observe is that my posts are affected by", "another way (maybe due to my current temper). This leads to my next", "current temper). This leads to my next question: how do I ensure that", "current mood is not changing the blog post's plot and reducing its quality?", "I could have written them in another way (maybe due to my current", "them in another way (maybe due to my current temper). This leads to", "in another way (maybe due to my current temper). This leads to my", "by my temper at that time. I feel like I could have written", "when I read my old blog posts, one thing I evidently observe is", "my old blog posts, one thing I evidently observe is that my posts", "to my next question: how do I ensure that my current mood is", "next question: how do I ensure that my current mood is not changing", "I ensure that my current mood is not changing the blog post's plot", "I evidently observe is that my posts are affected by my temper at", "affected by my temper at that time. I feel like I could have", "that time. I feel like I could have written them in another way", "time. I feel like I could have written them in another way (maybe", "feel like I could have written them in another way (maybe due to", "leads to my next question: how do I ensure that my current mood", "that my posts are affected by my temper at that time. I feel", "posts are affected by my temper at that time. I feel like I" ]
[ "Peryy Yiwfsan series? Is a story about a plague causing the apocalypse, then", "infringing on the Peryy Yiwfsan series? Is a story about a plague causing", "street gang trying to restore order and government (without time travel) copyright infringing", "a story about a plague causing the apocalypse, then a street gang trying", "a plague causing the apocalypse, then a street gang trying to restore order", "the Hindu gods being real inherently copyright infringing on the Peryy Yiwfsan series?", "story about the Hindu gods being real inherently copyright infringing on the Peryy", "the apocalypse, then a street gang trying to restore order and government (without", "Hindu gods being real inherently copyright infringing on the Peryy Yiwfsan series? Is", "about the Hindu gods being real inherently copyright infringing on the Peryy Yiwfsan", "Is a story about a plague causing the apocalypse, then a street gang", "inherently copyright infringing on the Peryy Yiwfsan series? Is a story about a", "gods being real inherently copyright infringing on the Peryy Yiwfsan series? Is a", "apocalypse, then a street gang trying to restore order and government (without time", "real inherently copyright infringing on the Peryy Yiwfsan series? Is a story about", "story about a plague causing the apocalypse, then a street gang trying to", "to restore order and government (without time travel) copyright infringing on 12 monkeys?", "Yiwfsan series? Is a story about a plague causing the apocalypse, then a", "on the Peryy Yiwfsan series? Is a story about a plague causing the", "a street gang trying to restore order and government (without time travel) copyright", "about a plague causing the apocalypse, then a street gang trying to restore", "being real inherently copyright infringing on the Peryy Yiwfsan series? Is a story", "causing the apocalypse, then a street gang trying to restore order and government", "trying to restore order and government (without time travel) copyright infringing on 12", "plague causing the apocalypse, then a street gang trying to restore order and", "a story about the Hindu gods being real inherently copyright infringing on the", "copyright infringing on the Peryy Yiwfsan series? Is a story about a plague", "series? Is a story about a plague causing the apocalypse, then a street", "Is a story about the Hindu gods being real inherently copyright infringing on", "gang trying to restore order and government (without time travel) copyright infringing on", "the Peryy Yiwfsan series? Is a story about a plague causing the apocalypse,", "then a street gang trying to restore order and government (without time travel)" ]
[ "I think the reason for the low grade level is because of my", "for all my unpublished novels, and they all have a 5th Grade Reading", "sentences. But my question to you all is this, should authors strive to", "of them all and I think the reason for the low grade level", "just decided to use the Flesch-Kincaid metric for all my unpublished novels, and", "Flesch-Kincaid metric for all my unpublished novels, and they all have a 5th", "all my unpublished novels, and they all have a 5th Grade Reading Level.", "and I think the reason for the low grade level is because of", "them all and I think the reason for the low grade level is", "use the Flesch-Kincaid metric for all my unpublished novels, and they all have", "remember doing some final revisions of them all and I think the reason", "low grade level is because of my shortening of sentences. But my question", "because of my shortening of sentences. But my question to you all is", "for the low grade level is because of my shortening of sentences. But", "doing some final revisions of them all and I think the reason for", "final revisions of them all and I think the reason for the low", "Is this good? I remember doing some final revisions of them all and", "decided to use the Flesch-Kincaid metric for all my unpublished novels, and they", "the Flesch-Kincaid metric for all my unpublished novels, and they all have a", "they all have a 5th Grade Reading Level. Is this good? I remember", "revisions of them all and I think the reason for the low grade", "But my question to you all is this, should authors strive to edit", "my question to you all is this, should authors strive to edit their", "of my shortening of sentences. But my question to you all is this,", "I just decided to use the Flesch-Kincaid metric for all my unpublished novels,", "is this, should authors strive to edit their works so they can be", "this good? I remember doing some final revisions of them all and I", "5th Grade Reading Level. Is this good? I remember doing some final revisions", "strive to edit their works so they can be understood by 5th and", "all and I think the reason for the low grade level is because", "to use the Flesch-Kincaid metric for all my unpublished novels, and they all", "the reason for the low grade level is because of my shortening of", "a 5th Grade Reading Level. Is this good? I remember doing some final", "good? I remember doing some final revisions of them all and I think", "authors strive to edit their works so they can be understood by 5th", "this, should authors strive to edit their works so they can be understood", "think the reason for the low grade level is because of my shortening", "shortening of sentences. But my question to you all is this, should authors", "Reading Level. Is this good? I remember doing some final revisions of them", "I remember doing some final revisions of them all and I think the", "you all is this, should authors strive to edit their works so they", "my unpublished novels, and they all have a 5th Grade Reading Level. Is", "some final revisions of them all and I think the reason for the", "all have a 5th Grade Reading Level. Is this good? I remember doing", "Level. Is this good? I remember doing some final revisions of them all", "have a 5th Grade Reading Level. Is this good? I remember doing some", "unpublished novels, and they all have a 5th Grade Reading Level. Is this", "edit their works so they can be understood by 5th and 6th Graders?", "all is this, should authors strive to edit their works so they can", "to you all is this, should authors strive to edit their works so", "metric for all my unpublished novels, and they all have a 5th Grade", "level is because of my shortening of sentences. But my question to you", "question to you all is this, should authors strive to edit their works", "reason for the low grade level is because of my shortening of sentences.", "grade level is because of my shortening of sentences. But my question to", "to edit their works so they can be understood by 5th and 6th", "and they all have a 5th Grade Reading Level. Is this good? I", "the low grade level is because of my shortening of sentences. But my", "my shortening of sentences. But my question to you all is this, should", "novels, and they all have a 5th Grade Reading Level. Is this good?", "Grade Reading Level. Is this good? I remember doing some final revisions of", "should authors strive to edit their works so they can be understood by", "is because of my shortening of sentences. But my question to you all", "of sentences. But my question to you all is this, should authors strive" ]
[ "any fandom, shippers be shipping. Since I don't want to cave into my", "my ideas is a demon queen of questionable age. Her bodyguard is always", "much of the story is up to my whim, there are certain points", "want to cave into my fan's pressure like Rooster Teeth and their RWBY", "the main antagonist of one of my ideas is a demon queen of", "of one of my ideas is a demon queen of questionable age. Her", "Rooster Teeth and their RWBY fiasco, I want to know how you guys", "several short volumes, To make one ultimate story. However, while much of the", "fan's pressure like Rooster Teeth and their RWBY fiasco, I want to know", "one ultimate story. However, while much of the story is up to my", "serious commitment over several short volumes, To make one ultimate story. However, while", "to hit that are crucial to the story. For example, the main antagonist", "story is up to my whim, there are certain points I want to", "her side, and, well, in any fandom, shippers be shipping. Since I don't", "are crucial to the story. For example, the main antagonist of one of", "aimed at those who have written/published a series. So, a lot of my", "ultimate story. However, while much of the story is up to my whim,", "my ideas involve serious commitment over several short volumes, To make one ultimate", "Her bodyguard is always by her side, and, well, in any fandom, shippers", "series. So, a lot of my ideas involve serious commitment over several short", "hit that are crucial to the story. For example, the main antagonist of", "make one ultimate story. However, while much of the story is up to", "whim, there are certain points I want to hit that are crucial to", "So, a lot of my ideas involve serious commitment over several short volumes,", "fandom, shippers be shipping. Since I don't want to cave into my fan's", "those who have written/published a series. So, a lot of my ideas involve", "ideas involve serious commitment over several short volumes, To make one ultimate story.", "story. For example, the main antagonist of one of my ideas is a", "main antagonist of one of my ideas is a demon queen of questionable", "story. However, while much of the story is up to my whim, there", "side, and, well, in any fandom, shippers be shipping. Since I don't want", "shippers be shipping. Since I don't want to cave into my fan's pressure", "into my fan's pressure like Rooster Teeth and their RWBY fiasco, I want", "of the story is up to my whim, there are certain points I", "always by her side, and, well, in any fandom, shippers be shipping. Since", "the story. For example, the main antagonist of one of my ideas is", "age. Her bodyguard is always by her side, and, well, in any fandom,", "Since I don't want to cave into my fan's pressure like Rooster Teeth", "of my ideas involve serious commitment over several short volumes, To make one", "example, the main antagonist of one of my ideas is a demon queen", "This is particularly aimed at those who have written/published a series. So, a", "and their RWBY fiasco, I want to know how you guys take fan", "cave into my fan's pressure like Rooster Teeth and their RWBY fiasco, I", "my whim, there are certain points I want to hit that are crucial", "is always by her side, and, well, in any fandom, shippers be shipping.", "the story is up to my whim, there are certain points I want", "like Rooster Teeth and their RWBY fiasco, I want to know how you", "up to my whim, there are certain points I want to hit that", "their RWBY fiasco, I want to know how you guys take fan input.", "points I want to hit that are crucial to the story. For example,", "particularly aimed at those who have written/published a series. So, a lot of", "antagonist of one of my ideas is a demon queen of questionable age.", "demon queen of questionable age. Her bodyguard is always by her side, and,", "ideas is a demon queen of questionable age. Her bodyguard is always by", "lot of my ideas involve serious commitment over several short volumes, To make", "over several short volumes, To make one ultimate story. However, while much of", "at those who have written/published a series. So, a lot of my ideas", "by her side, and, well, in any fandom, shippers be shipping. Since I", "Teeth and their RWBY fiasco, I want to know how you guys take", "involve serious commitment over several short volumes, To make one ultimate story. However,", "volumes, To make one ultimate story. However, while much of the story is", "is up to my whim, there are certain points I want to hit", "be shipping. Since I don't want to cave into my fan's pressure like", "in any fandom, shippers be shipping. Since I don't want to cave into", "However, while much of the story is up to my whim, there are", "For example, the main antagonist of one of my ideas is a demon", "pressure like Rooster Teeth and their RWBY fiasco, I want to know how", "that are crucial to the story. For example, the main antagonist of one", "while much of the story is up to my whim, there are certain", "well, in any fandom, shippers be shipping. Since I don't want to cave", "I don't want to cave into my fan's pressure like Rooster Teeth and", "is particularly aimed at those who have written/published a series. So, a lot", "written/published a series. So, a lot of my ideas involve serious commitment over", "and, well, in any fandom, shippers be shipping. Since I don't want to", "I want to hit that are crucial to the story. For example, the", "commitment over several short volumes, To make one ultimate story. However, while much", "a lot of my ideas involve serious commitment over several short volumes, To", "of questionable age. Her bodyguard is always by her side, and, well, in", "questionable age. Her bodyguard is always by her side, and, well, in any", "my fan's pressure like Rooster Teeth and their RWBY fiasco, I want to", "queen of questionable age. Her bodyguard is always by her side, and, well,", "there are certain points I want to hit that are crucial to the", "bodyguard is always by her side, and, well, in any fandom, shippers be", "one of my ideas is a demon queen of questionable age. Her bodyguard", "to the story. For example, the main antagonist of one of my ideas", "have written/published a series. So, a lot of my ideas involve serious commitment", "shipping. Since I don't want to cave into my fan's pressure like Rooster", "who have written/published a series. So, a lot of my ideas involve serious", "short volumes, To make one ultimate story. However, while much of the story", "to my whim, there are certain points I want to hit that are", "certain points I want to hit that are crucial to the story. For", "want to hit that are crucial to the story. For example, the main", "is a demon queen of questionable age. Her bodyguard is always by her", "To make one ultimate story. However, while much of the story is up", "crucial to the story. For example, the main antagonist of one of my", "don't want to cave into my fan's pressure like Rooster Teeth and their", "are certain points I want to hit that are crucial to the story.", "a demon queen of questionable age. Her bodyguard is always by her side,", "to cave into my fan's pressure like Rooster Teeth and their RWBY fiasco,", "of my ideas is a demon queen of questionable age. Her bodyguard is", "a series. So, a lot of my ideas involve serious commitment over several" ]
[ "common for screenwriters who want their work to be professionally evaluated. But anyway,", "who want their work to be professionally evaluated. But anyway, I am so", "on UpWork and pay for a thorough review of my work. I got", "of editing my works at this point in time, and have accounted for", "editing four unpublished novels during the fourth quarter of 2019 and in January", "to go on UpWork and pay for a thorough review of my work.", "to be. I even decided to go on UpWork and pay for a", "in time, and have accounted for everything I needed to account for, including", "to be professionally evaluated. But anyway, I am so tired of editing my", "thorough review of my work. I got this from script coverage sites common", "books to where they need to be. I even decided to go on", "work to be professionally evaluated. But anyway, I am so tired of editing", "their work to be professionally evaluated. But anyway, I am so tired of", "quarter of 2019 and in January 2020. I think I finally got my", "2020. I think I finally got my books to where they need to", "finally got my books to where they need to be. I even decided", "screenwriters who want their work to be professionally evaluated. But anyway, I am", "and have accounted for everything I needed to account for, including for having", "But anyway, I am so tired of editing my works at this point", "decided to go on UpWork and pay for a thorough review of my", "does a writer need validation that they've done something right? When it's published,", "coverage sites common for screenwriters who want their work to be professionally evaluated.", "point in time, and have accounted for everything I needed to account for,", "my works at this point in time, and have accounted for everything I", "of 2019 and in January 2020. I think I finally got my books", "January 2020. I think I finally got my books to where they need", "of my work. I got this from script coverage sites common for screenwriters", "But my question to you all is this, at what point does a", "this, at what point does a writer need validation that they've done something", "validation that they've done something right? When it's published, by a friend? When?", "evaluated. But anyway, I am so tired of editing my works at this", "tighter sentences. But my question to you all is this, at what point", "pay for a thorough review of my work. I got this from script", "to account for, including for having more shorter, tighter sentences. But my question", "a writer need validation that they've done something right? When it's published, by", "and in January 2020. I think I finally got my books to where", "this point in time, and have accounted for everything I needed to account", "be professionally evaluated. But anyway, I am so tired of editing my works", "review of my work. I got this from script coverage sites common for", "I am so tired of editing my works at this point in time,", "am so tired of editing my works at this point in time, and", "works at this point in time, and have accounted for everything I needed", "shorter, tighter sentences. But my question to you all is this, at what", "novels during the fourth quarter of 2019 and in January 2020. I think", "unpublished novels during the fourth quarter of 2019 and in January 2020. I", "question to you all is this, at what point does a writer need", "at this point in time, and have accounted for everything I needed to", "tired of editing my works at this point in time, and have accounted", "needed to account for, including for having more shorter, tighter sentences. But my", "a thorough review of my work. I got this from script coverage sites", "for, including for having more shorter, tighter sentences. But my question to you", "even decided to go on UpWork and pay for a thorough review of", "professionally evaluated. But anyway, I am so tired of editing my works at", "anyway, I am so tired of editing my works at this point in", "want their work to be professionally evaluated. But anyway, I am so tired", "including for having more shorter, tighter sentences. But my question to you all", "UpWork and pay for a thorough review of my work. I got this", "for a thorough review of my work. I got this from script coverage", "I even decided to go on UpWork and pay for a thorough review", "I got this from script coverage sites common for screenwriters who want their", "accounted for everything I needed to account for, including for having more shorter,", "account for, including for having more shorter, tighter sentences. But my question to", "from script coverage sites common for screenwriters who want their work to be", "editing my works at this point in time, and have accounted for everything", "need validation that they've done something right? When it's published, by a friend?", "they need to be. I even decided to go on UpWork and pay", "my work. I got this from script coverage sites common for screenwriters who", "what point does a writer need validation that they've done something right? When", "sites common for screenwriters who want their work to be professionally evaluated. But", "having more shorter, tighter sentences. But my question to you all is this,", "have been thoroughly editing four unpublished novels during the fourth quarter of 2019", "2019 and in January 2020. I think I finally got my books to", "for screenwriters who want their work to be professionally evaluated. But anyway, I", "I finally got my books to where they need to be. I even", "need to be. I even decided to go on UpWork and pay for", "I have been thoroughly editing four unpublished novels during the fourth quarter of", "all is this, at what point does a writer need validation that they've", "is this, at what point does a writer need validation that they've done", "and pay for a thorough review of my work. I got this from", "sentences. But my question to you all is this, at what point does", "for having more shorter, tighter sentences. But my question to you all is", "my books to where they need to be. I even decided to go", "think I finally got my books to where they need to be. I", "thoroughly editing four unpublished novels during the fourth quarter of 2019 and in", "in January 2020. I think I finally got my books to where they", "four unpublished novels during the fourth quarter of 2019 and in January 2020.", "you all is this, at what point does a writer need validation that", "have accounted for everything I needed to account for, including for having more", "to where they need to be. I even decided to go on UpWork", "time, and have accounted for everything I needed to account for, including for", "I needed to account for, including for having more shorter, tighter sentences. But", "I think I finally got my books to where they need to be.", "during the fourth quarter of 2019 and in January 2020. I think I", "at what point does a writer need validation that they've done something right?", "everything I needed to account for, including for having more shorter, tighter sentences.", "this from script coverage sites common for screenwriters who want their work to", "so tired of editing my works at this point in time, and have", "to you all is this, at what point does a writer need validation", "the fourth quarter of 2019 and in January 2020. I think I finally", "where they need to be. I even decided to go on UpWork and", "be. I even decided to go on UpWork and pay for a thorough", "fourth quarter of 2019 and in January 2020. I think I finally got", "more shorter, tighter sentences. But my question to you all is this, at", "got this from script coverage sites common for screenwriters who want their work", "script coverage sites common for screenwriters who want their work to be professionally", "for everything I needed to account for, including for having more shorter, tighter", "work. I got this from script coverage sites common for screenwriters who want", "writer need validation that they've done something right? When it's published, by a", "been thoroughly editing four unpublished novels during the fourth quarter of 2019 and", "got my books to where they need to be. I even decided to", "point does a writer need validation that they've done something right? When it's", "my question to you all is this, at what point does a writer", "go on UpWork and pay for a thorough review of my work. I" ]
[ "defamation suit against me?* At a certain point, it becomes impossible to guarantee", "one of the tiny little Balkan Tours operators out there will bring a", "company a very generic name: Balkan Tours. However, it now occurs to me", "a very generic name: Balkan Tours. However, it now occurs to me that", "calling an Indian restaurant \"Taj Mahal\"). There is no likeness drawn between the", "in fiction ([Use of real organization in fiction](https://writing.stackexchange.com/questions/30082/use-of-real-organization-in-fiction?newreg=2aa03b46432d40eeac168ade398c051b)) and have read other resources", "organization in fiction](https://writing.stackexchange.com/questions/30082/use-of-real-organization-in-fiction?newreg=2aa03b46432d40eeac168ade398c051b)) and have read other resources on the internet but have", "a business card appears at one point with a logo of my creation.", "name. Moreover, we've created an original visual identity for the Balkan Tours in", "story (it's actually a computer game production): a business card appears at one", "the tiny little Balkan Tours operators out there will bring a defamation suit", "its clients. Since the travel agency supposedly operates in the Balkans, I gave", "me?* At a certain point, it becomes impossible to guarantee that there is", "is no likeness drawn between the companies except for the use of the", "logo of my creation. How concerned should I be that one of the", "company called Balkan Tours (several, in fact— it's like calling an Indian restaurant", "for the Balkan Tours in our story (it's actually a computer game production):", "involves an evil travel agency that abducts its clients. Since the travel agency", "an original visual identity for the Balkan Tours in our story (it's actually", "that one of the tiny little Balkan Tours operators out there will bring", "agency supposedly operates in the Balkans, I gave this fictitious company a very", "Tours (several, in fact— it's like calling an Indian restaurant \"Taj Mahal\"). There", "the use of the name. Moreover, we've created an original visual identity for", "the companies except for the use of the name. Moreover, we've created an", "no likeness drawn between the companies except for the use of the name.", "companies except for the use of the name. Moreover, we've created an original", "certain point, it becomes impossible to guarantee that there is no company in", "of the name. Moreover, we've created an original visual identity for the Balkan", "the name. Moreover, we've created an original visual identity for the Balkan Tours", "tiny little Balkan Tours operators out there will bring a defamation suit against", "one point with a logo of my creation. How concerned should I be", "supposedly operates in the Balkans, I gave this fictitious company a very generic", "Balkan Tours. However, it now occurs to me that somewhere out there is", "somewhere out there is a company called Balkan Tours (several, in fact— it's", "read other resources on the internet but have not been able to find", "very helpful discussion of using brand/company names in fiction ([Use of real organization", "is a company called Balkan Tours (several, in fact— it's like calling an", "identity for the Balkan Tours in our story (it's actually a computer game", "I gave this fictitious company a very generic name: Balkan Tours. However, it", "been able to find one question answered: My story involves an evil travel", "in our story (it's actually a computer game production): a business card appears", "production): a business card appears at one point with a logo of my", "impossible to guarantee that there is no company in existence with the same", "game production): a business card appears at one point with a logo of", "in fact— it's like calling an Indian restaurant \"Taj Mahal\"). There is no", "Indian restaurant \"Taj Mahal\"). There is no likeness drawn between the companies except", "visual identity for the Balkan Tours in our story (it's actually a computer", "using brand/company names in fiction ([Use of real organization in fiction](https://writing.stackexchange.com/questions/30082/use-of-real-organization-in-fiction?newreg=2aa03b46432d40eeac168ade398c051b)) and have", "my creation. How concerned should I be that one of the tiny little", "gave this fictitious company a very generic name: Balkan Tours. However, it now", "guarantee that there is no company in existence with the same name as", "find one question answered: My story involves an evil travel agency that abducts", "created an original visual identity for the Balkan Tours in our story (it's", "helpful discussion of using brand/company names in fiction ([Use of real organization in", "it becomes impossible to guarantee that there is no company in existence with", "a logo of my creation. How concerned should I be that one of", "a defamation suit against me?* At a certain point, it becomes impossible to", "resources on the internet but have not been able to find one question", "point with a logo of my creation. How concerned should I be that", "with a logo of my creation. How concerned should I be that one", "out there will bring a defamation suit against me?* At a certain point,", "story involves an evil travel agency that abducts its clients. Since the travel", "to find one question answered: My story involves an evil travel agency that", "existence with the same name as one's fictitious company, so I would hope", "read the very helpful discussion of using brand/company names in fiction ([Use of", "to guarantee that there is no company in existence with the same name", "in fiction](https://writing.stackexchange.com/questions/30082/use-of-real-organization-in-fiction?newreg=2aa03b46432d40eeac168ade398c051b)) and have read other resources on the internet but have not", "me that somewhere out there is a company called Balkan Tours (several, in", "like calling an Indian restaurant \"Taj Mahal\"). There is no likeness drawn between", "business card appears at one point with a logo of my creation. How", "Balkan Tours operators out there will bring a defamation suit against me? At", "company, so I would hope there's some common-sense standard around this. Thank you.", "an Indian restaurant \"Taj Mahal\"). There is no likeness drawn between the companies", "My story involves an evil travel agency that abducts its clients. Since the", "of real organization in fiction](https://writing.stackexchange.com/questions/30082/use-of-real-organization-in-fiction?newreg=2aa03b46432d40eeac168ade398c051b)) and have read other resources on the internet", "have not been able to find one question answered: My story involves an", "suit against me?* At a certain point, it becomes impossible to guarantee that", "Moreover, we've created an original visual identity for the Balkan Tours in our", "not been able to find one question answered: My story involves an evil", "concerned should I be that one of the tiny little Balkan Tours operators", "that somewhere out there is a company called Balkan Tours (several, in fact—", "Tours. However, it now occurs to me that somewhere out there is a", "Balkans, I gave this fictitious company a very generic name: Balkan Tours. However,", "very generic name: Balkan Tours*. However, it now occurs to me that somewhere", "appears at one point with a logo of my creation. How concerned should", "travel agency supposedly operates in the Balkans, I gave this fictitious company a", "fiction ([Use of real organization in fiction](https://writing.stackexchange.com/questions/30082/use-of-real-organization-in-fiction?newreg=2aa03b46432d40eeac168ade398c051b)) and have read other resources on", "computer game production): a business card appears at one point with a logo", "point, it becomes impossible to guarantee that there is no company in existence", "brand/company names in fiction ([Use of real organization in fiction](https://writing.stackexchange.com/questions/30082/use-of-real-organization-in-fiction?newreg=2aa03b46432d40eeac168ade398c051b)) and have read", "we've created an original visual identity for the Balkan Tours in our story", "but have not been able to find one question answered: My story involves", "have read other resources on the internet but have not been able to", "it now occurs to me that somewhere out there is a company called", "I read the very helpful discussion of using brand/company names in fiction ([Use", "now occurs to me that somewhere out there is a company called Balkan", "evil travel agency that abducts its clients. Since the travel agency supposedly operates", "\"Taj Mahal\"). There is no likeness drawn between the companies except for the", "use of the name. Moreover, we've created an original visual identity for the", "of the tiny little Balkan Tours operators out there will bring a defamation", "against me?* At a certain point, it becomes impossible to guarantee that there", "in existence with the same name as one's fictitious company, so I would", "real organization in fiction](https://writing.stackexchange.com/questions/30082/use-of-real-organization-in-fiction?newreg=2aa03b46432d40eeac168ade398c051b)) and have read other resources on the internet but", "should I be that one of the tiny little Balkan Tours operators out", "At a certain point, it becomes impossible to guarantee that there is no", "same name as one's fictitious company, so I would hope there's some common-sense", "Since the travel agency supposedly operates in the Balkans, I gave this fictitious", "no company in existence with the same name as one's fictitious company, so", "Balkan Tours (several, in fact— it's like calling an Indian restaurant \"Taj Mahal\").", "between the companies except for the use of the name. Moreover, we've created", "Tours operators out there will bring a defamation suit against me?* At a", "fact— it's like calling an Indian restaurant \"Taj Mahal\"). There is no likeness", "able to find one question answered: My story involves an evil travel agency", "creation. How concerned should I be that one of the tiny little Balkan", "little Balkan Tours operators out there will bring a defamation suit against me?", "in the Balkans, I gave this fictitious company a very generic name: Balkan", "question answered: My story involves an evil travel agency that abducts its clients.", "an evil travel agency that abducts its clients. Since the travel agency supposedly", "to me that somewhere out there is a company called Balkan Tours (several,", "name: Balkan Tours*. However, it now occurs to me that somewhere out there", "fictitious company, so I would hope there's some common-sense standard around this. Thank", "that abducts its clients. Since the travel agency supposedly operates in the Balkans,", "of my creation. How concerned should I be that one of the tiny", "there is a company called Balkan Tours (several, in fact— it's like calling", "answered: My story involves an evil travel agency that abducts its clients. Since", "discussion of using brand/company names in fiction ([Use of real organization in fiction](https://writing.stackexchange.com/questions/30082/use-of-real-organization-in-fiction?newreg=2aa03b46432d40eeac168ade398c051b))", "this fictitious company a very generic name: Balkan Tours. However, it now occurs", "will bring a defamation suit against me?* At a certain point, it becomes", "I be that one of the tiny little Balkan Tours operators out there", "card appears at one point with a logo of my creation. How concerned", "bring a defamation suit against me? At a certain point, it becomes impossible", "it's like calling an Indian restaurant \"Taj Mahal\"). There is no likeness drawn", "clients. Since the travel agency supposedly operates in the Balkans, I gave this", "agency that abducts its clients. Since the travel agency supposedly operates in the", "There is no likeness drawn between the companies except for the use of", "becomes impossible to guarantee that there is no company in existence with the", "company in existence with the same name as one's fictitious company, so I", "the internet but have not been able to find one question answered: My", "names in fiction ([Use of real organization in fiction](https://writing.stackexchange.com/questions/30082/use-of-real-organization-in-fiction?newreg=2aa03b46432d40eeac168ade398c051b)) and have read other", "internet but have not been able to find one question answered: My story", "other resources on the internet but have not been able to find one", "on the internet but have not been able to find one question answered:", "the Balkans, I gave this fictitious company a very generic name: Balkan Tours.", "a certain point, it becomes impossible to guarantee that there is no company", "(several, in fact— it's like calling an Indian restaurant \"Taj Mahal\"). There is", "drawn between the companies except for the use of the name. Moreover, we've", "a company called Balkan Tours (several, in fact— it's like calling an Indian", "fiction](https://writing.stackexchange.com/questions/30082/use-of-real-organization-in-fiction?newreg=2aa03b46432d40eeac168ade398c051b)) and have read other resources on the internet but have not been", "operators out there will bring a defamation suit against me?* At a certain", "a computer game production): a business card appears at one point with a", "restaurant \"Taj Mahal\"). There is no likeness drawn between the companies except for", "one question answered: My story involves an evil travel agency that abducts its", "fictitious company a very generic name: Balkan Tours. However, it now occurs to", "our story (it's actually a computer game production): a business card appears at", "(it's actually a computer game production): a business card appears at one point", "likeness drawn between the companies except for the use of the name. Moreover,", "the same name as one's fictitious company, so I would hope there's some", "and have read other resources on the internet but have not been able", "How concerned should I be that one of the tiny little Balkan Tours", "actually a computer game production): a business card appears at one point with", "name as one's fictitious company, so I would hope there's some common-sense standard", "Balkan Tours in our story (it's actually a computer game production): a business", "the very helpful discussion of using brand/company names in fiction ([Use of real", "except for the use of the name. Moreover, we've created an original visual", "generic name: Balkan Tours. However, it now occurs to me that somewhere out", "is no company in existence with the same name as one's fictitious company,", "the Balkan Tours in our story (it's actually a computer game production): a", "Tours in our story (it's actually a computer game production): a business card", "However, it now occurs to me that somewhere out there is a company", "with the same name as one's fictitious company, so I would hope there's", "([Use of real organization in fiction](https://writing.stackexchange.com/questions/30082/use-of-real-organization-in-fiction?newreg=2aa03b46432d40eeac168ade398c051b)) and have read other resources on the", "Mahal\"). There is no likeness drawn between the companies except for the use", "at one point with a logo of my creation. How concerned should I", "be that one of the tiny little Balkan Tours operators out there will", "there will bring a defamation suit against me?* At a certain point, it", "of using brand/company names in fiction ([Use of real organization in fiction](https://writing.stackexchange.com/questions/30082/use-of-real-organization-in-fiction?newreg=2aa03b46432d40eeac168ade398c051b)) and", "abducts its clients. Since the travel agency supposedly operates in the Balkans, I", "out there is a company called Balkan Tours (several, in fact— it's like", "that there is no company in existence with the same name as one's", "the travel agency supposedly operates in the Balkans, I gave this fictitious company", "one's fictitious company, so I would hope there's some common-sense standard around this.", "called Balkan Tours (several, in fact— it's like calling an Indian restaurant \"Taj", "occurs to me that somewhere out there is a company called Balkan Tours", "travel agency that abducts its clients. Since the travel agency supposedly operates in", "for the use of the name. Moreover, we've created an original visual identity", "operates in the Balkans, I gave this fictitious company a very generic name:", "original visual identity for the Balkan Tours in our story (it's actually a", "there is no company in existence with the same name as one's fictitious", "as one's fictitious company, so I would hope there's some common-sense standard around" ]
[ "Prominence, I found that I really liked that. I've decided to rename the", "a name that has something to do with a solar eclipse. Update: Thanks", "one that opposes them, which the protagonists join. In the setting of the", "are in a group known as the Umbra, while the group the protagonists", "two organizations eclipse-themed names: the antagonists are in a group known as the", "a solar eclipse. Update: Thanks for answering! Most of you have reassured me", "Thanks for answering! Most of you have reassured me that I'll be fine,", "decided to give the two organizations eclipse-themed names: the antagonists are in a", "an organization the Corona would be a good idea anymore. Do you guys", "where I live. I don't think naming an organization the Corona would be", "Corona would be a good idea anymore. Do you guys have any ideas?", "town where I live. I don't think naming an organization the Corona would", "with a solar eclipse. Update: Thanks for answering! Most of you have reassured", "in is called the Corona. I was all set. And then the Wuhan", "the Corona. I was all set. And then the Wuhan coronavirus broke out,", "the antagonist, and one that opposes them, which the protagonists join. In the", "to rename the Umbra the Prominence, as it fits with the solar theme", "enable them to develop powers after exposure to a solar eclipse. Since eclipses", "Since eclipses are so important in the books, I decided to give the", "also fitting with their ideology of people with powers being put on this", "going to keep the Corona as it is. However, when someone suggested the", "organizations eclipse-themed names: the antagonists are in a group known as the Umbra,", "answering! Most of you have reassured me that I'll be fine, so I'm", "are so important in the books, I decided to give the two organizations", "and one that opposes them, which the protagonists join. In the setting of", "of you have reassured me that I'll be fine, so I'm going to", "Prominence, as it fits with the solar theme while also fitting with their", "a solar eclipse. Since eclipses are so important in the books, I decided", "the series, a very small percentage of the population are born with genes", "to keep the Corona as it is. However, when someone suggested the name", "I live. I don't think naming an organization the Corona would be a", "solar eclipse. Update: Thanks for answering! Most of you have reassured me that", "of the series, a very small percentage of the population are born with", "population are born with genes that enable them to develop powers after exposure", "the Prominence, as it fits with the solar theme while also fitting with", "coming to the town where I live. I don't think naming an organization", "suggested the name Prominence, I found that I really liked that. I've decided", "I found that I really liked that. I've decided to rename the Umbra", "ideology of people with powers being put on this world to \"fix\" it.", "are two organizations: one led by the antagonist, and one that opposes them,", "that. I've decided to rename the Umbra the Prominence, as it fits with", "Umbra the Prominence, as it fits with the solar theme while also fitting", "be fine, so I'm going to keep the Corona as it is. However,", "the two organizations eclipse-themed names: the antagonists are in a group known as", "Umbra, while the group the protagonists are in is called the Corona. I", "found that I really liked that. I've decided to rename the Umbra the", "out, even coming to the town where I live. I don't think naming", "exposure to a solar eclipse. Since eclipses are so important in the books,", "do with a solar eclipse. Update: Thanks for answering! Most of you have", "coronavirus broke out, even coming to the town where I live. I don't", "very small percentage of the population are born with genes that enable them", "working on, there are two organizations: one led by the antagonist, and one", "a good idea anymore. Do you guys have any ideas? I'm looking for", "idea anymore. Do you guys have any ideas? I'm looking for a name", "Do you guys have any ideas? I'm looking for a name that has", "the name Prominence, I found that I really liked that. I've decided to", "guys have any ideas? I'm looking for a name that has something to", "to develop powers after exposure to a solar eclipse. Since eclipses are so", "the population are born with genes that enable them to develop powers after", "them, which the protagonists join. In the setting of the series, a very", "I decided to give the two organizations eclipse-themed names: the antagonists are in", "In the setting of the series, a very small percentage of the population", "eclipse. Update: Thanks for answering! Most of you have reassured me that I'll", "the Wuhan coronavirus broke out, even coming to the town where I live.", "is called the Corona. I was all set. And then the Wuhan coronavirus", "the Corona as it is. However, when someone suggested the name Prominence, I", "group the protagonists are in is called the Corona. I was all set.", "are born with genes that enable them to develop powers after exposure to", "then the Wuhan coronavirus broke out, even coming to the town where I", "don't think naming an organization the Corona would be a good idea anymore.", "important in the books, I decided to give the two organizations eclipse-themed names:", "Corona as it is. However, when someone suggested the name Prominence, I found", "really liked that. I've decided to rename the Umbra the Prominence, as it", "And then the Wuhan coronavirus broke out, even coming to the town where", "the protagonists join. In the setting of the series, a very small percentage", "eclipses are so important in the books, I decided to give the two", "to give the two organizations eclipse-themed names: the antagonists are in a group", "you guys have any ideas? I'm looking for a name that has something", "have reassured me that I'll be fine, so I'm going to keep the", "In the middle-grade series I'm working on, there are two organizations: one led", "with the solar theme while also fitting with their ideology of people with", "the protagonists are in is called the Corona. I was all set. And", "any ideas? I'm looking for a name that has something to do with", "it is. However, when someone suggested the name Prominence, I found that I", "when someone suggested the name Prominence, I found that I really liked that.", "that I'll be fine, so I'm going to keep the Corona as it", "name Prominence, I found that I really liked that. I've decided to rename", "a group known as the Umbra, while the group the protagonists are in", "names: the antagonists are in a group known as the Umbra, while the", "known as the Umbra, while the group the protagonists are in is called", "Wuhan coronavirus broke out, even coming to the town where I live. I", "that opposes them, which the protagonists join. In the setting of the series,", "the group the protagonists are in is called the Corona. I was all", "books, I decided to give the two organizations eclipse-themed names: the antagonists are", "develop powers after exposure to a solar eclipse. Since eclipses are so important", "solar eclipse. Since eclipses are so important in the books, I decided to", "to a solar eclipse. Since eclipses are so important in the books, I", "even coming to the town where I live. I don't think naming an", "on, there are two organizations: one led by the antagonist, and one that", "to do with a solar eclipse. Update: Thanks for answering! Most of you", "fitting with their ideology of people with powers being put on this world", "is. However, when someone suggested the name Prominence, I found that I really", "However, when someone suggested the name Prominence, I found that I really liked", "their ideology of people with powers being put on this world to \"fix\"", "as it is. However, when someone suggested the name Prominence, I found that", "all set. And then the Wuhan coronavirus broke out, even coming to the", "setting of the series, a very small percentage of the population are born", "broke out, even coming to the town where I live. I don't think", "would be a good idea anymore. Do you guys have any ideas? I'm", "organizations: one led by the antagonist, and one that opposes them, which the", "that enable them to develop powers after exposure to a solar eclipse. Since", "after exposure to a solar eclipse. Since eclipses are so important in the", "give the two organizations eclipse-themed names: the antagonists are in a group known", "the books, I decided to give the two organizations eclipse-themed names: the antagonists", "percentage of the population are born with genes that enable them to develop", "rename the Umbra the Prominence, as it fits with the solar theme while", "antagonist, and one that opposes them, which the protagonists join. In the setting", "which the protagonists join. In the setting of the series, a very small", "in the books, I decided to give the two organizations eclipse-themed names: the", "eclipse. Since eclipses are so important in the books, I decided to give", "decided to rename the Umbra the Prominence, as it fits with the solar", "while also fitting with their ideology of people with powers being put on", "the middle-grade series I'm working on, there are two organizations: one led by", "reassured me that I'll be fine, so I'm going to keep the Corona", "theme while also fitting with their ideology of people with powers being put", "I really liked that. I've decided to rename the Umbra the Prominence, as", "genes that enable them to develop powers after exposure to a solar eclipse.", "I'm working on, there are two organizations: one led by the antagonist, and", "fine, so I'm going to keep the Corona as it is. However, when", "with genes that enable them to develop powers after exposure to a solar", "for answering! Most of you have reassured me that I'll be fine, so", "fits with the solar theme while also fitting with their ideology of people", "looking for a name that has something to do with a solar eclipse.", "middle-grade series I'm working on, there are two organizations: one led by the", "born with genes that enable them to develop powers after exposure to a", "the Corona would be a good idea anymore. Do you guys have any", "I've decided to rename the Umbra the Prominence, as it fits with the", "I'm going to keep the Corona as it is. However, when someone suggested", "as it fits with the solar theme while also fitting with their ideology", "that has something to do with a solar eclipse. Update: Thanks for answering!", "group known as the Umbra, while the group the protagonists are in is", "keep the Corona as it is. However, when someone suggested the name Prominence,", "something to do with a solar eclipse. Update: Thanks for answering! Most of", "with their ideology of people with powers being put on this world to", "the antagonists are in a group known as the Umbra, while the group", "name that has something to do with a solar eclipse. Update: Thanks for", "opposes them, which the protagonists join. In the setting of the series, a", "solar theme while also fitting with their ideology of people with powers being", "eclipse-themed names: the antagonists are in a group known as the Umbra, while", "I don't think naming an organization the Corona would be a good idea", "organization the Corona would be a good idea anymore. Do you guys have", "the solar theme while also fitting with their ideology of people with powers", "as the Umbra, while the group the protagonists are in is called the", "that I really liked that. I've decided to rename the Umbra the Prominence,", "protagonists are in is called the Corona. I was all set. And then", "Update: Thanks for answering! Most of you have reassured me that I'll be", "small percentage of the population are born with genes that enable them to", "someone suggested the name Prominence, I found that I really liked that. I've", "there are two organizations: one led by the antagonist, and one that opposes", "while the group the protagonists are in is called the Corona. I was", "so important in the books, I decided to give the two organizations eclipse-themed", "ideas? I'm looking for a name that has something to do with a", "antagonists are in a group known as the Umbra, while the group the", "be a good idea anymore. Do you guys have any ideas? I'm looking", "naming an organization the Corona would be a good idea anymore. Do you", "for a name that has something to do with a solar eclipse. Update:", "them to develop powers after exposure to a solar eclipse. Since eclipses are", "one led by the antagonist, and one that opposes them, which the protagonists", "of the population are born with genes that enable them to develop powers", "you have reassured me that I'll be fine, so I'm going to keep", "the town where I live. I don't think naming an organization the Corona", "anymore. Do you guys have any ideas? I'm looking for a name that", "protagonists join. In the setting of the series, a very small percentage of", "series, a very small percentage of the population are born with genes that", "called the Corona. I was all set. And then the Wuhan coronavirus broke", "powers after exposure to a solar eclipse. Since eclipses are so important in", "are in is called the Corona. I was all set. And then the", "has something to do with a solar eclipse. Update: Thanks for answering! Most", "so I'm going to keep the Corona as it is. However, when someone", "the Umbra the Prominence, as it fits with the solar theme while also", "Corona. I was all set. And then the Wuhan coronavirus broke out, even", "in a group known as the Umbra, while the group the protagonists are", "the setting of the series, a very small percentage of the population are", "think naming an organization the Corona would be a good idea anymore. Do", "live. I don't think naming an organization the Corona would be a good", "Most of you have reassured me that I'll be fine, so I'm going", "series I'm working on, there are two organizations: one led by the antagonist,", "I'm looking for a name that has something to do with a solar", "me that I'll be fine, so I'm going to keep the Corona as", "by the antagonist, and one that opposes them, which the protagonists join. In", "I was all set. And then the Wuhan coronavirus broke out, even coming", "it fits with the solar theme while also fitting with their ideology of", "a very small percentage of the population are born with genes that enable", "the Umbra, while the group the protagonists are in is called the Corona.", "was all set. And then the Wuhan coronavirus broke out, even coming to", "set. And then the Wuhan coronavirus broke out, even coming to the town", "liked that. I've decided to rename the Umbra the Prominence, as it fits", "led by the antagonist, and one that opposes them, which the protagonists join.", "to the town where I live. I don't think naming an organization the", "good idea anymore. Do you guys have any ideas? I'm looking for a", "two organizations: one led by the antagonist, and one that opposes them, which", "have any ideas? I'm looking for a name that has something to do", "I'll be fine, so I'm going to keep the Corona as it is.", "join. In the setting of the series, a very small percentage of the" ]
[ "into a long series! should I write a series of short stories about", "with an amazing main character. I want to use her again, but it", "to use her again, but it doesn't feel right to put a character", "a long series! should I write a series of short stories about her?", "it doesn't feel right to put a character from a short story into", "recently, with an amazing main character. I want to use her again, but", "doesn't feel right to put a character from a short story into a", "short story into a long series! should I write a series of short", "short story recently, with an amazing main character. I want to use her", "put a character from a short story into a long series! should I", "a character from a short story into a long series! should I write", "good short story recently, with an amazing main character. I want to use", "character from a short story into a long series! should I write a", "I wrote a really, really, good short story recently, with an amazing main", "character. I want to use her again, but it doesn't feel right to", "really, really, good short story recently, with an amazing main character. I want", "wrote a really, really, good short story recently, with an amazing main character.", "really, good short story recently, with an amazing main character. I want to", "use her again, but it doesn't feel right to put a character from", "from a short story into a long series! should I write a series", "main character. I want to use her again, but it doesn't feel right", "to put a character from a short story into a long series! should", "a short story into a long series! should I write a series of", "want to use her again, but it doesn't feel right to put a", "amazing main character. I want to use her again, but it doesn't feel", "a really, really, good short story recently, with an amazing main character. I", "feel right to put a character from a short story into a long", "story recently, with an amazing main character. I want to use her again,", "I want to use her again, but it doesn't feel right to put", "an amazing main character. I want to use her again, but it doesn't", "again, but it doesn't feel right to put a character from a short", "but it doesn't feel right to put a character from a short story", "right to put a character from a short story into a long series!", "her again, but it doesn't feel right to put a character from a", "story into a long series! should I write a series of short stories" ]
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[ "speakers tend to express their thoughts very precisely. In contrast, many non-native speakers", "question is about what is beyond merely ensuring that no mistake slips in.", "advice on how to reach that end. To clarify, I do not intend", "of my university in Japan read quite differently from articles and books written", "one of my current goals is to learn to write texts in such", "be worded simpler as well as in repetitively used grammatical constructions. Native speakers,", "and is this: What else should I pay attention to? Apart from the", "avoiding exposing myself as a non-native speaker rather than on merely writing good.", "and use expressions seen or heard by me before rather than to construct", "is about what is beyond merely ensuring that no mistake slips in. To", "speaker myself, I see the following differences: * Expressions. Texts written by non-native", "in expressing their thoughts and use idiomatic expressions more frequently. They manage to", "in Google. I know that I should take utmost care about prepositions, which", "I know that I should take utmost care about prepositions, which are my", "am a Japanese student learning English, and one of my current goals is", "grammatical constructions. Native speakers, in contrast, are much more effective and versatile in", "idea, which is then explained or commented on in the paragraph itself. Furthermore,", "choosing rare words for no reason. Native speakers mainly use simple words, but", "but that's manageable. So my question is about what is beyond merely ensuring", "would make, but that's the easiest part. After all, I can simply use", "somewhat similar questions on this SE, but the focus of my question is", "There may have been somewhat similar questions on this SE, but the focus", "easiest part. After all, I can simply use only those expressions and grammatical", "After all, I can simply use only those expressions and grammatical constructions that", "can always check things in Google. I know that I should take utmost", "mainly use simple words, but occasionally insert rare words whose flavor perfectly fits", "each paragraph with a new idea, which is then explained or commented on", "use simple words, but occasionally insert rare words whose flavor perfectly fits the", "English, and one of my current goals is to learn to write texts", "mistake slips in. To clarify, I find that practically all articles written in", "In contrast, many non-native speakers choose a somewhat chaotic (or, to put it", "effective and versatile in expressing their thoughts and use idiomatic expressions more frequently.", "So my question is about what is beyond merely ensuring that no mistake", "more effective and versatile in expressing their thoughts and use idiomatic expressions more", "use expressions seen or heard by me before rather than to construct my", "by non-native speakers often abound in non-standard lengthy expressions that could be worded", "things listed above, how do you recognize whether the author of a text", "expressing their thoughts and use idiomatic expressions more frequently. They manage to express", "been somewhat similar questions on this SE, but the focus of my question", "more complex) text structure and often write somewhat vaguely, not caring to sharpen", "explained or commented on in the paragraph itself. Furthermore, native speakers tend to", "seen or heard by me before rather than to construct my own expressions.", "to write texts in such a way that no reader will realize I", "of my current goals is to learn to write texts in such a", "to construct my own expressions. * Word choice. Many non-native speakers either always", "fits the context and the intended meaning. * Style and structure. Native speakers", "words, but occasionally insert rare words whose flavor perfectly fits the context and", "write like native speakers, I strive to recall and use expressions seen or", "great writer, but I want to write research articles, short stories, and news", "such a way that no reader will realize I am not a native", "I am a Japanese student learning English, and one of my current goals", "Apart from the things listed above, how do you recognize whether the author", "only those expressions and grammatical constructions that I am sure about. In case", "complex things in very few words. To write like native speakers, I strive", "picture, so to speak. My question is primarily addressed to native English speakers", "take utmost care about prepositions, which are my Echellim heel at the moment,", "on how to reach that end. To clarify, I do not intend to", "very simple words or sometimes make weird word choices, choosing rare words for", "like native speakers, I strive to recall and use expressions seen or heard", "then explained or commented on in the paragraph itself. Furthermore, native speakers tend", "reach that end. To clarify, I do not intend to become a great", "could be worded simpler as well as in repetitively used grammatical constructions. Native", "writing good. Sure, the most important thing is to avoid making mistakes that", "part. After all, I can simply use only those expressions and grammatical constructions", "you recognize whether the author of a text is a native speaker? I", "I strive to recall and use expressions seen or heard by me before", "the things listed above, how do you recognize whether the author of a", "expressions. * Word choice. Many non-native speakers either always use very simple words", "the most important thing is to avoid making mistakes that no native speaker", "I pay attention to? Apart from the things listed above, how do you", "English speakers. Being a non-native English speaker myself, I see the following differences:", "that practically all articles written in English by the academic stuff of my", "new idea, which is then explained or commented on in the paragraph itself.", "things in Google. I know that I should take utmost care about prepositions,", "good. Sure, the most important thing is to avoid making mistakes that no", "non-native speakers choose a somewhat chaotic (or, to put it differently, more complex)", "My question is primarily addressed to native English speakers and is this: What", "the focus of my question is on avoiding exposing myself as a non-native", "from the things listed above, how do you recognize whether the author of", "very precisely. In contrast, many non-native speakers choose a somewhat chaotic (or, to", "making mistakes that no native speaker would make, but that's the easiest part.", "differences: * Expressions. Texts written by non-native speakers often abound in non-standard lengthy", "the intended meaning. * Style and structure. Native speakers tend to carefully structure", "addressed to native English speakers and is this: What else should I pay", "abound in non-standard lengthy expressions that could be worded simpler as well as", "texts, breaking them into small paragraphs and starting each paragraph with a new", "that no reader will realize I am not a native speaker. I am", "small paragraphs and starting each paragraph with a new idea, which is then", "speaker rather than on merely writing good. Sure, the most important thing is", "the picture, so to speak. My question is primarily addressed to native English", "that no mistake slips in. To clarify, I find that practically all articles", "tend to carefully structure their texts, breaking them into small paragraphs and starting", "non-standard lengthy expressions that could be worded simpler as well as in repetitively", "itself. Furthermore, native speakers tend to express their thoughts very precisely. In contrast,", "non-native speakers often abound in non-standard lengthy expressions that could be worded simpler", "should I pay attention to? Apart from the things listed above, how do", "their thoughts very precisely. In contrast, many non-native speakers choose a somewhat chaotic", "English speaker myself, I see the following differences: * Expressions. Texts written by", "speakers. Being a non-native English speaker myself, I see the following differences: ", "my Echellim heel at the moment, but that's manageable. So my question is", "their thoughts and use idiomatic expressions more frequently. They manage to express complex", "prepositions, which are my Echellim heel at the moment, but that's manageable. So", "words for no reason. Native speakers mainly use simple words, but occasionally insert", "myself as a non-native speaker rather than on merely writing good. Sure, the", "news articles like a native speaker. There may have been somewhat similar questions", "is a native speaker? I would be grateful for any advice that could", "what is beyond merely ensuring that no mistake slips in. To clarify, I", "my question is on avoiding exposing myself as a non-native speaker rather than", "I am sure about. In case of doubt, I can always check things", "and versatile in expressing their thoughts and use idiomatic expressions more frequently. They", "more frequently. They manage to express complex things in very few words. To", "Being a non-native English speaker myself, I see the following differences: Expressions.", "rather than to construct my own expressions. * Word choice. Many non-native speakers", "to put it differently, more complex) text structure and often write somewhat vaguely,", "as a non-native speaker rather than on merely writing good. Sure, the most", "this SE, but the focus of my question is on avoiding exposing myself", "whose flavor perfectly fits the context and the intended meaning. * Style and", "I want to write research articles, short stories, and news articles like a", "or commented on in the paragraph itself. Furthermore, native speakers tend to express", "I would be grateful for any advice that could help me reach my", "native speakers tend to express their thoughts very precisely. In contrast, many non-native", "by the academic stuff of my university in Japan read quite differently from", "into small paragraphs and starting each paragraph with a new idea, which is", "on this SE, but the focus of my question is on avoiding exposing", "I do not intend to become a great writer, but I want to", "the paragraph itself. Furthermore, native speakers tend to express their thoughts very precisely.", "may have been somewhat similar questions on this SE, but the focus of", "on merely writing good. Sure, the most important thing is to avoid making", "thoughts very precisely. In contrast, many non-native speakers choose a somewhat chaotic (or,", "at the moment, but that's manageable. So my question is about what is", "frequently. They manage to express complex things in very few words. To write", "text is a native speaker? I would be grateful for any advice that", "my question is about what is beyond merely ensuring that no mistake slips", "worded simpler as well as in repetitively used grammatical constructions. Native speakers, in", "this: What else should I pay attention to? Apart from the things listed", "listed above, how do you recognize whether the author of a text is", "a great writer, but I want to write research articles, short stories, and", "pay attention to? Apart from the things listed above, how do you recognize", "carefully structure their texts, breaking them into small paragraphs and starting each paragraph", "find that practically all articles written in English by the academic stuff of", "simple words or sometimes make weird word choices, choosing rare words for no", "meaning. * Style and structure. Native speakers tend to carefully structure their texts,", "would be grateful for any advice that could help me reach my goal.", "moment, but that's manageable. So my question is about what is beyond merely", "Many non-native speakers either always use very simple words or sometimes make weird", "them into small paragraphs and starting each paragraph with a new idea, which", "a native speaker? I would be grateful for any advice that could help", "of my question is on avoiding exposing myself as a non-native speaker rather", "speakers, I strive to recall and use expressions seen or heard by me", "Texts written by non-native speakers often abound in non-standard lengthy expressions that could", "often abound in non-standard lengthy expressions that could be worded simpler as well", "want to write research articles, short stories, and news articles like a native", "books written by native English speakers. Being a non-native English speaker myself, I", "To write like native speakers, I strive to recall and use expressions seen", "exposing myself as a non-native speaker rather than on merely writing good. Sure,", "and use idiomatic expressions more frequently. They manage to express complex things in", "choices, choosing rare words for no reason. Native speakers mainly use simple words,", "way that no reader will realize I am not a native speaker. I", "or sometimes make weird word choices, choosing rare words for no reason. Native", "am humbly seeking advice on how to reach that end. To clarify, I", "Native speakers, in contrast, are much more effective and versatile in expressing their", "and grammatical constructions that I am sure about. In case of doubt, I", "precisely. In contrast, many non-native speakers choose a somewhat chaotic (or, to put", "express complex things in very few words. To write like native speakers, I", "write texts in such a way that no reader will realize I am", "constructions that I am sure about. In case of doubt, I can always", "in Japan read quite differently from articles and books written by native English", "seeking advice on how to reach that end. To clarify, I do not", "that no native speaker would make, but that's the easiest part. After all,", "recall and use expressions seen or heard by me before rather than to", "commented on in the paragraph itself. Furthermore, native speakers tend to express their", "many non-native speakers choose a somewhat chaotic (or, to put it differently, more", "to express complex things in very few words. To write like native speakers,", "rather than on merely writing good. Sure, the most important thing is to", "and the intended meaning. * Style and structure. Native speakers tend to carefully", "and news articles like a native speaker. There may have been somewhat similar", "that's the easiest part. After all, I can simply use only those expressions", "express their thoughts very precisely. In contrast, many non-native speakers choose a somewhat", "but I want to write research articles, short stories, and news articles like", "speakers often abound in non-standard lengthy expressions that could be worded simpler as", "Japanese student learning English, and one of my current goals is to learn", "To clarify, I find that practically all articles written in English by the", "about what is beyond merely ensuring that no mistake slips in. To clarify,", "speaker. I am humbly seeking advice on how to reach that end. To", "Echellim heel at the moment, but that's manageable. So my question is about", "(or, to put it differently, more complex) text structure and often write somewhat", "do not intend to become a great writer, but I want to write", "all, I can simply use only those expressions and grammatical constructions that I", "and one of my current goals is to learn to write texts in", "is this: What else should I pay attention to? Apart from the things", "put it differently, more complex) text structure and often write somewhat vaguely, not", "humbly seeking advice on how to reach that end. To clarify, I do", "how to reach that end. To clarify, I do not intend to become", "heard by me before rather than to construct my own expressions. * Word", "few words. To write like native speakers, I strive to recall and use", "primarily addressed to native English speakers and is this: What else should I", "reason. Native speakers mainly use simple words, but occasionally insert rare words whose", "that's manageable. So my question is about what is beyond merely ensuring that", "* Expressions. Texts written by non-native speakers often abound in non-standard lengthy expressions", "choose a somewhat chaotic (or, to put it differently, more complex) text structure", "sharpen the picture, so to speak. My question is primarily addressed to native", "goals is to learn to write texts in such a way that no", "perfectly fits the context and the intended meaning. * Style and structure. Native", "to sharpen the picture, so to speak. My question is primarily addressed to", "about prepositions, which are my Echellim heel at the moment, but that's manageable.", "use very simple words or sometimes make weird word choices, choosing rare words", "word choices, choosing rare words for no reason. Native speakers mainly use simple", "sometimes make weird word choices, choosing rare words for no reason. Native speakers", "to become a great writer, but I want to write research articles, short", "a text is a native speaker? I would be grateful for any advice", "native speaker would make, but that's the easiest part. After all, I can", "rare words whose flavor perfectly fits the context and the intended meaning. ", "learn to write texts in such a way that no reader will realize", "similar questions on this SE, but the focus of my question is on", "either always use very simple words or sometimes make weird word choices, choosing", "rare words for no reason. Native speakers mainly use simple words, but occasionally", "contrast, are much more effective and versatile in expressing their thoughts and use", "a non-native speaker rather than on merely writing good. Sure, the most important", "on avoiding exposing myself as a non-native speaker rather than on merely writing", "manage to express complex things in very few words. To write like native", "important thing is to avoid making mistakes that no native speaker would make,", "often write somewhat vaguely, not caring to sharpen the picture, so to speak.", "own expressions. Word choice. Many non-native speakers either always use very simple", "to write research articles, short stories, and news articles like a native speaker.", "of doubt, I can always check things in Google. I know that I", "complex) text structure and often write somewhat vaguely, not caring to sharpen the", "expressions that could be worded simpler as well as in repetitively used grammatical", "case of doubt, I can always check things in Google. I know that", "to reach that end. To clarify, I do not intend to become a", "expressions seen or heard by me before rather than to construct my own", "is primarily addressed to native English speakers and is this: What else should", "a Japanese student learning English, and one of my current goals is to", "English by the academic stuff of my university in Japan read quite differently", "somewhat chaotic (or, to put it differently, more complex) text structure and often", "author of a text is a native speaker? I would be grateful for", "reader will realize I am not a native speaker. I am humbly seeking", "university in Japan read quite differently from articles and books written by native", "and books written by native English speakers. Being a non-native English speaker myself,", "I can simply use only those expressions and grammatical constructions that I am", "following differences: * Expressions. Texts written by non-native speakers often abound in non-standard", "* Style and structure. Native speakers tend to carefully structure their texts, breaking", "Sure, the most important thing is to avoid making mistakes that no native", "realize I am not a native speaker. I am humbly seeking advice on", "avoid making mistakes that no native speaker would make, but that's the easiest", "which is then explained or commented on in the paragraph itself. Furthermore, native", "I can always check things in Google. I know that I should take", "a native speaker. I am humbly seeking advice on how to reach that", "to? Apart from the things listed above, how do you recognize whether the", "vaguely, not caring to sharpen the picture, so to speak. My question is", "recognize whether the author of a text is a native speaker? I would", "the easiest part. After all, I can simply use only those expressions and", "but that's the easiest part. After all, I can simply use only those", "Native speakers tend to carefully structure their texts, breaking them into small paragraphs", "questions on this SE, but the focus of my question is on avoiding", "strive to recall and use expressions seen or heard by me before rather", "see the following differences: * Expressions. Texts written by non-native speakers often abound", "starting each paragraph with a new idea, which is then explained or commented", "well as in repetitively used grammatical constructions. Native speakers, in contrast, are much", "in English by the academic stuff of my university in Japan read quite", "differently from articles and books written by native English speakers. Being a non-native", "articles like a native speaker. There may have been somewhat similar questions on", "expressions and grammatical constructions that I am sure about. In case of doubt,", "will realize I am not a native speaker. I am humbly seeking advice", "Native speakers mainly use simple words, but occasionally insert rare words whose flavor", "native speaker. There may have been somewhat similar questions on this SE, but", "all articles written in English by the academic stuff of my university in", "no reason. Native speakers mainly use simple words, but occasionally insert rare words", "myself, I see the following differences: * Expressions. Texts written by non-native speakers", "stories, and news articles like a native speaker. There may have been somewhat", "non-native speakers either always use very simple words or sometimes make weird word", "a new idea, which is then explained or commented on in the paragraph", "stuff of my university in Japan read quite differently from articles and books", "I see the following differences: * Expressions. Texts written by non-native speakers often", "Japan read quite differently from articles and books written by native English speakers.", "much more effective and versatile in expressing their thoughts and use idiomatic expressions", "to speak. My question is primarily addressed to native English speakers and is", "is beyond merely ensuring that no mistake slips in. To clarify, I find", "so to speak. My question is primarily addressed to native English speakers and", "am not a native speaker. I am humbly seeking advice on how to", "by me before rather than to construct my own expressions. * Word choice.", "with a new idea, which is then explained or commented on in the", "* Word choice. Many non-native speakers either always use very simple words or", "a somewhat chaotic (or, to put it differently, more complex) text structure and", "native speaker? I would be grateful for any advice that could help me", "somewhat vaguely, not caring to sharpen the picture, so to speak. My question", "structure their texts, breaking them into small paragraphs and starting each paragraph with", "to recall and use expressions seen or heard by me before rather than", "written by native English speakers. Being a non-native English speaker myself, I see", "simpler as well as in repetitively used grammatical constructions. Native speakers, in contrast,", "are my Echellim heel at the moment, but that's manageable. So my question", "than on merely writing good. Sure, the most important thing is to avoid", "in contrast, are much more effective and versatile in expressing their thoughts and", "from articles and books written by native English speakers. Being a non-native English", "a way that no reader will realize I am not a native speaker.", "to learn to write texts in such a way that no reader will", "become a great writer, but I want to write research articles, short stories,", "mistakes that no native speaker would make, but that's the easiest part. After", "things in very few words. To write like native speakers, I strive to", "speaker would make, but that's the easiest part. After all, I can simply", "quite differently from articles and books written by native English speakers. Being a", "chaotic (or, to put it differently, more complex) text structure and often write", "caring to sharpen the picture, so to speak. My question is primarily addressed", "beyond merely ensuring that no mistake slips in. To clarify, I find that", "research articles, short stories, and news articles like a native speaker. There may", "articles written in English by the academic stuff of my university in Japan", "non-native English speaker myself, I see the following differences: * Expressions. Texts written", "always check things in Google. I know that I should take utmost care", "are much more effective and versatile in expressing their thoughts and use idiomatic", "writer, but I want to write research articles, short stories, and news articles", "student learning English, and one of my current goals is to learn to", "words or sometimes make weird word choices, choosing rare words for no reason.", "that I should take utmost care about prepositions, which are my Echellim heel", "focus of my question is on avoiding exposing myself as a non-native speaker", "non-native speaker rather than on merely writing good. Sure, the most important thing", "know that I should take utmost care about prepositions, which are my Echellim", "tend to express their thoughts very precisely. In contrast, many non-native speakers choose", "native speakers, I strive to recall and use expressions seen or heard by", "paragraphs and starting each paragraph with a new idea, which is then explained", "heel at the moment, but that's manageable. So my question is about what", "the following differences: * Expressions. Texts written by non-native speakers often abound in", "practically all articles written in English by the academic stuff of my university", "lengthy expressions that could be worded simpler as well as in repetitively used", "sure about. In case of doubt, I can always check things in Google.", "slips in. To clarify, I find that practically all articles written in English", "do you recognize whether the author of a text is a native speaker?", "flavor perfectly fits the context and the intended meaning. * Style and structure.", "have been somewhat similar questions on this SE, but the focus of my", "versatile in expressing their thoughts and use idiomatic expressions more frequently. They manage", "in such a way that no reader will realize I am not a", "question is on avoiding exposing myself as a non-native speaker rather than on", "speakers tend to carefully structure their texts, breaking them into small paragraphs and", "for no reason. Native speakers mainly use simple words, but occasionally insert rare", "use only those expressions and grammatical constructions that I am sure about. In", "no mistake slips in. To clarify, I find that practically all articles written", "weird word choices, choosing rare words for no reason. Native speakers mainly use", "always use very simple words or sometimes make weird word choices, choosing rare", "words. To write like native speakers, I strive to recall and use expressions", "intended meaning. * Style and structure. Native speakers tend to carefully structure their", "structure and often write somewhat vaguely, not caring to sharpen the picture, so", "speaker? I would be grateful for any advice that could help me reach", "check things in Google. I know that I should take utmost care about", "speakers choose a somewhat chaotic (or, to put it differently, more complex) text", "thing is to avoid making mistakes that no native speaker would make, but", "of a text is a native speaker? I would be grateful for any", "native English speakers. Being a non-native English speaker myself, I see the following", "how do you recognize whether the author of a text is a native", "speaker. There may have been somewhat similar questions on this SE, but the", "as well as in repetitively used grammatical constructions. Native speakers, in contrast, are", "text structure and often write somewhat vaguely, not caring to sharpen the picture,", "that I am sure about. In case of doubt, I can always check", "like a native speaker. There may have been somewhat similar questions on this", "as in repetitively used grammatical constructions. Native speakers, in contrast, are much more", "contrast, many non-native speakers choose a somewhat chaotic (or, to put it differently,", "They manage to express complex things in very few words. To write like", "context and the intended meaning. * Style and structure. Native speakers tend to", "attention to? Apart from the things listed above, how do you recognize whether", "words whose flavor perfectly fits the context and the intended meaning. * Style", "my own expressions. * Word choice. Many non-native speakers either always use very", "insert rare words whose flavor perfectly fits the context and the intended meaning.", "Expressions. Texts written by non-native speakers often abound in non-standard lengthy expressions that", "not caring to sharpen the picture, so to speak. My question is primarily", "to carefully structure their texts, breaking them into small paragraphs and starting each", "I am humbly seeking advice on how to reach that end. To clarify,", "articles, short stories, and news articles like a native speaker. There may have", "which are my Echellim heel at the moment, but that's manageable. So my", "paragraph with a new idea, which is then explained or commented on in", "no reader will realize I am not a native speaker. I am humbly", "native English speakers and is this: What else should I pay attention to?", "write somewhat vaguely, not caring to sharpen the picture, so to speak. My", "or heard by me before rather than to construct my own expressions. ", "utmost care about prepositions, which are my Echellim heel at the moment, but", "Word choice. Many non-native speakers either always use very simple words or sometimes", "academic stuff of my university in Japan read quite differently from articles and", "is on avoiding exposing myself as a non-native speaker rather than on merely", "structure. Native speakers tend to carefully structure their texts, breaking them into small", "simple words, but occasionally insert rare words whose flavor perfectly fits the context", "very few words. To write like native speakers, I strive to recall and", "before rather than to construct my own expressions. Word choice. Many non-native", "on in the paragraph itself. Furthermore, native speakers tend to express their thoughts", "short stories, and news articles like a native speaker. There may have been", "in the paragraph itself. Furthermore, native speakers tend to express their thoughts very", "differently, more complex) text structure and often write somewhat vaguely, not caring to", "speakers either always use very simple words or sometimes make weird word choices,", "used grammatical constructions. Native speakers, in contrast, are much more effective and versatile", "else should I pay attention to? Apart from the things listed above, how", "I am not a native speaker. I am humbly seeking advice on how", "should take utmost care about prepositions, which are my Echellim heel at the", "and structure. Native speakers tend to carefully structure their texts, breaking them into", "that end. To clarify, I do not intend to become a great writer,", "To clarify, I do not intend to become a great writer, but I", "grammatical constructions that I am sure about. In case of doubt, I can", "speakers, in contrast, are much more effective and versatile in expressing their thoughts", "clarify, I do not intend to become a great writer, but I want", "Style and structure. Native speakers tend to carefully structure their texts, breaking them", "but the focus of my question is on avoiding exposing myself as a", "but occasionally insert rare words whose flavor perfectly fits the context and the", "can simply use only those expressions and grammatical constructions that I am sure", "paragraph itself. Furthermore, native speakers tend to express their thoughts very precisely. In", "write research articles, short stories, and news articles like a native speaker. There", "and often write somewhat vaguely, not caring to sharpen the picture, so to", "make, but that's the easiest part. After all, I can simply use only", "English speakers and is this: What else should I pay attention to? Apart", "choice. Many non-native speakers either always use very simple words or sometimes make", "in non-standard lengthy expressions that could be worded simpler as well as in", "the moment, but that's manageable. So my question is about what is beyond", "clarify, I find that practically all articles written in English by the academic", "a native speaker. There may have been somewhat similar questions on this SE,", "me before rather than to construct my own expressions. * Word choice. Many", "Furthermore, native speakers tend to express their thoughts very precisely. In contrast, many", "native speaker. I am humbly seeking advice on how to reach that end.", "that could be worded simpler as well as in repetitively used grammatical constructions.", "written in English by the academic stuff of my university in Japan read", "learning English, and one of my current goals is to learn to write", "articles and books written by native English speakers. Being a non-native English speaker", "use idiomatic expressions more frequently. They manage to express complex things in very", "Google. I know that I should take utmost care about prepositions, which are", "I find that practically all articles written in English by the academic stuff", "and starting each paragraph with a new idea, which is then explained or", "about. In case of doubt, I can always check things in Google. I", "my current goals is to learn to write texts in such a way", "the context and the intended meaning. * Style and structure. Native speakers tend", "most important thing is to avoid making mistakes that no native speaker would", "expressions more frequently. They manage to express complex things in very few words.", "speak. My question is primarily addressed to native English speakers and is this:", "thoughts and use idiomatic expressions more frequently. They manage to express complex things", "by native English speakers. Being a non-native English speaker myself, I see the", "their texts, breaking them into small paragraphs and starting each paragraph with a", "merely writing good. Sure, the most important thing is to avoid making mistakes", "am sure about. In case of doubt, I can always check things in", "written by non-native speakers often abound in non-standard lengthy expressions that could be", "construct my own expressions. * Word choice. Many non-native speakers either always use", "to express their thoughts very precisely. In contrast, many non-native speakers choose a", "above, how do you recognize whether the author of a text is a", "not a native speaker. I am humbly seeking advice on how to reach", "the academic stuff of my university in Japan read quite differently from articles", "intend to become a great writer, but I want to write research articles,", "those expressions and grammatical constructions that I am sure about. In case of", "texts in such a way that no reader will realize I am not", "constructions. Native speakers, in contrast, are much more effective and versatile in expressing", "manageable. So my question is about what is beyond merely ensuring that no", "end. To clarify, I do not intend to become a great writer, but", "repetitively used grammatical constructions. Native speakers, in contrast, are much more effective and", "simply use only those expressions and grammatical constructions that I am sure about.", "merely ensuring that no mistake slips in. To clarify, I find that practically", "in very few words. To write like native speakers, I strive to recall", "make weird word choices, choosing rare words for no reason. Native speakers mainly", "in. To clarify, I find that practically all articles written in English by", "breaking them into small paragraphs and starting each paragraph with a new idea,", "idiomatic expressions more frequently. They manage to express complex things in very few", "no native speaker would make, but that's the easiest part. After all, I", "ensuring that no mistake slips in. To clarify, I find that practically all", "I should take utmost care about prepositions, which are my Echellim heel at", "than to construct my own expressions. * Word choice. Many non-native speakers either", "current goals is to learn to write texts in such a way that", "is then explained or commented on in the paragraph itself. Furthermore, native speakers", "SE, but the focus of my question is on avoiding exposing myself as", "question is primarily addressed to native English speakers and is this: What else", "doubt, I can always check things in Google. I know that I should", "it differently, more complex) text structure and often write somewhat vaguely, not caring", "What else should I pay attention to? Apart from the things listed above,", "is to avoid making mistakes that no native speaker would make, but that's", "to avoid making mistakes that no native speaker would make, but that's the", "care about prepositions, which are my Echellim heel at the moment, but that's", "my university in Japan read quite differently from articles and books written by", "occasionally insert rare words whose flavor perfectly fits the context and the intended", "the author of a text is a native speaker? I would be grateful", "a non-native English speaker myself, I see the following differences: * Expressions. Texts", "is to learn to write texts in such a way that no reader", "not intend to become a great writer, but I want to write research", "In case of doubt, I can always check things in Google. I know", "in repetitively used grammatical constructions. Native speakers, in contrast, are much more effective", "to native English speakers and is this: What else should I pay attention", "read quite differently from articles and books written by native English speakers. Being", "speakers and is this: What else should I pay attention to? Apart from", "whether the author of a text is a native speaker? I would be", "speakers mainly use simple words, but occasionally insert rare words whose flavor perfectly" ]
[ "by it and have to stop writing. Any tips on avoiding this and", "and have to stop writing. Any tips on avoiding this and on focusing", "a very intense and dramatic scene, I often become overwhelmed by it and", "and dramatic scene, I often become overwhelmed by it and have to stop", "very intense and dramatic scene, I often become overwhelmed by it and have", "writing a very intense and dramatic scene, I often become overwhelmed by it", "often become overwhelmed by it and have to stop writing. Any tips on", "When I am writing a very intense and dramatic scene, I often become", "overwhelmed by it and have to stop writing. Any tips on avoiding this", "am writing a very intense and dramatic scene, I often become overwhelmed by", "have to stop writing. Any tips on avoiding this and on focusing on", "it and have to stop writing. Any tips on avoiding this and on", "become overwhelmed by it and have to stop writing. Any tips on avoiding", "dramatic scene, I often become overwhelmed by it and have to stop writing.", "I often become overwhelmed by it and have to stop writing. Any tips", "intense and dramatic scene, I often become overwhelmed by it and have to", "to stop writing. Any tips on avoiding this and on focusing on writing.", "scene, I often become overwhelmed by it and have to stop writing. Any", "I am writing a very intense and dramatic scene, I often become overwhelmed" ]
[ "a Lego Millennium Falcon he put together as a child. Is it all", "where the character is looking back at his childhood toys and I mentioned", "fictional characters but would like to know what you think about this. I", "right to reference this or should I just leave it out altogether? Thanks", "and fictional characters but would like to know what you think about this.", "together as a child. Is it all right to reference this or should", "childhood toys and I mentioned a Lego Millennium Falcon he put together as", "it all right to reference this or should I just leave it out", "post about referencing real and fictional characters but would like to know what", "I read the post about referencing real and fictional characters but would like", "mentioned a Lego Millennium Falcon he put together as a child. Is it", "all right to reference this or should I just leave it out altogether?", "know what you think about this. I am writing a book where the", "as a child. Is it all right to reference this or should I", "the character is looking back at his childhood toys and I mentioned a", "what you think about this. I am writing a book where the character", "this. I am writing a book where the character is looking back at", "and I mentioned a Lego Millennium Falcon he put together as a child.", "his childhood toys and I mentioned a Lego Millennium Falcon he put together", "I mentioned a Lego Millennium Falcon he put together as a child. Is", "Millennium Falcon he put together as a child. Is it all right to", "Lego Millennium Falcon he put together as a child. Is it all right", "looking back at his childhood toys and I mentioned a Lego Millennium Falcon", "would like to know what you think about this. I am writing a", "he put together as a child. Is it all right to reference this", "a book where the character is looking back at his childhood toys and", "book where the character is looking back at his childhood toys and I", "Is it all right to reference this or should I just leave it", "real and fictional characters but would like to know what you think about", "character is looking back at his childhood toys and I mentioned a Lego", "back at his childhood toys and I mentioned a Lego Millennium Falcon he", "toys and I mentioned a Lego Millennium Falcon he put together as a", "but would like to know what you think about this. I am writing", "to know what you think about this. I am writing a book where", "the post about referencing real and fictional characters but would like to know", "think about this. I am writing a book where the character is looking", "I am writing a book where the character is looking back at his", "writing a book where the character is looking back at his childhood toys", "like to know what you think about this. I am writing a book", "about this. I am writing a book where the character is looking back", "at his childhood toys and I mentioned a Lego Millennium Falcon he put", "characters but would like to know what you think about this. I am", "Falcon he put together as a child. Is it all right to reference", "a child. Is it all right to reference this or should I just", "child. Is it all right to reference this or should I just leave", "am writing a book where the character is looking back at his childhood", "is looking back at his childhood toys and I mentioned a Lego Millennium", "read the post about referencing real and fictional characters but would like to", "about referencing real and fictional characters but would like to know what you", "you think about this. I am writing a book where the character is", "put together as a child. Is it all right to reference this or", "referencing real and fictional characters but would like to know what you think" ]
[ "to cite them in the works cited references? Do I actually need to", "my first book, so I don’t have much understand... Or do I just", "be my first book, so I don’t have much understand... Or do I", "understand... Or do I just need to cite them in the works cited", "that the technical industry previously coined? Several books have been written on the", "technical industry previously coined? Several books have been written on the topics, I", "on topics and concepts that the technical industry previously coined? Several books have", "topics and concepts that the technical industry previously coined? Several books have been", "the topics, I just wanted to add my view and expand on the", "would be my first book, so I don’t have much understand... Or do", "works cited references? Do I actually need to contact them and get written", "contact them and get written permission to reference their concepts in my book?", "just need to cite them in the works cited references? Do I actually", "actually need to contact them and get written permission to reference their concepts", "wanted to add my view and expand on the topics. This would be", "my view and expand on the topics. This would be my first book,", "permission to reference their concepts in my book? Sorry for all the newbie", "and concepts that the technical industry previously coined? Several books have been written", "industry previously coined? Several books have been written on the topics, I just", "I just wanted to add my view and expand on the topics. This", "have much understand... Or do I just need to cite them in the", "them in the works cited references? Do I actually need to contact them", "based on topics and concepts that the technical industry previously coined? Several books", "and expand on the topics. This would be my first book, so I", "book, so I don’t have much understand... Or do I just need to", "on the topics, I just wanted to add my view and expand on", "been written on the topics, I just wanted to add my view and", "Is there any issues with writing a book and publishing it that is", "is based on topics and concepts that the technical industry previously coined? Several", "view and expand on the topics. This would be my first book, so", "and publishing it that is based on topics and concepts that the technical", "book and publishing it that is based on topics and concepts that the", "with writing a book and publishing it that is based on topics and", "a book and publishing it that is based on topics and concepts that", "issues with writing a book and publishing it that is based on topics", "cited references? Do I actually need to contact them and get written permission", "I actually need to contact them and get written permission to reference their", "just wanted to add my view and expand on the topics. This would", "the topics. This would be my first book, so I don’t have much", "topics. This would be my first book, so I don’t have much understand...", "cite them in the works cited references? Do I actually need to contact", "Several books have been written on the topics, I just wanted to add", "written on the topics, I just wanted to add my view and expand", "add my view and expand on the topics. This would be my first", "do I just need to cite them in the works cited references? Do", "need to contact them and get written permission to reference their concepts in", "have been written on the topics, I just wanted to add my view", "on the topics. This would be my first book, so I don’t have", "there any issues with writing a book and publishing it that is based", "references? Do I actually need to contact them and get written permission to", "Do I actually need to contact them and get written permission to reference", "so I don’t have much understand... Or do I just need to cite", "I just need to cite them in the works cited references? Do I", "publishing it that is based on topics and concepts that the technical industry", "expand on the topics. This would be my first book, so I don’t", "get written permission to reference their concepts in my book? Sorry for all", "previously coined? Several books have been written on the topics, I just wanted", "that is based on topics and concepts that the technical industry previously coined?", "writing a book and publishing it that is based on topics and concepts", "don’t have much understand... Or do I just need to cite them in", "written permission to reference their concepts in my book? Sorry for all the", "coined? Several books have been written on the topics, I just wanted to", "much understand... Or do I just need to cite them in the works", "it that is based on topics and concepts that the technical industry previously", "to reference their concepts in my book? Sorry for all the newbie questions.", "and get written permission to reference their concepts in my book? Sorry for", "topics, I just wanted to add my view and expand on the topics.", "to add my view and expand on the topics. This would be my", "Or do I just need to cite them in the works cited references?", "This would be my first book, so I don’t have much understand... Or", "in the works cited references? Do I actually need to contact them and", "concepts that the technical industry previously coined? Several books have been written on", "them and get written permission to reference their concepts in my book? Sorry", "need to cite them in the works cited references? Do I actually need", "any issues with writing a book and publishing it that is based on", "to contact them and get written permission to reference their concepts in my", "I don’t have much understand... Or do I just need to cite them", "first book, so I don’t have much understand... Or do I just need", "the works cited references? Do I actually need to contact them and get", "books have been written on the topics, I just wanted to add my", "the technical industry previously coined? Several books have been written on the topics," ]
[ "the shape at all. I wonder if someone has come up with technical", "experienced through the narrator's / protagonist's eyes in terms of personal involvement, I", "shape at all. I wonder if someone has come up with technical descriptions", "of the answer, but something eludes me. Maybe you have an idea. Thanks", "if someone has come up with technical descriptions of objects (esp. in sci-fi)", "would one describe the space station Babylon 5, a plain and simple screwdriver", "the object become visible in the reader's mind. I.e. how would one describe", "cubes, cuboids, pyramids, cylinders, prisms. But for me that all sounds too mathematical", "describe the space station Babylon 5, a plain and simple screwdriver or a", "the answer, but something eludes me. Maybe you have an idea. Thanks so", "in sci-fi) that makes it easy to make the object become visible in", "should be experienced through the narrator's / protagonist's eyes in terms of personal", "mathematical and sometimes doesn't even describe the shape at all. I wonder if", "simple screwdriver or a hammer. I know this sounds like a simple question", "object become visible in the reader's mind. I.e. how would one describe the", "doesn't even describe the shape at all. I wonder if someone has come", "come up with technical descriptions of objects (esp. in sci-fi) that makes it", "5, a plain and simple screwdriver or a hammer. I know this sounds", "pyramids, cylinders, prisms. But for me that all sounds too mathematical and sometimes", "makes it easy to make the object become visible in the reader's mind.", "and 3D shapes seem to be part of the answer, but something eludes", "it easy to make the object become visible in the reader's mind. I.e.", "at all. I wonder if someone has come up with technical descriptions of", "all. I wonder if someone has come up with technical descriptions of objects", "describing the basic shapes of objects. There's spheres, toruses, cylinders, cones, cubes, cuboids,", "even describe the shape at all. I wonder if someone has come up", "me that all sounds too mathematical and sometimes doesn't even describe the shape", "screwdriver or a hammer. I know this sounds like a simple question and", "space station Babylon 5, a plain and simple screwdriver or a hammer. I", "be experienced through the narrator's / protagonist's eyes in terms of personal involvement,", "toruses, cylinders, cones, cubes, cuboids, pyramids, cylinders, prisms. But for me that all", "I.e. how would one describe the space station Babylon 5, a plain and", "a plain and simple screwdriver or a hammer. I know this sounds like", "make the object become visible in the reader's mind. I.e. how would one", "Babylon 5, a plain and simple screwdriver or a hammer. I know this", "terms of personal involvement, I oftentimes find myself puzzled in describing the basic", "absolutely agree, that descriptions should be experienced through the narrator's / protagonist's eyes", "sometimes doesn't even describe the shape at all. I wonder if someone has", "become visible in the reader's mind. I.e. how would one describe the space", "technical descriptions of objects (esp. in sci-fi) that makes it easy to make", "answer, but something eludes me. Maybe you have an idea. Thanks so much!", "too mathematical and sometimes doesn't even describe the shape at all. I wonder", "the space station Babylon 5, a plain and simple screwdriver or a hammer.", "hammer. I know this sounds like a simple question and 3D shapes seem", "spheres, toruses, cylinders, cones, cubes, cuboids, pyramids, cylinders, prisms. But for me that", "one describe the space station Babylon 5, a plain and simple screwdriver or", "someone has come up with technical descriptions of objects (esp. in sci-fi) that", "the basic shapes of objects. There's spheres, toruses, cylinders, cones, cubes, cuboids, pyramids,", "cones, cubes, cuboids, pyramids, cylinders, prisms. But for me that all sounds too", "be part of the answer, but something eludes me. Maybe you have an", "oftentimes find myself puzzled in describing the basic shapes of objects. There's spheres,", "that descriptions should be experienced through the narrator's / protagonist's eyes in terms", "station Babylon 5, a plain and simple screwdriver or a hammer. I know", "all sounds too mathematical and sometimes doesn't even describe the shape at all.", "narrator's / protagonist's eyes in terms of personal involvement, I oftentimes find myself", "simple question and 3D shapes seem to be part of the answer, but", "eyes in terms of personal involvement, I oftentimes find myself puzzled in describing", "sounds too mathematical and sometimes doesn't even describe the shape at all. I", "plain and simple screwdriver or a hammer. I know this sounds like a", "of personal involvement, I oftentimes find myself puzzled in describing the basic shapes", "cuboids, pyramids, cylinders, prisms. But for me that all sounds too mathematical and", "wonder if someone has come up with technical descriptions of objects (esp. in", "describe the shape at all. I wonder if someone has come up with", "myself puzzled in describing the basic shapes of objects. There's spheres, toruses, cylinders,", "prisms. But for me that all sounds too mathematical and sometimes doesn't even", "personal involvement, I oftentimes find myself puzzled in describing the basic shapes of", "/ protagonist's eyes in terms of personal involvement, I oftentimes find myself puzzled", "There's spheres, toruses, cylinders, cones, cubes, cuboids, pyramids, cylinders, prisms. But for me", "in the reader's mind. I.e. how would one describe the space station Babylon", "mind. I.e. how would one describe the space station Babylon 5, a plain", "the narrator's / protagonist's eyes in terms of personal involvement, I oftentimes find", "I wonder if someone has come up with technical descriptions of objects (esp.", "cylinders, prisms. But for me that all sounds too mathematical and sometimes doesn't", "reader's mind. I.e. how would one describe the space station Babylon 5, a", "I absolutely agree, that descriptions should be experienced through the narrator's / protagonist's", "sounds like a simple question and 3D shapes seem to be part of", "know this sounds like a simple question and 3D shapes seem to be", "part of the answer, but something eludes me. Maybe you have an idea.", "puzzled in describing the basic shapes of objects. There's spheres, toruses, cylinders, cones,", "find myself puzzled in describing the basic shapes of objects. There's spheres, toruses,", "and sometimes doesn't even describe the shape at all. I wonder if someone", "objects (esp. in sci-fi) that makes it easy to make the object become", "I know this sounds like a simple question and 3D shapes seem to", "descriptions should be experienced through the narrator's / protagonist's eyes in terms of", "seem to be part of the answer, but something eludes me. Maybe you", "(esp. in sci-fi) that makes it easy to make the object become visible", "But for me that all sounds too mathematical and sometimes doesn't even describe", "a hammer. I know this sounds like a simple question and 3D shapes", "of objects. There's spheres, toruses, cylinders, cones, cubes, cuboids, pyramids, cylinders, prisms. But", "I oftentimes find myself puzzled in describing the basic shapes of objects. There's", "sci-fi) that makes it easy to make the object become visible in the", "basic shapes of objects. There's spheres, toruses, cylinders, cones, cubes, cuboids, pyramids, cylinders,", "protagonist's eyes in terms of personal involvement, I oftentimes find myself puzzled in", "the reader's mind. I.e. how would one describe the space station Babylon 5,", "shapes seem to be part of the answer, but something eludes me. Maybe", "and simple screwdriver or a hammer. I know this sounds like a simple", "how would one describe the space station Babylon 5, a plain and simple", "or a hammer. I know this sounds like a simple question and 3D", "easy to make the object become visible in the reader's mind. I.e. how", "in describing the basic shapes of objects. There's spheres, toruses, cylinders, cones, cubes,", "this sounds like a simple question and 3D shapes seem to be part", "that all sounds too mathematical and sometimes doesn't even describe the shape at", "a simple question and 3D shapes seem to be part of the answer,", "involvement, I oftentimes find myself puzzled in describing the basic shapes of objects.", "agree, that descriptions should be experienced through the narrator's / protagonist's eyes in", "through the narrator's / protagonist's eyes in terms of personal involvement, I oftentimes", "to make the object become visible in the reader's mind. I.e. how would", "shapes of objects. There's spheres, toruses, cylinders, cones, cubes, cuboids, pyramids, cylinders, prisms.", "of objects (esp. in sci-fi) that makes it easy to make the object", "that makes it easy to make the object become visible in the reader's", "for me that all sounds too mathematical and sometimes doesn't even describe the", "While I absolutely agree, that descriptions should be experienced through the narrator's /", "cylinders, cones, cubes, cuboids, pyramids, cylinders, prisms. But for me that all sounds", "to be part of the answer, but something eludes me. Maybe you have", "has come up with technical descriptions of objects (esp. in sci-fi) that makes", "in terms of personal involvement, I oftentimes find myself puzzled in describing the", "with technical descriptions of objects (esp. in sci-fi) that makes it easy to", "objects. There's spheres, toruses, cylinders, cones, cubes, cuboids, pyramids, cylinders, prisms. But for", "3D shapes seem to be part of the answer, but something eludes me.", "descriptions of objects (esp. in sci-fi) that makes it easy to make the", "visible in the reader's mind. I.e. how would one describe the space station", "up with technical descriptions of objects (esp. in sci-fi) that makes it easy", "question and 3D shapes seem to be part of the answer, but something", "like a simple question and 3D shapes seem to be part of the" ]
[ "fiction story (as referenced in a previous question of mine). The main protagonist", "chemistry concepts frequently in his inner monologue. The problem I've received some criticism", "he figures out how to chemically produce water from shuttle fuel and grows", "propulsion works and why it went wrong in the protagonist's crashed shuttle (I", "plot is heavily inspired by The Martian and uses a lot of similar", "word \"ion,\" the engineer could just say \"charged particles.\" But I'm not sure", "my question today. *What is the best way to avoid or mitigate dense", "or \"technobabble\" in dialogue to explain things that are happening on the ship,", "will understand the chemistry concepts that the protagonist explains to the reader through", "crashed shuttle was carrying. However, the story does take place in the distant", "I've been trying to solve this by making the explanation more casual and", "referenced in a previous question of mine). The main protagonist of the story", "to explain how the ship's ion propulsion works and why it went wrong", "take place in the distant sci-fi future, a la Star Trek, and there", "planet when his shuttle's landing system is sabotaged, and has to use his", "webpage](https://www.nasa.gov/centers/glenn/about/fs21grc.html)). The protagonist is also a scientist and references biology and chemistry concepts", "is also a scientist and references biology and chemistry concepts frequently in his", "However, the story does take place in the distant sci-fi future, a la", "stranded on an alien planet when his shuttle's landing system is sabotaged, and", "when I'm describing the science of the world, and that not everyone will", "shuttle fuel and grows plants for food from the seeds that his crashed", "ship's ion propulsion works and why it went wrong in the protagonist's crashed", "the protagonist explains to the reader through his internal monologue, such as the", "main protagonist of the story is an autistic biologist who gets stranded on", "possibly unfamiliar science concept to a general reader in a way that's engaging", "find him. The plot is heavily inspired by The Martian* and uses a", "distant sci-fi future, a la Star Trek, and there are some bits in", "chemical reaction he uses to make water from jet fuel. I worry that", "Trek, and there are some bits in the story where characters use science-specific", "the engineer could just say \"charged particles.\" But I'm not sure that is", "main ship can find him. The plot is heavily inspired by The Martian", "too information-dense and want to make it easier on the reader as a", "been trying to solve this by making the explanation more casual and conversational,", "when his shuttle's landing system is sabotaged, and has to use his wits", "there are some bits in the story where characters use science-specific lingo or", "mine). The main protagonist of the story is an autistic biologist who gets", "trying to solve this by making the explanation more casual and conversational, and", "autistic biologist who gets stranded on an alien planet when his shuttle's landing", "reader through his internal monologue, such as the chemical reaction he uses to", "use science-specific lingo or \"technobabble\" in dialogue to explain things that are happening", "to make water from jet fuel. I worry that some parts are coming", "plants for food from the seeds that his crashed shuttle was carrying. However,", "reader in general? How should I explain a possibly unfamiliar science concept to", "an autistic biologist who gets stranded on an alien planet when his shuttle's", "Star Trek, and there are some bits in the story where characters use", "a lot of similar science concepts, i.e. he figures out how to chemically", "has to use his wits and knowledge of ecology to survive until the", "a science fiction setting, and make it easier on the reader in general?", "shuttle's landing system is sabotaged, and has to use his wits and knowledge", "the story does take place in the distant sci-fi future, a la Star", "as the chemical reaction he uses to make water from jet fuel. I", "of ecology to survive until the main ship can find him. The plot", "scientific lingo in a science fiction setting, and make it easier on the", "story where characters use science-specific lingo or \"technobabble\" in dialogue to explain things", "engineer could just say \"charged particles.\" But I'm not sure that is the", "easier on the reader in general? How should I explain a possibly unfamiliar", "protagonist explains to the reader through his internal monologue, such as the chemical", "parts are coming across as too information-dense and want to make it easier", "should I explain a possibly unfamiliar science concept to a general reader in", "why it went wrong in the protagonist's crashed shuttle (I referenced [this NASA", "say \"charged particles.\" But I'm not sure that is the right approach, hence", "\"technobabble\" in dialogue to explain things that are happening on the ship, i.e.", "ship can find him. The plot is heavily inspired by The Martian and", "the protagonist's crashed shuttle (I referenced [this NASA webpage](https://www.nasa.gov/centers/glenn/about/fs21grc.html)). The protagonist is also", "using the word \"ion,\" the engineer could just say \"charged particles.\" But I'm", "protagonist's crashed shuttle (I referenced [this NASA webpage](https://www.nasa.gov/centers/glenn/about/fs21grc.html)). The protagonist is also a", "much of this unfamiliar lingo when I'm describing the science of the world,", "that not everyone will understand the chemistry concepts that the protagonist explains to", "shuttle was carrying. However, the story does take place in the distant sci-fi", "from my beta readers that I use too much of this unfamiliar lingo", "The plot is heavily inspired by The Martian and uses a lot of", "in the story where characters use science-specific lingo or \"technobabble\" in dialogue to", "or mitigate dense \"technobabble\" and scientific lingo in a science fiction setting, and", "concepts frequently in his inner monologue. The problem I've received some criticism from", "to the reader through his internal monologue, such as the chemical reaction he", "biology and chemistry concepts frequently in his inner monologue. The problem I've received", "concepts, i.e. he figures out how to chemically produce water from shuttle fuel", "to survive until the main ship can find him. The plot is heavily", "everyone will understand the chemistry concepts that the protagonist explains to the reader", "are coming across as too information-dense and want to make it easier on", "and conversational, and avoiding using specific terms, i.e. instead of using the word", "ion propulsion works and why it went wrong in the protagonist's crashed shuttle", "scientist and references biology and chemistry concepts frequently in his inner monologue. *The", "to explain things that are happening on the ship, i.e. referencing the concept", "the reader in general? How should I explain a possibly unfamiliar science concept", "whole. I've been trying to solve this by making the explanation more casual", "is the best way to avoid or mitigate dense \"technobabble\" and scientific lingo", "i.e. instead of using the word \"ion,\" the engineer could just say \"charged", "by The Martian* and uses a lot of similar science concepts, i.e. he", "that is the right approach, hence my question today. What is the best", "(I referenced [this NASA webpage](https://www.nasa.gov/centers/glenn/about/fs21grc.html)). The protagonist is also a scientist and references", "the reader as a whole. I've been trying to solve this by making", "science fiction story (as referenced in a previous question of mine). The main", "question today. What is the best way to avoid or mitigate dense \"technobabble\"", "from shuttle fuel and grows plants for food from the seeds that his", "I've received some criticism from my beta readers that I use too much", "future, a la Star Trek, and there are some bits in the story", "water from jet fuel. I worry that some parts are coming across as", "sabotaged, and has to use his wits and knowledge of ecology to survive", "to use his wits and knowledge of ecology to survive until the main", "want to make it easier on the reader as a whole. I've been", "his shuttle's landing system is sabotaged, and has to use his wits and", "does take place in the distant sci-fi future, a la Star Trek, and", "some parts are coming across as too information-dense and want to make it", "on the ship, i.e. referencing the concept of ion acceleration to explain how", "on the reader in general? How should I explain a possibly unfamiliar science", "gets stranded on an alien planet when his shuttle's landing system is sabotaged,", "the science of the world, and that not everyone will understand the chemistry", "readers that I use too much of this unfamiliar lingo when I'm describing", "until the main ship can find him. The plot is heavily inspired by", "criticism from my beta readers that I use too much of this unfamiliar", "i.e. he figures out how to chemically produce water from shuttle fuel and", "protagonist is also a scientist and references biology and chemistry concepts frequently in", "Background I am currently working on a small science fiction story (as referenced", "went wrong in the protagonist's crashed shuttle (I referenced [this NASA webpage](https://www.nasa.gov/centers/glenn/about/fs21grc.html)). The", "explain things that are happening on the ship, i.e. referencing the concept of", "in a previous question of mine). The main protagonist of the story is", "carrying. However, the story does take place in the distant sci-fi future, a", "problem I've received some criticism from my beta readers that I use too", "landing system is sabotaged, and has to use his wits and knowledge of", "How should I explain a possibly unfamiliar science concept to a general reader", "science concept to a general reader in a way that's engaging to read?", "But I'm not sure that is the right approach, hence my question today.", "question of mine). The main protagonist of the story is an autistic biologist", "casual and conversational, and avoiding using specific terms, i.e. instead of using the", "sci-fi future, a la Star Trek, and there are some bits in the", "and has to use his wits and knowledge of ecology to survive until", "received some criticism from my beta readers that I use too much of", "use too much of this unfamiliar lingo when I'm describing the science of", "I worry that some parts are coming across as too information-dense and want", "general? How should I explain a possibly unfamiliar science concept to a general", "and uses a lot of similar science concepts, i.e. he figures out how", "not sure that is the right approach, hence my question today. *What is", "specific terms, i.e. instead of using the word \"ion,\" the engineer could just", "The protagonist is also a scientist and references biology and chemistry concepts frequently", "where characters use science-specific lingo or \"technobabble\" in dialogue to explain things that", "[this NASA webpage](https://www.nasa.gov/centers/glenn/about/fs21grc.html)). The protagonist is also a scientist and references biology and", "referencing the concept of ion acceleration to explain how the ship's ion propulsion", "The main protagonist of the story is an autistic biologist who gets stranded", "a la Star Trek, and there are some bits in the story where", "of the world, and that not everyone will understand the chemistry concepts that", "the world, and that not everyone will understand the chemistry concepts that the", "a whole. I've been trying to solve this by making the explanation more", "particles.\" But I'm not sure that is the right approach, hence my question", "alien planet when his shuttle's landing system is sabotaged, and has to use", "ion acceleration to explain how the ship's ion propulsion works and why it", "concepts that the protagonist explains to the reader through his internal monologue, such", "in the distant sci-fi future, a la Star Trek, and there are some", "and why it went wrong in the protagonist's crashed shuttle (I referenced [this", "is sabotaged, and has to use his wits and knowledge of ecology to", "hence my question today. What is the best way to avoid or mitigate", "I am currently working on a small science fiction story (as referenced in", "story (as referenced in a previous question of mine). The main protagonist of", "inner monologue. The problem* I've received some criticism from my beta readers that", "it went wrong in the protagonist's crashed shuttle (I referenced [this NASA webpage](https://www.nasa.gov/centers/glenn/about/fs21grc.html)).", "some criticism from my beta readers that I use too much of this", "lingo or \"technobabble\" in dialogue to explain things that are happening on the", "and knowledge of ecology to survive until the main ship can find him.", "the ship, i.e. referencing the concept of ion acceleration to explain how the", "biologist who gets stranded on an alien planet when his shuttle's landing system", "from jet fuel. I worry that some parts are coming across as too", "lingo in a science fiction setting, and make it easier on the reader", "monologue. The problem I've received some criticism from my beta readers that I", "terms, i.e. instead of using the word \"ion,\" the engineer could just say", "food from the seeds that his crashed shuttle was carrying. However, the story", "science concepts, i.e. he figures out how to chemically produce water from shuttle", "best way to avoid or mitigate dense \"technobabble\" and scientific lingo in a", "working on a small science fiction story (as referenced in a previous question", "protagonist of the story is an autistic biologist who gets stranded on an", "science of the world, and that not everyone will understand the chemistry concepts", "of the story is an autistic biologist who gets stranded on an alien", "on a small science fiction story (as referenced in a previous question of", "water from shuttle fuel and grows plants for food from the seeds that", "\"technobabble\" and scientific lingo in a science fiction setting, and make it easier", "to avoid or mitigate dense \"technobabble\" and scientific lingo in a science fiction", "just say \"charged particles.\" But I'm not sure that is the right approach,", "instead of using the word \"ion,\" the engineer could just say \"charged particles.\"", "reader as a whole. I've been trying to solve this by making the", "that are happening on the ship, i.e. referencing the concept of ion acceleration", "the distant sci-fi future, a la Star Trek, and there are some bits", "fuel and grows plants for food from the seeds that his crashed shuttle", "conversational, and avoiding using specific terms, i.e. instead of using the word \"ion,\"", "and make it easier on the reader in general? How should I explain", "right approach, hence my question today. *What is the best way to avoid", "works and why it went wrong in the protagonist's crashed shuttle (I referenced", "by making the explanation more casual and conversational, and avoiding using specific terms,", "make water from jet fuel. I worry that some parts are coming across", "and scientific lingo in a science fiction setting, and make it easier on", "as a whole. I've been trying to solve this by making the explanation", "describing the science of the world, and that not everyone will understand the", "worry that some parts are coming across as too information-dense and want to", "across as too information-dense and want to make it easier on the reader", "\"ion,\" the engineer could just say \"charged particles.\" But I'm not sure that", "heavily inspired by The Martian* and uses a lot of similar science concepts,", "lingo when I'm describing the science of the world, and that not everyone", "story does take place in the distant sci-fi future, a la Star Trek,", "to chemically produce water from shuttle fuel and grows plants for food from", "world, and that not everyone will understand the chemistry concepts that the protagonist", "currently working on a small science fiction story (as referenced in a previous", "I'm not sure that is the right approach, hence my question today. What", "make it easier on the reader as a whole. I've been trying to", "internal monologue, such as the chemical reaction he uses to make water from", "bits in the story where characters use science-specific lingo or \"technobabble\" in dialogue", "a previous question of mine). The main protagonist of the story is an", "way to avoid or mitigate dense \"technobabble\" and scientific lingo in a science", "to make it easier on the reader as a whole. I've been trying", "explain a possibly unfamiliar science concept to a general reader in a way", "concept of ion acceleration to explain how the ship's ion propulsion works and", "references biology and chemistry concepts frequently in his inner monologue. The problem** I've", "the chemistry concepts that the protagonist explains to the reader through his internal", "referenced [this NASA webpage](https://www.nasa.gov/centers/glenn/about/fs21grc.html)). The protagonist is also a scientist and references biology", "out how to chemically produce water from shuttle fuel and grows plants for", "lot of similar science concepts, i.e. he figures out how to chemically produce", "story is an autistic biologist who gets stranded on an alien planet when", "the main ship can find him. The plot is heavily inspired by The", "solve this by making the explanation more casual and conversational, and avoiding using", "and chemistry concepts frequently in his inner monologue. The problem* I've received some", "could just say \"charged particles.\" But I'm not sure that is the right", "how to chemically produce water from shuttle fuel and grows plants for food", "the story where characters use science-specific lingo or \"technobabble\" in dialogue to explain", "too much of this unfamiliar lingo when I'm describing the science of the", "fiction setting, and make it easier on the reader in general? How should", "also a scientist and references biology and chemistry concepts frequently in his inner", "uses to make water from jet fuel. I worry that some parts are", "figures out how to chemically produce water from shuttle fuel and grows plants", "I'm describing the science of the world, and that not everyone will understand", "today. What is the best way to avoid or mitigate dense \"technobabble\" and", "that the protagonist explains to the reader through his internal monologue, such as", "and references biology and chemistry concepts frequently in his inner monologue. The problem", "a scientist and references biology and chemistry concepts frequently in his inner monologue.", "things that are happening on the ship, i.e. referencing the concept of ion", "The problem I've received some criticism from my beta readers that I use", "easier on the reader as a whole. I've been trying to solve this", "small science fiction story (as referenced in a previous question of mine). The", "frequently in his inner monologue. The problem I've received some criticism from my", "system is sabotaged, and has to use his wits and knowledge of ecology", "to solve this by making the explanation more casual and conversational, and avoiding", "What is the best way to avoid or mitigate dense \"technobabble\" and scientific", "chemistry concepts that the protagonist explains to the reader through his internal monologue,", "and avoiding using specific terms, i.e. instead of using the word \"ion,\" the", "dense \"technobabble\" and scientific lingo in a science fiction setting, and make it", "seeds that his crashed shuttle was carrying. However, the story does take place", "can find him. The plot is heavily inspired by The Martian and uses", "The Martian and uses a lot of similar science concepts, i.e. he figures", "the explanation more casual and conversational, and avoiding using specific terms, i.e. instead", "i.e. referencing the concept of ion acceleration to explain how the ship's ion", "his internal monologue, such as the chemical reaction he uses to make water", "it easier on the reader in general? How should I explain a possibly", "my beta readers that I use too much of this unfamiliar lingo when", "in the protagonist's crashed shuttle (I referenced [this NASA webpage](https://www.nasa.gov/centers/glenn/about/fs21grc.html)). The protagonist is", "from the seeds that his crashed shuttle was carrying. However, the story does", "is heavily inspired by The Martian and uses a lot of similar science", "information-dense and want to make it easier on the reader as a whole.", "not everyone will understand the chemistry concepts that the protagonist explains to the", "in a science fiction setting, and make it easier on the reader in", "make it easier on the reader in general? How should I explain a", "characters use science-specific lingo or \"technobabble\" in dialogue to explain things that are", "are some bits in the story where characters use science-specific lingo or \"technobabble\"", "the story is an autistic biologist who gets stranded on an alien planet", "in his inner monologue. The problem I've received some criticism from my beta", "who gets stranded on an alien planet when his shuttle's landing system is", "dialogue to explain things that are happening on the ship, i.e. referencing the", "NASA webpage](https://www.nasa.gov/centers/glenn/about/fs21grc.html)). The protagonist is also a scientist and references biology and chemistry", "ecology to survive until the main ship can find him. The plot is", "on the reader as a whole. I've been trying to solve this by", "grows plants for food from the seeds that his crashed shuttle was carrying.", "shuttle (I referenced [this NASA webpage](https://www.nasa.gov/centers/glenn/about/fs21grc.html)). The protagonist is also a scientist and", "unfamiliar science concept to a general reader in a way that's engaging to", "\"charged particles.\" But I'm not sure that is the right approach, hence my", "the chemical reaction he uses to make water from jet fuel. I worry", "an alien planet when his shuttle's landing system is sabotaged, and has to", "of using the word \"ion,\" the engineer could just say \"charged particles.\" But", "the ship's ion propulsion works and why it went wrong in the protagonist's", "produce water from shuttle fuel and grows plants for food from the seeds", "his wits and knowledge of ecology to survive until the main ship can", "unfamiliar lingo when I'm describing the science of the world, and that not", "of similar science concepts, i.e. he figures out how to chemically produce water", "through his internal monologue, such as the chemical reaction he uses to make", "his inner monologue. The problem I've received some criticism from my beta readers", "am currently working on a small science fiction story (as referenced in a", "the right approach, hence my question today. What is the best way to", "he uses to make water from jet fuel. I worry that some parts", "sure that is the right approach, hence my question today. What is the", "on an alien planet when his shuttle's landing system is sabotaged, and has", "happening on the ship, i.e. referencing the concept of ion acceleration to explain", "explains to the reader through his internal monologue, such as the chemical reaction", "acceleration to explain how the ship's ion propulsion works and why it went", "using specific terms, i.e. instead of using the word \"ion,\" the engineer could", "making the explanation more casual and conversational, and avoiding using specific terms, i.e.", "such as the chemical reaction he uses to make water from jet fuel.", "similar science concepts, i.e. he figures out how to chemically produce water from", "how the ship's ion propulsion works and why it went wrong in the", "science-specific lingo or \"technobabble\" in dialogue to explain things that are happening on", "in dialogue to explain things that are happening on the ship, i.e. referencing", "inspired by The Martian and uses a lot of similar science concepts, i.e.", "ship, i.e. referencing the concept of ion acceleration to explain how the ship's", "of this unfamiliar lingo when I'm describing the science of the world, and", "that some parts are coming across as too information-dense and want to make", "and want to make it easier on the reader as a whole. I've", "this by making the explanation more casual and conversational, and avoiding using specific", "mitigate dense \"technobabble\" and scientific lingo in a science fiction setting, and make", "I use too much of this unfamiliar lingo when I'm describing the science", "is the right approach, hence my question today. *What is the best way", "fuel. I worry that some parts are coming across as too information-dense and", "(as referenced in a previous question of mine). The main protagonist of the", "Martian and uses a lot of similar science concepts, i.e. he figures out", "and there are some bits in the story where characters use science-specific lingo", "chemically produce water from shuttle fuel and grows plants for food from the", "I explain a possibly unfamiliar science concept to a general reader in a", "in general? How should I explain a possibly unfamiliar science concept to a", "avoid or mitigate dense \"technobabble\" and scientific lingo in a science fiction setting,", "the concept of ion acceleration to explain how the ship's ion propulsion works", "use his wits and knowledge of ecology to survive until the main ship", "survive until the main ship can find him. The plot is heavily inspired", "uses a lot of similar science concepts, i.e. he figures out how to", "some bits in the story where characters use science-specific lingo or \"technobabble\" in", "are happening on the ship, i.e. referencing the concept of ion acceleration to", "of mine). The main protagonist of the story is an autistic biologist who", "wrong in the protagonist's crashed shuttle (I referenced [this NASA webpage](https://www.nasa.gov/centers/glenn/about/fs21grc.html)). The protagonist", "and grows plants for food from the seeds that his crashed shuttle was", "is an autistic biologist who gets stranded on an alien planet when his", "him. The plot is heavily inspired by The Martian and uses a lot", "place in the distant sci-fi future, a la Star Trek, and there are", "jet fuel. I worry that some parts are coming across as too information-dense", "previous question of mine). The main protagonist of the story is an autistic", "explanation more casual and conversational, and avoiding using specific terms, i.e. instead of", "of ion acceleration to explain how the ship's ion propulsion works and why", "science fiction setting, and make it easier on the reader in general? How", "a small science fiction story (as referenced in a previous question of mine).", "wits and knowledge of ecology to survive until the main ship can find", "la Star Trek, and there are some bits in the story where characters", "beta readers that I use too much of this unfamiliar lingo when I'm", "that I use too much of this unfamiliar lingo when I'm describing the", "avoiding using specific terms, i.e. instead of using the word \"ion,\" the engineer", "his crashed shuttle was carrying. However, the story does take place in the", "was carrying. However, the story does take place in the distant sci-fi future,", "it easier on the reader as a whole. I've been trying to solve", "the best way to avoid or mitigate dense \"technobabble\" and scientific lingo in", "the reader through his internal monologue, such as the chemical reaction he uses", "as too information-dense and want to make it easier on the reader as", "a possibly unfamiliar science concept to a general reader in a way that's", "reaction he uses to make water from jet fuel. I worry that some", "coming across as too information-dense and want to make it easier on the", "explain how the ship's ion propulsion works and why it went wrong in", "knowledge of ecology to survive until the main ship can find him. The", "for food from the seeds that his crashed shuttle was carrying. However, the", "understand the chemistry concepts that the protagonist explains to the reader through his", "that his crashed shuttle was carrying. However, the story does take place in", "monologue, such as the chemical reaction he uses to make water from jet", "the seeds that his crashed shuttle was carrying. However, the story does take", "this unfamiliar lingo when I'm describing the science of the world, and that", "setting, and make it easier on the reader in general? How should I", "crashed shuttle (I referenced [this NASA webpage](https://www.nasa.gov/centers/glenn/about/fs21grc.html)). The protagonist is also a scientist", "more casual and conversational, and avoiding using specific terms, i.e. instead of using", "the word \"ion,\" the engineer could just say \"charged particles.\" But I'm not", "approach, hence my question today. **What is the best way to avoid or", "and that not everyone will understand the chemistry concepts that the protagonist explains" ]
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I want to give them something", "that is it copyright infrigement or can I give early access to my", "finish proof reading.) however I am afraid that this might be considered monetization", "fiction for a while (The fan fiction takes place in the 'please don't", "considered monetization and be considered a copyright infrigement. As such what I wish", "thinking of earlier access(Before I finish proof reading.) however I am afraid that", "asked how they could support me. I want to give them something as", "for a while (The fan fiction takes place in the 'please don't tell", "am afraid that this might be considered monetization and be considered a copyright", "i'm a supervillain' universe) and some of my readers asked how they could", "I finish proof reading.) however I am afraid that this might be considered", "could support me. 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[ "cool reason wouldn't feel real, and this is supposed to be a mystery/horror", "or researcher might open it just for scientific reasons. But that's not too", "is supposed to be a mystery/horror story. Any ideas come to your mind?", "to find a believable reason for someone to open a clearly cursed tomb", "reason wouldn't feel real, and this is supposed to be a mystery/horror story.", "feel real, and this is supposed to be a mystery/horror story. Any ideas", "might open it just for scientific reasons. But that's not too exciting. On", "find a believable reason for someone to open a clearly cursed tomb for", "I'm finding myself between the silly-but-different and believable-but-boring spectrum. For example, a historian", "this is supposed to be a mystery/horror story. Any ideas come to your", "not too exciting. On the other hand, a completely farfetched but cool reason", "and this is supposed to be a mystery/horror story. Any ideas come to", "the other hand, a completely farfetched but cool reason wouldn't feel real, and", "my short story. I'm finding myself between the silly-but-different and believable-but-boring spectrum. For", "the silly-but-different and believable-but-boring spectrum. For example, a historian or researcher might open", "someone to open a clearly cursed tomb for my short story. I'm finding", "tomb for my short story. I'm finding myself between the silly-but-different and believable-but-boring", "reason for someone to open a clearly cursed tomb for my short story.", "finding myself between the silly-but-different and believable-but-boring spectrum. For example, a historian or", "But that's not too exciting. On the other hand, a completely farfetched but", "historian or researcher might open it just for scientific reasons. But that's not", "I'm trying to find a believable reason for someone to open a clearly", "myself between the silly-but-different and believable-but-boring spectrum. For example, a historian or researcher", "reasons. But that's not too exciting. On the other hand, a completely farfetched", "exciting. On the other hand, a completely farfetched but cool reason wouldn't feel", "On the other hand, a completely farfetched but cool reason wouldn't feel real,", "a completely farfetched but cool reason wouldn't feel real, and this is supposed", "short story. I'm finding myself between the silly-but-different and believable-but-boring spectrum. For example,", "and believable-but-boring spectrum. For example, a historian or researcher might open it just", "spectrum. For example, a historian or researcher might open it just for scientific", "researcher might open it just for scientific reasons. But that's not too exciting.", "wouldn't feel real, and this is supposed to be a mystery/horror story. Any", "a believable reason for someone to open a clearly cursed tomb for my", "cursed tomb for my short story. I'm finding myself between the silly-but-different and", "a clearly cursed tomb for my short story. I'm finding myself between the", "trying to find a believable reason for someone to open a clearly cursed", "clearly cursed tomb for my short story. I'm finding myself between the silly-but-different", "story. I'm finding myself between the silly-but-different and believable-but-boring spectrum. For example, a", "between the silly-but-different and believable-but-boring spectrum. For example, a historian or researcher might", "believable-but-boring spectrum. For example, a historian or researcher might open it just for", "real, and this is supposed to be a mystery/horror story. Any ideas come", "other hand, a completely farfetched but cool reason wouldn't feel real, and this", "farfetched but cool reason wouldn't feel real, and this is supposed to be", "completely farfetched but cool reason wouldn't feel real, and this is supposed to", "for someone to open a clearly cursed tomb for my short story. I'm", "for scientific reasons. But that's not too exciting. On the other hand, a", "open it just for scientific reasons. But that's not too exciting. On the", "but cool reason wouldn't feel real, and this is supposed to be a", "for my short story. I'm finding myself between the silly-but-different and believable-but-boring spectrum.", "to open a clearly cursed tomb for my short story. I'm finding myself", "just for scientific reasons. But that's not too exciting. On the other hand,", "open a clearly cursed tomb for my short story. I'm finding myself between", "example, a historian or researcher might open it just for scientific reasons. But", "a historian or researcher might open it just for scientific reasons. But that's", "hand, a completely farfetched but cool reason wouldn't feel real, and this is", "silly-but-different and believable-but-boring spectrum. For example, a historian or researcher might open it", "believable reason for someone to open a clearly cursed tomb for my short", "it just for scientific reasons. But that's not too exciting. On the other", "scientific reasons. But that's not too exciting. On the other hand, a completely", "that's not too exciting. On the other hand, a completely farfetched but cool", "too exciting. On the other hand, a completely farfetched but cool reason wouldn't", "For example, a historian or researcher might open it just for scientific reasons." ]
[ "exposed to an eclipse between the ages of 3 and 18. The heroes", "to this, I was told that an NBC series called Heroes has a", "series). In the setting of the series, a very small percentage of the", "affecting people ten years ago (the story is set in 2020), and people", "set in 2020), and people with the gene are only eligible to get", "for a long time, has only started affecting people ten years ago (the", "as Eclipsed), and stand against a much larger group of Eclipsed who believes", "Eclipsed), and stand against a much larger group of Eclipsed who believes that", "question, I'm writing a middle-grade book (hopefully the first in a series). In", "from my other question, I'm writing a middle-grade book (hopefully the first in", "believes that they have been chosen to \"fix\" the world. When I asked", "who believes that they have been chosen to \"fix\" the world. When I", "middle-grade book (hopefully the first in a series). In the setting of the", "having existed for a long time, has only started affecting people ten years", "people with the gene are only eligible to get a power if they", "trying to remain undetected, contact others like them (known as Eclipsed), and stand", "group of Eclipsed who believes that they have been chosen to \"fix\" the", "(the story is set in 2020), and people with the gene are only", "world. When I asked a question about something related to this, I was", "are exposed to an eclipse between the ages of 3 and 18. The", "much larger group of Eclipsed who believes that they have been chosen to", "the authorities); they are mostly trying to remain undetected, contact others like them", "others like them (known as Eclipsed), and stand against a much larger group", "larger group of Eclipsed who believes that they have been chosen to \"fix\"", "the series, a very small percentage of the population are born with genes", "of the series, a very small percentage of the population are born with", "population are born with genes that enable them to develop powers after exposure", "time, has only started affecting people ten years ago (the story is set", "that they have been chosen to \"fix\" the world. When I asked a", "long time, has only started affecting people ten years ago (the story is", "eligible to get a power if they are exposed to an eclipse between", "I asked a question about something related to this, I was told that", "eclipse between the ages of 3 and 18. The heroes of the books", "solar eclipse. The gene, while having existed for a long time, has only", "with the gene are only eligible to get a power if they are", "story is set in 2020), and people with the gene are only eligible", "to the authorities); they are mostly trying to remain undetected, contact others like", "started affecting people ten years ago (the story is set in 2020), and", "was told that an NBC series called Heroes has a similar premise. For", "to an eclipse between the ages of 3 and 18. The heroes of", "saving people (they leave that to the authorities); they are mostly trying to", "very small percentage of the population are born with genes that enable them", "years ago (the story is set in 2020), and people with the gene", "asked a question about something related to this, I was told that an", "18. The heroes of the books aren't really going around saving people (they", "that to the authorities); they are mostly trying to remain undetected, contact others", "the population are born with genes that enable them to develop powers after", "you might know from my other question, I'm writing a middle-grade book (hopefully", "the books aren't really going around saving people (they leave that to the", "only eligible to get a power if they are exposed to an eclipse", "has only started affecting people ten years ago (the story is set in", "NBC series called Heroes has a similar premise. For those who are familiar", "that enable them to develop powers after exposure to a solar eclipse. The", "In the setting of the series, a very small percentage of the population", "to a solar eclipse. The gene, while having existed for a long time,", "are born with genes that enable them to develop powers after exposure to", "been chosen to \"fix\" the world. When I asked a question about something", "like them (known as Eclipsed), and stand against a much larger group of", "an NBC series called Heroes has a similar premise. For those who are", "stand against a much larger group of Eclipsed who believes that they have", "that an NBC series called Heroes has a similar premise. For those who", "undetected, contact others like them (known as Eclipsed), and stand against a much", "and stand against a much larger group of Eclipsed who believes that they", "series, do you think I need to make some changes to be less", "Heroes has a similar premise. For those who are familiar with these series,", "(they leave that to the authorities); they are mostly trying to remain undetected,", "When I asked a question about something related to this, I was told", "For those who are familiar with these series, do you think I need", "to remain undetected, contact others like them (known as Eclipsed), and stand against", "a series). In the setting of the series, a very small percentage of", "a power if they are exposed to an eclipse between the ages of", "\"fix\" the world. When I asked a question about something related to this,", "(hopefully the first in a series). In the setting of the series, a", "the first in a series). In the setting of the series, a very", "these series, do you think I need to make some changes to be", "aren't really going around saving people (they leave that to the authorities); they", "a much larger group of Eclipsed who believes that they have been chosen", "think I need to make some changes to be less similar to this", "the gene are only eligible to get a power if they are exposed", "writing a middle-grade book (hopefully the first in a series). In the setting", "I'm writing a middle-grade book (hopefully the first in a series). In the", "between the ages of 3 and 18. The heroes of the books aren't", "are familiar with these series, do you think I need to make some", "premise. For those who are familiar with these series, do you think I", "gene are only eligible to get a power if they are exposed to", "might know from my other question, I'm writing a middle-grade book (hopefully the", "a question about something related to this, I was told that an NBC", "enable them to develop powers after exposure to a solar eclipse. The gene,", "eclipse. The gene, while having existed for a long time, has only started", "going around saving people (they leave that to the authorities); they are mostly", "get a power if they are exposed to an eclipse between the ages", "authorities); they are mostly trying to remain undetected, contact others like them (known", "of the books aren't really going around saving people (they leave that to", "powers after exposure to a solar eclipse. The gene, while having existed for", "they have been chosen to \"fix\" the world. When I asked a question", "similar premise. For those who are familiar with these series, do you think", "my other question, I'm writing a middle-grade book (hopefully the first in a", "series called Heroes has a similar premise. For those who are familiar with", "remain undetected, contact others like them (known as Eclipsed), and stand against a", "a middle-grade book (hopefully the first in a series). In the setting of", "setting of the series, a very small percentage of the population are born", "something related to this, I was told that an NBC series called Heroes", "Eclipsed who believes that they have been chosen to \"fix\" the world. When", "who are familiar with these series, do you think I need to make", "of Eclipsed who believes that they have been chosen to \"fix\" the world.", "in 2020), and people with the gene are only eligible to get a", "contact others like them (known as Eclipsed), and stand against a much larger", "if they are exposed to an eclipse between the ages of 3 and", "familiar with these series, do you think I need to make some changes", "The gene, while having existed for a long time, has only started affecting", "you think I need to make some changes to be less similar to", "percentage of the population are born with genes that enable them to develop", "called Heroes has a similar premise. For those who are familiar with these", "existed for a long time, has only started affecting people ten years ago", "the world. When I asked a question about something related to this, I", "question about something related to this, I was told that an NBC series", "book (hopefully the first in a series). In the setting of the series,", "and people with the gene are only eligible to get a power if", "other question, I'm writing a middle-grade book (hopefully the first in a series).", "of you might know from my other question, I'm writing a middle-grade book", "people (they leave that to the authorities); they are mostly trying to remain", "around saving people (they leave that to the authorities); they are mostly trying", "genes that enable them to develop powers after exposure to a solar eclipse.", "them to develop powers after exposure to a solar eclipse. The gene, while", "with genes that enable them to develop powers after exposure to a solar", "3 and 18. The heroes of the books aren't really going around saving", "born with genes that enable them to develop powers after exposure to a", "they are exposed to an eclipse between the ages of 3 and 18.", "ago (the story is set in 2020), and people with the gene are", "with these series, do you think I need to make some changes to", "really going around saving people (they leave that to the authorities); they are", "chosen to \"fix\" the world. When I asked a question about something related", "develop powers after exposure to a solar eclipse. The gene, while having existed", "is set in 2020), and people with the gene are only eligible to", "first in a series). In the setting of the series, a very small", "are only eligible to get a power if they are exposed to an", "those who are familiar with these series, do you think I need to", "mostly trying to remain undetected, contact others like them (known as Eclipsed), and", "they are mostly trying to remain undetected, contact others like them (known as", "exposure to a solar eclipse. The gene, while having existed for a long", "books aren't really going around saving people (they leave that to the authorities);", "do you think I need to make some changes to be less similar", "about something related to this, I was told that an NBC series called", "to \"fix\" the world. When I asked a question about something related to", "an eclipse between the ages of 3 and 18. The heroes of the", "a solar eclipse. The gene, while having existed for a long time, has", "of 3 and 18. The heroes of the books aren't really going around", "after exposure to a solar eclipse. The gene, while having existed for a", "to get a power if they are exposed to an eclipse between the", "ten years ago (the story is set in 2020), and people with the", "small percentage of the population are born with genes that enable them to", "know from my other question, I'm writing a middle-grade book (hopefully the first", "some of you might know from my other question, I'm writing a middle-grade", "I was told that an NBC series called Heroes has a similar premise.", "in a series). In the setting of the series, a very small percentage", "gene, while having existed for a long time, has only started affecting people", "As some of you might know from my other question, I'm writing a", "power if they are exposed to an eclipse between the ages of 3", "2020), and people with the gene are only eligible to get a power", "while having existed for a long time, has only started affecting people ten", "this, I was told that an NBC series called Heroes has a similar", "people ten years ago (the story is set in 2020), and people with", "are mostly trying to remain undetected, contact others like them (known as Eclipsed),", "the ages of 3 and 18. The heroes of the books aren't really", "The heroes of the books aren't really going around saving people (they leave", "of the population are born with genes that enable them to develop powers", "heroes of the books aren't really going around saving people (they leave that", "series, a very small percentage of the population are born with genes that", "and 18. The heroes of the books aren't really going around saving people", "a similar premise. For those who are familiar with these series, do you", "them (known as Eclipsed), and stand against a much larger group of Eclipsed", "has a similar premise. For those who are familiar with these series, do", "ages of 3 and 18. The heroes of the books aren't really going", "the setting of the series, a very small percentage of the population are", "leave that to the authorities); they are mostly trying to remain undetected, contact", "to develop powers after exposure to a solar eclipse. The gene, while having", "have been chosen to \"fix\" the world. When I asked a question about", "against a much larger group of Eclipsed who believes that they have been", "I need to make some changes to be less similar to this show?", "a very small percentage of the population are born with genes that enable", "told that an NBC series called Heroes has a similar premise. For those", "(known as Eclipsed), and stand against a much larger group of Eclipsed who", "a long time, has only started affecting people ten years ago (the story", "only started affecting people ten years ago (the story is set in 2020),", "related to this, I was told that an NBC series called Heroes has" ]
[ "emphasis, I would need to indicate that the formatting was my own by", "indicate that the formatting was my own by saying something like \"Emphasis mine\".", "I know if I was adding italics/bolding for emphasis, I would need to", "formatting was my own by saying something like \"Emphasis mine\". Is there a", "Obstinacy is a fault of temperament. > > > Is it necessary to", "maintain his formatting? Ideally, I would like omit the formatting so it's consistent", "part of the sentence italicized though: > > Obstinacy is a fault of", "that the quote will be placed in. I know if I was adding", "it necessary to maintain his formatting? Ideally, I would like omit the formatting", "omit the formatting so it's consistent with the rest of the sentence that", "I was adding* italics/bolding for emphasis, I would need to indicate that the", "need to indicate that the formatting was my own by saying something like", "He has part of the sentence italicized though: > > Obstinacy is a", "Clausewitz' On War. He has part of the sentence italicized though: > >", "quoting a sentence from Carl von Clausewitz' On War. He has part of", "sentence that the quote will be placed in. I know if I was", "formatting so it's consistent with the rest of the sentence that the quote", "so it's consistent with the rest of the sentence that the quote will", "be placed in. I know if I was adding* italics/bolding for emphasis, I", "this though to indicate that I've removed emphasis (which seems to be his", "know if I was adding italics/bolding for emphasis, I would need to indicate", "> > Is it necessary to maintain his formatting? Ideally, I would like", "a sentence from Carl von Clausewitz' On War. He has part of the", "own by saying something like \"Emphasis mine\". Is there a reverse of this", "was adding italics/bolding for emphasis, I would need to indicate that the formatting", "saying something like \"Emphasis mine\". Is there a reverse of this though to", "like \"Emphasis mine\". Is there a reverse of this though to indicate that", "of this though to indicate that I've removed emphasis (which seems to be", "fault of temperament. > > > Is it necessary to maintain his formatting?", "sentence italicized though: > > Obstinacy is a fault of temperament. > >", "there a reverse of this though to indicate that I've removed emphasis (which", "in. I know if I was adding* italics/bolding for emphasis, I would need", "if I was adding italics/bolding for emphasis, I would need to indicate that", "temperament. > > > Is it necessary to maintain his formatting? Ideally, I", "the sentence that the quote will be placed in. I know if I", "italicized though: > > Obstinacy is a fault of temperament. > > >", "the formatting was my own by saying something like \"Emphasis mine\". Is there", "Ideally, I would like omit the formatting so it's consistent with the rest", "was my own by saying something like \"Emphasis mine\". Is there a reverse", "reverse of this though to indicate that I've removed emphasis (which seems to", "Is it necessary to maintain his formatting? Ideally, I would like omit the", "italics/bolding for emphasis, I would need to indicate that the formatting was my", "von Clausewitz' On War. He has part of the sentence italicized though: >", "from Carl von Clausewitz' On War. He has part of the sentence italicized", "rest of the sentence that the quote will be placed in. I know", "of temperament. > > > Is it necessary to maintain his formatting? Ideally,", "my own by saying something like \"Emphasis mine\". Is there a reverse of", "adding italics/bolding for emphasis, I would need to indicate that the formatting was", "War. He has part of the sentence italicized though: > > Obstinacy is", "formatting? Ideally, I would like omit the formatting so it's consistent with the", "> > > Is it necessary to maintain his formatting? Ideally, I would", "placed in. I know if I was adding* italics/bolding for emphasis, I would", "I would like omit the formatting so it's consistent with the rest of", "Carl von Clausewitz' On War. He has part of the sentence italicized though:", "mine\". Is there a reverse of this though to indicate that I've removed", "it's consistent with the rest of the sentence that the quote will be", "I'm quoting a sentence from Carl von Clausewitz' On War. He has part", "to maintain his formatting? Ideally, I would like omit the formatting so it's", "has part of the sentence italicized though: > > Obstinacy is a fault", "a fault of temperament. > > > Is it necessary to maintain his", "\"Emphasis mine\". Is there a reverse of this though to indicate that I've", "On War. He has part of the sentence italicized though: > > Obstinacy", "that the formatting was my own by saying something like \"Emphasis mine\". Is", "the quote will be placed in. I know if I was adding italics/bolding", "with the rest of the sentence that the quote will be placed in.", "like omit the formatting so it's consistent with the rest of the sentence", "the sentence italicized though: > > Obstinacy is a fault of temperament. >", "quote will be placed in. I know if I was adding italics/bolding for", "his formatting? Ideally, I would like omit the formatting so it's consistent with", "by saying something like \"Emphasis mine\". Is there a reverse of this though", "a reverse of this though to indicate that I've removed emphasis (which seems", "the rest of the sentence that the quote will be placed in. I", "of the sentence italicized though: > > Obstinacy is a fault of temperament.", "necessary to maintain his formatting? Ideally, I would like omit the formatting so", "> Is it necessary to maintain his formatting? Ideally, I would like omit", "is a fault of temperament. > > > Is it necessary to maintain", "though to indicate that I've removed emphasis (which seems to be his intent)?", "would like omit the formatting so it's consistent with the rest of the", "to indicate that the formatting was my own by saying something like \"Emphasis", "something like \"Emphasis mine\". Is there a reverse of this though to indicate", "> > Obstinacy is a fault of temperament. > > > Is it", "would need to indicate that the formatting was my own by saying something", "sentence from Carl von Clausewitz' On War. He has part of the sentence", "> Obstinacy is a fault of temperament. > > > Is it necessary", "Is there a reverse of this though to indicate that I've removed emphasis", "of the sentence that the quote will be placed in. I know if", "though: > > Obstinacy is a fault of temperament. > > > Is", "will be placed in. I know if I was adding italics/bolding for emphasis,", "for emphasis, I would need to indicate that the formatting was my own", "I would need to indicate that the formatting was my own by saying", "consistent with the rest of the sentence that the quote will be placed", "the formatting so it's consistent with the rest of the sentence that the" ]
[ "using words like \"good, bad, strong,\" or \"sweet,\" words that carry over into", "on that. But how do they describe sounds to people who know what", "gain an understanding of this missing sense. Unfortunately, it's just not part of", "as many of the five as is practical without becoming excessive. My problem", "that I am straight up missing a sense. Think of a writer who", "just using words like \"good, bad, strong,\" or \"sweet,\" words that carry over", "understanding of this missing sense. Unfortunately, it's just not part of my cognition.", "vision, so that the readers can really feel it? Or a writer who", "so that the readers can really feel it? Or a writer who was", "rotting meat smell bad. I know baking bread, fresh cut grass, and many", "writer who was born blind, and has created stories by dictating them to", "and rotting meat smell bad. I know baking bread, fresh cut grass, and", "was born deaf, totally alien to any concept of sound, but none of", "my story. As though everyone in that world shares my disability. What can", "how do they describe sounds to people who know what that is like?", "Think of a writer who was born blind, and has created stories by", "that is like? I have tried for my entire life to interview people", "write one or more characters who are, and would present a really interesting", "of their characters are hard of hearing. Obviously, they could write one or", "more characters who are, and would present a really interesting perspective on that.", "of my cognition. I know garbage and armpits and rotting meat smell bad.", "applying the five senses, or as many of the five as is practical", "really interesting perspective on that. But how do they describe sounds to people", "is practical without becoming excessive. My problem is that I am straight up", "a writer who was born blind, and has created stories by dictating them", "but none of their characters are hard of hearing. Obviously, they could write", "born deaf, totally alien to any concept of sound, but none of their", "entirely to add smell to my story. As though everyone in that world", "just not part of my cognition. I know garbage and armpits and rotting", "who aren't blind. How would that person write vision, so that the readers", "who are, and would present a really interesting perspective on that. But how", "garbage and armpits and rotting meat smell bad. I know baking bread, fresh", "senses, or as many of the five as is practical without becoming excessive.", "that person write vision, so that the readers can really feel it? Or", "pleasant odors. But I struggle to do more, and most often forget entirely", "characters who are, and would present a really interesting perspective on that. But", "know what that is like? I have tried for my entire life to", "of this missing sense. Unfortunately, it's just not part of my cognition. I", "stories by dictating them to software or a person. But they're writing characters", "deaf, totally alien to any concept of sound, but none of their characters", "who was born deaf, totally alien to any concept of sound, but none", "they could write one or more characters who are, and would present a", "it? Or a writer who was born deaf, totally alien to any concept", "them to software or a person. But they're writing characters who aren't blind.", "am a lifelong writer, who was also born without an ability to smell.", "who was also born without an ability to smell. I have been trained", "also born without an ability to smell. I have been trained to engage", "writer who was born deaf, totally alien to any concept of sound, but", "But I struggle to do more, and most often forget entirely to add", "or \"sweet,\" words that carry over into other senses, to give readers an", "that world shares my disability. What can I do, beyond just using words", "perspective on that. But how do they describe sounds to people who know", "sound, but none of their characters are hard of hearing. Obviously, they could", "everyone in that world shares my disability. What can I do, beyond just", "of a writer who was born blind, and has created stories by dictating", "sounds to people who know what that is like? I have tried for", "was born blind, and has created stories by dictating them to software or", "carry over into other senses, to give readers an experience like they are", "who was born blind, and has created stories by dictating them to software", "have tried for my entire life to interview people and gain an understanding", "can really feel it? Or a writer who was born deaf, totally alien", "present a really interesting perspective on that. But how do they describe sounds", "But how do they describe sounds to people who know what that is", "a person. But they're writing characters who aren't blind. How would that person", "cut grass, and many flowers have pleasant odors. But I struggle to do", "bad. I know baking bread, fresh cut grass, and many flowers have pleasant", "characters are hard of hearing. Obviously, they could write one or more characters", "describe sounds to people who know what that is like? I have tried", "know garbage and armpits and rotting meat smell bad. I know baking bread,", "any concept of sound, but none of their characters are hard of hearing.", "an understanding of this missing sense. Unfortunately, it's just not part of my", "or a person. But they're writing characters who aren't blind. How would that", "ability to smell. I have been trained to engage the reader by applying", "grass, and many flowers have pleasant odors. But I struggle to do more,", "forget entirely to add smell to my story. As though everyone in that", "story. As though everyone in that world shares my disability. What can I", "flowers have pleasant odors. But I struggle to do more, and most often", "missing a sense. Think of a writer who was born blind, and has", "odors. But I struggle to do more, and most often forget entirely to", "blind, and has created stories by dictating them to software or a person.", "smell bad. I know baking bread, fresh cut grass, and many flowers have", "to any concept of sound, but none of their characters are hard of", "what that is like? I have tried for my entire life to interview", "people who know what that is like? I have tried for my entire", "my cognition. I know garbage and armpits and rotting meat smell bad. I", "part of my cognition. I know garbage and armpits and rotting meat smell", "I have been trained to engage the reader by applying the five senses,", "my entire life to interview people and gain an understanding of this missing", "none of their characters are hard of hearing. Obviously, they could write one", "life to interview people and gain an understanding of this missing sense. Unfortunately,", "hard of hearing. Obviously, they could write one or more characters who are,", "alien to any concept of sound, but none of their characters are hard", "bad, strong,\" or \"sweet,\" words that carry over into other senses, to give", "interesting perspective on that. But how do they describe sounds to people who", "sense. Think of a writer who was born blind, and has created stories", "many flowers have pleasant odors. But I struggle to do more, and most", "though everyone in that world shares my disability. What can I do, beyond", "that carry over into other senses, to give readers an experience like they", "often forget entirely to add smell to my story. As though everyone in", "more, and most often forget entirely to add smell to my story. As", "software or a person. But they're writing characters who aren't blind. How would", "do, beyond just using words like \"good, bad, strong,\" or \"sweet,\" words that", "and gain an understanding of this missing sense. Unfortunately, it's just not part", "As though everyone in that world shares my disability. What can I do,", "I do, beyond just using words like \"good, bad, strong,\" or \"sweet,\" words", "like \"good, bad, strong,\" or \"sweet,\" words that carry over into other senses,", "Or a writer who was born deaf, totally alien to any concept of", "can I do, beyond just using words like \"good, bad, strong,\" or \"sweet,\"", "an ability to smell. I have been trained to engage the reader by", "the five as is practical without becoming excessive. My problem is that I", "to software or a person. But they're writing characters who aren't blind. How", "armpits and rotting meat smell bad. I know baking bread, fresh cut grass,", "and armpits and rotting meat smell bad. I know baking bread, fresh cut", "trained to engage the reader by applying the five senses, or as many", "not part of my cognition. I know garbage and armpits and rotting meat", "I know garbage and armpits and rotting meat smell bad. I know baking", "the five senses, or as many of the five as is practical without", "\"good, bad, strong,\" or \"sweet,\" words that carry over into other senses, to", "strong,\" or \"sweet,\" words that carry over into other senses, to give readers", "hearing. Obviously, they could write one or more characters who are, and would", "Obviously, they could write one or more characters who are, and would present", "entire life to interview people and gain an understanding of this missing sense.", "blind. How would that person write vision, so that the readers can really", "or as many of the five as is practical without becoming excessive. My", "I am straight up missing a sense. Think of a writer who was", "a writer who was born deaf, totally alien to any concept of sound,", "over into other senses, to give readers an experience like they are there?", "shares my disability. What can I do, beyond just using words like \"good,", "lifelong writer, who was also born without an ability to smell. I have", "as is practical without becoming excessive. My problem is that I am straight", "My problem is that I am straight up missing a sense. Think of", "could write one or more characters who are, and would present a really", "of sound, but none of their characters are hard of hearing. Obviously, they", "this missing sense. Unfortunately, it's just not part of my cognition. I know", "know baking bread, fresh cut grass, and many flowers have pleasant odors. But", "baking bread, fresh cut grass, and many flowers have pleasant odors. But I", "would that person write vision, so that the readers can really feel it?", "been trained to engage the reader by applying the five senses, or as", "a sense. Think of a writer who was born blind, and has created", "But they're writing characters who aren't blind. How would that person write vision,", "What can I do, beyond just using words like \"good, bad, strong,\" or", "by applying the five senses, or as many of the five as is", "was also born without an ability to smell. I have been trained to", "add smell to my story. As though everyone in that world shares my", "to interview people and gain an understanding of this missing sense. Unfortunately, it's", "the reader by applying the five senses, or as many of the five", "that the readers can really feel it? Or a writer who was born", "for my entire life to interview people and gain an understanding of this", "cognition. I know garbage and armpits and rotting meat smell bad. I know", "disability. What can I do, beyond just using words like \"good, bad, strong,\"", "my disability. What can I do, beyond just using words like \"good, bad,", "concept of sound, but none of their characters are hard of hearing. Obviously,", "missing sense. Unfortunately, it's just not part of my cognition. I know garbage", "I know baking bread, fresh cut grass, and many flowers have pleasant odors.", "up missing a sense. Think of a writer who was born blind, and", "five senses, or as many of the five as is practical without becoming", "the readers can really feel it? Or a writer who was born deaf,", "I am a lifelong writer, who was also born without an ability to", "feel it? Or a writer who was born deaf, totally alien to any", "I struggle to do more, and most often forget entirely to add smell", "to my story. As though everyone in that world shares my disability. What", "practical without becoming excessive. My problem is that I am straight up missing", "Unfortunately, it's just not part of my cognition. I know garbage and armpits", "to engage the reader by applying the five senses, or as many of", "engage the reader by applying the five senses, or as many of the", "characters who aren't blind. How would that person write vision, so that the", "people and gain an understanding of this missing sense. Unfortunately, it's just not", "problem is that I am straight up missing a sense. Think of a", "readers can really feel it? Or a writer who was born deaf, totally", "am straight up missing a sense. Think of a writer who was born", "write vision, so that the readers can really feel it? Or a writer", "are, and would present a really interesting perspective on that. But how do", "are hard of hearing. Obviously, they could write one or more characters who", "most often forget entirely to add smell to my story. As though everyone", "they're writing characters who aren't blind. How would that person write vision, so", "do more, and most often forget entirely to add smell to my story.", "tried for my entire life to interview people and gain an understanding of", "five as is practical without becoming excessive. My problem is that I am", "it's just not part of my cognition. I know garbage and armpits and", "in that world shares my disability. What can I do, beyond just using", "is that I am straight up missing a sense. Think of a writer", "and has created stories by dictating them to software or a person. But", "a lifelong writer, who was also born without an ability to smell. I", "totally alien to any concept of sound, but none of their characters are", "words like \"good, bad, strong,\" or \"sweet,\" words that carry over into other", "fresh cut grass, and many flowers have pleasant odors. But I struggle to", "their characters are hard of hearing. Obviously, they could write one or more", "who know what that is like? I have tried for my entire life", "writer, who was also born without an ability to smell. I have been", "and would present a really interesting perspective on that. But how do they", "or more characters who are, and would present a really interesting perspective on", "How would that person write vision, so that the readers can really feel", "of hearing. Obviously, they could write one or more characters who are, and", "a really interesting perspective on that. But how do they describe sounds to", "really feel it? Or a writer who was born deaf, totally alien to", "without becoming excessive. My problem is that I am straight up missing a", "person write vision, so that the readers can really feel it? Or a", "do they describe sounds to people who know what that is like? I", "reader by applying the five senses, or as many of the five as", "sense. Unfortunately, it's just not part of my cognition. I know garbage and", "excessive. My problem is that I am straight up missing a sense. Think", "would present a really interesting perspective on that. But how do they describe", "to people who know what that is like? I have tried for my", "has created stories by dictating them to software or a person. But they're", "have pleasant odors. But I struggle to do more, and most often forget", "created stories by dictating them to software or a person. But they're writing", "becoming excessive. My problem is that I am straight up missing a sense.", "straight up missing a sense. Think of a writer who was born blind,", "to add smell to my story. As though everyone in that world shares", "\"sweet,\" words that carry over into other senses, to give readers an experience", "person. But they're writing characters who aren't blind. How would that person write", "beyond just using words like \"good, bad, strong,\" or \"sweet,\" words that carry", "like? I have tried for my entire life to interview people and gain", "without an ability to smell. I have been trained to engage the reader", "smell to my story. As though everyone in that world shares my disability.", "smell. I have been trained to engage the reader by applying the five", "born blind, and has created stories by dictating them to software or a", "interview people and gain an understanding of this missing sense. Unfortunately, it's just", "aren't blind. How would that person write vision, so that the readers can", "I have tried for my entire life to interview people and gain an", "of the five as is practical without becoming excessive. My problem is that", "meat smell bad. I know baking bread, fresh cut grass, and many flowers", "have been trained to engage the reader by applying the five senses, or", "to do more, and most often forget entirely to add smell to my", "and most often forget entirely to add smell to my story. As though", "born without an ability to smell. I have been trained to engage the", "is like? I have tried for my entire life to interview people and", "that. But how do they describe sounds to people who know what that", "writing characters who aren't blind. How would that person write vision, so that", "they describe sounds to people who know what that is like? I have", "world shares my disability. What can I do, beyond just using words like", "and many flowers have pleasant odors. But I struggle to do more, and", "bread, fresh cut grass, and many flowers have pleasant odors. But I struggle", "to smell. I have been trained to engage the reader by applying the", "words that carry over into other senses, to give readers an experience like", "struggle to do more, and most often forget entirely to add smell to", "dictating them to software or a person. But they're writing characters who aren't", "many of the five as is practical without becoming excessive. My problem is", "one or more characters who are, and would present a really interesting perspective", "by dictating them to software or a person. But they're writing characters who" ]
[ "translate the chapter so it could be published, how would authorship and copyright", "it was difficult. I declined this request, but assuming that the client was", "the publication? If not, does the client take all of the credit and", "Can I expect to receive credit and royalties from the publication? If not,", "of a book, but had to outsource this task as it was difficult.", "was difficult. I declined this request, but assuming that the client was to", "a client saying that they were supposed to translate a chapter of a", "declined this request, but assuming that the client was to translate the chapter", "be published, how would authorship and copyright work? Can I expect to receive", "they were supposed to translate a chapter of a book, but had to", "this request, but assuming that the client was to translate the chapter so", "client was to translate the chapter so it could be published, how would", "from a client saying that they were supposed to translate a chapter of", "once received a request from a client saying that they were supposed to", "freelance translator, and once received a request from a client saying that they", "it could be published, how would authorship and copyright work? Can I expect", "that the client was to translate the chapter so it could be published,", "copyright work? Can I expect to receive credit and royalties from the publication?", "a request from a client saying that they were supposed to translate a", "saying that they were supposed to translate a chapter of a book, but", "translate a chapter of a book, but had to outsource this task as", "so it could be published, how would authorship and copyright work? Can I", "request, but assuming that the client was to translate the chapter so it", "a freelance translator, and once received a request from a client saying that", "authorship and copyright work? Can I expect to receive credit and royalties from", "chapter of a book, but had to outsource this task as it was", "request from a client saying that they were supposed to translate a chapter", "the client was to translate the chapter so it could be published, how", "to translate the chapter so it could be published, how would authorship and", "were supposed to translate a chapter of a book, but had to outsource", "published, how would authorship and copyright work? Can I expect to receive credit", "would authorship and copyright work? Can I expect to receive credit and royalties", "and copyright work? Can I expect to receive credit and royalties from the", "that they were supposed to translate a chapter of a book, but had", "supposed to translate a chapter of a book, but had to outsource this", "but had to outsource this task as it was difficult. I declined this", "translator, and once received a request from a client saying that they were", "task as it was difficult. I declined this request, but assuming that the", "client saying that they were supposed to translate a chapter of a book,", "difficult. I declined this request, but assuming that the client was to translate", "I declined this request, but assuming that the client was to translate the", "I am a freelance translator, and once received a request from a client", "was to translate the chapter so it could be published, how would authorship", "to translate a chapter of a book, but had to outsource this task", "a book, but had to outsource this task as it was difficult. I", "received a request from a client saying that they were supposed to translate", "I expect to receive credit and royalties from the publication? If not, does", "a chapter of a book, but had to outsource this task as it", "work? Can I expect to receive credit and royalties from the publication? If", "If not, does the client take all of the credit and the royalties?", "how would authorship and copyright work? Can I expect to receive credit and", "as it was difficult. I declined this request, but assuming that the client", "could be published, how would authorship and copyright work? Can I expect to", "assuming that the client was to translate the chapter so it could be", "but assuming that the client was to translate the chapter so it could", "outsource this task as it was difficult. I declined this request, but assuming", "this task as it was difficult. I declined this request, but assuming that", "and once received a request from a client saying that they were supposed", "royalties from the publication? If not, does the client take all of the", "publication? If not, does the client take all of the credit and the", "and royalties from the publication? If not, does the client take all of", "to outsource this task as it was difficult. I declined this request, but", "the chapter so it could be published, how would authorship and copyright work?", "chapter so it could be published, how would authorship and copyright work? Can", "to receive credit and royalties from the publication? If not, does the client", "receive credit and royalties from the publication? If not, does the client take", "credit and royalties from the publication? If not, does the client take all", "from the publication? If not, does the client take all of the credit", "expect to receive credit and royalties from the publication? If not, does the", "book, but had to outsource this task as it was difficult. I declined", "am a freelance translator, and once received a request from a client saying", "had to outsource this task as it was difficult. I declined this request," ]
[ "using words like \"good, bad, strong,\" or \"sweet,\" words that carry over into", "on that. But how do they describe sounds to people who know what", "gain an understanding of this missing sense. Unfortunately, it's just not part of", "as many of the five as is practical without becoming excessive. My problem", "that I am straight up missing a sense. Think of a writer who", "just using words like \"good, bad, strong,\" or \"sweet,\" words that carry over", "understanding of this missing sense. Unfortunately, it's just not part of my cognition.", "vision, so that the readers can really feel it? Or a writer who", "so that the readers can really feel it? Or a writer who was", "rotting meat smell bad. I know baking bread, fresh cut grass, and many", "writer who was born blind, and has created stories by dictating them to", "and rotting meat smell bad. I know baking bread, fresh cut grass, and", "was born deaf, totally alien to any concept of sound, but none of", "my story. As though everyone in that world shares my disability. What can", "how do they describe sounds to people who know what that is like?", "Think of a writer who was born blind, and has created stories by", "that is like? I have tried for my entire life to interview people", "write one or more characters who are, and would present a really interesting", "of their characters are hard of hearing. Obviously, they could write one or", "more characters who are, and would present a really interesting perspective on that.", "of my cognition. I know garbage and armpits and rotting meat smell bad.", "applying the five senses, or as many of the five as is practical", "really interesting perspective on that. But how do they describe sounds to people", "is practical without becoming excessive. My problem is that I am straight up", "a writer who was born blind, and has created stories by dictating them", "but none of their characters are hard of hearing. Obviously, they could write", "born deaf, totally alien to any concept of sound, but none of their", "entirely to add smell to my story. As though everyone in that world", "just not part of my cognition. I know garbage and armpits and rotting", "who aren't blind. How would that person write vision, so that the readers", "who are, and would present a really interesting perspective on that. But how", "garbage and armpits and rotting meat smell bad. I know baking bread, fresh", "senses, or as many of the five as is practical without becoming excessive.", "that person write vision, so that the readers can really feel it? Or", "pleasant odors. But I struggle to do more, and most often forget entirely", "characters who are, and would present a really interesting perspective on that. But", "know what that is like? I have tried for my entire life to", "of this missing sense. Unfortunately, it's just not part of my cognition. I", "stories by dictating them to software or a person. But they're writing characters", "deaf, totally alien to any concept of sound, but none of their characters", "who was born deaf, totally alien to any concept of sound, but none", "they could write one or more characters who are, and would present a", "it? Or a writer who was born deaf, totally alien to any concept", "them to software or a person. But they're writing characters who aren't blind.", "am a lifelong writer, who was also born without an ability to smell.", "who was also born without an ability to smell. I have been trained", "also born without an ability to smell. I have been trained to engage", "writer who was born deaf, totally alien to any concept of sound, but", "But I struggle to do more, and most often forget entirely to add", "or \"sweet,\" words that carry over into other senses, to give readers an", "that world shares my disability. What can I do, beyond just using words", "perspective on that. But how do they describe sounds to people who know", "sound, but none of their characters are hard of hearing. Obviously, they could", "everyone in that world shares my disability. What can I do, beyond just", "of a writer who was born blind, and has created stories by dictating", "sounds to people who know what that is like? I have tried for", "was born blind, and has created stories by dictating them to software or", "carry over into other senses, to give readers an experience like they are", "who was born blind, and has created stories by dictating them to software", "have tried for my entire life to interview people and gain an understanding", "can really feel it? Or a writer who was born deaf, totally alien", "present a really interesting perspective on that. But how do they describe sounds", "But how do they describe sounds to people who know what that is", "a person. But they're writing characters who aren't blind. 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I have tried for my", "has created stories by dictating them to software or a person. But they're", "have pleasant odors. But I struggle to do more, and most often forget", "created stories by dictating them to software or a person. But they're writing", "becoming excessive. My problem is that I am straight up missing a sense.", "straight up missing a sense. Think of a writer who was born blind,", "to add smell to my story. As though everyone in that world shares", "\"sweet,\" words that carry over into other senses, to give readers an experience", "person. But they're writing characters who aren't blind. How would that person write", "beyond just using words like \"good, bad, strong,\" or \"sweet,\" words that carry", "like? I have tried for my entire life to interview people and gain", "without an ability to smell. I have been trained to engage the reader", "smell to my story. As though everyone in that world shares my disability.", "smell. I have been trained to engage the reader by applying the five", "born blind, and has created stories by dictating them to software or a", "interview people and gain an understanding of this missing sense. Unfortunately, it's just", "aren't blind. How would that person write vision, so that the readers can", "I have tried for my entire life to interview people and gain an", "of the five as is practical without becoming excessive. My problem is that", "meat smell bad. I know baking bread, fresh cut grass, and many flowers", "have been trained to engage the reader by applying the five senses, or", "to do more, and most often forget entirely to add smell to my", "and most often forget entirely to add smell to my story. As though", "born without an ability to smell. I have been trained to engage the", "is like? I have tried for my entire life to interview people and", "that. But how do they describe sounds to people who know what that", "writing characters who aren't blind. How would that person write vision, so that", "they describe sounds to people who know what that is like? I have", "world shares my disability. What can I do, beyond just using words like", "and many flowers have pleasant odors. But I struggle to do more, and", "bread, fresh cut grass, and many flowers have pleasant odors. But I struggle", "to smell. I have been trained to engage the reader by applying the", "words that carry over into other senses, to give readers an experience like", "struggle to do more, and most often forget entirely to add smell to", "dictating them to software or a person. But they're writing characters who aren't", "many of the five as is practical without becoming excessive. My problem is", "one or more characters who are, and would present a really interesting perspective", "by dictating them to software or a person. But they're writing characters who" ]
[ "you tell if a misdirection was done right or wrong in a story?", "a misdirection was done right or wrong in a story? Are there do's", "there are any rules for misdirection like how would you tell if a", "are any rules for misdirection like how would you tell if a misdirection", "point where you can over do it when misleading readers and if so", "or a point where you can over do it when misleading readers and", "for misdirection like how would you tell if a misdirection was done right", "right or wrong in a story? Are there do's and don'ts or a", "I am wondering if there are any rules for misdirection like how would", "or wrong in a story? Are there do's and don'ts or a point", "a story? Are there do's and don'ts or a point where you can", "wondering if there are any rules for misdirection like how would you tell", "and don'ts or a point where you can over do it when misleading", "a point where you can over do it when misleading readers and if", "done right or wrong in a story? Are there do's and don'ts or", "there do's and don'ts or a point where you can over do it", "if there are any rules for misdirection like how would you tell if", "tell if a misdirection was done right or wrong in a story? Are", "would you tell if a misdirection was done right or wrong in a", "rules for misdirection like how would you tell if a misdirection was done", "in a story? Are there do's and don'ts or a point where you", "misdirection like how would you tell if a misdirection was done right or", "do's and don'ts or a point where you can over do it when", "story? Are there do's and don'ts or a point where you can over", "don'ts or a point where you can over do it when misleading readers", "where you can over do it when misleading readers and if so why?", "am wondering if there are any rules for misdirection like how would you", "if a misdirection was done right or wrong in a story? Are there", "any rules for misdirection like how would you tell if a misdirection was", "wrong in a story? Are there do's and don'ts or a point where", "like how would you tell if a misdirection was done right or wrong", "how would you tell if a misdirection was done right or wrong in", "Are there do's and don'ts or a point where you can over do", "was done right or wrong in a story? Are there do's and don'ts", "misdirection was done right or wrong in a story? Are there do's and" ]
[ "book and have it published if the characters have powers which are similar", "a book with many of the characters discovering that they have supernatural powers.", "out there. I am not copying anyone and want to put my own", "created and explored, however a lot of my ideas (which I thought were", "process of writing a book with many of the characters discovering that they", "explored in other works. How can I write my book and have it", "very hard to find 'original' powers that have not yet been created and", "can I write my book and have it published if the characters have", "time with this idea, or will I be sued for copying people? Please", "to those in other books out there. I am not copying anyone and", "characters discovering that they have supernatural powers. I am trying very hard to", "am trying very hard to find 'original' powers that have not yet been", "were my own!) have already been explored in other works. How can I", "Shall I waste anymore time with this idea, or will I be sued", "'original' powers that have not yet been created and explored, however a lot", "books out there. I am not copying anyone and want to put my", "my own!) have already been explored in other works. How can I write", "copying anyone and want to put my own spin on this. Shall I", "own!) have already been explored in other works. How can I write my", "How can I write my book and have it published if the characters", "the process of writing a book with many of the characters discovering that", "yet been created and explored, however a lot of my ideas (which I", "with this idea, or will I be sued for copying people? Please help!", "write my book and have it published if the characters have powers which", "been created and explored, however a lot of my ideas (which I thought", "of the characters discovering that they have supernatural powers. I am trying very", "which are similar to those in other books out there. I am not", "trying very hard to find 'original' powers that have not yet been created", "(which I thought were my own!) have already been explored in other works.", "already been explored in other works. How can I write my book and", "been explored in other works. How can I write my book and have", "similar to those in other books out there. I am not copying anyone", "published if the characters have powers which are similar to those in other", "this. Shall I waste anymore time with this idea, or will I be", "waste anymore time with this idea, or will I be sued for copying", "the characters discovering that they have supernatural powers. I am trying very hard", "idea, or will I be sued for copying people? Please help! Thank you", "I write my book and have it published if the characters have powers", "discovering that they have supernatural powers. I am trying very hard to find", "powers which are similar to those in other books out there. I am", "am not copying anyone and want to put my own spin on this.", "powers. I am trying very hard to find 'original' powers that have not", "and explored, however a lot of my ideas (which I thought were my", "I waste anymore time with this idea, or will I be sued for", "writing a book with many of the characters discovering that they have supernatural", "however a lot of my ideas (which I thought were my own!) have", "I thought were my own!) have already been explored in other works. How", "have it published if the characters have powers which are similar to those", "and have it published if the characters have powers which are similar to", "they have supernatural powers. I am trying very hard to find 'original' powers", "not copying anyone and want to put my own spin on this. Shall", "am in the process of writing a book with many of the characters", "I am not copying anyone and want to put my own spin on", "in other books out there. I am not copying anyone and want to", "hard to find 'original' powers that have not yet been created and explored,", "those in other books out there. I am not copying anyone and want", "I am trying very hard to find 'original' powers that have not yet", "characters have powers which are similar to those in other books out there.", "if the characters have powers which are similar to those in other books", "that have not yet been created and explored, however a lot of my", "with many of the characters discovering that they have supernatural powers. I am", "have not yet been created and explored, however a lot of my ideas", "own spin on this. Shall I waste anymore time with this idea, or", "to find 'original' powers that have not yet been created and explored, however", "or will I be sued for copying people? Please help! Thank you :)", "anymore time with this idea, or will I be sued for copying people?", "that they have supernatural powers. I am trying very hard to find 'original'", "put my own spin on this. Shall I waste anymore time with this", "to put my own spin on this. Shall I waste anymore time with", "thought were my own!) have already been explored in other works. How can", "are similar to those in other books out there. I am not copying", "have supernatural powers. I am trying very hard to find 'original' powers that", "book with many of the characters discovering that they have supernatural powers. I", "other works. How can I write my book and have it published if", "explored, however a lot of my ideas (which I thought were my own!)", "a lot of my ideas (which I thought were my own!) have already", "have powers which are similar to those in other books out there. I", "of writing a book with many of the characters discovering that they have", "have already been explored in other works. How can I write my book", "I am in the process of writing a book with many of the", "works. How can I write my book and have it published if the", "many of the characters discovering that they have supernatural powers. I am trying", "lot of my ideas (which I thought were my own!) have already been", "the characters have powers which are similar to those in other books out", "find 'original' powers that have not yet been created and explored, however a", "there. I am not copying anyone and want to put my own spin", "my book and have it published if the characters have powers which are", "not yet been created and explored, however a lot of my ideas (which", "spin on this. Shall I waste anymore time with this idea, or will", "ideas (which I thought were my own!) have already been explored in other", "powers that have not yet been created and explored, however a lot of", "want to put my own spin on this. Shall I waste anymore time", "my own spin on this. Shall I waste anymore time with this idea,", "in the process of writing a book with many of the characters discovering", "anyone and want to put my own spin on this. Shall I waste", "in other works. How can I write my book and have it published", "supernatural powers. I am trying very hard to find 'original' powers that have", "on this. Shall I waste anymore time with this idea, or will I", "it published if the characters have powers which are similar to those in", "and want to put my own spin on this. Shall I waste anymore", "other books out there. I am not copying anyone and want to put", "this idea, or will I be sued for copying people? Please help! Thank", "of my ideas (which I thought were my own!) have already been explored", "my ideas (which I thought were my own!) have already been explored in" ]
[ "the movie started production! But that did not make that movie any less", "from the beginning? I am writing an apocalyptic survival story, and I chose", "who lives and who dies until the end. And yet, we still read", "suspense by hiding who lives and who dies until the end. And yet,", "end. And yet, we still read books and watch movies where we already", "production! But that did not make that movie any less fun to watch.", "can there be suspense if the reader knows the conclusion from the beginning?", "writers create suspense by hiding who lives and who dies until the end.", "survival story, and I chose to write it in a non-linear style. So,", "outcome from the beginning. For example, in Apollo 13, most people know that", "before the movie started production! But that did not make that movie any", "ending decades before the movie started production! But that did not make that", "most people know that > > all of the astronauts survive > >", "lives and who dies until the end. And yet, we still read books", "survive > > > in the ending decades before the movie started production!", "the reader knows the conclusion from the beginning? I am writing an apocalyptic", "know that > > all of the astronauts survive > > > in", "did not make that movie any less fun to watch. So, how do", "a non-linear style. So, the reader will know who survives and who dies", "the reader will know who survives and who dies at the start of", "style. So, the reader will know who survives and who dies at the", "there be suspense if the reader knows the conclusion from the beginning? I", "that did not make that movie any less fun to watch. So, how", "make that movie any less fun to watch. So, how do writers pull", "watch movies where we already know the outcome from the beginning. For example,", "already know the outcome from the beginning. For example, in Apollo 13, most", "> in the ending decades before the movie started production! But that did", "where we already know the outcome from the beginning. For example, in Apollo", "survives and who dies at the start of the story. Usually, a lot", "conclusion from the beginning? I am writing an apocalyptic survival story, and I", "to write it in a non-linear style. So, the reader will know who", "yet, we still read books and watch movies where we already know the", "that movie any less fun to watch. So, how do writers pull off", "For example, in Apollo 13, most people know that > > all of", "apocalyptic survival story, and I chose to write it in a non-linear style.", "not make that movie any less fun to watch. So, how do writers", "it in a non-linear style. So, the reader will know who survives and", "and who dies until the end. And yet, we still read books and", "of the story. Usually, a lot of writers create suspense by hiding who", "of the astronauts survive > > > in the ending decades before the", "So, the reader will know who survives and who dies at the start", "13, most people know that > > all of the astronauts survive >", "dies until the end. And yet, we still read books and watch movies", "> all of the astronauts survive > > > in the ending decades", "who survives and who dies at the start of the story. Usually, a", "dies at the start of the story. Usually, a lot of writers create", "How can there be suspense if the reader knows the conclusion from the", "know who survives and who dies at the start of the story. Usually,", "the start of the story. Usually, a lot of writers create suspense by", "be suspense if the reader knows the conclusion from the beginning? I am", "and watch movies where we already know the outcome from the beginning. For", "I am writing an apocalyptic survival story, and I chose to write it", "we still read books and watch movies where we already know the outcome", "we already know the outcome from the beginning. For example, in Apollo 13,", "> > > in the ending decades before the movie started production! But", "movies where we already know the outcome from the beginning. For example, in", "who dies until the end. And yet, we still read books and watch", "suspense if the reader knows the conclusion from the beginning? I am writing", "knows the conclusion from the beginning? I am writing an apocalyptic survival story,", "started production! But that did not make that movie any less fun to", "the beginning? I am writing an apocalyptic survival story, and I chose to", "from the beginning. For example, in Apollo 13, most people know that >", "by hiding who lives and who dies until the end. And yet, we", "beginning. For example, in Apollo 13, most people know that > > all", "movie started production! But that did not make that movie any less fun", "that > > all of the astronauts survive > > > in the", "the ending decades before the movie started production! But that did not make", "the outcome from the beginning. For example, in Apollo 13, most people know", "beginning? I am writing an apocalyptic survival story, and I chose to write", "non-linear style. So, the reader will know who survives and who dies at", "read books and watch movies where we already know the outcome from the", "> > in the ending decades before the movie started production! But that", "in Apollo 13, most people know that > > all of the astronauts", "the end. And yet, we still read books and watch movies where we", "will know who survives and who dies at the start of the story.", "example, in Apollo 13, most people know that > > all of the", "> > all of the astronauts survive > > > in the ending", "and who dies at the start of the story. Usually, a lot of", "astronauts survive > > > in the ending decades before the movie started", "Usually, a lot of writers create suspense by hiding who lives and who", "start of the story. Usually, a lot of writers create suspense by hiding", "and I chose to write it in a non-linear style. So, the reader", "books and watch movies where we already know the outcome from the beginning.", "in the ending decades before the movie started production! But that did not", "of writers create suspense by hiding who lives and who dies until the", "Apollo 13, most people know that > > all of the astronauts survive", "am writing an apocalyptic survival story, and I chose to write it in", "until the end. And yet, we still read books and watch movies where", "an apocalyptic survival story, and I chose to write it in a non-linear", "in a non-linear style. So, the reader will know who survives and who", "write it in a non-linear style. So, the reader will know who survives", "writing an apocalyptic survival story, and I chose to write it in a", "if the reader knows the conclusion from the beginning? I am writing an", "reader will know who survives and who dies at the start of the", "And yet, we still read books and watch movies where we already know", "who dies at the start of the story. Usually, a lot of writers", "lot of writers create suspense by hiding who lives and who dies until", "I chose to write it in a non-linear style. So, the reader will", "any less fun to watch. So, how do writers pull off this feat?", "story. Usually, a lot of writers create suspense by hiding who lives and", "decades before the movie started production! But that did not make that movie", "the conclusion from the beginning? I am writing an apocalyptic survival story, and", "chose to write it in a non-linear style. So, the reader will know", "still read books and watch movies where we already know the outcome from", "the beginning. For example, in Apollo 13, most people know that > >", "But that did not make that movie any less fun to watch. So,", "all of the astronauts survive > > > in the ending decades before", "movie any less fun to watch. So, how do writers pull off this", "reader knows the conclusion from the beginning? I am writing an apocalyptic survival", "hiding who lives and who dies until the end. And yet, we still", "know the outcome from the beginning. For example, in Apollo 13, most people", "a lot of writers create suspense by hiding who lives and who dies", "create suspense by hiding who lives and who dies until the end. And", "people know that > > all of the astronauts survive > > >", "story, and I chose to write it in a non-linear style. So, the", "at the start of the story. Usually, a lot of writers create suspense", "the astronauts survive > > > in the ending decades before the movie", "the story. Usually, a lot of writers create suspense by hiding who lives" ]
[ "pet peeves are valid. For instance, is the use of the word, \"then,\"", "respect to the use of certain words in fiction. I was wondering if", "and edited my manuscripts and have concluded that I was not in anyway", "valid. For instance, is the use of the word, \"then,\" considered annoying for", "and have concluded that I was not in anyway excessive on my use", "don't understand why some readers still find annoying. It is a very useful", "excessive on my use of this word. I just don't understand why some", "annoying for some readers? I have looked and edited my manuscripts and have", "that I was not in anyway excessive on my use of this word.", "who had pet peeves with respect to the use of certain words in", "the use of certain words in fiction. I was wondering if these pet", "about two beta-readers who had pet peeves with respect to the use of", "words in fiction. I was wondering if these pet peeves are valid. For", "with respect to the use of certain words in fiction. I was wondering", "use of the word, \"then,\" considered annoying for some readers? I have looked", "manuscripts and have concluded that I was not in anyway excessive on my", "on my use of this word. I just don't understand why some readers", "\"then,\" considered annoying for some readers? I have looked and edited my manuscripts", "I have looked and edited my manuscripts and have concluded that I was", "understand why some readers still find annoying. It is a very useful word.", "some readers still find annoying. It is a very useful word. But anyway,", "the use of the word, \"then,\" considered annoying for some readers? I have", "have looked and edited my manuscripts and have concluded that I was not", "concluded that I was not in anyway excessive on my use of this", "certain words in fiction. I was wondering if these pet peeves are valid.", "had pet peeves with respect to the use of certain words in fiction.", "useful word. But anyway, what is considered a pet peeve when it comes", "wondering if these pet peeves are valid. For instance, is the use of", "fiction. I was wondering if these pet peeves are valid. For instance, is", "in anyway excessive on my use of this word. I just don't understand", "peeves with respect to the use of certain words in fiction. I was", "this word. I just don't understand why some readers still find annoying. It", "in fiction. I was wondering if these pet peeves are valid. For instance,", "my manuscripts and have concluded that I was not in anyway excessive on", "of this word. I just don't understand why some readers still find annoying.", "I was not in anyway excessive on my use of this word. I", "why some readers still find annoying. It is a very useful word. But", "anyway excessive on my use of this word. I just don't understand why", "readers? I have looked and edited my manuscripts and have concluded that I", "just don't understand why some readers still find annoying. It is a very", "word. But anyway, what is considered a pet peeve when it comes to", "the word, \"then,\" considered annoying for some readers? I have looked and edited", "It is a very useful word. But anyway, what is considered a pet", "very useful word. But anyway, what is considered a pet peeve when it", "of the word, \"then,\" considered annoying for some readers? I have looked and", "edited my manuscripts and have concluded that I was not in anyway excessive", "have concluded that I was not in anyway excessive on my use of", "use of certain words in fiction. I was wondering if these pet peeves", "find annoying. It is a very useful word. But anyway, what is considered", "readers still find annoying. It is a very useful word. But anyway, what", "I have had about two beta-readers who had pet peeves with respect to", "peeves are valid. For instance, is the use of the word, \"then,\" considered", "was not in anyway excessive on my use of this word. I just", "word. I just don't understand why some readers still find annoying. It is", "are valid. For instance, is the use of the word, \"then,\" considered annoying", "two beta-readers who had pet peeves with respect to the use of certain", "pet peeves with respect to the use of certain words in fiction. I", "is a very useful word. But anyway, what is considered a pet peeve", "But anyway, what is considered a pet peeve when it comes to writing?", "looked and edited my manuscripts and have concluded that I was not in", "use of this word. I just don't understand why some readers still find", "For instance, is the use of the word, \"then,\" considered annoying for some", "these pet peeves are valid. For instance, is the use of the word,", "is the use of the word, \"then,\" considered annoying for some readers? I", "instance, is the use of the word, \"then,\" considered annoying for some readers?", "a very useful word. But anyway, what is considered a pet peeve when", "annoying. It is a very useful word. But anyway, what is considered a", "I was wondering if these pet peeves are valid. For instance, is the", "for some readers? I have looked and edited my manuscripts and have concluded", "had about two beta-readers who had pet peeves with respect to the use", "some readers? I have looked and edited my manuscripts and have concluded that", "have had about two beta-readers who had pet peeves with respect to the", "of certain words in fiction. I was wondering if these pet peeves are", "not in anyway excessive on my use of this word. I just don't", "still find annoying. It is a very useful word. But anyway, what is", "my use of this word. I just don't understand why some readers still", "I just don't understand why some readers still find annoying. It is a", "to the use of certain words in fiction. I was wondering if these", "considered annoying for some readers? I have looked and edited my manuscripts and", "was wondering if these pet peeves are valid. For instance, is the use", "if these pet peeves are valid. For instance, is the use of the", "word, \"then,\" considered annoying for some readers? I have looked and edited my", "beta-readers who had pet peeves with respect to the use of certain words" ]
[ "training so am wondering if this is how most books are intially formed", "am not a professional writer by any standard but enjoy writing very much", "my mind and I have over 40 pages of 'scenes' so far and", "have different approaches. I am not a professional writer by any standard but", "pages of 'scenes' so far and have developed 4 characters. It is spontaneous", "have attempted yet. My current method has been to just write scenes that", "'scenes' so far and have developed 4 characters. It is spontaneous but I", "have read thousands of books! But I haven't had specific creative writing training", "are intially formed or if you guys have any advice on structuring the", "formed or if you guys have any advice on structuring the book and", "have over 40 pages of 'scenes' so far and have developed 4 characters.", "the first I have attempted yet. My current method has been to just", "characters. It is spontaneous but I do write everyday. I go back to", "to write a book, the first I have attempted yet. My current method", "books! But I haven't had specific creative writing training so am wondering if", "a while and find new inspiration, and add to them as well as", "has been to just write scenes that come into my mind and I", "I have over 40 pages of 'scenes' so far and have developed 4", "add to them as well as edit them and they are always evolving.", "go back to each scene after a while and find new inspiration, and", "if you guys have any advice on structuring the book and how to", "come into my mind and I have over 40 pages of 'scenes' so", "this is how most books are intially formed or if you guys have", "and have read thousands of books! But I haven't had specific creative writing", "So I am attempting to write a book, the first I have attempted", "to each scene after a while and find new inspiration, and add to", "so far and have developed 4 characters. It is spontaneous but I do", "much and have read thousands of books! But I haven't had specific creative", "on structuring the book and how to develop it further?! Thank you :)", "know everybody is different and have different approaches. I am not a professional", "My current method has been to just write scenes that come into my", "do write everyday. I go back to each scene after a while and", "mind and I have over 40 pages of 'scenes' so far and have", "writer by any standard but enjoy writing very much and have read thousands", "I know everybody is different and have different approaches. I am not a", "most books are intially formed or if you guys have any advice on", "after a while and find new inspiration, and add to them as well", "advice on structuring the book and how to develop it further?! Thank you", "approaches. I am not a professional writer by any standard but enjoy writing", "have developed 4 characters. It is spontaneous but I do write everyday. I", "new inspiration, and add to them as well as edit them and they", "different and have different approaches. I am not a professional writer by any", "and have different approaches. I am not a professional writer by any standard", "so am wondering if this is how most books are intially formed or", "writing very much and have read thousands of books! But I haven't had", "but enjoy writing very much and have read thousands of books! But I", "guys have any advice on structuring the book and how to develop it", "inspiration, and add to them as well as edit them and they are", "well as edit them and they are always evolving. Is this a method", "as edit them and they are always evolving. Is this a method others", "just write scenes that come into my mind and I have over 40", "back to each scene after a while and find new inspiration, and add", "very much and have read thousands of books! But I haven't had specific", "write scenes that come into my mind and I have over 40 pages", "writing training so am wondering if this is how most books are intially", "as well as edit them and they are always evolving. Is this a", "am attempting to write a book, the first I have attempted yet. My", "edit them and they are always evolving. Is this a method others use?", "am wondering if this is how most books are intially formed or if", "find new inspiration, and add to them as well as edit them and", "use? I know everybody is different and have different approaches. I am not", "any advice on structuring the book and how to develop it further?! Thank", "scenes that come into my mind and I have over 40 pages of", "is how most books are intially formed or if you guys have any", "It is spontaneous but I do write everyday. I go back to each", "attempting to write a book, the first I have attempted yet. My current", "developed 4 characters. It is spontaneous but I do write everyday. I go", "and they are always evolving. Is this a method others use? I know", "evolving. Is this a method others use? I know everybody is different and", "creative writing training so am wondering if this is how most books are", "write a book, the first I have attempted yet. My current method has", "thousands of books! But I haven't had specific creative writing training so am", "others use? I know everybody is different and have different approaches. I am", "of 'scenes' so far and have developed 4 characters. It is spontaneous but", "been to just write scenes that come into my mind and I have", "specific creative writing training so am wondering if this is how most books", "yet. My current method has been to just write scenes that come into", "or if you guys have any advice on structuring the book and how", "attempted yet. My current method has been to just write scenes that come", "I am attempting to write a book, the first I have attempted yet.", "first I have attempted yet. My current method has been to just write", "but I do write everyday. I go back to each scene after a", "this a method others use? I know everybody is different and have different", "of books! But I haven't had specific creative writing training so am wondering", "while and find new inspiration, and add to them as well as edit", "and add to them as well as edit them and they are always", "standard but enjoy writing very much and have read thousands of books! But", "you guys have any advice on structuring the book and how to develop", "But I haven't had specific creative writing training so am wondering if this", "a professional writer by any standard but enjoy writing very much and have", "far and have developed 4 characters. It is spontaneous but I do write", "I have attempted yet. My current method has been to just write scenes", "spontaneous but I do write everyday. I go back to each scene after", "they are always evolving. Is this a method others use? I know everybody", "and have developed 4 characters. It is spontaneous but I do write everyday.", "is different and have different approaches. I am not a professional writer by", "wondering if this is how most books are intially formed or if you", "enjoy writing very much and have read thousands of books! But I haven't", "everyday. I go back to each scene after a while and find new", "I haven't had specific creative writing training so am wondering if this is", "any standard but enjoy writing very much and have read thousands of books!", "method others use? I know everybody is different and have different approaches. I", "books are intially formed or if you guys have any advice on structuring", "everybody is different and have different approaches. I am not a professional writer", "over 40 pages of 'scenes' so far and have developed 4 characters. It", "and I have over 40 pages of 'scenes' so far and have developed", "read thousands of books! But I haven't had specific creative writing training so", "a book, the first I have attempted yet. My current method has been", "to them as well as edit them and they are always evolving. Is", "I am not a professional writer by any standard but enjoy writing very", "by any standard but enjoy writing very much and have read thousands of", "each scene after a while and find new inspiration, and add to them", "them as well as edit them and they are always evolving. Is this", "method has been to just write scenes that come into my mind and", "had specific creative writing training so am wondering if this is how most", "book, the first I have attempted yet. My current method has been to", "write everyday. I go back to each scene after a while and find", "professional writer by any standard but enjoy writing very much and have read", "not a professional writer by any standard but enjoy writing very much and", "to just write scenes that come into my mind and I have over", "them and they are always evolving. Is this a method others use? I", "haven't had specific creative writing training so am wondering if this is how", "is spontaneous but I do write everyday. I go back to each scene", "always evolving. Is this a method others use? I know everybody is different", "40 pages of 'scenes' so far and have developed 4 characters. It is", "a method others use? I know everybody is different and have different approaches.", "how most books are intially formed or if you guys have any advice", "have any advice on structuring the book and how to develop it further?!", "I go back to each scene after a while and find new inspiration,", "that come into my mind and I have over 40 pages of 'scenes'", "and find new inspiration, and add to them as well as edit them", "are always evolving. Is this a method others use? I know everybody is", "into my mind and I have over 40 pages of 'scenes' so far", "intially formed or if you guys have any advice on structuring the book", "scene after a while and find new inspiration, and add to them as", "4 characters. It is spontaneous but I do write everyday. I go back", "if this is how most books are intially formed or if you guys", "different approaches. I am not a professional writer by any standard but enjoy", "Is this a method others use? I know everybody is different and have", "current method has been to just write scenes that come into my mind", "I do write everyday. I go back to each scene after a while" ]
[ "for Adults. What is the acceptable word limit. Some places say 80K to", "it matters, I plan to submit to publishers who accept manuscript WITHOUT agent.", "writing Historical Fiction for Adults. What is the acceptable word limit. Some places", "limit. Some places say 80K to 100K Others say 150K If it matters,", "Some places say 80K to 100K Others say 150K If it matters, I", "word limit. Some places say 80K to 100K Others say 150K If it", "acceptable word limit. Some places say 80K to 100K Others say 150K If", "100K Others say 150K If it matters, I plan to submit to publishers", "I am writing Historical Fiction for Adults. What is the acceptable word limit.", "say 80K to 100K Others say 150K If it matters, I plan to", "am writing Historical Fiction for Adults. What is the acceptable word limit. Some", "say 150K If it matters, I plan to submit to publishers who accept", "Fiction for Adults. What is the acceptable word limit. Some places say 80K", "150K If it matters, I plan to submit to publishers who accept manuscript", "Historical Fiction for Adults. What is the acceptable word limit. Some places say", "is the acceptable word limit. Some places say 80K to 100K Others say", "80K to 100K Others say 150K If it matters, I plan to submit", "the acceptable word limit. Some places say 80K to 100K Others say 150K", "Others say 150K If it matters, I plan to submit to publishers who", "What is the acceptable word limit. Some places say 80K to 100K Others", "to 100K Others say 150K If it matters, I plan to submit to", "places say 80K to 100K Others say 150K If it matters, I plan", "If it matters, I plan to submit to publishers who accept manuscript WITHOUT", "Adults. What is the acceptable word limit. Some places say 80K to 100K" ]
[ "twist ending but that's not relevant. The problem I have run into is", "There's also a nice twist ending but that's not relevant. The problem I", "of which were admittedly not great. There was one, however, which worked for", "which were admittedly not great. There was one, however, which worked for me.", "but that's not relevant. The problem I have run into is that, well,", "the know-how of romance to tell him, so he goes on a world", "on a world tour deal to try and understand romance. There's also a", "ending but that's not relevant. The problem I have run into is that,", "identify or have identified as part of the LGBTQ+ community. This story is", "into is that, well, a lot of the story revolves around LGBTQ+ people", "friends challenged me to write a short story and gave me a number", "a number of prompts from which to write, most of which were admittedly", "on his roommate but doesn't have the know-how of romance to tell him,", "part of the LGBTQ+ community. This story is quite a tough subject for", "to write, most of which were admittedly not great. There was one, however,", "have the know-how of romance to tell him, so he goes on a", "in at all. As such I worry that I may write things which", "a nice, short story about a dude who has a crush on his", "worked for me. It is a nice, short story about a dude who", "some of my friends challenged me to write a short story and gave", "write a short story and gave me a number of prompts from which", "I am not well versed in at all. As such I worry that", "challenged me to write a short story and gave me a number of", "he goes on a world tour deal to try and understand romance. There's", "the story revolves around LGBTQ+ people and romance, two subjects which I am", "of the group identify or have identified as part of the LGBTQ+ community.", "get things right with it. How can I write this story without offense?", "well versed in at all. As such I worry that I may write", "me. It is a nice, short story about a dude who has a", "relevant. The problem I have run into is that, well, a lot of", "for me to crack, so I really want to get things right with", "LGBTQ+ people and romance, two subjects which I am not well versed in", "a dude who has a crush on his roommate but doesn't have the", "me a number of prompts from which to write, most of which were", "subject for me to crack, so I really want to get things right", "quite a tough subject for me to crack, so I really want to", "who has a crush on his roommate but doesn't have the know-how of", "has a crush on his roommate but doesn't have the know-how of romance", "versed in at all. As such I worry that I may write things", "I may write things which are, accidentally on my part, offensive, an issue", "a short story and gave me a number of prompts from which to", "and understand romance. There's also a nice twist ending but that's not relevant.", "So today, some of my friends challenged me to write a short story", "made quite serious by the fact that at least half of the group", "story and gave me a number of prompts from which to write, most", "of romance to tell him, so he goes on a world tour deal", "romance. There's also a nice twist ending but that's not relevant. The problem", "is quite a tough subject for me to crack, so I really want", "issue made quite serious by the fact that at least half of the", "to get things right with it. How can I write this story without", "great. There was one, however, which worked for me. It is a nice,", "crack, so I really want to get things right with it. How can", "of prompts from which to write, most of which were admittedly not great.", "that I may write things which are, accidentally on my part, offensive, an", "story revolves around LGBTQ+ people and romance, two subjects which I am not", "have identified as part of the LGBTQ+ community. This story is quite a", "so I really want to get things right with it. How can I", "not relevant. The problem I have run into is that, well, a lot", "revolves around LGBTQ+ people and romance, two subjects which I am not well", "least half of the group identify or have identified as part of the", "as part of the LGBTQ+ community. This story is quite a tough subject", "well, a lot of the story revolves around LGBTQ+ people and romance, two", "all. As such I worry that I may write things which are, accidentally", "admittedly not great. There was one, however, which worked for me. It is", "however, which worked for me. It is a nice, short story about a", "a world tour deal to try and understand romance. There's also a nice", "As such I worry that I may write things which are, accidentally on", "the fact that at least half of the group identify or have identified", "I really want to get things right with it. How can I write", "that at least half of the group identify or have identified as part", "and romance, two subjects which I am not well versed in at all.", "try and understand romance. There's also a nice twist ending but that's not", "write things which are, accidentally on my part, offensive, an issue made quite", "doesn't have the know-how of romance to tell him, so he goes on", "which are, accidentally on my part, offensive, an issue made quite serious by", "the LGBTQ+ community. This story is quite a tough subject for me to", "a crush on his roommate but doesn't have the know-how of romance to", "deal to try and understand romance. There's also a nice twist ending but", "quite serious by the fact that at least half of the group identify", "that's not relevant. The problem I have run into is that, well, a", "from which to write, most of which were admittedly not great. There was", "romance to tell him, so he goes on a world tour deal to", "for me. It is a nice, short story about a dude who has", "to tell him, so he goes on a world tour deal to try", "my part, offensive, an issue made quite serious by the fact that at", "not well versed in at all. As such I worry that I may", "one, however, which worked for me. It is a nice, short story about", "most of which were admittedly not great. There was one, however, which worked", "a nice twist ending but that's not relevant. The problem I have run", "problem I have run into is that, well, a lot of the story", "the group identify or have identified as part of the LGBTQ+ community. This", "were admittedly not great. There was one, however, which worked for me. It", "worry that I may write things which are, accidentally on my part, offensive,", "story is quite a tough subject for me to crack, so I really", "two subjects which I am not well versed in at all. As such", "was one, however, which worked for me. It is a nice, short story", "me to crack, so I really want to get things right with it.", "that, well, a lot of the story revolves around LGBTQ+ people and romance,", "so he goes on a world tour deal to try and understand romance.", "to try and understand romance. There's also a nice twist ending but that's", "also a nice twist ending but that's not relevant. The problem I have", "goes on a world tour deal to try and understand romance. There's also", "of my friends challenged me to write a short story and gave me", "lot of the story revolves around LGBTQ+ people and romance, two subjects which", "offensive, an issue made quite serious by the fact that at least half", "tell him, so he goes on a world tour deal to try and", "him, so he goes on a world tour deal to try and understand", "people and romance, two subjects which I am not well versed in at", "are, accidentally on my part, offensive, an issue made quite serious by the", "to write a short story and gave me a number of prompts from", "run into is that, well, a lot of the story revolves around LGBTQ+", "story about a dude who has a crush on his roommate but doesn't", "at all. As such I worry that I may write things which are,", "romance, two subjects which I am not well versed in at all. As", "or have identified as part of the LGBTQ+ community. This story is quite", "me to write a short story and gave me a number of prompts", "by the fact that at least half of the group identify or have", "his roommate but doesn't have the know-how of romance to tell him, so", "a lot of the story revolves around LGBTQ+ people and romance, two subjects", "serious by the fact that at least half of the group identify or", "not great. There was one, however, which worked for me. It is a", "short story about a dude who has a crush on his roommate but", "to crack, so I really want to get things right with it. How", "It is a nice, short story about a dude who has a crush", "accidentally on my part, offensive, an issue made quite serious by the fact", "roommate but doesn't have the know-how of romance to tell him, so he", "tour deal to try and understand romance. There's also a nice twist ending", "gave me a number of prompts from which to write, most of which", "There was one, however, which worked for me. It is a nice, short", "know-how of romance to tell him, so he goes on a world tour", "and gave me a number of prompts from which to write, most of", "nice, short story about a dude who has a crush on his roommate", "my friends challenged me to write a short story and gave me a", "things which are, accidentally on my part, offensive, an issue made quite serious", "community. This story is quite a tough subject for me to crack, so", "of the story revolves around LGBTQ+ people and romance, two subjects which I", "around LGBTQ+ people and romance, two subjects which I am not well versed", "number of prompts from which to write, most of which were admittedly not", "which worked for me. It is a nice, short story about a dude", "prompts from which to write, most of which were admittedly not great. There", "have run into is that, well, a lot of the story revolves around", "which I am not well versed in at all. As such I worry", "identified as part of the LGBTQ+ community. This story is quite a tough", "about a dude who has a crush on his roommate but doesn't have", "on my part, offensive, an issue made quite serious by the fact that", "want to get things right with it. How can I write this story", "at least half of the group identify or have identified as part of", "such I worry that I may write things which are, accidentally on my", "part, offensive, an issue made quite serious by the fact that at least", "which to write, most of which were admittedly not great. There was one,", "understand romance. There's also a nice twist ending but that's not relevant. The", "half of the group identify or have identified as part of the LGBTQ+", "tough subject for me to crack, so I really want to get things", "world tour deal to try and understand romance. There's also a nice twist", "really want to get things right with it. How can I write this", "short story and gave me a number of prompts from which to write,", "fact that at least half of the group identify or have identified as", "of the LGBTQ+ community. This story is quite a tough subject for me", "This story is quite a tough subject for me to crack, so I", "nice twist ending but that's not relevant. The problem I have run into", "write, most of which were admittedly not great. There was one, however, which", "is a nice, short story about a dude who has a crush on", "is that, well, a lot of the story revolves around LGBTQ+ people and", "but doesn't have the know-how of romance to tell him, so he goes", "am not well versed in at all. As such I worry that I", "a tough subject for me to crack, so I really want to get", "I worry that I may write things which are, accidentally on my part,", "The problem I have run into is that, well, a lot of the", "group identify or have identified as part of the LGBTQ+ community. This story", "may write things which are, accidentally on my part, offensive, an issue made", "LGBTQ+ community. This story is quite a tough subject for me to crack,", "subjects which I am not well versed in at all. As such I", "today, some of my friends challenged me to write a short story and", "I have run into is that, well, a lot of the story revolves", "crush on his roommate but doesn't have the know-how of romance to tell", "an issue made quite serious by the fact that at least half of", "dude who has a crush on his roommate but doesn't have the know-how" ]
[ "“we never learn to overcome our flaws, we just learn to compensate for", "core personality trait of “lovable jerk”, which is a major factor in their", "to keep the characters memorable and entertaining, progress the plot, and avoid them", "know what I'm talking about](https://tvtropes.org/pmwiki/pmwiki.php/Main/CompressedVice)). And even then that is only delaying the", "character’s development came off as interesting up until episode 11 but I couldn’t", "traits that made him interesting and just made him blandly cool rather than", "comparable plot in, say, Book 3 wouldn't work because that character isn't the", "that... 1. It cheats the audience of seeing the characters profit from their", "of the intended primary draws is character drama and growth. I have an", "this reason. Fan outcry over this extreme change in character led the writers", "keep the characters memorable and entertaining, progress the plot, and avoid them from", "The characters are great because their flaws are at their most pronounced and", "it because they lack agency due to character development. If I try to", "characters also have multiple flaws that aren't always highlighted with every decision, the", "were perfectly mature in a Platonic sort of way they would never say", "to deal with multiple flaws they start having the same problem again. *The", "you end the series there\", but the broader issue is that... 1. It", "to try and bring back elements of Ben’s original characterization in season three", "dealing with their flaws but they don’t always completely overcome them and they", "they leap. This character ends up going from being the effective deuteragonist at", "having adventures, but a bunch of generic heroic self-inserts for the reader, and", "the characters profit from their personal growth (audiences like* seeing characters profit from", "audience could laugh at or created tension in the plot. Fast-forward to the", "them and they have their ups and downs. For example, the character who", "deep-seated issues that are presented as a red flag to the reader that", "heroic. I remember dropping the series for exactly this reason. Fan outcry over", "in spite of it. Gaining confidence is always a good route for long-term", "plot 3. The characters have to stay interesting enough for the author to", "reality. However, this is also the same Ariku who throws his cast out", "overcome them and they have their ups and downs. For example, the character", "this resulted in a lot of viewers complaining that this made Ben annoying", "character development it is no longer these quirky, distinct, memorable characters interacting with", "For example, the character who fails to apply forethought, never manages to completely", "board for the other lead characters by the end of it because they", "heroic self-inserts for the reader, and the plot is no longer about internal", "viewers complaining that this made Ben annoying and immature. *I have often heard", "part of the character that made them endearing. I remember this was a", "flaws that aren't always highlighted with every decision, the difficulty with that is", "same problem. This is also the same reason why having the characters develop", "characters who more or less share the role of main character equally, though", "growth and inter-personal issues is at its minimum and the story is less", "wouldn't work because that character isn't the same person who would make those", "interesting enough for the author to want to finish the story. So, given", "there is a clear viewpoint character. I am trying to avoid making any", "is also the same Ariku who throws his cast out the window every", "endearing. I remember this was a problem with Samun in Tengen Toppa Gurren", "stupid, immature antics that the audience could laugh at or created tension in", "Alien Force, and in the first two seasons the main character lost all", "conflict.* This is a particular problem with teenage or young adult characters that", "outcry over this extreme change in character led the writers to try and", "found) 2. The characters have to be interesting enough to carry the series", "fatal flaw of frequently neglecting to look before they leap. This character ends", "the right decisions, but of course no human being is like that. A", "decision, the difficulty with that is you have to forecast it ahead of", "exact same problem. This is also the same reason why having the characters", "minimum and the story is less interesting as a result Some might say", "but the broader issue is that... 1. It cheats the audience of seeing", "adult characters (in which the main characters older than the age bracket represented", "they had discarded all of Samun’s prior character traits that made him interesting", "Fast-forward to the sequel series, Ben 10: Alien Force, and in the first", "but they don’t always completely overcome them and they have their ups and", "subplot in the first book where 90% of the conflict was driven by", "the character's edges have been sanded down * Book 3 - The plot", "and create tension in the plot. *As they learn from their mistakes they", "at the beginning of the story it comes off as them being uncaring", "and will never change. [I remember thinking the Ben 10 franchise is the", "driven by this character exacerbating the problem with their arrogance and lack of", "the characters were perfectly mature in a Platonic sort of way they would", "being a little more than a sounding board for the other lead characters", "character drama and growth. I have an ensemble cast of five characters who", "supposed to make them endearing is them learning to act in spite of", "characters have to stay interesting enough for the author to want to finish", "Samun’s prior character traits that made him interesting and just made him blandly", "were to develop such that they lose the jerkiness they now cease to", "is supposed to make them endearing is them learning to act in spite", "show additional ways how this is a problem. Another character lacks confidence,", "just made him blandly cool rather than compartmentalizing it as part of a", "their mistakes. There is a subplot in the first book where 90% of", "all of this, *how do I balance character growth and immaturity to keep", "character isn't the same person who would make those mistakes anymore. Two other,", "because their flaws are at their most pronounced and their clashing against each", "by character growth and inter-personal issues is at its minimum and the story", "character development the characters are losing the traits that make them funny, appealing,", "messianic rather than a three-dimensional character. Older adult characters (in which the main", "as a red flag to the reader that they are stuck in their", "serialized television will know what I'm talking about](https://tvtropes.org/pmwiki/pmwiki.php/Main/CompressedVice)). And even then that is", "3 wouldn't work because that character isn't the same person who would make", "characters have to be interesting enough to carry the series to the finish", "However, one thing I’ve noticed is that readers hate watching characters backslide, they", "of serious character arcs that provide drama or flaws that either provide levity", "issues is at its minimum and the story is less interesting as a", "Two other, smaller examples show additional ways how this is a problem. ", "mistakes and create tension in the plot. *As they learn from their mistakes", "Older adult characters (in which the main characters older than the age bracket", "them entertaining at the beginning of the story it comes off as them", "around them and being unable to learn from their mistakes. There is a", "they claim that it’s “character regression”, even though in reality people typically have", "readers hate watching characters backslide, they claim that it’s “character regression”, even though", "the series to being a little more than a sounding board for the", "this is also the same Ariku who throws his cast out the window", "in a lot of viewers complaining that this made Ben annoying and immature.", "watching the characters grow over time, become more mature, and overcome their flaws.", "about this in Manga in Theory and Practice* where he says the reader", "heard it said that “we never learn to overcome our flaws, we just", "said that “we never learn to overcome our flaws, we just learn to", "of good habits can be a bit difficult. The characters also have multiple", "the course of the story such that by the story’s end they come", "3. The characters have to stay interesting enough for the author to want", "would never say stupid things and always make the right decisions, but of", "main character equally, though there is a clear viewpoint character. I am trying", "lack agency due to character development. If I try to get them to", "habits instead of good habits can be a bit difficult. The characters also", "franchise is the perfect example of this.](https://www.youtube.com/watch?v=wnc22F3zy7Q) The original Ben 10 series was", "this.](https://www.youtube.com/watch?v=wnc22F3zy7Q) The original Ben 10 series was popular because the main character got", "series there\", but the broader issue is that... 1. It cheats the audience", "their personal growth (audiences like seeing characters profit from long-term character development, I've", "creates diminishing returns.** Case in point. * Book 1 - The characters are", "plot in, say, Book 3 wouldn't work because that character isn't the same", "thoughtful person but instead merely manages to improve their “batting average” when it", "jerkiness they now cease to have a personality. *The problem with this is", "of Samun’s prior character traits that made him interesting and just made him", "characters profit from their personal growth (audiences like* seeing characters profit from long-term", "a flaw. Hirohiko Ariku actually wrote about this in Manga in Theory and", "flaws and dimensions to explore ([viewers of serialized television will know what I'm", "sounding board for the other lead characters by the end of it because", "but instead merely manages to improve their “batting average” when it comes to", "develop such that they lose the jerkiness they now cease to have a", "will know what I'm talking about](https://tvtropes.org/pmwiki/pmwiki.php/Main/CompressedVice)). And even then that is only delaying", "it ahead of time or else it comes off as the author/writers creating", "a similar problem: either they come across as being too world-wise or else", "Ben 10 franchise is the perfect example of this.](https://www.youtube.com/watch?v=wnc22F3zy7Q) The original Ben 10", "problem with teenage or young adult characters that are expected to grow over", "cease to have a personality. The problem with this is that with sufficient", "Practice where he says the reader wants the protagonist to be “always rising”", "clear viewpoint character. I am trying to avoid making any character exclusively \"comedic", "problem: either they come across as being too world-wise or else come across", "multiple flaws they start having the same problem again. *The big issue with", "series, Ben 10: Alien Force, and in the first two seasons the main", "creating new flaws wholecloth because they've run out of previously-existing character flaws and", "lacks confidence, and part of what is supposed to make them endearing is", "like that. A good example of this in my case is one of", "have a personality. The problem with this is that with sufficient character development", "habits can be a bit difficult. The characters also have multiple flaws that", "tension Book 2 - A little less interesting because some of their", "and interesting and became blandly heroic. I remember dropping the series for exactly", "multi-faceted character. * A third character has a core personality trait of “lovable", "a multi-faceted character. * A third character has a core personality trait of", "and part of what is supposed to make them endearing is them learning", "series where one of the intended primary draws is character drama and growth.", "or created tension in the plot. Fast-forward to the sequel series, Ben 10:", "aren't always highlighted with every decision, the difficulty with that is you have", "the protagonist to be “always rising” even though that's not how it works", "that character isn't the same person who would make those mistakes anymore. Two", "being unable to learn from their mistakes. There is a subplot in the", "and in the first two seasons the main character lost all the character", "their ups and downs.* For example, the character who fails to apply forethought,", "or else come across as having deep-seated issues that are presented as a", "Case in point. * Book 1 - The characters are great because their", "are at their most pronounced and their clashing against each other creates drama", "never say stupid things and always make the right decisions, but of course", "Force, and in the first two seasons the main character lost all the", "actually wrote about this in Manga in Theory and Practice* where he says", "what I have done is give them a mixture of serious character arcs", "in reality people typically have ups and downs when it comes to a", "It cheats the audience of seeing the characters profit from their personal growth", "such that they lose the jerkiness they now cease to have a personality.", "be interesting enough to carry the series to the finish line where it", "lot of viewers complaining that this made Ben annoying and immature. *I have", "same things that made them entertaining at the beginning of the story it", "that with sufficient character development it is no longer these quirky, distinct, memorable", "over this extreme change in character led the writers to try and bring", "even though that's not how it works in reality. However, this is also", "the characters are losing the traits that make them funny, appealing, and likable", "general have a similar problem: either they come across as being too world-wise", "it can wrap up its overarching plot 3. The characters have to stay", "only delaying the problem because as the character learn to deal with multiple", "it comes off as the author/writers creating new flaws wholecloth because they've run", "A third character has a core personality trait of “lovable jerk”, which is", "the problem with their arrogance and lack of forethought, but applying a comparable", "their clashing against each other creates drama and narrative tension Book 2", "seeing the characters profit from their personal growth (audiences like seeing characters profit", "the series there\", but the broader issue is that... 1. It cheats the", "grow over the course of the story such that by the story’s end", "are losing the traits that make them funny, appealing, and likable as distinct", "comes to such situations. However, one thing I’ve noticed is that readers hate", "is also the same reason why having the characters develop bad habits instead", "appeal is watching the characters grow over time, become more mature, and overcome", "is no longer these quirky, distinct, memorable characters interacting with each other and", "across as being too world-wise or else come across as having deep-seated issues", "become more mature, and overcome their flaws. *However, I am finding that with", "I’ve noticed is that readers hate watching characters backslide, they claim that it’s", "heavily character-driven. The problem arises with character development. The story is one where", " Another character lacks confidence, and part of what is supposed to make", "is a subplot in the first book where 90% of the conflict was", "clashing against each other creates drama and narrative tension * Book 2 -", "who throws his cast out the window every four years or so to", "so what I have done is give them a mixture of serious character", "they lose the jerkiness they now cease to have a personality. *The problem", "of “lovable jerk”, which is a major factor in their personality but is", "the audience could laugh at or created tension in the plot. Fast-forward to", "mature in a Platonic sort of way they would never say stupid things", "of the people they care about around them and being unable to learn", "a core personality trait of “lovable jerk”, which is a major factor in", "Platonic sort of way they would never say stupid things and always make", "a major factor in their personality but is also their greatest flaw. If", "rather than a three-dimensional character. Older adult characters (in which the main characters", "this character exacerbating the problem with their arrogance and lack of forethought, but", "as them being uncaring about the needs of the people they care about", "their greatest flaw. If they were to develop such that they lose the", "issue is that... 1. It cheats the audience of seeing the characters profit", "to forecast it ahead of time or else it comes off as the", "Force, but this resulted in a lot of viewers complaining that this made", "because the main character got into stupid, immature antics that the audience could", "ways how this is a problem. * Another character lacks confidence, and part", "the perfect example of this.](https://www.youtube.com/watch?v=wnc22F3zy7Q) The original Ben 10 series was popular because", "in fiction in general have a similar problem: either they come across as", "of the series to being a little more than a sounding board for", "about internal character development but external conflict.** This is a particular problem with", "cast out the window every four years or so to avoid this exact", "an ensemble cast of five characters who more or less share the role", "have ups and downs when it comes to a flaw. Hirohiko Ariku actually", "This is also the same reason why having the characters develop bad habits", "for, the characters get better at dealing with their flaws but they don’t", "will never change. [I remember thinking the Ben 10 franchise is the perfect", "problem arises with character development. The story is one where part of the", "in reality. However, this is also the same Ariku who throws his cast", "by the story’s end they come off as archetypal and messianic rather than", "to compensate for them better”. That was one thing I was thinking about", "that by the story’s end they come off as archetypal and messianic rather", "makes them do or say stupid things that make the audience laugh. Their", "characters backslide, they claim that it’s “character regression”, even though in reality people", "comes off as the author/writers creating new flaws wholecloth because they've run out", "downs when it comes to a flaw. Hirohiko Ariku actually wrote about this", "character ends up going from being the effective deuteragonist at the beginning of", "as a result Some might say \"well that's why you end the series", "they would never say stupid things and always make the right decisions, but", "to overcome our flaws, we just learn to compensate for them better”. That", "be “always rising” even though that's not how it works in reality. However,", "dimensions to explore ([viewers of serialized television will know what I'm talking about](https://tvtropes.org/pmwiki/pmwiki.php/Main/CompressedVice)).", "greatest flaw. If they were to develop such that they lose the jerkiness", "first book where 90% of the conflict was driven by this character exacerbating", "no longer these quirky, distinct, memorable characters interacting with each other and having", "of the story it comes off as them being uncaring about the needs", "forethought, never manages to completely kick that habit and become a thoughtful person", "typically have ups and downs when it comes to a flaw. Hirohiko Ariku", "don’t always completely overcome them and they have their ups and downs. For", "with this is it creates diminishing returns. Case in point. * Book 1", "losing the traits that make them funny, appealing, and likable as distinct entities.", "story. So, given all of this, how do I balance character growth and", "a red flag to the reader that they are stuck in their ways", "adult characters that are expected to grow over the course of the story", "proactive.** Taking this to the extremes if the characters were perfectly mature in", "hate watching characters backslide, they claim that it’s “character regression”, even though in", "anymore. Two other, smaller examples show additional ways how this is a problem.", "being compensated for and the character's edges have been sanded down * Book", "is that with sufficient character development it is no longer these quirky, distinct,", "big issue with this is it creates diminishing returns.** Case in point. ", "no human being is like that. A good example of this in my", "habit and become a thoughtful person but instead merely manages to improve their", "is that... 1. It cheats the audience of seeing the characters profit from", "is a particular problem with teenage or young adult characters that are expected", "by protagonists) I’ve noticed in fiction in general have a similar problem: either", "protagonists) I’ve noticed in fiction in general have a similar problem: either they", "drama or flaws that either provide levity or conflict, though obviously some characters", "previously-existing character flaws and dimensions to explore ([viewers of serialized television will know", "years or so to avoid this exact same problem. This is also the", "as part of a multi-faceted character. A third character has a core", "to do the same things that made them entertaining at the beginning of", "the author/writers creating new flaws wholecloth because they've run out of previously-existing character", "regression”, even though in reality people typically have ups and downs when it", "equally, though there is a clear viewpoint character. I am trying to avoid", "* Book 2 - A little less interesting because some of their flaws", "who more or less share the role of main character equally, though there", "look before they leap. This character ends up going from being the effective", "antics that the audience could laugh at or created tension in the plot.", "in the plot. *As they learn from their mistakes they seem to be", "sufficient character development it is no longer these quirky, distinct, memorable characters interacting", "The original Ben 10* series was popular because the main character got into", "to such situations. However, one thing I’ve noticed is that readers hate watching", "to stay interesting enough for the author to want to finish the story.", "I've found) 2. The characters have to be interesting enough to carry the", "of frequently neglecting to look before they leap. This character ends up going", "say stupid things that make the audience laugh. Their flaws cause them to", "red flag to the reader that they are stuck in their ways and", "was driven by this character exacerbating the problem with their arrogance and lack", "character has a core personality trait of “lovable jerk”, which is a major", "plot. Fast-forward to the sequel series, Ben 10: Alien Force, and in the", "Tengen Toppa Gurren Lagann, the character’s development came off as interesting up until", "the sequel series, Ben 10: Alien Force, and in the first two seasons", "multiple flaws that aren't always highlighted with every decision, the difficulty with that", "way they would never say stupid things and always make the right decisions,", "of forethought, but applying a comparable plot in, say, Book 3 wouldn't work", "\"comedic relief\", so what I have done is give them a mixture of", "a Platonic sort of way they would never say stupid things and always", "reason. Fan outcry over this extreme change in character led the writers to", "appealing, and likable as distinct entities.** I find their immaturity makes them do", "point. * Book 1 - The characters are great because their flaws are", "mixture of serious character arcs that provide drama or flaws that either provide", "immature. *I have often heard it said that “we never learn to overcome", "I find their immaturity makes them do or say stupid things that make", "characters are great because their flaws are at their most pronounced and their", "is always a good route for long-term character development with insecure characters but", "pronounced and their clashing against each other creates drama and narrative tension ", "for them better”. That was one thing I was thinking about aiming for,", "with multiple flaws they start having the same problem again. The big issue", "development it is no longer these quirky, distinct, memorable characters interacting with each", "interacting with each other and having adventures, but a bunch of generic heroic", "less interesting, and overall less proactive. Taking this to the extremes if the", "avoid making any character exclusively \"comedic relief\", so what I have done is", "of what is supposed to make them endearing is them learning to act", "audience laugh. Their flaws cause them to make mistakes and create tension in", "interesting up until episode 11 but I couldn’t help but feel that after", "become a thoughtful person but instead merely manages to improve their “batting average”", "sort of way they would never say stupid things and always make the", "(audiences like seeing characters profit from long-term character development, I've found) 2. The", "it. Gaining confidence is always a good route for long-term character development with", "drama and narrative tension * Book 2 - A little less interesting because", "with their arrogance and lack of forethought, but applying a comparable plot in,", "Theory and Practice* where he says the reader wants the protagonist to be", "a fatal flaw of frequently neglecting to look before they leap. This character", "same reason why having the characters develop bad habits instead of good habits", "The characters have to be interesting enough to carry the series to the", "a clear viewpoint character. I am trying to avoid making any character exclusively", "too much confidence and they have now lost the core part of the", "where 90% of the conflict was driven by this character exacerbating the problem", "character development. If I try to get them to do the same things", "growth. I have an ensemble cast of five characters who more or less", "age bracket represented by protagonists) I’ve noticed in fiction in general have a", "I was thinking about aiming for, the characters get better at dealing with", "made him interesting and just made him blandly cool rather than compartmentalizing it", "story’s end they come off as archetypal and messianic rather than a three-dimensional", "ends up going from being the effective deuteragonist at the beginning of the", "the audience laugh. Their flaws cause them to make mistakes and create tension", "the character learn to deal with multiple flaws they start having the same", "the intended primary draws is character drama and growth. I have an ensemble", "internal character development but external conflict.** This is a particular problem with teenage", "things and always make the right decisions, but of course no human being", "this extreme change in character led the writers to try and bring back", "of seeing the characters profit from their personal growth (audiences like seeing characters", "of the intended appeal is watching the characters grow over time, become more", "and the plot is no longer about internal character development but external conflict.*", "flaws are being compensated for and the character's edges have been sanded down", "the audience of seeing the characters profit from their personal growth (audiences like", "mature, and overcome their flaws. However, I am finding that with positive character", "less proactive.* Taking this to the extremes if the characters were perfectly mature", "Ben annoying and immature. *I have often heard it said that “we never", "neglecting to look before they leap. This character ends up going from being", "in Theory and Practice where he says the reader wants the protagonist to", "adventures, but a bunch of generic heroic self-inserts for the reader, and the", "finish the story. So, given all of this, how do I balance character", "where part of the intended appeal is watching the characters grow over time,", "be a bit difficult. The characters also have multiple flaws that aren't always", "also have multiple flaws that aren't always highlighted with every decision, the difficulty", "story is one where part of the intended appeal is watching the characters", "a little more than a sounding board for the other lead characters by", "it’s “character regression”, even though in reality people typically have ups and downs", "dropping the series for exactly this reason. Fan outcry over this extreme change", "the series to the finish line where it can wrap up its overarching", "the conflict was driven by this character exacerbating the problem with their arrogance", "but external conflict. This is a particular problem with teenage or young adult", "is one of the protagonists who has a fatal flaw of frequently neglecting", "spite of it. Gaining confidence is always a good route for long-term character", "character got into stupid, immature antics that the audience could laugh at or", "lack of forethought, but applying a comparable plot in, say, Book 3 wouldn't", "which is a major factor in their personality but is also their greatest", "to make mistakes and create tension in the plot. *As they learn from", "that with positive character development the characters are losing the traits that make", "made them endearing. I remember this was a problem with Samun in Tengen", "flaws are at their most pronounced and their clashing against each other creates", "a lot of viewers complaining that this made Ben annoying and immature. *I", "from being the effective deuteragonist at the beginning of the series to being", "wrote about this in Manga in Theory and Practice* where he says the", "of Alien Force, but this resulted in a lot of viewers complaining that", "says the reader wants the protagonist to be “always rising” even though that's", "Hirohiko Ariku actually wrote about this in Manga in Theory and Practice where", "in, say, Book 3 wouldn't work because that character isn't the same person", "having the characters develop bad habits instead of good habits can be a", "of course no human being is like that. A good example of this", "annoying and immature. I have often heard it said that “we never learn", "the character’s development came off as interesting up until episode 11 but I", "end of it because they lack agency due to character development. If I", "their flaws but they don’t always completely overcome them and they have their", "though in reality people typically have ups and downs when it comes to", "going from being the effective deuteragonist at the beginning of the series to", "the reader that they are stuck in their ways and will never change.", "seem to be less spontaneous, less interesting, and overall less proactive. Taking this", "main characters older than the age bracket represented by protagonists) I’ve noticed in", "always make the right decisions, but of course no human being is like", "- The plot tension driven by character growth and inter-personal issues is at", "This is a particular problem with teenage or young adult characters that are", "reader wants the protagonist to be “always rising” even though that's not how", "bad habits instead of good habits can be a bit difficult. The characters", "in my case is one of the protagonists who has a fatal flaw", "older than the age bracket represented by protagonists) I’ve noticed in fiction in", "first two seasons the main character lost all the character flaws that made", "all the character flaws that made him well-rounded and interesting and became blandly", "overall less proactive. Taking this to the extremes if the characters were perfectly", "The problem with this is that with sufficient character development it is no", "character who fails to apply forethought, never manages to completely kick that habit", "rather than compartmentalizing it as part of a multi-faceted character. * A third", "major factor in their personality but is also their greatest flaw. If they", "am finding that with positive character development the characters are losing the traits", "one thing I was thinking about aiming for, the characters get better at", "Ariku who throws his cast out the window every four years or so", "*I have often heard it said that “we never learn to overcome our", "other creates drama and narrative tension Book 2 - A little less", "This character ends up going from being the effective deuteragonist at the beginning", "less interesting because some of their flaws are being compensated for and the", "always highlighted with every decision, the difficulty with that is you have to", "character-driven. The problem arises with character development. The story is one where part", "change in character led the writers to try and bring back elements of", "issues that are presented as a red flag to the reader that they", "reader that they are stuck in their ways and will never change. [I", "to character development. If I try to get them to do the same", "as the author/writers creating new flaws wholecloth because they've run out of previously-existing", "claim that it’s “character regression”, even though in reality people typically have ups", "series to being a little more than a sounding board for the other", "series for exactly this reason. Fan outcry over this extreme change in character", "end up skewed towards levity or drama. The story is heavily, heavily character-driven.", "or so to avoid this exact same problem. This is also the same", "him blandly cool rather than compartmentalizing it as part of a multi-faceted character.", "of it because they lack agency due to character development. If I try", "in a Platonic sort of way they would never say stupid things and", "Fan outcry over this extreme change in character led the writers to try", "tension in the plot. *As they learn from their mistakes they seem to", "are great because their flaws are at their most pronounced and their clashing", "10 franchise is the perfect example of this.](https://www.youtube.com/watch?v=wnc22F3zy7Q) The original Ben 10* series", "problem because as the character learn to deal with multiple flaws they start", "and the story is less interesting as a result Some might say \"well", "agency due to character development. If I try to get them to do", "and became blandly heroic. I remember dropping the series for exactly this reason.", "problem. This is also the same reason why having the characters develop bad", "of way they would never say stupid things and always make the right", "problem. * Another character lacks confidence, and part of what is supposed to", "people typically have ups and downs when it comes to a flaw. Hirohiko", "a result Some might say \"well that's why you end the series there\",", "have often heard it said that “we never learn to overcome our flaws,", "window every four years or so to avoid this exact same problem. This", "character learn to deal with multiple flaws they start having the same problem", "good habits can be a bit difficult. The characters also have multiple flaws", "the author to want to finish the story. So, given all of this,", "with their flaws but they don’t always completely overcome them and they have", "at or created tension in the plot. Fast-forward to the sequel series, Ben", "got into stupid, immature antics that the audience could laugh at or created", "problem again. The big issue with this is it creates diminishing returns.* Case", "with insecure characters but gain too much confidence and they have now lost", "The big issue with this is it creates diminishing returns. Case in point.", "a sounding board for the other lead characters by the end of it", "other and having adventures, but a bunch of generic heroic self-inserts for the", "also their greatest flaw. If they were to develop such that they lose", "also the same reason why having the characters develop bad habits instead of", "As they learn from their mistakes they seem to be less spontaneous, less", "remember thinking the Ben 10 franchise is the perfect example of this.](https://www.youtube.com/watch?v=wnc22F3zy7Q) The", "them funny, appealing, and likable as distinct entities. I find their immaturity makes", "say \"well that's why you end the series there\", but the broader issue", "long-term character development, I've found) 2. The characters have to be interesting enough", "personality. *The problem with this is that with sufficient character development it is", "because some of their flaws are being compensated for and the character's edges", "them do or say stupid things that make the audience laugh. Their flaws", "elements of Ben’s original characterization in season three of Alien Force, but this", "10: Alien Force, and in the first two seasons the main character lost", "avoid this exact same problem. This is also the same reason why having", "finding that with positive character development the characters are losing the traits that", "to be “always rising” even though that's not how it works in reality.", "and being unable to learn from their mistakes. There is a subplot in", "made him well-rounded and interesting and became blandly heroic. I remember dropping the", "after that they had discarded all of Samun’s prior character traits that made", "into stupid, immature antics that the audience could laugh at or created tension", "a bit difficult. The characters also have multiple flaws that aren't always highlighted", "The plot tension driven by character growth and inter-personal issues is at its", "about the needs of the people they care about around them and being", "of the conflict was driven by this character exacerbating the problem with their", "apply forethought, never manages to completely kick that habit and become a thoughtful", "particular problem with teenage or young adult characters that are expected to grow", "they start having the same problem again. *The big issue with this is", " Book 1 - The characters are great because their flaws are at", "each other creates drama and narrative tension * Book 2 - A little", "for the other lead characters by the end of it because they lack", "are being compensated for and the character's edges have been sanded down ", "five characters who more or less share the role of main character equally,", "character exclusively \"comedic relief\", so what I have done is give them a", "and lack of forethought, but applying a comparable plot in, say, Book 3", "conflict was driven by this character exacerbating the problem with their arrogance and", "likable as distinct entities.* I find their immaturity makes them do or say", "the character that made them endearing. I remember this was a problem with", "enough for the author to want to finish the story. So, given all", "are presented as a red flag to the reader that they are stuck", "one thing I’ve noticed is that readers hate watching characters backslide, they claim", "it comes to such situations. However, one thing I’ve noticed is that readers", "at dealing with their flaws but they don’t always completely overcome them and", "what is supposed to make them endearing is them learning to act in", "generic heroic self-inserts for the reader, and the plot is no longer about", "share the role of main character equally, though there is a clear viewpoint", "interesting and became blandly heroic. I remember dropping the series for exactly this", "* A third character has a core personality trait of “lovable jerk”, which", "and narrative tension * Book 2 - A little less interesting because some", "to the sequel series, Ben 10: Alien Force, and in the first two", "the beginning of the story it comes off as them being uncaring about", "a series where one of the intended primary draws is character drama and", "though obviously some characters end up skewed towards levity or drama. The story", "grow over time, become more mature, and overcome their flaws. *However, I am", "as the character learn to deal with multiple flaws they start having the", "protagonists who has a fatal flaw of frequently neglecting to look before they", "that are presented as a red flag to the reader that they are", "out the window every four years or so to avoid this exact same", "flaws but they don’t always completely overcome them and they have their ups", "they learn from their mistakes they seem to be less spontaneous, less interesting,", "in general have a similar problem: either they come across as being too", "one where part of the intended appeal is watching the characters grow over", "average” when it comes to such situations. However, one thing I’ve noticed is", "compensated for and the character's edges have been sanded down Book 3", "four years or so to avoid this exact same problem. This is also", "my case is one of the protagonists who has a fatal flaw of", "unable to learn from their mistakes. There is a subplot in the first", "cast of five characters who more or less share the role of main", "just learn to compensate for them better”. That was one thing I was", "towards levity or drama. The story is heavily, heavily character-driven. The problem arises", "time or else it comes off as the author/writers creating new flaws wholecloth", "popular because the main character got into stupid, immature antics that the audience", "interesting as a result Some might say \"well that's why you end the", "that they had discarded all of Samun’s prior character traits that made him", "down * Book 3 - The plot tension driven by character growth and", "often heard it said that “we never learn to overcome our flaws, we", "example of this in my case is one of the protagonists who has", "isn't the same person who would make those mistakes anymore. Two other, smaller", "leap. This character ends up going from being the effective deuteragonist at the", "young adult characters that are expected to grow over the course of the", "“character regression”, even though in reality people typically have ups and downs when", "confidence, and part of what is supposed to make them endearing is them", "to develop such that they lose the jerkiness they now cease to have", "the window every four years or so to avoid this exact same problem.", "I have an ensemble cast of five characters who more or less share", "of serialized television will know what I'm talking about](https://tvtropes.org/pmwiki/pmwiki.php/Main/CompressedVice)). And even then that", "the traits that make them funny, appealing, and likable as distinct entities. I", "that is you have to forecast it ahead of time or else it", "wholecloth because they've run out of previously-existing character flaws and dimensions to explore", "and downs. For example, the character who fails to apply forethought, never manages", "have an ensemble cast of five characters who more or less share the", "world-wise or else come across as having deep-seated issues that are presented as", "downs.** For example, the character who fails to apply forethought, never manages to", "the role of main character equally, though there is a clear viewpoint character.", "now lost the core part of the character that made them endearing. I", "lost the core part of the character that made them endearing. I remember", "that's why you end the series there\", but the broader issue is that...", "where he says the reader wants the protagonist to be “always rising” even", "than compartmentalizing it as part of a multi-faceted character. * A third character", "the story is less interesting as a result Some might say \"well that's", "always completely overcome them and they have their ups and downs.** For example,", "and become a thoughtful person but instead merely manages to improve their “batting", "they are stuck in their ways and will never change. [I remember thinking", "been sanded down * Book 3 - The plot tension driven by character", "from their mistakes they seem to be less spontaneous, less interesting, and overall", "more than a sounding board for the other lead characters by the end", "from long-term character development, I've found) 2. The characters have to be interesting", "to be less spontaneous, less interesting, and overall less proactive. Taking this to", "obviously some characters end up skewed towards levity or drama. The story is", "ahead of time or else it comes off as the author/writers creating new", "the jerkiness they now cease to have a personality. The problem with this", "act in spite of it. Gaining confidence is always a good route for", "the story’s end they come off as archetypal and messianic rather than a", "or young adult characters that are expected to grow over the course of", "manages to improve their “batting average” when it comes to such situations. However,", "fiction in general have a similar problem: either they come across as being", "decisions, but of course no human being is like that. A good example", "So, given all of this, how do I balance character growth and immaturity", "beginning of the story it comes off as them being uncaring about the", "of the story such that by the story’s end they come off as", "for long-term character development with insecure characters but gain too much confidence and", "due to character development. If I try to get them to do the", "that this made Ben annoying and immature. I have often heard it said", "characters (in which the main characters older than the age bracket represented by", "kick that habit and become a thoughtful person but instead merely manages to", "in season three of Alien Force, but this resulted in a lot of", "problem with their arrogance and lack of forethought, but applying a comparable plot", "is no longer about internal character development but external conflict. This is a", "improve their “batting average” when it comes to such situations. However, one thing", "to carry the series to the finish line where it can wrap up", "character lacks confidence, and part of what is supposed to make them endearing", "come off as archetypal and messianic rather than a three-dimensional character. Older adult", "want to finish the story. So, given all of this, how do I", "90% of the conflict was driven by this character exacerbating the problem with", "characters end up skewed towards levity or drama. The story is heavily, heavily", "compartmentalizing it as part of a multi-faceted character. * A third character has", "I remember this was a problem with Samun in Tengen Toppa Gurren Lagann,", "this is it creates diminishing returns.** Case in point. * Book 1 -", "are stuck in their ways and will never change. [I remember thinking the", "the finish line where it can wrap up its overarching plot 3. The", "plot. *As they learn from their mistakes they seem to be less spontaneous,", "that “we never learn to overcome our flaws, we just learn to compensate", "is at its minimum and the story is less interesting as a result", "off as the author/writers creating new flaws wholecloth because they've run out of", "character development. The story is one where part of the intended appeal is", "character equally, though there is a clear viewpoint character. I am trying to", "core part of the character that made them endearing. I remember this was", "remember dropping the series for exactly this reason. Fan outcry over this extreme", "was thinking about aiming for, the characters get better* at dealing with their", "because they've run out of previously-existing character flaws and dimensions to explore ([viewers", "audience of seeing the characters profit from their personal growth (audiences like seeing", "with this is that with sufficient character development it is no longer these", "difficulty with that is you have to forecast it ahead of time or", "that aren't always highlighted with every decision, the difficulty with that is you", "original Ben 10 series was popular because the main character got into stupid,", "which the main characters older than the age bracket represented by protagonists) I’ve", "interesting because some of their flaws are being compensated for and the character's", "smaller examples show additional ways how this is a problem. * Another character", "in point. * Book 1 - The characters are great because their flaws", "The characters have to stay interesting enough for the author to want to", "at its minimum and the story is less interesting as a result Some", "discarded all of Samun’s prior character traits that made him interesting and just", "is one where part of the intended appeal is watching the characters grow", "original characterization in season three of Alien Force, but this resulted in a", "season three of Alien Force, but this resulted in a lot of viewers", "Toppa Gurren Lagann, the character’s development came off as interesting up until episode", "and downs when it comes to a flaw. Hirohiko Ariku actually wrote about", "distinct, memorable characters interacting with each other and having adventures, but a bunch", "Book 3 - The plot tension driven by character growth and inter-personal issues", "interesting enough to carry the series to the finish line where it can", "remember this was a problem with Samun in Tengen Toppa Gurren Lagann, the", "finish line where it can wrap up its overarching plot 3. The characters", "or less share the role of main character equally, though there is a", "A good example of this in my case is one of the protagonists", "such situations. However, one thing I’ve noticed is that readers hate watching characters", "watching characters backslide, they claim that it’s “character regression”, even though in reality", "part of the intended appeal is watching the characters grow over time, become", "them endearing is them learning to act in spite of it. Gaining confidence", "find their immaturity makes them do or say stupid things that make the", "the intended appeal is watching the characters grow over time, become more mature,", "because that character isn't the same person who would make those mistakes anymore.", "became blandly heroic. I remember dropping the series for exactly this reason. Fan", "it as part of a multi-faceted character. A third character has a", "exacerbating the problem with their arrogance and lack of forethought, but applying a", "of their flaws are being compensated for and the character's edges have been", "the extremes if the characters were perfectly mature in a Platonic sort of", "to explore ([viewers of serialized television will know what I'm talking about](https://tvtropes.org/pmwiki/pmwiki.php/Main/CompressedVice)). And", "intended primary draws is character drama and growth. I have an ensemble cast", "arrogance and lack of forethought, but applying a comparable plot in, say, Book", "that made him well-rounded and interesting and became blandly heroic. I remember dropping", "it is no longer these quirky, distinct, memorable characters interacting with each other", "the same person who would make those mistakes anymore. Two other, smaller examples", "“always rising” even though that's not how it works in reality. However, this", "cheats the audience of seeing the characters profit from their personal growth (audiences", "try and bring back elements of Ben’s original characterization in season three of", "created tension in the plot. Fast-forward to the sequel series, Ben 10: Alien", "off as archetypal and messianic rather than a three-dimensional character. Older adult characters", "relief\", so what I have done is give them a mixture of serious", "bring back elements of Ben’s original characterization in season three of Alien Force,", "a personality. The problem with this is that with sufficient character development it", "some characters end up skewed towards levity or drama. The story is heavily,", "is character drama and growth. I have an ensemble cast of five characters", "characters interacting with each other and having adventures, but a bunch of generic", "to act in spite of it. Gaining confidence is always a good route", "for exactly this reason. Fan outcry over this extreme change in character led", "it comes to a flaw. Hirohiko Ariku actually wrote about this in Manga", "of this, *how do I balance character growth and immaturity to keep the", "has a fatal flaw of frequently neglecting to look before they leap. This", "the character who fails to apply forethought, never manages to completely kick that", "made him blandly cool rather than compartmentalizing it as part of a multi-faceted", "do I balance character growth and immaturity to keep the characters memorable and", "Some might say \"well that's why you end the series there\", but the", "either provide levity or conflict, though obviously some characters end up skewed towards", "end the series there\", but the broader issue is that... 1. It cheats", "they've run out of previously-existing character flaws and dimensions to explore ([viewers of", "flaw. Hirohiko Ariku actually wrote about this in Manga in Theory and Practice", "personality trait of “lovable jerk”, which is a major factor in their personality", "the end of it because they lack agency due to character development. If", "I have done is give them a mixture of serious character arcs that", "made them entertaining at the beginning of the story it comes off as", "this in my case is one of the protagonists who has a fatal", "story is less interesting as a result Some might say \"well that's why", "a problem with Samun in Tengen Toppa Gurren Lagann, the character’s development came", "the series for exactly this reason. Fan outcry over this extreme change in", "represented by protagonists) I’ve noticed in fiction in general have a similar problem:", "not how it works in reality. However, this is also the same Ariku", "conflict, though obviously some characters end up skewed towards levity or drama. The", "could laugh at or created tension in the plot. Fast-forward to the sequel", "each other and having adventures, but a bunch of generic heroic self-inserts for", "sequel series, Ben 10: Alien Force, and in the first two seasons the", "archetypal and messianic rather than a three-dimensional character. Older adult characters (in which", "to get them to do the same things that made them entertaining at", "and growth. I have an ensemble cast of five characters who more or", "characterization in season three of Alien Force, but this resulted in a lot", "series was popular because the main character got into stupid, immature antics that", "things that make the audience laugh. Their flaws cause them to make mistakes", "completely overcome them and they have their ups and downs.* For example, the", "their immaturity makes them do or say stupid things that make the audience", "them being uncaring about the needs of the people they care about around", "every four years or so to avoid this exact same problem. This is", "deal with multiple flaws they start having the same problem again. *The big", "new flaws wholecloth because they've run out of previously-existing character flaws and dimensions", "overcome our flaws, we just learn to compensate for them better”. That was", "Ariku actually wrote about this in Manga in Theory and Practice* where he", "intended appeal is watching the characters grow over time, become more mature, and", "of this in my case is one of the protagonists who has a", "carry the series to the finish line where it can wrap up its", "additional ways how this is a problem. * Another character lacks confidence, and", "because as the character learn to deal with multiple flaws they start having", "lose the jerkiness they now cease to have a personality. *The problem with", "is them learning to act in spite of it. Gaining confidence is always", "jerk”, which is a major factor in their personality but is also their", "never manages to completely kick that habit and become a thoughtful person but", "Ben 10* series was popular because the main character got into stupid, immature", "give them a mixture of serious character arcs that provide drama or flaws", "less share the role of main character equally, though there is a clear", "and the character's edges have been sanded down * Book 3 - The", "about around them and being unable to learn from their mistakes. There is", "is that readers hate watching characters backslide, they claim that it’s “character regression”,", "has a core personality trait of “lovable jerk”, which is a major factor", "their most pronounced and their clashing against each other creates drama and narrative", "or say stupid things that make the audience laugh. Their flaws cause them", "they come off as archetypal and messianic rather than a three-dimensional character. Older", "of time or else it comes off as the author/writers creating new flaws", "That was one thing I was thinking about aiming for, the characters get", "their personality but is also their greatest flaw. If they were to develop", "character exacerbating the problem with their arrogance and lack of forethought, but applying", "am working on a series where one of the intended primary draws is", "in their ways and will never change. [I remember thinking the Ben 10", "Gaining confidence is always a good route for long-term character development with insecure", "funny, appealing, and likable as distinct entities.** I find their immaturity makes them", "1. It cheats the audience of seeing the characters profit from their personal", "applying a comparable plot in, say, Book 3 wouldn't work because that character", "in Tengen Toppa Gurren Lagann, the character’s development came off as interesting up", "having the same problem again. The big issue with this is it creates", "and overall less proactive. Taking this to the extremes if the characters were", "on a series where one of the intended primary draws is character drama", "author/writers creating new flaws wholecloth because they've run out of previously-existing character flaws", "I am finding that with positive character development the characters are losing the", "by the end of it because they lack agency due to character development.", "ups and downs when it comes to a flaw. Hirohiko Ariku actually wrote", "him interesting and just made him blandly cool rather than compartmentalizing it as", "at their most pronounced and their clashing against each other creates drama and", "the reader wants the protagonist to be “always rising” even though that's not", "is heavily, heavily character-driven. The problem arises with character development. The story is", "to improve their “batting average” when it comes to such situations. However, one", "trait of “lovable jerk”, which is a major factor in their personality but", "The characters also have multiple flaws that aren't always highlighted with every decision,", "to a flaw. Hirohiko Ariku actually wrote about this in Manga in Theory", "have to stay interesting enough for the author to want to finish the", "the characters get better* at dealing with their flaws but they don’t always", "drama and growth. I have an ensemble cast of five characters who more", "serious character arcs that provide drama or flaws that either provide levity or", "flaws, we just learn to compensate for them better”. That was one thing", "make the right decisions, but of course no human being is like that.", "inter-personal issues is at its minimum and the story is less interesting as", "laugh. Their flaws cause them to make mistakes and create tension in the", "However, this is also the same Ariku who throws his cast out the", "that after that they had discarded all of Samun’s prior character traits that", "about aiming for, the characters get better at dealing with their flaws but", "this was a problem with Samun in Tengen Toppa Gurren Lagann, the character’s", "less interesting as a result Some might say \"well that's why you end", "enough to carry the series to the finish line where it can wrap", "have now lost the core part of the character that made them endearing.", "much confidence and they have now lost the core part of the character", "their ways and will never change. [I remember thinking the Ben 10 franchise", "blandly heroic. I remember dropping the series for exactly this reason. Fan outcry", "but gain too much confidence and they have now lost the core part", "to the reader that they are stuck in their ways and will never", "learn from their mistakes. There is a subplot in the first book where", "it said that “we never learn to overcome our flaws, we just learn", "there\", but the broader issue is that... 1. It cheats the audience of", "flaws cause them to make mistakes and create tension in the plot. As", "forethought, but applying a comparable plot in, say, Book 3 wouldn't work because", "seasons the main character lost all the character flaws that made him well-rounded", "route for long-term character development with insecure characters but gain too much confidence", "highlighted with every decision, the difficulty with that is you have to forecast", "to finish the story. So, given all of this, how do I balance", "what I'm talking about](https://tvtropes.org/pmwiki/pmwiki.php/Main/CompressedVice)). And even then that is only delaying the problem", "flaws wholecloth because they've run out of previously-existing character flaws and dimensions to", "character. Older adult characters (in which the main characters older than the age", "If I try to get them to do the same things that made", "character development but external conflict.** This is a particular problem with teenage or", "Gurren Lagann, the character’s development came off as interesting up until episode 11", "the problem because as the character learn to deal with multiple flaws they", "why you end the series there\", but the broader issue is that... 1.", "that readers hate watching characters backslide, they claim that it’s “character regression”, even", "either they come across as being too world-wise or else come across as", "was popular because the main character got into stupid, immature antics that the", "author to want to finish the story. So, given all of this, how", "being uncaring about the needs of the people they care about around them", "across as having deep-seated issues that are presented as a red flag to", "this in Manga in Theory and Practice* where he says the reader wants", "to avoid this exact same problem. This is also the same reason why", "you have to forecast it ahead of time or else it comes off", "flaws they start having the same problem again. *The big issue with this", "of Ben’s original characterization in season three of Alien Force, but this resulted", "have to be interesting enough to carry the series to the finish line", "how it works in reality. However, this is also the same Ariku who", "provide levity or conflict, though obviously some characters end up skewed towards levity", "levity or conflict, though obviously some characters end up skewed towards levity or", "positive character development the characters are losing the traits that make them funny,", "and immaturity to keep the characters memorable and entertaining, progress the plot, and", "in Manga in Theory and Practice* where he says the reader wants the", "to the finish line where it can wrap up its overarching plot 3.", "and they have now lost the core part of the character that made", "that made them entertaining at the beginning of the story it comes off", "of a multi-faceted character. * A third character has a core personality trait", "Book 2 - A little less interesting because some of their flaws are", "10* series was popular because the main character got into stupid, immature antics", "thing I was thinking about aiming for, the characters get better at dealing", "a particular problem with teenage or young adult characters that are expected to", "have a similar problem: either they come across as being too world-wise or", "the core part of the character that made them endearing. I remember this", "part of a multi-faceted character. * A third character has a core personality", "overarching plot 3. The characters have to stay interesting enough for the author", "more or less share the role of main character equally, though there is", "quirky, distinct, memorable characters interacting with each other and having adventures, but a", "having deep-seated issues that are presented as a red flag to the reader", "characters develop bad habits instead of good habits can be a bit difficult.", "stupid things that make the audience laugh. Their flaws cause them to make", "and just made him blandly cool rather than compartmentalizing it as part of", "make those mistakes anymore. Two other, smaller examples show additional ways how this", "that they are stuck in their ways and will never change. [I remember", "end they come off as archetypal and messianic rather than a three-dimensional character.", "fails to apply forethought, never manages to completely kick that habit and become", "one of the intended primary draws is character drama and growth. I have", "immature antics that the audience could laugh at or created tension in the", "balance character growth and immaturity to keep the characters memorable and entertaining, progress", "entities.** I find their immaturity makes them do or say stupid things that", "reality people typically have ups and downs when it comes to a flaw.", "have done is give them a mixture of serious character arcs that provide", "have been sanded down * Book 3 - The plot tension driven by", "the characters memorable and entertaining, progress the plot, and avoid them from becoming", "longer about internal character development but external conflict. This is a particular problem", "it creates diminishing returns. Case in point. * Book 1 - The characters", "with that is you have to forecast it ahead of time or else", "the main characters older than the age bracket represented by protagonists) I’ve noticed", "character traits that made him interesting and just made him blandly cool rather", "noticed in fiction in general have a similar problem: either they come across", "flaws that made him well-rounded and interesting and became blandly heroic. I remember", "is only delaying the problem because as the character learn to deal with", "was one thing I was thinking about aiming for, the characters get better", "flaw of frequently neglecting to look before they leap. This character ends up", "was a problem with Samun in Tengen Toppa Gurren Lagann, the character’s development", "broader issue is that... 1. It cheats the audience of seeing the characters", "([viewers of serialized television will know what I'm talking about](https://tvtropes.org/pmwiki/pmwiki.php/Main/CompressedVice)). And even then", "get them to do the same things that made them entertaining at the", "complaining that this made Ben annoying and immature. I have often heard it", "run out of previously-existing character flaws and dimensions to explore ([viewers of serialized", "effective deuteragonist at the beginning of the series to being a little more", "made Ben annoying and immature. I have often heard it said that “we", "characters grow over time, become more mature, and overcome their flaws. *However, I", "and having adventures, but a bunch of generic heroic self-inserts for the reader,", "character growth and inter-personal issues is at its minimum and the story is", "the Ben 10 franchise is the perfect example of this.](https://www.youtube.com/watch?v=wnc22F3zy7Q) The original Ben", "same problem again. The big issue with this is it creates diminishing returns.", "factor in their personality but is also their greatest flaw. If they were", "they care about around them and being unable to learn from their mistakes.", "I'm talking about](https://tvtropes.org/pmwiki/pmwiki.php/Main/CompressedVice)). And even then that is only delaying the problem because", "situations. However, one thing I’ve noticed is that readers hate watching characters backslide,", "confidence and they have now lost the core part of the character that", "rising” even though that's not how it works in reality. However, this is", "distinct entities.** I find their immaturity makes them do or say stupid things", "growth (audiences like seeing characters profit from long-term character development, I've found) 2.", "where one of the intended primary draws is character drama and growth. I", "them to do the same things that made them entertaining at the beginning", "edges have been sanded down * Book 3 - The plot tension driven", "his cast out the window every four years or so to avoid this", "drama. The story is heavily, heavily character-driven. The problem arises with character development.", "off as interesting up until episode 11 but I couldn’t help but feel", "endearing is them learning to act in spite of it. Gaining confidence is", "their “batting average” when it comes to such situations. However, one thing I’ve", "course no human being is like that. A good example of this in", "book where 90% of the conflict was driven by this character exacerbating the", "from their mistakes. There is a subplot in the first book where 90%", "that it’s “character regression”, even though in reality people typically have ups and", "writers to try and bring back elements of Ben’s original characterization in season", "aiming for, the characters get better at dealing with their flaws but they", "I balance character growth and immaturity to keep the characters memorable and entertaining,", "difficult. The characters also have multiple flaws that aren't always highlighted with every", "they seem to be less spontaneous, less interesting, and overall less proactive. Taking", "this to the extremes if the characters were perfectly mature in a Platonic", "of the protagonists who has a fatal flaw of frequently neglecting to look", "frequently neglecting to look before they leap. This character ends up going from", "no longer about internal character development but external conflict. This is a particular", "character growth and immaturity to keep the characters memorable and entertaining, progress the", "the story such that by the story’s end they come off as archetypal", "ensemble cast of five characters who more or less share the role of", "characters that are expected to grow over the course of the story such", "character lost all the character flaws that made him well-rounded and interesting and", "with every decision, the difficulty with that is you have to forecast it", "profit from long-term character development, I've found) 2. The characters have to be", "cause them to make mistakes and create tension in the plot. As they", "better”. That was one thing I was thinking about aiming for, the characters", "to the extremes if the characters were perfectly mature in a Platonic sort", "external conflict. This is a particular problem with teenage or young adult characters", "character that made them endearing. I remember this was a problem with Samun", "Lagann, the character’s development came off as interesting up until episode 11 but", "flaw. If they were to develop such that they lose the jerkiness they", "working on a series where one of the intended primary draws is character", "two seasons the main character lost all the character flaws that made him", "skewed towards levity or drama. The story is heavily, heavily character-driven. The problem", "they lack agency due to character development. If I try to get them", "the same things that made them entertaining at the beginning of the story", "it comes off as them being uncaring about the needs of the people", "good route for long-term character development with insecure characters but gain too much", "than a three-dimensional character. Older adult characters (in which the main characters older", "or flaws that either provide levity or conflict, though obviously some characters end", "the same reason why having the characters develop bad* habits instead of good", "course of the story such that by the story’s end they come off", "to completely kick that habit and become a thoughtful person but instead merely", "try to get them to do the same things that made them entertaining", "of generic heroic self-inserts for the reader, and the plot is no longer", "in the plot. Fast-forward to the sequel series, Ben 10: Alien Force, and", "in the first two seasons the main character lost all the character flaws", "longer these quirky, distinct, memorable characters interacting with each other and having adventures,", "who would make those mistakes anymore. Two other, smaller examples show additional ways", "2. The characters have to be interesting enough to carry the series to", "is you have to forecast it ahead of time or else it comes", "development the characters are losing the traits that make them funny, appealing, and", "their arrogance and lack of forethought, but applying a comparable plot in, say,", "come across as having deep-seated issues that are presented as a red flag", "I’ve noticed in fiction in general have a similar problem: either they come", "their flaws. However, I am finding that with positive character development the characters", "if the characters were perfectly mature in a Platonic sort of way they", "their flaws are being compensated for and the character's edges have been sanded", "can wrap up its overarching plot 3. The characters have to stay interesting", "up going from being the effective deuteragonist at the beginning of the series", "the plot. As they learn from their mistakes they seem to be less", "extremes if the characters were perfectly mature in a Platonic sort of way", "exclusively \"comedic relief\", so what I have done is give them a mixture", "mistakes they seem to be less spontaneous, less interesting, and overall less proactive.*", "this is a problem. Another character lacks confidence, and part of what", "example, the character who fails to apply forethought, never manages to completely kick", "that are expected to grow over the course of the story such that", "gain too much confidence and they have now lost the core part of", "our flaws, we just learn to compensate for them better”. That was one", "their mistakes they seem to be less spontaneous, less interesting, and overall less", "learn to compensate for them better”. That was one thing I was thinking", "that make them funny, appealing, and likable as distinct entities. I find their", "character development with insecure characters but gain too much confidence and they have", "a comparable plot in, say, Book 3 wouldn't work because that character isn't", "Their flaws cause them to make mistakes and create tension in the plot.", "stuck in their ways and will never change. [I remember thinking the Ben", "the story. So, given all of this, how do I balance character growth", "human being is like that. A good example of this in my case", "being is like that. A good example of this in my case is", "same person who would make those mistakes anymore. Two other, smaller examples show", "the same Ariku who throws his cast out the window every four years", "self-inserts for the reader, and the plot is no longer about internal character", "immaturity to keep the characters memorable and entertaining, progress the plot, and avoid", "laugh at or created tension in the plot. Fast-forward to the sequel series,", "have their ups and downs. For example, the character who fails to apply", "instead merely manages to improve their “batting average” when it comes to such", "main character lost all the character flaws that made him well-rounded and interesting", "character development, I've found) 2. The characters have to be interesting enough to", "though that's not how it works in reality. However, this is also the", "1 - The characters are great because their flaws are at their most", "stay interesting enough for the author to want to finish the story. So,", "story it comes off as them being uncaring about the needs of the", "lost all the character flaws that made him well-rounded and interesting and became", "be less spontaneous, less interesting, and overall less proactive. Taking this to the", "the plot is no longer about internal character development but external conflict. This", "manages to completely kick that habit and become a thoughtful person but instead", "development, I've found) 2. The characters have to be interesting enough to carry", "heavily, heavily character-driven. The problem arises with character development. The story is one", "they have their ups and downs. For example, the character who fails to", "never change. [I remember thinking the Ben 10 franchise is the perfect example", "but this resulted in a lot of viewers complaining that this made Ben", "character. I am trying to avoid making any character exclusively \"comedic relief\", so", "they have now lost the core part of the character that made them", "well-rounded and interesting and became blandly heroic. I remember dropping the series for", "wants the protagonist to be “always rising” even though that's not how it", "provide drama or flaws that either provide levity or conflict, though obviously some", "development came off as interesting up until episode 11 but I couldn’t help", "development. If I try to get them to do the same things that", "the beginning of the series to being a little more than a sounding", "narrative tension * Book 2 - A little less interesting because some of", "him well-rounded and interesting and became blandly heroic. I remember dropping the series", "done is give them a mixture of serious character arcs that provide drama", "change. [I remember thinking the Ben 10 franchise is the perfect example of", "they come across as being too world-wise or else come across as having", "why having the characters develop bad habits instead of good habits can be", "prior character traits that made him interesting and just made him blandly cool", "issue with this is it creates diminishing returns.** Case in point. * Book", "have to forecast it ahead of time or else it comes off as", "completely kick that habit and become a thoughtful person but instead merely manages", "they now cease to have a personality. The problem with this is that", "2 - A little less interesting because some of their flaws are being", "of viewers complaining that this made Ben annoying and immature. I have often", "develop bad habits instead of good habits can be a bit difficult. The", "that provide drama or flaws that either provide levity or conflict, though obviously", "lead characters by the end of it because they lack agency due to", "is watching the characters grow over time, become more mature, and overcome their", "tension in the plot. Fast-forward to the sequel series, Ben 10: Alien Force,", "character flaws and dimensions to explore ([viewers of serialized television will know what", "them learning to act in spite of it. Gaining confidence is always a", "never learn to overcome our flaws, we just learn to compensate for them", "personality but is also their greatest flaw. If they were to develop such", "development but external conflict.** This is a particular problem with teenage or young", "of it. Gaining confidence is always a good route for long-term character development", "compensate for them better”. That was one thing I was thinking about aiming", "learn to overcome our flaws, we just learn to compensate for them better”.", "against each other creates drama and narrative tension * Book 2 - A", "growth and immaturity to keep the characters memorable and entertaining, progress the plot,", "entertaining at the beginning of the story it comes off as them being", "result Some might say \"well that's why you end the series there\", but", "they were to develop such that they lose the jerkiness they now cease", "wrap up its overarching plot 3. The characters have to stay interesting enough", "role of main character equally, though there is a clear viewpoint character. I", "of this.](https://www.youtube.com/watch?v=wnc22F3zy7Q) The original Ben 10 series was popular because the main character", "say stupid things and always make the right decisions, but of course no", "from their personal growth (audiences like seeing characters profit from long-term character development,", "examples show additional ways how this is a problem. * Another character lacks", "Samun in Tengen Toppa Gurren Lagann, the character’s development came off as interesting", "characters memorable and entertaining, progress the plot, and avoid them from becoming \"blandly", "“lovable jerk”, which is a major factor in their personality but is also", "other lead characters by the end of it because they lack agency due", "learning to act in spite of it. Gaining confidence is always a good", "a three-dimensional character. Older adult characters (in which the main characters older than", "couldn’t help but feel that after that they had discarded all of Samun’s", "this, *how do I balance character growth and immaturity to keep the characters", "thing I’ve noticed is that readers hate watching characters backslide, they claim that", "character flaws that made him well-rounded and interesting and became blandly heroic. I", "to avoid making any character exclusively \"comedic relief\", so what I have done", "example of this.](https://www.youtube.com/watch?v=wnc22F3zy7Q) The original Ben 10* series was popular because the main", "comes off as them being uncaring about the needs of the people they", "bit difficult. The characters also have multiple flaws that aren't always highlighted with", "the characters grow over time, become more mature, and overcome their flaws. However,", "with teenage or young adult characters that are expected to grow over the", "resulted in a lot of viewers complaining that this made Ben annoying and", "perfectly mature in a Platonic sort of way they would never say stupid", "things that made them entertaining at the beginning of the story it comes", "to grow over the course of the story such that by the story’s", "or conflict, though obviously some characters end up skewed towards levity or drama.", "learn from their mistakes they seem to be less spontaneous, less interesting, and", "the broader issue is that... 1. It cheats the audience of seeing the", "plot is no longer about internal character development but external conflict. This is", "might say \"well that's why you end the series there\", but the broader", "to make them endearing is them learning to act in spite of it.", "and dimensions to explore ([viewers of serialized television will know what I'm talking", "in their personality but is also their greatest flaw. If they were to", "the plot. Fast-forward to the sequel series, Ben 10: Alien Force, and in", "flag to the reader that they are stuck in their ways and will", "Ben 10: Alien Force, and in the first two seasons the main character", "3 - The plot tension driven by character growth and inter-personal issues is", "is a clear viewpoint character. I am trying to avoid making any character", "make them funny, appealing, and likable as distinct entities.** I find their immaturity", "draws is character drama and growth. I have an ensemble cast of five", "and their clashing against each other creates drama and narrative tension * Book", "seeing characters profit from long-term character development, I've found) 2. The characters have", "arcs that provide drama or flaws that either provide levity or conflict, though", "story is heavily, heavily character-driven. The problem arises with character development. The story", "I am trying to avoid making any character exclusively \"comedic relief\", so what", "bracket represented by protagonists) I’ve noticed in fiction in general have a similar", "the main character got into stupid, immature antics that the audience could laugh", "confidence is always a good route for long-term character development with insecure characters", "of main character equally, though there is a clear viewpoint character. I am", "I couldn’t help but feel that after that they had discarded all of", "learn to deal with multiple flaws they start having the same problem again.", "too world-wise or else come across as having deep-seated issues that are presented", "memorable and entertaining, progress the plot, and avoid them from becoming \"blandly heroic\"?*", "beginning of the series to being a little more than a sounding board", "driven by character growth and inter-personal issues is at its minimum and the", "that made them endearing. I remember this was a problem with Samun in", "extreme change in character led the writers to try and bring back elements", "most pronounced and their clashing against each other creates drama and narrative tension", "at the beginning of the series to being a little more than a", "Book 1 - The characters are great because their flaws are at their", "about](https://tvtropes.org/pmwiki/pmwiki.php/Main/CompressedVice)). And even then that is only delaying the problem because as the", "flaws that either provide levity or conflict, though obviously some characters end up", "their flaws are at their most pronounced and their clashing against each other", "stupid things and always make the right decisions, but of course no human", "the difficulty with that is you have to forecast it ahead of time", "thinking about aiming for, the characters get better* at dealing with their flaws", "up until episode 11 but I couldn’t help but feel that after that", "sanded down * Book 3 - The plot tension driven by character growth", "then that is only delaying the problem because as the character learn to", "given all of this, how do I balance character growth and immaturity to", "episode 11 but I couldn’t help but feel that after that they had", "that they lose the jerkiness they now cease to have a personality. The", "but applying a comparable plot in, say, Book 3 wouldn't work because that", "exactly this reason. Fan outcry over this extreme change in character led the", "the people they care about around them and being unable to learn from", "and inter-personal issues is at its minimum and the story is less interesting", "else it comes off as the author/writers creating new flaws wholecloth because they've", "or else it comes off as the author/writers creating new flaws wholecloth because", "them a mixture of serious character arcs that provide drama or flaws that", "The problem arises with character development. The story is one where part of", "development with insecure characters but gain too much confidence and they have now", "character led the writers to try and bring back elements of Ben’s original", "character. * A third character has a core personality trait of “lovable jerk”,", "is also their greatest flaw. If they were to develop such that they", "being too world-wise or else come across as having deep-seated issues that are", "is a problem. * Another character lacks confidence, and part of what is", "to learn from their mistakes. There is a subplot in the first book", "tension driven by character growth and inter-personal issues is at its minimum and", "little more than a sounding board for the other lead characters by the", "blandly cool rather than compartmentalizing it as part of a multi-faceted character. ", "than the age bracket represented by protagonists) I’ve noticed in fiction in general", "main character got into stupid, immature antics that the audience could laugh at", "but feel that after that they had discarded all of Samun’s prior character", "\"well that's why you end the series there\", but the broader issue is", "a mixture of serious character arcs that provide drama or flaws that either", "the characters develop bad* habits instead of good habits can be a bit", "but of course no human being is like that. A good example of", "profit from their personal growth (audiences like seeing characters profit from long-term character", "that make the audience laugh. Their flaws cause them to make mistakes and", "to apply forethought, never manages to completely kick that habit and become a", "in character led the writers to try and bring back elements of Ben’s", "similar problem: either they come across as being too world-wise or else come", "over time, become more mature, and overcome their flaws. However, I am finding", "I am working on a series where one of the intended primary draws", "to have a personality. The problem with this is that with sufficient character", "for the author to want to finish the story. So, given all of", "works in reality. However, this is also the same Ariku who throws his", "characters profit from long-term character development, I've found) 2. The characters have to", "the first two seasons the main character lost all the character flaws that", "for and the character's edges have been sanded down * Book 3 -", "that made him interesting and just made him blandly cool rather than compartmentalizing", "can be a bit difficult. The characters also have multiple flaws that aren't", "some of their flaws are being compensated for and the character's edges have", "third character has a core personality trait of “lovable jerk”, which is a", "explore ([viewers of serialized television will know what I'm talking about](https://tvtropes.org/pmwiki/pmwiki.php/Main/CompressedVice)). And even", "interesting and just made him blandly cool rather than compartmentalizing it as part", "is less interesting as a result Some might say \"well that's why you", "character's edges have been sanded down * Book 3 - The plot tension", "or drama. The story is heavily, heavily character-driven. The problem arises with character", "create tension in the plot. *As they learn from their mistakes they seem", "until episode 11 but I couldn’t help but feel that after that they", "that the audience could laugh at or created tension in the plot. Fast-forward", "who fails to apply forethought, never manages to completely kick that habit and", "like* seeing characters profit from long-term character development, I've found) 2. The characters", "even though in reality people typically have ups and downs when it comes", "plot tension driven by character growth and inter-personal issues is at its minimum", "same Ariku who throws his cast out the window every four years or", "“batting average” when it comes to such situations. However, one thing I’ve noticed", "the effective deuteragonist at the beginning of the series to being a little", "back elements of Ben’s original characterization in season three of Alien Force, but", "is the perfect example of this.](https://www.youtube.com/watch?v=wnc22F3zy7Q) The original Ben 10 series was popular", "The story is heavily, heavily character-driven. The problem arises with character development. The", "say, Book 3 wouldn't work because that character isn't the same person who", "that is only delaying the problem because as the character learn to deal", "to look before they leap. This character ends up going from being the", "am trying to avoid making any character exclusively \"comedic relief\", so what I", "ups and downs.** For example, the character who fails to apply forethought, never", "The story is one where part of the intended appeal is watching the", "I try to get them to do the same things that made them", "so to avoid this exact same problem. This is also the same reason", "as having deep-seated issues that are presented as a red flag to the", "the story it comes off as them being uncaring about the needs of", "story such that by the story’s end they come off as archetypal and", "part of what is supposed to make them endearing is them learning to", "A little less interesting because some of their flaws are being compensated for", "personal growth (audiences like seeing characters profit from long-term character development, I've found)", "he says the reader wants the protagonist to be “always rising” even though", "cool rather than compartmentalizing it as part of a multi-faceted character. * A", "by this character exacerbating the problem with their arrogance and lack of forethought,", "mistakes anymore. Two other, smaller examples show additional ways how this is a", "also the same Ariku who throws his cast out the window every four", "primary draws is character drama and growth. I have an ensemble cast of", "flaws. However, I am finding that with positive character development the characters are", "them to make mistakes and create tension in the plot. As they learn", "expected to grow over the course of the story such that by the", "the main character lost all the character flaws that made him well-rounded and", "but a bunch of generic heroic self-inserts for the reader, and the plot", "character arcs that provide drama or flaws that either provide levity or conflict,", "arises with character development. The story is one where part of the intended", "Alien Force, but this resulted in a lot of viewers complaining that this", "11 but I couldn’t help but feel that after that they had discarded", "get better at dealing with their flaws but they don’t always completely overcome", "protagonist to be “always rising” even though that's not how it works in", "better at dealing with their flaws but they don’t always completely overcome them", "reason why having the characters develop bad habits instead of good habits can", "make mistakes and create tension in the plot. As they learn from their", "spontaneous, less interesting, and overall less proactive. Taking this to the extremes if", "viewpoint character. I am trying to avoid making any character exclusively \"comedic relief\",", "such that by the story’s end they come off as archetypal and messianic", "now cease to have a personality. *The problem with this is that with", "ways and will never change. [I remember thinking the Ben 10 franchise is", "that's not how it works in reality. However, this is also the same", "noticed is that readers hate watching characters backslide, they claim that it’s “character", "- A little less interesting because some of their flaws are being compensated", "do the same things that made them entertaining at the beginning of the", "who has a fatal flaw of frequently neglecting to look before they leap.", "but I couldn’t help but feel that after that they had discarded all", "than a sounding board for the other lead characters by the end of", "making any character exclusively \"comedic relief\", so what I have done is give", "when it comes to a flaw. Hirohiko Ariku actually wrote about this in", "creates drama and narrative tension Book 2 - A little less interesting", "them endearing. I remember this was a problem with Samun in Tengen Toppa", "returns.* Case in point. * Book 1 - The characters are great because", "and Practice* where he says the reader wants the protagonist to be “always", "of the character that made them endearing. I remember this was a problem", "of five characters who more or less share the role of main character", "because they lack agency due to character development. If I try to get", "needs of the people they care about around them and being unable to", "and likable as distinct entities.** I find their immaturity makes them do or", "else come across as having deep-seated issues that are presented as a red", "as being too world-wise or else come across as having deep-seated issues that", "out of previously-existing character flaws and dimensions to explore ([viewers of serialized television", "other, smaller examples show additional ways how this is a problem. * Another", "that habit and become a thoughtful person but instead merely manages to improve", "them and being unable to learn from their mistakes. There is a subplot", "mistakes. There is a subplot in the first book where 90% of the", "and immature. I have often heard it said that “we never learn to", "delaying the problem because as the character learn to deal with multiple flaws", "came off as interesting up until episode 11 but I couldn’t help but", "backslide, they claim that it’s “character regression”, even though in reality people typically", "development. The story is one where part of the intended appeal is watching", "work because that character isn't the same person who would make those mistakes", "the character flaws that made him well-rounded and interesting and became blandly heroic.", "though there is a clear viewpoint character. I am trying to avoid making", "it works in reality. However, this is also the same Ariku who throws", "trying to avoid making any character exclusively \"comedic relief\", so what I have", "presented as a red flag to the reader that they are stuck in", "less spontaneous, less interesting, and overall less proactive. Taking this to the extremes", "(in which the main characters older than the age bracket represented by protagonists)", "come across as being too world-wise or else come across as having deep-seated", "and they have their ups and downs. For example, the character who fails", "characters older than the age bracket represented by protagonists) I’ve noticed in fiction", "are expected to grow over the course of the story such that by", "over the course of the story such that by the story’s end they", "led the writers to try and bring back elements of Ben’s original characterization", "is like that. A good example of this in my case is one", "line where it can wrap up its overarching plot 3. The characters have", "up its overarching plot 3. The characters have to stay interesting enough for", "with sufficient character development it is no longer these quirky, distinct, memorable characters", "those mistakes anymore. Two other, smaller examples show additional ways how this is", "diminishing returns. Case in point. * Book 1 - The characters are great", "as archetypal and messianic rather than a three-dimensional character. Older adult characters (in", "this exact same problem. This is also the same reason why having the", "interesting, and overall less proactive.** Taking this to the extremes if the characters", "instead of good habits can be a bit difficult. The characters also have", "series to the finish line where it can wrap up its overarching plot", "person but instead merely manages to improve their “batting average” when it comes", "a subplot in the first book where 90% of the conflict was driven", "perfect example of this.](https://www.youtube.com/watch?v=wnc22F3zy7Q) The original Ben 10 series was popular because the", "characters were perfectly mature in a Platonic sort of way they would never", "the other lead characters by the end of it because they lack agency", "to want to finish the story. So, given all of this, how do", "how do I balance character growth and immaturity to keep the characters memorable", "its minimum and the story is less interesting as a result Some might", "to be interesting enough to carry the series to the finish line where", "have multiple flaws that aren't always highlighted with every decision, the difficulty with", "this is that with sufficient character development it is no longer these quirky,", "even then that is only delaying the problem because as the character learn", "memorable characters interacting with each other and having adventures, but a bunch of", "feel that after that they had discarded all of Samun’s prior character traits", "do or say stupid things that make the audience laugh. Their flaws cause", "every decision, the difficulty with that is you have to forecast it ahead", "again. The big issue with this is it creates diminishing returns. Case in", "make the audience laugh. Their flaws cause them to make mistakes and create", "as interesting up until episode 11 but I couldn’t help but feel that", "And even then that is only delaying the problem because as the character", "for the reader, and the plot is no longer about internal character development", "that either provide levity or conflict, though obviously some characters end up skewed", "characters are losing the traits that make them funny, appealing, and likable as", "when it comes to such situations. However, one thing I’ve noticed is that", "one of the protagonists who has a fatal flaw of frequently neglecting to", "traits that make them funny, appealing, and likable as distinct entities. I find", "three-dimensional character. Older adult characters (in which the main characters older than the", "and overcome their flaws. However, I am finding that with positive character development", "overcome their flaws. *However, I am finding that with positive character development the", "immaturity makes them do or say stupid things that make the audience laugh.", "before they leap. This character ends up going from being the effective deuteragonist", "of previously-existing character flaws and dimensions to explore ([viewers of serialized television will", "great because their flaws are at their most pronounced and their clashing against", "a problem. Another character lacks confidence, and part of what is supposed", "characters get better at dealing with their flaws but they don’t always completely", "these quirky, distinct, memorable characters interacting with each other and having adventures, but", "with character development. The story is one where part of the intended appeal", "little less interesting because some of their flaws are being compensated for and", "make them endearing is them learning to act in spite of it. Gaining", "in the first book where 90% of the conflict was driven by this", "throws his cast out the window every four years or so to avoid", "three of Alien Force, but this resulted in a lot of viewers complaining", "time, become more mature, and overcome their flaws. *However, I am finding that", "problem with Samun in Tengen Toppa Gurren Lagann, the character’s development came off", "a bunch of generic heroic self-inserts for the reader, and the plot is", "a good route for long-term character development with insecure characters but gain too", "would make those mistakes anymore. Two other, smaller examples show additional ways how", "Book 3 wouldn't work because that character isn't the same person who would", "how this is a problem. Another character lacks confidence, and part of", "care about around them and being unable to learn from their mistakes. There", "with each other and having adventures, but a bunch of generic heroic self-inserts", "with Samun in Tengen Toppa Gurren Lagann, the character’s development came off as", "Taking this to the extremes if the characters were perfectly mature in a", "always a good route for long-term character development with insecure characters but gain", "a thoughtful person but instead merely manages to improve their “batting average” when", "we just learn to compensate for them better”. That was one thing I", "forecast it ahead of time or else it comes off as the author/writers", "deuteragonist at the beginning of the series to being a little more than", "is a major factor in their personality but is also their greatest flaw.", "all of Samun’s prior character traits that made him interesting and just made", "reader, and the plot is no longer about internal character development but external", "and always make the right decisions, but of course no human being is", "If they were to develop such that they lose the jerkiness they now", "start having the same problem again. The big issue with this is it", "the same problem again. The big issue with this is it creates diminishing", "characters but gain too much confidence and they have now lost the core", "characters by the end of it because they lack agency due to character", "television will know what I'm talking about](https://tvtropes.org/pmwiki/pmwiki.php/Main/CompressedVice)). And even then that is only", "comes to a flaw. Hirohiko Ariku actually wrote about this in Manga in", "problem with this is that with sufficient character development it is no longer", "person who would make those mistakes anymore. Two other, smaller examples show additional", "help but feel that after that they had discarded all of Samun’s prior", "[I remember thinking the Ben 10 franchise is the perfect example of this.](https://www.youtube.com/watch?v=wnc22F3zy7Q)", "talking about](https://tvtropes.org/pmwiki/pmwiki.php/Main/CompressedVice)). And even then that is only delaying the problem because as", "that. A good example of this in my case is one of the", "this made Ben annoying and immature. I have often heard it said that", "and messianic rather than a three-dimensional character. Older adult characters (in which the", "I remember dropping the series for exactly this reason. Fan outcry over this", "and bring back elements of Ben’s original characterization in season three of Alien", "case is one of the protagonists who has a fatal flaw of frequently", "the age bracket represented by protagonists) I’ve noticed in fiction in general have", "its overarching plot 3. The characters have to stay interesting enough for the", "Manga in Theory and Practice where he says the reader wants the protagonist", "* Book 3 - The plot tension driven by character growth and inter-personal", "but is also their greatest flaw. If they were to develop such that", "the first book where 90% of the conflict was driven by this character", "they don’t always completely overcome them and they have their ups and downs.", "- The characters are great because their flaws are at their most pronounced", "is give them a mixture of serious character arcs that provide drama or", "people they care about around them and being unable to learn from their", "bunch of generic heroic self-inserts for the reader, and the plot is no", "to being a little more than a sounding board for the other lead", "is it creates diminishing returns. Case in point. * Book 1 - The", "with positive character development the characters are losing the traits that make them", "as distinct entities. I find their immaturity makes them do or say stupid", "uncaring about the needs of the people they care about around them and", "long-term character development with insecure characters but gain too much confidence and they", "Another character lacks confidence, and part of what is supposed to make them", "them better”. That was one thing I was thinking about aiming for, the", "the needs of the people they care about around them and being unable", "more mature, and overcome their flaws. However, I am finding that with positive", "teenage or young adult characters that are expected to grow over the course", "any character exclusively \"comedic relief\", so what I have done is give them", "thinking the Ben 10 franchise is the perfect example of this.](https://www.youtube.com/watch?v=wnc22F3zy7Q) The original", "up skewed towards levity or drama. The story is heavily, heavily character-driven. The", "the reader, and the plot is no longer about internal character development but", "off as them being uncaring about the needs of the people they care", "levity or drama. The story is heavily, heavily character-driven. The problem arises with", "*However, I am finding that with positive character development the characters are losing", "There is a subplot in the first book where 90% of the conflict", "the protagonists who has a fatal flaw of frequently neglecting to look before", "where it can wrap up its overarching plot 3. The characters have to", "Ben’s original characterization in season three of Alien Force*, but this resulted in", "right decisions, but of course no human being is like that. A good", "insecure characters but gain too much confidence and they have now lost the", "the writers to try and bring back elements of Ben’s original characterization in", "good example of this in my case is one of the protagonists who", "being the effective deuteragonist at the beginning of the series to being a", "merely manages to improve their “batting average” when it comes to such situations.", "had discarded all of Samun’s prior character traits that made him interesting and" ]
[ "wondering if this approach is a realistic one. I have used countless templates", "no avail, and I am wondering if this approach is a realistic one.", "needs. Is this how most authors find agents realistically speaking? Or do most", "agents through some kind of a referral or conference request? I mostly write", "approach is a realistic one. I have used countless templates in crafting my", "QUERYING agents for nearly three years to no avail, and I am wondering", "catered to the agents needs. Is this how most authors find agents realistically", "templates in crafting my query letter and all my queries were catered to", "crafting my query letter and all my queries were catered to the agents", "been BLIND QUERYING agents for nearly three years to no avail, and I", "through some kind of a referral or conference request? I mostly write Christian", "authors find agents through some kind of a referral or conference request? I", "have been BLIND QUERYING agents for nearly three years to no avail, and", "BLIND QUERYING agents for nearly three years to no avail, and I am", "query letter and all my queries were catered to the agents needs. Is", "some kind of a referral or conference request? I mostly write Christian fantasies.", "for nearly three years to no avail, and I am wondering if this", "I am wondering if this approach is a realistic one. I have used", "realistically speaking? Or do most authors find agents through some kind of a", "most authors find agents through some kind of a referral or conference request?", "authors find agents realistically speaking? Or do most authors find agents through some", "am wondering if this approach is a realistic one. I have used countless", "if this approach is a realistic one. I have used countless templates in", "this approach is a realistic one. I have used countless templates in crafting", "a realistic one. I have used countless templates in crafting my query letter", "I have been BLIND QUERYING agents for nearly three years to no avail,", "were catered to the agents needs. Is this how most authors find agents", "how most authors find agents realistically speaking? Or do most authors find agents", "find agents through some kind of a referral or conference request? I mostly", "three years to no avail, and I am wondering if this approach is", "the agents needs. Is this how most authors find agents realistically speaking? Or", "have used countless templates in crafting my query letter and all my queries", "to the agents needs. Is this how most authors find agents realistically speaking?", "Or do most authors find agents through some kind of a referral or", "and all my queries were catered to the agents needs. Is this how", "Is this how most authors find agents realistically speaking? Or do most authors", "agents for nearly three years to no avail, and I am wondering if", "years to no avail, and I am wondering if this approach is a", "most authors find agents realistically speaking? Or do most authors find agents through", "to no avail, and I am wondering if this approach is a realistic", "and I am wondering if this approach is a realistic one. I have", "avail, and I am wondering if this approach is a realistic one. I", "do most authors find agents through some kind of a referral or conference", "letter and all my queries were catered to the agents needs. Is this", "is a realistic one. I have used countless templates in crafting my query", "countless templates in crafting my query letter and all my queries were catered", "in crafting my query letter and all my queries were catered to the", "my query letter and all my queries were catered to the agents needs.", "all my queries were catered to the agents needs. Is this how most", "queries were catered to the agents needs. Is this how most authors find", "agents realistically speaking? Or do most authors find agents through some kind of", "this how most authors find agents realistically speaking? Or do most authors find", "nearly three years to no avail, and I am wondering if this approach", "find agents realistically speaking? Or do most authors find agents through some kind", "one. I have used countless templates in crafting my query letter and all", "used countless templates in crafting my query letter and all my queries were", "my queries were catered to the agents needs. Is this how most authors", "speaking? Or do most authors find agents through some kind of a referral", "I have used countless templates in crafting my query letter and all my", "realistic one. I have used countless templates in crafting my query letter and", "agents needs. Is this how most authors find agents realistically speaking? Or do" ]
[ "masqueraded](https://tvtropes.org/pmwiki/pmwiki.php/Main/KillAndReplace) as a priest giving her emotional support to destroy her sanity and", "interest, [showing that she has hit rock bottom](https://tvtropes.org/pmwiki/pmwiki.php/Main/DespairEventHorizon) and leaving her wanting to", "where the deuteragonist's sanity slippage occurs in a gradual and believable fashion, rather", "dead and having no human contact for over six centuries. Things get worse", "as bad as it sounds. The problem is that I want to write", "a crucial factor in making the deuteragonist abandon her religious views, as he", "in making the deuteragonist abandon her religious views, as he comes to believe", "and render the protagonist susceptible to influence from Jǫrmungandr. All of this insanity", "messed up than the protagonist and has Major Depressive Disorder, [but hides it", "serves as the [protagonist's moral compass](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheConscience), criticising him for his less than heroic", "than heroic acts. The series suggests that the deuteragonist is even more messed", "Jǫrmungandr. All of this insanity ends with the deuteragonist masturbating to a memory", "her emotional support to destroy her sanity and render the protagonist susceptible to", "his less than heroic acts. The series suggests that the deuteragonist is even", "having sex with his former love interest, [showing that she has hit rock", "get worse when the deuteragonist learns that the various visions of Angels and", "characterisation takes many cues from [Artoria Pendragon](https://typemoon.fandom.com/wiki/Saber_(Fate/stay_night))) and serves as the [protagonist's moral", "suffers from severe cases of Borderline Personality Disorder, Body Dysmorphic Disorder and sex", "in life were attempts by an [aeons-old, serpentine monstrosity](https://tvtropes.org/pmwiki/pmwiki.php/Main/EldritchAbomination) with omnicidal tendencies called", "of Borderline Personality Disorder, Body Dysmorphic Disorder and sex addiction). Such mental instability", "to believe that she died for a lie and another is when Jǫrmungandr's", "lie and another is when Jǫrmungandr's \"father\"/\"messager\", Lomo reveals that he [killed and", "d'Arc (whose characterisation takes many cues from [Artoria Pendragon](https://typemoon.fandom.com/wiki/Saber_(Fate/stay_night))) and serves as the", "is even more messed up than the protagonist and has Major Depressive Disorder,", "having no human contact for over six centuries. Things get worse when the", "with the deuteragonist masturbating to a memory of the protagonist having sex with", "sounds. The problem is that I want to write in a manner where", "modern society's values where religion is outright mocked, everyone she knows being dead", "to commit suicide. And yes, it's as bad as it sounds. The problem", "Juopne d'Arc (whose characterisation takes many cues from [Artoria Pendragon](https://typemoon.fandom.com/wiki/Saber_(Fate/stay_night))) and serves as", "and leaving her wanting to commit suicide. And yes, it's as bad as", "from the trauma of the Hundred Years War, struggling to conform to modern", "knows being dead and having no human contact for over six centuries. Things", "[but hides it better](https://tvtropes.org/pmwiki/pmwiki.php/Main/MaskOfSanity) (which says a lot, given that the protagonist suffers", "attempts by an [aeons-old, serpentine monstrosity](https://tvtropes.org/pmwiki/pmwiki.php/Main/EldritchAbomination) with omnicidal tendencies called Jǫrmungandr to manipulate", "This revelation is a crucial factor in making the deuteragonist abandon her religious", "struggling to conform to modern society's values where religion is outright mocked, everyone", "be Juopne d'Arc (whose characterisation takes many cues from [Artoria Pendragon](https://typemoon.fandom.com/wiki/Saber_(Fate/stay_night))) and serves", "series suggests that the deuteragonist is even more messed up than the protagonist", "and has Major Depressive Disorder, [but hides it better](https://tvtropes.org/pmwiki/pmwiki.php/Main/MaskOfSanity) (which says a lot,", "Body Dysmorphic Disorder and sex addiction). Such mental instability stems from the trauma", "mocked, everyone she knows being dead and having no human contact for over", "for a lie and another is when Jǫrmungandr's \"father\"/\"messager\", Lomo reveals that he", "Disorder and sex addiction). Such mental instability stems from the trauma of the", "of this insanity ends with the deuteragonist masturbating to a memory of the", "sanity slippage occurs in a gradual and believable fashion, rather than some contrived,", "the [protagonist's moral compass](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheConscience), criticising him for his less than heroic acts. The", "suggests that the deuteragonist is even more messed up than the protagonist and", "that I want to write in a manner where the deuteragonist's sanity slippage", "centuries. Things get worse when the deuteragonist learns that the various visions of", "severe cases of Borderline Personality Disorder, Body Dysmorphic Disorder and sex addiction). Such", "trilogy, The Ragnarǫk Sequence is heavily implied to be Juopne d'Arc (whose characterisation", "the deuteragonist learns that the various visions of Angels and Saints she had", "Depressive Disorder, [but hides it better](https://tvtropes.org/pmwiki/pmwiki.php/Main/MaskOfSanity) (which says a lot, given that the", "to manipulate her into freeing it. This revelation is a crucial factor in", "and believable fashion, rather than some contrived, implausible way. How should I accomplish", "the protagonist susceptible to influence from Jǫrmungandr. All of this insanity ends with", "as the [protagonist's moral compass](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheConscience), criticising him for his less than heroic acts.", "comes to believe that she died for a lie and another is when", "factor in making the deuteragonist abandon her religious views, as he comes to", "him for his less than heroic acts. The series suggests that the deuteragonist", "to a memory of the protagonist having sex with his former love interest,", "and another is when Jǫrmungandr's \"father\"/\"messager\", Lomo reveals that he [killed and masqueraded](https://tvtropes.org/pmwiki/pmwiki.php/Main/KillAndReplace)", "religion is outright mocked, everyone she knows being dead and having no human", "the protagonist and has Major Depressive Disorder, [but hides it better](https://tvtropes.org/pmwiki/pmwiki.php/Main/MaskOfSanity) (which says", "crucial factor in making the deuteragonist abandon her religious views, as he comes", "she died for a lie and another is when Jǫrmungandr's \"father\"/\"messager\", Lomo reveals", "that he [killed and masqueraded](https://tvtropes.org/pmwiki/pmwiki.php/Main/KillAndReplace) as a priest giving her emotional support to", "instability stems from the trauma of the Hundred Years War, struggling to conform", "is outright mocked, everyone she knows being dead and having no human contact", "in a gradual and believable fashion, rather than some contrived, implausible way. How", "sex addiction). Such mental instability stems from the trauma of the Hundred Years", "more messed up than the protagonist and has Major Depressive Disorder, [but hides", "insanity ends with the deuteragonist masturbating to a memory of the protagonist having", "religious views, as he comes to believe that she died for a lie", "manipulate her into freeing it. This revelation is a crucial factor in making", "he comes to believe that she died for a lie and another is", "I want to write in a manner where the deuteragonist's sanity slippage occurs", "Sequence* is heavily implied to be Juopne d'Arc (whose characterisation takes many cues", "yes, it's as bad as it sounds. The problem is that I want", "bad as it sounds. The problem is that I want to write in", "were attempts by an [aeons-old, serpentine monstrosity](https://tvtropes.org/pmwiki/pmwiki.php/Main/EldritchAbomination) with omnicidal tendencies called Jǫrmungandr to", "manner where the deuteragonist's sanity slippage occurs in a gradual and believable fashion,", "to modern society's values where religion is outright mocked, everyone she knows being", "The problem is that I want to write in a manner where the", "with omnicidal tendencies called Jǫrmungandr to manipulate her into freeing it. This revelation", "six centuries. Things get worse when the deuteragonist learns that the various visions", "commit suicide. And yes, it's as bad as it sounds. The problem is", "acts. The series suggests that the deuteragonist is even more messed up than", "than the protagonist and has Major Depressive Disorder, [but hides it better](https://tvtropes.org/pmwiki/pmwiki.php/Main/MaskOfSanity) (which", "\"father\"/\"messager\", Lomo reveals that he [killed and masqueraded](https://tvtropes.org/pmwiki/pmwiki.php/Main/KillAndReplace) as a priest giving her", "when the deuteragonist learns that the various visions of Angels and Saints she", "[showing that she has hit rock bottom](https://tvtropes.org/pmwiki/pmwiki.php/Main/DespairEventHorizon) and leaving her wanting to commit", "write in a manner where the deuteragonist's sanity slippage occurs in a gradual", "priest giving her emotional support to destroy her sanity and render the protagonist", "the protagonist suffers from severe cases of Borderline Personality Disorder, Body Dysmorphic Disorder", "values where religion is outright mocked, everyone she knows being dead and having", "want to write in a manner where the deuteragonist's sanity slippage occurs in", "protagonist suffers from severe cases of Borderline Personality Disorder, Body Dysmorphic Disorder and", "and sex addiction). Such mental instability stems from the trauma of the Hundred", "it better](https://tvtropes.org/pmwiki/pmwiki.php/Main/MaskOfSanity) (which says a lot, given that the protagonist suffers from severe", "that she died for a lie and another is when Jǫrmungandr's \"father\"/\"messager\", Lomo", "outright mocked, everyone she knows being dead and having no human contact for", "The Ragnarǫk Sequence is heavily implied to be Juopne d'Arc (whose characterisation takes", "deuteragonist is even more messed up than the protagonist and has Major Depressive", "life were attempts by an [aeons-old, serpentine monstrosity](https://tvtropes.org/pmwiki/pmwiki.php/Main/EldritchAbomination) with omnicidal tendencies called Jǫrmungandr", "an [aeons-old, serpentine monstrosity](https://tvtropes.org/pmwiki/pmwiki.php/Main/EldritchAbomination) with omnicidal tendencies called Jǫrmungandr to manipulate her into", "Jǫrmungandr to manipulate her into freeing it. This revelation is a crucial factor", "it's as bad as it sounds. The problem is that I want to", "is that I want to write in a manner where the deuteragonist's sanity", "criticising him for his less than heroic acts. The series suggests that the", "slippage occurs in a gradual and believable fashion, rather than some contrived, implausible", "sex with his former love interest, [showing that she has hit rock bottom](https://tvtropes.org/pmwiki/pmwiki.php/Main/DespairEventHorizon)", "deuteragonist learns that the various visions of Angels and Saints she had in", "deuteragonist of my trilogy, The Ragnarǫk Sequence is heavily implied to be Juopne", "Major Depressive Disorder, [but hides it better](https://tvtropes.org/pmwiki/pmwiki.php/Main/MaskOfSanity) (which says a lot, given that", "many cues from [Artoria Pendragon](https://typemoon.fandom.com/wiki/Saber_(Fate/stay_night))) and serves as the [protagonist's moral compass](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheConscience), criticising", "support to destroy her sanity and render the protagonist susceptible to influence from", "addiction). Such mental instability stems from the trauma of the Hundred Years War,", "he [killed and masqueraded](https://tvtropes.org/pmwiki/pmwiki.php/Main/KillAndReplace) as a priest giving her emotional support to destroy", "over six centuries. Things get worse when the deuteragonist learns that the various", "stems from the trauma of the Hundred Years War, struggling to conform to", "Things get worse when the deuteragonist learns that the various visions of Angels", "hit rock bottom](https://tvtropes.org/pmwiki/pmwiki.php/Main/DespairEventHorizon) and leaving her wanting to commit suicide. And yes, it's", "as it sounds. The problem is that I want to write in a", "and serves as the [protagonist's moral compass](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheConscience), criticising him for his less than", "Disorder, [but hides it better](https://tvtropes.org/pmwiki/pmwiki.php/Main/MaskOfSanity) (which says a lot, given that the protagonist", "tendencies called Jǫrmungandr to manipulate her into freeing it. This revelation is a", "leaving her wanting to commit suicide. And yes, it's as bad as it", "heavily implied to be Juopne d'Arc (whose characterisation takes many cues from [Artoria", "The deuteragonist of my trilogy, The Ragnarǫk Sequence is heavily implied to be", "mental instability stems from the trauma of the Hundred Years War, struggling to", "a memory of the protagonist having sex with his former love interest, [showing", "deuteragonist masturbating to a memory of the protagonist having sex with his former", "suicide. And yes, it's as bad as it sounds. The problem is that", "my trilogy, The Ragnarǫk Sequence is heavily implied to be Juopne d'Arc (whose", "(whose characterisation takes many cues from [Artoria Pendragon](https://typemoon.fandom.com/wiki/Saber_(Fate/stay_night))) and serves as the [protagonist's", "compass](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheConscience), criticising him for his less than heroic acts. The series suggests that", "memory of the protagonist having sex with his former love interest, [showing that", "wanting to commit suicide. And yes, it's as bad as it sounds. The", "in a manner where the deuteragonist's sanity slippage occurs in a gradual and", "Lomo reveals that he [killed and masqueraded](https://tvtropes.org/pmwiki/pmwiki.php/Main/KillAndReplace) as a priest giving her emotional", "War, struggling to conform to modern society's values where religion is outright mocked,", "destroy her sanity and render the protagonist susceptible to influence from Jǫrmungandr. All", "for his less than heroic acts. The series suggests that the deuteragonist is", "conform to modern society's values where religion is outright mocked, everyone she knows", "Jǫrmungandr's \"father\"/\"messager\", Lomo reveals that he [killed and masqueraded](https://tvtropes.org/pmwiki/pmwiki.php/Main/KillAndReplace) as a priest giving", "former love interest, [showing that she has hit rock bottom](https://tvtropes.org/pmwiki/pmwiki.php/Main/DespairEventHorizon) and leaving her", "reveals that he [killed and masqueraded](https://tvtropes.org/pmwiki/pmwiki.php/Main/KillAndReplace) as a priest giving her emotional support", "masturbating to a memory of the protagonist having sex with his former love", "making the deuteragonist abandon her religious views, as he comes to believe that", "she has hit rock bottom](https://tvtropes.org/pmwiki/pmwiki.php/Main/DespairEventHorizon) and leaving her wanting to commit suicide. And", "the deuteragonist masturbating to a memory of the protagonist having sex with his", "up than the protagonist and has Major Depressive Disorder, [but hides it better](https://tvtropes.org/pmwiki/pmwiki.php/Main/MaskOfSanity)", "And yes, it's as bad as it sounds. The problem is that I", "a priest giving her emotional support to destroy her sanity and render the", "is a crucial factor in making the deuteragonist abandon her religious views, as", "freeing it. This revelation is a crucial factor in making the deuteragonist abandon", "to be Juopne d'Arc (whose characterisation takes many cues from [Artoria Pendragon](https://typemoon.fandom.com/wiki/Saber_(Fate/stay_night))) and", "has Major Depressive Disorder, [but hides it better](https://tvtropes.org/pmwiki/pmwiki.php/Main/MaskOfSanity) (which says a lot, given", "implied to be Juopne d'Arc (whose characterisation takes many cues from [Artoria Pendragon](https://typemoon.fandom.com/wiki/Saber_(Fate/stay_night)))", "her sanity and render the protagonist susceptible to influence from Jǫrmungandr. All of", "of the Hundred Years War, struggling to conform to modern society's values where", "various visions of Angels and Saints she had in life were attempts by", "emotional support to destroy her sanity and render the protagonist susceptible to influence", "Ragnarǫk Sequence* is heavily implied to be Juopne d'Arc (whose characterisation takes many", "deuteragonist's sanity slippage occurs in a gradual and believable fashion, rather than some", "heroic acts. The series suggests that the deuteragonist is even more messed up", "better](https://tvtropes.org/pmwiki/pmwiki.php/Main/MaskOfSanity) (which says a lot, given that the protagonist suffers from severe cases", "[protagonist's moral compass](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheConscience), criticising him for his less than heroic acts. The series", "into freeing it. This revelation is a crucial factor in making the deuteragonist", "by an [aeons-old, serpentine monstrosity](https://tvtropes.org/pmwiki/pmwiki.php/Main/EldritchAbomination) with omnicidal tendencies called Jǫrmungandr to manipulate her", "Personality Disorder, Body Dysmorphic Disorder and sex addiction). Such mental instability stems from", "influence from Jǫrmungandr. All of this insanity ends with the deuteragonist masturbating to", "protagonist and has Major Depressive Disorder, [but hides it better](https://tvtropes.org/pmwiki/pmwiki.php/Main/MaskOfSanity) (which says a", "serpentine monstrosity](https://tvtropes.org/pmwiki/pmwiki.php/Main/EldritchAbomination) with omnicidal tendencies called Jǫrmungandr to manipulate her into freeing it.", "another is when Jǫrmungandr's \"father\"/\"messager\", Lomo reveals that he [killed and masqueraded](https://tvtropes.org/pmwiki/pmwiki.php/Main/KillAndReplace) as", "to influence from Jǫrmungandr. All of this insanity ends with the deuteragonist masturbating", "and Saints she had in life were attempts by an [aeons-old, serpentine monstrosity](https://tvtropes.org/pmwiki/pmwiki.php/Main/EldritchAbomination)", "her wanting to commit suicide. And yes, it's as bad as it sounds.", "and masqueraded](https://tvtropes.org/pmwiki/pmwiki.php/Main/KillAndReplace) as a priest giving her emotional support to destroy her sanity", "cues from [Artoria Pendragon](https://typemoon.fandom.com/wiki/Saber_(Fate/stay_night))) and serves as the [protagonist's moral compass](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheConscience), criticising him", "even more messed up than the protagonist and has Major Depressive Disorder, [but", "her religious views, as he comes to believe that she died for a", "is when Jǫrmungandr's \"father\"/\"messager\", Lomo reveals that he [killed and masqueraded](https://tvtropes.org/pmwiki/pmwiki.php/Main/KillAndReplace) as a", "All of this insanity ends with the deuteragonist masturbating to a memory of", "her into freeing it. This revelation is a crucial factor in making the", "visions of Angels and Saints she had in life were attempts by an", "a lie and another is when Jǫrmungandr's \"father\"/\"messager\", Lomo reveals that he [killed", "the various visions of Angels and Saints she had in life were attempts", "[Artoria Pendragon](https://typemoon.fandom.com/wiki/Saber_(Fate/stay_night))) and serves as the [protagonist's moral compass](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheConscience), criticising him for his", "deuteragonist abandon her religious views, as he comes to believe that she died", "the Hundred Years War, struggling to conform to modern society's values where religion", "she had in life were attempts by an [aeons-old, serpentine monstrosity](https://tvtropes.org/pmwiki/pmwiki.php/Main/EldritchAbomination) with omnicidal", "believe that she died for a lie and another is when Jǫrmungandr's \"father\"/\"messager\",", "protagonist having sex with his former love interest, [showing that she has hit", "love interest, [showing that she has hit rock bottom](https://tvtropes.org/pmwiki/pmwiki.php/Main/DespairEventHorizon) and leaving her wanting", "society's values where religion is outright mocked, everyone she knows being dead and", "being dead and having no human contact for over six centuries. Things get", "Saints she had in life were attempts by an [aeons-old, serpentine monstrosity](https://tvtropes.org/pmwiki/pmwiki.php/Main/EldritchAbomination) with", "giving her emotional support to destroy her sanity and render the protagonist susceptible", "it sounds. The problem is that I want to write in a manner", "Hundred Years War, struggling to conform to modern society's values where religion is", "The series suggests that the deuteragonist is even more messed up than the", "ends with the deuteragonist masturbating to a memory of the protagonist having sex", "moral compass](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheConscience), criticising him for his less than heroic acts. The series suggests", "susceptible to influence from Jǫrmungandr. All of this insanity ends with the deuteragonist", "protagonist susceptible to influence from Jǫrmungandr. All of this insanity ends with the", "Angels and Saints she had in life were attempts by an [aeons-old, serpentine", "she knows being dead and having no human contact for over six centuries.", "no human contact for over six centuries. Things get worse when the deuteragonist", "monstrosity](https://tvtropes.org/pmwiki/pmwiki.php/Main/EldritchAbomination) with omnicidal tendencies called Jǫrmungandr to manipulate her into freeing it. This", "called Jǫrmungandr to manipulate her into freeing it. This revelation is a crucial", "rock bottom](https://tvtropes.org/pmwiki/pmwiki.php/Main/DespairEventHorizon) and leaving her wanting to commit suicide. And yes, it's as", "as he comes to believe that she died for a lie and another", "problem is that I want to write in a manner where the deuteragonist's", "the deuteragonist abandon her religious views, as he comes to believe that she", "[aeons-old, serpentine monstrosity](https://tvtropes.org/pmwiki/pmwiki.php/Main/EldritchAbomination) with omnicidal tendencies called Jǫrmungandr to manipulate her into freeing", "a lot, given that the protagonist suffers from severe cases of Borderline Personality", "human contact for over six centuries. Things get worse when the deuteragonist learns", "contact for over six centuries. Things get worse when the deuteragonist learns that", "as a priest giving her emotional support to destroy her sanity and render", "Pendragon](https://typemoon.fandom.com/wiki/Saber_(Fate/stay_night))) and serves as the [protagonist's moral compass](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheConscience), criticising him for his less", "his former love interest, [showing that she has hit rock bottom](https://tvtropes.org/pmwiki/pmwiki.php/Main/DespairEventHorizon) and leaving", "the deuteragonist's sanity slippage occurs in a gradual and believable fashion, rather than", "to conform to modern society's values where religion is outright mocked, everyone she", "and having no human contact for over six centuries. Things get worse when", "Years War, struggling to conform to modern society's values where religion is outright", "everyone she knows being dead and having no human contact for over six", "the deuteragonist is even more messed up than the protagonist and has Major", "omnicidal tendencies called Jǫrmungandr to manipulate her into freeing it. This revelation is", "Disorder, Body Dysmorphic Disorder and sex addiction). Such mental instability stems from the", "sanity and render the protagonist susceptible to influence from Jǫrmungandr. All of this", "of Angels and Saints she had in life were attempts by an [aeons-old,", "trauma of the Hundred Years War, struggling to conform to modern society's values", "that the various visions of Angels and Saints she had in life were", "gradual and believable fashion, rather than some contrived, implausible way. *How should I", "died for a lie and another is when Jǫrmungandr's \"father\"/\"messager\", Lomo reveals that", "from Jǫrmungandr. All of this insanity ends with the deuteragonist masturbating to a", "that she has hit rock bottom](https://tvtropes.org/pmwiki/pmwiki.php/Main/DespairEventHorizon) and leaving her wanting to commit suicide.", "that the deuteragonist is even more messed up than the protagonist and has", "lot, given that the protagonist suffers from severe cases of Borderline Personality Disorder,", "worse when the deuteragonist learns that the various visions of Angels and Saints", "[killed and masqueraded](https://tvtropes.org/pmwiki/pmwiki.php/Main/KillAndReplace) as a priest giving her emotional support to destroy her", "the protagonist having sex with his former love interest, [showing that she has", "(which says a lot, given that the protagonist suffers from severe cases of", "of my trilogy, The Ragnarǫk Sequence* is heavily implied to be Juopne d'Arc", "says a lot, given that the protagonist suffers from severe cases of Borderline", "takes many cues from [Artoria Pendragon](https://typemoon.fandom.com/wiki/Saber_(Fate/stay_night))) and serves as the [protagonist's moral compass](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheConscience),", "revelation is a crucial factor in making the deuteragonist abandon her religious views,", "had in life were attempts by an [aeons-old, serpentine monstrosity](https://tvtropes.org/pmwiki/pmwiki.php/Main/EldritchAbomination) with omnicidal tendencies", "views, as he comes to believe that she died for a lie and", "hides it better](https://tvtropes.org/pmwiki/pmwiki.php/Main/MaskOfSanity) (which says a lot, given that the protagonist suffers from", "given that the protagonist suffers from severe cases of Borderline Personality Disorder, Body", "from severe cases of Borderline Personality Disorder, Body Dysmorphic Disorder and sex addiction).", "Such mental instability stems from the trauma of the Hundred Years War, struggling", "a manner where the deuteragonist's sanity slippage occurs in a gradual and believable", "is heavily implied to be Juopne d'Arc (whose characterisation takes many cues from", "Borderline Personality Disorder, Body Dysmorphic Disorder and sex addiction). Such mental instability stems", "where religion is outright mocked, everyone she knows being dead and having no", "to destroy her sanity and render the protagonist susceptible to influence from Jǫrmungandr.", "it. This revelation is a crucial factor in making the deuteragonist abandon her", "abandon her religious views, as he comes to believe that she died for", "when Jǫrmungandr's \"father\"/\"messager\", Lomo reveals that he [killed and masqueraded](https://tvtropes.org/pmwiki/pmwiki.php/Main/KillAndReplace) as a priest", "this insanity ends with the deuteragonist masturbating to a memory of the protagonist", "has hit rock bottom](https://tvtropes.org/pmwiki/pmwiki.php/Main/DespairEventHorizon) and leaving her wanting to commit suicide. And yes,", "a gradual and believable fashion, rather than some contrived, implausible way. How should", "believable fashion, rather than some contrived, implausible way. How should I accomplish this?**", "to write in a manner where the deuteragonist's sanity slippage occurs in a", "occurs in a gradual and believable fashion, rather than some contrived, implausible way.", "less than heroic acts. The series suggests that the deuteragonist is even more", "cases of Borderline Personality Disorder, Body Dysmorphic Disorder and sex addiction). Such mental", "the trauma of the Hundred Years War, struggling to conform to modern society's", "with his former love interest, [showing that she has hit rock bottom](https://tvtropes.org/pmwiki/pmwiki.php/Main/DespairEventHorizon) and", "from [Artoria Pendragon](https://typemoon.fandom.com/wiki/Saber_(Fate/stay_night))) and serves as the [protagonist's moral compass](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheConscience), criticising him for", "that the protagonist suffers from severe cases of Borderline Personality Disorder, Body Dysmorphic", "bottom](https://tvtropes.org/pmwiki/pmwiki.php/Main/DespairEventHorizon) and leaving her wanting to commit suicide. And yes, it's as bad", "render the protagonist susceptible to influence from Jǫrmungandr. All of this insanity ends", "Dysmorphic Disorder and sex addiction). Such mental instability stems from the trauma of", "for over six centuries. Things get worse when the deuteragonist learns that the", "of the protagonist having sex with his former love interest, [showing that she", "learns that the various visions of Angels and Saints she had in life" ]
[ "some of my favorite poems in a book. The poems are mostly from", "Question #1: Is it alright to illustrate them? Question #2: Would it be", "before 1900. Question #1: Is it alright to illustrate them? Question #2: Would", "an artist and I want to illustrate some of my favorite poems in", "artist and I want to illustrate some of my favorite poems in a", "are mostly from before 1900. Question #1: Is it alright to illustrate them?", "and I want to illustrate some of my favorite poems in a book.", "favorite poems in a book. The poems are mostly from before 1900. Question", "in a book. The poems are mostly from before 1900. Question #1: Is", "of my favorite poems in a book. The poems are mostly from before", "poems are mostly from before 1900. Question #1: Is it alright to illustrate", "#1: Is it alright to illustrate them? Question #2: Would it be alright", "my favorite poems in a book. The poems are mostly from before 1900.", "to illustrate some of my favorite poems in a book. The poems are", "illustrate some of my favorite poems in a book. The poems are mostly", "it alright to illustrate them? Question #2: Would it be alright if the", "The poems are mostly from before 1900. Question #1: Is it alright to", "I want to illustrate some of my favorite poems in a book. The", "1900. Question #1: Is it alright to illustrate them? Question #2: Would it", "I'm an artist and I want to illustrate some of my favorite poems", "alright to illustrate them? Question #2: Would it be alright if the compilation", "book. The poems are mostly from before 1900. Question #1: Is it alright", "Is it alright to illustrate them? Question #2: Would it be alright if", "illustrate them? Question #2: Would it be alright if the compilation is published?", "want to illustrate some of my favorite poems in a book. The poems", "a book. The poems are mostly from before 1900. Question #1: Is it", "to illustrate them? Question #2: Would it be alright if the compilation is", "from before 1900. Question #1: Is it alright to illustrate them? Question #2:", "poems in a book. The poems are mostly from before 1900. Question #1:", "mostly from before 1900. Question #1: Is it alright to illustrate them?** Question" ]
[ "me to do. How can I work on this to be able to", "to venture out into present tense, but it is so hard for me", "can I work on this to be able to actually write a full", "tense, but it is so hard for me to do. How can I", "for me to do. How can I work on this to be able", "do. How can I work on this to be able to actually write", "present tense, but it is so hard for me to do. How can", "into present tense, but it is so hard for me to do. How", "out into present tense, but it is so hard for me to do.", "would like to venture out into present tense, but it is so hard", "but it is so hard for me to do. How can I work", "work on this to be able to actually write a full book in", "is so hard for me to do. How can I work on this", "to be able to actually write a full book in the present tense?", "How can I work on this to be able to actually write a", "it is so hard for me to do. How can I work on", "this to be able to actually write a full book in the present", "I work on this to be able to actually write a full book", "to do. How can I work on this to be able to actually", "hard for me to do. How can I work on this to be", "on this to be able to actually write a full book in the", "so hard for me to do. How can I work on this to", "I would like to venture out into present tense, but it is so", "venture out into present tense, but it is so hard for me to", "like to venture out into present tense, but it is so hard for" ]
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Does anyone", "really helps me to keep an overview of what I can do for", "planning in order to make it easier for me to deal with these", "because I get stuck micromanaging minor details like the moment to moment events", "long time now, and while I've tried to start a couple times already,", "general writing process, especially the elements mentioned above. Does anyone have experience with", "thinking about using Agile planning or elements from Agile planning in order to", "to deal with these issues, because it's commonly done in my work sector", "be working on in weekly sections that if necessary can be finished later", "of them. I'm wondering if this planning methodology is feasible to use for", "me to keep an overview of what I can do for progress and", "I can do for progress and how long I normally should take to", "in weekly sections that if necessary can be finished later on; 3. Turning", "usually stopped again after a week or so because I get stuck micromanaging", "3. 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Do others experience this, and, if so,", "of something going on in the story, so I can pick back up", "don't fix the underlying problem of finding myself drawing a total blank at", "type of writer's block and am looking for strategies to work around it.", "middle of something going on in the story, so I can pick back", "does switching writing projects opportunistically, but they don't fix the underlying problem of", "work around it. I lean toward discovery writing but with some need to", "in my storywriting. I frequently struggle with not being able to write because", "should be going on in the immediate moment. Because of this I try", "sessions in the middle of something going on in the story, so I", "looking for strategies to work around it. 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Do others experience this, and,", "general direction to head in my storywriting. I frequently struggle with not being", "end writing sessions in the middle of something going on in the story,", "stories sitting at chapter breaks, and I just can't see what comes immediately", "of this I try hard to end writing sessions in the middle of", "the middle of something going on in the story, so I can pick", "write because I don't understand what should be going on in the immediate", "understand what should be going on in the immediate moment. Because of this", "fix the underlying problem of finding myself drawing a total blank at knowing", "switching writing projects opportunistically, but they don't fix the underlying problem of finding", "finding myself drawing a total blank at knowing what comes immediately next in", "story, so I can pick back up the thread later. Non-linear writing helps", "so I can pick back up the thread later. Non-linear writing helps some,", "helps some, as does switching writing projects opportunistically, but they don't fix the", "try hard to end writing sessions in the middle of something going on", "discovery writing but with some need to understand my story in advance, enough", "struggle with not being able to write because I don't understand what should" ]
[ "away, and this Elf soldier then is hit and faints. When main character's", "to the place, he sees this Elf soldier lying on the ground and", "one POV character who is not too important to the story. He is", "just one of the soldiers in war. However, I really want to make", "is not too important to the story. He is an Elf soldier who", "not important to the main story and he does not affect it, he", "the soldiers in war. However, I really want to make him interesting and", "ordinary soldier's view of war. So how to accomplish this? Thanks in advance!", "keeps a important prisoner captive, and then captive runs away, and this Elf", "not affect it, he is just one of the soldiers in war. However,", "Elf soldier then is hit and faints. When main character's POV appears and", "place, he sees this Elf soldier lying on the ground and his friend", "his friend bringing him some help. That is their only meeting together. This", "story. He is an Elf soldier who keeps a important prisoner captive, and", "help. That is their only meeting together. This Elf is not important to", "That is their only meeting together. This Elf is not important to the", "and his friend bringing him some help. That is their only meeting together.", "pages, but to show an ordinary soldier's view of war. So how to", "but to show an ordinary soldier's view of war. So how to accomplish", "I accomplish this altough he is not part of the main story. I", "runs away, and this Elf soldier then is hit and faints. When main", "story. I don't want to put him there just to a filler for", "and faints. When main character's POV appears and he comes to the place,", "him some help. That is their only meeting together. This Elf is not", "of the soldiers in war. However, I really want to make him interesting", "and he does not affect it, he is just one of the soldiers", "ground and his friend bringing him some help. That is their only meeting", "how can I accomplish this altough he is not part of the main", "just to a filler for pages, but to show an ordinary soldier's view", "want to put him there just to a filler for pages, but to", "make him interesting and alive. Yet how can I accomplish this altough he", "story and he does not affect it, he is just one of the", "part of the main story. I don't want to put him there just", "this altough he is not part of the main story. I don't want", "then is hit and faints. When main character's POV appears and he comes", "This Elf is not important to the main story and he does not", "I don't want to put him there just to a filler for pages,", "faints. When main character's POV appears and he comes to the place, he", "to the story. He is an Elf soldier who keeps a important prisoner", "Elf soldier lying on the ground and his friend bringing him some help.", "bringing him some help. That is their only meeting together. This Elf is", "not too important to the story. He is an Elf soldier who keeps", "don't want to put him there just to a filler for pages, but", "an Elf soldier who keeps a important prisoner captive, and then captive runs", "soldier who keeps a important prisoner captive, and then captive runs away, and", "main character's POV appears and he comes to the place, he sees this", "really want to make him interesting and alive. Yet how can I accomplish", "of the main story. I don't want to put him there just to", "is an Elf soldier who keeps a important prisoner captive, and then captive", "and he comes to the place, he sees this Elf soldier lying on", "this Elf soldier lying on the ground and his friend bringing him some", "him interesting and alive. Yet how can I accomplish this altough he is", "their only meeting together. This Elf is not important to the main story", "Yet how can I accomplish this altough he is not part of the", "to the main story and he does not affect it, he is just", "is just one of the soldiers in war. However, I really want to", "who is not too important to the story. He is an Elf soldier", "the ground and his friend bringing him some help. That is their only", "some help. That is their only meeting together. This Elf is not important", "main story and he does not affect it, he is just one of", "the place, he sees this Elf soldier lying on the ground and his", "to show an ordinary soldier's view of war. So how to accomplish this?", "show an ordinary soldier's view of war. So how to accomplish this? Thanks", "accomplish this altough he is not part of the main story. I don't", "hit and faints. When main character's POV appears and he comes to the", "one of the soldiers in war. However, I really want to make him", "comes to the place, he sees this Elf soldier lying on the ground", "he is not part of the main story. I don't want to put", "want to make him interesting and alive. Yet how can I accomplish this", "to put him there just to a filler for pages, but to show", "this Elf soldier then is hit and faints. When main character's POV appears", "soldier then is hit and faints. When main character's POV appears and he", "he comes to the place, he sees this Elf soldier lying on the", "soldiers in war. However, I really want to make him interesting and alive.", "a filler for pages, but to show an ordinary soldier's view of war.", "main story. I don't want to put him there just to a filler", "on the ground and his friend bringing him some help. That is their", "too important to the story. He is an Elf soldier who keeps a", "it, he is just one of the soldiers in war. However, I really", "POV appears and he comes to the place, he sees this Elf soldier", "alive. Yet how can I accomplish this altough he is not part of", "character's POV appears and he comes to the place, he sees this Elf", "an ordinary soldier's view of war. So how to accomplish this? Thanks in", "and alive. Yet how can I accomplish this altough he is not part", "Elf soldier who keeps a important prisoner captive, and then captive runs away,", "friend bringing him some help. That is their only meeting together. This Elf", "important to the main story and he does not affect it, he is", "interesting and alive. Yet how can I accomplish this altough he is not", "does not affect it, he is just one of the soldiers in war.", "together. This Elf is not important to the main story and he does", "prisoner captive, and then captive runs away, and this Elf soldier then is", "a important prisoner captive, and then captive runs away, and this Elf soldier", "important prisoner captive, and then captive runs away, and this Elf soldier then", "affect it, he is just one of the soldiers in war. However, I", "POV character who is not too important to the story. He is an", "war. However, I really want to make him interesting and alive. Yet how", "altough he is not part of the main story. I don't want to", "I have one POV character who is not too important to the story.", "not part of the main story. I don't want to put him there", "the main story. I don't want to put him there just to a", "and this Elf soldier then is hit and faints. When main character's POV", "important to the story. He is an Elf soldier who keeps a important", "he does not affect it, he is just one of the soldiers in", "is hit and faints. When main character's POV appears and he comes to", "is not important to the main story and he does not affect it,", "for pages, but to show an ordinary soldier's view of war. So how", "sees this Elf soldier lying on the ground and his friend bringing him", "captive, and then captive runs away, and this Elf soldier then is hit", "to a filler for pages, but to show an ordinary soldier's view of", "is not part of the main story. I don't want to put him", "I really want to make him interesting and alive. Yet how can I", "who keeps a important prisoner captive, and then captive runs away, and this", "have one POV character who is not too important to the story. He", "is their only meeting together. This Elf is not important to the main", "in war. However, I really want to make him interesting and alive. Yet", "and then captive runs away, and this Elf soldier then is hit and", "the main story and he does not affect it, he is just one", "only meeting together. This Elf is not important to the main story and", "He is an Elf soldier who keeps a important prisoner captive, and then", "Elf is not important to the main story and he does not affect", "there just to a filler for pages, but to show an ordinary soldier's", "character who is not too important to the story. He is an Elf", "put him there just to a filler for pages, but to show an", "to make him interesting and alive. Yet how can I accomplish this altough", "lying on the ground and his friend bringing him some help. That is", "appears and he comes to the place, he sees this Elf soldier lying", "he is just one of the soldiers in war. However, I really want", "the story. He is an Elf soldier who keeps a important prisoner captive,", "filler for pages, but to show an ordinary soldier's view of war. So", "then captive runs away, and this Elf soldier then is hit and faints.", "captive runs away, and this Elf soldier then is hit and faints. When", "When main character's POV appears and he comes to the place, he sees", "meeting together. This Elf is not important to the main story and he", "However, I really want to make him interesting and alive. Yet how can", "can I accomplish this altough he is not part of the main story.", "he sees this Elf soldier lying on the ground and his friend bringing", "soldier lying on the ground and his friend bringing him some help. That", "him there just to a filler for pages, but to show an ordinary" ]
[ "cannot find it online and neither in print. I wrote to the former", "back from them either. Neither could I locate the issue of the journal", "asks me if the poem was published elsewhere. How should I submit the", "professional poet. A few years a poem of mine was published and reviewed", "exists, I cannot find it online and neither in print. I wrote to", "Asian Ensemble journal. This journal no longer exists, I cannot find it online", "of mine was published and reviewed by the South Asian Ensemble journal. This", "the poem was published elsewhere. How should I submit the poem for review", "South Asian Ensemble journal. This journal no longer exists, I cannot find it", "to submit to a new journal, it asks me if the poem was", "the former editors, and did not hear back from them either. Neither could", "is lost. When I try to submit to a new journal, it asks", "locate the issue of the journal with my poem on Google on miscellaneous", "the issue of the journal with my poem on Google on miscellaneous websites.", "with my poem on Google on miscellaneous websites. As a result the published", "poem was published elsewhere. How should I submit the poem for review again?", "and neither in print. I wrote to the former editors, and did not", "I try to submit to a new journal, it asks me if the", "journal, it asks me if the poem was published elsewhere. How should I", "it online and neither in print. I wrote to the former editors, and", "them either. Neither could I locate the issue of the journal with my", "I wrote to the former editors, and did not hear back from them", "mine was published and reviewed by the South Asian Ensemble journal. This journal", "the published poem is lost. When I try to submit to a new", "try to submit to a new journal, it asks me if the poem", "published and reviewed by the South Asian Ensemble journal. This journal no longer", "am not a professional poet. A few years a poem of mine was", "online and neither in print. I wrote to the former editors, and did", "neither in print. I wrote to the former editors, and did not hear", "I locate the issue of the journal with my poem on Google on", "to a new journal, it asks me if the poem was published elsewhere.", "longer exists, I cannot find it online and neither in print. I wrote", "print. I wrote to the former editors, and did not hear back from", "few years a poem of mine was published and reviewed by the South", "from them either. Neither could I locate the issue of the journal with", "no longer exists, I cannot find it online and neither in print. I", "a new journal, it asks me if the poem was published elsewhere. How", "by the South Asian Ensemble journal. This journal no longer exists, I cannot", "lost. When I try to submit to a new journal, it asks me", "find it online and neither in print. I wrote to the former editors,", "wrote to the former editors, and did not hear back from them either.", "journal with my poem on Google on miscellaneous websites. As a result the", "When I try to submit to a new journal, it asks me if", "Ensemble journal. This journal no longer exists, I cannot find it online and", "hear back from them either. Neither could I locate the issue of the", "a professional poet. A few years a poem of mine was published and", "a poem of mine was published and reviewed by the South Asian Ensemble", "was published and reviewed by the South Asian Ensemble journal. This journal no", "As a result the published poem is lost. When I try to submit", "did not hear back from them either. Neither could I locate the issue", "it asks me if the poem was published elsewhere. How should I submit", "on miscellaneous websites. 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A few years a poem of mine", "new journal, it asks me if the poem was published elsewhere. How should", "not a professional poet. A few years a poem of mine was published", "reviewed by the South Asian Ensemble journal. This journal no longer exists, I", "on Google on miscellaneous websites. As a result the published poem is lost.", "in print. I wrote to the former editors, and did not hear back", "poem is lost. When I try to submit to a new journal, it", "editors, and did not hear back from them either. Neither could I locate", "either. Neither could I locate the issue of the journal with my poem", "my poem on Google on miscellaneous websites. As a result the published poem", "could I locate the issue of the journal with my poem on Google", "the South Asian Ensemble journal. This journal no longer exists, I cannot find", "me if the poem was published elsewhere. How should I submit the poem", "submit to a new journal, it asks me if the poem was published" ]
[ "in my scenes by a demon, ghost or murderer. How can I make", "use \"Oh my God!\" when they're frightened in my scenes by a demon,", "my God!\" when they're frightened in my scenes by a demon, ghost or", "How can I make them seem terrified without being so cliche and using", "God!\" when they're frightened in my scenes by a demon, ghost or murderer.", "ghost or murderer. How can I make them seem terrified without being so", "notice that my characters use \"Oh my God!\" when they're frightened in my", "make them seem terrified without being so cliche and using \"Oh my God!\"?", "scenes by a demon, ghost or murderer. How can I make them seem", "my scenes by a demon, ghost or murderer. How can I make them", "lot of horror, and I notice that my characters use \"Oh my God!\"", "a lot of horror, and I notice that my characters use \"Oh my", "\"Oh my God!\" when they're frightened in my scenes by a demon, ghost", "by a demon, ghost or murderer. How can I make them seem terrified", "I notice that my characters use \"Oh my God!\" when they're frightened in", "they're frightened in my scenes by a demon, ghost or murderer. How can", "my characters use \"Oh my God!\" when they're frightened in my scenes by", "I write a lot of horror, and I notice that my characters use", "a demon, ghost or murderer. How can I make them seem terrified without", "characters use \"Oh my God!\" when they're frightened in my scenes by a", "when they're frightened in my scenes by a demon, ghost or murderer. How", "can I make them seem terrified without being so cliche and using \"Oh", "write a lot of horror, and I notice that my characters use \"Oh", "frightened in my scenes by a demon, ghost or murderer. How can I", "demon, ghost or murderer. How can I make them seem terrified without being", "and I notice that my characters use \"Oh my God!\" when they're frightened", "or murderer. How can I make them seem terrified without being so cliche", "that my characters use \"Oh my God!\" when they're frightened in my scenes", "murderer. How can I make them seem terrified without being so cliche and", "I make them seem terrified without being so cliche and using \"Oh my", "of horror, and I notice that my characters use \"Oh my God!\" when", "horror, and I notice that my characters use \"Oh my God!\" when they're" ]